Think fairytales are just for children? Think again. Most romance movies mightn't actually focus on a handsome prince or a downtrodden young woman with an evil stepmother, but they still take adult viewers into the realm of pure fantasy. In fact, in charting the blossoming bond between a rich former adrenaline junkie and a small town gal, Me Before You sticks closer to the storybook formula than most. Pumpkins don't turn into carriages here, but if they did, it wouldn't feel out of place. Louisa Clark (Emilia Clarke) is spirited away, metaphorically speaking, when she starts working as a carer for the wealthy Will Traynor (Sam Claflin), who was injured in a traffic accident two years prior and isn't coping with his quadriplegic state. A clash of classes and temperaments ensues, with the solemn Will happy to hide out in his parent's castle, and the cheerful Louisa sticking around purely to help support her family. It's only when he starts to open up, and she discovers just how miserable he is, that the pair start to form a connection. Whether you've already read Jojo Moyes' best-selling novel, or are coming into the story with no prior knowledge, where the film adaptation is headed is obvious from the get go. As scripted by the author herself and directed by first-time filmmaker Thea Sharrock, the big-screen version is as predictable as it sounds — with one complications. Here, it's not just Will's physical condition that adds difficulties, but his desire to end his own life. Unfortunately, combining fairy tale wish fulfilment with such a serious subject proves more than a little unsettling, and isn't helped by the movie's determination to approach everything in as simplistic a manner as possible. With the visuals given a soft, warm glow and the soundtrack littered with Ed Sheeran and Imagine Dragons, Me Before You takes the safe, easy option whenever it can. Touching upon a weighty issue might be designed to add a dose of reality to the otherwise fanciful narrative, but in practice it never feels like anything more than an excuse to ramp up the melodrama. That leaves the likeable Clarke and the less convincing Clafin with a tricky task, and one that they can't quite achieve. Though they boast enough chemistry as a couple, and the bubbly Clarke remains a delight to watch, their characters are about as believable as Cinderella and Prince Charming. In support, it's actually Janet McTeer and Charles Dance as Will's parents that fare best, and bring some much-needed nuance to the drama. Thanks to the latter's involvement, the highlight of the film is seeing Clarke share a few scenes with her former Game of Thrones co-star — which says a lot about the sub par tear-jerker in which they find themselves.
UPDATE, November 30, 2020: Upgrade is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Watching Grey Trace (Logan Marshall-Green) is quite the sight to behold. Forget the terrible name, which sounds like it belongs to a Mad Men ad agency rather than a person — with his convulsive moves, the mechanic turned quadriplegic turned killing machine is positively hypnotic. Filmed by writer-director Leigh Whannell in a style that's somehow both twitchy and fluid, Grey dispatches with his enemies with super-human ease, combining the cool efficiency of John Wick with the technological flair of RoboCop and The Terminator. Indeed, alongside the body horror cinema of David Cronenberg and the thrilling science-fiction of John Carpenter, it's easy to spot Upgrade's action and sci-fi influences. Played with grim-faced precision by Tom Hardy-lookalike Green, Grey is not someone you'd want to mess with. But the character's flying fists aren't completely under his own control. Paralysed after a self-driving car crash and a subsequent attack by vicious thugs, he's now the recipient of a brain implant that has re-enabled his limbs. Called STEM, it's an experimental advancement designed by a young tech wiz (Harrison Gilbertson) who seems like he's up to no good, even though he's claiming he wants to assist. The fact that the secret chip has a mind of its own — or, rather, a voice (Simon Maiden) that compels Grey to hunt down the gang that killed his wife (Melanie Vallejo) — doesn't help matters. Bone-crunching, blood-splattered revenge is a dish best-served with an AI sidekick in Upgrade. Although the concept might sound more tired than wired on paper, it makes for a sharp, sleek and savage wander into genre territory. Every element that initially seems worthy of an eye-roll — pre-accident, Grey is vocal about his hatred for all things digital, for example — soon raises a smile thanks to the film's pulpy execution. Weapons immeshed into the human body? A villain that sneezes computer chips? A man virtually talking to himself for the entire flick? It all works. And while Upgrade comes from the mind of someone who has seen everything from 2001: A Space Odyssey and Blade Runner to Her and Ex Machina, Whannell has dreamed their various parts into his own new creation. There's a scene, part-way through the movie, that couldn't better encapsulate Upgrade's charms — or its savvy ability to combine its numerous sources of inspiration into an engaging vessel all of its own. It's not the most inventive of the film's many set pieces, but it makes a firm and fitting impression nonetheless. Grey awakens from an operating table, STEM freshly inserted into his spine, and Upgrade has an "it's alive!" moment. Riffing on Mary Shelley's Frankenstein is hardly new — nor is taking cues from James Whale's 1931 film that brought the novel to the screen. And yet here, it really couldn't be more apt. Upgrade is a thoroughly 21st-century incarnation of the 200-year-old tale about a man reborn from cobbled-together parts, this time including both flesh and circuitry. It's also a movie put together in the same dice, splice, borrow and reuse fashion. Furthermore, Upgrade proves a much more effective use of Whannell's skills than the Insidious and Saw flicks, the two franchises that brought him to fame after initially reviewing movies on ABC TV's Recovery. Instead of serving up by-the-numbers gore and spooks, there's smarts behind this gleeful mashup of genre staples — not to mention passion, personality, a swift pace, a gorgeous red and grey colour palette, and slick yet gritty futuristic visuals. To be fair, Whannell wrote rather than directed most of his previous hits (and also co-stars in the Insidious films), with the underwhelming Insidious: Chapter 3 his only other credit behind the lens. You'd never guess that Upgrade sprang from the same person, which might just be the biggest compliment you could pay this entertainingly schlocky cyberpunk action-thriller. https://www.youtube.com/watch?v=gEnRNIvEKu8
So if you're lonely, Franz Ferdinand will be here waiting for you in Brisbane before 2025 is out. Fresh from releasing their sixth album in January, the Scottish band are touring Down Under to help cap off the year, including on Saturday, November 29 at Riverstage. It's been more than two decades since the Alex Kapranos-led group made a helluva splash with the catchy second single from their self-titled debuted album. Even just reading the name 'Take Me Out' is enough to get the number-one tune in Triple J's 2004 Hottest 100 stuck in your head. The song was also nominated for two Grammys, while the record that it springs from won the Mercury Prize. Since the huge success of 'Take Me Out' and their 2004 Franz Ferdinand album, the band have dropped records in 2005 (You Could Have It So Much Better), 2009 (Tonight: Franz Ferdinand), 2013 (Right Thoughts, Right Words, Right Action), 2018 (Always Ascending) and this year (The Human Fear). Touring-wise, their past Aussie trips have included sets at Big Day Out, Splendour in the Grass and Falls Festival. Franz Ferdinand's 2025 Aussie visit comes just a few months after Bloc Party, who benefited from Kapranos' approval when they were starting out, do the same in August. Select images: Raph PH via Flickr.
Move over wheat flour. Get outta here self-raising. And almond meal, coconut flour, rice flour, besan and all the rest. There's a new flour in town, and it's infinitely better than the rest of you finely-ground baking ingredients. And that's because it's got the greatest of special features: caffeine. Yes, it's coffee flour. Some smart cookie — Daniel Perlman, a biophysicist at Boston's Brandeis University — has devised a technique for milling green coffee beans to create a flour fit for baking. According to Eater, the process is different to roasting coffee beans, as it involves parbaking them at a lower temperature for a short period of time. The beans can then be turned into a finely milled flour, which is just the stuff needed for baking. The possibilities! While coffee flour sounds like a dream ingredient and one we would add to absolutely everything and anything, it looks like it will actually be good for you as well. Perlman's parbaking process allows the coffee beans to retain their chlorogenic acid (an antioxidant), which is usually lost in the regular coffee brewing process. About four grams of the flour will be equivalent to a cup of coffee. And while we're really happy about the whole antioxidant thing, the prospect of caffeinated baked goods is the part we're really into. Just wait until cafes get their hot little hands on this. Via Eater.
When blissed out, soon-to-be-married American couple Nica (Hani Furstenberg) and Alex (Gael Garcia Bernal), set off on a hiking adventure in Georgia's remote Caucasus Mountains, they have little idea that their seemingly idealistic world is about to be profoundly challenged. To all appearances, the two share an unshakeable connection — spiritually at ease yet sexually charged. Nica is spirited and independent, and Alex adores her. They toy with language games, compete playfully over who is fastest or strongest, and are in free pursuit of their mutual wanderlust. Local guide Dato (Georgian actor and real-life expert mountaineer Bidzina Gujabidze) leads them through one breathtaking scene after another. Then, halfway through the film, a single event (not to be delineated here, for fear of giving too much away), corrupts the couple's bond, raising questions of trust, betrayal, and guilt. Russian-born, American-raised director Julia Loktev's intention is to carry us into the film's mental and physical world, one in which time seems to stretch on forever and all conviction has been thrown into doubt. Thanks to Palace Films, we have 10 double passes to give away to see The Loneliest Planet. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au. Read our full review here. https://youtube.com/watch?v=SIIMFHcC1Fc
We could all use a holiday right about now. That's proven true for the past 18 months or so, and the urge to head off on a getaway is only rising. Exactly when Australians will be able to travel between every state without navigating strict border restrictions isn't yet known, and neither is when the vaccine rate will hit 80-percent nationwide, allowing international travel again — but, in preparation for both of those things happening, the Marriott hotel chain is running a giveaway that'll get you away from home for almost a whole month. The first catch: obviously, you won't be travelling until that's permitted again. The second caveat: this competition is only open to folks who've had both COVID-19 jabs. It's Marriott's way of helping encouraging vaccination, given that so much about Australia's plan to move forward during the pandemic — and to open up the travel and hospitality industries again — is based how many people have been fully vaxxed. If you've rolled up your sleeves twice already — or when you do — you can enter Marriott's 'Ultimate Marriott Bonvoy Package' contest to score one night's free accommodation at each of the 28 participating Marriott Bonvoy Hotels and Resorts sites in Australia, New Zealand, Fiji and New Caledonia. Yes, winning this will get you zipping beyond our own shores. And, in terms of bunking down, you'll be staying at spots under a range of different Marriott brands. That includes The Ritz Carlton, W Hotels and JW Marriott — and the Sheraton, Marriott and Westin hotels, too. Also covered: some Courtyard by Marriott and Four Points spots; Signature boutique properties such as AC Hotels and Aloft; and Australia's first Luxury Collection property, The Tasman, which is set to open in Hobart this December. [caption id="attachment_815560" align="alignnone" width="1920"] Melbourne Marriott Docklands, Dianna Snape[/caption] Five winners will be selected, with each able to use their prize once borders reopen. To go in the running, you need to head to the competition website, fill in your details and explain what travelling means to you in 25 words — and also upload a pdf of your vaccine certificate, which'll then be destroyed on Marriott's end once the company has verified that you're fully vaccinated. You'll need to be a member of Marriott Bonvoy as well, but you can sign up for free while you're on the site. Unsurprisingly, this is a one-entry-per-person deal, and you'll be able to travel — subject to border and travel restrictions — between January 1, 2022–June 1, 2023. It does only cover accommodation, too, so getting there and anything you spend while you're away is on your own dime. And if you're wondering when you can start getting serious about packing your bags, winners will be notified by December 6, 2021. For more information about Marriott's 'Ultimate Marriott Bonvoy Package' competition, or to enter, head to the hotel chain's website.
Lock up your bowler hats and crack pipes, Babyshambles are coming to town! Already announced as part of a whopping Splendour in the Grass lineup, Pete Doherty and co have added a run of sideshows to take place in Melbourne, Sydney, Adelaide and Perth. Originally a side project for Doherty when he took some time off from his first band, The Libertines, Babyshambles have had a tumultuous existence, releasing two occasionally brilliant albums while on a rollercoaster of substance abuse, no shows and lineup changes. But when they are at the top of their game, there are few better writers of Britpop than Pete Doherty — just listen to 'Fuck Forever' or 'Albion' for proof. Who even knows if they'll be able to keep it together throughout the tour, but with a new album planned and Doherty seemingly in good health (maybe living with Macaulay Culkin helps?), these sideshows could be something special. Thurs 25 July – Palace Theatre – Melbourne Fri 26 July – Splendour In The Grass – Byron Bay - SOLD OUT Sun 28 July – Enmore - Sydney Mon 29 July – HQ - Adelaide Wed 31 July – Metro City – Perth https://youtube.com/watch?v=IpeJFVvwz6A
Every year, the Brisbane Convention and Exhibition Centre becomes a culinary, boozy wonderland. An alley dedicated to cheese, wine almost as far as the eye can see, an array of food and beverage stalls serving up samples — yep, it's a reality. That's the Good Food and Wine Show in a nutshell, with 2017's event hitting the city from October 27 to 29. If you've been before, you'll be eager to head along again. And if you haven't, perhaps a 400 Gradi masterclass on the world's best pizza and a new area dedicated to Korean food will whet your appetite. Basically, it's the Ekka of food and wine — without the rides, the flu and the goldfish. A word from the wise: you'll be eating and drinking all day, so make sure you have a light breakfast beforehand. You'll thank us later.
UPDATE: The Ron Burgundy Bar been cancelled due to licensing restrictions from Paramount Studios. The organisers of the event have regretfully informed us that they have cancelled the event, but will openg the pop-up with a different theme. If Ron Burgundy — the man, the legend — was to open a bar, we're pretty sure he'd open one in Melbourne. It's probably one of the only cities to accept a concept so ridiculous it includes a rich mahogany scent machine. Hot on the heels of other themed drinking establishments — George Costanza bar, we're looking at you — a bunch of bartenders have decided to make the Anchorman character's imagined bar dreams a reality, announcing they'll open a Ron Burgundy-themed bar in Melbourne next week. Naturally, they'll be theming the bar around the '70s world that Burgundy and his associates inhabit — and dropping as many movie references as possible. Staff will be wearing those iconic colourful suits, there'll be a Channel 4 News setup and even a scent machine to make the place smell like rich mahogany (the only respectable smell). Undoubtedly there'll be some sort of scotch selection as well — because we all know Ron Burgundy likes a little scotchy scotch scotch. Bartender collective Bottoms Up are the organisers behind the pop-up. They'll be taking over Carlton's Porcelain Tea Rooms Thursday to Saturday for two weeks, starting next Thursday, October 13. How has no one thought to do this before? The Ron Burgundy Rich Mahogany Bar will pop-up for two weeks from October 13-15 and October 20-22 at Porcelain Tea Rooms, 149 Elgin Street, Carlton in Melbourne. For more info, see the Facebook event.
When World Cup fever last swept Australia at the end of 2022, there were scenes. Public spaces around the country — including the Queen Street Mall and King George Square — turned into viewing sites so that Aussies could come together to watch the Socceroos. And, as plenty of photos and videos of jam-packed crowds showed, gather we all did. 2023's Women's World Cup is being co-hosted by Australia, which means that official FIFA fan festivals playing every game live have popped up in Sydney, Melbourne, Brisbane, Perth and Adelaide. But, now that the Matildas are into the semi finals, facing off against England at 8pm on Wednesday, August 16, one space per city isn't quite enough. In Brissie, that means heading back to King George Square again, with the Brisbane City Council announcing that the match will screen for free in the CBD spot. Watch the @TheMatildas @FIFAWWC semi-final LIVE in King George Square. pic.twitter.com/GAL8ckJnD9 — Adrian Schrinner (@bne_lordmayor) August 14, 2023 Over at South Bank, the FIFA hub will of course still show the Matildas' showdown with the Lionesses — but now so will the patch of pavement outside Brisbane City Hall. The coverage at King George Square will start at 7.30pm on the Ekka public holiday, playing the Australian national women's soccer team's must-win bout to get into the World Cup decider. More places to gather and watch the game may also be added. Brisbane Lord Mayor Adrian Schrinner advised that, because "the Matildas' World Cup campaign has inspired an entire nation", the council is "looking at even more locations to add to the list of live sites so more people can come together to cheer them on". [caption id="attachment_881007" align="alignnone" width="1920"] John via Flickr[/caption] Whether or not you usually have even a passing interest in the world game, you'll appreciate the sense of occasion. The Matildas keep making Australian football history, already becoming the country's most successful team at the World Cup — and, with their last game against France in Brisbane over the weekend, notching up the nation's biggest TV sports event in a decade. If Sam Kerr, Mackenzie Arnold, Mary Fowler and company beat England, they'll face Spain or Sweden in the World Cup decider. Even if they don't emerge victorious over the Lionesses, the third-place game against whoever loses between Spain or Sweden awaits — in Brisbane again. Either way, they'll keep smashing records, and treating soccer fans to a massive few days of football. View this post on Instagram A post shared by CommBank Matildas (@matildas) The Matildas take on England at 8pm on Wednesday, August 16, with the match playing on the big screen in King George Square. The FIFA Women's World Cup 2023 runs from Thursday, July 20–Sunday, August 20 across Australia and New Zealand, with tickets available from the FIFA website. Top image: LittleBlinky via Wikimedia Commons.
UPDATE: July 17, 2020: Aquaman is available to stream via Netflix, Foxtel Now, Google Play, YouTube and iTunes. Not since the screaming spider of Arachnophobia has there been something so ridiculous as a shark that roars. Then again, this is a film that also gives a bedazzled octopus a drum solo, so where does one draw the line? Welcome to Aquaman, a movie that chooses all the wrong places to play it safe, and all the weirdest ones to, well, be weird. It's a shame, too, because DC had a good opportunity here to turn things around for its ill-fated Universe. The ingredients were solid: a charismatic and sexy leading man (Jason Momoa), an unconventional hero with an appealing no-fucks-given attitude and, best of all, a generous amount of distance between itself and the woeful Justice League that preceded it. Add to that the relegation of DC veteran director Zack Snyder to a producer credit and Aquaman was neatly positioned to carve out another potentially lucrative sub-franchise in the vein of Wonder Woman. Instead, it delivers another special effects-laden delirium whose plot is both convoluted and dull. It's an origin story of sorts, albeit one set after Aquaman's formal introduction in Justice, with the film's opening scenes providing an engaging balance of history and action. We learn Aquaman (born Arthur) is the result of a star-crossed romance between lighthouse keeper Tom (Temuera Morrison) and self-exiled Atlantean royal Queen Atlanna (Nicole Kidman), whose semi-literal fish out of water routine offers the film both some amusing and tender moments (as well as a kick-arse fight scene from out of nowhere). Arthur's burgeoning powers are seldom explored, however, and the occasional training or education flashbacks offer none of the excitement or moral dilemmas that are custom-built for superhero origin stories (Clarke Kent not beating up his bullies in Man of Steel but then saving a busload of kids, including the bullies, being a prime example of the device done properly). Aquaman's powers are extreme, and extensive, yet they're rarely explained. How is it, for example, that in addition to his aquatic properties he's essentially bullet-proof? Doubtless all answers lie in the comic books, but a movie can't rely so heavily on its source material that it obviates at least some screenplay hand-holding. The problem is, Aquaman chooses to do its exhaustive exposition not for the fun stuff like talking to fish, but for dry factional politics between its secondary characters (a near-identical mistake to that made by George Lucas in The Phantom Menace). It also falls into the ridiculous trap of establishing a world full of aliens and monsters, then denying their very existence for the sake of artificial conflict. To wit, it makes absolutely no sense to have conservative TV pundits in the vein of Fox News panelists saying things like "Atlantis!? Please! It's a myth!" when they all live in a world that openly acknowledges the existence of Super Man, and Wonder Woman, and The Flash, and Cyborg, and Steppenwolf and a whole bunch of invading aliens (some of whom previously levelled several cities and tried to terraform the Earth). Given those realities, a lost city seems entirely plausible by comparison. On the plus side, Momoa owns every scene he's in, assisted by a solid turn from Amber Heard in a role that's entirely warrior princess and zero damsel in distress. It's also comfortably the brightest and most colourful DC film to date, delivering visuals that wouldn't feel out of place in Blade Runner. Too often, though, director James Wan takes the focus away from Momoa and Heard, favouring instead either long-winded pontificating from the villain Orm (Patrick Wilson) or CGI-heavy action that never even comes close to looking real. It's an entertaining ride and a refreshing break from the Snyder-driven darkness/slow-mo aesthetic that has long felt stale. But the only character you ever really care for is Arthur's father, and his story receives the least amount of time of all. Aquaman is one small step forward for DC, but one giant leap missed for the Universe. https://www.youtube.com/watch?v=WDkg3h8PCVU
It's mid-August, so you should probably start getting your New Year's Eve plans in order. Victorian NYE festival Beyond the Valley has just announced the lineup for their celebrated four-day festival in Lardner, Victoria and it's pretty bloody good, so could be a solid option. Just four festivals old, the Victorian festival is still pretty fresh on the New Year's circuit, starting out in 2014. Despite this, they've managed to secure a rather colossal lineup, featuring charismatic rap headliner Schoolboy Q, Sydney electro legends The Presets, falsetto-flaunting folk favourite Matt Corby, UK grime gem Stormzy, East London 'wonky funk' singer Nao and 21-year-old Channel Islands-born producer Mura Masa. Beyond the Valley takes over Lardner Park, Warragul, Victoria from December 28 to January 1. Anyway, here's what you came for. BEYOND THE VALLEY 2017 LINEUP: Schoolboy Q The Presets Matt Corby Stormzy Mura Masa Stephan Bodzin (live) Little Dragon 2MNANY DJs (DJ Set) Adana Twins Âme (live) Amy Shark Andhim The Belligerents B.Traits Crooked Colours Cub Sport Cut Copy Dean Lewis DMAs Dom Dolla FKJ GL George Maple Harvey Sutherland & Bermuda Hayden James Hot Dub Time Machine Ivan Ooze Jack River Lastlings Late Nite Tuff Guy Marek Hemmann Meg Mac NAO Patrick Topping Pleasurekraft The Preatures Princess Nokia Ruby Fields Sampa The Great San Cisco Skegss
We all know that solid dose of 'the good feels' you get after you've done something nice for yourself/your body (like exercise). And from Wednesday, March 1–Wednesday, May 31, you can expect those feelings to increase two-fold. Thanks to the return of Brisbane's Feel Good Program for autumn, the city will welcome a series of outdoor fitness classes — and, unlike that fancy new yoga studio in your neighbourhood that smells like acai berries and only serves charcoal tea, these classes are all entirely free. Ranging from sessions to get your blood pumping (Zumba, 80s dance) to classes to get your zen flowing freely (yoga, tai chi), the Feel Good Program is an initiative designed to suit any and all fitness levels. Classes are being held around South Bank Parklands this time around. BYO water bottle, towel and, where required, a yoga mat — the ones provided are subject to availability. Classes happen every day except Fridays and Sundays, and they all run for between 30–45 minutes. Times vary depending on the day, but your options include getting started early with a 7am pilates session, splashing in the pool at 9.30am, or finishing up with body combat or pilates from 5.30pm. Whichever you choose, it'll have you embracing the warm outdoors and feeling good — check out the timetable online.
If Harry Potter movies were still gracing cinemas, exploring the boy who lived's adult life, we're certain he'd be a brunch fan. It's a magical meal, after all. But if you're in Brisbane this October, you can enjoy the next best thing. Whether you're still not over Harry or you just wish you'd had the chance to attend Hogwarts because you know you're destined to be in Gryffindor (and to be seeker on the quidditch team, obviously), you'll want to make a date with The Wizard's Brunch. You'll dine in a Great Hall-like space, matching your meal (Pixie Puffs, please) with 'magic' potions (aka cocktails, we're assuming) and — hopefully — butterbeer. And you can bet the menu will include every Potter pun you can think of. The particulars such as the exact date, venue and how many galleons you'll have to spend haven't been revealed as yet, though keen muggles can sign up to The Wizard's Brunch email list for more information. What we do know, from the Sydney event held earlier this year, is that there'll be long tables topped with candles, goblets filled with wine and Harry Potter characters mingling with attendees. This video should get the vibe across: Folks in costumes pretending to be Hermione, Dumbledore and others isn't really our idea of a magical HP experience, but perhaps a few firewhiskys will get you in the right mood. And if not, you can just sit tight for the next Fantastic Beasts film to be released or the Cursed Child stage show to hit Australia. The Wizard's Brunch will take place in a yet-to-be announced Brisbane location in October. We'll let you know when you can buy tickets, and you can sign up for updates here.
Welcome to... your latest excuse to imagine what Australia looked like back in prehistoric times, and to picture which creatures roamed the land and flew through the sky all those years ago. After the nation's largest ever dinosaur, Australotitan cooperensis, was identified back in June, the country's largest flying reptile has just been named as well. Meet Thapunngaka shawi, a creature that researchers have described as "the closest thing we have to a real-life dragon." Making that statement: University of Queensland PhD candidate Tim Richards, from the Dinosaur Lab in UQ's School of Biological Sciences. He led a research team that analysed a fossil of the creature's jaw, which was found on Wanamara Country, near Richmond in northwest Queensland. "It was essentially just a skull with a long neck, bolted on a pair of long wings," said Richards. "This thing would have been quite savage. It would have cast a great shadow over some quivering little dinosaurs who wouldn't have heard them coming until it was too late." If your mind has jumped to depictions of dragons in pop culture — Game of Thrones, obviously — that's not quite how artists' impressions of Thapunngaka shawi look. But this creature does appear immensely imposing. And, obviously, quite big. Researchers believe that its skull would've measured one metre in length — and contained around 40 teeth — and its wingspan would've hit seven metres. The pterosaur — a class of flying reptiles that existed around 228–66 million years ago — would've flown over the inland sea that once took up much of outback Queensland, too. And although it has just been given a name now, this specific fossil was actually found back in June 2011 by Richmond local Len Shaw, who located the specimen just northwest of the town. [caption id="attachment_822354" align="aligncenter" width="1920"] Tim Richards with the skull of an anhanguerian pterosaur. Credit Tim Richards[/caption] Thapunngaka shawi also belongs to a particular group of pterosaurs known as anhanguerians, and is just the third species of anhanguerian pterosaurs ever found in Australia — all three in western Queensland. It has been named for the Wanamara words for 'spear' and 'mouth', as well as for Shaw — with its full name meaning 'Shaw's spear mouth'. Like Australotitan cooperensis, Thapunngaka shawi's fossil is on display to the public, this time at Kronosaurus Korner in Richmond. And yes, if Jurassic Park or Jurassic World ever happened to become a reality in Queensland, recreating local dinos in the process, we'd all come face to face with quite the mammoth creatures — and stand beneath them while they swooped through the air, clearly. Also in the state, in Winton, Queensland is already home to a dinosaur-focused museum — because that's where other dinosaur fossils were found back in 1999. So yes, your next road trip can involve trekking across the outback to check out these fascinating remnants of the earth's past. Life keeps finding a way, obviously. Find the Kronosaurus Korner at 91-93 Goldring Street, Richmond — open from 8.30am–4pm daily from April–October, and 8.30am–4pm Monday–Friday and 8.30am–3pm Saturday–Sunday between November–March. For further information, head to the University of Queensland website. Top image: Artist's impression of the fearsome Thapunngaka shawi.
Sydneysiders can sip two different types of gin that pay tribute to the Sydney Opera House. Melburnians can make their G&Ts with a juniper spirit that nods to St Kilda live music institution The Espy. And now, thanks to Brisbane Gin, Queensland residents can also show their love for the state's capital. A handcrafted small-batch gin made just outside of Brisbane by Australian Distilling Co, the new tipple is a London-style dry gin, but makes its local flavours known by using Queensland botanicals. No, there's nothing as over-the-top as mango or pineapple; rather, expect to taste notes of kaffir lime and finger lime, as well as fresh ginger. Taking almost a year to nail down, recipe-wise, the gin is the work of second-generation distiller Michael Hickinbotham and master distiller Dr Graham Jones, who went through more than 40 variations before settling on the right one. Packaged in pink, maroon and gold branding, the result is a citrusy boozy beverage that works well neat, but also pairs nicely with tonic or cranberry. Unsurprisingly, Brisbane Gin has made its way into Brissy's bars and bottle-os — into more than 20, in fact, with the newcomer available at Dutch Courage Officers' Mess, The Gresham, Covent Garden, Hellenika at the Calile, Proud Henry's, Blackbird Bar and Grill, Boom Boom Room, Malt Traders and Sense of Taste, among others. If you're feeling like celebrating this city of ours at home, you can also nab a 700ml bottle online for $75. For more information about Brisbane Gin, or to buy a bottle, visit the beverage's website.
The Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA), curated by the Museum and Art Gallery of the Northern Territory in Darwin, are annual awards for First Nations artists from across the country. This year, NATSIAA award winners will be announced online — and all Australians can get to know the nominees via a virtual gallery — as well as vote for their favourites in the Telstra People's Choice Award. Each year, the awards celebrates contemporary artworks across a broad range of disciplines. Think paintings, craftsmanship, photography and textile works. There are 65 finalists from across the country, and what makes the awards so special is the diversity in storytelling; there are perspectives from coastal regions, desert towns, cities and everywhere between. [caption id="attachment_776094" align="alignnone" width="1920"] Telstra Bark Painting Award Winner 2019, Noŋgirrŋa Marawili. Photo: Fiona Morrison[/caption] For 37 years, Telstra NATSIAA has represented the art of the nation — culturally, geographically and historically, as well as looking to our future. And long-standing partner Telstra has been part of the awards for almost three decades. For those who plan to visit the Northern Territory, you can also experience the artworks in person at the Telstra NATSIAA Exhibition at the Museum and Art Gallery of the Northern Territory from Saturday, August 8. And it's good news for those of us who'd usually miss out on the awards ceremony, as this year's presentation (usually held on the grounds of the museum) will be broadcast online. You can join host Brooke Boney on Friday, August 7 to find out which artists have won by visiting the Telstra NATSIAA website from 6pm. While you're there, check out the fully interactive, virtual gallery and chuck a vote in for your favourites.
So you think your Prius is green? How about a car made from bamboo and rattan for a set of sustainable wheels? The Phoenix, unveiled at the "Imagination and Innovation" exhibition in Milan is an experimental vehicle from furniture designer Kenneth Cabonpue. The car borrows heavily from his furniture designs, which highlight natural materials, flowing lines and quality craftsmanship. The end product is a thing of bird-like beauty, with little resemblance to a vehicle churned out of a factory. An experimental design, the Phoenix is unlikely to make it on to the streets. Although it does use steel and carbon fibre in the frame, the display model has no engine although there is space for one. Perhaps putting a combustion engine in a largely wooden vehicle could end up with the Phoenix living up to its name. [via habitusliving]
Technology has made many of the household items we once relied upon redundant. The Yellow Pages, CD players, and shopping lists are all rapidly becoming relics of a pre-smart phone, pre-digital era. And if designer and inventor, Andrey Kokorin has anything to do with it, the kitchens of the future will also replace knives with electromagnetic lasers. The 'Innovative Laser Device For Cutting Of Foodstuff' uses a series of rotating rings fitted with electromagnets and controlled by an internal microprocessor to slice food into whatever shape your appetite desires. Simply place the food in the spherical pod, customise the shape and size of your slice (with anything from spirals to smily-faces available) and press 'Go'. This groundbreaking, and ecologically friendly, creation was submitted by Kokorin for the James Dyson Award, an internationally renowned competition for young innovators to come up with problem-solving inventions. For Kokorin the inspiration came from a study of kitchen knives and discovering that they can be a hotbed for infectious disease. Peer into your kitchen of the future with this video of the pod in action.
After making one of the absolute best films to reach Australian cinema screens in 2021, Promising Young Woman filmmaker Emerald Fennell is back with Saltburn — and she's repeated the feat in 2023. Swapping the US dating scene for Britain's upper class, the writer/director spins a satire about privilege and desire that's devastatingly well cast and devilish overall. Haven't caught the end result yet? You'll be able to do so from your couch before Christmas. Add Saltburn to the list of movies that've enjoyed pandemic-era swift leaps from the big screen to the small, with the film getting fast-tracked to home entertainment while it's still in cinemas. Barbie did it. Everything from Dune, The Matrix Resurrections and Everything Everywhere All At Once to Elvis, Nope and Don't Worry Darling have before that, too. In this case, you'll be watching the Barry Keoghan (The Banshees of Inisherin)- and Jacob Elordi (Euphoria)-starring thriller from Friday, December 22 on Prime Video. Keoghan plays Oliver Quick, who arrives at Oxford University as part of the future class of 2006, but finds himself stuck as an outsider among his well-off classmates. Enter Elordi as Felix Catton, the charming campus favourite who gains a helping hand in Oliver, then invites his new pal to his family's eponymous estate for the summer. Fennell won a rightly deserved Oscar for her Promising Young Woman script, and reteams with Carey Mulligan (She Said) again here. Also demonstrating the actor (The Crown)-turned-filmmaker's knack for casting: 2023 Academy Award-nominee Keoghan, aka one of the screen's most interesting and talented rising stars, plus Elordi, Rosamund Pike (The Wheel of Time), Richard E Grant (Persuasion) and Lolly Adefope (Miracle Workers). As Felix's sister Venetia, Conversations with Friends' Alison Oliver is similarly excellent — as is Gran Turismo: Based on a True Story's Archie Madekwe as fellow Oxford student and Catton cousin Farleigh. If you not only haven't seen Saltburn yet, but you've avoided having its twists, surprises and bold moves spoiled for you, you'll want to keep it that way until you can see this mix of Brideshead Revisited, The Talented Mr Ripley and Cruel Intentions. Check out the Saltburn trailer below: Saltburn will be available to stream via Prime Video globally from Friday, December 22. It's also still showing in cinemas Down Under. Read our review.
The golden child of Sydney's Japanese culinary scene — and a hit in southeast Queensland thanks to Kiyomi, too — Chase Kojima has launched a revamped omakase experience at his Gold Coast restaurant inside the bright lights of The Star. Featuring 20 courses, the chef's permanent new table-style menu is exclusively prepared for eight extremely fortunate diners every Tuesday, Wednesday and Thursday evening, starting on Tuesday, March 29. Derived from the phrase 'leave it to the chef', the daily-changing omakase features the freshest locally sourced seafood, served at Kiyomi's intimate sushi counter. "Kiyomi has always been about paying respect to traditional Japanese cooking while giving it a burst of fresh energy, and this new omakase offering is no different," Kojima explains. "This intimate and indulgent menu offers our Queensland guests an opportunity to savour exclusive dishes not available on the current menu and a first-hand look at some of the secrets behind the dishes we create in the Kiyomi kitchen." While the omakase menu is founded in traditional Japanese flavours and techniques, service is crafted all for the modern diner. Each course is personally presented with a side of theatricality by either Kojima himself or Kiyomi's Head Chef Winson Law. While exactly what'll be on the $225-per-person menu is a surprise that's unveiled to each evening's diners, those sitting down at the counter could find themselves tucking into tuna tataki with carbonised leek aioli and pickled ginger gel, or seared scampi with foie gras. Other potential standouts: apples and shiso leaf, and grilled black cobia with Japanese curry butter. This excuse for quite the culinary experience also includes a sake flight featuring four premium drops from Kiyomi's collection. The aim: to enhance not just the flavour but also the ritual of the meal. If you happen to find yourself even further south, in Sydney rather than on the Goldie, Kojima has launched a new omakase experience at Sokyo as well — and, in his latest venture, he's behind Sydney newcomer Senpai Ramen, a ramen omakase restaurant. Kiyomi's omakase experience runs every Tuesday—Thursday from Tuesday, March 29, costing $225 per person. For more information or to book, head to The Star's website.
How many hours have you spent playing the best karting game ever made? Too many? We'll throw a shell at that idea. When it comes to Mario Kart, there's no such thing as too much. In fact, you should race on out of the house and down to B. Lucky & Sons to show off your skills. From 5pm on Tuesday, March 10, the Fortitude Valley bar will become a haven for everyone that knows just when to sling a ghost at their opponents — and just how to press buttons in the right order to get an early boost. If you're keen to feel the need for speed playing Mario Kart, you can do so at the venue for free as part of its MAR10 is Mario Day celebrations. While both entry and mashing Mario Kart buttons are free, you will need your wallet for beverages. [caption id="attachment_694672" align="aligncenter" width="1920"] Zennieshia[/caption] There'll be prizes on offer, too — including if you dress up as Luigi, Peach or whichever other Mario Kart character takes your fancy. We're assuming that there won't be any banana peels to throw around the place, but maybe watch where you're walking anyway.
Maybe you hop on the ballot the moment that it opens each year. Perhaps you wait to find out who'll be behind the mic before trying to nab tickets. Either way, Golden Plains dropping its lineup is always big news. In 2025, get ready to see PJ Harvey, Fontaines DC, 2manydjs and Kneecap — and also Wet Kiss, Durand Jones & The Indications, Magdalena Bay, Osees and Thelma Plum. And yes, that's just the beginning. Come Saturday, March 8–Monday, March 10, 2025, it'll be time to dance among the autumn leaves in regional Victoria again, at the Meredith Supernatural Amphitheatre in the same place that Meredith Music Festival also calls home. And now that the lineup is here, you still have the chance to put your name down to get tickets. This round of Golden Plains will mark the fest's 17th year. The ticket ballot has been a part of the event since its debut — and this year's is now open until 10.17pm AEDT on Monday, October 21, 2024, which means that clicking ASAP is recommended. Catering to 12,000 punters each year across three days and two nights, the fest has long proven a favourite for its one-stage setup, which skips the need for frantic timetabling. And, like Meredith Music Festival, its sibling, Golden Plains is also known for the Aunty crew's star-studded bills. [caption id="attachment_976058" align="alignnone" width="1920"] Theo Cottle[/caption] Golden Plains 2025 Lineup PJ Harvey Fontaines DC 2manydjs Wet Kiss Durand Jones & The Indications Magdalena Bay Osees Kneecap Thelma Plum Grace Cummings Bahamadia Hermanos Gutiérrez Ela Minus Bonny Light Horseman Adriana Mulga Bore Hard Rock CCL Teether & Kuya Neil Skeleten Zjoso Jada Weazel Elliot & Vincent Storytelling with Uncle Barry Sun Ra Arkestra Golden Plains images: Chip Mooney and Ben Fletcher.
It's safe to say Brisbane is home to its fair share of a-grade musicians, artists and bands, with Lost Movements long pushing the best into a flaming hot spotlight. Their bi-monthly events at Coniston Lane are quickly coming the plushest of Brisbane's party pom poms, with a line-up of talent that rivals even the best of our local band, artist and musician comps. Now, in their sixth installment of Lost Movements, they'll be bringing together some names you've probably never heard of, but need to be tuning in on. Slow Riots have a stellar EP, 'Bored', hell-of-a-lot-of tours, and a premium reputation to their name. Their sound is thunderous and atmospheric, yet holds focus and clear musical intentions. Similarly, Balloons Kill Babies don't settle for less than perfection with their baroque, layered styling, disparate musical influences and obvious technicality. On the artistic side, Lost Movements had made a bit of a habit out of painting near-naked women, all for the name of art - expect no less from this event. There will also be live paintings from 12 local artists incluing Charlie Godinet, Luke Double, Anthony Jigalin and Alexandyr Valentine – the line up may be a mouthful, but it sure is a tasty one. Entry for the evening will be $8 with the latest edition of Lost Zine on sale for $2, so if you hustle on down to Coniston Lane with a crisp tenner you'll be set for a wild time.
What's better than one Brisbane festival dedicated to Asian culture? A fest within a fest that ramps the celebrations up a notch, of course. That's 'Pho'nomenal, a three-day showcase of all things creative and Vietnamese in Australia. Taking place at Metro Arts from February 17 to 19, the mini-festival is comprised of seven events — aka something for everyone in the audience. Kicking things off with a discussion about cultural ambitions feels fitting, as does following it up with Never Forget, a film exploring of intergenerational and intercultural gaps. And, that's just the first night. From there, attendees can revel in the joy of V-pop via music videos and a live set by The Viet Face, check out an Ao Dai — or traditional costume — fashion show, and watch a Vietnam-set romantic comedy. Then, bring it all to a close in the tastiest way possible thanks two cooking classes. All that free fun is certainly to make you work up an appetite, after all. Image: Adam Young.
The silver-screen experience is always worth celebrating. A darkened haven dedicated to watching movie magic? Films projected big enough to span entire walls? Ideally no phones or other distractions? No matter how many times you've seen a flick in a picture palace, it's pure bliss. And, like everything, there's a day to celebrate it: National Cinema Day. Every single day is a great day to hit up your favourite theatre, but Sunday, August 31, 2025 comes with a bonus at Reading Cinemas sites across Australia: $5 tickets. That's all you'll pay for a standard or premium session all day for one day only. Fancy hitting up its Titan screens instead? That'll only set you back $10. And for its Gold Lounge and SoHo Lounge, you'll pay $15. Reading operates six cinemas across Queensland, including Newmarket, Jindalee and the Angelika in Woolloongabba, if you're wondering where to go to see a cheap flick. And your viewing options? They vary per cinema, but include Weapons, Freakier Friday, Nobody 2, The Fantastic Four: First Steps, Caught Stealing, the new The Naked Gun and 50th-anniversary sessions of Jaws, among other titles. Two caveats: the deals aren't available for event screenings, Q&As or other special events, and there's still a booking fee if you're getting your tickets online.
Seeing movies get the TV treatment isn't a new trend. From Buffy the Vampire Slayer and What We Do in the Shadows to Fargo, plus everything from Irma Vep and Dead Ringers to A League of Their Own and Interview with the Vampire as well, there's no shortage of examples (and that's before getting into Marvel's and Star Wars' shows). But when Baz Luhrmann's Australia hits the small screen, it'll be doing a few things differently. Firstly, it has a new name. Secondly, it's been fashioned out of originally shot footage back when the flick was made — so it's turning the film into television quite literally. That series: Faraway Downs, a six-parter that was first announced in 2022, is closing the first-ever SXSW Sydney Screen Festival and is destined for Disney+ Down Under from Sunday, November 26. Wondering how that might turn out, even if you've seen Australia? There's now a Faraway Downs trailer. For 15 years, Australia has inspired a particular train of thought when it comes to Luhrmann's movies: they can't all be good ones, even if almost all of them are. Australia is the one outlier on his resume — the one film that doesn't live up to the spectacular Strictly Ballroom, Romeo + Juliet, Moulin Rouge!, The Great Gatsby and Elvis — so that's where the tinkering and reimagining as Faraway Downs comes in. "I was inspired to re-approach my film Australia to create Faraway Downs because of the way episodic storytelling has been reinvigorated by the streaming world," said Luhrmann. "With over two-million feet of film from the original piece, my team and I were able to revisit anew the central themes of the work." Combining two of the nation's biggest actors with one of its biggest filmmakers, Faraway Downs still stars Nicole Kidman and Hugh Jackman, of course. If you need a refresher on Australia's plot — and therefore the new episodic version's plot, too — it follows English aristocrat Lady Sarah Ashley (Kidman, The Northman) after she comes into possession of an Aussie cattle ranch. To save it from cattle barons, she enlists the help of a drover (Jackman, The Son). That's just the overall gist, however, given that the sprawling movie also spans World War II and its impact, as well as the country's historical treatment of Indigenous Australians. Fittingly given the OG name — and as usually proves the case with Luhrmann's flicks — the cast includes a who's who of homegrown talent. As well as Kidman and Jackman, plus Brandon Walters (Mystery Road) as Nullah, everyone from Essie Davis (Nitram) and Bryan Brown (Hungry Ghosts) to Ben Mendelsohn (Secret Invasion), Jack Thompson (High Ground) and David Wenham (Elvis) features, as does the now-late David Gulpilil (Storm Boy) and Bill Hunter (The Cup). Check out the trailer for Faraway Downs below: Faraway Downs streams in Australia and New Zealand via Disney+ from Sunday, November 26 — after closing the 2023 SXSW Sydney Screen Festival on Saturday, October 21.
Welcome to the Wasteland: a first look at the long-awaited Fallout TV adaptation is here, ahead of the streaming series' arrival on Prime Video in April 2024. Almost three decades after first hitting computers back in 1997 — and after three released sequels, a fourth on the way and seven spinoffs — the gaming franchise is getting a live-action take starring Ella Purnell (Yellowjackets), Walton Goggins (I'm a Virgo) and Kyle MacLachlan (Lucky Hank). HBO isn't behind this game-to-television series, unlike spectacular 2023 hit The Last of Us, but Prime Video is taking a similar approach by enlisting the creative forces behind one of the US premium cable network's past hits. Just as co-creator, executive producer, writer and director Craig Mazin made the leap from Chernobyl to a button-mashing favourite, so are Westworld creators Jonathan Nolan and Lisa Joy — who also executive produced Prime Video's own The Peripheral. Fans of the Fallout game will already know the show's setting: a post-apocalyptic future. The series takes place 200 years after everything went pear-shaped, with people living in luxe fallout shelters ever since. When some such folks leave their cosy confines, they find a hellscape filled with mutants, wild west vibes and plenty of violence. Purnell plays vault-dweller Lucy, while Twin Peaks great MacLachlan is her dad Overseer Hank, who — as his name suggests — oversees Vault 33. On the surface, Goggins is bounty hunter The Ghoul, who has a secret past — and Aaron Moten (Emancipation) also has a pivotal part as Brotherhood of Steel soldier Maximus. Expect to also see Moisés Arias (Samaritan), Sarita Choudhury (And Just Like That...), Michael Emerson (Evil), Leslie Uggams (Extrapolations), Frances Turner (The Boys), Dave Register (Heightened), Zach Cherry (Severance) and Johnny Pemberton (Weird: The Al Yankovic Story) on-screen as well — plus Rodrigo Luzzi (Dead Ringers), Annabel O'Hagan (Dear Edward) and Xelia Mendes-Jones (The Wheel of Time) — when this retrofuturistic dystopia starts hitting your streaming queue from Friday, April 12, 2024. As well as executive producing with Joy, Nolan directs the first three episodes. Geneva Robertson-Dworet (Captain Marvel) and Graham Wagner (Silicon Valley) are similarly among Fallout's executive producers, as well as the series' writers and co-showrunners. And yes, Bethesda Game Studios has a hand in finally bringing the games to the screen. There's no trailer for Fallout yet, but Prime Video have dropped a heap of pictures as an initial glimpse at what's to come — see above and below. Fallout will start streaming via Prime Video from Friday, April 12, 2024. Images: courtesy of Prime Video.
Owning your own pet in a rental property can be a nightmare — and we are willing to guess that you might be a few avocado toasts away from that luxe house deposit just yet. So what's a feline-loving Brisbanite to do? Here steps in Red Hill's Cat Cuddle Café. With more than 15 rescue kitties in residence, you can be assured that you will be purred and nuzzled into a state of cat-induced euphoria. Even better, all the cats and kittens are rescued via animal welfare group Pussies Galore (brilliant name), so you can feel warm and fuzzy knowing that these little guys have been given a second lease on life.
It's a very specific genre — that'd be documentaries about Britney Spears, her life over the past 13-plus years under a conservatorship and her efforts to free herself from the arrangement — and it's about to hit viewers one more time. After Hulu's Framing Britney Spears quickly became everyone's must-see doco earlier in 2021, Netflix's Britney vs Spears is stepping back into the case. And, it'll be doing so very soon. Block out Tuesday, September 28 in your diary, as that's when the Erin Lee Carr (How To Fix a Drug Scandal, Dirty Money)-directed film will hit the streaming platform. If you watched its aforementioned predecessor, or you've paid any attention to news stories over the years, you'll know that Britney vs Spears will cover quite the tale — and Netflix has just dropped a trailer for the doco as well. "I just want my life back," says Britney in the sneak peek's first seconds. "I've worked my whole life. I don't owe these people anything," she continues. Since early 2008, when she was first put under a conservatorship, the pop star's choices haven't been her own — and that's an arrangement she's been fighting against for years, and the whole reason that the #FreeBritney movement has sprung up. Drawn from investigative journalism over several years, Britney vs Spears will explore Britney's life — both public and private — and her quest to be rid of the conservatorship. It also promises new documents and interviews, some of which are teased in the trailer. And, with Carr working alongside journalist Jenny Eliscu to unpack exactly what the situation has meant for Britney, who has been involved and what the star has been doing behind the scenes, it also charts her path from teen stardom to battling for legal autonomy. This year marks 23 years since '...Baby One More Time' rocketed up Australia's charts, and made sure that everyone in the country knew who Britney was. Before then, she'd been in the spotlight since her time on The All-New Mickey Mouse Club in the early 90s; however, it was that blockbuster pop song that truly catapulted her to megastar-level fame. In the decades since, the singer has enjoyed a slew of other hits, thanks to everything from 'Sometimes', '(You Drive Me) Crazy' and 'Oops!... I Did It Again' to 'Toxic', 'Everytime' and 'If U Seek Amy'. Yes, you now have at least one of these songs stuck in your head (or, let's be honest, a medley of all them). Britney vs Spears will also arrive on Netflix a day before the next court date in Britney's ongoing quest to end the conservatorship. Just yesterday, on Wednesday, September 22, one of her lawyers told a Los Angeles judge that he expects her conservatorship will finish "completely and inevitably" during the American fall. Check out the Britney vs Spears trailer below: Britney vs Spears will be available to stream via Netflix on Tuesday, September 28.
With a Game of Thrones prequel series on its way, and a new Lord of the Rings TV show as well, 2022 is shaping up to be a huge year for fantasy. From August onwards, you can expect your streaming queues to be full of the genre, in fact. Getting in before those two other certain hits: Netflix's The Sandman, which brings Neil Gaiman's graphic novels to the screen. The streaming service has just announced that The Sandman will drop on Friday, August 5 — and it has released a new teaser trailer, too, to get viewers excited. If this is your first interaction with Gaiman's's tale and the Dream King at its centre, prepare for a suitably dark and brooding blend of myth and fantasy. So, another characteristic entry in the genre. As first played out in comic books between 1989–1996, The Sandman combines contemporary fiction, historical drama and legend to tell the tale of the Dream King, who is also known as both Dream and Morpheus, and has power over all dreams and stories. Sweetbitter, Mary Shelley and Song to Song's Tom Sturridge takes on the key role, as the show dives into his character's efforts to mend his mistakes — both cosmic and human — after being held prisoner for a century. To do so, he must visit the people, places and timelines he's affected. In print, The Sandman hails from DC Comics — and, yes, beings with superpowers are at its core. Dream is part of the Endless, alongside Destiny, Death, Desire, Despair, Delirium and Destruction, because everything these days (and in the 90s, too) needs a squad of folks with otherworldly abilities. Also set to feature, cast-wise, are Game of Thrones stars Gwendoline Christie and Charles Dance — the former as Lucifer, ruler of hell — plus Vivienne Acheampong (The Witches), Boyd Holbrook (The Predator), Jenna Coleman (The Serpent), David Thewlis (Landscapers), Stephen Fry (The Dropout), Kirby Howell-Baptiste (The Good Place) and Joely Richardson (Color Out of Space). And, both Patton Oswalt (Gaslit) and Mark Hamill (Star Wars: Episode IX – The Rise of Skywalker) are involved as well, doing voice work. When The Sandman finally drops into your Netflix queue, it'll arrive after years of trying — both on the big and the small screens. Joseph Gordon-Levitt was once attached; however, that version didn't come to fruition. And the character of Lucifer has already scored its own series, but played by Tom Ellis (Isn't It Romantic). Check out the trailer for The Sandman below: The Sandman will start streaming via Netflix on Friday, August 5. Images: courtesy of Netflix.
70s-era porn, but make it a slasher flick: when Ti West's X marked the big-screen spot in 2022, that's one of the tricks it pulled. The playful, smart and gory horror standout also arrived with an extra spurt of good news, with West debuting it as part of a trilogy. 30s- and 40s-period technicolour, plus 50s musicals and melodramas, but splatter them with kills, genre thrills and ample blood spills: that's what the filmmaker behind cult favourites The House of the Devil and The Innkeepers now serves up with X prequel Pearl. Shot back to back with its predecessor, sharing mesmerising star Mia Goth (Emma), and co-written by her and West — penned during their two-week COVID-19 quarantine period getting into New Zealand to make the initial movie, in fact — it's a gleaming companion piece. It's also a savvy deepening and recontextualising of a must-see scary-movie franchise that's as much about desire, dreams and determination as notching up deaths. In one of her X roles, Goth was magnetic as aspiring adult-film actor Maxine Minx, a part she'll reprise in the trilogy's upcoming third instalment MaXXXine. As she proved first up and does again in Pearl, she plays nascent, yearning, shrewd and resolute with not just potency, but with a pivotal clash between fortitude and vulnerability; when one of Goth's youthful X Universe characters says that they're special or have the X factor, they do so with an astute blend of certainty, good ol' fashioned wishing and hoping, and naked self-convincing. This second effort's namesake, who Goth also brought to the screen in her elder years in X, wants to make it in the pictures, too. Looking to dance on her feet instead of horizontally, stardom is an escape (again), but Pearl's cruel mother Ruth (Tandi Wright, Creamerie), a religiously devout immigrant from Germany turned bitter from looking after her ailing husband (Mathew Sunderland, The Stranger), laughs at the idea. This franchise hones in women who know what they want, aren't afraid to attempt to get it and snap after their fantasies as hungrily as an alligator (handily, the Texan ranch that both films so far are set on sports a lake with a large ravenous reptile). That said, the X-Pearl-MaXXXine realm also focuses on women who aren't just one thing, not for a second — being adamant about what they'd like to with their lives included. That's a key reason why X and Pearl alike offer more than merely well-executed carnage, although they each deliver that in visceral spades. West's screenplays, no matter who he is or isn't scripting with, see innocence and insidiousness lurking in the same pools, and spot them with the same clear eyes. In Pearl, they see them peering out from the same peepers as well. Indeed, this saga unpacks the fine line between competing forces, impulses, emotions and outcomes whenever and however it can. One such conflict: the existence that Pearl is told she should be happy with versus the lure of being a chorus girl that she can't shake. Actually, to say that Ruth wants her to be content with her lot in life is overstating it: Pearl's mum doesn't care if her daughter finds any joy in dutiful drudgery. So, the young woman steals away to the local cinema when she can, where the projectionist (David Corenswet, We Own This City) screens the dancers that she wants to be. When they're alone — when she warms to a rare dose of attention — he also screens an early skin flick. And, at home, Pearl works through her sexual appetite with a scarecrow (The Wizard of Oz, this isn't) and her bloodlust by feeding farm animals to said gator. But it's news of auditions for a travelling dance revue, which she pledges to try out for with her sister-in-law Mitsy (Emma Jenkins-Purro, One of Us Is Lying), that truly gets her desires pumping. Like X before it, Pearl's narrative is deeply steeped in its chosen era. This time around, it's 1918 rather than six decades later — a choice of year that isn't just about the maths needed to link to X. As the COVID-19 pandemic ensured that everyone knows, influenza was wreaking havoc. In a detail that mightn't be as well known, it was first recorded just two states up from Pearl's homestead. Also, the First World War was still being waged until November. Pearl's life is touched by both, with sickness an ever-present worry in her town — face masks are sighted — and its men, her husband Howard (Alistair Sewell, The Power of the Dog) among them, off in combat. Confronted by life's grimness several times over, and by a persistent fantasy of breaking free, how's a repressed and downtrodden gal to cope? This one does so with murder and mayhem. Back in the 50s, Douglas Sirk made an art out of 'women's pictures', as they were derisively called — pictures that surveyed the emotional turmoil simmering within unfulfilled female protagonists, and understood how such complex inner chaos could be tied to the times, class and societal structures, and the expectations and restrictions placed upon the fairer sex. The legacy that films like All That Heaven Allows and Imitation of Life have left is immense, and Pearl slots right in beside everything that's followed in those footsteps. Sirk definitely didn't make slashers, though. Neither did Carol's Todd Haynes when he crafted 2002's wonderful Far From Heaven, a drama firmly in the Sirkian mould. West and Goth pay loving tribute to all that cinema has allowed in these past greats, while also getting savagely subversive; their portrait of Pearl's namesake is a horror movie and a tragedy. Pearl is glorious on both Goth and returning X cinematographer Eliot Rockett's parts, too, with a lead performance and a look that could've wowed audiences in the mid-20th century. Goth isn't just the feature's star — she's its pulse, with every electrifying change of mood, expression and pace, often within the same scene, rippling through the film like a gusty farmyard breeze. Rockett unsurprisingly adores staring her way, making Goth as sumptuous a sight as the saturated colour palette around her (not that the High Life, Suspiria and A Cure for Wellness talent needs any help). Composers Tyler Bates (the John Wick films) and Tim Williams (Brightburn) provide a sweeping orchestral score that's equally as rich, harking back to old Hollywood in its swelling notes. West, doing his own editing as he usually does, winks with his use of retro wipes and dissolves as much as the movie's title font. There's grit to this flick, of course, thanks to its devilish rampages and making-of-a-villain origin story, but this is indeed a gem.
If you weren't listening to Jonathan Boulet in '09 and missed the follow-up boat in 2012, there's a whole new Boulet chapter to wrap your ears around. With riff-heavy tracks that rarely skimp on the gnarl, the Sydneysider's sounds supersede your average post-punk howls — and his latest album Gubba proves he's only getting grimier. Boulet made his way into earholes Australia-wide with his self-titled 2009 LP, before giving hungry fans the highly-praised We Keep The Beat, Found the Sound, See the Need, Start The Heart three years later. Since then, he's shared stages with Mumford and Sons, Tame Impala and Kate Nash, done Splendour, Falls and SXSW, then last year he packed up, jetted off and found a new home in Berlin for a brief hiatus. Now the multi-instrumenalist is back, with a leather-laden Dad on one side and third LP Gubba on the other. The album's already been praised as brutal, sneering and showing new degrees of maturity — not in a "I pay my own rent, dammit," sense, but rather in terms of musical complexity. We had a chat to Boulet ahead of his nationwide tour about Gubba, the evolution of his unique sound and the coolest motorbike gang you might ever see. You've had a super busy 2014 so far with the release of Gubba, what's been a particular high? It's been a pretty good start, I reckon. Pretty energised and elated to have finished another album and have it out so quickly after the fact. I think just having this album released already is the high. It's only downhill from there. No, not really. Touring will be the only thing to trump the joy of having a new release. That and the cocaine. It's been two years since the release of We Keep the Beat, Found The Sound, See The Need, Start the Heart, does that mean Gubba has been a solid two year project? No way. Two years?! My attention span is not that durable. Only after we were completely done touring that last record, I started to consider what may or may not lie in the future. I had already been working on some riff ideas by the time we landed in Berlin, but most of them were thrown out and replaced by younger, tastier and more seductive riffs. Gubba is a hell of a sporadic album — it bounces from grizzly to get-up in a matter of tracks. Why do you think there is such a change of pace in Gubba from your previous works? I think that before I was attempting to write an album entirely consisting of singles. This time I had a lot of fun making small musical things, little ditties and such to help break up the consistently high levels of loudness. Whether they are effective in actually breaking up the album is completely irrelevant. When you started piecing together the tracks, was there any overall style or plan you were working towards? Initially, the plan was simply 'balls to the wall'. Energy. And it began to take shape in a rock context. After a while I learned that for something to sound loud, it needs to be next to something that is quiet. So I sought to introduce more depth, dynamics and points of interest. It all continued to blossom and flourish from there. https://youtube.com/watch?v=FOcziciUnr0 The Hold it Down clip is pretty solid — excellent ratio of leather-to-wrap-arounds. Tell us a bit about filming the clip. Is your dad really the star of the video? My good friend Jack Saltmiras filmed it with a bunch of our mates. And yes, my Dad is the mad dog in charge. He said after shooting the scene where he was doing burnouts and thrashing the bike, it started to run smoother than it ever had before. It's the coolest motorbike crew I've ever seen and I'd give anything to be in a gang like that. How do you think your decision to uproot and head abroad has influenced your music style? Do you think a change of scenery has had a pretty significant effect on this album? I don't think it has much at all to be honest. I think the change of scenery has had an effect on me as a person and therefore possibly that has effected the music. It's hard to say. I think I would have made the same thing whether I was in Australia, Berlin or Antarctica. Although, if I made it in Antarctica the album would be called, Fuck You, Cold. For those who've missed the boat on your other music projects, tell us a little about Top People and Snakeface. Do you have any other projects in the works at the moment? Top People is a project I do with Zacc Abbott-Atchinson (ex-Halal, How Are You? singer). It's basically slow, loud music with hilarious lyrical content. Good fun if you ever get the chance to come to a show, if we ever play another one. And Snakeface is what started as a thrash band that more and more of our friends have become involved in, up until we made the album Oberon. A punk band, with as many varying influences as it does members. If you are of the heavy music persuasion, I implore you to check out both. If you gave Gubba to someone to listen to for the first time, what would you hope they respond to or take away from it? I would hope they would frame the record, dip the framed record in gold, then compress the gold-dipped, framed record into a golden crystal to be worn around the neck and passed down from generation to generation until they forgot what it was actually made of, then pawned it for cash and bought a cheap puppy with the money. Gubba is out now via Popfrenzy. Jonathan Boulet National Tour Dates: Friday 15 August — Northcote Social Club, Melbourne Saturday 16 August — Pirie & Co Social Club, Adelaide Thursday 21 August — Goodgod Small Club, Sydney Thursday 28 August — Black Bear Lodge, Brisbane
Change keeps sweeping along Eagle Street, whether some parts of the CBD stretch are being torn down and replaced, new seafood restaurants have joined the area, or cascading bars are launching or relaunching. Next up at the prime Brisbane spot: unveiling Opa Bar + Mezze's renovations, which've given the venue's watering hole a makeover just as outdoor sipping season kicks in. The aim: to get Brisbanites exclaiming Opa's name in the bar side of its setup, while soaking in not only Story Bridge and Kangaroo Point Cliffs vistas, but also the new Santorini-inspired look and vibe. Just like being on holidays in Europe, spending prime spring and summer afternoons drinking with a view is also high on the venue's new agenda. In an open-plan space — and at spot that's been pouring beverages since 2021 — patrons will find both low and high seating, those killer views and, because this is the Sunshine State, an electric awning to provide shade. The tones splashed around the place are neutral and sleek. Think: seats lined with linen and white plaster walls with visible texture. To add colour, Opa's new bar fitout is using greenery. Amid the refreshed surroundings, the same menu remains on offer from 11am daily, including bar snacks such as ocean trout fritters, taramasalata, baby yiros and five different types of oysters — and brews, wine and cocktails to knock back. Head by from 4–6pm, however, and schooners will only cost you $7, select vino $8 and espresso martinis $12 during happy hour. "The bar reno extends Opa's casual al fresco dining offering out to the boardwalk, making it the perfect place to enjoy lowkey mezze and a signature cocktail or two," advises owner Michael Tassis, who is having a busy year. Fosh, his new Hamptons-inspired seafood restaurant with caviar bumps, opened at Portside in Hamilton in August. Over in West End, upscale steakhouse Rich & Rare launches on Thursday, September 28. The Tassis Group also already boasts Yamas Greek + Drink and Massimo in its stable, and has an overwater restaurant and bar Bombora and landing cafe Mulga Bill's on the way in 2024 as part of Kangaroo Point's new green bridge. Find Opa Bar + Mezze at 123 Eagle Street, Brisbane — open 11am–late daily.
Summer is behind us, winter is (almost) in full swing and the Easter chocolates are (mostly) forgotten, but that doesn't mean the part-tee is quite over. To keep the holiday feeling going, our favourite Pixar characters are popping up in Brisbane at a new mini golf course inspired by some of our favourite Disney films. After setting up its (temporary) home in Melbourne and Sydney earlier this year, the kidult-friendly course is now heading to King George Square from Friday, June 7 until Sunday, July 14. Designed to challenge both eight-year olds and adults, Pixar Putt features nine- and 18-hole courses that take you past childhood heroes like Buzz Lightyear, Sheriff Woody and Elastigirl. Hit a few balls with Darla and Marlin from Finding Nemo, and flick one past Princess Atta from A Bug's Life. No need for a trip to Disneyland. So, if you didn't beat your cousin at backyard cricket over the holidays, challenge them to a rematch at the Square in June. All you need is your hat and A-game (and no pressure if you remain defeated, there's always the nineteenth hole nearby). Pixar Putt is also open for after-dark sessions every Thursday, Friday and Saturday night — and they're only for adults. Running from 7–10pm, the post-work putt-putt hours are perfect for those date nights when you want to do more than just have dinner and see a movie. Pixar Putt is open from June 7–July 14, with tee-off times every 15 minutes between 10am–8pm, Monday–Wednesday; 10am–10pm, Thursday–Friday; 9am–10pm, Saturday; and 9am–8pm, Sunday. From 7–10pm on Thursday, Friday and Saturday nights, sessions are for adults only.
When it was announced back in 2016 that Moulin Rouge! was being turned into a stage musical, fans around the world thought the same thing in unison: the show must go on. Since then, the lavish production premiered in the US in 2018, then hit Broadway in 2019, and also announced that it'd head Down Under in 2021 — and if you're an Aussie worried about whether the latter would actually happen after 2020's chaos, it looks like the same mantra applies to its planned Melbourne season. Moulin Rouge! The Musical has put out a casting call for auditions in both Melbourne and Sydney in January and February 2021, with working towards June rehearsals and August previews part of its timeline. So, once the second half of next year hits, you could be watching the spectacular show — which is based on Baz Luhrmann's award-winning musical movie, of course — at Melbourne's revamped Regent Theatre. The musical brings to life the famed Belle Époque tale of young composer Christian and his heady romance with Satine, actress and star of the legendary Moulin Rouge cabaret. Set in the Montmartre Quarter of Paris, the film is known for its soundtrack, celebrating iconic tunes from across the past five decades. The stage show carries on the legacy, backing those favourites with even more hit songs that have been released in the 19 years since the movie premiered. And, when Moulin Rouge! The Musical makes its Aussie debut, it'll be doing so in the movie's 20th anniversary year. https://www.youtube.com/watch?v=p68Q1G1A_k4&feature=emb_logo The musical is heading to Melbourne in the hands of production company Global Creatures, along with the Victorian Government. The Government is also a big player behind the Regent's upgrade works, having dropped a cool $14.5 million towards the $19.4 million project. It co-owns the site, along with the City of Melbourne. While Moulin Rouge! The Musical's exact season dates haven't been revealed, you can register for the ticket waitlist via the production's website. Moulin Rouge! The Musical will hit The Regent Theatre, at 191 Collins Street, Melbourne in 2021 — with the show currently working towards an August 2021 kick-off date. To register for the ticket waitlist, head to the production's website. Moulin Rouge! The Musical image: Matthew Murphy.
Hold the phone everybody, there's huge news a-brewin' in the Sydney art world. Three of Sydney's biggest cultural institutions – the Art Gallery of New South Wales, Carriageworks and the Museum of Contemporary Art – have just announced a major, citywide new exhibition showcasing Australian art. Yep, just like the OG Transformers, all banding together for the good of Sydney. Positioned as a counterpoint to the Biennale of Sydney (to occur in the off-years), The National: New Australia Art will run over six years with three editions presented in 2017, 2019 and 2021. The program is planned to run over the three spaces and activate an art corridor running between Redfern, The Domain and Circular Quay. There'll be a focus on the works of emerging, mid-career and established Aussie artists — in fact this will be the only large-scale, multi-venue exhibition series in Sydney focused solely on contemporary Australian art. It's straight-up huge news for Sydney. We've seen the effect citywide installations and cultural programs can have on this fine city of ours, just head along to the Biennale this weekend to see for yourself. And the sole focus on Australian artists, with no hat tip at all to international context, is sure to help us forge a contemporary art identity that genuinely resonates with everyday Aussies. "The National: New Australian Art will chart the rich diversity of contemporary practice featuring artists that work in dialogue with other disciplines including performance, dance, music and screen," says Carriageworks director Lisa Havilah. "The project will make a significant investment in Australian artists through the extensive commissioning of new work that reflects contemporary Australia and our place in the world." Curators for the 2017 edition of The National: New Australian Art are Anneke Jaspers, Curator Contemporary Art and Wayne Tunnicliffe, Head Curator Australian Art, AGNSW; Lisa Havilah, Director and Nina Miall, Curator, Carriageworks; and Blair French, Director, Curatorial & Digital, MCA. Okay team, break. We've only got 12 months to plan appropriately artsy outfits. The first installation of The National: New Australian Art will kick off on March 20, 2017 and run until June 18, 2017.
Storytelling becomes the story in this darkly comic French drama. Smudging fiction and reality together in clever, self-aware meta-narratives has become little more than a cinematic cliche, but director François Ozon makes it ring true. Angelic, teenaged Claude (Ernst Umhauer) is both a black sheep and a lost lamb. Enraptured with the perfect family of his best friend Rapha (Bastien Ughetto) — middle class, cultureless and bored — he starts writing eloquent, yet pretty weird, short stories about them for French class. His soft-boiled, creepy observations mention things like "the singular scent of a middle-class woman" dripping off Rapha's mother. His disenchanted teacher, Germain (Fabrice Luchini), can't decide if Claude wants to belong to or destroy this newfound clan, but he's happy to finally have an engaged and talented student. And he's voyeuristically hooked by the sharply observed tales. Ozon (8 Women and Swimming Pool) is a director who likes his boundaries blurry and is skilled at making normality fascinating. As both Claude and Germain's longings become obsessions, the seam between the short stories and the real world of the film slips apart. My take? It's all real — it's the characters themselves who can't discern their inner desires from their outer lives. In the House has the slow-pulsing vertigo of a psychological thriller and the twists of an elaborate melodrama, but to reduce it to these labels seems glib. It's caustic and funny but never misanthropic, a study of the ways people actually live, rather than how we assume that they do. https://youtube.com/watch?v=eegoZpxQCzc
Among the many things that 2020 has taught us, adapting to sudden changes ranks near the top of the list. And, in Brisbane's music scene, a big shift is currently underway — with The Foundry announcing that it's wrapping up its stint at its current digs immediately, then relocating to new premises by the end of the year. It has been five years since The Foundry opened its doors inside The Elephant Hotel on Wickham Street in Fortitude Valley, with the space playing host to plenty of live tunes and music-themed parties in that period. But earlier this year, The Elephant was sold. Now the new owners have revealed their plans, sparking The Foundry's move. Just where The Foundry will next call home is yet to be announced, but it'll be staying in the Valley — and moving to a "bigger and better space" according to its Facebook announcement. At present, it expects to reopen this November. And in terms of upcoming gigs, it'll be moving them all over to the new location. https://www.facebook.com/TheFoundryBrisbane/posts/3821516067878138?__xts__[0]=68.ARBkpDzDLyHPCvg1ZrenNGN5suGGZBFl9KaIn-ZQVvbB7BDnJjba4W7cEITns0IjFw33WhjW0d5V3sIEyZF2B2KGrSBeziAZBWjJ_RQxxJdW5c2C0OjX5486iVRgyLkMKxps-ta5pf3hQ2EpiT-VY_K_7Y9KLAo-7Tguyr2k8VKRbm_uwmKxTI3EZb66c3roaAOfePQPcU-hwS_xCrWcUxDJyahTwr1KG4lsJO0q_Y-MS9PZCmH91WVEcKOD_jTXAQzJy1fDjzTH_UwKOzn4GRT92IYcQx0QeXTaBUkZaSk2-l5nVkQxUYTrEf6oUr_FGKxogV2wV8KUUaHNlxkh71kjbA&__tn__=-R Brisbanites will actually be saying goodbye not only to The Foundry at The Elephant, but to The Elephant in general, too. The site will continue to operate — after a refurbishment, with its main bar and beer garden now closed but Greaser remaining open — however it's changing its name. In fact, it's reverting back to its original moniker, The Prince Consort, which is what the the 132-year-old heritage-listed pub was initially called way back when. In its own Facebook post, the team behind The Elephant noted that, when it is back in full swing as The Prince Consort, live music will still be part of its offering — plus DJs and pub trivia. As for when that'll happen, that hasn't been advised either. But, as anyone who can remember when The Elephant was called The Elephant and Wheelbarrow will know, change isn't unusual in this part of town. The Foundry has shut its doors at 228 Wickham Street, and will move to a yet-to-be-revealed new Fortitude Valley site by the end of the year. For further details, keep an eye on its Facebook page. The Elephant Hotel has closed its main bar and beer garden for a revamp, and will relaunch as The Prince Consort at a yet-to-be-advised date. For further details, keep an eye on The Prince Consort's Facebook page as well. Top image: Kgbo via Wikimedia Commons.
UPDATE: JULY 1, 2020 — Due to worldwide cinema closures and other concerns around COVID-19, Tenet will no longer release on its initially scheduled date of Thursday, July 17, 2020. Instead, it will now release on Thursday, August 13. This article has been updated to reflect that change. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Every ten years, Christopher Nolan sends audiences on a wild journey. The Batman Begins, The Prestige and Interstellar filmmaker makes movies more often than that, but a decade seems to be how long it takes to indulge his weird and wonderful side. In 2000, that led to Memento, the film that helped bring the writer/director to broader attention. In 2010, Inception and its dreams within dreams were the end result. Now, come 2020, Nolan will be trifling with time and tasking BlacKkKlansman's John David Washington with trying to stop World War III, all in the trippy Tenet. Until now, little has been known about Tenet, other than its name, its release date — July 16, 2020 Down Under — and its cast. And while the just-dropped first trailer doesn't spill many of the film's secrets, it does paint a very intriguing picture. In fact, rumours trying to connect the film to Inception are already circling, just based on the two-minute sneak peek. Washington plays a spy, partnered with Robert Pattinson, who is trying to stave off something worse than a nuclear holocaust. He's also welcomed to the afterlife, told to start changing the way he sees the world and, in one scene, senses that a fight will take place before it happens. Things also move in reverse, stunts defy logic in more than just the usual action movie ways and Michael Caine pops up. And, in case you weren't already thinking of Inception anyway, the trailer is scored with an ominous, droning thrum. Tenet also features Australian actor Elizabeth Debicki (Widows), Harry Potter's Clémence Poésy, Aaron Taylor-Johnson (Avengers: Age of Ultron), Himesh Patel (Yesterday), Martin Donovan (Ant-Man) and Kenneth Branagh — with the latter also starring in Nolan's last film, the World War II epic Dunkirk. As for what else is in store in the filmmaker's 11th feature — other than dazzling visuals, an ambitious story and messing with viewers' heads in general — that's something Nolan isn't likely to give away until the film hits cinemas. Check out the trailer below: https://www.youtube.com/watch?v=LdOM0x0XDMo Tenet is slated to release in Australian cinemas on August 13, 2020. We'll update you if that changes again.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Brisbane is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Brisbane. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, try a sushi burrito, camp overlooking the ocean and unwind with jazz. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
You know that feeling where you're begrudgingly up before dawn only to have your heart warmed by a surprise sighting of a hot air balloon set against the sunrise? Well this one's for you — and if you haven't ever experienced such a dawn, this one is really for you. In April, the Canowindra International Balloon Challenge sees the skies above the historic central-west town come alive with the roar of burners and the kaleidoscope of colourful hot air balloons in the atmosphere. The full event takes place over a whole week in April, with official balloon competitions happening throughout the week. The comp involves a number of difficult tasks, the most entertaining of which is the key grab — the aim is to fly your balloon in to try and pluck a large novelty key from the top of a flagpole, with the winner receiving some major dollar bills. There'll also be a campfire cookout and concert on Anzac Day evening (25th April). The final Saturday night sees the Balloon Glow and Night Market, where balloon operators light up their burners in the dark and in time to music.
Surf's up this summer with the NSW Pro Surf Series. The circuit — which will stop off at four beautiful beaches along NSW's coastline — adds an additional four events to the World Surf League Qualifying Series. Seriously promising professional surfers will be taking to the green room to show off their style and skills in an aqua acrobatic show you won't want to miss. The Tweed Coast Pro — the second stop of the NSW Pro Surf Series — will take place at picturesque Cabarita Beach. The quaint coastal town is known for its excellent surfing conditions, so set up shop underneath a pandanus palm on the beach and get ready to watch surfers carve it up. Grab a post-show beer with a view at the Cabarita Beach Surf Life Saving Club, or treat yourself to a cocktail in the breeze at the gorgeous Halcyon House. If you're keen to follow the series along NSW's stunning coastline, other events will be taking place at Sydney's Maroubra Beach, Boomerang Beach and Avoca Beach across January, February and March. A summer road trip is good, but a summer road trip where you get to watch the next Mick Fannings and Layne Beachleys? Gnarly.
From the fresh warm homemade crusty bread served to us immediately upon entering the modern Roman bistro setting, to the moreish mini calzones with fresh sugo – this classic Italian establishment is a standout in the popular Emporium complex. The generous, hard working, passionate and super friendly Tony Percuoco is the proud owner of this establishment, his passion for food and art are visible in every corner of this sophisticated restaurant. Dishes are simple yet stylish and are more than adequate representations of what a typical Italian family would feast on. The nine-course degustation is highly recommended and a chance to sample Tartufo's delights such as the porchetta contadina, pork stuffed with herbs and served with sweet mustard fruits and carpaccio di manzo, cured beef tenderloin with horseradish mayo. A few glasses of smooth Italian vinos and half a glass of Sicilian dessert wine later, Tartufo's dishes are so well executed that you can still remember how each tastes. The impressive staff are meticulous about using the correct Italian pronunciation, as an Italian this is extremely appreciated and proof that Tartufo prides itself on keeping traditional flavours alive. Image: Alex Favali.
What starts with a race across New Zealand and ends with a contagious virus seeping through Sydney, but doesn't leave the warm and sunny climes of south-east Queensland? That'd be the Gold Coast Film Festival. All of the above forms part of the event's 2017 lineup from April 19 and 30 — plus a boat ride with Zoolander, surf flicks by the beach, Pulp Fiction in a taphouse, all-female horror, unnerving serial killer thrills, animated Swiss delights and the chance to walk in The Rock's footsteps. The rather eclectic program kicks off with Pork Pie, taking Boy's James Rolleston on a ride around NZ in a stolen car and remaking 1980 Kiwi classic Goodbye Pork Pie in the process. It's an amiable, affable, antic-riddled comedic adventure — just the kind of flick you want to see before heading to a party. Then, 12 days later, the world premiere of Aussie-made Event Zero wraps up the fest with something completely different. Here, detectives and politicians try to cope with a potentially deadly attack, with local veterans such as Zoe Carides and Nicholas Hope among the cast. In total, 32 features will screen at this year's GCFF, including four world, nine Australian and eight Queensland premieres. As well as watching Stephen Curry induce chills in festival circuit hit Hounds of Love, see the Oscar-nominated My Life as a Courgette manoeuvre clay and swell hearts, and talented filmmaking ladies unleash an anthology of scares with XX. Other movie standouts include Alliance Francaise French Film Festival highlight Planetarium, Finnish boxing romance and Cannes favourite The Happiest Day in the Life of Olli Maki, Indonesian action bonanza Headshot, playful Chilean poetry biopic Neruda and Australian artist-focused documentary Whitely. Or, viewers can opt to follow the stars courtesy of Jessica Chastain in the World War Two-set The Zookeeper's Wife, Emma Watson and Tom Hanks in tech thriller The Circle, and a voice cast that includes Lena Dunham and Jason Schwartzmann in animated effort My Entire High School Sinking into the Sea. Events-wise, in addition to watching classic movies on the water, in a brewery and on the sand, the program also includes a Gold Coast movie location tour, a trivia night, the chance to feature in your own film-themed gif, discussions about everything from working with animals on-screen to making the most of film fests, and a ceremony honouring Deborah Mailman as this year's Chauvel Award recipient. The Gold Coast Film Festival runs from April 19 to 30 at The Arts Centre Gold Coast and other venues on the Gold Coast. For more information and to buy tickets, visit the festival website.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Brisbane is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Brisbane. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, rally your mates for a round of trivia, go swimming on horseback and switch out your usual Sunday brekkie for a bao Benedict. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
Is this low-budget, low-key production Joss Whedon's post-Avengers campaign for cred as a Legit Indie Filmmaker? Much Ado About Nothing is Shakespeare's 1598 version of a rom-com, hauled mercilessly into 2013 with cocktails, cupcakes and a sensibility that's both verbose and slapstick. Our two lovers, Beatrice (Amy Acker) and Benedick (Alexis Denisof), are cluelessly star-crossed, blinded by their own pride and ego. Whether you find what plays out a tedious, self-financed pet project or an endearing contemporary translation will depend on your familiarity with the almost untouched original text and your appreciation/tolerance of Whedon universe in-jokes (like the Dollhouse set prop). The project was shot in 12 days at the end of Avengers production with a cast of usual Whedon suspects. It's a somewhat grinding change of gears from the Marvel machine, but in an age of relentless threequels, 3D fantasies and franchisable remakes, it's admirable to see a big-shot director get back to basics. Whedon does everything from writing the slightly cheesy score to staging the entire production in his LA mansion. It's shot in black and white, which seems to be an easy shorthand for self-declared serious independent directors lately, but Whedon makes it work. Just. Across all his various projects, this director's trademark is self-assuredness, and every frame of Much Ado About Nothing bounces with energy. It's as slick as you'd expect, if not a little forgettable, and definitely not daring. Then again, it's not meant to be: it's for Whedon's maniacal audience and for himself. The Elizabethan speech rarely totally flows, the modern setting jars and not all the actors convince. But the director's fondness for the typical Shakespearean preoccupations of hidden identity, destined love and thwarted revenge can't help but seep through. A frothy labour of love. https://youtube.com/watch?v=NZB5EBdKaMw
Brisbane's Gallery of Modern Art started 2023 by musing on air, with floating mirrored spheres, volcanic mounds, and dances between light and darkness to help. When the year comes to an end, it'll turn its attention to fairy tales, complete with twisted woodlands taking over the South Bank venue. In-between, GOMA is shining a spotlight on two Australian artists, Michael Zavros and eX de Medici, in a pair of exhibitions that feature everything from cars to blood swabs. eX de Medici: Beautiful Wickedness runs from Saturday, June 24–Monday, October 2, and is responsible for GOMA getting bloody. That's thanks to one of the Canberra-based artist and tattooist's early pieces, The Blood of Others, which features samples from eX de Medici's tattoo clients back in the 90s. In Beautiful Wickedness, the gallery harks back even further — four decades, in fact — to chart eX de Medici's ongoing exploration of life's fragility, death, greed, power, conflict and more. This is the most extensive retrospective to-date on the artist, spanning more than 100 works. Here, visitors can peer at watercolours; intricate botanical studies; ample works featuring flowers and skulls; large pieces that feature moths and weapons, and explore war's pointlessness; and even a bridal gown that takes its cues from Julie Andrews' dress in The Sound of Music. Images: installation views of Michael Zavros: The Favourite and eX de Medici: Beautiful Wickedness, Gallery of Modern Art, Brisbane, 2023. © Michael Zavros and eX de Medici / Photographs: Joe Ruckli © QAGOMA.
In as much as anyone can be one, Janette Sadik-Khan is an urban development rockstar. Spearheading the re-design of both New York City's transport system and the world-renowned Times Square public space, she is a global leader in her field. And, in speaking at this year's Velo-City conference in Adelaide, Sadik-Khan has offered some advice for Australian cities. Namely, our streets should be more like "living rooms" and — surprise, surprise — we definitely need better bike lanes. With six years under her belt as the Transportation Commissioner of New York City, this lady knows exactly what she's talking about. "Our streets are where we play and meet, kind of like the living rooms of New York," she told the crowd at Velo-City this week. Fighting a war against congestion, Sadik-Khan endeavoured to make New York's public spaces accessible for all — walkers, cyclists, drivers and those relying on public transport. In one of her biggest projects, last year she transformed Times Square into a communal pedestrian space with hundreds of fold-out chairs. It proved to be a huge win for businesses as well as the local community, and in fact shot the area into the top ten retail spaces in the world for the first time ever. In her trip down under, Sadik-Khan has praised cities such as Sydney, Adelaide and Auckland, stating that they seem to have a great deal of leadership at the local level. In fact in just this last week, Sydney has announced a new speed limit for their CBD in order to limit pedestrian accidents, and Melbourne City Council is considering the closure of many main streets in favour of an innovative new walking plan. However, the area all cities are lacking in is undoubtedly their facilities for cyclists. Sadik-Khan claims we must invest in better bike lanes and sustainable bike-share programs. Though many of our major cities have such programs in place, they're understandably not functioning as well as they could. With car doorings a regular occurrence, and animosity towards cyclists at an all-time high, it's clear more can be done. Of course, New York is far from the perfect example. I personally would be terrified to ride my bike through the main city streets and I don't think the local cabbies would be happy to share the road with me either. But it's undoubtedly a beacon of hope. With your feet up on a deck chair in the middle of an NYC icon, you can't help but think something's gone right. Via ABC. Photo credit: hadsie via photopin cc and cuellar via photopin cc.
