After bringing hobbits, dwarves and walking trees to life in The Lord of the Rings and Hobbit films, New Zealand's Weta Workshop has their sights set on something smaller for their next project: bugs. Forget sending creepy crawlies scurrying across cinema screens, however. A creative collaboration between the five-time Academy Award-winning special effects wizards and the Museum of New Zealand Te Papa Tongarewa in Wellington, Bug Lab: Little Bugs, Super Powers will be scampering through the Melbourne Museum. With its Australian premiere season due to infest the Nicholson Street institution between 23 June and 15 October, the immersive exhibition gives little critters a big stage — and a boost in size as well. Visitors can get up close and personal via ultra-detailed large-scale models that look like a cross between colourful bug art and everyone's giant bug nightmares, with six particular specimens in the spotlight: the orchid mantis, bombardier beetle, jewel wasp, dragonfly, Japanese honeybees and katipō, aka New Zealand's most dangerous native spider. If you're easily spooked by insects, you might want to stop reading. Or, perhaps going along and getting a bug's-eye view of the world will help? Physical and digital adaptive stations will allow attendees to explore bugs' abilities in detail, test their own against them, and probably inspire a few folks to pretend to be Spider-Man. Elsewhere, bug chambers will showcase their adaptive skills, delving into camouflage, mind control, super speed, swarm intelligence and deadly venom. A section dedicated to the ways in which the creatures in question are influencing new technologies — think fly-like collision-tolerant drones, nanotechnology based on butterfly wings and 3D printed objects created from silk — will also be included, in what promises to be much, much more interesting than any bug-related science lessons you took at school. And if you just can't get enough, the attached IMAX theatre will be screening Bugs: Mighty Micro Monsters 3D during the exhibition's run. Bug Lab: Little Bugs, Super Powers comes to the Melbourne Museum from 23 June and 15 October, 2017. For more information or to buy tickets, head to their website.
Just like toilet paper, pasta and cans of tuna, tampons and pads in the time of COVID-19 are becoming increasingly hard to find on supermarket shelves. Which is a less-than-ideal situation to be in when that time of the month rolls around. And, sure, you may have heard about period-proof undies — and maybe even thought about making the switch for sustainability and economical reasons — but have you actually used them? No? Well, perhaps now is the time to give them a go. Since starting back in 2013, Australian label Modibodi has been shipping its colourful, comfy and functional undies to folk around the globe, with the aim of empowering them with a more eco-friendly option to tampons and pads — and, in the long run, it's lighter on the wallet. Plus, if you're self-isolating or trying to cut down your visits to the shop at the moment — kudos to you — then undies, which you can order online and delivered straight to your door, might be the way to go. Modibodi's undies use fabrics such as bamboo, merino wool and microfibres and have built-in absorbent, breathable (and stain- and odour-resistant) liners. After two years of testing, trialling and fine-tuning the designs with textile engineers and companies in Australia and the US, Modibodi became one of the world's go-to period-proof undies. The liners are about three-millimetres thick and can absorb anywhere between five and 20 millilitres (about four tampons' worth). So, while you're stuck at home, you can parade around in a pair of underwear — and not worry about any discomfort or leaks when wearing them. As these undies are designed to be thrown in your washing machine to be worn again and again, they're a far more sustainable solution than single-use items such as tampons, pads and liners, too. So, not only are they good for you, they're good for the planet. It doesn't hurt that it works out cheaper in the long run, too. They're designed for people of all ages, shapes and sizes, too, with more than ten different styles — from a classic brief cut to bikini, seamless, boyleg, boy short, high-waisted, maternity, swim, activewear and even vegan ones — in a range of colours. Plus, there are four different absorbency levels available: superlight, light-moderate, moderate-heavy and heavy-overnight. There are designs for pee, sweat and pregnancy, too. Prices start from $23.50 and there are packs of five, seven and ten, too, which will save you some pennies if you're looking to buy more than a couple of pairs. Modibodi is currently offering contactless delivery across Australia and New Zealand, with free shipping on orders over $100 AUD and NZD. If this is your first time buying them, you can score ten percent off when you sign up here. For more information on period-proof undies — and to buy yourself a pair (or few) — head to Modibodi's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Brisbanites, it's time to make plans. Sunset Cinema is back for a huge month and a half of movies, and you've got plenty to see. Fancy a romantic evening under the stars with your special someone? A relaxed hangout with the gang? A night of family fun with the littlies? That's the joy of heading to an outdoor cinema — there's truly something for all. Screening at Mt Coot-tha Botanic Gardens from Thursday, February 28 to Saturday, April 13, this year's Sunset Cinema delivers all of the essentials. Those beanbags aren't going to get cosy by themselves — and those bubbles and brews aren't going to drink themselves either. All that's left is for you to pick the right flick and make a stress-free night of it. From all-ages delights to date night picks to films made for watching with friends, here are your next four nights at the movies sorted. https://www.youtube.com/watch?v=ywkF1lj5wyI MATES NIGHT: A STAR IS BORN Just when you thought that Lady Gaga had done everything that she possibly could, she sheds her over-the-top persona and becomes a star — again. Playing a waitress who's thrust into stardom after a chance encounter with Bradley Cooper's booze-soaked rocker, her performance in A Star Is Born remains a revelation. It's not her first stint in front of the camera by any means, but it is her most powerful and affecting. Those two words also describe this tale of love, fame and the cost of both, which marks the fourth time a flick of this name has told this story. As for Cooper, he turns in his best work in years in front of the camera, while also stepping behind it to make his directorial debut. Be prepared to belt out Shallow with your mates for the rest of summer. Showing: Saturday, March 16 and Wednesday, April 3 https://www.youtube.com/watch?v=8VuHV5Pm_ZE FRIEND DATE: CAPTAIN MARVEL It took 21 movies and more than a decade, but the Marvel Cinematic Universe finally has its first flick that solely focuses on a female superhero. Captain Marvel (Brie Larson) has plenty of company in the film that shares her moniker — particularly Samuel L. Jackson as Nick Fury — but this is the popular kick-ass character's time to shine. If you need some backstory, that's what the movie is all about, setting its action in 1995 in a time long before a lot of MCU's antics (and, yes, long before the events of Avengers: Infinity War and its forthcoming sequel). As ex-US Air Force fighter pilot Carol Danvers becomes the titular hero, she just has to casually save the world, as you do, in an all-star affair that also features Jude Law, Annette Bening, existing MCU members Clark Gregg and Lee Pace, and Australia's own Ben Mendelsohn (as a villain, naturally). Showing: Saturday, April 13 https://www.youtube.com/watch?v=JCWHr6AUxwI DATE NIGHT: INSTANT FAMILY Rose Byrne, Mark Wahlberg and a trio of kids. That's Instant Family. When thirty-something couple Ellie and Pete Wagner start taking comments about their childless lives to heart, they also start thinking about helping kids in need — however, becoming a foster parent isn't as easy as it sounds. Drawn from the real life of Daddy's Home director Sean Anders, a foster parent himself, this broad comedy charts the ups and downs of suddenly caring for three tykes — and benefits from being made by someone who's been there and done that. It also lets Aussie star Byrne show off her comedic talents once again, so if you loved her work in Bridesmaids and Bad Neighbours and its sequel, you'll love her here as well. Showing: Saturday, March 9 https://www.youtube.com/watch?v=hMe7hUb3TpI FAMILY NIGHT: MARY POPPINS RETURNS More than five decades ago, a spoonful of sugar helped the medicine go down — and supercalifragilisticexpialidocious was a word to sing about. Now, it's time to trip a little light fantastic and remember that a cover is not the book. Yes, Mary Poppins is back, as played by a pitch-perfect Emily Blunt, and cinema is all the better for it. If you grew up watching the 1964 classic, this is a nostalgic blast from the past that still manages to enchant on its own merits. If you're introducing a whole new generation to the magical nanny who floats in on an umbrella, croons about stuff and nonsense, and teaches engaging life lessons, prepare to watch their faces light up with joy. Showing: Friday, March 15 and Friday, April 12 Sunset Cinema will take over Mt Coot-tha Botanic Gardens from Thursday, February 28 to Saturday, April 13. Check out the full film program and book tickets here.
How many ways can Melbourne go dotty for Yayoi Kusama? Everyone is about to find out. The National Gallery of Victoria's big summer 2024–25 exhibition is dedicated to the Japanese artist, complete with a five-metre-tall dot-covered Dancing Pumpkin sculpture in NGV International's Federation Court, plus a world record-breaking number of infinity rooms and other immersive installations, many featuring spots. There'll be polka dots inside and out around the venue, including on the plane trees on St Kilda Road. On Wednesday, November 27, 2024 — in the lead up to the exhibition's run from Sunday, December 15, 2024–Monday, April 21, 2025 — the NGV has unveiled the beginnings of Kusama's latest artwork. A version of Ascension of Polka Dots on the Trees is being staged in Melbourne, with more than 60 trees outside the gallery having their trunks covered in pink-and-white polka-dotted material. The first row has been completed, which anyone in the vicinity can now check out — and by early in the week commencing Monday, December 2, 2024, all four lanes of St Kilda Road in front of the NGV will be brightly wrapped. With over 180 works set to feature, in what'll be the largest Kusama retrospective that Australia has ever seen — as well as one of the most-comprehensive retrospectives devoted to the artist to be staged globally, not to mention the closest that you'll get to experiencing her Tokyo museum without leaving the country — stepping foot inside the NGV will still be mandatory for art lovers. But Kusama is also livening up the road for everyone to enjoy all day and all night long. In the past, including when Ascension of Polka Dots on the Trees debuted at the Kirishima Open Air Museum in Japan in 2002, a red-and-white colour scheme has been used; however, Melbourne has scored its own bold-pink iteration. Ascension of Polka Dots on the Trees is obviously free to view, joining several other artworks that won't cost anyone a cent to see during the exhibition. The aforementioned Dancing Pumpkin is already on display. NGV International's glass waterwall is also going pink, but with black rather than white dots. Kusama's new version of Narcissus Garden, which dates back to 1966 and will feature 1400 30-centimetre-diameter silver balls this time around, is set sit in front of the waterwall and in parts of Federation Court. Plus, the yellow-and-black spheres of Dots Obsession will hang over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Overall, Yayoi Kusama will step through the 95-year-old artist's eight decades of making art via a thematic chronology. Some pieces hail from her childhood. Some are recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they'll all appear. [caption id="attachment_950480" align="alignnone" width="1920"] Yayoi Kusama, 2022 © YAYOI KUSAMA[/caption] Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne from Sunday, December 15, 2024–Monday, April 21, 2025. Head to the NGV website for more details and tickets. Images: Yayoi Kusama's Ascension of Polka Dots on the Trees, 2002/2024, on display along St Kilda Road, Melbourne for the National Gallery of Victoria's Yayoi Kusama exhibition until 21 April 2025. © YAYOI KUSAMA. Photo: Tobias Titz.
Scenic sights, food-filled days and nights, a jam-packed program teeming with event highlights: that's how winter starts each year in the Scenic Rim. For the month of June, this world-renowned southeast Queensland region gets into festival mode, celebrating the eating and drinking options that the area is known for. When you're not touring farms, for instance, you're tucking into farm-to-table feasts. When you're not settling in for long lunches and fire-cooked meals, too, you're learning how to make cheese, saying cheers to spirits, meeting camels or picking edible flowers. That's the Scenic Rim Eat Local Month way, as attendees can enjoy from Friday, May 30–Sunday, June 29 in 2025. By the numbers, this year's fest is going big, with more than 100 food events on the itinerary — and almost 40 of them newcomers to the program. Among that total figure, there's also over 40 long lunches, dinners and degustations; 64 on-farm activities; and 25 workshops and classes. As Scenic Rim Regional Council Mayor Tom Sharp explains it, "Eat Local Month provides the opportunity for our local community, visitors and people from all ages and backgrounds to enjoy an authentic paddock-to-plate experience, and to renew their connection with our natural environment and agricultural production." "Traditionally, growers have taken their product to market; however, we are seeing an increase in consumers wanting to connect with where their food comes from and buy direct from the producers and growers in region. People are not only tasting the freshness and quality of the product, but gain an understanding of the farmers' experience, their lifestyle and their dedication to quality produce," Sharp continues. "From its modest beginnings in 2011, this event has provided a boost to our rural sector, helping to create jobs and drive our region's prosperity. However, it also increases the appreciation for those who put food on our tables and where our food comes from." It falls at the end of 2025's Scenic Rim Eat Local Month, but the fest-within-a-fest celebration that is the Winter Harvest Festival remains one of the event's standouts, taking over Kalbar for three days. Beforehand, across a region that spans from Beaudesert, Kerry and Mount Alford to Beechmont and Tamborine Mountain, too, camel tours, vodka tastings, becoming a brewmaster for a day, high tea and cocktails in a rainforest, a market put on by Towri Sheep Cheeses and learning to make citrus liqueur are among the month's offerings. Also included: a fest dedicated to fermented food, taking to the sky in a hot-air balloon, crafting your own rum, picnicking and walking with alpacas, meandering along an edible garden trail and marking the winter solstice with a camping cookout. If you've ever tasted carrot ice cream, that's likely because you've hit up Scenic Rim Eat Local Month before — or Scenic Rim Eat Local Week, as it was known until 2022. This is the only time of the year that Moffatt's Fresh Produce whip up the unique dessert. The event's annual Kalfresh Carrot Day is also on the agenda, and is always popular. This is a part of the world where 600 million of the orange vegetables are grown each year, after all. For extra motivation to attend, 12 big culinary names have given 2025's festival their tick of approval, with Scenic Rim Eat Local Month's ambassador chefs starting with Alison Alexander, Brenda Fawdon (Picnic Real Food Bar), Cameron Matthews (Mapleton Public House), Caroline Jones (Three Girls Skipping), Daniel Groneberg (Kooroomba Vineyard and Restaurant) and Elliot Platz (Monte Land Wine Bar). Pastry chef Glen Barratt is also among the figures getting behind this treat for lovers of food, drink and gorgeous surroundings, as are Jack Stuart (Blume Restaurant), Javier Codina (Moda), Josh Lopez (Lopez at Home), Olivier Boudon (Roastbeef and The Frog at The Overflow Estate 1895) and Richard Ousby (Cru Bar & Sixes and Sevens). Scenic Rim Eat Local Month 2025 runs from Friday, May 30–Sunday, June 29 at various locations in the Scenic Rim. Head to the festival's website for more information and tickets.
There is absolutely no denying that Lorde is the artist of the moment. And the hype surrounding today’s video release for her latest single, 'Team', is no different, with all the clicks causing Vevo to crash minutes after the clip was posted. 'Team', directed by LA director Young Replicant (The xx, M83), sees Lorde mostly sitting down — limiting her usually impressive dance moves. But she knows where she's going with it. "This video was borne from a dream I had a few months ago about teenagers in their own world, a world with hierarchies and initiations, where the boy who was second in command had acne on his face, and so did the girl who was queen," she said on her Facebook page. "I dreamt about this world being so different to anything anyone had ever seen, a dark world full of tropical plants and ruins and sweat. And of this world, I dreamt about tests that didn't need to be passed in order to be allowed in: sometimes the person who loses is stronger." The vid — plus several of Lorde's recent live performances, including a killer ARIA appearance in Sydney over the weekend — have come to prove that as she continues to gain ridiculous popularity, her style becomes more and more quirky. And we dig it — the 17-year-old, continuing to demonstrate the power of youth in her ironic music videos. 'Team' is the third single to be released from Pure Heroine. Lorde will return to Australia in February to perform at Laneway Festival.
Over the past decade, streaming has become a firm part of every film and TV fan's life — providing more viewing choices, more places to find movies and television shows, and more excuses to while away hours and hours (and then a few more hours) on the couch. But, it has also sparked a familiar dilemma. Too often, thanks to all of the options available, it's easy to spend more time deciding what to check out next than actually watching something. Netflix has just released its intended solution to this problem, via a new feature called 'play something'. First revealed earlier in 2021, and now available globally across the platform, it's basically a shuffle function — and will automatically pick something for you to watch, rather than letting you keep scrolling and scrolling (and scrolling) while you're trying to make a decision. Here's how it works: when Netflix subscribers hit the 'play something' option — and therefore tell the service that they don't want to browse right now — they're instantly met with something new to view. It'll be either a series or film, and it could be something brand new, something you're already watching, a title that's on your list, or a show or movie you hadn't gotten around to finishing yet. Obviously, Netflix will be drawing upon its algorithm — as aided by your past viewing choices — to take your selections out of your hands. And, while it isn't called "I'm feeling lucky", that's the approach Netflix is basically asking subscribers to go with in terms of finding something to watch next. https://www.youtube.com/watch?v=sY2djp46FeY If you don't like the first choice that the new function thrusts in front of your eyeballs, you can click 'play something else'. What happens then is self-explanatory. And, if you're keen to tun the 'play something' function on, you'll find it underneath your profile name, on the tenth row on Netflix's homepage and in the navigation menu on the left side of the screen. The company has been testing this type of functionality in various forms over the past few years — and the concept is hardly new, as users of music streaming services know. In France at the end of 2020, Netflix also trialled a linear channel, which just played films and shows one after the other in the way that broadcast television does; however, there's no news yet as to whether the latter will become a permanent function worldwide. The idea behind these new features — whether they've been implemented or they're just being trialled — is to keep people watching and encourage more folks to join up as subscribers, of course. More and more new streaming services pop up all the time, all vying for your eyeballs, or so it feels at least. That's also the reason that Netflix introduced its Top Ten lists in 2020, if you've been wondering why the platform started telling you that everyone was watching Tiger King, The Queen's Gambit and The Midnight Sky. Netflix's new 'play something' feature is active on the platform now. For more information about, head to the streaming service's website.
A great meal should satisfy your tastebuds and your stomach. When Vertigo opens in Brisbane, it'll also get your blood pumping and pulse racing. A brand-new addition to the River City's iconic Brisbane Powerhouse, this soon-to-launch eatery is joining the sky-high ranks, but with a difference: it isn't just located on top of the riverside New Farm venue, but hangs off of the site's industrial facade. Forget just living on the edge — this is dining on the edge, and literally. Obviously, the views will be spectacular. Given that you'll be climbing out to your seat while donning a safety harness, then eating four stories (and 17 metres) up, so will the thrills. An Australian-first vertical dining experience, Vertigo will start serving up — and levelling up — dinner with a view from October, with bookings now being taken for dates from Thursday, October 12 onwards. Once open, it'll operate four nights a week, from Thursday–Sunday, welcoming in tables of two. The one caveat: naturally, this adrenaline-pumping restaurant will be at the mercy of the weather, which will certainly play a factor over Brisbane's stormy summers. If it's only lightly raining, however, the night's sitting will still go ahead. The other key point: if you're not fond of heights, this won't be for you. But if you're fine with towering not just atop but over the side of an old power station-turned-arts precinct that dates back to the 1920s — whether you're a Brisbane local or a tourists — you'll be in for quite the unique experience. A third caveat: you can't head up if you've been drinking, with everyone breathalysed first and required to return a 0.00-percent blood alcohol reading. Brisbane Powerhouse's Bar Alto downstairs will be providing Vertigo's food across its eight tables — and each reservation's two-hour sitting — with the two-course menu featuring local ingredients to go with what's certain to become a local attraction. Unsurprisingly, a visit here won't come cheap, costing $250 per person. While you need to be sober to climb over the edge, a matched glass of wine will be served with dinner. You'll also get a post-descent champagne, beer or soft drink. To make the evening even more dramatic, diners can also choose to come back to earth post-meal via dropline down the facade. Or, if that's too much adventure for you — especially after eating — you can just head back to the ground through the venue. "Vertigo is unlike anything else in the world, it is an unexpected combination of adventure tourism and fine-dining on a heritage site," said Brisbane Powerhouse CEO/Artistic Director Kate Gould, announcing the restaurant. "Stepping off the roof of Brisbane Powerhouse to take a seat suspended at your table, four stories above the ground, will be the ultimate thrill. Experience silver service dining — albeit one with unbreakable crockery and cutlery attached to the table!" [caption id="attachment_850754" align="alignnone" width="1920"] Atmosphere Photography[/caption] "We are creating a uniquely Brisbane dining experience, at height. You will be on the edge of your seat in the open air before descending via an unforgettable exit," added Riverlife creator and co-founder John Sharpe, with the outdoor tour operator partnering with Powerhouse on the venture. "Vertigo will inspire fear but with the knowledge that safety is the priority of our experienced team of adventure tourism guides." If star chef Luke Mangan achieves his dream of setting up a restaurant on the Story Bridge, too, Brisbane might need to rename itself the Sky-High City. [caption id="attachment_776880" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Vertigo is set to open at Brisbane Powerhouse, 119 Lamington Street, New Farm, Brisbane from Thursday, October 12 — head to the venue's website for further details and bookings.
First, Lune Croissanterie arrived in Brisbane, setting up a local pastry haven. Then, it brought its croissant degustations to town, because who doesn't want to eat multiple different types of buttery pastries in one sitting? Now, it's teaming up with the Gallery of Modern Art and Queensland Art Gallery on a special croissant for the two galleries' 10th Asia Pacific Triennial — and the result looks like it could be on display itself. This eye-catching, tastebud-tempting dish is called The Rose Lychee, and it does indeed feature both rosewater and the sweet-tasting fruit. Stuffed inside, you'll find rosewater syrup, coconut frangipane, vanilla cream, Japanese cheesecake and lychee jelly, while it's also decked out on top with fresh lychee, lychee jelly, candied rose petals and white chocolate shards. In its daily operations, Lune already goes the extra mile with its croissants. The flaky pastries have been called "the finest you will find anywhere in the world" by The New York Times, and benefit from founder Kate Reid's background as an ex-Formula 1 aerodynamicist — so they're made and baked in a climate-controlled glass cube, and perfected using a time-consuming process. But The Rose Lychee clearly takes things up a few notches, with Lune Brisbane's Head Chef Mitch Suchowacki fittingly taking inspiration from the creativity and flavours of the Asia-Pacific region. "APT10 is a contemporary exhibition that celebrates the art and culture of our neighbouring nations and islands," said Suchowacki. "From the Japanese cheesecake to the Tahitian vanilla cream, The Rose Lychee is our own unique contribution. A celebration of the tastes and produce that we are fortunate enough to have access to from across the Asia and the Pacific, brought to life in a beautiful pastry." To nab one, you'll need to head to either the QAG Cafe and GOMA Bistro from Saturday, December 4 through till the end of January. Getting in early each day is recommended — while they're on the menu daily, only a limited number will be made every day. Lune's The Rose Lychee croissants are available from the QAG Cafe and GOMA Bistro from Saturday, December 4 through till the end of January as part of the Gallery of Modern Art and Queensland Art Gallery's 10th Asia Pacific Triennial.
Heading to the casino when you turn 18 is one of those coming-of-age bucket list items many a Queenslander experiences. Dropping by for a meal anytime after that, not so much. Whether you're a Goldie local or just an occasional visitor to the coast, Jupiters Casino is attempting to change that. Been recently in the vicinity of that massive structure on Broadbeach Island? You would've noticed that change is a-coming to the Gold Coast casino physically, and within the $345 million transformation, their dining options are actually looking pretty noteworthy. Three new restaurants have opened their doors, and two more will join them, as the casino attempts to become more than a high roller hotspot and more of a 'dining destination'. We'll see. In the already-trading camp sits Kiyomi, Cucina Vino and Garden Bar and Kitchen, offering up a range of tasty Japanese, Italian and modern Australian meals, respectively. If it's sashimi, sushi, sake and shochu you're after, you'll find it at Kiyomi, which was just awarded a Chef's Hat at the 2017 Brisbane Times Good Food Guide Awards. Overlooking the venue's pool, Cucina Vino is Jupiter's first outdoor dining establishment, serving up antipasto, wood-fired pizza, traditional pasta dishes and more. And then there's the newest of the bunch so far, Garden Bar and Kitchen, an all-day eatery doing breakfast bruschetta, southern fried chicken and colourful cocktails. Slated to join them are Mei Wei Dumplings and M&G Café and Bar, the former serving up just what you'd expect (plus noodles, with everything also available to take away), and the latter a cafe-style spot. Add a revamped Atrium bar to the mix, which is due to open over summer, plus the existing Zen Chinese restaurant, and Jupiters might just be worth a culinary-inspired visit. Find Jupiters Casino at Broadbeach Island, Broadbeach. Check out their website for further details.
Our traveller's impulse to escape hordes of obnoxious tourists often sends us on wild goose chases in search of untouched, undiscovered beauty. We crave the chance to find the real heart and soul of a new land and not just the sanitised, postcard version. This is the great joy of seeing the world by train. With their routes often built to service even the most remote of locations, train travel allows tourists to see a side of the world that often remains unseen to your average Lonely Planet traveller. So in the interests of getting off the well-beaten track - and for people who know that the journey is always greater than the destination - here are eight of the world's most spectacular train journeys. Glacier Express Route: St Moritz to Zermatt, Swiss AlpsDuration: 7.5 hourswww.glacierexpress.ch While the Glacier Express holds the title as the world's slowest express train, it's hard to complain when the views are this spectacular. Connecting two major Swiss Alps resorts, the Glacier Express reaches a whopping altitude of 6,670 feet travelling across 291 bridges and weaving through 91 tunnels in its ascent through one of the world's most stunning winter wonderlands. The Flam Railway Route: Flam to Myrdal, NorwayDuration: 1 hourwww.visitflam.com This trip takes you into the very heart of the world's longest fjord and one of Scandinavia's great wonders, the Sognefjord. Beginning in a quaint, idyllic village, the Flam Railway mounts the world's steepest non-cog, normal-gauge railroad climb before taking a hair raising turn through raging rapids and waterfalls. With its perilously narrow passages and the sound of crashing water on all sides, the Flam Railway is as enthralling as it is beautiful. Pride of Africa Route: South Africa, Zimbabwe, Zambia and TanzaniaDuration: 14 dayswww.rovos.com If the majesty and mystery of the African plains entices you but your idea of a safari doesn't involve chasing wildebeest and constantly swatting flies then you can hardly do better than The Pride of Africa. The epic expedition takes you across some of the most awe-inspiring parts of Southern and Central Africa, revealing the hidden, often untouched beauty of the world's poorest continent. And the train itself? Pure luxury. The sumptuous interior has been painstakingly created to resemble an exclusive Victorian-era train, boasting the world's most spacious sleeping quarters, handsome wood panelling and first-class dining. Trans-Siberian Railway Route: Moscow to Vladivostok, Russia Duration: 19 dayswww.trans-siberia.com The big kahuna of rail journeys, the Trans-Siberian Railway is already engraved in travel folklore due primarily to its bewildering length. The 10,000 kilometre trip from the Russian capital to the Pacific Ocean crosses eight time zones coming to a distance just shy of one-third of the planet. While it takes a brave traveller to tackle the Cold War capital from side-to-side, those that do are richly rewarded not only by the great variety of beauty Russia has to offer but also by the famous hospitality of the Trans-Siberian commuters, who are always more than happy to share a shot of $3/litre vodka with you. Eastern & Oriental Express Route: Singapore, Malaysia and ThailandDuration: 3 dayswww.orient-express.com The Eastern & Oriental Express stretches from Singapore to Bangkok and provides a whirlwind tour of the range of tropical beauty that South-East Asia has to offer. The bustling modernity of Singapore soon gives way to the natural wonders of Malaysia and Thailand with the train zigzagging through dense rainforests, towering mountains and fields of frangipanis and sunflowers. The rich tapestry of South East Asian life can also be seen at the various stops the train takes, giving travellers the chance to explore golden temples and fascinating farm villages. The Eastern & Oriental Express is also reputed as one of the world's premiere luxury trains with fine dining and cocktails in the open-air observation car; this trip is perfect for those that like the finer things in life. Narrow Gauge Railroad Route: Durango to Silverton, ColoradoDuration: 3.5 Hourswww.durangotrain.com The Durango & Silverton Narrow Gauge Railroad twists and turns up winding canyons through the stunning and secluded wilderness of the San Juan National Forest - and all on narrow rails a mere three feet apart. The 45 mile track traverses upwards 3000 feet, eliciting breathtaking views of the surrounding scenery. The 1920s coal-fired, steam-powered locomotive was originally built to transport gold and silver ore and thus travels at the leisurely pace of 18 miles per hour, making the magnificent views all the more easier to take in. West Coast Wilderness Railway Route: Strahan to Queenstown, TasmaniaDuration: 4.5 hourswww.puretasmania.com.au The rich history of the West Coast Wilderness Railway in Tasmania is only the beginning of this mystifying and alluring adventure. Running from the port of Strahan to the mining town of Queenstown, this magnificent railway right here on our own turf provides a gateway to the untouched wilderness of Tasmania's heritage listed area. It acts as a window back to the year of 1896 when the pioneers laboured arduously through rain and mud to create this unique track and pinion system. The 35km journey travels through a number of stations of the past, crosses waters of the renowned King River and spans jaw-dropping rainforest gorges. Machu Picchu Train Route: Cusco to Machu Picchu, PeruDuration: 3.5 hourswww.machupicchutrain.com Departing from Cusco and passing through the ancient stone-built Incan village of Ollantaytambo, the Machu Picchu train then only goes up from there - both figuratively and literally. The three-foot wide track wraps around the steep gorges of the valley and wanders over the torrents of the marvellous Rio Urubamba. Originally constructed as a commercial line to exploit the lumber, cacao and coffee of the valley, the train is today used as a highly popular tourist trip to reach the extraordinary peaks of the infamous ancient Incan site, Machu Picchu.
Winter might be all about staying in doors, rugging up and avoiding the frosty weather, but if you want to see a pair of meteor showers at their peak this week, you'll want to head outdoors. Not one but two celestial events will be visible in Australia's skies to end July 2024: the Southern Delta Aquariids and the Alpha Capricornids. Arriving in the thick of winter, the Southern Delta Aquariids may not be quite as famous or frenetic as other meteor showers, but it's still considered a strong one, with around 15–25 meteors hurtling across the heavens per hour during its peak. In good news for those Down Under, it's also typically best seen in the Southern Hemisphere. [caption id="attachment_727210" align="alignnone" width="1920"] Mike Lewinski via Flickr.[/caption] Caused by the breakup of the Machholz comet, the Southern Delta Aquariids is visible each year from around July 12–August 23 — so now. But the ideal time to catch it is between July 28–July 30, aka until Tuesday this week. And, like many astronomical shows, catching an eyeful around midnight is recommended — when the moon has set and its light will not interfere. Also soaring through the skies at the moment: the Alpha Capricornids, which tends to run from around July 7–August 15. Yes, that means that you can peer up at night and catch a glimpse now, too, but it tends to peak around July 30–31 — so Tuesday and Wednesday this week. This one comes from the comet 169P/NEAT, and was discovered in 1871. It's known for its bright meteors and even fireballs, although they're infrequent, at around two-to-nine per hour. For your best chances of getting a glimpse at both, the usual advice applies. Get as far away from bright lights as possible — this could be a good excuse to head out of the city to a clear-skied camping spot — and pray for no clouds. The Delta Aquariids' name comes from Aquarius, the constellation from which they appear to come. Accordingly, that's what you'll be looking for in the sky. For the Alpha Capricornids, you're looking for the Capricornus constellation. To locate them all, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky, and is also a lot of fun to use even on a non-meteor shower night. The Southern Delta Aquariids and Alpha Capricornids meteor showers will peak between Tuesday, July 30–Sunday, July 31, 2024. Top image: Mike Lewinski via Flickr.
In the canon of Star Wars movies, there are now essentially four chapters: The Originals, The Prequels, The Sequels and The Spinoffs. The Originals (Episodes IV-VI) are, and perhaps always will be, the best of the bunch; a genre-defining, special-effects revolutionizing space saga of such epic proportions they remain, to this day, some of the most spectacular blockbusters ever made. The Prequels (Episodes I-III) are, and hopefully always will be, the worst of the bunch; a childish, CGI-heavy money spinner that played more like hastily written video games than films worthy of their iconic opening credits and characters. The Sequels (Episode VI-IX) are only one film in (with the second now in post-production), but it's safe to say The Force Awakens gave us exactly what we needed; a thrilling if rather familiar-feeling reboot with a talented, multi-dimensional and engaging new trio of stars to pick up where Luke, Han and Leia left off. That brings us to The Spinoffs, beginning with Rogue One and soon to include the untitled Han Solo origin story. In a way, while it's not given its own Roman numeral, Rogue One is a sort of Episode III-point-V – a nifty prelude to one of the most iconic please explains in cinema history: the Death Star's infamous design flaw. In Rogue One, audiences get the answer to two important questions: why the moon-size battle station had such an exploitable Achilles' heel, and how the Rebel Alliance found out about it. The former and weaker of these two revelations occupies the first two-thirds of the movie, whilst the latter gives it its much needed closing momentum. Leading the film's magnificent ensemble is Felicity Jones as Jyn Erso, the abandoned daughter of Galen Erso (Mads Mikkelsen), a famed Imperial scientist whose work proves pivotal to both the inception and design of the Empire's new super weapon. Unfortunately, Jones's dialogue does little to showcase her ability – frankly, much of Rogue One's screenplay leaves a lot to be desired. The two big exceptions are Forest Whitaker's eccentric character Saw Gerrera, and the Alan Tudyk-voiced droid K-2SO. In particular, the latter character's deadpan honesty helps cut through the film's often overwhelming sense of gloom. On the positive side, though, we again find in the Star Wars universe a film where gender holds zero stock as either an insult or a differentiator. Whenever a character's abilities are called into question, it's because of their experience or upbringing, not their reproductive organs, and Jyn is no exception. Alongside her, Diego Luna plays a conflicted assassin whose scenes repeatedly address the film's preoccupation with the hazy moralities of war, whilst the villain in Rogue One is a ruthless egotist named Director Krennic – played magnificently by Australia's Ben Mendelsohn. Though the film's various additional characters are too numerous to mention, one does command further attention – although in the interest of avoiding spoilers, we won't mention them by name. Suffice it to say, Rogue One reintroduces a key figure from the original Star Wars film, and does so by digitally recreating the deceased actor's face and voicing him with an impersonator. Sadly, the momentary joy experienced upon first seeing this familiar face quickly gives way to disappointment as the CGI falls short. An ultimately needless piece of fan service, the character's depiction pulls you out of the moment with such intensity that it takes several minutes to draw you back in each time he appears. As The Force Awakens proved, a tangible, human actor will always be preferable to a computer-generated one, and actors should sleep soundly in that knowledge. Nevertheless, Rogue One is overall an impressive and engaging exercise in nostalgia, full of delightful nods to the original trilogy. The movie's pacing, especially at the beginning, feels well off, jumping from character to character and location to location with surprising clumsiness. Fortunately, spectacular action sequences largely make up for this issue, most notably the climactic final battle and the scenes showcasing the Death Star's destructive capabilities – which even on their lowest power setting prove legitimately unsettling. Many Bothans may have died to bring us word of Death Star 2.0, but now, at long last, we can give names to those who did the same for the original – and it's definitely worth the price of admission. https://www.youtube.com/watch?v=frdj1zb9sMY
Post-pandemic, the remote work dream was simple: ditch the commute, work in pyjamas, maybe squeeze in a midday run or load of washing. But after a few years, it turns out working completely from home isn't all it's cracked up to be. It can be lonely, hard to switch off and, let's be honest, not always that productive. In fact, while 77% of employees say hybrid work improves their work-life balance, many also report the downsides: lack of social collaboration and feeling of disconnection between colleagues. It's no wonder coworking spaces are becoming more popular, and why small business owners and freelancers are trading in the dining table for a more functional, flexible setup. Enter: Servcorp. With 22 coworking spaces across Australia and Aotearoa, Servcorp blends the best of both worlds. The flexibility of working remotely, with the structure, community and premium amenities of a traditional office. The difference? You're not locked into a lease, stuck in a cubicle, or battling your cat for desk space. The Downside of Remote Work Remote work has its perks, but without structure, it's easy to spiral. One minute you're answering emails in bed, the next you haven't spoken to another human in three days. Add in the unreliable internet, lack of proper meeting rooms and the temptation of TikTok breaks, and suddenly "flexibility" starts feeling more like chaos. Coworking spaces fix that. You still get control over your schedule and the option to work from home when it makes sense for you, but you also gain a work environment that's purpose-built for productivity, collaboration and getting the job done. Work Life Balance That's Actually Balanced The biggest coworking myth? That it's just a room full of people on laptops not talking to each other. At Servcorp, it's designed to be the opposite. The spaces are intentionally built to support collaboration and real work-life balance, where you have a clean, quiet space to work and catch up with colleagues, and then can leave it all behind when you walk out the door. Servcorp's coworking packages include access to high-end meeting rooms, breakout spaces, premium espresso machines, and helpful reception teams to make the work day feel fun and restore home as a place you can actually relax in. More Just Than a Desk One thing that sets Servcorp apart is its top-tier infrastructure. You'll get fast, secure internet (the kind that doesn't crash mid-meeting), an in-house IT team that knows what they're doing, and a dedicated support crew to ensure everything runs smoothly. In other words, it's a workspace you can trust to back you up, whether presenting to a new client, launching your brand, or just trying to make it through Monday. A Community You'll Want to Be a Part Of Freelancers, solo founders and remote teams often say the same thing: it's hard to network when you're isolated at home. At a coworking space, you're automatically plugged into a community of like-minded people. There are regular networking events, shared lounges to casually chat with new people, and a built-in support system that doesn't feel forced or awkward. Collaboration is best when it happens organically: over coffee, in the lift, or while trying to work out how the printer works (some things never change). No Long-Term Lock Ins Whether you need a desk once a week, a few times a month, or Monday to Friday, Servcorp's flexible coworking and virtual office packages have you covered. It's ideal for growing businesses, startups and hybrid teams who want access to a professional space without the hassle and overheads of a traditional lease — plus, enjoy your first month free with no deposit. You can even choose your location — from a city-view suite in Melbourne's Collins Street to a harbourside spot in Circular Quay, or central locations in Brisbane, Adelaide, Perth and more. So if you are looking to level up your work life this new financial year, it might be time to retire the dining table. Servcorp gives you the facilities, community and freedom to take your work setup to the next level, without sacrificing the flexibility you've come to love. Servcorp has 22 premium coworking spaces across Australia and Aotearoa. Explore flexible packages and find your closest location on the Servcorp website. By Elise Cullen Images supplied by Servcorp
Pointless, derivative follow-ups to profitable Hollywood films aren't exactly a recent concept. The first big-screen sequel can be traced back to 1916's The Fall of a Nation, which attempted to cash in on the popularity of D.W. Griffith's silent (and incredibly racist) epic The Birth of a Nation after it stormed theatres the year before. While in that case the sequel was a commercial failure, the seeds of soulless corporate greed had been planted. Suffice it to say, studio executives have been laughing their way to the bank ever since. So why the film history lesson? I guess it's to point out the fact that, even in the context of Hollywood's long legacy of artistic bankruptcy, it takes a particular brand of cynicism and greed to make a comedy sequel, about three working guys sticking it to The Man, for the sole purpose of exploiting the financial success of the original. The fundamental hypocrisy of Horrible Bosses 2 is staggering, although admittedly that wouldn't be nearly as much of an issue if the movie was actually, y'know, funny. Unfortunately, not even the proven chemistry of its cast can redeem this formulaic comedy con-job, one that's totally unworthy of your time and, perhaps more importantly, your money. Directed with barely a shred of visual personality by the same hack responsible for such yuck-fests as Sex Drive and the Adam Sandler statutory rape comedy That's My Boy, the second film in the Horrible Bosses please-don't-let-it-be-a-trilogy reunites idiot protagonists Nick (Jason Bateman), Kurt (Jason Sudeikis) and Dale (Charlie Day). This time out, they're their own bosses, until they make the mistake of partnering with a German businessman (Christoph Waltz) who swindles them for everything they've got. So they decide to kidnap his son Rex (Chris Pine), because after all, if the previous film taught us anything, it's that there a no consequences to your actions and that crime definitely pays. Bateman, Sudeikis and Day are all talented comedians, but there's only so much they can do with such a formulaic and puerile screenplay — incidentally, for any aspiring screenwriters out there, any time your opening scene steals a sight gag from Austin Powers: Goldmember, it's probably time to go back to the drawing board. The best moments in Horrible Bosses 2 have the feel of cast improvisation, but are few and far between. The same can't be said, unfortunately, of jokes at the expense of women, gay people and ethnic minorities, although to be honest these moments feel born more of laziness than genuine malice. Then again, on further reflection, that might actually be worse. Say what you will about the woeful sequels to The Hangover, but at least they were unrepentant in their nastiness. Horrible Bosses 2, on the other hand, manages to be both offensive and bland. The good news is that we'll probably only have to sit through two more sequels and a Jennifer Aniston spinoff before the whole thing finally goes away.
Two entries into their feature filmmaking career, there's no such thing as a bad horror movie from Danny and Michael Philippou. Talk to Me was a smash in every way possible: at festivals, with audiences, at the box office, with awards bodies and at introducing not just Australia but the world to a pair of potent new voices in the genre. With absolutely sign of second-film syndrome creeping in, the Adelaide-born twins' sophomore flick Bring Her Back is also an instant unease-dripping cinema great. While a Talk to Me sequel is also in the works, Danny and Michael have detoured into a different reckoning with loss and death first. And, where their debut movie featured Miranda Otto (The Lord of the Rings: The War of the Rohirrim) as its big name, their second enlists two-time Oscar-nominee (for Blue Jasmine and The Shape of Water) Sally Hawkins. There's also no such thing as a dull conversation with the Philippou brothers, either. When Concrete Playground had a date to discuss Talk to Me with them back in 2023, Danny was apologetic that Michael was unexpectedly AWOL — and he was also bubbling with joking ribbing. This time, both siblings are present and keen to natter, but Danny has lost his voice. "Too much excitement. Too much screaming," he advises. It doesn't stop him from engaging enthusiastically and energetically, although that's always this duo's vibe. The brotherly teasing remains as well. They've been dubbed "horror twins" more than once since they've made the leap from RackaRacka's viral YouTube videos to worldwide movie stardom — and while that's a term that normally brings on-screen characters like the Grady girls from The Shining to mind, rather than filmmakers, Danny and Michael can get onboard with it. "I'll embrace the term," says Michael, after first pondering whether it means that he and his brother are horrific. "Horror twins, we're all for it," adds Danny. If the label "horror siblings" was being used instead, it could also apply to key figures in both of their features so far, however. Bring Her Back's version: 17-year-old Andy (Billy Barratt, Invasion) and his younger sister Piper (first-timer Sora Wong), who has a visual impairment. Grief haunts this film from the outset, as Andy and Piper find themselves grappling with a tragedy and in need of a foster home, albeit ideally just for the three months until the former turns 18 and can obtain guardianship for the latter. Enter Hawkins as Laura, who has lost a daughter, and now welcomes orphaned children into her suburban house with an empty pool and an ominous circle surrounding the property. Enter Oliver (Jonah Wren Phillips, How to Make Gravy), the withdrawn, non-verbal boy already in her care, too. For Andy, Piper and viewers alike, Bring Her Back then plunges into an atmosphere of festering stress — and an environment within the storyline where anxiety and unshakeable mourning radiates from Laura, Oliver unsettles with just a stare and his presence, both siblings mightn't be equally wanted and not all motives are altruistic. Talk to Me confronted the end that awaits us all via personal loss as well — and embraced the yearning to hold onto loved ones now gone through a severed embalmed hand that, when grasped by the living, acted as a conduit to those who've shuffled off this mortal coil. There's no lopped-off appendage acting as a beyond-the-void communication device in Bring Her Back; however, the Philippous are proving themselves experts in dealing with familiar and frequently explored horror-movie themes firmly in their own ways, and also in new fashions each time. Beating, needling and piercing at the heart of both of their films to date is a truth that everyone knows in their gut but rarely vocalises: that losing someone means never being okay, or at least the same, ever again. Bring Her Back is another stellar feature from the co-director pair, with Danny penning their screenplays with co-scribe Bill Hinzman, that boasts a strong emotional core, then — and with thoughtfully written, resonant and relatable characters, even when they're making dread-inducing and disquieting choices. The Philippous' second film is also blessed with a phenomenal turn from a giving-her-all Hawkins, who certainly didn't navigate the same terrain when she was portraying Mrs Brown and taking in Paddington in that franchise's first two movies. One more Bring Her Back feat: it'll ensure that no one ever looks at kitchen knives and perhaps their own limbs in the same way again, while lingering in everyone's mind whenever diving into coping with grief and complicated families fuels any other future movie. When it gets gory — and it does — this is a film that audiences react to audibly. "We don't want them to faint," says Danny. "If you're prone to fainting, bring a pillow. Gasps are good, but please don't faint," adds Michael. "We apologise to the fainters," Danny pipes back in. As they both explain, they also found Bring Her Back affecting to direct, something that they mostly agree didn't really happen in their RackaRacka days. Cue the brotherly riffing again: "actually, Michael, we once set off a bomb and a stick got lodged into Michael's cheek. I thought I saw some tears from his loser," says Danny; "they were tears of joy," is Michael's reply. After Talk to Me exploded with such success, they were still committed to making Bring Her Back at home in Adelaide — and to original horror. Why? That was also part of our discussion. Plus, among other topics, Danny and Michael chatted with us about how the feature's origin story also involves being inspired by a friend's little sister, plus classic films like What Ever Happened to Baby Jane?; getting Hawkins onboard and then not wanting to let her down; and the pride that comes with being a prime example of how online videos are sparking a new generation of filmmakers, just as video stores in the 80s and 90s did. On How Talk to Me's Massive Success Helped Lead to Bring Her Back Danny: "It was like we had to sign on for the next project straight away, because I could feel the anxiety overtaking my body — and if we didn't sign up for something, I felt like I would have never made another movie again. Because you overthink it, and you're overshadowed by things. And if you're just making something, you can't think about it, you just have to do it. So yeah, that was part of the thing with Bring Her Back — like, let's just sign on. Let's start the process." [caption id="attachment_986977" align="alignnone" width="1920"] Jono Searle/Getty Images for AFI[/caption] Michael: "It was being developed at the same time as Talk to Me. So it was a script that was already kind of almost ready to go." Danny: "It was bubbling away." Michael: "It was bubbling away in background." Danny: "It was bubbling away." On Drawing Upon Real-Life People, Classic Films and Personal Experiences to Build Bring Her Back — and Realising When These Pieces Were All Fitting Together Danny: "I think it's once we found some of those ending beats. And once you really solidify those things, building up to that is so much easier when you know where you're going — because a big part of the writing process is just putting together scenes and ideas and moments. And there's no real road map. But once you have a final destination, that's where you're like 'oh gosh, this is really powerful. This sort of speaks to everything that we've been writing'. And the build up to that just felt like, yeah, it was solid." On Finding New Ways Into Interrogating Grief and Death, Two Frequently Explored Horror Themes Danny: "It's still something that we haven't fully expressed yet. And naturally when you're writing, you're writing about things that have happened to you or are happening to you in that moment, and it didn't feel like we fully explored that subject yet. And we couldn't go into it thinking 'there's been all these films about grief already, we can't make another one'. We just had to make sure it was personal to us, and it was drawing from our own experiences, so that way it could feel more unique. We can't go into it overthinking what people are going to think or how it's going to be received. You just have to make something that's true to you." On Tapping Into the Truth That Losing Someone Never Means Being Okay — or At Least Never Being the Same Again Danny: "It was weird because we had a loss at the start of pre-production, and the film became our way of dealing with it and figuring that stuff out. And the script changed because of it. And there was a scene in the pool shed towards the end of the movie where it felt like we were saying goodbye to somebody, and it was directed through tears. So it was never a strategised thing. It was just something we were dealing with and expressing." Michael: "Yeah, some of the scenes are supposed to be horror. And then they turned out sad. I've never cried before directing, but I did in that scene." Danny: "Yeah, yeah. And my co-writer, when he saw the film, he's like 'what? What movie is this? What? What is this? We didn't write this'. And I was like 'we were just responding to what was happening, so it changed'." On Never Being Afraid of Horror Tropes, But Always Grounding Them in Character Danny: "There's something exciting about existing within the horror tropes. And some people deny that they're making a horror film. We do try to work it at a drama level and have it work as a horror film, too, but we're not afraid of those tropes — and embracing those tropes. And then doing your own spin on those tropes is always a fun thing. It's always about grounding it with our characters and in this place. And there's something about having the Australianisms of some of those moments and those beats, I think, that automatically puts it in a different lens from other films, if that makes sense." On the Key Aim When It Comes to Putting a Strong Emotional Core and Thoughtfully Written Characters at the Heart of the Philippous' Films Michael: "For them to work as real human beings. And even, say Laura, she's not outrightly evil — she's driven to madness from grief. It's swallowed her. So it's the world that has made it this way, and she was unable to let go, and what does that look like? It's the spiral. It's a lot about what the circle represents as well. So it's those things that, hopefully, you can empathise with certain characters — even if you don't agree with what they're doing, you understand why they're doing it." On Making Another Firmly Australian Horror Movie, and Doing So at Home, After All of the Offers That Came Following Talk to Me Danny: "There's something that just felt right about it. And we had so many offers, like dozens and dozens. And the budgets were mind-blowing. And the idea of doing it was so, it felt — yeah, that just seems so impossible to even to be offered that. But it didn't feel right. It didn't feel natural. And it didn't feel real. This feels real. This feels personal. And this is a proper expression — and we have full control over these characters and this narrative. [caption id="attachment_1007259" align="alignnone" width="1920"] Scott Ehler[/caption] And A24 is a studio that allows us to go wherever we want with the script and with the edit. And they're not sitting there — it's not filmmaking by committee. It's filmmaker-driven. So it just feels like — it just felt right." On the Pitch to Get Two-Time Oscar Nominee Sally Hawkins Onboard Michael: "She was the first person on our list, and we were thinking 'there's no fucking way Sally Hawkins is going to say yes to working with us'. But we sent them the script, we sent her people the script. And she read it, and we heard back and she said that she loved it, and wanted to jump on a zoom. And we had one meeting with her. And I was kind of afraid with the big Hollywood name, of an ego or something. I don't know, I don't know what I was picturing. But when we spoke to her, she's so down to earth. So amazing. She understood all the nuances in the script that no one else had, and she connected with it not because it was a horror film, but from a character point of view. She really understood Laura. And she was a bit intimidated by playing her as well. I don't know if she was wondering whether she could pull it off. But so, that was the first person that we reached out to, and it was who we got, which was incredible. And she blew everyone away. She's amazing." On What a Performance Like Hawkins', Including in Such a Complicated Part, Gives You as a Director Danny: "It was like the biggest fear of this movie was letting Sally Hawkins down. We didn't want to, us, put together this piece of crap when she's given a part of her soul for this performance. So that was always a thing in the back of your mind. You're like 'oh, please, we can't let Sally down. Please'." Michael: "And the film was structured to be in chronological order as much as possible. So you know these big scenes are coming, and you're so excited because you know Sally's going to go there. So there's those scenes, and you're watching it on the monitor, and there's this magic in front of your face. It's the most-unbelievable experience. And then you can just say little things to Sally, just one or two words, and she just understands. And she will just do another take with these subtle changes, but still in that character. It's unbelievable. It's so, so amazing to watch." On What Inspired the Scenes in Bring Her Back That'll Ensure That Audiences Never Look at Kitchen Knives or Their Limbs in the Same Way Again Danny: "It's just about tapping into stuff that makes you uncomfortable, especially when you're writing horror and stuff. Like metal on teeth, that is so upsetting to me, and so it's about tapping into that and writing about it, and finding a visual that surrounds that. And then when you go back through it, it's about finding a way to tie that back into character, back into theme." Michael: "And grief is all-consuming." Danny: "But also, all of it represents more than just that." Michael: "I know, I know, but I'm saying that's one part of it. And then when you have things like that that go into those ideas, what is the physical representation of the themes and what we're talking about from a character point of view? And those scenes, just they come — and it's one of those things. We didn't want to shy away from it, when that stuff does happen. And I don't think we did." Danny: "I don't think we did." On How It Feels to Be an Example of How YouTube Can Be a Launchpad for Filmmakers to Hone Their Skills, Find Their Voice, Then Make the Leap Into Features Danny: "Just so proud, because filmmakers or storytellers can exist in all platforms and can come from anywhere. They could be — like the future Steven Spielberg, he could be there, or she could be there, right now, just only having access to their phone, and that doesn't make them any less of a storyteller. So I like that. Even when we're in meetings now, we're really pushing creators and different people, and letting them know that this is the next gen. [caption id="attachment_1007252" align="alignnone" width="1920"] Scott Ehler[/caption] These people want to be able to express themselves, and they've got different mediums to use it. That doesn't make them any less of an artist. Yeah, I feel very proud of that." Bring Her Back released in cinemas Down Under on Thursday, May 29, 2025. Read our review of Talk to Me, and our interview with Danny Philippou about Talk to Me.
No one makes neon-lit, red-hued, emotion-dripping tales of yearning and loneliness like Wong Kar-Wai, as everyone who has seen 2000's In the Mood for Love knows. It isn't the Chungking Express, Happy Together, 2046, Ashes of Time: Redux and The Grandmaster filmmaker's only masterpiece, but the 1960s Hong Kong-set romantic drama is utterly unforgettable as it unfolds its love story against a backdrop of festering societal tension. Viewers have fallen for the film for almost a quarter of a century now. Sydney Opera House clearly feels the same way. Back in 2020, it hosted and livestreamed dreamy song cycle In the Mood — A Love Letter to Wong Kar-Wai & Hong Kong, which delivered exactly what its title promised. Come 2025, the venue will also welcome in the Australian premiere of In the Mood for Love in Concert. As everything from Batman, Back to the Future, Home Alone and Spider-Man: Into the Spider-Verse to The Lion King, The Princess Bride, Black Panther and Star Wars films has in the past — and plenty more — the iconic movie will return to the big screen while an orchestra brings its score to life. In this case, the film will flicker across Sydney Opera House's HD silver screen as conductor Guy Rundle leads a 39-piece group of musicians playing live. Ready to get audiences swooning, In the Mood for Love in Concert has locked in two shows on the one date, at 2pm and 7pm on Saturday, March 22. The BAFTA-nominated and César-winning film — which also picked up two awards at Cannes, including Best Actor — stars the great Tony Leung (Hidden Blade) and Maggie Chen (Better Life) as Chow Mo-wan and Su Li-zhen. In a complicated time and place, the two neighbours are drawn together when they begin to suspect that their partners are not only being unfaithful, but that they're having an affair with each other. While In the Mood for Love is rightly acclaimed for its affecting performances and evocative direction, as well as its gorgeously lush cinematography, its score is just as exceptional. Indeed, the filmmaker has called it "a poem itself". This is a stellar opportunity to find out why — and to discover why this movie, and Wong Kar-Wai, keep proving so influential. Check out the trailer for In the Mood for Love below: In the Mood for Love in Concert plays Sydney Opera House's Concert Hall at 2pm and 7pm on Saturday, March 22, 2025, with ticket presales from Tuesday, November 5, 2024 and general sales from Thursday, November 7, 2024 — head to the Sydney Opera House website for more details.
Sculpture by the Sea is a landmark event in Sydney's cultural calendar each year, drawing huge crowds to the two-kilometre Bondi-Tamarama coastal walk every October to gaze at the larger-that-life artworks. Unfortunately, as with many events, 2020 wasn't the exhibition's year. Plans for the event were forced to be abandoned, although Sydneysiders were treated to Milan Kuzica's towering fluro sculpture Green Life on the Tamarama foreshore as a consolation. When organisers originally announced there would be no 2020 edition of Sculpture by the Sea, an early 2021 date was floated. Sadly, this date has been pushed back again and large-scale art fans will have to wait until spring for the event's latest iteration, with October 2021 being announced as the new, pandemic-pending date for the exhibition. Organisers were optimistic an early 2021 event could be achieved but failed to secure an exemption from NSW Health Department last October. The event will instead go ahead in October with the same lineup of artists originally planned for 2020, plus two or three new additions scheduled to join the roster. Sculpture Rocks, a collaboration between Sculpture by the Sea, Place Management NSW and the Ports Authority of NSW that was set to see Japanese sculpture take over Campbells Cove in The Rocks this January, has also been postponed. The smaller-scale sculpture event is now planned for mid-2021. It has been a turbulent couple of years for the team behind the beloved Sydney art exhibition. In 2019, organisers clashed with Waverley Council over the design of a new path, threatening to move the event out of the council area. The planned upgrades to the area were completed in October 2019 before Sculpture buy the Sea came to an agreement with Waverley Council to remain in Bondi until at least 2030. Sculpture by the Sea is currently aiming to take place in October 2021. Stay up to date with the latest announcements at sculpturebythesea.com. Images: Trent Van der Jagt
Each individual member of How I Met Your Mother seems to do something cool. Jason Segel resurrected the Muppets. Neil Patrick Harris produces interactive theatre and dresses his adorable babies in adorably elaborate Halloween costumes. Alyson Hannigan was Willow freakin' Rosenberg. When you break it down, the omnipresent sitcom might be less than the sum of its parts. Josh Radnor, the personal pronoun of How I Met Your Mother, follows suit by being an indie film writer and director of some repute, having won the Sundance Film Festival Audience Award for 2010's happythankyoumoreplease. His newbie, Liberal Arts, is about a 35-year-old demi-achiever, Jesse (Radnor), who works a dull job as a university admissions officer and reads dead-tree books constantly, while walking even. When he visits his alma mater to honour his retiring former professor, Peter (Richard Jenkins), Jesse also starts a romance with sparky 19-year-old student Zibby (Elizabeth Olsen). Between her exuberance for new knowledge and the campus's leafy, Midwestern nourishment, he rediscovers some of the wide-eyed optimism of his own college days — and also learns why he can't have them back. Really, you can't blame anyone for falling a bit in love with Olsen. She elevates the whole movie, bringing a flood of beauty and intelligence to a character already written to be quite beautiful and quite intelligent. She's not a manic pixie dream girl, although the film pales from being made in an MPDG world. The story of 'unremarkable pre-middle-aged male seeks shaking up, via female, into remarkable life' is a little tired. Sure, seedy, equivocating men deserve our empathy, but arguably they've already had their time in the sun. We know you shouldn't sleep with the girl; we don't need to see your working out. There are other flaws in the film that follow on from all this obviousness: One character, Dean (John Magaro), a random student among thousands, appears in front of Jesse 'by coincidence' with such frequency he'd have to be a ghost stalking our protagonist (he's not), and his arc becomes too foreseeable. Perhaps Liberal Arts would have meant something more if all these other characters didn't so perfectly serve Jesse. They awaken him, confront him, absolve him, and release him. That said, arts graduates will nod in recognition of post-modern theory references, and Allison Janney fans will delight in her cameo as an ironically hard-hearted Romantics professors. There are several estimable bon mots. Liberal Arts may make a forgettable thesis, but you'd still find a couple of passages within it to highlight.
Many a summertime dream involves splashing around, lazing about in a cabana or on a daybed, grabbing a few drinks and feeling mighty relaxed. All of the above isn't normally something that a Brisbanite can do in the middle of Fortitude Valley though — let alone in a venue made out of shipping containers. But come Wednesday, January 1, 2020, it will be. That's when the X Cargo Pool Club starts operating for two months of levelled-up fun, launching on its opening date and then running from Friday–Sunday each week afterwards until February 28. Yes, the McLachlan Street spot is genuinely setting up a pool for two months — and turning it into a lush affair. Only 65 people will be given access at any one time and, taking over X Cargo's Eats Alley, the temporary body of water will also come with a private bar with its own exclusive menu, a private DJ booth, and private change rooms and toilets. If you're keen to soak and sip away a day or several, you'll need to either gather the gang and book one of the five cabanas — they accommodate up to eight people each — or nab yourself one of the 12 daybeds. For those going the cabana route, you'll pay $500 total for three hours, with bookings available at 11am, 2pm and 5pm. You'll also get bottle service, your own waiter, towel service and sun packs that include sunscreen. Happy to laze about on a sunbed between dips? That'll cost you $50 per person for two hours (with slots available from 11am, 1pm, 3pm and 5pm), and also covers towel service. Launch tickets are on sale now, with other bookings available by emailing the venue. Plus, if you're feeling super flush and festive, you and 65 of your mates can hire out the whole Pool Club as well.
The same team behind Frankie Magazine is about to launch a new publication entitled Smith Journal, a kind of guy-friendly take on the concept that has worked so brilliantly for the ladies. Over the years Frankie has created its own niche in the world of magazines. its creators saw a dearth of publications lacking warmth, impeccable design and solid content, so they filled the gap and they’ve done spectacularly well off it. In the past two years Frankie has had astounding jumps in circulation, making it the fastest growing magazine in the country. And the reasons for that are many, including their clean, environmentally-friendly design, support for underground acts and emerging creatives, and their emphasis on strong content, publishing distinctive writers like Benjamin Law and Marieke Hardy. Now they’re applying the same logic to the world of gentlemen’s magazines. The idea behind the name – Smith – is that of blokes doing stuff with their hands – blacksmiths and wordsmiths and the like. Their positioning is both old fashioned and down to earth, but never attempting to be cool or exclusive. And just like Frankie doesn’t bar the boys from the clubhouse, Smith also welcomes lady readers. The difference between Smith and Frankie is that it’s going to be a wee bit bigger and a little less regular. It’ll be printed out at a not-entirely-bus-friendly edition of 140+ pages, with only two issues a year in limited release. The first issue is out September 5.
In 2020, we all started paying extra attention to where we've been, in case venues we've visited were also attended by folks who've since tested positive to COVID-19. And with new local cases popping up again in Brisbane, checking the state's list of exposure sites is once again part of everyone's routines. Queensland Health maintains a register of places that positive COVID-19 cases have visited, and urges the state's residents to get tested and/or self-isolate if they've also been to them at specific times. Now, you can also see all of the venue alerts across the state via a handy interactive map. Called COVID-19 Near Me, the statewide map gives locations specific hues depending on the action visitors are being urged to comply with, making it easy to see whether or not you must get tested and self-isolate or just monitor for symptoms. For example, bright red-coloured venues are close contact locations and, therefore, visitors are to get tested immediately and self-isolate for 14 days, even if they receive a negative test. Darker red means that you need to get tested and isolate until you receive further advice, while orange indicates casual contacts, which requires getting a test and self-isolating until receiving a negative result. Purple is used when you need to get tested and monitor for symptoms, and blue shows lower-risk locations that require visitors to monitor for symptoms and then get tested should any appear. The map is not run by the government, but is instead powered by its official data. So, Queensland residents are urged to also check the official Queensland Health website if they have any concerns about venues they may have visited. At the time of writing, the map was last updated on Tuesday, September 28. You can check out all existing COVID-19 venue alerts at covid19nearme.com.au. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. Images: screenshots of COVID-19 Near Me on Tuesday, September 28.
Spring, the season when anything feels possible, has arrived. Flowers are blooming, temperatures are warming up and getaway vibes are buzzing — big get-out-of-the-house energy, too. So, your mind has probably turned to your next holiday. Of course, there's never a bad time to plan a vacation, but knowing that the cold is behind us for another year is mighty great motivation. Here's one way to proceed: making a date with anywhere from the Gold Coast up to Cairns, because this is a glorious time to be in the Sunshine State. Yes, Virgin Australia has just dropped a huge Queensland flight sale, teaming up with the Queensland Government on a big tourism push, and covering trips from October 2023–June 2024. Running now, from Monday, September 4 until 11.59AEST on Sunday, September 10 — or sold out, whichever arrives first — this is another of the airline's sales that's completely dedicated to hitting up everything north of Coolangatta. And, it's slinging a heap of fares: 300,000 of them, in fact. It might be focused on one part of the country, but you still have options in terms of departure points and destinations. Within Queensland, you can leave or arrive in Brisbane, Hamilton Island, the Gold Coast, the Sunshine Coast, Cairns, Townsville, Rockhampton, Emerald, Gladstone, Mackay, Mt Isa and Proserpine. And, around the rest of the nation, flights to and from Adelaide, Alice Springs, Canberra, Darwin, Hobart, Launceston, Melbourne, Newcastle, Perth and Sydney are all covered. One-way fares start at $49, which'll get you from Sydney to the Gold Coast and vice versa. Other sale flights include Sydney–Sunshine Coast from $55, Brisbane–Proserpine from $59, Newcastle–Brisbane and Canberra–Gold Coast from $65, and Melbourne–Gold Coast and Brisbane–Cairns from $69. Also, Hamilton Island fares start at $79 from Brisbane, $95 from Sydney and $99 from Melbourne. If you're wondering when you'll need to travel within that October–June period, the exact dates depend on the leg. Only select fares cover seat choice and checked baggage, however, with the airline announcing back in 2021 that it now splits its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. Virgin's latest Queensland Is Calling sale runs from Monday, September 4–Sunday, September 10 (ending at 11.59AEST) — or until sold out. Top image: Internet2014 via Wikimedia Commons. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Initially, even getting just one COVID-19 vaccination was a struggle, after Australia's inoculation rollout took its time in its early months. Then, we all started focusing on those crucial second jabs, especially with roadmaps out of lockdowns and towards international travel highlighting double-dose thresholds. Now, with vax rates climbing quickly — as of Friday, October 8, 60.2 percent of Australians are fully vaccinated — third COVID-19 jabs have started gaining attention. Also called booster shots, they're designed to prolong the effectiveness of the coronavirus vax. And, they've just been given the go-ahead for Australians with severely compromised immune systems. For most Aussies, that means that third jabs aren't on the cards at the moment; however, the Australian Technical Advisory Group on Immunisation (ATAGI) has now recommended booster shots for severely immunocompromised folks. Also, Federal Health Minister Greg Hunt has advised that they'll start being rolled out from Monday, October 11. "This is for the severely immunocompromised — a group of up to 500,000," said Hunt. "It's about providing additional protection." We're expecting to receive advice on booster doses for the general population in the coming weeks. With over 151 million Pfizer, Novavax & Moderna vaccines secured for supply into the future, Australia is prepared to provide booster doses if recommended by the medical experts. — Greg Hunt (@GregHuntMP) October 8, 2021 ATAGI has outlined exactly who falls into the severely immunocompromised category, and why it's making this recommendation. The group spans people with cancer, or who've had stem cell transplants or organ transplants; folks undertaking immunosuppressive therapies for cancer such as chemotherapy, radiotherapy or hormone therapy; others taking immunosuppressive therapies and some certain steroids; and those born with immunodeficiencies. If you're an Aussie who fits any of these descriptions, you might not be as protected by the regular two jabs. It's also recommended that an mRNA vaccine (so either Pfizer or Moderna) is used instead of AstraZeneca's jab (which is now called Vaxzevria) for the third dose. That said, the latter can be used if you had the AZ vax for your first two shots and you didn't have a reaction, or you've had a reaction to either the Pfizer or Moderna vaccinations. Timing-wise, ATAGI recommends waiting between two and six months after you've had your second dose, although a four-week minimum interval will be considered if it's likely your immunosuppression is about to get worse or there's a big COVID-19 outbreak. Severely immunocompromised Aussies can talk to their doctors about getting the third jab, with ATAGI's recommendations and guidelines now being sent to GP surgeries, pharmacies and aged care disability care settings. For all other Aussies who aren't eligible for booster shots yet, Hunt said that news is on the way. "The next stage, the general population stage, of the booster program, we're expecting advice from ATAGI before the end of October," he advised. For more information about booster COVID-19 vaccinations for severely immunocompromised Australians, visit the Australian Technical Advisory Group on Immunisation website.
If you’re a chocaholic and a Hunger Games fan, take a deep breath and try not to hyperventilate with greedy excitement. Two American chocolate companies have teamed up to create a range of chocolate bars inspired by The Hunger Games. Only in America, right? Themed around both the districts and lead characters, the range created by Vosges Haut Chocolates and Wild Ophelia includes a 'Katniss' bar — milk chocolate combined with what they describe as the “subtle, salty crunch of hickory smoked bacon accented by sweet, crisp apples. Yum. But some dozen times better is the 'Chocolate Bar Library' — a collection of 12 bars representing all 12 districts of Panem. Included are such imagination- and tastebud-stirring numbers as the mined salt and milk chocolate (District 12, which specialises in mining), beef jerky and smoked mesquite in milk chocolate (District 10, livestock), smoked chipotle chilli and milk chocolate (District 7, lumber) and crispy crunchy caramel corn and dark chocolate (District 5, power). The smartarses at BuzzFeed pitted the whole range of bars — or chocolatey 'tributes' — against each other and ranked them in order of deliciousness. The victor? District 9's milled oats, vanilla, hemp seeds and dark chocolate (representing grain). Sadly they don’t ship to Australia, but if you’re in the US, Canada or the UK (or are willing to test out parcel forwarding on a meltable item) you can get your gluttonous little hands upon these slightly ridiculous, slightly overpriced yet undeniably tempting goodies. Via Buzzfeed.
Do you live in a dog-friendly house? Do you have some spare time on your hands? Do you fantasise about hanging around at dog parks with an actual dog? If the answer to any of these questions is yes — and especially if the answer to all of them is yes coming into Christmas — then the good folks at Vision Australia's Seeing Eye Dogs need you. As part of the organisation's dog-training program, it has puppies running around the place quite often, and it's in need of volunteers to raise them. That includes right now, with 45 pooches requiring homes before the merriest day of the year. In other words, Vision Australia is giving away puppies — although you will need to give them back. If you put up your hand to become a puppy carer, you'll get a puppy for about a year, from around its eight-week birthday to when it turns turns between 12–15 months old. During that time, you'll be responsible for introducing the sights, sounds and smells it'll meet when it starts working as a seeing eye dog (and giving your new friend heaps of cuddles). Of course, it's not all just fun, games and cuteness. You'll have to be responsible enough to take care of regular grooming, house training and exercise, and be available for regular visits. A fenced-in backyard is mandatory, too. In return, the organisation provides a strong support network, and all food, training equipment and vet care. You'll also need to be home most of the time — so you won't be leaving the puppy alone for more than three hours a day, sat in front of Dog TV — and to be able to put effort into training and socialising the pup. View this post on Instagram A post shared by Seeing Eye Dogs Australia (@seeingeyedogsaustralia) Seeing Eye Dogs Australia is looking for people across the majority of local government areas across metropolitan Melbourne, as well as Geelong, Bendigo and Ballarat. In Queensland, Brisbane's north and Sunshine Coast areas are the current priorities. Once the pups reach 12-15 months old, they'll return to Vision Australia — and complete their journey to become four-legged companions for people who are blind or have low vision. Keen to help? You can apply online right now. If you're eager but can't commit to the full year, there's also a six-month caring option. Or, for workplaces, there's corporate caring, too. For more information about Seeing Eye Dogs Australia's puppy carers, and to apply for the volunteer roles, head to the organisation's website. Top image: Nicola Cotton.
Australia is currently cruising through a pretty steamy winter (well, comparatively). Which means we don't need to stick to the standard soul-warming stouts and mulled wines that are our normal winter fodder. Instead, we can keep drinking spritzes and other equally refreshing concoctions — like this brand new sweet yuzu vermouth. The tasty child of Adelaide Hills winery Unico Zelo and sister distillery Applewood, it's made from a combination of Adelaide Hills nebbiolo grapes, some native Australian botanicals (usually used to make Applewood's Okar bitter amaro) and yuzu from Mountain Yuzu — a 20-acre farm located in northeast Victoria, on the foothills of the Australian Alps. As you can see, its an all-Australian affair, unlike a lot of traditional vermouths, which are made in Italy and France. Eco-minded founders and winemakers Laura and Brendan Carter are committed to using native botanicals and sustainably produced grapes in their entire range of wines and spirits, aiming to create products that truly taste Aussie as. As it's not a traditional sweet vermouth — it's really quite far from it — we forgive you for not knowing exactly how to drink it. But, thankfully, we've done some testing for you. On the rocks? Yep. Instead of Aperol in a spritz? Do it. With a splash of soda? Definitely. If you want something a little fancier, the Unico team has a couple of cocktail suggestions for you (handily printed on the back of the bottle, no less). Try your hand at the Ultimate Spritz — made with with Unico Yuzu, blackcurrant-flavoured liqueur from Australian distiller Marrionette and soda — or the Opal Miner: Unico Yuzu, gin, green chartreuse and orange bitters. Unico (the parent company of Unico Zelo and Applewood) has also been steadily dropping a line of limited-edition gins throughout the year, all of which use Australian botanicals, of course. Those include flavours like pepperberry, wattleseed and desert lime. Even more of these unusual drops are headed our way in 2019, too, so keep an eye on this space. All of Unico's limited releases only available in very small batches, so if you want it, don't wait on it. Unico's Yuzu Vermouth is now available to purchase via the website. Priced at $34.99 per bottle.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've had a close-contact run-in. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 18 that you can watch right now at home. EVERYTHING EVERYWHERE ALL AT ONCE Imagine living in a universe where Michelle Yeoh isn't the wuxia superstar she is. No, no one should want to dwell in that reality. Now, envisage a world where everyone has hot dogs for fingers, including the Crouching Tiger, Hidden Dragon icon. Next, picture another where Ratatouille is real, but with raccoons. Then, conjure up a sparse realm where life only exists in sentient rocks. An alternative to this onslaught of pondering: watching Everything Everywhere All At Once, which throws all of the above at the screen and a helluva lot more. Yes, its title is marvellously appropriate. Written and directed by the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert, this multiverse-hopping wonder is a funhouse of a film that just keeps spinning through wild and wacky ideas. Instead of asking "what if Daniel Radcliffe was a farting corpse that could be used as a jet ski?" as their also-surreal debut flick did, the pair now muses on Yeoh, her place in the universe, and everyone else's along with her. Although Yeoh doesn't play herself in Everything Everywhere All At Once, she is seen as herself; keep an eye out for red-carpet footage from her Crazy Rich Asians days. Such glitz and glamour isn't the norm for middle-aged Chinese American woman Evelyn Wang, her laundromat-owning character in the movie's main timeline, but it might've been if life had turned out differently. That's such a familiar train of thought — a resigned sigh we've all emitted, even if only when alone — and the Daniels use it as their foundation. Their film starts with Evelyn, her husband Waymond (Ke Huy Quan, Indiana Jones and the Temple of Doom's Short Round and The Goonies' Data) and a hectic time. Evelyn's dad (James Hong, Turning Red) is visiting from China, the Wangs' daughter Joy (Stephanie Hsu, Shang-Chi and the Legend of the Ten Rings) brings her girlfriend Becky (Tallie Medel, The Carnivores) home, and IRS inspector Deirdre Beaubeirdra (Jamie Lee Curtis, Halloween Kills) is conducting a punishing audit. Then Evelyn learns she's the only one who can save, well, everything, everywhere and everyone. Everything Everywhere All At Once is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE LOST CITY Sometimes, they do still make 'em like they used to: action-adventure rom-coms in this case. Drive a DeLorean back to 1984, to the year before Robert Zemeckis made DeLoreans one of the most famous types of movie cars ever, and the director's Romancing the Stone did huge box-office business — and it's that hit that The Lost City keenly tries to emulate. This new Sandra Bullock- and Channing Tatum-starring romp doesn't hide that aim for a second, and even uses the same broad overall setup. Once again, a lonely romance novelist is swept up in a chaotic adventure involving treasure, a jungle-hopping jaunt and a stint of kidnapping, aka exactly what she writes about in her best-selling books. The one big change: the writer is held hostage, rather than her sister. But if you've seen Romancing the Stone, you know what you're in for. As penned by writer/director duo directors Aaron and Adam Nee (Band of Robbers) with Oren Uziel (Mortal Kombat) and Dana Fox (Cruella) — based on a story by Baywatch director Seth Gordon — The Lost City's plot is ridiculously easy to spot. Also, it's often flat-out ridiculous. Anyone who has ever seen any kind of flick along the same lines, such as Jungle Cruise most recently, will quickly see that Loretta Sage (Bullock, The Unforgivable), this movie's protagonist, could've written it herself. Once she finds herself living this type of narrative, that truth isn't lost on her, either. First, though, she's five years into a grief-stricken reclusive spell, and is only out in the world promoting her new release because her publisher Beth (Da'Vine Joy Randolph, The United States vs Billie Holiday) forces her to. She's also far from happy at being stuck once again with the man who has been sharing her limelight over the years, Fabio-style model Alan (Tatum, Dog), who has graced her book's covers and had women falling over themselves to lust-read their pages. And Loretta is hardly thrilled about the whole spectacle that becomes her latest Q&A as a result, and that makes her a distracted easy mark for billionaire Abigail Fairfax (Daniel Radcliffe, Guns Akimbo) afterwards. The Lost City is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MEMORIA When Memoria begins, it echoes with a thud that's not only booming and instantly arresting — a clamour that'd make anyone stop and listen — but is also deeply haunting. It arrives with a noise that, if the movie's opening scene was a viral clip rather than part of Thai filmmaker Apichatpong Weerasethakul's spectacular Cannes Jury Prize-winning feature, it'd be tweeted around with a familiar message: sound on. The racket wakes up Jessica Holland (Tilda Swinton, The Souvenir: Part II) in the night, and it's soon all that she can think about; like character, like film. It's a din that she later describes as "a big ball of concrete that falls into a metal well which is surrounded by seawater"; however, that doesn't help her work out what it is, where it's coming from or why it's reverberating. The other question that starts to brood: is she the only one who can hear it? So springs a feature that's all about listening, and truly understands that while movies are innately visual — they're moving pictures, hence the term — no one should forget the audio that's gone with it for nearly a century now. Watching Weerasethakul's work has always engaged the ears intently, with the writer/director behind the Palme d'Or-winning Uncle Boonmee Who Can Recall His Past Lives and just-as-lyrical Cemetery of Splendour crafting cinema that genuinely values all that the filmic format can offer. Enjoying Memoria intuitively serves up a reminder of how crucial sound can be to that experience, emphasising the cavernous chasm between pictures that live and breathe such a truth and those that could simply be pictures. Of course, feasting on Weerasethakul's films has also always been about appreciating not only cinema in all its wonders, but as an inimitable art form. Like the noise that lingers in his protagonist's brain here, his movies aren't easily forgotten. Memoria is available to stream via SBS On Demand. Read our full review. AFTER YANG What flickers in a robot's circuitry in its idle moments has fascinated the world for decades, famously so in Do Androids Dream of Electric Sheep?, Blade Runner and Blade Runner 2049. In writer/director/editor Kogonada's (TV series Pachinko) After Yang, one machine appears to long for everything humans do. The titular Yang (Justin H Min, The Umbrella Academy) was bought to give Kyra (Jodie Turner-Smith, Queen & Slim) and Jake's (Colin Farrell, The Batman) adopted Chinese daughter Mika (Malea Emma Tjandrawidjaja, iCarly) a technosapien brother, babysitter, companion and purveyor of "fun facts" about her heritage. He dotes amid his duties, perennially calm and loving, and clearly an essential part of the family. What concerns his wiring beyond his assigned tasks doesn't interest anyone, though, until he stops operating. Mika is distressed, and Kyra and Jake are merely inconvenienced initially, but the latter pledges to figure out how to fix Yang — which is where his desires factor in. Yang is unresponsive and unable to play his usual part as the household's robotic fourth member. If Jake can't get him up and running quickly, he'll also experience the "cultural techno" version of dying, his humanoid skin even decomposing. That puts a deadline on a solution, which isn't straightforward, particularly given that Yang was bought from a now-shuttered reseller secondhand, rather than from the manufacturer anew. Tinkering with the android's black box is also illegal, although Jake is convinced to anyway by a repairman (Ritchie Coster, The Flight Attendant). He acquiesces not only because it's what Mika desperately wants, but because he's told that Yang might possess spyware — aka recordings of the family — that'd otherwise become corporate property. After Yang is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. AMBULANCE Following a high-stakes Los Angeles bank robbery that goes south swiftly, forcing two perpetrators to hijack an EMT vehicle — while a paramedic tries to save a shot cop's life as the van flees the LAPD and the FBI, too — Ambulance is characteristically ridiculous. Although based on the 2005 Danish film Ambulancen, it's a Michael Bay from go to whoa; screenwriter and feature newcomer Chris Fedak (TV's Chuck, Prodigal Son) even references his director's past movies in the dialogue. The first time, when The Rock is mentioned, it's done in a matter-of-fact way that's as brazen as anything Bay has ever achieved when his flicks defy the laws of physics. In the second instance mere minutes later, it's perhaps the most hilarious thing he's put in his movies. It's worth remembering that Divinyls' 'I Touch Myself' was one of his music-clip jobs; Bay sure does love what only he can thrust onto screens, and he wants audiences to know it while adoring it as well. Ambulance's key duo, brothers Will (Yahya Abdul-Mateen II, The Matrix Resurrections) and Danny Sharp (Jake Gyllenhaal, The Guilty), are a former Marine and ostensible luxury-car dealer/actual career criminal with hugely different reasons for attempting to pilfer a $32-million payday. For the unemployed Will, it's about the cash needed to pay for his wife Amy's (Moses Ingram, The Tragedy of Macbeth) experimental surgery, which his veteran's health insurance won't cover — but his sibling just wants money. Will is reluctant but desperate, Danny couldn't be more eager, and both race through a mess of a day. Naturally, it gets more hectic when they're hurtling along as the hotshot Cam (Eiza González, Godzilla vs Kong) works on wounded rookie police officer Zach (Jackson White, The Space Between), arm-deep in his guts at one point, while Captain Monroe (Garrett Dillahunt, Army of the Dead), Agent Anson Clark (Keir O'Donnell, The Dry) and their forces are in hot pursuit. Ambulance is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE UNBEARABLE WEIGHT OF MASSIVE TALENT "Nic fuckiiiiiiiiiiiiiiiing Cage." That's how the man himself utters his name in The Unbearable Weight of Massive Talent, and he knows what he's about. Now four decades into his acting career to the year — after making his film debut in Fast Times at Ridgemont High under his actual name Nicolas Coppola, playing a bit-part character who didn't even get a moniker — Cage is keenly aware of exactly what he's done on-screen over that time, and in what, and why and how. He also knows how the world has responded, with that recognition baked into every second of his his latest movie. He plays himself, dubbed Nick Cage. He cycles through action-hero Cage, comically OTT Cage, floppy-haired 80s- and 90s-era Cage, besuited Cage, neurotic Cage and more in the process. And, as he winks, nods, and bobs and weaves through a lifetime of all things Cage, he's a Cage-tastic delight to watch. The Unbearable Weight of Massive Talent does have a narrative around all that Cage as Cage, as penned by writer/director Tom Gormican (Are We Officially Dating?) and co-scribe Kevin Etten (Kevin Can F**K Himself). Here, the man who could eat a peach for days in Face/Off would do anything for as long as he needed to if he could lock in a weighty new part. The fictionalised Cage isn't happy with his roles of late, as he complains to his agent (Neil Patrick Harris, The Matrix Resurrections), but directors aren't buying what he's enthusiastically selling. He has debts and other art-parodies-life problems, though, plus an ex-wife (Sharon Horgan, This Way Up) and a teen daughter (Lily Sheen, IRL daughter of Kate Beckinsale and Michael Sheen). So, he reluctantly takes a $1-million gig he wishes he didn't have to: flying to southern Spain to hang out with billionaire Javi Gutierrez (Pedro Pascal, The Bubble), who is such a Cage diehard that he even has his own mini museum filled with Cage memorabilia, and has also written a screenplay he wants Cage to star in. The Unbearable Weight of Massive Talent is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE SOUVENIR: PART II In showbusiness, nepotism is as inescapable as movies about movies. Both are accounted for in The Souvenir: Part II. But when talents as transcendent as Honor Swinton Byrne, her mother Tilda Swinton and writer/director Joanna Hogg are involved — with the latter working with the elder Swinton since her first short, her graduation piece Caprice, back in 1986 before Honor was even born — neither family ties nor filmmaking navel-gazing feel like something routine. Why this isn't a surprise with this trio is right there in the movie's name, after the initial The Souvenir proved such a devastatingly astute gem in 2019. It was also simply devastating, following an aspiring director's romance with a charismatic older man through to its traumatic end. Both in its masterful narrative and its profound impact, Part II firmly picks up where its predecessor left off. In just her third film role — first working with her mum in 2009's I Am Love before The Souvenir and now this — Swinton Byrne again plays 80s-era filmmaking student Julie Harte. But there's now a numbness to the wannabe helmer after her boyfriend Anthony's (Tom Burke, Mank) death, plus soul-wearying shock after discovering the double life he'd been living that her comfortable and cosy worldview hadn't conditioned her to ever expect. Decamping to the Norfolk countryside, to her family home and to the warm but entirely upper-middle-class, stiff-upper-lip embrace of her well-to-do parents Rosalind (Swinton, The French Dispatch) and William (James Spencer Ashworth) is only a short-term solution, however. Julie's thesis film still needs to be made — yearns to pour onto celluloid, in fact — but that's hardly a straightforward task. The Souvenir: Part II is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. RRR The letters in RRR's title are short for Rise Roar Revolt. They could also stand for riveting, rollicking and relentless. They link in with the Indian action movie's three main forces, too — writer/director SS Rajamouli (Baahubali: The Beginning), plus stars NT Rama Rao Jr (Aravinda Sametha Veera Raghava) and Ram Charan (Vinaya Vidheya Rama) — and could describe the sound of some of its standout moments. What noise echoes when a motorcycle is used in a bridge-jumping rescue plot, as aided by a horse and the Indian flag, amid a crashing train? Or when a truck full of wild animals is driven into a decadent British colonialist shindig and its caged menagerie unleashed? What racket resounds when a motorbike figures again, this time tossed around by hand (yes, really) to knock out those imperialists, and then an arrow is kicked through a tree into someone's head? Or, when the movie's two leads fight, shoot, leap over walls and get acrobatic, all while one is sat on the other's shoulders? RRR isn't subtle. Instead, it's big, bright, boisterous, boldly energetic, and brazenly unapologetic about how OTT and hyperactive it is. The 187-minute Tollywood action epic — complete with huge musical numbers, of course — is also a vastly captivating pleasure to watch. Narrative-wise, it follows the impact of the British Raj (aka England's rule over the subcontinent between 1858–1947), especially upon two men. In the 1920s, Bheem (Jr NTR, as Rao is known) is determined to rescue young fellow villager Malli (first-timer Twinkle Sharma), after she's forcibly taken by Governor Scott Buxton (Ray Stevenson, Vikings) and his wife Catherine (Alison Doody, Beaver Falls) for no reason but they're powerful and they can. Officer Raju (Charan) is tasked by the crown with making sure Bheem doesn't succeed in rescuing the girl, and also keeping India's population in their place because their oppressors couldn't be more prejudiced. RRR is available to stream via Netflix. Read our full review. THE DUKE Back in 1962, in the first-ever Bond film Dr No, the suave, Scottish-accented, Sean Connery-starring version of 007 admires a painting in the eponymous evil villain's underwater lair. That picture: Francisco Goya's Portrait of the Duke of Wellington. The artwork itself is very much real, too, although the genuine article doesn't appear in the feature. Even if the filmmakers had wanted to use the actual piece, it was missing at the time. In fact, making a joke about that exact situation is why the portrait is even referenced in Dr No. That's quite the situation: the debut big-screen instalment in one of cinema's most famous and longest-running franchises, and a saga about super spies and formidable villains at that, including a gag about a real-life art heist. The truth behind the painting's disappearance is even more fantastical, however, as The Duke captures. The year prior to Bond's first martini, a mere 19 days after the early 19th-century Goya piece was put on display in the National Gallery in London, the portrait was stolen. Unsurprisingly, the pilfering earned plenty of attention — especially given that the government-owned institution had bought the picture for the hefty sum of £140,000, which'd likely be almost £3 million today. International master criminals were suspected. Years passed, two more 007 movies hit cinemas, and there was zero sign of the artwork or the culprit. And, that might've remained the case if eccentric Newcastle sexagenarian Kempton Bunton (played here by Six Minutes to Midnight's Jim Broadbent) hadn't turned himself in in 1965. As seen in this wild caper from filmmaker Roger Michell (My Cousin Rachel, Blackbird), Bunton advised that he'd gotten light-fingered in protest at the obscene amount spent on Portrait of the Duke of Wellington using taxpayer funds — money that could've been better deployed to provide pensioners with TV licenses, a cause he had openly campaigned for (and even been imprisoned over after refusing to pay his own television fee). The Duke is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WASH MY SOUL IN THE RIVER'S FLOW A silent hero and a rowdy troublemaker. That's what Ruby Hunter calls Archie Roach, her partner in life and sometimes music, then characterises herself. She offers those words casually, as if she's merely breathing, with an accompanying smile and a glint in her eyes as she talks. They aren't the only thoughts uttered in Wash My Soul in the River's Flow, which intersperses concert and rehearsal clips with chats with Hunter and Roach, plus snippets of biographical details from and recollections about their lives as intertitles, and then majestic footage of the winding Murray River in Ngarrindjeri Country, where Hunter was born, too. Still, even before those two-word descriptions are mentioned, the film shows how they resonate within couple's relationship. Watching their dynamic, which had ebbed and flowed over three-plus decades when the movie's footage was shot in 2004, it's plain to see how these two icons of Australian music are dissimilar in personality and yet intertwine harmoniously. Every relationship is perched upon interlocking personalities: how well they complement each other, where their differences blend seamlessly and how their opposing traits spark challenges in the best possible ways. Every song, too, is a balance of disparate but coordinated pieces. And, every ecosystem on the planet also fits the bill. With Hunter and Roach as its focus, Wash My Soul in the River's Flow contemplates all three — love, music and Country — all through 2004 concert Kura Tungar — Songs from the River. Recorded for the documentary at Melbourne's Hamer Hall, that gig series interlaced additional parts, thanks to a collaboration with Paul Grabowsky's 22-piece Australian Art Orchestra — and the movie that producer-turned-writer/director Philippa Bateman makes of it, and about two Indigenous stars, their experience as members of Australia's Stolen Generations, their ties to Country and their love, is equally, gloriously and mesmerisingly multifaceted. Wash My Soul in the River's Flow is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLIND AMBITION From fleeing Robert Mugabe's Zimbabwe to taking their nation's first-ever team to the World Wine Blind Testing Championships in Burgundy, Joseph, Tinashe, Marlvin and Pardon have quite the story to tell. The quartet met in South Africa, where they each individually made their home long before they crossed paths. They all also found themselves working with wine, despite not drinking it as Pentecostal Christians — and, in the process, they discovered a knack for an industry they mightn't have even contemplated otherwise. That's the tale that Blind Ambition relays, and it's a rousing and moving one. Indeed, it won't come as a surprise that the movie won Australian filmmakers Warwick Ross and Rob Coe (Red Obsession) the 2021 Tribeca Film Festival Audience Award for Best Feature Documentary. Blind wine testing is a serious business; the first word isn't slang for inebriation, but describes how teams sample an array of wines without knowing what they're drinking. Then, they must pick everything from the country to the vintage to the varietal within two minutes of sipping. As stressed both verbally and visually throughout the doco, there's a specific — and very white — crowd for this endeavour. Accordingly, Team Zimbabwe instantly stands out. Heralding diversity is one of their achievements; their infectious joy, pride and enthusiasm for the field, for competing at the Olympics of the wine world, for the fact that their plight has taken them from refugees to finding a new calling, and for opening up the world to African vino, is just as resonant. Blind Ambition is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE What a difference Mads Mikkelsen can make. What a difference the stellar Danish actor can't, too. The Another Round and Riders of Justice star enjoys his Wizarding World debut in Fantastic Beasts: The Secrets of Dumbledore, taking over the part of evil wizard Gellert Grindelwald from Fantastic Beasts: The Crimes of Grindelwald's Johnny Depp — who did the same from Fantastic Beasts and Where to Find Them's Colin Farrell first, albeit in a scripted change — and he's impressively sinister and engagingly insidious in the role. He needs to be: his fascist character, aka the 1930s-set movie's magical version of Hitler, wants to eradicate muggles. He's also keen to grab power however he must to do so. But a compelling casting switch can't conjure up the winning wonder needed to power an almost two-and-a-half-hour film in a flailing franchise, even one that's really just accioing already-devoted Harry Potter fans into cinemas. Nearly four years have passed since The Crimes of Grindelwald hit cinemas, but its successor picks up its wand where that dull sequel left off. That means reuniting with young Albus Dumbledore, who was the best thing about the last feature thanks to Jude Law (The Third Day) following smoothly in Michael Gambon and Richard Harris' footsteps. And, it means explaining that Dumbledore and Grindelwald pledged not to harm each other years earlier, which precludes any fray between them now. Enter magizoologist Newt Scamander (Eddie Redmayne, The Trial of the Chicago 7) and his pals. Well, most of them. Newt's assistant Bunty (Victoria Yeates, Call the Midwife), brother Theseus (Callum Turner, Emma), No-Maj mate Jacob (Dan Fogler, The Walking Dead), Hogwarts professor Lally (Jessica Williams, Love Life) and Leta Lestrange's brother Yusuf Kama (William Nadylam, Stillwater) are accounted for, while former friend Queenie (Alison Sudol, The Last Full Measure) has defected to Grindelwald. As for the latter's sister Tina (Katherine Waterston, The World to Come), she's spirited aside, conspicuously sitting Operation Avoid Muggle Genocide out. Fantastic Beasts: The Secrets of Dumbledore is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. NOBODY HAS TO KNOW Before Belgian actor and filmmaker Bouli Lanners started gracing screens big and small — writing and directing projects for the former as well — he trained as a painter. If you didn't know that fact, it'd be easy to guess while watching Nobody Has to Know. He helms and scripts, as he did 2011 Cannes award-winner The Giant, plus 2016's The First, the Last. He acts, as he has in everything from A Very Long Engagement and Rust and Bone to Raw and Bye Bye Morons. But it's the careful eye he brings to all that fills Nobody Has to Know's frames that immediately leaves an impression, starting with simply staring at the windswept Scottish scenery that provides the movie's backdrop. It's picturesque but also ordinary, finding visual poetry in the scenic and sweeping and yet also everyday. That's what the feature does with its slow-burning romantic narrative, too. On a remote island, Philippe Haubin (Lanners) has made a humble home. Working as a farmhand, he stands out with his arms covered in tattoos and his accent, but he's also been welcomed into the close-knit community. And, when he's found on the beach after suffering a stroke, his friends swiftly rally around — his younger colleague Brian (Andrew Still, Waterloo Road), who spreads the word; the latter's aunt Millie (Michelle Fairley, Game of Thrones), who ferries him around town; and her stern father Angus (Julian Glover, The Toll), who welcomes him back to work once he's out of hospital. But Phil returns with amnesia, which unsurprisingly complicates his daily interactions. He doesn't know what Brian means when he jokes about Phil now being the island's Jason Bourne, he has no idea if the dog in his house is his own, and he has no knowledge of any past, or not, with Millie. Nobody Has to Know is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MORBIUS Jumping into the Sony Shared Universe from the DCEU — that'd be the DC Extended Universe, the pictures based around Batman, Superman, Wonder Woman, Suicide Squad and the like (but not including Joker or The Batman) — Jared Leto plays Morbius' eponymous figure. A renowned scientist, Dr Michael Morbius has a keen interest in the red liquid pumping through humans' veins stemming from his own health issues. As seen in early scenes set during his childhood, young Michael (Charlie Shotwell, The Nest) was a sickly kid in a medical facility thanks to a rare disease that stops him from producing new blood. There, under the care of Dr Emil Nikols (Jared Harris, Foundation), he befriended another unwell boy (debutant Joseph Esson), showed his smarts and earned a prestigious scholarship. As an adult, he now refuses the Nobel Prize for creating artificial plasma, then tries to cure himself using genes from vampire bats. Morbius sports an awkward tone that filmmaker Daniel Espinosa (Life) can't overcome; its namesake may be a future big-screen baddie, but he's also meant to be this sympathetic flick's hero — and buying either is a stretch. In the overacting Leto's hands, he's too tedious to convince as a threat or someone to root for. He's too gleefully eccentric to resemble anything more than a skit at Leto's expense, too. Indeed, evoking any interest in Morbius' inner wrestling (because saving his own life with his experimental procedure comes at a bloodsucking cost) proves plodding. It does take a special set of skills to make such OTT displays so pedestrian at best, though, and that's a talent that Leto keeps showing to the misfortune of movie-goers. He offers more restraint here than in Suicide Squad (not to be confused with The Suicide Squad), The Little Things, House of Gucci or streaming series WeCrashed, but his post-Dallas Buyers Club Oscar-win resume remains dire — Blade Runner 2049 being the sole exception. Morbius is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SONIC THE HEDGEHOG 2 It was true in the 90s, and it remains that way now: when Jim Carrey lets loose, thrusting the entire might of his OTT comedic powers onto the silver screen, it's an unparalleled sight to behold. It doesn't always work, and he's a spectacular actor when putting in a toned-down or even serious performance — see: The Truman Show, The Majestic, I Love You Phillip Morris and his best work ever, the sublime Eternal Sunshine of the Spotless Mind — but there's a reason that the Ace Venture flicks, The Mask and Dumb and Dumber were some of the biggest movies made three decades back. Carrey is now a rarity in cinemas, but one franchise has been reminding viewers what his full-throttle comic efforts look like. Sadly, he's also the best thing about the resulting films, even if they're hardly his finest work. That was accurate in 2020's Sonic the Hedgehog, and it's the same of sequel Sonic the Hedgehog 2 — which once again focuses on the speedy video game character but couldn't feel like more of a drag. The first Sonic movie established its namesake's life on earth, as well as his reason for being here. Accordingly, the blue-hued planet-hopping hedgehog (voiced by The Afterparty's Ben Schwartz) already made friends with small-town sheriff Tom Wachowski (James Marsden, The Stand). He already upended the Montana resident's life, too, including Tom's plans to move to San Francisco with his wife Maddie (Tika Sumpter, Mixed-ish). And, as well as eventually becoming a loveable member of the Wachowski family, Sonic also wreaked havoc with his rapid pace, and earned the wrath of the evil Dr Robotnik (Carrey, Kidding) in the process. More of the same occurs this time around, with Sonic the Hedgehog 2 taking a more-is-more approach. There's a wedding to ruin, magic gems to find and revenge on the part of Robotnik. He's teamed up with super-strong echidna Knuckles (voiced by The Harder They Fall's Idris Elba), in fact, while Sonic gets help from smart-but-shy fox Tails (voice-acting veteran Colleen O'Shaughnessey). Sonic the Hedgehog 2 is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. DEADLY CUTS The Full Monty wasn't the first to do it, and it definitely hasn't been the last. But for the quarter century since that crowd-pleasing comedy became an enormous worldwide hit, British movies about underdogs banding together to save their livelihoods and communities have no longer been scrappy battlers themselves. Irish film Deadly Cuts is the latest, joining an ever-growing pile that also includes everything from Calendar Girls to Swimming with Men — and first-time feature writer/director Rachel Carey knows the formula she's playing with. Each such picture needs to be set in a distinctive world, follow a close-knit group, see them face an apparently insurmountable task and serve up a big public spectacle that promises redemption, and every step in that recipe is covered here. But a movie can stick to a clear template and still boast enough spirit to make even the creakiest of plot inclusions feel likely and entertaining enough, and that's this low-budget affair from start to finish. It does raise a smile that AhhHair, the glamorous hairdressing contest that Deadly Cuts' main characters want to enter and win, is all about innovation in its chosen form. The movie itself would never emerge victorious at such a competition, but it's filled with broad, blackly comic fun along the way, even if it boasts about as much subtlety as a mohawk. The setting: Piglington, Dublin, an as-yet-ungentrified corner of the Irish capital, where the titular salon is a mainstay. The aim: saving the shop from being torn down and replaced with shiny new apartments. The wholly predictable complications: the determination of corrupt local politician Darryl Flynn (Aidan McArdle, The Fall) to forge ahead with the development, which'll boost his bank account; and the suburb-scaring thugs led by the overbearing Deano (Ian Lloyd Anderson, Herself), who throw their weight around at every chance they get. Deadly Cuts is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. IT SNOWS IN BENIDORM Forty-four years have passed since Timothy Spall first graced the silver screen — and what a gift he's given both cinema and television since. He won Cannes Best Actor prize for Mr Turner, earned five BAFTA nominations in five years between 1997–2002, popped up in lively Aussie crime flick Gettin' Square, stole every scene he was in in The Party and recently proved formidable in Spencer. He has everything from multiple Harry Potter movies to playing Winston Churchill in The King's Speech on his resume, too, and also routinely improves whatever he's in with his presence alone. In fact, he does exactly that with It Snows in Benidorm, which'd be a mere wisp of a film otherwise. Following a just-made-redundant bank employee to Spain, this meandering drama by Spanish filmmaker Isabel Coixet (Elisa & Marcela) frequently mistakes mood for depth — and while Spall can't polish away its struggles, he's always the key reason to keep watching. A fan of the weather and little else, Spall's Peter Riordan has given decades of his life to his employer, and is so settled into the routine he's fashioned around his job that it's as natural and automatic to him as breathing. Accordingly, when he's unceremoniously let go, he finds it difficult to adjust. He's told that being freed from the monotony of his work is a gift, allowing him to retire early — so in that spirit, he heads off to the Mediterranean coast's tourist mecca to spend time with the brother he otherwise rarely talks to. But upon his arrival, Peter finds his sibling conspicuously absent. He still stays in his high-rise apartment, but what was meant to be a family reunion-style holiday now becomes a detective quest. Helping him is Alex (Sarita Choudhury, And Just Like That...), who worked with Peter's shady club-owning brother, might know more than she's letting on about his whereabouts, and also welcomes her new pal's tender companionship the more that they spend time together. It Snows in Benidorm is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. OFF THE RAILS In need of a bland and derivative friends-on-holidays flick that's painted with the broadest of strokes? Keen to dive once more into the pool of movies about pals heading abroad to scatter ashes and simultaneously reflect upon their current lot in life? Fancy yet another supposedly feel-good film that endeavours to wring humour out of culture clashes between English-speaking protagonists and the places they visit? Yearning for more glimpses of thinly written women getting their grooves back and realising what's important on a wild Eurotrip? Call Off the Rails, not that anyone should. Coloured with every cliche that all of the above scenarios always throw up, and also covered from start to finish in schmaltz, the debut feature from director Jules Williamson is a travel-themed slog that no one could want to remember. A grab bag of overdone tropes and treacly sentiment, it also doubles as an ode to the songs of Blondie, which fill its soundtrack — but even the vocal stylings of the great Debbie Harry can't breathe vibrancy into this trainwreck. Once close, Kate (Jenny Seagrove, Peripheral), Liz (Sally Phillips, Blinded by the Light) and Cassie (Preston, Gotti) now just call on big occasions — and even then, they're barely there for each other. But when fellow pal Anna dies, they reunite at her funeral, and are asked to carry out her final wish by her mother (Belfast's Judi Dench, in a thankless cameo). The task: catching a train across Europe, through Paris to Girona, Barcelona and Palma in Spain, to recreate a backpacking jaunt the four took decades earlier. Specifically, they're headed to La Seu, a cathedral with stained-glass windows that look particularly spectacular when the sun hits at the right time (the film calls it "god's disco ball"). Anna already bought their Interrail passes, and her 18-year-old daughter Maddie (Elizabeth Dormer-Phillips, Fortitude) decides she'll join the voyage, too. Off the Rails is available to stream via Google Play, YouTube Movies and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows, or check out the movies that were fast-tracked to digital in January, February, March, April and May.
No one will need to make any wishes to visit the most magical place in Australia over the summer of 2023–24. Enchanted creatures, alluring woodland spaces, eerie mirrors, dazzling slippers and eye-catching stagecoaches will all be part of the experience, however. The place: Brisbane's Gallery of Modern Art, where Fairy Tales is taking over from Saturday, December 2–Sunday, April 28 as the River City venue's big summer exhibition. Fairy Tales was first announced in 2022 as part of GOMA's 2023 slate — and, from the moment that the 100-plus-piece showcase was revealed, it instantly sounded wondrous. The focus is indeed the stories that we all lapped up as kids, telling us about otherworldly critters, magic and more. Fairy Tales' art, installations and objects will split into three thematic chapters, starting with 'Into the Woods', then heading 'Through the Looking Glass' and finally pondering 'Ever After'. And yes, the exhibition will also survey the movies filled with such elements that still grace our screens, in what's set to be entrancing experience all round. [caption id="attachment_919713" align="alignnone" width="1920"] Henrique Oliveira / Brazil b.1973 / Baitogogo 2013 / Palais de Tokyo, Paris / Plywood and tree branches / 6740 x 1179 x 2076cm / Courtesy SAM Art Projects, Galerie GP&N Vallois, Galeria Millan / © Henrique Oliveira / Photograph: André Morin / This work is indicative of a new commission by Henrique Oliveira for the exhibition 'Fairy Tales' at QAGOMA.[/caption] One massive highlight is Corupira 2023, a huge site-specific installation by Henrique Oliveira, which GOMA also advised would be part of Fairy Tales when the exhibition was initially added to its 2023 calendar. This sprawling piece will take pride of place inside the riverside venue, with the Brazilian artist using salvaged timber, plywood and tree branches to transform the building's architecture. The result: a sure-to-be-stunning gnarled and twisted forest (a sure-to-be-snapped sight, too, naturally) courtesy of a specially commissioned work. Another sizeable installation hails from Patricia Piccinini, who is no stranger to filling GOMA with delights. Here, she'll create a magical path that sits below a canopy. Of course genetically modified plants are involved, this time in the form of 3000 blooms. [caption id="attachment_919718" align="alignnone" width="1920"] Trulee Hall / Witch House (Seance of the Umbilical Coven)(detail) 2020 / Wood, paper mâché, resin, fabric, stuffing, fake fur, synthetic hair, altered sex dolls, acrylic paint, spray paint, found candle holders, cornucopia baskets, found ceramic cornucopia, found crystal balls, convex mirror, polymer clay, hardware, LED candle / 431.8 × 685.8 × 436.88 cm / Collection: The Museum of Contemporary Art, Los Angeles (MOCA) / Photograph: Joshua White / JWPictures.comThis work is indicative of a new commission by Trulee Hall for the exhibition 'Fairy Tales' at QAGOMA.[/caption] Overall, as it fills GOMA's entire ground floor, Fairy Tales will explore how folklore-, myth- and legend-related narratives have fascinated audiences through art and culture over not just years and decades but centuries. If creepy woods have influenced sculptures, or tales of princes and princesses have inspired painters, expect to see it here, in a blockbuster Australian-exclusive showcase that'll run for five months. On a list that goes on like breadcrumb trails, the full showcase will feature everything from drawings and installations through to fashion, as well as films and filmic elements such as props and costumes. Across the venue's walls and screens, wicked witches, magic animals (fierce and friendly alike), coming-of-age tales, shifting gender roles, bravery, loyalty, castles and pumpkins will all feature in one way or another — with help from artists such as Jana Sterbak, Kiki Smith, Abdul Abdullah and Ron Mueck. [caption id="attachment_919715" align="alignnone" width="1920"] Timothy Horn / Australia/United States b.1964 / Mother-load2008 / Crystalised rock sugar, plywood, steel / 292.6 x 182.9 x 170.7cm / Courtesy: The artist / Image courtesy: Jason Schmidt / New York Times / Photographer: Jason Schmidt.[/caption] Other specific pieces include a glass coffin by Sterbak, a dual mirror from Anish Kapoor, Gustave Doré's Little Red Riding Hood and Trulee Hall's Witch House (Umbilical Coven) 2023. Or, get excited about seeing interactive sculpture Flying Mushrooms 2015 by Carsten Höller; Costume for a mourner, a ballet costume by Henri Matisse; and Mueck's version of Pinocchio. Film fans will have much to peer at, and not just because an accompanying movie program is a reality as well thanks to GOMA's excellent Australian Cinematheque. That big-screen lineup will show relevant flicks, but the exhibition will overflow with other cinema-related details. Think: a costume donned by David Bowie in all-time classic Labyrinth, plus the thirteen-hour clock and glass orbs from the film; celebrating Where the Wild Things Are, both images from Maurice Sendak's and costumes created by the Jim Henson Creature Shop for the 2009 movie; a dress from Jean Cocteau's 1946 masterpiece La Belle et la Bête; costumes from 2012's Mirror Mirror by Eiko Ishioka; and Del Kathryn Barton and Brendan Fletcher's animation The Nightingale and the Rose. [caption id="attachment_919719" align="alignnone" width="1920"] Still from 'Cinderella' (1922) dir. Lotte ReinigerImage courtesy:British Film Institute[/caption] "The exhibition explores enchantment, thresholds and transformation while articulating concerns that have always been inherent in fairy tales, such as power imbalances, injustice, ageing, gender and otherness, and resilience in the face of adversity," said QAGOMA's Amanda Slack-Smith, who curated Fairy Tales and is also the Australian Cinémathèque's Curatorial Manager. "The exhibition includes more than 100 works encompassing sculpture, installation, painting, photography, printmaking, papercuts, animation, video art, film, props, costumes and even the hidden realm of augmented reality," added QAGOMA Director Chris Saines. "Celebrating a much-loved genre of storytelling, Fairy Tales is an adventure that will inspire and delight as it reminds us how timeworn narratives can be remixed and updated to both surprise and disconcert audiences." [caption id="attachment_919717" align="alignnone" width="1920"] Tarsem Singh (director) / India/United States b.1961 / Eiko Ishioka (designer) / Japan 1938–2012 'Green dress' costume from Mirror Mirror 2012 / Silk, synthetic taffeta, nylon netting, plastic / © 2012 UV RML NL Assets LLC. / Photograph: Jan Thijs.[/caption] [caption id="attachment_919720" align="alignnone" width="1920"] Del Kathryn Barton (artist, director) / Australia b.1973 / Brendan Fletcher (director) / Australia /The Nightingale and the Rose (still) 2015 / Single-channel video: 14 minutes, colour, sound / Animators: Chris Breeze, Simon Bronson, David Edwards, Liz Ellis, Richard Swan / Music: Sarah Blasko/ Gift of Del Kathryn Barton through the Queensland Art Gallery | Gallery of Modern Art Foundation 2022. Donated through the Australian Government's Cultural Gifts Program / Collection: Queensland Art Gallery | Gallery of Modern Art© Del Kathryn Barton / Image courtesy: The artist and RoslynOxley9 Gallery, Sydney.[/caption] [caption id="attachment_919716" align="alignnone" width="1920"] Timothy Horn / Australia/United States b.1964 / Glass slipper (ugly blister) 2001 / Lead crystal, nickel-plated bronze, Easter egg foil, silicon / 51 x 72 x 33cm / Purchased 2002 / Collection: National Gallery of Australia, Canberra© Timothy Horn.[/caption] Fairy Tales will display at Brisbane's Gallery of Modern Art, Stanley Place, South Brisbane from Saturday, December 2, 2023–Sunday, April 28, 2024. For further details, visit GOMA's website. Top image: Henrique Oliveira / Brazil b.1973 / Baitogogo 2013 / Palais de Tokyo, Paris / Plywood and tree branches / 6740 x 1179 x 2076cm / Courtesy SAM Art Projects, Galerie GP&N Vallois, Galeria Millan / © Henrique Oliveira / Photograph: The artist / This work is indicative of a new commission by Henrique Oliveira for the exhibition 'Fairy Tales' at QAGOMA.
Brisbane theatre, musical and fairytale fans, one of your wishes is about to come true — and yes, it involves a fairy godmother. Finally coming to Australia in 2022 after the pandemic delayed its planned 2021 run, Rodgers and Hammerstein's Broadway musical version of Cinderella has just announced a Brisbane season. Get ready for glass slippers and pumpkin carriages to take over QPAC, with the show dancing its way into the Lyric Theatre from Friday, August 5. First premiering in New York in 2013, this version of the adored fairy tale features music by Richard Rodgers and lyrics by Oscar Hammerstein II, a couple of the best-known names in musical theatre history. The pair actually wrote their songs for a 1957 television production, which starred a pre-Mary Poppins and The Sound of Music Julie Andrews. (If you've seen the 1997 TV movie with Brandy and Whitney Houston — which remade that original small-screen flick — then you've already seen a version based on Rodgers and Hammerstein's original efforts.) Now, with the Broadway production making the jump Down Under, it'll debut locally at Melbourne's Regent Theatre from May, then head to Brisbane — before later moving on to Sydney in October. The tour is a collaboration between Opera Australia and Crossroads Live, after the two organisations teamed up on The King and I, another Rodgers and Hammerstein hit — but this time they're all about gleaming footwear and masked balls. [caption id="attachment_832563" align="alignnone" width="1920"] Carol Rosegg[/caption] Don't expect the exact same story you're used to, though — as you read as a kid, and saw in Disney's classic animated film and its live-action remake. Here, Cinderella is a contemporary figure, but living in a fairytale setting. While she's still transformed from a chambermaid into a princess, the tale has been given a firmly modern spin. Shubshri Kandiah (Aladdin, Fangirls) will play Ella, Ainsley Melham (Merrily We Roll Along, Aladdin) has been cast Prince Topher and Silvie Paladino (Mamma Mia!, Les Misérables) will sparkle as Marie, the Fairy Godmother. Also set to feature in the Australian production: Tina Bursill (Doctor Doctor, Wentworth) as Madame, Ella's stepmother, as well as Todd McKenney (The Boy From Oz, Shrek) as Sebastian, the Lord Chancellor. The cast will be working with a production penned by playwright Douglas Carter Beane (Xanadu, Sister Act) based on Hammerstein's work — which was, of course, adapted from the fairy tale about a young woman dreaming of a better life. The Broadway production was nominated for eight Tony Awards and won one, for Best Costume Design. In the US, Carly Rae Jepsen played Ella for a stint, while The Nanny's Fran Drescher also took on the role of Madame, Ella's stepmother, for a period. If you're wondering how the musical works its magic, check out the trailer for the show below: Rodgers + Hammerstein's Cinderella will hit the stage at Brisbane's QPAC, in the Lyric Theatre, from Friday, August 5. For further details, and to join the waitlist for tickets — with presales from Monday, March 21, and general tickets on sale on Friday, March 25 — head to the musical's website. Images: Carol Rosegg.
Hiking through forests and swimming around coral reefs can be great fun, but some of the best adventure holidays include those with close and personal wildlife experiences — and that doesn't mean just looking at birds in trees or visiting a zoo. This kind of epic getaway will have you witnessing exotic animals in their natural habitat, getting as close as you can without causing them any harm. To help you get on one of these trips, we teamed up with a bunch of local and international tour providers who curate experiences for animal lovers especially. Read on to find your fave and book your spot through Concrete Playground Trips. A HUMPBACK WHALE ADVENTURE This is a once-in-a-lifetime kind of travel experience. Adventure lovers will spend seven nights in Tonga, diving around the island almost every day. Each day, you'll follow the lead of Jono Allen — the ocean photographer, environmental scientist, marine megafauna guide and filmmaker — as he takes you to a series of different dive spots. Every year, thousands of magnificent humpback whales migrate from the freezing feeding grounds of Antarctica to Tonga's warm, azure paradise to mate and give birth. You're not totally guaranteed to see these majestic sea creatures, but this place'll be your best bet. BOOK IT NOW. [caption id="attachment_899178" align="alignnone" width="1920"] Red Charlie (Unsplash)[/caption] FIVE-NIGHT LUXURY SERENGETI SAFARI This Tanzanian trek takes animal lovers to some of the country's most famous safari destinations, including Rift Valley and the Ngorongoro Crater. You'll traverse savannah grasslands in a 4WD car with only a couple of other tourists. Here, you've got an ideal vantage point for spotting zebras, leopards, giraffes and all other kinds of native wildlife. You'll also stay in incredibly glam accommodation along the way. Specifically, the Four Seasons Safari Lodge Serengeti, Arusha Coffee Lodge and Grand Melia. It's guaranteed that you'll safari in total style on this Serengeti tour. BOOK IT NOW. [caption id="attachment_893317" align="alignnone" width="1920"] Colin Meg (Unsplash)[/caption] 10-DAY BORNEO WILDLIFE EXPEDITION Borneo is a bucket list travel destination for so many nature lovers. People flock to this part of the world for its wild rainforests, rugged coastline and traditional villages full of friendly locals. Fantastically, this 10-day tour takes you to all of Borneo's best bits, including an orangutan sanctuary where you can get up close with the intelligent creatures. You'll also cruise along the Kinabatangan River, chill out on the stunning Manukan Island and get a taste of city life in Kota Kinabalu — spending your nights in luxe resorts, hotels and lodges. BOOK IT NOW. [caption id="attachment_895302" align="alignnone" width="1920"] Tourism Western Australia[/caption] SWIM WITH WHALE SHARKS ON THIS NINGALOO REEF GETAWAY Swimming with the whale sharks on Ningaloo Reef should be at the top of everyone's travel hit-list when visiting Western Australia's Coral Coast. Exmouth is the gateway to the world's largest fringing reef — the iconic Ningaloo Reef — and that's exactly where you're headed on this exclusive three-day adventure. You'll enjoy a full day here, diving headfirst into the pristine aquatic wonderland that's home to dolphins, manta rays, turtles, humpback whales and, of course, the much-loved gentle giants: whale sharks. Spend the rest of your days at your own leisure. Our hot tips? Hitting up the iconic Cape Range National Park, home to native wildlife and epic walking trails. BOOK IT NOW. [caption id="attachment_899180" align="alignnone" width="1920"] Juli Kosolapova (Unsplash)[/caption] CROSS THE SOUTH GOBI DESERT BY CAMEL This isn't the usual two-hour camel tour you'll find Down Under — it is altogether more epic. You'll spend 11 days trekking around the largest desert in Asia, all from atop your humped steed. Wake up, jump aboard and explore Mongolia's Gobi Desert with local guides. This part of the locale is rich in mineral resources, diverse flora and fauna, thousands of unrevealed dinosaur fossils and rare paleo findings, as well as stacks of historical and archaeological sites. And seeing them via camel just makes your trip that much more unique and fun-filled. BOOK IT NOW. [caption id="attachment_899177" align="alignnone" width="1920"] Jorge Tung (Unsplash)[/caption] LUXURY SAFARI AROUND KENYA This seven-day tour takes adventure travellers to some of the greatest national parks and conservation reserves in Kenya. You'll see lions, elephants and rhinos in their habitats as they thrive in protected areas — a true must-do experience. Each night will be spent in a different luxury lodge located close to the wildebeest migration routes — meaning guests will likely get the chance to see these astonishing wild animals close-up (say, while having brekkie or swimming in their private plunge pool). If an African safari is on the cards this year, consider this exclusive offering from Concrete Playground Trips. BOOK IT NOW. [caption id="attachment_899195" align="alignnone" width="1920"] Nick Dunn (Unsplash)[/caption] SMALL GROUP FULL-DAY TOUR OF KANGAROO ISLAND Kangaroo Island is one of the top places to visit in Australia — and this tour will let travellers see some of its cutest and most rare wildlife. Start the morning with a cuppa and some homemade treats with fellow travellers before walking along koala-filled paths by the beach. After you're fuelled, you'll be taken to a series of natural sites that'll have you right up close to wallabies and sea lions. Watch pups nursing or playing in the surf, see old bulls bearing the scars of territorial disputes and learn about their unique breeding biology. The trip even includes lunch at a private bush camp, where you'll dine on locally caught fish and drink plenty of South Australian wine. BOOK IT NOW. [caption id="attachment_899184" align="alignnone" width="1920"] 2H Media (Unsplash)[/caption] EXCLUSIVE GORILLA TOUR OF UGANDA Live your Gorillas in the Mist fantasy (sans scary poachers) on this seven-day primate tour in Uganda. You'll trek around the rainforests keeping your eyes peeled for all kinds of primates — think chimpanzees, monkeys and the almighty gorilla — and even jump aboard a river boat for a day. Throughout the animal-filled getaway, travellers will stay in Rushaga Gorilla Camp, Simba Safari Camp and the Isunga Lodge — each surrounded by nature and wildlife. It's one of the greatest ways to explore this part of the world. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Hu Chen (Unsplash).
Getting paid to do what you love is the ultimate employment dream. Finding a job doing something that everyone loves? That's a next-level kind of gig. When Gelatissimo turned taste-testing new gelato flavours into an actual position, it fell into that category. When Domino's wanted someone to eat garlic bread for cold hard cash, it did too. Now, hospitality group Australian Venue Co has a similar kind of job on offer. Fancy adding 'secret sipper' to your resume? That's the gig that AVC is currently advertising, with 36 positions available across Sydney, Melbourne, Brisbane, Adelaide, Perth and Darwin. You'll get assigned to cover some of the company's 160-plus bars and pubs around the country, and you'll get paid for dining, drinking and then submitting a review once a month. If you've ever worked in retail and heard about mystery shoppers, then you know the drill. That's how these roles work, but in hospitality. So, you'll be posing as a customer and interacting with the venue's staff to scope out their service — and they'll be unaware that you're on AVC's payroll, like they are. Secret sippers will receive a $30 meal allowance for their monthly visit, plus $200 for each review, which'll cover a survey and a detailed written report. You don't need to have any experience in the field. Obviously, we're all veterans at eating and drinking, but you don't need to have done this type of job before. There are some pre-requisites, though, such as having your own transport, an ABN and access to a mobile device; being passionate about the industry; attentiveness and impartiality; and being able to do 12 visits each year. And if you're wondering which venues you might be visiting, it could be any in AVC's stable — which includes Cargo, Kingsleys and The Winery in Sydney; Fargo and Co, State of Grace and The Smith in Melbourne; Darling & Co, Riverland and The Regatta in Brisbane; The Hope Inn and Brighton Metro Hotel in Adelaide; and Sweetwater Rooftop Bar, The Globe and Wolf Lane in Perth. Find out more about AVC's secret sipper roles — and apply — by heading online.
Sydney Airport's next public art installation is a colourful reminder of Australia's roots, in a place where cultures and people from all across the globe converge daily. The work United Neytions by Kamilaroi artist Archie Moore will set a pretty striking scene, hung from the 17-metre-high ceiling of T1 International Terminal's Marketplace. Featuring 28 distinctive flags to represent the diversity of our country's Aboriginal cultures, the piece was chosen by The Museum of Contemporary Art (MCA) and Sydney Airport for their latest art commission, edging out works from seven other leading Aussie artists. According to MCA Director Elizabeth Ann Macgregor OBE, the work, by "one of our nation's most important contemporary artists", is a fitting one to be shared with the 15 million passengers that flow through this part of the airport annually. "Archie Moore has approached this exciting opportunity with great flair and his visually striking installation will no doubt intrigue, engage and capture the imagination of the millions of passengers passing through the airport's International terminal every year," she said. Moore himself explained that the flags would help draw attention "to the histories, voices and presence of local Indigenous people on which land the airport – an international zone/'no man's land' – lies, but also the passages of cultures, pasts, territories, ages and cultural knowledges that airports foster." United Neytions is set to be completed and unveiled at Sydney Airport in 2018.
In 1977, Robyn Davidson decided she would walk west from Alice Springs until she hit the Indian Ocean, taking with her only her beloved dog and four camels. She was determined to do this alone, but, finding herself in need of money, was forced to allow National Geographic photographer Rick Smolan to document her journey. Davidson was told the trek would be suicide, but, undeterred, she set out anyway on her perilous, eventful journey. Filmmakers have been trying to adapt Tracks, the book she wrote about her experience, since the early 1980s, with even Julia Roberts attached in 1993. This is the sixth (and, clearly, the only successful) attempt to bring Davidson's story to the screen. Mia Wasikowska stars and is impressive as Davidson, imbuing her with a determination required to sell the character. Adam Driver, best known from Lena Dunham's Girls, is equally superb as Smolan. Driver is a compelling presence, and though his character is an irritant to Davidson, he is a welcome presence to us whenever he appears. Read our full review of Tracks here. Tracks is in cinemas on Thursday, March 6, and thanks to Transmission Films, we have five double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=RyDCfuYTX_U
If you happen to have an outfit in your wardrobe that's the same shade favoured by Squid Game's guards, here's a piece of advice: it'd be best not to wear it to St Kilda Beach on the morning of Tuesday, December 10, 2024. A huge 200 people will already be there in that exact attire, with Netflix sending a continent of pink guards to the sandy patch of Melbourne to remind everyone that the hit series' second season is on the way — and soon — in an eerie fashion. When season one proved a massive success, the creepy Red Light, Green Light doll from the show towered over Sydney Harbour. Ahead of Squid Game's second season, the Victorian capital is getting in on the action. If your morning routine involves hitting the beach in Melbourne, you'll clearly have plenty of company — not just from the guards, but from others keen for a glimpse at the pop-up. And if you're located elsewhere in Australia, expect to see photos all over social media. Netflix is promising "a true Aussie takeover", all to celebrate Squid Game season two sliding into your streaming queue on Boxing Day. It might be wise to avoid wearing green tracksuits to St Kilda at the same time that the stunt is taking place, too, to avoid earning the pink guards' attention. Up at Sydney's Luna Park, you'll have another chance to get some IRL Squid Game action — without any murder, of course — when an immersive experience hits the tourist attraction to get you playing Red Light, Green Light from Monday, December 16, 2024. Three years have passed since Squid Game became an award-winning Netflix sensation — for viewers and, in the show itself when new episodes drop, for Seong Gi-hun (Lee Jung-jae, The Acolyte) as well. Audiences and Player 456 are alike are in for a new round of life-or-death matches when the streaming smash finally returns, although only the series' protagonist will be fighting for survival again while on a quest to shut down this chaos forever in season two. No one watching should ever want Squid Game to end; however, the show itself will wrap up in 2025 with season three. First comes the long-awaited second season to end 2024, though, where Player 456 is back in the game with new fellow competitors for company. Netflix has been dropping multiple early looks at season two, including a teaser trailer to kick off November — and it finished off the month with a new glimpse at what's to come. As the show's protagonist dons his green threads once more for the new season, his new fellow competitors are wary of his motives. Also part of the recent teases: Lee Byung-hun (The Magnificent Seven) as Gi-hun's nemesis Front Man, plus Wi Ha-joon (Little Women) also back as detective Hwang Jun-ho. For season two, Gong Yoo (Train to Busan) also returns as the man in the suit who got Gi-hun into the game in the first place; however, a show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount. Accordingly, new faces were always going to be essential — which is where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. Check out the full trailer for Squid Game season below: Squid Game's pink guards are taking over St Kilda Beach in Melbourne on the morning of Tuesday, December 10, 2024. Keep an eye on Netflix's social media for more details. Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: No Ju-han/Netflix.
Semi-anonymous street artist JR has won the 2011 TED Award (we highly suggest listening to him speak here), and is appealing to you, the public, to help him turn the world inside out using street art as a medium for social and political change. Appreciating that the world is sometimes an ugly, always volatile place, JR believes in the power of the public — 'the curators', who walk past his iconic images on a daily basis — as a vehicle for worldwide upheaval. For JR, "that is where we realise the power of paper and glue." JR's mission is simple, and it's based on his existing body of work — "we didn't push the limit, we just showed that it was further than anyone thought." Now, JR is asking you to explore the boundaries of limit in order to imprint your better world upon the flawed one we already have. While the artist doesn't believe that art can change the world in a tangible sense, he holds firmly to the philosophy that art can be harnessed to change perceptions. The Inside-Out project urges you to "stand up for what you care about, by participating in a global art project... Because when we act together, the whole thing is more than the sum of its parts." Inside-Out asks participants to have their photo taken in this travelling booth (rumoured to hit New York next), or upload their picture to the projects website. JR's team will then mail you a giant poster that you'll paste up within your community. Both the romanticism and the practicality of the Inside-Out project is inspiring, with a certain poignancy bred from the physical joining together of people from across the world for a common cause.
Another of your childhood favourites is making the leap from movie to stage musical — this time, the Robin Williams-starring Mrs Doubtfire. The theatre production will once again follow the plight of a divorced dad and struggling actor who's desperate to see his kids, and so dresses up as a kindly English nanny in order to spend time with them. Originally based on Anne Fine's best-selling novel Alias Madame Doubtfire, the 1993 film won two Golden Globes — for best musical or comedy, and for best actor in a musical or comedy for Williams — as well as an Oscar for best makeup. Just when the stage musical version will be giving audiences hot flashes yet to be announced, the creative team of director Jerry Zaks, and writers John O'Farrell and Karey Kirkpatrick (book) plus Karey and Wayne Kirkpatrick (music and lyrics) will take on the task of bringing the beloved flick to Broadway. Between them, they boast an impressive history. Zaks has won four Tonys, including for the 1992 revival of Guys and Dolls, and also has Little Shop of Horrors, Le Cage aux Folles, A Bronx Tale, Sister Act and Hello, Dolly! on his resume. As for the writing team, they're behind nine-time Tony nominee Something Rotten!. If the project sounds familiar, that's because it was originally mooted back in 2015, but with different folks behind the scenes. This time, however, the musical seems set to forge ahead — unlike the film sequel that was planned in the early 00s, but didn't ever come to fruition. And no, Arrested Development's homage (aka Tobias Funke's Mrs Featherbottom) doesn't really count. If it wasn't evident before this news, then it is now — the combination of nostalgically remembering enjoyable flicks from years gone by and adding songs to the mix seems to be a licence to print money. In recent years, everything from Matilda, Charlie and the Chocolate Factory, Bring It On and Mean Girls has made the leap to the stage, plus The Bodyguard, Amelie, Waitress, Muriel's Wedding and Moulin Rouge!. A stage version of The Devil Wears Prada is also in the works, as well as Empire Records. Via Entertainment Weekly / Playbill.
In Stay of the Week, we explore some of the world's best and most unique accommodations, giving you a little inspiration for your text trip. In this instalment, we highlight the Gili Beach Resort located on Indonesia's Gili Trawangan island. If you're itching to get away and ready to book an island holiday now, on Concrete Playground Trips we have a fabulous lineup of deals on great stays across Indonesia and packages on incredible Bali getaways that you can't find anywhere else. WHAT'S SO SPECIAL? This accommodation is made for big groups of people looking to experience laid-back (but still pretty damn luxurious) island living, without spending exorbitant amounts of money. THE ROOMS Both multi-level timber villas have four enormous bedrooms — each with extra-large double beds, ensuites and balconies overlooking the private pool and beach. You'll feel like you're living in a postcard when staying at this character-filled resort. And because there are only two villas on the property, you'll be getting brilliant service from the staff. You'll also have your own fully-kitted-out kitchen with a few indoor and outdoor dining areas (including tables and chairs right on the beach). There are also multiple spots made just for lounging – either choose the pool, the beach or one of the terraces. Roll from one spot to the other during a lazy day of drinking, eating, napping and sunning yourself. FOOD AND DRINK The staff at Gili Beach Resort will greet you every morning with a big breakfast, and the restaurant next door will also deliver to your door all day long. This restaurant is known to be incredibly good and the French chef serves up an ever-changing menu but the focus is — unsurprisingly — all about the fish of the day dishes at this island haunt. But that's not all. On your first night at Gili Beach Resort, you get an epic BBQ and private bonfire made for you by their team — they go above and beyond when it comes to service. They'll even help you with your grocery list and enlist a horse-pulled cart to help you manage a big shop (there are no motor vehicles on this island so all transport is either man or animal powered). THE LOCAL AREA The resort is located on the quieter side of Gili Trawangan, one of Indonesia's three Gili islands. These small islands are best known for their sandy beaches lined with large trees and the coral reefs full of colourful marine life. It's not unusual to find turtles swimming in front of your villa (with snorkelling equipment available to guests too). You're also fairly close to town – either a short walk or an even shorter bike ride (also provided as part of your stay). Find a local beach bar or restaurant for sunset and enjoy great Indonesian cuisine and inexpensive but powerful cocktails. Alternatively, you can go hiking up into the forests and get some unbeatable views of the surrounding islands or walk around to quieter beaches to find your own remote paradise. Whatever you're up for, the incredibly accommodating staff will make it happen for you. THE EXTRAS For small additional costs, the team at Gili Beach Resort will bring just about any brilliant experience right to you. They'll organise massages on your balcony overlooking the sea, horseback rides along the coast and traditional Indonesian cooking classes in your own villa. The friendly and attentive service is one of the resort's most well-known traits. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Landlocked surfers of Melbourne, rejoice — Australia's first surf park is finally filled with water and almost ready to start makin' waves. And it's a lot closer to the city than Torquay or the Peninsula. Urbnsurf Melbourne will open in Tullamarine, near the airport, just 16-kilometres north of the CBD. Plans for the park first surfaced way back in 2016 and, while the team was initially hoping for a spring opening, Urbnsurf has today revealed that the park is now filled with water, will start pumping out surf in the coming weeks and is set to open its doors to the public by summer this year. At the moment, the site is a very still lagoon — but when it opens, the two-hectare space will power up to 1000 waves per hour, day and night. And you'll get a choice of waves. Want to ride nothing but perfectly-formed right-handers for an hour? Or would you prefer a random selection, like what you'd experience in the ocean? You'll be able to take your pick. According to Urbnsurf founder Andrew Ross, "every wave has six different take-off spots", which equates to 3600 surfable positions every hour. [caption id="attachment_744979" align="alignnone" width="1920"] Courtesy Urbnsurf and Ed Sloane[/caption] So how does it work? Basically, the waves come from an 85-metre pier that runs down the centre of the lagoon. A series of pistons located on the pier then push the water to the left, then to the right, to create the waves. Ross likens the movement to "moving your hand back and forward like a shark's tail". The ability to create waves means that the park will be built for both pros who are looking for steep, barrelling waves and novices looking for a safe place to get their start in the surf. At Urbnsurf, Ross predicts, most novices will stand on their board within an hour and ride across the green face within two. And not only will you get guaranteed waves — you won't be fighting for them. The park holds 84 riders per hour. And, should you get seriously hooked, you'll be able to enter amateur competitions, maybe with (or against) your mates. If you need a break between sessions on the water, Urbnsurf will also be home to hot tubs, beach cabanas and a new two-storey restaurant by the owners of Sydney's Three Blue Ducks. And it's hoping to host a heap of live gigs, art shows and cultural experiences, too — we'll let you know when any are announced. If you're not in Melbourne, you'll be happy to know that a second Urbnsurf is set to open at Sydney Olympic Park in 2021. Urbnsurf is due to open in this summer near Melbourne Airport. You can sign up to test out the surf park before it opens on the website. Images: Courtesy Urbnsurf and Ed Sloane
When non-Brisbanites visit our river city, they tend to notice three things. First, the combination of humidity and heat always becomes a frequent, obvious and completely warranted topic of conversation. Next, there's the fact that we're definitely not the Gold Coast — or on the coast, for that matter. And finally, there's the unmissable feature that is our snaking central waterway. What out-of-towners don't usually expect, however, is our thriving food scene, which often shows off all of the above. Eating outdoors all year round, without throngs of tourists, while enjoying a river view or finding yourself in walking distance of its banks — well, that's Brisbane in a nutshell. If you're looking for the best examples of that, we've got 'em. With our pals at American Express, we've rounded up some of the most scenic, charming and all-around essential spots this town has to offer — the ones that show off Brisbane's charms and will make your visiting friends want to come back in a hurry. Plus, each of these accepts your American Express® Card so you can boost that points balance of yours for a reciprocal trip to your visitors home. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
2022 marks 23 years since Baltimore high-school student Hae Min Lee was found dead, and 22 years since her ex-boyfriend Adnan Syed was convicted of her murder. It also marks eight years since the case became an international obsession thanks to the first season of Sarah Koenig's grimly addictive podcast Serial. Since the latter, the details have rarely been out of the spotlight — including the legal situation, as well as Syed's ongoing quest to have the extremely complex matter reassessed in the years after he was found guilty. And come Wednesday, September 21, the case will fuel a brand-new episode of Serial as well. Yes, everyone's favourite 2014 true-crime podcast obsession is returning to its original subject, with the Koenig-hosted audio series Serial set to drop a new episode about Syed. The reason? After more than two decades in prison, Syed's conviction has just been vacated by the Baltimore City Circuit Court, with Syed released today, Tuesday, September 20, Down Under time. Syed has been released into home detention while the state has 30 days to decide whether to pursue a new trial or dismiss the case. The New York Times reports that Judge Melissa Phinn overturned the conviction "in the interests of fairness and justice". Her ruling came after finding that prosecutors did not turn over evidence that may have assisted Syed during his trial, as well as new evidence might've influenced the outcome. Serial confirmed via social media that Koenig was at the courthouse when Syed was released, and that a new episode of the podcast will arrive tomorrow morning US time. Syed was convicted of first-degree murder in 2020, sentenced to life in prison, and has been fighting his case through the courts ever since. While he was granted a new trial in 2016, that ruling was subsequently appealed by the State of Maryland — only for the Court of Special Appeals to agree to vacate Syed's conviction and finally give him that retrial. Then in 2019, in Maryland's Court of Appeals, that retrial request was denied, but Syed's attorney committed to keep battling. Lee's murder and Syed's conviction were also the subject of HBO documentary series The Case Against Adnan Syed, which picked up where Serial's 12-episode first season left off — not only exploring 18-year-old Lee's death in 1999 and Syed's conviction the year afterwards, but the latter's ongoing legal questions. The doco featured everything from Lee and Syed's relationship to the original police investigation and trial, and also the developments up until when it released in 2018, gaining exclusive access to Syed, his family and his lawyers. Keen to re-binge Serial today? Aren't we all. If you don't have time, The Case Against Adnan Syed is available to stream via Fetch in Australia — and you can check out the trailer below: Serial's new episode about Adnan Syed will drop on Wednesday, September 21 Australia and New Zealand time. Keep an eye on Serial's website for further details. Image: The Case Against Adnan Syed, Syed Family / Courtesy of HBO.
The COVID-19 situation in Australia continues to change every day. Already, the federal government has implemented a ban on non-essential events with more than 500 people and mandated that everyone arriving from overseas self-isolate for 14 days. And, day by day, that's having an enormous impact on the arts world. On Monday, March 16, Melbourne's major art and cultural institutions — including Melbourne Museum, Scienceworks, Arts Centre Melbourne, the NGV and State Library of Victoria — temporarily closed their doors. Today, Sydney Opera House announced that it is doing the same. Now, in a bid to slow the spread of COVID-19, some of Brisbane's big cultural venues are following suit. The Queensland Performing Arts Centre (QPAC) today, Tuesday, March 17, announced that it is closing its theatres until at least April 30, at which stage it will re-evaluate the situation. It has also cancelled all public performances during that period. Three of the South Bank centre's theatres have capacities larger than 500 — the Concert Hall, Lyric Theatre and the Playhouse — however it's taking precautionary measures and cancelling performances and shows in all venues, including the smaller Cremorne Theatre, as well as the Melbourne Street Green and Cascade Court. [caption id="attachment_760739" align="aligncenter" width="1920"] Green Jam at QPAC[/caption] Shows affected include Charlie and the Chocolate Factory's entire Brisbane season, which was due to open on Wednesday, March 18; the weekly free Green Jam gigs; all backstage tours; and everything from Queensland Ballet's 60th Anniversary Gala to shows by Penn and Teller, The Umbilical Brothers and The Wiggles. Elsewhere in Brisbane, Brisbane Powerhouse has cancelled the final week of the Brisbane Comedy Festival; however the venue itself remains open at this stage. Queensland Art Gallery and the Gallery of Modern Art have cancelled Water Up Late, as well as all public programs, events and tours, but again the venue itself — and the Australian Cinematheque's current program — remains operational for now. The Queensland Performing Arts Centre has closed all theatres until at least April 30. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
When Yo came out we thought it was totally ridiculous. A single use app that just sends the word 'Yo' to your friends, it seemed like another sign of the world going app crazy — a new age equivalent of the creepy and superfluous Facebook poke. (Seriously, that thing was solely used by your grandparents and first-time flirters). But, despite our cynicism, the app took off in a big way and has now led the way for something even better. Working in exactly the same as Yo, but bearing a different message, Beer?! has been born. Finally saving your text-tired thumbs from making six separate motions on the keypad, Beer?! allows you to assemble your drinking buds with a single effective motion. There's no ambiguity; no unique invitation to be carefully crafted. Beer?! is as simple as it gets. It's about drinking beer. Soon. Possibly with you. With no emojis, no timestamps and no awkward 'seen' messages, single use apps like Beer?! have a strangely alluring appeal. As people become increasingly confounded with their smartphone's latest fandangled features and constantly evolving uses, simplicity like this is looking pretty good. Available now from the app store, it helps that the service is both free to download and free to use. It also comes with a surprising endorsement from Portugal The Man. So, that's something. Of course, to use the app properly you'll have to arrange some details in advance. Your friend is only able to communicate with the word 'Beer?!' so you'll need to figure out if a reply equals confirmation, and if so, where you'll be heading. There's never been a better time to adopt a pub as your local. We'd advise you to just call them, but really, that would defeat the whole purpose. Via PSFK. Photo credit: Daveybot via photopin cc.
Brisbane's luxe hotel scene has been playing a bit of musical chairs in recent months, all thanks to the Hong Kong-based chain Ovolo. First, it took over the Inchcolm Hotel in Spring Hill, turning the art deco spot into a glam mix of the old and the new. Now, it's revamping the Fortitude Valley spot that was previously known as the Emporium. If you're still playing catch-up on all of these changes, the Emporium brand actually moved over to a new site at South Bank — one which, as of earlier this month, boasts a decadent rooftop bar on its 21st floor. But it sounds like the old Emporium will be quite the stunner too. Now called Ovolo The Valley and set to open its doors in November, the 103-room hotel has had a $55 million facelift, including two suites inspired by David Bowie. Fancy being a hero just for one day (and night)? In suites aptly named Major Tom and Rebel Rebel, guests will find 1970s-inspired velvet lounges and a gold bar. If you're not up for channelling your inner rock star, all rooms feature rich colours that take their cues from the Valley's streets and laneways, plus custom wallpaper and eclectic furniture choices. Also standard across the board is 24-hour room service, flat-screen TVs with Google Chromecast and an in-room Alexa to answer all of your questions — plus access to the rooftop swimming pool, gym and sauna. Like other Ovolo sites, Ovolo The Valley will also offer a heap of freebies: a free mini-bar with every room, free breakfast with every stay, free wi-fi, free laundry and free happy hour drinks each day. That said, rooms will start from $300 a night, so it's still an indulgent staycation. The new fitout is being overseen by architecture firm Woods Bagot, who're also looking after the Howard Smith Wharves redevelopment. Collaborating with Chloe Want from AvroKO in New York, they'll be working through into next year on Ovolo The Valley's final touch, with a standalone restaurant and bar slated to launch in early 2019. Ovolo The Valley will open at 1000 Ann Street, Fortitude Valley from November.
When Parasite became a smash that just kept winning awards — including Cannes' Palm d'Or, Sydney Film Festival's annual prize and a heap of Oscars — news arrived that the best film of 2019 would also get the TV treatment. So far, that hasn't come to fruition, sadly. But another stone-cold South Korean thriller masterpiece is now on its way to the small screen: Park Chan-wook's Oldboy. 2024 marks 21 years since the Decision to Leave, The Handmaiden, Joint Security Area, Thirst and Stoker director gave the world the first screen adaptation the Japanese manga of the same name — and also a middle chapter to his Vengeance Trilogy, following 2002's Sympathy for Mr Vengeance and preceding 2005's Lady Vengeance. Now, after an American movie remake popped up in 2013 directed by none other than Spike Lee (Da 5 Bloods), Oldboy is making the leap to television. Just as with the US flick, the TV show will be in English. "Lionsgate Television shares my creative vision for bringing Oldboy into the world of television," said Park in a statement, as reported by Variety. "I look forward to working with a studio whose brand stands for bold, original and risk-taking storytelling," he continued. Park will produce the series, adding another small-screen effort to his resume alongside 2018's The Little Drummer Girl and 2024's The Sympathizer. Park's Oldboy kicks off in 1988, when Oh Dae-su (Choi Min-sik, Big Bet) gets too drunk to attend his daughter's fourth birthday, even ending up at the police station. He doesn't get home from there, instead becoming imprisoned in a hotel room for 15 years by kidnappers intent on keeping him alive. When freedom finally comes, so does a bloody revenge quest. "Park is one of the most visionary storytellers of our generation, and we're excited to partner with him in bringing his cinematic masterpiece to the television screen," said Lionsgate Television's Executive Vice President and Head of Scripted Development Scott Herbst about the new TV show. While there's no word yet about how closely the storyline will adhere to the original — and nothing on casting, either, or when the show will release — Herbst also advised that "this series adaptation of Oldboy will feature the raw emotional power, iconic fight scenes and visceral style that made the film a classic." There's obviously no sneak peek yet for the Oldboy TV series — but find the trailer for Park's film above and Lee's film below: The Oldboy TV series doesn't yet have a release date — we'll update you when more details are announced. Via Variety.
Phone or tablet? If that's a question that you've ever asked yourself, Samsung now has the answer. This week, the company unveiled the prototype for its new foldable smartphone, confirming one of the biggest rumours in the technology game. At the Samsung Developer Conference in San Francisco on November 7–8, the company revealed a device that's clearly still in development, but combines the best of both worlds when it comes to regular-sized touchscreen phones and their larger siblings, aka tablets. The handset boasts a new interface and display that enables it to both function as the former and fold out to become the latter — for those times when you just need a bigger screen, we guess. The interface is called One UI and is designed for one-handed use, anchoring the most relevant information to the bottom of the screen. As for the Infinity Flex Display, as well as being able to fold in the middle, it will also move whatever you're looking at from its smaller size to its larger size as you unfold the phone. In what might be one of the biggest drawcards, it'll support simultaneous app use when the larger display is used, thanks to functionality Samsung has dubbed Multi Active Window. Yes, this means that you can have three things open and active at the same time. Design-wise, the device uses one single screen that is foldable down the centre like a book, instead of flipping from the top like the clamshell handsets that have long defined the way we all think about flip phones. Other details are scarce — this was Samsung's first real teaser that the new foldable format is definitely in the works, rather than an actual product launch. It's not the first time that the company has mentioned the device. Speaking with CNBC earlier in the year, IT and mobile communications division CEO DJ Koh noted that more details would be revealed at SDC — although clearly we'll all have to keep waiting for in-depth specifications, and even information such as a name, release date and price. Contrary to how the device might seem at present, Koh also noted that it won't just be a tablet in a more compact form. Images: Samsung.
After four decades of shows, performances, exhibitions, films, workshops and other creative events, Metro Arts is closing its CBD doors — and re-opening at a new venue in West End's West Village. The move was sparked by the sale of the multi-arts organisation's heritage-listed Edward Street home for more than $10.5 million in December. As well as funding the move, proceeds from the sale will be used to create the Metro Arts Future Fund, which will fund more arts projects and initiatives. When it launches in West Village on Wednesday, April 1, art fans can expect sprawling new digs as part of West End's 2.6-hectare precinct. Metro Arts' new 680-square-metre home will have an underground theatre, two galleries, two rehearsal rooms and access to an outdoor event area. And, obviously, it'll benefit from moving from a 129-year-old building to a development that's barely a year old. It's a huge move, so to mark the occasion — and say farewell to its home for the past four decades — Metro Arts is hosting a two-week festival called Metro Arts, With Love from Saturday, February 1–Saturday, February 15. The organisation will keep putting on shows in Edward Street right up until Tuesday, March 31, before opening its doors across the river the next day. As for the old site itself, its new owners are "committed to restoring the Heritage-listed building to its former glory", according to Metro Arts' statement on the move. It'll be refurbished to feature both retail and office space, with all changes adhering to requirements of the State Heritage Register. Metro Arts will continue to operate at its current home of 109 Edward Street, Brisbane, until Tuesday, March 31, moving to West Village, Boundary Street, West End from Wednesday, April 1. For further details, visit the Metro Arts website. Images: Jason Blight of Blight Rayner.
One of the beautiful, beautiful things about living in a pluralistic society is that you can turn pretty much any cause, interest or activity into your raison-d’etre. Gather a few like-minded mavericks around you, and call it a club. Create a website and you’re an international force to be reckoned with. That’s right, you need never feel alone again (no matter how odd you are). Because on some far-flung corner of the earth, there’ll be a club for you. For example, are you ridiculously smart? I’m not talking about matching up to those sub-standard wannabe intellectuals over at Mensa. I’m talking about meeting entrance standards for The Giga Society. Only one in a billion people qualify. But if you’re more, let’s say, run-of-the-mill, how about sharing your passion for poodles? Or your penchant for swapping coffee cream lids? Or your need to dress up like Santa Claus, even in February? Or your fancying of pigeons? Or your love of, simply, getting naked? Photographers Ursula Sprecher and Andi Cortellini have made it their mission to capture some of the world’s most fun, eccentric and cutest clubs; collating them in a coffee table book titled Hobby Buddies. In every staged portrait, club members are shown holding the object most important to them, wearing the costume (or lack of costume) that gives them common ground or taking part in their favourite activity. According to Sprecher and Cortellini, the series is inspired by the "joy of pursuing a common cause or shared idea". Camping and Caravanning Club Swiss Garrison Dintefisch Diving Club Tram Club Tupperware Party Santa Claus Group Warriors Cheerleaders Coffee Cream Lids Swap Meet BDSM Regular's Table Orchid Club Association of Scientific Preparators Board Games Club Merriment Pipe-Smokers Club Via Beautiful Decay. Images by Ursula Sprecher and Andi Cortellini.
Usually when May rolls around, the bulk of Brisbane heads to Musgrave Park for two days to pretend that they're in the Mediterranean. Loukoumades, souvlaki, haloumi and barbecued calamari await, and in hefty quantities. So does a massive celebration of Greek culture, cuisine and booze — aka Paniyiri. In 2023, that'll finally be happening again, after the 2020 event cancelled, the 2021 fest opted for a scaled-down and largely online format and 2022's big comeback as a full two-day fest was postponed to October due to soggy weather. This'll be the first Paniyiri to take place in its OG format in its OG timing since before the pandemic, running from Saturday, May 20–Sunday, May 21. Once again, the city's massive Greek festival will take over West End with quite the array of food, drink, partying and more. Yes, there's a reason that more than two million people have gone along over the years. Getting closer to five decades since the fest first was held in 1976, 2023's Paniyiri will focus on the theme "picnic at Paniyiri". Bring your own blanket to sit on for the day or, if you'd like a souvenir from the occasion, there'll be Paniyiri versions to purchase. No need to take along anything to eat or drink, of course, with the festival's stalls taking care of that — plus the usual array of Greek revelry, such grapes to stomp, coffee to sip, olives to consume, plates to smash, TV stars to rub shoulders with and cooking demonstrations to watch. Food-wise, expect bites from 11 Greek regions. If devouring as much as you can is your idea of fun, the festival's regular food contests usually keep stomachs satisfied. Then, to wash all of that down, there'll be Greek wine, Greek beer and Greek-inspired cocktails as well. It wouldn't be Paniyiri without entertainment. While the full event program hasn't yet been revealed, dancing is always a big feature thanks to Greek Dancing with the Stars and the Hellenic dancers — so fingers crossed they return this year. Paniyiri's cultural program will specifically pay tribute to three powerhouse Greek women in the arts via a historical display: Maria Callas, Melina Mercuri and Irene Papas. In addition to celebrating all things Greek in Musgrave Park, Paniyiri also takes over The Greek Club — and given that it's marking its first regular fest with its regular timing in three years, expect both venues to host one massive shindig. "Since 1976, Brisbane's Greek community has taken such pride in bringing people together from all walks of life, to take part in the zest for life that we Greeks have," said Chris Kazonis, Paniyiri's co-Chairman. "From honey puff-eating to dancing the Zorba to shopping the market stalls reminiscent of the cobbled streets of Mykonos, we enjoy nothing more than bringing Greece to Brisbane's doorstep for one fun-filled weekend every year." Paniyiri 2023 takes place from Saturday, May 20–Sunday, May 21 at Musgrave Park and The Greek Club, Edmondstone Street, South Brisbane. For more information or to buy tickets from Saturday, March 25, head to the event's website.
