Tabloid headlines aside, Allied reaches screens with a dose of deja vu. After all, this isn't the first film where we've seen Brad Pitt discover that marriage and espionage don't make for a good mix. The good news: his latest vehicle is nothing like Mr. and Mrs. Smith. Actually, that's great news. Proving far more engaging than that mediocre 2005 action-comedy isn't a big challenge, but it's one that Allied is up to— even if the end result: a war-torn, spy-centric drama doesn't always hit the mark. Partially styled after (and sharing its initial setting with) classic World War II romance Casablanca, Allied poses an age-old question in a specific context: how well does anyone actually know the people that they love? Faced with this dilemma are Canadian intelligence officer Max Vatan (Pitt) and French resistance fighter Marianne Beauséjour (Marion Cotillard), who play husband and wife in an undercover mission to dispatch with a German ambassador, only to find their faux affection becoming real. Returning from Morocco to London, wedded bliss beckons, though the combat continues to rage. Then Max receives a startling briefing, with Marianne accused of working for Germany and sharing information about the efforts of the Allies. Accordingly, Allied becomes a film of two distinctive halves — and while both could've made for intriguing viewing if they'd been individually fleshed out to feature length, they prove slight and predictable when paired together. Making audiences want more is what all movies aim for, but here it's a case of wanting one or the other. Trying to offer a tale of spies falling in love out in the field, as well as an account of one partner investigating the other's possible betrayal, Allied flirts with more feeling, depth and interest than it shows, but remains trapped by linking the two into one narrative. Thankfully, though surprises are largely absent, saving graces are plentiful. Pitt and Cotillard mightn't boast overwhelmingly convincing chemistry together, but each turn in fine performances in both the romantic and dramatic parts of the feature. The former plays charming but conflicted with ease, and there's a reason that the latter keeps being cast in complex, potentially duplicitous roles. They're also ably supported by Jared Harris (The Crown) as the man tasked with making Max peer deeper into the affairs of his wife, despite the obvious pain it causes. Director Robert Zemeckis, a veteran of everything from Back to the Future to Forrest Gump, performs his duties ably, mainly in making the movie look the part. Allied is an elegant affair that seems like a response to the complaint that they just don't make them like they used to. That includes giving the feature a glossy sheen, as though it might've been shot on a studio lot seven decades ago, and inexplicably rendering the end credits text in the largest font you've probably ever seen in a closing crawl. Perhaps over-statement is the key — or perhaps it just gives an indication of the age of the intended audience of this passable period throwback.
One party is great. Two is ace. Three? That's a merry, jolly, happy, hearty way to celebrate the holidays. Of course, the folks at The Brightside don't do things by halves. From December 23 to 26, they're channelling the spirit — and no doubt serving plenty of spirits — of the occasion. On December 23 from 8pm, get darkly festive at 666mas!, where pop punk covers will give your ears a reprieve from the sound of Christmas carols. Stateside, A Somerset Parade and Pentagram Candycane DJs will take care of the tunes, while someone that the Brighty is dubbing "Brisbane's worst person" will give out terrible presents and become the venue's very own Bad Santa. Then, head back on Christmas eve from 7pm for The Brightside's Christmas Celebration. That's when the candy cane cocktail buckets will be flowing, and the place will resemble a scene out of your favourite xmas movie. Finally, from 8pm on Boxing Day, it's post-Christmas shindig time. Take awkward family photos with people who aren't related to you, listen to Deadlights, VAELA and Dealbreakers, and get the last festive hijinks out of your system.
Everyone has a story — but, sometimes, they just don't know how to share it. Maybe they don't have a platform or anyone to listen. Maybe they can't tell anyone they know, and would feel more comfortable talking to a room full of people they don't know. It's that kind of thinking that inspired So, What's Your Story, Brisbane's regular evening of chatter. At each event, seven folks take to the stage and let the words flow freely — and with magicians, comedians, teachers, uni students, entrepreneurs, businessmen and everyday folks taking part, everyone really can join in. In 2017, a New York show is even planned. That's then — this is now, with So, What's Your Story celebrating the best yarns of 2016. On December 21 at The New Globe Theatre, hear accounts of escaping the mundane, coping with a stutter, changing perceptions and more, and enjoy real-life warmth, wisdom and insights from strangers.
Christmas means many things: chaos in the shops, carols invading your brain, and a focus on all things red and green. In Brisbane, it also means Queensland Ballet's final production for the season, with The Nutcracker brightening up the QPAC stage every year. Whether you've experienced the Tchaikovsky-scored two-act performance about sentient toys, dancing snowflakes and the Sugar Plum Fairy before, or you're joining little Clara on her Christmas Eve journey for the first time, you're certain to get swept up in the show's magic. And if you don't already have a ticket, don't delay — selling out is also an annual tradition. Image: David Kelly.
When you're watching Max, Furiosa and company race across a parched desert in search of water in Mad Max: Fury Road, Icelandic brothers fight over livestock in Rams, and a robot sort through trash in Wall-E, you're not only becoming immersed in their stories — you're becoming immersed in their environment as well. As Chris Evans works his way up a packed locomotive in Snowpiercer, Reese Witherspoon goes on quite the trek in Wild, and Matt Damon and Casey Affleck get lost in Gerry, you're doing the same as well. The Gallery of Modern Art's latest film program — This Land is Mine | This Land is Me — wants you to think about this. And, honestly, when you're getting cinematic glimpses of indigenous dance in Spear, snowy peril in Sherpa, animated oceans in Song of the Sea and island-logged people in Studio Ghibli co-production The Red Turtle, how can you think about anything else? From a trio of Terrence Malick's looks at man and the world around him (aka The Tree of Life, The New World and Days of Heaven) to iconic classics such as Baraka, Stalker and Zabriskie Point, the list goes on. And, not only does all of this movie-inspired musing take over GOMA's Australian Cinematheque from December 3, 2016 to February 26, 2017, but it's free as well.
How do you mark the official start of the season that Brisbane seems to experience for at least eight months of the year? Or, how do you say goodbye to any semblance of cool, mild or temperate weather for the foreseeable future? At Cloudland, it's simple: you throw a weekend-long party, obviously. Welcome to Summer is all about the good stuff that accompanies warmer, brighter days: food, drinks, hanging out, listening to live tunes and basking in the sunshine, for starters. It's as simple as that — and as fun. Expect music and cocktails from December 2 to 4, including the sonic stylings of The Groove Academy, Cloudland's resident band La bOum, plus Benn Hopkins and Sharif D on sax. All you really need to do is turn up, grab a comfy seat and ponder which boozy swill you're doing to sip. Yep, this is the life.
Dinner, drinks, dessert and a delightful view: it's a dating staple, and has been since humans first figured out that wining and dining was one of the keys to relationships. Combining all four isn't too hard in Brissie — we have many great restaurants, bars and scenic sights. We can guarantee that you haven't done so quite like this though. Because it's that time of year, the event in question is called The Wheel of Love, and it's a joint venture between The Charming Squire and The Wheel of Brisbane. That gives away plenty. Yes, you'll enjoy a two-course meal at the South Bank restaurant, complete with sparkling. Then, you'll head over to the giant tourist attraction to eat something sweet (and keep sipping as well). A word of warning, though: an experience like this doesn't come cheap, with tickets starting at $244. Still, if you're feeling the romance in the air, it's a good excuse to splurge — and to do something you've never done before. Image: Stephen Dann via Flickr.
Fancy a night at the movies — and at the theatre? You've heard of film adaptations of hit plays. You've heard of stage musicals taking inspiration from the screen. The Flick is neither; but it does offer cinephiles and stage buffs the best of their preferred forms of entertainment. A Queensland Theatre staging of a Red Stitch production — of an international hit that won the 2014 Pulitzer Prize for Drama, just to keep adding to its list of credentials — The Flick tells the tale of a movie fan working in a cinema during a break from college, but dreaming of something more. "Same old, same old," you're thinking, right? Yes, there's a love story thanks to a long-time employee and a free-spirited projectionist; however this isn't just the same old tale that's driven many a cliched movie. Directed by Nadia Tass — who has worked on both the stage (Disgraced) and screen (The Big Steal) — the play brings together the usual dramas, while also pondering how life is made up of just that: tiny, minuscule, relatable, repetitive yet still revelatory dramas. Expect to navigate a range of emotions, get a healthy dose of movie trivia, and catch the production before the inevitable happens (i.e., it is turned into a film).
Forget cat videos. Okay, don't forget them — they're cute, addictive and a great way to procrastinate — but they're not the only cute representation of animals that you should be placing in front of your eyes. Made with watercolours and pencils rather than cameras and pixels, Spectrum has plenty, thanks to Gold Coast artist Anika Kirk. Kirk's critter-centric pieces sometimes combine the real and the surreal into one package: life-like sketches of expressive faces, but wearing human clothes, for example. At other times, they make you stare into a deer's face, or appreciate the glory of a cockatoo. Peering at decorative landscapes and looking at a skull with flowers are also part of her portfolio. Expect all of that and more as she takes over the Southside Tea Room with a one-night-only exhibition of her latest and greatest, spanning installations, canvases, drawings and more. Taking place from 6pm on February 10, the collection is certain to brighten up your Friday night. Plus, given the venue, more than a few drinks will also be in order. Image: Anika Kirk.
How do you know when an event has well and truly become a part of a city's cultural landscape? When you can't remember a time before it graced the annual calendar, that's when. MELT, Brisbane Powerhouse's celebration of queer arts and culture, has only been doing its thing since 2015 — but based on the program on offer in the festival's third year, you wouldn't know it. Over the course of 12 days from January 25 to February 5, MELT will be living up to its name by melting hearts with its celebratory, inclusive and diverse lineup. Think LGBTI+ art, theatre, cabaret, comedy, music and ideas, all in one huge package. Yes, it's Brisbane's answer to Mardi Gras and Midsumma — and yes, you should snap up tickets as soon as you can.
So, you haven't been to River Quay — and you don't know where River Quay is. It's the pocket of South Bank that now houses a host of restaurants, plenty of grass and a great view of the river, and it's the place to be from January 26 t0 28. For four days, the eateries in the area — aka Aquitaine Brasserie, Cove Bar & Dining, Popolo and The Jetty — will showcase their wares, offering not only a sample of everything that makes them great, but a feast of Queensland ingredients as well. A lineup of live performances including Phil Jamieson and Dan Kelly provides just the right kind of mood music, and a fireworks display sets the mood on Australia Day. If Great Australian Bites sounds like the perfect way to while away an afternoon, that's because it is. Who doesn't love taster plates piled up, pop-ups, local artists and scenic sights, after all? No one, that's who.
Brunch isn't just something you eat after you've enjoyed a weekend sleep in. And it's not just an excuse to gorge on breakfast, lunch and a few cheeky mid-morning beverages all at once. It's both, as well as an occasion that's always worth celebrating. That's why, after introducing their series of brunch-themed shindigs in 2016, Cloudland is doing it all over again. It's a concept that has been happening in New York and London for a while now, and now it's Brisbane's turn. The Brunch Club really does combining everyone's favourite meal with a party vibe; think live entertainment, garden games and a 3.5 hour food and beverage package. That's what you'll find from 11.30am Sunday — and yes, if it kicks off before midday, it still counts as brunch. Tickets cost $75 per person for the most indulgent before-noon boozy spread you're likely to ever enjoy. And it's certain to be popular, so we'd recommend booking in advance.
A best-selling novel becomes a world premiere play, and Queensland Theatre Company transforms QPAC's Playhouse into a Sydney department store in the '50s and '60s. That's what happens when Ladies in Black transitions from the page to the stage, but that's not all. The show follows Lisa, a school leaver turned shop employee, who warms to the wondrous world of the women's frocks department. There, she meets her new mentor in the form of Magda, the mysterious mistress of the gowns. If it sounds like a modern musical theatre fairytale, that's because it is supposed to — and yes, Ladies in Black overflows with glitz and glamour, of course. Throw internationally acclaimed musical theatre director Simon Phillips (Priscilla Queen of the Desert, Love Never Dies) into the mix, plus original music by Split Enz and Crowded House's Tim Finn, and you have a bright, breezy production that will transport audiences into a song-filled onslaught of style and delicate comedy.
Roaming your eyes over the exciting artistic works crafted by talented local folks is a mighty fine pastime. So is enjoying a few beverages, some snags and veggie skewers. Doing all of the above while helping to ensure such pieces, creatives and events keep on keeping on — well, that's even better. Yes, drinks, food, art and fundraising combine at Cut Thumb Laundry: Gimme Gimme More! And yes, the evening is named after a Britney Spears song. Something much, much more important than the pop singer is on the agenda, though: helping the artist-run initiative gather up enough cash for the next big venture as Metro Arts' 2017 ARI in residence. Artworks from Cut Thumb Laundry's Whynot and Ashfield street exhibitions will be on display, with pieces on sale via silent auction from 4pm til 8pm. Bringing your wallet is a must, given that every penny you spend on eating, drinking and art will go to a good cause — including the people making the excellent creations you'll be soaking in, with 60 percent of the final bid finding its way directly to the artists.
If Flying Arts Alliance Inc have their way, a shift will take place in the art world. As part of their curators development program, the organisation has been nuturing the next group of folks that'll decide just how galleries will be decked out. Curators in Space is the next step. From December 9 until January 20, the Judith Wright Centre of Contemporary Arts will showcase pieces selected by Zoe Blandford, Gillian Jones, Jo Kaspari and Emma McLean. And yes, the artists are important too, with the efforts of Duke Albada, Chris Bennie, Joachim Froese, Sharmila Nezovic and Jude Roberts on display. What this combination of emerging talent offer is a shift in many ways, including in perspective. With change a constant in our lives, this collection attempts to understand the thrills, dread, adaptability and more it can inspire — and even sparks some of its own. Image: When Will We Ever Be Together Forever 2015, Still from video with audio by Chris Bennie
We can't all live in a dance movie, sadly; however, for one Saturday evening, we can do the next best thing. The culmination of nine weeks of classes taken by the next batch of aspiring toe-tappers, Mad Dance House's latest performance pays tribute to — and recreates — all of the filmic fancy footwork you know, love and wish you could fill your days with. It's called Hype - A Night at the Movies, but it may as well be called "now that's how you put together an end-of-year showcase". Across two sessions at 6pm and 8pm, the eager dancers will show you the meaning of Saturday Night Fever, white flares optional. Just which other flicks they'll be taking their cues from is anyone's guess, though there's plenty to choose from. Whatever your favourites might be, more than a few are bound to pop up as you have the time of your life and everybody cuts footloose.
If you didn't already have plans for November 19, you do now. And if you did, change them — or factor sending a whole lotta love Queen Bey's way into your schedule. Reacting promptly, impulsively and passionately is just something Beyoncé inspires, and has been doing so for almost two decades. You probably don't even remember a time before Bey ruled our airwaves and screens. Thanks to Bistrotheque's Crazy In Love: Beyoncé Appreciation Night, you won't have to. Expect all of the hits, both solo and from her Destiny's Child days — and all the epic dance moves that go with them. No, it's not Bey's b'day, but we're guessing you'll be feeling like Sasha Fierce, as well as both crazy in love and drunk in love with the pop idol in the spotlight. The joint will be jumpin' jumpin', and we're not telling you what to drink to celebrate the occasion; however you might want to mix it with lemonade.
Who said NYE had to cost a fortune? Not Brisbane Brewing Co. And who said the last night of the year had to be a one-size-fits-all kind of occasion? You guessed it — not the West End watering hole. Here, $49 is all you'll pay for flexible food and drink package that you can tailor to suit your needs, and for a more pretty relaxed evening. You choose when you arrive, whether you want to eat more, booze more, or balance both, and they'll take care of the rest. Go forth and actually have an easy NYE.
It's one of the best phrases in the English language: breakfast for dinner. As a kid, it meant that your parents were cooking up pancakes as an evening meal. As a teenager, it meant eating cereal whenever you wanted to. At Little Clive on November 26, it means a whole night dedicated to the kinds of food you're supposed to start the day with. And no, you won't just be eating cornflakes at the Annerley eatery's Pop-Up Brinner Night. Instead, think chevre and caramelised onion tarts, pork sausage scotch eggs with whipped avocado and pickled apple, steak with poached eggs, hollandaise and crispy potatoes, cinnamon doughnut waffle sundaes and maple candy bacon cheesecake. As it's an alternative drop menu — with your choice of mains — you won't get to eat all of the above; however whatever you do get is certain to be tasty. You'll never look at breakfast for dinner the same way (but it's okay, you can still enjoy a bowl of coco pops whenever the urge hits — no judgement here).
Low. Slow. When it comes to meat, they're two of the best words in the English language. They're also what Hawthorne-based outfit Barbecue Mafia is all about — and they're putting on the event to prove it. Welcome to the latest in their Smokehouse Saturdays series. There's one thing on offer here, and lots of it, as smoked on two pits. Expect meat literally by the platter, because that's what Barbecue Mafia is selling from 6pm until 10pm — or until sold out. And, it'll all be cooked for at least ten hours, and benefit from the crew's recent trip to the barbecue heartland that is Austin, Texas. Hungry? Of course you are — and knowing exactly what's in store is only going to make that worse. Expect 14-hour smoked beef brisket, ten-hour smoked pulled pork shoulder, jalapeno and cheddar hotlink sausage, smoked moisture-infused turkey breast, two side salads, dill pickles, sliced white onion, fresh white bread and Mafia BBQ sauce, all for $31 + booking fee in advance and $35 on the night. Expect to be mighty satisfied after getting through all of that, too.
Emotional luggage, the cargo of life, a metaphorical suitcase full of feelings: whatever you want to call it, we all have baggage. Yep, every single one of us. And, at some point, we all share the stories that go with it. That's what Cargo Club — Transcultural Underground for Thoroughly Good Social Intercourse is all about. At the cultural cabaret gracing the Metro Arts stage from January 31 to February 18, a group of performers from the Centre for Australasian Theatre in Cairns and DarahRouge in West Java, Indonesia will unpack the tales they carry with them. In doing so, they'll not only provide a lively addition to the BrisAsia 2017 program. They'll also offer up a blend of styles and sentiments in more ways than one. Here, tunes, words and ancient rituals combine. Live art, performance and technology does too. Want more? How about villages and cities, and eight different languages? They all come together as the diverse group contemplates the intergenerational impacts of colonisation, migration and globalisation in their first production as 2017's artists-in-residence. And while they're doing that, you can also snack and drink while you watch, listen and experience their efforts, with a bar located inside the theatre.
Poor Will Smith. The former Fresh Prince of Bel Air star jumped from television to rap to film superstardom decades ago, but he just can't kick his habit of maudlin motion pictures. In The Pursuit of Happyness and Seven Pounds, he played sad and struggling. In I Am Legend and Hancock, he was lonely and misunderstood. In Winter's Tale, he made a brief appearance as part of the film's romantic fantasy about angels and fate. But combine all of that together, and it still won't prepare you for the nauseating disaster that is Collateral Beauty. Here, Smith plays advertising executive Howard Inlet, who falls into a deep depression in the wake of a personal tragedy. But with a takeover deal in the works, his colleagues Claire (Kate Winslet), Whit (Edward Norton) and Simon (Michael Peña) are worried that he'll jeopardise their big payday. So, they hatch a plan to capture his erratic behaviour on video. Enter three theatre actors (played by Keira Knightley, Helen Mirren and Jacob Latimore), who his friends pay to interact with Howard while pretending that they're the physical embodiments of love, death and time. Naturally. In a nutshell, the main thrust of Collateral Beauty involves gaslighting a bereaved man so that his work pals can cash in. Winslet, Norton and Peña's characters each have their own sob stories to justify their actions, but there's no escaping the underlying nastiness driving this supposedly upbeat tale, which is also set at Christmas to add even more cheer. Elsewhere, Naomie Harris plays a grief counsellor who helps flesh out the main backstory, but just ends up being saddled with terrible lines that attempt to explain the movie's title. Don't assume that director David Frankel or writer Allan Loeb haven't thought twice about the narrative, though. The filmmaker behind Marley and Me and the scribe responsible for the Kevin James vehicle Here Comes the Boom know exactly what they're trying to do. Bathed in warm shades, Collateral Beauty is happily packaged as comfortable, contemplative, festive fluff that will make audiences feel rather than think. Alas, it's pretty hard to be overcome with emotion when you're groaning at each calculated, predictable and downright unpleasant turn. A modern-day A Christmas Carol this most certainly is not, as much as the film tries to convince you otherwise. And if you're wondering if the onscreen talent can salvage the film, we'll save you the trouble: they can't. Almost all of the starry players, including sombre-looking Big Willie himself, sleepwalk through an effort that really doesn't demand much else of them. In fact, The Maze Runner's Latimore is the only actor who seems invested in what he's doing, and he offers Collateral Beauty's best performance as a result. Not that you can blame his co-stars for checking out. Viewers will almost certainly do the same.
Tucking into some seafood, fried potatoes and a cold brew: if that's not a summer tradition, then we don't know what is. To be fair, given the sunshine and heat Brisbane is blessed with for most of the year, it's an all-the-time tradition really. A fancy version of fish, chips and beer, though? Well, that's something special. Trust Newstead Brewing to give an old favourite a new twist at Surf, Suds & Sumptuous. Following in the footsteps of their previous seasonal food-and-booze pairings — aka Weird, Wild & Wonderful and Dank, Dark & Delicious — they're making the most of the hot, hot, hot climate and giving us what we're all craving. Tickets cost $80, making it the most expensive fish and chips you've ever had in your life; however once the eating and drinking extravaganza kicks off at 6pm on January 17, we're guessing that you'll think it is worth it. Diners will be treated to four dishes featuring fresh local catches, including crab and ocean trout. And, in yet another tradition, each round will be paired with Newstead Brewing Co beers, with a first taste of their brand new beverage The Nundah also on the agenda.
If there's a great Mighty Morphin Power Rangers movie aching to be made, it's the one that Elizabeth Banks thinks she's in. Playing the villainous Rita Repulsa in the latest big-screen instalment of the franchise, she can barely contain her glee as she struts around the small Californian town of Angel Grove caressing faces, ripping out teeth, croaking lines about her love of gold and even devouring the shiny substance. If only the rest of the film enjoyed the same sense of fun. The '90s series didn't take much seriously – and how could it, when it featured overdubbed action footage from Japan's Super Sentai? Alas, the bulk of this reboot seems to have forgotten that. Admittedly, given that one of this new movie's first scenes involves a teenager chatting about pleasuring a bull, it initially seems that director Dean Israelite (Project Almanac) and screenwriter John Gatins (Kong: Skull Island) haven't ditched the goofiness entirely. Appearances can be deceiving, though. Just as a group of diverse high schoolers can turn out to be colour-coded superheroes, so too can a film that features a wise-cracking robot (voiced by Bill Hader), Krispy Kreme as the source of life on earth, and monsters fighting robot dinosaurs prove a bland addition to an all-too-familiar genre. Gritty origin stories — we've been there and done that over and over again. Adolescent angst, outcasts bonding in detention and kids learning that everything's better when they're part of a team — yep, we've seen that before too. That's what happens when troubled but charismatic quarterback Jason (Dacre Montgomery), "on the spectrum" nerd Billy (RJ Cyler), ostracised cheerleader Kimberly (Naomi Scott), show-off Zack (Ludi Lin) and perennial new girl Trini (Becky G.) cross paths at an abandoned mine, find glowing coins and acquire new superpowers. Thankfully, the former Ranger turned talking wall that is Zordon (Bryan Cranston) is on hand to fill them in on their mission to save the world from Rita, who has just been fished out of the ocean after 65 million years. Most of the movie is happy to watch the diverse new quintet hang out, talk about their problems, test out their skills and bond — because, if there's one thing that Hollywood loves more that zero to hero stories, it's setting the scene for future flicks. Even if it hadn't just been revealed that the producers have a six-film story arc ready and raring to go go, those intentions are evident from the outset. One day, making sure each movie is engaging on its own, rather than acting as filler for more to come, might become a priority again. Unfortunately, that's not the case here. Indeed, by the time the fighting rolls around, you could be forgiven for feeling like it's too little, too late. The final battle against Rita and her giant metallic minion Goldar offers a welcome albeit messily-shot burst of energy, as well as a glimpse of the type of tone the powers-that-be might want to adopt if five more flicks do come down the production line. It's just a shame you have to watch Power Rangers morph from The Breakfast Club to Chronicle to Fantastic Four to Transformers in order to get there. Still, at least it's better than 1995's Mighty Morphin Power Rangers: The Movie, which is only worth revisiting if you want to see the Rangers roam through Sydney.
First things first: if you're going to combine karaoke with feminism and need a name for the resulting event, you can't get any better than Femioke. If there was ever a term bound to inspire the proud and passionate singing of many a pro-girl anthem, it's this one. Expect to do plenty of that at Femioke, whether the likes of the Spice Girls, Aretha Franklin, TLC, Cyndi Lauper or Beyonce gets your vocal talents flowing. As emceed by Metro Arts' Amy-Clare, the event isn't only interested in belting out favourite feminist tracks, however — it's also about taking back misogynist songs. Think of it as a DIY-style sing-along, an all-inclusive feminist event and a safe space to celebrate International Women's Day — complete with a cash bar because every great karaoke session needs a tasty tipple. If you missed either of the first two events, don't do the same this time. All feminist identifiers are welcome. Image: Dollar Photo Club.
What does it take to thrust an art form forward? In the world of dance, four emerging choreographers, an urge to experiment, a group of talented performers and a stage to unleash their creations all provide a great start. That's Propel in a nutshell. The latest effort from Expressions Dance Company, which runs from March 3 to 11, toys with the form to create something new and bold. Well, as the number of creative driving forces indicates, make that four new and bold pieces in fact. Lisa Wilson's Hollow Lands draws upon the feelings that lurk beneath the surface, while Amy Hollingsworth's Deeper Than Ink captures the emotional intensity of human relationships — and that's only half of the program. Elsewhere, Xu Yiming comes to Brisbane from Beijing's LDTX Dance Company to offer up the Australian premiere of his solo Waiting Alone. And, then there's Elise May's Written on the Body, which ponders physicality and privacy. Image: Samara Jamel.
Video might've killed the radio star, as the song goes, but it helped unleash a brand new wave of Australian art. We all know that there's more to moving images than films and TV show; however, we're just not exposed to video art quite as often. Consider Griffith University Art Gallery's latest exhibition a trip through the past, a primer on why experimental sound and vision is so great, and the motivation you need to seek out more. From March 30 to July 8, Griffith is dedicating its space to video art practice in a program curated by Matthew Perkins. Boasting around 70 artists, Red Green Blue: A History of Australian Video Art is split into three colour-coded sections, each spanning different themes. Until April 29, delve into all things political. Then, from May 3 to June 3, contemplation the intersection of bodies, technology and action. The last segment, running from June 6 to July 8, toils with the topic of perception and encounter.
Easter means different things to different people. For some, the religious significance of the occasion shines brightest. For others, it's the longest weekend of the year. Let worshipping and partying come together at The Brightside's public holiday eve shindig. It's dedicated to a pop deity after all. Love Beyoncé? Here's your chance to show it. There's no prizes for guessing just who'll be monopolising Brighty's stereo from 7pm on April 13, though. There are prizes for playing a round or two of trivia and musical bingo, of course. Play all night, don't say sorry, and show your fellow fans who runs the Beyoncé-loving world. Getting in on the action is free, but anyone eager to play must register in advance. Now, go back to scouring the pop star in question's social media feed for clues about her impending new arrivals. Hey, you can call it pre-trivia research.
Music is best when it is live and loud, and Brisbane has the event to prove it. That'd be the aptly named Brisbane Live Music Week, a seven-day celebration of the city's sonic shenanigans presented by community radio station 4ZZZ. Sure, any and all gigs taking place in Brisbane from March 19 to 25 technically fit the bill, but it wouldn't be BLMW without something special joining the fold. This year, 4ZZZ are bringing the party home via a series of live gigs in their car park, which will all be broadcast live on air. Yes, that means you can still listen if you can't make it along, but you know that being there will be oh-so-much better than tuning in. Catch Bad Bangers on Monday, Some Jerks on Tuesday, Nice Biscuit on Wednesday, GO VAN GO on Thursday and Dirty Liars on Friday, with each gig kicking off at 5pm. Then, head on down at 3pm on Saturday for the pièce de résistance that is Biscotti, Orlando Furious, Julia R. Anderson and Amaringoo all rocking out to bring the week-long live music showcase to a close. Image: Some Jerks.
First things first: no, Brooklyn Standard isn't being taken over by a certain fried chicken fast food joint. Phew. Now that you've all exhaled that huge sigh of relief, you can get excited about what's actually happening. Think sipping and eating the finest bevs and bites from the US state in question. Sampling, dining and tapping your toes are all on the menu at Kentucky Kitchen Takeover, with the CBD bar getting into the southern spirit. For $75, attendees can enjoy all of the above, plus raffles and giveaways. Booze-wise, that means whisky tastings and cocktails. Food-wise, think exactly the kind of hearty cuisine you're now craving. Tunes-wise, the Mojo Webb band will be churning out the blues. With all of this on offer, don't worry — you'll just be listening to them, not sharing the same feeling.
The love of melted dairy between two slices of toasted bread truly knows no bounds. And why should it? Whatever ingredients you prefer, and whichever extra fillings you add in as well, it's the kind of warm, creamy, hearty comfort food no one ever gets sick of. There's even a day dedicated to the oozing snack — International Grilled Cheese Sandwich Day, of course. Trust Brisbane's melted cheese haven to celebrate the occasion, and trust them to do so by giving everyone what we love. At Melt Brothers' Free Grilled Cheese Day on April 8, free grilled cheese toasties will be falling from the heavens. Well, actually they'll be handed out over the counter between 10am and midday to anyone who has liked their Facebook page and followed them on Instagram, but the basic concept of giving away free cheese toasties remains. Four different melt-in-your-mouth options from their cheese-tastic menu will be on offer: the triple cheese-laden Mouse Trap; the smoked ham, tomato chutney and aged cheddar marvel that is the Holy Cheezus; Hippy Cheese's stack of basil pesto, grilled eggplant, roast capsicum, rocket, tomato and mozzarella; and M.C. Cheesy's mac and cheese, maple bacon, chipotle mayo and cheddar blend. If that's not festive enough, a DJ will be spinning tracks while you stuff your face. Arrive early, and arrive hungry. — it's a one-free-sandwich-per-person type of deal, but you can also buy tater tots seasoned or loaded with cheese, beer and wine, plus vanilla ice cream, Nutella, hundreds and thousands on a toasted sweet bun for dessert.
UPDATE, November 6, 2020: A Cure for Wellness is available to stream via Netflix and Prime Video. When you're sitting through a bland attempt to remake a decades-old radio series, or a spate of diminishing sequels in an average-at-best franchise, you can forget that filmmakers don't just make movies — they also watch them and love them. With The Lone Ranger and the first three Pirates of the Caribbean flicks on his resume, it's rather easy to do just that where Gore Verbinski is concerned, but every now and then he does something to remind you. Back in 2011, the Oscar-winning animated western Rango did the trick, ensuring every viewer knew just how fond Verbinski is of the genre. Likewise, with A Cure for Wellness, his first horror film since The Ring, Verbinski wears his inspirations on his sleeve. And while it mightn't stand out as a landmark scary effort, it still makes for intriguingly creepy viewing. For the record, the veteran filmmaker appears to have seen and adored Rosemary's Baby, The Shining, Shutter Island and Crimson Peak, as well as countless '30s gothic fright fests, '70s Italian giallo films, '80s body horror flicks and everything Alfred Hitchcock ever made. Over the course of 146 minutes, A Cure for Wellness plays like the kind of feverish dream you might have after marathoning all of your favourite spooky movies, with your brain trying to mash everything into one over-the-top package. A labyrinthian sanitarium filled with complacent patients, eerie lullaby-like singing, ravenous eels no one else seems to see, and a history of unrest and incest: you can already spot how some of those filmic influences come into play, can't you? Along with a mysterious young woman (Mia Goth), this is what Wall Street up-and-comer Lockhart (Dane DeHaan) finds when he makes the trip to a wellness centre in the Swiss Alps looking for his company's CEO (Harry Groener). Lockhart thinks that he'll be in and out within 20 minutes, but after an accident he's stuck in plaster and unable to head home, which seems to suit the water therapy-loving doctor-in-charge (Jason Isaacs) quite nicely. There's no missing the fact that all of the folks seeking some rest and relaxation are high-flying business executives. Verbinski, who came up with the story with his Lone Ranger screenwriter Justin Haythe, isn't particularly subtle with some of the movie's ideas — and that's without even getting into a subplot involving pure bloodlines. But he's also largely unconcerned with splashing around in anything other than H20 galore, a mood of dread and tension, and gorgeously unsettling visuals in pale, icy shades. Diving deep into all three results in the cinematic equivalent of a gloriously macabre synchronised swimming routine; an intricately choreographed sight to behold that keeps the most interesting parts on the surface. And what a surface it is. Mastering a tone of unease, serving up a sleek, sinister feast for the eyes, and throwing in a wealth of affectionate nods to genre greats mostly keeps the feature afloat. Mostly. Unsurprisingly, A Cure for Wellness struggles with thin characterisations, and even more so when the predictable yet twist-heavy plot tries to wrap up its stretched-out antics. Still, if you've fallen down its well of unhinged delights you'll probably find them part and parcel of the fun. https://www.youtube.com/watch?v=4mcVodJmBlU
In Denial, a man downplays the atrocities committed by Adolf Hitler during the Second World War. No, it doesn't tell the tale of the current White House Press Secretary — but it does sound unnervingly familiar, doesn't it? Filmed before the rise of Trump, no one could've guessed just how relevant this movie would feel when it finally hit screens here in Australia. Sadly, fake news, racism and idiots with microphones aren't particularly new. We have long lived in a world filled with people willing to champion inaccurate takes on past events as fact. That's the truth at the heart of Denial, which recounts Deborah Lipstadt's (Rachel Weisz) courtroom battle with David Irving (Timothy Spall). In 1996, she was an American professor who had published a book about the Holocaust denial movement. He was a British historian named and shamed as a denier in her pages – and despite eagerly sharing his views whenever he could, he wasn't happy about it. So Irving sued Lipstadt for libel, taking advantage of the UK legal system, which placed the onus on her to prove that he was falsifying history. Adapted from Lipstadt's book "History on Trial: My Day in Court with a Holocaust Denier", Denial is an understandably serious and sombre affair. Restrained in its emotion, which is no easy feat considering the subject matter and its mid-movie trip to Auschwitz, the film lets the reality of the situation do the talking. Watching just how Lipstadt's defence team — including no-nonsense solicitor Anthony Julius (Andrew Scott) and dedicated barrister Richard Rampton (Tom Wilkinson) — tackles the task of exposing Irving's lies without giving him a platform to put the Holocaust on trial makes for fascinating viewing. Director Mick Jackson might be worlds away from his '90s hit The Bodyguard, but his film still sings with drama, albeit it in a completely different way. Screenwriter David Hare remains in more familiar territory given that the Oscar-nominated script for The Reader is also on his resume. Together, the two carefully but commandingly step through the weighty material, giving the story the clear-headed retelling it deserves. It takes immense strength and poise to play a woman forced to fight to ensure that history doesn't become a matter of opinion, but Weisz proves more than up to the challenge. It takes just the same, of course, to play a man with despicable beliefs without ever judging him; as a result, it's hard to tear your eyes away from Spall. Sadly, it's also hard to deny how scarily timely his portrayal feels, as indeed does the film as a whole. https://www.youtube.com/watch?v=g7k7Z6S39Zc
Every year, come Good Friday, two things happen in Shorncliffe. Firstly, the sea-faring vessels competing in the Brisbane to Gladstone Yacht Race sail by. Secondly, Bluewater Festival holds a party to celebrate. Watching boats is on the agenda, however, given that the day starts with early morning yoga on the beach and ends with fireworks, there's more than that on offer. Catch some live tunes, enjoy the sight of dragon boats, peruse market stalls, grab a bite from gourmet food vendors or just find a spot of grass to relax. That's how you turn Good Friday into a great Friday.
Weekends and markets go hand-in-hand. Holidays and markets — even better. You have more browsing time up your sleeves, and all those folks selling tasty food have more edible wares. For Easter, Jan Powers Farmer Markets are delivering just what everyone wants with three artisan events spread around town. Drop by the top of Queen Street from 10am on April 12 for some CBD shopping and eating fun, or spend part of your Saturday stocking up for the days to come. On April 15, both the Powerhouse Markets at Brisbane Powerhouse and Manly Markets on the Royal Esplanade will be making sure you don't go hungry.
Great tales don't just stand the rest of time — as they keep regaling audiences over years, decades and more, they also inspire new versions, adaptations and interpretations. Accordingly, everything old can be new again, even when based upon a centuries-old story. Take the Australian Ballet's latest production of The Sleeping Beauty for example. You may have delved or danced into Princess Aurora's plight before, but this acclaimed production will make you view it with fresh eyes. In its Brisbane premiere, a curse strikes, a slumber falls and a fair maiden awaits true love's kiss — and a classic narrative feels both timeless and revitalised. Catch the splendour of David McAllister's take on the story, revel in the sets and costume designs by Gabriela Tylesova and hear Tchaikovsky's score, all at QPAC's Lyric Theatre from February 24 to March 4. Image: Kate Longley.
If you've never hallucinated a coyote, or simply really really like hot chilli, then get to Kettle and Tin for their annual Chilli Cook Off. If Kettle and Tin's last four cook offs proved anything, it's that this festival isn't one for the timid of stomachs. That's why they've ramped up the action and spread it over two days this year, first offering up a warm up of meat, a barbecue showcase and Bloody Mary masterclasses on March 18, before things heat up on March 19. That's when competitors don't mess around, the chilli proves off-the-scale delish and everything from the food to the drinks bites hard. Admission is $15, with eight Brissie venues battling for supremacy, plus live music and plenty of beverages. Our tip: if you're not a fan of spice, BYO milk. The Chilli Cook Off begins at 10am and is expected to run long into the evening. If you think you can handle the heat, pack your chilli spoon and head along.
His resume includes a racially confused rapper, a Kazakh journalist, an Austrian fashion reporter and a fictional dictator. But Sacha Baron Cohen's cavalcade of colourful characters doesn't stop there. In Grimsby, the man also known as Ali G, Borat and Brüno becomes a welfare-receiving, soccer-mad, booze-guzzling father of nine from England's north, in the first of his films not to bear the name of its protagonist. Taking its title from a place rather than a person doesn't demonstrate the movie's broader range, though. Instead, it indicates the film's mostly muddled nature, with gross-out jokes Cohen's main concern. In the eponymous Lincolnshire town, Nobby Butcher (Baron Cohen) satisfies his sexually voracious girlfriend (Rebel Wilson), oversees his brood of kids, and parties at the local pub, all while pining for his long-lost brother. Discovering that his sibling has been spotted after a 28-year absence, he heads to London, but instead of a happy reunion with secret service agent Sebastian (Mark Strong), he foils a top-secret mission. When Sebastian is branded a rogue operative in the fallout, Nobby pledges to help him. First, they hide out in Grimsby, before hopping from South Africa to Chile to stop a terrorist attack. With Grimsby, Baron Cohen attempts once again to dissect ignorance and prejudice – in this case, his target is class and prevailing attitudes about the less wealthy. Yet the slyness that typically surrounds his silly satire has been dialled several notches down. While he's never laughing at the people he's depicting – even adding a blatant late celebration of so-called scum (his words) into the mix – he's more often focusing his attention on bodily functions and primal urges. Genitals, placing items in places they're not meant to go, fatal illnesses, and fornication of the human and animal kind all ramp up the crudeness, though the humour is hysterical one minute and stretched the next. Indeed, even when the chuckles flow freely, Grimsby struggles with consistency. As an actor, Baron Cohen is clearly committed to his well-meaning clown of a character, as is Strong playing the more serious side of their odd couple double. Sadly, fellow cast members including Wilson, Isla Fisher and Penélope Cruz are given little to do. As one of the film's co-writers, Cohen flits busily between topics, targets and pop culture references with a scattergun approach. The same chaos extends to the feature's action-comedy claims. Spy spoofs just keep coming to screens, making Grimsby's espionage genre parody fall flat in the wake of Spy and Kingsman: The Secret Service. The well-shot first-person-shooter-style segments are effective, but they're awkwardly shoehorned in. Dumped in the middle of the movie's exaggerated absurdity, they're enough to give you whiplash. Yes, you'll laugh during Grimsby, but you'll also spend much of its brief 83-minute running time adjusting to its patchiness.
When beer brewers Killer Sprocket and Kaiju teamed up to make KaKS Cotmari, they bottled a malty science experiment and featured a menacing creature on its label. But that wasn't to be their only foray into monster movie territory. Now, as part of Brewsvegas 2016, they're holding a movie night — and you can be there to watch, witness and taste the results. Knocking back a beverage by both companies is a must, of course; however watching their film of choice is just as important. In fact, the former will help you enjoy the latter, as The End pops on a classic Japanese flick and lets Killer Sprocket's brewer-slash-comedian Sean and Kaiju's resident funny guy Nate provide their own commentary. The ticket price includes the film, a beer and a plate of gyoza on arrival.
It's the stuff beer lovers' dreams are made of. In fact, it's the kind of event that really does seem too good to be true — that is, ten whole days of celebrations dedicated to the amber liquid we all know and love. Stop pinching yourself: Brewsvegas is real. So real, in fact, that it'll be taking over the town from March 11 to 20 for a third year of grassroots, community-minded, beverage-based fun. Whatever your preferred beer is — and whoever your favourite brewer may be — you'll find them both here as part of the action. After a massive launch party gets the shenanigans started, it's time for everything from bar hops to river cruises, table tennis tournaments to pinball wizardry, and cocktail making comps and dessert drinks too. Working your way around the world in 18 beers, having a pint to raise money for animals in need, enjoying a live music Sunday sesh, and shining the spotlight on female brewers is also on the lineup, as well as our top five picks of the sudsy showcase. Yes, there's plenty on offer that you'll be saying cheers to.
First things first: if you're going to combine karaoke with feminism and need a name for the resulting event, you can't get any better than Femioke. If there was ever a term bound to inspire the proud and passionate singing of many a pro-girl anthem, it's this one. Expect to do plenty of that at Femioke, whether the likes of the Spice Girls, Aretha Franklin, TLC, Cyndi Lauper or Beyonce gets your vocal talents flowing. As emceed by Metro Arts’ Amy-Clare, the event isn't only interested in belting out favourite feminist tracks, however — it's also about taking back misogynist songs. Think of it as a DIY-style sing-along, an all-inclusive feminist event and a safe space to celebrate International Women's Day — complete with a cash bar because every great karaoke session needs a tasty tipple. The event also acts as an after party for the We Need to Care forum, presented by artist-run initiative and feminist collective LEVEL. Image: Dollar Photo Club.
Tibet is the type of place everyone wants to visit — and the kind of destination few of us will actually make it to. Don't worry, the Festival of Tibet offers up the next best thing. It'll either help ease the pain of not jumping on a plane, or make you book a ticket overseas as soon as you can. Learning how to make your own mala, practice meditation and paint and cook, Tibetan-style, will do that of course. And there's more where that came from. For the eighth year running, the event celebrates the resilience and optimism of a people and culture under threat through a showcase of the country's way of life. That includes a screening of the documentary Bringing Tibet Home, which delves into the nation's tentative state, plus a concert of traditional Tibetan songs and dances. We'd recommend the Karmic Imprints – Liberation Through Seeing exhibition as well. Nothing will help you understand the plight of the Tibetan people like witnessing artworks from some of the most prominent and sometimes controversial contemporary Tibetan artists from around the world.
If you've got it, flaunt it — and Claire Marshall certainly has it. The legendary Brisbane-based choreographer has showcased her smooth moves on the stage and screen for over a decade now. She's worked on sold-out productions, countless tours, and music videos for the likes of Darren Hayes, Kate Miller-Heidke, Megan Washington, Little Birdie, The Sleepy Jackson, John Butler Trio, Savage Garden and George Michael. Her latest show, Flaunt, explores female sexuality, representation and empowerment through a dazzling display of dance. Presented in the round with performers on perspex above the audience, Flaunt combines the smoky haze, glittering lights, myriad mirrors and thrilling soundtrack of a nightclub with contemporary, bold and gutsy dance. If the name sounds familiar, that's because Flaunt first popped up as part of Brisbane Powerhouse's SWEET creative development program for independent performance-makers and companies back in 2014. The show's initial run sold out, so don't delay this time. You don't want to see another type of flaunting — aka your mates, boasting about their tickets — if you missed out.
You've probably heard about Brisbane in the '80s. Under the conservative Joh Bjelke-Petersen government, times were tough — particularly if you were an arts lover, creative practitioner, or just liked going out and having a good time. With dark days like that not that long ago in the city's past, it's little surprise that Brisbane's current hustle and bustle still inspires wonder from those who lived through it. It wasn't all bad news, though. Many artists left, but some persevered, hung out at One Flat, A Room, That Space, The Observatory, and John Mills National, and tried to make a go of it. ephemeral traces: Brisbane's Artist-run Scene in the 1980s documents the latter category: the progressive folks who dug in their heels, attempted to ply their trade and created an arts scene around those five key spaces. Through artworks, documentation and other bits and pieces, the exhibition delves into their artist-run activity and examines the projects, publications and places at the centre. Yes, getting all nostalgic about retro pop culture and art might be common, but this is a truly different kind of '80s flashback. Image: Jeanelle Hurst, Highrise Wallpaper, 1988. Documentation of the project 'InterFace 88: City as a work of art', Brisbane. Collection of Jeanelle Hurst.
They said this. They did that. They think something is cool. They're outraged about another topic. In today's internet age, with everyone always online and broadcasting their every move via social media, we live in a time of "they". But who are these anonymous figures constantly lurking in our digital lives, and what role do they play in contemporary visual culture? No, that's not a question only Fox Mulder would ask. Charlie Donaldson and Spencer Harvie's mutual fascination with all things conspiratorial may play a big part in Memory Foam Never Forgets; however here, their obsession with the faceless "they" isn't a sign of paranoia or a subject for the X-Files. Sharing an interest in imagined characters and narratives, insane inventions and popular culture phenomena — and sourcing hundreds of different images from the internet — they're simply trying to get to the heart of our ever-connected modern-day reality, as well as the many things that come with it. Their exhibition is an attempt to make sense of the world, as audiences can discover throughout the installation's March 30 to April 16 run, or hear directly from the duo themselves at an artists' talk on April 6.
First, the good news: Brisbane has a brand new cheese club. Run by a group of cheese lovers keen to share their affection for everyone's favourite dairy product, it delivers monthly bundles of the types of international cheeses you won't find on any ordinary supermarket or deli shelf. Now, the even better news: Cheese Therapy isn't just about ordering online and waiting for your next batch of creamy goodness to arrive. Events are also part of the equation. You can't start a cheese club without actually getting a bunch of folks in a room to eat, drink and be merry, after all. March 16 is the date that these cheese dreams become a reality, complete with not one but two launch functions. Jump between cheese stations, nibble on a piece of sharp cheddar or a slice of gooey brie, and enjoy a matching wine. Plus, none other than Peter Russell-Clarke is the special guest. He'll be saying g'day to cheese and helping you relive your memories of '80s TV cooking shows.
There's never a bad time to head to the cinema, but Sunday, January 19 might just be a better day than most. Make a trip to the movies any time on that specific date, and $2 from your ticket will be donated to charities helping bushfire-affected communities. A joint collaboration between most Australian cinemas and distributors — aka the folks who show movies, and those that make them available to screen — the day-long event will support the Salvation Army Bushfire Appeal, the Australian Red Cross Disaster Relief and Recovery and the RSPCA Bushfire Appeal. Most cinemas in Brisbane are participating — which includes all Palace, Event, Dendy, Readings, Cineplex and Hoyts locations, plus the , among others. Wondering what to see? Spend a few hours with standouts such as True History of the Kelly Gang, Little Women and 1917, enjoy the all-ages hijinks of Jumanji: The Next Level or see Guy Ritchie fall back upon his British crime caper ways with The Gentlemen. You can also experience the catastrophe that is Cats for yourself, travel to a galaxy far, far away with Star Wars: Episode IX — The Rise of Skywalker or watch a Californian couple try a different way of living in inspirational documentary The Biggest Little Farm.
Every year, when Lunar New Year hits, Brisbane's Multicultural Community Centre celebrates with its annual Technicolour Chinese New Year Night Market. The highlight: food and plenty of it, with a packed lineup of vendors and food trucks serving up everything you could want to feast on for the occasion. Arriving hungry is just sensible, really. In addition to satisfying your stomach, the market will feature live performances — including lion dances — as well as a firecracker show. And, among the stalls, you'll also find handmade goods whipped up by local crafty folks. Eat, be entertained and take home some goodies. 2020's market takes place on Saturday, February 1 from 4–9pm at the Multicultural Community Centre in Newmarket. Entry is free, and you can even take home a few prizes. Hope the Year of the Rat has you feeling lucky.
For much of Brewsvegas, hopping around town — and making your way between as many Brisbane bars, breweries, pubs and other watering holes — is on the agenda. Sometimes, though, you just want to sit in one place, have a great meal and enjoy an inventive lineup of paired beverages. Enter Felons Brewing Co's Sour Grapes Dinner. Because it's part of a beer festival, brews are still on the menu; however they'll be of the sour kind. You'll sip your way through four — and four rosés, too — while eating a four-course dinner. Felons' head brewer Tom Champion, executive chef Patrick Friesen and head sommelier Ian Trinkle have all joined forces to create the food and drink lineup, which includes smoked trout, grilled prawn salad, honey-glazed duck and a selection of cheese for dessert — plus cherry and raspberry-flavoured brews. Head along from 6.30pm on Tuesday, March 17 — and it's recommended that you nab your $90 ticket in advance, as it's bound to be popular.
Whether through Lewis Carroll's words, via Disney's original animated movie or thanks to the recent, colourful live-action flicks, Alice in Wonderland has long earned a place in audiences' hearts and minds. At The Stamford Plaza's next themed event, the classic tale will also secure a place in fans' stomachs. A decadent Mad Hatter's High Tea will do that. Across two weeks of dates that no one will want to be late for, the CBD venue is putting on 18 wondrous sessions, taking place from 10.30am–12pm and 1.30–3pm between Monday, April 6–Thursday, April 9 and Tuesday, April 14–Friday, April 17 — plus morning sessions on Friday, April 10 and Sunday, April 11. The appropriate decorations will transport attendees down the rabbit hole (aka into the hotel's River Room); however, given that the celebrated story is filled with snacks that scream 'eat me' and drinks adorned with 'drink me', the food and beverage spread is the main attraction. Each 90-minute sitting includes a jelly station, popping candy, a chocolate fountain, and an edible garden (and yes, the latter is of the dessert, not salad, variety). Also on the menu: sweet and savoury bites that include 'un-birthday' cake, Cheshire Cat-themed cookies, jam tarts, carrot pots, mac 'n' cheese, cucumber and cream cheese sandwiches, and quiche. Drinks-wise, expect appropriately labelled beverages asking you to drink them — including bubbles — plus tea and coffee. Dietary requirements can be accommodated by notifying the Stamford when booking, with attendance costing $59. Given the theme, and the fact that this is open to all ages, it's best to make like the white rabbit when it comes to securing your spot, as this will sell out. If you need some more motivation to hop along, the trailer for the original animated Alice in Wonderland will help: https://www.youtube.com/watch?v=SWspqy0hhqk Top image: Stamford Plaza Brisbane.
