Whatever your pet pupper has planned for this Saturday, you'd best cancel it — your furry BFF is coming with you to the pub. Excuses to take the doggo out for a few drinks aren't lacking across Brisbane (The Brightside even has their own weekly shindig), but Archer's Brewsvegas event comes with a few inclusions that'll get your four-legged buddy yapping: a 100 percent dog-friendly beer and dog ice cream, too. Sounds like a Dog Day Afternoon, doesn't it? That's the plan from 1pm on March 10. And, because a pooch-and-pint party is even better when it's in an ace location, you'll have to wander through a bottle-o fridge to get there. As well as the aforementioned Archer Brewing 100% Dog Friendly Woof Ale and Hugo's Dog Ice Creamery's frosty treats, there'll also be a brand new dark beer — Archer's first, complete with a secret ingredient — for humans, pimp-your-own hot dogs, live music and heaps of stalls selling goodies for pups. And, while entry is free, proceeds from the pooch-friendly tipple will go to the dog rescue charity Herd2Homes.
Since the Australia Government introduced an effective and indefinite ban on international travel back in March to help stop the spread of COVID-19, no one has been heading overseas for a holiday. There has been plenty of talk since about what the future of global trips might hold over that time, of course. It's expected that the country's international borders unlikely to reopen until next year, for instance, while the entire international tourism industry isn't predicted to return to normal until 2023. If you plan to jet overseas via Qantas once you're able to, the airline's chief has advised one requirement you'll have to adhere to as well: you'll need to have had a COVID-19 vaccination. Speaking on A Current Affair on Monday, November 23, Qantas CEO Alan Joyce said that the airline is "looking at changing our terms and conditions to say, for international travellers, that we will ask people to have a vaccination before they can get on the aircraft". "Certainly for international visitors coming out and people leaving the country, we think that's a necessity," Joyce said. But when asked if the requirement would also apply for local flights, he wasn't certain. "Whether you need that domestically, we'll have to see what will happen with COVID-19 and the market," he advised. https://twitter.com/ACurrentAffair9/status/1330788260856131584 That means you'll need to add one more thing to your pre-travel checklist — with Joyce's statement coming at a time when a COVID-19 vaccine looks closer to becoming a reality. In the past few weeks, the companies behind three different vaccine candidates have announced positive results from their ongoing clinical trials, covering potential immunisations developed by Pfizer, Moderna and AstraZeneca. As a result, there is currently hope that vaccines might be able to start being rolled out in the new year. When you are able to receive a jab, it won't cost you a cent, as Australian Prime Minister Scott Morrison flagged back in August. Obviously, the government won't provide further details about how everyone will get vaccinated until a working vaccine actually exists. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
If Christmas rolls around, and you don't dress up your doggo in its festive finest and take it to see Santa, is it really Christmas? Felons Brewing Co thinks not. Not content with being Brissie's only riverside brewery, this new source of beers with a view is also giving the city's ale-sipping, Christmas-loving pooch owners exactly what they want: the chance to get their pet's portrait taken with the jolliest of figures. Between 3–5pm on both Saturday, December 15 and Sunday, December 16, the red-suited wonder known as Father Christmas will be outside Felons waiting to get snapped with your adorable four-legged friend. That's it, it's sorted: everyone you know is getting copies of the cute shot in their stocking. Best start looking for the best frames to go with them. The photos are free, although there is one caveat: they're for canines only. No kids, and no adults who think they're kids either. If you fall into the latter category, you can always treat yourself to a cold one afterwards.
Have you ever looked at Sydney Tower, the Harbour City's tallest structure, and wondered what it'd look like with 40-kilometre-long laser beams shooting out of it? When Vivid Sydney arrives for 2024, you'll no longer need to just ponder that question. The answer comes via Global Rainbow, which will project a fan of light from the tower courtesy of US artist Yvette Mattern. Vivid always boasts light installations and openair art as one of its key pillars, but the annual festival just might outdo itself with this year's display in the heavens. Across 23 nights between Friday, May 24–Saturday, June 15, in what marks the event's 14th year, Vivid has a plethora of other ways to liven up the New South Wales capital on its just-revealed 2024 lineup. Whether you'd like to hear tunes by Air, Budjerah and Yasiin Bey, or see artwork by Archibald Prize winner Julia Gutman on the Sydney Opera House's sails, or feast your way through a night food market, you'll be catered for at the winter showcase of music, luminous sights, culinary events and conversation. The theme: humanity. "Humanity is at the core of everything we do, and this year Vivid Sydney is diving deep into what makes us uniquely human," said Vivid Sydney Festival Director Gill Minervini. "We have curated a diverse program that explores the human spirit, designed to foster connections, spark imagination and showcase the multitude of ways creativity enriches our lives. Everyone is invited to be part of this global event in the world's most beautiful city to connect, create and celebrate." The Vivid Light program doesn't just include lengthy lasers and Gutman's Echo, but also the return of Lightscape to the Royal Botanic Garden Sydney so you'll be able to mosey through lit-up leafiness again. Plus, Reg Mombassa is turning the Customs House facade into a tribute to Aussie road trips, while Guan Wei's works will deck out the Museum of Contemporary Art's exterior. Our Connected City will light up the Sydney Harbour Bridge, as well as The Rocks, Circular Quay, the Sydney Opera House and a range of buildings in the CBD. If you head to Barangaroo, you'll be able to see two dazzling displays. First, the Stargazer Lawn will welcome a circular projection of the brolga's mating dance called Nest from Leila Jeffreys and Melvin J Montalba. Also, Sinclair Park's Stateless will get 4000 solar-powered LED candles glowing amid the sandstone blocks at Barangaroo Reserve. Vivid Music, the fest's music festival within the broader festival, is anchored by a heap of must-see gigs at the Sydney Opera House — French favourites Air celebrating their 1998 debut album Moon Safari chief among them. After playing Vivid 2019, Underworld are back to bust out 'Born Slippy (Nuxx)' again at more Australian-exclusive shows. Arca, Sky Ferreira, Fever Ray, Snoh Aalegra, Devonté Hynes with the Sydney Symphony Orchestra: they're all on the bill, too, as are parties from House of Mince, Mad Racket and Astral People. Budjerah is one of the highlights on Tumbalong Nights' free lineup, which also features grentperez, Mallrat, sunwoojunga and Silica Gel. And Yasiin Bey, who was formerly known as Mos Def, has a two-night stint at Carriageworks, where he'll work through his tunes and influences. Other standouts on the music program include working the Machine Hall Precinct into the mix, which is where Deerhoof, Underscores, Jen Cloher, No Fixed Address and Ngulmiya will play — and where Trackwork, The Huxleys and CLUB 4A will throw shindigs. Mary's Underground will again host the Vivid Sydney Supper Club. Back at Carriageworks, the venue will welcome Tirzah, Yves Tumor, Electric Fields and X CLUB as well. At Vivid Food, Vivid Fire Kitchen will go all in on barbecue in its new location at The Goods Line. Vivid Residence and Vivid Chef Series will also be back, but with details still to be revealed. Kyiv Social's Plates with Purpose: A Taste of Ukraine is a ten-course degustation that will make you feel like you're sat at a Ukrainian family's table. And, don't miss the chance to hit up the VividPlace Food Trail, which'll turn Sydney Place and Bulletin Place's laneways into a night food market each night of Vivid. There's also Our Shared Humanity at Refettorio OzHarvest, with Christine Manfield, Darren Robertson, Mitch Orr and more whipping up three-course vegetarian menus using rescued produce — plus Aurorae at Bennelong Bar, Bennelong's pop-up snack and cocktail bar. Also, A Culinary Canvas by Danielle Alvarez celebrates women in the Australian food and wine scenes in Sydney Opera House's Yallamundi Rooms. [caption id="attachment_945243" align="alignnone" width="1920"] Destination NSW[/caption] If you're eager to dissect the current state of the world, that's where Vivid Ideas comes in — and, in 2024, After the Fact especially. It's a new nightly chat through the news cycle, with the panel of guests set to rotate, but keeping the topics up-to-the-minute the aim. Or, if you're keen to embrace Vivid's overarching theme, Golden Age of Humanity will feature Kylie Kwong, Kate McClymont and other influential Aussie introducing films that typify humanity to them over nine evenings. Plus, at AI Will Destroy Humanity: A Future Science Debate, what the future might hold for humankind gets a comic spin. Add in the participatory A THOUSAND WAYS: An Encounter by New York company 600 Highwaymen, the Kings Cross- and Darlinghurst-focused Sex Work: A legal and social history, and Say My Name: The Humanity of Names — which is all about monikers that are unfairly considered tricky — and there's much to get you thinking. Two other such chances: Window Dressing, with Liesel Badorrek getting audiences peering into folks' ordinary lives via eight windows in a Frank Gehry building on The Goods Line; and Shifting Perspectives, featuring dancers performing around 24 mirrored plinths. [caption id="attachment_945240" align="alignnone" width="1920"] Shifting Perspectives, Saige Prime[/caption] Vivid Sydney runs from Friday, May 24–Saturday, June 15 at various locations around Sydney. Head to the festival website for further details and tickets. Top image: Destination NSW.
What happens when you take the Australian teen series of the 90s and update it to the 2020s, all while riding a huge wave of nostalgia for all things stemming from three decades back? Even thanks to just the first part of that equation, every fan of beloved 1994–99 hit Heartbreak High could've told you that the end result would be a smash. And, streaming on Netflix since September, that's exactly how the ace new Heartbreak High revival has turned out — so much so that there's going to be a second season. No one has been saying "rack off" to the Sydney-set show's latest run, or its new batch of Hartley High teens, or their fresh dose of teen chaos. Not Aussie audiences, with the series sitting in Netflix's top ten TV shows in the country for the five weeks since its release. Not global viewers either, with Heartbreak High 2.0 also reaching the top ten in more than 43 countries, including in the US and across Europe, Africa and Asia — and spending three weeks in the global top ten, too. The streaming platform also advises that its subscribers clocked up 42.6 million hours watching Heartbreak High in three weeks. That's not bad for the latest high school-focused revival, doing what Beverly Hills, 90210 did, plus Saved by the Bell and Gossip Girl as well, but with a firmly Aussie spin. Unsurprisingly, Netflix has greenlit Heartbreak High for a second season, although exactly when it'll drop hasn't been revealed. Still, if you're keen to spend more time with Amerie (Ayesha Madon, The Moth Effect), Harper (Asher Yasbincek, How to Please a Woman), Darren (screen first-timer James Majoos), Quinni (Chloe Hayden, Jeremy the Dud), Dusty (Josh Heuston, Thor: Love and Thunder), Ca$h (Will McDonald, Home and Away), Malakai (Thomas, Troppo), Spider (Bryn Chapman Parish, Mr Inbetween), Ant (debutant Brodie Townsend), Sasha (Gemma Chua-Tran, Mustangs FC) and Missy (fellow newcomer Sherry-Lee Watson), start getting excited now. Season one started with Amerie becoming a pariah at Hartley after a big revelation — an "incest map" plotting out who's hooked up with who throughout the school — and also struggling with a sudden rift in her friendship with bestie Harper. Attempting to repair her reputation, she calls on help from her new pals Quinni and Darren, all while working through her crush on Dusty and developing feelings for Malakai. And that's just the start of Heartbreak High's 2022-set story so far. It was back in 2020 that Netflix initially announced that it was bringing the series back — and yes, it sure is a 2020s-era take on the Aussie classic. Adolescent chaos is still the main focus, including everything from friendship fights, yelling about vaginas from the top of a building and throwing dildos at walls through to consent, crime, drugs and police brutality. The original Heartbreak High was a massive deal, and was filled with now-familiar faces, including Alex Dimitriades, a pre-Home and Away Ada Nicodemou, and Avengers: Endgame and Mystery Road's Callan Mulvey as Drazic. It painted a multicultural picture of Australia that was unlike anything else on TV at the time. And, for its six-year run across two Aussie networks, the Sydney-shot show was must-see television — not bad for a series that started as a spinoff to the Claudia Karvan and Alex Dimitriades-starring 1993 movie The Heartbreak Kid, too. Check out the trailer for the new Heartbreak High below: Heartbreak High season two doesn't yet have a release date — we'll update you when one is announced. The show's first season is available to stream now via Netflix. Read our full review.
After playing to sold-out arenas the globe over, the Black Keys will return to Australia this October. The Lollapalooza and Coachella headliners are bringing their latest album 'El Camino' to six Aussie locations. Though the Black Keys started out humbly as a two-member garage band, their rise to festival and arena headliners is a testimony to their music. Australian fans welcomed the band to Oz in 2003, and have since enjoyed five more Black Keys tours. This tour highlights the band's seventh album in a show which promises to be their best yet. The Black Keys will make appearances in Newcastle, Sydney, Brisbane, Adelaide, Melbourne, and at Perth's Rock It festival. Don't miss out: tickets go on sale after noon today here.
Did you know Australia is the world's seventh-largest market for champagne? And, because we never do anything by halves, we're also the largest consumers of champagne per person outside Europe. We also seek quality over quantity, with drinkers choosing sparkling and champagne from vineyards with high quality vines. Avid champagne drinkers may have noticed an increasing number of rosé champagnes in their favourite bars and bottle shops, too. This is thanks to a rosé revolution — a surge in popularity for not only still pink wines but also for sparkling and champagne rosé — which is why we've partnered with Moët & Chandon to bring you a quick guide to the complex drink that can range from amber to hibiscus pink in colour, and from red currant to strawberry in flavour, and pair surprisingly well with sashimi and roast chicken. Read on to find out why your next glass of champagne should be pink. [caption id="attachment_760242" align="alignnone" width="1920"] Pinot meunier grapes; Fred Laures[/caption] PINK CHAMPAGNE IS MORE COMPLEX THAN YOU THINK It's also drier and has layers of flavour. Winemakers use red wine grapes pinot noir and pinot meunier as the basis for rosé champagne; they take the intensity and structure of the pinot noir and combine it with the opulent flavours of meunier — think wild strawberry and cranberry characters — which creates a champagne that has freshness as well as layers of flavour. [caption id="attachment_758615" align="alignnone" width="1920"] Lasseter Winery[/caption] IT'S THE ONLY TIME WINEMAKERS ARE PERMITTED TO BLEND RED AND WHITE WINES No, really. Making rosé champagne is the only time when it is permitted to blend still red wine and still white wine together to make rosé. The process is called rosé d'assemblage and winemakers combine a percentage of red wine (usually pinot noir or meunier) with the cuvée. Taking it a step further, Moët & Chandon trains its winemakers to master the specific techniques necessary to make red wines, giving them a devoted space, amenities and resources to allow them to focus on the nuances of crafting red wine. No other rosé champagne producer in the Champagne region has taken comparable steps. ROSÉ CHAMPAGNE DATES BACK TO THE 1700s The first documentation of rosé champagne was on March 14, 1764. It was discovered in entries from historic champagne house Ruinart's accounts book, which detailed a shipment of "a basket of 120 bottles", 60 bottles of which were Oeil de Perdrix ("Eye of the Partridge"), refers to "a delicate pink coppery colour." Some champagne houses like Moët & Chandon are celebrating their 43rd vintage of rosé champagne. IT PAIRS WITH MORE THAN JUST OYSTERS Rosé champagne comes alive with food. There's a common misconception that both champagne and rosé champagne should only be drunk at the beginning of a meal (with oysters or as an aperitif), but ask any sommelier or champagne lover and they will tell you that the vibrancy and delicate lines of acid are perfect for freshening the palate after foods like roasted pork, cured meats, or even after devouring a delicious burger. It makes the ideal brunch wine alongside fruit platters, which highlight the wine's natural fruit characters, and its minerality and acidity pairs well with a smoked salmon blini. Get creative and come up with a few unusual pairings at home. [caption id="attachment_762305" align="alignnone" width="1920"] Anna Kucera[/caption] THE POP PRESSURE IS INTENSE The pressure in a bottle of rosé champagne (or any champagne for that matter) is equivalent to three times the pressure in your average car tyre (around 96psi) — which is why you should never take your hand off the cork when opening a bottle. This pressure is created through the process of fermentation within the bottle; when the yeast eats all the natural sugar in the grapes to produce alcohol, carbon dioxide is the by-product of this process and it gets trapped within the bottles of champagne. In rosé champagne the result is delicate pink bubbles that dance on your tongue. TWENTY PERCENT OF MOËT & CHANDON CHAMPAGNES ARE PINK One in five bottles (or around 20 percent of champagne production) from Moët & Chandon House is rosé. It takes the crafting and production of the blend very seriously. Its focus on higher quality champagnes shines through in the wine, which shows various vinous characters in different vintages with each new release. The non-vintage (NV) styles are made to a 'house style' and are consistent from year to year. [caption id="attachment_760219" align="alignnone" width="1920"] Moet and Chandon Vineyards at the Loge Mont Aigu[/caption] IT'S (SURPRISINGLY) EXCEPTIONAL VALUE FOR MONEY Truly. Hear us out. Only the most outstanding pinot noir grapes, harvested from the House's own highly rated premier crus and grands crus vineyards (read: highly rated in French classification terms), are made into the red wines to be blended into Moët & Chandon's Grand Vintage Rosé Champagne. So you're always guaranteed incomparable quality every time you pop a bottle open. Moët & Chandon's Rosé Impérial is a fruity and elegant champagne with gooseberry, raspberry and wild strawberry notes. Find out more here. Top image: Boudewijn Boer.
Borders are finally open, interstate travel is firmly back on the cards and holiday-planning feels a whole lot less sketchy than it has for the past two years. And, in a show of fitting timing, you've just scored an extra excuse to cross the Bass Strait for that long-dreamt-of Tassie getaway. Namely, the sprawling new-look cellar door expansion unveiled at Devil's Corner. The renowned winery sits on around 180 rolling green hectares in Apslawn on the Great Eastern Drive, around one hour and 45 minutes southeast of Launceston. A major seven-month expansion to the site's award-winning cellar door has recently upped the ante, cementing its status as one of the region's must-visit wine-sipping destinations. The cellar door has more than doubled in size and scored a refreshed look by celebrated Tasmanian architects Cumulus Studio. Visit and you'll discover an assortment of indoor-outdoor spaces that pay homage to the property's rugged, natural surrounds; all offering sweeping views across the vines and down to the Moulting Lagoon wetlands. It's been designed and built using a similar approach to that of the winemaking here, embracing the natural elements this pocket of the world's been gifted with. On the upper level, the new Hazards Tasting Room is your spot for sipping, swirling and immersing yourself in Devil's Corner's vast catalogue of cool-climate drops. It's named after the mountain range that towers over the region; the vistas of which you can admire while partaking in one of the guided tastings, happening from 10am daily. Onsite eateries The Fishers and Tombolo both have new and improved homes within the cellar door precinct. What's more, punters can choose from various indoor and openair dining areas to enjoy their woodfired pizzas, fresh local oysters and loaded bowls of chilli mussels. Matched with a few glasses of Devil's finest pinot noir or a self-guided tasting paddle, of course. Downstairs, set into the hill, sits the Devil's Den — a cellar, events space and bar, where private functions, and food and wine masterclasses will take place overlooking the neat rows of vineyard. And for some of the site's most breathtaking vistas, head to the top of the lookout tower, where you can experience the winery's grand scale like nowhere else. Time for an interstate wine-sipping adventure? Yes, we think so. Find Devil's Corner Cellar Door at 1 Sherbourne Road, Apslawn, Tasmania. It's open daily from 10am to 5pm.
For much of the DC Extended Universe, aka the film franchise based on DC Comics' stable of caped crusaders that started in 2013, it has often felt like the movie saga has been trying to play catchup with the Marvel Cinematic Universe. That won't change when The Flash lands in theatres in mid-June, as the flick's just-dropped first trailer shows — because after the MCU went all in on multiple versions of Spider-Man in the same feature, the DCEU is doing the same with two takes on Batman. Yes, this is meant to be Barry Allen's (Ezra Miller, Fantastic Beasts: The Secrets of Dumbledore) time to shine, with multiple iterations of the character also known as The Flash in the movie that bears his name. But bringing in the DCEU's existing Batman Ben Affleck (The Tender Bar) and Tim Burton-era Batman Michael Keaton (Morbius) was always going to monopolise attention. Everything is a multiverse these days, clearly, as viewers can see in The Flash's debut sneak peek. Here, Barry's actions cause worlds to collide, after he uses his speedy powers to travel back in time to change the past. You don't need to be a regular viewer of comic book-based films to know that that's never a good idea. In Barry's new reality, General Zod (Michael Shannon, Amsterdam) is back and keen to destroy everything, and superheroes are also nowhere to be seen. That said, if The Flash can convince a different Batman to pop on the cape and cowl, and team up with a Kryptonian — with Sasha Calle (The Young and the Restless) playing Supergirl — the universe might be able to be saved. Also featuring among the cast: Ron Livingston (The Estate), Maribel Verdú (Raymond & Ray), Kiersey Clemons (Somebody I Used to Know) and Antje Traue (Dark). Filmmaker Andy Muschietti directs, in his first flick after creeping cinemas out with IT and IT: Chapter Two. And yes, the DCEU is about to look a whole lot different, given that The Suicide Squad filmmaker James Gunn and film producer Peter Safran are now overseeing DC's movie output — in what's being badged as a reboot, apparently starting with The Flash. Check out the first trailer for The Flash below: The Flash releases in cinemas Down Under on June 15, 2023.
Pulling from the culinary trends taking over Japan, the team at Harajuku Gyoza is always working on sweet surprises. Now, for a limited time, they're launching a hidden dessert pop-up in the heart of the CBD on Albert Lane. Riffing on the classic Mont Blanc dessert, sweet-tooths will encounter four colourful cones priced at $12 each, layered with fluffy air cheesecake, castella cake and mochi. Then, for the crowning touch, classic Mont Blanc strands are pressed on top right before your eyes. With each option as bright and toothsome as the last, you're welcome to delve into classic fruit flavours like strawberry and mango. Meanwhile, Asian-inspired flavours like taro and matcha round out this Instagrammable lineup. Served out of the Harajuku Gyoza window, this pop-up storefront has got the design to match — think kawaii ice cream shop vibes. Available daily until mid-October from 11.30am–late, make sure you discover the Mont Blanc Cone Pop-Up before it's gone for good.
While an airport's not usually the kind of place you scramble to spend time in, Singapore's Changi Airport has a knack for making the whole transit thing a little more fun. And right now, the major transport hub — which welcomes a cool 65 million visitors each year — is embracing the festive season, unveiling a new immersive Frozen-inspired winter wonderland pop-up. Running until January 5 in celebration of Disney's soon-to-be-released Frozen 2, the installation will see various parts of the airport transformed into snow-dusted fantasy worlds, evoking all those white Christmas feelings. The airport's new nature-themed retail and entertainment precinct Jewel will play host to a program of dazzling themed light and sound shows, splashed across its Rain Vortex: the world's tallest indoor waterfall. There'll also be a festive market selling a wide array of handmade goodies for last-minute Christmas present shopping, as well as an offering of workshops covering crafty endeavours like terrarium-making and ukulele-painting. Meanwhile, the T3 Departure Hall will feature an immersive enchanted forest pop-up, with four challenge zones inspired by the four elements of nature. Sure, it's a total kids' paradise, but there's also plenty to charm the young at heart, from jolly stilt-walkers to larger-than-life installations and roving carollers. The faux snow will be a-flying at regular intervals and Changi will even be graced by its biggest Christmas tree ever – a 16-metre-tall stunner, decked out head-to-toe in full festive finery and lit-up dramatically at 6.30pm each evening. Keep an eye out for it at the Jewel entrance near Terminal 1. Changi Airport sure knows how to keep a travel-weary person entertained between flights. During last year's Christmas period, it hosted an immersive Harry Potter-themed world, while earlier this year, it unveiled its new 14,000-square-metre Canopy Park, complete with mirror and hedge maze, topiary walk (which is currently filled with snow) and slide-filled sculptural playground. A Frozen Wonderland at Changi is located in Terminal 1-3 at Changi Airport until January 5, 2020.
Aunty Donna fans, we're living in a golden time for the sketch comedy group's jokes making their way from skits to IRL. Obviously, everything is still a drum and always will be. On top of that, though, Mark Samual Bonanno, Broden Kelly and Zachary Ruane are making a sitcom about whipping up morning browns, have dropped an Always Room for Christmas Pud picture book and are releasing a $30 bottle of wine literally called $30 bottle of wine. If you're already giggling at all of the above, then you know the skits that they all spring from — and, when it comes to the new vino, you're ready to chug-a-lug. First, though, you'd also best be prepared to aerate the wine by pouring it into a decanter, then wait an hour before drinking. Then, you'll need to swirl, sniff, maybe find a cupcake in your glass, spit some wine out to explore the flavours and just generally feel like a fancy rich type. View this post on Instagram A post shared by Built To Spill Wine (@builttospill.wine) Saying that it costs $30 a lot, and respecting it because it costs $30, are also essential. So is singing the Home and Away theme song, apparently. Obviously, you don't have to take Aunty Donna's $30 Bottle of Wine skit as actual instructions, but watching said clip while drinking is definitely recommended. The $30 bottle of wine — which isn't just any bottle of wine, of course — hails from a collaboration with Built to Spill. The wine label was started by Tai Tate (ex-Porteno, Mary's, P&V) back in 2020 and has built itself up a following since, with this collaboration coming after Tate was introduced to the world of Aunty Donna by tattoo artist called Sanchez. The latter has now done the honours with the bottle's label, in fact, and yes, the words "$30 bottle of wine" feature prominently. Tate advises that the wine, which retails for $29.95 and ships from Monday, November 28, is probably worth more than $30. A natural shiraz from Macedon by Trutta Wines, it features bright red fruits and cacao, plus notes of cranberry and wild cherry. Go on, give all that a mention as you're sipping — you have to, it's the $30-bottle-of-wine way. Built to Spill is selling Aunty Donna's $30 bottle of wine solo, and in a bundle with Always Room for Christmas Pud. Ace Christmas present alert, clearly. All that's left now is to revisit the sketch that started it all, because you can never watch it too many times. Check it out below: For more information about Aunty Donna's $30 bottle of wine, head to the Built to Spill website. Orders are open now, and bottles ship from Monday, November 28.
When West Village revamped its chosen patch of West End, it took over a site of significance. From 1928–1996, the Boundary Street spot was home to the Peters Ice Cream Factory, which churned out frosty dairy desserts for seven decades. That's why, to mark the precinct's past, West Village hosts an annual ice cream festival — and it's also now home to Anita Gelato. The international chain already has stores in Barcelona, New York, San Juan, Tel Aviv and Sydney, but its new West Village spot marks its first Queensland shop. Its specialty: boutique handmade gelato, with more than 150 flavours in its range. That hefty lineup includes yogurt and sorbets, too, as well as its organic, sugar-free, fat-free, soy-based and real cream-based gelato. For those new to the brand, it started almost 20 years ago in the Mediterranean, with its namesake and her youngest son Nir making frozen desserts for their friends and neighbours. Then, Nir began selling their ice creams — which use Anita's homemade jams for flavour — at local markets. Opening a store was the next step, then more followed around the world. Those jams, still made in Anita's kitchen, remain a feature — although you can choose from other toppings, such as fresh fruit, syrups and chocolate. You'll spy a heap of those add-ons on display in gold tiered trays at Anita's eye-catching West End setup, which goes big on green hues, wooden furniture and mirrors. Wondering what kinds of flavours rank among that 150-strong list? While you won't find them all on offer every day, the list includes creamy varieties such as pavlova, salted bagel, chocolate cheesecake, cappuccino with butter cookies, and chestnut with hazelnut cream.
When Australia's international borders reopen to the world in November — and when Aussies are permitted to fly overseas for holidays again from Monday, November 1 — that'll only fix one problem when it comes to travelling the globe. Obviously, being allowed to leave the country for a getaway is a big step, especially after more than 18 months of doing exactly that being banned. But being permitted to enter whichever destination you're heading to is obviously just as important. Different countries have different rules about who can visit — and, crucially, the requirements also vary regarding vaccination status. Also, once you've made it into your destination, the conditions might also vary regarding showing you're vaxxed to step inside venues and attend events. Accordingly, proving that you've been double-jabbed isn't something you'll only need to do at home — in New South Wales and Victoria under their reopening roadmaps, for example. So, the Australian Government is launching an international travel certificate that shows if you've been double-vaccinated. It'll become available for use from Tuesday, October 19. As announced on Sunday, October 17, the 'International COVID-19 proof of vaccination' certificate will be provided to Aussies and Aussie visa holders — as long as you have a valid passport, and also your COVID-19 vaccination has been recorded on the Australian Immunisation Register (AIR). You will still need to request one, though, which you can do either by accessing your Medicare account through My Gov or using the Medicare Express app. If you're wondering how it'll work when you're travelling, the new certificate includes a secure QR code that border authorities around the world can access, letting them confirm your COVID-19 vax status. It'll also be marked with a visible digital seal for security purposes, and has been designed to meet the new global standard for these types of passes — as specified by the International Civil Aviation Organization and conforms with World Health Organization guidance. For more information about showing your vaccination status for international travel, visit the Services Australia website.
It could potentially be the final film for Studio Ghibli. And by gum, it looks like our hearts will be firmly in our hands. Set for limited release across Australia on May 14 for two weeks only, When Marnie Was There could be the last Ghibli feature film ever; after the Japanese animation legends announced the possibly permanent closure of their film division last year. Spirited Away creator and Ghibli co-founder Hayao Miyazaki retired from filmmaking before the 2013 release of The Wind Rises, and fellow Ghibli head Isao Takahata's Academy Award-nominated film The Tale of the Princess Kaguya didn't fare too well at the box office outside Japan. So we've got big hopes for the studio's last wild feature-length ride, directed by Hiromasa Yonebayashi (The Secret World of Arrietty). When Marnie Was There following the life of a lonely girl, Anne, whose foster parents decide to send her to the country to stay with distant family. After stumbling across a strangely familar old mansion, she meets Marnie, the mysterious girl who lives there. Ghibli magic ensues. Check out the trailer here: When Marnie Was There is set for limited release across Australia on May 14 for two weeks only, screening in both original Japanese language and English dubbed versions. Check your local cinema listings.
The Brisbane International Film Festival is expected to be postponed for 2014 ahead of a Screen Queensland board meeting this Friday. The Australian report this bad news comes as a result of the G20 summit due to be held at the same time in November — one more in a long list of ways in which politicians are messing with our arts these days. Just as Sydney Film Festival gears up for its opening, and the Melbourne International Film Festival organises a lineup ahead of its program launch in July, it has been reported that BIFF is suffering huge internal rifts that may prove fatal. Not only is it facing the troubles posed by the G20 summit, BIFF also has an extremely limited staff (including no sponsorship or marketing), and Screen Queensland are reportedly questioning their involvement entirely. While the other major cities' festivals are run by independent bodies with festival directors such as Nashen Moodley and Michelle Carey, BIFF has been overseen by representatives from Screen Queensland. Both the Sydney and Melbourne festivals are merely supported by their state-governed film bodies, not managed by them. In light of these difficulties, it's been suggested that the Asia Pacific Screen Awards could absorb BIFF in future years. Overall, the future of the event is still not clear. More details will undoubtedly emerge after Screen Queensland meet to discuss it on Friday. But either way, the outlook doesn't look great. Via The Australian. Photos: Matt Warrell.
When clouds start gathering in the sky, rain keeps pouring and storms hit, ever wonder what life would be like if something other than water streamed down from above? Everyone has — and now that idea has become a reality. Meet the world's first tequila-dripping rain cloud. Yes, this visible mass of minute droplets really is made of tequila, unleashing its boozy goodness first as a mist and spray that condenses inside a plastic container, and then as rain that drips down from the whispy structure. All anyone keen for a drink needs to do is stand by with a shot glass in hand. Bring your own lemon and salt. https://www.instagram.com/p/BRa17gCjyiW/?taken-by=visitmexico Unsurprisingly, you won't find the tequila cloud in sky — instead, it's located in a Berlin gallery as part of a promotional campaign devised by creative agency LAPIZ to entice German tourists to Mexico. Sure, it sounds like something out of Parks and Recreation; however it doesn't come with vodka in the form of a flash of light or whisky turned into lotion. Synchronised with the weather outside, the cloud actually starts raining showers of tequila when its natural counterparts in Berlin do the same with good old fashioned H20. The project follows in the footsteps of the agency's melting billboard, which turned ice into snow with the simulated power of the Mexican sun to show Berliners what they were missing (and to try to convince them to book a holiday). Via Food & Wine / The Huffington Post.
He's a hip-hop and fashion trailblazer. His latest album Chromakopia dropped in 2024. He's also heading to Australia again in 2025. That'd be Tyler, The Creator — and he's coming with friends, with the genre-bending rapper boasting Lil Yachty and Paris Texas in support. Tyler, The Creator last headed this way on a headline tour in 2022, and played Splendour in the Grass as well. On his latest trip, he has a two-night date with Brisbane, playing Brisbane Entertainment Centre across Saturday, August 30–Sunday, August 31. Luis 'Panch' PerezThe Chromakopia tour follows his 2024 Coachella headlining set, on a bill that also included Lana Del Rey, Doja Cat, No Doubt and plenty more. Before 2022 — which marked Tyler's first set of headline shows down under in over eight years — the last time that the star graced Australian shores was for a series of festival appearances over New Years 2020–21, hitting up the likes of Beyond the Valley and Field Day. [caption id="attachment_823369" align="alignnone" width="1920"] Demxx via Flickr[/caption] Top images: Raph_PH via Flickr.
Since 1989, Sweden's Icehotel has given travellers a decidedly cool place to stay each winter. December hits, and the site reveals its new frosty rooms — the kind that are carved out of ice and only around for a short time, as they'll melt once the weather gets warmer. They're not just any old slabs of ice and snow in the village of Jukkasjärvi, 200 kilometres north of the Arctic Circle, however. As part of their annual tradition, the accommodation provider calls for designers and artists to unleash their chilly ideas — then unveils their wondrous creations to travellers. In this year's crop? A snail world made out of cold, cold substances, a hanging installation that you can sleep in, a bed you can only reach by navigating a 34-meter ice labyrinth and another than requires walking over a bridge — and some thin ice — before you can bunk down for the night. Other highlights include a frozen jungle of Monstera-plants, an icy Fabergé egg, a space-inspired space, and a dream-like, cloud-esque piece that UK artist Lisa Lindqvist has dubbed "an art installation who also happens to be a bedroom." Now open until April 15, 2018, the fresh blend of ice and creativity features 35 one-of-a-kind rooms in total, as crafted by 36 artists from 17 countries. They're made from more than 30,000 cubic metres of snice — that's a mix of snow and ice — from the local Torne River. As well as places to sleep, the new iteration also includes an ice bar, ice ceremony hall and ice gallery. If you're a fan of the kind of coldness the southern hemisphere doesn't see at this time of the year, but you can't make it to Icehotel's cold climes during the northern winter, don't worry — in addition to their annual slate of artistic suites, Icehotel has been open all year round for the past year. It inclludes 20 permanent suites, an ice bar, plus private saunas and spas for an added touch of warmth in such cold surroundings. For more information about Icehotel, visit www.icehotel.com. Images: Asaf Kliger.
Two comebacks are better than one, which is exactly what Tyla Dombroski and Trad Nathan have delivered at 711 Ann Street in Fortitude Valley. As The Zoo, that address was home to a legendary piece of the city's live music history for 32 years, until it closed its doors in July 2024. Thankfully, the team behind fellow venue Crowbar snapped up the lease — so as well as ensuring that tunes still echo from this beloved location, the Crowbar brand has made its Brisbane return. If you were heartbroken and couldn't imagine the city's music scene without one of its most-famous places when The Zoo bid farewell, that was understandable — its influence was that big. It was back in October 2024 that news arrived that Crowbar would be taking over, ensuring that the pivotal spot wouldn't be empty, or silent, for long. The reborn venue has been welcoming punters in since late last year, and currently boasts a pack slate of gigs for 2025 featuring everyone from The Runaways great Cherie Currie through to Guitar Wolf and Shihad. Dombroski and Nathan know what it's like to have to shut one of the city's favourite hangouts — and now they've saved the day at The Zoo. 2024 marked four years since Crowbar said goodbye in the River City, where it initially launched in 2012 before expanding to Sydney in 2018, due to the impact of the pandemic. Luckily that absence was relatively short-lived. "The Zoo has been an institution in Brisbane for over three decades. Crowbar intends to honour the amazing path laid before us and continue offering great events for years to come," said Nathan back when its return was announced. "As a former punter, band member, booker and promoter, playing The Zoo was a great achievement for aspiring bands — we're excited to be able to keep music within its walls." "We are so grateful to have the opportunity to work with the landlords, the Apostolos family, in maintaining the property as a live music venue. Our focus is to continue providing a great space for artists and music lovers, while working with industry and government to ensure the survival of grassroots venues across Australia," added Dombroski. In its new location, Crowbar Brisbane 2.0 includes an American-inspired, smashed burger-slinging menu from eatery Ultimate Pig, where fried chicken, barbecue and more are on offer — think: brisket-stacked burgs, buffalo wings, house-smoked pulled pork, mac 'n' cheese and loaded fries, for instance — plus a rebrand by Melbourne artist Callum Preston, who has also done the same for Crowbar Sydney. The Zoo's 32-year run saw it host gigs by local favourites such as Resin Dogs and Screamfeeder, Aussie greats like Nick Cave and Silverchair, and international acts including The Pixies and The Black Keys — and plenty more in-between. The team behind the venue closed it down due to "rising operational costs and decreasing returns". "Sadly, the financial reality of keeping music venues afloat in 2024 is all too stark. The Zoo reached its highest ticket sales in its 32-year history last year, yet this was still not enough to combat rising operational costs and decreasing returns," The Zoo crew advised when they broke the news. Find Crowbar Brisbane at 711 Ann Street, Fortitude Valley — open 11am–5pm and 7pm–12am Thursday and Sunday, and 11am–5pm and 7pm–3am Friday–Saturday. Head to the venue's website for tickets and more details.
Girl Asleep, by director Rosemary Myers, has been touted as an Australian version of Napoleon Dynamite. It's an obvious comparison, but while there are many similarities, Girl Asleep will leave you feeling something much deeper than mild amusement and confusion (sorry Napoleon, but it's true). For a start, it's a coming of age film starring actual teenagers, and that awkwardness translates beautifully to the screen. Greta (Bethany Whitmore) is 14, very shy and starting life at a new school. On her first day there she meets the geeky Elliot (Harrison Feldman) and they develop an unlikely friendship. Her life and all its inherent confusion stays private until her parents (played so very well by Amber McMahon and screenwriter Matthew Whittet) throw her a massive 15th birthday party and all her internal chaos spills over. The narrative is well-paced and comfortingly predictable, until the third act when Greta is plunged into a surreal, sexy world of Abject Men, Frozen Women, vaguely sinister forest creatures and lessons about sisterhood. It's a brusque transition but not unexpected, since the whole film has a touch of the surreal about it. There's an air of awkwardness that at times that goes beyond the script, although thankfully the two young leads are supported by a fluid and confident supporting cast, who lend the whole production a professional veneer that keeps your faith intact. Myers originally developed and executed the story as a stage play, and you can see fragments of the stage in the two-dimensional composition and the all-singing, all-dancing dramatics that give the film its signature look. And what a look! Girl Asleep is worth the ticket price alone just for the attention to detail in the props, costumes and sets. It's all so glamorous, so coordinated, so excessive and so 70s – a visual smorgasbord of big hair, tight shorts, flares and loud patterned wallpaper. And yet, behind the glamour and theatrics, viewers will find a remarkably relatable protagonist. Greta deals with her questions of identity, gender, sexuality and feminism in a way that will catch you by surprise, right in the feels. The writing hits a subtle emotional frequency that offsets and works well with the zany visual antics, helping to set Girl Asleep apart from the pack. https://www.youtube.com/watch?v=9lJSjVbTvDs
For the past five years, Eleven Rooftop Bar has welcomed Brisbanites eager for a drink with a view, pairing a 270-degree vantage across the city with cocktails and tapas. Come mid-July, however, the Fortitude Valley venue is undergoing a significant makeover — temporarily saying goodbye to its current setup to welcome new pop-up Maya Mexican. The revamped bar will serve up mezcal cocktails, tequila, margaritas and bites to eat inspired by the country that gives the pop-up its name — as well food influenced by the Pacific Coast, Yucatan and Sonoran regions. While the menu hasn't yet been released, you can expect dishes such as spicy tuna tostadas, snapper tacos and wagyu steak asado, as well as a late-night range. Open grill and flame-grilled cooking will feature heavily. Also prominent: decor to suit the site's short-term change of focus, with Maya Mexican launching after the eleventh-floor Ann Street spot undergoes a refurbishment. That will include plenty of stone, marble and timber, a hefty use of white and a scattering of plants, including desert cacti. The venue will also benefit from a bigger seating area and a renovated courtyard, plus booth and lounge seating. Casual in vibe, the pop-up will open from 5pm on weekdays and from midday from Friday–Sunday for openair beverages with quite the backdrop — with DJs spinning tunes also part of the setup. And if you're wondering about the venue's old guise, owner Jason Coats says that it will come back down the track. "It's taken a lot of guts to transform Eleven Rooftop Bar, however all we can say, is it's definitely not goodbye forever," he notes. Find Maya Mexican at 757 Ann Street, Fortitude Valley from a yet-to-be-revealed date in mid-July — we'll update you with exact opening details when they're announced. Images: Eleven Rooftop Bar
It has been 87 years since Perry Mason first started sleuthing his way across the page, 86 since the defence attorney character initially hit the big screen, 77 since he made the leap to radio serials and 63 since he made his TV debut. In other words, this is a fictional figure with more than a little history — but 2020's version, starring Matthew Rhys, just might be the best yet. Brooding, moody, slinky, and making the most of thematically fitting, visually stunning inky black tones and lingering shadows, the HBO series heads back to 1932, when Los Angeles and the US in general are struggling with the Great Depression. Traumatised from World War I and grappling with a tough divorce, Mason is struggling as well. Then he's hired on a missing-child case as a private detective, and this star-filled series — think: John Lithgow, Robert Patrick and Tatiana Maslany, among others — kicks into quite the compelling gear.
Back in 1962, in the first-ever Bond film Dr No, the suave, Scottish-accented, Sean Connery-starring version of 007 admires a painting in the eponymous evil villain's underwater lair. That picture: Francisco Goya's Portrait of the Duke of Wellington. The artwork itself is very much real, too, although the genuine article doesn't appear in the feature. Even if the filmmakers had wanted to use the actual piece, it was missing at the time. In fact, making a joke about that exact situation is why the portrait is even referenced in Dr No. That's quite the situation: the debut big-screen instalment in one of cinema's most famous and longest-running franchises, and a saga about super spies and formidable villains at that, including a gag about a real-life art heist. The truth behind the painting's disappearance is even more fantastical, however, as The Duke captures. The year prior to Bond's first martini, a mere 19 days after the early 19th-century Goya piece was put on display in the National Gallery in London, the portrait was stolen. Unsurprisingly, the pilfering earned plenty of attention — especially given that the government-owned institution had bought the picture for the hefty sum of £140,000, which'd likely be almost £3 million today. International master criminals were suspected. Years passed, two more 007 movies hit cinemas, and there was zero sign of the artwork or the culprit. And, that might've remained the case if eccentric Newcastle sexagenarian Kempton Bunton hadn't turned himself in in 1965, advising that he'd gotten light-fingered in protest at the obscene amount spent on Portrait of the Duke of Wellington using taxpayer funds — money that could've been better deployed to provide pensioners with TV licenses, a cause Bunton had openly campaigned for (and even been imprisoned over after refusing to pay his own television fee). First, the not-at-all-inconsequential detail that's incongruous with glueing your eyes to the small screen Down Under: the charge that many countries collect for watching the box. Australia and New Zealand both abolished it decades ago, but it remains compulsory in the UK to this day. As played by Jim Broadbent (Six Minutes to Midnight), Bunton is fiercely opposed to paying, much to the embarrassment of his wife Dorothy (Helen Mirren, Fast and Furious 9) whenever the license inspectors come calling. He's even in London with his son Jackie (Fionn Whitehead, Voyagers) to attempt to spread the word about his fight against the TV fee for pensioners when Goya's painting is taken — that, and to get the BBC to produce the television scripts he devotedly pens and sends in, but receives no interest back from the broadcaster. Even the Bond franchise couldn't have dreamed up these specifics. The Duke's true tale is far wilder than fiction, and also so strange that it can only spring from reality. Directed by Roger Michell (My Cousin Rachel, Blackbird) — marking the British filmmaker's last fictional feature before his 2021 passing — it delivers its story with some light tinkering here and there, but the whole episode still makes for charming viewing. Much of the minutiae is shared during Bunton's court case, which could've jumped out of a Frank Capra movie; that's the feel-good vibe the movie shoots for and easily hits. Such a move couldn't be more astute for a flick that surveys an incident from more than half a century ago, but reaches screens in a world where the chasm between the haves and the have-nots just keeps widening. Yes, it's basically a pensioner-and-painting version of Robin Hood. Decrying the gap between the wealthy and the not-so, calling out government priorities that only broaden that divide, fighting against injustice, sporting a healthy distrust of the powers that be: these all flicker through Bunton, his TV license crusade and his portrait-stealing trial, and through the movie itself. Michell and playwrights-turned-screenwriters Richard Bean and Clive Coleman (Young Marx) aren't shy about the anti-authoritarian sentiment, but package it up with can-do underdog cheekiness — the brazenness of the little guy sticking it to the man, naturally. That class clash gives The Duke depth as it dances through its caper, and does so with an upbeat, congenial and even farcical tone. Here, a feature can stress a point about the money-coveting state of the world and its impact upon the working class, and it can have an affable time saying it. Most opportunities to surprise disappear along the way, but the result is endearing and likeable rather than routine or pandering. The Duke's story was always going to demand notice, but it mightn't have proven so pleasing — so crowd-pleasing, to be precise — with any other casting. Although he ensures that it appears otherwise, the ever-reliable Broadbent doesn't have a simple role; veer too far in one direction and Bunton could've been seen as foolish, tip over to the other side too forcefully and he might've just been lecturing and scolding. When it comes to balancing the amiable and the passionate (someone winsome but with the strength of his convictions), the veteran on-screen talent hits the jackpot. Mirren and Whitehead's parts have fewer layers, but they each turn in engaging performances. And in Mirren's case, after her aforementioned spot in the Fast and Furious franchise, plus The Good Liar and Woman in Gold on her recent-ish resume, her love of heists and/or subterfuge shines through from beneath Dorothy's sterner surface. There's a cosiness and gentleness to The Duke, and an ease, sentimentality and sweetness. They all couldn't suit the film better, actually. With cinematographer Mike Eley (The Dig, Off the Rails), Michell gives the movie a comforting look and feel, too, but it's also lively, resonant and charismatic as well. It's little wonder, then, that feature slides nicely into the director's body of work alongside the likes of Notting Hill, Venus and Le Week-End. As many of those pictures did — and the tonally heavier The Mother and Enduring Love as well — The Duke has more than just entertaining in mind, though. Charting an escapade that no screenwriter could've convincingly conjured up, it rallies against societal divides and also wades through grief. Little is too shaken or stirred, but it all goes down smoothly and delightfully — and with some bite.
For years, you've probably sat at pubs or parties, listened to your pals tell boozy stories and found yourself laughing heartily. In fact, you've likely spun a few tales in a liquored-up state yourself — because we've all been there. And, since 2008, you've might've chuckled along to the US TV show based on that very idea, too. Indeed, it's easy to understand exactly how Drunk History came about, because the entire concept is just so relatable. While, in America, the show's run has just come to an end, Australian television is now hopping on the Drunk History bandwagon. It shouldn't escape anyone's attention that, at a time when we're all spending less time hanging out in bars talking with our mates for hours and hours over several rounds of drinks, Aussie TV has decided to deliver the next best thing. Called Drunk History Australia, the local version spans a six-episode first season, with each instalment tackling a couple of chapters of Aussie history. If you've ever wanted to watch James Mathison and Osher Günsberg reenact Burke and Wills' expedition, listen to Matt Okine explore the history of 'Waltzing Matilda', or hear Becky Lucas tell the tale of the country's first female detective — all with beverages involved — well, here's your chance. Also getting the Drunk History Australia treatment are Don Bradman, Dame Nellie Melba, Dawn Fraser and Gough Whitlam, in case you want to relive your primary school history lessons in a far boozier manner. And, the show also touches upon cannibal convicts, a war with emus and the first female bushranger, among other topics. The cast is similarly lengthy, featuring everyone from Anne Edmonds, Nikki Osborne, Em Rusciano and Tex Perkins to Stephen Curry, Joel Creasey, Steph Tisdell and Brendan Fevola. Drunk History Australia will start screening on Network 10 at 9.30pm on Monday, September 14; however, if you're keen to stream the whole thing right now, it's also already available via 10Play. Check out the trailer below: https://www.youtube.com/watch?v=X4iMnOEGI7c Drunk History Australia is now available to stream via 10Play, and will start airing on Network 10 at 9.30pm on Monday, September 14.
Despite having a smorgasbord of activities and events at your fingertips, it's surprisingly easy to find yourself stuck in an after-hours rut with you and your mates kicking back at the same old after-work haunts, week in and week out. Enjoyable, though it won't exactly win you huge points for a sense of adventure. Luckily, if you are looking to shake up your after-work routine, you don't have to hunt very hard at all. To get you off to a cracking start, we've teamed up with Hahn to scout out a bunch of non-boring, new ideas for your next group activities. [caption id="attachment_631811" align="alignnone" width="1620"] Katje Ford.[/caption] SELF-GUIDED STREET ART TOUR No matter how long you've called yourself a local, we bet there's a truckload of corners and laneways you're yet to discover. So, round up the squad for some intrepid exploration, and gain a fresh perspective on that concrete jungle as you set off on a self-guided street art tour. The internet's chock full of printable tour maps curated by urban experts and art-lovers alike, directing you towards all the best art-focused walks in your area. Shake off the work day as you cruise the city at your own pace, unearthing public art gems left, right and centre. And once you've had your fill of art, head to the pub for a beer and a chat about the best, worst and most unusual sights you've seen. Where? Search 'street art' on Concrete Playground and find some of the works you should be seeing in your city, and if you're in Sydney, you can book into one of Culture Scouts tours if you need a bit more guidance. PASTA-MAKING WORKSHOP This gloomy stretch of winter will feel like way more of success if you come out at the end of it with something useful — you know, some visible gym results, a decent love life or, the most impressive of all, the knowledge of how to make a killer bowl of handmade pasta. Luckily from Brisbane to Sydney to Melbourne, we've been gifted with a delicious array of classes on making the best comfort food out there. So, if you really want to set yourself up for culinary success and a whole lot of praise, book the crew in for a post-work pasta-making class where you'll learn to create pure magic with just three simple ingredients: flour, eggs and water. And once you've learned how to make pasta, you can then study up on how to pair some beers with your creations. Just think of all those future dinner parties. Where? Learn to craft some epic noodles at Pasta Emilia in Sydney, The Craft & Co. in Melbourne and at The Pasta Company in Brisbane. LAWN BOWLS For the ultimate group bonding exercise, you can't go past the joy of kicking another team's butt in some form of organised sport. But who really wants to run the risk of a bung ankle, wrist or hammy going into summer? This year, hone your teamwork skills and sharpen that competitive edge while keeping the big hits to a minimum — join the lawn bowls revolution. Outside of the summer season, a session at most bowling clubs will cost you mere pocket change, including access to all the proper gear, a guide to get you started off on the right foot and maybe a couple post-work pitchers. What's more, after a few weeks of practice, just imagine how you and your mates will dominate against all those less practiced suckers during summer's social barefoot bowls sessions. Where? Practice your bowl at one of these greens in Sydney, at the City of Melbourne Bowls Club and one of these lawns in Brisbane. YOGA WITH A TWIST A regular ol' vinyasa may not be everyone's cup of tea. So if you want to up the ante, throw in a twist to make things a bit more intriguing. Studios across the country are taking the concept of yoga to some rather wild territory, with classes that offer the ultimate mash-up of exercise and fun. Prefer your workout tunes to have some oomph? Head along to a hip hop yoga class and get bendy to a soundtrack of fresh beats. Or, if you fancy making some new feline friends, team that stretch session with a few kitty cuddles at cat yoga. There's even a variety of aerial yoga styles which'll find you nailing those poses while suspended gracefully in mid-air. Where? Stretch it out with some kitties at Catmosphere's cat yoga in Sydney, groove into your downward dog at hip hop yoga in Melbourne and defy gravity at Brissie's aerial yoga. THEMED TRIVIA Got a swag of random knowledge just waiting to be put to good use? Round up your post-work posse for some fun of the cerebral variety: showing off your pop cultural prowess with a rousing session of themed trivia. A more focused version of the classic pub quiz, these events provide the perfect opportunity to unleash your random stash of Harry Potter facts and, if we're honest, a brilliant excuse to go back and 'revise' your favourite TV shows, cult movies and long-forgotten pop music. What's more, on any given week, there's usually a plethora of themed trivia sessions to choose from. Gather your crew and bond over not-so useless facts, a few beers and a good ol' pub parma. Where? Test your music knowledge at The Toxteth's Tuesday Night Music Trivia in Glebe, dig up some old memories at Throwback Thursdays trivia at Island Somewhere in Melbourne and dive head first into Simpsons, Seinfeld or Harry Potter trivia at Man vs Bear's trivia nights held at various bars around Brisbane. Round up the troops and head out for a new after-work activity this week, topped off with a cheeky Hahn or two.
In an era of technology firsts, it's hardly surprising that a computer is now capable of mirroring human intelligence. Over the weekend, a computer programme known as 'Eugene Goostman' proved itself capable of imitating the living when it was the first ever programme to pass the Turing Test. Eponymously named for its designer, British mathematician and cryptographer Alan Turing, no previous competitor had passed the test in its 65-year existence. Needless to say, passing the Turing Test is no easy feat. To prove successful, at least 30 percent of the judges must be convinced that the competitor is human. During the Turing Test 2014 Competition over the weekend, one-third of the panel deemed Eugene Goostman just that. Entered under the guise of a 13-year-old boy from the Ukraine, Eugene Goostman competed against 25 humans and other fellow programmes. The team behind Eugene Goostman comprised of one Russian and two Ukrainian programmers. Endowed with particulars that seemed just odd enough to qualify as human (a pet guinea pig, a gynecologist father), the long-awaited winning programme is actually a chatbot developed in 2001. The ingenue in this case is found in the simplicity of approach. Rendering their entry ignorant by diminishing his supposed age, the chatbot’s programmers acknowledge their surprising strategy. One of Eugene Goostman’s creators, Vladimir Veselov revealed in a statement, "Our main idea was that he can claim that he knows anything, but his age also makes it perfectly reasonable that he doesn't know everything. We spent a lot of time developing a character with a believable personality." Someone who claims to know it all but, in truth, knows little? No wonder they thought he was human. Via The Guardian and PC World.
A Brisbane market favourite since 2015, Le Fromage Yard has made the jump to a bricks-and-mortar shop, opening its first permanent base on Wynnum Road in Morningside. That means that dairy lovers can pick up more cheese more often, thanks to a real-world version of its popular online cheese room. Or, you can combine the two — ordering your favourite truffle brie or whisky cheddar from the website, and then collecting it in person. Cheese is the main attraction, obviously, but Le Fromage Yard is also expanding its remit. It already has its central ingredient covered, and custom-made cheese towers, too — however, every gooey slice of camembert and crisp sliver of pecorino needs something go with it. That means meats, pâté, terrine, olives, sweet garlic, crackers, pastes and honey, with the Morningside location designed as a one-stop destination for all things cheesy and all its accompaniments. That said, if you're after breads and baked goods to go with your feast, owners Stephanie Stevenson and Pierre Lantourne recommend heading a few stores down to much-loved Morningside mainstay Flour & Chocolate. If picking up the gouda stuff is a firm part of your market-going routine, don't worry — Le Fromage Yard will still continue to pop up at markets as well. Find its stall at regular berths in Queen Street, Brisbane Powerhouse, Kevin Grove, Mitchelton and Manly. Le Fromage Yard is now open at 7/611 Wynnum Road, Morningside. It's open from 9.30am–5.30pm Tuesday and Wednesday, 9am–6pm Thursday and Friday, and 7am–2pm Saturdays.
Sonic Masala is a long-running, Brisbane-based music blog that has earned a cult following from serious music fans and musicians alike. With a local lens and truly Australian flair, Sonic Masala has been a long-time favourite in the music blog scene, even branching out and fostering the community with their own brand of live shows. After launching their own record label this year, the Sonic Masala team decided to hold their own music festival, with a highly curated list of local and interstate bands that are favourites of the tastemakers themselves. Sonic Masala Fest is taking place at the Greenslopes Bowls Club on June 21. We caught up with Sonic Masala founder and man about town Brendan Telford to find out what it is all about. For those who don't know, what is Sonic Masala? Sonic Masala is a music blog primarily, which has been going for over four years, but has also included putting gigs on monthly and recently branching out to become a record label. What made you want to start such a project? The blog started with a "why not?" sort of epiphany. I was at the My Bloody Valentine-curated ATP in England back in 2009 with a mate, Paul Marsh, and around 4am we started cooking up this curry, listening to music, still drinking. We thought we spent so much of our lives doing this (listening and talking about music mostly, but drinking and eating curry too) why not do something a little more proactive about it? So, Sonic Masala was born. Paul dropped out within the year, but I kept hacking away, then I moved back to Australia in 2011. I had heard a few horror stories from local bands about struggling to find good venues and shows, being promised things and then not getting paid, I thought, "How is this still happening? It's 2011!" So when The Waiting Room in West End opened up I booked a night and that was how the gigs were born. The label has been a distant dream of mine, and through dumb luck, some hard graft and a lot of lunacy, Sonic Masala Records was born. What did you want to do with Sonic Masala in the beginning? Write about music. I was going to about three shows a week anyway, why not? It's changed over time, but initially it was just about music I liked. I've pared it back so its more Australian-oriented and focusing on bands that aren't really needing (or even wanting) my critical approval. I used to write about Grinderman or Neil Young releases, and I still love that stuff, but don't write about it. The gig nights were about bands playing regular shows and (hopefully) getting paid for it, and the record label is all about putting out albums that I love that wouldn't see the light of day otherwise — at least in vinyl form. This year you've started putting out records through Sonic Masala. Was this always a goal? Yes and no. It has been something of a dream of mine, but not one I actually thought I'd be stupid enough to actualise. I have wanted to continue pushing quality music, both popular and outlier acts, here in Brisbane since returning from London in 2011, and that passion has only grown over time. I attempted to get a label thing off the ground in 2012, pretty much on a whim; I wanted to put out Gazar Strips' first EP, Happy Valley. Due to crossed wires the band thought I wanted to be their manager and that all fell flat. Then when they started recording their second EP I asked again, this time we were on the same page — at the same time Roku Music asked me about help with their album. How has the response been so far? Are you happy with what you've accomplished this year? To be honest I think the response has been great. Most people understand what it is Nathan [Pickels, of Tape/Off fame] and I are attempting to do with Sonic Masala Records, and that is to breathe life into projects, releases and bands we really believe in, with a particular focus on Australian acts, especially Brisbane. Also, releasing on vinyl — there is an emphasis on that fact. It was always "we make records or we don't do it at all". It's a true labour of love. So far we have had the jackets screenprinted by good friend #7thdisaster, we have had friends and family help out with putting the jackets together, creating the special edition releases and the postage and handling. That DIY feel also evokes a sense of authenticity, diligence and care that I always love about a strong label no matter how big or small. We put in lengthy unpaid hours every day, but I think it is well worth it. So yeah, we are super happy with how things are going! For a while there has been a live component to Sonic Masala (small scale shows), when did you decide you wanted to putting on something bigger, like Sonic Masala Fest? Man, this is a big ticket dream! Everyone dreams of sitting down and putting together a festival, don't they? I wanted to pay homage to some of the biggest and best bands that have graced a Sonic Masala showcase since kicking it off in 2011. I also feel like we need to continually celebrate the music that exists here in Brisbane right now. Many of the stone-cold classic acts here do not get the love and crowds they deserve, and I'm hoping something like Sonic Masala Fest will be an opportunity for the bands to sell merch and play to appreciative people. It's a celebration of Brisbane. There are a few interstate bands — with Scul Hazzards and Narrow Lands, they have played Sonic Masala Record-oriented shows in Melbourne and Sydney respectively (and in Scul's instance they have strong Brisbane ties). Plus there is so much bitching about festivals these days, some of which comes from me also, so I thought I'd put my money where my mouth is. What is the biggest challenge you've faced with putting on SM Fest? Money. I wanted the festival to also promote a local venue that I feel needs more support and love, and so I'm anxious that there is a good showing for the Greenslopes Bowls Club too. Also, I wasn't able to get all the bands I wanted. Probably the biggest challenge is getting started. The idea sounded great, but like most of my "great" ideas involved alcohol and drunken verve. It's the morning after when you groggily wake and think "What did I promise I'd do?" But I try to follow through on these crazy ideas, and that is the fun part. Got any big plans for the future? More releases. We have Cobwebbs out shortly, and some planned releases for later in the year including a split album between a local band and an interstate band that might become a regular 'thing'. We also have a compilation in the works, again with the idea of combining artists who have played a Sonic Masala showcase over the years, which is very exciting. There are also some plans afoot that takes Sonic Masala even further afield in the world. What are some Brisbane bands that you think are doing great things at the moment? There are way too many to mention; every band that are playing the Sonic Masala Fest, for a start. As for new stuff, No Sister, even they are on an indefinite hiatus, showed something truly special in their starburst tenure. Multiple Man are still the best idiotic nihilists in town. Barge With An Antenna On It are just getting stronger and stronger, the loveable lugs that they are. Woodboot, The Wrong Man, Unpeople, Occults, X Wave and so many more are on the cusp of doing something absolutely incredible. Seriously, people talk about Melbourne, and it's an incredible melting pot of music, but there is something more visceral and ridiculous about Brisbane music these days that makes it worth hanging around in the sun for ten months of the year to take part in. Where are your favourite places to eat, drink and party around Brisbane? One of the biggest downfalls of Brisbane that Melbourne has us perennially pinned to the canvas over is that we have very few good actual pubs — they are what I love about life, and not having many to visit (and the continual downward spiral that is the Valley) kills me daily. So the Underdog gets that by default, but again I only go there when gigs are on. I do love beer though, so places like Newstead Brewing, Tipplers Tap, Brisbane Brewhouse, The Scratch, The Burrow (who also do pretty sweet pizza) all work for me. I do love eating. Sitar Indian in Albion is great, London-rivalling Indian, with a consummate host. I love breakfasts and there are heaps of great places to visit in Paddington and New Farm for that. There are new places opening all the time, it's crazy but I can't complain. Partying is all about gigs or house parties for me. These are my favourite pastimes actually — music kills my eardrums, drinking kills my liver, eating kills my health and partying kills my brain. All in excess. Sonic Masala Fest will be on Saturday the 21st of June at the Greenslopes Bowls Club. Tickets are $10 on the door. The full line-up can be found here. There will be a Pre-Fest party on Thursday at The Bearded Lady with performances from Scul Hazzards, Frown and Occults.
There's never a bad time for gelato. There's never a special occasion that couldn't use it, too. That's all in Gelato Messina's wheelhouse, with the chain mighty fond of releasing limited-edition treats to make holidays even tastier. The latest example: its Easter 2023 offering, which brings back its gelato-filled chocolate eggs. Dessert heaven? This is it. Also, if you've always wanted to smash open a Messina Easter egg, that's on the menu as well. Either way, you'll be tucking into an egg handmade out of Messina's milk chocolate — and it'll be filled with frosty, creamy goodness or six rocher balls. First, the gelato-packed eggs, aka a dream for gelato and chocolate lovers alike. That's tasty news as it is but, in even better news, these goodies come in a trio. So, you'll get the Ménage Egg Trois, as Messina has dubbed it, all for $95. The gelato chain says the three eggs can feed between six and ten people, but it's obviously up to you how much you share them On the menu: a custard and shortbread gelato number, with the chocolate egg also featuring strawberry jam yolk, and then dipped in strawberry white chocolate; and an egg packed with vanilla and coconut gelato, mango sorbet, mango gel yolk and baked cheesecake, then encased in white chocolate and desiccated coconut. And, rounding out the pack is a pretzel and milk chocolate-coated egg featuring chocolate gelato with peanut fudge, chocolate brownies and peanut butter caramel. Your tastebuds might already remember that Messina did gelato-free chocolate Easter eggs in 2022, too. This year's version sprinkles its shell with chopped roasted hazelnuts, and boasts two waffle cone and white chocolate rocher balls (filled with waffle cone cream), two 65-percent dark chocolate and salted peanut rocher balls (filled with peanut cream), and two milk chocolate and hazelnut rocher balls (filled with Messinatella cream) inside. That'll set you back $70, and apparently will keep two-to-four people (or just you) very satisfied. As a bonus, Messina is also making golden versions of both Easter sets — and the difference isn't just in the appearance. If your milk chocolate gelato-filled eggs happen to be gold on the outside, you've won a year's worth of Messina. If your giant chocolate egg has a golden rocher inside, same deal. You will need to take a photo, then email hello@gelatomessina.com to claim your prize. Messina's Easter kits can only be ordered online on Monday, March 20 for collection over Easter — of course — between Thursday, April 6–Sunday, April 9. Messina now opens its orders at various times for various places, so you'll want to hop online at 9am for Queensland and Australian Capital Territory stores, 9.15am for Victorian shops, and at either 9.30am, 9.45am or 10am depending on where you are in New South Wales. Gelato Messina's Easter eggs are available to order from Monday, March 20 for pick up between Thursday, April 6–Sunday, April 9 — head to the Messina website for further details.
Tasmania may sit forgotten and ridiculed on the outskirts of our borders, but every January it truly shines. Attracting tens of thousands of visitors from all over the country, MONA's annual Festival of Music and Art is a cultural icon. Now, in its seventh year, it's still bringing in the goods. The just-released 2015 lineup will include legendary post-punk outfit Swans, Dan Deacon, Amanda Palmer, Paul Kelly and — because why not — author Neil Gaiman. And that's not even mentioning the art. Curated by Brian Ritchie of the Violent Femmes, the musical program is incredibly eclectic — a tasting plate of genres for those not quite so fascinated with predictable summer festivals like Laneway or Future. In 2015 you can relax whileNeil Gaiman reads you a story accompanied by the ambient sounds of Jherek Bischoff, go local with Paul Kelly's Soul Sessions featuring Dan Sultan and Kira Puru, or melt your brain with some Dan Deacon goodness. MOFO caters to all. The art on display will be just as strange. UK group Architects of Air will be bringing their giant inflatable sculpture — read: artsy bouncy castle — EXXOPOLIS down south from the Brisbane Festival. Melbourne artist Atticus J. Bastow is acting as maestro to an orchestra of iPhones. Johannes S. Sistermanns will be wrapping thing (and possible people) in cling wrap to create terrifying sound art. Then, Alvin Curran will combine both art and music while mobilising rafts and dinghies to make music on the Derwent River. "We are thrilled that the audience for MOFO has developed to the point where we can present this dazzling array of creativity and know the people are ready, willing and able to come along for the ride," said Ritchie. "It’s a party with brains, heart and soul." For a little look at what you're missing, check out our write-up from last year's Dark Mofo. January's festivities are bound to be about the same with 100 per cent more sunshine. What's not to love? MONA FOMA will run from January 15-18, 2015 in Hobart. Tickets are on sale now via the festival website. Full lineup: Alvin Curran Allan Halyk And Adam Wojcinski Amanda Palmer & The Tasmanian Symphony Orchestra Amir Farid Anna Von Hausswolff Architects Of Air Ava Mendoza Atticus J. Bastow Ben Frost Brendan Walls Chordwainers Dan Deacon David Francey Trio Debashish Bhattacharya Emma Dean And The Hungry Truth Faux Mo Francesca De Valence Gabriella Smart Genevieve Lacey Jim Moginie Johannes S. Sistermanns Li Binyuan Marduk Martine Corompt And Philip Brophy Melisandre Michael Kieran Harvey MOFI Eastern Sho MOMA (mona Market) Neil Gaiman Omar Souleyman Paul Kelly Presents The Merri Soul Sessions – Featuring Dan Sultan, Clairy Browne, Kira Puru & Vika And Linda Bull Phillip Johnston Rektango Robyn Hitchcock Ruth Roshan And Tango Noir Senyawa & Lucas Abela Shonen Knife Speak Percussion Swans The Clean Tim Hecker Xylouris White Young Wagilak Group & Australian Art Orchestra Zammuto
When it opens its borders in early March, Western Australia will allow travellers from interstate and international destinations to visit for the first time in nearly two years — and, if it's beaches you're after, you have plenty of reasons to make the trip. Already in 2022, WA's Misery Beach was named Australia's best beach for the year. Now, the state's Turquoise Bay has nabbed its own accolade, topping a list of best beaches in the South Pacific for 2022. In Tripadvisor's just-announced 2022 lineup of the region's best beaches, which ranks ten idyllic locations, seven Aussie spots made the cut — and two from New Zealand. In fact, the only patch of sand that wasn't from either country was Bora Bora's Matira Beach, which came in fifth. Yes, that means three Aussie beaches and one NZ spot pipped French Polynesia. Located in Exmouth, Turquoise Bay came in third in Tripadvisor's top ten list of beaches around the world, too, moving up a spot from sixth in 2021. So, if you're making beachy holiday plans, this WA locale has been given the tick twice over. [caption id="attachment_844142" align="alignnone" width="1920"] Greens Pool, Denmark, Western Australia[/caption] On the South Pacific list, Broome's Cable Beach, also in WA, came in second — followed by New Zealand's Kaiteriteri Beach at third, then Greens Pool in Denmark, WA at fourth. Norfolk Island's Emily Bay ranked sixth, Queensland's Mooloolaba Beach came seventh, Cape Le Grand National Park in Esperance, WA sits eighth and 2021 best beach in the world winner Whitehaven Beach in Queensland came ninth. Rounding out the rankings: Tahunanui Beach in Nelson, NZ. Clearly, WA beaches scored big — with most locations named this year also placing in 2021. [caption id="attachment_844140" align="alignnone" width="1920"] Kaiteriteri Beach, New Zealand[/caption] On the worldwide list, Grace Bay Beach in the Turks and Caicos Islands emerged victorious — moving up from fourth place in 2021 — followed by Varadero Beach in Cuba at second. Brazil's Quarta Praia in Morro de Sao Paulo came fourth, Aruba's Eagle Beach sits fifth and Radhanagar Beach on Havelock Island in India ranked sixth. They were followed by Baía do Sancho in Fernando de Noronha, Brazil at seventh; Trunk Bay Beach in the Virgin Islands National Park, US Virgin Islands at eighth; Baía dos Golfinhos in Praia da Pipa, again in Brazil, at ninth and Italy's Spiaggia dei Conigli in Lampedusa at tenth. The global list also named spots from 11th to 25th place, with Broome's Cable Beach coming in 11th. Across both the worldwide and South Pacific rankings, winners were chosen as part of Tripadvisor's Traveller's Choice awards, which is based on reviews and ratings left on the online platform across 2021. [caption id="attachment_844145" align="alignnone" width="1920"] Grace Bay Beach in the Turks and Caicos Islands[/caption] TOP TEN BEACHES IN THE SOUTH PACIFIC FOR 2022: Turquoise Bay, Exmouth, Western Australia Cable Beach, Broome, Western Australia Kaiteriteri Beach, Kaiteriteri, New Zealand Greens Pool, Denmark, Western Australia Matira Beach, Bora Bora, French Polynesia Emily Bay, Norfolk Island, Australia Mooloolaba Beach, Mooloolaba, Queensland Cape Le Grand National Park, Esperance, Western Australia Whitehaven Beach, Whitsunday Island, Queensland Tahunanui Beach, Nelson, New Zealand TOP TEN BEACHES IN THE WORLD FOR 2022: Grace Bay Beach, Grace Bay, Turks and Caicos Varadero Beach, Varadero, Cuba Turquoise Bay, Exmouth, Western Australia Quarta Praia, Morro de Sao Paulo, Brazil Eagle Beach, Palm, Eagle Beach, Aruba Radhanagar Beach, Havelock Island, India Baía do Sancho, Fernando de Noronha, Brazil Trunk Bay Beach, Virgin Islands National Park, U.S. Virgin Islands Baía dos Golfinhos, Praia da Pipa, Brazil Spiaggia dei Conigli, Lampedusa, Italy To check out the full list of top beaches for 2022, head to Tripadvisor. Top image: Tourism Western Australia.
By this point in Netflix's lifespan, and in its history of releasing original series, viewers know what marks the streaming service likes to hit. It's mostly fond of well-known faces, twisty tales and unfurling stories at a fast pace. It also likes ending each jam-packed episode with a big reveal or a new mystery — yes, a cliffhanger — so that you'll keep watching the next one straight away. We don't call these kinds of series 'clickbait', because serialised TV has been leaning on all of these elements since before the term was around, and far longer than we've been streaming television shows via internet platforms, too. But that word is apt when it comes to Netflix's latest eight-part limited series, which is Clickbait by both name and nature. The setup is designed to lure viewers in quickly. The casting is as well. And, they're both meant to be buzzy enough to keep you watching after you've clicked the buttons on your TV remote or laptop, then clicked them again — another task that's easily achieved. Here, the day after a tumultuous family dinner ends with Nick Brewer (Entourage's Adrian Grenier) telling his sister Pia (Zoe Kazan, The Big Sick) that he wants her out of his life, he can't be found. Worse: a video has popped up on the internet featuring him looking bloody, dishevelled and unhappy, and making a shocking claim. In the clip, he holds a card that says "I abuse women. At 5 million views, I die." People start clicking, because of course they do. While attending to a patient at work, nurse Pia sees it and understandably freaks out. Quickly, she starts doing anything she can to try to find and save her brother. So too does Nick's distressed wife Sophie (Betty Gabriel, Get Out), teenage sons Kai (Jaylin Fletcher, Snowpiercer) and Ethan (Camaron Engels, R#J), and detective, Roshan Amiri (Phoenix Raei, Stateless), who has been assigned to the case — and seeing how a situation like this spirals out, looping in more and more people as they watch, chase leads, share information, search online and offer their two cents' worth, is all part of the drama. Playing fictional movie star Vincent Chase for eight seasons — and in the forgettable (and terrible) Entourage movie, too — Grenier got rather comfortable playing someone who was constantly in front of the camera. It's his most famous role, and audiences know it. Clickbait leans upon that awareness, but thankfully not via any overt winks or nods. The series casts him as a man thrust into the spotlight unwittingly. It tracks how his nearest and dearest handle the situation without him, given that he's missing. In multiple ways, it flips the situation that viewers have associated with Grenier for almost two decades now, and plays it for pulpy, tensely directed thrills (as helmed by Hounds of Love's Ben Young, The Newsreader's Emma Freeman, Beirut's Brad Anderson and Thank God He Met Lizzie's Cherie Nolan). Across eight episodes, Clickbait follows the efforts to locate Nick, and to discover why the kidnapping, video and everything it sparks have come about — all by switching between different characters' perspectives. As conveyed through performances a tad weightier than the narrative, the nervy, flighty Pia kicks things off, before the ambitious, promotion-chasing Roshan gets his time in the spotlight, and then the shocked but slightly aloof Sophie. Next comes other figures, including some only revealed as the story dives deeper. The show's structure teases and taunts, and strings out the detail a little longer than it should, but it also remains bingeable. This is a detective tale, with almost everyone on-screen either sleuthing or proving a suspect — among a cast that also spans Daniel Henshall (A Sunburnt Christmas), Abraham Lim (The Boys), Ian Meadows (Dead Lucky) and Jessica Collins (Free State of Jones) — and, even after just an episode or two, viewers get invested enough to want to learn the outcome. Created by Australian filmmaker Tony Ayres (Stateless, Cut Snake) with screenwriter Christian White (Relic) — both of whom pen several instalments — Clickbait also aims to make larger statements, including about the big, important and constantly relevant intersection between our identities and our increasing use of social media. Just how our online and real-life selves can differ, and what types of behaviours we might indulge virtually that we wouldn't IRL, is only going to continue to garner the world's attention. So, this Melbourne-shot series attempts to tap into the conversation, and to make other broad nods towards issues such as racism and sexism. It's less successful in its pondering than in its puzzling, including when it thinks it's making giant swerves in unexpected directions to stress various points about the repercussions of our digitally mediated existence. As the name makes plain. Clickbait is still slick, suspenseful and very easy to keep devouring, though. Check out the trailer below: All eight episodes of Clickbait are available to stream via Netflix. Top images: Ben King/Netflix.
It seems we can't get enough Robo-Cop inspired tech. The robot exoskeleton that confers superhuman strength is already out there, and now circuit-laden contact lenses are being developed to beam augmented reality straight to your retina. Researchers at the University of Washington have developed lenses embedded with semi-transparent electronics, which most pundits report as an internet accessible contact lens. The reality, at this stage, is much more modest. So far the team have been able to put an 8 x 8 pixel array on a contact lens, and tested it on rabbits for twenty minutes — think Robo-Rabbit playing a quick game of checkers, rather than Minority Report. This article by the lead researcher Babak A Parviz discusses the difficulties with developing an augmented reality contact lens, but shows that we already have the technology to overcome most of the hurdles. The only question is getting it small enough, and safe enough, to fit on 1.5 square centimetres of polymer that sits on your eye. The piece also suggests uses for the tech other than web surfing — being in constant contact with fluids, it would be an ideal place for sensors to monitor health metrics like glucose levels. Being able to bat your eyelids and check your email might still be a pipe-dream, but perhaps we're not so far from having a health bar in the corner of the 'screen' reminding us when to have our next check up. https://youtube.com/watch?v=h1SlPUkC6Fc [via PSFK]
Queensland Health has advised that any Brisbanites who visited a number of eateries and venues in the city's south and West Moreton should monitor their health and immediately get tested if they present any symptoms, with the state's latest COVID-19 case linked to 15 locations. The government body sent out a public health alert last night, on Friday, July 31, detailing the places linked to yesterday's one new case of COVID-19. The new case is a 27-year-old man who dined at the Madtongsan IV restaurant in Sunnybank at the same time as a young woman who was diagnosed earlier in the week, according to Premier Annastacia Palaszczuk. The list of spots is lengthy, as is the time period affected, with the latter spanning from Sunday, July 26–Wednesday, July 29. In Mount Gravatt, those who visited JB Hifi, Kmart, Mos Burger or Chatime at Garden City Shopping Centre between 4–7pm on July 26 must monitor for symptoms. Visitors to Bunnings in Springfield and Oxley, Nando's Kenmore and Caltex in Wacol or Goodna at various times between July 26–28, must do the same, too. The full list of venues, dates and times is available in Queensland Health's public health alert. https://twitter.com/qldhealthnews/status/1289156599911604224?s=21 Earlier this week, Queensland Health released a list of venues visited by two Queenslanders who returned from Melbourne via Sydney, failed to self-quarantine and tested positive to the coronavirus. It's asking any Brisbanites who visited the lengthy of spots between Wednesday, July 23–Tuesday, July 28. to immediately quarantine and contact 13 HEALTH to get tested. Queensland Health is continuing to update a master list of venues linked to known cases over here. In response to the new cases, Queensland has closed its borders to anyone who has been to the Greater Sydney area in the past 14 days. The NT has also declared the City of Brisbane, City of Ipswich and Logan City hotspots, and closed its borders to anyone who has visited those areas — as well as other hotspots across NSW and Victoria. As has been the advice for months now, anyone with symptoms — coughs, fever, sore or scratchy throat, shortness of breath or loss of smell or taste — who lives in any part of Brisbane is also encouraged to get tested and self-isolate while awaiting results. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. Image: Westfield Garden City Facebook
This time last year, the Brisbane Street Art Festival was in full swing, with creative folks brightening up the Queensland capital with their artistic work. While the fest ranks among the many, many events changing their plans in 2020, you can still watch street art come to life before your eyes this weekend — via a two-day live stream. Teaming up with Brisbane art space Superordinary, BSAF is unleashing 19 artists on the building. Naturally, they'll be painting up a storm. Every inch of the space will be transformed, and everyone can see it happen. That doesn't just cover street art-loving Brisbanites, either, because online streams are handy that way. The weekend-long event runs across Saturday, May 16–Sunday, May 17, with the action streamed via Twitch. As well as oh-so-much painting, there's also interviews, Q&As and roving performances — all while social distancing. https://www.facebook.com/BrisbaneStreetArt/photos/a.10150176402908346/10158102825878346/?type=3&theater Top image: Gus Eagleton.
It's been a big few months for new hotels around Australia, including just-opened spots and places that'll launch in the coming months and years. Sydney now boasts the first Down Under outpost for Ace Hotels, and will soon score Porter House Hotel, too — plus the local debut of The Waldorf Astoria in 2025. Melbourne has welcomed the design-driven AC Hotels, Newcastle is nabbing its own QT with a rooftop bar and a suite in a clock tower, and the Gold Coast is nabbing The Langham. There's also a new hotel in the works for the Barossa in the middle of a vineyard, and the Yarra Valley is getting one as part of a big gig venue. Don't go thinking that Brisbane is missing out, though — because that's where the new voco Brisbane City Centre comes in. The chain has just taken up residence on North Quay right next to Brisbane Quarter, which means that it's in a prime riverside position. And, to take advantage of that location, it features a views aplenty, as well as a rooftop pool. Brisbane's first voco hotel — and the second for Queensland, after voco Gold Coast — it also comes with 194 rooms, as well as hangout space Kraft & Co. There, you can drink coffee by day and kick back in a lounge bar by night. You'll find the latter on the ground floor, slinging everything from eggs for breakfast and brunch through to cocktails till late. Wherever you're spending your time at this new staycation spot, you'll be surrounded by a sleek fitout by Sydney-based interior design studio JPDC, which takes its cues from the hotel's riverside locale. Dark blue tones are a big feature, alongside neutral colours — and maximising natural light. Among the site's features, voco Brisbane City Centre also boasts an all-hours gym, plus 11 meeting and function spaces. And, as part of a sustainability push that also includes aerated shower heads and refillable Antipodes products, guests can zip around the city for free on handcrafted bamboo bikes from Wyld Bikes. Find voco Brisbane City Centre at 85–87 North Quay, Brisbane. For more information or to make a booking, head to the voco website.
UPDATE, September 1, 2023: Aftersun is available to stream via Binge, Google Play, YouTube Movies, iTunes and Prime Video. The simplest things in life can be the most revealing, whether it's a question asked of a father by a child, an exercise routine obeyed almost mindlessly or a man stopping to smoke someone else's old cigarette while wandering through a holiday town alone at night. The astonishing feature debut by Scottish writer/director Charlotte Wells, Aftersun is about the simple things. Following the about-to-turn-31 Calum (Paul Mescal, The Lost Daughter) and his daughter Sophie (debutant Frankie Corio) on vacation in Turkey in the late 90s, it includes all of the above simple things, plus more. It tracks, then, that this coming-of-age story on three levels — of an 11-year-old flirting with adolescence, a dad struggling with his place in the world, and an adult woman with her own wife and family grappling with a life-changing experience from her childhood — is always a movie of deep, devastating and revealing complexity. Earning the internet's Normal People-starring boyfriend a Best Actor Oscar nomination, and deservedly so, Aftersun is a reflective, ruminative portrait of heartbreak. It's a quest to find meaning in sorrow and pain, too, and in processing the past. Wells has crafted a chronicle of interrogating, contextualising, reframing and dwelling in memories; an examination of leaving and belonging; and an unpacking of the complicated truths that a kid can't see about a parent until they're old enough to be that parent. Breaking up Calum and Sophie's sun-dappled coastal holiday with the older Sophie (Celia Rowlson-Hall, Vox Lux) watching camcorder footage from the trip, sifting through her recollections and dancing it out under a nightclub's strobing lights in her imagination, this is also a stunning realisation that we'll always read everything we can into a loved one's actions with the benefit of hindsight, but all we ever truly have is the sensation that lingers in our hearts and heads. That aforementioned question arrives early in Aftersun: "when you were 11, what did you think you'd be doing now?" Sophie asks. A query that's been uttered many times to many people, Wells does indeed mean to get Calum taking stock, remembering his youthful hopes and dreams, and seeing the chasm between what he once wanted and where adulthood has brought him. She also wants viewers sharing the train of thought with him, in a movie that doesn't just feel personal in every second — the filmmaker has called it "emotionally autobiographical" — but gets its audience feeling that it is personal to them. That's a remarkable skill, making a piece of fiction drawn partly and loosely from someone's facts feel as vivid to you as if you'd lived it yourself. And, for 90s kids like Sophie, it doesn't just spring from the meticulous period detail in the sets, wardrobe choices, and 'Macarena', 'Losing My Religion' and 'Tubthumping' on the soundtrack. Consider Calum's quietly, subtly shaken response to Sophie's innocent inquiry — the unsettled look on his face momentarily, owning the brief but loaded pause, before he remembers that he needs a dad's reaction — Exhibit A among the evidence that Mescal is doing career-best work. The actor still only has a handful of screen credits to his name, scoring his Academy Award nod in just his third movie role. He's never been anything less than phenomenal in anything he's been in. Earthy and charming, gentle and fragile, stoic and raw, so wounded inside and so reluctant to share it, and sporting a vulnerable gaze and a cast over one wrist, Mescal is simply heartwrenching in Aftersun, however, as it keeps diving into Sophie's remembrances of her oft-smoking, always supportive, tai chi-practising, playfully bantering, tenderly doting but also silently depressed dad. Understanding why the adult Sophie is scouring VHS tapes and her mind's eye for far more than mere nostalgia involves doing what everyone on a resort getaway does: hanging out. Aftersun spends much of its time in the simple holiday moments, including by the pool, at dinner, singing karaoke, day tripping, and in Sophie and Calum's room — and lets these ordinary, everyday occurrences, and the details that flow from them, confess everything they can. With a blue hue, the film pieces together the pair's history along the way, with Sophie living in Glasgow with her mum, Calum based in London but hardly settled or happy, and this vacation a rare chance for the two to enjoy quality time alone. It also hears the instances where he's mistaken for her older brother and, not unrelated, sees her yearning to be liked by the older kids staying at the same hotel as they drink, banter, party and represent a step closer to her dad's existence. Mescal gets a tilt at Hollywood's night of nights for his efforts, but Corio is just as extraordinary — perhaps more so given that it's her first acting role. Watching the duo together is a marvel and, befitting the wistful sensation that washes through the feature about its central voyage, a rarity. Aftersun is sensual and dreamy in its structure and texture, elaborately constructed to look and feel that way, and anchored by two sensationally naturalistic performances and one sublimely authentic rapport. Everything about the picture ripples with a lived-in air: Mescal and Corio alone and combined alike, the emotions so tremendously conveyed in their portrayals, the genuine rather than fetishised 90s minutiae, Catatonia's 'Road Rage' and All Saints' 'Never Ever' echoing among the pitch-perfect music choices, and those flashes of hazy lose-yourself-to-dance reverie that include the grownup Sophie as well as her vision of Calum. Sophie, Calum and the inescapable aching that haunts both make an unforgettable trio, but Aftersun adds more names to that list, Wells chief among them. One of her great feats in penning and helming a movie that itself is a great feat is ensuring it resembles a flickering memory, complete with making it look and play that way — aided by cinematographer Gregory Oke (Raf) and editor Blair McClendon (The Assistant) — with its faded, glitching videotape aesthetic. Her sense of pace, feel and emotional storytelling, and her ability to build layers everywhere, is as engrained as Mescal and Corio's easy vibe. Her way with all the details revealed in all those small things, and with music drops that say everything (the use of David Bowie and Queen's 'Under Pressure' is majestic and dazzling) is as well. There's nothing tiny about the talents on show here, or the story shared, or one of the most resonant, intelligent and shattering final shots any film has ever managed. "Wish we could've stayed for longer," Sophie says before that. When Calum replies "me too", he's speaking for all of us.
There's nothing better than receiving a "guys, you've gotta see this!" message in your crew's group chat. Have they found elusive cheap return tickets to Tokyo? Did they finally pop the big question? Is there a new puppy about to join their family? Big life milestones aside, heading off on a trip with your mates is the next most special thing. It's a chance to switch off, escape the big smoke and explore our beautiful backyard. And the cooler months are the time when we all need a break from the daily grind with a long weekend or a well-earned week away. If you've done the cosy cabin retreat to death, why not shake things up with a bit of adventure this winter? Hit the slopes, strap on your helmet and gear up for a chance to try something new, from thrilling aerial adventures over World Heritage sites to snowy escapes filled with snowshoeing and fondue-ing. Partnering with Hugo Boss, we've whittled down the endless list of Aussie adventures to just five that will leave you feeling amped up and ready to take on the world — much like its newest fragrance, BOSS BOTTLED Infinite. Go on, give these pulse-racing sports a go and you'll get a new perspective on the stunning land of Oz. [caption id="attachment_720491" align="alignnone" width="1920"] Tourism and Events Queensland.[/caption] CAPE TRIBULATION HELICOPTER AND LAND ADVENTURE TOUR It's not every day you get to knock not one but two UNESCO World Heritage-listed areas off your bucket list. But then again, this ain't your average adventure tour. You'll spend a jam-packed day exploring the best of tropical north Queensland, including the Great Barrier Reef, Daintree Rainforest and Cape Tribulation. The tour kicks off with a two-hour scenic helicopter flight over world-class reefs and cascading waterfalls before touching down in the oldest living rainforest in the world. Then, the choice is yours: spend your afternoon on horseback as you weave through the Daintree to the ocean's edge, or head straight for the treetops with a zipline experience. Head to Red Balloon to book. [caption id="attachment_720598" align="alignnone" width="1920"] Luke Tscharke.[/caption] CRADLE MOUNTAIN HUT WALK: WINTER OVERLAND TRACK It takes guts (and possibly a swig of gin) to sign up for a multi-day trek through the icy terrain of Tasmania's Cradle Mountain in the dead of winter. There's no wifi out here, friends. Just ancient landscapes, frozen lakes and long nights enhanced by a glass or two of Tasmanian wine. The eight-day Cradle Mountain Huts Walk winter overland track is one of the most challenging routes that the Tasmanian Walking Company offer, but it comes with plenty of rewards. Climb the peaks of Cradle Mountain, explore Lake Will and finish at Lake St Clair, Australia's deepest natural lake. [caption id="attachment_720745" align="alignnone" width="1920"] Skydive Noosa.[/caption] SKYDIVE NOOSA Jumping out of a plane at 15,000 feet is one way to get the blood pumping in the morning. But when you're freefalling over the sparkling Sunshine Coast, the terrifying drop can't be that bad, right? Strap in for an adrenaline junkie's dream with Skydive Noosa. The experience sees you spend 60 seconds in freefall — a minute the company describes as "life-changing" — before your instructor opens the parachute and you gently cruise your way to solid ground while soaking in the views. [caption id="attachment_720600" align="alignnone" width="1920"] Kane Naaraat and Pinkbike.com.[/caption] BLUE DERBY MOUNTAIN BIKE RIDING TRAILS The historic town of Derby in Tasmania's north-east hasn't always been known for its 125 kilometres of purpose-built mountain bike trails. It was tin mining that first put Derby on the map before the tragic bursting of Briseis Dam ended that. The town has been revitalised since the opening of the first section of the Blue Derby Trail Network in 2015. Today it boasts trails to suit every experience level, meaning it has something for you and all of your crew. HOTHAM SHOWSHOE TO FONDUE If exploring Australia's mountains and sleeping under the stars are on your to-do list, this is the tour to make it happen. Say hello to Alpine Nature Experience's Snowshoe to Fondue trip, an unforgettable overnight adventure set on the outskirts of Victoria's Alpine National Park. You'll snowshoe your way to your tipi-style eco-village accommodation before spending a night sipping hot glühwein, dipping your way through gooey French cheese fondue and soaking in the warmth of the outdoor campfire. When the sun comes up, the crew will make sure you leave fed and watered with a hearty warm breakfast. Hitting that work-life balance is hard. But shutting your laptop, splashing on some new BOSS BOTTLED Infinite and getting out in nature will help you seize the day and live your best life. Top image: Snowshoe to Fondue Experience.
Across the last two months of 2023, most folks will celebrate festive season. Here's something else to mark this year: Godzilla season. New streaming series Monarch: Legacy of Monsters arrives in mid-November, combining kaiju with both Kurt (Fast and Furious 9) and Wyatt Russell (Under the Banner of Heaven). Then, the unrelated Godzilla Minus One will stomp onto the big screen Down Under to kick off December. This film marks a big return, and not just because Godzilla as a creature is huge in size (even though exactly how large the critter is varies between on-screen appearances). To the delight of fans of Zilly's rampages through its homeland's cinema, Godzilla Minus One is the first live-action Japanese Godzilla release about its namesake since 2016's excellent Shin Godzilla. When Godzilla first crawled out of the ocean and into cinemas, the famous movie monster made its debut appearance in the shadow of the Second World War. The link between the film's fears of nuclear holocaust and what Japan had just experienced wasn't an accident, in a picture that isn't just an excellent creature feature — the franchise-starting flick is stellar all round, including its glorious score. It was back in 1954 that Godzilla initially greeted the world. Now, almost seven decades later, 37 other movies have followed. The latest: Godzilla Minus One, which gives Zilly aficionados a long-awaited new Japanese Godzilla movie and takes its titular figure back to the country's postwar era. As seen in the both the first trailer for Godzilla Minus One and its just-dropped latest sneak peek, Japan is still coping with the aftermath of WWII's atomic bombings when the kaiju appears. The question: in a place that's already rebuilding, how will everyone both endure and battle against this towering critter? In a feature written and directed by Takashi Yamazaki (Lupin III: The First, Ghost Book), cue plenty of rampaging through the streets by Godzilla, plus fleeing by the film's humans. Cue buildings levelled, the ground both rumbling and crumbling, and explosions wreaking more havoc, too. Referencing going backwards from zero in its moniker, cue a film that follows people trying to survive and fight — all back in the time that gave birth to all things Godzilla. Already in cinemas in Japan since early November, Godzilla Minus One will hit the big screen Down Under from Friday, December 1. It follows three animated streaming efforts since Shin Godzilla: 2017's Godzilla: Planet of the Monsters, and 2018's Godzilla: City on the Edge of Battle and Godzilla: The Planet Eater. Of course, the broader franchise also includes America's take on Godzilla, starting with a low in 1998, then including another try in 2014, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong. After TV's Monarch: Legacy of Monsters, Godzilla x Kong: The New Empire, a sequel to Godzilla vs Kong, is due in 2024. Check out the latest trailer for Godzilla Minus One below: Godzilla Minus One will hit cinemas Down Under on Friday, December 1.
Just like a picture is worth a thousand words, a good gift can speak volumes. And when it comes to your nearest and dearest, it's worth forking out the big bucks to make them feel suitably special. Socks and undies simply will not do, you need to up the ante and pick out a present that is nuanced, thoughtful and unequivocally them. We know it can be tough; you may feel as though you've exhausted all your options. There's only so many times you can buy their favourite necklace, after all. To give you some fresh gift ideas, we've partnered with Australia Post and pulled together some real humdingers for the super important people in your life. From retro turntables to limited edition RMs, these pressies keep your key peeps smiling. Moreover, they can all be ordered online and conveniently delivered to your nearby Parcel Locker so you don't even have to go to the shops. Let your fingers do the walking, forgo the crazy Christmas crowds and rest easy knowing your parcel is stored securely till you're ready to collect. Happy shopping, Santas. PORD WINE BARREL If you've got a legit wine lover on your list, go beyond a bottle of primo vino or even a stylish decanter, and blow their socks off with one of these mini wine barrel masterpieces. The three-litre barrels are covered in art by three eclectic artists — Filippa Edghill, Hannah Nowlan and Evi O. — and filled with top-notch Mitchelton drops from the 2017 and 2018 vintages. Choose the design and the wine — pinot grigio, shiraz or rose — and get ready to be praised for your awesome gift. Each barrel holds a neat four bottles' worth of wine and will keep it fresh for up to six weeks. They can also be repurposed once empty. Cheers to that. How much? $160 CUSTOM HABBOT SHOES There's nothing better than a pair of comfy shoes. Wait, we take that back, there's nothing better than a pair of comfy and stylish shoes. Treat your special someone to a pair of custom Habbot shoes — they're super chic but have Hush Puppies-level comfort. The Aussie-designed and Italian-made footwear company has a great online customisation tool that lets you pick and choose everything, from the shoe type — classic derby, micro-sole derby, point pump or mid-heel sandal — to the material, colour and laces. So, you can design one-of-a-kind kicks for your numero uno that'll stand out from the crowd. How much? From $405 EVERY EDITION OF TRUTH, LOVE & CLEAN CUTLERY If your nearest and dearest is both an eco-warrior and a food lover — congrats, they sound awesome — surprise them with every edition of Truth, Love & Clean Cutlery. Basically the A to Z of sustainable eating, these guidebooks feature more than 1300 organic, ethical and sustainable restaurants from around the world. To take the gift up a notch, let your loved one pick out a few of their favourite restaurants and treat them to a night of ethical fare. Hey, it's a present for you, too. How much? $145 for all four books RM WILLIAMS EXCLUSIVE BOOTS These boots were made for walking and showing off, the limited edition metallic RMs are the shoe of the season and the perfect gift for any Carrie Bradshaw-status shoe fiends. At $545 a pop, they're not cheap — but the RM brand is renowned for its rock-solid craftsmanship and the kicks will last a lifetime. Luckily, silver is seldom out of style and goes perfectly with tinsel. But if silver is a bit too flash for your giftee, there's also the more subdued limited edition high-shine black boot. No matter your choice, each pair is crafted out of a single piece of leather and is made to order, so expect a two-week delivery timeframe. They're worth the wait, trust us. How much? $545 GOOGLE HOME HUB Hey, Google. Tell us how many hugs we're going to get for this kick-ass gift? Forget it, we already know it's going to be a heap. Yep, anyone who receives a Google Home Hub for Christmas is going to be over the moon. They're basically getting their very own assistant to set alarms, turn off lights, read out cooking instructions, organise daily routines, play music, take photos... the list goes on. They might even get a new lover if they're anything like Joaquin Phoenix's character in Her. Now that's a gift. How much? $219 FUJIFILM INSTAX SQUARE SQ6 INSTANT CAMERA Remember when Polaroid cameras were so big and bulky they basically required their own carry bag? While the promise of pretty photos (in an instant) was enticing, nobody wanted to lug around a brick. Thankfully, those days are long gone and you can now gift a nice, compact FujiFilm Instant Camera to your number one. The clever square format means your pal won't waste time choosing between portrait or landscape, they can just pick up the camera and take the snap. It's kind of like Instagram in real life. Plus, its small size means it can be carried around with ease. How much? $199 RETRO-LOOKING TURNTABLE If you've got a bigtime muso in your inner circle, there's a good chance you've heard them rabbiting on about the beauty of vinyl before — how records sound so much better than CDs or MP3. Something about audio data and lossy formats? Anyway, treat them to this Thomson 3 Speed Retro Look Turntable with built-in speakers and get them spinning their favourite tracks. The turntable's sleek, vintage design makes it a nice addition to any home — even a muso's dark and dingy lair. If you want to add a personalised touch, pick out a vinyl to gift with the turntable — it's a combo that's guaranteed to make their head spin like, well, a record. How much? $99 NOKIA STEEL HR WATCH This one's for the fitness fanatics in your life who also appreciate a bit of style. The Nokia Steel HR Watch is a watch-activity tracker hybrid that's both aesthetically pleasing and hella practical. The watch monitors your heart rate during workouts and can assess your overall performance, then deliver a personalised in-app report directly to your smartphone. The intuitive gadget makes your fitness goals that little bit easier to achieve, which means it's also a thoughtful gift for somebody you know is keen to get fit in the new year. How much? From $299 MODERNIST BREAD BOOK SET Bread, glorious bread. You'd be hard pressed to find a person who doesn't love it. But if you've got a special person who's particularly fond of baked goods, this is the book set for them. Modernist Bread: The Art and Science is a deep-dive into one of the most important staples of the human diet; it's the most in-depth look at bread to date. The five-volume set, housed in a sleek stainless steel case, contains more than 1500 recipes and breadmaking techniques. The best part? You can sample all their tasty dough-based creations. Forget cake, let them eat bread. How much? $700 HP SPROCKET PHOTO PRINTER A gift for the selfie enthusiasts, the HP Sprocket Photo Printer allows you to instantly print photos straight from your smartphone quicker than you can say 'duck face'. The printer has an ultracompact design — it's small enough to carry on the go — so it's also a great gift for budding photographers or designers as they can quickly print their snaps. The printer uses Bluetooth technology, which means there are no annoying cords and each photograph can be edited (hello, filters) before printing via the HP Sprocket app. Also, the special adhesive photo paper means you can easily stick your photos into albums or journals. How much? $159 Christmas shopping has never been so simple — order online, ship to a Parcel Locker and avoid the hectic shops with Australia Post.
Unless you somehow haven't looked at a screen, billboard or newspaper in the past few weeks — or listened to the radio, heard any streaming ads or had a TV on in the background, either — you'll know that Black Friday is upon us for another year. Absolutely everything is on sale, or so it seems, including bargain holidays. Whether you're keen to explore Australian destinations or fancy a getaway further afield, Virgin's addition to the 2023 shopping frenzy has you covered. A whopping 500,000 fares are currently up for grabs as part of the airline's Black Friday, Bright Holidays sale, covering a heap of Aussie and international spots. Sticking with home turf, you can head to Byron Bay, the Sunshine Coast, Cairns, Hamilton Island, Alice Springs, Hobart and more. And, if you're eager to journey overseas, you can hit up Bali, Fiji, Samoa, Vanuatu, Tokyo and Queenstown. One-way domestic fares start at $49, which'll get you from Sydney to Byron Bay. As always, that's cheapest route. Other discounted flights include Melbourne to Launceston from $59, Brisbane to either Cairns for $105 or Hamilton Island for $115, Adelaide to the Gold Coast from $125 and Perth to Hobart from $239. Internationally, the return deals start with Sydney to Queenstown from $435, Brisbane to Fiji from $509, Melbourne to Bali from $629 and Cairns to Tokyo from $679. If you're wondering when you'll need to travel, there's a range of dates from Wednesday, January 10–Thursday, June 20, 2024, all varying depending on the flights and prices. As usual when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until midnight on Tuesday, November 28 or sold out, whichever arrives first. Virgin's 2023 Black Friday, Bright Holidays sale runs until midnight AEST on Tuesday, November 28 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
When you spend your childhood working in the family seafood eatery, growing up to become a restaurateur yourself is hardly surprising. Neither is running your own joints that sling the ocean's finest. That's Michael Tassis' story, starting at his dad's George's Paragon Seafood Restaurant in Sanctuary Cove, also including Eagle Street's now-closed Fatcow Steak & Lobster, and now seeing Fosh launch at Portside. First announced in 2022, locked in for a winter opening back in July and officially open from Thursday, August 17, Fosh doesn't just sling fish, prawns, scallops, bugs, oysters and the like — it does so by the river, and with impressive views. Here, peering at the water while enjoying fresh lobster and doing caviar bumps is firmly on the menu. So is hitting up the island bar and enjoying the fireplace's warmth (when the weather calls for it) at this 700-square-metre spot. Tassis is also behind Opa Bar + Mezze, Massimo Restaurant and Yamas Greek + Drink, and has overwater restaurant and bar Bombora and landing cafe Mulga Bill's on the way 2024 in Kangaroo Point's new green bridge, plus steak venue Rich & Rare in West End's West Village this September. So, variety is in his wheelhouse along with seafood. As a result, it also shouldn't come as shock that Fosh is two venues in one. Fancy a more casual experience? Fosh Tails does fish and chips in a more relaxed setting, complete with picnic tables. Fosh's menu starts with whipped taramasalata and fish finger sandwiches among the snacks, those caviar bumps with optional vodka and champagne, and a raw seafood lineup heroing oysters. From there, it moves onto prawn cocktails, barbecue squid and Hokkaido scallops as starters, then mains such as dry-aged fish, Moreton Bay bugs with spaghetti, pan-seared snapper and one-kilogram servings of black mussels. The live seafood range features rock lobster and mud crabs. Or, pick from both cold and hot platters keep serving up catches from the sea. If you're after a different source of protein, spiced lamb ribs sit among the small plates, and twice-cooked chicken, a couple of steaks and smoked eggplants are among the larger options. From a kitchen team that includes Head Chef Vikash Gurung (Greca, Fatcow Steak & Lobster, Rico Bar and Dining, and Jellyfish) and sous chef Daniel Hernandez (Agnes, Restaurant Dan Arnold and La Cache à Vin), dessert picks span a cheese selection and chocolate cake with raspberry gel, plus lemon tart and creme caramel with orange segments. At Fosh Tails, patrons can choose from grilled, beer-battered, crumbed or coconut fish of the day, cod, snapper, barramundi, ocean trout or coral trout. The chips come with kombu salt and mayonnaise, and the potato scallops with curry mayo and curry leaves. There are also fish sandwiches, fish bowls, both fish and wagyu burgers, buckets of fresh prawns, beer-battered prawns and chips, oysters and calamari — so, levelled-up takeaway fish-shop fare. "Our philosophy is simple: offering fresh, high-quality and sustainable seafood that is caught and served on your plate within 24 hours, with an atmosphere and customer service that is just as good as our food," said Gurung. "Whether you're wanting an intimate dinner, hosting a large celebration or seeking a casual bite, through Fosh and FoshTails we have something perfect for everyone." The restaurant joins Portside as part of the precinct's current revamp, which is set to be complete this December. The makeover has already seen the Gold Coast's Rosé Gelateria and Rise Bakery launch their Brisbane debuts. Find Fosh at Portside Wharf, 39 Hercules Street, Hamilton — open 11am–late Monday–Sunday. Images: Markus Ravik.
When a movie premieres at the Cannes Film Festival, the literal applause it receives makes headlines. It happens every year — and at fellow major international film fests such as Berlin and Venice, too — with reports detailing the number of minutes that the audience put their hands together for while on their feet. Back in May 2024, The Apprentice was no different. While the time spent clapping varied depending on the source, this was still a story. But there was also another tale that followed swiftly after the feature's debut, as it was likely always bound to: the response from its subject to this unofficial biopic, or at least from his campaign, including a cease-and-desist letter attempting to stop anyone else from seeing it. The Apprentice's title tells everyone the who and the why of this situation. Before he was America's 45th president, Donald Trump spent over a decade hosting the reality-TV series that shares its moniker with Ali Abbasi's new film. This isn't a chronicle of Trump's time on the show, or in the Oval Office afterwards, however. It isn't just an unsanctioned big-screen Trump biography, either. Making his first English-language feature after 2016 Danish horror film Shelley, the Oscar-submitted 2018 Swedish standout Border and 2022's Persian-language serial-killer thriller Holy Spider, Copenhagen-based Iranian Danish filmmaker Abbasi also doesn't simply step through Trump's origin story in the 70s and 80s — although it chronicles his start in real estate, his relationship with his father and his marriage to Ivana. The movie's pitch-perfect name hones in on the most-crucial element of the picture: that this is a portrait of chasing power seen through a mentor-protege relationship. Trump is the apprentice. His guide: New York City attorney and political fixer Roy Cohn, who first came to fame in the 50s investigating suspected Communists with Senator Joseph McCarthy. Abbasi digs into how Cohn helped shape Trump, including the three rules of winning passed down from the former to the latter. Those tenets: first, attack, attack, attack. Then, admit nothing and deny everything. And lastly, claim victory while never ever admitting defeat. It's impossible to watch these rules outlined in The Apprentice — or even read them on the page — and not spot how they still dictate Trump's actions today. That's one of the film's many astute moves. Another: casting Sebastian Stan (Dumb Money), who gives one of his two phenomenal performances for 2024 alongside A Different Man, as Donald Trump. Seeing him anchor the familiar Trump mannerisms, speech patterns, talking points and attitudes — details that anyone who has even just spotted the IRL figure on the news across his political career in passing will instantly recognise — in the younger version of the man, an iteration brought to the screen with complexity, is both haunting and uncanny. Equally exceptional: a can't-look-away Jeremy Strong in his first post-Succession part as Cohn, in another of the film's performances that demands awards attention. Borat Subsequent Moviefilm Oscar-nominee and Bodies Bodies Bodies star Maria Bakalova also leaves an impression as Ivana. And Abbasi remains one of the most-exciting directors working today in every choice that he makes throughout The Apprentice, including deploying a visual approach that scrapes away any gleam from his take on Trump at every moment. "I think we've been quite restrained," Abbasi tells Concrete Playground about the movie, talking about the instant backlash and the complicated response he knows it will continued to receive. "If we wanted to be controversial, we have ample, ample opportunities to be so." We also chatted with the director about the quest to get the film made and seen, building a portrait of someone that everyone in the world has an opinion of, why he wanted to bring this tale to the screen, getting Stan onboard, and the importance of diving into Trump and Cohn's relationship. On the Diverse Responses to the Film's Premiere, Including the Cannes Standing Ovation and the Trump Campaign's Reaction "It's sort of the same in a way. What do they say, you have to grab a compliment whenever, wherever you find it, whichever way you find it, in whatever form you find it? I think if the Trump campaign thinks that this is the worst — they have an actually really funny formulation, they're saying this is 'pure fictionalised trash'. And I'm like, that's a very general sentence you can basically write in the beginning of every feature film. It's pure fictionalised trash — that's a punk-rock way of saying 'this is the movie'. And look, I think we've been quite restrained. I think this is a quite a restrained movie. I do not understand where people talk about controversy, controversial. If we wanted to be controversial, we have ample, ample opportunities to be so and to do so, and include stuff. I mean, with this guy, the sky is the limit, right. And therefore it's a little bit difficult for me to understand. Of course, we're the underdogs in this game. We just want to get the movie released. So any help, any publicity is appreciated. I don't mind. But on the intellectual level, when people talk about this as being controversial, provocative and the Trump campaign bashing us, I'm like 'have you actually seen the movie? You know, you come out, I would say, much better than you might have'." On Building a Complex, Three-Dimensional Portrait of Someone That Everyone in the World Has an Opinion Of "There's this fable about this father and son, and they have this donkey and they want to go over a river or something like that. They try one way and then someone comes and says 'no, no you can't tie the donkey like that. You have to do it upside down'. And they do it upside down and they say 'no, no, it if you do it upside down, it's going to drown and die in water. You have to do it from the side'. And anyway, it ends up that the donkey goes in the water anyway and drowns. It's a little bit like this movie. It's impossible to get that balance because everyone has an opinion about this donkey. And especially, I think, I really see this acutely in the US. Because I feel like it's impossible, almost, for the Americans — at least, for the critics — to see this as a movie. They either hate the idea of a Trump movie or they think it's not enough — or they think there's nothing new about him that they couldn't read about. So it's a vicious cycle. It feeds itself. And in in reality, I think the only balance that matters is the balance of three dimensionality of character and the authenticity of character. Do I deeply care if we hurt Donald Trump? No, I don't give a fuck, you know. He doesn't care. Why would I care? But I do care about what I feel is fairness. I don't want us to either work for him or work against him. Everyone has different agendas around him and around this sort of political minefield we're living in, and I'm this one guy who actually does not have an agenda either way for against. My agenda is a humanist agenda. I think it's interesting to investigate these people, and the time and the political apparatuses which they're part of." On What Appealed About Bringing This Story to the Screen After Abbasi's Past Films Shelley, Border and Holy Spider "I think what was exciting about this project was the fact that it it's not an American movie — it's about America. And as someone who grew up in Iran, I have this really special relationship to America. I mean, Iran was an American colony until 79. And then after that, we became the archenemy and America became the great satan. And we had this very tense relationship. I think that if you grow up in the Middle East, you have a different view of American politics. You don't really see the difference between Democrats and Republicans in the same way. The outcome is the same. The outcome would end up being a bomb on your head anyway. So I think this this sort of tension and fascination got me curious about American politics, obviously, and the American political system, and this social Darwinism that sort of runs through a lot of things in in American society — this sportifying of everything, so to speak. Even the debates, I don't know if anyone can come up with any single substantive point from the last Trump-versus-Harris debate, but everyone was like 'who won? By what margin did they win?'. But I think there's also something more, there is another complexity in in this story — it's not a Trump movie. It's about this very formative relationship, which Trump is obviously part of. But it's also equally about Roy Cohn, who's as colourful character and as exciting a character, and not as in plain sight as Trump is. And how through this relationship, Trump becomes the person he is. In that way, again, it's also my chance of studying or investigating the system they're operating." On Finding the Right Actor to Play Donald Trump — and Getting Sebastian Stan Onboard "I think for me, casting is like 80 percent of my job. That's also why I am really, really picky and it takes very long time for me to cast my movies, because really once you cast someone, there is not a whole lot you can do about that choice on set either way. And I meant this in a sincere way. It's not a criticism, it's not a problem, but it's something — it's a commitment, I guess. That's a good way of putting it. And that commitment was something that Sebastian definitely paid to this. We start talking about this 2019. And then movie evolved and fell apart few times. It fell apart right after January 6, I remember, as an example of the times. And I think in a way, it is a difficult part to prepare for — not only on a technical level, not only in terms of research and all that, but also mentally. I think I went through a version of this with Holy Spider myself. I was like, the movie itself is one thing, the consequences of making the movie is something else. So I had to mentally prepare to do Holy Spider for many years before I actually made it. I think it's the same for Sebastian. I think maybe the one good thing that came out of all these years of waiting and rebuilding the project was he had time to mentally prepare for the fact that he is doing this person who's extremely polarising — and the aftermath, which is also going to be polarising — and it hasn't even started yet. I think we're going to see the real reactions when the movie comes out. It's different for me. I'm an outsider to this political system, to the US. I can't say I'm an outsider to Hollywood anymore, because now I'm part of it. But I have a sort of a safety distance. If everything goes wrong, if shit hits the fan, I'm still in Copenhagen — and that's not the case for Sebastian. That's not the case for Amy [executive producer Baer, Purple Hearts] and Gabe [screenwriter Gabriel Sherman, Alaska Daily], who started the project. These are people who are taking real risks with this. As much as I don't understand the controversiality and the risk of it, I do know that I'm not the audience. I'm not the masses — that would be seen very differently." On The Apprentice Living Up to Its Name by Unpacking Roy Cohn's Influence on Donald Trump "It's a little bit of a Frankenstein story in a way, like how the monster is created by the master. But in that case, I think politically speaking, I think it's very wrong to refer to Donald as a monster. Because that would also imply that there's a monster in town and there are some other innocent people who are not. And in fact, that's really not the case. I think anything that the opponents are accusing Trump of doing, they have done themselves in some degree, one way or the other. The argument is here is not that 'oh, there are some fine people on both sides' or everything is relative. I don't think it's relative. I think there's some stuff, like when he comes and says 'people are eating dogs', that's a despicable, stupid, racist, fascist thing to say. That's not relative. That's black and white. But in terms of the dynamics of it, back to Roy Cohn, I think that in the movie as in reality, he had an outsized influence on how Donald became the person he is, and how he learned to navigate and pull the levers of power. And also, most importantly, maybe, how to deal with media. Once you know the rules, you can see how he's on a daily basis using those rules. And there's something interesting about these characters, because in a way, they are pretty punk rock. Punk rock is not something you associate with the right that much — mostly anarchist leftwing, that vibe of it. But when you look at these people, they do what the fuck they want. They establish rules. They tear the rule book. They're colourful. They don't care. And I think that maybe in terms of mentality, that was maybe also a big contribution from Roy. You know, you don't have to give a shit about people. If you say something wrong in an interview, double down, triple down, quadruple down. Who cares? Fuck them, you know?" The Apprentice opened in cinemas Down Under on Thursday, October 11, 2024.
The music industry often takes itself too seriously. Funny photos of serious musicians are scarce, but hilarious. Take a took at these photos of (usually) serious musicians. We've got everything from Dallas Green (City and Colour, above) in underwear with an umbrella, Elvis Costello in a fedora hanging with Elmo, and the always intimidating post punk band Swans squatting awkwardly in a swimming pool. Even the deepest and darkest of musicians have a soft side (or at least a somewhat funny side). Justin Vernon (Bon Iver) Lou Reed and Laurie Anderson Elvis Costello Ian Anderson John Cage Radiohead Elliott Smith Iron Maiden Jeremiah Greene and Jim Fairchild of Modest Mouse Swans Hans-Joachim Roedelius
Woolloongabba has always been the cultural and historic crux of Brisbane, though we might not acknowledge it. It has food and antiques, it has a killer view of the river, and now it houses one of Brisbane’s most exciting events of the year — End of the Line Festival. This isn’t you’re average RNA-hosted, do-my-Vans-match-my-half-dilated-pupils festival – it’s the creme de la creme of Brisbane culture compounded into a free, 12-hour party. If you ask us, that's well worth crossing the river for! "It’s a food festival, it’s a music festival, it’s a festival of diverse markets and eclectic wares and it's a community street party!" says festival director Morgan Jenkins. And, what a party it is! Local cafes and food trucks will be catering, crazy wares will be on sale, and over a dozen bands will be laying down the party beats. This isn’t strictly an event about music or food or even markets — it’s a 'to hell with it, we’ll cover it all' kinda deal! "Thats the whole idea of the festival — to showcase and celebrate the talent, diversity and history of this area as something of immense value to Brisbane, and something that is worth retaining as the population increases here in the coming years," Morgan says. "We love the fact that we'll have music lovers, foodies, dancers, cyclists, wine connoisseurs, antiques and vintage buyers, AFL heroes and kiddies all in the same space ... That’s what makes it great." The End of the Line is set to take place in that trendy little, café-dense enclave off Logan road in Woolloongabba, or as Morgan calls it, the suburb of "happy chaos". "[Woolloongabba] has a very long indigenous history, a very long migrant history, a complicated and intricate history as a transit convergence and catchment point and its sporting history doesn't need any explanation. The thing that makes it so interesting for us is as a space where all of these things converge and intertwine," Morgan says. "This happy chaos, coupled with the density of such incredible culinary talent makes for a pretty good starting point for a festival." As for music, expect a bunch of local acts whose styles range from heavy beats to '70s pop-rock. "We have predominantly local songwriters playing stripped back shows (Thomas Calder, Mardi Lumsden, Tom Cooney, Laneway). We have big brass bands and funk tunes (Bullhorn and Golden Sound). We have tunes to stomp your boots to (Suicide Swans and Emmett and Mabel). We have thick beats to boogie to from Vinnie La Duce. We have a return to the '70s in The Babe Rainbow, and we have Australian songwriting royalty in Darren Hanlon." And that’s just the music. We haven’t even mentioned the food trucks, historical displays, antique stalls, horse-drawn trams and the Penny Farthing Parade. End of the Line Festival kicks of at 10am this Saturday, and promises fun for tots, adults and everyone in between. Though Morgan says you best not arrive empty handed. "We're doing our best with shade, but it will be a good idea to bring a hat and sunscreen. Bring a camera. Bring a friend. But most of all my advice would be to bring an empty stomach." The End of the Line Festival takes place at Little Logan Road cul de sac from 10am-10pm. Entry is free.
Set in the backstreets of suburban Brisbane, Trent Dalton's award-winning 2018 novel Boy Swallows Universe is destined to become an Aussie classic. It follows a young boy, his prophetic brother and his jailbreaking best friend as they navigate the heroin-filled underworld of 80s Queensland. And it's about to come to life on the stage. Between Monday, August 30–Saturday, October 9 this year, the stage version of the novel will world premiere in Brisbane. Originally slated to debut in 2020 before the pandemic postponed much of the year's events, it'll now arrive this year instead. It's a co-production between Queensland Theatre and Brisbane Festival, with the former's ex-Artistic Director Sam Strong directing the adaptation, which is written by playwright Tim McGarry. When it was first announced, Brisbane-born author Dalton said in a statement it was only fitting that the stage show should premiere in his hometown. "It was the people of Brisbane who took that wild, strange book and ran with it first and that book belongs to them now and this production will belong to them, too." Boy Swallows Universe has snagged a slew of local awards, including Book of the Year, Literary Book of the Year and Audio Book of the Year at the 2019 Australian Book Industry Awards. The novel, which has sold 160,000 copies in Australia alone, was also been longlisted for Australia's most prestigious literature prize, the Miles Franklin Award in 2019. Fans of the novel will be excited to hear that it won't stop at the stage, either — Boy Swallows Universe is also destined for the small screen. Harper Collins had sold the television rights to the novel, with Australian actor and director Joel Edgerton (who recently wrote, directed and produced Boy Erased) set to produce the show alongside Dalton as executive producer. Tickets for Queensland Theatre's production of Boy Swallows Universe are currently on sale — and they've been proving popular. In fact, the show's end date has just been extended to October 3 — the second time it has been extended — to meet demand. Top image: David Kelly. Updated September 29.
You wander into The Johnson, head to a room, and everything seems normal — that's what people at hotels, after all. But if you're doing so between September 12–15 as part of Brisbane Festival, then you're not there to stay. Rather, you're seeing a show. Yes, as well as hitting up venues all around the city, this year's fest includes a one-man show in a Spring Hill hotel room.Created and performed by Wiradjuri man Joel Bray, it's called Biladurang, with the title meaning platypus. As you're trapped in the room with Joel, you'll watch him dance, act, wonder why he's there and loosely relay a dreamtime story. Image: Pippa Samaya.
Anyone who's caught The Jezabels live can nod to a hoarse throat and an emotional upheaval at the close. One of Australia's best live outfits, the Sydney foursome sure pack a punch on stage, leaving festival crowds at St Jerome's Laneway Festival, Groovin the Moo and Big Day Out thoroughly uplifted and homeproud. After extensive UK touring and support slots for Depeche Mode and the Pixies, The Jezabels are back on home turf ready to blow minds at The Tivoli for their 2014 headliner tour. Following the release of their colossally successful debut release Prisoner, The Jezabels spent two years on a furious touring escapade; leaving fans generally euphoric at over 200 shows worldwide. Gradually refining their epic live presence, the Sydney locals are a long way from their university band comp days — rounding out 2013 by opening for Depeche Mode and the Pixies through Ireland and the UK. The crew based themselves in London, hooked up with UK Producer Dan Grech-Marguerat (Radiohead, The Kooks, Lana Del Rey) and crafted their second album, The Brink, which debuted at #2 on the ARIA chart. No biggie. For their first headline dates for 2014, The Jezabels will fill every eave of The Tivoli with Hayley Mary's supercharged vocals. Sydney power pop dudes Gang of Youths will warm up The Tivoli with their debut single 'Evangelists', fresh from recent UK support slots for Vampire Weekend and Frightened Rabbit. https://youtube.com/watch?v=pQ3fAMOz-Ic
For a while there, it seemed like every hip hop tour to Australia was doomed to fail. Poor ticket sales, high-profile artists that don't show up, lazy and greedy managers and a general lack of any business savvy whatsoever have conspired to kill off a handful of festivals and some major tours in just the last year or two. But in the midst of all that, Rap City has not only gone ahead, it has thrived. Since its inception in 2010 the single-stage mini-festival has brought out some of the all-time greats of the game, from Ghostface Killah and DOOM to The Beatnuts and Masta Ace. This time around, Rap City will be headlined by none other than Talib Kweli, one of the most thoughtful, socially aware and lyrically gifted MCs around. His 1998 collaboration album with Mos Def — Mos Def and Talib Kweli Are Black Star — remains a masterpiece of politically and socially conscious hip hop, but over 15 years and half-a-dozen albums Kweli has proved time and again that he is one of the most gifted lyricists of his generation. With a new album, Prisoner of Conscious, recently released featuring Miguel, Curren$y, Kendrick Lamar, Marsha Ambrosius and Busta Rhymes, Kweli is sure to be at his energetic, eloquent best. Joining Kweli will be Homeboy Sandman, the rapidly rising star signed to Stones Throw Records (home to the likes of DOOM, Peanut Butter Wolf, Madlib, Australia's own Jonti and the late, great J Dilla). His praises as a lyricist and intellect have been sung by XXL, The Source, NPR, Rolling Stone and everyone in between, but his beats have a groove so good you almost don't notice that Homeboy's lyrics challenge almost every thought you have ever had. And if that weren't enough, these twin lyrical titans are being joined by Trademark 'Da Skydiver', the next big thing from the Jet Life Crew label — home to the likes of Curren$y, Smoke DZA and Sir Michael Rocks (formerly of The Cool Kids). With a handful of rapturously received mixtapes under his belt, Trademark is currently putting his finishing touches on his highly anticipated album Flamingo Barnes 2, which is due on the eve of his Australian Rap City tour. If anyone ever told you hip hop was dead, make sure you drag them along to Rap City and shut them up. MELBOURNE – Thursday October 3 @ The Hi-Fi PERTH – Friday October 4 @ Villa BRISBANE – Saturday October 5th @ The Hi-Fi SYDNEY – Sunday (Long Weekend) October 6 @ The Hi-Fi Tickets go on sale on Monday, 12 August, via Moshtix and OZTIX.
