Barunah Plains is nowhere near the Gold Coast, but a taste of the Glitter Strip will hit Hesse in Victoria to farewell 2024 and welcome in 2025. Beyond The Valley is back for another massive end-of-year party, with the music festival giving former pro surfer-turned-DJ Fisher — a Grammy-nominee for 'Losing It', too — its top slot. With multiple days to fill, taking place across Saturday, December 28, 2024–Wednesday, January 1, 2025, Beyond The Valley goes big with its lineups. This year's just-dropped full roster pinballs between nations, music genres and eras, resulting in a bill where Ice Spice sits alongside Tinashe, Sugababes and Natasha Bedingfield — and Chase & Status, Marlon Hoffstadt, Royel Otis, Sammy Virji, AJ Tracey and Denis Sulta, too. Just from those names alone — and there's plenty more — that gives festivalgoers 'Munch (Feelin' U)', 'Nasty', 'Push the Button', 'These Words', 'Backbone', 'Call Me', new versions of 'Murder on the Dancefloor' and 'Linger', 'If You Need It', 'Bringing It Back' and 'World of Flies' to look forward to. Also on the lineup: Confidence Man, BARKAA, Teenage Dads, NEIL FRANCES, Lola Young, Ghetts and The Rions, as well as Kita Alexander, The Grogans, Billie Marten, The Terrys and Sycco. And yes, the list still goes on from there. After supporting Fred again..'s whirlwind Australian tour earlier in 2024, JOY (Anonymous) is on the electronic side of the bill, alongside everyone from horsegiirL, KI/KI, DJ BORING, SG Lewis and Tinlicker through to Ben Hemsley, Avalon Emerson, Sam Alfred, Sally C, LB aka Labat, Chloé Caillet, and Flowdan & Neffa-T. Music is the main focus of and drawcard at Beyond The Valley, but this fest knows that tunes aren't all that its punters listen to — and that dancing to them isn't the only way to have a blast. First, enter the dedicated podcast stage, this time with Dan Does Footy, It's Layered, The Hook Up, No Hard Feelings and The Psychology of Your 20s getting chatting. Next, there'll also be drag bingo with Poof Doof, hidden parties popping up and swimming pools for a summer splash. The fest is also aiming to give back via donating $1 from each ticket to Igniting Change and offsetting emissions via Treecreds. Beyond the Valley 2024 Lineup: Fisher Ice Spice Chase & Status Marlon Hoffstadt Tinashe Royel Otis Sammy Virji Sugababes AJ Tracey Denis Sulta Natasha Bedingfield horsegiirL Confidence Man Teenage Dads KI/KI DJ BORING SG Lewis JOY (Anonymous) Tinlicker (DJ set) Ben Hemsley NEIL FRANCES Lola Young Ghetts Flowdan & Neffa-T Avalon Emerson The Rions BARKAA Kita Alexander The Grogans The Terrys Sycco Malugi Sam Alfred Hannah Laing Girls Don't Sync Oden & Fatzo (live) Fish56Octagon Sally C LB aka LABAT Franck Chloé Caillet Odd Mob Anna Lunoe Billie Marten Nick Ward Jersey Sarah Story Luke Alessi Nina Las Vegas Half Queen MESSIE Vv Pete Laura King Little Fritter Jimi The Kween Djanaba tiffi Ollie Lishman WOLTERS Marli Ned Bennett Stev Zar Denim Liz Cambage Jewel Owusu SOVBLKPSSY DIJOK Kimboclat Eva Brown Suga Princess Podcast stage: The Hook Up Dan Does Footy It's Layered Luke & Sassy Scott No Hard Feelings The Psychology of Your 20s Beyond The Valley will run from Saturday, December 28, 2024–Wednesday, January 1, 2025 at Barunah Plains, Wentworths Road, Hesse, Victoria. Ticket presale registrations are open now, closing at 3pm AEST on Tuesday, August 27 — with festival presales from 6pm on Wednesday, August 28. General sales kick off at 12pm AEST on Thursday, August 29. For more information, head to the fest's website. Beyond The Valley images: Alex Drewniak, Mitch Lowe, Duncographic, Ash Caygill, Josh Bainbridge, Chloe Hall.
It's been more than a year since Five Guys, the burger joint with more than 1600 stores to its name across America, Europe, the Middle East and Asia, first announced the news that folks Down Under had been waiting to hear. When the popular US-based chain revealed that it was finally launching stores in Australia and New Zealand, it sparked a lot of rumbling stomachs — and, from Monday, September 20, it's following through. That's when Five Guys will open its first Aussie outpost, which'll start serving up burgers, fries, hotdogs, sandwiches and shakes in Penrith. As already announced earlier in 2021, Sydney is the first place Down Under to taste the chain's wares. Due to the city's ongoing lockdown, however, it'll only be open for takeaway for the time being. Live within five kilometres of 123 Mulgoa Road — or within the same Local Government Area, depending on the restrictions in your part of town? Then you'll be able to head in to grab a bite to bring home with you. The temporary pivot to only doing takeaway orders is actually Five Guys' second big pandemic-inspired change. Initially, the brand was set to open its debut store Down Under in Sydney's CBD, but it switched to Penrith due to COVID-19. Overseas, Five Guys has amassed quite the reputation. Even given the number of big-name US burger chains with hefty followings, such as Shake Shack and In-N-Out, it stands out. If you're wondering why, the fact that its made-to-order burgers skew in the classic rather than oversized, jam-packed direction is one good reason. These burgs come with two hand-formed patties on toasted buns, with your choice of free toppings (including pickles, grilled mushrooms and jalapeños). Five Guys also does bacon cheeseburgers that add two strips of bacon and two slices of Kraft American cheese as well. Prefer hotdogs, sandwiches (in veggie, cheese or BLT varieties), hand-cut fries (with or without Cajun spices) and vanilla milkshakes? They're all on the menu as well. Don't go thinking that the latter are boring, though — you can add bacon, bananas, peanut butter, salted caramel and even Oreo pieces to your design-your-own beverage. The cult-favourite chain makes the leap to Australia and New Zealand as part of a master franchise agreement with Seagrass Boutique Hospitality Group, aka the folks behind The Meat & Wine Co, Hunter & Barrel, 6 Head, Ribs & Burgers, Italian Street Kitchen and Butcher and the Farmer. Five Guys started back in 1986 in the Washington, DC area and, as anyone with allergies should note, only cooks its fries in peanut oil. Around 20 stores are due to launch in Australia, plus more in NZ — although exactly where else and when Five Guys will be popping up is yet to be revealed. In Sydney, additional sites are currently under consideration, including in the CBD around Circular Quay, Darling Harbour and Broadway. Find Five Guys' first Australian store at 123 Mulgoa Road, Penrith from Monday, September 20 — open from 11am–10pm daily. More eateries in other Australian states — and in New Zealand — are set to follow; we'll update you when more information comes to hand.
It might be a movie about a faux romance, but Anyone But You hasn't faked its setting. In the upcoming rom-com, which has a date with cinemas on Boxing Day, Sydney Sweeney (Reality) and Glen Powell (Top Gun: Maverick) play a couple pretending that they're in love — but as most of the just-dropped full trailer shows, there's no shams about the Sydney location. When Sweeney was in Sydney at a Sydney Swans game earlier in 2023, it wasn't just because she was playing the Sydney version of Pokémon and catching them all. Rather, the Euphoria and The White Lotus star was filming this movie. And, from both the first teaser and the latest sneak peek, this film clearly falls into a specific category of Aussie-made flicks: pictures shot Down Under that can't stop reminding viewers that they were made Down Under (see also: fellow future release The Fall Guy, which will arrive in 2024). [caption id="attachment_926799" align="alignnone" width="1920"] Glen Powell and Sydney Sweeney star in ANYONE BUT YOU.[/caption] Multiple shots of the Sydney Harbour Bridge and Sydney Opera House feature heavily amid the banter-heavy glimpses at Anyone But You's stars. In fact, the Opera House even shows up in the background as Bea and Ben are having a Titanic moment on a boat. Anyone But You's setup: Sweeney's Bea had a great first date with Powell's Ben; however, then everything turned sour. Now they're at the same destination wedding and pretence becomes their solution. Anyone But You is directed and co-written by Will Gluck, who has both Easy A and Friends with Benefits on his resume, then the vastly dissimilar Annie and the two Peter Rabbit movies. On-screen, as well as Sweeney, Powell and a whole lot of Sydney — the city — Alexandra Shipp (Barbie), GaTa (Dave), Dermot Mulroney (Secret Invasion), Bryan Brown (C*A*U*G*H*T) and Rachel Griffiths (Total Control) also feature. Check out the full trailer for Anyone But You below: Anyone But You opens in cinemas Down Under on December 26, 2023.
In Talk to Me, grasping perhaps the creepiest hand you'll ever see meant messing with the dead, bringing the souls of those who've passed swooping in. After their feature debut became a huge hit, Australian filmmakers Danny and Michael Philippou aren't done with hauntings yet. In the just-dropped full trailer for Bring Her Back, their sophomore movie, "some people believe the spirit stays in the body for months after death", a foster mother played by Sally Hawkins (Wonka) advises. The directors, who started out their careers behind the camera as YouTubers RackaRacka, aren't done with nightmarish vibes yet, either. When these Adelaide-born twins unveiled Talk to Me in 2023, a new Aussie horror sensation took the genre, and the world, by the mitt to share its entertainingly eerie energy. The duo behind it also became one of the hottest new things in scary flicks. Two years later, the Philippous are returning to conjure up more chills — and show again, even just based on Bring Her Back's teaser trailer and full sneak peek, how expertly they can whip up an unnerving mood. After Talk to Me's huge success, including for cult-favourite distributor A24, sequel Talk 2 Me was quickly greenlit; however, Bring Her Back will be in cinemas first. Its Down Under release date: Thursday, May 29, 2025. Horror? Tick. A24 onboard? Tick again. Dancing with the dead once more? That seems to be the case as well. Here, Hawkins has a brother and sister in her care, but they find more than just a new parent in her home. Cue petrifying rituals, plus grief, death, coffins, blood, strange circles, a creepy kid, shaky home-video footage and a whole lot of creaking. Among the cast, cue also Billy Barratt (Kraven the Hunter), Jonah Wren Phillips (How to Make Gravy) and film first-timer Sora Wong in the Australian-made picture. A24 went all-in on the Philippous after picking up Talk to Me in a Sundance Film Festival bidding war, when global attention started being showered upon the Aussie flick about shaking hands with an embalmed palm, feeling the rush while being haunted, having your mates watch and film it, and dealing with the spooky consequences. Danny and Michael made their feature directorial debut after racking up a huge following with RackaRacka's viral videos, and via behind-the-scenes work on Australian films such as The Babadook. Their first flick feature proved a big box-office success, taking in US$10 million on its opening weekend in America alone, which placed it second among A24's films after Hereditary. Across its big-screen run, it clawed its way up to second on the company's all-time worldwide list, after Everything Everywhere All At Once and Civil War. And, at the 2024 AACTA Awards, Talk to Me took home eight accolades, including Best Film of 2023, plus Best Director. Check out the full trailer for Bring Her Back below: Bring Her Back releases in Australian cinemas on Thursday, May 29, 2025. Read our review of Talk to Me, and our interview with Danny Philippou.
Brisbane might be tussling with a chillier-than-usual winter in 2022, but that doesn't mean that you should hide away indoors until spring hits. There's still plenty of ace outdoor events tempting folks outside — and listening to jazz for two days by the river is definitely among them. Make a date with Jazz on the Green at Southbank Parklands between Friday, July 29–Saturday, July 30, and you'll be in for plenty of live music — all for free, too. Running from 2–7.30pm on the Friday and 11am–7.30pm on the Saturday, this fest will pair cruisy tunes with a killer view, all on the Riverside Green. Brisbane Jazz Club is taking care of the music, with Emma Pask, Franky Smart, Victor Martinez, Bowery Hot Five, Shannon Marshall and Darren Percival among the acts taking to the stage. You can BYO snacks — or, thanks to South Bank's eateries, there's more than a few food and drink deals on offer. Olé Restaurant is doing prawn, chicken, calamari and chorizo paella for $12 per dish, as well as patatas bravas for $10, plus red wine sangria, mulled vino and cider for $12 a cup. Over at Vici Italian, you can pick up truffle arancini for $8, pick between beef meatballs and lasagne for $12 each, and grab spiked hot chocolates and negronis $12 per cup. And, Hop & Pickle is doing $12 cocktails as well, including warm buttered rum, mulled cider, mocha stouts and espresso porters.
It isn't every day that Australia busts out a pop-metal tune to compete on the world stage. No, just at Eurovision 2023. Apologies to whatever's been getting a workout on your playlist over the past few weeks, but May is here, which means that Eurovision is here. And, so are a whole bunch of synth-heavy Europop tunes — plus that Aussie riff on a on Europop tune — that'll worm their way into your head. This is Christmas for pop songs belted out competitively in a glitzy ceremony filled with eye-catching outfits, with the the 67th Eurovision Song Contest kicking off at 5am AEST on Wednesday, May 10. Doing the honours for Australia, starting in the second semi final at 5am AEST on Friday, May 12, is Perth synth-metal band Voyager. Their track: earworm 'Promise', which'll have "it's gonna be alright" lodged in plenty of brains from the moment that the band take to the stage. For newcomers, Eurovision started back in 1956 as a competition between a mere seven nations. Now, more than six decades later, it's a glitter-strewn and spandex-fuelled global musical phenomenon. Thirty-seven countries not only in Europe but from elsewhere will compete in 2023 — hello Australia — and viewers tune in en masse to watch, sing along and add new pop tunes to their queues. This year's host city is Liverpool in the United Kingdom, in a break from Eurovision tradition. The song contest usually unleashes each year's contenders in the country responsible for the past year's winner — and in 2022, Ukraine's Kalush Orchestra won for 'Stefania'. But due to the ongoing war in Ukraine, Eurovision will be held in the UK for the first time in a quarter-century. Thanks to duo TVORCHI, a huge hit on their homegrown charts, Ukraine will still defend its title with the song 'Heart of Steel'. Australians keen to tune in will be directing their eyeballs to SBS, with the broadcaster's usual annual celebration of all things Europop returning for another round. 2023 marks 40 years of the network showing Eurovision, in fact. When Voyager play their track, they'll be up against performers from 15 other countries, including Brunette from Armenia, Belgium's Gustaph, Diljá from Iceland, Joker Out from Slovenia, and Austria's Teya & Salena. Also in the same show: Aussie Andrew Lambrou, who is competing for Cyprus, his parents' homeland, with 'Break a Broken Heart'. If Voyager makes their way through to the grand final — with only 21 acts making the cut, and France, Germany, Italy, Spain, the United Kingdom and Ukraine automatically guaranteed spots — you'll also want to get up early on Sunday, May 14. Or, even if they don't, that's when this year's winner will be anointed. Of course, for those who can't tear themselves out of bed before it's light and can somehow manage to avoid the internet and social media, both semis and the grand final will also screen in primetime on the same dates. Wondering who Voyager are? And why you didn't get a say in their Eurovision selection? Unlike past years, there was no Eurovision — Australia Decides event and public vote to choose who'd score the Aussie berth; however, the five-piece band featuring Danny Estrin on vocals and keytar, Simone Dow and Scott Kay on guitar, Alex Vanion on bass and Ash Doodkorte on drums has been vying to represent the country since 2015. In 2022's Australian vote, they came in second to Sheldon Riley, who took the country to 15th spot in last year's Eurovision grand final. Now that it's time to watch along, SBS' usual local hosts Myf Warhurst and Joel Creasey are once again overseeing the Australian coverage. And if you can't decide whether to beat the sun or wait and host a party at sensible hour, it's worth remembering that Australians can indeed vote for Eurovision, but only until around 15 minutes after the last song is performed in each live semi-final broadcast and about 40 minutes after the last track ends in the grand final. In a big change to past years, voting is open to everyone in all finals — whether you're from a country participating in that final or not — and the artists who get through from the two semi finals to the grand final will be solely chosen by the audience at home. Still remaining the same: the rule that says Australians can't actually vote for Voyager, because no one can vote for the country they represent. EUROVISION 2023 BROADCASTS: LIVE BROADCASTS: Semi final one: 5am AEST on Wednesday, May 10 on SBS and SBS on Demand Semi final two: 5am AEST on Friday, May 12 on SBS and SBS on Demand — featuring Voyager Grand final: 5am AEST on Sunday, May 14 on SBS and SBS on Demand STREAMING REPLAYS: Semi final one: 12pm AEST on Wednesday, May 10 on SBS on Demand Semi final two: 12pm AEST on Friday, May 12 on SBS on Demand — featuring Voyager Grand final: 3pm AEST on Sunday, May 14 on SBS on Demand TV REPLAYS: Semi final one: 7.30pm AEST on Friday, May 12 on SBS Semi final two: 7.30pm AEST on Saturday, May 13 on SBS — featuring Voyager Grand final: 7.30pm AEST on Sunday, May 14 on SBS SBS' Eurovision 2023 coverage runs from Wednesday, May 10–Sunday, May 14. For more information, head to the broadcaster's website. Images: Sarah Louise Bennett / Corinne Cumming.
Brisbane's Gallery of Modern Art started 2023 by musing on air, with floating mirrored spheres, volcanic mounds, and dances between light and darkness to help. When the year comes to an end, it'll turn its attention to fairy tales, complete with twisted woodlands taking over the South Bank venue. In-between, GOMA is shining a spotlight on two Australian artists, Michael Zavros and eX de Medici, in a pair of exhibitions that feature everything from cars to blood swabs. eX de Medici: Beautiful Wickedness runs from Saturday, June 24–Monday, October 2, and is responsible for GOMA getting bloody. That's thanks to one of the Canberra-based artist and tattooist's early pieces, The Blood of Others, which features samples from eX de Medici's tattoo clients back in the 90s. In Beautiful Wickedness, the gallery harks back even further — four decades, in fact — to chart eX de Medici's ongoing exploration of life's fragility, death, greed, power, conflict and more. This is the most extensive retrospective to-date on the artist, spanning more than 100 works. Here, visitors can peer at watercolours; intricate botanical studies; ample works featuring flowers and skulls; large pieces that feature moths and weapons, and explore war's pointlessness; and even a bridal gown that takes its cues from Julie Andrews' dress in The Sound of Music. Images: installation views of Michael Zavros: The Favourite and eX de Medici: Beautiful Wickedness, Gallery of Modern Art, Brisbane, 2023. © Michael Zavros and eX de Medici / Photographs: Joe Ruckli © QAGOMA.
In as much as anyone can be one, Janette Sadik-Khan is an urban development rockstar. Spearheading the re-design of both New York City's transport system and the world-renowned Times Square public space, she is a global leader in her field. And, in speaking at this year's Velo-City conference in Adelaide, Sadik-Khan has offered some advice for Australian cities. Namely, our streets should be more like "living rooms" and — surprise, surprise — we definitely need better bike lanes. With six years under her belt as the Transportation Commissioner of New York City, this lady knows exactly what she's talking about. "Our streets are where we play and meet, kind of like the living rooms of New York," she told the crowd at Velo-City this week. Fighting a war against congestion, Sadik-Khan endeavoured to make New York's public spaces accessible for all — walkers, cyclists, drivers and those relying on public transport. In one of her biggest projects, last year she transformed Times Square into a communal pedestrian space with hundreds of fold-out chairs. It proved to be a huge win for businesses as well as the local community, and in fact shot the area into the top ten retail spaces in the world for the first time ever. In her trip down under, Sadik-Khan has praised cities such as Sydney, Adelaide and Auckland, stating that they seem to have a great deal of leadership at the local level. In fact in just this last week, Sydney has announced a new speed limit for their CBD in order to limit pedestrian accidents, and Melbourne City Council is considering the closure of many main streets in favour of an innovative new walking plan. However, the area all cities are lacking in is undoubtedly their facilities for cyclists. Sadik-Khan claims we must invest in better bike lanes and sustainable bike-share programs. Though many of our major cities have such programs in place, they're understandably not functioning as well as they could. With car doorings a regular occurrence, and animosity towards cyclists at an all-time high, it's clear more can be done. Of course, New York is far from the perfect example. I personally would be terrified to ride my bike through the main city streets and I don't think the local cabbies would be happy to share the road with me either. But it's undoubtedly a beacon of hope. With your feet up on a deck chair in the middle of an NYC icon, you can't help but think something's gone right. Via ABC. Photo credit: hadsie via photopin cc and cuellar via photopin cc.
With its ten-day feast of art, music and performances, heading to Launceston's Mona Foma can feel a little like wandering through a labyrinth. The first of MONA's annual arts festivals, the now 12-year-old event guides punters in one direction, then nudges them in another, thoroughly spoiling attendees for choice — which is what you'd expect of a fest that features more than 400 artists across 25 venues. When it returns in 2020, taking place between Saturday, January 11 and Monday, January 20, Mona Foma is taking that maze-like feeling literally. One of its headliners is the latest project by Nottingham's Architects of Air — who just popped up in Melbourne and will now be unleashing a giant, colourful, light-filled inflatable playground called Daedalum Luminarium on Tasmania. It'll turn the banks of the Tamar River into an interconnected series of caves and caverns with 19 egg-shaped domes, all inspired by the Roman Pantheon and taking their cues from mythology — and an accompanying soundscape created by Midnight Oil's Jim Moginie. [caption id="attachment_746633" align="aligncenter" width="1920"] Orville Peck. Image courtesy of the artist and Mona Foma[/caption] There are plenty of other highlights on the program to lose yourself in, too. Chief among them is the music lineup, which is led by Slovenian industrial popsters Laibach, who'll perform their take on The Sound of Music (yes, really). If a masked cowboy crooner is your thing (and isn't it everyone's?), Orville Peck will be singing tunes of heartbreak and revenge from his debut album, Pony. They'll both be joined by Italian pianist Ludovico Einaudi and his ivory-tickling tunes, Flying Lotus 3D's blend of jazz-funk, hip hop and eye-popping visuals, plus Mona Foma mainstay Amanda Palmer, who'll ask Launceston's ladies to share their thoughts and fears, then turn their answers into a new piece of music. Elsewhere, Mona Foma-goers can bounce around to the Japanese girl power stylings of Chai, and hear Paul Kelly perform with composer James Ledger, singer Alice Keath and the Seraphim Trio. And, in the type of show we're betting you haven't seen before, Berlin-based Holly Herndon is performing with her self-designed, artificially intelligent 'baby' called Spawn. [caption id="attachment_746634" align="aligncenter" width="1920"] MONA/Rémi Chauvin. Image courtesy of the artist and MONA Museum of Old and New Art, Hobart, Tasmania, Australia[/caption] Keen to keep listening? Sound artist Akio Suzuki wants you to do just that, creating an immersive sound walk that's inspired by — and will take you around — Launceston. And while you're on your feet, follow them to huge puppet show King Ubu, which'll stage a version of Alfred Jarry's 19th-century French satire Ubu Roi in the famed Cataract Gorge with giant puppets. Among the other standouts, MESS and Soma Lumia's Hypnos Cave re-imagines existing Launceston attraction The Dark Ride — with lasers, video art, lights and a synth soundtrack adding an extra layer to the watery, convict era-inspired barge trip. You can also head along to The Centre, a collection of choreographed works inspired by after-school sport (complete with snacks), or ponder how sweat and even dead skin could play a role in futuristic fashion with designers Alice Potts and Tarryn Handcock. Laughing like kookaburras, enjoying Indigenous Australian art out of the city, watching movies about artists and hearing electronic beats inspired by the ancient music of the Japanese royal court — that's all on the bill, too. As is Mona Foma's beloved after-hours party Faux Mo: Working 9 to 5 (which'll run from 9pm–5am, naturally, and include breakfast at 4am). Mona Foma runs from January 11–20, 2020, in Launceston, Tasmania. For more information or to grab tickets from 10am AEDT on Monday, October 21, head to mofo.net.au. Top image: 'Daedalum' by Architects of Air (UK). Image courtesy of the artist/studio and Mona Foma.
Cinema lovers of Brisbane, if you've been hanging out to see some of the past year's most significant international, art and experimental movies, your wait is about to come to an end. While the latest iteration of the city's annual major film festival, the Brisbane International Film Festival, won't return until October and and November, a new Brisbane film society is about to start screening flicks that've wowed overseas fests every fortnight. Meet Container, which'll welcome in cinephiles every second Tuesday from July 12. Generally screening at the CBD's Elizabeth Picture Theatre — with potential jaunts elsewhere to screen 3D, 35-millimetre and other film formats — it's a curated program delivered in single-screening servings. As well as offering an alternative to the usual festival rush, where cramming in as many movies as your eyes and body can handle is always the name of the game, it's giving Brisbane a fortnightly substitute for the standard multiplex and arthouse programming. On the bill: primarily movies that aren't likely to screen in Brisbane cinemas otherwise, spanning everything from acclaimed titles from festivals such Cannes, Venice and Berlin through to experimental showcases and live expanded cinema performances. The program kicks off with Peter Strickland's Flux Gourmet, the latest from the inimitable Berberian Sound Studio, The Duke of Burgundy and In Fabric filmmaker, and will also include Joana Pimenta and Adirley Queirós' Dry Ground Burning, Rhayne Vermette's Ste. Anne, Lucile Hadžihalilović's Earwig, João Pedro Rodrigues' Will o the Wisp and Gasper Noé's Lux Æterna before the end of September. If you're a Brisbane-based movie buff, you'll know the type of flicks that Container will be showcasing — aka the kinds of festival fare that, if BIFF doesn't screen them, don't enjoy a local big-screen showing. If that idea sounds familiar, that's because Container has taken a few cues from Victoria's long-running Melbourne Cinematheque. Also, it's guided by the same idea behind Queensland Film Festival, albeit via an annual film fest rather than a year-round lineup. Brissie film fans with decent memories will recall that when Brisbane's film festival scene found itself lacking a place for such movies back when BIFF was temporarily replaced by the Brisbane Asia Pacific Film Festival in 2014, QFF arrived to fill that gap. Now, the latter has spawned Container, which has been dubbed QFF's cousin. Behind both is curator and programmer John Edmond, Container's director. "We are delighted to reveal our plans for Container and its initial lineup," said Edmond. "Strong support, particularly from The Elizabeth Picture House, New Farm Cinemas, as well as conversations and feedback from our city's cinephiles, art and movie lovers, have helped make this society happen." "What we heard from people was a desire to see amazing and important films that they would otherwise not be able to see, and in a way that would help create a community through regular catchups," Edmond continued. "It also allows people to see new festival-circuit films without the crush and mad rush of watching innumerous films at a festival. Container also has Michelangelo Frammartino's Il Buco, Qiu Jiongjiong's A New Old Play, Albert Serra's Pacifiction and Ben Rivers' Urthworks on its upcoming list, plus Thai Memoria director Apichatpong Weerasethakul as well. "With our programming and curation, we wanted to do three things. We wanted to show the breadth of film happening now. We wanted to present striking and singular films that let you know why they stand out. And we wanted to respect Brisbane and our audience's intelligence; to not be cynical or second guess the public but use our knowledge and research to present important films being talked about," Edmond advised. Entry is via membership, either paying for six- ($60 full/$30 concession) or 12-month ($100/$50) access in advance. Plus, there's also a $250 solidarity membership, which includes three single-use guest passes as well, and helps Container make its screenings more available to the rest of the community. Container: Brisbane Film Society kicks off its monthly screenings at 7pm on Tuesday, July 12 at The Elizabeth Picture Theatre, and will run fortnightly afterwards. For more information or to join, head to the Container website.
It's hard to ignore the glistening sails of the Sydney Opera House or the star-studded sands of Bondi Beach when compiling a bucket list of must-visit sites in New South Wales. But these beloved icons are just the tip of the iceberg when it comes to jaw-dropping landmarks in the state. Whether carved by hand or etched out by the elements over millennia, there is a bounty of awe-inspiring sites across NSW. A trip to these destinations could see you trekking through the desert or meditating in secluded gardens, so match your adventure to your mood and map out a mission to these ten glorious landmarks.
Those lucky enough to visit Uluru — to both get out to the remote location and to be granted generous permission to the sacred site by its traditional owners, the Anangu people — will attest to its magic and sheer magnificence. But for those who can't make it to the Red Centre, Google has made it possible to explore the area via the internet — today they've added a number of 360-degree images of trails from the surrounding Uluru-Kata Tjuta National Park to Google Street View. By now Google has mapped most major cities and landmarks around the world, but in the case of Uluru, they've taken a bit of a different approach. Over the past two years, the tech company has worked with the Anangu people to capture and map the park in accordance to Tjukurpa, a traditional deep respect for the land that guides their law, values and behaviour. This means that not everything in the park has been captured by the Google Trekker, and that the traditional owners feature heavily in the project — most notably through interactive audio-visual stories on Google's Story Spheres platform. These include narration by Sammy Wilson and music by elder Reggie Uluru, both of whom are traditional owners of the land. So what can you see? Well, you can catch a glimpse of Uluru on the horizon from the Talinguru Nyakunytjaku viewing area, 'walk' around the base of the landmark and do the Kuniya Walk, which will take you to waterhole Kapi Mutitjulu and let you get up close to ancient art at Kulpi Mutitjulu (the Family Cave). The content captured by Google is a rare chance to see the crevices and fine details of Uluru up-close and hear oral stories from the traditional owners of the land. You can explore Uluru through Google Street View here, and listen to the Anangu people's stories through Story Spheres here.
All across New South Wales, stages are being dusted, soundchecks are running, setlists are being distributed, and crowds are gearing up—because Great Southern Nights, NSW's statewide music festival, is almost ready to make its 2025 return. With more than 300 gigs taking place across 17 nights in cities and districts from Byron Bay to Broken Hill and beyond, as festivals go, it's going to be an all-timer. It would be unusual if none of the action took place in the busiest city in the state, so it shouldn't be a surprise that Sydney will be at the heart of the action. With so much to choose from and so little time to figure it out, we've teamed up with Great Southern Nights to pick out the must-see gigs and to offer some suggestions on how to make a night out of each and every act. The Lineup The fun starts straight off the proverbial bat in the always-buzzing inner city. Oxford Art Factory is playing host to Sydney's own ARIA-nominated breakout star Charley on Wednesday, March 26. Then, by the sea at the Beach Road Hotel, you'll find a very on-theme act for Bondi with surf stoner pop-style band Babe Rainbow on Friday, March 28. On that same Friday over in the Inner West, ARIA-nominated electronic producer Alice Ivy hits the Trocadero Room in Enmore. Plus, Newtown's The Vanguard Hotel is going back-to-back with Adelaide's own smash-hit star Aleksiah on the same night, followed by the globally popular Kaiit on Wednesday, April 2 and the captivating lyrics of DEVAURA on Thursday, April 3. Up the road in Chippendale, a mini festival is happening at the Lansdowne Hotel with the Booty Block Party on Saturday, April 5, headlined by Triple-J favourite duo Bootleg Rascal. If you've still got any steam left in you, swing by the City Recital Hall for SAFIA, W Sydney for Kinder, Glass Island for Havana Brown, Metro Social for Total Tommy or venues within the Hollywood Quarter for a specialised Great Southern Nights Gig Trail. Local Eats and Treats It's impossible to distil the full potential of Sydney's dining scene down to a few short paragraphs, but thankfully, Great Southern Nights is concentrated near some of the city's most popular eateries. Within the streets of the aforementioned Hollywood Quarter and Surry Hills, you'll find Sydney mainstays like the charming Hollywood Hotel, tequila-soaked Tio's, multiculturally flavoured Nomad, the fried chicken-focused dive bar Butter and Sydney's home of high-end degustations, NEL. If you make your way over to the Inner West, you're also set to encounter some of Sydney's most loved restaurants. In Newtown, one of those restaurants specialises in two things: burgers and natural wines. That might sound unusual, but Mary's is a Sydney favourite for a reason. There's also Earl's Juke Joint, a New Orleans-esque bar hidden behind what looks like a butcher shop, and Cairo Takeaway, an Egyptian restaurant that some claim serves the best chicken and falafel in the city. Things to Do and Places to See There's always something happening in the Harbour City — Sydney is one of those cities where you can find something worth your time just by picking a direction and walking, especially in the areas hosting Great Southern Nights gigs. If you're around the Hollywood Quarter, check out our neighbourhood guide to Surry Hills for some of the most popular local spots, or visit the neighbourhood guide to Newtown should you find yourself in the Inner West. Otherwise, there are plenty of itinerary-worthy activities running alongside Great Southern Nights. The first weekend of the festival is your last chance to catch one of Sydney's most comfortable outdoor cinemas, and you'll have until the end of the following week (Sunday, March 30) to head out west for one of the largest Ramadan Night Markets in the city. If you love a game night, you can join an interactive Dungeons & Dragons session at the Sydney Opera House. And if you want to surround yourself with what makes Sydney great, get a dose of the city's many cultures in Darling Harbour or immerse yourself in a reconstructed forest in the Royal Botanic Gardens. Where to Stay And, of course, you need a great spot to spend your nights recharging ahead of another great gig. That goes for residents and visitors alike since a city staycation can save you some serious late-night hassle in getting home. If you want to go all-out on luxury, opt for a room at W Sydney, the design-heavy Darling Harbour stay that's hosting some of Great Southern Nights gigs — or the stunning heritage building-encasing Intercontinental Sydney with spectacular views of the harbour. Further into the inner city, Chippendale's Old Clare Hotel is a prime pick for a centralised stay and is even dog-friendly if you're travelling with a four-legged friend. Over on the eastern end of the city, Oxford House serves as a fantastic Palm Springs-style escape hidden on one of Sydney's busiest roads. Great Southern Nights is set to take over venues across NSW between Friday, March 21 and Sunday, April 6. Check out our gig guides for Newcastle, the Central Coast and Wollongong or visit the website for more information.
Combine distortion, doom and a little bit of blues, and you have for yourself Russian Circles. This Chicago based, three-piece instrumental metal band has been around for eight years, and in that time have produced a number of highly praised, intense metal tracks. Russian Circles were only on our shores a year ago, performing to a wave of packed crowds across the country. This visit they're bringing along Utah metal duo Eagle Twin, consisting of guitarist, Gentry Densley, who was the musical leader of legendary hardcore group Iceburn, and drummer Tyler Smith. Having just released what has been described as their heaviest album to date, Empros, the Russian Circles' Friday performance at the HiFi is sure to run the nearby Seven Eleven dry of ear plugs. As a band noted for being able to expand upon their recorded material live through the use of their extensive effects and loop pedals, this is not a show for Brisbane fans to miss. Check out Russian Circles's 'Death Rides a Horse'
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. CYRANO Love can spring quickly, igniting sparks instantly. Or, it can build gradually and gracefully, including over a lifetime. It can be swift and bold like a lightning strike, too, or it can linger, evolve and swell like a gentle breeze. In the sumptuous confines of Cyrano, all of the above happens. The latest adaptation of Edmond Rostand's 1897 play Cyrano de Bergerac, this time as a musical via playwright Erica Schmidt's own song-filled on-stage version, lends its attention to two men who've fallen for the plucky Roxanne (Haley Bennett, Hillbilly Elegy) in opposite ways. Charming soldier Christian de Neuvillette (Kelvin Harrison Jr, The Trial of the Chicago 7) gets the fast-and-infatuated experience, while the movie's namesake (Peter Dinklage, I Care a Lot), a poet also handy in battle, has ached for his childhood pal for as long as he can remember. Roxanne's two suitors make a chalk-and-cheese pair, with their contrasting approaches to matters of the heart — specifically, to winning her heart and helping ensure that she doesn't have to marry the rich and ruthless De Guiche (Ben Mendelsohn, The Outsider) to secure her future — driving much of Cyrano's drama. Also present and accounted for, as all takes on the tale have included (see also: 80s rom-com Roxanne with Steve Martin, the Gérard Depardieu-starring Cyrano de Bergerac, 90s rom-com The Truth About Cats & Dogs with Uma Thurman and Janeane Garofalo, plus recent Netflix teen flicks Sierra Burgess Is a Loser and The Half of It): insecurities about appearance, a way with words and a ghostwriting gambit. Short in stature given Dinklage's casting, Cyrano can't even dream that Roxanne could love him. But he wants her to be happy above all else and knows that she's smitten with Christian, so he secretly lends his romantic rival his letter-penning abilities to help woo her by lyrical prose. This Cyrano may have a different reason for not believing that Roxanne could reciprocate his feelings, even as she gets giddy over the correspondence he scripts for Christian — traditionally, a large nose gets in his way — but his slow-and-steady affection is especially apt in this particular film. The latest period piece from Joe Wright, it slips into the British director's resume alongside Pride & Prejudice, Atonement and Anna Karenina, and initially seems as standard a silver-screen staging of Cyrano as a musical as he could reliably muster. But all three of those aforementioned movies are stunning in their own ways, especially the gutsy Anna Karenina. Unsurprisingly, his newest feature is as well. Doing his best work since that Tolstoy adaptation, and clearly back in his comfort zone after Pan, Darkest Hour and The Woman in the Window, Wright lets Cyrano take its time to bloom and blossom. And, when it flowers partway through, it makes viewers realise that it's been a gorgeous gem of a film all along. Like on-screen love story, like surrounding flick, basically. That said, the routine air that initially seems to float through Cyrano's first act can't have been by design. Rather, the film winds up to its full heart-wrenching powers so patiently that it appears a tad too expected while its various pieces are being put into place — a fact hardly helped by how often this exact narrative or variations of it have made it to screens — until it's just simply and unshakeably wonderful. Wright doesn't change anything in his approach, helming a handsome, detail-laden, rhythmic piece of cinema from the outset, but the emotions that truly make the movie sing strengthen minute by minute. And yes, when it all clicks in just so, it's with its three main players literally crooning, conveying so much about their huge, swirling, all-encompassing feelings that normal dialogue couldn't have done justice to. Read our full review. HIVE 2021 swarmed with historic achievements for women in film, including Nomadland's Chloë Zhao becoming the first woman of colour and only second woman ever to win the Oscar for Best Director, that category's nomination of two female filmmakers for the first time in its then 93-year history and the Cannes Film Festival awarding the Palme d'Or to a woman — Titane's Julia Ducournau — for only the second time. But before all of that, Kosovo-born writer/director Blerta Basholli achieved something at the Sundance Film Festival that'd never been done either: winning the US fest's World Cinema Dramatic Competition Grand Jury Prize, Audience Award and Best Director gong for Hive. It was a well-deserved feat for a movie that'd stick in memory even without such an achievement, and it's easy to see why Sundance's jurors and viewers responded with such a show of support. A powerhouse of a true tale that's brought to the screen with a devastatingly potent lead performance, Hive is simply unshakeable. In Basholli's first feature, to peer at star Yllka Gashi (Kukumi) is to look deep into a battler's eyes. Hive directs its attention her way frequently. The also-Kosovan actor plays Fahrije Hoti, a woman who has never been allowed to stop fighting, although the men in her patriarchal village would prefer she'd keep quiet. They wish she'd just attend to her duties as a mother and do what's expected. They think she should be a silent, compliant wife, although there's a significant problem with that idea. With her husband missing for years due to the Kosovo War, she can't be a meekly obedient spouse even if that was in her nature — which it isn't — because the man she loves is gone, no sign of him either dead or alive has been recovered, and she's trapped in limbo as she waits, tries to keep caring for her family and endeavours to go on. Those dismissive, misogynistic attitudes flung at Fahrije by her community join the litany of roadblocks that she's forced to rally against with every word, thought and breath she has. In her husband's absence, her father-in-law Haxhi (Çun Lajçi, Zana) is eager to maintain the status quo, but Fahrije has been trying to make ends meet anyway, all in a town — and amidst a male-dominated culture — that couldn't be more unsympathetic to her plight. She isn't alone, however, with many of the locale's other women also widowed due to the conflict, and similarly expected to survive without upsetting traditional gender roles. So, with the beehives that she dutifully attends to unable to keep providing enough income to pay her bills, the enterprising Fahrije and her friend Nazmije (Kumrije Hoxha, The Marriage) decide to start a female-run co-operative to make and sell ajvar, a pepper relish. A picture of stinging resilience, unflappable fortitude and baked-in sorrow, Gashi is phenomenal as Fahrije. Not only does Hive keep gazing her way but, thanks to the raw compulsion of her performance, viewers eagerly do the same. The skill required to play stoic but also persistent, passionate and simmering with internalised pain can't be underestimated, and watching Gashi navigate that balance like it's the only thing she knows — because, for Fahrije after her husband's disappearance, it now is — is affecting on a gutwrenching level. Lived-in fury and resolve buzzes through every facet of her portrayal, all as the woman whose shoes she's walking in weathers derision, violence and attempted sexual assault for daring to dream of attempting to support herself. It comes as no surprise that various film festival prizes have been sent Gashi's way among Hive's collection of accolades, with ample merit. Read our full review. STUDIO 666 As the drummer for Nirvana and the frontman for Foo Fighters, Dave Grohl doesn't have many mixed bags on his resume. The music superstar has been in the spotlight for three-plus decades now, and boasts success after success to his name, complete with a list of awards and hits bound to make almost everyone else in the industry envious. But all their lives, Grohl and his fellow Foos must've dreamt of being horror movie stars — and the result, the pandemic-shot Studio 666, shouldn't entice any of them to quit their day jobs. A haunted-house horror-comedy, this rockstar lark is gonzo, gory and extremely goofy. It's a clear bit of fun for everyone involved, and it's made with overflowing love for the genre it slips into and parodies. But it's an indulgent and stretched exercise in famous folks following their whims at times like these, too. Achievement unlocked: there's Grohl's mixed bag. Studio 666's setup revolves around Grohl, drummer Taylor Hawkins, guitarists Chris Shiflett and Pat Smear, bassist Nate Mendel and keyboardist Rami Jaffee packing their bags for a live-in recording session at an Encino mansion. As the movie's 1993-set prologue shows, their temporary new home has a dark past, after the last group that inhabited the spot met bloody ends; however, ignorance is bliss for the Foo Fighters. Actually, an obligation to deliver their tenth album to their overbearing manager (Jeff Garlin, Curb Your Enthusiasm) inspires the move, as does the band's creative lull in conjuring up the record otherwise. Grohl instantly falls for the sound of the space as well, to an unhinged degree, and his bandmates begrudgingly agree to the month-long stay to make musical magic happen. Recording an album doesn't usually spark The Evil Dead-style murderous mayhem, cursed book and all, but that's Studio 666's gambit. Its Californian abode isn't just stalked by a grisly ghoul with a love of gut-rumbling tracks — it possesses Grohl with the need to craft a killer song, length be damned, and with satanic bloodlust, cannibal cravings and prima-donna rocker behaviour. Is he monstrous about doing whatever it takes to get the tune because he's bedevilled by the house's resident evil, he's on a power trip or both? That's one of the film's big gags, and also a hefty splatter of the kind of sense of humour it's working with. Winking, nudging, satirising, and sending up fame, egos and the all-devouring nature of entertainment stardom: they're all on the movie's menu, alongside as much gleefully cheap-looking viscera as any feature can manage to splash around. Amid the deaths by cymbal, barbecued faces and projectile-vomited guts — no, what's left of the Foos at the film's end won't be getting their bond back — there's zero doubt that Grohl and company are enjoying themselves. Actors, they aren't, but playfulness has always been part of Foo Fighters' mood. When the band began in 1994, initially as a one-man project by Grohl after Kurt Cobain's suicide the same year, it was instantly perkier and sillier than Nirvana. For the 'Big Me' music video from the group's self-titled first album, they shot an unforgettable Mentos ad parody in Sydney. With the 'Learn to Fly' clip in 1999, they satirised airline flicks — Airplane!, which was already a send-up, plus disaster fare Airport 1975 and Airport '77 — aided by Tenacious D's Jack Black and Kyle Gass. Getting so delightedly bloody might be new, but refusing to take themselves seriously definitely isn't. Read our full review. PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME Will they or won't they? Do they or don't they? Every time that romance and relationships are portrayed on-screen, at least one of these questions always echoes. In the entrancingly moody and astute Preparations to Be Together for an Unknown Period of Time, it's the latter. Whether Hungarian neurosurgeon Márta Vizy (Natasa Stork, Jupiter's Moon) and fellow doctor János (Viktor Bodó, Overnight) will end the film in each other's company still remains a pivotal part of the plot, but if there's ever been anything between them — or if it's all simply in Márta's head — is the far more pressing concern. She's a woman smitten, so much so that she's returned home from a prestigious job in the US just for him. But his behaviour could be called vague, rude or flat-out ghosting, if he even remembers that they've crossed paths before — and, if they ever actually have. Preparations to Be Together for an Unknown Period of Time first introduces Márta as she's unloading her János-sparked romantic woes upon her therapist. What could've been a standard rom-com or romantic drama setup soon twists into something far more alluring and intriguing, however. Indeed, as writer/director Lili Horvát (The Wednesday Child) ponders the role of memory in affairs of the heart, her film just keeps inspiring more trains of thought. How can we ever know how someone else really feels about us? How long will any romantic emotions last, and can they last? Is it ever truly possible to trust whoever our hearts fall or, or our hearts to begin with? And, can we genuinely believe those intense memories of love that implant themselves inside our brains, refuse to leave and inspire life-changing decisions — or is love too subjective, no matter how deep, real, shared and strong that it feels? These queries all spring from Márta's homecoming, after she meets János at a conference in New Jersey, then pledges to do so again a month later on a Budapest bridge. She shows, but he doesn't. Worse: when she tracks him down at his work afterwards, he says that he doesn't know her. While tinkering with memory is a familiar film and TV concept — see: everything from Memento and Eternal Sunshine of the Spotless Mind to Mulholland Drive and Severance — Preparations to Be Together for an Unknown Period of Time is interested in the emotional fallout from János' claims to have zero knowledge of Márta first and foremost. Confused, unsettled and still wholeheartedly infatuated, she just can't bring herself to return stateside, and also can't get János out of her mind in general. Scripted with empathy and precision by Horvát, and also shot and styled like a waking dream, Preparations to Be Together for an Unknown Period of Time isn't easily forgotten either, siding its viewers with Márta over János. This is a haunting and beautifully acted psychological drama that lays bare just how all-encompassing, obsessive, intoxicating and mind-melting love can feel, all as it plays with recollection and its ability to shape our perspectives. The tone is loaded but uncanny — sweet but uncertain, too — and Horvát has fun getting both emotional and cerebral while having her characters cut open brains. The latter happens literally and yes, there aren't many movies quite like this one. Cinema doesn't boast too many performances like the exceptional Stork's, either, which draws viewers into every feeling, question, and pang of both intense affection and shattering uncertainty that flows through Márta. Preparations to Be Together for an Unknown Period of Time screens in Melbourne from February 24, and opens in Sydney and Brisbane from March 17. FORTUNE FAVORS LADY NIKUKO Japanese animation has given cinema-goers a wealth of gifts, Studio Ghibli's enchanting on-screen magic across nearly four decades sitting atop the pile, and the heartwrenching Your Name and Weathering with You ranking high among them as well. But films that serve up gorgeous snapshots of coastal living and cuisine are finding their own anime niche, too, with Fortune Favors Lady Nikuko following Ride Your Wave — and proving as much of a delight. It isn't quite another romantic tale about matters of the heart, hope and H2O, as Josee, the Tiger and the Fish also was, but only because it focuses on an 11-year-old and her mother. The same swells of emotion still wash through, all in an eye-catchingly animated story set in a northern Japanese harbour town — complete with cooking up a storm, and making illustrated dishes spark hunger pangs. The film's title refers to the outgoing, happy-go-lucky, houseboat-dwelling Nikuko (voiced by Shinobu Ôtake, Shadowfall), who works as a bar waitress in the sleepy locale she now calls home, and is also never without a smile. But as Fortune Favors Lady Nikuko's introductory sequence explains — adopting a more stylised, less naturalistic type of imagery than the bulk of the movie in the process — her bad romantic luck, including the debts she's amassed from her past loves, has played a large part in her current fate. She still works hard six days a week, never complains, and is instantly recognisable around the village. The whip-smart, serious and introverted Kikuko (model and flutist Cocomi), Nikuko's daughter, doesn't share the same attitude, however, and wants nothing more than to blend in where her single mother stands out. Based on the 2011 novel of the same name by Kanako Nishi, Fortune Favors Lady Nikuko keeps its dramas grounded, as Kikuko navigates the usual struggles of school — being forced to pick which classmates to spend lunchtime with, for instance — and the standard preteen experience that is pushing away from your parents. Indeed, no one is spirited away, tasked with saving the world or left communing with water in a grief-stricken state here, but that doesn't make this slow-building film any less resonant. As well as being deeply instep with the woes of adolescence, and of the complexities of mother-daughter relationships, this affecting slice-of-life feature also laps up simply stepping into its characters' lives and their surroundings. Where watching Weathering with You felt like taking a walk through Tokyo, for example, viewing Fortune Favours Lady Nikuko whisks the audience away to its peaceful seaside setting. Filmmaker Ayumu Watanabe also directed 2019's Children of the Sea, another recent Japanese gem and fellow Studio 4°C release that proved sweet and smart, and similarly looked a treat — and he's as skilled at immersing viewers into heartfelt stories rendered through animation as his internationally better-known compatriots. There's also a sense of calm to his films that's both soothing and bewitching, as vibrant as they always look. In fact, the only misstep that Watanabe and screenwriter Satomi Ohshima (Our 30 Minute Sessions) make with Fortune Favours Lady Nikuko stems from the easy jokes made about the movie's namesake's size, which visibly contrasts with her reed-thin daughter but didn't need to also be the butt of several verbal gags. The tone is still loving, and one of the feature's big thematic threads does involve seeing past the obvious — especially given two people who are painted as such opposites sit at its centre — but it's still a rare grey cloud in an otherwise warm anime sky. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on October 7, October 14, October 21 and October 28; November 4, November 11, November 18 and November 25; December 2, December 9, December 16 and December 26; January 1, January 6, January 13, January 20 and January 27; and February 3, February 10 and February 17. You can also read our full reviews of a heap of recent movies, such as The Alpinist, A Fire Inside, Lamb, The Last Duel, Malignant, The Harder They Fall, Roadrunner: A Film About Anthony Bourdain, Halloween Kills, Passing, Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth, The Worst Person in the World, Ghostbusters: Afterlife, House of Gucci, The King's Man, Red Rocket, Scream, The 355, Gold, King Richard, Limbo, Spencer, Nightmare Alley, Belle, Parallel Mothers, The Eyes of Tammy Faye, Belfast, Here Out West, Jackass Forever, Benedetta, Drive My Car, Death on the Nile, C'mon C'mon, Flee, Uncharted and Quo Vadis, Aida?.
Whoever said an encyclopaedic knowledge of a cartoon about a dysfunctional yellow family would never come in handy was a real narc. Barbara is pulling the Comic Book Guy out of every Simpsons fanatic on March 1 with Simpsons Trivia. If you don't know squat about Homer, Marge, Lisa and Bart, then don't even bother checking it out – this is for die-hard fans only. You should at least know the name of Lionel Hutz's law practice? The name of Lisa and Bart's hockey teams coached by Apu and Chief Wiggum? The names of two other Sideshows besides Bob and Mel? And who was Lisa's first hook-up? These are elementary questions. You don't know those answers, quit while you're ahead. Indeed, if you don't just know general Simpsons trivia, but also everything there is to know about season seven of the series as well, you should probably just spend your night writing lines on a blackboard. There'll be two rounds dedicated to who really shot Mr Burns and other tidbits from the season, so consider yourself warned.
We thought we'd hit peak Harry Potter fandom when a store dedicated to the wizarding world opened last year. Nope. With the latest Fantastic Beasts film just in cinemas and JK Rowling's Harry Potter and the Cursed Child theatre production now playing, the magical realm's touch on reality shows no sign of fading anytime soon. Now, grandiose Melbourne institution The Hotel Windsor is continuing the craze by transforming one of its 180 heritage rooms into a wizarding wonderland — complete with rare collectibles from the Harry Potter franchise. Think wands, prints from the film's original illustrators and tonnes of official merchandise, along with many magical limited-edition items. Guests of the suites — which have also been decked out with Hogwarts-appropriate vintage trunks, leather furniture and plush rugs — have exclusive access to all of it. And can even buy the magical merch, if they so please. The suite's launch corresponds with the start of the Cursed Child performances at the Princess Theatre — located just down the block from the Windsor — and it will remain open for bookings through till December 31, 2019. This means that the magical world of Harry Potter doesn't have to end post-show, but will just keep on going back at your hotel room. Of course, the suite will cost a pretty penny, starting at $699 for mid-week bookings and $899 on weekends. But, if you're a 'live, breathe and (literally) sleep' kind of fan, it just might be worth it. The Wizards Suite at The Windsor is available to book from January 15–December 21, 2019. To secure your night's stay, head to The Hotel Windsor website.
After spending a day, evening or both sipping on your favourite wine, you might feel as though you've been soaking in boozy grape juice. That's understandable. You'll feel the same when you're enjoying a glass of Edivo Vina's tipples — but expect to dive deeper, literally. Edivo Vina is Croatia's first underwater winery, and they're now open for visitors. Yes, that means doing more than simply plunging your face into a wine glass. You'll descend into the ocean's depths to explore their operations, and check out a sunken shipwreck that's used as their underwater cellar while you're down there. And, you can even help bring your own bottle of vino back up to the surface. Located off of the coast of Drače on the Pelješac Peninsula, the winery first starts their booze-making process on land, where their wines are aged for three months. They're then stored in clay jugs known as amphorae, corked and protected by two layers of rubber, and submerged 18 to 25 metres into the sea for one to two years. Relying upon natural cooling, giving the booze a pinewood aroma and also benefiting from the water's "perfect silence" — because quiet wine-making is the best wine-making, apparently — it's a system that the ancient Greeks used. They are known for their love of wine, after all. Unsurprisingly, after such a substantial stint in the ocean, the bottles come back to the surface coated in shells, corrals and algae. Now that's something you won't find at your local bottle-o. Images: Edivo Vina.
The Barossa Valley's rolling, winery-filled countryside has scored a sleek new addition, in The Villas — a secluded, luxury retreat championing environmentally responsible architecture. Two thoughtfully designed structures have made their home in the quaint town of Marananga, an hour's drive from Adelaide, on the site beside owners Grant and Cathy Wills' historic former schoolhouse. Each of the standalone eco-villas boasts a warm, minimalist feel, the spaces kitted out with a plethora of luxury trimmings — think, queen-size beds fitted with French linen, wifi, fully-equipped kitchens, and rainwater showers and soak tubs. All topped off with views across the one-hectare of private property (yours to explore) filled with sugar gums, eucalypts and — often — 'roos. The work of Sydney firm Stephen Sainsbury Architects, the villas are a South Australian first. They're constructed using a minimal impact and environmentally sustainable system called "Ecoshelta", which has been used to build off-the-grid retreats across NSW and Tasmania. This retreat is also a prime basecamp for any winery hopping adventures, perched within walking distance of no less than five local cellar doors, not to mention the famed Seppeltsfield Road Distillers. With more than 150 wineries in the region, you certainly won't be short a good glass of plonk. A stay at The Villas starts from $385 a night with a two-night minimum. Price of the stay includes a complimentary breakfast made using local produce. Find The Villas at 468 Seppeltsfield Road, Marananga, South Australia.
If you're visiting the Gold Coast's new HOTA Gallery and your stomach starts rumbling, you have two options. Head up to the fifth floor, and rooftop bar The Exhibitionist awaits — with tapas and plenty of drinks. Get comfy on the ground level instead, and you'll find yourself at Palette. Head chef Dayan Hartill-Law oversees both. At Palette, you'll tuck into Fraser Island spanner crab ($28) and Brisbane Valley quail ($26) among its a la carte lunch options, with the daytime lineup spanning six dishes, two types of sides and three different desserts. The big attraction here, though, is the degustation menu. It not only heroes local ingredients wherever possible, but is inspired by the artworks in the gallery. The dishes will change as evolve as exhibitions come and go, too. "The first menu relates to HOTA's Solid Gold exhibit, so that guests can see their favourite pieces of art come to life on the plate," explains Hartill-Law. "The Darling Downs vegetables in variations emulates the artist Mimi Dennett to have the same flowers and plants growing as what is featured in her piece Bloom," he notes. Palette's diners can choose between two degustation menus at present — including one with meat and a vegetarian option (both $90). And, you have a choice when it comes to drinks as well, with matching wines ($125) also available.
Having been praised at the hands of Pitchfork and Rolling Stones Magazine, American dream-pop duo Beach House are nothing short of musical perfection. Since forming eight years ago, this Baltimore-born pair's presence on the music scene has been growing rapidly, with their latest album Bloom labelled as their best yet. Described by Triple J as an album, “that creeps under your skin and stays there; beautifully dense and seriously captivating", it is no surprise that Bloom worked its way into many of the most recognised 'Best Albums of 2012' lists. With the release of Bloom, accompanied by a string of world-wide festival performances and gigs, Beach House have gained a deep devotion amongst its growing community of fans through their whimsical instrumentals and songstress, Victoria Legrand's, haunting voice. After performing at Woodford Folk Festival and Falls Festival, Beach House will be gracing the Tivoli with their over-ripe youthful presence. As a band that captures the simplest of emotions and deconstructs them through the most innovative of musical sound, Beach House is a marvel that should not be missed. Check out Beach House's 'Myth'
If you know your alohomoras from your sectumsempras and have read your Fantastic Beasts and Where to Find Them from cover to cover, Harry Potter Trivia Night might be your time to shine. There will be glory, giveaways and all-round Harry Potter cred to all those who can trance a boggart, tame a hippogriff and tell the difference between Finch's cat and Fluffy. Harry Potter Trivia Night will be hosted by the always brilliant Man vs Bear Trivia, and will take place at Finn McCool's. It may not be the Leaky Cauldron, but you can pretend you're drinking Butterbeer throughout the evening. There's your magical plans from 7pm on October 27. This is the type of trivia night that rounds up only the truest of diehard fans and makes them compete with more blood and gusto than a Quidditch Grand Final. A word of warning: choose your team wisely.
There's a new gin in town and it's pink. And when we say pink, we mean really pink — like, Grease girl gang pink. This delightful concoction will be in glasses for spring and its creators are the master distillers at Bass and Flinders, which you'll find on the Mornington Peninsula in Victoria. Dubbed Cerise, the gin gets its pinkness from a blend of cherries and raspberries, which is layered with hibiscus and orange blossom aromas. These ingredients are sourced from farms at nearby Red Hill. All bottles are made in small batches, to keep the gin's high quality and delicate flavour profile. Apparently it will have a slight sweetness, similar to Turkish delight. As with all Bass and Flinders gins, the spirit is based on grapes. "Using grape spirit for gin provides another dimension to the gin's botanicals and adds to the viscosity, texture and flavour — this, combined with seasonal produce, produces extraordinary spirits," says head distiller Wayne Klintworth. The gin will go on sale on September 12. It'll be available for a limited time, only at the cellar door and via the distillery's website. Bass and Flinders have been making unusual gins and other spirits, including vodka, limoncello, grappa and a five-year-aged brandy called Ochre, since 2009.
'Squito', as the 'throwable panoramic camera ball' is officially known, is the brainchild of Boston-based inventor Steve Hollinger. Packed with three cameras, an IMU (inertial measurement unit), a microcontroller, an image processor and sensors, the tennis ball-sized piece of first generation genius promises to take video to yet another new level. And yes, it might unleash a torrent of Facebook selfies from unimaginable angles, but what's more interesting about Squito is its potential to assist in search-and-rescue missions, reconnaissance, architectural development and mapping. Built to function in all kinds of conditions, including darkness, fog and smoke, it can be used in disaster zones to detect injured and trapped victims. Squito's sensors determine the relationship between its rapidly moving apertures and the subject concerned, so that images can be joined to form a panorama. Moreover, video stabilisation is possible, and photos and footage are sent to a nearby computer, tablet or smartphone via wireless communication. 'Throwable camera innovations are accelerating with advancements in sensor and imaging microelectronics,' Hollinger explains. 'And with the advent of low-cost, high-speed cameras for outdoor recreation, an affordable throwable camera is finally within reach.' Want one? Unfortunately, the Squito is not yet up for sale. Hollinger has a second patent, but he's looking for 'camera companies, investors and individuals operating on the cutting edge' to get involved. [via Hypebeast]
"Honey, we're home." Those words are uttered in the first sneak peek at Netflix's Heartbreak High revival and, especially if you were a 90s kid, they're filled with emotion. Screening for seven seasons and 210 episodes between 1994–99, the OG Heartbreak High wasn't just a high school-set Aussie show — it was the high school-set Aussie show of the era. The original series was filled with now-familiar faces, too, including Alex Dimitriades, a pre-Home and Away Ada Nicodemou, and Avengers: Endgame and Mystery Road's Callan Mulvey as Drazic. It painted a multicultural picture of Australia that was unlike anything else on TV at the time. And, for its six-year run across two Aussie networks, the Sydney-shot show was must-see television — not bad for a series that started as a spinoff to the Claudia Karvan and Alex Dimitriades-starring 1993 movie The Heartbreak Kid. Back in 2020, Netflix announced that it was bringing Heartbreak High back — and now that revival is almost here. The series itself will join your streaming queue on Wednesday, September 14, and the platform has dropped the first trailer in the interim. Yes, it definitely looks like a 2020s take on the Aussie classic. While the initial teaser sets the vibe rather than spells out the story, the show obviously returns to Hartley High — the fictional school that everyone watching was obsessed with way back when. This time around, a revelation turns Amerie (Ayesha Madon, The Moth Effect) into a pariah, and also sparks a rift with her best pal Harper (Asher Yasbincek, How to Please a Woman). Attempting to repair her reputation, and just navigate the usual teen chaos, she calls on help from her new friends Quinni (Chloe Hayden, Jeremy the Dud) and Darren (first-timer James Majoos). If you're keen for a bit more background on the new show's characters, back when it announced the cast, Netflix described Amerie as a smart, big-hearted but loud working-class girl, and Harper as the person at Hartley that everyone is a little afraid of, including teachers. Quinni, who has autism, is "a brain trying to connect to a body and a heart", while Darren is "the warmest snarky shit-stirrer you're ever likely to meet". Other characters include Malakai (Thomas Weatherall, All My Friends Are Racist), a Bundjalung boy and basketballer who is new at Hartley High; Dusty (Josh Heuston, Thor: Love and Thunder), an insecure bass player in an indie rock band; Sasha (Gemma Chua-Tran, Mustangs FC), who has been badged "the coolest, sexiest, and chiccest lesbian at the school"; and Ca$h (Will McDonald, Home and Away), a mullet-wearing drug dealer, food delivery driver and pet duck owner. Rachel House (Hunt for the Wilderpeople, Baby Done) plays Hartley High's principal, too — and yes, Netflix is still streaming the original series, should you feel like a double dose of nostalgia. Check out the first trailer for the new Heartbreak High below: Heartbreak High will be available to stream via Netflix on Wednesday, September 14.
It's official: Banksy is the poster boy of the contemporary art world. Usually hidden in laneway corners and industrial wastelands, his works are no longer just a treasure to be found by metropolitan hipsters. Now they are cut, drilled and pulled from their original context and thrust straight into the hands of Sotheby's famous auction house. Hell, one of his works was even on Antiques Roadshow last week. Unfortunately, as the British artist is still wilfully anonymous, he sees no profit from such sales. And really, it goes against everything he believes in. Accordingly, he's having a bit of fun with the latest auction held in his name. I Can’t Believe You Morons Actually Buy This Shit is a real-life Banksy artwork being sold at Sotheby's this coming week. No joke. Valued at around £10,000, the piece is part of an unauthorised retrospective of the artist's work that will feature 70 items including prints, sculptures and paintings. Some person is likely going to spend real money on it, hang it unironically above their mantel, and boast about it to their similarly rich and foolish friends. Priceless. Other works on show in the exhibition at Sotheby's S2 Gallery include Banksy's iconic Warhol-esque works featuring (and signed by) Kate Moss, and the famed Pulp Fiction-style stencil of John Travolta and Samuel L. Jackson carrying bananas instead of guns. The exhibition, which has been knowingly titled The Unauthorised Retrospective, is not the first that has been carried out against the artist's will. Just this year we've seen Stealing Banksy? at the ME Hotel in London and the sale of the artist's Kissing Coppers to an anonymous buyer after being excavated from the wall of a Brighton pub (it went for a cool £345,000). It's understandably troubling that these sales are going on without the artist's consent and Banksy has spoken out about it in the past. "Art’s rightful place is on the cave walls of our committees where it can act as a public service, provoke debate, voice concerns [and] forge identities," said the artist. "The world we live in today is run, visually at least, by traffic signs, billboards and planning committees. Is that it? Don’t we want to live in a world run by art, not just decorated by it?" It's a noble crusade that street artists carry on around the world; its presence in Australia thankfully still going strong. And, while it's undoubtedly a bummer to have hoity toity types taking advantage of such a beautiful thing, you can take a little consolation in the following. The guy who drops £10,000 on this latest print is going to be confronted with the fact he's a moron every single day. Via West Morning News and Reuters. Kissing Coppers photo credit: robthomasdesigns via photopin cc.
While it felt like this year's cultural calendar was dominated by bottomless brunches and themed high teas (and there were a lot of them) a lot of other game-changing events were also taking place. From immersive dessert museums to spine-chilling installations and a pop-up creative space with a year-long program of free festivities, Brisbane has seen a influx of events celebrating the city's cultural ecosystem and bringing people together. At Concrete Playground we encourage exploration and showcase innovation in our city every day, so we thought it fitting to reward those most talented whippersnappers pushing Brisbane to be a better, braver city. And so, these six new events were nominated for Best New Event in Concrete Playground's Best of 2018 Awards.
Film festival opening nights aren't just about red carpets, a jam-packed guest list, plenty of photo opportunities and oh-so-much buzz. They're also about launching a cinema celebration as the event means to go on. So, with SXSW heading Down Under for the first time in 2023, hosting SXSW Sydney from Sunday, October 15–Sunday, October 22, exactly which flick gets pride of place at the fest's Screen Festival is a particularly massive deal. The pick: The Royal Hotel, the latest film from Australian director Kitty Green. Green will bring her second fictional feature and fourth full-length effort to the Harbour City's first-ever SXSW, with the movie enjoying its Australian debut fresh from world-premiering at the 2023 Toronto International Film Festival. The Royal Hotel also marks the second collaboration in a row between Green and star Julia Garner, who was as stunning in the filmmaker's The Assistant as she was in Ozark and Inventing Anna. This time, the Casting JonBenet helmer and her current go-to star are teaming up on a tale about US backpackers who get jobs at an outback Australian pub — and also stay there. Amid the heat, the lack of wifi and drinking wine out of a cask, Hanna (Garner) and Liv (Jessica Henwick, Glass Onion: A Knives Out Mystery) also cross paths with the town's male residents, including Hugo Weaving (Love Me) as the watering hole's owner, plus Toby Wallace (Babyteeth) playing charming and Daniel Henshall (Mystery Road: Origin) getting chilling. "Kitty Green's The Royal Hotel is a deft reworking of the Aussie outback thriller, reoriented with a female gaze, and we could not be more thrilled to open the inaugural SXSW Sydney Screen Festival with Kitty in attendance," said SXSW Sydney's Head of Screen Ghita Loebenstein, announcing the opening-night selection. "The film takes deliberate stabs at the more toxic shadows of the genre, and our culture, in sophisticated but ever entertaining ways. Kitty is a local luminary gaining international acclaim as a writer-director with a fearless vision for nuanced storytelling and this film is the perfect opener to the Screen Festival, which seeks to amplify and celebrate bold voices in film." The Royal Hotel joins ten previously announced titles on the SXSW Sydney Screen Festival lineup from Sunday, October 15–Saturday, October 21, with more to come. Also a big local title on the bill: documentary Hot Potato: The Story of The Wiggles, which will enjoy its world premiere at the fest. And, among nine flicks revealed in July, everything from flicks starring Indonesian rappers and documentaries about Tokyo Uber Eats rider to movies featuring viral Chinese dance crazes will pop up. Can't wait to watch your way through the fest? SXSW Sydney Screen Festival wristbands go on sale on Friday, August 25, starting at an early-bird price of $240 and getting people wearing one into unlimited screenings. [caption id="attachment_910715" align="alignnone" width="1920"] Netflix[/caption] The SXSW 2023 Sydney Screen Festival also features an array of speakers, with Queer Eye star Tan France set to hit Australia to get chatting. Indigenous filmmakers Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Kodie Bedford (Mystery Road: Origin) and Jub Clerc (Sweet As) will also take to the stage; Osher Günsberg is on the SXSW Sydney bill recording an episode of his podcast Better Than Yesterday with a yet-to-be-announced special guest; and Gone Girl, The Nightingale, The Dry, Big Little Lies and Nine Perfect Strangers producer Bruna Papandrea and Binge's Executive Director Alison Hurbert-Burns will also appear. As well as showering viewers with movies and TV shows, with more titles to come — including First Nations Screen Festival programming by Winda Film Festival founder Pauline Clague — SXSW Sydney's film- and TV-focused strand will feature red-carpet premieres; digital and social content; an XR showcase; Q&As and panel discussions; parties and mentoring; and a screen market for industry deals. Free outdoor screenings are also slated, alongside indoor sessions at The ICC's Darling Theatre, Palace Cinemas Central and other yet-to-be-advised venues. SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues, with the SXSW Sydney Screen Festival running from Sunday, October 15–Saturday, October 21 at The ICC's Darling Theatre, Palace Cinemas Central and more venues to be announced. Head to the SXSW Sydney website for further details. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
When the ABC decided to take a few cues from Britain's music quiz and comedy panel TV series Never Mind the Buzzcocks by creating Spicks and Specks, Australia's national broadcaster likely knew that it had a hit on its hands — but it mightn't have realised just how beloved the show would become. 2025 will mark two decades since the series debuted. It hasn't always been on the air every year since, but it will be back for next year's milestone. Get ready to bust out all that music knowledge, and also to play along with one of the nation's favourite television shows — again. Among everything that the ABC has ever broadcast, be it news, entertainment, after-school kids shows, oh-so-much Doctor Who and late-night music videos to keep you occupied after a few drinks all included, the Adam Hills-, Myf Warhurst- and Alan Brough-led Spicks and Specks is among the all-time highlights. Exactly when the next season will hit in 2025 hasn't been revealed, but 2024's run arrived from June. There's no word yet on new guests, either, but a heap of top Australian talent will sit around and talk about tunes as always. 2024's guests included Anthony Callea, Marlon Williams, Elly-May Barnes, Nooky, Montaigne and Dan Sultan, as well as Mark Seymour, Oli from Lime Cordiale — and also Hamish Blake, Tommy Little, Steph Tisdell, Abbie Chatfield, Shane Jacobson and Jenny Tian. Here's how it works, if you need a refresher: Spicks and Specks' contestants answer questions, compete for points and just generally prove funny, too. That's the concept behind the series, which pits Aussie musos and comedians against each other. It was a weekly favourite when it first aired between 2005–2011 — and it keeps being resurrected. As fans are well-aware, Spicks and Specks has enjoyed more comebacks than John Farnham, although that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Hills, Warhurst and Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. In 2022, ten new episodes hit — and then the show returned again in 2024. To tide you over until new episodes, here's a clip from 2024's Spicks and Specks run: Spicks and Specks will return to ABC TV and ABC iView in 2025 — we'll update you with more details when they're announced.
No adult should actually want to head back in time to their schoolyard days, but sending your chocolate-loving tastebuds there is a different matter. Some flavours and snacks just transport you into your memories, offering up a blast from the past with every bite, and KitKat is making them its business — alongside releasing oh-so-many wild and delightful flavours in Japan, of course. (Cough drop KitKats, anyone?) In 2022, KitKat teamed up with Aussie favourite Milo on the chocolate bars of your childhood dreams. Now, it's giving that concept a second go — this time with Milkybars. Sure, you mightn't have had a Milkybar since you carried around a lunchbox in a backpack, but come April and May, you'll be able to get your fix via three options. The Milkybars are on this new range of KitKats, and literally — in a way that 90s TV ads never imagined. Leading the pack is a regular four-finger KitKat covered with Milkybar white chocolate, which'll hit 7-Elevens first from April. But, it has company. If you're keen to share — or save some for yourself for later — there's a big KitKat block also covered in white chocolate which arrives at other supermarkets and convenience stores from Wednesday, May 3. Or, there's a sharepack filled with small pieces which you'll only find at Coles from the same May date. No, you don't have to eat this collab with milk. Also, you don't have to enjoy them in a milk bar, if you can find one around the place. And no, you don't have to call yourself the Milkybar Kid, either — even if the character was a staple of Nestlé's Milkybar advertisements from the 60s onwards. To really ramp up the nostalgia, check out one of those old ads below: KitKat's Milkybar chocolates will hit store shelves from April and May, retailing at $2 per bar, $5 per share pack and $5.50 per block.
UPDATE, October 19, 2022: The Stranger released in Australian cinemas on October 6, then streams via Netflix from October 19. No emotion or sensation ripples through two or more people in the exact same way, and never will. The Stranger has much to convey, but it expresses that truth with piercing precision. The crime-thriller is the sophomore feature from actor-turned-filmmaker Thomas M Wright — following 2018's stunning Adam Cullen biopic Acute Misfortune, another movie that shook everyone who watched it and proved hard to shake — and it's as deep, disquieting and resonant a dance with intensity as its genre can deliver. To look into Joel Edgerton's (Thirteen Lives) eyes as Mark, an undercover cop with a traumatic but pivotal assignment, is to spy torment and duty colliding. To peer at Sean Harris (Spencer) as the slippery Henry Teague is to see a cold, chilling and complex brand of shiftiness. Sitting behind these two performances in screentime but not impact is Jada Alberts' (Mystery Road) efforts as dedicated, determined and drained detective Kate Rylett — and it may be the portrayal that sums up The Stranger best. Writing as well as directing, Wright has made a film that is indeed dedicated, determined and draining. At every moment, including in sweeping yet shadowy imagery and an on-edge score, those feelings radiate from the screen as they do from Alberts. Sharing the latter's emotional exhaustion comes with the territory; sharing their sense of purpose does as well. In the quest to capture a man who abducted and murdered a child, Rylett can't escape the case's horrors — and, although the specific details aren't used, there's been no evading the reality driving this feature. The Stranger doesn't depict the crime that sparked Kate Kyriacou's non-fiction book The Sting: The Undercover Operation That Caught Daniel Morcombe's Killer, or any violence. It doesn't use the Queensland schoolboy's name, or have actors portray him or his family. This was always going to be an inherently discomforting and distressing movie, though, but it's also an unwaveringly intelligent and impressive examination of trauma. There's no other word to describe what Mark and Rylett experience — and, especially as it delves into Mark's psychological state as he juggles his job with being a single father, The Stranger is a film about tolls. What echoes do investigating and seeking justice for an atrocious act leave? Here, the portrait is understandably bleak and anguished. What imprint do such incidences have upon society more broadly? That also falls into the movie's examination. Mark, along with a sizeable group of fellow officers, is trying to get a confession and make an arrest. Back east, Rylett is one of the police who won't and can't let the situation go. Doling out its narrative in a structurally ambitious way, The Stranger doesn't directly address the human need for resolution, or to restore a semblance of order and security after something so heinously shocking, but that's always baked into its frames anyway. Travelling across the country, Henry first meets a stranger on a bus, getting chatting to Paul (Steve Mouzakis, Clickbait) en route. It's the possibility of work that hooks the ex-con and drifter — perhaps more so knowing that his potential new gig will be highly illicit, and that evading the authorities is implicit. Soon he meets Mark, then seizes the opportunity to reinvent himself in a criminal organisation, not knowing that he's actually palling around with the cops. It's an immense sting, fictionalised but drawn from actuality, with The Stranger also playing as a procedural. The connecting the dots-style moves remain with Rylett, but Wright's decision to hone in on the police operation still means detailing how to catch a killer, astutely laying out the minutiae via action rather than chatting through the bulk of the ins and outs. When Wright made his initial leap behind the camera after almost two decades on-screen — an acting resume that spans a range of weighty fare, such as Van Diemen's Land, Balibo, Top of the Lake, The Bridge and Sweet Country — he spun a tale of two men connecting, entangling and grappling with hard truths. Acute Misfortune and The Stranger are immensely different movies in a plethora of ways, even if both do find their basis in IRL situations, but there's no missing their common central dynamic. While The Stranger wouldn't be the film it is without its time with Rylett, and with the phenomenal Alberts in that key role, the interplay between Mark and Henry retains its core focus. To be accurate, Mark sits squarest in its spotlight — including surveying the anxiety he feels as a single father tasked with such a case, which plays out in striking domestic and dream sequences — but it isn't a coincidence that Edgerton and Harris are styled to visibly resemble each other. Also never an accident: that The Stranger's male leads turn in transfixing performances, whether guiding the film's viewers through Mark's waking ordeal and literal nightmares, or showing their cause. This is Edgerton and Harris' third project together in mere years, after The King and The Green Knight — but if it wasn't, it'd be clear why both Wright and Edgerton (who produces and optioned the rights to The Sting to begin with) opted for the pairing. The Stranger sears not just with intensity but tension, so much of which jitters whenever the two men share the frame. A blazing car fire aside, the largely muted colours lensed by cinematographer Sam Chiplin (Penguin Bloom) add to the brooding, primal, dread-filled mood. The nervy soundscape by composer and cellist Oliver Coates (Aftersun, and also a Radiohead collaborator) does the same. But The Stranger's faces and bodies, as haunted and unbalanced as they always are, say — and silently scream — everything. Wright wants his audience to observe carefully, and to listen. The feature's sound design toys with this very idea; when a drive with Mark and Henry switches its dialogue to surveillance audio, it's such a straightforward choice, and yet its execution is layered, smart and immensely powerful. There's no such thing as passively and easily viewing The Stranger, it tells us, as does describing calming breathing techniques in its opening moments. Engaging with this movie has to be an active and complicated feat because engaging with the darkness it explores always is. Who retells grim chapters of history, and why and how, aren't questions isolated to Australian cinema, especially with true crime a perennially popular genre on screens large and small — and pages and podcasts, and wherever and however else such tales are told — and with The Stranger, they've surfaced again just a year after bubbling up around Justin Kurzel's Nitram. Like that, this equally exceptional and unsettling film makes plain that interrogating events like these is crucial. Here, it's also transformative for those doing the probing, the world they inhabit and those watching.
Danny Boyle directs. Alex Garland penned the screenplay. Oppenheimer Oscar-winner Cillian Murphy isn't listed among the cast, but is credited as an executive producer. In the latter's place on-screen, Jodie Comer (The Bikeriders), Aaron Taylor-Johnson (Nosferatu), Ralph Fiennes (Conclave), Jack O'Connell (Sinners) and Alfie Williams (His Dark Materials) are all tasked with navigating the remnants of a virus-ravaged world. That's the recipe behind 28 Years Later, and it looks set to unsettle — at least if the initial trailer from late 2024 and the just-dropped new sneak peek are anything to go on. Here, the zombie apocalypse has evolved. When just 28 days had passed, survivors faced a nightmare. Little had improved when 28 weeks had gone by. Now, following 28 years of chaos, life has been forced to find a new normality after dealing with the aftermath of a society decimated by a horrific infection for a hefty period. The setup this time around: almost three decades after the rage virus initially seeped through humanity after escaping from a biological weapons laboratory, some survivors have etched out an existence on a small island. Elsewhere, quarantine remains a key way of tackling the infection. With that starting point — and with unease dripping through both trailers so far, complete with stunning imagery — expect Boyle (Yesterday) and Garland (Warfare) to dig into the terrors that linger when two of the island's residents venture over to the mainland. Although 2030 will mark 28 years since viewers were treated to one of the best zombie movies ever, aka the Boyle-helmed, Garland-written 28 Days Later, the third flick in the same franchise — and second with Boyle behind the lens and Garland on scripting duties — arrives after 23 years. 28 Years Later was first confirmed at the beginning of 2024, and will hit cinemas Down Under on Thursday, June 19, 2025. The series' initial film has already spawned one follow-up thanks to 2007's 28 Weeks Later, but Boyle didn't direct it. Garland, who also penned Sunshine for Boyle, then hopped behind the camera himself with Ex Machina, Annihilation, Men, Civil War, Warfare and TV series Devs, wasn't involved with 28 Weeks Later, either. Their return restarts the saga, kicking off a new trilogy. The franchise's fourth feature 28 Years Later Part II: The Bone Temple has already been shot, in fact, with Candyman and The Marvels' Nia DaCosta directing. Boyle and Garland's first proper collaboration after Boyle adapted Garland's best-selling novel The Beach for the big screen two years prior, 28 Days Later still ranks among the best work on either's resume. It's the same on Murphy's as well, even if it didn't win him any of Hollywood's top shiny trophies for playing a bicycle courier who wakes up from a coma in a deserted hospital 28 days after an outbreak changed the world forever. And yes, the series is missing a 28 Months Later instalment. It was talked about for years, but the time has now passed unless the new trilogy includes a flick set between 28 Weeks Later and 28 Years Later. Check out the latest trailer for 28 Years Later below: 28 Years Later releases in cinemas Down Under on Thursday, June 19, 2025.
A few years ago, it would've been hard to imagine millions of people getting excited about watching someone sleeping in a box. But two weeks ago, we all did just that, as that most sculptural of humans, Tilda Swinton, set up in New York's Museum of Modern Art for some shut-eye under glass. The performative art work, titled The Maybe, had been exhibited previously in 1995, but this time it generated a huge level of interest — and Swinton's heightened celebrity wasn't the only driver. Performance art — these days often called live art, time-based art or just plain performance — is having a bit of a moment. Right now, thousands of Sydneysiders are queuing to experience 13 Rooms, an installation of, yes, 13 rooms, each containing a flight of performative fancy from one of 13 internationally renowned artists. Once in, they're swapping their personal belongings for those of others, negotiating a revolving door made of people and comprehending a live person floating on air. The art form is easy to make fun of (sometimes brilliantly, as in this Portlandia clip), but that's partly because it's fun and easy to engage with. So why have we entered the time of performance art? Here are a few of the factors behind the rise. 1. Art parties The last time performance art was at its heights was in the 1960s, when Andy Warhol's 'happenings' were a major way of doing cultural business. These were events at his famous Factory studio and one of history's main moments in which artists from all different disciplines were invited to mingle — along with people who just liked to party. There might be paintings on one wall, video projections on another, the Velvet Underground everywhere. "What's happening now is happenings — where music, dancing, movies, everything happens at once and assaults all the senses," wrote Newsweek in its Pop issue in 1966. Sound familiar? Minus some orgies and taboo breaking, it's not unlike the current mode for art parties like Jurassic Lounge, ARTBAR or Next Wave events. Performance art — based, as it usually is, on a strong central concept that can be communicated within minutes, if not seconds — is the sort of thing that can thrive in a hullabaloo. Even if it's a durational performance whose real meaning will only become known over days, you can still just engage for 30 seconds and move on to the next thing. It also helps that much like then, we're into interdisciplinarity at the moment — the Australia Council even has a separate funding body for it, the Inter-Arts office. More on that in point two. 2. A response to digital The internet is big, you guys. Photorealistic blending of oil paint is great, but how much can it tell us about our technologically precipitous times? Let's throw everything we have at that moral puzzle, is the thinking: film, video games, live art, big ideas. A blend of sculpture and theatre, performance is one of the quintessential interdisciplinary arts. There are two particular aspects of it that suit our ubiquitously digital times: interactivity and the idea of 'absolute presence'. Interacting with stuff is our modus operandi now, and we don't want to stop when we put down our devices. Although it doesn't usually put you on the spot in the dreaded 'public participation' way, performance art is essentially interactive. A performer and an observer (performer #2?) in one space cannot help but have an effect on each other. And then there's almost the converse quality: sometimes we just want to cut the digital tether and just be in one place, without distraction (like mindfulness. But arty). Seeing performance art is a way of having an experience that you know is personal, private, fleeting, immediate and real. It's kind of nice. 3. Marina Abramovic Marina Abramovic has been a presence in popular culture for a while now — she was on Sex and the City back in 2003, when Carrie dated an artist. But her 2010 MoMA show, The Artist Is Present, captured public attention as few art world things have. With the still-entertaining Tumblr Marina Abramovic Made Me Cry, she basically reached meme status through the act of sitting. Since then a documentary about the exhibition and her weird mutual obsession with that other interdisciplinary something, James Franco (she's apparently making a movie about him) have continued to endear and fascinate. (In the above clip, she has a surprise reunion with her ex-partner Ulay at The Artist Is Present — gah!) 4. Art gallery infiltration Sydney's MCA is about to launch a second season dedicated to performance art, this year dubbed Workout. Previously, the Dachshund UN held there was something of a live art coup. And the MCA is not alone; traditional galleries are increasingly finding space for the oft-puzzling art form that can't be hung on the wall or put behind glass (unless it's Tilda). Melbourne's ACCA will soon host Mikala Dwyer's performance project, and last year London's Tate Modern opened the Tanks, a cavern underground that plays host to a roster of performance as well as film, sound and, of course, happenings. As Laura Cumming wrote in her Guardian review, "For the moment, the Tanks are the coolest part of the whole Tate enterprise. They have an air of freedom about them, as if anything might happen, and that comes from the ever-changing relationship between the raw building, the art and its audience." With institutional support, this era of performance art could be a long one. Settle in.
If The Mummy starring Brendan Fraser taught us anything, it is that Mummies are not to be trifled with. If it taught us anything else, it is that Mummies are also really freaking cool. On loan from the British Museum, Mummy: Secrets of the Tomb tells the tale of an Egyptian priest whose mummified remains have remained untouched for thousands of years. In a Brisbane exclusive, the exhibit will feature 3D film detailing the mummification process and will unravel the mysteries of the ancient Egyptians using the latest technology. If ancient civilisations are your thing, then this is the exhibit for you. If you just like cool things, then this is still the exhibit for you.
Quentin Tarantino loves movies. He adores directing them, and has nine impressive flicks to his name spanning three decades to prove it. He's oh-so-fond of dropping references, nods and winks to other films in his films, as anyone who has ever seen even just one already knows. Sometimes, such as in Inglourious Basterds and Once Upon a Time in Hollywood, he builds the business of making movies or screening them — or both — into his plots as well. He'll chat about them at length, too, and he turned his last flick into a book that spends plenty of time delving into film and TV history. So naturally he's about to do what every film lover seems to do at some point. Yes, he's making a podcast about movies. While sitting the Reservoir Dogs, Jackie Brown, Kill Bill and The Hateful Eight filmmaker behind a microphone and just letting him wax lyrical about cinema would've attracted listeners anyway, Tarantino's new podcast does have a specific angle. Famously, he was once a video store clerk — so he's diving back into those days. That's why you'll be listening to The Video Archives Podcast, which is named after the Californian shop that Tarantino worked at in the 80s. And, staying true to that concept, he'll be discussing films that he watches on the old store's actual VHS tapes. Because Tarantino is Tarantino, he acquired the joint's tapes back in 1995, and also rebuilt the Video Archives store in his home. Now, alongside his co-host Roger Avary — who also used to work at The Video Archives, where the pair met; also then became a director, making Killing Zoe and The Rules of Attraction among other movies; and collaborated on the Oscar-winning Pulp Fiction screenplay — he'll be pulling tapes off his own shelves, watching them and getting nattering. As outlined in the podcast's just-dropped trailer, the pair will chat about movies such as John Carpenter's Dark Star, Bond film Moonraker, Mexican supernatural flick Demonoid: Messenger of Death and horror-comedy Piranha — aka titles they recommended and rented out all those years back. They'll be joined by announcer Gala Avary, Roger's daughter, and also "expose listeners to movies they didn't know they'd love, give awards to their favourites and rate the quality of the video transfer", according to the podcast's announcement. The Video Archives Podcast is set to start dropping episodes on Tuesday, July 19, and will arrive via SiriusXM's Stitcher. And yes, of course Tarantino has something to say about it already. "We never imagined that 30 years after we worked together behind the counter at Video Archives, we would be together again doing the exact same thing we did back then: talking passionately about movies on VHS," Tarantino and Avary advised in a joint statement. "Watching movies was what originally brought us together and made us friends, and it's our love of movies that still brings us together today. So we surrounded ourselves with the original Video Archives collection, where we both worked before we became celebrated filmmakers, and time-traveled ourselves back to the golden age of VHS. We LOVE to discuss movies, and we want to welcome you into The Video Archives Podcast to hang with us and Archives' new employee Gala, and discover the hidden VHS gems on our shelves." For more information about The Video Archives Podcast, which'll start dropping episodes from Tuesday, July 19, head to Stitcher. Top image: Once Upon a Time in Hollywood.
Sydney’s queen of indie-folk Holly Throsby, is giving a dose of whimsy to venues all over Australia this autumn, landing at the Powerhouse this Friday and Saturday. Accompanied by her band, The Hello Tigers, Miss Throsby is touring the country to tout her fourth long-player Team, following 2008’s internationally acclaimed A Loud Call. Recorded in a 19th century Methodist church in Wildes Meadow, New South Wales, Throsby crafted folk pop with a tapestry of instruments, from the mandolin, accordion, cello and even broken tool kit percussion. The resulting Team is an exploration of companionship, separation and the natural world. The album’s elaborate instrumental setup on the album will be transported live to the Visy Theatre of Brisbane’s iconic Powerhouse for two intimate performances, in which Throsby and The Hello Tigers will be supported by Brisbane’s own Little Scout on Friday night and Seja for the Saturday night performance. You won’t be able to find this much folk anywhere else in town this weekend, so under doctor’s orders, head down to the Powerhouse to receive your dose of whimsical folk, prescribed by us and administered by Holly Throsby and The Hello Tigers.
When you're a winery that's located in the inner city — without vines, but still with plenty of stomping — you've already given Brisbanites a very good reason to drop by. Fortitude Valley's City Winery doesn't just stand out because of its concept, however. It also serves up plenty of other excuses to get sipping, such as its new Sunday sessions. Every week from 2.30pm, the Wandoo Street spot is now pouring frosé slushies to wrap up the weekend. 'Tis the time of year to get your booze in frozen form, thanks to the weather. It's also an excuse to get slurping at the oyster bar, and to listen to live tunes by local saxophonist Ryan Livings. A DJ will also be on the decks, so expect plenty of music. City Winery's chefs are hosting streetside barbecues as well, so you'll have something to tuck into other than seafood. Bookings aren't necessary, which means that you just need to gather the gang, head to the Valley, get comfy and grab a glass — or several.
Not even Australia's balmy December temperatures can keep us from embracing the ironic ugly Christmas sweater trend. Christmas in July is here again, my friends, and so too is the Colonel's line of OTT Yuletide-themed pullovers for another year. Yep, KFC has just dropped its 2023 Christmas jumper range — and, like in 2022, there's a matching outfit for the furry mate in your life, too. Available to snap up now, the limited-edition designs are primed for cheesy family photos, rocking a cheery red-and-white pattern and emblazoned with a cheeky nod to fried chicken: "Tis The Seasonings". Both the human sweaters ($60) and the pet versions ($40) come in a range of sizes, so you're sure to find a good fit no matter how hard you — or Murphy— have gone on the winter comfort food this year. What's more, there's zero shame to be felt in this daggy knitwear purchase, since all profits from the jumpers are going to support KFC's charity partners such as The Black Dog Institute, ReachOut Australia and Whitelion. 2023's range also includes socks ($25) — if you're all about business on top and a party on your feet — and a black long-sleeved jumper ($60) that's a bit more subtle in its seasonal cheer (although KFC buckets and drumsticks still feature). And if the matchy-matchy outfits have left you and your pooch really wanting to cash in on that Christmas in July spirit, KFC is also doing festive food specials until Tuesday, July 11. KFC's 2023 Christmas in July sweaters are available to buy online, costing $60 for the human jumpers and $40 for pets.
Brisbanites are gifted brag-worthy sunshine and clear skies almost all year around, which makes for perfect outdoor gig and picnic weather. So, as the site has since 2018, the Brisbane City Botanic Gardens is letting everyone make the most of Brissie's ace climate with a Gigs & Picnics series. Taking place on one Saturday per month from until November — running from 12–4pm on April 16, May 21, June 18, July 16, August 20, September 17, October 15 and November 19, in fact — the event will rustle up some of the city's best food trucks, put on some free tunes and invite folks to get cosy on their own blanket all afternoon. Entering through the main gateway at the intersection of Alice and Albert Streets, attendees can expect everything from jazz and modern reggae to dub and gypsy, all in gorgeous greenery-filled surroundings. You can also order a picnic basket in advance, which'll be there for you on the day. Or, if you're bringing your own feast, just remember that the gardens aren't BYO. Image: Gigs & Picnics.
If you haven’t discovered the cosy, little art gallery tucked behind George St, between The Villager and Irish Murphys, then you best be clearing your Thursday night schedule. Bird Gallery’s End of Year Party is no better introduction to this ever changing, ever startling art space, and it’s latest event is going to have groovers grooving, and art critics doing just the same. This party will include performances, art and the exciting presence of some of Bird’s previous party pals. Bombshell Burlesque and Beauty Academy will be sassing up the stage, preceding some surprise acts who can’t not be top knotch. Venture down Bean lane, make a sharp left and pop down the steps to discover a party that will have you dancing, dreaming and delighted all at once.
In 2017, Brisbane screamed for ice cream. In 2018, we all screamed again. In 2019, the frozen dessert-induced exclamations are set to continue, with the Brisbane Ice Cream Festival returning for a huge third year. Perhaps this sweet treat-loving city's most popular occasion — although most tickets are free, it regularly books out within minutes — BICF is back with even more opportunities to gorge on your favourite frosty food. This year, the fest will run across three days between Friday, March 22 and Sunday, March 24, adding two new paid (and boozy) events to its lineup. You can still head along during weekend daylight hours for free, with two-hour sessions taking place from 11am–1pm, 1–3pm and 3–5pm on both Saturday and Sunday. If you're keen to drop by, simply paying for whatever tickles your tastebuds' fancy, then a world of ice cream delights await. Think the titular treat, gelato and every other kind of icy, creamy confection, with dairy-free, gluten-free, nut-free and vegan dietary requirements all catered for. While the complete lineup of 17 stores and stalls hasn't been announced, previous years have seen everyone from Gelato Messina to La Macelleria take part. And the full menu hasn't been revealed either, but a fairy bread creation, pavlova ice cream, a guacamole and corn chips ice block, and gelato-filled cannoli will all pop up. Feeling particularly indulgent? You can also drop by on Friday night for two hours of ice cream canapes, dessert-inspired cocktails and DJs spinning tunes, all for $49. Or, on Saturday evening, pay $99 and witness four local chefs whip up eight inventive dishes (which you'll then eat over wine, of course). Tickets will become available from 9am on Friday, March 1 — and they'll disappear faster than an ice cream melting in the Brisbane sun.
When you eat the ocean's finest, you really do want to look at the ocean. As great as your local fish 'n' chippery no doubt is, suburban greasy spoons can't offer that. Morgan's Seafood can, and has for 31 years. While you're eating fish, prawns, oysters and more fresh from the trawler, expect views of Moreton Bay — and the Glasshouse Mountains if one scenic sight isn't enough. While grabbing takeaway is an option every night of the week if you're a Scarborough local or find yourself in the area often, between 1pm and 5pm on Sunday afternoon is the best time to plan a long stay. That's when this northside favourite serves up platters of hot and cold food made for two, and cranks up the live music. Once you're done, stop by the on-site seafood market, pick from 180 products and go home with dinner for another day.
Australia has a penchant for good food, an adventurous spirit and a willingness to try the new and exciting. It's a combination that makes for a pretty stand-out culinary scene, as local chefs continue to push boundaries, flex creative muscle and hit reset on the latest and greatest food finds. Shifting philosophies and changing attitudes have spawned a whole wealth of food trends across the past decade, from the fun, to the health-focused, to the wildly inventive. Some of them were even started by TV shows — specifically MasterChef Australia, which is celebrating ten successful, and influential, years on the screen. Together, we've pulled together a list of the top ten trends that have shaped Australia's dining scene in the past decade, covering everything from diet trends and insects to one very special (Snow Egg-shaped) dessert. [caption id="attachment_658869" align="alignnone" width="1930"] Pezzo, Giulia Morlando[/caption] RIFFS ON OLD-SCHOOL FAVOURITES A healthy dose of nostalgia, mixed with a splash of creativity and a dash of daring attitude. It became the recipe for success as chefs began to revamp the classics and rejig those childhood favourites into modern masterpieces. Sydney cafe Dutch Smuggler had people scrambling for its new-school jaffle creations, rocking an unlikely, but addictive filling of Mi Goreng noodles. Bad Frankie led Melbourne's jaffle renaissance with its now iconic lamington version. Guy Grossi's Pezzo brought the pizza pocket back into our lives, and Matt Wilkinson took on an Aussie staple with his Brunswick East spot, The Pie Shop. And no one could forget Bar Liberty's opening attraction — a white bread, chicken-skin crackling, tomato and lettuce homage to the classic BLT. [caption id="attachment_598217" align="alignnone" width="1280"] Jethro Canteen, Jo Rittey[/caption] INSECTS In the name of sustainability, insects, bugs and creepy crawlies have marched their way into the culinary world, appearing on menus and embraced by top chefs the country over. Kylie Kwong showed her love for insect dining back in 2013, adding creations like cricket and prawn wontons, and stir-fried crickets to the lineup at her acclaimed Sydney restaurant Billy Kwong. Melbourne's now closed zero-waste cafe Silo also flew the flag for edible crickets, with chef Matt Stone enlisting the help of a horticulturist to grow and harvest the venue's own supply. And the trend's stuck around — famed Melbourne restaurant Attica turned heads with a black ant lamington, and today, you'll even spy roast crickets sprinkled onto a noodle salad at Richmond's Jethro Canteen. [caption id="attachment_601490" align="alignnone" width="1280"] Saint Peter, Nikki To[/caption] SEA URCHIN It might be considered a pest of the ocean, but the humble sea urchin has become a hero of the fine dining scene, dressed to impress, in elegant dishes at some of the country's hottest restaurants. The sea urchin's (this little creature) popularity in Japanese cooking lent plenty of influence here on Aussie shores — we saw it teamed with wasabi and caviar, atop rice crackers at Chris Lucas's Kisumé, and regularly crafted into stunning creations by acclaimed sushi master Koichi Minamishima at his namesake Richmond restaurant. But leave it to our own seafood king Josh Niland to plate up urchin with an Aussie twist — the chef's beloved Saint Peter serves the delicacy cradled in its spine, teamed with a warm, house-made crumpet. [caption id="attachment_662760" align="alignnone" width="1920"] Mjolner, Kate Shanasy[/caption] DIET TRENDS As diners embraced a whole plethora of modern-day diets, the wellness craze trickled beyond gyms and home kitchens, onto menus, and even spawning a new breed of healthed-up, diet-centric eateries. One second veggies were king, and the next the paleo movement had us all getting back in touch with our prehistoric selves, heroing meat and celebrating fats. Mjølner — in both Melbourne and Sydney — puts meat front and centre. Patch Cafe landed in Melbourne's Richmond with an entire offering dedicated to the primal-style diet, from 'bulletproof' coffee jazzed up with coconut oil and butter, to pasta crafted from zucchini. And Sydney haunts like Proteini also painted healthy eating fun, with colourful, flavour-packed dishes centred around nature's best. Cornersmith, Steve Woodburn FERMENTS As pickles, cultures and funky ferments made their way into the collective consciousness, they inspired chefs across the country to have a crack themselves, incorporating those gut-healing powers and that microbial magic into all kinds of dishes. Fine dining degustations and cafe menus alike began to incorporate house-fermented goodies, from sourdoughs and sauerkraut, to Korean-style kimchi. As with lots of other foodie trends, this craze also sparked plenty of DIY action, as everyday home cooks clambered aboard the fermentation train. Experts have been more than happy to share their secrets, with a host of classes offered by the likes of Marrickville's Cornersmith, The Craft & Co in Collingwood, and the Melbourne-based Wild Ferments. [caption id="attachment_671361" align="alignnone" width="1920"] Double Good[/caption] CHARCOAL Black became the new black as the culinary world embraced all things charcoal, as much for the purported health benefits as for that dramatic, head-turning colour. Kitchens everywhere got creative with the chemical-absorbing ingredient. Port Melbourne cafe Long Story Short made waves when it added activated charcoal fish and chips to the menu, though the presentation of black logs on a plate raised its fair share of eyebrows. Ink-coloured charcoal tarts starred in the adventurous lineup at Carlton cafe's now-closed Nora, and Brisbane punters went nuts for the Black Elvis charcoal soft serve at Eat Street's Double Good. [caption id="attachment_549358" align="alignnone" width="1280"] Snow Egg, Quay[/caption] STAND-OUT DESSERTS These days, the dessert game is all about leaving a lasting impression — not just on the person holding the spoon, but on our whole food-obsessed country. Wow factor became the go-to ingredient in this battle of the sweets, with each new creation vying to become the stuff of legend. Simplicity got the boot in favour of memorable extravagance. Peter Gilmore's famed Snow Egg stole the show in the Season Two finale of MasterChef Australia, and at Gilmore's restaurant Quay. Punters were happy to queue for an age to get their hands on one of Rustica Sourdough's famed cronuts, and Dan Hunter created an unlikely smash-hit with his oyster ice cream at Brae. [caption id="attachment_647927" align="alignnone" width="1920"] Hawker Chan[/caption] STREET FOOD Tucking into street food overseas can be a gamble, so we'll be forever grateful for Australia's multiculturalism and the young gun chefs bringing incredible street eats from all corners of the globe, to our own backyard. Fast, fun, and creative, street food has become a staple of our casual dining scene, even inspiring home-grown versions of international casual dining experiences. In Melbourne, the neon-drenched HWKR is delivering a modernised riff on the hawker centres of Southeast Asia, its four kitchens playing host to a globe-trotting rotation of buzz-worthy eateries, including Chanteen by Diana Chan. Chan is the winner of MasterChef Australia Season 9 and her pop-up eatery is currently serving up a slew of Singaporean and Malaysian street foods such as char kuey teow and soft shell crab sliders. You'll also find Michelin-starred Singaporean street food at Hawker Chan. Meanwhile, Sydneysiders have scored a swag of cuisine-specific street food restaurants, offering authentic flavours straight from the likes of Bangladesh (Bang) and India (Delhi Streets). [caption id="attachment_670959" align="alignnone" width="1920"] Fred's[/caption] SMOKE & FIRE Another hot foodie trend saw a barrage of chefs getting back to basics, turning to fire and smoke to bring their dishes to life. The wood-fire grill became star of many a high-end kitchen. Geelong fine diner Igni, fittingly named for the Latin word for 'fire', has quickly built a shining reputation on its devotion to the humble flame, as chef Aaron Turner's sharp technique and beloved wood grill put the tiny regional restaurant on the map. Fire's also been the force behind Adelaide's famed Africola, where Duncan Welgemoed is grilling and smoking in homage to the flavours of his homeland, South Africa, and at Sydney's Fred's where Chez Panisse alumnus Danielle Alvarez cooks most ingredients on an open hearth. [caption id="attachment_660428" align="alignnone" width="1920"] Mark + Vinny's[/caption] VEGETARIANISM Slowly but surely, vegetarianism has shed its dowdy, ugly duckling image and became one of the cool kids, as folks everywhere started to pay a little more attention to the planet. Menus across the globe came to the party and it opened up the door to some seriously creative plant-based dining offerings, the international charge led by the likes of Israeli-British chef Yotam Ottolenghi and his stunning cookbooks. Closer to home, Melbourne's Transformer matches a vegetarian menu to fine dining sensibilities, and vegan-friendly pasta bar Mark + Vinny's became Sydney's new millennial hotspot. Catch the latest season of MasterChef Australia from Sunday to Thursday at 7.30pm on Channel Ten.
Whether you're in full lockdown mode, are only leaving the house to buy groceries or still have to venture out regularly because you can't work from home, no one is moseying far in these COVID-19 times. Everyone wants to, though. That's just human nature. Even if you're a homebody whose idea of a perfect vacation is getting cosy on the couch with your partner and your streaming queue, we're betting you're currently craving something — anything — to look at beyond your own four walls. Being cooped up in the house and experiencing a hefty dose of wanderlust go hand-in-hand, unsurprisingly — and you can cope in two ways. If you're itching to travel the globe the second you're able to, you can spend all your new spare time planning the trips you'll take when you can finally leave isolation behind. Or, if you're happy to simply pretend that you're somewhere far, far away, you can enter the world of travel live streams. You've virtually toured museums, galleries and landmarks already. Now it's time to while away as many minutes, hours or days as you like staring at a live webcam feed that's capturing life in another country right at this moment. Maybe you want to see what's going on in some of the places you've already been to. Perhaps you're keen to view stunning sights that you've always wanted to visit. Either way, here are seven travel live streams that you can watch from your couch at this very instant. A hint: pop one on in the background while you're working from home, and your day will instantly seem brighter. Also, a word of warning: they're rather addictive. https://www.youtube.com/watch?v=CwriDd8STdI&feature=emb_logo THE NORTHERN LIGHTS, CHURCHILL, CANADA The northern lights, aka aurora borealis, are one of the world's great natural wonders — the type of phenomenon that you need to see with your own eyes to truly appreciate. Caused by solar winds, the lights beam an array of colours across the evening sky, emitting a show that luminous events like Vivid only wish they could emulate. And, for everyone who needs that kind of magic in their lives at the moment, they're being live-streamed via Explore.org's dedicated webcam. You'll obviously need to tune in at the right time; however the middle of the night in Churchill, Canada (where the camera is stationed) coincides with late afternoon Down Under. And, even when you can't glimpse the main attraction, you can still peer at a scenic sky above an expanse of snow, all on the other side of the world. https://www.youtube.com/watch?v=HpZAez2oYsA CANAL OF CANNAREGIO AND PONTE DELLE GUGLIE, VENICE, ITALY Perhaps it's the centuries-old architecture. Maybe it's the glistening water. Or, it could be the entire idea of a city built on a group of 118 small islands, all separated by canals and linked by bridges. Whichever one fits, Venice boasts a particular kind of magic — and, in good news, that remains the case if you're watching on via live stream. Peering at the Ponte delle Guglie over the Canal of Cannaregio, the webcam setup at Hotel Filù is one of the best. Also, while you're viewing, you'll be doing so from a camera inside a building that dates back to the 800s. Those interested in more of Venice's distinctive sights can choose from a range of other cams, too, including a rolling live feed that switches between various scenic vantages. SHIBUYA SCRAMBLE CROSSING, TOKYO, JAPAN It has been featured in everything from Lost in Translation to Fast and Furious: Tokyo Drift — and, during normal circumstances, it's one of the busiest places in one of the busiest cities in the world. That'd be Shibuya's famous scramble crossing, where hordes of people usually cross the intersection all day, everyday. Whether you've been to Tokyo plenty of times or you've always wanted to take a trip, this bustling site is on everyone's must-visit list. For now, though, you can simply watch. Shibuya Community News' web cam peers down at the four-way crossing non-stop, as the few folks who are still out and about in Tokyo go about their business. If you've ever walked across the road yourself, the sparse sight is quite surreal. If you haven't yet had the chance, get ready to start people-watching. https://www.youtube.com/watch?v=wnNrd-VjLsQ WAIMEA BAY, HAWAII, USA Who doesn't wish that, right about now, they were sunbathing on a beach with nothing but sunscreen, sand and the crash of the waves to worry about? We all know the feeling — and while Australia's beaches have been closing over the past few weeks, all in an effort to enforce the country's current social-distancing requirements, you can check out Hawaii's Waimea Bay instead. If you find looking at the surf and listening to the roar of the ocean soothing at the best of times, you'll undoubtedly feel the same in today's far-from-usual predicament. This is a live stream you'll want to turn the volume up for, too, so you can make the very most of every sound from the scenic O'ahu spot. THE EIFFEL TOWER, PARIS, FRANCE Live stream network Earthcam.com has access to cameras in a huge number of places; however there's nothing quite like staring at one of the world's most famous tourist attractions while you're sat on your couch. If you time your peek just right — aka, you have a look when it's evening in Paris but daytime Down Under — you'll see the Eiffel Tower lit up against the night sky, perhaps even with the moon in the background, too. And, if you'd like to see how the iconic structure looks at various times of the day and under different conditions, you can scroll through the site's extensive image gallery, checking out how the tower appeared over the past hours, days, weeks and months. YOSEMITE NATIONAL PARK, CALIFORNIA, USA There's no shortage of magnificent natural land formations to see in California's Yosemite National Park. While no one can lock their peepers on them in person at present, anyone eager to get a glimpse can still do so online. And, thanks to Yosemite Conservancy and the US National Park Service, there are multiple options — peering at multiple sights, too. If it's a live webcam feed you're after, then take a gander at Yosemite Falls, one of the world's tallest waterfalls. Watching water stream down from almost 740 metres up is quite the vision to behold. For those who'd rather peer at the Yosemite High Sierra, the Badger Ski Pass Area or Half Dome, or vicariously live out their Free Solo dreams at El Capitan, you can do so via static live images that refresh every 60 seconds. https://www.youtube.com/watch?v=4zUmDtZAd28&feature=emb_logo LOCH NESS, SCOTTISH HIGHLANDS, SCOTLAND You could spend your days in isolation learning a few new skills, catching up on a heap of movies, watching everything from theatre to opera, getting your sweat on and cooking up a storm. Or, you could keep your eyes peeled for a famous critter: the Loch Ness Monster. Thanks to the Nessie on the Net live stream, a webcam is trained at the body of water in the Scottish Highlands all day and night. If anyone is ever going to spot the creature — if it does even exist — now seems like the perfect time for it. You'll want to check out the stream when it's daytime in Scotland, otherwise you'll just see darkness. And, monster or no monster, the lake and the surrounding countryside still looks idyllic either way. Top image: Shibuya scramble crossing, Benh Lieu Song via Wikimedia Commons.
Starting with an ode to Dolly Parton is always a smart move — and it's exactly the 2022 Brisbane International Film Festival is doing. Taking the opening-night honours: Australian comedy Seriously Red, which sees writer/star Krew Boylan (A Place to Call Home) play a Parton impersonator striving to take Dolly's wisdom to heart. This year's festival marks BIFF's 28th over three decades, as well as the second spin under Film Fantastic, who also organise the Gold Coast Film Festival. On offer is a massive 120-film program, comprised of 79 features — including 21 from Australia — and 41 shorts, and covering films hailing from 34 countries. Also, Brisbane cinephiles will watch eight world premieres and 23 Aussie premieres between Thursday, October 27–Sunday, November 6, including a range of big-name festival-circuit favourites arriving Down Under fresh from debuting at fests such as Venice and Toronto. Among those highlights: the Cate Blanchett-starring Tár, which saw the Australian Nightmare Alley and Don't Look Up actor pick up the Venice International Film Festival's Best Actress award for playing a classical composer; fellow Venice-winner The Banshees of Inisherin, an Irish-set drama that nabbed filmmaker Martin McDonagh (Three Billboards Outside Ebbing, Missouri) the best screenplay gong and lead Colin Farrell (After Yang) the Best Actor award; and She Said, with Carey Mulligan (Promising Young Woman) and Zoe Kazan (Clickbait) as the two New York Times reporters who brought Harvey Weinstein's abusive history to public attention. Or, there's 80s-set coming-of-age story Armageddon Time, featuring Anthony Hopkins (The Father), Anne Hathaway (Locked Down) and Jeremy Strong (Succession), and written and directed by Ad Astra and The Lost City of Z's James Gray; this year's Cannes Film Festival Palme d'Or-winner Triangle of Sadness, directed by Force Majeure's Ruben Östlund and his second Palme winner after The Square; and Broker, the latest from acclaimed Japanese filmmaker Hirokazu Kore-eda, who received the Palme d'Or back in 2018 with the sublime Shoplifters. Belgian drama Close, which follows two 13-year-old boys and shared Cannes' Grand Prix prize, comes to BIFF after also winning the 2022 Sydney Film Festival Prize — and Afrofuturist musical Neptune Frost does the same after taking out the Melbourne International Film Festival's inaugural $140,000 Bright Horizons Award. Also on the bill sits Aftersun, led by Normal People's Paul Mescal; New York-focused music documentary Meet Me in the Bathroom; the Berlinale Silver Bear Grand Jury Prize-winning The Novelist's Film by South Korean filmmaker Hong Sang-soo (The Woman Who Ran, On the Beach at Night Alone); Marcel the Shell with Shoes On, the stop-motion comedy based on Jenny Slate's shorts and books of the same name; and Mister Organ, David Farrier's (Tickled) new doco. Plus, from the fest's weird and wonderful choices, there's Something in the Dirt, the latest mind-twister directed by and starring Justin Benson and Aaron Moorhead (The Endless); wild Filipino genre-bender Leonor Will Never Die; Spanish horror Piggy, a Sundance hit; the Rebecca Hall (The Night House)-starring Resurrection; Rubber and Deerskin director Quentin Dupieux's Incredible but True; and Final Cut, a French remake of Japanese cult hit zombie comedy One Cut of the Dead from The Artist director Michel Hazanavicius. Back to the local contingent, BIFF attendees can check out closing night's Sweet As, an outback-set coming-of-age story written and directed by Indigenous filmmaker Jub Clerc (The Heights) that just won an award in Toronto — as well as Greenhouse by Joost, a documentary about zero-waste pioneer Joost Bakker and chefs Matt Stone and Jo Barrett making a self-sufficient, eco-friendly residence; and the Queensland-shot Black Site, starring Michelle Monaghan (The Craft: Legacy), Jason Clarke (Pet Sematary) and Jai Courtney (The Suicide Squad). Venue-wise, BIFF 2022 returns to a heap of its 2021 locations, screening at New Farm Cinemas, The Elizabeth Picture Theatre, Reading Newmarket, Dendy Coorparoo and GOMA's Australian Cinémathèque — with the latter hosting a 'Flying Fists of Joyce Godenzi' Hong Kong cinema retrospective, as well as a 90th-anniversary live music-backed session of Carl Theodor Dreyer's Vampyr — as well as Dendy Portside and Brisbane Powerhouse.
People often forget that St Patricks Day is more than just an excuse to wear green and drink until you are ill. It is a cultural and religious holiday celebrated the world over by those with Irish heritage, every year. Nevertheless, St Patricks Day is one of the more entertaining holidays around, and even if you aren’t Irish, you are always encouraged to join in on the festivities. The Brisbane Irish Festival is staying true to that sentiment, and are welcoming all Brisbane-ites to take part in one of the many events taking place between the 9th and 17th of March. Events include the annual St Patricks Day Parade, a Gaelic sports festival, lots of Irish music and even more irish craic. Head to the Brisbane Irish Festival website for a full itinerary of events.
You've read the books, you've watched the flicks, you've sat through the theatre production — or you're planning to — and you've devoured your fair share of pop-up bars and themed experiences. But if you're eager to get your fill of wizard-related goodness any way that you can, here's another option: a series of immersive (and unofficial) wizard-inspired high tea events is coming your way, popping up in Sydney, Melbourne and Brisbane. A Wizardry High Tea will grace all three cities with a run of multiple sessions each, held at top-secret locations. The dates vary from place to place, but Sydney's sessions will run between July and November, Melbourne's from May till November, and Brisbane's across the weekend of Friday, September 23–Sunday, September 25. So what sort of magical shenanigans are guests in for, you ask? Well, each city will host both daytime sessions that are open to all ages and night events reserved for adults only. There'll be appropriately themed cocktails and appearances from folks in costume, as well as immersive activities including potion-making classes. Of course, the high tea spread will stick to the theming as well, though exactly what's on the menu is being kept under wraps for now. As for where it's all happening, that'll be revealed to ticketholders before their sessions. Tickets to the 'daybreak' sessions are $70, with 'twilight' passes coming in at $95. A WIZARDRY HIGH TEA 2022 DATES: Sydney: Saturday, July 23–Sunday, July 24 and Saturday, November 19–Sunday, November 20. Melbourne: Friday, May 6–Sunday, May 8, Friday, July 8–Sunday, July 10 and Saturday, November 26–Sunday, November 27. Brisbane: Friday, September 23–Sunday, September 25. A Wizardry High Tea will hit Sydney, Melbourne and Brisbane between May–November. For more information or to buy tickets, head to the event's website.
Love pastries? Work, live or otherwise spend your daylight hours in the Brisbane CBD? As obsessed with Lune Croissanterie as every other croissant fiend is? Then, much to the delight of your tastebuds, the day you've been waiting for has arrived. Mid-morning baked-goods cravings will no longer require a trip across the river, with Lune opening its second Brissie location in Burnett Lane. Back in June, it was revealed that the bakery was planning to double its Brisbane footprint this winter — and today, Friday, August 12, that dream has become a reality. The new store comes a year after the brand launch its first Brissie store in South Brisbane back in August 2021, which marked its first-ever outpost beyond its Melbourne base. The Burnett Lane spot is Lune's second location beyond Melbourne, too, with Brisbane scoring two shops before Sydney even gets one. On the menu from 7.30am on weekdays and 8am on weekends: all those baked goods that Lune fans know and love — traditional French croissants which take three days to prepare, of course, as well as everything from lemon curd cruffins and morning buns to its rotating range of monthly specials. The laneway shop is a satellite store, mirroring the brand's two-location setup down south. Indeed, if you've been to Lune's Melbourne CBD venue, you'll know how the Brisbane setup will run. View this post on Instagram A post shared by Lune Croissanterie (@lunecroissant) Pastry production isn't part of the Burnett Lane outpost, with Lune's wares made raw back over on Manning Street, then brought over to the city via refrigerated van. Then, they're proven overnight onsite in the CBD, and baked fresh throughout the day. If you're yet to experience the chain's wares and you're still wondering why everyone is always talking about them, Lune's croissants have been described as "the finest you will find anywhere in the world" by The New York Times. Plus, founder Kate Reid is an ex-Formula 1 aerodynamicist, and brings scientific precision to her craft. That includes the climate-controlled glass cube that Lune croissants are made and baked in, and the time-consuming process used to perfect each flaky pastry. Accordingly, expect Burnett Lane to be filled with pastry lovers from now on. Wherever it sets up shop, lining up for baked goods is always a regular part of the Lune experience. [caption id="attachment_697085" align="alignnone" width="1920"] Marcie Raw[/caption] It has been a big decade for the brand, which Reid co-owns Lune with her brother Cameron and restaurateur Nathan Toleman (Dessous, Hazel, Common Ground Project). The company's journey started back in 2012 with a tiny store in the Melbourne suburb of Elwood. Since then, Lune has grown into a converted warehouse space in Fitzroy (with those perpetual lines out the front), opened a second store in the Melbourne CBD, earned praise aplenty — including that aforementioned rave from The New York Times — and now branched out to Brissie. And, the Lune crew opened its first wine bar in July, too — also in Brisbane, over in Manning Street in South Brisbane next to its OG Brissie croissanterie. Find Lune Croissanterie CBD in Burnett Lane, Brisbane, from 7.30am on Friday, August 12 — open from 7.30am–3pm or until sold out Monday–Friday, and 8am–3pm or until sold out Saturday–Sunday. Images: Marcie Raw.
Getting Brisbanites tasting top-notch cocktails from award-winning venues around the world has been Living Room Bar's game for a few years now — and this time, it has enlisted Matt Whiley from Sydney's acclaimd Re. One of the reasons that the Harbour City venue earns so much love is its sustainability-focused approach. Reducing waste by using ingredients that'd normally be discarded is Re's angle, and an important one. That ethos comes through at Conscious Cocktails, as the menu that's on offer for six months from Thursday, May 30, 2024 at Living Room Bar has been dubbed. It'll evolve over that period, always with reducing refuse at its core. Potato skins, pineapple rind, pumpkin seeds, cauliflower cream, carrot peel: expect to find them all featured. Take the Re Lamington Negroni, for instance, which uses a cacao husk vermouth blend alongside raspberry gin, Campari and coconut oil. Or, there's also the Re Margarita Spritz, with an entire mandarin going into the sip, plus tequila and mandarin kosho (it can also be enjoyed sans booze). You can be forgiven for wanting to order the Malt Disney for its name alone — and if you do, burnt potato skin, carrot vinegar caramel, whisky and malt vodka await your tastebuds, as does a malt cloud. Blackened pumpkin seeds are an ingredient in The Seed Money, the roasted cauliflower cream pops up with bread caramel in Space Plant 60, while salad leaves and caramelised white chocolate are among Tip of the Iceberg's necessities. And, opt for the Shroom Service for a libation with onion ash, mushroom honey and pineapple skin. Whiley has worked on the menu with Living Room Bar Bar Manager Francesco Squllacioti, and will continue to do so as the seasons change over the six-month run (because each one brings with it a new batch of ingredients that can be saved from becoming waste). The venue is also taking its commitment to sustainability beyond the pair's tipples, printing the menu on paper that was once coffee cups, using coasters made from 100-recent recycled plastic waste, composting its culinary waste that isn't part of Conscious Cocktails onsite and donating excess food to OzHarvest.
