Wanting a little romantic indulgence? Make a bee-line straight for Onsen Hot Pools where there aren't even the words to describe how heavenly it is. Located just ten minutes from Queenstown, perched on the cliffs within a stunning mountain range, this onsen gives you a chance to soak in the breathtaking scenery while you soak in warm 38-degree waters. As you recline in the cedar pool with your choice of tipple, the retractable roof will open up to reveal cascading views across the Shotover River by day or the mesmerising star-filled sky by night. It's the epitome of relaxation. Each pool room can accommodate up to four adults, so you can share with family and friends or keep it strictly 'lovers only', just you and bae. For extra indulgence, book in for an onsite massage. We suggest the 120-minute experience which includes a massage and facial followed by herbal teas and raw-pressed refreshments in the lounge. Go on, you deserve it.
The age of anything and everything available online is extending its reach to even the most humanitarian of acts: charity. Lending a hand to New Zealand's earthquake victims has been made simple with the development of the Christchurch Cafe, a virtual coffee shop that donates 100% of its profits to survivors suffering from severe income loss. The inspirational site was created by the workers at Crafted Coffee, a Christchurch shop that was fortunate enough to escape the wrath of the devastating quake in February. The virtual cafe aims to aid business owners that were not so lucky by offering a menu of virtual coffee beverages, beans and equipment, priced from $2 to $300, that can be purchased in the form of a donation by a mere click of the mouse. Each item is linked to a Paypal site, making the process that much easier. Victims in need apply for aid online and Christchurch Cafe offers $200 per month, per person for as many as they can support with the money raised. Although you may not get the kick of caffeine that comes with any other flat white at a cozy coffee shop, every dollar contributed to the Christchurch Cafe helps the struggling New Zealanders afford food and housing that is difficult to come by in the horrific aftermath of the earthquake. Now, let us not rule out boxing up unwanted clothes or extra canned goods to help out victims of natural disasters, but hopefully skipping your morning brew and donating a virtual flat white instead will catch on as a means of giving aid, and the altruistic buzz should more than make up for the missed caffeine kick.
Where: River Terrace, Kangaroo Point Whether it is from the top or the bottom of the Kangaroo Point Cliffs, this is more than likely the best spot for a picnic in Brisbane. On any given day, locals and tourists flock to the area to soak up the sunshine and admire the city that the once cultural backwater of Brisbane has now become. From the top the view includes the Eastern stretch of the CBD in the foreground, with the mountains of the Great Dividing Range in the background. From the bottom, a riverside view of the city greets the eyes of the beholder. The parks, both top and bottom, boast gazebos, seats and tables, barbecues and enough grassy areas to lay down a picnic spread. There are cafés for lazy picnickers and rock climbing and cycleways for the more adventurous spirits. The best time to visit the cliffs would have to be the afternoon as the sun slowly shrinks behind Mt Coo-tha and the city's buildings begin to light up the night sky. For those daring enough to play frisbee from the top of the cliffs, let it be noted that you do so at your own peril – it’s quite a workout retrieving a poorly thrown disc from the bottom of the cliffs.
Gone are the days when travellers checked into hotels with the sole purpose of sleeping. It seems everyone wants a bit extra with their holiday, be it a gardening course, an onsite brewery or a window onto the underwater world. And while those types of overnight experiences are all well and good, if you're a pop culture fan, you might want to set your sights on Walt Disney World's 360 vacation concept in Orlando. The latest addition to the globe's accommodation wonders, it'll let you live, breathe and sleep Stars Wars — staying not only in a themed hotel, but onboard a spaceship. To answer the obvious question: no, you won't actually be going into space (although that idea isn't as out-of-this-world as it may sound). You will have a blast pretending that you're headed to a galaxy far, far, away, though. We're happy to report that the resort is taking the immersive part very seriously, with the new hotel — called Star Wars: Galactic Starcruiser — allowing patrons to embark upon a two-night adventure on the starcruiser Halycon. Disney first announced this addition to its growing theme park realm back in 2017; however the huge entertainment company has just dropped specific details for all those wannabe Jedis clamouring for a unique holiday. First step: leave your real life at the door. Upon check-in, guests become a citizen of the galaxy — which means that, every minute of every day of your stay, you're a part of the Star Wars story happening around you. You'll hang out in the Atrium, where crew and passengers gather; operate the Halycon's navigation and defence systems, with plenty of guidance; and learn how to use a lightsaber, because an immersive Star Wars-themed stay wouldn't be complete without wielding a glowing weapon. You'll also sleep in spaceship cabins, drink in the passenger lounge and try to sneak into the crew-only engineering rooms. Star Wars: Galactic Starcruiser will form part of Star Wars: Galaxy's Edge, Walt Disney World's new sprawling zone dedicated to the space-set franchise — which, after opening at Disneyland in California earlier this year, is now open in Orlando as well. For now, the hotel doesn't have an opening date, although you can sign up to register your interest. If you're keen, you'll have to be committed to the experience, as the "every minute of every day" comment may well include sleeping hours — the dark side never sleeps, after all. Image: Disney/Lucasfilm via Disney Parks Blog.
When kids at school are busy updating their Iphone apps and Facebook-ing their beloved, you have to wonder if Shakespeare is still relevant? It's this timely question that a class of grade 12 students are required to answer as part of an assignment. Statespeare focuses on four clashing students in particular, who are made against their will to work together (remember how fun group work was at school?) and address Shakespeare's 400 year old works. It's a veritable Shakespearean Breakfast Club. Much like the cult teen angst movie, the play sees the fairly standard assignment develop into a bonding exercise between the students - drama nerds Lachlan and Nerys and popular trouble makers Jay and Rob, allowing them to discus, debate and rehearse some of Shakespeare's most famous and compelling scenes. Statespeare is a Shakespeare mix-tape of sorts, including scenes from A Midsummer Night's Dream, Hamlet, Macbeth, Much Ado About Nothing, Othello, Romeo & Juliet, The Taming of the Shrew, Titus Andronicus amongst others. All in all the students get swept up in the language and power of Shakespeare, and the audience gets to go along for the ride. Statespeare cleverly brings Shakespeare into the digital era and modern day school ground via a humorous and fast paced performance. Catch the show in Brisbane until the May 29 before commences a four-month national tour.
Whether sports is your pastime of choice or something that you go out of your way to avoid, Toowong's Wests Rugby Club is about to become one of the inner-west's must-visit eating spots. As part of the building's renovation, the folks behind local favourite The Corner Store Cafe have moved in. Don't worry, your favourite suburban hangout hasn't changed — it just now has a sibling down the road. Meet Pitch and Fork, and prepare to pull up a table and grab some cutlery. In fact, just sitting down in the new eatery's al fresco dining area brings plenty of pleasures of its own. When was the last time you ate breakfast, brunch or lunch under brick arches with a view of hills and greenery? You'll match those nice sights with a house-smoked ocean trout omelette, Sunshine Coast tiger prawns on a sourdough baguette, a turkey and pancetta clubhouse sandwich, a veal parmigiana burger, and healthy eggs Benedict with sautéed broccolini, kale, spelt toast and avocado mayonnaise, to name a few dishes. And coffee-wise, expect a hot cuppa of Parallel Roasters' finest to really kick your day into gear.
It's been three years since Australia's cinema scene welcomed the American Essentials Film Festival — and while a fest dedicated to US flicks might seem obvious, this event sets its sights much further than Hollywood's usual suspects. Given that mainstream, megaplex-friendly movies reach our shores every week, the Palace-run showcase instead curates a lineup of other American titles, delving into films from the US indie realm. Touring Sydney, Melbourne, Brisbane and Canberra from May 8 to 20, the 2018 fest has a particular fondness for emerging practitioners, with artistic director Richard Sowada noting "the obvious talent from some of the filmmakers in the early stages of their feature film careers," as well as "the deep and obvious respect even some of these newer filmmakers have for the traditions of storytelling in American cinema." With that in mind, this year's event kicks off with The Boy Downstairs, a Zosia Mamet-starring effort from debut feature writer-director Sophie Brooks, which proved a hit at the 2017 TriBeCa Film Festival. The opening night pick also highlights one of the festival's other trends — thanks to its focus on American cinema, it boasts plenty of familiar faces on screen. Standouts include Nicolas Cage and Selma Blair battling a murderous rage in horror-comedy Mom and Dad, Helena Bonham Carter and Hilary Swank recreating a landmark '80s case for patients' rights in 55 Steps, and war effort The Yellow Birds, featuring Solo: A Star Wars Story's Alden Ehrenreich, Ready Player One's Tye Sheridan, plus Toni Collette and Jennifer Aniston. There's also two star-studded flicks about sons and their fathers: Humour Me, which pairs up Jemaine Clement and Elliott Gould in a deadpan comedy, and Kodachrome, which takes Jason Sudeikis and Ed Harris on a road trip to a photo processing laboratory. Other notable titles range from Stuck, which brings the train-set off-Broadway musical of the same name to the cinema; to Outside In, director Lynn Shelter's latest featuring Edie Falco as an ex-high school teacher; to mob drama Gotti, starring John Travolta as the mob boss and screening in Australia just hours after its Cannes Film Festival premiere. On the documentary front, How They Got Over takes a far-reaching documentary into African-American gospel quartets in the '30s and '40s, while RBG examines the life and career of US Supreme Court Justice Ruth Bader Ginsburg. For the fest's retrospective section, Los Angeles is in the spotlight courtesy of classics Chinatown, Heat and Shampoo, as well as '70s masterpieces Killer of Sheep and Wattstax. The American Essentials Film Festival tours Australia from May 8, screening at Sydney's Palace Central from May 8 to 20, Brisbane's Palace Centro from May 9 to 20 and Melbourne's Kino Cinemas and The Astor Theatre from May 10 to 20. For more information, visit the festival website.
Had enough of public transport? Too tired to cycle? How about cruising from A to B by waterslide? Last Sunday May 4, UK artist Luke Jerram turned every kid’s dream into an adult reality when he set up a 90-metre water slide on Park Street, Bristol. Titled Park and Slide, the project playfully suggested new ways of navigating our clogged up city streets — part of the Bristol Art Weekender and Make Sundays Special programmes. A whopping 96, 573 individuals registered for a ‘ticket to slide’, but only 360 got lucky. Showing good sportsmanship and a furious need to Instagram, a crowd of over 65,000 locals turned out to watch the fortunate make their soapy descents. Based on video footage, average speed was calculated at 18km/hr and the age of sliders varied from 5 to 73. “This massive urban slide transforms the street and asks people to take a fresh look at the potential of their city and the possibilities for transformation,” reads Jerram’s site. “Imagine if there were permanent slides right across cities.” Jerram was offered significant corporate sponsorship for Park and Slide, but rejected it, deciding instead to stick with local support networks. "[It] was not an opportunity to advertise fizzy drinks, swimming trunks or holidays to anyone," the artist pointed out on his site. Unfortunately, there are no plans for an international tour of Park and Slide. But Jerram will soon be publicly posting instructions, enabling communities around the world to DIY 'urban slide'. For updates, you can follow him on Twitter. Via Inhabitat. Images by Colin Rayner and Luke Jerram.
There's something particularly enticing about spring in Brisbane. The baking summer heat hasn't arrived quite yet, the flowers are in full bloom and we all just want to spend all our time outdoors. And, between Friday, November 12–Sunday, November 14, Brisbane Powerhouse also happens to be livening up your spring by hosting three nights of free sunset tunes. Yes, that's how you make the most of the season. At Spring Sounds at Sunset, you'll listen to jazz, blues, folk and world music, all while getting comfy on the riverside venue's performance lawn. This is the kind of afternoon shindig that calls for packing a basket, grabbing a rug and gathering the gang. You'll need to sort out who brings what to eat, of course — but Brisbane Powerhouse will take care of the music. On the lineup: Tibetan Australian artist and composer Tenzin Choegyal on Friday, joined by folk singer LT, and a collaboration between jazz ensemble Trichotomy and alt-country singer-songwriter Danny Widdicombe; Dusty Miles singing the blues on Saturday, alongside jazz vocalist Kayleigh Pincott and world music ensemble Cigany Weaver; and Indigenous R&B musician Chris Tamwoy on Sunday, as paired with the Balkan and Mediterranean sounds of East of West, as well as Hussy Hicks. Spring Sounds at Sunset kicks off at 5pm on the Friday and Saturday, and at 3pm on the Sunday. Top image: Xenica Ayling.
During the working week it can be difficult to eat well. Many of us forget to bring our leftover chicken curries from the night before, while others have no time to eat so might grab a packet of chips and a soft drink from the closest newsagent. A lot of us get stuck in the rut of eating from the same sushi joint or carvery where we feel confident that our order will satisfy our lunch time needs. And often we will walk past places that look appealing but feel too risky, because we don't want our one meal and break of the day to be a disappointing one. Luckily for you Concrete Playground has selected five delicious, ultra-convenient and reasonably priced places from five corners of the Brisbane CBD to satisfy your lunch time needs of speed, economy and good taste. Sage on Ann Sage on Ann is the perfect place for the legal eagles out there. Conveniently close to the courts, Sage on Ann offers healthy and delicious lunch time dishes for you and your colleagues. Enjoy some old-style eating by ordering the macaroni and cheese, or combine fatty with fresh by ordering the pork belly salad. Their sandwich menu is extensive and includes traditional ham, corned beef, and chicken sandwiches, but also provides the adventurous with options such as the peking duck with chilli plum sauce sandwich. They serve DiBella coffee, and will also take pre-orders for those needing to get in and out in a hurry. 140 Ann Street, Brisbane; 3221 4471; www.sageonann.com.au Jan Power's Farmers Markets at Queen Street For those of you who like a bit of variety we highly recommend the Jan Power's Farmers Markets, run every Wednesday. Located at the top of the Queen Street Mall - just across the river from South Bank - these markets can give you everything that you need, including a fun experience. Head to the German Sausage Hut for a delicious hot dog with sauerkraut and mustard; enjoy some hot smoked salmon as you browse through the fruit and veg; treat yourself to some sauteed mushrooms with avocado and salsa; and if you have a sweet tooth, then you must get some Della Mano brownies. Not only will you find many bites to enjoy for lunch, but you can pick up some top quality produce at market price. Queen Street Mall (bridge end), Brisbane; www.janpowersfarmersmarkets.com.au AJ's Vietnamese Noodle House AJ's can seem a bit intimidating for first-timers. There's always a handful of people loitering out the front causing confusion. Usually these people will either be waiting for their take away to be brought out, or they are waiting for a table. AJ's is incredibly popular and with good reason: the food is delicious and cheap. Their rice paper rolls are fat and full of tasty fillings. The spicy beef noodle soup is appropriately sinus-clearing and incredibly flavourful. Their vermicelli salads are all good - we recommend the pork or spring rolls (cut up spring rolls + salad = how to cheat when eating salad). Everything you order will be good and you will only need a $10 note. 70 Charlotte Street, Brisbane; 07 3229 2128 Spring Located on the corner of Felix and Mary Streets, Spring is the one-stop shop for all food experiences, including buying produce, getting take away or dining in. Their menu is full of delicious meal options including the incredible pulled chipotle pork and guacamole sandwich. They also have tasty takeaway options such as ham and cheese croissants, and an endless supply of sugary treats for the sweet tooth. 26 Felix Street, Brisbane; 07 3229 0460; www.spring.com.au Le Bon Choix This piece of French heaven is located at the very end of Queen Street, on the corner of Eagle Street. The French staff make your mid-week lunchtime experience all the more pleasant with their lovely accents and good looks. Line up and decide on what you will have for lunch, making certain that you include dessert. Will it be a chicken baguette with a chocolate eclair for dessert? Or a spinach and feta quiche with an almond croissant? Whatever you choose, you will be incredibly satisfied - their sweet treats will probably change your life. 379 Queen Street, Brisbane; 07 3229 9260; www.lebonchoixbakery.com.au
Of course the Scandinavian Film Festival takes place in winter. When it's frosty across Australia, watching films set in snowy Nordic climes just feels appropriate. As many a cultural film fest offers, it's the next best thing to jumping on a plane and heading to the top of the world (it's also much, much cheaper). Now enjoying its fourth outing, the 2017 festival gets the Scandi celebrations started with international festival hit The Other Side of Hope, then works through the best flicks that Finland, Denmark, Iceland, Norway and Sweden currently have to offer. Odes to real-life figures, heart-stirring dramas, explorations of indigenous plights, brooding murder mysteries and the politics of war are all included — and all make our top five picks of this year's program. https://www.youtube.com/watch?v=gxPRRzZkpus TOM OF FINLAND How does someone become known simply by their first name and homeland? Tom of Finland has the answer. The biographical film delves into the story of, yes, Tom of Finland, aka Finnish artist Touko Laaksonen. A pseudonym became another became a legend for the man who survived World War II, struggled to be himself in a country where homosexuality was illegal, and then became an emblem for sexual freedom. Director Dome Karukoski relays his tale with passion, as does Pekka Strang, as well as shining a bigger spotlight on Tom of Finland's provocative output. https://www.youtube.com/watch?v=O15-xYqBDZU A CONSPIRACY OF FAITH Nordic noir is the genre that keeps on giving, be it on the page, on TV or in cinemas. Jumping from books to films, Denmark's Department Q series continues to sit at the centre of the Scandinavian-set crime wave — and, the great thing about adapting a multi-tome effort is the multiple movies that follow. Fans of previous Scandinavian Film Festival titles The Keeper of Lost Causes and The Absent One will be ready and waiting to chart detectives Carl Mørck (Nikolaj Lie Kaas) and Assad's (Fares Fares) latest exploits, while newcomers can still jump right into the procedural action. As the title gives away, this time faith plays a big part in their new mystery, and how they approach the case. https://www.youtube.com/watch?v=EIolgEvMAJ8 HEARTSTONE When Heartstone premiered at the Venice Film Festival last year, it was a debut effort exploring the connection between two childhood pals against a stunning Icelandic backdrop. Now making its way to Australia, it's an international film fest smash. Of course, the former still rings true, as told with intimacy, precision and overwhelming sincerity. Here, best friends Thor and Christian work through the conflicts of growing up, going after love and not always getting what they want — or understanding their bond with each other. https://www.youtube.com/watch?v=0o2FkppwDoU SAMI BLOOD In the 1930s, teenage reindeer herder Elle Marja (Lene Cecilia Sparrok) is removed from her family. The reason? She's Sámi, a member of the area's indigenous people. Taking children from their culture in an attempt to assimilate them into Swedish life was common practice at the time — and yes, that kind of oppression should sound familiar to Australian audiences. Sámi director Amanda Kernell steps through a stirring tale that proves revelatory in more ways than one, while also making a star out of Sparrok, a reindeer herder herself. Sami Blood screens in Sydney and Brisbane only. Melbourne movie buffs — watch this space. https://www.youtube.com/watch?v=rNtu-bCGi18 THE KING'S CHOICE Shortlisted in this year's foreign-language category at the Academy Awards, and based on real events, World War II effort The King's Choice finds a personal way to tell an epic story. Two nations face off, with Germany invading Norway, but one man has to find a way forward. Sure, he's the democratically elected monarch, but that doesn't make his complicated decision any less involving. Taking its time to piece its parts together, his experiences make for the kind of drama that builds towards a stirring resolution. The Scandinavian Film Festival tours the country between July 11 and August 6, screening at Sydney's Palace Norton Street and Palace Verona from July 11 to August 2, Melbourne's Palace Cinema Como, Palace Brighton Bay and Palace Westgarth from July 13 to August 2, and Brisbane's Palace Barracks from July 20 to August 6. For the full program, visit the festival website.
Spring in Brisbane means many things: jacarandas blooming, and their purple flowers scattering around the streets; knowing that the city's five chilly days for the year are well and truly behind us; and the citywide arts and culture event that is Brisbane Festival, for starters. As part of the latter, it's also when Riverfire brightens up the Brissie night sky, usually to end the fest — but in 2022, it's helping start the fun (and the month) instead. After a chaotic few years for the annual fireworks display — which was scaled back in 2019, then replaced with a light and laser show in 2020 due to the pandemic — Riverfire is moving to the beginning of Brisbane Festival this year. So, it'll liven up the place on Saturday, September 3, kicking off with the ADF displays at 5pm, then getting the fireworks popping from 7pm. The reason for the shift of dates: to move the event out of school holidays. Still, if you don't have kids, you might still be looking forward to beginning Brisbane Festival with a pyrotechnics display, rather than farewelling it. Of course, no matter when it's held, Riverfire always attracts a crowd. Usually, more than 500,000 people attend, and South Brisbane sports the masses of people to prove it — as does anywhere with a decent vantage over the river. As always, the Riverfire playlist will be simulcast via Triple M, too, while Channel Nine will broadcast the fireworks if you can't get a decent view. Even if fireworks aren't usually your thing, you might still be interested in the Riverfire shindigs that always pop up on the night, with bars around town usually throwing plenty of parties with quite the lit-up backdrop.
When he's not befriending transforming robots or donning an epic rat's tail on the cinema screen, Shia LaBeouf has turned venturing around the world, asking questions of the masses and live-streaming the results into his preferred pastime. Fresh from tasking Sydneysiders with pondering the apocalypse — or whatever else came to mind in response to the phrase #ANDINTHEEND — the actor and activist has set up a new, four-year-long anti-Trump-focused project in New York. A camera mounted on a wall outside the Museum of Moving Image forms the basis for LaBeouf's latest performance piece — and yes, the eager masses are once again the real performers. Above the always-operational lens is a printed statement: "HE WILL NOT DIVIDE US". Participants are asked to stand in the requisite spot and repeat the phrase as many times as they like, and for as long as they desire, with the results available to view at www.hewillnotdivide.us. The project started at 9am on January 20, 2017, timed to coincide with the day of new US President Donald Trump's inauguration, and will be live-streamed continuously 24 hours a day, seven days a week for the next four years — or the duration of his time in office. It's designed to act "as a show of resistance or insistence, opposition or optimism, guided by the spirit of each individual participant and the community." As captured on LaBeouf's Twitter feed, the first participant was Jaden Smith. https://twitter.com/thecampaignbook/status/822443598771785732
Play music, make calls, take photos, open doors and share your location – all with the flick of a single switch. That's the idea behind Flic, a new wireless, portable button developed by a group of Swedish entrepreneurs that can be programmed to work with just about any smart device that you please. The 28mm diametre button works in conjunction with a smartphone app that allows you to assign it a particular function – such as snoozing your alarm, dialing pre-set phone numbers or switching on the lights in your smart home. Each button can be programmed with up to three different functions (single click, double click and hold) and has a reusable adhesive back so it can be fastened wherever is convenient. The creators of the device offer up a few more potential applications in the promotional video, below. Be warned though: the cheese factor is pretty high. https://www.youtube.com/watch?v=MDsjBh2xOgQ While we're still not entirely convinced that getting your phone out of your pocket is really all that strenuous, this little button does look pretty cool. According to the specs listed on their website, the button's silicon overmould means that it is able to withstand weather and dust, and can be used both indoors and out. It also comes in a number of different colours, and operates on a replaceable coin battery that lasts up to five years. You can currently preorder a Flic button for US$34 plus $5 shipping. You can also get discounts if you order more than one – just in case you were planning on decking out your house like the inside of a spaceship.
This time back in 2020, no one even dreamed of the possibility of a new Borat movie. No one expected that they'd be watching it before the year was out, either. Also among the things that not a single soul could've guessed: that it'd be one of the most unflinching political movies of the year, that it'd win two Golden Globes (including Best Motion Picture — Musical or Comedy and Best Performance by an Actor in a Motion Picture — Musical or Comedy), and that it would score actor Maria Bakalova an Oscar nomination. Clearly, a lot has happened over the past year that zero folks among us anticipated. Here's something new for this year, too: a Borat special. Due to hit Amazon Prime Video on Tuesday, May 25, Borat Supplemental Reportings Retrieved From Floor of Stable Containing Editing Machine basically takes a heap of unused footage from Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan and turns it into a couple of a couple of different parts. It's the type of thing that might've once been relegated to DVD extras, and it's another chance to dive into Borat Sagdiyev's latest escapades. Once again, you'll find out what Sacha Baron Cohen's fictional Kazakh journalist makes of both COVID-19 and the 2020 US election, as last year's 14-years-later sequel to 2006 mockumentary Borat! Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan also covered. One part of the special, called Borat: VHS Cassette of Material Deemed "Sub-acceptable" By Kazakhstan Ministry of Censorship and Circumcision, will include unseen footage from Borat Subsequent Moviefilm, while the 40-minute Borat's American Lockdown will chart the character's five days spent living with conspiracy theorists. And then there's six Debunking Borat shorts, which get experts to dive into — and debunk, obviously — the ideas spouted by Borat's new roommates. If you haven't yet watched Borat Subsequent Moviefilm, it follows Borat as he travels to America again. Once more, he traverses the country, interviewing everyday people and exposing the abhorrent views that have become engrained in US society. Where its 2006 predecessor had everyone laughing along with it, though, there's also an uneasy and even angry undercurrent to this sequel that's reflective of these especially polarised times. Also a big part of the story: Borat's attempt to gift his 15-year-old daughter (instant scene-stealer Bakalova) to then-Vice President Mike Pence and ex-New York mayor Rudy Giuliani to help get Kazakhstan's own leader into then-President Donald Trump's good graces. Check out the trailer for Borat Supplemental Reportings below: https://www.youtube.com/watch?v=ctHMZ-MC4y4&feature=youtu.be Borat Supplemental Reportings Retrieved From Floor of Stable Containing Editing Machine will be available to stream via Amazon Prime Video from Tuesday, May 25.
The eyes of the sporting world are turning towards the Gold Coast, with the Queensland city hosting the 2018 Commonwealth Games. That's great news if you're a fan of athletes and nations vying for glory — and, while it might not initially seem like it, it's great news for arts and culture lovers too. As well as the expected competitive endeavours, the event will also feature a huge multi-arts festival, called Festival 2018. First announced last year, Festival 2018 mightn't boast the most exciting name, but it does promise a plethora of exciting programming across 12 days. Taking place from April 4 to 15, the fest will feature more than 1000 arts and cultural experiences, complete with 1440 artists from 50 countries, and including 35 world premieres and 15 Australian premieres. Highlights include the inflatable labyrinth that is Arboria, which will take over Broadbeach's Kurrawa Park; plus Circa's world-first take on The Rite of Spring, but in circus form; and Dancenorth's 360-degree dance performance Surge. Elsewhere, Yothu Yindi and The Treaty Project will kick off the music offerings, while an evening of African tunes will mark what would've been Nelson Mandela's 100th year, and Courtney Act will host a celebration of LGBTQI pride. Also on the bill is the Gold Coast's own Amy Shark; the all-female Electric Lady, bringing together Aussie female-fronted acts; Hot Dub Time Machine 's latest stint; the seven-metre-wide, floating moon sculpture that is Museum of the Moon; and Holoscenes, the performance artwork which comes to Australia for the first time after wowing crowds in New York City's Times Square. Or, attendees can take part in a participatory dance performance featuring hundreds of people; and sing karaoke as they've never experienced it before — via a field of microphones on Surfers Paradise beach. Other standouts include a Champagne party, an extensive food program at Helensvale's NightQuarter, a silent disco tour, a seaside meditation zone and open-air short film screenings showcasing talent from across the Commonwealth. As previously announced, Kate Miller-Heidke, The Jungle Giants and Mau Power will also feature, as part of a lineup of art, music, theatre, dance and more spanning from from Coomera to Coolangatta. To deliver the massive event, The Festival has joined forces with the existing Bleach* Festival — and will also include satellite events held across the state. For Brisbanites not heading to the Goldie, that includes free music from Regurgitator, The Preatures, Bob Evans, Kev Carmody, Cheap Fakes, Airling, Major Leagues and more at South Bank's Cultural Centre Forecourt, a screening of Warwick Thornton's Aussie flag-focused doco We Don't Need a Map and the return of La Boite's refugee production The Village. Image: Dancenorth, Amber Haines
Throw away everything you knew about your typical suburban bakery because Paddock is none of that. Just a month or two young, Paddock Bakery is a special pocket on the Gold Coast that is more comparable to something you'd find in the hinterland of northern NSW than the highrises of a city. The new artisan bake house is quite literally set in a house. While Brisbane has Queenslanders aplenty, the GC is all 1950s fibros or newer, so it is impressive yet again that the owners found a weatherboard cottage to restore from ruin. With a white and grey colour scheme, the owners have sourced old butchers blocks, a railway table and scales to give the space a humble farm feel. Keeping mostly the shell, the home is almost split in two by a floor to ceiling glass wall that separates you from the imposing brick wood-fired oven and the food-prep going on around it. The glass wall means you are immersed in the creation of the bread and food where everything is being hand-made honestly before your eyes. With a massive herb garden round the side, it feels evident that Paddock wish to reconnect people with food – the paddock-to-plate trend. On the bakery side, Paddock primarily offers rustic organic sourdough loaves of all varieties, but most people will pop by for more than bread. This new social meeting place is a cafe offering fresh and healthy gourmet salads, gourmet sandwiches using slices of sourdough and a random selection of baked goods daily. Paddock Bakery is quick becoming known for its semi-sourdough doughnuts. It's first in best dressed and word has it that they sell out before 10am. On our two visits the salads ranged from a leafy mix with wood-fired pumpkin, to 'detox' filled with superfoods and a number of grain-based offers. You haven't known a sandwich until you've had haloumi and caramelised onion shoved between two slices of organic fresh-baked olive sourdough. Heaven. Locals have adopted Paddock in droves, riding in on bikes, by foot and by car. Join the peaceful crowd on the white chairs under the shady trees in the front courtyard, and catch a breeze while sipping coffee, eating doughnuts and enjoying the atmosphere.
Post-viewing soundtrack, sorted: to watch Ego: The Michael Gudinski Story is to take a trip down memory lane with the Australian music industry and hear homegrown standouts from the past five decades along the way. Unsurprisingly, this documentary already has an album to go with it, a stacked release which'd instantly do its eponymous figure proud. His tick of approval wouldn't just stem from the artists surveyed, but because Ego: The Michael Gudinski Story's accompanying tunes comprise a three-disc number like Mushroom Records' first-ever drop, a 1973 Sunbury Festival live LP. To tell the tale of Gudinski, the record executive and promoter who became a household name, is to tell of Skyhooks, Split Enz, Hunters & Collectors, Jimmy Barnes, Paul Kelly, Kylie Minogue, Archie Roach, Yothu Yindi, Bliss n Esso, The Temper Trap, Gordi and Vance Joy, too — and to listen to them. Need this on-screen tribute to give you some kind of sign that the Gudinski and Mushroom story spans a heap of genres? Both the film and the album alike include Peter Andre. Any journey through Michael Gudinski's life and career, from his childhood entrepreneurship selling car parks on his family's vacant lot to his years and years getting Aussie music to the masses — and, on the touring side, bringing massively popular overseas artists to Aussies — needs to also be an ode to the industry that he adored. The man and scene are inseparable. But perhaps Ego: The Michael Gudinski Story plays as such an overt love letter to Australian music because it's an unashamed hagiography of Gudinski. Although the movie doesn't deliver wall-to-wall praise, it comes close. When it begins to hint at any traces of arrogance, moodiness or ruthlessness, it quickly does the doco equivalent of skipping to the next track. Australian Rules and Suburban Mayhem director Paul Goldman, a seasoned hand at music videos as well, has called his feature Ego and there's no doubting his subject had one; however, the takeaway in this highly authorised biography is that anything that doesn't gleam was simply part of his natural mischievousness and eager push for success. Much shines in Ego: The Michael Gudinski Story anyway, and always would: that list of artists that've graced Mushroom's catalogue is as impressive as it is sizeable. Many get chatting, including a raw Barnes, a glowing Minogue and a reflective Tim Finn. Internationally, Garbage's Shirley Manson beams about Gudinski's fair treatment of women in a realm not known for it. Sting, Billy Joel, Bruce Springsteen and Dave Grohl, representing the veteran global megastar contingent, talk up his energy, work ethic and hospitality. When Ed Sheeran chimes in, he shares about a deeply personal bond as much about Gudinski's help making him such a smash Down Under. Weaved between the above airwave and plenty more favourites, Gudinski's wife Sue is understandably tender but also candid, while children Kate (once a singer–songwriter herself) and Matt (now Mushroom Records' CEO) are affecting yet clear-eyed. The portrait painted: of someone who was so obsessed with music, and with working with musicians, that revolving his whole life around both was always going to happen. Gudinski himself notes that picking up instruments was never his forte, so making deals for and with the folks who play them became his calling. A wealth of behind-the-scenes anecdotes stating the same case come from Michael Chugg, a fellow Aussie music-industry mainstay who has operated both beside and in competition with Gudinski — but Ego: The Michael Gudinski Story's most prominent, enthusiastic and frequently deployed interviewee is Gudinski. While 2023 marks two years since he passed away suddenly, he's a lively presence again and again in this birth-to-death chronicle. The benefits of spending your time with rock and pop stars: even in the 70s, cameras capturing a treasure trove of footage were regularly present. Like Moonage Daydream and Cobain: Montage of Heck filmmaker Brett Morgen, writer/helmer Goldman knows one of the biggest truths in the documentary field, be it in music or otherwise: there's nothing like someone relaying their own history. With Ego: The Michael Gudinski Story, hence the celebratory vibe, because Gudinski also knew how to promote himself. And, of course, charting how the Australian-born son of Jewish Lithuanian immigrants started spruiking teen discos when he was a teen, formed a record label championing Australian music at just 20, took a chance on now-iconic acts that were boundary-pushing in their day and built Mushroom into a local behemoth is inherently rousing. Jam-packed doesn't only describe Mushroom's roster, this movie's soundtrack or Gudinski's existence — it sums up this ride of a film. Goldman, co-writer/producer Bethany Jones (Molly: The Real Thing), fellow scribe/editor Sara Edwards (Suzi Q) and Mushroom Studios, Gudinski's label's film arm, could've opted for a docuseries and had no trouble filling episode after episode. In keeping to 111 minutes, the end result resembles a greatest-hits package from the Gudinski experience. Accordingly, when Red Symons offers the most blunt and sceptical opinions, it stands out. When Kelly laments the early-90s sale of 49 percent of the company to News Corp, it leaves an imprint as well. Each chapter screams for more attention — as does the decision not to sign Men at Work or Cold Chisel (Barnes was snapped up when he went solo); the reluctance to broaden Mushroom's remit away from rock with then-Neighbours star Minogue; supporting Roach, Yothu Yindi and First Nations music in general; and, on the live gig side, Sound Relief's fundraising concerts for the Black Saturday bushfires and early-pandemic effort Music From the Home Front. Revelations and insights still drop like beats, with the fact that the Nazis killed Gudinski's older sister during the Second World War an unforgettable early disclosure. Affection remains Ego: The Michael Gudinski Story's catchy refrain, though — and, as set to that aforementioned soundtrack, it is indeed infectious. The comic book-esque graphics are overkill, which Goldman seems to realise partway through, giving them less and less prominence. Appreciating the talent that mightn't be so beloved today without Gudinski's love of music? There's nothing excessive about that. Walking out of the cinema and slipping on headphones ASAP is just inevitable.
If you're a fan of caramelised white chocolate, then you're a fan of all the different types of food that've sprung up featuring Caramilk. You've sipped the cocktails. You've eaten the ice creams. You've had the dessert jaffles. If it features the famed Cadbury flavour, you've tried it. And now, you have something new to add to that list: Caramilk Krispy Kreme doughnuts. Krispy Kreme is still in the process of letting Australians catch all the Pokémon-themed doughnuts; however, it has also just dropped another new limited-edition special. Teaming up with Cadbury, the doughnut franchise has whipped up two new must-try sweet treats — and yes, they both come dipped in Caramilk. If you opt for the Caramilk Shell, you'll be munching into a full doughnut — sans that centre hole — that comes filled with crème, then covered in the coveted type of chocolate and sprinkled with Caramilk flakes. Or, if you need that gap in the middle, the Caramilk Ring takes one of Krispy Kreme's original glazed doughnuts, dips it in Caramilk, adds the Caramilk flakes and then splashes some white truffle drizzle over the top. You'll find the two Caramilk doughnuts at 7-Eleven stores only from Tuesday, September 28, but there's more than 700 spots to choose from — and they're also available via 7-Eleven Delivery where it's on offer. Krispy Kreme's Caramilk range is available from Tuesday, September 28 for $3.75 each at 7-Eleven stores and via 7-Eleven Delivery.
So far, 2022 has been the year of Wordle — of waking up, busting out your best five-letter guesses over your morning coffee, bragging about your prowess online, getting annoyed about American spelling and grumbling about changes since The New York Times took over the popular game, too. But come March, it'll also be the year of Celebrity Letters and Numbers for the second year running, because SBS is bringing back the star-studded version of its initial 2010–12 hit that first debuted last year. Whether you watched along back when famous folks weren't doing the puzzling, you've been hooked to repeats of old episodes over the past ten years or you jumped onboard when Celebrity Letters and Numbers premiered in 2021, there's no denying the joys of this simple but delightful game show. It celebrates clever contestants doing word and number brain-teasers, each episode has an engagingly low-key vibe — all while still remaining tense as competitors try to work out the right answers, of course — and it's very easy and immensely enjoyable to play along with from home. Accordingly, it's no wonder that SBS has made a second season of its new starry format, which'll start airing on SBS and via SBS On Demand from Saturday, March 5. Comedian Michael Hing is still on hosting duties, after taking over from the OG version's Richard Morecroft. Lily Serna is also returning to flip numbers and show off her maths skills, while David Astle will again tell contestants whether they've found real words or just made them up, all with his trusty dictionary in hand — as they've both done since before Letters and Numbers had an extra word at the beginning of its moniker. As happened during season one of Celebrity Letters and Numbers, they'll be joined by three different well-known faces and a special guest each week, some vying for glory and others sitting with Astle in dictionary corner — with season two set to feature Merrick Watts, Ben Law, Tanya Hennessy, Akmal Saleh, Susie Youssef and Aaron Chen, among others. And, this new run of episodes will again span an hour each, and feature 12 instalments. Making words out of nine randomly selected letters, using six also randomly chosen numbers in equations to reach a set figure, and rearranging a jumble of nine more letters into one lengthy word in the final round — that's still all on the bill, naturally, because it wouldn't be any version of Letters and Numbers otherwise. And yes, to answer the obvious question: this is basically SBS's Aussie version of the great 8 Out of 10 Cats Does Countdown (which SBS also airs, so it clearly knows that it's ace). Letters and Numbers, both with and without celebs, owes a big debt to a few European shows, in fact. When it first aired sans comedians more than a decade ago, the original Letters and Numbers took its cues from both French TV's Des chiffres et des lettres, which dates back to 1965 — and also from Britain's Countdown, which has been on the air since 1982, and then inspired 8 Out of 10 Cats Does Countdown. Check out the trailer for season two of Celebrity Letters and Numbers below: The second season of Celebrity Letters and Numbers will start airing on SBS and via SBS On Demand from Saturday, March 5, with new episodes dropping weekly.
In 2013, 300 people danced to Kate Bush's 'Wuthering Heights' in a field — and in 2025, the idea is back and bigger than ever. Yes, The Most Wuthering Heights Day Ever is happening in Brisbane again from 2pm on Saturday, July 19. Yes, everyone should be dressed as Kate Bush, complete with a red dress, red stockings and black belt (men, that means you as well). On the day, a clowder (that's the collective noun for Kate Bushes, just FYI) will descend upon Milton and copy Bush's swaying, kicky dance in unison just for the pure joy of it. Support for this weird and wonderful outing has been widespread, and Kate Bush fans from around the world have been inspired to create events in their home cities. So get your gear together (dressmakers are usually flooded with orders for the day) and ready yourself to roll and fall in green, out on the wily, windy moors of Frew Park. If you need an incentive — other than the event itself, of course — it's now 47 years since the song was first released. Also, this year's celebration of all things Kate Bush is taking place a few days before British musician's birthday. Running up that hill beforehand (whichever hill you like) isn't compulsory, but it feels fitting. And yes, when it comes to Kate Bush worship, she sang it best herself: don't give up. A donation is appreciated to attend, to help cover costs at the fan-run event.
No longer a mere science-fiction movie concept or a gag in The Simpsons' Stonecutter's song, electric cars have slowly been riding their way into greater use. Last year, Tesla started production on its first mass-market electric vehicles — and, for those planning a road trip in Queensland, Australians now have an 'electric super highway' to drive them along. While the name sounds like something your grandparents might say — and will likely bring back cringeworthy memories of calling the internet the 'information super highway' — the idea itself is worth getting buzzed about. Over the past six months, the State Government has installed 17 electric vehicle charging stations between the Gold Coast and Cairns, enabling electric car drivers to trek the length of the state. Apart from the fact that the highway is the longest in one state in the entire world, as Transport and Main Roads Minister Mark Bailey announced, it mightn't sound like that big a deal; however, one of the crucial aspects of using an electric car is being able to juice them up. Regular cars need petrol, electric cars need power — it makes sense. That's all well and good if you're only driving close to home, but if you want to take your electric ride further afield, you need somewhere to plug them in. A network of fast-charging stations, which will power up vehicles in around 30 minutes, solves that issue. For those dreaming of an electric road trip, stations are located in Cairns, Tully, Townsville, Bowen, Mackay, Carmila, Marlborough, Rockhampton, Miriam Vale, Childers, Maryborough, Cooroy, Brisbane, Coolangatta, Springfield, Gatton and Toowoomba — with an 18th to come in Helensvale after the Commonwealth Games. They're also available for free for an initial phase, in an even bigger attempt to encourage more car owners to make the switch.
Not only pouring copious amounts of beer, but also making yeasty, boozy tipples, breweries are the kind of place where liquid usually flows freely. That's all well and good when it's in a pint, but it's obviously devastating when its from floodwaters — as a number of Brisbane joints have experienced in the past few weeks. Milton Common, Newstead Brewing Co, Range, Parched, Brewtide and Fonzie Abbott all sadly know this story, as does Granddad Jack's Distillery — because flooding doesn't care what kind of alcohol you prefer. So, to help raise money for the folks affected, Woolloongabba's Easy Times Brewing Company is putting on karma kegs and hosting a day-long fundraiser. It's your latest excuse to drink beer for a great cause, it's called The Great Brown LemonAID and it's happening from 11.30am on Saturday, March 12. Ten taps will be dedicated to the event, and there'll be kegs from each flooded brewery. Whatever you choose to drink, the funds will be pooled and split evenly, however. You can also nab limited-edition growlers designed by Thirsty Merchants, or one of ten numbered Golden Growlers — and there'll be an auction both online and live on the day, with prizes including Brisbane Lions VIP tickets, a stay in Maleny and winning your height in Stone & Wood beer. [caption id="attachment_833283" align="alignnone" width="1920"] Brewtide[/caption] Top image: Darren Ward.
Do you want to kick off 2014 with a bang? Do you like your music loud? Do you like to party? If you answered yes to any/all of these then I think I have an event that might interest you. The Fox Hotel is backing up from their New Year's Eve celebration for a beach-themed shindig to ring in the New Year. If your head isn’t too sore from celebrating the end of 2013, then what better way to embrace 2014 than to party some more with some of Brisbane’s best bands. Don’t worry about the heat, as this beach party will be enough to keep you cool. Inflatable pools, Weis Bar cocktails, beer esky’s, fish and chips, live sets from Dune Rats, Go Violets and The Good Sports as well as heaps of disc jockeys – what more could you want or need? Entry is free, make sure you get in early though because this could be the party of the year - and the year just started!
When Valley Hops Brewing was first announced a few months back, we noted that it combined two of Brisbane's favourite current hospitality trends. When this city loves something, it really loves it — and, now that rooftop bars seem to soar over street corner and craft breweries have popped up all around town, it's clear that Brisbanites adore sipping their beverages with a sky-high view and getting our beers straight from the source. Fortitude Valley's new rooftop brewery, Valley Hops sits atop Cloudland — and yes, it was only a matter of time until a venue like this graced Brisbane's skyline. Now open, the leafy brewpub looks like a garden in the sky, towers over Ann Street below and makes its own beers in a two-vessel 15BBL brewing setup. It's also designed to be the Valley's new lofty neighbourhood hangout, complete with brews named after people, places and moments in the the suburb's history. Here, you'll drink those beers that nod to the location — as Valley Hops' name makes plain, that's a big influence — while peering out over the inner-city spot. So, get ready to knock back a light-bodied lager called Diehards, which references the local rugby league team, as well as Exhibitionist tropical ale, Fiesta Mango and Passionfruit sour, Herbalist IPA, Interloper Hazy IPA and 21 Pubs pale ale. Those beers benefit from Josh Warren's (ex-Green Beacon) touch, too, with Valley Hops' Head Brewer adding another local venue to his list. "The Valley's awesome and I'm excited to see people from the community coming up to the rooftop. It feels great to be open, to see people trying new varietals and enjoying the beers," says Warren. "I can't wait to try some new recipes out and see what people like." This might be a brewery, but those yeasty beverages are clearly only part of the attraction. The decor does plenty of heavy lifting, thanks to its blend of metalwork, stone, brick and plants. Vines creep over the metal arbour; wooden picnic-style, booth and high bar seating is peppered around the place; and there's also a large fire pit with built-in benches — not that that'll need much of a workout for a few months. Launching just in time for sunlight summer sessions, Valley Hops also features a bespoke multi-coloured glass leadlight sat behind the entire length of the bar itself — because, from the decor to the view, there's plenty here that catches the eye. Patrons can get up to the brewery via lift, and pair all those beers with woodfired pizzas, skewers from the charcoal grill and cheeseboards, as well as salt and vinegar chicken wings, chicken and spiced cabbage spring rolls and pineapple fritter. The culinary focus is on bite-sized options, with the entire menu designed to be eaten without cutlery. Valley Hops Brewing is now open on Cloudland's rooftop at 641 Ann Street, Fortitude Valley — operating from 4pm–12am Monday–Tuesday, 11am–12am Wednesday and 11am–late Thursday–Sunday.
Native ingredients take centre stage at Ochre, a Cairns institution that has been impressing diners with its creative cuisine for almost 30 years. It's a feast for the eyes, too, as its waterfront location on the Harbour Lights boardwalk offers picturesque views of the adjacent inlet and lush mountains beyond, serving as a reminder of the region's rich and abundant food sources. Take it all in as you tuck into signature dishes like salt and native pepper leaf prawn and crocodile with Vietnamese pickle and lemon aspen sambal; char-grilled kangaroo sirloin with sweet potato fritter, bok choy and a quandong and chilli sauce; and wattleseed pavlova with davidson plum sorbet and macadamia biscotti. The dedication to local is also showcased via the drinks offering, which includes an exclusively Australian wine list with over 30 available by the glass, as well as an impressive selection of Australian spirits.
It was the follow-up that had to happen. The sequel we crossed everything for. After gaining viral status and worldwide applause for her 2013 book Shake, photographer Carli Davidson is back with a brand new series to follow her comical, high-speed images of dogs mid-shakedown. Yep, you guessed it. This time, it's cats. Shake Cats is the brand new book from Davidson, who actually took the photos of cats shaking themselves dry back in 2011, at the same time as taking the Shake dog photos. "I had originally thought I would do cats and dogs in the same book, but looking back I think it was best to give each animal its own book so their unique features could be highlighted," says Davidson. Shooting with Nikon D4s at a very rapid frame rate, this animal-loving photographer shot close to 100 cats for the series, including her own cat Yushi and hectic cat celeb Lil' Bub. Almost all of the cat models are local Portlandians, or from rescue shelters. In addition to the shake shoot, Davidson would get a pretty headshot of the kitty for the rescue shelter to post on their website — and most of these cats were adopted almost immediately as a result. "Taking a good photo of an animal in a shelter can go a long way to help that cat or dog find a home. So much of rescue is done online; people pick out a pet before they even get to the shelter. They fall in love online with an expression, so capturing that personality in a photo is really important." So how exactly did Davidson get those money shots? How do you make a cat shake itself clean (we're pretty sure you're asking yourself this question daily)? Simple, you pamper them like crazy. "Getting the cats to shake was actually more of a grooming process than a waiting game. We basically treated the shoot like a mini grooming session with lots of treats and cat cuddles... Ear cleanings are what generally caused the shake to happen, I just had to be ready." Apparently the cats weren't too hard to wrangle either — apparently they couldn't get enough of the warm studio lights. Cuuuute. It goes without saying that Davidson's tapped into social media's favourite thing, cats and dogs. But this animal-lover sees more in internet kitties than a grumpy face. "Cats are popular because they are awesome, independent thinkers and humans love to worship them. We have been worshipping them as spiritual icons for 10,000 years," she says. "The rise of the cat back into worship status on the Internet seems natural if you look at their historic significance... Cats combat internet negativity with their sheer visual presence." Shake Cats is out now via Harper Design, available to purchase from Booktopia. All images courtesy Carli Davidson with permission.
With music festivals popping up in every corner of the country with frequency, especially in these post-COVID-restrictions times, an event has to be mighty special to warrant travelling intrastate or interstate. Riverboats Music Festival is one such event, and the reason is right there in its name. A mainstay of Victoria's Echuca-Moama region that'll celebrate its 11th instalment in 2023, it usually hosts its fest on the banks of the Murray River — and includes intimate sideshows on the PS Pevensey paddlesteamer. Due to 2022's flooding of the event's usual home at Aquatic Reserve, the 2023 fest is actually moving to Echuca's Victoria Park Reserve when it returns from Friday, February 17–Sunday, February 19. But the music on a riverboat part still remains, as ticketed separately. So, you can head to the region for three days of tunes as part of the broader event, spend your time on the river, or mix and match both. Heading the on-land lineup: Marlon Williams, Spiderbait, CW Stoneking & His Primitive Horn Orchestra and The Whitlams, plus The Rolling Stones Revue featuring Adalita, Phil Jamieson and Tex Perkins. That's a whole heap of big-name talent from across Australia and New Zealand right there, and it's just the beginning of the 2023 bill. Also on the roster, and playing the paddlesteamer as well, are Alice Skye, Felix Riebl, Andy Golledge, WILSN, Bones & Jones and Watty Thompson. If you go for the boat option, you'll hear their sets while cruising down the river, in the kind of fest experience you truly don't get at every event. "Echuca-Moama has gone through an incredibly challenging period over the last few weeks, and our hearts go out to all those affected by the recent floods," said Festival Director Dave Frazer, announcing the lineup. "Riverboats has been part of the Echuca-Moama community for over tehn years now, and whilst we're sad to be leaving Aquatic Reserve next year, we can't wait to put on a spectacular show at Victoria Park in a few months time," he continued. If you're keen, the last festival sold out in just six days, so nabbing tickets ASAP is recommended. RIVERBOATS MUSIC FESTIVAL 2023 LINEUP: Marlon Williams Spiderbait CW Stoneking & His Primitive Horn Orchestra The Rolling Stones Revue featuring Adalita Phil Jamieson and Tex Perkins The Whitlams Felix Riebl Alice Skye Tami Neilson Thornbird Katy Steele Andy Golledge Band WILSN Bones & Jones Watty Thompson Bud Rokesky MC Brian Nankervis The 2023 Riverboats Music Festival will take place from Friday, February 17–Sunday, February 19 at Echuca's Victoria Park Reserve, with tickets on sale now.
LOU HELLIWELL AND ALEX DE BONIS know that they're awesome. They know, because they found "you're awesome" written on a brown paper bag they got from the aptly-titled Awesome Foundation. It was for their new Oxford Street Design Store which — like the Paper Mill before it — is taking one of the City of Sydney's empty spaces and turning it into a den of art, design and cool, printed stuff. Out back, they're planning for talks, a convention, workspace and even a little education. To get a closer look, Concrete Playground sat down to chat with Alex and Lou, and checked out a typical day in their new shopfront. One of the first nights Lou Haliwell tried to close up the new Design Store, she found herself locked in. The big, heavy roller door out front popped off its runners and fell down loose onto the floor, too heavy for her to lift back up again. There's no back door. I'm stuck. she thought, I have to sleep here. Working it open a little, using a chair, she got outside and began contemplating how on earth she was going to finish locking up. Just then, a young tradie walked by. He demanded, exasperated: "What've you done now?" Lou was bewildered. But, with his help, she got the door lifted back onto its runners. He gave her a little kiss on the cheek and wandered away into the night. She never saw him again, but thanks to him she was able to go home. The weirdest thing in this story is not that he turned up out of nowhere to help out. It's how normal these unsolicited offers of aid have become since Lou and Alex started up the Store. Everybody comes in wanting to do something. And meeting this pair of professional designers in person, it's easy to understand why. Their excitement and enthusiasm about the Store is palpable. You hear them talk about the designers who've turned up to sell things here, or the events they have planned for the venue space out back. You start wanting to help out yourself. Normally the door goes up at midday. Customers wander in, a designer might wander out the back to sketch in the venue space, which is full of desks this time of day (a chair is rented out at $3 an hour, including WiFi). Lou or Alex settle behind the counter. Today it's Alex. Both of them came from the quieter end of town. Alex from Campbelltown and Lou from Leeds, near Manchester, in the UK. They met while they both worked as designers in a well-respected Sydney studio. They found themselves complaining to each other that women's design work here didn't get the respect it deserved. So they decided to do something about it. Starting the blog Tough Titties, they highlighted Australian women's work in art and design. Only last year, they were nervously hosting the blog's first exhibition. Now they have a store. The Store had a similarly casual start. Originally a Secret Garden proposal that got turned down, they read about submissions for the City of Sydney's empty spaces on Oxford Street and decided to send in a submission along the same lines. The City of Sydney loved the idea. It's a first for both. Neither had done blogs before, nor an exhibition, nor retail. This, Alex reckons, is a recurring motif. "Most of the things we've done are a first-time thing." You'd never know that from the quality of their range. T-shirts, posters, jewellery, zines and even local ice-cream fill the showroom. The shop sells things for up to $20, funding its essentially non-profit operation with a 25% commission. The two halves of the shop are divided by a sturdy, see-through cardboard partition. Next to it, a louvred chalkboard along the Store's side wall will soon fill up with the week's upcoming events. At the time of writing, the program was still on the verge of starting. However, there's already talk of getting together a skating film night, Jess Scully from Vivid Ideas is planning to organise fortnightly how-to talks and a Sydney chapter Melbourne's 'un-conference conference', Trampoline, is imminent in April. The idea is to bring the disparate elements of Sydney's art and design communities together, without getting cliquey. Alex puts it more succinctly: "We're like a dating service." While there's already a rush to do and sell things at the Store, getting the practical side of the Store together was a bit harder. The City of Sydney offers a peppercorn rent, a kettle and a little publicity. Their fridge comes from Freecycle, the furniture mostly via Reverse Garbage. Since the Store's not residential, there's no regular garbage pickup. By chance, Alex's boyfriend owns a ute, and takes it to a sympathetic family member's business' commercial allowance. It's not clear how they'd afford it, otherwise. The only grant money they've had was the Awesome Foundation's $1000. All the rest so far is out of their own pockets. It's a precarious existence. By three, a volunteer settles behind the counter. She's Lucinda, a visual communications student. Just then, a guy walks in with arms full of colourful and interesting-looking comics. He wants to sell them here. Alex checks out the comics. The guy turns out to be Leigh Rigozzi, part of Paper Mill poster-workshoppers, the (currently printerless) Rizzeria collective. What does he find most appealing about this kind of store? "That they would actually take my stuff." This afternoon is quiet. Saturdays are the busiest, says Lucinda. Around six, Alex brings down the roller door and gets to work on the day's admin. When she was little, Alex says, she always redrew, in place, the characters and words in her books. Grown up, she wondered: "How can I can I actually make money doing this?" It's a question Alex and Lou both answered with careers in design. Here, they're making it easier for the coming generation to do the same thing.
From holding a bake sale to selling off your bodily organs to teaching your dog to do this, artists, artisans and inventors have always had to be creative when it comes to getting dollars in the bank. If you’re not the baking or self-mutilating or dog-training type, Australia’s top crowdfunding platform Pozible might be up your alley. Pozible is more like a superhighway that started in 2010 and has since grown to support over 4,500 projects in Australia and around the world. It’s not hard to run a campaign, but it can be tough to succeed. We spoke to Pozible co-founder Rick Chen and compiled a hit list of top tips to help you on your way to making that money pool you always dreamed of. The Anything's Pozible pop-up is on in Sydney until March 13. Check it out for more tips and workshops to help you crowdfund your next project. Research ten similar projects First off the bat, do your research. Make sure you know how Pozible works. Search the Pozible website to find out how other similar projects have been funded. Read the FAQ, get in touch with Pozible and ask all the dumb questions. According to Rick, the Pozible team “work with project creators to educate them and let them know what works and what doesn’t work. This face-to-face guidance is a rare thing, and no other platform approaches crowdfunding in this way”, a contributing factor to high success rates. Tell a story “Most of the time it’s not about the project itself, it’s about the person behind it," says Rick. "People want to be part of you and your journey, so you need to be able to open those doors for people to get in.” Keep it simple, keep it personal, and make your crowdfunding supporters feel that they are all just as much a part of the process as you are. Transparency is also key in your storytelling. Tell people exactly what you are going to do with your money if you meet your target. (The more specific you are with this, the more it will feel as if your supporters are making a tangible difference). Include a video of yourself: you'll raise 114 percent more money if you That’s according to American crowdfunding site Indiegogo. And who doesn’t love a selfie? If you star in your own video, people will connect better with your story. The key is to create content that is visually compelling to compete with the visual noise of the internet. Offer a combination of physical goods and experience-based rewards "Physical products give your supporters a tangible sense they are getting something out of their contribution," says Rick. "Experience gives them the sense they are part of something exclusive. These two combined make it personal for people to get behind your project.” And how many rewards should you offer up? The sweet spot is somewhere between three and eight. Get another three people on your team If you have four or more people on your team, you’ll raise 70 percent more money than if you only have one person. That is, use your networks to build your team; it’s not about how many friends you’ve got, it’s about how you use them. Have your family and friends help to get the ball rolling. Don’t be afraid to ask people you know to contribute. In addition, line up a few key influential people to help spread the word. Build your networks before you launch to create hype. Shoot for 25 percent of your overall goal within the first 24 hours Go hard or go home. You are more likely to hit your target if you can reach 25 percent of your overall goal within the first 24 hours. People are more likely to donate to a campaign if other people have already donated. Pozible advises not to run a campaign for less than 20 days unless you have a good reason or are super confident. You need time to disseminate your marketing material. Indiegogo supplements this advice with the fact that on average, successful campaigns will cross their target fundraising goal on Day 36. Don't all-out beg on social media Only directly ask people to pledge to your campaign in 20 percent of your social media posts. The other 80 percent of posts should add meaning to your project, reveal exciting project news and engage people in the story. Plan your social media posts before beginning your campaign. According to Rick, “It is not about the social media platforms that you use, it is about how you use those platforms as a tool to carry out your activity — to tell your story”. Write medium-specific posts. And don’t get too disheartened if things slow down in the middle of your campaign, it happens to everyone. What’s important is you keep communicating during this period. Don’t be shy to post every day. Only ask for the amount you really need Consider the size of your networks and how many people you can realistically reach. Surprisingly, the average contribution size on successful campaigns comes in at around $70, with performance projects the most successful category. According to Rick, this is often because “these campaigners have strong existing followings — sometimes small but strong audiences who come to see shows, hardcore fans who follow these artists”. So it isn’t necessarily how many people you target, it’s who. Be realistic, write a budget. Factor in the cost of delivering your rewards. The more people you have promoting, the more pledges you will receive. Finally we asked Rick the ultimate question: What’s the biggest reason people don’t reach their targets? His response goes right back to point one: “Absolutely no question, it is because people don’t do their research properly and don’t know what they’re doing. We try to educate as much as we can, we run workshops on a monthly basis across cities in Australia. We strongly encourage people to prepare before they launch a campaign. Lack of research is basically what kills campaigns." Roslyn Helper crowdfunded her project zin's PARTY MODE on Pozible. Supplementary information sourced from US crowdfunding site Indiegogo.
If you’re the forgetful type and your keys often go rogue then this new technology may be the solution for you. KeyMe is a cloud-based key management platform where you can now store your keys digitally so you no longer need a physical key in order to make a copy. KeyMe’s newly launched free mobile app which scans a copy of your key and generates a set of instructions that you can give to any locksmith to create a new key from scratch instead of bringing in a physical key to make the copy, very handy when you’ve misplaced the original. KeyMe can even mail you a key within two to three weeks if you’re not in a rush. The app also allows you to share your digital keys and create digital key chains to share with flatmates or overnight guests, but be wary of you who trust with your digital keys, once shared you can’t revoke them. Currently only available in the USA, this technology will be a saving grace for the almost 90 million forgetful folks who get locked out of their homes each year. Now just makes sure you don’t lose your mobile phone with your keys. [via mashable]
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. As usual, speculation has run wild in anticipation of the lineup announce — will Kendrick and the Arctic Monkeys make an appearance? Will there by more than three females on the lineup? — but the details for Splendour 2018 are finally here. And we're happy to report that some of the rumours were true. There will be no Arctic Monkeys, but King Kunta himself, Kendrick Lamar, will be Splendouring. The lineup also doesn't state that Splendour is his only show, so stay tuned for news of a national tour (hopefully). The other huge name is Lorde, who will be doing her only Oz show at the Parklands — better get practising that 'Green Light' hair flip now. She leads a female contingent — that is kick-ass but still nowhere near as big as the pool of male performers — which includes Amy Shark, the Lauren Mayberry-led Chvrches, Sampa The Great, Alex Lahey, Jack River, Anna Lunoe, Stella Donnelly, female four-piece All Our Exes Live in Texas and Wafia. Also doing their only Australian shows at Splendour will be Vampire Weekend, Khalid and Girl Talk. The lineup seems to go on forever, including The Wombats, Gang of Youths, Franz Ferdinand, Superorganism and MGMT. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2018 LINEUP Kendrick Lamar Lorde (only AUS show) Vampire Weekend (only AUS show) Khalid (only AUS show) The Wombats Hilltop Hoods Chvrches Miguel Girl Talk (only AUS show) Angus & Julia Stone Gang of Youths Franz Ferdinand MGMT Ben Howard Dune Rats & Friends James Bay PNAU Ben Harper & Charlie Musselwhite The Avalanches DJ set Chromeo DMA'S Ball Park Music Henry Rollins (only AUS show) SAFIA The Jungle Giants Lil Xan Methyl Ethel Amy Shark The Bronx Ocean Alley Carmada (L D R U & Yahtzel) DZ Deathrays Lord Huron Middle Kids Hockey Dad Towkio Cub Sport Touch Sensitive Sampa The Great Dean Lewis Skegss Albert Hammond Jr Mallrat Marmozets Alex Lahey Riton & Kah-Lo Jack River Superorganism Anna Lunoe Lewis Capaldi All Our Exes Live In Texas Alex The Astronaut Yungblud Crooked Colours Nina Las Vegas Soccer Mommy (only AUS show) Elderbrook Rolling Blackouts Coastal Fever Tim Sweeney Stella Donnelly Bully Baker Boy Wafia No Mono Waax Angie McMahon West Thebarton Eves Karydas G Flip The Babe Rainbow Haiku Hands Didirri Alice Ivy Amyl & The Sniffers Ziggy Ramo Fantastic Man Lo'99 Human Movement Manu Crook$ Kasbo Madam X Andras Alta Ara Koufax Two People B Wise Made In Paris Jensen Interceptor Woodes Teischa Antony & Cleopatra Muto Elk Road triple j Unearthed winners (TBA) Mike Gurrieri Love Deluxe Lauren Hansom Poolclvb Godlands Nyxen Emma Stevenson Ebony Boadu Splendour will return to North Byron Parklands on Friday 20, Saturday 21 and Sunday 22 July. Onsite camping will once again be available from Wednesday, July 18. Tickets go on sale Thursday, April 19 at 9am sharp AEST. More info will soon be available at the official Splendour In The Grass site. Image: Bianca Holderness.
Spooky season has returned, a time of ghosts and ghouls, flirting with lolly-based diabetes and getting into the spirit by bingeing all things horror. Generally the impulse is to line up a movie marathon of monsters and murderers, but why not mix a little interactivity into your goosebump-inducing genre consumption this year? With horror being such a beloved creative territory there's a boundless wealth of frightening indie games around, but to help you dip your toe into the terrifying here's a list of six (aka 1/111th of the spookiest number possible) to try… if you dare. [embed]https://www.youtube.com/watch?v=TF3ZIJccpj8[/embed] MUNDAUN Folk horror is not a genre that shows up much in the gaming world which seems to have an overwhelming preference for sci-fi scares and general supernatural gore. Swiss developers Hidden Fields decided to buck trends with Mundaun, a first-person exploration game rendered in hand-pencilled fashion. You play as Curdin, a man visiting a small village in the alpine foothills to pay his post-funeral respects to his grandfather after the old man perished in a barn fire. Only problem is, grandpa's grave is empty. As you delve into the mystery of what happened to gramps, you uncover a historical deal made under the duress of war that has cursed the village, and it's up to you to do something about it by poking around the town of Mundaun and its surrounds, speaking with its inhabitants, and indulging in some light puzzle solving. There's a pinch of survival horror mixed in too, so you'll need to manage limited ammo and weapons to deal with a variety of enemies, from animated straw men to undead soldiers. The game's striking aesthetic lends an uneasy air that feeds excellently into the surreal, foreboding setting, steeped in a confluence of Christianity and Paganism. There's nothing else quite like it, so make sure you play with the lights off for the best experience. Spookiness Rating: 7/10 Available on: PC, Playstation 4/5, Xbox One/S/X, Nintendo Switch [embed]https://www.youtube.com/watch?v=CBuh9afznMg[/embed] YUPPIE PSYCHO If you've ever drawn a salary as a corporate wage slave, Yuppie Psycho is going to speak to you on another level. This survival horror game, developed by French/Spanish team Baroque Decay, puts you in the shoes of Brian Pasternack, a nervous young man on his first day at Sintracorp. His job? Kill the witch that has cursed the company for years. You'll spend your time roaming the 10 floors of the company's headquarters, rendered in gloriously retro pixel art. Almost from the get-go, it's clear that something is deeply, deeply wrong. Most of your coworkers are slack jawed and dead eyed, responding with gibberish when you try to talk to them. Someone keeps painting messages on the wall in blood. There's a cemetery in the woods on the 8th floor, and a spider monster in the archives. Alongside all of this standard horror, the game deftly mixes in the anxiety and imposter syndrome that accompanies starting a new job, as well as the existential despair that comes from mandatory motivational meetings, dealing with the spectrum of irritating co-workers and navigating the forced, two-faced jollity of a professional environment. With multiple endings based on choices you make, and even two vastly different paths to get to the end, it's a game you can pick up and play again and again. Spookiness Rating: 6/10 Available on: PC/Mac, Playstation 4/5, Xbox One/S/X, Nintendo Switch [embed]https://www.youtube.com/watch?v=Fe4gVfZ1Q2I[/embed] WORLD OF HORROR 'A little bit of HP Lovecraft, a little bit of Junji Ito' is a great recipe for the vibe of a horror game. WORLD OF HORROR by Polish solo dev panstasz takes place at the cusp of the apocalypse. The Old Gods are awakening, panic and madness are spreading, and monsters are stalking the streets of Shiokawa, the small Japanese town where the action takes place. The primary thrust of the game sees you investigating a series of strange occurrences. It's a roguelike, so the changing raft of cases means no two runs are exactly the same which gives the game great replayability. The turn-based combat leans towards the challenging side (hey, no one said the end of the world would be easy), but an RPG-esque upgrade system will help ease the stress of late-stage runs — provided you make smart choices. Plus it's primarily an adventure game, so if you fear fast-twitch gameplay there's nothing to worry about here... beyond everything else happening. The Junji Ito inspiration comes through heavily in the lineup of monsters, mirroring the manga artist's off-putting creations in throwback 1-bit graphics that look like they came straight off the page. Fans of Japanese horror will definitely want to give this one a whirl. Spookiness Rating: 9/10 Available on: PC/Mac, Console release coming October 26th [embed]https://www.youtube.com/watch?v=naCeKfdPbTs[/embed] CRITTERS FOR SALE Critters For Sale is weird, man. No other way to put it. Created by solo developer Sonoshee, this blend of point-and-click adventure and visual novel is a heady, paranoid time, as compelling as it is mildly repulsive. Play through five nonlinear short stories linked by broad themes of good vs evil, time travel and black magic, with woozy, grainy 1-bit graphics that help to heighten the general feelings of discomfort and discombobulation. Some feature multiple endings based on choices you make, which encourages multiple playthroughs supported by quality-of-life features that skip you to key story points so you don't have to start at the beginning every time. Others hide secrets that will only make sense once you've explored all the stories. Each tale comes from the perspective of a different character, so you're never quite able to find a stable narrative footing as you navigate between them, boosting your sense of unease. It's a highly-advanced horror game that bucks the modern trend of blood and brutality for an ineffable surrealism, leaving an impression on you long after you've completed its twisted paths. The faint-of-heart need not apply. Spookiness Rating: 9/10 Available on: PC [embed]https://www.youtube.com/watch?v=BrRWb7tFxR8[/embed] DREDGE Oceans are terrifying. Out where the water is an almost-black blue, where anything could be lurking below... that's nightmare territory. This is the niche in which Dredge, by New Zealand's Black Salt Games, floats. You're a nameless fisherman, freshly arrived to the island town of Greater Marrow after a shipwreck left you with no memories. The mayor gives you a boat and a job as the community angler and off you go to complete missions for a variety of characters, some with more sinister motives than others. The crux of the game is its day/night cycle. When the sun is up, you can roam the waves with relative impunity. Once the dark arrives your panic metre starts to fill, which can lead to reality-altering hallucinations and death if you push your luck. That's not to mention the sea monsters that inhabit the archipelagos you'll visit, which will have you navigating coastlines in frenzied fear, searching for escape. Mix all the above with a raft of compelling gameplay mechanics, such as a variety of fishing mini-games, the Tetris-like cargo management system and 128 different types of fish to catch and catalogue, and you've got an experience will truly hook you in. Spookiness Raiting: 6/10 Available on: PC, Playstation 4/5, Xbox One/S/X, Nintendo Switch [embed]https://www.youtube.com/watch?v=AI9zBBTyX-E[/embed] LITTLE NIGHTMARES II The decision to include a sequel over the original game took a lot of soul searching. But ultimately, since the focus here is spooks and scares, Little Nightmares II takes the cake (it's also technically a prequel, but let's not get bogged down in details here). Developed by Swedish team Tarsier Studios, Little Nightmares II is a 2.5D puzzle platformer that is packed with peril. You're Mono, a young boy in a paper bag mask who, along with a mysterious young girl as a sidekick, must make your way through the decrepit, dank Pale City to uncover what lies inside the Signal Tower at its heart. Along the way you'll have a lot to deal with, such as the television-addicted inhabitants who fly into an incoherent rage if you sever their connection to the cathode ray tube. The strength of the game lies in its set pieces, each of which is a polished jewel of terror. Talk to anyone who has played Little Nightmares II previously and they can wax lyrical about the School, the Hospital, or the end sequence, which features a twist that will slap a gasp out of you. The character design is also outstanding, with the adult inhabitants of the world represented as twisted grotesqueries, exactly what you'd expect from the point of view of a child. With a gameplay loop centred on dying, learning and dying again, and an atmosphere that will keep your anxiety levels at a roiling boil, Little Nightmares II is a key addition to the game library of any horror fan. Spookiness Rating: 8/10 Available on: PC, Playstation 4/5, Xbox One/S/X, Nintendo Switch
Peering at art isn't just an indoor activity confined to galleries and museums. It's something that you can do across the Brisbane streets, too, if you know where to look. That's what Brisbane City Council's Outdoor Gallery offers the city's art lovers, first popping up in 2016 and filling 12 locations around the CBD with eye-catching work ever since — in spots as varied as Howard Smith Wharves and Fish Lane. Exactly what graces the Outdoor Gallery changes regularly — and from Saturday, May 7–Sunday, August 7, First Nations art is in the spotlight. OUTstanding brings together pieces by emerging and early career creatives, and also turns this showcase of their work into a celebration of Aboriginal and Torres Strait Islander heroes. That includes in communities, families and history, and heroing the land itself. Twelve artists have works on display, such as Jody Rallah, Kyra Mancktelow, Elisa Jane Carmichael, Chris Bassi, Keemon Williams and Mia Boe. If you've seen Dylan Mooney's superhero-focused efforts at Brisbane City Hall over the past year, you can spot another of his pieces as part of OUTstanding as well. As for where to visit, Edward Street plays host to some of the exhibition's works, and hitting up a laneway — including Eagle Lane, Irish Lane, Edison Lane, Giffin Lane and Hutton Lane — is recommended. Or, you can head to 80 Ann Street or the King George Square car park. [caption id="attachment_856387" align="alignnone" width="1920"] LaVonne Bobongie, Blood Ties[/caption] Top image: Dylan Mooney, Empowered.
If you're going to watch a horror movie this Halloween, you may as well do so while you're splashing around in a pool. That's what's on the bill at Brisbane's returning outdoor cinema pop-up, with Float-In Cinema back with a Halloween 2024 edition. Returning to W Brisbane, it's taking over the riverside hotel's WET Deck for three nights in October, pairing swim-in movies with food and cocktails. Screening across Monday, October 28–Wednesday, October 30, this excuse to see a horror-themed flick in a pool while downing drinks costs $130 per person, which includes a floating bed, a snack box, unlimited popcorn, and your choice of either a glass of bubbles or a cocktail upon arrival. You'll have to buy the rest of your beverages on top, but they will be delivered to you on floating trays. If you're keen, you might want to get in quick, as there are limited seats available per session — and this unique cinema always sells out. As for what you'll be watching this time, get ready to get spooked out by Hocus Pocus, the 2020 version of The Witches and the 90s big-screen take on The Addams Family. Arrivals are at 6pm each night, with the films starting at 7pm. Yes, you'll want to wear your togs, as you can hop into the water, not just float on top of it. The snack boxes include Moreton Bay bug rolls, truffle salami, house-marinated olives, grilled vegetables with pesto focaccia, chocolate truffles, passionfruit meringue tartlets and more. And the cinema's special cocktail is called Spooky Feels, costs $24, and features vodka, strawberry liqueur, grape spirit, lychee, cherry and soda.
Back in 1862, when Don Facundo Bacardi created the rum that would bear his name, little could he know its importance to one particular drink. At the time, the mojito already existed in another guise; however, with the addition of Bacardi, the clear, fragrant jumble of fresh mint, sugar, lime juice and ice become something extra special. That's one of the reasons why the brand is known as a pioneer of rum cocktail culture, and why they're throwing Bacardi Rum Month to celebrate. Although every day is a good day to knock one back, International Mojito Day on July 11 is when you'll find Brisbane ablaze with sweet but tart taste sensations — including at the city's five best mojito spots. COVE BAR & DINING South Bank isn't quite the same as Cuba, but enjoying sweeping water views and laidback dining in elegant surrounds still feels fun and tropical in the river city. A shareplate-heavy menu, coupled with a considerable cocktail list, certainly doesn't dampen that relaxed atmosphere. Indeed, in such a scenic spot and with such a chilled mood, a mojito is the ideal beverage. Cove Bar & Dining make theirs with Bacardi Carta Blanca, fresh lime juice, soda water, castor sugar and mint leaves. They call it the original mojito for a reason. LARUCHE Many a big night out has started and ended at Laruche, just a hop, skip and jump from the Fortitude Valley mall on Ann Street. When it comes to their mojito, think winter, in a variation taken from a twist on another classic drink: the Mulata daiquiri. Called the Mulata mojito — what else? — it includes white crème de cacao, house-made falernum (aka a syrup typically made of almonds, ginger, cloves, lime and vanilla) and ginger beer. A summertime drink this is not, but who said mojitos couldn't warm you up when it's cold outside? Not us. LYCHEE LOUNGE If there was a time before Lychee Lounge became one of Brisbane's premier cocktail bars, no one remembers it. Everyone does remember their Barbie doll chandeliers and fish-scaled walls, though, as well as the eclectic but tasty drinks list. In the same quirky spirit, their take on the mojito is rather unique and unusual. Showcasing the freshness of the cocktail while highlighting the richer characters of aged Bacardi rums is the aim, with dashes of raspberry, pomegranate and burnt honey for good measure. That word you're looking for? It's yum. PAPA JACKS There's nothing standard about the Creole-themed Papa Jacks, and that includes its drinks. Sorry, we mean dranks. That's the Deep South term they prefer, and one that rolls off the tongue while eating finger lickin' good food. Trust such a bar to serve up mojitos in the only fashion they could, which is in any fashion you'd like. At their make your own mojito stand, you can swap out the fresh herbs and citrus, try an original syrup, stick with the basics, or do something completely different. That's the Papa Jacks style, all right. PRESS CLUB From burlesque to R'n'B nights, Press Club is the kind of place that has something for everybody. There's a reason it has stood the test of time as many other bars and clubs have opened and closed around it — and its love of variety is never a bad thing. Take the Press Club mojito, for example, which will hopefully leave you feeling like you've been transported to a spot under Havana's burning sun. It's the spice that does it, with house chilli and smoked agave syrup, as well as a garnish of peri peri. Now that's hot stuff.
If you're the kind of bar patron who picks their next boozy go-to based on accolades, then this week is the gift that keeps on giving. Not only have four Australia bars earned places among the World's 50 Best Bars for 2021, but the Wineslinger Awards has announced its top picks for this year's Aussie wine-sipping spots — calling out another four spots. Wineslinger isn't about vino itself, or bars in general. As the name makes plain, it's about watering holes that focus on wine. Only four awards are handed out each year, covering the best Wineslinger, Best New Haunt, the Maverick prize for venues that push the limits and the People's Choice gong. While the first three awards are voted on by more than 150 industry experts, the latter stems from vino aficionados at home. Nabbing the big prize this year: Melbourne's Embla, which marks the second year in a row that the Victorian capital took out the Wineslinger award — and the second year it did so despite a hefty stint in lockdown. Announcing Embla's win, the Young Gun of Wine team — which runs Wineslinger — said that "Embla has become a Melbourne icon in quick time, a dogma-free temple to wine that is made from the ground up, by hand and with minimal tinkering, and all paired with Dave Verheul's breathtakingly simple fire-fuelled cooking." [caption id="attachment_836612" align="alignnone" width="1920"] P&V Merchants Paddington[/caption] In the other fields, Sydney's P&V Merchants in Paddington nabbed the Best New Haunt prize. Yes, that gong is rather self-explanatory. In the Maverick category, Perth's Si Paradiso emerged victorious for being "a venue that takes its wine as seriously as it does its quest for good times". And, the People's Choice went to Good Gilbert in Adelaide, meaning that all four winners hailed from different cities. The Wineslinger Awards were created in 2018 by Rory Kent, who also founded the Young Gun of Wine Awards. Where the latter prize aims to recognise stellar up-and-comers, the former is all about excellent and innovative places where vino lovers can enjoy an ace drop. Wineslinger also releases a list of top places to drink wine across the country each year — and the 2021 list expanded from 50 to 100. It was revealed back in November, if you still need a few more places (or 96 more, because all of this year's prize-winners are on it) to add to your vino-drinking itinerary. For further details about this year's Wineslinger Award winners, visit the awards' website. Top image: Embla.
He's one of the world's most renowned chefs, his three Michelin-starred restaurant Osteria Francescana claiming top spot on this year's prestigious World's 50 Best Restaurants list. And now, culinary powerhouse Massimo Bottura is swapping kitchen for stage, heading Down Under and travelling the country for a speaking tour next August. Bottura, who you'll have spied getting wildly creative with his native Italian cuisine — and doing so to save thousands of wheels of parmigiano-reggiano — in episode one of Netflix series Chef's Table, is well-known for his storytelling, as well as for a deep love of art, music and history. Audiences are sure to gain colourful insight into the chef's childhood, his life spent in the Northern Italian city of Modena, and the rich local history and culinary traditions that helped ignite his love of food. Bottura will also share another of his passions, speaking about his own work in the fight against food waste and hunger. As founder of non-profit Food for Soul, which empowers communities to fight food waste and social isolation, the Italian chef's helmed a series of community kitchens and drop-in dining halls across Milan, Paris, Rio de Janeiro and London. He's long championed the idea that a chef's responsibility extends far beyond the kitchen and into their community, to help inspire global change. MASSIMO BOTTURA 2019 DATES Perth — Riverside Theatre, August 6 Sydney — The State Theatre, August 8 Melbourne — MCEC, August 10 Brisbane — BCEC, August 13 Tickets are on sale April 3, 2019. Register now for pre-sale.
Robert De Niro tries to inspire laughs, Zac Efron takes off his shirt and Aubrey Plaza fires off ample snark. They're the obvious parts of Dirty Grandpa — or, more accurately, the most obvious parts. There's little within the film's frames that could be called subtle or surprising, or appropriate or amusing for that matter. Given that the movie follows a randy, rowdy, rude and crude senior citizen and his straight-laced lawyer grandson, its lowest common denominator approach is hardly unexpected. What's more tiresome is the been-there, seen-that nature of it all. Audiences who have seen Bad Grandpa, Spring Breakers, The Hangover or any party flick will already be more than familiar with the tired material the movie trots out. When Dick Kelly (De Niro) is widowed and seemingly bereaved, he claims to needs his grandson Jason (Efron) to drive him down to Florida. Though Jason's wedding to the demanding Meredith (Julianne Hough) is mere days away, he reluctantly agrees. But once they're on the road, Dick reveals his true boozing and womanising plans. Along the way, the duo cross paths with Jason's former high school classmate Shadia (Zoey Deutch) and her pal Lenore (Plaza), aka new romantic prospects for both men. Yes, it's all as formulaic as it sounds — and yes, the gags are as well. Showcasing terrible male behaviour is the clear aim of the game, all in the name of apparent hilarity that never comes to fruition. Alas, there's little that's humorous about De Niro pleasuring himself, pairing up with Plaza or physically assaulting Efron's genitals, or about scenes of drinking and drug-taking that could've come from any similar offering. Director Dan Mazer may have co-scripted Ali G Indahouse, Borat and Brüno, and writer John Phillips might be helping pen the upcoming Bad Santa sequel, but neither man demonstrates the cleverness of those films in their work here. Instead, they craft the kind of visually shiny, emotionally soulless movie that trades in standard scenarios and stereotypes, attempts to shock just by being as outlandish as possible, and appears the result of very little effort. And yet, as lazy as the bulk of Dirty Grandpa proves, the same charge can't be levelled at De Niro. Swearing like he's in a Martin Scorsese film, he's as committed to his role as he has been in years, though he's firmly in over-the-top mode. The same can be said of Plaza, who furthers the movie's problematic portrayal of women, but still rattles off filthy chatter with relish. Efron, sadly, mostly just looks bored, clearly having had more fun impersonating De Niro in Bad Neighbours than he does acting opposite the real thing here. Viewers will likely share his pain, particularly when the feature tries to mix its taboo jokes with sentimental heart-to-hearts. There's a supposedly soft centre underneath Dirty Grandpa's vulgarity and music video aesthetics, but it's as ill conceived as everything else.
If there's a force as frightful as facing certain death, humanity is yet to find it. Knowing that everyone who lives will die is the most terrifying thing that anyone will ever have to deal with, as well as the most obvious and commonplace — and it's also the fear-inducing bogeyman that continues to spook the horror genre. In the form of killer ghosts, malingering spirits and demonic forces from the great beyond, the inescapable end also haunts the Conjuring universe, to the surprise of absolutely no one. The growing franchise's other source of scares, however, is perhaps much less expected. In The Conjuring, the flick that started the series, a family grapples with the spectre of an accused witch. In its sequel, as well as in spin-off The Nun, evil takes the form of a bride of Christ. In the Annabelle films, a doll is possessed by a dead girl, turning murderous. And now in The Curse of the Weeping Woman, the saga finds its shocks in a mother who turns into a child-drowning apparition. This unsettling franchise might be based on the work of paranormal investigators Ed and Lorraine Warren, and on Mexican folklore in the current movie's case, but as each new instalment shows, it's not only scared by supernatural stories of death. Womanhood and its symbols are also something to fear here. Women and children are usually the casualties, too. As genuine spooks increasingly give way to haunting by the numbers, the series' need to vilify and victimise its way to box office success is blatant, lazy and more concerning than anything on-screen. The Curse of the Weeping Woman begins with its own origin story, introducing viewers to the tale of La Llorona. In Mexico in 1673, a beautiful young woman (Marisol Ramirez) lives a happy life with her husband and two sons, until she's driven to kill her boys in the river — and destined to keep trying the same trick with other children for all of eternity. Three centuries later, Los Angeles social worker Anna Tate-Garcia (Linda Cardellini) crosses paths with the deadly spirit as part of a case, when she finds that something is amiss with one of her clients (Patricia Velásquez). Soon, La Llorona has her sights set on Anna's kids (Roman Christou and Jaynee-Lynne Kinchen), and only a renegade former priest (Raymond Cruz) can help the fearful family. Directed by first-timer Michael Chaves, The Curse of the Weeping Woman polishes up its formulaic parts more effectively than it might initially seem, especially six films into a flagging franchise. There's nothing new in its bumps and jumps, but many of those creepy moments elicit the right visceral response — while no one will be leaping out of their chairs, viewers might find themselves inching forward automatically. Alas, horror movies aren't just about shocks, scares and keeping a series going in a dutifully unnerving manner. They're not just about swooping camerawork and stalking through a spooky house either, although those are two techniques that the picture also uses well. Conjuring up a momentary reaction lasts for just that, a moment. Retaining audience interest between bouts of ghostly mayhem is much more difficult, particularly given that screenwriters Mikki Daughtry and Tobias Iaconis are as eager to stick to cliches as they were in their last script: teen illness weepie Five Feet Apart, which is also currently in cinemas. Many a routine scarefest has found success by taking the same route, which is why such boilerplate films keep appearing. Many an average movie has squandered a great actor — here, the committed Cardellini — within generic horror material. But plonk all of the above in a fast-expanding series that keeps pulling the same stunt, and it wears thin. Specifically package it with another supposedly terrifying tale about an unhinged symbol of womanhood wreaking havoc, and it grates louder than the creakiest of doors and floorboards. What's scariest in The Curse of the Weeping Woman isn't the fact that it lays bare the Conjuring Universe's reliance upon frightening symbols of femininity, but that it makes it plain in such an unashamed way. It might make sense to turn the bringers of life into harbingers of death, preying upon existential worries in the process, but at this point in the franchise it's also wearyingly, disappointingly easy. https://www.youtube.com/watch?v=hCOp9jCG07I
USB sticks are stripped back to basics with Flashkus, an innovative design by Russian company Art Lebedev Studio. Reflecting on the disposable nature of electronic storage, the design team foresaw a near future in which "all electronics will be contained on the tip of a detachable cardboard module." Each Flashkus is created from thin strips of recyclable cardboard, allowing for easy disk-labeling and the potential to recycle the body of the disk once you're done. The Flashkus is eco-friendly, no-nonsense and minimalistic. The team behind its creation predict it "is going to be an even more convenient storage device than the floppy disk was back then."
When Greta Gerwig's Margot Robbie-starring Barbie takes audiences on an opening tour of Barbie Land, it makes one thing supremely clear: Barbie can be anything. The famous doll can be President, a Nobel Prize-winning physicist, a diplomat and a Supreme Court justice. It can be a mermaid, doctor, lawyer and Pulitzer-winner, too. Off-screen, Barbie the movie can be one helluva pink-hued pioneer in smashing records as well — including by reaching $1 billion at the box office globally. It took just 17 days from release for Barbie to notch up that figure, Variety reports. In the process, it earned that massive stack of cash faster than any other movie from Warner Bros, beating Harry Potter and the Deathly Hallows: Part 2's 19-day feat. Raking in all those takings from all those cinemagoers basking in Barbie's joys is all well and ace, but making Lady Bird and Little Women filmmaker Gerwig the first solo female director to hit the billion-dollar mark is a stunning achievement — the kind that really deserves a giant blowout party with all the Barbies, planned choreography and a bespoke song. [caption id="attachment_907779" align="alignnone" width="1920"] Caroline McCredie[/caption] Barbie is only the second film this year to crack a billion at the worldwide box office, after The Super Mario Bros Movie. Since the pandemic hit, only Top Gun: Maverick, Avatar: The Way of Water, Jurassic World Dominion and Spider-Man: No Way Home have also brought in that much money. Wondering where Barbie's Barbenheimer buddy sits? Christopher Nolan's vastly dissimilar atomic-bomb thriller Oppenheimer has hit half a billion at the time of writing. The Robbie- and Ryan Gosling (The Gray Man)-led film has beaten Guardians of the Galaxy Vol. 3, Fast X, Spider-Man: Across the Spider-Verse, The Little Mermaid, Mission: Impossible — Dead Reckoning Part One, Ant-Man and the Wasp: Quantumania and Transformers: Rise of the Beasts' respective 2023 takings too — all of which sit alongside it, Mario and Oppenheimer in the global top ten right now. On the list of highest-grossing films of all time, only Frozen, Frozen II and Captain Marvel place higher with a female director at the helm — but all three were co-helmed with male filmmakers. Back when Barbie reach the half-billion mark on July 28, Warner Bros Pictures President of Domestic Distribution Jeff Goldstein and President of International Distribution Andrew Cripps said that "the extraordinary Greta Gerwig and her marvellous cast and crew have delivered an event for every kind of moviegoer everywhere in the world and, as critical praise continues to mount, what is quickly proving to be one of the best-reviewed movies of the year." "We couldn't be more thrilled or proud of these phenomenal results, and congratulate the filmmakers, cast and our colleagues at Mattel on this spectacular run, which — like Barbie herself — continues to defy all expectations." In Australia, Barbie made history almost instantly. The film notched up the biggest opening at the Australian box office for 2023 so far, raking in $21.5 million including preview screenings, over its first weekend — and earned the biggest opening weekend ever for a film directed by a female filmmaker. Alongside Oppenheimer, it also saw the Aussie box office score its biggest-ever Saturday and Sunday takings. And, it's likely to soon surpass The Super Mario Bros Movie as the highest-grossing film of 2023 in Australia so far. Yes, Barbie definitely can do anything. Check out the trailer below: Barbie is showing in Australian and New Zealand cinemas now. Read our review. Via Variety.
Directed by Joe Carnahan (The A Team) and produced by Ridley and Tony Scott, The Grey tells the story of a group of oil-rig workers who find themselves stranded on the freezing Alaskan tundra after their plane home crashes. John Ottoway (Liam Neeson) is forced to lead a group of roughneck men in their fight for survival when the men come under attack by a pack of vicious, aggressive wolves. The wolves are on the hunt for these stranded humans as they see them as intruders in their territory who must be killed. The Grey is a thriller that keeps you on the edge of your seat in the fight between man versus nature. The film is based on the short story Ghost Walker by Ian MacKenzie Jeffers. To win one of five double passes to see The Grey, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au
Calling all dumpling fiends — and wonton, gyoza, jiaozi, shishbarak and momo fans too. That most wonderful of encased foods and its many, many varieties are getting a whole day to call their own, showcasing the types and flavours of Asia while celebrating the lunar new year. From 10am to 4pm on February 17, Wandering Cooks will dedicate its South Brisbane space to the tasty heated parcels that everyone loves. In a day certain to end in food comas, everywhere from Tibet to Palestine will be represented. Not only can you buy and devour your favourite kind — or kinds, lets be honest — but you can also learn how to make them. Entry into the event is free, but registration is required. And if you're wondering why Brisbane is being treated to such a glorious occasion, it's all part of the BrisAsia festivities. You can't revel in the wonders of Asian culture on an empty stomach, after all.
Solar power. Who needs it? Well, we do — and pretty desperately. To generate it though, we need those pesky black solar panels to be fitted to people's roofs and properties and anywhere we can find a space for them. This can be a little hard without overtaking natural environments and farmland. But France have found thousands of kilometres of space perfect for solar panels — their roads. This idea of paving roads with solar panels was first floated by Scott and Julie Brusaw, when they launched a crowdfunding campaign to pave American parking lots with the things in 2014. But this project is a little more legit. Proposed by French transport infrastructure company Colas and France's National Institute for Solar Energy, it's been given the go-ahead by France's Agency of Environment and Energy Management. And if all goes to plan, they're promising to bring solar power to 1000-kilometres of roads in the country over the next five years. Named the Wattway system, the 7mm photovoltaic road surface would be stuck on top of existing road surfaces. Both its thinness and ease of application to existing roads make it the best proposal yet — and seeing as roads are only occupied by vehicles only 10% of the time, they'll be soaking up a lot of sunlight too. Claiming they are "paving the way to tomorrow's energy" (nice one, guys), Colas say that a one-kilometre stretch of Wattway panels would be able to provide the electricity to power public lighting in a city of 5000 inhabitants. According to Global Construction Review, tests on the solar roadway panels will begin this year. Let's hope the French trial is successful, and makes its way over here. As anyone who's stood barefoot on asphalt on a hot day knows, that stuff stores a lethal amount of heat. Via Tree Hugger.
When Michael Crichton put pen to paper and conjured up a modern-day dinosaur-filled amusement park, he couldn't have known exactly what he'd done. The author easily imagined the story making its way to the big screen, because the Jurassic Park novel started out as a screenplay. He could've also perceived that a whole film and TV franchise could follow, and that folks would be quoting the movies for decades. And yet, we're guessing that he didn't predict the latest development: a recreation of the Jurassic World movies, which started with the fourth flick in the series back in 2015, made completely out of Lego. Jurassic World by Brickman first popped up in Melbourne in 2021, then Sydney in 2022. Next, Brisbanites will be able to wander through it, too — and peer at more than 50 dinosaurs, props and scenes from the Jurassic World movies that have all been fashioned out of the popular plastic bricks in the process. That'll all be on display at Queensland Museum from Friday, December 8, 2023–Sunday, July 14, 2024 as the exhibition keeps touring the country. More than six million Lego blocks have been used in Jurassic World by Brickman, each brick stacked together to create the four-metre-tall park gates, the lab where the dinosaurs are genetically engineered, those instantly recognisable jeeps, a heap of creatures and more. Welcome to... your Lego Jurassic World fantasy, basically. Lego dinosaurs are clearly the main attraction and, yes, this event is going big. There'll be a life-sized brachiosaurus that weighs more than two tonnes, a huge tyrannosaurus rex, two life-sized velociraptors (Blue and Delta), and everything from a stegosaurus to a triceratops, too. Plus, you'll see some prehistoric creatures in the baby dinosaur enclosure, encounter more on the loose and learn how to track them over the exhibition's recreation of Isla Nublar (while using your imagination a whole heap, obviously). If it all sounds rather sizeable, that's because Jurassic World by Brickman is the largest Lego exhibition in Australia. And if getting a closer look at Jurassic World sounds a little familiar, you might remember the non-Lego exhibition that hit Melbourne back in 2016 and the current showcase that's on display in Sydney right now. In Brisbane, Lego aficionados will also be able to get building while they're there, with 2.5 million bricks to play with. This'll be a family-friendly affair, so expect to have plenty of small dinosaur fans for company. Queensland Museum is having a dino-filled year given that it just said goodbye to Dinosaurs of Patagonia on Monday, October 2. Featuring fossils from 13 dinosaur species, that exhibition included the patagotitan, which was the largest-known land animal, reaching 37 metres in length and weighing 70 tonnes. It wasn't made out of Lego, though. Jurassic World by Brickman will display at Queensland Museum, corner of Grey and Melbourne Streets, South Bank, South Brisbane, from Friday, December 8, 2023–Sunday, July 14, 2024 — with pre-sale tickets from Monday, October 16 and general sales from Monday, October 23. Head to the venue's website for further details. Images: Anna Kucera.
It hasn't served up meals for more than a decade, but El Bulli will always be a famous culinary name. Until 2011, when the spot in the town of Roses in Catalonia, Spain was operating as a restaurant, it was the pinnacle of fine-dining. It boasted three Michelin stars to prove it. Documentary El Bulli: Cooking in Progress also told its story. Head Chef Ferran Adrià didn't just oversee one of the world's best eateries, either — he's one of the world's best chefs, too. Didn't get the chance to enjoy a dish there, for all manner of reasons? How about sleeping at El Bulli for a night instead. That's the latest money-can't-buy experience on offer via Airbnb, and for one evening only. Slumbering at elBulli1846, the museum that's now onsite, is also free — for two people, but you are responsible of getting yourself to Roses, including paying your own way from Down Under if you score the booking. Airbnb loves opening up places that you wouldn't normally be able to kip in, as seen in the past with Shrek's swamp, Barbie's Malibu DreamHouse, the Ted Lasso pub, the Moulin Rouge! windmill and Hobbiton, for starters. It has also listed the Bluey house, the Paris theatre that inspired The Phantom of the Opera, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop, the Sanderson sisters' Hocus Pocus cottage and Santa's festive cabin in Finland. Earlier in 2024, Christina Aguilera hosted a two-night Las Vegas stay. Adrià does the honours at elBulli1846 — which, as you'd expect, goes all in on El Bulli's history. As you spend the night in the venue at Cala Montjoi, within the Cap de Creus Natural Park, he's hoping that you'll get inspired by its gastronomic innovation while soaking in the Mediterranean sea views. The museum is named after the 1846 dishes that El Bulli created in its restaurant days, after all. "The mission of elBullirestaurante was about pushing limits. We had reached what we felt was the limits of what can be done in a gastronomic experience at the maximum level," said Adrià. "Now I'm excited to push new creative boundaries, to share this way of seeing the world with the guests who stay here and to introduce them to our latest chapter as elBulli1846." This is the first time that El Bulli has allowed anything like this within its famed culinary halls. Whoever nabs the reservation will meet Adrià, and hear all about the restaurant from him; eat at one of his favourite restaurants in Roses; and get overnight access to El Bulli, including its private rooms. You'll also have dinner the next day at Enigma in Barcelona, where Adrià's brother Albert is the chef. And, in-between all of that, you'll be sleeping in a bed designed to look like a plate, which takes its cues from El Bulli's spherical olive. To enjoy all of the above, you'll need to be free to stay across Wednesday, October 16–Thursday, October 17 — and you'll be getting booking at 2am AEST / 4am NZST on Thursday, April 18. Again, while you won't pay a cent for accommodation or the two dinners while you're at elBulli1846, you will need to fork out to get there and back. For more information about the elBulli1846 Airbnb stay, or to book at 2am AEST / 4am NZST on Thursday, April 18 for a stay across Wednesday, October 16–Thursday, October 17, 2024, head to the Airbnb website. Images: Marc Ensenyat. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Turning trash into treasure is the aim of the game here, and there’s certainly ample bounty to reward the curious. The gift shop located within Woolloongabba’s Reverse Garbage Queensland headquarters stocks items made from salvaged odds and ends, everything transformed from their original state into beautifully crafted objects of all shapes and sizes. Lego rings, watch part earrings, and other types of trinkets line the store, celebrating timber, scrap metal, textiles and more taking on new forms and meanings, and illustrating the possibilities for the reuse of otherwise wasted and discarded materials. Embrace the unwanted this festive season – someone else’s garbage could be your perfect gift. Image: Yan Chen
Sound art may be on the fringes of the exhibition world, but Liquid Architecture is one Australian organisation dedicated to creating spaces and sonic encounters that bring the ideas and innovation of the medium to a contemporary art environment. Over two evenings, LA2015 Brisbane sees the organisation take over the Institute of Modern Art with a program of sonic exploration that critically examines the meaning and place of sound itself. The participating artists use home-made synthesisers, opera, folk music and psychic tests — to name but a few of the diverse methodologies encountered — in response to the organisation’s broader 2015 themes of capitalist surrealism, feminist methodologies and sonic warfare. Their work asks questions about contemporary life and technology, the social implications of capitalist ideology and the pervasiveness of state-corporate eavesdropping. LA2015 Brisbane runs from 5pm to 9pm on 3 and 4 October at the IMA. Image: Richard Dawson, Google Dreaming
