If you're fond of exclaiming "whoa!" to mark huge news — and you've been conditioned to do just that by a certain Keanu Reeves-starring sci-fi franchise — then the past year or so has given you more than a few opportunities to break out that word in the best possible ways. First came the confirmation that a fourth live-action film in The Matrix series was 100-percent happening. Then came trailers for that very flick, giving us all a few sneak peeks before we could watch the full thing. And, when Boxing Day rolled around in 2021, the movie itself — aka The Matrix Resurrections — finally arrived on the big screen. Here's another reason for you to channel your inner Keanu Reeves right now: just a month after reaching cinemas, and while still actually showing in cinemas, you can stream The Matrix Resurrections via video on demand at home. Fast-tracking films to digital is a trend that's been gathering steam during the pandemic — and if you've been a bit cautious about going out during Australia's current Omicron wave, you can still fall down the dystopian franchise's rabbit hole sooner rather than later. A hit for more than two decades now, this is the science-fiction epic that smartly recognises that it's Keanu's world and we're all just living in it, after all — and now, we can plug into all four live-action movies from our couches. Get ready for Neo (Reeves, Bill and Ted Face the Music) to once again grapple with the Matrix and everything it means for humanity — and also for Carrie-Anne Moss (Jessica Jones) and Jada Pinkett Smith (Girls Trip) to return, too. They're joined by Matrix newcomers Neil Patrick Harris (It's a Sin), Jessica Henwick (On the Rocks), Priyanka Chopra Jonas (The White Tiger), Christina Ricci (Yellowjackets) and Yahya Abdul-Mateen II (Candyman). And yes, Reeves and Moss once again take centre stage this time around, because casting them in the first place — and showing unwavering belief in the duo — is the greatest move that filmmakers Lana and Lilly Wachowski ever made. It was a bold decision two-and-a-bit decades ago, with Reeves a few years past sublime early-90s action hits Point Break and Speed, and Moss then known for TV bit parts (including, in a coincidence that feels like the product of computer simulation, a 1993 series called Matrix). But, as well as giving cinema their much-emulated gunfire-avoidance technique and all those other aforementioned highlights, the Wachowskis bet big on viewers caring about their central pair — and hooking into their chemistry — as leather-clad heroes saving humanity. Indeed, amid the life-is-a-lie horrors, the subjugation of flesh to mechanical overlords and the battle for autonomy, the first three Matrix films always weaved Neo and Trinity's love story through their sci-fi action. In fact, the duo's connection remained the saga's beating heart. Like any robust computer program executed over and over, The Matrix Resurrections repeats the feat — with plenty of love for what's come before, but even more for its enduring love story. Lana goes solo on The Matrix Resurrections — helming her first-ever project without her sister in their entire career — but she still goes all in on Reeves and Moss. The fifth Matrix movie overall counting The Animatrix, this new instalment doesn't initially give its key figures their familiar character names, however. Rather, it casts them as famous video game designer Thomas Anderson and motorcycle-loving mother-of-two Tiffany. One of those monikers is familiar, thanks to a surname drawled by Agent Smith back in 1999, and again in 2003 sequels The Matrix Reloaded and The Matrix Revolutions. But this version of Thomas Anderson only knows the agent from his own hit gaming trilogy (called The Matrix, naturally). And he doesn't really know Tiffany at all, instead admiring her from afar at Simulatte, their local coffee shop. Check out the trailer for The Matrix Resurrections below: The Matrix Resurrections is currently screening in Australian cinemas, and is also available to stream online via video on demand — including via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review.
UPDATE: JANUARY 31, 2020 — With the outbreak of coronavirus affecting many across the world, the organisers of this Saturday's Lunar New Year Rooftop Party have decided to postpone the event until further notice. Sunnybank Plaza released a statement today saying: "while acknowledging and considering advice from health authorities regarding events and mass gatherings, the celebration will be delayed in order to present a full program, and a more positive experience for all involved." We'll let you know if the festival is rescheduled for a later date. There's never a bad time to party while you're perched above the rest of the world, especially when there's a new year to celebrate. And while you might've done just that to mark the start of 2020, you haven't yet climbed up high to mark the start of the new lunar calendar on a shopping centre's rooftop. As it has for the past few years, this year's BrisAsia Festival is throwing a huge Lunar New Year Rooftop Party. To join in the fun you'll want to head to Sunnybank Plaza on Saturday, February 1 and head up to the top of the Hoyts Cinema carpark. The fun kicks off at 4pm, with dragon and lion dancers, lantern workshops, tea ceremonies, calligraphy classes, K-pop and plenty to eat. Entry is free, but bring your wallet to feast on dinner from the nearby restaurants. Images: Sunnybank Plaza.
Roll out the blankets: after launching in 2023 to make the most of Brisbane's enviable winter weather, Providore Park is again set to unleash picnics amid greenery-filled scenery when the food festival returns for another year. The idea was a winner from the start, giving attendees a feast of reasons to wine and dine in Roma Street Parkland across two July days. For its second run, the same formula is at work — and the lineup of talents and businesses taking part is enough to make you hungry just reading about it. Again free to attend in general, but with paid experiences also on offer — and your wallet needed for whatever you'll eat and drink, of course — this two-day affair will make its 2024 comeback from 10am–5pm daily across Saturday, July 13–Sunday, July 14. Over that one big weekend, Brisbanites can drop by Providore Park's 16-hectare inner-city home for bites while you're there and to take away, craft brews, food-and-drink masterclasses, live tunes and simply sprawling out on the grass. For whatever you're keen to snack on and sip, The Village awaits with its roster of stalls for browsing, buying and sampling. Lune Croissanterie and New Farm Confectionery are among the highlights that'll be slinging delicious wares, as will Bunya Cheese, 3Geese, 31 Degrees, Lirah Australian Vinegar, Ugly Duck Fine Foods and Noosa Black Garlic. Plus, the folks behind them will be on hand, all chatting about their goods as well. Providore Park is also welcoming Bisou Bisou and Blackbird Bar, plus Catch and Kiss Seafood, Gelato à Go Go, Coco's Plant Powered, That Arancini Guy and Church Mouse Cheese for more culinary options. And when you're not getting a brew from the Stone & Wood Garden Bar as DJs spin up a soundtrack, you'll have City Winery, Seabourne Distillery and Sobah among the beverage options. Keen to leave the fest with more food knowledge than you arrived with? That's where the chef masterclasses come in, featuring Katrina Ryan from The Golden Pig Restaurant and Cooking School; Arte Assavakavinvong from sAme sAme; Peter Kuruvita from Alba Noosa; and Ben Williamson from Agnes, Bianca, Honto. The event's second run isn't promoting itself as a croquet club this time around, but it does also span the return of its food- and wine-matching sessions and VIP lounge, as well as a main stage pumping out live music on Roma Street Parkland's Celebration Lawn. Images: Cocom. Updated Tuesday, June 18, 2024.
When it comes to celebrating the deliciousness of chocolate, one day a year isn't enough — but the powers that be have picked a specific date anyway. That'd be July 7, which is credited as the day that chocolate was introduced to Europe back in 1550. While you're snacking on a piece of cocoa-filled goodness, take a moment to think about the poor chocolate-less folks before then. In fact, why not do so while you're getting your dip on with some chocolate fondue? That's how the Regatta Hotel has chosen to mark the occasion. Come 4pm on Friday, they'll be slathering their courtyard with warm, runny chocolate so that you can slather it all over your tastebuds. Don't worry, it won't be all chocolate all night long — where fondue is involved, there's usually cheese, fruit and other edible non-choc items ready for plunging into the gooey hotpot as well. Still, we'd recommend eating something savoury for lunch because it's going to be quite the sweet evening.
The '80s might be known for big hair and bigger shoulder pads, but when it comes to music, it was also big in another area: variety. This is the decade sandwiched between '70s punk and '90s grunge, after all. Everyone from David Bowie to Public Enemy, Madonna to Salt-N-Pepa, and Joy Division to Ricky Astley had their moment. Everyone can have their moment again at TRAXX '80s party, where all things three-decades-ago are back in vogue. (Except voguing — that was a few years later.) We're talking about a time when the rain was purple, the Mondays were blue, and everyone looked pretty in pink or came back in black. Indeed, an '80s party really is the gift that keeps on giving, with a playlist of retro tunes certain to get the mood pumping. DJs Missy Boots and Leisa Lektro will be spinning the tracks, so all you need to do is show up and dance. And dress up in appropriate period attire, if that takes your fancy, with prizes on offer for the best costume.
I was first acquainted with Owl City when I listened to one of Triple J's best programs, the A-Z of Shit Music, and oh how I laughed. It appears that you don't have to listen to Owl City's records to form an immediate opinion, you just have to hear the lyrics. Why don't I treat you to some now? 'Cause I'd get a thousand hugs, from 10, 000 lightning bugs, as they tried to teach me how to dance.' Wait, hold on? What? What's a lightning bug, Owl City man, aka Adam Young? From what I can gather from YouTube videos, he sits behind a MacBook and speaks through a magical microphone with 500 voice filters built in. If that's not got you buying tickets for you and all your friends, he also has over 25 million hits on his MySpace, an amazing achievement... in 2007. Maybe Owl City is all about going back in time and making things cool again, like racing back to 2003 to steal The Postal Service's sound? As Max Lavergne put it, “it's excruciatingly emo and not easy to listen to, but the truth rarely is”. And there you have it - I double dare you to attend the gig of the year, it will reignite your closet emo side, and most likely your hatred for them and the music they “create”.
Any Sunday you like, you can tuck into a roast at home. If you're particularly fond of the oven-baked meal, as everyone should be, you can enjoy a Sunday roast each and every week. But only Brisbane Comedy Festival's annual version combines its food with a different kind of roast — aka comedians busting out their most biting remarks. Returning for 2023, Sunday Roast has a two-course feast and laughs on its menu, all at The Tivoli on Sunday, May 14. That date coincides with Mother's Day, so if your mum is fond of a giggle and you'd like to treat her to a meal, here's a rib-tickling solution. The lineup of talents taking to the microphone hasn't been revealed, but expect a range of BCF's best. Food-wise, you can opt for the sit-down meal for $120, or sit on the mezzanine and order snacks as you like for $70 (with whatever you eat costing extra). Both tickets include a glass of sparkling or beer on arrival.
When winter rolls around, nobody wants to eat salad. Chilly nights and grey days call for carbs — lots of carbs — and hot stews, soups and curries. And because everything tastes better when somebody else makes it, it's important to know where to find these things. Family-owned Taj Mahal is New Farm's favourite Indian restaurant, and it's the ultimate winter dinner destination. Located in a quaint wooden shop on the corner of Brunswick and Annie streets, you'll be drawn in by the warm decor, but you'll stay for the social atmosphere, amazing curries and plate-sized naan breads. Oh, and it's BYO, so bring a cold weather-appropriate bottle of red to wash down dinner with. Everyone loves samosas, right? With mince or vegies wrapped in a thick pastry casing ($4.90), you just can't go wrong. They go great with tandoori chicken wings ($6.90) or chicken tikka ($8.90). Taj Mahal caters generously to vegetarians, and if you're partial to a creamy, sweet curry, you must not miss the Dal Makhani ($11.90). Made from lentils cooked in a thick sauce of butter, garlic and herbs, it's a flavour revelation. Other top vegie picks are the Aloo Gobi (potato and cauliflower curry, $13.90), Vegie Korma (creamy mixed vegie curry, $15.90) and the Saag Bhajee (spinach curry, $13.90). For the carnivores in the room, the Prawn Madras (coconut-based curry with ginger and garlic, $17.90), Saag Gost (spinach curry with your choice of meat, $16.90) and the old classic, Butter Chicken ($16.90) are all delicious. Of course, no Indian meal is complete without a hot, buttery Naan bread, and the potato-stuffed Aloo Naan ($3.90) and the cheese and spinach Saag Paneer Naan ($4.20) are great accompaniments. For those with major appetites, the deluxe banquet package gives you entrees, Tandoori chicken, a main, a Naan and sides for $27.90 per head. If you can fit anything else in after you're main is finished, desserts available include ice-cream ($4.90), Gajjar Halwa (carrot pudding, $5.90) and Ras Malai (dumplings in milk, $5.90). The service is polite and meals hit the table quickly, although you might have to chase up water for the table (especially if you're hitting that BYO bottle of red). The central location just outside of Fortitude Valley, jovial atmosphere and table setup inside the restaurant makes it ideal for group dinners and parties or a meal before a night out. Food can be ordered to takeaway, but if it's simply too cold to leave home, you don't have to miss out. Delivery is available to most inner suburbs.
How many hours have you spent playing the best karting game ever made? Too many? We'll throw a shell at that idea — when it comes to Mario Kart, there's no such thing as too much. In fact, you should race on out of the house and down to Netherworld to play more at their very own speedway. Between midday and 4pm on June 4, the Fortitude Valley bar will become a haven for everyone that knows just when to sling a ghost at their opponents, and just how to press buttons in the right order to get an early boost. The Mario Kart-obsessed afternoon has two components: bring your Switch along and play with other aficionados, or feel the need for speed at the venue's Rainbow Road retrospective. At the latter, they'll be making the most of their own consoles, and letting you do your best on SNES, N64 and Gamecube. We're assuming that there won't be any banana peels to throw around the place, but maybe watch where you're walking anyway.
Pre-loved fashion is the gift that keeps on giving; one person's sartorial trash really is another's stylish treasure, after all. Hopefully, you'll find the latter at Revive Fashion Festival. Yes, it's an event dedicated to all things vintage and secondhand — or a way to spread the pre-loved love. Popping up at the Cultural Centre Forecourt at South Bank for one afternoon only, Revive is a chance to grab a bargain and garner a heap of great outfit ideas all at once. The city's best best pre-loved and revived clothing stalls will be selling their wares at a pop-up market, but that's only part of the fun. Who doesn't want to watch a fashion parade filled with secondhand savvy, enjoy some live entertainment and feast on bites to eat from an array of the city's best food trucks as well? Taking place from midday till 8pm on Friday, August 17, you can also get some sewing and style tips from the experts to ensure you really are making the most of your wardrobe. Now in its second year — celebrating all things old never gets old, after all — the fest is a precursor to National Op Shop Week, which runs from September 30 to October 6, so consider it a warm-up for all of the vintage shopping in your future.
Australian businesses have begun to slowly phase out plastic, with venues across the country banning plastic straws and five states and territories banning single-use plastic bags. But Dutch supermarket chain Ekoplaza has taken it up a notch — it has launched a supermarket with an aisle that is completely plastic free. On Wednesday, February 28, an Amsterdam branch of the chain opened its doors with the world-first aisle, made up from over 700 plastic-free items. The supermarket worked together with environmental campaign A Plastic Planet to launch the new aisle. Co-founder of the organisation Sian Sutherland Tweeted that 6.3 billion tonnes of plastic have been produced since the 1950s and encouraged other supermarket chains to follow suit. Ekoplaza won't stop at one aisle, either — it plans to roll out plastic-free aisles across 74 stores by the end of 2018. Australia currently has no plastic-free supermarket aisles — stores like Naked Foods utilise minimal plastic and Harris Farm recently went plastic-bag free — but maybe our supermarkets (hi, Woolies and Coles) should take note. Source: The Guardian
There ain't no party like a Strut & Fret party, as Brisbane is well-aware. With Blanc de Blanc, LIMBO, FUN HOUSE and LIFE — The Show, the production company has become a River City regular — and at the Queensland capital's annual citywide arts festival in particular. Brisbane Festival 2023 is no different, with Strut & Fret embracing the fact that it knows how to throw a killer shindig right there in its latest event's name. Expect a party at THE PARTY, obviously. Expect a characteristically wild night filled with circus, dance, comedy, music and all-round extravagance at South Bank Piazza as well. Bringing together international talent and an eye-popping set, THE PARTY isn't about holding back. Lavish, decadent, provocative, OTT: they all fit this show. Doing the choreography: Kevin Maher, who has worked with Madonna, Rihanna, Britney Spears and Justin Bieber. And Spencer Novich, who is charge of the comedy direction, has American Horror Story on his resume. While surprises are always part of a Strut & Fret stage soirée, it won't astonish anyone that this is a firmly adults-only, 18+ event. Head along from Friday, September 1–Saturday, September 23. Images: Jacinta Oaten.
In the past few years, Pinocchio has rarely been far from screens. Disney added the tale to its live-action remakes, a fantastical Italian movie also stuck with actors and, in animation, Guillermo del Toro's Pinocchio won an Oscar. Next, the classic story is hitting the Brisbane stage; however, The Making of Pinocchio isn't just a simple adaptation of Carlo Collodi 1883 novel The Adventures of Pinocchio. Making its Australian premiere at Brisbane Festival 2023 — in an Australian exclusive, too — this theatre production comes with international acclaim and a personal account of gender transition. Hailing from artists Rosana Cade and Ivor MacAskill, who are also partners, the show sees the pair explore their relationship, plus truth and creativity, through Pinocchio. [caption id="attachment_918156" align="alignnone" width="1920"] Yousef Iskandar[/caption] Again, when it comes to the famous wooden puppet with dreams of becoming a real boy, this isn't the kind of riff that you see every day. The imaginative queer piece takes to Brisbane Powerhouse's stage across Wednesday, September 13–Saturday, September 16. First debuting at the London International Festival of Theatre, The Making of Pinocchio takes place in a fictional film studio, in a production that its guiding hands have been working on since 2018. [caption id="attachment_918157" align="alignnone" width="1920"] Yousef Iskandar[/caption]
Calling all vegans and vegan-curious folk: The Vegan Market is coming to Brisbane for three big spring days from Friday, November 10–Sunday, November 12. Arriving just in time for festive shopping, and across the same weekend that the Boho Luxe Christmas Market is also on at The Old Museum in Bowen Hills, this event serves up wall-to-wall vegan food and locally designed items. You'll find businesses selling plant-based wares everywhere — everything from bites and sips to jewellery and ethical clothing. Vegan cacao, vegan ice-cream, vegan threads: they're all here. Sustainability will also be front of mind, including when it comes to fashion. And, there'll be vegan cosmetics and skincare items as well. Books and crafts are on the lineup, too, as are vegan candles. Fancy sipping vegan hot cocoa? Getting your fortune read? For a $5 entry fee (and then paying for everything from there), that's also on offer. Head by from 5–9pm on the Friday, 9am–5pm on the Saturday and 9am–3pm on the Sunday. Images: Marie-Luise Skibbe.
Romance. Kidnapping. A farm girl called Buttercup. A scheming prince. A swashbuckling saviour. A giant. When William Goldman threw them all together, The Princess Bride was the end result — first in his 1973 novel, and then in the 1987 film that the late, great writer also penned. For more than three and a half decades, viewers have watched Fred Savage (The Afterparty) hear the world's best bedtime story, Robin Wright (Land) and Cary Elwes (Mission: Impossible — Dead Reckoning Part One) frolic in fields, and Andre the Giant tower over everyone around, with The Princess Bride one of those beloved 80s flicks that never gets old. That said, if you've ever found yourself enjoying all of the above and dreaming that its soundtrack could fill the room around you while being played live by an orchestra, then you're about to be in luck. Despite what outlaw boss Vizzini (Wallace Shawn, Evil) might exclaim, The Princess Bride in Concert definitely isn't inconceivable. Instead, this tour is channelling another famous The Princess Bride line: as you wish. This delightful movie-and-music combo will hit Brisbane Convention and Exhibition Centre on Saturday, April 13, 2024. If you need a refresher on all things The Princess Bride, the comedy-romance-adventure flick follows farmhand Westley (Elwes) on a rescue mission to save his true love Princess Buttercup (Wright) — and also features Mandy Patinkin (Wonder), Billy Crystal (Monsters at Work) and Christopher Guest (Mascots). Being performed live: the entire score, as written by Dire Straits' Mark Knopfler — and with Slava Grigoryan and the Queensland Pops Orchestra doing the honours. Wondering how many times someone will say "anybody want a peanut?" in the audience before and after the movie? The answer: plenty.
First, there was Brisbane. Then, there was Brisvegas. Now, there’s Brewsvegas. No, the city doesn’t have another nickname — although this one would be fitting. Instead, it’s a pun on a pun on a place, and a now-annual celebration of our burgeoning craft beer culture. Brewsvegas started over a pint, and that’s where you should be spending nine glorious March days, too. Whatever tipple takes your fancy, at whichever bar around Brisbane, with whatever style of entertainment: there’s a drink, a venue and an event for everyone. It all kicks off with a free launch party at Wandering Cooks before any combination of beer and fun you could possibly imagine takes over Brisbane. We’re talking courtyard cinema at Canvas, a beer pong tournament at Shady Palms Cafe and an It’s Always Sunny in Philadelphia trivia night at Southside Tea Room — and that’s just the beginning. Want to get a massage with hops-infused oil, taste a beer cocktail or sing along to metal karaoke? You can do that, too. Plus eat and drink until your heart is content. Now, that’s something to raise your glass to.
Young dudes on their way to find a steady job. Frustrated teachers between classes. Older sisters taking their younger brothers to football training. You've met so many story-filled faces on the streets of NYC through Brandon Stanton's insanely popular site Humans of New York. Now the neighbourhood's getting a little more global, with HONY heading out of the five burroughs. Street photography can often stand on its own wordless feet, but photographer Stanton uses just one quote to give a skerrick of insight into lives you had no comprehension of. Strolling through the streets of New York City, Stanton takes unbelievably poignant shots of strangers paired with one excerpt from a conversation he's had with them on the spot. The result is heartwrencher after heartwrencher of wonderfully joyous, sad, excited, in love, grieving, human stories. Now, with a number one New York Times best-selling book, over 1.5 million Instagram followers and nine million Facebook fans behind him, Stanton has left the streets of Brooklyn, Manhattan, the Bronx, Staten Island and Queens behind for a more worldwide neighbourhood. Sponsored by the UN, Stanton is taking a 50-day world tour of war zones and areas in conflict. The UN hopes to raise awareness of the Millennium Development Goals, which aim for "human dignity, equality, and equity". Iraq, Jordan and the Democratic Republic of Congo have been visited so far, next for Stanton are Haiti, Ukraine and South Sudan. "Those are the places that have the most extreme headlines coming out," Mr. Stanton told the New York Times from Jerusalem. "Those are the places most skewed in people’s heads. The work has a very humanising effect in places that are misunderstood or feared." "It's always been my dream to have a successful business. I'd like one day to open more stores, and maybe even expand into the provinces. But the conditions are very difficult to start a business. Taxes are very high and services are very limited. The electricity was out for eleven days last month, but I still had to pay for thirty days. And when I try to use a generator, the costs are so high that the customers stop coming. It's very difficult." (Kinshasa, Democratic Republic of Congo) "She said she'd let me take her photo if I bought some peanuts from her. Afterward, I asked if she could remember the saddest moment of her life. She laughed, and said: 'You're going to need to buy some more peanuts.'"(Kasangulu, Democratic Republic of Congo) "I get way too sensitive when I get attached to someone. I can detect the slightest change in the tone of their voice, and suddenly I'm spending all day trying to figure out what I did wrong." (Amman, Jordan) "He runs to me every time I come home. It makes me very happy, and it reminds me of the times when I used to run to my father." (Al-Salt, Jordan) "Back in Syria, I sold antiques and Orientals. I had all sorts of things in my shop: glass vases, old stamps, coins from the Roman and Ottoman empire, valuable laces, antique furniture. But they beat me with rifles and knocked out my teeth. Then they burned my store to the ground." (Zaatari Refugee Camp, Jordan) "I want to discover the cure for Ebola." (Kinshasa, Democratic Republic of Congo) "We told her to sit with us so we could share her sadness." (Dohuk, Iraq) "I'm studying law. My dream is to be a judge one day. Too many people in this country are only in prison because they were too poor to defend themselves. When I'm a judge, I'll look only at the facts, and not at the person." (Kinshasa, Democratic Republic of Congo) "We're trying to get to Grandma's." (Zaatari Refugee Camp, Jordan) Check out the whole series at Humans of New York, on Instagram or Facebook. Via New York Times and Fast Company. All images Brandon Stanton.
Luke Jerram has been bringing the universe to West End throughout Brisbane Festival 2022, all thanks to one giant globe. Measuring seven metres in diameter, the UK-based artist's glowing orb has made its home at West Village for the duration of the huge arts fest — first as his famed Museum of the Moon installation; then as Gaia, aka the earth; and finally as the red planet. Mars will be on display for just five days, from Tuesday, September 20–Saturday, September 24 — and, like its predecessors, it's worth a look. Looking at our own terrain and its natural satellite recreated in such a huge but close fashion has already felt otherworldly, so expect that sensation to only grow while peering at a completely different planet. Once again, the attention-grabbing piece uses NASA imagery — and, as a result, features Mars' valleys, craters, volcanoes and mountains in stunning detail. As well as offering a scale model of the Martian surface, the installation is a work of light and surround sound as well. Is there life on Mars, as David Bowie pondered? Could you survive on the planet by growing your own potatoes, like in The Martian? You won't get the answers here, but you will take in a spectacular piece of art. View this post on Instagram A post shared by Luke Jerram (@lukejerramartist)
Marvel fans, it's time to get witchy. Agatha Harkness is back and she has a quest in her sights, plus a new posse of pals helping the MCU's latest small-screen series get spooky. A spinoff from WandaVision, Agatha All Along was announced back in 2021, then locked in its exact September 2024 release date earlier this year — and now Disney+ has conjured up the first teaser trailer for the eagerly awaited show. Kathryn Hahn (Tiny Beautiful Things) is also back as the series' namesake, starting the just-dropped sneak peek without her powers; however, that situation doesn't last long. First, Aubrey Plaza (Scott Pilgrim Takes Off) is on hand for a Parks and Recreation reunion, and to point out the bind that Agatha is in. Then, there's a goth teen, a magical gauntlet of trials and the promise of rewards — with the assistance from a coven of chaos. Joining Hahn and Plaza in the series: Joe Locke (Heartstopper), Patti LuPone (Beau Is Afraid), Sasheer Zamata (Unfrosted), Emma Caulfield Ford (a Buffy the Vampire Slayer alum) and Debra Jo Rupp (That '90s Show). Behind the scenes, Jac Schaeffer (Black Widow) returns from bringing WandaVision to the screen to run the show and direct the pilot instalment. For fans, this series really has been Agatha All Along thanks to the Emmy-winning tune that everyone who saw the character's first on-screen appearance has had stuck in their heads ever since — and again now — but the program has gone through a few monikers. House of Harkness, Coven of Chaos and Darkhold Diaries, this won't be, though, when it hits streaming queues from Thursday, September 19, 2024. If nothing else joins the Marvel television slate between now and then, that'll make Agatha All Along just the second Marvel Cinematic Universe TV series of the year, after Echo (by design, with the Mouse House noting several times that it wants to better space out its releases). When the MCU made the leap to Disney+ back in 2021, WandaVision was the first program to arrive. It also finally made everyone take notice of the always-great Hahn, who stole every scene she was in each and every time that she popped up — hence Agatha All Along getting the green light. Obviously, WandaVision was about Wanda and Vision, with Avengers: Endgame's Elizabeth Olsen (Love & Death) and Paul Bettany (A Very British Scandal) reprising their roles. But Hahn played a significant part as neighbour-slash-witch Agatha, even nabbing an Emmy nomination for her efforts. So, because she was such a fan favourite, Disney magicked her up her own show. Check out the first trailer for Agatha All Along below: Agatha All Along will stream via Disney+ from Thursday, September 19, 2024. Read our review of WandaVision. Images: courtesy of Marvel Television. © 2024 MARVEL.
Any design led by Norman Foster paired with the resources that Apple can muster is guaranteed to impress. And judging by renderings of Apple's new eco-friendly headquarters in Cupertino, CA, the design team heading the project have not disappointed. The development proposal for the so-called 'Apple Campus 2' was released this week on Cupertino.org. According to Slashgear, the 60.7 hectares site surpasses the U.S Pentagon in size. CEO of Apple, Steve Jobs, has described the design as a "spaceship". And rightly so. The centre-piece of the entire construction is a circular structure that is to house research and development facilities, an auditorium with a 1000-person capacity and a fitness centre amongst many things. Perhaps the most impressive (and ambitious) feature of the Apple Campus 2 will be the underground parking lot which will allow 80 percent of the 60.7 hectare property to be landscaped under the guidance of an arborist. Interestingly, Mercury News points out that while Apple plans to "generate its own electricity from natural gas" at the new HQ, the plans don't consider the use of renewable energy resources. The design team behind the project includes Foster & Partners, ARUP and Kier & Wright. [via Inhabitat]
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=Xn3sK4WiviA ON THE ROCKS Not once, not twice, but three times now, Sofia Coppola has given the Bill Murray-loving world exactly what it wants. One of the great comedic talents of the past half-century, the Ghostbusters and Groundhog Day star is also a greatly charismatic talent — and, understandably, viewers want to spend more time in his inimitable company. So, Lost in Translation and 2015 Netflix special A Very Murray Christmas made that happen. Now On the Rocks does as well. These are films and specials predicated upon the very idea of palling around with Murray or the character he's playing, and this one hits that mark as perfectly as its predecessors. Murray steps into the shoes of a debonair playboy art dealer who is determined to help his New York-dwelling adult daughter discover if her husband is being unfaithful, his pairing with Rashida Jones is both joyous and lived-in, and Coppola once again strips bare her own life experiences, fictionalises them, and creates something both thoughtful and moving. On the Rocks' premise really isn't far removed from Lost in Translation. The film's female protagonist is a decade older this time, her romantic troubles are complicated by both marriage and children, and another bustling city provides the backdrop, but the basic idea remains mostly the same. With Murray as the lively Felix and Jones as his overstressed offspring Laura, the movie takes them hopping around NYC as they endeavour to ascertain if the latter's workaholic other half, Dean (Marlon Wayans), is cosying up to his attractive young colleague (Jessica Henwick) while Laura is raising their two young daughters. In the process, Felix and Laura chat about anything and everything, covering topics both important and trivial. They eat and drink, and do so in luxe spaces while Felix naturally captivates everyone in his orbit and turns everything into an adventure. Over the course of their investigative escapade, Felix helps Laura work through her struggles, too — although here, their own complicated relationship is actually one of them. Read our full review. https://www.youtube.com/watch?v=FVb6EdKDBfU THE TRIAL OF THE CHICAGO 7 Combine A Few Good Men's setting with The West Wing's faith in democratic ideals, and that's where The Trial of the Chicago 7 lands. Yes, they're all products of writer, TV series creator and director Aaron Sorkin — and while Sorkin's work can veer from exceptional (see: The Social Network) to frustrating (see: The Newsroom), his second stint as a filmmaker after 2017's Molly's Game makes the very most of his usual traits. Given the true tale he's telling — a story of vocal dissent against unpopular government actions and latter's retaliation, spanning protests and violence on the streets involving both activists and police — that's hardly surprising. That Sorkin has amassed a typically top-notch cast to sling his words helps considerably, including Bridge of Spies Oscar-winner Mark Rylance, The Theory of Everything Oscar-winner Eddie Redmayne and Watchmen Emmy-winner Yahya Abdul-Mateen II, plus everyone from Joseph Gordon-Levitt and Michael Keaton to Sacha Baron Cohen and Succession's Jeremy Strong. In the summer of 1968, as the Democratic Party assembled in Chicago for its national convention to confirm the party's nominee for the presidential election, several activist groups decided to make their displeasure known. There was much to rally against: the Vietnam War was raging and American soldiers were dying, both Martin Luther King Jr and Robert F Kennedy had been assassinated in separate incidents months earlier, and civil unrest was mounting across the country. The Trial of the Chicago 7 first introduces six figures making plans for the day, then cuts to the commencement of legal proceedings for eight defendants, all charged by the US federal government the next year. The complicated case that results is catnip for Sorkin, who unleashes his trademark flourishes on not only passionate speeches, but also infuriating courtroom incidents and the festering disagreement between codefendants, as well as in recreating the fateful protests. There's nothing unexpected about the way the filmmaker handles this story visually, narratively or thematically, but the end result proves an example of applying the right approach to the right tale. Read our full review. https://www.youtube.com/watch?v=3nf--afqelY ANTEBELLUM Watching the sprawling, roving and weaving single-take shot that opens Antebellum, it helps to know what the movie's title actually means. The term refers to a time before a war, and is typically used in relation to the American Civil War — but in the film's eye-catching introduction, it certainly seems as if that historical conflict is raging away. On a southern plantation, Confederate soldiers under the leadership of Captain Jasper (Jack Huston) terrorise the property's enslaved Black workers with brutality and cruelty. Attempted runaway Eden (Janelle Monáe) is one of them, and subject not just to beatings, brandings and forced labour, but also raped regularly by the general (Eric Lange) who has claimed her as his own. She's planning another escape; however, thoroughly unexpectedly given the surroundings, a mobile phone suddenly rings. Now Monáe's character is called Veronica Henley, she's a well-known activist and author, and everything about her life (including the conference in New Orleans she attends) is firmly set in the 21st century. Obviously, how Monáe's dual roles intertwine is best discovered by watching — as is the involvement of Jena Malone's (Too Old to Die Young) Elizabeth, the plantation's resident belle as well as a modern-day caller for Veronica — but Antebellum proves far less powerful and clever than it thinks it is. While first-time writer-directors Gerard Bush and Christopher Renz blatantly try to follow in Jordan Peele's footsteps, using horror to explore race relations in America both in the present day and in the country's history, their efforts rely so heavily on one big twist that the movie resembles M Night Shyamalan's lesser works more than Get Out, Us or TV series Lovecraft Country. In endeavouring to unpack systemic racism, there's a smart idea at the heart the feature. Visually, Antebellum's always-lurid, often-violent imagery isn't easily forgotten, and the film also boasts a masterly performance by Moonlight and Hidden Figures star Monáe. And yet, connecting all those pieces together feels more like an exercise in making a provocative genre film than actually saying something meaningful about engrained prejudice in the US — a topic that, sadly, continues to remain timely, but is treated here as stock-standard horror fodder. Read our full review. https://www.youtube.com/watch?v=C0FnJDhY9-0 THE LAST BLACK MAN IN SAN FRANCISCO Watching Jimmie Fails in The Last Black Man in San Francisco, it never feels like you're viewing the work of a feature debutant. Played with the weight of the world not just carried on his shoulders, but oozing through in every quiet glance and gaze, his is a deeply nuanced and naturalistic performance — although given that the film is based on his own story, and he's starring as a fictionalised version of himself, perhaps that's to be expected. The on-screen Jimmie has been sleeping on his best friend Montgomery's (Lovecraft Country's Jonathan Majors) floor in the titular city's Bayview-Hunters Point neighbourhood. That's his latest stop, after years spent squatting with his dad (Rob Morgan), sleeping in cars and living in group homes. All Jimmie wants is his own house, and a specific one at that: a multi-storey abode in the Fillmore District that he grew up in, at least for a few years; that he contends his grandfather built in the 1940s; and that is now inhabited by an older white couple who aren't taking care of the property to Jimmie's standards. On paper, The Last Black Man in San Francisco's narrative sounds straightforward; however, as helmed by Fails' friend and Sundance-winning director Joe Talbot, this is an entrancing, almost fable-like film. It doesn't ever merely rally against gentrification in a simplistic manner, but paints a complex portrait of San Francisco as it now stands, of the city's scattered Black community and how they've been affected by its transformation, and of the shift away from artists and eccentrics in favour of bulldozers, technology and so-called progress. This is a movie about mourning for a past lost as well as reckoning with the future that's sprung in its place, and the evident love of details on display — in the house that Jimmie is so attached to, but also in his and Montgomery's daily bus trips, walks and skateboard rides throughout the hilly locale they call home — couldn't be more crucial in that regard. Sometimes, the film leans more on mood than story, but that approach fits when you're not only surveying and lamenting a place and a modern world that's losing its character, but turning that process into a piece of cinematic poetry. Indeed, there's a tender, heartfelt feel to The Last Black Man in San Francisco that, combined with its stellar cinematography, never feels less than authentic and moving in every frame. https://www.youtube.com/watch?v=Qh-oOnZ2Di0 SPUTNIK When Ridley Scott's Alien let a chest-bursting extra-terrestrial loose among a spaceship's crew, and John Carpenter's The Thing remake set a violent critter loose amongst an Antarctic research station, they didn't just create two of the best science fiction films ever made — they also inspired a wealth of imitators. And, at first, it seems that Russian sci-fi thriller Sputnik is one of them. Here, two Cold War-era cosmonauts see something strange during an orbital mission. Then, upon returning to earth, it appears that sole survivor Konstantin Veshnyakov (Pyotr Fyodorov, The Blackout) isn't the only creature inhabiting his body. It's 1983 and, as anyone who was watched the also 80s-set Chernobyl knows, the USSR isn't keen on big scandals. Accordingly, Colonel Semiradov (Fedor Bondarchuk, also one of the film's producers) is determined to keep Veshnyakov locked up in a secret south Kazakhstan facility until he can work out how to control the alien, enlisting boundary-pushing psychiatrist Tatyana Klimova (Oksana Akinshina, The Bourne Supremacy) to help. While watching Sputnik and thinking of similar flicks from years gone by go hand-in-hand, first-time feature director Egor Abramenko does more than simply nod to his influences. There's a grimness and a weightiness to this film that's all its own, even as it toys with familiar components — a specificity to the characters, and specifically to Veshnyakov and Klimova's efforts to navigate Soviet Russia's heavy-handed to control, too. And, when it comes to sustaining a mood of tension and suspense, evoking a forbidding sense of its time and place, and coming face to face with the slithering alien, Sputnik excels. Sparse in its look, firm in its tone and led by an impressive Akinshina, it never plays like a carbon-copy B-movie, either. There's an art to ensuring that even the most recognisable genre elements can feel fresh, entertaining and engaging — and suitably unnerving, which this narrative clearly calls for — and that ends up being the case here. Sputnik is screening in select cinemas in Sydney. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; and September 3, September 10, September 17 and September 24. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle and The High Note. Top image: The Trial of the Chicago 7 via Niko Tavernise/Netflix © 2020
Quit hibernating Brisbane, it's our month to wake up and shine. The sun is out, flowers are blooming, Telfast is making a killing and Brisbane Festival is only moments away from dowsing this fine city with all the art, music and theatre we deserve. Last year's Festival was a smorgasbord of cultural treats, and boy oh boy does the 2014 program deliver just as strongly. You can check out the whole program here, but we reckon there's a few that deserve more than a humble hyperlink to show them off. Before you think accommodation, dining and drinking you've got to book your shows. Our friend Andy Bull will be playing some dance-ready tunes, Urthboy will be dropping some grizzly beats (rap talk yo), and four-time Grammy award winner Joe Henry will probably out do both with his treacherously beautiful guitar ballads. Tickets are going to sell faster than you can say Spiegeltent, so get in quick. You can't do anything on an empty stomach, so you're going to need some Festival Flavours to keep your blood sugar up. From Southbank to the Valley, there's dining deals across the city so good they'd have Manu swooning. And if you want to keep it close and cosy, the Spiegeltent Garden Bar will be up and running again and promises a banquet of treats, beats and eats that will be packing your Instagram feed for a good month. Check out our picks of the ten best things to see at the Brisbane Festival.
Internationally acclaimed circus ensemble Company 2 return to the Judith Wright Centre this season for the premiere of Sediment. Inspired by Fyodor Dostoevsky’s Notes From the Underground, Sediment is a comic and dreamlike production that pushes the most talented of performers to their very limits. In a blend of circus, dance and live music, daring feats of physical incredibility merge with a frightening soundscape to produce a scene that’s as dark and confronting as Dostoevsky’s underground man. Company 2 are the people behind incredibly successful productions such as Scotch and Soda, She Would Walk the Sky and Cantina. They have a reputation for their bold approach to performance art and securing some of the best theatre talent in this country. In this work, they team up with theatre hot shots David Carberry, Chelsea McGuffin (Cantina) and renowned percussionist and composer Ben Walsh (Scotch and Soda).
Before it busts out licking lucky cats, K-pop-style Cardi B covers, cocaine enemas, threesome injuries and intimate tattoos, Joy Ride begins with a punch. For most of the movie, Audrey Sullivan (Ashley Park, Beef) and Lolo Chen (Sherry Cola, Good Trouble) are nearing 30, travelling in China and going on a wild journey in a gleefully raucous comedy. In the 1998-set prologue in White Falls, Washington, though, they're five-year-olds (debutants Lennon Yee and Milana Wan) first meeting, being taunted by a racist playground bully and responding with the outgoing Lolo's fist. Crazy Rich Asians and Raya and the Last Dragon screenwriter Adele Lim uses her directorial debut's opening scene not just to start a fast and firm friendship, but to establish the film's tone, sense of humour and, crucially, its willingness to fight. Joy Ride will ultimately get sentimental; however, this is a movie that beats up cultural prejudices and stereotypes by letting its four main female and non-binary Asian American characters grapple with them while being complicated and chaotic. Hollywood should be well past representation being such a noteworthy factor. That should've happened long before Bridesmaids and Bachelorette gave The Hangover's template a ladies-led spin more than a decade ago, and prior to Girls Trip spending time four Black women on a raucous weekend away six years back. Reality proves otherwise, sadly, so Joy Ride openly addresses the discrimination and pigeonholing slung Audrey, Lolo, and their pals Kat (Everything Everywhere All At Once Oscar-nominee Stephanie Hsu) and Deadeye's (comedian and movie first-timer Sabrina Wu) ways — and in Audrey's case, after being adopted as a baby by the white Sullivans (The Recruit's David Denman and Bridesmaids' co-writer Annie Mumolo), internalised. With its booze- and sex-fuelled antics, Lim's film could've simply been formulaically entertaining, just with Asian American characters in Asia. It certainly doesn't hold back with its raunchy setpieces. But it's a better and more thoughtful feature because it engages with the diasporic experience; "I'm just a garbage American who only speaks English," Audrey chides herself, which the picture she's in unpacks. The full Joy Ride equation, then, also treads in The Farewell and Everything Everywhere All At Once's impressive and rightly acclaimed footsteps. Tellingly, Lim and her co-screenwriters Cherry Chevapravatdumrong and Teresa Hsiao, both of whom boast Awkwafina Is Nora From Queens on their resumes, originally had Joy Fuck Club as their film's working title. Also revealing: that Seth Rogen and Evan Goldberg's production company Point Grey Pictures is behind the movie, after previously giving cinemas flicks like Bad Neighbours and its sequel, This Is the End, The Night Before, Sausage Party, Blockers, Long Shot and Good Boys. Getting culturally specific; dismantling Asian cliches; examining identity, belonging and displacement; being hilariously bawdy: Joy Ride always feels like the sum of these easily spotted parts, but it also always feels genuine. As children, Audrey and Lolo are thrust together due to their shared heritage — "are you Chinese?," the Sullivans ask the Chens (The Midnight Club's Kenneth Liu and Platonic's Debbie Fan) in that introductory sequence, which inspires a shared glance that says everything — but they're a chalk-and-cheese pair personality-wise. Before the young Lolo smacks their tormentor, Audrey is cowering. As adults, Lolo makes sex-positive art riffing on Chinese culture that hasn't yet brought her success, while Audrey is a fast-rising lawyer eyeing a promotion at a firm filled with white men (such as Don't Worry Darling's Timothy Simons). Lolo lives in Audrey's garage, is steeped in her culture and content being herself. Audrey names Mumford & Sons and The National as her favourite bands, and can list Succession characters instantly. As they head to China so that Audrey can close a big deal, with Lolo along for the ride as her personal translator, the latter is excited about seeing family, while the former is guilty of making wary assumptions about what the trip will be like. When Lolo's K-pop-obsessed cousin Deadeye joins them at the airport, it's the first surprise that's thrown Audrey's way. The bickering between Lolo and Kat, Audrey's college roommate-turned- Chinese soap-opera star, over who's truly her BFF — that she easily foresees. This wouldn't be a wild getaway comedy if there weren't more bolts out of the blue coming at Audrey, of course, kicking off with a drink-heavy night trying to get her client Chao (Ronny Chieng, M3GAN) to sign, which leads to a cross-country quest to find her birth mother. Drugs, sex, vomit, a faux band, 'WAP', a distracted basketball team, vagina-view camerawork: that all follows. So does a fateful train ride that's utter pandemonium in a completely different way to Mission: Impossible — Dead Reckoning Part One, and Kat trying to hide her between-the-sheets past from her very Christian fiancé (Desmond Chiam, The Falcon and the Winter Soldier). Lim weaves Audrey's journey of acceptance and discovery, embracing her background and realising the eager-to-please and assimilate part that she's unwittingly played since childhood, throughout a zippy and brightly shot madcap romp of a movie. And, she largely finds the right balance — including as Lolo refuses to be anyone but herself; the blunt, introverted but caring Deadeye yearns to be liked for being themself; and Kat struggles with knowing how to be true to her real self beyond the demure, polite and dutiful front that she's been putting on professionally and personally. Along the way, Joy Ride revels in a candy-coloured dance number, lets Asian men be ripped and lusted after, and, yes, gets mawkish when it comes time to tie everything up neatly. Sometimes it's sidesplittingly funny, sometimes it's only eagerly trying to be, but it's aptly never happy slipping into one easy category. At their best when Joy Ride is either at its most manic and outrageous, or its weightiest and intelligent, Park, Cola, Hsu and Wu are a dream cast. If the film wants to stick to The Hangover setup by sparking sequels, teaming its core quartet up again and again would be keenly welcomed after this first go-around. Park has the trickiest and straightest role, Cola the brassiest, Hsu the lewdest and Wu the most awkward — and each nails the task while giving the film a fleshed-out, multi-faceted, smart, striving, relatably imperfect crew, and actively dispelling the idea that to be Asian American is to be a monoculture. Indeed, their energy and authenticity, and Lim's behind the lens, sometimes eclipses Joy Ride's jokes — and that couldn't be a better problem to have.
In 1997, Christmas changed. With a single episode of Seinfeld, the world became privy to a new form of holiday celebration that eschewed other traditions and denominations. Instead of a tree, an unadorned pole gets pride of place. Rather than share happy stories, everyone gathered airs their grievances. And, instead of settling down on the couch after a hearty meal, attendees compete in feats of strength. Okay, so maybe you still enjoy tinsel, turkey and street cricket with your family on December 25; however Fritzenberger is making sure you can have some Festivus fun as well. It's hosting a trivia night that's all about Seinfeld's take on the season, with Isolation Trivia on hand to ask the questions. The evening quiz takes place at the Petrie Terrace burger joint on Wednesday, December 15. Yes, that's a few days before the official Festivus date of December 23 — but hey, if you're not happy about that, add it to your grievance list. We don't know if there really will be a grievances box, but you'll certainly be able to air your unhappiness. Entry is free, and registering in advance is recommended — as is wearing your favourite puffy shirt. Also, the trivia night falls on 50-cent wing night, so you won't need to complain about that. Need a Festivus refresher? Let the show itself help: https://www.youtube.com/watch?v=rKdnqjnegEs
A ride in one of London's famous black cabs is on every tourist's must-do list, but for locals and visitors alike, they're about to get a whole lot busier. Five years after obtaining a license to operate in the UK capital, ride-sharing alternative Uber has been told that its permit won't be renewed when it expires at the end of September. In a statement, transport regulator Transport for London has announced that they will not be granting the company a new private hire operator licence after concluding "that Uber London Limited is not fit and proper" to operate according to its regulations. Specifically, "TfL considers that Uber's approach and conduct demonstrate a lack of corporate responsibility in relation to a number of issues which have potential public safety and security implications." The government body raised particular concerns about Uber's approach to background checks and reporting serious criminal offences, as well as its use of "software that could be used to block regulatory bodies from gaining full access to the app and prevent officials from undertaking regulatory or law enforcement duties." Uber, which boasts more than 40,000 drivers in London, has 21 days to appeal the decision. The company will be allowed to continue operating until the appeals process has been completed. Unsurprisingly, in a city where the ride-sharing app is used by more than 3.5 million passengers, Uber hasn't taken the news lightly, responding that "London is closed to innovative companies who bring choice to consumers," according to the ABC. No stranger to regulatory woes, the current situation follows in the footsteps of similar troubles in other places around the globe — from withdrawing from Denmark and having its apps blocked in Italy, to struggling with the necessary reforms in the Northern Territory following an earlier ban and facing tougher legislation in Queensland. Via the ABC.
Back in July, Prime Minister Scott Morrison announced that Australia will tie its efforts to manage COVID-19 to vaccination rates moving forward. As the country reaches certain jab milestones — 70 percent of Aussies over the age of 16 receiving two doses, and then 80 percent — the way that Australia handles the pandemic will evolve. Restrictions will start to ease, lockdowns will be less likely, international travel will open back up and people who've been fully vaxxed will live life under loosened rules. As both New South Wales and Victoria have dealt with COVID-19 outbreaks over the past few months, vaccination rates have continued to be thrust into the spotlight. Both NSW Premier Gladys Berejiklian and her Victorian counterpart Daniel Andrews have highlighted specific jab thresholds, and announced that lockdown rules will begin to change when they're met — at 70-percent fully vaxxed in NSW and 70 percent with at least one dose in Victoria. So, that means that we're all now paying extra attention to those vaccination figures. They're mentioned at each state's daily COVID-19 press conferences, of course, but you can also check out how your state is going and how the nation overall is faring thanks to a heap of online resources. Wondering why you might be interested in the Aussie rate, and not just vax numbers in your own state or territory? As part of that plan announced by the PM — the National Plan to transition Australia's National COVID Response — vaccination rates have to reach the 70-percent and 80-percent fully jabbed marks across the entire country before an individual state or territory can start easing the rules. That state or territory also has to reach those thresholds itself before it can do anything, of course, but that isn't the only important figure. This daily infographic provides the total number of vaccine doses administered in Australia 🇦🇺 as of 6 September 2021 📅 💻Stay up to date with COVID-19 vaccine information here: https://t.co/lsM33j9wMW pic.twitter.com/XTydxJH0sK — Australian Government Department of Health (@healthgovau) September 7, 2021 For Australia-wide data, the Federal Government Department of Health issues several daily reports on the vaccine rollout, complete with handy infographics if you like looking at diagrams more than numerals. You can see the total doses administered, how many people are fully vaccinated, and the breakdown state by state — and, nationwide, also a breakdown of doses by age group and gender. Vax rates among Indigenous Australians, people with disability and the disability workforce, and in residential aged care are also singled out. Or, there's also the COVID Live website, which collates information on new cases, tests, hospitalisations and vaccinations, and lets you dive further into each. With jabs, it gives a breakdown by state and then by day, and also counts down how many days remain until the country and each state and territory hits 60-percent, 70-percent, 80-percent and 90-percent first doses and fully vaxxed, as based on the seven-day average. [caption id="attachment_824786" align="aligncenter" width="1920"] COVID Live as at Wednesday, September 8.[/caption] Each state and territory also has its own online resources, with different details on offer depending on the state. In NSW, for instance, you can access a COVID-19 vaccination dashboard that highlights the number of doses that've been given, or you can check out a nifty map that breaks down jabs by postcode and Local Government Area. Victoria's COVID-19 vaccine data portal lists doses given over the past 24 hours, and also links to a weekly report that tracks the state's progress. Here, you'll find overall and weekly rates, a breakdown via vaccine type and dose — so listing first and second doses of AstraZeneca and of Pfizer — and also breakdowns by age and gender. For Queensland, the overall stats can be found on Queensland Health's COVID-19 page, with further detail on offer if you click through to its statistics summary. Vaccinations are then listed by vaccine site area, including both overall and hospital/vax hub-specific figures. You can see how many doses were administered the day prior and in total so far. Queensland #COVID19 update 7/09/21 Today we have recorded 0 new cases of COVID-19. Detailed information about COVID-19 cases in Queensland, can be found here: https://t.co/kapyXpSIAP pic.twitter.com/G4J57unlPc — Queensland Health (@qldhealthnews) September 7, 2021 In Western Australia, there's a vaccination dashboard filled with infographics about doses, rates and age breakdowns. In South Australia, you'll find an overall daily vaccination figure on the state's overall COVID-19 dashboard. Tasmania has a statistics section on the government's COVID-19 website, and includes both a cumulative tally and the daily increase — and both the Australian Capital Territory and the Northern Territory have their own COVID-19 dashboards with relevant figures. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Flowers aren't the only things blooming now that spring has sprung — on King Street on Saturday, October 20, botanical-based spirits will be as well. The juniper juice will be flowing as Brisbane's growing foodie hangout celebrates its first Jacaranda Gin Festival. Yes, Welcome to Bowen Hills had its own gin fest a few months back, but this is a bigger, precinct-wide affair. Of course, WtBH features prominently. It does have its own specialty gin bar, Swill, after all. The event will also take over half of King Street, with more than 20 Australian and international distillers serving up their beverages for your tasting pleasure. Entertainment-wise, expect DJs, demonstrations and discussions, so that you can dance, learn more about gin and chat about it — or all three, of course. A number of ticketing options are available, starting at $55 for a four-hour stint between either 12–4pm or 5–10pm, with an arrival gin cocktail and ten tastings included. If you'd like to hang out in a dedicated lounge area and have an extra cocktail, nab a $88 ticket — or if you're feeling flush, really love your gin and want to make a day of it, $220 lets you stay from open until close and sample until your heart's content.
Riverfire, one of Brisbane Festival's favourite events, which coats the city's skyline with pyrotechnics, is happening Saturday, September 28. To celebrate, waterfront bar Friday's is throwing one hell of a party — would you expect anything less? Take advantage of the bar's waterfront views and enjoy a front-row seat to the electric firework display. It's kicking off from 4pm, there'll also be plenty of booze flowing and snacks going around to keep you as fuelled as the sky will be. Tickets are $35 per person and come with a 'surprise' on arrival. Alternatively, level-up and get your hands on a VIP ticket for $80 which includes a three-hour beverage package, canapes and top-notch views of the fireworks from a private viewing area. Or, if you after more of a sit-down affair, head over to Kingsleys, which is offering three-course menu packages starting at $100 per person (or $150 with unlimited beer, wine, sparkling or soft drinks). Send off your September with a bang and get your tickets here.
The further we move away from the wild, it seems, the more we bring the wild to us. From adding rooftop gardens to buses to cultivating bioluminescent plants that replace light bulbs to the opening of the world's first fully algae powered building, the past two years have seen a surge in the green-ifying of our urban environments. The most visually dramatic movement of all has been the spread of the vertical garden. Of course, it's not necessarily a new thing. The Hanging Gardens of Babylon (or Nineveh), after all, were at least imagined, if not built, in 600 B.C., and back in 1938, Stanley Hart White, Professor of Landscape Architecture at the University of Illinois, employed hydroponics to invent the first green wall. However, Patrick Blanc is the man behind the scattering of the seeds of "living architecture" all over the world. His vertical gardens have been planted in more than 25 cities, including San Francisco, Berlin, Tokyo and New York. As most Sydneysiders already know, he's just installed the tallest one on the planet right here, at One Central Park, Broadway. Twenty-one panels, filling 1,120 square metres of area, comprise its expanse. One hundred thousand seedlings, including exotic and native species, were established at nurseries all over New South Wales and Queensland. THE STORY STARTS BELOW SEA LEVEL Blanc first became passionate about plants at the age of 12, due to an obsession with his fish tank. "My first aim, forty years ago, was to filter the excess nutrients out of my aquarium by way of using plants," he explains. For such a child, a career in botany was inevitable. It was in the 1980s that he first became interested in training plants to defy gravity — the perfection of which is crucial to the success of any vertical garden. Now that he has the process worked out, he insists that it's technically straightforward. What can be trickier is attaching the plants firmly enough to the wall to protect passersby from an unexpected botanical deluge. They (the plants, not the passersby) are attached to mesh-covered felt, around which their roots cling as they grow, creating a secure stronghold. Mineralised water, rather than soil, provides a source of nutrients. ART MIRRORS NATURE When asked whether he's encountered any opposition to his projects, Blanc replies with a calm self-assuredness that his "living artwork" involves a mere mirroring of nature. "Some people have objections because they think it's a manipulation of the way nature intended plants to grow," he explains. "But this is not the case, well, not always. For a local example, at Wentworth Falls in New South Wales's Blue Mountains, rock-clinging plants are everywhere." At the Australian Garden Show, Blanc will be giving a lecture on how soilless plants survive in their natural habitats — cliffs, caves, waterfalls and tree branches. IT LOOKS GREEN, BUT DOES IT ACT GREEN? And what about the environment? Vertical gardens certainly help to lessen the burden of some of our more regrettable architectural decisions, but how do they score when it comes to cleaner air and reducing energy use? Some of the installations found in fancy hotels and the like are often dependent on energy-intensive lighting. They might promote an impression of environmental awareness, but they're actually doing damage if the carbon harnessed by the plants is less than that necessary to their growth. On this issue, Blanc states that making wise botanical choices is essential. "When planting indoors, it's a matter of choosing plants that are not full-sun," Blanc says. "So that lights are not required for many hours of the day." Stephen Collis, of Victoria-based business Wallgarden, agrees. He sells DIY vertical garden systems for household use that are light on resource consumption. "All the products needed are very low cost ... With its patented irrigation system, [the Wallgarden] uses one-seventh of the water that a plant uses in the ground and it also has massive insulation. Plants grow best on north western facing walls (because they get the most heat). They insulate in summer and also in winter, by keeping the heat in." BEATING BACK THE WINTER BLUES Both Blanc and Collis point out that vertical gardens can play a role in promoting mental and emotional health."Having a garden has a calming effect," says Collis, "especially in offices." "Indoor vertical gardens can bring a world of colour to the depths of winter," argues Blanc. "Given indoor spaces are climate-controlled. This provides an opportunity for plants from warm countries to grow in cold countries." He works with diverse flora, the origins of which often lie in some of the planet's most obscure locations. Recently, on a visit to the Philippines, he even discovered a new Begonia species, which has been named after him. Blanc has plenty of freedom to partake in international botanic and artistic escapades because his creations are really low on maintenance. As long as the watering system is functioning, pruning is required just once every few months. They can be expected to live for at least 31 years — Blanc planted one at his place in 1982 and it's still growing. Patrick Blanc will be appearing at The Australian Garden Show, to be held in Centennial Park, Sydney, between September 5 and 8. He'll be speaking as part of the "Seeds of Wisdom" Lecture Series. On Thursday, September 5, at 5.45pm, he'll deliver "Cliffs, Caves, Waterfalls, Tree Branches: the Natural Habitat for Soilless Living Plants", and on Friday, September 5, at 4.15pm, he'll discuss "The Vertical Garden: A Forty Year Innovation". Each 45 minute lecture will be followed by a 15 minute Q & A. Wall Garden will be exhibiting a vertical garden and conducting DIY demonstrations.
In one of the many audio clips that comprise One to One: John & Yoko's impressive array of 70s-era archival materials, the documentary's two namesakes are asked how they want to be remembered. John Lennon's answer: "just as two lovers". It's an apt description, and one that applies in multiple senses in the latest film by Kevin Macdonald — a doco that joins the likes of Oscar-winner One Day in September, plus Touching the Void, the crowdsourced Life in a Day, and the also music-focused Marley and Whitney on the Scottish director's resume, as well as features such as The Last King of Scotland, State of Play, How I Live Now and The Mauritanian. Standing out in the the well-populated realm of Beatles movies, factual and dramatised alike, One to One: John & Yoko steps through Lennon and Yoko Ono's love for each other and for music, and also for doing what they can to make the world a better place. As much as that "two lovers" quote resonates in the movie, that idea wasn't one of the lenses through which Macdonald, a lifelong Beatles fan and someone who considers Lennon his first pop-culture hero, approached the film. "Not specifically, actually, the kind of love affair between them," he tells Concrete Playground. "I think that comes across as between the cracks, in a way." Instead, in a film that explores a marriage, a milestone concert that also gives the doco its title, and a moment — that's as fascinated with the reality that greeted John and Yoko when they moved to the US from Britain in 1971, how the couple witnessed the era through American TV and their activist efforts to make a difference IRL — he was keen to show Lennon and Ono's romance as a union of equals. [caption id="attachment_1010512" align="alignnone" width="1920"] © Bob Gruen / www.bobgruen.com[/caption] "I was very interested, though, in trying to give Yoko a bit more of a voice and get her perspective on this period, and on the immediate aftermath of this breaking up of The Beatles and the influence she had on John. And for the audience to see, I think, what to me was very clear as I looked at all this material — is that this is a real marriage of true partners, love partners but also creative partners, and the respect that they have for each other comes across in the film," Macdonald continues. "I think it's a very mature kind of love, I suppose, as in it's not the kind of usual movie romantic, tweeting-birds kind of love. It feels like love that is part of a profound relationship of respect. I think that's what's so striking about it." "And I'm particularly struck always by, when I watch the film, by seeing John go to the International Feminist Conference at the end — and thinking in early 1973, which other massive rockstar of that period would do that, would be the only man in the room with a bunch of very hardcore feminists, and be open to that, those ideas and that experience, and giving the platform to their partner in such a way? I think that even today, that would be quite rare with a male star." Macdonald's latest documentary started its life with the One to One concert footage, which was John's last full-length gig — and also his only one after The Beatles. An interview that the filmmaker heard with John speaking about how all he did was watch TV when he arrived in the US, which is quoted at the beginning of the movie, was just as crucial. So began a project with a tricky task, given how frequently cinema's focus falls upon John and The Beatles still. The job: when Sam Mendes' (Empire of Light) four films starring Harris Dickinson (Babygirl), Paul Mescal (Gladiator II), Barry Keoghan (Bird) and Joseph Quinn (Warfare) are on the way — and the Martin Scorsese (Killers of the Flower Moon)-produced Beatles '64 arrived in 2024, The Beatles: Eight Days a Week from Ron Howard (Jim Henson Idea Man) came out in the last ten years and The Beatles: Get Back by Peter Jackson (The Shall Not Grow Old) isn't even half-a-decade old (and that's without thinking about Nowhere Boy and Backbeat and so much more) — how do you come up with something that feels new? The answer here: fleshing out One to One: John & Yoko not only around the Madison Square Garden benefit concert for children with intellectual disabilities at Staten Island's Willowbrook institution, and not even just through the pair's music, either, but also by using their television viewing to give context to what was happening in America at the time. Also, by giving the movie the vibe — with home movies, plus unheard tapes of John and Yoko's phone calls, too — of hanging out with the pair. Accordingly, Macdonald pairs restored 16mm footage of the pivotal gig with personal clips, archival news, TV snippets and commercials, and even a recreation of John and Yoko's Greenwich Village apartment from the era. The duo's presence in the political and social movements of the time is in focus as well, as is simply revelling in their presence together. Sean Ono Lennon has said that it's the first film that's truly captured who his mother was as an artist and a person, Macdonald has shared. That's one of many striking elements to the doco. How clearly it highlights the similarities between the 70s and now, how it embraces John and Yoko's fondness for creative experimentation in its approach, its collage-like structure that the director likens to TikTok: they're others. We chatted to Macdonald about the above, plus what it means to him to make One to One: John & Yoko as such a Beatles and Lennon fan, his career journey and more. On Sean Ono Lennon Saying That This Is the First Film He's Seen That Has Truly Captured His Mother as an Artist and a Person "I was really happy with that, obviously, because first of all, you make anything about The Beatles or about The Beatles solo and there's so many films and so many books, and so much has been said and written. So to try to do anything that's new, that was my starting point. I don't want to make a film like every other film that's been made. I want to show something different. But I'm not going to factually show you much that's new — there are probably some things up here that the real Beatles fans can go 'oh that, I didn't know this little fact, that little fact', but it's not really about that. To me, it's more about the experiential thing of being with these people in a very domestic, everyday setting for a lot of it. I mean, just hanging with them. And I wanted people to have the sense of hanging out on the bed with John and Yoko. So naturally, of course, that means that you, because you're seeing Yoko not always in her public persona, I think you feel closer to her. And I think there's something about the phone calls, the phone calls that she's on — particularly the one where she talks about how The Beatles treated her, and how people sent her dolls with pins in them and things, which I think give you a great deal of empathy for her, which then is redoubled when you hear the story of her daughter Kyoko. Which, by the way, I thought I knew quite a lot about The Beatles — I didn't even know about Kyoko. And I think that says an awful lot about how her perspective has not been taken in terms of telling the story in the past. Because John and Yoko went to New York largely because they were looking for Kyoko. They were escaping from what they perceived as the unwelcoming attitude in Britain for Yoko, but they were primarily there because they were trying to find Yoko's daughter. And that drove them through all of this period, and yet that's not something that's talked about. So I as soon as I started to learn about that story and learn about how that was really the emotional driver for the concert being put on in the first place — this sense that both of them had for the terrible conditions that these kids were being brought up in, which was particularly raw for them because they both undergoing this sense of loss of Kyoko — I think once I put all that together, that gave a perspective on Yoko emotionally, which I think changes the way you feel about her. Because when you empathise with someone, you tend to like them more." On the Importance of Giving One to One: John & Yoko a Tangible Element Through a Detailed Recreation of Lennon and Ono's Greenwich Village Apartment "When I got involved in the film, as I said, I was thinking first and foremost about 'how can I open up a different kind of window on them and give people a sense of getting to know them on a deeper, more immediate level?'. And I heard this comment that John made, very early on in my research, where he talked about how television was his window on the world, and how he spent most of his time when he first arrived in America watching TV and learning about the country through the TV. And I thought — that's a light-bulb moment, I thought 'well, that's how I should structure the whole film, is around that concept. And we should see them watching TV or feel like we're with them, feel like they just left the room and they left the TV on and the cigarettes still in the ashtray'. And so, as I said earlier, to have the feeling that we are on the bed with them, watching what's going on in America — and I like the idea that we're understanding history through shards, in the same ways we do in everyday life. We don't have a perfect knowledge or understanding of what's going on around us. We pick up little bits and pieces, and we create a narrative in our heads. And that's I wanted to reproduce, that experience, which is the experience of how human beings pass through the world. We don't have perfect narratives that are presented to us and everything coheres and makes sense. We are taking these imperfect little moments and giving them meaning and putting them together in narratives." On Whether Macdonald Anticipated the Parallels Between America in the 70s and Today That Are Evident inthe Documentary "No, I actually didn't. I didn't. We started this, I guess, in early 2023, and the legal situation, the political situation in the world, was very different. And it did feel at times — still does feel — like the world is copying our movie. Things keep happening that we're like 'oh my god, that's like the scene where such and such happens in the film'. And I did for a long time wonder about whether, is this kind of echoing, is this something? I've since read quite a lot about it, actually, and I'm not the only person to have noticed it — it is something which quite a lot of historians have commented upon. And I think even if you go back in time, there's even earlier periods in American history which have a similar rise of populism, demonstrations, economic turmoil. I think a lot of those things come back in some cyclical way in America every 50–60 years. And I think that they'll probably come back in different ways in other countries. I think it's something I'd be very curious to find out more about. But I was struck, as we were making the film, that all these echoes and similarities just arose around me. Because it really was — we didn't know that Donald Trump was going to have an attempted assassination. We didn't know that Kamala Harris was going to be the first Black woman to stand for presidency. And we had Shirley Chisholm, who was trying to get on to that ticket [in 1972]. All these many, many connections, they weren't there when we started cutting the film, even. So it was peculiar. But I think that why I find it comforting in a way, is that we all like to think that our period is a particularly catastrophic, apocalyptic period. It's a kind of vanity, I suppose, we all have as human beings — you think 'oh my god, we're living through the worst of times'. But actually, to see that things were pretty bad before, passions were very high, and then we had Jimmy Carter and things. We had sort of boring presidents and stabilisation in the world, and things did get a little better. I suppose I took some comfort from that. But I guess you can read it also the other way around. You can read it as 'oh my god, why don't we learn anything?'." On Making One to One as a Lifelong Beatles Fan and Someone Who Considered Lennon His First Pop-Culture Hero "I think I — maybe in common with other people, I don't know — the passions that you have when you are in your early teenage years, or between the ages of 11 and 16 or whatever, you never feel passion for anything quite as much again in the way that you did for those things. Whether they be movies or songs or artists, whatever it is, I think you're more open and raw, and everything is new to you and it's super exciting. And so to be able to go back to one of the people who really was my great hero of that [age]. I think I was aware of The Beatles in 1979 when I was 11 or 12, and then John was shot, and then that confluence of those two things is what made him such a focus of attention for me. But I think that to be able to revisit that period of your life is real pleasure — from an adult perspective, from a more cynical, seen it all, been-there-done-that perspective. Because it reminds you of who you are and the passion that you had. And you can see how right you were in some ways, to love those things. And it reawakens that love that maybe you were a bit cynical about it. So yeah, I think I find myself, interestingly, in a lot of films and documentaries I've done, going back to this period in the 70s — which is, I guess, the formative period for me. I had an American grandmother and I used to go to stay with her all my holidays in America and watch TV. I remember the Nixon hearings and things like that being on TV. And I remember my grandmother supporting Nixon. I remember her vividly saying 'oh, that poor man, Mr Nixon, why don't they leave him alone?'. So maybe we're all revisiting our childhood experiences." On Whether One to One Was Actively Aiming to Match Lennon and Ono's Creative Experimentation with Its Own Approach "No, not so much. I was looking at what remains of them and what it says. I thought it would be an interesting process to just say 'I'm not going to take any extraneous information, very little extraneous information, in the film, except that which exists in archive footage and audio and whatever. I'm going to see what I can make, how I can create an experience, but also somewhat of a story'. And it's always a balance in this sort of film. I wanted it to be something that when you experience narrative, you feel like things move forward and change, but for it to also feel moment to moment like it's chaos and anarchy, and you don't know where it's going to go. But actually, I want the audience to feel that, as they watch it, like 'oh, the filmmakers do have an idea — they are taking me somewhere. This is going somewhere. There is a progression. There is a narrative'. So it's trying to finely balance the chaotic and the structured. And there is a very thought-out structure to it. But it just seems to me like it's interesting to use the crumbs that have been left down the back of the sofa. You can put it like that. It's like you live your life and most of it vanishes with you when you're gone, and those times are gone, but certain crumbs are left down the back of the sofa, and a few coins that fell out of your pocket — and what do they say about you? And they're not the whole truth. They can't be. Because we can never reconstruct the whole truth of the past. And then, not to get too pretentious, so that's what different documentary forms which are about the past are trying — different ways to evoke and describe that which you know can't be fully brought back to life, can't fully be understood, in an hour and a half or two hours or whatever it is. And so there's a joy for me in the experimentation, and in the trying to find a different way to bring this period to life, to bring these characters to life, to mix their personal lives with the bigger political scene, and the bigger cultural scene, without trying to explain it all too much. I've had younger viewers watch the film and say 'this is like the TikTok experience'. This is basically how young people experience the world, watching TikTok, where you just see people, characters, situations appear, and you are very rapidly are making calculations in your head about 'who are they? Where they from? What's the purpose of this? Are they selling me something? Are they just trying to be funny?'. And I think that's the way I want be able to experience this film — that you're making all these connections. You're not being totally passive in it. You have to bring your own mind, bring your own sense of narrative to it." On Macdonald's Three-Decade Career So Far, Including Jumping Between Documentaries and Dramas "I feel, on one level, just really lucky to continue to be able to make films and continue to be able to make them in the way that I want to make them. And I have to give thanks to Mercury Studios, who let me make this film — sort of a mainstream experimental film, if we call it that. And to get the opportunity for people to give you money to be able to make a film is always a privilege. To get a make a film which is idiosyncratic and personal is really an exceptional thing. So after 30 years of making documentaries and films, yeah, first of all I just feel lucky to have been able to do that and to have supported myself and made a living out of doing it. And I love doing something which you can never perfect. You're always having to realise what did and didn't work in what you last did, and try to do something new — and I think that's maybe the defining feature of my work, which is that it's very varied and I'm always excited to try something different, try something new and go with my own passions for the most part. Although sometimes, obviously, we do things for money — but for the most part we do things for passion. And also, I'm very happy that I've continued to do both documentary and fiction — and the breathing space that each one gives me and renews in me, that gives me the time to renew my passion for the other one. So when I make a documentary, I'm at the end of it and I'm like 'oh my god, I really want to work with some actors who give me exactly what I asked them to so I don't have to find it in all this footage' and vice versa." One to One: John & Yoko opened in Australian cinemas on Friday, June 20, 2025 — and streams via DocPlay from Monday, July 21, 2025. Images: Magnolia Pictures.
Ever been to a comedy fest, hopped between amusing folks tickling your funny bone, and wished you could also catch some live tunes in the middle? Or, maybe you've done the reverse — spent a day seeing band after band, but felt like giggling and guffawing to break up the music? Either way, Brisbane's new festival Super Fun Day wants to get you dancing as well as laughing, combining comedy and music on the same bill. Debuting on Saturday, March 26 at Eatons Hill Hotel across two stages (both indoors and outside), this fest isn't skimping on talent, either. If it ran either its comedy or music lineups separately, it'd still draw a crowd. Headlining the hilarity are none other than Aunty Donna with a festival-exclusive set — so head along after you've had your morning brown and expect everything to be a drum. Leading the tunes are Hockey Dad and Middle Kids — and, across the whole bill, the rest of the roster spans everyone from Beddy Rays and Cheap Date to Aaron Gocs and Gen Fricker. The day kicks off at 12pm, DJs will also be on the decks, and karaoke is part of the fun as well — given it involves music and, often, giggling, it's a no-brainer, obviously. You'll be able to play giant games, including Jenga, Connect Four and Noughts and Crosses, because this fest really does have a bit of everything. [caption id="attachment_847506" align="alignnone" width="1920"] Hockey Dad, Ian Laidlaw[/caption] SUPER FUN DAY 2022 LINEUP: Hockey Dad Aunty Donna Middle Kids Aaron Gocs Becky Lucas Beddy Rays Cheap Date Concrete Surfers Gen Fricker Michelle Brasier Pacific Avenue Sam Campbell Shag Rock Sweater Curse The Vanns Tia Gostelow
When Ivory Tusk decided to mark International Tequila Day with a boozy festival (and celebrate its reopening after Brisbane's lockdowns, too), the event proved a huge hit. So, it did so for a second time, which was also popular. For its next fest, though, it's favouring a different type of beverage. At Sangria Fest, you know what you'll be drinking. Taking place from 8pm on Friday, September 18, it'll feature plenty of wine- and fruit-filled punch. There'll also be Mexican-inspired canapes to help line your stomach, plus DJs and live entertainment. Two types of tickets are available, to suit both your budget and your thirst. Nab a 'single slice' ticket for $19, and you'll get a sangria on arrival and access to the food. Level up to the 'wine lover's package' package for $85, and you'll sip your way through three hours of bottomless sangria, plus tuck into more than a few bites to eat. Tickets are on sale now, but it's worth noting that capacity is limited — life isn't quite back to normal just yet. So, if you're keen to spend a night downing sangria, you'll want to get in quick smart. Sangria Fest takes place from 8pm on Friday, September 18 at Ivory Tusk.
Since May this year, W Brisbane's Living Room Bar has been giving the city a world-best experience. For the past six months, it's been teaming up with Spain's Paradiso to serve up the Barcelona watering hole's top-notch tipples — drinks from a venue that, after placing third in 2021, has just taken out top spot on the World's 50 Best Bars list for 2022. Yes, these literally are the planet's best cocktails. As well as sipping them, which Brisbanites can still do, you can also now learn how to make them. At three two-hour sessions over two days — at 5pm on Thursday, October 27, and then at 11.30am and 5pm on Sunday, October 30; take your pick — the Paradiso x W Brisbane masterclass will teach you everything you need to know to whip up quite the impressive beverages. Paradiso's expert mixologist Gianluca Bosso is heading to Brisbane for the sessions, which'll show attendees how to make three of Paradiso's signature cocktails step by step. That spans finding out about the unique ingredients used and the techniques that go into each drink — making edible foam cloud included. These classes will cost you a pretty penny, aka $259 per person, but you'll also be mixing up drinks in W Brisbane's level-33 penthouse suite (the Extreme WOW Suite), which comes with killer views. After that, the session moseys down to Living Room Bar, where you'll tuck into a degustation menu and taste a bespoke Paradiso x W Brisbane cocktail, too. And, you won't go home empty-handed thanks to a cocktail recipe card and a Woodford Reserve Bourbon gift set to keep.
If you've managed to nab a ticket to Paul Kelly's Making Gravy tour back in 2017, 2018 and 2019, then you were one of the lucky ones. If you weren't and have been lamenting ever since, you can stop. The songwriting legend has just announced that he'll be performing the show all over again this December, this time heading to Melbourne and Brisbane — in the lead up to Gravy Day itself, December 21. Like the song, the tour — now in its fourth year — is becoming a bit of an Aussie Christmas tradition. Time to start thinking about getting the tinsel and ugly jumpers out of storage. As in past years, you can expect to hear a stack of songs from Kelly's four-decade long career. Listen out for all the hits, from 'Dumb Things', from the album Live, May 1992, to 'Love Never Runs On Time' from Wanted Man (1994). The Christmas classic 'How To Make Gravy', first released in 1996 on an eponymous EP, is on the menu, too. The tour will coincide with the release of Kelly's new Christmas Train record, his first-ever festive album — and yes, it includes a new version of 'How To Make Gravy'. Kelly won't be hitting the road alone, either — he's inviting a bunch of special guests. He'll be joined by Ball Park Music, Sycco and Emma Donovan & The Putbacks. MAKING GRAVY DATES 2021 Melbourne — Sidney Myer Music Bowl, Thursday, December 9 Brisbane — Riverstage, Saturday, December 18 Paul Kelly Making Gravy pre-sale tickets will be available from midday AEDT on Thursday, November 4 with general sales from 1pm local time on Monday, November 8.
Come Friday, September 6, it's time for a night at the museum — but you won't find Ben Stiller roaming the halls here. Rather, given what'll be on display at Queensland Museum at the time, the revelry will feel a little out of this world. Walking, talking, drinking and partying like you're on the moon is on the agenda at QM's latest After Dark shindig, which is all about soaring beyond the earth as part of the museum's NASA — A Human Adventure showcase. There'll be music, drinks and demonstrations — plus attendees will get free reign, peering not only at the a whole host of exhibits about space featuring more than 250 items, including pieces that have actually been to space, but also feasting your eyes on the rest of the joint's displays. You'll be knocking back beverages; examining rocket engines, space food, space suits, lunar cameras and moon boots; and just generally pondering life beyond our pale blue dot. A word of warning: these shindigs often sell out so you'll want to nab a ticket quickly.
Sometimes, watching a Christmas flick is all about revisiting a great film. Sometimes, it's about indulging in some seasonal cheesiness. This year's screening of The Santa Clause offers the latter rather than the former — and the chance to do so in an unlikely location. Toowong Cemetery might not be the first place you'd think of for an outdoor viewing of Tim Allen in a red suit — however, it's probably the coolest. But don't worry, only the first movie is on the agenda; you might be settling down for a night of film amongst the tombstones, but no one is going to do something frightening like making you sit through the sequels.
Chocolate isn't the only thing on the menu this Easter — or this autumn — at Brisbane's Treasury Casino. Until the end of April, the inner city spot is hosting a big foodie festival filled with degustations, high teas and cocktails. Arriving hungry is recommended. 40 Days of Flavour spans an array of different events, so you can follow your tastebuds to your favourite — or try to feast your way through them all. And, you can find something to match your budget, whether you're in the mood for an indulgent five-course meal or a $15 special. For those keen to go all out, Black Hide by Gambaro is doing both three-course lunches for $79 from Wednesday–Friday each week and degustation dinners for $199 from Tuesday–Thursday. Obviously, expect steak to feature. Or, you can pick from two different high teas, with The Lab going head over heels for chocolate on Saturday, April 3 and Sunday, April 4, and champagne versions on offer at the same spot every weekend. And, for a daily special — and to play wing roulette — hit up the Livewire Sports Bar. It's easy to forget that new overwater bar Will & Flow is part of the Treasury stable, but its Sundaze sessions are also on the 40 Days of Flavour lineup. The Treasury's sibling venue, The Star Gold Coast, is getting in on the fest as well. So, if you're heading down the coast, you can tuck into four-course lunches and Japanese degustation dinners, take a grazing tour of the venue's restaurants and listen to live tunes on its lawns.
Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) has more meals to cook, and streaming audiences are getting more kitchen chaos to consume. In delectable if hardly surprising news — and a development worth exclaiming "yes chef!" about, obviously — TV obsession The Bear has been renewed for season three. The hit series will dish up a third serving after season one proved best new shows of 2022 and season two ranks among the best returning series of 2023. So, expect more ins and outs at the titular restaurant, formerly sandwich shop The Original Beef of Chicagoland, as Carmy and his team navigate the hospitality industry's ups and downs. Exactly when The Bear will return hasn't been revealed, and neither has the number of episodes that'll be on the plate. The show's first season spanned eight instalments, while its second featured ten. Here's hoping that whenever it drops, it arrives in Australia and New Zealand at the same time as in America — it streams via FX in the US and Disney+ Down Under — which hasn't been the case for either season one or season two. If you missed The Bear's first season, it jumped into the mayhem when Carmy took over the diner after his brother's (Jon Bernthal, We Own This City) death. Before returning home, the chef's resume featured Noma and The French Laundry, as well as awards and acclaim. In season two, Carmy worked towards turning the space into an upscale addition to his hometown's dining scene, with help from the restaurant's trusty team — including Ayo Edebiri (Teenage Mutant Ninja Turtles: Mutant Mayhem) as fellow chef Sydney, plus Ebon Moss-Bachrach (No Hard Feelings) as Richie, aka Cousin, aka Carmy's brother's best friend. Also key to The Bear: truly conveying what it's like to work in the hospitality industry and weather a restaurant kitchen's non-stop pressures. In both of its seasons so far, The Bear's creator Christopher Storer (who also has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) has expertly balanced drama and comedy — and, in season two, he also delivered spectacular self-contained episodes that featured everyone from Olivia Colman (Heartstopper) and Will Poulter (Guardians of the Galaxy Vol. 3) to Bob Odenkirk (Lucky Hank) and Jamie Lee Curtis (Haunted Mansion). Guest stars aside, The Bear's regular roster of talent also spans Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar — plus Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment) and Edwin Lee Gibson (Fargo) among the other Original Beef staff. "The Bear, which wowed audiences in its first season only to achieve even greater heights in season two, has become a cultural phenomenon," said Nick Grad, President, FX Entertainment, announcing the renewal. "We're so proud to partner with Christopher Storer, Joanna Calo, Josh Senior and the rest of the creative team, as well as the brilliant cast led by Jeremy Allen White, Ayo Edebiri and Ebon Moss-Bachrach. What they and the crew have done is truly remarkable, and we and our partners at Hulu and Disney+ join fans in looking forward to the next chapter in the story of The Bear." There's no trailer for season three yet, of course, but you can check out the trailer for The Bear season two below: The Bear streams Down Under via Disney+. Season three doesn't yet have a release date — we'll update you when one is announced. Read our review of season one and review of season two. Images: Chuck Hodes/FX.
Whether you're thumbing through well-worn pages, pouring over your Kindle or flicking through your phone, reading is usually a solitary activity. Once a year, however, Brisbane's biggest literary buffs — and plenty of the people responsible for keeping them glued to the page — all assemble at the State Library of Queensland. The occasion: Brisbane Writers Festival. In 2019, the four-day festival returns from Thursday, September 5 to Sunday, September 8 with more than 160 writers, thinkers, storytellers and opinion-makers on its program. Prepare to hear plenty of words uttered about words that've been written, covering topics like climate and race, genres including dystopian fiction and young adult literature, and speakers from both around Australia and overseas. High-profile standouts include Jasper Fforde, author of the Thursday Next series; best-selling historical fiction scribe Ann Weisgarber (The Glovemaker); and Joanne Ramos, whose book The Farm has been compared to The Handmaid's Tale. With this year marking the UN Year of Indigenous Languages, BWF is also showcasing Indigenous Australians in a big way — with Baker Boy, writer, actor and comedian Steven Oliver (A Chance Affair), Aussie slam poetry championships winner Solli Raphael and Indigenous slam star Melanie Mununggurr-Williams all on the bill. The ongoing list of guests also includes Benjamin Law, Walkley Award-winning journalist Hedley Thomas, Tomorrow, When the War Began's John Marsden and The Dressmaker's Rosalie Ham. Plus, installation space Angel's Palace will return, so get ready to revisit the 7.5-metre dome decorated with original art by Brisbane artist Gordon Hookey.
Dinner parties always seem like a good idea. But just thinking about the shopping, setting up, cooking and cleaning can be enough to drive you to drink, often at a pricey bar. Never fear, there are some easy tricks to hosting a cracker of a meal that is easy on the wallet and won’t test your sanity. As spring beckons urging us to act on our festive impulses, many of us will brave it. Let us present to you our tips for the time poor and culinary challenged in our bluffer’s guide to hosting the perfect dinner party. Setting Up Alfresco dining is always preferable. As George Michael will tell you, people just have more fun outside. And don’t worry if your backyard is wearing the wounds of less classy occasions. Do a quick sweep-up (no need to be too fussy) and fill the place with random objects, fairy lights and lots of candles – I like to stick them in old booze bottles. Imperfections, somehow, become charming in dim lighting. Light a fire. Cover the table in something black - it’s forgiving - and pour all the wine into carafes. It is an undeniable fact that wine tastes more expensive when poured from a carafe. Vases or glass containers of any description will work also. Once setup, get the tunes going. It’s important that your playlist is tailored to accompany the swim of lady alcohol through your guests. Regardless of your preferred genre, there is a formula I’ve found never fails. Start with something new, slowly move into some cult classics, finally, if the mood is right, get a little bit tragic. Entrée Save the unnecessary effort, and washing up, that comes with preparing individual dishes and simply throw a nice platter together. The key is to know where to pick up some good grub for picking. Thankfully the city is teeming with amazing delis. Throw everything straight on the platter, no little dishes. And you need some bread. This is not the time for Wonder White, though. Try a spelt or a kamut if you want to go gourmet. Rip it up and serve straight on the board with a drizzle of olive oil and balsamic for dipping. Discarded jar lids come in handy. Set it beside the table and let the guests graze casually. Main course I opted for a vegetarian risotto. It’s cheap, easy and will keep your vegetarians and gluten haters at bay (you can hold out on the cheese if need be, but it seems lactose intolerance has become a bit passé). Any old Google recipe will do, just toss through your favourite bits and pieces and be sure to keep the rice from sticking to the bottom of the pot. Throw together a simple salad. Rocket, pear, walnut and parmesan is my go-to. The nightcap As the evening curtails, it is nice to introduce a new beverage. Boil some cheap plonk with oranges, sugar, cinnamon, cloves and vanilla (or whatever condiments you’ve got!) and voila! Mulled wine. I like to throw some rhubarb in also. And maybe a splash of port if it’s on hand. Whether the night evolves into a political debate or a living room dance-off, you’ve certainly set your guests up for a good one. Sit back, relax and bask in the host’s glory.
Bumps and jumps can happen at any time, but they feel extra eerie when October rolls around each year. So, when it comes to unleashing its spooky tales upon horror-loving Melburnians, acclaimed West End hit Ghost Stories has obviously chosen the exact right part of the calendar. Coming to Australia for the first time, Ghost Stories will bring its thrills and chills to the Athenaeum Theatre from this October. Exact dates are yet to be announced, but the season will run for eight weeks. And, it'll be doing so with the team behind a couple of other unsettling recent experiences: Melbourne-based Realscape Productions, who've been responsible for shipping container installations Seance, Flight and Coma, plus a number of horror audio experiences since 2020. Created, written and directed by Andy Nyman (Derren Brown) and Jeremy Dyson (The League of Gentlemen), and first staged in the UK back in 2010, Ghost Stories offers exactly what its name suggests. Leading the charge is fictional Professor of Parapsychology Phillip Goodman, who takes audiences through three of his cases. If it sounds familiar even though the production hasn't ever made it to our shores as yet, that's because Ghost Stories was turned into a film with The Office, The Hobbit and Sherlock star Martin Freeman a couple of years back — and also featuring Nyman as Goodman. This is the type of show where the less you know going in, the better. You want to experience those frightening tales afresh, after all. Audience members have been known to physically jump in their seats while they're watching, too, which is part of the point. "If people are paying their hard-earned money to see the show, we have a responsibility to give them more than they pay for," said Dyson in a statement. "We knew that we wanted to craft a play that would deliver something of substance to an audience, some solid ground underneath the fun, that would leave a deeper, darker residue and be harder to shake off," continued both Dyson and Nyman. Yes, the show has been likened to watching a horror movie play out on stage — so if you that sounds like your ideal way to spend 80 minutes, prepare to be in your element. If you're easily scared, you probably already know to stay away. Check out Ghost Stories' Australian trailer below: https://www.youtube.com/watch?v=AfabPFfTm6g Ghost Stories will hit Melbourne's Athenaeum Theatre sometime this October, with exact dates yet to be announced. For further details, and to sign up for the ticket waitlist, head to the production's website. Top image: Chris Payne.
NAIDOC Week is always a special occasion on the cultural calendar. But in 2025, the event takes on even more significance, as it reaches its 50-year milestone as a week-long extravaganza. Though the seeds of this event stretch back much further — usually pinned to 1938, when Indigenous activists held the Day of Mourning — NAIDOC Week has grown into a national movement, offering up a thriving annual event filled with rewarding experiences. Each year, NAIDOC Week has a unique theme. In 2025, it speaks to a promising path — 'The Next Generation: Strength, Vision & Legacy'. Celebrating the achievements of the past while stepping into tomorrow, expect a nationwide event grounded in community, where culinary experiences, cultural encounters and kid-friendly activities build towards a bright future. Ready to get involved? Here's what you can't miss during NAIDOC Week 2025. KOORIE HERITAGE TRUST NAIDOC WEEK MARKET — MELBOURNE Fed Square bursts to life with NAIDOC Week each year, with cultural non-profit Koorie Heritage Trust (KHT) central to the action. This year, the organisation is hosting the KHT NAIDOC Week Market – a free celebration featuring 20 Indigenous-run stalls that showcase the creativity of Victorian First Peoples makers. Stock up on fashion from Clothing the Gaps, discover handmade jewellery at Haus of Dizzy, or make your home smell better than ever with Mob Melts candles. Held from 1–6pm on Friday, July 11, the market coincides with the free 'NAIDOC in the City' concert, where artists like Electric Fields, Isaiah Firebrace and Scott Darlow take over the stage. NATIONAL INDIGENOUS ART FAIR — SYDNEY Returning to the Overseas Passenger Terminal in The Rocks for its sixth edition from Saturday, July 5–Sunday, July 6, the National Indigenous Art Fair (NIAF) highlights almost 100 Indigenous artists from 30 of Australia's most remote communities. Most prominently, this year's event features the work of Regina Pilawuk Wilson, an internationally renowned Ngan'gikurrungurr creative and cultural leader behind the Northern Territory's Durrmu Arts. Plus, guests can get immersed in live performances, discussions, bush tucker tastings, celebrity chef cooking demonstrations, interactive weaving circles and more. Entry is $3, with proceeds supporting the artists attending the event. LITTLE MOBS AT THE NATIONAL INDIGENOUS ART FAIR — SYDNEY Getting down to the National Indigenous Art Fair? Don't leave the kids behind. Just in time for the first weekend of the school holidays, the NIAF presents Little Mobs — a cultural activity program for children guided by First Nations artists. Young visitors are invited to get hands-on with art, nature, movement and culture, with activities such as ochre painting, gumnut jewellery-making, shellwork and more. Meanwhile, inclusive dance workshops led by renowned Indigenous organisations make for an even more interactive encounter. Activities at NIAF are free, with entry to the fair costing $3 per adult and free for kids under 12. '50 YEARS OF NAIDOC' AT THE AYERS ROCK RESORT — NORTHERN TERRITORY The Ayers Rock Resort has gone big for its '50 Years of NAIDOC' feast for the senses, with renowned chef Mark Olive, aka 'The Black Olive', transforming its Arnguli Grill & Restaurant with a set menu teeming with bush food and Indigenous wines. Meanwhile, Olive will also host an intimate dinner on Wednesday, July 9, recounting fascinating stories and insight behind the ingredients. The resort also brings numerous art experiences and cultural activities to the celebration. Aṉangu artists Billy and Lulu Cooley present wood carvings in the Town Square Circle of Sand, while the Sunrise Journeys encounter sees guests connect to Country at dawn through an absorbing combination of laser projection, music and the natural environment. FIRST NATIONS FILM FESTIVAL — NATIONAL There are few better mediums for reflection, celebration and storytelling than film. That means catching a movie or two is ripe for making the most of NAIDOC Week, as online streaming platform FanForce offers the First Nations Film Festival 2025 from Sunday, July 6–Wednesday, August 6. With the Reconciliation Week Collection now extended to Wednesday, August 6, the platform is adding the NAIDOC Collection too, featuring four more features and seven short films. Highlighting cultural strength, connection to Country and intergenerational resilience, the flicks include Warwick Thornton's We Don't Need a Map and Beck Cole's Here I Am. Each collection is available to stream for $38. DOCPLAY NAIDOC WEEK 2025 — NATIONAL Need even more content to stream? DocPlay celebrates Indigenous storytelling by making 11 incredible documentaries free to watch throughout NAIDOC Week. Covering a wide range of topics, from sport and the education system to Canberra's long-standing Aboriginal Tent Embassy, some of the biggest highlights include the Adam Goodes-focused The Australian Dream and You Can Go Now — an examination of influential Australian Aboriginal artist and activist, Richard Bell. With this collection of stories offering rich insight into the community and culture, expect deep dives into remarkable achievements and complex challenges on the road to a brighter future. 'BLING MY HOODY' AT THE HAUS OF DIZZY — MELBOURNE Guided by self-proclaimed Queen of Bling and Wiradjuri designer Kristy Dickinson, 'Bling My Hoodie' is a fun two-hour session made for engaging with First Nations peoples, culture and community. Held at Fitzroy's Haus of Dizzy from 11am on Saturday, July 5, this hands-on lesson invites kids aged six and up to test their eye for design. Customising a blank hoodie using various techniques, Dickinson will teach guests the ins and outs of direct-to-film transfers, iron-on patches and heat-pressed decals to make their piece resonate with big colours and powerful messages. Tickets are $99 and include your hoodie. NAIDOC WEEK AT OPERA BAR — SYDNEY Perched on Sydney Harbour, Opera Bar has a scenic dining experience that will level up your NAIDOC Week adventure from Sunday, July 6–Sunday, July 13. Crafted by a First Nations culinary team, expect four innovative takes on native ingredients, including kangaroo salami pizzetta and lamb sliders with bush tomatoes. Dessert is also unskippable, as a wattle seed pavlova with poached quince and crème fraîche delivers a rousing finish. Plus, the experience also extends to the drinks, with a signature cocktail duo highlighting foraged plants, like mountain pepper and samphire. Rounding out this delicious encounter are stunning visuals created by Indigenous artist Kyara Fernando, which adorn the menus.
"Everything they told you about severance is a lie." Those words might ring true in the world of Severance, the Apple TV+ sci-fi thriller that debuted in 2022 and proved one of that year's best new shows, but it isn't accurate about the series itself. Based on its first season, this mindbender deserves all the praise that it gets and more, and it's all 100-percent correct. If the teaser trailer for the upcoming second season is anything to go by, it'll be serving up more work-life nightmares — and twists, tension and must-see viewing — from January. Thinking about how to best balance your professional and personal spheres, and the time you dedicate to them, is an annual tradition when each new year starts. The Christmas break has been and gone, everyone is making resolutions for the 12 months ahead, and better dividing your time between work and everything else becomes a goal for most. Come Friday, January 17, 2025, however, the subject will get a bigger push via this hugely anticipated TV return — and so will how work-life balance can weigh on your mind, or not. Capitalising on perfect timing, Apple TV+ is finally ending the wait for more Severance, the series where disconnecting from your job come quittin' time — and giving your gig every ounce of your focus during your daily grind — has become literal in a hellish way. At Lumon Industries, employees agree to undertake the titular procedure, which splits their memories between work and home. But as Macrodata Refinement division employee Mark S (Adam Scott, Loot) start to discover, nothing about the situation is what it seems. Severance's comeback calls for a waffle party, an egg bar or a melon bar — or at least a big bunch of blue balloons with the face of Mark S on them. The latter have popped up in sneak peeks at the new season so far, including the date announcement clip and the just-released teaser trailer. If you missed season one, its dive into the kind of scenario that Black Mirror might've dreamed up, and technology that could've been used if Eternal Sunshine of the Spotless Mind was about punching the clock instead of romance, saw Mark S willingly sign up for severance, all to help process his grief over the death of his wife. And he's happy with the situation until his work BFF Petey (Yul Vazquez, The Outsider) leaves suddenly without saying goodbye, then new staff member Helly (Britt Lower, American Horror Stories) comes in to replace him — and instantly starts questioning the insidious setup, the rules and restrictions needed to keep it in place, and why on earth her "outie" (as the outside versions of Lumon employees are known) agreed to this in the first place. In season two, Mark and his work pals will attempt to dig deeper into the consequences of the severance procedure, and trying to escape it. They'll also learn the ramifications of messing with the system — and Lumon isn't just filled with the same familiar faces. Tramell Tillman (Hunters), Zach Cherry (Fallout), Jen Tullock (Perry Mason), Michael Chernus (Carol & the End of the World), Dichen Lachman (Kingdom of the Planet of the Apes), John Turturro (Mr & Mrs Smith), Christopher Walken (Dune: Part Two) and Patricia Arquette (High Desert) all return — with new cast members including Gwendoline Christie (Wednesday), Bob Balaban (Asteroid City), Merritt Wever (Memory), Alia Shawkat (The Old Man) and John Noble (Twilight of the Gods). Ben Stiller (Escape at Dannemora) is back as a director on five episodes, and executive producer across the whole season, with ten episodes on the way. Apple TV+ will drop instalments through until Friday, March 21, 2025. Check out the teaser trailer for Severance season two below: Severance returns for season two on Friday, January 17, 2025 via Apple TV+.
In a year that's already seen The Zoo say goodbye (ahead of its space reopening as the new Crowbar), another go-to for Brisbane's music fans is also bidding farewell. A West End favourite for over a decade, record store Jet Black Cat Music is shutting up shop before 2024 is out. More than just a place to buy tunes, the Vulture Street venue has also hosted gigs and parties — and held its own music festival over at The Tivoli. Your last day to head by: Saturday, December 28, 2024, which gives you somewhere to splash your Christmas cash to send off this inner-city haunt. While its physical digs are closing, Jet Black Cat Music will live on, however, thankfully keeping its website up and running. The JBCM team announced the news on social media, noting that "we are shape-shifting, moving on from our bricks-and-mortar shop in West End, and taking on a few form as we continue to grow into our new life which is all about bringing great music and people together through touring and events". The statement continued: "Jet Black Cat Music on the corner of Thomas and Vulture streets in downtown West End has been the most wonderful and lengthy chapter of my life so far, WOW! The store has been a magical portal, we have hosted so many of my favourite artists such as Aldous Harding, Julia Jacklin, Angie McMahon, Dick Diver, Twerps, Courtney Barnett, Jen Cloher, Haley Heyndrickx, The Beth's, M Ward, Weyes Blood, Sharon Van Etten, Frankie Cosmos, Sampa The Great, Marlon Williams, Phantastic Ferniture, Toro Y Moi, Dry Cleaning, Charli xcx, Marina Allen, Christian Lee Hutson, Big Scary, Floodlights ... and opened up a pathway into promoting tours and presenting great shows in far and wide locations". View this post on Instagram A post shared by Jet Black Cat Music (@jetblackcatmusic) Before settling into its current home, Jet Black Cat Music began its life at Davies Park Markets. It plans not only to remain online, but to also be part of "pop-ups, markets, festivals, listening parties and things that haven't even been dreamt up yet", the crew also revealed. January 2025 would've marked 14 years of JBCM on Vulture Street — and just as long of lengthy lines around the corner on Record Store Day, as well as spotting the store's black tote bags around town. Find Jet Black Cat Music at 72 Vulture Street, West End — open 9am–4pm Thursday–Saturday — until Saturday, December 28, 2024. The store will live on online; head to the Jet Black Cat Music website for more details. Top image: Google Maps.
Canines are so beloved in cinema that the Cannes Film Festival even gives them a gong: the Palm Dog, which has been awarded to a performing pooch (sometimes several) annually since 2001. Among the past winners sit pups in Marie Antoinette, Up, The Artist, Paterson, Dogman and Once Upon a Time in Hollywood — most real, one animated, some anointed posthumously and none scoring their prize for a quest to bite off someone's penis. That genitals-chomping journey belongs to the four-legged stars of Strays alone. They're played by actual animals, with CGI assisting with moving lips and particularly raucous turns, and they're unlikely to win any accolades for this raunchy lost-dog tale. The pooches impress. They're always cute. Also, they're capable of digging up laughs. But Strays is a one-bark idea that's tossed around as repetitively as throwing a tennis ball to your fluffy pal: take a flick about adorable dogs, and talking ones at that, then make it crude and rude. Games of fetch do pop up in Strays, but via a version that no loving pet owner would ever want to play. This one is called "fetch and fuck", with stoner and constant masturbator Doug (Will Forte, I Think You Should Leave with Tim Robinson) doing the pitching. He isn't a kindly human companion to Reggie (voiced by Will Ferrell, Barbie). He's cruel and resentful after his girlfriend adopted the border terrier as a pupper, then left him when the dog exposed his cheating — and he insisted upon keeping the pooch purely out of spite. So, he constantly drives Reggie to various distant spots. He sends him running. As soon as the ball is in the air, Doug hightails it. The canine isn't supposed to follow him back, but does every single time, hence the expletive part of the pastime's name. With unwavering affection, plus the naivety to only see the good in his chosen person, Reggie thinks that it's all meant to be fun. Being abandoned in a city hours away, and meeting Boston terrier Bug (Jamie Foxx, They Cloned Tyrone), Australian shepherd Maggie (Isla Fisher, Wolf Like Me) and great dane Hunter (Randall Park, Ant-Man and the Wasp: Quantumania) while he's there, soon has Reggie realising the truth about his relationship with Doug. Cue Barb and Star Go to Vista Del Mar director Josh Greenbaum and American Vandal creator/writer Dan Perrault sending the pup on a revenge mission with his new dog squad trotting along to help. Really, cue a parade of canines-gone-wild antics, each instance more OTT than the last. Urinating on something to claim it as your own and humping a grimy outdoor couch are just the beginning. Getting intimate with a garden gnome, squirrel threesomes, tripping on mushrooms, trying to use Hunter's great member to escape from doggy jail and a steaming pile of poop jokes: they are as well. Homeward Bound: The Incredible Journey, A Dog's Purpose, Beethoven, every family-friendly pooch flick, any treacly ode to human's best friend: Strays definitely isn't in their pack. Depending on your fondness for super-sweet dog films, that isn't a bad thing. Cat & Dogs, Doctor Dolittle, Marmaduke, Babe, Paddington: Strays doesn't join those talking-animal pictures either. Instead, as Greenbaum and Perrault riff on the fact that canines love doing everything that humans do, their feature has more in common with Sausage Party, Ted, Good Boys (not a dog movie) and The Happytime Murders. Taking something that's usually for all-ages audiences, then ensuring that it 100-percent isn't: that's the formula that Strays seeks as eagerly and forcefully as a tail-wagger sprinting after a hurled stick. Smearing straightforward gags about sex, drugs, crotches and bodily functions through a story about endearing pups isn't the film's best trait, even if that's the number-one approach and aim. Again, getting foul-mouthed and lewd with pooches is the entire concept and reason that the movie exists, but hitting the same beats over and over, then over and over some more, makes its 93-minute running time seem far longer than it is. Unsurprisingly, some comic bits are worn out quicker than a mutt's favourite chew toy. Strays is a better and funnier flick, however, when it's doing two things: leaning gleefully into the surreal and grounding its humour in perceptive insights into dog behaviour. Glorious silliness doesn't come as easily to Greenbaum as it should, though — Barb and Star Go to Vista Del Mar is one of the best absurdist comedies of the 2020s, and best comedies in general — but it leads to a few standout moments. One involves fireworks experienced from the canine perspective. Another brings in bunnies. Both are memorable (as are a winking mid-picture celebrity cameo that riffs on the dog-movie genre and the use of Miley Cyrus' 'Wrecking Ball' at a pivotal moment). Strays also isn't afraid to get dark; it might be as predictable overall as a dog licking a bone, dishing up exactly what audiences expect, but it largely craps all over schmaltz. It's less convincing when it's trying to skew deep, with musings on self-worth, emotional trauma, and folks who bring pets into their lives with selfish and attention-seeking motives well-meaning but treated flimsily. Perhaps it's fitting that Strays flits between perky (when it's bounding beyond the obvious) and sleepy (when it's happy chasing its own tail); IRL, the critters at its centre often do. Still, one thing can't be underestimated: the impact of the movie's voice work and animal cast. The wrong vocals would've left the film doing nothing but howling, and looking shoddy would've had it burying itself from frame one. Playing Reggie as an earnest child who navigates the world with curiosity and trust, Ferrell is basically in Elf mode, but it worked there and does the same here. Perfecting the pint-sized Bug's big-dog syndrome, Foxx is all swagger — while Fisher charms breezily and Park deadpans. And, even though it takes special-effects wizardry to make Strays' main quartet appear as if they're speaking, the real-life pups earn themselves ample treats. Although they still won't be winning any shiny trophies, they ensure that this hit-and-miss picture is just like people: better just by having dogs around.
From futuristic Supertrees to idyllic beaches and tropical gardens, Singapore weaves leafy stretches of nature throughout its bustling urban landscape. But reconnecting with nature doesn't have to mean trekking through forests or sleeping in a tent — it can also be farm-to-table dining with local produce, urban parks and luxe hotels with verdant spaces. In partnership with Singapore Tourism, we've pulled together a few imaginative ways to eat, stay and play in nature around Singapore, without straying too far from the middle of the city. [caption id="attachment_976861" align="alignnone" width="1920"] Marklin Ang[/caption] Play Known as the Garden City, Singapore is home to both hidden pockets and wide expanses of greenery, even in the middle of the city. Take the iconic Gardens by the Bay, which boasts temperature-controlled conservatories filled with exotic plants and flowers from around the world, towering Supertrees, freshwater wetlands and a Japanese zen garden. The UNESCO World Heritage-listed Singapore Botanic Gardens is equally impressive with a more classic slant — think elegant swans, a heritage museum and bandstand, and a national orchid garden with over 1000 species. [caption id="attachment_980992" align="alignnone" width="1920"] Danny Santos[/caption] For a dose of history on your outdoor adventure, head to Fort Canning Park to explore nine historical gardens, a spice garden dating back to 1822, two informative galleries and various colonial monuments. Fort Canning was home to the palatial resorts of Malay kings during the 14th century, before it was used by the British as military headquarters until WWII. As you exit to Penang Road near Dhoby Ghaut station, be sure to admire the sunlight and foliage streaming in from the top of the Fort Canning Park Tree Tunnel. If you're looking to get out of the city for a day, hop on a 15-minute ferry ride to Pulau Ubin from Changi Point Ferry Terminal. One of Singapore's former kampongs (villages), the island still retains some of the landmarks from its rich history, including a model kampong house, Fo Shan Ting Da Bo Gong Temple and the German Girl Shrine. For wildlife lovers, Pulau Ubin is home to a diverse range of native plants, birds and animals, many of which cannot be found on the mainland. Discover these critters at sites such as Butterfly Hill, Chek Jawa Wetlands and Sensory Trail Pond on foot or by bike. Eat and Drink You don't have to venture out to get a taste of the great outdoors. Sample fresh local produce while paying respect to the land at these sustainability-driven restaurants. Located a short distance from Orchard Road, Open Farm Community's menu focuses on produce sourced from its very own urban farm, along with local suppliers. Visitors are welcome to join in on a farm tour before enjoying farm-to-table fare with locally inspired flavours. Kaarla also boasts its own urban farm — at 51 stories high, the 1-Arden Food Forest is the tallest urban farm in the world. The restaurant prepares Australian cuisine on a wood-fired grill, with produce sourced from the surrounding farm, as well as Singaporean and Australian producers. Helmed by chef LG Han, Labyrinth's new Singaporean cuisine and sustainable efforts have been rewarded with a Michelin Star and the Flor de Caña Sustainable Restaurant Award. Han takes inspiration from hawker fare and traditional Singapore flavours to create his innovative dishes, using locally sourced ingredients and carefully utilising all parts of the produce. Influenced by Danish principles of sustainability, FURA is a sleek cocktail bar that uses environmentally friendly ingredients with a low carbon footprint, such as insect proteins, invasive species or produce that is widely available throughout Asia. For a picturesque dining experience among the trees, look no further than 1-Flowerhill. The elegant chateau houses three restaurants — Camille, Wildseed Cafe, and Wildseed Bar and Grill — and sits atop Sentosa's Imbiah Hill with views across the island. Stay Bring nature to you at one of these luxe hotels in the heart of Singapore, which champion sustainability and integrate greenery into their design. Aptly named, the ParkRoyal Collection hotels in Pickering and Marina Bay incorporate environmentally conscious processes, including solar panels, filtered water systems, biodegradable amenities and rooftop urban farms. Similarly, The Pan Pacific Orchard adopts sustainable practices throughout the hotel, such as energy-saving glass, motion sensors and integrated energy, water and waste systems. The hotel also features four nature-inspired terraces — the Forest, Beach, Garden and Cloud Terraces — with abundant tropical foliage. You can't miss Oasia Downtown amongst the Singapore skyline — the 27-storey building is wrapped in over 20 species of plants woven throughout the aluminium mesh exterior. As the plants continue to grow across the building, they provide shade and a cooling effect throughout the building. The greenery continues inside, with 33 species of plants in communal areas such as the lobby, rooftop pools and Sky Terrace. A short stroll from the Singapore Botanic Gardens, The Singapore Edition is a tranquil retreat with lush tropical plants, a rooftop pool and trendy bars. The hotel's eco-friendly initiatives include using carbon-neutral and biodegradable room keys, recycled materials and green cement. The hotel restaurant, Fysh, is also acclaimed Australian chef Josh Niland's first international foray, with an emphasis on sustainable seafood and responsibly sourced produce. Book your Singapore holiday now with Flight Centre. All images courtesy of Singapore Tourism Board.
It's unlikely that you want to spend the entire season hibernating on the couch (we've done too much of that already). So, to boost yours and your mates' morale, you can start dreaming of your next group getaway that'll give you and all of your friends a winter retreat to look forward to. Read on to discover seven spots with something to offer for everyone — whether you're after a luxe beachside retreat, a camping getaway or a full-on spa weekend. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. While regional holidays within Queensland are now permitted, some of the places mentioned below may still be closed due to COVID-19 restrictions. Please check websites before making any plans. [caption id="attachment_728025" align="alignnone" width="1920"] Larissa Dening[/caption] BEACH CAMPING AT DOUBLE ISLAND POINT Camping in winter may sound chilly, but luckily for us in the Sunshine State the season ain't all that cold. Plus, camping in winter means bonfires, marshmallows and getting cosy with your favourite people. Located in the Great Sandy National Park, Double Island Point is a tranquil spot for just that. To get there you'll need a four-wheel drive, a beach driving permit, all your own supplies and knowledge of the tides (you can only reach it at certain points of the day) — so invite your mates who are more seasoned campers. But once you're there, you'll experience clear blue water, complete calm and, hopefully, a chance encounter with a dolphin or two. Pack your sleeping bag, your favourite people, supplies for a fireside feast and make a weekend of it. [caption id="attachment_769358" align="alignnone" width="1920"] Pandanus Apartment[/caption] LUXE LIVING AT PANDANUS APARTMENT, BURLEIGH HEADS Burleigh Heads has everything you could look for in a getaway — beaches, shopping, dining, surfing and nightlife — and it's only a short drive down the highway from Brisbane. Burleigh's beach offers a great place to swim and surf with protection from the headland (and it's totally possible in winter on a sunny day). The headland itself is home to a scenic walk that leads you to Tallebudgera Creek, which is a stunning place to relax, especially when it's not fraught with tourists. Plus, since you'll be visiting off-peak, accommodation prices will likely be cheaper for you and your crew. If you're planning a getaway for a special occasion, book into Bon Sol's beachfront Pandanus apartment. On arrival, you'll be met with a bottle of vintage champagne, and the property manager is happy to help you with dining suggestions, too. The hatted Rick Shores, for example, is currently offering Tuk Shop takeaway orders of its curries, noodles and mains, as well as batched cocktails. RAINFOREST ESCAPE AT KYOTO MOUNTAIN LODGE, THE POCKET Everyone loves Byron Bay, but there are so many northern New South Wales towns to explore outside of the tourist hotspot with just as much charm — if not more. When you want to escape it all, plan a road trip down the coast to towns like Fingal Head, Kingscliff, Casuarina, Cabarita Beach and Brunswick Heads. And when you truly want to tune out, book into the Kyoto Mountain Lodge where you'll sleep among the trees, which is just 15 minutes away from Brunswick Heads. Surrounded by a rainforest sanctuary, this retreat has a fully equipped kitchen, fast internet and an indoor fireplace. The location is considered a 'primitive campsite' — you'll need a four-wheel drive to get to its location atop a mountain — but once you're there the views over the rainforest and the outdoor showers will make the trek well worth its while. HINTERLAND HIDEAWAY AT BIRD SONG VALLEY, MONTVILLE Whether you're in Glass House Mountains, Kenilworth, Maleny or Montville, the Sunshine Coast Hinterland is rich with culinary experiences and beautiful sights in equal measure. Take rainforest walks, chase waterfalls and catch views of the coastline, all while hunting down excellent local pubs and cafes. Order beers for delivery from Brouhaha Brewery in Maleny for sampling quality craft brews (like the strawberry rhubarb sour) and pop over to Kenilworth Country Bakery to sip your coffee from a doughnut or, better yet, have its one-kilogram doughnut delivered to your accommodation. Our pick is Bird Song Valley, one kilometre from Montville. The 1920s Queenslander offers a large space for you and five of your best mates to settle in for a long weekend. Here you'll find several free-standing baths, a fireplace and views over the surrounding hinterland, plus each guest gets their own robe and slippers. [caption id="attachment_769554" align="alignnone" width="1920"] Hannah Puechmarin[/caption] CABIN STAY AT GRANITE BELT RETREAT, STANTHORPE Less than three hours southwest of Brisbane you'll find Queensland's coldest area. Known for producing all sorts of delights from apples, pears, berries and stone fruit to chocolate, beer and, of course, wine, the Granite Belt is the perfect place to head to with your food-loving friends. Explore the region's wineries to sip wines made from unconventional grape varieties, or 'Strange Birds' as they're known locally. You'll find barbera, durif and nebbiolo, and even lesser-known grapes like pinotage, colombard and sylvaner. After a day of tasting, relax in front of the fire at Granite Belt Retreat. If you're travelling with a partner, opt for one of the 20 cosy log cabins located on 30 acres of natural bushland. There's also a microbrewery onsite, which is currently offering a bottle shop and takeaway food service. And, should you be after some adventure, go for a bushwalk or rock climb in Girraween National Park, which is known for its wildlife and balancing boulders. Check in advance for any park closures or alerts. [caption id="attachment_769952" align="alignnone" width="1920"] The Boathouse[/caption] CREEKSIDE RETREAT AT CLOUDLAKE MOUNTAIN RETREAT, THE DARLING DOWNS The humble, and largely overlooked, Darling Downs region provides plenty for those looking to experience a different part of Queensland. If it's a road trip you're after, head west from Brisbane and stop in at any of the many small towns and experience a few of the old fashioned bakeries. Be sure to stop in Toowoomba to explore its cafes, parks and street art. And for something totally left-of-field, check out the Darling Downs Zoo in Pilton, which actually allows you to feed lions. A 40-minute drive from Toowoomba is Cloudlake Mountain Retreat's The Boathouse, which offers a cosy escape for a couple or a group of four. Sitting on the edge of Oaky Creek, the home features views over the lake, a barbecue on the deck and a campfire on the beach that you're welcome to use. Take some marshmallows and do a spot of stargazing. [caption id="attachment_694717" align="alignnone" width="1920"] Sean Fennessy[/caption] STAYCATION AT THE CALILE HOTEL, BRISBANE If you just can't seem to rally the troops for a trip out of the city, why not consider a staycation? With its stunning architecture and interiors, the Calile Hotel in Fortitude Valley is one to set your sights on for a luxe stay without the drive. Book in for a weekend and treat yourselves to the hotel's resort vibes that'll have you forgetting you're even in Brisbane. Really splash out and book into the spa for a body wrap, exfoliating treatment, massage or all of the above, or opt to relax by the rooftop pool and grab a bite to eat from Hellenika's poolside snacks and wraps. What's more, should you want to leave your luxe abode, you'll be in proximity to one of Brisbane's best shopping and dining precincts: James Street. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Granite Belt Retreat by Hannah Puechmarin. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Maybe you've always wanted to give rock climbing a go, or maybe you're looking to face your fear of heights. Whatever the motivation, you'll love the feeling of accomplishment you get when you make it to the top of the wall at Rocksports in Fortitude Valley. At this indoor climbing centre you'll discover a world of colour-coded climbs, knots, ropes and harnesses. You'll definitely look a little goofy, but the thrill you get taking on these activities more than makes up for it. Image: Anwyn Howarth.
Sometimes, a katsu curry hits the spot. Sometimes, nothing other than bulgogi beef will do. At Seoul Bistro, you'll find both. Why go to two separate eateries to indulge your hankering for Japanese and Korean cuisines, when the Sunnybank spot does it all? That means kimchi fries, work-fried pork or chicken in smokey soy sauce, gyozas and soju all on the same menu, plus five flavours of Japa-burgers too. No, you won't struggle to find something to order here. And, that's not even the main attraction. Every place in Brisbane seems to whip up their own chicken wings these days; however Seoul Bistro has been frying pieces of poultry with the best of them since opening back in 2013. Seven varieties of chook are available, including crispy fried, honey wasabi, peri peri, buffalo and yang nyum (aka sweet and spicy) — either as an unlimited buffet with chips, garlic bread, lemon iced tea and chocolate mousse, or small, medium or large a la carte servings. That's all the encouragement you need to drop by, but the likes of blue lemonade, peanut butter and strawberry milkshakes, and both Japanese and Korean beers on the drinks list should also help.
