In 2020, due to the pandemic, the Sydney Film Festival completely moved online. This year, after initially shifting from its usual June dates to the end of August, then moving again to November due to Sydney's lengthy lockdown, SFF is back in cinemas for a huge 12 days of big-screen delights — but it's also going virtual afterwards. Meet SFF On Demand, which'll stream 56 feature-length films and 13 shorts from Friday, November 12–Sunday, November 21. Sydneysiders, that means that you can check out the 2021 festival in-person, then continue it on your couch afterwards. Australians elsewhere, you can still get your SFF fix even if you can't get to Sydney this year. Streaming must-sees include New Zealand's The Justice of Bunny King, which stars Essie Davis (Babyteeth) and Thomasin McKenzie (Old) as a mother-daughter duo; three-time Sundance 2021 winner Hive, the first film to ever win the fest's Grand Jury Prize, Audience Award and Directing Award; Never Gonna Snow Again, about an eerie Ukrainian masseur making house calls in Poland; and exceptional Iranian drama There Is No Evil, 2020's Berlinale Golden Bear winner. There's also Swan Song, starring the inimitable Udo Kier (Bacurau); Sydney-set slacker comedy Friends and Strangers; Apples, a Greek satire set in the aftermath of an amnesia pandemic; and thriller The Beta Test. And, you can either pick and mix your flicks separately, or choose bundles — including a heap of this year's Documentary Australia Foundation Award contenders, a package of international docos and movies in SFF's Europe! Voices of Women in Film strand.
The pink bag-toting cyclists travelling through Sydney, Melbourne and Brisbane's streets will be no more as of August 20, with Foodora announcing today that it will cease operations in Australia. As reported by the ABC, the company released a statement saying it would be pulling out of Australia to focus on its work in other cities, saying it was "shift[ing its] focus towards other markets where the company currently sees a higher potential for growth." Foodora, which is based out of Berlin, also operates in Canada, Germany, Finland, France, Italy, the Netherlands, Norway and Sweden. Foodora's operations in Australia began when it acquired local delivery company Suppertime back in 2015. In recent months, the company has been plagued by allegations of underpaying works and "sham contracting", with Australia's Fair Work Ombudsman commencing legal action against the company in mid-June. For those worried about their late-night bathrobe meals, Uber Eats and Deliveroo drivers will continue to thanklessly deliver you food — rain, hail or shine.
Whenever someone mentions bingo, the immediate thought goes to old ladies and fellas sitting at fold-out tables in a seniors hall. Move over legs eleven, there's a new cliché in town... Bogan Bingo. It sounds impossible, but somehow it really is inevitable. We've heard of Hipster Bingo, but what is it about Bogan Bingo that sets it apart from the imposters? The Sit Down Comedy Club, or the Paddo as your inner bogan might say, is renowned for its hilarious gigs and is now channelling that energy into a project that is sure to revive the dusty game of bingo. Even if you've tried to push it to the back of your mind, the standard rules will apply, however on the announcement of 'bingo!', you may or may not be obliged to dance on the way to claiming your prize. The prizes are said to be awesome, but then again they also have a disclaimer saying they may not be awesome, so there's an added element of surprise thrown into the mix. There'll be 80s rock all night, as well as an air-guitar competition, making Bogan Bingo less about winning something and more about having a good time on one of the bleakest nights of the week. Get down to the best bingo night in Brisbane and ditch your work clothes for some flannies, ruggers and pluggers. Durries and mullets are optional.
For some, The Jungle Book inspires fond memories of pouring over Rudyard Kipling's stories. For many others, the 1967 animated film springs to mind. But whichever one you think of first, they're both covered in the new live-action take on the tale. Directed by Jon Favreau (Iron Man), consider this latest version a best-of package fans of each might have hoped for. It's no easy feat, balancing the darker material seen on the page while still embracing the fun and amusement experienced in the cartoon. But Favreau and company certainly don't shy away from a challenge. Indeed, from the moment the introductory Disney logo gives way to a zoom back through intricately rendered wildlife, The Jungle Book's ambitions are clear. The first frames of the film look so authentic that audiences might just have to resist the urge to reach out and touch them. Of course, viewers aren't the only ones steeped in such a striking environment. On screen, man-cub Mowgli (Neel Sethi) has spent his entire childhood in the jungle. Found as a baby by wise panther Bagheera (voiced by Ben Kingsley), and raised by wolves Raksha (Lupita Nyong'o) and Akela (Giancarlo Esposito), he's happy and at home in the animal kingdom. But tiger Shere Khan (Idris Elba) has murder on his mind. To keep Mowgli safe, Bagheera endeavours to escort the boy to the nearest human settlement, a trek that intersects with seductive snake Kaa (Scarlett Johansson), laid-back bear Baloo (Bill Murray) and giant primate King Louie (Christopher Walken). As Mowgli's story deepens, so does The Jungle Book's aesthetic wizardry. The film's hordes of special effects experts haven't just made every swinging vine, stream of water and glimmering ray of sunshine look just like the real thing; they've made the talking animals seem believable as well. Using 3D to add depth within the frame further enhances the sense of photo-realism, as does the seamless blend of Sethi's performance with his motion-captured creature counterparts. In fact, believing that the entire feature was filmed on a sound stage in Los Angeles, and not on location, is practically impossible. Appearing the part isn't just crucial as far as the entire concept is concerned. It also helps the narrative, episodic as it may be, glide along. It also ensures that when a bear starts singing with the voice of Murray, or a snake's hissing sounds like Johansson, it feels fitting. Favreau understands the need to use everything at his disposal to immerse audiences in another world, be it a rousing score sprinkled with a few familiar tunes, or a fresh face who embodies a winning sense of adventure. Accordingly, when it comes to turning The Jungle Book into a live-action spectacular, his engaging attempt more than covers the bare necessities. And of course, it'll get that catchy track stuck in your head too.
Legendary electronic music duo Groove Armada are returning to Australia for their hotly anticipated November tour taking them across the country from Sydney to a billing on the excellent Harvest Rock festival lineup and over to Perth. The tour has completely sold out — until today with the announcement of one final show. Bringing their full live band experience as part of their 25 Years farewell tour, the British duo have added a second Sydney show on Wednesday November 16 at the Horden Pavilion. That's your last chance to catch them and experience their sensational live shows... possibly ever. If you miss out again, we might just have your back but you'll need to move fast. Groove Armada are also headlining Spring City in Auckland at the Auckland Domain on Saturday, November 26. We've got some of the only remaining tickets as part of an incredible curated trip that includes VIP access to watch the band from side of stage and entry to the VIP tent, staying in one of Auckland's most primo hotels and a gin tasting tour by helicopter. Numbers are extremely limited and are selling fast, so get your hands on one here. If you need a little music history 101, Tom Findlay and Andy Cato established Groove Armada while at university in the 90s. Since then, they've become one of the world's biggest dance acts and have gone on to have three UK Top 10 albums, three Grammy nominations, a BRIT nomination and a succession of hit singles. They've been taking their farewell tour around the UK this year. The tour comes off the back of new single 'Hold A Vibe' and the forthcoming release of GA25, a box set featuring all their iconic jams out November 11. For tickets to the final Groove Armada show in Australia head to the Secret Sounds website or preorder GA25 here.
In a decade's time, a trip to South Bank might involve hopping along a treetop walk, strolling along wider footpaths, shopping at a permanent handmade goods market, hanging out on new riverside lawns and taking a longer promenade to Kangaroo Point. They're just some of the ideas that've been floated in the new South Bank Master Plan, aka the blueprint for how the 42-hectare inner-city precinct that was first created for Expo 88 might change as part of its latest revamp. Also on the list: refreshing Little Stanley Street's dining options, adding a beach plaza, offering up four different water experiences among the lagoons and onsite beach, expanding the Queensland Performing Arts Centre cultural forecourt, and adding a new public space and streetscape around the Brisbane Convention and Exhibition Centre. Throw in making the whole spot a maritime precinct and there's clearly big plans afoot — all to happen ahead of the 2032 Olympic and Paralympic Games. Change is set to become a constant around town over the next decade, with tearing down and rebuilding the Gabba, making over Victoria Park and getting us all zooming around via self-flying taxis already on Brisbane's self-improvement list before the two global sporting events hit the city. Also in this neck of the woods, a new seven-hectare riverside parkland is set to join South Brisbane, down past the Gallery of Modern Art. And, revamping and expanding Northshore Hamilton along an extra 1.2-kilometre stretch of the river, turning it into Brisbane's next South Bank, is also in the works. Brisbane's pre-Olympics transformation isn't going to forget South Bank itself, of course, as the just-revealed master plan shows. Not everything will change, with the draft concepts mixing the old with the new. And if you've got some thoughts on the prospect, the Queensland Government is also seeking feedback. "South Bank's iconic beach, bougainvillea-lined arbour, rainforest and riverside greens will be protected and celebrated," said Deputy Premier and Minister for State Development Steven Miles, announcing the South Bank Master Plan in a statement. "The plan proposes more of what the community told us they love. It proposes more green space, places to enjoy by the river, people-friendly streets, improved active travel connections and more diverse dining opportunities," the Deputy Premier continued. "The vision is for South Bank to remain Brisbane's most lively, green, and inclusive precinct for current and future generations to enjoy." So far, more than 10,000 pieces of feedback have been fed into the current plans; however, Brisbanites can offer more between Wednesday, November 2–Wednesday, December 14 — by filling out a survey online now, and keeping an eye out for community consultation sessions that'll happen at the end of November and beginning of September. A final version of the master plan is then set to be finalised by the end of 2023. Parts of this riverside stretch, including South Bank, are already set for a revamp anyway, as anyone who has been in the area will have noticed. QPAC's fifth theatre is in the works, as is the Neville Bonner Bridge from the new Queen's Wharf precinct to the Cultural Centre. Also, a bit further along, Kangaroo Point is set to score a new green bridge with an overwater bar and restaurant. For more information about South Bank's proposed revamp, and to provide feedback before Wednesday, December 14, head to the South Bank Master Plan website.
Fortitude Valley loves a laneway, with plenty popping up — or being brought to life, more accurately — across the inner city spot in recent years. And those laneways love markets. In fact, the trio that is Winn Lane, Bakery Lane and California Lane has been hosting various markets under various names for quite some time. Since 2020, those different events have joined forces, taking on one communal moniker and popping up on the first Saturday of each month. This year, however, there's a change — with the markets taking place on the third Saturday of every month as well. Running from 9am–2pm twice-monthly, Valley Laneway Markets will sprawl across the three stretches of pavement with an array of plants, ceramics, art, handmade goods and vintage fashion. At the beginning of the month, the event goes big on artisanal goods. Mid-month, it's all about plants and items for your pantry. Head by to browse through the stalls, pop into the permanent retailers, and grab a bite to eat and something caffeinated from one of the many cafes and eateries in the area — whichever you're doing, you'll have a heap of options to choose from. These markets also place a heavy focus on local talents, so when you're rifling through the racks, eyeing off some retro threads, and pondering picking up some jewellery or accessories — or something for your kitchen — you'll be supporting Brissie's best. Top image: Valley Laneway Markets.
A wellness retreat in a scenic setting away from the hustle and bustle? Sounds dreamy. Queensland-based wellness haven Gwinganna does luxury a bit differently; it asks guests to leave indulgent food and booze behind in favour of spa therapies, organic meals, a yoga retreat and more health-focussed activities. And no, this is not the premise for Nine Perfect Strangers — far from it. The luxury design of the facilities, superior skill of the staff, and lush surrounding greenery ensure guests relax and unwind in whichever way suits them. If you're looking for a quick escape to the tropical oasis, you can opt for the Wellness Weekend Retreat package which covers two nights, all your organic meals, a wellness seminar and range of activities including Qi Gong. Those wanting a full cleanse from the daily grind can sign up for Gwinganna's signature seven-night where you'll get all of the above, plus multiple massages, a facial, evening meditation sessions and more. Fancy something in-between? Gwinganna also offers three-, four- and five-night packages. [caption id="attachment_829613" align="alignnone" width="1920"] Tourism Australia[/caption] Images: Tourism Australia
The OXO multicharger is like an executive penthouse for your devices. Technology enthusiasts can now charge their favourite devices in a slick and convenient home. It features a stainless steel bed that can house up to three devices. This bed is lined with soft ribs to prevent the device from scratching or slipping, and can then be raised in a swinging motion meaning that devices never have to be unplugged. Underneath there are individual cord slots which prevent any cords from tangling with one another. Then all you have to do is simply plug the device charger into the outlets, which accommodate for any adapter worldwide. A four foot power cord then connects the OXO multicharger to a power source. This is a helpful tool for those who remain forgetful about which devices they have and haven't charged. Now you can keep up to three of them in one spot, and ensure that they're always on full battery. This is also a good way to take good care of the pieces of technology that have been such an integral part of your life.
Remember the name Rasmus King. Based on 2022's slate of Australian films and television shows, that shouldn't be hard. The Byron Bay-born newcomer hadn't graced a screen, large or small, before this year — and now he has no fewer than four projects pushing him into the spotlight before 2023 arrives. Most, including surfing TV drama Barons, capitalise upon the fact that he's a pro on the waves IRL. Two, 6 Festivals and the upcoming sci-fi featurette What If The Future Never Happened?, get his long blonde locks whipping through the Australian music scene. The latter is based on Daniel Johns' teenage years, actually, and has King playing that pivotal part. If he's half as impressive in the role as he is in father-son drama Bosch & Rockit, Silverchair fans will have plenty to look to forward to. When writer/director Tyler Atkins opens his debut feature, it's in the late 90s, along Australia's east coast, and with King as eager surfer Rockit — son to weed farmer Bosch (Luke Hemsworth, Westworld). Sometimes, the titular pair hit the surf together, which sees Rockit's eyes light up; however, Bosch is usually happy tending to his illicit business, making questionable decisions, and coping with splitting from his son's mother Elizabeth (Leeanna Walsman, Eden) with the help of other women. Then a couple of unfortunate twists of fate upend Rockit's existence, all stemming from his father. Begrudgingly, Bosch is pushed into stepping outside his drug-growing comfort zone by an old friend-turned-cop (Michael Sheasby, The Nightingale) and his corrupt partner (Martin Sacks, Buckley's Chance). When a bushfire sweeps through the region shortly afterwards, he's forced to go on the run to stay alive. Bosch & Rockit approaches Bosch's absconding from Rockit's perspective, adopting the line that the former gives his boy: that they're going to Byron for an extended holiday. Atkins doesn't feed the same idea to its audience, but ensures that viewers understand why a bright-eyed teenager would take his dad at his word — not just because he doesn't know what Bosch does for a living, which he doesn't; or he's naïve, which he is; but also because he's eager to hang onto his biggest dream. There's sorrow in King's spirited performance, with Rockit more affected by his parents' split, bullying at school and the isolation that comes with finding solace in the sea, usually alone, than Bosch has the shrewdness to spot. There's earnestness as well, because what struggling kid who's desperate for the kind of love that genuine attention signifies, as Rockit visibly is, won't blindly believe whatever fantasy their dad or mum sells them for as long as possible? King does a magnetic job of conveying Rockit's inner turmoil, and expressing his uncertainty, too. There's an effortlessness to his portrayal, whether Rockit is lapping up Bosch's presence like a plant swaying towards the sunlight, listlessly left to his own devices when his dad decides he'd rather chase Byron local Deb (Isabel Lucas, That's Not Me), or finding a kindred spirit in Ash (Savannah La Rain, Surviving Summer), another restless and yearning teen vacationing under less-than-ideal circumstances and feeling like she's alone in the world. Avoiding formulaic plotting isn't Bosch & Rockit's strong suit, however, as the film makes plain at every turn. That's evident in both of its namesakes' trajectories, for starters — with Bosch a small-time crim falling afoul of the wrong people, with help from bad luck, then trying to start anew; and Rockit an innocent kid stuck with subpar parents, forced to grow up faster than he should, but hanging onto whatever he can. When a wave tumbles over a surfer's head, crashing towards the shore, it's both a new revelation and a routine occurrence every single time — and, as well as showing that sight whenever Rockit takes to the ocean, aka frequently, that's also how Bosch & Rockit feels. The depths in its two central performances, Hemsworth's included, can't completely sweep aside the film's well-worn storyline, but the feature's sincerity goes a long way. A movie can be sentimental and still ring true, too, which this repeatedly does. Knowing that you're having your heartstrings pulled isn't just blatant, but almost instantaneous, and yet this tender tale is still easy to drift along with. While King proves Bosch & Rockit's biggest asset, Hemsworth's impact can't be underestimated — and shows why he has never just been "the other Hemsworth". Like his brothers, his early career weaved through local soaps (Neighbours in his case, which Chris and Liam also popped up on), plus other Aussie TV series (including Blue Heelers, All Saints and Tangle). As his siblings are, he's now best-known for his overseas success, with Westworld forever altering his resume as the Thor franchise has for Chris and The Hunger Games did for Liam. Here, there's a weight and texture to Luke's empathetic work as the well-meaning, perennially hapless Bosch that ranks it among his best, and is crucial to the film. Atkins also ensures that his audience understands why Rockit wants to be with his charismatic yet careening dad, even when he does know better. Indeed, scenes where Hemsworth and King banter, whether slinging the most Aussie curse-filled exchanges each other's way or bickering in public, are among Bosch & Rockit's standouts. It's lucky that its key duo bring so much to their portrayals; elsewhere, Bosch & Rockit is undeniably scenic, but never surprising. Often, Ben Nott's (How to Please a Woman) cinematography looks like a postcard — especially when the picture lingers on the obvious shots, such as the famous Cape Byron Lighthouse, or loiters on dolphins and whales while its characters frolic along the coast. Of course, those pieces of card sent from holiday spots usually come bearing heartfelt statements behind the eye-catching gloss, a trait that Bosch & Rockit also shares. Little about growing up is simple, nothing about parenting is, and love and hope can't help anyone escape either reality — all notions that resonate from this straightforward, always-familiar but also evocative film.
Like beer? Like monsters? Like your brews named after creepy critters, with bottle, can and label artwork to match? Horror-loving drinkers, there's never been a better time to pair your beverages with your fondness for all things scary — but from 12pm on Saturday, October 19 will be even better than usual thanks to Netherworld's Monster Menagerie Beer Festival. The returning event, this year named Monster Menagerie VII: Mystery Menagerie, will bring together nine yeasty tipples, strange creatures and stellar collaborations, all for a day of boozing fun. And if you're wondering why it takes place in October, just think about it for a second. 'Tis the month of Halloween, after all. The big focus in 2024: brews with a mystery ingredient. Taking part: Aether Brewing, Archer Brewing, Hip Hops Brewers, Wayward Brewing Co, Common People Brewing Co, Seeker Brewing, Slipstream Brewing Co and Buddy Brewing — and the delightfully named Hohly Water is back as well. Tickets cost $35, which include a tasting paddle featuring 150 millilitres of each and every one of these nine beers, as well as a limited edition enamel pin and five game tokens. Top image: Cole Bennetts.
Even the most adventurous of foodies have their limits, don't they? New documentary Bugs aims to put that idea to the test — and to make audiences squirm in the process. You don't make a film about two researchers from René Redzepi's experimental Nordic Food Lab exploring the culinary value and environmental benefits of eating insects without causing a reaction, after all. The eye-opening doco is one of 10 titles set to screen at the Antenna Documentary Film Festival when it tours to Brisbane from October 26-30. Regardless of how experimental your eating habits are, the flicks unveiled should whet the appetite of factual cinema fans thanks to a wealth of thought-provoking content. When the fest isn't trying to get viewers pondering their next meal, it'll be inspiring discussions about everything from a ladies man living with HIV to the impact of nuclear waste in a small Russian town. The former comes courtesy of moving opening night film The Charro of Toluquilla, while the latter informs documentary City 40, which examines the people trying to survive in one of the most contaminated places on earth. Aussie effort A Mother and A Gun, which has its world premiere at the festival, is also certain to get attendees talking as it explores the life of Shelly Rubin, the woman who fell in love with the leader of the Jewish Defense League. Elsewhere, environmental effort The Islands and the Whales and the latest chronicle of Bobby Sands and his famous hunger strike — as previously brought to the screen in Steve McQueen-Michael Fassbender collaboration Hunger — also feature among Antenna's list of films. The fest's 2016 lineup looks as varied as it is interesting. Images: Lloyd Dirks, Tom Truong.
No drink gets the party started quite like an espresso martini. So, next time you want to kick on past 10pm, put that vodka Red Bull down and get yourself this cocktail stat. Not many know a lot about this boozy beverage — even those who love it. That's why we've partnered with super-popular coffee liqueur label Kahlúa, founded in Mexico back in the mid-30s, to dive into the history of the dance-inducing drink, to bring you fun facts to impress your mates with, and to give you an easy recipe for the classic cocktail to make at home. Because, like any good cocktail, the key to a moreish espresso 'tini is using top-quality ingredients. A BRIEF HISTORY OF THE ESPRESSO MARTINI While some drinks have been around for centuries, the fun-lovin' espresso martini is fairly new to the bar scene. First created by revolutionary London bartender Dick Bradsell back in the early 80s, the cocktail's birth is attributed to a soon-to-be supermodel asking for a booze-fuelled drink that would simultaneously wake them up. As vodka back then was the spirit a la mode, Bradsell threw a generous shot of it in with a shot of coffee pulled from the barside espresso machine, plus some coffee liqueur (our money's on Kahlúa) and sugar syrup, then shook away before pouring it into a martini glass. That day, Bradsell made history. Now, the espresso martini is one of the best-known contemporary cocktails. Walk into any bar and chances are you'll see someone sipping one or a bartender furtively shaking one up. While the drink features on cocktail lists the world over, Aussies can't get enough of them. Why? Perhaps it's due to our obsession for good coffee — or because we want to relive the good ol' dancing days of the 80s. Either way, you can get it at pretty much any bar, with some even having the super-popular drop on tap these days. FUN FACTS It's rumoured that Kate Moss or Naomi Campbell could be the model behind the birth of the espresso martini. Initially, the drink was simply called a vodka espresso, before coming the Pharmaceutical Stimulant in the late 90s. Now, it's widely known as the espresso martini. While the proper spelling — and pronunciation — is espresso, many dictionaries now cite expresso as a variant. So, if you're guilty of ordering the latter, you're technically off the hook. It's not actually a martini, which consists of gin and vermouth, but rather got its name from being served in a martini glass. Now, the drink is often served in coups and even tumblers. HOW TO SHAKE UP THE PERFECT ESPRESSO MARTINI AT HOME The Classic Espresso Martini serves one This easy, three-ingredient cocktail is one you can master without needing to be a whiz behind the bar. Plus, it's bound to get any at-home party started — even if it's just you. Ingredients 1 shot Kahlúa coffee liqueur 1 shot vodka 1 shot coffee espresso 3 whole coffee beans Ice Method Pour Kahlúa, vodka and espresso into shaker. Add lots of ice. Shake it (like a polaroid picture) for about 30 seconds. With a strainer, pour concoction into a martini glass, coup or whatever vessel pleases you. Garnish with three coffee beans. If you're whipping up drinks for your housemates, you can shake up to three at a time, depending on the size of the cocktail shaker. Just be sure to stick to the ratios. Or, you can save yourself the hassle and get your hands on Kahlúa's Espresso Style Martini ready-to-drink cans. For more Kahlúa cocktail recipes to try shaking up at home, head here. Images: Kitti Gould
The word poetry has many immediate connotations: romance, passion… love. Okay, so maybe I just have an unfulfilled life dream to be read poetry and as such can only think in shades of pink and red. However, the world of poetry is far from limited to relationships, as the Queensland Poetry Festival is sure to attest. Launched in 1997, the event lasts three days and includes a range of events such as workshops, touring programs, and competitions. They also have the massive task of managing the Arts Queensland Val Vallis and Thomas Shapcott poetry prizes, the Arts Queensland Poet-in-Residence program and the annual Riverbend Poetry Series. This year as well as an excessive variety of poets performing over the weekend, the State Library will also be hosting a one-off exclusive lesson with the talented Sandra Thibodeaux. So even if you’re not the biggest fan of poetry, this weekend is a great chance to see another type of artist perform.
Even though Australia is not traditionally a country to celebrate Halloween, there's nothing wrong with dressing up in large groups as ghouls and ex-wives while eating candy. If this kind of action is for you then you should head to the Halloween Street Parade this Saturday. This parade has been scaring young children since 1998 and each year it just gets bigger and more terrifying. With plenty of treats to choose from thanks to the market stalls and food vans, it is quite a culinary delight. There are amusement rides, pumpkin carving classes and bands playing that will keep you entertained until the creatures of the night march down Cambridge Parade when the sun sets. There are ghosts on motorbikes and even a hearse. If you are inclined to dress up then you can be a part of the parade, finishing off the night with everybody's favourite, fireworks.
What do Archie Roach, David Bowie, Prince, Clive James and Beyonce all have in common? They will all be making an appearance or inspiring a session at this year's Queensland Poetry Festival. This unlikely mix is just a taste of the diverse, innovative program on offer at the state's premier event for all things poetic arts. Festival co-directors David Stavanger and Anne-Marie Te Whiu once again bring their discipline-crossing, boundary-pushing vision to showcasing the artform via a plethora of sessions. In their second year at the helm, expect everything from tributes to dearly departed rock stars to funky dance classes — and one-man hip hop shows, literary cabaret, concerts, weaving circles, folk music, and possibly a screening of everyone's favourite visual album of the year (or one of them) as well. The 2016 Queensland Poetry Festival will take place from August 25 to 28 at the Judith Wright Centre of Contemporary Arts.
Brisbane's funniest time of the year is getting closer for 2024, with Brisbane Comedy Festival set to fill Brisbane Powerhouse and other venues around the city with laughs from late April. Across its full lineup, the fest features 130-plus comedians putting on more than 350 shows. Eager to attend but not feeling too financial? BCF is doing $24 tickets to a hefty batch of gigs — but only for a 24-hour period. Comedy lovers, you've got from 10am AEST on Tuesday, March 12 until the same time on Wednesday, March 13 to nab cheap seats to more than 100 shows — or until the allocation of discounted tickets is sold out. Getting in quick, aka ASAP, is recommended, then. You'll need to enter the code 24FOR24, and you will still pay a booking fee on top of the $24, but you won't be paying full price overall to head along. 2024's Brisbane Comedy Festival will take place from Friday, April 26–Sunday, May 26, at New Farm's riverside arts venue, plus sites such as The Princess Theatre, Fortitude Music Hall and The Tivoli. The program is jam-packed — and, with so many gigs slashing ticket prices during the $24 sale, so is the roster of shows that you can catch for less than the price of dinner. Josh Thomas, Lizzy Hoo, Nat's What I Reckon, Nina Oyama, Arj Barker, Ed Byrne, David O'Doherty, Rhys Nicholson: they're some of the comedians that you can see for $24. There's also Mel Buttle, Reuben Kaye, Stephen K Amos, Tom Ballard, Takashi Wakasugi and Will Anderson. Among BCF's events that aren't standup sets, improvised whodunnit Murder Village and Sh!t-faced Shakespeare are also slinging $24 seats — and so are Queerstories, Thank God You're Queer and The Debate. The list goes on, spanning Joel Creasey, Luke Heggie, Ivan Aristeguieta, Schalk Bezuidenhout, Felicity Ward, Tommy Little, Peter Helliar, Dave Hughes, Akmal, Fern Brady, Urvi Majumdar, Jenny Tian, Connor Burns, Chris Parker, Dilruk Jayasinha, Geraldine Quinn and Hannah Camilleri, too. Rom-com production 44 Sex Acts in One Week; Bob Franklin, Tony Martin, Bev Killick and Gretel Killeen teaming up for an Aussie Comedy Legends night; Aboriginal Comedy All Stars with Andy Saunders, Elaine Crombie, Janty Blair, Jay Wymarra, Kevin Kropinyeri and Sean Choolburra: you can pick up $24 tickets to each as well. [caption id="attachment_850754" align="alignnone" width="1920"] Atmosphere Photography[/caption] Brisbane Comedy Festival 2024 takes place between Friday, April 26–Sunday, May 26, with $24 tickets available for 24 hours between 10am AEST on Tuesday, March 12–10am AEST on Wednesday, March 13. Head to the festival's website for further details and the $24 sale page — where you'll need to enter the code 24FOR24 — for $24 tickets. Top image: Atmosphere Photography.
UPDATE, November 6, 2020: Sonic the Hedgehog is available to stream via Amazon Prime Video, Foxtel Now, Google Play, YouTube Movies and iTunes. First up, some good news: the Sonic the Hedgehog film could've been a whole lot worse. Mostly because, as you might've seen in the movie's nightmarish first trailer, it initially was. But while Sonic thankfully no longer looks like a toothy blue Matt Dillon from There's Something About Mary, the rushed cosmetic changes carried out by Paramount only run skin-deep. Sonic the Hedgehog might now look pretty great, but the film is a hot mess just about everywhere else. To begin with, it's a mystery why this movie even exists. Not only is the Sega game it's based on almost 30 years old, but films based on video games are like white whales for studios — strangely irresistible yet doomed to cause ruin. It's appropriate that one of the first (and undoubtedly one of the worst) examples was Super Mario Bros back in 1993, since it was that game franchise that led to Sonic's creation. Did Hollywood learn nothing? The appeal of gaming lies squarely in the user's participation — "play, don't watch" should be scrawled on every movie executive's cheque book — and these films do not work. Following Sonic's adventures on earth as he accidentally attracts the US government's attention, then tries to escape them, the other big problem with Sonic the Hedgehog is the pacing. Specifically, Sonic's. His whole reason for existing is to go fast — super fast. He's like the Flash, Road Runner and X-Men's Quicksilver combined. And while there are some genuinely fun sequences where viewers get to see that play out, he spends a full third of the film cruising around in a sensibly-priced sedan. Worse — he's not even driving. Live-action is very much in vogue at the moment (see: Beauty and the Beast, Pokémon: Detective Pikachu), but this feels like an instance where a completely animated film would've been the superior option. The movie's opening five minutes take place on Sonic's home planet, and it's a tantalising glimpse of what might have been had first-time feature director Jeff Fowler gone down that road. Ah well. Cast-wise, there's a clear standout. Jim Carrey is back in full force, dropping the most endearingly over-the-top performance audiences have seen from him in ages. As villain Dr Robotnik, he's somehow even more cartoonish than the CGI Sonic — and it's spectacular. Like Sonic's running, however, there's far too little of it throughout. Instead, the lion's share of screen time is reserved for Sonic (voiced by Parks and Recreation's Ben Schwartz) and his new pal Tom Wachowski (James Marsden), the local sheriff who's helping him avoid capture. Giving credit where credit's due, Marsden delivers the goods, charming his way through scenes that ought to have tanked hard. Schwartz, too, makes the inspired choice of keeping Sonic low-key instead of manic, resulting in a far more likeable hero. As a kid-friendly family film, Sonic the Hedgehog ticks all the boxes, including the apparent must-have of a central character doing the floss (twice, in this instance). Query, though, how many kids even know who Sonic is. The same question applies to writers Patrick Casey and Josh Miller (YouTube series 12 Deadly Days), who not only relegate the eponymous character to scant speediness, but have also crowbarred in a ton of woeful pop culture references that will date this film far too quickly. Since his creation in 1991, Sonic the side-scrolling bundle of blue fluff has earned over $5 billion. That's some legacy, and one this middling film will neither damage nor improve. https://www.youtube.com/watch?v=szby7ZHLnkA
If you're planning to spend 12 days in the Harbour City's cinemas this winter, Sydney Film Festival's full 2025 slate of movies won't be revealed until early May, ahead of the annual big-screen celebration's Wednesday, June 4–Sunday, June 15 dates. A handful of flicks from the lineup will be named in April first, but Vivid Sydney's 2025 program announcement comes bearing gifts even earlier: a few SFF events that fall within the citywide arts, light, music, food and ideas celebration as well. A celebration of Warren Ellis was always going to be huge news. There's two parts to it: a screening of Justin Kurzel (Nitram)-directed documentary Ellis Park, about the iconic musician establishing an animal sanctuary to protect endangered species in Sumatra, then An Evening with Warren Ellis at City Recital Hall. At the first, at the State Theatre, audiences will obviously see the film. Afterwards, its subject — a Nick Cave & The Bad Seeds collaborator and Dirty Three founder, as well as a pivotal force in movie scores, including on The Proposition, The Road, Far From Men, Mustang, Hell or High Water, The Velvet Queen, The New Boy, Back to Black, Kid Snow and newly minted Oscar-winner I'm Still Here — will chat about the doco, and also put on a short musical performance. SFF and Vivid are teaming up on a second event, too: Planet City: Live. Courtesy of designer and director Liam Young, the speculative fiction experience takes attendees to a different future — one where humanity has responded to the environmental destruction of the planet in a decisive fashion. Young's film is set at a time where there's just one city, which is where everyone on earth resides, with the rest of the globe left to rewild. At SFF, Young will provide live narration for the film, while Forest Swords will play its score live as Planet City screens. "Sydney Film Festival has always been a place for bold and innovative storytelling, and we are delighted to join forces with Vivid Sydney to present these two unique cinematic experiences. These events push the limits of film, sound and imagination, offering audiences something truly unforgettable," said SFF Festival Director Nashen Moodley, announcing the fest's collaboration with Vivid 2025. "The partnership between Vivid Sydney and Sydney Film Festival represents a powerful fusion of artistic vision that embodies the spirit of creative innovation we champion and allows us to connect with audiences in meaningful new ways. These immersive film events perfectly amplify our 2025 theme of 'dream' by inviting audiences to explore alternative realities through the intersection of cinema, music and live performance," added Vivid Sydney Festival Director Gill Minervini. Sydney Film Festival x Vivid Sydney 2025 Events Sunday, June 8 — Ellis Park screening at the State Theatre and Ellis Park: An Evening with Warren Ellis at City Recital Hall Tuesday, June 10 — Planet City: Live at City Recital Hall Sydney Film Festival 2025 runs from Wednesday, June 4–Sunday, June 15 at cinemas across Sydney. Hit up the festival website for further information and tickets — and check back in with Concrete Playground in April for more films from the program, and on Wednesday, May 7 for the full lineup. Vivid Sydney 2025 runs from Friday, May 23–Saturday, June 14 across Sydney. Head to the festival website for further information.
Presence/Absence is a group exhibition, where the artist is the creator and the subject. The theme looks at the parallels of being there and not; how one state relies on another, yet is at complete odds with it. Both physical and implied presence goes under the microscope, as does the impact that a creator has on a work, even if they leave no trace of themselves. This theme has been individually interpreted by five local artists - Athena Thebus (the now-LA dwelling sculptor with a keen interest in pop culture), Chris Bennie (a videographer/photographer who examines objects and places), Clark Beaumont (a collaborative duo who use character and persona to perform their messages), Louise Bennett (who uses day-to-day practices, and mixed media) and Pirrin Francis (a storyteller, who reconstructs and reinvents narratives). You can catch the works until March 1, with the opening night celebrations taking place on the evening of the first day, February 21. Head along to the event website to confirm the opening hours of the space.
If there are two things that are helping us through this latest stretch of lockdown, it's good food and good tunes. So, it's an extra win that the two are coming together for one exclusive virtual knees-up on Saturday, September 12. Attica's renowned culinary maestro Ben Shewry is teaming up with local electronic legends The Avalanches to host A Party for Melbourne, streamed live and loud, straight to your living room. They're aiming to send fans a big 'thank you', while blasting away a few of those dreary iso blues. The celebrations kick off early with a series of online 'How To Party' videos released in the week leading up, which'll see Shewry sharing his tips and tricks for whipping up the ultimate shindig. He'll guide you through everything from transforming your house into a disco den to creating game-changing prawn cocktails and sausage rolls. They'll be free to watch over on the Melbourne Food & Wine Festival (MFWF) website, as well as Shewry's and MFWF's social channels. On the big night, things will fire up with a set from DJ Soju Gang, before The Avalanches grace your screens with a show of their own, streamed via YouTube. Best make sure you've cleared plenty of room for dancing the night away. Tickets to this house party are free, but you'll need to register over at the MFWF website.
What's this, a good, old-fashioned fairytale — and one that doesn't rely upon shadowing a classic story in darkness, looking at it from a different angle or adding a twist? That'd be the latest version of Cinderella, one so close to the animated effort everyone grew up with, it's uncanny. Swap cartoons for live action, and you've got the gist. Thankfully, this new take on a decades-old movie and a centuries-old tale doesn’t just lovingly revisit our collective childhoods, as enjoyably nostalgic an exercise as that is. This retelling stays faithful to the story as well as its spirit, spinning an account of transformation driven by kindness and free from modern-day cynicism. Before she earned her nickname for sleeping too close to the fire, Ella was a ten-year-old (Eloise Webb) mourning for her mother (Hayley Atwell), and then a young woman (Lily James) witnessing the remarriage of her father (Ben Chaplin). Next, she's an orphan forced to cook and clean for her nasty stepmother (Cate Blanchett) and two shallow stepsisters (Sophie McShera and Holliday Grainger), while wanting nothing more than a break from the drudgery to attend a ball hosted by a handsome prince (Richard Madden). Where this is going is hardly a surprise, yet here familiarity is by no means a flaw. Though director Kenneth Branagh and screenwriter Chris Weitz have films like Jack Ryan: Shadow Recruit and The Twilight Saga: New Moon on their respective resumes, they both show that they know a thing or two about fleshing out well-known worlds, particularly through casting and revelling in the details. Any movie that boasts both Blanchett and Helena Bonham Carter is already making wishes come true; however, using them to toy with audience expectations is a masterstroke. The immaculately styled Blanchett breaks bad with aplomb, and Bonham Carter is a breezy delight at the fairy godmother. While everyone else is more than fine, the charming pair of James and Madden included, the two great actresses playing against type are the real drawcards. Well, them and the gorgeous surroundings they all find themselves in, with Cinderella a visual treat. For the character, the decadence of pumpkin carriages and gorgeous gowns may vanish at the stroke of midnight; for the film, the splendour continues regardless of the hour. It's not just Cinders herself who's as pretty as a picture, but the picture itself. If you really were to dream of a traditional fairytale world of grand ballrooms and sprawling forests, it would look like this. That timeless approach may also extend to a heroine who largely waits rather than acts — patiently and purposefully, rather than as a damsel in distress looking for a man to save her — but never does the treatment of the tale feel regressive. Indeed, it's a funny state of affairs when retaining the essence of a classic can be seen as a welcome breath of fresh air. With Cinderella, its old-fashioned elegance is the glass slipper that fits the film just perfectly.
Finding a drink to match the place you're in hasn't been too hard in recent years. For folks in Sydney, two different types of gin have paid tribute to the Sydney Opera House. For people in Melbourne, there's a juniper spirit that nods to St Kilda live music institution The Espy. And Brisbane scored its own themed gin, too. They're just some examples — and now Jetstar, of all companies, is serving up four more. Having a tipple to celebrate turning 18 is the done thing, after all. Yes, the discounted Australian airline has come of age, and it's hosting a two-day birthday flight sale to mark the occasion. But, once you've bought cheap fares, you can also say cheers to your trip — or just in general — by knocking back a few sips from Jetstar's new hard seltzer range. The boozy beverage line is a collaboration with 'Ray, the Hop Nation crew's hard seltzer side hustle. Obviously, a Melbourne-themed seltzer is on the menu — and it somehow tastes like a deconstructed cafe latte. If you're not so fond of the idea of coffee-flavoured seltzer, the other options include a coconut, fairy floss and sea salt number for the Gold Coast; mulled wine, cloves and cinnamon for Queenstown; and rambutan, soursop and hibiscus for Bali. The four tipples are also meant to exude a particular vibe that reflects their cities of inspiration — so urban vibes for Melbourne, good times for the GC, adventure for NZ and balmy nights for Bali. Or, maybe take that as advice on where and when to knock back said drinks, since who knows what "urban vibes" taste like. If you're keen to give the seltzers a sip, you'll have to nab some online via the 'Ray website. They'll be available from Tuesday, May 17 — and because they're a limited-edition affair, getting in quickly is recommended. Jetstar's Bali, Gold Coast, Melbourne and Queenstown seltzers will be available to purchase online from Tuesday, May 17.
In Talk to Me, grasping perhaps the creepiest hand you'll ever see meant messing with the dead, bringing the souls of those who've passed swooping in. After their feature debut became a huge hit, Australian filmmakers Danny and Michael Philippou aren't done with hauntings yet. In the just-dropped full trailer for Bring Her Back, their sophomore movie, "some people believe the spirit stays in the body for months after death", a foster mother played by Sally Hawkins (Wonka) advises. The directors, who started out their careers behind the camera as YouTubers RackaRacka, aren't done with nightmarish vibes yet, either. When these Adelaide-born twins unveiled Talk to Me in 2023, a new Aussie horror sensation took the genre, and the world, by the mitt to share its entertainingly eerie energy. The duo behind it also became one of the hottest new things in scary flicks. Two years later, the Philippous are returning to conjure up more chills — and show again, even just based on Bring Her Back's teaser trailer and full sneak peek, how expertly they can whip up an unnerving mood. After Talk to Me's huge success, including for cult-favourite distributor A24, sequel Talk 2 Me was quickly greenlit; however, Bring Her Back will be in cinemas first. Its Down Under release date: Thursday, May 29, 2025. Horror? Tick. A24 onboard? Tick again. Dancing with the dead once more? That seems to be the case as well. Here, Hawkins has a brother and sister in her care, but they find more than just a new parent in her home. Cue petrifying rituals, plus grief, death, coffins, blood, strange circles, a creepy kid, shaky home-video footage and a whole lot of creaking. Among the cast, cue also Billy Barratt (Kraven the Hunter), Jonah Wren Phillips (How to Make Gravy) and film first-timer Sora Wong in the Australian-made picture. A24 went all-in on the Philippous after picking up Talk to Me in a Sundance Film Festival bidding war, when global attention started being showered upon the Aussie flick about shaking hands with an embalmed palm, feeling the rush while being haunted, having your mates watch and film it, and dealing with the spooky consequences. Danny and Michael made their feature directorial debut after racking up a huge following with RackaRacka's viral videos, and via behind-the-scenes work on Australian films such as The Babadook. Their first flick feature proved a big box-office success, taking in US$10 million on its opening weekend in America alone, which placed it second among A24's films after Hereditary. Across its big-screen run, it clawed its way up to second on the company's all-time worldwide list, after Everything Everywhere All At Once and Civil War. And, at the 2024 AACTA Awards, Talk to Me took home eight accolades, including Best Film of 2023, plus Best Director. Check out the full trailer for Bring Her Back below: Bring Her Back releases in Australian cinemas on Thursday, May 29, 2025. Read our review of Talk to Me, and our interview with Danny Philippou.
Whenever Dr Jane Goodall takes to the stage to look back on her career, fascinating tales follow. In Australia and New Zealand, that'll prove the case in 2024, when the English ethologist, activist and chimpanzee expert will return Down Under for her latest speaking tour. On her first visit this way since 2019 due to the pandemic, she's not only reflecting upon her work, however — she also has good news stories to share. It's been 63 years since Goodall volunteered to live among chimpanzees in Tanzania's Gombe Stream National Park, and since newspaper headlines were dismissive. Now, she's a pioneering primatologist who is world-renowned for her groundbreaking research, highlighting how closely connected humans are to our closest living relatives. Having dedicated the bulk of her life to her ongoing study, animal welfare in general and conservation, Goodall has lived a vastly fascinating existence, which she'll be speaking about in Perth, Adelaide, Melbourne, Sydney and Auckland. "I love Australia and New Zealand with its rich biodiversity and proud First Nations heritage", she said. "It will be tremendous to catch up with old friends and meet some of the young leaders making a difference through Roots & Shoots," said Goodall. Goodall's Reasons for Hope tour heads to Curtin Stadium in Peth on Tuesday, May 28; Adelaide Town Hall on Friday, May 31; Melbourne's Palais Theatre on Tuesday, June 4; Sydney Town Hall on Thursday, June 6; and SkyCity Theatre in Auckland on Monday, June 10. The session will feature a presentation and lecture by Goodall about her work, followed by a conversation between Goodall and a host, plus a Q&A. Topics certain to get a mention include just how revolutionary her findings were at the time — and the impact they still have now — as well as her connection with the resident primates of Gombe. You can also expect Goodall to discuss her subsequent efforts to fight against threats to African chimpanzee populations, such as deforestation, illegal trade and unethical mining operations. Indeed, wildlife and environmental conservation is the main aim of the Jane Goodall Institute, which she founded in 1977. The Jane Goodall Institute Australia and TEG Dainty are behind her 2024 Down Under trip. DR JANE GOODALL: REASONS FOR HOPE TOUR 2024 DATES: Tuesday, May 28 — Curtin Stadium, Perth Friday, May 31 — Adelaide Town Hall, Adelaide Tuesday, June 4 — Palais Theatre, Melbourne Thursday, June 6 — Sydney Town Hall, Sydney Monday, June 10 — SkyCity Theatre, Auckland Dr Jane Goodall's Reasons for Hope tour visits Australia and New Zealand in May–June 2024. Head to the tour website for further information, and for pre-sales from 10am local time on Tuesday, December 5, then general sales from 11am local time on Friday, December 8. Images: Michael Neugebauer / Tony Burrows / The Jane Goodall Institute.
Joining vinyl records and 8-track tapes on the dusty shelf of obsoleteness, CDs have fallen by the wayside. In 2011, the number of people in the US who downloaded their music had far surpassed that of people who bought physical albums. In an era when our grandchildren won't know what a Walkman is, what are we to do with our now-digitised CD collections? As it turns out, Amazon wants them. Beginning last week, Amazon launched alterations to its Trade-in Program, which allows customers to swap their old stuff for Amazon store credit. Amazon has previously accepted pre-loved items such as Kindles, textbooks, and DVDs in exchange for credit but hasn't accepted used CDs until now. The store credit can be used to buy new, downloadable albums, or any product from the site. We can't decide which we are more excited about: an extra buck or two, or forever banishing our questionable '90s music decisions.
The dulcet, knowledgeable voice embodying the soundtrack to a generation of nature docos is returning to our fair shores, with Sir David Attenborough set to roll through town in February. He'll be taking the stage for Sir David Attenborough – A Quest For Life, a series of live talks hosted by our own Ray Martin. The esteemed writer, filmmaker, producer, and host will give audiences a unique glimpse into his jam-packed, six-decade career. Sir David will give some insight into the changes he's witnessed along the way, as well as delving into some of the world's current environmental challenges — all delivered in that charming, distinguished voice we know and love so well. The tour kicks off in Auckland on February 2, followed by shows in Brisbane, Sydney, Melbourne, Adelaide and Perth. SIR DAVID ATTENBOROUGH – A QUEST FOR LIFE DATES AUCKLAND 8pm Thursday, February 2 — The Civic BRISBANE 7.30pm Saturday February 4, Brisbane Convention and Exhibition Centre SYDNEY 7.30pm Wednesday, February 8 and Thursday, February 9, State Theatre MELBOURNE 7.30pm Saturday, February 11, and (new date) Monday, February 13, Plenary, Melbourne Convention and Exhibition Centre ADELAIDE 7.30pm Tuesday February 14, Festival Theatre PERTH 7.30pm Thursday, February 16, Riverside Theatre, Perth Convention and Exhibition Centre
This article is sponsored by our partners, lastminute.com.au. So, you like wine? You love it? Well my friends, allow me to introduce you to one of the best wine regions in Australia: the Barossa Valley. Situated almost 60km northeast of Adelaide, the Barossa has the oldest Shiraz, Grenache, Mourvedre and Cabernet vineyards in the world. The area is most commonly associated with its signature grape variety: Shiraz. However, the region does grow a number of other grape varieties, so if you're a fan of Riesling, Semillon, Chardonnay, Grenache, Mourvedre, Mataro, Cabernet and even Merlot then you'll be wanting to book a getaway quick smart. So you can get your bearings, the main towns on the valley floor are Nuriootpa, Tanunda, Rowland Flat and Lyndoch. Nuriootpa is the larger of the four towns and seen as the commercial hub of the area, while Tanunda and Angaston have more attractions to cater for fans of sweet little antique stores — but more importantly wine bars, cellar doors and buzzing cafes. BAROSSA EATS Make sure you get yourself a full belly of food before you embark on any tasting tour of the region. Not only is the Barossa famous for its wines, it also prides itself on local produce with some of the best restaurants in the country. For something quaint, why not visit Maggie Beer's Farm Shop? It's the very place her ABC TV series, The Cook and The Chef is filmed. After you've taken an 'I'm on a TV set selfie' you can top up your shopping cart with some MB products and be on your way. FermentAsian is an incredibly reputable Vietnamese restaurant you can't pass by having recently won the Best Asian Restaurant in South Australia. Also worth noting is Hentley Farm Restaurant, where the team will pair their wines with nosh for you, and Appellation at The Louise for some world class dining reflecting the local growing seasons. Be sure to check out the Barossa Farmers Market in Angaston. Open every Saturday from 7:30–11:30am, this bustling market has a plethora of goodies from fruit, vegetables, meat, fish and small goods to oils, pickles, preserves, condiments, baked goods and delicious macaroons. You're spoilt for choice. BAROSSA SLEEPS Before you crack in to the wines you'll need a place to sleep off all this indulgence. Some of the wineries have accommodation on site but if you want a hotel, one of my top picks around is the Novotel Barossa Valley. If it's luxury you're after then look no further than The Louise, set upon an original heritage property atop the stunning Marananga hill top site. This place is pure indulgence. Top picks for B&Bs include The Lodge or the incredibly romantic 'Cupids Cottages' (which will earn you huge brownie points) sitting with a view of your very own lake at Stonewell Cottages. Check out lastminute.com.au for some pretty sweet deals. BAROSSA QUAFFS Now my friends, it's time to quaff! By visiting the Barossa website you can either plan your own trip with their online Trip Planner or book a wine tour with Taste The Barossa. For something different, you can also book bikes to 'taste by bike' from Barossa Bike Hire. They can either deliver your bike to your accommodation or you can pick it up from Nuriootpa. If you're feeling fit, take a detour up to the Barossa Sculpture Park by following Basedow Road to the Menglers Hill Lookout and you'll enjoy some amazing sculptures carved from local marble and granite, backdropped by a stunning view of the valley. With more than 80 cellar doors and 150 wineries in the Barossa, you could say the world is your wine glass. Check out my Top 20 below, in no particular order. Concrete Playground's Top 20 Barossa Valley Cellar Doors and Wineries: Artisans of Barossa Kind of like The Avengers of wine. John Duval (famed winemaker of Penfolds Grange) has teamed up with six other individual winemakers to keep small batch winemaking alive and well. Try what all seven wine makers have to offer in their tasting room. Henschke Famous for its 'Hill of Grace' Shiraz, this winery has a great range of premium reds and whites on offer Chateau Tanunda This place is worth the visit just to see Australia's oldest chateau alone. It's like being on the set of The Great Gatsby. Top wines too; the Noble Baron range is handpicked, basket-pressed and unfiltered. Seppeltsfield Superbly scenic. Well known for their Centennial Collection, which is an "unbroken lineage of Tawny of every vintage from 1878 to current year". Peter Lehman Big reds and a true five-star winery. Chateau Yaldara Another beautiful chateau worth checking out. Taste McGuigans Wines and perhaps grab a light meal at Café Y if you're peckish. Bethany Killer Rieslings. Great reds and food wines. Also get on board their delicious stickies and fortifieds. Pindarie These guys do a lovely range of wines including varietals like Tempranillo and Sangiovese. Penfolds This isn't the actual winery but a cellar door where you can purchase their Taste of Grange package or make-your-own blend of Shiraz, Grenache and Mourvedre. Wolf Blass If you haven't heard of these guys you've somehow been living in a sealed-off cave. Wolf Blass have a massive range. Why not cleanse your palette and enjoy some of their lovely sparkling? Two Hands Their focus is primarily Shiraz but their Grenache also is exceptional. St Hallet Sensational reds. Get stuck in to their Shiraz, Shiraz Grenache or their big and dense Mataro. They also have a Christmas favourite, the Sparkling Shiraz. For white fans try their moscato style Gewürztraminer. It's like drinking lychee juice with bubbles. Saltrams Award winning reds and whites. A lovely tasting bar and restaurant onsite makes this place a definite go-er. Elderton The first red I ever let sit for over ten years was an Elderton Shiraz and it was incredible when I eventually opened it up, drank it and cheekily slopped a little in to my pasta sauce as it cooked. They produce some of the most highly regarded reds in Australia. Glaetzer The team do four reds and focus "simply on the production of small volume, super premium red wines." Mountadam One of Australia's pioneer Chardonnay producers. Kies Family Wines An 1880s-styled cottage cellar door with a chilled-out vibe and quality wines. Irvine Estate Jim Irvine loves Merlot. He also loves interesting wines like his Cabernet Franc called The Baroness or his Zinfandel red, which is not as big and bold as some. But you can't go past his Grand Merlot. Whistler I love their reds and their red blends. Their Grenache, Shiraz, Mourvedre blend is one I could happily slurp every day. Grant Burge Hot tip: Buy yourself some of the Holy Trinity GSM to drink while you wait for their Filsell Shiraz or the Meshach Shiraz you also bought ages to perfection. Enjoy! Get amongst that tasty tasty vino and book your getaway to the Barossa Valley now with lastminute.com.au.
Radiohead do things a little differently to most bands. When they released In Rainbows in 2007 using a pay-what-you-think-is-fair approach to selling records, they engineered a recalibration of the music world as a whole and showed us that it wasn't the industry that was dying after all, just the traditional businesses and approaches within it. Since then bands have created their own TV shows and asked fans to make their albums for them, technology companies have launched music services and broadcast entire music festivals live, and Radiohead has continued to produce some of the most consistently innovative work of them all. The band premiered a broadcast of The King of Limbs 'Live From The Basement' on Spanish TV over the weekend, and it has now surfaced online. Whilst no Australian air date has been announced, you can watch the entire performance here, including new tracks 'The Daily Mail' and 'Staircase'. https://youtube.com/watch?v=k8byXSML4bY
Whether you love 70s tunes, are obsessed with 80s tracks, live for the 90s or can't get enough 00s vibes, getting a musical blast from the past is rather easy in Australia at the moment. Every week or so, an iconic name seems to be dropping tour dates — from Red Hot Chili Peppers, Elton John and Beck through to Blink-182, the Backstreet Boys and Vengaboys, plus everyone from TISM to TLC. The latest to join the list: Sir Rod Stewart and Cyndi Lauper. They're teaming up and coming Down Under in 2023 for a string of dates across arenas and wineries. Yes, that means that 'Da Ya Think I'm Sexy?', 'Tonight's The Night (Gonna Be Alright),' 'Time After Time' and 'Girls Just Want To Have Fun' are all going to get a whirl at the same gig. Stewart is the headliner, with a huge focus on his hits, including 'You Wear It Well', 'You're In My Heart', 'Sailing', 'Rhythm Of My Heart' and 'Maggie May' as well across a massive two-hour set. But having Lauper onboard is a huge drawcard, whether you love 'True Colours' or appreciate her Tony Award-winning work on the Kinky Boots musical, where she became the first solo woman to win the acclaimed prize for Best Original Score (music and lyrics). She'll play for an hour before Stewart. The pair will be joined by Noiseworks and INXS' Jon Stevens — playing arena shows in Perth, Melbourne, Adelaide, Sydney and the Hunter Valley. If you're a wine-and-dance kind of gig-goer, all three are also gracing the stage in Geelong, Mount Cotton and Bowral as part of A Day on the Green, too. ROD STEWART'S THE HITS! AUSTRALIAN 2023 TOUR WITH CYNDI LAUPER DATES: Saturday, March 11 — RAC Arena, Perth Tuesday, March 14 — Rod Laver Arena, Melbourne Tuesday, March 21 — AEC Arena, Adelaide Wednesday, March 29 — Qudos Bank Arena, Sydney Saturday, April 1 — Roche Estate, Hunter Valley A DAY ON THE GREEN DATES: Saturday, March 18 — Mt Duneed Estate, Geelong Saturday, March 25 — Sirromet Wines, Mount Cotton Sunday, April 2 — Centennial Vineyards, Bowral Rod Stewart and Cyndi Lauper are touring Australia in March and April 2023. For more information about the arena shows, head to the Live Nation website. For the A Day on the Green shows, head to the festival's website. Tickets for all gigs go on sale at 1pm local time on Thursday, November 17.
While NSW's restrictions are easing somewhat, with restaurants, cafes and other food-first venues reopening with restrictions from May 15, we're still a little way off being able to head underground for just a shot of cognac, a shit tinnie and shooting the shit at a bar. This exact scenario is what we're missing at Ramblin' Rascal Tavern, Sydney's cognac- and corn nut-doused dive bar. So, we've asked Bar Manager Dylan Ruba how we can attempt to recreate a small slice of that experience at home: the drinks. If you've frequented Ramblin', you've more than likely had your cognac, short, neat and consumed in one shot, but when you're at home on the couch watching Mad Men reruns (as Ruba has during lockdown), you might want to try something a little… longer. Ruba's run us through three of his favourite drinks to make at home, which are riffs on a few of Rascal's signature cocktails. They're "tried and tested with a bit of at-home flair" according to Ruba — and they're drinks you can make without fancy cocktail shakers, stirrers or julep strainers, too. Also, because Stanley Tucci is now synonymous with quarantine cocktails, we couldn't not ask Ruba his opinions on the now-infamous shaken double shot gin negroni. "Look, I'm never one to judge someone on how they like their drinks," said Ruba. "I can't say that's how I'd do it, but props to Stanley for standing by his own ways and preferences." How would Ruba make his ideal negroni? "Equal parts gin, sweet vermouth and Campari, and stir it down over ice with a slice of orange." Easy. [caption id="attachment_515137" align="alignnone" width="1280"] Ramblin' Rascal Tavern[/caption] SEASON 6 Tart, but sweet. Orange peel is an ingredient often used in the crafting of gin, and stewed fruits help bring out those forgotten flavours. 45ml gin 30ml lemon juice 10ml sugar Teaspoon marmalade Prosecco Lemon twist You can make the Season 6 one of two ways: shaken or blended. For shaken: pour all ingredients into a jar (or a cocktail shaker if you have it) over ice, put a lid on it, shake. Strain into a coupe or flute (or, frankly, a mug if it's what you've got) and garnish with a dash of prosecco and a lemon twist. For blended: chuck all ingredients into a blender with ice. Blend. Pour slushie into glass of your choice and top with a dash of prosecco and a lemon twist. GERI HALLIWELL Really, really easy one, it's a bit like a dark and stormy or moscow mule, but a bitter, spicier version 30ml Martell Blue Swift 20ml lime juice Cracked pepper Ginger beer Lime wedge Build in a tall glass with ice, add 'one spin of the pepper cracker' worth of pepper, top with ginger beer and garnish with a lime wedge. BLUE STEEL This is a heavier drink, bit like at an old fashioned but instead of using bitters — which not many people have at home — it has nutmeg and vanilla, which we've all got lying around from baking. Nutmeg also helps brings out the flavours of Martell Blue Swift, which has been finished in bourbon barrels. 45ml Martell Blue Swift 10ml sugar syrup A few drops of vanilla essence Small pinch of nutmeg Lemon twist Pour all ingredients into a short glass, stir down over ice. If you don't have a stirrer, you can just use a teaspoon. Garnish with a lemon twist. Make it and serve it all that one glass.
The Social Network offered a chilling prophesy of the impact of social networking sites, foreseeing the fracturing of friendships and a disturbing shift in human interaction. But a new study by the University of Milan reveals that the cyber world is a much cosier place than we thought. According to the study, the 6 degrees of separation that lie between the Earth’s inhabitants is, by social networking standards, as intimate as the dismal attempts at on-screen chemistry between an expressionless Robert Pattinson and his wooden Kristen Stewart. For us friendly Facebookers, however, there are only 4.74 degrees separating us from any other user around the globe. Zuckerberg ain’t lying when he tells us he’s ‘connecting people’. In layman’s terms, the rather precise 4.74 degrees translates to 5 ‘hops’ between users. As Facebok continues to grow this figure has steadily diminished, first measured at 5.28 in 2008. When you limit the measurement to a single nation, which tends to contain the majority of our friendships, the world shrinks even more; most citizens of the same country are separated by only 3 degrees. But does a tight knit cyber community translate to an increase in real, flesh and blood friends with whom we communicate beyond the ‘Wall’? It could be that the smaller the degrees in the cyber world, the greater they grow in reality, as increased Facebook interaction dilutes the quality of our face-to-face relationships. Either way, Facebook has proven that it really is a small world after all. [Via Wired]
It's a yearly pattern: Halloween passes by, orange decorations are replaced with a sea of red and green, and suddenly we've all been hurtled into the throes of Christmas. To add its own taste of festive cheer, Krispy Kreme has announced that it's lighting up four of its stores with Christmas displays — and, to make the occasion even more jolly and merry, it's also giving away 4000 free doughnuts. The giveaway is running on Friday, November 29, which is when Krispy Kreme stores in Penrith in Sydney, Bulleen in Melbourne, Redbank Plains in Brisbane and Myaree in Perth will be hitting the switch on their seasonal lights. The chain calls these displays 'Krispymas', and they'll be lit up for nearly a month, shining bright until Friday, December 27. To snag yourself a signature glazed freebie (Original Glazed doughnuts are being given out), head to one of the aforementioned stores on Friday, November 29. In Brisbane and Perth, the activities start from 6.30pm, a choir will sing at 7pm, the lights turn on at 7.30pm and the free doughnuts will also be given out at 7.30pm. In Sydney and Melbourne, the fun will kick off at 7pm, carols will begin at 7.30pm, and the displays and free doughnuts will commence at 8.30pm. While 4000 doughnuts will be available nationally, that's 1000 at each of the four outlets. So, if you want to kick off your Friday night with a free sweet and doughy treat, you'll want to get in relatively early. They're on offer until close or until stocks last, whichever comes first, and there's only one available per person. Krispy Kreme's free doughnut giveaway is happening at the chain's stores in Penrith in Sydney, Bulleen in Melbourne, Redbank Plains in Brisbane and Myaree in Perth on Friday, November 29. For further information, head to the Krispy Kreme website.
Some venues feel like they've always been there, even if you haven't ever stepped inside. Perched in a prime location on Lutwyche Road in Brisbane's inner north, the Crown Hotel is one such spot. It's been part of Lutwyche since 1881, in fact — and if you need a reason to finally drop in, it's just had a $2.4 million makeover and reopened its doors. Earlier in 2021, hospitality giant Australian Venue Co announced that it was giving the 140-year-old pub a revamp, and temporarily closing the heritage-listed venue's bistro and bar during those renovations. Only the site's gaming room has been open over the past few months, even though it's getting a spruce up as well. From Wednesday, November 3, however, the entire site is back up and running. Brisbanites can now check out the Crown's new beer garden and heritage pavilion — which seats 140 people — as well as its revamped main sports bar. Overall, the renovations are designed to keep the pub's heritage character, while completely overhauling the interiors. So, design-wise, that means a sleek, warm and airy look and feel, especially if you're sat underneath the strung-up lighting in the beer garden or on the deck overlooking the outside space. The Crown's new colour scheme skews neutral with splashes of black, white and colour, too — as seen in the blue backdrop behind its towering outdoor mural. In the sports bar, there's screens that'll play a range of different sports, brews on tap (obviously) and a counter menu that includes karaage chicken, mushroom burgers, fried haloumi, chicken parmigiana and three steak choices. You'll find most of those dishes on the bistro lineup as well; however, Executive Chef Dylan Kemp and Head Chef Jamie Blake are also serving up everything from prawn rolls and confit duck leg to half a Moreton Bay Bug, Tasmanian salmon, and both beef and beetroot tartare. For something sweet, the dessert selection includes whipped baked cheesecake with strawberry and salted shortbread, vanilla bean crème brûlée, and a chocolate brownie with hokey pokey gelato and espresso caramel. And whether you're looking to drop by for a bite or a beverage, the pub is also set to host weekly bistro specials, plus themed trivia nights, drag bingo, jazz and blues, and live comedy. Crown Hotel's revamp marks Australian Venue Co's first big pub renovation in Brisbane, although the company has recently renovated both Kings Beach Tavern at Caloundra and Wallaby Hotel in Mudgeeraba. If you were lucky enough to score one of AVC's 'secret sipper' positions earlier this year — with the hospo group paying folks to eat in and review its venues — then perhaps Crown Hotel the once over might be on your list when it reopens. In Brisbane, AVC also owns a lengthy list of places, including Darling & Co, Riverland, Friday's, The Regatta, Waterloo Hotel and The Wickham. Crown Hotel's bistro and bar reopens at 446 Lutwyche Road, Lutwyche on Wednesday, November 3. Images: Markus Ravik.
One of the most-stunning parts of New South Wales, and Australia, now boasts a new reason for locals, Sydneysiders and interstate visitors to make a date with its spectacular scenery — and a new way to get immersed in its heritage-listed wonders. Everyone should visit the Blue Mountains at least once in their life. Everyone should combine that trip with soaking in Blue Mountains National Park. And now, everyone should also hike along Blue Mountains' Grand Cliff Top Walk. Back in 2019, it was announced that the popular trail — which passes many waterfalls and lookouts on Gundungurra Country, and offers up some dazzling views of the national park and its many eucalpyts— was getting up upgrade to the tune of $10 million. It's taken some time, but the results have been unveiled. Walking the full new stretch now means taking a two-day, 19-kilometre journey, including along more than 4000 steps and ten kilometres of track that have been newly added. Among the highlights: the rainforest, falls such as Wentworth Falls and Katoomba Cascades, and peering out over the Jamison Valley towards Mount Solitary, for starters. You'll also potentially spy everything from lyrebirds and yellow-tailed black cockatoos as you wander between lookouts, including on restored 100-year-old sandstone paths. And, the Three Sisters Aboriginal Place is on the walk as well. If you're keen to experience the entire new Grand Cliff Top Walk, it's suggested that you take an 11-kilometre stroll on the first day, beginning at Wentworth Falls, with Gordon Falls at Leura your destination. Then, on day two, you can enjoy an eight-kilometre walk that kicks off at the same spot, heading to Scenic World at Katoomba via the Three Sisters. The entire route is planned around access and accommodation, so the idea is that folks can spend two days putting one foot in front of the other is scenic surroundings without needing to carry a huge backpacks or take camping equipment with them. Walkers will also find public transport handy at either end, as well as dining options. If that still sounds like a massive endeavour, you can make your way along sections of the track as half-day or full-day walks instead. There's also guided tour options, starting with a two-hour hike with a NSW National Parks and Wildlife Service ranger. Find the Grand Cliff Top Walk in Blue Mountains National Park, starting at Wentworth Falls and ending at Katoomba. Head to the NSW National Parks and Wildlife Service website for further details. Images: R Brand.
Not once, not twice, but nine times, Australia's most-dazzling Indigenous arts festival has lit up the Northern Territory. 2025 will make ten. Parrtjima — A Festival in Light has so firmly established itself as a highlight of Alice Springs, the Red Centre and Australia's cultural scene that it's hard to imagine a time before it. Expect luminous sights again this year, including the reliable star of the show: getting a 2.5-kilometre stretch of 300-million-year-old MacDonnell Ranges glowing every evening. The MacDonnell Ranges Light Show is one of two favourites returning to Parrtjima in 2025, again pairing its eye-catching display with classical music and Arrernte language. The other: Grounded, asking attendees to look down instead of up. A festival of lights in the NT was always going to incorporate the red earth, too, which is where large-scale projections turn the soil into a canvas. This year's version features six artworks. If Parrtjima only boasted those two pieces across Friday, April 4–Sunday, April 13, it'd still be worth heading to the Red Centre to enjoy — but there's far, far more in store across the event's ten days. Four other installations, all new and focusing on the 2025 festival theme 'timelessness', are among the standouts of a lineup that sports contributions from 20-plus First Nations artists, plus more than 100 performers and special guests. At The Gateway at Parrtjima's entrance, towering poles by artists from Antulye, Irlpme, and Mparntwe groups will greet guests. Also, Balanggarra and Yolŋu artist Molly Hunt's Three Generations of Station Women is making an animated comic strip that honours Aboriginal stockwomen, with actor Mark Coles Smith (Apple Cider Vinegar) on soundtrack duties. Then there's Bobby West Tjupurrula's Hypnotic Reverberations, creating a moving dreamscape out of beams of light, mist and reflections on a shallow pool. From Lyall Giles, Transforming Light & Country isn't just about sand dune patterns — it gets festivalgoers to play with them, using drums to create rings of light. Troy Cassar-Daley is headlining the festival's roster of nightly performances, putting on a free show on opening weekend. On the rest of the bill: the Darwin Symphony Orchestra, in what'll be Parrtjima's first-ever orchestral performance, plus gigs by Bumpy, Dem Mob, and Warren H Williams & Western Wind. This year will also feature the fest's debut comedy night, with Andy Saunders and Sean Choolburra sparking laughs. The Blak Markets are back, again showcasing First Nations paintings, jewellery, prints, baskets, sculptures and more — and Cassar-Daley, filmmaker Rachel Perkins (Jasper Jones), Michael Liddle, Armani Francois and Rudi Bremer are among the guests and speakers at the event's in-conversation sessions. If you're keen to learn by doing, the workshops itinerary spans art centre Iltja Ntjarra Many Hands getting participants doing watercolour paintings in the style of Albert Namatjira, Chef Mark Olive and Kungkas Can Cook's Rayleen Brown exploring bushfoods and traditional recipes, Parrtjima Curator Rhoda Roberts leading a weaving workshop, drumming with Dobby, and using native plants in Aboriginal healing with language holder and ecologist Veronica Perrule Dobson. Parrtjima – A Festival in Light will return from Friday, April 4–Sunday, April 13, 2025, at venues around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: Parrtjima – A Festival in Light. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Brisbane has a new home for luxury retail, with the arrival of The New Trend (TNT) on James Street. Founded by Vanessa Spencer in Melbourne in 2017, the multi-brand retailer has gradually expanded to numerous brick-and-mortar locations in both Victoria and New South Wales. Now, a brand-new flagshop store is set to make contemporary fashion more accessible. At the heart of the brand's success is its carefully curated selection. Serving as a go-to destination for global fashion powerhouses like The Attico, Coperni and Wardrobe NYC, each store also offers several leading designers from Australia and New Zealand. Think Christopher Esber, Alemais, ESSE Studios, Wynn Hamlyn and Harris Tapper. Yet what sets TNT apart from other Fortitude Valley spots is how it operates as more than just a stockist. Through meaningful dialogue with the local brands it believes in, a collaborative approach puts considered feedback and development support front and centre. Together, this creates a robust platform that aims to elevate local designers into international names. The new James Street boutique will help support this aspiration. Thoughtfully located in a high-end retail precinct like TNT's other stores, renowned interior design studio AKI was brought on board to shape a suitably refined, inviting space that complements the building's existing facade and architectural context. Browsing the racks at TNT James Street, shoppers will be immersed in natural light, with high ceilings, layered textures and organic materials that reflect the luxe garments on display. Meanwhile, custom-designed furniture produced by local designers adds to the sophisticated atmosphere, where every detail has been carefully crafted with purpose. As for the client experience, personalised attention transforms retail therapy into a VIP encounter. Inside dedicated styling suites, knowledgeable staff offer one-on-one advice so you nail your dream look. Plus, select appointments come complete with refreshments and champagne — a tailored experience you won't get scrolling at home. The New Trend is now open Monday–Friday from 9.30am–5.30pm, Saturday from 9.30am–5pm and Sunday from 10am–4pm at Shop 3, 48 James Street, Fortitude Valley. Head to the website for more information.
If you're a devourer of books and words, you can look forward to feasting on a hefty lineup of talks, workshops, panels and more, when the Emerging Writers' Festival returns for 2022. After all-digital instalments in 2020 and last year, the fest will be back to hosting a jam-packed program of IRL events, though handily, a stack of them will also be accessible online. Running from Wednesday, June 15–Saturday, June 25, this year's edition has events for all varieties of lit-lover and writing enthusiast, featuring over 150 artists. EWF favourite Amazing Babes will see a cast of familiar faces sharing stories about the women, real and imagined, who've helped shape their lives; while the return of the National Writers' Conference will deliver a day of panels, workshops and pitching sessions headlined by the likes of Yassmin Abdel-Magied, and award-winning author and editor Jennifer Down (Bodies of Light). On Friday, June 17 and 24, you can head to State Library Victoria to be serenaded by stunning soundscapes and spoken word for Bodies of Sound, while on June 23, the Scienceworks Planetarium hosts a special full-dome screening of Starlight followed by the sharing of responsive works by two emerging writers. You can also up your own writing skills with an array of masterclasses and workshops covering everything from zines to narrative audio, catch inspiring exhibitions and readings, and celebrate all things mateship at performance-meets-speed-friending event Best Bookish Friends.
Since opening its doors a few year back, Morningside's Southside Tea Room has proven a hub of unique activities. Not only does the cafe serve up great food and drink, but it also hosts special events pop up regularly — the kind where people can indulge their creative side and take part in something different. Reviving an old favourite, SSTR is bringing back its beloved Plaster Fun House nights — an evening where patrons can get crafty and make something they can treasure. Pick from a statue on offer, get into the arty spirit and see what you can whip up! You'll have your own multi-coloured owl, skull, zombie, mermaid, Batman or bulldog in no time. Not just a one-off affair, the new series will take place monthly on Friday nights. The first gets underway from 6pm on December 8, but it has already sold out. Thankfully another will be held on January 5 and the first Friday of every month after that, so keep your eyes on the SSTR Facebook page for tickets. By James Frostick and Sarah Ward.
Call them mixtapes, call them CD compilations, call them playlists — whatever term fits depending on the era, there's an art to making a great collection of tunes. That's the mindset that HOTA, Home of the Arts is bringing into its new — and free — summer exhibition. 'Tis prime mixtape season, after all, even if you're using installations, video works, sculptures and paintings instead of songs. Opening on Saturday, December 18, Art Mixtape: Yours for Summer brings together more than 80 works from the Gold Coast City Collection, as well as new pieces from Australian and New Zealand artists. The lineup reads like a who's who of impressive talents, including Tracey Moffatt, Sam Jinks, Soda Jerk, Ramesh Mario Nithiyendran, Mirdidingkingathi Juwarnda Sally Gabori, Shaun Gladwell and Vernon Ah Kee. While variety is the key to any great mixtape and all stellar exhibitions, this one is also going big on the summer theme — although you can expect that to be interpreted in a heap of different ways. Think: retro-inspired pieces, nods to pop culture and, befitting the Goldie, a supremely cheeky spirit. [caption id="attachment_835767" align="alignnone" width="1920"] Sam Jinks, Iris — the messenger 2021. © Image courtesy of artist and Sullivan+Stumpf.[/caption]
Tokyo Tower's stunning views, Studio Ghibli's theme park, various Godzilla statues, Mount Fuji, ramen everywhere, all of the temples, taking the shinkansen, karaoke on a ferris wheel, the Rainbow Bridge, cherry blossom season, the best sushi you'll ever eat, becoming addicted to Pocky: these are some of the highlights of a trip to Japan. In fact, when it comes to dream vacation itineraries, they're just the beginning. Something else that should be on your list: Suganuma Village. The World Heritage-listed site sits on the Shō River, and is known not only for its stunning scenery — think: spectacular mountains and forests — but for its Gasshō-style thatched-roof houses. Usually, visitors to the town can only appreciate them by looking, not staying within them, with the village normally only open to residents after dark. Indeed, that's been the case for decades, and it's the reason that the locale is considered a hidden spot; however, via Airbnb, that's changing for two lucky travellers for a two-night stay. Add a once-in-a-lifetime getaway to this nine-home spot to the list of unique experiences that the accommodation platform has offered up in recent years, alongside the Ted Lasso pub, Hobbiton, the Paris theatre that inspired The Phantom of the Opera, the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage, to name just a few. The Suganuma stay boasts something else special, though: it's free. As with all Airbnb specials, the service's price — here, $0 — only covers accommodation and the specific inclusions listed. Travelling there and back isn't part of the deal, so you'll be paying to fly to Japan and home. Still, this is the type of experience that doesn't come up often (or, before now, ever). And, you'll be hosted by the Nakashima family, who are fifth-generation locals, under their 170-year-old thatched roof. During your two-evening trip, you'll be immersed in the area's cultural traditions while marvelling at those distinctive buildings, which boast the style they do to last — as the Nakashimas' home clearly has — and because of winter's heavy snow. "I am delighted to open my family's home for a unique stay that will enable guests to enjoy the traditional life of our beautiful village of Suganuma. Through our collaboration with Airbnb, my family and I look forward to providing guests with unique experiences that have been part of our village for centuries," commented Mr Shinichi Nakashima. "We are honoured to offer a truly unique experience in Suganuma village, a World Heritage Site, through our collaboration with Airbnb. The rich history and vibrant culture of this charming small town, coupled with the warm hearts of the people who live there, will make for a fascinating and restorative stay. We hope this campaign brings attention to this beautiful destination for both Japanese residents and guests from around the world," stated Mr Mikio Tanaka, Mayor of Nanto City, Toyama Prefecture. If you're keen, you'll want to try to score the only booking at 10am AEST / 12pm NZST on Friday, June 30 — and if you're successful, you'll be having a money-can't-buy stay across Monday, July 17–Wednesday, July 19 this year. The reservation includes a welcome tea, plus Gokayama tofu, mountain vegetables and fish caught from the local river, as prepared by Mr Nakashima; a guided bike tour around the village and its surroundings; a hands-on workshop to learn about crafting thatched roofs; and also finding our more about the town's traditions such as making washi and sasara, a paper made of local fibre and a traditional instrument, respectively. And, you'll also be treated to a light show with folk songs one night, Suganuma Village's residents illuminating their homes. For more information about the Nakashima family's Gasshō home listing on Airbnb, or to apply to book at 10am AEST / 12pm NZST on Friday, June 30, head to the Airbnb website. Images: Satoshi Nagare. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
UPDATE, May 16, 2021: You Were Never Really Here is available to stream via Shudder, Google Play, YouTube Movies and iTunes. Never has a beard felt as important as it does in You Were Never Really Here. Mottled with grey and sporting the texture of steel wool, it's visibly abrasive. It looks scratchy to touch, and as though its coarse mess would grate against the skin underneath. That skin belongs to Joe (Joaquin Phoenix), though he's troubled by more than his choice of facial hair. In fact, the desolation in his eyes and the menacing heft of his frame suggest that his shield of bristles is thoroughly by design. An assassin who rescues young girls from sex trafficking rings — and who's haunted by his own childhood abuse, as well as his past as a soldier and FBI agent — he coats his chin with a wiry nest partly as armour, partly in order to feel something. The fourth film by directorLynne Ramsay, You Were Never Really Here inspires intricate dissections of every element within its frames — and every aspect of its brooding protagonist, too. Charting Joe's latest assignment, it's ostensibly a crime thriller, but it's really a character study of a despairing man. As the filmmaker demonstrated in We Need to Talk About Kevin, her movies relay their narratives with a minimalistic but expressionist touch. They plunge viewers into their protagonist's headspace with distorted flourishes, yet offer up only what they need to. You Were Never Really Here achieves this with jarring flashes of Joe's memories, with shots that box people in using their surroundings, and with a ragged, raging score by Radiohead's Jonny Greenwood. It also does the same just by staring at Joe, and letting audiences soak up his broken yet brutal presence. First seen finishing a job in Cincinnati (and trying to finish himself as well), Joe is a man of few modes. Usually he's ruthless and task-oriented, whether arranging his next hit, buying the hammer he'll wield or deploying his deadly skills. When he's at his Queens home with his elderly mother (Judith Roberts), he's kind and caring, a tenor he reserves only for that situation. In-between, he's fighting a war inside — one that he can temporarily put at bay by saving exploited children or by playfully singing with his mum, but can never completely win. The suicide attempts continue, fuelled by emptiness and isolation, although something holds him back. Then Joe is enlisted to rescue Nina (Ekaterina Samsonov), the pre-teen daughter of a New York senator (Alex Manette), and his world goes astray. Early in the piece, Joe takes a cab from a job, but this isn't merely an updated Taxi Driver. He speaks little and swings a hammer, but the film isn't a riff on Drive. He even watches Psycho with his mother — and recreates its infamous screeching noise and stabbing motion outside of his bathroom — but that's not where this is heading either. As boilerplate as You Were Never Really Here might sound with its tormented protagonist, avenging storyline and penchant for violence, this isn't a picture that walks in anyone's shoes other than Ramsay's own. The writer-director has long delved into the lingering echoes of trauma, not only in the dense and complex Kevin but in her earlier efforts Ratcatcher and Morvern Caller too. If other flicks spring to viewers' minds when watching You Were Never Really Here, that's purely because Ramsay has only made four features in two decades — and, criminally, her last came out seven years ago. While it's a distinctively immersive Ramsay creation, You Were Never Really Here isn't a film that's big on plot. The novella it's based on numbers less than 100 pages, after all. But if Joe's tale is concise in the hands of author Jonathan Ames (Bored to Death), then it's positively stripped bare on the screen in the bleakest, tensest yet also most rewarding way. There's freedom in such an economical approach — the freedom to build an entire world around Joe's festering pain, to show why he'd rather just disappear, and to explore how the agony he can't shake shapes his entire reality. Indeed, You Were Never Really Here is disarmingly effective in conveying how post traumatic stress disorder burrows into the deepest recesses of someone's mind, controls their every move, and casts an enormous shadow over everything that they see and hear. And, of course, why it might spark them to lurk both at the edges of society and behind a scruffy beard. Playing Joe, Phoenix won the Cannes Film Festival's best actor prize for more than just his appearance. His is a powerfully wounded performance, a portrayal that wears the character's internal distress as openly as the scars that cover his back and arms. Phoenix boasts a resume filled with damaged figures, be they vicious in Gladiator or sweet in Her, and he's the ideal actor for Ramsay's intense and exacting film. Smashing skulls, cradling bodies in a stream, slurping milkshakes — no matter what he's doing, he's as gripping and galvanising as he's ever been. https://www.youtube.com/watch?v=fQyDaGWQ43w
There's no shortage of ice cream in Brisbane (especially with Messina opening their doors last week), but there's only one annually-available frosty delight that everyone wishes they could eat all year-round. You know exactly which pink-coloured dessert we're talking about — it's hands-down the best thing about the Ekka. Get excited, strawberry sundae lovers — the revamped King Street precinct will be giving the city an early treat at a one-night-only pop-up. From 5.45pm on Wednesday, April 12, the intersection of Bowen Hills' King Street and Gregory Terrace will become a strawberry sundae wonderland. Folks, there'll be 250 ice creams on offer, and they'll all be free. The only catch is you have to win tickets to head along, so keep your eyes fixed on King Street's social media. Attendees can also get their strawberry fix at King Street's permanent eateries, with the likes of Sushi & Nori, Il Verde, Super Combo and The Lamb Shop whipping up themed dishes and drinks for the occasion. The pop-up is timed to coincide with the unveiling of an installation celebrating the iconic dessert, which was created by students Aimee Watt, Annabelle Cridland, Alexandra Lucey and Bridget Cassidy from Queensland University of Technology's Creative Industries faculty. Sitting at the end of the precinct's old Dairy Hall, their sign will provide "a way for everyone to relive their experience with the strawberry sundae all year around", said project director for the Brisbane Showgrounds, Andrew Hay. King Street's strawberry sundae stall will pop up from 5.45pm on Wednesday, April 12, on the corner of King Street and Gregory Terrace, Bowen Hills. Keep an eye on their Facebook page for more information.
Trolls brings its tiny, brightly coiffed creatures to the screen with plenty of baggage. You might have played with the toys that the film is based on. You probably don't have particularly fond memories of many other toy-based franchises – think Transformers, G.I. Joe and Battleship. At the very least, you've almost certainly had Justin Timberlake's inescapable 'Can't Stop the Feeling', which features in the flick, stuck in your head for months. Here's the good news: as directed by SpongeBob SquarePants veterans Mike Mitchell and Walt Dohrn, Trolls is far from the eye-roll-worthy effort it might seem like on paper. On a scale ranging from The Smurfs to The LEGO Movie, it falls firmly in the middle — even if it does little more than swap blue critters for their brightly coloured counterparts, with elements of Cinderella thrown in as well. Here, trolls are "the happiest creatures the world has ever known," and don't they like to sing, dance and hug about it. The scrapbook-loving, party-throwing Princess Poppy (Anna Kendrick) often leads the charge, and she has plenty to celebrate. Twenty years earlier, the pocket-sized folk were frequently scooped up and eaten by huge, hungry beings called Bergens, but quick thinking on the part of King Peppy (Jeffrey Tambor) saw them escape and live joyously ever after. But their idyllic existance is suddenly shattered when an evil chef (Christine Baranski) stumbles upon their habitat. Soon, a handful of trolls are destined for the plate of Bergen Prince Gristle (Christopher Mintz-Plasse), leaving Poppy with the task of saving them, and cranky survivalist Branch (Timberlake) begrudgingly lending his assistance. There's a reason that the Bergens are so keen on catching and munching on the rainbow-hued critters: when they do, they experience a burst of ecstatic contentment that's probably on par with humans eating Nutella-slathered doughnuts. That sensation, of course, ties into the lesson at the heart of the film. As Trolls works towards the song we all know is coming — and throws up various other pop covers along the way — it serves up a heavy-handed moral about finding happiness from internal sources rather than external ones. Still, somehow the movie manages to find a balance between loud, shiny and sickly sweet, and entertaining enough. Kendrick's enthusiastic voice work helps, as do the handmade-looking visuals, which make the film's CGI appear as though it's fashioned out of felt and other crafting products. On the joke front, just as many light-hearted gags and pop culture references land as languish, which is a better strike rate than many other family films. A word of warning though: it might be dressed up in fuzzy packaging in more ways than one, but Trolls also remains the kind of flick that features glitter fart clouds and cupcakes poop. Consider yourself warned.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Brisbane is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Brisbane. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, eat red velvet waffles for dinner, cycle through the City Botanic Gardens and take a road trip to eat Brisbane's best pies by the water. Plus, we've got your future detours sorted for the next few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
After playing two balloted shows that sold out faster than you could say "Best New Music", The xx have made good on their promise that they would come back in 2013 to sate the appetites of everyone who missed out. Now that they've released their second album, Coexist, the buzz around the trio is only louder. But Jamie Smith, Romy Madley Croft, and Oliver Sim are capable of being heard above the din by turning up the volume on one of the most valuable (and most underrated) instruments of all — silence. Their strength is seen through the gaps between bone-chilling reverbs and papery vocals, and they're sexy because they don't specifically mention sex. That's not to say The xx don't get noise. They get much of their inspiration from London's dark techno dance scene, and Jamie and Romy both have thriving satellite careers as DJs. The trio's bankability is bigger than ever, so be sure your credit card is handy and your clicking finger poised when tickets go on sale at noon on January 15. More information on the Handsome Tours website. UPDATE: Thursday, April 4, at Festival Hall in Melbourne, and Sunday, April 7, at the Hordern Pavilion in Sydney have sold out. New shows have been added at Festival Hall on Friday 5th and the Hordern on Saturday 6th. There are still tickets available to the Brisbane Convention and Exhibition Centre on Tuesday, April 9. https://youtube.com/watch?v=_nW5AF0m9Zw
Nature documentaries rarely simply spy the earth's wonders, point cameras that way and let the planet itself do the talking. Instead, films such as 2017's The Ancient Woods are by far the exception rather than the rule. And yet, the best footage within any movie about our pale blue dot makes viewers wish that more favoured the "a picture is worth a thousand words" approach. Take The Giants, for instance. When it includes talk, which is often, it's no lesser a feature. The conversation and commentary offered is illuminating, in fact. But when it wanders through Tasmania's colossal foliage within the Styx Valley, Southern Forests and the Tarkine, which is also regularly, it feels like it barely needs to utter a single thing. This isn't merely a factual affair about flora, with environmental campaigner and pioneering former Greens senator Bob Brown firmly at its core, but The Giants knows that paying tribute to both is best done by staring at leafy surroundings as much as it can. It's no everyday feat to get a movie-watching audience admiring the natural world while peering at a screen, even if the frequency with which David Attenborough's docos arrive has helped everyone both think and expect otherwise. Indeed, notching up that achievement is a mammoth accomplishment on the part of The Giants' filmmakers Laurence Billiet (Freeman) and Rachel Antony, plus cinematographer Sherwin Akbarzadeh (Carbon — The Unauthorised Biography). Crucially, it assists what was always going to be a fascinating ode to bloom as much as any plant that it waters with attention. When you're crafting a documentary that intertwines a love letter to Australia's ancient native forests and their ecosystems with a powerful portrait of a hefty figure who has devoted much of his life to fighting for them, showing all the green splendour it possibly can is equally a must and a masterstroke. A doctor who turned politician after first establishing roots in Tasmania's environmental movement in the 70s, Brown has spent many of his years either around or battling for The Giants' woody namesakes. The film tells that tale, plus more before it, deploying the familiar birth-to-now doco format. Thanks to its human subject, aka the movie's other giant, it's a greatly inspiring story — one that on its own, assembling the usual archival photos, news clips, home videos and talking heads, is a hearty piece of motivation to follow in Brown's activist footsteps. As an interviewee, he adds insights about his experiences, dreams and goals, and the way that Australia's lavish landscape has been treated. Among those joining him: his twin sister Jan, partner Paul Thomas, successor as Greens leader Christine Milne and current Greens Senator Sarah Hanson-Young. Brown was born to a family of police officers, but enforcing the law wasn't his calling, as The Giants steps through. His closeness with his mother also earns the spotlight, as does the way that nature provided solace and excitement from his early years onwards. The decision to study medicine, his struggles with his homosexuality, his shift to Australia's southernmost state, the first sprouts of his passionate crusading and his move into politics are all covered, as are his stint fasting on top of Mt Wellington to protest the nuclear-powered USS Enterprise sailing into Hobart, the jump to the federal level and interrupting US President George W Bush's 2003 speech to Australian parliament. There's no surprise that the film needs 112 minutes to fit all of the above in and more, like Brown's status as the first out gay man in parliament, and also to highlight the breathtaking beauty that's been Australia's for millennia. On-screen as in away from the cinema, don't ever underestimate the impact that trees can and do make. Here, in a picture that starts with 100-metre-tall eucalypts regnans that dwarf dinosaurs, and similarly heroes Huon pines and Tasmanian myrtle beech, majestic rainforests and the gargantuan plants within them make a rousing and riveting documentary even better. The arresting imagery would bring to mind Peter Dombrovskis' famous photography of the Apple Isle's Franklin River — specifically Rock Island Bend, as captured in a snap that's widely credited with saving the waterway — even if it wasn't given a shoutout. Courtesy of the University of Tasmania's Terra Luma research project, 3D forest scans dazzle as well, as turned into surreal and striking cloud animation by Alex Le Guillou. As much as roving one's eyes over the wilderness speaks for itself, The Giants gets chatting to deepen viewers' understanding of nature's marvels. Accordingly, an appreciation of algae and mushrooms also springs — 2023 is the unofficial year of the fungus on screens big and small, after all, given that it's a year that's seen both The Last of Us and The Super Mario Bros Movie become hits. Regardless of how popular spore-producing organisms are in pop culture right now, knowledge about their pivotal function is a call to act within Billiet and Antony's film. The Giants also gleans that explaining what's threatened by logging, damming and climate change, especially while showing it in intricate and impressive detail, is a stirring way to encourage viewers to do their part for the cause. It's one thing to ask people to make an effort to make a difference when the movie stops rolling, whatever their personal version of facing deforestation, bulldozers, expansive mining operations and the like is. It's another to demonstrate that playing a part for the planet can and does bring about change, as Brown's life story epitomises. He has the right words to stress the case as well, whether he's noting that "there is nothing a small group of people can't do when the idea they're espousing's time has come" or championing civil disobedience as obedience to nature — and, yes, aiding with justifying why the film isn't solely gorgeous shots of tremendous trees. The Giants has the right overview of his five-decade impact to go with it, alongside all that wondrous forest footage that says everything, including that the living world in the 21st century always needs all the help that it can make blossom.
Ever wanted to see your favourite bands kick a few goals, and help support a good cause at the same time? For more than a quarter-century, the Reclink Community Cup has been turning musos into footy players for an annual charity Aussie rules match. Before the pandemic, the Melbourne game would draw more than 10,000 people and raise over $100,000 each year. Sydney's match had been going strong for years too — and the cup finally came to Brisbane in 2016 (if you're wondering, the musos took it out). Now, for Brisbanites, the Reclink Community Cup is back again for another round. Come Sunday, July 31, the city's music community will descend upon Enoggera Memorial Park to put their sporting prowess to the test. Two teams will take to the field: The Rocking Horses, featuring players from an array of Brissie acts; and the Brisbane Lines, filled with a crew of journos, industry staff general music-related folks. The complete list of exactly who'll take to the field for both groups hasn't yet been revealed, but members of Powderfinger and The Church, Dead Letter Circus, WAAX, CLEA, Shag Rock, Melaleuca, Whalehouse, Tape/Off and Flangipanis will fall into the first camp. Usually, staff from 4ZZZ, the ABC, street press, Oztix and QMusic make up the opposition team. [caption id="attachment_856675" align="alignnone" width="1920"] Allan Allport[/caption] The Community Cup isn't just about getting another dose of the live AFL action, though (as ace as the prospect of more footy always is). Given that rock stars are involved, live music is part of the proceedings as well, with the bill also set to be announced. And, food-wise, expect food trucks ready to fill your ravenous stomachs, plus bars to quench your thirst. Watching bands play both music and footy is hungry work, after all — and goes down well with a cold one. Every dollar raised from ticketing goes towards Reclink's efforts to improve the lives of Queenslanders suffering from disability, homelessness, substance abuse and economic hardship through participation in sport and the arts. Yep, whoever emerges victorious from the game, a heap of deserving folks will be the real winners. Images: Allan Allport.
