Home to raindrop cakes, Nutella gyoza and salted caramel gyoza, Harajuku Gyoza clearly likes getting creative with its sweet treats. The chain is fond of trying out new things with its savouring dumpling range, too, as its experiment with mac 'n' cheese and pepperoni pizza versions showed — but it obviously has a soft spot for the kind of desserts you won't find on any old menu. From Thursday, April 1, the Australian gyoza brand is serving up a new menu item that turns marshmallows into gyoza. You'll find them stuffed inside each dumpling, and also sprinkled on top. And, if your stomach isn't already rumbling, they'll come dusted with icing sugar and paired with Nutella sauce as well. The fried and crispy marshmallow gyoza are joining the chain's dessert lineup in plates of five, which'll cost you $10. And if you fancy tucking into the new gyoza after devouring two old favourites — cheeseburger gyoza, which is stuffed with burger pieces, aged cheddar, onion, pickles, mustard and tomato sauce; and mozzarella gyoza, which is filled with the obvious, then deep-fried and sprinkled with Twisties salt — that's up to you. Harajuku Gyoza's marshmallow gyoza will be available at all Australian stores — at Darling Harbour in Sydney; at South Bank and the CBD in Brisbane; and in Broadbeach on the Gold Coast — from Thursday, April 1.
Every evening between now and October 2, Alice Springs will be the brightest place in Australia. Lights will illuminate a 2.5-kilometre stretch of the nearby MacDonnell Ranges, and luminous artwork will be projected onto the city's desert sands — and yes, that's just the beginning of the region's glowing wonders. Both form part of Parrtjima – A Festival in Light, which holds the honour of being the nation's first Indigenous festival of its kind. Showcasing contemporary and traditional Indigenous art, culture and stories using light and sound, it's also Australia's biggest-ever light installation. It is created by the Northern Territory Government and local artists in collaboration with AGB Events (aka the folks that light up Sydney each year for Vivid), after all. Visitors won't just celebrate Aboriginal culture by basking in the glory of a glimmering 300-million-year-old land mass — they'll also play a part in choosing just how the Ranges come to glowing life. An interactive component, called Range of Expression, allows festival-goers to pick their favourite colours and then see them projected onto the vast landscape. Looking down rather than up, Grounded immerses attendees in a sequence of artworks symbolising the return of Indigenous art to the country. The festival also features three light-filled caterpillar installations that tell the Yeperenye Dreamtime story, as well as five illuminated '50s-style skirts covered in watercolour landscape paintings by Alice Springs artists, including Albert Namatjira's granddaughter Lenie Namatjira. And while Parrtjima only brightens up the outback for ten nights, it's hoped that it'll become an annual drawcard. Parrtjima – A Festival in Light runs until October 2 in the Alice Springs Desert Park, Norther Territory. For more information, visit the festival website. Images: James Horan.
Exceptions exist, but Adelaide sadly remains something of a flyover city when it comes to touring artists. Yet things are looking up for a summer of Australian live music, as brand-new festival — A Day in the Gully — has revealed a stellar debut lineup. Taking over Civic Park in Modbury on Saturday, February 28, 2026, expect the good vibes to flow freely, whether you're getting up to groove or hanging with mates in the grass. Open to all ages, this one-day festival features chart-topping Aussie touring artists and emerging indie bands. Drawing thousands to the sprawling green space, much-loved headliners like Chet Faker, Ball Park Music, The Living End, Pete Murray and Mallrat bring serious credentials to the stage, having sold millions of records and toured the globe. "This new music festival is all about bringing people together. It will be a great chance to celebrate Australian live music and have some fun — right in our own backyard. I'm really looking forward to seeing everyone at Civic Park having an amazing time", says City of Tea Tree Gully Mayor Marijka Ryan. For those who love to get the inside word on the next big thing before they blow up, A Day in the Gully is inviting these acts too, with fast-rising bands like Teenage Joans and The Tullamarines delivering boundless live energy. Meanwhile, the festival is heightening the community spirit beneath the gum trees by making sure some of the region's food and wine purveyors get a spot to showcase their wares. Best of all, locals get a special treat, with City of Tea Tree Gully residents welcome to access an exclusive pre-sale, offering tickets at a $50 discount. For everyone else, first release tickets go on sale at 7am on Monday, November 17. "Our vision is to create an unforgettable experience that showcases amazing Australian artists, local food and wine, and the relaxed, welcoming vibe that makes this region so special", says Danielle Jones, Managing Director and Co-Owner of SRO Events. A Day in the Gully is happening on Saturday, February 28, 2026, at Civic Park, Modbury. Head to the website for tickets and more information.
It brought Stephenie Meyer's vampire romance saga to the big screen. It helped make Kristen Stewart and Robert Pattinson superstars. Indeed, for its two biggest names, it saw KStew go soaring to everything from Clouds of Sils Maria and Personal Shopper to Charlie's Angels, Crimes of the Future and Spencer — earning an Oscar nomination for the latter — and RPatz going from The Rover and Good Time to High Life, Tenet and The Batman. And, now, The Twilight Saga is making a comeback. The undead don't die, after all, and neither does much in the pop-culture realm. No big movie franchise ever says goodbye these days, with making the leap to the small screen one sticky trend at the moment. The Marvel Cinematic Universe did it, as has the rival DC Extended Universe. The Star Wars realm took the jump, too. So did The Lord of the Rings, and Harry Potter, IT and The Conjuring series are also on their way. There's also a John Wick show in the works — and yes, the list goes on. With Twilight, Lionsgate Television is in early development on a small-screen version, as per The Hollywood Reporter. That said, it apparently hasn't yet been decided whether this'll be a spinoff from the OG books and the movies that initially brought them to the screen, or if it'll take the remake route like HBO's new Harry Potter show is set to. Either way, given their careers right now — see: all those films mentioned above — it's probably safe to say that Stewart and Pattinson won't be involved. Of course, there's zero word on casting for Twilight's television iteration so far, with only writer and producer Sinead Daly (The Get Down, Dirty John, Raised by Wolves, The Walking Dead: World Beyond and Tell Me Lies) named as being involved and Meyer also expected to have some input. Exactly when the Twilight TV series will arrive, and where it'll air or stream, similarly hasn't been revealed. Forgotten what the five vamp films cover? They start with teenager Bella Swan (Stewart) moving to the small town of Forks, Washington, where she meets and falls in love with vampire Edward Cullen (Pattinson). This romance between a human and a vampire isn't particularly straightforward, otherwise there wouldn't be four books and five movies devoted to it. In cinemas, Twilight also starred everyone from Taylor Lautner (Cuckoo), Anna Kendrick (Alice, Darling) and Dakota Fanning (The First Lady) to Michael Sheen (Good Omens), Rami Malek (Amsterdam) and Bryce Dallas Howard (Jurassic World Dominion). There's no sneak peek at the Twilight TV show yet, understandably, but as well as the original Twilight trailer above, plus the New Moon trailer, you can watch Eclipse and two Breaking Dawn trailers below: The TV version of Twilight doesn't yet have a release date — we'll update you when one is announced. Via The Hollywood Reporter.
When Victoria's March long weekend arrives each year, festivalgoers have two reasons to head out of town — or head to the state from interstate — for a few days of tunes. Both are beloved parts of the cultural calendar. Both are such a hit that you need to enter a ballot to get tickets. And just as Golden Plains has already done, Pitch Music & Arts is announcing it 2025 details. Everyone should make the trip to the Grampians at least once, and here's as ace an excuse to do so as any: the return of the much-loved camping festival, which will host its eighth edition, taking over Moyston again. There's no lineup just yet — it drops on Tuesday, November 19, 2024 — but the 2025 dates have been locked in. The long-running celebration unleashes its fun across the Grampian Plains, with next years' festivities happening from Friday, March 7–Tuesday, March 11. Not only will its three stages play host to a sparkling lineup of local and international musical talent, as always, but the tunes will be backed by a hefty program of interactive art and installations. Basically, no matter who makes it onto the bill, attendees are in for a very big, very busy four days. Joy Orbison's 'flight fm' and 'better' have been used in teaser videos for 2025's fest so far, so that could be a lineup hint. 2024's roster featured Gerd Janson, I Hate Models, Job Jobse, Spray, XCLUB, Bambonou, Chippy Nonstop, Narciss, Mac Declos, Sedef Adasï and Hasvat Informant, among others, if you're wondering which type of electronic acts that Pitch usually welcomes. The ticket ballot is currently open — and is a necessity after the last three festivals all sold out — ahead of the program reveal; however, you can get excited now about a bigger Pitch One stage, Pitch Black getting a revamp and the Resident Advisor stage's red orb being part of the fun again. In between all the dance-floor sessions and arty things, festivalgoers will again be able to make themselves at home in the Pitch Pavilion, which is where yoga classes, meditation and sound baths usually help patrons unwind. The local-focused Club Serra will be new in 2025, championing homegrown talent. Pitch Music & Arts will return to Moyston from Friday, March 7–Tuesday, March 11, 2025. Head to the festival's website for further details, or to enter the ballot. The lineup will drop on Tuesday, November 19, 2024, with tickets sale details announced then as well. Top Images: Duncographic, William Hamilton Coates, Max Roux and Ashlea Caygill.
Head On Photo Festival is back for its 11th year — but, this time, it's digital. In response to the COVID-19 pandemic, the (normally) citywide photography festival will be a predominately online event for 2020. The internationally acclaimed festival is running from May 1–17 as planned but with the entire program launching as a digital platform on the Heads On website, including all photography and other interactive events. Overall, there are 110 exhibitions, plus over 80 artists talks, panel discussions and webinars which you can check out for free. As usual, the exhibition features contemporary photography, portraiture and photojournalism. This year, artists from more than 12 countries are exhibiting, including France, Guatemala, Japan, Greece, Germany, South Korea, The Netherlands, the USA, the UK, China, Canada and (of course) Australia. On Friday, May 1, The Head On Photo Awards were announced, with Australian photographer Marcia Macmillan's 'Whimsical Warrior' taking home the landscape award and 'The Gift' by Fiona Wolf-Symeonides awarded the 2020 Portrait Prize. Australian photographers Jon Frank and Nick Moir and international artists Jouk Oosterhof and Paul Carruthers also took home prizes. [caption id="attachment_769244" align="alignnone" width="1920"] Marcia Macmillan, 'Whimsical warrior'[/caption] Other highlights include Pulitzer Prize-winning photojournalist Renée C Byer, who travelled across four continents and captured the faces of people living on $1USD per day; mythological imaginings by Guatemalan economist and artist Astrid Blazsek-Ayala; a documentation of Melbourne's violent race rallies between 2014–2018 by photojournalist Jake Nowakowski; images of the Athens's drag queen scene by Greek photographer Nikolaos Menoudarakos; and snaps of Bondi's underwater marine life by Australian photographer Matt Smith. Work by heaps of other award-winning artists will be on display, too, including British photographer Professor Richard Sawdon Smith, German documentarian Robert Harding Pittman and two-time Walkley Award-winner Dave Tacon. As far as catching the festival in person, Head On also plans to launch a scaled-back version across venues in November, so keep an eye on this space. Images: Dave Tacon, 'Cirque le Soir'; Nick Moir, 'Run'; Nikolaos Menoudarakos; Matt Smith, 'The Martian'; ; Janie Barrett; Renée C Byer; and Fiona Wolf-Symeonides, 'The Gift'. All images courtesy of Head On Photo Festival. Updated May 4, 2020.
As we're sure you've heard, Japan has quite a reputation as a travel destination. But even beyond the most hyped experiences — like eating endless bowls of ramen in Tokyo, walking among cherry blossoms with views of Mount Fuji, feeding deer in Nara — the country has an incredible array of lesser known regions that, if you cover, will take your holiday from great to practically life changing. For instance, the region of Tohoku in Japan's northeast is one of the country's less travelled but no less impressive destinations. It presents visitors with outstanding dining, unique stays and natural landmarks that'll blow your mind. So, if you truly want to make your next trip to Japan one to remember, consider riding the shinkansen (bullet train) just a couple of hours north of Tokyo, where you'll discover a wealth of experiences that you likely weren't aware existed (until now). VISIT AN ANCIENT EARTHQUAKE-PROOF PAGODA Found throughout Yamagata Prefecture, the Three Mountains of Dewa are considered some of the holiest anywhere in the country. And while Mount Haguro, Mount Gassan and Mount Yudono each provide a spectacular setting to explore during sun or snow, only the foremost has a 600-year-old pagoda buried deep within its cedar forest. Make your way down Mount Haguro's famous 2446 stone steps and you'll soon be surrounded by towering cedar trees. After a short walk, you'll come across the so-called Five-Storey Pagoda, which features an interior wooden pendulum that counteracts the shock of an earthquake. The pagoda dates back to the Heian Period (794–1185) and was rebuilt in the late 14th century — and it's been standing strong ever since. DO A FOUR-DAY PILGRIMAGE WITH A MOUNTAIN MYSTIC You'll also have the chance to reconnect with nature in the most fascinating way possible within the holy Three Mountains of Dewa. Link up with a mountain mystic such as Master Hoshino — a white-robed priest who teaches the ancient Japanese mountain religion known as Shugendo — and you'll learn about a range of traditional techniques to refresh your body and soul. This practice is called yamabushido. During your four-day 'journey', you'll hike a series of sacred trails, stay in a pilgrim lodge and try waterfall meditation. Shugendo dates back to the eighth century and combines elements of Shinto, Buddhism, Animism and mountain faith to explore ways to reduce excesses in day to day life. Here, you can try it for four days and see how you go. PRETEND YOU'RE WALKING ON THE MOON AT THIS EPIC CRATER Set along the border of Miyagi and Yamagata Prefectures, Mount Zao features some of Tohoku's most spectacular scenery. Besides the steaming hot springs and sprawling ski resorts that dot the landscape, the area's biggest draw is the renowned Okama Crater. Surrounded by three soaring mountaintops, the active volcano's distinctive shape has earned it the nickname of the 'cauldron'. Great to visit all year long, Mount Zao's steep landscape comes alive with alpine flowers during summer, while autumn reveals a charming smattering of red and yellow vegetation that contrasts with the turquoise crater below. SEE CONTEMPORARY ARTWORKS FROM YOKO ONO AND YAYOI KUSAMA Japan's well known for its forward-thinking tech innovations, but it's also the birthplace of some of the world's greatest contemporary artists. Featuring a permanent collection of 38 commissioned projects, the Towada Art Center, in Aomori Prefecture, is dedicated to showcasing many of the nation's top artists, alongside some international superstars, too. Inside, you'll come across an eclectic mix of installations by the likes of Yoko Ono, Ron Mueck, Yayoi Kusama and Ana Laura Aláez, among many others. With the gallery's airy, purpose-built design linked intrinsically with the outside world, there's a range of striking exhibition rooms, a café and a collaborative art space to explore. DISCOVER THE SECRETS OF SAKE AT A 400-YEAR-OLD BREWERY The precise origins of sake might still be something of a mystery, but who better to guide you through its ancient history than a producer who's been making it for more than 400 years? Situated in Yonezawa City, Yamagata Prefecture, the Toko Sake Museum highlights the work of Kojima Sohonten, a renowned sake brewery that, 24 generations on, is still owned by the original family. Inside the museum, you'll be guided through the traditional brewing techniques and tools that provide the foundation for the brand. Meanwhile, in the adjoining shop, you'll get to sample a variety of sakes and umeshu, a plum liqueur that'll please your tastebuds. STAY IN A HOTEL INSPIRED BY YAMAGATA'S NATURAL BEAUTY Shigeru Ban is perhaps one of Japan's more famous architects and was the brains behind some of the world's most beautiful buildings. Having moved to Yamagata in 2014, Ban was struck by the natural beauty of the area and soon set about translating this into the design of the Shonai Hotel Suiden Terrasse. With everything but the foundation and the building's core made out of wood, the entire two-storey structure is designed to sink into the surrounding rice fields, making for one very peaceful stay. Featuring stunning views of the mountains and fields in the distance, the hotel also has a luxe onsen and a restaurant serving local produce. SAMPLE JAPANESE VINO AT A RENOWNED WINERY Japan might be most famous for its rice wine, but those who love the grape-based variety are in for a treat — if they know where to look. During your visit to Tohoku, drop into Takahata Winery, in Yamagata Prefecture, and take your pick from some stellar vintages, which are produced from grapes surrounding the property or on a nearby farm. Inside the shopfront, you'll come across award-winning wines ranging from chardonnay and pinot noir to cabernet sauvignon. Plus, there's a host of locally produced cheeses and snacks to pair with your wine. Need more reasons to visit Japan's stunning Tohoku region? For more travel inspiration and to start planning your adventure, head this way. Top image: Okama Crater by Σ64 via Wikimedia Commons.
Martin Scorsese has made not one but two documentaries about him. I'm Not There had six actors, including Cate Blanchett (The New Boy), play him. The Coen brothers' Inside Llewyn Davis couldn't take a fictional tour of the 60s folk scene without getting its protagonist watching him onstage. Ever since 1967 docos Don't Look Back and Festival, Bob Dylan has been no stranger to the screen — and now he's getting the music biopic treatment again, this time with Timothée Chalamet (Dune: Part Two) picking up a guitar. With the curls and the gaze — and the early 60s-era wardrobe, too — Chalamet looks the part in the just-released first trailer A Complete Unknown. He also sings the part, busting out 'A Hard Rain's A-Gonna Fall'. The Wonka and Bones and All star transforms into the music icon at the start of his career, hence the movie's title. The feature's focus: how Dylan became a sensation. In a film directed by Walk the Line helmer James Mangold — swapping Johnny Cash for another legend, clearly — A Complete Unknown charts Dylan's rise to stardom. The folk singer's early gigs, filling concert halls, going electric at the 1965 Newport Folk Festival: they're all set to be covered, with his famous performance at the latter, due to be the narrative's culmination. Take note of the date that this trailer dropped, both in the US and Down Under: the 1965 Newport Folk Festival took place in July, with Dylan performing acoustic songs on July 24 and playing electric on July 25 — so, on the same dates 59 years ago. As well as Chalamet, Mangold (Indiana Jones and the Dial of Destiny) has enlisted Edward Norton (Asteroid City), Elle Fanning (The Great), Monica Barbaro (Fubar), Boyd Holbrook (The Bikeriders), Dan Fogler (Eric), Norbert Leo Butz (The Exorcist: Believer) and Scoot McNairy (Invincible) among the cast. A Complete Unknown releases in US picture palaces in December 2024, with cinema dates Down Under yet to be confirmed as yet. Check out the trailer for A Complete Unknown below: A Complete Unknown releases in US cinemas in December, but doesn't yet have a release date Down Under — we'll update you with more details when they're announced. Images: courtesy of Searchlight Pictures. © 2024 Searchlight Pictures All Rights Reserved.
Snow place like home, right? Here at CP, we're excited for winter playtime. Whether you can't wait to hit the slopes again or you're a curious first-timer, we know just the snow-covered playground that will hit the spot: Thredbo. Just a 5 and a 1/2 hour drive from Sydney, winter holiday goers congregate to the alpine village in their masses for the longest ski runs in Australia (when the mountain is fully covered in snow). And we've got the lowdown: where to stay, where to re-fuel, and where to party in your snow boots. Athol Got a lot of friends? This cosy, rustic self-contained chalet sleeps up to 12 people with a perfect communal layout for a big group. Gather round the open fire, sprawl out on the balcony and dig in to some hearty food at the canteen-style dining table. Diggings Terrance, Thredbo Village; Athol website Banjo Townhouses Each townhouse is a modern apartment with one or two bedrooms and beautiful views of the mountains. Loft units have their own slow-burning wood fire: lush! Banjo Drive, Thredbo Village; stayz.com.au/93085 Bernti’s Mountain Inn Bernti's is restaurant, hotel and nightlife all rolled into one. This European-style boutique inn has 30 rooms (and a rather entertaining host in Donna), gourmet food and a popular al fresco deck. Why would you ever leave? 4 Mowamba Place, Thredbo Village; (02) 6457 6332; berntis.com.au Black Bear Inn In the heart of Thredbo, and at the centre of all the action, this traditional lodge and restaurant has rooms to rent from single to family-sized. It’s a stone’s throw from the shuttle stop, plus never-ending German beer at the Inn. 30 Diggins Terrace, Thredbo Village; (02) 6457 6216; blackbearinn.com.au Thredbo Alpine Hotel Thredbo Alpine Hotel is boutique accommodation with the pick of rooms or chalets for an easy, comfortable stay at the base of the Kosciuszko chairlift. Thredbo Resort Centre, Thredbo Village; 1300 020 589; Thredbo Alpine Hotel Moonbah Hut A short 30 minute drive from Thredbo, and 15 minutes from Jindabyne town, Moonbah Hut is in a whole world of its own. This completely isolated, unique stone hut is fully equipped with underfloor heating, a rocking chair and fluffy robes for a romantic getaway. Jindabyne; (02) 6457 8311; moonbahhut.com Paringa Self contained, all the mod-cons and a shuttle bus on your doorstep, Paringa apartments are two bed units plus loft space, the obligatory balcony BBQ and a Swedish sauna. (02) 6457 7030; skiinskiout.com.au River Inn Priding itself on being a ski-in, ski-out hotel, River Inn has modern rooms and suites with plenty of extras, like wireless, a heated indoor pool and laundry service. 4 Friday Drive, Thredbo Alpine Village; (02) 9369 3010; riverinn.com.au Rockpool Lodge Like a little luxe? When only 5 star will do, Rockpool Lodge is a good pick. It’s got the spa, faux fur throws, sauna and champagne on chill (okay, we can’t guarantee the last one, but you get the picture). (02) 6457 7132; rockpoollodge.com.au Kareela Hutte Breakfast, coffee, champagne or cellar door, Kareela Hutte is a well-loved haunt for skiers and boarders on their up or down the mountain. On the Supertrail at 1810m altitude; (02) 6457 6099; kareelahutte.com.au Merritts Mountain House On-slope marketplace dining, from fresh juices and salads to stews, soups and strudel. Merritts uses artisan produce to create lovingly homemade food, conveniently located between slopes. Top of Merritts chairlift at 1660m altitude; (02) 6457 6084; merritts.com.au Black Sallee's Nestled amongst the gum trees off Crackenback Supertrail, Black Sallee's is famous for its hot chocolate, European beer selection (try the Maisel's Weisse) and schnapps. The service is quick, so you’ll be shoop shooping again in no time. At the top of Snowgums chairlift; (02) 6457 6439; Black Sallee's Bullwheel Bar & Bistro Laying claim to being Australia’s highest bar and bistro, Bullwheel has quick snacks and warming drinks, as well as German wheat beers, gluhwein and schnapps. At the top of Kosciuszko chairlift at 1937m altitude; (02) 6457 6019; Bullwheel Bar & Bistro Bernti’s Tapas Bar Serving a gourmet selection of international tapas, from smoked trout bruschetta to veal schnitzel, Bernti’s has al fresco dining and plenty of wine and beer to wash it down with. 4 Mowamba Place, Thredbo Village; (02) 6457 6332; berntis.com.au/tapas-bar The Knickerbocker Pan fried market fish, duck confit, spinach and ricotta dumplings... Yum! Riverside Cabins, Diggings Terrace, Thredbo; (02) 6457 6844; theknickerbocker.com.au The Terrace Relaxed fine dining: head chef Karen Forsstrom, formerly of Sydney’s Kingsleys restaurant, cooks up the finest ingredients to serve up her handcrafted menu. The Denman Hotel, 21 Diggings Terrace, Thredbo; (02) 6457 6222; thedenman.com.au The Wildbrumby Open daily for breakfast and lunch, the kitchen at Wildbrumby schnapps distillery door has a hearty selection of soups, pates, sandwiches and burgers - all created using local produce. Cnr of Wollondibby Rd and Alpine Way, Jindabyne; (02) 6457 1447; wildbrumby.com Apres Bar For a sophisticated start to the night, head to Apres Bar at The Denman. Cocktails, retro decor and tapas. The Denman, 21 Diggins Terrace, Thredbo Village; (02) 6457 6222; thedenman.com.au/bar Schuss Bar A little more laid-back, the Schuss Bar has live music and entertainment every night throughout winter. Threadbo Village Resort, Alpine Way; (02) 6459 4200. Thredbo Alpine Lounge Bar From 12 noon to midnight, the Alpine Lounge Bar is the place to kick-back and enjoy a coffee (or something stronger) beside the fire. Relaxed vibe, live music and great views. Thredbo Village Resort, Alpine Way; (02) 6459 4200. The Keller Looking to party late into the night? Revellers migrate to Thredbo’s famous nightclub. Thredbo Village Resort, Alpine Way; (02) 6459 4200.
An energy crisis is looming. We’ve been told that fossil fuels will be gone within the next 50 years. The hunt for alternative sources of energy to run our cars, fuel our industries and feed our countries has begun. Whilst green energy is going from strength to strength, traditional oil companies are looking to more tried and true resources. In light of this, Royal Dutch Shell are constructing the world’s largest man-made floating object. The vessel is being built in South Korean shipyards and is expected to be complete by 2017. When finished, it will anchor off Western Australia, where the vessel will extract the equivalent of over 110,000 barrels of natural gas a day. It will then cool the gas at -162 degrees celsius which condenses it to a sixth of its mass. Whilst the vessel itself will be stationary for a predicted 25 years, the gas will be transported via smaller ships to markets in Asia and Europe. The ship is more of a mini island. It will be over 4 football fields long, will weight six times more than the next largest vessel and can withstand a Category 4 cyclone, the most severe of storms. [via POPSCI]
It's often said that modern technology is ruining our lives; turning us more and more in on ourselves in a dangerous spiral of introversion, narcissism and disconnection from the physical world. And can you blame us? An iPhone can look significantly more appealing than the other sweating, mouth-breathing humans we sit next to on public transport or pass on the morning commute. But, occasionally there comes along a real reminder that the human race isn't totally doomed to becoming robotic unfeeling drones. A new project by Sydney photographer Pete Hawk is one such reminder. In Stranded Corridors, Hawk takes to frequented 'corridors' about town – the tunnel at Central, Newtown's King Street, and the wind tunnel opposite Redfern station. Using one light, he photographs people passing by and asks them to write something about themselves. Think Humans of New York, but in black and white, and coming to you from your own backyard. It's a simple idea, but Hawk's photographs are really quite beautiful. And the captions people have written offer snippets of their lives, aspirations and worries, which range from life advice ("Wear colour and enjoy your night.") to confession ("I fell in love. Twice."), and where they're going to (Zumba) or coming from (Japanese class). If the popularity of projects like HONY has taught us anything, it's that we love to peek into other people's lives. It speaks to some of those good old-fashioned human pastimes — like voyeurism and eavesdropping — but packaged in an artful, socially acceptable format. It's the perfect way to people watch without the awkward eye contact. All images via Pete Hawk.
Dance is a primal urge that has played a role in our existence for thousands of years. From dancing around a fire to late night, air-guitar sessions with very little clothing, our bodies have a natural, deep-lodged desire to boogie. Now the Judith Wright centre is paying homage this ridiculously important part of the human psyche with a week just for dance! Even Whitney Houston would be content at the Judith Wright Centre in this coming week of dance - there’s going to be an awful lot of grooving, moving, working, twerking and everything in between. Tap, hip-hop, Bollywood, that one with the cardboard, are all going to be making an appearance. Real deal 'booteh' shakers, Claire Marshal, Gareth Belling and Lucy Ingham will be starting of the week with DANCE. INDIE DANCE. Next on the agenda - more dancing! The BIG DANCE NIGHT OUT, a collection of Brisbane’s best dance groups showing what’s what on the stage, will follow. The week will be wrapped up with STAY UP LATER, where Queensland dance schools will put together a performance featuring blockbuster tunes and fabulous classics. Kick off your Sunday shoes, cut-loose and join in this brilliant celebration!
If you're in a part of Australia that's sweating through a heatwave right now — Sydney is set to break its record for the most days above 35 degrees in a season — you've probably been visualising trickling streams and cannonballing into a body of water for a few days now. But how about gliding down a waterslide straight into the ocean? A photo posted by Jongkol Palarit (@pookjongkol) on Jan 20, 2017 at 12:23am PST Unfortunately the cooling relief is purely a psychological one, as this slide of slides is located at luxury resort Soneva Jani in Medhufaru (Noonu Atoll) in the Maldives. The moderately-sized waterslide takes guests from the top deck straight into the ridiculously clear blue private waters the resort resides on top of. You can do all this between courses at dinner or drinks on the catamaran nets that are suspended just above the water. The resort, which opened at the end of last year, boasts 25 over-water villas — all of which include their own private outdoor decks, pools, access to the ocean and retractable roofs. If you're already picturing yourself there, note that villas start at a huge $2000 AUD per night, with some even exceeding $10,000 a night. So while going to the Maldives would be a great right about now, we might just have to live in hope that Australia's main swimming spots gets a slide — we can definitely picture one down at Clovelly in Sydney or jutting off the pier at St Kilda.
With its ten-day feast of art, music and performances, heading to Launceston's Mona Foma can feel a little like wandering through a labyrinth. The first of MONA's annual arts festivals, the now 12-year-old event guides punters in one direction, then nudges them in another, thoroughly spoiling attendees for choice — which is what you'd expect of a fest that features more than 400 artists across 25 venues. When it returns in 2020, taking place between Saturday, January 11 and Monday, January 20, Mona Foma is taking that maze-like feeling literally. One of its headliners is the latest project by Nottingham's Architects of Air — who just popped up in Melbourne and will now be unleashing a giant, colourful, light-filled inflatable playground called Daedalum Luminarium on Tasmania. It'll turn the banks of the Tamar River into an interconnected series of caves and caverns with 19 egg-shaped domes, all inspired by the Roman Pantheon and taking their cues from mythology — and an accompanying soundscape created by Midnight Oil's Jim Moginie. [caption id="attachment_746633" align="aligncenter" width="1920"] Orville Peck. Image courtesy of the artist and Mona Foma[/caption] There are plenty of other highlights on the program to lose yourself in, too. Chief among them is the music lineup, which is led by Slovenian industrial popsters Laibach, who'll perform their take on The Sound of Music (yes, really). If a masked cowboy crooner is your thing (and isn't it everyone's?), Orville Peck will be singing tunes of heartbreak and revenge from his debut album, Pony. They'll both be joined by Italian pianist Ludovico Einaudi and his ivory-tickling tunes, Flying Lotus 3D's blend of jazz-funk, hip hop and eye-popping visuals, plus Mona Foma mainstay Amanda Palmer, who'll ask Launceston's ladies to share their thoughts and fears, then turn their answers into a new piece of music. Elsewhere, Mona Foma-goers can bounce around to the Japanese girl power stylings of Chai, and hear Paul Kelly perform with composer James Ledger, singer Alice Keath and the Seraphim Trio. And, in the type of show we're betting you haven't seen before, Berlin-based Holly Herndon is performing with her self-designed, artificially intelligent 'baby' called Spawn. [caption id="attachment_746634" align="aligncenter" width="1920"] MONA/Rémi Chauvin. Image courtesy of the artist and MONA Museum of Old and New Art, Hobart, Tasmania, Australia[/caption] Keen to keep listening? Sound artist Akio Suzuki wants you to do just that, creating an immersive sound walk that's inspired by — and will take you around — Launceston. And while you're on your feet, follow them to huge puppet show King Ubu, which'll stage a version of Alfred Jarry's 19th-century French satire Ubu Roi in the famed Cataract Gorge with giant puppets. Among the other standouts, MESS and Soma Lumia's Hypnos Cave re-imagines existing Launceston attraction The Dark Ride — with lasers, video art, lights and a synth soundtrack adding an extra layer to the watery, convict era-inspired barge trip. You can also head along to The Centre, a collection of choreographed works inspired by after-school sport (complete with snacks), or ponder how sweat and even dead skin could play a role in futuristic fashion with designers Alice Potts and Tarryn Handcock. Laughing like kookaburras, enjoying Indigenous Australian art out of the city, watching movies about artists and hearing electronic beats inspired by the ancient music of the Japanese royal court — that's all on the bill, too. As is Mona Foma's beloved after-hours party Faux Mo: Working 9 to 5 (which'll run from 9pm–5am, naturally, and include breakfast at 4am). Mona Foma runs from January 11–20, 2020, in Launceston, Tasmania. For more information or to grab tickets from 10am AEDT on Monday, October 21, head to mofo.net.au. Top image: 'Daedalum' by Architects of Air (UK). Image courtesy of the artist/studio and Mona Foma.
Travelling to and from Queensland is about to become a possibility again, and almost a week earlier than expected. At 5pm today, Monday, November 15, the Sunshine State will start reopening to double-vaccinated visitors. A 14-day stint in home quarantine will still be required if you're coming from a part of the country that's considered a hotspot, but this is the first step in the plan to open Queensland's borders back up — and it's been brought forward after the state hit the 70-percent double-vaccinated mark ahead of schedule. Yesterday, on Sunday, November 14, Queensland Premier Annastacia Palaszczuk announced that the Sunshine State had reached the 70-percent double-dose threshold, which wasn't initially expected until Friday, November 19. Back in mid-October, when the state's roadmap out of border restrictions was revealed, that mark was outlined as the key date for beginning to restart interstate travel. So, today's announcement means that you can now bring forward your travel plans. To travel here, you must return a negative COVID-19 test within the previous 72 hours, have a valid border pass and must complete 14 days of home quarantine at a self-contained dwelling, as long as it has no shared common areas accessible by people outside the household. — Annastacia Palaszczuk (@AnnastaciaMP) November 14, 2021 When 5pm hits today, travellers who've been in a hotspot area within Australia in the past 14 days can enter the state again. They'll need to be double-vaxxed, to arrive by air and to have received a negative COVID-19 test result in the 72 hours before arriving — and to get a border pass. Also, anyone in this category will need to go into home quarantine for 14 days at a self-contained dwelling that doesn't have any common areas shared with people from outside the household. Obviously, needing to quarantine — even at home — still isn't the best incentive to travel to and from Queensland; however, given that the state hit the 70-percent double-jabbed threshold early, it's hoped that it'll also do the same with the 80-percent double-vaxxed mark. That was originally expected around Friday, December 17, and it's when travellers from interstate hotspots can arrive in the Sunshine State by either road or air, and also won't need to quarantine at all. At today's press conference, the Premier advised that "if these rates continue, that is good news because it may even see our date in December [brought] a little bit forward as well — but that depends on Queenslanders getting vaccinated." Queensland's Deputy Police Commissioner Steve Gollschewski also advised that the state is "preparing if we need to go earlier as we have this time." BREAKING: We just hit 70% double dosed. Keep it up Queenslanders 💪#GetVaccinated pic.twitter.com/PyznKOjzxW — Annastacia Palaszczuk (@AnnastaciaMP) November 14, 2021 The 80-percent double-vaxxed mark is also when Queensland will ditch capacity restrictions for all hospitality and entertainment venues, and change entry requirements to only allow double-jabbed folks into places such as restaurants, bars, cafes, cinemas, stadiums, festivals, libraries, galleries and museums. So, if the 80-percent double-vaccinated threshold is met ahead of schedule, that requirement could kick in earlier as well. If you're wondering what all of this means for international travel, nothing is changing at the moment — because, under the roadmap, international arrivals are still handled as they have been during the pandemic at the 70-percent double-vaxxed target. But when Queensland hits 80-percent double-jabbed, double-vaccinated overseas travellers will be able to undertake 14 days of home quarantine — if they've also received a negative COVID-19 test result in the 72 hours before getting to Queensland. And, when the Sunshine State reaches the 90-percent double-vaccinated threshold, all entry rules and quarantine requirements will be ditched for folks who've had both jabs. For the unvaxxed, the 14-day quarantine rule will still be in effect. Queensland will start allowing double-vaccinated domestic visitors back into the state via air from 5pm on Monday, November 15. For more information about Queensland's border policies and border passes, head to the Queensland Government website.
If there's one thing that a film about Adam Driver fighting dinosaurs shouldn't be, it's average. Only ridiculously entertaining or ridiculously terrible will do, and those two outcomes needn't be mutually exclusive. The appeal of 65 is right there in that four-word premise, as it was always going to be, because getting the intense White Noise, House of Gucci, Annette and Star Wars actor (and BlacKkKlansman and Marriage Story Oscar-nominee) battling prehistoric creatures is that roaringly ace an idea. He should brood, and his dino foes should stalk, snap and snarl. That is indeed what happens thanks to writer/directors Scott Beck and Bryan Woods, who penned the first A Quiet Place, plus have horror movies Nightlight and Haunt on their past helming resumes. But for a flick that isn't required to offer anything else and knows it — well, other than laser guns to shoot at said dinosaurs, because not even the man who plays Kylo Ren can confront a Tyrannosaurus rex or pack of raptors barehanded — 65 doesn't possess enough B-movie energy. Beck and Woods have taken the very B-movie path story-wise, though. As 65's trailer made plain, this is a Frankenstein's monster of a film mashup, stitching together limbs from a stacked pile of other sources to fuel its narrative. The Jurassic Park and Jurassic World franchise, the Predator series, the Alien and Prometheus saga, Logan, The Last of Us, The Man Who Fell to Earth and, yes, A Quiet Place: they each earn more than a few nods, and never with subtlety. So too does Planet of the Apes, but the fact that 65 is set on earth all along isn't a late-picture twist. What else would the title refer to? That said, Beck and Woods begin their movie elsewhere, taking time-travel 65 million years backward out of the equation. Instead, Driver's pilot Mills ends up on our pale blue dot from a civilisation out there in space, and one more advanced during earth's Cretaceous period than humankind is today. Again, these aren't surprises. Text on-screen points all of this out from the get-go or close enough. When the title card arrives bearing the number-slash-moniker 65, that the film takes place all those years ago, and that Mills is now on the third rock from the Milky Way's sun, is written out on-screen as well. Kudos to the filmmakers for not focusing their movie on the tease; a lesser flick, and not in the so-bad-it's-good way, would've been fine with wholesale ripping off Planet of the Apes but just journeying in the opposite temporal direction. Rather, even with the Rod Serling-esque concept — The Twilight Zone creator and presenter also penned the OG Apes' screenplay, as loosely adapted from the page — 65 is about what happens next with full knowledge of where it's set. The narrative from there is obvious, with or without any other context. Whatever you think will happen in 65 sight unseen, or from the trailer, does. Mills tries three things: to survive, to fend off those pesky dinosaurs and to get home. But, he isn't alone. He's transporting others as part of a long-range mission when his ship crashes on what's to him an unknown planet, and young Koa (Ariana Greenblatt, In the Heights) also lives post-impact — after their vessel is hit by an undocumented asteroid, sending them plummeting in the first place, and then after it smashes into earth, tearing apart and scattering its two halves 12 kilometres apart. The piece that Mills and Koa are in can't blast off, of course, and the planet's most frightening-ever residents are keen on a meal as the duo of interlopers attempt to use their wits and weaponry while walking from one section to the other. If you know earth's basic history and how things turned out for the dinosaurs, as we all do, there's no prizes for guessing what else occurs in 65. With startling its audience off the cards, ample pressure falls on the film's ability to engage through character, chaos or both — too much pressure, it proves. Everything is passable. Everything is firmly by the numbers. Nothing is wild, weird or wonderful. That applies to the family thread that runs through the film, after Beck and Woods showed their fondness for the ties of blood, monsters and the end of the world with A Quiet Place. Mills' well-paying gigs have long spirited him away from his wife (Nika King, Euphoria) and daughter (Chloe Coleman, Avatar: The Way of Water), the latter of whom has serious health conditions, making 65's protagonist a Star Wars-esque absent dad. So, when he's tasked with caring for Koa out of proximity and necessity, that job sparks an emotional reaction and connection. Movies about crashing somewhere strange and scary, being ushered into new worlds filled with threats and endeavouring to adapt all work as birth metaphors — we've all been there — an idea that lingers in 65's quiet moments. What does it mean to be thrust into an unfamiliar realm, learn of its ever-present perils and try to endure? How do we learn resilience, resourcefulness, who we are and what's truly important? These questions aren't unrelated, and they're also at the core of this feature. 65 doesn't dig fossil-level deep, however. It's always a dinos-versus-people sci-fi thriller. Actually, make that dinos-versus-humanoid aliens, given that Mills and Koa hark from a long time ago in a galaxy far, far away (no, not the George Lucas-started ones) as they're grappling with beasts brought to the screen with standard-at-best (and never Prehistoric Planet-standard) CGI. 65 would be a far worse film without Driver; switching out its star wouldn't make it an extinction-level event, but the whole 'Adam Driver fights dinosaurs' concept is alluring for a reason. Since singing "please don't shoot me into outer space" in Inside Llewyn Davis, he keeps being shot there, or from there, on-screen — and approaches each instance, as he has everything from Girls and Frances Ha to Paterson and The Last Duel, with blistering commitment. If this was a grander, gorier or sillier movie with Driver's performance at its centre, it might've been something special. There's glimmers here, glistening like a dinosaur's teeth. The version that treads forth is watchable, but also the most basic version of what it is, what viewers want and why it exists: yes, Adam Driver fighting dinosaurs.
When Beauty and the Beast typically graces the screen, it doesn't involve a rose-haired singer decked out in a matching flowing dress while singing heart-melting tunes atop a floating skywhale mounted with speakers. It doesn't dance into the metaverse, either. Anime-meets-Patricia Piccinini-meets-cyberspace in Belle, and previous filmed versions of the famed French fairytale must now wish that they could've been so inventive. Disney's animated and live-action duo, aka the 1991 musical hit that's been a guest of childhood viewing ever since and its 2017 Emma Watson-starring remake, didn't even fantasise about dreaming about being so imaginative — but Japanese writer/director Mamoru Hosoda also eagerly takes their lead. His movie about a long-locked social-media princess with a heart of gold and a hulking creature decried by the masses based on appearances is firmly a film for now, but it's also a tale as old as time and one unafraid to build upon the Mouse House's iterations. At first, there is no Belle. Instead, Hosoda's feature has rural high-schooler Suzu (debutant Kaho Nakamura) call her avatar Bell because that's what her name means in Japanese. That online character lives in a virtual-reality world that uses body-sharing technology to base its figures on the real-life people behind them, but Suzu is shy and accustomed to being ignored by her classmates — other than her only pal Hiroka (Lilas Ikuta of music duo Yoasobi) — so she also uploads a photo of the far-more-popular Ruka (Tina Tamashiro, Hell Girl). The social-media platform's biometrics still seize upon Suzu's own melodic singing voice, however. And so, in a space that opines in its slogan that "you can't start over in reality, but you can start over in U", she croons. Quickly, she amasses an audience among the service's five-billion users, but then one of her performances is interrupted by the brooding Dragon (Takeru Satoh, the Rurouni Kenshin films), and her fans then point digital pitchforks in his direction. Those legions of interested online parties don't simplistically offer unwavering support, though. Among Belle's many observations on digital life, the fact that living lives on the internet is a double-edged sword — wielding both opportunities to connect and excuses to unleash vitriol, the latter in particular when compared to the physical experience — more than earns its attention. That said, all those devotees of Suzu's singing do rechristen her avatar as Belle, and she starts living up to that fairytale moniker by becoming fascinated with the movie's Beast equivalent. He's mysterious to the point that no one in U or IRL has been able to discern who he really is, but the platform's self-appointed pseudo-police force is desperately trying. Suzu is also mortified about the possibility of anyone discovering that she's Belle, although she's drawn to Dragon because she can sense his pain. Hosoda has repeatedly proven an inspired filmmaker visually — one just as creative with his stories and storytelling alike, too — and Belle is no exception on his resume. After the likes of The Girl Who Leapt Through Time, Summer Wars, Wolf Children and Mirai, he's in especially dazzling form in a movie that wields its images in two distinctive modes. In U, Belle is an epic onslaught for the eyes, its animation lively, busy and hyper-real in a way that cannily mirrors the feeling of wading through always-on online realms. This is where that whale swims through the air, concerts are held in what appears to be a hollow planet and Disney-style castles turn gothic. When it's in Suzu's reality, the film opts for naturalistic tones in a look that notices the everyday beauty in the flesh-and-blood world, even amid daily routines in fading small towns filled with average teens and their families. Hosoda revels in the contrast between the two, in fact, because that clash constantly sits at the film's core. A wealth of juxtapositions echo through Belle, so much so that Hosoda may as well paint with them as he does with his mix of hand-drawn animation and pixels. Collisions between the virtual and actual, genuine connection and online ease, perceptions and truth, anonymous freedom and reality's trappings, being anyone and accepting yourself, and happiness and trauma all bounce through the movie — and never, befitting its vibrant visuals, in a black-and-white fashion. Indeed, while the film's top-level insights into the solace we seek online, the faux coat of armour it affords and the horrors it can also unleash don't reveal anything new, Belle is both deeply felt and disarmingly attuned to tiny details. Those two traits apply in its piercing emotions and background minutiae, and also in bigger strokes such as in Suzu's and Dragon's backstories. She suffered a great loss when she was younger, and the grief it still causes shapes everything about her every move in devastatingly astute ways, for instance. Some other pitch-perfect bits and pieces: the chorus of text clouds, incessantly bubbling up on computer and phone screens, that the feature uses for both worshipping and cruel online chatter; the scars Dragon sports, as imitated in IRL tattoos by his aficionados, but also emblematic of the motives driving him; and repeated vistas as Suzu wanders through Kōchi Prefecture, where she lives, and her surroundings don't physically change but her feeling within them shifts depending on what else is colouring her life. That's the level of intricacy that Hosoda is working with as he also spins a coming-of-age tale complete with teen angst and schoolyard gossip — the offline parallel to digital witch-hunts — over Suzu's long-running friendship with now-class hunk Shinobu (Ryô Narita, Remain in Twilight), and doesn't stop using Belle's bangers to convey a world of emotion. Studio Chizu, which Hosoda co-founded with producer Yuichiro Saito in 2011, isn't yet a household name as fellow Japanese animation house Studio Ghibli is — but as it keeps growing with each of the director's releases, it really should be. Belle deserves to be the new go-to Beauty and the Beast adaptation, too, although three decades of Disney domination means that it'll likely never supplant the Mouse House's versions. Hosoda might find that apt, however, because Belle sings loudest about being brave enough to know and embrace who you truly are in an existence where it's now ridiculously easy to pretend you're someone or something else. And while it mightn't seem like it'd need courage to create this lush, grand, generous and captivating film — and gorgeous as well — but bold, insightful and transfixing takes on stories as old as rhyme just don't come around that often. Top image: Studio Chizu.
Foggy skies are causing plenty of drama in Melbourne — and around the country — today, especially for those travelling to or from the airport. As The Age reports, the heavy haze has disrupted flights going in and out of Melbourne Airport and has caused delays of up to two hours. Virgin has already cancelled one flight from Sydney to Melbourne this morning, with more Tiger and Jetstar flights on the same route also set to experience delays. Two of Jetstar's return flights to the Gold Coast have also been cancelled, along with eight Qantas flights scheduled to fly out of Brisbane, Sydney and Melbourne. But a spokesman from the airport told Fairfax that skies were set to clear by later this morning, saying "we are also hearing predictions that the fog will lift earlier than expected". Even if you're not travelling to the airport, it goes without saying that you should take caution on and near the road this morning as visibility is low. The Bureau of Meteorology has tweeted about the 'pea soup', suggesting northerly winds will help push it away in the next few hours, giving Melbourne clear, sunny skies for the rest of the day. For the 4th day in a row #Melbourne has woken up to a thick blanket of fog, will clear later this morning - unlikely to see another pea souper around the city tomorrow, as northerly winds pick uphttps://t.co/POnouPMIRA pic.twitter.com/c0SECqDebB — Bureau of Meteorology, Victoria (@BOM_Vic) April 22, 2018 Via The Age. Image: Bureau of Meteorology via Twitter.
Think about Broken Hill and movies, and one of three films likely comes to mind. Mad Max 2 is one of them. The Adventures of Priscilla, Queen of the Desert is another. Wake in Fright should be the third. Before road warriors and drag queens helped bring the outback city to the big screen, this stone-cold classic got there first. It was back in 1971 that the iconic Australian page-to-screen thriller turned the remote patch of New South Wales — well, the fictional Bundanyabba in the narrative — into a hotbed of small-town small-mindedness, toxic masculinity and a dim view of outsiders. If you've never thought that ochre soil as far as the eye can see could be a vision of claustrophobia, then you haven't seen this, which sits on Canadian director Ted Kotcheff's extremely diverse resume alongside everything from First Blood to Weekend at Bernies. Here's your next change to redress that: a Hear My Eyes session at the 2024 Melbourne International Film Festival, where the movie-and-music series will give Wake in Fright a new soundtrack. For Hear My Eyes first-timers — so, those who've missed Hellraiser, Good Time, Pan's Labyrinth, Chopper, Two Hands, Drive, Girlhood and Suspiria sessions in the past, to name a few prior shows — the event brings a must-see flick back to the big screen accompanied by a live, all-new and completely original score that's played while film lovers sit, watch and listen. Doing the musical honours for Wake in Fright is Surprise Chef, who'll be playing to a freshly unveiled 4K restoration of the feature. Hitting up Hamer Hall at Arts Centre Melbourne on Friday, August 16, the MIFF Hear My Eyes screening will mark the world-premiere of the 4K version of the film. Whether they pop up as part of festivals or on their own — and no matter the movie, too — these events are always popular, so getting tickets quickly is recommended. There's no word yet if other cities outside Melbourne will get the chance to see Wake in Fright receive the Hear My Eyes treatment, so this is a prime excuse to head to the Victorian capital. So far, before it drops its full 2024 lineup on Thursday, July 11, MIFF has also announced Adam Elliot's new stop-motion animation Memoir of a Snail, which'll open the fest, alongside 23 other flicks — including Sundance sensation I Saw the TV Glow from We're All Going to the World's Fair's Jane Schoenbrun, Hunter Schafer (Euphoria)-starring thriller Cuckoo, the Sebastian Stan (Dumb Money)-led A Different Man and restaurant-set dramedy La Cocina featuring Rooney Mara (Women Talking), plus heaps more. [caption id="attachment_963205" align="alignnone" width="1920"] Simon Aubor[/caption] [caption id="attachment_963203" align="alignnone" width="1920"] Simon Aubor[/caption] [caption id="attachment_963204" align="alignnone" width="1920"] Simon Aubor[/caption] [caption id="attachment_963206" align="alignnone" width="1920"] Izzie Austin[/caption] Hear My Eyes' Wake in Fright screening with Surprise Chef will debut at Hamer Hall, Arts Centre Melbourne on Friday, August 16. Head to the Hear My Eyes website for tickets and further details. The 2024 Melbourne International Film Festival runs from Thursday, August 8–Sunday, August 25 at a variety of venues around Melbourne; from Friday, August 16–Sunday, August 18 and Friday, August 23–Sunday, August 25 in regional Victoria; and online nationwide from Friday, August 9–Sunday, August 25. For further details, including the full program from Thursday, July 11, visit the MIFF website.
When the middle of August arrives, the best show on television for the past seven years — other than the one-season return of Twin Peaks — will finish up. That isn't new news, but it's still monumental, especially given that Better Call Saul is the spinoff to an also-phenomenal series. Alas, unlike when Breaking Bad wrapped, there's no future immediately in sight for this excellent franchise. Perhaps that's fitting; everything has to an end, including the canny and resourceful run of an Albuquerque-based lawyer born Jimmy McGill, nicknamed 'Slippin' Jimmy' during his early con-artist days, known as Saul Goodman when he leans into shady criminal law with well-oiled charm, and rebadged Gene Takavic when he flees for a Cinnabon-serving new Nebraskan life. Even before Better Call Saul had a final air date — the last episode streams via Stan in Australia and Neon in New Zealand on Tuesday, August 16 — viewers knew what was coming. The series is TV's great tragedy precisely because we were always well aware what its prequel segments, which comprise the bulk of the show, eventuate in. The audience knows who Saul Goodman (Bob Odenkirk, Nobody) is when he's a charismatic but shifty defence attorney aiding Walter White (Bryan Cranston, Your Honor) and Jesse Pinkman (Aaron Paul, Westworld). We know what all his choices then lead to, too. Thanks to Breaking Bad and its gripping New Mexico-set crime-drama antics, we've already seen it. Better Call Saul's sixth season reckons with that knowledge. It interrogates it, toys with it and expands upon it as well. But in the first trailer for the show's swan song, which has been broken into two parts — the first started in April, the second returned in July — fellow Breaking Bad favourite-turned-Better Call Saul key player Mike Ehrmantraut (Jonathan Banks, The Comey Rule) might've said it best. "Whatever happens next, it's not gonna go down the way you think it is," the ex-cop advised. The episode we've all been waiting for did finally arrive, bringing back Walter and Jesse as was announced back in April, and it was a treat. There's always been much more to this spectacular spinoff then waiting for its predecessor's protagonists to show up, joining the obvious dots and revelling in past glories, though. First, the overall setup: since 2015, Better Call Saul has stepped back into its namesake's pre-drug lawyer days, when legitimately embracing the law was his aim. His complex relationship with his successful older brother Chuck (Michael McKean, Breeders) guided early seasons, as did his plan to work his way through the firm, the Howard Hamlin (Patrick Fabian, Gordita Chronicles)-led HHM, that Chuck co-owns. Thanks to those early aspirations, the friendship-turned-romance with fellow legal up-and-comer Kim Wexler (Rhea Seehorn, Veep) has been the show's bedrock. Blossoming interactions with Mike, then a parking attendant at the Albuquerque courthouse, also laid the groundwork for the working arrangement already seen in Breaking Bad. So did the the ambitions of budding drug kingpin Gus Fring (Giancarlo Esposito, The Boys), as complicated by two Salamanca family figures: smart and savvy footsoldier Nacho Varga (Michael Mando, Spider-Man: Homecoming), and Hector Salamanca's (Mark Margolis, Snowpiercer) alluringly crafty nephew Lalo (Tony Dalton, Hawkeye). Now, the big return: in a Better Call Saul episode fittingly called 'Breaking Bad', aka the sixth season's 11th and antepenultimate instalment, Saul's first meeting with Walter and Jesse is revisited. Observant fans already knew that the names Nacho and Lalo were mentioned in that scene in Breaking Bad itself, in a season two episode fittingly called 'Better Call Saul', despite neither character appearing in that series. Here, in new footage shot with Cranston and Paul, it all takes on greater resonance — but this franchise has never been about mere and easy nostalgia, not for a single second. Better Call Saul brings back the Walter-and-Jesse banter, as they argue in their RV meth lab. It has Jesse call his partner a "dick", but not "bitch". Crucially, it muses on and builds upon what the entire series always has: the decisions that shape, transform and define paths, and reveal the inescapable and inevitable, no matter how much anyone and everyone might want otherwise. Of course, every single moment that's been brought to the screen in sunny colour in Better Call Saul so far — which is how its pre-Breaking Bad sequences appear — desperately makes its audience wish that everything that's destined to occur, and is already known, just won't. Saul Goodman's name has always been ironic, but getting viewers crossing their fingers that things really will prove "s'all good, man" is this show's masterstroke. That said, as the series morphs from a prequel to a sequel in its last episodes, expecting Saul and Kim to live happily ever after feels like a fool's fantasy. Breaking Bad and Better Call Saul creator Vince Gilligan has many skills, and chronicling life's bleak and heartbreaking realities via meticulous and twisty character studies has always been one of them in these two extraordinary series. Also always high on Gilligan's list: giving everyone involved with both shows the roles of their lifetimes. That's why Cranston and Paul's returns were so eagerly anticipated, and why seeing Odenkirk slip back into Saul's shoes — and Jimmy's first, and Gene's as well in Better Call Saul's black-and-white follow-up scenes — has been so magnificent to watch. Getting caught up in Nacho and Lalo's stories, hoping Mike's path might take an unexpected detour, hanging on every hint of what might come for Kim: that's all as much a stroke of brilliant casting as outstanding writing, too. This series can astonish and delight like little else, including in its tightly plotted and never-predictable narrative, its sublimely cinematic imagery and its many, many marvellous performances alike. TV won't be the same without Saul Goodman, if this is the end of his road. TV has been all the better for Better Call Saul's presence, and it has six outstanding seasons to show for it. The series has always been the perfect capper to Breaking Bad — a devotee's dream in every way, including in its surprises and departures as much as its knowing nods — and, when the still-entertaining El Camino: A Breaking Bad Movie arrived in 2019, it's little wonder that it felt somewhat slight and superfluous in comparison. However Better Call Saul ends, likely not as anyone thinks as Mike warned, the series has dived deep into the choices and costs that've pushed and plagued everyone in its frames, and simultaneously surveyed how everyday tragedies do and can play out. Gilligan has cooked that up twice now, and given television an astounding high. (Fingers crossed for a Kim Wexler spinoff, obviously.) Check out the trailer for the second half of Better Call Saul's sixth and final season below: Better Call Saul streams via Stan in Australia and Neon in New Zealand, with the final episode set to air on Tuesday, August 16. Read our review of the first half of Better Call Saul's sixth season. Images: Greg Lewis/AMC/Sony Pictures Television.
How do you make one of New Farm's favourite watering holes even better? Spending $5 million on a massive refurbishment, expanding to include a new bistro, restaurant and conference centre, and adding a 40-square-metre green wall will do the trick. That's what you'll find at the Queens Arms Hotel, which has reopened for trading after a huge revamp. Welcoming thirsty patrons back through the doors since March 17, the QA boasts plenty of fresh additions. Gone is the drive-through bottle shop, with the laneway bistro taking over the space. Expect popcorn prawns with sriracha mayo, chicken schnitzel burgers, slow-roasted lamb, onion and rosemary pie and five types of pizzas on the menu. Plus, Botanical Bar and Kitchen ranks among the joint's different eating spaces, offering full table service, while the James St Conference and Function Centre provides plenty of room for exactly what it sounds like. When you're giving a 130-year-old pub a facelift, however, balancing the old with the new is paramount. That doesn't just mean keeping underground bar and late-night supper club Farrier trading, but showing the heritage love in the decor. As QA owner Chris Condon puts it, the renovations "celebrate our long-standing history and exciting new aesthetic." The makeover keeps one eye on the past and one on the present by maintaining original materials such as flooring, brickwork and timber, then pairing them with glass and greenery. Taking nine months to come to fruition, the Apollo Property Group-designed and built revamp also features a new a state-of-the-art kitchen that not only cooks up meals for QA patrons 20 hours a day, but services the new adjoining Sage Hotel as well. Find the Queens Arms Hotel at 64 James Street, New Farm. Check out their website and Facebook page for more details.
Your mission, movie lovers, should you choose to accept it: watching the first sneak peek at the new instalment in one of cinema's biggest franchises. The initial teaser trailer for Mission: Impossible — Dead Reckoning — Part One is here and, yes, it's filled with espionage intrigue, explosions, chases, fights and Tom Cruise wearing masks. Also covered: stunts, stunts and more stunts, plus even more stunts still. At this point in his career, all new Cruise movies seem to belong to a broader saga. That'd be: "one of the world's biggest stars does death-defying stunts to lure audiences into cinemas". The Mission: Impossible flicks have been keeping those daredevil flames burning for almost three decades now, and its leading man just keeps upping the ante. And yes, he's still committed to doing as many dangerous feats as he can himself, including riding a motorcycle off a cliff this time around. Arriving more than a year before the movie hits cinemas — it'll release Down Under on July 13, 2023 — the debut glimpse at Mission: Impossible — Dead Reckoning — Part One isn't big on plot. There is a story to stitch together all those stunts, though. First, Cruise's Impossible Missions Force agent Ethan Hunt is told that his "days of fighting for the so-called greater good are over", and that the mission now is to control the truth, as well as the concepts of right and wrong. So, that leaves him needing to pick a side. So far, so vague — but that's what first glimpses are usually about, including at Tom Cruise-starring future blockbusters that are debuting their initial sneak peeks because another Tom Cruise-starring certain blockbuster (that'd be Top Gun: Maverick) is reaching the silver screen this week. The Mission: Impossible — Dead Reckoning — Part One trailer does cover plenty of other familiar faces, however, including the characters of Benji Dunn (Simon Pegg, The Boys), Ilsa Faust (Rebecca Ferguson, Dune), Luther Stickell (Ving Rhames, Father Figures), and Alanna Mitsopolis (Vanessa Kirby, Pieces of a Woman). Also popping up: Hayley Atwell (Avengers: Endgame) and Esai Morales (How to Get Away with Murder), both as new figures — and the latter as the movie's key villain. Four years after helming the series' sixth film, 2018's Mission: Impossible – Fallout, writer/director Christopher McQuarrie returns for Mission: Impossible — Dead Reckoning — Part One — his third M:I flick in a row after also doing the honours on 2015's Mission: Impossible – Rogue Nation. And yes, as the name makes plain, Mission: Impossible — Dead Reckoning — Part One will have a sequel, which is set to release sometime in 2024. Check out the trailer for Mission: Impossible — Dead Reckoning — Part One below: Mission: Impossible — Dead Reckoning — Part One releases in cinemas Down Under on July 13, 2023.
When June 2023 arrives at Sydney's Capitol Theatre, expect three words to echo with enthusiasm: "be our guest". The Harbour City venue will be home to quite the coup, courtesy of the Australian premiere season of Disney's Beauty and the Beast musical, which is heading Down Under as a newly reimagined and redesigned production. From Wednesday, June 14, the huge show will bring a tale as old as time to Australia to liven up winter — and it marks the latest in a growing line of Disney hits to come our way. Frozen the Musical has done the rounds over the past few years, while the musical version of Mary Poppins has also started floating around the nation. This new Beauty and the Beast first made its way to the stage in the UK in 2021, and reworks the original show that premiered in the US in the 90s — adapting Disney's hit 1991 animated movie musical, of course. Fans can expect the same Oscar-winning and Tony-nominated score courtesy of composer Alan Menken and lyricist Tim Rice, including all the beloved tunes such as 'Be Our Guest' and 'Beauty and the Beast'. It also comes with new dance arrangements by David Chase, and with original choreographer Matt West revisiting his work. Who'll star in the local version and whether it'll tour to other Aussie cities hasn't yet been revealed either — but if you're now planning a trip to Sydney's Capitol Theatre next June, whether or not you live in the city, that's understandable. So is crossing your fingers for Melbourne, Brisbane, Perth and Adelaide seasons afterwards. Images: Johan Persson.
Flickering across a cinema screen, even the greatest of movies only inherently activate two senses: sight and hearing. Audiences can feel the seats they nestle into in their favourite picture palaces, and savour both the scent and flavour of popcorn while they watch, but no one can touch, taste or smell films themselves as they're playing — even if adding scratch-and-sniff aromas to the experience has become a cult-favourite gimmick. British director Peter Strickland knows all of the above. And, he hasn't ever released a feature in Smell-o-Vision, Smell-O-Rama or Odorama. But his work still conjures up sensations that viewers know they can't genuinely be having, such as running your fingers over an alluring dress with In Fabric, detecting the flutter of insect wings against your skin via The Duke of Burgundy and, courtesy of his latest movie Flux Gourmet, relishing the fragrances and tastes whipped up by a culinary collective that turns cooking and eating into performance art. If you've seen his features before, Flux Gourmet instantly sounds like something that only Strickland could make — and from its first frame till its last, it proves that with every moment. While spinning this innately sensory tale, which he both helmed and penned, it does indeed literally sound like something that only Strickland could've come up with, in fact. As the acoustics-focused Berberian Sound Studio demonstrated, the filmmaker's audioscapes are always a thing of wonder, too. His movies may manage to magically engage senses that cinema's sound-and-vision combination intrinsically shouldn't, but they also make the utmost use of every echo. The same applies to each image; unsurprisingly due to his strong and distinctive sense of style and mood, everything about Flux Gourmet looks and feels like pure Strickland. His films can't actually be injected into anyone's veins, but the director's devotees will instantly want this delirious farce pumping through their system. The setting: The Sonic Catering Institute, a conservatory specialising in blending sound and cuisine, as its name makes plain. The "institute devoted to culinary and alimentary performance" is overseen by the couture-coveting Jan Stevens (Gwendoline Christie, Game of Thrones), and regularly welcomes in different groups to undertake residencies. Those visiting artists collaborate, percolate and come up with eye-catching blends of food, bodies and creativity. Hosting OTT dinners, role-playing a trip to the supermarket, getting scatalogical and turning a live colonoscopy into a show: they're just some of the menu items that Jan's latest guests cook up. In Elle di Elle (Strickland regular Fatma Mohamed), Lamina Propria (Ariane Labed, The Souvenir: Part II) and Billy Rubin's (Asa Butterfield, Sex Education) case, however, that unique kind of kitchen virtuosity only springs when they're not broiling in messy bickering. Chaos bubbles through and troubles the trio's troupe, who stir up mayhem among themselves as heartily as any chef stirs their dishes. But Elle, Lamina and Billy aren't the Institute's only current visitors. Watching and chronicling is journalist Stones (Makis Papadimitriou, Beckett), who is also suffering from gastrointestinal struggles that he worries might be something more. As his subjects keep riffing on the human digestive system, or trying to, he can't control his own. Endeavouring to withhold his flatulence 24/7 is his constant struggle. Somehow, keeping a straight face as everything gets absurd around him is a far easier task, but Flux Gourmet's viewers shouldn't want to share that achievement with him; this purposefully strange, silly and surreal film is far too deliciously hilarious. Let Stones' struggle sink in again: to fart or not to fart, that is his question. Yes, one of Flux Gourmet's key plot points revolves around letting it rip. Yes, Strickland masterfully finds empathy in that toilet humour, understanding that we all break wind as a normal bodily function, and pairs it with a savvy takedown of art-world and showbusiness pretension. As a satire, his film dips its spoons into smug attitudes, exclusionary conventions, and all the pompousness and ceremony that's stereotypically ascribed to every art form's upper echelons, then delights in gobbling down biting parody after biting parody. Thanks to Stones and his questions, Flux Gourmet is a spin on This Is Spinal Tap, too, complete with The Sonic Catering Institute's version of rockstar behaviour. Elle, Lamina and Billy play instruments, after all, even if they're often egg whisks, blenders and saucepans. They have post-show orgies. Tempers boil, even before Billy ends up in bed with Jan, their residency version of a manager — and an argument about a flanger threatens to tear everything apart. That heated disagreement, and the key scene that sees Jan and Elle face off about the amusingly named audio-effects equipment — and say the word "flanger" again and again — screams everything about Flux Gourmet. It's ridiculous and riotous, never stops simmering, and proves entertaining as a piece of farce and a statement on the domain and personalities that Strickland is skewering. Crucially, it also owes as much to its leads as it does to its director. Strickland has Billy and Jan's relationship, Elle and Lamina's tension, and vengeful attacks by a rival sonic catering group called The Mangrove Snacks (who applied for the same stint but missed out) among the plot's courses, but his film not only gleams brightest but bounces around at its liveliest when neither the magnetic Mohamed nor Christie at her uproariously domineering best hold back. Every recipe hinges upon its ingredients and Flux Gourmet is no exception. Its cast is committed, all playing characters attempting to control something, everything or both, and each peppering in their own seasoning — including the affable Papadimitriou as the seemingly sanest of the lot. Cinematographer Tim Sidell (I Hate Suzie) lenses the raucousness with verve and pop, and also like he's peering at a dream that's as intimate and visceral as a medical procedure, and yet as out-there as our brain's nocturnal imaginings come. Strickland's own hyper-stylised flair naturally flavours the whole meal, and saying that Flux Gourmet stands out even among his inimitable work is saying something. Wild, warm, witty, weird, wonderfully its own curious concoction: that's this delectable affair, which only falters in its slightly overindulgent pacing. That said, when a cinematic feast is this nourishing in so many ways — and to so many senses — who doesn't want it to go on?
Another day, another international ride-share company prepares to hit the streets of Australia. This time, it's an Indian-born platform called Ola, which we're told operates in over 110 cities, hosting a whopping one billion annual rides worldwide. That's over two million trips each day, and growing fast. Less than a week after rival Taxify launched in Melbourne (with half-price rides, no less), Ola today announced plans to roll out across Melbourne, Sydney and Perth, and has already put the call out for potential local drivers to register. The company counts its driver-partner focused approach as its main point of difference, hoping to tempt Australian drivers with incentives and upskilling opportunities. As Ola co-founder and CEO Bhavish Aggarwal explains, that should result in a more competitive industry all round. "With a strong focus on driver-partners and the community at large, we aim to create a high-quality and affordable travel experience for citizens and look forward to contributing to a healthy mobility ecosystem in Australia," he said. Expect to see Ola cars cruising around town and competing with Uber within a matter of months.
If the past few years have you craving something more than the usual — something outside of your house, for starters, and events that don't just feel like the same old thing again and again, too — then prepare to spend some time in a secret Somerset region location. You'll be heading to Jimna, which is where Jungle Love Music & Arts Festival will unleash its 2022 program. Yes, one of southeast Queensland's favourite smaller, more specialised, boutique, curated fests is returning. Since 2014 — with pandemic delays, like all events — Jungle Love has been a smorgasbord of creative activities. Instead of ridiculous queues and heaving crowds clamouring for space in an ordinary city showground, here you'll find a laidback vibe, a campground surrounded by luscious greenery, and the chance to go for a swim in the creek while you watch a gig. Oh, and did we mention that it's a BYO festival as well (though no glass is allowed)? This year's event will take place between Friday, September 2–Sunday, September 4. If you've been in previous years, the fest is heading to a new site in 2022, so get excited. Camping is included in the price, and you can level up to glamping packages — in bell tents that sleep up to five people — as well. And, in terms of what you'll be enjoying while you're there, the lineup includes visual arts displays, cabaret, circus, comedy, poetry slams, knocking back those BYO beverages and plenty of tunes. JUNGLE LOVE MUSIC & ARTS FESTIVAL LINEUP 2022: AYA J Battlesnake Boing Boing Boom Boom Bean Selecta Bud Rokesky Budjerah CityPiss Cloe Terare Dizzy Doolan DJONN Fem Fale Flamingo Blonde Full Flower Moon Band Great Sage Hope D Ivey JB Paterson Jem Cassar-Daley K+Lab Kid Heron King Stingray Koa Lastlings The Lachy Doley Group The Lazy Eyes Life On Earth Lucinda R. Matthew Graham Menajerie mou Mr. Maps Nicole McKinney Nonsemble Pink Matter Pirra Radium Dolls Rhythm Hunters Sahara Beck SCARES Shugorei Tessa Devine Thunder Fox Tjaka Torpid Vetta Borne Images: Bajj Holloway, Liav Shalev, Kyle Golly and Jackson Grice . Updated August 29, 2022.
It's happening a month later than last planned, but holidays in Western Australia are finally back on the agenda effective Thursday, March 3. And if you live in WA, getaways somewhere other than your home state will become an easy possibility again as well, with Western Australian Premier Mark McGowan locking in a new border reopening date. There's more than a little deja vu to this announcement, given that Western Australian Government set a February 5 date back in December 2021, then suspended those plans indefinitely due to the Omicron wave elsewhere in the country. But now there's a new firm date, with the Premier revealing the news on Friday, February 18. Consider it a late new year's gift, a chance to see friends and family, or — for folks now keen to head west ASAP — an excuse to visit WA's newly minted best Australian beach for 2022. When the borders reopen, the state will adopt its updated safe transition plan that'll allow travellers from other states and overseas destinations to visit again. And yes, the reopening will apply to both WA's domestic and international borders. Today we announced the new date for WA's full border opening – and it's worth talking through how we got here. Four weeks ago, on January 20, we took the difficult decision to delay Western Australia's full border opening. pic.twitter.com/zEpV2tQRoR — Mark McGowan (@MarkMcGowanMP) February 18, 2022 There'll be different rules in place depending on where you're entering from; however, you'll need to be triple-vaccinated to enter from interstate, also undertake a rapid antigen test upon arrival, and have one of WA's G2G passes registered. For those making the journey from an international location, there'll be no quarantine for vaccinated arrivals — and the same testing requirements will be in place for both domestic and overseas travellers. If you're unvaxxed, you'll still need to go into hotel quarantine for seven days. The border news comes as WA's COVID-19 case numbers have been rising — 194 local cases were reported on the same day as the announcement — with the Premier advising that "we held back Omicron as much as we could". "There comes a point where the border is redundant, because we'll already have the growth of cases here, having the border is no longer effective," McGowan also noted. Effective Monday, February 21, WA also brought in a range of new public health and social measures for the Perth, Peel, South West, Wheatbelt, Great Southern and Pilbara regions, limiting at-home gatherings and venue capacities, and requiring COVID-19 safety checklists or plans for events with more than 500 people. The mask mandate for indoor settings was also extended to apply statewide. To find out more about the status of COVID-19 in Western Australia, and the state's corresponding restrictions, visit its online COVID-19 hub. Top image: Tourism Western Australia.
When each year comes to an end, celebrating ace movies and TV shows from the past 12 months has become a tradition, especially if you worship screens big and small. Another ritual: looking forward to a new calendar filled with standout things to watch. Based on Disney+'s just dropped trailer for the year ahead, for example, Mouse House fans have plenty to get excited about. Chief among them is the second season of Loki, following on from its first back in 2021.When that initial run of episodes came to an end, the credits for its final instalment included a stamp that said "Loki will return in season two" — and that follow-up will hit sometime in 2023. The God of Mischief — well, Tom Hiddleston (The Essex Serpent) — narrates the brief Disney+ 2023 trailer, which includes multiple glimpses at his Marvel Cinematic Universe alter-ego. Viewers not only looking forward to Loki's return, but also eager to see Owen Wilson (Marry Me) back as Mobius M Mobius, can catch a look at both. Banter results, naturally, and clone trickery. Loki's second season will hit in another busy year for the MCU, which is also set to include the Nick Fury-focused Secret Invasion; Hawkeye spinoff Echo; Ironheart, which Black Panther: Wakanda Forever helped set up; and maybe even WandaVision spinoff Agatha: Coven of Chaos — all on streaming. In cinemas, the sprawling comic book-inspired realm will also welcome Ant-Man and the Wasp: Quantumania, Guardians of the Galaxy Vol. 3 and The Marvels. Exactly what Loki's season two plot will follow is yet to be revealed, just like when it'll arrive; however, it isn't the only Disney+ series highlighted in the 2023 glimpse. Also included: that aforementioned Secret Invasion, the third season of The Mandalorian, fellow Star Wars series Ahsoka, Pixar's Win or Lose and Up-related Dug Days: Carl's Date, and the live-action Peter Pan & Wendy. If you're a fan of all, some or any of the Mouse House's big brands, prepare to spend plenty of time on your couch in 2023. Check out Disney+'s 2023 trailer below: The first season of Loki is available to stream via Disney+ now. Exactly when in 2023 the second season will arrive is yet to be announced — we'll update you with more details when they come to hand. To keep an eye on Disney+ catalogue, head to the streaming service's website. Top image: ©Marvel Studios 2021. All Rights Reserved.
We've all contemplated what cars, aircraft and computers might look like in another 20 years. But often, the smaller things in life aren't subjected to the same kind of speculation. Take the ball, for example. Who could have foreseen its evolution from a beachy plaything to a robot, set to facilitate the future of mobile gaming? 21st-century toy experts Orbotix, that's who. In 2011, the Colorado-based company released the first incarnation of 'sphero' and, though its limitations prevented it from making too many waves, version 2.0 is a whole different story. At first sight, sphero 2.0 is nothing more than a sturdy white ball, big enough to fit into the palm of your hand. Hooked up to its recharging cradle, however, it takes on an Aurora-style inner glow, and linked via Bluetooth to your smartphone, it's a brand-new remote control car that can travel as far as 30 metres away. But that's just the beginning. Two levels are available through the basic app: 'free' and 'level-up'. The first allows you to direct sphero 2.0 anywhere you like at speeds of up to two metres per second and take on the included plastic jump ramps. The second mode allows you to gain points for the successful execution of tricks, providing access to new speeds and colours — there are thousands of possibilities. You can even set up an account and record your achievements online. This system is a smart way of hooking the user's interest. On top of that, 25 apps — many of them free — have been made specifically for sphero 2.0. These vary from social, multiplayer contests to multi-ball tournaments to augmented reality games. Sharky the Beaver, for example, transforms the ball into a cupcake-chasing beaver, while The Rolling Dead turns the surrounding floor into a zombie-fest. Sphero 2.0 can handle rough play, hard surfaces and the great outdoors, as it's made of polycarbonate, which is both waterproof and exceptionally strong. It's compatible with iPod, iPhone and iPad, as well as the equivalent Android devices. Battery life is about one hour. The Bluetooth connection is seamless and reliable. On the not-so-good-side, the device does tend to be a drain on phone battery power. Plus, when playing games that depend on it being picked up or jolted, the mechanism is not always immediately responsive. That said, sphero 2.0 is definitely a highly impressive improvement on the original and has the potential to add a whole new dimension to mobile gaming. Thanks to Orbotix, we have two sphero 2.0s to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
In Stay of the Week, we explore some of the world's best and most unique accommodations, giving you inspiration for your next trip. In this instalment, we take you to sunny Queensland for a special stay at Mirage Whitsundays, Airlie Beach. We love this place so much that we teamed up with the resort to offer an exclusive four-night travel deal — including a sunset sailing cruise and one-hour scenic flight with spectacular views of the outer Great Barrier Reef below. WHAT'S SO SPECIAL? Queensland: Beautiful one day. Perfect the next. Which all means that while summer is an obvious time to head to the Sunshine State, we reckon a winter escape is just as good. The temps are still warm-ish, the crowds are less-ish and the general consensus is that it's a great time to visit. (Full stop. No ish). So, if you're on the hunt for a mid-year exodus, but your budget and annual leave allowance limit it to the non-European-variety, our recommendation is to book a stay at the Mirage Whitsundays. Nestled in Airlie Beach, the gateway to the Great Barrier Reef, the Mirage is the place to base yourself if you're all about spectacular sunrises, salty sea breezes and super easy access to the 74 tropical islands that make up Australia's most famous archipelago. THE ROOMS If you're not a fan of starting your day with breathtaking, turquoise-tinted, island-dotted views, then the Mirage Whitsundays may not be the best choice for you, and we suggest you search for an alternative. However, travellers who don't mind a hotel with a little water frontage will be pleased to hear that every single room at the Mirage promises exactly that. Whether you choose a self-contained apartment, villa or penthouse, opt for an elevated panorama or a ground-level vista, your European-style kitchen, spacious terrace and modern bathroom will always come with a side of sea breeze. We hope you can find a way to make it work. FOOD AND DRINK G&T lovers rejoice. Airlie's only gin bar, Whisper Restaurant And Gin Bar, is located smack bang in the middle of the Mirage. If you're after an excellent range of gins (more than 90) or creative cocktails that heavily feature them, or you prefer a fine wine or cold beer, then you've come to the right place. Not a drinker? Fret not. The restaurant is also home to daily breakfasts (the chia puddings come highly recommended), an Indonesian buffet feast on Friday nights, and bottomless brunches every Saturday and Sunday from 11am-1pm. There's even a free courtesy bus to get you there and back, so you don't waste precious feasting time. THE LOCAL AREA Not to point out the obvious, but if you've booked a stay at the Mirage, easy access to the beaches of the Whitsundays and maybe a day or two to check out the Great Barrier Reef probably had something to do with it. If you only had time to do one thing, we recommend you visit Whitehaven Beach, which was named the Best Beach in the World a couple of years ago. Assuming you do the smart thing though, and book our four-night travel deal, you'll have a little more time to explore more. Just for starters: take a stroll through the Whitsunday Great Walk (Conway Circuit); drive to nearby Hideaway and Horseshoe bays; visit the beautiful Cedar Creek Falls; island-hop by cruise, sail or jet ski; or snorkel among the largest coral reef system on Earth. For those who really just can't get their head around rocking a bikini or boardies between June and August, please read on for a way around this dilemma. THE EXTRAS Those who can't be convinced to embrace their inner Ariel and go 'Under the Sea' can still experience all that the reef has to offer through an above-the-ocean sunset cruise or an above-the-clouds scenic flight. Or both. Included in day four of this package, the former gives you the chance to settle in for a two-hour boat ride with complimentary welcome drink and yummy snacks, just in time to watch the sun dip below the horizon. Meanwhile the latter is an incredible, once-in-a-lifetime opportunity to enjoy a private flight over amazing blue waters, white sand beaches and even a naturally heart-shaped reef. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
Big, bustling blockbusters have been absent from cinema screens for much of the past 12 months, as film studios adjust to the COVID-19 pandemic. Due to coronavirus restrictions, hygiene requirements and protocols, huge movies filled with hordes of people haven't been the easiest things to shoot of late, either. So, cinephiles can expect more than a few new features to hit both the big screen and streaming services in the coming weeks, months and years that have been made under much more intimate circumstances. Malcolm & Marie is one of them, and it's heading to Netflix from Friday, February 5. The black-and-white film stars recent Euphoria Emmy-winner Zendaya opposite Tenet and BlacKkKlansman's John David Washington, with the pair playing a couple who've just returned home from a movie premiere — and end up spending what started as a celebratory evening working through the ups and downs of their relationship. The streaming service has just dropped its first trailer for the feature — which, as well as proving as intimate as expected, also promises an acting showcase from its two stars. Malcolm & Marie may be a talk-heavy film, focusing on its titular characters chatting about their feelings, but both Zendaya and Washington look set to continue their recent impressive runs. In Zendaya's case, she's also reuniting with writer/director Sam Levinson, who created Euphoria. Cinematographer Marcell Rév also has a history on the show — so if you're fond of vivid and expressive imagery, you'll be able to see what he can do while working in monochrome. Check out the trailer below: https://www.youtube.com/watch?v=CGZmwsK58M8 Malcolm & Marie will be available to stream via Netflix on Friday, February 5. Images: Dominic Miller/Netflix.
Sitting down to watch Cat Person isn't a passive experience. It isn't an interactive movie, but the bulk of the film's audience isn't coming to it as a blank slate. They've read Kristen Roupenian's viral New Yorker short story from 2017, because everyone has. They've seen the discourse that it started, and potentially engaged in the debate that's swelled ever since, too. They remember how the 7000-word piece arrived at the ideal #MeToo moment, capturing the intricacies of modern dating, gender power dynamics, text-first communications, and mediating not just our lives but our loves through screens one jokey SMS and flirty emoji at a time. As a feature, Cat Person isn't just about bringing the tale of 20-year-old college student Margot and 33-year-old Robert, who she first meets serving him snacks at her cinema job, to the screen, then. Six years have passed since Roupenian's story became the only thing that anyone was talking about, especially online, with the whole Cat Person phenomenon now about more than just the tale itself. In her third movie as a director after 2014's Life Partners and 2018's The Spy Who Dumped Me — and also helming episodes of Utopia, The Flight Attendant and The Wilds, plus writing Booksmart as well — that's also what filmmaker Susanna Fogel set out to capture with Michelle Ashford's (Masters of Sex, The Mayfair Witches) script. "There's always a fear with anything that people feel strongly about, and would get really passionate about, that you're going to let them down. I think that with this in particular, I had to release myself a bit from the notion that everyone is going to love this adaptation — because the truth is not everybody loved the story, and not everyone loves any movie, really," Fogel explains to Concrete Playground. "I also have to take my best shot of trying to bring this story into the next generation for a group of people who many of whom were too young to read the story. The Margots of today were 13 when the story came out, so this is a moment that I wanted to share the story with them in this format." "But there's always a fear of it. You of have to let it go. You have to say 'I'm going to do my best to honour the material, and if I can create the feeling that I got reading the story in an audience, then that's what I can do'," Fogel continues. "There are going to be details that aren't what people pictured. Some people are going to want it to be a faithful adaptation of the story because they just want to see that story the same way. And Michelle and I, and ultimately Kristen, really believed that there's another chapter to the story that's happened culturally since 2017 — people exhausted themselves debating the merits of this story and revealed things about themselves culturally — that became part of the story. So to us, the only reason to adapt it was to build upon the narrative and not just render it directly." The film version of Cat Person expands beyond the narrative that Roupenian relayed with such galvanising precision. The aim: capturing how it felt to read the short story, as well as the conversation swirling around it since. The focus is still "concession-stand girl" Margot (Emilia Jones, CODA) and customer Robert (Nicholas Braun, Succession). Everything from their first meeting to their texts, and also their age gap, dates and rampant awkwardness, remains. But Fogel's film not only adds details, but also complexities and perspectives, seeing the tale's ambiguity and clashing perceptions. The 2023 Sundance Film Festival first witnessed the end result, and now audiences in Australia and New Zealand can as well, with the movie opening in both countries Down Under in November. We chatted with Fogel about the process of bringing Cat Person to the screen — her first reactions to the short story, her thoughts on the response, the unique opportunity that is turning a viral short story into a movie, casting and continuing the Cat Person conversation all included. ON READING CAT PERSON WHEN KRISTEN ROUPENIAN'S SHORT STORY FIRST ARRIVED "I did see it. I was hard to not see. It was everywhere. It was something that people talked about a lot. It was very explosive in the culture. At the same time, I didn't see it as a movie. It's hard for me not to see things as movies just because I live in LA, and whenever something is viral or captures anybody's attention, there's going to be a stampede of people trying to make it into a film. But this one, I thought this is so brilliantly internal that I don't really know how it becomes cinematic, and how it becomes external, and how you capture what really resonated for people in a film — much less a film that people are going to see if they're men or people of all ages, which the story did have a bigger reach than just than just women. I was concerned that a film wouldn't be able to harness that somehow. And then two years later, I read Michelle Ashford's script. I realised that there was a there was a vision behind doing that that made so much sense to me — I just would never have thought of it myself." ON THE INITIAL RESPONSE TO CAT PERSON AS A SHORT STORY "The story itself, by the time I came to it, I was aware that it was very explosive and controversial. And when I read it, I wasn't sure why, because I thought that this is such a perfectly observed short story. It's so specific to this woman's experience. Why are people debating it? Why are people accusing the writer of man-hating? What is what is really like triggering to people about the story? And over time, that narrative around it became so explosive that it kind of hijacked the narrative — the narrative around the narrative became what was the most interesting thing about it. There's this undercurrent of male rage that courses through the subtext of the story, and that male rage was manifested in a very overt way among all of the people on Twitter who were arguing about the story. So, in a weird way, it kind of proved the concept of the story itself, and that to me was what was so interesting. And when we tried to expand upon the original format of the story, that anger and the male perspective on that was something that we tried to enhance and show cinematically, just because it was so much a part of that cultural moment. It eclipsed anything about the original story itself." ON BRINGING A SHORT STORY THAT'S GONE VIRAL TO THE SCREEN "It was a very unusual opportunity. I've always looked for ways to tell stories about women — granular, observant, emotionally driven, relationship-driven movies and TV shows. That's kind of my sweet spot. But it's so often that those feel small, and they always have to be combined with another genre or a mystery or something that feels like it gives them reason to be — stories that justify their telling, in a way. This one, obviously we did expand it genre-wise, but the fact that the story existed and was viral was a great opportunity to tell a really intimate, granular story about a woman's experience, and have a little bit of name recognition buoying the release of it, and the public interest in it. That was a really lucky — that was a real opportunity. There's name recognition and a curiosity about something that is ultimately so personal and would normally just go in the bucket of tiny movies that five women see at a women's film festival." ON TACKLING A TALE THAT'S STRUCK SUCH A CHORD FOR BEING SO RELATABLE "A different medium is always a challenge. When you take a short story that women project their experiences onto — so women are picturing themselves as Margot, women are picturing their own Robert from their own life as Robert, they're not picturing actors that I cast — trying to honour that and execute something that would resonate with women the same way as whatever was in their mind's eye when they read the story is a tall order. I just did my best to try to pick versions of both characters that made them human enough that whatever felt really realistic and grounded to women would would be manifested here, and it wouldn't feel like we took it in this crazy direction. It definitely escalates at the end, but from a starting point of relatability was the goal. I mean, that's always the challenge, I think. But I think from moment to moment, [it was] just making sure those performances felt grounded, making sure to cast somebody who felt really relatable to women, and felt smart and substantial — so that if she makes some dumb mistakes, you can still be rooting for her instead of dismissing her as a victim. And just making choices that I think try to keep threading the needle with nuance was something that was important to me, so that people couldn't really dismiss either side, or come down on one extreme side or another — just to try to maintain the ambiguity of the original story." ON THE VISION FOR CAT PERSON AS A FILM FROM SCRIPT ONWARDS "Michelle had this brilliant idea to take a lot of what Margot was going through internally and make it manifest in a really extreme multi-genre experience of being a young woman. So, Margo's experience is that she walks through her life, and she's very pop culture savvy. She's seen movies where young women are victimised. She's seen movies where young women fall in love. She's seen movies where young women come of age. So she's seen all the reference points, and she's trying to figure out where she belongs and what her story is. What excited me about Michele's adaptation was really that she opened the door to explore a lot of different genres, as if to say that being a young woman is a multi-genre experience. There's always a base level of fear, because we're when we're coming of age and even when we're not, we're aware that we could be overpowered on a physical level. That's always a fear that sits underneath our lives, and is ready to poke its head out at any point in time that it's triggered. But all of the things that Michelle wrote were so vivid. And then the fears and fantasies and violence felt like I just tried to capture those as viscerally as I've experienced them myself, in the hopes that other women have also had those fears if I've had them, I hope. I don't hope other women have had them, but I hope that I'm a good ambassador to tell their story in a way that feels relatable to as many women as possible." ON FINDING THE RIGHT MARGOT AND ROBERT "Casting is always easy and hard. What's easy is if you're the filmmaker and you have a sense of who those people are in your mind, there's actors that you know you want. The challenge is that they're not always the actors who you know are the most famous or the most bankable. Luckily we worked with StudioCanal, who were pretty open minded being a European company — they weren't as algorithm-obsessed and so they let me cast these two actors who were really on the cusp of fame and had recognition but weren't overexposed on a level where people would bring too much baggage into the viewing experience. By the time the movie came out, people have an association with Cat Person. They're expecting to be mad. They're expecting to be relating. They're just expecting a lot going in. And I didn't want that to have a toxic alchemy with some outrage about me casting the wrong super-famous person. So I wanted it to be a little bit like these characters, these are interesting actors, maybe you've seen them but you haven't seen them in everything. You don't know who they're dating. It's not a situation where you're rolling your eyes before you even walk into the theatre. Emilia has a real soulfulness and gravitas to her that I wanted Margot to have despite her youth, so that it wouldn't be just a simple story of a young woman and an older man, and she's naive and he's inappropriate. I wanted it to be a bit more [that] he has some arrested development, but also she is presenting herself with as much maturity as she can, and she has a presence that doesn't feel adolescent to him. Zooming out, it's inappropriate that he pursues her. But zooming into it, it sort of makes sense that she's presenting herself in a way that it would be overreaching past the bounds of her experience level or her actual maturity level. Emilia seems mature, and I thought that was important to keep Robert defensible as well. If she seemed really flighty and really young, it would be more egregiously only about her being young and not about the fact that they do have this connection, even though it's dysfunctional. I didn't audition either of them, but I spoke to them, and they get it. They got it. They understood what was weird about the dynamic, and they were so intellectually able to do it — and I knew how talented they were on screen, that I just kind of took the leap of faith that they could do it. They're both actors who have great comic timing, but they're not broadly comedic. They have an interesting presence, but they haven't done this role before. So it felt like they would really like invest in that challenge. And in Nick's case, he has like a base level of likeability, especially to other men who watch Succession, that I thought that would be a good place for Robert to start — a place where men are relating to him, even if they think he's kind of a loser or whatever, they're inclined to root for him because of because of who he is." ON FOGEL'S HOPES FOR THE MOVIE'S CONTRIBUTION TO THE CAT PERSON CONVERSATION "I would like for this movie to invite men and women to talk about their own experiences, and the differences in perception that go into relationships. I think that everybody has a story where they relate to one or both of the characters — that's why my hope is that everyone who's ever been on a date can watch that movie and say 'oh, I've been him' or 'I've been her' or 'I've been both'. To me, I think that the movie challenges people to think about their own relationships and be more authentic with the other person, however they can be — and really give themselves permission to not know what they want, take a minute to figure out what they want, not be sure what they want, change their mind. Those are all really important parts of dating and consent, and I'm hoping that this movie, by making people feel like they're not alone, makes people feel like 'it's okay for me to figure this out on my own timeline'." Cat Person opened in cinemas in Australia on November 23 and in New Zealand on November 2. Read our review.
Cosy up by the fire sipping Margaret River cabernet at Empire Retreat and Spa or embrace Sydney’s industrial past at 1888 Hotel. Either way, you’ll be chasing away winter blues and indulging at each of these top ten Mr & Mrs Smith hotels in Australia and New Zealand. Stay three nights (or more) to save 30 percent on stays until the end of September — but get in quick; these exclusive offers must be booked by July 31. Hotel Hotel, Canberra Overlooking Lake Burley Griffin in the cultural heart of Canberra, Hotel Hotel is the designer pad you’ve always wanted — on a greater scale. Out of the 68 individually styled rooms, the Meandering Rooms are by far the biggest and best, with a tub for two and double rain showers. Housed in the Nishi Building in NewActon, the hotel is part of a new development that combines contemporary art, landscaped gardens and the bespoke modern living that’s becoming popular in Australia. The courtyard cinema is closed in winter, but don’t fret: you can still get your arthouse cinematic fix at Palace Electric, just downstairs. Spicers Vineyards Estate, Hunter Valley A tapestry of vines and veggie patches surrounds this handsome hotel in the Hunter Valley. Spicers Vineyards Estate is just two hours from Sydney and draws on its location to provide you with a romantic, culinary-themed getaway. Here, fresh regional produce teamed with the latest vintages (featuring grapes harvested from the estate’s vines) will have you mellow in no time. An added bonus is Spa Anise, where you can replenish mind, body and soul with organic honey-and-cocoa treatments or hot-stone massages. Ground-floor King Spa Rooms open onto an inviting verandah: first-floor rooms will earn you views all the way to the Brokenback Mountain Range. For cosy nights by the fire, opt for a Luxury Spa Suite. QT Gold Coast Bright pops of colour and retro furniture complete the Miami-esque feel at QT Gold Coast. Just a stone’s throw away from Surfers Paradise beach, you can soak up some sun and set yourself free from the weight of those winter woollies. Sample international cuisine at Bazaar, the hotel’s restaurant, styled with a bustling marketplace in mind. All rooms are fun and flirty with bonus DIY lemonade kits, but the QT King Ocean View rooms take the cake with seascape vistas and surfer-spotting potential. The Gold Coast is known for being a party playground, so join in the fun at the hotel’s bar, Stingray, where cocktails flow in an industrial-chic setting. Eveningwear is a must when the sun goes down: no board shorts allowed. The Prince Hotel, Melbourne Situated in the vibrant St Kilda precinct in Melbourne, The Prince Hotel is an edgy designer’s dream. Its modern, contemporary rooms feature timber floors, artfully placed throws and stand-alone bath tubs for peaceful soaks. You’ll get 30 percent off the Boutique and Deluxe rooms here, so take those savings and sample some of the fantastic restaurants that St Kilda has to offer. Stroll past nearby Acland Street for delectable treats at Monarch Cakes or sample the menu at the hotel’s restaurant, Circa, which champions seasonal eating using the freshest produce from Victorian and Australian farmers. If you fall in love with any of the artworks adorning the walls, you might be able to take them home (for a price, of course). The walls, curated by Utopian Slumps’ Melissa Loughnan, allow art to be seen in a more social, everyday environment. Spicers Peak Lodge, Qld A mountain retreat on the Scenic Rim of Queensland, Spicers Peak Lodge is a place where you can surround yourself in nature without sacrificing luxurious comforts. Set on a 9000-acre cattle station, the hotel has bushwalking and mountain bike trails for adventurous types and gourmet picnics on offer too. Five of the seven luxury lodge suites have warming stone fireplaces, perfect to snuggle by on a winter’s eve. The earthy, natural tones are calming and fuss-free, drawing you outwards to the natural beauty of the area. Dining at the lodge is a must. The cuisine highlights seasonal and organic produce, including honey, which stars in delicacies such as the chocolate, caramel popcorn and honeycomb dessert. Empire Retreat and Spa, WA A relaxing oasis among the southern wilderness of Western Australia, Empire Retreat and Spa combines a level of luxury and seclusion among the gum trees. The retreat’s villas and suites are set in and around a restored farmhouse — once the owner’s family home. Both rustic and modern interiors work well with timber and natural stone accents that celebrate the beauty of the surrounding native bushland. The main house has an open fireplace, timber decking and a secluded Jacuzzi and sauna for extra entertainment. Some of the nation’s best cabernets and pristine beaches can be found in this pocket of the west, so it’s well worth hiring a car to explore. The Spire, Queenstown The Spire is an urban hideaway in the midst of Queenstown, the adventure capital of New Zealand's South Island. Interiors of dark wood and rich, candy-apple red highlight create rooms that are inviting sanctuaries away from wintry winds. Room six has an exclusive view of the spire that the hotel is named after, but all have stone-clad fireplaces and private balconies. Sip a cocktail while enjoying some Mediterranean- and European Alps-inspired tapas at No5 Church Lane, the hotel’s laidback lounge bar, or venture to the waterfront for some of the freshest seafood Queenstown has to offer. The hotel is more than happy to arrange some adrenaline-pumping activities such as bungee-jumping or jet-boating, but a simple hike and picnic lunch is also on the menu. The Farm at Cape Kidnappers, NZ Hawke’s Bay, New Zealand is a pristine natural wonder. Rolling green hills stretch from The Farm at Cape Kidnappers all the way to the churning water’s edge. A par-71 golf course is on hand, along with 180-degree views of the spectacular Pacific Ocean. A luxurious barn-like conversion worthy of a Grand Designs feature, the Owner’s Cottage has added seclusion away from the main lodge, a large stone fireplace and an open kitchen for entertaining. Tawny interiors throughout add to the farmhouse style, and invoke a homey, welcoming environment. The lodge even has its own winery located in the Gimblett Gravels region, with regular wine tastings. There’s an onsite pastry chef and a new vegetable garden that provides head chef James Honore with fresh produce to accompany the locally sourced meats and seafood. 1888 Hotel, Sydney An eclectic industrial conversion, 1888 Hotel turns Sydney’s past into a stylish inner-city hangout. In a prime location for visiting Sydney’s famous harbour and the captivating Powerhouse Museum, this historic wool store offers a vibrant resting place that moulds together the best of days gone by and modern Australian design. Three-metre-high ceilings and original wooden beams are featured throughout rooms, and the Attic room has a sun-kissed patio and sociable lounge for entertaining. A philosophy of simplicity encompasses the menu at 1888 Eatery & Bar, where meals celebrate wholesome and sustainably sourced ingredients. There’s also a monthly photography competition for all you avid Instagrammers, so don’t forget to tag the hotel in any snaps as it could win you a free night’s stay. Islington Hotel, Tasmania A Regency house situated just outside of Hobart in Tasmania, Islington Hotel sports views of Mount Wellington and hosts manicured gardens. A sustainability motto that will knock your socks off, paired with an 80 percent organic decree, sets this hotel above the rest with its eco-friendly practices. The moreish dishes at the hotel’s restaurant — such as maple-and-whisky-glazed pork loin and Tasmanian wallaby shank — are definitely set to spoil. Rooms in the old house are generous and elegant with bespoke bedding and contemporary artworks from the owner’s worldwide travels adorning walls. This is the perfect getaway for curling up by the outdoor open fire and settling in with a good book while sipping on some of the hotel’s swill-worthy wines. Browse all Smith’s winter warmer offers or see all available hotel offers online. Contact our expert Travel Team on 1300 896 627 for further details on the hotels and their deals.
Whether TLC is singing about chasing waterfalls, Backstreet Boys are reminding us that they're back, Elton John is saying farewell again or Billy Joel is saying that it's still rock 'n' roll to him, Australia and Aotearoa's music venues are frequently alive with the sounds of nostalgia. Going retro is big touring business of late, and it's hip hop and R&B festival Juicy Fest's whole angle — with T-Pain, Ashanti and The Game on the bill for its just-announced 2024 events. Expect to hear auto-tune aplenty when the 'Buy U a Drank', 'I'm Sprung' and 'Can't Believe It' rapper hits the stage, performing tracks from a career that's also included featured appearances on Flo-Rida's 'Low', Akon's 'I Can't Wait', The Lonely Island's 'I'm on a Boat' and Snoop Dogg's 'Boom'. If it seems like a while since he's been our way, it has: this will be his first time in Australia in more than a decade, too. When Juicy Fest kicks off its January 2024 season in Christchurch, Wellington, Tauranga and Auckland, then heads across the ditch to Melbourne, Sydney, Perth, Adelaide and the Gold Coast, it'll see Ashanti return Down Under after appearing on 2022's Fridayz Live tour in Australia and Friday Jams tour in New Zealand. As for The Game, who came to fame in the 00s in the West Coast scene, he was meant to tour Down Under in March 2023, but was replaced by AB Original. Bone Thugs-n-Harmony are also on the bill, as are T.I., Trey Songz, Fabolous, Mario and Keri Hilson. And, there's still one headliner to be announced down the line. Juicy Fest's 2024 run will mark its second, after debuting in January 2023 and attracting more than 100,000 attendees. The event has only announced a specific venue so far for the Gold Coast, hitting up Doug Jennings Park, with further details to come. JUICY FEST 2024 DATES: Wednesday, January 3 — Venue TBC, Christchurch Friday, January 5 — Venue TBC, Wellington Saturday, January 6 — Venue TBC, Tauranga Sunday, January 7 — Venue TBC, Auckland Friday, January 12 — Venue TBC, Melbourne Saturday, January 13 — Venue TBC, Sydney Sunday, January 14 — Venue TBC, Perth Friday, January 19 — Venue TBC, Adelaide Saturday, January 20 — Doug Jennings Park, Gold Coast JUICY FEST 2024 LINEUP: T-Pain T.I. Ashanti The Game Trey Songz Bone Thugs-n-Harmony Fabolous Mario Keri Hilson Juicy Fest will tour Australia and New Zealand in January 2024, with tickets on sale from Wednesday, April 26. Head to the festival's website to register for pre-sale access.
Cycling to work is fun. But turning up to the office in lyrca and fluoros? Not so much. Fortunately (for everyone involved) San Francisco-based designer Parker Dusseau has come up with a solution. It's a suit that's cool enough to ride and work in. That's cool, temperature- and style-wise. Similar to the Wear-More, Wash-Less T-shirt that caught our eye last week, the 'Commuter Suit' is made of merino. Australian 135 Performance Superwool, to be precise, with spandex throw in for flexibility, poly tricot mesh lining and a water-resistant finish. Not only is it breathable, it actually wicks away moisture, minimising temperatures while maximising comfort levels. The cut is form-fitting yet allows plenty of room for movement. According to Dusseau's site, the Commuter Suit embodies "the perfect intersection of cycle gear and men's fashion". Pretty much every conceivable detail seems to have been taken into consideration. A pleat in the back section of the jacket creates an 'Action Back', enabling extension and stretching without resistance. A three-button enclosure prevents the wind cutting through. Super-deep internal pockets provide safe storage. Elastic bands hidden in the pant cuffs mean they can be secured to avoid entanglement in the chain. Available in navy and charcoal grey, the Commuter Suit can be purchased online. Jackets are selling for US$485 and pants for US$245. There's also a dress shirt, which comes in ivory white or periwinkle blue, for US$145 and 'Commuter Cinos' for US$145. Via PSFK.
Australia's most sinister festival, Dark Mofo, is back for its seventh year and is set to be as boundary-pushing as ever, with its initial lineup announced today. As always, the festival will take place in the lead up to the winter solstice, exploring connections between old and contemporary mythology through art installations, performance, talks and music — all taking place in the darkness of Tasmanian winter. Hosted by the Museum of Old and New Art (MONA), Dark Mofo will takeover most of Hobart between June 3–23, showcasing a melting pot of artists, creatives and thinkers who dwell in the shadows of mainstream culture. Kicking things off is the festival's ideas symposium Dark + Dangerous Thoughts, running from June 6 to 9, which will present varied perspectives on issues of identity and politics from writers, commentators and thinkers such as homegrown talent Stan Grant, Yumi Stynes, Nakkiah Lui and Ginger Gorman alongside international guests Jennifer Boylan, Frederic Martel, and Coleman Hughes, among many others. Talks will navigate controversial topics such as Australia Day, average sex and priests in the closet. On site at MONA, installations by Ai Weiwei, Alfredo Jaar, Oliver Beer and Chris Townsend will be exhibited as well as MONA's own Kirsha Kaechele, who'll bring her book Eat the Problem to life with a series of immersive feasts (expect cane toads, starfish and camel), and an exhibition featuring one of the world's largest glockenspiels. Sharon Van Etten – the American musician and composer, who's appeared in David Lynch's Twin Peaks: The Return and Netflix's OA – is set to perform a night of disjointed, wistful and at times menacing folk-rock-pop with her new album Remind Me Tomorrow at the Odean on Sunday, June 9. [caption id="attachment_619495" align="alignnone" width="1920"] Dark Mofo's Winter Feast, shot by Rémi Chauvin.[/caption] And back again for another extravagant performance is Mike Parr with Towards a Black Square – a lengthy blindfolded performance in an undisclosed location, shown through live video feed – while over at DarkLab's deconsecrated church, controversial Australian artist Paul Yore will transform the space into a technicolour shrine for Dolly Parton, Justin Bieber and other icons of sex, love and the excessive with It's All Wrong But It's Alright. The full lineup is yet to be announced, but we're expecting all the regular winter feasts, nude swims and warehouse parties will return, too. We'll update you when it drops on Friday, April 12. Dark Mofo returns to Hobart from June 6 and 23. The full lineup will be announced Friday April 12. Pre-sale tickets are available from 6pm on Monday, April 15 with general tickets on sale from 11pm on Tuesday, April 16. For more information, visit the festival website.
Not once but twice now, a new sneak peek at The Flight Attendant's second season has hit and dropped some deliciously pointed dialogue along with it. Back in March, when the initial teaser for the show's next batch of episodes arrived, it had Kaley Cuoco's Cassie Bowden exclaiming "I'm still a flight attendant, and I've been making better choices." Now, in season two's just-released full trailer, she's told "you seem very put together." Of course, everything that surrounds those lines of dialogue in both sneak peeks so far immediately contradicts what's uttered — because The Flight Attendant wouldn't be the show it is if chaos wasn't on the itinerary. And this time around, the country-hopping thriller has a new way to dial up the twists. When Cassie escapes into her mind to reflect upon everything that life is throwing her way, which is a lot, she's confronted with multiple versions of herself. Four Cassies — and four Cuocos, too — are better than one, clearly. If you're wondering exactly how that'll play out, you don't have to wait long — with The Flight Attendant's second season arriving in Australia via Binge on Thursday, April 21, and in New Zealand thanks to Neon on Friday, April 22. Obviously, as anyone who quickly found themselves addicted to the extremely watchable series the first time, expecting Cassie to settle into a normal, average, uneventful and calm life is highly unrealistic. In season two, she has indeed moved on from the dramas we all watched back in 2020, though — and moved to Los Angeles, and also started attending Alcoholics Anonymous meetings. That said, Cassie has picked up a part-time job as well, which happens to see her moonlighting for the CIA. And, as this second trailer shows, that new gig comes with consequences. While Cassie is doing great things at both of her jobs — booze-free things, helpfully — it seems that someone else is trying to pass themselves off as her while she's working her side hustle overseas. Cue more globe-trotting intrigue, taking the show to both Berlin and Reykjavik. Cue more of Cassie's inner monologues as well, which is where those four different versions come in. Also new: cast members Mo McRae (Big Little Lies), Callie Hernandez (Under the Silver Lake), JJ Soria (Gentefied), Alanna Ubach (Euphoria), Cheryl Hines (Curb Your Enthusiasm), Jessie Ennis (Mythic Quest), Mae Martin (Feel Good), Margaret Cho (Awkwafina Is Nora from Queens), Santiago Cabrera (Ema), Sharon Stone (Ratched) and Shohreh Aghdashloo (The Expanse). They'll join Golden Globe- and Emmy-nominee Cuoco, obviously, plus returning co-stars Zosia Mamet (Girls), Griffin Matthews (Dear White People), Deniz Akdeniz (The High Note) and Rosie Perez (The Last Thing He Wanted). And if you're coming to this small-screen adaptation of Chris Bohjalian's 2018 novel of the same name with fresh eyes, the first season unravelled quite the tale — starting high in the sky, bouncing around the globe and delivering a hectic murder-mystery. Filled with sudden revelations and reversals, featuring multiple points of interest playing out across a split-screen setup, and also sporting cliffhangers to end every episode, the slick, swift-moving series knew exactly the kind of story it was telling and went for broke. Check out the full trailer for The Flight Attendant's second season below: The Flight Attendant's second season will be available to stream via Binge in Australia from Thursday, April 21 — and is headed to Neon in New Zealand on Friday, April 22. Read our full review of season one. Images: Jennifer Rose Clasen/HBO Max.
Those lucky enough to visit Uluru — to both get out to the remote location and to be granted generous permission to the sacred site by its traditional owners, the Anangu people — will attest to its magic and sheer magnificence. But for those who can't make it to the Red Centre, Google has made it possible to explore the area via the internet — today they've added a number of 360-degree images of trails from the surrounding Uluru-Kata Tjuta National Park to Google Street View. By now Google has mapped most major cities and landmarks around the world, but in the case of Uluru, they've taken a bit of a different approach. Over the past two years, the tech company has worked with the Anangu people to capture and map the park in accordance to Tjukurpa, a traditional deep respect for the land that guides their law, values and behaviour. This means that not everything in the park has been captured by the Google Trekker, and that the traditional owners feature heavily in the project — most notably through interactive audio-visual stories on Google's Story Spheres platform. These include narration by Sammy Wilson and music by elder Reggie Uluru, both of whom are traditional owners of the land. So what can you see? Well, you can catch a glimpse of Uluru on the horizon from the Talinguru Nyakunytjaku viewing area, 'walk' around the base of the landmark and do the Kuniya Walk, which will take you to waterhole Kapi Mutitjulu and let you get up close to ancient art at Kulpi Mutitjulu (the Family Cave). The content captured by Google is a rare chance to see the crevices and fine details of Uluru up-close and hear oral stories from the traditional owners of the land. You can explore Uluru through Google Street View here, and listen to the Anangu people's stories through Story Spheres here.
Adelaide has been getting a major dose of cool as of late. Though the small bar scene may be a Melbournian namesake, this SA sister city is in the midst of a rebirth and has all of the makings to become its own small bar mecca. If you're headed to Adelaide, you'll want to check out the East End, along with Peel and Leigh streets, which house many of the city's newer bars — many of which only opened in 2015. From underground speakeasies and sake bars to American style dives and even a bar fitted out to resemble a log cabin, Adelaide has it all and in partnership with the Hahn Brewers we're bringing you the best of it. MAYBE MAE The concealed entrance to this 1950s cocktail lounge is not easy to find, but Maybe Mae is well worth the extra effort. Hidden in a tunnel beneath the Bread and Bone Wood Grill, the timber wall has no signage or even a door handle — this spot is as speakeasy as it gets. The space, inspired by movie star and sex symbol Mae West, is marked by a glamorous, Hollywood interior of green leather booths and large brass mirrors. It only opened last year, but this throwback of a bar is already a favourite stop on a night out. 15 Peel Street, Adelaide. PINK MOON SALOON Pink Moon Saloon is possibly the coolest-looking bar in the city. Located in the site of a former service laneway, the space best resembles a log cabin set in between two tall city buildings. Opened in 2015, this newcomer is a perfect addition to Adelaide's blooming small bar scene. The vibe itself is worth the visit alone. The drinks menu is inventive and playful (you can still grab a beer) while the small food menu is well designed for drink-induced nibbling. 21 Leigh Street, Adelaide. BANK STREET SOCIAL For a busy local hotspot, the Bank Street Social is your go-to. Get your boogie on to DJs spinning funk and disco, or relax on one of their luxe, golden-clad booths. On the food side of things, the regional pizza bar is focused on fresh, local ingredients and keeps the post-dance hanger at bay. 48 Hindley Street, Adelaide. MR. GOODBAR The vibe at Mr. Goodbar is best understood by their shrine to Saint Amand — that is, the patron saint of bartenders. The joint is dedicated to good times and, in their own words, to "the best kinds of sin". The waistcoat-wearing staff serve up their drinks alongside a simple food menu includes a daily cheese and charcuterie selection ($16-18) and blue swimmer crab cakes ($16). Overall, the space has a emphasises the old-world chic to it and is well-deserving of its name. 12 Union Street, Adelaide. [caption id="attachment_589691" align="alignnone" width="1280"] @jenjen_fifinha via Instagram[/caption] BADDOG BAR Baddog is a grunge-lovers haven, with an interior combination of leather, concrete and steel that just works. The well-lit bar boasts an impressive selection of small batch, local and international liquor, but is a great spot to settle down with a beer. Their in-house piano is the centre for which their blues and roots live acts congregate and play most nights until late. 63 Hyde Street, Adelaide. BRKLYN Housed upstairs at 260 Rundle Street, BRKLYN pays homage to New York's most loved borough. The entrance to this hidden gem is styled to look like a NYC subway — complete with subway-style mosaic tiling — and one half of the bar has even been made to look like a Brooklyn street, with various shopfronts and even an in-house barber. To cap it all off, their menu pays homage to the Jewish-owned delis of NYC, serving up the classic Reuben pastrami on rye with house-made pickles and Old Bay popcorn. 260A Rundle Street, Adelaide. 55ML 55ml is an intimate hole-in-the-wall with a simple but top-notch booze list, board games and tacos — need we say more? It has all the makings of great night out and is an ideal location for getting stuck in. Patrons easily lose time in this dimly-lit small bar, where the relaxed vibe is matched with pickleback specials — and they're just a few reasons to check this place out. We suggest you settle in with a beer and some chorizo tacos, grab the Jenga and let the hours fly by. 55 Mill Street, Adelaide. THE QUEEN'S HEAD This gem is the oldest licensed venue in its original location in the whole of South Australia, it's been sitting pretty on the corner of Kermode Street and Abbott Lane for 175 years. Not only a sunny spot for an afternoon beer, the kitchen at Queen's Head has award-winning pizza, burgers, steaks and sides and each weeknight has its own food special. 2KW BAR When you want to go somewhere a little bigger (and a little fancier) than the above, which also has incredible views of Adelaide and is cool in summer and warm in winter, then head to 2KW Bar. Sit back in the privacy of perfectly manicured hedges and enjoy a drink and some fancy food (try the crayfish). GONDOLA GONDOLA Gondola Gondola is an Asian-inspired bar and bistro that serves up sake, Japanese whiskies and craft beer. The food menu is also varied, from Vietnamese lamb shank stew and banh xeo (savoury pancake) to some Thai-flavoured sashimi and lemongrass beef. Despite this variety, the space has an authentic vibe and is a must do on any boozy (or foodie) visit to Adelaide. 1 Peel Street, Adelaide. Sign up to Hahn Brewers and use your weekend to take a trip to Adelaide.
This week, the Gillard Government announced their long-awaited arts and cultural policy: Creative Australia. Fashioned as a sort of 21st-century sequel to Keating's groundbreaking Creative Nation, the $235 million policy is perhaps the most comprehensive and wide-ranging articulation of and investment in the arts ever seen in Australia. And thus far the policy has been met with the sort of response that the Gillard Government has grown increasingly unaccustomed to: overwhelming support. But what does Creative Australia actually have to offer? The 152-page policy takes real steps to reflect the artistic diversity of Australia through major investments in Aboriginal art and international artistic partnerships, particularly in Asia. It also demonstrates the government's desire to support the cultural industry as exactly that: an industry. By putting money in the pockets of artists and cultural institutions, the government is hoping to create jobs and expand an industry that currently employs over 531,000 people and has produced an estimated $93.2 billion in profits. Having ploughed through pages of the usual PR guff, it has been a pleasant surprise to find that Creative Australia actually has the potential to radically expand and reform Australia's cultural industry. As the policy states, "culture is not created by government but enabled by it", and while this statement has a distinctly hollow political ring to it, it is a surprisingly accurate way of describing how these four features of Creative Australia could revamp our artistic landscape. A GREATER FOCUS ON ASIA A couple of generations ago, depending on who you speak to, Australians began celebrating and/or bemoaning the invasion of American culture into our own artistic landscape. These days, Asia is the new kid on the block, and the Australian government are hoping to capitalise on Asia’s growing cultural dominance through the creation and strengthening of various formal and informal artistic partnerships with the region. In the world of cinema, this means more co-production agreements between Australian and Asian filmmakers. Such partnerships with Singapore have already produced the Jaws-esque horror blockbuster Bait 3D (which reached number one at the box office in China) and the forthcoming TV project Serangoon Road, which is set to air on the ABC and Home Box Office Asia later this year. In the world of visual art, this means the introduction of new legislation protecting overseas loans, such that more Japanese and Chinese art will be popping up in your local gallery in exchange for Australian artworks gaining greater exposure in Asian galleries. SUPPORTING THE DIGITAL REVOLUTION Australia's most neglected (yet highest grossing) digital artform is finally getting the sort of government attention it most richly deserves: video games. The newly formed Australian Interactive Games Fund is set to receive $20 million over the next three years in an effort to support Australia's independent games studios in the creation of digital content. Digital media has likewise radicalised the way we consume music, films and television and the Creative Australia policy reflects this converging cultural market. The Federal Government has outlined a variety of policy initiatives including the creation of an online production fund, a $10 million investment to support the production of screen and television suitable for digital platforms, a $5.4 million investment into Australian music and radio and a comprehensive review of Australia's copyright laws to determine whether they appropriately reflect Australia's digital media landscape. INCREASED FUNDING FOR SIX PERFORMING ARTS COMPANIES A central component of the Creative Australia policy has been to support artistic institutions that tell distinctly Australian stories. While once upon a time, the term 'Australian stories' was synonymous with ocker comedies and gross stereotypes of the Crocodile Dundee and Barry McKenzie variety, the term has now come to represent a multiplicity of experiences that have a uniquely Australian character. The Federal Government have invested $9.3 million in six performing arts companies who by their estimations have developed a reputation for telling meaningful Australian stories, whether this be through original productions or contemporary reinterpretations of classics. The six companies are Bangarra Dance Theatre (NSW), Belvoir (Company B) (NSW), Black Swan State Theatre Company (WA), Malthouse Theatre (Vic), Circus Oz (Vic) and West Australian Ballet (WA). This funding has the potential to transform these often small, boutique performing arts companies into world-beating artistic hubs. FURTHER JOB CREATION IN THE ARTS Creating jobs in the cultural industry takes one primary form in the Creative Australia policy: nurturing and capturing talent through investment in educational institutes. This investment isn't just for elite training organisations, though the government is pumping an extra $20.8 million into these institutions, but also for younger budding artists and performers. Particularly notable is the investment of $8.1 million into the Creative Young Stars Program, encouraging artists from primary school age to those in their early twenties to roll up their sleeves and get stuck into the arts. The Gillard government have also recognised the increasing difficultly faced by artists and performers in transitioning from tertiary education into the workforce. This is seen in the $9.7 million investment into ArtStart, which focuses on making artists more business-savvy in the dog-eat-dog world of art and the $3.4 million given to the ArtsReady program to support school and university graduates transform their love of art, music, dance, performance or drama into a fulltime profession.
It's the kind of coastal getaway everyone dreams of: ocean views as far as the eye can see, decadent suites climbing 48 storeys into the sky, and five on-site restaurants manned by world-class chefs. Throw in an Asian street-style food market, a rooftop open-air cinema, more than a couple of bars and even karaoke, and it's shaping up to become Australia's new must-visit place to stay. Meet the Gold Coast's next drawcard, and Australia's first six-star beachfront hotel. The as-yet-unnamed site is slated to join the Queensland tourist spot's abundance of accommodation options, with Aquis Australia lodging a development application with the local council for the $440 million project. If approved, construction is slated to start in 2018. Taking over the space at 3464 to 3466 Main Beach Parade, Surfers Paradise, and designed by architects Woods Bagot, the new hotel will also include 580 rooms, an atrium lobby spread over three levels, and a $2.5 million custom art installation. And, if swimming somewhere other than the adjacent seaside takes your fancy, it'll boast a glass bottom pool that can be viewed from within the hotel. Plus, it's the only new, large-scale south-east Queensland hotel that isn't linked to an integrated resort or casino. And yes, we know what you're wondering — just what makes a six-star hotel so special? It's a fair question, particularly given that anything above five isn't officially recognised; however the key is the level of indulgence on offer. "Our goal was to create a hotel that would become a destination in itself, something that is instantly recognisable and synonymous with luxury," says Aquis Australia chairman Tony Fung. "We will be targeting travellers that want to experience the best restaurants, the best beaches, the best accommodation away from the hustle and bustle".
It's the film that had to happen, honestly. Tommy Wiseau and Greg Sestero couldn't just give the world the so-bad-it's-amazing gift that is The Room and leave it at that — even if their disasterpiece became the basis for Sestero's ace behind-the-scenes book The Disaster Artist, and then the oh-so spot-on movie adaptation of the same name. No, this cinematic odd couple just had to make a second flick. Really, they had to. All those spoons thrown at cinema screens, all those screams of "you're tearing me apaaaaart!", all those "oh hi, doggy" comments: as The Room became a cult phenomenon over the past 15 years, we've all been praying to the deity that is Wiseau's long, greasy locks, and hoping that the world's most unlikely film star and his best friend would make another movie. Well, they have, and it's called Best F(r)iends. It was written by Sestero but directed by someone other than Wiseau, so it might all make some kind of sense this time. Apparently inspired by a road trip the duo took just after they'd made The Room, it's actually the first volume of a two-part flick, starring Sestero as a drifter and Wiseau as a mortician. We know — the latter couldn't sound like better casting. Maybe he's a vampire, too? Either way, the pair hatch a scheme that comes undone due to greed and jealousy, sparking a road trip as well as an exploration of friendship and loyalty. Switch out a few details, and it sounds a little like our favourite best worst film. If you're so filled with excitement that you feel like storming onto a rooftop and throwing a bottle, don't stress — Best F(r)iends is coming to Brisbane, screening at Dendy Coorparoo at 6.30pm and 9pm on Friday, June 29. Even better, Sestero will be in attendance to answer all of your questions after both screenings. Just don't ask him how his sex life is, obviously. https://www.youtube.com/watch?v=OTu9N40E_MI
Virtual reality — everybody's doing it, and hoping that everyone else will follow in their footsteps. To be precise, the majority of companies in the technology and entertainment fields are trying it out to see what sticks, and endeavouring to discover which interactive, immersive worlds consumers are keen to play in. Add IMAX to the list of organisations moving into the VR space via a number of new initiatives designed to take your screen viewing to another dimension. Not content with their existing giant, high-resolution efforts, earlier in 2016 they announced that they're setting up virtual reality centres around the world, and partnering with Google to develop cinema-grade VR cameras. Now, they're financing at least 25 new interactive virtual reality content experiences. For viewers, that not only means that you'll soon be able to head to a series of physical spaces dedicated to showing VR short films, but you'll also be able to see, feel, move and venture into more high-quality virtual reality offerings. The first IMAX virtual reality centres are due to launch in Los Angeles and Manchester by the end of the year, complete with pod-like viewing stations, with more planned in China, Japan, the Middle East, and Western Europe. As for the stuff you'll be feasting your eyes and ears upon, it'll focus on event-style productions made in conjunction with film studios, filmmakers and game publishers, will be developed over the next three years, and will be made available at IMAX as well as other VR platforms. Like every other development in the virtual reality realm, such as concerts, venue tours, department stores, video calls and travel fly-overs, it's really a "watch this space" kind of deal as IMAX works out what works best, and audiences figure out what they actually want to do with the technology. If the first ventures are successful, they plan to roll out the concept globally, including at cinemas, shopping centres and tourist destinations. Fingers crossed that their Australian venues — including their rebuilt Sydney site, which is expected to open 2019 — are included. Via IMAX.
UPDATE, July 16, 2021: Blade Runner 2049 is available to stream via Netflix, Amazon Prime Video, Binge, Google Play, YouTube Movies and iTunes. Do sci-fi fans dream of immersive future worlds, neon visuals scored by dark synth notes, and existential musings on what it means to be human? Yes, and they dream of Blade Runner 2049. The sequel to Ridley Scott's influential 1982 film comes to cinemas with a task that's harder than spotting a replicant — or, more accurately, a task that's quite comparable. Directed by Arrival's Denis Villeneuve, and written by the original's Hampton Fancher with Logan's Michael Green, can this follow-up deliver the real deal, or just a convincing copy? The answer, in fitting Blade Runner style, isn't as simple as that. Audiences won't spend decades arguing about it; rather, they'll lap up a movie that's every bit as spectacular as its predecessor, largely because it's built from similar pieces. Taking its cues from the other Harrison Ford behemoth that recently received a long-awaited next instalment — aka Star Wars — Blade Runner 2049 finds the right balance between venturing forward and nodding to the past. With a noir-ish, detective-focused narrative, and plenty of time spent pondering the difference between artificial and flesh-and-blood life, the film proves both a bold second chapter and a loving pseudo-remake. Set 30 years after the events of the first feature, Blade Runner 2049 follows Los Angeles cop K (Ryan Gosling), a blade runner charged with finding and "retiring" old androids. In the intervening period, replicants have fallen out of favour, then come to the fore again in newer, more compliant models, and ultimately found something of an equilibrium with humanity, with tech tycoon Niander Wallace (an ill-placed Jared Leto) leading the charge. Alas, K's latest case threatens the fragile harmony between man and machine, while also leading him to someone who once had his job: an older but far-from-friendlier Rick Deckard (Harrison Ford). That description might seem sparse on details, but the 164-minute film itself is anything but. In soaring overhead shots of crumbling urban sprawl, grey-hued storage facilities, and orange-tinted landscapes, cinematographer Roger Deakins (Skyfall) serves up a masterclass in making every image look like it belongs in an art gallery. In each thrum and drone of the score from Benjamin Wallfisch (It) and Hans Zimmer (Dunkirk), moodiness and mystery intertwine with a rollercoaster of emotion. And, in Gosling's stoic turn at the centre of it all, a look over the top of an upturned collar, and a pause during a slow walk, say much more than the dialogue. Playing a hologram that embodies the next technologically assisted step in the quest for connection, Ana de Armas (War Dogs) proves similarly effective. For a film that overwhelms with its extraordinary sights and echoing sounds, Blade Runner 2049 revels in the little things, and in the potent cumulative toll that they can have. Accordingly, it paints a broad, bleak picture of the past dictating the future that's vivid and convincing because it takes the time to soak in the minutiae — be it the glow of a busy street, the texture of a dead tree or the sorrow in a grizzled face. Again, it's apt — as adapted from Philip K. Dick's Do Androids Dream of Electric Sheep?, the franchise's dystopian vision started with Deckard checking for incriminating glimmers in replicants' eyes, with a tiny flash telling a much bigger tale. Villeneuve achieves the cinematic equivalent, making each moment resound with meaning while honouring the legacy of the original. Oh, and if you thought that every sci-fi flick over the past 35 years took its cues from Blade Runner — and they did — prepare for three further decades of new movies doing the same with Blade Runner 2049. https://www.youtube.com/watch?v=GGa3M0hfTCo
Finally having international travel back on the radar is one thing, but actually deciding where in the world to jet off to on these first long-awaited post-pandemic adventures? Well, that's been the tough bit. You want somewhere that scratches all those travel itches at once — from kicking back poolside with cocktails and devouring all the foods to exploring natural landscapes and wandering unknown cities. Luckily, we've found the perfect itinerary for all that and more: a road trip through the heart of Southern California, soaking up the best of Los Angeles, Greater Palm Springs and San Diego along the way. The ideal place to dip your toe back into travelling, this destination promises to tick off all those long-held holiday cravings in one neatly wrapped vacay. What's more, with carriers like United Airlines having dramatically increased their regular routes between Australia's east coast and the States, it's now easier than ever to get your travel-starved self over to the USA. Put in your leave request and start dreaming because this one's the full package. LOS ANGELES As a city, LA has big all-rounder energy, with just as much to tempt culture vultures as it does gourmands — and everyone in between, too. So you might as well do it all, right? To kick off your stay with fresh eyes and an illuminating history lesson, take a guided spin through the city with Architecture Tours LA. You'll hit a bunch of iconic architectural spots as you zip around Hollywood, taking a fascinating deep-dive into both its aesthetic and its history. Trust us when we say it'll colour everything else you see on your travels. If your attention's further piqued by the city's movie-making past, there are countless ways to get your kicks, but a trip through the Academy Museum of Motion Pictures is a must. Here, you're in for an immersive exploration of LA film culture, guided by a collection of outstanding installations and exhibitions. A culture fix of a different kind lies high up at the famed Getty Center, where you could easily lose a whole weekend meandering through art-filled galleries, roaming the grounds and soaking up unmatched vistas across LA and beyond. Acquaint yourself with more primo views kicking back atop one of LA's countless rooftop bars. A newer addition to the scene is Grandmaster Recorders, brainchild of Icebergs alums Monty and Jaci Kulodrovic. They've transformed a historic recording studio into a wining, dining and partying playground; complete with a contemporary Italo-Aussie restaurant that's making waves, and a rooftop bar pairing standout cocktails with views of the Hollywood sign. Fancy a closer look? You can work off your gastronomic indulgences with a hike up to the famed letters with tour crew Bikes & Hikes LA. It runs both a 90-minute and three-hour experience, promising breathtaking views, top-notch photo opps and the chance to scope out some iconic filming locations. As for resting your head after your jam-packed LA days, you'll find a winner in the Thompson Hollywood. A downright dreamy aesthetic flush with foliage and gold-hued accents graces the lounge and lobby downstairs, while onsite cocktail haunt Bar Lis is a Hollywood party destination in its own right. [caption id="attachment_901177" align="alignnone" width="1920"] Visit Greater Palm Springs[/caption] GREATER PALM SPRINGS Once you've had your fill of bright lights and urban energy, it's time to hit the road and venture a couple hours east to soak up the majestic, windmill-dotted landscape of Greater Palm Springs. To kick things off with a healthy dose of relaxation and a nature fix, get yourself to Desert Hot Springs, where the idyllic Two Bunch Palms resort will help de-stress body and mind — against a serene, leafy backdrop, no less. The property's scattered with mineral pools fed by waters from a 600-year-old natural spring, while the onsite spa serves a menu of healing treatments ranging from chakra-balancing massages to detoxifying adaptogen wraps. Book a night or two in one of the modern cabins to really lean into the experience. More breathtaking nature awaits you on the cruise up San Jacinto Peak, aboard the world's largest rotating aerial tramway. Offering eye-popping panoramas as you climb, the Palm Springs Aerial Tramway is your go-to for lofty thrills and a truly unique perspective. [caption id="attachment_901178" align="alignnone" width="1920"] The Kimpton, Visit Greater Palm Springs[/caption] The buzz and colour of downtown Palm Springs proves equally infectious as you explore the sophisticated homewares stores and lively streetside dining spaces. For vibrant Southern Cali fare and guaranteed pup cuddles, make a date with Boozehounds — a sprawling indoor-outdoor venue that's filled with foliage, does a mean margarita and is about as dog-friendly as they come. Time your visit right and you can feast all your senses simultaneously at one of PS Underground's riotous themed dining experiences, which dish up live tunes, considered eats and a whole lotta fun. You might find yourself singing along through an Elvis-inspired dinner party, or perhaps feeling the love at a time-tripping Woodstock-themed gala. For a luxe sleepover — or simply just a few poolside cocktails matched with views from the highest point in town — head to the Kimpton Rowan Hotel. It's a plush, modern stay right in the heart of the action, boasting a collection of top-notch wining and dining offerings, including a stellar rooftop pool deck and bar. [caption id="attachment_901187" align="alignnone" width="1920"] San Diego Tourism Authority[/caption] SAN DIEGO Another two-hour road-trip south delivers you right into the beer-loving urban heart and soul of San Diego. The buzzing bayside city is a multifaceted one that's generous in a vast array of offerings — from the culinary to the cultural and plenty in between. Catch the city's coastal charms on full display with a session on the water with the San Diego Sailing Tours crew. With the wind whipping your hair, sun on your face and a bay full of gliding boats as your backdrop, you'll score an unmatched perspective of your holiday base. Then, you'll want to set aside at least a day to immerse yourself in the abundant offerings of famed cultural precinct Balboa Park. From the Institute of Contemporary Art and the Museum of Us, to the San Diego Natural History Museum and Fleet Science Center, the 1200-acre site is a treasure trove of cultural goodness. [caption id="attachment_901184" align="alignnone" width="1920"] Joanne DiBona for San Diego Tourism Authority[/caption] If you don't mind a queue, one spot to put on your breakfast radar is Morning Glory — a bold, high-energy eatery in the Little Italy district that takes no bookings but totally excels at creatively-charged brunch fare. Pancakes are a specialty here, including a supremely fluffy souffle version, while savoury fiends can look forward to the likes of a lobster omelette and the calzone-like khachapuri. Another culinary highlight sits 12 storeys up at Mr A's Restaurant — a fine-dining institution set atop the Manchester Building, where modern European flavours are heroed against sweeping views of the glittering city skyline. It's quite the show-stopper. [caption id="attachment_901188" align="alignnone" width="1920"] Kimberly Motos for San Diego Tourism Authority[/caption] If you're a sucker for absolute ocean frontage, well-crafted drinks and food with some serious flair, make the trip up to La Jolla to be swept up in the elegant charms of The Marine Room. Perched right on the water, this iconic venue's restaurant is a must for special occasions — though watching the waves crash in from a front-row seat in the Lounge, enjoying small plates and memorable cocktails, makes for a pretty magical evening, too. And of course, if you've got a penchant for craft beer, consider this city your paradise, with a beer bar or brewery located on just about every corner of Downtown. From international names like Stone and Ballast, to smaller homegrown champions such as Pizza Port and Societe, there's enough here to keep even the fussiest beer fiend supremely satisfied. To base yourself in the heart of the action, try the chic home-away-from-home that is The Pendry San Diego — a Downtown gem with an aesthetic that deftly fuses modern luxury and old-world elegance. It also boasts a whole sparkling collection of hospitality venues located right onsite. Top image: Visit Greater Palm Springs Concrete Playground traveled as a guest of United Airlines, LA Tourism and Convention Board, Visit Greater Palm Springs and San Diego Tourism Authority.
Where would we be without Aussie hospo legends? They're there when we need midday croissants, midweek pub feeds and celebratory midnight margaritas. They help us get through the bad weeks — and the good ones. Not to mention they've had it pretty rough over the past year and a bit — which made us realise how integral they are in our day-to-day lives. So, now it's our turn to give a little back. To help you say thanks to all the hospo legends in your life and, more broadly, the industry, we've teamed up with Australian Cocktail Month. The inaugural event came about as a way to support the country's mighty fine bars, so we've come up with six easy-as ways for you to give back to the industry — especially if you're a bit of a bar fly. [caption id="attachment_785137" align="alignnone" width="1920"] Cassandra Hannagan[/caption] HAVE A PUB MEAL WITH YOUR PINT If you usually stop by your local on your way home for a drink with mates, you're already doing a bit to help out. But rather than just ordering a cold one and then hightailing it out of there, why not order yourself a hearty pub feed, too? Not only will it help out the kitchen staff, but also the ones behind the bar as, let's face it, you'll probably order another round (or few). These days, pub meals go beyond your usual steak and chips offering (not that we don't love that, too). Next time you're keen for a drink and a feed, track down the likes of southern US-style snacks, woodfired pizzas and top-notch Asian nosh at one of your locals if you're not in the mood for pub classics. Plus, many venues have weekly events like live music, trivia and boozy bingo to keep you entertained. SAY CHEERS AT A COCKTAIL FESTIVAL Say a huge cheers to bars and the people behind them by grabbing a ticket to the inaugural Australian Cocktail Month. Running over the month of May, the event is popping up in 72 bars across Adelaide, Brisbane, Melbourne and Sydney. Head to any of the participating venues for specialty cocktails — and support the bar industry as you sip to your heart's content. All cocktails will cost a cheeky $14, or $10 for non-alcoholic concoctions. All you have to do is get your hands on a ticket here, then join in the month-long celebration. GET YOURSELF SOME FUN MERCH One easy way to say cheers to the hospo places you love and frequent (almost too) regularly is to pick up some merch. Yep, wear your love for your local literally on your sleeve. For years, many pubs, breweries, bars, cafes and sandwich shops across the country have been selling branded tees, jumpers, hats and totes for you to sport and represent them on the streets. And, in the wake of COVID-19, even more jumped on the bandwagon — so now you're spoiled for sartorial choice. Sydney places like Yulli's Brews, Paramount Coffee Project and Tio's all sell some slick wares. Melbourne venues such as Proud Mary Coffee and Piccolina have good merch, as does Smith and Daughters' online merch store, which boasts branded earrings, cursive pins and denim dog jackets. In Brisbane, breweries like Newstead Brewing Co, Green Beacon and Felons all sell great branded tees and totes, too. GIVE BACK WITH COLD, HARD CASH You know those dingy glass jars on the countertops of your favourite watering holes and diners? Well, they're not there just for show, so next time you order yourself an iced mocha latte (or something stronger) throw in any loose change you've got. Not much of a cash-carrier? That shouldn't stop you adding a couple of extra bucks to your bill after you've had a fabulous time wining and dining yourself silly. Or, level things up by donating to a hospo relief fund, such as Tip Jar. Another Aussie charity doing a lot of good is OzHarvest. As well as reducing our country's food waste, the charity runs a hospo-focused program, offering industry employment and engagement pathways for at-risk youths. [caption id="attachment_733302" align="alignnone" width="1920"] Kitti Gould[/caption] BUY LOCAL Instead of getting all your supplies from the major supermarkets, buy local. This way you'll back the independent places that serve the community through quality lattes, loaves of sourdough, bottles of wine and gourmet goodies. As hospitality venues were shut and, later, operating at smaller capacities, providores, suppliers and makers of small-batch products also did it tough last year. So, next time you're thirsty, head to a boutique bottle-o. When you're after some cheese, head to a delicious dairy wholesaler in your area. You get the idea. And, after adapting to the trying times of COVID-19, many cafes, bakeries and restaurants are still selling staple goods, which, let's be honest, provide a much nicer shopping experience than a supermarket. [caption id="attachment_760761" align="alignnone" width="1920"] Julia Sansone[/caption] TURN UP TO YOUR TABLE Australia's food and drink industry is still recovering. So, now we can eat, drink and be merry in venues once again, we should catch up with mates, celebrate a promotion and grab a coffee with colleagues when we can. We're not saying burn a hole in your pocket, but if you love trying new places or hitting up your favourite haunt, then celebrate the fact that you can do these things. Word of advice: don't be a no-show. Yes, turning up to a booking is a pretty simple thing to do. But if you don't? Well, not only does someone else miss out on eating and drinking all the tasty things, but also the venue loses money and staff may get their shifts cut short. If you can't make it for whatever reason, simply call ahead so your table doesn't go empty. Australian Cocktail Month is taking over top bars across the Australia from May 1–31. To buy your ticket, and for the full list of participating bars, head here. Top image: Bar Margaux, Kate Shanasy
From clowns to furry critters to dolls, 80s and 90s pop culture drew plenty of scares from childhood staples. Decades later, Hollywood is conjuring up plenty more by bringing it all back again. With the IT remake not only working a charm back in 2017, but releasing a star-studded sequel later this year, the folks behind it are reviving another old favourite: Child's Play. While the horror franchise released its last instalment, Cult of Chucky, as recently as 2017, the new Child's Play is starting all over again. Remaking the original 1989 movie, it'll re-introduce the world to the psychopathic flame-haired plaything with a lust for murder. This time, the toy will terrorise Aubrey Plaza, who plays a young mother to a son who comes into possession of the knife-wielding doll. And Chucky will be voiced by none other than Mark Hamill, who's swapping lightsabers for killer dolls. Whether you've seen any of the seven other Chucky flicks or are too creeped out by the idea to watch, you can probably guess where the story goes. This time, however, the murderous plastic moppet has been updated for today's surveillance- and technology-heavy times. Indeed, there are more than a few recognisable internet-enabled gadgets in the film's new trailer — the second sneak peek, after releasing a first glimpse earlier this year. If you're particularly excited about the character's comeback, then you'll be just as excited to know that even more is in store, with a Child's Play TV series also in the works. Check out the unsettling latest trailer for the new Child's Play movie below: https://www.youtube.com/watch?v=PeHNLikDiVw Child's Play releases in Australian cinemas on June 20, 2019.
UPDATE, Wednesday, May 15, 2024: After two new Olivia Rodrigo shows for October were added at midday today, another two have been announced at 4pm. This article has been updated to reflect all four new gigs — two each in Sydney and Melbourne. Great news if you're a fan of Olivia Rodrigo and the first four tour dates announced for her first-ever Down Under visit didn't suit: four more shows have just been added to the singer and former Disney talent's Australian itinerary. She's still only playing Sydney and Melbourne, adding a third and fourth gig in both cities — and doing so before punters can even buy general tickets, which starts on Thursday, May 16. Big-name acts have a habit of doing this; see also: Taylor Swift, blink-182, Lizzo and The Weeknd, for some recent examples. So, it shouldn't come as a surprise — but it will give you more chances to head along to Rodrigo's huge GUTS world tour Rodrigo has a date with Australia in October, and will now take to the stage at Melbourne's Rod Laver Arena from Wednesday, October 9–Thursday, October 10, and also from Sunday, October 13–Monday, October 14. In Sydney, you can catch her at Qudos Bank Arena dates from Thursday, October 17–Friday, October 18, and also from Monday, October 21–Tuesday, October 22. When we say that this tour is big, we mean it. With the Aussie dates alongside gigs in Bangkok, Thailand, Seoul, Hong Kong, Tokyo and Singapore, the tour spans more than 80 concerts around the globe. Fans Down Under who aren't in Sydney and Melbourne, however, you'll be needing to travel. In support of her second studio album that's also called GUTS, this marks three-time Grammy-winner Rodrigo's first arena tour. The 'Drivers License', 'Good 4 U' and 'Vampire' singer will have her debut album SOUR to work through as well. The GUTS tour started in Palm Springs in February, saw Rodrigo do four shows at Madison Square Garden in April, and is currently making its way around the UK before heading to Europe, back to the US, then to Asia and Australia. Olivia Rodrigo GUTS World Tour 2024 Australian Dates: Wednesday, October 9–Thursday, October 10 + Sunday, October 13–Monday, October 14 — Rod Laver Arena, Melbourne Thursday, October 17–Friday, October 18 + Monday, October 21–Tuesday, October 22 – Qudos Bank Arena, Sydney Olivia Rodrigo is touring Australia in October 2024. Ticket presales start at 1pm on Wednesday, May 15, and general sales at 1pm on Thursday, May 16 — head to the tour website for further details. Images: Chris Polk, Polk Imaging.
When the Venice International Film Festival anoints the winner of its annual competition each year, movie lovers everywhere get a new entry on their must-see lists. It's the same with Cannes and Berlin as well — and in 2023, the Italian festival gave its Golden Lion to Poor Things. Can't wait to see Emma Stone with Greek Weird Wave director Yorgos Lanthimos after 2018's excellent The Favourite in this spin on Frankenstein? If you're in Brisbane, you can catch it soon thanks to the Brisbane International Film Festival. Fresh from announcing its first six titles for its upcoming fest, BIFF has now revealed that Poor Things is on the lineup as well. Mark Thursday, October 26–Sunday, November 5 in your diary, because that's when you'll be hitting up various Reading, Dendy and Five Star cinemas around Brisbane for this year's BIFF fix. Mark Wednesday, September 20 on your calendar as well, because that's when the rest of the bill will drop, too. As not one but two trailers so far have made plain, Poor Things looks like another unique movie from the director of The Lobster and the star of Cruella, after Stone earned an Oscar nomination (deservedly so) for Lanthimos' The Favourite. This time, the pair has traded regal dramas for a riff on Mary Shelley's Frankenstein — which will never stop being a gothic-horror masterpiece, or inspiring stories across the page, stage and screen. While Poor Things doesn't actually use that f-word, it looks mesmerising, eerie and stunning in its sneak peeks. Also, Stone is clearly playing a version of Frankenstein's monster. Poor Things adapts Alasdair Grey's 1992 award-winning novel, but the parallels with Shelley's mother-of-all horror greats are as obvious as a bolt of lightning. The focus: Bella Baxter, a woman resurrected by an unorthodox scientist, distinctive in her mannerisms afterwards and eager to learn about a world that isn't quite sure how to react. Continuing the movie's top-notch casting — and Lanthimos' in general, as seen in everything from Dogtooth and Alps to The Killing of a Sacred Deer as well — Poor Things features Willem Dafoe (The Northman) as the tinkering Dr Godwin Baxter; Mark Ruffalo (She-Hulk: Attorney at Law) as Duncan Wedderburn, a slick lawyer that Bella runs off with; and also Ramy's Ramy Youssef, plus On the Count of Three co-stars Jerrod Carmichael and Christopher Abbott. Also on BIFF's 2023 lineup: this year's Cannes Film Festival's Palme d'Or winner Anatomy of a Fall, a drama about an author (Sandra Hüller, Toni Erdmann) accused of her husband's murder from French director Justine Triet (Sibyl) — and opening-night pick Uproar, with the New Zealand feature coming to Brisbane fresh from premiering at the Toronto International Film Festival. Or, film fans can see Hirokazu Kore-eda's Monster, the prolific helmer's latest on a lengthy resume that also includes Shoplifters and Broker; body-horror film Tiger Stripes, which is set in the Malaysian jungle and won the 2023 Cannes Critics' Week Grand Prize; the talk show-set horror Late Night with the Devil ; and The Ending Goes Forever: The Screamfeeder Story, focusing on of Brisbane's 90s indie-music favourites. Check out the full trailer for Poor Things below: The 2023 Brisbane International Film Festival runs between Thursday, October 26–Sunday, November 5 at selected Dendy, Reading and Five Star cinemas around Brisbane. For further information, or to buy tickets, head to the festival website — and check back here on Wednesday, September 20 for the full program. Images: Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.
Here's one way to warm up your winter: heading to Northshore Hamilton for wild nights filled with everything from cabaret, burlesque, circus and music to magic and a Shinjuku-inspired bar. From Wednesday, July 27, that's on the bill thanks to a new entertainment precinct pop-up called Twilight Electric. Yes, heading by when the sun is setting is highly recommended. This luminous limited-time venue will boast two big drawcards: Blanc de Blanc Encore, which has proven a Brisbane Festival favourite in the past; and a Brisbane season for Maho Magic Bar. And if you're wondering why, it's all happening in the lead up to this year's Bris Fest — which'll unfurl its jam-packed 2022 lineup, moon-focused events and all, in September. With the return of Blanc de Blanc Encore comes the return of the Spiegeltent, which'll be filled with the kind of party that'd make Jay Gatsby envious. Think: glamour, hedonism, opulence, an OTT vibe and extravagance aplenty, all thanks to Strut & Fret, who've also brought Feasting on Flesh, A Company of Strangers, Cantina, Dream Menagerie, LIMBO, Blanc de Blanc and Limbo Unhinged our way in the past. Blanc de Blanc Encore combines tunes, big dance numbers, acrobatics and other circus tricks, risqué humour and a vintage French aesthetic — so, there's a little something for everyone. The vibe is pure cheekiness, so if you're a little sensitive, this mightn't be for you. As for Maho Magic Bar, it's a bar, a performance space and a show all in one — all thanks to Broad Encounters, aka the folks behind that eerie Edgar Allen Poe-inspired warehouse experience A Midnight Visit that creeped out Brisbane in 2021. Here, neon lighting sets the mood, cherry blossoms hover above, and sake cocktails and shōchū lead the drinks menu. Also, magic shows happen at your table. An immersive event from the moment that you approach its glowing exterior, it's designed to replicate a night out in Shinjuku in Tokyo, and conjure up an 'anything can happen' feeling. The ace thing about the setup: whether you adore magic or don't think it's your thing, you'll still be entertained given the atmosphere (and the drinks and those lights) are a massive part of the allure. Still, magic is nonetheless a big part of it. Busting out illusions: Osaka's Shohgo Yamashita, the gender stereotype-busting Kaori Kitazawa and close-up magician Sarito.
