For two days each May, most of Brisbane heads to Musgrave Park to pretend they're in the Mediterranean. Yes, it's Paniyiri time again, with the city's massive Greek festival taking over West End with quite the array of food, drink, partying and more. There's a reason that more than two million people have gone along over the past four decades. In the event's 41st year, there's grapes to stomp, coffee to sip and plates to smash, plus TV stars to rub shoulders with and cooking demonstrations to watch, too. And, it wouldn't be Paniyiri without everyone's favourite entertaining displays. If dancing is more your style, watch Greek Dancing with the Stars or celebrate 40 years of the Hellenic dancers. If devouring as much as you can is your idea of fun, take part in the festival's regular food contests. Can you eat more olives or honey puffs than anyone else? Here's your chance to find out. Because you're never too old to try new things, Paniyiri has also added something different to the mix in 2017: The Plateia, which aims to recreate the sights, tastes and smells of a traditional Greek Village. Inside, you'll find Greek coffee, a sweet shop selling desserts, a seafood tavern cooking fresh octopus on the coals, a wine bar serving up Greek brews and tipples, and a traditional taverna whipping up souvlaki. Make sure you leave room for some haloumi, calamari and dolmades as well.
Break out the hairspray — or, find your best big wig: glam rock is coming to town. Lycra, spandex, face paint, leather, ear-piercing screams and oh-so-much gyrating are all certain to be on the bill as well. Of course, The Triffid's latest shindig might be as much about the outfits as it is about the music, but don't think the latter won't be banging a gong. At Spandex 2017: A Celebration of Glam Rock, Old Fashion, Driving Conditions, Elko Fields, Chelsea Rockwells and Hell & Whiskey will be breaking out the '70s and '80s hits come 7pm on May 12. If you love to boogie, get down and get with it. Jumping from the style's beginnings with David Bowie and his UK cohort through to the hair rock that followed, there'll be plenty of glam goodness. Guns N' Roses, Mötley Crüe, Queen, Van Halen, Skid Row, Twisted Sister, The Darkness, Poison, Sweet, Warrant and Joan Jett will all pop up on the playlist, so, like Axl once shouted, you'll be taken down to paradise city.
"Show me what you got!" someone will yell at The Brightside after 8pm on May 13. Don't worry, armaheadon isn't here — but you will want to get schwifty. How many folks will sing the tune Rick and Morty came up with to appease song-loving aliens and save the earth? Plenty. And the live karaoke comp is just one part of the Warner Street venue's Adventures through the Multiverse. Getting into the partying spirit to celebrate the news that Rick and Morty season three is coming (after dropping the first episode as an April Fool's gag, it'll arrive at some point over the US summer), and certain to be garner as much enthusiasm as Mulan McNugget Szechuan teriyaki sauce, the Brighty's shindig keeps the fun coming with plumbus temporary tattoos, an adult jumping castle and free face masks on entry. While you're living it up like an eccentric scientist and his constantly distressed teenage grandson, you can listen to renditions of TV and game theme songs by The Morty's, as well as other tracks spun by special guest DJs Mulan McNugget Sauce (aka Sophie Luna) and DJ Taylor Schwifty (aka Aimon Clark). Expect video games on the big screen too, which might be the next best thing to interdimensional cable, and more themed cocktails than even Rick could drink in one sitting. Plus, don some brown pants and a white lab coat, dress up as Birdperson or summon your inner Mr Meeseeks to squanch yourself a chance to win a $100 venue card. Be there, or be Jerry.
As much as we all might want to, not everyone can make it down south for the Melbourne International Comedy Festival. No, we're not happy about it — but it's time to turn that frown upside down, because you can go to the next best thing. Yes, the Melbourne International Comedy Festival Roadshow is back for another year of touring hilarity. Bringing the best of the fest to the Brisbane Powerhouse, its showcase of highlights and hijinks is almost like being there. This year's line-up of local and international acts is certain to tickle your funny bone, with Dave Callan, Carl Donnelly, Andy Saunders, Daniel Fernandes and Sharul Channa on the bill. Catch all five funny acts live on stage during one chuckle-heavy set, trading their best jokes for your loudest laughs.
He has played Rocky and Rambo, commanded The Expendables, told people "Stop! Or My Mom Will Shoot" and is set to show up in Guardians of the Galaxy Vol. 2. Yes, he's none other than Sylvester Stallone, and he's one of the kings of the '80s — particularly when it comes to average then, amazing now action flicks about elite cops and arm wrestling comps. Yes, you read that last part correctly. After making four Rocky flicks, two Rambo movies and even directing Saturday Night Fever sequel Staying Alive, Stallone added Cobra and Over the Top to his resume in 1986 and 1987 respectively — and now, Netherworld is adding them to their Two Bit Movie Club. The arcade bar will play the films, SBS Comedy's Ben McLeay will host, you'll watch surrounded by games, and everyone will feel like they've stepped back in time. Now that's a might fine way to spend a Sunday evening.
"I know it's only rock 'n' roll, but I write about it," sang no one, officially — though if anyone was going to paraphrase the Rolling Stones to describe the relationship between writing and music, it's probably someone at Australia's only literary festival dedicated to the two. After launching in 2016, A Rock & Roll Writers Festival returns for a second year of tackling tunes-inspired text from April 1 to 2 at the Old Museum. Crooning, scribbling: both are encouraged at the weekend-long event; however it's chatting about both and how they intersect in panel and interview sessions that proves the fest's catchy refrain. Here, authors, artists, journalists and musicians come together to discuss the relationship between art and freedom, stereotypes of rock 'n' roll stardom, the role of music criticism and the way that a picture can convey the vibe of a live gig, among other topics. And, not only will they trade words about songs in what are certain to be energetic and melodic conversations, but you can head along to watch. The lineup features everyone from rockers Adalita and Tim Rogers, to radio stars Zan Rowe and Rhianna Patrick, to writers Nick Earls and Iain Shedden — plus Rolling Stone Australia editor Rod Yates and seasoned music photographer Sophie Howarth, too, from a speaker list that just keeps on keeping on. If you're looking to get your toes tapping before all their talking, the festival has also put together a handy compilation of playlists from this year's guests to really put you in the rock 'n' roll mood.
If there's one thing that Brisbanites like more than talking about our weather (it's hot — we're with you), it's a good old-fashioned music tribute. Songs, bands, fallen stars, the year that was: we're only a couple of weeks into 2017, but the calendar has been full of them. At Ric's on January 28, Bob Marley is in the spotlight. If you're wondering why, we'll counter with the obvious: why not? What would've been his 72nd birthday is just around the corner, but this evening of tunes is all about celebrating his life and legacy. As well as renditions of the likes of 'I Shot the Sheriff', 'No Woman, No Cry', 'Is This Love' and 'Buffalo Soldier', attendees can enjoy the musical stylings of Shem Reggae, the only Aussie artist who has worked with members of the Wailers. So, get up, stand up and make your way to the Valley for a night of Marley magic to remember.
Forget everything you think you know about Australian films, such as the silly ideas that get splashed around every couple of years. No, they're not all the same. Yes, we do like to watch them. And yes, our history is filled with ace gems beyond the obvious. In fact, we made a genre our very own back in the 1970s and 1980s, and none other than Quentin Tarantino became such a fan of Aussie flicks that he cast John Jarratt in Django Unchained. We're talking about Ozploitation, aka the violent delights that became cult hits. A hitchhiker used as bait by a serial killer? A town being subject to experiments that cause rapid body decomposition. Who doesn't want to watch those? The specific films in question are the Jamie Lee Curtis-starring Roadgames, as well as Body Melt featuring a young Lisa McCune and Andrew Daddo, and they're the main attraction at Kristian Fletcher's Ozploitation Double Feature at Metro Arts on January 27. Heading along with net you two things: a great night at the movies, and an even deeper appreciation for our national cinema.
15 years after the original, and 12 years after the first sequel, is anyone really clamouring for a third xXx? Probably not, but then again, there was also a time where nobody was all that interested in a new Fast and the Furious movie either, and now it's one of the most popular film series' in the world. xXx: Return of Xander Cage has a lot in common with the recent films in the automotive franchise, beyond the chrome dome and cocky attitude of their shared leading man. In an age where so many Hollywood action flicks are bogged down by pomposity and existential angst, these Vin Diesel vehicles offer dumb fun at its absolute finest. The major difference between the two franchises is that, while the Fast and Furious films play fast and loose with the laws of physics, Return of Xander Cage scarcely bothers with them at all. In reintroducing extreme athlete turn super spy Xander Cage (Diesel) by having him ski – yes, ski – through a Dominican rainforest, director D.J. Caruso and screenwriter F. Scott Frazier make it abundantly clear they have little interest in telling a story set in the real world. Frankly, that's fine by us. This isn't Jackie, damnit, this is xXx! It's hard to imagine anyone in the audience will actually care why a cabal of super crims want to steal a piece of hardware capable of turning satellites into projectiles. The important thing is that Cage is out to stop them, and he's going to look dope while he does it. Diesel is joined by an outstanding set of supporting players, each sexier and seemingly less suited to the world of international espionage than the last. Hong Kong and Thai martial art stars Donnie Yen and Tony Jaa, Bollywood icon Deepika Padukone, and Australia's own Ruby Rose are just a few of the names on the roster – and while their roles are thin and their dialogue often painfully cheesy, the cast never seems anything less than 100 per cent committed. The same can also be said for Toni Collette as a tough-as-nails CIA handler. Nothing the character does makes a modicum of sense, but we'll be damned if Collette doesn't make her entertaining to watch. If nothing else, Return of Xander Cage deserves considerable credit for the diversity of its cast. It's hard to think of a recent ensemble blockbuster that featured fewer white men – and while part of that probably has to do with the involvement of Chinese investors behind the scenes, it also fits in nicely with the film's political throughline. There's no flag waving here – indeed, an attempt by the CIA to appeal to our hero's sense of patriotism is met with a quip: "there are no more patriots, just rebels and tyrants." Outsiders all, Cage and his fellow daredevils have no time for authority, or the overreach of a system that puts security before civil liberty. And while it's a stretch to call the film a reaction to a Trump presidency, his ascension makes the film's rebellious spirit and multicultural flavour that much more appealing. Having said that, no one is buying a ticket to the new xXx movie to get a hot take on global politics. They're buying it to see things go boom – and go boom they certainly do. Caruso and co. deliver big time on the action, crafting set-pieces that (mostly) manage to toe the line between knowingly silly and genuinely exhilarating. It's hard to think too hard about the gaping holes in the plot when Vin Diesel is riding a motorbike underwater. And who said cinema was dead? https://www.youtube.com/watch?v=MQEFmHsseaU
Pinball-loving folks, you'd best give your fingers a workout — one Sunday each month, you're going to need them. We're not suggesting that your digits don't come in handy every other day, but you'll want them fit and flexible when Saccharomyces Beer Cafe, Young Henry's Brewing Co and Retro Toys combine for the ultimate end-of-week button mashing session. That's when all of the above thrown open SBC's doors for their regular social pins (which might just be an excuse to drink, flip balls and be merry, but hey, you don't hear us complaining). Entry costs $15, but once you handed over your cash, all your playing is taken care of all day. And, you'll get a frosty schooner for your troubles. Competition-wise, expect to start practising from 10am, then work your way through the qualifying rounds — playing four machines twice each — to try to reach the four-person finals. There will be other mini contests throughout the day, but keep your eyes on the big prizes. Yes, beer is involved in each and every one of them.
Welcome to a brave new world, art, film, media and culture fans. What's that, you ask? Well, it's a world in which thinking about the science and sensation of looking and viewing in this technology-heavy, screen-focused times is going to become one of our most frequent pastimes. We don't just like to watch and observe, these days. We also like to contemplate how and why. Truly stepping into the space where art and analysis combine, Christopher Handran's The Curve of Sensations both offers audiences an experience and asks them to think about it. Displaying at Metro Arts until March 1, the exhibition ponders and deconstructs all of those domestic devices, and the content that plays on them, that we all know, use and love. Expect a spectacle that will make you consider the very forms of media in front of you — which is what all great art, screen or otherwise, should do, isn't it? In terms of impact, Handran is aiming big, given that he takes the showcase's name from research into cinema pioneers Louis and August Lumiere. Without them, watching as we know it would't have been possible.
Ever feel like your life is going in circles? Ever wondered if that could be a good thing? Don't go accepting your quarter-life malaise just yet, because we're actually talking about giving your hips a big ol' swing. At Work-Shop's Hoop Dreams classes, you'll forget all your troubles and embrace all things circular thanks to a toy you probably haven't thought about in years. Yep, that'd be the hula-hoop. You'll step into its round confines, start moving your core, and then try to holdback the smiles and giggles. Plus, Claire Odgen will be on hand to help, just in case hula-hooping doesn't come naturally. As well as plying her talents around town, Odgen started her own circus school back in 2009, so you know you're in good hands — or with good hips. Image: via S. Pakhrin.
If you have a smartphone — and who doesn't? — then you've probably heard that blue light is bad for you. That's the shade of illumination that device you can't stop pawing at emits, and it's also the reason that you mightn't sleep so soundly at night. So, that's one side of the lighting spectrum. On the other sits the soothing tones of pink, glowing brightness. If blue light keeps you awake, pink keeps you calm — and doesn't artist Corrie Furner know it. Her latest exhibition champions that very concept in its name, and demonstrates it in its pieces. Here, you really will keep calm and carry on. Or, you'll head to Metro Arts between February 15 and March 4 for a dose of light-based relaxation that will also force you to explore the how and why. Expect many a flickering, but of the good kind. Strobe lights are out, sources of light that reset your equilibrium are in.
Not in love with love? Lacking adoration for public displays of affection? Feeling less roses and hearts, and more thorns and sadness? For anyone whose life can't be summed up by a greeting card, Valentine's Day can have that effect. We've all been dumped at least once. We've all nursed a broken heart. We've all cursed the annual February celebration of buying overpriced flowers and chocolate. Now, at The Brightside on February 18, we can all enjoy the antidote to this much-too-romantic time of the year. At The Break Up Party, songs that everyone commits to heart when their relationship heads to quitsville is on the playlist. Yes, it's going to be oh-so-cathartic. If you're flying solo, it's the anti-love party you've been waiting for. If you're attached but can't abide the sickly sweet side of things, it is too. Granola Boy, New Age Notion and Sleepwell will provide the tunes — epic break up songs, of course — and bucket cocktails will help get you in the mood.
When it comes to taking to the streets, spraying some paint around and stencilling up a storm, Banksy isn't the only artist worth celebrating. In fact, street art is thriving in Brisbane — so much so that there's now a returning festival dedicated to it. That'd be the Brisbane Street Art Festival, which unleashes its second iteration around the city from February 11 to March 3. If you're wondering just what it involves, let us throw a few numbers your way: 61 artists, more than 30 venues, and one satellite mini-fest in Nambour, just for starters Everything from live graffiti to projections in public spaces to plenty of parties are on the bill, and at places as varied as Red Hill's old Skate Arena, the Queensland Museum and many a street around the city, too. If that all sounds rad — and it really does — then you have no excuse not to take part. Did we mention that performances, classes, pitch sessions, workshops and even sonic cinema are on the bill too?
The key to being happy at this hectic time of year is simple: good tunes equals good times. With that in mind, why not join local band Good Oak for their festive contribution: The Second Annual Good Oak Xmas Party. On December 17 from 4pm, they'll be taking over The Triffid for some rockin' merriment, and they won't be alone. It ain't no party without a heap of other bands strutting their stuff, so expect Sahara Beck, Harry Hookey, Nat Dunn, Big Bad Echo and Brad Butcher to be in attendance too. The good news keeps on coming, with the gig entirely free, the sounds certain to stir up some Americana-style vibes, and other friends and guests expected. All that's left is for The Shambolics to play their first ever show, and for you to turn up.
Brunch isn't just something you eat after you've enjoyed a weekend sleep in. And it's not just an excuse to gorge on breakfast, lunch and a few cheeky mid-morning beverages all at once. It's both, as well as an occasion that's always worth celebrating. That's why, after throwing a series of brunch-themed shindigs in November, Cloudland is doing it all over again on December 18. It's a concept that has been happening in New York and London for a while now, and now it's Brisbane's turn. The Brunch Club really does combining everyone's favourite meal with a party vibe; think live entertainment, garden games and a 3.5 hour food and beverage package. That's what you'll find from 11.30am Sunday — and yes, if it kicks off before midday, it still counts as brunch. Tickets cost $75 per person for the most indulgent before-noon boozy spread you're likely to ever enjoy. And it's certain to be popular, so we'd recommend booking in advance.
In Little Men, growing up is filled with illuminating revelations — some obvious, and some that can only be gleaned over time. Case in point: when 13-year-old New Yorkers Jake (Theo Taplitz) and Tony (Michael Barbieri) become firm friends thanks to a chance meeting and a shared love of fantasy novels, everything instantly seems brighter. But as circumstances conspire to test their bond, they also discover that even the strongest glow casts a shadow. Theirs is a case of opposites attracting. Jake is quiet, reserved and fond of art, while Tony is outgoing, outspoken and dreams of becoming an actor. To them, this doesn't matter — but life has a way of telling them otherwise. They're able to see past class clashes and playground taunts until conflict grows between Jake's father Brian (Greg Kinnear), a struggling actor, and Tony's mother Leonor (Paulina García), who runs a dress shop in the building that Jake's family has just inherited. Raising the rent in line with the area's increasing gentrification would make a drastic difference to both. For Brian, it would mean a steady source of income and a chance to lessen the financial burden on his wife Kathy (Jennifer Ehle). For Leonor, it would mean having to close her store and move on. While the importance of many of Little Men's exchanges might be readily apparent, this isn't a film that trades in big moments, takes sides or offers easy solutions. Instead, it thoughtfully and patiently observes as Jake and Tony respond and adapt to the complex reality around them. In that way, it calls to mind writer-director Ira Sachs' previous film, the bittersweet Love Is Strange. Indeed, Little Men could've easily been called Life Is Strange — and, like its predecessor, much hinges upon the work of its cast. It's the understated performances of Taplitz and Barbieri, specifically, that ensures the film stays on track, with the two bringing their characters to life without an ounce of cliche. When Jake and Tony decide to give their respective parents the silent treatment until they resolve their feud, their posture and expression says plenty. As the younger actors excel at making their gradual, subtle coming-of-age awakening feel authentic and relatable, Kinnear, García and Ehle help paint the world around them in the necessary shades of grey. Of course, the film's naturalistic palette doesn't quite use those tones — in fact, it favours crisp imagery and a whimsical, upbeat score. But crucial to both is balance, rather than exaggeration. Life, after all, is comprised of more than just one simple extreme or the other.
There really is a festival for everything, as the latest event to take over the Brisbane Powerhouse shows. Presented by the Brisbane Writers Festival, the Inspire Festival carves its own niche by encouraging attendees to ponder weighty subjects and pursue a more meaningful, creative life. Three jam-packed talks comprise the fest's 2016 program — and we mean jam-packed both in terms of the content set to be discussed and the talent set to do the chatting. Inspire TALK sees Stan Grant, Trent Dalton, Robin Bailey and Kelly Higgins-Devine dissect the very art of conversation, while Inspire DEMOCRACY gathers Jan Owen, Eyal Halamish, Mark Bahnsich, Dr Lorann Downer and Erik Jensen to contemplate the very timely topic of voting. And then there's Inspire DRIVE, which examines ambition and motivation with Michael Ross, Orange Sky Laundry's Nic Marchesi and Lucas Patchett, Tim Fairfax and Catherine McGregor — aka all Australian or Queenslander of the Year award-winners. So, that's your Saturday sorted; however the Inspire Festival doesn't just work its magic via panel sessions. In its attempt to evoke inspired thought and positive action, it also brings everyone together for Friday night drinks, though you'll have to buy a festival pass to enjoy that part of the fun.
If you've dismissed A Day On The Green in the past, or thought it was just something your parents would be interested in, you might want to rethink that opinion. Sure, you're getting older, but the national event is definitely skewing younger, as its next gig well and truly demonstrates. Yep, all things '90s Aussie rock is on the agenda this time around, courtesy of a lineup that would've made a music fan's dreams two decades ago. Who are we kidding — it should still inspire plenty of excitement now. That's the only appropriate reaction to the news that You Am I, Something For Kate, Spiderbait, Jebediah and The Meanies will be sharing a stage. All five acts have done the rounds many, many times over the years, but they haven't actually all been on the same tour bill at the same time. As a result, we're guessing A Day On The Green is about to turn into a legendary local music hangout. Tickets go on sale from June 14 — and with this array of acts, we'd suggest getting in quick.
Music shapes lives, creates memories and becomes intertwined with special events — and that certainly proves true in Daffodils. The New Zealand indie cabaret tells the tale of teddy boy and a farm girl who meet, marry and seem to have all their important occasions marked by a New Zealand pop-rock soundtrack. If you were wondering just which tunes that might entail, allow us to provide a list. Everything from Crowded House to Dave Dobbyn pops up, plus Bic Runga, Chris Knox, The Mint Chicks, The Exponents, Darcy Clay, The Mutton Birds, Th'Dudes, The Senators, The Swingers and Blam Blam Blam. The sonic, sweet end result isn't just a slice of heaven — it'll make you sway, too. And while it must come to an end after 70 minutes, you can always pretend that's not the case. That's right: don't dream its over.
If it takes a fascinating person to write fascinating characters, then consider Patricia Highsmith absolutely enthralling. Her work really does speak for itself. Any author would dream to have her books — including Strangers on a Train, Carol, The Talented Mr Ripley and The Two Faces of January — on their resumes. And while all of the above titles have been turned into films, playwright Joanna Murray Smith has done something different with Highsmith's own story. In Switzerland, she hypothesises about the last night in the writer's life. What if the scribe, then a recluse, had been convinced to write one more Ripley tale? In the hands of a talented cast and crew, including director Paige Rattray and actors Andrea Moor and Matthew Backer, the Queensland Theatre Company ponders that very question. If you've ripped through any of Highsmith's printed tomes or watched the movies that followed, you'll be as keen as we are to find out the answer.
Festivals seem to be a dime a dozen these days, with no weekend complete without some sort of celebration of film, music, food or all three. However, only one event sends most of Brisbane flocking to Musgrave Park en masse. That'd be Paniyiri Greek Festival, the city's source of autumn fun for 40 years and counting. Paniyiri is a kaleidoscopic cultural explosion. More than 50,000 people descend upon West End each year for the annual two-day tribute to the Hellenic Republic, and it's not hard to understand why. First, there's the entertainment, featuring dancing lessons, traditional music, comedy, fireworks, amusement rides and then some. Then, there's more spanakopita, baklava, Greek salad, haloumi and other tasty treats than you can possibly devour — including both olive and honey puff eating competitions, if you really want to try. Finally, there's the laidback vibe of people feasting, drinking and just being merry. There's a reason there's no other Brisbane festival quite like it, and not just because of the grape stomping. Yes, that really is part of the Paniyiri shenanigans.
First it was the smartphone game no one could've guessed they'd get addicted to. Now it's a film that spins a story around a flightless flock of feathered friends, their unhappy attitude, and a posse of porky interlopers. We're talking, of course, about Angry Birds, an animated effort that not only brings the must-have app of 2009 to the big screen, but also comes up with an origin tale to explain its feuding characters. When we first meet Red (voiced by Jason Sudeikis), he's certainly far from chirpy, preferring to live on the outskirts of his island community. Despite working as a clown, he's more likely to incite rage than inspire laughs — and after doing just that at a hatch-day party, he's sent to anger management. There, alongside the speedy Chuck (Josh Gad) and explosive Bomb (Danny McBride), he's taught to control his temper, or at least try to. But then a ship bearing green pigs arrives, with their leader Leonard (Bill Hader) attempting to charm the birds with parties and presents. Instantly suspicious, Red soon discovers that his anger has other uses. Although there's certainly a message about accepting the good with the bad bundled into The Angry Birds Movie, if you're looking for a nuanced look at the emotional spectrum, you'd be better off sticking with Inside Out. This is a bright and busy effort that sticks to the usual all-ages recipe: slap together a breezy narrative, throw in a wealth of pop culture references to everything from The Shining to 50 Shades of Grey, add a soundtrack that's designed to appeal to ironic Rick Astley lovers as much as pre-teen Demi Lovato fans, and keep things moving as fast as humanly possible. Indeed, as questionable as making a movie out of Angry Birds may seem, its source of inspiration isn't the feature's main problem. A lack of energy and enthusiasm is — though given that the film remains bouncy and bubbly from start to finish, it might not initially appear that way. Alas, as The LEGO Movie proved, there's a difference between shoehorning in the required brand elements and demonstrating a true understanding of why people like the original product. Directors Fergal Reilly and Clay Kaytis don't concern themselves with that; they're content to plaster on the movie equivalent of a fake smile, and try not to make too much of a flap. That leaves the eye-popping visuals, along with a voice cast that includes Keegan-Michael Key, Maya Rudolph and Sean Penn, to do too much heavy lifting — and while everything looks and sounds the part, it also feels quite hollow. Perhaps two of writer Jon Vitti's past credits sum up the feature's fortunes best, with the scribe's background including episodes of The Simpsons along with a couple of the Alvin and the Chipmunks films. Sadly, The Angry Birds Movie has much more in common with the lazy cheesiness of the latter than the clever comedy of the former.
"Is fashion art?" asks The First Monday in May as it peers inside the couture-obsessed confines of the Met's Costume Institute. The answer may seem obvious, yet it's a much more complicated concept than it might at first appear. For starters, there's the sexist fact that all things clothing-oriented have traditionally seen seen as more feminine, and therefore deemed less worthy of serious consideration. Then there's the complicating factor that is today's focus on celebrities, drawing attention not just to fancy threads but to the famous folks donning the outfits. Taking its name from the date of the party that opens the Costume Institute's annual exhibition, it's the second point that proves particularly pertinent to Andrew Rossi's documentary. On the one hand, the Met Gala raises money for a gallery space dedicated to championing the very best in fashion, and shines a spotlight on their yearly showcase, such as last year's China: Through the Looking Glass. On the other, it requires as much energy to fill the venue's walls with celebrity attendees for one single night as does to put on the actual exhibit itself. It's an awkward balance, and one the film remains happy enough to depict without ever really dissecting. The film splits its time between chief curator Andrew Bolton and his passion for the artistry of garment making, and Vogue editor-in-chief Anna Wintour in party-planning mode. The allure of celebrity is inescapable, as the film cuts from discussions regarding the influence of Chinese fashion on the West to whether Orlando Bloom is still famous enough to be invited, then wrapping it all up by following Kate Hudson through the exhibition and watching Justin Bieber watch Rihanna perform. That it leans so heavily on Wintour and her famous guests says more about the documentary than it really should. An entire film could've been made around Bolton, who glows with inspiration when he's talking about why his work is important. Yet The First Monday in May seems desperate to spend as much time as possible with Wintour. She might be responsible for turning the event into the fashion equivalent of the Super Bowl, but she's the least interesting part about the whole affair. As such, when filmmakers Wong Kar-wai (In the Mood for Love) and Baz Luhrmann (The Great Gatsby) pop up – one acting as artistic director of the exhibition and the other as a creative consultant on the gala – their added perspectives prove extremely valuable. As pinch-worthy as the backstage access undoubtedly proves to anyone who has ever wanted to attend the star-studded shindig, it's disappointing that it remains the film's main focus. With Page One: Inside the New York Times also on his resume, Rossi has peeked behind the scenes of a New York institution before, but that was a much more thorough excursion. Unlikely to recruit any new fans, and unwilling to delve too deeply into its stated topic, The First Monday in May becomes a slickly made, stylishly shot but ultimately superficial overview of a celebrated occasion, instead of a thoughtful exploration of the question it initially poses. Its savviest touch is actually its timing, releasing while news of this year's titular occasion is still fresh in the collective memory.
Hands up if situation sounds familiar: you're out in Fortitude Valley on a Saturday night, and a hefty dose of post- (or pre-, or mid-) drinking hunger strikes, but the clock has already struck 10.30pm. That means your eating options are few and far between, unless something greasy takes your fancy. Yep, we've all been there, and more than once; however from May 21st, we won't have to again. That's when Valley Late Night Bites starts up to take care of your after-hours munchies. About time. Simply head to the Chinatown Mall until 3am, take your pick from the assembled line of Brissie's best food trucks, and prepare to have a very satisfied stomach. Of course, you don't bring a heap of meals-on-wheels eateries together without making a party out of it, complete with live music, free bottled water and a chill-out zone for those in need of some quiet digestion. Image: Albert Melu.
Aaah, that Morrissey: he's never boring. He won legions of fans as the driving force behind one of the '80s biggest alternative rock bands, and has caused plenty of head scratching with the outspoken antics that followed. You know the stories. You've read — or read about — his autobiography. The legendary musician's biggest claim to fame is what the New Globe Theatre is focusing on at their video night, in a belated celebration of the influential artist's birthday. Expect an audiovisual ode to all the things that made the Smiths great, from their iconic singles to their memorable performances. There'll be music videos, of course, featuring everything from the upbeat strains of 'This Charming Man' to the darker guitars of 'How Soon Is Now?' (aka the Charmed theme song, for those fond of bad supernatural TV dramas). There'll also be television appearances, interview extracts and concert footage, too, because this event can't get enough of this particular band and man.
Early in Good Will Hunting, a maths professor (Stellan Skarsgård) tries to convince his therapist friend (Robin Williams) that a troubled janitor (Matt Damon) is actually a genius. To make his case, he mentions Srinivasa Ramanujan, a self-taught Indian prodigy who compiled thousands of theories at the beginning of the twentieth century. For many viewers, that's probably the only time they've heard his name — and they may not even remember it. Stepping through Ramanujan's story, The Man Who Knew Infinity endeavours to explain why he's held in such high esteem, and to bring the mathematical pioneer to wider attention. Given that Ramanujan taught himself complex equations, earned the intrigue of academics on another continent and then proved his prowess to even the most skeptical of onlookers, he's certainly worthy of acclaim and recognition. As played by Dev Patel, his tale is filled with extraordinary achievements, spanning his childhood in Madras, his acceptance into Cambridge and his bond with his mentor, G.H. Hardy (Jeremy Irons). Sadly, it's also blighted by the prejudice of his peers, as well as numerous physical, emotional and spiritual struggles along the way. There are only so many ways that a film can cycle through the life and times of people of note, with biopics often judged on three factors: how closely they stick to the usual formula, whether they're based around a convincing central portrayal, and if they manage to shine a spotlight on little-known facts or under-appreciated figures. While The Man Who Knew Infinity is guilty of the former in the most dutiful and conventional of ways, it's also boosted by Patel's measured yet moving performance, as well as the feature's earnest and noble attempt to pay tribute to Ramanujan. Just as the groundbreaking maths wiz benefited from his working relationship with Hardy, however, Patel is at his best when Irons is by his side. The Slumdog Millionaire star might be working with his most significant role since his breakthrough appearance, but it's his veteran co-star who threatens to steal the show. As Irons exudes a mix of world-weariness, tenacity and elegance in every scene, Patel rises to match him. Of course, they're not merely playing their tweed-suited, teacher and student parts. Here, art is clearly imitating multiple layers of life. Accordingly, as a showcase for its two key talents and as a celebration of its subject, The Man Who Knew Infinity never proves less than interesting — although writer-director Matt Brown doesn't always seem to realise that. In fact, in adapting the biographical book of the same name, the second-time filmmaker could've used a little of Ramanujan's dedication and enthusiasm, not to mention Patel's passion and Irons' charm. Preferring the slow, steady and sentimental approach, he makes all the obvious storytelling and stylistic choices, including keeping everything as polished as possible. Thankfully, the broader details win out over the overall method of delivery.
If you're planning to swing by Sabotage Social this Friday night, you'd best stop in at Vinnies or Lifeline beforehand. Their end of week shindig isn't just any old party — it's their second annual Op Shop Prom. Here, secondhand formal wear rules once more, and everyone can relive the high school rite-of-passage experience. First, find some funky threads at your nearest thrift shop (including a cummerbund or an oversized scrunchie, ideally). Then, head to the corner of Gipps and Wickham streets, and indulge in a night of cocktail-fuelled shenanigans. If you like finessing pre-loved fashions into awesome outfits, as well as pretending you're in an American teen movie, well, it's the best of both worlds. Yes, a prom king and queen will be crowned. Yes, there's nothing wrong with trying to win in all your vintage couture glory. Image: Sabotage Social.
Every festival has a standout show, whether it's a surprise hit or just something so quirky and comedic that no one can stop talking about it. At the 2015 Queensland Cabaret Festival, Warmwaters took that honour. Now, it's back for another round. Well, now they're back, to be more accurate. If you're not already acquainted with "the southern hemisphere's most inspirational nu-folk duo", aka Lena and Luke Warmwater, then here's your chance to remedy the situation. That they're the alter-egos of actor/comedian Bridget Boyle and playwright/songwriter David Megarrity might give you an idea of the cheeky folk fun that you're in for. This is one of our five top picks from this year's Queensland Cabaret Festival. Read the full list.
Chances are, if you were born before the dawning of Bratz, your first BFF was a blonde-haired, busty chick with pin legs and a (quite literally) killer waist. And she probably went by Barbie. Now she's back with a little more height on her side in Little Black Dress Creatives' latest production, Doll by Babushka. The Babushka girls are reinventing your childhood bestie in a musical dream house for a very grown-up play date. Forget the old Barbie and her childish catchphrases; these dolls have an endless drawstring and will be belting out tunes all night long. It'll be a little creepy, occasionally cute and darkly comedic as they tackle opera, '80s pop, nursery rhymes and rock 'n' roll. Expect some Guns 'n' Roses and Offenbach in the mix. Whether you grew up with an Action Man, Cabbage Patch Doll or a bald Barbie because you were sure her hair would grow back, Babushka dolls will have you seduced, comforted and in touch with the sinister side of memory lane.
Sabotage Social's upcoming Sunday session is a group effort. The venue provides the location, of course. Victoria's Holgate Brewhouse will be serving up tasty, tasty beverages. And because you'll no doubt be hungry after all of that hanging out and drinking, The Smoke BBQ will be offering up their meaty best. That's what the last daylight moments of the weekend are all about, aren't they: eating, boozing, spending your time somewhere relaxing, and just being merry. All in all, it's not a bad way to spend the last non-work day before summer. There's more: aka The Gutterbirds playing their mash-up covers of Violent Soho, Jay Z, Snoop and others, plus another yet-to-be-announced act joining in on the music fun. The only thing that's left is for you to settle in for a long, fun, (probably) sunny afternoon.
Why does the name Michael Myers (no, not that Mike Myers) cause a shiver down horror movie viewers' spines? And why should you stay away from anyone wearing a red and green sweater? If you know the answers, then you're primed to slay everyone with your tidbit-retaining talents at the Brightside's Killer Trivia night. Freddie, Jason, Leatherface, the heap of folks that've donned a ghost face mask in the Scream movies — they'll all get a mention, we're sure. So will Hannibal Lecter, Jack Torrance from The Shining and anyone else who has picked up a weapon and wreaked havoc in a scary flick. They slashed their way through many a feature, and now you can use your knowledge of their exploits to slash your way through the horror film-loving competition. And, the usual Brighty trivia conditions apply: it's free, costumes are 100% encouraged, and prizes will be handed out for the best dressed, the best team names, and for winning (obviously).
Brisbanites, meet one of your newest arts festivals. Yes, it covers visual arts, theatre, music, dance and film. Yes, it takes place over four days and features more than 100 artists. No, it's not your usual event. As devised by Brisbane-based theatre collective The Stan Dup Ensemble, the DIY Festival doesn't even adhere to the norm when it comes to the acronym in its name, actually. That D doesn't stand for do, but for devise, though it could also reference diversity. Emerging creatives have been encouraged to craft their own innovative and original works, and to go wherever their imaginations take them. Everything from a self-help guide about combatting awkwardness to a play about fiery red hair comprises the end result, and an exploration of physicality and a contemplation of the meaning of life, too. If it's fresh and inventive, you'll find it here, in the city's newest showcase of the next generation of artists.
It's one of those jobs that everyone wants, even if we all know that the reality isn't as glamorous as we think it is. And given it's a line of work focused on snapping the perfect shot to convey the mood of a live show in one image, that's quite amusing. Yes, we're talking about music photography. That's the life Markus Ravik has chosen for the last seven years, and he has an amazing portfolio of pictures — featuring everyone from Yeezy, Peaches and Arcade Fire to Violent Soho, Lorde and Metallica— to prove it. And, for the month of September, he's parlaying his shutterbug prowess into his own exhibition. That's what happens when you're Beach Burrito Fortitude Valley's artist of the month. Drop by the Brunswick Street eatery for a gander at some of the best gig shots from recent years, all while you order a Mexican dish. Or, head along on September 2 for the event's opening night celebrations. There'll be beers, art and burritos (of course), plus all of Ravik's ace prints will be available to purchase. Image: Markus Ravik Photography.
Music and movies go hand in hand, even if the current crop of cinema releases haven't been too subtle about stressing that connection (yes, we're talking about your obvious needle drops, Suicide Squad and War Dogs). There's something special about the way a song, played at the right moment, can transform an entire scene — or the way a musician, whether fictional or actual, can truly come to life on a big screen. When the recognisable beats of Prince's 'When Doves Cry' start thumping in Purple Rain, the first scenario couldn't be more apparent. And whenever Oscar Isaac starts crooning folk ditties in Inside Llewyn Davis, the latter could't, too. They're just two of the films on offer in Get What You Want: Music Cinema, the Gallery of Modern Art's month-long celebration of the magic of sound and vision via a selection of music-focused docos and features. Whatever style takes your fancy, you'll find it in the 28-title program — particularly if you're a Nick Cave, Amy Winehouse, Nirvana, Madonna, Bob Marley or Miles Davis fan. The Punk Singer's portrait of riot grrrl pioneer Kathleen Hanna and fan-shot Beastie Boys concert flick Awesome; I Fuckin' Shot That are also among the lineup's highlights. Yep, this is toe-tapping cinema.
We've known for a while that the Wynnum-Manly area is brimming with the ocean's finest bounty. In fact, we've even suggested going on a fish and chip crawl there. Who doesn't want to mosey between coastal greasy spoons and eat seafood by the seashore at every one of them? Well, the fine folks in the city's east have gone one better: they've made a whole day of fun out of the bayside's fondness for bugs, crabs, prawns, oysters, scallops and plenty of kinds of fish. That'd be the Wynnum Seafood Festival, a new community seafood event that'll take over Edith Street overlooking the iconic Wynnum jetty on October 22. Eating is the main thing on the agenda, of course, so you'd best skip brekkie and make sure you're in the mood for some local catches. And it wouldn't be a fest without live music and market stalls. How else are you going to work off all that delicious seafood you're going to be devouring — and wander around the foreshore, learn about its heritage, breathe in the sea air and check out the charming stores that make it such a popular destination?
Fancy spending your Friday night hearing about murder? Stick with us here. The Australian Academy of Science's latest event promises to be both gory and informative, and touch upon everything from poisons to venom to a peek in to what makes a killer. Murder in Brisbane is the third session in the AAS's The Science of Life & Death series, which aims to push audiences to the edge of our comfort levels, and start a national conversation about life, death and beyond in the process. You're either horrified at the thought, or you're fascinated and already booking a ticket. Join Dr Aaron Sell to delve into the mind of a murderer, and then hear Dr Harendra Parekh spill the deets on substances that aren't so good for you. Plus, Associate Professor Bryan Fry shares what he's learned from a life studying venom. You'll also discover a few modern murders with strange new weapons, because this really is the morbid topic that keeps on chilling. Don't say we didn't warn you.
D'you know the great thing about hit new films or TV shows that take their cues from great movies or programs from a few decades ago — other than being enjoyable in their own right, that is? They're likely to inspire you to dig through your DVD collection or head to your favourite streaming service and feast on a heap of beloved classics. Take Stranger Things, for example. If it hasn't made you want to re-watch The Goonies, then we don't know what will. And if you are craving some time with the never-say-die gang, Crowbar has you covered at their regularWednesday evening pizza, movies and beer shindig. Eat, watch, drink and enjoy the acting talents of The Hobbit's Sean Astin, Sicario's Josh Brolin and Sharknado 3's Corey Feldman when they were much, much younger. Enjoy reliving a highlight of everyone's childhoods, too. The booze is just a bonus.
Get ready to rumble and rock out, because both are on the agenda at Rumble Rock 2016 (if you hadn't guessed). You'll watch wrestling. You'll hear bands play. You'll have a ripper time. The Australian Wrestling Alliance will jump into the ring and take care of the former, while Hits, Velociraptor, The Way We Were and Shutup Shutup Shutup will hop up on stage and crank out the latter. And, in case that's not enough entertainment for one evening, the NRL Grand Final will also be broadcast on the big screen.
Did the title of this Brisbane Writers Festival session make you think? Good. It should. Writing While Female tackles a topic that really shouldn't still be an issue, with writers Candice Fox, Kylie Kaden, Anita Heiss and Natasha Lester sharing their experiences. They know more than a thing or two about it, with outback thrillers, friendship-focused mysteries, indigenous non-fiction and tales of fleeing to the seaside among the group's output. Even if you haven't read any of their work, you'll want to hear their thoughts about this important subject. This event is one of our five picks for Brisbane Writers Festival. Check out the whole list.
Fuzzy's national electronic-meets-hip hop festival Listen Out is back for another round and this year's lineup is a humdinger, topped by California's inimitable Anderson .Paak, with his live band The Free Nationals. He's joined by UK beatsmiths Gorgon City, big trap fiend Baauer, AV-happy producer Claptone live, Harlem Trap Lord A$AP Ferg, LA young gun Jauz, grime newcomer Stormzy, Swedish rap phenomenon Yung Lean and more. There's plenty of homegrown love on the bill this year, as always, with festival favourites Rüfüs marking their final Aussie shows of 2016, alongside the likes of Cosmo's Midnight, Ngaiire, L D R U, JOY, Sui Zhen and Willow Beats. Listen Out tours nationally to four of Australia's capitals, and will make its way to Victoria Park on Sunday, October 2. See the full slam dunk of a lineup below. LISTEN OUT 2016 LINEUP Anderson .Paak & The Free Nationals A$AP Ferg Claptone Immortal Live Cosmo's Midnight Gorgon City DJ Set Baauer JAUZ JOY. L D R U Ngaiire Rüfüs Stormzy Sui Zhen DJ Set Tash Sultana Tchami Willow Beats Yung Lean Image: Listen Out.
Think Barbara threw a Stranger Things shindig just because they — like everyone — wanted justice for Barb? Think again. The boutique Fortitude Valley bar are clearly fans of pop culture in general, as their next themed night shows. Prepare to get down. Or, make that The Get Down, with the joint we've just started calling Babs celebrating Baz Luhrmann's Netflix-streaming '70s hip hop odyssey. Get ready for the kind of music you're going to want to wear your best vintage threads to dance to — and your comfiest, coolest sneakers. From 8pm, Disco Dolani will get the party started with just the kind of tracks you'd expect; however, that really is just the start of the evening. At 10pm, Spare Time DJs take over to bust out some early tunes and breaks, with Gnash Johnson hitting the decks from midnight for some post-'90s bangers. Yep, you'll be getting down indeed.
It's a weighty topic, and one that's unavoidable in our daily lives, even if we're not always actively thinking about it. What impact has humanity had upon the earth? How has our relationship with the world around us changed? And, as we consume more and more natural resources, is the planet still plentiful? They're the questions at the heart of Brisbane Powerhouse's latest exhibition, Plenty, which takes over the venue's walls from September 27 to October 23. Peruse your eyes over pieces influenced by ecological crisis, as created by prominent and emerging Australian artists. Curated by Griffith Uni's Associate Professor Marian Drew, Plenty forms part of RONA16: the Rights of Nature Australia National Arts Fiesta. The country-wide event contemplates the connection between people and nature via a host of different creative activities — including a showcase of art crafted by school kids from natural objects, called Home, at Nundah's Neighbourhood Centre from October 7 to 9.
Some films are long, slow and serious. Others are brief, quick and fun. There's a place for the former, of course; however Radical Reels champions the latter category, combining the most action-packed mountain movies it can find into a compilation of high-octane shorts. Radical Reels is the adrenaline-loving little brother of the Banff Mountain Film Festival, the most prestigious international film competition and annual presentation of short films and documentaries about mountain culture, sports, and environment. From the most recent festival's 300-strong submissions, a subset of daring displays have been singled out for their own showcase. Over a three-hour session, nine shorts approach the very edge of action sports and natural highs: the wild rides, long lines, steep jumps, and skilful stunts, as well as the rugged playgrounds thrill-seekers explore on their mountain bikes, paddles, ropes, skis, snowboards and wingsuits. Expect the world's best extreme athletes getting fast and furious when the Radical Reels Tour 2016 stops in at the Brisbane Powerhouse.
On January 11, Australian time, music lovers heard the news of David Bowie's passing — and, oh boy, did the grief come thick and fast. The chameleonic performer also known as Ziggy Stardust, the Thin White Duke and Aladdin Sane was an icon for many, many reasons. And while the world will miss his inimitable presence, we'll always have his immense catalogue of tunes. It's that rich musical legacy that David Bowie: Nothing Has Changed celebrates, with iOTA, Steve Kilbey, Deborah Conway, Adalita and Tex Perkins joining forces with the QSO for an evening to remember. Hear the group of singer-songwriters pay tribute to a legend by belting out his hits backed by a full symphony orchestra. Let's dance, indeed. Given that the show takes its name from Bowie's 2014 compilation album, it really will be a best-of package, ranging from turning and facing the strange with 'Changes', pondering whether there's 'Life on Mars', and singing along to 'Under Pressure' while screaming "let me out". You'll tap your toes, shed tears and enjoy stellar renditions of his standout tracks — and, afterwards, there'll probably be dancing in the street.
Did you wear out many VHS tapes re-watching your favourite movies as a kid? Don't worry, you're not alone. There's a type of fanatical viewing that comes with childhood, as we immerse ourselves again and again in the stories that we love most. For Owen Suskind, however, this rite-of-passage ran even deeper. Diagnosed with autism at the age of three, Owen threw himself into Disney flicks. For him, they weren't just entertainment. They were a way of learning how to process the world. That's the real world narrative that Life, Animated explores — and the heart-warming details are worthy of an animated musical. When the documentary begins, Owen is 23 and getting ready to leave home, an achievement that family members credit to his singular obsession. As he grew up, titles such as The Little Mermaid, Aladdin and Peter Pan helped him understand those around him, giving him the tools he needed to forge a life of his own. Taking his cues from the best-selling book by Owen's father Ron, Oscar-winning director Roger Ross Williams (short documentary Music by Prudence) recounts this moving story, combining home video with new footage in order to chronicle both Owen's childhood and his big move into his own assisted-living apartment. As the film unfolds, Ron and his wife Cornelia step through their two-decade journey, while Owen offers his own thoughts on his favourite films and the role they played in his coming-of-age. Unfortunately, while there's plenty of emotion to be felt here, Williams doesn't trust the audience to feel it on their own. His filmmaking tactics are as heavy-handed as they are steeped in easy emotion, and as repetitive as Owen's own viewing habits. Not only that, but by including countless moments from the movies that Owen loves, Williams trades far too heavily on viewer nostalgia, rather than actually focusing on the true tale he's meant to be telling. As a result, Life, Animated also struggles with tone, wavering between compassionate and self-congratulatory. Interestingly, the documentary's most effective sections aren't the interviews or Disney clips, but animated recreations of the Suskinds' lives provided by artist Mac Guff. These moments convey the underlying sentiment with much more subtlety than you'll find elsewhere. A cautious comment by Owen's older brother Walter, worried about someday having to take responsibility for his sibling's care, also stands out. As magical as Mickey Mouse's output may be, reality still leaves a stronger impression.
Before we were all capturing selfies on our phones and uploading them to Instagram seconds later, posing for a photo was a serious affair. Given that getting your portrait taken involved a trip to a photographer's studio, that's understandable. Still, when commercial outfits popped up in Brisbane in the 1850s, plenty of folks were eager to get their picture snapped. It seems some things really don't change. Sit. Pose. Snap. Brisbane Portrait Photography 1850 – 1950 steps through the images that resulted, drawing from an extensive private collection of portrait photography and featuring hundreds of Brissie folks in original photos from the period. So, how did snaps differ then? What changed over the course of a century? How were portraits displayed? What types of milestones and occasions did they chronicle? And did anyone pull duck face? From March 24 to July 30, the Museum of Brisbane has the answers.
One Saturday morning, a ragtag group of high schoolers were forced to attend an early morning weekend detention session. Chaos, contemplation and connection ensued. That's The Breakfast Club, the excellent '80s film — but that's not Wandering Cooks' version of The Breakfast Club. Instead, expect food glorious food. From 8am on March 19, Indie Treats and Nutsy Mylk will come together to serve up healthy and delicious fare, with brekkie cranked out right through until 1pm for those that get up later in the morning. That's how you start your Sunday with a whole lot of yum. Oh, yes it is. Almond, cashew and walnut mylks, porridge, granola, cookies: the list goes on, but keep an eye on the Wandering Cooks website for the exact menu. And in even better news, this is a regular event. Keep an eye out for future dates while you're at it.
Brisbanites, it's money and mouth time. If you want to have nice things like Junky Comics, then you have to put the former where the latter is. Offering up an ace selection and hosting awesome events such as their current Buffy-themed art show don't happen without hard work and heaps of support, and while the West End favourite has the first part taken care of, they need some assistance with the second. After the initial Junky fundraiser aimed at helping the shop keep its doors open, the Zine and Indie Comic Symposium are lending a hand to put together another — and, they've hit it out of the park. Or, off the green, to keep with mini-golf terms. At the Junky Comics Mini Golf Benefit Party, you'll put some funds towards Junky and score an afternoon of indoor sporting fun. No prizes for guessing that it all takes place at Holey Moley, so head on down at 11am on March 19. $20 gets you 18 holes, with $10 going to the game and $10 straight to the comic-selling cause. A friendly reminder: here, cash is the only currency that matters.
