The top end of the Northern Territory is postcard-perfect Australia — World Heritage-listed national parks, islands, wetlands, pristine beaches and off-the-beaten-track (and croc-free) swimming holes are all within its borders. And Darwin is its gateway. Darwin is Australia's only tropical capital city. With hot, balmy summers and dry, sunny winters, it feels worlds away from the inner-city hustle of our nation's other capitals. On top of its incredible natural beauty, there are plenty of action-packed adventures to be had. From a helicopter pub crawl around the Darwin region to an outdoor deckchair cinema and a music festival right on the beach, the city is the perfect launchpad. Really, it's the perfect summer getaway for when it's cold everywhere else and it's right on our doorstep. Go on, get acquainted with Australia's Top End. SAIL INTO THE SUNSET Darwin is a city known for its harbour and close proximity to the crystal-clear Timor Sea, so kicking back on a cruise is a must when it comes to exploring. Grab a beer and sail into the sunset. You won't have a care in the world with that balmy breeze and endless ocean as far as the eye can see. There's a variety of sailing tours available from Darwin Harbour, lasting from a few hours to adventurous overnight and multi-day trips. But if you're just after a relaxing mini jaunt, the sunset harbour cruise is a winner. Operated by local company Darwin Harbour Cruises, you can choose to either just jump on board and see the sites or indulge in a sunset buffet dinner while being ferried around. Darwin Harbour Cruises sunset tours typically run between April and December, from 6–8.30pm daily. For more information and online bookings, visit the website. SWIM WITH CROCS No trip to Darwin is complete without saying hello to a few crocodiles. Get up close and personal with the prehistoric beasts at Crocosaurus Cove — a croc and reptile haven in the heart of Darwin. It houses the world's largest display of Australian reptiles and is home to Australia's only crocodile dive for the Steve Irwin enthusiasts among us. If the Cage of Death is too far out of your comfort zone, there's a bevvy of other scale-studded attractions like the aforementioned reptile house, croc feeding shows — where you'll see Burt (the star of iconic Australian film Crocodile Dundee) — a freshwater aquarium, a swimming pool and a chance to hold a baby croc. Better to see a croc here than while sunning yourself at the beach. Visit the website for more details and bookings. BOOGIE ON THE BEACH Going to music festivals isn't strictly a summer activity — at least, not in Darwin. Mid-May sees the return of Darwin's huge one-day music shindig, the People's Choice BASSINTHEGRASS festival. This year's lineup features a stack of ace musicians, including Hilltop Hoods, Nick Murphy FKA Chet Faker, Amy Shark, Broods, Meg Mac, PNAU and more. Plus, for the first time in its 17 years, BASSINTHEGRASS will take place at Mindil Beach. So, in between catching your favourite artists, you can gaze out at the Timor Sea and forget that winter is waiting for you back home, as you soak up bucketloads of Top End sunshine. BASSINTHEGRASS 2019 will take place from 11am–11pm on Saturday, May 18. For the full lineup and to purchase tickets, visit the website. WATCH A MOVIE UNDER THE STARS Run by the local not-for-profit film society, Darwin's Deckchair Cinema grew from the desire to screen films that were not otherwise available in the city. Since it began in the 90s, it has become a go-to activity for locals and passersby alike, hosting an eclectic mix of films in a beautiful outdoor setting. Based on the edge of the harbour, Deckchair Cinema is decorated with fairy lights, artworks by local artists and, of course, deckchairs. There's also a licensed bar and food by local caterers, plus complimentary cushions and (very mandatory) bug repellent. It's the ideal balmy evening activity. Deckchair Cinema runs from mid-April to mid-November with daily screenings. Visit the website for more information and the current program. VISIT DARWIN'S MASSIVE WATERFRONT PRECINCT Darwin Convention Centre, shopping, restaurants, a park, swimming lagoons and a wave pool are all part of the mammoth precinct along Darwin's harbour. The lagoons and wave pool are notable drawcards, offering croc-and-stinger-free cooldowns in the Top End heat. Plus, it's home to some of Darwin's top eateries, including casual Vietnamese eatery CHOW!, Il Lido and the luxe Oyster Bar, which boasts waterfront views and some of the best seafood in town. For more information on the Waterfront Precinct, visit the website here. WANDER THROUGH MINDIL BEACH SUNSET MARKETS Held every Thursday and Sunday night from late-April to October, Mindil Beach Sunset Markets are undoubtedly Darwin's largest and most popular markets. Alongside arts, crafts, and entertainment stalls, there are over 60 food vendors offering up cuisines from almost every international corner — Mexico, Greece, Turkey, Sri Lanka, South America, North Africa, India and across South East Asia. Enjoy a picnic on the beach, then check out what the jewellers, tarot readers, indigenous artists, tailors and leatherworkers have on offer. Oh, and expect street theatre, magicians and plenty of musicians to keep you entertained while you peruse. For more information, visit the website here. [caption id="attachment_718143" align="alignnone" width="1920"] Emma Pritchett[/caption] EXPLORE KAKADU NATIONAL PARK AND STAY IN A LUXURY SAFARI LODGE If you're planning a visit to Darwin without venturing to one of its surrounding national parks — Litchfield, Mary River and Kakadu — you're really missing a trick. Australia's Top End is abundant with wildlife, exotic flora, rock art, waterfalls, floodplains, colossal termite mounds and swimming holes — it's some of the most diverse terrains in the country. World-Heritage-listed Kakadu, the largest national park in Australia, is 253 kilometres east of Darwin. Cruise down the remarkable Yellow Waters, visit Nourlangie Rock — famed for its indigenous rock art — and see some crocs and Australia's most diverse bird population. Be sure to fit in a visit to Warradjan Aboriginal Cultural Centre and dive into a few of the croc-free swimming holes, too. While day tours from Darwin exist, we recommend going all out and staying at Bamurru Plains — Australia's version of an upscale safari lodge — situated on the Mary River floodplains on the edge of Kakadu. Nine bungalows, artfully kitted out in timber and corrugated iron, are enclosed in mesh that offers sheer views over the wetlands. Be warned though — it'll set you back a cool $1360 per night. Visit Kakadu National Park's website for more information. For bookings and more information on Bamurru Plains go here. GO ON A HELICOPTER PUB CRAWL Being a tourist is thirsty work. Luckily, Airborne Solutions has got you with its helicopter pub crawl, which stops at some of the region's more remote watering holes. While up in the air, you'll see unparalleled views of the Top End's natural beauty, covering Darwin, its harbour and coastlines, eucalypt woodlands, termite mounds, billabongs and mangroves. Offered as both a half-day and full-day tour, this pub crawl is sure to get you rubbing shoulders with some quintessentially Aussie characters. You'll visit The Lodge of Dundee, Crab Claw Island Resort, Darwin River Tavern and Goat Island Lodge, before deciding between Humpty Doo Hotel and Noonamah Tavern for your final stop. Although the tours don't come cheap — $795 each for a half-day and $975 a pop for the full Monty — it's a pretty fair dinkum deal for a chopper ride and a beer (or few). For more information and bookings visit the website. To help get you to Darwin this season, and BASSINTHEGRASS festival, Northern Territory Major Events has partnered with Virgin Australia to release a bunch of discounted holiday packages. For more information and to book a flight and accommodation package, head this way. Top Image: Emma Pritchett.
Brisbanites, your recycling routine is about to change, and, as well as being great for the planet, it's good for your wallet. Come Thursday, November 1, Queensland's Containers for Change refund scheme will come into effect, letting you exchange your used containers for a ten-cent refund per eligible vessel. Announced last year, it's the state's latest effort in the war on waste, after phasing out single-use plastic bags on July 1. And while similar schemes exist in most of the country — in South Australia, the Northern Territory, New South Wales and the ACT, with SA's dating back four decades — it's a case of better late than never. Apparently almost three billion beverage containers have been used by Queenslanders this year alone, so here's everything that you need to know. HOW DOES IT WORK? While we've all become accustomed to popping our empty drink containers into our yellow-topped wheelie bins, Containers for Change wants you to break that habit. From Thursday, November 1, you'll be able to take your beverage containers to one of Queensland's 230 refund sites instead (more on where they are below). The container refund scheme (CRS) does include a few rules, however. Queenslanders are asked to remove the lids from their containers before taking them to a collection site, and to make sure they don't contain sand or dirt, paint, petrol, noxious substances. You don't need to rinse them, but they do need to be empty. The CRS is also only open to containers purchased within Queensland. WHAT CAN YOU RECYCLE? Most aluminium, glass, plastic, steel and liquid paperboard beverage containers that range between 150ml and three litres in size can be recycled. To be eligible, they need to display the refund mark — many of them already will, but the ones that don't have until December 1, 2019 to add it. That said, there are some exceptions. You can't get a refund on any containers that held plain milk, or concentrated or undiluted cordial or syrup. The CRS also won't accept glass wine or pure spirits bottles of any size, or containers over one litre that held flavoured milk, pure fruit or vegetable juice or cask water. These containers can still be recycled through kerbside collection. And if you accidentally (or purposefully) place CRS-eligble containers in your wheelie bin, the kerbside operator and/or local council will be able to collect the ten-cent refund. WHERE DO YOU NEED TO TAKE YOUR EMPTY CONTAINERS? Container Exchange, the organisation managing the CRS, has set up 230 refund sites across the state. They include over-the-counter depots, drop-off sites (where you can leave already bagged and tagged containers), reverse vending machines that collect your containers and spit out refunds, and mobile and pop-up refund points. In Brisbane, the spread of sites spans the entire city, including depots located in West End, Geebung, Seventeen Mile Rocks, Salisbury, Tingalpa, Creastmead, Yerongpilly, Banyo, St Lucia, Darra, Samford Valley and Kedron. HOW WILL YOU GET PAID? To receive the ten-cent-per-container refund, you have several options. Some sites offer cash, but for those that process the payment via EFT, you'll need to sign up for a scheme account. You can also opt to not only do the environment a solid, but someone in need as well. The CRS allows you to donate your refund to a community group, not-for-profit or school, either at the collection point, or by taking your containers to a drop-off site run by a registered group or charity. Queensland's drink container refund scheme comes into effect on Thursday, November 1. For more information, visit the Containers for Change website.
If your ultimate Saturday morning is a leisurely Bunnings shopping session followed by a saucy snag in bread, why let the fun end there? Soon, you'll be able to make a proper weekend of it with a new Mercure Melbourne Doncaster hotel set to open smack bang on top of a Bunnings Warehouse. The work of global hotel group Accor and developer Accord Property Group, the unlikely pair are slated to be up and running by late 2021. Located in the heart of the bustling Doncaster Hill precinct, together they'll provide the prime spot for a snag-based staycation. Along with a couple of levels dedicated to retail offerings, the mid-range hotel will boast 183 rooms across six floors with interiors that reference parts of the area's history, including the southern hemisphere's first electric tramway: the short-lived Box Hill to Doncaster tram. It'll have all the usual trimmings you need for an overnight stay, too: a dining terrace, restaurant and bar, rooftop pool, fitness centre and sundeck — as well as a full-size, sparkly new Bunnings Warehouse, of course. And if tools, paint and plants don't offer quite enough retail therapy for you, Mercure Melbourne Doncaster also sits handily adjacent to the huge retail precinct that is Westfield Doncaster shopping centre. Mercure Melbourne Doncaster is set to open at 659 Doncaster Road, Doncaster in late 2021.
Yep: whenever Jordan Peele drops a new film, it instantly proves a must-see, as both the Oscar-winning Get Out and the equally exceptional Us have shown so far. Also yep: when it comes to making the leap from an iconic sketch comedy series to helming horror movies — and having a hand in bringing everything from BlacKkKlansman and the ace latest Candyman flick to Hunters and Lovecraft Country to our eyeballs, too — the former Key & Peele has been having a helluva past five years. And one last yep: the comedian-turned-filmmaker's next flick, his third big-screen directorial effort Nope, couldn't look more eerie, enticing and exciting (aka the classic Peele combination). That was true back in February, when the first sneak peek at Nope dropped and had Get Out star and Judas and the Black Messiah Oscar-winner Daniel Kaluuya ask "what's a bad miracle?". Now that the film has released a full trailer that sheds further light on its narrative, that still remains 100% accurate. The setup: the Haywood ranch is proudly run by the only Black-owned horse trainers in Hollywood (played by Kaluuya and Hustlers' Keke Palmer), whose connection to show business dates back to the very birth of cinema. But their remote patch of inland California soon becomes home to a disturbing discovery — and the fact that everyone spends a fair amount of time either looking up in horror or running away from something chilling in the sky in both trailers says plenty. In the new sneak peek, Kaluuya and Palmer's brother-and-sister duo OJ and Emerald are rocked by tragedy, then spooked by what's happening above. And, yes, Kaluuya utters the movie's title. Emerald decides that they need to capture what's happening on film, which is where Michael Wincott (Veni Vidi Vici) and Brandon Perea (The OA) come in — one charged with standing behind the lens, the other selling tech equipment. With Nope also lending its attention to other California residents who see this uncanny presence in the sky, Steven Yeun (Minari) also pops up as a rodeo cowboy. As with all of Peele's celluloid nightmares so far, the less you know going in when the movie hits cinemas Down Under in August, the better. That said, the two trailers so far do a fantastic job of teasing all of the unsettling imagery that the filmmaker is about to get lodged in your brain, including fields of colourful inflatable tube men waving in the breeze, the creepiest of clouds and shadows, and a big leap into X-Files territory. Check out the full trailer for Nope below: Nope will release in cinemas Down Under on August 11, 2022.
Not content with becoming a fixture on Australia's roads, and possibly taking to the skies as early as next year, Uber is now hitting the water at one of the country's greatest natural features. If you've always wanted to cruise the Great Barrier Reef by submarine, now you can now book one via the Uber app. No, this isn't a joke — but it's definitely a marketing stunt. Aptly named scUber, the new service — which will be available between Monday, May 27 and Tuesday, June 18 — is a collaboration between Uber and Queensland's state tourism body. Of course, diving down deep via scUber is incredibly pricey at $3000 for two people. But if you're particularly flush with cash and have always dreamed of seeing the reef this way, now you can. According to research by Tourism and Events Queensland, plenty of people have this exact experience on their bucket list. Your big stack of bills gets you a trip to the southern Great Barrier Reef's Heron Island from May 27, or to north Queensland's Agincourt Reef off the coast of Port Douglas from June 9. You'll be picked up from your location by Uber, naturally — although you'll need to be in Gladstone, Cairns, Palm Cove or Port Douglas. Then you'll be taken by helicopter to either scUber destination, where you'll jump inside the submarine and dive under the water for an hour. Afterwards, you'll head back to your original pickup spot. The submarine actually holds three people — someone who knows what they're doing will be going down with you. They'll take you deep, down to 30 metres, where 180-degree views await. Obviously, there are a few other drawcards: you don't have to learn how to dive or get a license, and you won't get wet. Uber will also be partnering with Citizens of the Great Barrier Reef as part of scUber, donating $100,000 to the protection and conservation organisation, as well as the equivalent value of every scUber ride purchased. And, in conjunction with Tourism and Events Queensland, it's giving away a scUber package complete with flights and five nights accommodation — which is open to eager folks not only from Australia, but from New Zealand, the USA, Canada, the UK and France too. You'll need to enter by 1.59pm, Australian time, on Monday, June 1. scUber will be available from Monday, May 27 to Tuesday, June 18 in Gladstone, Cairns, Palm Cove and Port Douglas. For more information, visit scUberqueensland.com. Images: Tourism and Events Queensland.
Traditional horizontal gardens are a fantastic aesthetically pleasing addition to any house, park or natural area. Yet by simply rotating these gardens 90° to make them vertical, their purpose, possibilities and magnificence can completely and utterly transform. Vertical gardens are a recent craze, which are taking the world by storm. Gardens on museum walls, on the outside of buildings, in shopping centres or as feature pieces are popping up in almost every major city of the globe. Aside from adding a wonderful visual and organic element to the concrete shackles of urban centres, vertical gardens also offer a host of environmental benefits. Adding a vertical garden to any space can help improve air quality and respiratory functions, keep the air cool and humidity comfortable through the process of transpiration, reduce harmful levels of CO2 and provide natural insulation and acoustic absorption; not to mention the instinctive elated sensation humans feel when in close proximity to plant life, called biophilia. Here are ten of the most beautiful, useful and impressive vertical gardens from around the world that will make even the most elaborate horizontal garden look boring and mundane. Miami Art Museum Patrick Blanc is the world's most renowned vertical garden specialist and his incredible creations have spread like wildfire across the globe. With his designs appearing in every continent, and his recent publication, 'The Vertical Garden: from Nature to the Cities' being widely acknowledged as the expert book on this new trend, you simply can't go past Blanc's inspired works of art. This amazing garden from the Miami Art Museum is one of Blanc's projects, designed together with Herzog & De Meuron. Who needs the Hanging Gardens of Babylon when we have our own hanging gardens of Miami? Alpha Park II Les Clayes sous Bois At 2,000m², the Alpha Park II Les Clayes sous Bois just West of Paris will become the largest vegetal facade in the world. The shopping centre is being reopened sometime this month with its new organic coating of various plants and flowers. Melbourne Greenhouse Restaurant Joost Vertical Gardens are an up-and-coming business in Australia, which specialises in living walls and columns. Their vertical gardens have appeared in art exhibitions, sculptural installations and high-end architectural fitouts, highlighting their aesthetic value and practical purpose. Through popular demand, Joost's unique designs are now available online and by consultation for restaurants and both domestic and commercial spaces. Vertical Garden Institute Philip and Vicki Yates set up the Vertical Garden Institute in 2007 after witnessing the awe of Blanc's huge vertical garden in Spain. They wanted to promote vertical gardens through sales, research, education and the development of vertical garden partnerships throughout the globe. This vertical art garden was released in July 2010. Berlin Another stunning design from Patrick Blanc, this garden wall in Berlin is a beautiful and eco-friendly addition to the city's streets. Increased temperatures in cities can partially be attributed to the absorption of heat by concrete buildings and roads. However, the natural processes of transpiration in plants ensures that they never go 5°C above the atmospheric temperature, thus helping to keep the urban area cooler. Madrid Caixa Forum This feature wall in the capital of Spain is a magnificent piece of natural artistry that provides a perfect place for tourists and locals alike to marvel at. The building was a former power plant built in 1899 and a rare example of industrial architecture in the old part of the city. The vertical garden is another design from Patrick Blanc and reaches four stories high, with over 15,000 plants from over 250 species. Tokyo AKROS Fukuoka Prefectural International Hall This 15-stepped terrace was shifted from a 10,000m² park in the city centre of Tokyo by US architect, Emilio Ambesz. To stand out from other city park areas, Ambesz opted instead for a garden resembling a mountain, culminating in a belvedere, which offers magnificent views of the harbour. The building is 14 floors above ground and 4 below, making it one of the largest vertical gardens in the group. Bangkok Siam Paragon Shopping Center The vertical garden craze has also reached Thailand, with this example of beautiful plants lining the balconies of the Siam Paragon Shopping Centre in Bangkok. Gardens appear not only in this courtyard of the shopping mall but they also decorate the elevator shaft as well as even some of the shopping booths. Living Walls, Netherlands Rather than being concrete, this colourful wall is made up of a thin layer of felt and rock wool material. To keep the vertical garden alive and vibrant, it also has water pumping through the material. This Dutch house is a perfect example of how easy it is to spice up any building with some floral flair. Bilbao Guggenheim Art Museum Outside the Guggenheim Art Museum in Bilbao, Spain, one would find a giant 43-foot tall 'plant puppy' made out of a steel substructure and an array of colourful vegetation. Jeff Koons created this cute and vibrant vertical garden masterpiece in the mid-1990s and we just couldn't go past this impressive creation. Especially since it made its own notable visit to the lawns of Sydney's MCA in 1995.
A near-silent depiction of a nightmare boarding school for girls, a stage adaptation of a 1950s pornographic novel, a drag odyssey through Australian history — this is hardly the usual fare for the MTC crowd. Yet it's all on the program at NEON, the Melbourne Theatre Company's festival of independent theatre. It's packed with the kind of edgy theatre-making you'd more expect to find in shoebox venues around Fringe season, rather than in a mainstream house like Southbank Theatre. It is, says artistic director Brett Sheehy, one of the company's most significant initiatives to date. "With NEON, we celebrate Melbourne's unique and thriving independent theatre landscape and its astonishing artists," Sheehy says. "Part of our mission is to literally throw open our doors to all of Melbourne and to make Southbank Theatre a place of connection, accessibility and welcome, no matter what form of theatre Melbourne desires." For the festival, which runs from May to July, 2013, Sheehy approached five of Melbourne's most innovative little theatre companies — The Hayloft Project, THE RABBLE, Daniel Schlusser Ensemble, Fraught Outfit and Sisters Grimm — and offered them free access to MTC's stage and technical resources, as well as free creative rein. Benedict Hardie of The Hayloft Project, whose By Their Own Hands looks to be a confronting and stripped-back take on Greek tragedy, says that while creative freedom comes with the territory of independent theatre, practitioners need to work hard for that freedom and it is rare to get the kind of support MTC has offered. Having that support, Hardie says, has enabled the artists involved to push themselves further creatively. "It's an opportunity to dream a bit bigger," he says. The shows on the lineup promise to be confronting, intense, bizarre or even — as with THE RABBLE's adaptation of Story of O, a French novel that was the 50 Shades of Grey of its day — erotic. THE RABBLE's co-artistic director Emma Valente sees the festival as a turning point for the companies involved, not just because of the resources and the greater audience potential provided by MTC but because of what the very existence of the festival says about changing attitudes toward the independent theatre scene. "What it means for independent theatre at large is exciting," says Valente. "In fifteen years doing independent theatre, playing in a mainstream house is something I never would have thought possible." The festival opened on May 16 with Menagerie, Daniel Schlusser's homage to Tennessee Williams and will also feature a program of forums and free workshops featuring a topnotch lineup of playwrights, producers, performers and critics. So whether you are an audience member avid for the avant garde or an underrated artist working on a society-shaking script of your own, Southbank Theatre is, perhaps surprisingly, about to become the place to be. To see the full program of events, head to the MTC website. Tickets to each show are $25, or you can see all five for $100. Top image: The Hayloft Project by Patrick Boland. Second image: Daniel Schlusser Ensemble by Sarah Walker.
Both Bret McKenzie and Jemaine Clement will be present when Flight of the Conchords make a long-awaited, eagerly anticipated return to television — as part of a one-off live special filmed during the duo's recent sold-out tour. Announced earlier in 2018, Flight of the Conchords: Live at the London Apollo now not only has a US airdate but also an Australian one. The special will screen on HBO in America on Saturday, October 6, and on The Comedy Channel in Australia on Tuesday, October 9 at 8.30pm. As the name really does makes plain, it was recorded in the UK, where Flight of Conchords took their show on the road in March and then returned in late June and early July, following a forced break after McKenzie broke his hand. Yes, it'll be business time, Bowie will be in space and no one will have hurt feelings. Fans can expect to hear the classic tracks that everyone has had stuck in their heads since the folk parody pair's TV series aired between 2007 and 2009, of course, as well as a few new songs. It's also a case of Conchords almost coming full circle, with nabbing a spot on HBO's One Night Stand in the mid-00s one of their big breaks. Foxtel Now subscribers can stream the special live when it airs, but whether it'll be available on demand afterwards has yet to be revealed. In the interim, check out the trailer, as well as the initial HBO date announcement video featuring McKenzie and Clement: https://www.youtube.com/watch?list=PLZQfnFyelTBOQ15kmHSgEbdjzLMWzZpL7&v=xz_-9PlcouE
Float on, festival fans: come April, Australia's newest excuse to see a heap of bands in one spot will make its way along the country's east coast. That touring event: the just-announced Daydream. It's hitting Sydney, Melbourne and Brisbane with quite the roster of indie-rock talent — headlined by Modest Mouse three decades after the Washington-born group first got together. Don't listen to the title of the band's acclaimed 2004 album, though — this is good news for people who love good news, not bad. Joining Modest Mouse on the bill are Britain's Slowdive, who initially formed in 1989, the reformed in 2017, as well as Australian favourites Tropical F*ck Storm. Daydream will hit up Melbourne's Sidney Myer Music Bowl on Saturday, April 22 to kick things off, then head north. The fest plays the Hordern Pavilion in Sydney on Saturday, April 29, followed up Brisbane's Riverstage on Sunday, April 30. The lineup varies slightly per city, with Beach Fossils and Cloud Nothings taking to the stage at all stops, but Majak Door missing Brisbane. And no, it isn't too early into 2023 to start packing your calendar with music festivals. New year, new diary to fill, after all — and Daydream, the also just-announced Lazy Mountain and more are firmly here to help. DAYDREAM 2023 LINEUP: Modest Mouse Slowdive Tropical F*ck Storm Beach Fossils Cloud Nothings Majak Door DAYDREAM 2023 DATES: Saturday, April 22 — Sidney Myer Music Bowl, Melbourne Saturday, April 29 — Hordern Pavilion, Sydney Sunday, April 30 — Riverstage, Brisbane [caption id="attachment_886745" align="alignnone" width="1920"] Dylan Jardine[/caption] Daydream will hit Australia's east coast capitals in April. Early-bird pre-sales start at 9am local time on Thursday, February 2, with general sales from 9am local time on Friday, February 3 — head to the tour website to sign up for the pre-sale, or for more information. Top images: Modest Mouse by Matthewvetter via Wikimedia Commons; Tropical F*ck Storm by Somefx.
As a food writer and critic based in Western Australia, Max Brearley lives a life of truffle hunting, native-food foraging and long, wine-led lunches across Margaret River's rolling estates. The southwest lifestyle is what lured him over from the UK, and his work is now regularly published in The Australian, delicious., The Guardian and Halliday. In partnership with Pullman Hotels and Resorts, we're helping you explore more on your next holiday and make sure you get those experiences that the area's most switched-on residents wouldn't want their visitors to miss. In Margaret River, we've called in Max, whose favourite spots range from the region's best winery restaurant to a burger truck run by a street-food doyen he's followed around the world. A stay at Pullman Bunker Bay in the Margaret River region will not only put you in the thick of all this action, it will let you rest and digest in five-star luxury at the end of the day. Read on for Max's top food hot spots in his own words, and check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. CULLEN WINES A founding winery of the region, Cullen has an international reputation for their wines and the manner in which they're produced. Chief winemaker Vanya Cullen has a commitment to the land, seeing herself and her team as custodians. It shows in the wine, which is certified both organic and biodynamic, and it's always a stop when I'm introducing people to the region. A taste of the Kevin John (Chardonnay) and the Diana Madeline (predominantly Cabernet) — both named after Vanya's parents, the winery's founders — is non-negotiable at cellar door. Also high on the must-taste list is the Amber, a Semillon Sauvignon Blanc that is an expression of low-intervention technique. The grapes are fermented in different vessels, including amphora and open fermenters, with extended skin contact. Some describe it as a white, made like a red. MIKI'S OPEN KITCHEN Mikihito Nagai's handle on tempura is masterful. While it may not seem like an obvious dining destination to showcase the region, Miki's Open Kitchen is the essence of what makes the Margaret River region so dynamic; it is a place where winemakers, chefs, artists, photographers, writers and other creative souls are drawn by the ocean, the land, the wine, food and lifestyle. Miki is no exception, and in a matter of years has built a fervent local following for his skill, use of the region's best produce and, well, just being Miki. A seat at the counter for the second sitting ensures plenty of time to watch the master at work. It's fully licensed, though you can also BYO wine, and they serve two sittings an evening. BURGER BONES I first met cook come raconteur Cooper in a south London pub. Then, he was at the forefront of the street food movement and known for making the city's best loaded dogs, with an eye on raising the quality of his ingredients. I didn't think that conversation would lead to a friendship on the other side of the world. Returning home to the southwest after twenty years, he flipped to burgers but is no less fastidious about the meat, the grind, the bread and his technique. Made to order in his customised food truck, Burger Bones isn't fast food, so expect a short wait as he shapes the patty and steams each bun. I favour the Filthy Dirty Burger — a double patty with black cherry barbecue sauce, onions and cheese — but I'm always open to off-menu suggestions. EAGLE BAY BREWING CO The beer community is strong between the capes, and for those with an interest in grain as well as grape, Eagle Bay Brewing Co is a must-try. It's available at bars and bottle shops throughout the region, but there's no better place to drink it than at the source. The d'Espeissis family have been on their Eagle Bay property since 1950, and while the previous generations were more concerned with farming than brewing, it was the younger d'Espeissises who built the brewery and restaurant back in 2010. I'm a fan of their robust Pale Ale, but look out for the Brewer's or Single Series drops. A solid food offering makes it a popular lunch spot, with an atmosphere that is pure southwest; you could be sat next to a mining magnate, a pro-surfer or a jobbing food writer. VASSE FELIX It's a difficult call to name just one winery restaurant, but Vasse Felix never disappoints. It's the perfect spot to enjoy the wares of chief winemaker Virginia Willcock and her team, with an elevated view over some of the estate's original vines. Chef Brendan Pratt took the reins in September 2017 from local legend Aaron Carr (to be found at Yarri, in Dunsborough from early 2018) and he's immediately proven his talent. Asian and European techniques meet, with Pratt celebrating the best of each season. If you've time in the region, Will's Domain in Yallingup) and Knee Deep in Wilyabrup are also home to two of the regions youngest, and most accomplished chefs. YALLINGUP WOODFIRED BREAD Gotthard Bauer, the German baker behind the region's best bread, is modest in a world of hyperbole. He takes an all together slower approach to his craft, using certified biodynamic flour, proper fermentation and resting, and woodfired ovens — a process that is the antithesis of the factory-scale bakeries many have become used to. As well as baking your daily bread, the Bauers also have the Gugelhupf, a candy-striped shack at 18 Yallingup Beach Road, selling the sweet and savoury cake of the same name. I've bought many of these savarin baked treats as intended presents over the years, but strangely they never quite make it to their intended recipient. There is now a Woodfired Bread outpost in Margaret River (Unit 2/2 Boodjidup Road) and at the weekly Margaret River Farmers Market. WHITE ELEPHANT CAFE This is the place to come to understand what Margaret River life is all about, with an Indian Ocean view over Gnarabup Beach. Take a coffee from the kiosk and have a walk on the boardwalk or down on the sand, or sit up on the deck and take breakfast or lunch. White Elephant is a year-round haunt for locals. Beyond just a standard beach cafe, it has great hospitality pedigree, alongside sister venues Morries (Margaret River) and The Common (minutes away, at Gnarabup). While it seems blasé to ignore the view, I'm partial to a spot by the fire in cooler months with a newspaper and the pick of the menu. I've been known to file copy from here. THE COLOURPATCH CAFE At the southern end of the capes, Augusta has no shortage of spectacular views and places to find fish and chips (at least five at last count). The Colourpatch Cafe has in recent years been slowly refurbished, retaining its coastal town charm, with river views from the cafe and terrace. Local fish is chalked up, with Augusta whiting from the Blackwood River a sustainable favourite. While eating in is always an option, my ritual is finding a spot down towards Cape Leeuwin Lighthouse with a view over the Southern Ocean and the possibility, in season, of a whale sighting. SETTLERS TAVERN A Margaret River institution, Settlers Tavern has one of the best wine cellars in Australia. While on the surface it is a traditional pub, owners Karen and Rob Gough have a passion for wine built through years in the industry; Rob was a one-time San Francisco sommelier and Karen worked to import Australian wines to the States. With many labels not having a cellar door presence, this is the perfect place to discover the region's smaller and often most interesting producers. Added to this, the Goughs aren't parochial in their outlook, and you'll find a good representation of premium Aussie wine from across the country. That's why this is a hub for winemakers, both resident and visiting. RIVERSMITH One-time winemaker Lachlan MacDonald is a familiar face at Riversmith, his cafe and retail space. The whitewashed walls, art deco frontage and sleek design give little hint to its former life as a garage and petrol station. At one time I'd fill the tank here, but I'm much happier filling up on coffee and diving into their menu, which has a focus on good local produce. Licensed, they've got a small selection of local wine and beer available. Homewares, books and design items are available in the rear retail area — a lifesaver on a number of occasions for forgotten birthdays and the odd Christmas present. Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
It's been almost twenty years since the aliens of Independence Day came down and made a global nuisance of themselves. Fair to say a lot's happened since then, mostly to do with iPhones and TV shows about 'real housewives'. But in the world of Roland Emmerich's movie, things have advanced even further. We're talking flying cars, moon bases and even above ground monorails! Hybrid alien/earth technology has led to giant leaps forward in almost every facet of life, not to mention ushering in an unprecedented era of global peace. But then, wouldn't you know it, the aliens return, and – surprise surprise – they are pissed. Independence Day: Resurgence reunites pretty much the entire cast of the original film save for Will Smith – who has been unceremoniously killed off – while also introducing some newer, younger and more marketable faces in the form of Liam Hemsworth, Maika Monroe, Jessie Usher and Chinese superstar Angelababy. Then it does EXACTLY THE SAME THING AS LAST TIME. First, aliens invade and park a giant ship where there was clearly a no parking sign, ruining several perfectly lovely cities like London and Hong Kong in the process. Next, Earth launches a counter-attack with an impressive aerial armada, only to be completely scuttled and sent packing with our tails between our legs. Then the aliens reveal their true purpose (literally to do again what they came to do last time, exactly the same way), before Bill Pullman gets into a fighter plane and brings down the invaders with not a second to spare because – and we can't stress this point enough – 'that's what worked last time'. The result is an altogether dull blockbuster, assuming that's not an oxymoron. There's zero chemistry between any two members of the cast, while the battle scenes feel disappointingly familiar. It's also one of those frustrating films where giant plot holes are constantly pulling you out of the story, as you find yourself wanting to yell questions at the screen. These may include: "Why are we still baffled by the alien shields if we knew they had them twenty years ago?" or: "Why are we surprised by the speed of the alien ships when they've not changed since the last time?" and of course: "Why do we have countdowns on our earth-defending weapons, when all they do is give the aliens more time to blow them up?" Big, dumb and fun is an established genre in Hollywood these days, and one that's not entirely without its merits. Silly blockbusters are great for whiling away a rainy afternoon or getting you to the end of a long-haul flight. But when the 'dumb' is so overbearing that it drowns out the 'fun', and the 'big' being made 'bigger' represents the only substantive change, then you're left with a massively expensive yet spectacularly hollow sequel that quite simply fails to entertain. Rest in peace, Will Smith's character. Yours is the only one whose memory hasn't been soiled. https://www.youtube.com/watch?v=LbduDRH2m2M
One of the planet's fastest growing problems is e-waste. In fact, it's piling up at a rate of 40 tonnes per year, which is particularly disturbing because of its potential to leak nasties — like mercury, lead and arsenic — into our environment. The good news is that the folks at Stockholm-based studio People People want to help in any way they can — via your personal sound system. So they're crowdfunding a transparent, wireless speaker that can be totally disassembled and repaired. Instead of throwing the whole thing in the garbage because one tiny part has conked out, you can simply replace it, put the speaker back together and keep the music going. What's more, internal sensors figure out when there's a glitch and promptly let you know — via a notification on your phone. Have a go at solving the problem yourself by pulling the speaker apart or, if you think it's safer to leave it to those genius Swedes, then send it to your nearest manufacturing location. All materials contained in the speaker can be repeatedly recycled to their original quality, creating a 'closed loop' system. "The challenge of our generation will be to stop trashing our planet, and leave it in a good shape for coming generations," the studio said on its Kickstarter page. "Consumer products are too quickly becoming waste and mostly dumped in landfills. In fact, there is a full football field of electronic waste generated every minute. This linear system has to stop." The speaker is available in white or black. And, thanks to its minimalist Scandi aesthetic, you won't have to worry about it throwing off your interior design. There's a knob for volume adjustment, a rocker-style on-off switch and a 3.5-millimetre jack, as well as WiFi and Bluetooth capability. Two 2.5-inch drivers, a passive bass radiator and a built-in amplifier with embedded digital signal processing (DSP) deliver cracking sound. People People are hoping to raise $250,000 to get the project off the ground. With 17 days to go, 319 backers have promised a total of $80,456. Pledges from $2 are welcome and, with $250, you can land yourself your own speaker. The Transparent Speaker is currently being funded on Kickstarter up until January 22. To pledge money or find out more, visit their campaign page.
Uber has become a worldwide phenomenon, expanding across the globe to more than 70 cities in its brief five-year history. The mobile app and car sharing service, bankrolled by investors including Google and Goldman Sachs, has caused waves with its recent valuation of a hefty US $18.2 billion. With growing business as smartphone ownership continues to spread, those in need of a post-gig ride home are viewing Uber as a more convenient — and often cheaper — alternative to a taxi. Now, the cabbies have finally had enough. Claiming that the mobile app is affecting their livelihoods, taxi drivers in London, Paris, Madrid, Berlin and Rio de Janeiro protested in the streets. Blockading access to major CBDs and shopping districts across these cities for hours on end, cabbies demanded tougher regulations to be imposed on Uber drivers. Taxi drivers in Europe often pay between $200,000 and $300,000 for their license, while Uber promotes their ‘No Sign Up Fee’ policy openly on their website. How could a cabbie compete with that? Taxi drivers in London slowed traffic to a crawl near Trafalgar Square, continuing on to Dowling Street where they honked their horns as they passed Parliament and the Prime Minister’s address. Home to the iconic black cabs, London saw the most monumental protests, with more than 10,000 taxis participating in the demonstration. Ironically, Uber reported an increase in downloads of the app by 850 percent in the past week. That's 850 percent. Similarly, cabbies from the other European cities cited severe damage to their income and loose, easily manipulated laws for those working under the Uber umbrella. In Rio de Janeiro, taxi drivers participated in the demonstrations ahead of the World Cup — seemingly apprehensive of the possible impact it will have on what should be their highest payday yet. The protests overseas come shortly after contention in Australia over the parameters of ride-sharing cars. The Victorian government was dishing up fines of $1,700 a pop to Uber drivers. The company’s response was to pledge that they would cover any and all of these penalties. Last month, the NSW government claimed Uber drivers could face a charge of up to $110,000 for being in breach of state law. It seems Australia has been imposing the regulations taxi drivers overseas so dearly wish to see in their own regions, yet Uber continues to be a viable — and profitable — business for drivers across the country. Cabbies in Uber-inhabited regions around the globe are feeling the brute force of an evolving world. It seems the tides of change are causing an insurmountable swell for the humble taxi driver, with no sign of an end. Via Reuters and Fast Company. Images via Mashable and Business Week.
Just a cheeky heads up for local legends like Liquorun, Jimmy Brings, Friday Beers, LiquorDrop, Dial-A-Drink, QuickBottle and WineRun — the big guns have jumped on the booze delivery bandwagon. Online shopping behemoth Amazon is trialling one-hour alcohol delivery, starting in Seattle. Announced by Amazon this week, Prime Now will take human laziness and demand for things now to the next level, dropping wine and beer at your doorstep within 60 minutes. From burger delivery by drone to ordering pizza with one emoji, humans just want things faster, faster, faster now. The Prime Now service, which is Amazon's fastest yet, will be exclusively available to members of Amazon Prime — and it's not just for booze. Tens of thousands of items will be available for one-hour delivery, from wine and beer to milk and ice cream, televisions, Kindles, paper towels, you name it. Throwing a last minute party or treating yourself to one heck of a night in just got pathetically easier. Local startup booze delivery crews, don't freak out just yet. Prime Now is currently only available Seattle, Bellevue, Redmond and Kirkland in the States, but the company has plans to expand the service to localities across the country and worldwide, eventually. Via CNET. Images: Dollar Photo Club and Walnut Studio.
Ethical shopping is really goddamn hard sometimes. On one hand, you don’t want clothes that have been painstakingly made by someone earning a dollar a day in a sweatshop. On the other hand are a bunch of shopping bags because you've no idea where to even start shopping ethically. Like everything, an ethical mindset happens incrementally and the first step you can take is here — the Good On You ethical shopping assistant app is seeking crowdfunding. Intended to help you make better consumer choices, the Good On You app amalgamates information on the ethical rating of fashion brands, either by search term or in your local area. The app also measures different production impacts and processes such as child labour, treatment of animals and contribution to climate change. Basically, the app tells you all the real ingredients that went into making your must-have leather jacket, leaving no stone unturned. At times, it may be a hard pill to swallow if your favourite brands don’t pass the test, but the GOY team don't want you to stop shopping — the app also feature alternative suggestions, based on your style, that do better ethically. And perhaps the feature with the greatest potential to catalyse change is the ability to directly message brands who don’t pass muster (fire up your emoji dictionary for maximum emotional impact). There are a few ethical shopping assistant apps on the market right now, however this is the first that systematically catalogues Australian fashion and beauty brands — and it’s about time. Ethical shopping needn’t be a time-consuming ordeal and with an app that creates brand transparency it hopefully soon won’t be. Image: Dollar Photo Club and Good On You. UPDATE DECEMBER 18, 2015: Thanks to awesome crowdfunded dollars, Good On You reached their target of $15,000 and the app is now live. You can download it from their website. Go team!
Contemporary fusion cuisine is not only often tasty, but a reasonable extension of Australia's diverse gastronomic history. Even dishes thought idiosyncratic to a particular country are rarely free of intercultural influence. All that said and done, sometimes it is nice to sit down to a meal that resists modern interference. Traditional dishes are not necessarily always improved by radical reinventions or reimaginings – something to which Brisbane's Hosokawa can attest. Not lavishly or even traditionally decorated, it is not for the décor that locals flock to this small Hamilton Japanese restaurant. Not exactly a sake bar, Hosokawa offers only a few local and Japanese beers, some wines and a modest selection of sake and umeshu. But, there are plenty of authentic izakaya-style dishes to accompany them: teriyaki, chirashi and karaage to name a few. The nasu dengaku is a real standout - half an eggplant grilled with sesame and miso sauce - sweet and crisp on top, with velvety molten eggplant inside. The portion sizes are surprisingly generous, given the prices, and the standard accompaniments of rice, white miso soup, and assorted pickles are readily available. Though these options do not disappoint, they are not the main drawcard. The sashimi and sushi are without fault – simple, expertly handled and lovingly presented. The nori is crisp, the rice well seasoned, and the seafood is fresh and expertly sliced. In a country where Japanese food is often associated with either sushi chains or omakases, Hosokawa offers a very welcome alternative.
The mercury is rising and things are getting steamy, with the hotly anticipated return of World Movies Summer of Sin. Featuring only the most scandalous and salacious titles that the international film world has to offer, this four-week-long, adults-only program is sure to get pulses racing. Here listed are five of our favourite films from the lineup. From critically acclaimed French melodramas and German erotic comedies to James Franco making a documentary about his favourite BDSM porn site, these are the titles that consenting adults simply can't afford to miss. BLUE IS THE WARMEST COLOUR (2013) The winner of top honours at last year's Cannes Film Festival, Blue Is the Warmest Colour gained notoriety for its extremely graphic lesbian sex scenes, as well as director Abdellatif Kechiche's tyrannical behaviour on set. Controversy notwithstanding, the sex is actually the least interesting part of this film, a devastating portrayal of the lifespan of a relationship featuring absolutely phenomenal performances from actresses Adele Exarchopoulos and Lea Seydoux. Friday, December 19, at 9.30pm KINK (2013) Produced by James Franco (because of course he did), Kink takes viewers inside the daily workings of Kink.com, one of the world's leading producers of BDSM-themed pornography. Through interviews with directors and models, documentarian Christina Voros dives into the ins and outs of the adult entertainment world, exploring both the appeal of bondage pornography and the practical considerations involved in shooting it. Tuesday, December 23, at 9.30pm EMMANUELLE (1974) Yuletide revellers, ring in the festive season with this Christmas Eve screening of a classic soft-core porno. Marketed to mainstream moviegoers as an arthouse flick, Emmanuelle follows the Bangkok sexual odyssey of its titular heroine, the young, naive wife of a French diplomat. The film helped turn Dutch actress Sylvia Kristel into a sex symbol, and spawned dozens of sequels and spinoffs, a number of which will also be screened as part of the Summer of Sin program. Wednesday, December 24, at 9.30pm IN THE REALM OF THE SENSES (1976) Hugely controversial upon its release both in its native Japan and around the world, Nagisa Oshima's In the Realm of the Senses dramatises the violent sexual affair between a hotel manager and a maid in 1930s Tokyo. The film is inspired by the real-life case of Sada Abe, a woman who sparked a media sensation in Japan after strangling her lover and cutting off his penis. You'll have to watch the film yourself to see how closely it sticks to reality. Friday, January 2, at 9.30pm WETLANDS (2013) Although it's just a graphic as anything on this list, it's hard to think of a recent film less sexy than David Wnendt's Wetlands. Adapted from Charlotte Roche's novel of the same name, the film is a punk-rock feminist satire about 18-year-old Helen, a self-described "living pussy hygiene experiment", who falls in love with her attractive male nurse after landing in the hospital with haemorrhoids. Gleefully disgusting, it's sinful in a whole other kind of way. Monday, January 5, at 9.30pm
You don't need to be Liza Minnelli to think that life is a cabaret, particularly if you're in Brisbane this June. Yes, it's Queensland Cabaret Festival time again, which means that spending your nights watching talented singers tell stories through song is well and truly on the menu. For its third year running, the Brisbane Powerhouse-based festival is back with another jam-packed program of music-fuelled fun, spanning new takes on old classics, repeat tributes to lost icons, and everything from ukuleles to comedic musical therapy in between. In fact, if one of the fest's 13 shows doesn't inspire a prolonged bout of humming, clapping and toe tapping, then you're not looking hard enough. We've picked our five favourites to get you started.
The Finders Keepers Markets have become a staple for those who are into design, creativity and supporting local artists. Treat yourself to a stroll around the market – it has over 100 stalls featuring fashion, ceramics, jewellery and food – while drinking wine or sipping specialty coffee. Returning to Brisbane's The Old Museum for two days for the second time this year, you'll be able to nab some marvellous treats that are difficult to find anywhere else. The designer-centric, come-one-come-all mini-festival has managed to bridge the gap between local market and exclusive exhibition, creating a space for independent designers to engage with the wider community. This time around, keep an eye out for Felicity Cooney's leather sandals and bags, Ginny Reynders for beautiful silver jewellery, and Timber & Co. for interiors. As usual, there will be a healthy amount of food. Allpress Espresso will be there, as will Spotted Cow Cookies if you need a little treat. Finders Keepers will run over two days, Saturday, November 5 from 9am-4pm, and Sunday, November 6 from 9am-4pm. For more information and a full list of designers, visit their website.
There's a reason that flexing, the rhythmic street dance style from Brooklyn that has gained traction over the past decade, is also known as bone breaking. Just one glimpse of the performer's gliding, contortionist movements and you'll be wondering how their limbs remain intact. At the aptly named FLEXN, however, something else will set your jaw agape. Flex pioneer Reggie 'Regg Roc' Gray and theatre and opera director Peter Sellars have corralled a cohort of dancers use their moves to tackle post-Ferguson social injustice. In their pausing, snapping and other energetic dance displays, a beautiful, brutal statement is made.
Calling all Gordon Gekkos and Jordan Belforts, the UK's got a new bar for you. The Reserve Bar Stock Exchange is London's new venue where drink prices fluctuate in real time according to their nightly popularity, opening on June 17. Set across three floors, Reserve is attempting to connect customers to the value of their cocktails, and how quickly one drink can rise in value while another crashes. It all depends on which drink is most popular on the night — classic supply and demand. There's a live market price board where you can see how different cocktails are doing, and the bar's smartphone app will let you keep track of things at your table — an app that also allows patrons to order cocktails right to their table. The bar's advice? "Buy low, play the market, and when the market crashes... everybody wins." We guess that means a sweet cheapo special. So who's the Wolf of Wall Street behind this whole deal? Reserve has been dreamt up by Alan Grant and his crew, whose former escapades include London's Cherry Jam, Supper Club and Notting Hill Arts Club. It's London's first bar of its kind, but it's not the world's — Austin, Texas has a stock market themed bar called The Brew Exchange, where the hundred beers on tap fluctuate according to popularity. If you happen to be in London (or you've got buds over there) before the bar opens on June 17, Reserve is offering punters the chance to feel like a right ol' Gecko — you can invest £25, £50 or £100 in the bar and you'll double your money instantly with a 100% return of £50, £100 or £200 in bar credit. The Reserve Bar Stock Exchange opens on June 17 at 46 Gresham Street, London. Via The Drinks Business. Image: Dollar Photo Club.
Dark and debaucherous banquets from Bompas and Parr, immersive art sleepovers at Cradle Mountain and all the demon purging and ceremonial death dances you could want in a festival. Dark Mofo has announced its 2015 program. Centred around the winter solstice and running June 12-22, MONA's annual June festival celebrates the Neolithic-started tradition over ten days of weird and wonderful art, performance, music and happenings around Hobart. Last year's festival attracted more than 130,000 Mofos, and with this year's lineup, they're looking at a lot more pilgrims. Coinciding with MONA's huge Marina Abramovic retrospective Private Archaeology, this year's Dark Mofo is deeper, creepier and darker than ever before — with art, food, music and performance pioneered by 250 artists from around the world. For one of the biggest events of the festival, the brave and adventurous at heart will want to lock in June 15-17 for a two-night immersive art experience sleepover within Cradle Mountain-Lake St Clair National Park. That's right. Immersive art sleepover. It's called Wild At Heart and is curated by the Unconscious Collective (Motel Dreaming). British jellymongers and universally applauded food artists Bompas and Parr are hosting a full-on, debaucherous banquet. Huge. And Melbourne contemporary artist Ash Keating will open an exhibition called Remote Nature Response as part of the whole WAH shebang. Music-wise, Dark Mofo is as brooding and gloomy as ever at Hobart's historic Odeon Theatre, with already-leaked, heartbreaking headliners Antony and the Johnsons leading the charge with the Tasmanian Symphony Orchestra. British art-pop collective The Irrepressibles are also locked in, alongside Arkansas experts in doom metal Pallbearer. Seattle's 'horror-country' rocker King Dude will be there, as well as German industrial dance outfit Oake. There's plenty of Australians in the bunch too, from The Drones' brooding folkster Gareth Liddiard to Melbourne's '60s-inspired crooner Brous and performance vocalist Kusum Normoyle, modern day Divinyls-like Sydneysiders The Preatures, Hobart's eclectic pop group Tiger Choir and Melburnian chillwave must-see Klo. Also hailing from Melbourne, gloomy electronica artist Jake Blood and frenetic rock outfit My Disco. Then there’s Japan's electro-conducting EYE, who will be premiering new work CIRCOM, especially for Dark Mofo, presented by Red Bull Music Academy. Immersive art and experimental theatre fans, you'rve got plenty to look forward to. Dark Mofo set to unveil a brand new festival precinct dubbed 'Dark Park' at Hobart's Macquarie Point. Huge public artworks will invade the park, from a high-octane Fire Organ by German chemo-acoustic engineer Bastiaan Maris with producer Duckpond, to a Night Ship cruising around the river, and a full-body sonic massage immersion of Bass Bath by Melbourne’s Byron J. Scullin in collaboration with Supple Fox. Virginia Woolf’s Orlando will be performed by Victoria’s THE RABBLE theatre company at the Theatre Royal (Australia’s oldest theatre) and you'll find a dark take on Roald Dahl's The Witches at Salamanca Arts Centre’s Peacock Theatre. Plus, you won't want to miss Dark Mofo's new late-night ceremonial death dance Blacklist curated by Supple Fox. We don't even know what that means. Those keen to lose themself in a dark, dark cinema have plenty of Nordic dark folkloric films to sink their teeth into. North Hobart’s century-old State Cinema is presenting a super niche series featuring A Second Chance, A Spell to Ward off the Darkness, Down Terrace, A Field in England, Partisan, Severed Ways: The Norse Discovery of America, Valhalla Rising and more, curated Nick Batzias and James Hewison. Dark Mofo Films will also see the red carpet world premiere of Tasmanian-filmed Foxtel adult drama series The Kettering Incident at the Odeon. Last but not least, we feast. Dark Mofo's annual bacchinalian food festival returns to Princes Wharf Shed 1 — the ever-anticipated Winter Feast. Guest chefs Jake Kellie, Martin Boetz, Sean Moran, Mike McEnearney and O Tama Carey and the Mona Source restaurant team head five nights of feasting and performance, culminating in a Balinese ogoh-ogoh parade to purge all those demons and burn all those fears. Really. Then there's the annual Nude Solstice Swim — nothing like an early morning swim in Tasmanian water to cure your Mofo hangover. Dark Mofo runs June 12-22 in various locations across Hobart, Tasmania. Tickets are on sale from 10am Monday, April 20 from here. Registration for tickets for Antony and the Johnsons with the TSO over here. Images: Beth Evans, Matt Glastonbury.
Sipping drinks at soaring heights: if that's your preferred way to while away your days in Brisbane, there's no shortage of spots to head to. But Lina Rooftop doesn't just want you to eat and drink while soaking in the view. That's all part of Lina Rooftop, of course — but, in a 1500-square-metre bar that's taken its cues from the Mediterranean, this beach club-inspired spot wants you to get swimming as well. Head up to the top level at 74–80 Tribune Street, South Brisbane and you'll be enjoying a splash in two ways: in your glass and in the 30-metre rooftop infinity pool. Hang out in daybeds, sunken lounges and booths by the water, stare out over the Brissie skyline, and enjoy an atmosphere that's designed to make you feel like you're on holidays without leaving town. Bound to make the most of Brisbane's year-round balmy weather — Lina hails from Icatha Hospitality's Ross Ledingham and Salt Meat Cheese Group's Stefano De Blasi. Blue, white and neutral tones help set the vacation mood, both indoors and out. The prevailing vibe: lounge all day, party through the night, with the venue open from brunch till evening from Wednesday–Sunday. Relaxing by the pool is hungry work, so the food menu spans restaurant fare, waterside options, bar snacks and sharing spreads. And, drinks-wise, signature cocktails sit alongside a gin and tonic menu, plus low- and no-alcohol concoctions. Or, there are beers by the schooner and bottle, a sizeable spirits range (especially agave), and coffees, teas and hot chocolates. Images: Markus Ravik.
Fond of staying out late? Unimpressed about the idea of curbing your evening's entertainment a little earlier? This Saturday, September 19, you can take to the streets to share your fondness for after-dark fun at Queensland's Save Our Nightlife Rallies. The peaceful protests, organised by the aptly named No Curfew, are the latest attempt to voice opposition to potential new lockout laws. Since the Labor Government won power in Queensland earlier in 2015, rolling back the times for both bar-hopping and serving last drinks has been on the state's agenda. Implementing 1am as the cut-off for moving venues and 3am as a last drinks cut-off — both two hours earlier than current deadlines — is the current proposal. The plan is designed to stem alcohol-related violence, an aim no one contests. That the majority of revellers who go out and have a good time without getting into an altercation will also be impacted is the point of contention. Rallies will take place in Fortitude Valley, Surfers Paradise and Airlie Beach, all areas likely to drastically change should the possible laws come into effect. Brisbanites can head to the Brunswick Street Mall at 8.30pm on Saturday to be part of the protest. For more information, visit the No Curfew Facebook page or the Save Our Nightlife Rally event page. Image: The Flying Cock.
Put your popcorn and choc top down for a sec and switch to tea, scones and a cheeky Pimm's Cup — it's British Film Festival time. Every year, the annual cinema showcase gathers up the best new movies Old Blighty has to offer, bringing them to Palace Cinemas for our antipodean viewing pleasure. From October 24 to November 15, the fest is back for its 2017 run. As always, BFF is a positively jam-packed affair, spanning true romances, hard-hitting dramas, music documentaries, literary origin stories and a retrospective feast of mystery flicks — and they're just some of the highlights from what promises to be a busy few weeks of British movie-watching. If you're feeling a little overwhelmed with options, stick with our five picks of the festival below. MARY SHELLEY On a rainy summer night just over two centuries ago, a teenager, her future husband and their friends sat around a Swiss log fire and gave themselves the challenge of writing a ghost story. The competitors included English poets Lord Byron and Percy Bysshe Shelley — but it was the latter's girlfriend, young Mary Wollstonecraft, who easily won their contest. Pondering the concept of a reanimated corpse, she started penning Frankenstein (or The Modern Prometheus — aka the greatest horror novel ever written). Starring Elle Fanning as the author, and directed by Wadjda's Haifaa Al-Mansour, Mary Shelley relays her efforts, telling the intriguing tale behind her famous creature. https://www.youtube.com/watch?v=ukJ5dMYx2no THE DEATH OF STALIN He has turned British bureaucracy and US politics into a smart, hilarious farce across two stellar TV comedies, but The Thick of It and Veep's Armando Iannucci isn't done satirising the powers that be — or, that once were in The Death of Stalin's case — just yet. Given its title, there are no prizes for guessing what his second big screen directorial effort is about. With a cast that includes Steve Buscemi, Jason Isaacs, Jeffrey Tambor, Paddy Considine and Michael Palin, Iannucci adapts the graphic novel of the same name into an amusing and irreverent look at the aftermath of the USSR dictator's passing in 1953. https://www.youtube.com/watch?v=yurPcX4xrqI HOW TO TALK TO GIRLS AT PARTIES Trust Neil Gaiman to write a short story about a shy '70s punk teenager crossing paths with a curious visiting alien. Trust Hedwig and the Angry Inch's John Cameron Mitchell to turn the tale into an interesting and engaging sci-fi rom-com. As offbeat as its sounds, How to Talk to Girls at Parties corrals ever-busy The Beguiled co-stars Elle Fanning and Nicole Kidman into its account of love, rebellion, taking risks and fighting for what you want in life. That might sound like your average teen romance, but this zesty, imaginative and thoroughly likeable effort is anything but. https://www.youtube.com/watch?v=EQmBd5-ITyA ENGLAND IS MINE "Stop being a mardarse," Steven Patrick Morrissey is told early in England Is Mine. Of course he is. But, if he'd taken that advice, everything from The Smiths to this film wouldn't exist. Yes, this biopic of British singer and songwriter's early years in Manchester plays out just as you'd expect — the moody brooding, the lines like "life is too short for cliches", and the distinctive appeal of its central figure (played by Dunkirk's Jack Lowden) included. It won't convert anyone new to the Morrissey cause and you won't hear any of his hits, but the end result certainly is as melancholy as an unauthorised flick about 'the pope of mope' should be. https://www.youtube.com/watch?v=ppBlSpdVlEA JAWBONE A knockout boxing film that demonstrates how a familiar, frequently seen genre can still pack a considerable punch, Jawbone also marks a landmark effort for British actor Johnny Harris. Previously best known for the likes of Snow White and the Huntsman and various incarnations of the This Is England TV series, Harris stars, writes, produces and loosely bases the feature's narrative on his own teenage fighting experiences. Ray Winstone, Michael Smiley and Ian McShane also pop up on screen in this social realist boxing offering, but there's no doubting that this compelling and convincing underdog story belongs to Harris from start to finish. The 2017 British Film Festival screens in Sydney from October 24 to November 15, Melbourne from October 26 to November 15, and Brisbane from October 25 to November 15. For more information and to buy tickets, visit the festival website.
We know. We've all done it. Home alone with a block of cheddar, a few scraps of brie and a lone Kraft Single. It all seemed so promising. When your mum/housemate/significant other returned, though, the truth became apparent. You'd made a cheese quagmire in your microwave, hadn't you? Hadn't you. Fortunately, the guys behind PappaRich, the ST Group, are now getting set to help you realise all of your cheese dreams without the weird kitchen smell three weeks later — they're bringing Malaysian chain Hokkaido Baked Cheese Tart to Brisbane. With multiple stores in Kuala Lumpur and other areas of the country — plus a handful in Melbourne and Sydney, as of last year — the cheese tart connoisseurs will expand to open not one, but five Australian stores by the end of the year — four in Melbourne and one in Sydney. And now, they're heading for Pacific Fair early July. Their namesake is the cornerstone of their offering: a savoury-sweet three-cheese situation encased in a shortcrust shell, designed to be eaten either hot or cold. The cheese, while made with local produce, is based on the distinct taste and texture of the dairy products of Hokkaido. The Japanese island is known for their dairy — it produces half of Japan's total milk and a huge 90 percent of their natural cheese — and HBCT have worked tirelessly to replicate it. Malaysia has gone nuts for it, and Melbourne and Sydney have jumped firmly on board; people have been queuing out the door to get their hands on one (or 12). For those of you interested in more than just shovelling ludicrous amounts of cheese and pastry down, the tarts themselves will apparently be "displayed like precious gems, much like an elegant high-end jewellery shop". We're waiting for a self-serve option that makes you feel like you're committing a diamond heist. HBCT is planning to open further stores in QLD, however Pacific Fair is currently the only confirmed location. Hokkaido Baked Cheese Tart will open at Shop No. K1017, Ground Level, Pacific Fair in early July 2017. For more info and to look out for an opening date, keep an eye on their Facebook page. Images: Tim Grey.
With his darkly funny scripts, quirky set-pieces and kitsch cinematography, director Taika Waititi is a little like a Kiwi Wes Anderson. Following on from the success of his vampire mockumentary hit What We Do In The Shadows, Waititi's new film Hunt for the Wilderpeople offers up another feel good alternative to just about everything else that's out there. Put simply, it's fantastic. Set in the dense bushland of New Zealand's east coast, the film tells the story of Ricky Baker, a troublesome ten year old orphan who, after years of delinquency, is on his last chance before being institutionalised. That last chance comes in the form of country couple Bella (Rima Te Wiata) and Hec (Sam Neill). Bella is an unflappably positive soul, the kind of no-nonsense straight talker you can't help but love from the moment you meet her, and her approach to Ricky is enough to quickly convince him to cease his nightly attempts at escape. Hec, by contrast, is the definition of loner. Bearded and bedraggled, he's an old-school bushman whose tolerance for companionship begins and ends with his wife and their scrappy old dog. The story takes a turn, however, when Hec and Ricky find themselves stranded in the bush and unable to return until Hec's fractured leg can heal. Worse still, to the outside world, it's assumed Hec has actually kidnapped Ricky, resulting in both police and rescue teams being brought in to hunt down the perceived paedophile. So begins a touching and terrifically funny odd couple on the run story that lovingly and faithfully harks back to various NZ comedies of the 80s. As Ricky, newcomer Julian Dennison puts in an accomplished and confident performance, imbuing his character with a lovely sensitivity masked by a veneer of wannabe gangsterism. Neill, likewise, is fantastic as the crotchety old Hec, pacing his inevitable softening towards Ricky with just the right amount of snarl and sneer. The other key performance of note comes from Rachel House as Ricky's dedicated child services appointee Paula. Playing it like a hard-edged cop from a film noir, Paula considers herself a relentless pursuer akin to the Terminator, and her verbal battles with Ricky offer up an almost unceasing stream of laugh-out-loud moments. Offbeat, intimate and impressively affecting despite its farcical nature, Hunt for the Wilderpeople is one the year's strongest films to date. https://www.youtube.com/watch?v=n8Xvsjy57X0
A new study by Melbourne's La Trobe University has led one expert to suggest what we've all known deep down for years: dogs should be allowed at the pub. A recent survey of more than 2300 Victorian pet owners found that 63 percent of dogs were not walked daily and that many animals were left alone for large amounts of time throughout the day. The solution? Take them out drinking, of course. According to La Trobe researcher Dr. Tiffany Howell, only 26 per cent of people take their pet on an outing every day, and 17 per cent do it less that once a week. It's a concerning statistic that RSPCA spokesperson Michael Beatty attributes to restrictive Australian laws that mean dogs are allowed in fewer public places than they are in other countries around the world. "In England or Scotland or New York they are always getting exercise because they go everywhere with their owner," Beatty told the ABC. "In Australia they can't go everywhere with their owner, like a pub ... They can in Europe and most parts of America and the UK." Obviously, we here at Concrete Playground fully support the notion that dogs should be allowed in pubs and bars. For starters, it'd mean you'd never have to drink alone again. Studies have shown that animal companionship is great for people's mental health and happiness, so that's another big mark in its favour. Plus, if you have one too many beverages, your dog can help you find your way home. Mr. Beatty also said that human laziness plays a major part in why pooches aren't getting enough exercise, telling the ABC that "unfortunately some people seem to think that owning an animal is a right rather than a privilege. With that privilege comes certain responsibility." And in case you were wondering, it's not just dogs in need of a workout. The same La Trobe Uni study found that 40 per cent of cats were overweight. Frankly, a nice long pub crawl would probably do them good. Just whatever you do, don't give your pets alcohol. We know you'll be tempted, but really, we cannot stress that enough. Via ABC Online. Image: Dollar Photo Club.
She's made a living filling your Instagram feed with insane baked creations that wouldn't look out of place in Willy Wonka's factory. Now, high-school teacher turned self-taught dessert queen Katherine Sabbath is taking things to the next level by crowdfunding her very own 3D pop-up cookbook. Titled Katherine Sabbath - Greatest Hits - The Pop Edition, the 80-page hardcover book will feature 40 unique, removable, "kitchen proof" recipe cards, and ten intricate paper pop-ups, which will be created by Sydney paper artist Benja Harney (who we recently got to make us a burger piñata). Sabbath hopes to raise $227,000 by mid-December, enough to publish an initial run of 5000 copies. A pledge of $65 will get you your very own copy of the book, with an expected delivery date of September 2017. The book will have a recommended retail price of $80 once it hits stores. "Home bakers will be able to recreate all of my most well-known cakes and recipes," wrote Sabbath as part of her Kickstarter pitch. "The high-quality recipe cards are designed, for functional, everyday use in the kitchen, whilst the book itself is a beautiful art piece. Every cake featured also comes with its own story, revealing my inspiration behind each creation. A keepsake of dessert inspiration and paper engineering to both admire and display!" For those unfamiliar with her work (your dentist would be proud of you, to be honest), Sabbath rose to fame thanks to her absurd cakes and other sweet creations, and has since worked with the likes of Luke Mangan and Anna Polyviou. For more information, or to chip in a few bucks, check out Sabbath's project on Kickstarter. You can also follow her on Facebook and Instagram for more insane dessert photos. Images: Nikki To.
Roll up, roll up, Brisbane Festival is in town. For one glorious month of the year, the city overflows with a feast of theatre, music and other creative events to become an arts and culture wonderland. In 2015, the annual hive of activity buzzes from September 5–26, and stretches along the river and across the suburbs to encompass almost anywhere you can think of. Want to gaze at the sky to watch fireworks from wherever you can find the best vantage point? Or watch a film in your own backyard? Or see art made by those on the margins? Or go along to a free lunchtime concert at City Hall? Well, you can — and that's only the beginning of the BrisFest experience. In fact, being spoiled for choice for things to do is a problem no one should complain about. To help whittle down your options, here's our pick of the ten festival events we think you should be flocking to.
Melbourne may have known it had a world-class cocktail spot in Fitzroy’s Black Pearl and now the proof is in, with big-ticket New Yorker, Please Don’t Tell, choosing the Brunswick Street bar as the location for its first-time, Australian pop-up. Please Don’t Tell is perhaps New York’s most famous modern speakeasy — to locate it, you head through the back of an unassuming East Village hot dog joint on St Marks Place, enter a phone booth and buzz your way through — that is, if you’re lucky enough to score a coveted table. Helmed by founder, Jim Meehan, and managed by US World Class Bartender for 2013, Jeff Bell, the bar has been impressing NYC and the world with its exceptional cocktails, for over 8 years. Now, teaming up with World Class, they’ve connected with the boys from The Black Pearl and descended on Brunswick Street for this weekend, ready to show us Melburnians what they’ve got. The pop-up may be 17,000 kilometres away from the real deal, but Bell and Meehan have done their darnedest to make it feel as though you’re stepping into their beloved Please Don’t Tell home. You’ll find the same logoed leather menus, matching banquettes and bar stools, and the odd taxidermy creation gracing the walls. They’ve even teamed up with Chris Terlikar from Bluebonnet BBQ to emulate the New York bar’s hot dog offerings (from its Crif Dogs neighbour), with the popular Spicy Redneck — a bacon-wrapped house dog, topped with slaw, chilli and jalapenos — making a welcome appearance. As for those world-famous cocktail creations, expect to find a menu that honours the originals, with a bit of well-balanced, local flavour thrown in for good measure. The zingy Nichol Buck blends Tanqueray No.10 with Manzanilla sherry, lemon, honey and ginger beer, while the aptly named Australia Libre features our very own Bundaberg rum. “About 60 percent of the menu is New York stuff, then we added some drinks made on Bundaberg,” confirms Bell. “We also had to tweak a few recipes, because some of our ingredients aren’t available here. My suitcase was already 35 kilos… I couldn’t pack much more!” Running three sessions a night, from the August 6-9, tickets to the Please Don’t Tell pop-up sold out astonishingly fast, which, as Bell explains, is exciting in more ways than one. “Australia’s a mysterious place because it’s so far away, but people know there’s a serious food scene here. It’s on the list of places that people talk about. Because of that, you know the people here are going to be well educated on how to eat and drink, so it’s exciting to be here. It’s a really good fit for us.” And while a reciprocal visit may not be in the works just yet, Bell has little doubt about its potential. “The Black Pearl is one of the most famous Australian bars in the USA. If it came to New York, that’d be a big deal for people there,” he enthuses. “I’d love to be involved in facilitating that, it would be very cool.” The sold-out PDT Black Pearl pop-up runs over August 6-9.
One of Australia's most redeeming qualities is its ability to give good afternoon sun. There's something about its familiar glow that almost demands casual drinks — whether it's cracking open a cold beer after a day out, heading to the pub after a long day of work, or deciding on a whim that your backyard is perfect for having friends over. We love summer afternoons, and we've partnered with Heineken 3 so you can get the most out of them. We've spoken to a few of our favourite chefs, musicians and artists, to get their insights on creating the perfect balmy afternoon. For a summer playlist, who better to ask for advice than Ned East, a.k.a Kilter? His genre-spanning tropical electronic beats scream summer, and he's been making waves playing his tunes around Australia — performing at Falls, Field Day and Southbound. This year he followed the sun into European waters, playing shows and festivals across France, Germany, Malta and the UK. We asked him for some tips on how to create the perfect party playlist for a summer afternoon. Because he's a nice guy, he provided one of his own. It's good. Listen to this and get inspired, then follow his tips in creating your own. YOUR PLAYLIST NEEDS TO BE CAREFULLY CURATED It's important to remember that your playlist should be delicately crafted — it shouldn't just be a bunch of tracks thrown together. It should be designed to be listened to in one fell swoop, just like Kilter's. That means no skipping, no jumping and absolutely no shuffling (tracks, that is). TAKE YOUR LISTENERS ON A JOURNEY There needs to be an effortless flow. Kilter's playlist has a strong dance tinge to it, cruising through a few downtempo tracks, moving into a house-centred, upbeat party vibe. Things get a bit crazy towards the end, but what else can you expect from a summer session? PICK A FEW BANGER TRACKS TO GET STARTED Kilter tells us to "start with the tracks you really want to play, then think about their order and how they'll be consumed". Choose a few of your favourite tracks that you know you'll definitely want to include, and use those as your base. That way, it's easy to get inspired, ensure you get a variety of music and make sure your playlist has some direction. Kilter's starting point tracks were Kwesta's 'Ngud' (featuring Cassper Nyovest), as well as 808INK's 'Suede Jaw' and Hayden James' 'Just a Lover' (Karma Kid remix) — he recommends if you're in need of some inspiration. CONSIDER YOUR SITUATION, AND LEARN TO LIFT THE VIBES Music has the magical ability to dictate someone's mood. It's essential to a summer afternoon when you're throwing back a Heineken 3, because it'll lift the vibes. "If it's a rainy day and you're playing summertime jams, it's going to make you feel a little bit better," Kilter says. "If it's a sunny day and you've got sunny music on, it's really going to take your vibes to another level". In his own words: "Get some friends over and have some beers in the sun. Let the music do its thing while you do your thing." Enjoy your summer afternoons with the new low-carb Heineken 3 — we're helping you make the most of them.
Drop whatever it is that you're doing: the ticket ballot for the 26th Meredith Music Festival is officially open. Running from December 9-11, the latest edition of the much-loved dickhead-free music festival will take place at its usual digs, Meredith's Supernatural Amphitheatre, which has gone and gotten itself a brand new sound system "tailor-made for the dynamic undulations of the Amphitheatre at all times of Magic O'Clock". Other changes for this year's festival include additional camping space, hundreds of new trees planted as part of Uncle Doug's Native Planting, and – perhaps most importantly – extra dunnies in the campground. Aunty, meanwhile, has been working hard on the lineup, which she promises will be announced "soonish". Standouts from last year included Father John Misty, Unknown Mortal Orchestra, Ratatat, The Thurston Moore Band, Tkay Maidza, Neon Indian and Big Daddy Kane. The Meredith Ballot will be open from now until 10.26pm on Monday, August 8. Head on over to the festival website to sign up.
It attracted 2.03 million votes in 2014, is regarded as 'the world's greatest music democracy' and is pretty much the only thing on Australian radios on Australia Day between the odd 'Khe Sanh'. Whether you 'get into it' or not, triple j's Hottest 100 has some serious reach, and this year, they're putting that blanket coverage to bloody good use. As part of this year's Hottest 100, triple j have teamed up with Indigenous school mentoring program AIME, for some hardcore fundraising. Aiming to close the gap between Indigenous and non-Indigenous Australian students, AIME and triple j are encouraging Hottest 100 voters to donate right after they've popped their favourite songs in the voting form — votes open this Thursday, December 10. On Australia Day, you can also use your Hottest 100 rager or hushed barbecue as a fundraiser for AIME. In the lead up to the launch of the 2015 Hottest 100, we're stoked to announce a new partnership with triple j. Posted by AIME on Monday, December 7, 2015 It's all for a damn good cause, and you'll still get to screech about your favourite artist being played too early dammit. By donating in the Hottest 100, you'll be helping the hardworking AIME crew help 10,000 Indigenous kids finish school at the same rate as non-Indigenous students by 2018. Now that's worth getting all flustered about — albeit alongside whether Major Lazer tops the lot or not. It's not the first time triple j has worked with AIME; they've given big love to the crew around events like Homeground and NAIDOC week in the past. Here's hoping it rubs off on their listeners. Kyran Wheatley and Gen Fricker on triple j breakfast for #NAIDOCweek Posted by AIME on Thursday, July 9, 2015 Voting opens this Thursday, December 10. Via triple j.
Beloved short film festival Tropfest made the devastating announcement yesterday that due to mismanaged funds by the third party agency in charge of, you know, correctly managing funds, the festival has been cancelled this year. Founder and director John Polson made an (appropriately) salty statement on Facebook. “I have been made aware that the company contracted to raise the funding and administer the Tropfest event is unable to move forward for financial reasons. It is too early to tell what has actually happened here, although it is hard to avoid concluding there has been a terrible and irresponsible mismanagement of Tropfest funds.” And fair enough, as he estimates the funds mismanaged run into six figures. "It goes without saying that this announcement is the most difficult one I've made in Tropfest’s 23 year history," said Polson. "My heart goes out to this year’s 16 filmmaking finalists, to our incredible list of sponsors and partners, and of course to our loyal and beloved audience." Tropfest has been a staple in the Australia film vernacular since 1993, when it screened for an audience of 200. It's broadcast each year live to approximately 150,000 people around Australia and, despite everything, apparently received ample support this year, making the announcement even more upsetting. It’s a tangible blow to the Australian arts and filmmaking community as Tropfest was (and still is, we sincerely hope) one of the few festivals to offer sizeable prize money and valuable industry experience to the winning entrants (including a trip to Los Angeles to take meetings with film industry execs among other prizes). Can someone make a Kickstarter already so we don’t have to live in a world without Tropfest?
Wikipedia tells us that to be 'at sixes and sevens' is to be in a state of confusion or disarray. James Street's newest watering hole looks set to replace confusion and disarray with a slightly more positive state of mind. At Sixes and Sevens, the young trendy sister to Cru Bar, has both style and substance. The bar is housed in a heritage-listed cottage on the corner of James and Arthur Streets, and while the building interior has received a makeover, the homely feel and classic features have been well preserved. Close enough to the heart of Fortitude Valley to draw a enthusiastic groups yet far enough away from the maddening crowd of the Valley mall to feel like a sanctuary, it is a great location to enjoy a casual lunch or start the evening's festivities. Mixing kitsch with classic, At Sixes and Sevens' fit-out incorporates Astroturf, log stools, striking wallpaper, emerald green tiles, worn leather armchairs, exposed light bulbs and candles in wine glasses. Rest your bones in front of the original fireplace, enjoy a summer night's breeze in the outside seating area or share a meal in the dining corner; all options are comfortable and well thought-out. All the usual suspects are on offer at the bar, with the happy addition of sauvignon blanc and pinot grigio on tap. A lengthy food menu keeps the kitchen busy with a selection of snacks and larger plates. Despite the prestigious James Street location, drink prices are very reasonable and most dishes come in under $20. Eftpos can be used over the bar and an ATM is also available towards the back of the establishment. This is a bar that looks likely to draw an upwardly mobile crowd with a slightly younger average age than traditionally frequents James Street.
Nightcrawler glides through the streets of Los Angeles, following the efforts of a young man doing whatever he can to make a living. Trying to survive and thrive, Lou Bloom (Jake Gyllenhaal) warms to a career as a freelance cameraman. He stalks the Los Angeles streets by night to find and film humanity at its worst, all for television news consumption — and maybe gets a little too good at his new profession. Nightcrawler also brings two familiar creative forces together, but in a new fashion. For writer/director Dan Gilroy, Nightcrawler marks his first helming effort after more than two decades writing screenplays for the likes of The Bourne Legacy, Two for the Money, The Fall, and Real Steel, among others. For star Jake Gyllenhaal, his leading man looks are whittled down to a lean, mean figure of determination and desperation. Their combination results in what's widely regarded as one of the best films of the year — and certain highlights of both of their careers. We chat to Gilroy about collaborating with Gyllenhaal, creating such a distinctive character, and telling this dark, cynical and twisted tale of modern life. How did Jake Gyllenhaal come to be involved in the film as an actor and a producer? Jake's agent read the script. Jake responded to the script. I flew to Atlanta when he was doing Prisoners. We had a four-hour dinner, and we had just an instant creative spark. If I was going to distil it down, Jake very much wanted to rehearse and be a collaborator, and I very much wanted to collaborate with Jake. He never changed a word of the script, but what we did do is, we rehearsed for months before we started to shoot. We would discuss the script, the scenes, the character. We would then start to rehearse the scenes themselves, trying them different ways — "what if the character was this? What if the character was that?" And was Jake's physical transformation part of that? During the process, Jake came up with a number of very crucial components. One was that it was his idea to lose the weight. He was thinking about a coyote, which you see at night in Los Angeles. They're very hungry and lean looking creatures, and Jake used that as a sort of symbol animal for himself. So it was Jake's idea to lose like 26, 27 pounds, and it utterly transformed him. It was a very bold decision. Very difficult to keep that weight off, and it changed him physically, but it also gave him a tremendous odd energy in the film. I feel like he just wants to consume everything around him — and it's not just food. I feel like he wants to consume ideas and people and anything he can get his hands on. It is a very scary energy that it adds to the character, and to the movie. It was Jake's idea to put his hair up in a bun any time he does something larcenous. These are the small things. Jake and I worked as creative collaborators on this film in every way. Let's talk about Lou Bloom. He's such a distinctive character. Where did Lou Bloom as a creation come from? I have tremendous empathy for tens of millions of young people around the world who are looking for work, and being offered internships and wages that you can't sustain yourself on. So I was very interested in a younger man who was desperate for work. That was the doorway that I came through for the character, which is why at the beginning of the film, he is truly desperate for work. I took that desperation and started to play around with it, and use it as an inner force that has driven this character over the bend in terms of what he was willing to do and not to. And that was pathway to lead me into the character. Looking at the film more broadly, what inspired the story? There's many components — the media, at face value, as well as questions of ethics and the complicit nature of the audience in consuming news stories, and also the current state of the American economy, trying to chase the American dream... Well, the story on its largest level, I wanted to do an entertaining, engaging story, so obviously there's suspense and there's uncertainty and there's drama. So all those things I knew were going to be the things that were at the top of my list when crafting the story. As I started getting into the story, it started to become personal on the level that you just talked about. Which is, I feel that the world I am seeing right now, that I am living in right now in Los Angeles, and I guess the United States, and probably globally in some degree, is one where everything has been reduced to transactions. It seems like the bottom line is driving everything, that capitalism — and I'm not advocating any other system other than capitalism, because I don't know if there is anything better — but capitalism seems to be becoming hyper-capitalism, and it is forcing people to do things in the workplace that I don't think is healthy and I don't think they would normally be inclined to do if they weren't being forced to do it. I saw in Jake's character the opportunity to create an employer who has started a business and very much embodies that principle — that because of the landscape and the lack of work for people, he can pretty much get people to do whatever he wants to each other. The film is set in Los Angeles, showing a side of LA we don't often see. How did the location shape the film? Could it have been set and made anywhere else? Well, the location shaped the film in the sense that Robert Elswit, the cinematographer and I, were trying to show the Los Angeles you don't normally see. Los Angeles is usually a very urban environment with cement and buildings. Los Angeles for me is a place with much more of a wild, untamed energy. It is place of mountains, ocean and desert. So we were looking for locations where civilisations met a national park, as in literally. Or we were up on top of a hill looking down, on top of almost a mountain, looking down where you could see forever. We were trying to show a large, sprawling landscape that was physically beautiful — that really was as untouched by man as it tamed by man. And that the character of Lou is like a coyote moving through this nighttime environment of this wilderness. The sense of tension is unrelenting — not just in the action scenes, with cars racing along the street, but in all of Lou's conversations. How did you maintain that sense of pressure throughout? The pressure, in many ways, came from the script. The script is designed that way. He is an unsettling character. He is a character who has all these touchstone qualities of humanity — he wants a job, he wants a relationship. He is earnest, he is polite, he is respectful. But at the same time, he is utterly unhinged, and because we shot so close to him, and we would always keep him in frame, and because the score was always going counterpoint, I think the tension is an inner tension of "why am I so emotionally involved in this character?" Or "why are they making me pay attention for this guy? Why am I rooting for him at times when I know I shouldn't be rooting for him?" And I think there's a subconscious energy that starts to build up, a disquieting energy of tension. Questions of "where is it going?" and "why do I like him?", which was as much a design of the script as anything. Given that Nightcrawler falls into a number of genres, were there films that inspired you in writing and making it? The films that inspired me more weren't so much journalism films, but films where the hero was also the antihero. Where you could take a character who was your hero and your villain at the same time. One of them was Scorsese's The King of Comedy. And another one is actually Nicole Kidman in To Die For. I loved that film, and I thought she did a great job. I love the idea that she is so perky and personable, and she is a complete murderer. But at the same time, she is your hero — she is your hero and your villain. That was very illuminating when I saw that film. That film was in my mind. Nightcrawler opened in cinemas on November 27. Read our full review.
We're all up in cat cafes. We've lined up for cat video film festivals. Now your insatiable need for quality feline time without actually owning one has reached peak internet-happy headline — a new London start-up is planning to open the world's first ever cat cinema. Yep. Cat cinema. Great Kitten — possibly the most puntastic business name since Thai Tanic — is the grand crowdfunding project of mid-20s legends Paula Siedlecka and William Piper. Not only a cinema where you can cuddle up to a cat while taking in a film (really) but also as cafe and cat shelter (slam dunk), Great Kitten is looking for dosh on IndieGoGo to fund the idea you wish you came up with first. The goal is £120,000 (about $235,646), which seems pretty achievable with the amount of crazy cat lovers online. They're looking for a spot in Crouch End in London, hoping to deck it out like a wintry log cabin — fireplaces, hot cuppas and all. "Working in London for 18 months, we saw first hand the demand for constant innovation within London's entertainment scene," say Siedlecka and Piper on their IndieGoGo page. "As animal lovers with a flair for business, seeing the global popularity of Cat Cafes got us thinking — how could we add a twist to an already successful concept? Simple — we add a cinema." Now you won't have to cry all over your date through Infinitely Polar Bear. So what can you expect to be watching with your furry armrest? According to their IGG page, Great Kitten will be screening around ten films every week. While exact titles haven't been confirmed, it's not going to be all cat-themed, but sure, we're hoping some feline-inspired movies first-up — definitely The Aristocats, perhaps Catwoman, probably not Pet Sematary. Ticket prices have been set at $19 to $24 and you'll get to book in a one or two hour-long snuggle with one of the shelter's more people-friendly resident kits. One-hour cat-patting tickets will cost around $9 to $11 , and two-hour slots about $15 to $19. Sure, it sounds a tad brothelly, but these are rescue cats getting much-needed pats. Great Kitten isn't just a novelty trend concept though. The team are planning to invite children and adults who struggle with mental health issues (such as depression and anxiety), physical disabilities or life-threatening illnesses, for all-expenses-paid cinematic cat cuddle sessions and cakes and tea and all round loveliness. Very cool. Throw Great Kitten some dosh over here. Image: The Shiznit — Antonio Banderas stages 'special screening' for Puss in Boots at Montreal's 2014 International Cat Film Festival. Hopefully what you can expect from Great Kitten, Banderas included.
If you're a fan of Better Call Saul, Brooklyn Nine-Nine, Dead to Me or The Good Place, you've probably spent plenty of time in front of your TV screen over the past six months. But, even when we're all staying inside revisiting our favourite shows, 2020's television and streaming viewing isn't just about the programs you already love. If you're always eager to add some fresh favourites to your pile, the year so far has well and truly delivered. They're the new series that, in years to come, will sit atop your rewatch list. From ominous and ambitious science-fiction thrillers and contemplative slow-TV documentaries to comic takes on history and bold reworkings of literary classics, 2020's batch of new shows has proven a varied bunch — and an excellent one as well. It's enough to make you hole up in your living room and never want to leave. Or, to spend the year's colder months catching up. With the year at its halfway point, here are our picks of 2020's best TV and streaming series that you owe it to yourself to seek out now. https://www.youtube.com/watch?v=ODYjA9H4qcw NORMAL PEOPLE When Sally Rooney's Normal People first hit bookshelves in 2018, it thrust readers into a disarmingly relatable love story, following the amorous ups and downs of an on-again, off-again couple from Sligo, Ireland. Teenagers Marianne and Connell have known each other for years, as tends to happen in small towns. And although she's aloof, intense and considered an acerbic loner, while he's outgoing and popular, a torrid and tumultuous secret romance blooms. That's just the beginning of the Irish author's novel, and of the both tender and perceptive TV series that brings the book to the screen. As it dives deep into a complex chronicle of first love, it not only charts Marianne (Daisy Edgar-Jones, Cold Feet) and Connell's (newcomer Paul Mescal) feelings for each other, but details the recognisable and realistic minutiae of being a high schooler and then a uni student. This is first and foremost a romance, and a passionate and intimate one at that; however the series can't tell this complicated couple's story without touching upon everything else that pops up along the way. Normal People is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=1htuNZp82Ck&feature=youtu.be TALES FROM THE LOOP If Black Mirror set all of its bleak futuristic tales in one small town, followed interconnected characters and sported a low-fi, retro sheen, the result would be Tales From the Loop. This patient, beautiful, poignant and incredibly moving sci-fi series is actually based on a series of paintings by Swedish artist Simon Stålenhag — and even if you didn't already know that fact while you were watching, you'd notice the show's distinctive aesthetic. The title refers to a mysterious underground machine, called The Loop, that's designed to explore and unravel the mysteries of the universe. For the folks living above it, their lives soon take strange turns. Anchoring jumps and pauses in time, body swaps, giant robots and more in everyday situations and emotions (such as being envious of a friend, falling in love, betraying your nearest and dearest, and trying to connect with your parents), Tales From the Loop is as perceptive as it is immersive and engaging. And, its eight episodes are helmed by an exceptional array of fantastic filmmakers, including Never Let Me Go's Mark Romanek, WALL-E's Andrew Stanton, The House of the Devil's Ti West and actor-turned-director Jodie Foster. Tales From the Loop is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=t8klax373ds DEVS Radiating unease from its very first moments, yet sporting both a mood and a futuristic look that prove simultaneously unsettlingly and alluring, Devs is unmistakably the work of author-turned-filmmaker Alex Garland. His first jump to the small screen, it instantly slots in nicely beside Ex Machina and Annihilation on his resume — and it's just as intriguing and involving as each of those excellent movies. The setting: Amaya, a US technology company that's massive in size yet secretive in its focus. When Sergei (Karl Glusman) is promoted to its coveted, extra clandestine Devs division, his girlfriend and fellow Amaya employee Lily (Sonoya Mizuno is thrilled for him. But when Sergei doesn't come home from his first day, Lily starts looking for answers — including from the company's guru-like leader Forest (a long-haired, very un-Ron Swanson-like Nick Offerman). Devs is available to stream via Foxtel Now and Binge. Read our full review. https://www.youtube.com/watch?v=G5vLgpdXz0g THE GREAT It takes its title from its central figure, Russian empress Catherine the Great. It's filled with lavish period-appropriate costumes, wigs, sets and decor. And, it explores an immensely famous time during the 18th century that had a significant impact upon the world. Normally, that'd all smack of a certain kind of drama; however The Great is firmly a comedy as well. As starring Elle Fanning as the eponymous ruler, Nicholas Hoult as her husband Peter III and Bohemian Rhapsody's Gwilym Lee as a fellow member of the royal court, that means witty, laugh-out-loud lines, an irreverent and often cheeky mood, and having ample fun with real-life details — much in the way that Oscar-winner The Favourite did with British royalty on the big screen. Of course, the comparison couldn't be more fitting, with that film's BAFTA-winning screenwriter, Australian Tony McNamara, using his savagely hilarious satirical skills to pen The Great as well. The Great is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=qaMIcuVH83M&feature=emb_logo THE BEACH Whenever Warwick Thornton makes a new project, it demands attention — and the Indigenous Australian filmmaker has never made anything quite like The Beach. The director of Samson & Delilah and Sweet Country turns the camera on himself, chronicling his quest to escape his busy life for an extended soul-searching getaway. With only chickens and wildlife for company, Thornton bunkers down in an electricity-free tin shed in Jilirr, on the Dampier Peninsula on the northwest coast of Western Australia. He fishes, cooks, chats to the chooks, wanders along the shoreline and reflects upon everything that's led him to this point, with this six-part documentary series capturing the ups, downs, sublime sights and epiphany-inspiring moments. Unfurling quietly and patiently in the slow-TV tradition, Thornton's internal journey of discovery makes for both moving and absorbing viewing. Indeed, combined with stunning cinematography (as shot by Thornton's son and Robbie Hood director Dylan River), it just might be the best piece of Australian television you see this year. The Beach is available to stream via SBS On Demand. https://www.youtube.com/watch?v=-TA3B8Z5lcQ DISPATCHES FROM ELSEWHERE It has been a few years since Jason Segel was seen on-screen with any frequency; however the Freaks and Geeks, How I Met Your Mother and The Muppets star returns in a big way with Dispatches from Elsewhere. As well as leading the cast, he created, co-wrote and co-directed the intriguing and enigmatic puzzle-like drama series, which is based on the documentary The Institute and tracks a group of strangers who find themselves drawn to a strange, game-like mystery. IT worker Peter (Segel), the lively Simone (Eve Lindley), the overly cautious and paranoid Fredwynn (Andre Benjamin), and the upbeat Janice (Sally Field) all don't know what they're getting themselves in for when they start spotting flyers around town about offbeat topics (communicating with dolphins and trialling human force fields, for example), then each individually call the number printed on them. And, for maximum immersion and enjoyment — and to go on the ten-part show's weird and wonderful ride with its characters — audiences should approach it with as little prior knowledge of any details other than the above as well. Dispatches from Elsewhere is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=KDKYJwih5-Q BREEDERS Catastrophe, that great, smart, acerbically funny British comedy about a couple's experiences with parenthood, attempts to navigate life's all-round chaos and just general effort to try to stay together, sadly finished up its four-season run last year. Let worthy successor Breeders fill the gap — with Martin Freeman starring as exasperated dad Paul, Daisy Haggard (Back to Life) playing his partner Ally, and The Thick of It's Chris Addison and Simon Blackwell on directing and writing duties. Basically, if the aforementioned political satire featured parents swearing profusely at their kids instead of government staffers unleashing at their colleagues, this is how it would turn out. The show is partially based on Freeman's own experiences, too, and stems from the Sherlock, The Office and The Hobbit actor's idea. Breeders is available to stream via Foxtel Now and Binge. https://www.youtube.com/watch?v=-zVhRId0BTw UNORTHODOX Deborah Feldman's best-selling 2012 autobiography Unorthodox: The Scandalous Rejection of My Hasidic Roots makes the leap to Netflix as a four-part mini-series. And, as the book's title makes plain, both explore her decision to leave her ultra-Orthodox Jewish community in Williamsburg, New York, flee her arranged marriage and everyone she's ever known, and escape to Berlin to start a brand new life. Names and details have been changed, as tends to be the case with dramas based on real-life stories; however Unorthodox still follows the same overall path. In a tense but instantly commanding opening to the show's first episode, 19-year-old Esther 'Esty' Shapiro (Shira Haas) slips out of the apartment she shares with her husband Yanky (Amit Rahav), picks up a passport from her piano teacher and nervously heads to the airport. The end result proves a unique and intriguing coming-of-age tale, a thoughtful thriller, and an eye-opening but always careful and respectful look at a culture that's rarely depicted on-screen in such depth. Israeli actress Haas (The Zookeeper's Wife, Foxtrot, Mary Magdalene) turns in a nuanced, weighty and gripping performance as Esty, too — which is absolutely pivotal in making Unorthodox so compelling to watch. Unorthodox is available to stream via Netflix. Read our full review. https://www.youtube.com/watch?v=nyxdf2TvcJE STATELESS A flight attendant (Yvonne Strahovski) unhappy with her life, trying to find solace in a cult-like dance school run by a creepy duo (Cate Blanchett and Dominic West), and eventually making a drastic decision. An Afghan refugee Ameer (Fayssal Bazzi) attempting to escape to Australia with his wife and daughters in search of a better life. A struggling father (Jai Courtney) in a remote town who takes a job at the local detention facility because it pays well. A bureaucrat (Asher Keddie) brought in to manage said location when it attracts negative media attention. They're the four characters at the heart of six-part Australian mini-series Stateless — a show that doesn't just feel as if it is ripped from the headlines but, in one specific instance, is 100-percent drawn from real-life events. This is bold, topical television filled with fantastic performances, although that's to be expected given the cast. Stateless is available to stream via ABC iView. https://www.youtube.com/watch?v=BMUPp_hNMlM THE EDDY A fantastic cast, a Parisian setting and oh-so-much jazz. As executive produced and partly directed by Whiplash and La La Land filmmaker Damien Chazelle, that's what's on offer in eight-part drama The Eddy. The title refers to the French club run by former pianist Elliot (Andre Holland) and his business partner Farid (Tahar Rahim), with every episode following the daily life of a different person — including Elliot's rebellious teenage daughter Julie (Amandla Stenberg), as well as Maja (Joanna Kulig), the lead singer of the venue's resident jazz band. Like almost everything that Chazelle touches, other than First Man, jazz features heavily. That's really just a given with his work by now. But whether you're as fond of the style of music as he clearly is, you could take or leave it, or you're just keen on virtually visiting Europe, The Eddy unfurls a moody and engrossing tale that benefits from its excellent on-screen talent. The Eddy is available to stream via Netflix. https://www.youtube.com/watch?v=pMaPCYRPhY0 MYTHIC QUEST: RAVEN'S BANQUET For the past 15 years, Rob McElhenney, Charlie Day and Glenn Howerton have co-written and co-starred in one of the best shows on TV: the so-ridiculous-its-hilarious It's Always Sunny in Philadelphia. Hopefully, that'll never change — Sunny just aired its 14th season last year — but McElhenney and Day have also just launched a new sitcom. Trading a sleazy Philly bar for a video game development studio, Mythic Quest: Raven's Banquet sees McElhenney play a gaming visionary who's having trouble with the latest expansion pack of his big online role-playing hit. Big troubles, actually. A workplace comedy, Mythic Quest takes some time to find its feet, but it's worth sticking with. It also stars Community's Danny Pudi, Oscar-winner F. Murray Abraham and Australian Content actress (and #Flipgirl) Charlotte Nicdao. And if you're a fan, you'll be pleased to know that Apple renewed it for a second season before the first even premiered. Mythic Quest: Raven's Banquet is available to stream via Apple TV+. https://www.youtube.com/watch?v=TVQ9-XH3hc8 DRACULA After giving Sherlock Holmes plenty of twists in Sherlock, writers Steven Moffat and Mark Gatiss have decided that another famous character could use a once-over — and not just any old figure, either. Bram Stoker's Dracula has been adapted for the screen so many times, the bloodsucker actually holds the record, but this version isn't like any other. Starring The Square's Claes Bang as the undead count, the BBC and Netflix three-part series has plenty of tricks up its sleeves. So many, in fact, that we won't say too much in order to preserve the mystery. In a smart, lush, gleefully theatrical and cleverly scripted affair that blends gothic horror with sly amusement, the basic framework of the 123-year-old story remains — spanning both Romania and Britain, and following his altercations with lawyer Jonathan Harker, his lust for Lucy Westenra and his run-ins with Van Helsing — but not as you'd ever expect. Bang is fantastic, but keep a particular eye out for Dolly Wells (Can You Ever Forgive Me?) as a pivotal nun. Dracula is available to stream via Netflix. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly.
The swanky South Bank restaurant continues providing Brisbanites with the opulent fine-diner experience that gastronomes have been flocking to ever since opening its doors in 2012. The ornate, old world-style look and feel is still in place, but the space undertook a bit of a post-covid revision, including a new colour scheme that goes heavy on deep mahogany, tobacco and teal. The consistent guarantee for diners at Bacchus is expert service from a talented floor team and a strong focus on responsibly sourced, seasonally focused Australian produce from the kitchen. Think: champagne lobster with chardonnay sauce, an exceptional roast duck (from Grimaud Farms) served with parsnip and Davidson plum, and a selection of steaks sourced from Queensland's finest beef producers. [caption id="attachment_853697" align="alignnone" width="1920"] Josh Woning[/caption] Then, there's the impressive wine list that features more than 600 selections from around the world, as well as an impressive cheese trolley. What's not to love about all that? Also part of the revitalised Bacchus: an 11-course degustation — including a vegan option — with or without matched wines. Appears in: The Best Restaurants in Brisbane
Stars and stripes waving proudly over the Mary Street entrance of Buffalo Bar salute the vast American delights waiting within. In the wood-panelled front bar of this heritage building, tiles of red, white and blue make the bar counters pop with patriotism, and the motif continues with a buffalo mural trampling across the outer courtyard wall. The beer-garden is crisscrossed by hanging lights, with an outdoor bar and big-screen TVs for sports, Stateside or otherwise. Beverage-wise, Buffalo Bar has brews, cocktails and wine, and the front bar offers American whiskey and Scotch whisky selections. It leans into the Americana with diner-inspired food and full-throttle flavours. Burgers, ribs, Philly cheesesteaks and chicken wings — individual or sharing platter, choose your spice level. It wouldn't be American without a food challenge, and Buffalo Bar offers the USA burger with special sauce, cos lettuce, tomato, red onion and American cheese as a worthy challenger. Pair it with a side of hot wings and you've got yourself a fight at Brisbane's Buffalo Bar. There is regular trivia and a strong focus on sports, so head on down to catch the next game of whatever it is you're into. Top images: Grace Smith.
You probably think that James Bond hails from Scotland. But that's where you'd be wrong. As a matter of fact, the world's greatest secret agent actually grew up in rural NSW. Forget about Connery, Brosnan and Craig. To the people of Goulburn, the name Bond is synonymous with hometown hero George Lazenby — and now they're hosting a festival in his honour. Kicking off today and stretching on into the weekend, Spyfest Goulburn is a festival dedicated to the world of international espionage, running September 25-26. There'll be parades, parties and a city-wide game of I Spy, capped off by an appearance by Lazenby himself, who grew up in Goulburn before shooting to (short-lived) stardom as the second man to portray the world's most famous big screen spy. Event organisers will host several free screenings of Lazenby's sole Bond adventure, On Her Majesty's Secret Service, over the course of the weekend. Other events include a Secret Agents Gala Dinner featuring the music of the great Shirley Bassey, and a Shagadelic Disco inspired by MI6's other international man of mystery. Naturally, costumes are highly encouraged. Several local businesses will also be getting into the spirit of the festival by temporarily changing their names, including one chemist who has gone with the inspired new moniker 'Licensed to Pill'. We're pretty sure 007 would approve of the pun — at least Roger Moore would. For more information about Spyfest Goulburn, visit the festival website. Via ABC News.
Goodbye Hollywood, hello Hallyuwood. No, that's not a typo. Instead, it's the thriving Korean film industry, which has become a major player in the global cinema realm in more ways than one. First, there's the spate of high-profile Korean directors making the jump to English-language movies, such as Okja's Bong Joon-ho and Stoker's Park Chan-wook. Next, there's the growing list of Korean flicks that have earned American remakes, like Oldboy and The Lake House. And finally, there's the all-round ace movies that Korean's finest cinema talents keep pumping out. It's the latter that's in the spotlight at the annual Korean Film Festival in Australia, which marks its eighth year in 2017. From high-octane crime efforts to different takes on familiar genres to thoughtful dramas, this year's lineup is filled with highlights — including these five must-see picks. https://www.youtube.com/watch?v=xoc0KZQnoKA THE VILLAINESS It's a great time for kickass women in cinema, finally. Wonder Woman and Atomic Blonde have company, however, and her name is The Villainess. This killing machine-focused thriller ramps up the action and body count as a trained assassin seeks bloody vengeance after her husband is murdered on their wedding day. Spies, secrets, Kill Bill-like mayhem, and La Femme Nikita-esque trickery and duplicity — they're all on the bill, as is a memorable display from star Kim Ok-bin (perhaps best known for Park Chan-wook's Thirst) as the formidable Sook-hee. THE DAY AFTER Another Australian film festival, another Hong Sang-soo film. It's becoming a habit, but the Korean writer/director is nothing if not prolific, having made four flicks in the past year alone. Hong's latest boasts his usual trademarks — booze and interpersonal battles — in a tale about a publisher's affair with his assistant, his wife's expectedly unhappy reaction, and his new helper caught in the middle. Fans will know that misunderstandings and written missives feature as frequently in his movies as free-flowing soju, and that's the case here. https://www.youtube.com/watch?v=T7STTUWI0as SEOUL STATION One of 2016's unexpected highlights gets an animated prequel — and yes, that's a rather rare development. Train to Busan was exactly what a zombies-on-a-train flick should be, and while Seoul Station isn't that movie, it is intriguing in its own right. Flesh munching and mindless shuffling takes over the titular railway stop, as brought to light in grittily drawn frames that somehow make the ravenous masses of undead even more frightening. You might think you've seen every take on zombie movies ever made, but we're betting that you haven't seen this. https://www.youtube.com/watch?v=uvqaLwfh0C0 THE WORLD OF US Winner of best youth feature at the 2016 Asia Pacific Screen Awards, The World of Us uses the friendship between two ten-year-old girls to explore the social reality facing kids in modern-day South Korea, and dissect the situation given to them by their adult counterparts. In doing so, the small in feel, sizeable in impact effort relays a relatable story audiences all around the world have been through. There are few things tougher in childhood than realising the inequities and differences that are used to separate the population, particularly when they don't go in your favour, something that director Yoon Ga-eun clearly understands. https://www.youtube.com/watch?v=_jhPgL0_3ac BECAUSE I LOVE YOU Even given their fantastic premise, a good body swap film can not only entertain and amuse, but can also offer ample insights about walking in someone else's shoes. Because I Love You is the latest to attempt that feat, though it's not just content with making songwriter Lee-hyung inhabit one other person. No, a sole soul switch clearly isn't enough. Instead, after an accident renders him hospitalised, he hops from body to body trying to solve their romantic problems, all while his own potential fiance waits for him to wake up. Need a couple more suggestions? Here's two others. We recommended The Bacchus Lady highly back when it played at the 2016 Brisbane Asia Pacific Film Festival, while Karaoke Crazies caught our interest from the 2016 SXSW lineup. The Korean Film Festival in Australia tours the country from August 17 to September 23, screening at Sydney's Dendy Opera Quays from August 17 to 26, Melbourne's Australian Centre for the Moving Image from September 7 to 14, and Brisbane's Event Cinemas Myer Centre from September 8 to 10. For further details, check out the festival website.
The Chaser gang are getting back to their roots, with plans to publish a brand spanking new print magazine. The team behind The Hamster Wheel, Yes We Canberra, Sydney's Giant Dwarf theatre and the Make a Realistic Wish Foundation have recently launched a crowdfunding campaign to get the satirical publication off the ground, with the aim of releasing their first edition in the next couple of months. According to the group's Pozible page, The Chaser Quarterly will be a 96-page colour magazine that will address "the key problem of our time: namely — there is not enough content in the world." They're hoping to raise $50,000, money they say will be use to establish a "'tax effective' offshore corporate structure" so as to ensure the project isn't stymied "by the onerous burden of paying tax to fund Australia's hospitals, schools and roads". Truly this campaign video says it all. Right now, a $25 pledge will get you a copy of the magazine, while $50 will see it signed by the entire Chaser team. More extravagant rewards include the chance to pitch your own article for $500 (although there's no guarantee it will be published), or the opportunity to run your own full page ad for $1500 (on the condition that it "fundamentally undermine the product it is seeking to sell".) Although best known for their highbrow political satire on television, The Chaser team actually started out publishing a fortnightly newspaper that ran for six years between 1999 and 2005. Among their memorable stunts from this period was the time they published Prime Minister John Howard's home phone number on their front page. Assuming they reach their Pozible target, the first edition of The Chaser Quarterly will be published in spring 2015 and feature articles by many familiar Chaser contributors, including Andrew Hansen, Chris Taylor and Craig Reucassel. In order to keep up the appearance of a successful company, head team members will be payed in Beluga Caviar, while the rest of the creatives, including writers, cartoonists, illustrators and graphic designers, will divvy up $300 between them. Pledge via Pozible and keep an eye on the Chaser Quarterly website for updates.
Sydney craft beer dukes Young Henrys have teamed up with the Marrickville Council to create a beer that tastes like ANZAC biscuits — just in time for the 100th anniversary of the ANZAC landing at Gallipoli. The new ale's been dubbed 'Winged Victory', after a World War One memorial statue created in 1919 the council has resurrected. On Sunday, April 19, you’ll get to taste the biccie brew for the first time and see the statue's glorious unveiling at Marrickville Town Hall. "The Council approached us," Richard Adamson, co-owner of Young Henrys, said. "We thought it sounded like a really good community project. The statue is an amazing part of the area’s local history and a gift for the people." Young Henrys were given creative licence to conjure up an appropriate flavour profile. It turns out that using ANZAC biscuits for inspiration was the obvious choice. "We thought it would be a lot of fun," Adamson said. "We smoked the malt ourselves and then burned rosemary, which is a symbol of remembrance. Getting them all to balance well with spices was a bit of a challenge, but we threw caution to the wind." In addition, the hops came from both Australia and New Zealand, in honour of the soldiers who fought at Gallipoli. The statue is the work of Gilbert Doble, a local sculptor. It depicts the Goddess Nike, who, in Greek mythology, symbolised victory, success in battle and peaceful competition. And it commemorates 457 soldiers from Marrickville who died during World War One. The Winged Victory ale launch will happen at Marrickville Town Hall on Sunday 19 April at between 11am and 3pm. There's also going to be a parade and a photography exhibition on the day as part of the event. Entry is free. Image: ANZAC biscuits from Low FODMAP.
Whether you watch television programs on your laptop, phone or TV set (or a combination of the above, depending on your mood and situation), the small screens in your house got quite the workout in 2020. That's a definite side effect of this strange year, with everyone spending more time on the couch than normal. You don't need us to tell us that, of course — but, thankfully, there was no shortage of things to watch. Checking out the latest seasons of your favourite shows probably helped while away some of the hours. More than a few, we're guessing. Restreaming classics likely did the same as well, because everyone likes some comfort viewing in tough times. But if you were looking for something new and exciting to fill your time in 2020, the various networks and streaming platforms all did their part. Stunning new dramas, savage historical comedies, engaging miniseries — they all made their debut over the past 12 months, and we've picked the ten best of the year that you should check out if you haven't already. https://www.youtube.com/watch?v=DTjlurdbNnw I MAY DESTROY YOU Newly returned from a working trip to Italy, struggling to write her second novel after her first struck a sizeable chord and pushing up against a draft deadline just hours away, Arabella (Michaela Coel) takes some time out from an all-nighter to procrastinate with friends over a few drinks in a couple of London bars. The next morning, the Twitter-famous scribe is shaky, hazy and feels far from her normal self — and across the next 11 episodes of this instantly blistering 12-part series, I May Destroy You delves into the aftermath, as Arabella realises that she was raped that evening. Not only created and written by the unflinching and captivating Coel, but inspired by her own real-life experience with sexual assault, the result is as bold, raw and frank as it is sensitive and affecting. It also feels personal at every single moment. An immensely powerful series that intimately interrogates power on multiple levels and features an unsurprisingly potent performance by Coel, I May Destroy You is easily this year's number-one must-see show — and its absolute best. I May Destroy You is available to stream via Binge. https://www.youtube.com/watch?v=ODYjA9H4qcw NORMAL PEOPLE When Sally Rooney's Normal People first hit bookshelves in 2018, it thrust readers into a disarmingly relatable love story, following the amorous ups and downs of an on-again, off-again couple from Sligo, Ireland. Teenagers Marianne and Connell have known each other for years, as tends to happen in small towns. And although she's aloof, intense and considered an acerbic loner, while he's outgoing and popular, a torrid and tumultuous secret romance blooms. That's just the beginning of the Irish author's novel, and of the both tender and perceptive TV series that brings the book to the screen. As it dives deep into a complex chronicle of first love, it not only charts Marianne (Daisy Edgar-Jones, Cold Feet) and Connell's (newcomer Paul Mescal) feelings for each other, but details the recognisable and realistic minutiae of being a high schooler and then a uni student. This is first and foremost a romance, and a passionate and intimate one at that; however, the series can't tell this complicated couple's story without touching upon everything else that pops up along the way. Normal People is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=ZI0q-jFWx-s LOVECRAFT COUNTRY Viewing US race relations and the nation's treatment of its black residents through a horror lens has long been Jordan Peele's jam, dating back to his Key & Peele days. Anyone who has seen Get Out and Us, the two films he has directed thus far, also knows this — and it is evident in Hunters, the TV series he executive produced earlier this year, as well. So Lovecraft Country, HBO's new horror drama based on the 2016 of the same name, was always going to be in Peele's wheelhouse. He's an executive producer again, and he's firmly in his element. Set in the 50s in America's south, this extremely well-executed series follows returned soldier Tic Freeman (Da 5 Bloods' Jonathan Majors), his uncle George (Project Power's Courtney B Vance) and his friend Leti Lewis (Birds of Prey's Jurnee Smollett) as they set off on a road trip to both find Tic's missing dad and locate African American-friendly places for George's Green Book-style guide. Their journey takes them to a part of the country where famed real-life sci-fi and horror writer HP Lovecraft found inspiration for his tales, too — and the results are smart and unnerving on multiple levels. Lovecraft Country is available to stream via Binge. Read our full review. https://www.youtube.com/watch?v=1htuNZp82Ck&feature=youtu.be TALES FROM THE LOOP If Black Mirror set all of its bleak futuristic tales in one small town, followed interconnected characters and sported a low-fi, retro sheen, the result would be Tales From the Loop. This patient, beautiful, poignant and incredibly moving sci-fi series is actually based on a series of paintings by Swedish artist Simon Stålenhag — and even if you didn't already know that fact while you were watching, you'd notice the show's distinctive aesthetic. The title refers to a mysterious underground machine, called The Loop, that's designed to explore and unravel the mysteries of the universe. For the folks living above it, their lives soon take strange turns. Anchoring jumps and pauses in time, body swaps, giant robots and more in everyday situations and emotions (such as being envious of a friend, falling in love, betraying your nearest and dearest, and trying to connect with your parents), Tales From the Loop is as perceptive as it is immersive and engaging. And, its eight episodes are helmed by an exceptional array of fantastic filmmakers, including Never Let Me Go's Mark Romanek, WALL-E's Andrew Stanton, The House of the Devil's Ti West and actor-turned-director Jodie Foster. Tales From the Loop is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=t8klax373ds DEVS Radiating unease from its very first moments, yet sporting both a mood and a futuristic look that prove simultaneously unsettlingly and alluring, Devs is unmistakably the work of author-turned-filmmaker Alex Garland. His first jump to the small screen, it instantly slots in nicely beside Ex Machina and Annihilation on his resume — and it's just as intriguing and involving as each of those excellent movies. The setting: Amaya, a US technology company that's massive in size yet secretive in its focus. When Sergei (Karl Glusman) is promoted to its coveted, extra clandestine Devs division, his girlfriend and fellow Amaya employee Lily (Sonoya Mizuno) is thrilled for him. But when Sergei doesn't come home from his first day, Lily starts looking for answers — including from the company's guru-like leader Forest (a long-haired, very un-Ron Swanson-like Nick Offerman). Devs is the kind of series with twists and turns that are best discovered by watching; however, as each second passes by, the stranger and more sinister it all appears. Expect conspiracies, tech thrills and big questions, in a series that does what all the very best sci-fi stories do: tackle big existential queries and intimate everyday emotions in tandem, all while asking 'what if?'. Devs is available to stream via Binge. Read our full review. https://www.youtube.com/watch?v=8BVoYKwTc4E AUNTY DONNA'S BIG OL' HOUSE OF FUN 2019's I Think You Should Leave with Tim Robinson was the best sketch comedy of that year. In 2020, the equivalent title goes to Aunty Donna's Big Ol' House of Fun. If you're familiar with Australian comedy troupe Aunty Donna, then you'll know what to expect. Writers and performers Mark Samual Bonanno, Broden Kelly and Zachary Ruane, director and writer Sam Lingham, filmmaker Max Miller and composer Tom Armstrong have been treating audiences to absurdist gags, satire, wordplay and songs since forming in 2011 — but now the group has channelled all of its silliness and surreal gags, and its astute ability to make fun of daily life in a smart yet ridiculous way, into a six-part Netflix series. Bonanno, Kelly and Ruane star as themselves, and housemates. Each episode revolves around a theme, starting with the search for a fourth member of their household when they decide to turf their annoying talking dishwasher (voiced by Flight of the Conchords' Kristen Schaal). There's nothing too over-the-top for Aunty Donna, or too trivial, including treasure hunts, an out-there recreation of Ellen DeGeneres' talk show, a pitch-perfect takedown of trendy barber shops to a parody of male posturing when the guys turn their house into a bar. And there's little on offer in the extremely binge-able show that doesn't deliver just the dose of side-splitting absurdity that this hectic year needs. Aunty Donna's Big Ol' House of Fun is available to stream via Netflix. Read our full review. https://www.youtube.com/watch?v=G5vLgpdXz0g THE GREAT It takes its title from its central figure, Russian empress Catherine the Great. It's filled with lavish period-appropriate costumes, wigs, sets and decor. And, it explores an immensely famous time during the 18th century that had a significant impact upon the world. Normally, that'd all smack of a certain kind of drama; however The Great is firmly a comedy as well. As starring Elle Fanning as the eponymous ruler, Nicholas Hoult as her husband Peter III and Bohemian Rhapsody's Gwilym Lee as a fellow member of the royal court, that means witty, laugh-out-loud lines, an irreverent and often cheeky mood, and having ample fun with real-life details — much in the way that Oscar-winner The Favourite did with British royalty on the big screen. Of course, the comparison couldn't be more fitting, with that film's BAFTA-winning screenwriter, Australian Tony McNamara, using his savagely hilarious satirical skills to pen The Great as well. The Great is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=qaMIcuVH83M&feature=emb_logo THE BEACH Whenever Warwick Thornton makes a new project, it demands attention — and the Indigenous Australian filmmaker has never made anything quite like The Beach. The director of Samson & Delilah and Sweet Country turns the camera on himself, chronicling his quest to escape his busy life for an extended soul-searching getaway. With only chickens and wildlife for company, Thornton bunkers down in an electricity-free tin shed in Jilirr, on the Dampier Peninsula on the northwest coast of Western Australia. He fishes, cooks, chats to the chooks, wanders along the shoreline and reflects upon everything that's led him to this point, with this six-part documentary series capturing the ups, downs, sublime sights and epiphany-inspiring moments. Unfurling quietly and patiently in the slow-TV tradition, Thornton's internal journey of discovery makes for both moving and absorbing viewing. Indeed, combined with stunning cinematography (as shot by Thornton's son and Robbie Hood director Dylan River), it just might be the best piece of Australian television you see this year. The Beach is available to stream via SBS On Demand. https://www.youtube.com/watch?v=-zVhRId0BTw UNORTHODOX Deborah Feldman's best-selling 2012 autobiography Unorthodox: The Scandalous Rejection of My Hasidic Roots makes the leap to Netflix as a four-part mini-series. And, as the book's title makes plain, both explore her decision to leave her ultra-Orthodox Jewish community in Williamsburg, New York, flee her arranged marriage and everyone she's ever known, and escape to Berlin to start a brand new life. Names and details have been changed, as tends to be the case with dramas based on real-life stories; however Unorthodox still follows the same overall path. In a tense but instantly commanding opening to the show's first episode, 19-year-old Esther 'Esty' Shapiro (Shira Haas) slips out of the apartment she shares with her husband Yanky (Amit Rahav), picks up a passport from her piano teacher and nervously heads to the airport. The end result proves a unique and intriguing coming-of-age tale, a thoughtful thriller, and an eye-opening but always careful and respectful look at a culture that's rarely depicted on-screen in such depth. Israeli actress Haas (The Zookeeper's Wife, Foxtrot, Mary Magdalene) turns in a nuanced, weighty and gripping performance as Esty, too — which is absolutely pivotal in making Unorthodox so compelling to watch. Unorthodox is available to stream via Netflix. Read our full review. https://www.youtube.com/watch?v=Vv-Mb4vTxj0 WE ARE WHO WE ARE Two on-screen tales about American teenagers in Italy. Two floppy-haired male leads oozing with uncertainty and yearning. One filmmaker. After Call Me By Your Name, Luca Guadagnino returns to familiar territory with HBO miniseries We Are Who We Are — and if its star Jack Dylan Grazer reminds you of the now ultra-famous Timothée Chalamet, that's completely unsurprising; in 2018's Beautiful Boy (not directed by Guadagnino), the former even played a younger version of the latter's character. But don't go mistaking Guadagnino's eight-part TV show for a mere or lazy rehash of the director's past work. Following two neighbouring 14-year-olds who live on a US army base with their enlisted parents, including Grazer's newly arrived loner, We Are Who We Are once again taps into universal themes about finding one's own identity and place in the world, and navigating affairs of the heart as well, but it definitely has its own story to tell. Also starring first-timer Jordan Kristine Seamón, plus Chloë Sevigny (Queen & Slim), Alice Braga (The New Mutants), Scott Mescudi (aka Bill & Ted Face the Music's Kid Cudi), Francesca Scorsese (daughter of iconic filmmaker Martin Scorsese) and Tom Mercier (Synonyms), this patient yet involving series once again boasts Guadagnino's eye for gorgeous and revealing imagery, though, with every intoxicating shot (and every camera angle and placement used for each shot) luring viewers in. We Are Who We Are is available to stream via SBS On Demand. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We also picked 12 standout new 2020 series in the middle of the year, too.
If you like reading, writing, talking or slinging about language in some other form, then you probably already have the 2016 Brisbane Writers Festival scheduled in your diary. Prepare for words, glorious words from September 7 to 11. When it comes to events celebrating the written craft in Brissie, only the annual Lifeline Bookfest comes close to this feast of everything from prose to poetry to penning tell-all novels. Here, the pen is definitely mightier than the sword — and much more interesting too, given the array of topics touched upon at BWF 2016. And given that choosing between dissecting crime fiction, exploring the art of reading, learning how to write your own cookbook and diving into supernatural stories can be difficult, here's our five top picks from the hefty letter-focused fest program.
When it comes to embracing fitness and a healthy, holistic lifestyle, Brisbane has its finger on the pulse. From CrossFit studios and HIIT centres to bespoke boxing clubs, outdoor fitness groups, bootcamps and riverside running, there's no denying what a fit bunch we are. But with mounting pressure to find time for yourself and prioritise balance amid long work hours, studies and endless social commitments, sometimes you just need to slow things down. Enter the ancient practice of yoga. It might be centuries old, but when it comes to modern-day yoga practice, studios all over are adapting their classes to suit today's world. Whatever your inner yogi prefers — hot, slow, stretchy or spiritual — our guide to Brisbane's best yoga studios has you covered. RELAX & UNWIND STRETCH YOGA Stretch Yoga is great for beginners and takes the various levels of practice — Hatha, Yin, Vinyasa and Power Vinyasa — and re-labels them according to the level of difficulty. Start with Stretch Foundations to grapple the basic poses and move up toward Strong Stretch, promoting strength, endurance, balance, coordination and focus. Plus, with the sheer number of classes they have on their timetable, there is no excuse not to give it a go. Level 1/132 Albert Street, Brisbane RAW POWER YOGA Whether you're looking for slow stretches or fast flowing movement, Raw Power Yoga located at Breakfast Creek Wharf in Bowen Hills has a class to suit. With wooden floorboards and exposed beams on the ceiling, it's a minimalist, earthy setting for your practice. They also offer 45-minute Raw Lunch sessions for those who want to escape their desk and disconnect by embracing the power of breath. Breakfast Creek Wharf, Suite 8/194 Breakfast Creek Road, Newstead TENERIFFE YOGA Teneriffe Yoga fuses health, wellbeing and athleticism to create their out-of-the-box yoga experience. With the studio located in an open warehouse, they combine trance-style beats with their yoga method, resulting in a pulsing, energetic atmosphere that focuses on improving the spine and alignment. Don't be mistaken; there is still plenty of meditation and traditional poses — just recreated in a modern format with great tunes. 3/85 Commercial Road, Newstead SPIRITUALITY & HEALING YOGA IN DAILY LIFE The Yoga in Daily Life studio offers eight levels of practice to awaken the chakras. Set in a large "barn-like space" on Doggett Street in Teneriffe, the environment feels authentic and raw. From basic postures and breathing techniques to practicing self-awareness and exercising yoga philosophies in daily life, you'll find a complete and holistic spiritual yoga experience for beginners to advanced. 46 Doggett Street, Newstead INNABLISS InnaBliss is all about the Vinyasa style of yoga. Adapting the flowing movements to accommodate different people with differing needs, their classes are all about strengthening the body and mind while practicing modern-day alignment principles with intent. With pregnancy yoga courses, classes designed for mums and bubs and even a kids' yoga class, the InnaBliss studios in Bulimba, Camp Hill and Wynnum cater for everyone. 1/57-59 Oxford Street, Bulimba SWEAT IT OUT HARLOW HOT PILATES & YOGA Stepping into the 30-33 degree heated studio at Harlow to practice power yoga and core strengthening Pilates is, surprisingly, not all about how much you can 'sweat it out'. Adopting a day spa mentality, the Harlow experience is about awakening the senses with essential oils and diffusers to promote complete relaxation. Working through flowing movements in the infrared heat monitored studio is said to improve your endurance and metabolism and detoxify the body. 4/5 Byres Street, Newstead ZEN HOT YOGA Like Harlow, Zen also use Far Infrared technology to heat the room. In fact, it was the first studio in Australia to adopt it. Their Far Infrared Yoga classes are good for releasing endorphins (leaving you happy and energised) and sweating out toxins. It's like being out in the sun and fresh air without the damaging UV. Zen's flowing hot yoga-style classes in their beautiful Japanese designed studio help calm the mind and free stress that's built up in the body. Shop 1/641 Sherwood Road, Sherwood FUSION HOT YOGA Focusing on the Vinyasa style of yoga (continuous flowing movements and sequences), Fusion Hot Yoga combines meditation and intention setting with movements that push you physically and mentally. Poses are adapted for varying levels of experience, meaning you don't have to be intermediate to participate and the instructors will vary their approach to the class depending on their own personal yoga journey. With the studio staying warm at around 32 degrees, it's an energising way to start the day — and keeps you toasty warm in winter. 40 Wharf Street, Kangaroo Point BIKRAM YOGA NORTH BRISBANE Twenty-six postures, 90 minutes, 40 degrees. Yes, you read correctly, 40 degrees. Unlike 'hot yoga', Bikram is not a fast flowing sequence and instead focuses on holding postures for longer and concentrating on breathing into each deep stretch — so the body works at a different intensity. The owners and instructors at Bikram Yoga North Brisbane are committed to delivering a challenging full-body workout to all who attend and promote the practice of willpower, focus and determination. 1131 Sandgate Rd, Nundah SOMETHING A BIT DIFFERENT FLIGHT SKOOL Looking for something entirely different altogether? Flight Skool's Antigravity Yoga in West End can cater for just that. Mixing flowing yoga movements with circus-style hammock swing stunts, each class is energising, challenging and a whole lot of fun. The best part? Each class ends with a few minutes of meditation where the lights are dimmed and you find yourself completely cocooned inside your hammock. 12 Bailey Street, West End
"Black people. I love you. I love us. Our lives matter." One Facebook post and Alicia Garza made history, a call to action that would gain traction and spark the founding of #BlackLivesMatter in the wake of the violent deaths of African Americans Trayvon Martin, Michael Brown, Eric Garner and many others. It's one of the world's most important international activist movements, campaigning against violence toward black people, and Garza will bring it front and centre at this year's Festival of Dangerous Ideas. Set to return to the Sydney Opera House over September 3 and 4 for its eighth year, FODI is bringing one of its most serious, enlightening programs yet as part of Sydney Opera House Talks & Ideas. Delivering the opening address with none other than Stan Grant, Garza leads a host of colossal thinkers and strong minds not afraid to question the problematic way things are — over 50 speakers across 24 solo sessions, 12 panels and one free workshop. This year, FODI has four major themes: 'Disappearing Countries', 'Dealing in Death', 'Disruptive Behaviour' and 'Dirty Politics'. One sure to provoke is apparently repentant author of The Game Neil Strauss in his sure-to-be-debated talk 'Cheaters, Sex Addicts and Pick-Up Artists'. UK comedian and The Young Ones legend Alexei Sayle dives into his ratbag past with 'Thatcher Made Me Laugh' — a perfect pairing for anarchists locked in for Henry Rollins' already-announced 'Blood Sport' talk about US politics. In fact, politics in Australia and abroad feature prominently in FODI's response to current 'World is fukt' times. Favourites Annabel Crabb and David Marr will pull apart the recent (and by-FODI, it'll be solved) federal election in 'The Government We Deserve?' — both have written biographies on Malcolm Turnbull and Bill Shorten respectively, so this one's going to be a humdinger. Marr's also hosting an epic two-hour forum titled 'Can We Solve The Asylum Seeker Crisis?'. Perpetual WTF-generator and controversial commentator Andrew Bolt will lead a talk dubbed 'How Many Dangerous Ideas Can One Person Have?', so expect Twitter to be all over that one. Climate change and social justice feature prominently on this year's bill, with Canadian activist Sheila Watt-Cloutier's 'The Right To Be Cold' set to be a highlight — she sees the failure of the world to act on climate change a gross violation of Inuit human rights — and The Economist's Environment Correspondent Miranda Johnson wants fishing the high seas stopped. Arts and sport will both get their turn on the chopping block this year. Sport nuts should jump on tickets to see journalist Tracey Holmes, sports scientist Stephen Dank (yep, that guy), former Olympic swimmer Lisa Forrest, academic Jason Mazanov and former IOC boss Kevan Gosper will be deciding whether drugs in sport should be legalised. Visual artist, activist and Drawing Blood author Molly Crabapple (who designed this year's 'FODI-land' concept on the festival website) will take you from Syria to Guantanamo Bay and back to Occupy Wall Street. We Need To Talk About Kevin author Lionel Shriver wants you to break a rule a day, while author of The Magicians trilogy and TIME's book critic Lev Grossman will argue that 'There Are No Good Books'. But we haven't even scratched the surface on FODI 2016, from former Kevin Rudd staffer Jennifer Rayner standing up for millennials in 'Generation Less', to the incredibly important panel 'Not Worth Living' delving into the specific, tragic epidemic of suicide in Indigenous people. Plus, co-founder of The Maintainers Lee Vinsel wants people to stop worshipping innovation and start focusing on maintenance of technology — something we can't wait to argue with him on. Sydney Opera House Talks & Ideas team of Ann Mossop and Danielle Harvey have curated this seriously epic program, with Simon Longstaff from The Ethics Centre as curatorial adviser . The 2016 Festival of Dangerous Ideas is coming to the Sydney Opera House on September 3 and 4. Multipacks are on sale from July 11 at 9am, single tickets on July 14 from 9am, all from the FODI website — where you'll find the full FODI program alongside Molly Crabapple's web design.
Not content with operating two of the city's favourite bars, plus a Spanish eatery, Brisbane restaurateur Jamie Webb is adding another venue to the mix. This time, he's heading down to Paddington's Given Terrace to add a new watering hole with a nautical-themed twist. The new pub's name, The Hope & Anchor, certainly gives the focus away — and expect more maritime, beachy and other watery-related wares once it opens its doors in October. Its location, taking over the space formerly inhabited by The Shingle Inn and The Lark before that, also gives an indication of the kind of relaxed inner-city oasis vibe that might be in store. A cellar bar is currently mooted as part of the site's renovations, which is all happening now. Expect a courtyard, too — aka the potentially perfect spot to spend a warm, sunny Brisbane afternoon feasting on bar food and a few crisp lagers. Given that Webb already has Lefty’s Old Time Music Hall on Petrie Terrace, Sonny’s House of Blues in the CBD and Gordita in Fortitude Valley on his books, there shouldn't be much doubt that his magic touch will work again. And if there's anything that stretch of Paddington needs, it's a laidback hangout to balance out the many restaurants and cafes closer to the city. Find The Hope & Anchor at 267 Given Terrace, Paddington from October. Image: Dollar Photo Club.
