You shouldn't really need an excuse to celebrate Australia's vibrant music scene, but it's nice to have one. Enter Woolly Mammoth and 4ZZZ. They're bringing together local and national musicians with their annual, boutique, one-night music festival, Happyfest. Since 2012, 4ZZZ's Happyfest has sported a collection of up-and-comers who've since gone on to conquer international music circuits — namely Blank Realm, Lost Animals, Kirin J Callinan and Bitch Prefect. This year they've snagged Sydney rockers Tees, plus locals Girlsuck, Bad Bangers, Low Dive, Sex Drive, Bloodletter, Madboots and Teva. And if you're a fan of the latter, it'll be his last Brissie show before he moves down south. Happyfest kicks off at 7.30pm on November 12, with $15 entry for the general public and $10 for 4ZZZ members. Image: Jeff Andersen Jnr.
In 2003, Aaron Eckhart starred in a film called Paycheck. That's not even a joke, it actually happened. It's pretty much the acting equivalent of ending a relationship and then sleeping with someone whose name is literally 'Rebound'. But then came Thank You for Smoking, followed by Batman Begins. All of a sudden, Eckhart was credible. He was bankable. He was Harvey Dent — the very best of us. Symbolically, if he were to fail, what hope was there for anyone else? Well, having just seen I, Frankenstein, the answer is apparently 'none'. So give up now. The Joker won. It's hopeless. It's...it's all just so hopeless. Here's the story. We pick up the action where Mary Shelley saw fit to end it: with Frankenstein dead and his monster wandering the countryside lonely and without purpose. Then some demons try to capture him, whereupon some gargoyles come to life and save him. As it turns out, that little back and forth was just round #45,678,001,235 in one of those 'secret wars that's been fought for millennia without man's knowledge yet could very well decide the fate of all mankind' kind of things. And now Frankenstein's monster is caught right in the middle of it: still lonely, still angry and almost certainly itchy from all those stitches. And that's the story. Good versus evil. Statue versus demon. Miranda Otto versus Bill Nighy. At one point, Otto has to deliver the line "I am Queen of the Gargoyle League", immediately capturing the 'je ne sais quoi' of paycheck movies and prompting memories of a theme-park-river-stoned Lisa Simpson. As Frankenstein's monster, Eckhart looks suitably buff and menacing, though his performance is so drab and monotone it robs the film of any semblance of fun. Nighy, at least, remains a delight to watch as the Satan-esque villain Naberius, whilst Aussie actor Jai Courtney phones in a 'hey, check out my guns' performance as Otto's bodyguard Gideon. The action is the only thing that keeps I, Frankenstein rolling along with any pace, but even that's just one CGI light show after another, and none aside from the first are of any real note. Ultimately, this is an animated corpse of a film about a reanimated one, so either save your money or buy a turkey, sew a vibrator inside of it and watch that roll around for 90 minutes instead. https://youtube.com/watch?v=pxOSPfUw3qw
A film festival that brings the best and brightest new Japanese movies to Australian cinemas each year is a film festival to cherish. Also ace: a film fest that features a solely digital lineup of flicks and TV shows from Japan that you can check out from your couch. So, while it isn't time for the IRL Japanese Film Festival for 2024 yet — it last hit locations around the country across September–November 2023 — the Japanese Film Festival Online will keep you entertained come winter. Both fests serve up a handy way to view the latest and greatest Japanese fare without hopping on a plane, but only the online version lets you do so from home. Running from Wednesday, June 5–Wednesday, July 3, 2024's version will feature 23 films and two TV dramas, the latter serving up 20 episodes. And, you'll be able to check out for four Japanese horror shorts, too, all of which initially debuted in 2023 at the first-ever Horror Film Competition in Japan. The other big drawcard: Japanese Film Festival Online screens its program for free. Accordingly, this lineup won't test your budget, whether you're keen on I Am What I Am, which stars Drive My Car's Toko Miura; Anime Supremacy!, about a new director and a hotshot facing off while making their own competing anime; Single8, a Steven Spielberg (The Fabelmans)-influenced picture about Star Wars-loving teens making their own movie; or classic anime Kimba the White Lion from 1966. Film lovers will be catching the movies on the program between Wednesday, June 5–Wednesday, June 19. Fellow feature options include Father of the Milky Way Railroad, a biopic about poet and novelist Kenji Miyazawa; magazine drama Kiba: The Fangs of Fiction; Baby Assassins, where teen assassins are forced to give up the murderous life; and The Handsome Suit, about a magical outfit. TV fans will be tuning in from Wednesday, June 19–Wednesday, July 3, with 2017's Rikuoh starring Kôji Yakusho (Perfect Days), and stepping inside a traditional Japanese sock company — and 2015's Downtown Rocket based on Shitamachi Rocket novels about an ex-aerospace researcher who leads a factor that he inherited. While you won't pay a thing to watch, you do still need to register via the fest's website. Won't be in Australia at the time? The fest is available in 27 countries. "JFF Online 2024 is not just a film festival; it's a cultural bridge connecting fans of Japanese cinema across the globe," said The Japan Foundation in Sydney's Manisay Oudomvilay. "From the comforts of your home, you can traverse a wide array of genres — from heartfelt dramas and engaging documentaries to captivating anime stories. This festival celebrates the breadth and diversity of Japanese storytelling." "Our lineup includes films that challenge the norms, explore deep human connections, and celebrate the artistry of both seasoned and emerging Japanese filmmakers. We invite cinema lovers and Japanophiles alike from around the world to join us in this unique virtual celebration of Japanese cinematic artistry," continued Manisay. The 2024 Japanese Film Festival Online runs from Wednesday, June 5–Wednesday, July 3. For more information and to register to watch, visit the festival website. Top images: Single8 Film Partners / Jun Ikeido, TBS / Kenji Yamamoto / Anime Supremacy! The Movie Production Committee.
Brisbane's family-owned Italian bakery does a damn good selection of authentic Italian treats. It first opened in New Farm in 2003, and since moved to Ashgrove and expanded to three locations around the city. The pastry chefs bake breads, cakes and pastries daily and one of our favourites is the cannoli. The Sicilian classic comes in three flavours: vanilla crema, chocolate crema or creamy ricotta. And at $1.35 a pop (for a mini) it would be a crime to not try this tasty and wallet-friendly delicacy. Photo: Carla Nichiata/Getty Images.
No one can know for certain what tomorrow will bring; however, the tales told on screens big and small, and through games and comics as well, have delivered plenty of visions of what might come. Will androids dream of electric sheep? Will a Keanu Reeves (John Wick: Chapter 4)-voiced rock star and terrorist make their presence known? Will Afrofuturist technologies transform life as we know it? These are some of the future possibilities conjured up by beloved pop-culture titles — and they're all part of the Australian Centre for the Moving Image's just-announced world-premiere exhibition The Future & Other Fictions as well. Displaying at the Melbourne screen museum across Thursday, November 28, 2024–Sunday, April 27, 2025, taking pride of place as its big summer showcase, The Future & Other Fictions is a love letter to and deep dive into futuristic storytelling. More than 180 works will be on display, including from Blade Runner 2049, Black Panther: Wakanda Forever, Cyberpunk 2077 and The Creator. Saltsea Chronicles, comic series NEOMAD and Björk's music video 'The Gate': they're all also featured. Before he was just Ken, Ryan Gosling (The Fall Guy) starred in the 35-years-later sequel to Blade Runner — and before he brought Dune and Dune: Part Two to the screen, Denis Villeneuve directed Blade Runner 2049. The Future & Other Fictions lets attendees follow in their footsteps via miniature sets, which are one of the exhibition's definite must-sees. Black Panther: Wakanda Forever gets the nod thanks to Academy Award-winning costumes by Ruth E Carter, while sketches from NEOMAD also feature — as do concept art from The Creator, Cyberpunk 2077 and Saltsea Chronicles. This showcase isn't just about well-known renderings of the future, though, thanks to work by Olalekan Jeyifous, Osheen Siva and Tāgata Moana art collective Pacific Sisters. Plus, via new commissions, DJ Hannah Brontë has her own take, and so does Liam Young and Natasha Wanganeen (Limbo). [caption id="attachment_974744" align="alignnone" width="1920"] Andrew Thomas Huang[/caption] As it celebrates how screens imagine the years ahead via its array of artwork, sets, props and scripts — alongside clips, costumes and original design materials, too — The Future & Other Fictions also features a film season focusing on Björk, complete with Björk: Biophilia Live on the lineup. "This exhibition reminds us that the way we imagine the future is shaped by popular film, TV shows and videogames. Many alternative visions of the future can and do exist," explains ACMI Director and CEO Seb Chan. "From two-time Academy Award-winning costume designer Ruth E Carter to Italian fashion designer Alessandro Michele; New Zealand's renowned special effects studio Wētā Workshop to the Pilbara's own Love Punks. We hope that visitors leave optimistic about what might be possible — and find hope in designing the futures we need." [caption id="attachment_877485" align="alignnone" width="1920"] Marvel Studios. © 2022 MARVEL.[/caption] [caption id="attachment_974749" align="alignnone" width="1920"] Mahia Te Kore[/caption] [caption id="attachment_920309" align="alignnone" width="1920"] 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.[/caption] [caption id="attachment_974745" align="alignnone" width="1920"] Andrew Thomas Huang[/caption] [caption id="attachment_974750" align="alignnone" width="1920"] Mahia Te Kore[/caption] The Future & Other Fictions will display at ACMI, Federation Square, Melbourne, from Thursday, November 28, 2024–Sunday, April 27, 2025. Head to the venue's website for more details.
Sigur Rós are the kind of band you can love even though you can’t understand the language they sing in. Maybe that's why people love them? Who knows - I don’t want to ruin their special aura by questioning it. Regardless of their fans adoration, they’ve actually been on hiatus since 2009. Before they left us broken hearted, Sigor Rós let Vincent Morisset film two of their final shows at Alexandra Palace in London for a documentary and thus, Inni was born. A celebration of the band’s talent and discography, it is equal parts hypnotic and entertaining. This doco was premiered at the 2011 Venice International Film Festival, so it has a high amount of credibility as well. Inni was purposely shot and re-shot in black and white, on 16mm film through different prisms and views in order to create a certain atmosphere that encourages viewers to enter the world of Sigur Rós. The track listing of the documentary also heavily features their earlier work, and partly acts as an introduction to the band. Keeping the atmosphere alive, the only venue in Brisbane to have screenings of Inni is GoMA. They’re also very big on exclusivity, offering only two screenings of this masterpiece and considering they are free, you better not waste any time getting there.
When winter begins to thaw, with leaves growing back on trees and flowers coming into full bloom, we want to celebrate the warmer weather and the world's annual rebirth. And, come September, Australia's biggest festival of spring will roll around. Now in its 34th year, Floriade will once again fill Canberra's Commonwealth Park with more than one million blooms. But this month-long flower festival is more than just smelling the tulips. After a successful introduction last year which saw more than 80 community groups plant a stunning tulip trail through Canberra's suburbs, the Floriade Community initiative will return with an additional 300,000 bulbs and annuals available. While you're in town, you may as well take the time to check out Canberra's best microbreweries, cafes and cultural hotspots, too. Start looking at accomodation ASAP. [caption id="attachment_736041" align="alignnone" width="1920"] Martin Ollman Photography[/caption] Top image: VisitCanberra
Fancy seeing one of Brisbane's most popular spaces in a completely new light? Or, to be more accurate, with different lights flickering over the top of its lush greenery? As every home renovation-focused TV show has told us time and time again, a splash of colour can make a world of difference — and, at Roma Street Parklands' Enchanted Garden, it can turn an already picturesque space into a bright, festive wonderland. While this is a family-friendly affair running from Friday, November 29 to Friday, December 13 as part of the city's Christmas fun, don't go expecting the kind of setup that you've been ignoring on every street corner in Brissie's suburbs. Lights will twinkle and decorations will sparkle; however, this isn't a tacky DIY display. Nope, not at all. That said, a word of warning: people love glittering lights, so prepare for crowds. The brightness will dazzle from 6–9.30pm (with last entry at 9.15pm) and, if you're organised enough, you can always pack a picnic, arrive early and enjoy dinner beforehand. Plus, you can BYO drinks to one of the few public places that allows them in our fair town — although Roma Street Parklands' licensed areas are only licensed until 8pm. Food trucks will also be onsite if you don't get around to taking care of your own nosh.
It has been a big few months for Brisbane establishments keen to brag about the friends they keep. Every second new place seems to end their name with the "& Co" suffix, and while it might swap out an ampersand for a plus sign, Kin + Co is the latest to join the mix. That's where the Teneriffe cafe stops adhering to type, though, with its décor sparse and shiny, and its all-day breakfast menu as varied and exciting as it gets. In the former, you'll find a minimalist space as perfect for a mid-morning catchup as it is for a lunch meeting. In the latter, you'll find old favourites given new twists. Fancy your breakfast burger with candied bacon? Or your mayonnaise spruced up with lemon and avocado or Sriracha? Or your milkshakes served on almond milk and available in fig and honey, vanilla bean and Oreo varieties? How about a slice of French toast with topped with torched bananas, crème patisserie, salted caramel sauce and edible flowers? Whoever you head to Kin + Co with, thanks to their food, you'll always be in good company.
Humanity has come far since literally hunting for food our main way of sourcing nourishment; however that doesn't mean that searching for something tasty to eat has become a thing of the past. Thankfully, that's where Modern Hunter comes in. If you're looking for a healthy, high quality or different bite, you'll find it on their menu. Tucked into Gresham Lane in the Brisbane CBD, the pocket-sized cafe serves up a mean salad, which is a great first reason to add it to your weekday rotation. Think pear, lentils, gorgonzola, walnuts, pickled beets, quinoa, spinach, cheddar, sweet potato, brown rice, edamame, orange, parmesan roasted cauliflower... the list goes on. The second great reason springs from the kind of selection that's certain to satisfy whatever craving you're having at any given moment. Keen on protein? Try the roasted pork belly on a roll, in a salad or as a slab — or some gin-cured salmon. Hankering for something familiar, but fancier? Then give a hot duck pie a whirl. Those after a pick-me-up can opt for house-made vegan-friendly muesli bars, while anyone buzzing for something sweet can choose from cinnamon doughnuts, house-baked banana bread, dark chocolate brownies, custard-filled profiteroles and more. Drinks-wise, sip on one of Modern Hunter's homemade iced teas in lemon black or green tea and apple flavours, or grab a cup of hot or chilled Veneziano coffee.
For the third time in seven days, the Australian Government has introduced new restrictions on non-essential mass gatherings. On Friday, March 13, a ban on outdoor mass gatherings over 500 people was introduced, and was followed by a ban on non-essential indoor events of over 100 people on Wednesday, March 18. The latest, announced this afternoon, Friday, March 20, by Prime Minister Scott Morrison concerns non-essential indoor events of less than 100 people. A limit of one person per four square metres has been recommended by the Australian Government and Chief Health Minister. Airports, public transport, age care, correctional facilities, law courts, parliaments, food markets, supermarkets, office buildings, factories, mining sites, hotels, motels, schools, universities and transit spots — such as Bourke Street Mall, Martin Place — are considered 'essential', but cafes, pubs, nightclubs, restaurants, bars and cinemas (ones that are not already closed) will need to adhere to the new limits, the Prime Minister has today revealed. It's not clear how and if these limits will be enforced, but it's likely many venues will need to introduce new limits on capacity. With hospitality venues across the country closing and becoming takeaway-only already, it's also likely these new restrictions will lead to even more closing their doors, at least temporarily. The Prime Minister has also encouraged essential gatherings to adhere to the new guidelines, saying if it's done so more broadly we have a greater chance of "flattening the curve" (the term adapted for reducing the exponential spread of COVID-19, as shown by this graph). He has also, once again, pressed Australians to practise social distancing. It's predicted the above measures will be in place for "at least the next six months". For now, the bans on non-essential gatherings are in place indefinitely. A limit on one person per four square metres is now recommended for all non-essential indoor gatherings of fewer than 100 people. The Australia-wide bans on non-essential indoor gatherings of more than 100 people on non-essential outdoor events of more than 500 people are still in place. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Kitti Gould
Maybe you were planning to do your Christmas shopping in the CBD this year, and had a stop at Brisbane Arcade on your agenda. Perhaps your present-buying strategy just involves seeing what's on offer in the Queen Street Mall — amid all the festive hustle and bustle, obviously. For the third year in a row, there's an option that involves all of the above: the Brisbane Arcade Christmas Markets. That's when, for two big days, the Brisbane Arcade spills out onto the mall to fill it full of seasonal markets showcasing designer wares, fashion, gifts, accessories and other goodies (for your loved ones or for yourself). In 2022, the QSM takeover is happening from 10am–7pm on Friday, December 2 and 10am–4pm on Saturday, December 3. So, you can stop by after work during late-night shopping or make a day of it. The markets usually involve tunes — 'tis the season — and photo opportunities, and you can obviously still wander through the arcade to check out its latest festive decorations.
Dread doesn't get enough credit. It's the emotion of worried anticipation and, as unpleasant and unsettling as it may be, it's the backbone of any truly unnerving horror movie. While startling bumps might elicit momentary jumps, spending an entire film in a state of distress is another experience entirely. Unravelling the struggles of a family wrestling with loss, trauma and unexplained events, Hereditary serves up more than a few well-executed shocks — but it's the picture's unrelenting mood of apprehension and anxiety that marks Ari Aster's debut feature as a disturbing, discomforting masterpiece. Hereditary begins with a piece of text that no one likes to read: a funeral notice for the Graham family matriarch. Yet as the deceased's relatives prepare for the service, only 13-year-old Charlie (Milly Shapiro) appears visibly upset. If her mum Annie (Toni Collette) bears any sorrow about the passing of her own mother, it's channelled into the miniature dioramas she's busy handcrafting — recreations of her sprawling forest-adjacent house and events from her everyday life, including the dearly departed's final days. Still, all isn't particularly well in the slowly disintegrating Graham household. There's distance between Annie and her psychiatrist husband Steve (Gabriel Byrne), while teenage son Peter (Alex Wolff) is happier smoking joints between his high school classes than interacting with his family. If the story so far sounds like a routine drama, that's Aster's wheelhouse in a way. In acclaimed short films Munchausen and The Strange Thing About the Johnsons, the writer-director probed the problems that reside behind blood ties — only to take seemingly commonplace scenarios, and then up the ante in a provocative and unexpected manner. In Hereditary, he plagues the movie's protagonists with weird occurrences, including strange words etched into walls, odd flashes of light, upsetting strangers and alarming seances. He is making a horror film, after all. But more than that, Aster doubles down on tragedy, stretches the characters' emotional limits and heightens their psychological strain, trapping the Grahams in a situation devoid of hope, escape or choice. There's a reason that one of the movie's most pivotal scenes, involving Annie unburdening her pain to a support group, expands upon the family's history of mental stress. As we've already mentioned, all of the above mightn't sound overly revolutionary, especially if you've seen Rosemary's Baby, The Shining or The Babadook, three films Hereditary recalls in the best possible fashion. In the same vein as many supernatural spookfests, the involvement of a mysterious woman (Ann Dowd) who tries to help Annie with her grief mightn't sound unusual either. But in a movie that embraces the bleakness of life, and the way that grimness can feel like an unshakeable curse, it's how Hereditary tells its sinister tale that lifts the picture well beyond standard scary territory. If Annie's tiny creations appear painstaking and precise, they've got nothing on Aster's level of meticulousness. Thanks to roaming, grey-hued cinematography, every frame of the film bristles with unease. Courtesy of a score heavy on saxophone and percussion, every sound rattles the nerves. And, with the movie taking the slow-burning approach to an intense and insidious extreme, dwelling in the Grahams' unhappy existence is a fist-clenching, teeth-grinding exercise in deep-seeded tension. One of the year's best flicks — frightening or otherwise —Hereditary has another trick up its sleeve. It's not a huge twist or an especially terrifying moment, although the film contains both. Simply put, the movie wouldn't and couldn't be the powerhouse factory of dread that it is without Collette. The Australian actor played with all things unnerving back in The Sixth Sense, but now haunts this picture like a woman possessed with a lifetime's worth of worry, fear and anger. While Shapiro and Wolff also play their parts to perfection, Collette's expressive face couldn't encapsulate Hereditary's horrors better. When she reacts with fright, pain, anxiety and terror, so does the audience. Keen to know more about this terrifying flick? We went behind the scenes with Hereditary director Ari Aster. https://www.youtube.com/watch?v=3__y-uPwbe8
UPDATE, March 18, 2022: Spencer is available to stream via Prime Video. With two-plus decades as an actor to her name, Kristen Stewart hasn't spent her career as a candle in the wind. Her flame has both blazed and flickered since her first uncredited big-screen role in The Flintstones in Viva Rock Vegas but, by Elton John's definition, she's always known where to cling to. After jumping from child star to Twilight heroine and then one of the savviest talents of her generation, she's gleaned where to let her haunting gaze stare so piercingly that it lights up celluloid again and again, too. Spencer joins Stewart's resume after weighty parts in Clouds of Sils Maria, Personal Shopper, Certain Women and Seberg, and has her do something she's long done magnificently: let a world of pain and uncertainty seep quietly from her entire being. The new regal drama should do just that, of course, given its subject — but saying that director Pablo Larraín has cast his Diana well, pitch-perfect head tilt and all, is a royal understatement. Larraín also trusts himself well, making the kind of movie he's made three times now — not that Jackie, Ema and Spencer are carbon copies — and knowing that he does it phenomenally. Both essaying real-life figures and imagining fictional characters, the Chilean filmmaker keeps being drawn to tales about formidable women. His eponymous ladies could all be called strong female leads, but Larraín's features unpack what strength really means in various lights. Like her predecessors in the director's filmography, Diana faces searing traumas, plus ordinary and extraordinary struggles. She scorches away tradition, and values letting her own bulb shine bright over being stuck in others' shadows. Viewers know how this story will end, though, not that Spencer covers it, and Larraín is just as exceptional at showing how Diana's candle started to burn out. The year is 1991, the time is Christmas and the place is the Queen's (Stella Gonet, Breeders) Sandringham Estate, where the Windsors converge for the holidays (yes, Spencer is now prime seasonal viewing). As scripted by Peaky Blinders and Locked Down's Steven Knight, the choice of period puts Diana in one of the most precarious situations of her then decade-long married life, with her nuptials to Prince Charles (Jack Farthing, The Lost Daughter) turning into an "amicable separation" within 12 months. Spencer's focus is on three days, not all that defined the People's Princess' existence before or after, but she can't stop contemplating her past and future. The Sandringham grounds include the house where Diana was born, and those happier recollections — and time spent now with her children (debutants Jack Nielen and Freddie Spry) — give her a glow. Alas, all the monarchical scrutiny simmers her joy to ashes, unsurprisingly. Larraín is one of today's great detail-oriented filmmakers, a fact that glimmers in his approach to Spencer — and did in Jackie, too. Both character studies let snapshots speak volumes about broader lives and the bigger narratives around them, including when poised as "a fable from a true tragedy" as the title card notes here. 'Poised' is one word for this fictionalised imagining of real events, which builds its dramas in an immaculate chamber, lets heated emotions bounce around as it tears into privilege and power, and allows audiences to extrapolate from the meticulous minutiae. Specific tidbits are oh-so-telling, such as the demand that Sandringham's guests hit the scales upon arrival and leaving, their weight gains deemed a sign of how much they enjoyed themselves. Bolder flourishes are just as exacting, like the way the place is lensed to make the Princess of Wales resemble a doll being toyed with in a playhouse, as well as a Jack Torrance substitute trapped in her own Overlook Hotel The Shining-style. Often boldly and claustrophobically ominous in its vibe and visuals, and deliberately so — as equerry Major Alistair Gregory, overseer of every move made at the estate, Timothy Spall (The Last Bus) perfects the eerie mood — Spencer can be called a horror film and the label fits. Terror, distress, contempt and cruelty are all part of Diana's Sandringham experience, the first two emanating from the former Lady Spencer and the latter pair frequently flung her way. This is a slice-of-life biopic as well, obviously, and also a Princess of Wales time capsule thanks to its exquisite staging and costuming. Larraín does leap into lingering memories occasionally, which lets the movie survey an array of its central figure's famed outfits with a keen eye. The appearance of things, be it her crumbling marriage or herself, is the key tenet she's being told to uphold, after all — but the decreed version decided by others, not her own, down to dictating exactly what she's permitted to wear and when. Spencer's nightmare of not being able to be one's self, especially under an unyielding spotlight, sees Diana's inner turmoil manifest in multiple ways. Her bulimia and self-harming speak of tainting appearances, and forcefully; her hallucinations of fellow ill-fated royal Anne Boleyn and her general anxiety make her fragile emotional state plain. She's introduced getting lost en route, then earning ire for being late, rebellious and just someone the Windsors must deal with — and the anguish that Stewart wears like a second skin is given ample origins. Spencer's magnetic lead portrayal is smartly underplayed, though, even as the heft of Diana's evident woes, and fight for survival amid the ghosts of history, fame and expectation, fills rooms. In fact, Stewart is all the more powerful for her fine-tuned vulnerability and introspection than something bigger would've been, as past examples have shown. The Crown has done Diana well so far, but the less remembered about 2013's Naomi Watts-starring Diana, the better. Every technical choice on Larraín's part beams brightly, too — or, if dim, it's by design. Spencer looks the grey 90s British drama picture, with cinematographer Claire Mathon (Portrait of a Lady on Fire) baking in grey tones even when the hue isn't visible. Continuing to do stellar things with tension-dripping film scores, Radiohead's Jonny Greenwood adds this in alongside The Power of the Dog to his recent standouts. Spencer does capture warm moments, including sympathetic rapports with some estate staff (with compelling turns from The Shape of Water's Sally Hawkins and The Green Knight's Sean Harris, both ever-reliable), but it also ensures that the rarity of such exchanges in Diana's life is heartbreakingly clear. The upbeat 80s single "All I Need Is a Miracle" might set a glorious closing note, but this is always an equally bold and sensitive — and enthralling — portrait of England's rose wilting not from the sunlight she craves, but from the royal inferno.
The flash mob has become synonymous with making a statement, a bold one at that. It isn't everyday that a group of people randomly assembles in a public place to perform a silly choreographed dance number, so on the rare occasion a flash mob does take over the streets, passersby pay attention. American Airlines took advantage of this increasingly popular public display to make a statement of their own. The airline broke away from traditional methods of advertising and organised a flash mob at the U.S. Bank Plaza in downtown Los Angeles to promote the launch of their new flight services. The performance began with a single man dancing past a father and his daughter, and he was soon joined by 40 dancers descending the steps of the public plaza. After shocking onlookers with their meticulously choreographed routine, the mob created the American Airlines logo with their travel bags above their heads and then nonchalantly dispersed. Few things grab attention quicker than a flash mob, but this form of marketing has surely been done to death. And what are the new services that this quirky advertisement was meant to showcase? The airline now offers daily non-stop flights from LAX to Shanghai as well additional flights to nine new U.S. destinations. https://youtube.com/watch?v=a_w0lX3NIOk
Brisbane band Orphans Orphans are the platypus of the Brisbane music scene. They're made up of five talents from different local bands, and when you put them together, it's kind of weird and wacky, but on some strange level, it works. Composed of Sam Hales (The Jungle Giants), Lewis Stephenson (The Belligerents), Spencer White (Morning Harvey), Aidan Moore (Moses Gunn Collective) and Steve Kempnich (audio engineer and former touring member of Last Dinosaurs and Millions), Orphans Orphans have set themselves up to be the next big thing in Queensland music and they're proving it song by song. Their debut EP What's a Boy S'Posed to Do was released last September, and they've been playing shows across Brisbane as both supports and headliners since they got together. Now, to celebrate how good they've got it going on, Orphans Orphans will be playing at The Brightside on Friday, March 27. They'll be supported by The Family Jordan and local youngster The Missing.
The BrisStyle team is a rather busy bunch, putting on markets around Brisbane with frequency. If you're particularly after a treasure trove of handmade goodies — and who isn't? — then you'll want to hit up its opportunity to browse and buy that's dedicated to exactly those kinds of objects. Fashion, art, jewellery, homewares — if someone's been using their nimble fingers to make it, then you can probably trade your hard-earned cash for their hard work. In fact, there'll be more than 50 artisans selling their wares. And, while you're shopping, you'll also be able to grab a bite at the onsite cafe and listen to live tunes from local musos. The Handmade Markets always take place on Saturdays, so mark Saturday, October 7 and Saturday, November 4 in your calendar now. Head along from 9am–2pm, with it all taking place in the Queensland Museum's whale mall. Images: BrisStyle. Updated: September 19.
Whether for a drink, a bite to eat, a stint at the casino or to spend the night, heading to Treasury Brisbane has always involved heading to two neighbouring George Street spots. Until this November, that is — with the inner-city venue branching out to a third location perched over the Brisbane river. Called Will & Flow, the new bar will mark Treasury's first off-site location, although it won't be far from its casino and adjacent hotel. Brisbanites can expect to mosey down to the Queen's Wharf precinct, where the overwater watering hole will sit between the QUT Gardens Point CityCat stop and the Goodwill Bridge. The site will serve up drinks and food, and host events — all with views over the river to South Bank. Both indoor and outdoor seating will be a feature, and the latter is likely to be mighty popular. That said, in line with current social-distancing requirements, visitors won't have too much company to start with, with the bar catering to 45 seated patrons or up to 70 standing up cocktail-style when it launches. While we know Will & Flow's exact opening date (November 20), its menu details are yet to be revealed; however, it will be doing coffees during the day and cocktails after work. The overwater bar is the second to open in Brisbane's inner city in the past couple of years, following Mr Percival's over at Howard Smith Wharves — aka the last big new precinct to open its doors. Find Will & Flow in the Queen's Wharf precinct, between the QUT Gardens Point CityCat stop and the Goodwill Bridge, from Friday, November 20. Images: renders of Will & Flow.
You would be fool to complain about the growing number of periodical, musical showcases popping up in Brisbane, especially when the latest one's line up is tastier than a Caxton Street kebab. Hobo Town isn’t as nearly as stingy, strange and smelly as it’s name might suggest – it holds a line up of impressive bands, so good they’ve got records, but so underground you won’t find them on Piratebay. Gravel Samwidge – those guys who’ve been around since 1989 and drilling their mark into the national music scene for more than two decades – will be providing sounds you don’t want to fall asleep to. Well worked Lovely Legs will be breaking hearts and sound barriers, next to The Dangermen, Stink Bugs and The Wrong Man. An added bonus – there’ll be pop up shops between crowds of fans, so get in quick to do your Christmas shopping. Word on the street is all your Grandma wants for Christmas this year is a hug and Gravel Samwidge’s new LP – make your spot on The Will worth it.
No matter which day of the week it falls on, ANZAC Day is a day of significance. It's also a day of thinking about the past, tossing coins into the air and throwing back cold ones — remembering Australia and New Zealand's military war efforts both then and now, and savouring the things worth fighting for. Whether getting up early to attend official events is your thing, or enjoying a few brews with friends is more your style, there's a way to mark the occasion to suit everyone. To help you decide, here's our round-up of the best things to do in Brisbane. Eating ANZAC biscuits isn't one of them, but we suggest you do that anyway. Attend an ANZAC Day Dawn Service More than a century ago, ANZAC forces landed at Gallipoli on April 25. Sacrificing sleep to honour their sacrifice is the least we can do to mark the occasion. In the CBD, the Brisbane ANZAC Day Dawn Service kicks off at 4.28am at the Shrine of Remembrance in ANZAC Square, timed to come to a close just as the sun rises — and there'll be no tickets or restrictions on access. As always, it includes the laying of wreaths, the sounding of the Last Post and the observance of one minute's silence — and if you can't make it into the thick of the action, both dawn and morning services are also happening at plenty of places around town. Head Along to the ANZAC Day Parade Since the first ANZAC Day parade in 1916, Brisbane has come out in force to pay their respects to past and present servicemen and women — and this year won't be any different. At 9.45am, the procession starts on the corner of George and Elizabeth streets, making its way through the city's roadways. As always, finding a spot along Adelaide Street will give you the best vantage point; however, the parade will also be broadcast on ABC if you can't make it along. Play a National Sport: Two-Up It's the only day of the year that two-up is legal, so plenty of pubs will be throwing coins into the air to see which way they fall. That includes The Boundary in West End, where the doors open at 10am and there'll also be live entertainment — and The Regatta, where you can check out its pop-up food stalls and bars, start flinging currency from 1pm and listen to live music. It's also doing a dawn breakfast from 5am Similarly getting in on the action: The Osbourne, with doors open from 11am. There'll be a bugle performance of 'The Last Post' just before 2pm, and the rest of the tunes start at 6pm. And, you can sip from karma kegs, with proceeds going to Brothers 'n' Books. And, fellow Fortitude Valley venue The Prince Consort is starting its commemorations at 1pm, which is when the two-up kicks off. Plus, menu-wise, a sausage sizzle, steak and cheese pies, and ANZAC biscuits are on offer. [caption id="attachment_897942" align="alignnone" width="1920"] Jared Vethaak[/caption] Spend the Day Hanging Out by the River Fancy pairing all those flung-about coins with a cruisy day by the river? Then you have a couple of options. The first: head to Howard Smith Wharves from 12pm for the Felons' ANZAC Day event, which will let beer-loving patrons mark the day with two-up and beers. Attendees can also expect to see historical cars on display throughout the precinct, especially if you spend the day hanging out on the brewery lawn — and donate to the folks from the City-New Farm RSL, who'll be on hand all day. Or, Eagle Street's Riverbar & Kitchen is getting in on the action. There'll also be brews, views and two-up here, plus live music. And, a portion of funds from every Balter purchased will go to Legacy Australia. Watch a National Sport It's the day that stops the nation; however, there's still a sporting component to ANZAC Day. Whichever code of football you prefer — AFL or NRL — you'll be able to combine sinking a few brews with watching some of the year's big matches on the screens at Brisbane's pubs. In Aussie Rules, it's normally all about black, red and white on April 25 each year as Essendon take on Collingwood as usual in their annual berth, which kicks off at 3.20pm. But, for some Friday-night footy, 2025 is also delivering a game between Fremantle and Adelaide at 8.10pm. Rugby fans can catch the traditional clash between St George Illawarra Dragons and the Sydney Roosters at 4pm, with the Newcastle Knights and New Zealand Warriors also hitting the field the same day, at 6.05pm, then the Melbourne Storm and South Sydney Rabbitohs at 8.10pm. Tuck Into a Limited-Edition ANZAC Day Pastry If you like flaky pastries, the folks at Lune Croissanterie have probably already won over your tastebuds. There's a great reason for that — their regular wares are next-tier, and its special one-offs are even better. For the month of April, Lune has whipped up something particularly enticing in the second category: ANZAKAs, aka sweet and salty caramelised kouign-amann made with a classic ANZAC biscuit dough inside, then tossed in brown sugar. It's available at the brand's South Brisbane and Brisbane CBD outposts. [caption id="attachment_817186" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Enjoy a Much-Deserved Nature Fix Public holidays don't come around every weekend — and if you'd like to spend this one making the most of the great outdoors, Brisbane certainly isn't short on options. Soak up some nature while stretching your legs on one of these scenic hikes within 50 kilometres of the city. Or, for something a little more challenging, tackle one of these mountain hikes near Brissie. And, because Brisbane is both cool enough for caves and warm enough for river swims in April, you can pop them on your agenda as well.
In 2015, Brisbane celebrated the arrival of a new film festival. In 2016, the boutique, curated fest doubled in size. Marking its third year in 2017, Queensland Film Festival is back and once again bigger than ever, serving up an 11-day cinema showcase complete with 62 features and shorts, including 46 Australian premieres. Taking place from July 13 to 23, QFF 2017 boasts straight-from-Cannes hits, local flicks, tributes to Australian hits and a festival-first collaboration with Brisbane's Gallery of Modern Art, in what's shaping up to be a feast of filmic fun. Indeed, the event kicks off with Hong Sang-soo's Claire's Camera, which doesn't only hit Brisbane fresh from the biggest film fest in the world, but is set there as well, starring this year's Oscar nominee Isabelle Huppert. Bookending the fest is Gillian Armstrong's 1982 comedy-musical Starstruck, with the iconic Aussie director in attendance. In between, the lineup of films — which will largely screen at QFF's long-term home of New Farm Cinemas — will deliver the kind of eclectic array of international cinema that you won't see elsewhere in Brisbane. That includes the Kristen Stewart-starring Certain Women, which hasn't hit the city's screens despite a release down south, as well as Robert Pattinson at his very best in crime thriller Good Time. https://www.youtube.com/watch?v=AVyGCxHZ_Ko Hong Sang-soo pops up again with Berlinale best actress winner On the Beach Alone at Night, Amat Escalante's The Untamed will gift attendees a slice of erotic alien social realism (yes, that's a thing), and, after showing his murder mystery mini-series P'tit Quinquin in 2015, Bruno Dumont's musical Jeannette: The Childhood of Joan of Arc comes to QFF from Cannes Director's Fortnight. If you've spotted a musical trend, you're right — and a retrospective screening of Chantal Akerman's Golden Eighties, plus '80s-infused mermaid camp cabaret The Lure, are also among this year's QFF highlights. Other standouts include enlivening fireworks documentary Brimstone & Glory, Raoul Peck's must-see race relations doco I Am Not Your Negro, and queer romance The Ornithologist, as well as Japanese auteur Sion Sono up to his over-the-top tricks with Antiporno, cult-focused sci-fi/horror The Endless, provocative terrorist thriller Nocturama, and Grace, Who Waits Alone, the debut feature from Brisbane's own Georgia Temple. In addition to a shorts session at the Institute of Modern Art, and an editing panel and screening at QUT, the festival will also serve up a four-film focus on Czech filmmaker Juraj Herz at GOMA. Cinephiles, prepare for a busy July.
Outdoor clothing brand Merrell wants your photos to stitch together the world's largest panoramic photo. You can be a part of it by uploading your geo-tagged shots of the outdoors to the Add Your Own Scenery website where they are pinned to a virtual globe, or you can just browse others' photos and see what things look like in their neck of the woods. As well as inspiring people to get and share their love of the outdoors with others, the project has a philanthropic purpose: for every photo uploaded Merrell will donate $1 to a range of conservation groups, up to their target total of $250,000. Unfortunately only residents of the US, UK and Canada are eligible for the prizes on offer, but sharing your favourite part of nature with the rest of the world to help conserve it should be reward enough! [via PSFK]
That super long weekend felt good. You want another, and suddenly you're aware of how much leave you've managed to accrue. Planning your next break? While we're all about the awesomeness that Sydney has to offer, we have plenty of time for our southern sister too. From iconic rock venues and hidden cocktail gems to a far stretching food culture and enviable variety of record stores, there's always somewhere to be and something to do. Here's just a few of our top picks. 'Feed Me, Seymour.' Sonido! 69 Gertrude Street, Fitzroy (Map) Run by Santiago and Carolina Villamizar, a young Colombian couple, Sonido! is an awesome place to hang out. Naturally, the coffee is amazing and the food is even better. Get an empanada or the ropa vieja arepas and follow it up with a Brazilian cocada, or just sip an Inca Kola while you flick through the retro South American records stacked by the turntable. Swing by Chiquitica too, the new art space at Sonido!, dedicated to artworks that focus on South America. Handsome Steve's House of Refreshment Abbotsford Convent (Map) Steve Miller – Moodist, W.Minc co-founder and Geelong Cats fanatic – is a such a quintessentially Melbourne character, so it seems fitting that he'd set out to revive the quintessentially Melbourne 'wog bar', “where men played cards, smoked, watched TV and drank tiny cups of coffee or VB at quarter to nine in the morning.” The food's simple and tasty, the coffee's good and cheap and there's no bullshit to be had, nor would any be allowed. He'll seem sullen at first, but Steve's a sweetheart – more so if you're a Cats fan too. Head to the Convent then look around for the yellow umbrella. You'll find the place eventually. White Rabbit Record Bar 176 Bellair St, Kensington (Map) Decorated throughout in blue and white, the walls adorned with mirrors and lovely little ceramic rabbits, White Rabbit Record Bar has a vibe of casual elegance. While most of the space is dedicated to records, the main appeal here is in the gorgeous leafy courtyard. Share the antipasto plate with friends while you contemplate the intimidating cocktail list - the Mad Hatter (coriander vodka, wasabi, tomato juice and cucumber) could scare off any hangover. Or contribute to a new one. Yellow Bird Cafe 22 Chapel St, Windsor (Map) Owned by drummer Clint Hyndman, Yellow Bird's a great spot for a simple brunch or an evening beer. Get a spot inside to appreciate the rock 'n' roll blockmounted posters on sale (like Powder Monkeys, The Saints and Radio Birdman, from memory) while enjoying the Death Benedict - poached eggs, bacon and hollandaise on hash browns. Calorie counts are for sooks anyhow. 'One Bourbon, One Scotch, One Beer.' The Tote 67-71 Johnston Street, Collingwood (Map) So legendary is the Tote that when it closed its doors last year due to the pressures of restrictive licensing laws, thousands took to the street to protest. Though it looked unlikely at times, the Tote reopened under new management and continues to provide a home to both new and heritage acts. Step down into the pit before the stage or hang around in the front bar for a pot; just don't select Television's 'Marquee Moon' on the jukebox – the bar staff called a moratorium on it after too many plays. Yah Yahs 99 Smith Street, Fitzroy (Map) Entry to Yah Yahs is usually free, so it's handy if you're after a drink before dinner on one of Smith Street's bazillion restaurants, want to see the band, or just want to rage on after other places have closed. Score a booth seat as soon as one becomes available; they'll be hot property as the drinks continue to sink. Cherry Bar 103 Flinders Lane, Melbourne, Corner of AC/DC Lane (Map) What happens at Cherry Bar stays at Cherry Bar. Located in AC/DC Lane and owned by Bill Walsh of the Cosmic Psychos, Cherry Bar is a good, unpretentious rock bar with plenty of dark corners. See the bands then keep going until sunrise with a roster of local DJs. Don't request any Nickelback or you will be ejected. New Gold Mountain Levels 1 & 2, 21 Liverpool St, Melbourne (Map) If you can find New Gold Mountain it's a reward in itself – if you're beneath the bike on the wall, you're there. The drinks are identified only by number, which can make things tricky (read: fun surprises) after you've had a few of them, and they're talking points in themselves. We only wish we could remember the number of divine cocktail that came in two glasses, designed to be consumed in alternating sips, but by that point an entire algebra problem had been downed. 24 Moons End of AC/DC Lane, Melbourne (Map) Owner Simon Digby decided the two year lease on the club at the end of AC/DC Lane would be enough, hence the name. Nothing of the interior is permanently attached (though we had to be told this – there's nothing slapdash in its appearance), and everything can be easily removed when the time comes. Be sure to get in soon – we forgot to ask how much of the lease had already elasped, and you'll want to try the Charlie Chaplin cocktail at least once before it's gone. 'Right Round, Baby. Right Round.' Northside Records 236 Gertrude St, Fitzroy (Map) It's not all rock 'n' roll, nor should it be. Head to Northside for the best range of jazz, funk, soul, hip hop, dub, disco and boogaloo in the whole city. Make sure you chat to Chris Gill, the enthusiastic and afroed owner, who's also behind Diggin' Melbourne: a Tour Guide for Vinyl Record Lovers, too. His passion is utterly contagious. Pure Pop 221 Barkly Street, St Kilda (Map) An indie music haven in sunny St Kilda, Pure Pop is the best place to spend a summer afternoon. Previously, you could wander through the store and bag some rare vinyl before grabbing a cider out the back for a live gig at the small outdoor stage. These days, the gigs are inside (hopefully temporarily), so y'know, don't make things worse by being a dick while entering and leaving. Say hi to owner Dave Stevens if you see him, too; he's one of nature's gentlemen. Missing Link 405 Bourke Street, Melbourne (Map) One of Melbourne's longest running independent music stores, Missing Link is an institution. Not only can you pore over the rarities or stock up on old punk singles, you can also grab the latest from independent and small scale local labels not available in most bricks and mortar stores. Remember to wear a watch or you could lose days in there, and make sure you pick up the latest issue of Stained Sheets, too. Off the Hip 381 Flinders Lane, Melbourne (Map) Both a store and label, Off the Hip promises the best in Australian garage, power pop and rock 'n' roll. With the label roster ranging from the Pink Fits (RIP) to Johnny Casino and the Secrets, Wrong Turn and The Frowning Clouds, the variety of the store's wares is unquestionable, and so too is the quality. Cherry Bar pic by Carbie Warbie/Yellow Bird and Northside pics from their respective websites.
Cheese wheel pasta will never stop being delicious. Cooking up everyone's favourite Italian staple, stirring it through a huge circle of melting dairy and then devouring the results — what's not to love? But, sometimes, even the best concepts need a little shakeup. In Salt Meats Cheese's case, it's now serving up cheese wheel risotto as well. Every Wednesday night is now Cheese Wheel Risotto Night at SMC's South Bank digs. The basic mechanics remain the same; however instead of whisking through spaghetti, linguine or some other type of pasta, SMC's chefs will be popping some arborio rice into a huge wheel of cheese. And, they'll be serving it to you at your table. There are three flavours to choose from — smoked cheese, truffle pecorino and gorgonzola — which sounds like a great excuse to have multiple helpings, or to head back multiple times. Feel hungry just thinking about it? The supremely cheesy meal will only set you back $25.
'Madchester' pioneers the Happy Mondays have just announced an Australian tour — the first time that the original lineup of one of the most influential bands of their generation have made it all the way Down Under. Alongside bands like New Order and the Stone Roses, Happy Mondays were key to the development of the Madchester sound that defined the early '90s and revitalised English music, rescuing it from the ignominy of Spandau Ballet and Duran Duran. Fusing traditional pop elements with funk, northern soul and acid house, Happy Mondays were the poster band for the explosion of rave culture in the UK and released two iconic albums — Bummed and Pills 'n' Thrills and Bellyaches — that remain essential listening today. Supporting them will be fellow Madchester icons 808 State for a special DJ set. Formed in Manchester in 1988 by Graham Massey, Martin Price and Gerald Simpson, 808 State's first album, Newbuild, is now regarded as a milestone in UK electronica. As the NME observed, "808 State revolutionised a whole genre of music in the late-'80s, inspiring Underworld, Orbital and the Chemical Brothers in the process." Happy Mondays Australian 2013 Tour Dates Wed 5 June – Metropolis, Fremantle - tickets via www.oztix.com.au, www.heatseeker.com.au Thu 6 June – The Palace, Melbourne - tickets via www.ticketek.com.au, www.oztix.com.au Fri 7 June – The Tivoli, Brisbane - tickets via www.ticketek.com.au Mon 10 June - UNSW Roundhouse, Sydney - tickets via www.ticketek.com.au
The point of difference is right there in the name: at ΩHM (pronounced "ohm") Festival of Other Music, genre-defying, boundary-pushing, cutting-edge and pioneering tunes — and the artists behind them — are in the spotlight. 2025 marks the third year that Brisbane Powerhouse is putting on the fest, following the event's 2023 debut and first return in 2024. To celebrate, expect everyone from King Stingray to The 5.6.7.8's, plus the largest neuro-inclusive silent disco that the River City has ever seen as well. One of the New Farm venue's annual celebrations alongside the Brisbane Comedy Festival and queer cultural festival MELT, ΩHM has a date with Lamington Street across Friday, February 28–Saturday, March 22, 2025. While the program extends across the three-week-plus period, heading along on opening weekend is recommended — that's when Bonny Light Horseman is kicking things off, Camerata — Queensland's Chamber Orchestra wants you to de-stress at its hour-long meditation concert 'Interludes', documentary Becoming Led Zeppelin is gracing the big screen at Dendy Powerhouse Outdoor Cinema and the Sound Space Silent Disco will get you dancing. If those first four events on the bill across ΩHM's initial three days seem like an eclectic mix — folk tunes, music to bliss out too, celebrating an iconic band through film under the stars and making shapes — that's this festival's approach. From there, patrons can catch Toby Wren take to the stage to mark the launch of his seventh album Songs for Dead Sailors, then see Camille O'Sullivan's pay tribute to Shane McGowan and Sinead O'Connor in her new show Loveletter, plus Nigerien rockers Etran de L'Aïr do their best. They might be scheduled for the fest's final weekend, but boasting Tokyo's The 5.6.7.8's — who everyone should remember from Quentin Tarantino's Kill Bill — and Australia's own King Stingray on the closing lineup sets the stage for quite the ΩHM 2025 finale. This is a program filled with highlights — and the aforementioned Sound Space Silent Disco is one of biggest. It isn't every day that Brisbane Powerhouse's entire Powerhouse Theatre hosts a DJ-soundtracked party that's all about inclusion and accessibility, not only featuring a dance floor but also sensory-friendly activities outside in the venue's foyer. So, while DJ KSMBA, Update Prayer and folks from Brisbane's Quivr will be spinning tunes, attendees can also create music with unconventional objects, help make a community soundscape and take part in sound-free experiences. Ωhm Festival of Other Music 2025 Lineup Bonny Light Horseman Camerata Sound Space Silent Disco Camille O'Sullivan Etran de L'Aïr The 5.6.7.8's King Stingray Toby Wren Becoming Led Zeppelin ΩHM images: Somefx.
Feel like you already need a vacation to get over your yet-to-start Christmas vacation? As merry and jolly as the festive season is, all that fun, shopping, eating, drinking and partying in such a short space of time can have that impact. So, if that's your current vibe, you're not alone. And thanks to Jetstar, you can now make cheap post-Christmas holiday plans — as in $39 for domestic fares and $175 for international flights cheap, and to The Whitsundays, Byron Bay, the Gold Coast, Japan, Hawaii, Thailand, Bali and more. The Australian airline has just launched its 'post-Chrissy recovery' sale — and yes, technically it's a pre-Christmas post-Chrissy recovery' sale given the timing. Whatever you want to call it, it's an excuse to grab that suitcase and get excited about the getaway that'll help you recover from Christmas. Running from 12am AEDT on Thursday, December 8 till 11.59pm AEDT on Monday, December 12— or until sold out, if everything gets snapped up earlier — the sale's list of destinations is impressive just like the supremely affordable prices. Those starting fares cover Sydney to Byron Bay (from $39) and Sydney to Auckland (from $175), but the full list includes Brisbane to Proserpine from $59, Melbourne to the Gold Coast from $49, Cairns to Osaka from $259 and the Gold Coast to Tokyo from $299. Also on offer: Melbourne to Bali from $199, Melbourne to Phuket from $219, Sydney to Ho Chi Minh City from $195 and Sydney to Honolulu from $229. Yes, the list goes on. You will need to be happy to wait till around mid-2023 for your post-Christmas vacation, however. Dates for sale flights vary depending on the departure and arrival points, but expect to travel between early May and mid-September. There are a few rules, as is always the case. All sale fares are one-way, and they don't include checked baggage — so you'll need to travel super light or pay extra to take a suitcase. But, if you're a Club Jetstar member, you'll get the jump on the sale — with access from 12pm AEDT on Wednesday, December 7 until midnight. Jetstar's 'post-Chrissy recovery' sale runs from 12am AEDT on Thursday, December 8 till 11.59pm AEDT on Monday, December 12— or until sold out, if snapped up earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Sydney WorldPride is bringing the party to town. Not only will it see our country's best gay clubs, bars and party spaces come to life but the celebrations will flow throughout galleries and art spaces, museums (hello Pride Shark!), boutiques, public parks, rainbow roads, and the sails of the Opera House. Our editors have picked their favourite Sydney WorldPride events but we've also enlisted a few locals to share some of the less obvious spots to celebrate. Enter Alex Greenwich. The Independent MP is a proud gay man and has used his public platform to push for equality and LGBTQIA+ rights throughout his career. For WorldPride, he's swapped his signature casual suit and shirt for a tuxedo exploding with green tulle in an installation hosted in the hallowed halls of the QVB. Alex is among a lineup of queer Australian legends currently being honoured for their contributions to the LGBTQIA+ community. The retail centre is temporarily changing up its name from the Queen Victoria Building to reflect each of these contemporary queens with a set of fabulous portraits befitting of any royalty on display shot by photographer Dream Syndicator. The queens in focus are trans icon and cabaret star Carlotta, queer activist Ken Davis (a member of the original Mardi Gras 78ers), Indigenous drag queen Felicia Foxx, and Alex along with Janine Middleton who, together, co-chaired Australian Equality and successfully fought for and helped achieve marriage equality in Australia. Who better than MP Greenwich — whose office is literally in the middle of Oxford Street — to give a few tips on where to go during Sydney WorldPride? And if you bump into him in a bar, he'll take a tequila and soda, thanks darl. What do you think about Sydney hosting WorldPride this year? "Sydney hosting WorldPride is such a great opportunity to showcase our city and diverse community to the whole world. During covid Sydney missed the world and the world missed Sydney and Sydney WorldPride is a nice way to welcome back the rest of the world. Sydney has the most beautiful and diverse welcoming LGBTQIA+ community and I'm grateful to be part of that community. I'm also grateful to have the opportunity to represent that community in parliament." If someone spies Alex Greenwich at a club or bar (and WorldPride is bringing to life some of the best), what drink should they buy you? (And what topic should they NEVER bring up?) "If I'm in a club, tequila and soda will probably be the drink of choice. I don't know about a topic that I wouldn't want some to bring up... I'll talk about any topic." What are the best queer venues in Sydney in your opinion? "I think there's such a great variety of queer venues in Sydney. I love Stonewall. The re-opening of ARQ is awesome. POOF DOOF at Kinsella's and smaller venues like Dulcies in the Cross." [caption id="attachment_679716" align="alignnone" width="1920"] The iconic Stonewall on Oxford Street[/caption] What are some of the best spots where an international visitor should go on a first-date during Pride? "There's so many great spots in Sydney to choose from. What I would say is to go to a swimming hole like the new cove in Barangaroo, grab food from a mini deli like Darlinghurst Deli and stop by a bottle shop, and go for a picnic and a swim." Where do you like having a late-night dinner or snack? "Chinatown is always a great destination for a late night dinner." Which local LGBTQIA+ owned businesses do you like to support? The great thing with Sydney is there are so many LGBTQIA+ owned businesses to support. I try to support them all but Claire's Kitchen on Oxford Street is an iconic dinner destination. What events are you most excited about for Mardi Gras and WorldPride? And what are the events you would say are not-to-be-missed? "I'm most excited for the Pride March Harbour Bridge Crossing . It will be historic and an opportunity to send a strong message about supporting LGBTQIA+ rights. I'm also looking forward to the Mardi Gras parade and marching in it again, the First Nations Gala at the Opera House, and the Opening Ceremony." [caption id="attachment_892180" align="alignnone" width="1920"] Miss First Nations perform at the First Nations Gala[/caption] Finally, Alex: how important is Kylie Minogue? "Kylie is obviously an icon of Australia and a strong supporter of the community and it's so wonderful that she is joining us for the celebration." For more inspiration for how to make the most of this once-in-a-lifetime celebration head to our events guide on the best of Sydney WorldPride.
How did Charlton Kenneth Jeffrey Howard become one of the biggest Australian musicians around the world right now? Attend SXSW Sydney in 2024 and you'll find out. The singer-songwriter better known as The Kid LAROI is the latest addition to the event's constantly growing lineup, in a key spot: the 'Stay', 'Without You', 'Thousand Miles', 'Love Again' and 'Girls' talent has been revealed as the fest's music keynote speaker for this year. In 2023, Chance The Rapper did the honours. SXSW Sydney isn't skimping on big names, clearly. On Saturday, October 19, 2024 at the ICC Sydney Theatre, expect The Kid LAROI to step through his career journey so far, from Redfern to streaming superstardom — and also what his future holds. The Kid LAROI postponing his Australian tour to this spring from February 2024 has worked out well for SXSW Sydney, then. As part of the event, he'll also help develop professional development workshops and performance opportunities for Waterloo and Redfern's First Nations communities. After he's chatted about his career to SXSW Sydney's patrons, The Kid LAROI will embark upon a seven-city Australian tour in support of his debut studio album The First Time. On the itinerary: HOTA, Home of the Arts on the Gold Coast, Brisbane Entertainment Centre, Commbank Stadium in Sydney, Perth's RAC Arena, Adelaide Entertainment Centre, MyState Bank Arena in Hobart and Melbourne's Rod Laver Arena. Migos frontman Quavo and Sydney's own ONEFOUR are also on the bill everywhere except the Gold Coast and Hobart. [caption id="attachment_926206" align="alignnone" width="1920"] Adam Kargenian[/caption] SXSW Sydney's 2024 lineup just keeps expanding, after Lucy Lawless, Grace Tame and Tim Minchin — plus sports stars Nick Kyrgios and Noémie Fox, playwright Suzie Miller, former Bangarra Dance Theatre Artistic Director Stephen Page and more — also joined the program to round out August. Set to take place across Monday, October 14–Sunday, October 20 dates, the event began revealing its program back in May, which was just the beginning. Another announcement arrived in June, then not one, not two, but three more in July — and also another, focusing on the free hub at Tumbalong Park, at the beginning of August. Then came more music acts and speakers, still in August. SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues. Head to the SXSW Sydney website for further details.
Whether you're looking for hangover relief, or just want to keep the party going, New Year's Day is the perfect chance do absolutely everything or nothing at all in Brisbane. You could binge on Hungry Jacks and strike out three New Year's resolutions in doing so, or stroll triumphantly down the other path and kickstart your shiny new 2015 self. Both seem pretty appealing (if we're being honest here), but if you're really stuck for something to do on New Year's Day, here's a few ideas to start 2015 with a bang. THE TRIFFID'S NEW YEAR'S SOLUTION Since opening this year, The Triffid has been breaking the music venue norm. Now, they're even fronting the hangover for you, opening the doors for a music-heavy New Year's Day celebration. Australian indie rock lads The Cairos will making the commute from Woodford Folk Festival to the Triffid stage to reboot your dusty, dusty head. Brisbane four-piece Baskervillain, banjo-wielding blues maestro Karl S. Williams and harmony-infused trio Avaberee will hit the aircraft carrier stage as well. This is an afternoon event that kicks off at 2pm, and rounds up at 10pm, with tickets $10 at the door. 9 Stratton Street, Newstead NEW YEAR'S DAY AT STOKEHOUSE If you've done New Year's well, you'll find yourself in that shaky state that craves Gatorade, Berocca and Dorito-crusted Dominos pizza. But it's a new year, and you can do better than that. Stokehouse is keeping the beats, beers and burgers flowing in their Stoke Bar for the entire afternoon of January 1. Set yourself up for a great 2015 with delicious food, solid music and the company you want by your side to ride the year out. Book in advance. Sidon Street, South Bank EATON HILL HOTEL NEW YEAR'S DAY FOAM PARTY Massage a throbbing headache with throbbing bass; the Eaton Hill Hotel has pulled together a full-on drum and bass lineup for their New Year's Day Foam Party. The Stafford Brothers, Joel Fletcher, Timmy Trumpet and Havana Brown are headlining, so expect all your club chart hits while the foam flies. Foam-wise, expect it by the truckload — it's going to be pretty impossible to leave without being drenched by bubbles. Needless to say, don't go parading any of your expensive Christmas get-ups to this party; the expected combination of moshpit-induced sweat and foam will have crowds sopping. 646 S Pine Rd, Brendale NEW YEAR'S DAY RACES If you've played your cards right, you may have post-NYD Friday off for an extra long weekend — or have the willpower to call in sick at least. Back your New Year's Eve up with an even wilder New Year's Day at the races. The annual NYD races at Doomben promises to be a fierce one, with fascinators and fillies kicking off 2015. Don't go into this halfheartedly — between all the stressful pacing and trying to improvise race-horse speak, you need all the energy (read: bubbly) you can get to be on your game. Let loose. Doomben Racecourse, Doomben WINDOW SHOPPING While not exactly a NYD party, this is one for the truly fragile. These are the last few days to lap up the holiday window displays of Brisbane's department stores and shopping strips. From the Myer Centre's famed Christmas window story, to the elegant you-can't-afford-this mannequins of James Street, today's the perfect day to put your purse away, and shop with your eyes. Public holiday trading as is usual in the city, and all gargantuan Westfields are opening their doors too. Just try not to show too much sympathy for the bloodshot eyes working behind the windows — New Year's penalty rates could put a smile on an hungover face. Shop windows Brisbane-wide, all day When 2015 sees its first sunset, we'll meet you here (and halfheartedly vow to spend the rest of the year more up and at 'em, or something).
If you've ever sat down to play Mario Kart on any of the various devices that the beloved game has popped up on over the years — Google Maps, mobile phones and reality also included — then you've likely learned two things. Firstly, rainbow roads are truly something else. Secondly, you can never have too much Mario in your life. The folks at Universal Studios clearly agree on the second point, as everyone should, and they gave us an IRL Nintendo-themed amusement park in 2022 to prove it. Open for the past year, the globe's first Super Nintendo World is part of Universal Studios in Osaka, and it looks glorious — thanks to life-sized recreations of both Bowser's Castle (complete with spiked fences and heavy iron doors) and Peach's Castle, plus Mario Kart rides as well. [caption id="attachment_804547" align="alignnone" width="1920"] Nintendo and Universal Studios[/caption] Super Nintendo World was never going to be an Osaka exclusive, though. The Japanese theme park isn't losing its latest attraction, but more were always planned for Universal Studios in Hollywood, Orlando and Singapore. And, come 2023, you'll definitely be able to live out your IRL Mario Kart dreams in Tinseltown, because that's when and where the next Super Nintendo World is opening. Exactly what Universal Studios Hollywood's version will include hasn't yet been confirmed, and neither has an exact opening date — but if a trip to the US is on your agenda next year, it now has a new stop. In a press release announcing the 2023 launch, Universal Studios advised that the new Super Nintendo World will be "a visual spectacle of vibrant colours and architectural ingenuity located within a newly expanded area of the theme park, featuring a groundbreaking ride and interactive areas, to be enjoyed by the whole family", although that's obviously still quite vague. Unsurprisingly, themed shopping and dining will be a big part of the experience, of course. #SuperNintendoWorld is opening in 2023 at Universal Studios Hollywood! Level up with exclusive merch at the Feature Presentation store, opening soon. pic.twitter.com/4qh0bDACGN — Universal Studios Hollywood (@UniStudios) March 10, 2022 If you'd like to try to glean some clues from Osaka's Super Nintendo World, it lets you enter via a warp pipe — naturally — and there's simply no mistaking its Nintendo-themed space for anywhere else. And, Osaka's Mario Kart fix comes courtesy of Mario Kart: Koopa's Challenge, where patrons race through familiar Mario Kart courses that've been brought to life. Yes, as you steer your way along the track, you're surrounded by characters such as Mario, Luigi and Princess Peach. You can also throw shells to take out your opponents, because it wouldn't be Mario Kart without them. If you're wondering how it all works, it's a blend of physical sets, augmented reality, projection mapping and screen projection, all designed to make you feel like you're really in the game. Also a highlight in Osaka: Yoshi's Adventure, which lets you climb on Yoshi's back; the world's first Mario cafe, as kitted out with a red and green colour scheme; and wearable wrist bands, called Power Up Bands, which connect to a special app and allow patrons to interact with the site using their arms, hands and bodies (and enable you to collect coins just like Mario does in the Super Mario games). Fingers crossed that they all make the leap to Hollywood, too. Super Nintendo World will open at Universal Studios Hollywood in 2023. For more information, keep an eye on the theme park's website. Top image: Nintendo and Universal Studios.
Man against the elements: it's the familiar staple of survivalist film fare, crafted as a feat of cinematic endurance as much as entertainment. J.C. Chandor's nautical All Is Lost adheres to that description to the letter, unraveling in near wordlessness with its emotion carried in Robert Redford's world-weathered face. The combination of existentialism and action on offer, however, reaches beyond the customary depictions of fortitude and perseverance. Details — names, places, dates — are rendered irrelevant; all that matters is "our man", his boat and the endless expanse of sea that forms his surroundings. Awakening to the thud of an adrift shipping container bursting through the hull of his vessel, the film's nameless protagonist pits his resourcefulness against the water, wind and weight of other worsening difficulties conspiring against his subsistence. For 106 minutes of running time and eight days of narrative, Margin Call writer/director Chandor crafts a tension-riddled thriller despite the sparseness of his cast and setting; again, Redford and his sea-faring abilities monopolise the movie to the exclusion of all else. Even the most mundane of tasks — including shaving, eating canned food and conserving water — seethe with suspense. The singular spotlight heightens the anxiety to unrelenting levels, the knowledge that any peaceful moment could take a turn for the worse unable to be shaken. Withholding information about Redford's character similarly amplifies the feature's focus, centring on the circumstances over the individual in its treatise on existence and mortality. As the stoic veteran is battered and beaten by forces beyond his control, eventually acquiescing to his inevitable fate as the title suggests, the feature's commentary upon the broader human condition is unmistakable — but its assurance doesn't hamper its haunting heartbreak. In such context, the who and the why just don't matter. It has been a big year for well-known faces stranded in inconvenient spaces (quite literally for Sandra Bullock in Gravity); however, Redford is the unsung hero in the survivalist race, as is his film. Eschewing dialogue, the actor conveys every ounce of resilience and weariness in his physicality and performance. Though storm-fuelled special effects enliven the drama in a deft display of Chandor's direction, much of the film's power comes from understated scenes of a man at nature's mercy. The sounds, sights and overall thrust emphasise solitude, swelling to operatic proportions due to striking visuals and an immersive score, yet what echoes loudest is the film's vitality. All Is Lost may leave viewers broken in its transcendent contemplation of the beauty and brutality of life, but it also embodies those very aspects. Nothing is easy in the feature's austerity, but nothing is lost either. https://youtube.com/watch?v=no1rl9Gvx-s
In February, Brisbane Powerhouse launched a brand-new festival dedicated to boundary-pushing performances. In March, the New Farm site hosted its first-ever Night Feast food market. Across April and May, the venue let laughter echo in every space it could thanks to its annual Brisbane Comedy Festival. And, now that winter is upon the River City, it's launching into June with some else just as impressive: a killer music lineup. Where can you dance to a French disco king, and also check out a supremely talented Icelandic singer-songwriter? At the Lamington Street spot, which is welcoming in Cerrone and Ásgeir. Playing on Friday, June 2, the former is a legend, selling over 30-million records worldwide; being sampled by everyone from Public Enemy, Jamie XX and Daft Punk to Run DMC and Paul McCartney; and known for 70s tracks 'Love in C Minor', 'Supernature' and 'Give Me Love'. Stepping behind the microphone on Saturday, June 3 , thelatter is a folk-pop star that's up there with Iceland's best-known talents, and will be playing through his decade-long discography. If that sounds like an eclectic duo, hitting Powerhouse's stage one night after the other, that's because it is. Pinballing between vastly different sounds, vibes and shows has always been a driving force behind the venue's lineups, and this wintry music season is no different. Here's two more cases in point: Cash Savage and The Last Drinks, who'll kick off the program on Thursday, June 1, plus Desire Marea on Thursday, June 15. The Melbourne-based Savage and her band head north fresh from releasing their new album So This Is Love, as well as singles Keep Working At Your Job' and '$600 Short On The Rent'. As for Marea, the South African-based artist also arrives with a recent release, On the Romance of Being, a blend of post-gospel, spiritual jazz, and the ancient music of the Nguni and Ndau peoples which was recorded live with a 13-musician ensemble.
On Australia's list of big things, the Big Pineapple is among the most famous. It's big. It's a pineapple. It's heritage-listed Queensland icon. It's located on the Sunshine Coast surrounded by pineapple fields. Basically, what's not to love? It's not merely a reason to head to Nambour to gawk at over-sized tropical fruit, though. Back in 2013, it also became home to a music festival. Initially, the Big Pineapple Festival ran annually. At present, it was last held in 2021. The event's three-year hiatus is coming to an end, however, with organisers announcing that the fest will return in October 2024. View this post on Instagram A post shared by Big Pineapple Festival (@bigpineapplefestival) No specific date has been revealed as yet for this spring, and there's no lineup so far, but the fest's website says it all: "we're back baby!". The Big Pineapple Festival's site and socials have also said far more than just those three words about the event's comeback. So, you can start looking forward to a Woombye fest that'll take over the location's natural amphitheatres, get folks pitching a tent at the 4000-person campground, and also span workshops and art installations in a relaxed setting, too. The fest has always drawn a crowd, selling out in its very first year and plenty of times since. In 2021, Alison Wonderland and Peking Duk headlined, leading a lineup that unfurled top-notch entertainment across four stages. Also included at past festivals: a ferris wheel, food stalls aplenty, arts, crafts and other activities, and camping — all in the shadow of a giant pineapple that's the Sunshine Coast's biggest tourist attraction. The Big Pineapple Festival's return is welcome news at a time when the Australian music scene has been seeing cancellations, rather than comebacks. Tasmania's Mona Foma said farewell forever after its 2024 event, both Splendour in the Grass and Groovin the Moo scrapped their 2024 festivals mere weeks after announcing their lineups, Falls Festival took summer 2023–24 off, Summergrounds Music Festival at Sydney Festival was cancelled and This That hasn't gone ahead for a couple of years now. [caption id="attachment_944026" align="alignnone" width="1920"] The Big Pineapple, Alpha via Flickr[/caption] The Big Pineapple Festival will return in October 2024, with an exact date yet to be announced. We'll update you with more details when they're revealed — keep an eye on the fest's website, Facebook and Instagram in the interim. Images: Claudia Ciapocha / Charlie Hardy..
2016 might now seem like a lifetime ago, but it's when the very first Holey Moley started pairing pop culture-themed putt-putt courses and cocktails in Australia — right here in Brisbane, in fact. Since then, the OTT chain has spread across the Sunshine State and interstate, including opening a second Brissie spot in the Wintergarden in 2019. There's always room for more places to tap, tap, tap and sip, sip, sip, though. To the delight of northsiders, Brisbane will score a third Holey Moley come November, setting up its greens at Chermside shopping centre. If you're known to pick up your Christmas presents at the huge Gympie Road spot, consider this an extra-festive piece of news — because this year's browsing and buying can now include a mini golf break. Holey Moley Chermside won't be small, catering to 350 people when it launches on Friday, November 18. Patrons will play their way around 18 holes, channelling their inner Happy Gilmore before hitting the Caddyshack bar. If you've been to the chain before, you know the general setup, vibe and menu — it'll just be in a different location. Those courses will include four new designs that've been exclusively tailored for the Chermside venue: Surfs Up, Dart Board, Moonshot and the Mini Sonic Loophole. They'll be joined by a heap of the brand's well-known decor from other venues, however, such as The Simpsons' Evergreen Terrace and The Flintstones' Bedrock n Roll. And, some holes will take their cues from Brisbane and its weather; 'tis the place for it, after all. At the bar, expect an 80s and 90s theme, as well as creative concoctions and stomach-lining bites to eat. Again, well-known faves like the Sugar Caddy and Rub a Dub Tub cocktails will be on offer — the latter served in a tiny bath tub that even has rubber ducks floating in it — while the snacks lineup will feature ingredients sourced from local Australian producers. When it opens, the Chermside Holey Moley will mark the sixth site in Brisbane for Funlab, the company behind it (and Strike Bowling, Archie Brothers and B Lucky & Sons), as well as the ninth in Queensland. Find Holey Moley Chermside at Chermside shopping centre, on the corner Gympie and Hamilton roads, Chermside, from Friday, November 18. Images: Eugene Hyland.
Maybe you lived through the 90s rave scene. Perhaps you spent every weekend enjoying club life in the 00s. Or, you might just wish you were old enough to have ticked both boxes. Ministry of Sound was around to see both, and now it's revisiting the experience — bringing back its massive Testament parties for another year, this time touring them around Australia over two weekends. If cutting loose like you've travelled back in time is your ideal way to mark absolutely anything, then you'll want to make a date with Testament when it hits up Brisbane. For two nights on Friday, August 4 and Saturday, August 12, the event will have you making shapes to 90s and 00s bangers in Warner Laneway. It's a choose-your-own-adventure type of affair, so fans of old-school tunes can hit up the session dedicated to 90s house, rave, trance and garage tracks, and lovers of 00s electro and breaks get their own shindig. Leading the bill at the 90s party are Barbara Tucker, Inner City, Phil Hartnoll and Tall Paul, while The Bloody Beetroots, Digitalism, Freq Nasty and Stanton Warriors are their 00s counterparts. On the Brisbane-specific leg of the national tour, Barking Boy, Darren Briais, Jen E, John Course, Mark Dynamix, Matt Kitshon and Rousey are also on the 90s bill. Fleshing out the 00s: Goodwill, Groove Terminator, Jaime Doom from Bang Gang Deejays, Kid Kenobi, Matt Nugent, Rasp, Shredlock, Skool of Thought and Chris Wilson.
When Hercule Poirot returned to cinema screens in 2017's Murder on the Orient Express, the infamous Agatha Christie-penned sleuth was always going to hang around. Hollywood loves a franchise and, on the page, the fictional Belgian detective has featured in more than 80 tales. Accordingly, a sequel to the Kenneth Branagh-starring and directed movie was always inevitable. Death on the Nile is that follow-up, as once again based on the book of the same name. It's due to hit cinemas sometime in the future — in this COVID-19 world, movie release dates aren't really set in stone anymore, as anyone who has been hanging out for months to see Tenet or Mulan knows — and, as the just-dropped first trailer shows, it trots out the familiar Poirot formula. In the current film series, that means bringing a whole heap of famous faces together in a confined location, dressing them up in luxe threads, interrupting their trip with a murder, then watching the moustachioed detective put his skills to the test. Obviously, here, everyone is on a boat in Egypt. In fact, Poirot is on vacation on a glamorous river steamer when duty calls — in the form of a couple's idyllic honeymoon that's been cut short by tragedy. Branagh is back both on-screen and behind the lens, while this time around he's joined by Gal Gadot, Armie Hammer, Annette Bening, Russell Brand, and even comedy legends Dawn French and Jennifer Saunders. Also popping up: Murder on the Orient Express' Tom Bateman, Game of Thrones' Rose Leslie, Black Panther's Letitia Wright, Wild Rose's Sophie Okonedo, Sex Education's Emma Mackey and Victoria and Abdul's Ali Fazal. Check out the trailer below: https://www.youtube.com/watch?v=tRP57Bz842A&feature=youtu.be Death on the Nile is slated to release in Australian cinemas at a yet-to-be-revealed date — we'll provide exact details when they come to hand. Top images: © 2020 Twentieth Century Fox Film Corporation. All Rights Reserved.
Jean-Paul Bourdier is an award-winning photographer, author, film production designer and professor. Bourdier's long list of talents and prizes aside, his ephemeral photographs of body art and landscapes - or 'bodyscapes' as he affectionately calls them - truly speak for themselves. His breathtaking shots seamlessly integrate painted naked bodies into the background of wondrous natural topography. Provocative, mesmerising and refreshingly unique, Bourdier's images will have you transfixed, so make sure you set aside a good amount of time to marvel at the many works of art in this collection. Here are 15 stunning photographs from his book, Bodyscapes, to give you a taste of his inspired style. [Via Design You Trust]
Gone are the days when every image that flickered across the screen did so within an almost square-shaped frame. That time has long passed, in fact, with widescreen formats replacing the 1.375:1 Academy aspect ratio that once was standard in cinemas, and its 4:3 television counterpart. So, when a director today fits their visuals into a much tighter space than the now-expansive norm, it's an intentional choice. They're not just nodding to the past, even if their film takes place in times gone by. With First Cow, for instance, Kelly Reichardt unfurls a story set in 19th-century America, but she's also honing her audience's focus. The Meek's Cutoff, Night Moves and Certain Women filmmaker wants those guiding their eyeballs towards this exquisite movie to truly survey everything that it peers at. She wants them to see its central characters — chef Otis 'Cookie' Figowitz (John Magaro, Overlord) and Chinese entrepreneur King-Lu (Orion Lee, Zack Snyder's Justice League) — and to realise that neither are ever afforded such attention by the others in their fictional midst. Thoughtfully exploring the existence of figures on the margins has long been Reichardt's remit, as River of Grass, Old Joy and Wendy and Lucy have shown as well, but she forces First Cow's viewers to be more than just passive observers in this process. There's much to take in throughout this magnificently told tale, which heads to Oregon as most of Reichardt's movies have. There's plenty to glean from its patient static shots of the river and scrubby landscape circa 1820, and from the way that the director's three-time cinematographer Christopher Blauvelt shoots its leafy setting as a place of light and shadow. Most telling, though, is how First Cow constantly views Cookie and King-Lu within their surroundings. Sometimes, the outcast pair actively tries to blend in, but the film makes it clear that they're already consistently overlooked in the local fur-trapper community. Equally pivotal is the frequent use of frames within the feature's already-restricted imagery — sometimes via windows and doorways, as Certain Women did as well, or by peeking through the gaps in slats in the makeshift shack the pair decide to call home. Again and again, First Cow stresses that genuinely seeing these men, their lives, and their hopes, desires and attempts to chase the American dream, is an act of bearing witness to the smallest of details, delights, exchanges, glances and moments. Initially, after watching an industrial barge power down a river, First Cow follows a woman (Alia Shawkat, Search Party) and her dog as they discover a couple of skeletons nearby. Then, jumping back two centuries and seeing another boat on the same waterway, it meets Cookie as he's searching for food. Whatever he finds, or doesn't, the fur-trapper team he works with never has a kind word to spare. But then Cookie stumbles across King-Lu one night, helps him evade the Russians on his tail, and the seeds of friendship are sown. When the duo next crosses paths, they spend an alcohol-addled night sharing their respective ideas for the future. Those ambitious visions get a helping hand after the Chief Factor (Toby Jones, Jurassic Park: Fallen Kingdom) ships in the region's highly coveted first cow, with Cookie and King-Lu secretly milking the animal in the dark of night, then using the stolen liquid to make highly sought-after — and highly profitable — oily cakes. In its own quiet, closely observed, deeply affectionate and warm-hearted fashion, First Cow is a heist film. Reichardt's gentle and insightful spin on the usually slick and twist-filled genre bucks every convention there is, however. Tension is a regular part of Cookie and King-Lu's lives; they're introduced being denigrated and chased, after all. So, while the pair tests their luck during their surreptitious moonlight rendezvous with the titular bovine, the film's sense of strain only increases slightly. Here, the act of pilfering isn't the main attraction. Those midnight scenes are gorgeous — Cookie chats tenderly to the cow as he squeezes her udders, offering his condolences about the mate and calf that didn't survive the journey — but they're also brief. Reichardt is far more interested in the change that Cookie and King-Lu bring out in each other, their connection as kindred spirits in an inhospitable locale and their small-scale quest to subvert the status quo. With sensitivity and compassion, but also with an unflinching awareness of how the world regards those on its fringes, First Cow examines the home and hope that one person can find in another, too, and interrogates the ways in which America's embrace of capitalism can inspire, lift and crush as well. Bold plans, delicate subterfuge, big successes, fraught chases and sublime snatches of tranquility — all five play out in Reichardt's richly detailed and hauntingly soulful movie. Indeed, only she could've made this film sing as stirringly and bittersweetly as it does, and feel as transporting and resonant as it proves at every turn. Reichardt adapts Jonathan Raymond's novel The Half Life, co-scripting with the writer himself in their fifth collaboration. She's gifted with mesmerisingly soulful performances from Magaro and Lee, who play their parts so vividly and intricately that ten pictures about Cookie and King-Lu wouldn't be enough. But the empathy that seeps into each second is firmly one of the filmmakers's enduring and welcome hallmarks, as is the unwavering commitment to trading in the everyday and the intimate while excavating the perennial myth about the US being the land of opportunity. Reichardt's approach isn't unparalleled, though. Fellow directors Chloé Zhao and Debra Granik have splashed many of the same traits throughout their work, and have also helmed masterpieces as a result; see: Nomadland and The Rider in the former's case, and Leave No Trace and Winter's Bone in the latter's. The three share not just a willingness but an eagerness to chronicle narratives that would otherwise be overlooked, traverse more than the usual patches of land, champion oft-ignored perspectives, and challenge America's values and self-image — and they each make their films feel like their own. With First Cow, Reichardt is leisurely and loving, and also candid and devastating. She ensures that everyone watching her boxed-in frames rides those ebbs and flows, and that they're moved by every moment. Whenever she steps behind the camera, something astonishing always happens, as her filmography just keeps demonstrating — but First Cow is pure cinematic perfection. https://www.youtube.com/watch?v=-jWZ6P1rWy4
If you class waterslides and festivals under the category of 'things you are into', then boy, are you in luck. Brisbane is set to host Australia's largest waterslide festival, so grab your swimmers, whack on those goggles and start working on your slide form — there's going to be over two kilometres of slides ready for you to slip down at Slideapalooza. Happening over two weekends at Sirromet Wines in Mount Cotton, Slideapalooza will bring huge inflatable waterslides and slip 'n' slides, with single-lane, multi-lane and 'sky-high' slide options — and some of them are up to 150 metres long. Huge — and huge amounts of fun. There'll be food and drink options to keep you going too, with licensed bars on-site. Slides and sipping wine? This is why we love summer. Slideapalooza runs over January 18–20; 25–27. Ticket prices start at $47 for adults (and $34 for kids) for a two-hour slide session. If that's not enough, you can keep sliding for an additional $30 (or $22 for kids). Plus, if you get an early bird ticket, you'll nab a slide ring for free. For more information and to purchase tickets to Slideapalooza, visit the website.
While some of us appreciate the cosiness of winter, others can't wait until warmer weather returns. Now is your chance to become someone who loves the cold, as Tourism Tasmania has just opened its Winternship applications. With ten lucky participants heading to Tassie to undertake an internship experience that helps them become winter people, embracing the cold and damp could change your life. From caring for adorable local wildlife and maintaining historic chairlifts to foraging in tunnels for tasty mushrooms, there's every prospect you'll discover a new passion, while realising that perhaps spending your days on a windswept hillside isn't so bad after all. So, pull on your thickest socks and don your favourite beanie, as these Winternships are perfect for changing the pace of your daily life. For instance, the Sauna Skipper experience sees a Wintern keep the temperatures toasty at the woodfired Kuuma Nature Sauna — a floating relaxation adventure soaked in natural beauty. For something more upbeat, head to Penguin's Hideaway Farmlet, where the Goat Doofer Wintern is tasked with hosting a mini music festival for a vibe-seeking herd. Then, night owls are primed for the Devil Sitter position, as they'll babysit Tasmanian devils who love to shriek, screech and growl from dusk to dawn. If Tassie's burgeoning culinary scene is more your mood, Tunnel Hill Mushrooms is looking for recruits to grow, pick and prepare their award-winning mushrooms, cultivated inside an old railway tunnel. Meanwhile, McHenry Distillery — the southernmost distillery and brewery in the world — invites a spirit-loving Wintern to learn whisky's tricks of the trade from amid the remote Tasman Peninsula. With several more Winternships to explore, there's no shortage of ways to discover what's special about the cold. "Tasmanians are winter people at heart, so we don't just endure winter, we celebrate it," says Sarah Clark, Chief Executive Officer of Tourism Tasmania. "We're inviting Winterns to dive head-first into our winter culture that's probably a bit different to their home state. From babysitting Tasmanian devils to fragrance foraging, there's something for everyone in Tasmania this off-season. We guarantee you'll head home with some different skills and most importantly, a new take on winter." Ready to toss your woolly hat in the ring? Tourism Tasmania's Winternship applications are now open until Tuesday, June 17. To enter, simply write a short submission of fewer than 50 words, explaining why you want to become a winter person. If chosen, you'll have your travel covered and be guided by local experts throughout your stay. Plus, you'll return home with a selection of Tasmania's best seasonal produce and goods, handpicked by your hosts. Tourism Tasmania's Winternship applications are now open until Tuesday, June 17. Head to the website to learn more and submit your application.
We've all done it at some point: drawn or painted a picture of ourselves. You were probably made to in high school, and before that you definitely committed your likeness to paper in primary school. Think of them as the original selfies. Every two years, the University of Queensland invites a selection of artists to craft a new self-portrait — and every two years, one of them wins $50,000 for their troubles. In 2017, that honour went to Jenny Orchard, with her sculpture piece Self Portrait as a Multispecies Activist, but she's not the only one getting introspective and creative. At the National Self-Portrait Prize 2017 exhibition, an array of artistic self-assessments are on display, spanning everything from ceramics to paintings to lighting to mirrors. Perusing their efforts, you'll be fascinated by the way these creative folks see themselves — and you'll likely be inspired to make your own attempt. Image: Julie Fragar, The Single Bed. 2017, oil on marine ply. 135.0 x 100.0 cm. Courtesy of the artist and Sarah Cottier Gallery, Melbourne.
It has been three years since Scottish craft beer giant BrewDog launched its first Australian brewery and taproom in Brisbane, and two since the brewery promised that more bars in more Aussie cities were on the way. Now, thanks to a new partnership with Australian Venue Co (AVC) — the group behind spots such as Cargo, Kingsleys and The Winery in Sydney; Fargo and Co, State of Grace and The Smith in Melbourne; and Riverland, The Regatta and The Crown Hotel in Brisbane — that plan is finally starting to come to life. BrewDog and AVC have announced that they're teaming up to open beer bars across Sydney, Brisbane, Melbourne and beyond in the coming years, starting with a first new site in Victoria. Come spring this year, Melbourne's historic Pentridge Prison precinct will welcome a hefty new venue: a two-level pub complete with an indoor dining room and lounge bar, plus a sprawling beer garden sporting its own BrewDog container bar, big screens and dedicated games area. The partnership sees the world's largest craft beer bar operator join forces with one of Australia's big pub operators, and will span multiple sites — but exactly where and when any venues beyond Pentridge will open hasn't yet been revealed. Still, if you're a fan of the Scottish brewery in Sydney, you'll finally score your own local. And, in Brisbane, you'll have somewhere else to head beyond its 28-tap original Australian outpost in Murarrie. That OG Brisbane craft beer destination pours both house creations and guest brews, and also serves up a menu that's known for its burgers, pizza and wings — if you're wondering what might be in store at the new BrewDog and AVC bars. BrewDog currently operates 102 beer bars worldwide, having recently launched outposts in Mumbai and New Albany (USA), and with huge flagship bars coming soon to Las Vegas and Waterloo (London). BrewDog Pentridge will open in E Division building at Pentridge Prison, 1 Champ Street, Coburg, from spring 2022. For more information about BrewDog's Australian expansion plans, keep an eye on its website — and we'll update you with further details when they're announced. Top image: BrewDog DogTap Brisbane.
Summer season is officially here — and that means it's time to gather the crew and celebrate in style. A set menu is a fun, super easy way to achieve this. Placing your faith in the will of the chef means you can waste less time um-ing and ah-ing and instead focus on catching up with your pals — that's what the season is all about, after all. Choosing the venue — and menu — for your seasonal get-together depends a lot on what your crowd looks for on a night out. Posh nosh? Clever gourmet twists? Wine pairings? Comfort food and chilled vibes? Whatever you're in the mood for, we've put together a selection of five top-notch options that'll satisfy any clique without breaking the bank.
Christmas means many things: chaos in the shops, carols invading your brain, and a focus on all things red and green. In Brisbane, it also means Queensland Ballet's final production for the season, with The Nutcracker brightening up the QPAC stage every year. It really wouldn't be the festive season without it. Whether you've experienced the Tchaikovsky-scored two-act performance about sentient toys, dancing snowflakes and the Sugar Plum Fairy before, or you're joining little Clara on her Christmas Eve journey for the first time, you're certain to get swept up in the show's magic. And if you don't already have a ticket for 2024, don't delay — selling out is also an annual tradition. Queensland Ballet's The Nutcracker dances across the Lyric Theatre stage from Friday, December 12–Saturday, December 21 — and, depending on the day, you can either hit up an evening session or a matinee. The company has been bringing the show to the stage since 2013, but the ballet itself dates back more than 130 years because this kind of Christmas magic never gets old. Top image: David Kelly.
Over the past few years, it seems like Brendan Maclean has been everywhere: on Triple J, popping up in Baz Luhrmann’s Sydney-shot The Great Gatsby, making music and sharing his 140-character thoughts all over Twitter. Now he comes to Brisbane fresh from performing in Italy, France and New York, in a rare and intimate solo show. In A Fancy Evening with Brendan Maclean, expect his infamous covers of Leonard Cohen, Fleetwood Mac and Lady Gaga, as well as his original solo works. There’s a reason he’s been lauded and applauded by Amanda Palmer and Solange — and if you don’t already know why, here’s your chance to find out. A fancy evening with Brendan Maclean is one of our top six picks of MELT Festival. See the other five here.
Whether it's opening a sprawling art museum, taking over a 400-year-old castle, turning old oil tanks into a digital waterfall or bringing waves of light to Melbourne, teamLab's digital installations are never less than dazzling. The term definitely applies to the interdisciplinary collective's latest venture, too, with teamLab: A Forest Where Gods Live transforming Japan's Mifuneyama Rakuen Takeo Hot Springs into its latest awe-inspiring artwork. Currently on display on Kyushu, the third largest and most southern of Japan's islands, A Forest Where Gods makes the most of its huge site. Created in 1845, and featuring gardens, shrines, forests, rocks and caves, the hot springs stretch across 500,000 square metres — within which teamLab has placed 21 installations, all playing with light, colour and movement as the group's eye-popping attractions always do. In Mifuneyama Rakuen Takeo's bath house ruins, visitors can watch flowers, people and water particles dance across huge megaliths, and feel like they're wandering through a place where time has stopped in the process. Or, over at the hot springs' pond, you can see the water's surface come to life with koi and boats, the former reacting to the latter. Other highlights include floral displays blooming repeatedly on a 5.5-metre-high moss-covered rock, a digital waterfall falling on a shrine, lights fading and glowing across a valley of azaleas, butterflies fluttering through underground ruins, and multicoloured bulbs brightening up cherry blossoms and maple forests. And, it wouldn't be a teamLab site takeover without cups of tea filled with digital flowers, or without a sea of rainbow-hued lamps — both floating on a lake and suspended from above in spiral patterns. The interactive exhibition is split into two parts, with The Nature of Time running from 11.30am–sunset, and Earth Music & Ecology kicking in from sunset–10.30pm. The daytime element has a greater focus on Mifuneyama Rakuen Takeo's existing wonders, while the evening session lets teamLab's shine under the night sky. Whichever you're keen on, if you're going to be in the vicinity and want to head along, you'll want to book a ¥500–1400 (AU$6.95–19.55) ticket in advance — unsurprisingly, teamLab's gorgeous work is always popular. https://www.youtube.com/watch?v=nmCaGTKxy54 teamLab: A Forest Where Gods Live runs until November 4, 2019 at Mifuneyama Rakuen Takeo Hot Springs, Kyushu, Japan. For more information, visit the exhibition website. Images: teamLab.
The time of boring holidays is over. No longer are we locking ourselves inside a three-star resort for two weeks, limiting ourselves to whitewashed itineraries and experiences we could find at home. To really explore the world, we must occasionally check comfort and familiarity at the door. That's what you could do with a guided, small-group tour organised by Intrepid Travel. We've teamed up with the global exploration extraordinaires to showcase just a taste of the experiences on offer. All you need to do is dive right in. [caption id="attachment_970293" align="aligncenter" width="1920"] ChanwitOhm via iStock[/caption] Hike up a Volcano in Lombok When it comes to Aussies on holiday, Bali is an all-time classic pick. The neighbouring island of Lombok isn't that far afield either, but there's more to an Indonesian getaway than massages and cocktails by the beach. Instead, you can secure a spot on a 12-day adventure across the islands of Bali, Lombok and Gili. You'll hike, bike and kayak your way through some of the most scenic landscapes Indonesia has to offer. The peak (literally) of the adventure comes on the island of Lombok, where you'll spend two days hiking up an active volcano, camp at its crater (at nearly 2600 metres high) and enjoy stunning panoramic views of the ocean — if the weather is clear. Watch the Sunrise From the Tallest Mountain in Borneo Borneo is one of the last wild nations on Earth, with a hugely diverse ecosystem and a range of iconic native wildlife—orangutans being the most famous among them. This 11-day expedition allows you to get up close and personal with those gentle forest creatures, as well as sea turtles, macaques, bears and maybe even pygmy elephants. During your adventure, you'll also get to scale Mount Kinabalu, the highest mountain in the country. To see the sunrise from the summit, 4095 metres above sea level, you'll spend the night on the mountain and set off at 2am — but the views will be worth it. When you've descended, you will spend the afternoon unwinding in hot springs. Help Reforest an Island in Cambodia Community service in Cambodia is a highly regarded activity for Aussies abroad, but this eight-day tour of the country will put you in touch with more than just good karma. You'll bike through the Cambodian countryside, explore ancient ruins, meet endangered river dolphins and spend two days on an island in the Mekong River. On the small island of Koh Trong, you'll overnight in a local homestay, giving you ample time to explore the island's shores, rice fields and fruit orchards. Once you've had a good night's sleep and a home-cooked meal, you'll lend a hand to a local reforestation project to put some good back into the earth. Immerse Yourself in the Himalayas Along the Trans-Bhutan Trail There are few secrets on planet Earth as well hidden as Bhutan. Literally and figuratively dwarfed by its neighbours, India and China, this tiny Buddhist kingdom transports you back in time and takes your breath away with its awe-inspiring landscapes. You can spend 11 days exploring this remarkable nation with Intrepid. The altitude might thin out the air, but it's cleaner than anywhere else since Bhutan is the world's first carbon-negative country. Breathe deep as you drive and walk across the country's heart, stopping at high-altitude mountain passes, fortified Buddhist complexes and ancient monasteries built into the sides of rock faces. Kayak Amongst Stunning Limestone Islands in Lan Ha Bay Vietnam's scenery is on another level, with mountains, valleys and fields that create incredible memories (and photographs). It's a quintessential destination for travellers, but the art of balancing its many moving pieces is best left to travel agents and trip organisers. It's a good thing Intrepid offers an 11-day tour that'll see you hiking, biking and kayaking all over the country. First, you'll venture through the busy capital city of Hanoi for an on-the-ground Vietnam experience. Then, you'll stop in regional cities and towns like Sapa, Khau Bau, Mai Chau, Ninh Binh and Cat Ba Island. Those landlocked locales will see you hit the trails and fields on bicycles and your own two feet, but the latter is in Ha Long Bay's World Heritage designation and features the iconic limestone cliffs and white sand beaches by the plenty. Explore the UNESCO World Heritage Sites of Sri Lanka Sometimes overshadowed by its larger neighbour, India, Sri Lanka has been slept on as a destination by many for far too long. One of the most varied ways to explore it is a fairly physical eight-day exploration of the island, which will take you through mountains, tea fields, thick jungles and fast-flowing rivers. Along the way, you'll get up close and personal with four of the eight UNESCO World Heritage Sites throughout the country. First, there's the city of Sigirya, built atop a granite rock over 1500 years ago. You'll then head to the jungle-coated Knuckles Mountain Range, the Sacred City of Kandy and finally, the fortified Old Town of Galle. Trek to the Base of the Highest Mountain on Earth When talking adventure tours in Asia, we'd be remiss not to touch on the most famous of all: the two-week journey to the Base Camp of Mount Everest. It's a trip and a destination carved into human history, but the Base Camp trek is easier than the journey up the mountain itself. This tour starts in Kathmandu, but you'll fly to your real starting point in Lukla before setting off on the hiking journey of a lifetime. Take in the snow-crested peaks and green valleys of the Himalayan ranges as you make the journey up to Base Camp before turning around and taking a different route back to Lukla. You'll be spending your nights in teahouses and are likely to meet other hikers along the way since this is one of the most famous hiking routes in the world. Get out, explore, dive into adventure and find your WOW with Intrepid Travel. Find out more on the website.
Getting really into craft beer and growing a beard has been the overwhelming trend of the past year and while beards are apparently on the out, our love of craft beer is only getting stronger. The designers at Swedish-Italian company Sempli know this and they’ve created a set of glasses that not only look like modern art but are engineered to give you the ultimate beer experience. The Monti range includes four pieces of glassware (yes, these babies are not just glasses, they’re glassware) that look like something you'd find on a gallery plinth but are designed for optimum drinking conditions. In the four-set, you'll get a glass for pilsners, IPAs, pints and 12-ounce bottles for a cool (excuse the pun) $100. The glasses are designed to maximise bubbliness and keep the liquid at the optimum drinking temperature for each different type of beer. It’s true what they say: once you go engineered glassware, you never go back to a beer helmet. Bartenders: prepare for yourself the ultimate snobbery of patrons bringing customised IPA glasses to the pub with them. It’s the craft beer snob’s equivalent of using a tin camping mug as your takeaway coffee cup, except slightly more functional. Monti glassware by Sempli will set you back $55 for a two-set or all four for $100 at Sempli.com. Via Fast Co.Design.
