Half the fun in camping is the fact that you're forced to get grubby, as you and your fellow campmates collectively get back to nature and forgo the modern luxury of a shower. This is all well and good for a few days, until everyone gets a little sweaty, a little dirt-caked and probably a little grumpy. You see, the problem with showers is that they're usually set pretty firmly in one place. They need a water source, drainage, electricity — basically, they're the first thing you forgo when you leave the safety of a modern building. But the geniuses at Tokyo-based startup Hotaru are set to change that, with a portable water-recycling shower that can be set up almost anywhere. So how does it work? The shower holds about 19 litres of water, which is then purified and reused for the next person who hops in. Hotaru claims that a family of three could each take a five-minute shower each day for up to two weeks. That's over 40 showers on less than 20 litres of water. While the possibilities for where the shower can go are pretty endless, it does need to be hooked up to a power source — although, according to Hotaru, a car will do the trick. This new sustainable shower was spotted by TechCrunch at SXSW this week, and is expected to go to market sometime next year. It's not only great news for campers, but the technology could really change how we recycle and make the most of our water. Via TechCrunch.
For the third time in a year, across both the men's and the women's AFL competitions, the Brisbane Lions have made it to the grand final. Accordingly, also for the third time in a year, South Bank is dedicating its big screens to showing the Aussie Rules action. Just as it did twice in 2023, the waterside precinct is hosting a live viewing site, this time for the men's decider on Saturday, September 28, 2024. Go maroon, blue and gold: they're the colours that you should be wearing at either the South Bank Cultural Forecourt or while enjoying a splash at Streets Beach when the Brisbane Lions take on the Sydney Swans for the 2024 AFL men's premiership. On the day itself, the free grand final hub will start screening at both locations from 1pm, with kickoff at 2.30pm. South Bank isn't just celebrating the Lions on grand final day, however. The hub action begins on Wednesday, September 25, with AFL-themed activities taking over the Cultural Forecourt for three days before the match. On the agenda: AFL clinics and other all-ages-friendly activities. Fancy seeing if you can hit an inflatable target with a handball? You can try that, too — and there's also face painting for kids, merchandise stalls slinging Lions gear (of course), and signups for both children and adults who are keen to play Aussie Rules footy themselves. When the big dance rolls around on the Saturday, attendees just need to remember that both live viewing sites are alcohol-free — and also that you'll need to check your bags. If you're an AFL fan, there's no better way to spend the last Saturday in September. This is the first time ever that Brisbane and Sydney have faced off in the grand final as Brisbane and Sydney. The last time that the two teams competed against each other for the premiership was back in 1899 as Fitzroy and South Melbourne. In the 2024 AFL season, Brisbane and Sydney played one match, in Brisbane at the Gabba in July, with the Lions winning by two points. The Brisbane Lions 2024 AFL Grand Final hub at South Bank runs from Wednesday, September 25–Saturday, September 26 — head to the Lions website for more information
The macadamia-lined hills of the Noosa Hinterland are home to Fila Casablanca, a luxury farm stay designed for those who want to slow down without compromising on style. You might feel like you're a world away from anything here, but in reality, the six-bedroom estate is just 20 minutes from the buzzy Hastings Street and moments from Eumundi Markets. The design blends heritage Queensland architecture with contemporary, globally influenced elements and a deep connection to place. Set across 38 acres, Fila Casablanca is the vision of celebrated designer Alex Zabotto-Bentley, who worked with the existing Queenslander on the site as a foundation and reimagined it with locally sourced timber, hand-cut stone and mineral paints infused with pigments from the property's macadamia leaves and tree barks, as well as the nearby tropical rainforest. Furniture and textiles sourced from villages in Morocco, India and Indonesia sit comfortably side-by-side with bespoke Australian-made pieces, creating a richly layered interior that still feels grounded in the region's natural rhythms. The main house includes four bedrooms, each with an ensuite and private retreat, while an adjacent two-bedroom cottage offers extra space for groups or multi-family stays. Floor-to-ceiling glazing, vertical timber slats and textural finishes cast soft light and long shadows that transform throughout the day, inviting the outdoors in. Wellness is a key part of the experience, with a private gym, infrared sauna and cold plunge all housed in the property's dedicated wellness hub, The Shed. There's also a treatment room for private facials or massages, but therapists can also come directly to the suites. Fila Casablanca's concierge service can also arrange yoga, pilates and seasonal feasts cooked by private chefs, so guests can shape the stay exactly as they want it — be it an immersive retreat or a slower-paced escape. Top images: Aimee Dodge Photography.
In the first season of The Last of Us, Joel (Pedro Pascal, The Wild Robot) and Ellie (Bella Ramsey, Chicken Run: Dawn of the Nugget) didn't always get along, but their best chance for survival was together. In season two, as the just-dropped full trailer for the HBO hit's long-awaited return shows, that may no longer be the case. Amid warnings about monsters — and scenes showing why those cautions are so important — the most-haunting moment of the new sneak peek arrives with two words: "you swore". Ellie flings that phrase at Joel like she's throwing a weapon — and it cuts deep. Exactly why, and also why the pair are in conflict with each other, will start to be revealed from Monday, April 14, 2025. Yes, the wait for this game-to-TV smash's seven-episode second season is almost over. In Australia, watching The Last of Us season two will also mean signing up for a new streaming service, as it'll stream via HBO's own platform Max, which is launching locally on Monday, March 31. How does humanity endure in the aftermath of the Cordyceps virus, and the global devastation caused by it? What does it mean to persist? Also, who do we become in the process? Audiences will find out again in mid-autumn. The new trailer for The Last of Us isn't the first glimpse at the show's second season — others have come as images, in promos for the network's full upcoming slate and via teaser trailers — but it does firmly set the scene for what's to come. Prepare for a time jump. Prepare for a guitar. Prepare for hordes of infected. Prepare for flames. Prepare for an eerie feeling, too. Also, prepare for sirens, flares and a stern warning: "there are just some things everyone agrees are just wrong", one of the teasers advises. In season two, it's been five years since the events of season one. And while there has been peace, it clearly isn't here to stay. The show's main duo also have company from both familiar faces and a heap of newcomers in its second season. Rutina Wesley (Monster High) and Gabriel Luna (Fubar) return as Maria and Tommy, while Kaitlyn Dever (Apple Cider Vinegar), Isabela Merced (Alien: Romulus), Jeffrey Wright (American Fiction), Young Mazino (Beef), Ariela Barer (How to Blow Up a Pipeline), Tati Gabrielle (Kaleidoscope), Spencer Lord (Family Law), Danny Ramirez (Black Mirror) and Catherine O'Hara (Beetlejuice Beetlejuice) are the season's additions. The Last of Us made the leap from video games to TV in 2023, and was swiftly renewed after proving a massive smash instantly. The series gave HBO its most-watched debut season of a show ever — and its first episode was also the network's second-largest debut of all time. Locking in a second season was also hardly surprising because the 2013 game inspired a 2014 expansion pack and 2020 sequel. For first-timers to the franchise on consoles and as a TV series, The Last of Us kicked off 20 years after modern civilisation as we know it has been toppled by a parasitic fungal infection that turns the afflicted into shuffling hordes. Pascal plays Joel, who gets saddled with smuggling 14-year-old Ellie (his Game of Thrones co-star Ramsey) out of a strict quarantine zone to help possibly save humanity's last remnants. There wouldn't be a game, let alone a television version, if that was an easy task, of course — and if the pair didn't need to weather quite the brutal journey. As a television series, The Last of Us hails from co-creator, executive producer, writer and director Craig Mazin, who already brought a hellscape to HBO (and to everyone's must-watch list) thanks to the haunting and horrifying Chernobyl. He teams up here with Neil Druckmann from Naughty Dog, who also penned and directed The Last of Us games. Check out the full trailer for The Last of Us season two below: The Last of Us season two will arrive on Monday, April 14, 2025 Down Under, streaming via Max in Australia and Neon in New Zealand. Read our review of the first season. Images: Liane Hentscher/HBO.
If you've ever wanted to turn your childhood into a movie, Theater Camp is the latest film that understands. It's also happy to laugh. Unlike Minari, Belfast, The Fabelmans, Aftersun and Past Lives, this isn't a drama, with Molly Gordon, Ben Platt, Noah Galvin and Nick Lieberman making a sidesplittingly funny mockumentary about a place that's near and dear to them. What happens when four friends reflect upon their formative years, when they all fell in love with putting on a show? Theater Camp is the pitch-perfect answer. Looking backwards can be earnest and nostalgic, as Gordon and company know and embrace. Going for Wet Hot American Summer meets Waiting for Guffman and A Mighty Wind, they're just as aware that it can be utterly hilarious. Watching Theater Camp means stepping into Gordon, Platt, Galvin and Lieberman's reality. None are currently camp counsellors, but the realm that they parody genuinely is personal. The film's core quartet initially came into each other's lives via youth theatre. With Gordon and Platt, the picture even boasts the receipts — aka IRL footage of the pair performing as kids — from a time when they were appearing together in Fiddler on the Roof at age four and in How to Succeed in Business at five. This team was first driven to bring their shared experiences to the screen in an improvised 2020 short also called Theater Camp. Now, they flesh out that bite-sized flick to full length as enthusiastically as any wannabe actor has ever monologued. All four co-write, while Booksmart and The Bear star Gordon directs with fellow first-time feature helmer Lieberman. Gordon, Dear Evan Hansen stage and screen lead Platt, plus Galvin — who similarly portrayed that Broadway hit's title role — act as well, playing three of the adults at AdirondACTS. Gordon and Platt cast themselves as Rebecca-Diane and Amos, Theater Camp's co-dependent life-long best friends forever. The film's central vacation spot was the joined-at-the-hip characters' ultimate escape, and still is. That said, their move into teaching at the same venue is a clear sign that their aspirations as performers haven't come to fruition. Every year now, Rebecca-Diane and Amos guide teen campers through all things theatre — and towards putting on the season's big show, an original that the duo also write and direct. But Theater Camp's summer in focus isn't any old summer. Before the thespians of tomorrow arrive, while the financially struggling AdirondACTS is in fundraising mode, founder Joan (Amy Sedaris, Somebody I Used to Know) falls into a coma due to "the first Bye Bye Birdie–related injury in the history of Passaic County". While she's incapacitated, that leaves her finfluencer son Troy (Jimmy Tatro, a YouTuber and now The Afterparty and Strays talent) in charge. Also in upstate New York while the sun shines, the histrionics ramp up and everything becomes a performance: the camp's put-upon backstage go-to Glenn (Galvin, The Good Doctor), who is largely ignored and underappreciated by his peers; costume guru Gigi (Owen Thiele, Hacks) and dance instructor Clive (Nathan Lee Graham, Katy Keene), who couldn't be more passionate about their respective disciplines; and staff newcomer Janet (Ayo Edebiri, Teenage Mutant Ninja Turtles: Mutant Mayhem), who knows less than the students. Representing a neighbouring private-school camp that's been flashing its cash for years trying to buy AdirondACTS' land from Joan, lawyer Caroline (Patti Harrison, She-Hulk: Attorney at Law) struts around in an effort to convince Troy to sell. And there are kids, of course, of varying skills and with an array of theatre-related hopes (Minari's Alan Kim, Young Rock's Bailee Bonick, Chapelwaite's Donovan Colan and The Mighty Ducks: Game Changers' Luke Islam are among them). Gordon, Platt, Galvin and Lieberman focus their script on the production of Joan, Still, Rebecca-Diane and Amos' centrepiece musical for the year and a tribute to their absent mentor — and, as finances keep proving an issue, Troy's cluelessness constantly has an impact and Caroline is adamant about snapping up the facility, on saving the entire site. Chaos ensues, which is predictable in the film's broad strokes but, crucially, never in its minutiae. While foreseeing that arguments, tantrums, rivalries, broken dreams, battling egos, budget woes and behind-the-scenes mishaps will all flow is easy, the particulars, and the whys and hows of what's going on, rarely take the expected route. Indeed, because they've been there, lived that and are now eagerly and warmheartedly satirising it, the Theater Camp crew perfects the art of going specific to get universal. Accordingly, if you were once a budding drama geek as well, prepare to be seen and spoofed but also celebrated. Prepare to be showered in lines, references, costumes, sets and moments that couldn't be more authentic, in fact. If you don't know your Damn Yankees from your Hamilton, though, prepare to plunge into a madcap world that's the epitome of youthful fervour and adult malaise swishing together. Theater Camp mightn't dazzle if it didn't feel so bona fide — and if it didn't so gleefully and visibly love playing around in its very own microcosm, just like children discovering their own place to belong at a theatre camp and actors finding themselves in role after role. Gordon, Platt, Galvin and Lieberman couldn't have better riffed on their favourite time as kids and what might've been if they hadn't found success, or enlisted a more-willing cast. In the crowded mockumentary field, they're also spot-on at cannily deploying the genre's tropes. Watching Theater Camp also means wanting to sit down to see Blackmail and Botox, A Hanukkah Divorce and The Briefcase, The Door & the Salad next. No one can, because they're each purely creations of this very amusing flick; what fun the film's key foursome must've had coming up with those titles alone. Theater Camp is a stage-adoring screen gem that's a lively labour of love and a clear work of fun, too: to lampoon treading the boards, summer camps and the exact place where both meet, and to do so this entertainingly, requires knowing the theatre scene and its training grounds intimately. Wanting to catch The Crucible Jr and even an immersive stage version of Cats (that surely couldn't be worse than 2019's cinema take) — yes, that equally springs from laughing heartily through this ode to performing as a dream, a job, a future, an obsession and a way of life.
Milky Lane might be best-known for its burgers named after Kevin Bacon, Drake and Post Malone, but that isn't the only reason that Australians hit up the chain's eateries. The sides menu is just as indulgent, including mac 'n' cheese croquettes and hot skillets of liquid cheese. So is the dessert range, complete with deep-fried Golden Gaytimes, plus Biscoff and Nutella pancakes. And the drinks? If you like creaming soda spiders but boozy, you'll find them here. Keen to sip Milky Lane's cocktails at home, too? Enter the brand's new range of tinnies. Three varieties are on offer — and yes, the creaming soda spider, a canned take on the cocktail that's made with vodka, watermelon, creaming soda and an ice cream mix in-store, is one of them. You can also get cans of lychee and passionfruit mojito, as well as the Bondi sour. In-stores, the first is a blend of white rum, sauvignon blanc, passionfruit soft drink, lemon, lychee and mint in-store — and the second is made with vodka, Aperol, passionfruit, pineapple, vanilla and egg whites. So, that's the mix of flavours you'll be tasting, but in versions made for tinnies. Your summer picnics, barbecues and beach trips can all now include Milky Lane's sips, with Milky Lane founder Christian Avant advising that the canned range was born of the growing demand "for high-quality, convenient cocktails at home". Available in packs of 16, or as a bundle that includes a pack each of all three varieties, these are limited-edition drinks with just 8000 cases available. There's no word on whether any other Milky Lane boozy concoctions will get the same treatment, but fans of its grape Hubba Bubba spiders, bubblegum sours, pine lime Splice sips, Nerd cocktails and shared sour apple Warhead beverages can cross their fingers. Milky Lane's RTD cocktails are available online via the chain's website.
Mindfulness practice — achieving the mental state of focusing on the present moment — is gaining popularity as people attempt to regulate their stressful lives. People have turned to everything from meditation to colouring books to achieve mindfulness, but perhaps few people would think of doing a triathlon to achieve inner peace. Take three activities that promote mindfulness — specifically running, yoga and meditation — and you've got yourself a 'mindful triathlon'. Wanderlust 108 has been running these triathlon festivals since 2014, and the standard day has a few main components. First, there's the five kilometre run, although the site reassures you that you can walk instead of running — or even "prance, skip, stroll or strut" — as long as you reach the finish line. After that, theres 75 minutes of yoga accompanied by a DJ set, and finally 25 minutes of guided meditation to round out the whole-group activities. Once the structured section of the day has wrapped up, participants can also head to activities such as acroyoga and hooping, or to lunch. It's part exercise, part dance party, part fest — and 100-percent focused on helping attendees feel great inside and out. You can also browse your way around a marketplace, which will help you take your new blissed-out state home with you. Returning to Brisbane on Saturday, October 19, this year's Wanderlust 108 will take place in West End's Orleigh Park. By Siobhan Ryan and Sarah Ward.
Returning for its fourth iteration, The Fork Festival sees top restaurants across the country offering sit-down meals for up to half the usual price. Yep, that's a nice discount off your total food bill, folks — think of it as the proverbial carrot luring you out of the house. Up and running as of Friday, April 22, the offer is a blessing for those feeling a little light-pocketed after Easter — or thanks to the spate of long weekends we're currently enjoying. For Queenslanders, however, you've got just one spot to snag a 30-percent-off meal: TGI Fridays at Robina. So, next time you're down the coast, you just need to make a reservation through The Fork website or app for a lunch sitting from Monday–Friday during the six-week period. On the set menu, which is the only part covered by the deal: burgers, salad, chicken tenders, wraps and a drink — for $17.90 with soft drink and $20 with a beer or wine. And yes, there's ample time to squeeze in a fair few discounted feasts before the festival wraps up on Sunday, May 29. Images: TGIF Robina.
When you live in the River City, knocking back drinks right by the water never gets old — but Eagle Street's Riverland wants to make that experience feel brand new again. Back in 2022, the Australian Venue Co-owned bar announced that it was undergoing a hefty revamp, spending $3.5 million to level-up its drinking and dining spaces and options. Come Monday, May 22, Brisbanites will be able to head in to lap up the results, including while kicking back on a new 800-square-metre deck extension. Riverland's prime river frontage hasn't just scored a larger deck. That hangout space now sprawls across three tiers, and can accommodate 1000 people. Up top, there's the sky deck, which boasts uninterrupted views of the Story Bridge, plus a new container bar. Then there's the promenade deck with direct Eagle Street Pier access, as well as a space with a new live music stage, plus a large screen that'll show sports. Expect a talented lineup to jump behind the microphone or on the decks from Wednesday–Sunday, giving Riverland's latest guise an acoustic and DJ-spun soundtrack. Expect an array of new food options to tuck into, too, with Riverland 2.0 also featuring two new kitchen concepts. Given the name, it's no surprise that Sunshine State produce and dishes shine brightly at The Queenslander. Place your order here and you'll be tucking into pub fare such as chicken wings in a pineapple rum barbecue glaze, mango salad, cured Tin Can Bay cuttlefish paired with a brioche doughnut, Mooloolaba prawn san choy bow, fish and chips using Queensland seafood, and the usual burgers and parmigianas. [caption id="attachment_648037" align="alignnone" width="1920"] Anwyn Howarth[/caption] Over at The Traveller, the culinary range takes its cues from international street food. On a seasonally changing menu, the first stop is Mexican eats; think: fried tortillas with guacamole, roasted tortilla soup, jalapeño poppers, cured red emperor tostadas and a variety of soft-shell tacos — and churros for dessert. Also changing at Riverland, which has been open since 2017 and remained trading through its renovations, is the beverage menu. Your new sips include spicy watermelon margaritas, a signature cocktail alongside the gin, lemon, apple and raspberry number that's called Burst My Bubble. There'll be more spirits-heavy concoctions, plus 16 beers and ciders on tap, and a sizeable wine list. With its makeover, Riverland will now span seven different function spaces — adding plenty of areas for parties to an ever-changing Eagle Street, which has also welcomed seafood restaurant Tillerman and the combination that is Babylon and its outdoor bar Babylon Garden in the past year. Riverland similarly joins the growing list of AVC sites getting a do-over, after The Wickham in Fortitude Valley unveiled its own revamp back in March, and Cleveland Sands Hotel, Salisbury Hotel, Koala Hotel, the Crown Hotel in Lutwyche and Bribie Island Hotel before that. Next, Nundah's The Royal is also getting the same treatment. Find Riverland at 167 Eagle Street, Brisbane, relaunching from Monday, May 22 — operating from 11.30am–12am Sunday–Thursday and 11.30am–3am Friday–Saturday.
One of the reasons that it's so easy to lose yourself at teamLab Borderless, the acclaimed and hugely popular Tokyo digital art gallery that should be at the top of every visitor to Japan's must-visit list, is the way that its stunning sights keep moving around you. No one just looks at art here — they're truly immersed in it. At RISING 2025, expect that same sensation. When Melbourne's annual winter arts festival returns, expect to step into a field of red beams, too. Whether you're a local or hitting up the Victorian capital just for the fest, expect to never see The Capitol the same way again as well. After first announcing that it'd be getting swinging in 2025 — at mini golf, that is, courtesy of an art exhibition that's also a nine-hole mini-golf course that's taking over Flinders Street Station Ballroom — RISING has unveiled its full program. Hailing from teamLab alum Shohei Fujimoto, intangible #form is a massive highlight. The Japanese artist's free installation will take over The Capitol each evening complete with all of that crimson lighting, which'll respond to your movement. Sparking the feeling losing yourself in its beams and hues is 100-percent the piece's aim. With 65 events featuring 327 artists on RISING's 2025 lineup between Wednesday, June 4–Sunday, June 15, intangible #form is just one of the fest's standouts this year. Another comes courtesy of Suki Waterhouse playing her first-ever Aussie shows, which you can only see in Melbourne at the fest. After proving a drawcard in 2024, Yasiin Bey is returning to RISING in 2025, this time joined by Talib Kweli. Still on tunes, Portishead's Beth Gibbons, Aotearoa favourite Marlon Williams, septuagenarian grime stars Peter Bowditch and Basil Bellgrave, Black Star, RONA, Soccer Mommy and Japanese Breakfast are also on the bill — as is the return of eight-hour music fest-meets-block party Day Tripper, with DIIV, Mount Kimbie, Annie and the Caldwells, Bktherula, Paul St Hilaire and Bad Vacation taking to the stage. If you haven't seen Hedwig and the Angry Inch before, this is your chance to redress that gap in your theatregoing, with this new Australian production of the rock musical starring Filipino Australian singer Seann Miley Moore. And if you've ever wondered if you could manage to sit still — completely — for 90 minutes, Woopsyang's "do nothing" challenge is part of RISING, and asking festival attendees to participate. Or, catch the Australian premiere of Olivier-winning hip-hop dance work BLKDOG by Botis Seva — and then grab a seat for The Wrong Gods, a new piece by S Shakthidharan, the playwright behind RISING 2024's Counting and Cracking. Celebrating Divinyls legend Chrissy Amphlett via cabaret, hearing sound artist Sara Retallick dive deep into The City Baths as a composition space, dancing again at the return of SHOUSE's Communitas, spotting Melbourne Art Trams' latest iteration rolling around town, embracing a playful stage musing on heartbreak with the appropriate soundtrack: that's all on offer, too. Also on the agenda: peering at large-scale projections that champion Yorta Yorta ancestral connections as they flicker across Hamer Hall, all thanks to Moorina Bonini; discovering what happens when time and sound bend in the void beneath Federation Square; watching six performers work through 36 Shakespeare plays using household objects; and another date with the Bard, with Hamlet staged by a neurodiverse cast. BLOCKBUSTER, also at Fed Square, looks set to live up to its name, giving RISING a free ode to South Asian culture. Think: street food, Pakistani R&B, Punjabi rap, art trucks, workshops and more. To similarly feel spoiled for choice while hitting up just one part of the festival's program, head to Night Trade, which is again part of the program, bringing street, karaoke and microbars to a late-night art market between Capitol Arcade and Howey Place. The list goes on — including Soda Jerk switching from bringing TERROR NULLIUS and Hello Dankness to the big screen to designing a mini-golf hole for the aforementioned Swingers: The Art of Mini Golf. [caption id="attachment_994700" align="alignnone" width="1920"] Woopsyang[/caption] Top images: Mandy Wu, Mathieu Bitton, Eugene Hyland, Katsuyuki Seki, Steven Marr, Ryan Cara, Netti Habel and Remi Chauvin.
A new community case of COVID-19 has been identified in Brisbane, with the Queensland Government announcing a list of venues that residents need to note. Today, Friday, March 26, Queensland Premier Annastacia Palaszczuk revealed that a 26-year-old man from Stafford has tested positive to the coronavirus — and that he has been out in the community while infectious since last Friday, March 19. If you visited Mamma's Italian Restaurant in Redcliffe between 12.30–3.10pm on Sunday, March 21, you need to quarantine immediately for 14 days and contact Queensland Health for further details. And, even if you get a test for COVID-19 and receive a negative result, you'll still need to remain in isolation for the fortnight. Next on the list are some big sites — and, if you attended any of them on the dates and around the times outlined, you should get a test for COVID-19 immediately and quarantine until you receive a negative result. This applies regardless of whether you have any coronavirus symptoms or not at present. So, that's the requirement if you were at Carindale Shopping Centre between 12–2.16pm on Saturday, March 20, Market Organics in Newmarket from 2.45–3pm the same day and Baskin Robbins in Everton Park between 9.20–9.25pm that same night. It also applies to visits to Genki Mart, Alderley from 10.30–10.46am on Sunday, March 21, Guzman y Gomez's Stafford drive-thru from 12.20–12.25pm on Monday, March 22, Bunnings in Stafford from 12.40–12.50pm the same day, Aldi Stafford from 8.30–8.45am on Thursday, March 25 and Nundah Respiratory Clinic from 11.15–11.40am also on Thursday. Also, Gasworks Plaza in Newstead and KFC Everton Park have been named as low-risk sites. If you were at the former from 9.50–10.20am on Sunday, March 21 and the latter's drive-thru from 7.55–8pm on Monday, March 22, you need to monitor for symptoms, get tested if any arise and then isolate until you get a negative result. https://twitter.com/AnnastaciaMP/status/1375247837676462080 In response to the current case, Queensland is changing some of its restrictions. All hospitals, aged care and disability services in the Brisbane City Council area and Moreton are now closed to visitors for the time being. Also, Brisbanites are being requested to wear masks in crowded areas, such as events and on public transport. Premier Palaszczuk said that the government will be keeping the public updated over weekend, but no other restrictions are changing for now — even though authorities are yet to ascertain how the current patient acquired COVID-19. "We did just have an outbreak over the last couple of weeks in South Brisbane, so there is a chance it is linked to that one. We won't know until we get the gene sequencing result," said Queensland Chief Health Officer Dr Jeannette Young. The usual advice applies throughout the Brisbane area — including maintaining a 1.5-metre distance from other people, washing your hands thoroughly, and the standard social distancing and hygiene tactics that have been in place for the past year. If anyone in Brisbane has even the slightest possible COVID-19 symptoms, they're asked to get tested as soon as possible. "Anyone who lives in Brisbane who becomes unwell in the next 14 days, if you are going out and about your normal business, you might be visiting in other parts of the state, it is important that you come forward wherever you are in Queensland and get yourself tested," said the Premier. Queensland currently has 69 active cases of COVID-19, including the one community case, from a pandemic-wide total of 1437 to-date. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website.
Here at Concrete Playground we know what it can be like trying to organise dinner with a group of friends. Everyone has an opinion, some are poor, some are rich, some have allergies and some are just fussy. When you’re trying to please everyone, often your best option is to go for the easiest and most fail-safe option: a reliably tasty, affordably priced BYO restaurant. To make your next dinner outing with friends a breeze, Concrete Playground offers you five of our favourite cheap and cheerful BYOs. All of these restaurants are very popular so we recommend booking ahead. Trang Vietnamese Down the city end of Hardgrave Road, Trang will often be found jam-packed, with a line-up of people waiting to get in. Another indicator of Trang’s authentic and tasty food is the amount of Vietnamese people eating there – usually a pretty good indicator that the cuisine is legit. Family-owned and run, you will always see the same familiar faces greeting you at the door. Accustomed to their popularity, the lines don’t last too long and the friendly wait staff manage to shuffle you through without too long a wait – and you can prevent this by booking ahead. With a Vietnamese-Chinese menu you and your friends will have the option of fresh and healthy Vietnamese dishes, or some of the more sinful Chinese dishes like deep-fried duck with plum sauce. A Concrete Playground favourite are the rice paper wraps with grilled pork balls (roll your own). They have all of the sauces you will need right on your table so you can add all of the kecap manis and chilli sauce that you need. If you are fighting a winter cold we recommend the clear noodle soup with fried chicken. 2/59 Hardgrave Road, West End; 07 3255 1610 Lefka’s Taverna Up the other end of Hardgrave Road we have Lefka’s. Greeted by your smiling host you have the option to sit in or outdoors. With an extensive menu of Greek favourites like spanakopita, moussaka and souvlaki, there are plenty of options. If you want a bit of everything we highly recommend the share platters. Start off with a meze plate, which has a variety of octopus, olives, fetta and tzatiki and taramosalata to dip your fresh and warm pita into. For mains, the combination platter for two (which can probably be shared by about four…girls, that is) gives you a selection of meat and seafood all full of those delicious Greek garlic and lemon flavours. A final recommendation is the Paithakia (lamb cutlets with lemon potatoes and Greek salad). The lamb is off the chain. We promise, everyone will be happy. 170 Hardgrave Road, West End; 07 3844 1163; www.lefkas.com.au Super Bowl Located in Fortitude Valley, Super Bowl is about as cheerful as it gets. The restaurant is always packed, often with people celebrating birthdays (or fake birthdays). With delicious meals and owner Jimmy’s tendency to turn a blind eye to rowdy behaviour, Super Bowl is the perfect place to begin a boozy night out. Super Bowl’s signature, other than delicious salt and pepper quail and a mean pork belly, is their enthusiastic birthday celebrations. For each guest celebrating another year of life, they will turn the lights down and play a happy birthday song ‘to my dear friend’ while waiters bring out a sparkler adorned bowl of deep-fried ice cream and sing to the lucky guy or gal. The whole restaurant tends to join in and clap and sing along and it is generally a very happy communal experience. 185 Wickham Street, Fortitude Valley; 07 3257 2188 The Vietnamese One difficult thing about going out to dinner with a group of friends is trying to decide what to order, whether it’s ‘every man for themselves’ or a shared situation. The Vietnamese is the perfect place for a laidback group who are happy to have only one choice – which banquet to choose. Their banquet options are very reasonably priced and offer a wide selection off the menu, of fresh and hot dishes. The Vietnamese also has amusing waitstaff equipped with classic responses like ‘everything here is special’ with a wink, when asked what the special is. With a large upstairs room you can fit in a large group of friends and will have a bit of privacy to celebrate a special occasion with speeches… or to protect other diners from socially unacceptable behaviour. 194 Wickham Street, Fortitude Valley; 07 3252 4112 Sings Asian Kitchen Located in Rosalie on the west side (or Coorparoo on the east side), Sings is your suburban BYO option. Perhaps more suitable for a quiet night, the food at Sings is exceptional. They offer an Asian-fusion menu with Thai, Chinese and Vietnamese influenced dishes. Made with very fresh ingredients, the meals at Sings rarely disappoint. Whether you are after something warm and hearty like a red duck curry, something fishy like saw leave coconut fish or something fresh like the sugar cane prawn salad, Sings nails it all. 5 Nash Street, Rosalie Village; 07 3511 6511; www.singsasiankitchen.com.au View all Brisbane Restaurants.
You can never have too many occasions to eat cheese, but this returning Australian cheese festival isn't just keen to shower cheese fiends with creamy goodness. A collaboration between Bruny Island Cheese Co cheesemaker Nick Haddow and the organisers of Pinot Palooza, Mould wants dairy lovers to explore and devour the mild, hard and soft bites that Australia's best cheese wizards have to offer. Returning for a fourth time in 2022 — after a chaotic couple of years, as all fests have endured — the cheesy event will paint Brisbane, Melbourne and Sydney yellow for a couple of days in each city this winter. And there won't just be a few cheeses on the menu. More than 75 artisan cheeses from around the country will be ready and waiting for you to devour, spanning dairy from 27-plus producers. That lineup includes Bruny Island Cheese Co, naturally, plus Grandvewe, Milawa Cheese, Yarra Valley Dairy and Stone & Crow. There'll also be wares from Section 28, Red Cow Organics, Nimbin Valley Cheese, and newcomers such as Dreaming Goat, Long Paddock Cheese and Second Mouse Cheese. The 2022 events will span multiple days in each stop — running over three days in Brisbane and Melbourne, and two days in Sydney. For the first time ever, Mould is also headed to Hobart in October, if you feel like a cheese-eating trip to the Apple Isle this spring (with exact festival dates still to be announced). Alongside unlimited tastings of Australia's best cheeses, Mould will also feature flavoursome fare from cheese specialists that've been created just for the fest, too. Think of it as a cheese tasting trip around Australia without leaving the city. Of course, snacking on samples and purchasing slices and slabs to take home with you are just two ways to enjoy cheese. The fest will have cooking demonstrations, masterclasses and talks so you can stretch your cheese knowledge as well as your cheese stomach. And it wouldn't be a cheese festival without beverages to wash it all down with, so expect a bar serving Aussie wines, whisky, vodka, gin, beer, cider, cocktails and sake — all of which match nicely to a bit of cheese. Unsurprisingly, Mould is rather popular. Last year, attendees tucked into a one million samples across the fest's three cities, and also took home over 3.5 tonnes of Aussie dairy products. So, if this the kind of event that your cheese dreams are made of, you'll want to nab a $45 ticket ASAP. MOULD — A CHEESE FESTIVAL 2022 DATES: July 1–3 — John Reed Pavilion, Brisbane Showgrounds, 600 Gregory Terrace, Bowen Hills July 22–24 — The Timber Yard, 351 Plummer Street, Port Melbourne August 12–12 — Carriageworks, 245 Wilson Street, Eveleigh October TBC — Hobart TBC Mould — A Cheese Festival tours Australia from July. For more information or to buy tickets, head to the event's website.
Brisbane's culinary scene is no stranger to big openings, but it's likely that only Settimo, the new restaurant that's set to settle into The Westin Brisbane, has been likened to Italian film icon Sophia Loren. The person making the comparison: Melbourne's superstar chef Guy Grossi, who is behind the soon-to-open eatery, and calls it "really light, fun and breezy" — but also vibrant and sophisticated. Grossi's first venture into Brisbane — and his second beyond his hometown, alongside Perth's Garum — Settimo is slated to open its doors in either spring or summer 2022. Given that it takes inspiration from the Amalfi Coast, that's fitting timing. Indeed, pairing coastal Italian dishes with Brissie's sunny, summery weather is a big motivation behind the restaurant. Another aim: whisking tastebuds away to Positano, courtesy of a menu that heroes the best of the Amalfi Coast. Exactly which dishes will be on offer hasn't yet been revealed, but they'll focus on seasonal produce from international and local producers, as paired with a considerable wine list. Settimo will join Grossi's stable of restaurants alongside Melbourne's Grossi Florentino, Ombra and Arlechin, and also the aforementioned Garum in Western Australia — which is located inside The Westin Perth. "I am truly delighted to be bringing a new Grossi restaurant what is already such an exciting market for hospitality in Brisbane, working with The Westin Brisbane to bring to life a playful, Amalfi-inspired restaurant, in the heart of the city," commented the chef, author and TV personality in a statement announcing Settimo. "We're thrilled to continue building on the wonderful partnership between The Westin and Guy Grossi. Garum at The Westin Perth has showcased incredible success and we're looking forward to bringing this collaboration to Brisbane's burgeoning world-class dining scene." said Brad Mercer, The Westin Brisbane's General Manager. The eatery is now recruiting — and if you're keen for a look at what's in store, check out the video featuring Grossi below: Settimo will open sometime in spring/summer 2022 in The Westin Brisbane, 111 Mary Street, Brisbane — we'll update you with an exact opening date when one is announced.
Meet Australian cinema's new heroine. Myrtle 'Tilly' Dunnage (Kate Winslet) wouldn't consider herself a star at anything other than making stunning dresses, nor does she try to conquer anything but her own doubts and cruel small-town gossip. However, she's the guiding force in a film that warmly embraces local flavour, deftly navigates everything from drama to mystery to comedy, and serves up an offbeat, engaging time at the movies. Tilly is the titular figure in The Dressmaker, which charts her homecoming to outback Australia after being driven away as a child. Scandal surrounds her return, linked to the death of a boy years ago. She can't remember all the details, yet is determined to do whatever it takes to put together the pieces. Her mother, 'Mad' Molly (Judy Davis), isn't much help, and most of the townsfolk barely offer a hello. Only the handsome, lovelorn Teddy McSwiney (Liam Hemsworth) and the secretly fashion-conscious Sergeant Farrat (Hugo Weaving) give Tilly a warm welcome, until the rest of her neighbours get wind of her winning ways with a sewing machine, that is. Soon, she's transforming the drab populace of housewives and shopkeepers' daughters with Parisian designs — but, as often proves the case in such insular, one-street communities, their newfound politeness can't always be trusted. If Tilly's scenario sounds like a bit of a mixed bag of figures and genres, that's because it is. The motley crew of characters she's surrounded by includes a stern schoolteacher (Kerry Fox), mean pharmacist (Barry Otto) and more, as played by a who's who of Australian actors (Sarah Snook, Gyton Grantley, Rebecca Gibney, Shane Jacobson, Alison Whyte, Shane Bourne and Sacha Horler among them). Her story flits between romance and revenge, laughs and long-held secrets, and standoffs and tears. Happy moments are followed by sad, with the film's tone veering in several directions. Thankfully, though, none of this mishmash of elements can be seen as a bad thing. Even when it threatens not to work, it still does — and in quite striking fashion. Skipping between seemingly mismatched parts is what The Dressmaker does best; this is a movie that introduces its lead with the words "I’m back, you bastards," then later has her stop a footy match by showing up in a jaw-dropping outfit, after all. There's always a bit of quirkiness, though not too much, to balance out the darker narrative threads, or some stunning sartorial sights to brighten up the frame, or a sympathetic exchange between Tilly, Teddy and/or Molly to temper the broader strokes of comedy. Accordingly, it's a fine return to film for writer/director Jocelyn Moorhouse — making her first feature since 1997’s A Thousand Acres — who brings Rosalie Ham’s 2000 novel of the same name to the screen with verve and then some. It's also a fine return to Australian shores for Winslet, who starred in the locally made Holy Smoke back in 1999, and hasn't lost her gift for our accent. That's not Winslet's only strength, nor the handsomely shot, 1951-set film's either. She perfects the mix of determined and vulnerable that Tilly radiates— though Davis, Weaving and Hemsworth do their parts, stealing scenes with one-liners, making a supporting player more than comic relief, and oozing allure and emotion respectively. Together, they make for a multifaceted bunch, as does The Dressmaker as a whole. And if the film encourages Australian audiences to see homegrown fare in a cinema — as it should — then it's a champion in its own right, alongside its shining protagonist.
Take a trip to A Midnight Visit and you're guaranteed an eerie night out. Imagine a fully immersive theatre experience with a choose-your-own-adventure twist — and lots of macabre nods to Edgar Allan Poe — and you'll have some idea of what to expect. It's been delivering exactly that to Brisbanites since July, all in a disused Fortitude Valley warehouse; however, it has something a little special up its sleeves for Halloween. Between Friday, October 29–Sunday, October 31, the captivating part performance, part playground and part film set experience is hosting a Halloween Festival. There'll be more characters prowling its halls, and more circus, dance and music, too. Halloween-themed cocktails, DJs and live tunes at the onsite Raven's Rest bar, and even fortune-telling and magic are also on the agenda. Obviously, this is the perfect time to plunge into A Midnight Visit's unsettling 36-room setup, and to soak in the show's intricate design, epic scale and explosive energy. It's all brought to life by a team of 100-plus creatives, including actors, circus performers, musicians, dancers and burlesque artists, plus a crew of innovative sound, film-set and costume designers. Expect an air of David Lynch, some Stanley Kubrick vibes and even a hint of Stranger Things, with a spot of steampunk thrown in for good measure. It's the largest immersive theatre piece to be staged in Australia so you can expect the experience to be a wild ride. And yes, because it's Halloween, donning costume is recommended — complete with prizes for the best-dressed patrons. Images: A Midnight Visit by Anna Kucera and Tim Da-Rin.
ARIA has revealed the full list of nominees for its 39th annual ceremony, returning to Sydney's Hordern Pavilion on Wednesday, November 19. In partnership with Spotify, this year's awards will celebrate artists who are redefining the sound and scope of Australian music — from club floors to global charts. Ninajirachi leads the pack with a record-breaking eight nominations, the most ever for a female electronic artist in ARIA history. Her debut album I Love My Computer has cemented her place at the forefront of a new wave of Australian producers pushing pop and club sounds forward. Close behind is Dom Dolla with seven nods, recognised for his chart-topping track 'Dreamin''. Other major contenders include Amyl and The Sniffers and Thelma Plum, each earning six nominations, while Hilltop Hoods and RÜFÜS DU SOL scored five and four, respectively. The 2025 ARIAs will also debut a new category: Best Music Festival. Nominees include Ability Fest, Beyond the Valley, Bluesfest Byron Bay, Laneway Festival and Yours and Owls — a nod to Australia's thriving live scene. Meanwhile, rock legends You Am I will be inducted into the ARIA Hall of Fame. "This year's nominees are living proof that Australian artists are shaping the global cultural narrative in real time," said ARIA CEO Annabelle Herd. "There's no longer a singular image of what success looks like for an artist — and the stories celebrated in November are absolute proof of that." For the first time, fans can vote for public categories directly through Spotify, with voting open until November 10. The 2025 ARIA Awards will take place at Sydney's Hordern Pavilion on Wednesday, November 19. For the full list of nominees, visit the ARIA Awards website. Images: Supplied
Now is the time to start planning your big adventures for 2020. After all, you have early bird flight specials to nab, spare hours to spend browsing and plenty of time to give your boss leave notice — before everyone else does. To save you time, we've scoured the globe to find the best destinations of 2020. There's something for every adventurer on this list — whether you're looking to visit the most sustainable destination in the world or keen to try out a brand new, multi-country hiking trail. KOCHI, INDIA Kochi's claim to fame is its massive, beautiful estuary — perched on India's southwest coast on the Arabian Sea. Traders, fishers, sailors and merchants have been travelling here for more than 600 years. And, more recently, it's become a mecca for artists. Spend your holiday wandering among 16th-century Portuguese architecture, bohemian cafes and thousand-year-old mosques, including the oldest one in India. In 2020, the Kochi-Muziris Biennale will fill the city with art, including the likes of site-specific installations in heritage buildings, live performance in disused spaces and exhibitions in traditional galleries. For an extra local experience, consider booking a homestay. ARMENIA Keen hiker? Make Armenia your 2020 destination. The new Transcaucasian Trail, which travels through some of the most remote countryside in Armenia and Georgia, gives you 3000 kilometres to conquer. One of the best sections is the 80-kilometre walk through Dilijan National Park, a five-day adventure among tenth-century monasteries, magical villages and enchanting forests. There's also Lake Sevan, which, at 1900 metres above sea level, is one of the largest freshwater high-altitude lakes in the world. You can camp in the wild or book into local guesthouses. If you're looking for some company, book a spot on a guided group treks, run by the creators of the Transcaucasian Trail. ETHIOPIA In 2018, tourism in Ethiopia went through the roof, increasing by 48.6 percent in just 12 months. If you have your heart set on visiting, it could be a good idea to go soon — before it gets even busier. You'll most likely begin your journey in Addis Ababa, the capital, where you'll meet Lucy, a 3.2 million-year-old skeleton of a human ancestor, in the National Museum. Other sights to add to your itinerary include the castles of Gondar, the World Heritage-listed ruins of ancient Aksum, the medieval stone churches of Lalibela and the Menz-Guassa Conservation Area, a community-managed wilderness that's home to Ethiopian wolves, geladas (baboons) and bearded vultures. TOKYO, JAPAN If Tokyo is on your bucket list, this could be the year to tick it off. The city's gearing up to host the 2020 Summer Olympics and Paralympics — from July 24–August 9 and August 25–September 9, respectively — so it's be even more dazzling than usual. Get started with the newest developments, including Maxell Aqua Park Shinagawa, where the underwater world meets immersive digital art; Shibuya Scramble Square, a 230-metre tower with views all the way to Mount Fuji; and the Kengo Kuma-designed Meiji Jingu Museum, where history blends with nature. You'll need to relax in between sights, so be sure to take five in an ashiyu (footbath) cafe, dine in a Buddhist temple and sample some quality drops in Tokyo's many wineries. Travelling on a budget? Check out our shoestring guide to Tokyo over here. GOTHENBURG, SWEDEN For followers of 16-year-old climate change activist Greta Thunberg, Gothenburg should be on the bucket list. Located on Sweden's west coast, half way between Oslo, Norway, and Copenhagen, Denmark, it's the most sustainable destination in the world, according to the Global Destination Sustainability Index. Among its eco-friendly delights are a public sauna made out of 12,000 recycled bottles, a theme park powered entirely by wind, ethical cafes galore, 274 square metres of green space per resident and a 1200-room hotel with more than 150,000 bees living on its rooftop. GALWAY, IRELAND Galway is always one big music festival — 24 hours a day, 365 days a year. And, this year, things will go next level, as the city embraces its status as a 2020 European Capital of Culture. The action will begin on Saturday, February 8, with an epic opening party in Galway Square, which will unleash a four-part year-long programme, inspired by the seasons. Prepare for touring theatre, lively concerts in the city's surrounding villages, audio installations, poetry readings on beaches, floating light shows and loads more. Check out the full programme over here. PAPUA NEW GUINEA If you're not into crowds, Papua New Guinea might the place to go. Its tourism density is just 2.75 percent, according to Intrepid Travel's 2019 Tourism Density Index. This means that, for every 100 residents, just three tourists visit per year. And yet PNG is just four hours' flight from Sydney. Begin with a deep dive into culture and history at the National Museum and Art Gallery in Port Moresby, before checking out the white-sanded beaches of Yuo Island, the cassowaries and endangered Matschie's tree kangaroos in Lae's Rainforest Habitat and the brightly coloured haus tambarans of Maprik. Getting around Papua New Guinea isn't always easy or safe, so be sure to plan before you go. NEW YORK STATE New York City is worth a visit anytime. But there's a compelling new reason to explore the rest of New York State: The Empire State Trail. Due to be finished by the end of 2020, this mammoth achievement is a 750-mile (1200-kilometre) path that travels from Manhattan to Lake Champlain on the Canadian border, as well as from Buffalo, the second biggest city in New York State, to Albany. You'll be able to walk or cycle every section — and link to several famous trails and areas along the way, like the Appalachian Trail, Catskill Park and the Great Lakes Seaway Trail. AMAZON RAINFOREST During the past decade, a whopping 62,000 square kilometres of the Amazon Rainforest has been deforested — mainly due to beef farming, logging and palm oil production. That's equal to 8.4 million soccer fields. The good news is that, according to the World Wildlife Fund, one way to help the Amazon is ecotourism, which provides income to local communities, while sustaining the environment. Consider a stay on the floating Amazon Eco Lodge, a trip with a responsible operator like Gondwana Ecotours or supporting the work of the Amazon Conservation Association. RWANDA Rwanda's Akagera National Park is a environmental success story. Nearly destroyed by war and hunters, it's now a thriving wilderness, where lions, warthogs, impala, hipos and zebra roam — thanks to a decade-long conservation program. It's reason enough to visit Rwanda in 2020, but, while you're there, you should also check out the mountain gorillas of Volcanoes National Park and the pretty beaches of Lake Kivu. For a spot of city life, head to Huye, where you'll find the rich collections of the Ethnographic Museum, the National University of Rwanda and, most importantly on steaming hot days, Inzozi Nziza ice cream shop, run by an all-female collective.
Usually, Vegemite gets spread across bread. It's simple, it's easy and, if you like the yeasty Australian staple, it's a classic. But that's just one way to enjoy the famed product, which has found its way into chocolate, milk shakes, icy poles, ice creams, burgers, popcorn and booze, too — and now, to the top of a pizza as well. In the type of new menu item that'll either have you ordering right now or rethinking ever eating a slice again, Vegemite and cheese pizza is a real thing that now exists at Domino's. It's a limited-edition addition to the chain's menu, however, so if you're currently somehow salivating at the thought of this new food mashup, you've got three weeks to get a taste — starting Monday, October 11. Yes, a Vegemite and cheese pizza is as straightforward as it sounds, with Domino's slathering the yeasty spread across a pizza base, then adding mozzarella. Yes, your tastebuds and stomach are definitely allowed to feel confused about the whole idea. Wondering why such a Frankenstein's monster of a pizza has come to fruition? Domino's asked its social media followers if they'd sink their teeth into this exact creation, and they responded with an overwhelming yes. If the new Vegemite and cheese pizzas prove so popular that they sell out quickly, they won't actually be on the menu for the full three weeks — if you need an extra incentive to give one a try. Price-wise, they start from $7.95 for pick up, and are available at all Aussie stores. Vegemite and cheese pizzas are available at Domino's from Monday, October 11–Sunday, October 31 — unless sold out earlier.
After a near-sold out first spin around the Brisbane river in 2017, Sydney's permanent floating venue, Seadeck, is once again heading north. From May 12 until mid October, the glamorous vessel will be cruising through Brissie waters for another season of luxe parties and hangouts. Missed Seadeck last time? It's been up and running in Sydney Harbour since October 2016 — after almost two years, 10,000 nautical miles, a run in with Egyptian pirates and a stint in liquor licence limbo. The boat's first venture up Australia's east coast resulted in an 11-week Brisbane stint, and it clearly just can't keep away. The vessel spans 42 metres, can accommodate 410 passengers and is the epitome of handcrafted luxury — from the handmade tiles and custom-designed brass bar to the bespoke furniture from every corner of the glove, everything you see was tailored for floating. Even the palm trees, standing four metres tall, took a dozen specialists to make to the right specifications. Each of the three decks is connected by sweeping staircases and cast iron lace railings, an homage to Hollywood's golden age of the '20s, '30s and '40s. Yes, the word 'swank' should come to mind. In 2016, we sat down with the team behind this massive venture — that's managing partner Scott Robertson (Future Music Festival, DIVISION Agency), executive chef Drew Bolton (Vine Double Bay) and design director Alex Zabotto-Bentley (AZBcreative). "It isn't a nightclub, it's all about impeccable service, beautiful food and nice drinks," says Robertson. Bolton is happy to help with that, bringing the Vine ethos to Seadeck. "At Vine, we reinvent modern European flavours with great respect for regional produce," says Bolton. "At Seadeck, our food will also be very produce drive but more casual and playful," he adds. Seadeck focuses on bar friendly snacks, like fresh ceviche, oysters and lobster rolls, but patrons should still expect the refined food experience that Vine exudes. Design-wise, this lap of luxury is the handiwork of Zabotto-Bentley, who radiates passion about the vessel. "Imagine it's the 1930s and you're cruising the Nile or the Dalmatia Coast," he says. "The people on board were seen to be on a floating oasis in the middle of the sea, and that's what we want to recreate here." Seadeck's second Brisbane visit will start on Saturday, May 12 with an afternoon cruise at 1.45pm. Tickets, available from the Seadeck website, start from $25 general admission on Friday nights and Sunday afternoons, and $40 general admission on Saturdays. If you're feeling the need to blow some serious dosh, VIP packages and hosted bottle service is also available. By Marissa Ciampi, Lauren Vadnjal and Sarah Ward.
Pencil in this one for a future getaway: a sprawling 100-acre spot in the Yarra Valley that's home to a 300-bed hotel, an outdoor concert venue, three restaurants, lakes and gardens to roam around, and an arts and craft village. Come 2024, that's set to become a new place to add to your holiday itineraries, all on the Maroondah Highway just over an hour's drive from Melbourne. Here, you'll be able to see a gig, then not only bunker down for the night but truly make a weekend of it. It's envisaged that the new site will play host to big names, spanning both local and international acts — and also showcase local growers, artisans, winemakers, distillers and brewers. Specifics such as who'll run the hotel and what the restaurants will offer haven't yet been revealed, however, and development plans are still to be lodged. That said, helping boost the state's tourism and live entertainment industries after the past couple of tough years is one of the project's big aims. The just-announced $200-million precinct springs from Cedar Mill Group, which is owned by Newcastle-based property development firm Winarch Capital, and has just snapped up the land to bring this plan to fruition. It's the company's third such development in the works, and the first in Victoria — following Cedar Mill Lake Macquarie, which is revamping a golf course and adding a 30,000-person concert venue, cafes, restaurants, accommodation and a huge aquatic park; and Cedar Mill Hunter Valley, a 40-hectare spot in in Pokolbin that's set to open in late 2023 with a 22,000-person amphitheatre, a 100-room hotel and a wine museum. Cedar Mill Group is also still looking for other sites around Australia — so that list might grow in the near future. And, yes, adding new spots for Aussies holidays to your getaway bucket list is becoming easy of late. There's also the in-the-works new hotel in the Barossa, smack bang in the middle of a vineyard; the about-to-open QT Newcastle, which includes a rooftop bar and a suite in a clock tower; and Sydney's Porter House Hotel, which'll launch in July with a five-story restaurant and bar hub next door. And, there's the just-opened first Down Under outpost for Ace Hotels, the soon-to-open The Langham on the Gold Coast, design-driven Marriott chain AC Hotels' first Aussie site and the 2025 local debut of The Waldorf Astoria, too. The Cedar Mill Group's Yarra Valley site is expected to open in 2024. For more information about its plans, head to the company's website.
Australia's Wine List of the Year Awards has celebrated its 32nd anniversary in a prestigious award ceremony at NSW Parliament House, where 300 of the industry's top players came together to see who would take out top spot this year. It will come as no surprise to any lucky wine lovers who have visited Melbourne newcomer Circl to learn that the wine house on Punch Lane took out the prized trophy for Australia's Best Wine List for 2025. The venue, which has fostered a new culture of accessibility and inclusivity when it comes to trying rare wines, offers more than 150 drops by the glass and approximately 1,500 wines by the bottle. And while there were a few other notable winners this year, Circl dominated the awards across multiple categories for good reason. They picked up the awards for Best List of Wines by the Glass, Best Champagne List, Best Sparkling Wine List, Best Wine List Victoria, Best Wine List — City, and Best Listing of Victorian Wines. We can only imagine what exquisite champagne Xavier Vigier, Circl's sommelier, chose to pop to celebrate such an impressive collection of awards. And Vigier himself also took out top prize, winning the Sommelier's Choice Award, which is voted upon by Australian sommeliers, as well as the coveted Judy Hirst Award, which recognises the sommelier responsible for curating the winning list. Senior Judge Andrew Graham praised Circl's wine list for its accessibility and its expansiveness. Graham says, "So often, the great wines of the world seem almost mythical. They're things that drinkers dream about, but so rarely get to experience. Yet the astonishing list from Circl resets what is accessible. Led by a truly sublime offering of wines by the glass, which is gleefully heavy with famous 'unicorns', there is eye-watering depth throughout this list. You can start with the wonderfully well contextualised champagne offering, take a flight of rare rosé and end up with a dive into magnificent rare old Australian shiraz. What a journey!" Bennelong won the Best Wine List NSW, Fico took out the title in Tasmania, and Agnes in Queensland. Six venues were added to Australia's Wine List of the Year Hall of Fame, including Melbourne Supper Club, Stillwater in Hobart, and The Boat House in Canberra. Chris Lucas' Maison Bâtard was awarded the Tony Hitchin award for Australia's Best New Wine List, and Society succeeded with the Best Digestif List, Australia's Best Listing of Museum and Rare Wines, and Australia's Best Listing of French Wines. Rob Hirst OAM, who founded the awards with his late wife Judy in 1993, says, "We're grateful to receive such significant support from the industry and our award partners for yet another year of Australia's Wine List of the Year Awards, and the quality of wine lists across the country has never been better. There is a clear interest and intent by sommeliers, venue owners and beverage managers and directors to build harmony and synergy between the menu and drinks list, and this year's results are proof that the skill and dedication to this task is stronger than ever." Circl's extraordinary accomplishment makes it a back-to-back win for Victorian venues, with the award going to Gimlet at Cavendish House in 2024. The prestige and importance of the awards were summarised by the Chairman of Judges, Peter Forrestal. "The enthusiasm with which those involved in restaurants and, more generally, in serving the public is infectious. The imaginative quality of the food being brought to Australian restaurant tables and the wines that sommeliers have to offer their customers has never been more satisfying or stimulating. The education of sommeliers is at an all-time high. Documenting all this since 1994 is Australia's Wine List of the Year with another record number of entries to affirm the quality of individual restaurants and to record excellence at the table." Images: supplied, feature image, Arianna Leggiero. Has all this talk of wine made you thirsty? Check out the best wine bars in Melbourne today.
If this Cinco de Mayo finds you in Byron Bay (and if it does, let it be known that we’re jealous), salsa on down to seasprayed local cantina Miss Margarita. This colourful shack does the kind of vibrant, uncomplicated, flavourful Mexican nosh you’d expect from the beachside town and once hub of hippiedom, and they’re joining forces with Corona to celebrate the now-international day of Mexican culture appreciation (slash excuse to challenge yourself to a fajita-eating competition of one). Head down at lunch, hand over $15, and you get a Corona and two of Miss Margarita’s super fresh tacos. These guys are no mean feast, with varieties like tropical pork with pineapple, shredded chilli and tamarind beef, and house black beans with feta and jalapenos that’ll have you lip-smacking and finger-licking your way out of there. They’ve also got $25 Corona buckets all day long (or one for $7.50) and a $5 happy hour from 5–6pm. That’s a deal we can say ¡Salud! to.
A beach has long sat at the end of Morningside's Colmslie Road. For the past few years, so has Brisbane's newest riverside precinct — and it's about to get bigger. Sprawling across 30 hectares by the water in the River City's inner east, Rivermakers is already home to Revel Brewing Co, Mas & Miek's ceramic workshop and Bavay Distillery. Next comes The Hills of Rivermakers, which is weaving around the site's existing venues to turn the location into a new dining and entertainment precinct. In a year that's already seen Potentia Solutions Leisure open Claw BBQ & Grill, the second of its crab shack eateries, on this side of town at Carindale, the hospitality company that's also behind rooftop bars Lina and Soko, tequileria Carmen and Azteca at Queen's Wharf is now launching its most-ambitious project yet. On Wednesday, December 11, 2024, Brisbanites will be able to head to The Hills, where spots to eat and drink will sit alongside a range of things to do. There'll be an urban winery, for instance, as well as an openair cinema. Rivermakers' Heritage Quarter is at the centre of The Hills — a place with history, given that the restored building dates back to 1910, was once the Commonwealth Acetate of Lime Factory and also operated as an armament factory in World War I. Across its lengthy past, this patch of Brisbane hasn't ever been a hub with different culinary zones, however, accompanied by river views. The urban winery will give locally crafted vino some love, pairing drops with charcuterie boards and cheese platters. You'll be able to sit either indoors in the lounge or out under the stars. Fancy a slice instead? The Hills will also feature a pizzeria lab, heroing seasonal ingredients and getting patrons dining on tables and chairs on the grass. Fish and chips will be on the menu at the seafood market, spanning oysters, prawns, calamari and more, while the gelato factory will be on hand to cover dessert. From breakfast through till dinner, the bakery and cafe will welcome in customers. For a coffee fix, The Hills will boast its own roastery. For a beer over pub food, The Roadhouse is your destination. Food- and drink-wise, the list doesn't stop there, but not everything is launching upon opening. Serving up meats, dairy and produce, The Providore will join the site in 2025. Outdoor movies will grace The Hills' cinema screen, where film lovers can sit on bean bags, picnic blankets or on the lawn, and pair their viewing with bites from the onsite eateries. Or, to get up close with animals, head to the pop-up petting zoo featuring alpacas, rabbits, chickens, ducks, goats, guinea pigs, pigs and sheep. For those keen to throw their own celebration, a 400-person events hall is available to book, as is the more-intimate Events Engineers Hut. The openair cinema, lawn and picnic area, and petting zoo can each be reserved as well. The Hills is also planning to deck out the place with seasonal theming, starting — of course — with festive fun across Tuesday, December 17–Monday, December 23. Find The Hills of Rivermakers at 82 Colmslie Road, Morningside from Wednesday, December 11, 2024. Head to the precinct's website for further details.
When a beaming face is described as "the worst smile I have ever seen in my life", it isn't quickly forgotten. The grins in Parker Finn's films aren't meant to be easily shaken. That line springs from the writer/director's debut feature, which wasn't his first to wonder what might happen if someone couldn't stop seeing the same Cheshire Cat-like expression everywhere to nerve-shredding effect. Before Smile became the highest-grossing horror movie of 2022 — and before the box-office smash spawned 2024 sequel Smile 2 — Finn played with the same concept in his 2020 short Laura Hasn't Slept. Australian actor Caitlin Stasey (Class of '07) plays the eponymous character, who can't get some shuteye as the film's title notes. As she explains to a therapist when the short begins, closing her eyes means having nightmares about a smiling face. When Smile then starts, Laura is in the frame again, still struggling with a grin that no one wants to see. The concept from there: that being taunted and haunted by the eerie smile that can appear everywhere and on anyone is both deeply unsettling and contagious. Smile's point of focus is psychiatrist Rose Cotter (Sosie Bacon, Mare of Easttown). In Smile 2, it's mega pop star Skye Riley's (Naomi Scott, Anatomy of a Scandal) turn. When the supernatural force at the centre of Finn's work so far is smiling, which is whenever it's on-screen no matter the face it has taken, the unlucky target's whole world feels anything but warm. Horrific, terrifying, distressing, tormenting: those terms all fit as well. So discovers Skye a year after a car accident ended her last tour, also leaving her both injured and grieving. She's on the comeback trail when Smile 2 kicks off, with a new album out and a fresh run of live gigs to come. Then a smiling malevolent evil won't leave her alone — and the spiralling that follows as she endeavours to understand what's happening, what's real and what isn't, and how to stop it, all plays out in the public gaze. These are flicks to see with an audience, even if Laura Hasn't Slept made the program at 2020's SXSW in Austin, which took place solely online due to the pandemic. It still won a Special Jury Award in the Midnight Short program, then clearly caught Hollywood's attention. Finn himself loves seeing viewers react to his movies. His latest chance to do just that came via Smile 2's Australian premiere. It was also his latest connection with SXSW, this time at SXSW Sydney 2024, where the film screened as one of the SXSW Sydney Screen Festival headliners. [caption id="attachment_976458" align="alignnone" width="1920"] Don Arnold/Getty Images for Paramount[/caption] "It's the best. I think that, especially as a writer/director, it's incredibly delayed gratification when you're trying to make a film. It takes years to do it. The whole reason that I make films is for audiences, and that moment when you finally are putting it out in the world, I love watching the film with audiences," Finn tells Concrete Playground following a screening that he advises was "fantastic, great crowd, really fun". He continues: "so to hear everybody screaming or laughing or gasping or going silent all at the same moment, it's the best". Also featuring Lukas Gage (Dead Boy Detectives), Rosemarie DeWitt (The Boys), Ray Nicholson (Licorice Pizza — and, yes, the son of Jack Nicholson), Dylan Gelula (Hacks), Peter Jacobson (Fly Me to the Moon) and Raúl Castillo (Cassandro), plus Smile's Kyle Gallner (Strange Darling) returning, Smile 2 skews bigger, bolder and gorier than its predecessors. It reinforces a clever connection at the heart of the franchise, too: that seeing people happy and smiling when you're having a tough time, with or without a supernatural force at work, can be hellish itself. We also chatted with Finn about what makes an unshakeably scary smile for him, the inspiration for the franchise, researching pop stars, casting an incredibly committed Scott as Skye, his hopes for the future of all things Smile and more. On What Makes a Perfectly Unnerving Smile That Creeps You to Your Bones "The smiles in the film are all human performance. We're not adding any VFX or CG to these. And for me, it's that uncanny sort of smile that feels like it should be friendly. But the way that we frame it, the way that we have the throughline of how the actors perform it — for me it's the disconnected eyes from the smile that don't break staring at you, it just creates so much tension and stress for me. I find it really creepy." On What Inspires a Maniacally Smiling Figure to Pop Into Your Mind When You're Dreaming up a Serial Killer-Like Supernatural Entity "I think that what's so great about, for me, the concept of Smile is that of course there's turning the warm, friendly gesture on its head, and turning it into something cruel and upsetting — but what I really love about it is this idea of how we employ smiles almost as a mask. And what we put out into the world, we're trying to say 'hey, everything's okay' and it's hiding what's really going on on the inside. In the world of Smile, I love that if you look on the other side of that coin, the smiling faces are also hiding something on the other side, belying what's really behind that smile, something quite evil. And for me, I love that dichotomy." On Making a Connection Between Skye Spiralling and How a Smile Can Feel Taunting If You're Struggling "The reason I want to tell these stories, I love all these big supernatural elements, but it's really about this character's story and really trying to put the audience in this character's shoes. Which was an interesting challenge for this film because Skye is a mega-famous pop star, which is not necessarily a relatable scenario for most people. But I wanted to go behind that velvet rope and tie them to this human being who's quite broken and dealing with really fraught emotions. And I wanted people to really be able to connect with her and relate with her as a human being, and to feel the stress and the anxiety and the walls closing in as she's spiralling out of control, trying to use all the techniques of filmmaking to make the audience feel what Skye feels." On the Research That Went Into the Pop Star Side of the Story, Including Diving Into Pressures, Expectations and Constant Public Scrutiny "I think we're at this peak parasocial relationship with celebrity, and nothing is bigger in celebrity or fame right now than pop. So some of these pop stars have been elevated to the status of a demigod. And I was so interested about what's going on behind the scenes, the real person behind that. How can you deal with that level of expectation? So I dove headfirst into research. I watched every documentary that I could. I read every essay, every article, every interview and just kind of immersed myself in that world of pop. And so much from that research directly wormed its way into the script and into the film. It really helped guide a lot of what I wanted to do." On Enlisting Naomi Scott to Play Skye — and Her Performance at the Pop Star's Best and Worst Moments "I think that Naomi was the perfect storm for this character. She inherently has this X-factor gravitas to her, where I believe this mega pop star, that she could really be this character. But at the same time, she's capable of these incredibly raw, human moments, as she's hitting rock bottom. And it happens to be that she's this incredibly talented singer, she can perform choreography, she can do all these amazing things. She's such a force of nature, and the role was incredibly demanding, and it was an absolute dream to get to work with her." On Creating an Unsettling Mood and Tone That Kicks in Immediately and Doesn't Subside "Mood and tone, and this creeping sense of dread, is something that is really important for me to build into these films. I wanted to make sure that in both films, we, from the opening frame, feel incredibly anxious — and that the movie, what we're exploring with some of the themes and motifs, I want to create that emotionality for the audience, to make them feel what the movie is doing to the characters. It's all about this precision use of filmmaking tools. Obviously performance, what we're doing with the camera, sound design, everything, to just build this stress that just keeps bubbling and boiling more and more and more — and it turns into this powderkeg that's ready to explode by the end." On Finn's Dream for the Concept When He Was Starting Out with Laura Hasn't Slept "The dream was that it got into SXSW. That was as far as I had gotten — as far as thinking 'hey, how is this film going to live and be presented to the world?'. I made that short to stand alone. But while I was in post on it, I had this idea that eventually became the first Smile. The short had really inspired that journey towards Smile. But I think that short and everything that happened after, that's a very rare example where reality way, way, way overshot any expectations I had. So it was like a pinch-me, dream-come-true moment." On Going Bigger in Scope, Scares, Tension, Intensity, Gore, Shocks and Boldness with Smile 2 "Of course I wanted to challenge myself. For me, I only want to make films that I'm terrified to make. I think that's how I'm going to get the best out of myself. But making that jump from the first Smile to Smile 2, it's a much bigger film and I bit off a lot more. But I always love to try to punch above my budget and above our schedule, and go maximalist with everything. So we have more resources, yes, but we also are doing so much more, this so much more movie to make — so it was still just about putting that one foot in front of the other and trying to create the best experience for the audience possible." On Where Finn Would Like to Take the Smile Franchise From Here "I think we'll have to see. I think there's a lot of really exciting directions that that Smile could go. Right now, I'm really excited to see how audiences react to Smile 2. If we're so lucky to have audiences connect with it, I love the idea that these movies could just keep getting more and more off the rails and insane, and really doing new, unexpected versions of what Smile is. That would be important to me, to keep it very fresh and exciting and unexpected." Smile 2 opened in cinemas Down Under on Thursday, October 17, 2024.
In Sydney, across Australia and around the globe, Maybe Sammy has earned quite the reputation. That's always going to be the case when the annual World's 50 Best Bars ranking shows a Harbour City watering hole plenty of love, including the venue in its list in 2019, 2020, 2021, 2022, 2023 and 2024. For Brisbanites heading to Sydney, sips at Maybe Sammy should be on your agenda. What if you didn't need to venture south to enjoy its drinks, however? Enter: W Brisbane. Getting Brisbanites tasting top-notch cocktails from award-winning venues around the world has been this hotel's game at its Living Room Bar for a few years now. In the past, acclaimed Barcelona bar Paradiso — aka the best bar on the World's 50 Best Bars list for 2022 — has whipped up a special menu featuring the Spanish spot's globally famous beverages. Enlisting bartending talents closer to home, Matt Whiley from Sydney's Re (which placed 46th on the World's 50 Best Bars list in 2021) also created a Conscious Cocktails lineup, heroing a low-waste approach. Now comes the brand-new Bar Swap Series, making a habit out of bringing acclaimed bars to Brisbane on a regular basis. It all kicks off from 6pm on Thursday, February 27, 2025 with Maybe Sammy making the jump north. The venue's mixologist and Venue Manager Giorgio Gervasoni will be behind the bar, assisted by W Brisbane's own Francesco Squillacioti, the Bar Manager of Living Room Bar. Perhaps you'd like to try the Check In, a gin-based highball that's inspired by the Americano a twist. Or, the vodka-based, sour-flavoured, shaken Sauna Room might tempt your tastebuds. On the four-drink menu, another option features agave, kalamata olives distillate, seaweed dry vermouth, and capsicum vinegar, while there's also a blend of vodka, lacto-fermented strawberries, sencha tea and mango soda. Whatever tempts your tastebuds, walk-ins are welcome at the series' first one-night affair. Can't make it on the evening? W Brisbane is also adding the Maybe Sammy sips to its in-room menu from February, which is a great excuse for a staycation in the River City's CBD. There's no word yet which other bars from beyond Brisbane will feature in the Bar Swap Series in the future, but stellar cocktails from further afield joining the menu in the Queensland capital, even if only temporarily, is worth saying cheers to.
Since the mid-90s, Paul Rudd has been a constant presence on both big and small screens. First, he won over Beverly Hills' coolest teen in Clueless, joined horror royalty in Halloween 6: The Curse of Michael Myers and somehow became the unattractive romantic alternative in Romeo + Juliet. Then, he helped deliver San Diego's news in Anchorman: The Legend of Ron Burgundy, ran for office against Leslie Knope in Parks & Recreation and became the world's smallest superhero in Ant-Man. The list goes on, spanning a trip to camp in Wet Hot American Summer, as well appearances on Friends and Veronica Mars. But it's Netflix's new series Living With Yourself that's finally giving the world what we want — all the Paul Rudd that anyone could ever ask for. Yet another existential comedy to join the likes of The Good Place, Russian Doll, Forever and Undone, Living With Yourself follows an ordinary guy struggling through an average life, until he discovers an unusual solution. Miles (Rudd) heads to a day spa expecting to come out feeling refreshed — and that happens, in a way. The new and improved version of Miles couldn't be happier, but the old version is still hanging around. Two Paul Rudds is most people's dream, of course. In Living With Yourself, however, the two versions of his character cause quite the chaos. How the pair handle their shared life, wife Kate (Aisling Bea), career and identity fuels this eight-episode show, as do weighty questions, including trying to be a better version of ourselves. Hitting Netflix mid-October, the series was written by Emmy Award-winning The Daily Show producer Timothy Greenberg, and directed by Jonathan Dayton and Valerie Faris (The Battle of the Sexes, Ruby Sparks, Little Miss Sunshine). Check out the trailer for Living With Yourself below: https://www.youtube.com/watch?v=5w54yW2Ur50 Living With Yourself drops on Netflix on October 18. Images: Netflix.
Oh bother! After Winnie-the-Pooh: Blood and Honey arrived in cinemas in early 2023, turning AA Milne's loveable bear into a horror-movie villain, the great public-domain rampage through everyone's beloved childhood stories is only beginning. That flick sparked so much interest before it even hit screens that a sequel was always inevitable — and that locked-in followup will also have plenty of company. Screens big and small — most likely small — aren't quite set to boast enough slasher takes on classic stories to fill the Hundred Acre Woods, but more than a few are on their way. While Winnie-the-Pooh: Blood and Honey's second effort hasn't yet started shooting or unveiled its plot, it has already locked in distribution Down Under, as per The Hollywood Reporter. So, viewers in Australia and New Zealand will get to see what happens after the first film sent its titular character and Piglet on a serial-killer rampage, slicing and dicing whoever crossed their paths because they'd been left behind by Christopher Robin after he grew up. The initial film was exactly the one-note movie it was always bound to be — a feature that exists purely because of its premise — and couldn't be further away from the cartoon iterations of the usually cuddly bear, or recent films like Goodbye Christopher Robin and Christopher Robin. It'll now also always be known for fuelling a low-budget trend, whether or not that's a welcome development. Winnie-the-Pooh: Blood and Honey director Rhys Frake-Waterfield will also turn his attention to a certain flying boy thanks to Peter Pan's Neverland Nightmare, as part of a whole universe of movies that'll massacre their way through typically family-friendly stories. Bambi: The Reckoning has also been discussed — and, yes, so has teaming up this cinematic realm's various characters Marvel Cinematic Universe-style. Then, as Variety reports, UK horror production outfit Red Shadow Studios is jumping in, including giving some of the aforementioned figures its own spin. That's where Winnie-the-Pooh: Death House comes in, which will apparently be The Strangers meets The Purge — plus slasher flick Peter Pan Goes to Hell. Fancy getting gory with Cinderella? Cinderella's Curse from ChampDog Films is making that a reality as well, as per Bloody Disgusting. None of these upcoming titles have sneak peeks yet, but you can check out the Winnie-the-Pooh: Blood and Honey trailer below: Winnie-the-Pooh: Blood and Honey's sequel, Peter Pan's Neverland Nightmare, Bambi: The Reckoning, Winnie the Pooh: Death House, Peter Pan Goes to Hell and Cinderella's Curse don't yet have release dates Down Under — we'll update you when that changes. Via Variety / The Hollywood Reporter / Bloody Disgusting. Images: Jagged Edge Productions.
Charles and Ray Eames had a bit of a backwards Lannister twins problem. Everyone thought they were siblings. Both were famous for their innovative design work, but people who hadn't met them would just go on ahead and assume they were brothers. They weren't. They were husband and wife. Nowadays they're often best remembered for designing chairs. They did, for sure, make some wonderful chairs. But it wasn't just furniture where they excelled. The Eames office designed almost everything. The Eameses' work was so either ahead of its time or so timeless that lots of its products are familiar objects today. The Eameses' grandson, Eames Demetrios, is about to make a brief visit to Sydney at both the Sydney Film Festival and for Vivid Ideas to talk about both his grandparents' work and his own. To help you get your head around the breadth of their combined output, we've assembled just a few examples of the family's pioneering work. Chairs The Eameses spent over a decade experimenting with shaping wood. They'd invented a surprisingly striking splint out of moulded plywood for the US army during the Second World War. When they'd moved into their new apartment in 1941, their idea of fun was to squeeze a plywood moulding machine into their spare bedroom. They'd made it themselves out of scrap wood and a bicycle-driven pump and called it 'Kazam!'. They took turns riding the bike. After the war they moved to a real studio at 901 Abbot Kinney Boulevard in LA and stayed there for the rest of their working lives, still working with plywood. One of the products of their iterative wood obsession, in 1956, was the Lounge Chair and Ottoman. The lounge was designed for furniture company Herman Miller. While the lounge chair still looks pretty space age, their Molded Plywood Chairs (below) are much more familiar. The Eameses' work in chairs went on to be so successful that today these pieces just seem, well, normal. The SFF Hub plans to have a bunch of these Herman Miller chairs on display over the duration of the festival. The Eames' Lounge Chair and Ottoman will be there, as will the Moulded Plywoods and a new version of the classic Shell Chair. You can place an order for a chair online, though, it should be noted that the price is usually where these chairs' similarity to school chairs suddenly ends. https://youtube.com/watch?v=0fKBhvDjuy0 The Long Zoom The beginning of Contact does it, as does the end of Men in Black: the almost-infinite, long zoom across the universe has been a movie staple since the '90s. The shot was pioneered by the Eameses in their 1977 film Powers of Ten, which ostensibly explored the geographic power of adding and subtracting a zero to long numbers. As the film whips out from the Chicago lakeside into the depths of space, and back again, its effortless play with scale and relentless zoom whip you into a exponential sense of pleasant disbelief. Charles Eames had done some film work, though Hollywood didn't end up being his thing. But, about the time George Lucas had the predecessor to ILM filming their Death Star in a parking lot — and well before computer-based special effects — the Eameses were polishing off a nine-minute tracking shot that traversed the known universe. Eames Demetrios will be presenting Powers of Ten alongside a selection of his grandparents' extensive corpus of short films at Eames on Eames, including Design Q&A ("known to specialists") and Music of the Fifties ("just never seen" and "fascinating because it is, in many ways, the beginning of the music video"), not to mention a restored version of the multiscreen Glimpses of the USA. Multiscreen In an age where lining up multiple screens is about as hard as putting two phones side by side, it's hard to imagine how big a deal it was to see a multiscreen image. During the cold war, the USA put on an American trade exhibition in a Moscow park, which would later become famous for the 1959 Kitchen Debate between then Vice-President Nixon and the Soviet leader, Premier Khrushchev. Not too far away from this culinary power centre, the Eameses had been commissioned to make "a major propaganda exercise designed to inject the elixir of consumerism into the heart of the Soviet empire". So they made a film. Glimpses of the USA was a massive array of seven screens designed to overwhelm Muscovites with the breadth of experience in American life. Seven landscapes, seven cityscapes or seven people popped across the screen, in quick succession. It was designed to dazzle: and it worked. Apparently, the final sequence was so powerful it brought tears to even Nikita Khrushchev's hardened eyes. Interactive Museum Exhibitions Interactivity doesn't give you bragging rights at museums these days. But in 1975, though computers had come a long way since the President of IBM ostensibly said "I think there is a world market for about five computers," they were still pretty much unheard of for the museum experience. Ray and Charles Eames put together a concept film for a makeover of New York's gargantuan Metropolitan Museum. They laid out a vision of a connected experience, where visitors could call up their favourite artwork on a computer and its display would automatically show them related items from the collection. Back then, this vision didn't wash. Reports from 1977 talk about electronic controversy: "concerns about an art museum weakening its raison d'etre by activities not concerned with the experience of original art but, instead, films, facsimiles and electronic gadgetry." The funding was withdrawn, and the touted makeover never happened. Nowadays, this 'electronic gadgetry' is just called the Metropolitan's 'website'. Innovator in the Centre Reviewing the recent documentary, Eames: The Architect and the Painter, New York Times film critic A.O. Scott compared the Eameses' influence to Steve Jobs' for the sheer breadth of the influence their design work on our everyday lives. Scott took this comparison further, saying they were also happy to be the centre of the credit: "Like Walt Disney — and like Steve Jobs — Charles Eames did not share credit. His name alone went on the studio's products." Eames Demetrios disagrees. His counterpoint to Scott easily works through the details of his grandparents' crediting history, with the opinion that a story like Charles' alleged surprise that Deborah Sussman wanted credit for Day of the Dead is "demonstrably untrue". But he adds, "I don't think it was told in malice, because it represents an emotional truth, which is that it is a very hard to feel you are getting your due when you are living/working inside someone else's worldview — especially a powerful one like the Eameses." In the absence of space for his full reply here, Demetrios points to the chapter '901 Culture' in his book An Eames Primer for more detail. A Virtual World Eames Demetrios' films started out relatively tame. Common Knowledge presaged the production method of local film 52 Tuesdays, by giving a documentary portrait of dozens of people every few weeks for a year in 1988, but he "kept thinking it would be really amazing to be able to visit a story physically. To create a parallel world that people could visit." Demetrios created the virtual world of Kcymaerxthaere, a story whose locations have leeched across out of fiction and into the physical world. "It is kind of like a novel with every page in a different place," he says. "Most of the installations are markers (in bronze or stone) that tell a piece of the story." Since 2003, the project has installed 99 sites across 22 countries. There are ten in Australia. He has aspirations to install one in the Red Centre but is open to suggestions from Sydneysiders about a site closer to home. "The key is that we need permission to install the marker permanently (or for at least 99 years)," he adds. Sydneysiders can take a turn at interpreting this world at Storytelling to Generate Fresh Perspectives at Vivid on Sunday, June 7. Eames will be telling some stories from Kcymaerxthaere, after which participants will be invited to make their own "disputed likenesses" (images based on the stories) on postcards to be sent off to previous participants. Local participants will get postcards from other workshops before too long. Melburnians can check out a Kcymaerxthaere exhibition opening at Pure and General from June 11. Good design is good hosting is good grandparenting Charles Eames saw the designer as a host, focused on getting the details right for the recipient of whatever thing he was designing. This need to design "to the need" is pervasive in the Eameses' work and its cultural spread is echoed in modern tech firms' ambitions to sweat the details. It's the same sort of obsession with details at the heart of the story of Steve Jobs anxiously calling Vic Gundotura to tweak the yellow in a Google logo. "Charles and Ray are far more famous today than they were in their lifetimes," says Demetrios. "The notion of a rockstar designer did not exist then." Their legacy is only now getting some of the mainstream attention it deserves, three years after the release of the documentary Eames: The Architect and the Painter. But it wasn't just their design skills that lasted. Their parenting and grandparenting skills kept two generations of children interested in working to preserve their legacy. Demetrios also sees time with his grandparents as the roots of his design education. "My theory is that we learned about design backwards when we were growing up — we learned all the lessons about life that we now realise were lessons about design too. Things like the fact that Charles and Ray were excellent hosts. Picnics were important; presentation was important; experience was important. "As we are older, we understand that they were teaching by example one of their key ideas: 'The role of the designer is essentially that of a good host, anticipating the needs of the guest.'" 'Interactive display' image, actually a multitouch sequencer, by Daniel Williams. The couple's grandson Eames Demetrios will be guiding audiences through a screening of some of his grandparents' short films during the Sydney Film Festival at Eames on Eames and getting a few thoughts off his chest at Vivid Ideas.
Brisbane's latest nightlife spot wants to wow patrons before they even step foot through the door. It's keen to make its customers feel like they've been whisked somewhere far from the Queensland capital, too. First up, to get inside, you need to step along an LED walkway that has the entrance glowing, its stairs as well, then clubgoers once you're in. And those vibes from places far beyond the River City? Ibiza, Miami and Las Vegas are all influences. Enigma opened in Brisbane to start off August 2024, giving Fortitude Valley a new nightclub. The Brunswick Street spot boasts a $9.3-million fitout, which attendees can enjoy on Friday and Saturday evenings. As the luminous sights and overseas inspirations make plain, the aim is to whisk clubgoers away from their routine even if they're not leaving Brissie. Visuals also accompany the beats inside, in a space that joins Maggie May, Lefty's Music Hall, The Lord Alfred and Hey Chica! are among the company's fellow venues in Brisbane. Retro's and Finn McCool's have locations both here and on the Gold Coast. And the latter is also home to The Cavill Hotel, Sandbar, Lost Kingdom and Asylum — while Hallmark is also behind The Spotted Cow in Toowoomba. Enigma's resident tune-spinners include Tasha Lee, Curdin, SF Fudge, Sophie Bridges, Nestor Vargas and Apolloco, setting the mood whether you're hitting the dance floor or hanging out in the seven booths surrounding the DJ in the VIP area. As for the drinks options, classics such as margaritas, Long Island iced teas, Aperol spritzes and espresso martinis sit alongside the club's signature sip. Opt for The Enigma and you'll be drinking vodka, white rum, gin, blue curacao and raspberry, plus Red Bull.
Already one of the country's go-to spots for sand, surf and sun, the Gold Coast now boasts another reason to plan a visit this summer: Sandtunes, a massive two-day beachside music festival. Debuting this year across Saturday, November 30 and Sunday, December 1, the new event will take over the Coolangatta Beach with a jam-packed lineup of live tunes, with Travis Scott, Logic, Chvrches and Carly Rae Jepsen leading the bill. The festival will mark Scott's only Australian performance this year, so if you're keen to see the Texas-born rapper play tracks from his 2018 album Astroworld, this is the place to be. If you're a fan of fellow US hip hop star Logic, you'll also be treated to his first-ever Aussie show. While Scottish trio Chvrches are no strangers to our shores — they're on this year's Spilt Milk lineup as well — Sandtunes will also welcome Canadian pop star Carly Rae Jepsen for her debut performance in Australia. When you're not singing along to 'Call Me Maybe' live, you can also check out the rest of the just-announced first lineup, which spans Juice WRLD, Dean Lewis, Sampa the Great, Tkay Maidza, Cub Sport, Kait, Kwame, WAAX, Kian, Alice Ivy,Genesis Owusu and Saint Lane. A word of warning: while you'll be partying on the sand right by the ocean, the festival dates do overlap with part of Schoolies — although, thankfully Coolangatta is never as hectic with revelling school leavers as Surfers Paradise. Sandtunes Music Festival takes place on Saturday, November 30 and Sunday, December 1 on the Coolangatta Beach at the Gold Coast. Tickets go on sale at 12pm on Wednesday, July 31, with a Telstra pre-sale from 10am on Friday, July 26 — visit the festival website for further details.
If you're already panicking at the prospect of winter, don't. Make plans to warm up instead — here's one to get you started. On Saturday, May 18, a stack of ace musicians, who've been charting mega hits and touring around the planet in the last year or so, will be converging on Darwin for BASSINTHEGRASS 2019 festival. Now in its 17th year, the one-day shindig is about to hit the northern coast for the first time. More specifically, you'll find it at Mindil Beach, a dreamy stretch of sand just a 20-minute walk from downtown Darwin. In between catching your favourite artists, you can gaze out at the Timor Sea and forget that winter is waiting for you back home, as you soak up bucketloads of Top End sunshine. Before (or afterwards), there are plenty of Darwinian adventures to add to your musical ones — from cuddling crocodiles at Crocosaurus Cove to checking out local Indigenous art at The MAGNT. Check out the full lineup below. BASSINTHEGRASS 2019 All Day Amy Shark Ball Park Music Broods Caiti Baker DZ Deathrays Hermitude Hilltop Hoods Hot Dub Time Machine Karnivool Mallrat Meg Mac Nick Murphy (formerly known as Chet Faker) PNAU Ruel Six60 Tasman Keith The Lunar Society BASSINTHEGRASS 2019 will take place from 11am–11pm on Saturday, May 18. For the full lineup and to purchase tickets, visit the website.
When the middle-of-the-week blues hit, there are two solutions. Hitting a bar for a midweek drink is a tried-and-tested pick-me-up, while listening to someone else sing away their troubles also remains an old favourite. Acoustic Wednesdays, The Triffid's Wednesday night acoustic session, combines both — and the free music series is livening up your hump day every week. The music lineup changes each time, but that just means that you've got multiple excuses to head along . The Triff usually announces its artists in monthly batches — and if you make a music date for Wednesday, August 25, you'll be seeing Meg Ripps take the mic, as well as Anna and Jordan. These talented performers will do their unamplified thing and make your midweek brighter, with the laidback festivities taking over the Newstead hangout at 7pm. The venue's relaxed beer garden proves the perfect place for it, and an ideal spot for grabbing a few beverages — and even a bite to eat. Updated August 23.
Prepare for a serious rainbow chalk shortage in Sydney: DIY chalk rainbows are popping up across the city in Newtown, Paddington and Redfern following the State Government's removal of the rainbow crossing on Oxford Street. The movement started with a Facebook photo of radio presenter James 'Breko' Brechney colouring in a chalk rainbow outside his home. The photo soon led to Brechney creating the Facebook group DIY Rainbow Crossings and the #DIYRainbowCrossings hashtag going viral on Twitter. "I was pretty down like a lot of people when the Rainbow Crossing was ripped up," said Brechney. "The DIY chalk crossing idea really just came to me overnight ... I got my sister and housemate in on the act and when we finished our one in Surry Hills we took a few photos for Facebook and the whole thing went crazy. Everyone's now doing their own DIY Rainbow Crossings all over Sydney and I love that because it's less work for me!" The Oxford Street crossing was initially created by the City of Sydney Council as part of the 2013 Mardi Gras celebrations, and soon became a much-loved attraction, with people posing for photos while walking across it. Despite calls to make the crossing permanent from the community and local politicians such as Lord Mayor Clover Moore and State Member for Sydney Alex Greenwich, NSW Roads Minister Duncan Gay made the decision to remove the crossing. Community radio station FBI Radio has decided to get in on the action as well, chalking up their own rainbow outside the front door of their station in Redfern. "It's just a fun, little nice thing, a sign of how Sydney people are joined together when they think a wrong has been done," said program director Caroline Gates, who was inspired to join Brechney's 'chalk revolution' after seeing his Facebook photo. "We've got a volunteer group, and I just said 'Hey, anyone want to make a rainbow?'" she says. "I think a nice thing about people getting out a bit of chalk and making their own is just saying 'Screw the government, this is what we feel and what our community is'." The removal of the crossing took many Sydneysiders by surprise after road workers in Ultimo were redirected to Oxford Street to perform 'emergency road works' late on Wednesday night, as passers by booed and shared photos of the disappearing rainbow on social media. "I think people really connected with some vibrancy in our city," said Brechney. "I think the State Government has really got themselves pigheaded about removing it when it was clear, even to people initially opposed, that it was truly a fabulous addition to Oxford Street." DIY rainbow crossing behind the Newtown Hotel. DIY rainbow crossing behind the Newtown Hotel. DIY rainbow crossing in front of FBi Radio. Photography by Anita Senaratna and Rima Sabina Aouf.
When the Mountain Goat Valley Crawl kicked off in 2016, it did so in simple but great style. Recognising that the key to many a good night out is a multi-venue itinerary, it made hopping between Fortitude Valley's finest hangouts a streamlined, well-organised yet still laidback experience — with brews aplenty and an ace live music soundtrack. Come 2022, the sprawling music and beer festival will still be going strong — even after the events of the past few years. On Saturday, February 12, attendees can jump between nine Valley spots to see a huge heap of interstate and local artists. The simultaneous sonic fun takes place at The Black Bear Lodge, The Brightside (both indoors and outdoors), Greaser, Kick Ons, O'Skulligans, Ric's Backyard, The Zoo and Suzie Wongs Good Time Bar. As always, the agenda includes running between each to sip frosty beverages and catch crackin' sets, with the entertainment once again sponsored by a brewery. The whole shindig kicks off at 6pm, so the only thing left for you to do is clear your calendar for an ace evening of tunes, brews and hopping around the Valley. Well, that and check out the 36-act lineup below: [caption id="attachment_789891" align="alignnone" width="1920"] katexjean[/caption] MOUNTAIN GOAT VALLEY CRAWL 2022 LINEUP: ARTISTS: Kwame (a-z) 1300 Adam Newling Bec Sandridge Flowertruck The Lazy Eyes Melaleuca Milan Ring Nyxen RAT!Hammock (a-z) 90Ivy Blue Velvet Bored Shorts The Buzzing Towers Cheap Date CityPiss Cloe Terare Elcid Flores Fomi Fraser Bell Girl and Girl Haliday Hollie Joy Isabel Wood Lucy Francesca Dron Melrose. Monet's Pond Passionfruit Band Radium Dolls Slowrip Square Stage Presence Straight Girls The Tinderboxers Tjaka Willis and the Lovely Ones VENUES: Black Bear Lodge The Brightside The Brightside — Outdoors Greaser O'Skulligans Ric's Backyard Suzie Wongs Good Time Bar Woolly Mammoth Mane Stage The Zoo The 2022 Mountain Goat Valley Crawl takes place from 6pm on Saturday, February 12. Entry is free, but you'll need to RSVP for free tickets online. Top image: Jared Hinz Photography.
Life. Love. Losing your mum. Becoming a husband and father. Grappling with society's expectations of masculinity. As Peep Show fans know, they're not the kind of topics you'd expect to get any sensible answers on from the hapless Jeremy — but Robert Webb, the actor behind the character, is obviously a completely different matter. The British comedian, writer and That Mitchell and Webb Look star heads to MELT on May 20 to chat with Benjamin Law about his new book, How Not to Be a Boy. Expect a personal discussion filled with insightful anecdotes about becoming a man, finding comedy and navigating existence — and laughs, of course. Image: Matt+Crockett.
For decades, the XXXX brewery has been a Brisbane landmark, towering over the inner west and lighting up the night sky with its neon sign. The Milton Road mainstay is no longer Brissie's sole beer haven, however. Thanks to the city's thriving, ever-growing craft brewery scene, it has plenty of company. From passionate outfits just a stone's throw away from the brewery behemoth to the bustling area that's popped up around Newstead and booze-makers slinging their wares in the 'burbs, Brisbane is now a beer-lover's playground. That not only means more ales, lagers and pilsners to sip and savour, but more places to enjoy them — including these: our picks for the best breweries around town.
No shade on regular escape rooms but the lack of prizes after all that hard work is a little disappointing. Sure, you gain a sense of camaraderie with your fellow escapees but what if you could also walk out with the domestic holiday of your dreams? That's what's on offer at The Wotif Great Summer Escape, which is popping up in King George Square between Wednesday, March 26 and Friday, March 28. In this free immersive experience, guests are invited inside the multi-sensory escape room and virtually transported to some of Australia's most iconic holiday destinations to complete a series of puzzles. You've got just three minutes to solve as many puzzles as you can to unlock the views of stunning Australian locations, from lush tropical rainforests and dazzling coral reefs to pristine beaches and luxury hotels. Each door you open earns you a token to enter the draw to win a Wotif Domestic Travel credit worth $5000. There are also spot prizes up for grabs, too, including hotel coupons worth between $250-500. The escape room will be open daily from 8am to 6pm but if you can't make it in person, the competition can also be entered online. The Wotif Great Summer Escape is running from Wednesday, March 26 to Friday, March 28 between 8am-6pm. For more information or to enter the competition online, head to the website. AU residents 18+ only. Runs 26-28 March '25 Entry method 1: during promo period, go to game room activation at King George Square, Bne (8am – 6pm) & solve puzzles (in 3 mins) to unlock doors to find tokens - each token = 1 entry into draw (must fill in entry form via Rep's iPad onsite). Max 1 turn in game p/person p/day. Play as individual or as a team (max. 6 ppl). For teams, each person in team (18+) gets same # of entry/ies into draw as any token/s collected by team. Entry method 2: during promo dates (between 12.01am – 11.59pm AEST) visit www.wotif.com/vc/blog/summerescape & solve puzzle on screen to fill out entry form to get 1 entry into draw. Max 1 entry p/person for this entry method. Entries from both entry methods combined for draw, held at 12pm AEST 01/04/25, L13, 447 Collins St, Melb Vic. 3 prizes: 1st drawn wins $5000AUD Wotif.com Travel credit, 2nd drawn wins $500 Wotif hotel coupon, 3rd drawn wins $250AUD Wotif hotel coupon (use coupons to make booking by 31/08/25. Max 1 prize p/person (except in SA). Winners told by email & published on website 28/04/25. See website for full conditions incl. privacy statement. Promoter: Expedia Australia Pty Limited (ABN 12 101 694 946). SA Permit: T25/306 ACT Permit: TP25/00409
At this point in Australia's cinema history, audiences can be forgiven for wondering if homegrown movies have unearthed and told every outback tale there is. Filmmakers have surveyed the nation's ochre-hued terrain as a source of beauty, wonder, comfort, isolation, terror and horror many times over — and used it as a vast and striking backdrop, too — for decades via a multitude of genres. Splash almost any orange-tinted patch of the Aussie landscape across the big screen, and it instantly feels recognisable to even the most ardent of city dwellers, in fact. But the answer to the aforementioned query is an overwhelming no, as The Furnace shows. When the country's cinematic talent traverses this sunburnt and sprawling expanse we call home to explore stories steeped in our problematic past, it's impossible to run out of tales to unfurl. First-time feature writer/director Roderick MacKay sets his meat pie western — the term applied to Australia's spin on the genre, riffing on Italy's spaghetti westerns — in gold-rush era Western Australia. The year is 1897, and transporting freight requires a network of cameleers who trek across the desert. The men hail from India, Afghanistan and Persia, and are largely of Muslim and Sikh faith. They're also badged together under the label 'Ghan' by white Aussies, who treat them poorly and cruelly. As they trudge and toil, Indigenous Australians are far more welcoming. Of course, in stressing this fact, The Furnace isn't making a minor point. MacKay delivers a powerful interrogation of Australia as a multicultural nation, and as a country controlled by those who've done much over the past two centuries to ignore and erase that truth. Indeed, it shouldn't be lost on anyone that the film draws from a real chapter of the nation's story, and also a largely forgotten one — so much so that it's likely to introduce the cameleers' existence to many viewers for the first time. Hanif (Ahmed Malek, Clash), The Furnace's main point of focus, didn't choose to come to Australia or take up this line of work. So, when the young Afghan witnesses the death of his mentor at the hands of a white man, he's eager to earn the cash he needs to return home and leave his stint in the Aussie desert far behind. The Yamatji Badimia people he often spends time with on his travels, including leader Coobering (Trevor Jamieson, Storm Boy) and Hanif's friend Woorak (Baykali Ganambarr, The Nightingale), suggest that he stays and joins them instead — but, after stumbling across injured thief Mal (David Wenham, Dirt Music), he's determined to use half of his new acquaintance's stolen Crown-marked gold bars to finance his escape. Troopers led by the fervent Sergeant Shaw (Jay Ryan, IT: Chapter Two) are swiftly on the unlikely pair's trail; however, Hanif and Mal keep traipsing towards the eponymous smelter, where Mal promises they can melt down the precious metal to remove all traces of the government's ownership. Charting Hanif's journey — physically, and emotionally and spiritually as well — The Furnace is a patient film. It follows characters making a considerable trek, and it lets that sense of time infect the audience. Viewers feel Hanif's exasperation as parts of his life slip by in the sun-dappled dirt and dust. The movie forces those watching to fall into a rhythm, where there's no shortage of new developments complicating Hanif and Mal's quest, but there's no urgency either. That's a difficult feat, especially in a film that sees its central duo pursued by the law with increasing vehemence. The audience knows that Hanif and Mal's predicament is precarious and pressing, because it's apparent in every second after they first cross paths. But MacKay doesn't rush a moment, scene or vivid yet composed image, ensuring viewers also know that being in a hurry means something completely different when nothing but hellishness stretches out as far as the eye can see. It takes an immense amount of skill to realise exactly how long a story needs — not just to relay its plot, but to steep audiences in its characters' experience. If a movie feels too short or lengthy, it's usually because it has failed at this task. The Furnace perfects it and, in deploying the western genre's trademarks in an Australian colonial context, it serves up a stellar meat pie western in the process. The Proposition, Sweet Country, The Nightingale and the forthcoming High Ground have all done so since the turn of the century, and now have more company among the 21st-century's best examples. Perhaps less expected is the way that The Furnace also recalls the greatest addition to the western genre from anywhere over the past two decades: TV series Deadwood. While MacKay crafts an inherently and visibly Aussie story, he also taps into the acclaimed HBO show's canny understanding that trying to make something of oneself when a country is also in its fledgling phase of doing the same is not only complex, but brutal. In a movie that's unflinching in posing the kinds of questions about our national identity that we should always be asking, that above observation applies across the board. It's given flesh via Malek and Wenham's performances, but it's the former that's the star here — alongside Ganambarr, who is now two for two film-wise. Both Malek and Ganambarr are expressive actors who can convey as much through their gaze and presence as through words, which MacKay capitalises upon via prolonged, unedited shots. Actually, they're the reason that The Furnace's biggest struggle stands out, too. So much is subtle and lingering about this film, so it's immediately noticeable when some peripheral characters prove one-note and cartoonish. Such blunt instruments clash with a movie that's otherwise poured as carefully onto the screen as molten gold from its titular stove. https://www.youtube.com/watch?v=N8DT_zVzxhk
Gelatissimo brought us ice cream for dogs, a Weet-Bix flavour and a 100-percent vegan range and, now, for Easter it's getting suitably paschal. It's not only releasing a new flavour, but it's giving it away for free. The gelato chain has just launched a new Choc Cross Bun flavour, which, like its name suggests, combines traditional hot cross bun spices, chocolate gelato and chunks of actual chocolate hot cross buns. You can pick this up from one the gelato chain's 37 Aussie stores nationwide, or get it delivered to your door via UberEats, Deliveroo or DoorDash (yes, it's almost as omnipresent as God himself). It's giving away free tubs of this new flavour, too. In a new initiative called Scoop It Forward, Gelatissimo is inviting you to nominate someone who deserves some free dessert. So, if you've got a friend or family member who is working as a health professional, had to cancel their holidays or has just had a tough week, now may be the time to brighten up their month with a little bit of sweetness. You just need to head on over to the Gelatissimo website between now and midnight on Monday, April 13, add in some details about the person you think deserves free Choc Cross Bun gelato and the company will deliver as many boxes as they can to deserving folk across the country. It'll also be kicking off its Easter giving by donating some tubs to the nurses at the Prince of Wales Hospital. To nominate someone for free Choc Cross Bun gelato, head over to the Gelatissimo website before midnight on Monday, April 13. You can buy some for yourself over here.
From stocking fillers to well planned and executed surprises, Christmas gifting is upon us and we again find ourselves searching for the best presents. If the person you've pulled out of the hat this year is a little more hands-on and a little more inclined towards new tech than gig tickets or a bottle of wine, peruse this list with growing joy. We've compiled some of our favourite gifts for exactly that kind of person. From gadgets to classes and big kid's toys (see: BrewArt's swish home brewing kit), we've done all the thinking so you can sit back and use this time to relax before the flurry of Christmas arrives. Whether it's a gift for a co-worker you've only just met, someone you've known all your life or anyone in between, this guide has got something for the tech-minded, urban hobbyist in all of them. SPROUT PENCIL This multipurpose tool is the perfect kind of stocking filler for the avid home gardener who dabbles with a little writing on the side — or for anyone who needs to write anything down at all, really. The Sprout Pencil begins life simply as a humble writing instrument. But when too many memos have been written, and its size begins to diminish, simply stick the end of the pencil in a bit of soil, add some water and the seeds in the capsule on top of the pencil will sprout into a variety of herbs, flowers and even vegetables. Sprout Pencil, $6.95. Available here. TILE MATE People lose things from time to time, sure. But for some people, the regularity at which it happens is a little more than annoying. So for these people, we give you the Tile Mate. For things that are a little harder to locate, like a wallet, for example, this annoyance is greatly reduced, all thanks to this lightweight Bluetooth tracker. Slide this little sucker in your wallet, and you can track it down, wherever it may journey to. There's also the option of a key ring tile, for those who are of the key-losing variety. It's the perfect gift for that friend who would lose their head if it wasn't screwed on. Tile Mate, from $25. Available here. LEGO ARCHITECTURE SET While dreams of building your own shed or, even more lofty, your own home are all well and good, unless you have architectural training or something of the like, these grand design dreams may remain just that — dreams. For the passionate wannabe (or actual) architect, then, consider a LEGO Architecture set, which is essentially just LEGO for adults. Instead of the colourful bricks and smiling little dudes, these sets put the construction of city icons in your hands. Build your very own Eiffel Tower, towering Burj Khalifa or the Sydney Harbour Bridge complete with the Sydney Tower Eye. Your architecture-loving giftee may never build a massive city icon for all to admire, but they can surely build something special for the family to 'ooo' and 'ahh' at around the Christmas tree. LEGO Architecture, from $49.99. Choose a city here. BLACKSMITH INTRODUCTION CLASS Even though technological advances allow building and crafting to become easier as time marches on, the art of creating doesn't necessarily hinge on the newest toys and fancy gear. For anyone who likes to work with their hands and get that pride from a successful DIY project, the opportunity to pick up a few tips on one of the most ancient crafts is precisely what they'd like under their tree this year. Eveleigh Works run regular courses in the basics of blacksmithing, running over a weekend. From the basic theoretical knowledge to learning the tools to practising the trade, the class covers all the bases to help you master one of history's fundamental professions. Or at least have a bit of fun while learning. Sydney: Blacksmith Introduction I, $490; book here. Melbourne: Beginners Short Course, $490; book here. Brisbane: Blacksmithing Basics, $410; book here. BREWART PERSONAL BREWING SYSTEM The ultimate stage of pursuing the dream of self-sufficiency is the ability to brew one's own booze — and doing it well. For many commercial producers, it's a subtle art, perfected over centuries and, while there is a slew of personal brewing options available on the market, and though a lot of them are pretty good, it's never quite the same as it is straight from the tap at the pub. Enter BrewArt. It's the first personal brewing system that is fully automated, making brewing easier than ever before. Using BrewPrints, the corresponding combinations of ingredients inspired by great beers, the BeerDroid controls every aspect of the brew and can be personalised and controlled by an app, available on your phone. It's a matter of pressing a button on the BeerDroid (or the app) and waiting until the app says that the beer is ready. The BeerDroid also has a partner in the BrewFlo, the state of the art keg-meets-beer-tap. Far from the battered metal bad boys that sit out the front of your local, the sleek BrewFlo looks more like a coffee machine with an authentic looking tap handle. While the BrewArt Kegs keep your brew fresh, the BrewFlo then chills your beer when you're ready to serve. BrewArt comes in two parts the BrewFlo ($699) and BeerDroid ($799). Available here.
Running between South Brisbane's Grey and Manning streets, Fish Lane is the city's little roadway with a big impact. Everything from wine bars, beer cafes and rib shacks to hawker-style Asian restaurants, retro fish 'n' chipperies and famous gelato joints can be found along its expanse — and they've just scored four new neighbours. Already welcoming customers is Fish Lane's Next Episode, which combines getting a haircut with having a few beverages. The hip hop-themed spot is both a barbershop and a speakeasy — and to find the latter, you'll need to enter the main area, pick up the red phone on the wall and ask to be let in. Once inside, cocktails await, all with names to suit the venue's soundtrack and graffiti-style artwork. Gin and juice is one of them, and so is the vodka-fuelled 'I Got 99 Problems But a Drink Ain't One', the juniper tipple that is 'Hendrick's Lamar', and a bourbon and pear liqueur blend called 'Purple Drank'. Additional locations for both Kiss the Berry and DA'Burger round out Fish Lane's fresh class of newcomers, one slinging acai bowl and smoothies, and the other combining meaty burgs with 12 beers on tap. DA'Burger has expanded its range for its new store, too, adding vegetarian, vegan and gluten-free options. While the doors won't swing open until later this month, Grassfed ranks among the street's most exciting new inclusions. A collaboration between ex-Urbane chef Alejandro Cancino and Brisbane Vegan Markets' Jonny Garrison, it's a vegan burger bar that takes the meat out of everyone's favourite bread-based meal, but keeps plenty of flavour. Think mock pork, chicken and beef, as well as stacked veggie burgs, plant-based sides, cold beers and vegan ice cream. Find Next Episode, Kiss the Berry and DA'Burger on Fish Lane, South Brisbane. Grassfed will open from a yet-to-be-revealed date in December — we'll update you as soon as we know more.
The South Island is known for its breathtaking scenery. However, if you're a culture junkie, there's no end to the beautiful experiences you can have — and not just in a gallery. Whether you're into history, art, language or music, you're bound to find something (and often with a good feed to go with). We've curated a selection of experiences in the South all cultural but none that require the four walls of a gallery. THE SHERWOOD This little hotel is a gem in Queenstown's tourismscape. Perched on three acres of spectacular alpine hillside, with views over Lake Wakatipu and the Remarkables mountain range, The Sherwood is a true community hotel, built with the express intention of letting its guests connect with each other and with nature. Kitchen gardens service the holistic, natural dishes in its restaurant and the hotel has a community events schedule to boot. During your stay, attend a poetry slam, take a jewellery class or stretch it out at one of the regular yoga classes. With resident artists and writers and almost nightly live music, here, the culture comes to you 554 Frankton Road, Queenstown. FUSH Fush is not your ordinary fish and chippie. This family-owned eatery in Wigram aims to help diners integrate te reo Māori, one of New Zealand's official languages, into their conversations, by offering bilingual menus and using te reo phrases with customers. The fish and chips joint has even started offering free te reo Maori classes, accessible to anyone with the will to learn. What about the food? It's awesome — the fish comes pan-fried, coated or crumbed; hand cut chips are made from quality Canterbury spuds and the place is fully licensed, too. Have a sparkling with your order or a gin and tonic, and order a plate of shucked oysters or a smoked fish pie. It's all good. 104 The Runway, Wigram Skies. CHRISTCHURCH ARTS CENTRE A phenomenally beautiful space, the neo-gothic former home of the University of Canterbury is the heart of the arts in Christchurch. A community centre with events, stores and exhibitions, the Christchurch Arts Centre has something for everyone. If you're after some pieces for your home, visit Frances Nation, a beautifully considered homewares store inside the centre. Owner Tessa Peach stocks quality goods made from natural materials; they're New Zealand-made, functional pieces you will love forever. It sums up the ethos of the centre, really — full of heart and authenticity. 2 Worcester Boulevard, Christchurch. THE MUSSEL INN Golden Bay isn't really Golden Bay without The Mussel Inn. Worth the trip to the northwest Nelson region, this is a beloved watering hole for locals and visitors alike. After a day lounging on the beach, sink in for a night of live music and bevs. While there's no knowing who's going to show up on the bill, every week brings a new lineup of artists to the place. That's one of the beauteous things about the Inn. The team also brews its own beers, ciders and soft drinks. We'd recommend the feijoa cider if it's on tap. 1259 State Highway 60, Onekaka, Golden Bay. THE CHRISTCHURCH FARMERS' MARKET Luxe porridge? Fresh produce? People watching? You'll find it all at the Christchurch Farmers' Market, one of Aotearoa's first markets. The best way to experience a new place is to go where the people are — and on a Saturday, they're all in Riccarton buying wholesome seasonal goodness. Held on the doorstep of Christchurch's founding family's home, Riccarton House, and perched beside the Avon River, the market boasts over 80 stalls selling everything from veggies to coffee, cakes to organic dog biscuits. 16 Kahu Road, Riccarton, Christchurch. LARNACH CASTLE If history is your thing, head to New Zealand's only castle. Nestled in the beautiful Otago Peninsula, the castle was built in the 1870s by bank manager and cabinet minister William Larnach to house his large family. Restored to its former glory by the Barker family, the home and grounds are open every day of the year. While it may be considered a 'mock' castle, it's a magnificent site to see with Italian marble, Welsh slate, English floor tiles, Venetian and French glass, Kauri ceilings, rimu floors and honeysuckle panelling featured throughout. 145 Camp Road, Dunedin. MARLBOROUGH SOUNDS MAILBOAT Come summer, there may be no cruisier way to explore the Marlborough Sounds than aboard the Picton Mailboat. Hop aboard and join in on mail day, with commentary from your skipper on the history of the Sounds, the people who have lived there and those who call the area home today. Each journey is different, depending on where the post bags, groceries and freight need to go. Keep an eye out for dolphins and other wildlife, and make a stop at Ship Cove, where Captain James Cook stopped to replenish The Endeavour. Start planning your trip to New Zealand's south with our guide to the South Island journeys to take here.
We all like to feel like a rockstar every once in a while. It's why we suit up to head to the theatre, to that new restaurant, or for a night out with your favourites. But true rockstars also live the lifestyle at home, not just in the VIP room of a nightclub. With help from our partner Moët & Chandon, we've come up with seven creative ways to lift your hosting game at your next dinner party or take your chilled out night on the couch to absolute baller status. Just think of us as your personal assistant, which is very Mick Jagger of you. [caption id="attachment_657569" align="alignnone" width="1920"] Trent van der Jadt[/caption] ORDER IN, BUT MAKE IT GOURMET A low-key night at home bingeing the latest season of Peaky Blinders or Chilling Adventures of Sabrina (no judgement here) doesn't have to mean a microwaved dinner and a $7 bottle of wine. When you're living it up, the world is your oyster — or your perfectly cut rectangle of raw tuna. Order a sushi or sashimi platter, edamame and all, from your favourite Japanese joint (check out our picks of the best ones in Brisbane, Sydney and Melbourne), and instead of pairing it with a beer, pop open a bottle of Moët & Chandon Rosé Champagne. The minerality and acidity of the wine pairs well with the freshness of the fish. To make the night extra special, hook up one of those little projectors to your laptop and, voila, you have your own in-house cinema. [caption id="attachment_758794" align="alignnone" width="1920"] Daria Shevtsova[/caption] DIY YOUR NEXT BOTTOMLESS BRUNCH Bottomless brunches are all the rage right now. It seems like every bar or cafe offers a similar deal, but instead of arranging to meet your mates in the city we're betting you can do it one better at home. Invite your crew around for a feast with stacks of fluffy pancakes, bowls of fresh fruit, sticky maple syrup and bottles of rosé champagne. Keep the pancakes warm and fresh by covering them with a clean tea towel and popping them in a 90-degree oven until you're ready to eat. Keep the bubbles on ice and don't forget the strawberries for your pancakes. [embed]https://open.spotify.com/playlist/37i9dQZF1DX1tyCD9QhIWF[/embed] GET SOME SWAG TUNES GOING Whether you're having people round for brekkie, lunch, dinner or wine and cheese, it's crucial to pick the right tracks to create the right mood. Put together your own list of tunes, or have a scroll through Spotify. There really is something for every occasion — like this selection of bossa nova covers for your next dinner soiree, or these summer jazz jams ideal for when you're sipping bubbles on your balcony on a warm afternoon. For something a little louder, there's a poolside party mix, all of rock's biggest legends in one playlist, and these bangers (above) that'll make you feel like a boss. Don't be shy with the soundsystem and crank up the music. [caption id="attachment_758750" align="alignnone" width="1920"] Erik Dungan[/caption] TAKE YOUR CHARCUTERIE PLATTER TO THE NEXT LEVEL The high life is about having the best of the best, so head to your local deli for some proper charcuterie — try La Parisienne Pates in Melbourne, Omeio Artisanal Deli in Sydney and Brisbane's Rosalie Gourmet Market. Moët & Chandon Rosé Champagne pairs remarkably well with cheese and red meat, as it's made by mixing pinot noir and meunier grapes the flavour combinations work with mortadella, jamon and prosciutto, as much as they would with strawberries, olives and a fragrant goat's cheese. [caption id="attachment_758779" align="alignnone" width="1920"] Rene Asmussen[/caption] HIRE A PRIVATE CHEF Save yourself from a cooking disaster and hire a professional to get the job done. Do you think Post Malone, Lizzo or the guys from Metallica do their own cooking when hosting a dinner party? Definitely not. There are plenty of services around Australia that will help you find a personal chef for your occasion, and the prices often match what you'd spend on a meal at restaurant — except this time there's no reason to rush you through your courses. Plus, you have the benefit of looking like a rockstar to all your guests. Check out At Your Table or Take A Chef, who operate around the country, or Intertain, which is available in Sydney and Melbourne only. [caption id="attachment_734878" align="alignnone" width="1920"] Mud Australia[/caption] GO OTT WITH YOUR TABLE SETTING It's not enough to hire a private chef and pick the perfect playlist if you're going to serve food on a mismatched selection of op-shop plates. Start with a dark linen tablecloth, cloth napkins and personalised place cards, so your guests feel like rockstars too. Make sure you have matching crockery — you can get some gorgeous sets to suit all budgets from places like Kmart and Ikea, but when you want to invest in quality tableware we suggest shopping at Made In Japan or Mud Australia. Finish it off with candles, metallic cutlery, fresh-cut blooms and, if you're dining al fresco, Moët & Chandon rosé goblets. [caption id="attachment_758791" align="alignnone" width="1920"] Bruce Mars[/caption] TURN LEFTOVERS INTO A MIDNIGHT SNACK FIT FOR A KING Nothing makes you feel like a grub quite like snacking straight from the fridge in the middle of the night. It's time to give midnight snacking the respect it deserves. It doesn't have to be a three-course meal, but you can easily revamp your leftovers by reheating them in the oven (never the microwave), throwing together an omelette, casserole or salad — or just sticking with cold pizza. Whatever you come up with, do yourself a favour — set the table, pop on some tunes, use a plate and pour yourself a glass of rosé champagne (if you didn't already polish off the bottle). Moët & Chandon's Rosé Impérial is a fruity and elegant champagne with gooseberry, raspberry and wild strawberry notes. Find out more here.
It has been five months since Queensland's Containers for Change refund scheme launched, hot on the heels of the state's single-use plastic bag ban. And, like the move away from disposable shopping containers, it's already having an impact. In the initial two months of the CRS, it received more than 102 million empty drink containers — and across its first five months, that number has now rocketed up to over 400 million. That's 400 million water bottles, beer cans, juice containers and more that aren't sitting in landfill or headed to our waterways, all since the scheme was rolled out on November 1, 2019. As well as recycling a hefty amount of aluminium, glass, plastic and steel items, the regime has also paid out a sizeable sum to eco-conscious Queenslanders. Money is a great motivator, obviously, with ten cents per eligible vessel refunded. So far, the scheme has paid more than $40 million to participants. The figures exceed initial expectations, with "container redemption volumes about a third higher than forecast," according to Minister for Environment and the Great Barrier Reef Leeanne Enoch. In the first ten months of 2018, nearly three billion beverage containers were used by Queenslanders — so while returning 400 million bottles and cans since November still represents a mere fraction of the recyclable containers in use across the period, it's definitely a promising start. More collection and refund points continue to be added to the scheme, with 270 now set up — an increase from the 230-plus available when the CRS launched. For more information, visit the Containers for Change website — or check out our how-to guide.
Much about this last week of March has felt like history repeating itself — initially for Brisbanites, and now for anyone with an Easter date with Bluesfest. For the second year in a row, the Byron Bay festival won't be going ahead, with NSW Health announcing that a public health order has been signed that cancels the 2021 event. The long-running festival was set to return to Byron Events Farm (formerly Tyagarah Tea Tree Farm) just outside Byron Bay from Thursday, April 1 — for the Easter long weekend, headlined by Jimmy Barnes, Tash Sultana, Ocean Alley, Ziggy Alberts and The Teskey Brothers. But, as happened last year, COVID-19 has gotten in the way. NSW Health has advised that the move has been made "to minimise the risk of the highly infectious COVID-19 variant of concern being transmitted in the local area, as well as across states and territories." Over the past weekend, between Friday, March 26–Sunday, March 28, Byron Bay was visited by two people who later tested positive to COVID-19 as part of Greater Brisbane's current cluster. Today, Wednesday, March 31, NSW Premier Gladys Berejiklian announced that one person in Byron Bay has since tested positive as well. And, the Premier also advised that from 5pm AEDT today until at least 11.59pm on Monday, April 5, the Byron, Ballina, Tweed and Lismore shires will reinstate a number of social distancing restrictions. So, they'll be in effect exactly when Bluesfest was due to run. The north coast regions will revert back to 30-person caps for at-home gatherings, and will reintroduce the one person per four-square-metres rule at all indoor public settings, including hospitality venues. Folks in the area will also have to sit, not stand, while having a drink. And, masks will be compulsory on public transport, in retail settings and indoors in public places. [caption id="attachment_800519" align="aligncenter" width="1920"] Andy Fraser[/caption] "Infectious Queensland travellers attended a number of venues in the Byron Bay area and the new locally acquired case was infected at one of these venues," said NSW Health in its statement. "NSW Health acknowledges that the cancellation of Bluesfest is disappointing for ticket holders and event organisers; however, while urgent investigations and contact tracing are ongoing, NSW Health is adopting a cautious approach to keep everyone safe." Minister for Health Brad Hazzard noted that "while the cancellation of Bluesfest is disappointing for music lovers and the local community, I hope that ticket holders would support Bluesfest and hold on to their tickets as I understand Bluesfest will be working on a new date as soon as possible." At the time of writing, Bluesfest hasn't made a statement about the cancellation. Via the festival's last social media posts earlier today, event organisers said that an update was coming soon. NSW Health advised that it wished "to acknowledge the outstanding cooperation of Mr Peter Noble and his organising team, who were working hard to ensure Bluesfest would be conducted in a COVID-safe manner." For more information about the status of COVID-19 in NSW, head to the NSW Health website. Top image: Joseph Mayers
We've seen some cool ideas for putting solar cells in novel places, and everyone agrees that being able to better harness the sun's energy would go a long way to solving our energy problems. But perhaps it's time we thought a bit bigger than solar-charging furniture... a lot bigger. Like, evil-scientist scheme big. It just so happens that scientists at Japan's Shimizu construction corporation (who aren't evil — probably) have been thinking big for us. They are proposing that we use the moon as a giant solar farm, laying the surface with a ring of photo-voltaic cells to capture some of the 13,000 terawatts of solar energy that hits the moon each day, then beaming it back to earth via laser or microwave. Although LUNA RING sounds like something out of a sci-fi novel, the technology required for such a project already exists. What keeps the project from becoming a reality immediately is the, pardon the pun, astronomical cost. Such a massive venture would have an incalculable benefit for the entire world, and would probably require the co-operation and support of the entire world. Given that the world can't organise a football tournament without a few problems, this might be one world-saving project that never gets off the ground. Which would be a great shame. [via geeksaresexy]
Crispy, sweet, stuffed with a creamy filling and made in a variety of flavours, there's only one thing wrong with cannoli. No matter how many that you happen to devour in a single sitting (admit it — no one just eats one), it never feels like you've ever had enough. If you know that sensation all too well, then you might want to tempt your tastebuds down to Locale on Saturday, April 11. For one day, the Newstead cafe is bringing back its cannoli pop-up bar. Adjusting to the current situation, it's strictly a pre-order-only affair — so head online, fill out an order form, send it through and then wait for your allocated collection time (which'll be between 8am–12pm). Feeling hungry? There'll be six kinds of the Sicilian pastries on the menu, with vanilla creme and traditional chocolate ($4 each) flavours waiting, plus ricotta and chocolate chip, and tiramisu ($5 each), too. If you're eager for something extra special, you can also opt for a limoncello cannoli ($5 each) — or go all out with a cannoli dip Easter egg ($9.50 each). If you're choosing to go out and support local businesses, have a look at the latest COVID-19 advice and social-distancing guidelines from the Department of Health. Images: Locale.
It's time to get the word "Jellicle" stuck in your head once more: to mark 40 years since it first hit the stage in Australia, Cats is prowling through theatres again in 2025 and 2026. Back in July 1985, Aussie audiences initially experienced Andrew Lloyd Webber's acclaimed production, which turned a tale inspired by poems from T.S. Eliot's Old Possum's Book of Practical Cats into an award-winning theatre hit. In Brisbane, your next chance to see Cats starts from Friday, February 6, 2026. Four decades ago, the show pranced through Theatre Royal Sydney to begin with — and after a stop there, then Adelaide, Perth and Melbourne, too, the new season is scampering across the boards at QPAC Lyric Theatre in the Queensland capital to help you make some new Cats memories. If you're new to Cats, it spends its time with the Jellicle cat tribe on the night of the Jellicle Ball. That's the evening each year when their leader Old Deuteronomy picks who'll be reborn into a new Jellicle life by making the Jellicle choice. And yes, "Jellicle" is uttered frequently. Of late, audiences might be more familiar with Cats as a movie. In 2019, the musical made the leap from stage to screen with a star-studded cast including Idris Elba (Hijack), Taylor Swift (Amsterdam), Judi Dench (Belfast), Ian McKellen, (The Critic) James Corden, (Mammals) Jennifer Hudson (Respect), Jason Derulo (Lethal Weapon), Ray Winstone (Damsel) and Rebel Wilson (The Almond and the Seahorse) playing singing, scurrying street mousers. If you ever wanted to see Swift pouring cat nip on a crowd of cats from a suspended gold moon, or were keen to soothe your disappointment over the fact that Elba hasn't yet been James Bond by spotting him with whiskers, fur and a tail, this was your chance. For its efforts, the Tom Hooper (The Danish Girl)-directed film picked up six Golden Raspberry Awards, including Worst Picture. But while the movie clearly didn't hit the mark, you can see why this feline-fancying musical has been such a huge theatre hit thanks to its Aussie stage comeback. Images: Alessandro Pinna.
Sydney knows it thanks to Vivid. Melbourne's RISING makes the same point clear. No matter the place, there's nothing like a city lit up with glowing lights, outdoor art installations and projections in winter. Since debuting in 2021, Illuminate Adelaide has embraced the same idea each year in the City of Churches — and 2024's just-dropped full lineup includes more than 40 works that'll dazzle the city, plus everything from after-dark puppetry in the zoo and a digital garden to Max Cooper and Sonic Youth's Kim Gordon. And Fire Gardens. Back in April, Illuminate Adelaide revealed that the French art collective Compagnie Carabosse would headline the fest with its acclaimed piece, which will fill Adelaide Botanic Garden more than 7000 fire pots, sculptures and terracotta urns. While it'll be the event's scorching centrepiece from Thursday, July 4–Sunday, July 21, the highlights keep coming on the complete program. [caption id="attachment_953096" align="alignnone" width="1920"] Andrew Beveridge[/caption] Much of the brightness in the South Australian at Illuminate Adelaide comes via the City Lights program, which will span those 40-plus free site-specific works over 17 days. The class of 2024 features Renaissance artworks coming alive, interactive lights inspired by the moon's phases, the harp becoming a light-and-colour experience, illuminated street furniture, blue fireflies and more. The World Has Gone Pear Shaped — a large-scale, six-metre-tall inflatable sculpture that turns earth into a pear to muse on humanity's impact upon the planet — is sure to be standout. So is intangible #form by Japanese artist Shohei Fujimoto, which uses lasers, strobe lights, other moving lights and haze to create a multi-sensory piece across an array of rooms. You'll be swinging at Spectrum of Happiness, and as you do you'll create a rainbow. And Tjarutja Dance Theatre Collective Project's Ngarrindjeri Ruwi tells the Ngarrindjeri tale about Kondili, the whale that projects the spark of fire. [caption id="attachment_953092" align="alignnone" width="1920"] Artec House[/caption] Puppets roaming outside have increasingly become a key component of arts festivals of late — Parrtjima in the Northern Territory just proved this true in April — so of course Illuminate Adelaide has incorporated the trend into its lineup. Cue Universal Kingdom: Prehistoric Nights, a brand-new blend of puppetry and animation from Erth Visual & Physical Inc and A Blanck Canvas that'll take over Adelaide Zoo. A glowing dinosaur skeleton with a giant skull and a ribcage that you can walk through, ancient critters wandering along, an eight-metre animated plesiosaur in the sky: they're just some of its elements. Similarly immersive and built for folks to mosey around is interactive digital garden EDEN, which splashes its nature paradise across 150 square metres of LED screens — and will be accompanied by The Light Room Bar for bites and beverages. [caption id="attachment_953094" align="alignnone" width="1920"] Erth[/caption] Bridging the gap between Illuminate Adelaide's art and music bills, Max Cooper's 3D AV gets an Australian-exclusive run. Hindley Street Music Hall will welcome in its audio-visual display, which adapts each performance to its venue so no show is the same as any other. Sonic Youth's Kim Gordon and Dutch pianist Joep Beving are also on the program, the former as part of experimental music fest Unsound Adelaide within the broader fest. Its lineup features The Caretaker doing his first Aussie show, plus Yirinda, 33EMYBW, Eiko Ishibash, ∈Y∋ with C.O.L.O. and more. [caption id="attachment_953098" align="alignnone" width="1920"] Danielle Neu[/caption] And if that's not enough to enjoy around Adelaide, Hayao Miyazaki's Nausicaä of the Valley of the Wind, one of the Studio Ghibli great's very best films, is getting a free screening; Patch Theatre's family-friendly Superluminal uses lanterns that change colour in your hand, paired with nature sounds; and Fill the Earth combines physical performance and visual art, plus dance and video, on a 3.5-metre round stage. Pop-up bar and eatery hub Base Camp is back for its fourth year, too, complete with its own interactive light show, while Live @ The Lab will add more live tunes to the program. [caption id="attachment_953093" align="alignnone" width="1920"] florafaunavisions[/caption] [caption id="attachment_953100" align="alignnone" width="1920"] Alex Kozobolis[/caption] [caption id="attachment_953099" align="alignnone" width="1920"] Oscar Lewis[/caption] [caption id="attachment_953090" align="alignnone" width="1920"] Frankie The Creative[/caption] [caption id="attachment_953101" align="alignnone" width="1920"] Saige Prime[/caption] [caption id="attachment_953102" align="alignnone" width="1920"] Samuel Graves[/caption] Illuminate Adelaide 2024 runs from Thursday, July 4–Sunday, July 21. Check out the festival's website for the full program and to grab tickets. Top image: Amigo and Amigo. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
