Once, heading to Nambour was all about gawking at over-sized tropical fruit. Actually, that's still the case. However, back in 2013 the giant pineapple-owning powers that be added another reason to head to the Sunshine Coast's biggest tourist attraction: an annual music festival with an ace lineup. The 2017 event will take place on May 27 — and, with the fest announcing the roster of talent that'll rock the spiky monument, it's set to be another great day out. In The Big Pineapple Music Festival's fifth year, punters can once again expect some top notch entertainment, plus food stalls aplenty, a ferris wheel, arts, crafts and other activities, and camping. Consider the latter a warmup before glamping becomes a reality on site. It's enough to make you block out a weekend and book a ticket — which are on sale now — really. And if you're after specifics, here's the list of bands and musos that'll be taking care of the tunes: Birds of Tokyo Peking Duk SAFIA Northlane Cloud Control The Veronicas City Calm Down LDRU DZ Deathrays Horrorshow Vera Blue Harts • Alex Lahey BOO SEEKA NGAIIRE Polish Club Sampa The Great Bootleg Rascal Jack River Nicole Millar Pierce Brothers Citizen Kay BEC SANDRIDGE Fortunes. Moonbase Lastlings Benson Winston Surfshirt Ocean Alley West Thebarton Brothel Party Gold Member Hey Geronimo Bearfoot In2natioN Buck Dean And The Green Lips High Tropics Arpier The Hi-Boys DJFRO Image: Paul Smith.
Ikea products are notoriously frustrating to assemble, and the lack of words in their assemble instructions doesn't make it any easier. While their commitment to sustainability and not wasting paper is admirable, surely a few words here and there wouldn't kill too many more extra trees. But have you ever been tempted to just throw the instructions out and see what happens? Italian design firm Teste Di Legno did just that, although more out of curiosity than frustration. While assembling some new office furniture, they came up with the idea of "enriching" one piece of furniture with bits of another, which led to the creation of their 'Lato B' collection — four pieces of multipurpose Franken-furniture made entirely out of reimagined Ikea products. For instance, their 'Unacucina' ('one kitchen') piece combines a coffee table, toy storage and flower pots with an island bench to create a quirky, one-off piece of furniture that even has space for a herb garden. On Teste di Legno's website, they describe the process of making the collection as being "like moving around a body to discover the less visible parts (from side A to side B), or illuminating with a ray of light the dark part — not of the moon — which forces a design to have a fixed, rigid, defined identity: a table is a table." Although 'Ikea hacking' is not a new idea, this is definitely among the more creative attempts we've seen. Via PSFK.
Have you ever wondered who the people on our money actually are? Sure, the Queen's pretty obvious. Okay, we seem to be a little enamoured with our native animals. But wouldn't if be great if you could actually relate to the people proudly emblazoned on our currency? Imagine if you could pay for a cold beer with a few cheeky Teenage Mutant Ninja Turtles. That's a world I want to live in. So to does German-based designer Andre Levy. Working on an popular Instagram turned Tumblr project called Tales You Lose, this skilled artist has been altering currency from around the world to suit this great idea. He's transformed politicians, royalty and cultural icons into the likes of Princess Leia, Amy Winehouse, Flash and Apu from The Simpsons. "I never collected coins," he told Hyperallergic. "What initially made me accumulate a few was the fact that I keep forgetting them in my pockets ... I saw those coins as massively reproduced sculptures, and felt they could be turned into templates for something richer." Though the act is inherently a kind of defacement, Levy says his intentions aren't political. His subjects are instead decided by convenience. For instance, he often chooses to colour over Queen Elizabeth because of her easily manipulated silhouette. He especially like the Italian 'Vitruvian Man' because you can sneak in a whole standing figure. As far as we can tell, he hasn't yet tackled any Australian currency, though he's always thinking up new ideas for artworks. Right now, he's actually looking for a coin to transform into RuPaul. Seeing as our only pictured person other than the Queen is an Aboriginal elder, I don't think Australia can help him out. Via Hyperallergic.
There's thinking outside of the box, and then there's redesigning the box — and when it comes to the structure certain to be Taiwan's next landscape, Dutch architecture firm MVRDV has done the latter. To be specific, their new home design does away with squares, preferring a rather unusual form instead. Meet Y House, which is shaped just like the letter, and comes complete with a sky-high pool between the inevitable rooftop gap. "Why not?" is what everyone involved in the project must've sad when someone came up with the idea for a holiday home that resembles a giant Y-shaped sponge. While it'll be made out of concrete when it comes to fruition, the mutiple-storey building will also be littered with circular windows from top to bottom. In addition to the eye-catching pool between the sloped surfaces of the structure's roof, Y House will also feature two multiple levels of communal living space (including a solarium, change rooms, and entertaining and dining area), two lower floors filled with bedrooms, and ground-level garden tea room. A landscaped, Feng Shui-friendly garden will surround the home, as will a second decorative pool with stepping stone paths. The structure might sound futuristic; however it'll become a reality sooner than you might think, with the building due to be constructed in 2017 in a new residential community on the outskirts of Taiwan's Tainan city. And the best part: because it'll be used as a holiday house, you can cross your fingers and hope that the owners will list it on an accommodation-sharing website when they're not using the place. Via Dezeen.
Their impressive 2023 Women's World Cup efforts mightn't have ended in a medal, the 2024 Paris Olympics sadly didn't turn out as planned and the next Women's Asian Cup, which Australia is hosting, isn't until 2026 — but the Matildas have an opportunity to emerge victorious on the international stage in 2025. The contest: the SheBelieves Cup, a four-nation annual competition that's been held by US Soccer for a decade now. This is the first time that Australia is taking part, and you can watch along between Friday, February 21–Thursday, February 27. Australia's national women's soccer team will play three other squads that also competed in Paris: Japan, the USA (unsurprisingly) and Colombia. First up is the Japan match in Houston, then battling it out with the contest hosts — and Olympic gold medal-winners and world number-one team — in Glendale, before facing Colombia in San Diego. While the time difference means that none of the games are being played in Aussie prime time, they're still on in Australian-friendly slots — all mornings. On the east coast, you might want to go into work late on Friday, February 21 (8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST) and Monday, February 24 (8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST), or have an early lunch on Thursday, February 27 (11am AEDT / 10am AEST /10.30am ACDT / 8am AWST). To watch, Paramount+ is your destination, showing the games live exclusively Down Under. For this batch of matches, Steph Catley is donning the captain's armband, with Ellie Carpenter and Emily van Egmond as her deputies. After Tony Gustavsson left following the Olympics, the Matildas don't yet have a new permanent full-time coach, so Tom Sermanni — who did the job between 1994–97 and 2005–12 — remains at the reins, after stepping in temporarily in late 2024. Mary Fowler is back in the squad after sitting out the Matildas' last 2024 games to put her mental and physical health first — and, as well as Catley, Carpenter and van Egmond, she has plenty of company. The team also includes Mackenzie Arnold, Caitlin Ford, Kyra Cooney-Cross, Katrina Gorry, Michelle Heyman, Alanna Kennedy, Hayley Raso and Tameka Yallop. As for Sam Kerr, she hasn't yet returned to the field following her ACL injury last year, so isn't taking part in the SheBelieves Cup. The Matildas 2025 SheBelieves Cup Games Friday, February 21 — Matildas v Japan at 8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST Monday, February 24 — Matildas v USA at 8.30am AEDT / 7.30am AEST / 8am ACDT / 5.30am AWST Thursday, February 27 — Matildas v Colombia at 11am AEDT / 10am AEST /10.30am ACDT / 8am AWST The Matildas' SheBelieves Cup 2025 games take place between Friday, February 21–Thursday, February 27 — and you can watch via Paramount+. Images: Tiffany Williams, Football Australia.
Staying on a private island seems like something reserved for Beyonce, Jay Z and Blue somewhere in the Caribbean (and most definitely with some kind of a yacht). Because where do mere mortals even access entire islands, anyway? And do you have to be a millionaire to access one? These are all questions people who haven't had the pleasure of erasing all unwanted human contact from their lives for a period of time ask. All we know is that, in the words of Liz Lemon, we want to go to there. Enter Satellite Island. Just off the coast of Tasmania, the small 30-hectare piece of land in the D'Entrecasteaux Channel is every bit the idyllic alpine Tasmanian dream getaway you could hope for. And when you visit, it's totally, 100% only inhabited by you. The island has been owned by the Alstergren family for a few generations, but when Will and Kate inherited it six years ago, they decided to open it to the public for the first time. Which is great news for everyone else, because it's crazy beautiful. Sea cliffs drop down into that clear, fresh Tassie water, blue gums cover the landscape and you can see across to Bruny Island. Just take a look at where you could be sleeping. The island is yours to explore, with walking tracks, kayaks and fishing rods available for use. You can walk around the island in an hour and a half, so do that. Plus, Bruny Island is only a five minute boat ride away, so duck over there for all your cheese, wine and oyster supplies and come back and eat them on the deck as the sun goes down. Oof. Satellite Island is accessible from the Satellite Island private jetty at Middleton, about a 40 minute drive from Hobart. The manager will meet you to take you to the island. For more information, visit their website. Image: Tess Newman-Morris via Instagram
"Is this really happening again?" asks Oliver Putnam (Martin Short, Schmigadoon!) in the just-dropped first teaser trailer for Only Murders in the Building season three. "Well, you know, who are we without a homicide?" replies his neighbour, fellow murder-mystery buff and co-podcaster Mabel Mora (Selena Gomez, The Dead Don't Die). Clearly, this hit sleuthing comedy is returning as it's always gone on — since season one made it one of the best new shows of 2021 and season two put it in the best returning category in 2022. Also starring Steve Martin (It's Complicated), the hit Disney+ series will drop its third season sometime in 2023 — and while there's no official release date as yet, the first sneak peek sets the tone for what's to come. Mabel, Oliver and Charles-Haden Savage's (Martin) dynamic is filled with as much banter as ever, and there's another murder to solve. The latter won't come as a surprise, of course, because season two ended with another big death. So, that's what the new batch of episodes will look into, complete with Paul Rudd (Ant-Man and the Wasp: Quantumania) and the one and only Meryl Streep (Don't Look Up) joining the Only Murders in the Building cast. The newly released trailer serves up a glimpse at both, too — one for the first time, one after making quite the series debut last time around. From the looks of it, season three will spend a fair amount of time working through the events leading up to that last murder at the end of season two. So far, though, few other details have been revealed. Indeed, the new trailer focuses on "a surprise you never saw coming" — which is Streep, although her casting was announced earlier in 2023. The series does love adding names to its on-screen roster. Over both season one and two, Tina Fey (Girls5eva) has been a significant presence, Sting and Amy Schumer have played themselves, and Cara Delevingne (Carnival Row) has also popped up. If you're still yet to experience the series' charms, it follows the odd trio of Charles-Haden, Oliver and the much-younger Mabel after they bond over two things: listening to a Serial-style podcast hosted by the show's own version of Sarah Koenig, aka Cinda Canning (Fey); and a death in their luxe abode. Of course, they did what everyone that's jumped on the true-crime bandwagon knows they would if they were ever in the same situation, starting their own audio series that's also called Only Murders in the Building. That's how season one kicked off — and continued, proving a warm, funny, smart and savvy series at every step along the way. In the show's second go-around, another death needed investigating. That time, it was someone the main trio were all known not to be that fond of, so suspicions kept pointing in their direction. Check out the first trailer for Only Murders in the Building season three below: Only Murders in the Building's third season doesn't yet have a release date — we'll update you when one is announced. Season one and two are currently streaming Down Under via Star on Disney+. Read our full review of season two — and of the show's first season, too.
When you've already announced Bad Feminist author Roxane Gay as one of your keynote speakers, what comes next? At the 2024 Festival of Dangerous Ideas, the conversation will flow from being a serial dissenter to the smartphone backlash, propaganda and censorship, giving kids the right to vote and taking on the one percent, then also cover tackling inequality, the myths surrounding women's health and humanity's need to find meaning through god-like figures. The full for the Sydney fest, which will take over Carriageworks for two days from Saturday, August 24–Sunday, August 25, is filled with exactly what an event dedicated to crucial and complex topics demands: a wide-ranging lineup of boundary-pushing talks where hopping from one session from the next means jumping between a vast array of subject matter. Under Festival Director Danielle Harvey, FODI has curated its 2024 roster around the theme of 'sanctuary'. Joining Gay among the 16 international guests presenting keynotes are US psychologist Jean Twenge, which is where diving into the impact of handheld devices comes in; journalist and writer Masha Gessen, who'll explore the ways that narratives about conflicts are controlled; and David Runciman to give the Christopher Hitchens Oration on the topic "votes for six-year-olds". Plus, Megan Phelps-Roper of Unfollow fame will team up with Andy Mills from The New York Times' The Daily and Rabbit Hole to dig into the impact of their podcast The Witch Trials of JK Rowling — and Jen Gunter has her sights set on the poor medical care women can be subjected to. Elsewhere, academic Saree Makdis will examine the west's response to the conflict in the Middle East, economists John N Friedman and Richard Holden will chat through ideas for increasing upward social mobility, The Next Frontier academic Todd Fernando will hone in on Indigenous excellence and The End of Race Politics' Coleman Hughes will be a guest on Josh Szeps' Uncomfortable Conversations. Attendees can also hear sustainability professor Jem Bendell step through how civilisation is already collapsing, philosopher David Benatar dive into the ethics of having children and comedian David Baddiel deliver the first John Caldon Provocation on how the need for god to give life substance disproves the deity's existence. The lineup goes on, whether you're keen for a session featuring Jordan van den Berg, aka renter advocate Purple Pingers, on why the one percent should be afraid — or chats about the new breed of world leaders, the price of democracy, public forgiveness, artificial and transplanted wombs, positive masculinity, peer pressure making us sick or individualism. If you can't attend or won't be in Sydney, some sessions will be livestreamed. For those heading along in person, perhaps you'd like to hear from Talk to Me's Danny Philippou about his favourite horror film and why we're all fascinated with fear, then crawl through a tape installation by Austrian and Croatian artists and designers Numen / For Use, then watch a jailbreak experiment by performance collective re:group, too? Yes, across what promises to be a busy weekend, they're all also on the program as well. Images: Jodie Barker, Ken Leanfore and Yaya Stempler.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from February's haul of newbies (yes, we're assuming you've already watched News of the World and Malcolm & Marie). BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW https://www.youtube.com/watch?v=AZ9cCFrCBxI IT'S A SIN More than two decades after creating Queer as Folk, Russell T Davies gives the television landscape another excellent queer drama. The screenwriter and television producer has been busy over the intervening period thanks to everything from Doctor Who to Years and Years — and he also has 2015's Cucumber to his name, too — but It's a Sin is one of the very best things on his lengthy resume. Stepping back to the AIDS crisis of the 80s and early 90s, the five-part miniseries follows a group of friends chasing their dreams in London. Ritchie (Olly Alexander, Penny Dreadful) heads to the city to become an actor, and to avoid telling his stern parents that he's gay. Roscoe (Omari Douglas) flees his parents' home when they keep threatening to take him back to Nigeria. Colin (Callum Scott Howells) arrives for an apprenticeship at a high-end tailor shop, but soon finds himself seeking an escape from his lecherous boss. Given the era, there's no doubting where the story will head. It's a Sin is as joyous and vibrant as it is soulful and heartbreaking, though. Ritchie, Roscoe and Colin not only cross paths, but form a makeshift family in their modest flat, with the former's college friends Jill (Lydia West, Dracula) and Ash (Nathaniel Curtis) rounding out the quintet. Neil Patrick Harris and Stephen Fry also feature, but they're never It's a Sin's stars — because, in series that looks and sounds the period part at every moment, the show's five main players are simply phenomenal. It's a Sin is available to stream via Stan. https://www.youtube.com/watch?v=4lkCCo63nhM I CARE A LOT She may not end up with many shiny statuettes for her efforts, but Rosamund Pike's Golden Globe nomination for I Care a Lot is well-deserved. The Radioactive and Gone Girl star is stellar in a tricky part in a thorny film — because this dark comic-thriller isn't here to play nice. Pike plays Marla Grayson, a legal guardian to as many elderly Americans as she can convince the courts to send her way. She's more interested in the cash that comes with the job, however, rather than actually looking after her charges. Indeed, with her girlfriend and business partner Fran (Eiza González, Bloodshot), plus an unscrupulous doctor on her payroll, she specifically targets wealthy senior citizens with no family, gets them committed to her care, packs them off to retirement facilities and plunders their bank accounts. Then one such ploy catches the attention of gangster Roman Lunyov (Peter Dinklage, Game of Thrones), who dispatches his minions to nudge Marla in a different direction. She isn't willing to acquiesce, though, sparking both a game of cat and mouse and a showdown. Dinklage makes the most of his role, too, but I Care a Lot is always the icy Pike's movie. Well, hers and writer/director J Blakeson's (The Disappearance of Alice Creed), with the latter crafting a takedown of capitalism that's savagely blunt but also blisteringly entertaining. I Care a Lot is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=Sw_iVa6bZgs WHY ARE YOU LIKE THIS Named after a meme, and focusing on characters that can hardly be described likeable but are nonetheless instantly recognisable, Australian sitcom Why Are You Like This takes aim at 21st century life. Its three main figures are all twentysomethings endeavouring to navigate a never-ending onslaught of personal and professional problems, such as getting fired, battling with colleagues, money troubles, hiding boyfriends, losing moon cups and trying to spark a workplace revolution but ending up getting other people fired — so, yes, they're just like the rest of us. Penny (series co-creator Naomi Higgins, Utopia) wants to be an ally to everyone. Her bestie Mia (Olivia Junkeer, Neighbours) matches that determination with both self-assurance and a self-serving mindset; if she's sticking up for anyone, it's always herself. Rounding out the trio is Penny's housemate and aspiring drag queen Austin (Wil King), whose glittery outfits and super-sized personality can't always hide his internal crumbling. Across the show's six-episode first season, these three friends keep trying to stand out in their own ways. They also keep demonstrating both their best and worst traits. As satirical as it is candid and relatable, Why Are You Like This knows that everyone and everything is awful, and leans in. And, in terms of the series' style of comedy, the fact that Higgins created the show with lawyer and illustrator Humyara Mahbub and Aunty Donna's Mark Samual Bonanno says plenty. Why Are You Like This is available to stream via ABC iView. https://www.youtube.com/watch?v=CqXhMYjasHM ROCKS Not only thoughtful, empathetic and heartfelt, but also offering a very familiar genre a fresh perspective, coming-of-age drama Rocks explores the life of British Nigerian teenager Olushola Omotoso (engaging debutant Bukky Bakray). She's given the eponymous nickname by her friends, and she's forced to call upon a hardy type of fortitude when her mother (Layo-Christina Akinlude, I May Destroy You) leaves suddenly, entrusting the 15-year-old to care for her her younger brother Emmanuel (D'Angelou Osei Kissiedu). This situation isn't new for the siblings, so they soldier on. But, approaching the film with a tender but also forthright touch, director Sarah Gavron (Suffragette) and screenwriters Theresa Ikoko and Claire Wilson (Gangs of London) don't sugarcoat their story. As Rocks tries to rustle up enough money to by, endeavours to evade social workers chasing her and Emmanuel around town, attempts to maintain a routine for her brother and also deals with her own schoolyard struggles, the film repeatedly demonstrates that a feature can be both honest, unflinching, bittersweet and charming all at once. Indeed, it also illustrates that when a movie manages to be all of those things — as well as immersively shot, superbly performed and keenly showing a far more expansive snapshot of British life than often seen on-screen — it's something special. Rocks is available to stream via Netflix. https://www.youtube.com/watch?v=cbZU_76SPdI CLARICE When The Silence of the Lambs became one of the most talked-about movies of 1991 — and won the 'big five' Oscars: Best Picture, Best Director, Best Actor, Best Actress and Best Adapted Screenplay — it was always going to earn a follow-up. But, the three films that did just that all cared far more about psychiatrist and serial killer Hannibal Lecter than FBI Agent Clarice Starling, as did the Mads Mikkelsen-starring TV series Hannibal. Accordingly, television crime procedural Clarice feels as if it's righting a three-decade-old wrong. Set a year after the events of The Silence of the Lambs, it follows its eponymous figure (Australian actor Rebecca Breeds, Three Summers) as she returns to the field. She's still shaken by the case that made her famous, and she'd much rather stay behind the scenes than lead the charge, but she's brought to Washington DC to join a high-profile taskforce that hunts down serial killers and other predators. Clarice is made by US network television, not cable, so it happily sticks to an obvious formula; however, case-of-the week programs like this have remained a TV mainstay for a reason. Breeds capably steps into Jodie Foster's shoes, the series as a whole sinks into its unsurprisingly grim mood, and stories about women reclaiming their own space after trauma, as this is, aren't as common as they should be. Clarice is available to stream via Stan. https://www.youtube.com/watch?v=2B7m-ARHz0c FAKE FAMOUS No one could've known how timely Fake Famous would be, especially in Australia. Arriving in a month where much of the nation's social media usage has pivoted from Facebook to Instagram, it explores influencer culture on the latter platform, all thanks to an experiment by journalist-turned-filmmaking first-timer Nick Bilton. Interested not only in people famous for being famous, but in the way that Instagram in particular has heightened the phenomenon, the writer/director endeavours to create three influencers of his own. He holds auditions, selects candidates, gives them makeovers, sets them up with a crew to snap their photos and shoot their videos, and buys them bots to follow, like and comment on their posts. His aim: to take his three chosen Los Angeles residents from everyday Instagram users with dreams of online stardom to the type of social media celebrities who've turned their virtual existence into a full-time job (and have the statistics and the swag sent to their door to prove it). Mixed in with insights about social media and influencers in general, the result is a fascinating film — especially in seeing how Bilton's three central figures handle the process. That remains true of this slickly made, perkily toned documentary even if there's little that's overly new here for anyone with an ongoing interest in or knowledge of the subject. Fake Famous is available to stream via Binge. https://www.youtube.com/watch?v=u9XJ1AxrAcs THE VIRTUES Director and screenwriter Shane Meadows has a fantastic track record, spanning everything from Dead Man's Shoes to This Is England — as well as the multiple TV shows inspired by the latter. Fellow screenwriter Jack Thorne is no stranger to working with Meadows, also thanks to the This Is England franchise; however his individual resume includes Dirt Music, Radioactive, The Secret Garden, Enola Holmes, The Eddy and His Dark Materials over just the past couple of years. So, the pair's involvement in The Virtues immediately marks it as a miniseries to watch. So does its star Stephen Graham, yet another veteran of This Is England. Here, all three combine for a four-part drama that's bleak, raw, frank and devastating — and, once you've started watching, it's also impossible to tear your eyes away from until the credits roll on the final episode. After it finishes, it's downright impossible to forget, in fact, a claim that can't be made of most television shows. Graham plays Joseph, a labourer who's barely getting by. When his ex-partner and his young son move to Australia, he hits the bottle, has a big night, and wakes up certain that he has to head back to Ireland and confront his troubled past. So starts an emotional journey that's never easy — not for a single second — but is also never anything less than astounding. The Virtues is available to stream via Stan. RETURNING SHOWS TO CHECK OUT WEEK BY WEEK WELLINGTON PARANORMAL Three of the best comedic actors currently on TV all star in New Zealand-made sitcom Wellington Paranormal. Playing Officer O'Leary, Officer Minogue and Sergeant Maaka, Karen O'Leary, Mike Minogue and Maaka Pohatu spit out devastatingly hilarious deadpan line readings. They need to in this mockumentary series, which follows a squad of Wellington cops who investigate the supernatural — as the show's title so succinctly explains — but every episode of the series so far has demonstrated just how perfect these three actors are for their job. That includes the just-arriving third season of the program, which once again sees the team tackle cases of the paranormal variety (and, yes, of the often silly and always amusing kind as well). This batch of instalments starts with an invisible foe, then ponders what might be lurking in the woods, with laughs heartily ensuing. A spinoff from Taika Waititi and Jemaine Clement's excellent 2014 movie What We Do in the Shadows — well, one of the film's spinoffs, given that a very funny US TV series also called What We Do in the Shadows also exists — Wellington Paranormal aces its concept again and again. This time around, Clement directed half of the season's episodes, while Rhys Darby reprises a familiar role. Wellington Paranormal's third season starts streaming via SBS On Demand from Wednesday, February 24, with new episodes added each week. CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=XhulR_kJf7Y PARKS AND RECREATION She's the government worker we all wish could be in charge of, well, absolutely everything — and she's the Indiana city of Pawnee's most devoted employee and biggest fan. We're talking, of course, about Leslie Knope, Amy Poehler's super passionate waffle-loving character in iconic sitcom Parks and Recreation. Willing to work hard in any situation and always ready to lean upon her friends and co-workers, Leslie knows how to handle almost anything. In one particular fifth-season episode of the Nick Offerman, Rashida Jones, Aziz Ansari, Chris Pratt, Aubrey Plaza, Adam Scott and Rob Lowe-costarring series, that also includes grappling with a pandemic. Created by The Office's Greg Daniels and Brooklyn Nine-Nine's Michael Schur, Parks and Recreation may have only come to the end of its seven-season run back in 2015, but the sitcom has been an instant classic from the get-go for one reason: focusing on relatable characters, the minutiae of their lives and the time working in local government, workplace-based comedy has never felt more kind-hearted, or — thanks to the show's penchant for letting its main players talk directly to the camera — so inclusive. And while Parks has done the rounds of streaming platforms, hopping from one to another over the years, its arrival on Netflix is as good a reason as any for a rewatch (not that anyone ever needs an excuse). All seven seasons of Parks and Recreation are available to stream via Netflix. https://www.youtube.com/watch?v=5zaQgbACc1E THE MUPPET SHOW Created by Jim Henson, first seen on TV in the 50s and boasting eight movies to their name, The Muppets are easily the most loveable felt and foam creations in pop culture history. They're also the driving force behind the best variety television series that's ever reached the small screen: The Muppet Show, which ran for five seasons between 1976–81. Forget all those other efforts hosted by humans over the years, because nothing is as absurd, surreal and delightful as this puppet-fuelled program. And, whether you grew up watching reruns over and over, have always wanted to check it out or somehow weren't aware that the series even existed, it's now available on Disney+ in full. Yes, it's time to play the music and light the lights — and to revisit this Muppets-starring favourite. You won't just be checking out the comic stylings of Kermit the Frog, Miss Piggy, Fozzie Bear, Gonzo and the Swedish Chef (and their songs and skits, too), of course. The Muppet Show is also famed for its guest appearances, so get set to spy everyone from Elton John and Mark Hamill to Martin, Liza Minnelli, Alice Cooper, Julie Andrews, Diana Ross and Gene Kelly. All five seasons of The Muppet Show are available to stream via Disney+.
With the chilly weather well and truly upon us, what makes for a better night in than snuggling up with a cup of tea and a good read? It’s true, nothing beats a good book. How many times has the book been better than the movie, or you’ve kept reading just one more page into the wee hours of the morning, or you’ve fallen head of heals in love with a fictional character… oh, Mr Darcy. If your bookcase is gathering some dust and you’re dying to sink your teeth into a new page turner, head to the Lifeline Bookfest, the world’s biggest second-hand book sale. Hundreds of books are up for grabs so you’ll be sure to snag a bargain. Most importantly though, all money raised from the Bookfest supports Lifeline’s 24 hour crisis line as well as suicide prevention and awareness programs. Support a wonderful cause by finding a few pre-loved books at the Brisbane Lifeline Bookfest. Happy reading!
Bottle shops. You know the drill; hovering wistfully in front of an arsenal of bottles, hand stroking chin, staring at the labels and hoping the one with the nice font is a surefire winner. But as soon as your cluelessly-picked vino makes its way to the glass, that shit's way too woody man. Too dry. Too fruity. High damn acidity. It's all wrong. You know what you like, when you get it, but you can never quite pick it. Luckily, a brand new app is about to hook you up with your perfect match — using science. Next Glass is a brand new app which acts as a 'matchmaker' between humans, wine and beer, hoping to Cupid you straight to your favourite new drop according to your tastes. Ditch the wine diary, these guys are using science. The Next Glass team have analysed ingredients from microbreweries and vineyards across the globe — and even taste-tested them, in what sounds like the most applauseworthy 'research' excuse for throwing back bucketloads of drank we've heard yet. App developers George Taylor and Stephen Pond have been analysing up to 200 bottles of beer a day through a project called The Beer Census, attempting to hoard every beer in America and rate their chemical makeup in the lead-up to Next Glass's release. Party at George and Stephen's lab y'all. So how do you use it? To start with, users build a profile by finding wines and beers they already like through the app and give them a rating out of four. Kind of like Spotify for booze, the app gives better recommendations the longer you use it and the more flags you raise on what you like and don't. Then, when you find a shiny new Pinot Noir to try, all you have to do is scan the bottle and the wine's profile will be matched to your preferences. You'll be given a percentage rate of how the wine fits in with your tastes and if the score's over 90 you've got a pretty great match. Like all apps nowadays, users can share their findings and connect with other Next Glassers (as well as giving vital stats to beer and wine distributors, always). Plus, if you and your buds all scan the same bottle you can get a few more scores to see how you all compare — Max might be a Savvy-B type of guy, while Lisa might get all up in Riesling, but this cheeky wine might suit them both. And if trying out an app is excuse enough to 'scan' multiple bottles of wine among friends, we're in. While the app's only available in the US so far, fingers crossed for an Australian taste-testing team call-out. Next Glass is available for free on the App Store and Google Play — but only works in the US so far. Via Springwise and Grub Street. Image credit: djwtwo via photopin cc.
Australia's leading lady of sassy, smokey and sultry blues, Lanie Lane is heading to Brisbane for her Bangity Bang National Tour. Lanie Lane channels a golden era of music as she drenches her tales of love, lust and heartbreak with her distinctive and soulful voice. Her music is a unique blend of rockabilly, blues and country making her a must see. Her single, 'Oh Well, That's What You Get For Falling in Love With a Cowboy' has been regularly spun and requested on Triple J. Although she might look sweet as sugar, it's Lanie Lane's swagger that makes her performances such a treat. Sydney's indie group The Rubens will warm up the crowd for Lanie Lane. The talented four piece specialise in relaxed blues and with the addition of a copious amount of soul, The Rubens are destined for big things. Their track, 'Lay It Down' is a heartfelt, dreamy blues number with raw vocals, best enjoyed with eyes closed. The rich and original sound these guys are making has caused music lovers to prick their ears and eagerly await for more. Tickets for Lanie Lane's Bangity Bang National Tour, with special guests The Rubens are just $20. Grab one before they sell out.
Brisbane favourites The Trouble with Templeton are playing a final headline show before heading off for their UK and Europe tour. The five piece have a lot to celebrate as they have recently been signed to UK Indie label Bella Union alongside the likes of Fleet Foxes, Midlake and Flaming Lips. Get your last hit of Templeton goodness at the Old Museum before the jet setters take off. The quintet will be playing their successful tracks such as 'You Are New' and Soldiers. Check out their clip for 'Soldiers' filmed around town and only released a couple of weeks ago. What's more, the alternative rock group have their debut album, Rookie, on sale for you to get into before you see them live. The ever charming Little Scout will be performing earlier in the night.
Hot on the heels of its Brisbane opening earlier this month, global hotel chain W Hotel has just announced that it'll be landing in Sydney's Darling Harbour in 2020. Set to become part of The Ribbon – a sleek new $730 million development designed by HASSEL architects and sitting on the former IMAX theatre site, which was demolished in late 2016 – W Sydney is promising, not just a hotel, but a luxury hideaway. As with every W Hotel, you can expect impeccably-designed futuristic spaces, eateries overseen by expert chefs, cocktails created by top-notch bartenders and collaborations with local artists, musicians and designers. One of W Sydney's drawcards — apart from its 593 rooms and suites spread across 25 storeys — will be a stunning pool deck, overlooking the water. Also in the plans are a signature spa, a ballroom and two bars, including a W Living Room with expansive glass walls and an extraordinary sound system. We don't know, quite yet, who'll be running the restaurant, but chances are it'll be some local legend, given that the Three Blue Ducks are in-house at W Brisbane. Sydney was previously home to a W Hotel on Woolloomooloo Wharf, but it was sold to the Taj Hotel Group in 2007, then again the Hind Group (the owners of Ovolo) in 2014. The new W Hotel is only one part of new The Ribbon development, which will also be home to serviced apartments, retail spaces and — potentially, most excitingly — a huge new IMAX theatre. W Sydney is slated to open in 2020 and will be Australia's third W Hotel, following Brisbane and Melbourne, which is also due to open in 2020. The brand is aiming to be 75-strong hotel worldwide within the next two years. W Hotel is a branch of Marriott International, the world's largest hotel group, which now owns 18 hotels across our nation.
Wanting to brush up on your culinary skills? Look no further as Brisbane is hosting a 14 day festival to showcase the best food and produce that our state has to offer. Food Bowl is a featured event during Delectable and includes 22 of Brisbane's best restaurants serving Queensland's finest produce on July 29. Bring your friends, family and an empty stomach for what is sure to be a finger-licking and delicious day out. Another highlight of the 14 day food extravaganza is the Food Series where Australia's best known and successful chefs will cook up a storm in demonstrations from July 22-28. Watch on as chefs such as Ben O'Donoghue, Poh Ling Yeow and Matt Moran do what they do best. Our sunshine state is known for its scrumptious produce. Be inspired by the pros and have your fill at Delectable this July.
When a spider spins a web, the strands are designed to trap prey for the eight-legged arachnid to consume. Madame Web tries to do something similar. The fourth live-action film in Sony's Spider-Man Universe, it attempts to create a movie meal by capturing bits and pieces from anywhere and everywhere. There's Spidey nods, of course, variations on the "with great power comes great responsibility" line and more than one Spidey-like figure included. Introducing a new superhero to the screen, it's an origin story, complete with a tragic past to unfurl. Set in 2003 but with ample 90s tunes in the soundtrack, it endeavours to get retro as well. In its best touch, Madame Web winks at star Dakota Johnson's (Cha Cha Real Smooth) Hollywood family history, with a pigeon bringing The Birds, as led by her grandmother Tippi Hedren (The Ghost and the Whale), to mind. And, catching inspiration just like flies, the film also strives to be a serial-killer thriller. Look out, though. Here's hoping that spiders have more luck snaring a feast than Sony has in swinging Madame Web into its not-MCU franchise. They're not officially counted as part of the saga, and they're both exceptional unlike this, but the studio's animated Spider-Man: Into the Spider-Verse and Spider-Man: Across the Spider-Verse also help explain Madame Web's existence and approach. In trying to carve out a Spidey space around the Peter Parker version of the webslinger, who is now part of the Marvel Cinematic Universe, Sony has been throwing everything it can at the screen. In the Spider-Verse flicks, that means a kaleidoscope of spider-folk, plus dazzling visuals and creative storytelling to match, demonstrating that people in suits isn't the best way to tell caped-crusader tales in cinema. In the SSU, focusing on a heap of peripheral Spidey figures is instead the tactic — and it's as piecemeal as it sounds. Hence Venom, Venom: Let There Be Carnage, Morbius, the upcoming Kraven the Hunter and the on-the-way third Venom title. Hence also the feeling that giving whichever bit players Sony can their own features, in the name of making a sprawling superhero saga with well-known stars because everyone else is (see also: DC), is the money-chasing move. In Madame Web's case, its namesake from the comics has scored a makeover to fit the franchise's mould — so, instead of being an elderly mutant with clairvoyant powers, who is both blind and attached to a web-like life-support system, she's 30 and sports Johnson's famous off-screen devil-may-care attitude. It's easy to wonder while watching if the film's lead took the gig just to wreak havoc on the press tour. Johnson's presence also gives viewers plenty to be thankful for. She hasn't gone for serious and solemn. She isn't playing for laughs, either. Instead, she lends the flick her charisma and knack for playing charmingly awkward, all without ever seeming bogged down by how lacklustre the movie around her is; now that's a superpower. Madame Web arrives on the big screen with one of its pieces of dialogue already sporting meme-level notoriety, except that it doesn't actually include that line. The clunky "he was in the Amazon with my mom when she was researching spiders right before she died" became the best-known aspect of the feature's trailer when the sneak peek hit in 2023, but it isn't in the finished film. Words to the same effect are, describing the fact that Johnson's Cassie Webb is the daughter of scientist Constance (Kerry Bishé, Super Pumped: The Battle for Uber), who has spun off this mortal coil — and that explorer Ezekiel Sims (Tahar Rahim, Napoleon), the flick's big bad, was there with her. That was back in 1973. In the movie's present, Cassie has grown up in foster care, now spends her days saving lives with her work partner Ben (Adam Scott, Party Down), then starts seeing the future after a near-death experience. The full backstory, which also provides the feature's prologue, involves Constance getting bitten in Peruvian jungle under the guidance of Amazonian spider-people Las Arañas as a way of saving the unborn Cassie's life. That's the reason for the adult Cassie's visions — and, thanks to his own interaction with the magic arachnids from the area, for Ezekiel's spider-like physical abilities and dreams of his impending death. In the latter, he sees three spider-esque women ending his existence. His plan: locate them now (with the help of The Flight Attendant's Zosia Mamet and some technology that doesn't really fit 2003), murder them, live evilly for longer. Only Cassie can stop that from happening, with Julia Cornwall (Sydney Sweeney, Anyone But You), Anya Corazon (Isabela Merced, Migration — and also Dora in Dora and the Lost City of Gold) and Mattie Franklin (Celeste O'Connor, Ghostbusters: After Life) soon in her care despite not knowing her, or each other, beforehand. It doesn't bode well for veteran TV director SJ Clarkson (Succession, Vinyl, Jessica Jones) that her first cinematically released feature, which she co-wrote with producer Claire Parker (Life on Mars), also includes Matt Sazama and Burk Sharpless as scribes. The pair with Dracula Untold, The Last Witch Hunter, Gods of Egypt and Power Rangers on their resume scripted Morbius, too, which is still the worst SSU movie — but generic, bland, caring zero about characters and basically sketching out scaffolding for monotonous action scenes remains their niche. Madame Web's serial-killer angle does stand out, more for feeling like it could've been the plot of a 90s effort about a psychic protecting three teen girls that had zero Spider-Man ties. That flick wouldn't have needed such routine fights and chases, either, or proven what too much caped-crusader fare constantly does: like join-the-dots filler. Enlisting ace talent such as Johnson, Sweeney and Scott, each of whom do what they can with stock-standard roles — as do Merced and O'Connor (alas, the usually stellar Rahim's part is woefully thankless) — can't paper over Madame Web's desperation to send strands Spider-Man's way. The 2003 setting could've been a Tobey Maguire (Babylon)-era nod, but with Ben's surname Parker and his pregnant sister Mary (Emma Roberts, American Horror Story) having a boy, the timing is geared to connect with the Tom Holland (The Crowded Room) iteration. A mid-movie scene blatantly yearning to make that leap also helps sum up Madame Web. At a baby shower for Mary, Cassie doesn't want to get roped into the antics, turns the room silent by talking about her mum's death and interrupts the big name reveal. Johnson kills it, but the need to link into a franchise that isn't even the SSU crashes. Unsurprisingly, pitching the whole picture to setup a future Spider-Woman trio flick feels like just as much as a stretch. Unless Madame Web becomes a box-office smash, no one, not even Cassie, would foresee a follow-up coming to fruition after this tangled mess.
The last time that Patricia Arquette graced the small screen before High Desert, she was icy and commanding, pulling company-controlled strings and overseeing a corporate-styled sci-fi nightmare world. Other than also streaming via Apple TV+, 2022's instant-standout first season of Severance has little in common with the Boyhood Oscar-winner and The Act and Medium Emmy-winner's latest project. Here, she leads a private investigator comedy that dapples its jam-packed chaos under California's golden sun, against the parched Yucca Valley landscape and with an anything-goes philosophy — not to mention a more-mayhem-the-merrier tone. In High Desert, the always-excellent Arquette plays Peggy Newman, who isn't letting her age get in the way of perennially struggling to pull her life together. That said, when the eight-part series opens — streaming from Wednesday, May 17 — it's Thanksgiving 2013 and she's living an upscale existence in Palm Springs, with gleaming surfaces abounding in her expansive (and visibly expensive) home. Then, as her husband Denny (Matt Dillon, Proxima) jokes around with her mother Roslyn (Bernadette Peters, Mozart in the Jungle), and her younger siblings Dianne (Christine Taylor, Search Party) and Stewart (Keir O'Donnell, The Dry) lap up the lavish festivities, DEA agents swarm outside. Cue weed, hash and cash stashes being flushed and trashed, but not quickly enough to avoid splashing around serious repercussions. A decade later, High Desert's protagonist has been sharing Roslyn's house and trying to kick her addictions while working at Pioneertown, a historical attraction that gives tourists a dusty, gun-toting taste of frontier life. Peggy would love to step back in time herself when she's not pretending to be a saloon barmaid — to when her recently deceased mother was still alive, however, rather than to her glitzy post-arrest shindigs. Still angry about being caught up in a drug bust, Dianne and Stewart have zero time for her nostalgia and a lack of patience left for her troubles. Their plan: to sell Roslyn's abode with no worries about where Peggy might end up. Her counter: doing everything she can to stop that from happening. High Desert doesn't just embrace the fact that living and breathing is merely weathering whatever weird, wild and sometimes-wonderful shambles fate throws your way; in a show created and written by Nurse Jackie and Damages alumni Jennifer Hoppe and Nancy Fichman, plus Miss Congeniality and Desperate Housewives' Katie Ford, that idea dictates the busy plot, too. The end result isn't quite in Mrs Davis territory but, as Peggy decides to talk her way into moonlighting as a private investigator for local detective Bruce Harvey (Brad Garrett, Bupkis) after he rips off her best friend Carol (Weruche Opia, I May Destroy You), it repeatedly proves gleefully ridiculous. Instead of a nun fighting AI, this series spans stolen art, an anchorman-turned-guru (Rupert Friend, Obi-Wan Kenobi) whose motto is "everything is stupid!", a missing mafia family member (Tonya Glanz, Hightown), and father-daughter assassins (American Horror Story's Carlo Rota and Tuning In's Julia Rickert) with debts to collect and a penchant for slicing off nipples. Also filling High Desert's frames: blasting people out of canons, a wine- and car-stealing teen (Jayden Gomez, Love) with an all-seeing drone, Denny getting out of prison and chasing new schemes, a talking parrot plucking out its own feathers, and an actor who looks so much like Roslyn (and is also played by the great Peters) that Peggy decides to write a cathartic play around her to work through her mummy issues. For a show taking place in sleepy surroundings — Yucca Valley's IRL population is just over 21,000 — there's nothing placid about the hectic parade of capers it unfurls against the rocky setting. As an illustration of life's non-stop bedlam, though, this happily shaggy ode to sleuthing, hustling and trying to get by always feels authentic. How does anyone navigate their days when there's a lifetime of pain to sift through and just as much baggage to carry, everyone's right choice is someone else's wrong option, and we're all just making it all up as we go along? That's High Desert's vibe — and while it's never afraid to be OTT, it's also wonderfully astute. Adding another memorable role to a four-decades-long resume filled with them, and bringing to mind True Romance's Alabama but 30 years on, Arquette is a key reason that the series plays as engagingly and thoughtfully as it does. She's a committed comic gem as a woman who is never willing to be anything less than herself no matter the costs and consequences, and she's also both a source of pandemonium and a trusty anchor. Arquette is in fine company, with Dillon in There's Something About Mary mode, Friend demonstrating his knack for comedy as the immediately absurd Guru Bob, Garrett adding another interesting part to his post-Everybody Loves Raymond resume and Peters an on-screen treasure as always. Indeed, High Desert's stacks-on feeling echoes everywhere under director Jay Roach's (Bombshell) guidance, from the series' lead performance to its supporting players, and also including its bouncing plot and vivid imagery — brightly, involvingly, entertainingly, and never just throwing more and more hijinks in for the sake of it. With a PI job front and centre, hitmen to avoid and a disappearance to solve, High Desert joins Apple TV+'s packed lineup of mysteries. Severance, Servant, Black Bird, The Afterparty, Bad Sisters, Hello Tomorrow!, The Big Door Prize, Silo, this: they all fit the mould, filling the platform's catalogue with what's clearly its favourite genre. In fact, High Desert's biggest disappointment is that it doesn't lean in further, giving more time and attention to Peggy's no-nonsense detective talents in the spirit of Veronica Mars and Poker Face. Perhaps that's a road for season two to drive down, should another go-around eventuate. With Arquette being a delight at the show's the centre again, more would be welcome. Check out the trailer for High Desert below: High Desert streams via Apple TV+ from Wednesday, May 17.
Even the most seasoned traveller can get a little homesick from time to time, particularly if you're bunking down in the great outdoors without the usual creature comforts. Enter the Bank luggage range by Marc Sadler, as designed for Fabbrica Pelletterie Milano. As well as spanning the usual array of suitcases, it also features three trunks that turn into your own office, bed and kitchen away from home. Encased in shiny aluminium exteriors, jet-setters will find fold-out mini rooms that take care of our basic needs: sleeping, cooking and, sadly, working. The 'bedstation' includes a wooden base with a thin folding mattress, while the 'workstation' contains a table, chair, storage draws and charging ports. As for the 'cookstation', which isn't yet available, it'll boast a hot plate, chopping table, storage for kitchenware, its own power and even a mini fridge. Unsurprisingly, nothing in the range comes cheap — expect to pay nearly AU$11,000 for the bed, around AU$7500 for the office and an estimated AU$10,000 for the kitchen. Still, if you're keen on taking a piece of home with you on your next trip, or close enough to it, it's an option. For more information, visit Marc Sadler's website or the Fabbrica Pelletterie Milano website. Via Travel + Leisure.
They started as an opening act for the Beastie Boys. They've been fighting the power for almost four decades. They're no strangers to big hats and giant clocks, or for fighting for a worthy cause. They've been in the Rock and Roll Hall of Fame since 2013. They'll forever come to mind whenever Def Jam and Long Island come up. They're Public Enemy, of course, and they're about to get Australia believing the hype when they bring the noise — and their latest tour — Down Under in October 2024. Chuck D, Flavor Flav and company have announced six Aussie dates for their spring visit, starting in Perth at Red Hill Auditorium. From there, they'll head to Adelaide's AEC Theatre, John Cain Arena in Melbourne, Sydney's Hordern Pavilion and Newcastle Entertainment Centre in Newcastle, before ending the trip in Brisbane at Eatons Hill Outdoor. Audiences, you're gonna get yours when the icons take to the stage to play through 37 years of tunes that began with 1987 singles 'Public Enemy No 1' and, yes, 'You're Gonna Get Yours', all from their debut studio album Yo! Bum Rush the Show. Expect tracks from 1988's It Takes a Nation of Millions to Hold Us Back and 1990's Fear of a Black Planet — two of the most-influential records of the period, and home to 'Bring the Noise', 'Don't Believe the Hype', 'Rebel Without a Pause', '911 Is a Joke' and 'Fight the Power' — as well, through to songs from 2020's What You Gonna Do When the Grid Goes Down?, their most-recent album. For company, Public Enemy have AB Original in support, pairing one classic duo with another in Briggs and Trials — and matching the US group's commitment to social rights activism with an Australian act just as devoted to standing up against injustice. Public Enemy last played in Australia a decade ago, on a 2014 tour that included Golden Plains, plus gigs in Brisbane, Sydney, Melbourne, Perth and Launceston. Public Enemy On the Grid 35th Anniversary Tour Dates: Wednesday, October 2 — Red Hill Auditorium, Perth Friday, October 4 — AEC Theatre, Adelaide Saturday, October 5 — John Cain Arena, Melbourne Wednesday, October 9 — Hordern Pavilion, Sydney Friday, October 11 — Newcastle Entertainment Centre, Newcastle Saturday, October 12 — Eatons Hill Outdoor, Brisbane Public Enemy are touring Australia in October 2024, with Telstra presales from 10am local time on Friday, June 28, Ticketek presales from 10am local time on Monday, July 1 and general sales from 10am local time on Tuesday, July 2 — head to the tour website for further details.
Everyone's got their Thing. Electrical engineer Scott Brusaw and his partner Julie are passionate about solar panels. If they had it their way, they’d cover every single concrete/asphalt surface on the Earth with them – including major roads. However, before taking on Highway One, they’re starting with more modest aspirations: parking lots. And they’re looking for crowd funding support to get things moving as quickly as possible. Over the past eight years, the Brusaws have devised a modular system named ‘Solar Roadways’. With the help of US Federal Highway Administration funding and an Indiegogo campaign in the works, they’ve developed panels that can handle traction, loading and impact resistance. In other words, you can drive all over them to your heart’s content. A prototype parking lot has been tested and now the Brusaws are ready to go into production. Not only does a Solar Roadway parking lot enable the nearest buildings to come off the grid, it also provides a clean energy source for the recharging of all-electric vehicles. Plus, there’s enough heat to melt ice and snow — salting the streets will be a chore of past grumbling teenagers. Each panel is fitted with LEDs, reducing the danger of night blindness, as well as enough intelligence to warn drivers of unexpected obstacles, such as wandering animals. No more deer in the headlights. What’s more, the inclusion of special ‘Cable Corridors’ means two things. On one hand, they’re an easily accessible home for open air cables and fibre optic internet. On the other, they enable the storage, treatment and redirection of storm water. So many wins. Solar Roadways have already won the blue ribbons around town. The road received First Prize in GE’s 2010 Ecoimagination Grid Challenge for 'Powering the Grid' and First Prize in GE’s 2011 Ecoimagination Challenge for 'Powering the Home'. The Brusaws' Indiegogo campaign, running until May 31, is hoping to raise $1 million. [via PSFK]
Those lucky Parisians with their high-speed metros and regular services! They have so much infrastructure, it seems, they might get to party down in repurposed metro stations that no longer serve the network. Lucky. Nathalie Kosciusko-Morizet, a candidate for mayor of Paris, has proposed to reclaim abandoned "ghost stations" by repurposing them into pools, restaurants, auditoriums, theatres and clubs. Some of those metro stations — including Haxo, Porte-des-Lilas, Champ-de-Mars and more — were either never opened or closed during the 1930s and '40s. Parisian architect Manal Rachdi, along with urban planner Nicolas Laisné, have begun imagining how these might look; but the prospective mayor has opened the floor to the public with a co-creative platform whereby locals can access plans and pitch new ones for the stations. It might mean a spot of trouble for the squatters currently inhabiting them, but both locals and tourists should be able to enjoy these new sporting, cultural and festive venues. Not that this is an entirely unprecedented idea. Swedish design studio Visiondivision has plans to repurpose space beneath Stockholm's Tranebergsbron Bridge into a promenade, outdoor cinema and art gallery. And abandoned subway stations have long been home to underground parties in New York City. Regardless, none have stretched as far as Kosciusko-Morizet's proposal. Manal Rachdi and Nicolas Laisné reimagine Parisian ghost stations Proposed changes to Stockholm's Tranebergbron bridge. Via Gizmodo and Dezeen.
Lena Dunham had her debut hosting gig on Saturday Night Live last night and — because she's Lena Dunham and a camera was present — she got naked. For a debate that was once so fiercely alive in the media, it seems to have reached tipping point and become a joke in and of itself. Like your distant cousin who always gets naked to play in the sprinkler and is maybe, sort of, kind of, a little too old for it. At some point, you just let them run free. All in all, the show has been touted as a success. A visibly nervous Dunham centred her monologue on Girls, its nudity, and the problems she faces when everyone brings their sex problems to her. As the show's preview suggested earlier in the week, breasts and feminism were top priority, and culminated in skits deriding men's rights activists and making pubescent girls seem like the most terrifying thing in the world. Tragically though, there was no sign of Blerta. Haters of her Girls character Hannah Horvath will be both elated and annoyed by the stand-out skit of the night. In a bit titled Girl, Dunham plays Eve in the Garden of Eden as a version of her show's alter-ego. Alongside Taran Killam as Adam (also playing a spot-on version of her on-screen boyfriend Adam), Dunham takes Horvath's grating self-obsession to the extreme with lines like "I may have committed original sin, but at least it's original and I think I deserve credit for that." This is good news for Horvath haters because hey, at least she can laugh at herself. But it's also bad news because you still had to listen to that whiny voice for an extra two-and-a-half minutes of your life.
Germany takes its public transport seriously. When Berlin boasts a pair of sneakers designed to match the subway system, and the nation's state-owned railway company is looking to create a 'train of the future', that's pretty clear. The country's next idea not only stresses the point, but does the environment a solid and is certain to prove a hit with commuters: free public transport. As reported by Die Welt, according to a letter penned by German ministers and seen by German media, the government is proposing to trial the concept in five particular cities — all places considered heavily polluted. Bonn, Essen, Reutlingen, Mannheim and Herrenberg are set to put the plan into action, with the move coming as Germany faces legal action from the EU over its breach of air pollution levels due to vehicle emissions. Just how it would work — in terms of additional buses, trains and trams needed, and the budget required to finance them — is still under consideration, as are exact implementation timing and plans. Still, it's a smart, sensible and certain-to-be-popular idea, as well as an excellent incentive to leave the car at home. And, it's one that we'd all clearly love to see closer to home, even with Sydney and Brisbane's rail issues of late. Via Die Welt. Image: Shankar S. via Flickr.
A brand-new interactive advertising campaign from Play Melbourne jumps energetically away from traditional advertising. In an attempt to allow tourists to experience a city before they actually arrive, the Remote Control Tourist lets online users control the movements of two real tourists and watch the results via live stream. Essentially, you sign into remotecontroltourist.com using your Facebook or Twitter account. You can see the map of where the tourist is, what’s nearby, and their video and audio feeds. Then, just send a request for that tourist to do whatever you want. For example, "Find out if Manchester Press do Brazilian coffee." They don’t. The logic behind the two peeps with camera strapped to their heads seems to be that typical tourism ads just show what the tourism company wants you to see, but as a tourist the experience is always totally different. So why not check out the tourist life before embarking on it, all from the comfort and safety of your own home? The idea is not so crazy. The real-life tourist doesn’t have to acquiesce to every request, so nothing creepy or weird is going to go down. Plus, it appeals to the God complex that hides deep down inside us all — who doesn’t want to have complete control over somebody for a little while? It’s also oddly addictive to watch a total stranger responding to online requests like that. So, if you want a chance to "go before you go" to Melbourne, check out the website between October 9-13. Images via Remote Control Tourist.
Before Game of Thrones ended its eighth-season run, HBO spent years telling the world that the end of the hit show wouldn't actually be the end. Firstly, the American cable network announced that it was considering five different prequel ideas. It then green-lit one to pilot stage, scrapped it and later picked a contender to run with: the upcoming House of the Dragon. It also opted to give novella series Tales of Dunk and Egg the TV treatment, too, and to work on an animated GoT show. And, it's been reported that another three prequels are also under consideration. Throughout all of this, GoT fans have been told one thing over and over, even without it being explicitly said. Our days of watching fiery fights between famous Westerosi names — and games over who gets tot sit on the Iron Throne — are far from over, clearly, and won't be for quite some time. And, now that House of the Dragon is getting nearer, dropping teasers and setting release dates (releasing in winter Down Under, when else?), that's glaringly apparent. HBO has just unveiled a new sneak peek at its first GoT spinoff and, yes, all of the basics are covered, including men being unhappy about the idea of a woman on the throne. Focused on House Targaryen — and including flame-breathing scaly creatures, naturally — House of the Dragon promises to dive into the chaotic family's past. That's intertwined with the entire history of the Seven Kingdoms, though. And, as the new footage makes plain, the prequel knows that everyone watching are all well aware of how things turned out when Daenerys Targaryen claimed power (even if this series — which is based on a George RR Martin book, Fire & Blood, of course — is set a couple of hundred years earlier). Cast- and character-wise, House of the Dragon stars Emma D'Arcy (Misbehaviour) as Princess Rhaenyra Targaryen, the first-born child of King Viserys; Matt Smith (His House) as Prince Daemon Targaryen, the King's brother; Rhys Ifans (The King's Man) as Otto Hightower, the Hand of the King; Olivia Cooke (Slow Horses) as Alicent Hightower, Otto's daughter; and Steve Toussaint (It's a Sin) as Lord Corlys Velaryon, aka 'The Sea Snake', a nautical adventurer from a Valyrian bloodline as old as House Targaryen. These Westerosi folk all grace a tale that harks back to Aegon I Targaryen's conquest of the Seven Kingdoms — which is what started the hefty 738-page first volume in Fire & Blood's planned two-book series — and then works through the family's backstory from there. Aegon I created the Iron Throne, hence the returning favourite's prominence. Also, you don't have to be the Three-Eyed Raven to know that fighting, battles for supremacy and bloodshed are always a part of every GoT narrative. Popping up on camera as well: Paddy Considine (The Third Day) as King Viserys, Eve Best (Nurse Jackie) as Princess Rhaenys Velaryon and Sonoya Mizuno (Devs) as Mysaria, Prince Daemon's paramour. Behind the scenes, Miguel Sapochnik and Ryan Condal are acting as the series' showrunners. Sapochnik has a hefty GoT history, winning an Emmy and a Directors Guild Award for directing 'Battle of The Bastards', helming season eight's 'The Long Night', and doing the same on four other episodes. As for Condal, he co-created and oversaw recent sci-fi series Colony, and co-wrote the screenplay for the 2018 film Rampage. The latest trailer follows an initial sneak peek back in October last year. Given there's still a few months until House of the Dragon's ten-episode first season starts airing, expect more to follow. That dance with dragons will arrive on Monday, August 22 Down Under, if you don't already have it in your calendar. Foxtel and Binge in Australia and SoHo, Sky Go and Neon in New Zealand will be doing the honours, if you're wondering where to direct your eyeballs. Check out the latest teaser trailer for House of the Dragon below: House of the Dragon will start airing on Monday, August 22 Down Under via Foxtel and Binge, in Australia and SoHo, Sky Go and Neon in New Zealand. Images: Ollie Upton/HBO.
In one of the best new shows of 2022, and a Golden Globe-winner as well, a Chicago sandwich shop served up far more than just meat and bread. Following Carmen 'Carmy' Berzatto (Jeremy Allen White, Shameless) as he returned to run the family eatery after his brother's (Jon Bernthal, We Own This City) death, The Bear's menu also spanned intense kitchen and interpersonal chaos, plus its head chef's dream of levelling up the humble beef-slinging business. When season two arrives this winter, change is well and truly part of the show's spread, with Carmy's renovation and revamp plans at the The Original Beef of Chicagoland underway. As seen in the just-dropped full trailer for the series' upcoming return — which follows an earlier initial sneak peek back in March — neither the show nor its protagonist's life have gotten any less stressful. Trying to bring a fine-diner's level of meticulous to a neighbourhood sandwich shop didn't go smoothly in season one, and endeavouring to completely transform the restaurant was always going to be peppered with mayhem in season two. Get ready to devour requests for cash, tight timelines, constant construction noise, cooking experiments, visits to culinary school, awkward interviews and t-shirt typos. And, of course, an array of dishes being whipped up and instantly whetting appetites off-screen. The new trailer also adds Shiva Baby and Booksmart's Molly Gordon to the cast — and, although he hasn't been seen in season two's early glimpses so far, Breaking Bad and Better Call Saul great Bob Odenkirk will also be guest starring. Gordon and Odenkirk join not only the exceptional White, but the rest of The Bear's impressive roster of talent, such as Ebon Moss-Bachrach (The Dropout) as Richie, aka Cousin, aka Carmy's brother's best friend; Ayo Edebiri (Dickinson) as sous chef Sydney; Abby Elliott (Indebted) as Carmy's sister Natalie, aka Sugar; and Lionel Boyce (Hap and Leonard), Liza Colón-Zayas (In Treatment) and Edwin Lee Gibson (Fargo) among the other Original Beef staff. The Bear was renewed for season two before the show even made its way Down Under, after debuting in the US last June, then reaching Australia and New Zealand via Disney+ at the end of August. Given that it's now a huge hit, here's hoping that audiences here won't experience a delay again this time around when it hits the US on June 22 again. This go-around will span ten episodes, giving viewers two extra servings of Carmy's culinary endeavours. While season one already saddled him more than his fair share of troubles and struggles, there's no way that season two is going to a cruisy dream for the kitchen ace. If you missed the first season, it jumped into the mayhem after Carmy took over The Original Beef of Chicagoland. Before returning home, the chef's resume spanned Noma and The French Laundry, as well as awards and acclaim. That's just the beginning of the story, in a series that truly conveyed what it's like to work in the hospitality industry — including navigating a restaurant kitchen's non-stop pressures. Yes, the mood is anxious from the outset, with The Bear's creator Christopher Storer (who also has Ramy, Dickinson and Bo Burnham: Make Happy on his resume) starting the series as he definitely meant to go on, but still expertly managing to balance drama and comedy. Check out the full trailer for The Bear season two below: The Bear streams via Disney+ Down Under, with season two set to return on June 22 in the US — we'll update you with an exact local season two release date when one is announced. Read our full review of season one.
Sydney knows it thanks to Vivid. Melbourne's RISING makes the same point clear. No matter the place, there's nothing like a city lit up with glowing lights, outdoor art installations and projections in winter. Since debuting in 2021, Illuminate Adelaide has embraced the same idea each year in the City of Churches — and 2024's just-dropped full lineup includes more than 40 works that'll dazzle the city, plus everything from after-dark puppetry in the zoo and a digital garden to Max Cooper and Sonic Youth's Kim Gordon. And Fire Gardens. Back in April, Illuminate Adelaide revealed that the French art collective Compagnie Carabosse would headline the fest with its acclaimed piece, which will fill Adelaide Botanic Garden more than 7000 fire pots, sculptures and terracotta urns. While it'll be the event's scorching centrepiece from Thursday, July 4–Sunday, July 21, the highlights keep coming on the complete program. [caption id="attachment_953096" align="alignnone" width="1920"] Andrew Beveridge[/caption] Much of the brightness in the South Australian at Illuminate Adelaide comes via the City Lights program, which will span those 40-plus free site-specific works over 17 days. The class of 2024 features Renaissance artworks coming alive, interactive lights inspired by the moon's phases, the harp becoming a light-and-colour experience, illuminated street furniture, blue fireflies and more. The World Has Gone Pear Shaped — a large-scale, six-metre-tall inflatable sculpture that turns earth into a pear to muse on humanity's impact upon the planet — is sure to be standout. So is intangible #form by Japanese artist Shohei Fujimoto, which uses lasers, strobe lights, other moving lights and haze to create a multi-sensory piece across an array of rooms. You'll be swinging at Spectrum of Happiness, and as you do you'll create a rainbow. And Tjarutja Dance Theatre Collective Project's Ngarrindjeri Ruwi tells the Ngarrindjeri tale about Kondili, the whale that projects the spark of fire. [caption id="attachment_953092" align="alignnone" width="1920"] Artec House[/caption] Puppets roaming outside have increasingly become a key component of arts festivals of late — Parrtjima in the Northern Territory just proved this true in April — so of course Illuminate Adelaide has incorporated the trend into its lineup. Cue Universal Kingdom: Prehistoric Nights, a brand-new blend of puppetry and animation from Erth Visual & Physical Inc and A Blanck Canvas that'll take over Adelaide Zoo. A glowing dinosaur skeleton with a giant skull and a ribcage that you can walk through, ancient critters wandering along, an eight-metre animated plesiosaur in the sky: they're just some of its elements. Similarly immersive and built for folks to mosey around is interactive digital garden EDEN, which splashes its nature paradise across 150 square metres of LED screens — and will be accompanied by The Light Room Bar for bites and beverages. [caption id="attachment_953094" align="alignnone" width="1920"] Erth[/caption] Bridging the gap between Illuminate Adelaide's art and music bills, Max Cooper's 3D AV gets an Australian-exclusive run. Hindley Street Music Hall will welcome in its audio-visual display, which adapts each performance to its venue so no show is the same as any other. Sonic Youth's Kim Gordon and Dutch pianist Joep Beving are also on the program, the former as part of experimental music fest Unsound Adelaide within the broader fest. Its lineup features The Caretaker doing his first Aussie show, plus Yirinda, 33EMYBW, Eiko Ishibash, ∈Y∋ with C.O.L.O. and more. [caption id="attachment_953098" align="alignnone" width="1920"] Danielle Neu[/caption] And if that's not enough to enjoy around Adelaide, Hayao Miyazaki's Nausicaä of the Valley of the Wind, one of the Studio Ghibli great's very best films, is getting a free screening; Patch Theatre's family-friendly Superluminal uses lanterns that change colour in your hand, paired with nature sounds; and Fill the Earth combines physical performance and visual art, plus dance and video, on a 3.5-metre round stage. Pop-up bar and eatery hub Base Camp is back for its fourth year, too, complete with its own interactive light show, while Live @ The Lab will add more live tunes to the program. [caption id="attachment_953093" align="alignnone" width="1920"] florafaunavisions[/caption] [caption id="attachment_953100" align="alignnone" width="1920"] Alex Kozobolis[/caption] [caption id="attachment_953099" align="alignnone" width="1920"] Oscar Lewis[/caption] [caption id="attachment_953090" align="alignnone" width="1920"] Frankie The Creative[/caption] [caption id="attachment_953101" align="alignnone" width="1920"] Saige Prime[/caption] [caption id="attachment_953102" align="alignnone" width="1920"] Samuel Graves[/caption] Illuminate Adelaide 2024 runs from Thursday, July 4–Sunday, July 21. Check out the festival's website for the full program and to grab tickets. Top image: Amigo and Amigo. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
It's impossible to think about Mythic Quest without the fellow television show that helped it come to fruition also springing to mind. If there was no It's Always Sunny in Philadelphia, this Apple TV+ series about a video-game studio wouldn't exist. 2025 marks two decades since the world first met the Paddy's Pub gang in Rob McElhenney's initial small-screen hit. Midyear, TV's longest-running live-action sitcom will drop its 17th season. With his It's Always Sunny co-star Charlie Day and Megan Ganz, one of the show's writers, he also created Mythic Quest in 2020 — and five years later, it's been streaming its fourth season since late in January, will be accompanied by a companion anthology series Side Quest in March and has cemented itself as another beloved workplace-set favourite. One of the reasons that Mythic Quest has returned not once, not twice, but three times now since its debut run: its stellar cast. McElhenney (Deadpool & Wolverine) plays Ian Grimm, the man behind both the studio that shares the show's name and the hugely successful game that it makes; however, this is an ensemble effort. As crucial at MQ as its original architect is Australian Poppy Li, the lead engineer who has joined Ian as co-creative director over the years. On the business side of the company, high-strung executive producer David Brittlesbee endeavours to keep everything running smoothly. Charlotte Nicdao (The Strange Chores) and David Hornsby (Merry Little Batman) are among the show's standouts — but when the roster of talent also includes Community alum Danny Pudi as a ruthless money man, Ashly Burch (Chibiverse) and Imani Hakim (Will Trent) starting out as testers, and Jessie Ennis (Better Call Saul) as a determined personal assistant, there's no weak links. With Mythic Quest, Nicdao continues a mini trend across her career: tales with media ties. For Australian comedy queens Kate McLennan and Kate McCartney (Deadloch), she was part of breakfast TV-skewering delight Get Krack!n. Then came the also-excellent Content, the short-form web series that enlisted Nicdao as a wannabe influencer willing to do pretty much anything for fame. Building on a resume that also spans A gURLs wURLd, The Slap, Please Like Me, Top of the Lake and Bluey, her path to Poppy hasn't always stuck to the topic, but she's happily at home portraying a successful woman in the gaming world — a well-rounded character with ups and downs, as Concrete Playground describes the role to her; "really flawed and kind of an arsehole" is Nicdao's take, she tells us. And, she's also eagerly expanding the world's view of Australians on-screen. Nicdao's Filipino Australian dad Alfred Nicdao was one of the first Asian actors on Aussie television. Although she initially auditioned for Mythic Quest with an American accent, getting to bring her Asian Australian heritage — keeping her natural voice in the process — to international TV is a rare feat, as she's well aware. "Honestly, it's an honour for me. I don't think that that's overstating it," she advises. When he joined Mythic Quest at the outset, Hornsby came onboard not just as a star but also as an executive producer. Thanks to It's Always Sunny, it's a balancing act that he knows well — and it was "working with friends" that got him excited about being part of the MQ cast alongside playing Sunny's Rickety Cricket, plus his off-camera roles on both, he notes. On the two shows, the Pearl Harbour, Minority Report, Six Feet Under, Flags of Our Fathers, Jake in Progress, How to Be a Gentleman, Idiotsitter and Good Girls actor is also among the writers. Mythic Quest's second-ever episode was penned by him, in fact. Plenty has indeed changed for both Poppy and David over the course of the show so far — and evolves again in the fourth season, too, through romances, pregnancies, friendships and the like. They're both far more sure of who they are and what they want, and willing to fight for it. They're both much more comfortable beyond MQ. This is a workplace comedy, but it's also a series about dreams and fulfilment, and the mental and emotional toll of chasing both. Increasingly, it's as interested in not forgetting to put yourself first, even when you might be working on your dream. Indeed, one of the key themes of its latest batch of episodes is knowing when to make space for something beyond your job or an obsession — and that working on, creating, overseeing or loving something doesn't need to be anyone's defining trait. As a series, Mythic Quest keeps levelling up and broadening its focus, including among MQ team members, their loved ones and players within the narrative. That all-embracing approach equally applies off-screen. Hornsby and Nicdao have both made their directorial debuts with the show — the former in season three, the latter this season on an episode that Hornsby wrote. Burch, Pudi and Hakim have stepped behind the lens as well. Hornsby sees Mythic Quest as facilitating its key players reaching new stages together. "It moves the marker forward and makes you feel like you're growing in your life, and in your in your profession," he advises. Our chat with him and Nicdao also covered the initial appeal of being in a workplace sitcom set in a video-game studio, stepping into the shoes of layered characters as David and Poppy, potential Aussie It's Always Sunny episodes and more. On What Interested Nicdao and Hornsby About Starring in a Workplace Sitcom Set in a Video-Game Studio When Mythic Quest First Came Their Ways David: "It was a job." David to Charlotte: "Is that what your answer's going to be?" Charlotte: "Well, definitely — I mean, at the time, I was very much an unemployed actor. So yeah, it was a job. But also, I say this all the time, I feel like I manifested this show into existence. Because I feel like if you had've asked me to write down my absolute dream gig before I was cast in Mythic Quest, it would have been a heartwarming workplace comedy that was really funny, where I got to stretch my dramatic chops sometimes. And one of my favourite shows ever was Community, and I think Always Sunny is one of the greatest shows on TV. So the fact that now I get to be on this show that I feel like I dreamed up with these people who have already created some of the greatest shows of our time, I'm like 'how did I land this?'." David: "I think a workplace comedy is really great, just because it's really relatable. You can set the tone from the beginning — and I'm really, really happy with the tone that we've forged over these four seasons, of being able to be ridiculous and absurd sometimes, but always hopefully tethered to reality. And then being able to break away and explore some different episodes that really pay tribute to the complexities of stories related to video games. It felt like it was surprising, I think, when it came across my desk of sorts, that there was not already a show that truly lived in the video-game world that was an office-based comedy." On the Number of Projects, From Get Krack!n and Content in Australia to Mythic Quest, with a Media Angle on Nicdao's Resume Charlotte: "That's so funny. I hadn't thought about that before, but you're right, there is kind of a media bent to a lot of my work. I don't know what that is, and sometimes I wonder if it's — I mean, all of those things are fairly contemporary or modern themes to get into, and so sometimes I wonder that's something that I'm particularly comfortable in, for whatever reason. Those projects that you mentioned — Kate McCartney and Kate McLennan, who created Get Krak!n, are the some of the funniest people working in Australian television, and everything that they do is brilliant. So the fact that they wrote that role in for me was really exciting. And then with Content, Daley Pearson brought me that project. I'd worked with Ludo Studios before on an animated show, and when he brought me Content I was like 'I've never seen anything like this before and I have no idea how we're even going to shoot it, but I definitely want to be part of that'. So I'm glad that it lives on." On What Excited Hornsby About Taking His Collaboration with the It's Always Sunny Team Into a New Series David: "Working with friends, initially — it usually starts with Rob and Charlie calling me up and asking 'hey, we've got a part for you. We were thinking of a new show. We were thinking of you. Would you want to act on it and write on it?'. What more can you want except to do the thing that you love with your friends, who make you laugh and raise your bar? That in itself is a door I'm willing to walk through and then see what adventure it leads to." On What Nicdao Draws Upon to Play a Smart, Successful Woman in the Gaming World — But Also a Very Well-Round Character with Flaws and Struggles Charlotte: "I love that you're calling it well-rounded, when really what we all mean is that she's really flawed and kind of an arsehole. Yeah, that's a great question. Coming into the role without that gaming background — and I certainly didn't know anything about programming, that's definitely not how my brain works — I did speak to some game developers about what drew them to their particular jobs. And I loved hearing about this idea of programming being very much about solving puzzles, like being able to take something apart and put it back together in new ways that you wouldn't expect. So I feel like that was my way into understanding a little bit about how Poppy's mind works. It's like she doesn't really have control over most of her life, but this is a space that she fully understands and she can do anything in this world of programming. And that's kind of what makes her so good at her job, is that confidence that she has in this area and maybe no other area. I feel like I relate to that a little bit in terms of — I don't think, I would never think, that I am as good at acting as Poppy is at coding, but I definitely know that feeling of when you lock into something that you love doing and the rest of the world fades away, and you finish shooting a scene and you're like 'whoa, where am I?'. I don't really do that, but that's the feeling." On Hornsby's Task Playing the Most Sensitive and Vulnerable Character in the Series — and One Who Is Steering the Ship, But Is Also Often the Butt of the Office's Jokes David: "It involves me taking my ring off and walking in front of a camera, and then when I'm done, I put my ring on and I go home. No, it's really fun. I enjoy pushing the stories forward and serving the crazier egos in the show, but also having, when I was able to be the wolf back in a previous season, something like that. The specificity of this character and being able to then have earned that storyline is, is super fun. The wins taste sweeter, the victories taste sweeter, for this character when he gets them. So whether he's being a pawn in Brad's game or being overlooked by Poppy or Ian, it's always fun for me, for this character, to get a little victory here and there, and just to see what he does with it." On Knowing When to Make Space Beyond Work or an Obsession Being a Key Theme in Season Four — But Not a Sign That the Show Is Winding Down Charlotte: "I also hope that it's not leading to the end of the show. I don't think that's the intention. I actually think it opens up a whole lot of new story actually. And specifically with Poppy, this season is very much about her trying to discover who she could be outside of work. We see that right in the very first episode, with her having a boyfriend, which is something you never — I never, certainly — expected for the character. But I also think that it's something that we continue to explore and realise, that her whole life, since she was a child, has been about work. And in episode six we get introduced to her sister, who's played by another Asian Australian actress, Natasha Liu Bordizzo [Ahsoka], who I'm sure you know is fantastic — and a close friend. And we had so much fun on set. And this character comes in and reveals a little bit to the audience about who Poppy has always been — and I think that makes it all the more poignant that Poppy is now trying to break outside of that way of being. And I would be really interested to see, with the progress that Poppy makes this season, what that would mean for her in seasons to come in terms of her relationship with Ian and with the game." On the Parallels Between Mythic Quest Broadening Its Focus Among Its Characters and the Show's Cast, Such as Nicdao and Hornsby, Expanding Their Involvement by Writing and Directing David: "When a show's cast well, I think sometimes it's a fine line between who we are and who the characters are — certainly with my character in some ways — but we've all grown into our characters more. We've grown into ourselves more over time. A lot has happened since we started the show. We went through COVID and the pandemic. We made a show during it. That brings us together. That shows us what we're capable of. We've got to do our own makeup. We've got to shoot our own thing. We grow to appreciate the other person's job, especially when you have to do your own makeup. So at the end of the day, at five years later, I think we all have grown and feel, having gone through all this together — from professional firsts, like directing when I did it or when she did it, to doing a new episode or going to a new place with your character — it does make you, it moves the marker forward and makes you feel like you're growing in your life, and in your in your profession." On What It Means for Nicdao to Help Expand the World's View of Australians — and Initially Auditioning for Mythic Quest with an American Accent Charlotte: "Yeah, it's honestly, it's an honour for me. I don't think that that's overstating it. I feel like the world has a very particular idea of what an Australian looks like, and the fact that I get to show a different kind of Australian on an international level is, yeah, I'm really proud of that. And I'm so grateful that during that audition process, I think it was Rob, that was like 'wait, wait, stop'." Charlotte to David: "Well, maybe it was even you. I definitely remember you being in some of my early auditions and this conversation starting around 'well, but what if you just did your natural accent?'. I was so used to auditioning in my American accent at that time." David: "I wanted us to all become Australian." Charlotte: "He wanted everyone to do an Australian accent." David: "But then it just came like 'no, what if she just does it?'." Charlotte: "Yeah, it was like 'maybe just the Australian should do it'. But yeah, I was particularly proud of the episode 'Sarian' in season three that portrays Poppy with her young Filipino Australian family. Filipinos are the fifth-largest migrant group in Australia, there's a big community of us there. And since that episode has come out, I've spoken to people who have stopped me on the street in Australia, in Melbourne, who were like 'I loved that episode because that's what my family looked like growing up — like we spoke Tagalog at home and we had Australian accents at school'. I'm so grateful to the show for helping to tell that story." Concrete Playground: "Everyone becoming Australian sounds like it's going to be a future episode of It's Always Sunny." Charlotte: "Yes! 'The Gang Goes Australian'." David: "Yeah — yeah, that's fun." Mythic Quest streams via Apple TV+. Read our reviews of season one, season two and season three.
Queensland holidays are back on the agenda — and interstate getaways for Sunshine State residents, too. Australia's go-to holiday spot has reopened its borders to double-vaccinated travellers without any quarantine requirements, effective from 1am AEST today, Monday, December 13. And, if you're currently planning a trip north — or you're a Queenslander eager to head south, then return home hassle-free — Virgin is celebrating with a huge flight sale. Running until midnight AEST on Friday, December 17 or sold out, whichever arrives first, this sale is solely about flights to and from the Sunshine State — with more than a million fares on offer. It might be focused on one part of the country, but you still have options in terms of departure points and destinations. Within Queensland, you can leave or arrive in Brisbane, Cairns, Townsville, Hamilton Island, the Gold Coast and the Sunshine Coast. And, around the rest of the country, flights to and from Adelaide, Alice Springs, Canberra, Darwin, Hobart, Launceston, Melbourne, Newcastle, Perth and Sydney are all covered. One-way fares start at $59 — which'll get you from Sydney or Hobart to the Gold Coast, Launceston to Brisbane, or Newcastle to Brisbane (and vice versa). Other sale flights include Sydney–Sunshine Coast from $65, Melbourne–Gold Coast from $69, Melbourne–Townsville from $99 and Sydney–Hamilton Island from $109. And, if you're wondering when you'll need to travel, you can book trips for selected dates between January 1–June 23, 2022. Only some fares cover seat selection and checked baggage, however, with the airline announcing back in August that it is now splitting its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights also became mandatory in Australia in January. Virgin's Queensland is Good to Go sale runs from today, Monday, December 13–midnight AEST on Friday, December 17 — or until sold out.
Twenty years ago, Triple J gave the Victorian town of Natimuk a day to remember when the spot 300 kilometres out of Melbourne hosted its very own major music festival, with Grinspoon, Eskimo Joe and The Dissociatives (aka Daniel Johns and Paul Mac) all hitting the stage. So began One Night Stand, which became a yearly tradition, with the Australian radio station putting on a fest in different regional locations every year between 2004–2014, then again from 2016–2019. There's no prizes for guessing why One Night Stand hasn't taken place since 2020, but that gap in the event's history will come to an end in 2024. Triple J has announced the return of the festival this year — date, lineup and place to be confirmed, of course, because this stint of live tunes is still all about folks submitting their towns to play host, making a convincing case about their area, then one lucky place being chosen. The all-ages event will return at time when the Australian live music scene is suffering, and after a spate of festivals have been cancelling or saying farewell forever. In 2024 alone, both Groovin the Moo and Splendour in the Grass announced lineups, then scrapped this year's fests mere weeks later. Summergrounds Music Festival, which was meant to debut at Sydney Festival 2024, also didn't go ahead. As announced in 2023, Dark Mofo is taking a breather this year — and Mona Foma, the summer fest also held by Tasmania's Museum of Old and New Art, has advised that its 2024 event was its last ever. With the state of the industry in mind, bringing back One Night Stand is not only much-needed and well-timed, but will also raise funds Support Act, the charity for the Australian music industry. "The ABC is one of the biggest supporters of Australian music and live performance. At a time when the local music industry needs support, the ABC is thrilled to come to the party with the return of triple j's One Night Stand," said ABC Managing Director David Anderson. "We recognise the festival landscape in Australia has changed since we last put on a One Night Stand." "We're beyond stoked to be bringing back Triple J's One Night Stand in 2024 to continue our support of Australian artists and provide an opportunity for young people in the regions to get around some live music," added Lachlan Macara, Head of Triple J, Double J and ABC Country. "We're busy working on an incredible line up sure to create another One Night Stand for the history books and we can't wait to see where we'll be heading in 2024." If you live beyond the big smoke and fancy a music fest in your regional town, now is your chance to tell the radio station why — and a party might be coming your way, while helping the music industry at the same time. Submissions to host 2024's One Night Stand are open now. In the past, the event has also been to Ayr, Dalby and Mt Isa in Queensland; Port Pirie, Tumby Bay and Lucindale in South Australia; Cowra and Dubbo in New South Wales; Collie and Geraldton in Western Australia; Sale and Mildura in Victoria; Alice Springs in the Northern Territory; and St Helens in Tasmania. And on the One Night Stand bill over the years? Flume, The Jungle Giants, G Flip, Hilltop Hoods, Silverchair, Pnau, Art vs Science, The Temper Trap, The Rubens, Rufus, Alison Wonderland, Peking Duk, Tash Sultana, Violent Soho, Tkay Maidza, Ocean Alley, Meg Mac, AB Original and more. To submit your regional Australian town to host 2024's triple j One Night Stand, fill out the radio station's form — and head to its website for more details.
So much to see, so little time. If hitting the couch is one of your favourite ways to unwind, that'll be a familiar refrain. Now that there are far more streaming services to choose from than we each have fingers and toes, finding something to watch is never a problem — and in 2022, there's been a lengthy list of excellent shows worthy of your attention. Some have tapped into our struggles with work-life balance in chilling and thrilling ways. Others have made hearts soar and swoon several times over. Also on this year's must-see list: multiple shows that dance with exceptional movies, a behind-the-scenes television great doing what he does best, porn for women, spectacularly lifelike dinosaurs and murder-mysteries. And, they're just some of 2022's standouts. Haven't been able to watch all of the year's ace new arrivals thanks to life getting in the way? Not quite sure where to start? With 2022 now at its midway point, here are our picks of the year's 15 best new television and streaming shows — consider it your catch-up list over the next six months. SEVERANCE It's the ultimate in work-life balance, an antidote to non-stop after-hours emails and Slack messages, and a guaranteed way to ensure what happens at work stays at work. In mind-bending thriller series Severance — which plays like Black Mirror meets the Charlie Kaufman-penned Being John Malkovich and Eternal Sunshine of the Spotless Mind, with Wes Anderson's aesthetic if he designed soulless office complexes, plus sprinklings of everything from George Orwell to also-excellent 2020 TV effort Devs — switching off when clocking off at Lumon Industries is easy. There's a brain implant for exactly that, and it's a condition of employment on "severed" floors. Accordingly, when quittin' time comes for Macrodata Refinement division employee Mark (Adam Scott, Big Little Lies), he physically steps into a tiny, shiny elevator to re-enter his after-hours life; however, the version of him that works for Lumon won't recall anything beyond the company's walls. The instant that the lift starts moving, it goes back to the office for Mark's "innie", as his work-bound consciousness is dubbed. Voila, it's clocking-on time once more. Severance's attention-grabbing premise springs from creator Dan Erickson, a TV first-timer, and understands how most folks feel about the nine-to-five grind. The show is knowing in its lead casting, too, given that Scott is best recognised for two workplace comedies: the joyous hug that is Parks and Recreation, as well as the acerbic, astute and soon-to-return Party Down. But as savvily and evocatively directed by Ben Stiller in its first three season-one episodes (and again in its last three, with Kissing Candice filmmaker Aoife McArdle helming three in the middle), Scott's new series dwells in 'be careful what you wish for' territory. For the part of Mark's brain that blanks out work, Severance initially seems like heaven. For the half that only knows the office, it's hell. For everyone watching, soaking in its twisty mysteries — and enjoying Patricia Arquette (The Act), Christopher Walken (Percy vs Goliath) and John Turturro (The Plot Against America) as fellow Lumon employees — it's a surreal and riveting must-see. Severance is available to stream via Apple TV+. Read our full review. IRMA VEP One of 2022's most magnificent new shows, and a cinephile's dream of a series, Irma Vep requires some unpacking. The term 'layered' has rarely ever applied to a TV program quite as it does here. French filmmaker Olivier Assayas (Clouds of Sils Maria, Personal Shopper) retraces his own footsteps, turning his cult-favourite 1996 movie of the same name into an Alicia Vikander-starring HBO miniseries. And, in this series itself, a director is also remaking one of his own past flicks as a television project. In all versions of Irma Vep, the movies and shows being made are also remakes of 1915–16 French crime effort Les Vampires. It was a ten-episode, seven-hour cinema serial, and it's supremely real. Indeed, by first helming a feature about remaking Les Vampires, and now a series about remaking a movie that remakes Les Vampires (which, IRL, is also a remake of a movie that remakes Les Vampires), Assayas keeps remaking Les Vampires in his own way. It all sounds exactly as complicated as it is — and Assayas loves it. Viewers should, too. The nested dolls that are Irma Vep's meta setup just keep stacking, actually. The 1996 Irma Vep starred Maggie Cheung, who'd later become Assayas' wife, then ex-wife — and the 2022 Irma Vep haunts its on-screen filmmaker René Vidal (Vincent Macaigne, Non-Fiction) with visions of his ex-wife Jade Lee (Vivian Wu, Dead Pigs), who, yes, led his movie. If you're a fan of word puzzles, you might've also noticed that Irma Vep is an anagram of vampire; that said, Les Vampires isn't actually about bloodsuckers, and nor is any iteration of Irma Vep. To add to the list, while Cheung played a version of herself, Vikander (Blue Bayou, The Green Knight) plays fictional American star Mira — a name that's an anagram of Irma. You can also take that moniker literally, because mirroring is patently a pivotal aspect of the brilliant Irma Vep in every guise. Irma Vep is available to stream via Binge. Read our full review. WE OWN THIS CITY For the past 20 years, we've all fallen into two categories: people who've seen, loved and haven't been able to stop raving about HBO's Baltimore-set masterpiece The Wire; and folks who don't tick any of those boxes but have been told by everyone who does that they really need to watch it ASAP. We Own This City deserves to spark the same response — and shares many of its predecessor's key pieces. It too takes place in Maryland's most populous city. It also follows a law-and-order battle, complete with time spent within the Baltimore Police Department. It springs from former Baltimore Sun police reporter-turned-author, journalist and TV writer/producer David Simon as well, and sees him reteam with writer George Pelecanos, a veteran of not only The Wire but also Simon's Treme and The Deuce. Oh, and as it tells a compulsive crime tale, it's packed with phenomenal performances. One of those astonishing portrayals is among the first thing that viewers see, in fact, with We Own This City opening with Sergeant Wayne Jenkins lecturing new recruits on the BPD Gun Trace Task Force. Chatting through how to legally do the job — how to get away with what he deems necessary, that is — Jon Bernthal (The Many Saints of Newark) is hypnotically unsettling as Jenkins, who'll become the focus of a corruption investigation for his methods. He isn't the only "prime example of what's gone wrong in Baltimore," as viewers are told. So is Daniel Hersl (Josh Charles, The Loudest Voice), who is initially glimpsed pulling over and terrorising a Black driver for no other reason than that he can. Department of Justice Civil Rights Department attorney Nicole Steele (Wunmi Mosaku, Lovecraft Country) is charged with tracking the force's bad eggs, and that's just one of this complex, revealing and arresting six-part miniseries' layers. And if it feels so detailed that it could only be true, that's because it's based on a non-fiction book by Justin Fenton another ex-Baltimore Sun reporter. We Own This City is available to stream via Binge. MINX When home video, the internet and mobile phones with inbuilt cameras each arrived, six words could've been uttered: get ready to look at dicks. HBO comedy Minx is set the early 70s, so before all three, but the same phrase also applies here. It's true of the show itself, which isn't shy about displaying the male member in various shapes and sizes. It also stands tall in the world that Minx depicts. When you're making the first porn magazine for women — and, when you're making an ambitious, entertaining and impeccably cast The Deuce meets Mrs America-style series about it, but lighter, sweeter and funnier (and all purely fictional) — penises are inescapable. Also impossible to avoid in Minx: questions like "are erections consistent with our philosophy?", as asked by Vassar graduate and country club regular Joyce Prigger (Ophelia Lovibond, Trying). Idolising the magazine industry and unhappily working for the dispiritingly traditional Teen Queen, she has long dreamed of starting her own feminist publication — even penning a bundle of articles and making her own issues — but centrefolds splashed with male genitalia don't fit her ideal pitch. No one's buying what Joyce is selling, though; The Matriarchy Awakens, her dream mag, gets rejected repeatedly by the industry's gatekeepers. Only one is interested: Bottom Dollar Publications' Doug Renetti (Jake Johnson, Ride the Eagle), but he's in the pornography business. Minx is available to stream via Stan. Read our full review. OUR FLAG FLAG MEANS DEATH In the on-screen sea that is the never-ending list of films and television shows constantly vying for eyeballs, Taika Waititi and Rhys Darby have frequently proven gem-dappled treasure islands. When the immensely funny New Zealand talents have collided, their resumes have spanned four of the most endearing comic hits of the big and small screens in the 21st century so far, aka Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople — and now, with pirate parody Our Flag Means Death, they've given viewers another gleaming jewel. This show was always going to swashbuckle its way into streaming must-see lists — and into comedy-lovers' hearts — based on its concept alone, but it more than lives up to its winning idea and winsome casting. Come for the buccaneering banter and seafaring satire, stay for a thoughtful and sincere comic caper that's also a rom-com. The inimitable Darby stars as Stede Bonnet, a self-styled 'gentleman pirate' and a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier. Meanwhile, Waititi dons leather, dark hues aplenty, an air of bloodthirsty melancholy and an eye-catching head of greying hair as Edward Teach, the marauder better known to the world as Blackbeard. The two real-life figures eventually cross paths after Bonnet leaves his life of wealth, privilege and comfort to rove the oceans, captains a ship staffed by a motley crew to end all motley crews, and initially gets captured by Blackbeard — or Ed, as he calls him. As these two opposites bond, riding the waves from adversaries to co-captains to potentially something more, Our Flag Means Death truly and gloriously opens up its warm heart. Our Flag Means Death is available to stream via Binge. Read our full review. THE AFTERPARTY Only Murders in the Building isn't the only new comic murder-mystery series worth streaming from the past year or so. Joining it is The Afterparty, which also sports a killer cast — this time Sam Richardson (Detroiters), Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk) and Tiffany Haddish (The Card Counter) — and a savvy spin on an oft-used gimmick. Rather than skewering true-crime podcasting, this quickly addictive comedy from writer/director Christopher Miller (The Lego Movie) toys with the reality that every tale differs depending on the perspective. Whodunnits always hinge upon that fact, and Miller has also clearly seen iconic Japanese film Rashomon. And, considering that its big murder takes place after a school function, there's a touch of Big Little Lies at play, too. With his directing partner Phil Lord, Miller has made a career out of getting smart and funny with familiar parts, however, and that doesn't change here. The setup: at the afterparty following his 15-year high-school reunion, obnoxious autotune-abusing pop star Xavier (Franco) winds up dead on the rocks beneath his lavish mansion. Enter the determined Detective Danner (Haddish), who starts grilling his former classmates one by one to find out who's responsible. Her interrogations start with the sensible Aniq (the always-great Richardson), who was hoping to finally make a move on his schoolyard crush Zoe (Chao) — and after his version of events, Danner hears from Zoe's macho ex Brett (Barinholtz) in The Afterparty's second episode, then from Aniq's best bud Yasper (Schwartz, riffing on Parks and Recreation's Jean-Ralphio without being quite as ridiculous), and so on. The cast is top-notch, the writing is clever, there's much fun to be had with its genre- and perspective-bending premise, and the throwaway gags are simply glorious. The Afterparty is available to stream via Apple TV+. Read our full review. HEARTSTOPPER It only takes minutes for British newcomer Heartstopper to explain its title — showing rather than telling, as all great shows should. A year ten student at Truham Grammar School for Boys, Charlie Spring (first-timer Joe Locke) finds himself seated in his form class next to year 11 rugby player Nick Nelson (Kit Connor, Little Joe). Sparks fly on the former's part, swiftly and overwhelmingly, with the eight-part series' graphic-novel origins inspiring a flurry of fluttering animated hearts on-screen. But Charlie has a secret boyfriend, Ben (Sebastian Croft, Doom Patrol), who won't even acknowledge him in public. He also hardly thinks of himself as sporty, even after Nick asks him to join the school team. And, while a friendship quickly solidifies between the two, Charlie is initially unsure whether anything more can happen — and anxiety-riddled in general. As well as writing Heartstopper's source material — which initially started as a webcomic — Alice Oseman pens every episode of this perceptive teenage-focused gem. From the outset, it bubbles with heartwarming charm, while its coming-of-age story and central love story alike prove wholly relatable, aptly awkward but also wonderfully sweet and sensitive. In short, it's a series that plunges so convincingly and inclusively into its characters' experiences that it feels like its heart is constantly beating with affection for Charlie, Nick, and their fellow high-schoolers Tao (fellow debutant William Gao), Elle (Yasmin Finney), Isaac (Tobie Donovan), Tara (Corinna Brown, Daphne) and Darcy (Kizzy Edgell). First crushes, young love, the swirling swell of emotions that comes with both and also figuring out who you are: all of this dances through Heartstopper's frames. Also, when Oscar-winner Olivia Colman (The Lost Daughter) pops up, she's glorious as always. Heartstopper is available to stream via Netflix. Read our full review. PREHISTORIC PLANET Five episodes, one comforting voice, and a time-travelling trip back 66 million years: that's the setup behind Prehistoric Planet, an utterly remarkable feels-like-you're-there dive into natural history. Having none other than David Attenborough narrate the daily activities of dinosaurs seems like it should've happened already, of course; however, now that it finally is occurring, it's always both wonderful and stunning. Filled with astonishing footage on par with the visuals that usually accompany Attenborough's nature docos, all thanks to the special effects team behind The Jungle Book and The Lion King, it truly is a wonder to look at. It needs to be: if the Cretaceous-era dinosaurs rampaging across the screen didn't appear like they genuinely could be walking and stalking — and fighting, foraging for food, hunting, flying, swimming and running as well — the magic that typically comes with watching an Attenborough-narrated doco would instantly and disappointingly vanish. Welcome to... your new insight into Tyrannosaurus rex foreplay, your latest reminder that velociraptors really don't look like they do in the Jurassic Park and Jurassic World flicks, an entertaining time spent with al kinds of animals, and your next favourite dinosaur project with an Attenborough attached. Each of Prehistoric Planet's five instalments focuses on a different type of terrain — coasts, deserts, freshwater, ice and forests — and chats through the creatures that call it home. Set to a spirited original score by Hans Zimmer, fresh from winning his latest Oscar for Dune, there's a formula at work. That said, it's no more blatant than in any David Attenborough-hosted show. Viewers watch as some dinos look after their young, others try to find a mate, plenty search for something to eat and others attempt not to be eaten. The same kinds of activities are covered in each episode, but the locations and dinosaurs involved all change. Prehistoric Planet is available to stream via Apple TV+. Read our full review. LOOT Aptly given its title, new Apple TV+ sitcom Loot doesn't look cheap — or sound it. It's partly filmed in one of America's biggest private homes, an enormous mansion with 21 bedrooms, five pools, a bowling alley and a cinema. It's filled with well-known needle drops that come quickly and often, with one episode featuring three Daft Punk tracks alone. It couldn't scream louder or drip harder with excess; the series is about a mega-rich tech whiz's wife who gets $87 billion in their public and messy breakup, after all. And, it is inescapably made by a company that's a big technology behemoth itself, and has been splashing stacks of cash to build its streaming roster (see: The Morning Show, Ted Lasso, Severance, Physical, Prehistoric Planet, Foundation, The Shrink Next Door, Shining Girls, Slow Horses, Lisey's Story and more). Loot is also clearly a satire, however, and a canny, warm and funny one at that. The premise: amid being gifted a mega yacht for her birthday, then jumping to a party in that aforementioned sprawling home, Molly Novak (Maya Rudolph, Big Mouth) discovers that her husband John (Adam Scott, Severance) is cheating on her. Post-divorce, after that huge settlement and a stint of partying around the globe with her assistant Nicholas (Joel Kim Booster, Fire Island), she gets a call from Sofia Salinas (Michaela Jaé Rodriguez, Pose), the head of the foundation she's forgotten bears her name (and even exists). With Molly's drunken decadence all over the news, the charity is finding it difficult to do its work. So, the organisation's namesake decides to ditch the revelry — and her married moniker, becoming Molly Wells — and put all that dough to better use. She also commits to playing an active role in how her funds can truly help people. Loot is available to stream via Apple TV+. Read our full review. TOKYO VICE Seven years after making his most recent movie, aka 2015's Chris Hemsworth-starring Blackhat, one of America's best directors is finally back behind the lens. Thief, Heat, The Insider and Collateral filmmaker Michael Mann only helms Tokyo Vice's pilot, but what a tone-setting debut episode it is — as stylish and gritty a piece of television as you're likely to stream any time soon, in fact. Mann also serves as the eight-part book-to-screen series' executive producer, which explains why its slice of neon-lit Japanese-set noir always feels like it bears his fingerprints. Of course, the show isn't shy about its links to the director, who also executive produced the original 1980s TV series Miami Vice, and wrote and directed the 2006 big-screen remake. That said, Tokyo Vice's moniker actually stems from Jake Adelstein's memoir Tokyo Vice: An American Reporter on the Police Beat in Japan, about his years writing for Yomiuri Shimbun as a non-Japanese journalist. Nonetheless, everything about the HBO-backed program feels as if it was always fated to end up in Mann's hands. Adelstein was Yomiuri Shimbun's first foreign staff writer, with Tokyo Vice exploring his quest to cement himself inside the publication from the bottom up. As played by West Side Story's Ansel Elgort, Adelstein always stands out, as does his dogged determination to chase the stories he's explicitly instructed to ignore. Murders don't happen in Japan, he's told. What he's witnessing screams otherwise, though. So, he starts spending his own time investigating, befriending Tokyo organised crime division detective Hiroto Katagiri (Ken Watanabe, Godzilla: King of the Monsters) for guidance, and also getting close to club hostess and fellow American-in-Tokyo Samantha Porter (Rachel Keller, Legion), plus jaded Yakuza enforcer Sato (Shô Kasamatsu, Love You as the World Ends). Elgort is the weakest part of the series, but that also suits the overall narrative and its focus on the city's underworld — and everything around him, including Rinko Kikuchi (Pacific Rim: Uprising) and Hideaki Itô (Memoirs of a Murderer), is stellar. Tokyo Vice is available to stream via Paramount+. Read our full review. PACHINKO When novels are turned into movies, there's usually a sense that's something is missing, no matter how fantastic the film proves. That's understandable; when you compare the time it takes to unfurl a story on the page with the usual running time of a feature — even a lengthy one — not everything can make the leap from book to screen. Named for the gambling machines that fill Japanese arcades, Pachinko turns author and journalist Min Jin Lee's award-winning text into an eight-part series instead, and it's a canny and clever move. So too is getting filmmakers Kogonada and Justin Chon to direct four instalments apiece, both coming off fantastic work via After Yang and Blue Bayou respectively. And, adding to the smart and savvy choices made by this immediately engrossing series, which unfurls a sweeping, 20th century-set, multi-generational tale about struggle, resilience and endurance: casting always-wonderful Minari Oscar-winner Youn Yuh-jung — as well as newcomer Kim Min-ha as the younger version of her character. Youn and Kim play Sunja (and, as a child, first-timer Yuna does as well), who anchors a story that's both impressively sprawling and devastatingly intimate. As a girl, she grows up in Japanese-occupied Korea, a fact that shapes every part of her young life. When she's older, she moves to Japan — and by the time that she's a grandmother, that's where the bulk of her existence has unfolded. Jumping between different periods, Pachinko charts how the shadow of colonial rule has lingered over not just Sunja but the family she's brought into the world, including in the 80s where her grandson Solomon (Jin Ha, Devs) works in finance in New York and her son Mozasu (Soji Arai, Cobra Kai) has made his way thanks to the titular game. Splashing an epic story told with emotion, resonance, insight and elegance across the screen, this is at the pinnacle of novel-to-screen adaptations. Pachinko is available to stream via Apple TV+. SLOW HORSES One of several espionage-themed efforts hitting streaming this year — see also: the returning The Flight Attendant and movie All the Old Knives — Slow Horses gives the genre a pivotal switch and entertaining shake up. It's still a tense thriller, kicking off with an airport incident and then following a kidnapping, but it's also about the kind of spies that don't usually populate the on-screen world of covert operatives. Stationed away from the main MI5 base at a rundown, clandestine office called Slough House, Jackson Lamb (Gary Oldman, The Hitman's Wife's Bodyguard) and his team are the agency's rejects. They haven't been fired for a multitude of reasons, however, including boasting ties to influential past employees, being great at their jobs but also a drunk and having impressive hacking skills yet proving impossible to get along with. Given the nickname that gives the show its moniker, usually they do little more than push paper, too, until they get caught up in a high-profile case. Oldman goes big and broad as Lamb, and he's also ceaselessly absorbing to watch, but Slow Horses isn't short on stars. In a six-episode first season adapted from Mick Herron's 2010 novel of the same name, Kristin Scott Thomas (Rebecca) plays MI5 Deputy Director-General Diana Taverner, Lamb's supremely competent head-office counterpart — although it's Jack Lowden (Fighting with My Family) and Olivia Cooke (Pixie) as young operatives River Cartwright and Sid Baker, and their efforts to chase down a lead they're not meant to, that's at the forefront. Behind the scenes, executive producer and writer Will Smith (not that one) brings a sly and witty way with dialogue from his past work on The Thick of It and Veep, making Slow Horses both crackingly suspenseful and tartly amusing. The slinky theme tune by Mick Jagger also helps set the mood — and season two is already in development. Slow Horses is available to stream via Apple TV+. THE MAN WHO FELL TO EARTH Who'd want to try to step into the one and only David Bowie's shoes? Only the brave and the bold. Two people earn that description in The Man Who Fell to Earth, the new TV sequel to the iconic 1976 movie that starred the music legend in the role he was clearly born to play: an alien who descends upon earth and ch-ch-changes history. Bill Nighy (Buckley's Chance) is charged with taking over the character of Thomas Jerome Newton and, thankfully and with style, he's up to the task. Chiwetel Ejiofor (Doctor Strange in the Multiverse of Madness) slides into the same kind of part that Bowie owned in the original, however, as fellow extra-terrestrial interloper Faraday. He's this follow-up's newcomer to the planet, and he's just as destined to do big things. That's not a spoiler — early in the first episode, Faraday addresses a massive crowd like he's Steve Jobs announcing Apple's latest product, and The Man Who Fell to Earth's tech success uses the occasion to spin his origin story. Who'd want to try to pick up where one of the best sci-fi films ever made left off? That'd also be the brave and the bold, aka Clarice creators Jenny Lumet and Alex Kurtzman. Drawing inspiration from silver screen gems is obviously the pair's niche of late, but it's worth remembering with this new effort — which takes its cues from Walter Tevis' 1963 novel of the same name, too — that Kurtzman was also behind exceptional 2008–13 sci-fi series Fringe. Indeed, The Man Who Fell to Earth 2.0 feels like the perfect use of his talents, with the series thinking big and brimming with urgency in its vision of a world that might only be able to be saved by a spaceboy who truly cares about stopping climate change's damage. To follow through with his mission, though, Faraday also needs the help of former MIT physics whiz Justin Falls (Naomie Harris, No Time to Die). The Man Who Fell to Earth is available to stream via Paramount+. OUTER RANGE Some shows commence with a dead girl wrapped in plastic. Others begin with a plane crash on a spooky island. With Outer Range, it all kicks off with a void. On the Abbott family ranch in Wyoming, in the western reach that gives the show its name, a chasm suddenly appears. A perfect circle swirling with otherworldly mist and resembling an oversized golf hole, it's just one of several troubles plaguing patriarch Royal (Josh Brolin, Dune), however. There is indeed a touch of Twin Peaks and Lost to Outer Range. A dash of Yellowstone, The Twilight Zone, The X-Files and whichever family-focused prime-time soap opera takes your fancy, too. As a result, while Royal is visibly disconcerted by the unexpected opening staring at him in an otherwise ordinary field in this intriguing, quickly entrancing and supremely well-acted eight-part series — a show that makes ideal use of Brolin especially — he has other worries. His rich, ostentatious and increasingly madcap neighbour Wayne Tillerson (Will Patton, Halloween Kills) suddenly wants a parcel of the Abbotts' turf, claiming mapping inaccuracies. One of Tillerson's mouthy and entitled sons, Trevor (Matt Lauria, CSI: Vegas), ends up in a bar spat with Royal's sons Rhett (Lewis Pullman, Top Gun: Maverick) and Perry (Tom Pelphrey, Mank). And there's also the matter of Perry's missing wife, who disappeared nine months back, leaving both her husband and their young daughter Amy (Olive Abercrombie, The Haunting of Hill House) searching since. Plus, into this sea of faith-testing chaos amid such serene and dreamlike scenery, a stranger arrives as well: "hippie chick" backpacker Autumn Rivers (Imogen Poots, The Father). She just wants to camp for a few days on the Abbotts' stunning and sprawling land, she says, but she's a key part in a show that's a ranch-dwelling western, an offbeat enigma, an eerie sci-fi, a detective quest and a thriller all at once. Outer Range is available to stream via Prime Video. Read our full review. THE DROPOUT Dramatising the Theranos scandal, eight-part miniseries The Dropout is one of several high-profile releases this year to relive a wild true-crime tale — including the Anna Delvey-focused Inventing Anna, about the fake German heiress who conned her way through New York City's elite, and also documentary The Tinder Swindler, which steps through defrauding via dating app at the hands of Israeli imposter Simon Leviev. It also dives into the horror-inducing Dr Death-esque realm, because when a grift doesn't just mess with money and hearts, but with health and lives, it's pure nightmare fuel. And, it's the most gripping of the bunch, even though we're clearly living in peak scandal-to-screen times. Scam culture might be here to stay as Inventing Anna told us in a telling line of dialogue, but it isn't enough to just gawk its way — and The Dropout and its powerful take truly understands this. To tell the story of Theranos, The Dropout has to tell the story of Elizabeth Holmes, the Silicon Valley biotech outfit's founder and CEO from the age of 19. Played by a captivating, career-best Amanda Seyfried — on par with her Oscar-nominated work in Mank, but clearly in a vastly dissimilar role — the Steve Jobs-worshipping Holmes is seen explaining her company's name early in its first episode. It's derived from the words "therapy" and "diagnosis", she stresses, although history already dictates that it offered little of either. Spawned from Holmes' idea to make taking blood simpler and easier, using just one drop from a small finger prick, it failed to deliver, lied about it copiously and still launched to everyday consumers, putting important medical test results in jeopardy. The Dropout is available to stream via Disney+. Read our full review. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We also keep a running list of must-stream TV from across the year so far, complete with full reviews.
Those chocolate-filled advent calendars are fun and all, but after 12 months of aiming for a spot on Santa's 'nice' list, a few wines feels like a more fitting reward. Wine subscription club Good Pair Days agrees, so it's put together the ultimate pre-Christmas treat for grownups: the 12 Wines of Christmas Advent Calendar. The festive box features 12 different full-sized bottles of wine, as chosen by the Good Pair Days experts. They're each hidden behind a pop-out cardboard door and individually wrapped so each one is a little surprise gift. And the options are endless. You can gift the box to yourself and unwrap one wine at a time in the lead-up to December 25, or snap one up as an early Christmas present for that wine-loving mate. Or, simply have an advent box on hand so that you're extra prepared for the calendar of silly season parties to come. There are three boxes to choose from: one with reds, one with all chillable wines (sparkling, whites and rosés) and one with a mix of the two. Then, you decide how expensive you want to go — the cheapest is $189 and the most spenny is $465. And while you won't know what wines are in them until you open the box, you can be reassured that there are some ripper drops in there as the bottles have been picked from the highest rated of Good Pair Days' local and international collection. Wine pairing suggestions, tasting notes and recipes are also included. Good Pair Days (previously The Wine Gallery) was founded back in 2015 by mates Tom Walenkamp, Beto de Castro Moreira and acclaimed sommelier and Bar Liberty co-owner Banjo Harris Plane. It's a personalised wine subscription service that aims to hook you up with your perfect vinous matches through an expert curation and a nifty wine taste tester app. The 12 Wines of Christmas Advent Calendar packs are available now via Good Pair Days.
If you hoped that 2021 might see an end to border restrictions and lockdowns, the first few days of January — and the end of December 2020, too — have sadly scuppered that kind of thinking. Today, Friday, January 8, it was announced that the Greater Brisbane area in Queensland will be going into a three-day lockdown in response to the latest local case of COVID-19 in Brisbane, in a hotel quarantine worker. And that now has implications for folks in New South Wales who've been in Greater Brisbane recently. NSW isn't closing its border to Queensland, or to the Greater Brisbane area. But at the daily NSW press conference on Friday, January 8, Acting Premier John Barilaro announced new requirements for anyone in NSW who has been to Greater Brisbane — which includes the Brisbane, Logan, Ipswich, Moreton and Redlands local government areas — since 12.01am on Saturday, January 2. If you fall into that category, you're required to isolate under the same conditions that'd be in place if you were still in Greater Brisbane. Accordingly, from 6pm AEST/7pm AEDT on Friday, January 8 until 6pm AEST/7pm AEDT on Monday, January 11, anyone who has been in Greater Brisbane since 12.01am on Saturday, January 2 are required to stay at home. The rules in place are the same as during March's lockdown — which means that you're only allowed to leave the house for four reasons. So, you can only head out for work or education if you can't do that at home, for essential shopping, for exercise in your local area, and for health care or to provide support for a vulnerable person. While Queensland has had community cases of the coronavirus before — including back in July and August, when restrictions were tightened only weeks after they had been relaxed from the first lockdown — the state is being particularly cautious in the current instance because it involves the new, more contagious UK strain of COVID-19. That's why NSW has also taken action, and is applying stay-at-home conditions to anyone who has departed, left, worked or been in those Greater Brisbane areas. Unsurprisingly, Minister for Health Brad Hazzard also advised that "if you don't have to come [to NSW] from Brisbane, don't come in the next few days". He continued: "if you really need to, comply with the moments your government has placed on new in Brisbane but comply with them here in New South Wales". https://twitter.com/NSWHealth/status/1347334261926359040 The news comes as NSW reported 11 new cases over the past 24 hours, including four new local cases and seven acquired from overseas. Sydneysiders are also asked to continue to frequently check NSW Health's long list of locations and venues that positive coronavirus cases have visited over the past week — and, if you've been to anywhere listed on the specific dates and times, get tested immediately and self-isolate. You can also have a look at the venue alerts over at this new interactive map. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
Streaming service turned production house Netflix has announced its next big TV show project — and this time, it's animated. Voiced by Will Arnett of Arrested Development fame, BoJack Horseman is the lead in a new 12-part series of the same name. A former star of Horsin' Around — a '90s sitcom within the program — BoJack is galloping toward failure, dealing with alcoholism and is, er, a horse. Alongside Arnett is Strangers with Candy’s Amy Sedaris, playing Princess Caroline, BoJack’s ex-lover and agent who's also a cat, while none other than Breaking Bad's Aaron Paul plays his human buddy, Todd. And there's every chance Aaron will get to say 'bitch' just as much this time around, because BoJack Horseman is an adult animated series that's said to be darkly humorous. Netflix is surely hoping Bojack will continue their hit parade, following on from 2013's Arrested Development Season 4, House of Cards and Orange Is the New Black. LA-based studio Shadow Machine (Robot Chicken, Moral Orel) is behind the animation for the program that's set premiere in mid-2014. The design will come from acclaimed graphic artist Lisa Hanawalt. Discussion is already underway for a second season, which leaves us thinking this stallion of a program is pretty sure to be a runaway hit. Via Rolling Stone.
UPDATE: APRIL 7, 2020 — Some good news for your social feed: Sea Life Melbourne is now home to two adorable king penguin chicks. And you can meet them via livestream at 10am AEST on Wednesday, April 8. One fluffy baby bird is called 'Sparkie', but the aquarium is looking for suggestions for other the littl'un. Details on how to submit a name will be revealed during the livestream. Melbourne's Sea Life Aquarium is live streaming playtime and feeding time with some of its cutest and scariest sea critters in the lead up to Easter. At 9am AEDT on Saturday, April 4, you can get up close and personal with swarms of jellyfish, learn the ins and outs of their luminous lives and watch them being fed by Sea Life's ocean expert and 'Jelly Queen' Diane. If you haven't had a chance to check out the aquarium's million-dollar Ocean Invaders exhibition, this'll be a good chance for you to have a little virtual tour. On Wednesday, April 8 at 10am AEST, you can watch the gentoo and king penguins at playtime, sliding around their icy home and gobbling many fish. Then, kicking off the long weekend, will be another live-streaming session at 11am AEST on Friday, April 10, which will see keeper Brianna chatting about a bunch of cute (and maybe slightly scary) animals that lay eggs. To tune in, head head to Sea Life Melbourne's Facebook page. Thankfully, these aren't the only live-streams and digital content the aquarium is planning. Keep an eye on future events, including possible shark feedings, penguin hangs and tropical fish tours, here.
The ever-expanding reach of Google has been a contentious topic over the past decade. Though great for reminiscing on an old family home or researching a new one, Google Street View has creepy Big Brother vibes all over it. Their control over our data is unsettling to say the least, and with European privacy clauses changing just last week, many users have opted out of its clutches completely. But some good has finally come from this global panopticon! In a similar effort to Street View, Google is now cataloguing the best street art from all over the world. After its launch today, Google's Street Art Project already has more than 4,000 works available for viewing. The artworks both large and small span all the way from the now defunct exhibition space 5Pointz in NYC to randomly scattered works along the streets of Belgium. As a user of the new system, you can take guided 360-degree tours through graffiti-coated buildings in metropolitan Paris and make your way down a street in Argentina alongside huge murals that may be gone within the month. It's pretty great. Created by the Paris-based Google Cultural Institute, the system works off a combination of images captured via Street View, images from existing cultural institutions and artists, and submissions from random art lovers. Basically, this is what it would look like if Google had an Instagram. Understandably, the project comes with its own problems and debates. With street art still in a legal purgatory, concerns are mounting about such a public endorsement of what is considered by many as vandalism. On the flip side, some artists are known to protest about others benefitting off images of their public work. To quell the latter, Google has ensured its users that if any artists are unhappy with their images being used, they will be removed. Furthermore, any organisations providing images for the project must sign contracts confirming that they own the rights to them. Unlike what's currently happening to Banksy in London, no one will be profiteering off work that was intended for public use. Proponents of the new database include famed street artist Shepard Fairey — the guy behind both Obey and Barack Obama's Hope posters. "I’ve always used my street art to democratise art," he told the New York Times. "It would be philosophically inconsistent for me to protest art democratisation through Google." Either way you look at it, it's undeniably an amazing project for those who love art. Users can search for street art via artist name, location or genre, and there's even a special section devoted to New York walls of the 1990s. Though the real works invariably get painted over or demolished, like everything in Google (for better or worse), these pictures never fade. Get a cup of coffee, cancel the rest of your work for the day and check it out for yourself over here. Via New York Times. Images via Google Cultural Institute.
Love dessert? Not so good at sports? Keen on using the former to help the latter? Well, it could actually happen. In the kind of culinary development that oh-so-many dreams are made of, an Italian cardiologist has invented an ice cream he claims will improve your sporting ability. So, who do you thank? Science, and Professor Valerio Sanguigni from the University of Rome Tor Vergata. He has crafted his own secret recipe for a gelato that has antioxidant properties. And, as anyone that has ever seen an ad for skin care products or trendy supermarket health foods knows, they're so good for you that television commercials won't stop shouting their praises. Sanguigni's three types of ice cream draw upon his own research into the area — into antioxidants, not ways to justify eating more frozen sweet treats (that's just an added bonus, though he is apparently a lifelong enthusiast). In tests, he gave chocolate, hazelnut and green tea-flavoured gelato to groups of volunteers, and then noticed that they subsequently pedalled faster on an exercise bike than those who ate ordinary ice cream. In short, their vascular function and physical performance improved. No word yet as to what Sanguigni's plans are for his sports-boosting dessert, though it sounds like the type of thing he'd want to start selling quick smart. So, just think: if you've ever wanted to be a little more active — and actually be good at shooting hoops, hitting balls or whatever other sport takes your fancy — gelato might help. With a Korean convenience store also selling ice cream as a hangover cure, it seems that your favourite chilled confectionery just might be the sweetest and tastiest super food of them all. Via Munchies.
Winter is upon us, the gloves and beanies are out of storage, and it's time to start loading up on sweets and carbs. That's how every June starts — and, this year, Krispy Kreme wants to help with the latter. How? By giving away an extremely excessive number of doughnuts. You're probably now wondering what constitutes an excessive amount of doughnuts. No, polishing off a packet by yourself doesn't count, at least in this instance. Krispy Kreme's giveaway is going big, with the chain slinging 100,000 original glazed doughnuts in conjunction with National Doughnut Day. Whether or not you're a big fan of food 'days', we're guessing you are quite fond of free doughnuts. To snag yourself a signature glazed freebie, head to your closest Krispy Kreme store around Australia — other than in the Northern Territory — on Friday, June 3. That gives you 33 places to flock to, with Sydneysiders able to hit up 12 stores stretching from Penrith to the CBD, Victorians needing to visit nine locations from the airport to the city, and Queenslanders given eight different doughnut shops to pick from (with the most central in Albert Street in the CBD). And, in Perth, you can head to one of four Krispy Kreme stores. The National Doughnut Day deal isn't available at BP outlets, 7-Eleven stores, Jesters or Woolworths, or via online orders or third-party deliveries. There's also a limit of one freebie per person, and the giveaway only applies to the original glazed variety. The 100,000 doughnuts will be spread across the participating stores, so you'll want to get in relatively early if you want to kick off your Friday with a free sweet and doughy treat. Obviously, whether you nab one or not is subject to availability. Krispy Kreme's free doughnut giveaway is happening in the chain's stores around the country on Friday, June 3. To find your closest shop and check its opening hours, head to the Krispy Kreme website.
Do you often find yourself neglecting your morning run in favour of the snooze button? Or do you define a 'gym session' as the walk between your fridge and couch? If fitness just isn't your forte and workouts feel more like work then these ten awesome fitness apps could be the perfect starting block for refreshing and renewing your fitness regime. Whether you're a budding Olympian or just hoping to slash a couple of excess pounds, this list offers something for just about everyone, with apps ranging from running trackers to fitness games to workout incentives to yoga on-the-go. And to celebrate the release of the new adidas adistar Boost running shoes, where you receive extra energy from the shoe’s boost technology to keep you running longer, we've compiled a list of our top ten apps to help out. So check out The Athlete's Foot, don those fluoro shorts, pump up the Jay-Z and check out the list, because these apps have the potential to transform even those with the most avid of workout aversions into fully fledged gym junkies. 1. Zombies, Run! Oh yes, this is exactly what you think it is. It's your real-life version of 28 Days Later and Shaun of the Dead, transforming the stress and strain of your next gym sesh into a post-apocalypic zombie chase. The story itself is pretty simple: civilisation has fallen into zombie-infested ruin and it is up to you to rebuild society. As you run you automatically collect medicine, food, ammo and other critical supplies to replenish your base, but in order to evade those pesky zombie hordes you have to keep up with your customised zombie speeds. Choose from over 30 different missions, crank up your favourite playlist and the twists and turns of the zombie saga will be revealed to you between tracks. 2. Fitocracy Fitocracy does what many a gym, PT and exercise playlist have often tried and failed to do: taken the 'work' out of 'workout'. By applying the addictive quality of video games — of having to reach the next level and beat your own and your friends' top scores — Fitocracy actually manages to make fitness into the physical equivalent of Call of Duty: fun and strangely addictive. Starting at level one, you are awarded points for completing increasingly difficult workouts, which can then be shared on the Fitocracy social network. 3. Jefit Jefit isn't designed for your casual jogger or backyard footballer, but for the most hardcore and dedicated of fitness freaks: bodybuilders and gym junkies. The app allows you to track your body statistics with everything from fitness graphs to progress photographs, create custom workout routines and discover new exercises and workout techniques with Jefit's massive exercise database. The app's two-way sync technology allows you to sync all this information with an online profile and store all your fitness data on the Jefit server, making this the perfect companion for any trip to the gym. 4. Pocket Yoga Perhaps the most common excuse for giving up on a gym membership or even on the whole concept of staying fit is the simple reason of time poorness. If you are someone who prefers the downward facing dog and the crane pose to chin-ups and dumbbells, then time poorness is no longer a viable excuse, thanks to this super-handy app that allows you to practice yoga anytime, anywhere. The Pocket Yoga app includes on-the-go yoga classes and a comprehensive pose dictionary that shows proper positioning and the benefits of each contortion. 5. Cardiio The Cardiio app allows users to become their own personal GP with the world's most easy-to-use stethoscope. There are no straps, no finger clips and no scary add-ons; simply look into your iPhone camera and the app will tell you your heart rate. From this simple piece of information Cardiio can then provide you with a wealth of information about your health, from raw fitness level to life expectancy to how you compare to the general population — or, if you felt so inclined, how you compare with Tiger Woods or even a horse. Use this app everyday after your daily workout and Cardiio will tabulate your results to show you just how fit you are actually getting. 6. RunKeeper While the purpose and function of RunKeeper is fairly clear from its name, what is less clear is just how awesome this app is. Not only does the RunKeeper app track the distance, speed and times of your morning run, walk or bike ride, but it also provides users with a detailed and interactive picture of their exercise regime and fitness levels. RunKeeper allows you to set and measure goals, keep track of milestones and PBs, get on-the-go coaching and collate and share all this data on runkeeper.com. So make sure you cross off the checklist before you go for your next run: a pair of perfectly fitted trainers from The Athlete's Foot and a copy of the RunKeeper app. 7. Charity Miles If shedding those few excess pounds or tightening up those abs isn't sufficient motivation to get you up and exercising, then perhaps Charity Miles can help you out. This free app encourages you to get off the couch by rewarding every mile you run, walk or ride with a donation of 10c for bikers or 25c for runners and walkers to a charity of your choosing. What's awesome about this app is just how easy it is to make a tangible difference to a worthwhile cause. Charity Miles as well helps you to push through the pain of exercise, with regular updates as to what sort of difference each mile you travel will have for your chosen charity. 8. Obstacles XRT By combining the Obstacles XRT (Extreme Reality Training) app with a little bit of imagination you can transform your living room into a virtual obstacle course complete with tires to skip through, quicksand to hop over and fences to dive under. The Obstacles XRT app is basically a workout video for the iPhone era, replacing Richard Simmons and gratuitous quantities of spandex with army commander voiceovers and high intensity obstacle courses. Every command of "jump as high as you can" and "jab to the left" is specifically designed to workout your major muscle groups, and with the app's Calorie Burn Dashboard, you can watch in real time as you burn off the calories. 9. Endomondo While the app store is rife with sports trackers that can measure the duration, distance, speed and even calorie burn of your morning jog, few of them offer the sort of versatility and all-purposeness of the Endomondo Sports Tracker. Of particular note, the Endomondo app is able to not only track running and cycling but just about any distance-based sport — from skiing to kayaking to rollerblading. The app includes an incredible range of features from heart monitors to audio coaching to route generators, but perhaps most unique to the Endomondo app is its capacity to pit you against your friends by competing with their best times and even sending them pep talks. 10. GymPact GymPact are upping the stakes for those of us who have been known to miss the occasional gym session. Petty excuses are no longer good enough because if you fail to meet your weekly workout targets you have to pay up. And if you meet your targets then GymPact will pay you. All you have to do is make a pact of how many times you'll work out in a week and set yourself a price. If you you fall short of your target, then your wager helps pay everyone else in the GymPact community that had a successful week. Don't think you can cheat the system either, as with GPS tracking and the RunKeeper app, GymPact makes sure you stick to your weekly pact. Get onto GymPact, and thanks to this brilliant little incentive, missed workouts may soon become a thing of the past. Once you've downloaded your favourite app, make sure you get yourself a double boost with a pair of awesome new runners. Check out the adidas adistar Boost available now at The Athlete’s Foot (limited release only).
This very galaxy's next spell in the Star Wars universe is on its way, and it's teasing adventure, alliances, battling the dark side, and giving warrior, outcast, rebel and Jedi Ahsoka Tano her due. After dropping its first sneak peek back in April, Disney+'s aptly named Ahsoka has finally unveiled its full trailer ahead of its August streaming arrival. The attitude: "once a rebel, always a rebel". Since Disney got its lightsabers out again with Star Wars: Episode VII — The Force Awakens, this franchise has rarely been far from screens. That includes at home, where the force has proven particularly strong across three seasons of The Mandalorian, 2021–22's The Book of Boba Fett, and also 2022's Obi-Wan Kenobi and Andor. Now, it's Ahsoka's turn to hit the queue, with Rosario Dawson (Clerks III) returning as the limited series' titular figure after playing the part in both The Mandalorian and The Book of Boba Fett. If you're new to the character, she was Anakin Skywalker's padawan before he became Darth Vader — and, here, she's an ex-Jedi Knight who is determined to battle a threat to the post-Empire galaxy. "Anakin never got to finish my training," she notes in the new trailer. "I walked away from him." When it hits Disney+ from Wednesday, August 23, Ahsoka will follow animated film Star Wars: The Clone Wars and the TV series it spawned, too, plus fellow animated show Star Wars Rebels — because yes, this saga just keeps spreading far and wide. From the latter series, Star Wars aficionados will spot rebel crew member Hera Syndulla and former bounty hunter Sabine Wren. Mary Elizabeth Winstead (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) plays the former in Ahsoka, while Natasha Liu Bordizzo (Guns Akimbo) steps into the latter's shoes. Also among the familiar characters: fellow Jedi padawan Ezra Bridger from Star Wars Rebels, with Eman Esfandi (King Richard) doing the live-action honours — and Grand Admiral Thrawn, too, as played by Lars Mikkelsen (The Kingdom). Ahoska's cast includes Ray Stevenson (RRR) and Ivanna Sakhno (The Reunion), plus David Tennant (Good Omens). Also, reports have been bubbling for years about Hayden Christensen returning as Anakin, as he did in Obi-Wan Kenobi. This is Disney+'s first series focused on a female Jedi; indeed, as a character, Ahoska has long been one of the few women among the franchise's Jedi ranks, dating back to 2008. Off-screen, The Mandalorian writer/director/executive producer Dave Filoni writes and executive produces Ahoska, with Jon Favreau, Kathleen Kennedy, Colin Wilson, and Carrie Beck also doing the latter — all seasoned Star Wars veterans. Check out the trailer for Ahsoka below: Ahsoka will stream via Disney+ from Wednesday, August 23. Images: ©2023 Lucasfilm Ltd & TM. All Rights Reserved.
Post-pandemic, the remote work dream was simple: ditch the commute, work in pyjamas, maybe squeeze in a midday run or load of washing. But after a few years, it turns out working completely from home isn't all it's cracked up to be. It can be lonely, hard to switch off and, let's be honest, not always that productive. In fact, while 77% of employees say hybrid work improves their work-life balance, many also report the downsides: lack of social collaboration and feeling of disconnection between colleagues. It's no wonder coworking spaces are becoming more popular, and why small business owners and freelancers are trading in the dining table for a more functional, flexible setup. Enter: Servcorp. With 22 coworking spaces across Australia and Aotearoa, Servcorp blends the best of both worlds. The flexibility of working remotely, with the structure, community and premium amenities of a traditional office. The difference? You're not locked into a lease, stuck in a cubicle, or battling your cat for desk space. The Downside of Remote Work Remote work has its perks, but without structure, it's easy to spiral. One minute you're answering emails in bed, the next you haven't spoken to another human in three days. Add in the unreliable internet, lack of proper meeting rooms and the temptation of TikTok breaks, and suddenly "flexibility" starts feeling more like chaos. Coworking spaces fix that. You still get control over your schedule and the option to work from home when it makes sense for you, but you also gain a work environment that's purpose-built for productivity, collaboration and getting the job done. Work Life Balance That's Actually Balanced The biggest coworking myth? That it's just a room full of people on laptops not talking to each other. At Servcorp, it's designed to be the opposite. The spaces are intentionally built to support collaboration and real work-life balance, where you have a clean, quiet space to work and catch up with colleagues, and then can leave it all behind when you walk out the door. Servcorp's coworking packages include access to high-end meeting rooms, breakout spaces, premium espresso machines, and helpful reception teams to make the work day feel fun and restore home as a place you can actually relax in. More Just Than a Desk One thing that sets Servcorp apart is its top-tier infrastructure. You'll get fast, secure internet (the kind that doesn't crash mid-meeting), an in-house IT team that knows what they're doing, and a dedicated support crew to ensure everything runs smoothly. In other words, it's a workspace you can trust to back you up, whether presenting to a new client, launching your brand, or just trying to make it through Monday. A Community You'll Want to Be a Part Of Freelancers, solo founders and remote teams often say the same thing: it's hard to network when you're isolated at home. At a coworking space, you're automatically plugged into a community of like-minded people. There are regular networking events, shared lounges to casually chat with new people, and a built-in support system that doesn't feel forced or awkward. Collaboration is best when it happens organically: over coffee, in the lift, or while trying to work out how the printer works (some things never change). No Long-Term Lock Ins Whether you need a desk once a week, a few times a month, or Monday to Friday, Servcorp's flexible coworking and virtual office packages have you covered. It's ideal for growing businesses, startups and hybrid teams who want access to a professional space without the hassle and overheads of a traditional lease — plus, enjoy your first month free with no deposit. You can even choose your location — from a city-view suite in Melbourne's Collins Street to a harbourside spot in Circular Quay, or central locations in Brisbane, Adelaide, Perth and more. So if you are looking to level up your work life this new financial year, it might be time to retire the dining table. Servcorp gives you the facilities, community and freedom to take your work setup to the next level, without sacrificing the flexibility you've come to love. Servcorp has 22 premium coworking spaces across Australia and Aotearoa. Explore flexible packages and find your closest location on the Servcorp website. By Elise Cullen Images supplied by Servcorp
Like Crazy is a romantic drama about the hopelessness and heartbreak of love, exploring the challenges a couple faces both by being together and being apart. The film is written and directed by Drake Doremus, and was the winner of the Grand Jury Prize for Best Picture at the 2011 Sundance Film Festival. Anna (Felicity Jones), a British college student, falls in love with her classmate Jacob (Anton Yelchin) and they embark on a passionate journey that soon becomes life-changing after Anna overstays her student visa to spend the summer with Jacob. When forced into a long distance relationship are placed in a situation that tests the love they have for each other. Like Crazy opens in cinemas March 1, and Concrete Playground has twenty double passes to giveaway. To win, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au by Wednesday, February 29. https://youtube.com/watch?v=r-ZV-bwZmBw
For 69 years, the Sydney Film Festival has screened and celebrated the latest and greatest in international cinema in the Harbour City. Since 2009, it has also handed out a prestigious award to the absolute best of the best. The list of flicks that've won the fest's Sydney Film Prize for "audacious, cutting-edge and courageous" movies is impressive, including everything from Nicolas Winding Refn's Bronson and Only God Forgives through to Bong Joon-ho's Parasite. Now, at the 2022 festival, Lukas Dhont's Close has joined them. Fresh from nabbing the Grand Prix at this year's Cannes Film Festival, Dhont's sophomore feature has picked up this year's SFF $60,000 gong from a lineup of 12 contenders. Close dives into a teenage friendship between two 13-year-olds that's tested when they're teased and taunted about their closeness by their classmates — and also marks the filmmaker's second movie to screen at the Sydney fest, after Girl in 2018. "I want to express my incredible gratitude for the recognition that our film Close receives at this year's Sydney Film Festival. Thank you to the festival for expressing its love for the film, the jury for choosing it among all these outstanding pieces, and its first Australian audience for opening hearts and spirits to a film that comes from deep within," said Dhont. "We wanted to make a film about friendship and connection after a moment in time where we all understood its necessity and power. I decided to use cinema as my way to connect to the world. And tonight I feel incredibly close and connected to all of you." This year's Sydney Film Prize was decided by a jury comprised of Australian actor David Wenham (The Furnace), the SFF Official Competition Jury President, plus Jennifer Peedom (director of River and Sherpa), Mostofa Sarwar Farooki (the Bangladeshi filmmaker behind No Man's Land, which screened at SFF 2022), Semih Kaplanoğlu (the Turkish director-producer of Commitment Hasan, also screening at this year's SFF) and Yuka Sakano (Executive Director of Tokyo's Kawakita Memorial Film Institute). In winning the Sydney Film Prize, Close follows in the footsteps of the aforementioned Parasite, the 2019 recipient, as well as fellow past winners There Is No Evil (2021), The Heiresses (2018), On Body and Soul (2017), Aquarius (2016), Arabian Nights (2015), Two Days, One Night (2014), Only God Forgives (2013), Alps (2012), A Separation (2011), Heartbeats (2010), Bronson (2009) and Hunger (2008). Announced as the Sydney Film Prize-winner at SFF's 2022 closing ceremony, Close is just one of this year's award recipients. The street dancing-focused Keep Stepping won the $10,000 Documentary Australia Foundation Award for Australian Documentary, while Filipino doco Delikado nabbed the fest's second-ever $10,000 Sustainable Future Award. Also, the $20,000 Deutsche Bank Fellowship for First Nations Film Creatives went to filmmaker and performer Kylie Bracknell (Fist of Fury Noongar Daa), and film composer Caitlin Yeo (Wakefield, Valerie Taylor: Playing with Sharks) received the $10,000 Sydney-UNESCO City of Film Award. And, in the Dendy Short Film Awards, Donkey won the Yoram Gross Animation Award and the AFTRS Craft Award, while The Moths Will Eat Them Up scored the Dendy Live Action Short Award and the Rouben Mamoulian Award for Best Director. Four shorts were highly commended, too: 2166 in the Yoram Gross Animation Award field, Ghosted in the Dendy Live Action Short Award category, and Stonefish and Yao Yao Goes to Little Bay for the Best Director prize. The 2022 Sydney Film Festival ran from Wednesday, June 8–Sunday, June 19, with the festival screening four days of encores until Thursday, June 23.
The days of sipping a caffeinated brew and remaining blissfully unaware of its environmental impact are long gone; however, so are the days of cafes and other coffee-related businesses not doing their bit to help. From plantable coffee cups, recyclable containers and BYO mug campaigns to compostable coffee pods, mushrooms grown in discarded grounds and sheets made from repurposed coffee yarns, there's no shortage of eco-conscious coffee-related activities and products — and now, there's coffee cups made out of coffee waste as well. Meet HuskeeCup, a reusable alternative to ceramic drinkware that's made from recycled coffee husks. It's the brainchild of a group of Australian coffee industry professionals including Pablo & Rusty's Saxon Wright, and aims to reduce coffee-related discards in both growing beans and making hot cuppas. "We wanted to create a closed-loop system, so we thought if we could use waste from farming to create a cup we could solve problems both at the cafe and farm level," he told the Sydney Morning Herald. The cups are designed not only to do make a difference on an environmental level, reusing organic material that's usually thrown away, but to look good too — and keep coffee hotter for longer. They come in three sizes, with a one-size-fits-all saucer and lid. HuskeeCup has just finished a fundraising campaign to start production, exceeding its target more than five times over. The first orders are due in April 2018 — keep an eye on their website for more information. Via inhabitat. Image: HuskeeCup.
As the director of Flickerfest for the past 15 years, Bronwyn Kidd has programmed thousands of short films — and seen many, many more. She's got such a strong eye, in fact, that one more category in the festival has become Academy® Accredited this year, giving its filmmakers a track to the Oscars. She shared with us her top six films to keep a particularly close eye on at Flickerfest. So no getting distracted by the Bondi stars or ducking out for a drink at the bar when you see these titles flash on the screen. 1. Oh Willy A quirky animation about Willy, who needs to go back to a naturist community after the death of his mother. 2. Zimmer 606 A brilliant blend of live action and animation by Peter Volkart, a master of the craft who has screened many other films at Flickerfest. 3. Life Vest Under Your Seat An hilarious short film about a nightmare passenger you hope you never have to sit next to on any flight from Spain. 4. The Captain A quirky film about a man who winds up in the wreckage of an airline crash having to piece together what happened. Directed by Nash Edgerton and Spencer Susser. 5. A Cautionary Tail A world-class animation with the voices of Cate Blanchett, Barry Otto, and David Wenham. 6. A Story for the Modlins An amazing documentary about the star of the film from Rosemary's Baby. They're all part of the packed Flickerfest 2013 program. Details and screening times are on their website.
The incredible and heart-warming music doco Searching for Sugar Man, directed by Malik Bendjelloul, follows the mysterious story behind a '60s musician simply known as 'Rodriguez'. Likened to artists like Bob Dylan for his soulful melodies and powerful lyrics, the Mexico-born musician was relatively unknown in America. Sixto Rodriguez, who was discovered by celebrated music producers in a Detroit bar, sold only six copies of his record Cold Fact in the US. However, in South Africa - nearly 10 years after his record flopped at home - a bootleg copy of Cold Fact quickly became a hit, an anti-establishment anthem for a country suffering under apartheid regime. Rumoured to have committed suicide on stage, Rodriguez vanished without a trace, unaware of his affect on fans in South Africa. Decades later, two fans set out to find out what happened to the obscure artist whose music resonated with them as they were growing up in riotous South Africa. What they uncover is an extraordinary story that has has impressed critics and audiences worldwide, including winning Special Jury Prize and an audience award at Sundance Film Festival. Concrete Playground has ten double passes to giveaway to see Searching for Sugar Man, in cinemas now. To enter the competition, just subscribe to Concrete Playground (if you haven't already) then email your name and postal address to hello@concreteplayground.com.au
The program of the Brisbane Fringe Festival is absolutely chock-full of amazing events, big and small. Although trawling through festival programs is a fun pastime, it sometimes takes a long time. To make the job a little bit easier (but not the final choice of what to see, that decision is still hard) we have narrowed the program down to six events that are really worth checking out. Have a look, and then we will see you on the fringe. Deep Sleep Taking place at THE BOX, Deep Sleep is a multimedia art exhibition curated specifically for the BFF. On display is the work of Zoe Porter, Pirrin Francis and Dord Burrough. Each piece explores the mysterious and complex makings of our subconscious and how examining our own mind can be self-revealing. Each night of the exhibition is accompanied by a musical component. Check out the event page for more information. Mere Noise Records: 10th Anniversary Party Mere Noise is a record label that has prided itself on releasing some of the brashest, noisiest and infectious rock music around. After a decade of releases, Mere Noise is holding a celebration at the BFF and they are bringing along their roster of outrageous bands. On the bill for the Brisbane show are Vegas Kings, Hits, Tiny Migrants and Death Rides a Horse. Great names, great bands. 3. Dizzy’s Comedy Hypnosis Show Brisbane stage hypnotist Dizzy is no stranger to getting what he wants. He can make you do anything just by snapping his fingers. There’s nothing malicious or dangerous about his show, of course. In fact, Dizzy’s shows are usually outrageously funny extremely unforgettable. He is setting up shop at the Spring Hill Hotel for a few nights. Why not pop in and catch all the mischief? Junk in the Trunk Touted as "the most fun you can have in a park — a car park that is", is the unique market experience, Junk in the Trunk. Get this; it’s a car boot market, with all goods crammed into the back of your car or arranged on your bonnet. Register your space online and cruise on over to West End to sell your junk, or simply drive by and see if there is anything that takes your fancy. Thoughts on Humans and other Animals Taking place at Blake House Gallery and supported by Little Creatures Brewing is the art exhibition Thoughts on Humans and other Animals. This display consists of works by two local artists, Duncan Mattocks and Ryan Coffey. They differ in style but not in impact, offering hyperrealistic depictions of humans and animals. Would: an Exhibition Ugees Espresso is usually a hub for dynamite coffee and conversation, but for BFF it has turned into a gallery space to showcase the artwork of Megan Starr-Thomas and Jeff Patton. Presented and organised by local art connoisseurs The Brisbane Collective, this is likely to be an A-Grade display of local artistic talent.
If you're the kind of traveller who plans entire holidays around your hotels of choice, then you'll want to add Newcastle to your must-visit list. Come early June, the New South Wales city will become home to the latest QT site — a 104-room spot in Newcastle's revitalised East End precinct, housed inside a 113-year-old building, and boasting everything from harbour views to quite the impressive clock tower suite. First, that must-stay room. Yes, when QT Newcastle opens its doors on Thursday, June 9, you really will be able to slumber inside the clock tower atop the heritage-listed structure — and watch the clock mechanism whirring around when you're taking a bath, too. That specific room has been fit out by interior designer Nic Graham to nod to the building's history as well, so expect heritage touches alongside all the usual modern QT amenities. Graham's work on the hotel doesn't stop there. Here, every room is different — in configuration, design or architecture — but the entire site takes inspiration from the city, and from the elements. That means references to the Newcastle coastline, views through floor-to-ceiling heritage windows across eye-catching landmarks, and just big nods to earth, water and light in general. "We have reinvigorated an iconic heritage building, respecting and maintaining the raw shell and layering contemporary life within," explains Graham. "It's a nice reminder of the human spirit, that we all come from something. We have created a cocooning interior through colour blocking and juxtaposing textures, which evoke the history of Newcastle." Equally impressive: spying those views from the rooftop bar, Rooftop at QT, which'll launch on June 9 as well. It'll be Newcastle's highest openair rooftop spot, in fact, and pairs its uninterrupted vistas with a bit of an izakaya feel. While cocktails and local wines will be on the menu, the bar will also boast Newcastle's largest library of Japanese whisky — so you'll be sipping Harajuku Highballs and Tomasu Margaritas while you eat salmon sashimi, yakitori chicken and miso eggplant robata skewers. That food lineup is the product of chef Massimo Speroni, who is also overseeing Jana, QT Newcastle's signature restaurant. It too will open on June 9. A bar and grill, it hews local with its ingredients, heroes steak — with the premium range sourced entirely from New South Wales — and features an an open kitchen and dry-aged meat cabinet. On the drinks list: oh-so-much wine, with Tyrell's the hotel's wine partner. QT Newcastle joins the chain's growing lineup of hotels, which currently includes sites in Sydney, Melbourne, Perth, Canberra, Bondi, Falls Creek and on the Gold Coast in Australia — and in Auckland, Queenstown and Wellington in New Zealand. Also in the works, set for a 2023 launch: QT Parramatta and QT Adelaide. Find QT Newcastle at 185 Hunter Street, Newcastle, from Thursday, June 9. For more information or to make a booking, head to the hotel's website.
From stocking fillers to well planned and executed surprises, Christmas gifting is upon us and we again find ourselves searching for the best presents. If the person you've pulled out of the hat this year is a little more hands-on and a little more inclined towards new tech than gig tickets or a bottle of wine, peruse this list with growing joy. We've compiled some of our favourite gifts for exactly that kind of person. From gadgets to classes and big kid's toys (see: BrewArt's swish home brewing kit), we've done all the thinking so you can sit back and use this time to relax before the flurry of Christmas arrives. Whether it's a gift for a co-worker you've only just met, someone you've known all your life or anyone in between, this guide has got something for the tech-minded, urban hobbyist in all of them. SPROUT PENCIL This multipurpose tool is the perfect kind of stocking filler for the avid home gardener who dabbles with a little writing on the side — or for anyone who needs to write anything down at all, really. The Sprout Pencil begins life simply as a humble writing instrument. But when too many memos have been written, and its size begins to diminish, simply stick the end of the pencil in a bit of soil, add some water and the seeds in the capsule on top of the pencil will sprout into a variety of herbs, flowers and even vegetables. Sprout Pencil, $6.95. Available here. TILE MATE People lose things from time to time, sure. But for some people, the regularity at which it happens is a little more than annoying. So for these people, we give you the Tile Mate. For things that are a little harder to locate, like a wallet, for example, this annoyance is greatly reduced, all thanks to this lightweight Bluetooth tracker. Slide this little sucker in your wallet, and you can track it down, wherever it may journey to. There's also the option of a key ring tile, for those who are of the key-losing variety. It's the perfect gift for that friend who would lose their head if it wasn't screwed on. Tile Mate, from $25. Available here. LEGO ARCHITECTURE SET While dreams of building your own shed or, even more lofty, your own home are all well and good, unless you have architectural training or something of the like, these grand design dreams may remain just that — dreams. For the passionate wannabe (or actual) architect, then, consider a LEGO Architecture set, which is essentially just LEGO for adults. Instead of the colourful bricks and smiling little dudes, these sets put the construction of city icons in your hands. Build your very own Eiffel Tower, towering Burj Khalifa or the Sydney Harbour Bridge complete with the Sydney Tower Eye. Your architecture-loving giftee may never build a massive city icon for all to admire, but they can surely build something special for the family to 'ooo' and 'ahh' at around the Christmas tree. LEGO Architecture, from $49.99. Choose a city here. BLACKSMITH INTRODUCTION CLASS Even though technological advances allow building and crafting to become easier as time marches on, the art of creating doesn't necessarily hinge on the newest toys and fancy gear. For anyone who likes to work with their hands and get that pride from a successful DIY project, the opportunity to pick up a few tips on one of the most ancient crafts is precisely what they'd like under their tree this year. Eveleigh Works run regular courses in the basics of blacksmithing, running over a weekend. From the basic theoretical knowledge to learning the tools to practising the trade, the class covers all the bases to help you master one of history's fundamental professions. Or at least have a bit of fun while learning. Sydney: Blacksmith Introduction I, $490; book here. Melbourne: Beginners Short Course, $490; book here. Brisbane: Blacksmithing Basics, $410; book here. BREWART PERSONAL BREWING SYSTEM The ultimate stage of pursuing the dream of self-sufficiency is the ability to brew one's own booze — and doing it well. For many commercial producers, it's a subtle art, perfected over centuries and, while there is a slew of personal brewing options available on the market, and though a lot of them are pretty good, it's never quite the same as it is straight from the tap at the pub. Enter BrewArt. It's the first personal brewing system that is fully automated, making brewing easier than ever before. Using BrewPrints, the corresponding combinations of ingredients inspired by great beers, the BeerDroid controls every aspect of the brew and can be personalised and controlled by an app, available on your phone. It's a matter of pressing a button on the BeerDroid (or the app) and waiting until the app says that the beer is ready. The BeerDroid also has a partner in the BrewFlo, the state of the art keg-meets-beer-tap. Far from the battered metal bad boys that sit out the front of your local, the sleek BrewFlo looks more like a coffee machine with an authentic looking tap handle. While the BrewArt Kegs keep your brew fresh, the BrewFlo then chills your beer when you're ready to serve. BrewArt comes in two parts the BrewFlo ($699) and BeerDroid ($799). Available here.
It's been a busy 12 months or so for Qantas. The Australian airline launched 17-hour non-stop flights from Perth to London, started eyeing off even lengthier trips direct from the east coast to the UK and US, and introduced biofuel into its jaunts from Melbourne to Los Angeles. Now the carrier is kicking off the new year by earning a highly sought-after accolade, being named the safest airline to travel on in 2019. It's not the first time that Qantas has achieved the feat. In fact, the Aussie carrier has topped AirlineRatings.com's list for six years in a row. Entering its 99th year of operation, the airline emerged victorious from a pool of 405 carriers from around the world, with Virgin Australia and Air New Zealand also making the site's top 20. The other 17 airlines — which aren't ranked by number — span Alaska Airlines, All Nippon Airways, American Airlines, Austrian Airlines, British Airways, Cathay Pacific Airways, Emirates, EVA Air, Finnair, Hawaiian Airlines, KLM, Lufthansa, Qatar, Scandinavian Airline System, Singapore Airlines, Swiss, United Airlines and Virgin Atlantic. If you're a budget-conscious flyer, the website also outlined the ten safest low-cost airlines. Jetstar is one of them — and it's joined by Flybe, Frontier, HK Express, Jetblue, Cook, Volaris, Vueling, Westjet and Wizz. Factors that influence a carrier's placement on the two lists include crash and incident records, safety initiatives, fleet age, profitability, and audits by aviation governing bodies, industry bodies and governments. At the other end of the scale, five airlines received the lowest rankings: Ariana Afghan Airlines, Bluewing Airlines, Kam Air and Trigana Air Service. Via AirlineRatings.com.
