Whether it's an igloo or a pop-up glamping tent, Sydneysiders love a luxurious and private outdoor dining space. With winter in full swing, waterfront fine diner 6HEAD is taking these private dining pop-ups to another level with its unique set of dining domes along Sydney harbour. Located at the historic Campbell's Stores in The Rocks, 6HEAD will be erecting domes in its al fresco dining area to provide a luxurious experience with unbeatable views of the Sydney Opera House and Sydney Harbour Bridge. The domes will pop up from Friday, June 28 until Sunday, August 28 with space to accommodate groups of up to six for a night of food, drinks and harbour views. There are two domes sizes, medium and large. The medium size can accommodate up to four people and comes with an attached minimum spend of $1000, while the large size can fit you and five others but has a $1500 minimum spend. While you're watching the commuters cross the bridge and the waves crash against the pier from the comfort of your dome, there are a couple of different ways you can attack the 6HEAD menu. A la carte options include starters like wagyu bresla, oysters and caviar alongside a seafood-heavy mains selection and a hefty array of steaks ranging from MB3+ fillet for $67 all the way up to the signature MB9+ wagyu tomahawk for $350. If you want the decisions taken off your hands you can opt for one of the set menus. The most extravagant option — The Dawes — will set each guest back $164 and includes olive bread, wagyu bresaola, kingfish ceviche, Mayura rump tartare, dry-aged tomahawk, rice pudding and a dessert cheese board. A premium or deluxe wine package can also be added to the set menu, both of which include a variety of sparkling, red, white and rosé. To reserve a place in the 6HEAD waterfront domes, head to the restaurant's website. Images: Steven Woodburn FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Wollongong's Babyface Kitchen turned two this year and has not wavered from its promise to deliver farm fresh dishes. The modest restaurant is owned by Burnsbury Hospitality, which also owns the nearby 2 Smoking Barrels barbecue joint and food truck. The team's commitment to top-notch Aussie produce means the offering changes regularly and focuses on organic and native ingredients — most of which come from local producers, while some is foraged by the chefs. Japanese and Korean cooking methods and ingredients also feature on the menu. To this end, the kitchen makes six different miso, plus its own cultured butter, pickles, vinegar, ferments and koji (a fungus used to make soy sauce and fermented bean paste). The succinct menu spans raw starters and smalls to large plates and sides. For starters, there are dry-aged duck dumplings with a black garlic, soy and red vinegar dipping sauce ($3.5 each); a rye and wattleseed tart topped with Moreton Bay bug roe, whipped feta and leek ash ($4 each); and roasted cauliflower with pistachio miso and cultured butter on a kombu cracker ($17). Organic veggies are showcased in the Epicurean Harvest dish of smoked pumpkin, radish, carrot and Japanese leeks with fried buckwheat and feta ($24). Another featuring Asian-inspired ingredients is the Mooloolaba king prawns in a shoyu koji and cultured butter sauce ($49). To try a bit of everything, there's also a nine-dish tasting menu for $85 per person, or a four-course chef's menu for $70 — available for both lunch and dinner. On the drinks side, the compact wine list focuses on Australian and minimal intervention drops, as you'd expect from this crew. Babyface Kitchen also runs regular collaboration dinners with wineries, producers and brewers, so keep an eye on their website for upcoming events. Restaurant interiors: Quicksand Food.
Record label Future Classic is turning 20 years in the business, and to celebrate, it's taking over one of Sydney's most prominent venues for one hell of a party. From small beginnings in the club scene to representing huge names in both Australia and the United States, there's plenty the label has to toast to. Spanning three stages at City Recital Hall on Friday, February 27th, the celebration will consist of hours of music, dancing, and discovery, honouring the label's two decades of fostering community, innovation, and creativity. The event is 18+. From its early days of throwing underground club nights, Future Classic has grown into an international powerhouse. Now home to a record label, management, publishing, and events team with headquarters in both Sydney and Los Angeles, they've been instrumental in the careers of acts including Flume, Chet Faker, SOPHIE, G Flip, Flight Facilities, Hayden James, Sycco, Wafia, Ta-ku, and more. They've released hundreds of records, amassed billions of streams, and earned multiple ARIA and Grammy Awards, all while remaining Australian-owned and independently run. The one-night-only show will bring together some of the label's most beloved artists for an unforgettable birthday celebration. ARIA-nominated singer-songwriter Emma Louise will deliver a rare and spellbinding performance, while Brisbane singer-songwriter and producer Sycco will appear with her slew of hits. And Italo-disco maestro Touch Sensitive will recruit his full live band for a career-spanning performance, including his recent album In Paradise. [caption id="attachment_1044374" align="aligncenter" width="1920"] Cybele Malinowski[/caption] Also taking the stage will be Chilean selector Paula Tape, Atlanta-based DJ and producer Nikki Nair, local hero Panama, the lush creations of Tentendo, and a customary appearance from Future Classic DJs. Plus, expect some very special surprise guests B2B during the night. Future Classic have also launched a special archival website, giving music lovers a chance to take a trip down memory lane, while we await the celebrations in the new year. Check it out here. General tickets are on sale now, get yours here.
Early in We Live in Time — early in the film's running time for watching audiences, but not early in its central romance thanks to the movie's non-linear storytelling — Florence Pugh's Almut reacts to significant news about her health by delivering her own to Andrew Garfield's Tobias. Years after a meet-cute involving a hospital (and also a car accident, with her behind the wheel and him lightly struck by the car), they're again at one. Their relationship has never been much of a stranger to them, in fact. This time, however, as the chef and the Weetbix employee stand in the carpark after an appointment, they ponder a question that lingers over everyone but never as much as those forced to reckon with the knowledge that their future might not be guaranteed: is life best lived for quantity or quality? Charting a decade in its characters' existence, from a surprise encounter to falling in love, weathering heartbreak, starting a family, pursuing professional dreams, navigating challenges and facing mortality, We Live in Time isn't a strict two-hander in terms of casting. Still, it's so intimately a double act between Pugh (Dune: Part Two) and Garfield (Under the Banner of Heaven) that it feels like one. See: this crucial moment, which conveys everything about Almut and Tobias' dynamic. She speaks carefully but passionately. He listens devotedly. Nothing else could be more important to either of them. Pugh's performance simmers with raw emotion. This interaction isn't about him, but Garfield turns in some of cinema's most-moving reaction work as Tobias takes in what he's being told. Asked how important that scene is for him, Garfield is quick and decisive: "very pivotal," he tells Concrete Playground. It also cuts to the core of exactly what helps make We Live in Time so affecting. This is a heartfelt romance dealing with the fleeting nature of life — and in other hands than Garfield and Pugh's, and director John Crowley (Brooklyn) and screenwriter Nick Payne's (The Last Letter From Your Lover), it'd risk being dismissed as a weepie — but it's always about who Almut is regardless of anything that she can't control. It's about how people endure, create a life together and cherish their time together, while the hourglass empties, too. The impact that a person has beyond just being someone's parent, someone's partner or someone's child also sits at the centre of the film as much as Almut and Tobias' relationship. And, as it delves into weighty topics for its genre while stepping through Almut and Tobias' tale, We Live in Time firmly never falls into the common trap of heroing what Tobias is going through over Almut's experience — as a person, not just as someone with an unwanted diagnosis. It doesn't dream of defining her or them through the worst thing that they'll ever confront, either. In some features, letting time jump around can be a gimmick, but here it is done with touching purpose. As the movie flits between the duo's first weeks and months together, one specific day spent in the bathroom of a service station and also their well-established romance, the non-linear structure ensures that the full wave of life and love — not specific pieces of news, or coping with their aftermath — are always pushed to the fore in an immensely well-rounded narrative. For Garfield, Tobias is the role that brings him back to the screen. 2025 marks 18 years since his film debut in Boy A, another empathetic and sensitive film directed by Crowley — as well as a feature that earned its star a BAFTA TV award — and he's rarely been far away the viewers' gaze since, until 2022. Before half a decade had passed from his first movie, he'd made an imprint in three-time Oscar-winner The Social Network opposite Jesse Eisenberg (A Real Pain) and slung webs in a comic-book blockbuster in The Amazing Spider-Man. Another five years later, he had his first Best Actor Oscar nomination for Hacksaw Ridge. Before, in-between and afterwards, Garfield kept adding interesting projects to his resume, the page-to-screen Red Riding crime saga, dystopian romance Never Let Me Go, housing-crisis drama 99 Homes, the Martin Scorsese (Killers of the Flower Moon)-helmed Silence, LA-set neo-noir Under the Silver Lake and Lin-Manuel Miranda's (Hamilton) Jonathan Larson biographical musical Tick, Tick... Boom! — the source of his second round of Best Actor love from the Academy Awards — among them. Two more stints as Peter Parker also eventuated, including in the Marvel Cinematic Universe. Then, after television's Under the Banner of Heaven, he took some time off. One of the things that made We Live in Time a must-star for him: a memorable birth scene that Garfield likens to an action sequence. What did it mean to join forces with Crowley again after the filmmaker gave him his initial movie role? And to dive into the meaning of life and what truly matters in We Live in Time — and to create such a deep sense of intimacy with Pugh, too? Over a cup of tea, we chatted with Garfield about all of the above, the film's efforts to avoid the tearjerker label and two key instances, one off- and the other on-screen: the "this is it!" moment that made him know he wanted to make this movie, and that carpark scene. On Reteaming with John Crowley on We Live in Time After Boy A — and Collaborating with the Director on Empathetic and Sensitive Films "It's quite natural because John is naturally that, and I think I'm quite naturally that, and I think it just works. There's nothing better than on a film set feeling like you have room to take ownership over a moment, to breathe as the character, to not feel like you have to get it right — and it's an important thing for me to feel when I'm on a set. John is one of those filmmakers that provides that for his actors. He creates a lot of space for breath. He creates a lot of space for exploration and nuance, and interior life and subtlety, and for life to unfold. I felt that when I was first working with him and then it's remained now." On Diving Into Weighty Notions Such as How People Create a Life, Cherish Their Time Together and Have an Impact in a Romantic Drama "I love these ideas and I think that you said it perfectly — they are weighty and they are about the meaning of life, and they are about what matters and what doesn't, and how we keep our attention and our hearts trained on that which is nourishing and that which is mysterious and meaningful. So I love these ideas, and I love being able to hang out in them and to ask questions within them, within the question. And to explore these themes with great artists and collaborators is a dream, and with such great writing. I think that these are the questions that I ask myself on a daily basis anyway. So it felt very natural to slide into this character's skin, and all of the difficulty and beauty of the experience he was having." On What Excited Garfield About Starring in We Live in Time as His First On-Screen Project Since 2022's Under the Banner of Heaven "I think while I was reading the script, and I was reading how this dynamic was unfolding and how it built particularly to the birth scene, I thought 'my gosh, this is such an epic action sequence in domesticity'. I thought: 'oh, man, I want to see this, and how this plays out'. And there were a few scenes of just deep beauty and tenderness, and funny — they were just so sweetly funny within such pain. And I thought 'that just feels like a balm'. It feels like a balm for me, as a person that's been through his own grief. But also it will feel like a balm for other people in the audience who are going through their own version of what these people are going through in this film. So it felt like an act of service. It felt like a real act of service to make this film for myself, but also for an audience, hopefully." On Building Deep Intimacy with Florence Pugh as Tobias and Almut "So the writing is very good. The writing was the jumping-off point and thank god it was a great script, otherwise I don't think we'd be talking — I don't think the film would have been made. So that was the beginning. And then it was me and Florence just finding this natural trust and depth of intimacy and nakedness and vulnerability together. And joy and play together. We can go from being feeling like two childhood friends to feeling like parents. That's a really important thing, I think, for this film. That was rather easy for us to find together. I think we're both just up for it. We're both just two actors and two people who are just like 'what are we doing today, and how do we make it as fun and as silly and as real and as deep as possible?'. That's what we came into every day looking for — and not just for ourselves, but for the other, too. We were two actors who really, really loved being a part of the other person flying. And that's a really special thing." On Ensuring That The Film Tells a Well-Rounded Story That Reflects Life and Is Never a Weepie, Even as It Deals with Love and Mortality "We didn't want it to feel sentimental or saccharine. We didn't want it to feel imbalanced. We didn't want it to feel manipulative. We wanted it to feel, as you say, like life. We wanted it to be very, very rich, diverse experience that felt like watching life unfold for these two people — in all of the agony and all of the ecstasy and all of the complication. What's amazing about Florence's character is she's not this lionised, idealised survivor/victim. And I think the same thing with Tobias, he's not some overly soppy, wet, sympathetic, sentimental character. They both have flaws. They both have fallibility. And they're both deeply human. So that was very, very important for us to keep our eye on." On What Garfield Was Hoping to Express in the Movie's Pivotal Carpark Scene "I was hoping to convey just an impossible contradiction in impulses. I think there's no easy path in that moment for these two characters. And for Tobias, I wanted to convey a thousand things at once. I wanted to convey overwhelm. I wanted to convey being unable to offer anything concise or rational or useful. I wanted to convey deep understanding of where she was while also wanting to kick and scream — and I wanted to convey, on top of that, 'all I've got to do right now is not make this about me. I've just got to listen and I've just got to support and let this moment be this moment, not have an answer'. Just the humility of 'I don't have anything to say here and I'm not going to force it' — like I think most of us want to do in those situations, we want to have a fix-it answer. We want to have some kind final solution. But I think Tobias, in that moment, is humble enough or overwhelmed enough to be able just to stand there, not having anything to offer apart from comfort." We Live in Time opens in Australian cinemas on Thursday, January 16, 2025 and in New Zealand cinemas on Thursday, January 23, 2025.
The suburbs are twinkling. Yes, it's that time again: the merriest time of the year. If December to you means luminous festive decorations — November as well, or basically the second that Halloween is over — then simply driving through your neighbourhood can be jolly enjoyable. Wherever you look, there just might be a glowing set of Christmas lights sharing its seasonal merriment and brightening up the suburban streets. Of course, these lit-up displays really shouldn't cause such a fuss. They pop up everywhere every year, after all, and we're all well and truly aware of how electricity works. But glowing bulbs are just so hard to resist when it's the happiest portion of the calendar. Keen to scope out the best and brightest seasonal-themed houses and yards? An Australian website called Christmas Lights Search is likely to pique your interest, especially given that it has been updated for 2024. [caption id="attachment_882324" align="alignnone" width="1920"] Donaldytong via Wikimedia Commons[/caption] Christmas Lights Search is as nifty and handy as its name suggests, covering festive displays all around the country. To locate all the spots that you should head to, it's as easy as entering your postcode or suburb — or those of places nearby — and letting the site deliver the relevant options. Plus, it also rates the lights displays, if you want to either go big or stay home. It's constantly being updated as well, so, like the best combos of glowing trees, sparkling bulbs and oversized Santas, you might want to check it out more than once. When you pick an individual address listed on the site, you'll be greeted with some key information, too. The level of detail varies per listing, but expect to potentially peruse photos, the ideal hours to swing by, a date range and a description of what's on offer. All that's left is to get searching, plot out where you'll be heading every night between now and Christmas Eve, and get ready to see oh-so-many reindeer, candy canes and snowmen. Putting up your own Christmas lights for the neighbourhood to see? Spotted something in your travels that you think everyone else would like to check out? You can add both to Christmas Lights Search as well. [caption id="attachment_882325" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] To find festive displays near you, head to the Christmas Lights Search website.
If there was ever a year to see if you could stream every film and television show ever, it's the one that we've just lived through. We've all heard the jokes about 'finishing Netflix', which have felt particularly accurate in 2020. But, en masse, Australians have been gravitating to the same movies and TV programs over the past 12 months — and Netflix has just revealed the 17 most popular titles. The streaming platform hasn't detailed them in order, so no one flick or series tops the list. But it has broken down 2020's huge hits by genre, naming a film and show in each — except in the reality TV field, for self-explanatory reasons. The big trends: stars and twists. Famous faces and thorny stories feature prominently, as you probably noticed all year based on Netflix's in-platform top ten feature. So, what were we all watching? In the action genre, Aussies feasted their eyeballs on Chris Hemsworth vehicle Extraction and Karate Kid spinoff Cobra Kai. We went light and fluffy in the comedy category, thanks to Holidate and Emily in Paris. In the horror realm, IT: Chapter Two and The Haunting of Bly Manor emerged victorious — and if you're wondering about the former, which first hit cinemas in 2019, Netflix counts anything that debuted on the platform across 2020. When it came to drama, Aussies couldn't get enough of Enola Holmes and The Queen's Gambit (if you've been scoping out chess sets for Christmas, you know that's true). Spenser Confidential and The Sinner: Jamie were the top thrillers, The Kissing Booth 2 and Dash & Lily the most popular romances, and Pokémon: Detective Pikachu and Jurassic World: Camp Cretaceous the kid-friendly hits. Too Hot to Handle took the reality TV crown, while, doco-wise, everyone watched American Murder: The Family Next Door. And Tiger King: Murder, Mayhem and Madness, of course, because no one can now remember a time when we didn't know who Joe Exotic was. https://www.youtube.com/watch?v=acTdxsoa428 Netflix didn't announce any figures to go with this list, so we don't know just how many people watched any of the above. And, obviously, popularity isn't the same as quality. Some of the above hits are great, and some are downright terrible. If Extraction and the Mark Wahlberg-starring Spenser Confidential didn't release in March and April, when the world was going into lockdown, maybe they wouldn't have attracted so many eyeballs, for instance. Australian-made shows and movies didn't score their own category, but the streaming platform did note that Aunty Donna's Big Ol' House of Fun spent almost two weeks in the local top ten. In other trends, Aussies watched 60 percent more flicks and series in languages other than English compared to 2019, doubled our viewing of Korean dramas and checked out more than twice as much anime as well. For more information about Netflix, or to stream any of the above shows and films, head to the streaming platform's website. Top image: Phil Bray/Netflix.
Plants, stars and wine collide when astronomy comes to The Calyx in the Royal Botanic Garden. Running from 7.30–10pm, the Lunar New Year edition of the regular event invites you to kick back, relax and learn about the night skies and Chinese astrology. Astronomers will talk you through space volcanoes, dark energy, planets and the 12 Chinese zodiac signs, while surrounded by the garden's super-popular carnivorous plant display, before leading you outside to look at the night sky through telescopes. You'll gain a whole new perspective on familiar constellations and learn how to find those that are not-so-familiar. Learn to locate the Jewel Box within the Southern Cross, bright nebulae within Sagittarius and Omega Centauri, a globular cluster. Tickets are a reasonable $41 and include a glass of wine upon arrival, with more drinks and snacks available to purchase. Tickets always book out well in advance — so get in quick.
Digital art is taking over the Australian Centre for the Moving Image in a huge way in 2024. The Melbourne venue might be known for its cinemas, as well as past exhibitions about Martin Scorsese, David Bowie, Disney animation and women in Hollywood, but it doesn't just celebrate movies and television. If it can grace screens, it can feature here — including at the Marshmallow Laser Feast: Works of Nature showcase that's displaying until April, and then at just-announced fellow world-premiere Beings. Interactive pieces using innovative technology firmly fit ACMI's remit, which is exactly what its big winter exhibition will be about. The playful event explores the work of art and design collective Universal Everything, featuring 13 pieces from its 20-year career. And the experience that you have while walking through Beings won't be the same as anyone else's. [caption id="attachment_944195" align="alignnone" width="1920"] Future You' by Universal Everything, installation view, Digital Impact, Barcelona, Spain, photo by Eva Caraso.[/caption] On display from Wednesday, May 22–Sunday, September 29, 2024, this new reason to head to ACMI wants attendees to not merely look at, but also move and dance in front of its large-scale screens and projected artworks. Beings' pieces will respond differently to each visitor, using evolving algorithms and generative technology. That makes you part of the art as well. Founded in 2004, Universal Everything began in a garden studio in Sheffield, England, which is where Creative Director Matt Pyke initially set up shop. Now, the collective — which includes animators, architects, cinematographers, designers, developers, engineers and musicians — works globally. Its creations display around the world, too, with stints in London, Seoul, Paris, Istanbul and New York before its upcoming Melbourne exhibition. [caption id="attachment_944193" align="alignnone" width="1920"] 'Friends' by Universal Everything[/caption] Beings' pieces — four of which will be brand-new world-premiere artworks themselves — frequently use the kind of tech that Hollywood studios and video-game makers deploy. Expect to peer at and play with an assortment of characters, and to feel like you've stepped into a movie or a game as well. The exhibition will unravel Universal Everything's creative process, including via hand-drawn sketches that'll be seen by the public for the first time. [caption id="attachment_944198" align="alignnone" width="1920"] 'Into the Sun' by Universal Everything, installation view, Lifeforms exhibition, 180 Studios, photo by Jack Hems.[/caption] "This is technology with heart and soul. Innovative, interactive and enriching, Universal Everything's joyous creations bring warmth and a sense of humanity. Whether you have an eye for design, an interest in new tech or are simply looking for some fun, this family-friendly experience will leave you with a smile. ACMI is the home of endless play this winter — no two visits to Beings will be the same," said ACMI Director and CEO Seb Chan, announcing the exhibition. "I relish this opportunity to push our studio practice even further, with some never-before-seen artworks created for Melbourne audiences. And as ever, I'm looking forward to being surprised by unexpected visitor responses to the show. We hope they have lots of fun," added Universal Everything's Pyke. [caption id="attachment_944196" align="alignnone" width="1920"] 'Future You' by Universal Everything, installation view, More than Human, Afundación, A Coruña, Spain, image courtesy of the artists.[/caption] As is ACMI's custom, an exhibition at the Federation Square venue spans more than just the showcase itself. While the specifics are still to be revealed, there'll be late-night access, as well as a new contemporary dance series that features Melbourne choreographers. Beings is also family-friendly, so activities for kids — for preschoolers in general, and over the school holidays — are on the agenda. [caption id="attachment_944201" align="alignnone" width="1920"] 'Transfiguration' by Universal Everything.[/caption] [caption id="attachment_944199" align="alignnone" width="1920"] 'Kinfolk' by Universal Everything.[/caption] [caption id="attachment_944200" align="alignnone" width="1920"] ''Maison Autonome' by Universal Everything, installation view, image courtesy of the artists.[/caption] [caption id="attachment_944194" align="alignnone" width="1920"] 'Symbiosis' by Universal Everything.[/caption] Beings will display at ACMI, Federation Square, Melbourne, from Wednesday, May 22–Sunday, September 29, 2024 — head to the ACMI website for further details or to get tickets. Images: courtesy of Universal Everything. Top image: 'Infinity' by Universal Everything.
Hundreds of movies grace Sydney Film Festival's lineup each and every year. Even if you're among the most dedicated of cinephiles, you can't see them all during the event's 12-day annual run. Here's something that you can do, however: add four extra days to your fest experience in 2025, plus a heap of flicks along with it, because SFF is sticking around after its official closing night. When Splitsville wraps up the festival's standard Wednesday, June 4–Sunday, June 15 dates for this year on Sunday, June 15, the Harbour City's major annual cinema celebration won't be saying farewell until 2026 just yet. Extending the movie-watching fun into the following week is a SFF tradition. So, it's adding 16 sessions at Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick between Tuesday, June 17–Friday, June 20. These screenings have been dubbed SFF 2025 Back By Popular Demand, which explains right there in the name why the films on the lineup have been picked. Putting on a bonus session of 2025 Palme d'Or-winner It Was Just an Accident from Iranian writer/director Jafar Panahi comes after the filmmaker was revealed as a surprise SFF 2025 guest at opening night. Also picking up new screenings after hitting Sydney straight from Cannes: The Mastermind, which sees Josh O'Connor (Challengers) and Alana Haim (Licorice Pizza) in a 70s-set heist thriller for director Kelly Reichardt (Showing Up) — and Ari Aster's Eddington, starring his Beau Is Afraid lead Joaquin Phoenix (Joker: Folie à Deux) opposite Emma Stone (Kinds of Kindness ), Pedro Pascal (The Last of Us) and Austin Butler (The Bikeriders). Then there's The Secret Agent, as led by Wagner Moura (Dope Thief) for filmmaker Kleber Mendonça Filho (a Sydney Film Festival Prize-winner for Aquarius); Vie Privée with Jodie Foster (True Detective: Night Country); and Raoul Peck's (I Am Not Your Negro)'s Orwell: 2+2=5. The SFF 2025 Back By Popular Demand program also includes Berlin's Golden Bear-winner Dreams (Sex Love), the near-future Tokyo-set Happyend and Venice award-winning documentary Mistress Dispeller, alongside stepping inside the World Porridge Making Championship in The Golden Spurtle, exploring a music genre's origins via Move Ya Body: The Birth of House and Mr Nobody Against Putin's look at propaganda. Aussie effort Death of an Undertaker, the directorial debut of actor Christian Byers (Bump) — which uses an IRL Leichhardt funeral parlour as its setting — is among the titles scoring encore sessions, too. [caption id="attachment_1008444" align="alignnone" width="1920"] Sundance Institute | photo by Vince Lawrence.[/caption] Sydney Film Festival's 2025 Back By Popular Demand bonus screenings hit Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick between Tuesday, June 17–Friday, June 20. For more information and tickets, head to the festival's website. Sydney Film Festival 2025 takes place from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. For more information and tickets, head to the festival's website.
Following a very exciting relaunch in 2023 as a part of the Cambridge Market family, The Cannery Markets have flourished. It's fair to say they know what they're doing, bringing over 45 high-end food, drink, homeware and other boutique retailers to Rosebery on the first weekend of every month. If you're wondering what to expect, there's a wide range of flavours and products to look forward to. A Tiny Bit Decadent is a specialist in all things chocolate; Shadow Baking appear regularly with legendary baked goods; Ola Lola never fails to bring Latin American flavours; Matcha and Forest have a range of green tea goodies; Meraki Lane offers lovely decorations for the home; and I Dream of Silver has all your jewellery needs sorted. The Cannery Market is open the first weekend of every month, from 9am to 3pm. For more information on The Cannery Markets or its vendors, visit the website.
It's fair to say that Brookvale wasn't known for its hospitality scene in the not-too-distant past. But over the last decade, its dilapidated car mechanics and ramshackle warehouses have gradually given way to a new kind of resident – top-notch breweries, distilleries and eateries. With reasonable rents and industrial zoning making this spot along the Northern Beaches attractive to enterprising hospo operators, the sharp minds behind this suburb's culinary rejuvenation have come together to launch The Brookie Trail. While the area's industrial heart remains, there's no denying the locals' passion for their craft. Every stop along this curated journey reveals something new to sip, feast on or explore, while a colourful events program has breathed even more life into the neighbourhood. So, what stops can you expect along the way? Manly Spirits Co., Freshwater Brewing Co., 7th Day Brewery and Goodradigbee Distillers are just a handful of must-visit destinations making up this growing collective of like-minded food and drink purveyors. Yet it's not just tasty pub grub and refreshing beers that make exploring this part of the world a rewarding experience. There's also an ever-evolving entertainment calendar, with live music, pop-up markets, creative workshops and trivia nights on the agenda throughout the week. Best of all, The Brookie Trail has been created with families in mind, so there are a range of activities on offer that get the kids involved. Plus, you're welcome to bring your pup while you enjoy top-notch brews and mouthwatering eats. "Hopping between breweries and distilleries, especially after a morning swim at the Beaches, is hard to beat. It's an exciting time for Brookvale, and we're thrilled to share everything the trail has to offer," said Mike Beresford-Jones, founder of 7th Day Brewery. The Brookie Trail is ready to explore now around Brookvale. Head to the website for details about participating venues and their offerings.
One pair of Aussie pastry chefs are on a mission to make the humble lamington famous. Well, famous outside of Australian borders — just how Iranian-born jalebi and Italian cannoli are now found the world over. To do this, Min Chai and Eddie Stewart, founders of Australia's N2 Extreme Gelato, have launched Tokyo Lamington. While the duo initially focused on piquing the interest of overseas tastebuds — selling the lamingtons in Singapore and Tokyo — the chefs have now brought the international brand Down Under. After popping-up in Koko Black stores in Sydney and Melbourne for one day in June, Toyko Lamington opened its flagship Australian store in Market City today, Tuesday, September 22. The dessert brand doesn't just make traditional takes on the quintessentially Aussie chocolate- and coconut-covered cake. Instead, the sponge gets an international makeover with iterations in pandan, ube, lemon myrtle, black sesame, matcha and milk tea. [caption id="attachment_774463" align="alignnone" width="1920"] Nikki To[/caption] The Sydney outpost of Toyko Lamington will serve some Aussie-as flavours, too, such as fairy bread with popcorn butter and Ferrero Rocher — plus the OG chocolate and coconut version, of course. Each lamington costs $7 a pop and can also be ordered online (for pickup only). The shop's fit-out is loud with black walls and brightly coloured geometrical shapes, timber furniture and hanging greenery. The open space has a few booths and table seating, but will function mainly as a takeaway joint — selling nothing but lamingtons and a few canned drinks. Tokyo Lamington is now open at Level 3 Market City, 9 Hay Street, Haymarket. Opening hours are 11am–11pm daily.
Is there anything that Bill Hader can't do? While watching Barry's third season, that question just won't subside. The deservedly award-winning HBO hitman comedy has been phenomenal since 2018, when it first premiered. When it nabbed Hader an Emmy for his on-screen efforts in 2019, it had already proven one of the best showcases of the ex-Saturday Night Live performer's talents so far, too — yes, even beyond SNL. But season three of Barry three slides into another stratosphere: it's that blisteringly clever, deeply layered, piercingly moving and terrifically acted. It's also that exceptionally well-balanced as a crime comedy and an antihero drama, that scorchingly staged during its tense and thrilling action scenes, and that willing to question everything that the show and its eponymous character are. Hader has always lit up whichever screen he's graced, big or small — be it during his eight-year SNL stint, including as New York City correspondent Stefon, or in early supporting movie parts in Hot Rod and Adventureland. In 2014's The Skeleton Twins, opposite fellow ex-SNL cast member Kristen Wiig, he'd never been better to that point. But Barry is a tour de force both in front of and behind the lens, and a show expertly steeped in the kind of deep-seated melancholy that Hader can so effortlessly exude even when he's overtly playing for laughs. He doesn't just star, but writes and frequently directs. He co-created the series with Alec Berg (Silicon Valley), and he'll also helm every episode of its in-the-works fourth season. And, every choice he makes with Barry — every choice the show has made, in fact — is astounding. Freshly wrapped up on Binge in Australia and Neon in New Zealand — and so now available to stream in full — Barry's third season is propulsive. It knows its premise: a contract killer does a job in Los Angeles, catches the acting bug and decides to change his life. It also knows that it has to keep unpacking that concept. And, it's well-aware that there are repercussions for everything we do in life, especially for someone who has spent their days murdering others for money, even if they're extremely relatable and likeable. There has long been an air of The Sopranos to Barry, and of Mad Men as well, both of which seep through season three. It's both a portrait of someone who does despicable things, and a dive behind the gloss of an industry that sells a dream: an ex-soldier turned assassin-for-hire rather than a mob boss, and entertainment instead of advertising. Three seasons in, Barry Berkman (Bill Hader, Noelle) still wants to be an actor — and to also no longer kill people for a living — when this new batch of episodes begins. That's what he's yearned for across the bulk of the show so far; however, segueing from being a hitman to treading the boards or standing in front of the camera has been unsurprisingly complicated. Making matters thornier are the many ways that his past actions, as an assassin and just as Barry himself, have caused inescapable ripples. Season three focuses on history biting back again and again, including the investigation into murdered police detective Janice Moss (Paula Newsome, Spider-Man: No Way Home), the fallout with Barry's beloved acting teacher Gene Cousineau (Henry Winkler, The French Dispatch), his relationship with fellow actor Sally Reed (Sarah Goldberg, The Night House) after she gets her own show — plus the dramas that causes for Sally — and the vengeance sought by his ex-handler Monroe Fuches (Stephen Root, The Tragedy of Macbeth). Chaos ensues, emotional and physical alike, because Barry has always been determined to weather all the mess, darkness, rough edges and heart-wrenching consequences of its central figure's actions. That's true of his deeds not only in the past, but in the show's present, and it's one of the series' smartest and most probing elements. Hader and Berg know that viewers like Barry. You're meant to. That's what the first season so deftly established, and the second so cannily built upon. But that doesn't mean ignoring that he's a hitman, or that his time murdering people — and his military career before that — has ramifications, including for those around him. Indeed, season three also spies the reverberations for Gene, Sally and Fuches not just due to Barry, but thanks to their own shortcomings and questionable decisions as they keep mounting. It's no wonder that Barry is one of the most complex comedies currently airing, and that its third season is as intricate, thorny, textured and hilarious as the first two to begin with — and even more so as each new episode gives way to the next. That's no small feat, but it's an even bigger achievement given that it's ridiculously easy to see how cartoonish Barry would be in far lesser hands. (Or, how it might've leaned into a lazy odd-couple setup with Hader as the titular figure and Bill & Ted Face the Music's delightful Anthony Carrigan as Chechen gangster Noho Hank). But Barry keeps digging into what makes its namesake tick, why, and the effects he causes. It sinks in so deeply that this, not chasing an acting dream, is what the relentlessly gripping show is truly about. And, it follows the same course across its entire main quintet. In reality, perfect and flawed aren't binary options for any single person, and this sublime piece of TV art mirrors life devastatingly well. With visual precision on par with Breaking Bad and Better Call Saul, two of the most stylishly and savvily-shot shows ever made — two series where every single frame tells a tale without saying a word, and no aesthetic choice makes the expected move — Barry's third season is also spectacular to look at. It ends with an image that as simple as it is truly haunting, after a climactic finale episode that also features an intense showdown set against a purposefully stark backdrop, plus an action scene handled with more finesse and flair than most big-screen releases. As a dramatic motorcycle chase and vivid raid earlier in the season also illustrate, Barry is as devoted to staging dynamite action scenes as it is at plunging deep into its characters. And, as every intelligently penned and outstandingly performed episode just keeps proving, too, this masterful show is downright stellar at that. Barry's third season also remains immensely funny, and also savagely unsettling. Yes, it and Hader can do it all. The third season of Barry — and the first and second seasons as well — is streaming in full via Binge in Australia and Neon in New Zealand. Images: Merrick Morton/ HBO.
Charismatic foursome All Our Exes Live in Texas are hitting the road for a national tour throughout March and April, celebrating the release of new single 'Sailboat', from their forthcoming debut album. The group represents the bringing together of four of Sydney's foremost singing and songwriting talents: Elana Stone, Kate Wighton, Hannah Crofts and Georgia Mooney. Since releasing their debut EP back in late 2013, they've been winning over indie-folk crowds with their lush four-part harmonies, haunting melodies and stories of heartbreak and fresh beginnings. The EP scored quite a few spins on triple j's Roots 'n' All. In the meantime, they've been sharing stages with a bunch of well-known acts, including Megan Washington, Tinpan Orange, Mama Kin and Jordie Lane. The Sailboat National Tour covers several major festivals, including Port Fairy, Blue Mountains, the Tasmania International Arts Festival and the National Folk Festival, as well as appearances at the Melbourne Folk Club on March 25, The Basement on April 18 and Black bear Lodge on April 19.
One of the reasons that it's so easy to lose yourself at teamLab Borderless, the acclaimed and hugely popular Tokyo digital art gallery that should be at the top of every visitor to Japan's must-visit list, is the way that its stunning sights keep moving around you. No one just looks at art here — they're truly immersed in it. At RISING 2025, expect that same sensation. When Melbourne's annual winter arts festival returns, expect to step into a field of red beams, too. Whether you're a local or hitting up the Victorian capital just for the fest, expect to never see The Capitol the same way again as well. After first announcing that it'd be getting swinging in 2025 — at mini golf, that is, courtesy of an art exhibition that's also a nine-hole mini-golf course that's taking over Flinders Street Station Ballroom — RISING has unveiled its full program. Hailing from teamLab alum Shohei Fujimoto, intangible #form is a massive highlight. The Japanese artist's free installation will take over The Capitol each evening complete with all of that crimson lighting, which'll respond to your movement. Sparking the feeling losing yourself in its beams and hues is 100-percent the piece's aim. With 65 events featuring 327 artists on RISING's 2025 lineup between Wednesday, June 4–Sunday, June 15, intangible #form is just one of the fest's standouts this year. Another comes courtesy of Suki Waterhouse playing her first-ever Aussie shows, which you can only see in Melbourne at the fest. After proving a drawcard in 2024, Yasiin Bey is returning to RISING in 2025, this time joined by Talib Kweli. Still on tunes, Portishead's Beth Gibbons, Aotearoa favourite Marlon Williams, septuagenarian grime stars Peter Bowditch and Basil Bellgrave, Black Star, RONA, Soccer Mommy and Japanese Breakfast are also on the bill — as is the return of eight-hour music fest-meets-block party Day Tripper, with DIIV, Mount Kimbie, Annie and the Caldwells, Bktherula, Paul St Hilaire and Bad Vacation taking to the stage. [caption id="attachment_994703" align="alignnone" width="1920"] Mathieu Bitton[/caption] If you haven't seen Hedwig and the Angry Inch before, this is your chance to redress that gap in your theatregoing, with this new Australian production of the rock musical starring Filipino Australian singer Seann Miley Moore. And if you've ever wondered if you could manage to sit still — completely — for 90 minutes, Woopsyang's "do nothing" challenge is part of RISING, and asking festival attendees to participate. Or, catch the Australian premiere of Olivier-winning hip-hop dance work BLKDOG by Botis Seva — and then grab a seat for The Wrong Gods, a new piece by S Shakthidharan, the playwright behind RISING 2024's Counting and Cracking. Celebrating Divinyls legend Chrissy Amphlett via cabaret, hearing sound artist Sara Retallick dive deep into The City Baths as a composition space, dancing again at the return of SHOUSE's Communitas, spotting Melbourne Art Trams' latest iteration rolling around town, embracing a playful stage musing on heartbreak with the appropriate soundtrack: that's all on offer, too. [caption id="attachment_994693" align="alignnone" width="1920"] Ryan Cara[/caption] Also on the agenda: peering at large-scale projections that champion Yorta Yorta ancestral connections as they flicker across Hamer Hall, all thanks to Moorina Bonini; discovering what happens when time and sound bend in the void beneath Federation Square; watching six performers work through 36 Shakespeare plays using household objects; and another date with the Bard, with Hamlet staged by a neurodiverse cast. BLOCKBUSTER, also at Fed Square, looks set to live up to its name, giving RISING a free ode to South Asian culture. Think: street food, Pakistani R&B, Punjabi rap, art trucks, workshops and more. To similarly feel spoiled for choice while hitting up just one part of the festival's program, head to Night Trade, which is again part of the program, bringing street, karaoke and microbars to a late-night art market between Capitol Arcade and Howey Place. The list goes on — including Soda Jerk switching from bringing TERROR NULLIUS and Hello Dankness to the big screen to designing a mini-golf hole for the aforementioned Swingers: The Art of Mini Golf. [caption id="attachment_994700" align="alignnone" width="1920"] Woopsyang[/caption] "RISING is about breaking conventions — bringing wild, intimate and unexpected creativity into the heart of Melbourne," said the event's Co-Artistic Directors Hannah Fox and Gideon Obarzanek, announcing 2025's lineup. "We are a festival of art music and performance that is proudly challenging and uncompromisingly inclusive. This year, audiences are invited to navigate a storm of lasers in the prismatic fantasy of the Capitol Theatre, swim through a composition of tactile sound in the City Baths, join in an audio-visual experiment deep under the ground of our town square or compete in the defiant act of doing nothing." [caption id="attachment_994704" align="alignnone" width="1920"] Mandy Wu[/caption] [caption id="attachment_994692" align="alignnone" width="1920"] Netti Habel[/caption] [caption id="attachment_994695" align="alignnone" width="1920"] Steven Marr[/caption] [caption id="attachment_994702" align="alignnone" width="1920"] Eugene Hyland[/caption] [caption id="attachment_994691" align="alignnone" width="1920"] Remi Chauvin[/caption] [caption id="attachment_994699" align="alignnone" width="1920"] Katsuyuki Seki[/caption] RISING 2025 runs from Wednesday, June 4–Sunday, June 15 across Melbourne. Head to the event's website for further information.
In 2019, Western Sydney will not only score a brand new zoo, it will also add a new community running event to its calendar: RunWest. Open to runners of all ages and abilities, RunWest will follow a 12-kilometre course, through several major landmarks. Its first incarnation was supposed to see runners race through the new Sydney Zoo, but that won't be opening until later this year now. Instead, you'll begin at Sydney Motorsport Park, before traversing Western Sydney Parklands, heading into Blacktown International Sports Park and winding up at West HQ. If 12 kilometres sounds too far, conquer the more friendly four-kilometre Family Fun Run instead. Either way, there'll be plenty of action to keep you on course. On crossing the finish line, you'll find the Finish Line Festival, an extravaganza of food trucks and live music to make you forget all about the pain of running you've just endured. First up, grab a coffee cone (literally an espresso shot inside a chocolate-filled waffle cone) and then take your pick from the likes of Chur Burger, Satay Brothers, Burnt Ends BBQ and Duo Duo Ice Cream. The main stage will feature some local musos, and the festivities will kick on at Made By The Hill afterwards. If you're a City2Surf regular, this might be a good race to enter in the off-season — although, being March, chances are the weather will be pretty warm. But, like City2Surf, you're encouraged to raise funds for a charity of your choice, so your sweat will be all worth it. If you're ready to commit, sign up right now at super early bird rates, which are $15 per person for the fun run and $30 for the 12-kilometre event. Plus, your ticket includes entry to Sydney Zoo, valid for a year from 1 August, 2019. Updated: March 25, 2019.
Melbourne seems to be following the pattern of another day, another new development. But instead of completely decimating the environment around it, Melbourne's newest mini suburb development in the city's inner-northeast looks like it might the most sustainable yet. It's set to become the world's first 'Tesla Town', with Tesla Powerwalls built into every home along with solar panels and electric car recharging points. The new 2500-home development is called YarraBend, and it will border Alphington, Ivanhoe and Kew in Melbourne's northeast. It's being developed by local property group Glenvill, who, on the YarraBend website, have billed the new residential space as "a world-first Tesla suburb" which is "designed to achieve the highest level of sustainability and quality of life". So what exactly does having a Tesla Powerwall in each home mean? Well, quite a lot. A Tesla Powerwall is a battery that not only powers your home but one that stores power for when you need it. It's designed to hook up with your power source, which is either solar power, or the grid, where most people get their electricity from. And it's really smart, because depending on which power source you have, the Powerwall will either store the solar energy for later or charge itself from the grid in off-peak times. This not only saves you and your household some cash, but it's a step away from Australia's reliance on dirty coal and fossil fuels for power, and means that we can move towards cleaner energy like solar, wind and geothermal. Plus, with Australia only getting its first shipment of the batteries earlier this year, this will be the first large-scale project to utilise them. According to the Urban Development Institute of Australia, YarraBend will be one of the most environmentally sustainable developments in the country. "This development leads the way in sustainability," the UDIA's Danni Addison told the Heidelberg Leader. "Some areas that are a standout include water reduction of 43 per cent, landfill reduced by 80 per cent and the potential to reduce energy use by 34 per cent." Along with the Powerwalls, solar panels will also be a standard on houses in YarraBend. Making it even more futuristic, residents will also be connected through their own app and have access to a complimentary tech-concierge, who'll be on hand to help when your internet goes down. Which, if your internet connection's anything like ours, is all the goddamn time. Via Heidelberg Leader.
UPDATE, Friday, March 15, 2024: The Aqua with Special Guests tour is no longer taking place on Sunday, March 24 at Sydney's Qudos Bank Arena, moving to Tuesday, March 26 at Enmore Theatre instead. Also, 2 Unlimited are now the only support act. This article has been updated to reflect that change. For the past year, we've all been living in a Barbie world, with Greta Gerwig's Margot Robbie-starring Barbie film the biggest thing in pop culture over the past 12 months. What happens when you combine the planet's love for the pink-hued hit with the never-ending trend that is 90s nostalgia? Aqua touring Australia to bust out 'Barbie Girl' at a throwback party, that's what. Life in plastic will be fantastic when the Danish-Norwegian band make their first trip Down Under since 2019. Back then, the group responsible for still having their best-known single stuck in your head, plus 'Doctor Jones' and 'Turn Back Time' as well, toured on a bill filled with other acts from the era. This time, they're doing the same thing. Joining Aqua on Tuesday, March 26 at Sydney's Enmore Theatre: Belgian-Dutch dance duo 2 Unlimited. Originally, the show was set to include British boy band East 17, R&B group Big Brovaz, and English dance acts Phats & Small, Booty Luv and Urban Cookie Collective, too, but they're no longer on the bill. Your latest excuse to keep celebrating all things Barbie-related — and to get a big blast from the past — comes after Aqua popped up on the movie's soundtrack with rapper Nicki Minaj and Ice Spice on the tune 'Barbie World'.
Regal drama fans, it's time to give The Crown a rest and direct your streaming queue towards a different take on the UK monarchy. The Emmy-winning hit Netflix series isn't the only on-screen source of royal intrigue of late, and you'll find plenty of the same bases covered in Spencer — 90s-era chaos and tension galore, especially — as well as Kristen Stewart doing career-best work playing Princess Diana. KStew just got nominated for an Oscar for the part, in fact, and it's easy to see why. Saying that Spencer director Pablo Larraín (Jackie, Ema) has cast his Diana well, pitch-perfect head tilt and all, is a royal understatement. And, although the film only hit cinemas Down Under in late January, it's doing what many flicks do recently — including Dune, The Matrix Resurrections, The French Dispatch and The 355 in just the past month — and jumping to streaming while it's still showing on the big screen. Your next royal date arrives on Friday, February 18, which is when Spencer will be available to watch with Prime Video subscriptions. Obviously, heading to the cinema will always be the most glorious way to see a movie, but having options regarding when and where you can watch is always welcome. In the bold and enthralling slice-of-life biopic, the year is 1991, the time is Christmas and the place is the Queen's (Stella Gonet, Breeders) Sandringham Estate, where the Windsors converge for the holidays (yes, Spencer is now prime seasonal viewing). As scripted by Peaky Blinders and Locked Down's Steven Knight, the choice of period puts Diana (Stewart, Happiest Season) in one of the most precarious situations of her then decade-long married life, with her nuptials to Prince Charles (Jack Farthing, The Lost Daughter) turning into an "amicable separation" within 12 months. Spencer's focus is on three days, not all that defined the People's Princess' existence before or after, but she can't stop contemplating her past and future. The Sandringham grounds include the house where Diana was born, and those happier recollections — and time spent now with her children (debutants Jack Nielen and Freddie Spry) — give her a glow. Alas, all the monarchical scrutiny simmers her joy to ashes, unsurprisingly. Timothy Spall (The Last Bus), Sally Hawkins (The Shape of Water) and Sean Harris (The Green Knight) also feature, but Stewart is obviously the star of the show. With two-plus decades as an actor to her name, she hasn't spent her career as a candle in the wind, with her flame both blazing and flickering since her first uncredited big-screen role in The Flintstones in Viva Rock Vegas — but, by Elton John's definition, she's always known where to cling to. After jumping from child star to Twilight heroine and then one of the savviest talents of her generation, she's gleaned where to let her haunting gaze stare so piercingly that it lights up celluloid again and again, too. Spencer joins Stewart's resume after weighty parts in Clouds of Sils Maria, Personal Shopper, Certain Women and Seberg, and has her do something she's long done magnificently: let a world of pain and uncertainty seep quietly from her entire being. Check out the trailer for Spencer below: Spencer is still showing in cinemas Down Under, and will be available to stream via Prime Video Australia and New Zealand from Friday, January 18. Read our full review. Top image: Pablo Larraín.
Your favourite restaurant's wine list might be impressive, but if the best drops are only available by the bottle, you've got to be willing to pay up to get a taste. However, Coravin has come up with a range of nifty products that allow wine-lovers to pour by the glass without popping the cork. Throughout May, they're spreading the gospel around the globe with the Coravin World Wine Tour. Taking over five much-loved wine bars around the country, every bottle on their menus will be poured by the glass. Returning to previous destinations including Melbourne, Sydney and Adelaide, the tour is also adding Perth and Noosa to its stops for the first time. Making the most of the brand's by-the-glass tools, vino fans will have the chance to indulge in rare and diverse bottles without having to stump up for the full cost. Held from Thursday, May 1–Saturday, May 31, there's a good chance a sophisticated wine bar near you is getting involved. In Sydney, the Coravin World Wine Tour touches down at Love, Tilly Devine. Tucked away in a Darlinghurst laneway, this cherished spot is bursting through the week with wine-lovers who know their stuff. With 300 bottles to choose from, guests can sip their way through the list, or pair a glass or two with dishes from a highly seasonal food menu highlighting local farmers, growers and makers. In Melbourne, Richmond's Clover is where you can celebrate a shared love of natural vinous pleasures, complemented by fire-cooked delights. "It's really going to, quite literally, open up the possibilities for our guests to try something new, and allow our team to open more and more of their favourite wines; some a little unusual, and all delicious," says James Griffin, Beverage Manager at Love, Tilly Devine. "A few to look out for are the incredible skin contact wines of Staffelter Hof, the world's oldest working winery at nearly 1,200 years old, Patrick Sullivan's superb Victorian single-vineyard chardonnays, and the irresistible Poppelvej wines of Uffe Deichmann, McLaren Vale's best lo-fi Danish winemaker." Meanwhile, Adelaideans are invited to Jennie Wine Bar to experience its refined wine collection, where each bottle has a story to tell, from its environmental origins to its grower's personality. More than just a wine bar, you can roam the walls to find the perfect bottle to take home. Shadow Wine Bar is Perth's debut host, where a sleek industrial space comes to life with cuisine and wine delivered with a special nod to Italy. Lastly, Noosa's 16-seat Atelier Wine Bar offers a contemporary cellar-like space primed for indulging in 150 world-class vintages and elegant European-inspired small plates. "A new generation of wine drinkers are increasingly curious, adventurous, and willing to experiment with new varieties and styles. Offering more wines by the glass allows drinkers to find their new favourite variety, region, or style, without taking the risk of buying a whole bottle," says Coravin Founder, Greg Lambrecht. "We are delighted to be working with five iconic Australian wine destinations to bring our World Wine Tour to five states, giving Australian wine lovers an unparalleled level of choice for wine by the glass." The Coravin World Wine Tour takes place across multiple venues around Australia from Thursday, May 1-Saturday, May 31. Head to the website for more information. Images: Kera Wong, Jack Fenby, Jacqueline Jane.
When you're after a truly special keepsake, this fine jeweller is the prime place to hit. Founded in 2015 by Russian-born, Sydney-based Alina Barlow, Alinka's pieces incorporate timeless diamonds with minimalistic-yet-playful designs, all made with 18-carat white, yellow and rose gold. Necklaces range from diamond-encrusted stars to simple diamond chains, while bracelets are embellished with evil eye motifs. You'll also find a classic tennis bracelets here, plus elegant rings, earrings and ear cuffs.
Visit the Chau Chak Wing Museum for an expedition back to one of the world's oldest civilisations. The Egyptian Galleries brings ancient Egypt to life with two imaginative (and free) exhibits that explore the culture's lasting legacy. The Mummy Room weaves together archaeological artefacts and modern science to showcase the lives of four different Egyptians. The exhibit features the coffins and mummified bodies of Meruah, Padiashaikhet, Horus and Mer-Neith-it-es, who lived in Egypt between 1200 BCE and 100 CE, and uses innovative CT technology to uncover previously indiscernible details about their health and lifestyles. Accompanying the captivating exhibit is Pharaonic Obsessions, which highlights the Egyptomania that swept Australia in the 19th century. On display are a range of ancient Egyptian artefacts collected by different Australians, such as ornate funerary objects and decorative tiles and columns. While you're there, check out the museum's other art, science and history exhibits — all of which you can explore for free. Get more details on The Egyptian Galleries and other exhibits at the Chau Chak Wing Museum's website.
It's time to get excited about dinosaurs again, not that anyone ever stopped being fascinated with the planet's ancient creatures. Come May, one of 2022's best new shows is making a return for 2023 with a brand-new season filled with dino love — yes, David Attenborough's spectacular Prehistoric Planet is returning. Apple TV+ has just announced the roaringly great news, and will again air the show's second season as a five-part nightly event. So, across Monday, May 22–Friday, May 26, one instalment will arrive each day, serving up more stunning dinosaurs, more informative insights voiced by the one and only Attenborough, and more of Hans Zimmer's soundtrack. "The award-winning first season of Prehistoric Planet brought dinosaurs back to life in a way global audiences had never seen before," said Jay Hunt, Creative Director, Europe, Apple TV+, announcing the news. "Collaborating with the brilliant Jon Favreau and our fantastic partners at the BBC, we are thrilled that viewers will once again have the opportunity to be immersed in our world as it was 66 million years ago and to experience even more weird and wonderful creatures." This time around, the team at BBC Studios Natural History will be using photorealistic visual effects by MPC — the kind that Favreau used in his versions of The Jungle Book and The Lion King — to focus on new dinosaurs, habitats and scientific discoveries. So, you'll spend time with the Tarchia, one of the largest Ankylosauri, for instance. That said, the Tyrannosaurus rex will be back among other dino favourites. Of course it will. What's better than one of the Attenborough siblings marvelling over our planet's ancient creatures? None other than David following in his brother Richard's footsteps, of course, just as it was in 2022. While the latter showed dinos some love back in Jurassic Park — with the now-late actor and filmmaker even uttering the iconic words "welcome to Jurassic Park" — his broadcaster, biologist and natural historian sibling largely surveyed the rest of the earth's living creatures in his iconic documentaries before Prehistoric Planet. With its first season, the show instantly earned its place among David Attenborough other doco highlights — a list that spans The Living Planet, State of the Planet, The Blue Planet, Frozen Planet, Blue Planet II, Our Planet, Seven Worlds, One Planet, A Perfect Planet and Green Planet, as well as Planet Earth and Planet Earth II, plus documentary David Attenborough: A Life on Our Planet), just to name a few. There's no trailer for Prehistoric Planet's second season yet, but you can revisit the season one trailer below: Prehistoric Planet season two will hit Apple TV+ across Monday, May 22–Friday, May 26, with a new episode available to stream each day. Read our full review of Prehistoric Planet season one.
There's never a bad time to bust out the lyrics to 'Footloose', the Kenny Loggins-sung, Oscar-nominated theme to the film of the same name that helped Kevin Bacon dance to fame four decades back. Still, although the track doesn't get a spin in X, Pearl or MaXXXine, its opening line feels particularly relevant to the trilogy, which Bacon has now joined. Since coming up with the idea for three horror movies inspired by pornographic film classifications in the US in 2019, writer/director Ti West (The House of the Devil, The Innkeepers, The Sacrament) has been working so hard to bring a unique slasher saga to the big screen. Working so hard to chase a dream and do more than punch a card has also throbbed within every instalment. Before it had Bacon (Beverly Hills Cop: Axel F) as a sleazy private detective and Australia's own Elizabeth Debicki (The Crown) as a film director, the franchise first had X initially mark the spot in 2022, with the New Zealand-shot feature kicking it back to 1979, to a Texas farmhouse where a porn production featuring an aspiring adult-film actor turns bloody. The talent: Maxine Minx, a force of nature in the movie played by Mia Goth, the X series' own force of nature. Fresh from stealing scenes in Emma, and with standout roles in Nymphomaniac: Vol II, A Cure for Wellness, Suspiria and High Life also on her resume, Goth cemented herself as the consummate horror star in two X roles. She captured Maxine's lust for a life worthy of her ambitions and desires, shooting her shot in the X-rated game, and for survival. She also made the elderly Pearl, one of the remote property's owners, an unforgettable adversary. When X reached audiences, splashing around gore like it truly was a 70s horror flick — and styled playfully to look the part, as if it'd just been unearthed in a dusty barn or basement — good news already beckoned when the film hit the spot with viewers. West and Goth had shot a sequel immediately after the first film, stepping back to 1918 when Pearl was a young woman with her own hopes for the future that spanned far beyond rural life. This time, as the movie's eponymous figure covets chorus-girl gigs and also gracing the pictures, West also took cues 50s-era musicals and melodramas. He didn't hold back in getting bloody, though, and nor did Goth for even a second. Again, viewers lapping up Pearl knew that more was coming. MaXXXine brings the trilogy to a close by once more exploring the pursuit of a Hollywood-tinted dream, also paying tribute to everything that gives movies that I-want-to-be-in-them sheen and equally championing a woman who isn't going to settle for anything less than her fantasies by choice. It's now 1985, Maxine has made it in porn, but she wants to move out of skin flicks and go legit, winning a role in — what else? — a horror sequel. The timing steeps the picture in the backlash against supposedly inappropriate pop-culture wares, while also setting it against the Night Stalker killings, all as someone begins taking a literal stab at Tinseltown's starlets and others in Maxine's orbit. [caption id="attachment_965315" align="alignnone" width="1917"] Stewart Cook/Getty Images for A24[/caption] West and Goth's three films haven't ever lacked name power. West has been a genre favourite ever since 2009's The House of the Devil, which also gave a slasher a satanic panic spin. Goth's stature was rising already in 2022, and fast. Jenna Ortega (Scream VI) and Scott Mescudi (Silent Night) were among X's other actors, while Pearl precedes the next Superman — playing the Man of Steel, too — on David Corenswet's (We Own This City) resume. But it's the 80s in MaXXXine, so everything is bigger, including the film's array of familiar faces. Cue not just Bacon and Debicki cutting loose in the franchise, but also Giancarlo Esposito (The Boys), Lily Collins (Emily in Paris), Bobby Cannavale (Bupkis), Michelle Monaghan (The Family Plan) and Halsey (Americana). With Bacon, who visibly relishes getting shady as questionable detective John Labat, MaXXXine's love of the 80s and its cinema couldn't be paired with a better icon from the period. With The Night Manager, Widows and Tenet's Debicki as Elizabeth Bender, the female filmmaker helming The Puritan 2 — Maxine's hopeful big Hollywood break — the movie earns another opportunity to explore the expectations enforced upon women and the battle to buck them. Ahead of MaXXXine reaching cinemas Down Under on Thursday, July 11, 2024, we chatted with Bacon and Debicki about joining the trilogy, covering Debicki's admiration for Goth, the full-circle feel for Bacon and another way that the feature wears its love for cinema on its frames: multiple scenes set on the Universal backlot on the Bates Motel set from Psycho. On Sliding Into a Franchise with Such Commanding Performances by Mia Goth at Its Centre Maxine Minx will not accept a life that she does not deserve in MaXXXine. That isn't just an observation — it's a mantra. If it was revealed that Goth had been uttering the same words IRL but about starring roles, in fact, it wouldn't come as a surprise. In the saga's latest chapter, nothing is going to get in Maxine's way, not a serial killer, not a private detective rifling through her past, not the weight of expectation when it comes to her first chance in Hollywood. How does acting against a performance like that help Goth's co-stars? Debicki, who also shares Everest on her filmography with Goth, has nothing but praise. "I think she's phenomenal and she's quite mesmerising. She's really a unique creature. She occupies a very interesting energy field. And I felt that when I watched the two films. I've been a fan of hers for a long time because I think what she's been doing in this genre is really kind of radical — she's amazing to watch on screen," Debicki explains. "So it was really just delightful for me, because the first thing I shot was the golf cart monologue and I spent maybe eight hours talking. We were just going round and round in a golf cart, and I was just chewing her ear off, and she was a very good sport about it." "But she exudes Maxine energy. There's no other way to put it. And so because she's the centre of the film and we all come in and out and shoot however many days, she's the vibration — in a way — that you meet, and each character meets and reflects off. I don't know how else to put it. She's the thing we all orbit around. So she really has to hold that space, and she does it amazingly well." Debicki knows Bender's perspective on Maxine, too, as any actor playing a part should of their on-screen alter ego. "I found her kind of maddening, as in the character. She's so on another stratosphere that as Liz Bender, I want rip her down to earth and get her to react the way I want her to. But also, you know that Liz Bender knows her value is that she's kind of on another planet." Seeing MaXXXine's finished product only cemented Debicki's appreciation, however. "I just think she's amazing in this film. And I felt that watching it too — a mesmeric performance that really holds you for the whole thing. I'm a big fan." On Throwing It Back to Footloose-Style Pop-Culture Backlashes, Getting a Start in Horror and All Things 80s From the instant that X started flickering, West's commitment to revelling in the film's period setting was as clear as the determination in Goth's eyes that she, like Maxine, wasn't going to let anything that she wanted pass her by. The years changed, but that era-appropriate dedication didn't fade in Pearl. MaXXXine makes it three for three, while expanding the movies beyond the farm that was so pivotal to the initial two instalments. That sense of immersion isn't just about aesthetics, either. It must've felt that way on paper, and it definitely plays like it on-screen: casting Bacon is a stroke of genius, especially in a feature arriving 40 years on from Footloose that places him in another picture where music and entertainment is considered evil by some. He's also in an 80s-set slasher film after the OG Friday the 13th, an 80s slasher film, was one of his early on-screen credits. Ask Bacon if being in MaXXXine feels a bit like a full-circle moment and of course he sees it, too. "You know, it really does. It's also 40 years since Beverly Hills Cop, and I'm in the new Beverly Hills Cop. And MaXXXine takes place in 85, which is a year hence from when both of those movies came out," he tells Concrete Playground. "I think it really hit me — there's a scene out on Hollywood Boulevard at night. And I walked up there and I saw all the period cars, and I saw that the sets were dressed and the stores, things that were all super, super authentic, and the way that people were dressed. And I went 'wow, this is really like time traveling'." On the Layers of Mythology, Horror Love and Film History That Come with Shooting on the Bates Motel Set Still on blasts from the past, MaXXXine nods back further than the 80s (or even the 70s, when mentions of X's events pop up). Not once but twice while she's on the Universal lot making The Puritan 2, including with Bender and then Labat for company, Maxine walks in the footsteps of Marion Crane. As immortalised by Janet Leigh — mother of Jamie Lee Curtis, for more horror ties — the character's mid-shower fate in one of Alfred Hitchcock's masterpieces gave cinema the definitive slasher sequence. West doesn't dare attempt to recreate the scene, even if the 1998 remake with Anne Heche (All Rise) did, but love for Psycho is splattered on welcomely and gloriously thick. Accordingly, MaXXXine is well-aware of film history, and strengthens its homage to filmmaking at every possible point, with working in the set to one of the earliest slasher flicks while making a slasher flick one such tactic. Yes, that adds another layer to the picture's cinema worship — and swirls in more meta hijinks for Bacon, more eeriness for Debicki and more fun for both. "I think that the two times that we shot on the lot, for me, were very meta in a way. Not even just the Bates Motel horror movie part, but just the whole making of films and running through the flats, and going in and out of these fake buildings — it was great. That was some of the most fun I've had making a movie in a really long time," Bacon advises. "And certainly to end up with that chase scene at the Bates Motel, to walk up those steps and, you know, knock on that door — great, great moment for me." "The same for me," Debicki adds. "There's a very specific — I'm very esoteric today — but there's a very specific energy off that set. I think it's what you bring. It's a pretty creepy place. Would you agree, Kevin? Like it's got a super creepy, it's a creepy vibe." "It does," Bacon concurs. "So you feel it," continues Debicki. "It's something about how it's sort of exactly how you remember in the film, but really kind of dilapidated. Some of the crew were going in and out of the actual rooms in the motel, and someone was like 'come and look at this'. And I was like 'I am not'. Because actually it feels super weird to me." "So I loved it. It really helped me, again, to have that scene where we drive up and we land in this place that's steeped in this mythology. It's just really fun, actually, to have that. And it really helped me. If we'd been shooting off a mockup of that set, it wouldn't be the same performance, I don't think, from either of us." MaXXXine opens in cinemas Down Under on Thursday, July 11, 2024. Read our review.
Add a saucy special to your Tuesday nights with half-price noods at Island Radio. Cheeky by name, cheeky by nature, this bright and upbeat space in the heart of Redfern's emerging dining precinct is the ideal spot for a low-cost sesh with friends. Opened in late 2024, this is the perfect chance to get acquainted with Island Radio's killer location and hawker-inspired cuisine. Get ready to slurp with a host of favourites, like ginger shallot egg noodles with house sambal and turmeric crumbs ($9.50), smoked brisket char kway teow with thick rice noodles, shallot and crispy garlic ($13.50) and Singaporean white pepper lobster noodle with soft mushroom and black garlic oil ($34.50). If you haven't yet made the trip to Island Radio, the drinks menu follows the tasty, pan-Asian theme with cocktails designed for sipping your way through the tropics. Think strong and spicy flavours like Los Arcos tequila and Nusa Casa tropical rum served with fruity combinations like pineapple and banana or passionfruit and coconut. Images: Steven Woodburn.
Plate It Forward has already made an impact on Sydney's culinary scene and beyond with its first two venues: the beloved Enmore Road Sri Lankan restaurant Colombo Social and 2022 arrival Kabul Social. The hospitality group's inaugural spot is based on the philosophy of providing employment opportunities, training and meals to people seeking asylum, while its Afghan counterpart in the CBD is run by a group of female refugees, and donates a meal to a person in need in both Australia and Afghanistan for each meal sold. Following the success of these first two ventures, the social enterprise is growing again with a walk-in-only Mexican restaurant located in the South Eveleigh precinct, which opens on Monday, April 17. Like its sibling venues, Coyoacán Social is using its Mexican street food to give back, donating a meal to Mexico City for every guest who dines in — and also working with local charities to create a safe space within the local Redfern and South Eveleigh communities. [caption id="attachment_896477" align="alignnone" width="1920"] Founder Shaun Christie-David and Head Chef Roman Cortes.[/caption] Plate It Forward founder Shaun Christie-David has put the restaurant in the hands of Head Chef Roman Cortes, a Mexico City native and someone who has previously faced the challenges of overcoming addiction. Cortes shares Christie-David and Plate It Forward's belief in the power of food to create social change, and has pulled together a vibrant menu inspired by his mother Maru Navarro's cooking and dishes from her birthplace Coyoacán. "Seeing Roman create dishes that are so special to me and our family is beautiful, and I am so proud of how far he has come on both his cooking and recovery journey," says Navarro. Birria tacos are the star of the menu, made with shredded beef marinated in a traditional adobo, topped with melted cheese and served alongside a side of beef compote cooked overnight for dipping. Elsewhere on the menu, you'll find cochinita pibil — marinated pulled-pork tacos topped with pickled red onion and your choice of sauce — plus three types of quesadillas including a specialty chicken tinga variety. There's also a customisable nachos menu, and a range of accompaniments like guacamole, pico de gallo, horchata and churros. "Our menu is a mix of street food — 'tacos' and homemade Mexican food. It is made of some of the food that I enjoyed the most in my city, but also dishes that my mum and grandmother used to cook for our family," says Cortes. "It replicates authentic Mexican recipes which have been kept in the family for generations. My purpose is to share the love I got from the most wonderful women I've met (my mum and grandmother). I do this, with the unwavering condition of always keeping their authenticity — if I cannot make it authentic, I won't make it." Plate It Forward has partnered with property development company Mirvac, which has been working with the hospo outfit to find sustainable locations for its restaurants and activations, helping the social enterprise to donate over 150,000 meals to the Redfern and South Eveleigh communities over the years. "South Eveleigh has always been a huge part of the Plate it Forward journey, with their proximity to the communities we feed, and the people who have been with us since the start," Christie-David says. [caption id="attachment_896474" align="alignnone" width="1920"] Roman Cortes and his mother Maru Navarro[/caption] Coyoacán Social will open on Monday, April 17, at Shop 8, 1 Locomotive Street, Eveleigh — operating for lunch from 11am–3pm Monday–Friday, as well as for dinner from 6–9pm Friday–Saturday. Images: Rhiannon Hopley.
Is Sydney Film Festival in its body-horror era? In 2024, the Harbour City's annual citywide celebration of cinema closed with The Substance, after it had wowed Cannes but before it was an Oscar-winner. The very next movie that the event is screening, aka 2025's just-announced opening-night picture, also falls into the genre. Together stars Alison Brie (Apples Never Fall) and Dave Franco (Love Lies Bleeding), had this year's Sundance buzzing and marks the feature directorial debut of Australian filmmaker Michael Shanks (The Wizards of Aus). The Aussie film will kick off one of the country's major yearly odes to movies on Wednesday, June 4 — and will do so with a flick about a couple moving to the country, then finding more than just the relaxing quiet life they're seeking awaiting. Brie and Franco play Millie and Tim. After their big shift, she feels more at home than he does, ramping up their codependent relationship on his side. Then, as the teaser trailer featuring staring animals, unexpected strands of hair, a cave and declarations of love starts to show, things get strange. Also co-starring Australian actor Damon Herriman (How to Make Gravy), Together has a date with SFF almost two months in advance of its Aussie and US cinema release date at the end of July. In Sydney, it leads a lineup that's drop its full program on Wednesday, May 7, but already includes a Jafar Panahi retrospective, Justin Kurzel (The Narrow Road to the Deep North)-directed documentary Ellis Park, and everything from homegrown animation Lesbian Space Princess to Barry Keoghan's (Bird) new Irish thriller Bring Them Down. "We are thrilled to open the 2025 Festival with Together, a fiercely original work that showcases the creative ambition of a new voice in Australian cinema," said Sydney Film Festival Director Nashen Moodley, announcing 2025's opening flick. "Michael Shanks has crafted a bold and inventive debut that shifts seamlessly between tones, anchored by fully committed performances from Alison Brie and Dave Franco." Added Shanks: "having Together open Sydney Film Festival is a huge honour. Despite our US leads, this is an Australian film through and through, and I'm so proud to showcase what amazing crew and cast we have in our local industry." "I got altitude sickness in Utah when the film premiered in Sundance, and thankfully that's far less likely to happen when it premieres in Sydney." Check out the teaser trailer for Together below: Sydney Film Festival 2025 runs from Wednesday, June 4–Sunday, June 15 at cinemas across Sydney. Head to the festival website for further information and tickets — and check back here for the full lineup on Wednesday, May 7, 2025.
Prepare to unleash your inner Katniss, pretend you're taking down the Capitol and pray that the odds be ever in your favour. The Hunger Games is coming to Sydney, and you're invited. No, there's not another book or movie. No, you're not being forced to compete in violent endeavours. Instead, you can peek behind the scenes at one of the biggest dystopian film franchises in recent times. Taking over the new International Convention Centre Sydney from December 20, 2016 to February 5, 2017, The Hunger Games: The Exhibition isn't just the first event of its type to grace the just-opened venue — it's also an epic journey into the world of Panem. Iconic costumes such as the Girl on Fire dress, props like the Mockingjay pin, various set pieces and more will make you feel like you're there. Depending on how intricately you know your Hunger Games history, we'll let you decide whether that's really a good thing. Alongside seven galleries dedicated to different parts of the quest undertaken by the Jennifer Lawrence-played character, Hunger Games lovers will also find interactive content and immersive environments, including an explorable map of Panem, the Gamemaker's control table and other attractions that haven't been seen before. The Hunger Games: The Exhibition comes to Australia after wowing fans in New York and San Francisco, and while Australia has strong ties to the flicks, there's no word yet as to whether a certain series-starring Hemsworth will make an appearance.
The King has risen. Head out to Parkes in January and you would be forgiven for thinking you're in Graceland — if there's anything this town is known for (apart from the iconic Dish, of course) it's the Parkes Elvis Festival. Pull on your blue suede shoes and get ready to find yourself a hunk, a hunk of burning love. The festival takes place over five days during the second week of January to coincide with the King's birthday (January 8, as if you didn't already know). Over 25,000 visitors flock to the town to see international and national Elvis tribute artists battle it out to be named the Ultimate Elvis Tribute Artist. There's also a Miss Priscilla competition, rock 'n' roll dancing, busking, a midnight show and a finale concert. The Parkes Elvis Festival is officially endorsed by the King's estate, Elvis Presley Enterprises Inc., so you know it's legit. Stop talking about it, and just do it this year. A little less conversation, a little more action.
Nothing says Aussie summer like an afternoon courtyard bevvy, whether you're at your local for a schooner and a pub feed, or kicking on after a brunch date and making the most of the good weather. What makes a summer arvo session even better is that the days are longer, the nights are warmer, and you can choose from lots of different drinks to keep your palate interested. To give you some inspiration for your next catch-up, we've teamed up with Maker's Mark to pin down the best courtyards in Sydney where you can enjoy an old-fashioned, a whisky sour, or whatever refreshment takes your fancy.
High teas are back in a big way, with QT Sydney getting in on the action with the help of renowned patissier Adriano Zumbo. Launching on Saturday, August 2, a brand-new QTea High Tea Menu is jam-packed with indulgent creations that delve far beyond the traditional, served in the suitably luxe surrounds of the hotel's NY-inspired Gowings Bar & Grill. This high tea is divided into sweet and savoury selections, with those on the sugary side of life spanning options like A Rare Pear — macadamia cake layered with pear vanilla cream — and fun-loving Zumbarons — Adriano's signature macarons prepared in a myriad of playful flavours. Over to the savoury assortment, expect harissa prawn rolls, mac and cheese croquettes and Thai chicken sambos adorned with tangy lime dressing. Of course, this opulent feast comes with free-flowing loose-leaf tea, while you're welcome to pair lavish cocktails and champagne with your bite-sized morsels. Spanning 90-minute sessions with bookings available every Saturday and Sunday from 11am–3.30pm, Adriano Zumbo will also be in the house himself for two special sittings on Saturday, August 9, and Sunday, August 10. This might be your only chance to get the inside word on what makes his Zumbarons so magical.
For almost 30 years, December 21 Down Under has been known as Gravy Day. The reason: Paul Kelly's 'How to Make Gravy', which released in 1996. The best way to mark the occasion, of course, has always included making gravy and listening to the song. But in 2024, there'll be another way to celebrate: watching the movie adapted from Kelly's tune. News that the flick was coming initially dropped in 2022, with musician Meg Washington and writer/director Nick Waterman announcing that they'd locked in the rights to make the song into a film. Then, Australian streaming platform Binge revealed that it's behind the movie, marking its first-ever original feature — and that it'd hit this year. Now, the movie version of How to Make Gravy has a release date, arriving on streaming on Sunday, December 1. How to Make Gravy, the film, also now boasts a trailer. So, if you've been wondering how a tune becomes a movie, here's a glimpse. The Royal Hotel co-stars Daniel Henshall (RFDS) and Hugo Weaving (Slow Horses) feature as Joe and Noel. The first hails from the song — he's the prisoner who writes to his brother Dan to kick things off — while Noel is a new addition. Also starring: Brenton Thwaites (Titans) as Dan, Kate Mulvany (The Clearing) as Joe's sister Stella and Damon Herriman (now that he's no longer playing Charles Manson in both Mindhunter and Once Upon a Time in Hollywood) as her husband Roger. French actor Agathe Rousselle from Titane, who is making her first English-language film, also features as Joe's wife Rita. And yes, there's a Frank and a Dolly, aka Joe's twin daughters (newcomer Rose Statham and Christmas on the Farm's Izzy Westlake) — and an Angus, Joe's son (Jonah Wren Phillips, Sweet Tooth). Still on names from the music, Eloise Rothfield (Boy Swallows Universe) is Dan's daughter Mary, while Eugene Gilfedder (Babyteeth) and Kym Gyngell (The Artful Dodger) are brothers Gary and Murray. Kieran Darcy-Smith (Mr Inbetween) is also among the cast as new character Red — and with Washington one of the picture's driving forces, Adam Briggs, Brendan Maclean, Dallas Woods, Patience Hodgson and Zaachariaha Fielding are among the musicians with cameo roles. There's no word yet if Kelly pops up as the film tells of Joe's family's preparations to spend their first Christmas without him. Check out the trailer for How to Make Gravy below — and, because you've likely now got it stuck in your head, the music video for the song as well: How to Make Gravy will stream via Binge from Sunday, December 1, 2024. Images: Jasin Boland.
Across the 92-year history of the Oscars, only five women have ever been nominated for the Best Director award. Only one has won, too, with Kathryn Bigelow emerging victorious in 2009 for The Hurt Locker. Indeed, if anyone needs a reminder that gender inequality is still a big issue in the film industry, the situation at the Academy Awards paints a strong picture. When it comes to what viewers watch, one new streaming service is attempting to push more female filmmakers to the fore — and more movies and shows both starring and about women, too. Called Femflix, it has just launched in Australia and New Zealand with a growing catalogue of titles, all of which feature a female-identifying creative as its director, producer, writer, cinematographer or lead protagonist. The aim, obviously, is to support and champion stories about women and made by women — with Femflix developed to promote gender balance, tear down stereotypes and showcase a wide variety of female characters on-screen. And if you think that the timing is perfect for a women-focused streaming platform following the emergence of the #MeToo and #TimesUp movements, that's exactly what helped inspired the service. Among its launch catalogue, audiences Down Under can watch local films such as 52 Tuesdays, Strangerland, Tracks, Strange Colours and Waru, international flicks including Julieta, The Third Wife and Marlina the Murderer in Four Acts, plus star-studded cinema releases from the past few years like Suffragette, Madame Bovary and Testament of Youth. Or, you check out thrillers such as Compliance, sci-fi films like Before We Vanish and documentaries including I Am No Bird, Janis: Little Girl Blue and The Song Keepers. Offering free 3o-day trials, and costing $8.99 per month afterwards, Femflix can be streamed online, including via Chromecast and Airplay, with video apps for smart TVs under development. The new service arrives at a busy time for new streaming and online viewing services, with 2020 not only seeing everyone spend more time watching things at home, but giving viewers more to watch — including the launch of horror streamer Shudder Down Under, the global launch of short-form platform Quibi, the debut of architecture and design-focused platform Shelter, and cinemas including Palace in Australia and Roxy in New Zealand releasing their own pay-per-view options. For more information about Femflix — and to sign up — visit the streaming platform's website.
Australia mightn't be home to any of the globe's top restaurants for 2023, but love is pouring out for our wineries. Among the many lists of the world's best — which also includes bars and steak joints — the World's Best Vineyards ranking names the planet's top wine destinations. Earning a spot this year: three South Australian winemakers. From the Aussie contingent, McLaren Vale's d'Arenberg nabbed the highest placing, coming in at 17th. Sprawling around a giant cube might've helped. That five-storey square is quite the centrepiece, but the Osborn family's organic and biodynamic tipples score plenty of attention on their own. The awards also praised the vineyard for living "up to its billing as 'more than just a cellar door'". Next on the list: Henschke in Eden Valley, which boasts a vineyard that was planted more than 150 years ago, and nabbed 26th spot. Then comes Magill's Penfolds Magill Estate, which dates back to 1844 and is particularly known for its shiraz, in 44th place. None of these wineries were anointed the best in Australasia, however. That honour went to New Zealand's Rippon, in Central Otago, which also sits in 11th spot in the top 50. The awards heaped praise onto the Southern Alps favourite for producing "a highly lauded range of pinot noir from this magnificent landscape and its biodynamically farmed vineyards". While Down Under was well-represented among the Best 50 Vineyards, 23 vineyards in this year's list hailed from Europe. France alone scored nine spots, the highest number for any single country. That said, the top placing went to Argentina's Catena Zapata, which also won overall South American vineyard. Next came Europe's first listing, for Spain's Bodegas de los Herederos del Marqués de Riscal, followed by Chilean vineyard VIK in third, Creation in South Africa in fourth, and France's Château Smith Haut Lafitte in fifth. Completing the top ten: Bodega Garzón in Uruguay, Montes in Chile, Germany's Schloss Johannisberg, and both Bodegas Salentein and El Enemigo Wines in Argentina. If you plan your getaways around vino, consider this list a handy piece of travel inspiration. If you're just interested in the drops, consider it a guide for your next trip to the bottle shop. The World's Best Vineyards also names a 51–100 list, which saw New Zealand's Craggy Range come in at 58th, Man O' War at 77th and Kumeu River Wines at 81st, plus Australia's Seppeltsfield Barossa at 98th. To check out the full World's Best Vineyards Top 50 and 100 lists, head to the awards' website. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Spent your week staring at spreadsheets and need a break from the screens, or just looking for an excuse to get your hands dirty? Work-Shop could be the answer. Based in Redfern, Work-Shop holds short courses to get creative juices flowing and new life-skills nailed. Everything you've ever wanted to learn (and probably ten things you didn't know you wanted to learn) is on offer: from making your own organic skincare to Japanese bookbinding to investment masterclasses. Courses are run by local artists and industry experts who will help you become a more creative (or functioning) adult. Who says you stop learning once you finish school?
There's no forgetting the opening moments of Scrublands, Australia's latest rural noir entry. For viewers streaming along via Stan, where the four-part series is available in full, there's no chance of not being instantly hooked, either. After an otherwise ordinary Sunday congregation, as his worshippers disperse slowly from his rural church's car park, Riversend priest Byron Swift (Jay Ryan, Muru) starts shooting with a sniper rifle. Five locals — farmers Alf (Fletcher Humphreys, The Stranger) and Tom Newkirk (Scott Major, Heartbreak High), shop owner Craig Landers (Martin Copping, The Dunes), mechanic Hugh Grosvenor (debutant Ben de Pagter) and accountant Gerry Torlini (Adam Morgan, The Royal Hotel) — are killed, with the man of the cloth not living out the fray himself. After that introduction, the bulk of Scrublands picks up a year later as the small, remote and deeply drought-stricken town is still attempting to live with an event that it'll never get over. In drives journalist Martin Scarsden (Luke Arnold, True Colours), who has been dispatched from Sydney to write about the situation 12 months after the unthinkable occurred. Capturing the colour of the situation is his remit, in an article that his Sydney Morning Herald editor wants for weekend supplement reading, and is also meant to be Scarsden's easy way back to the job after a traumatic last assignment. To the shock of no one but the investigative reporter, his welcome is mixed. It also won't astonish viewers that the journo's time interrogating the truth behind the tragedy proves anything but straightforward and uneventful — and neither director Greg McLean (Jungle) nor screenwriters Felicity Packard (Ms Fisher's Modern Murder Mysteries), Kelsey Munro (Bump) and Jock Serong (a scripting debutant) expect that basic framework to come as a surprise. Scrublands remains a mystery; however, it's the why that haunts its frames, not the who. That question lingers over the townsfolk that cross Scarsden's path, although there's already been an official tale since the massacre occurred. In the rubber-stamped version doing the rounds and fuelling news headlines, abuse allegations were levelled at Swift just days before the incident. So, in external law enforcement's minds, that's long been the case closed. But Scarsden is increasingly unconvinced. Far from writing the "torture porn" that he's initially accused of, he begins digging deeper, despite as much hostility about him endeavouring to unearth the facts swirling as surrounds to his presence in Riversend at all. Bookstore and cafe proprietor Mandy Bond (Bella Heathcote, C*A*U*G*H*T), a single mum and the first local that Scarsden meets, swings from cordial to frosty and then more open. Police officers Robbie Haus-Jones (Adam Zwar, Squinters) and Monica Piccini (Freya Stafford, New Gold Mountain) vary in their cooperation. Resident chief landowner Harley Reagan (Robert Taylor, The Newsreader) is blunt but reluctant about imparting anything but his family's generational history in these parts. Among those who lost fathers and husbands — such as teenagers Allen Newkirk (Stacy Clausen, True Spirit) and Jamie Landers (Zane Ciarma, Neighbours), and the latter's mother Fran (Victoria Thaine, Nowhere Boys) — the response is equally as complicated. Recurring among most of Riversend's inhabitants: the certainty that the picture painted of the cleric that changed everything isn't what it seems. The list of Australian films and TV shows that involve a big-city outsider galloping in to run through a regional area's problems, struggles and secrets is considerable, including The Dry, Black Snow, Limbo and Deadloch in recent years. Scrublands happily fits the bill. As those past movies and series have shown, and this page-to-screen effort based on Chris Hammer's novel as well, such a setup can provide the basis for weighty and compelling stories when presented with care, thought and style. McLean isn't in Wolf Creek or Wolf Creek 2 territory. While the eye-catching imagery that the filmmaker and his cinematographer Marden Dean (Clickbait) offer up can lean on familiar visual tropes, relying on standard formula isn't the approach overall. Any narrative scenario, no matter how well-used — including to the point where it feels like a national genre — can feel worth diving into when fleshed out with riveting details. Scrublands is a clear case in point. This isn't a story backdropped by parched red earth as far as the eye can see, but by the dry scrubby landscape as the name suggests. Like picture, like themes, then. Emotional complexities between characters intertwine, spread and hook in like undergrowth, in that remote small-town way. In other series such as The Clearing and The Lost Flowers of Alice Hart as well, and in The Royal Hotel on the big screen, too, Australia's recent screen output has kept making plain the ties, secrets and lies that can bind when everyone knows everyone, or thereabouts — plus the thorns that lurk for outsiders. A sense of stifling often courses through Australia's rural noir efforts, even when filled with vast expanses. When it seems like all there is is space, often there's nowhere to run to. As Scrublands' take on the interloper mining for answers, Arnold adds an arresting and grounded performance to a resume that flits from The Tunnel, Black Sails, Glitch and Home and Away to playing Michael Hutchence in Never Tear Us Apart: The Untold Story of INXS. This genre needs not only a gripping mystery but an involving protagonist, and TV's new addition ticks both boxes. While Ryan's casting as a charismatic and beloved priest, at least until he started gunning down parishioners, gives away that there's a twist to come involving Swift — and that the man of god won't just be seen in the series' introduction — he's still expertly deployed given the role's charming, empathetic and no-nonsense turns, as seen in flashbacks. And as Bond segues between the past and the present sections, Heathcote wears both hope and grief like a second skin. Hammer, a former journalist himself, penned a rich and atmospheric novel that screamed to reach the screen. As well as the non-fiction The River and The Coast, both of which preceded 2018's Scrublands to bookshelves, he's also given Scarsden two more stints on the page so far: Silver in 2019 and Trust in 2020. Expect them both to appeal to streaming powers that be, giving Australia a new Jack Irish- and Mystery Road-like franchise. If Hammer's Ivan Lucic and Nell Buchanan novels — 2021's Treasure and Dirt, 2022's The Tilt and 2023's The Seven — also get the same treatment, that wouldn't be a surprise, either. Check out the trailer for Scrublands below: Scrublands streams via Stan.
Bushpig was called "hands-down the most intriguing show to surface in this year’s [Adelaide Fringe]" by theatre guide Heckler — high praise indeed. Like many Fringe Fest events, its a one-person show, but writer/performer Hannah Malarski, a NIDA playwriting grad, makes hers stand out. Her range and vivid characterisations bring to life an eccentric small town of characters, centred around Aunt Vivian and her missing child. Read the rest of our top ten picks of the Sydney Fringe Festival 2013.
When Steam Mill Lane signed on Belles Hot Chicken, we knew the foodie precinct would have at least a little bit of spice. Now, the laneway is taking that small step to the next level with its inaugural Hot Sauce and Chilli Festival. The three-day spice lover's haven will run from midday on Friday, August 17 through Sunday, August 19, boasting pop-up stalls and live music, plus a requisite chilli-eating contest for good measure. The food stalls will feature one-off specialties from the laneway's residences — think a spicy hot chicken sandwich from Belles, a cajun chicken roll from The Sandwich Shop, chilli pizza and chilli cocktails from Il Bacio, deep fried chilli concoctions from Ricefields, spicy poke from Fishbowl and a spicy matcha latte from Matcha-Ya. Plus, 8Bit will collaborate with Melbourne Hot Sauce for its Streets of Rage festival burger and Marrickville Pork Roll will have a menu dedicated to Sriracha. We wouldn't be surprised if even the biggest chilli fans are burnt out after all that spice.
From agrarian restaurants and picturesque wineries to après-ski drinks, a foraging and cooking class, a farmers' market and even an oyster festival, Aotearoa New Zealand has a multitude of culinary experiences across every season. New Zealand's hospitality scene is known for using seasonal produce that's locally sourced or foraged, paired with drinks by local winemakers, brewers and distillers. To really take advantage of this mindful approach, time your visit with the epicurean experiences you want to sample or partake in, so you can savour the seasonal ingredients and admire the creative ways they're used. The beauty of Aotearoa New Zealand really starts to come to life through the different seasons. Cooler temperatures mean cosying up with award-winning cool-climate wines against views of the changing foliage and snowfall, while the warmer days of spring bring about al fresco dining, outdoor adventures and fresh seasonal produce. No matter when you visit, you're sure to be well looked after with a warm welcome and sense of manaakitanga, as locals share their knowledge and passion for the land. We teamed up with 100% Pure New Zealand to highlight some delectable drinking and dining destinations around New Zealand for each season, so you can plan your trip based on the time of year that most appeals to you. Flick the switch for seasonal dining experiences in autumn, winter and spring. Jump to switcher
Talk about a show that delivered on its promise the first time around: when a fresh-from-Russian Doll Natasha Lyonne teamed up with Knives Out and Glass Onion: A Knives Out Mystery filmmaker Rian Johnson on a whodunnit-of-the-week TV series, Poker Face did indeed prove a delight. A second season was quickly greenlit, in fact, and now it's on its way to your streaming queue. The sleuthing gem has also just dropped its full season two trailer. While the combination of Lyonne (Fantasmas) and Johnson was always set to be an ace, Poker Face gave the detective setup a particular spin. Protagonist Charlie Cale has a handy gift: being able to tell when someone is lying. In each weekly episode, she then worked her way through resolving a different crime, all while on the road in a Plymouth Barracuda. Then and soon, when season two kicks off on Thursday, May 8, 2025 Down Under — where it streams via Stan in Australia and TVNZ+ in New Zealand — Lyonne also has a heap of other well-known faces for company. Where season one boasted The Brutalist Oscar-winner Adrien Brody, to name just one high-profile figure, season two will feature fellow 2025 nominee Cynthia Erivo (Wicked) in multiple roles. If you're a fan of John Mulaney's wonderful Everybody's Live talk show, rejoice: not only Mulaney but also Richard Kind (Mid-Century Modern) are guest starring in Poker Face season two. From there, this season's roster also includes John Cho (AfrAId), Melanie Lynskey (Yellowjackets), Katie Holmes (Rare Objects), Awkwafina (Black Mirror) and Giancarlo Esposito (The Residence), as well as Alia Shawkat (Severance), BJ Novak (Lessons in Chemistry), Carol Kane (Between the Temples), Corey Hawkins (The Piano Lesson), Saturday Night Live pair Ego Nwodim (Mr Throwback) and Ben Marshall (Please Don't Destroy: The Treasure of Foggy Mountain), Sam Richardson (It's Florida, Man) and Margo Martindale (The Sticky). Then there's Cliff 'Method Man' Smith (Power Book II: Ghost), Haley Joel Osment (Blink Twice), Justin Theroux (Running Point), Kathrine Narducci (The Alto Knights), Kevin Corrigan (Deli Boys), Kumail Nanjiani (Only Murders in the Building), Patti Harrison (The Electric State), Sherry Cola (Nobody Wants This), Gaby Hoffmann (Zero Day), Simon Rex (Red Rocket) and more. As well as the stellar lead turn from Lyonne and the show's smart writing, part of the fun of Poker Face stems from seeing how the series weaves in such a dream supporting lineup. The above list follow in the footsteps of The Menu's Hong Chau and Judith Light, Lil Rel Howery (Deep Water), Danielle MacDonald (The Last Anniversary), Chloë Sevigny (Bones and All), Ron Perlman (Nightmare Alley), Joseph Gordon-Levitt (Pinocchio), Ellen Barkin (Animal Kingdom), Nick Nolte (The Mandalorian), Cherry Jones (Succession), Jameela Jamil (She-Hulk: Attorney at Law) and Stephanie Hsu (Everything Everywhere All At Once) in season one. And yes, you'll have two chances to get a mystery fix from Johnson in 2025, given that Wake Up Dead Man, the third Knives Out movie, is also on its way this year. It too boasts another stacked cast, this time surrounding Daniel Craig (Queer) with Josh O'Connor (Challengers), Glenn Close (Back in Action), Josh Brolin (Outer Range), Mila Kunis (Goodrich), Jeremy Renner (Mayor of Kingstown), Kerry Washington (The Six Triple Eight), Andrew Scott (Ripley), Cailee Spaeny (Civil War), Daryl McCormack (Bad Sisters) and Thomas Haden Church (Twisted Metal). Check out the full trailer for Poker Face season two below: Poker Face season two streams from Thursday, May 8, 2025 via Stan in Australia and TVNZ+ in New Zealand. Read our review of season one. Images: Sarah Shatz/PEACOCK.
UPDATE: NOVEMBER 6, 2019 — We knew that ABC's perennially popular music quiz show Spicks and Specks was making a comeback with the OG crew, and now we have an air date. It has been announced that the first of four specials will hit small screens at 7.40pm on Sunday, November 24, as part of the network's Ausmusic Month celebrations. The other three will drop sometime in 2020 — we'll let you know when dates are announced for those, too. What's better than watching a heap of top Australian talent sit around and talk about music? Watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind ABC TV show Spicks and Specks, which took a few cues from the UK's Never Mind the Buzzcocks, pit Aussie musos and comedians against each other, and has proven a hit several times over. A weekly favourite when it first aired between 2005–2011, it just keeps coming back — and is about to do so again for four brand new specials. When the program was first revived back in 2014, it returned with a new host and team captains. This time, it's going back to the original lineup. That means that Adam Hills, Myf Warhurst and Alan Brough will all step back into the quiz show realm yet again. When the trio did just that back in 2018, for a one-off reunion special, it became the ABC's most-watched show of the year. Unsurprisingly, that huge response played more than a small part in inspiring this new comeback. If you're already eager to show your own music trivia knowledge and play along — we all know that's as much a part of the Spicks and Specks fun as seeing the on-screen stars unleash their own skills (or lack thereof) — then look out for the first special this November. It'll air on Sunday, November 24 as part of the ABC's network-wide celebration of Ausmusic Month, and it'll naturally focus on all things local. Then, at some point in 2020, three more specials will hit the airwaves. The Spicks and Specks crew obviously hope you're feeling suitably retro, with each show focusing on a different decade — the 90s, then the 00s and finally the ten-year period we've all just lived through. And, if you need a refresher, this comedic chat about a Star Wars Christmas album will do the trick: https://www.youtube.com/watch?v=4KNMtDu7TAY Spicks and Specks will return to ABC TV on Sunday, November 24 at 7.40pm and then again in 2020. We'll keep you updated with exact dates when they come to hand.
DJ, gonna burn this goddamn beach right down — although not literally, of course. But 15,000 partygoers will be murdering the dance floor at an iconic coastal spot thanks to a headliner that's having a helluva moment right now: Sophie Ellis-Bextor. She's topping the bill for the 2024 Sydney Gay and Lesbian Mardi Gras' Bondi Beach Party. In 2023, when the first WorldPride ever held in the southern hemisphere took place in Sydney, it brought with it an openair club on the sand from afternoon till evening. A massive 12,000 folks went along to dance by the water, with Pussycat Dolls lead singer Nicole Scherzinger headlining. In 2024, on Saturday, February 24, Ellis-Bextor will do the honours while everyone is rediscovering their love for 2001's 'Murder on the Dancefloor' thanks to Saltburn. It's the first of two trips Down Under for the British singer this year, as she's supporting Take That on their Australian and New Zealand tour in October and November as well. Ellis-Bextor's discography also includes vocals on Spiller's 'Groovejet (If This Ain't Love)', plus her own 'Get Over You' and 'Hypnotised', all of which she gave a spin on her last visit to Australia in 2022. Then, she headlined Summer Camp in Sydney and Melbourne, and also played Brisbane's Melt Festival. At Mardi Gras 2024's Bondi Beach Party, Ellis-Bextor will be joined by the previously announced Slayyyter, Jay Jay Revlon, Lagoon Femshaymer, Corey Craig, Tyoow, Mama de Leche and Beth Yen. Sydney Gay and Lesbian Mardi Gras' Bondi Beach Party 2024 Lineup Sophie Ellis-Bextor Slayyyter Jay Jay Revlon Lagoon Femshaymer Corey Craig Tyoow Mama de Leche Beth Yen Top image: Cain Cooper.
Many of us have had a first date on an old-school pedal boat, holding hands and having mundane conversations about the weather. And now you can relive that (but with better chat) when the recognisable boats return to Cockle Bay this summer. From January 4–28, you'll be able to hire one of the leg-powered vehicles for $30 a pop, which'll get you a whole 30 minutes on the water. If you think half-an-hour in the blistering Sydney sun sounds like a recipe for sunburn, you'd be right, but, thankfully, the boats come equipped with a shade to keep you cool. The pedal boats fit up to four people (so you can bring your mates or plan a double date) and you do have to wear a life jacket while cruising on Darling Harbour. You can't book online, and have to just rock up and hope that's one free, but if you do need to wait, there are plenty of places to eat and drink on the Wharf. Cockle Bay Wharf Pedal Boats are available from 11am–8.30pm daily.
With Lacoste tennis dresses donned, twee baked goods in hand and Famous Friend bingo card at the ready, we checked into Wes Anderson’s newest and wildly anticipated new pop-up book of a cinematic endeavour, The Grand Budapest Hotel. Murder, art theft, pastry and Adrien Brody's moustache — Anderson serves up his most diabolical, zany undertaking yet, using every trick in his own book. FUTURA IS DEAD Looks like Anderson has relinquished his hold on his longtime minimalist typeface go-to Futura, handing the reins to Lorde and Vampire Weekend and opting for a more weighted, slab serif font called Archer. Often featured in credits sequences of old Italian films, Archer is described by developers Hoefler & Co. as "sweet but not saccharine, earnest but not grave, Archer is designed to hit just the right notes of forthrightness, credibility, and charm." Film schools worldwide will undoubtedly be mass-installing the new typeface immediately. POLITENESS GETS YOU EVERYWHERE, EVEN OUT OF JAIL Sporadically reciting romantic poetry, giving lectern-delivered philosophical orations to the hotel staff about guest rudeness, serving up mush in prison with five-star finesse, Ralph Fiennes solidifies himself as downright godly in his role as M. Gustave, the flamboyant, charming and silver-tongued concierge of The Royal Budapest Hotel. Winning as many friends as he makes enemies, Fiennes sees Gustave balancing art theft, jailbreaks and cologne appreciation with breezy, theatrical conviction. Goes to show, a little complimentary affection will get you everywhere, darling. CELEBRITY BINGO MEANS A TOPNOTCH CAST A well-known fact, Anderson has accrued quite the crew of illustrious buddies simply by sticking with familiar faces all career long. Zissou-Tenenbaum-Rocket leads Bill Murray, Owen Wilson and Jason Schwartzman have stepped back from the top spots for cheer-inducing pop-ins and supporting roles, making way for the new Wanderson Posse of Edward Norton, Tilda Swinton and Adrien Brody. Prompting constant outbursts of “Ohhh, it’s that guy!” from cinemagoers, we’ve come to actually wait for Anderson’s flurry of crafty cameos. Once again, Anderson’s cohort of well-liked celebs play dress up and wear All The Moustaches, with every screen guru from Tom Wilkinson to Jude Law and Harvey Keitel making their fleeting moments count. Now with added newbies Lea Seydoux and Saoirse Ronan, being in a Wes Anderson cast is now the hottest bill around. JEFF GOLDBLUM MAKES LEGAL JARGON SOUND UNBELIEVABLY EROTIC Jur-is-diction. Ex-ec-u-tor. If Jeff Goldblum wasn’t mystical and unnervingly alluring enough, he’s gone and landed himself one of his most potentially meme-worthy roles to date, with circular, thick-rimmed spectacles to boot. Using flashcards to describe a murder scene without taking one eye off the camera, dumping his dead Persian in a trashcan and being chased through an art museum by Willem Defoe aren’t nearly as exhilarating moments as Goldblum simply reading the contents of a last will and test-a-ment. IF IT AIN'T BROKE DON'T FIX IT Meticulously premeditated and artful mise en scene, idiosyncratic scripting, perfectly flawed and outlandishly eccentric characters and a ukulele-fuelled soundtrack have become a formidable formula for Anderson, slowly developing into an extreme form of his own genre. After being royally reprimanded by critics for Moonrise Kingdom being a little too cute for their liking (heartless bums), TRBH sees the Twee King back on form with all the artful weirdness of The Royal Tenenbaums peppered with The Life Aquatic’s epic storybook set detail and The Fantastic Mr. Fox’s jolly good humour. With super zooms, painted landscape backdrops, frontal character portraits, horizontal tracking shots and whole lot of font, Anderson seems more settled in his own style than ever. And that’s quite alright, darling. The Grand Budapest Hotel opens April 10.
You've likely giggled at the quote on the chalkboard out the front as you've meandered down King Street, but have you been inside Elizabeth's Bookshop? If so, you would find a treasure trove of new and second-hand books that any bookworm could lose hours exploring. It is one of those stores that just keeps going, with an expansive range that covers just about every genre. Hard-to-find titles regularly pop up making it a good destination for gifting, be it for yourself or others. If the collection is a little overwhelming, you can always take a punt on the 'Blind Date with a Book' book stand. The concept is fairly straightforward: the books are wrapped in brown paper with a few clues written on the front alluding to the story inside. It's mysterious, fun and takes the pressure off when you just can't decide. Every title is handpicked by Elizabeth's Bookshops staff so the chances of landing a dud are slim.
In the list of niche specialisms, the humble button has to be right up there. And if there was a store that had that niche pinned down, it is All Buttons Great and Small. The store has been supplying the public with every type of button you can think (and plenty you can't) since 1989. Along the way, it has amassed a collection of over 13,000 different buttons with an eclectic jumble of colours, styles and materials (shell, wood, glass, crystal, leather and enamel among others) on display in the Newtown store. It also offers button covering for furniture and regularly supplies to the film industry.
Camperdown's farm-to-table restaurant Acre Eatery is going full Italian for the winter months. As of today —Wednesday, July 3 — the venue has transformed its lofty dining room and al fresco garden into an Italian farmhouse, complete with a spritz bar, a bruschetta menu, hand-rolled pasta and a dessert trolley. Executive Chef Gareth Howard is showcasing regional Italian cooking throughout the venue, while still focusing on the locally and ethically sourced ingredients that the restaurant is known for. Head to the dining room to check out the new feasting menu, which features woodfired focaccia — that you can then dip in a wagyu beef fat candle — and baked cheese with truffle honey. You'll be able to try the best of Italy's many styles of pasta — including Piedemont-style pappardelle, Roman creamy carbonara and a meatball dish unique to the south. You'll be eating all of this surrounded by Tuscan-inspired furnishings and indoor olive and citrus trees, too. Out on the terrace during the day, you can opt for a Sicilian-style brunch with a dedicated bruschetta menu and plates of black pig ham, free-range egg and fried eggplant caponata. Or stop by in the evenings, when the spritz bar will serving lots of cocktails, antipasti, pizzas and homemade breads. And, on weekends, a roaming cart will bring arancini and panini to you, too. A second trolley carrying desserts will roll around the dining room, with a whopping 35 different Italian sweets in tow — including orange polenta cake, glazed fruit tarts, cannoli, tiramisu and seasonal gelato. Apart from the new menus, the restaurant is also hosting two collaborative dinners on Saturday, July 20 and Friday, August 2. The first is a four-course truffle and wine degustation with Bilpin producer 4 Winds; the second is a candlelit Sicilian banquet featuring Hunter Valley-produced Italian wine varieties. Plus, each Friday over the six weeks, Acre Eatery will host ticketed masterclasses run by Howard on how to make porchetta, focaccia and mozzarella. And, because it's not Italian without a few namesake cocktails, there'll be plenty of spritzes and barrel-aged negronis to go around. Acre Eatery's Italian Takeover will run from on July 1–August 18 at 31A Mallett Street, Camperdown. It's open Wednesday–Friday midday–11pm, Saturday 8am–11pm and Sunday 8am–9pm. Images: Trent van der Jagt.
Tucked away right near Redfern Park, The Yoga Centre is an Iyengar yoga school focusing on perfecting postural technique and connecting the practice to its spiritual purpose. With decades worth of experience behind the school's various teachers, this isn't an In-N-Out style yoga fitspo factory, but a well-equipped studio for people of all ages to explore the transformative impact of yoga. In the Iyengar tradition, physical yogic alignment is really just considered a gateway to living a more peaceful life. As B.K.S Iyengar said: "It is through the alignment of the body that I discovered the alignment of my mind, self, and intelligence." It's certainly worth a shot. A bounty of props, blankets and belts are on hand to help you refine your asana technique and to minimise the risk of injury. The studio itself is nice and big. You can book a casual class or enrol in a longer course. Keep an eye out for teacher training throughout the year.
The Ingenia Holiday Parks Sydney Family Show is back for 2025, and it's set to be a goodie, especially if you have energetic little ones in tow. From Saturday, April 12 to Sunday, April 27, gather the kids and head to The Entertainment Quarter in Moore Park for an Easter wonderland with exciting attractions, rides and entertainment for the whole fam. The Ingenia Holiday Parks Sydney Family Show really does offer something for everyone. Especially since this year's event introduces brand-new stage performances, including the Paw Patrol Stage Show, which will run from Saturday, April 12 to Tuesday, April 22 and the Bluey Live Interactive Experience, which will run from Wednesday, April 13 to Sunday, April 27. Or, if your kids prefer to walk on the wild side, there will be returning favourites like the Monster Jump inflatable obstacle course and an all-new Monster Sports Jam, both bringing high-energy sports activities into the festivities. If you and the fam prefer a classic, carnival-style affair, you can immerse yourself in carnival rides, stunt shows and animal encounters, and for the parents, there will be plenty of shopping and food stalls. And, of course, no Easter weekend is complete without show bags. If you love dogs, the Dachshund Day on Sunday, April 13, will offer doggie talent shows, themed market stalls and adorable dachshund meetups. And on the final day of the show, the Greyhound Adoption Day can get you meeting greyhounds in need of a forever home. There will be two hours of free parking available to take the time pressure off of any pup-to-be meetings. Whether you're there for the animals, the rides or just a fun day out with the kids, the Ingenia Holiday Parks Sydney Family Show offers all your favourite easter show traditions with great value – just in time for the school holidays. Images: Supplied. For more information or to book your tickets, visit the website.
It's not every festival feels like a country weekend fete that just happens to be headlined by say, Courtney Barnett. Fairgrounds, Australia's country boutique camping festival descends on the small NSW town of Berry each December. Taking over the local Berry Showgrounds, Fairgrounds boasts all the trimmings of a major music festival with the essence of a local fair. And this December, it's back for another two-day round. Running over November 30 and December 1, the two-day festival is making a triumphant return. In a huge coup for the small festival in its third year, they've secured big time festival favourites Courtney Barnett and Vance Joy to headline, alongside local legends Pond, Winston Surfshirt and more. Oh, and British punk poet Billy Bragg, US alternative rock band The Breeders and Zambian hip hop singer Sampa the Great will also join the lineup from across the globe. With a strong focus on the local NSW South Coast area, Fairgrounds isn't just about the tunes. Last year local nosh, market stalls and the local swimming pool played equally starring roles at this multifaceted festival — something we're sure made Berry residents pretty happy. Between dips in Berry's local pool (within the festival grounds), punters feasted on local delights, including fresh rock oysters harvested less than half an hour from the festival site. The festival's super-popular long-table dinners will return, too, which take place overlooking the live music. But we know what you're here for. Here's the full lineup. FAIRGROUNDS 2018 LINEUP: Vance Joy Pond Rolling Blackouts C.F. Saba Body Type Oh Pep! Tia Gostelow Courtney Barnett Billy Bragg Winston Surfshirt The Breeders Sampa the Great The Teskey Brothers Waxahatchee Kevin Morby Maddy Jane Carla Geneve Fairgrounds runs November 30–December 1 at Berry Showgrounds, NSW. Tickets on sale from Moshtix at 10am, Monday, August 13. Festival entry starts at $110, with camping $230. Image: Ian Laidlaw and Gabriel Vallido
