Just like Ross and Rachel and all the other sitcom couples we've been way too invested in, the on-again off-again relationship between Uber and technical legality is the love affair of our time. And in the newest chapter of the saga, Uber is very much on again in NSW after the Baird government moved to legalise the beloved service. Yep, from midnight tonight Uber will be legal in the state of NSW, but not without some compromises. According to The Daily Telegraph, the taxi companies — playing the role of the jealous love rival in this narrative — will be compensated $20,000 per registered number plate. This might seem excessive, but the current cost to register as a cab is bonkers — in Victoria, metropolitan taxi rego currently sits at $22,703 per year. Under the new rule, Uber drivers will have to pay a license fee, although, how much that fee will be is yet to be determined. Normal taxis also get complete dibs of cab ranks (naturally) and Sydney Airport pick-ups. Guess we're still gonna have to drag out suitcases to the boundary of the airport to wait for an Uber, after all. NSW is the second Australian state to legalise Uber, following the ACT's ruling in October. It's a stark contrast to the other side of the border, where the Victorian government have just set a legal precedent that may effectively outlaw the ridesharing app. Although, there have been no signs of change yet — as all Victorian Uber users know, apart from some surging immediately after the news broke, the service has generally gone on unaffected. So what's going to happen to the landscape of private transport love now that Uber is a genuine competitor in NSW? What dramatic twists and turns can we expect next season? Stay tuned to find out. Via The Daily Telegraph.
These days, it seems you can glamp anywhere your comfort-loving heart desires — from Taronga Zoo to Cockatoo Island to right next door to a fine dining restaurant. Now, the possibilities have been extended even further, with the introduction of fancy-pants tents smack-bang in the middle of lush vineyards at Balgownie Estate, Bendigo, Victoria. That's right, you can spend your next weekender sipping top-notch wines on an outdoor lounge on your own private deck, soaking up sunset-flooded rural views — all safe in the knowledge that a linen-covered, queen-sized bed is just a stumble away. The tents, of which there are 15, are also set up with rugs, lighting, furnishings, aircon, tea-and-coffee making gear and bar fridges. One even has its own hot tub. There are three types on offer. The Bell Tent offers room for two, the Bell Tent Twin can accommodate four and the Luxury Safari Tent comes with a few glamorous extras, including an indoor couch, a four-poster queen-sized bed and a kitchenette. Also on the property is Balgownie Estate's restaurant, open for brekkie, lunch and dinner. And, if you can be bothered moving, downtown Bendigo is home to bars, cafes, restaurants and art galleries galore. Or, you can time your stay with the next Grapest wine-tasting fun run, which will take place on the winery's grounds. Balgownie Estate glamping will open for visitors from 1 February 2018. Bookings are available now via www.balgownieestatebendigo.com.
There's something unwaveringly, undeniably appealing about French cinema. Whether you're hooked on the industry's characteristically stunning cinematography, rawness of storyline, or you simply prefer watching films in a language other than English, French films continue to prove some of the world's most captivating. Haven't watched much French cinema? Lucky for you, and hardcore Francophiles, the annual Alliance Française French Film Festival is just around the corner, starting in Sydney on March 7 with a strong 45-film lineup. While you're waiting for the festival to begin, whet your appetite with a few older releases you might have missed from the last year or so. All five of these films capture stories that are often ignored in mainstream media and will make you cry, laugh, and reflect. BANDE DE FILLES (GIRLHOOD) Set in the banlieues (suburbs) of Paris, Céline Sciamma's Girlhood follows Marieme (Karidja Touré), a teenager who drops out of school and joins a badass crew of fellow young, black, female dropouts. A beautiful celebration of black femininity and female friendship, this award-winning coming-of-age story screened at Cannes in 2014, then received four nominations at the 40th César Awards, including Best Director for Sciamma and Most Promising Actress for Touré. Available to stream on Stan, to rent on Dendy Direct, Quickflix, Google Play and Microsoft. QUAND ON A 17 ANS (BEING 17) This touching story by André Téchiné and co-writer Céline Sciamma explores the sexual awakening between two French teenagers who, on the surface, couldn't be more different. The relationship between Damien (Kacey Mottet Klein) and Thomas (Corentin Fila) is intimately-observed and full of a raw electricity that you can almost feel through the screen — making its Golden Bear nomination at the Berlin International Film Festival a no-brainer. Pack your Kleenex for this one. No streaming available now, rent on iTunes, Microsoft, Google Play and Pathe. DHEEPAN This timely film by revered director Jacques Audiard tells the story of three Sri Lankan refugees who pose as a family to receive asylum in France. Its title character (played by Antonythasan Jesuthasan) is a former Tamil militant who hopes to build a new life and forget the horrors of his past. Awarded the Cannes Palme d'Or in 2015, the film is a compelling snapshot of the contemporary immigrant experience in Europe. Available to stream on Stan and Foxtel Play, to rent on Dendy Direct, Quickflix, Google Play, PlayStation and Microsoft. DIVINES The winner of the 2016 Cannes Camera d'Or, Houda Benyamina's directorial debut is an exhilarating drama that centres on the intense friendship between two young women, Dounia (Oulaya Amamra) and Maimouna (Déborah Lukumuena). Confronted by their limited prospects in the outskirts of Paris, the pair soon fall into drug dealing, attracted by the opportunity to make a quick buck. Oscillating gracefully between moments of sheer joy and pain, this powerful social commentary is packed with memorable scenes. Prepare yourself for the gut-wrenching, if somewhat over the top, ending. Available to stream on Netflix. LA BELLE SAISON (SUMMERTIME) Set in the 1970s, this stirring love story between farm girl Delphine (Izia Higelin) and radical feminist Carole (Cecile De France) is an ode to self-liberation and discovery. On a whim, 24-year old Delphine decides to leave her rural town and move to Paris, where she meets — and falls in love with — Carole, a Spanish literature professor and feminist activist. Directed by Catherine Corsini, the film skilfully captures the complexities of navigating individual desires with familial and societal expectations. If you've seen a streaming/renting option let us know, otherwise buy from Palace Cinemas' shop. Watch them all before the Alliance French Film Festival kicks off. Want to win tickets?
If you live Down Under, winter is still coming for 2022 — but your next excuse to indulge your Game of Thrones love is already here. You will need to pack your suitcases and head to Northern Ireland, however, and also be mighty pleased that visiting the new GoT studio tour doesn't involve sailing by ship, walking for months or using other forms of transport from the fictional Seven Kingdoms. First announced in 2018, the Game of Thrones Studio Tour at Linen Mill Studios started welcoming in eager GoT fans at the beginning of February 2022 — and it boasts plenty to get excited about. And yes, while you're waiting for prequel series House of the Dragon to arrive later this year, and still biding your time wondering when author George RR Martin's The Winds of Winter will finally hit shelves, this'll help tide you over. Get ready to add Winterfell, The Wall, King's Landing and Dragonstone to your next holiday itinerary, and to peer at the Iron Throne as well, because that's all part of the new tour. Visitors are able to step inside the Great Hall, which is where Jon Snow was proclaimed the King in the North; see Daenerys Targaryen's Dragonstone throne; and also check out an array of props, weaponry, armoury, costumes, make-up and prosthetics from the show. Much of the series was filmed in Northern Ireland, hence the tour — which marks the first time that HBO has opened up the sets and sites to the public. Now rebadged as a tourist site, the GoT sets span across a hefty 110,000-square-feet location in in Banbridge. Basically, if you've ever dreamed about walking around Westeros, this is your chance. The tour has been dubbed an 'interactive experience', which covers wandering through fully dressed sets, reliving moments from the series and standing exactly where many of the show's standout scenes took place. Also part of the immersive attraction: learning more about the skills and craft behind the program that helped make it such a hit. And, there are also art files, models and other production materials in display, plus accompanying digital content and interactive materials highlighting GoT's digital effects. If it sounds huge, that's because it is. The whole setup comprises the largest authentic public display of Game of Thrones artifacts in the world — and is bound to make fans happier than Arya Stark crossing a name off of her infamous list. The Game of Thrones Studio Tour is now open at Linen Mill Studios, The Boulevard, Banbridge, Northern Ireland. For more information or to buy tickets, head to the tour's website.
Salted caramel, bacon and pecan. Roasted garlic. Blue cheese and fig. If these three flavours aren't enough to convince you that this Ipswich ice cream parlour does things a little differently, we're not sure what will. Fitted out like an old-school milk bar from your parents' era — think chequered floors and the crew wearing retro red and white striped aprons, polka-dot swing skirts and neck ties — Ungermann Brothers is a family run joint that makes ice cream in less-than-traditional flavours. Have some fun trying to come up with the ultimate scoop combo — perhaps pumpkin seed oil and dutch spice? Or coffee, cardamom and liquor with carrot cake? There are also gourmet dessert dishes on offer including ice cream sandwiches, chocolate brownie with bumbleberry ice cream and homemade waffles with pork belly and smoked vanilla ice cream.
White apartment walls are so blah. Make them so yesterday with one (or all five) of these simple do-it-yourself art projects. Relatively easy, cheap, and removable, these projects are ideal for the broke, rent-paying tenants out there, and could fool anyone into thinking you're an interior designer. 1. Paint Sample Wall Designs Ever left the hardware store with a stash of these in your pockets? The paint sample wall is hard to resist, with its enticing, color-organized array of shades. If you don't want to commit to four whole walls of 'Pacific Pine' or 'Blackberry Harvest', simply trim each sample to a desired size and arrange in a design of your choice. 2. Wallpaper Transfer Bust out the old trusty Sharpie and mimic the artistically sketched wallpaper designs by the likes of Marimekko. Craft blog Curbly shows you how. 3. Coffee Stirrer Wall Art Surely Starbucks won't mind if you 'borrow' a few extra coffee stirrers. Follow Make & Do Girl's tutorial to create these fabulously tactile, wooden pieces of art. Simply paint, arrange, and glue. What could be easier (or cheaper)? 4. CD-Case Frames The advent of the iPod certainly rendered CDs obsolete. But before you designate all of those clear jewel cases to the rubbish, reconsider. With just a little effort from you, they may be transformed into the perfect picture frames for that poster you've been meaning to hang. 5. Custom Colour Wall Calendar Inject a little fun into your daily scheduling by creating your own custom colour wall calendar. Chalkboard-finish paints are available in traditional shades in stores, but if you use this Martha Stewart formula, you can concoct your own hue. [via GOOD]
Remember those hastily scrawled notes of yesteryear, slipped to your friend just as the teacher's back was turned? The folks at Moleskine do. To commemorate the 20th anniversary of the text message, Moleskine has reintroduced the concept of 'shooting' your friend a message with their classic notebooks. Featuring a graduated cover, these Moleskine editions let you measure how far you can catapult a note, using the notebook's band as a makeshift slingshot. Created by Italian designer Pietro Corraini, the SMS (Shooting Method System) tribute packs also include a set of pre-written notes, including a coy 'Call me', to use as ammunition. Think of it as the grown up version of the 'I like you' note you sent your 3rd grade crush. https://youtube.com/watch?v=IxKRpjv51AI
Ten years ago, Jordan Peele had just premiered his now-iconic sketch comedy series with Keegan-Michael Key. Key & Peele was exactly three episodes in on this exact date back in 2012, in fact, and was still eight months away from professing its love for Liam Neeson. Today, Peele has an Oscar to his name for Get Out, directed two of the best horror movies of the past decade thanks to that unnerving standout and the equally exceptional Us, and had a hand in bringing everything from BlacKkKlansman and the ace latest Candyman flick to Hunters and Lovecraft Country to our eyeballs. And, he's just dropped the trailer for his third big-screen directorial effort, Nope. That's a glorious name for what to looks to be a gloriously eerie film — based on the initial sneak peek, at least. When a trailer has Get Out star and Judas and the Black Messiah Oscar-winner Daniel Kaluuya ask "what's a bad miracle?", things get creepy quickly. The setup: the Haywood ranch is proudly run by the only Black-owned horse trainers in Hollywood (played by Kaluuya and Hustlers' Keke Palmer), whose connection to show business dates back to the very birth of cinema. But their remote patch of inland California soon becomes home to a disturbing discovery — and the fact that everyone spends a fair amount of time either looking up in horror or running away from something chilling in the sky says plenty. As with all of Peele's celluloid nightmares so far, the less you know going in, the better. That said, the trailer does a fantastic job of teasing all of the unsettling imagery that the filmmaker is about to get lodged in your brain, including fields of colourful inflatable tube men waving in the breeze. Steven Yeun (Minari) also stars in what's already the must-see horror movie of the year — and the cast also spans Michael Wincott (Veni Vidi Vici) and Brandon Perea (The OA) — although film fans will need to wait till July to see how Peele's latest horror epic turns out. Check out the trailer for Nope below: Nope will release in cinemas Down Under on July 21, 2022.
First, the bad news: as much as fans of Kate McCartney and Kate McLennan's excellent Australian mystery series Deadloch want it to (and we do want it to), the first season of that stellar new show doesn't go on forever. Now, some news to help cope with that reality: come August, The Lost Flowers of Alice Hart will hit streaming to deliver another twisty Aussie affair. This one heads to the screen from the page, with Holly Ringland's 2018 novel getting the miniseries treatment. And, it features one helluva huge name leading the show. Alien and Ghostbusters legend Sigourney Weaver stars as June, the no-nonsense grandmother to the titular nine-year-old, in the seven-part drama — with the story kicking into gear when Alice loses her parents in suspicious circumstances. On the page and on Prime Video — where The Lost Flowers of Alice Hart will debut on Friday, August 4 — Alice moves to Thornfield flower farm after the life-changing tragedy, and starts to find solace among its wildflower blooms. But her new home is also the place where secrets about her family and their past start to blossom. Wondering about the show's mood? In both the initial teaser trailer back in June and the just-dropped new full trailer now, the series emphasises that it hails from the producers of Big Little Lies and Nine Perfect Strangers. Lambs of God's Sarah Lambert, Mustang FC's Kirsty Fisher and A League of Their Own's Kim Wilson penned the scripts, while Penguin Bloom's Glendyn Ivin directs every instalment. As well as Weaver as Alice's grandmother, The Lost Flowers of Alice Hart stars Alycia Debnam-Carey (Fear the Walking Dead) as its namesake, plus Ayla Browne (Nine Perfect Strangers) as the younger version. The cast from there is a who's who of homegrown talent, including fellow Nine Perfect Strangers alum Asher Keddie, Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Tilda Cobham-Hervey (Hotel Mumbai), Xavier Samuel (The Clearing) and Alexander England (Black Snow). In sneak peeks that highlight the complex decades-spanning drama surrounding the titular character, the swirling lies and simmering mistrust, fire, the Aussie backdrop and the big-name stars, Frankie Adams (The Expanse), Charlie Vickers (The Lord of the Rings: The Rings of Power) and Sebastián Zurita (How to Survive Being Single). Check out the full trailer for The Lost Flowers of Alice Hart below: The Lost Flowers of Alice Hart will start streaming via Prime Video from Friday, August 4.
When Hercule Poirot returned to cinema screens in Murder on the Orient Express, the infamous Agatha Christie-penned sleuth was always going to hang around. Hollywood loves a franchise, and, on the page, the fictional Belgian detective has featured in more than 80 tales. Accordingly, a sequel to the Kenneth Branagh-starring and directed movie was always inevitable. A recreation on a train? Well, that wasn't quite as expected. Finnish Railways aren't just ushering eager puzzle-solvers into a carriage for a few hours of escape room fun, however. They're getting them onboard for a 13-hour, 800-kilometre-plus trip from Helsinki to Rovaniemi, complete with a 14-room setup built by Finland's InsideOut Escape Games. As the passengers journey towards the capital of Lapland, they'll navigate mysteries, scour the train for clues and put themselves in Poirot's shoes — all while the game is live-streamed, with the viewing audience also able to influence the action as it's happening. Before you go searching for your monocle and pipe, clearing your calendar for December 13 and setting off for Scandinavia, seats on the Escape Train will be filled via a competition that's only open to Finnish residents. If you don't fall into that category and you'd rather solve puzzles somewhere warmer, start crossing your fingers that something similar happens for the next Poirot flick, Death on the Nile. Via Lonely Planet.
No matter how many times you let them up on the couch, how will your pet truly know you love them unless you've got their furry little face emblazoned on your togs and beach towel? Well, you might soon be able to turn that slightly weird dream into a reality, thanks to a Sydney company called Petflair and its range of customisable swimwear. Currently funding on Kickstarter, the project will allow devoted pet owners to upload an image of their animal and have it splashed across one of Petflair's colourful swimsuit designs. It isn't all indulgence either — Petflair has been created to support local rescue and re-homing charity Pound Paws, who aim to encourage Australians to adopt from shelters and pounds. So not only will you get to spend the summer swanning around with your pooch, kitty, bunny or bird printed on your swimmers, but you'll be doing it for an excellent cause. The team's designed swim briefs for guys and a trio of women's one-pieces, all crafted from durable Italian fabrics, as well as a beach towel and a canvas beach bag. They've even got some nifty sticker sets, if, for some reason, you want a slightly more subtle homage to your four-legged mate. If after reading this you've already taken out your credit card, you can donate to Petflair's Kickstarter campaign up until October 12. At the moment they need to raise $5000 to reach their goal of $15,000.
When November and December hit, one sale tends to follow another. Black Friday, Cyber Monday, Christmas, Boxing Day: bargains usually await for all four. So, after Jetstar discounted a heap of fares for Black Friday, of course the Australian airline is backing it up with Cyber Monday specials, this time with fares from $35 for domestic trips and beginning at $149 if you're holidaying internationally. You only have two days, until 11.59pm AEDT Tuesday, December 3, to get booking — or not even that long if tickets are snapped up earlier. The cheapest route within Australia is Sydney to Byron Bay and Ballina, which is where the $35 price comes in. Overseas, that $149 fare will get you from Perth to Singapore. As always, prices obviously vary depending on where you're flying from and to, but other domestic options include Melbourne to Launceston from $40, Sydney to Gold Coast from $50, Brisbane to Melbourne from $75 and Cairns to Brisbane from $84 — plus Adelaide to Gold Coast from $94, Adelaide to the Whitsunday Coast from $114, Darwin to Sydney from $144 and Perth to Adelaide for the same price. With fares to Fiji, New Zealand, Vanuatu, Bali, Japan, Hawaii, Thailand and South Korea also covered, overseas bargains include Melbourne to Nadi from $179, Gold Coast to Auckland from $182, Sydney to Port Vila from $199, Perth to Phuket from $205, Adelaide to Bali from $222, Cairns to Osaka from $249, Brisbane to Seoul from $269, Sydney to Honolulu from $282 and Brisbane to Tokyo from $339. You'll be travelling within Australia from mid-January to mid-June 2025, and from late-January to mid-October 2025 if you're going global. The caveats: all prices apply to one-way fares; checked baggage is not included, so you'll want to travel super light or pay extra to take a suitcase; and dates vary according to the route. If you're a Club Jetstar member, you can score even more discounts, starting with Sydney to Byron Bay and Ballina from $29. Helped by its Black Friday and Cyber Monday sales, Jetstar expects to sell 12-million-plus fares for under $100 and 21-million-plus for less than $200 in 2024. Jetstar's 2024 Cyber Monday 'fare frenzy' sale runs until 11.59pm AEDT Tuesday, December 3 — or until sold out prior. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Everybody loves treehouses. Don't let anyone tell you that timber structures in branches are just for kids — living in your own sky-high hideaway amongst the greenery is an urge that you never grow out of. Thankfully, from plane-shaped buildings to entire apartment blocks to Australia's finest treetop spaces, there's no shortage of spots to climb up to. And while they all come with great views, Italy's latest addition to the fold is taking the concept up a few notches. Located in the Dolomites, the two Pigna treehouses overlook the alpine range from their lofty spot — and look like they've always been there. Suspended ten metres above the ground, and measuring eight-and-a-half metres in height and six in width, the cosy, three-level holiday homes are built to resemble pinecones, using larch shingles made from wood from Central Europe's Alpe-Adria region. Inside, those spending the night will find 360-degree vantages over the gorgeous scenery, a living area with a kitchenette, and a top-floor bedroom complete with a skylight. Nestled into fir trees, the treehouses are accessible by individual bridges, with every aspect designed to provide "a journey to discover the sounds, smells and scenery of nature." The project, which was finished this year, was originally conceived by architect Luca Beltrame as part of the ArchTriump competition in 2014. Via Dezeen. Images: DomusGaia / Malga Priu Ugovizza / Luca Beltrame + Laura Tessaro.
If you thought having an extra day off to celebrate the Queen turning another year older is about as good as it gets, think again. The Salisbury Hotel's taking the long weekend up a notch with free burgers. Head on down to the family and dog-friendly pub between Friday, October 4 and Monday, October 7 to celebrate the extra day you're not in the office. The kitchen will be slinging 100 free burgers per day over the weekend. That's a total of 400 free burgs up for grabs. The pub's also just undergone a spiffy renovation, which it's only revealing to the public this week. So, you can check out the new lounge, gaming room, events space and spacious beer garden — which is where you'll most likely be spending most of your time sinking brews and tucking into your free feed. All you need to do to get in on the action is RSVP for your free burger here, which we suggest doing ASAP.
Screw self-lacing Nikes, everyone knows the real legacy of Back to the Future II was the hoverboard. Since the film's 1989 release, the race has been on to create one by 2015, and with the fateful date just one year away, everyone's obviously getting a little antsy. Cue cruelly convincing star-studded hoverboard announcement. The video, which surfaced just a matter of hours ago, is a "real-life" demonstration of a hoverboard from a supposed tech company called HUVr Tech. Featuring the likes of Moby, Tony Hawk and none other than Christopher Lloyd himself, the product gets a glowing endorsement from all including a 'heartwarming' moment when Doc almost cries. Now, the more important question: why would they mess with us like this? Nerds across the world have joined forces to fact check the video's claims, and as much as we all want it to be true, it just isn't. It's been discovered that the 'main technician' is actually an actor called Nelson Cheng, and in a huge faux pas, the costume designer Lauren Biedenharn listed the job on her resume as a commercial for Funny or Die. Add to this the fact that HuvrTech.com was only listed as a domain in November last year, and it has some fairly dubious legalese — “the inclusion of any products or services on this website at a particular time does not imply or warrant that these products or services will be available at any time” — and the outcome looks pretty bleak. Best case scenario: it's the start of a viral marketing campaign for Back to the Future IV. Worst case: it's an ingenious publicity stunt engineered by Moby in an effort to stay relevant. Either way, they have a lot to answer for. Now firmly into his middle age, Tony Hawk spends his days pulling sick ollies on fictional devices and breaking the hearts of everyone who once played Pro Skater on PS1. The modern Marty McFly? Moby being 'hip' and 'young' and 'with it'.
Last year, you ate copious amounts of burgers, and to balance it out, bunches and bunches of kale. Your beer got craftier than ever before. You wanted to know more about where your food came from, so you chatted to farmers and ate locally-sourced produce. Instead of extensive menus overloaded with choice, you opted for simpler, cleaner and more expertly-prepared dishes. You kept food trucks doing the rounds. You learnt more about Korean cuisine. And you decided that food tastes better when you share it. So, what's in store for 2015? We're expecting sustainability and seasonality taken to extremes, with hearty broths and micro-seasonal menus; the decline of kale; the rise of roots; veggie-fuelled desserts; cheaper lobster; more restaurant swaps; and epic, multi-sensory dining experiences, thanks to the wonders of neurogastronomy. Here are eight trends to look out for. VEGETABLES IN DESSERTS If only your mama had thought of this when she was struggling to get those Brussels sprouts down your recalcitrant, pint-sized throat. Pretending that vegetables aren't vegetables at all, but actually dessert, is one surefire way to crank up your five-a-day tally. In countries like Vietnam, where beans, lotus root and the like frequently feature in sweet treats, this isn't a new thing. But we're only just getting on the healthy yet tasty dessert bandwagon. Parsnip's been the main contender in Australia so far, thanks to Three Blue Ducks' chocolate with smoked parsnip and Four in Hand's parsnip ice cream with matching chips. RESTAURANT AND BAR SWAPS It seems that chefs and restaurateurs the world over are growing increasingly restless. Rather than keeping their gastronomical discoveries to their local clientele, they're keen to share them across regions and even hemispheres via swaps. Thousands of Melbournians got lucky (or greedy) when Heston Blumenthal announced he'd be bringing his Fat Duck to town, while Denmark's Noma has just opened its doors in Tokyo for a two-month stint. The trend is picking up at bar level too, with the Rook and Black Pearl doing an exchange in May last year. BROTH The more finite the Earth's resources are starting to look, the less we want to waste. In ancient times, when frugality was a necessity rather than an eco-conscious choice, the humble broth was master. Concocted out of animal bones and veggie scraps, it turned mere leftovers into a comfort food feast. Today, broth is the logical extension of our continual move towards sustainable food production. What's more, only Thai restaurants can compete when it comes to names. A restaurant in Melbourne has already jumped on the inevitable: Brothl, while in New York, there’s Brodo. Bring on the broth in 2015. AFFORDABLE LOBSTER After years of exclusivity, the lobster is at last stepping off its high horse and coming down to the street. Heading up the new egalitarian approach in Sydney is Burger Liquor Lobster, which has popped up for summer in both Paddo and Manly, waving $15 lobster rolls and lobster popcorn in front of our seafood-craving faces. The crustacean is getting affordable in London, too, where new trendy hangout Burger and Lobster is selling 2000 lobsters per day across six shopfronts. HATTED CHEFS OPENING CASUAL DINERS This trend, which comes direct from Paris, represents the latest in the growth of premium dining in a casual atmosphere. Hatted chefs are expanding beyond their illustrious premises into bistros, where they're making high-end gastronomy accessible to a mid-range crowd. In late 2013, the team behind the Bentley and the Monopole opened an eatery in Potts Point’s once-bohemian Yellow House. Then, last year, chef Mark Best of Marque brought his cooking to (more of) the people with the opening of Pei Modern in both Sydney and Melbourne. MICROSEASONAL MENUS 'Seasonal produce' and 'paddock-to-plate philosophy’ are the well-established catch-cries of many an Australian eatery. It looks like they’ll be taken even further in 2015 with a trend towards microseasonal menus. These promise fresher and more interesting cuisine than ever before, with dishes changing not with each shift of the earth's axis, but with every passing day. The alterations are ever-so-slight and subtle, and entirely dependent on available ingredients. Sydney’s Q Dining is getting in early. UGLY ROOT VEGGIES Kale's been more ubiquitous than cuts to the arts over the past year or so. But we’re not sure how much longer it's going to fare, given the rise and rise of ugly root vegetables. We're not talking about the good old potato, but its numerous more exotic-sounding and tasting (if not especially good-looking) cousins. As mentioned, parsnips have been sneaking their way into dessert menus, but then there's the likes of celery root and kohlrabi. Sydney's Yellow is already onto it, with a dish made up of beef tartare, kohlrabi, smoked curd and rye featuring on their tasting menu. The good news is that you, too can get started — pick up your own ugly veggies at Harris Farm for half-price. NEUROGASTRONOMY Did you know that on average, a pink strawberry dessert tastes ten percent less sweet on a black plate than it does on a white one? Or that, if you drink a single malt whisky while surrounded by real grass and birdsong, it tastes more herbaceous? Try it, on the other hand, around red lighting and curved furniture and it'll seem sweeter. Starting to get what 'neurogastronomy' means? We now have scientific proof that all of our senses — rather than our tastebuds alone — influence how we perceive flavour. A professor at Oxford University by the name of Charles Spence is obsessed with studying this phenomenon. Spence and a bunch of fellow experts have been developing an intense multisensory dining experience, which combines textures, colours, aromas and temperatures, having previously worked with the likes of Ferran Adrià and Heston Blumenthal. Image credits: Speed Bump Kitchen, jane boles via photopin cc
It only took three years for Wynnum Fringe to evolve from a three-day festival to an almost three-week run. Returning in 2023 for the fourth time, the event is sticking with that extended setup. It's easy to see why, not only because the fest keeps drawing crowds to Brisbane's bayside — with 36,000 people heading along in 2022 — but also thanks to the jam-packed lineup it keeps curating. This year's includes Shrek-inspired burlesque, ABBA sing-alongs, Daryl Braithwaite and a ferris wheel for starters, plus Robert Forster taking to the stage, a dog celebration, Will Anderson and Jimeoin doing comedy sets, and pop-up bars as well. Running from Wednesday, November 15–Sunday, December 3, 2023's lineup of shows and events includes that sultry — and wholly unofficial — take on everyone's favourite animated ogre franchise, plus a corresponding burlesque and drag parody of The Simpsons. Still riffing on beloved pop-culture staples, Wynnum Fringe is staging the latest season of Speed: The Movie, the Play, which brings the 90s action film into IRL in the name of comedy. Sweden's most-famous music group earn a tribute via free community choir The Wynnum Takes It All — singing, yes, a version of 'The Winner Takes It All'. As for Braithwaite and Forster, they sit alongside Diesel, Sarah McLeod, Marcia Hines and Rhonda Burchmore in what's clearly a stacked list of Australian talent taking to the stage. To hear 'The Horses' echo, you'll want to head to the closing Rock the Bay event, which also features Hines and The Bamboos. The comedy bill not only includes Anderson and Jimeoin, but Dave Thornton and Geraldine Hickey as well. Laughing is part of seeing Ancient Greece-set comedy GODZ, too, while the Wynnum Fringe Comedy Gala is back for a one-night-only stint of giggling. After opening ceremony yana marumba (Walk Good) kicks off 2023's festival, attendees can look forward to an adults-only magic show, silent disco walking tours, Chocolate Starfish doing Meatloaf's Bat Out of Hell, Massaoke Oz getting everyone belting out songs and Cheap Fakes playing the Pulp Fiction soundtrack. Or, there's a club devoted to Broadway tunes, a dose of Shakespeare in 60 minutes and a Bluey and Bingo experience — plus What Would Dolly Do?, which is about worshipping Dolly Parton. For hanging out between shows, the garden hub returns to George Clayton Park, which is where Wynnum Fringe's spiegeltent will sit — and a ferris wheel, food trucks and bars. It's also the site of Puppypalooza, complete with dog-focused markets, dog competitions, dog photography and everyone bringing their pooches along.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 11 that you can watch right now at home. SALTBURN Sharp, savage and skewering, plus twisted in narrative and the incisive use of genre tropes alike: as a filmmaker, Emerald Fennell certainly has a type. With the Oscar-winning Promising Young Woman and now Saltburn, the Barbie and The Crown actor-turned-writer/director takes aim, blazes away giddily and blasts apart everything that she can. When she made a blisteringly memorable feature debut behind the lens — giving audiences one of 2021's's best Down Under releases, in fact, and deservingly earning a place among the Academy Awards' rare female Best Director nominees in the process — she honed in on the absolute worst that a patriarchal society affords women. Now, after also pointing out the protection provided to the wealthy in that first effort as a helmer, Fennell has class warfare so firmly in her gaze that Saltburn is named after a sprawling English manor. With both flicks, the end result is daringly unforgettable. This pair of pictures would make a killer double, too, although they enjoy neighbouring estates rather than frolic across the same exact turf. On her leaps from one side of the camera to the other, Fennell also keeps filling her features with such spectacular casts that other filmmakers might hope to fall into her good graces to bask in their glow — a fate that sits at the heart of Saltburn, albeit beyond the movie world. Fresh from nabbing his own Oscar nomination for The Banshees of Inisherin, Barry Keoghan adds yet another beguiling and astonishing performance to a resume that's virtually collecting them (see also: The Killing of a Sacred Deer, Dunkirk, American Animals, The Green Knight and Calm with Horses), proving mesmerisingly slippery as scholarship student Oliver Quick. Usually standing in his sights, Euphoria's Jacob Elordi perfects the part of Felix Catton, aka that effortlessly charismatic friend that everyone wishes they could spend all of their time with. And as Felix's mother Elspeth, father Sir James and "poor dear" family pal Pamela, Rosamund Pike (The Wheel of Time), Richard E Grant (Persuasion) and Carey Mulligan (Fennell's Promising Young Woman star, also an Academy Award nominee for her work) couldn't give more delicious line readings or portraits of the insular but shambolic well-to-do. Saltburn streams via Prime Video. Read our full review. KILLERS OF THE FLOWER MOON Death comes to Killers of the Flower Moon quickly. Death comes to Killers of the Flower Moon often. While Martin Scorsese will later briefly fill the film's frames with a fiery orange vision — with what almost appears to be a lake of flames deep in oil country, as dotted with silhouettes of men — death blazes through his 26th feature from the moment that the picture starts rolling. Adapted from journalist David Grann's 2017 non-fiction novel Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, with the filmmaker himself and Dune's Eric Roth penning the screenplay, this is a masterpiece of a movie about a heartbreakingly horrible spate of deaths sparked by pure and unapologetic greed and persecution a century back. Scorsese's two favourite actors in Leonardo DiCaprio (Don't Look Up) and Robert De Niro (Amsterdam) are its stars, alongside hopefully his next go-to in Lily Gladstone (Reservation Dogs), but murder and genocide are as much at this bold and brilliant, epic yet intimate, ambitious and absorbing film's centre — all in a tale that's devastatingly true. As Mollie Kyle, a member of the Osage Nation in Grey Horse, Oklahoma, incomparable Certain Women standout Gladstone talks through some of the movie's homicides early. Before her character meets DiCaprio's World War I veteran Ernest Burkhart — nephew to De Niro's cattle rancher and self-proclaimed 'king of the Osage' William King Hale — she notes that several Indigenous Americans that have been killed, with Mollie mentioning a mere few to meet untimely ends. There's nothing easy about this list, nor is there meant to be. Some are found dead, others seen laid out for their eternal rest, and each one delivers a difficult image. But a gun fired at a young mother pushing a pram inspires a shock befitting a horror film. The genre fits here, in its way, as do many others as Killers of the Flower Moon follows Burkhart's arrival in town, his deeds under his uncle's guidance, his romance with Mollie and the tragedies that keep springing: American crime saga, aka the realm that Scorsese has virtually made his own, as well as romance, relationship drama, western, true crime and crime procedural. Killers of the Flower Moon streams via Google Play, YouTube Movies and Prime Video. Read our full review, and our interview with Martin Scorsese. THE ROYAL HOTEL Anyone who has spent time in an outback Australian pub will recognise The Royal Hotel's namesake watering hole, even if they've never seen this particular bar before. The filming location itself doesn't matter. Neither do the IRL details of the actual establishment that stands in for the movie's fictional boozer. What scorches itself into memory like the blistering sun beating down on the middle-of-nowhere saloon's surroundings, then, is the look and the feel of this quintessentially Aussie beer haven. From the dim lighting inside and weather-beaten facade outside to the almost exclusively male swarm of barflies that can't wait to getting sipping come quittin' time, this feature's setting could be any tavern. It could be all of them. That fact is meant to linger as filmmaker Kitty Green crafts another masterclass in tension, microagressions and the ever-looming threats that women live with daily — swapping The Assistant's Hollywood backdrop and Harvey Weinstein shadow for a remote mining town and toxic testosterone-fuelled treatment of female bartenders. Making her second fictional feature after that 2019 standout, and her fourth film overall thanks to 2013 documentary Ukraine Is Not a Brothel and 2017's Casting JonBenet before that, Green has kept as much as she's substituted between her two most recent movies. Julia Garner stars in both, albeit without breaking out an Inventing Anna-style drawl in either — although comically parroting the Aussie accent does earn a brief workout. Green's focus remains living while female. Her preferred tone is still as unsettling as any scary movie. The Royal Hotel is another of her horror films, but an inescapable villain here, as it was in The Assistant, is a world that makes existing as a woman this innately unnerving. This taut and deeply intelligent picture's sources of anxiety and danger aren't simply society; however, what it means to weather the constant possibility of peril for nothing more than your sex chromosomes is this flick's far-as-the-eye-can-see burnt earth. The Royal Hotel streams via Binge. Read our full review, and our interview with Kitty Green. MAESTRO When a composer pens music, it's the tune that they want the world to enjoy, not the marks on a page scribbling it into existence. When a conductor oversees an orchestra, the performance echoing rather than their own with baton in hand and arms waving is their gift. In Maestro, Bradley Cooper (Guardians of the Galaxy Vol. 3) is seen as Leonard Bernstein in both modes. His portrayal, especially in an unbroken take as the American great conducts Mahler's Resurrection Symphony at England's Ely Cathedral in 1973, is so richly textured and deeply complex that it's the career-best kind of astonishing. But Cooper as this movie's helmer, co-writer and one of its producers wants Maestro's audience to revel in the end result, not just in his exceptional on-screen contribution to bringing this virtuoso feature to fruition. And if he wants the love showered anyone's way first, it's towards Carey Mulligan (Saltburn), who the second-time director (and second-time director of a music-fuelled film, since his debut behind the lens was A Star Is Born) gives top billing for stepping so astoundingly into Felicia Montealegre Bernstein's shoes. Symphonies should erupt for Mulligan's awards-worthy turn, which deserves to claim her third Oscar nomination (after 2010's for An Education and 2021's for Promising Young Woman) at a minimum. As the Costa Rican actor — a talent herself, of the stage and small screen — hers is similarly a never-better performance. It's a chalk-and-cheese partner to Cooper's, too; his is all about playing someone whose entire reason for earning a biopic is his effort and what it wrought, while she makes everything from the screwball-esque early sparks of connection to soul-aching pain feel natural. When she says "you don't even know how much you need me, do you?", the words melt, and the moment with it. When she beams by Cooper's side during a TV interview about Leonard's achievements, the practicalities of spending your life with someone have rarely felt as giddying. When Maestro's main pair quarrel on Thanksgiving, away from their family and as the parade trots along outside the window, each word is a cut. Every scene with Mulligan lays its emotions bare so thoroughly, yet never forcefully or showily, that she virtually spirits the audience into Felicia's footwear with her. Maestro streams via Netflix. Read our full review. LEAVE THE WORLD BEHIND Call it the one with Julia Roberts playing the mother of a Friends-obsessed 13-year-old girl who hasn't clocked that someone closely resembling her mum pops up in the sitcom's second season. Call it writer/director Sam Esmail still ruing humanity's technological reliance and seeing only dystopian outcomes after Mr Robot became such a small-screen success. Call Leave the World Behind an effectively unnerving psychological thriller about a mysterious communications blackout striking while one New York family holidays at another's palatial Long Island vacation home, too. Down Under, badging it the horror version of Australia's November 2023 Optus outage also fits — just with a home-invasion angle that can be read two ways; Hitchcockian suspense, sharp writing and baked-in bleakness; Barack and Michelle Obama as executive producers; and Roberts (Ticket to Paradise) starring alongside Ethan Hawke (Reservation Dogs), Mahershala Ali (Spider-Man: Across the Spider-Verse), Myha'la Herrold (Dumb Money) and Kevin Bacon (The Guardians of the Galaxy Holiday Special). In her second chaotic getaway in two successive movies, Roberts plays Amanda Sandford, an advertising executive who prides herself on being able to read people and situations. But her professor husband Clay (Hawke) is surprised to awaken one morning to news that their brood is going away for a few days, thanks to a humanity-escaping misanthropic urge and a last-minute online booking. He and the couple's kids — the older Archie (Charlie Evans, Everything's Gonna Be Okay) and younger Rose (Farrah Mackenzie, United States of Al) — aren't complaining about the break, though. Then problems after eerie problems occur. First, an oil tanker runs ashore on the beach. Next comes the late-night knock at the door from their holiday home's owner GH Scott (Ali) and his daughter Ruth (Herrold), who've driven in all dressed up from a night at the symphony. In a movie that isn't afraid of M Night Shyamalan-esque setups on its route to potential societal collapse, a power, phone and internet outage follows, plus oddly behaving wildlife and disquieting developments from above. Leave the World Behind streams via Netflix. Read our full review. TAYLOR SWIFT: THE ERAS TOUR Just like a great music documentary, an excellent concert film isn't solely about existing fans. That's still true when a movie arrives in a sea of friendship bracelets, focuses on one of the biggest current singers in the world, and perhaps the largest and most devoted fandom there is can be seen screaming, dancing and crying joyfully in its frames in a 70,000-plus drove. As the shows that it lenses were, Taylor Swift: The Eras Tour was a financial success before any Swifties experienced their version of heaven. Swift's onstage journey through 17 years of tunes sparked ticketing mayhem both as a concert and a cinema release that captures close to every moment. The Eras tour is a billion-dollar entity, with the self-produced film that's spreading it further than packed stadiums a box-office bonanza since it was announced. The 169-minute-long movie is also a dazzling spectacle that neither dedicated Swifties nor casual viewers will be able to easily shake off. When Swift told the world that she never misses a beat and she's lightning on her feet in possibly her best-known pop song, everyone should've believed her. Long before 2014 earworm 'Shake It Off' gets a spin in the 1989 segment of The Eras Tour, she's proven those words true in an indefatigable onstage effort. "Can't stop, won't stop moving" describes her efforts and the film, which is as energetically directed by Sam Wrench (Billie Eilish Live at the O2) and edited by a six-person team (with Max Richter's Sleep's Dom Whitworth as its lead) as it is performed. And, for anyone that's sat through Valentine's Day and Cats and found them hardly purring, it gives Swift the screen presence that she's been trying to amass here and there — The Giver and Amsterdam are also on her resume — for over than a decade. Watching The Eras Tour doesn't just feel like watching a concert, but a musical spectacular in its vast grandeur, complete with the lead to match. Taylor Swift: The Eras Tour streams via Google Play, YouTube Movies, Apple TV and Prime Video. Read our full review. DUMB MONEY It couldn't have been hard to cast Pete Davidson as a stoner in Dumb Money, but getting the Bupkis star playing a part that barely feels like a part on paper is perfect in this ripped-from-the-headlines film. He doesn't give the movie's top performance, which goes to lead Paul Dano (The Fabelmans), but he's satisfyingly great as the DoorDash driver who's often trolling his brother online and in-person. He's also an example in Cruella and I, Tonya director Craig Gillespie's entertaining feature of one of the ideas that this true tale heartily disproves. Viewers know what they're going to get from Davidson, and he delivers. Wall Street thought it knew what it was in for when small-time investors splashed their cash on stock for US video-game store chain GameStop, too, but the frenzy that resulted demonstrated otherwise. It was in 2019 IRL when DeepFuckingValue aka Roaring Kitty aka Keith Gill first posted on subreddit r/wallstreetbets that he'd bought stock in GameStop, the Texas-born brand that had been struggling but he thought was undervalued. Dumb Money tells this story from Keith's digital enthusiasm through to the impact upon the financial markets, plus the worldwide attention that followed. In 2021, the GameStop situation wasn't just news. It was a phenomenon, and one of the great modern-day David-versus-Goliath scenarios. There's a reason that this recent chapter of history been turned into a movie, and not just because it's an easy candidate to try to emulate The Big Short: the big end of town kept pulling its usual strings, the 99 percent played their own game instead and the status quo was upended — temporarily. Dumb Money streams via Google Play, YouTube Movies, Apple TV and Prime Video. Read our full review. THEATER CAMP If you've ever wanted to turn your childhood into a movie, Theater Camp is the latest film that understands. It's also happy to laugh. Unlike Minari, Belfast, The Fabelmans, Aftersun and Past Lives, this isn't a drama, with Molly Gordon, Ben Platt, Noah Galvin and Nick Lieberman making a sidesplittingly funny mockumentary about a place that's near and dear to them. What happens when four friends reflect upon their formative years, when they all fell in love with putting on a show? Theater Camp is the pitch-perfect answer. Looking backwards can be earnest and nostalgic, as Gordon and company know and embrace. Going for Wet Hot American Summer meets Waiting for Guffman and A Mighty Wind, they're just as aware that it can be utterly hilarious. Watching Theater Camp means stepping into Gordon, Platt, Galvin and Lieberman's reality. None are currently camp counsellors, but the realm that they parody genuinely is personal. The film's core quartet initially came into each other's lives via youth theatre. With Gordon and Platt, the picture even boasts the receipts — aka IRL footage of the pair performing as kids — from a time when they were appearing together in Fiddler on the Roof at age four and in How to Succeed in Business at five. This team was first driven to bring their shared experiences to the screen in an improvised 2020 short also called Theater Camp. Now, they flesh out that bite-sized flick to full length as enthusiastically as any wannabe actor has ever monologued. All four co-write, while Booksmart and The Bear star Gordon directs with fellow first-time feature helmer Lieberman. Gordon, Dear Evan Hansen stage and screen lead Platt, plus Galvin — who similarly portrayed that Broadway hit's title role — act as well, playing three of the adults at AdirondACTS. Theater Camp streams via Disney+, Google Play, YouTube Movies, Apple TV and Prime Video. Read our full review. HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES When children from Panem's first 12 districts are chosen to fight to the death, each year's unlucky kids conscripted into the bloodthirsty fray that gives The Hunger Games franchise its title, they aren't simply battling for survival. In this dystopian saga stemming from Suzanne Collins' novels, they're brawling to entertain the wealthy residents of the ruling Capitol — they're forced to submit to a display of power and control, too, and to demonstrate humanity's innate cruelty — all while waging war against perishing into nothingness. Arriving eight years after the series' last page-to-screen adaptation, The Hunger Games: The Ballad of Songbirds & Snakes is a swung sword, flung spear, hurled hatchet and jabbed knife in the same type of skirmish. This is a blockbuster franchise, but 2012's The Hunger Games, 2013's The Hunger Games: Catching Fire, 2014's The Hunger Games: Mockingjay — Part 1 and 2015's The Hunger Games: Mockingjay — Part 2 have long faded from the big screen, which virtually means no longer existing to Tinseltown, other than as fuel to relight the flame. So kicks in the "sequels, prequels, spinoffs, continuations, TV shows, remakes, reboots, reimaginings or perish" motto that may as well be etched onto the Hollywood sign. Why The Hunger Games' battle royales exist, and what their purpose and substance are, prove topics of conversation more than once in The Ballad of Songbirds & Snakes. A tale that features the person who created the games and the mind overseeing them — that'd be Dean Casca Highbottom (Peter Dinklage, Cyrano) and Dr Volumnia Gaul (Viola Davis, Air) — ought to ponder such notions. A jump back in time in a now five-entry franchise, and a chapter that runs for 157 minutes at that, couldn't leave it out. But a sense of nothingness still swirls around this Tom Blyth (Billy the Kid)- and Rachel Zegler (Shazam! Fury of the Gods)-led picture about Coriolanus Snow's origin story, even if Collins did actually write a novel with a plot that justifies the movie's existence (unlike comparable shenanigans over in the Wizarding World, aka the Fantastic Beasts films). There's an insignificant air to this return trip to YA bleakness, as smacking of chasing cash and keeping IP bubbling in the popular consciousness was bound to inspire; this doesn't feel like a return or a bonus, but an optional extra. The Hunger Games: The Ballad of Songbirds & Snakes streams via Google Play, YouTube Movies, Apple TV and Prime Video. Read our full review. FIVE NIGHTS AT FREDDY'S Nicolas Cage is sorely missed in Five Nights at Freddy's, not that he was ever on the film's cast list. He starred in 2021's Willy's Wonderland, however, which clearly took its cues from the video-game franchise that this attempt to start a corresponding movie series now officially adapts. Willy's Wonderland wasn't great, but a near-silent Cage battling demonic animatronics was always going to be worth seeing. Unsurprisingly, he's mesmerising. In comparison, the actual Five Nights at Freddy's feature stars Josh Hutcherson (Futureman) deep in his older brother phase, bringing weary charm to a by-the-numbers horror flick that's as routine as they come no matter whether you've ever mashed buttons along with its inspiration — which first dropped in 2014 and now spans nine main games, a tenth on the way and five spinoffs — or seen everyone's favourite Renfield, Pig and Color Out of Space actor give an unlicensed take a go. Writer/director Emma Tammi (The Wind), the game's creator Scott Cawthon (Scooby Doo, Where Are You? In... SPRINGTRAPPED!) and co-screenwriter Seth Cuddeback's (Mateo) movie iteration of Five Nights at Freddy's doesn't just arrive after a Cage film got there first; it hits after season 16 of It's Always Sunny in Philadelphia wreaked havoc on a comparable setting already in 2023. If you're looking for a pitch-black comedic skewering of eateries in the style of Chuck E Cheese, the IRL pizzeria-meets-arcade chain that Freddy Fazbear's Pizza is patently based on, that's the best of the year. So, the Five Nights at Freddy film lingers in multiple shadows. There's symmetry on- and off-screen as result: shining a torchlight around in the movie uncovers sights that its characters would rather not see, and peering even just slightly through recent pop culture shows that this picture isn't alone, either. Five Nights at Freddy's streams via Google Play, YouTube Movies, Apple TV and Prime Video. Read our full review. THANKSGIVING Edgar Wright's Don't and Rob Zombie's Werewolf Women of the SS must be on their way to the big screen soon. With Thanksgiving's arrival, three of the five films teased as trailers in 2007's Grindhouse — and at the time only conceived to exist as those faux trailers — have come to full-length feature fruition. So, the double of Robert Rodriguez's Planet Terror and Quentin Tarantino's Death Proof didn't just give the world biochemical zombies and a murdering stuntman, but Machete, Hobo with a Shotgun and now Eli Roth's turkey-holiday slasher horror. In this first stint behind the lens since 2021 documentary Fin, plus 2018's vastly dissimilar Death Wish and The House with a Clock in Its Walls before that, the Cabin Fever and Hostel filmmaker knows the right mood: when you're plating up a film that began as a gag ad, leaning into both tropes and a knowing vibe is the best choice for carving a path forward. There's a downside to the joke beginning and happy winking now, though: Thanksgiving sure does love sticking to a tried-and-tested recipe. Roth and screenwriter Jeff Rendell, both returning from 16 years back and sharing a story credit, have taken to the whole "Halloween but Thanksgiving" approach with the utmost dedication — because it's as plain as a roasted bird centrepiece that that's what they've purposely cooked up. The mood, the nods, the derivation: they don't add up to a new masterpiece, however, genre-defining, cult or otherwise. But there's something to be said for a film that commits to its bit with this much relish, so bluntly and openly, and with the tongue-in-cheek attitude that was baked into the Grindhouse package slathered on thick. And yes, the image that no one has forgotten for almost two decades returns, alongside other signature shots from Thanksgiving's proof-of-concept sneak peek. Thanksgiving streams via Apple TV and Prime Video. Read our full review. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May, June, July, August, September, October and November, too. We've kept a running list of must-stream TV from across the year, complete with full reviews. We also rounded up 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows as well.
If a Finnish railway line can immerse passengers in a Murder on the Orient Express-style escape room, then a British hotel can take inspiration from the iconic novelist behind the famous mystery tale. More than that, it can do so while keeping with the transport theme — with Bertram's Hotel in Devon turning a double decker bus into an Agatha Christie-inspired home away from home. There's no puzzle to solve, other than wondering why someone didn't think of the idea earlier. Instead, visitors can relax in a place that's been decked out to feel like a 50s Christie book. Floral decor, a retro record player, a cocktail station, two sleeping spaces and shelves filled with novels all feature. Of course, the latter includes the author's work, with posters celebrating her efforts and titles found elsewhere throughout the cosy abode. Self-contained with a kitchen and bathroom, and sleeping five guests in total, Bertram's Hotel is located in a scenic field near the village of Harltand. And although its setting means that stumbling upon a real-life mystery is rather unlikely, you will spy plenty of animals, namely five grazing alpacas, plus everything from pygmy goats and donkeys to chickens and ducks. There's also two fishing lakes in close proximity. As for the concept, the unique spot takes its name and design from one of Christie's books: 1965's At Bertram's Hotel. The novel features the author's other well-known sleuth — Miss Marple — taking a holiday at the titular establishment and coming across a case, of course. While the hotel in the book isn't in a two-level red bus, the text features one on its cover. Images: Sykes Holiday Cottages.
It seems like only yesterday that we were freaking out over their Indiegogo campaign. Now, Australia's first cat cafe has officially stolen the hearts of the nation, raised sufficient funds, and set up a home on Queen Street, Melbourne ahead of their launch early next month. If a week or two is simply too long to wait, here's a teaser of what's to come. Meet Sherlock, Lotti, Lynx, Lopez, Waldo, and Braveheart — aka your new furry best friends. All adopted from the Geelong Animal Welfare Society, these beautiful bundles of pure happiness are the first cats to call the cafe home. Having only been in the city a mere day or two, Cat Cafe Melbourne have posted a little information about each on Facebook ahead of their upcoming launch. Pictured above is the youngest — and in our opinion, best named — kitten Braveheart. Not only is he the cutest little thing we've ever seen, he's also a bit of a battler. At just five months old, he's already suffered a bad infection that led to his right eye being removed. As the cat cafe owners rightfully point out, at least now "he gives a great wink!" From youngest to eldest, this is Lynx. A sedate seven-year-old, he's the type to snuggle up and relax with after a big ol' lunch. "He won't put up with the young ones," the Cat Cafe claim. "If you pick him up beware! He gives a big hug and smooches your face. You may require help to remove him." Then there's Lotti. Though she looks a whole lot like Braveheart, she's a little older and apparently gets a bit jealous of the attention afforded to others. "She is very demanding for affection ... and has an amazing purr that will melt your heart," the owners say. Of course the best thing about this place is that there's just too many cats to keep track of. Lopez, Waldo and Sherlock are the rest of the bunch that are currently slinking around the unopened space, but you won't know too much about them 'til you meet. Cat Cafe Melbourne doesn't have an official opening date yet, though the owners have stated it will be sometime in early July. The cats will also be separated from the official cafe space due to food safety regulations — no one wants a hairball in their latte, after all. If you want to jump in and have a play after your coffee, it'll cost you $10 for the first hour, then $5 for every additional 30 minutes. Stay tuned for an update on their opening, it's bound to be the purrfect cure to your winter blues. All photos via Cat Cafe Melbourne.
Whatever else the past couple of years have served up, it has been an impressive time for folks who like staring up at the sky. 2016 ended with a huge supermoon that had everyone looking to the heavens, then 2018 began with an extremely rare super blue blood moon (a supermoon, a blue moon and a total lunar eclipse all at once). Next, at the end of July, an epic lunar eclipse will mark the next notable celestial happening. WHAT IS IT? On Saturday, July 28, earth will bear witness to the longest lunar eclipse of this century — with the penumbral eclipse lasting just shy of four hours (236 minutes, to be exact) and the total lunar eclipse spanning 103 minutes. If you're wondering what the difference is between the two (because we're all more familiar with The Mighty Boosh's take on the moon than actual lunar terms, aren't we?), a penumbral eclipse is when the earth's outer shadow falls on the moon's surface, while a total lunar eclipse involves the moon passing directly into the earth's actual shadow. WHAT'S SO SPECIAL ABOUT IT? As well as offering a great excuse to go stargazing, the 103-minute total eclipse pips the 100-minute event that took place on June 15, 2011 — although it falls just short of the 108-minute event on July 16, 2000. That said, eclipses that last this long are rare. When the super blue blood moon came around earlier in 2018, its full eclipse only lasted 72 minutes. In fact, if you miss it, you'll need to wait until 2029 for a 102-minute total lunar eclipse, with others lasting the same duration expected in 2047 and 2094. Nothing that reaches 103 minutes will in length will occur again this century — and no total lunar eclipses of any length will be visible from Australia again until May 2021. During the main event, the moon will also turn a blood-red shade thanks to sunlight that's filtered and refracted by the earth's atmosphere. So as well as a total lunar eclipse and a full moon, it'll be a blood moon as well. WHEN CAN I SEE IT? Australians will be able to spy the penumbral eclipse from 3.14am local time and the partial eclipse from 4.24am, before the full thing at 5.30am. If you're not able to tear yourself out of bed that early on a winter weekend morning, the maximum eclipse will occur at 6.21am. We won't be able to see the end of it, however, as the moon will be below the horizon when the full, partial and penumbral eclipses end (at 7.13am, 8.19am and 9.28am local time, respectively). For the full details, timeanddate.com has put together a handy to-the-minute schedule of when the eclipse will be happening in Sydney, Melbourne and Brisbane. [caption id="attachment_678443" align="aligncenter" width="1080"] Sydney total lunar eclipse times via timeanddate.com[/caption] Have your cameras at the ready, obviously — and see if you can outdo the previous big batches of supermoon snaps and super blue blood moon pics. WHERE CAN I SEE IT? Being in the southern hemisphere, we get some of the best views in the world — weather permitting, of course. Everyone in Australia should be able to catch a glimpse, but, even so, if you're living in the city, it would be best to as far away from light pollution as you can. Unsurprisingly, possible showers are predicted for the day in Sydney and Melbourne, which could have an impact upon visibility; however Brisbane is supposed to be mostly sunny. For Sydneysiders looking for a specific stargazing (or moon-viewing) spot, Sydney Observatory will be open from 5am. If you can't get a clear view, The Virtual Telescope Project will be live-streaming what they're calling 'The Night of the Red Moon and the Red Planet' – because Mars will also be visible in the sky — from the skyline above Rome from 4.30am AEST. Via Space.com and timeanddate.com.
With 35 hours worth of footage uploaded to YouTube every single minute, it's easy to get lost wading through all of the new content. Instead of wasting your time searching through crappy homemade videos, check out this list of 10 channels actually worth watching. 1. Vlogbrothers, Crash Course, and Sci Show Created by brothers John and Hank Green in 2007, Vlogbrothers was initially used as a way for the two to stay in touch. Today, it has become popular enough to have acquired its own fandom and spin-offs and is definitely worth catching up on. Check out the Green's other channels as well: Crash Course, which features the brothers' entertaining lectures on history and biology, and Sci Show, Hank's show on anything and everything scientific. 2. Ill Doctrine Jay Smooth takes a creative turn from his New York WBAI's Underground Radio show to discuss all aspects of modern culture on his YouTube channel. His thoughts on politics, race relations and music are incorporated with his great sense of humour. 3. BriTANick Comedy Two announcers from Cartoon Network, Brian McElhaney and Nick Kocher, got their start with this YouTube sketch comedy channel. Irreverent and hysterical, their video spoofs poke fun at everything from cooking shows to Shakespeare. 4. TED Education The TED media empire originated as a not-for-profit conference to discuss technology, design, and education. Today, their YouTube channel offers tonnes of different lectures and lessons, covering diverse educational topics and incorporating animation. 5. My Drunk Kitchen For those of us who have drunkenly stumbled into the kitchen after a night out to cook a very necessary bowl of mac 'n' cheese, there is My Drunk Kitchen, Hannah Hart's show dedicated to making sure "you don't puke your guts out". Be thoroughly entertained by Hart's drunken, yet somehow charming, kitchen antics. 6. College Humor 240 Jake and Amir videos, the College Humor Originals series and Hardly Working series are filled with enough crazy stupid shenanigans to keep you laughing for hours. 7. Julia Nunes For Julia Nunes, YouTube has been the vehicle to musical fame, but also the means to entertain us with her goofy ukulele covers of the likes of Justin Bieber. 8. Smart Girls at the Party Amy Poehler proves that smart girls can have a good time too by interviewing a different woman on every episode. These young women share their hobbies with Poehler and show the YouTube world that internet intelligence does exist. 9. Wheezy Waiter Craig Benzine's outlandish videos feature amazing production quality and not a whole lot of rhyme and reason. Posted almost every weekday, these quirky videos are ever-random and always entertaining. 10. Belated Media Dedicated to providing high-quality film reviews, Michael Barryte's channel features a green screen which allows Barryte to comment on the film as it happens. His reviews are carefully thought-out and well broken-down for his audience. [via Flavorwire]
The Gold Coast Film Festival isn't the first film fest to marvel at the sight of sun, surf and sand on the big screen. Thanks to a surf film retrospective at the Brisbane International Film Festival over a decade back, it isn't the first to do so in southeast Queensland, either. But it is the perfect spot for big waves to get rolling in a cinema, as the just-announced 2023 GCFF program celebrates with a dedicated strand of flicks that'll serve up that very experience. This isn't the first time that the Gold Coast's annual film fest itself has embraced the ocean, of course — its 2022 lineup included a session of Blue Crush, for instance — but there's no such thing as too much sea-obsessed cinema at this event. So, 2023 attendees can look forward to Big Wave Guardians, which focuses on surfing in Hawaii; The Road to Patagonia, about ecologist Matty Hannon's efforts to surf the west coast of the Americas while travelling by motorbike; Big vs Small, with big-wave champion surfer Joana Andrade and world-champion free diver Johanna Nordblad in the spotlight; and Birth of the Endless Summer, which steps behind iconic surf documentary The Endless Summer. GCFF's latest curated collection of movies spans further, including three world premieres, three Australian premieres and 15 Queensland premieres across Wednesday, April 19–Sunday, April 30 at HOTA, Home of the Arts and other GC venues. Making its Sunshine State debut is opening night's Polite Society, about a martial artist-in-training endeavouring to save her sister from an arranged marriage — and a hit at this year's Sundance Film Festival. Bookending the other end of the fest is doco The Last Daughter, also in a Queensland first, about Indigenous director Brenda Matthews' experience being taken from her family as a toddler, growing up with white foster parents, then being returned to her parents. Also, big-name TV gets a look in via Netflix's Sweet Tooth, which is previewing its first two episodes of season two ahead of its long-awaited streaming debut on Thursday, April 27. Elsewhere on the lineup, Aussie cinema receives a showcase complete with must-sees Sweet As and The Survival of Kindness — both hits on the international film festival circuit, with the former an outback-set coming-of-age story written and directed by Indigenous filmmaker Jub Clerc (The Heights), and the latter hailing from acclaimed director Rolf de Heer. There's also thriller Monolith, about a journalist chasing a conspiracy, plus documentary The Giants about the life of environmental activist Bob Brown. And, the fest also continues its Local Filmmaker Focus, screening a trio of titles from Gold Coast talent. Hits and standouts from far and wide are another big highlight of GCFF's 2023 selection, which is where the Oscar-nominated EO, a portrait of a donkey, comes in — as do Cannes 2022 Best Actress winner Holy Spider, the same fest's Best Screenplay recipient Cairo Conspiracy, and the fittingly cinema-obsessed I Like Movies. If you can only see a handful of flicks at the festival, make sure that the stunning The Inspection is one of them, as based on filmmaker Elegance Bratton's true tale about being a gay Black man who joined the marines. Film lovers can look forward to the return of short film fest SIPFEST within the broader GCFF program as well, which'll screen 14 titles at HOTA's outdoor stage. Plus, among the industry-focused events sits the Screen Industry Gala Awards at Warner Bros Movie World, aptly, plus the GCFF Women in Film Lunch in the QT Gold Coast's Ballroom. The 2023 Gold Coast Film Festival runs from Wednesday, April 19–Sunday, April 30 at HOTA, Home of the Arts and other venues on the Gold Coast. For more information and to buy tickets, visit the festival website. Sweet Tooth image courtesy of Netflix.
Following a Golden Globe haul earlier this year, Donald Glover's series Atlanta has landed an Australian premiere. Heading to the newly minted SBS Viceland channel on Tuesday, February 28 at 9.30pm, the award-winning series will be shown in double episodes weekly. Even better, the entire series will be available on SBS On Demand from the same date. Created, co-written, and produced by Glover, also known as artist Childish Gambino, Atlanta follows the life of Princeton dropout Earn Marks (Glover) and his cousin Alfred 'Paper Boi' Miles (Brian Tyree Henry). The series sees Earn supporting his two-year-old daughter and managing his rapper cousin trying his luck at breaking into the music industry. The series took out two Golden Globes in January, with Glover landing Best Actor in a Television Series – Musical or Comedy, and Atlanta taking out Best Television Series – Musical or Comedy. Atlanta is one series we think you should catch up on after the Golden Globes. Read the whole list here.
High-rise hotels and the Gold Coast go hand in hand; however, slumbering at great heights isn't the only way to stay at the tourist-friendly spot. The area is also home to plenty of motels, which come with their own low-key (and lower to the ground) charms — and, thanks to a new startup, they're getting an art-fuelled makeover. Meet Golden Ticket Motel, which wants to turn the Goldie's heritage motel rooms into highly Instagrammable experiences; think: Sugar Republic and the Museum of Ice Cream, but you can kip there. Beginning as a three-month pilot, it enlists artists to deck out motels, turning them into the kind of space that you'll want to snap copious amounts of pictures of. 'Art you can sleep in' is the official spiel, and it fits. The first venue doing the honours is Surf Street Motel in Mermaid Beach, with one room given a revamp by Gold Coast artist Dion Parker. Big, colourful, flower-filled designs feature heavily, as set against black walls. The makeover covers the brightly hued quilt and curtains, statement walls complete with a velvet centrepiece that's designed to look like flowing hair, and florals throughout the bathroom. No, you haven't stayed in a motel quite like this before. If that sounds like your kind of place for an evening, bookings are open for visits from May, starting from $235 per night. As well as soaking in the eye-catching interior design, you'll also be just a five-minute walk from Nobby Beach — because no GC stay is ever really complete without some surf, sun and sand, obviously. The pilot run is supported by a City of Gold Coast creative tourism grant — and if it goes well, the aim is roll out the concept to other Goldie motels. So, you might soon have more places to spend a night in. "The vision for Golden Ticket Motel is to create a unique overnight tourism product for the Gold Coast in collaboration with local artists during a time when there are limited exhibition opportunities for working artists in the area," said Golden Ticket Motel founder Lucy Fisher. "The Gold Coast is blessed with historic motels that should be celebrated, and I wanted to create a product that encourages motel visitation without any outlay from operators and introduce a new audience to this style of accommodation." "Ultimately, the aim is to build Golden Ticket Motel into a thriving creative tourism business based on the Gold Coast that works with artists and accommodation providers to create playful and unique overnight art experiences." Golden Ticket Motel's first pop-up at Surf Street Motel, Mermaid Beach, is available to book for the next three months. For more information, head to the Golden Ticket Motel website.
Maybe you think there's too many superhero movies and TV shows monopolising screens these days. Perhaps you just can't get enough. You could adore the sight of spandex everywhere, or you could feel like you're doing pop-culture homework with each new flick, franchise and series. Wherever you land on caped crusaders, there's one glaring issue with their live-action domination: they're bound by whatever flesh, blood and special effects are able to come up with. Special effects can conjure up plenty, of course, but when 2018's stunning — and Oscar-winning — Spider-Man: Into the Spider-Verse arrived, it showed how inventive, imaginative and creative a superhero film can be when it can do whatever it likes thanks to the wonders of animation. Five years later, it's finally getting a sequel in Spider-Man: Across the Spider-Verse — and the movie's just-dropped new trailer, its third after a first sneak peek in 2021 and a second in 2022, does whatever a Spider-Verse trailer can. Initially set to release in 2022, but now arriving in June 2023, Across the Spider-Verse is the first of two follow-ups in the Miles Morales (Shameik Moore, Wu-Tang: An American Saga)-focused franchise. And, it isn't holding back on its spider-people. How many spider-men is the optimal amount of spider-men? All the spider-men, clearly. Sure, 2021's Spider-Man: No Way Home messed with multiverse madness, complete with Tobey Maguire, Andrew Garfield and Tom Holland's versions of the titular character — but Spider-Verse not only got there first, but topped that first. Now, Across the Spider-Verse is here to up the ante again. Where the initial film gave us a spider-woman, spider-robot and spider-pig, as well as Nicolas Cage as a 30s-era spider-vigilante, this one has another whole onslaught of Spideys heading Miles' way. The new trailer makes that plain in a heap of ways, including in its latest staging of the pointing Spider-Man meme — and, like everything in the previous film proved, it's glorious. This time around, the movie's Brooklyn-based friendly neighbourhood Spider-Man is slightly older, and also faced with a spider-team who are keen to protect the multiverse's existence. When there's that many Spideys, agreeing on how to handle things — including a new threat — isn't easy. That's how the clash between Miles and his fellow spider-folk comes about, as animated in the series' usual dazzling onslaught of colour and movement. Also included amid all the spider-alternatives: Miles reuniting with Gwen Stacy (Hailee Steinfeld, Hawkeye). And, there's Spider-Woman (Issa Rae, Insecure), the Spider-Verse version of The Vulture (Jorma Taccone, Weird: The Al Yankovic Story) and the return of Spider-Man 2099 (Oscar Isaac, Moon Knight). (If you're wondering about Isaac's character, he first turned up in the post-credits section of Into the Spider-Verse, and he's an alternate version of Spidey from a specific Marvel Comics imprint.) The voice cast spans Daniel Kaluuya (Nope) as Spider-Punk and Jason Schwartzman (I Love That for You) as The Spot as well, and Jake Johnson (Minx) is also back as Peter B Parker — alongside Brian Tyree Henry (Bullet Train) as Miles' dad and Luna Lauren Velez (Power Book II: Ghost). Expect to see Miles head into other Spidey realms, too, in a franchise that made every single live-action Spidey film pale in comparison to its initial instalment. Once again produced by The Afterparty's Phil Lord and Christopher Miller — and this time co-written — Across the Spider-Verse will be followed by third film Spider-Man: Beyond the Spider-Verse in 2024. There's also a female-focused spinoff in the works as well. Check out the latest Spider-Man: Across the Spider-Verse trailer below: Spider-Man: Across the Spider-Verse will release in cinemas Down Under on June 1, 2023.
Whisked from her idyllic farm with the promise of a job cooking for a high-level government official, it is only when Hortense Laborie (Catherine Frot) gets to Paris that she learns the position will actually involve being the private chef for French president Francois Mitterand. She has a moment of faint surprise, but only a moment. The job offer is a bolt from the blue, but she knows she's up for it. Based on the true story of the first woman to be the president's chef, Haute Cuisine alternates between Hortense's time in the palace and a later spell as the inscrutable but beloved head chef on an Antarctic research station. In a clunky plot device at odds with the rest of the film's unhurried feel, an Australian journalist (Arly Jover, doing a deplorable accent) is making a documentary about the station and tries to unravel the enigma of Hortense, including why she left her high-profile role for such an unlikely and isolated outpost. Not unlike last year's similarly foodie-friendly Step Up to the Plate, Haute Cuisine is almost defiantly low-key, offering little in the way of revelation but instead opting for a detailed, quiet character study and a wealth of lovingly filmed food preparation scenes. Initially feeling isolated in her position, Hortense finds herself ill at ease in the rarified surrounds of the Elysse palace, all cavernous rooms and chilly stylishness. She is unsure of the tastes of who she is cooking for, is eyed suspiciously from the chefs in the much larger public kitchen and has running battles with bean-counting bureaucrats who can't understand the time and money she pours into sourcing the finest truffles and foie gras. Eventually she does meet Mitterand (played with sparkly eyed verve by Jean d'Ormesson, making his film debut at age 86) and the pair bond over the heartfelt, rustic food of his childhood. Working with the timid but capable sous chef Nicholas (Arthur Dupont) she becomes a favourite of the ageing president, only increasing the jealousy of her male counterparts. Haute Cuisine is a small story but it is an interesting historical vignette, and it is to the film's credit that it does not overstay its welcome a minute.
Christmas is coming to Rocklea, and that shouldn't come as a surprise. Since launching earlier in the year, Brisbane Night Markets has celebrated winter, mango season and Halloween — so dedicating three December Friday nights to all things festive was always going to happen. Taking place from 4pm on Friday, December 6, 13 and 20, Festive Flavours will be filled with holiday treats. There'll be old favourites, new takes on classic dishes and particularly creative concoctions. Tuck into flame-grilled turkey drumsticks, then follow it up with a pudding — or maybe you'd prefer fruit mince pie ice cream and spiced sarsaparilla ice tea? They're all on the menu from a range of food trucks and vendors. For gifts, you'll be able to browse the markets' dedicated Christmas Lane (just don't let your loved ones see what you're buying them). Because it's the time of year for it, get ready for Christmas carollers, too. Santa Claus will also be doing the rounds for the littlies. And, the markets will also be breaking out the snow machines — now that'll make you feel mighty jolly.
If you're the type of traveller who chooses their stay based on creature comforts and hotel accolades, you'll want to put a jaunt to Queenstown's newest boutique hotel on your 2023 bucket list. With jaw-dropping views of the lake and town centre thanks to its position on Queenstown Hill, The Carlin has been wowing guests since it first opened seven months ago. And now this 'beyond five-star' hotel just picked up a slew of gongs at this year's World Boutique Hotel Awards in Sydney on Friday night — including the top gong for World's Best New Hotel. The luxe accommodation offering also won prizes for Best New Hotel in Australasia and Best Hotel With a View: Australasia. The Carlin is the brainchild of US-born hotelier and property developer Kevin Carlin, who called the international recognition "very humbling". "We pride ourselves on delivering an outstanding level of service, and these awards formally acknowledge the hard work of our team," he said. [caption id="attachment_880380" align="alignnone" width="1920"] James Allen[/caption] With more than 250 nominees from 70-plus countries, judges base their scores on various aspects of guest experience, including restaurants, facilities, location, design and emotional impact. Judges were impressed by the Carlin's "finer details" including the stunningly designed outdoor living spaces, 24-hour on-call staff, private chef and spa services, and guest access to luxury vehicles and private jets. And although it wasn't officially noted, we're guessing the hotel's famously appointed marble bathrooms and wildly exciting various remote-controlled toilet modes all played a role. "We confidently expect to see The Carlin taking more awards in the future," the judges said. Keen on a luxe Queenstown experience with a scenic flight, gin-tasting tour and private Onsen hot pools? Check out this CP Trips package. The Carlin was awarded three prizes at the World Boutique Hotel Awards, including World's Best New Hotel. The hotel can be found at 43 Hallenstein Street, Queenstown.
Black Friday and its super-cheap sales only come once a year. Use the occasion to score a bargain holiday, however, and the memories will last a lifetime. Thanks to Virgin's addition to the 2022 shopping frenzy, you have options — whether you're happy to explore Australian destinations or fancy a getaway further afield. A whopping 500,000 fares are currently up for grabs as part of the airline's Black Friday, Bright Holidays sale, covering a heap of Aussie and international spots. Sticking with home turf, you can head to Byron Bay, the Whitsundays, the Sunshine Coast, Cairns, Hamilton Island, Alice Springs, Hobart and more. And, if you're eager to journey overseas, you can hit up Bali, Fiji, Samoa, Vanuatu and Queenstown. With discounts of up to 30-percent off, one-way domestic fares start at $55, which'll get you from Sydney to Byron Bay. As always, that's cheapest route. Other cheap flights include Brisbane to either Cairns for $89 and Hamilton Island for $99, Melbourne to the Sunshine Coast from $109, Adelaide to the Gold Coast from $125 and Perth to Hobart from $189. Internationally, both one-way and return flights are on offer — with return deals including Sydney to Fiji from $469, Brisbane to Vanuatu from $539 and Melbourne to Queenstown from $489. If you're wondering when you'll need to travel, there's a range of dates from January–June 2023, all varying depending on the flights and prices. As usual when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until midnight on Tuesday, November 29 or sold out, whichever arrives first. Virgin's Black Friday, Bright Holidays sale runs until midnight AEST on Tuesday, November 29 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Remember when your mum told you that it's what's on the inside that counts? At the Australian Interior Design Awards, that's definitely the case. Returning for 2021, the country's premier interior design gongs reward excellence in hospitality, installation, residential, workplace, retail and public design, as well as residential decoration — and it has just revealed its lengthy (and obviously eye-catching) 2021 shortlist. A word of warning for those who like their interiors swish, plush, luxurious and stylish all round: you're going to want to live in or visit all of the places vying for this year's awards. Thankfully, with plenty of bars and restaurants in the running, the latter is definitely possible. In Sydney, in the hospitality field, the likes of Harbord Hotel, Ciccia Bella, Sydney Tower and Atomic Beer Project are among the spots vying for glory. Well, for a shiny prize and plenty of recognition to go with their shiny interiors, to be exact. Melbourne's Farmer's Daughters, Poodle Bar and Bistro, First Love Coffee, Hero at ACMI, Byrdi, Citizen Snack Bar and Next Hotel also rank among the places in the running, while Brisbane's Industry Beans and Ping Pong Thai Restaurant also made the cut. In South Australia, Never Never Distillery and Hotel Indigo join the places in contention. [caption id="attachment_803565" align="aligncenter" width="1920"] First Love, Rebecca Newman[/caption] The list goes on — both for bars, cafes, restaurants and hotels, with 33 places in contention in total, and throughout the awards' other categories. A whopping 190 places have made it through to this stage across all fields, which means that there is no shortage of strikingly deigned new, revamped and refurbished places demanding your attention around around the country. After the event went virtual in 2020 — handing out its gongs via a virtual broadcast — this year's winners will be announced in-person at a dinner the Hyatt Regency Sydney on Friday, September 3. For the full Australian Interior Design Awards 2021 shortlist, head to the AIDA website. Top image: Sydney Tower, Robert Walsh.
Sand won't just be found on Australia and New Zealand's beaches this summer. On the last day of the season, sand will fill big screens Down Under when Dune: Part Two finally hits cinemas. Originally slated to release in November 2023, then postponed during Hollywood's strikes, the film now has a Thursday, February 29, 2024 release date — and a new sneak peek at its sci-fi tale. Will Dune movies just keep getting better and better? Here's hoping that's a natural outcome, just like spying sand as far as the eye can see across Arrakis, when the sequel to 2021's Dune arrives. The first time that Denis Villeneuve (Blade Runner 2049) followed in David Lynch's footsteps to make a new adaptation of Frank Herbert's novel, managing what Alejandro Jodorowsky sadly couldn't (see: excellent documentary Jodorowsky's Dune), he gave the world a stunning new science-fiction cinema classic. Villeneuve's picture scored ten Oscar nominations and six wins; however, it only told part of Dune's story. Cue Dune: Part Two to keep the tale going. War has arrived on the franchise's spice-laden planet, and Paul Atreides (Timothée Chalamet, Wonka) and the Fremen are ready to fight. The former doesn't just want to face off against the folks who destroyed his family, but for the sandy celestial body, with Zendaya's (Euphoria) Chani at his side. That's the tale teased in not one, not two, but now three trailers for the Dune sequel, with the third focusing on the battle to come. The 2021 film had Paul head to Arrakis because his dad Duke Leto Atreides (Oscar Isaac, Moon Knight) had just been given stewardship of the planet and its abundance of 'the spice' — aka the most valuable substance in the universe — and then get caught up in a bitter feud with malicious forces over the substance. It also saw Paul meet the population of people known as the Fremen, including Chani, plus Javier Bardem's (Lyle, Lyle Crocodile) Stilgar, which is who he and his mother Lady Jessica (Rebecca Ferguson, Silo) are with in Dune: Part Two. Expansive desert landscape, golden and orange hues (again, Villeneuve helmed Blade Runner 2049), sandworms, the director's reliable eye for a spectacle and Hans Zimmer's (The Son) latest likely Oscar-winning score: they've all shown up in the new film's three glimpses so far. So have some of the franchise's new players, with Austin Butler ditching his Elvis locks as Feyd Rautha Harkonnen, the nephew of Stellan Skarsgard's (Andor) Baron Harkonnen. Christopher Walken (Severance) and Florence Pugh (The Wonder) also join the saga as Emperor Shaddam IV and his daughter Princess Irulen. From the first film, Josh Brolin (Outer Range), Dave Bautista (Guardians of the Galaxy Vol. 3), Stephen McKinley Henderson (Beau Is Afraid) and Charlotte Rampling (Benedetta) return, while Léa Seydoux (Crimes of the Future) also joins the cast. Off-screen, Villeneuve has brought back not just Zimmer, but Oscar-winning Australian director of photography Greig Fraser (The Batman), Oscar-winning production designer Patrice Vermett (Vice), Oscar-winning editor Joe Walker (The Unforgivable), Oscar-winning visual effects supervisor Paul Lambert (First Man) and Oscar-nominated costume designer Jacqueline West (Song to Song). Check out the latest Dune: Part Two trailer below: Dune: Part Two will release in cinemas Down Under on Thursday, February 29, 2024.
What microwaves did for heating, UK company Enviro-Cool is promising to do for cooling. They've created a drink cooler that takes bottles and cans from room temperature to 5 degrees celsius in just 45 seconds. There's every possibility that the invention, which uses 80 percent less energy than commercial refrigeration, could soon become commonplace in homes, shops and eateries all over the world. Envriro-Cool created the technology, which they've patented 'V-Tex', back in 2007. It's based on a sophisticated application of the 'Rankine Vortex'. A European Commission grant of 930,000 Euros enabled its development into a commercial product. According to the promo video, the EC "recognised that the energy used to constantly chill pre-packed beverages was enormous and an unsustainable strain on our depleting energy resources." Three types of coolers have been developed. There's one suitable to commercial use, powerful enough to replace high-energy use equipment, such as multi-deck open refrigerator, and two domestic-friendly units — one stand-alone and one that can be added to existing refrigerators. It's estimated that, for every fridge replaced, over $1000 in electricity will be saved annually. Trials begin in Holland next month. Via PSFK.
The Commonwealth Games are not coming to regional Victoria. One year on from its announcement and just three years out from the event, the 2026 games are going to have to find a new host after Victorian Premier Dan Andrews announced his government had pulled the plug on hosting the global sporting event. In a press conference on Tuesday, July 18, Andrews announced the decision had been made after the reported cost to host the games had nearly tripled since it was first budgeted for back in 2022. "What's become clear is that the cost of hosting these games in 2026 is not the $2.6 billion that has been budgeted and allocated," said Andrews. "It is, in fact, at least $6 billion and could be as high as $7 billion. "[This] is well and truly too much for a 12-day sporting event. I will not take money out of hospitals and schools to fund an event that is three times the cost as estimated and budgeted for last year." The plan for the 2026 games was to share the event between four regional hubs – Geelong, Bendigo, Ballarat and Gippsland – each with their own athletes' village and sports program. [caption id="attachment_831273" align="alignnone" width="1920"] Robert Blackburn, Visit Victoria[/caption] While the games were set to deliver billions in regional upgrades and tourism, the state government has instead announced a $2 billion+ regional fund. This will invest in sporting facilities, tourism, community sport and social and affordable housing across the state's regional areas. Included in the package is a commitment to deliver the facilities promised to these regional hubs as part of the 2026 games. As well, 13,000 new homes that will be built across regional Victoria. Andrews promised that the Victorian Government had "looked at every option", including moving the games to Melbourne. However, all alternatives far exceeded the original $2.6 billion budget. The premier said talks with Commonwealth Games authorities had been amicable and productive, but no plan for where the games would now be hosted was announced. Neither the Commonwealth Games nor Commonwealth Games Australia have made an announcement yet. Australia only recently held the games, back in 2018 on the Gold Coast and still has a massive sporting event on the horizon, with the 2032 Olympic Games already locked in for Brisbane. Bit of a long one this morning. You might have heard the news this morning that Victoria will no longer be hosting the 2026 Commonwealth Games. And I wanted to tell you about the decision. — Dan Andrews (@DanielAndrewsMP) July 17, 2023 The Commonwealth Games will no longer take place across Geelong, Bendigo, Ballarat and Gippsland in 2026. Head to Victorian Premier Dan Andrews' Twitter for a full run-down of why the government has pulled the plug.
Great news, movie buffs: when the Melbourne International Film Festival rolls around each year, it doesn't just let Melburnians who can dedicate their spare hours to the full fest experience join in the fun. MIFF Play, the event's digital offshoot, broadens the event's audience nationally — and, to the delight of cinephiles who can't hop between the Victoria capital's cinemas across August, the digital leg is returning for another spin in 2023. For the fourth year running, that's fabulous news both for Melburnians who still have normal life to attend to, and for film buffs interstate — a move sparked by the fact that in 2020, when MIFF first made the leap to streaming the fest in a big way, it enjoyed its biggest audience ever. In 2023, MIFF Play will be available from Friday, August 18–Sunday, August 27, and with a diverse array of titles. Price-wise, you can either pay as you watch or grab a MIFF Play flexipass. Either way, your couch awaits. The lineup includes the animated Blind Willow, Sleeping Woman, which adapts Haruki Murakami's short stories; Keeping Hope, a documentary about Sweet As' Mark Coles Smith confronting an event from his past with a view to helping other young First Nations men in the Kimberley; Autobiography, about a housekeeper with a sinister boss; All the Colours of the World Are Between Black and White, which received the Berlinale's Teddy Award; and 20,000 Species of Bees, another prize-recipient in Germany, this time for lead performance. Or, the highlights also span Frederick Wiseman's A Couple, one of the master documentarian's rare dramatic features, focusing on the Tolstoys; Riddle of Fire, which has been garnering The Goonies and Stand by Me comparisons; witchcraft and revenge in 19th-century Chile in Sorcery; and Béla Tarr's 2000 drama Werckmeister Harmonies, a slow-cinema great, will has just scored a new 4K restoration. Your usual streaming queue can wait for these ten days, obviously.
Melbourne knows how to start off winter well. Its answer: RISING. It is almost an Australian tradition to fill the coldest part of the year with an arts festival — see also: Vivid Sydney, Illuminate Adelaide and Dark Mofo, including its events in its off year — and the Victorian capital takes the custom seriously. So, while RISING already announced its lineup for Saturday, June 1–Sunday, June 16 back in March (and also a few event details earlier, such as Counting and Cracking and Communitas), it isn't done packing its program yet. As the fest gets closer, it's adding everything from late-night DJs at Night Trade Stage Door — aka RISING's after-hours club — through to a third Dirty Three gig, two more Hear My Eyes sessions of Hellraiser, Melbourne Symphony Orchestra doing a secret pop-up show and a party in ACMI's Beings exhibition. Festival-within-the-festival Day Tripper, the block party that'll use Melbourne Town Hall as a hub and span to the Capitol Theatre and Max Watt's as well, has also unveiled its full lineup. [caption id="attachment_945439" align="alignnone" width="1920"] Damien Raggatt[/caption] The new additions boost RISING's 16-night lineup to 116 events and 651 artists, up from 105 events featuring 480 artists back in March. "With only a few weeks to go till opening, we're excited to reveal a whole new layer to the 2024 program" said RISING co-artistic directors Hannah Fox and Gideon Obarzanek. "The full Day Tripper lineup is super dynamic and brings in some of our local idols and more international gems. The festival's social heart, Night Trade, now includes psychic readings, karaoke, art and dance classes, and a full club program ranging from classical to R&B and techno. The beginning of winter in Melbourne can feel like standing at the bottom of a grim mountain and RISING is here to shake that feeling right off." Night Trade Stage Door will feature Shannon Michael Cane: Someone Great — A Celebration as its opening-night shindig, complete with Hot Chip's Alexis Taylor, Gerard Frank Long (aka Sugar Plump Fairy), Andee Frost and Stereogamous (Paul Mac and Johnny Seymour) on the decks. Also on the venue's overall lineup: Grumble Boogie from Betty Grumble and DJ HipHopHoe, Evian Christ with jjjacob and DJ ALI, and Crown Ruler presenting club nights. Night Trade as RISING's social club will also get a sip-and-paint session, LA artist John Kilduff doing a version of TV show Let's Paint TV live, karaoke with Mummy's Plastic and exhibition In the Future Everybody Will Be Cancelled for 15 Minutes by Jeremy Deller. [caption id="attachment_954467" align="alignnone" width="1920"] Laura Pemberton[/caption] New highlights at Day Tripper include Surprise Chef, Alastair Galbraith, Richard Youngs, Sarah Mary Chadwick, The Tubs, WET KISS, Scott & Charlene's Wedding, POSSESHOT and Polito. And, for HTRK's 21st birthday, Astrid Sonne, Still House Plants, CS + Kreme, James Rushford, Pandora's Jukebox, YL Hooi and DJ Emelyne, too. RISING's latest additions join a program that already includes Yasiin Bey, who was formerly known as Mos Def, leading the Day Tripper bill with a tribute to MF Doom; The Blak Infinite, a showcase of First Peoples' art and politics, taking over Federation Square; 24 Hour Rock Show, which will play rock documentaries back to back for a whole day and night, and for free; and tunes from ONEFOUR, Fever Ray, Sky Ferreira, Tirzah, Blonde Redhead, Snoh Aalegra and Moktar and more. The list goes on, for what's set to be a glorious full start to June 2024. [caption id="attachment_950694" align="alignnone" width="1920"] Ben Searcy 2010.[/caption] RISING 2024 runs from Saturday, June 1–Sunday, June 16 across Melbourne. Head to the festival's website for further information and tickets. Night Trade images: A Caygill.
It kicked off more than four decades ago with one of the best horror movies ever made; however, the Halloween franchise has been through quite a few ups and downs over the years. Clocking up ten follow-ups and 11 movies in total so far, the slasher series has delivered excellent and terrible sequels, veered into remake territory, both killed off and brought back its heroine, and completely erased parts of its own past several times. But, like its mask-wearing villain Michael Myers, it always finds a way to go on. Since 2018's Halloween, that's been especially great news — with the Jamie Lee Curtis-starring, Jason Blum-produced 11th flick in the franchise proving a smart, thrilling horror delight, and ranking second only to the movie that started it all. Indeed, the film was such a success that two more sequels are set to come from the same team (aka Blum, writer/director David Gordon Green and co-scribe Danny McBride): Halloween Kills and Halloween Ends. Originally, Halloween Kills was due to hit screens this year, in October — when else? — but, as announced earlier this year by franchise creator John Carpenter, it moved back its release to October 2021. Although fans won't be able to make a return trip to Haddonfield until then, and have another encounter with Curtis' spirited Laurie Strode and her lifelong nemesis, too, a new teaser for the film has just dropped to help fill the gap. It's a brief clip — following a first, also short teaser that was released back in July — but it's suitably eerie. In voiceover, Strode tells us that "next Halloween, when the sun sets and someone is alone, he kills". The sneak peek then shows Myers picking up his mask and doing what he's done in oh-so-many movies so far. Cue the iconic, Carpenter-composed theme music, obviously. Check out the latest Halloween Kills teaser trailer below: https://www.youtube.com/watch?v=TgWlruoQoLI Halloween Kills will release in Australian cinemas on October 15, 2021.
Home to the famed Penola, Coonawarra and Robe wine regions — as well as an array of natural wonders — the Limestone Coast lies four hours' drive southeast of Adelaide. More than 40 cellar doors peddle some of Australia's best cabernet sauvignon, shiraz and merlot, while laidback eateries serve up fresh dishes, packed with local produce and fresh seafood, straight out of the Southern Ocean. Together with southaustralia.com, we've created this comprehensive guide to the coastal wine region — featuring plenty of drinking and feasting, alongside diving in impossibly clear waters, strolling around a dazzling blue lake and diving into a sinkhole. If you have the time, immerse yourself in the Clare Valley and the Fleurieu Peninsula, too. Or explore Adelaide — there are plenty of underground bars and fairy light-lit rooftops to uncover. [caption id="attachment_681383" align="alignnone" width="1920"] No.4[/caption] EAT Begin your adventures in Coonawarra, a pint-sized region known all over the world for its cracking cabernet sauvignon. At Drink Ottelia + Eat Fodder, you'll taste your way through several drops, while feasting on sourdough pizza and creative dishes, such as wood-roasted whole prawn with nasturtium leaf butter and salt and pepper squid with black pepper sauce and spring onion. Next up is Penola, a 1500-person town dotted with heritage-listed buildings, found 15 minutes' drive south. Among these dwellings, there's a white weatherboard church by the name of Pipers of Penola, where husband-and-wife duo Simon and Erika Bowen dish up decadent combinations. Start with duck liver pâté, grilled brioche, cornichons, mustard fruit and apple remoulade; end with Valrhona guanaja 70 percent dark chocolate terrine, spiced Jamaican rum genoise, dark chocolate glaze and orange sabayon. Match your picks with a few local drops along the way. [caption id="attachment_681429" align="alignnone" width="1920"] Mayura Station, Mike Annese[/caption] When you're ready for salty air and crashing surf, you'll find the coast 45 minutes' drive west. Your first stop should be the Irish green hills of Mayura Station, a Wagyu beef farm that has been raising cattle since the 1850s. In the Tasting Room, a true paddock-to-plate experience is on offer. While you sit at a sleek stainless bench, chef Mark Wright will slice premium cuts in front of your eyes, before preparing them in a variety of fashions – from paper-thin carpaccio to charcoal-grilled pieces to perfectly melty steak. The adventure comes accompanied by museum release Coonawarra wines, which you'd be hard pressed to find anywhere else. Stay coastal to visit Robe, a 1200-person town that lies an hour's drive north. In the 1850s, this was South Australia's second busiest port — a wander among the old buildings feels like a journey into seafaring history. For a light, breezy brunch, grab a table at No. 4, and feast on local rock lobster with scrambled eggs, pickled seaweed salad and house-made lavosh or some other locally inspired creation. [caption id="attachment_681000" align="alignnone" width="1920"] Cape Jaffa Wines, Adam Bruzzone[/caption] DRINK Don't leave Robe without swinging by Robe Town Brewery, home to the only woodfired brewing kettle in Australia. Its in-depth flights cover anything and everything from the Midnight Smooch, made with liquorice root, to The Magic Mulberry, infused with hand-picked wild mulberries. After that, it's a half-hour drive to remote Cape Jaffa Wines, to immerse yourself in vineyards, backdropped by the Great Australian Bight. Couple Anna and Derek Hooper moved here after falling in love with the area's wildness and deciding to dedicate themselves to making wines that reflect the elements. Their experiments have resulted in some unusual drops, such as the Samphire Skin Contact White, made using traditional Eastern European techniques, and the experimental Mesmer Eyes Red and White Blend. [caption id="attachment_681015" align="alignnone" width="1920"] Wynns, Mike Annese[/caption] Return inland to find out where Coonawarra and Penola get their mighty reputations. Wynns is a name you've no doubt seen on many a bottle shop shelf and, right here, you can see its home. Take this opportunity to sample the Single Vineyards and Icons ranges. Just a hop, skip and jump away is St Mary's, where every grape in every bottle comes from the winery's vineyard and every step in the winemaking process happens onsite. Leave yourself time to wander around the four acres of 70-year-old landscaped gardens, before moving on to Majella. For more wines deeply expressive of their terroir, head to Bellwether Wines, where the reserve series is up for tasting in an 1868 shearing shed. [caption id="attachment_681002" align="alignnone" width="1920"] Kilsby Sinkhole, Alex Wyschnja[/caption] DO One of the Limestone Coast's best-known spots is Blue Lake, Mount Gambier — around 50 minutes' drive south of Coonawarra. Occupying a massive crater formed by a volcanic eruption anywhere between 4300 and 28,000 years ago, the lake turns a magnificent cobalt blue every summer. The 3.7-kilometre walking trail lets you explore up-close. Before setting off, drop into Mount Gambier's Saturday morning Farmers' Market, to pick up supplies. [caption id="attachment_681009" align="alignnone" width="1920"] The Obelisk, Ben Goode[/caption] Another natural phenomenon nearby is the Kilsby Sinkhole. Divers have been travelling here from all over the planet since the 1950s to plunge into its crystal-clear waters, which you can experience on a tour with an approved operator. Then, if you happen to be travelling in May or June, wait until after dark to drive 16 kilometres northwest to Glencoe, to wander along Ghost Mushroom Lane, a walk dotted with mushrooms that glow in the dark. Note, these are not part of your foodie experience: the very chemical that gives them their luminescence can be poisonous. If you're looking for adventures around Robe, check out The Obelisk, Cape Dombey. Built in 1852, this landmark helped sailors to safety, firstly, by assisting with navigation and, secondly, by providing a place to store lifesaving gear. When a ship got into trouble, this gear would be shot out by rocket and grabbed by thankful travellers. [caption id="attachment_681014" align="alignnone" width="1920"] Bellwether Glamping by SATC[/caption] STAY To sleep surrounded by red gums and bird song within a Coonawarra winery, book a bell tent at Bellwether Glamping. The cellar door is just a stumble away and, during vintage, you can get involved in wine making. If glamping is too fancy-pants for you, you're welcome to bring your own tent. Another option for snoozing among the vines is The Menzies Retreat, a warm, cosy, timber-filled bed and breakfast at Yalumba's Coonawarra home. Alternatively, stay in town at A Coonawarra Experience. This two-bedroom cottage with queen-sized beds, heated floors and a Nespresso machine, is in Penola, so restaurants, cafes and bars are close by. To stay closer to the sea, reserve The Bush Inn, Robe, an 1852 inn that once welcomed sailors and merchants. Now, it offers ultra-comfy rooms to travellers of the food-and-wine tasting kind. Expect polished timber floors, exposed stonework, open fireplaces and baths – surrounded by bushland. There's room for up to nine guests across four bedrooms. Or, to sleep near Mount Gambier's wonders, check into The Barn, where the Premier King Suites are luxurious, open-plan numbers with Sealy Dynasty plush king beds, massive Caesar stone bathrooms and private patios. To discover more of Adelaide and South Australia, head to SATC. Top image: Cape Jaffa Wines, Adam Bruzzone
You've filled your house with their minimalist designs and homewares, and dreamed of living in their flat-pack homes and tiny pre-fab huts. MUJI fans, your love affair with the Japanese home goods giant isn't over yet. Next on the retailer's agenda is their own range of hotels, with sites slated for Shenzhen in China and Tokyo in Japan. Construction on a retail and hotel complex in Tokyo's Ginza began in June, working towards a 2019 completion for the 13-floor building. It'll be comprised of three levels below ground, and ten — including a two-floor penthouse — above. Seven storeys will feature shops, including MUJI's global flagship store, while five will boast their first Japanese hotel. Concept and interior design managed by MUJI-owning company Ryohin Keikaku. The Tokyo digs will join a previously announced location in Shenzhen, which is reported to include 79 rooms spanning five different types of accommodation. A store and cafe are also planned for the Chinese hotel, as are recycled wooden interiors and spaces filled with plenty of MUJI furniture. Yes, your travel bucket list just notched up two more entries. Via Dezeen. Images: Mitsui Fudosan Co Ltd
For the second time in as many movies, Lady Gaga is caught in a bad romance in House of Gucci. Yes, she's already sung the song to match. The pop diva doesn't belt out ballads or croon upbeat tunes in this true-crime drama, unlike in her Oscar-nominated role in A Star Is Born, but she does shimmy into a tale about love and revenge, horror and design, and wanting someone's everything as long as it's free. Eschewing the earthy naturalism of her last film performance and tapping into her famed on-stage theatricality instead, she's perfect for the part of Patrizia Reggiani, aka Lady Gucci, aka the daughter of a trucking entrepreneur who wed into one of the world's most prestigious fashion families, helped unstitch its hold on its couture empire, then went to prison for murder. She's exceptional because she goes big and lavish, and because she knows that's the type of feature she's meant to be in: a soapy spectacle about money and power that uses its depiction of excess as an interrogation technique. Complimenting Gaga for nailing the brief — for acing it so dazzlingly that she's sauntering down her own catwalk as most of her co-stars virtually watch from the floor — gives House of Gucci a tad too much credit, though. Ridley Scott's second film in mere months following The Last Duel, and his third in a row to examine wealth and influence after 2017's All the Money in the World, this fashion-world saga skews large, lush and luxe with each choice, too, but doesn't land every sashay with quite the outsized lustre of its crown jewel. If House of Gucci's veteran director was picking an outfit instead, he would've chosen a killer gown, then wavered on the accessories. Some of his other decisions gleam, as seen in the movie's knowingly maximalist and melodramatic air. Others prove fine, like its jukebox-style soundtrack of 70s and 80s bangers. A few moves are so cartoonish — Jared Leto's ridiculousness, and the Super Mario-style accents sported by almost everyone on-screen — that they play like cheap knockoffs. The story itself is a standout, however, as adapted from Sara Gay Forden's 2001 book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed. When Patrizia meets law student Maurizio Gucci (Adam Driver, Annette) at a 70s-era party, mistakes him for a bartender, then realises who he is, it sparks a rollercoaster of a relationship — starting with Maurizio being disinherited by his father Rodolfo (Jeremy Irons, Love, Weddings and Other Disasters) for their marriage. Still, the newest Gucci knows what she wants: a place in the family's dynasty. She isn't the lone cause of the Guccis' unfolding, thanks to Rodolfo's brother Aldo (Al Pacino, Hunters), his penchant for watering down the brand and tax evasion, and his wannabe-designer son Paolo (Leto, The Little Things), but she's the Lady Macbeth pushing Maurizio to seize the company by any means. And, because the reason that House of Gucci even exists was written in news headlines over a quarter-century ago, she's behind Maurizio's killing in 1995. "I don't consider myself a particularly ethical person, but I'm fair," Patrizia offers partway into the movie, a moral code that still sees her order his hit after their divorce — helped by a TV psychic-turned-pal (Salma Hayek, Eternals), because that's the kind of tale this is. Interviewed in 2016, Patrizia called herself "the most Gucci of them all", an idea that Scott and his screenwriters Becky Johnston (Arthur Newman) and Roberto Bentivegna (short El otro lado) don't ever give Italian-lilted voice to, but still use as their basic pattern. In the sartorial realm, Gucci might stand for high-end indulgence, but House of Gucci sees both the allure and the cost of the brand reflected in Patrizia's status-hungry actions. Lust — for power, popularity, money, standing and sex all included — might be the soapiest vice of them all. Blunt, pulsating and pumping through the hot-blooded Patrizia's veins, it's House of Gucci's signature emotion, although the other deadly sins also get a whirl. No exaggerated account of life, love and the one percent's lavishness lacks in greed, pride, wrath, envy, gluttony and sloth as well, including this one, but there's nothing like unfettered desire to keep a narrative bubbling. Scott's film is positively ravenous for more, as its protagonist is at every turn. Nothing is too much for Patrizia in her quest to inhabit a life she once only fantasised about, and there's little that House of Gucci won't do to convey and embody that appetite. But all that glitters isn't always gold, or diamond-sharp, or even entertainingly gaudy, including for the picture itself. With Scott's regular cinematographer Dariusz Wolski on lensing duties, House of Gucci looks like a glitzy dream that slowly loses its glamour, and by design. Its largely Milan-set staging and obviously Gucci-heavy costuming expresses the same feeling — whether or not Paolo is urinating on silk scarves and Aldo is peddling fakes. But those pasta-sauce ad accents just play cheap and easy from the outset, and everything about Leto's prosthetic-laden, safari suit-wearing, hammed-up performance does the same. Both quickly overstay their welcomes, not that either is ever welcomed at all. Calling them knowing gags, purposefully camp flourishes or pointed parodies would be far too generous, even given the feature's gleeful soap-opera tone, overt eat-the-rich sentiments and clear awareness that it's a piece of true-crime pageantry. Thank the pop-culture gods for Gaga, then, as legions of her Little Monsters have for more than a decade. Another movie from the past year, the unshakeably misguided Joe Bell, had a character liberally sing her praises — but, surpassing even A Star Is Born, House of Gucci is her silver-screen powerhouse. Donning wiggle dresses, voluminous hair and a slinkily savage attitude, she's both lively and alive to everything happening in Patrizia's story and Scott's film alike. Whether posed opposite Driver's restrained turn as Maurizio or Pacino's also-big effort as Aldo, her presence improves her co-stars' work in every scene they share, too. Hers is an investment performance, with Scott entrusting almost everything that hits the mark in House of Gucci to his leading lady's go-for-it glow — and treating audiences to a bona fide movie-star show that Gaga couldn't wear better if it was sewn on.
Russia’s nomination to the 2014 Foreign Language Oscar race is every bit as slow and imposing as its title would suggest. Ostensibly named for the enormous blue whales whose bones scatter the shoreline of the small coastal town of Pribrezhny, the name Leviathan more readily refers to the unfeeling, unyielding behemoth of the Russian bureaucracy that devours everything in its path. Acclaimed director Andrey Zvyagintsev does a masterful job capturing the misery of life under such a corrupt and broken system. Of course, whether that’s something you actually want to watch is a different question entirely. Don’t get us wrong: there’s plenty to appreciate about Zvyagintsev’s latest feature. Chief among them would be the raw, brutish performance of Aleksey Serebryakov. A mainstay of the Russian screen industry, Serebryakov plays Kolya, a quick-tempered auto mechanic who runs afoul of Pribrezhny’s mayor (played by Roman Madyanov), who wants to seize the valuable headland currently occupied by Kolya’s house. In order to fight back, Kolya calls on Dimitriy (Vladimir Vdovichenkov), a friend from his days in the army and now a high-powered lawyer in Moscow. Through Kolya’s struggle, Zvyagintsev presents viewers with a scathing critique of contemporary Russian society — a grim, vodka-soaked landscape of dodgy politicians with little concern for the citizens who put them in office. It’s compelling for a time, in a depressing sort of way, watching the poor, emasculated Kolya gain inches only to be set back miles. Those hoping that the prevalence of religious imagery might signal a David and Goliath ending are likely to leave the cinema disappointed. The hopelessness of Kolya's situation is reflected in the work of cinematographer Mikhail Krichman, who favours wide lenses, static camera work and a colour palette overpowered by greys. Unfortunately, as Leviathan plods past the two hour mark, you too may begin to feel overpowered. For all his insight, Zvyagintsev isn’t trading in a particularly nuanced brand of bleakness, his message driven home with all the dull, repetitive pounding of a sledgehammer, or waves crashing endlessly on the shore. Leviathan is arduous by design. But that’s little conciliation when you’re struggling to sit through it.
Not content with becoming a fixture on Australia's roads, and possibly taking to the skies as early as next year, Uber is now hitting the water at one of the country's greatest natural features. If you've always wanted to cruise the Great Barrier Reef by submarine, now you can now book one via the Uber app. No, this isn't a joke — but it's definitely a marketing stunt. Aptly named scUber, the new service — which will be available between Monday, May 27 and Tuesday, June 18 — is a collaboration between Uber and Queensland's state tourism body. Of course, diving down deep via scUber is incredibly pricey at $3000 for two people. But if you're particularly flush with cash and have always dreamed of seeing the reef this way, now you can. According to research by Tourism and Events Queensland, plenty of people have this exact experience on their bucket list. Your big stack of bills gets you a trip to the southern Great Barrier Reef's Heron Island from May 27, or to north Queensland's Agincourt Reef off the coast of Port Douglas from June 9. You'll be picked up from your location by Uber, naturally — although you'll need to be in Gladstone, Cairns, Palm Cove or Port Douglas. Then you'll be taken by helicopter to either scUber destination, where you'll jump inside the submarine and dive under the water for an hour. Afterwards, you'll head back to your original pickup spot. The submarine actually holds three people — someone who knows what they're doing will be going down with you. They'll take you deep, down to 30 metres, where 180-degree views await. Obviously, there are a few other drawcards: you don't have to learn how to dive or get a license, and you won't get wet. Uber will also be partnering with Citizens of the Great Barrier Reef as part of scUber, donating $100,000 to the protection and conservation organisation, as well as the equivalent value of every scUber ride purchased. And, in conjunction with Tourism and Events Queensland, it's giving away a scUber package complete with flights and five nights accommodation — which is open to eager folks not only from Australia, but from New Zealand, the USA, Canada, the UK and France too. You'll need to enter by 1.59pm, Australian time, on Monday, June 1. scUber will be available from Monday, May 27 to Tuesday, June 18 in Gladstone, Cairns, Palm Cove and Port Douglas. For more information, visit scUberqueensland.com. Images: Tourism and Events Queensland.
If you've been defiantly nursing a waterlogged iPhone 4 until that ever distant contract renewal day, Apple have some new toys for you. On Tuesday in San Francisco, Apple announced the arrival of two new iPhones: the iPhone 6 and iPhone 6 Plus — alongside the new fandangled Apple Watch. You'll be able to preorder both models for an undoubtedly exorbitant fee on September 12 (Canada's looking at prices ranging from $649 to $949, so Australian phones will be pretty pricey), with the Apple team assembling the troops to start shipping on September 19. So what's the go this time around? Here's what to expect from the new features of the iPhone 6 and iPhone Plus: Watch cat videos at a higher res Watching Maru get stuck in cardboard boxes has never looked so fly on an Apple device. While the iPhone 5s has a screen resolution of 1136 x 640 pixels, the iPhone 6 has a screen resolution of 1334 x 750. But the formidable iPhone 6 Plus will have a resolution of 1920 x 1080 pixels, so Maru's escapades will practically live in your hand. Avoid the dreaded square butt pocket Both new iPhones are thinner than ever, so jean pocket outlines have seriously declined. Following the iPhone 5s, which sat at 7.6 mm thick, the iPhone 6 will be 6.9 mm thick and the iPhone 6 Plus will be 7.1 mm. Raise that Phablety screen size with pride Now Phablets are cool, right 'Droidlovers? The iPhone 6 will boast a 4.7 inch screen, while the Plus gets into tabletty territory with a 5.5 incher. Android users are all: Enjoy a battery that lasts longer than Guardians of the Galaxy Possibly the best feature. Best. Feature. The iPhone 6 will sport a battery with up to 14 hours of 3G phone calling. That supercharged iPhone 6 Plus will crank it up to 24 hours of 3G calling. Leave your chargers at home! (Don't). Don't even Photoshop those travel snaps The new iPhone cameras have a resolution of eight megapixels and focus at twice the speed of the iPhone 5S, so you'll be taking Ansel Adams-worthy photos without blinking an eye. The new iPhones can also capture video in 1080p high definition quality. Top. Notch. Bondi Beach's free wifi might actually work The new iPhones' wifi connections will be three times faster, whether Bondi can keep up with that is another slow, slow kettle of fish. Cut, copy and paste without binning your phone There'll be actual buttons for cut, copy, paste on the keyboard. Slam dunk. Pay for beers with your phone The biggie for Apple, the whole pay-with-your-phone thing has been tested here and there but never present in an iPhone outside of cardless cash. With the new Apple Pay fingerprint-run feature, you'll be able to go jogging without jingling. Playing Candy Crush on your phone will look epic Sporting a sweet, sweet 64-bit chip A8 processor (just go with it), the new iPhones will be able to make handheld games look like they're supposed to. Just not Bioshock for mobile, don't even. Go landscape to portrait without looking like a noob Apparently they've fixed it. We'll see about that. Your phone's so big the power button's on the side THE POWER BUTTON. IS ON. THE SIDE. The iPhone 6 and iPhone 6 Plus can be preordered from September 12 (or you could just save $700). For more Mactastic news, check out the features of the Apple Watch over here. Via Elite Daily.
In 2022, theatre production company Prospero Arts gave Brisbane a song-filled tribute to one of the best movie musicals ever made, bringing Singin' in the Rain to the Queensland Performing Arts Centre as an onstage concert. How does anyone manage to back that up? With another huge show for 2023, also offering up an ode to a big-screen favourite overflowing with beloved and well-known songs: The Wizard of Oz. This winter, consider QPAC's Concert Hall somewhere over the rainbow. You'll be off to see the wizard there, too. There's never a bad time to pop on your ruby slippers, and hasn't been for the past 84 years since the page-to-screen hit first reached cinemas — but this instance is all about the music. No one will be acting out the storyline, but you will hear all of the tracks that everyone has stuck in their head forever, including Oscar-winner 'Over the Rainbow', 'We're Off to See the Wizard', 'Ding-Dong! The Witch Is Dead', 'If I Only Had a Brain' and 'The Merry Old Land of Oz'. As The Wizard of Oz — In Concert's talents sing under the direction of Amy Campbell, an onstage orchestra will play the film's score — which also won an Academy Award. For those who've somehow missed the 1939 classic flick so far, it adapts the 1900 novel The Wonderful World of Oz by L Frank Baum. In The Wizard of Oz, Dorothy Gale (played by Judy Garland in the movie) and her little dog Toto are whisked off from her Kansas farm to the titular realm, where she needs to avoid the Wicked Witch of the West — and find the eponymous wizard to make it home. To locate the latter, a stroll down the yellow brick road with the Tin Man, Scarecrow and Cowardly Lion is on the agenda. Running from Friday, June 30–Sunday, July 2, The Wizard of Oz — In Concert will put on five shows across its three-day season.
Spent too much time watching that animated TV family that's not The Simpsons? Know too many tidbits about Seth MacFarlane's hit series? Do you recite Family Guy lines in your sleep? If so, Heya Bar has the moment that you've been waiting for — and the way to make your obsession a little more lucrative. The latest edition of their Two for Trivia night focuses on Peter, Lois, Meg, Chris, Stewie and Brian Griffin, plus all the things that have made the show an enduring favourite. Expect tickets, gift vouchers and lucky door prizes for your efforts — and those all important bragging rights.
The Brisbane Comedy Festival is now underway. If you're among those who'd like more of a hand perusing the program, we've compiled a quick list of some of the must-see acts at the festival to save you the unenviable task of having to pick and choose out of all the great talent. Check out the full program on the Powerhouse website. There are heaps of great comedians in town, and we've only skimmed the surface of the very funniest. 1. Stephen K Amos: The Spokesman One of the most charming and entertaining comedians on the bill is putting on this headline show at the Comedy Festival after sell-out tours in Edinburgh and Canada. If you've ever seen Stephen on Australian TV shows like Thank God You're Here, Spicks and Specks, The Melbourne Comedy Festival Gala, Great Debate or Good News Week, then you know that Stephen is a true comedy professional and his show is bound to be exquisitely funny. Tuesday, February 26 to Sunday, March 10. 2. Heath Franklin's Chopper If you've never experienced the outrageous and often borderline inappropriate routine of Heath Franklin as Chopper Reid, you've missed out on one of the most talked about and quoted impersonations of the past decade. Heath and Chopper are back, and this time, they're angry. Be wary, this show will be confrontational, but hilariously honest. We guarantee that it will be one of the most talked about shows of the festival. Friday, March 8. 3. Sarah Millican: Home Bird Sarah Millican is a British comedian and star of her own BBC show, The Sarah Millican Television Programme. Sarah's comedy brings a bit of naughtiness to domesticity, as she explores themes such as parenting, sex, and growing older. Though she may look sweet, Sarah will surely have some spicy topics to get you laughing. Tuesday, March 19, to Sunday, March 24. 4. Super Happy Fun Time Super Happy Fun Time are four young Brisbane comedians who are back for their third Brisbane Comedy Festival. After hit shows like The End Of The World (And Other Things) and Young Blood Comedy All Stars, Super Happy Fun time are here to throw a soiree like no other. We recommend you see these local funnymen before they take their comedy to distant audiences — they are bound to get there soon. Saturday, March 9, to Saturday, March 23. 5. Paul Foot: Kenny Larch is Dead Paul Foot is one of the left-field comedians who will confuse and bewilder yet will have your sides splitting with laughter by the end. We can’t really describe what to expect, as it will not do Paul's show justice, so we have left it up to Paul himself to give it a shot: "Deep within the sinking sands of the perspex jungle of youth, in the forgotten nebula of nothingness, comes an objet d'esire; a trombone fruit. Needless to say, it's another warm year." Thanks, Paul Foot. Can't wait to find out what that's about. Friday, March 22, to Sunday, March 24.
In the ultimate blend of gastronomy and performance art, dynamic duo Sam Bompas and Harry Parr are about to host the most intimate of Valentine's Day parties. The jelly-lovin' brains behind wobbling, edible houses of parliament and the lava-powered barbecue, Bompas and Parr are about to host a whisky tasting — an anatomical whisky tasting, in which guests are invited to taste 25, 30 and 50-year-old whiskies from the bodies of people born the same year the good stuff was casked up. Poured onto the natural contours of 25, 30 and 50-year-old performers, the whiskies will naturally react to the body heat and surface saltiness of each human, bringing out different flavours within each spirit. So you'll taste a 25-year-old single malt from a 25-year-old body — a predicted contrast to a 50-year-old scotch from a 50-year-old body. After you've slurped the smoky goodness from their body, the performer will then spin tales of their life story — they've been alive as long as that whisky has, so you'll add a bit of context to the matured mouthful you just downed. And any bored hesitation you have to hearing their life story, remember, you just drank whisky from the small of their back. They earned it. You'll have to book an airfare to enjoy Bompas & Parr's sensory experiment; the tastings are being held in collaboration with culture journal The Gourmand on February 14 at Shoreditch's Ace Hotel in London. Via Londonist.
Sixteen films in, the Marvel Cinematic Universe shows no signs of stopping, with eight more already in the works. Add their growing list of television series, the comics they're all based on, plenty of merchandise and an Australian gallery exhibition, and Marvel mania is difficult to escape. In fact, soon you'll be able to sleep in a hotel dedicated to the company's caped crusaders. Disney has announced that Disneyland Paris will become the home of the world's first Marvel hotel, reimagining an existing site into a superhero-themed wonderland. The park's Disney's Hotel New York will become known as Disney's Hotel New York – The Art of Marvel — and yes, we do think that a Parisian place with New York in its name has the potential to be confusing, but that's not likely to stop Avengers fans. Details are currently thin on the ground; however the hotel will feature nods to everyone from Iron Man to Spider-Man — and we're hoping some of the brand's female superheroes too. And, in what's shaping up to be a great time to be a pop culture fan, the news comes hot on the heels of another huge Disney hotel, with a Stars Wars-theme site slated to debut as part of Walt Disney World's new 360 vacation concept in Orlando. Image: Disney/Marvel via Disney Parks Blog.
Maybe you loved Knives Out, rightfully so. Perhaps you adore Agatha Christie's books, and couldn't watch the latest big-screen versions of Murder on the Orient Express and Death on the Nile fast enough. Or you might've become a true-crime podcasting obsessive thanks to Serial and found yourself instantly hooked. Whichever category fits — and perhaps several of them do — it's likely that you're a murder-mystery fan. We all are. And, it's just as likely that you adore Only Murders in the Building, the true-crime and true-crime podcasting comedy that proved one of 2021's surprises and delights. We're never too far away from a new murder-mystery in some shape or form, of course, and the second season of Only Murders in the Building knows it — because it's tasking its NYC neighbours-turned-sleuths (and true-crime podcasters) with investigating a second killing. This time, though, the trio of residents in the fictional Arconia in New York are suspects, and they're also the subjects of a competing podcast. That's what the just-dropped new trailer for the show's second season teases, following on from an initial sneak peek a couple of months back. If you missed the first season in 2021, Only Murders in the Building takes a great idea and turns it into a breezy murder-mystery gem. If you've ever listened to a true-crime podcast, decided that you'd make a great Serial host yourself and started wondering how you'd ever follow in Sarah Koenig's footsteps, then this is definitely the series for you. The show focuses three New Yorkers who basically follow that same process. Here, actor Charles-Haden Savage (Steve Martin, It's Complicated), theatre producer Oliver Putnam (Martin Short, Schmigadoon!) and the much-younger Mabel Mora (Selena Gomez, The Dead Don't Die) are all addicted to a podcast hosted by the fictional Cinda Canning (Tina Fey, Girls5eva). They find themselves unexpectedly bonding over it, in fact. And, when someone turns up dead in their building, they decide that they can sleuth their way through the case by getting talking themselves. That's how the first season panned out. Now, Charles-Haden, Oliver and Mabel are weathering the fallout from the last batch of episodes. Complicating their efforts in season two are a trio of factors: their public implication in the death in question; that new podcast about them and this murder; and the suspicions of their neighbours, who think they're guilty. Exactly how that'll play out won't be unveiled until Tuesday, June 28, when Only Murders in the Building returns — but you don't need to be an amateur detective to know that it's bound to be both amusing and twisty. Whatever happens, both Cara Delevingne and Amy Schumer are involved, with the pair joining the cast as guest stars. Check out the latest trailer for Only Murders in the Building season two below: Only Murders in the Building's second season will start streaming Down Under via Star on Disney+ on Tuesday, June 28. Read our full review of the show's first season.
