Have you ever looked at Sydney Tower, the Harbour City's tallest structure, and wondered what it'd look like with 40-kilometre-long laser beams shooting out of it? When Vivid Sydney arrives for 2024, you'll no longer need to just ponder that question. The answer comes via Global Rainbow, which will project a fan of light from the tower courtesy of US artist Yvette Mattern. Vivid always boasts light installations and openair art as one of its key pillars, but the annual festival just might outdo itself with this year's display in the heavens. Across 23 nights between Friday, May 24–Saturday, June 15, in what marks the event's 14th year, Vivid has a plethora of other ways to liven up the New South Wales capital on its just-revealed 2024 lineup. Whether you'd like to hear tunes by Air, Budjerah and Yasiin Bey, or see artwork by Archibald Prize winner Julia Gutman on the Sydney Opera House's sails, or feast your way through a night food market, you'll be catered for at the winter showcase of music, luminous sights, culinary events and conversation. The theme: humanity. "Humanity is at the core of everything we do, and this year Vivid Sydney is diving deep into what makes us uniquely human," said Vivid Sydney Festival Director Gill Minervini. "We have curated a diverse program that explores the human spirit, designed to foster connections, spark imagination and showcase the multitude of ways creativity enriches our lives. Everyone is invited to be part of this global event in the world's most beautiful city to connect, create and celebrate." The Vivid Light program doesn't just include lengthy lasers and Gutman's Echo, but also the return of Lightscape to the Royal Botanic Garden Sydney so you'll be able to mosey through lit-up leafiness again. Plus, Reg Mombassa is turning the Customs House facade into a tribute to Aussie road trips, while Guan Wei's works will deck out the Museum of Contemporary Art's exterior. Our Connected City will light up the Sydney Harbour Bridge, as well as The Rocks, Circular Quay, the Sydney Opera House and a range of buildings in the CBD. If you head to Barangaroo, you'll be able to see two dazzling displays. First, the Stargazer Lawn will welcome a circular projection of the brolga's mating dance called Nest from Leila Jeffreys and Melvin J Montalba. Also, Sinclair Park's Stateless will get 4000 solar-powered LED candles glowing amid the sandstone blocks at Barangaroo Reserve. Vivid Music, the fest's music festival within the broader festival, is anchored by a heap of must-see gigs at the Sydney Opera House — French favourites Air celebrating their 1998 debut album Moon Safari chief among them. After playing Vivid 2019, Underworld are back to bust out 'Born Slippy (Nuxx)' again at more Australian-exclusive shows. Arca, Sky Ferreira, Fever Ray, Snoh Aalegra, Devonté Hynes with the Sydney Symphony Orchestra: they're all on the bill, too, as are parties from House of Mince, Mad Racket and Astral People. Budjerah is one of the highlights on Tumbalong Nights' free lineup, which also features grentperez, Mallrat, sunwoojunga and Silica Gel. And Yasiin Bey, who was formerly known as Mos Def, has a two-night stint at Carriageworks, where he'll work through his tunes and influences. Other standouts on the music program include working the Machine Hall Precinct into the mix, which is where Deerhoof, Underscores, Jen Cloher, No Fixed Address and Ngulmiya will play — and where Trackwork, The Huxleys and CLUB 4A will throw shindigs. Mary's Underground will again host the Vivid Sydney Supper Club. Back at Carriageworks, the venue will welcome Tirzah, Yves Tumor, Electric Fields and X CLUB as well. At Vivid Food, Vivid Fire Kitchen will go all in on barbecue in its new location at The Goods Line. Vivid Residence and Vivid Chef Series will also be back, but with details still to be revealed. Kyiv Social's Plates with Purpose: A Taste of Ukraine is a ten-course degustation that will make you feel like you're sat at a Ukrainian family's table. And, don't miss the chance to hit up the VividPlace Food Trail, which'll turn Sydney Place and Bulletin Place's laneways into a night food market each night of Vivid. There's also Our Shared Humanity at Refettorio OzHarvest, with Christine Manfield, Darren Robertson, Mitch Orr and more whipping up three-course vegetarian menus using rescued produce — plus Aurorae at Bennelong Bar, Bennelong's pop-up snack and cocktail bar. Also, A Culinary Canvas by Danielle Alvarez celebrates women in the Australian food and wine scenes in Sydney Opera House's Yallamundi Rooms. [caption id="attachment_945243" align="alignnone" width="1920"] Destination NSW[/caption] If you're eager to dissect the current state of the world, that's where Vivid Ideas comes in — and, in 2024, After the Fact especially. It's a new nightly chat through the news cycle, with the panel of guests set to rotate, but keeping the topics up-to-the-minute the aim. Or, if you're keen to embrace Vivid's overarching theme, Golden Age of Humanity will feature Kylie Kwong, Kate McClymont and other influential Aussie introducing films that typify humanity to them over nine evenings. Plus, at AI Will Destroy Humanity: A Future Science Debate, what the future might hold for humankind gets a comic spin. Add in the participatory A THOUSAND WAYS: An Encounter by New York company 600 Highwaymen, the Kings Cross- and Darlinghurst-focused Sex Work: A legal and social history, and Say My Name: The Humanity of Names — which is all about monikers that are unfairly considered tricky — and there's much to get you thinking. Two other such chances: Window Dressing, with Liesel Badorrek getting audiences peering into folks' ordinary lives via eight windows in a Frank Gehry building on The Goods Line; and Shifting Perspectives, featuring dancers performing around 24 mirrored plinths. [caption id="attachment_945240" align="alignnone" width="1920"] Shifting Perspectives, Saige Prime[/caption] Vivid Sydney runs from Friday, May 24–Saturday, June 15 at various locations around Sydney. Head to the festival website for further details and tickets. Top image: Destination NSW.
John Cage is a pretty big deal. Widely considered to be one the the 20th century's most influential composers, he was a pioneer of electroacoustic music and was a leading figure in the post-war avant-garde movement. That's got to look good on a business card, right? The Judith Wright Centre of Contemporary Arts introduces The Cage In Us - a festival celebrating the 100th anniversary of the birth of John Cage. Partnering up with Brisbane’s own Clocked Out to present the three-night festival, The Cage In Us will explore the many facets of the life and times of Mr Cage himself. The festival will feature a concert series interpreting some of Cage’s extraordinary chamber music, electronic music and multimedia works. There is also a set of 'Music Circuses' curated by Rebecca Clunn, which sound mighty exciting, as well as John Cage inspired installations, exhibitions and performances from an array of different artists. The big shot team of local, national and international guests will have you so involved in the multi-arts experience you might actually think you've been re-born and returned to Brisbane as John Cage. Supporting both free and ticketed events, The Cage In Us is set to be a storm.
Any venue can serve up a brunch that goes on for hours, or so it seems given the sheer number of such mid-morning sessions across Brisbane. Cloudland's Brunch with Bite fits that mould, offering plenty of food as well as bottomless booze — but it also adds something a little different to the menu. Fancy getting a bit of camp drag comedy with your meal? Watching an uproarious game show? Belting out a tune while brunch rolls on? They're all on the bill at this banquet, with the lineup changing weekly. Food-wise, you'll tuck into an Italian-inspired spread and nab a drink on arrival, all as part of your $79.90 ticket. The event kicks off at 11am, with two hours of bottomless spritzes, mimosas, bloody marys, select beers and sangria on offer between 11.15am–1.15pm. And, if you're going booze-free, you can opt for mocktails instead. Back for 2022, Brunch with Bite also does occasional Saturday sessions as well, if you're keen on a raucous brunch to start your weekend rather than help wrap it up.
While festivals and concerts around the world have been cancelled and postponed (Bluesfest, Dark Mofo, gigs at the Sydney Opera House and Splendour in the Grass to name a few), a bunch of Sydney mates have created their own virtual gig: Room 2 Radio. Dubbed Sydney's first online nightclub, this party is letting you get your groove on even if you're stuck at home. Bringing the club to your bedroom, this online boogie kicked off in March and sees local DJs perform on your screens every Friday. This week, the night is aptly dubbed Pretty over it and will see the likes of Johnny Lieu playing early 2000s garage and bassline bangers, DJ, R&B artist and FBi Radio host Latifa Tee and eclectic Sydney-based selector Papi Chulo. So, expect more than just a video of someone hitting play on Spotify. Room 2 Radio is scheduled to run every week until further notice, with each week's program being announced via Facebook. To add to the good times, there'll be disco lights, drink recommendations and a live chat going so you can socialise with other partygoers. Room 2 Radio even played a sneak peak set to get things started, which you can check out here. Is this the future of nightlife? Who knows in these wild times, but at least for now we can party together, at home. To check out upcoming programs, head here. Updated, July 31, 2020.
When Bisou Bisou opened its doors in 2021, the Fortitude Valley restaurant brought a taste of French fine-dining to Brunswick Street. Taking over the ground level of Hotel X, which also launched the same year, the eatery was all about letting patrons pretend that they were on the other side of the world. Two years later, change is afoot, with Ghanem Group revamping the venue's focus — and a more casual French experience is the end result. Your tastebuds are still largely being spirited away to Europe, but the hospitality outfit behind Iris Rooftop upstairs in the same building — plus Byblos Bar and Restaurant, Blackbird Bar and Grill, Boom Boom Room Izakaya and Donna Chang elsewhere around Brisbane — is out to show that French restaurants aren't just for swanky outings. Steak frites remains on the menu, of course, and the freestanding rotisserie is still a big feature. Indeed, the brasserie is now heroing those kinds of French staples. Accordingly, opt for rotisserie chicken — whole or half, or whatever the special is that day — and you'll be able to pair it with classic French sauces like bearnaise and beurre noisette. Or, tempt your tastebuds with another big standout dish: pot-cooked mussels, which come in half- and one-kilo serves accompanied by a baguette, and also with a range of sauces. Bisou Bisou remains an all-day eatery, with catering for breakfast — especially if you're slumbering in the hotel — as well as lunch, dinner, snacks over drinks and just beverages all on its lineup. If you're just heading by for a bite, the new menu has exactly that in mind with its salted cod and herb croquettes with saffron aioli, whipped goat's curd and vegetable crudites, and chicken liver parfait with prune jam and toasted brioche. Or, you can choose any of those options as a starter before a main if you're settling in for the long haul. Other food highlights to say bonjour to include warm custard-filled cronuts, loaded croissants, banana crumpets and croques both monsieur and madame on the brekkie lineup; charcuterie and ocean trout rillettes among the snacks; bacon cheeseburgers and pork schnitzel from the mains menu; and sorbet, dark chocolate mousse, and watermelon and strawberries in sparkling pinot shiraz for dessert. Drinks-wise, the wine and spirits list remains hefty, and tap beers are poured from behind the lobby bar. The cocktail selection will change seasonally; however, taking cues Harry's New York Bar in Paris is a drawcard with Bisou Bisou's takes on the sidecar, boulevardier and French 75. Find Bisou Bisou inside Hotel X at 458 Brunswick Street, Fortitude Valley — open from 6.30am–late daily. Images: Markus Ravik.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from February's haul of newbies (yes, we're assuming you've already watched News of the World and Malcolm & Marie). BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW https://www.youtube.com/watch?v=AZ9cCFrCBxI IT'S A SIN More than two decades after creating Queer as Folk, Russell T Davies gives the television landscape another excellent queer drama. The screenwriter and television producer has been busy over the intervening period thanks to everything from Doctor Who to Years and Years — and he also has 2015's Cucumber to his name, too — but It's a Sin is one of the very best things on his lengthy resume. Stepping back to the AIDS crisis of the 80s and early 90s, the five-part miniseries follows a group of friends chasing their dreams in London. Ritchie (Olly Alexander, Penny Dreadful) heads to the city to become an actor, and to avoid telling his stern parents that he's gay. Roscoe (Omari Douglas) flees his parents' home when they keep threatening to take him back to Nigeria. Colin (Callum Scott Howells) arrives for an apprenticeship at a high-end tailor shop, but soon finds himself seeking an escape from his lecherous boss. Given the era, there's no doubting where the story will head. It's a Sin is as joyous and vibrant as it is soulful and heartbreaking, though. Ritchie, Roscoe and Colin not only cross paths, but form a makeshift family in their modest flat, with the former's college friends Jill (Lydia West, Dracula) and Ash (Nathaniel Curtis) rounding out the quintet. Neil Patrick Harris and Stephen Fry also feature, but they're never It's a Sin's stars — because, in series that looks and sounds the period part at every moment, the show's five main players are simply phenomenal. It's a Sin is available to stream via Stan. https://www.youtube.com/watch?v=4lkCCo63nhM I CARE A LOT She may not end up with many shiny statuettes for her efforts, but Rosamund Pike's Golden Globe nomination for I Care a Lot is well-deserved. The Radioactive and Gone Girl star is stellar in a tricky part in a thorny film — because this dark comic-thriller isn't here to play nice. Pike plays Marla Grayson, a legal guardian to as many elderly Americans as she can convince the courts to send her way. She's more interested in the cash that comes with the job, however, rather than actually looking after her charges. Indeed, with her girlfriend and business partner Fran (Eiza González, Bloodshot), plus an unscrupulous doctor on her payroll, she specifically targets wealthy senior citizens with no family, gets them committed to her care, packs them off to retirement facilities and plunders their bank accounts. Then one such ploy catches the attention of gangster Roman Lunyov (Peter Dinklage, Game of Thrones), who dispatches his minions to nudge Marla in a different direction. She isn't willing to acquiesce, though, sparking both a game of cat and mouse and a showdown. Dinklage makes the most of his role, too, but I Care a Lot is always the icy Pike's movie. Well, hers and writer/director J Blakeson's (The Disappearance of Alice Creed), with the latter crafting a takedown of capitalism that's savagely blunt but also blisteringly entertaining. I Care a Lot is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=Sw_iVa6bZgs WHY ARE YOU LIKE THIS Named after a meme, and focusing on characters that can hardly be described likeable but are nonetheless instantly recognisable, Australian sitcom Why Are You Like This takes aim at 21st century life. Its three main figures are all twentysomethings endeavouring to navigate a never-ending onslaught of personal and professional problems, such as getting fired, battling with colleagues, money troubles, hiding boyfriends, losing moon cups and trying to spark a workplace revolution but ending up getting other people fired — so, yes, they're just like the rest of us. Penny (series co-creator Naomi Higgins, Utopia) wants to be an ally to everyone. Her bestie Mia (Olivia Junkeer, Neighbours) matches that determination with both self-assurance and a self-serving mindset; if she's sticking up for anyone, it's always herself. Rounding out the trio is Penny's housemate and aspiring drag queen Austin (Wil King), whose glittery outfits and super-sized personality can't always hide his internal crumbling. Across the show's six-episode first season, these three friends keep trying to stand out in their own ways. They also keep demonstrating both their best and worst traits. As satirical as it is candid and relatable, Why Are You Like This knows that everyone and everything is awful, and leans in. And, in terms of the series' style of comedy, the fact that Higgins created the show with lawyer and illustrator Humyara Mahbub and Aunty Donna's Mark Samual Bonanno says plenty. Why Are You Like This is available to stream via ABC iView. https://www.youtube.com/watch?v=CqXhMYjasHM ROCKS Not only thoughtful, empathetic and heartfelt, but also offering a very familiar genre a fresh perspective, coming-of-age drama Rocks explores the life of British Nigerian teenager Olushola Omotoso (engaging debutant Bukky Bakray). She's given the eponymous nickname by her friends, and she's forced to call upon a hardy type of fortitude when her mother (Layo-Christina Akinlude, I May Destroy You) leaves suddenly, entrusting the 15-year-old to care for her her younger brother Emmanuel (D'Angelou Osei Kissiedu). This situation isn't new for the siblings, so they soldier on. But, approaching the film with a tender but also forthright touch, director Sarah Gavron (Suffragette) and screenwriters Theresa Ikoko and Claire Wilson (Gangs of London) don't sugarcoat their story. As Rocks tries to rustle up enough money to by, endeavours to evade social workers chasing her and Emmanuel around town, attempts to maintain a routine for her brother and also deals with her own schoolyard struggles, the film repeatedly demonstrates that a feature can be both honest, unflinching, bittersweet and charming all at once. Indeed, it also illustrates that when a movie manages to be all of those things — as well as immersively shot, superbly performed and keenly showing a far more expansive snapshot of British life than often seen on-screen — it's something special. Rocks is available to stream via Netflix. https://www.youtube.com/watch?v=cbZU_76SPdI CLARICE When The Silence of the Lambs became one of the most talked-about movies of 1991 — and won the 'big five' Oscars: Best Picture, Best Director, Best Actor, Best Actress and Best Adapted Screenplay — it was always going to earn a follow-up. But, the three films that did just that all cared far more about psychiatrist and serial killer Hannibal Lecter than FBI Agent Clarice Starling, as did the Mads Mikkelsen-starring TV series Hannibal. Accordingly, television crime procedural Clarice feels as if it's righting a three-decade-old wrong. Set a year after the events of The Silence of the Lambs, it follows its eponymous figure (Australian actor Rebecca Breeds, Three Summers) as she returns to the field. She's still shaken by the case that made her famous, and she'd much rather stay behind the scenes than lead the charge, but she's brought to Washington DC to join a high-profile taskforce that hunts down serial killers and other predators. Clarice is made by US network television, not cable, so it happily sticks to an obvious formula; however, case-of-the week programs like this have remained a TV mainstay for a reason. Breeds capably steps into Jodie Foster's shoes, the series as a whole sinks into its unsurprisingly grim mood, and stories about women reclaiming their own space after trauma, as this is, aren't as common as they should be. Clarice is available to stream via Stan. https://www.youtube.com/watch?v=2B7m-ARHz0c FAKE FAMOUS No one could've known how timely Fake Famous would be, especially in Australia. Arriving in a month where much of the nation's social media usage has pivoted from Facebook to Instagram, it explores influencer culture on the latter platform, all thanks to an experiment by journalist-turned-filmmaking first-timer Nick Bilton. Interested not only in people famous for being famous, but in the way that Instagram in particular has heightened the phenomenon, the writer/director endeavours to create three influencers of his own. He holds auditions, selects candidates, gives them makeovers, sets them up with a crew to snap their photos and shoot their videos, and buys them bots to follow, like and comment on their posts. His aim: to take his three chosen Los Angeles residents from everyday Instagram users with dreams of online stardom to the type of social media celebrities who've turned their virtual existence into a full-time job (and have the statistics and the swag sent to their door to prove it). Mixed in with insights about social media and influencers in general, the result is a fascinating film — especially in seeing how Bilton's three central figures handle the process. That remains true of this slickly made, perkily toned documentary even if there's little that's overly new here for anyone with an ongoing interest in or knowledge of the subject. Fake Famous is available to stream via Binge. https://www.youtube.com/watch?v=u9XJ1AxrAcs THE VIRTUES Director and screenwriter Shane Meadows has a fantastic track record, spanning everything from Dead Man's Shoes to This Is England — as well as the multiple TV shows inspired by the latter. Fellow screenwriter Jack Thorne is no stranger to working with Meadows, also thanks to the This Is England franchise; however his individual resume includes Dirt Music, Radioactive, The Secret Garden, Enola Holmes, The Eddy and His Dark Materials over just the past couple of years. So, the pair's involvement in The Virtues immediately marks it as a miniseries to watch. So does its star Stephen Graham, yet another veteran of This Is England. Here, all three combine for a four-part drama that's bleak, raw, frank and devastating — and, once you've started watching, it's also impossible to tear your eyes away from until the credits roll on the final episode. After it finishes, it's downright impossible to forget, in fact, a claim that can't be made of most television shows. Graham plays Joseph, a labourer who's barely getting by. When his ex-partner and his young son move to Australia, he hits the bottle, has a big night, and wakes up certain that he has to head back to Ireland and confront his troubled past. So starts an emotional journey that's never easy — not for a single second — but is also never anything less than astounding. The Virtues is available to stream via Stan. RETURNING SHOWS TO CHECK OUT WEEK BY WEEK WELLINGTON PARANORMAL Three of the best comedic actors currently on TV all star in New Zealand-made sitcom Wellington Paranormal. Playing Officer O'Leary, Officer Minogue and Sergeant Maaka, Karen O'Leary, Mike Minogue and Maaka Pohatu spit out devastatingly hilarious deadpan line readings. They need to in this mockumentary series, which follows a squad of Wellington cops who investigate the supernatural — as the show's title so succinctly explains — but every episode of the series so far has demonstrated just how perfect these three actors are for their job. That includes the just-arriving third season of the program, which once again sees the team tackle cases of the paranormal variety (and, yes, of the often silly and always amusing kind as well). This batch of instalments starts with an invisible foe, then ponders what might be lurking in the woods, with laughs heartily ensuing. A spinoff from Taika Waititi and Jemaine Clement's excellent 2014 movie What We Do in the Shadows — well, one of the film's spinoffs, given that a very funny US TV series also called What We Do in the Shadows also exists — Wellington Paranormal aces its concept again and again. This time around, Clement directed half of the season's episodes, while Rhys Darby reprises a familiar role. Wellington Paranormal's third season starts streaming via SBS On Demand from Wednesday, February 24, with new episodes added each week. CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=XhulR_kJf7Y PARKS AND RECREATION She's the government worker we all wish could be in charge of, well, absolutely everything — and she's the Indiana city of Pawnee's most devoted employee and biggest fan. We're talking, of course, about Leslie Knope, Amy Poehler's super passionate waffle-loving character in iconic sitcom Parks and Recreation. Willing to work hard in any situation and always ready to lean upon her friends and co-workers, Leslie knows how to handle almost anything. In one particular fifth-season episode of the Nick Offerman, Rashida Jones, Aziz Ansari, Chris Pratt, Aubrey Plaza, Adam Scott and Rob Lowe-costarring series, that also includes grappling with a pandemic. Created by The Office's Greg Daniels and Brooklyn Nine-Nine's Michael Schur, Parks and Recreation may have only come to the end of its seven-season run back in 2015, but the sitcom has been an instant classic from the get-go for one reason: focusing on relatable characters, the minutiae of their lives and the time working in local government, workplace-based comedy has never felt more kind-hearted, or — thanks to the show's penchant for letting its main players talk directly to the camera — so inclusive. And while Parks has done the rounds of streaming platforms, hopping from one to another over the years, its arrival on Netflix is as good a reason as any for a rewatch (not that anyone ever needs an excuse). All seven seasons of Parks and Recreation are available to stream via Netflix. https://www.youtube.com/watch?v=5zaQgbACc1E THE MUPPET SHOW Created by Jim Henson, first seen on TV in the 50s and boasting eight movies to their name, The Muppets are easily the most loveable felt and foam creations in pop culture history. They're also the driving force behind the best variety television series that's ever reached the small screen: The Muppet Show, which ran for five seasons between 1976–81. Forget all those other efforts hosted by humans over the years, because nothing is as absurd, surreal and delightful as this puppet-fuelled program. And, whether you grew up watching reruns over and over, have always wanted to check it out or somehow weren't aware that the series even existed, it's now available on Disney+ in full. Yes, it's time to play the music and light the lights — and to revisit this Muppets-starring favourite. You won't just be checking out the comic stylings of Kermit the Frog, Miss Piggy, Fozzie Bear, Gonzo and the Swedish Chef (and their songs and skits, too), of course. The Muppet Show is also famed for its guest appearances, so get set to spy everyone from Elton John and Mark Hamill to Martin, Liza Minnelli, Alice Cooper, Julie Andrews, Diana Ross and Gene Kelly. All five seasons of The Muppet Show are available to stream via Disney+.
Wherever you are in Australia, you're never far from nature. But, when you really need to unwind, your best bet is to find somewhere remote — preferably, a place where emails, phone calls and bosses can't reach you. Plus, you should find some serious natural beauty on which to feast your weary eyes. To that end, we've taken a good look around the nation at some of the most spectacular spots — from the coral-filled waters of Queensland's Heron Island to the empty beaches of NSW's Mimosa Rocks National Park to the granite boulders of Tasmania's Bay of Fires. And just like us, Stoneleigh Wild Valley is all about celebrating the wondrous work of nature. The New Zealand winery follows a wild fermentation process for its wines resulting in flavours that are rich in complexity. So, together, we've scoped out five spots around the country where you can unwind — perhaps even with a glass of vino in hand. Next time you're planning a weekend getaway, make tracks to one of these beauties. Your overworked body and fatigued brain will thank you. [caption id="attachment_728904" align="alignnone" width="1920"] Tourism and Events Queensland.[/caption] HERON ISLAND, QLD 72 kilometres off Gladstone lies Heron Island, one of the Great Barrier Reef's most unspoilt islands. Just 800 metres long and 400 metres wide, it's mostly national park — fringed with white sands and, beyond that, coral reef. Between November and March every year, green turtles and loggerhead turtles (both threatened) nest here and you're welcome to watch them, as long as you stick to turtle watching guidelines. Any time of year, expect to meet seabirds a-plenty, plus many a sea critter if you go on a snorkelling or scuba diving excursion. There's just one place to stay: the eco-friendly Heron Island Resort, where you can choose from private rooms surrounded by pisonia forest, suites with incredible sunset views and a beach house with room for up to four guests. [caption id="attachment_728989" align="alignnone" width="1920"] Aragunnu Walking Track via Destination NSW.[/caption] MIMOSA ROCKS NATIONAL PARK, NSW Found on the NSW South Coast, around five-and-a-half hours' drive south of Sydney, Mimosa Rocks National Park is a land of empty beaches, rocky headlands and forests filled with wildlife. If you're keen to immerse yourself in nature, pitch your tent at a beachside campground, such as Aragunnu or Picnic Point. Prefer the comfort of four walls? Book the heritage Myer House. Either way, be sure to take a dip at Moon Bay, go for a stroll along Middle Lagoon Walking Track and check out the surf at Nelson Beach. [caption id="attachment_728931" align="alignnone" width="1920"] Lisa Kuilenburg.[/caption] BAY OF FIRES, TAS Bay of Fires takes its name from its flaming colours. Granite boulders covered with bright orange lichen frame the coastline and, in contrast with the deep blue of the sea, create an extraordinary effect. The bay stretches for 50 kilometres along Tasmania's northeast coast, from Binalong Bay in the south to Ansons Bay in the north. Get back to nature in a tent at a free campground, sleepover at a luxe glamping site or sink into comfort at a B&B. Wherever you sleep, make sure you spend some time exploring on foot — whether you conquer the four-day Bay of Fires Walk or stick to day hikes. [caption id="attachment_688566" align="alignnone" width="1920"] Trevor King via Destination NSW.[/caption] LORD HOWE ISLAND, NSW Take some time off the mainland at Lord Howe Island, a rugged paradise that's a two hours' flight east of Sydney with a population of just 382. To spend your entire break wrapped up in nature, embark on the Seven Peaks Walk, a five-day, 45-kilometre hike that takes in banyan forests, coastal cliff faces and magical beaches. If that sounds too long, there's a bunch of day walks to try, too. Alternatively, go snorkelling in clear waters, laze about on beaches or paddle board around. And forget all about crowds: no more than 400 visitors are allowed on the island at once. [caption id="attachment_719735" align="alignnone" width="1920"] Visit Victoria.[/caption] THE GRAMPIANS, VIC Clear your head with some invigorating mountain air in The Grampians, a mountain range three hours' northwest of Melbourne dotted with waterfalls, wildflower meadows and dizzying peaks. Begin your adventures at MacKenzie Falls, one of Victoria's biggest waterfalls, before heading to mystical Silverband Falls, surrounded by lush ferns and flowers. For views that go on forever, drive to Boroka Lookout, Reeds Lookout or Mount William, which, at 1167 metres, is the highest peak in the range. Or, if you're keen to get moving, take a hike. A good place to start is The Pinnacle, accessible by a variety of walking tracks, which range from 2.1 to nine kilometres. Enhance your adventure through nature with Stoneleigh Wild Valley, whose 2017 sauvignon blanc recently won gold at the New York International Wine Competition 2019. Top image: Lord Howe Island.
UPDATE: APRIL 21, 2020 — This popular bakery is still open for pickups in store and delivery around Brisbane, so you can still get gluten free doughnuts, brownies and salad bowls delivered to your door. Just visit the website to place an order. If you're a fiend for pastries but you're not so keen on gluten, then you're probably a Nodo fan. In addition to its signature dessert dish — gluten-free doughnuts that are baked, not fried — it whips up plenty of other treats. And, it's serving them up at its revamped Newstead cafe, which first opened back in 2015 and has just undergone quite the facelift. It's the latest step for the busy Ella Street spot, which initially started out slinging takeway doughnuts, then expanded to take over the space next door. In its new, concrete-heavy form — think concrete counters and polished concrete floors, plus clean lines and light-filled spaces aplenty — it now boasts an upgraded kitchen and bakery, as well as more seating. There's also table service if you're eating in and a grab-and-go system if you're nabbing a bite on your way out the door. While doughnuts and other baked goods remain Nodo's main focus, the relaunch brings something new, food-wise. That'd be brunch, so prepare to stop by mid-morning. Hungry diners can tuck into baguettes stuffed with crab and egg scramble, kimchi waffles topped with popcorn chicken, souffle hotcakes with yuzu gel and stacked brisket cheeseburgers. Then, wash it down with Coffee Supreme coffee or one of six types of healthy shakes, including chocolate, mint choc chip, coffee and caramel. Just save some room for the doughnuts, obviously.
Turning 18 is a significant milestone, regardless of whether it's a human or a festival that's celebrating their birthday. In fact, the Brisbane Queer Film Festival is the city's longest-running local festival that is still currently screening, which is no small feat. To mark the coming-of-age occasion, they've broken away from the Brisbane Powerhouse to go out on their own, compiled a great selection of lesbian, gay, bi, trans and gender-diverse films, and will unleash a wealth of queer-focused movie treats upon New Farm Cinemas from March 10 to 19. That just leaves you with the task of watching — and we recommend adding these five must-sees to your agenda. AWOL Looking for love and trying to get your life on track in a small town setting might sound like a familiar film premise. In fact, you've probably seen plenty of movies that tell that tale. So come for the recognisable storyline, and stay for the strong performances and evocative sense of place with the intimate and perceptive AWOL — including yet another excellent turn by Mistress America and Mozart in the Jungle's Lola Kirke. See sessions here. https://www.youtube.com/watch?v=tXA0b2NNATI RARA We should all remember Australia's own Gayby Baby as a moving documentary about the lives of children growing up with same-sex parents. Alas, thanks to the ridiculous reaction to the film in some quarters, we're forced to recall the needless controversy as well. In Chilean effort Rara, both the loving home life and the uncertain response by outsiders come together in a tender drama inspired by a true story. Focusing on 13-year-old Sara, first-time writer/director Pepa San Martín paints a portrait of not just coming of age and everything that goes with it, but of coming to terms with societal pressures and prejudices. See sessions here. THE LIVES OF THÉRÈSE Many people can be called interesting, however, very few even come close to Thérèse Clerc. During her 88 years of life, the French feminist activist saw and fought for it all: reproductive rights, sexual equality and gay rights, for starters — and, finally, terminal illness. Sébastien Lifshitz combines her final moments with everything that came before in his documentary The Lives of Thérèse, to insightful effect. No wonder it earned a standing ovation at last year's Cannes Film Festival, where it also won the fest's coveted Queer Palm. See sessions here. https://vimeo.com/148541526 THE NEST Keen to get your small screen fix on a much, much bigger canvas? Eager to check out intriguing and involving television from around the world? If so, you'd best flock to The Nest, and then settle in for a session of television goodness. The four-episode Brazilian miniseries starts with a soldier's quest to find an estranged sibling, then plunges viewers into a queer community that becomes a new family, taking both its characters and its viewers on an engaging journey of discovery in the process. See sessions here. https://vimeo.com/92774362 OUT RUN At a time when political figures around the world continue to demonstrate their small-minded thinking, documentary Out Run couldn't provide more vital viewing. At its centre sits Bemz Benedito, who not only leads the world's only LGBT political party, but dreams of being the first transgender woman in the Philippine Congress. The film follows her historic effort — made all the more difficult in a predominantly Catholic nation — and boasts a tagline that sums up its attitude perfectly: "Make politics fierce". See sessions here. If you're after more BQFF highlights, we're also excited about Tomcat and Women Who Kill, which first screened at the 2017 Mardi Gras Film Festival. Brisbane Queer Film Festival 2017 runs from March 10 to 19 at New Farm Cinemas. For more information, visit their website.
The first of Red Rock Deli's Secret Suppers has been and gone, with MasterChef Australia 2010 winner Adam Liaw kicking things off in May. The exclusive supper series — running until September at secret locations across Sydney and Melbourne — sees some of Australia's most talented chefs whipping up mouth-watering, three-course feasts inspired by Red Rock Deli's new limited-edition range. And when we say exclusive, we mean it — only 20 lucky guests get to tuck into each lavish dinner. On Wednesday, May 15, Malaysian Australian chef Adam Liaw put up an Asian-fusion feast. After guests were picked up from Central Station's Grand Concourse entrance and whisked away to a mystery location, Liaw dished up plates inspired by Red Rock Deli's Thai red chilli and creamy coconut chips. In the first course, Liaw made chilli the hero with a Korean bo ssam of pork, prawns and herb kimchi, while his dessert of coconut and lychee pavlova with mango sauce incorporated the creamy texture of coconut. But it was the melt-in-your-mouth braised ox cheeks in red chilli and coconut curry that was the real winner — to recreate it at home, check out the recipe here. If Liaw's dinner is anything to go by, the upcoming suppers will be quite something. Duncan Welgemoed of Adelaide's famed African-inspired wood fire joint, Africola, is up next. The dinner will take place on Thursday, June 20 and will be inspired by Red Rock Deli's flame grilled steak and chimichurri flavour. To nab tickets for Sydney's upcoming Red Rock Deli supper, enter the ballot here to be given the chance to purchase tickets. Images: Conrad Coleby and Kitti Gould.
What's getting its projectors rolling with Saturday Night's journey behind the scenes of a TV premiere that changed comedy history? What is wrapping up with a portrait of tennis star Jelena Dokic, too? And, in-between, what's playing everything from Selena Gomez's latest big-screen role to a music biopic made with Lego — plus pioneering Australian animation, First Nations' horror, Cate Blanchett navigating a global crisis and more. That'd be the Brisbane International Film Festival for 2024. Also on the lineup: Anora, the latest feature from Tangerine, The Florida Project and Red Rocket filmmaker Sean Baker, which won the Palme d'Or at the 2024 Cannes Film Festival; the Amy Adams (Dear Evan Hansen)-starring Nightbitch, featuring a canine twist; Riley Keough (Daisy Jones & the Six) and Jesse Eisenberg (Fleishman Is in Trouble) playing a sasquatch family in Sasquatch Sunset; Aussie horror The Red, which is quite the kangaroo story; and the female Iranian judo athlete-focused Tatami. And, straight from Venice, BIFF is playing Golden Lion-winner The Room Next Door, aka the newest movie from Spanish auteur Pedro Almodóvar (Parallel Mothers, Pain and Glory) and his English-language feature debut, with Tilda Swinton (Fantasmas), Julianne Moore (May December) and John Turturro (Mr & Mrs Smith) starring — plus Silver Lion-winner The Brutalist, which picked up the Italian fest's Best Director prize and hails from actor-turned-filmmaker Brady Corbet (The Childhood of a Leader, Vox Lux), as well. They're just some of the flicks to check out between Thursday, October 24–Sunday, November 3. The places to head to: Palace Barracks, Dendy Coorparoo, Reading Newmarket, Five Star Cinemas New Farm, Angelika Film Centre, Dendy Powerhouse and Dendy Portside, as well as taking the festival to the city's western suburbs at Reading Jindalee. Gomez (Only Murders in the Building) joins the BIFF lineup via Emilia Pérez, the musical crime comedy from Jacques Audiard (A Prophet, Rust and Bone) that also stars Karla Sofia Gascón (Harina) and Zoe Saldaña (Special Ops: Lioness), and won all its ensemble cast Cannes' Best Actress prize this year. Plastic bricks are on the bill courtesy of Piece by Piece, which gives Pharrell Williams the on-screen bio treatment, but not in the usual way. Blanchett (Borderlands) features in Rumours, which boasts the The Green Fog's inimitable trio Guy Maddin, Evan Johnson and Galen Johnson behind the lens. And as also mentioned above, BIFF has the world premiere of homegrown animation The Lost Tiger, the first such Aussie flick written and directed by an Indigenous woman, on the bill as well — and also Sundance-debuting horror The Moogai. Other highlights include Malcolm Washington's feature directorial debut The Piano Lesson, which has his brother John David Washington (The Creator), as well as Samuel L Jackson (Fight Night) and Danielle Deadwyler (Till), among the cast; dreamy Buffy-inspired sensation I Saw the TV Glow from We're All Going to the World's Fair's Jane Schoenbrun; and Hunter Schafer (Euphoria)- and Dan Stevens (Abigail)-starring thriller Cuckoo. There's also Sundance Audience Award-winner Sujo, about the son of a cartel gunman; Audrey, as led by Jackie van Beek (Nude Tuesday) as a mother who steals the identity of her teenage daughter, who is in a coma; and restaurant-set dramedy La Cocina featuring Rooney Mara (Women Talking). BIFF attendees can look forward to Inside, too, with the prison drama starring Guy Pearce (The Clearing), Cosmo Jarvis (Shōgun) and Toby Wallace (The Bikeriders) — and directed by Charles Williams, who won the 2018 short film Palme d'Or for All These Creatures. The Seed of the Sacred Fig is the latest film from Mohammad Rasoulf (There Is No Evil), with the movie's place on this year's Cannes lineup seeing him forced to flee Iran after being sentenced to flogging and imprisonment. And All We Imagine as Light was the first Indian film to play in Cannes' competition in three decades. Elsewhere, In Vitro is an Ashley Zukerman (Succession)-led Australian sci-fi thriller about a couple doing biotech experiments, the Ilana Glazer (The Afterparty)-led mom-com Babes is helmed by Pamela Adlon from Better Things, and Carnage for Christmas brings Yuletide mayhem courtesy of a tale about a true-crime podcaster in the sights of a psychotic killer. And for a piece of inspiration, the Osher Günsberg-narrated 150 follows Erchana Murray-Bartlett's attempt to run 150 marathons over 150 days. In total, 52 features grace BIFF's 2024 roster, meaning there's plenty more joining all of the aforementioned flicks — and plenty of excuses for Brisbane movie lovers to spend 11 days doing nothing but watching festival films in cinemas.
When Patina set up shop on the river-facing side of Customs House back in 2018, the waterside CBD spot gave diners stellar views to accompany their meals and drinks. Launching its sibling site in the city's inner west, it's doing the same — but this time, it's gone green with its vistas. Patina at Alumni Court is the newest addition to the University of Queensland's St Lucia campus, which accounts for the tree-lined surroundings and grassy stretch sprawling out in front of the eatery's outdoor area. The vibe: bringing the outside in, while also nodding to the chain's OG venue. Hefty windows peer out over the lawn, while brass and copper-coloured finishes take their cues from Customs House's iconic copper dome, all in a space that also incorporates Alumni Court's heritage-listed former Radon Laboratory. Open since Monday, February 21, the 90-seater — indoors and out — boasts chef Nick Murtas (ex-Palazzo Versace and Emporium Hotels) in the kitchen, as overseen by Patina's Executive Chef John Offenhauser (ex-Chef de Cuisine and Marco Polo at the Treasury Hotel). On their menu, which doesn't just mimic its sister eatery's offerings: a seafood-heavy range that also heroes seasonal produce. Highlights from the a la carte selection include ora king salmon tartare with Tasmanian wasabi, smoked soy, avocado, nashi, finger lime and coriander, plus South Burnett pork belly with smoked parsnip, Mooloolaba king prawn, witlof and pickled white grape. Yuzu oysters, octopus with smoked potatoes, steamed duck buns, mushroom tarte tatin and chicken with a shawarma marinade also feature — and the dessert range spans espresso martini souffles with vanilla vodka cream, panna cotta with chamomile jelly, creme brulee with almond biscotti and caramelised banana tarte tatin. Operating Monday–Friday, Patina at Alumni Court also does breakfast — think: brioche with smoked salmon, maple-glazed bacon or scrambled eggs, plus pork sausage rolls, cheesy vegetable frittatas and Neighbourhood Roasters coffee — and hosts sparkling-fuelled high teas from Tuesday–Friday. On the general drinks menu, craft spirits are a feature among the cocktail selection, which covers eight boozy choices — and four non-boozy options. Sip a negroni with or sans alcohol, for instance. The wine list goes heavy on riesling, rosé and champagne; a small spirits lineup covers all the usual bases; and the 12-option beer range also features a non-boozy brew. Patina at Alumni Court is also home to a private dining room and catering service, and is hosting seasonal pop-ups in its openair space. First up at the latter: a Bombay Sapphire setup that pairs G&Ts with crispy barramundi tacos, among other snacks, while patrons kick back on deck chairs.
Having an after-work tipple at a physical bar is just one of many social happenings that have been paused as measures to contain COVID-19 ramp up. But one South Australian alcohol company is keeping the spirit alive — albeit virtually — with its newly launched Digital Happy Hour. The crew behind Applewood Distillery and Unico Zelo wines is here to turn your isolation frown upside down, with interactive tasting sessions live streamed nightly from 5.30pm AEDT. Available via the Unico Zelo Facebook page, Digital Happy Hour will see Founder Brendan Carter crack open and discuss a different bottle of wine each night, with viewers invited to join in with questions and comments of their own. Expect funny stories, banter aplenty, blind-guessing wine, "shit wine invention" reviews and lots of down-to-earth wine chat. Then at 6.30pm AEDT, head over to the Applewood Facebook page for a nightly spirits-focused live stream with Brand Ambassador Henry Hammersla. He'll be sharing some fun cocktail recipes for you to recreate at home — such as the much talked about Quarantini — as well as taking questions about all things booze. And as far as the actual drinking goes, Unico Zelo has you sorted with its Iso-Vino Care Package — a mixed dozen wines you can get delivered to your door, with free shipping. Or perhaps you'd prefer to stock up with Applewood's Isolation Gin Pack, featuring three of its signature gins for $199.99. Head over to Unico Zelo Facebook page at 5.30pm AEDT and Applewood Distillery's at 6.30pm nightly for Digital Happy Hour and Iso-Cocktails.
A cold one or a cocktail? Whether you're having a drink at knockoff time, celebrating a special occasion or settling in for a relaxed afternoon, it's a familiar dilemma. And, in Queensland, one thing makes that choice even more difficult: the fact that the Sunshine State is home to many a great local brewery and distillery. Yes, that means that there's always something to tempt your tastebuds. Also, there's always something homegrown to sip. And, when it comes to supporting Queensland drinks businesses — by enjoying their beers and spirits, of course — there are plenty of ace companies that you can throw some love towards. To help, we've teamed up with our pals at BWS to highlight four local breweries and distilleries making stellar brews and top-notch tipples — all of which you should add to your must-drink list. They're some of the state's standout drops, and you can get behind them in two ways: by sipping them, obviously, and also by voting for them to be stocked in more BWS stores across Queensland.
Almost five decades ago, a filmmaker wanted to journey to a galaxy far, far away, and he needed a republic cruiser's worth of epic tunes to go with it. Enter John Williams and the theme everyone now knows. When the first notes of Star Wars: Episode VI — A New Hope's score started playing over the film's opening crawl, movie and music history was made. Neither Williams nor George Lucas could've known just what they'd unleashed, nor that Luke and Leia, Han and Chewie, plus the next generation of wannabe jedis and empire lackeys, would be gracing cinema screens years and years later. They also couldn't have known that the Star Wars movies, classic and recent alike, would keep hitting the big screen in a new concert format — pairing all those space-opera antics with a live orchestra playing the soundtrack. Thankfully, that's what's been happening on this very planet — alongside oh-so-many other reasons to embrace The Force, including TV shows such as Andor and The Mandalorian — and one such gig is returning to Brisbane in 2023. Get ready to revisit the first film in the franchise's third main trilogy, the seventh movie in the saga all up, and the one that brought in Daisy Ridley (Chaos Walking), John Boyega (The Woman King), Oscar Isaac (Moon Knight) and Adam Driver (White Noise) alongside a host of returning faces: Star Wars: Episode VII — The Force Awakens. We don't need to have a good feeling about what promises to be a force-filled evening of sound and vision, because it's been doing the rounds for a few years now. Still, on Saturday, April 22 at the Brisbane Convention and Exhibition Centre, the Queensland Symphony Orchestra will pick up their instruments to perform the corresponding score as The Force Awakens plays. The flick itself is already epic, and so is this experience. QSO will bust out Williams' Oscar-nominated music live across two concerts, thanks to a 1.30pm matinee and a 7.30pm evening gig.
From magnificent caves to luxurious private islands, regional Queensland has plenty to offer for your next road trip. And the best part about taking a drive around the state is dropping into local cafes, restaurants, pubs and shops to fill up your boot with produce from the region. In the spirit of supporting local businesses en route, we've teamed up with Canadian Club and Empty Esky to bring you a list of must-visit locations in the Capricorn region, including in Rockhampton and Yeppoon. Read on to find a few of our favourites and create your own epic itinerary, too. Some of the places mentioned below may still be closed due to COVID-19 restrictions. Please check websites before making any plans. EAT AND DRINK If you're starting in Yeppoon, the first place on your list should be Flour. Its oven-to-table approach has made the place a household name. Its menu is adapted seasonally with a few fan favourites sticking around all year, like its Farmhouse Brekky with angus flank steak, maple chilli bacon, mushrooms, poached eggs and grilled tomatoes on ciabatta. For a good quality brunch, Whisk on Yeppoon's James Street has absolutely mastered the mid-morning meal. It has an extensive dine-in and takeaway menu, so you can take your eggs benny burger to the beach ten minutes' away if you choose. Menu favourites include the aforementioned benny burger, Nutella-loaded doughnut fries and a smoky maple bacon hot dog. It has a menu for furry friends too. For dinner, pop into Keppel Bay Sailing Club. What started out as a community of passionate sailors and volunteers has evolved into five venues that cater for everyone. At the Clubhouse you'll find seafood dishes, pasta, burgers and salads, as well as refreshing Canadian Club and Dry on tap. Our picks are the crumbed prawns and its range of charcoal brioche bun burgers. Venture inland for high tea with a modern twist at Riverston Tea Rooms in Rockhampton. Located in an old-style building, the venue has traditional tea rooms offering both scones and sandwiches, as well as a diverse breakfast and lunch selection. Not to mention an incredible selection of baked goods available from the cabinet, from gluten free orange almond cake to baklava torte. See out your evenings at the riverside The Criterion Hotel Motel in Rockhampton. The Hotel is known for its sensational steak, great selection of beverages (including Canadian Club) and central location on the Fitzroy River. Dine in knowing that you're joining the likes of Queen Elizabeth II, the English cricket team and Rod Laver, who've all eaten dinner here over the years. [caption id="attachment_798839" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] DO Explore the backdrop of Rockhampton in the glorious Mount Archer National Park. Situated just over nine kilometres east of Rockhampton, the park covers 4250 hectares of open forest and woodland communities, where you can find everything from eucalyptus-filled rainforests to spectacular views of the Fitzroy River from the Nurim Circuit Elevated Boardwalk. Keep an eye out for birdlife — black cockatoos and owls call the park home. For a magnificent natural wonder that will have you seriously impressed, head to the Capricorn Caves. Located 23 kilometres north of Rockhampton, the caves make for an easy day trip from the town and there are a range of tours on offer. The most popular is the 45-minute Cathedral Cave Tour, which covers ancient geological history, cave acoustics and crosses a suspension bridge. The tour is $30 for adults or you can grab a family pass for $75. The more adventurous among us should try the Capricorn Explorer ($50) and Adventurer tours ($65) that will have you exploring secret vaults and hidden passages, guided by headlamp only. [caption id="attachment_798838" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] If a tropical escape is more your vibe, then you can't go past a stay at Great Keppel Island. The somewhat hidden island paradise is just 15 kilometres off the coast from Yeppoon. The island offers a range of activities including snorkelling and kayaking. Billy and his team at Keppel Water Sports will have you exploring all day, with a bunch of options for the whole crew. When you're after a more chilled day out, follow the advice of the Empty Esky team and seek out this lagoon in the centre of Yeppoon. It's the perfect place to cool off from the harsh Queensland heat. There's a 2500-square-metre lagoon pool, a children's play area, a lap pool and a swim-up infinity edge with views out to Great Keppel Island. Entry is free and you can swim in peace knowing the pool is patrolled daily, including during public holidays. For a truly Queensland tourist experience, cuddle up with Australia's favourite furry friend at Cooberrie Park Wildlife Sanctuary. If koalas aren't really your style you can have a go at holding a crocodile or parrot. Situated in Yeppoon, the sanctuary boasts more than 300 animals, 25 acres, barbecue facilities and a swimming pool. Keep an eye out on the website for COVID-19 restrictions if you're keen to get up close to the animals. [caption id="attachment_798840" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] STAY When it's elegance and heritage that you crave, you can't go past Hotel Denison in Rockhampton. Built in 1886, the boutique hotel is brimming with history. Offering 18 luxury suites, the hotel has managed to maintain its heritage-listed appearance while still remaining modern. A ten-minute walk will take you to the CBD's range of restaurants and mall strip, making it the perfect place to stay when you're exploring Australia's Beef Capital. Or, consider Capricorn Camel Camp, just east of Rockhampton. It is guaranteed to make your friends seriously jealous. You'll get to camp close to the camels and enjoy the option of a sunset camel ride on the private property. Plus, the camp is also home to alpacas, calves and goats. It's a bring-your-own gear kind of experience and it'll set you back just $25 per night for two guests. For something a little more luxurious, there's beach-style accommodation surrounded by palm trees at Yeppoon Surfside Motel. The motel is a favourite of the Empty Esky crew and it has a range of sleeping options and each self-contained room has an ensuite, air-conditioning, cooking facilities, free wifi and queen-size beds. Opt-in for the ultimate holiday experience of having brekkie delivered to your room. Rooms here start at $155 per night. For a unique and memorable experience, why not stay at Pumpkin Island? Situated 14 kilometres from the coast of Yeppoon, the tiny private oasis is a blissful retreat and an opportunity to unwind and connect with nature. Accommodation options include five eco-friendly self-catering cottages or two beach bungalows, starting from $306 — and your days are filled with snorkelling, kayaking, or lounging around on the long stretches of white sand. For more road trip inspiration, check out these guides from Canadian Club and Empty Esky. Top image: Pumpkin Island via Tourism and Events Queensland
An idea as great as Night Feast was never meant to be a one-off. Indeed, when word arrived that Brisbane Powerhouse was starting a neon-lit night market, it was instantly announced as a twice-yearly event, popping up for a month at a time with food, booze and art installations. So, while New Farm has said farewell to the riverside hangout after its debut March 2023 stint, Brisbane is now counting down the days until it returns again this year. Mark your diary now, because Night Feast will be back from Wednesday, October 4–Sunday, October 29. The event's maiden run certainly proved popular. If you went along, you experienced that fact in person, but organisers have now released stats to back it up. More than 125,000 people hit up the night market first-ever season, with 67,258 wontons, 28,352 skewers and 6306 oysters devoured in the process. There were 101,000 total food and beverage orders, too, 24,000 glasses washed and reused, and 6600 kilograms of waste diverted from landfill. [caption id="attachment_893196" align="alignnone" width="1920"] Markus Ravik[/caption] It's too early to announce what'll be in store in October, other than the same general blend of food, booze and art — although don't expect this event to merely repeat itself. There will be one big difference, of course. Instead of celebrating autumn, Night Feast's second go-around will be all about spring. Yes, your tastebuds should already be excited about what that might inspire menu-wise. Still, if you'd like to use March's lineup as a guide, the culinary bill included Longrain's Martin Boetz, e'cco Bistro's Philip Johnson, Lyndon Tyers at Donna Chang and Tuan Nguyen at Ngon, plus Lek Senee from Lek's Thai and Patricio Sarno from Mary Mae's Kitchen & Bar — and City Winery's vino thanks to winemaker Dave Cush. And, dishes from Taro's Ramen and Ham on Rye were also on the menu, as well as from Saison Salumi and Wine & Dine Em. Chef Anchalee Kasurin whipped up poffertjes pancakes as part of an international array, too, which surveyed Thai, Vietnamese, Japanese, Middle Eastern, Italian, Greek, modern Australian cuisine and more at 20-plus gourmet food stalls. Communal feasting was one of the first Night Feast's big focuses also, plus having the restaurants taking part in Night Feast to dish up the absolute top thing on their menus is another. That meant tucking into their signature dishes, but by the river in New Farm. Night Feast also featured an open fire pit for roasting and a dedicated dessert bar, plus cocktails and a top-notch wine list to wash it all down with. And, the food side of the program was just one of the highlights. The arts and music program was just as impressive, giant illuminated humanoids via Amanda Parer's Fantastic Planet and laser beams that look like intergalactic events included. Night Feast will return for spring in 2023 from Wednesday, October 4–Sunday, October 29. For more information, head to the event's website. Images: Pixel Frame / Markus Ravik / Lachlan Douglas.
Step inside Luna Park Sydney's big top and you might now see a rollercoaster and a hot air balloon. Underwater creatures could await, or fantastical critters, futuristic lights like you're zooming through space, skulls, eyes, spiders and geometric architecture. In fact, expect all of the above to greet you, plus an array of colours and trippy visuals, as you experience Dream Circus. Announced in November 2023, opening just before Christmas, and now welcoming in locals and tourists alike, this immersive $15-million experience has revamped Luna Park Sydney's big top to make you feel like you've walked into a movie. Intergalactic landscapes, webs, space scenes, nefarious monsters and, yes, a circus setup: they're just some of the other sights that Dream Circus can and does display with its 360-degree projections, holograms, motion-activated LED screens and lighting. When it opened 88 years ago at Milsons Point, Luna Park Sydney wasn't the world's first Luna Park, or even Australia's. But around multiple closures, reopenings and revamps, it's remained one of the Harbour City's go-to tourist spots. Its latest reason to stop by also features surround sound and spatial audio mapping to engage your ears as well as your eyes, and is Sydney's first permanent immersive-experience attraction — and a world-first type of attraction as well. Attendees enter a narrative journey, where characters and a spectacle for the senses combine. So, you'll follow Pedro, the showman managing other performers. As the aforementioned list of visuals makes plain, just don't expecting the tale that unfurls to stick to reality. In the 3000-square-metre big top, Dream Circus' sights fill a surface area of over 3500 square metres — with Artists in Motion, TDC and Auditoria, who have ABBA Voyage, King Kong on Broadway, works at Vivid and Walking with Dinosaurs to their names, behind it. Luna Park Sydney expects people to flock to see the results, predicting that 50,000 people will check it out over summer. The new attraction helps the site embrace the future, while still loving its status as an art-deco amusement park that dates back almost a century. "The launch of the Dream Circus marks the beginning of the transformation of Luna Park Sydney," said Luna Park Sydney CEO John Hughes. "Sydney has some of the best creative talent in the world, and we have been so fortunate to work with more than 140 creative practitioners and technologists to create something unique and of great value to Sydney." Find Dream Circus at Luna Park Sydney, 1 Olympic Drive, Milsons Point — visit the park's website for more information and tickets.
Two entries into their feature filmmaking career, there's no such thing as a bad horror movie from Danny and Michael Philippou. Talk to Me was a smash in every way possible: at festivals, with audiences, at the box office, with awards bodies and at introducing not just Australia but the world to a pair of potent new voices in the genre. With absolutely sign of second-film syndrome creeping in, the Adelaide-born twins' sophomore flick Bring Her Back is also an instant unease-dripping cinema great. While a Talk to Me sequel is also in the works, Danny and Michael have detoured into a different reckoning with loss and death first. And, where their debut movie featured Miranda Otto (The Lord of the Rings: The War of the Rohirrim) as its big name, their second enlists two-time Oscar-nominee (for Blue Jasmine and The Shape of Water) Sally Hawkins. There's also no such thing as a dull conversation with the Philippou brothers, either. When Concrete Playground had a date to discuss Talk to Me with them back in 2023, Danny was apologetic that Michael was unexpectedly AWOL — and he was also bubbling with joking ribbing. This time, both siblings are present and keen to natter, but Danny has lost his voice. "Too much excitement. Too much screaming," he advises. It doesn't stop him from engaging enthusiastically and energetically, although that's always this duo's vibe. The brotherly teasing remains as well. They've been dubbed "horror twins" more than once since they've made the leap from RackaRacka's viral YouTube videos to worldwide movie stardom — and while that's a term that normally brings on-screen characters like the Grady girls from The Shining to mind, rather than filmmakers, Danny and Michael can get onboard with it. "I'll embrace the term," says Michael, after first pondering whether it means that he and his brother are horrific. "Horror twins, we're all for it," adds Danny. If the label "horror siblings" was being used instead, it could also apply to key figures in both of their features so far, however. Bring Her Back's version: 17-year-old Andy (Billy Barratt, Invasion) and his younger sister Piper (first-timer Sora Wong), who has a visual impairment. Grief haunts this film from the outset, as Andy and Piper find themselves grappling with a tragedy and in need of a foster home, albeit ideally just for the three months until the former turns 18 and can obtain guardianship for the latter. Enter Hawkins as Laura, who has lost a daughter, and now welcomes orphaned children into her suburban house with an empty pool and an ominous circle surrounding the property. Enter Oliver (Jonah Wren Phillips, How to Make Gravy), the withdrawn, non-verbal boy already in her care, too. For Andy, Piper and viewers alike, Bring Her Back then plunges into an atmosphere of festering stress — and an environment within the storyline where anxiety and unshakeable mourning radiates from Laura, Oliver unsettles with just a stare and his presence, both siblings mightn't be equally wanted and not all motives are altruistic. Talk to Me confronted the end that awaits us all via personal loss as well — and embraced the yearning to hold onto loved ones now gone through a severed embalmed hand that, when grasped by the living, acted as a conduit to those who've shuffled off this mortal coil. There's no lopped-off appendage acting as a beyond-the-void communication device in Bring Her Back; however, the Philippous are proving themselves experts in dealing with familiar and frequently explored horror-movie themes firmly in their own ways, and also in new fashions each time. Beating, needling and piercing at the heart of both of their films to date is a truth that everyone knows in their gut but rarely vocalises: that losing someone means never being okay, or at least the same, ever again. Bring Her Back is another stellar feature from the co-director pair, with Danny penning their screenplays with co-scribe Bill Hinzman, that boasts a strong emotional core, then — and with thoughtfully written, resonant and relatable characters, even when they're making dread-inducing and disquieting choices. The Philippous' second film is also blessed with a phenomenal turn from a giving-her-all Hawkins, who certainly didn't navigate the same terrain when she was portraying Mrs Brown and taking in Paddington in that franchise's first two movies. One more Bring Her Back feat: it'll ensure that no one ever looks at kitchen knives and perhaps their own limbs in the same way again, while lingering in everyone's mind whenever diving into coping with grief and complicated families fuels any other future movie. When it gets gory — and it does — this is a film that audiences react to audibly. "We don't want them to faint," says Danny. "If you're prone to fainting, bring a pillow. Gasps are good, but please don't faint," adds Michael. "We apologise to the fainters," Danny pipes back in. As they both explain, they also found Bring Her Back affecting to direct, something that they mostly agree didn't really happen in their RackaRacka days. Cue the brotherly riffing again: "actually, Michael, we once set off a bomb and a stick got lodged into Michael's cheek. I thought I saw some tears from his loser," says Danny; "they were tears of joy," is Michael's reply. After Talk to Me exploded with such success, they were still committed to making Bring Her Back at home in Adelaide — and to original horror. Why? That was also part of our discussion. Plus, among other topics, Danny and Michael chatted with us about how the feature's origin story also involves being inspired by a friend's little sister, plus classic films like What Ever Happened to Baby Jane?; getting Hawkins onboard and then not wanting to let her down; and the pride that comes with being a prime example of how online videos are sparking a new generation of filmmakers, just as video stores in the 80s and 90s did. On How Talk to Me's Massive Success Helped Lead to Bring Her Back Danny: "It was like we had to sign on for the next project straight away, because I could feel the anxiety overtaking my body — and if we didn't sign up for something, I felt like I would have never made another movie again. Because you overthink it, and you're overshadowed by things. And if you're just making something, you can't think about it, you just have to do it. So yeah, that was part of the thing with Bring Her Back — like, let's just sign on. Let's start the process." [caption id="attachment_986977" align="alignnone" width="1920"] Jono Searle/Getty Images for AFI[/caption] Michael: "It was being developed at the same time as Talk to Me. So it was a script that was already kind of almost ready to go." Danny: "It was bubbling away." Michael: "It was bubbling away in background." Danny: "It was bubbling away." On Drawing Upon Real-Life People, Classic Films and Personal Experiences to Build Bring Her Back — and Realising When These Pieces Were All Fitting Together Danny: "I think it's once we found some of those ending beats. And once you really solidify those things, building up to that is so much easier when you know where you're going — because a big part of the writing process is just putting together scenes and ideas and moments. And there's no real road map. But once you have a final destination, that's where you're like 'oh gosh, this is really powerful. This sort of speaks to everything that we've been writing'. And the build up to that just felt like, yeah, it was solid." On Finding New Ways Into Interrogating Grief and Death, Two Frequently Explored Horror Themes Danny: "It's still something that we haven't fully expressed yet. And naturally when you're writing, you're writing about things that have happened to you or are happening to you in that moment, and it didn't feel like we fully explored that subject yet. And we couldn't go into it thinking 'there's been all these films about grief already, we can't make another one'. We just had to make sure it was personal to us, and it was drawing from our own experiences, so that way it could feel more unique. We can't go into it overthinking what people are going to think or how it's going to be received. You just have to make something that's true to you." On Tapping Into the Truth That Losing Someone Never Means Being Okay — or At Least Never Being the Same Again Danny: "It was weird because we had a loss at the start of pre-production, and the film became our way of dealing with it and figuring that stuff out. And the script changed because of it. And there was a scene in the pool shed towards the end of the movie where it felt like we were saying goodbye to somebody, and it was directed through tears. So it was never a strategised thing. It was just something we were dealing with and expressing." Michael: "Yeah, some of the scenes are supposed to be horror. And then they turned out sad. I've never cried before directing, but I did in that scene." Danny: "Yeah, yeah. And my co-writer, when he saw the film, he's like 'what? What movie is this? What? What is this? We didn't write this'. And I was like 'we were just responding to what was happening, so it changed'." On Never Being Afraid of Horror Tropes, But Always Grounding Them in Character Danny: "There's something exciting about existing within the horror tropes. And some people deny that they're making a horror film. We do try to work it at a drama level and have it work as a horror film, too, but we're not afraid of those tropes — and embracing those tropes. And then doing your own spin on those tropes is always a fun thing. It's always about grounding it with our characters and in this place. And there's something about having the Australianisms of some of those moments and those beats, I think, that automatically puts it in a different lens from other films, if that makes sense." On the Key Aim When It Comes to Putting a Strong Emotional Core and Thoughtfully Written Characters at the Heart of the Philippous' Films Michael: "For them to work as real human beings. And even, say Laura, she's not outrightly evil — she's driven to madness from grief. It's swallowed her. So it's the world that has made it this way, and she was unable to let go, and what does that look like? It's the spiral. It's a lot about what the circle represents as well. So it's those things that, hopefully, you can empathise with certain characters — even if you don't agree with what they're doing, you understand why they're doing it." On Making Another Firmly Australian Horror Movie, and Doing So at Home, After All of the Offers That Came Following Talk to Me Danny: "There's something that just felt right about it. And we had so many offers, like dozens and dozens. And the budgets were mind-blowing. And the idea of doing it was so, it felt — yeah, that just seems so impossible to even to be offered that. But it didn't feel right. It didn't feel natural. And it didn't feel real. This feels real. This feels personal. And this is a proper expression — and we have full control over these characters and this narrative. [caption id="attachment_1007259" align="alignnone" width="1920"] Scott Ehler[/caption] And A24 is a studio that allows us to go wherever we want with the script and with the edit. And they're not sitting there — it's not filmmaking by committee. It's filmmaker-driven. So it just feels like — it just felt right." On the Pitch to Get Two-Time Oscar Nominee Sally Hawkins Onboard Michael: "She was the first person on our list, and we were thinking 'there's no fucking way Sally Hawkins is going to say yes to working with us'. But we sent them the script, we sent her people the script. And she read it, and we heard back and she said that she loved it, and wanted to jump on a zoom. And we had one meeting with her. And I was kind of afraid with the big Hollywood name, of an ego or something. I don't know, I don't know what I was picturing. But when we spoke to her, she's so down to earth. So amazing. She understood all the nuances in the script that no one else had, and she connected with it not because it was a horror film, but from a character point of view. She really understood Laura. And she was a bit intimidated by playing her as well. I don't know if she was wondering whether she could pull it off. But so, that was the first person that we reached out to, and it was who we got, which was incredible. And she blew everyone away. She's amazing." On What a Performance Like Hawkins', Including in Such a Complicated Part, Gives You as a Director Danny: "It was like the biggest fear of this movie was letting Sally Hawkins down. We didn't want to, us, put together this piece of crap when she's given a part of her soul for this performance. So that was always a thing in the back of your mind. You're like 'oh, please, we can't let Sally down. Please'." Michael: "And the film was structured to be in chronological order as much as possible. So you know these big scenes are coming, and you're so excited because you know Sally's going to go there. So there's those scenes, and you're watching it on the monitor, and there's this magic in front of your face. It's the most-unbelievable experience. And then you can just say little things to Sally, just one or two words, and she just understands. And she will just do another take with these subtle changes, but still in that character. It's unbelievable. It's so, so amazing to watch." On What Inspired the Scenes in Bring Her Back That'll Ensure That Audiences Never Look at Kitchen Knives or Their Limbs in the Same Way Again Danny: "It's just about tapping into stuff that makes you uncomfortable, especially when you're writing horror and stuff. Like metal on teeth, that is so upsetting to me, and so it's about tapping into that and writing about it, and finding a visual that surrounds that. And then when you go back through it, it's about finding a way to tie that back into character, back into theme." Michael: "And grief is all-consuming." Danny: "But also, all of it represents more than just that." Michael: "I know, I know, but I'm saying that's one part of it. And then when you have things like that that go into those ideas, what is the physical representation of the themes and what we're talking about from a character point of view? And those scenes, just they come — and it's one of those things. We didn't want to shy away from it, when that stuff does happen. And I don't think we did." Danny: "I don't think we did." On How It Feels to Be an Example of How YouTube Can Be a Launchpad for Filmmakers to Hone Their Skills, Find Their Voice, Then Make the Leap Into Features Danny: "Just so proud, because filmmakers or storytellers can exist in all platforms and can come from anywhere. They could be — like the future Steven Spielberg, he could be there, or she could be there, right now, just only having access to their phone, and that doesn't make them any less of a storyteller. So I like that. Even when we're in meetings now, we're really pushing creators and different people, and letting them know that this is the next gen. [caption id="attachment_1007252" align="alignnone" width="1920"] Scott Ehler[/caption] These people want to be able to express themselves, and they've got different mediums to use it. That doesn't make them any less of an artist. Yeah, I feel very proud of that." Bring Her Back released in cinemas Down Under on Thursday, May 29, 2025. Read our review of Talk to Me, and our interview with Danny Philippou about Talk to Me.
For years, enjoying a feast of Turkish cuisine in Brisbane'e east meant heading along to Ahmet's in Bulimba. When the popular restaurant closed its doors, your stomach was far from happy; however that's where Downtown Istanbul comes in. Operated by Ahmet's former owners, the brand new eatery is serving up all the meals you know and love — plus a few fresh additions, too — just around the corner in Hawthorne. Nestled within the suburb's new cinema complex, Downtown Istanbul will take care of your Turkish cravings over lunch and dinner seven days a week, with takeaway also available, and weekend breakfast selections coming soon. Yes, that means you can start picking between share plates of falafel and iman bayildi, devouring gozleme with your choice of fillings, trying to select pide toppings or savouring char grilled shish as soon as you can make it to Hawthorne Road. Turkish delight is on the dessert menu, of course, while Turkish-style twists on sangria, margaritas and other cocktails are also on offer. Plus, midday diners can munch on one of four different Ottoman burgers. Yep, Brissie's favourite trend just went Turkish as well.
Whatever happens to Wednesday Addams (Jenna Ortega, Death of a Unicorn) at Nevermore Academy in the second season of the Netflix series that bears her name, she'll be back at school afterwards. Before the sophomore run of the streaming hit begins dropping episodes from August 2025 — splitting season two into two parts, with the first arriving on Wednesday, August 6, then the second batch on Wednesday, September 3 —Wednesday has already been renewed for season three. Of course, all things Addams Family have been delighting audiences for almost 90 years, with the first-ever cartoon panel featuring the creepy, kooky, mysterious and spooky brood published in 1938. Following a lineup of other TV shows between the 60s and the 90s, as well as a range of films — live-action and animated alike in both cases — the first season of Netflix's take on the clan became and remains the most-viewed English-language series of all time on the streamer. As for when season three will hit and what's in store, details are unsurprisingly scarce given that season two hasn't yet premiered. "Our goal for season three is the same as it is for every season: to make it the best season of Wednesday we possibly can," Alfred Gough, one of the series' co-creators and showrunner alongside Miles Millar, told Netflix's Tudum. "We want to continue digging deeper into our characters while expanding the world of Nevermore and Wednesday, added Millar. "We will be seeing more Addams family members and learning more family secrets in season three." The pair, who also penned Tim Burton's Beetlejuice Beetlejuice — and are clearly fond of working with the filmmaker, since he's also behind Wednesday, including as both a director and an executive producer — are already promising to expand the Addams crew in season two. Enter Joanna Lumley (Amandaland) as Hester Frump, Wednesday's grandmother, for instance. In the show's second season, its black-clad protagonist is back at Nevermore Academy and being heralded as a hero thanks to her efforts in season one. Wednesday is characteristically unimpressed by the attention, the trailers so far illustrate. Soon, her focus is elsewhere, however, thanks to a premonition of her roommate Enid (Emma Myers, A Minecraft Movie) coming to a grave end, with Wednesday determined to do whatever she can to stop that from happening. Steve Buscemi (The Studio), Billie Piper (Kaos) and Thandiwe Newton (Mufasa: The Lion King) are also among the series' new cast additions in season two, while Catherine Zeta-Jones (National Treasure: Edge of History), Luis Guzmán (Justified: City Primeval) and Isaac Ordonez (Color Box) are back as Morticia, Gomez and Pugsley — plus Luyanda Unati Lewis-Nyawo (Dreamers) as Deputy Ritchie Santiago. Among its fresh faces, Evie Templeton (Criminal Record), Owen Painter (Tiny Beautiful Things), Noah B Taylor (Law & Order: Organised Crime), Frances O'Connor (The Twelve), Haley Joel Osment (Blink Twice), Heather Matarazzo (Paint) and Joonas Suotamo (The Acolyte) are also onboard — plus Christopher Lloyd (Hacks), following Christina Ricci (Yellowjackets) among the stars of the 90s Addams Family films popping up in Wednesday. Fred Armisen (Fallout) remains Wednesday's take on Uncle Fester, though — one that Netflix is so keen on that there's been talk of a spinoff about the character. Check out the full trailer for Wednesday season two below: Wednesday season two arrives in two parts, with part one dropping on Wednesday, August 6, 2025 and part two on Wednesday, September 3, 2025, both via Netflix. We'll update you with more details about season three when they're announced. Read our full review of Wednesday season one. Images: Helen Sloan and Jonathan Hession/Netflix © 2025.
There's nothing little, only big, about Liane Moriarty's success as both an author and the source of twisty TV shows. There's nothing minor, only major, about Danielle Macdonald's success as an actor over the past 15 years, too. The Last Anniversary brings both Australian talents together — adapting Moriarty's sophomore novel of the same name two decades after it initially hit the page, and starring Macdonald alongside Teresa Palmer (Mixtape) and Miranda Richardson (Good Omens) as it tells of a multi-generational family's dramas and secrets on the fictional Scribbly Gum Island on New South Wales' very real Hawkesbury River. From Moriarty's bibliography, Big Little Lies, Nine Perfect Strangers and Apples Never Fall all reached readers after The Last Anniversary, but made their way to screens first. Macdonald is part of a new achievement among the genre that is Moriarty adaptations, however: this is the only one of the scribe's novels to retain its Australian setting on-screen so far. The debut season of Nine Perfect Strangers was made here, as was Apples Never Fall, but both changed the locales in their plots to the US — as Big Little Lies, the American-filmed series that got viewers hooked on Moriarty's tales, also did. The idea that something homegrown needs an overseas stamp of approval before Australia embraces it isn't new in the film and TV industry — and it isn't quite the situation with The Last Anniversary. But that concept also floats over Macdonald's career, after she made the move Stateside when she was 18, featured in a 2011 episode of Glee and in 2013 movie The East, then popped up in Pretty Little Liars, 2 Broke Girls, The Middle and American Horror Story before her breakout lead role in 2017 Sundance sensation Patti Cake$. Fellow films Lady Bird, Skin, Bird Box, Dumplin' and French Exit all followed, as did streaming series Easy, Unbelievable and Poker Face. As Macdonald tells Concrete Playground, yes, that makes coming home to feature in gripping shows like this, and also The Tourist before it, all the more special. "Absolutely. It's funny that l went overseas and found some success there, and then got to come back for jobs at home, and that feels special to me. Because a lot of people, they start out in Australia and then they try to branch out overseas — and I'm like 'I had to do the opposite just to be able to work in Australia'," she advises. "And it is funny and ironic, but at the at the end of the day, I love coming home. It's my favourite thing in the world. And you're never going to have to try too hard to convince me to work here, because it's where I love being. I feel completely at home here. I love Aussie crews. I love Aussie casts. It feels always like coming home and getting to do my job at the same time. It's this beautiful thing. It's always going to be special. It never won't be special. And it's not really for any reason than it just feels like coming home, at the end of the day. And getting to do what I love to do at home is something I never really thought I'd be able to do, so that will always be special to me. It just will." One of 2025's standout local series since it debuted earlier in the year, The Last Anniversary has Palmer's Sophie Honeywell, an unlucky-in-love 39-year-old journalist, at its centre — as well as the waves that she makes when she inherits a house on Scribbly Gum Island from Connie (Angela Punch McGregor, Troppo), the grandmother of her ex-boyfriend Thomas (Charlie Garber, Barons). Macdonald plays the latter's twin sister Veronika, who is angry and antagonistic about Sophie being bequeathed one of her family's homes, still harbours resentment over their friendship fading, and is struggling with her own recently divorce and move back in with her parents (Aftertaste's Susan Prior and Audrey's Jeremy Lindsay Taylor). She's also attempting to kick her life back into gear with a project: a podcast about the baby Munro mystery that the small island is known for. As a teenager, Connie (Elizabeth Cullen, Last King of the Cross) and her sister Rose (Josephine Blazier, also an Audrey alum) found and brought up an infant girl after young couple Alice and Jack Munro suddenly disappeared. Cue The Last Anniversary's jumps back and forth between decades. In its modern-day timing, that baby is now Enigma (Helen Thomson, Spit), and has a daughter, Grace (Claude Scott-Mitchell, Hotel Portofino), of her own that's just given birth herself — and the pair, plus Grace's partner Callum (Uli Latukefu, Countdown), are as much a part of the family, and the island, as Veronika, her mum and dad, and Rose (Richardson). As both Veronika and Sophie dig into everything they can about baby Munro, then, cue also long-kept-clandestine truths being spilled. The Last Anniversary follows not only the Jamie Dornan (A Haunting in Venice)-co-starring The Tourist among the recent titles to Macdonald's name with local ties, but rom-com film Falling for Figaro, an Australian–UK co-production also featuring Joanna Lumley (Amandaland), as well. If I Had Legs I'd Kick You isn't Australian, but it did earn fellow Aussie talent Rose Byrne (Physical) the Silver Bear at the Berlin International Film Festival for Best Leading Performance — and it's opening 2025's Melbourne International Film Festival. Firmly homegrown is the upcoming Saccharine, though, with Australian Relic and Apartment 7A director Natalie Erika James behind the lens, and with Macdonald leaping into a genre that she doesn't watch herself: horror. That journey from Glee and Patty Cake$ to The Last Anniversary, what appeals to Macdonald in a new project — Australian or not — and the mystery angles that have been appearing among her recent work: these also fuelled our discussion. We explored what excited her about stepping into Veronika's shoes, too, as well as playing a character that's almost reverting back to her teenage self, joining the growing lineup of Moriarty adaptations, working with her The Last Anniversary co-stars and more. On Macdonald's Journey Over the Past 15 Years From an Episode of Glee to Patty Cake$, French Exit, The Tourist, The Last Anniversary and More "Honestly, I think it's weird — because some people, you start out as an actor and you're like 'I want to be the lead of this and this', and I think I never actually really expected that, in a weird way. I think I was like 'I really want to be a working actor'. Like, 'I'll go from guest star to guest star, and I'll hopefully do recurrings on a show here or there, or maybe get a series regular, as a supporting character'. I never actually expected what has happened, in a strange way. That wasn't actually part of my plan. I just really wanted to be a working actor — and I am a working actor, which is amazing. But I've had more roles than I could have imagined that are just really, really cool, integral lead female characters That is really incredible and I didn't quite expect that, I'm not going to lie." On What Excited Macdonald About The Last Anniversary and Specifically Stepping Into Veronika's Shoes "She was fun. She's gone through something — but for me, it was really fun to explore. I knew that I got to deal with someone that's regressing in life. She's someone that had moved out of home, had a job, was married. And now she's divorced, she's moved back home, she doesn't have a job and is just trying to figure out who she is. That's fun to explore because it's that part of you that has to revert to being a teenager, in a weird way. Like when you move back in with your parents, or you go home just for the holidays, and your mum starts doing your laundry and cooking for you and everything. It's that kind of vibe. And that was actually really, really fun for me to just get to play with, especially filming in Australia, because I moved away from Australia when I was 18. And so when I'm in Australia, that is weirdly where I revert a little bit more into being a teenager. So it was fun to get to come back here and play a character that is reverting a little bit more into being a teenager again. So that was that was interesting to me. But I just love the story. I love the story. The story was amazing. And I knew I get to have a lot of fun with Veronica, and I just wanted to be a part of this world." On What Macdonald Looks for in an Australian Project "I think I look for the same thing no matter where in the world it is, to be honest. If I love a script, I love a script. And sometimes it's a first-time filmmaker that's directing it. Sometimes it's a first-time scriptwriter. That doesn't really sway me. It's always stories first. That is the number one thing. So if I read a script and I love a script and I relate to a script, I want to be a part of that. So that's always number one. And I think it's a feeling that you get. That's the best way to put it. It's not anything specific in a script — it's the feeling you get when you read it. And I felt that for many, many different ones. For The Tourist, I could not put it down. I read four episodes in one sitting, could not put it down. I loved it. So I really wanted to be a part of it. Same with this script. I read three episodes in one go. I think Saccharine was actually interesting. It was a little different, because I don't read horror movies. I don't watch horror movies, so I'm not great at reading horror scripts. And my managers loved it, and so I read it, and I was like 'here's the thing — as someone that doesn't understand horror movies, I refuse to watch it because it terrifies me'. But I can tell that it's a really well-written script, and this is a really interesting concept, that it was so funny — because that was actually a different experience going into it. Because I was like 'horror is the one genre that I don't understand and don't watch'. So that was actually more like I really loved the director, and I loved her vision, and that was really what drew me in. And talking to her about it, I was like 'oh, this is bringing the script to life now in a way that I don't understand from initially reading, because I don't understand this genre — and when you explain it to me, I can visually see it'. And then it became really real. So it really depends on the piece. And it always depends on the creatives. When you talk to people, that's when it really comes to life and you can see if their vision aligns with what you've read or not." On Whether It's Exciting, Stressful or a Bit of Both to Step Into a TV Adaptation of a Liane Moriarty Book "Liane's books just adapt really well. They're like these really strong characters. They're really complicated people. There's always a mystery-thriller element to it. And they work really well on-screen. I've always found that with all of her stuff. And it is daunting in the sense that you know that there is all this pressure to follow up and everything. But in a weird way, I just saw it as an individual thing. I was like 'this is just an awesome book that has been adapted into an amazing script that has got this amazing cast and crew around it, and I get to be a part of it'. I try not to really put expectation on any job I do. I think that that helps, because that way you just really stay in the moment and focus on what it is and the creative part of it. So for me, it was more just loving the content that I got to work with. But, yeah, when you think about it, it's like 'wow, it's really cool that I get to be a part of this world that she has created'. And it's like little family in and of itself." On Veronika's Path From Antagonism, Anger and Reverting Back to Her Teenage Self, Through to Perhaps Finally Realising Who She Is for the First Time — and the Juggling That Comes with It "When you start, you know that the character's going to go on a journey — which is amazing because you don't want to ever have something be just two-dimensional. So it's definitely a balancing act of seeing a character grow. And especially because we always shoot out of order, it's definitely trying to figure out 'okay, so this is the headspace that my character is in — and I know that she's growing here, but this hasn't quite happened yet. What impacts her? What is the change?'. It is definitely a lot of figuring out, kind of like a mental timeline, honestly, for someone. And I'm really big on writing notes about where my headspace is at the time of which scene, so that I can shoot out of order and make sure that it tracks the whole way through. But it's definitely a balancing act, because I want to keep the character, like who she is, Veronika, who she is from the beginning to the end — she is the same person. She is brash. She is going to speak her mind. That's not going to change just because she's becoming aware of what she wants to do with her life and who she loves. That's all happening, but she's still herself at the end of the day. You don't want someone to be unrecognisable. It's baby steps. This happens over the course of not a huge amount of time. So it's like someone growing and evolving, but also remaining who they are at their core." On Why Series with Mystery Angles Keep Popping Up on Macdonald's Resume — and Keep Appealing to Audiences "I don't know. I feel like true crime has always been a thing, but it was never really talked about the same way. I think with social media and everything, all these true-crime lovers had all these spaces to talk about it for the first time. Which I think is really cool — because when I think about it, there were all of the crime movies, they were always so popular when we were younger, or well before I was even born, even. If you think about the movies — like The Godfather, that's a crime family. That's one of the greatest movies of ever. So it's always been something that I think people have been fascinated by. There were also all those reenactment crime shows when I was growing up, I remember. And now that we have social media and we have Instagram, TikTok, there's now forums for people to chat about things. And then when you hear about people online figuring out mysteries themselves, they're like Internet sleuths — you're like 'that is so cool'. Like, 'wow, everyone can become a detective'. I used to watch Veronica Mars and it was about a teen PI, and I was like 'that's so cool'. I feel like it's always been around, and now there's just a forum for people to talk about it and share their passion and love for mystery and thrillers and stuff. So I feel like this generation has evolved with technology into making it more of a thing that people talk about, maybe, but I feel like it's always been like bubbling there around, and it's just now kind of come into light." On How Being Surrounded by Such a Stacked Cast Helps Your Own Performance "It was so fun. It just really was. We all got along really well. We became this big, dysfunctional family. Our favourite scene that we filmed in the entire series was just a big dinner scene together. It was so much fun. We had a great time. We had to really keep straight faces a lot of the time, because we were dying laughing — we were just having a good time. And that's a lot. When you're doing a 12-hour day and you're doing the same thing over and over again, it can get monotonous. And it wasn't. We were enjoying each other's company. And then there was another day, later on in the series, there's a big anniversary — the last anniversary party — and we're all filming different little segments, and then we all get brought back to the same area. We got in trouble for being too loud because we were playing cards, and we were playing games together and having too much fun. They're like 'we're sending you guys back to base so you don't interrupt filming' because we just had so much fun. It was just such a great time. We did genuinely love each other. And it happens on some sets. Some sets you just all click, you all find your way together and it's beautiful. And then other times, it doesn't quite happen that way — but this was one of those jobs that just was magical. And I'm so, so glad we had such a great group of people that just really, really embraced each other. I think that's the big thing. It's being open to each other — and that was really beautiful about this job. I honestly loved it." The Last Anniversary streams via Binge. The Last Anniversary stills: Mark Rogers.
In a city where personal style reigns supreme, one creative is standing out from the crowd. New Zealand-born stylist and content creator, Paris Wycherley, mixes vintage finds, elevated streetwear and tomboy silhouettes to create a uniquely self-expressive Melbourne-inspired look. "Melbourne fashion differs from other places because it's less about labels and brands and more about showing your individuality, thrift shopping and mixing and matching lots of different pieces," says Paris. "It's kind of anything goes, which I love." As a personal stylist, Paris often sources fashion across the city. With her keen eye for standout pieces and love of all things secondhand, she can often be found scouting Melbourne's vintage circuit. From Fitzroy's Brunswick Street to Smith Street, Goodbyes to Lost and Found Market, the stylist has a sixth sense for finding vintage deals among the bargain bins. So, what are her top tips for secondhand shopping? [caption id="attachment_1027350" align="alignleft" width="1920"] Image by Declan May[/caption] "Hunting for items across Melbourne's vintage stores is honestly like a sport to me," says Paris. Her ultimate vintage finds have included a leather vest from Comme des Garçons in Berlin and some Prada kitten heels. "They ended up getting worn to death on holiday because they were the only heels I could have a boogie in without getting blisters." But when it comes to secondhand shopping success, Paris credits persistence and time. "You have to go in with an open mind, head down, [and] get to work. Sometimes I can be in the vintage stores for hours, but once you find that special piece, the juice is definitely worth the squeeze." The stylist says she's found a winner when, if she left the piece behind, she knows it'd get snapped up by another fashion fan. "[I look for] unique pieces that I know if I leave it behind in the store, I probably won't see it again. Also, classic timeless pieces. A good vintage blazer is always needed and I collect slogan vintage tees, so I cannot pass up a good slogan." Alongside her persistence, Paris also uses the Samsung Galaxy Z Flip7 to snap inspiration and log her favourite stores. The phone is supercharged by Google Gemini, making it easier to discover, capture and share your style. Think of it as a style companion, or having someone like Paris in your pocket. You can see how Paris herself uses the tool for secondhand shopping in the video below. As a personal stylist and working for her partner's label, Monphell, Paris knows what makes good taste, and it's not keeping up with the never-ending (supercharged) trend cycle. "A sign that someone has good fashion taste isn't always about what they're wearing, but how they carry themselves and the confidence with what they're wearing," she affirms. "You don't have to keep up with the latest trends or spend your entire paycheck just to look good." [caption id="attachment_1027351" align="alignleft" width="1920"] Image by Declan May[/caption] Through her styling work, Paris aims to curate fashion pieces that feel authentic to the client and, most importantly, make them feel good. "I cannot stress enough that clothes should make you feel good." With her oversized fashion looks and seemingly effortless stream of content, Paris Wycherley is a fashion creative to watch. Whether she's shooting a lookbook with Monphell or sourcing for her clients, Paris proves that finding your style and taking the time to curate your wardrobe trump quick-and-easy trends every time. Explore more at Samsung. Flex Mode supported at angles between 75°and 115°. Some apps may not be supported in Flex Mode. Gemini is a trademark of Google LLC. Gemini Live feature requires internet connection and Google Account login. Available on select devices and select countries, languages, and to users 18+. Fees may apply to certain AI features at the end of 2025. Circle to Search not available on the FlexWindow. Results may vary per video depending on how sounds present in the video. Accuracy is not guaranteed. Lead image: Samsung
Diaries out: if you want to see out 2025 and ring in 2026 at Lost Paradise, the annual end-of-year music festival in Glenworth Valley on the New South Wales Central Coast, you now have dates for your calendar. From Sunday, December 28, 2025–Thursday, January 1, 2026, the fest will return. Lost Paradise has confirmed its 2025 fest — and that's all that's been announced for now. It's worth noting, however, that the roster of acts taking to the stage in both 2023 and 2024 was revealed in August each year. Some people love last-minute New Year's Eve plans, going wherever the mood takes them. Others can't start planning early enough. If you fall into the latter category, this end-of-year staple is for you. For Lost Paradise newcomers, the multi-day event turns a slice of its setting — which is located an hour out of Sydney — into one helluva shindig, complete with live music and DJ sets spanning both international and Australian talents. This year, organisers are promising newly reimagined versions of the festival's Arcadia, Lost Disco and Paradise Club stages. Tunes are just one part of the Lost Paradise experience, though. Here, art, culture, wellness, and food and drink also get a look in — although how that'll be the case in 2025 also hasn't yet been unveiled. Lineups from recent years will give you an idea of the usual mix of musicians, with 2024's fest featuring Fisher, Tinashe, Royel Otis and Flight Facilities, as well as Marlon Hoffstadt, Sammy Virji, SG Lewis, Confidence Man, DJ Boring, Kita Alexander and more. 2023 ended with help from headliners Flume, Dom Dolla and Foals, alongside Basement Jaxx, Bicep and Carl Cox on the decks, among other acts. Since first unleashing its specific flavour of festival fun back in 2014, Lost Paradise has become a go-to way to wrap up one year and welcome in the next — including if you're keen to camp for its duration. [caption id="attachment_965687" align="alignnone" width="1917"] Byravyna[/caption] [caption id="attachment_965686" align="alignnone" width="1917"] Amar Gera[/caption] [caption id="attachment_965688" align="alignnone" width="1917"] Byravyna[/caption] [caption id="attachment_965685" align="alignnone" width="1917"] Jordan K Munns[/caption] Lost Paradise returns to Glenworth Valley, New South Wales from Sunday, December 28, 2025–Thursday, January 1, 2026. To sign up for presale tickets, head to the festival's website. We'll update you when the lineup is announced. Images: Jess Bowen, Jordan K Munns, Byravyna and Amar Gera.
One of the reasons that it's so easy to lose yourself at teamLab Borderless, the acclaimed and hugely popular Tokyo digital art gallery that should be at the top of every visitor to Japan's must-visit list, is the way that its stunning sights keep moving around you. No one just looks at art here — they're truly immersed in it. At RISING 2025, expect that same sensation. When Melbourne's annual winter arts festival returns, expect to step into a field of red beams, too. Whether you're a local or hitting up the Victorian capital just for the fest, expect to never see The Capitol the same way again as well. After first announcing that it'd be getting swinging in 2025 — at mini golf, that is, courtesy of an art exhibition that's also a nine-hole mini-golf course that's taking over Flinders Street Station Ballroom — RISING has unveiled its full program. Hailing from teamLab alum Shohei Fujimoto, intangible #form is a massive highlight. The Japanese artist's free installation will take over The Capitol each evening complete with all of that crimson lighting, which'll respond to your movement. Sparking the feeling losing yourself in its beams and hues is 100-percent the piece's aim. With 65 events featuring 327 artists on RISING's 2025 lineup between Wednesday, June 4–Sunday, June 15, intangible #form is just one of the fest's standouts this year. Another comes courtesy of Suki Waterhouse playing her first-ever Aussie shows, which you can only see in Melbourne at the fest. After proving a drawcard in 2024, Yasiin Bey is returning to RISING in 2025, this time joined by Talib Kweli. Still on tunes, Portishead's Beth Gibbons, Aotearoa favourite Marlon Williams, septuagenarian grime stars Peter Bowditch and Basil Bellgrave, Black Star, RONA, Soccer Mommy and Japanese Breakfast are also on the bill — as is the return of eight-hour music fest-meets-block party Day Tripper, with DIIV, Mount Kimbie, Annie and the Caldwells, Bktherula, Paul St Hilaire and Bad Vacation taking to the stage. If you haven't seen Hedwig and the Angry Inch before, this is your chance to redress that gap in your theatregoing, with this new Australian production of the rock musical starring Filipino Australian singer Seann Miley Moore. And if you've ever wondered if you could manage to sit still — completely — for 90 minutes, Woopsyang's "do nothing" challenge is part of RISING, and asking festival attendees to participate. Or, catch the Australian premiere of Olivier-winning hip-hop dance work BLKDOG by Botis Seva — and then grab a seat for The Wrong Gods, a new piece by S Shakthidharan, the playwright behind RISING 2024's Counting and Cracking. Celebrating Divinyls legend Chrissy Amphlett via cabaret, hearing sound artist Sara Retallick dive deep into The City Baths as a composition space, dancing again at the return of SHOUSE's Communitas, spotting Melbourne Art Trams' latest iteration rolling around town, embracing a playful stage musing on heartbreak with the appropriate soundtrack: that's all on offer, too. Also on the agenda: peering at large-scale projections that champion Yorta Yorta ancestral connections as they flicker across Hamer Hall, all thanks to Moorina Bonini; discovering what happens when time and sound bend in the void beneath Federation Square; watching six performers work through 36 Shakespeare plays using household objects; and another date with the Bard, with Hamlet staged by a neurodiverse cast. BLOCKBUSTER, also at Fed Square, looks set to live up to its name, giving RISING a free ode to South Asian culture. Think: street food, Pakistani R&B, Punjabi rap, art trucks, workshops and more. To similarly feel spoiled for choice while hitting up just one part of the festival's program, head to Night Trade, which is again part of the program, bringing street, karaoke and microbars to a late-night art market between Capitol Arcade and Howey Place. The list goes on — including Soda Jerk switching from bringing TERROR NULLIUS and Hello Dankness to the big screen to designing a mini-golf hole for the aforementioned Swingers: The Art of Mini Golf. [caption id="attachment_994700" align="alignnone" width="1920"] Woopsyang[/caption] Top images: Mandy Wu, Mathieu Bitton, Eugene Hyland, Katsuyuki Seki, Steven Marr, Ryan Cara, Netti Habel and Remi Chauvin.
Situated on the banks of the Murray River, Tocumwal is the ideal destination for an outdoorsy getaway. With virtually endless opportunities for fishing, camping and hiking in the surrounding areas, you can spend your days bouncing between the riverside beaches or seeing the fascinating landscape from high above. With the help of Wild Turkey, we've selected a series of activities that'll take your visit to this lush Riverina district to the next level, whether you're seeking relaxation, adventure or a bit of both. [caption id="attachment_843939" align="alignnone" width="1920"] Elliot Kramer[/caption] GO BEACH HOPPING The Murray River flows right through the heart of Tocumwal, and 24 riverside beaches within close proximity to town ensure you can make the most of every sunny day. With this stretch of Australia's longest river lined with shady red gums and native bushland, there's a quiet patch of shoreline with your name on it. For instance, Tocumwal Beach, Apex Beach and Finley Beach are all within a quick drive of one another. If you don't mind a quick drive, Bouchiers Beach and Smithers Beach are also top-notch options. No matter which beach you like the look of, the water is perfect for swimming and kayaking. [caption id="attachment_843057" align="alignnone" width="1920"] Rob Blackburn - Visit Victoria[/caption] SEE THE SIGHTS FROM ABOVE Take flight above the countryside with Sport Aviation, one of the top attractions in Tocumwal. Courageous passengers can experience heart-pumping flights in both gliders and light sports aircraft, whether you're just looking for a thrill or keen to learn the basics of piloting. Leaving from the runway located just outside town, you'll soar high above the rolling hills and sprawling river system with an expert guide. Traversing across the landscape, these nimble aircraft provide a striking bird's-eye view, ensuring you have the best possible vantage point to soak up the scenery. [caption id="attachment_843062" align="alignnone" width="1920"] Flicker (bkstreets49)[/caption] EXPLORE LOCAL TRANSPORTATION HISTORY It doesn't take long to wander from one end of Tocumwal to the other, but this historic part of the world is overflowing with fascinating history everywhere you look. Once you've touched down after your glider flight, you can head next door to the Tocumwal Historic Aerodrome Museum — once home to Australia's largest RAAF base — to learn about the town's wartime legacy. If you prefer trains to planes, the Tocumwal Railway Heritage Museum presents fascinating photos and railway memorabilia dating back to 1908. Meanwhile, Chrysties Classics and Collectibles Museum (pictured above) offers an eclectic mix of classic cars, tractors and vintage machinery that showcases the region's extensive farming legacy. [caption id="attachment_843066" align="alignnone" width="1920"] Visit Victoria[/caption] HIT THE GREENS Handy with a set of clubs? Tocumwal Golf and Bowls Club is the ideal place to practise your swing, with not one but two 18-hole courses — and regular tournaments — revealing how you measure up. With the club also boasting a driving range, a chipping green and two putting greens, budding Shooter McGavins will find themselves in heaven. If you're new to golf, head to Finley Golf Club, around 20 kilometres outside of Tocumwal. With no bunkers or hills to worry about on this course, beginners can let loose on the fairways as much as they like. And with daily tee times available for non-members, getting involved couldn't be easier. Nearby Cobram, meanwhile, is home to one of the Murray's premier golf destinations. The Cobram Barooga Golf Club (pictured above) boasts 36 championship-level holes on which to test your skills, as well as lush lawn bowls greens, a full-service clubhouse and even a mini-golf course (that recently hosted the Australian Mini Golf Open) on its expansive grounds dotted with beautiful native flora and fauna. [caption id="attachment_843056" align="alignnone" width="1920"] Emily Godfrey - Visit Victoria[/caption] GET OUTDOORS Tocumwal is the perfect place from which to set off on an outdoor adventure, with Barmah National Park recognised as particularly special for bushwalking and horse riding. Home to the world's largest river red gum forest, the expansive park also boasts stunning wetlands that provide critical habitat for over 200 bird species. Closer to town, you're welcome to admire the alluring Murray River from the shoreline, but it's even better when you hire a boat and drift along the waterway instead. With the area renowned among anglers in search of cod, perch and trout, it's the ideal way to find a quiet place to drop a line and spend a lazy day enjoying the calm waters of the mighty Murray. Find out more about Wild Turkey's Discovery Series at the website. Top image: Emily Godfrey, Visit Victoria
If summer is Australia's seasonal head honcho, then spring is its cooler, more cultured cousin who introduces you to things like prog-pop music and the flavourful world of microbrews. In the case of Brisbane, it's when the city thaws out to let loose with top-notch festivals, food fairs, world-class art and sporting showdowns. This spring, Brisbane is jam-packed with exciting events, meaning you have a whole lot to add to your calendar. There's an exhibition featuring the likes of van Gogh, Rembrandt and other bigwigs of European art, a three-week arts festival teeming with delightful fare and fun, a double-header footy match for the ages and a grandiose relaunch of one of Queensland's most renowned theatres. In partnership with Visit Brisbane, we've done the hard yards for you and rounded up five must-hit events, so you can warm your post-winter cultural cockles. [caption id="attachment_820625" align="alignnone" width="1920"] European Masterpieces from The Metropolitan Museum of Art, New York. Official Opening at GOMA Level 1 and Forecourt[/caption] EUROPEAN MASTERPIECES FROM THE METROPOLITAN MUSEUM OF ART, NEW YORK June 12–October 17 If you're craving an art-filled European getaway, Queensland's Art Gallery of Modern Art (GOMA) is midway through hosting an exhibition featuring some of the most recognisable names in the art world, on loan from New York's prestigious The Metropolitan Museum of Art. Dubbed European Masterpieces from The Metropolitan Museum of Art, New York, the exhibition is a who's who of Euro art masters, and features works from Rembrandt, van Gogh, Monet, Cézanne, Degas and Renoir. All up, there are a whopping 500 masterpieces on display, spanning everything from portraits and still-life pieces to landscape paintings and figure studies. Running till Sunday, October 17, the exhibition also features daily live music performances in The Studio — GOMA's nod to the Paris Opera — and a handy app with a self-guided tour option so you can mosey your own way through Europe's most dazzling artworks like a true flâneur. Book tickets via GOMA's website. OPEN SEASON AT THE PRINCESS THEATRE July 3–December 10 The quality crew behind The Tivoli, brothers Steve and Dave Sleswick, are breathing life back into yet another much-loved Brisbane venue: The Princess Theatre in Woolloongabba. The historic building is Queensland's oldest-standing theatre, and is set to reopen this spring as an arts and culture hub, including a 900-person auditorium, four bars and a cafe. Over the weekend of October 2–3, it's celebrating with an epic Open Housewarming, complete with music, drag, burlesque, theatre, arts, comedy and more taking over the 133-years-young space. Plus, alongside The Tiv, the revamped Princess Theatre is hosting some of this year's Open Season gigs, with acts such as Amyl and the Sniffers, Concrete Jungle, Baker Boy, HTRK, The Murlocs and Julia Jacklin set to take the stage. Check out the full lineup and book tickets via the Open Season website. TASTES OF MORETON BAY August 1–October 10 If you're hungry for a food offering that's a little more substantial than a weekend brunch, make tracks to Tastes of Moreton Bay. Across two (and a bit) months, the annual food event offers culinary tours, exclusive cellar door openings and a sampling of the best local produce the Moreton Bay region has to offer. While things kicked off on August 1, fear not — the food festival runs right up till mid-October, so there's still plenty to eat up. There's the Trawler to Plate Experience on Tuesday, September 14, where you can master the art of fish mongering before tucking into a seafood feast on the waterfront. On Saturday, September 18, head to Basilea Farm Open Day for a free foodie trail where you can handpick and taste the farm's wide selection of edible flowers, herbs and leafy greens. Or, hit up a Jane Austen-inspired afternoon tea at the Abbey Museum of Art and Archaeology on Saturday, October 2, for tea cakes, dances and a spot of shuttlecock. Check out more Tastes of Moreton Bay events and book tickets via the website. [caption id="attachment_819359" align="alignnone" width="1920"] Sky Castle by ENESS. Photography: Zhu Rui[/caption] BRISBANE FESTIVAL September 3–25 Culture vultures rejoice: this year's Brisbane Festival is back and it's bringing some of Australia's — and the world's — top live performances, art installations and food pop-ups to Brisbane's humble shores. A three-week celebration of all things that are 'Brightly Brisbane', the festival boasts an itinerary of both free and ticketed events running till Saturday, September 25. You can catch the stage adaptation of Trent Dalton's Boy Swallows Universe at Queensland Theatre; meander through immersive art activations such as Airship Orchestra and Sky Castle, two sprawling and luminous dreamscapes that will light up your imagination; and gaze at the skies on the banks of the river with the return of much-loved fireworks spectacular Riverfire, which is set to close out the festival on September 25. Check out the full lineup and book tickets via the Brisbane Festival website. [caption id="attachment_824828" align="alignnone" width="1920"] Suncorp Stadium[/caption] RUGBY DOUBLE-HEADER AT SUNCORP STADIUM September 18 Queensland has had no shortage of unforgettable live sport these past 12 months — and keeping with the theme, our state is playing host to the remainder of the 2021 eToro Rugby Championship season. The most gripping round on the horizon? A world-first rugby double-header at Suncorp Stadium on September 18. First up, the Wallabies will take on South Africa's Springboks, while later that evening, New Zealand will face off with Argentina. Expect plenty of big hits (and a couple of meat pie runs) at this two-and-a-half hour spectacular, where, for lack of a better sporty turn of phrase, the boys will be giving it 110 percent. Book tickets via Suncorp Stadium's website. Check out more epic events happening this spring and start planning your next Brisbane adventure via the Visit Brisbane website. Top image: Airship Orchestra, Ben Weinstein
Sydney's cultural scene hits full stride in summer, when theatres, galleries, parks and inner-city streets light up with blockbuster musicals, bold new exhibitions and major festivals. Whether you're in the mood for a time-travelling stage spectacular, a boundary-pushing gallery show or a night out at one of the city's biggest cultural celebrations, there's something happening in nearly every corner of Sydney. To help you plan your season, we've pulled together six standout events and paired each one with nearby places to help you make a day — or night — of it. Consider this your roadmap to experiencing Sydney at its most creative and colourful. [caption id="attachment_1048999" align="alignnone" width="1920"] Daniel Boud[/caption] Back to the Future: The Musical Why it's unmissable Great Scott! The DeLorean has arrived in Australia, bringing high-voltage sets and nostalgia-driven humour to the Sydney Lyric. Featuring music and lyrics by OG Back to the Future composer Alan Silvestri and acclaimed songwriter Glen Ballard (Jagged Little Pill the Musical), plus a book by Gale — who co-penned all three Back to the Future film scripts with filmmaker Robert Zemeckis — the Olivier Award-winning Back to the Future: The Musical is summer's blockbuster musical moment. Find out more here. Make a night of it Start your evening with pasta and a spritz on the breezy waterfront terrace — the largest in Barangaroo — at Gina. The sun-washed venue takes its cues from the classic coastal trattorias of the Amalfi Coast, serving daily handmade pasta, cold cuts sliced to order and crowd-pleasing Italian classics. Its position on the ferry pier also means a swift (and scenic) trip across the harbour will set you down in Pyrmont just steps from the theatre. Extend your stay Extend your night out with a stay at Sofitel Darling Harbour, where floor-to-ceiling windows frame the skyline and the rooftop infinity pool delivers some of the best sunrise views in the city. It's an elegant, easy base just a short stroll from the theatre — and puts you right in the heart of Pyrmont and Darling Harbour's buzzy dining and lifestyle scenes. RELICS: A New World Rises Why it's unmissable Running at the Australian Museum, RELICS: A New World Rises goes far beyond your average LEGO® exhibit. Created by Alex Towler and Jackson Harvey (2020 winners of Channel 9's LEGO® Masters), it blends the iconic bricks with real-world objects like you've never seen before, transforming pre-loved everyday items into 14 immersive mini civilisations. Find out more here. Make a day of it After the exhibition, take things sky-high at Infinity by Mark Best — a scenic stroll through Hyde Park from the museum — where, from the 81st floor of Sydney Tower, the Harbour City feels like its own miniature civilisation. Its elegant Modern Australian menu showcases local produce in clever, technique-driven dishes — a fitting follow-up to an exhibition that asks you to look closer at the worlds we build. [caption id="attachment_1018817" align="alignnone" width="1920"] Jason Loucas[/caption] Then, ease back down to street level and wander over to Library Bar, the State Library's rooftop hideaway overlooking the treetops of Macquarie Street. It's an easygoing spot for a summer sundowner, with spritzes, snacks and views that pair perfectly with a slow end to the afternoon. Sydney Festival Why it's unmissable Sydney Festival turns 50 in 2026, and it's marking the milestone with a citywide celebration of culture and connection. From January 8–25, the annual summer spectacular will take over stages, parks and galleries — plus unexpected spaces like alleyways, pools and even a working funeral home — for a three-week program spanning theatre, dance, music, cabaret, visual art and immersive experiences. It's one of the most exciting times to be out in the city, with something happening in nearly every corner. Find out more here. Make a day of it Sydney Festival is built for days spent wandering between performances and pop-ups, so start early with brunch or a breezy lunch in whichever pocket of the city your show is in. If you're headed to Walsh Bay, a waterside spot like Barangaroo seafood favourite love.fish sets the tone; for a show in the CBD or around Town Hall, enjoy a pre-show snack and sip at contemporary Greek spot Ela Ela, or slip into elegant fast fine-dining spot Ette for an aperitivo and creative snack before the curtain goes up. Follow the festival trail Post-show, drift along the Festival trail and hop between neighbourhoods as the night builds. That could mean a sunset drink at InterContinental Sydney's rooftop stunner Aster before an event in The Rocks, or a stop at vibey Chippendale fave Bar Freda's for a spicy watermelon marg slushie — and maybe even a cheeky boogie — ahead of a late-night gig at Carriageworks. [caption id="attachment_1046924" align="alignnone" width="1920"] Installation view of the 'Dangerously Modern: Australian Women Artists in Europe 1890–1940' exhibition at the Art Gallery of New South Wales, 11 October 2025 – 15 February 2026, photo © Art Gallery of New South Wales, Anna Kučera[/caption] Dangerously Modern Why it's unmissable The Art Gallery of NSW is spotlighting an often-overlooked chapter of Australian art history with its summer blockbuster Dangerously Modern: Australian Women Artists in Europe 1890–1940. This landmark exhibition showcases more than 200 works by 50 pioneering women who left Australia to embed themselves in the studios, salons and artist colonies of Europe's cultural capitals, where they experimented and exhibited long before modernism took hold back home. The show traces how these experiences shaped their practices, and how they returned with ideas that helped reshape Australia's artistic landscape. Find out more here. Make a night of it With two-for-one tickets on offer for Art After Hours on Wednesdays, the gallery is an ideal spot to kick off a chic midweek date night. Afterwards, channel the spirit of Europe's late-night salons and slip into Letra House, Kent Street's moody underground tapas bar. Head in for a pick from its ever-evolving 50-bottle wine list, and pair it with a selection of ingredient-driven small plates like raw scampi tostada, duck liver parfait with pickled rhubarb and brandy snap, or socarrat with firefly squid, broadbean and garlic. Nightcap? Take a short stroll around the corner to Bar Herbs, which pours classic and flavour-forward martinis in a neon-hued subterranean space that hums until the small hours. Extend your stay Turn your date night into a mini-escape with a stay at W Sydney, where boundary-pushing design and statement-making interiors pick up right where your gallery visit left off. The hotel's striking architecture, curated art moments and rooftop infinity pool overlooking Darling Harbour will keep you perfectly primed to carry that creative spark into the next day. Tropfest Why it's unmissable Following a six-year hiatus, the world's biggest short-film festival returns to Centennial Park this summer. And while the world has changed quite a bit since its last outing in 2019, Tropfest's core mission remains unchanged: to give filmmakers at any stage of their careers a genuinely global platform — and to do it at a free, openair event that welcomes everyone. Find out more here. Make a night of it Centennial Park's position smack-bang in the middle of the eastern suburbs means you're on the doorstep of Double Bay's buzzy dining scene. Stop by Neil Perry's big-swinging Italian restaurant Gran Torino for handmade pasta and a show-stopping tiramisu in a historic setting, or settle in for a perfectly cooked steak at Perry's sleek Mod Oz fine diner Margaret, just up the street. [caption id="attachment_1017635" align="alignnone" width="1920"] Yusuke Oba[/caption] If dinner by the sea is more the mood, head east and grab a table at Rocker, North Bondi's breezy all-day diner featuring coastal Mediterranean-inspired plates, natural wines and a solid cocktail lineup that includes eight types of margarita — plus one of the more impressive Sunday roasts in town. [caption id="attachment_978660" align="alignnone" width="1920"] Joseph Mayers[/caption] Sydney Gay and Lesbian Mardi Gras Parade Why it's unmissable Sydney's most colourful pride parade returns to the streets of Darlinghurst for its 48th edition in February, transforming Oxford Street, Flinders Street and Anzac Parade into a glittering celebration of visibility, power and joy. With thousands of marchers and dozens of flamboyant floats, the night pulses with energy — and it's completely free to watch, making it one of Sydney's most accessible major events. The theme guiding the parade's 48th edition is ECSTATICA, which celebrates joy as power, protest and connection. Find out more here. Before the parade Set the tone early in Darlinghurst, where street-front tables start filling long before the first float hits Oxford Street. Ease into the night at The Waratah, the cosy two-storey bar known for its native ingredient-starring cocktails and fun bar snacks (pictured below). Or, take a seat at L'Avant Cave, Oxford Street Paddington's charming courtyard wine bar pouring standout drops by the glass and nostalgic French-leaning bites. If you're coming in via Surry Hills, The Art Syndicate serves wines, beers and spirits exclusively from NSW in an intimate art gallery just behind Taylor Square. For a more low-key warm-up, 40Res offers a seasonally evolving menu built around local ingredients and a sharp list of Australian and European from boutique producers — all in an understated, dimly lit room that contrasts beautifully with the technicolour chaos of the festivities outside. [caption id="attachment_929493" align="alignnone" width="1920"] Jason Loucas[/caption] After the parade When the glitter settles, head up to Monica, Paddington's 1960s Hollywood-inspired rooftop bar overlooking Oxford Street, for skyline views and a party-ready drinks list. It's perched above the personality-packed 25hours Hotel Sydney The Olympia, a handy spot to crash after one of the city's biggest parties. When you resurface, stroll down to Surry Hills stalwart Bills for a breezy brunch — the signature ricotta hotcakes, corn fritters and velvety scrambled eggs are an ideal way to fuel your debrief from the night before. Ready to feel the Sydney side of summer? Discover the full calendar of what's on across the city at sydney.com. Top image: Anna Kučera.
Peering at art isn't just an indoor activity confined to galleries and museums. It's something that you can do across the Brisbane streets, too, if you know where to look. That's what Brisbane City Council's Outdoor Gallery offers the city's art lovers, first popping up in 2016 and filling 12 locations around the CBD with eye-catching work ever since — in spots as varied as Howard Smith Wharves and Fish Lane. Exactly what graces the Outdoor Gallery changes regularly — and from Saturday, May 7–Sunday, August 7, First Nations art is in the spotlight. OUTstanding brings together pieces by emerging and early career creatives, and also turns this showcase of their work into a celebration of Aboriginal and Torres Strait Islander heroes. That includes in communities, families and history, and heroing the land itself. Twelve artists have works on display, such as Jody Rallah, Kyra Mancktelow, Elisa Jane Carmichael, Chris Bassi, Keemon Williams and Mia Boe. If you've seen Dylan Mooney's superhero-focused efforts at Brisbane City Hall over the past year, you can spot another of his pieces as part of OUTstanding as well. As for where to visit, Edward Street plays host to some of the exhibition's works, and hitting up a laneway — including Eagle Lane, Irish Lane, Edison Lane, Giffin Lane and Hutton Lane — is recommended. Or, you can head to 80 Ann Street or the King George Square car park. [caption id="attachment_856387" align="alignnone" width="1920"] LaVonne Bobongie, Blood Ties[/caption] Top image: Dylan Mooney, Empowered.
If everyone looked at strangers in the same way as French New Wave icon Agnes Varda (Cléo from 5 to 7, Vagabond), the world would be a much kinder place. Indeed, when Faces Places begins with the Belgian-born filmmaker and oldest ever Academy Award nominee hitting the road with street artist JR, the octagenarian can't hide her excitement. "I'm always game to go towards villages," she explains, "toward simple landscapes, toward faces." It's with honesty and humour that she expands upon why: "In fact, JR is fulfilling my greatest desire. To meet new faces and photograph them, so they don't fall down the holes of my memory." So commences Varda's 22nd film, one of this year's best documentary Oscar contenders. Co-directed by JR, the movie centres on the pair's jovial jaunts through the French countryside. Zipping about in JR's custom-made vehicle — a van with an in-built large-scale photo printer — Varda and her younger companion do just what the doco's title promises: they take photos of different faces in different places. The photographs are her obsession; for him, it's just the start. Thanks to his distinctive car's printing abilities, it's not long before JR is standing in a cherry picker, zooming up the exterior of rustic, historic, often crumbling buildings and pasting the giant photos on their facades. As pieces of large-scale art, the results of their efforts are never less than striking, each installation towering down in all of its detailed glory. Moreover, their odd couple collaboration makes for a heartwarming project, requiring and encouraging openness, curiosity and warmth. Wide smiles beam from lofty heights, sparking wide smiles from those below — regardless whose portrait is on the wall, or if it's a goat instead. A sense of community also springs up around the photographs, cultivated not only by something as simple as paper stuck on buildings, but by the willingness to pay a stranger some attention. "I like your laughing eyes," Varda tells one woman, whose likeness will soon adorn a stack of dockside shipping containers. "We wanted to pay homage to you," she tells another, who refuses to move out of her slated-for-demolition home in an old mining town. With her friendly, empathetic chatter and her distinguishing mop of grey and red hair, Varda looms as large over the project as the images she makes with JR. As the duo roam through small yet lively villages, Varda makes new memories while reminiscing about older ones — about love, work, times passed, friends lost and past moments immortalised in earlier photos. She's looking forwards and backwards in tandem, observing, sifting and making sense of her lengthy life in the process. Of course, all photos, films, paintings and the like are informed as much by the artist's aims as their experiences. Faces Places doesn't pretend to coin this idea, but rather explores it in a thoughtful and affectionate manner. In her travels, in the people she meets and in her blossoming friendship with a man six decades her junior, Varda interrogates how she chooses to capture her existence as it's inching towards an end. Well known for making personal documentaries across her career, hers is a sometimes melancholy but always enchanting journey, accepting the changes that time brings and acknowledging the fact that nothing is permanent. Served up with charm and heart, that's a perspective we could all benefit from embracing. https://www.youtube.com/watch?v=KKbjnLpxv70
We all know summer can't actually last forever, but at the Great Ocean Road's newest retreat, it sure feels like it could. Occupying a prominent spot in Aireys Inlet towards the start of the famed Victorian coastal strip, Sunnymead Hotel is about as cheery as they come. Sibling to Anglesea Riverside Motel, it's the work of Damien Cerantonio (also behind Great Ocean Road Resort) and Graeme Harris, who've managed to transform a tired old-school motor inn into a beaming ray of sunshine. Heavy on upbeat charm, the 20-room boutique hotel also boasts an onsite spa and bathhouse, a modern Indian-fusion restaurant and an openair pool bar dubbed Sunnies. A retro-inspired aesthetic features throughout, anchored by a signature palette of warm yellows and oranges. Open now for bookings, Sunnymead has two different styles of rooms, all abundant in those cheerful hues, and kitted out with king-size beds, bath products by Surf Coast brand The Herbalist and mini bars stocked with local delights. You'll find locally-made ceramics by artists Angela Nicholson and Melinda Solly, and fluffy bathrobes in a playful yellow and white check that mirrors that of the eye-catching verandahs. Named in a nod to the Hindi word for orange, intimate onsite restaurant Santara is set to embrace a mix of modern Asian flavours when it opens the doors on Friday, March 17. Here, you'll be able to tuck into bites like chicken momos, beef shin tacos and soft-shell crab pakora, along with larger plates like Kashmiri chilli lamb ribs, ginger coconut mussels served with black garlic naan, and a chicken makhani curry with pomegranate. Meanwhile, Thursday, March 2 will mark the launch of Indie Spa, with its trio of private treatment rooms, DIY vichy shower, group-friendly rasul, bathhouse and lounge. This will be your go-to for a range of classic therapies designed to rejuvenate and relax, from facials and remedial massages to body scrubs and detoxifying steam sessions. While the solar-heated magnesium mineral outdoor pool is already open for business, it'll soon be joined by bar offering Sunnies, serving cocktails, poolside snacks and tunes. There'll even be a fire pit for cosying up beside during the cooler months. Keep an eye out, too, for Sunnymead's bright yellow VW kombi Daisy, which'll be used for group tours and transfers. Find Sunnymead Hotel at 64 Great Ocean Road, Aireys Inlet. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
It’s time to get your diary, open the calendar app on your phone, grab a pen and write this date on your hand, whatever, just make sure you are free on May 21. This will be a night to remember on the art scene as Metro Arts is hosting a bunch of amazing exhibitions and performances fresh from Next Wave in Melbourne. Opening on Wednesday, May 21, are three amazing works and discussion pieces by some of Australia’s most creative minds. Also opening on the 21st is a brilliantly unique pop-up shop and a mind-blowing dance-performance production. The Blaktism, by Megan Cope, is a video exhibition detailing the bizarre and head scratching nature of racial classification in Australia. The works show a young female undertake a series of rite to authenticate herself in the eyes of cultural authorities. This work challenges audience’s perception of racism and satirises the notion of Australian identity. Ryan Presley, a Brisbane artist, presents Lesser Gods. Taking Simon Says to new extremes, this interactive installation piece places audiences in a dance floor setting and instructs them to match audio and visual commands. This work looks at the consequences of following orders and how it reflects on modern colonial attitudes. Altertruism Demos is a panel discussion talking in depth about the new wave of surveillance technology; it’s military and social implementations and the effects of these devices in future applications. This roundtable symposium will feature guest speakers and discussion headed by advocates from Golden Solution. Contemplative and riveting, these discussions will be a must attend for those interested. Tukre’ is a dance based performance by Raghav Handra. The work is inspired by Raghav’s personal history and the family artefacts from previous generations. Tukre’ looks at history as passed through bloodlines and the possessions left behind by ancestors. The Dokboki Box is a unique spin on the pop-up restaurant. Inside this Korean snack stall, you'll be treated to a performance that involves you breaking bread with a stranger, listening to tales from the cook and, of course, partaking in some '80s karaoke. Check the Metro Arts website for booking information and opening times.
Frozen has done it. Beauty and the Beast and Shrek, too. The Lion King is set to again in 2026. We're talking about animated movies making the leap from the screen to the stage Down Under, as another childhood favourite will before 2025 is out. With Anastasia, Russian history first inspired a 90s hit, which then became a Broadway stage production since 2017. When the musical treads the boards in Melbourne from December, it'll mark the show's Australian debut. The Victorian capital's Regent Theatre will host Anastasia's Aussie premiere, but it isn't the only venue — or city — that'll welcome the production. So far, John Frost for Crossroads Live and Opera Australia have also locked in seasons in Perth and Sydney, the former from March 2026 at Crown Theatre and the latter from April 2026 at the Lyric Theatre. At each stop, the Tony-nominated musical will unveil an all-ages-friendly tale inspired by Grand Duchess Anastasia Romanov during the Russian Revolution, as the 1997 movie also charted. Accordingly, accompanied by songs such as 'Journey to the Past' and 'Once Upon a December' — both from the big-screen release — theatregoers can get ready to spend time with a young woman named Anya on her journey to discover her past, and to unearth a story that some in the narrative don't want revealed. Audiences have writer Terrence McNally and songwriting team Stephen Flaherty and Lynn Ahrens to thank for Anastasia's existence as a stage musical — and between its Broadway run and its Aussie stint, Anastasia has also toured North America, and hit the stage in Germany, Spain, The Netherlands, Brazil, Mexico and Japan. "The legend of Anastasia has intrigued the world for many years and I've been wanting to bring this musical to Australia since it premiered on Broadway in 2017. It's a story full of mystery and romance with a magnificent score that I know Australia is going to fall in love with," said producer John Frost AM. "Opera Australia is thrilled to be once again partnering with John Frost to bring another world-class musical to Australian theatres. We expect the glorious music, spectacle and intrigue of Anastasia will captivate audiences around the country," added Opera Australia's Acting CEO Simon Militano. Anastasia Australian Dates From December 2025 — Regent Theatre, Melbourne From March 2026 — Crown Theatre, Perth From April 2026 — Lyric Theatre, Sydney Anastasia will premiere in Australia in Melbourne from December 2025, then head to Perth from March 2026, then Sydney from April 2026. Head to the musical's website for more details, and to join the waitlist for tickets. Images: Roy Beusker.
If someone was to ask you to imagine a dinosaur, and to picture one type only, it's likely that the Tyrannosaurus rex would come to mind. The towering ancient creature is just that fascinating to kids and adults alike, and not solely because it's rarely far from screens. Head to any museum with a T. rex fossil on display and you'll be surrounded by crowds, whether or not they've seen King Kong, a Jurassic Park movie or Night at the Museum. Head to Melbourne Museum from Friday, June 28–Sunday, October 20, 2024 in particular and expect to have plenty of company, then. Thanks to the Victoria the T. rex exhibition, that's when the fossil of Tyrannosaurus rex Victoria will make its Australian debut in the state with the absolute best name for the occasion. The specimen dates back 66 million years, and is one of the world's largest and most complete T. rex skeletons. Showing exclusively at Melbourne Museum, it's also marks the first time that a real T. rex has ever been on display in Victoria. How big is big? Found in South Dakota in 2013, Victoria is comprised of 199 bones, including a skull that weighs 139 kilograms. The fossil reaches 12 metres in length and 3.6 metres in height. And, because the skull is so heavy, it has to be displayed separately as it can't be mounted upon Victoria's body. Victoria the T. rex will also feature interactive elements, such as multi-sensory installations that'll let you experience how the Tyrannosaurus rex saw and smelled, plus dioramas and a section where you can make your own customised 3D T. rex. Welcome to... the cretaceous period, then. The informative side of the showcase will step through recent palaeontological findings, so that you'll get an idea of what Victoria's life was like all that time ago — and also find out what brought about her end. If that's not enough dino action to make you feel like David Attenborough — or his brother Richard in Jurassic Park and The Lost World — Victoria the T. rex will display alongside Triceratops: Fate of the Dinosaurs, which has been open at Melbourne Museum since 2022. The latter permanently features Horridus, the world's most complete Triceratops fossil, and entry to both exhibitions is included in one ticket. At IMAX Melbourne, 45-minute documentary T.REX 3D will also be showing — complete with footage of Horridus — from Friday, June 21. "Victoria the T. rex will see visitors from near and far enthralled by this real-life wonder alongside another marvel from the cretaceous: the world's most complete Triceratops fossil Horridus, whose permanent home is right here at Melbourne Museum," said CEO and Director of Museums Victoria Lynley Crosswell. "'Melbourne Museum will be the only place on Earth where, for a limited time, visitors can come face-to-face with two of the biggest and best real dinosaurs who once walked the planet." Victoria the T. rex will be on display from Friday, June 28–Sunday, October 20, 2024 at Melbourne Museum, 11 Nicholson Street, Carlton. Head to the museum's website for tickets from Wednesday, April 10, as well as further information. Images: Neon Global.
When you've just made the best new TV show of 2022 so far, how do you respond? If you're Apple TV+ and you've had the streaming world obsessing over Severance for the past two months, you double down, thankfully. In waffle party-worthy news, the instantly addictive Adam Scott-starring thriller has just been renewed for a second season. No one needs to be listening to defiant jazz today, clearly. If you've missed the series so far, there's no better time to catch up — it drops its ninth and final season one episode this week, on Friday, April 8, and it's as phenomenal as everything in the show so far. The setup: a hellish office that'll feel familiar to anyone whose spent the nine-to-five grind sat at a desk, and yet is even more unnerving than your worst nightmare. And if you're wondering why the latter is the case, that's because Lumon Industries, the company as the series' centre, uses the futuristic technology that gives the program its title. #Severance has been renewed for Season 2. https://t.co/SbEtvE1yj1 — Apple TV (@AppleTV) April 6, 2022 What is severance? It's a drastic work-life balance solution — the kind that Black Mirror might've dreamed up, or could've been used if Eternal Sunshine of the Spotless Mind was about punching the clock instead of romance. To be specific, it's a brain implant that separates parts of your mind, leaving one section to solely focus on work and the other to live the rest of your life free from knowing what you get up to in business hours. That's the situation that Macrodata Refinement division employee Mark S (Scott, Big Little Lies) has willingly signed up for, all to help process his grief over the death of his wife. And he's happy with the scenario until his work BFF Petey (Yul Vazquez, The Outsider) leaves suddenly without saying goodbye, and new staff member Helly (Britt Lower, Future Man) comes in to replace him — and instantly starts questioning the insidious setup, the rules and restrictions needed to keep it in place, and why on earth her "outie" (as the outside versions of Lumon employees are known) agreed to this in the first place. Taking cues from the likes of Devs, The Truman Show, The Matrix, The Office and Office Space — and serving up a surreal workplace that often feels like the green-hued employment-focused version of Twin Peaks' red room — Severance has constantly delivered both intrigue and surprises throughout its first season so far. That remains the case in its final season episode as well. And, while this largely Ben Stiller-directed show has been diving deep into a mind-warping mystery that sounds like heaven but quickly proves anything but, it has also been smartly and savagely probing what it means to be a slave to the wage in 2022 — and what employers expect in return for a paycheque. Exactly when Severance will return for season two hasn't yet been revealed, but the fact that it is coming back is worth celebrating with a music/dance experience. Apple TV+ usually brings its hits back quickly, though — Ted Lasso backed up its first season the following year, for instance — so fingers crossed that Severance will be the best show of 2023 as well. Check out the trailer for Severance below: The first eight episodes of Severance's first season are available to stream via Apple TV+, with the ninth dropping on Friday, April 8. Season two doesn't yet have a release date, but we'll update you when it does. While you're waiting, you can also read our full review of Severance season one.
Everyone has one main motivating factor in the career path they choose, and if you're passionate about helping humanity and the state of the world, you've got a bunch of options available. Doctors, lawyers and politicians may take a lot of the credit for shaping our futures but they're not the only options. In fact, there are plenty of other avenues to explore. Whether you're at the beginning of your education, looking for a career change or wanting to gain some additional professional experience, knowing where to start can be hard. That's why we've tracked down a selection of degrees from leading Australian universities to study online via Open Universities Australia(OUA) if you're desperate to make a difference in the world. With the threat of climate change and limited natural resources becoming a reality in the not-too-distant future, the time for a focus on the environment, sustainability and education has never been greater. Here's our list of which degrees to study if you want to inspire or create change. BACHELOR OF EDUCATION Imparting wisdom to our younger generations is a hugely important undertaking — after all, these are the people that'll one day inherit the earth. Curtin University offers one of the best teaching degrees for primary education (years one to six). After studying the Bachelor of Education or the Master of Teaching degree via OUA, you will leave the course with advanced training for leadership roles in a teaching career. Although you'll be studying primarily online, the degree also includes hands-on experience in a range of schools and across year levels, and it culminates in a five-week professional placement. Your studies will also include lesson planning, classroom management, special education and digital literacy. BACHELOR OF ARTS: COMMUNITY DEVELOPMENT Change starts from the ground — so getting involved in community-based projects, be it services, welfare or not-for-profit organisations, is a great way to see your effort being put into action before your very eyes. A Bachelor of Arts in Community Development will hone your communication, critical thinking, ethics and social justice knowledge — and that's just the start. The program from Murdoch University (available online through OUA) focuses on a wide variety of perspectives and solutions that can benefit different communities — from Indigenous and First Nation peoples to overseas aid development. You will graduate with the ability for persuasive oral communication and a broad knowledge of research methods. DIPLOMA IN COMMUNITY WELFARE AND WELLBEING Outside of teaching, another obvious do-gooder career path is within the welfare and health sectors. Whether you're interested in nursing, community service or social work, gaining a Diploma in Community Welfare and Wellbeing from the University of New England allows you to earn credits toward many community-minded degrees — and to develop the foundational skills for employment or toward further study. The course provides students with the theoretical and academic groundwork for a career in overall social care. Within the elective subjects offered, you can opt to specialise in working with members of the community dealing with disability or ageing, or working with Aboriginal people. BACHELOR OF ARTS: SUSTAINABLE DEVELOPMENT Marching for climate action is a great start, but if you're passionate about finding more sustainable ways for you and your neighbours to live and preserve the environment, this Murdoch University program is worth exploring through OUA. Sustainable Development is a newer profession but is growing in popularity. The more prominent career paths you could take from this degree include joining the public sector, a local council or an NGO, or working within research institutes or national and international aid organisations. But the skills gained here are much more far-reaching and can also lead to careers in sustainable tourism, media, education and resource management. MASTER OF ENVIRONMENT Already got a degree in environmental science under your belt? First of all, good for you. Now, keep channelling that passion and experience into a masters degree from Griffith University. After all, it's arguably one of the most important fields of study you could enter into at the moment. Within this degree, you can choose to specialise in several different areas of expertise, including climate change adaptation, sustainable business, economics and policy, environmental planning and environmental protection. Career options hit a huge range, too, and include the likes of environmental assessment officer, consultant for government agencies and environmental and biosecurity management. Explore these degrees and hundreds more from leading Australian universities, available online through Open Universities Australia. You'll be making a world of difference before you know it.
Already home to gelato, doughnuts, Mediterranean cuisine, Hungarian pastries, Greek eats, the second outpost of one of Brisbane's favourite cafes and more, West End's West Village has just added a new culinary go-to to its lineup: Ippin Japanese Dining. Initially announced in 2022, and welcoming in patrons since Wednesday, April 12, it's the first Brisbane venture from Sydney restaurateur Kenny Lee, owner of the New South Wales capital's Kuon Omakase, Allta and Funda restaurants — and he has brought his popcorn lobster with him. That beloved dish from down south sits on a seafood- and meat-heavy menu heroing Queensland produce, plus products imported from Japan, in a space that also takes the same mix-and-match approach. Located in West Village's Garden Pavilion, Ippin's decor ties into its both its culinary influence and its setting, featuring minimalist Japanese design but working with the timber and brickwork that's prominent around West Village. Also a supremely Brisbane touch: the greenery views, including peering down on openair lawn The Common from its second-floor perch. Diners ascending above West Village's hustle and bustle — literally, given the levelled-up location — to the 140-seater will tuck into Japanese eats overseen by head chef Tatsuya Miwa. With owners Helen Lea and Jane Ma, too, Miwa and Lee have devised lunch and dinner menus that feature traditional seafood starters, sides, mains and desserts. You can kick off your visit with that famed lobster fare or karaage chicken, for instance, then enjoy wagyu beef tataki, soft-shell crab rolls, chargrilled octopus and yuzu panna cotta. If you're fond of bites from the robata grill — wagyu, chicken and prawn skewers; miso-marinated toothfish; honey, coriander and mint duck breast; and 48-hour dry-aged coral trout, to name a few options — your tastebuds will also be tempted. The same goes for raw bar fans, with 12- and 24-piece sea-to-table sashimi sets on offer, plus a salmon-only ten-piece set. Or, go for kingfish carpaccio, and catch-of-the-day sushi sets in six or 12 pieces. The dessert lineup also spans to dark chocolate hemispheres filled with red fruits and topped with raspberry icing, plus caramel puddings. And, while all of the above dishes spring from the a la carte menu, Ippin is launching with a $118 chef's menu until Monday, April 17 — an 11-course range that starts with bluefin tuna paired with sea urchin and caviar, also includes wagyu tartare and tempura Moreton Bay bugs, and finishes with roasted green tea warabi mochi over vanilla ice cream. No matter when you drop by, with the restaurant open for lunch from Friday–Sunday and dinner Monday–Sunday, sake is a big drawcard, sitting alongside a lineup of cocktails and spirits, and a list of Australian, French and Italian wines. So, expect to sip Umenoyado's fruit-flavoured sakes (think: peach, orange, lychee and pineapple), yuzu whisky sours and Matcha-gronis (made on matcha-infused gin, matcha powder, Midori and vermouth), plus a range of Japanese gins and whiskies. Although the entire space is both secluded, diners can also choose between two private dining spaces that seat ten–12 guests. Find Ippin Japanese Dining at West End's West Village precinct, 97 Boundary Street, West End — trading from 11.30am–10pm Monday–Sunday.
I’ve never been sure how the words ‘fun’ and ‘run’ can go together, but when the goal of running is to raise money for charity then I concede that there is a fun element! This is the goal of the Bridge to Brisbane run, which is now in its sixth year. Essentially Queenslanders get kitted out in their shorts and trainers and pound the pavement for 10kms or 5kms, raising funds for their favourite charity in the process. Last year the event attracted over 40,000 participants raising more than $530,000 for charity, including $279,000 for the 2010 major charity partner Autism Queensland. This year’s major charity partner is Legacy, an organisation that supports the families of war veterans. 10km participants will begin their run at Sir Leo Hielscher Bridge – South (formerly Gateway Bridge), head along Sir Kingsford Smith Drive, the ICB and then to Hamilton Place where the 5km participants will join them for the last push to the RNA showgrounds. At the finish they will be greeted by great food, music, entertainment and a well-earned rest. It is now too late to join the run but you can support the participants by donating some money here, and helping Australian charities in the process.
When Lou Reed's 'Perfect Day' enjoyed its initial sublime movie moment in Trainspotting, it soundtracked a descent into heroin's depths, including literally via the film's visual choices. For three decades since, that's been the tune's definitive on-screen use. Now drifts in Perfect Days, the Oscar-nominated Japan-set drama from German filmmaker Wim Wenders (Submergence). This slice-of-life movie takes its name from the song. It also places the iconic David Bowie-produced classic among the tracks listened to by toilet cleaner Hirayama (Kôji Yakusho, Vivant) as he goes about his daily routine. Fond of 60s- and 70s-era music, the Tokyo native's picks say everything about his mindset, both day by day and in his zen approach to his modest existence. 'Perfect Day' and Nina Simone's 'Feeling Good' each also sum up the feeling of watching this gorgeous ode to making the most of what you have, seeing beauty in the everyday and being in the moment. Not every tune that Hirayama pops into his van's tape deck — cassettes are still his format of choice — has the same type of title. Patti Smith's 'Redondo Beach', The Animals' 'The House of the Rising Sun', Otis Redding's '(Sittin' on) The Dock of the Bay' and The Rolling Stones' '(Walkin' Thru the) Sleepy City' also rank among his go-tos, all reflecting his mood in their own ways. If there's a wistfulness to Hirayama's music selections, it's in the manner that comes over all of us when we hark back to something that we first loved when we were younger. Perfect Days' protagonist is at peace with his life, however. Subtly layered into the film is the idea that things were once far different and more-conventionally successful, but Hirayama wasn't as content as he now is doing the rounds of the Japanese capital's public bathrooms, blasting his favourite songs between stops, eating lunch in a leafy park and photographing trees with an analogue camera. As proves accurate for most folks, the cycle that Wenders and co-screenwriter Takuma Takasaki (an advertising creative director and an author) have scripted for Perfect Days doesn't vary wildly as time elapses. While the sky is still dark, Hirayama awakens in his minimalist flat, slips into his work overalls and gets a canned caffeine fix from the vending machine outside. From there, he drives from toilet to toilet, putting out his sign to notify those passing that the commodes are getting a wash, meticulously scrubbing porcelain and wiping basins, and barely being paid any attention. His midday break brings greenery, that snap and maybe rescuing a sapling to take home to nurture. By evening, he reads William Faulkner, Patricia Highsmith and Aya Kōda. Unless it's his day off, when he turns his cleaning skills to his apartment — and does laundry, gets his photos developed, purchases new books and has dinner out — the pattern repeats. Wenders, making his best fictional feature in years and a movie every bit as magnificent as his Berlin-set 1987 masterpiece Wings of Desire, goes zen himself with his handling of Perfect Days. He's happy with cinematographer Franz Lustig (who also lensed his most-recent documentary Anselm) largely peering on documentary-style patiently and gracefully, taking in the ins and outs of Hirayama's days as serenely as Hirayama navigates them. Perfect Days spies the revealing minutiae, though, including a gesture that's extraordinary in its simplicity, ease and impact. Each morning, as black starts to turn grey in the heavens above as he departs for work, Hirayama stands on his doorstep, peeks at the weather in store, then smiles. A face merely tilting upwards has rarely felt so profoundly tender, touching and essential — and like it says everything about the most blissful way to cope with living. Yakusho won the 2023 Cannes Best Actor prize, alongside gongs from the Japanese Academy and Asian Film Awards, for his rich and majestic performance as Hirayama. The Tampopo, Shall We Dance?, Memoirs of a Geisha and Babel star isn't required to utter much, but this could easily be a dialogue-free movie — except the lyrics of all-important tunes, of course — thanks to his deeply internalised portrayal. To witness his efforts as Hirayama is to understand all that's within the character, usually behind an expression of pure dedication, tranquility or both — and regardless of whether he has assistant Takashi (Tokio Emoto, House of Ninjas) along for the ride, or the latter's girlfriend Aya (Aoi Yamada, First Love); is playing noughts and crosses with a stranger in an endearing fashion; suddenly has his niece Niko (Arisa Nakano, Anata no shiranai kowai hanashi gekijouban) for company; or is lending an ear to someone else's troubles over the quiet drinks he's sipping by the water. With such a diligently naturalistic performance at its centre, Perfect Days tells you how to view it: by soaking up every minuscule piece of this entrancing film. Wenders wants his audience taking it in as Hirayama does all that surrounds him, valuing the small details as much as the bigger picture. The next step: holding onto that feeling and perspective after the projector stops rolling. Can a drama embody mindfulness so completely that watching it leaves its viewers embracing the ups and downs of their own standard existence afterwards, reassessing what they truly want, and rethinking how they approach the full spectrum of emotions from disappointment and monotony to joy and satisfaction? In answering that, there's before Perfect Days and after Perfect Days, because this transcendent picture gives the heartiest yes possible to that question. To grasp fulfilment in your work, to treat your ears to great music and your mind to excellent reading, to clutch as much time as you can in nature, to appreciate everything around you: that's Perfect Days' prescription for perfect days. It's a recipe for an ideal movie experience, too — and how committed the feature is to mirroring what it depicts doesn't go unnoticed. Take its toilets, which are all architectural wonders around the Shibuya neighbourhood. As everyone should, and as they're crafted to inspire, Perfect Days rejoices in their design, as well as in the fact that such striking creations cater for humanity's most-basic bodily functions. They're real. Tours now take visitors between them. There's no playing tourist with what that they, Hirayama and Perfect Days represent, though — finding value, meaning and perfection in life's ebbs and flows can only be a genuine pursuit.
If you watched Jemaine Clement and Taika Waititi's vampire sharehouse mockumentary What We Do in the Shadows back in 2014, then instantly found yourself yearning for more, that's understandable. Smart, silly and hilarious, the undead flick is one of the past decade's best comedies. Thanks to two TV spinoffs, that dream has come true, letting viewers keep spending time in the movie's supernatural world — and that's not going to end any time soon. In 2018, the New Zealand-made Wellington Paranormal made it to screens, following the movie's cops (Mike Minogue and Karen O'Leary) as they keep investigating the supernatural. It proved a hit, unsurprisingly, with the first half of the show's second season airing in 2019 — and set to continue in 2020. In 2019, an American television version of What We Do in the Shadows also made its debut, focusing on a group of vampire flatmates living in Staten Island. Featuring Toast of London's Matt Berry, Four Lions' Kayvan Novak, British stand-up comedian Natasia Demetriou, The Magicians' Harvey Guillen, The Office's Mark Proksch and Booksmart's Beanie Feldstein, it sticks to the same basic concept as the original movie, just with memorable new characters. And yes, it too was renewed for a second season — which is due to air this year, and has just released its first puppet-filled teasers. Created and co-written by Clement, and executive produced by the Flight of the Conchords star with Jojo Rabbit Oscar-winner Waititi, the US take on What We Do in the Shadows was first hinted at back in 2017, and then confirmed in May 2018. While the duo don't star in the new-look series, Berry, Novak and company have been doing them proud as the next batch of ravenous — and comic — vamps. Novak plays the gang's self-appointed leader, 'Nandor The Relentless', who dates back to the Ottoman Empire days and is somewhat stuck in his ways. As for Berry's mischievous British dandy Laszlo and Demetriou's seductive Nadja, they're like a blood-sucking Bonnie and Clyde (but much funnier). Guillén plays Nandor's familiar, who'd do anything to join the undead, while Proksch's Colin is an 'energy vampire'. And Feldstein's Jenna is a college student with a new craving. Can't wait to sink your fangs into more? The new batch of episodes will continue the story — charting Nandor, Laszlo, Nadja and the group's undead antics in the New York borough. It wasn't easy being a centuries-old bloodsucker in Wellington in the movie, and it's just as tough (and amusing) on the other side of the world. Check out the first two season two teasers below: https://www.youtube.com/watch?v=il1t77obp-8 https://www.youtube.com/watch?v=m9rX8BT97qI What We Do in the Shadows' second season starts airing on April 15 in the US — expect it to hit Foxtel in Australia sometime this year, with exact local airdates yet to be revealed.
Calling all architecture fans, folks keen to explore another side of Brisbane and just anyone who likes to peek behind closed doors. While Open House Brisbane isn't taking place physically in its usual guise in 2020, it is launching a new year-round tour and cultural experience program called Brisbane Open. That means that, even when Open House can't take Brisbanites through 100-plus buildings around town in the condensed space of one weekend, it can still showcase the city's buildings and structures, let you peer beyond their facades, and welcome you into nooks and crannies that aren't usually open to the public — and on an ongoing basis, too. These are paid activities, but they'll obviously still help you wander around and discover more about this fine city of ours. Fancy a walking tour of Paddington? That's on the agenda, and will showcase the area's cultural and architecture highlights. Prefer a jaunt over to Straddie to take a squiz at some island properties? Yes, you can do that as well. Also on offer across various dates (and at various prices per event): a mosey down Ann Street and a look inside the Masonic United Grand Lodge, a stint searching for old signs in Burnett Lane, climbing up to the CBD's forgotten rooftops, learning all there is to know about the history of Fortitude Valley and exploring Woolloongabba. [caption id="attachment_779613" align="aligncenter" width="1920"] Malcolm Middleton[/caption] Brisbane Open currently has events scheduled from Sunday, August 23–Saturday, October 17 — with more to be added as part of its year-round program. Head to its website for details and bookings. Top image: Christopher Fredrick Jones.
There are few words as adored in Australian children's literature as seven penned by Alison Lester: "at our beach, at our magic beach". On the page, in one of the Aussie author and illustrator's best-known books, that phrase starts different descriptions of how a day by the waves can pan out. Here, swimming in the sparkling sea means seeing wild horses among the waves, however, just as digging in the sand conjures up dragons attacking castles. Gorgeous and transportive drawings both set the scene and take each on its fantastical journey — where rock pools are the entry to the kingdom of fish, stormy days bring treasure, fishing sparks quite a catch and more. Whether discovering it as a kid for the first time, or revisiting it as an adult sharing it with your own children or nieces and nephews, Magic Beach has always felt special, and also rung true in this nation girt by sea. It understands the joys of simply spending a day by the ocean, and the possibilities that doing just that can bring to young hearts and minds. Now, 35 years after initially hitting bookshelves, Magic Beach is also a movie. Making his third family-friendly film after Paper Planes and Blueback — and worlds away from the likes of Balibo, The Dry and Force of Nature: The Dry 2 — director Robert Connolly brings Magic Beach to a new medium as a creative mix of animation and live-action, and as a ten-segment anthology where kids, plus a dog, envision their own beach adventures after reading Lester's tome. Yes, Magic Beach as a movie is fittingly and wonderfully imaginative as ten animators take their cues from the book, then spin inventive stories. And yes, Magic Beach as a movie shot its live-action scenes at Lester's own magic beach. For Australia's first-ever Children's Laureate, that coastal spot is Walkerville South. Lester's own beach house was the base during the production, where the kids would arrive each day. Unsurprisingly, seeing her favourite patch of sand in the film is a source of joy for the author. "It's just a very warm, fuzzy feeling that a place that I've loved for so long, and then written this book about, that it's been turned into a beautiful movie," Lester tells Concrete Playground. What makes this location about two and a half hours out of Melbourne a magic beach? "I think my parents used to go to that beach before I was born, and then I was taken there as a baby. We used to stay at a friend's house for a long time, and then an old house came up for sale and mum bought it, when I think I was eight. And so since then we've always had this place that we go to," Lester continues. "I hardly ever go to other beaches because I always go there. It's just like that's where we're going for summer. I think the whole family has that feeling, that the minute you walk into the house all of worries and tensions drop away — and you're like 'aaah, here we are, we're at this beautiful place'." Even if you haven't ever specifically thought about it, we all have a magic beach or equivalent. "It's interesting, isn't it, your own childhood. I grew up in the Blue Mountains outside Sydney, so I was inland, and so for me there were little rivers that I would swim in. I was not coastal," advises Connelly. "Then we as a family, like a lot of Australian families, would go to the beach and stay in a caravan park. There was Terrigal, north of Sydney. But if I think more significantly in my life, when I was in my late teen years, the more-complicated teenage years when I was finishing school, I used to always get the train down to the Royal National Park south of Sydney, and I'd walk on my own into a little beach called Burning Palms. I'd camp on my own for a couple of days just to decompress, and swim in the ocean down there on my own. So that's probably the closest, if I think of the most-significant one in my life, because was very formative. But not when I was a little kid, because when I was a little kid, I was in the bush." "There's something about water, isn't there? And the threshold of diving into the water when you're little," Connolly also notes. His latest film, which he came to after fellow filmmaker Sarah Watt (My Year Without Sex) was initially set to direct before her death in 2011, deeply understands that feeling. It's committed to heroing what youthful minds dream up, too, and the sensation of being by the shore. We also chatted with Lester and Connolly about how the film came about, and its animated segments; ensuring that the book wasn't just a source of inspiration; their collaboration; giving the picture a wave-like rhythm; why Magic Beach has endured with generations of readers; and much more. On Magic Beach's Journey to Finally Becoming a Film Robert: "Sarah Watt, the amazing filmmaker behind Look Both Ways and My Year Without Sex, was developing it with Alison. And I worked with Sarah, who sadly is not with us anymore, but she introduced me to Alison — and we were collaborating together on it. It's so crazy, isn't it? The gestation period for projects, you can't pick it. Some films happen quickly and some take a long time. But I think my first involvement was over ten years ago. So that's quite a journey." Alison: "Well, it's been a very long journey and a very meandering journey, because when Sarah and I got together, we really loved working together and hanging out together. So a lot of times when we're supposed to be working, we'd just be hanging out and having a nice time. And then when Robert took the project over — and Sarah was in the same boat, they're both so in-demand and so successful that they always had other projects going on so. Robert and I laugh, at every Christmas he used to give me a phone call and say 'oh, hi Alison, can we have it for another year?'. And I go 'yeah, yeah, sure, it'll happen eventually'. I think we all had other things to go on, and Magic Beach was just simmering away in the background. And in a way, probably having that time was a good thing for it to finally turn out the way it did, where it wasn't rushed." Robert: "Yeah, that's true. It took a while to work out the way to tell the story of the film, to find a really unique way to tell that beautiful book as a film. So it didn't come quickly as an approach." On Whether Lester Ever Thought That a Magic Beach Movie Would Happen Back When the Book Was First Published 35 Years Ago Alison: "No, I never imagined it. It didn't cross my radar at all. I would have been happy if it had had a couple of print runs — and that's the other thing, it's still going as a book after all this time, which is really lovely." On Connolly's First Introduction to the Book — and Adding It to His Lineup of Family-Friendly Movies Robert: "I read it to my children. My daughters are 22 and 20 now, but I read Magic Beach and a whole bunch of other books of Alison's to my children when they were really little. And it was interesting, once I had kids, I started broadening my career. I did the film Paper Planes, and that was my first family film and I just fell in love with the idea of making films for younger people. And it was just a really attractive part of my career. The audience for Paper Planes was more primary school, and the audience for Blueback was more high school, but I have this fascination with that early-childhood phase, when I feel like children are the smartest they ever are. It's the most creative, imaginative stage, where they haven't learned any rules yet. And I love that audience, and so it just felt like an inevitable journey, really, for me to go on. Then it took me a while, actually. After we lost Sarah, I found it really hard to come back to the project for a while. I think we were all very sad. But the joyful spirit of Sarah's work and her own creativity is in this film. Her mischievous, cheeky, deeply humanist sensibilities are something that I think Alison and I see in the film that we've made." On Whether Lester Had Any Set Ideas About What the Film Should Be — and How Its Anthology Structure Came About Alison: "No, no, not really. I definitely didn't want it to be a kind of forced narrative where there was an evil developer who was going to build a hotel on the beach and that kind of forced thing. Other than that, I really trusted Sarah and Robert to do what they're so good at." Robert: "It was interesting initially. The animations came first, and so we invited — my producing partner Liz Kearney, who did Memoir of a Snail recently, and Chloe Brugale, who were working with me at the time — we just set on this journey to find ten animators, and invite them to respond to a different one of the kids and the dog, as it turned out in the film, and create their own work. So that was the step, and that's where the film began. So the live-action came second, which is really interesting — because once we have these beautiful animations, you can imagine what it was like when we were getting these beautiful, extraordinary, exquisite creative works delivered to us, it was like 'well, how do we stitch it together? How do we now create an overarching narrative for it? What's that going to look like?'. And that took a while, but we wanted to keep the spirit of what was so special and incredible about the book, and how the book allows young people to fill the blanks — like it really allows it, it doesn't fill everything in. So we needed it to keep that imaginative spirit of the book, which is where that idea of having this documentary footage of children, that then opens up into the magical world of the beach and then into the animation. It's these three layers of the film. So it was a real journey, but I'd love you know I loved? We had no rules — we kept trying new things, even in the edit we had no rules." Alison: "It's like that Spike Milligan thing: 'there's no plan, so nothing can go wrong'." Robert: "That's right. That's exactly right. I love that it's a film for little kids, and it's probably the most rule-breaking film that I've ever done, which is something young kids would really appreciate." On How the Narratives for Each Animated Segment Came About Robert: "I didn't want to restrict them. I wanted them to feel that freedom of childhood and their response to the book, so I gave them almost no rules, except that they had to choose a child and a section of the book, and then create their own work in their own style, which is something that Sarah had been really keen about, and Alison and I discussed. So in some ways it becomes a response — a love letter to the book and to the beach for each of those ten animators in their own style." Alison: "And they all rose to the occasion incredibly, didn't they?" Robert: "Yeah, yeah. You think of the different styles — and they're all very personal to each of the animators. Each of the animators can talk very much about their own response to the beach." On the Importance of the Book Not Just Inspiring the Film, But Being Part of the Film — Including Kids Reading and Responding to It Robert: "That was a real choice that came quite late — and I don't even know if we'd made that decision till after the animations. I think because I didn't quite know how the live-action was going to work. It could have been a story, it could have had more of a narrative structure. And then it was the idea of looking at the animations: 'well, what if we actually take real kids and let the book trigger them to imagine being at the beach as a character in the book, and then the beach itself triggers the imagination of the animation?'. I think actually that idea of them all reading or being exposed to the book in some form came after the animations, actually." Alison: "Quite late, yes. And as the author of the book, for me that is such a buzz just to see the movie built around the book and to have the illustrations up there on the big screen. It's really, really beautiful." On How Lester and Connolly Collaborated on the Movie Robert: "It was fun. We actually made the film on the magic beach. We had a small crew and this beautiful group of kids, and every day we the kids would all turn up at Alison's house, which is in the book as well and looks out over the magic beach — and Alison was staying there at the time, and the kids would turn up and say 'hi, Alison!'. And Bigsy the dog would be walking around. And they'd get in their costumes have breakfast, and then we'd all walk down to the beach and film. And then Alison would come down. I loved the collaboration of that. One of my favourite bits of that is that in one of the beautiful pictures in the book, there's a mobile hanging on the wall, when the kids are in bed, and it's got all different shells and things from the beach — and I just asked Alison if she could make one, and she made one and brought it down, and it wasn't even scripted where we'd use it. And that's the beautiful sequence when Riley, the young deaf girl, wakes up on the beach and touches it. So they're not scripted, but something that between Alison and I and the crew, and all being there on the beach, we improvised into life." On Whether Shooting on Lester's Actual Magic Beach Was Always a Given Robert: "No, actually. We weren't sure. At one point, I wondered if all of the kids' stories should be on a different beach." Alison: "Yeah, I remember that." Robert: "Or I thought maybe 'what if each of the nine kids had their own imagination on a different beach?'. But it felt that way you'd lose the spirit of collaboration. I like that one kid wakes up and they're on the beach and they're like 'where am I?', and then the second kid. And then there's two kids, and then they play together, and then the next kid turns up. So there's this idea that the children build a community. So that at the end, when they're all running down to the water and running across the water, that all of the kids are united together. Also it's so beautiful, it felt like going to the real magic beach would be a real treat for audiences as well, with love of the book, that they can see the film and go 'this is the real magic beach'." Alison: "And it all comes together, I think, too, doesn't it — when there's so many different things going, to have that constant of the beach where you can see quite clearly that it is the same place, even though they're different locations within the beach." Robert: "Yeah." On Giving the Film a Rhythm That Resembles the Waves, Washing in and Out of Each Segment Robert: "I'm so glad you picked that up." Alison: "Yeah, me too." Robert: "Because I remember talking to Maria Papoutsis, who edited it for me, and we talked a lot about that — that idea that you don't necessarily want things to be angular in how they're edited. You want it to feel like you're moving from scene to scene and moment to moment. The thing I love about watching the ocean, it's like watching a fire, a campfire — it's the same but it's infinitely different. I'm glad you picked that up. And also something I talked to Briony Marks about, with the music, she did the overarching composition with percussion. It's all percussion, marimbas and vibraphones. And this idea of not trying to be tight and angular and precise, which is what we get so used to now — highly structured cinema that's highly formed — and wanting it actually to have a rhythm that's a bit surprising. And they're different. The dynamic shape of the film was — actually, a lot of time was spent on trying to work out what order to put the animations. We tested different orders and then played it to kids, and then changed the order a bit, and then played it to kids again." On Why Readers Love Magic Beach So Much, and Have Since the 90s Alison: "I can't remember how I came up with that 'at our beach, at our magic beach', but I think it is a really lovely intro into each. So there's that rhythm of the text, which I think is very gentle and easy to read. And often people are reading those books late at night to their kids or they're tired and it's like 'oh my god, give me something easy to read' — and it does flow really nicely. But I think so many of us love the beach and we understand that experience of just going to beach in a really uncomplicated way, where you just go and see what's there. I think that the thing Robert talked about a little while ago, too, is that there's a lot of room in that book for your own imagination. You see what the kids are doing, but you don't know their names or anything like that, and it's not very specific, so you can easily be part of that book. So I think it's partly that a lot of families would recognise themselves in the book. And just the flukiness of why people like a book. I'm always so chuffed that the creative things I do often resonate with people, and I don't know that you can control that. It's just the luck of the draw really." On What Appeals to Connolly About Jumping Between Family-Friendly Films and the Likes of Balibo and The Dry Movies Robert: "Some filmmakers wonderfully stay in their own lane of genre, and they have become renowned for it — and some of my favourite filmmakers are like that. But there are great inspirations to me, like the Australian filmmaker Peter Weir, who worked in so many different genres across an impressive career. And I feel like, and what I hope, is that each film in some way follows that tradition of cinema almost being a microscope into the human condition. It's like every film looks somewhere into some aspect, like if Magic Beach looks into the deep, profound side of childhood at the beach and the way the natural world inspires creativity, a film like Balibo is very different because it looks into the power of individuals to act ethically and their leadership as a way to lead their country to freedom. So they're very different films, but I hope in some ways that my films always apply that rigour, so if you look at them collectively, I'd like to think that they're a body of humanist cinema about who we are and how we live and how we relate. But it's also fun. It's fun to swing. It was funny, though, when I was trying to finance Paper Planes, it was my first film after Balibo. And one of the investors who turned it down was like 'how in god's name are we going to market the film? Paper Planes, a film for the whole family from the director of Balibo? It's not going to work.' But I did have a kid come up to me with their youngest sibling at one of the screenings we had on the weekend, and the kid was a bit older going 'oh my god, I've seen Paper Planes so many times' — and they were bringing along their three-year old little sibling to see Magic Beach. So I have got a fanbase with young kids as well now, you see." Magic Beach opened in Australian cinemas on Thursday, January 16, 2025.
Measuring almost 50 metres tall and 40 metres wide with an estimated age of over 500-years-old is the Curtain Fig Tree — the crown jewel of the Curtain Fig Tree National Park located in the picturesque Atherton Tablelands. The tree was named after its beautifully draped aerial roots that hang from above and is easily accessible via a 10-minute stroll along a timber boardwalk. The park is open 24 hours a day which offers the opportunity to spot nocturnal wildlife in the evening. Or, if you venture there during daylight, look out for the brightly coloured double-eyed fig parrots that are often seen feeding in this area. Image: Tourism Tropical North Queensland.
Electronic bicycles, or e-bikes, are at the centre of a raging debate in Queensland after controversial new laws were put forward in the Queensland Parliament to crack down on irresponsible use of the accessible vehicles. However, many consider them to be excessive in their enforcement — with everything from local councils to now food delivery platforms voicing their concerns over the restrictions. Under the proposed laws, which expand on existing restrictions, e-bike riders over 16 will now be required to be medically fit and hold a valid driver's or learner's license. Queensland Police will be permitted to perform random breath tests on riders and seize the vehicles of riders who violate laws. Parents will be held liable for underage riders, and all riders will be required to obey a ten-kilometre-per-hour speed limit on shared public footpaths. Uber Eats joins other delivery platforms decrying the laws, warning that the reforms could lead to personnel shortages and delayed deliveries, as many delivery personnel, 89 percent of whom bear international passports in Uber's case, rely on e-bikes to perform their duties as they don't hold or cannot acquire motor vehicle licenses. View this post on Instagram A post shared by Bicycle Queensland (@bicycle_qld) Three-year learner licenses in Queensland cost $77.55, and the PrepL Course for learners is $28.70. Uber is using these expenses to argue that the legislation will add a major administrative and fiscal burden for drivers, saying in a statement, "For individuals seeking flexible or supplementary income, particularly during a period of cost-of-living pressure, this is a material barrier to entry," adding that its delivery network supports almost 10,000 vendors in Queensland that rely on delivery services to reach customers. Another delivery service backing the opposing argument is DoorDash, which said, "For riders working limited hours or using delivery as supplementary income, this cost is likely to deter participation or force exit." [caption id="attachment_1092716" align="aligncenter" width="1920"] iStock[/caption] The providers join Queensland cycling communities, tourism boards and local councils — Gold Coast City Council Chief Executive Tim Baker said the speed limit in particular is "paradoxically creating a greater safety hazard" — in decrying the laws, which are currently before committee and are set to go into effect during a six-month transition period beginning on Wednesday, July 1. Images: iStock Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
Feeling like you need a little more fabulousness in your life? Get set for this summer, when Australia and New Zealand score their very first taste of stand-up from Queer Eye star Jonathan Van Ness. Emmy Award-nominated television personality, hit podcaster and hairstylist to the stars, the multi-talented Van Ness is bringing his Road to Beijing tour to our corner of the world, hitting Auckland, Christchurch, Brisbane, Melbourne, Perth and Sydney in February 2020. Van Ness is perhaps best known for his role in Netflix's new Queer Eye reboot, where he's guru for all things grooming, hair and self-care. He also starred on the popular Emmy Award-nominated Game of Thrones recap series Gay of Thrones, and has a podcast called Getting Curious, which recently took out the iHeart Radio Award for Best LGBTQ Podcast. Outside of all that overachieving, Van Ness is also combining two other passions – figure skating and stand-up comedy – to hilarious effect, for his Road to Beijing stage show. Inspired by a lifelong goal of becoming a figure-skating prodigy in time for the 2022 Beijing Olympics, the live show is set to deliver a healthy dose of realness, mixed with plenty of feel-good stand-up. Though it's only his first comedy tour, Road to Beijing has proved a sell-out success, as it hits venues across the UK and the US. [caption id="attachment_671749" align="alignnone" width="1920"] The Queer Eye team at Yass in NSW[/caption] ROAD TO BEIJING TOUR 2020 DATES Auckland — The Civic, Sunday, February 16 Christchurch — Town Hall, Tuesday, February 18 Brisbane — BCEC Great Hall, Thursday, February 20 Melbourne — Plenary Theatre, Saturday, February 22 Perth — Riverside Theatre, Tuesday, February 25 Sydney — First State Super Theatre, Friday, February 28 Tickets for Jonathan Van Ness' Road to Beijing tour go on sale at 2pm on Friday, August 2 via TEG Dainty.
Muggle, rejoice: if you've been hanging out to flex your 'wizarding skills' in the new Harry Potter augmented reality game, your time to shine has arrived. Tapping into the same style of virtual smartphone experience made hugely popular by Pokémon Go, WB Games and Niantic have launched the beta version of their Harry Potter: Wizards Unite game — but only in New Zealand and Australia. Locals with a smartphone can now download the app and start their own Harry Potter adventure, as part of a testing phase that'll help developers shape the final product. It means users might have to put up with a few bugs and off-kilter graphics, but that's a small price to pay for getting to play the game before the rest of the world. Harry Potter: Wizards Unite works a whole lot like Pokémon Go, swapping out the animated monsters and gyms for content and characters from the Harry Potter and Fantastic Beasts franchises. They're featured in an augmented reality 'Wizarding World', which is mysteriously appearing in the muggle world due to some unforeseen calamity. As a player, you'll kick start your adventure as a newbie in the Statute of Secrecy Task Force. You'll be called on to whip up potions, cast spells and use your wand to overcome the traces of magic appearing through your smartphone, popping up in front of real-world locations. You'll collect potion ingredients along the way, and earn special rewards for finding 'Foundables' and returning them to the wizarding world. Scattered through the game, you'll also discover virtual 'inns' where you can recharge your 'spell energy', multi-player wizarding challenges taking place in 'fortresses', and 'portkeys' that can whisk you away into an immersive 360-degree, augmented reality experience, in settings like Ollivanders Wand Shop. The beta version of Harry Potter: Wizards Unite is now available to download for free to iOS (via the App Store) and Android devices (via Google Play) if you're in Australia or New Zealand.
There are way too many festivals around these days. What pair of shredded denim short shorts and flimsy excuse for a singlet (applicable to both lads and ladies) will I wear to Big Day Out/Creamfields/Summadayze/Stereosonic? Same goes for club nights. What’s that, another Thursday student night? Another rendition of the classic Sunday Sesh? I dunno if you’ve noticed it yet, but I’m pretty tired of all these washed up and recycled versions of exactly the same damn thing. Wouldn’t it be nice if there was some kind of medium between the two tired concepts? Ah, but there is! And it comes in the form of Track & Field – a new boutique (that means it’s fancy) music event that’s coming to The Old Museum for the first time this Saturday. Lying somewhere in the void between music festival and club night, Track & Field will be held several times a year. First off the marks are Last Dinosaurs, Ball Park Music, The Belligerents and The Jungle Giants, with DJ sets from Hungry Kids of Hungary, The John Steel Singers and The Honey Month. Track & Field – it’s on this Saturday! Leave the festival gear and drink cards at home.
Jay Rayner — journalist, prolific food writer, and a man who does apparently not go in for any wanky gastronomy business — will speak at Brisbane Powerhouse on Sunday, May 21. Appearing in conjunction with his new book The Ten (Food) Commandments, Rayner will expand the rules crucial to his dining experiences, taking the audience through his own ten commandments. But don't expect any biblical stuff. As the resident food columnist at the UK's Observer, Rayner's done his fair share of eating, savouring and, most importantly, shaking his head at establishments serving a plate of onions for close to $100 — so you can assume he knows what he's talking about. Let him guide you through the food of the 21st century and probably teach you exactly how to pronounce 'acai'. Hopefully he'll expand even further on this scathing review, which was published in The Guardian in April. Image: Levon Biss.
The Hideaway and luxury groovers 100% Silk will be hosting a night of music as smooth as any Pantene commercial, this Thursday. In just two years, 100% Silk has fast become one of Los Angeles' finest providers of on-the-money, A-grade music, and now it's Brisbane's chance to witness some of their finest auditory exports. Brooklyn-based house music producer, Octo Octa is a sugar-free act – his melodies are topped with rave-tinged basslines providing for a unique R&B, house fusion. His refreshing sounds have recieved widespread critical acclaim in both traditional electronic music and indie-minded musical circles. Magic Touch, on the other hand, mix the psychedelic ethos of San Francisco with the house movements of Chicago, before smattering their sound with a healthy dose of UK rave underground – it's the club sandwich of music mashing. Think sleek, chic, late night San Francisco Latin soul music, and you have for yourself Bobby Browser. He works the synths, laid-back-grooves, soul melodies, and even has a moustache to match. Don’t miss this rare opportunity to catch three of 100% Silk’s finest, straight from the States.
