That's right, REMI and Sampa the Great are getting back together and touring the nation. Titled Fire Sign, their adventure will bring tunes, hip hop and poetry to big cities all over the country, where every show will see a set from each artist, followed by a joint finale. If you've been keeping an eye on the collaborations between REMI's Remi Kolawole and Sensible J, and Sampa The Great, you'll know that last year they joined forces to create 'For Good', a single that appeared on Divas and Demons, REMI's second album. Featuring a bunch of other special guests, the album took REMI to sold out gigs and several festivals, including Splendour, Field Day and Falls. Meanwhile, Sampa The Great has been going great guns since releasing The Great Mixtape, her debut album in 2015. You might've caught her at WOMAD, Laneway, Sugar Mountain or Golden Plains. From Sydney to Melbourne, Perth to Darwin, expect epic shows from the artists, plus surprises in the form of unannounced performers and a variety of support acts.
A Matter Of Time is a moving photo documentary about the lives of eight lesbians residing in Queensland, during the socio-politically conservative mid-to-late twentieth century. It tells of their experiences and how these have shaped their lives in present times. Some led double lives, some hid in remote pockets of far north Queensland, while others lived openly, and in spite of the consequences. This is a project by doctoral candidate Heather Faulkner, a photographer and immersive storyteller. She turned her skills as a photojournalist into an art of addressing histories and realities of marginalised queer communities. Her passion stems from personal experience, as she addresses her own place in the alternate after she came out in Vancouver in the late 80s. As the struggle for rights continues, the importance of historical understanding has never been so great, so too as the understanding of those living outside the norm. For further insight, head along to this free exhibition.
If you're a vegetarian, worshipper of eggplant or just a keen home cook, chances are Yotam Ottolenghi has had some impact on your life. In fact, we bet you've got at least one of his bestselling cookbooks in your cupboard. In 2023, you'll be able to learn a few more tips and tricks from the renowned Israeli chef as he heads to Down Under for a speaking tour. The trailblazing chef, author, TV personality and restaurateur whose name has become its own cooking style is touring the country off the back of his book Ottolenghi Flavour, which builds on his love for innovative vegetable-based recipes — and his new Ottolenghi Test Kitchen title Extra Good Things, too. And yes, this'll sound familiar, as he was planning to head Down Under in 2021 and at the beginning of 2022, but we all know what got in the way. Yotam Ottolenghi — Flavour of Life will hit Brisbane's QPAC for two shows at 2pm and 7pm on Saturday, January 28. As well as dishing up a few spicy secrets behind his mouthwatering hits (his miso butter onions and spicy mushroom lasagne are always favourites), the show will provide an opportunity to hear directly from the man himself about his influences and experiences. It also promises to delve into Ottolenghi's experience as the owner of famed London restaurants Nopi and Rovi, how he approached home cooking during the COVID-19 pandemic and how you can dial up the flavour in your own kitchen. And, chatting with author and broadcaster Alice Zaslavsky, expect Ottolenghi to discuss food pairings, next-level cooking methods and more. Plus, Ottolenghi and Zaslavsky will get cooking, using ingredients selected by each show's audience. Have a stash of burning questions for the chef? The speaking events will end with a Q&A.
Picking up just seconds from where the last Muppets film left off, Muppets Most Wanted opens with a rousing song that explains: "Everybody knows a sequel is never quite as good". A few famous exceptions notwithstanding, the in-joke is right on the money, and even though it's definitely true of this film as well, thankfully the follow up to James Bobin's 2012 hit is only slightly poorer than its predecessor. This time round, the gang is talked into embarking upon a world tour by Ricky Gervais's smooth-talking yet unscrupulous talent manager, Mr Badguy ("Its...French. It's pronounced...Bad Geeee"). The tour is, however, just a front to enable Badguy and his boss Constantine (aka Evil Kermit) to conduct a series of high-end museum robberies and steal England's Crown Jewels. Key to the plan is Constantine's escape from a Siberian gulag and an ole switcheroo that sees him trade places with the real Kermit. "Eeets...dee Marrr-pet shaow" practices the heavily accented villain as he reviews file footage of Kermit in what's just one of dozens of charming imposter-Kermit based jokes. As always, the film is packed with self-referential humour (one Muppet complains that it's actually the seventh movie in the franchise), cameos (Usher plays an usher, Celine Dion takes the absolute piss out of herself and James McAvoy appears as a 'blink and you'll miss him delivery man', to name just a few), and — of course — musical numbers. None of the songs come close to matching The LEGO Movie's impossibly catchy 'Everything Is Awesome', but several of them are good enough to gets the toes tapping. Constantine's 'I'm Number One', for example, is amusing in its constant forcing of Gervais to reply 'I'm number two', and the disco-inspired 'I'll Get You What You Want' is just crying out for a Pharrell cover. The highlight of Muppets Most Wanted, however, is the subplot involving the partnership of Sam the Eagle and Interpol's Jean Pierre Napoleon (in an outrageously cliched swipe at the French by Ty Burrell). Their dogged pursuit of the thieves leads to some fantastic scenes involving muppet interrogations, crime scene analysis and police badge oneupmanship. Tina Fey also impresses as the gulag's warden Nadya, whose determination to put on the prison's annual revue sees Kermit end up directing a terrifically funny all-male A Chorus Line. I'm also told Ms Piggy's wedding dress (designed by Vivienne Westwood...no, seriously) is to die for. Based on the laughter of the kids attending the screening, kids will laugh at screenings of this movie, and so too will adults, though not in the same way or with the marked regularity of, say, a Pixar film. It's a little light on plot, and begins to feel a little repetitive by the end, yet the pacing is rarely in danger of lagging and the jokes come often enough to keep everyone entertained. Empire Strikes Back it 'aint, but it's not a bad sequel to what was always going to be a hard act to follow. https://youtube.com/watch?v=wXfLrt90CHM
Much like its seemingly ageless leading man Keanu Reeves, the tale of The 47 Ronin is both several centuries old and beloved in Japan. Combining some of the most startling exemplars of courage, loyalty and honour, it's a sort of Kelly Gang meets Custer story in which a group of disavowed and banished Samurai (known as Ronin) stoically vow to avenge their master despite its absolute promise of death. From a production standpoint, 47 Ronin unexpectedly delights, with the costumes in particular showcasing the very best union of imagination and authenticity. Alongside some extraordinary set design, the extravagant armour of the Samurai, ornate dresses of the concubines and opulence of the Shogun all inject dazzling colour into an otherwise entirely dark affair. Even the cinematography feels more dramatic and dour than might be assumed for an action movie, which largely represents both 47 Ronin's strength and failing. That's because this is an entirely joyless film, and while no one should expect a story about retribution and mass suicide to be a laugh riot, there's almost always a little wriggle room for fun in an epic tale of witchcraft and warriors such as this. Truly, there is perhaps only one moment of levity in the entire movie and it comes at the expense of a fat man's 'moobs'. As a result, there's a certain lifelessness to 47 Ronin which saps it of the potential to be a tremendously enjoyable movie. It is, instead, a bleak and brooding affair that plods from scene to scene instead of gallopping. Much is made up for in the final battle which, to be fair, is excellent and one of the better set pieces seen in recent times; however, it leaves you wishing the rest of the film had been delivered in a similarly spectacular manner. https://youtube.com/watch?v=47_-pqoPDVQ
The best of Korean cinema will once again be on full display when the Korean Film Festival in Australia returns for its sixth straight year. Kicking off in Brisbane on Tuesday, August 25, the program is headlined by a number of gripping crime thrillers — the genre having become synonymous with Korean cinema thanks to films like Oldboy and I Saw the Devil. This year, the mantle passes to the likes of A Hard Day, The Target and The Divine Movie. Other highlights among the KOFFIA 2015 program include the powerful coming-of-age film Han Gong-ju and the brilliantly titled opening night feature How To Steal A Dog. We're also pretty intrigued by closing night's Madonna (and no, we're not talking about the pop star), about a nurse, a comatose patient in need of a new heart and an act of redemption. For the full KOFFIA program, visit their website.
The pink bag-toting cyclists travelling through Sydney, Melbourne and Brisbane's streets will be no more as of August 20, with Foodora announcing today that it will cease operations in Australia. As reported by the ABC, the company released a statement saying it would be pulling out of Australia to focus on its work in other cities, saying it was "shift[ing its] focus towards other markets where the company currently sees a higher potential for growth." Foodora, which is based out of Berlin, also operates in Canada, Germany, Finland, France, Italy, the Netherlands, Norway and Sweden. Foodora's operations in Australia began when it acquired local delivery company Suppertime back in 2015. In recent months, the company has been plagued by allegations of underpaying works and "sham contracting", with Australia's Fair Work Ombudsman commencing legal action against the company in mid-June. For those worried about their late-night bathrobe meals, Uber Eats and Deliveroo drivers will continue to thanklessly deliver you food — rain, hail or shine.
Even though Australia is not traditionally a country to celebrate Halloween, there's nothing wrong with dressing up in large groups as ghouls and ex-wives while eating candy. If this kind of action is for you then you should head to the Halloween Street Parade this Saturday. This parade has been scaring young children since 1998 and each year it just gets bigger and more terrifying. With plenty of treats to choose from thanks to the market stalls and food vans, it is quite a culinary delight. There are amusement rides, pumpkin carving classes and bands playing that will keep you entertained until the creatures of the night march down Cambridge Parade when the sun sets. There are ghosts on motorbikes and even a hearse. If you are inclined to dress up then you can be a part of the parade, finishing off the night with everybody's favourite, fireworks.
Presence/Absence is a group exhibition, where the artist is the creator and the subject. The theme looks at the parallels of being there and not; how one state relies on another, yet is at complete odds with it. Both physical and implied presence goes under the microscope, as does the impact that a creator has on a work, even if they leave no trace of themselves. This theme has been individually interpreted by five local artists - Athena Thebus (the now-LA dwelling sculptor with a keen interest in pop culture), Chris Bennie (a videographer/photographer who examines objects and places), Clark Beaumont (a collaborative duo who use character and persona to perform their messages), Louise Bennett (who uses day-to-day practices, and mixed media) and Pirrin Francis (a storyteller, who reconstructs and reinvents narratives). You can catch the works until March 1, with the opening night celebrations taking place on the evening of the first day, February 21. Head along to the event website to confirm the opening hours of the space.
Since opening its doors a few year back, Morningside's Southside Tea Room has proven a hub of unique activities. Not only does the cafe serve up great food and drink, but it also hosts special events pop up regularly — the kind where people can indulge their creative side and take part in something different. Reviving an old favourite, SSTR is bringing back its beloved Plaster Fun House nights — an evening where patrons can get crafty and make something they can treasure. Pick from a statue on offer, get into the arty spirit and see what you can whip up! You'll have your own multi-coloured owl, skull, zombie, mermaid, Batman or bulldog in no time. Not just a one-off affair, the new series will take place monthly on Friday nights. The first gets underway from 6pm on December 8, but it has already sold out. Thankfully another will be held on January 5 and the first Friday of every month after that, so keep your eyes on the SSTR Facebook page for tickets. By James Frostick and Sarah Ward.
Anyone who has seen Tim Minchin live but missed his show with the Queensland Symphony Orchestra last year is in for a big surprise when they head to the Brisbane Convention and Exhibition Centre this Saturday. The very talented one-man piano comedy act takes musical comedy to a whole other level when symphony is added to the mix. Fresh from the controversy of being cut from the UK’s Jonathan Ross' Christmas broadcast for being “offensive”, Minchin’s humour could be described as… divisive. Provocative? Let’s just say he’s something of an atheist. What gets missed in this kind of criticism, however, is the essential nature of the kind of ‘questioning’ that lies at the core of (almost) all of his songs. Surely the challenging of social norms, and the airing of thoughts that every one of us secretly has, is the principle that lies behind the noble art of comedy. Minchin’s ascorbic wit is punctuated by moments of earnestness and generosity. I’m a huge fan of this particular ginger (I can call him that, you see). Not only is he a truly impressive musician, his is the kind of humour that tackles big and small issues alike with just the right amount of ironic panache.
Something wicked this way comes, as Opera Queensland is beginning it's 2012 Season this weekend with it's debut performance of Giuseppe Verdi's classic opera Macbeth. After sell out performances from last year's classical productions, Opera Queensland Chorus and Queensland Symphony Orchestra have join together to begin the year on an awe inspiring and sinister note. Verdi's opera, based on William Shakespeare's literary masterpiece of the same name, is the re-creation of one of the most well known and beloved tragedy tales of the Western world. Macbeth, army general and hero of 11th Century Scotland, begins his ambitious journey of moving up the ranks to become ruler and King of Scotland. Aided by his wilful and haunted wife Lady Macbeth, the death toll begins to heighten, and Macbeth's tyranny starts to take a dangerous turn. Macbeth's bloodlust soon transports him into a world of regret, suspicion and madness from which he cannot return. The story itself seems to have been crafted with the intent of transitioning into the realm of operatic theatre. It's bloody battles, ambitious heroines, and eerie returns from the dead will make for an entertaining and moving piece of theatre. Maestro Nicholas Braithwaite will be directing Michael Lewis and Elizabeth Whitehouse in the leading roles, and Kaludi Kaludow will be returning to the Brisbane stage to play the righteous Macduff Do not miss what is sure to be a riveting evening of murder, madness and mayhem!
If one man's trash is another man's treasure, then a trunk full of junk may as well be a treasure chest. Suitcase Rummage gets that when it comes to shopping, second-hand reaps the best bang for your buck. For years, it has been hosting regular events at Brisbane Square and Brisbane Powerhouse, and now it's back for 2019. Kicking off at midday on Sunday, January 20 at Brisbane Square, the event will feature a crowd of open suitcases filled with the type of clothes, knick-knacks and craft you probably don't need but definitely deserve. If you can't make it this time around, try again on February 3 and 17 — and, if you've got a pile of unwanted bits and pieces that someone else could love, you could always sign up to be a stallholder and take your own suitcase along. Image: Yan Chen via Suitcase Rummage.
Enjoying a glass of wine might come with plenty of medical benefits, but having a tipple isn't typically an exercise-heavy pastime. You sit. You drink. You get up, top up your beverage and repeat. You usually don't walk particularly far, let alone run. Then came the Grapest 5K run, a new series of wine-tasting fun runs that kicked off around Australia in 2017. Asking participants to put in the hard yards before getting some boozy rewards, it was such a hit that it's coming back for another round in 2018. How does it work? Grapest consists of two sections. First, you sprint, jog or set forth at whatever pace suits you best, making your way through scenic vineyard surroundings. Then, you walk another kilometre — yes, in addition to the first five, or ten if you're feeling extra energetic — while stopping at tasting stations along the way and sampling the good stuff. The latter part, they're calling a "wine waddle". Don't worry, if you're not up to the active stuff and you're simply keen on wandering and sipping, that's an option (although it does defeat the idea of combining fitness with throwing back drinks). 2018's event is scheduled for May 19 at Ocean View Estates near Brisbane.
A night of opulent fun beneath bright lights and icy chandeliers awaits at Fortitude Valley's decadent Cloudland. In the newly renovated Rose Room, audiences will be treated to a night of indulgence. Brisbane's Lulu LeMans, the self-proclaimed People's Princess, will use her trademark wit and effervescence to captivate and then seamlessly guide attention from risqué burlesque to centre-stage performances. Expect good-times-guaranteed tunes delivered straight to your ears, courtesy of Cloudland's big band in residence. Over three dazzling nights (April 8, May 13 and June 17) the infinite possibilities of the Gatsby era will be brought to life — think sequins, glamour, outrageous fun and lavish excess. For $119 per person, guests will enjoy a three-hour show alongside a three-course meal and bottomless beer, wine and bubbly. It's time to strap in, old sport, for a show-stopping night you'll be sure to remember. Cloudland's Big Band Cabaret is an 18-plus event and proof of double vaccination is required to attend. To purchase your tickets, visit the website.
It's safe to say Aussies love Nutella. There are days, high teas and food trucks dedicated to the chocolate-hazelnut spread — and no shortage of frankencreations inspired by it. While a gelateria in Melbourne is serving up Nutella ravioli, a Brisbane chain has decided to launch Nutella spring rolls. Available at P'Nut Street Noodles stores across the city, the spring rolls are filled with lots of the sweet spread and covered in a golden, crisp exterior. And they're going for just $3.95 a pop. As they are just pastry and Nutella, you could argue that they are fried Nutella-filled pancakes or Nutella cigars, but spring rolls certainly fits with the Thai flavours of P'Nut. The noodle chain has three stores across the city — including in South Bank, Bulimba and Windsor — and is serving the dessert spring rolls as part of its new Nuts About Taste menu, which also features popcorn chicken and roti bread with peanut sauce. To find your closest store, head over to the website.
I googled ‘Wolf & Cub’ to find a picture to go with this article and I found this. Hi, is that not the cutest thing ever? I don’t even… sorry, why am I looking at this again? Oh right, Wolf & Cub! These Adelaideans might not be as cute as those two pups but I reckon they sound a hell of a lot better. Two years since releasing Science & Sorcery, Wolf & Cub have been relentlessly touring the country and in 2010 they were picked up by US label Last Gang Records, becoming labelmates with the likes of Death From Above 1979, Crystal Castles and Metric. After the rollercoaster ride that has been the last two years, Wolf & Cub went into hiding at the end of 2010 to start work on their next album. Creating a makeshift home studio in Sydney, demos were made and a new Wolf & Cub sound formed. From there, they scooped up their new tracks and scurried into the studio with producer Burke Reid to lay down the groundwork on a shiny new album. The album’s not quite finished yet, but if you wanna get a taste of it before it’s released, head to Alhambra Lounge on Friday, where they’ll be wailing down the walls with tracks old and new, supported by our own Teleprompter. While googling pictures of wolf cubs is a totally acceptable way to spend your Friday night, I can guarantee seeing Wolf & Cub will be a hell of a lot more fun.
What begins and ends with two massive gigs, will light up the sky three times a night, and includes everything from unsettling shipping container installations to a kaleidoscopic house of mirrors and a mind- (and body-) bending circus? That'd be this year's Brisbane Festival, which will feature nearly 600 performances across a huge 22 days when it returns between September 8–29. Marking his fourth stint as Brisbane Festival's artistic director, David Berthold has curated a stacked program of almost 70 shows for the 2018 lineup — featuring more than 1000 artists, taking over 17 venues, and serving up 100 performances for free. As always, the fest's lineup spans the full array of arts, culture, performance and music events, so if you're keen to catch an inventive new play every night at the returning Theatre Republic — or schedule your life around gigs at Brisbane Arcadia — then you're about to become mighty busy. Certain highlights include Séance, which has spooked out audiences in Sydney and Melbourne, and now comes to Brisbane to unleash its immersive sonic scares in 20-minute bursts; Horror, the already-announced production that's like bringing a frightening film to the theatre; and the return of House of Mirrors, aka the reflective labyrinth you'll want to get lost in once again. Or audiences can witness Homer's Illiad turned into a memorial for fallen soldiers in Memorial; catch the world premiere of LIFE the show, the latest cabaret-fuelled circus effort from Blanc de Blanc and LIMBO's Strut & Fret; and watch eight same-sex couples tying the knot in a joyful garden street party celebration. Want more? There's Peter Grimes, the acclaimed opera by Benjamin Britten, as well as Hamnet, which stars an 11-year-old who takes on Shakespeare by playing the bard's abandoned son. Over in Home, a house will be built on the QPAC Playhouse stage each night, with the process turning into a party. And thanks to A Force at Flowstate, a public artwork will evolve moment by moment and day by day, adding materials that have flowed through the space — and holding free workshops so that everyone can take part. Music-wise, Brisbane Festival's two bookending gigs at the Riverstage will get things started with Ball Park Music and San Cisco on September 8, and then cap it all off with Violent Soho, Meg Mac, Methyl Ethel and WAAX on September 29. In-between, Brisbanites can catch sets by Tkay Maidza, Yothu Yindi and The Treaty Project, Sarah Blasko, Destroyer, Polish Club, Unknown Mortal Orchestra, Jen Cloher and Eskimo Joe — the latter with Brisbane's chamber Camerata. The list keeps going, with classical pieces combining with Circa's acrobatics in En Masse, puppet show Umami Mermaids exploring the world of mutated sea sirens, and pianist Sonya Lifschitz working her fingers as historical footage of the likes of Joseph Stalin, Ai Weiwei, Bertolt Brecht, John F. Kennedy and Julia Gillard screens in Stalin's Piano. And while it all comes to an end with Riverfire's usual bright display of blazing fireworks — for the 21st year, in fact — a thrice-nightly light show called River of Light will also illuminate the city, featuring giant spirals of water, coloured lighting and rainbow-hued lasers along the river at South Bank.
One of the country's prime sporting events each year, the Australian Open has taken over Melbourne each summer for more than a century. It's the ideal time to road test your experimental sunhats, mix and match shorts and polos, and do some day drinking in a classy way. After much uncertainty due to COVID-19 travel and gathering restrictions, the tournament in returning for another year in 2021. Qualifying for the event is scheduled to kick off in Doha and Dubai on Sunday, January 10, with the regular rotation of tennis superstars expected to qualify and make the trip Down Under. The main event will run from Monday, February 8–Sunday, February 21; however, if you're itching for your yearly dose of tennis and you just can't wait, five lead-up events will be hosted in Melbourne Park including the ATP Cup from Sunday, January 31 right up until the start of the open. Ticket bundles start at $49, which will allow you to watch four early round matches in the same day — and go up to $370, for tickets to the finals. Browse the schedule, grab tickets and find out more at the Australian Open website. [caption id="attachment_796232" align="aligncenter" width="1920"] Rob Keating via Wikimedia Commons[/caption] Top image: Tourism Victoria via Wikimedia Commons.
For most folks, Boxing Day follows one of three paths. First, you nurse your Christmas hangover and spend all day fussing over your pressies. Second, you hit the shops for bargains, adding to your haul. Third, you seek out the dark and cosy confines of a cinema — 'tis the biggest movie release day of the year, after all. In 2021, you can shake up your routine — or add to it — by hitting up Hibiscus Room's Boxing Day BBQ Brunch. The just-launched retro-themed rooftop venue on level four of the Hyatt Regency Brisbane is turning the day after Chrissie into an excuse to get eating and drinking — and splashing if you like. You'll pay $79 per person for the food lineup, which obviously goes heavy on barbecued fare — and there'll be live entertainment on the bill as well. It's a pay-as-you-drink setup and, if you'd like to get splashing, access to the pool will cost you $25 on top, too. And yes, the CBD location means that you can slot it in after shopping up a storm in the sales, and before catching a flick.
Three decades after Expo '88 transformed the southern banks of the Brisbane river, and 26 years since the area was turned into permanent parklands, South Bank is set for its latest change. As first revealed as part of last year's 25th birthday celebrations, the precinct is set to gain a new riverside green space — a new 6816-square-metre precinct, in fact. As announced by the Queensland Government, the new addition will take over the spot previously occupied by South Bank's riverside restaurants, which were affected in the 2011 floods. Those buildings were demolished in 2017, and will now be replaced by parkland, including barbecue facilities, public art, a water feature, a place for riverfront events and a function space. Construction is set to begin mid-year, revamping the former restaurant sites, and incorporating and upgrading surrounding existing outdoor areas. Brisbane Times reports that the new river lawn will be 1.5 times larger than the River Quay lawn, and both a riverside lounge and a plant-filled shade house will be added. Further, a path will connect the promenade and the arbour, the promenade itself will be straightened, shady trees will be planted through the terraced lawns and the rainforest will be extended. South Bank also recently welcomed a new temporary creative space in the former Arbour View Café precinct, called Flowstate. It features an immersive digital art installation, an open-air performance pavilion and a grassy relaxation zone, and is intended to be in place for between 18 months and three years.
When COVID-19 began to spread around the globe, travel was in no one's immediate plans. Australia's borders closed to international travel and, domestically, the Aussie airline industry drastically scaled down the number of local flights. Now that coronavirus restrictions are gradually easing, the opposite is happening. While Australians are still unable to leave the country, domestic travel is starting up again — and Qantas and Jetstar are putting on more flights as a result. Since the end of March, both airlines have been operating at five percent of their pre-pandemic capacity. By the end of June, the two airlines will boost that number to 15 percent, equating to more than 300 more return flights per week. Yes, that's obviously still significantly less than normal; however if the demand is there and the remaining state border restrictions are removed — such as in Queensland, Western Australia and South Australia — flight numbers could return to 40 percent of pre-coronavirus levels by the end of July. Announcing the increase in domestic flights, Qantas and Jetstar revealed that some routes that have still been operating will begin flying more frequently, while some others that stopped completely back in March will resume. Intrastate flights will also increase within New South Wales, Queensland, Western Australia and South Australia. That's great news for folks eager to travel between Melbourne and Sydney, with 67 flights available per week by the end of this month across the two airlines — up from 12 per week at present. Flights to-and-from Brisbane and Sydney will increase from 12 to 30, while Brisbane–Melbourne routes will go up from seven to 19. Flights to Canberra will also rise, from five per city weekly to 19 from Sydney, 16 from Melbourne and 10 from Brisbane. Over in Perth, flights to Sydney and Melbourne will remain the same, with seven heading to each city every week. Regionally within NSW and Victoria, a bunch of routes are upping their numbers, including from Sydney to Albury, Armidale, Coffs Harbour, Dubbo, Moree, Port Macquarie, Tamworth and Wagga Wagga, and from Melbourne to Mildura, Newcastle and Ballina. Also, as first announced early in 2020 but then postponed due to COVID-19, Qantas will start direct flights to-and-from Sydney and Ballina. Jetstar already flies that route, but if you're a Sydneysider looking to head to Byron Bay and don't feel like a road trip, you now have another option. In Brisbane, flights will increase to Cairns, Townsville, Emerald, Gladstone, Hervey Bay, Mackay, Moranbah, Mt Isa, Rockhampton and the Whitsunday Coast. And in Perth, flights will ramp up to Newman, Karratha, Port Hedland, Broome, Kalgoorlie, Geraldton and Exmouth. Qantas and Jetstar are also allowing domestic customers to change the date of their flight once without paying a change fee — if you book before June 30, and plan to fly between June 12–October 31, 2020. The two airlines will be changing a number of their procedures, too, to adapt to social distancing and hygiene requirements. That includes encouraging contactless check-in and self-serve bag drop, placing hand-sanitising stations at departure gates, providing masks and sanitising wipes to passengers on all flights, making everyone board and disembark in sequence, and undertaking extra cleaning. For further details about Qantas and Jetstar's plans, visit the company's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Do you like scary movies? If your answer is yes — and that question has you itching to revisit Scream — then Jakop Ahlbom's Horror is for you. The acclaimed Swedish director and film aficionado has turned his love of all things frightening into an internationally acclaimed physical theatre production, and it's making its first trip to Australia Serving up spine-tingling thrills while nodding to everything from The Shining to Rosemary's Baby to The Exorcist, Horror blends black humour with the genre that gives the show its name, complete with a host of cinematic special effects that aren't usually used in live theatre. That means not just blood-splatter aplenty and slasher flick-style orchestral screeching, but swinging an axe through a wealth of classic movies and tropes in a head-spinning fashion. Expect more than a few chills when it heads to QPAC from September 26 to 29 as part of this year's Brisbane Festival. Still game? The smart, sinister homage sets its creepy fun in a haunted house — where else? — where a young woman and her friends are forced to confront vengeful spirits still smarting from a traumatic family event. Trading dialogue for illusion, mime, movement and music, it'll make you feel like you're a mere few steps away from a real-life horror flick. And, thanks to Ahlbom's stage magic, you will be. Images: Sanne Peper.
Melbourne band Strange Talk seem to be on a good thing at the moment. Their sound has drawn comparisons to Cut Copy, Phoenix, Friendly Fires and Yeasayer, and judging by the popularity of the aforementioned bands, such a powerful music brew can't be a bad thing at all. And judging by their fast paced success - its not. After releasing the track 'Climbing Walls' to which they received a lot of triple j love for last year, the four piece have quickly gained a following. Along with the fans have come notable gigs including performances at Parklife, Good Vibrations and the support spot for Foster the People's sold out Melbourne shows. The indie-pop act is now setting its sights on Brisbane and to help make the night just that extra bit fun, local rising stars Mitzi will also be performing. Combining disco beats, syncopated guitars and laid back vocals, Mitzi's smooth and alluring sound is also winning the band a lot of fans. The performance comes hot on the heels of their recently released debut EP All I Heard. Both bands are set for great things, which means you are in for a great show.
Clothes swaps aren't just for humans. Your pupper deserves some dapper pre-loved threads too. If you've got a pile of collars, leashes, harnesses and old doggo outfits looking for a new home — and would like a new pile in return — then wag your tail over to Pup Stuff Swap. Bring something, take something. That's how these things go, and it's the same whether it's targeted at creatures on two legs or four. It's worth remembering that a swap relies on everyone donating usable items — things that can still be worn, aren't damaged or broken, but you just don't want anymore. Run by Good Swap with Suburban Pup, and taking place at The Pick Up Joint in Spring Hill, the swap will have everyone barking from 8.30–10.30am on Saturday, January 26. It's all free, but bring your wallet if you'd like some coffee and cakes — for humans. There'll also be dog meal mix on offer for you to take home, but you'll need to bring your own container.
There's toying with horror film tropes, and then there's It Follows. Fans of the genre have undoubtedly seen all the scary movies where the characters get it on, only to be nastily dispensed with not too long after. Even those not so fond of big-screen frights have probably watched the flicks that call attention to and make fun of the cliche, such as Scream. Well, here, that convention isn't just a routine inclusion — it's the film. When hormone-fuelled teens have done the deed, something evil comes calling. That, folks, would be the titular 'it', a presence that can take the guise of a parent, friend or stranger. It follows its victim with a focus and perseverance most movie killers could only dream of. Once it sets its sights on the latest sexually active person to catch its attention, it won't stop walking and stalking until it strikes them down — or until the unlucky soul in question passes it on by sleeping with someone else. After getting intimate with her boyfriend, Hugh (Jake Weary), for the first time, that's the situation 19-year-old Jay (Maika Monroe) finds herself in. It takes some time to convince her sister Kelly (Lili Sepe), friends Yara (Olivia Luccardi) and Paul (Keir Gilchrist), and neighbour Greg (Daniel Zovatto) of such a strange predicament, but they're soon helping her try to outrun her sinister, unceasing, supernatural pursuer. There might be more than a hint of picking off the promiscuous at play here, even if getting physical is a clear substitute for fears of growing up in general, but thankfully that outdated attitude doesn't dampen the film. Instead, It Follows flies by thanks to its genuine chills, using its style to unsettling effect. If ever there was a movie that stacked up familiar horror elements and made them its own in the canniest fashion possible, it's this one. Think you've seen that fondness for symmetry before? And heard something similar to that electro score? Well, if you're familiar with the work of Stanley Kubrick and John Carpenter, that's not at all surprising. This isn't a case of blatant copying of parts of movies like The Shining and Halloween, but of affectionate nods to obvious influences. Writer/director David Robert Mitchell takes his cues from the master filmmakers he loves, his enthusiasm ensuring It Follows is never anything less than hauntingly atmospheric and spine-tinglingly creepy. So, there's sex and death, a gimmick that might get you watching. Plus, there's an unshakeable air of unease, which will probably keep you glued to your seat. It's actually the performances that will get you really engrossed in the film, however, refreshingly showing teens acting their age. Monroe is a certain star in the making, and the rest of the cast are just as great at getting to the heart of what it must be like to be scared out of your wits while still awkward, vulnerable and uncertain. As It Follows follows them coping the best they can, it also follows in the footsteps of horror greats gone by, proving a striking and sincerely scary addition to the genre. Read our feature on the history of sex in horror movies.
Australia's undying affection for Bill Murray has been shown through film tributes the country over— at Sydney's Golden Age Cinema, Brisbane's Catchment Brewing Co. and, most recently, Melbourne's Howler — but now the man himself is set to visit the country. But the actor, comedian and all-round good guy won't be emulating Peter Venkman or Carl Spackler or even Steve Zissou — he'll be performing classical spoken and musical works alongside distinguished German–American cellist Jan Vogler. The show's called New Worlds, which comes from an album of the same name the pair released last year. In it, Murray takes a different turn to how you my have seen him on-screen — he performs vocals to classic American music, and excerpts from American greats like Mark Twain, Walt Whitman and Ernest Hemingway. This will be accompanied by classical scores (think Bach, Schubert and Ravel) by Vogel and his ensemble. The show will be held at the QPAC on Friday, November 16.
Rallies and marches take place every January 26, not only addressing concerns about the date of Australia's national celebration, but also protesting the ongoing discrimination that has been faced by Indigenous Australians since white settlement — a topic that covers a large number of issues. In 2021, events will take place all around the country; however, heading along in-person isn't the only way to take part. In Brisbane, a rally and march will be held from 10am AEST, starting at Queens Gardens on the corner of George and Elizabeth streets in the CBD. But if you're not able to attend, you can stream it from home. There are a number of reasons why you mightn't be able to make it physically, whether you're avoiding large gatherings during the pandemic — the march and rally is asking attendees to wear masks and abide by social distancing, though — or you're located out of town. So, watching along is as simple as heading to Get Up!'s Facebook page from 9.50am AEST/ 10.50am AEDT, with the whole event streaming live.
Here's one way to warm up your winter: heading to Northshore Hamilton for wild nights filled with everything from cabaret, burlesque, circus and music to magic and a Shinjuku-inspired bar. From Wednesday, July 27, that's on the bill thanks to a new entertainment precinct pop-up called Twilight Electric. Yes, heading by when the sun is setting is highly recommended. This luminous limited-time venue will boast two big drawcards: Blanc de Blanc Encore, which has proven a Brisbane Festival favourite in the past; and a Brisbane season for Maho Magic Bar. And if you're wondering why, it's all happening in the lead up to this year's Bris Fest — which'll unfurl its jam-packed 2022 lineup, moon-focused events and all, in September. With the return of Blanc de Blanc Encore comes the return of the Spiegeltent, which'll be filled with the kind of party that'd make Jay Gatsby envious. Think: glamour, hedonism, opulence, an OTT vibe and extravagance aplenty, all thanks to Strut & Fret, who've also brought Feasting on Flesh, A Company of Strangers, Cantina, Dream Menagerie, LIMBO, Blanc de Blanc and Limbo Unhinged our way in the past. Blanc de Blanc Encore combines tunes, big dance numbers, acrobatics and other circus tricks, risqué humour and a vintage French aesthetic — so, there's a little something for everyone. The vibe is pure cheekiness, so if you're a little sensitive, this mightn't be for you. As for Maho Magic Bar, it's a bar, a performance space and a show all in one — all thanks to Broad Encounters, aka the folks behind that eerie Edgar Allen Poe-inspired warehouse experience A Midnight Visit that creeped out Brisbane in 2021. Here, neon lighting sets the mood, cherry blossoms hover above, and sake cocktails and shōchū lead the drinks menu. Also, magic shows happen at your table. An immersive event from the moment that you approach its glowing exterior, it's designed to replicate a night out in Shinjuku in Tokyo, and conjure up an 'anything can happen' feeling. The ace thing about the setup: whether you adore magic or don't think it's your thing, you'll still be entertained given the atmosphere (and the drinks and those lights) are a massive part of the allure. Still, magic is nonetheless a big part of it. Busting out illusions: Osaka's Shohgo Yamashita, the gender stereotype-busting Kaori Kitazawa and close-up magician Sarito.
Every specialty coffee cafe says they're different. Every craft beer bar as well. But Birkdale's newest venue doesn't claim to be one or the other — Craft Brew House is both a coffee shop and a bar in one. The hybrid venue is one you might expect closer to find closer to the CBD, rather than in the city's southeast. But the shoreside suburb seems to us the perfect location for a one-stop-shop where you can get your caffeine fix when the sun comes up, and relax with a cheeky beverage or two once evening hits. Craft Brew House also serves up food to suit whatever hour you find yourself stopping by, starting with house-made muesli, muffins and slices first up, as well as the healthy combo that is fresh fruit, ricotta and infused honey on sourdough. Later in the day, you'll find salads, pizzas, frittatas and platters — and, if that doesn't take your fancy, BYOing your own takeaway meal from somewhere nearby is totally acceptable here. If you're a local, expect to make it your local. And if you don't live bayside, well, you might want to make the trip out to stop by. Craft Brew House is now open at 190 Birkdale Road, Birkdale. Check out their Facebook page for further details.
It's Australia's annual slice of Italian cinema, and it's back for 2018 in its usual jam-packed fashion. That'd be the Italian Film Festival, which not only returns for its 19th year, but does so with a hefty touring lineup of 37 features and two short films, including 33 Australian premieres. It heads to Brisbane's Palace Barracks and Palace Centro from September 19 to October 14. Bookending the festival are two movies that couldn't be more timely, one delving into a media tycoon who becomes a world leader (no, not that one), and the other a stone cold horror classic that has just been remade by one of today's best Italian filmmakers. Exploring the scandals surrounding former Italian Prime Minister Silvio Berlusconi, Loro kicks off this year's fest with an epic, nearly two-and-a-half hour drama from The Great Beauty and The Young Pope's Paolo Sorrentino. Then, at the other end of the event comes Dario Argento's original 1977 giallo masterpiece Suspiria — just weeks before the new Tilda Swinton and Dakota Johnson-starring version from Call Me By Your Name's Luca Guadagnino hits cinemas. Elsewhere, IFF also boasts three of the biggest Italian flicks doing the rounds of this year's international festival circuit, courtesy of Dogman, Happy as Lazzaro and Daughter of Mine. A diverse trio from a diverse range of Italian talents, the first sees Gomorrah's Matteo Garrone spin a story about a criminal who loves dogs (winning this year's Palm Dog Award at Cannes for its canine cast), the second unravels a time-bending fable from The Wonders' Alice Rohrwacher, and the third offers a devastating look at two mothers and the daughter they share courtesy of Sworn Virgin's Laura Bispuri. Other highlights range across the entire spectrum of Italian offerings — think comedies based on off-Broadway plays, such as My Big Gay Italian Wedding; underworld dramas like Boys Cry; and an amusing mystery about an inspector investigating the death of a local prosecco wine maker, as aptly called The Last Prosecco. Or, there's also detective thriller The Girl in the Fog, based on the best-selling novel and starring Italian veteran (and Loro actor) Toni Servillo; plus Italian box-office hit Couples Therapy for Cheaters, which focuses on exactly the narrative you think it does. And, looking back at cinema history as film festivals crucially do, this year's IFF retrospective will showcase the work of Italian-Turkish filmmaker Ferzan Özpetek. If his name sounds familiar, that's because he had a hand in movies such as Naples in Veils, Facing Windows and Ignorant Fairies — and if his name doesn't ring any bells, here's your chance to discover his celebrated filmography.
Word nerds, it's your time of year. Brisbane Writers Festival is just around the corner; however that's not the only city-wide celebration of literature and language of late, with Queensland Poetry Festival also returning for another stint. As always, this tribute to waxing lyrical has compiled a diverse program that showcases the artform in a number of ways. Focused around the theme of healing, attendees can expect sessions on everything from poetry and wellbeing, using the medium to imagine a better world, processing feelings into prose in today's post-#MeToo climate and grappling with loss — plus slam competitions, poetry readings, a bookstore slinging must-read texts and the the returning QPF Poetry Zine Fair as well. The 2018 Queensland Poetry Festival takes place from August 23 to 26 at a number of Brisbane venues, including the Judith Wright Centre of Contemporary Arts, Bloodhound Bar, Brisbane Square Library, the Institute of Modern Art and the University of Queensland Art Museum.
With a life's work dedicated to upholding — and reinstating — human rights and democracy, Geoffrey Robertson has an indisputably impressive resume. The barrister, author and former human rights judge has garnered his worldly insights through defending the likes of Salman Rushdie and Julian Assange and founding the largest human rights practice in Europe. Fiercely defending lives on death row? Mentoring Amal Clooney? Assisting in the restoration of Fiji's democracy? All in a day's work for Robertson. The legal heavyweight is bringing his live show, It's No Longer Hypothetical, to Brisbane's QPAC Concert Hall on Tuesday, August 23, and Wednesday, August 24. Audiences will go on a deep dive into Robertson's life and career, with him taking a closer look at the importance of returning museum collections to the cultural groups they were stolen from, the societal fallout seen in a fake-news era and the actions he's proposed for constitutional regeneration in Australia. Whether you're a long-held fan of Robertson and his work or you're simply an inquisitive mind looking for insights into the state of the world, spending a night witnessing this Australian great command the stage is not to be missed. To secure your ticket to 'It's No Longer Hypothetical' in Brisbane on Tuesday, August 23, or Wednesday, August 24, head to the website.
Brisbane's sweetest plums, The Jungle Giants, are heading to the Triffid to show off their latest album, Speakerzoid. Contrived from the misheard song lyrics of a friend while they were listening to the opening strains of Sonic Youth's Teenage Riot, speakerzoid is the band's very own made-up word. It became used so frequently that their album began to epitomise it, and so it eventually became its title. Recorded in the latter half of 2014, this album is an accomplished new piece of work by the four musicians, showcasing the experience and creative talent that has made them one of Australia's most loved bands. Their Brisbane show will be supported by Hockey Dad and Art of Sleeping, who have just released new single 'Voodoo'. Tickets costs $46.10, with the evening set to kick off at 7.30pm. If you're under 18 and cursing your age at this moment, there's an under 18 matinee taking place at 2pm the same day — and tickets for that show can be nabbed here. Make sure you buy tickets for the correct gig.
Backyard parties rule. Everyone is aware of this right? Sitting around for an indefinite amount of time boozing with your friends and listening to music is nothing short of awesome. Ric’s is well aware of this too and is recalibrating the idea of the classic backyard party by hosting their first inaugural Ric’s Big Backyard Festival this month. Instead of Sammy’s banged up iPod dock pumping the jams, there’s going to be 3 stages (one upstairs, one downstairs and one outside) with 21 bands playing throughout the day. The Backyard’s amazing lineup includes Dunedin-based noise punk trio Die! Die! Die!, Pangaea (playing their first gig in twelve years), and Sydney legends You Am I to finish off what is going to be an epic time. And just like the best backyard parties, tickets for the Big Backyard Festival are limited to keep up an intimate festival atmosphere and allow space for punters to move and breathe, so you gots to gets your tickets quick! Final lineup: YOU AM I PANGAEA DIE DIE DIE SIX FT HICK GUINEAFOWL BIG SCARY KING CANNONS THE CAIROS WE ALL WANT TO MOSMAN ALDER THE MERCY BEAT VIOLENT SOHO RAT V POSSUM RICHARD IN OUR MIND THE HONEY MONTH BEN SALTER INLAND SEA NUMBERS RADIO BABAGANOUJ VELOCIRAPTOR JUD CAMPBELL RESPECT DJ’S.
Crispy, sweet, stuffed with a creamy filling and made in a variety of flavours, there's only one thing wrong with cannoli. No matter how many that you happen to devour in a single sitting (admit it — no one just eats one), it never feels like you've ever had enough. If you know that sensation all too well, then you might want to tempt your tastebuds down to Locale on Saturday, August 14. For just one day, the Newstead cafe is bringing back its pop-up cannoli bar. Even better — there'll be seven kinds of the Sicilian pastries on the menu. Vanilla creme, traditional chocolate, sweet ricotta and strawberry chantilly cream favours will all be waiting, plus espresso martini, pistachio and chocolate chip, and lavender and frangipane crumble as well. They're available to pre-order, because that's the way these kinds of pop-ups operate during the pandemic. Once you get booking, you'll be given a pre-determined collection time. Top image: Locale.
The middle of the year means shorter days and longer nights — and, rather than yearning for Brisbane's summer sun, you might as well embrace the two. Here's one way: Milton by Moonlight, Milton Markets' returning midyear shindig. On the agenda: everything that makes this inner-west market a firm favourite, but during an early winter evening. Taking place from 4–10pm on Saturday, June 3, the event will start serving up bites to eat — and setting up 140-plus stalls to shop — in the late late afternoon, so you can jump into the fun as twilight approaches. Then, when the moon comes out, you can browse, buy, sip, munch and dance the night away. With gourmet street food, artisanal wares and live entertainment on offer — the former including dumplings, tacos, noodles and wings; the latter across two stages — you'll have plenty to see, taste, purchase and listen to. And to drink as well, all thanks to the pop-up Milton Rum Distillery and Stone & Wood bars. They'll be pouring beers and spirits, obviously, as well as seltzers, ciders and wines. Entry costs $3 at the gate — and if you're driving there, parking costs $2 as well.
Cooking kick-ass vegan food with Smith & Daughters' Shannon Martinez, a behind-the-scenes tour of Lune Croissanterie and verbally deconstructing lasagne with Massimo Bottura. It sounds like regular programming for Melbourne's annual celebration of food — but it's not quite. Forced to postpone its physical March festival because of COVID-19, Melbourne Food and Wine Festival has just launched The Online Edition, allowing avid home bakers and food fanatics around the country to dial into chats, masterclasses and trivia sessions with some of the world's best chefs from the comfort of their kitchens. And for lucky Melburnians, there are some IRL food specials available to order every day, too. Running from Monday, May 25–Saturday, May 30, MFWF: The Online Edition is taking place entirely on Zoom and Instagram Live. Those who've spent lockdown with a Sméagol-like obsession for sourdough can get their fix with Baker Bleu's Mike Russell, while those who prefer their carbs flaky and filled with butter will want to log on for chats with Helen Goh — who's worked alongside Yotam Ottolenghi for over a decade and co-authored Sweet — and Australia's Queen of Tarts Philippa Sibley, as well as the aforementioned tour of Lune with the inimitable Kate Reid. On the topic of Lune — look away now, if you're not in Melbourne — the croissanterie is recreating some of its biggest hits for the festival, including the Lune Reuben croissant, which you can pre-order for pick-up or delivery via the Lune website. Elsewhere on the IRL menu: foie gras ice cream from Leonardo's Pizza Palace and Black Axe Mangal's Lee Tiernan, a one-off six-dish menu from Bar Saracen, an oyster and champagne pairing, and a menu of Torino-style dishes from Mister Bianco designed to eat while watching the classic 60s flick The Italian Job. [caption id="attachment_697090" align="alignnone" width="1920"] Lune by Marcie Raw[/caption] Back on the virtual program, expect a lineup of talks with international talent, including René Redzepi — who's just (temporarily) transformed his world-renowned Copenhagen fine-diner into a burger and wine bar — former co-editor of famed food magazine Lucky Peach Chris Ying and Lee Tiernan of London's Black Axe Mangal. More locally, The Everleigh's Michael Madrusan will teach us how to drink better, culinary idol Tony Tan will take us on a tour of his new cooking school and author Julia Busuttil Nishimura will show us the art of the one-pan dish. While The Online Edition has less hot chip parties and Queen Victoria Market takeovers than its scheduled predecessor, it's certainly not short on talent. The program has been pulled together by MFWF CEO Anthea Loucas Bosha and Creative Director Pat Nourse, who both have decades of experience in the food industry and will be hosting many of the virtual talks. Of the new program, Loucas Bosha said in a statement: "Our aim with this virtual festival is to highlight the capacity that hospitality has in Victoria and around the world to bring us closer, even when we can't get together in the same room. It's about sharing ideas, about sharing experiences and above all about supporting our community so that we can all come back swinging." Melbourne Food and Wine Festival: The Online Edition runs from Monday, May 25–Saturday, May 30 on Instagram Live and Zoom. To check out the full program, head to the website. Top image: Daniel Mahon
Looking at art is easy, but not as easy as drinking beer – combine the two and you've got a zero-effort activity that will have you feeling cultured, design-savvy and above all, hydrated. Art duo Georgie Levi and Mel Baxter created Art for Brews in plight of these causes through top-notch designed labels and posters for craft beer. And while the art these two produce is rather incredible, their intentions are even more impressive – Art for Brews is about delivering hand crafted visual identities to bars, brewers and breweries alike. To celebrate this fantastic initiative, The Scratch will be hosting the Art for Brews Launch, with a delicious array of beer, an impressive amount of cheese and walls filled with prints and art that you can stare at, or if you’re feeling adventurous, buy. Art for Brews have some serious talent between the two of them, which means the art on show will be good – really good in fact. And the more the drink, the better it will get. And if you drink a bit more, you might convince yourself you too can be an ‘artist’. That’s when you should put the glass down.
Terrariums: everyone's selling them. But why buy one when you can make your own? Whether your apartment needs a low-maintenance patch of green, or you're thinking about gift-giving season, learning how to turn a glass container into a succulent-filled mini-garden is an essential skill. Let Work-Shop show you how at their Succulent Terrarium Workshop — and what the classes lack in inventive names, they'll make up for in imaginative plant creations. Taking place on August 30 and December 13, the sessions will impart you with the knowledge to whip up a garden in a fishbowl, candy jar or any other sizeable glass receptacle that you have. The classes cost $70 each, and bringing your own non-coloured container is essential. Botanicals by Bella will provide the know-how, and succulents, soil, stones, shells, moss, charcoal, bark and the requisite tools will be supplied.
Earlier in 2021, Wildflower Gin grabbed everyone's attention in a very tasty way: by releasing a limited-edition lamington-flavoured tipple. Now, the Gold Coast distillery has launched something else that'll tempt fans of a stiff drink, opening a bar at its Varsity Lakes base. Originally, the Scottsdale Drive spot operated as a cellar door; however, now you can do more than just pick up a bottle. Since Saturday, March 13, it has been pouring cocktails to eager drinkers, who can sip its regular range and try its one-off specials while sitting on antique leather chairs. Heading the menu is Wildflower Gin's lineup of cocktails, including the 'Honeycomb' and a pink gin sour — both of which use honey from the distillery's bees. The venue's version of a negroni uses barrel-aged oaked gin, as well as dehydrated honey-soaked orange, while the lamington espresso martini heroes the aforementioned lamington vodka, alongside coffee liqueur, fresh coffee and honey. You can also build your own G&T, if that's the type of cocktail you prefer. Just pick from three kinds of gin, four tonics and seven garnishes — and four different types of glass. Decor-wise, vintage collectibles including a piano, typewriters and antique phones are a feature, as is a chandelier made from the old rim of a Ford Model T. The latter has personal significance for Wildflower Gin founder James Greig, as it used to hang in the house he grew up in. Wildflower's gin-making and gin-tasting classes will continue, too. If you're feeling peckish over a drink, though, it's strictly a bring-your-own-food affair — or you can order in while you're there. Booking a table is recommended, and can also bring your pooch in with you. Find Wildflower Gin at 2/486 Scottsdale Drive, Varsity Lakes — open Fridays and Saturdays from 5pm, and on Sundays from 2pm.
You know when a club night celebrates an anniversary, chances are they're going to throw a massive party just to prove it. Such is the case with party collective White Rhino who have been hosting unruly and diverse events for the past three years now, bringing exciting artists such as Mount Kimbie and Seeka to the basement level of Barsoma. As the brain child of fellow beat-heads Simon Bird (Lone Pariah) and Richard Buck (Arku), White Rhino was designed to blend techno, glitch and electro beats with digital art, blurry the boundaries of sound and vision to create an unhinged and hypnotic party vibe. The innovative approach worked and now three years later the pair are celebrating the night's third birthday. This Saturday at the collectives home Barsoma will be a birthday extravaganza that will include two stages of sound and vision, Rhino pinyatas, as well as a few other surprises you'll just have to wait and see. The guest of honour of the party will be much lauded producer DRO CAREY, who has been setting the world on fire with his distinct sound. UK music bible FACT MAGAZINE has already anointed him as one of the ten producers to watch in 2011 – and he's only 18. There will also be a bunch of other track twisting performances by Vivandiere, Atlast, Jimmy Larcombe and Forest of Death, so best be prepared for a big one while White Rhino blow out the candles.
In case you've somehow missed the fact that it's nearly Christmas, the Brisbane Quarter precinct is reminding everyone in a big way. And in a twinkling way, too, covering 175 square metres of the CBD site with more than 8000 glowing lights. If bright bulbs make you feel merry, then head to the corner of Adelaide and George Streets, look up, and prepare to be wowed by digitally controlled, low-voltage LED pebble lights. Even better — they're being programmed to flash in various colours and patterns (think ribbons, stars, bells and other jolly configurations). The luminous sight is currently on display, adding some extra Xmas cheer to its patch of the inner-city; however you might want to stop by from 6–7pm any weekday between Monday, December 16 and Friday, December 20. That's when the Brisbane Quarter Christmas Pop-up will also feature Christmas carols and free gelato. To nab your scoop, make sure you're one of the first 100 people there.
Before 2021 is out, Australian will finally get to see the Tony Award-winning Moulin Rouge! The Musical, with the stage adaptation of Baz Luhrmann's beloved 2001 film set to hit Melbourne once the city's lockdown ends. Also happening this year — and also spreading the movie-inspired love — is a big Brisbane gig called Spectacular Spectacular, which'll turn the Fortitude Music Hall into a Parisian club to celebrate Moulin Rouge!'s 20th anniversary. It's news so exciting, the audience will stomp and cheer. That said, despite the song lyrics that you now have stuck in your head, Spectacular Spectacular will only play for one evening. Still, this event is going to make the most of its single night, serving up what's being dubbed a '20th anniversary live music show'. Think: a heap of Brisbane musos hopping on stage to play through Moulin Rouge!'s iconic soundtrack, all backed by a 15-piece band, accompanied by dancers and decked out in costumes. Powderfinger's Darren Middleton, The Grates' Patience Hodgson and Superjesus' Sarah McLeod will all take to the stage, the latter pair sharing the songs of Satine — the character played by Nicole Kidman in the film. The show's lineup also includes Sahara Beck, Hope D and Tia Gostelow, as well as actor Eddie Baroo playing Harold Zidler. And, Anji Greenwood VOIID, Zach Britt from Dream on Dreamer and Pauline Maudy from MZAZA are all on the bill, too, alongside opera aficionado Bradley Daley, theatrical art collective Boss Moxi and the award-winning Phluxus2 Dance Collective. If you're now thinking "come what may" — or planning to break out your best can-can — you'll want to block out Friday, December 10 in your diary. Pre-sale tickets go on sale from 9am AEST on Wednesday, October 20, and general tickets from 9am Thursday, October 21, with VIP packages that include champagne upon arrival and table service afterwards also available. And if you just can't wait for this celebration of truth, beauty, freedom and love — and a 2001 classic, obviously — you can check out the trailer for the film below:
UPDATE: THURSDAY, JULY 16: The Parking Lot Social has been postponed. No official tickets have been sold for the event. Drive-in cinemas have long been a part of the movie-going landscape, but they've been experiencing a resurgence in popularity due to COVID-19. In fact, the whole drive-in concept is proving a go-to way to keep folks entertained in this time of social distancing, with the idea expanded to live gigs as well. That's just the beginning, it seems. Thanks to The Parking Lot Social, the drive-in premise now encompasses huge parties too. When the new Australian event rolls around the country between July and September, attendees will sit in their cars, sing karaoke (well, 'car-a-oke', as it's being called), dance at a silent disco, play trivia and bingo, and laugh at standup comedy — and watch flicks, see live bands and grab a bite to eat from food trucks as well. Basically, the event mashes up of a whole heap of entertaining pastimes, combining them in one place while complying with physical-distancing measures. Weekend evenings will have an in-car party vibe, while movies will screen late to folks kicking back in their vehicles. Plus, there'll be separate dedicated midweek nights for films and comedy. The brainchild of the folks behind Big Bounce Australia, aka the world's largest inflatable theme park, The Parking Lot Social will also feature two 12-metre-tall big-screens, a huge stage, a 16-metre-tall fire hydrant that shoots rainbows and inflatable gorillas. Exactly where in Sydney, Melbourne, Brisbane, Perth, Adelaide and Canberra all of the above will be popping up hasn't yet been disclosed; however it'll do so in venues in that can accommodate 250 cars each evening. Ticket costs haven't been announced yet either, nor has the music, movie and comedy lineup. That said, The Parking Lot Social has revealed that it will settle in for multiple nights at every stop, and that it'll also feature an all-ages 'Social Kids' event for families as well. THE PARKING LOT SOCIAL 2020 DATES Sydney — July 9–19 Melbourne — July 23–August 2 Brisbane — August 6–16 Canberra — August 20–30 Adelaide — September 3–13 The Parking Lot Social tours Sydney, Melbourne, Brisbane, Perth, Adelaide and Canberra between July 9–September 13. For further information, or to register for early-bird tickets, visit the event's website.
Start the Lunar New Year as you intend to continue it: with a bottomless feast of dim sum and cocktails. Throw in non-stop Tsingtao beers, wine and non-alcoholic beverages as well, and you'll be welcoming the Year of the Dragon in style. Those drinks and dumplings are on the menu for three hours at Emporium's sky-high The Terrace, as part of the South Bank venue's Lunar New Year party for 2024. While you're eating and drinking, you'll be on the 21st level, scoring a gorgeous view over the city — and being entertained by a dragon dance performance. The food menu includes barbecue pork buns, siu mai, and scallop and prawn dumplings from the unlimited dim sum station. Shiitake and leek spring rolls, crispy squid and coconut crumbed prawns will also be doing the rounds, while sticky black rice and mango will take care of your sweet tooth. And, yes, there'll be fortune cookies for everyone. As for the drinks, the cocktail list includes the Boba Boi, which is made with Midori, aloe vera and melon. It all happens from 6–9pm on Saturday, February 10, with tickets on sale for $150. Emporium's lunar new year shenanigans are usually popular, so nabbing a ticket quick smart is recommended. A DJ will spin tunes from 7.30pm, too, while someone will win a lucky door prize.
A number of events gave rise to the Judith Wright Centre for Contemporary Arts' latest exhibition, and as far as supporting Queensland's emerging talents go, they're all ace. Firstly, Brisbane-based curator and writer Beth Jackson mentored a bunch of artists from the Bundaberg region. Then, they put together an exhibition as part of the Bundaberg CRUSH Festival. Now, it comes to Brisbane. At #tag and release, you can rove your eyes over the best pieces Bundy's up-and-comers have to offer, and experience the wonders created in other parts of the state. Together, the group contemplates notions of place, history, the earth, resources, renewal and more, one artwork at a time. The showcase features art by Ariella Anderson, Paul Beutel, Meredyth Castro, Julie Hylands, Jeremy Kiraly, Sabrina Lauriston, Marlies Oakley, Paul Perry and Kathleen Valks. Who knows — one day, one of them just might be a household name.
Like karaoke? Fond of singing in public in general, whether you're solo or in a group? Then it's time to up your crooning game. Pub Choir is exactly what it sounds like — aka a gathering of folks belting out a tune, together, in a bar. It's basically what happens whenever someone puts 'Wonderwall' or 'Weather With You' on the jukebox, but in a more organised fashion. The event happens monthly; however, as part of The Festival — aka the arts and culture fest that's currently taking over southeast Queensland alongside the Commonwealth Games — they're throwing an extra special shindig. On April 5, Pub Choir will be heading on over to The Festival's Brisbane Hub at the South Bank Cultural Forecourt for what's certain to be a loud celebration — and yes, that means South Brissie will be alive with the sound of music this time around. Unlike the usual get-togethers, participation is free. Don't worry, the area is licensed, so you'll still be able to buy drinks. Yes, singing and sipping go hand-in-hand, as they always do — just in a bigger space. If you're not usually the type of person to unleash their inner Beyonce in front of the masses, don't worry. The great thing about choirs is that everyone is singing, so you are literally a voice in the crowd. In fact, you might just find joining in the fun cathartic. If you can't feel free when you're crooning along with hundreds of others, when can you?
So, you've spent your week working — and working up a appetite. It's Thursday evening and you're keen for a tasty feast, but the last thing you want to do is whip something up yourself. Enter Feed Me Thursday, and Dutch Courage Officers' Mess' solution to your ravenous needs. The venue will shower you with five courses of delicious dishes for $39, aka the price of a main meal at some places. A semi-regular event that next takes place across the three weeks of August 2, 9 and 16, the tasty banquet lets Dutch Courage's chefs cook up a storm of comfort food, and lets attendees eat the results. This time around, there'll be lamb cigars, ras el hanout calamari, chermoula flank steak and mango sorbet with Persian fairy floss, among other dishes. A vegetarian option is available. Bookings are recommended, and the only caveat is that you also have to book for two. Given that the Valley bar is rather well-known for their massive gin selection, as well as their cocktails, convincing someone to go along with you shouldn't be too difficult. Image: Dutch Courage Officers' Mess.
