Corpses and killings don't normally herald joy on-screen, even in pop culture's current murder-mystery comedy wave, but Only Murders in the Building isn't just another amusing whodunnit. With the two Knives Out films so far plus two seasons of The Afterparty, there's no shortage of excellent detective tales that pair crimes with laughs — and killer concepts with stellar casts, too — however there's a particular warmth to Disney+'s Selena Gomez (The Dead Don't Die)-, Martin Short (Schmigadoon!)- and Steve Martin (It's Complicated)-starring take. In each of its three seasons to-date, this New York-set series has unleashed a motley crew of amateur gumshoes upon a shock death, with its key trio sifting through clues and podcasting the details. Along the way, it has also kept telling a winning story about second chances and finding the folks who understand you. Streaming from Tuesday, August 8, Only Murders in the Building's ten-episode third season relays that tale again, expanding its portraits of artist Mabel Mora (Gomez), theatre director Oliver Putnam (Short) and veteran actor Charles-Haden Savage (Martin) — and of their friendship. Once more, it embraces the power of chemistry, both within its narrative and for audiences. That isn't new; when the show debuted its first season in 2021, instantly becoming one of the best new arrivals of that year, it felt like the murder-mystery comedy genre's version of a cosy embrace because its three leads were so perfectly cast and their odd-throuple characters so full of sparks. While Mabel, Oliver and Charles wouldn't be a trio if it wasn't for a building evacuation, a murder and a love of true-crime podcasts, their connection isn't merely fuelled by chatting about the murders in their building, with crossing each other's paths changing their respective lives. There's a death in season three's initial episode — it first occurred in season two's dying moments, to be precise — and, of course, ample sleuthing and talking about it follows. But Only Murders in the Building's latest run also opens with Mabel, Oliver and Charles in places that they wouldn't be if they were solo. Largely, that applies emotionally: Mabel is more grounded and open, and now thinking about the future more than the past; Oliver has faced his career fears, resurrecting his showbiz bug with a new show; and Charles is less misanthropic and more willing to take new chances. They're also frequently in a different location physically thanks to Oliver's comeback production Death Rattle. No, the series isn't now called Only Murders in the Building and on Broadway. The victim: actor Ben Glenroy (Paul Rudd, Ant-Man and the Wasp: Quantumania), a silver-screen star best-known for playing a zoologist who fights crime by turning into a snake in the blockbuster CoBro franchise. (Yes, if those movies weren't just Only Murders in the Building's Ant-Man gag, existed IRL and starred Rudd, they'd be a hit.) Ben is Oliver's leading man and biggest name, but he's hardly lacking detractors within Death Rattle's cast and crew. Among the suspects that Mabel, Oliver and Charles swiftly look into is Loretta Durkin (Meryl Streep, Don't Look Up), who has spent her whole life trying to make it on the stage. Also earning their interest: influencer Kimber (Ashley Park, Joy Ride), one of the play's other talents; filmmaker Tobert (Jesse Williams, Grey's Anatomy), who was helming a Ben-centric behind-the-scenes documentary; and Ben's dutiful assistant Dickie (Jeremy Shamos, Dead Ringers), who is also his put-upon brother. From both 2021's first season and 2022's similarly smart, bright, astute and funny second effort, viewers already know the always-engaging Only Murders in the Building template from here. Season three still links back to the Arconia, still has its core trio scouring for hints and answers while feeding their podcast, still savvily satirises true-crime obsessions, and still charts Mabel, Oliver and Charles' ups and downs both individually and as a team. Using a theatre as a fellow setting doesn't simply mix things up, however, or work in ghosts and superstitions, precariously placed sandbags, a heap of new faces, and ample nooks and crannies. And, it's not only an excuse to also unfurl the third season as a hustle- and bustle-filled backstage piece as Oliver endeavours to rescue Death Rattle (complete with earworm-level musical numbers and the fact that the play is about a potentially homicidal baby). All of these things are true, and wonderfully and entertainingly weaved into the show. But season three also uses its jumps to Broadway to get the series and its main players pondering roles, performances and what represents a showstopper in their daily lives. Indeed, Only Murders in the Building isn't just warm and joyous because it celebrates the camaraderie of three unlikely pals discovering that life is a bit easier to handle — not to mention other people's deaths — when they have each other to lean on. It's cosy and delightful because it keeps deepening Mabel, Oliver and Charles amid the hunches, evidence hunts, red herrings, pointed fingers, annoyed cops and eager recordings, as aided by pitch-perfect performances by one of streaming's great current collaborations. Gomez, Short and Martin make that ace a threesome; whenever they're together, Only Murders in the Building could have them bickering and bantering about absolutely anything and it'd gleam. That said, as creators and writers, Martin and colleague John Hoffman (Grace and Frankie) aren't afraid to separate their main trio to explore who they truly are on their own and why they find such solace in each other, either. In season three, Mabel feels left out with Oliver and Charles getting all wrapped up in Death Rattle, for instance, and relies upon different partners in sleuthing. Navigating this change in the show's core dynamic delivers some of its most revelatory character insights — and, as always, thoughtful comedy. You can take Only Murders in the Building away from its namesake setting, even if temporarily, and it remains a gem. You can get its chief investigators going out on their own, again only fleetingly, and it's still a spirited unpacking of their friendship. And, this new season also makes plain that you can welcome a couple more megastars to the cast — in more than guest parts, pivotally — and everything still runs like comic clockwork. Rudd and Streep are dream additions, unsurprisingly. The former has a visible and hilarious blast leaning into Ben's egotistical ways and conveying why so many figures could've been responsible for his demise. The latter shimmers with melancholy among the suspects as Loretta faces the costs of a life spent chasing a dream. There are only wonderful star turns in this series, clearly — and you don't need to be a detective to come to that conclusion. Check out the trailer for Only Murders in the Building season three below: Only Murders in the Building's third season streams via Star on Disney+ from Tuesday, August 8. Read our full review of season two — and of the show's first season, too. Images: Patrick Harbron/Hulu.
When Felons Brewing Co set up shop back in 2018, it became Brisbane's first riverside brewery — and the first by the water in the inner city, too. In the two years since, it has proved quite the busy and popular spot, unsurprisingly. So, in the kind of news that hasn't been common in 2020, it's now expanding. Lovers of beer and great views can rest assured that Felons is staying at Howard Smith Wharves, and in its current sprawling space. From today, Friday, October 9, however, you'll also be able to head to the new Felons Barrel Hall. Taking over the existing Howards Hall on the other side of the always-packed patch of grass known as Felons lawn, it's the brewery's version of a German-style beer hall. And, as the name suggests, the new spot beneath the building's eye-catching zig-zag roof focuses on one-of-a-kind barrel-aged beers made in wine barrels. Open from 11am–late from Thursday–Sunday each week, Felons Barrel Hall serves up brews aplenty, obviously, although its first range of barrel-aged beers made onsite — in four 6000-litre tanks that sit beside the main bar — won't be available to drink in 2021. For now, its usual selection of tipples are on offer in half-litre and one-litre steins, alongside a number of limited and special-release sips. And if you'd prefer a wine while surrounded by all those wine barrels — which feature prominently in the decor, with French and American oak barrels lining the walls — you can choose from a list of natural drops from Aussie winemakers, too. Food-wise, the menu includes everything from Moreton Bay bug-loaded fries to coral trout and crayfish — with both seafood and hot chips clearly featuring heavily. Vegetable and salad dishes are also on offer (because sometimes you need more than just fried potatoes), with Felons heroing Aussie produce. Felons Barrel Hall is also upping the brewery's entertainment game, not just spanning live tunes — including up-and-comers and big names — but arthouse film screenings and interactive performances. The stage has a giant disco ball, in case you think Felons isn't serious about making some noise, while there is also a kids' area for families. Come Christmas, Brisbanites will supposedly be able to catch a ferry from HSW to Straddie, too — so consider this your new pre- or post-trip watering hole. Find Felons Barrel Hall at Howard Smith Wharves, 5 Boundary Street, Brisbane from 11am–late Thursday–Sunday.
Your latest excuse to book a holiday is here, and your next reason to enjoy a getaway in Australia's Red Centre as well. As it does regularly throughout each year, Webjet has launched a new sale on flights to the Northern Territory — and they're going cheap. How cheap? From $18 one-way. Until 11.59pm AEDT on Saturday, June 24, the travel site has fares to Uluru on offer for $18 from Melbourne, Brisbane and Adelaide, and for $21 from Sydney. It's also doing Adelaide to Alice Springs routes for $80, with each sale fare being discounted by a huge $175. [caption id="attachment_905927" align="alignnone" width="1920"] Tourism NT and The Salty Travellers[/caption] Of course, those $18 and $21 prices are just the starting point, so you mightn't score such a cheap flight depending on which day you're planning to travel, and also where you're jetting off from — but there are still some mighty affordable prices available. The sale covers trips to Uluru and Alice Springs, for travel from now — yes, right now — through to Thursday, November 30 this year. Fancy a winter jaunt to the middle of the country? Making spring plans already? Always had the NT on your bucket list? Whichever fits, you can tick them off now. [caption id="attachment_905930" align="alignnone" width="1920"] Tourism NT and Sean Scott[/caption] One key caveat: the discounted prices are available for inbound flights only, so you won't receive the same discount to come home. Wondering what to do once you get there? Uluru's incredible Field of Light installation by Bruce Munro remains a permanent recommendation, while Munro's just-opened Light-Towers at Kings Canyon and nightly drone show Wintjiri Wiru are must-see newcomers. You can also check out our guide to visiting the Red Centre, and our deep dives into Uluṟu and Kata Tjuṯa. [caption id="attachment_905929" align="alignnone" width="1920"] Tourism NT and Tourism Australia[/caption] [caption id="attachment_905931" align="alignnone" width="1920"] Tourism NT and Sean Scott[/caption] [caption id="attachment_905932" align="alignnone" width="1920"] Getty Images for Voyages Indigenous Tourism Australia[/caption] Webjet's Red Centre sale runs until 11.59pm AEDT on Saturday, June 24. Top image: Tourism NT, Salty Travellers. Correction: An earlier version of this story stated that flights started at $15, Sydney flights from $20 and Adelaide-to-Alice Springs fights from $70; however, Webjet has changed these prices to $18, $21 and $80. This story has been amended to reflect that change. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
After an intolerably long break from international travel, the end is finally nigh. Yes, my friends — borders are reopening and the holiday planning can officially begin, with overseas adventures no longer a pipe dream. If your ideal getaway is one spent unwinding on white sandy beaches, lounging by infinity pools, indulging in water-based activities and soaking up the spicy temperatures of a tropical climate, then Fiji should be top of your holiday hit-list. Its borders are set to reopen to Aussie tourists from this Thursday, November 11 and we can already taste the coconut cocktails. So, we've rounded up some next-level Fiji escapes you can book right now for a tropical sojourn; from group-friendly hilltop villas to beachside stays for two. You've waited too long for a holiday to settle for anything less than luxurious — hunt down that passport and lock in one of these dreamy Fijian stays. MARAVU PARADISE, SAVUSAVU This secluded beauty boasts endless water views, 2.5 acres of lush gardens and a stunning infinity pool to take all the views in. How much? From $457 a night, sleeps six. TOKORIKI ISLAND RESORT, TOKORIKI ISLAND Bliss out at this highly awarded adults-only oasis, where the rooms feature absolute beachfront settings, private infinity pools and leafy tropical surrounds. How much? From $835 a night, sleeps two. Larger room options also available. SAVASI ISLAND RESORT, SAVUSAVU Set amongst jungle-like gardens and endless beaches, this private island resort feels like a true holiday escape. Sparkling pools, modern villas and relaxation aplenty await. How much? From $583 a night, sleeps two. Larger room options also available. DENARAU ISLAND HOME, DENARAU ISLAND A luxe, two-bedroom resort pad nestled amongst acres of tropical gardens, with lagoon-style pools and a private beach on its doorstep. How much? From $1331 a night, sleeps six. YOUR PRIVATE FLOATING HOTEL, DENARAU ISLAND The ultimate floating escape, all to yourself — this spacious catamaran boasts a suite of luxury mod-cons and fancy finishes for a true taste of the holiday high life. How much? From $472 a night, sleeps eight. [caption id="attachment_831413" align="alignnone" width="1920"] Amber Toms[/caption] SIX SENSES RESORT, MALOLO ISLAND This resort's 24 designer villas are surrounded by crisp white beaches, sparkling ocean and all the holidaying facilities you could want. Plus, each opens onto its own private pool. How much? From $1525 a night, sleeps four. Alternate room options also available. DENARAU GARDEN VIEW VILLA, DENARAU ISLAND Located within a lush five-star resort just metres from the sand, this stylish garden villa is the contemporary island paradise you've been craving. How much? From $1163 a night, sleeps four. KOKO SAVUSAVU HONEYMOON VILLA, SAVUSAVU Soak up sweeping views from the infinity pool and deck at this high-set honeymoon villa, surrounded by nature and primed for romantic getaways. How much? From $410 a night, sleeps three. THREE PALMS VILLA, SIGATOKA A roomy, group-friendly getaway with breezy indoor-outdoor living and panoramic ocean views. Split your days between poolside lounging and frolicking on the adjacent beach. How much? From $675 a night, sleeps six. THE WARWICK FIJI, SIGATOKA A luxurious suite at this five-star property involves ocean views from the balcony, pampering at the spa and some knockout dining experiences — all in one stunning spot. How much? From $372 a night, sleeps two. Alternate room options also available. VALE I YATA, MALOLO ISLAND This spacious, group-friendly retreat is nestled right on the water, surrounded by palms and with views for days. Expect high-end finishes and a blissful poolside terrace. How much? From $601 a night, sleeps eight. NAVUTU STARS RESORT, MATAYALEVU An intimate, eco-friendly resort where you'll wake to the sound of lapping waves, surrounded by nature. In your own beautifully kitted out beachside bure, no less. How much? From $409 a night, sleeps two. Alternate room options also available. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Top Image: Tokoriki Island Resort
Quentin Tarantino loves movies. He adores directing them, and has nine impressive flicks to his name spanning three decades to prove it. He's oh-so-fond of dropping references, nods and winks to other films in his films, as anyone who has ever seen even just one already knows. Sometimes, such as in Inglourious Basterds and Once Upon a Time in Hollywood, he builds the business of making movies or screening them — or both — into his plots as well. He'll chat about them at length, too, and he turned his last flick into a book that spends plenty of time delving into film and TV history. So naturally he's about to do what every film lover seems to do at some point. Yes, he's making a podcast about movies. While sitting the Reservoir Dogs, Jackie Brown, Kill Bill and The Hateful Eight filmmaker behind a microphone and just letting him wax lyrical about cinema would've attracted listeners anyway, Tarantino's new podcast does have a specific angle. Famously, he was once a video store clerk — so he's diving back into those days. That's why you'll be listening to The Video Archives Podcast, which is named after the Californian shop that Tarantino worked at in the 80s. And, staying true to that concept, he'll be discussing films that he watches on the old store's actual VHS tapes. Because Tarantino is Tarantino, he acquired the joint's tapes back in 1995, and also rebuilt the Video Archives store in his home. Now, alongside his co-host Roger Avary — who also used to work at The Video Archives, where the pair met; also then became a director, making Killing Zoe and The Rules of Attraction among other movies; and collaborated on the Oscar-winning Pulp Fiction screenplay — he'll be pulling tapes off his own shelves, watching them and getting nattering. As outlined in the podcast's just-dropped trailer, the pair will chat about movies such as John Carpenter's Dark Star, Bond film Moonraker, Mexican supernatural flick Demonoid: Messenger of Death and horror-comedy Piranha — aka titles they recommended and rented out all those years back. They'll be joined by announcer Gala Avary, Roger's daughter, and also "expose listeners to movies they didn't know they'd love, give awards to their favourites and rate the quality of the video transfer", according to the podcast's announcement. The Video Archives Podcast is set to start dropping episodes on Tuesday, July 19, and will arrive via SiriusXM's Stitcher. And yes, of course Tarantino has something to say about it already. "We never imagined that 30 years after we worked together behind the counter at Video Archives, we would be together again doing the exact same thing we did back then: talking passionately about movies on VHS," Tarantino and Avary advised in a joint statement. "Watching movies was what originally brought us together and made us friends, and it's our love of movies that still brings us together today. So we surrounded ourselves with the original Video Archives collection, where we both worked before we became celebrated filmmakers, and time-traveled ourselves back to the golden age of VHS. We LOVE to discuss movies, and we want to welcome you into The Video Archives Podcast to hang with us and Archives' new employee Gala, and discover the hidden VHS gems on our shelves." For more information about The Video Archives Podcast, which'll start dropping episodes from Tuesday, July 19, head to Stitcher. Top image: Once Upon a Time in Hollywood.
Consider yourself a budding sleuth? Here are three questions for you to solve. What's the world's longest-running play? Who wrote it? Where's it heading this year? The answers: The Mousetrap, the one and only Agatha Christie, and Australia — Sydney to be exact. Initially premiering in London's West End in 1952, it's been treading the boards in the UK ever since, only pausing during to pandemic venue closures. When theatres reopened in Britain, so did the show. Indeed, when it makes its way to Sydney's Theatre Royal from October, with the exact premiere date yet to be revealed, The Mousetrap will do so 70 years to the month that it first debuted. Unsurprisingly, that hefty run means that the show has enjoyed the longest stint for any West End production, and for any play anywhere in the world. So far, there's been more than 28,500 London performances. To answer the obvious question, yes, it's a whodunnit. The murder-mystery starts with news of a killing in London — and with seven people snowed in at a guest house in the country. They're strangers, which is classic Christie. When a police sergeant arrives on skis, they're told that the murderer is among them (which, again, is vintage Christie). They all have wild pasts, too, and all those details are spilled as they're interrogated, and also try to work out who among them is the killer. Those guests at Monkswell Manor include a pair of newlyweds who run the house, a spinster, an architect who is handy in the kitchen, a retired Army major, a man who says his car has overturned in a drift, and a jurist. Naturally, there's another death as they'e all puzzling it over — and a twist conclusion, which audiences have been requested not to reveal after leaving the theatre for seven decades now. Again, it's all Christie all over, which'll be evident if you've seen the recent film versions of Murder on the Orient Express and Death on the Nile — or the original cinema adaptations, or read the books, or devoured anything else that Christie ever wrote. View this post on Instagram A post shared by The Mousetrap Australia (@themousetrapau) The Mousetrap originated as a short radio play, which was written as a birthday present for Queen Mary. It aired in 1947 under the name Three Blind Mice, after which Christie rewrote it as a short story, then adapted it again for the stage as The Mousetrap. And no, there isn't a movie of it — because Christie stipulated that it can't leap to the screen until at least six months after the West End production closes. Clearly, that hasn't happened yet. In Australia, the play will hit the stage with Robyn Nevin directing and John Frost for Crossroads Live Australia producing. Whether it'll head to other cities as well hasn't yet been revealed — but cross your fingers. Agatha Christie's The Mousetrap will play Sydney's Theatre Royal from October, with tickets on-sale from Monday, June 27. For further details or to sign up for the wait list, head to the play's website. Top image: Matt Crockett.
If you like music and skiing, Snow Machine has served up a winning combination of the two since 2020. It takes place in chilly climes. It enlists a heap of top-notch talent to provide the tunes. And, as it soundtracks a snow-filled week, it plays out like a massive frosty party. For Australians, it also boasts another huge drawcard: getting you to take an overseas alpine holiday. When Snow Machine first debuted its savvy mix, it did so in Japan. Then came an expansion to Queenstown in New Zealand in 2022, where it's still going strong and will return come September 2024. Thinking ahead to the colder weather in the northern hemisphere in 2025, the fest has not only locked in its plans for Hakuba, its OG home, but is expanding to Niseko as well. Snow Machine has also unveiled the lineup for its two next Japanese dates, with Hakuba first up from Tuesday, March 4–Sunday, March 9, then Niseko from Monday, March 10–Saturday, March 15. Chase & Status leads the bill in both locations, with Action Bronson, Hot Chip doing a DJ set, Melanie C, A-Trak and Ken Ishii among the other names. Attendees will catch a club set from Bob Moses as well, plus DJ sets from each of Jungle and Sbtrkt. The roster of talent keeps going from there with Claptone, Cyril, Dillon Francis, DJ Kentaro, DJ Nobu & Wata Igarashi, Horse Meat Disco, Jimi the Kween, Monorochrome and Riton — plus Vintage Culture in Niseko only. Snow Machine Japan might next return when autumn will be kicking off Down Under, but it's one helluva excuse for a getaway during Japan's snow season. No matter where it's taking place, this is the hottest festival for the colder months, treating festivalgoers to action-packed days on the slopes, après ski events and its hefty lineup of international acts against an idyllic backdrop. And, because this is Japan, onsen trips, sake aplenty and yakitori bites are usually also on offer. Other than the wintry setting, one of the things that sets Snow Machine apart from other music fests is being able to book your entire getaway with your ticket. Packages span five or seven nights of accommodation, and include a festival ticket across the entire event, plus a four-day lift pass for Goryu & Hakuba 47, Tsugaike, Iwatake, Happo, Norikura and Cortina in Hakuba — and Niseko United in Niseko. A word of warning: unsurprisingly, the packages are popular. Although the Snow Machine Japan 2025 lineup has only just been announced, packages are already 70-percent sold out. If you're keen to take care of your own place to slumber and just nab a festival ticket, that's an option as well — via both day and four-day passes. Snow Machine Japan 2025 Locations and Dates: Tuesday, March 4–Sunday, March 9 — Hakuba Monday, March 10–Saturday, March 15 — Niseko Snow Machine Japan 2025 Lineup: Chase & Status A-Trak Action Bronson Bob Moses (club set) Claptone Cyril Dillon Francis DJ Kentaro DJ Nobu & Wata Igarashi Horse Meat Disco Hot Chip (DJ set) Jimi the Kween Jungle (DJ set) Ken Ishii Melanie C Monorochrome Riton Sbtrkt (DJ set) Vintage Culture (Niseko only) Snow Machine Japan 2025 will be held across Tuesday, March 4–Sunday, March 9 in Hakuba and Monday, March 10–Saturday, March 15 in Niseko. For more information and tickets, visit the festival's website. Images: Pat Stevenson. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Name an act that brings you the most happiness — and it's okay if you go with the obvious one. Looking at Mik Shida's latest series of images, you're supposed to think of it. Rites of Joy reflects upon how love and sexuality evoke the titular feeling, and how they both tie into our rituals. That's why the Brisbane-based artist's pieces look like psychedelic entities entwined in a ceremonial act transcending the bounds of known reality. That's the official description, in fact. Shida is searching for, exploring and depicting commonality and contentment in a time when differentiation, division and defined identities are prevalent, all through the invocation at its most energetic. The exhibition kicks off on October 28 with an opening night shindig, complete with beverages from Young Henrys and a fundraising component to help Queensland Writers Centre, too. After that, drop by until November 11 to see Shida's range of smile-inducing mixed media works. Image: Mik Shida.
Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, almost to the day, True Detective returns as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. Arriving weekly from Monday, January 15 via Binge in Australia and Neon in New Zealand, True Detective's fourth season is a return to form and a revitalisation. Making it happen after two passable intervening cases — with Taylor Kitsch (Painkiller), Colin Farrell (The Banshees of Inisherin) and Rachel McAdams (Are You There God? It's Me, Margaret) in season two, then Mahershala Ali (Leave the World Behind) and Stephen Dorff (The Righteous Gemstones) in season three — is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. Pizzolatto oversaw and penned or co-penned very True Detective episode before now, and helmed some season three instalments. In handing over the reins, his police procedural that's never been a standard police procedural is both a powerhouse again — which season two and three couldn't manage — and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing in season four, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo in True Detective: Night Country, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date not only the investigation at the heart of the new season, but a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. In the fictional mining town of Ennis, Foster's police chief Liz Danvers has few friends; her curt demeanour, hatred of people and long line of casual partners among the local husbands doesn't help. Reis' state trooper Evangeline Navarro certainly isn't among those who consider themselves a pal, after the two teamed up on a murder-suicide years prior. But when all eight researchers at Tsalal Arctic Research Station, all men, go missing as the polar dark spell sets in for the year, the two women are forced to collaborate. With Ferris Bueller's Day Off glitching on the base's TV and food left out, it doesn't appear that the disappeared men left by choice. A detached tongue found on the scene has Reis certain that whatever strangeness is afoot is linked to an unsolved murder of a fellow Indigenous woman six years earlier that she's determined to put to rest. There's also The Thing vibes before, during and after the glacial expanse reveals Lovecraftian horrors, and the season's supernatural thread makes its presence known. True Detective's past casts have been outstanding — the McConaughey and Harrelson season was peak McConaissance — regardless of whether the material met their talents. Recalling her Oscar-winning The Silence of the Lambs performance but as a been-there-seen-that veteran rather than a fresh recruit, Foster is the show's finest enlistment yet. As the hard-nosed, detail-driven yet secretly caring Danvers, whose mentoring relationship with her unreliable deputy Hank Prior's (John Hawkes, Too Old to Die Young) fresh-faced officer son Peter (Finn Bennett, Hope Gap) lays bare her question-driven approach and the compassionate side she'd rather hide, she's mesmerising. Beside her, so is Reis. That the latter brings unflinching passion to the part is hardly surprising for someone with just two prior on-screen credits who now co-leads Night Country with Foster, and they make a fierce and steely odd-couple pair. Crucial to López's time in charge is fleshing out the flaws, losses, hopes and yearnings that make everyone within her frames who they are. From her central duo and their law-enforcement colleagues — Christopher Eccleston (Dodger) plays Danvers' boss, who threatens to take over — to Danvers' teenage stepdaughter (Isabella Star LaBlanc, Pet Sematary: Bloodlines) and her rallying against the mine, Navarro's struggling and grief-stricken sister (debutant Aka Niviâna), and the blow-in professor (Fiona Shaw, Andor) who has gleefully left her stressful old existence behind — there's no such thing as a one-dimensional character here. Complexity snows down from every angle, including from within. While "time is a flat circle" gets a workout in one reference backwards, True Detective: Night Country's equivalent is "it's a long fucking night — even the dead get bored", but there's nothing tedious about spending six hours with its figures and mysteries. Hollywood has been embracing frosty noir heartily of late, with A Murder at the End of the World, season five of Fargo and True Detective: Night Country all arriving within months of each other. Boasting 2023 Oscar-nominee for Tár Florian Hoffmeister lensing True Detective's switch to the literally chilling, Night Country looks as sharp and biting as it feels: all gleaming snow and inky endless evening, with light and dark aesthetically warring like human impulses. This is the series' ongoing dance, but only in its first season with that famous six-minute tracking shot (by Australian Animal Kingdom, Snowtown and Top of the Lake cinematographer Adam Arkapaw) has it dazzled so visibly and hauntingly until now. Yes, True Detective is back after a five-year gap since season three — and for the first time since 2014, it's also back to its best. Check out the trailer for True Detective: Night Country below: True Detective: Night Country streams in Australia from Monday, January 15, 2024 via Binge in Australia and Neon in New Zealand. Images: HBO.
When you've already announced that you're turning 31 with Kraftwerk, what comes next? Adding an impressive list of other acts. Back in July, Meredith advised that 2023's fest would feature the German electro pioneers. Now, the beloved Victorian event has unveiled who else will be taking to its Supernatural Amphitheatre. Also leading the bill: Caroline Polachek making her first trip Down Under, plus Alvvays and Alex G. Eris Drew & Octo Octa, Flowdan and Pigs Pigs Pigs Pigs Pigs Pigs Pigs join the roster, too, as well as Sneaky Sound System, No Fixed Address and Souls of Mischief — and there's more where they came from. 2023's list of talent continues to demonstrate Meredith's knack for curating its lineup to perfection. Australia boasts no shortage of music festivals, but no one puts together a bill like the Aunty crew. "From deep discovery to elementary enjoyment. Subterranean treasures to searing virtuosos, from sunlit essentials to late-nite blasts. Never-thought-it-would-happens amidst hometown heroes. A bellow of resonant revelations." That's Meredith's own suitably evocative description of everyone taking to its single stage from Friday, December 8–Sunday, December 10. There's still a few more names to come — "a handful", the festival notes — for what's set to be a massive long weekend. To nab tickets to the beloved three-day BYO camping festival, you'll need to enter the ballot, which is up and running now until 10.31pm AEST on Tuesday, August 22. And if you'd like to head along by volunteering instead, applications are currently open as well. MEREDITH 2023 LINEUP: Kraftwerk Caroline Polachek Alvvays Alex G Eris Drew & Octo Octa Flowdan Pigs Pigs Pigs Pigs Pigs Pigs Pigs Sneaky Sound System No Fixed Address Souls of Mischief Cable Ties Blawan Floodlights moktar Telenova They Hate Change C.O.F.F.I.N. dameeeela Bumpy Kuniyuki Meninyan Miss Kaninna Gut Health Ali Milo Eastwood Watty Thompson Mary Lattimore Pachyman City of Ballarat Municipal Brass Band Meredith Music Festival will return to Meredith on Friday, December 8–Sunday, December 10, 2023. To put your name in the ballot to get your hands on tickets, head to the festival's website before 10.31pm AEST on Tuesday, August 22. Top images: Michael Ridley, Adam Ricco, Chelsea King, Steve Benn and Ben Fletcher.
There's more to going to the movies than just seeing the flicks that fill megaplexes, as Australia's thriving film festival scene demonstrates. As far as Hollywood's addition to the movie-making fold is concerned, that's where the American Essentials Film Festival comes in. Founded in 2016 as a way to fill select Aussie cinemas with the kind of US titles that don't usually make it to our shores, the touring festival returns for its second run with another lineup of noteworthy inclusions — 31 films and 20 Aussie premieres, in fact. Have pre-film drinks at Brisbane go-to Gerard's Bar — or post-film if you have plenty to say.
In a normal year, Brisbane's annual Italian Film Festival gives cinephiles a chance to venture to Europe from the comfort of their cinema seats. In 2020, it's doing the same — but for everyone desperate to soak in some scenic sights well beyond their own four walls, that mission feels especially resonant. Cue an impressive array of films that'll whisk you off to the other side of the planet, as screening at Palace Barracks and Palace James Street from Thursday, October 1–Sunday, October 18. With Bad Tales, viewers will head to a southern suburb of Rome during a tense summer. Via psychological drama Feel Your Memories, a trip to 90s-era Naples is in order. And thanks to the latest live-action version of Pinocchio — IFF's opening night film, and the latest feature by Gomorrah and Dogman's Matteo Garrone — seeing the country through the eyes of a sentient wooden puppet is also on the agenda. The festival's other highlights include Martin Eden, which nabbed The Old Guard's Luca Marinelli the Best Actor prize at the 2019 Venice Film Festival; crime drama The Traitor, which won big at Italy's version of the Oscars this year; and a 20th anniversary screening of Giuseppe Tornatore's romantic tragedy Malèna, starring Monica Bellucci. Or, you can opt for a rom-com with 7 Hours to Win Your Heart, jump into a holiday comedy via I Hate Summer and get immersed in a legal drama with Ordinary Justice. https://www.youtube.com/watch?v=66f3BFtAmZA The 2020 Italian Film Festival screens at Palace Barracks and Palace James Street from Thursday, October 1–Sunday, October 18.
UPDATE: July 3, 2019 — Since publication, Neuron has confirmed that its e-scooters will cost the same as Lime's: $1 to unlock, then 30 cents per minute. It has also revealed that its first batch of 200 e-scooters will hit the streets on July 22, with the remaining 400 rolling out in mid-August. Since November last year, Brisbane's inner-city streets have been littered with a sea of green, all thanks to Lime's electric scooters. Pick any corner between Bulimba, Paddington, West End and Teneriffe, and you'll likely spot one of the bright-coloured two-wheeled modes of transport. Soon, they'll have orange company. While Lime's arrival in the city hasn't been smooth by any means — including accidents, fines for safety breaches and, sadly, fatal injuries — e-scooters are here to stay. Last week, Brisbane City Council not only extended the company's tender, but welcomed a competitor. Singapore-based Neuron Mobility has received the nod to enter the market — adding to its operations in Thailand and Malaysia, it'll unleash 600 tangerine vehicles onto the streets. With Lime's fleet being reduced to 400 (from around 750), it will take Brisbane's motorised stand-up scooters tally up to 1000. Brisbane is the one of Neuron's first two Aussie sites — a 12-month trial will start in Darwin this year. In both cities, it'll introduce a brand new scooter, the N3, which features 12-inch tyres and a 21-centimetre-wide floorboard — which is apparently all the better for standing on safely, comfortably and with greater stability. The vehicle also includes a GPS-enabled parking indicator on its handlebar display, which'll help users find designated parking zones. So, while they're still dockless, hopefully the orange scooters won't be left just anywhere. [caption id="attachment_729081" align="aligncenter" width="1920"] Neuron Mobility in Singapore[/caption] As yet, a Brissie launch date hasn't yet been announced, and nor has pricing. In Bangkok and Chiang Mai, two of Neuron's existing cities, a scooter costs 20 baht to unlock, then one baht per minute to use — around 93 cents and then five cents, in Australian currency. Neuron also offers daily, weekly and monthly passes overseas, for the equivalent of AU$4.65, $9.30 and $28. But given Lime's current fees ($1 to unlock and 30 cents per minute), it's safe to expect that Neuron may up its Aussie prices. Overall, Neuron's service works in a familiar way. Patrons download the company's app, scan a QR code on their chosen scooter, ride to wherever they need to, find a parking spot and then add a photo of the stationary scooter to the app to end their transaction. It will also have an on-ground operations team taking care of daily maintenance, making sure that the right spread of scooters are available across the city, swapping out batteries to keep the vehicles juiced and overseeing parking. For more details about Neuron Mobility, visit the company's website. We'll keep you updated on news of a Brisbane launch.
Whether you’re a Contiki nut or have more Frequent Flyer points than friends, you’ve probably had a bad hotel or hostel experience. Broken lifts, short, foreign hairs on pillows, unflushable toilets, flocks of cockroaches, wafer-thin walls – it’s a traveller’s nightmare, and rarely endearing. Metro Arts’ latest stage show Life Without Me shows that behind all the flaws, faults and dysfunctions hotels can hold, there’s always room for adventure, especially when you’re stuck with a bunch of misfits. Performed by an energetic team from Basement Arts, Life Without Me follows characters, their distresses, and loves, and the discomforts claustrophobia and unfluffed pillows can simultaneously fuel and solve. A widow’s grip loosens on the arid loss of a daughter, lovers find themselves at the hands of insanity, and a stranger lingers, but with little soul to involve himself in the crowd. Life Without Me is a hotel mystery with spin and twists – you’ll be constantly asking yourself, Wotif?
Fancy an art experience that extends beyond looking at works on a wall? Then prepare to be impressed by Melbourne's new 3000-square-metre, 11-metre-high immersive digital art gallery. Originally set to open in late 2020, then in autumn this year, and then in September, The Lume will finally open its doors on Monday, November 1. The big drawcard: projections of some of the world's most celebrated artworks, which will be splashed across various surfaces at the site's permanent home at the Melbourne Convention and Exhibition Centre (MCEC). Those luminous displays will be backed by powerful musical soundtracks, too, and even complemented by aromas. So yes, the idea is to engage multiple senses — and build the kind of art experience that surrounds you in multiple ways. When it opens its doors, The Lume's inaugural exhibition at will celebrate the works and life of Vincent van Gogh — so, you'll be able to walk through artworks like The Starry Night and Sunflowers while listening to a classical music score. For the latter, there'll be a dedicated mirror infinity room filled with sunflowers. Elsewhere, expect a reimagined Café Terrace 1888, and a life-size recreation of Van Gogh's Bedroom. If you were lucky enough to make it up to Sydney last year for Van Gogh Alive, you'll know what you're in for. The project is the brainchild of Melbourne-based Grande Experiences, which, for the past 15 years, has hosted immersive exhibitions and gallery experiences in over 130 cities across the world — and is taking Van Gogh Alive around Australia this year, too. The company also owns and operates Rome's Museo Leonardo da Vinci. Abiding by Victoria's reopening roadmap, The Lume will only be welcoming in double-vaccinated patrons upon opening. The Lume will open at the Melbourne Convention and Exhibition Centre on Monday, November 1 — operating Monday–Thursday from 10am–9pm, Friday from 10am–10pm, Saturday from 9am–10pm and Sunday from 9am–9pm. For more information, or to buy tickets, head to the venue's website.
Some kinds of movie magic never get old, and Studio Ghibli's films are exactly that type. Understandably, a whole heap of Brisbane cinemas have agreed with that idea over the years, hosting their own events dedicated to the Japanese animation house. The Elizabeth Picture Theatre is one of them, and the venue just keeps bringing back its Ghibli program again and again. We understand — who doesn't want to watch these animated delights over and over? Returning for 2023 from May–July, and screening twice a week on select dates — at 1.30pm and 6.30pm on various Thursdays and Sundays, to be specific — this year's fest gives fans yet another chance to catch Studio Ghibli's gorgeous features on the big screen. Yes, you should make like a moving castle to see Howl's Moving Castle (on July 20 and 23) this time. And yes, you'll be palling around with My Neighbour Totoro (on July 13 and 16) once again. Other highlights include Spirited Away (on May 18 and 21), Grave of the Fireflies (on July 27 and 30) , Ponyo (on May 25 and 28), Princess Mononoke (on June 8 and 11) and The Wind Rises (on June 1 and 4). If you've missed these films in their limited cinema runs or fest appearances in the past, consider this your chance to catch up. Sure, you might've seen everything that Studio Ghibli has made before — but these movies really are something extra special when they're flickering across the silver screen.
Wine. It's a perfect elixir that can make any ordinary, humdrum Wednesday into an unforgettable adventure. Sommeliers, wine folk and your parents have been harping on for years about wine's natural symbiosis with food — but what about situational drinking? What wine goes best with outdoor boxing in the park? (Yep.) Or should you bring white or red to the open air cinema? Don't worry, we've got your back. Using the same fundamental principles applied to pairing wine with food — take one element in the dish and pair it to one element in the wine — we've combed through the Vinomofo cellars to find you the best drinking drops no matter the occasion, time of day or experience you might find yourself in. And what's more, if you find yourself with some extra American Express reward points kicking around after all those winter purchases, you can use those babies to purchase some vino and start stocking up your home cellar. Here are the drops you should be looking to first. CHABLIS AND A TRIP TO THE FISH MARKETS Ah, Chablis: one of the purest expressions of Chardonnay there is. From its delicate acidity to the oyster shell, saline minerality that weaves its way through the palate, plus the wine's invigorating lemon sherbet finish, it's easy to see why the French drink it by the magnum. The most natural pairing in the world would be chilled oysters with fresh lemon squeezed over them (or if you want to be really French, a drizzle of the Chablis you're drinking) or a trip to the local fish markets to pick up some fresh scallops to sear at home. Add a little bit of 2014 Le Domaine d'Henri Les Allées du Domaine Chablis in the pan with some butter, garlic, fresh thyme and the scallops, and, more importantly, a little bit poured in your mouth while you're at it. Dinner, sorted. ROSE AND AN OPEN AIR CINEMA Springtime is well and truly on our doorstep. The daytime's losing that touch of chill in the air, the evenings are starting to feel balmy, and when you inhale, a sweet floral fragrance tickles your senses thanks to new spring blooms. This warmer, sweeter weather means the return of many great outdoor activities, including the spring/summer fave: outdoor cinemas. So, while sitting on the grass at your local open air cinema watching a classic like Top Gun or Ferris Buller's Day Off, you'll need a wine that encapsulates all those springtime flavours feels, something refreshing but also all about fun. Enter rosé. Dubbed 'spring in a glass' with its jasmine floral notes, hints of wild strawberries and just a touch of sage lingering on the finish to add dimension, the 2016 Chateau Sainte-Croix Charmeur Rosé is the perfect accompaniment to your homemade cheese and charcuterie plate as the sun goes down and the movie flickers on. PINOT NOIR AND FRIDAY NIGHT POKER WITH THE CREW It's Friday, the end of the working week, and this can be cause for celebration — or a chance to sit pants-less on the couch watching TV and relax. And for some, Friday calls for the overwhelming need to rob your friends blind of their hard-earned cash with a game of poker, all while inhaling slices of pizza. But what to pair with your large margherita pizza and the tears of your friends? If you really want to bring your A-game to pizza and poker night, bring a bottle 2014 Oakridge 864 'Lusatia Park Block B' Pinot Noir. At the higher end of the price bracket, this vino is worth every poker chip. It's a rare little gem from the Yarra Valley, with its cranberry notes and plum flavours that match harmoniously with the sweet tomato sauce of the pizza and high acidity that cuts through the greasiness of the cheese and dough. SPARKLING WINE AND AN OUTDOOR FITNESS CLASS We've all got that one friend, who, as soon as the weather starts to warm, wants to shake off the shackles of winter by throwing themselves into an outdoor fitness class or boot camp. And perhaps you are that friend. Well, do yourself a favour and put down that disappointing protein shake (with those lumps of banana that never quite seem to get pulverised in the blender) and pick up a bottle of bubbles, because nothing pairs better with sweat and sunshine like sparkling wine. Think about it; you're lying on the grass, exhausted, you've doused yourself in what feels like ten litres of water and you're still not refreshed. Then, a glass of NV Bisou Bisou Blanc de Blancs is handed to you, and from the first sip of its lemon zest and granny smith apple notes, you feel instantly revived. Now, aren't you glad you did those extra ten burpees? PRIMITIVO AND THE 'CASUAL' MEET-THE-PARENTS BARBECUE There is one experience we can all agree is universally terrifying: meeting your significant other's parents for the first time. When the day arrives, you start to break into a cold sweat with a thousand questions running through your mind. What do I wear? Do I have time for a haircut between now and then? What happens if they don't like my jokes? But one question inevitably rises above all others: what should I bring? This epitomises what wine was made for; it will be your friend and ally calming your nerves, your buffer between awkward pauses and the catalyst for a great first impression. So what's the ideal drop to get the conversation started? The 2015 Bollina 'Tavros' Primitivo di Manduria. And what's Primitivo you ask? It's the grape variety that has a long, proud lineage in Italy and is a very close relative (almost genetically identical) to the Zinfandel grape variety widely planted in California. The most appealing part of this style of wine is that it's a killer accompaniment to barbecued meats, as its flavour profile is similar to a Barossa Shiraz (another conversation starter) with firm tannins, dark and opulent fruits and just the right amount of vanilla oak that screams for protein to break it down. Treat yourself this spring. More and more places welcome American Express — like Vinomofo — and you can even use your reward points to pay off your purchases, so you'll feel like you're winning at life as you use all those points you've collected over winter
For 22 years, E'cco Bistro wasn't just a place to eat in Brisbane — it was one of the places to eat in Australia. In 2018, however, it said goodbye to Boundary Street and hello to Newstead, re-emerging with a progressive menu, more casual fit-out and a Brazilian charcoal grill to boot. That might sound like a considerable amount of change for the classic haunt, but it's still an absolute must-visit. Maintaining the same fresh, simple, produce-driven ethos of culinary mastermind Philip Johnson in partnership with Head Chef Simon Palmer, the grill now takes centre stage where octopus, king prawn, beef tenderloin and even carrots all get the special treatment over the coals. When it comes to E'cco Bistro's fit-out, it's all about limestone and brick floors, a marble bar and kitchen benchtop, American oak detailing and subtle patterns — plus elements of the original E'cco Bistro, too. Locals might notice that the new banquette seats have details from the old circular seat-backs, so it's basically a part of Brissie history. The excellent, impressively restrained wine list is always an adventure worth exploring in depth, and if the a la carte lineup is too overwhelming just roll with one of the tasting menus (which include very good options for vegetarian and vegan diners). Hot tip: do not sleep on the house fries. Images: Atlanta Bell. Appears in: The Best Restaurants in Brisbane
Hordes of imitators have spilled ones and zeros claiming otherwise, but the greatest move The Matrix franchise ever made wasn't actually bullet time. Even 22 years after Lana and Lilly Wachowski brought the saga's instant-classic first film to cinemas, its slow-motion action still wows, and yet they made another choice that's vastly more powerful. It wasn't the great pill divide — blue versus red, as dubiously co-opted by right-wing conspiracies since — or the other binaries at its core (good versus evil, freedom versus enslavement, analogue versus digital, humanity versus machines). It wasn't end-of-the-millennia philosophising about living lives online, the green-tinged cyberpunk aesthetic, or one of the era's best soundtracks, either. They're all glorious, as is knowing kung fu and exclaiming "whoa!", but The Matrix's unwavering belief in Keanu Reeves and Carrie-Anne Moss is far more spectacular. It was a bold decision those two-and-a-bit decades ago, with Reeves a few years past sublime early-90s action hits Point Break and Speed, and Moss then known for TV bit parts (including, in a coincidence that feels like the product of computer simulation, a 1993 series called Matrix). But, as well as giving cinema their much-emulated gunfire-avoidance technique and all those other aforementioned highlights, the Wachowskis bet big on viewers caring about their central pair — and hooking into their chemistry — as leather-clad heroes saving humanity. Amid the life-is-a-lie horrors, the subjugation of flesh to mechanical overlords and the battle for autonomy, the first three Matrix films always weaved Neo and Trinity's love story through their sci-fi action. Indeed, the duo's connection remained the saga's beating heart. Like any robust computer program executed over and over, The Matrix Resurrections repeats the feat — with plenty of love for what's come before, but even more for its enduring love story. Lana goes solo on The Matrix Resurrections — helming her first-ever project without her sister in their entire career — but she still goes all in on Reeves and Moss. The fourth live-action film in the saga, and fifth overall counting The Animatrix, this new instalment doesn't initially give its key figures their familiar character names, however. Rather, it casts them as famous video game designer Thomas Anderson and motorcycle-loving mother-of-two Tiffany. One of those monikers is familiar, thanks to a surname drawled by Agent Smith back in 1999, and again in 2003 sequels The Matrix Reloaded and The Matrix Revolutions. But this version of Thomas Anderson only knows the agent from his own hit gaming trilogy (called The Matrix, naturally). And he doesn't really know Tiffany at all, instead admiring her from afar at Simulatte, their local coffee shop. Before Reeves and Moss share a frame, and before Anderson and Tiffany's awkward meet-cute, The Matrix Resurrections begins with blue-haired hacker Bugs (Jessica Henwick, On the Rocks). She sports a white rabbit tattoo, observes a scene straight out of the first flick and helps set the movie's self-referential tone. As a result, The Matrix Resurrections starts with winking, nodding and déjà vu — and, yes, with a glitch, with Lana and co-screenwriters David Mitchell (author of Cloud Atlas) and Aleksandar Hemon (Sense8) penning a playful script that adores the established Matrix lore, enjoys toying with it and openly unpacks everything that's sprung up around it. Long exposition dumps, some of the feature's worst habits, explain the details, but waking up Anderson from his machine-induced dream — again — is Bugs' number-one aim. The Matrix Resurrections' main task: reteaming Neo and Trinity, and getting them to realise that they even are Neo and Trinity. Once more, Wachowski knows where the saga's heart resides, that its existential dramas are about people, and that the bonds that bind us are our lifeblood. But now that Neo and Trinity inhabit a realm where a game series with the exact same plot as the first three Matrix movies is Anderson's livelihood, the path to simulation-dismantling love is unsurprisingly paved with difficulties. Here are three: the demands by Anderson's business partner (Jonathan Groff, Hamilton) for a sequel to the games, the blue pills prescribed by Anderson's analyst (Neil Patrick Harris, It's a Sin), and Tiffany's husband Chad (played by the John Wick franchise's director Chad Stahelski, who was also Reeves' stunt double in the first Matrix flick) and all he represents. Reviving a romance last seen on-screen 18 years ago, raising its main players from the dead, bringing back other characters in altered guises, liberally weaving in clips from past films — stitched together as it is from oh-so-many familiar parts, you could call The Matrix Resurrections a Frankenstein's monster of a movie. Wachowski has found a rare way to make that a positive more often than not, however, because deprogramming the notion that anything is just one thing alone couldn't be more crucial here. That truth pulsates through the film's action, too, which can't live up to the original and doesn't particularly seem to try. Enough of the movie's fights and chases and sci-fi trickery still look stunning, but The Matrix Resurrections wants audiences to go "whoa!' over its ideas, emotions and meta-philosophising above all else. Even the warmer colour scheme — sorry, fans of futuristic green — casts this new tumble down the rabbit hole in multiple lights. A film can be daring, evolve its franchise while mining nostalgia with care and savvy, and make the utmost of its biggest strengths — Reeves and Moss, clearly, who could melt faces with their chemistry. It can be both fun and funny, and also skewer the company resuscitating it (that'd be Warner Bros, with The Matrix Resurrections doing a superior job of making the joke than the studio's horrible Space Jam: A New Legacy). It can offer a sincere ode to love, human connection and perseverance, too, and transform old parts to make them feel different in the process. Still, while so much about The Matrix Resurrections dazzles — Yahya Abdul-Mateen II (Candyman) joining the fold and rocking magnificent suits among them — sometimes it's just clunkily new and clumsily self-referential rather than fresh. Believing in Reeves and Moss remains its biggest superpower, though. If the energy from their timeless on-screen romance can help the world forget how underwhelming The Matrix Reloaded and The Matrix Revolutions both proved, it can fuel this mostly thrilling, almost-always-entertaining look back in the sci-fi mirror.
Is sand crab lasagne Queensland's most famous dish? Since the early 90s, when Gillian Hirst put it on the menu at the now-closed Il Centro on Eagle Street, the seafood spin on an Italian staple has been a firm Sunshine State favourite. Your latest spot to tuck in: West Village in West End, which has added both Zazu Dining & Bar and Hirst's lasagne to its ever-growing culinary offering. The Boundary Street precinct has welcomed this newcomer on the corner of Mollison Park. Zazu Dining & Bar's menu heroes pan-Asian and modern European fare, which means tucking into tiger prawn cone spring rolls, Balkan-style beef and pork kebabs, six types of oval-shaped pizza and three kinds of dumplings, as well as bao, carpaccio and chicken karaage. Other Zazu Dining & Bar highlights include oysters with creme fraiche or pickled jalapeno and chilli floss, crispy duck pancakes, glazed pork hock pancakes and a one-kilogram slow-cooked lamb shoulder. And the lasagne? It comes in a 500-gram serving with abalone cream and black caviar, and is recommended to be shared. The dessert lineup dishes up vanilla cheesecake, sorbet and chocolate fondant — and there's no shortage of indulgences on the cocktail roster. Three daiquiris (strawberry, mango and passionfruit) sit alongside six martinis (classic, French, espresso, spiced rum espresso, passionfruit and pink lychee), three negronis (classic, silver and cloud) and five margaritas (classic, chilli, strawberry, flamingo and Tommy's), for starters. Wondering what a cloud negroni is? It's topped with pineapple foam, crushed chocolate and crushed honeycomb. From there, you can also sip whisky sours, old fashioneds, mojitos, cosmopolitans and more. A number of the cocktails also come in mini versions if you're only after a smaller beverage. A hefty 90-plus-option wine menu, an array of spirits and beers, and also mocktails round out the drinks list — with the vino choices on the eye-catching wine wall spanning the globe but also favouring Australian drops. Design-wise, Zazu Dining & Bar's look is sleek, featuring glass, black, grey and greenery aplenty. Mood is a big focus here, with noise and lighting sensors to help. And, if you've got an occasion to celebrate, the venue also includes a sunken private dining room and a mezzanine function space.
When King Richard III was killed in battle in the 15th century, did anyone wonder about a public holiday? Given the era and its working conditions, likely not. There's also the hardly minor fact that the monarch was slain by the forces of Henry Tudor, who promptly became England's ruler, so downing tools for a day of mourning probably wasn't a priority. The world has a frame of reference for grieving a British sovereign, though, and recently. When Queen Elizabeth II died in September 2022, pomp and ceremony reigned supreme. Dramatising the discovery of Richard III's remains, The Lost King wasn't made with the queen's passing in mind. Actually, it world-premiered a day afterwards. But the Stephen Frears (Victoria & Abdul)-directed, Steve Coogan- and Jeff Pope (Philomena)-scripted drama benefits from audiences knowing what's done now when whoever wears the crown is farewelled. The Lost King isn't about chasing a parade, pageantry, and a day off work for the masses in Britain and further afield. Charting the true tale of Richard III's location and exhumation 527 years after he breathed his last breath, it follows a quest for recognition and respect. When the film opens, Philippa Langley (Sally Hawkins, The Phantom of the Open) wants it for herself, as a woman over 40 overlooked for a promotion at work in favour of a younger, less-experienced colleague — and as someone with a medical condition, myalgic encephalomyelitis/chronic fatigue syndrome, who's too easily dismissed due to her health. She's also newly separated from her husband John (Coogan, This Time with Alan Partridge), adding to her unappreciated feelings. It's no wonder that Richard III's plight catches her interest thanks to a production of Shakespeare's Richard III, aka one of the reasons that the king was long seen as a hunchbacked villain. Swiftly an amateur historian, Philippa objects to the characterisation of the last Plantagenet sovereign as monstrous, a usurper and a murderer, and the connection between this dim standing in the annals of history and being a person with a purported disability. As she researches via piles of books, zoom chats and the Richard III Society, aka the Ricardians, she questions what's fact and fiction — not just due to Shakespeare, but also Tudor propaganda from five centuries earlier. Arguing the case, including with dismissive academics, is one thing; however, taking on the search to find the monarch's long-lost skeleton is another. It's a two birds, one stone situation in The Lost King's neat screenplay: restore the denigrated ruler's reputation and put his remnants to rest, and show Philippa's own naysayers — or even just herself — what she can achieve. Yes, she follows a hunch. Yes, there's an obligatory gag about it British cinema loves an everyperson taking on the establishment, and underdogs in general. The past two years have also delivered The Dig and The Duke, after all. The first chronicled another extraordinary find by someone not deemed an expert, and the second delighted in its working-class protagonist's antics with Goya's Portrait of the Duke of Wellington — and, in a case of tonal seesawing, The Lost King recalls both. There's clearly a fascinating IRL story behind this flick, which ripples with intrigue whether or not you already know the details (or you've merely seen the trailer, which spells everything out). There's also a tussle between positioning the film as a bit of a caper and something more serious. Having Philippa see Richard III (Harry Lloyd, Brave New World) — being haunted by the play's version of him and talking to him, in fact — wavers between the two moods depending on the scene. Buried within The Lost King is a sense that Frears, Coogan and Pope — who all collaborated on Philomena, too — aren't always sure how they want the movie to land with audiences. They're patently keen for it to inspire rousing support for everyone who's ever been downplayed, cast aside or ignored, including for their gender and health. They're eager for the same emotions to spark up for anyone ever saddled with a pre-judged narrative about themselves that isn't accurate, as both Richard III and Philippa are, as well. And yet, there's also an air of not quite trusting that the true tale being relayed innately evokes those responses. It does, so everything feels simplified and smoothed out here, given too many quirks and rendered a tad cartoonish. Also noticeable: using the contemptuous academics as easy adversaries, perhaps as conveniently as Shakespeare is said to have demonised Richard III. Getting angry at seeing Philippa pushed aside and underestimated again and again is easy, but so is spotting how The Lost King itself is constructing its story. Thankfully, Frears does trust in Hawkins, the feature's MVP alongside its real-life details (and an on-screen treasure in everything from Happy-Go-Lucky and Submarine to The Shape of Water and the Paddington movies). The two-time Oscar-nominee serves up a winning, earnest and relatable blend of vulnerability, warmth, curiosity and determination, plus the kind of persistence that arises when someone has spent too long being forced to fight just to be seen, let alone valued. Indeed, even when The Lost King is at its slickest and most straightforward — or when it inexplicably focuses on whether John will get a new car — she's its anchor and heart. With Philomena in 2013, The Lost King's key creative trio also unearthed the past. As they do now, they similarly told of addressing secrets and redressing wrongs. And, they centred on a mature woman, enlisted a phenomenal leading lady to play the part, gave Coogan a prime role and set it all to an emphatic Alexandre Desplat (Guillermo del Toro's Pinocchio) score. There's no doubting why their latest collaboration has a formulaic feel to it, then, despite the intriguing slice of history it brings to the screen. No one needs the type of intuition that guided Philippa to the Adult Social Services department's car park in Leicester, to a space marked 'R' for reserved, to spy those parallels. No one needs as much force and fantasy as The Lost King deploys, either, to understand that this is a rare and meaningful tale that's told with all the subtlety of the world's latest royal goodbye — so, very little. Richard III and Queen Elizabeth II's deaths mightn't have much in common but, via this still engaging-enough film, they do share that.
Old hat, new whip. No, that isn't Dr Henry Walton 'Indiana' Jones' shopping list, but a description of Indiana Jones and the Dial of Destiny. While the fifth film about the eponymous archaeologist is as familiar as Indy films come, it's kept somewhat snapping by the returning Harrison Ford's on-screen partnership with Fleabag's Phoebe Waller-Bridge. When this 15-years-later sequel to 2008's Indiana Jones and the Kingdom of the Crystal Skull begins — swinging into cinemas after 1981's Raiders of the Lost Ark, 1984's Indiana Jones and the Temple of Doom and 1989's Indiana Jones and the Last Crusade, too — Indy's trademark fedora and strip of leather have already enjoyed ample action. So has the George Lucas-created franchise's basic storyline. If you've seen one Indy outing in the past 42 years, you've seen the underlying mechanics of every other Indy outing. And yet, watching Ford flashing his crooked smile again, plus his bantering with Waller-Bridge, is almost enough to keep this new instalment whirring. Across the quintet of Indy flicks — a number contractually locked in at the outset, even if it took almost half a century to notch them all up — a trinket always needs recovering. Whether it's a relic, stone, cup, carving or, as here, a device by Ancient Greek mathematician, philosopher and inventor Archimedes that might facilitate time travel, nefarious forces (typically Nazis) always want said item as well. Also, only antics that've influenced the likes of Tomb Raider, National Treasure and Jungle Cruise can ensure that whatever whatsit is at the heart of whichever picture stays out of the wrong hands. The object in question falls into those mitts at some point, of course. Indy goes globetrotting and cave diving to save it, and skeletons and creepy-crawlies tend to get in his way. Reliably, he has female company. Frequently, there's a young offsider tagging along. A constant: the whole escapade bounding to the tune of John Williams' rousing theme, which is now acoustically synonymous with adventure. Lucas didn't come up with the story for Indiana Jones and the Dial of Destiny, though, in a first for the saga that he conjured up as a new version of 30s and 40s movie serials. Steven Spielberg (The Fabelmans) similarly steps away from directing, which is also uncharted Indy territory. But Logan and Ford v Ferrari filmmaker James Mangold knows the drill, as do his co-screenwriters Jez Butterworth and John-Henry Butterworth (both alumni of the helmer's latter title), plus David Koepp (Kimi). To be fair, everyone knows the drill: see above. It isn't hard, then, for Indiana Jones and the Dial of Destiny to surpass the woeful Indiana Jones and the Kingdom of the Crystal Skull, which it does. Still, it isn't easy for it avoid playing like a copy of Lucas and Spielberg at their much-earlier Indy best, something that it can't manage. Mangold and company's initial step is to start by pretending that they're making an Indy flick decades back with a younger Ford. Hollywood's digital de-aging technology gets its latest workout in Indiana Jones and the Dial of Destiny's opening sequence — and a more-than-passable one — where it's 1944 and Nazis lurk. World War II is waning. Hitler is in his bunker. His underlings are scrounging up all the antiquities they can. Enter Indy spying with his British friend Basil Shaw (Toby Jones, Tetris); physicist Jürgen Voller (Mads Mikkelsen, Fantastic Beasts: The Secrets of Dumbledore) being certain that he's found part of the Archimedes Dial, aka the Antikythera; and showdowns on a loot-filled train to get the titular object away from the Third Reich. From there, Indiana Jones and the Dial of Destiny's bulk takes place in 1969. The film reteams with Indy as a moon-landing party wakes up the about-to-retire professor from a whisky-ushered, underwear-clad slumber in his armchair — and he isn't happy. Ford in cranky and cantankerous mode, but with tenderness inside, remains a gem to watch. It worked in TV series Shrinking earlier in 2023 (one of his two recent TV roles, alongside Yellowstone prequel 1923), and it would've been the heftiest surprise that the Indy movies have delivered if it didn't also shine in his current big-screen franchise revival of late (after Blade Runner and Star Wars, obviously). Ford bickering gruffly is equally gleaming, which is where Waller-Bridge fits in as Helena Shaw, Basil's daughter and Indy's goddaughter, who wisecracks back, can hold her own in a fray and car, and says she wants help locating the entire Antikythera. If everyone could be taken at their word, this wouldn't be an Indy entry, just like if the MacGuffin was simple to source and protect, travelling by map didn't feature and, since Raiders of the Lost Ark, well-loved faces stopped resurfacing. Indiana Jones and the Dial of Destiny ticks all those boxes and always feels as if it's making a show of ticking them — regularly, gleefully, less gracefully and convincingly digging into the franchise's past Star Wars: Episode VII — The Force Awakens nod-and-reuse style. There's the old hat again, no matter what's atop Ford's head. Lacking Spielberg's knack for memorable action, many of the chases and puzzles have an urgent, immediate yet been-there-done-that air (and the setpieces keep coming, involving horse-and-motorcycle pursuits, subway tunnels, tuk tuks, underwater jaunts, eels, tombs and more). Mangold tries to patch over the boilerplate plot, but those efforts are as flimsy as anything that's ever threatened Indy's world-saving goals. Indiana Jones and the Dial of Destiny didn't need to stretch out this latest go-around to the series' longest running time yet — 154 minutes — but with Ford and Waller-Bridge at the movie's core, understanding that choice isn't difficult. Although they're better than the material again and again, as is Short Round replacement Teddy (Ethann Isidore, Mortel), it's entertaining to bask in the pair's back-and-forth as Indy and Helena zip through the franchise-standard challenges. There's the new whip, because Ford and Waller-Bridge are that crucial to giving Indiana Jones and the Dial of Destiny any spark and charge. While the five-film promise is now fulfilled and this has been dubbed the saga's star's last ride, a tighter and bolder follow-up with them at the centre wouldn't be unwelcome if there have to be more Indy movies, which money dictates there'll have to be. And if not, passing the satchel and leather jacket to Everything Everywhere All At Once Oscar-winner Ke Huy Quan, marking his return after making his acting debut in Indiana Jones and the Temple of Doom, would be one of the Indy franchise's most cracking moves.
UPDATE, March 25, 2022: The Worst Person in the World is currently screening in Australian cinemas, and is also available to stream via Google Play, YouTube Movies, iTunes and Prime Video. When Frances Ha splashed a gorgeous portrait of quarter-life malaise across the screen nearly a decade back — proving neither the first nor last film to do so, of course — its titular New Yorker was frequently running. As played by Greta Gerwig, she sprinted and stumbled to David Bowie's intoxicating 'Modern Love' and just in general, while navigating the constantly-in-motion reality of being in her 20s. It takes place in a different city, another country and on the other side of the globe, but The Worst Person in the World's eponymous figure (Renate Reinsve, Phoenix) is often racing, too. (Sometimes, in the movie's most stylised touch, she's even flitting around while the whole world stops around her.) Norwegian writer/director Joachim Trier (Thelma) firmly understands the easy shorthand of watching someone rush — around Oslo here, but also through life overall — especially while they're grappling with a blatant case arrested development. Capturing the relentlessly on-the-go sensation that comes with adulthood, as well as the inertia of feeling like you're never quite getting anywhere that you're meant to be, these running scenes paint a wonderfully evocative and relatable image. Those are apt terms for The Worst Person in the World overall, actually, which meets Julie as she's pinballing through the shambles of her millennial life. She doesn't ever truly earn the film's title, or come close, but she still coins the description and spits it her own way — making the type of self-deprecating, comically self-aware comment we all do when we're trying to own our own chaos because anything else would be a lie. The Worst Person in the World's moniker feels so telling because it's uttered by Julie herself, conveying how we're all our own harshest critics. In her existence, even within the mere four years that the film focuses on, mess is a constant. Indeed, across the movie's 12 chapters, plus its prologue and epilogue, almost everything about Julie's life changes and evolves. That includes not just dreams, goals, fields of study and careers, but also loved ones, boyfriends, apartments, friends and ideas of what the future should look like — and, crucially, also Julie's perception of herself. As the ever-observant Trier and his regular co-screenwriter Eskil Vogt track their protagonist through these ups and downs, using whatever means they can to put his audience in her mindset — freezing time around her among them — The Worst Person in the World also proves a raw ode to self-acceptance, and to forgiving yourself for not having it all together. They're the broad strokes of this wonderfully perceptive film; the specifics are just as insightful and recognisable. Julie jumps from medicine to psychology to photography, and between relationships — with 44-year-old comic book artist Aksel (Anders Danielsen Lie, Bergman Island), who's soon thinking about all the serious things in life; and then with the far more carefree Eivind (Herbert Nordrum, ZombieLars), who she meets after crashing a wedding. Expressing not only how Julie changes with each shift in focus, job and partner, but how she copes with that change within herself, is another of The Worst Person in the World's sharp touches. At one point, on a getaway with friends more than a decade older than her, Julie is laden with broad and trite generalisations about being her age — which Trier humorously and knowingly counters frame by frame with lived-in minutiae. A place, a person, the chaos that is being an adult (and, with the latter, the truth rather than the stereotypes): across three thematically connected films, spanning 2006's Reprise, 2011's Oslo, August 31st and now The Worst Person in the World, that's been Trier's formula. Calling it a pattern or recipe does the trio an injustice, though, because each feature is as individual as any person. Here, Trier is clearly aware of how romantic dramedies like this typically turn out, and ensures that his movie never simply parrots the obvious — unless it's unpacking the chasm between the standard big-screen story we've all seen too many times and the tangled reality. This isn't the usual cliche-riddled affair, and that commitment to transcend tropes, and to truly contemplate what growing up, being an adult and forging a life is really like (including at both the sunniest and the most heartbreaking extremes), both feeds and enables Reinsve's astonishing work. Sometimes, a performance just flat-out shakes and startles you — and Reinsve's falls into that category. That's meant in the greatest of ways; she won the 2021 Cannes Film Festival Best Actress award for her efforts, and turns in a complex, layered and no-holds-barred portrayal that's one of the finest of the year. She could've waltzed into the film straight out of any twentysomething's circle of friends. She plays her part with exactly that air, and she's magnificent. In a movie that proves a discerning and disarming character study above all else, and a masterpiece of one, her performance soars with heart and soul when Julie is at her best, sparkles with chemistry with both Danielsen Lie and Nordrum — both of whom are terrific, too — and seethes with both pain and growth in the character's hardest moments. It shouldn't come as a surprise given how much bobbing around it does — between chapters and the parts of Julie's life they cover, between all the things earning her attention at any given moment, and within Reinsve's multifaceted performance — but The Worst Person in the World is also a tonal rollercoaster. Again, that's a positive thing. As a snapshot of an age and life stage, Trier helms a film that's canny and incisive, also perfects the sensation of constantly zipping onwards even when it seems as if you're stuck, and knows how to find both joy and darkness in tandem. That kind of duality also graces the screen visually, in a feature that can be both slick and naturalistic, which is another deft touch. There's an enormous difference between telling viewers what it's like to be Julie and showing them — and The Worst Person in the World makes sure its audience not only feels it, but feels like they're running through it with Julie as well.
Australia has lost an icon, with news of Olivia Newton-John's death sadly announced on Tuesday, August 9. Across more than half a century in the entertainment industry, the British Australian singer and actor helped give the world everything from Grease to Xanadu — and songs such as 'I Honestly Love You' and 'Physical', too. There are plenty of ways to pay tribute to Newton-John. Singing 'You're the One That I Want' and 'Hopelessly Devoted to You' all day counts. Rewatching Grease for the billionth time does as well. And, so does getting 'Xanadu' or 'Magic' stuck in your head. Or, you can truly take the star's advice and get physical at Retrosweat's tribute sessions. The aerobics outfit is dedicating two sessions this week — its regular classes at 7pm on Tuesday, August 9 and at the same time on Thursday, August 11 — to the Aussie legend. Each one runs for 60 minutes, and dressing like you're stepping out of Newton-John's 'Physical' clip (or even wearing anything Grease or Xanadu-themed that doubles as workout attire) is recommended. Sydneysiders can head along at 242 Young Street in Waterloo on Tuesday — and 525 Crown Street in Surry Hills on Thursday. Fancy joining in at home or from outside of Sydney? Retrosweat livestreams its classes, including these two, if you join its Retrosweat Home Video service. In preparation for the classes — and just to bask in Newton-John's 80s-era glory — you can revisit the 'Physical' music video below:
In this or any other galaxy far, far away, now and a long time ago alike, this is a first: an exhibition displaying the largest collection of life-sized Lego Star Wars models ever assembled, and ranking as the biggest touring Lego showcase ever. Lego Star Wars: The Exhibition was initially announced in 2024, and now unveils the scenes crafted from its eight-million-plus plastic bricks at Melbourne Museum on the best day for it: May the fourth. The force is strong with this one — the Lego-building force, that is, in this world-premiering exhibition featuring Lego models based on the George Lucas-created space saga. Locations, characters, duels: they're all included, such as the Millennium Falcon, Emperor Palpatine's throne flanked by two Royal Guards, a stormtrooper helmet, Luke Skywalker and Darth Vader facing off, and the Mandalorian and Moff Gideon doing the same. Lego Star Wars: The Exhibition hails from Ryan McNaught aka Brickman, who has indeed been spending time turning plastic rectangles, squares and other shapes into a recreation of the smash-hit franchise that's been soaring across screens big and small — and beyond — for almost five decades now. To build, the showcase took more than 25,000 hours at McNaught's headquarters in Tullamarine. As it constructs an immersive experience and follows in the footsteps of the Jurassic World series, which has also received the Lego treatment from Brickman, Lego Star Wars: The Exhibition has plenty of material to draw upon. On-screen, so far it spans the initial film trilogy that released from 1977–83, then the prequels from 1999–2005, then the sequels — including The Force Awakens, The Last Jedi and The Rise of Skywalker — from 2015–2019. Rogue One, Solo, The Mandalorian, The Book of Boba Fett, Obi-Wan Kenobi, Andor, Ahsoka, The Acolyte, Skeleton Crew: the list goes on across cinemas and TV, including the wealth of animated efforts in the saga. This is not just the first Lego showcase dedicated to Star Wars, but the only Lego showcase devoted to it. Another drawcard: being able to build your own Lego brick lightsaber, then giving it a swing in augmented reality. If you're keen to check it out and you don't live in Melbourne, you'll need to head to the Victorian capital to wander through Lego Star Wars: The Exhibition. Alongside the hosting the world-premiere season, which runs until Monday, January 26, 2026, the stint at Melbourne Museum is an Australian exclusive. "Building the Star Wars galaxy from Lego bricks has been a dream project, and I couldn't be prouder of what we've created. Lego Star Wars: The Exhibition takes some of the most-iconic moments from the beloved saga and reimagines them at a scale that's never been done before. The detail, the size and the sheer number of bricks used to make this exhibition is something truly special. Whether you're a lifelong Star Wars fan or just love to build, it's an experience that everyone can enjoy," said McNaught. "This world-first exhibition unites two of the most-iconic and -imaginative forces in global culture ‚ right here in Melbourne. Lego Star Wars: The Exhibition boldly blends creativity, storytelling and interactivity into an adventure for curious minds of all ages," added Museums Victoria Chief Executive Officer and Director Lynley Crosswell. Lego Star Wars: The Exhibition runs from Sunday, May 4, 2025–Monday, January 26, 2026 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the exhibition's website for tickets and more details. Exhibition images: Eugene Hyland, Museums Victoria / The Brickman.
Kangaroo Point's One Fish Two Fish is lapping up the warmer weather with a month-long seafood and spritz feast. Eat your way through six tasting courses of the ocean's finest while sipping on bottomless tipples — yep, there's your next leisurely lunch sorted. Running every Friday, Saturday and Sunday in November, Fish & Spritz starts as all great seafood meals do: with oysters. From there, you'll tuck into whole cooked Mooloolaba prawns paired with sriracha and lime aioli, bite into Tasmanian salmon sashimi with soy, ginger and garlic, and enjoy crumbed flounder charcoal bao with pickled vegetables, chilli and coriander. Prawn dumplings, which come with steamed rice, green curry and herbs, help round out the menu, alongside black salt and pepper calamari with fried garlic and squid ink aioli. Drinks-wise, sip all the spritzes you can across a two-hour period — including Aperol, limoncello, pink peach, cucumber and mint, and Campari spritzes. Fish & Spritz runs from 12–4pm, with bottomless spritzes on offer from 12.30–2.30pm. Settle in for the whole thing for $79, or stick with the food only for $55.
Screw German beer and schnitzels, there's a new pun in town of the canine variety. Oh yeah, OctoberFetch is here! If you tune in to Channel 7 every weeknight for Harry’s Practice like everyone else, then this is the doggie day of your dreams. You and your pooch can take part in the 4km dog-a-thon to raise much needed support fund for guide dogs. Have you friends and family sponsor you for the walk and register here to take part, it's only $10 and gets you a starter pack and an entry into the dog competitions. You and your puppy might take home the prize with categories for best trick, best-dressed, most obedient, Bavarian strong dog and waggiest tail. Even if you don't have a dog you can go along and be part of the celebrations: you can be a sponsor and embark in a day of potential petting. There will also be a variety of entertainment including dog demonstrations, a K9 Catwalk (sure to be a treat) and a live stage band. Arguably the best part of the day is the opportunity to meet and greet one of the guide-dog puppies in training. You will have to contain your cuddles until then. Guaranteed to be the cutest thing you will see all weekend, make sure you get your tail down to Strathpine for OctoberFetch.
Coming up with Christmas gifts for the entire family isn't always easy, but there are a few things most people can agree on, like a good cup of coffee. That's why a gift like ST. ALi's annual Christmas coffee blend is a godsend when you're stuck for ideas. Back again for another festive season, this year's limited-edition and in-demand blend is the Nutcracker. Primed for going under the tree or straight in the grinder, expect a flavour profile that's delightfully on the nose when it comes to evoking holiday spirit. Jam-packed with notes of stollen and fruit cake, you'll also encounter warm toffee undertones alongside dark chocolate, roasted chestnut and candied orange. Effectively Christmas in a cup, the beans (whole or pre-ground) are also thoughtfully packaged, making them the ideal stocking stuffer for that coffee-obsessed relative who'll appreciate a festive brew. But if that's more of a you thing, trust that your December caffeine needs are covered. Drawing inspiration from the unapologetic spirit of the namesake old-world tale, the strictly limited Nutcracker blend is proud to be more than a little bold and dramatic. Load up on this Christmas coffee before it's gone and avoid snapping like a doll if you, or your relatives, don't get their morning brew. ST ALi's limited edition Nutcracker blend is available now. Head to the website for more information.
In Talk to Me, grasping perhaps the creepiest hand you'll ever see meant messing with the dead, bringing the souls of those who've passed swooping in. After their feature debut became a huge hit, Australian filmmakers Danny and Michael Philippou aren't done with hauntings yet. In the just-dropped full trailer for Bring Her Back, their sophomore movie, "some people believe the spirit stays in the body for months after death", a foster mother played by Sally Hawkins (Wonka) advises. The directors, who started out their careers behind the camera as YouTubers RackaRacka, aren't done with nightmarish vibes yet, either. When these Adelaide-born twins unveiled Talk to Me in 2023, a new Aussie horror sensation took the genre, and the world, by the mitt to share its entertainingly eerie energy. The duo behind it also became one of the hottest new things in scary flicks. Two years later, the Philippous are returning to conjure up more chills — and show again, even just based on Bring Her Back's teaser trailer and full sneak peek, how expertly they can whip up an unnerving mood. After Talk to Me's huge success, including for cult-favourite distributor A24, sequel Talk 2 Me was quickly greenlit; however, Bring Her Back will be in cinemas first. Its Down Under release date: Thursday, May 29, 2025. Horror? Tick. A24 onboard? Tick again. Dancing with the dead once more? That seems to be the case as well. Here, Hawkins has a brother and sister in her care, but they find more than just a new parent in her home. Cue petrifying rituals, plus grief, death, coffins, blood, strange circles, a creepy kid, shaky home-video footage and a whole lot of creaking. Among the cast, cue also Billy Barratt (Kraven the Hunter), Jonah Wren Phillips (How to Make Gravy) and film first-timer Sora Wong in the Australian-made picture. A24 went all-in on the Philippous after picking up Talk to Me in a Sundance Film Festival bidding war, when global attention started being showered upon the Aussie flick about shaking hands with an embalmed palm, feeling the rush while being haunted, having your mates watch and film it, and dealing with the spooky consequences. Danny and Michael made their feature directorial debut after racking up a huge following with RackaRacka's viral videos, and via behind-the-scenes work on Australian films such as The Babadook. Their first flick feature proved a big box-office success, taking in US$10 million on its opening weekend in America alone, which placed it second among A24's films after Hereditary. Across its big-screen run, it clawed its way up to second on the company's all-time worldwide list, after Everything Everywhere All At Once and Civil War. And, at the 2024 AACTA Awards, Talk to Me took home eight accolades, including Best Film of 2023, plus Best Director. Check out the full trailer for Bring Her Back below: Bring Her Back releases in Australian cinemas on Thursday, May 29, 2025. Read our review of Talk to Me, and our interview with Danny Philippou.
Over his 17-year tenure as the host of The Daily Show, Jon Stewart has become known as one of America’s shrewdest political commentators. From behind his fake news desk, armed with a mix of satire and editorial scorn, the comedian and his team of writers have exposed hypocrisy and corruption, ridiculing dictators, presidents and CEOs alike. You’d imagine, then, that his first foray into filmmaking would be a similarly tongue-in-cheek affair — full of all the snark and cynicism that his viewers have come to expect. Instead, Stewart plays it straight, and in doing so reveals a side of himself that audiences rarely get to see. A powerful true tale told with grace and endless compassion, Rosewater is an outstanding directorial debut. Gael Garcia Bernal plays Maziar Bahari, a Canadian-Iranian journalist detained by Iran’s security forces amid the widespread civil unrest following the country’s 2009 elections. Held for more than four months, Bahari was accused of being an American spy, in part because of a satirical interview he gave on Stewart’s program just a week before his arrest. “Why would a spy have a TV show?” the baffled journalist asks, a question that perfectly encapsulates the absurdity of his situation. For weeks on end, Bahari is beaten and berated, unable to provide the answers that his captors wish to hear. In his moments alone, his memories turn to the plights of his father and sister, both of whom were imprisoned under previous Iranian regimes. Garcia Bernal gives a first-rate performance as Bahari, a man out of his element who discovers a remarkable inner strength. But the standout of the film is Danish actor Kim Bodnia, who plays Bahari’s nameless interrogator. While the man’s actions are often appalling, he’s never depicted as anything less than human. Like Bahari, he’s a person trapped by circumstances; a working stiff with a boss to answer to and a wife who wishes he was home. In humanising Bahari’s captors, Stewart helps us to understand them. The cruelty and stubbornness of those who propagate oppression is not born out of inherent evil, but rather out of fear. Fear of weakness. Fear of change. As the movie progresses, we increasingly come to pity these men, whose desperate attempts to cling to an old way of life seem all but destined to fail.
Melbourne-born artist Buff Diss has been filling the streets with his geometric artworks for the past 14 years. Eschewing paint, he works primarily through the medium of tape to create dextrous designs that are not only striking in and of themselves but also create a "relationship" with the spaces on which they're displayed and present a "conversation with the architecture". Using a street art-like style, Buff Diss occupies a unique space in the art world, swapping the permanence and illegality of spray paint for a more novel approach. And it's with this style that he'll take over the Miller Design Lab — an innovative event series we're hosting with Miller Genuine Draft at Melbourne's SoHigh Gallery, featuring some of the most exciting contemporary artists and musicians Australia has to offer. Here, we talk creative inspirations and aspirations with the artist and about his latest taped-up work to be revealed at the Miller Design Lab on Friday, March 22. A typical work day for Diss starts to the waking call of his infant son. And then it's on to an early surf or skate, coffee, emails, sketching and brainstorming for new projects. "I try to spend as much time with my son as I can, sharing the workload with my wife by balancing projects — [it's] easier said than done," says Diss. "Then [it's a] nice dinner with a good strong red, [and I] put the little fella to bed then catch up on my Feedly." A former computer science student, Buff Diss has turned back to his roots. He's found an interest in the possibilities allowed by augmented reality for two-dimensional artforms and how he can work these into his art. "I'm keen as to set up a Donkey Kong emulation on a mural, where different sections of the painted mural transform to platforms and are populated with playable sprites," muses Diss. "I'm really keen to get back into coding so I can add AR functionality to my future work." But at present, the artist will keep things analog as he takes over every tapeable surface of the Miller Design Lab space on Friday, March 22. Buff Diss' large-scale, bespoke piece will take shape in realtime, as he works and contours tape and linear mesh into bold, graphic murals that represent a map of Milwaukee and the Milwaukee River — the home of Miller Genuine Draft. "I'm mapping out historical aspects of Miller Beer in modern medium," says Diss, distilling his mammoth project into a single line. Each geometric shaping will appear four times alluding to the "four times cold filtered" brewing process of the beer. And at the event, you can watch as he works in response to music and builds to a 'big reveal' moment. With such an interest in architectural terrain, it comes as no surprise that Diss's favourite country is Taiwan, where he completed a project in New Taipei City back in 2015. "It's such a special place, [with] incredibly varied landscapes from mountains, forests and islands," says Diss. "But [it's] the people and the free approach to art there [that's] addictive." Along with his admiration for Taiwan, as well as New York-based streetwear designer Jeff Staples (the global curator of the Miller Design Lab), Diss notes that there's a lot of inspiring stuff coming out of Australia's contemporary and street art scene. He particularly follows the likes of Adelaide street artist Order (aka Seb Humphreys), installation artist Georgia Hill and painters Matthew Fortrose and Laith McGregor. Whenever interstate, Diss makes sure he hits his favourite spots, including Sydney's China Heights Gallery and dining institution Tetsuya's; Hobart's MONA "for the wine" and The Source "for the art"; and Adelaide's Apothecary 1878. At home in Melbourne, it's gnocchi at Lover and ever-changing art at Collingwood's Blackwoods Gallery. Currently reading Musashu by Japanese writer Eiji Yoshikawa, watching Tawainese film The Assassin and listening to British punk-rock band Idles, Diss's interests are seemingly far-spread, both geographically and topically. But a good red wine, he insists, is a constant in his ever-expanding curiosities. As for his future plans? Buff Diss is going more traditional. "Having worked outdoors for so long I'm going to start painting canvas this year. Wish me luck." Images: Kate Shanasy.
It isn't every day that Australia busts out a pop-metal tune to compete on the world stage. No, just at Eurovision 2023. Apologies to whatever's been getting a workout on your playlist over the past few weeks, but May is here, which means that Eurovision is here. And, so are a whole bunch of synth-heavy Europop tunes — plus that Aussie riff on a on Europop tune — that'll worm their way into your head. This is Christmas for pop songs belted out competitively in a glitzy ceremony filled with eye-catching outfits, with the the 67th Eurovision Song Contest kicking off at 5am AEST on Wednesday, May 10. Doing the honours for Australia, starting in the second semi final at 5am AEST on Friday, May 12, is Perth synth-metal band Voyager. Their track: earworm 'Promise', which'll have "it's gonna be alright" lodged in plenty of brains from the moment that the band take to the stage. For newcomers, Eurovision started back in 1956 as a competition between a mere seven nations. Now, more than six decades later, it's a glitter-strewn and spandex-fuelled global musical phenomenon. Thirty-seven countries not only in Europe but from elsewhere will compete in 2023 — hello Australia — and viewers tune in en masse to watch, sing along and add new pop tunes to their queues. This year's host city is Liverpool in the United Kingdom, in a break from Eurovision tradition. The song contest usually unleashes each year's contenders in the country responsible for the past year's winner — and in 2022, Ukraine's Kalush Orchestra won for 'Stefania'. But due to the ongoing war in Ukraine, Eurovision will be held in the UK for the first time in a quarter-century. Thanks to duo TVORCHI, a huge hit on their homegrown charts, Ukraine will still defend its title with the song 'Heart of Steel'. Australians keen to tune in will be directing their eyeballs to SBS, with the broadcaster's usual annual celebration of all things Europop returning for another round. 2023 marks 40 years of the network showing Eurovision, in fact. When Voyager play their track, they'll be up against performers from 15 other countries, including Brunette from Armenia, Belgium's Gustaph, Diljá from Iceland, Joker Out from Slovenia, and Austria's Teya & Salena. Also in the same show: Aussie Andrew Lambrou, who is competing for Cyprus, his parents' homeland, with 'Break a Broken Heart'. If Voyager makes their way through to the grand final — with only 21 acts making the cut, and France, Germany, Italy, Spain, the United Kingdom and Ukraine automatically guaranteed spots — you'll also want to get up early on Sunday, May 14. Or, even if they don't, that's when this year's winner will be anointed. Of course, for those who can't tear themselves out of bed before it's light and can somehow manage to avoid the internet and social media, both semis and the grand final will also screen in primetime on the same dates. Wondering who Voyager are? And why you didn't get a say in their Eurovision selection? Unlike past years, there was no Eurovision — Australia Decides event and public vote to choose who'd score the Aussie berth; however, the five-piece band featuring Danny Estrin on vocals and keytar, Simone Dow and Scott Kay on guitar, Alex Vanion on bass and Ash Doodkorte on drums has been vying to represent the country since 2015. In 2022's Australian vote, they came in second to Sheldon Riley, who took the country to 15th spot in last year's Eurovision grand final. Now that it's time to watch along, SBS' usual local hosts Myf Warhurst and Joel Creasey are once again overseeing the Australian coverage. And if you can't decide whether to beat the sun or wait and host a party at sensible hour, it's worth remembering that Australians can indeed vote for Eurovision, but only until around 15 minutes after the last song is performed in each live semi-final broadcast and about 40 minutes after the last track ends in the grand final. In a big change to past years, voting is open to everyone in all finals — whether you're from a country participating in that final or not — and the artists who get through from the two semi finals to the grand final will be solely chosen by the audience at home. Still remaining the same: the rule that says Australians can't actually vote for Voyager, because no one can vote for the country they represent. EUROVISION 2023 BROADCASTS: LIVE BROADCASTS: Semi final one: 5am AEST on Wednesday, May 10 on SBS and SBS on Demand Semi final two: 5am AEST on Friday, May 12 on SBS and SBS on Demand — featuring Voyager Grand final: 5am AEST on Sunday, May 14 on SBS and SBS on Demand STREAMING REPLAYS: Semi final one: 12pm AEST on Wednesday, May 10 on SBS on Demand Semi final two: 12pm AEST on Friday, May 12 on SBS on Demand — featuring Voyager Grand final: 3pm AEST on Sunday, May 14 on SBS on Demand TV REPLAYS: Semi final one: 7.30pm AEST on Friday, May 12 on SBS Semi final two: 7.30pm AEST on Saturday, May 13 on SBS — featuring Voyager Grand final: 7.30pm AEST on Sunday, May 14 on SBS SBS' Eurovision 2023 coverage runs from Wednesday, May 10–Sunday, May 14. For more information, head to the broadcaster's website. Images: Sarah Louise Bennett / Corinne Cumming.
Pick a number between five and 100, and that's the average number of times you've probably watched Home Alone. You'll note that we haven't dared to suggest you've only seen it once, or twice, or even just three or four times, because we know how unlikely that is. We're guessing you've viewed the first sequel to the 1990 favourite quite a bit, too, because we all have. If you haven't given Home Alone 3 and Home Alone 4 as much love, though, that's understandable. Here's an important question for you moving forward, however: how many times do you think you'll give Home Sweet Home Alone a whirl? A very real movie that will soon exist thanks to streaming platform Disney+, Home Sweet Home Alone will jump back into the festive-themed franchise that's all about being left behind by your family at Christmas. On paper, the overall concept doesn't sound all that merry — but as we all know, these flicks have been an end-of-year staple for three decades. So, of course the Mouse House is adding a new chapter to the saga. It sure does love reviving and extending past hits, after all. And, of course Disney will add the resulting movie to its streaming service just in time for the jolliest part of the year. Mark Friday, November 12 in your calendar, as that's when you have a date with this new version of an old favourite. This time around, a kid called Max Mercer is the focus — as played by Jojo Rabbit's Archie Yates. Obviously, he's left at home while his family goes away. They head to Japan for the holidays, he gets forgotten, and soon he's fending off a couple that's trying to break into his house. We all know how the story is going to go from there, with this remake even giving a screenplay credit to the original's writer/director John Hughes. Filmmaker Dan Mazer is in the director's chair on Home Sweet Home Alone, after previously helming I Give It a Year and Dirty Grandpa, and writing Bridget Jones's Baby, Office Christmas Party and Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan. On-screen, Yates will be joined by Ellie Kemper (Unbreakable Kimmy Schmidt), Rob Delaney (Wrath of Man), Aisling Bea (This Way Up), Kenan Thompson (Saturday Night Live), Tim Simons (Veep) and Chris Parnell (Rick and Morty). There have been rumours that Macaulay Culkin will make an appearance, too, but you'll obviously need to watch to see if that pans out. Home Sweet Home Alone doesn't yet have a trailer, but you can check out this sneak peek at the original until it does: Home Sweet Home Alone will be available to stream via Disney+ from Friday, November 12. Top image: Home Alone.
Who doesn't love a country bakery? For a pie or sausage roll on a road trip — then a finger bun or lamington, too — they're a must-stop pitstop no matter the destination. The best of them can be worth the trip alone, as fans of Kenilworth Country Bakery know. Soon, everyone hankering for its oven-fresh wares will have three places to head to. Already a favourite on the Sunshine Coast with venues in its namesake hinterland town and in Mooloolaba, Kenilworth Country Bakery has announced a third outpost on Bribie Island. That makes hitting the highway for a coffee- or hot chocolate-filled doughnut a much quicker affair for Brisbanites, with the new site set to be open before the end of 2023. If you're new to the bakery, it's particularly famous for that special menu item, which does indeed involve pouring coffee or hot chocolate into a doughnut. Ordering a cuppa and a round orb of dough separately is a thing of the past here. Instead, the doughnuts are hollowed out, then filled with your choice of beverage (an espresso shot and milk if you go for the caffeinated option). Also a highlight at Kenilworth Country Bakery's Kenilworth site: one-kilogram bites both savoury and sweet. Cue chocolate-covered doughnuts, strawberry-iced doughnuts, jam- and cream-filled doughnuts, Nutella and cream doughnuts, Gaytime-flavoured versions and sausage rolls all on offer at that weight. If your tastebuds are tempted, you can take the challenge, which spans ordering one online in advance, finding it waiting when you arrive at Kenilworth, eating it in-store, and then getting your money back and a plate on the bakery's wall of fame if you finish it all. Exactly where on Bribie Island you'll be able to enjoy Kenilworth Country Bakery's goodies hasn't yet been revealed, nor has an exact launch date other than by the end of 2023. The new opening will come just shy of the bakery's 100th anniversary, with the OG site operating since 1924. Its Kenilworth venue sits in a heritage-listed building, unsurprisingly — which makes it still worth a trip even when the Bribie Island outpost opens. Kenilworth Country Bakery is opening on Bribie Island before the end of 2023 — keep an eye on the venue's website and social media for further details.
Despite its name, there are absolutely no alligators or nests at this rainforest pool. Nor are there crocodiles, for that matter. What you will find, however, is a clear and refreshing swimming spot surrounded by lush rainforest. [caption id="attachment_842239" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] If you spend the night in Mission Beach, this is an ideal day trip to add to your itinerary. Stop at The Pocket in El Arish for fresh coffee and picnic supplies before making your way through the backroads of Feluga to the stunning swimming hole. Alligators Nest is best enjoyed on a warm day after a fresh downpour of rain. Thankfully, the tropics are filled with incredible days like that. Top image: Tourism Tropical North Queensland
They're red, sweet and juicy — and they're everyone's favourite fruit. They're also grown in abundance around Queensland. Did you know that 40 percent of the state's strawberries come from the Moreton Bay region? Well, you do now, and you might just want to celebrate that fact. All you need to do is head on over to Bribie Island for Sandstone Point Hotel's second annual Strawberry Festival, and you can do just that. Because you can never have too much of a good thing, the free event will paint the pub pink with farm-fresh strawberries, strawberry milkshakes, strawberry ice cream, scones with strawberry jam, and chocolate-coated strawberries. If you're still hungry for more, a strawberry-eating competition is also on the agenda. Then, wash it all down at a bar serving strawberry-flavoured beverages.
Every tropical holiday needs a fruity cocktail to cap off a balmy day. The local legends at Wolf Lane Distillery have you covered with boutique batches of gin, infused with locally sourced ingredients. The tropical gin features 13 botanicals plus vapour-infused mango, finger lime and ruby grapefruit. Run out of room in your suitcase to stash your distillery purchases? Wolf Lane offers free delivery Australia-wide on orders over $30, so you can order online and have the drinks waiting for you when you arrive back home. Our pick is the bottled Davidson Plum Negroni cocktail. The on-site bar is open from Thursday to Sunday, with distillery tours also available. Image: Tourism Tropical North Queensland.
When is an English-style pub more than just an English-style pub? When it also throws nautical theming into the mix, too. That's what's on offer at The Hope & Anchor, the fresh addition that Paddington has been calling out for. Indeed, the roadway that morphs from Caxton Street to Given Terrace to Latrobe Terrace boasts many things — including Lefty's Old Time Music Hall and Ginger's from Hope & Anchor owner Jamie Webb — but it doesn't have anywhere quite like this. Taking over the quaint, heritage-listed space that was originally a bakery and has housed The Lark and Shingle Inn in recent years, the two-level H&A combines historic charm with a laid-back atmosphere to become everyone's new favourite watering hole. Thankfully, there's more to the pub than a great look and feel, even if it does ooze both in spades. Drinks-wise, prepare to imbibe craft, microbrewery and even ginger beer by the bottle or on tap, or peruse the hefty wine, cocktail and spirits lists. And if you're hankering for a bar snack (and who isn't?), then opting for beef jerky and chips or the old favourite that is the chip butty is a must, with everything from fish fingers, peppercorn steak, and half a chicken with sausage gravy and mash available for those with bigger appetites.
Brisbane's winters aren't as harsh as those endured down south, but that doesn't mean that Queenslanders don't feel the cold. Within a couple of hours' drive of Brisbane there's a stack of country towns ideal for visiting when swimming and sunbathing are off the agenda. Plan one of these short trips and you could be tucking into local produce beside roaring log fires, warming up with walks through ancient rainforest, meeting super-friendly locals in old-fashioned pubs and whale watching from some of the best vantage points on Australia's east coast. MOUNT NEBO If you don't have much time, but desperately need a hit of fresh air to take you out of your mid-winter stupor, journey to Mount Nebo. This super-cute village lies just 45 minutes' drive west of Brisbane, at the southern end of the D'Aguilar Range. On the way, stop at Samford for brekkie at The Flying Nun Cafe, where you'll be tucking into potato and feta hash cakes with poached eggs, roasted carrot purée and chorizo crumb beneath the stained glass windows of a former church. When you hit the actual Mount Nebo, warm up with a rainforest walk, such as the one-kilometre Pitta Circuit or the eight-kilometre adventure taking in Jollys Lookout, before heading to Mount Glorious for a fireside lunch at Elm Haus Cafe. How far? A 45-minute drive [caption id="attachment_682545" align="alignnone" width="1920"] Tourism Queensland[/caption] TAMBORINE MOUNTAIN Pack your scarf: winter on Tamborine Mountain, which is 530 metres above sea level, is noticeably cooler than in Brissie. If your day trip is an excuse for a feast, then book a table at Three Little Pigs Bar and Bistro. A stone fireplace takes care of central heating, while the chefs transform local produce into delectable dishes. Another lovely spot for lunch is among the log fires of Cedar Creek Estate Vineyard's Hamblin Room. Stay for a wine tasting, before rugging up to explore Tamborine Mountain's many walks, waterfalls and gardens. How far? A one-hour drive [caption id="attachment_682544" align="alignnone" width="1920"] Tourism Queensland[/caption] MARYVALE Encircled with farmland, and perched on the edge of the Main Range National Park, Maryvale packs a lot of punch. In town, you'll come across the Maryvale Crown Hotel, built in 1912. If you're not careful, you might find yourself spending your whole day (and night) there; it's a proper, old-fashioned country pub, filled with friendly folks. Should you manage to get away, you'll find plenty to pique your curiosity around Maryvale, including the ancient rainforest and breathtaking lookouts of heritage-listed Main Range National Park, found five minutes' drive east from the pub. How far? A two-hour drive [caption id="attachment_682543" align="alignnone" width="1920"] Tourism Queensland[/caption] STANTHORPE For a day trip that involves plenty of wine tasting, make Stanthorpe your destination. It's the gateway to the Granite Belt, which is developing quite the reputation for its experiments with alternative varieties. At Balancing Rock, you'll be trying a wild yeast syrah, and at Ballandean Estate, there's a range of unusual drops, including jacquez, a grape believed to have originated in North America and also known as black spanish. Prefer beer? Get your winter warmer at Granite Belt Brewery, with a chocolate porter. In between drinks, wander around Stanthorpe's delis and cafes, and be sure to visit Suttons Farm for homemade apple pie — it's a perfect wintry afternoon tea. How far? A two-and-a-half-hour drive [caption id="attachment_682551" align="alignnone" width="1920"] Dayboro[/caption] MOUNT MEE Another town where you can rise above winter is Mount Mee, which, like Mount Nebo, is part of the D'Aguilar Range, and lies around 75 minutes' drive northwest of Brisbane. Get your bearings and lift your spirits at Dahmongah/Mount Mee Lookout, which gives you panoramic views of Brisbane, the coastline to the east, and the Glasshouse Mountains to the west. Continue to soak up the mind-blowing scenery during lunch at Birches Restaurant. If time is on your side, then drive ten minutes' north to visit bohemian Woodford, famous for its huge annual folk festival, or stop by Dayboro on the way home, for idyllic countryside, cafes, breweries and wineries. How far? A 75-minute drive MALENY Maleny, at 436 metres above sea level, affords magnificent views of the Glasshouse Mountains. Since the 1980s, it has been a magnet for artists, craftspeople, writers and musicians, who find inspiration in the dreamy landscapes. There's an abundance of cafes, dishing up wholesome, homemade fare — exactly what you want to be eating on a chilly day. Visit Maleny Food Co for gourmet cheese, Shotgun Espresso for comforting dishes, including spiced poached chicken broth, and Monicas Cafe, for hearty burgers and gourmet sangas made from organic produce. How far? An 90-minute drive BLACKBUTT Home of the Blackbutt Avocado Festival (returning in September 2021), this historical settlement started out in the 1840s as a timber town. It must've been thirsty work because, in 1910, a population of 300 managed to keep five hotels open. These days, just one survives: the Radnor, which was built over a century ago. When you're done carousing with the locals, head to the Blackbutt Bakery to dig into a cracking pie, followed by a caramel snickers mallow crown (if you can get one — they sell out fast). Blackbutt is along the Brisbane Valley Rail Trail, the longest continuous rail trail in Australia, which travels for 134 kilometres from Ipswich to Yarraman. Definitely consider taking your bike. How far? A two-hour drive CANUNGRA Canungra, which lies in the Gold Coast Hinterland, was born as a timber town in the 1800s. These days it's home to numerous artists and artisans. Step back in time with a beer at the Canungra Hotel, before wandering around art galleries and workshops. Running through the heart of them all is Canungra Creek, where, if you're lucky, you might spot a platypus. Go beyond town to visit cellar doors, including Albert River's grand Auchenflower House Billiard Room; O'Reilly's, where you're welcome to spend the afternoon picnicking with a gourmet hamper in hand; and Sarabah, to escape to vineyards and banish all thought of winter in the city. How far? A one-hour drive NORTH STRADBROKE ISLAND North Stradbroke Island isn't exactly a country town, and you probably wouldn't normally associate it with winter, but bear with us. For a start, it's the closest place to Brisbane where you can go whale watching while keeping your feet firmly planted on the ground. What's more, the North Gorge Walk is considered one of the best spots in Australia for spotting humpbacks. Don't forget your binoculars. More reasons we love Straddie in the winter include the spectacular sunsets and the fact that you can explore as you please, without jostling sweaty summer crowds. How far? A 50-minute drive plus a 45-minute ferry ride [caption id="attachment_770996" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] NOOSA HEADS Another day trip destination that involves whale watching is Noosa Heads, on the Sunshine Coast. When it comes to vantage points, you're spoilt for choice — try your luck at Main Beach, Sunshine Beach, Castaways Beach or while strolling along the stunning 11-kilometre coastal walk in Noosa National Park. It's even more breathtaking at sunset. Alternatively, climb aboard a whale watching tour and head out to sea. As at Straddie, you'll be able to spend your day soaking up Noosa's extraordinary natural beauty without battling hordes of sun-seekers. How far? A two-hour drive Top image: Tourism and Events Queensland
After winning a devoted following at Cibaria on Sydney's Manly beachfront, Alessandro Pavoni and Anna Pavoni have brought their breezy all-day Italian trattoria north, opening Cibaria Noosa on Hastings Street. Sitting within the newly unveiled Elysium Noosa Resort — the former Sofitel Noosa — the Sunshine Coast outpost delivers the same warm hospitality and polished comfort fare that's made the original a much-loved local favourite. Designed as a lively social hub in the spirit of an Italian piazza, the expansive venue unfolds across several zones. There's a 120-seat main dining room, open daily from 11.30am and extends into a 60-seat openair terrazza overlooking the resort pool, while Bar Capri seats up to 100 for everything from early-morning breakfasts to sun-washed aperitivo hour and elegant nightcaps. Wherever you land, the throughline is one of shared plates, generous pours and unhurried socialising. [caption id="attachment_1054489" align="alignnone" width="1920"] Markus Ravik[/caption] In the kitchen, Head Chef Lucas Bach — whose CV includes Michelin-starred Meo Modo in Tuscany and the Pavonis' two-hatted Sydney restaurant Ormeggio at the Spit — delivers a menu that balances Cibaria Manly favourites with new dishes inspired by Queensland's coastal bounty. Leading the charge are crudi and chilled seafood, from yellowfin tuna crudo lifted with green chilli, smoked salmon roe and chives to a signature poached king prawn cocktail featuring finger lime, cos and a rich salsa aurora. Premium salumi and both hot and cold antipasti round out the snack-and-sip selection. From there, the menu broadens into handmade pastas, including spaghetti aglio e olio finished with Mooloolaba tuna crudo and risotto al granchio with Queensland spanner crab and Noosa red tomatoes, before moving into wood-grilled mains and shareable bistecca. Highlights include dry-aged Mooloolaba swordfish with Trapanese pesto and mustard leaves, plus a standout 400-gram Rangers Valley black angus sirloin cooked on the bone over flame. [caption id="attachment_1054486" align="alignnone" width="1920"] Elise Hassey[/caption] Bar Capri, meanwhile, presents a deliberately less structured proposition. Open from early morning for coffee, pastries and breakfast pizzette, the Hastings Street-facing bar slides seamlessly into a relaxed all-day hangout. Snackable plates anchor the menu, from freshly shucked oysters and scallop crudo with lemon oil and finger lime to fritto misto, lasagne fritters and crostini topped with kingfish crudo or wagyu tartare. Larger bites — like a wagyu cheeseburger, chicken schnitzel club and classic tiramisu — might entice you to settle in a little longer. Drinks lean Italian, with a spritz-forward cocktail list designed for aperitivo hour and long afternoons. Alongside classics like the americano and negroni sbagliato, you'll find house signatures such as the rosemary-scented Capri Spritz, as well as an Italian-focused wine list, beers on tap and a deep bench of rum, whisky and digestivi. Interiors by Mitchell & Eades channel relaxed Mediterranean glamour, with gentle citrus hues and softly textured finishes layered alongside sea-inspired blues. It strikes a well-judged balance between casual coastal ease and polish, resulting in a venue that feels just as welcoming for a quick post-beach spritz as it does for lingering evenings. [caption id="attachment_1054487" align="alignnone" width="1920"] Elise Hassey[/caption] Top images: Elise Hassey.
When you drive 75 kilometres south of Cairns to Josephine Falls, you'll quickly realise why this picturesque playground is so popular among locals and tourists. Located in Wooroonooran National Park, which is home to the Noongyanbudda Ngadjon people, this incredible waterfall cascades through World Heritage-listed rainforest near Queensland's highest peak, Mount Bartle Frere. From the carpark, you'll wander 600 metres through lush rainforest before reaching the viewing decks that overlook the falls. Here, you can take a few snaps of the incredible view before making your way down to the water peppered with smooth boulders for you to perch on — then it's time to get wet. If you're feeling adventurous, have a crack at the natural waterslide in the main pool. Or, if you like to take your swimming at a slower pace, there's plenty of space to float about in the rejuvenating water fresh from the mountain.
If you're headed to Mexico, then you probably have two things on your itinerary: seeing the sights and sipping tequila. And while you can do both in the usual fashion, travelling from place to place, soaking up the scenery, and stopping for a few drinks here and there, combining them on the Jose Cuervo Express really is the ultimate holiday dream. Move over, Hogwarts Express — this is your new favourite train trip, and while it isn't fictional, it does still sound magical. Run by the Jose Cuervo tequila brand, this regular venture takes patrons from the city of Guadalajara to the aptly named town of, you guessed it, Tequila. You'll visit agave fields and take a tour of the Jose Cuervo distillery once you arrive; however, the journey really is just as important as the destination. On the eponymous locomotive, you'll down the spirit in question along the hour-long trek, all thanks to an all-you-can-drink tequila selection. There are three types of tickets available, with the open bar included in the most expensive tier — 2500 Mexican pesos, or around AU$182. While you're chugging along, a range of Mexican snacks and cocktails are also on offer, as well as boozy beverages other than tequila (i.e. rum, vodka and whiskey), should you feel the need to mix up your drinks. Off the train, you'll watch an agave harvesting demonstration, take part in a professional tasting session, wander through the distillery and cellar, and have time to explore the town at your own leisure. You'll also head to a Mexican show, but just what that entails has been left vague. Running most weekends — typically on Saturdays, but sometimes on Sundays instead — the Jose Cuervo Express offers two timeslots. Although the departure time only varies by half an hour (9am versus 9.30am), the 'sunrise' tour takes you on the train during daylight, then brings you back via bus, and the 'sunset' tour reverses the two, so you're on the train come evening. Both take a minimum of ten hours return, making for one hefty tequila-filled day. We're assuming that lemon and salt will also be included in the ticket price. For more information or to make a booking, visit the Jose Cuervo Express website. Images: Jose Cuervo Express.
"Black..." growls Will Arnett's gruff hero from deep within the movie's opening darkness. "All important movies start with a black screen. And music. Edgy, scary music that would make a parent or studio executive nervous. And logos. Really long and dramatic logos". On and on he goes, making cracks at a production house whose contribution to the film escapes him, having a dig at both Superman and DC comics, quoting Michael Jackson and bragging about his huge pecs and impressive "ninth ab". All, mind you, before the first frame of the movie has even been seen. This is The Lego Batman Movie, aka Captain Meta, where the self-referential humour comes thick and fast from the opening minute to the last. It's a film that gleefully acknowledges the nine Batman flicks that preceded it, including "that weird one in 1966" (notes the hero: "I have aged phenomenally"). And yet, for all the in-jokes and winks to camera, The Lego Batman Movie is, at least thematically, somehow more of a Batman movie than Joel Schumacher's Batman and Robin or Zack Snyder's Batman vs Superman, in that it faithfully explores its protagonist's single-most defining characteristic: his crippling isolation. Batman is a loner; a recluse; a vigilante misanthrope whose only joy (and, indeed, purpose) comes from battling criminals. So what would happen, then, if all the criminals were locked away and all of Gotham City were crime-free? Such was the premise at the opening of Christopher Nolan's The Dark Knight Rises, and here, too, it forms the basis of the entire story. It's hence rather a one-note narrative, but thankfully the (many) writers manage to extract enough out of it to fill an enjoyable hour and a half of screen time. Led by a terrific Will Arnett reprising his role from 2014's The Lego Movie, the cast of voice actors here is at once enormous and impressive. Alongside Arnett we find Zach Galifianakis as The Joker, Ralph Fiennes as Alfred, Michael Cera as Robin and Rosario Dawson as Barbara Gordon, the new Police Commissioner of Gotham City. There's also an extensive cameo list featuring the likes of Channing Tatum as Superman, Conan O'Brien as The Riddler, Zoe Kravitz as Cat Woman, Eddie Izzard as Voldemort and even Siri as Batman's computer. Of course, there's no getting around the fact that this film represents crass commercialism taken to an extraordinary extreme. How many studios would ever deign to include their corporate sponsor in the actual title of their movie (Daniel Craig stars in…Aston-Martin Bond)? As with its predecessor, The Lego Batman Movie is designed to, and succeeds in, showcasing Lego's extensive catalogue of movie and TV-based products, ranging from Harry Potter and Doctor Who through to Godzilla, King Kong and The Wizard of Oz. On the other hand, the film is a funny, clever and engaging piece of cinema that holds almost as much interest for adults as it will the film's target younger audience. Not as finessed or layered as The Lego Movie, this superhero spinoff is nonetheless an entertaining and refreshing take on the big screen's most brooding hero, and proves well worth the price of admission. https://www.youtube.com/watch?v=rGQUKzSDhrg
Anything can be gelato, at least the way that Gelato Messina makes it. Well, any other dessert can get the the ice cream treatment, it seems. The chain has whipped up a lot of of tasty specials in its time, with plenty taking cues from other sweet treats: think red velvet cookie pies, caramel scrolls with cheesecake gelato, Golden Gaytime-inspired Viennetta and even Iced VoVo gelato. The next beloved dish getting the Messina treatment: lemon meringue pies. You can taste the tang just thinking about this gelato version, can't you? The limited-edition dessert is being dished up for the brand's Mother's Day special, but that doesn't mean that it's just for mum. If you can't spend the day with her eating this dessert, she'd want you to treat yo'self. Wondering what exactly a lemon meringue pie gelato hot tub entails? Served in an octagonal tub, this dish comes with burnt vanilla gelato, pie crust and lemon curd mousse, all topped with an intricately piped and torched Italian meringue. Obviously, it sounds delicious. If you're keen to get yourself a piece — which'll cost you $40 — they're available to preorder online on Tuesday, April 26. And, because Messina's specials always prove popular, the brand is now staggering the on-sale times. Accordingly, folks in Queensland and the ACT are able to purchase at 9am, Victorians at 9.30am, and New South Wales customers split across three times depending on the store (with pies from Circular Quay, Surry Hills, Bondi, Randwick and Miranda on sale at 10am; Brighton Le Sands, Tramsheds, Parramatta and Darlinghurst at 10.30am; and Darling Square, Newtown, Rosebery and Penrith at 11am). Gelato Messina's lemon meringue pie gelato hot tubs will be available to order on Tuesday, April 26 for pick up between Friday, May 6–Sunday, May 8. Head to the Messina website for further details.
Which franchise adores sand, has hopped between the big and small screens across four decades, is equally famous for the movie that didn't end up getting made, and has a date with streaming queues via a new prequel series in November 2024 — in the same year that it last graced cinemas? That'd be Dune. 2024 is a double Dune year. First, Dune: Part Two brought the science-fiction franchise back to picture palaces with help from director Denis Villeneuve (Blade Runner 2049), plus stars Timothée Chalamet (Wonka) and Zendaya (Euphoria). Next, television's Dune: Prophecy will arrive before spring is out. A six-part prequel series from HBO, it's set 10,000 years before the birth of Paul Atreides — and, as both the first and second teaser trailers show, plus the just-dropped full trailer, this is a time when sacrifices must be made. Dune: Prophecy marks this book-to-screen universe's return to the small screen. Over the past 40 years, the saga started on the page by Frank Herbert has hit cinemas three times so far, including David Lynch's 1984 film and Villeneuve's 2021 standout Dune: Part One. In the 00s, it also spread sand across TV via two miniseries. Everything in pop culture has to span both movies and television at the same time these days, however, hence Dune: Prophecy — even though the tale of Paul, aka sci-fi's spiciest man, is set to continue in a third Dune film that doesn't yet have a release date. Come Monday, November 18, including via Binge in Australia, Dune: Prophecy will follow the sect that gives rise to the Bene Gesserit, the sisterhood that secretly sways the universe. In the debut sneak peek back in May, the narration explained how the faction formed, and was "assigned to the great houses to help them sift truth from lies" — but also noted that that power comes with a price. The second and third glimpses each double down on the costs and chaos, as well as the scheming and subterfuge. And yes, there's also sandworms. Across all three trailers, cue plenty of plotting, lurking in dramatically shadowy spaces, rituals, battles, confrontations and marriages. The focus falls on two Harkonnen sisters — part of the same family that includes Stellan Skarsgard's (Andor) Baron Harkonnen, Dave Bautista's (Guardians of the Galaxy Vol. 3) Rabban and Austin Butler's (The Bikeriders) Feyd-Rautha in the movies — who are attempting to sure up humanity's future. Dune: Prophecy is inspired by Brian Herbert and Kevin J Anderson's novel Sisterhood of Dune, and features Emily Watson (Small Things Like These), Olivia Williams (The Crown), Jodhi May (Renegade Nell), Mark Strong (Tár), Sarah-Sofie Boussnina (The Colony) and Jessica Barden (You & Me) among the cast. Down Under viewers will also spot a heap of Australian talent, such as Travis Fimmel (Boy Swallows Universe), Josh Heuston (Heartbreak High), Shalom Brune-Franklin (Baby Reindeer), Yerin Ha (Halo) and Brendan Cowell (The Castaways). Check out the full trailer for Dune: Prophecy below: Dune: Prophecy will stream from Monday, November 18, 2024, including via Binge in Australia. Read our reviews of Dune: Part One and Dune: Part Two, and our interview with cinematographer Greig Fraser.
Port Douglas is well known for its tropical climate and picturesque beauty. Yet don't overlook its burgeoning culinary scene, especially when annual events like Taste Port Douglas take over the calendar. Running from Thursday, August 7–Sunday, August 10, this celebration of feel-good food and drink in the tropics is marked by extraordinary cuisine and masterclasses, where Australia's top gastronomes reveal their secrets amid an idyllic sun-drenched backdrop. So, what can you expect if you journey to FNQ's shores? The Festival Village is the beating heart of Taste Port Douglas, featuring non-stop entertainment across two stages. Catch celebrity chef cooking demonstrations, panel discussions and musical performances from 10am–5pm on Saturday, August 9–Sunday, August 10. Of course, there's also plenty of time to savour and sip from award-winning local distilleries alongside international faves, including Estrella Damm and Tequila Tromba. Also on the agenda, the Long Lunch Series invites 600 guests to Market Park to relish a seaside meal beneath the dappled shade of poinciana trees. Meanwhile, The Takeover Series sees top-notch culinary talent move into restaurants across Port Douglas, Mowbray Valley and Palm Cove. There are numerous collaborations to explore, but one not to be missed is Stanley's chef Louis Tikaram serving up his creative Southeast Asian influences at the Lagoon House. Budding home cooks can also participate in Taste Port Douglas' enchanting Masterclass Series. Offering a rare chance to learn from some of the industry's best, guests can join acclaimed chef Roger Pizey to learn the mysteries behind his iconic tarte tatin, or explore centuries-old cheese-making traditions alongside Vannella Cheese's Giuseppe Minoia. With 11 exclusive events to discover, each session's seats are strictly limited.
Melbourne's skyline is looking up, with the city gaining another huge tower that's not only the Victorian capital's new tallest building, but also the tallest residential building in the whole Southern Hemisphere. Named Australia 108, the Southbank building features 100 storeys soaring 319 metres high, which is more than 20 metres above the city's previous tallest building, the 88-storey, 297.3-metre-tall Eureka Tower. It comes just under Gold Coast's 332.5-metre-tall Q1, though, which still holds the title of Australia's tallest building. Designed by architects Fender Katsalidis, who also led the design of the Eureka Tower, together with World Class Global, the tower's apartments are currently three-quarters complete. The building also has a two-storey Star Club — within the protruding gold Starburst, inspired by the Commonwealth star on the Australian flag — which is home to two infinity pools, dining rooms, gyms and lounge areas. Apartments are split into the Sky Rise Residences (up to level 67) and the luxury Cloud Residences (from level 72 and above). But, they're going for a pretty penny. According to Realestate.com.au, the main penthouse sold for $25 and a two-storey apartment on level 90-91 was on the market for a bargain $10 million. The building officially took out the title as Melbourne's tallest building when it 'topped out' earlier this week, which means the roof is now complete. Australia 108 is slated for completion at 70 Southbank Boulevard, Southbank by the end of September, 2020. For more information, head to the website.
Ready to see Brissie at its most vibrant? The Brisbane Festival launches Saturday, September 6, paving the way for 23 days of exceptional performance, public art and participatory adventures. Running until Saturday, September 27, visitors can get stuck into 106 productions and 1069 performances, with a staggering 2260 artists involved from start to finish. With so many highlights to explore, it's hard to pick just a few. Yet perhaps the most unmissable is Walk This Way — a kaleidoscopic series of installations crafted by Brisbane art and design duo, Craig & Karl. Transforming the Goodwill, Neville Bonner and Kangaroo Point bridges with large-scale art, there's a good chance you'll never see these structures like this ever again. Meanwhile, pop over to Griffith University's Art Museum for an exhibition that honours the pair. Marking one of 21 world premieres on the program, Afterglow will fill Brisbane City Botanic Gardens with fire sculptures and candlelit installations. Another global debut is The Great Gatsby-themed show and pop-up club GATSBY at The Green Light, which is heading to Twelfth Night Theatre to celebrate 100 years since F. Scott Fitzgerald's iconic book first hit shelves. "This year's festival is a vibrant tribute to Brisbane – its energy, its creativity, and its people," said Brisbane Festival Artistic Director Louise Bezzina. "As my final program, I wanted it to reflect the incredible journey we've shared: bold ideas, heartfelt stories, and unforgettable moments. From large-scale spectacles to intimate community experiences, every event is rooted in a love for this city. I invite everyone to join us this September and be part of something truly special." [caption id="attachment_1008622" align="alignnone" width="1920"] JD Lin[/caption] Contemporary dance is also a significant focus of this year's schedule. All three chapters of Gems will be presented for the first time, featuring acclaimed choreographer Benjamin Millepied in collaboration with the L.A. Dance Project. Plus, First Nations artist and Bangarra Dance Theatre founder Stephen Page is back home in Brisbane, presenting Baleen Moondjan, which explores the link between baleen whales and Country. With literally hundreds of more events taking place, now is the perfect time to start planning your Brisbane Festival adventure. "Brisbane Festival is more than just an arts event. It's the jewel in our festival calendar that brings us all together, creates more to see and do in the suburbs and adds to our fantastic lifestyle," says Brisbane Lord Mayor Adrian Schrinner. [caption id="attachment_1008620" align="alignnone" width="1920"] Laurent Philippe[/caption] Brisbane Festival runs from Saturday, September 6–Saturday, September 27, at various locations across Brisbane. Head to the website for more information.
For 13 years, marking International Women's Day with talks, panels, workshops and performances about gender, equality and justice has been as easy as attending All About Women. The annual festival arrives each March with a packed lineup — and it's the kind of event where riot grrrl pioneers Bikini Kill can be on the same bill as child actor-turned-I'm Glad My Mom Died author Jennette McCurdy, as happened in 2023; and where Yellowface author Rebecca F Kuang and Roman Empire scholar Mary Beard can also headline the program, as 2024 delivered. In 2025, Kate Berlant and Gina Chick are two of All About Women's big names — and two of the festival's first-announced talents. The full lineup won't release until January, but the event has dropped a few details in advance. Also included now: the fact that the Feminist Roast will return when the fest runs across Saturday, March 8–Sunday, March 9. Berlant is making her first trip Down Under, with the comedian and Once Upon a Time in Hollywood, Don't Worry Darling and A League of Their Own actor set to debut a new stand-up show. Alone Australia's first-season winner Chick is on the bill fresh from releasing her memoir We Are the Stars in October, and will chat about following your own path, grief and resourcefulness. Overseeing the program this time: the Sydney Opera House Talks & Ideas team, as led by Chip Rolley, alongside 10 News First's Narelda Jacobs and actor and writer Michelle Law. Their festival will open with the Feminist Roast, complete with past All About Women co-curator Nakkiah Lui, All I Ever Wanted Was to Be Hot debut author Lucinda 'Froomes' Price, comedian Steph Tisdell and Aunty Donna collaborator Michelle Brasier taking part. More international and Australian artists, thinkers and storytellers will join the lineup when the full details are unveiled — and there'll be room for plenty given that Sydney Opera House's key feminist festival is back to a two-day run, after expanding to the same length in 2022 and then to three in 2023, before returning to a one-day stint in 2024. "Everyone is in for a treat with never-before-seen comedy from Kate Berlant, an opportunity to plant our bare feet firmly on the ground and find peace of mind with Gina Chick, and the return of crowd favourite Feminist Roast — where much-loved comedians and writers celebrate, and take the piss out of, the movement we love. There's plenty more to come in the new year too, including enriching and challenging events spearheaded by our formidable co-curators," said Rolley. "There is so much power in women and non-binary folks coming together to talk about the issues we are facing, whether that's in our workplaces and homes, throughout our country or the world," added Jacobs. "The events I've co-curated are inspired by hot topics that dominate conversations with the women in my life — from the transformations women undergo at pivotal points in their lives, to the ways modern culture rejigs and repeats old stereotypes. We'll be having some cracker discussions that I'm sure will continue beyond the steps of the Opera House!" noted Law. All About Women 2025 will take place on Saturday, March 8–Sunday, March 9 at the Sydney Opera House. The full program will release in January 2025 — check back here then for further details. Tickets for the just-announced first sessions go on sale at 9am on Thursday, November 28, with pre sales from 9am on Tuesday, November 26, 2024. Head to the event's website for more details. All About Women images: Jaimi Joy, Jacquie Manning and Prudence Upton.
You've already marked your calendars. If you live in a regional town, you've already submitted the part of Australia that you call home to go in the running to host, too. Now, it's time to find out who'll be playing when Triple J's One Night Stand returns on Saturday, September 14, 2024 — but you'll still have to wait to discover where the music festival is taking place this year. Leading the lineup: G Flip, Ruel, What So Not with some friends and Thelma Plum. Amid their sing-alongs and jam-packed dance floors, they'll have company on the bill from Sycco and DICE. One Night Stand 2024 will also feature a competition winner from Unearthed, and there'll be special guests as well for the event's long-awaited comeback. As for the location, as picked from a huge 2087 submissions, that'll be revealed on Thursday, July 25 — and tickets on sale at 9am the same day. Twenty years ago, the ABC station gave the Victorian town of Natimuk a day to remember when the spot 300 kilometres out of Melbourne hosted its very own major music fest, with Grinspoon, Eskimo Joe and The Dissociatives (aka Daniel Johns and Paul Mac) all getting behind the microphone. So began One Night Stand, which became a yearly tradition, with Triple J putting on a fest in different regional locations every year between 2004–2014, then again from 2016–2019. There's no prizes for guessing why One Night Stand hasn't taken place since 2020, but that gap in the event's history is finally coming to an end this year. Triple J announced the return of the festival back in April, then opened the call for folks to submit their towns to play host — and make a convincing case about their area — before one lucky place is chosen. The all-ages event is returning at time when the Australian live music scene has been suffering, and after a spate of festivals have been cancelling or saying farewell forever. In 2024 alone, both Groovin the Moo and Splendour in the Grass announced lineups, then scrapped this year's fests mere weeks later. Summergrounds Music Festival, which was meant to debut at Sydney Festival 2024, also didn't go ahead. As announced in 2023, Dark Mofo took a breather this year — and Mona Foma, the summer fest also held by Tasmania's Museum of Old and New Art, has advised that its 2024 event was its last ever. With the state of the industry in mind, bringing back One Night Stand is not only much-needed and well-timed, but will also raise funds Support Act, the charity for the Australian music industry. In the past, the event has also been to Ayr, Dalby and Mt Isa in Queensland; Port Pirie, Tumby Bay and Lucindale in South Australia; Cowra and Dubbo in New South Wales; Collie and Geraldton in Western Australia; Sale and Mildura in Victoria; Alice Springs in the Northern Territory; and St Helens in Tasmania. One Night Stand Lineup 2024: G Flip Ruel What So Not + Friends Thelma Plum Sycco DICE triple j Unearthed Competition Winner + special guests 2024's triple j One Night Stand will take place on Saturday, September 14, with location details set to be revealed on Thursday, July 25 — and tickets on sale at 9am the same day. For more information in the interim, head to the radio station's website for more details. Top image: Callum Walker Hutchinson.
