Thursday night student night is fast becoming a competitive scene around Brisbane with venues fighting for the cheapest drinks prices and the most entertaining live acts. Cobra Kai Club Night is working its way up the ranks as one of Thursdays top hot spots for those who want to have an affordable good night out. With the combination of two huge indie parties, Cobra Kai is playing dirty this Easter Thursday and bringing you headliners Bass Drum Of Death with Morning Harvey, Royal Blood and a DZ Deathrays DJ Set for the Cobra Kai Vs I Oh You night of noise. Having toured the world with bands like Wavves, Best Coast, Smith Westerns and Unknown Mortal Orchestra, everyone is getting a bit exited over Bass Drum's first ever Australian venture. To celebrate the loss of their Aussie virginity, it's only appropriate we show them all the reasons to return to Brisbane in the future. The usual deal is to show up around 10, because no one ever leaves their house before then. But, this week doors will open at 7pm with party folk invited to begin the celebrations early on in the eve. Make the most of Easter Thursday with your buddies at Oh Hello.
It was true of season one of Outer Range and it doesn't stop proving the case in season two: thinking about Twin Peaks, Yellowstone, Lost, The X-Files, The Twilight Zone and primetime melodramas while you're watching this sci-fi western series is unavoidable. In its second go-around, throw in Dark, too, and also True Detective. Here, as streaming its latest seven episodes via Prime Video from Thursday, May 16, an eerie void on a Wyoming cattle ranch sends people hurtling through time, rather than a cave beneath a nuclear power plant — and that concept, time, is dubbed a river instead of a flat circle. The idea behind Outer Range, as conjured up creator Brian Watkins for its debut season in 2022, has always been intriguing: what if a tunnel of blackness topped by a mist of floating energy suddenly opened up in the earth? Also, where would this otherworldly chasm lead? What would be the consequences of taking a tumble into its inky expanse? What does it mean? It isn't literally a mystery box Dark Matter-style, but it also still is in everything but shape. Watkins, plus season two showrunner Charles Murray (Luke Cage, Sons of Anarchy, Criminal Minds), equally ponders what effect such a phenomena has on a rancher family that's worked the land that the ethereal cavern appears on for generations, as well as upon the broader small-town community of Wabang. Getting trippy came with the territory in season one, in an instantly entrancing blend of the out-there and the earthy. Season two doubles down, dives in deeper and gallops across its chosen soil — a mix of the surreal and the soapy as well — with even more gusto. Just like with a vacuum that materialises on an otherwise ordinary-seeming paddock, no one should be leaping into Outer Range's second season unprepared. This isn't a series to jump into with no prior knowledge, or to just pick up along the way. It isn't simply the premise that Outer Range takes its time to reveal in all of its intricacy, a process that remains ongoing in season two; the characters, including Abbott patriarch Royal (Josh Brolin, Dune: Part Two) and stranger-in-their-midst Autumn (Imogen Poots, The Teacher), receive the same treatment. Whenever it swirls up in Outer Range's modern-day scenes, the inexplicable hole makes its presence known in the Abbotts' west pasture. The patch of ground unsurprisingly has Royal's attention — and, as they each become aware of its existence and what it means, that of his sons Perry (Tom Pelphrey, Love & Death) and Rhett (Lewis Pullman, Lessons in Chemistry), and his wife Cecilia (Lili Taylor, Manhunt). Across both seasons, Autumn and Deputy Sheriff Joy Hawk (Tamara Podemski, Reservation Dogs) are individually drawn there, each to investigate in their own way. So is the neighbouring money-hungry Tillerson clan, from eccentric family head Wayne (Will Patton, Silo) to his Cain- and Abel-esque sons Luke (Shaun Sipos, Reacher) and Billy (Noah Reid, Schitt's Creek). Then there's scientist Dr Nia Bintu (Yrsa Daley-Ward, World on Fire), who persists in attempting to convince the Abbotts to let her unfurl her research. Stare into this gap in the dirt and no one's reflection glares back, but it still acts as a mirror for the show's key figures. They see in it what they want, be it past mistakes, future possibilities, a way to escape bad choices or the means to secure a better tomorrow (or power or cash). This is a series of hops back to the 19th and 20th centuries, and not as flashbacks; of adult kids palling around with their parents when they were child-free and decades younger; of a psychedelic mineral that unleashes visions (and gets Reid singing); of haunting tragedies and lingering omens; and of mind-bending flashes juxtaposed with a classic setting roved and lensed in a classical manner. It's also about the void that calls at the heart of everyone, be it Outer Range's versions of the Hatfields and the McCoys or those enmeshed in their lives, as we each inch second by second towards the oblivion that awaits us all. Dark and moody in tone even when it canters across the range at its sunniest, this is a series about battles over the pivotal piece of land, reckoning with the past's echoes, existential anxiety and crises of faith, too; no one can accuse either Watkins or Murray of not being ambitious. The fact that Royal and Cecilia's granddaughter Amy (Olive Abercrombie, The Other Zoey) disappeared at the end of season one gives season two its throughline — but scouring far and wide for a missing girl is just one of its searches, and the questions about her whereabouts add to its lengthy list of mysteries. Outer Range confronts the notion that life is sifting through the unknown and unknowable, then navigating wherever it flings you. Whether that's a matter of "cosmic destiny bullshit" or how the pieces fall into place by chance is a query that each character would answer differently, as might each viewer. While lurching from cowboys to cults, and also from rustic to dreamlike, there's a central performance in Outer Range that's paired perfectly to each of the show's array of shades. Brolin, who also makes his TV directorial debut with one of season two's episodes, is exceptional as the strong and stoic western archetype — and at unpacking it as episodes trot by. Poots embraces Autumn's status as an enigma unravelling, while Taylor rides every emotional beat of a matriarch left wondering if she can still believe in anything that she's ever known. Giving Podemski her own dedicated instalment, following Joy back to when the Shoshone were clinging to their Wabang land as homesteaders settled, is both a showcase and a reward for the grounded portrayal that she keeps serving up. It was also accurate of season one as it is now: whether skewing towards Taylor Sheridan or David Lynch, one of the delights of Outer Range is its willingness to swerve and veer like it too is a fog hovering over an obsidian abyss. Sometimes, the series hurtles itself into interpersonal minutiae. Sometimes, it's an all-out western, not just the neo- kind. It can be a kidnapping thriller, and then a drama about feuding families and yearned-for legacies. Sometimes, it's a gleeful and eager spring into absurdity. Swish them all together and Outer Range remains worth the plunge, compellingly so, as it flows towards a hopeful third season. Check out the trailer for Outer Range season two below: Outer Range season two streams via Prime Video from from Thursday, May 16. Read our review of season one.
Masters of late night snack fuel Ben & Jerry's have been dishing out pop culture-riffing flavours like Liz Lemon Greek Frozen Yoghurt, Stephen Colbert's AmeriCone Dream and, of course, Schweddy Balls for years. Then the masters of frozen confection go and create something called 'Free Cone Day', an annual event which defies haters. You can score an ice cream on the house, as part of the company's yearly, worldwide tradition thanking its fanbase for all the gluttonous support. On Tuesday, April 10, Ben & Jerry's Scoop Shops around Australia are hosting the seventh annual Free Cone Day — scooping out free ice cream from 12pm until 8pm. Suss out your nearest Scoop Shop purveyor of frozen dairy heaven here, and rock up on April 10 to claim your cone. Check out Ben & Jerry's Facebook page for updates.
2021 marks 23 years since '...Baby One More Time' rocketed up Australia's charts, and made sure that everyone in the country knew who Britney Spears was. In the decades since, the singer has enjoyed a slew of other hits, thanks to everything from 'Sometimes', '(You Drive Me) Crazy' and 'Oops!... I Did It Again' to 'Toxic', 'Everytime' and 'If U Seek Amy'. Yes, you now have at least one of these songs stuck in your head (or, let's be honest, a medley of all them). This year also marks the arrival of a must-see documentary about the pop star, which Aussies have heard plenty about but have been unable to watch for the past month. Part of The New York Times Presents series that streams in the US via Hulu, Framing Britney Spears examines not only the singer's life since she was a child — going back to before her first hit single, and before her time on The All-New Mickey Mouse Club in the early 90s, too — but also the way she has been treated in the press, the fact that she has been under a conservatorship since 2008 and the #FreeBritney movement that's sprung up in response to the latter. Not by her own choice, Spears has been an almost-constant presence in the tabloid media for nearly quarter-century. The paparazzi has covered her every move and career with disturbing intensity, in fact. Everyone knows the details, because they've been plastered all over magazine front pages and internet headlines for years and years, to the point that they've been impossible to avoid. And, as this doco ponders, it's easy to join the dots between the relentless hounding by photographers, the endless mentions in gossip columns, the ridiculous way Americans reacted when she didn't meet their idea of what a 'girl next door'-style pop star should be, how she has been regarded by pop culture in general and how the US legal system has stripped away her right to control her own life for more than a decade. The film makes for important and grim viewing — and, although it premiered in the US in early February, Channel 9 just aired the Hulu doco this past week, and has also made it available on its online service, 9 Now. So, you can now spend 71 minutes stepping through a story that hasn't ended yet and doesn't wrap up happily in the movie, but is rightly sparking a reassessment of how female celebrities — and young women in the spotlight in particular — are treated, Spears included. Check out the Framing Britney Spears trailer below: https://www.youtube.com/watch?v=_GEa844LCoI Framing Britney Spears is now available to stream on 9 Now.
Before mini-golf bars started popping up around Brisbane — Fortitude Valley, the Wintergarden, Chermside, Mt Gravatt and South Bank all have them, just to name a few spots — the Victoria Park Putt Putt Course provided a trusty place to get tap, tap, tapping. Don't go thinking that it doesn't like to theme its courses, just like its fellow golfing havens. Head by as Halloween approaches, in fact, and you'll see just how much it loves making over its turf. One of Brisbane's most-recent traditions is also one of its most fun: themed mini golf at different times of year at Victoria Park. At Christmas, the site gives itself a festive revamp. At Easter, a candy-themed wonderland has popped up in the past. And, the Halloween spirit kicks in leading up to the spookiest date of the year — including in 2024. From Friday, September 13–Sunday, November 3, the venue's greens will be getting a horror-themed makeover again — and, no, missing a hole in one won't be the most terrifying thing about your stint on the course. As it did in 2022 and 2023, the mini-golf spot is busting out something that's haunted one of Stephen King's best-known horror novels, the movies based on them, and just life in general: clowns being creepy, chilling and downright terrifying. Fancy seeing how you cope with eerie decorations while you're tap, tap, tapping? Wondering if that unsettling vibe will put you off your short game? When you're doing the monster mash on the green this year, you'll also be trying to avoid frightening zombies, ghouls and more. Witches, spiders, toxic waste barrels, tombstones, pumpkins: they're among the petrifying things that'll be improving or scaring your short game again, too. So is a spot called Broken Bones Boulevard. If a haunted house was to meet up with a mini golf course, this is what it'd look like. Bookings are essential, with the course open from 6am–10pm Sunday–Thursday and 6am–11pm Friday–Saturday. Fancy a few holes before work? Want to add some fun to your lunch break? Need something to look forward to come quitting time? They're all options. Just remember that it's a family-friendly affair, so you'll likely have plenty of company — and tickets cost $23 per adult. Also, for liquid courage, there'll be boozy slushies available to purchase. Spooky Putt Putt takes over the Victoria Park Putt Putt Course at 309 Herston Road, Herston from Friday, September 13–Sunday, November 3, 2024, open 6am–10pm Sunday–Thursday (and public holidays) and 6am–11pm Friday–Saturday — with tickets costing $23 for adults. For more information, head to the venue's website. Images: Stephanie Adams Photography.
The BrisStyle team is a rather busy bunch, putting on markets around Brisbane with frequency. If you're particularly after a treasure trove of handmade goodies — and who isn't? — then you'll want to hit up its opportunity to browse and buy that's dedicated to exactly those kinds of objects. Fashion, art, jewellery, homewares — if someone's been using their nimble fingers to make it, then you can probably trade your hard-earned cash for their hard work. In fact, there'll be more than 50 artisans selling their wares. And, while you're shopping, you'll also be able to grab a bite at the onsite cafe and listen to live tunes from local musos. The Handmade Markets always take place on Saturdays, so mark Saturday, October 7 and Saturday, November 4 in your calendar now. Head along from 9am–2pm, with it all taking place in the Queensland Museum's whale mall. Images: BrisStyle. Updated: September 19.
It's called a cabinet of curiosities and, once you walk inside The Inchcolm by Ovolo in Spring Hill, the L-shaped glass counter filled with all kinds of knickknacks will definitely pique your interest. Maybe your eyes will be drawn to the Etch A Sketch, the plate with John Lennon's face on it, the bowling pin and the cassette tape. Or, you could instantly scope out the mannequin head, the Polaroid camera or the Elvis Presley box set. Either way, the cabinet is quite the centrepiece — and conversation piece, too. The gleaming piece of furniture has been part of the The Inchcolm since 2018, when the now century plus-old site was first taken over by the Ovolo hotel chain. Now, it remains after the venue's latest revamp. Visually, not too much has changed, but Ovolo has altered a few names here and there, and also shifted the focus of its entryway bar setup. The Inchcolm by Ovolo is actually the hotel's new moniker, and it's the first 'by Ovolo' site in Australia. As for the bar, the space formerly known as Salon de Co is now called The Inchcolm Bar. If you're not staying on the premises, it's the latter that's the main drawcard — and it has ditched its sit-down restaurant in favour of a boutique bar and bistro vibe. Its inspiration: Bar Marmont at Los Angeles' Chateau Marmont. In other words, the theme here is retro glamour, all in keeping with the buildings old-school heritage. Or, as Dave Baswal, Ovolo Group Managing Director ANZ, explains, "think a 1920s Paris salon where Gertrude, Ernest and Pablo would comfortably rub shoulders while sharing trailblazing ideas." Yes, he's talking about Stein, Hemingway and Picasso. If you visited The Inchcolm before the change of focus, you'll still recognise the velvet furnishings, dark-hued colour scheme, mood lighting and eye-catching floral wallpaper. Now it all adorns a space that's both a bar and a bistro in one. So, you can sit back and sip martinis — there's 11 different types on the menu, and the five signature versions cost just $12 during the daily martini hour from 5.30–6.30pm — or you can choose from an all-day dining lineup between Tuesday–Saturday. Food options include cheeseboards, charcuterie, escargot, steak tartare, caviar and oysters to nibble on — plus steak frites, gnocchi, southern fried chicken and burgers for something more substantial. Three kinds of toasties, including one with three cheeses, are also on offer, as is tiramisu, mud cake and creme caramel for dessert. If you're after something to drink other than martinis, the wine list spans seven pages, while the spirits offering runs over five. And, if you'd like to combine your visit with an overnight stay, The Inchcolm by Ovolo is dog-friendly, and features a complimentary sweets bar. The Inchcolm by Ovolo and The Inchcolm Bar are now open at 73 Wickham Terrace, Spring Hill.
Always wanted to be in a music video but don't play an instrument? Or think your voice might frighten the neighbours away? Here's your chance. Dutch design studio Moniker has created an interactive clip that records the movement of your cursor as you watch. Achieved through crowd-funding and titled Do Not Touch, it's the second Moniker project in a series celebrating the "humble cursor", whose demise may well be nigh, and was designed to accompany 'Kilo', the new single from Dutch folk noir/sleazerock supergroup Light Light. Since its launch on April 16, the clip has racked up over 1 million hits. To be a part of its rapidly growing cast, all you have to do is visit the Do Not Touch site and move your cursor according to the onscreen instructions. You'll have the chance to acknowledge your geographical origins and sexual preference, fight a rather fit female boxer, avoid touching a naked model and play the bass. Your browser records your cursor's movement and the information is uploaded to Amazon S3. Once an hour, the data gained from new visitors is added to the video and an updated version appears. Jonathan Puckey, one of Moniker's three key movers and shakers, told Creative Applications Network that one of the exciting aspects of Do Not Touch is its unpredictability: "We do not know what will happen with this project. Will people care? Will they follow our instructions? Will patterns emerge which we had not predicted? How many cursors will be too many? A thousand? Ten thousand? Fifty thousand?"
Take a must-visit Paris art museum, an acclaimed Victorian gallery, an iconic French painter and one of the world's most influential architects, mix them all together, and Australia's latest huge exhibition is the end result. So is something unsurprisingly stunning: the world premiere of Pierre Bonnard: Designed by India Mahdavi at the NGV International in Melbourne. The National Gallery of Victoria's revolving door of blockbuster exhibitions shows no sign of slowing, with this exceptional meeting of creative minds announced earlier in 2023, and now gracing its halls from Friday, June 9–Sunday, October 8. When the temperature dips each year, the Melbourne Winter Masterpieces series kicks in — and, as created in collaboration with the Musée d'Orsay, home to the world's largest collection of Bonnard works, this ode to Bonnard and Mahdavi is the current centrepiece. On display: more than 100 pieces by the famed French artist, but seen through a fresh lens. Helping provide that new perspective is scenography by internationally renowned architect and designer Mahdavi, in a major showcase that was originally slated to debut in 2020 before the pandemic did its thing. An icon of late 19th- and early 20th-century art, and a good mate of Henri Matisse, Bonnard is known for his colourful, textural depictions of French life, offering stylised yet subtle glimpses of intimate domestic scenes, urban backdrops and natural landscapes. Pierre Bonnard: Designed by India Mahdavi includes a hefty collection of the artist's own paintings, drawings, photographs, prints and other decorative objects, alongside works from his contemporaries — including Édouard Vuillard, Maurice Denis, Félix Vallotton and cinematic pioneers the Lumière brothers. Attendees can expect to step through Bonnard's early artistic days in the 1890s, highlighting his focus on Parisian street life; his evolution from there, including when he started focusing on more domestic scenes as inspired by his relationship with his companion Marthe Bonnard; and his love of landscape, especially from 1910 onwards, and as influenced by his fellow pal Claude Monet. Numerous pieces are on loan from the Musée d'Orsay, as well as other museums and private collections in Europe, Australia and the USA. The NGV's own collection also includes significant works, however, including Bonnard's 1900 painting La Sieste (Siesta). Considered one of the world's most influential architects, multi-award-winning Mahdavi has been commissioned to help bring the historic pieces to life via her scenography, tasked with creating a setting that complements Bonnard's signature use of colour and light. The results aren't just spectacular — they're dreamy. "Monsieur Bonnard and I share the same passion: colour," Mahdavi explains of the exhibition. "I love his subjective perception of colour — the way he transforms the intimacy of everyday life into something sublime." "Pierre Bonnard is one of the most captivating artists of the post-impressionist movement. This exhibition offers a rare opportunity to experience his work within a vivid scenography designed by India Mahdavi, one of the world's leading designers working today. Both the artist and the designer are celebrated for their ingenious use of colour, which made them a natural and authentic pairing for this NGV-exclusive exhibition," adds Tony Ellwood AM, the NGV's director. Pierre Bonnard: Designed by India Mahdavi runs at the NGV International, St Kilda Road, Melbourne from Friday, June 9–Sunday, October 8. For more information, see the venue's website. Images: Installation view of Pierre Bonnard: Designed by India Mahdavi, on display from June 9–October 8, 2023 at NGV International, Melbourne. Photos: Lillie Thompson.
For many Brisbanites, Queen Street Mall's Myer Centre has never been the same since its beloved dragon coaster said farewell. Or, if you aren't old enough to have lived through that era, you've always wondered what it was like. Prior to 2000, the CBD shopping complex's upper levels weren't home to cinemas and arcade games — they boasted an indoor theme park called Tops, including a ride that had everyone loving fire-breathing creatures before they'd ever heard of Game of Thrones and House of the Dragon. There's been rumours of the dragon coaster making a comeback over the years, but nothing has ever eventuated. The Myer Centre is set for a huge change, however — and soon. Myer, aka the department store that the whole place is named after, has decided to close its central shop after opening in the centre back in 1988. "Myer has made the decision to depart the Myer Centre Brisbane at the end of its lease in July 2023," said Vicinity Centres and ISPT in a joint statement — with the two companies behind the shopping centre. "Vicinity and ISPT were investigating a number of options for the centre including a downsized contemporary department store and plans without a department store, which we can now progress with certainty." "We look forward to delivering a reimagined destination in the heart of Brisbane's evolving CBD and anticipate sharing our plans shortly." [caption id="attachment_893278" align="alignnone" width="1920"] Figaro via Wikimedia Commons[/caption] An exact closing date for Myer's Myer Centre location hasn't yet been revealed. When the venue says goodbye, it'll leave the brand with Brisbane stores in Indooroopilly, Mount Gravatt, Carindale, Chermside and North Lakes. "Whilst we remain committed to the Brisbane market, we have been unable to negotiate a reasonable commercial outcome with the landlord and as such will continue to look for an alternative CBD location," said Myer CEO John King. "We thank our team members for their service and will be providing redeployment opportunities at nearby stores." "For our loyal customers, we will continue to serve the Brisbane area with our surrounding stores and our 24/7 online business while we explore future Brisbane CBD options, and we thank you for your ongoing loyalty." [caption id="attachment_893277" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Responding to the news, Brisbane Lord Mayor Adrian Schrinner said that "while this is a sad day for generations of Brisbane residents who have loved shopping at the Queen Street Mall Myer, it's also a great opportunity for our city centre." "With the Brisbane 2032 Olympic and Paralympic Games on the horizon, now is the perfect time for the centre's owners to reimagine one of Queensland's premier retail spaces." "The Myer Centre once had live music on its lower levels, as well as a fun park at the top, and has always evolved and moved with the times. I think this is a fantastic opportunity for the centre to be reinvigorated into a vibrant, modern retail experience for residents and visitors and I look forward to working with the owners on their future plans." Our suggestion: all that space that Myer is vacating will leave plenty of room for the dragon coaster 2.0. Find the Myer Centre at 91 Queen Street, Brisbane — and head to the centre's website for further details. Top image: John Robert McPherson via Wikimedia Commons.
UPDATE, February 12, 2021: Booksmart is available to stream via Binge, Foxtel Now, Google Play, YouTube Movies, iTunes and Amazon Video. When Booksmart premiered at SXSW in March to widespread acclaim, it earned immediate comparisons to another teen-centric comedy. Like Superbad, it follows two high-school outsiders who finally let loose before graduation. The film also stars a member of the Feldstein family — Beanie Feldstein, who is best known for Bad Neighbours 2, Lady Bird and the television version of What We Do in the Shadows, and happens to be Jonah Hill's sister. But likening this hilarious exploration of female friendship to a male-centric flick doesn't do Booksmart justice. Nor does badging it a gender-swapped twist on its ostensible predecessor. Drawing upon a smart, sharp script (by seasoned TV writers Emily Halpern and Sarah Haskins, as well as The Spy Who Dumped Me's Susanna Fogel and Isn't It Romantic's Katie Silberman), actor-turned-filmmaker Olivia Wilde isn't trying to create a female clone of anything. Rather, the first-time director brings an insightful and amusing story to the screen, plus two relatable characters that make it shine. Yes, they're young women. Yes, the film is filled with gross-out gags and other outlandishness. And yes, this type of fare doesn't usually focus on girls, favour a feminine perspective or stem exclusively from female voices. That says as much about the film industry as it does about Booksmart, however, and it isn't a new issue. As seen with Bridesmaids and the spate of comedies that followed, comparing female-fronted movies to their supposed male counterparts has become society's way of coping with a clear failing. We don't have much of a framework for films like these because they're much too rare and, even as they gradually increase in number, we're not conditioned to seeing women in these situations. Addressing that gap by broadening the range of tales told really couldn't be more crucial. But it's equally important to recognise a standout picture not because it recalls another flick, but because it's truly a delight on its own merits. With its affectionate energy, inclusive vibe, side-splitting gags and excellent lead performances, Booksmart boasts plenty of cheer-worthy highlights, each making the movie's generally familiar narrative feel fresh. The day before they're due to don their caps and gowns, listen to speeches and farewell everything they know, firm best friends Molly (Feldstein) and Amy (Kaitlyn Dever) suddenly come to a realisation: they've actually wasted the past few years. While the studious duo worked hard to secure spots at impressive colleges, their partying peers also scored places at prestigious schools. An overachiever who'll never be told that she can't do something, Molly is especially incensed, convincing Amy to use their last night as secondary students to make up for what they've been missing. Coordinating outfits, hopping between celebrations, dealing with pesky adults, chasing their respective crushes, trying mind-altering substances — that's Molly and Amy's big leap from brainiacs to party gals. As they jump around Los Angeles, they not only navigate a series of raucous antics, but encounter a lively roster of supporting players, including Jason Sudeikis as their Lyft-driving principal, Jessica Williams as the teacher who's ready to rage with them, and scene-stealer Billie Lourd as a free-spirited classmate. Charting her protagonists' eventful evening, Wilde always finds the right approach for every moment. Booksmart segues effortlessly between spirited soundtrack choices, anarchic comic set-pieces and one of the most memorable animated scenes to hit cinemas in years, with each directorial selection intimately tied to the picture's central pair. That's the key to this astute coming-of-age comedy, because none of the revelry means anything if it doesn't take the characters on a journey. If Booksmart had just stuck with wild hijinks and kept its fun skin-deep, it would've still proven an enjoyable night at the movies, immersing audiences in its upbeat party atmosphere. And yet, the film ventures beyond hedonistic thrills and straightforward life lessons. While those elements are part of the movie, they're the equivalent of streamers and balloons — nice to have, but not the main attraction. Instead, Booksmart uses its madcap merriment to delve into Molly and Amy's close bond, and the reality that it too will change along with everything else in their lives. Each episodic escapade speaks to something within their complex friendship, unpacking a connection that's loving and messy, shifting yet solid, and supportive but sometimes overwhelming all at once. Relationships, especially lifelong platonic friendships between adolescents on the cusp of adulthood, are like that — something which this equally hilarious and heartfelt film embraces. It's no understatement to say that, even with everything else turning out swimmingly, this would've been a completely different movie without Feldstein and Dever. Wilde asked the duo to live together to develop a genuine rapport, and the naturalistic results show in every scene. Booksmart isn't short on dialogue, but it conveys just as much via body language, with the talented actors wearing their camaraderie like a second skin. That said, they're not just a complicated, compelling, compliment-slinging double act. Whether Feldstein is standing up to Molly's taunting peers, or Dever is showing how the out-but-uninitiated Amy remains awkward about love and sex, Booksmart's rising stars ensure that their on-screen alter-egos couldn't feel more authentic. With its frank and funny snapshot of one crazy, revelatory night, the film does the same with the entire teenage experience. https://www.youtube.com/watch?v=iwojM2j0Xb0
Head down to the Australian Centre for the Moving Image in the coming colder months and chances are — short of actually falling down a rabbit hole, because there are health and safety measures in place — you'll spend a couple of hours flitting about in Wonderland. Now on display at ACMI until October 7, the new exhibition celebrates Lewis Carroll's timeless Alice in Wonderland stories. Running as part of the Victorian Government's Melbourne Winter Masterpieces series, Wonderland casts a wide net over the history and evolution of Alice, both in literature and on our screens. Sailing all the way back into the late 1800s to mark the very first sketches of the character, which led in turn to the first silent, black-and-white film of Alice in 1903, the exhibition leads a strollable path all the way through until Tim Burton's 2010 take. Visitors are handed a 'Lost Map of Wonderland' to navigate their way around: both a physical guide and a digital prop, it unlocks interactive parts of the exhibition — so keep it handy. From getting lost in the Hallway of Doors, perusing old prototypes and ancient scribbles that became Carroll's tangible character, to sitting yourself down at an entirely digitally projected Mad Hatter's Tea Party, there's be something to see here even if you're not an original Alice fan. Here's a list of the best five somethings we stumbled on while walking the wonderland trail — some will make you laugh, some might make children cry, but we think they'll all confirm Alice's role as an adventurous and enduring screen and literary icon of our time. [caption id="attachment_663373" align="alignnone" width="1920"] Alice Liddell photographed by Lewis Carroll[/caption] EARLY ALICE SKETCHES THAT PAVED THE WAY FOR WONDERFUL FILMS The first section of the exhibition, Hallway Of Doors, contains — as you can probably imagine — more doors than strictly necessary. The idea here is to open, shut and explore, and you'll find yourself stumbling into rooms containing a plethora of late-1800s preliminary sketches by John Tenniel, who illustrated the original edition. You'll also find photos of the real-life Alice Liddell, who was said to be Lewis Carroll's inspiration for the stories. A couple of things to note: the real Alice had brown hair, so the blonde was a later fictive addition, and don't forget to open the drawers in the walls too — they're also full of interesting nuggets. As part of Alice's development throughout modern times, Tenniel's sketches helped lead to Cecil Hepworth's 1903 silent film Alice in Wonderland. Playing in a movie room you'll find yourself walking into (through, of course, another door), it's a fascinating look back not only at the Alice canon, but at early film as well. [caption id="attachment_663103" align="alignnone" width="1920"] Phoebe Powell[/caption] THE MAD HATTER'S TEA PARTY You're beckoned into a white room and sat down at a white table filled with white cups and saucers. Looks like a bit of a beige tea party, really. But then the projections start: a stunning digital display sets up the walls as lurid forestry, and the table as stuffed full of food and treats. It's all projected — a trail of ants across the settings included — and it'll leave your head spinning, especially when you factor in the plates turning into clocks at the end. There was always going to be a tea party at this exhibitio, but this proves weird, wonderful and very clever. [caption id="attachment_647497" align="alignnone" width="1920"] Jan Švankmajer's 1988 film Alice[/caption] THE UNSETTLING SIDE OF ALICE Just like some aspects of what Alice has encountered in Wonderland, it's not all sunshine and roses at the exhibition. Next you'll enter the section "The Rabbit Sends in A Little Bill", and any children you're walking through with will probably be hushed. A demonstration of the darker places that filmmakers have taken Alice, the most intriguing pick of the bunch is Jan Švankmajer's take on the tale. The Czech director and his wife Eva collaborated on his Alice in 1988, creating some terrifying imagery including strange skulls, teethy fish in wigs and creepy dolls (nope), as well as giving a whole host of young children with some enduring nightmares. It's fascinating though, and certainly on the darker side of the scale versus the Disney-esque, whimsy laden interpretation of Alice. [caption id="attachment_663372" align="alignnone" width="1920"] Phoebe Powell[/caption] YOUR MAP IS PART OF THE EXHIBITION A guide you will definitely want to hang on to, you scan your map at the very start to see which pal will be accompanying you through the exhibition: mine was the Cheshire Cat, and at particular places I got to match my map up to the checkpoints and see the cool cat projected onto the actual map digitally. It's a cleverly used motif — and it's a pretty nice bonus to see your own character dancing around on a piece of paper. For those wishing there was even more interactivity and the chance to have a bit of a craft throwback, when you get to the Queen's Croquet Ground, you can cut out a character from disembodied parts and stick it onto your map, which then gets digitally fed into a projected screen of rose bushes. Next, your created character — with your real head, photographed and stuck on top — dances across the screen painting roses. It's great fun, and kids and adults alike will have a grand old time. MODERN-DAY ALICE AND THE COOL WOMEN THAT BROUGHT HER TO LIFE There's a lot to be said about the 2010 Alice in Wonderland and 2016 Alice Through the Looking Glass (and none of it about Johnny Depp). Mia Wasikowska was a more than fine Alice, giving the character just enough feyness yet pluck for audiences to still follow her willingly down holes and through doors more than 100 years after the character first appeared on screen. But the cool thing here is the fact that — Tim Burton, the first flick's director and both films' producer, aside — a lot of the work was done by some pretty awesome ladies. The exhibition showcases costume designer Colleen Atwood, whose incredibly intricate outfits for the first movie won an Academy Award — and the armour costume Wasikowska wore is a particular highlight. Then there's the contributions of the woman who gave a voice to these incarnations of the character in the first place: Linda Woolverton. Writing the screenplays for both recent Alice films, she was also the first woman to write an animated feature for Disney back with Beauty and the Beast in 1991. And for Alice? Woolverton was the first woman to be credited as a sole writer on a billion-dollar film. Perhaps Alice, all these years later, has now taken a tumble into the realm of girl power.
Three Malaysian architecture students have won the 2010 Skyscraper Competition for their revolutionary and ambitious design of a prison in the sky. Chow Khoon Toong, Ong Tien Yee and Beh Ssi Cze proposed the Vertical Prison System, a prison that would be suspended above a city with the prisoners living in a 'free' community that contributes to the host city below, with the only access via elevator pods that run from the prison down to the ground. The reasoning behind the design is that studies have shown that rates of re-offending are so high because prisoners are not given the opportunity to rehabilitate in a desirable community. As well as avoiding the need for prison bars, the design includes farms, factories and recycling plants to produce goods for the wider community and serve to rehabilitate the inmates. The Vertical Prison System would revolutionalise the penitentiary system in a sustainable and ecological friendly design. The design also makes potential escape from the prison more difficult or at the very least more exciting, there would be no scaling walls, no Shawshank Redemption tunneling, however there would be plenty of opportunities for Hollywood blockbuster escape plans involving helicopters, jetpacks or ridiculous parachute designs.
Two decades ago, the live-action Scooby-Doo movie was one of the Gold Coast's big claims to fame. While it was shooting, it was also the reason that plenty of Queenslanders tried to spot Sarah Michelle Gellar, Matthew Lillard, Freddie Prinze Jr and Linda Cardellini IRL, too. And if it also made you wish that you could drive around in a multi-coloured van with your mates — and dog — while solving crimes, you definitely weren't alone. In great news for meddling kids everywhere — well, former meddling kids who are now nostalgic meddling adults — hitting the road in the iconic Scooby-Doo Mystery Machine is actually a real thing that you can currently do. You'll need to swap Australia for a vanning holiday in Southern California, though, and you'll even be hosted by Lillard. In its latest pop culture-themed experience after the Bluey house and the Moulin Rouge! windmill already this year, Airbnb has listed the Scooby-Doo Mystery Machine for stays, all to mark the movie's 20th anniversary. The word you're looking for is zoinks, obviously. Having a talking pooch to bunker down with you is optional. Like all of Airbnb's themed stays, this one is only available for a limited time — and by booking in a specific way. It'll be open for three three individual one-night reservations, for two guests per night, from June 24–26. And it'll only cost you AU$28 (US$20), but only if you're lucky enough to score a booking by hopping online from 3am AEST on Friday, June 17. Basically, you'll probably already want to be in the US over those dates anyway — or you'll need to be able to drop everything and make plans faster than Shaggy can pull off some scheming criminal's mask (because there's always a mask). If you do nab a booking, you'll be living like Shaggy and Scooby for a night, including listening to Sugar Ray on a portable CD player, lighting up the van with a lava lamp, soaking in plenty of 70s-style decor and wearing a puka shell necklace. Also included: a virtual greeting from Lillard upon your arrival, all-you-can-eat snacks, a dinner of Shaggy and Scooby faves such as hot dogs and eggplant burgers, and an outdoor lounge hangout area with a hammock. And yes, watching Scooby-Doo is also on the agenda, complete with popcorn, candy and bottomless Scooby Snacks. You'll also play mystery games, of course, because it wouldn't really me a night in the Mystery Machine without a bit of whodunnit action. "I've been channelling Shaggy since the live-action adaptation in 2002, and he's been a part of me ever since," said Lillard. "I can't wait to welcome guests into the world of the Mystery Inc gang as their Airbnb host and give them a summer vacation they'll never forget... monsters not included!" That AU$28 (US$20) price doesn't include getting to and from Southern California, so you'll also need to stump up for flights. While Airbnb has Lillard on the books, if it wanted to get him to host a Scream-themed stay, too — scary movies and all — we'd sign up for that as well. For more information about the Scooby-Doo Mystery Machine listing on Airbnb, or to apply to book at 3am AEST on Friday, June 17, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Hogwash Studios/Ja Tescon.
There are certain times in life when a run-of-the-mill bottle-o just won't cut it. Those times when the celebration calls for a drop that is a little more special. Marking an engagement or anniversary or celebrating a birthday. Hell, even just a Friday night. Enter: Craft Wine Store. Offering a premium selection of craft beers, artisanal spirits, biodynamic and hands-off wines, from small producers and Queensland makers, Craft has something to suit every taste and budget. If you want to try something different or are not really sure where to start, the friendly team makes selecting a breeze. It also runs weekly tastings, so you can get to expert-level yourself. Images: Kiel Wode
Nearly 100 years after the Titanic plunged into the freezing waters of the Atlantic, artist and inspirationalist Dodo Newman will commemorate the legendary journey and lives lost with the Titanic Project, a tribute that will combine the sorrowful history with the newest marvels of design. The project will erect a monument of the Titanic designed with luxury that the regal ship itself would not match. Newman's vision for the monument has a diamond and Swarovski crystal surface, 300 kg of jewelry and LED lighting all on a pyramid-shaped aquarium base structure. To add to the designer detail, over 50 luxury brands will be incorporated into the monument, the displays intertwined with sea life in the underwater enclosing. Newman has always been fascinated by the story of the Titanic, and has been hoping to finish the plan for the commemorative installation for the past several years. The project is intended to be finally completed by 2012, just in time to honour the 100th anniversary of the ship's sinking in 1912. [via Extra Vaganzi]
In every generation, there is a chosen one. On screen, in Buffy the Vampire Slayer, she alone will stand against the vampires, the demons, and the forces of darkness. Off screen, for fans of Joss Whedon's cult TV series, the show itself fulfilled that role. In the late '90s, it thoroughly dispatched with other teen-centric competition to become a beacon of hope for television watchers. Because time flies when you're staking (or smooching) vamps, or repeatedly revisiting a program about just that, it has been 20 years since Buffy the Vampire Slayer made its TV debut. While it will always be immortal in our hearts, that's an occasion worth celebrating. At Junky Comics, they're paying tribute to one of the great pieces of late 20th century pop culture art by enlisting the creative talents of a whole lot of Buffy aficionados, then decking the walls with their efforts from March 10 to 31. In fact, 19 artists will unveil their homages to Ms Summers, the town of Sunnydale, the Scooby gang and all of the demons the hellmouth spit out at them at the aptly titled Welcome to Sunnydale: A Buffy 20th Anniversary Art Show. Heading along on opening night is recommended, and not just because there'll be beer and wine among the fun. Dedicated Buffy buffs won't need reminding that March 10 was the date the first episode ever aired on US TV back in 1997. Images: Cassandra Urquhart via Welcome to Sunnydale: A Buffy 20th Anniversary Art Show.
Tasmania's sinister winter music and arts festival Dark Mofo has announced its return to Hobart this June. The festival was one of the first events to cancel its 2020 festivities due to the COVID-19 pandemic, citing a potential $5 million dollar loss that could jeopardise the future of the festival had it run and then been called off. Luckily, the organisers' foresight has paid off, with the festival preparing for a grand return in 2021. Dark Mofo is set to run a condensed five-night festival from Wednesday, June 16–Tuesday, June 22. The reduced scope of the festival comes as a result of the Hobart City Council withdrawing its financial support, the cutting of sponsors and trepidation surrounding the potential for another cancellation. It's also the last year of the festival's five-year funding agreement with the State Government. The festival decided to drop sponsors this year as organisers believed they were having a negative impact. "While we've appreciated the support from many high profile brands, we want to be able to pursue our own cultural agenda free from restraint and with a renewed commitment to the art," Creative Director Leigh Carmichael said in a statement. While in previous years the festival has run over several weeks, Carmichael promises the "smaller and more intense" 2021 run to be "a typically grim and gloomy affair". The full program is due to be announced in early April. [caption id="attachment_800593" align="alignnone" width="1920"] Jesse Hunniford[/caption] Previous years' lineups have seen a fantastical combination of musical performances, performance art and large-scale installations come together. In 2019, the program featured the likes of artists Ai Weiwei and Mike Parr, American musician Sharon Van Etten and one of the world's largest glockenspiels. 2021's program can be expected too stay true to the Dark Mofo ethos with a likely increased concentration of local Australian artists due to current border closures. Dark Mofo will run from Wednesday, June 16–Tuesday, June 22 in Hobart, Tasmania. The 2021 program is expected to be announced in early April. Top Image: Lusy Productions
You won't struggle to find an idyllic wellness escape on picturesque islands like Lombok and Koh Samui. Yet for those keen to switch up their travel plans, looking further afield to Mallorca's Ca'n Beneït is where you can combine calmness, mindfulness and activeness into a single transformative vacation, perched off the eastern coast of the Spanish mainland. Like other popular retreat spots, there's no shortage of picture-perfect hotels, resorts and villas opening onto the sand or nestled into clifftop trees. However, amid the Serra de Tramuntana mountains in the Binibona valley, Ca'n Beneït offers a wellness escape jam-packed with enchanting experiences primed for holidays filled with activities and relaxation. Naturally, this stay's undulating surroundings make it a haven for hikers and cyclists. Scenic centuries-old paths sweep through ancient olive groves and Mediterranean woodland before reaching mountain peaks adorned with breathtaking views. Once you've worked up a sweat, diving into crystal-clear waters is never far away. While some early morning exercise is stellar for clearing your head, Ca'n Beneït has the amenities to counterbalance all that effort. Think a soothing spa and a rejuvenating sauna alongside massages and treatments designed for muscle recovery and energy renewal. Of course, there's also the finer things in life: yoga sessions, wine tastings and infinity pool hangs. Mallorca is best known for its summer vacations by the Med, but Ca'n Beneït sets itself apart by describing autumn as the region's most authentic season. With the mild September and October weather — the average max temperature is about 24 degrees — you won't have to worry about sweltering daylight hours keeping you laid out beneath the air-con. Set on 70 acres of pristine hinterland, Balearic culture and tradition shine through every aspect of the property. That includes a fortified medieval Alquería, home to a historic olive mill, and the first and only church built in Binibona, standing in the main courtyard. Showcasing a deep connection with the land, make Ca'n Beneït your next destination for a wellness retreat with a difference. Ca'n Beneït is open for bookings now at Camí de Binibona, 07314 Binibona, Mallorca. Head to the website for more information.
Australia's arts calendar is always world-class, but this year it is particularly jam-packed — not just with recurring festivals and events, but lots of things that will hit the city for the first time ever. Us lucky Australians will be the first people in the world to see Patricia Piccinini's Skywhalepapa take to the sky and, down in Melbourne, the works of 20th century French artist Pierre Bonnard reimagined by architect and designer India Mahdavi. Plus, we've got multiple big-name exhibitions and not one, but two new galleries. While more events, installations and and exhibitions will inevitably be announced as the year progresses, these are the ones you should get more excited about right now. THE RETURN OF PATRICIA PICCININI'S OTHERWORLDLY SKYWHALE At 34 metres long, more than twice as big as a regular hot air balloon and ripped straight from Patricia Piccinini's inimitable mind, Skywhale might just be one of Australia's most recognisable recent pieces of art. It's a sight to see, and the largest-scale example of the artist's fascination with the thin line that separates nature and technology — and it's about to meet its match. In 2020, the National Gallery of Australia will unveil Piccinini's new Skywhalepapa, which is designed to form a family with Skywhale. They'll both float through the Canberra skies from April, with the second bulbous sculpture commissioned as part of the gallery's Balnaves Contemporary Series. In total, the pair will take flight from a site near the NGA eight times during the nearly three-month Skywhales: Every Heart Sings exhibition, with the exact launch dates yet to be revealed. Just how big Skywhalepapa will be is also yet to be announced, but given the impressive size of its companion, expect it to be hefty. If you can't make it to Canberra to see the growing Skywhale clan, they will also tour the country for an NGA touring exhibition, with locations and dates to be confirmed at a later date. Skywhales: Every Heart Sings will run Canberra's National Gallery of Australia in April 2020. A BRAND NEW MULTI-SENSORY DIGITAL ART GALLERY If you prefer an art experience that extends beyond looking at works on a wall, prepare to be impressed by Melbourne's new immersive digital art gallery. Set to open sometime in autumn, The Lume will take the form of a $15 million 2000-square-metre gallery, decked out with 150 state-of-the-art projectors. Projections of some of the world's most celebrated works will be splashed across various surfaces, backed by powerful musical soundtracks and complemented by aromas. The project is the brainchild of Melbourne-based Grande Exhibitions, which, for the past 14 years, has hosted immersive exhibitions and gallery experiences in over 130 cities across the world. The company also owns and operates Rome's Museo Leonardo da Vinci. Known for celebrating art world greats like Vincent van Gogh and da Vinci through modern, multi-sensory technology, Grande Exhibitions will use a similar formula at The Lume. Instead of showcasing original works, the gallery will rely on a curation of music and moving image to create a tapestry of instantly recognisable artworks. The Lume will open in an unconfirmed Melbourne location in autumn 2020. We'll let you know when more details are announced. [caption id="attachment_750699" align="alignnone" width="1920"] Top image: Chiharu Shiota b.1972, Kishiwada, Osaka Prefecture, Japan. In Silence (2002/2019). Production support: Alcantara S.p.A. Installation view: Shiota Chiharu: The Soul Trembles, Mori Art Museum, Tokyo, 2019. Courtesy: Kenji Taki Gallery, Nagoya/Tokyo. Image courtesy: Mori Art Museum, Tokyo. Photograph: Sunhi Mang.[/caption] A MAZE OF RED AND BLACK WOOL AT GOMA It's been home to David Lynch's eerie filmscapes, Yayoi Kusama's infinity rooms, a snowman and Patricia Piccinini's forest of flowers. Yes, Brisbane's Gallery of Modern Art loves an immersive installation — and it has more in store for 2020. Fancy wandering through a labyrinth of red and black wool? That's on next year's agenda. As part of its just-announced 2020 lineup, GOMA revealed it'll host Chiharu Shiota: The Soul Trembles, a showcase focusing on the Berlin-based Japanese artist and her work over the past quarter-century. In an Australian exclusive, the exhibition comes to Brisbane after recently premiering in Tokyo — and while it won't sit 53 storeys up or come with panoramic views of the city, like it did in Japan, Shiota's string-heavy installations are certain to garner more than a little attention. Fashioned from millions of strands, they resemble weaved, maze-like webs and take up entire rooms. The Soul Trembles is the largest-ever solo exhibition by the artist — and although GOMA hasn't revealed just how much of the Tokyo lineup is coming to Brisbane, art lovers can expect an array of sprawling installations, sculptures and video footage of Shiota's performances, as well as photographs and drawings. Highlighting her fascination with intangible concepts, such as memory, anxiety, dreams and silence, the ticketed display will run from June 27–October 5, 2020. Chiharu Shiota: The Soul Trembles will run at Brisbane's GOMA from June 27–October 5, 2020. THE SOUTHERN HEMISPHERE'S FIRST MUSEUM OF UNDERWATER ART There are plenty of ways to soak in the Great Barrier Reef's natural underwater delights — and the Museum of Underwater Art is the newest one. The attraction – created by marine sculptor Jason deCaires Taylor — has been a long time in the works, but just recently installed its first two artworks just off the shore at Townsville. The first artwork, Ocean Siren, can be found 30 metres from The Strand jetty — and while it actually towers above the water, it interacts with live water temperature data. Designed to resemble Takoda Johnson, one of the area's Wulgurukaba traditional owners, it receives information from the Davies Reef weather station on the Great Barrier Reef, then changes colour in response to variations as they happen. This one can be visited now Coral Greenhouse, on the other hand, sits 18 metres beneath the ocean's surface on the John Brewer Reef. It's an underwater building filled with coral garden beds and more than 20 sculptures, many resembling local school children — and has been made to both stand up to wave pressures and cyclones, and remain visible to divers and snorkellers. While this one is installed, it won't be open for viewing until April 1, 2020. Four pieces are planned in total — another one at Palm Island is expected to be installed by the end of the year, and another at Magnetic Island will open once funding is sourced. MoUA's first artwork can be seen now just off The Strand jetty at Townsville, and the second one will be able to view from April 2020. [caption id="attachment_759712" align="alignnone" width="1920"] Lisa Reihana 'Tai Whetuki - House of Death Redux' (2016) at The Walters Prize, Auckland Art Gallery.[/caption] SYDNEY'S BIANNUAL EXHIBITION THAT TAKES OVER THE CITY FOR 12 WEEKS The centrepiece of the 2018 Biennale of Sydney was Ai Weiwei's 60-metre inflatable boat, a critique and exploration of the global refugee crisis. This year, when the Biennale returns to art galleries across Sydney, the lineup of 100-plus artists will be examining another poignant issue close to the heart of Australia: First Nations sovereignty and intergenerational trauma. Running from Saturday, March 14 until Monday, June 8, the 2020 Biennale is entitled Nirin, which means 'edge' in the language of western NSW's Wiradjuri people. This year's theme is timely, for two reasons: the 2020 blockbuster falls on the 250th anniversary of Captain Cook's voyage to Australia — and it will be helmed by a new First Nations artistic director: famed Sydney-born, Melbourne-based interdisciplinary artist Brook Andrew. Andrew has selected an impressive lineup of artists and creatives — many of them First Nations — from around the world to exhibit at the Art Gallery of NSW, Woolloomooloo's Artspace, Campbelltown Arts Centre, Cockatoo Island, MCA and the National Art School for the exhibition's 12 weeks. On the just-announced program, you'll find the Southern Hemisphere premiere of Arthur Jafa's Golden Lion-awarded work The White Album, Wiradjuri artist Karla Dickens's immersive work symbolising the disproportionate number of incarcerated Indigenous Australian women and a large-scale political protest piece by Pitjantjatjara artist Kunmanara Mumu Mike Williams (who passed away last year). Cockatoo Island will be home to a wide range of works, too, including Ghanaian-born artist Ibrahim Mahama's sprawling installation of coal sacks; Tony Albert's interactive greenhouse, where you'll be invited to write and plant messages; and Tlingit/Unangax̂ artist Nicholas Galanin's excavation work that'll 'dig up' the land beneath the shadow of Hyde Park's Captain Cook statue. The 22nd Biennale of Sydney runs from March 14–June 8 2020. [caption id="attachment_747305" align="alignnone" width="1920"] The Gallery at sketch designed by India Mahdavi, London, 2014, photo by Thomas Humery.[/caption] A WORLD-FIRST EXHIBITION BY PIERRE BONNARD AND INDIA MAHDAVI Heading the National Gallery of Victoria's autumn/winter program this year is a world-premiere exhibition Pierre Bonnard, created in collaboration with famed Parisian museum the Musée d'Orsay. It offers a glimpse into the life and work of acclaimed 20th-century French artist Bonnard through a sprawling collection of pieces on loan from the likes of London's Tate and The Museum of Modern Art in New York, along with other renowned French museums. A close friend of the legendary Henri Matisse, the artist is best known for his stylised decorative works evoking scenes of everyday domestic life. The Melbourne exhibition will see Bonnard's recognisable designs brought to life even further, with the help of famed Iranian-Egyptian-French architect and designer India Mahdavi. Mahdavi — who has designed eye-catching spaces like London's Red Valentino store and the famous all-pink Gallery at sketch — will use her signature colour palettes and love of textures to create an immersive, life-size version of one of Bonnard's domestic scenes. The exhibition will run at NGV International from June 5–October 4, 2020. [caption id="attachment_737971" align="alignnone" width="1920"] White Night Melbourne by Gerard Dubois[/caption] A BRAND NEW MAJOR WINTER ARTS FESTIVAL Melbourne's arts calendar never fails to keep us busy, however, it's always had a bit of a lull in winter before Melbourne International Arts Festival and Melbourne Music Week take over the city in spring. But, this year, that's all set to change. In May last year the Victorian Government announced that it will launch a huge new citywide arts festival in the winter of 2020. It's set to shake up the Melbourne arts calendar as the new festival will merge the aforementioned Melbourne Festival and arts all-nighter White Night and move them into a winter timeslot. While White Night was originally held on a hot February night, in 2019 it was moved to August. Melbourne Fest, which was established in 1986, is usually held in October. Exact timings and details are yet to be revealed, but the new "global" festival — as it's being billed by the Andrews Government — will take over the city for several weeks, much like Melbourne Festival usually does in October. While it will no doubt combine the best bits of the two existing festivals, a new creative team will come on to develop a new program and vision. We're told the the 2020 program will feature a "diverse program of visual and performing arts" coupled with with "large-scale takeovers of precincts" after-dark. The inaugural festival — which is yet to be named — will kick off with a 'transitional' year in the winter of 2020. The new winter festival will hit Melbourne in winter 2020. We'll keep you updated when new details or dates are announced. Top image: Skywhale, 2013, Patricia Piccinini. National Gallery of Australia, Canberra. Gift of anonymous donor 2019, Australian Government's Cultural Gifts Program.
Riding the rails is one of the best ways to see a new destination, as anyone who has ever caught a train through Japan or across Europe already knows. Staring out the window isn't the only thing to do on some locomotive journeys, however. Mexico has an all-you-can drink tequila train tour, for instance — and now Queensland's Mary Valley region is launching its first murder-mystery train tour. Murder on the Rattler Express is the themed railway trip you can take even while you can't leave the country — and an excuse to see a part of the Queensland you mightn't have ventured to otherwise, too. Yes, it's basically the Mary Valley Rattler's version of Murder on the Orient Express. When Agatha Christie's book was turned into a movie again a few years back, these type of events were always bound to pop up. Sequel Death on the Nile is due to release in cinemas next year as well, so consider this your excuse to get sleuthing again in the interim. Dressing up, trying to solve a murder, scoping out the sights, sipping drinks, eating dinner: they're all part of the ride. And if it all sounds a bit familiar — other than from your reading and watching — you might be thinking of the 13-hour escape room train trip that recreated Murder on the Orient Express en route from Helsinki to Rovaniemi in 2017. For this Queensland-based opportunity to step into Hercule Poirot's shoes — or to emulate whichever other detective you prefer — you'll need to don your 1920s-style finest, pretend you're in Hollywood a century ago and enjoy an onboard gala soiree. Of course, that's when the murder-mystery component of the trip starts. You know how it works from there, with each passenger becoming a character in the story and charged with trying to work out who offs someone on the journey. View this post on Instagram A post shared by Mary Valley Rattler (@maryvalleyrattler) After departing from Gympie Station, attendees will travel to the village of Amamoor, which is where the fictional murder will take place. Then, you'll spend the return leg unleashing your inner Sherlock. Afterwards, at the Rusty Rails Cafe back at Gympie Station, the culprit will be revealed over a two-course dinner — with tickets to take part costing $195 per person. Murder on the Rattler Express makes its debut on Friday, August 13 from Gympie Station, Tozer Street, Gympie. For further information — or to book — head to the Mary Valley Rattler website.
"Your little cinematic universe is about to change forever." That's how Wade Wilson (Ryan Reynolds, Ghosted) describes being asked to enter the Marvel realm in the first trailer for Deadpool & Wolverine. After that, he calls himself "Marvel Jesus". How true the Merc with a Mouth's words will prove won't be known until July 2024, when the full film hits cinemas — but the trailer itself has already made history. Disney premiered the debut sneak peek at the 34th film in the Marvel Cinematic Universe, and the only one arriving this year, during the 2024 Super Bowl — so, on Monday, February 12 Down Under. Within 24 hours, it had become the most-watched movie trailer of all time, notching up a whopping 365-million views. The game itself also became the most-watched Super Bowl ever, attracting 123.7-million viewers in America alone to see the Kansas City Chiefs beat the San Francisco 49ers to win back-to-back titles. (And, yes, to also see Taylor Swift watching along before she brings her Eras tour to Australia.) But on top of the folks who caught the Deadpool & Wolverine trailer during the game, another 240-million-plus people sought it out online. Announced in 2022, Deadpool & Wolverine gives the sprawling Marvel Cinematic Universe something that fans have been waiting for for years. Deadpool will officially become a part of the MCU. So will X-Men hero Wolverine. So, they're about to become the franchise's favourite big-screen odd couple. Reynolds has been playing Deadpool since 2009's X-Men Origins: Wolverine, so this isn't the first time that him and Hugh Jackman (Faraway Downs) are teaming up as their famous characters — but, again, it is the first time in the MCU. Before now, Jackman has already busted out the adamantium claws in nine movies, starting with 2000's X-Men and running through to 2017's Logan, which was poised as his swansong in the role. But when you've been playing a part for that long, in that many flicks, what's one more go-around? After a non-Wolverine gap spent starring in The Greatest Showman, The Front Runner, Bad Education, Reminiscence and The Son, Jackman is clearly ready to get hairy again. That Deadpool & Wolverine is part of the MCU, the comic-to-screen realm that's been going since the first Iron Man flick and will likely never ever end, isn't a minor detail. The two characters have always been Marvel characters, but because of rights issues behind the scenes, they've stayed in their own on-screen sagas. But when Disney (which owns Marvel) bought 20th Century Fox (which brought the X-Men and Deadpool movies to cinemas so far), those business issues disappeared. Deadpool & Wolverine arrives six years after 2018's Deadpool 2. It also marks a reunion in another way. Behind the lens: director Shawn Levy, reteaming with Reynolds after Free Guy and The Adam Project. Also starring: Emma Corrin (A Murder at the End of the World), Morena Baccarin (The Endgame), Rob Delaney (Argylle) and Matthew Macfadyen (Succession), as well as Leslie Uggams (American Fiction) and Karan Soni (Miracle Workers). Check out the first Deadpool & Wolverine trailer below — if you haven't already or you're keen to again: Deadpool & Wolverine will release in cinemas Down Under on July 25, 2024. Images: courtesy of Marvel Studios. © 2024 20th Century Studios / © and ™ 2024 MARVEL.
There's nothing like lacing up your hiking boots and discovering a new trail. To help shave down the Googling time for our next adventure, we've asked Concrete Playground readers to share their favourite trails. So, if you are planning to take advantage of the long weekend and stretch your legs, here are your tips for the best hikes to check out — plus suggestions for neighbouring campgrounds, as well as the nearest The Bottle-O so you can stock up on bevs for a winner weekend. Cape to Cape Walk Track, Gnarabup, WA Starting off with the big one, Cape to Cape in WA. This multi-day track is on every hike lover's hitlist, and for good reason, according to John, who submitted this tip: "The best views you will ever get in WA. You don't have to do the entire 130 kilometres from Cape Naturaliste to Cape Leeuwin — unless you have up to ten days to spare. You can break it up and do a smaller section, easy." So pack your gear, pick up your mates and head down from Perth to the starting point in Cape Naturaliste. Stop in Brunswick for hiking snacks, easy meals to enjoy and bevs from Brunswick's The Bottle-O to enjoy as the sun sets across the ocean as you camp at one of the many campsites along the trail. Closest The Bottle-O: Brunswick Forts Walk, Magnetic Island National Park QLD Are you keen on koala spotting, historical tours, and epic views? Find all three at the Magnetic Island National Park, just an easy car ferry from the mainland. The island is a frequent getaway for our reader Karen who says: "There's always rock wallabies hanging around the beaches and headlands in Arcadia. The best walk is the Forts Walk, hands down." Explore the rest of the island's rainforest, rocky coastline and local wildlife before stocking up on supplies including local Queensland craft beers from The Bottle-O in Arcadia. Then all that's left to do is chill at the campsite with your mates. Closest The Bottle-O: Arcadia Middle Brother National Park, NSW The biggest of the 'Brothers' parks, Middle Brother, is found on the mid-North Coast of New South Wales. Reader Alex recommends the Middle Brother Circuit: "It's a hard hike that covers most of the park, so you will see a lot. There's little signal and signage, so it's best to come prepared for this one. Or do the shorter Peak Loop — great for a trail run." After a long day on the trail, pack up your car and head to North Haven to stock up on supplies at the servo and drinks at The Bottle-O before kicking back at one of the caravan parks and enjoy the bush and the beach over the long weekend. Closest The Bottle-O: North Haven Nelson Falls, TAS Keen to chase waterfalls in the wild western side of Tasmania over the long weekend? According to our Instagram follower Natalie, the best track is Nelson Falls in the Franklin-Gordon Wild Rivers National Park. She says: "It's not a long trek, but it's worth the scenery and a perfect sidetrack if you're road-tripping from Cradle Mountain to Queenstown or vice versa. The best time to visit the falls is after heavy rain — the waterfall will be raging!". There's a free campground nearby, Lake Burbury, where you can relax with your mates and a few cold ones from The Bottle-O in Queenstown. Closest The Bottle-O: Queenstown Cape Woolamai Circuit Walk, VIC Melburnians who want to get out of the city for the long weekend are so spoiled for choice. You could go north to wine country or west to the Great Ocean Road, but reader Steve says you should head south along the Bass Coast to Phillip Island: "The best spot for an epic walk is the Cape Woolamai Circuit — it's the highest point on the island, so it's perfect for sunset snaps." The island is connected to the mainland by a bridge, so it's super easy to get to, and everything you need is there. Plus, there are plenty of accommodation options, from farm stays and campgrounds to resorts and hotels — and The Bottle-O for all your beverage needs. So, whatever kind of adventure you want to take with your mates this long weekend, you are sorted. Closest The Bottle-O: Phillip Island Wherever the road leads you on your weekend adventuring, find your nearest The Bottle-O and stock up on some standout bevs. Ready to start planning? Head to the website. Top image: Canva Stock
Treat yo'self to something sweet, help save one of Australia's most beloved animals: that's what's on the menu right now thanks to Lindt. The brand has just launched a limited-edition item that not only looks adorable, but also assists a great cause — with its new koala-shaped chocolates raising funds for the Australian Koala Foundation. Everyone knows Lindt's gold Easter bunnies, so consider this the suitably silver and thoroughly Aussie version, all to support the AKF's work to ensure the Aussie marsupial's survival. Beneath that shimmering foil and its cute red ribbon with a heart-shaped pendant, the 100-gram chocolate is shaped like a koala, obviously. It's hollow inside, but you'll taste notes of both caramel and honey within the milk chocolate itself. For each koala purchased — with the new choccies only available via Lindt's retail stores and its website — the brand is donating $1 to the AKF. And, for every dollar that Lindt donates, AKF is matching it. Those funds are specifically earmarked for the foundation's 'Koala Kiss Project', which is all about finding where the species' fragmented habitat comes close to joining up, then regenerating the landscape to create a koala conservation corridor — with the first stage of the project focusing on developing software and collaborating with scientists to plot out all those 'kiss points' over a 1.5-million-square-kilometres patch between Cairns and Melbourne. "The Lindt koala is more than just chocolate. We want our Lindt koala to raise awareness and educate the community of the important role the Australian Koala Foundation plays in the long-term survival of our beloved native animal," said Lindt Australia CEO Michael Schai. "If we achieve contiguous habitat across the entire stretch of the koala range, then all creatures great and small could traverse through the bush unthreatened. With over 30 years of research behind the Koala Habitat Map, AKF's next grand vision could redirect the fate of the koala," added Deborah Tabart OAM, Chair of Australian Koala Foundation. "Lindt's support will help kickstart those efforts, with an ultimate vision to save the koala with 'kisses' through chocolate." Lindt's chocolate koalas are available to purchase for $6.25 at Lindt stores and via the Lindt website for a limited time.
With every new year comes new ambitions, goals and hopes for the next 12 months. Despite not quite ticking off everything from last year's resolutions list, there's something about a new year that restores your faith in your own ability to achieve your dreams this time around. And, if the world has shown us anything these past few years, it's to lean into fun while you can. While trying new things can be somewhat daunting, we hear that getting out of your comfort zone is where the magic happens. Whether you've been promising yourself to sign up to an acting class for years or you feel like trying a different sport, there are loads of ways you can get involved in a new activity this year. We've teamed up with Just Play to give you some inspiration for your extracurricular activities in 2022. PLAY A TEAM SPORT After so much time in solitude and indoors over the past few years, there's never been a better time to get involved in a team sport. Although this may sound very intimidating to some — especially if your high school dabbled in dodge ball — being part of a team sport can be a completely supportive and enjoyable experience. If you're ready to play but haven't got enough mates who are as keen you, Just Play is here to help find you a team. Simply sign up to one of the sports on offer — basketball, netball, futsal, soccer, touch footy, cricket, volleyball and more — as an individual or with a mate and you'll be added to a team in your area. How good. Once you've registered, Just Play will then send you a playing top and you'll be off and away with your new teammates. LEARN A NEW CREATIVE SKILL There's something super satisfying about getting your hands dirty to learn a new skill or to make something. And Work-Shop offer plenty of courses that will leave you feeling creatively fulfilled. You can try your hand at workshops across various art forms including ceramics, jewellery making, pot painting or simply sip on some wine as you paint a watercolour masterpiece. It even offers Kintsugi classes — the art of repairing broken pottery. By the end of each workshop, you'll leave with a beautiful piece of art and a story to tell your mates at dinner. Plus, classes fall on a range of different days and timeslots, making it easy to fit in around your busy weekly schedule. VOLUNTEER FOR A CAUSE YOU CARE ABOUT Volunteering is a top-tier way to get involved in your community and potentially discover new areas of interest. In Sydney, Story Factory has ongoing volunteer opportunities, both online and in person, focusing around greater western Sydney schools. If helping under-resourced communities through creative writing sounds like something for you, this will be right up your alley. There are heaps of other places you can volunteer, too. Consider yourself an animal lover? You could volunteer at an animal shelter. Love to read? Libraries could use your help. Or, if you like life on the more dramatic side, your local theatre is likely to love your creative input. Go Volunteer can help you get started with opportunities and organisations listed or Volunteer Match can help you find something that aligns with your interests. HIT YOUR MARK IN AN ACTING CLASS Ever think you could be the next Cate Blanchett or Eric Bana but just haven't been discovered yet? Well, it might be time to enrol in a NIDA Open course to help you discover your true acting ability or to simply have a bit of fun centre stage. There are intensive part-time courses and shorter weekend and evening classes available in stage acting, screen acting, stand up comedy, design, writing and more. Some courses require an audition to enter but many are available to anyone ready to take on a creative challenge. The best bit? NIDA Open offers regular classes in Sydney, Brisbane and Melbourne. ELEVATE YOUR CULINARY SKILLS You can never stop learning when it comes to cooking. Some of us simply want to master the art of slicing things up a little more intricately. Others might want to figure out which spices should go with what dishes while some might want to perfect a pad thai recipe. Whatever skill you want to refine, a cooking class could be your answer. You can find a range of classes on Red Balloon to suit a range of palate preferences. Want to finally learn how to make some proper Italian pasta? How about delicious Japanese or Middle Eastern food? Either way, Red Balloon has you covered. You can even take a cocktail masterclass and impress all your mates next time they come over for drinks. ENROL IN A LANGUAGE COURSE Learning a new language is one of those things that perpetually seem to be on the 'I should get around to finally doing that' list. Wouldn't it be nice to be able to answer 'Parlez-vous Francais?' with more than 'Oui'? Well, this could be the year. There are plenty of courses to help. The Vocational Language Learning Centre offers courses in Arabic, French, Italian, Greek, German, Japanese, Indonesian, Russian and Spanish at centres in Brisbane, Sydney and Melbourne. EXPLORE YOUR CITY ON SKATES Time to limber up those legs and get on some skates to see your city in a whole new way. Rollerskating is an excellent way to keep active and try something new and still maintaining an element of social distance (ideal in 2022). There are plenty of routes for you to roll around in our major cities. Hit up the St Kilda Beach Promenade in Melbourne, let loose on the long and scenic Brisbane River run or lap it up at Centennial Park in Sydney. In terms of purchasing the gear, Impala Roller Skates online store has plenty of good stuff. Or, there's Bayside Blades in Melbourne, Extreme Skates in Brisbane and Skater HQ in Sydney. Ready to try something new in your city this year? For more information on Just Play, visit the website.
Winter is coming, as Game of Thrones has been telling us for years — but the show's final season is coming first. Before the weather turns cold again in the southern hemisphere, fans of the epic HBO series will be able to discover how the popular series wraps up, so mark your calendars accordingly. After leaving everyone hanging for the entirety of 2018, HBO has announced that Game of Thrones' eighth and final season will hit the small screen on April 14, 2019, US time — so Monday, April 15 in Australia — nearly two years after season seven premiered in July 2017. If you're eager to get your fix of the series' staples — that is, battles, bloodshed, betrayal, bare chests, family bickering, Jon Snow knowing nothing (including about his long-lost aunt) and plenty of dragons — then you can start counting down the days: there are 90 to go. HBO revealed the launch date this morning at the end of slightly creepy new teaser, featuring Jon Snow and Sansa and Arya Stark in the crypts of Winterfell. They're faced with the talking statues of Lyanna, Catelyn and Ned Stark, and look set to battle White Walkers, but you can watch it all below. You can check out the other season eight teasers here. Of course, we all know that this isn't really the end of the world created by author George RR Martin — and no, we're not talking about the now seven-year wait for his next book in the literary franchise, The Winds of Winter. A prequel TV series to Game of Thrones is in the works, set thousands of years before the events we've all be watching since 2011, with Naomi Watts set to star. Come next year, you'll also be able to tour original GoT filming locations in Northern Ireland. https://youtu.be/wA38GCX4Tb0
From clowns to furry critters to dolls, 80s and 90s pop culture drew plenty of scares from childhood staples. Decades later, Hollywood is conjuring up plenty more by bringing it all back again. With the IT remake not only working a charm back in 2017, but releasing a star-studded sequel later this year, the folks behind it are reviving another old favourite: Child's Play. While the horror franchise released its last instalment, Cult of Chucky, as recently as 2017, the new Child's Play is starting all over again. Remaking the original 1989 movie, it'll re-introduce the world to the psychopathic flame-haired plaything with a lust for murder. This time, the toy will terrorise Aubrey Plaza, who plays a young mother to a son who comes into possession of the knife-wielding doll. Whether you've seen any of the seven other Chucky flicks or are too creeped out by the idea to watch, you can probably guess where the story goes — this time, however, the murderous plastic moppet has been updated for the 21st century. And if you're excited about the character's comeback, then you'll be just as excited to know that even more is in store, with a Child's Play TV series also in the works. Check out the unsettling first trailer for the new Child's Play movie below: https://www.youtube.com/watch?v=ZFy8ZgLd574 Child's Play releases in Australian cinemas on June 20, 2019.
Usually when we all encounter fog, it's hanging there in the sky, misting things up and reducing visibility. But when London-based, world-renowned food artists and multi-sensory design studio Bompas & Parr head Down Under for their first-ever Australian sensory installation, the fog will be considerably different. This mist will be fruit-flavoured, for starters, and it'll be edible. If you're intrigued by weird, wonderful, creative and inventive experiments with food — and with the senses in general — then Bompas & Parr's name should be familiar. Sam Bompas and Harry Parr first garnered attention with their jellies, and then whipped up a 200-course dinner party, unleashed an edible fireworks display, barbecued using real molten lava and served up anatomical whisky tastings. Also on their resume: bespoke cocktails based on your DNA, a feast where diners had to kill their own meal and non-melting icy poles. Yes, tastebud-friendly mist mist fits right in. [caption id="attachment_851679" align="alignnone" width="1920"] Ann Charlott Ommedal[/caption] We've all heard of pea soup fog, of course — but no, that won't be what you're tasting at Bunjil Place in Narre Warren in Melbourne. Rather, the consumable mist will form part of a flavoured fruit weather installation, and will swirl around oversized food sculptures laid out in a garden. And, there'll be three different varieties seeping through the air each and every day. The aim: to unleash some 'fruit weather' upon the Victorian capital, and to highlight the City of Casey's food heritage. When you're not thinking about horror movies like The Fog and The Mist, you're bound to be contemplating food while you're wandering around these giant versions of it, all with mist seeping out of the bottom. Well, we expect so at least, given that the flavoured fog is a world-first. Everyone keen to experience this hopefully delicious haze will find it lurking around Bunjil Place thanks to a free event called Casey Cornucopia, which'll run from June 24–July 17. Over that 24-day period, there'll be tours explaining how the garden installation came about, too — because it is really is the kind of thing that'll leave you with questions — plus parties, dinners and art. You'll also be able to hit up a food hub that brings together local farmers, growers, artisans, sustainability gurus and artists for a series of daily talks, demonstrations, samples and workshops. Casey Cornucopia will pop up at Bunjil Place, 2 Patrick NE Dr, Narre Warren, Victoria, from June 24–July 17. Images: supplied by Bunjil Place and Bompas & Parr.
Thirty-two teams. 64 matches. One huge month of football. That's the Women's World Cup equation for 2023, with the soccer frenzy taking over Australia and New Zealand — because both countries are hosting, and because everyone Down Under sure does love getting behind a huge sporting event. Suncorp Stadium — or Brisbane Stadium as the Milton venue has been renamed for the occasion — is home to a few games, but tickets are unsurprisingly proving popular. So, you might want to watch the Matildas and every other national squad that's made the cut at your local watering hole. Or, if you head to Howard Smith Wharves until Sunday, August 20, you can do so in a waterside brewery's barrel hall. For the latter, Felons is your go-to — and it's showing every single game live on the big screen. Even better, the beer-loving spot is plastering its Women's World Cup coverage across its rivergarden. Sitting under the Story Bridge, drinking brews, eating snacks, getting warm by the sun or the heaters, watching Sam Kerr and company do their best: now that's something to say cheers to.
Usually, cancer movies aren't just terrible and generic — they're insulting. Too often focusing on pretty young things succumbing slowly to the insidious disease while trying to relish their remaining time, they frequently tug at the heartstrings with shameless abandon, treating their protagonists and their plights as a mechanism to wring weepy sobs out of the audience. The Fault in Our Stars did it. Me and Earl and the Dying Girl did too, even winning awards at Sundance for dressing up its efforts with an overtly quirky, cinema-worshipping vibe. So when a film hones in on a cancer-afflicted teenager yet refuses to trot out the same old tropes and cliches in the same old ways — when it instead appreciates its protagonist as the sum of everything that makes her who she is, instead of the mere cause of everyone else's sense of loss, including viewers' — it firmly, welcomely stands out. Babyteeth is that movie, and it could never be mistaken for a standard sickness drama. As directed by Australian theatre and TV veteran-turned-feature first-timer Shannon Murphy, this lively, insightful and moving film truly sees its central figure, Milla (Little Women's Eliza Scanlen), as a person first and foremost. She isn't simply a storytelling tool used to evoke easy emotion and inspire tear-streaked faces. Nor is she a secondary figure primarily deployed to stress the extent of someone else's troubles, as many a movie that endeavours to explain away the grating behaviour of a healthy but struggling character has been known to do. Milla's flaws and difficulties aren't buffed down to a soft, saintly sheen, as has become a hallmark of illness on-screen, and her coming-of-age journey isn't presented as a bittersweet reminder that life is far too short. Rather, Babyteeth follows the passionate Sydney high schooler as she falls for 23-year-old small-time drug dealer Moses (Acute Misfortune's Toby Wallace) while her already distressed and labouring parents watch on. Milla tumbles literally at first, during the pair's meet-cute on a Sydney train platform as the instantly recognisable station announcement tone echoes through the speakers above her. While the just-evicted Moses asks for money, he's also tender and caring, even though the two have just crossed paths. And so, immediately intrigued by and smitten with this stranger who gives her more attention for just being herself than she's become accustomed to receiving, she proposes a deal: she'll give Moses $50 if he takes to her sandy, cascading hair with clippers in a pre-treatment strike, then comes back to her sprawling suburban home to have dinner with her parents. Initially introduced in a stilted psychiatry office sex scene — one that speaks to their flailing, failing quest to retain any normality they can during their daughter's illness — Milla's mother Anna (Essie Davis) and father Henry (Ben Mendelsohn) aren't thrilled with their dinner guest. He'll still become the fourth figure in their dysfunctional family as the months pass, though, as Milla relapses and undergoes chemotherapy, ex-classical pianist Anna relies upon Henry's prescription pad to help her cope, and Henry himself begins an unexpected friendship with their pregnant neighbour Toby (Emily Barclay). As adapted from Rita Kalnejais' play by the writer herself, Babyteeth strings its tale together from moments, as the film's key quartet take each minute, second and development in their lives as it comes. Some days, Moses pilfers the household's pills. On others, Milla wrestles with the supposed be-all and end-all that is her school formal. Whether sneaking out to parties and empty karaoke bars or having animated debates, they both keep butting heads with Anna and Henry, too, who both keep attempting to tread the waters of Milla's hard-earned but always-tentative grasp on happiness. From neon-hued exchanges that glow with yearning affection, to frank declarations that Milla and Moses' relationship "is complicated", Babyteeth is unmistakably built from familiar pieces — but it's how the film uses them that matters. When the pithy script has an antidepressant-addled Anna exclaim "what have you done with my daughter?!" to Milla, it also tasks the teen with giving the type of honest answer that only someone with cancer can: "I killed her". At every turn, this pattern continues, not that it ever plays as systematic, repetitive or predictable for an instant. Kalnejais' perceptive and writing combines with Murphy's keen eye for complicated emotions — and the roving, bouncing, ever-expressive visuals that enliven the film's parade of vibrant vignettes as well — to ensure that Babyteeth continually twists even the most well-worn of narrative details in their own direction. In her second role as an unwell adolescent in a row, following Little Women, Scanlen gives a vivid, assured performance beneath Milla's revolving array of naturalistic, ice-blonde and turquoise wigs — another factor that lifts Babyteeth well beyond its thematic peers. She's a ball of energy when Milla is excited, anxious, angry and rebellious, plays peaceful and resigned with the same inner force, and stomachs the ignorance and condescension of the less sympathetic with quiet pain and fortitude. Unsurprisingly given the cast, she isn't the only actor in stellar form. The wiry Wallace deservedly won the Best Young Actor award at 2019's Venice Film Festival for his thoughtful work, and Davis and Mendelsohn — the latter in straight rather than menacing mode for a change (see: Rogue One: A Star Wars Story, Ready Player One and Robin Hood) — convey the storm of conflicted feelings whirling inside Anna and Henry. In words rarely, if ever, directed at a film about a teenager with cancer, the feature's core performers all prove raw, sensitive, astute and arresting. So does this dynamic, melancholy and memorable drama itself, and it's one of the best Aussie movies that'll hit cinemas in 2020. https://www.youtube.com/watch?v=PLNXHJB5Mto
Baywatch. The name alone is insanely evocative, conjuring up images of bronzed bodies, bouncing breasts and David Hasselhoff blasting his way through "some people staaaaand in the darkness, afraid to step intooo the light!" For a time it was one of the most widely syndicated and watched TV program in the entire world – despite its altogether preposterous premise about impossibly attractive lifeguards solving crimes and stopping diamond smugglers with the same regularity that they prevented a casual drowning. The show was ridiculous and it was gratuitous...but it worked, and it was great TV. Fast forward twenty-odd years and Baywatch now finds itself the latest victim of a visionless Hollywood system forever sucking the life out of cinema by simply rehashing old ideas and formats rather then gambling on something new. TV to film has admittedly seen a handful of notable wins (21 Jump Street, for example), but the vast majority of these reboots fall harder and faster than the abysmal jokes they attempt to deliver (think Power Rangers, CHiPS and the disastrous Absolutely Fabulous). The new Baywatch movie is sadly no exception. This is puerile comedy at best, where the laughs are so infrequent they almost feel accidental. It is a film without purpose, failing to even entertain at the most basic level. There's no finesse to be found; no craft on display or subtlety to admire. It's a stupid and pointless movie whose only aim seems to be to rob you of both your time and your money. If that seems unfair, consider that the longest scene in the film centres largely upon Zac Efron's character having to fondle and examine a dead man's flaccid penis and scrotum while his partner laughs and takes photos on his phone. As for the second longest scene? Another man's penis (erect, this time) is wedged in a park bench and needs to be extricated while onlookers laugh and take photos on their phones. In amongst it all is Dwayne 'The Rock' Johnson – and it's a credit to the man's charisma and star power that he almost singlehandedly keeps this stinker afloat. With penetrating eyes and a big beaming grin, Johnson treads that appealing line between physically intimidating and loveably huggable (something we've not really seen since Schwarzenegger's iconic turn in Kindergarten Cop). His onscreen rapport with Efron is not without its appeal, although there's absolutely no plot or script to back it up. As the film's antagonist, Bollywood superstar Priyanka Chopra lends her class and talent to a project that otherwise has none. Meanwhile, the supporting cast grimaces and stumbles their way through scene after scene without any clear idea why they're there or what they're doing. Sometimes self-aware and other times bizarrely serious, Baywatch is a film entirely out of its depth, slipping beneath the waves and in no way worthy of rescue. https://www.youtube.com/watch?v=eyKOgnaf0BU
It seems for many that gelato has assumed ice-cream's mantle as the height of iced indulgence. Lower fat content, less air incorporated during the churning process and a lower serving temperature all contribute to gelato's smooth, elastic allure. Many argue that these differences in preparation and serving give gelati a more intense flavour than ice-cream. Whether or not this is true, it certainly seems that way when polishing off a couple of scoops of Milani's banana gelato. So strong is the banana flavour, you wonder whether it actually contains anything other than its namesake ingredient. So impressive is this particular iced confection that it won a Gold Medal at the 2011 Queensland Royal Food & Wine Show. Milani has picked up a host of awards, having also been honoured at the Australian Dairy Awards and the Australia Dairy Product Competition. The panna cotta seems to be their most decorated creation so feel free to give in to the hype and give it a try. Though, you're just as likely to enjoy any of the other flavours. The beauty of Milani, is that unlike many ice-cream/gelati shops, where you pick your favourite early in the piece and stick to it religiously, here you'll be tempted to pick something new upon each return visit: dark chocolate, pistachio or French vanilla for example. Better yet, select all of the above to customise your own sundae. If you need some guidance, consider the Coppa Exclusiva with your selected combination of gelati, topped with whipped cream, drizzled in chocolate sauce and festooned with roasted hazelnuts, wafers and crunchy chocolate bits. Co-owned by Olympian Tatiana Grigorieva, Milani is incredibly popular and like many of its neighbours on Racecourse Rd, it attracts a crowd most nights of the week. Go there after dinner and you will be lucky to find a table – find yourself in this situation however, and you can always get a takehome tub.
If seeing one waterfall in a day isn't enough, head to the highlands to experience the beauty of the Atherton Tablelands waterfall circuit. With a bunch of tumbling waterfalls and vast crater lakes to explore, the trip up the mountain range to these rainforest delights is essential Tropical North Queensland travel. Take the Gillies Highway from Cairns to Crater Lakes National Park to dive into Lake Barrine and Lake Eacham. Unlike their explosive origins, these water-filled volcanic craters are ideal for a serene morning float. Next, drive to the nearby town of Millaa Millaa to find out why its eponymously named falls are one of the most photographed cascades in the country. Have a soak in the swimming hole at the base of Millaa Millaa Falls or get underneath its 18-metre drop to have your very own rainforest shower. And, if more waterfall action is what your heart desires, visit nearby Zillie Falls and Ellinjaa Falls to round out the circuit.
It's with a wink and a nod that Ladj Ly names his Cannes prize-winning, Oscar-nominated crime-thriller after one of the most famous French works there is: Les Misérables. And it's with the same irreverent spirit that the first-time feature director lets audiences literally hear the people sing in the movie's opening moments, even though this definitely isn't a musical. Set in 2018, the film's early crowds are belting out 'La Marseillaise'. France has just won the FIFA World Cup, Avenue des Champs-Élysées is alive with soccer fans waving flags and celebrating, and everyone is chanting the national anthem with beaming pride. Shot documentary-style, the city's residents couldn't be more joyous, including when the movie's moniker — literal translation: the miserables — is humorously splashed across the screen. But, despite the ecstatic scenes that kickstart Ly's feature, this is still a rousing cinematic song of angry Parisians. Nearing 160 years since Victor Hugo immortalised the Montfermeil commune, using the Paris district as a key setting in his well-known work, this Les Misérables heads there to tell a different story. Or, to be exact, to explore comparable themes in contemporary France — and to interrogate the reality of life in Les Bosquets housing estates in one of the capital's banlieues. The latter and their communities have featured in the likes of 1995's La Haine and 2014's Girlhood before, two hands-down French movie masterpieces, but the approach here is especially inspired. Drawing parallels with a globally known, much-adapted, long-popular classic to shine a spotlight on modern-day class and cultural clashes is smart and savvy and, in the hands of a filmmaker from the area who is already known for making documentaries about the area, results in a particularly compelling and confronting piece of cinema. Every neighbourhood bubbles with stories. So, focusing on Les Bosquets, Ly relays as many tales as he can. With propulsive and fittingly restless energy, his film flits between the locale's cops, kids and gangs — with struggles between all three groups reaching boiling point over the course of two summery and eventful days. The catalysts: familiar prejudices, long-held beefs, a stolen lion, a wrongful shooting and some controversial drone footage. Anti-crime brigade officers Chris (The Eddy's Alexis Manenti), Gwada (C'est tout pour moi's Djebril Zonga) and the newly transferred Stéphane (Dunkirk's Damien Bonnard) are never far from the trouble, sometimes causing it, sometimes trying to stop it. But two local adolescents also play pivotal parts, with young Issa (debutant Issa Perica) responsible for the jungle cat missing from a visiting circus troupe and shy teen Buzz (fellow newcomer Al-Hassan Ly) the owner of the highly sought-after drone. While Les Misérables takes place just two years ago, Ly, actor and scribe Manenti, and their co-screenwriter Giordano Gederlini (Mother's Instinct) use events from a decade earlier as their basis, with Montfermeil one of the sites of the 2005 French riots. Ly's documentary short 365 Days in Montfermeil chronicled the chaos and the police brutality from the inside, as shot at the time — but here, he dramatises it. It's no wonder, then, that Les Misérables proves unrelentingly terse and always on edge, as well vehemently unafraid to filter real-world unrest through every frame. It's just as unsurprising that it isn't always subtle, but given the complicated terrain that it traverses, it needn't be. As a portrait of social tensions drawn from real-life situations, this is a film of explosive emotional and visceral power even when it's clearly lacking in nuance. Les Misérables makes a range of statements, including pondering the powder-keg banlieue environment, as well as the similarities between the film's cops, children and thugs — all of whom, in their own ways, are trying to get by. Ly contemplates how one event can escalate, detonate and spark a chain of chaos, and, Hugo-style, how insurrectionary acts come about. There's a message in the simple act of calling upon the riots the filmmaker lived through for a movie set years later, too, and it's one of Les Misérables' most potent. The idea that Ly's fictionalised story doesn't just lift details from reality, but that its ins and outs have never stopped being relevant to or reflective of life in Les Bosquets, purposefully hits hard. Also having an impact, and by design: the jittery on-the-ground camerawork that conveys tension, terror and heartbreak in equal measures; and the sky-high, bird's-eye drone footage that reminds viewers visually about perspective and the bigger picture. Indeed, Ly and his cinematographer Julien Poupard (Divines) ensure audiences feel like they're traversing Montfermeil's streets, and that they've seen every corner of the area from every angle as well. The urgent electronic score by Pink Noise does a cracking job of setting the mood, as does the brisk pace set by editor Flora Volpeliere (The Hookup Plan). And, cast-wise, Les Misérables' experienced actors and fresh faces alike all impart a sense of authenticity. By the time all of the above has worked its magic, no one is singing 'La Marseillaise' exuberantly, of course, but viewers have witnessed a stunning film with revolution at its heart. https://www.youtube.com/watch?v=TIsEZ2tTavU&t=6s
If you've ever wanted to enjoy a beverage in a speakeasy, pretend you're drinking bootlegged liquor, or get glammed up 1920s style, you're about to get your chance. Welcome to Prohibition Brisbane, the venue that brings the fun of almost a century ago to Fortitude Valley's nightlife district. It's a theme the underground haunt takes seriously, as its grand arrival space, complete with moving ceiling, makes clear. Inside the 1100 square metre warehouse, three separate basement spaces — the main hall, a speakeasy-style bar and an exclusive VIP lounge — evoke times gone by via earthy tones and aged finishes. Need proof beyond the fancy decor? It's all in the drinks list. The hard stuff reigns supreme, of course, as Prohibition's packed bar shelves prove. For those fond of shaken or stirred concoctions, the extensive cocktail range mixes time-honoured tipples that date back to the '20s with brand new house originals. Twists on classics are a highlight, including 'The Peach and Passionfruit Rickey' and the 'Du Pont Daiquiri'. Once the place starts pumping over the next few months, expect it to feature a lineup of international DJs and play host to a variety of other events and concert afterparties. For now, you can share in Prohibition's grand opening on July 3 and 4, or grab a sneak peek in advance by keeping an eye on their Facebook page. Find Prohibition at 206 Wickham Street, Fortitude Valley from July 3, or visit their website. View all Brisbane Bars.
Whether they're a random, your bestie, a family member or your partner, you probably never expected to spend as much time with the person (or people) you live with as you have this year. And they've spent more time with you than they were planning to, too. This means a stellar gift that says "thanks for putting up with me and all my weird quirks" is in order this festive season, which is where we come in. I In partnership with Square, we've picked out nine chic gifts to get for the person with whom you share an address. And, because we know you're going to use their stuff whether you have permission to or not, we've selected items that you'll get a kick out of, too. If you are a small business owner, Square has the tools you need to take payments and maximise your sales, including an ebook with tips to help you get started this holiday season. THE CHATS' 'THE CHATS' EP, COTTONMOUTH RECORDS ($38) If you're lucky enough to have a record player in your abode, then adding to the vinyl collection is a gift for everyone. Sydney record store and bar Cottonmouth Records' collection is as varied as it is vast with everything from Mariah Carey's Butterfly to Ella Fitzgerald's The Lost Berlin Tapes on offer. Suffice to say, you can have a little fun with your selection and pick something completely left-of-centre. Our pick is the 2016 self-titled EP from Aussie punk rock band The Chats. The year before the Sunshine Coast ratbags were catapulted onto the scene with their pub anthem 'Smoko', they recorded this seven-song EP in "a high school in a few hours", according to their Bandcamp listing. Shipping is $15, or free for orders over $100. POSIE CANDLE, FLOUR AND BLOOM ($30) Let's face it, sharehouse living means having to deal with some pretty, ahem, interesting smells. You may not be able to do anything about the questionable aromas wafting from your housemate's bedroom, but you can mask the smell of their leftovers in the kitchen with a candle. Camp Hill florist Flour and Bloom sells chic hand-poured natural soy candles by Byron Bay brand Posie for $30 in scents like watermelon, cucumber and basil, lemon myrtle, or rose, sandalwood and yuzu. Flour and Bloom usually bundle the candles with bouquet purchases, but if you'd like to buy a candle separately, you can contact the store on (07) 3843 0785. BUDDING GARDENER'S PACKAGE, THE PLANT SOCIETY ($20) Sure, you may live in a shoebox apartment with no backyard, but that doesn't mean you can't inject a little nature into the space. Provided you have some access to natural light, you can grow some beautiful greenery — or you can get your housemate to do it, and you just enjoy the fruits of their green-thumbed labour. This little gift package from The Plant Society costs just $20 and comes with three seed sachets, with a mix of food and flower seeds, plus a block of Hey Tiger chocolate. LUX BLACK AND GOLD, BLO BRUSH ($149.95) For the sophisticated glamour queen in your life (and house), look no further than this three-in-one hair styling wonder from Blo Brush. Part-hairdryer, part-straightener and part-volumiser, this nifty machine lets you recreate a salon blow-dry at home in a fraction of the time. It's pretty portable, too, so grab it for your housemate who is constantly hogging the bathroom. You can even opt to have it boxed in Christmas-themed packaging. Orders are shipped via express post, so it'll be on your doorstep in a matter of days. COCKATOO CUSHION IN ROSE, COCKATOO COLLECTION ($69) You've probably spent quite a lot of time in your living room this year, so we wouldn't blame you for getting a little bored with the decor. This vibrant Cockatoo Cushion from design business Cockatoo Collection could be the pop of colour the room so desperately needs. Like the rest of the brand's range of homewares and accessories inspired by Australian nature — which includes golden wattle tea towels, tassie devil canvas bags and gum blossom earrings — this product is handmade in its Melbourne studio. The cover is made with natural linen and cotton blend fabric, and you can opt to have it sent with or without the cushion insert. Delivery is free for orders over $25. SONNY ROUND DOORMAT, OAK AND AVE ($99) Landlord won't let you have a dog? Housemate allergic to cats? You may not be allowed to have a four-legged friend to greet you, but this joyful rainbow doormat is sure to put a smile on your weary dial when you get home every day. Available from cosy homewares store Oak and Ave, the half-circle peach and silver handwoven mat is made with durable jute, so it'll last through the many comings and goings at your house. You can order it online to pick up from the store in Shorncliffe or get it delivered right to its future resting place: your doorstep. HER BEST FRIEND JIGSAW PUZZLE, OKAY LADY ($79) Chances are at least one of your housemates developed a penchant for puzzles this year and, if that's the case, a pressie from online jigsaw puzzle company Okay Lady will be a winner. Okay Lady puzzles champion Aussie women illustrators and come in environmentally friendly packaging — no plastic in sight. If you happen to live with your bestie, get this super-cute 400-piece jigsaw by Queensland artist Sophie Beer that features two besties and some adorable pups. Shipping is free across Australia. ENTERTAINER EDITION, THE BOTANICA BOX ($130) There's nothing that propels a fledgling friendship forward like alcohol, so if your housemate situation is relatively fresh, The Botanica Box's Entertainer Edition gift pack should turn you into bosom buddies in no time. The box comes with a chrome cocktail shaker, two cut-glass tumblers, a gold-plated corkscrew, a cheese board and knife set, a card handmade with recycled paper and your choice of cocktail mixer. You'll have a choice between margarita mix, sours mix and bloody mary mix, so you and your new live-in companion can bond over an after-work tipple or two. If you want to fully pimp out your communal bar cart, add a second mixer for $30 and a third for $25. Delivery is free for some suburbs in Brisbane, the Gold Coast and Northern NSW, then vary between $15–25 for areas outside this perimeter. ONE SURFER CANVAS, CASA NOOSA INTERIORS ($560) Sure, you'll have to really like your housemate to splash this much on a gift. But remember it's a gift for you, too. And whether it's the interior inspo on Instagram, the most recent season of The Block, or just spending so much time staring at the same bare walls this year, you're probably starting to realise beautiful art for your home is worth the investment. Capture those summer vibes in your home year-round with this photographic print from Casa Noosa Interiors. The black and white image features a single surfer walking along the beach, and is presented on stretched canvas framed in a thin timber veneer frame. Find out how Square is supporting small businesses with the tools they need to grow, here. If you are a small business owner, Square has guidance on how best to maximise sales in the Christmas holiday period in its ebook, found here. Top image: Okay Lady
It has been three months since the Australian Government implemented an indefinite ban on international travel due to COVID-19, only allowing Aussies to leave the country in very limited circumstances. And, while other restrictions across the nation are starting to ease as part of Australia's overall roadmap out of lockdown, jetting overseas won't be on the agenda any time soon. This isn't surprising news. In fact, back in April, Chief Medical Officer Brendan Murphy advised that international travel wouldn't be back for at least three-to-four months. But now Federal Tourism Minister Simon Birmingham has confirmed that opening our border to the rest of the world is still some way off. Speaking at the National Press Club on Wednesday, June 17, the Minister said that "international border restrictions are likely to be there for some time to come" — and that "keeping those border restrictions largely in place is a price we're going to have to pay to keep COVID under control". Given that the status of COVID-19 in Australia is vastly different to most other countries around the globe, again, that's hardly an unexpected revelation. Expanding on the subject, Senator Birmingham explained that "in terms of open tourist-related travel in or out of Australia, that remains quite some distance off, just because of the practicalities of the volumes that are involved and the need for us to first and foremost keep putting health first". And, when specifically asked if it was more likely to happen next year rather than this year, he said, "I think that is more likely the case". [caption id="attachment_769188" align="alignnone" width="1920"] A trip to Sicily might not be possible till next year.[/caption] There are exceptions to Australia's border stance, however. The Minister noted that "international students and other categories of visitors to Australia who stay here for a longer period of time can more easily be accommodated, because we can simply work through the 14-day quarantine periods that have worked so well in terms of returning Australians to this country safely to date". Indeed, in the Australian Capital Territory, plans for a pilot scheme allowing around 35o students to enter the country are progressing. Senator Birmingham also advised that the government is trying to "find safe pathways to deal with essential business travel that helps to contribute to jobs across our economies". And, as has come up frequently over the past few months, implementing a 'travel bubble' with New Zealand — aka reinstating international travel just between the two countries before Australia's international border reopens to all nations worldwide — is still under consideration. "We will progressively and carefully step through what we can do to reopen," the Minister noted. "That's what talks with New Zealand are about, and I hope we can see that advance." He also touched upon opening up the travel bubble to other short-term visitors from countries with low COVID-19 rates. "That becomes much more challenging once you move beyond New Zealand. But not impossible and I hope that we can look eventually at some of those countries who have similar successes in suppressing the spread of COVID to Australia and New Zealand." It's worth noting, of course, that many of Australia's state borders are still closed, too. Queensland is working towards reopening to visitors from other states on July 10, although that hasn't been officially confirmed as yet, while the Northern Territory just today, Thursday, June 18, announced it'll reopen on July 17 — and South Australia is slated to do the same on July 20. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Vietnamese New Year is upon us for 2023 and, as it does every year, Paddington's Ngon is celebrating. When you're a family-owned neighbourhood Vietnamese eatery that goes big on traditional flavours, but with a fresh twist, this occasion is always going to be a big event — and it clearly is for the Nguyen brothers. This round of festivities includes a week of feasting from Tuesday, January 24–Saturday, January 28 — aka reason enough to eat, drink and be merry on Given Terrace. Make a date for dinner across the week and you'll firmly be in New Year's mode. The food menu goes big on family favourites, as the restaurant's cuisine does anyway. So, get ready to tuck into traditional skewers on coal, including beef with betel leaf; nem nướng, aka grilled pork sausage; corn with scallion oil and squid with green chilli sauce. Bookings are necessary, and calling is recommended less than two weeks out.
In Nude Tuesday, you can take the unhappy couple out of their daily routine — and slip them out of their clothes in the process — but escaping to a mountainside commune, ditching the dacks, palling around with a goat and gleaning relationship advice from the author a book called The Toothy Vulva just can't solve all woes. What that list of absurd plot points and experiences can do is fill out a film that's gleefully silly, often side-splittingly funny, and also just as perceptive as it is playful. The basic premise behind this New Zealand sex comedy borrows from plenty of fellow movies and TV shows about stuck-in-a-rut folks seeking bliss and renewal, plus solutions to bland marriages, with a gorgeous change of scenery. But helping make Nude Tuesday such a winner is every offbeat choice that's used to tell that tale. Getting naked is only part of it, given that not a lick of any recognisable language is spoken throughout the entire feature — although plenty of words and sounds are audibly uttered. Nude Tuesday understands one key point, as everyone watching it will: that relationships are all about communication. The film is also well aware that so much about life is, too — and storytelling. Here, though, expressing emotions, connections and narrative details all boils down to gibberish and bodies. This amusing movie from writer/director Armağan Ballantyne (The Strength of Water) and writer/star Jackie van Beek (The Breaker Upperers) does indeed strip down its performers in its last third, living up to its name, but it saddles them with conveying almost everything about their characters via body language before that. Each piece of dialogue spoken echoes in unintelligible nonsense, using completely made-up and wholly improvised terms. Even covers of 'Road to Nowhere' and 'Islands in the Stream' do as well. And while subtitled in English by British comedian Julia Davis (Camping), that text was penned after shooting, in one of the film's other purposefully farcical twists. The result is patently ridiculous, and marvellously so — and hilariously. It's such a clever touch, making a movie about marital disharmony and the communication breakdown baked within that's so reliant upon reading tone and posture, as couples on the prowl for the tiniest of micro-aggressions frequently hone in on. Initially, the feature needs a few scenes to settle into its unfamiliar vernacular, which takes cues from The Muppets' Swedish Chef in its cadence. Via an opening map, which situates the story on the fictional pacific island of Zǿbftąņ, Nude Tuesday's language also resembles an IKEA catalogue. But once Ballantyne, van Beek and the latter's co-stars find their groove — with a literally bloody attempt to make adult nappies sexy, a supermarket tantrum involving tossed cans and a tense anniversary dinner — everything, including the movie's chosen tongue, clicks into place. Van Beek and Australian The Tourist actor Damon Herriman play Nude Tuesday's central pair, Laura and Bruno. In the first but not last example of just how compellingly they use their physicality, the talented lead twosome paints a picture of relatable malaise from their introductory moments together. Laura and Bruno are bogged down in a dull cycle that revolves around working at jobs neither loves — she spruiks those mature-age diapers, he sells bathroom fixtures — then trudging home exhausted and exasperated to deal with their kids, and later crumbling into bed knowing they're going to repeat it all the next day. Sex doesn't factor in, and neither is content with that, but resolving their troubles themselves is out of reach. Then, they're gifted a getaway to ẄØnÐĘULÄ to assist. But this woodland getaway, run by charismatic and lustful sex guru Bjorg Rassmussen (Jemaine Clement, I Used to Go Here), wants its new guests to expose all in multiple ways. Unfurling among gorgeously lensed New Zealand scenery (with Australian Babyteeth and High Ground cinematographer Andrew Commis behind the camera), that starkers setup keeps proving savvy. It also keeps saying plenty beyond the silliness. Nude Tuesday isn't just absurdity for the sake of it, although it'd remain perfectly and thoroughly enjoyable — if slight — if it was simply that. Evoking laughs still comes fast and easily, of course, including getting giggling about coming too fast and too easily. Davis' witty subtitling fires off gags a minute, and the frequent preposterousness of it all — with orgies, drugs, a Twin Peaks-style love of logs and a penchant for ponchos all factoring in — is constantly entertaining. But there's as much heart and smarts throbbing within Nude Tuesday as there was in van Beek's also-great The Breaker Upperers, which similarly found a nifty balance between chuckle-inducing ridiculousness and insight. Here, there are as many observant layers to Nude Tuesday's dance through married misery as there are clothes shed by its cast, too — a list of performers that spans everyone from Black Comedy's Ian Zaro and Down Under's Chris Bunton to Wellington Paranormal's Karen O'Leary and Shortland Street's Yvette Parsons. Accordingly, amid the sight gags, word play, slapstick, jokes about anatomy, plus the other wonderful lashings of ludicrousness, sits a canny undressing of Laura and Bruno's deep-seated struggle to get emotionally bare-assed. At the outset, they're the strait-laced stiffs amid the unburdened and aroused. They're outsiders in this cosy, free-thinking little community of fellow A-frame cabin-dwellers, adding to the film's familiar elements. Unpacking what that means, why, how the couple became that way and what ẄØnÐĘULÄ can gift them is never a by-the-numbers journey, however. It's revelatory several times over, even if the end destination is also hardly surprising. Whether decked out head to toe or disrobing, it'd be tough to find a situation where Van Beek, Herriman and Clement didn't delight, particularly when bouncing off of each other in an anything-goes situation. Nude Tuesday's biggest names are that adaptable, that innately comedic, and that able to smoothly zip between the off-kilter and the astute. Clement doesn't have to plumb many depths, but he always plays Bjorn with the exact right dash of charm and eccentricity. Actually, Ballantyne's film itself achieves that latter feat — while finding ample emotional nooks and crannies to explore. Nude Tuesday mightn't have quite hit the spot if it had played out in English, but not because it relies upon gimmickry; rather, by peeling away the chatter, it's a sharper, savvier and funnier picture of communication struggles, and what it truly means to bare it all.
It's only been in the country for a matter of months but, following a series of complaints about the product, Duff beer has been found to be in breach of Australia's alcohol advertising code. The official Duff product, which was sold exclusively by Woolworths owned liquor stores such as Dan Murphy's and BWS, will be discontinued immediately. The stock currently left on shelves will be the last smooooth, creamy Duff you'll be able to get your hands on. The complaints voiced about the product's advertising were to do with its effects on underage drinkers, and those making the decision at the Alcohol Beverages Advertising Code felt those concerns were valid. "The association of The Simpsons with the product name and packaging is so strongly entrenched in Australian popular culture that the name and packaging will draw the attention of under 18 year olds," said the panel. And you can't really blame them. There's no doubt that the Duff product has strong ties to the much-loved cartoon. Millions of children grew up singing 'Duff beer for me. Duff beer for you. I'll have a Duff. You have one too' and it now serves a dual function as the perfect drinking song. There's also the understandable concern that these younger people would use the product to drink to excess. But for all of us responsible adult drinkers who sometimes like to indulge in some light-hearted Simpsons sessions, this news comes as quite a blow. All we can hope now is that you snag one of the last few bottles. $17 per six-pack or $45 a carton is a nice price to pay for an official collector's item. Via Daily Mail and International Business Times.
Whoever decided it was perfectly acceptable to roll out of bed, hit up your favourite watering hole and start your weekend with boozy brunch has changed more than a few lives. But not every alcohol-fuelled mid-morning meal comes with drag queen bingo — aka a way to make sipping bubbles with your first bites of the day even better. That said, Drag Queen Bingo and Bubbles at The Osbourne doesn't actually kick off till 12.30pm on Sunday, May 1 — but hey, if it's before 1pm, it still counts. The event is also taking place on the same day as Big Gay Day, as well as on the day before the Labour Day public holiday, so it's keen for you to turn your trip out into a huge party. Hosts Lady Saint Diva and Miss Synthetique will oversee the proceedings, with help from special guest Shanny T Bone. Expect drag performances and bingo, obviously, plus plenty of banter. Those bubbles will keep flowing from 12.30–2.30pm, all as part of your $60 ticket, and you'll be snacking on pork belly bao, rice paper rolls and chicken skewers. Dressing for a party is highly encouraged — and, while you'll need to pay extra for cocktails, there'll be a themed menu just for the day.
It's been a couple of years since Munich Brauhaus announced plans for their first Brisbane venue — and the two-level Bavarian bierhaus is finally opening its doors. Come May 3, the brews, bratwurst and butter-filled pretzels will be flowing on Stanley Street in South Bank. You'll want to drop by on May 4, however, when they're throwing a huge shindig to celebrate. From 5pm, it'll be a Friday evening full of German-themed fun. In fact, it'll be enough to make you think Oktoberfest has arrived early. Actually, the whole joint will be done up in Oktoberfest colours, flags and decorations for the entire month. Unlike Christmas, the revelry really is coming twice this year. A street parade will also weave its way around the parklands from 5pm, starting and ending at Munich Brauhaus, so expect traditional slap dancers, oompah band and acrobats too. At 5.45pm, the traditional keg tap will get the party properly started, followed by live entertainment, games and challenges across both storeys of the venue. And if you want to match your merriment with a huge pork knuckle, one of seven types of schnitzel or an apple strudel — and many a stein, obviously — dinner sittings will take place at 6pm and 8.30pm.
When you've already announced Bad Feminist author Roxane Gay as one of your keynote speakers, what comes next? At the 2024 Festival of Dangerous Ideas, the conversation will flow from being a serial dissenter to the smartphone backlash, propaganda and censorship, giving kids the right to vote and taking on the one percent, then also cover tackling inequality, the myths surrounding women's health and humanity's need to find meaning through god-like figures. The just-dropped program for the Sydney fest, which will take over Carriageworks for two days from Saturday, August 24–Sunday, August 25, is filled with exactly what an event dedicated to crucial and complex topics demands: a wide-ranging lineup of boundary-pushing talks where hopping from one session from the next means jumping between a vast array of subject matter. [caption id="attachment_962706" align="alignnone" width="1920"] Reginald Cunningham[/caption] Under Festival Director Danielle Harvey, FODI has curated its 2024 roster around the theme of 'sanctuary'. For Harvey, this also means giving attendees a place to dig into sometimes-weighty, sometimes-provocative matters. "At a time when we are surrounded by bad ideas and bad faith, where information is cheap and shallow, we need a place people can come and be curious together and be inspired. A space safe from hype. Safe to listen and ask questions. A space with real experts from all disciplines," Harvey said, announcing the event's 2024 program. "Festival of Dangerous Ideas is here to be that space. The lineup won't please everybody (it never does!) and nor does it aim to. But it will be good for everyone. What FODI offers is a precious moment in real time with 87 thought leaders and creatives who will bring you next-level discussion, likely some disagreement and definitely some hope. Learning more about the world we are making and unmaking is a thrill, and I can't wait for you to discover new ideas and thinkers over one massive weekend of danger." [caption id="attachment_963054" align="alignnone" width="1920"] Damon Winter/ The New York Times[/caption] Joining Gay among the 16 international guests presenting keynotes are US psychologist Jean Twenge, which is where diving into the impact of handheld devices comes in; journalist and writer Masha Gessen, who'll explore the ways that narratives about conflicts are controlled; and David Runciman to give the Christopher Hitchens Oration on the topic "votes for six-year-olds". Plus, Megan Phelps-Roper of Unfollow fame will team up with Andy Mills from The New York Times' The Daily and Rabbit Hole to dig into the impact of their podcast The Witch Trials of JK Rowling — and Jen Gunter has her sights set on the poor medical care women can be subjected to. Elsewhere, academic Saree Makdis will examine the west's response to the conflict in the Middle East, economists John N Friedman and Richard Holden will chat through ideas for increasing upward social mobility, The Next Frontier academic Todd Fernando will hone in on Indigenous excellence and The End of Race Politics' Coleman Hughes will be a guest on Josh Szeps' Uncomfortable Conversations. Attendees can also hear sustainability professor Jem Bendell step through how civilisation is already collapsing, philosopher David Benatar dive into the ethics of having children and comedian David Baddiel deliver the first John Caldon Provocation on how the need for god to give life substance disproves the deity's existence. [caption id="attachment_963055" align="alignnone" width="1920"] Sandy Huffaker for The New York Times[/caption] The lineup goes on, whether you're keen for a session featuring Jordan van den Berg, aka renter advocate Purple Pingers, on why the one percent should be afraid — or chats about the new breed of world leaders, the price of democracy, public forgiveness, artificial and transplanted wombs, positive masculinity, peer pressure making us sick or individualism. If you can't attend or won't be in Sydney, some sessions will be livestreamed. For those heading along in person, perhaps you'd like to hear from Talk to Me's Danny Philippou about his favourite horror film and why we're all fascinated with fear, then crawl through a tape installation by Austrian and Croatian artists and designers Numen / For Use, then watch a jailbreak experiment by performance collective re:group, too? Yes, across what promises to be a busy weekend, they're all also on the program as well. The 2024 Festival of Dangerous Ideas runs from Saturday, August 24–Sunday, August 25 at Carriageworks, 245 Wilson Street, Eveleigh, with select sessions livestreamed. To peruse the full program, and to buy in-person festival tickets from 7am on Wednesday, June 26 — with livestream tickets available in August — visit the festival website. Festival of Dangerous Ideas images: Jodie Barker, Ken Leanfore and Yaya Stempler.
What happens when AFC Richmond's assistant coach Nathan 'Nate' Shelley (Nick Mohammed, Intelligence) walks out on the club, and on his perennially optimistic American senior coach and mentor Ted Lasso (Jason Sudeikis, Saturday Night Live), for a rival team? Apple TV+ viewers, you're about to find out. After a year gap, sitting on the bench in 2022, award-winning hit soccer sitcom Ted Lasso is finally set to return in 2023 — and it now has a March release date and a first trailer. Get ready for a hefty rivalry, given that the Ted-versus-Nate clash is set to be quite the focus for the show's long-awaited third season. This 12-episode run, which will start streaming from Wednesday, March 15, will explore AFC Richmond's promotion to the Premier League — and the predictions that it'll come last as a result — plus Nate's move over to West Ham United. Also, Ted has both work and personal struggles to deal with, Roy Kent (Brett Goldstein, Uncle) leans into his assistant coach role, his partner Keeley Jones (Juno Temple, The Offer) is managing her own PR firm, and AFC Richmond owner Rebecca Welton (Hannah Waddingham, Hocus Pocus 2) is all about defeating West Ham United (and her ex Rupert Mannion, played by Buffy the Vampire Slayer's Anthony Stewart Head, who owns it). While Ted Lasso has felt like streaming's biggest warm hug across its first and second seasons, it wasn't afraid to skew darker in the latter, including as Nate felt pushed aside, ignored and unloved by Ted. Viewers will know that the last batch of episodes culminated with Nate's defection — but as seen in the first teaser trailer for season three, the rest of the AFC Richmond crew still has plenty to believe in, taking one of Ted's favourite words to heart. Also part of the team, whether on or off the field: recent hotshot player Jamie Tartt (Phil Dunster, The Devil's Hour), his teammates Sam Obisanya (Toheeb Jimoh, The French Dispatch) and Dani Rojas (Cristo Fernandez, Spider-Man: No Way Home), Ted's laconic second-in-charge and long-time friend Coach Beard (Brendan Hunt, Bless This Mess), and AFC Richmond Director of Football Operations Leslie Higgins (Jeffrey Swift, Housebound). As the sitcom's first two seasons have shown, viewers definitely don't need to love soccer or even sport to fall for this series' ongoing charms — although if you obsessed over the 2022 World Cup, it might help fill the gap until the 2026 version arrives. Kind-hearted in the way that Parks and Recreation, Wellington Paranormal, Brooklyn Nine-Nine and Abbott Elementary have also proven, Ted Lasso will be in for a significant obstacle in 2023, thanks to Ted and Nate's battle. Usually, this series celebrates people who support each other, are always there for each other and form close bonds as a result. Indeed, that's what has made it so instantly likeable. But with Nate now working for the competition, change is afoot — don't expect to see the show mess too much with its winning formula, though. Check out the trailer for Ted Lasso's third season below: Season three of Ted Lasso will stream via Apple TV+ from Wednesday, March 15. Read our full review of season two.
The early life of David Helfgott was commemorated in the award-winning movie, Shine, but many fans of the treasured musician say that you haven’t appreciated his talent unless you’ve seen it in person. This rare opportunity to see the internationally acclaimed and loved pianist is one worth seizing. His triumphant story and exuberant passion have led David Helfogtt to international and chart-topping success – his performances are reportedly captivating to all who witness them. His Brisbane performance will see him interpret compositions by JS Bach, Beethoven and Franz Liszt - big names in classical music, played by one of the biggest names in contemporary classical performance. Get a ticket and get along to QPAC for a night of memorable music.
Sometimes, all you need is a nice cup of coffee, a simple yet delicious bite to eat, and a shady suburban place to enjoy them in. That's one of life's simple pleasures. Moroccan chorizo jaffles, cured kingfish tacos, and blueberry pancakes with lemon curd, nutty tella (you know what it's supposed to be), and salted walnut crumbs — well, they're much more complex delights. You'll find all of the above at The Colour Nine on Mawson Street in Stafford Heights; however, if you live nearby, what you'll really find is an ace new local hangout spot. The even better news is that, if you like the fine fare they're serving but you don't have time to perch on a seat under an umbrella to enjoy it, it's also available for takeaway. From peach and mint iced tea to cold-brew caffeine fixes, and breakfast rolls to croissants and other pastries, there's something for all tastes for breakfast, brunch and lunch seven days a week. Be sure to keep an eye out for The Colour Nine's weekend specials, though. That's when the likes of doughnut bites and beef, bacon and beetroot on brioche make an appearance.
While everybody is pretty damn exited about the announcements made this morning for the musical and lighting parts of this year's Vivid Live festival, there were also some amazing announcements made regarding what's in store for Vivid Ideas. Vivid Ideas is the third integral part of the entire Vivid ethos, hosting a program of public and industry events focused on discussion and creative collaboration. Over the 18-day program the newly made-over Museum of Contemporary Arts will become home to the creative hub of Vivid, connecting industry with emerging talent and global leaders in over 100 events, double the creative industry events of the previous three years. This year's program will see the CEOs of Etsy, Threadless and VICE giving keynote talks, as well as appearances from Cory Doctorow, author and co-founder of weblog Boing Boing, and Henry Holland, from the UK fashion label House of Holland. The talks will run alongside major industry events such as Song Summit, X Media Lab, Mumbrella 360 and SPARC Design. Other highlights include a partnership with the Sydney Film Festival, an Etsy microbusiness conference and a celebration of the 25th anniversary of ABC's Rage at CarriageWorks. The public program includes free and ticketed events and goes on sale on Thursday, March 22. Vivid is unique amongst Australia's festivals, and a major celebration of creative industries. This year's instalment of Vivid Ideas looks to reinforce just how vibrant and innovative this city is becoming. Check out the full program here.
It has been almost ten years since Franz Ferdinand released their game-changing track 'Take Me Out' and got the world banging their heads and shaking their hips to their guitar disco sound. Now almost a decade on they are still going strong, releasing their fourth studio album Right Thoughts, Right Words, Right Action in August to critical acclaim. Franz Ferdinand were once one of the hottest bands on the planet and whilst their live performances have always remained electric, they have never quite musically matched their debut — until now. Their new LP has truly rediscovered the energy and sound that enthralled us all on that initial release and has set them back on the path towards greatness. Now the Glaswegian quartet are taking the right action and bringing themselves to Australia. Whilst originally slated to be here for the now-cancelled Harvest Festival, the band have thankfully elected to stay on for an east coast tour that will be stopping in Brisbane at The Tivoli on Sunday November 17. Why not head down and see what all the renewed fuss is about?
