Located a 3.5-hour drive inland from Cairns, the Undara Experience is billed as a truly incredible way to experience the Gulf Savannah. Many visitors are drawn here to explore the mind-blowing 160-kilometre lava tubes which are some of the longest in the world — but there's a whole lot more discover while you're in this part of the world. Start your day with breakfast in the bush with billy tea and cheeky kookaburras for company. Then, take a bush walk around the edge of a volcanic crater at Kalkani Crater and finish the day with a sunset wildlife tour complete with cheese and sparkling wine. Consider yourself a night owl? You can stay up late with your fellow travellers and enjoy yarns by the campfire. Accommodation options range from huts and tents to restored railway carriage lodgings and homesteads. The grounds also feature a billabong-style swimming pool, plus a licensed bistro and cafe. The Undara Experience also hosts the Undara Outback Rock and Blues Festival annually, with more than 12 hours of live music over the ANZAC Day long weekend. Image: Tourism Tropical North Queensland.
Mix a long weekend with a lunar eclipse and Easter with the Beach Burrito Company, and what do you get? Their first-ever Full Moon Party, as well as more fun that you can shake a glow stick at. You'll be able to shake glow sticks aplenty, actually, though that's only the beginning of the shenanigans. You'll also be able to shake your booty on the black light dance floor, and show off your fluoro face as painted by the folks at Lusid Art. So don your best and brightest outfits and head on down to Fortitude Valley's best Mexican joint for more than just a tasty meal (although they're on offer too, of course). There'll be live fluoro art by Buttons to keep things glowing, beats by Finehouse and Friends to keep the party pumping, and cheeky Tiki cocktail jugs keep everyone happy. So, that's your Saturday night sorted.
They're the business with one of the best names we've come across — and they've been one of Brisbane's favourites for a few years now. From March 10 to 11, they're also one of the reasons you should mosey on over to Portside Wharf for their annual Cheese & Champagne Pop-Up. Yes, we're talking about The Cheese Pleaser, those purveyors of a certain dairy product. If you've bought any of their sharp or creamy wares before, you'll know that they well and truly live up to their moniker. At Portside, they're not just showcasing artisan cheeses, although they'll be doing plenty of that, don't worry. They'll also be teaming up with Gusto da Gianni and Moët & Chandon to showcase great bites and beverages, all set to the sounds of some rocking live music. It's the kind of event that you'll want to bring a picnic blanket to, then settle in for an afternoon of drinks, tunes and $15 platters. That's right, this pop-up won't just be yum — it'll be fun, too.
The rooftop bar Up on Constance is the perfect place to cosy up to a slow-roasted whole lamb or pig and watch the sun set (vegetarians need not apply). A $55 ticket buys you a cocktail on arrival and a set menu from around Europe, including delights from Italy, Spain and France, depending on the week you go. And as you finish your meal, watch as the bar fills up and kicks on into one of Brisbane's funkiest venues. Go straight from plate to party, exactly as it should be.
Do you usually leave your gift purchasing until the last minute? Have you vowed to finally do better this year? Would you like to buy Christmas presents for all of your friends and family members all at once, and in the one spot — even if you currently have zero idea of what you'll get them? Enter The Made Local Market, which is like Etsy IRL — and is hitting Brisbane this spring to lend a hand with your festive shopping. Get a jump on Christmas a month early or treat yo'self; whichever fits, you'll have plenty to browse and buy. In the spotlight here: artisans, makers, artists and designers in local communities, with The Made Local Market giving them the opportunity to sell their creations in a physical space. So, whether you're on the hunt for handmade wares or vintage goods, these guys have got you covered. The market will take place in the Exhibition Building at the Brisbane Showgrounds from 4.30–9pm on Friday, November 18; 9am–4pm on Saturday, November 19; and 9am–3pm on Sunday, November 20 — so spreading across three days. Because it focuses on the best local talent, every market is filled with different stallholders and unique creations, but there'll be more than 150 stalls at this one. Supporting creative small businesses and scoring a killer gift for your loved ones is a win for everyone involved, so head along and get your shopping sorted. Entry costs $2 — and, the whole thing will be cashless, so don't forget your cards. There'll also be craft workshops, maker demonstrations, food trucks slinging bites to eat, and plenty of places to get caffeinated.
As The Delta Riggs return home for their national tour one wonders if these Brit rock look-a-likes from Melbourne, in their extra skinny jeans, Vince Noir haircuts and lyrics about winklepickers and marmalade shoes, will miss the Notting Hill scene they seem so at home in. The four-piece band, known for their gritty blend of blues, psychedelica and classic Brit rock are fresh off the plane from this year's CMJ Music Marathon — New York's five-day music mecca — keeping up the brutal momentum of an epic year in which they've hit over 20 European gigs and toured Australia with their long-time idols Kasabian. The new album Dipz Zebazios is described by lead singer Elliot Hammond as a "sonic shift" from their previous work, with singles 'The Record's Flawed' and 'Supersonic Casualties' dialling up the psychedelic guitars and keyboard to give an intoxicating, almost sinister sound. It's sure to be a high-energy, whisky-drenched tour as The Delta Riggs endeavour to perfect their unique Brit-rock-from-Fitzroy sound. https://youtube.com/watch?v=KEgB2ra5su8
It's the stuff beer lovers' dreams are made of. In fact, it's the kind of event that really does seem too good to be true — that is, ten whole days of celebrations dedicated to the amber liquid we all know and love. Stop pinching yourself: Brewsvegas is real. So real, in fact, that it'll be taking over the town from March 11 to 20 for a third year of grassroots, community-minded, beverage-based fun. Whatever your preferred beer is — and whoever your favourite brewer may be — you'll find them both here as part of the action. After a massive launch party gets the shenanigans started, it's time for everything from bar hops to river cruises, table tennis tournaments to pinball wizardry, and cocktail making comps and dessert drinks too. Working your way around the world in 18 beers, having a pint to raise money for animals in need, enjoying a live music Sunday sesh, and shining the spotlight on female brewers are also on the lineup — but here are our top five picks of the sudsy showcase. There's plenty on offer that you'll be saying cheers to. Top image: Dollar Photo Club.
Few films feel as tailor-made for their audience as Josh Boone's adaptation of The Fault in Our Stars. Based on the enormously popular young adult novel by John Green, about two teen cancer patients who fall hopelessly in love, it's a story designed to play the heartstrings like a fiddle, extracting sighs and sobs from willing viewers with surgical precision. It's melodramatic, sure, but you'd be hard-pressed to deny its effectiveness. And thanks to a fantastic lead performance from Shailene Woodley, the sentiment never feels insincere. Woodley plays Hazel Lancaster, a sarcastic 16-year-old with terminal tumours in her lungs. Hazel has more or less come to terms with the nature of her illness, but at the behest of her worried parents (Laura Dern and Sam Trammell) agrees to attend a patient's support group. It's there that she meets Augustus Waters (Ansel Elgort), an impossibly charming cancer survivor himself, who soon sets about sweeping her off her feet. Despite Hazel's assertion that hers is not your typical cancer narrative, The Fault in Our Stars very much follows a formula. Viewers are promised tragedy, and then lulled into hoping that that tragedy might be averted. Peaks of joy are followed by valleys of strategically excavated sorrow, timed to cause maximum devastation. Thankfully, Hazel is an endearing enough character that you don't really mind the film manipulating you. Pithy voiceover helps us get to know her as a funny, strong-willed young woman who makes the best of an awful situation. Woodley's performance is impeccable, capturing both the giddy excitement of young love and the sobering adult reality of death. Her co-star falters with some of the heavier material but is still immensely likeable as Augustus. Admittedly, the young man isn't the most plausible of characters — no teenager is this articulate, no matter how much they'd like to believe otherwise. A lot of his dialogue is meant to sound wonderfully deep and inspiring but is just as likely to cause cringes in anyone over the age of about 17. Nuggets of teen philosophy notwithstanding, the interactions between the characters generally feel authentic, with plenty of humorous banter to put the romance — and the heartache — into relief. It's thanks to Boone and company's balancing of the three that The Fault in Our Stars is a success. https://youtube.com/watch?v=9ItBvH5J6ss
He's played a shimmering vampire in the Twilight films, a circus newcomer in Water for Elephants, a photographer friend of James Dean in Life and a desperate small-time criminal in Good Time. Also on his resume: battling in the Triwizard Tournament in Harry Potter and the Goblet of Fire, stepping into Salvador Dali's shoes in Little Ashes, roaming around the Australian outback in The Rover, heading to space in High Life and enduring a nightmarish seaside ordeal in The Lighthouse. Yes, we're talking about Robert Pattinson, who'll also add Batman to his hefty list of roles next year — but, before then, he's playing a creepy man of faith in Netflix's new thriller The Devil All the Time. Since leaving terrible supernatural teen romance franchises behind, Pattinson has chosen many an impressive, interesting part. Indeed, add the David Cronenberg-directed Cosmopolis and Maps to the Stars, the unnerving The Childhood of a Leader, biographical drama The Lost City of Z and Shakespeare adaptation The King to the above lineup, too. So, playing an unholy and unsettling preacher in a small Ohio town between World War II and the Vietnam war seems right up his alley. That said, as The Devil All the Time's just-dropped first trailer shows, Pattinson is just one of the film's many stars. Tom Holland leads the charge as Arvin Russell, who finds himself surrounded by sinister figures — including not only Pattinson as Reverend Preston Teagardin, but Jason Clarke and Riley Keough as a twisted couple, plus Sebastian Stan as a corrupt sheriff. In a movie adapted Donald Ray Pollock's novel of the same name, IT's Bill Skarsgård also pops up, as do Aussie actors Mia Wasikowska and Eliza Scanlen. If it all sounds rather disquieting, that's the point, in a tense feature that promises a fight between the just and the crooked. It certainly looks the part and, hitting Netflix on September 16, The Devil All the Time also boasts Simon Killer and Christine's Antonio Campos behind the lens as well. Check out the trailer below: https://www.youtube.com/watch?v=EIzazUv2gtI The Devil All the Time hits Netflix on September 16. Top images: Glen Wilson/Netflix.
"It's a shock to the system. It's a change to the everyday, regular routine. It's where the unhappy gene comes out — and it's a sign of the times today." That's the gloriously candid and empathetic Sandra Pankhurst on trauma, a topic she has literally made her business. Later in Clean, the documentary that tells her tale, she describes herself as a "busy nose and a voyeur"; however, that's not what saw her set up Melbourne's Specialised Trauma Cleaning. For three decades now, her company has assisted with "all the shitty jobs that no one really wants to do," as she characterises it: crime-scene cleanups, including after homicides, suicides and overdoses; deceased estates, such as bodies found some time after their passing; and homes in squalor, to name a few examples. As she explains in the film, Pankhurst is eager to provide such cleaning services because everyone deserves that help — and because we're all just a couple of unfortunate turns away from needing it. The 2008 movie Sunshine Cleaning starring Amy Adams (Dear Evan Hansen) and Emily Blunt (Jungle Cruise) fictionalised the trauma-cleaning realm; if that's your touchstone at the outset of Clean, prepare for far less gloss, for starters. Prepare for much more than a look at a fascinating but largely ignored industry, too, because filmmaker Lachlan Mcleod (Big in Japan) is as rightly interested in Pankhurst as he is in her line of work. Everything she says hangs in the air with meaning, even as it all bounces lightly from her lips ("life can be very fragile", "every dog has its day, and a mongrel has two" and "life dishes you out a good story and then life dishes you out a shit one" are some such utterances). Everything feels matter of fact and yet also immensely caring through her eyes, regardless of the situation that her Frankston-headquartered employees are attending to. Sometimes, STC does confront harrowing and grimy messes that could be ripped straight out of a crime drama, but ensuring that the families don't have to swab up themselves after a gory incident is a point of pride. Sometimes, it aids people with disability or illness by playing housekeeper when they can't, or sorts through a lifetime of possessions when someone has turned to hoarding. There's no judgement directed anyone's way, not by Pankhurst or the crew of committed cleaners who've formed a family-like bond under her watch. It takes a particular sort of person to do this gig, everyone notes, and the group is as sensitive and considerate as their boss because most have experienced their own hardships. They can also see what she sees: "everyone's got trauma; it's not the demographic, it's the circumstance". Pankhurst's company and tale isn't new to the public eye, thanks to Sarah Krasnostein's award-winning 2018 book The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay and Disaster — and both there and here, the role she has played and the fortitude she has displayed while sifting through her own personal traumas earns merited attention. Mcleod keeps his focus on STC for the film's first third, aided by Pankhurst's frank insights, but the many layers to the business, its workers and its clients are paralleled in her own multifaceted story. Clean takes her lead, though; never within its frames does Pankhurst offer up a simple assessment of herself, other than saying she'd liked to be remembered "as a kind human being — nothing more, nothing less". As a transgender woman who was adopted at birth, grew up in an abusive household, married and had a family, performed as a drag queen, undertook sex work, survived rape and drugs, transitioned, and became one of Australia's first female funeral directors, nothing about her can be deduced to a few mere words. The raw honesty, quick wit and spirited sense of humour continues as Pankhurst mentions many of these details, largely in passing or onstage when she becomes a motivational speaker after health woes stop her from cleaning. It's due to her medical conditions that she's vigilant about staff wearing PPE on the job — Clean's naturalistic, on-the-ground shoot, with cinematographer Louis Dai (Hakamada: The Longest Held Death Row Inmate in the World) behind the lens, began in 2019 well before the pandemic. There it is again: that unfaltering, highly moving, deeply inspirational compassion for others, whether they're the vulnerable struggling or employees lending the former a hand day in, day out. Clean looks upon Pankhurst with as much industrial-strength humanity as she sees in the world around her, even one where "people die in horrific ways every day", but never smoothes away her faults, doubts, rough experiences or tough edges. Mclean and Dai both double as the doco's editors and, as they begin splicing Pankhurst's time away from the business together with her team's everyday duties across the feature's second two acts, a touch of movie magic does filter in. To provide a wider array of imagery for the film's two strands, Mclean adds a number of brief recreations of Pankhurst's childhood and younger years, and of reconstructed crime scenes. They're unnecessary, and also don't suit the already affecting and absorbing tone that springs from Pankhurst and her employees telling it plain but with brimming understanding. There's a tender tenor in Patrick Grigg's (Australiana) score, too, that finds a better balance. Those dramatisations don't jumble the film by any means; they're just superfluous. Another reason that Clean's reenactments don't sit well: the feature has such a wealth of narratives to follow anyway, including time spent with specific members of the STC crew such as Brian Gaciabu, Rod Wyatt and others. Pankhurst gets the chance to search for her birth mother, her health gets pushed further to the fore, and some of the clients that the company helps also get a glimpse of the spotlight. Mcleod could've made several documentaries or a series about the overall situation, and even simply about the no-nonsense but endlessly entertaining Pankhurst; that COVID-19 impacted his timeline is apparent. This energetic but thoughtful tribute still cleans up, though — and that it has its imperfections fits every tale that it unfurls.
Good news for Twilight fans and those waiting for the whole thing to come to an end; Breaking Dawn Part Two, starring Robert Pattinson, Taylor Lautner and Kristen Stewart, is out this week and will bring the Twilight saga to a startling conclusion. After being brought back from the brink of death by Edward after a traumatic birth, Bella begins her new afterlife as a vampire, and mother to dhampir, half vampire, half human child, Renesmee. But, when Denali coven member Irina misidentifies Renesmee as an immortal child to the venomous Vulturi, she sets in motion events that’ll see them set out to destroy the Cullens for their betrayal. Breaking Dawn Part Two, the fifth installment in the saga, brings an end to the Twilight series, one that fans have been waiting for for years. Whether you think the books and films to be absolute trash or absolute masterpieces there is no denying their success, something that is sure to continue in this shocking finale.
Whenever you're in a traditional art gallery, reaching for your camera can result in serious pangs of guilt. You know it's wrong, but you just want to take a little memento home with you. Next thing you know, the security guard is hauling you out the door by the collar and your photograph appears in the gallery blacklist. Well, it's not always that bad. But Canadian artists Brad Blucher and Kyle Clements aren't fans of the taboo against taking photos of artworks. Their project Take a Picture seeks to change the way audiences interact with art. Blank canvases on the surface, the artworks use a series of LED lights to create simple images invisible to the human eye. The paintings can only be unlocked for the viewer when photographed by a digital camera device. The artists explain that the series "explores the relationship between the ubiquity of digital cameras and social media, which encourages all aspects of daily life to be documented and shared, and the culture of art museums and galleries, which strictly prohibits photographing works of art." https://youtube.com/watch?v=810DLIu0uBg [Via PSFK]
Wearing masks has been a regular part of life in southeast Queensland throughout the pandemic, and since the end of June in particular. As a result, Brisbanites have seen the rules around covering your face change multiple times, including in recent months as the city has weathered multiple brief lockdowns and several stages of restrictions. And from today, Tuesday, September 28, mask requirements are changing again. Back on Friday, September 24, the Queensland Government loosened the rules around donning masks when seated. So, for the past few days, you've been able to remove your face covering if you're sitting — even if you aren't eating and drinking. But, as COVID-19 has shown us all plenty of times now, much can change in just a couple of days. The Brisbane and Moreton Bay areas now have new locally acquired cases, and so the mask rules are going back to the requirements that were in place before last Friday. 😷Face masks must be worn at all times indoors and outdoors, unless you are able to socially distance outside. 🏥Visitor restrictions are in place for aged care, hospitals, disability accommodation and detention centres. More info to come soon. — Queensland Health (@qldhealthnews) September 28, 2021 Wondering that that means? Effective immediately, you now need to don a mask indoors at all times — unless you're eating or drinking, or you're in your own home. So, if you're out of the house and you're seated, but you're not munching or sipping, those masks remain compulsory. Need a refresher on all of the rules? Queensland has a standing mask mandate for flights, airports and stadiums, so you'll always need to mask up there — and, for the next two weeks again, they'll still be mandatory in plenty of other spots. That includes on public transport, in ride shares and while waiting for both; in all indoor spaces other than your own home, including hospitality businesses, unless you're eating and/or drinking; in schools; and also outdoors if you can't remain 1.5 metres away from people who aren't part of your household. Also, you will still need to always carry a mask with you. You must carry a mask whenever you leave home: wear them indoors and when social distancing isn't possible in outdoor settings. Anyone who has been in those LGAs since 19 September cannot visit aged care, hospitals, disability accommodation and detention centres. — Annastacia Palaszczuk (@AnnastaciaMP) September 28, 2021 "What we are asking is that in Brisbane City Council and Moreton Bay Regional Council [areas], we are putting back in place immediately the mask restrictions for those two councils for anyone who has been working or in those areas since 19 September, [including those] who might live outside those areas." said Queensland Health Minsiter Yvette D'Ath. "So if you work in the city but you live outside of the Brisbane City Council and Moreton Bay Regional Council area, we ask you to also abide by these restrictions — which is wearing a mask at all times indoor and outdoors unless you are outdoors and can socially distance. This will be in place for two weeks while we work through the risks of these cases." Queensland currently has 17 active COVID-19 cases, with four new locally acquired case reported in the past 24 hours. And, as always, the usual requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms also still apply — as they have since March last year. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website.
Get ready to rumble and rock out, because both are on the agenda at Rumble Rock 2016 (if you hadn't guessed). You'll watch wrestling. You'll hear bands play. You'll have a ripper time. The Australian Wrestling Alliance will jump into the ring and take care of the former, while Hits, Velociraptor, The Way We Were and Shutup Shutup Shutup will hop up on stage and crank out the latter. And, in case that's not enough entertainment for one evening, the NRL Grand Final will also be broadcast on the big screen.
Seeing a novel come to life is something that happens everyday. Experiencing a beloved story materialise in front of your eyes while you're inside an artwork — that isn't, as great as stage and screen adaptations can often be. Welcome to Angel's Place, and to Carpentaria: A Performance, which just might change the way you think about re-creations of literary material. Taking place at Brisbane Writers Festival, The former comes courtesy of a monument by Aboriginal artist Gordon Hookey, which becomes an immersive stage for the performance. The latter is inspired by Alexis Wright's novel, which tells of the fictional Queensland town of Desperance, a clash between indigenous and white communities, and the aftermath. If you're eager to find out more, the Miles Franklin Award-winning Wright will also be participating in an in-conversation session. Image: Mick Richards.
What if a trio of old guys robbed a bank? That'd be funny, wouldn't it? That seems to be the only line of thinking behind Going in Style, which remakes a 1979 flick of the same name and brings together a thoroughly likeable cast of elderly actors, but doesn't rise above "aren't geriatrics hilarious?"-style humour. Attempting to bulk up its premise with a hefty tug at the heartstrings and a weak statement about ruthless financial institutions proves about as effective as chewing steak with dentures. Sure, you can give it a shot, but everyone knows that it's not going to work. Michael Caine, Morgan Freeman and Alan Arkin play old friends Joe, Willie and Albert, who toiled away for decades together at a Brooklyn steel works, only to find themselves stripped of their pensions after a corporate takeover by an overseas company. But after Joe witnesses a slick holdup at his uncaring bank — an establishment that tricked him into a loan with a nasty interest rate, is now threatening to take his house away, and happens to be handling the pension debacle — the three hatch a plan to reclaim their entitlements via a caper of their own. Given the talent the film puts on screen, Going in Style probably could've worked quite well without throwing in the sob stories. Alas, the script by Hidden Figures writer-director Theodore Melfi is determined to justify the characters' newfound criminal urges in the most blatantly sappy and cliched ways that it can. Accordingly, Joe has to save the home where his daughter and granddaughter also live, while Willie is in dire need of a new kidney. Former musician Albert takes longer to warm to the stickup idea, probably because he isn't blighted with his own sad tale; instead, he's more preoccupied with his new romance with a grocery store clerk (Ann-Margaret). The fact is, Caine, Freeman and Arkin are all much, much better than the material they're saddled with. If there's any fun to be had here, it's in watching the three Oscar winners sit in a diner bickering and bantering. Any time they're tasked with supposedly comic hijinks, you're left wishing they were all in a better film; a horribly executed sequence in which they attempt to shoplift from a local supermarket as a practice run for their big heist is a prime example. Still, they fare much better than their poor co-star Christopher Lloyd, whose hammy performance might make you exclaim "great Scott!" in horror. Although he's helmed two movies already, in Garden State and Wish I Was Here, Actor-turned-director Zach Braff is still best known for starring in the small screen hospital comedy Scrubs. Perhaps it's not a coincidence, then, that his latest effort feels more like a bland, formulaic sitcom pilot than it does a feature film. https://www.youtube.com/watch?v=s6Qq3pIWMHk
For those considering a trip down to Sydney for Mardi Gras this year, Virgin Australia is sweetening the deal by offering a glitter-filled flight from Brisbane full of drinks, drag and DJs. The Pride Flight is a one-way flight from Brisbane to Sydney that will include bottomless beverages, DJs spinning classic pride tunes and mid-air drag performances hosted by Sydney drag queen Ms Penny Tration of Ru Paul's Drag Race. As you would expect, passengers will also be travelling on Virgin's most bright and colourful aircraft, decked out in glitter and rainbows. The flight will leave from Brisbane at midday on Friday, March 5, just in time for the final weekend of Mardi Gras which will include the 2021 parade, hosted in the SCG for the first time this year to abide by COVID-19 restrictions. An array of parties, talks, performances and an Oxford Street protest are all also scheduled for the first weekend of March. Check out Mardi Gras' full program at its website. Tickets for the 200-seat flight went on sale at 6am on Thursday, February 11 and are sure to be snatched up quickly. An economy seat on the flight will set you back $150 one-way or you can upgrade to business for $350. Passengers will have to organise their own less glitter-filled flight home following the weekend's celebrations. Of course, Sydneysiders wanting to experience the one-off flight can also head up to Brisbane prior to the Friday event. Virgin Australia is also currently waiving change and cancellation fees for bookings made before Friday, April 30, meaning you can book your Pride Flight ticket and your return ticket without the stress of hefty fees if a snap border closure or a change in your personal schedule ruins your Mardi Gras plans. Virgin Australia's Pride Flight will fly from Brisbane to Sydney at 12pm on Friday, March 5. Tickets are on sale now from the Virgin Australia website.
In the best films of 2019, lush love stories swept across the screen, intense thrillers laid bare class inequities and Hollywood history was given a playful twist. Australia's dark past was pushed under a magnifying glass, doppelgängers wreaked havoc and a marriage came to an end — and they're just some of the year's highlights. Come 12am on January 1, 2020, they're all yesterday's news, however. When a new year arrives, it brings 12 more months of glorious movies. They won't all be winners, but plenty of standouts will rise to the top — and, spanning everything from slasher thrills to long-awaited musicals, we have our eye on these ten must-see movies. https://www.youtube.com/watch?v=RE7YVZA5YVc TRUE HISTORY OF THE KELLY GANG New year, new searing Australian film that carves up our national identity — and boasts no qualms about laying bare our troubled history. In 2018, Sweet Country did the honours, while 2019 gave us The Nightingale. Now, in 2020, it's True History of the Kelly Gang's turn. The latest distinctive and daring feature from Aussie director Justin Kurzel (Snowtown, Macbeth), this adaptation of Peter Carey's Booker Prize-winning novel follows the country's most famous bushranger from his childhood (where he's played by excellent newcomer Orlando Schwerdt) to his bush-ranging years (when talented UK actor George McKay takes over). Don't expect a standard interpretation of Kelly's well-known tale, though, because Kurzel's star-studded affair is gritty, galvanising and spans far beyond the usual cliches. Visually, emotionally and in its performances (including by Essie Davis, Russell Crowe, Nicholas Hoult and Charlie Hunnam), the result is electrifying. True History of the Kelly Gang releases in Australian cinemas on January 9, then hits Stan on January 26. https://www.youtube.com/watch?v=TkDOuzri5hw&feature=youtu.be TENET Is it a follow-up to Inception? Does Christopher Nolan just like getting twisty every ten years? Or does the acclaimed director simply enjoy messing with everyone's heads? When the trailer for Tenet dropped, it inspired all of the above questions — but keen moviegoers will need to wait until July for answers. For now, we do know that Nolan's latest will involve time travel, the afterlife and stopping World War III. Also: spies, boats, sensing things before they happen and objects running in reverse. Throw in an active attempt to bend viewers' minds, plus many a superbly shot and staged spectacle, and Nolan is back in the territory that has served him so well since Memento. BlacKkKlansman's John David Washington leads the cast, alongside Robert Pattinson, Nolan regular Michael Caine, Aussie actor Elizabeth Debicki and Kenneth Branagh. Tenet releases in Australian cinemas on July 16. BILL & TED FACE THE MUSIC It was first uttered more than three decades ago, but the world could always use Bill & Ted's main nugget of wisdom. "Be excellent to each other," Bill & Ted's Excellent Adventure first told us in 1989, before continuing the message in 1991's Bill & Ted's Bogus Journey — and it'll do so again in the long-awaited Bill & Ted Face the Music. Alex Winter and Keanu Reeves are back as everyone's favourite high school slackers and wannabe rockers, who initially started travelling through time in a phone booth to pass a history report and secure the world's future. They're middle-aged now and they even have daughters (played by Ready or Not's Samara Weaving and Bombshell's Brigette Lundy-Paine), but when you're told as a teen that your music is going to change the entire universe, that responsibility doesn't just fade because you get older. Bill & Ted Face the Music releases in American cinemas on August 21, with an Australian release date yet to be confirmed. HALLOWEEN KILLS For 42 years, the Halloween franchise has been delivering stone-cold horror masterpieces, weird and wonderful detours, and entries that deserve to be locked away for all eternity with Michael Myers. The difference between the series' John Carpenter-directed best and its trashy worst is enormous, but when David Gordon Green (Prince Avalanche, Pineapple Express) took the reins for 2018's Halloween — a direct sequel to the 1978 original that ignores the seven other follow-ups and two remakes in-between — he served up one of the saga's best chapters. It helped that Jamie Lee Curtis was back, of course. Also beneficial: a meaty story that grapples with trauma, a skill for slasher thrills, a new score by Carpenter himself, and producer Jason Blum's support. So it was great news when two more movies were announced, including 2020's Halloween Kills, which brings the whole gang back to Haddonfield for another encounter with the town's masked menace. Halloween Kills releases in Australian cinemas on October 15. https://www.youtube.com/watch?v=7i5kiFDunk8 PROMISING YOUNG WOMAN From Hustlers to Black Christmas, a swathe of great female-written and directed films haven't just been dancing in topical territory of late — they've been tackling issues of gender inequality, misogyny and sexual assault head on. Due to premiere at the 2020 Sundance Film Festival, Promising Young Woman belongs in the same company, as its immensely popular trailer shows. It all starts in a bar, where Cassie (Carey Mulligan) appears intoxicated and Jez (Adam Brody) helps her home. They've never met, but he's supposedly being nice. Then, while she's virtually passed out, he makes a move — and she makes it known that she's not going to become a drunken statistic. The feature debut of writer/director Emerald Fennell, the showrunner on Killing Eve's second season, this looks like a revenge flick with serious bite. Promising Young Woman premieres at Sundance in January, then releases in American cinemas on April 17, with an Australian release date yet to be confirmed. [caption id="attachment_756329" align="aligncenter" width="1920"] Marriage Story[/caption] ANNETTE It has been eight years since Leos Carax's Holy Motors hit cinema screens, becoming one of the most memorable movies of both the decade and the 21st century in the process. And, for four of those years, his next project has been eagerly anticipated: musical Annette, starring Adam Driver and Marion Cotillard. Lavant will make his English-language debut with the song-filled feature, which follows a stand-up comedian (Driver), his soprano opera singer wife (Cotillard) and the drastic change in their lives when their daughter Annette is born. Part of the film's delays have been put down to Driver's busy Star Wars schedule (and starring in The Dead Don't Die, The Report and Marriage Story this year alone, too), but the movie finally shot late in 2019 — so here's hoping that we soon get to see what Carax's inventive mind has put together next. Annette doesn't yet have a release date. [caption id="attachment_555885" align="aligncenter" width="1280"] Cemetery of Splendour[/caption] MEMORIA With Memoria, another acclaimed auteur makes his first film in English — and returns after a significant gap in his filmography. That'd be Apichatpong Weerasethakul, the Thai director who last splashed dreamlike visuals and poetic musings across the screen with 2015's Cemetery of Splendour, and whose resume also features three Cannes prize-winning features (including the Palme d'Or for 2010's Uncle Boonmee Who Can Recall His Past Lives). It's a claim made too often, but Weerasethakul truly does make movies unlike anyone else. Not much is known about Memoria, apart from that it was shot in Colombia, but the filmmaker's work is always about much, much more than plot. This one possesses some serious star power, too, with the international cast led by Tilda Swinton. Memoria doesn't yet have a release date. HOPE When New Zealand's Madeleine Sami and Jackie van Beek directed 2018's The Breaker Upperers, they gave the world one of the smartest and most amusing female-focused comedies in recent years. For their follow-up, Hope, the duo is keeping things funny — and given that this time they'll be pointing the camera at Aubrey Plaza, that doesn't seem particularly difficult. Another movie that's keeping its details quiet for now, it's described as a romantic comedy and is being made for Netflix. To shore up its rom-com credentials, it's based on a script by Karen McCullah and Kirsten Smith, who also wrote the screenplay for another great example of the genre: the modernised Shakespeare adaptation that is 10 Things I Hate About You. Hope doesn't yet have a release date. [caption id="attachment_756331" align="aligncenter" width="1920"] A Very Murray Christmas[/caption] ON THE ROCKS Sofia Coppola. Bill Murray. Enough said, really. The Lost in Translation duo reunite for On the Rocks, which focuses on a young mother who reconnects with her wayward dad during a New York adventure. Parks and Recreation's Rashida Jones and Jenny Slate also star, as well as Marlon Wayans, with Coppola both directing and writing the screenplay — as she has with all of her projects since her 1999 debut The Virgin Suicides. Of course, the filmmaker also teamed up with Murray back in 2015 for Netflix special A Very Murray Christmas, but more of this pair is never a bad thing. On the Rocks will also mark Coppola's first film since winning Cannes Best Director prize (and becoming only the second woman to do so) for 2017's The Beguiled. On the Rocks doesn't yet have a release date. [caption id="attachment_492422" align="aligncenter" width="1280"] Jodorowsky's Dune[/caption] DUNE David Lynch's Dune is one of the most unfairly maligned sci-fi films ever made. It's not the version that Alejandro Jodorowsky would've whipped up — as explored in excellent documentary Jodorowsky's Dune — but the 1984 movie still has its surreal delights. Just how Denis Villeneuve's new adaptation of Frank Herbert's 1965 novel will fare is still yet to be seen, but the French Canadian director has already revived another 80s sci-fi property to stunning effect with Blade Runner 2049. Once again, he has amassed a stellar cast, including Timothée Chalamet, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling, Jason Momoa, Javier Bardem and Doctor Sleep's Rebecca Ferguson. They'll all fight over 'the spice', the most valuable substance in the universe. Dune releases in Australian cinemas on December 26. With hundreds of movies reaching Australian screens every year, there's plenty more to look forward to in 2020 too. We've also checked out a heap of trailers for the year's upcoming flicks, including Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), The Invisible Man, Fantasy Island, Mulan, No Time to Die, Black Widow, The Woman in the Window, Wonder Woman 1984, In the Heights, Soul, Ghostbusters: Afterlife, Jungle Cruise and The SpongeBob Movie: Sponge On the Run. Only one of them features Keanu Reeves as a talking sage, though.
There's nothing like a national holiday commemorating the country's past to get everyone thinking about times gone by. The Brightside are getting into the historic holiday spirit, of course, but they're only jumping back a couple of decades. Yep, they're stepping back to the '90s. If you've been to one of their parties before, you know the drill: We Are Servants and That '90s Show will be cranking out all the covers your ears can handle, a host of cocktail offerings will be keeping up the '90s theme, and getting dressed up is encouraged and then some. And if this is your first Brighty shindig, you're in for a treat. Our tip: BYO parachute pants.
If you're not fond of cooking every night of the week, chances are you've relied upon food delivery services a little more than usual in 2020. With heading out to eat off the cards during Australia's nationwide lockdown earlier in the year — and throughout Melbourne's current strict stay-at-home restrictions as well — being able to get meals brought to your door has been a key coping tool. You might not be able to physically go to your favourite eatery, but you can still tuck into its dishes. For three days next week — from 12.01am Tuesday, September 29–11.59pm Thursday, October 1 — you'll also be able to get those bites to eat without paying for delivery. Across that 72-hour period, Menulog is hosting its first Menulog Free Delivery Fest. And yes, it's all there in the name. You'll still have to pay for your food, obviously, but you won't have to fork out a single cent to get it delivered. And, the deal applies to every Menulog-delivered order except KFC, so you'll have plenty of dishes to choose from. To nab free delivery, you'll need to order between the above dates and times via the Menulog app and the Menulog website. Restaurants taking part will have a free delivery icon on their Menulog listing, too — with the Menulog Free Delivery Fest running in New South Wales, Victoria, Queensland, South Australia, Tasmania, the Northern Territory and the Australian Capital Territory. The Menulog Free Delivery Fest runs from 12.01am Tuesday, September 29–11.59pm Thursday, October 1 via the Menulog app and the Menulog website.
Audible is the world's largest creator and retailer of audiobook content, so you can be sure they know a thing or two about great stories. During Vivid Sydney, Audible is hosting three separate events with some of the city's best names in audio entertainment. On Wednesday, June 1, former MasterChef Australia champion Adam Liaw will be speaking about how the food we cook and eat shapes the world around us. Wednesday, June 8, sees TV presenter Melissa Doyle examine how the world handles – or rather, doesn't handle – the concept of women ageing. Finally, on June 15, writer Laura Nagy and journalist Marc Fennell uncover some of pop culture's more unusual and niche trends.
Two nights. Twenty-five food stalls. One bustling place — and one big celebration of Taiwanese culture. That's the formula behind Sunnybank Hills Shoppingtown's Taiwan Night Market, which is finally back for the first time since 2019, serving up a feast of bites to eat on Friday, July 8–Saturday, July 9. If you've been along before, you'll know that this excuse to tuck into noodles, bao, dumplings, bubble tea and more is always busy. With roti, sweet potato taro fries and desserts on offer as well, that'll still be the case this year. Around 15,000 people usually make a visit, so prepare to have company — from 4.30–9.30pm on the Friday and 1–9pm on the Saturday. As well as oh-so-much to taste and sip, the openair market will also span live entertainment, carnival games and activities for kids. Entry is free. Obviously, you'll still need to bring your wallet to purchase whatever tempts your tastebuds from the hefty Taiwanese street food selection as you wander along. And if you're wondering exactly where to head, the event is taking over the southside shopping centre's level four carpark.
Padre in Woolloongabba is commencing a week-long celebration of all things Murray. Matching Murray brews to Bill Murray films at 7pm every night of Brewsvegas, head along to sip a Whale Ale while watching The Life Aquatic, or laugh along to Groundhog Day with the IPA you could drink again and again and again. If you prefer your movie marathons straight up, all in a row, then drag your sleeping bag along to Newstead Brewing’s Quintet Tarantino event. There will be you in your jim-jams, five Tarantinos, five beers, a pizza and your new best mates.
It has been a big few weeks in the sporting world, thanks to everything from Wimbledon to the European Football Championships. Australia's own football codes have been ticking along despite COVID-19 outbreaks, too. But, this week, the biggest event in global sport will commence for the first time in five years. That'd be the Olympics, obviously. After being postponed for a year due to the pandemic, the 2020 Tokyo games will finally take place from Friday, July 23–Sunday, August 8. There won't be any spectators onsite due to the pandemic, with neither overseas travellers nor local residents permitted to attend; however, Queenslanders can still watch along locally — including when they're out of the house. Pubs will be screening the Olympics, of course, and so will a heap of pop-up sites around the state. As part of an event called Olympics Live, screens will be set up at a number of locations, including at South Bank's Riverside Green from Wednesday, July 21. Also getting into the spirit: Kurrawa Beach on the Gold Coast, Kings Beach Amphitheatre on the Sunshine Coast and The Esplanade in Cairns, which'll also celebrate the games for the same period. The event will pop up at Tulmur Place in Ipswich's Nicholas Street Precinct and Walton Stores in Toowoomba from Friday, July 23–Sunday, August 8, and in the Bloomfield Street Park in Cleveland from Saturday, July 24–Sunday, August 8 as well. Attendees will be able to hit up the outdoor hubs to get their Olympics fix — and, if you've noticed that some of the sites will start screening before the opening ceremony, that's because they're setting up early to hopefully celebrate Brisbane's bid for the 2032 games. The 2020 games do actually begin some events on Wednesday, July 21; however, that's also the date that the International Olympic Committee is expected to announce who'll be hosting the 2032 event. The Queensland capital looks poised to land the games, with Brisbane named the preferred host for the Games of the XXXV Olympiad back in February. It also received an endorsement from the International Olympic Committee Executive Board in June, so now the IOC itself just has to vote to make it all official tomorrow. https://twitter.com/AnnastaciaMP/status/1416998538001539072 If Brisbane does indeed get the nod as widely anticipated, Queensland Premier Annastacia Palaszczuk has announced that the city will be celebrating instantly. Fireworks will be set off from river barges and CBD buildings when the news comes through. Brisbane's buildings, bridges and City Hall will also be lit up in green and gold hues as well. It's expected that the news will be announced between 6–7pm Brisbane time, if you're wondering when Brissie might start partying. Olympics Live will pop up at South Bank's Riverside Green from Wednesday, July 21–Sunday, August 8 — and at Kurrawa Beach on the Gold Coast, Kings Beach Amphitheatre on the Sunshine Coast and The Esplanade in Cairns for the same period. It'll also pop up at Tulmur Place in Ipswich's Nicholas Street Precinct and Walton Stores in Toowoomba from Friday, July 23–Sunday, August 8, and in the Bloomfield Street Park in Cleveland from Saturday, July 24–Sunday, August 8.
Hitting the dodgems, browsing for showbags, sleeping in on a Wednesday: for the second year in a row, none of that is on the agenda in Brisbane during August. Due to the most recent COVID-19 outbreak, the lockdown that followed and the restrictions that are now in place, the Ekka has been cancelled for the second year in a row and only the fourth time in the event's history. But that doesn't mean that you can't still enjoy a strawberry sundae. There's no shortage of ice cream available in Brisbane, but there's only one annually available frosty delight that everyone wishes they could eat all year-round. That pink-coloured dessert is hands-down the best thing about the Ekka, too. And, to the delight of strawberry sundae lovers, it's being delivered to your door now that the show isn't going ahead. While drive-thrus popped up last year so that Brisbanites could still get their strawberry sundae fix, this year the setup is going one better from Wednesday, August 11. In a collaboration between Brisbane City Council and local businesses — plus delivery app Doordash and delivery-only facility Chef Collective — these beauties are being ferried around town in DIY sundae-making packs thanks to an event that's being called the Strawberry Sundae Taskforce. You'll get 20 sundaes at once, in fact, all by placing an online order. Twenty strawberry sundaes might sound like a lot, but that could get you and your partner or housemates through a few months (or weeks, or days — whichever fits) of desserts. You'll receive all the ingredients that are used to assemble the sundaes at the Ekka, with deliveries brought to homes in central areas of the city, and dropped off at specific collection points — where you'll then need to head to pick them up — elsewhere. Usually, the cult desserts raise around $500,000 for medical research via The Prince Charles Hospital Foundation for The Common Good, which is one the Strawberry Sundae Taskforce's big aims. Funds collected will still go to the charity — and you'll also be supporting farmers by making sure they're not left out-of-pocket for their ingredients. "The Strawberry Sundae Taskforce is a very creative solution to what could be a very serious problem," said The Common Good CEO Michael Hornby. "We're urging families to buy a Strawberry Sundae DIY pack to keep the tradition alive and to help save lives and livelihoods in the most delicious way possible." New Doordash customers will also score $20 off their strawberry sundae order, as well as free delivery. To order a DIY strawberry sundae 20-pack from Wednesday, August 11, hit up the Doordash app.
In a year when we're all spending a whole lot more time at home than we ever planned to, you may have become obsessed with upgrading your abode (and we don't blame you). One of the best ways to brighten up your space is with pops of colour, and that goes hand-in-hand with one of the most colourful art movements of the last century — the pop art era. Distinguished by its flashy imagery and bold colours, pop art flourished in the 1950s and 60s across the UK and US, and, to a degree, Australia. Whether you're an art lover or just want to freshen up your space, we've picked out six simple ways you can bring a slice of pop art into your life, with help from our friends at LEGO Art — from kitschy statement jewellery to patterned cushions and build-your-own artwork. We've also made sure you can order these items from the comfort of your home. Each item can be shipped directly to your doorstep. [caption id="attachment_782323" align="alignnone" width="1920"] Nikita Majajas by Liz Ham[/caption] WEAR POP ART-INSPIRED JEWELLERY FROM DOODAD AND FANDANGO Sydney-based jewellery brand Doodad and Fandango is all about that pop art look, thanks to founder Nikita (Margarita) Majajas' obsession with Japan's Harajuku fashion movement. She creates wearable art that's inspired by the bakelite and celluloid costume jewellery of the 1930s and 50s, and she wants her customers to experience the glamorous look of the era with new, modern designs. These products are anything but fast fashion — every piece is handmade to order using locally sourced, collector's-grade material and the process is sustainable, too. Plus each item is just really fun — think a Stud choker ($140), Act Now earrings ($80) and even a range of bolo ties ($90) to choose from. BUILD ANDY WARHOL'S MARILYN MONROE AND FRAME IT We've been loving the rise of adult colouring books, paint sets and other calming kidult trends. And now a childhood favourite is offering a much more adult version of your favourite coloured bricks. There's a new LEGO Art range which is specifically designed for grown ups. Our pick is the iconic Marilyn Monroe portrait ($199), based on the artwork by Andy Warhol, one of the leading figures of the pop art movement. Each set comes with four different building options, so you can recreate and display the entire portrait series — all with a Warhol signature tile to boot. If puzzling together colourful squares isn't therapeutic enough, the experience also comes with a specially curated soundtrack to listen to as you build. SIP FROM THESE POP ART-INSPIRED MUGS Miss perusing the museum gift shop after seeing an exhibition? Sydney's Museum of Contemporary Art has you covered. Whether you live out-of-state or are just being 'rona safe, you don't have to head into the museum to check out its store. The online shop offers a huge range of art-adjacent products that can be delivered direct to your doorstep. Including these Andy Warhol-themed mugs ($24.99), dubbed the 'Andy Tea-Hall'. It's sure to make your daily (or hourly) cuppa a bit more fun. The shop also offers heaps of other ceramics and homewares, as well as jewellery and gift ideas. BRIGHTEN UP THE LOUNGE WITH PATTERNED CUSHIONS World-renowned Finnish brand Marimekko has a penchant for patterns, and it has been brightening up homes and wardrobes around the world for six decades. Expertly crafted to last, the brand's products are the perfect addition to any house. While there are stores all over Australia and New Zealand (and over 100 around the world), you can also simply order online. Marimekko's designs come in all different hues and patterns, with pillows, covers and cushions all on offer — think orange groves, vivid greens, floral patterns and bold black and white shapes. All of the textiles are printed at the company's factory in Helsinki. Cushion covers (50 x 50 centimetres) start from $53, and shipping is free if you spend over $150. STOCK YOUR LIBRARY WITH POP ART BOOKS A coffee table book is a great way to bring pop art into your home without committing to it long-term. There are (not surprisingly) heaps of books on the subject, and Brisbane's Queensland Art Gallery of Modern Art (QAGOMA) is a good place to start. Its online shop offers stacks of art books and specialises in Australian and First Nations art and artists. If you're just beginning your pop art collection, our top pick is Flavia Frigeri's Pop Art: Art Essentials ($20). The book follows the movement from its beginnings in post-war consumerism all the way to its global rise in the 1960s. Explore works by well-known artists like Roy Lichtenstein alongside Japan's Ushio Shinohara and Argentina's Marta Minujín. Delivery is a $15 flat rate across Australia, $30 for New Zealand and $10 if you live locally. SPORT YOUR LOVE FOR WARHOL WITH WEARABLE PIECES OF ART If you're looking for other ways to show your love of pop art without decorating the house, there's a huge range of clothing, jewellery and other art-related fashion accessories up for grabs from the Museum of Contemporary Art. This wooden Andy Warhol brooch ($29) is a hand-painted statement piece that closely aligns with Warhol's quote, "Fashion wasn't what you wore someplace anymore; it was the whole reason for going". Created by Milk Thieves' designer Emma Lee, the brooch was handmade on the South Coast using sustainably sourced, laser-cut bamboo. And it'll add a bit of nostalgic pop culture into your accessory roster. Discover more about the new LEGO Art range, here.
After the turbulent year that has been, summer is finally here and it's time to celebrate. One of the easiest ways to do that is with an epic (socially responsible) house party. House parties are the places where friendships are forged, dancefloors are formed and memories are made, and summer is the primo time to make use of your own house and host your friends for a knees-up. With fun in mind, we've joined forces with Hennessy for this foolproof guide to making sure your party has all the elements needed for success. Stay up to date with the developing COVID-19 outbreak in Sydney's northern beaches and current restrictions at NSW Health. FIRST, ORDER THIS HOUSE PARTY PACK No one likes to socialise when they're hangry, so sorting out food should be your first port of call. That's why Hennessy has partnered with three different restaurants to create a series of collaborative feasts. Each comes with a limited edition bottle of Hennessy, ginger ale and a fun snack pack. In Sydney, fried chicken purveyors Butter will supply you and three friends with chicken wings, corn on the cob, mash and ramen-broth gravy, slaw and rolls for $180. In Melbourne, Japanese hot spot Mr Miyagi will sort you and three mates out with pork belly bao, peking duck nori tacos, fried chicken and spiced tuna tartare crackers for $250. And in Brisbane, party people can get around a feast for ten of spring rolls, chicken karaage bao and spiced chicken wings with gochujang aioli from Mr Mista for $230. Each pack also includes party cups, balloons, a deck of cards and a disposable camera to capture all the good times you'll be having. MAKE SUPER-SIMPLE COCKTAILS FOR WELCOME DRINKS Some of the best cocktails are ones you don't even need a recipe for, and the ginger mule is exactly that. Simply pour 40ml of Hennessy into a highball glass and fill the glass with ice. Top up with around 100ml of ginger ale and garnish with a lime wedge or slices of fresh ginger. Voila! Drinks are sorted. You could also consider batching these cocktails in larger quantities for easy serving. Find this recipe and more on Hennessy's website. [embed]https://open.spotify.com/playlist/1CzIHMGk079iUL3947oYnr[/embed] OPT FOR A READYMADE PLAYLIST Instead of fussing about with aux cords or searching for artists, leave the party soundtrack responsibilities to Hennessy. Yep, the cognac brand also has a surprisingly good selection of packed-out playlists for four different moods. Head to the aptly titled House Party curated by music maestros Cool Accidents. It's filled with party-starting anthems from Hello, DMX, Missy Elliott and N.W.A. Or, try out the Beach Club, Sunset Sessions and Pre-Party Mix playlists, which will have you sorted with progressive mixes of slinky house, hip hop and R&B. [caption id="attachment_786101" align="alignnone" width="1920"] Cottonbro[/caption] SET UP SOME PARTY-STARTING GAMES AND ICEBREAKERS Now you've got food, tunes and drinks sorted, it's time to set up some party-starting games and social icebreakers. Putting a little bit of thought into some easy-to-execute games can result in some serious fun. Whip out old-school Twister from the cupboard or try a few rounds of celebrity heads (which you can do with just pieces of paper and pens). Outdoor games are also simple to set-up — borrow a Finska set from a friend or set up some classic backyard cricket. CONSIDER HOW TO TRANSFORM YOUR SPACE Now you've got all the essentials sorted, it's time to think through the flow of the space and decorations. You don't have to go all-out, but considering how people will move and groove through your house is a worthwhile exercise. Set up a designated dancefloor (the playlist will help out with this) and hire some disco lights or smoke machines. Make sure there's seating areas, too, and not placed in thoroughfares. Your guests will pick up what you're putting down and they'll move about the space as you've intended. Hennessy's House Party Packs are available takeaway now till stocks last. To order from Butter in Sydney, head here. To order from Mr Miyagi, head here. And to order from Mr Mista, head here. Top image: Inga Seliverstova
If eating your way through plenty of creative and tasty desserts is your current pandemic coping strategy, Gelato Messina has been more than willing to help over the past few months. This year alone, it has released cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties; 40 of its best flavours; and full tubs of Iced VoVo gelato. Messina's own take on the classic Viennetta ice cream cake and a gelato based on Italy's famed cremino dessert. Oh, and it even whipped up a batch of sticky lamington-scroll hybrids as well. For Messina's next tastebud-tempter, it's doing what it has always done best: turning one of your favourite non-ice cream foods into gelato, then giving it a twist. This time around, that means a new take on its beloved cereal-inspired 'Just Like a Chocolate Milkshake' flavour. It still features Coco Pops, obviously, but this batch is all about white chocolate. Naturally, it's called 'Just Like a White Chocolate Milkshake'. It's made with Messina jersey milk and white chocolate Coco Pops, with the latter soaked in the former to get things rolling. From there, the cereal and milk are churned into fresh gelato, which is then layered with clusters of more white chocolate Coco Pops. As well as milk, cereal and white chocolate, you can expect to taste caramel and marshmallow notes, too. Messina's special desserts and flavours are always a limited affair, with this one on offer for a week from Tuesday, September 1. You can pick it up in-store or get it delivered via Deliveroo. [caption id="attachment_741473" align="aligncenter" width="1920"] Katrina James[/caption] If you're in Melbourne, remember that you can only venture to shops within five kilometres of your house — and only once a day — to get essentials, including food. Gelato Messina's 'Just Like a White Chocolate Milkshake' flavour will be available for a week from Tuesday, September 1, in-store and via Deliveroo — keep an eye on the Messina website for further details.
Since selling out two Sydney Oxford Art Factories in less than ten 10 minutes back in January, Foals have relased their third studio album, Holy Fire — a sweeping follow up to their sophomore effort Total Life Forever. Holy Fire is an uninhibited mix of emotion and instrument, and should give Yannis Philippakis and the crew plenty of juice with which to fuel their notoriously savage live sets. But while it doesn't stray far from Foals' addictive sound, a blend of riffy math rock and danceable electronics, the album does sound more cohesive than anything the band has released previously. Tickets for Foals' Tivoli show go on sale Monday, 18 March at 9am. https://youtube.com/watch?v=qJ_PMvjmC6M
It's one of the reasons everyone loves Easter: the long weekend that's even longer than usual. Not having to go to work on Monday morning is your dream and ours, and that dream becoming a reality is rare indeed. This Monday, nothing but laziness beckons for most, which sounds like as good a reason as any to find a funky spot to spend your Sunday. You can settle in for a fun day and a big evening — and if that's your plan, Alfred and Constance have you covered. From midday until late, their Easter Sunday House Party is the place to be, with live music followed by DJs playing all your favourite tracks. Iconic Brisbane band the Jungle Giants are also stopping by to spin some tunes on the decks — and take over A&Cs Vanguard Deck — so you know it really is going to be something special. Long live the long weekend!
When it was announced in April last year that German supermarket giant Kaufland was expanding to Australia, it was surprising news. Now, almost a year later, the chain has made an announcement that's even more surprising: it's not expanding to Australia. In a total 180, Kaufland today revealed to the public and its 200 local employees that it would make an "orderly withdrawal" from the Australian market. The reasons for why it has decided to pull the plug on Australia are still a bit vague, with a short statement merely saying that the company wants to concentrate on its "European core markets in the foreseeable future". The withdraw won't be so simple, either. With plans to open a slew of stores across Australian — including 14 in Victoria and three in Queensland — Kaufland has already purchased numerous properties and even, according to The Sydney Morning Herald, started construction on a store in Adelaide and a huge 115,000-square-metre distribution centre in Melbourne. The Australian reports that the company has already spent hundreds of millions of dollars here. In the statement, acting CEO Frank Schumann apologised for the "disruption" the decision will cause. Launched in 1984 and now with 1200 European stores to its name, Kaufland is owned by the Schwarz Group — the world's fourth largest retailer. The chain is big in Germany and parts of Eastern Europe, but this was set to be its first foray into a Pacific market as an alternative to Aldi. The withdrawal has shocked the retail sector — and while it might be good news to Woolworths and Coles, it certainly doesn't reflect well on the current state of the Australian retail market.
The human brain has been studied inside and out, and its complexities never cease to amaze us. We can make a fist, take a step or turn the wheel all because our thoughts are connected to our actions, but perhaps the new EPOC Neuroheadset will do away with the need for actions altogether. The neuroheadset is a brain-scanning device that allows you to control your computer with your mind. The headset detects brain signals to determine users' emotions and also contains gyroscope technology that reads your position, body movements and facial expressions to accurately communicate commands. Combined with the EmoLens application, the device can detect the emotions you feel as you browse through photos on Flickr and tag the photos accordingly - you don't even touch your mouse or keyboard. If you're bored of that trick, the headset can also use concentration, number of eye blinks or head shakes to determine how you're feeling. Among other applications that can be purchased include Mind Mouse, which allows the user to perform standard computer commands like clicking or double clicking a mouse or even sending an email, and Master Mind, with which users can play their favourite computer games with their minds. The applications and uses are quite limited at this stage, but along with other superhero-inspired technology coming to market, perhaps it won't be long before we can control things with our minds alone. Like a car.
It was only a decade ago that fledgeling market startup Finders Keepers launched with 20 stalls and a handful of eager design enthusiasts looking to score an artsy deal. Now the event finds itself sitting as Australia's longest-running art and design market — and this season is going to be huge with an extra evening, longer hours and a bigger spot to hold this bustling artsy medina. Celebrating ten years of giving the city's artisan producers that much-needed exposure, the event will host over 200 stalls for the multitude of market-goers after a bargain, amid a backdrop of live music, bars, coffee carts, food trucks, workshops and a dessert bar. With a friendly entrance fee of just $2 (kids enter free), you'll find everything from hand-crafted furniture, scarves and sarongs, crockery, clutches and many other products from a huge number of local artists and designers. Keep an eye out for Doops Design's bold and bright cushions, J.F.A. Hynd's botanical illustrations and textiles and Brisbane local favourites photographer Kara Rosenlund, fashion designer Alice Nightingale and homewares label Kirralee & Co. Indigenous social enterprise Magpie Goose will also bring fashion items produced in remote NT communities. Finders Keepers runs from November 10–12, 5–10pm on Friday and 9am–4pm on Saturday and Sunday. Images: Samee Lapham
If jungle vibes inside a Brisbane warehouse sounds like your perfect outing, head along to the Jungle Collective's indoor plant sale on Saturday, January 19 and Sunday, January 20. It's the third greenery-filled Brissie market from The Jungle Collective, a Melbourne nursery that stocks all kinds of weird and wonderful species. Yes, it's trucking its way up north again for another Queensland venture. Whether you're after a hanging pot plant, some palms for the garden or a giant Bird of Paradise, chances are you'll find it here. Have a reputation for killing your cacti? Overwatering your ferns? Don't worry — there'll be horticulturalists onsite to give you advice and chat through any questions you might have. With the party and sale taking over a space in Moorooka, you can be inspired by greenery aplenty and learn to incorporate plants into your home and living spaces, all while browsing and soaking up some tunes. Best get in quick though — these markets are always popular, with more than 150 different species usually on offer. Due to the expected demand, the sale will be held in four sessions on both days (8-10am, 10am-noon, 12-2pm and 2-4pm), and attendees will need to register for free tickets from noon on Monday, January 14. Plus, given that the Jungle Collective likes to theme its sales, this one is all about doggos. If you bring your pet pupper in a bag — like you're riding the New York subway — you'll get $5 off your purchase.
For the past three years, Elisabeth Moss has been doing her best to smash and subvert an oppressive patriarchal society, all thanks to The Handmaid's Tale. For seven seasons before that, she had a somewhat similar task in Mad Men, just within the world of 1960s advertising. So if someone has to go face-to-face with an unseen foe in The Invisible Man — an imperceptible figure that happens to be her controlling ex-boyfriend, and that no one else believes exists — then she's a great candidate. As the just-dropped first trailer for this monster movie remake shows, the classic Invisible Man premise has had a thoroughly 21st-century update. Moss plays Cecilia, who's had to flee an abusive relationship with her scientist ex (Oliver Jackson-Cohen, The Haunting of Hill House), but can't escape him that easily. He turns up dead and leaves her a fortune; however strange things then start happening around her. Celia is convinced her violent former lover is behind it — and not only that, but that he's still around, but invisible. Of course, everyone else just thinks she's crazy. Yes, it's HG Wells' sci-fi novel filtered through the concept of gaslighting, in a movie that looks set to stand out from its predecessors — such as the famous 1933 horror version and its many sequels, and 2000's Hollow Man with Kevin Bacon. The Invisible Man marks Universal's latest attempt to revive its iconic monster pictures from the 1920s–50s, after trying to create a Dark Universe series with Dracula Untold and the Tom Cruise-starring version of The Mummy. In fact, a different take on The Invisible Man was initially announced a few years back that'd tie into both of the aforementioned films, with Johnny Depp slated to turn see-through. But then The Mummy crashed at the box office and the studio changed its plans, with Universal now focusing on standalone remakes of its famous horror characters rather than an interconnected on-screen universe. Alongside Moss and Jackson-Cohen, this iteration of the out-of-sight figure also features Australian actress Harriet Dyer (Killing Ground), Aldis Hodge (Straight Outta Compton) and Storm Reid (A Wrinkle in Time). Prolific producer Jason Blum is pulling the strings, and, fresh from the action thrills of Upgrade, Aussie filmmaker Leigh Whannell sits in the director's chair. Also, if any of the movie's surroundings look familiar, that's because it was shot in Sydney. Check out the trailer below. https://www.youtube.com/watch?v=KLAJyugYEiY&feature=youtu.be The Invisible Man releases in Australian cinemas on February 27, 2020.
Fresh from announcing its first titles and revealing its high-profile patrons for the year, the Brisbane International Film Festival has unveiled its complete 2019 program. Thanks to a lineup of fresh international favourites, new local gems and everything in-between, the city's cinephiles will be spending plenty of time in a cinema between Thursday, October 3 and Sunday, October 13 — and plenty of time watching more than 110 features, documentaries and shorts. On the big-name front, BIFF's highlights span sumptuous Queer Palme winner The Portrait of a Lady on Fire from acclaimed French filmmaker Céline Sciamma; Xavier Dolan's emotive exploration of love and friendship in Matthias and Maxime, which he both stars in and directs; The Day Shall Come, Chris Morris' long-awaited sophomore film after Four Lions; and Takashi Miike's latest gangster flick First Love. Then there's Sundance hit Monos, Chinese underworld thriller The Wild Goose Lake, László Nemes' historical drama Sunset, Agnes Varda's joyous Varda by Agnes, and the Dardenne brothers' Cannes best director winner Young Ahmed. The standouts keep coming, including the world premiere of a new documentary about Ben Quilty, coinciding with GOMA's current exhibition of his work. And, BIFF will also play host to the Aussie premieres of the luminous, Berlin-set O Beautiful Night, artificial intelligence doco HI, A.I., feline-friendly documentary The Cat Rescuers, and the Peter Sarsgaard and Rashida Jones-starring The Sound of Silence, about a man who finds harmony in the noise of everyday life. Among the fest's local contingent, audiences can look forward to Lupita Nyong'o fighting zombies in Australian comedy Little Monsters, Indigenous horror anthology Dark Place, Aussie queer drama Sequin in a Blue Room, and a Hugo Weaving double thanks to Hearts and Bones (from Ghosthunter director Ben Lawrence) and Measure for Measure (which transports Shakespeare's play of the same name to a Melbourne block of housing commission units). Meanwhile, fact fans can settle in for eye-opening Scientology chronicle Over the Rainbow, Danish true-crime caper Cold Case Hammarskjöld, and the bee-focused Honeyland — plus two informative and engaging docos about cinema: Memory: The Origins of Alien, about Ridley Scott's sci-fi classic, and Be Natural: The Untold Story of Alice Guy-Blaché, about the medium's first female filmmaking pioneer. BIFF is also going big with its special events slate, as headlined by three world premiere performances — all pairing films with live scores. The aforementioned Over the Rainbow will screen with its original soundtrack performed live by Australian band HTRK, who composed it in the first place, while 1924 Russian science fiction classic Aelita: Queen of Mars will be accompanied by beatboxing from Tom Thumb. Plus, Harry Houdini will work his magic on the big screen at the 100th anniversary session of The Grim Game, with David Bailey playing the wurlitzer organ. With small strands also dedicated to flicks about the undead, new filmmaking directions, the use of sound, the creative process and life on the urban fringes, the lineup just keeps going. All of the above join the previously announced opening night pic Judy & Punch, starring Mia Wasikowska and Damon Herriman; Pedro Almodovar's Cannes Best Actor-winning Pain and Glory, featuring a sublime performance by Antonio Banderas; Jim Jarmusch's zombie comedy The Dead Don't Die, which boasts everyone from Bill Murray to Adam Driver to Iggy Pop among its cast; and seeing Tilda Swinton act opposite her talented daughter Honor Swinton Byrne in The Souvenir — and a retrospective of BIFF 2019 patron Baz Luhrmann's work, as well as a selection of his favourite films.
Adrenaline isn't a standard part of a boozy brunch. No one's pulse is normally racing as they knock back drinks over a mid-morning meal on a leisurely weekend; instead, cruisy vibes are usually on offer. But Vertigo's new Sunday brunch isn't any old brunch, because this Brisbane Powerhouse restaurant isn't any old restaurant — it's located off the side of the New Farm arts venue, 17 metres above the ground. Announced in August 2023, then opening in October the same year, Vertigo is an Australian-first vertical dining experience. A meal here means climbing out to your seat while donning a safety harness, then eating four stories up. Initially, you could only head by for sky-high dinners Thursday–Sunday weekly, but now Vertigo has added champagne brunches on Sunday mornings from 10am to its lineup. On the menu: champagne once you sit down, then fresh fruit and croissants to start. Next, you'll pick between a porchetta and asiago toasted sandwich, spanner crab Spanish omelette, and avocado on sourdough with lime and goat's curd. This brunch features dessert, too, via a death by chocolate flourless torte. You'll also wrap up your time towering over Lamington Street with a coffee. Then comes the second adventurous bit: abseiling off the edge of the building to descent to earth. Once you're back on the ground, you'll sip an Aperol spritz to finish off the experience. The whole thing costs $250, with food provided by fellow Brisbane Powerhouse eatery Bar Alto. Whether you're always on the hunt for new ways to fill your calendar, can't go past a meal with a view, are keen to indulge your adrenaline-junkie side any way that you can or want to see Brisbane from a different perspective, you can tick every box at the riverside venue hanging off Brisbane Powerhouse's industrial facade — satisfying your tastebuds and your stomach while getting your blood pumping. Vertigo's levelled-up meals welcome in tables of two to peer out over Brisbane. There is a big caveat, however, with the restaurant at the mercy of the weather. Something else to note: although you'll get a glass of champers when you sit down, you can't head up if you've been drinking, with everyone breathalysed first and required to return a 0.00-percent blood alcohol reading.
Sure, few of us are able to spend our Christmas day in France — however, we can do the next best thing. Just bring your appetite for tasty cuisine to C'est Bon. Well, that, and a fondness for French tipples. You'll find both at the Woolloongabba restaurant, with the former all included in the $130, six-course lunch menu, and the latter as an additional pay-as-you-go affair. It might sound expensive, but grilled spring lamb tenderloin, twice-cooked free-range turkey galantine with chestnut mousse, and mango and vanilla parfait is certainly worth it. Plus, it'll work out much cheaper than a trip to Paris.
Don't just eat your way through 2025's Lunar New Year celebrations, as the Year of the Snake slithers in. Obviously, do mark the occasion with ample bites, including at Sunnybank Plaza and Sunny Park — but there's more than just meals on offer at the two spots between Tuesday, January 28–Sunday, February 2. The program of events spans tai chi, calligraphy sessions, Chinese silk embroidery demonstrations, making lanterns and a huge balloon maze. The AusOriental Orchestra will be picking up its instruments, and cultural handcrafts and plants will be for sale as well. Lion and dragon dances are a given, naturally. On the culinary side, daily food discovery tours are also on the agenda from Wednesday, which cost $50 to attend — and require bookings. And a week after the main celebrations, on Saturday, February 8, the annual rooftop party is back from 5pm, complete with fireworks.
Artisan's new showcase aims to achieve something that you probably don't think is possible. Yes, it wants to make you look at coarse aggregate bonded together and hardened by cement in a completely different way. Of course we're talking about concrete — and it's not just the substance your daily city playground is built out of. Dating back millions of years, it's also instrumental in human design and creativity. Material: Concrete works through the various ways the material in the spotlight can be used, spanning the artistic and experimental as well as the industrial and everyday. You should have some idea of what'll be on offer, but expect some surprises along the way as well. You can't dive into all things concrete without touching upon architecture; however, concrete art and jewellery isn't something we all come across quite as frequently. Image: Jamie North, Remainder No.5, bronze, maker UAP 2016.
Icons teaming up with icons: when documentary series Pretend It's a City hit Netflix in 2021, that's what it served up. Earning attention: Fran Lebowitz, with Martin Scorsese directing. The focus: the acclaimed writer, humorist and social commentator chatting about her life for the legendary filmmaker, following on from Scorsese's Lebowitz-focused 2010 feature-length doco Public Speaking. Of course, Lebowitz doesn't need to be nattering with Scorsese, or in front of The Wolf of Wall Street and The Irishman helmer's lens, to prove a must-watch figure. Her sharp opinions and deadpan humour have made her famous for more than five decades now, and over a career spanning magazine columns, books, working with Andy Warhol, notable late-night talkshow appearances and public-speaking tours. It's the latter that's bringing her back to Australia in 2024 — getting talking along the east coast. [caption id="attachment_912247" align="alignnone" width="1920"] Harrison Dilts[/caption] "Ever since Pretend It's a City exploded on our screens, we have wanted to bring Fran Lebowitz back to the Sydney Opera House. In this special event, we all get to take on the role of Marty Scorsese and ask her what she thinks about absolutely anything in our puzzling, frustrating, sometimes maddening world," said Sydney Opera House Head of Talks & Ideas Chip Rolley, with Lebowitz's Harbour City stop presented in conjunction with the venue's talk-focused programming strand. "It's then our job to sit back, relax and laugh until we can no longer. Sydney should prepare itself for a banner night out with one of the world's great cultural satirists." [caption id="attachment_912248" align="alignnone" width="1920"] Lia Clay Miller[/caption] Melbourne and Brisbane should also prepare accordingly, with Lebowitz also taking to the stage at Hamer Hall in the Victorian capital and QPAC in the Sunshine State in February. Will she chat about attending the Succession season four premiere party? Her role as a judge in the Law & Order franchise (and The Wolf of Wall Street)? Saturday Night Live's parody of Pretend It's a City? Being a columnist for Warhol's Interview mag? Growing up in New Jersey? New York in the 70s? Topics such as race, gender, media and politics? Anything that vexes her? Everything? At least some will earn an unfiltered mention — including at the audience Q&As. AN EVENING WITH FRAN LEBOWITZ: Tuesday, February 13 — Sydney Opera House, Sydney Thursday, February 15 — QPAC, Brisbane Sunday, February 18 — Hamer Hall, Melbourne An Evening with Fran Lebowitz hits Australia in February 2024. Head to the Sydney Opera House, QPAC and Arts Centre Melbourne websites for tickets — with pre sales from Tuesday, August 8 and general sales from Thursday, August 10 — and further details. Top image: Bill Hayes.
In the era of #cleaneating, how can the less sanctimonious among us get our foodie jollies and an unhealthy serving of trans fats? The answer is deep-fried and covered in sauce: American food, of course. Fare from the US of A has enjoyed a steep increase in popularity among Brisbanites lately, and though it's not helping us keep our waistlines in check, the food on offer is just too good to ignore. Here are five of the best American food joints in town, and the dishes you mustn't miss. 1. Yard Bird Ale House Despite its Fortitude Valley location, this is one Ale House that's easy to miss — and regulars wouldn’t mind keeping it that way. Yard Bird is tucked into the Brunswick Central complex behind Bravo bar, and is regularly packed to the gills with ravenous patrons washing down wings, pizzas and burgers with a pint of Little Creatures or Monteiths cider. Everything on the menu is top notch, but the star has to be the chilli cheese fries. Shoestring fries perfectly deep-fried then heaped with beef chilli, cheese, jalapenos and Yard Bird’s special sauce. How could something that tastes so good possibly be wrong? Whether you're hungover or just really hungry, these fries will hit the spot. They're also available with bean chilli for those of the veggie persuasion. 6/24 Martin Place, Fortitude Valley 2. Tippler's Tap Heading back towards Fortitude Valley, you'll find Tippler's Tap in Newstead. Light on the wallet and heavy on the calories, this is definitely an establishment you should enter hungry. With prices so low it's easy to over-order, so bringing a few hungry friends won’t hurt either. There is an impressive range of craft beers on tap, and the lovely bar staff can point you in the direction of your ideal brew. With a menu including hot dogs, jaffles and onion rings, it's tough to pick a favourite, but the chilli and sliders are probably the ones to beat. 1/22 Masters, St Teneriffe 3. Carolina Kitchen The most unassuming of American food havens, Carolina Kitchen can be found on a quiet corner in suburban Coorparoo. This doesn't deter its loyal customers, though, who come in droves for the delicious hoagies (subs), burgers, wings, fries, and most of all, the ribs! Falling off the bone and smothered in rich and smokey BBQ sauce, these could tempt almost anyone away from their quinoa and kale. Pair these meaty beauties with a classic root beer, and finish your Carolina Kitchen meal off with a slice of pie — some of the varieties regularly available are pumpkin, key lime, pecan and cherry. Yum. 2/38 Macaulay Street, Coorparoo 4. Lefty's Old Time Music Hall Lefty's doesn’t just offer an American food menu; it’s a little slice of Americana in the heart of Caxton Street. Described by co-founder Jason Scott as "themed like Deadwood meets Carnivale in a Louisiana brothel," this new bar and music venue has ambience to burn. The food menu is short and sweet, featuring snacks like popcorn shrimp and onion rings, but if you’re peckish, don’t miss the po’ boys. The blackened catfish po’ boy in particular is a tasty treat — full of smoky Cajun flavour on a crusty bun, and of course, a side of fries. You’ll love the mini Tabasco sauce bottles that come with the meals. 15 Caxton Street, Petrie Terrace 5. Shady Palms The latest venture from Mal and Bec of Lady Marmalade Cafe, Shady Palms has already become Stones Corner’s hottest new Sunday session location. More importantly, it also features an excellent American-inspired menu stretching through breakfast (yay!) into the late evening. A Shady Palms brekky might include a bagel, salted cod croquettes or pork tacos, while the sliders, po’ boys and share plates make great afternoon snacks. For a full-on kilojoule walloping, try the fried chicken with a side of macaroni cheese — it’ll beat your bucket of drumsticks any day of the week. This chilled new venue also hosts live music and cult theatre nights. 427 Logan Road, Greenslopes View all Brisbane Restaurants.
As COVID-19 continues to spread around the globe, travel is in no one's immediate plans — and the airline industry is responding accordingly. In Australia, that means a huge drop in the number of available flights, both overseas and within Australia, with Qantas announcing that it's grounding aircraft and slashing services for the foreseeable future. In a statement, the 100-year-old Aussie airline revealed that it will cut flights from the end of March until the end of May, at least. International flights will be cut by around 90 percent, while domestic flights will fall by approximately 60 percent. Both moves come in response to Australia's current containment and quarantine measures, including the requirement that all international arrivals into the country must self-isolate for 14 days — and, unsurprisingly, the steeply dropping demand for air travel both internationally and domestically. In total, around 150 aircraft will be taken out of service across both the Qantas and Jetstar brands. At present, the company will also stick to its previously announced reductions from late May to mid-September — with capacity cut by 25 percent by using smaller aircraft and reducing the frequency of flights — although that could obviously drop further depending on how the coronavirus situation develops in the next two months. While Qantas hasn't revealed exactly which routes will be affected by the huge 90-percent cut, it's sensible to assume that all of them will. Big changes already announced and operational include postponing the launch of the new Brisbane–Chicago route, sending all Sydney flights to London via Perth rather than Singapore (which, yes, means experiencing that whopping 17-hour non-stop trip from Perth–London), and completely suspending all flights from Sydney–Shanghai and Melbourne–Bangkok. Given the extent of COVID-19's impact, all other airlines are obviously in a comparable situation. While Virgin Australia hasn't updated its plans since March 13, it too has begun reducing services — by six percent overall, including by eight percent internationally. Worldwide, the scenario is the same. Air New Zealand is reducing its capacity by 85 percent overall, and its trips across the Tasman to Australia by 80 percent. Airlines in America, Britain, Europe, Asia and, well, basically everywhere are taking similar measures — as is to be expected as countries everywhere begin to close their borders. For more information about Qantas and Jetstar's reductions, visit the company's website. For further details about Virgin Australia's plans, visit its website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
More, less, something, nothing: whether they're used to describe the difference between the amount of time you need and the time you have, or what you have to do and what you'd like to do, these words get bandied about with frequency these days. Have you ever wondered how they apply to artists? Is less more? When they're trying to reflect nothing, can they truly create something? Aaah, minimalism — that's what we're talking about, and it's not a new thing. Less Than: Art and Reductionism tries to condense five decades of thinking into one exhibition. Yep, QUT Art Museum is keeping on trend. The field of reductionist techniques — think repetition, limited or monochrome colour, geometric abstraction, symbolism and the like — is in the spotlight from March 18 to May 21; however, so is a crucial contrast. "The very nature of art is about creating something new, not reducing to less," points out curator Katherine Dionysius. Image: Peter ATKINS, Hume Highway Project (detail) 2010, Fifth of twelve colour screenprints, QUT Art Collection, Purchased 2010.
The Young Chefs' Dinner at Aria is one of the most exciting and unique events in the Good Food Month lineup and offers some truly collaborative and groundbreaking dishes. Six chosen up-and-coming chefs (from The Long Apron, Gauge, Statler & Waldorf, Gerard’s Bistro, Ricky’s River Bar and Esquire)collaborate to create a cohesive menu (one dish each) and then toss the recipes into the fire so they can never be repeated. OK, so we’re not sure they do that, but the dishes are definitely unique to the event. Tickets are $150 (including matched wine and tea/coffee) and are sure to sell out quickly so jump on it. Image: Gerard's Bistro.
Which movie features multiple terrible sex scenes, a ridiculous plot and way too many spoons? Oh hi The Room. When the enigmatic Tommy Wiseau decided to write, direct, produce, fund and act in his own Hollywood breakthrough flick 14 years ago, he couldn't possibly have predicted the cult fame, plastic cutlery and branded underwear that would follow — although, if you asked him today, he'd probably claim otherwise. After all, he spends one of The Room's DVD extras explaining that yes, you really can play football with your friends while wearing a tuxedo and standing three metres apart. Trust him. If it sounds like Wiseau lives in his own absurd world, he'd likely be happy with that. In fact, he once told his pal and co-star Greg Sestero that he'd like to have his own planet. Based on Sestero's behind-the-scenes book about The Room's mind-boggling production, The Disaster Artist is the movie that brings Wiseau back down to earth. Directed by and starring a pitch-perfect James Franco, with supporting performances from his brother Dave as well as Seth Rogen, Jacki Weaver, Zac Efron and Alison Brie, it's a sidesplittingly funny and thoroughly heart-warming look at the man who unwittingly started a phenomenon. A wild true story about obsessively chasing a dream, finding a friend and yearning to belong, this Ed Wood-style effort will make you want to hurl spoons at the screen with sheer joy. With limp black tresses and a vaguely European (or is it New Orleanian?) accent, Franco plays Wiseau not as a joke, but as an eager, aspiring talent who'll climb the walls if he has to. When we first see him channelling his inner Brando in a San Francisco acting class, that's literally what he does. Self-conscious and wide-eyed, 19-year-old Sestero (Dave Franco) is drawn to Wiseau's confidence — enough to ignore the concerns of his mother and move to Los Angeles with his clearly middle-aged new buddy. But the film industry doesn't exactly welcome them with open arms, so Wiseau takes their fate into his own hands. Voila, The Room is born. Much of The Disaster Artist is concerned with revealing how The Room came to be. The now-iconic lines, the stilted performances, the odd non-sequiturs: they're all there, often recreated with shot-for-shot accuracy that'll tear both fans and newcomers apart with laughter. But Franco and writers Scott Neustadter and Michael H. Weber (500 Days of Summer) are interested in more than just making in-jokes and poking fun at everyone's favourite bad movie. A relatable, genuinely moving and hilarious love letter rather than a lampoon, The Disaster Artist celebrates Wiseau's eccentricity and passion, even when he's sabotaging his own efforts. As such, while there's plenty of comedy, he's never the subject of mockery. When Franco adopts his distinctive mannerisms, it's with sincerity and affection. It helps that, in a different universe, Franco could've very well lived Wiseau's life. Driven by comparable levels of enthusiasm and determination, the Oscar-nominated actor might be one of Hollywood's biggest stars, but he's had more than his share of missteps along the way – including multiple movies that he's directed and starred in that barely saw the light of day. Whether he's yelling Wiseau's unforgettable dialogue or fixing a crooked stare on his co-stars, Franco's turn as Tommy is his best to date, with authenticity as well as earnestness shining through at every moment. His decision to cast his similarly-excellent sibling as Sestero likewise proves a smart one. Together, the Francos evoke an easy familiarity in a movie that is, at its core, about the bonds of brotherhood. With The Disaster Artist, Franco has crafted a riotous film about art imitating life, one that should amuse and inspire regardless of whether you're a fan of The Room or have never heard of Wiseau at all. Not only that, but as award season arrives, it might pull in a few shiny statues too. The older Franco has already won a Gotham Award for his performance, and if he collects a few more trophies, don't be surprised to see Wiseau grace the stage with him insisting he knew it'd turn out this way all along. Whatever happens, The Disaster Artist is one of the year's best movies – and features one of the best on-screen uses of '90s dance track 'Rhythm of the Night' as well. https://www.youtube.com/watch?v=3DT41LF22ZA
Whether it's a television series or a movie, when a beloved pop culture entity comes to an end these days, fans rarely have to say goodbye forever. We live in a time of remakes, reboots, revivals, sequels and prequels, after all — and stage adaptations and film-to-TV leaps, too — so usually we're just pressing pause on our favourites, rather than farewelling them permanently. Given how successful Game of Thrones proved for HBO — even after its eighth and final season caused plenty of uproar — the on-screen world inspired by George RR Martin's books was never going to simply disappear. Indeed, before GoT even finished, there was chatter about what would come next, with the network first announcing that it was considering five different prequel ideas. It then green-lit one to pilot stage, scrapped it and later decided to adapt Martin's House Targaryen-focused Fire & Blood for the small screen as a show called House of the Dragon. Next, it opted to give novella series Tales of Dunk and Egg the TV treatment, too, and to work on an animated GoT show. And, it's been reported that another three prequels are also under consideration. Of course, all of the above announcements have been happening for so long that it's easy to forget that new GoT-related shows will eventually grace the small screen — and that we won't just merely be talking about them. In House of the Dragon's case, it's actually due to release its ten-episode first season in 2022, so you now know what to look forward to watching next year. Expect to spend more time with flame-breathing scaly creatures and the family that adores them. If you thought the Targaryens were chaotic already, delving into their history — and their love of using dragons to wage wars and claim power — is certain to cement that idea. We all know what happened to the last surviving members of the family in GoT, including Daenerys and her boyfriend/nephew Jon Snow; however, House of the Dragon, like Fire & Blood, jumps back 300 years earlier. Cast- and character-wise, House of the Dragon stars Emma D'Arcy (Misbehaviour) as Princess Rhaenyra Targaryen, the first-born child of King Viserys; Matt Smith (His House) as Prince Daemon Targaryen, the King's brother; Rhys Ifans (Official Secrets) as Otto Hightower, the Hand of the King; Olivia Cooke (Pixie) as Alicent Hightower, Otto's daughter; and Steve Toussaint (It's a Sin) as Lord Corlys Velaryon, aka 'The Sea Snake', a nautical adventurer from a Valyrian bloodline as old as House Targaryen. And if you're wondering how they all look, HBO has also just released its first official images from the series. These Westerosi folk will all grace a tale that harks back to Aegon I Targaryen's conquest of the Seven Kingdoms — which is what started the hefty 738-page first volume in Fire & Blood's planned two-book series — and then works through the family's history from there. Aegon I created the Iron Throne, so you'll probably get to see one returning favourite. And you don't have to be the Three-Eyed Raven to know that this tale involves plenty of GoT's staples: fighting, battles for supremacy and bloodshed. Also set to pop up on-camera: Paddy Considine (The Third Day) as King Viserys, Eve Best (Nurse Jackie) as Princess Rhaenys Velaryon and Sonoya Mizuno (Devs) as Mysaria, Prince Daemon's paramour. Behind the scenes, Miguel Sapochnik and Ryan Condal are acting as the series' showrunners. Sapochnik has a hefty GoT history, winning an Emmy and a Directors Guild Award for directing 'Battle of The Bastards', helming season eight's 'The Long Night', and doing the same on four other episodes. As for Condal, he co-created and oversaw recent sci-fi series Colony, and co-wrote the screenplay for the 2018 film Rampage. House of the Dragon is due to start airing on HBO sometime in 2022. When and where it'll be available to watch Down Under hasn't yet been revealed — we'll update you with further details when they're announced. Images: Ollie Upton/HBO.
During Brisbane Festival, South Bank will be filled with people — but not just in the way you'd expect. Plenty of Brissie folks will flock to the riverside space for shows, gigs and more, and they'll be joined by five giant humanoids eager to explore our fantastic planet. Taking inspiration from the 1973 animated flick Fantastic Planet, this larger-than-life light installation takes over the Cultural Forecourt with a 40-foot-tall spectacle of out-of-this-world sights. With the movie set in a world where such gargantuans roam the earth, rendering humanity as we know it savages, consider this bright, bold piece the next best thing to stepping into that realm.
The silly season is for cooking, decorating and creating napkin swans for Aunt Julie, who insists on tradition even though it is 40 degrees outside and everyone is already in a punch coma. Yes, DIY Christmases are where it's at. Join those who actually know what they are doing (and buy some gifts with the same amount of love) at this year's QAGOMA Store Christmas Design Market — which is sprawling over two days in 2022 (because one day just isn't enough). Find jewellery, ceramics, textiles and pre-loved fashions for some of your favourite humans (or perhaps as a self-gift, because you're worth it) among the more stalls. The annual market always compiles a bunch of well-known names in the creative gifts department — and taking the time to peruse the GOMA collection of books and art is always recommended, as is checking out the edible delights to keep you going. The 2022 QAGOMA Store Christmas Design Market runs from 9am–4pm on Saturday, December 2–Sunday, December 4 on the GOMA forecourt. Each day will welcome in more than 50 stalls, so expect to be spoiled for choice. Merry shopping!
