It's not often that you are able to get an insider look at a living legend's life and career. Paul Kelly – Stories of Me is a film about the Australian icon himself, directed by Ian Darling. The much loved singer-songwriter has provided the soundtrack to many Australian's lives with classics such as 'To Her Door' and 'Before Too Long'. Now, he has opened the doors to his private life and speaks candidly about his music and interesting life. This feature length film is running for one night only. Make sure you catch this special event as, Paul Kelly – Stories of Me, features live performances, interviews and much more never-before-seen footage. As an added treat, the man himself and Darling will make a special appearance after the film is screened. Don't miss this opportunity to get up close and personal with one of Australia's music legends.
Imagine a world filled with songs inspired by The Terminator. Yes, Arnold Schwarzenegger has motivated many to do more than say that they'll be back. In fact, he's stirred the singing desires of Alastair Tomkins and his small cast, and he's brought about an entire production based on just that. Okay, okay — it's not just Arnie's doing, given that the film series evolved from the efforts of Ridley Scott, James Cameron and even more famous movie names. But he's the figure everyone thinks of when it comes to that series, and who doesn't want to picture him belting out a tune? That may not be what Songs For Sarah Connor: A Love Story Terminated actually offers, but it does present a musical based on the franchise everyone knows and loves. The show uses existing songs from the Gershwin brothers to Patsy Cline and Radiohead to present a reimagining of the iconic characters made famous by over 30 years of Terminator films, TV shows and pop culture. Bring your own clothes, boots and motorcycle.
Consider yourself a gin lover? Well, we've got just the thing for your juniper-loving self — a luxe, gin-fuelled trip to Melbourne. After all, don't we all deserve a little getaway? Thanks to our friends at urban gin distillery Patient Wolf Distilling Co., you and a mate could be jetting off to Melbourne for two nights — with flights, accommodation and gin all on the house. Should you win this prize, you'll spend the weekend at the luxury W Melbourne hotel. You'll also learn about distillation and botanicals in a Patient Wolf gin masterclass — a must-do for all gin lovers — at its home in Southbank, just on the edge of Melbourne's CBD. During the masterclass, you'll hear all about the distillery's story; sample its three signature gins; and get to spend $200 at the bar or purchasing a couple of bottles to take home. You'll also score a $200 voucher to spend on a decadent dinner at W Melbourne's on-site restaurant, Lollo, after a hard day of gin sampling. The competition is open to people aged 18 years and over. See further details below to enter. [competition]814639[/competition]
If you're of an age when you can remember burning your friend's So Fresh CD so you could stay up to date with the coolest songs of the season, congrats. You're old now. But also, congrats, because you will seriously enjoy this So Fresh shindig. The old-school get-together to end all old-school get-togethers is coming to The Foundry from 10pm on Saturday, October 20, and it'll be playing bangers that now almost qualify as vintage. You can expect a disturbing percentage of Channel 10 alums (Australian Idol winners/losers and ex-Neighbours actors) as well as way too much Nickelback for polite company. Also, just throwing this out there: we're desperately hoping for a timely comeback of the Duff sisters duet 'Our Lips Are Sealed'. Entry will set you back $10 on the door, and of course it's obviously 18 and over — because if you're under 18 you definitely don't know what So Fresh is. Or CDs, probably.
In 2020, before Monsoon made cinema audiences swoon en masse, it screened at the Brisbane Queer Film Festival first. The same applies to Aussie teen rom-com Ellie & Abbie (& Ellie's Dead Aunt), too. So, if you're eager to see some of 2021's queer movie highlights well before they reach general release, then you'd best make a date with this year's BQFF. Running from Thursday, March 11–Sunday, March 21, BQFF will unleash a jam-packed 11-day program at New Farm Cinemas, all to celebrate the fest's 22nd year. Expect star-studded gems, the latest works from top directors, bold debuts from first-timers and everything in-between, all as part of a lineup that spans 20 features and three different shorts sessions. From that lengthy selection, standouts include the The World to Come, a frontier romance featuring Katherine Waterston (The Third Day) and Vanessa Kirby (Pieces of a Woman); German drama No Hard Feelings, which explores queer immigrant life; British thriller Make Up, as set in a seaside caravan park; and Sublet, the new film from acclaimed Israeli filmmaker Eytan Fox. There's also opening night's I Carry You With Me, which unfurls a romance throughout Mexico across several decades — and the Australian-made The Greenhouse, which ponders a time-travel scenario. https://www.youtube.com/watch?v=S6opB0rcvTY&feature=emb_logo
We all love to be spoilt, right? Well, these five fabulous characters take indulgence to a whole new level. The Judith Wright Centre of Contemporary Arts is hosting a cheeky play written and performed by Liz Skitch, the creator of Skitch Tease. Spoilt puts on stage the lives of five pampered women whose worlds begin to unravel when their paths cross. The main characters include a reality TV star, a personal trainer to celebs, one botox-loving celebrant, a PR consultant and small-dog enthusiast and a bridezilla from hell. Spoilt is sure to tickle your funny bone as it pokes fun at the self-indulgent. It is more than a light-hearted comedy, however, as it explores the nasty side of narcissism yet has a positive outlook on personal growth. Spoilt returns to Brisbane still riding high on its Melbourne International Comedy Festival successes. It first wowed audiences at La Mama as part of the Melbourne Fringe Festival in 2013.
It's the Fortitude Valley venue with the name that describes its antics: mammoth. And when Woolly Mammoth get into the tequila game, you can only expect that the results will be pretty hefty. Pop-up tequila bars and tequila cocktails on tap are both on the menu from 9pm on Thursday, August 30, all as part of the Ann Street spot's Neanderthal Tequila Fiesta. It in turn forms part of this year's Valley Fiesta, so consider it a party within a party. A live Mariachi band will unleash their festive sounds between 9.30–11.30pm, with DJs keeping the beats going afterwards — and, to ensure that all of the tequila isn't too harsh on everyone's stomachs, there'll be nacho specials. Actually, because the whole thing falls on a Thursday night, there'll also be free wings with every drink between 9–11pm. To add to all of the above, general entry is free as well.
Who can get everyone in a crowd to take one piece of their clothing off and 'smash it in the air'? Hilltop Hoods can. It's a measure of the respect and adoration they've come to command in the local hip-hop scene (and, let's face it, the Australian music industry more generally). It's not for nothing — they have a persistent, infectious, unbridled energy that comes across in their epic live shows, and they're constantly giving to their fans. Nothing shows that more than the massive 21-date national tour they're setting off on right now. The Cosby Sweater Australian Tour comes off the back of their seventh studio album Walking Under Stars, the second instalment of an ambitious three-piece project that started with previous album Drinking from the Sun and will culminate next year with something big and as yet top secret. Will the reign of these undisputed kings of homegrown hip-hop never end? Expect heaps of new tracks alongside those old crowd favourites. Advice is, wear multiple pieces of clothing. https://youtube.com/watch?v=X6G2fzPTwOA
Cue prepubescent joy squeals: '90s R&B legends TLC are kicking off their first tour to Australia, stopping by Eatons Hill Hotel this June. In a time when 'Genie in a Bottle' and 'Hit Me Baby One More Time' dominated the charts, Tionne 'T-Boz' Watkins, Rozonda 'Chilli' Thomas and Lisa 'Left Eye' Lopes taught a whole generation about girl power, cargo pants and combat boots. These were the ladiez who told me not to waste my time with scrubs (FYI: a scrub is a guy who can't get no love from me). Although nearly two decades have passed since their standout hits 'No Scrubs' and 'Waterfalls', TLC will be hitting up Eatons Hill on June 7. Of course, since the passing of Left Eye in a 2002 car crash, the band will be performing with just two of the original three members. Although TLC's reps have stated there will be some inclusion of Lopes through audiovisual means (though definitely not a hologram a la Tupac). Beaten only by the Spice Girls, TLC still stand as the second highest selling girl group of all time with a mammoth 65 million album sales recorded worldwide. The trio are also universally acknowledged as the number one iPod selection at both karaoke and horrifically late portions of house parties when everyone feels the need to rap terribly and grind on the d-floor like it's 1994. Although TLC have confirmed they are working on a new album set for release sometime this year, this is inevitably going to be a gig for pure nostalgia. Bonus points for anyone who rocks up in white diamantes or primary-coloured overalls, Converse trainers and condom badges. Also, if you don't know all the words and relevant sassy head bobs to 'No Scrubs', you're straight-up not allowed inside the Eatons Hill foyer. Tickets on sale 9am on Thursday, April 24 via Oztix.
If you’re an emerging artist or producer it can be pretty daunting when you’re trying to establish your practice – especially if you’re doing it solo and you’ve got no money behind you. “What’s an invoice? How do I write a grant? I’m artistic okay, I don’t know what these things do or what they’re for” may be some of the thoughts flowing around the gunk in your brain (or maybe that’s just me) and all you need is someone with their head screwed onto their shoulders so that you don’t actually go crazy and quit before you’ve even begun. And that’s where Small Lakes comes in. They’re a not-for-profit organisation newly established by a group of people who have been working in and for the business for quite a while now – they’ll help you get your shit together, basically. And they’re going to have a launch party to celebrate this union of them + you – you’re invited, obviously. Oh Ye Denver Birds, Hunz and Restream will provide jams for your ears with K, Jaymis and Warren Handley providing the jams for your eyes (um, that means a visual installation). There’ll be art too, and a cash bar. Happy Small Lakes! We all deserveneed a celebration.
SLiQ Flicks has been given the boot, with the State Library of Queensland’s popular free film program finishing up for good after its current schedule comes to an end. The last screening takes place on August 31, showing the winner of the final audience vote — either Fellini’s 8½, Dead Man or Berberian Sound Studio. For four years under curator Lance Sinclair, SLiQ Flicks has screened classics and cult flicks alongside the underseen and underappreciated — as well as offering a second chance to view newer favourites on the big screen. Programmed by theme each month, Sinclair’s choices have proven interesting and eclectic, ranging from The Holy Mountain to Haxan, Zoolander to The Man Who Fell to Earth, Sorcerer to Kill List, Upstream Color to Samson and Delilah. After the demise of Tribal Theatre as a cinema in 2012, SLiQ Flicks has provided Brisbane’s only consistent weekly program of retrospective screenings. The State Library of Queensland has also hosted a number of externally-organised film festivals as part of the program, such as the Brisbane Refugee Film Festival and the forthcoming Australian International Animation Festival. Hopefully, these type of events may continue on a space-for-hire basis. Regular film screenings have long been a feature of the State Library of Queensland’s calendar of activities, including involvement in the early years of the Brisbane International Film Festival — which has now become the Brisbane Asia Pacific Film Festival. The loss of SLiQ Flicks adds to the growing list of recent changes to the Brisbane cinema scene.
Every since Domino’s and Pizza Hut decided that every night could be cheap pizza night, it’s been hard to get excited about Tuesdays. However, the lovely folk at Trainspotters are restoring our will to wake up on weekdays at all with Stewsday Night At The Movies. Trainspotters has your Tuesday covered from now on with night at the movies, and this week’s flick is the 1996, king of self-aware horror, Scream. There’s no better combination then an A-grade horror flick, some blankies and cushions, some stew to keep the winter chill away, and maybe a special someone. And if you’re thinking that’s nice and well, but I can’t afford a prestigious movie night out, then brighten up pal - admission is absolutely free! Depending on who you ask, Scream may or may not be the greatest film ever made, but with the addition of hot milo, and board games, Stewsday could become the greatest night ever. Get yourself down to the Trainspotter’s Platform Bar on the 19th August, for doors opening at 7:30pm. Bring some friends, fill up on hot liquids, and do your best to avoid getting murdered.
If jungle vibes inside a Brisbane warehouse sounds like your perfect outing, head along to the Jungle Collective's indoor plant sale on Saturday, April 13 and Sunday, April 14. It's the latest greenery-filled Brissie market from The Jungle Collective, a Melbourne nursery that stocks all kinds of weird and wonderful species. Yes, it's trucking its way up north again for another Queensland venture. Whether you're after a hanging pot plant, some palms for the garden or a giant Bird of Paradise, chances are you'll find it here. Have a reputation for killing your cacti? Overwatering your ferns? Don't worry — there'll be horticulturalists onsite on the night to give you advice and chat through any questions you might have. At a Moorooka warehouse, you'll be inspired by greenery aplenty — and learn to incorporate plants into your home and living spaces — all while browsing and soaking up some tunes. Best get in quick though, as these markets are always popular. With more than 150 different species usually on offer, of course they are. Due to expected demand, the sale will be held in four sessions on Saturday (8–10am, 10am–noon, 12–2pm and 2–4pm) and two on Sunday (10am–noon, 12–2pm), and attendees will need to register for free tickets from noon on Monday, April 8. Plus, if you dress up in two items of 70s clothing — think flares, wigs, head pieces and flower crowns — to fit the 70s jungle boogie theme, you'll get $5 off your purchase.
If you often rue the day in your adolescence when chicken nuggets became an unacceptable item to eat for dinner, well, Christmas has come well and truly early. On May 26 and 27, Welcome to Bowen Hills will take fried chicken back to junk food basics and throw its first Brisbane Chicken Nugget Festival. The permanent food truck park will dedicate two days to nuggets in all of their forms, with a vast selection ranging from traditional nuggets all the way through to a nugget burger. Yes, really. While the full line-up is yet to be announced, Belles Hot Chicken, Mr Burger, Koma Sliders, Phatboys Truck, Cycho's Buffalo Wings and King Of The Wings are just some of the culinary joints getting in on the action. And, festival entry is free. This weekend-long festival kicks off at noon and ends at 10pm on both Saturday and Sunday, so chicken nuggets will be in full force right up until the eleventh hour.
Tarantino fans, it's the moment you've all been waiting for — and it just might be even better than the world-famous Jackrabbit Slim's twist contest. In a massive overnight movie marathon (dusk till dawn included), Palace Centro is showing its love for the filmmaker responsible for making everyone think twice about Madonna's 'Like A Virgin', Royales with cheese, getting sword-wielding vengeance and getting caught in Minnie's Haberdashery during a snowstorm. With more enthusiasm than the man-in-question's fondness for rapid-fire dialogue, retro soundtracks and paying homage to every film he's ever seen, Tarantino Fest will train the James Street cinema's projector on some of QT's finest from midday on December 2. The next 19 hours or so will be filled with flicks helmed by Tarantino, written by Tarantino and/or starring Tarantino. On the agenda: Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, From Dusk till Dawn, both volumes of Kill Bill and The Hateful Eight, in that order. Breaking out your best yellow jumpsuit, bathrobe, Hawaiian shirt, daggy tee and shorts combo, or flight attendant's uniform is heartily recommended, with prizes up for grabs for best costume. $5 shakes will also be on offer — hopefully in Martin and Lewis, or Amos and Andy styles — as will themed drink specials. And if you want to dance to 'Stuck in the Middle with You' or 'Girl, You'll Be a Woman Soon' in the foyer, we're guessing that no one will stop you.
Although Brisbane Festival may have wrapped up for another year, there are still plenty of exciting events happening to make life after Brisbane Festival just as fun. Metro Arts are hosting a jam-packed evening full of theatre, art and music. Get your fix of all things art and culture at this exciting event. From 7pm Billy the Lawyer and Benny the Clown will be showing. This tragic tale laced with traces of comedy, was created by Daniel Flood and Emma Che Martin. The tale focuses on two brothers and their mother as the memories of an act of violence that occurred twenty-five years ago haunts them. Also on the night will be a Q&A with New York artist, Barbara Rosenthal. Art buffs are in for a treat, as well as Rosenthal, Liesel Zink will be showcasing her dance art exhibition, The Psychology Project. Puppetry genius, Jennifer Bismire will be bringing her puppets to life in Paper Dolls and sound artists, Bad Intentions and Feet Teeth, will take you on a auditory journey.
Are you into conspiracy theories? Do you think Stephen King killed John Lennon? Believe NASA faked the moon landing? If you're not buying it then you should be buying the new issue of Bats. That's right, the little school girls who dared to DIY are all grown up and onto their 9th issue. In true Bats style The Conspiracy Issue will feature reckless and politically incorrect rants including a piece listing 10 Judeo-Christian beliefs that they believe to be bullshit, an open letter to mother nature, a look into the world of companionship and further exploration into the many conspiracies of the world. Listening to The X-Files theme tune while reading is advised. It may or may not also include a B-grade high school English report on the Loch Ness Monster or the written ramblings of an ex cult member. We're not going to confirm or deny anything so you best get your own copy to find out what's what. You can do so by heading to the issue launch party at Alloneword – the zine's very first over 18 event. The launch party will include DJ sets, live art by artists Jake Reston & Bhats, giveaways from I Heard They Eat Cigarettes & SOOT, as well as amateur spirit guide readings for the first hour (nope not even kidding). But most importantly you will be able to snap up a copy of The Conspiracy Issue before it hits stores in Australia the following week. Image by Goran Jovanovic
Like it or lump it, technology is a major component of every day life, one which can not be ignored or avoided. It’s almost vital to stay connected, for news, weather, socialising, photos, videos and the odd funny cat video, all of which make you a highly functional, multitasking member of our digital society. What would life be like if we hadn’t discovered the technologies we take for granted each day? What if we had to pick up the phone and ring someone to share some news, or wait for our photos to be developed before physically sharing them with friends? If you’ve got a story about the wonders or woes of technology, or enjoy hearing the true tales of others, head along to Yarn—a hub of story tellers or enjoyers who congregate in bars, cafes, even each other’s homes on a bi-monthly basis to indulge in those “you couldn’t make this up” moments. Unscripted fun that’s better than fiction.
Every October, the Japanese Film Festival brings a feast of the country's best flicks to Brisbane. That's great news — but if you're looking for a Japanese cinema experience throughout the rest of the year, that's harder to find. Enter the JFF Fringe, a new monthly screening series showcasing featuring a mix of Australian premieres and encores of previous fest hits. Commencing on Wednesday, May 30, the series will run during the last week of each month, with subsequent sessions on Wednesday, June 27; Monday, July 30; and Wednesday, August 29. Gintama has the honour of kicking things off — complete with aliens and samurai — with the live-action comedy based on the manga of the same name. Other highlights include the Australian premiere of Honnouji Hotel, a period-set fantasy flick about a mysterious hotel in Kyoto; family drama The Long Excuse, which was a sellout at JFF back in 2016; and the gorgeous animated effort In This Corner of the World. The latter isn't a Studio Ghibli flick, but if you're a fan of the studio's movies, you'll want to add this to your must-see list. Trust us.
Forget about DeLoreans, hot tubs and phone booths — for five days in September, travelling to another time is as easy as stepping inside The Tivoli. In Orpheus, Fortitude Valley will become Paris, and the present day will become the 1930s, as Brisbane Festival takes audiences on an immersive theatre ride. Here, musician Django Reinhardt has been cast as the lead in a musical reimagining of Orpheus — and you're about to see the end results. Revisit the famous underworld romance, listen to a toe-tapping score of jazz, opera and French chanson, and eat and drink as if you really had ventured back nearly a century. There'll be free music beforehand, dancing afterwards on Friday and Saturday nights, and fitting food aplenty. Think brioche, brie, baguettes and providore platters. Image: RULER.
Do you usually leave your gift purchasing until the last minute? Have you vowed to finally do better this year? Do you have a heap of friends and family members celebrating birthdays in the second half of 2023 — and zero idea of what you'll get them? Enter The Made Local Market, which is hitting Brisbane IRL this winter to lend a hand with your shopping — and give you an excuse to treat yo'self. Whichever fits, including if you're keen to get a jump on Christmas, you'll have plenty to browse and buy. The market will take place in the Exhibition Building at the Brisbane Showgrounds from 9am–4pm on Saturday, June 17 and 9am–3pm on Sunday, June 18, spreading across two days. Because it focuses on the best local talent, every market is filled with different stallholders and unique creations, but there'll be more than 130 makers, designers, artists and creators at this one. Supporting creative small businesses and scoring a killer gift for your loved ones is a win for everyone involved, so head along and get your shopping sorted. Entry usually costs $2 — and, the whole thing will be cashless, so don't forget your cards. There'll also be food trucks slinging bites to eat, gin tastings, and plenty of places to get caffeinated.
It's surrounded by white walls inside and out. It's roomy indoors and catches the river breeze outside. So, when it comes to hosting an exhibition all about the substance that floats around us, Brisbane's Gallery of Modern Art is indeed a particularly apt location. But big summer showcase Air isn't just about paintings, sculptures and installations. Inside GOMA's black box, aka its Australian Cinémathèque, films about the essential element are also gracing the silver screen. Free movie program Melting Into Air runs until Sunday, April 23, 2023 with a lineup that traces the history of cinema — including old and new titles, plus beloved classics and recent hits, and also plenty of under-loved gems in-between. Here, Studio Ghibli flicks sit alongside sci-fi standouts and David Lynch wonders. That means everything from Porco Rosso, Videodrome and the OG Total Recall (yes, the Arnold Schwarzenegger-starring version) through to The Wizard of Oz, The Adventures of Baron Munchausen, and the one and only Blue Velvet. A guaranteed thrilling time at the cinema: the screenings of 1977's Sorcerer, about trying to transport explosives through tricky jungle terrain to a Colombian village, and an absolute triumph from The Exorcist filmmaker William Friedkin. The list of highlights goes on because the entire bill is stacked with them, Australia's own Spirits of the Air, Gremlins of the Clouds, Italian masterpiece Il deserto rosso, surreal soccer-star satire Diamantino, psychosexual must-see In the Realm of the Senses, the austere and involving The Turin Horse, and the phenomenal Ethan Hawke-led First Reformed all among them. Films screen on Wednesday and Friday nights, and Saturday during the day — with two sessions per day.
The first rule of making a movie about a high-school lesbian fight club is that there are no rules, other than embracing the concept and giving it your all. So punches Bottoms, a film where the gleefully cartoonish energy is always as important as the plot, and a feature that knows it's entering a big-screen ring that wouldn't even exist if Heathers, Clueless, Bring It On, Mean Girls, But I'm a Cheerleader, Easy A and Booksmart hadn't hopped over the ropes first. Three years after Shiva Baby, writer/director Emma Seligman and actor Rachel Sennott (Bodies Bodies Bodies) reunite, with the pair collaborating on the script this time around. Also crucial: bringing in The Bear's Ayo Edebiri, a friend from the duo's student days, to co-star. In a picture that values being stronger together, Seligman, Sennott and Edebiri make a knockout team. Bottoms' vibe could only spring from IRL pals, too, playing it loose and ridiculous like this crew is simply hanging out. The setup: Sennott and Edebiri are PJ and Josie, who return to Rockbridge Falls High School after summer break keen to finally turn their love for popular cheerleaders Isabel (Havana Rose Liu, No Exit) and Brittany (Kaia Gerber, Babylon) into sex and romance. The best friends know that their social standing is anything but high — "gay, untalented and ugly" is how they describe themselves — but two queer girls can dream that this is their moment, then do their utmost to make their fantasies a reality. So, when the semester starts with PJ and Josie still stuck as outcasts, they conjure up a plan. Their gymnasium-based group is officially known as a women's self-defense class and is sold to their teachers as an act of female solidarity; however, no matter what they tell the principal (Wayne Pére, Your Honor), as well as the history teacher (Marshawn Lynch, Westworld) that they convince to be their advisor, there's really only one aim: not feminism and support, but getting laid. The initial mission of PJ and Josie's new extra-curricular obsession is scoring Isabel and Brittany's attention, then. The second: keeping up its founders' new tough rep. In that desperate-to-impress way that every awkward, anxious teen has, Bottoms' protagonists aren't above saying whatever they think will make them look cooler to the objects of their affection. So, PJ and Josie have a rumour that they went to juvie to uphold as long as they think that Isabel and Brittany care. Thanks to an accidental carpark altercation with star quarterback Jeff (Nicholas Galitzine, Red, White & Royal Blue), they also have form throwing around their might — or so they're happy to let their classmates think. Two things neither counts on, though: their gambit proving a hit with other campus outsiders such as Hazel (Ruby Cruz, Mare of Easttown) and, blow by blow, the group actually bringing its members together. Bottoms' premise is pure inspiration, switching out the usual Can't Hardly Wait-, American Pie- and Superbad-esque pining boys lovesick over long-term crushes or just yearning losing their virginity in general, taking Fight Club to high school, and getting sillier and more surreal than teen comedies normally dare. Bottoms as a movie also demonstrates Seligman's knack for her chosen genre at opposite ends of the spectrum — because the filmmaker's sharp and layered cringe-inducing debut feature is in a whole other comic clique to her sophomore effort. Cue subversion with plenty to say and off-kilter absurdity combined, especially in interrogating allyship. Cue a willingness to go for broke with weird, warped and wild swings as well. And, cue a film that's always doing what PJ and Josie themselves are to score their dream dates: relentlessly trying. The characters go with throwdowns in an endeavour to aid their horny hopes, while the flick itself opts for an everything-it-can-throw-in audacity. Tonal ducks, bobs and weaves are part of the Bottoms experience, unsurprisingly — and not every gag, line, goof, throwaway, swerve and drop of Wet Hot American Summer-style energy works. Accordingly, rivalries within Rockbridge Falls High and with another school, plus attempts to get serious, aren't always a bullseye. But Seligman and Sennott's devotion to their first rule means that a flat joke, piece of dialogue, idea or moment doesn't last long, then something else enters the comedic fray with gusto. The ping-ponging from Avril Lavigne's 'Complicated' to Bonnie Tyler's 'Total Eclipse of the Heart' amid a score co-composed by Charli XCX illustrates much about that bouncing-around relish. So does the script's contentedness to keep most of its on-screen figures as stock types not out of laziness, but to heighten the idiosyncrasies splashed around, insecurities examined and impact of the chaos around them. There's nothing standard about Sennott and Edebiri, not that Bottoms tells viewers anything that they don't already know from each actor's past work. The respective The Idol and Theater Camp talents previously collaborated on 2020's three-episode Comedy Central miniseries Ayo and Rachel Are Single, also pondering affairs of the heart — modern dating, to be specific, and also hilariously. The lived-in air that they bring to PJ and Josie's friendship isn't just an act, then. In fact, it's what every bit, jab, OTT jump and heartfelt emotion relies on. Sennott does charmingly forceful and unconstrained like she's breathing for it, while Edebiri has already shown how stellar she is at reacting on The Bear. Together, whether taking turns monologuing or diving into a bloodbath, they're unhinged magic. Also excellent: the supporting cast, from Gerber and Galitzine to Cruz and Lynch. The first makes good on casting a supermodel — and daughter of a supermodel, thanks to mum Cindy Crawford, who she couldn't more resemble — as the epitome of hotness, and makes her part shrewdly amusing. The second does the vain and overly dramatic himbo role to perfection. Cruz screams to be cast alongside Aubrey Plaza (Scott Pilgrim Takes Off) in a future project, and Lynch is progressing well on the Carl Weathers (The Mandalorian)- and Terry Crews (Brooklyn Nine-Nine)-led path of NFL players who've become actors. If one of the key tenets of any association, fists flying or not, is to have the best members, then Bottoms rises to the top while having a helluva raucously entertaining time.
It's with vibrant detail that Coco bursts onto cinema screens. A tale of following your heart while honouring your family, Pixar's latest effort is both a colourful sight to behold and an exuberant journey; a film exploding with dazzling visual and emotional fireworks. Within frames heaving with intricacy, there's never a dull moment as the movie sashays from modern-day Mexico to the Land of the Dead during the country's Dîa de los Muertos celebrations. Often it's the little things that stand out, from the grain of the many flowers never far from view, to the weathered skeleton bones that literally dance through the streets, to the melancholy look on an old woman's face. That's the animation studio's forte, of course. It's the reason their talking toys filled us with joy, that their rodent chefs charmed us, and their feelings with feelings left us in tears. As Toy Story, Ratatouille and Inside Out all demonstrated, their films might paint with pixels rather than living people, but they vibrate with the texture of reality. Coco fits the mould perfectly, at once a lovingly realised venture into several new worlds and a familiar mosey through Pixar's usual terrain. What if the dead had feelings is just one of the questions it asks. What if we confronted our own feelings about death is another. Helmed by studio veteran Lee Unkrich (Toy Story 3) with writer and first-time co-director Adrian Molina at his side, Coco takes its name from the grandmother of 12-year-old Miguel (Anthony Gonzalez). While she sits quietly through the last phase of her life, still yearning for the father she lost when she was a girl, he dreams of being a musician, but is forbidden by his music-hating family. Their reasons for this stem from personal tragedy, but it's not enough to stop Miguel from strumming his guitar. His desperation to retrace the footsteps of his entertainer hero (Benjamin Bratt) eventually leads him beyond the mortal coil, on a quest to find his great-great-grandfather and win his musical blessing. If Alice in Wonderland had followed a Mexican boy chasing his dreams, or if Marty McFly had taken the DeLorean through the barrier between life and death, Coco might very well have been the end result. The spirit of these youthful adventures seeps through this film, in a manner that proves delightful rather than derivative. Indeed, this is a story about remembering your past even as you step into the future. As well as following Pixar's own tried and true template, the script weaves its influences into a moving escapade bearing the expected touches, but never failing to surprise. That remains true even if you've seen The Book of Life, the outwardly similar 2014 animated effort that also sees its characters frolicking through the Mexican afterlife. It mightn't be the first family-friendly feature to play in this territory, or the first to explore the conflict between ambition and responsibility. Nevertheless, Coco enchants with warmth and authenticity from start to finish. In fact, as bright as its images shine, as high as its heartfelt emotions soar, and as perfectly as its voice cast fill their roles — including Gael García Bernal stealing scenes as a dead prankster — it's the film's embrace of its setting and culture that truly makes it sing. This isn't Pixar playing tourist south of the border, but paying tribute: to people, songs, lives and beliefs. The gorgeous detail that infuses every frame is a testament to seeing what others often don't, and it couldn't encapsulate Coco's beauty better. https://www.youtube.com/watch?v=7DIm1PyBSwc
What happens when you take a huge name in Australia's music scene, add 40 more musical talents, then combine them all for two big gigs? In 2023, you get Red Bull Symphonic with Genesis Owusu and the Sydney and Brisbane Symphony Orchestras. The popular series pairs impressive local talents with an orchestral backing, after first debuting in 2022 in the Sunshine State with Goodna rapper Lisi and the Queensland Symphony Orchestra. In 2023, it's expanding its shows to New South Wales, too — and making Ghanaian Australian artist Owusu the star. "If you've seen me perform live, you know I love the drama. Bringing out the grandeur in every element," said Owusu, announcing the gigs. "What's grander and more theatrical than a punk-funk-rap enigma backed by a 40-piece orchestra? We getting real thespian out here." The 2023 Red Bull Symphonic tour will kick off in Brisbane, at the River City's Fortitude Music Hall on Friday, March 3, with the Brisbane Symphony Orchestra in support. Sydneysiders get their turn on Thursday, March 23 at the Sydney Opera House's Concert Hall, with — naturally — the Sydney Symphony Orchestra on hand to assist. Owusu will also be collaborating with Australian composer and arranger Alex Turley (Sydney and Melbourne Symphony Orchestras, Omega Ensemble, Electric Fields, NGAIIRE), in two shows that promise to combine two different arts worlds — and give his own punk-electronic tracks a new interpretation that even his most ardent fans haven't experienced. The multi award-winning performer gets orchestral after a massive couple of years that've seen him win triple j's Album of the Year in 2021 for his debut record Smiling with No Teeth; nab four ARIAs including Album of the Year, Best Hip Hop Release, Best Independent Release and Best Cover Art for the same release; and score 2022 ARIA noms for Best Music Video and Best Independent Release for single 'GTFO'. And yes, it's an excellent time to enjoy classical orchestras in new ways, courtesy of other events like Ministry of Sound Classical and Synthony, plus film-and-music screenings for flicks as diverse as Black Panther, Star Wars: Episode IV — A New Hope, Frozen, The Princess Bride, Home Alone, Toy Story and more. Wondering what's in store at Red Bull Symphonic? Check out footage from 2022's event below: RED BULL SYMPHONIC WITH GENESIS OWUSU: Friday, March 3: Fortitude Music Hall, Brisbane, with the Brisbane Symphony Orchestra Thursday, March 23: Sydney Opera House, Sydney, with the Sydney Symphony Orchestra Red Bull Symphonic with Genesis Owusu takes place in March 2023, with tickets onsale now via the Sydney Opera House for Sydney and Ticketmaster for Brisbane. Top image: Bart Celestino.
If all goes to plan, this could be one of our last Friday nights in lockdown. And how better to send it off than with a big ol' living room boogie? Fittingly enough, this Friday, October 23, also marks the final event in Melbourne Fringe Festival's lockdown program, starring a celebratory edition of fan-favourite, Mr McClelland's Finishing School. Broadcasting to a screen and speaker system near you from 9pm, the virtual dance party will see DJ Andrew McClelland working his usual magic, guiding you all through a foot-stomping, groove-inducing mix of indie, pop, soul and rock tunes. Live and loud from his own lounge room, mind you. Clear out the coffee table, put the breakables somewhere safe and get ready to sweat out your lockdown frustrations to hard-hitting songs from across the decades. Best of all, it's an affordable night spent cutting shapes. You'll pay $5 if you're flying solo, $10 for a household ticket, or $15 if you're joining in from some other magical place where IRL partying is still allowed.
With the rise of the mp3 and the gathering of the cloud, the concept of physically owning your music has gradually begun to disappear. Yet for many music lovers, the tactile nature of analogue media still holds a powerful nostalgia. How else do you explain last year's record-breaking vinyl sales? But while the record may have experienced a bit of a resurgence as of late, what about the humble audio cassette? Well, it turns out there may be a market for that too. Inspired by the success of Record Store Day, Cassette Store Day is a celebration of all things magnetic tape and plastic. Its third iteration is set for October 17 — and for the first time, the southern hemisphere is getting in on the action. Australian label Rice Is Nice and New Zealanders Arch Hill Recordings will join Germany’s Mansions & Millions, America’s Burger Records and original UK founders Suplex Cassettes, Kissability, and Sexbeat in organising the 2015 edition, an international party marked by a slew of events, sales and releases. Last year saw such big name artists as Karen O and There Might Be Giants drop tapes for the occasion, among more than 300 others. Of course, not everyone is so enamoured with these chunky slabs of plastic. Last year Tone Deaf penned an article titled ‘Why International Cassette Store Day is Stupid’, arguing that the event is simply nostalgia taken too far. And look, the killjoys may have a point. Although vinyl fans insist that records sound ‘warmer,’ it’s a lot harder to make that argument for the compact cassette. Still, anything that gets people supporting local music stores is okay by us. Besides, who doesn’t secretly want an actual mixtape from their crush? CASSETTE STORE DAY AUSTRALIAN RELEASES Courtney Barnett — Sometimes I Sit And Think And Sometimes I Just Sit Summer Flake — Time Rolls By EP Bloods — Work It Out Ocean Party — Light Weight Step-Panther — Strange But Nice Dollar Bar — Paddington Workers Club Dollar Bar — Hot Ones Red Riders — Drown In Colour Demos The Finks — Lucklaster Fraser A. Gorman — Slow Gum Ouch My Face — Bunyip Raindrop — Crowded Brain EP Rice Is Nice Records — Vol. 3 Mixtape (various artists) Ft. Blank Realm (unreleased), Black Zeros, Tired Lion, Lowtide, The Living Eyes, Pearls, Love of Diagrams, Day Ravies, Us The Band, Zeahorse, White Dog, Weak Boys Wonrowe Vision — Triple Cassette Mortification — Scrolls Of The Megaloth Double Cassette Barrow-man — Dog Tales Betty & Oswald — King Of Bohemia Tutu and the Bodyrockets — The Ballad of Bonnie Bigfish Hills Hoist / Piqué — Cool Change / Kitty Image: Dollar Photo Club.
History lessons at Concrete Playground are very rare, but I'm here to tell you a fact you may or may not know – Buddhism first arose in India around the 13th century, but has since been taken over by Hinduism, which you may know as the most popular religion in India. Buddhism is an incredibly old and beautiful Indian custom that Westerners have also adopted. India has been influenced by us too, hence Bollywood, which is in fact the largest cinema industry in the world. Combining these two facts together, there's no wonder that Jade Buddha have chosen to bring in the New Year with a Bollywood Party – it's in their blood! There's also two seatings for dinner if you're hungry (you'll need to book in advance), but the benefits are great – you get canapes, a bindi to match your saari and will be entertained by fire twirlers. If you've never been to the tranquil Jade Buddha, it's situated on Eagle Street Pier and overlooks the Story Bridge and the Brisbane River, and has an award-winning restaurant and bar, as well its sister joint, Shadow Lounge. In other words, this is the perfect way to spend your New Years Eve if you're looking for something a bit out of the ordinary, but still classy.
While Brisbane's bars are still kicking into gear post-lockdowns, Monkey Shoulder is bringing cocktails to the streets. The scotch brand has created Australia's biggest cocktail mixer truck called Monkey Mixer — which looks a little like a cement mixer truck, but shiny — and is delivering $1 cocktails to homes across the city. The giant orange and silver truck will hit the road from Thursday, August 13, and will roll around Brisbane until Saturday, August 15. It'll park itself at a different bar for a day at a time, starting at Death and Taxes in the CBD on August 13, moving on to West End's Cobbler on August 14, then finishing at Byblos Bar in the Hamilton on August 15. Each bar is able to supply $1 cocktails to the surrounding suburbs during its stint with the truck. On the menu: The Espresso Monkey, a scotch-spiked take on the espresso martini; and a boulevardier, which is made with Campari, sweet vermouth and Monkey Shoulder; and a 'lazy old fashioned'. To get your hands on a $1 cocktail, you'll need to head to the partner venue's website. MONKEY MIXER Death and Taxes, August 13 (delivering to Newstead, Bowen Hills and Fortitude Valley) Cobbler, August 14 (delivering to West End, Highgate Hill and South Brisbane) Byblos Bar, August 15 (delivering to Ascot, Hendra, Albion and Hamilton)
Jun Chen was born around Guangzhou in 1960, migrated to Australia in 1990 after the Tiananmen Square uprising, and currently lives and works as an artist in Brisbane. Chen studied tradition ink drawing in China, then ‘Western’ oil painting at QUT, making his technique unique in both practice and execution. His latest exhibition China – Back and Forth, is testament to the talent and creative journey this artist has not only lived, but captured. This display of Chen’s work doesn’t so much explore China’s scenery, monuments or street-scapes, rather the people who inhabit them. From young children flying kites, to the ‘new generation’ young girls on their iPhones, Chen explores the richness of historic China, alongside the emergence of the new. Consumption also plays a key role in his paintings – tables crowded with exotic flavours and colours, to the street butcher’s and waitresses who make it possible, Chen explores the cycle and changes of food and tradition through his painting. Paintings that are richly textured with mists of colour, around fine-lined and detailed figures – have a look at some his previous work here. China – Back and Forth runs for three days only at The Hold Artspace, West End.
Another week, another appreciation night paying tribute to a worthy figure in music. At this one, however, things might get a bit steamy. That's what happens when the artist in question is known for a catalogue of sexy, sexy songs, of course. Four words, and you'll understand: "Let's Get It On." Two more: "Sexual Healing." How sweet it is to soak in the glory of Marvin Gaye for an entire night, with Black Bear Lodge doing the honours. You know the drill: his tracks will be playing on repeat, floating their sultry sounds through the air and infusing everyone with a groovy kind of mood. Here, that's what's going on, really. If you're a fan of sensual funk, ain't no mountain high enough to keep you away. You've got to give it up for the man that gave the world such sweet, sweet music. Let's face it: when you've got that feeling, you need an evening with Marvin Gaye.
Cloud Control have re-emerged onto the music scene from their Dream Cave with new tracks and a hotly anticipated national tour. Their current single “Dojo Rising” has been received with great anticipation and is sure to be featured in their setlist, alongside the tracks that catapulted them into the spotlight and longtime fans’ hearts. Psychedelic pop, dreamscapes of sound, infused with life-affirming beats and catchy melodies are what you can expect from this foursome, who have grown so starkly since their last tour, and yet retain the effortless writing and performance that makes them a treat to see. They will be supported by Sydney’s Palms, with their own brand of indie-pop to so neatly compliment the headliners. This sweet night of tunes is sure to sell out, so don’t risk grabbing tickets on the door. watch?v=KRwQp6iglWk
Ever wondered exactly what goes into training a guide dog? Love the idea of cute pooches helping people? Eager to spend as much time surrounded by four-legged cuties as possible? You can tick all of the above boxes at the Guide Dogs Queensland Open Day — and, given that the organisation doesn't let people peel behind the scenes often, you'll be getting a glimpse at something extra special. From 10.30am on Saturday, September 7, you can see where the magic happens — where adorable pups grow into life-changing companions for people who are blind or vision impaired. You'll meet dogs of all ages, watch training demonstrations, learn your own name in Braille and discover how to navigate through an obstacle course without using your sight. You can also browse market stalls, grab a bite from the onsite food trucks and check out the live entertainment. For kids, there'll also be an inflatable zone. Tickets cost $10 for adults. The joy of being swarmed by so many puppers who'll go on to do so much good — well, you can't put a price on that. Image: Guide Dogs Queensland.
On February 16th 1929 Edward (Ned) L. Doheny Jr., son to the oil tycoon Edward L. Doheny Sr was left dead and bloodied on the floor of the ground floor guest room of Greystone Mansion in Beverly Hills. His chauffeur/personal secretary (Theodore) Hugh Plunkett also lay dead. Scandal ensued. There Will Be_____ is an exhibition centred around the 30 minute film Greystone, by Los Angeles based artist Kerry Tribe. Revisiting one of the 20th century’s most shocking and mysterious society murders, this film looks into the murder/suicide/you tell me, of one of America’s highest flyers and his PA. The film and this presentation proposes a series of explanation for how both were killed – the official finding was murder suicide at the hands of Plunkett’s paranoia, but of course the theories are abundant. Filmed on location at the scene of the murder (in the very rooms the killings took place!) and using only dialog appropriated from dozens of films that were shot within the storied estate, this film and partnered exhibition will have every sceptic swooning, and even the sanest viewers intrigued. Don’t miss it.
It's Groundhog Day The Musical — and it's finally making its way to the Australian stages ten years after it was first announced. Back in 2014, Australian comedian, musician, actor and writer Tim Minchin (Upright) revealed that he was making a song-filled onstage version of the Bill Murray-starring classic comedy. Then, the end result premiered in London in 2016. Next came Broadway in 2017, with 2024 marking Australia's turn. Prepare for plenty of déjà vu in Melbourne from January. Feeling like you've been there and seen this comes with the territory with this production, of course, given that that's what the story is all about. Obviously, you've probably seen the film. In fact, you've likely done so more than once. Still, when Groundhog Day The Musical hits Princess Theatre from Wednesday, January 24, this'll be Aussie theatregoers' first chance to catch the stage show on home soil. The tale remains the same, with Pittsburgh TV weatherman Phil Connors tasked with travelling to Punxsutawney, Pennsylvania to cover the annual Groundhog Day event — and none too happy about it, oozing cynicism as everyone else around him embraces the occasion. After a cantankerous day, he wakes up the next morning to find that everything is repeating again. And, that's how every day continues, no matter what he does or how he tries to tinker with the cycling routine. On the big screen (and on VHS and streaming queues since), the result proved hilarious, and also one of Murray's best-ever roles. For the stage iteration, Minchin teamed up with screenwriter Danny Rubin — who originally co-wrote Groundhog Day's movie script and won a BAFTA in the process — plus Minchin's Matilda The Musical director Matthew Warchus. Their theatre efforts earned Groundhog Day The Musical Tony Award nominations, as well Olivier Award wins for Best New Musical and Best Actor. Yes, Groundhog Day The Musical's Australian-premiere season runs across Groundhog Day itself, aka February 2. Yes, you can listen to Sonny and Cher's 'I Got You Babe' on repeat now to celebrate. And yes, like the musical version of Matilda, this'll likely return to the big screen at some point — but after the Melbourne season. Groundhog Day The Musical comes Down Under exclusive to the Victorian capital — and if you're wondering who'll step into Murray's (Ant-Man and the Wasp: Quantumania) shoes, and Andie MacDowell's (Maid) as Phil's producer Rita Hanson, too, that'd be Andy Karl returning to the former after doing the honours in London, plus Elise McCann (Matilda The Musical) as the latter.
Edwina Corlette Gallery introduces two new art exhibitions, Dord Burrough's Ghost Emotions and Tara Marynowsky's Tide Is High. Not to be confused with the Atomic Kitten song, Tide Is High is a collection of poetic art pieces that explore the raw power of the feminine. Marynowksy balances emotive intensity with delicate line, form and colour, and uses fragile figures of women and men, animals, ghostly apparition and masked players to present pieces of unsettling honesty. She has exhibited widely throughout Australia as well as internationally and has received a number of grants, residencies and awards for her work. Burrough is an artist who plays with the darker wells of thoughts and lets personal journeys, daydreams and altered states direct her work. She has exhibited in solo and group exhibitions in Brisbane, Sydney and Berlin, and has been selected in the Churchie Emerging Art Award. Ghost Emotions explores the "physical worlds of friendly grotesquerie". Burroughs uses painting, drawing, sculpture and animation as part of this exhibition.
What begins and ends with two massive gigs, will light up the sky three times a night, and includes everything from unsettling shipping container installations to a kaleidoscopic house of mirrors and a mind-bending circus? That'd be this year's Brisbane Festival, which will feature nearly 600 performances across a huge 22 days when it returns between September 8–29. Marking his fourth stint as Brisbane Festival's artistic director, David Berthold has curated a stacked program of almost 70 shows for the 2018 lineup — featuring more than 1000 artists, taking over 17 venues, and serving up 100 performances for free. As always, the fest's lineup spans the full array of arts, culture, performance and music events, so if you're keen to catch an inventive new play every night at the returning Theatre Republic — or schedule your life around gigs at Brisbane Arcadia — then you're about to become mighty busy. To help you out, here's our list of our top ten.
Once again, alcohol proves a great motivator when it comes to exercise — and Welcome to Bowen Hills is the latest place getting in on the action. Joining the city's onslaught of boozy fitness classes, it's hosting a Yin + Gin session on April 12. Even better: this one is just $10. For the entry price, attendees will get active with a drink in your hand, with a cocktail included. If anything can get you to bend, stretch, flex and relax — whether you're a first-timer, an occasional yoga dabbler or a devotee — it's this liquid incentive. Unsurprisingly, the session is likely to prove popular, with bookings required. And, once you've worked up a sweat and enjoyed a beverage, you'll be in the perfect spot for dinner thanks to the food truck hangout's array of meals-on-wheels providers.
You’ve never seen Queen Elizabeth quite like this before. The long-reigning English monarch of the late 16th century has been portrayed by actresses numerous times, most famously by the likes of Glenda Jackson and Cate Blanchett. In such performances we see Elizabeth as regal, bold, passionate, sensitive, commanding, and even a little romantic. But how many times have we seen her as a stark raving madwoman? Queensland Theatre Company presents Elizabeth: Almost By Chance A Woman, by Dario Fo. In the final day of her life, an ailing Elizabeth clings desperately to her throne and her sanity. She has gone eleven days without sleep, and she fears that if she allows herself to bed she may not rise again. Her mind conjures up vivid memories and grandly paranoid delusions, such as William Shakespeare having plagiarised the events of her life in his plays. Her boudoir transforms into The Globe Theatre, where the last few hours of her reign are played out in stratospherically high drama. Fo is a Nobel Prize-winning playwright, famous for his biting political satires and revival of the commedia dell’arte performance style. Directed by Wesley Enoch, this is your chance to see Elizabeth as a foul-mouthed, lustful, and neurotic narcissist.
It seems that perhaps a deficit in the ear department may go hand in hand with a vocation as a successful artist. We all know Van Gough was sans ear and it seems that our very own earless Mark ‘Chopper’ Read is getting in on the action. Rumor has it that the notorious ex-criminal was inspired to embark on his career as an artist after Archibald Prize winner Adam Cullen told Chopper that he sold two pieces to Elton John for $50,000. Chopper put down the pen and picked up a paintbrush only to sell all fourty-five of the pieces in his first exhibition. We don’t suggest you start eyeing off your sharpest kitchen knife, or trying to figure out how you are going to wear sunglasses with your new look but perhaps instead you might find some artistic inspiration by checking out some of Chopper’s latest works. Head into the Valley to catch Chopper’s art works hanging alongside paintings by up and coming Redcliffe portrait artist Kevin Hawley at the White Canvas Gallery. Want to meet the artists? Mark Sunday the 24th in your diary for a chance to hear what inspired the pieces in Chopper’s sixth exhibition.
Blue skies and scenic coastal sights will brighten Brisbane's Palace Barracks cinemas between Thursday, October 18 and Sunday, October 21, with the Greek Film Festival coming to town. Marking its 25th year, this showcase of Hellenic filmmaking will seven features — kicking off with Jamaica, about two brothers reuniting after a tragedy, before wrapping up with World War II drama The Last Note, charting events leading up to the execution of 200 Greek war prisoners in the Chaidari concentration camp. Elsewhere, viewers can see the drama Happy Birthday, which takes inspiration from the street demonstrations that rocked Athens in 2008; sequel The Bachelor 2, a comedy that has been compared to The Hangover movies; and Polyxeni, which steps into the world of Greek aristocracy — but in 1970s and in Istanbul. As part of the touring festival's comedy retrospective, Brisbanites can also catch comic whodunnit Nisos, which actually opened the fest back in 2010, as well as First Time Godfather, which is based on an autobiographical short story the son of one of Greece's former prime ministers.
If you live in Brisbane and you haven't seen Regurgitator live approximately 752 times, do you really live in Brisbane? They're the homegrown act that released two of the best-ever albums of the 90s — that'd be Tu-Plang and Unit — and they're local legends. They'll also be taking to The Brightside's stages to raise money for flood-affected Lismore folks on Friday, March 11, because flood benefits don't get no better than this. Less than a week after holding its last flood-relief benefit, the Warner Street spot is welcoming in a heap more musos, who'll all do their thing for a great cause, too. Joining the Gurge: The Fauves and Grinspoon's Phil Jamieson for a big 90s vibe, as well as Nice Biscuit, Sammm., Seaside, Slowrip, Square Tugs and Mitch, Please. This is a no-frills affair that's all about bands, tunes and notching up that cash. And if you're wondering how much difference these kinds of gigs make, last week's raised $18,727.61. Just called Flood Benefit, the latest show kicks off at 5.30pm, will span across two stages and is selling $56.10 tickets now. All proceeds will be donated to the Lismore Flood Appeal. [caption id="attachment_711489" align="alignnone" width="1920"] The Brightside[/caption]
Around December 20–23 each year, something important happens: summer solstice, or the day with the longest span of daylight and shortest stretch of night for the current 12-month period. Since ancient times, it has been a time of celebration — and that's what Northey Street City Farm is doing at its Summer Solstice Night Markets. At the Windsor spot on Friday, December 20, a waste-free organic street food market will serve up locally sourced bites to eat and sips to drink, including a whole heap of vegan and gluten-free options. Think falafel, Italian cuisine, burgers, juices, smoothies, beer, cider and kombucha on tap. Everything will be served on crockery — with wash stations set up so you can help clean up — and, if you bring your own reusable plate and keep cup from home, you'll get a 50-percent discount on your food. Also on the bill is live music, drumming, acrobatics, talks and workshops — plus dancing on the grass to hits from 1994. The leafy venue has been doing its thing for 25 years now, so this shindig is doubling as a 25th birthday party as well. The fun kicks off from 6.30pm and, although entry is free, registering in advance is recommended. Images: Northey Street Organic Farmers Market.
news For ten solid years, Outpost has hosted a creative showcase that is like no other in this sunny state. They’ve nabbed the best in Brisbane art, music and scene spinners, thrown them into The Zoo, filled The Zoo with hip people, and said 'look, listen and party'. And looked, listened and partied is exactly what people have done, and will do so again this Thursday at Outpost’s tenth and grandest I Used to Skate Once. Music wise, there will be something a little different. Expect to be thrown for a loop as you experience elecrto-enlightenment within the old Blonde Venus store (underneath the Zoo), as it will be all lights and noise as EXIT – Electronic Music Room takes place. Brainbeau, Pale Earth, While Palms and Foxy/Moron with Girls in Uniform will be spinning sounds and giving you a healthy supplement of rave, dance, candy techno. Probably not great to indulge in this little rave party if you have epilepsy, a weak heart, or just spook easily. If you’re craving a bit of sound, but don’t want any electro feels, stick upstairs at The Zoo to see Goon Sax, Statler + Waldorf and Roku Music. Art wise, expect to be a little blown away – there’s going to be serious quantity on show, matched with even more serious quality. Amongst the dozens of artists who’ll be showing work, you can catch Kool Thing – our favourite pet profiler, Bad Teeth Comics – father of Brisbane’s best comics and toys, WBYK, Robert Moore, and Joel Morris - check out the full list of artists here. I Used to Skate Once is one of Brisbane’s most humble, and best creative showcases. It’s always been free. It’s always made locality its crux. And it’s always been a must attend on any social calendar. Make sure the 26th of June is circled in big black nikko on yours.
Fond of a certain video store employee-turned-famous director and Palme d'Or-winning film that made him a household name, and love a good beer as well? Then you'll want to make your way to Bacchus Brewing Co on Saturday, November 23. With 2019 marking 25 years since Quentin Tarantino unleashed Pulp Fiction onto the world, the boozy Capalaba joint is celebrating by hosting its own Tarantino BeerFest. From midday, attendees can sink brews and revel in a Tarantino vibe. While Bacchus is keeping the full details to itself for the moment, beers themed around the filmmaker's movies will be on the menu. Perhaps they'll pump out a $5 shake-influenced drop, or, if the brewery is feeling super creative, a royale with cheese-inspired tipple. If nodding to this year's Once Upon a Time in Hollywood is on the agenda, a beer that takes its cues from whisky sours wouldn't go astray. The food lineup will also keep the theme going, and QT's movies will be playing on the big screen. All that's left is to grab your best bathrobe and channel the man himself in Pulp Fiction — or break out your best competitive twist moves.
If jungle vibes inside a Coorparoo warehouse sounds like your perfect outing, head along to the Jungle Collective's indoor plant sale on Saturday, July 24 and Sunday, July 25. It's the latest greenery-filled Brissie market from The Jungle Collective, a Melbourne nursery that stocks all kinds of weird and wonderful species. Yes, it is trucking its way up north again for another Queensland venture — and, after hosting plenty of online-only events over the past year, this sale is a 100-percent in-person affair. Whether you're after a hanging pot plant, some palms for the garden or a giant Bird of Paradise, chances are you'll find it here. Have a reputation for killing your cacti? Overwatering your ferns? Don't worry — there'll be horticulturalists on site on the night to give you advice and chat through any questions you might have. This sale is Christmas in July themed, so prepare to give yourself the gift of green babies aplenty. You'll get inspired by plants in general, too, and learn to incorporate them into your home and living spaces — all while browsing and soaking up some tunes. Best get in quick though — these markets are always popular, with more than 170 different species usually on offer. Due to expected demand, the sale will be held in 30-minute sessions across both days, and attendees will need to register for free tickets in advance. Plus, if you come decked out in Christmas attire (think: Santa hats, full costumes, Christmas jewellery or reindeer noses) — and spend at least $10 — you'll also get $5 off your purchase.
Brisbane's new permanent food truck hangout has been home to all kinds of things since it set up shop earlier this year — festivals dedicated to all kinds of foods mainly — but, come May 19, it'll welcome something different through its doors. While there's always some sort of party going at Welcome to Bowen Hills, and doggos are always welcome, the venue's Tiny Dog Festival will see the space swarmed by puppers of the super small variety. If it's an adorable little barking creature, it'll be in the spotlight — so bring your own or prepare to pat plenty of others. And, the site's food trucks and bars such as Mr Burger, Food Mood and The Wurst Dogs won't just be catering to humans. L'Barkery will be serving up puppacinos and other doggie treats, and there'll be beer (for you) and bone (for your four-legged friend) deals on offer. As part of the all-round celebration of pint-sized pooches over a few pints, the fest will also feature a tiny dog race and a best dressed tiny dog competition. If your pupper is speedy or has great style, then you'll want to take part. Plus, Welcome to Bowen Hills also wants to find Brissy's tiniest adult dog, so prepare to spend a date staring at cute pooches that could fit in your pocket and saying "awwwwwww".
For two nights in March, Opera Queensland is swapping concert halls for a stunning riverside berth, all to get performing in the open air. Even better: it's taking to the stage with a lineup of singers and a baby grand piano as the sun sets, dusk settles and Brisbane embraces a pair of warm autumn evenings — and heading along will only cost you $8. Meet Sunset Opera, part of 2023's Live at South Bank series, which is popping up at Riverside Green on Saturday, March 4–Sunday, March 5 from 5pm. For each show, Opera Queensland will perform two 30-minute sets at 6pm and 7pm, treating attendees not just to a night's entertainment but also a preview of OQ's 2023 season. Given the time of day and the surroundings, the music will soundtrack a range of food stalls as well as a licensed bar. Scenic picnics under an orange sky by the water don't get much easier than this. In addition to arias by evening, the Live at South Bank program is also hosting daytime sessions dedicated to Broadway and Disney tunes on the same two March dates.
Melbourne has two. Sydney has one, and regional New South Wales also has a couple. And yet, Beer DeLuxe hasn't yet brought their craft brew taps to Queensland. But, come next year, that's about to change. With an opening slated for 2017, the bar chain will launch a brand new venue on Eagle Street — right in the heart of the Brisbane CBD. Their sixth Australian establishment will boast all the things regulars down south have come to expect: an epic selection of beers and a lineup of hearty pub food to help grease stomachs. Just how many brews Beer DeLuxe Brisbane will stock is yet to be revealed, but if their recent Sydney opening is anything to go by — and the fact that the venue will seat 200 — it should boast in excess of 150. And while the brand prides itself on its international focus, we're betting that a heap of local labels are bound to get a look in. Plus, nestled in next to Esquire, it'll offer patrons the ideal Brissie experience — that is, drinking brews in the sun with a watery view. In fact, with the Pig 'N' Whistle and Bavarian Bier Cafe also dotted along Eagle Street, the riverside strip that Beer DeLuxe is about to call home might just become the city's most packed pub crawl spot. Beer DeLuxe is set to open at 167 Eagle Street, Brisbane sometime in 2017. Keep an eye on their website for more information. Via The Daily Telegraph.
