Calling all French film fans: for the whopping 34th year, Australia's Alliance Française French Film Festival is screening a feast of flicks from the other side of the world. Hitting Palace James Street and Palace Barracks in Brisbane from Wednesday, March 15–Wednesday, April 12, this year's cinematic celebration will screen 39 movies throughout March and April — and the full program is something special. AFFFF's 2023 opening-night pick: Masquerade, spinning a tale of glitz, glamour and the Côte d'Azur's far-less-glossy underbelly under La Belle Époque's director Nicolas Bedos' guidance — and with Pierre Niney (Yves Saint Laurent) and Isabelle Adjani (The World Is Yours) among his stars. As a bookend on closing night, it's joined by Freestyle, which takes to the road with Benjamin Voisin (Lost Illusions) and Marina Foïs (Stella in Love), and promises to end the fest as memorably as it begins. In-between, must-sees include Saint Omer, with documentarian Alice Diop drawing from true events to craft a drama about a young Parisian journalist and novelist attending murder trial, then wading through the complexities it surfaces within her own family history; One Fine Morning, the latest film by Bergman Island's Mia Hansen-Løve, this time a family drama starring Léa Seydoux (Crimes of the Future); and The Innocent, as written by, directed by and starring Louis Garrel (A Faithful Man), based on his own experiences, and also featuring Noémie Merlant (Tár). There's also Final Cut, a French remake of Japanese cult hit One Cut of the Dead from The Artist director Michel Hazanavicius, starring Romain Duris (Eiffel); Winter Boy, the new film from Sorry Angel's Christophe Honoré, an autobiographical drama focusing on 17-year-old Lucas (newcomer Paul Kircher); Brother and Sister, with Marion Cotillard (Annette) playing a stage actor and sibling to Melvil Poupaud (Summer of 85); and Other People's Children, a Virginie Efira (Benedetta)-led effort about being a stepmother that's also inspired by director Rebecca Zlotowski's (Planetarium) own life. Two Quentin Dupieux films sit on the program, too, with the director of Rubber and Deerskin adding both Incredible but True and Smoking Causes Coughing to the lineup — and a sense of humour that only he possesses. Plus, there's award-winner Playground, which focuses on a seven-year-old girl; On the Wandering Paths, which brings Sylvain Tesson's novel to the screen so swiftly after The Velvet Queen also turned his work into cinema (including at AFFFF 2022); and The Origin of Evil, an account of a dysfunctional family that's one of three AFFFF 2023 movies to star Full Time's Laure Calamy. This year's focus is firmly on the new over the classic, but when it comes to looking backwards, 1988 French box-office smash The Big Blue does the honours. The full list of 2023 AFFFF titles goes on, as cinephiles have come to not just expect but thoroughly enjoy from a fest that's the largest celebration of French film outside of France.
Packing is no one's favourite part of going on holidays. If you're the kind of traveller who needs to cater for every occasion, stuffing your baggage is a massive task. If you like going light, whittling your outfits down but still ensuring that you've got the basics isn't as easy as it sounds. But, why not ditch all of that, and your suitcase? That's Japan Airlines' new solution thanks to its just-launched clothing rental service. Instead of tourists agonising over what to take to Japan with you — or stressing over what not to take — the carrier is offering a clothing sharing service with Sumitomo Corporation called Any Wear, Anywhere. You reserve a range of clothes, including choosing according to the season, and whether you're after a casual or smarter look. Then, that attire gets delivered to your hotel. When you're heading home, the rental clothes will be collected from wherever you're staying, too. And no, you don't have to do any laundry before handing them back over. The aim: not only to make travelling easier for tourists, but to do the environment a solid as well. If you're hiring clothes, less luggage needs to transported internationally. Japan Airlines will be monitoring the change in checked-in baggage weight thanks to the service, to see how it reduces the carrier's carbon emissions. Also, heroing the circular economy, the outfits on offer will be sourced from pre-owned clothing and excess stock from fashion stores. And, the airline is promoting the service as a way for tourists to support local options — not just for accommodation and food, but also for clothing. At this stage, Japan Airlines is trialling Any Wear, Anywhere from Wednesday, July 5, 2023 to Saturday, August 31, 2024 — and the service is only available for customers travelling to Japan via Japan Airlines. Price-wise, costs start at AU$42 / NZ$45 (¥4000) for a set of summer threads, which covers three tops and two bottoms. The most you'll pay is AU$73 / NZ $79 (¥4000), which gets you a winter range of six tops and three bottoms. You can keep the threads for up to two weeks, and bookings are available from a month before you travel. Wouldn't dream of travelling without a suitcase? Coming home, you can now fill it with souvenirs instead of dirty clothes. Japan Airlines and and Sumitomo Corporation's Any Wear, Anywhere clothing sharing service is being trialled until Saturday, August 31, 2024 — head to the Any Wear, Anywhere website for further details and bookings. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Forget celebrating Christmas in July — when the middle of the year hits, it's time to start working yourself up to the best occasion of the year. If you like scary movies, candy and dressing up in costumes, then you know the occasion. And in 2022, Halloween is almost here in more than a few ways. In just a few months, the spooky celebration itself will indeed arrive. Also hitting in October: the latest film in the Halloween franchise. A sequel to last year's Halloween Kills, as well as the third film in the trilogy within the broader saga that started with 2018's Halloween, it's been dubbed Halloween Ends. To that, we have two questions: will it really, and do we want it to? The just-dropped trailer for the new film certainly wants audiences to believe that this will be the last time that Laurie Strode (Jamie Lee Curtis, Everything Everywhere All At Once) and mask-wearing villain Michael Myers do battle. If the movie is a box office blockbuster, though, that might prove otherwise. Nothing ever truly dies these days in the pop-culture realm, especially successful big-screen series — and, since debuting back in 1978 with John Carpenter's OG masterpiece, the Halloween franchise has come back 11 other times before now. Story-wise, Halloween Ends will pick up four years after Halloween Kills, and see Laurie still processing the fallout — and living with her granddaughter Allyson (Andi Matichak, Foxhole) while writing her memoir. She wants to move on from Michael Myers, who hasn't been seen since the events of the last movie. Then, a young man (Rohan Campbell, The Hardy Boys) is accused of killing a boy he's babysitting. As well as Curtis and Matichak, Will Patton (Outer Range) will return as Officer Frank Hawkins, and Kyle Richards does the same as Lindsey Wallace — a part she also played back in the very first film. David Gordon Green (Stronger) is still in the director's chair for the third Jason Blum-produced Halloween entry in a row (and his third, too), and co-wrote the screenplay with Danny McBride (The Righteous Gemstones), Paul Brad Logan (Manglehorn) and Chris Bernier (The Driver). If the Halloween saga really does end here after 44 years, it'll wrap up one of horror's best franchises — albeit a series that also varies wildly from movie to movie. Again, the first flick is an absolute masterpiece, as well as one of the best horror films ever made. Since then, the slasher saga has delivered excellent and terrible sequels, veered into remake territory, both killed off and brought back its heroine, and completely erased parts of its own past several times. Check out the Halloween Ends trailer below: Halloween Kills will release in cinemas Down Under on October 13.
Injecting a little sparkle and shine into otherwise dull neighborhoods, these architectural designs celebrate all that glitters. Gilded in gold, sequins, crystals, and more, each structure looks fit to house a disco party, or perhaps a drag-queen. Peruse 10 of the world's most blinged-out buildings, and indulge in a little decadence, dahhhling. 1. Maison Martin Margiela @ Beverly Hills, US 2. Golden House @ Nuweiba, Egypt 3. 8 Woningen Kettingstraat @ The Hague, Netherlands 4. Zaha Hadid’s proposal for a new gold Lego-covered courtyard building at The Louvre @ Paris, France 5. Theresa Himmer's 'Glacier #01' @ Reykjavik, Iceland 6. Swarovski flagship store @ Tokyo, Japan 7. Copper sulphate crystal-covered abandoned housing estate @ London, England 8. Theresa Himmer's 'Volcano #01' @ Reykjavik, Iceland 9. Theresa Himmer's 'Waterfall #01' @ Reykjavik, Iceland 10. The Visionary Art Museum @ Baltimore, US [via Flavorwire]
Playing ice hockey isn't a regular part of growing up Down Under, but watching a ragtag team of underdogs try their best on the ice has been a childhood staple since the 90s. The reason: the Mighty Ducks franchise. The three Emilio Estevez and Joshua Jackson-starring films hit screens between 1992–6, and have remained nostalgic favourites ever since. The trio of movies also spanned an animated show back in 1996; however, that's not the franchise's only leap into television. Because everything old is new again — including making that observation, because it just keeps proving relevant — Disney+ is bringing Mighty Ducks back courtesy of new series The Mighty Ducks: Game Changers. If Karate Kid can live on via the small screen, then so can this other beloved sports-focused saga, it seems. And like Cobra Kai, Game Changers is bringing back a familiar face when it debuts its ten-episode first season on Friday, March 26. That'd be Estevez, who reprises his role as Coach Gordon Bombay. Sadly, Jackson isn't involved this time around — but Gilmore Girls star Lauren Graham will feature as the mother of a hockey-loving boy who helps him create his own team. Aimed at all ages — so at kids just discovering Mighty Ducks for the first time, and adults with fond memories — the show looks set to follow the underdog formula established in the films, as the first teaser trailer illustrates. It's set in Minnesota, where the Mighty Ducks are now a big deal, 12-year-old Evan Morrow (Brady Noon) gets cut from the team, and he and his mom (Graham) bring together their own crew in response — with the help of Bombay, of course. Check out the teaser trailer below: https://www.youtube.com/watch?v=_zryz5mHXtw&feature=youtu.be The Mighty Ducks: Game Changers starts airing on Disney+ from Friday, March 26. Top image: Disney+.
Biding your time until the next seasons of Stranger Things and Orange Is the New Black start, or just looking for a fun new procrastination technique? Netflix's new online video game helps you do both — and outrun the Demogorgon, avoid prison cafeteria trays, send Pablo Escobar speeding through the Colombian jungle or Marco Polo dashing along a Chinese street. Four of the streaming service's popular original shows have been turned into levels in the free side-scrolling game Netflix Infinite Runner, and yes, the title is a great indication of what players will be doing. They each involve pressing the spacebar to send a running Mike Wheeler, Piper Chapman and company jumping over obstacles like Hawkins National Laboratory works and collecting items such as chickens. That's really all there is to it, but we all know that the simplest things can be the most addictive. Basically, don't underestimate how much time you're likely to spend playing them (and yes, we're talking from experience). Plus, in keeping with the low-res vibe, you'll also hear a version of each program's theme while you play. https://twitter.com/NetflixAsia/status/817263342838370311 Via The Verge.
Visiting a new city can be hard. Not only because you have to learn how to use their unique version of public transport, but most importantly because you need to maximise on eating only the most delicious food in the city. Stumble once and you've lost a valuable meal opportunity — a hurdle that is hard for an epicurious tourist to overcome. But take heart, we've compiled a list of ten eateries to visit when you come to Auckland so your mind will be consistently blown and all your worries of eating a subpar meal can be left in the overpriced taxi from the airport. AMANO, BRITOMART Amano is Pinterest personified. Bouquets of dried flowers dangle from exposed rafters, with the space huge and rustic and beautiful. And the menu is packed with bouquets of flavours that are mostly sourced from local growers or handmade onsite, so you can rest assured that anything you choose will have been made with a hearty dose of TLC. Whether you're a carnivore, herbivore or bonkers for a bit of pasta, your needs will be met and your expectations exceeded. Amano is cloud nine made of flowers, handkerchief pasta and happy bellies. COCO'S CANTINA, KARANGAHAPE ROAD If you're looking for a restaurant with personality and pizzaz, then look no further; charisma is in Coco's bones and bland isn't a word recognised in its vocabulary. Where owner-operators are celebrated and where community isn't a quaint concept but a way of life, Coco's is a restaurant with integrity. Your orders will be taken by waitstaff who feel like friends, and your food, sourced locally and very intentionally, will make you feel whole and perfectly full at the same time. Whether you're in the mood for a cheeky happy hour pomodoro or a romantic Italian meal, Coco's is the ticket. Don't forget to order a bowl of the legendary polenta chips, you won't regret it. GEMMAYZE ST, KARANGAHAPE ROAD Nestled in the back corner of the curious St Kevin's Arcade, Gemmayze St is a dining opportunity like no other. With all the finest Lebanese trimmings and traditional artefacts, Chef Samir Allen and his family aim to give everyone an authentic Lebanese dining experience. Ordering is simple, either you choose from the bursting menu or you simply say "bring" (in Arabic "jeeb") and the chef will provide you with a feast. Either way, you won't be disappointed. ORPHANS KITCHEN, PONSONBY Exploring national flavour and identity through offerings from the bush, ocean, orchards and fjords, Orphans Kitchen's food philosophy is beautifully holistic (they even have a rooftop hive where they collect honey). Beautiful on the inside too, its interior is warm and inviting. High tables surrounded by tall, sheepskin-covered chairs fill the main dining room, which hums with chatter that is occasionally lulled by a mouthful of food. The seasonal menu is homely and unpretentious, the flavours unique and unexpected. Hearty without being predictable, it's a culinary experience, unique to New Zealand, that you don't want to miss. PREGO, PONSONBY Before Ponsonby became the buzzy hive of restaurants and bars it is today, Prego was there. Since 1986, Prego has been serving up consistently great Italian eats with excellent service to match — not to mention a certain elegance and sophistication that has stood the ultimate test of time. Known as 'Ponsonby's Kitchen', Prego is known for its oven-baked loaf, amazing pasta and pizza that will hook you from the minute you take a bite (the bianco is a thing of dreams). The restaurant is an institution for a reason and a must-try for anyone who sets foot in Auckland. HAN, PARNELL Although it's tucked away on Parnell Road, Han should be at the forefront of your mind. Slick fit-out, slick service, slick food — the experience is one slick ride. Designed by Patterson Architects, the interior is a haven of industrial-chic, each table decorated with extractor fans that are as pleasing to the eye as they are practical. The modern Korean cuisine swaps traditional ingredients with finer, more exciting ones and introduces you to unexpected combinations — pork belly and kimchi in a pie, anyone? Han's authentic charcoal barbecue is a DIY experience not to pass up — the meat is prepared so perfectly by the chef, it's pretty much impossible for anyone to stuff up the barbecuing process. KISS KISS, BALMORAL If you've been hurt by undercooked pork belly and soggy bao before, Kiss Kiss will restore your faith in Asian-fusion. Found just off Auckland's busy Dominion Road, among some of the best Chinese eateries, Kiss Kiss can definitely stand on its own two feet. Its kitsch interior — dominated by neon lights, viewfinders and loud floral tablecloths — sets the tone for a fun evening. The pork ribs are insanely tender, the sauce worth licking every last finger for. The free-range lemongrass fried chicken bao is also a must-try, and it's small enough to allow you to fit more of the menu in. This bang-for-your-buck means you won't leave Kiss Kiss broke, but you will leave wanting more — after the food coma wears off, that is. FEDERAL DELICATESSEN, AUCKLAND CBD If you've ever wanted to experience a Manhattan deli from the 1950s, Fed Deli is just the ticket. From the mint green uniforms to the jars of pickles, cartons of cheesecake that line the walls to the kept promise of bottomless coffee — it's the attention to detail that makes the experience so effortlessly authentic. Sit in a cosy booth or take a seat at the counter where you can stare at the chefs and order off a menu stacked with New York deli-style food. Do not look past the poutine, it will be among the best you've ever had. The chicken salad sandwich doesn't go amiss either. Visit the 50s and one of Auckland's best eateries all in one night. CASSIA, AUCKLAND CBD Cassia was Auckland's first restaurants to introduce modern Indian dining, and we're sure glad they did. Owned and operated by Sid Sahrawat, one of New Zealand's most exciting chefs, Sid takes traditional Indian dishes and reworks them with modern, local ingredients. Located in the heart of the city, you'll find this south Asian gem off Fort Lane, down a set of stairs. Proving to the country that there is more to Indian food than just curry, the menu boasts mouthwatering flavour pairings you won't find many other places. There are only two mistakes you could make when visiting Cassia. One would be not ordering off the ever-changing G&T menu with its local offering of gins, and the other would be not leaving room for dessert. The apple sorbet with walnut, raspberry and white chocolate will be a welcome addition to your Auckland bucket list. IMA CUISINE, AUCKLAND CBD Ima means 'mother' in Hebrew. And if that doesn't prepare you for the onslaught of delicious food you will experience while visiting Ima, you can't say you weren't warned. Yael Shohat — owner of Ima, Israeli native and purveyor of all things delicious — wanted Auckland to experience the joy of a Middle Eastern family-style banquet, where plates and plenty of memories are shared. The interior is colourful, as is the feast, with every table bursting with displays of vivid generosity. The flavours are just as intense and wonderful, whether you're biting into the falafel or free-range chicken mesachan, your tastebuds won't be disappointed. Besides trying as much as you can, our only other advice is to wear pants with an elasticated waistband. LET'S DO THIS, HOW DO I GET THERE? Flights to Auckland from Sydney, Melbourne and Brisbane are super short — around three-and-a-half hours on average — and Air New Zealand flies direct from all three cities and offers accessible fares. Once you arrive in Auckland, jump in a hire car and let your gustatory adventure begin. https://youtu.be/4kRccnc0F20 Book your flights to Auckland with Air New Zealand and start planning your next long weekend away. Looking for more Auckland food recommendations? Check out our Auckland restaurant directory here.
Pakistani activist and history's youngest Nobel Prize laureate, Malala Yousafzai is heading Down Under, for two exclusive talks in Sydney and Melbourne this December. She'll appear as part of The Growth Faculty's thought-provoking Women World Changers speaker series — the same event that brought Hillary Clinton to Australia and New Zealand in May this year. Yousafzai was just 11 when she first launched her campaign to promote education for girls, penning a blog from her home city in Pakistan's Swat Valley. At 15, she survived an attack by the Taliban, and in 2014, went on to become the youngest person ever awarded the prestigious Nobel Peace Prize. Her remarkable story continues, as she sticks with the fight for education rights for every girl in the world. The activist co-founded the Malala Fund and currently studies at the University of Oxford. Now, for the first time, the inspirational 21-year-old will share her experiences with Australian audiences, speaking at Sydney's International Convention Centre on Monday, December 10, and at the Melbourne Convention and Exhibition Centre the following night. Catch An Evening with Malala Yousafzai at the International Convention Centre, Sydney, on Monday, December 10, and at the Melbourne Convention and Exhibition Centre, Melbourne, on Tuesday, December 11. Tickets are $99, available via The Growth Faculty's website.
When Eric Bana (Dirty John) stepped into Aaron Falk's shoes in The Dry, more was always bound to follow. On the screen, the film became a massive Australian box-office hit in 2021 thanks to its twisty mystery, determined detective, stunning Aussie scenery and spectacular cast. It was capitalising, of course, on the story's proven success on the page. And, to the delight of movie producers and audiences, the beloved novel by author Jane Harper was just Falk's first appearance. Accordingly, throw that formula together again and you now have Force of Nature: The Dry 2, the big-screen sequel that hits cinemas in Australia and New Zealand on August 24. This follow-up sees the core duo of Bana and writer/director Robert Connolly (Blueback) return, with the latter again investigating a case. This time, as both the movie's initial teaser and just-dropped full trailer explore, he's looking into the disappearance of a hiker from a corporate retreat attended by five women. Alongside fellow federal agent Carmen Cooper (Jacqueline McKenzie, Ruby's Choice), Falk heads deep into Victoria's mountain ranges to try to find the missing traveller — who also happens to be a whistle-blowing informant — alive. Also featuring in Force of Nature, which has a powerhouse list of Aussie talent just like its predecessor: Anna Torv (The Last of Us) as missing hiker Alice Russell, plus Deborra-Lee Furness (Jindabyne), Robin McLeavy (Homeland), Sisi Stringer (Mortal Kombat) and Lucy Ansell (Utopia). Richard Roxburgh (Aunty Donna's Coffee Cafe), Tony Briggs (Preppers) and Kenneth Radley (The Power of the Dog) pop up, too, while Jeremy Lindsay-Taylor (Heartbreak High) is back in the role of Erik Falk. Touting its connection to The Dry right there in its name, Force of Nature: The Dry 2 comes after its predecessor did massive ticket-selling business. Not only did it notch up more than $20 million in Australian ticket sales, but it sat in sixth at the annual Aussie box office two years back after Hollywood franchise titles Spider-Man: No Way Home, No Time to Die, Godzilla vs Kong, Peter Rabbit 2 and Fast and Furious 9. Yes, greenlighting this sequel must've been the easiest decision ever. Yes, you can probably expect Harper's Exiles to get the movie treatment next. Reteaming not just after The Dry, but also fellow 2023 release Blueback, Connolly and Bana make quite the pair when it comes to Aussie crime cinema — with Connolly the producer of one of the best local crime movies ever made, aka 1998's unnerving The Boys, and Bana famously the star of the similarly excellent Chopper. Check out the full trailer for Force of Nature: The Dry 2 below: Force of Nature: The Dry 2 releases in Australian and New Zealand cinemas on August 24, 2023. Read our full review of The Dry. Images: Narelle Portanier.
A group of Yale University professors and students may have discovered an unconventional solution to the earth's growing waste problem: fungi. Participating in the university's Rainforest Expedition and Laboratory educational program, students engaged in discovery-based research, searching for plants and culturing the micro-organisms within their tissue. It was through this process that they came across fungi which can degrade and utilise the common plastic polyurethane. The fungus can survive solely off of this plastic, without any use of oxygen. As polyurethane is a large contributor to our waste issue, the introduction of this fungi could have real potential. The results of the study have been published in the 'Applied and Environmental Microbiology' journal. [via PSFK]
Thirty years' worth of PCBs, as well as heavy metals, sewage and urban runoff, have made the Hudson River a hazard for would-be swimmers for nearly a century. Clean-ups, initiated in the 1960s by Pete Seeger's Hudson River Sloop Clearwater organisation, and enforced since the 1980s by the US Environmental Protection Agency, have improved conditions significantly. Now, a new Kickstarter project, titled + POOL, promises to create a swimming basin in the Hudson's brother, the East River, right on the liquid doorstep of New York City. Fitted with an enormous layered filtration system, the pool will purify as much as half a million gallons of water daily. Consequently, New Yorkers will be able to swim in that part of the river, enjoying a level of cleanliness similar to 19th-century standards. Plus, of course, they’ll have the benefit of a 21st-century view. According to the project's creators, "+ POOL started with a simple goal: instead of trying to clean the entire river, what if you started by just cleaning a small piece of it? And what if you could change how New Yorkers see their rivers, just by giving them a chance to swim in it?" With 17 days of campaigning left to go, + POOL has raised US$120,360 of its initial US$250,000 goal, which will enable the construction of a 35' x 35' ‘Float Lab’ in August 2013. The final project is set to be completed in summer 2016, just before the Olympic Games. Donors receive rewards in the form of pool tiles and, so far, 1,328 people have pledged support. For US$25, you’ll see your name alongside seven others on a 'group tile'. For US$2500, you’ll earn yourself a 'graphic tile', featuring your logo, signature or any single-colour image of your choice, as well as 20 tickets to 'First Dips'. This means that you and 19 friends will be among the first individuals to jump into the pool, in the week leading up to its public opening.
Saving your loved ones from medical emergencies, reuniting with school friends, using AI in filmmaking, revisiting memories: whether or not you've ever wondered how these situations could turn into technological nightmares, you're about to find out how Charlie Brooker thinks that they can. When the seventh season of Black Mirror arrives, all of the above scenarios will feature across its six episodes, which viewers can check out from Thursday, April 10, 2025. Also included: sequels to season four's Star Trek-riffing USS Callister and choose-your-own-adventure movie Black Mirror: Bandersnatch. Grabbing everyone's attention with one shiny promise, then delivering something else as well: if you've ever watched the dystopian franchise, then you've seen that exact situation play out several times. Soon, you're about to again. And yes, that does apply to the fact that following up USS Callister has long been promised, but doing the same with Black Mirror: Bandersnatch only started being teased in March when the first glimpse at season seven dropped. Netflix has now unveiled another trailer, which also includes episode titles. If you need more information on what's ahead, the streaming platform has revealed more details about each chapter in the new season as well. 'Common People' with Rashida Jones (Sunny), Chris O'Dowd (The Big Door Prize) and Tracee Ellis Ross (Candy Cane Lane) is where that life-saving storyline comes in, for starters, while 'Bête Noire' features Siena Kelly (Domino Day) and Rosy McEwen (Apartment 7A) in a tale of an unnerving reunion. To dive into the impact of artificial intelligence of making movies, you'll be watching Issa Rae (American Fiction), Awkwafina (Jackpot!), Emma Corrin (Nosferatu) and Harriet Walter (Silo) in 'Hotel Reverie'. Paul Giamatti (The Holdovers) and Patsy Ferran (Mickey 17) star in 'Eulogy', about a man looking back with photorealistic detail. Then there's 'Plaything', where Bandersnatch's Will Poulter (The Bear) and Asim Chaudhry (Industry) return — this time joined by Peter Capaldi (Criminal Record) and Michele Austin (Hard Truths). In USS Callister sequel USS Callister: Into Infinity, Cristin Milioti (The Penguin), Jimmi Simpson (Pachinko), Billy Magnussen (The Franchise), Milanka Brooks (The Windsors), Osy Ikhile (All American) and Paul G Raymond (Deadpool & Wolverine) are all back and stuck dealing with another problem. The latest episodes in Brooker's can't-look-away take on how humanity's use of gadgets and innovations can go devastatingly awry are hitting two years after 2023's sixth season, which is a short gap in Black Mirror terms given that there was a four-year wait after season five. Season seven's batch of Black Mirror episodes is also bigger than the past two seasons, thanks to its six instalments — which only season three and four have done in the past. Check out the latest trailer for Black Mirror season seven below: Black Mirror season seven will stream via Netflix from Thursday, April 10, 2025. Read our review of season six, and our interview with Charlie Brooker.
For this year's Vivid Sydney Dinner on Saturday, June 3, the Ivy Ballroom will transform into nature's playhouse, with each of the evening's experiences revolving around the central theme of 'rewilding'. Food, art, light installations and live music will celebrate nature in all its glory with a focus on all things Australiana. Food will be the centre piece of this Vivid Sydney event — led by Merivale Executive Chef Ben Greeno and renowned chef and author Danielle Alvarez (formerly of Fred's). They've joined forces to create a one-off menu that champions NSW's local and seasonal produce, pairing each course with a fantastic local wine. And as this is Vivid Sydney, expect immersive light installations interacting throughout the space all night long, creating a proper feast for the senses. [caption id="attachment_897981" align="alignnone" width="1920"] Food and drink at the Vivid Sydney 2022 Dinner hosted at ivy Precinct, Sydney CBD.[/caption] Then comes the star-studded musical numbers. Eddie Perfect will play host (and perform a few tunes) throughout the Vivid Sydney Dinner, and be joined on stage by a series of performers. You'll see alt-pop singer Montaigne, African fusion artist Julian Belbachir and beloved vocal powerhouse Christine Anu belt out some of their most popular hits to a room of your fellow lovers of music, food and art. To keep the party going, Australia's 'First Lady of House' Kate Monroe will jump on the decks for a bespoke Vivid Sydney set. It's going to be a big night. And if last year's Vivid Sydney Dinner is anything to go by, it will likely sell out well in advance. To book an entire 10-person table or a just few seats on the shared tables, head to the Vivid Sydney website.
George RR Martin is joining forces with art collective Meow Wolf to produce the most insanely magic art complex imaginable. Attempting to raise $100,000 on Kickstarter, the installation artists and the Game of Thrones mastermind want to build one epic art space: The Meow Wolf Art Complex in Santa Fe, New Mexico. Built within the site of an old bowling alley Martin bought specifically for the project, the complex will house 19 affordable artist studios, two rotating gallery spaces, and The David Loughridge Learning Center with arts education programming by local non-profit ARTsmart. But the real jaw-dropper here is Meow Wolf's plan for unprecedented 20,000 sq. ft. complex to be constructed by over 75 artists — dubbed The House of Eternal Return. Celebrated for their large-scale, immersive installation experiences, the Sante Fe-based collective Meow Wolf have just the ideas Martin was looking for when he bought the bowling alley. Following Meow Wolf's wildly successful interdimensional ship installation The Due Return in 2011, the team will likely be using most of the Kickstarter funds toward Meow Wolf's first permanent exhibition, The House of Eternal Return. Visitors will be able to crawl, climb and be immersed within the 'rooms' of the house, from trailer parks to crazy tree houses to spaceship-like condos. "The House of Eternal Return will be a radical new form of storytelling, where audiences are immersed within a multimedia art experience that unfolds through an interactive and magical narrative," says the team on their Kickstarter page. Here's their artist renditions of what's planned for the House: 'Crazy Tree Houses' 'Cactus Trailer Dream' 'Portals Bermuda' Martin and Meow Wolf have so far raised $45,654 of their $100,000 goal with 13 days to go. Martin intends to fully renovate the space ahead of Meow Wolf's 10-year lease on the property. Whattaguy. Check out the Kickstarter campaign here.
To hear the latest new tunes by Flume, you'll need to make a date with the Art Gallery of New South Wales' Volume music series when it returns for 2024. The Australian talent won't be performing at the event. There's no word of him popping up with Tkay Maidza, who is already on the festival's bill, following their 2023 single 'Silent Assassin'. But he has composed the soundtrack for a world-premiere installation in AGNSW's old Second World War oil tank that's been turned into a performance and art space. Featuring sound, projections, lighting and lasers, Every dull moment (EDM) hails from Flume and multidisciplinary artist Jonathan Zawada, and shows its inspiration right there in its name — EDM festivals, specifically. It has been designed for the unique site in Naala Badu, AGNSW's $344-million extension that opened in late 2022. Comprised of sequences spanning between ten and 90 seconds, the piece goes on continuously and randomly without repeating, paired with Flume's new compositions. It's also on the free portion of Volume's lineup. Not just Zimbabwean Australian singer-songwriter Maidza, but also André 3000's Australian-exclusive shows with his experimental jazz project André 3000 New Blue Sun LIVE, Sonic Youth's Kim Gordon and Ghanaian Australian talent Genesis Owusu were previously announced as the event's headliners — all at ticketed gigs. Now comes the rundown of events that won't cost you a cent to enjoy between Friday, July 5–Sunday, July 21. Every dull moment (EDM) has company from a heap of excuses to see live tunes for free, featuring more than 30 local and international artists in total. Another huge highlight: Blak Country, a celebration of Aboriginal country music which will take place during 2024's NAIDOC Week. On the bill: Roger Knox, Kyla-Belle Roberts, Loren Ryan, Frank Yamma, Jarrod Hickling and Kathryn Kelly, as well as a playlist from musical talents from incarcerated First Nations communities as part of the Songbirds project. [caption id="attachment_957075" align="alignnone" width="1920"] Matt Day[/caption] Volume is devoting another night, dubbed Extasis, to experimental sounds curated by Lawrence English, with Jim O'Rourke, Eiko Ishibashi and Hand to Earth among the artists featured. And, at Future Tilt, it'll spend an afternoon getting creative with salllvage, Lydian Dunbar, DeepFaith and more in experimental pop and electronic drone. Fennesz, amby downs, Jules Reidy, Seaworthy and Matt Rösner will be world-premiering new compositions across both AGNSW buildings — the new north building Naala Badu and the OG south building Naala Nura — in a program called Threshold, while Play on, play again, play forever will see musicians from Asylum Seeker Centre play tunes in response to the site's artworks each weekend. Volume initially premiered in 2023 with Solange and Sampa The Great taking to its stages. As the above lineup shows, the fest is using its 2024 program to build upon its first-year successes — and to give everyone plenty of motivation to experience the blending of music and art this winter. [caption id="attachment_957076" align="alignnone" width="1920"] Emma Luker[/caption] [caption id="attachment_957077" align="alignnone" width="1920"] Jim O'Rourke [/caption] [caption id="attachment_957078" align="alignnone" width="1920"] James Hadfield[/caption] Volume 2024 Lineup: Headliners: Friday, July 5–Saturday, July 6 — Genesis Owusu Saturday, July 13 — Tkay Maidza Thursday, July 18–Friday, July 19 — Kim Gordon Saturday, July 20–Sunday, July 21 — André 3000 New Blue Sun LIVE Free program: Saturday, July 6 — Future tilt Saturday, July 6—Sunday, July 21 — Threshold Sunday, July 7—Sunday, July 21 — Every dull moment (EDM) Wednesday, July 10 — Blak Country Wednesday, July 17 — Extasis Dates TBA — Play on, play again, play forever [caption id="attachment_954053" align="alignnone" width="1920"] Dexter Navy[/caption] [caption id="attachment_954055" align="alignnone" width="1920"] @trippydana[/caption] [caption id="attachment_954056" align="alignnone" width="1920"] Bec Parsons[/caption] Volume 2024 runs from Friday, July 5–Sunday, July 21 at the Art Gallery of New South Wales, with general ticket sales from 11am on Wednesday, May 22 — head to the festival website for further details.
If you love a TV show, you usually want more of it. The entire history of television is based on that fact. But with some series, you can eagerly devour every single episode and then hope that there's never another one ever. One such program: Dr Death. When it hit streaming queues in mid-2021, it instantly gave viewers their latest true-crime fix — and what a true-crime tale it told. Its focus: Christopher Duntsch (Joshua Jackson, Little Fires Everywhere), a surgeon who was full of charm when he was trying to encourage folks with spinal pain and neck injuries into his operating theatre — or when he was attempting to convince hospitals, particularly in Texas, to hire him. But again and again, those surgeries ended horrendously. Actually, that's an understatement. The result was pure nightmare fuel — and it's for that reason, and not anything else to do the gripping series, that you might've wished that Dr Death would end there. That isn't set to be the case, however, with a second season now on its way. Duntsch's story is done and dusted, but he was just the first medical professional that the OG Dr Death — aka the Wondery podcast that shares the TV show's name — has focused on. Since then, the audio series has released two further seasons, with its third batch of episodes now providing the basis for the second TV adaptation. The new doc in the spotlight: surgeon Paolo Macchiarini, who earned the nickname 'Miracle Man' for his innovative operations. But his charm starts to fade when investigative journalist Benita Alexander approaches him for a story — a tale that'll change her life forever, too. Once again, all the details are drawn from reality. Once again, Dr Death is bound to prove disturbing whether you already know the ins and outs or you're set to discover them for the first time — as horror medical stories always do. Casting details haven't yet been revealed, and neither has a release date. In Australia, the new season is headed to Stan when it does arrive. In New Zealand, TVNZ On Demand streams the series. A trailer for season two of Dr Death hasn't been released yet either, obviously, but you can check out the trailer for season one below: Dr Death streams via Stan in Australia and TVNZ On Demand in New Zealand — we'll update you with a release date for season two when one is announced. Images: Scott McDermott/Peacock.
From towering silos to inner-city suburban landmarks, Melbourne-based street artist Rone has always been pretty creative about where he paints his large-scale murals. But for the last 12 months, he's been hiding away in the lush community of Sherbrooke, in the Dandenong Ranges, transforming the dilapidated art deco mansion Burnham Beeches into an artsy dreamland. Famous for his massive portraits that combine elements of beauty and ruin, alongside concepts of new and old, Empire is Rone's most ambitious project to date. It's set in the 'decaying glory' of the 1930s estate, which has periodically acted as a family home, research facility, children's hospital and luxury hotel. The mansion is now owned by the Vue Group but has been vacant for over 20 years. Empire spans 12 (previously empty) rooms over multiple storeys and centres around a series of the artist's signature 'Jane Doe' monochrome portraits — the muse for which is actress Lily Sullivan (Mental, Picnic at Hanging Rock). Apart from the murals, the art deco-era furnishings are courtesy of interior stylist Carly Spooner (Fitzroy's The Establishment Studios), who also worked on Rone's The Omega Project. The rooms have been furnished with over 500 antique pieces, including a moss-covered grand piano — which was left exposed in the open garden for several weeks to attain an aged effect. The four seasons play a major role in Empire, and this varying atmosphere was accomplished by a team of specialists — flairs of art, vision, sound, light, virtual reality, scent and botanical design will take visitors on an immersive multi-sensory experience. Expect a hauntingly beautiful vibe of an era-gone-by, as Rone seeks to create an ambiguous storyline that can be felt by each guest individually. Rone takes personal inspiration for the space from the Mark Romanek-directed music video for the Johnny Cash cover of Hurt (originally by Nine Inch Nails) — which should give a sense of what you're in for. Empire will run from Wednesday, March 6 to Monday, April 22 at Burnham Beeches. Tickets start at $15 and can be purchased here.
The 2014 Big Day Out lineup has been revealed, and it... sort of lived up to all those weeks of hype. Organisers spoke of their excitement at landing three "white whales", and the top of the ticket is pretty monumental. Pearl Jam is a classic choice for BDO headliner, Arcade Fire a welcome return visitor to the main stage, Blur a seriously impressive 'get' — and Snoop's good-natured, laaiiiiidbaaack style will be a nice counterpoint to the snarling grunge and indie-rock mania. And lucky Regine and that chick from The Lumineers — they'll have the backstage ladies loos virtually all to themselves! Here's the line-up in full: Pearl Jam Arcade Fire Snoop Dogg aka Snoop Lion Major Lazer Steve Angello Flume The Lumineers Tame Impala Dillon Francis Mac Miller Ghost Grouplove Flosstradamus Portugal. The Man Toro Y Moi DIIV The Naked And Famous Big Gigantic PEZ Mudhoney Cosmic Psychos Northlane The 1975 Loon Lake Kingswood Bo Ningen The Algorithm DZ Deathrays Peking Duk Ben Morris Rüfüs Gold Coast tickets are on sale on August 7; Sydney August 8; Melbourne, Perth, Adelaide on August 9 and Auckland on August 12 from the Big Day Out website.
When Avengers: Endgame reached cinemas back in April 2019, it was the culmination of more than a decade of superhero movies — and the box office behemoth was designed to help end the third phase in the sprawling Marvel Cinematic Universe. It definitely wasn't intended to be one of the last MCU movies to hit the big screen for a few years, of course, but that's how things have played out during the pandemic. After a two-year hiatus from cinemas — following July 2019's Spider-Man: Far From Home — Black Widow brought the huge blockbuster franchise back to picture palaces just last month. Before the year is out, there'll be more where that came from. In early September, Shang-Chi and the Legend of the Ten Rings will introduce a new figure, before Eternals arrives in November with more than a few fresh faces — and a big glimpse at life in the aftermath of the Avengers' battle with Thanos. The MCU has plenty of fans for all of its films, and for the ongoing saga that seems likely to never leave the silver screen, but Eternals has something no other movie in the franchise has ever boasted: history-making Oscar-winner Chloé Zhao. And, in not one, not two, but now three sneak peeks at her contribution to the Marvel Cinematic Universe, it looks like the Nomadland will be giving Marvel's next crew of superheroes — ancient and immortal alien beings who've been working in the shadows for thousands of years after arriving on earth via an eye-catching spaceship — a far more vivid yet naturalistic appearance. Led by Ajak (Salma Hayek, Like a Boss), these heroes are now forced to band together again to save the world from an evil threat, and also grapple with the effects of their inaction during the events of Avengers: Endgame. Narrative-wise, it seems like standard MCU stuff, at least on paper; however, with Zhao the helm, the film doesn't look or feel like your average Marvel movie, including in the movie's just-dropped latest trailer. The Eternals have always been charged with battling an enemy called The Deviants, and that's what Ajak, Ikaris (Richard Madden, Game of Thrones), Sersi (Gemma Chan, Captain Marvel), Kingo (Kumail Nanjiani, Stuber), Makkari (Lauren Ridloff, Sound of Metal), Phastos (Brian Tyree Henry, Godzilla vs Kong), Sprite (Lia McHugh, Songbird), Gilgamesh (Don Lee, Ashfall), Druig (Barry Keoghan, Calm with Horses) and Thena (Angelina Jolie, Those Who Wish Me Dead) will be doing here. One GoT star is never enough for any movie, so Kit Harington also features. In the new trailer, he doesn't appear to know nothing. Check out the latest Eternals trailer below: Eternals opens in cinemas Down Under on November 4.
Over the past few years, the Laneway Festival as established itself a preeminent music festival for the edgiest and hippest music, becoming a weathervane for the coolest sounds in music today. With a great blend of sounds and styles, combined with the urban chic of Fortitude Valley, Laneway is one of the more unique festival experiences of the summer. 2013 sees a stellar line-up of artists from Australia and overseas. Headlined by the likes of Yeasayer (pictured), Bat For Lashes, Japandroids and Divine Fits, Laneway also has a strong Australian contingent, led by Twerps, Flume, Snakadaktal and Alpine. Be sure to grab a ticket before they are all gone. Undercover stages provide the perfect environment regardless of weather.
“Lies bind the fabric of every human life. We are imaginatively masked, adorned with the lie, bedecked with the elegance of verbal dissimulation. To be so is the very mark of adult humanity. Or so it may seem,” (Paul J. Griffiths, 2004). Contemporary dance company Prying Eye Productions bring you A Likely Distrust, exploring the theme of trust and its affects on close personal relationships. In today’s society many guard their true emotions out of fear and distrust. These themes and issues are explored in depth through the integration of dance, theatre and video interaction. A Likely Distrust is actually in its second development, building upon the discoveries from their first stage development in 2009. The whole project aims to build an important collaborative language between the artists involved to assist with creating sustainable working practices for future creations and developments. As part of the development, the group also post their processes via weekly blogs and snippets of video rehearsals. You can follow their developments via their facebook page. Otherwise you can witness the real deal - a wonderful display of skill, development and insight into deep trust issues during their month long residency at The Brisbane Powerhouse.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from March's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW https://www.youtube.com/watch?v=YBUwi9eXtXM SLAXX Ask any style guru for their opinion on denim, and they'll all likely give the same answer. Everyone needs a pair of killer jeans, after all — the type that fit perfectly, flatter every inch of your lower half, and that you just don't want to ever take off. In Slaxx, CCC is the store aiming to make all of the above happen. Already priding itself on its eco-friendly, sustainable, sweatshop-free threads, the chain is set to launch a new range of denim that moulds to the wearer's body, with the company's buzzword-spouting CEO (Stephen Bogaert, IT: Chapter Two) certain that they'll change the fashion industry. On the night before the jeans hit the shelves, employees at one store are tasked with making sure everything goes smoothly; however, as new hire Libby (Romane Denis, My Salinger Year), apathetic veteran employee Shruti (Sehar Bhojani, Sex & Ethnicity) and their over-eager boss Craig (Brett Donahue, Private Eyes) soon learn, these are killer jeans in a very literal sense. Quickly, the ravenous pants start stalking and slaying their way through the store. It's a concept that'd do Rubber's Quentin Dupieux proud and, in the hands of Canadian filmmaker Elza Kephart (Go in the Wilderness), the results are highly entertaining. Slaxx wears its equally silly and savage attitude like a second skin, smartly skewers consumerism and retail trends, and possesses stellar special effects that bring its denim to life — and, although never subtle (including in its performances), it's exactly as fun as a film about killer jeans should be. Slaxx is available to stream via Shudder. https://www.youtube.com/watch?v=Sf34qI1hjKU MOXIE When Amy Poehler made her feature directorial debut with 2019's Wine Country, movie magic wasn't splashed across the small screen. But thankfully Moxie is now here to wipe that underwhelming comedy out of viewers' minds — and to demonstrate Poehler's knack at helming a high school-set tale of blossoming feminist activism. Adapted from the 2015 novel of the same name, the film follows 16-year-old Vivian (Hadley Robinson, I'm Thinking of Ending Things). Quiet, studious and happy hanging out with her similarly introverted best friend Claudia (Lauren Tsai, Legion), she has always known that her male classmates have an attitude problem, and that their teachers and the general status quo both enable it. But, until newcomer Lucy (Alycia Pascual-Pena, Saved by the Bell) arrives, she's never been willing to rock the boat and fight for change. Inspired by her mother's (Poehler) crusading teen years, she starts a zine that calls out the toxic behaviour around her. That's where the film gets its title, and her school is scandalised by the homemade publication's pages. Story-wise, Moxie isn't big on surprises, especially if you've seen more than a couple of teen flicks in your time, as everyone has. Nonetheless, it's always as impassioned about its tale and as angry about the way the world treats anyone who isn't a white male as it is engaging and hopeful. And, as it follows the quest for equality being passed from one generation to another, it boasts a stellar soundtrack — including Bikini KIll's 'Rebel Girl', of course. Moxie is available to stream via Netflix. https://www.youtube.com/watch?v=RfpzdSJlv6o CALLS Everyone has heard about the response that The War of the Worlds reportedly sparked back in 1938. That's when Orson Welles adapted HG Wells' novel into a radio play, and the result was so convincing that it reportedly incited panic among listeners. Watching Calls, it's easy to understand how. 'Watching' isn't exactly the right term for this mystery series, though. Like all those folks glued to their radios 83 years ago, Calls' audience is forced to listen intently. Indeed, in terms of visuals, the series only provides two types: words transcribing the conversations heard, and abstract visuals that move and shift with each sentence uttered and every suspenseful pause left lingering. Accordingly, focusing on the snippets of phone chats that tell the program's stories is what Calls is all about. Remaking the French show of the same name, and directed by Evil Dead and Don't Breathe's Fede Álvarez, something much more than a small-screen version of a story-fuelled podcast eventuates. A starry cast voices the chats — including everyone from Parks and Recreation duo Aubrey Plaza and Ben Schwartz to Wonder Woman 1984's Pedro Pascal and The Lodge's Riley Keough — but it's the tension and power of their words that leaves an impression. Each of the nine episodes tells a short story that eventually builds an overall picture, and getting caught up in them all is far easier than the underlying concept might initially make you think. Calls is available to stream via Apple TV+. https://www.youtube.com/watch?v=ceXaKIhuyOA SOLAR OPPOSITES For a significant portion of the past few years, TV fans have had a Rick and Morty-shaped hole in their hearts. After the anarchic animated series' third season came to an end late in 2017, it took more than two years for its fourth season to reach screens — and that wrapped up in the first half of last year. More Rick and Morty is coming, and more schwiftiness with it. But, in the interim, Solar Opposites is here to fill the gap. It too is created by Justin Roiland, and also features his voice work. And, it's a chaotic, raucous and very funny sci-fi sitcom that unleashes all manner of strangeness upon a suburban family as well. The immediate difference: the family here are aliens. Korvo (Roiland), his partner Terry (Thomas Middleditch, Silicon Valley), and the younger Yumyulack (Sean Giambrone, The Goldbergs) and Jesse (stand-up comedian Mary Mack) have crash-landed on Earth and are trying to make the best of it, but they're well aware that their new home pales in comparison to their old one. From that basic setup, anything and everything can and does happen, as seasoned R&M fans will easily expect. Going in, you can be forgiven for thinking that this'll come off as a clone of a beloved show, and there's no missing their shared DNA; however, Solar Opposites flies its own immensely funny, often flat-out ridiculous and always astute path. The first season of Solar Opposites is available to stream via Disney+. https://www.youtube.com/watch?v=lYl1DVIgbAg SHIRLEY In 2020, Elisabeth Moss had a great year. While the Mad Men and The Handmaid's Tale star has enjoyed a fantastic past decade, she turned in two of her best performances over the past 12 months. First came The Invisible Man, which twisted the classic horror tale in modern directions, including exploring gaslighting and the lack of willingness to believe women. Then, in Shirley, she stepped into the shoes of horror and mystery novelist Shirley Jackson. This is a movie by Madeline's Madeline director Josephine Decker, though, so it as never going to be a standard biopic about the The Haunting of Hill House author. Indeed, Shirley is drawn from a fictional novel by Susan Scarf Merrell, focusing on Jackson's home life with her husband Stanley Hyman (Michael Stuhlbarg, Call Me By Your Name) during a 1964 period when teaching aide Fred Nemser (Logan Lerman, Hunters) and his wife Rose (Australian The Daughter star Odessa Young) come to stay. An agoraphobic, Jackson's routine is unsettled by her new houseguests, although an unexpected connection springs with unlikely kindred spirit Rose. In telling this story, Decker is far more interested in capturing the essence of Jackson and her sensibilities than slavishly sticking to facts, and her film all the better for it. Indeed, this subjective and engaging character study is daring, disarming, dark and, unsurprisingly, anchored by a pitch-perfect lead performance. Shirley is available to stream via Stan. Read our full review. https://www.youtube.com/watch?v=Otu7hGMgmcQ VIOLATION The rape-revenge genre isn't new, but two of the most powerful films to reach Australian audiences this year step into it with unflinching confidence. They do more than that, though. They savagely dissect society's willingness to accept that sexual assault is part of our culture — and misogyny, too. They demand that their audience not only spend almost two hours thinking about a subject so many would rather avoid, but that they have a visceral reaction. The movies: Promising Young Woman and Violation. Both are the product of first-time feature directors. Both include women among their filmmakers, either solely or as half of a duo. Both are anchored by blistering lead performances as well, and neither fades quickly (or at all) from memory. They'd make a stellar double bill; however, tonally, they each march to their own beat. In Violation's case, co-writer and co-director Madeleine Sims-Fewer (Operation Avalanche) stars as Miriam. As she visits her sister Greta (Anna Maguire, The Hummingbird Project) and brother-in-law Dylan (Jesse LaVercombe, Murdoch Mysteries), it soon becomes obvious that more than just a happy reunion is on the cards. Playing a traumatised woman soon grappling the reality of vengeance in a primal and tangible way, Sims-Fewer puts in a performance that it's impossible to look away from, but that's just one of the savvy steps that the actor/filmmaker and her co-director Dusty Mancinelli take. Violation is available to stream via Shudder. https://www.youtube.com/watch?v=LFHj8e7mU_I OPERATION VARSITY BLUES: THE COLLEGE ADMISSIONS SCANDAL 'Eat the rich' isn't a Netflix category. But with Operation Varsity Blues: The College Admissions Scandal joining Fyre: The Greatest Party That Never Happened in the streamer's catalogue, perhaps it should be. The former certainly makes the case for it, covering a criminal conspiracy that smacks of the wealthy abusing their cash and status in an egregious manner. No one could've avoided the headlines and reports when news broke about affluent, influential and/or famous Americans, including actors Lori Loughlin (Full House) and Felicity Huffman (Desperate Housewives), deciding that they needed to bribe college officials to send their already privileged children to prestigious schools. Operation Varsity Blues neither assumes any knowledge on the viewer's part nor needlessly repeats itself, but those acquainted with the details and folks with just a passing interest so far will both find themselves swept through the ups and downs. The film's dramatisations — starring Matthew Modine (Stranger Things, Wrong Turn) as Rick Singer, the scheme's central figure — can feel clunky at times, but director Chris Smith (Jim & Andy: The Great Beyond — Featuring a Very Special, Contractually Obligated Mention of Tony Clifton) knows how to step through this tale. It worked for him on Fyre, after all, which he also helmed, and it works again in a documentary that's as much about a broken system as it the people who cheated it. Operation Varsity Blues: The College Admissions Scandal is available to stream via Netflix. https://www.youtube.com/watch?v=nzqevBnUUZU THE ASSISTANT Charting an ordinary day in the life of a junior staff member at a film production office, The Assistant is as unsettling as anything else that has reached screens recently. Jane (Julia Garner, Ozark) has the titular position, working an entry-level job for a demanding head honcho who everyone in the office indulges — although viewers never get to meet him. She arrives at work before daylight, trudges through menial tasks and is treated poorly by her male colleagues. She's expect to anticipate everything that her boss could ever need or want, or face his wrath if she doesn't. And, as the day progresses, she realises just how toxic her workplace's culture is and how deep its inappropriate conduct burrows. Seeing how predatory the man she works for acts on a daily basis, and how his behaviour has a significant impact, she also learns how those who even try to speak out can still be powerless to effect change to stop it. If you've kept abreast of the #MeToo movement over the past few years, you'll know exactly what has inspired The Assistant, of course. However, Australian filmmaker Kitty Green wants her audience to experience this devastating scenario via Jane, rather than merely read about it. She doesn't just succeed; although she's working in fiction here, she directs a film as searing and perceptive as her last project, the excellent documentary Casting JonBenet. The Assistant is available to stream via Binge. NEW SHOWS TO CHECK OUT WEEK BY WEEK https://www.youtube.com/watch?v=-bfAVpuko5o INVINCIBLE If you've ever shopped for a specific item on Amazon and found multiple similar versions of the same thing, then you already know what it can be like to dive into Amazon Prime Video's streaming catalogue. Many of its new additions instantly bring other shows in its catalogue to mind by sharing and mimicking elements, and Invincible follows that trend. At first, it'll have you thinking about The Boys. Next, you'll start recalling Undone. Those two series mightn't seem like a natural fit, but the combination of superheroes and existential malaise works well here. Animated like the latter, but willing to get bleak and dark with caped crusaders as the former does repeatedly, Invincible focuses on Mark Grayson (voiced by newly minted Oscar nominee Steven Yeun, Minari). The 17-year-old son of the well-known Omni-Man (J Simmons, Palm Springs), he's been waiting for his own powers to kick in — and, when they do, he's forced to grapple with exactly what that means. Among the star-studded cast, Sandra Oh (Killing Eve), Mark Hamill (Star Wars) and Mahershala Ali (Green Book) all lend their vocal tones. Off-screen, The Walking Dead co-creator Robert Kirkman is responsible for not only doing the same with the Invincible comic book, but with the series. What lingers most here is the mood, though, with the show at its best when it's getting contemplative and introspective with its teen protagonist. The first three episodes of Invincible are available to stream via Amazon Prime Video, with new episodes dropping weekly. https://www.youtube.com/watch?v=IWBsDaFWyTE THE FALCON AND THE WINTER SOLDIER First things first: The Falcon and the Winter Soldier isn't WandaVision. It's much more conventional, and it doesn't boast a fabulous performance by Parks and Recreation's Kathryn Hahn, either. But, it does explore the everyday existence of both Sam Wilson (Anthony Mackie, Synchronic) and Bucky Barnes (Sebastian Stan, The Devil All the Time), who team up in the aftermath of Avengers: Endgame — and it gives both characters space to be more than just supporting figures in the Marvel Cinematic Universe. As proved the case in its fellow 2021 Disney+ newcomer, that's a welcome change in a realm that usually pushes action to the fore. Seeing how these two function as people, and as folks who know they've never been the stars of the show, too, brings depth to a franchise that doesn't always have it. Wilson is recognised everywhere including when applying for a loan for his family business, for instance, but fame and getting by financially don't always go hand in hand. Barnes has his murky history to deal with, and it weighs upon him as he tries to get through every day. But, of course, pooling their talents to stop villainous forces is still the name of the game in The Falcon and the Winter Soldier — as is is weaving in the returning Baron Zemo (Daniel Brühl, The Alienist: Angel of Darkness) and Sharon Carter (Emily VanCamp, The Resident), and introducing Captain America replacement John Walker (Wyatt Russell, The Good Lord Bird). The first two episodes of The Falcon and the Winter Soldier are available to stream via Disney+, with new episodes dropping weekly. Top images: Slaxx, Bertrand Calmeau/Shudder; The Falcon and the Winter Soldier, Chuck Zlotnick. ©Marvel Studios 2020.
Brisbane is filled with must-try places for a bite, but there's still nothing like a home-cooked meal. Alison Roman understands this. The Brooklyn-based food writer and chef may live in New York and have access to its thriving dining scene, but she's a big fan of eating in — and she has viral recipes such as #TheCookies, #ThePasta, #TheStew and #TheDip to prove it. Roman also has two cookbooks currently in bookshops, and possibly on your own shelves: Dining In: Highly Cookable Recipes and Nothing Fancy: Unfussy Food for Having People Over. Come April in Australia, Sweet Enough: Desserts for People Who Don't Do Dessert will join them. To launch the latter, and to make her first trip ever Down Under, Roman is hitting our shores to get chatting about home cooking, those internet-famous dishes and why she adores her own kitchen. [caption id="attachment_752523" align="alignnone" width="1920"] Michael Graydon and Nikole Herriott, courtesy of Hardie Grant Books.[/caption] The viral recipe queen and New York Times-bestselling scribe will head to Brisbane Powerhouse on Sunday, May 7. In the River City, she'll be talking with Belinda Sweeney, and expect her food newsletter A Newsletter and YouTube series Home Movies to get a mention. She'll also discuss her career and her journey to the dessert-focused Sweet Enough, plus everything from having her own CNN cooking show to releasing her first baking book.
Autumn means falling leaves, slightly cooler weather and the feeling that, if you're eager to venture outside in Brisbane, you won't be sweating and sweltering for a change. So with the season now in full swing, it's the perfect excuse to spend an afternoon and evening eating, drinking and listening to live music in a northside park. Running from 3–8pm on Saturday, March 20, Park Vibes combines all of the above. Yes, bringing your picnic blanket and getting comfortable is recommended. Food-wise, three 'flavour zones' will showcase different cuisines, so you can choose between Asian, European and American bites to eat from an array of food trucks — while a pop-up bar will be serving wine, craft beers and spirits. Live performances will be running all arvo, ending in fireworks — and for both big and little kids, there'll be rides as well. Entry is free, but registering for a ticket online in advance is recommended, with the event taking place at Pine Rivers Park in Strathpine. If you're driving, parking will cost you $5.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=UoCkWJGCG5c&feature=youtu.be UNHINGED When Russell Crowe was cast in Unhinged, more than a few folks must've had a giggle — including the actor himself. The New Zealand-born Oscar-winner was famously arrested back in 2005 for throwing a mobile phone, after all, so enlisting him to veer off the deep end while clutching onto a phone was surely done with some winking and nodding in mind. Unhinged isn't a comedy, however. Given its premise, narrative and tone, it really couldn't be. A predictable and pulpy road-rage thriller, this grimly generic, thematically questionable film by director Derrick Borte (The Joneses) and writer Carl Ellsworth (Red Eye, Disturbia) tasks a puffed-up, scowling, growling Rusty with chasing terrified single mother Rachel (Caren Pistorius) around an unnamed US city purely because his entitled, just-divorced psychopath character is unhappy about her lack of driving courtesy. Her supposed crime: beeping her horn after he doesn't move his giant 4WD when the traffic light turns green on a busy weekday morning. In terms of story, that's largely all there is to this flimsy B-movie-style film. Both main characters have relationship struggles in their recent past, and Rachel has a pre-teen son (Gabriel Bateman) and other loved ones to worry about, but Unhinged is more interested in a mood of menace than any real detail — although the fact that its relentless car chase and carnage scenes are all shot and edited in the same way, and therefore mostly look the same, hardly imparts any tension. Also firmly on the movie's agenda: trying to explain away its villain's homicidal behaviour with broad generalisations about the world being an angry place right now. Oh, and even suggesting that Rachel has a hand in causing the traumatic ordeal. Yes, really. Crowe flings everything he has into his one-note part, although his forceful portrayal was never going to patch over the feature's silly plotting, its murky and infuriating message, or the reality that this is a movie about a toxic middle-aged man terrorising a woman because he's certain the world owes him respect. He's memorable, undoubtedly, but Crowe is also nowhere near as impressive as he has been in the recent True History of the Kelly Gang and The Loudest Voice, either. https://www.youtube.com/watch?v=B2iwDbvN6qE LITIGANTE In the course of Litigante's 93-minute running time, its protagonist faces more than one person should in a single lifetime. The Colombian drama only charts a very small portion of public works lawyer and single mother Silvia's (Carolina Sanin) life — her young child doesn't age in the film's frames — but sources of stress are hardly absent. Her strong-willed mum Leticia (Leticia Goméz) has just found out that her previously treated cancer has returned and metastasised, but she doesn't want to undergo any further treatment. Her five-year-old son is being bullied at school because his father isn't in the picture, and he's acting out in response. At work, Silvia is embroiled in a wide-ranging scandal, with her role in awarding a lucrative recent tender under investigation. And, after a grating radio interview with a journalist who tries to milk her professional situation for ratings, she actually finds herself immersed in a tumultuous romance with the man on the other side of the microphone. Any of the above plot points could fuel a film by themselves, and easily. But it's to writer/director Franco Lolli's credit that he doesn't hold back, simplify Silvia's situation or smooth down the many rough edges rubbing up against her day in and day out. Aided by exceptional portrayals by its first-time lead actress Sanin, as well as by the filmmaker's own mother Goméz, this quiet, patiently paced, finely observed drama instead bears witness as its main character navigates an ongoing onslaught of pain and struggle — and tries to find a way to cope or, at the very least, to balance all the competing elements of her Bogotá-based life. Naturalistically shot and performed, this is a movie made of small moments that mean as much as big revelations, and one that doesn't try to pretend that all bouts of life-changing trouble end with a return to happy normality. https://www.youtube.com/watch?v=cJhOysXvW5g 23 WALKS In 2016, when Dave Johns starred in I, Daniel Blake, the then-59-year-old comedian took on his first feature film role. The Ken Loach-directed movie won the Palme d'Or at that year's Cannes Film Festival, and earned Johns considerable and deserved acclaim — with his efforts as the titular character, who is forced to navigate Britain's uncaring bureaucracy to obtain government benefits when he's unable to work, proving one of the standout performances of the year. Alas, Johns' big-screen career hasn't maintained those heights in the years since, as The Keeper, Fisherman's Friends and now 23 Walks all demonstrate. In the latter's case, Johns is stuck in soap opera-esque territory, even as he flirts with a predicament not that far removed from the film that brought him to cinematic fame. Indeed, when 23 Walks reveals that Johns' on-screen surrogate, Dave, is battling the powers that be in an attempt to stay in his own home, it feels like the movie is purposefully trying to copy the actor's time with Loach. As this romance-driven feature continues, however, viewers can be forgiven for wishing that a simple rip-off of a better director's work was actually on the cards. The bulk of 23 Walks instead focuses on Dave's courtship with Fern (Alison Steadman). The pair literally cross paths while they walk their respective dogs, strike up a tentative conversation and slowly become closer over successive strolls, although plenty of road blocks linger in their way. As straightforward as its title suggests — yes, Dave and Fern just keep moseying and meandering — this two-hander by writer/director Paul Morrison (Little Ashes) tries to spice up its saccharine love story with overly melodramatic developments and musings on life's complications, but it all plays as bland and routine. And then there's the stiff dialogue, which even talent such as Johns and Steadman can't improve. If you're wondering what else is currently screening in cinemas, check out our rundown of new films released in Australia on July 2, July 9, July 16 and July 23 — and our full reviews of The Personal History of David Copperfield, Waves, The King of Staten Island and Babyteeth.
There are few food pairings so delightfully well matched as citrus and seafood. Throw in endless summer sunshine and the ambience of a Mediterranean garden and you've got the makings of a heavenly afternoon. If these vibes sound like just what you're looking for, there's no need to start rummaging through your bag for loose change and saving for a flight to Europe. Instead, pop down to Paddington's Darling & Co, which has gone all out on the dream Euro-chic summer aesthetic, complete with citrus trees, vibrant floral arrangements and a new citrus and seafood lunch special. For just $40, you'll get Moreton Bay bug rolls for two, a huge serving of bottomless fries and a cheeky citrus-infused spritz for each of you. Wanting to level-up your day out? You can keep your glasses topped up for two hours at an additional cost of $20 per person. This deal is available seven days a week for a limited time, so book here to make sure you don't miss out.
When Frozen the Musical opened in Sydney in December 2020, it was a very big deal. Sydney was not only the first stop on the stage production's international tour, but it was one of the only places in the world where people could see a Broadway show — and it still is today. So, if you've got your hands on one of those hot tickets, you should make the most of it. Luckily, a bunch of local venues have jumped on the bandwagon to celebrate this cultural phenomenon coming to town. If you've found yourself swept up in the magical story of Princesses Anna and Elsa — and you just can't get 'Let It Go' out of your head — make it last with these Frozen-themed treats. TREAT YOURSELF TO A WHIMSICAL BRUNCH Darling Square's Auvers Cafe has pulled out all the stops with its themed menu to celebrate Frozen the Musical. The menu is available throughout the production's Sydney run, giving you the perfect excuse to indulge in a decadent brunch before or after you see the show. For drinks, there's the Ice Palace Mocktail, the Warm Hug white hot chocolate and the Snow Queen cocktail. Sweet tooths can pair their drink with The Coronation Croissant (stuffed with creamy spirulina and blue caracao sugar flakes) or the North Mountain Pancake Stack (vibrant blue spirulina pancakes topped with lychee marscapone, vanilla ice cream and berries). After something savoury? Opt for the Arendelle Fjord (blue-eye cod with risotto, tempura oyster, spirulina fish broth and edamame) instead. [caption id="attachment_803745" align="alignnone" width="1920"] Jasper Avenue[/caption] GET A BRAIN FREEZE FROM THIS ICY BLUE DESSERT All Frozen fans know ice plays a crucial role in the story, so it should be a big part of your experience seeing the musical, too. Darling Square's Dopa Don and Milk Bar has just the thing. The Frozen Storm is Dopa's spin on kakigōri, a Japanese-style shaved ice dessert. Kakigōri is traditionally sweetened with condensed milk, but this limited-edition version incorporates blue pea flower, blue spirulina syrup and coconut and banana cream. And as you dig into the delightful domed dessert you'll come across purple potato, sago, coconut jelly and another surprise ingredient. ORDER THIS OTT CAKE MADE BY DESSERT ROYALTY When Elsa accidentally sets off an eternal winter in the Kingdom of Arendelle, it's, well, pretty bad. But Masterchef Australia alum Reynold Poernomo has once again proven his dessert king title with this Eternal Winter cake. Available through his popular dessert bar KOI, Eternal Winter features raspberry, vanilla, mint, chocolate brownie and strawberry marshmallow. Given how intricately decorated it is, this cake is only available for click-and-collect, which you can do here. KOI has also just announced a special Frozen-inspired Snowflake Egg, with white chocolate, vanilla and citrus, which will be available for click-and-collect from its Chippendale and Ryde stores between March 18 and April 1. SIP THIS COOL BLUE COSMO Whether you're a Sydney local or you've travelled from afar to see the award-winning show, one way to break the enchanting spell after the show is heading straight home. Instead, book a night at Novotel Sydney Darling Square, which is just around the corner from the Capitol Theatre, and take advantage of its proximity to some of Sydney's best restaurants and bars. One such spot, which is conveniently connected to the hotel, is Pumphouse. The heritage-listed bar is serving this brilliantly blue Frozen Cosmo, garnished with blueberries and mint, for $20 while the show is running. Keen to pair your cocktail with a feed? Pumphouse also runs a pre- and post-theatre dining special. All you have to do is flash your theatre ticket to score a main meal and drink for $25 per person. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively. Top image: 'Frozen the Musical', Lisa Tomasetti
There are under two months left in the year (???) and before we finally leave 2020 behind us, we've still got the holiday season to look forward to. You might be starting to stress about what to get your relatives, friends or partner this holiday season, but stress no more. Marimekko has organised all of its best homewares, furnishings and clothes into a handy gift guide designed to make purchasing your holiday gifts as easy as possible. The gift guide is organised into six simple categories: under $50, under $150, under $300, clothing, home and bags and accessories. For under $50, you can pick up a variety of mugs, bowls, tea towels and other kitchenware. For under $150, you'll be able to gift a sleek serving plate featuring a leather handle or some of Marimekko's distinct glassware, and, if you're looking to splurge on someone special, the under $300 category features a range of designer clothes including a couple of immensely stylish yet comfortable bathrobes. One highlight of the online gift guide (and Marimekko's new 2020 home collection) is Swedish designer Carina Seth Andersson's new mouth-blown glass candleholders and beloved minimalist vases. The new line of candleholders come in subtle tones of powder pink, green and warm amber. While you're perusing the gift guide, you might find a self-gift and something to spruce up your own household before the end of the year. To check out Marimekko's gift guide and its new 2020 home collection, head to the website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
For those of you who secretly pat yourself on the back with every Facebook notification and retweet, meet your self-esteem boosting sidekicks: Molly and Olly. In case you needed reminding of just how popular you are, these mini robotic siblings are here to stroke your ego by releasing a sweet scent or treat upon every post, mention or retweet received. Created by software developing agency MintDigital, Molly and Olly bring social media interaction to another level. Once plugged into your computer, adorable Olly may be synced with any online network. When you receive a comment or a post, Olly will release a scent into the room; the more online notifications, the more aromatic your room. Molly, the slightly larger of the two, may similarly be synced to any network of your choosing. Instead of dispensing scents to congratulate you on a notification, however, this robot will give you your sugar fix by dispensing an edible treat. Social networking success never tasted (or smelled) so sweet. [via That's Like, Whoa!]
We all have a family story to tell, but we can't all tell it like Sarah Polley. The actor known for such films as Dawn of the Dead and Splice and director of quietly acclaimed features Take This Waltz and Away From Her has turned her hand to documentary with Stories We Tell, and it's been demanding attention from festival audiences around the world. Unfortunately, it's one of those films that it's best to know as little of as possible when you go in, so this is going to be a short article. Suffice to say, Polley's primary interest is her mother, Diane Polley, an actress and extrovert who relished the escape from home life that came with roles on the stage. She died in 1990, when Sarah was 11, leaving behind a web of secrets that lay hidden for many years — until her daughter grew up and started to pull at the threads. Polley has a great cast of characters in her life to work with (every member of her family is interviewed), but the magic of this movie is ultimately in her storytelling. It's wittily edited, warm and makes some rather uncanny use of Super 8. The result is probably the most enthralling and entertaining family memoir around. Stories We Tell is in cinemas on September 26. Thanks to Palace Films, we have ten double advance screening passes to give away, valid from September 13-22. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email hello@concreteplayground.com.au with your name and address.
One of the great joys of being a Nicolas Cage fan is seeing what the actor adds to his resume next. In the past year alone, for example, he has fought alien ninjas from space, hosted a series about the history of swearing, loaned his voice to The Croods franchise again, starred in the yet-to-be-released first English-language film from equally over-the-top Japanese filmmaker Sion Sono and announced that he'll play Joe Exotic in a new drama series based on the Tiger King star's life. His next project: battling demonic animatronic mascots in an effort to save a possessed amusement park. That's the premise behind Willy's Wonderland, which gets a straight-to-home-entertainment release in the US in February — and will undoubtedly do the same Down Under, although a release date for the latter is yet to be announced. Here, in a plot that sounds very close to the video game series Five Nights at Freddy's, Cage plays a quiet loner who becomes stuck in a small town when his car breaks down. He's short on cash, so he takes a night job cleaning the abandoned Willy's Wonderland. Soon, however, fending off the haunted attractions that roam the site's halls is added to his janitorial duties. The film is likely to go one of two ways: absolutely OTT like its lead, or the kind of movie that you only keep watching because of its star. Either way, as the just-dropped trailer shows, expect plenty of Cage demanding your attention in the way that only he can — and adding yet another weird and wild role to his ever-growing resume. Check out the trailer below: https://www.youtube.com/watch?v=0v27rfaoB2Y Willy's Wonderland releases in the US on Friday, February 12, but doesn't currently have a release date Down Under — we'll update you when further details come to hand.
First came 2018's The Haunting of Hill House. Then, in 2020, The Haunting of Bly Manor arrived. 2021 had Midnight Mass and 2022 dropped The Midnight Club. Spring scares just as Halloween approaches and new Mike Flanagan-created Netflix series just keep going hand in hand, it seems. The Fall of the House of Usher is set to keep the trend going — and serve up another unsettling streaming show from the filmmaker also behind Oculus, Hush, Ouija: Origin of Evil, Gerald's Game and Doctor Sleep. This time, Flanagan is taking inspiration from none other than iconic horror author Edgar Allan Poe, with The Fall of the House of Usher sharing its name with one of the writer's short stories from back in 1840. On the page, the tale steps into the lives of the Usher family — and on the screen, that's Flanagan's approach as well. He's drawing upon Poe's works more broadly, however, while sticking with the killer The Fall of the House of Usher moniker. As the just-released first trailer for the series makes plain — with the sneak peek dropping ahead of the eight-episode show's Thursday, October 12 arrival — there's a touch of Succession to The Fall of the House of Usher as a miniseries as well. The Ushers are wealthy and powerful. Roderick Usher (Bruce Greenwood, The Resident) has children who think they should go next at running the family business. Of course, Succession didn't then start offing said heirs in creepy, eerie and downright gory ways, as happens here. What's the CEO of pharmaceutical company, and a shady one at that, to do when a strange woman starts getting murderous with his own flesh and blood? That's this series — which, based on the trailer, isn't afraid to get unhinged. As well as horror in general and his recent spate of spooky Netflix efforts, Flanagan is known for bringing back his go-to actors again and again. Greenwood was in both Gerald's Game and The Haunting of Hill House, while Carla Gugino (Gerald's Game, The Haunting of Hill House, The Haunting of Bly Manor, Midnight Mass), Henry Thomas (Ouija: Origin of Evil, Doctor Sleep, The Haunting of Hill House, The Haunting of Bly Manor, Midnight Mass, The Midnight Club), Carl Lumbly (Doctor Sleep), T'Nia Miller (The Haunting of Bly Manor), Rahul Kohli (The Haunting of Bly Manor, Midnight Mass, The Midnight Club) and Samantha Sloyan (Hush, The Haunting of Hill House, Midnight Madness) are among the talents that've all stepped in front of the filmmaker's camera before. The Fall of the House of Usher also stars Star Wars legend Mark Hamill — and also Mary McDonnell (Veronica Mars) as Madeline Usher, Roderick's twin sister. Check out the trailer for The Fall of the House of Usher below: The Fall of the House of Usher streams via Netflix from Thursday, October 12. Images: Eike Schroter / Netflix.
To really get a feel for a country, you have to experience its cuisine. And that doesn't just mean eating in nice restaurants—it means learning about the history, stories, sources, recipes and love that goes into creating dishes that have endured for centuries. If you're seeking inspiration for experiences like that, we've teamed up with Intrepid Travel and picked out eight of the best culinary holidays Asia has to offer. You get the best of both worlds: sightsee like a tourist but live and eat like a local. South Korea When thinking of South Korea, do you think of fried chicken, bibimbap, Korean barbecue and, of course, kimchi? You can get the chance to explore all these tasty treats on an eight-day loop of the country. Start in Seoul with a trip to Gwangjang Market (as seen on Netflix's Street Food) before attending a kimchi-making session in Jeonju. Other highlights include a dive into the burgeoning microbrewery scene, a home-cooked meal in Busan and a celebratory barbecue experience back in Seoul. South Korea's rich and diverse food scene offers much to explore, and this tour is an ideal taster of what the country has to offer. Sri Lanka The beautiful island nation of Sri Lanka is known for both its culture and its food, and you can experience the best of both on this twelve-day tour. Be part of the action at the famous Negombo fish market, tuck into traditional curries and dosas cooked by Tamil families and enjoy a local snack of buffalo curd and treacle. While the food isn't to be missed, there's much to do besides. Lion Rock is a picturesque climb with ancient frescoes, and the journey from Kandy to Bandarawela is a breathtaking scenic train ride. For the grand finish, you'll hit Colombo, the country's capital, where you can take in the city buzz and enjoy a meal celebrating the area's Dutch heritage. Thailand You probably enjoy a pad Thai now and again, and there's a decent chance you can whip up a fairly decent Thai curry (if armed with a jar of paste and a tin of coconut milk), but have you ever experienced a khan tok dinner? A Northern Thailand speciality, this eleven-dish meal has long been a traditional welcome, and the opportunity to prepare, cook and eat this customary feast is arguably the highlight of Intrepid's eight-day excursion to Thailand. Elsewhere, there are trips to Chiang Mai temples, an overnight train ride across the country, and a visit to Tha Kha Floating Market. You'll be blown away by the vibrancy and beauty at every turn. India Far too often, we make the mistake of thinking of Indian food as one single cuisine while, in reality, it's one of the most rich and varied food cultures on the planet. That's why you need half a month for a trip stretching all the way from Delhi to Goa. The itinerary reads like a spice lover's dream. You'll hit the 'Lane of Parathas' in Delhi, a chaat crawl in Agra, Rajasthani desserts in Jaipur, thali in Udaipur, a street crawl in Mumbai, and a cooking class in Goa. That's without even mentioning the Taj Mahal, Sikh temples and the Bollywood movie experience that will punctuate your time away from everyday life. [caption id="attachment_970029" align="aligncenter" width="1920"] Yana Tatevosian via iStock[/caption] Georgia Located on the edge of Asia on the banks of the Black Sea is the gateway to Europe: Georgia. Australia may be pretty good for overseas cuisine these days, but you'd struggle on these shores to find dishes like nigvziani badrijani (eggplant and walnuts), zhizhig galnash (noodles and lamb) or khinkali (traditional Georgian dumplings). All these dishes and more are available on this circuit of the country, starting in the capital, Tbilisi, and also taking in Telavi, the Pankisi Valley and Gudauri. And it's not just food. There's also the opportunity to hike up to Gergeti Trinity Church and catch a glimpse of Mt Kazbegi, a glacier that stands over 5,000m tall. Vietnam Banh mi, pho and bao are high-street staples here in Australia, but there's nothing like the real thing. You'll get to sample the genuine article on this tour of Vietnam, which also includes a cooking class in Hoi An that's preceded by a trip to the local market to find ingredients. There's also plenty of travelling and a bunch to see as part of this itinerary. There are two overnight train journeys, boat cruises, picturesque drives and even a sightseeing trip aboard a motorbike. This holiday comes to an end in Ho Chi Minh City, where you can soak up the atmosphere of the busy markets and marvel at the incredible produce on offer. Japan The Land of the Rising Sun has something for everyone, from skiing and sightseeing to cherry blossoms and huge city metropolises. But what we're talking about here is food and, more accurately, damn good food. Sushi is obviously a must, and in this Tokyo tour you'll be schooled in the art of sushi — which includes its history, how to choose the best cuts and, of course, how to prepare it. Additionally, there's a home cooking class in Kanazawa on the north coast, a visit to a green tea farm in Uji, a sake tasting in Kyoto, and more besides. Cambodia This diverse southeast Asian country has a rich heritage and vibrant food culture. This organised trip will show you the best this gem of a country has to offer. You'll see where reportedly the world's finest pepper is grown and taste pepper ice cream. You'll get to experience a traditional Khmer cookery class in Phnom Penh. You'll even get the chance to make cocktails in Siem Reap using local fruits and herbs. There's also plenty of opportunity for sightseeing, and you'll come away from your trip feeling like you've got to know Cambodia and perhaps even planning your next trip back. Get out, explore, dive into adventure and find your WOW with Intrepid Travel. Find out more on the website.
Timed around Lunar New Year, the annual BrisAsia Festival turns the city into a three-week-long party, celebrating the city's ties with Asia and the many cultures that have originated from the continent. Every year, the event serves up buffet of things to eat, sip, see and do around the River City — and if you like dumplings and tea, plus dragon dances and Asian pop, it's time to get excited about 2024's just-dropped lineup. Everyone that lives in the Queensland capital has heard all about Brisbane's connections northwards; we're the home of the Asia Pacific Triennial of Contemporary Art and we've also hosted the Asia Pacific Screen Awards, after all. Since 2013, the BrisAsia Festival has been on that list of connections as well, with next year's program spanning 20-plus events in 14 suburbs around the city. Mark Thursday, February 1–Sunday, February 18 in your diary, then make plans to hit up returning favourites and new festivities alike. Fish Lane will be the site of two huge additions to the event, hosting Asian street festival Lush to help kick off BrisAsia 2024, then also becoming the home of the Southside Dumpling Festival. The first is free to attend, and will showcase everything from Asian cuisine to street art. The second pushes restaurant Southside to the fore, with Sous Chef Benny Lam taking attendees on a tour of delicious dumplings and dim sums. Pop-up kitchens will also be part of the fest, which is slinging tickets for $22, as will live performances. Elsewhere, the city's tea festival is back again, with BrisAsia ParTEA moving to Chinatown with its sips. On offer: tastings of hot and cold cuppas, bubble teas as well, craft workshops and tunes. And, the Southside by Night event that combines street food with a car meet (yes, think Fast and Furious vibes) is also returning, taking place in Willawong. BrisAsia's big summer party keeps its spot on the lineup, too, this time popping up at the Thomas Dixon Centre in West End. You can also start looking forward to Awakening, a live concert at the Sir Thomas Brisbane Planetarium. Indigenous artist and musician Glenn Barry will be joined by sound healer and Crystal Armonica artist Chiho Kagawa, plus Tibetan musician Tenzin Choegyal — and the imagery displaying on the Mt Coot-tha venue's Cosmic Skydome. BrisAsia Dance will see street dance events take over Vent Space in South Brisbane and the Queen Street Mall's main stage, while an interactive workshop series for kids will spread the fun to BrisAsia attendees of all ages. "It's such a privilege to curate one of the most innovative and diverse festivals in Australia with an exciting program of events that brings elements of traditional and contemporary Asian culture together in an inspirational way," said BrisAsia Festival Executive Producer Dr Anthony Garcia, announcing the 2024 program. "The festival is brought to life by more than 500 artists, producers and creatives whose work allows us to celebrate life and art in a way that brings people from all walks of life together, offering artists opportunities to experiment, collaborate and evolve their practice whilst giving audiences the chance to experience world-class entertainment." BrisAsia 2024 runs from Thursday, February 1–Sunday, February 18. For further details, head to the Brisbane City Council website.
The 2020 Queensland Champions Cup tournament is finally happening — in 2022. And although the big event is taking place two years later than planned, it's still set to be one of the biggest events on Brisbane's sporting calendar in 2022. The event with kick off with Brisbane Roar F.C. facing off against Leeds United at the Gold Coast. Then, Brisbane's iconic Suncorp Stadium will host the battleground for a match between English Premier League teams Aston Villa and Leeds on Sunday, July 17. [caption id="attachment_824828" align="alignnone" width="1920"] Suncorp Stadium[/caption] Consider yourself a superfan? You can splurge on one of the special packages on offer that include premium food and drinks, exclusive experiences and more. The Queensland Champions Cup will take place from July 14–20. For more information and to book tickets to this unmissable event, visit the website.
With a snap of the fingers, the Marvel Cinematic Universe underwent a huge change back in Avengers: Infinity War, and its movies and TV shows have been dealing with the fallout ever since. But another snap might be coming — not within the ever-sprawling franchise's on-screen narratives, but thanks to a possible slowed-down pace when it comes to filling cinemas and streaming queues with Marvel's heroes. All Marvel all the time: that's seemed to be Disney's approach to building the MCU, and our eyeballs have been busy as a result. In 2021 and 2022 alone, seven films and eight television shows made their debuts, spanning everything from Black Widow, Eternals, Thor: Love and Thunder and Black Panther: Wakanda Forever through to WandaVision, Loki, Moon Knight and Ms Marvel. And, 2023 has already kicked off with Ant-Man and the Wasp: Quantumania, with Guardians of the Galaxy Vol. 3 to come in May. Disney is reportedly thinking about easing the flow of the Marvel Cinematic Universe, however, and also getting better at curating it. Multiple recent reports and interviews, including in The Hollywood Reporter and Entertainment Weekly, have spoken about releasing fewer movies and shows each year, as well as ensuring there's more space between them. "The pace at which we're putting out the Disney+ shows will change so they can each get a chance to shine," Marvel Studios President Kevin Feige told Entertainment Weekly. Just as Ant-Man and the Wasp: Quantumania hit cinemas last week, Marvel pushed back its third big-screen release for 2023, The Marvels, from July 28 to November 9. It teams up Captain Marvel (Brie Larson, Just Mercy), Ms Marvel (Iman Vellani) and WandaVision's Monica Rambeau (Teyonah Parris, Candyman), but viewers will now have to wait a few more months to see the end result. That's one of a few shifts that the MCU has put in place since unveiling its huge phase five and phase six plans in mid-2022, with other dates moving back as well. Now in its multiverse saga, with a big focus on Jonathan Majors (The Harder They Fall) as new big bad Kang the Conqueror, the Marvel Cinematic Universe has delayed the return of Blade — this time starring Moonlight and Green Book Oscar-winner Mahershala Ali — to September 5, 2024. It'll come after a new Captain America movie on May 2, 2024, called Captain America: New World Order, focusing on Sam Wilson (Anthony Mackie, The Falcon and the Winter Soldier) with the cape and shield, plus Thunderbolts on July 25, 2023. 2024 will also see the next Deadpool flick arrive on November 7 co-starring Hugh Jackman, with The Son actor returning to the role of Wolverine, and both Deadpool and Wolverine entering the MCU. From there, expect yet another Fantastic Four film, which'll now release on February 14, 2025 (with no cast yet announced), plus Avengers: The Kang Dynasty and Avengers: Secret Wars following on May 1, 2025 and April 30, 2026, respectively. While slight changes have already been made to the movie slate's dates, more may come in light of Feige's comments — and Disney CEO Bob Iger's own comments that the Mouse House must improve its curating skills with its content. And, the same may prove true of the MCU's small-screen lineup, none of which has set dates so far. 2023 is meant to see five shows arrive: the Samuel L Jackson-starring, Nick Fury-focused Secret Invasion, which was initially expected in autumn Down Under; Ironheart, which features the Dominique Thorne (Judas and the Black Messiah)-played character first seen in Black Panther: Wakanda Forever; season two of Loki; Hawkeye spinoff Echo; and witchy WandaVision spinoff Agatha: Coven of Chaos. But, it's now reported that only Secret Invasion and Loki are certain to hit this year. After that, a new 18-episode Daredevil series starring Charlie Cox (King of Thieves) and Vincent D'Onofrio (The Unforgivable), this time called Daredevil: Born Again, is on the schedule for 2024. These films and series are all still on their way — so, while you might not be watching quite as many new Marvel movies and TV shows over the next few years after all, they're still coming, just better spread out. Maybe this far in, more breaks from the Marvel Cinematic Universe will make the heart grow fonder, especially if you've been feeling a bit of MCU fatigue. For more information about Marvel's upcoming slate of films and TV shows, head to the company's website. Via The Hollywood Reporter and Entertainment Weekly. Top image: Photo by Jay Maidment. © 2022 Marvel. All images: courtesy of Marvel.
FOMO — Australia's clash-free, one-day summer festival — is back for a fifth year. This year, it's making its return to Sydney, Melbourne and Brisbane, and it has just dropped its full lineup. Texas-via-California rap collective Brockhampton is the first of multiple international acts to be announced for the event, which has previously hosted the likes of Nicki Minaj, Post Malone and Kali Uchis. Led by Kevin Abstract, and formed through an online forum, Brockhampton is a modern day boyband made up of rappers, directors, photographers, engineers, producers, graphic designers and DJs. The group last performed here in 2018, touring the country with Listen Out festival. [caption id="attachment_724680" align="alignnone" width="1920"] Brockhampton[/caption] Joining Brockhampton will be Canadian producer Kaytranada, who's set to drop a new album before heading down under, and US rapper Lizzo, who'll be bringing her catchy hits 'Juice' and 'Truth Hurts' — as well as other bangers off her just-released album Cuz I Love You — to Aus for the first time ever in January. Other big names on the lineup include French singer Madeon, UK rapper Octavian and, from the local contingent, hip-hop artist Chillinit and Sydney producer Ninajirachi. While we've just hit winter here in Aus, we've also just hit festival announcement season, so expect a heap more summer music events to drop their lineups in the upcoming weeks — Spilt Milk and Grapevine Gathering have already dropped theirs, too. FOMO 2020 LINEUP Brockhampton Kaytranada Lizzo Madeon Jax Jones Octavian Rico Nasty Meduza Chillinit Whipped Cream Dombresky Ninajirachi Plus triple j Unearthed and local artists TBA FOMO 2020 DATES Saturday, January 4 — Brisbane Showgrounds, Brisbane Sunday, January 5 — Elder Park, Adelaide Saturday, January 11 — Parramatta Park, Sydney Sunday, January 12 — Melbourne Showgrounds, Melbourne FOMO will take place in January 2020. Pre-sale tickets are available from 9am on Wednesday, July 3 — you can sign-up for those here. GA Tickets will drop at 9am on Monday, July 8. Top images: Jordan Munns. Updated July 1.
If hearing Placebo's 'Every You Every Me' and The Verve's 'Bittersweet Symphony' gets you thinking about Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair, then you're clearly a Cruel Intentions fan. And you if were a 90s or 00s teen who watched and rewatched the 1999 classic over and over again — soaking in all those dangerous liaisons, the scheming that went with them, Joshua Jackson's blonde locks and Gellar in a decidedly non-Buffy role — then you'll probably be first in line to see Cruel Intentions: The 90s Musical. The film-to-theatre production has been unleashing its teen tumult and throwback soundtrack in America since 2015, and now it's finally heading to our shores. And yes, those aforementioned Placebo and The Verve songs get a spin, because of course they do. Because it's a jukebox musical, the show is also filled with a heap other tunes from that late 90s, early 00s era, too; think: *NYSNC's 'Bye Bye Bye', Britney Spears' 'Sometimes', No Doubt's 'Just A Girl', Jewel's 'Foolish Games', Christina Aguilera's 'Genie In A Bottle' and Sixpence None the Richer's 'Kiss Me', for starters. If you've seen the movie — the original, not the direct-to-video 2001 and 2004 sequels, one of which starred a very young Amy Adams (The Woman in the Window) taking over Gellar's role — then you'll know the story. Based on 1782 novel Les Liaisons dangereuses, which was also been adapted in the 1988 film Dangerous Liaisons with Glenn Close, John Malkovich, Michelle Pfeiffer and Uma Thurman, Cruel Intentions follows step-siblings Sebastian Valmont and Kathryn Merteuil. Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove, the headmaster's daughter at their exclusive prep school. On-screen, Phillippe played Sebastian, Gellar vamped up the film as Kathryn and Witherspoon stepped into Annette's shoes. Exactly who'll be following in their footsteps when Cruel Intentions: The 90s Musical hits Melbourne's Athenaeum Theatre from May 25, 2022 and then Sydney's State Theatre from June 29 — with further cities to be announced — hasn't yet been revealed. Cruel Intentions' writer/director Roger Kumble co-created the musical, so expect it comes with quite the screen-to-stage pedigree. Also, it's coming to Australia via David Venn Enterprises, who also brought The Wedding Singer: The Musical Comedy and Bring It On: The Musical our way. Check out the trailer for the US production of Cruel Intentions: The 90s Musical below: Cruel Intentions: The 90s Musical will play Melbourne's Athenaeum Theatre from May 25, 2022, and then Sydney's State Theatre from June 29 — with further cities to be announced. For more information and to join the ticket waitlist, head to the musical's website.
If you tend to do all your best thinking in the shower, then pay attention. We know it's difficult to keep track of all those deep thoughts as you lather, rinse, repeat; but never fear, AquaNotes are here. Shower-thinkers can now write down their genius ideas on AquaNotes, a waterproof notepad that can be hung in the shower. The paper is made from soy-based ink, so it can absorb water and still be written on when it gets wet. Accompanied by a cedar wood pencil, this revolutionary piece of stationery will never let a good idea be forgotten. Whether you have a revelation about how to stop world hunger or just remember what you meant to buy at the grocery store, AquaNotes will be just a few feet from the soap dish to save the day. Bubble bath thinkers are not excluded, as AquaNotes are durable enough to be used all the way underwater. To boot they're recyclable and environmentally friendly. https://youtube.com/watch?v=p-7zABpEN3E [via Whathecool]
As the slow TV trend has already taught us, staring at one gradually moving sight for an extended period can be extremely relaxing. As anyone who has ever visited an aquarium or had their own fish tank knows, watching sea creatures swim around also fits that description. Combine the two, and you have Sea Life Melbourne Aquarium's pandemic-era online resources: a series of calming videos designed to help Melburnians — and everyone, really — cope with everything that the past 14 months or so has thrown at us. Whether you're a Victorian back in lockdown, or you're located elsewhere throughout the country, we're certain that your day — and your daily routine — could use the kind of splash that only ocean critters can provide. On offer as part of 'Marine Mindfulness' are a range videos split across two sections, spanning guided meditation and slow TV. With the guided meditation clips, you have two choices: peer at luminous jellyfish for ten minutes, or spend six minutes with the creatures in Melbourne Aquarium's 2.2-million-litre oceanarium. Whichever you opt for, you'll also listen to soothing narration which tells you more about the marine life you're looking at. https://www.youtube.com/watch?v=7FBVO7zrVZg&feature=emb_logo Prefer just watching and soaking in some peaceful music? The slow TV lineup has you covered. Spend 20 minutes watching the inhabitants of the aquarium's coral atoll, or 13 minutes peering at penguins, lizards, sharks, rays, fish and eels — and a pumpkin treat — last Halloween. There's also a 20-minute look at life in the oceanarium, as well as a 17-minute clownfish video. Sea Life Melbourne Aquarium's 'Marine Mindfulness' videos are available to view online. This article was first published on April 22, 2020, and was updated on May 29, 2021 with the most up-to-date information.
It’s time to crawl out from under your winter clutter and embrace the sunshine with bare limbs and sparse shelves; spring has arrived and we couldn’t be more relieved. More sunlight and (slightly) warmer weather makes now a great time to ditch any excess your home/wardrobe/office space may have accumulated and add some fresh pieces. We’ve got a few tips on cleaning out your home or office space as well as expert advice from Joshua Speechley, one half of the couple behind HIM&I online store, on how to make your place pop. HIM&I focus on simple, minimal, top-quality pieces. “Everything we sell on HIM&I we personally love, so our home is really a reflection of the store,” says Speechley. Garage Sale, Yard Sale, Bake Sale Step one is to declutter, and a great way to get rid of your goods is through a garage sale. It’s extremely tempting to go out and buy heaps of sparkly new things to spruce up your place, but without this essential first step you run the risk of being a contestant on an Australian version of Hoarders. Any clothes that are still in good nick that you don’t wear anymore, wash them, give them an iron (or boots a polish), and price them kindly. Bring out old books, magazines, knick-knacks, anything you’re not using; you’d be surprised what people will take off your hands for a reasonable price. Anything left over at the end of the day can go to The Salvos, Brotherhood of St Laurence, or hard rubbish. Sorted. Here how to bring all the boys (and girls) to the yard, no milkshakes required. A kickass flyer: Pop culture references and puns go down a treat. Baked goods/lemonade stand: It’s cute, the smell will lure passers-by in, and you know you need a cupcake at 10am on a Saturday. Dress the part: Look fabulous, and others will want your steez. We recommend a splashy bum bag. No really — it’s a great conversation starter, and so handy when keeping track of the cash being exchanged. Image: Mark Nye, ClubofHumanBeings.com via photopin cc. Do Your Homework, in a Fun Way A little bit of research can go a long way, and it’s a great way to justify poking around on social media. “We do find a lot of inspiration on Instagram," says Speechley. "It’s a great platform for finding other people's amazing creativity, there are so many creative DIY people out there! Magazines are always great too, [like] Inside Out, Frankie and Smith." Research doesn’t have to be restricted to the page, you’re just as likely to be inspired by getting out and about. As Speechley advises, “Markets and, of course, friend's houses are always great too, seeing what our friends are coming up with or finding here and there is always a big inspiration.” Get Crafty If you’re looking to deck out your digs with some new pieces, why not flex those craft skills that have been idling since primary school and make something yourself? Record boxes, planter walls, bookshelves, beds, you name it, Speechley and partner Kara Allen have attempted to make it. “Not all to great success,” Speechley points out, “but that ones that have worked out we’re completely stoked with ... Head down to your local hardware store and give it a crack.” Another bonus to having something you actually made decorating your place? You can guarantee no one else will have the same item adorning their walls or shelves. If you’re a bit of a novice, there's no need to fret, as many places offering affordable, fun, one-off classes for those looking to get their hands dirty. Our favourite places running classes include Work-Shop (Sydney and Melbourne), Laneway Learning (Melbourne, Sydney and Brisbane), Colourbox Studio (Melbourne) and Koskela (Sydney). Avoid IKEA Rule number one: think outside the box. “It’s a trap!" says Speechley. "Sure, you can find some great items at IKEA, you get them home and you love them. Until you see them at eight of your friends houses ... We’ve found spending the little bit extra, to get something a bit more unique, or with more of a personal touch, means you’ll love the item more, and for longer!” Flower Bomb It’s spring. Everything is in bloom. They smell amazing. They’re colourful. They cheer you up. Why the heck wouldn’t you fill your house with floral goodness? If flowers aren’t your thing, succulents never die, or any other indoor plant/fern is actually good for your health. Lauren from Fowlers Flowers in Melbourne recommends blushing bride, hellebores, geraldton wax, tulips, magnolia buds, and king proteas for this season, but just about everything is in bloom at the moment, so pick whatever takes your fancy. Image by Lucy Djevdet.
Sometimes ice cream speaks louder than words. And on the topic of marriage equality, where words of support from 72 percent of Australians hasn't made much of an impact on policy makers, making a statement with frozen dessert is worth a shot. That's what Ben & Jerry's are doing with their latest push in the campaign for Australian marriage equality. They've partnered with The Equality Campaign (formerly Australian Marriage Equality) to ban punters ordering two scoops of the same flavour in their Australian stores until marriage equality is achieved. That's right: no more double scoops of New York Super Fudge Chunk. Using its scoops as a symbol, the ice cream giant is also offering an in-store postal service across their 26 stores nationwide, allowing patrons to write a message in support of marriage equality to their MP — these will then be hand-delivered by the Ben & Jerry's team. The in-store service will only be available from May 22 through June 9, but you can also have your message faxed to your local MP through The Equality Campaign website, which directs you to your specific MP by area code. This small, yet timely move is made in advance of the next parliamentary sitting on June 13 and is meant to keep marriage equality at the forefront of parliamentary debate and make it easier for Aussies to communicate their support of LGBTQI+ rights to the government. The Ben & Jerry's brand has a history of commitment to social justice and has been particularly focused on marriage equality in recent years, notably with their 2013 launch of the I Dough, I Dough ice cream flavour and campaign. The flavour will be back in stores this month to further hit the message home — but only one scoop at a time. The debate around marriage equality has continues to garner support from big brands, with Airbnb's 'incomplete' rings, Skyy Vodka's Cheers to Equality campaign and Qantas CEO Alan Joyce confirming the airline's support of the issue. And, on the opposite side of the equation, let's not forget the consumer boycott against Coopers after The Bible Society released a tone-deaf video trivialising marriage equality. Maybe losing the freedom to choose our own ice cream flavours will force some policy makers to spring into action. The Ben & Jerry's same-flavour ban will be instated across their 26 Australian stores. You can drop off a letter to your local MP at your nearest store until June 9 or send it over via The Equality Campaign website.
When one year ends and another begins, looking back is always on the agenda. When summer holidays arrive with lazy days and cruisy itineraries, streaming binges await. Combine the two and you've got a date with 2023's small-screen highlights — but don't just stick to the shows that you saw and loved over the past 12 months. Because no one can watch everything that drops when it drops, you no doubt missed plenty of gems when you weren't glued to your couch. A nun battling AI, Pete Davidson's latest riff on his own life, a new series from Drive filmmaker Nicolas Winding Refn and a twist on Sweeney Todd are just some of the fresh 2023 streaming shows that you mightn't have had a chance to catch up with yet, but can now. There's more where they came from. As we did in 2021 and 2022, we've highlighted 15 ace new arrivals over the past year that deserve a place in your streaming queue. Don't spend your break endlessly scrolling through the ever-growing array of streaming platforms — we've done the hard work for you. MRS DAVIS It was back in March 2022 that the world first learned of Mrs Davis, who would star in it and which creatives were behind it. Apart from its central faith-versus-technology battle, the show's concept was kept under wraps, but the series itself was announced to the world. The key involvement of three-time GLOW Emmy-nominee Betty Gilpin, Lost and The Leftovers creator Damon Lindelof, and The Big Bang Theory and Young Sheldon writer and executive producer Tara Hernandez was championed, plus the fact that Black Mirror: San Junipero director Owen Harris would helm multiple episodes. Accordingly, although no one knew exactly what it was about, Mrs Davis existed months before ChatGPT was released — but this puzzle-box drama, which is equally a sci-fi thriller, zany comedy and action-adventure odyssey, now follows the artificial intelligence-driven chatbot in reaching audiences. Indeed, don't even bother trying not to think about the similarities as you're viewing this delightfully wild and gleefully ridiculous series. There's also no point dismissing any musings that slip into your head about social media, ever-present tech, digital surveillance and the many ways that algorithms dictate our lives, either. Mrs Davis accepts that such innovations are a mere fact of life in 2023, then imagines what might happen if AI promised to solve the worlds ills and make everyone's existence better and happier. It explores how users could go a-flocking, eager to obey every instruction and even sacrifice themselves to the cause. In other words, it's about ChatGPT-like technology starting a religion in everything but name. To tell that tale, it's also about nun Simone (Gilpin, Gaslit), who was raised by magicians (Love & Death's Elizabeth Marvel and Scream's David Arquette), and enjoys sabbaticals from her convent to do whatever is necessary to bring down folks who practise her parents' vocation and the show's titular technology. She also undertakes quite the literal nuptials to Jesus Christ, is divinely bestowed names to chase in her quest and has an ex-boyfriend, Wiley (Jake McDorman, Dopesick), who's a former bullrider-turned-Fight Club-style resistance leader. And, she's tasked with a mission by the algorithm itself: hunting down the Holy Grail. Mrs Davis streams via Binge. Read our full review. A MURDER AT THE END OF THE WORLD Whichever miniatures are stuffed inside a snow globe, a simple shake surrenders them all to the same fate: flakes falling in their tiny dome. Pop culture's enduring murder-mystery obsession can feel much the same way. When the pieces start raining down in seven-part miniseries A Murder at the End of the World, there's much that instantly feels familiar from a heavily populated field of recent and classics whodunnits. That checklist includes a confined single setting, potential victims cooped up with an unknown killer, rampant secrets and lies, fingers pointed everywhere, Nordic noir's frosty climes, an eerie butler, a wealthy host who might just have the most to lose and, of course, a gifted gumshoe sleuthing through the group. A Murder at the End of the World radiates its own Gen Z Sherlock Holmes vibe, though. That's even how its sharp protagonist is described, and early. In the role of 24-year-old hacker-turned-author Darby Hart, who is invited by billionaire recluse Andy Ronson (Clive Owen, American Crime Story) to an intimate Iceland symposium of bright minds, Emma Corrin (Lady Chatterley's Lover) also turns Agatha Christie. The OA creators Brit Marling and Zal Batmanglij have put their own intriguing, involving, can't-stop-watching spin on their addition to the genre, as they make clear early. As the duo share writing duties and split time in the director's chair — with Marling also co-starring — they take cues from The Girl with the Dragon Tattoo and Stieg Larsson's sequels as well, all while also sliding their series in alongside Glass Onion: A Knives Out Mystery; however, the mood, ambition, pursuit of weighty themes, shadowy conspiracies, earnestness and love of telling puzzle-box tales match perfectly with their last show, plus their film collaborations Sound of My Voice and The East. Two timelines unspool: the present-day storyline at the ideas salon, where bodies are soon falling; and the the road trip that Darby took with fellow Reddit-aided citizen detective Bill Farrah (Harris Dickinson, Scrapper) to solve the case that fuels her debut novel. Both are compelling; shake this snow globe for more and you won't want to stop. A Murder at the End of the World streams via Disney+. Read our full review. THE CHANGELING It isn't by accident that watching The Changeling feels like being read to, rather than simply viewing streaming's latest book-to-TV adaptation. Landing from the pages of Victor LaValle's novel of the same name, this horror-fantasy series is obsessed with stories, telling tales and unpacking what humanity's favourite narratives say about our nature, including myths and yarns that date back centuries and longer. Printed tomes are crucial in its characters lives, fittingly. Libraries, bookstores, dusty boxes stacked with old volumes, beloved childhood texts, a rare signed version of To Kill a Mockingbird with a note from Harper Lee to lifelong friend Truman Capote: they all feature within the show's frames. Its protagonists Apollo Kagwa (LaKeith Stanfield, Haunted Mansion) and Emma Valentine (Clark Backo, Letterkenny), who fall in love and make a life together before its first episode is out, even work as a book dealer and a librarian. And, The Changeling also literally reads to its audience, because LaValle himself relays this adult fairytale, his dulcet tones speaking lyrical prose to provide a frequent guide In a show created and scripted by Venom, Venom: Let There Be Carnage, Fifty Shades of Grey and Saving Mr Banks screenwriter Kelly Marcel, there's nothing more potent and revealing than a story, after all — and The Changeling believes in the power of tales to capture, explain, transport, engage, caution and advise, too. Aptly, New Yorkers Apollo and Emma meet amid books, in the library where she works and he frequents. It takes convincing to get her to agree to go out with him, but that leads to marriage and a child. The Changeling's astute thematic layering includes Apollo's repeated attempts to wrangle that first yes out of Emma, however, setting up a train of thought that has many future stations. In-between early dates and domesticity, Emma also takes the trip of a lifetime to Brazil, where an old woman awaits by Lagoa do Abaeté. The locals warn the visitor to stay away but she's mesmerised. What happens between the two strangers sends the narrative hurtling, with the lakeside figure tying a red string around Emma's wrist, granting her three wishes, but advising that they'll only come true when the bracelet falls off by itself. The Changeling streams via Apple TV+. Read our full review. BUPKIS In its opening moments, Bupkis unloads — twice, in completely different ways, while ensuring there's zero doubt that this is a series about Pete Davidson starring Pete Davidson as Pete Davidson. First, the former Saturday Night Live comedian gets Googling while alone in the basement of the Staten Island home he shares with his mother Amy (Edie Falco, Avatar: The Way of Water). The results about Ariana Grande, Kate Beckinsale and Kim Kardashian's ex aren't positive; so, to shake off the unpleasantness of reading '12 Things Horribly Wrong with Pete Davidson', he switches from "scumbro" with "butthole eyes" comments to porn. He's wearing a VR headset, and he's soon deep in self-love. Then his mum walks in. Bupkis clearly isn't wary about getting crude. It isn't concerned about satirising its central figure, either. Instead, this semi-autobiographical dramedy relishes the parody. At the age of 29, Davidson has reached the "you may as well laugh" point in his career, which is hardly surprising given he's spent the past decade swinging his big chaotic energy around. Partway through the eight-episode series, while keen to claim some perks for being Davidson's mother — other than doting on her son, that is — Amy shouts at wait staff that "Marisa Tomei played me!". Add that to Bupkis' gleeful, playful nods to reality. An opening statement before each instalment stresses the difference between fact and fiction, and why the show has the moniker it has, but art keeps imitating life everywhere. There's no switching names, however. Davidson is indeed Davidson, his IRL mum is called Amy and his sister is Casey (Oona Roche, The Morning Show). As in The King of Staten Island, they've been a trio since 9/11, and dealing with losing his New York City firefighter dad still isn't easy. Off-screen, however, Davidson must be a fan of My Cousin Vinny, plus the gangster genre. Hailing from the former as Tomei does, and famed for his performances in the latter like The Sopranos star Falco, Goodfellas, Casino and The Irishman alum Joe Pesci is a pivotal part of Bupkis as Davidson's grandfather Joe — a hilarious and delightful part, unsurprisingly. Bupkis streams via Binge. Read our full review. MATILDAS: THE WORLD AT OUR FEET Passion flows as feverishly through the Australia's women's national football team as talent, and Matildas: The World at Our Feet boasts plenty of examples to show it. Covering the lead up to the 2023 FIFA Women's World Cup, this six-part documentary series sees enthusiasm and emotion everywhere, regardless of who the squad is playing, why or where, and the end score. Kicking goals? Joyous. Winning games? Euphoric. Taking every step needed to do their best at soccer's ultimate contest, especially because it's being held on home soil for the first time ever? A positively peppy and determined task. Inspiring girls across Australia to follow in their footsteps? For Sam Kerr and company, that's what their hard work is all about. To start this doco's sixth episode, Kerr and several teammates chat about how much it means to them to be galvanising tomorrow's female athletes, a topic that pops up more than once across the entire series. In this particular instalment, they also discuss the equivalent influence in their own lives: Cathy Freeman's 400-metre gold-medal run at the 2000 Sydney Olympics. "We didn't have a role model in women's football, or any sport," shares goalkeeper Lydia Williams. "Watching Cathy Freeman at 2000, that just kind of ignited my dreams," she continues. "At the time, I was just amazed — blown away that every single person in the country could be talking about one person, and she was a female athlete," adds Kerr. "As I sat in my lounge room as a nine-year-old girl and watched her, that inspired me to one, be proud of who I am, but to also follow my sporting dreams to play football for Australia," says fellow striker Kyah Simon. The force of their feelings radiates from the screen, and Matildas: The World at Our Feet's audience beams the same emotions right back at them. Matildas: The World at Our Feet streams via Disney+. Read our full review. LUCKY HANK When Better Call Saul finished its six-season run in 2022, it was the end of an era. Not only did one of the absolute best TV shows of the past decade and the whole 21st century so far wrap up, but the Breaking Bad universe with it for now. And, it meant that the wonderful Bob Odenkirk was no longer on our screens regularly. Thankfully, with the arrival of Lucky Hank, the latter was only a short-lived state of affairs. This dramedy — because everything is a dramedy at the moment — hails from The Office actor/co-writer Paul Lieberstein, adapts Richard Russo's 1997 novel Straight Man, and casts its Undone and Nobody star as a Pennsylvanian college professor. The eponymous Hank Devereaux Jr inhabits a whirlwind of chaos, including underfunding at his university in general, unhappy colleagues in the English department he chairs, students challenging him, a wife that's tiring of academic life and the fact that he's only penned one book thanks to a hefty bout of writers' block. If some of the above sounds familiar, that's because The Chair flicked through similar territory in 2021 — also engagingly, and with Sandra Oh at its centre. Like that series, Lucky Hank thrives through its excellent lead casting, with watching Odenkirk still one of the easiest things in the world no matter what he's in. He has excellent company, including Lieberstein's The Office co-star Oscar Nuñez as Railton College dean, Mireille Enos (Hanna) as his wife, and Diedrich Bader (Shazam! Fury of the Gods) as a friend and co-worker. As a guest star, one and only Twin Peaks legend Kyle MacLachlan is also among the cast. Odenkirk wears middle-aged malaise so devastatingly well, though, which made Better Call Saul one of the best tragedies there is, and helps Lucky Hank prove as thoughtful as it is charming. There's depth to Hank's experiences, too, with Russo's tome based on his own time teaching at several colleges. Lucky Hank streams via Stan. THE BIG DOOR PRIZE Sometimes Apple TV+ dives into real-life crimes, as miniseries Black Bird did. Sometimes it mines the whodunnit setup for laughs, which The Afterparty winningly achieved. The family feuds of Bad Sisters, Servant's domestic horrors, Hello Tomorrow!'s retrofuturistic dream, the titular take on work-life balance in Severance — they've all presented streaming audiences with puzzles, too, because this platform's original programming loves a mystery. So, of course dramedy The Big Door Prize is all about asking questions from the outset. Here, no one is wondering who killed who, why a baby has been resurrected or if a situation that sounds too good to be true unsurprisingly is. Rather, in a premise isn't merely a metaphor for existential musings, they're pondering a magical machine and what it tells them about themselves. Everyone in The Big Door Prize does go down the "what does it all mean?" rabbit hole, naturally, but trying to work out why the Morpho has popped up in the small town of Deerfield, where it came from, whether it can be trusted, and if it's just a bit of fun or a modern-day clairvoyant game are pressing concerns. When the machine arrives, it literally informs residents of their true potential. Crowds flock, but not everyone is initially fascinated with the mysterious gadget. Turning 40, and marking the occasion with that many gifts from his wife Cass (Gabrielle Dennis, A Black Lady Sketch Show) and teenage daughter Trina (Djouliet Amara, Devil in Ohio), high-school history teacher Dusty Hubbard (Chris O'Dowd, Slumberland) is nonplussed. Amid riding his new scooter and wondering why he's been given a theremin, he's baffled by all the talk about the Morpho, the new reason to head to Mr Johnson's (Patrick Kerr, Search Party) store. As school principal Pat (Cocoa Brown, Never Have I Ever) embraces her inner biker because the machine said so, and charisma-dripping restaurateur Giorgio (Josh Segarra, The Other Two) revels in being told he's a superstar, Dusty claims he's happy not joining in — until he does. The Big Door Prize streams via Apple TV+. Read our full review. COPENHAGEN COWBOY Ten years ago, Nicolas Winding Refn released his second Ryan Gosling-starring film in succession, won his second Sydney Film Festival Prize, and was a reliable source of dazzling and blisteringly atmospheric crime fare thanks to Drive and Only God Forgives — and also the Pusher trilogy and Bronson before that pair. In the past decade, however, he's only brought one more movie to cinemas. The Neon Demon was a gem, too, and about as Refn as Refn gets, but that was back in 2016. Smaller screens have been beckoning the Danish director, thankfully. He launched his own free streaming service, and also co-created, co-wrote and directed the ten-part, Miles Teller (Top Gun: Maverick)-starring Too Old to Die Young. Refn's latest effort gets episodic as well, and sees him return to his homeland for the first time since Valhalla Rising — and, while it feels filtered through David Lynch's sensibilities alongside his own, Copenhagen Cowboy remains Refn through and through. The visuals have it, as they always do when this filmmaker is behind the lens. Neon aplenty, how he composes a room, how his characters peer on at the world around them, the use of 360-degree pans, the chilly mood, his overall aesthetic flair: they're all here. So, too, is another of the director's essentials, courtesy of a synth-heavy score by Cliff Martinez. That combination makes an entrancing mix, as it has over and over before, but Copenhagen Cowboy is never simply a case of empty style, sound and vision. Also present is an enigmatic tale, this time about the magnetic and mysterious Miu (Angela Bundalovic, Limboland). Considered a "living lucky charm" and highly sought after for her talents, she's the show's entry point to Copenhagen's criminal underworld. Can she help Rosella (Dragana Milutinovic, also Limboland) get pregnant? What kind of eerie situation has she found herself in? Are her gifts genuine? It wouldn't be a Refn project if questions didn't linger in the pulsating sense of stillness. Copenhagen Cowboy streams via Netflix. IN LIMBO Not to be confused with 2023 Australian film Limbo, six-part Aussie dramedy In Limbo not only takes its title to heart, but also uses the idea as fuel for a supernatural buddy comedy. Indeed, before the first episode is out, Nate (Bob Morley, Love Me) is palling around with his lifelong best friend Charlie (Ryan Corr, House of the Dragon) from the afterlife. The former doesn't know why he's still a presence. The latter is understandably reeling from the tragedy, and initially thinks that spying Nate is just a drunken hallucination. No one else, not Nate's wife Freya (Emma Harvie, Colin From Accounts), eight-year-old daughter Annabel (Kamillia Rihani, The Twelve), supremely very Catholic mother Maria (Lena Cruz, Wellmania) and affable father Frank (Russell Dykstra, Irreverent), can see their dearly-departed loved one as a ghost. It's Christmas, too, in this Brisbane-shot and -set series, and facing the festivities after such a shock is far from easy. While heartily deploying Brisbane Powerhouse and New Farm Park as settings, that's a lot for one show to delve into — and delve it thoughtfully does. Tackling grief, mental health and suicide is never simple, even in a show about someone haunting their best mate, and including when such topics have been increasingly popping up in Australian fare of late (see also: Totally Completely Fine). In Limbo is clearly made with care, empathy and understanding — and, crucially, doesn't attempt to offer any firm answers, instead acting as a conversation starter. At its core, the always-excellent Corr plays a complicated role with charm. That's no surprise given his resume, and he couldn't be better cast. Corr's likeable performance always dives deep into the about-to-get-divorced Charlie's struggle without Nate physically by his side, with Nate now his ghostly offsider and with his own problems, and never brushes past the character's flaws. And, just as importantly as the show's focus on 21st-century masculinity and friendship, Corr makes such a great double act with Morley that filmmakers should be clamouring to pair them up again ASAP. In Limbo streams via ABC iView. Read our full review, and our interview with Ryan Corr. HELLO TOMORROW! In 2022, scam culture was here to stay, as drawn-from-reality hits such as Inventing Anna and The Dropout repeatedly promised. In 2023, playing fast and loose with the truth sits at the heart of Hello Tomorrow!, too, which tells a fictional tale about the deceptions people spin to chase their dreams. The show's beaming face: travelling salesman Jack Billings (Billy Crudup, The Morning Show), the regional manager for BrightSide Lunar Residences, and a passionate pusher of timeshares on the moon. He's this intriguing dramedy's version of Don Draper, but with Mad Men's 60s surroundings swapped for The Jetsons-style robot help and hovering vehicles. There's a The Twilight Zone-meets-Leave It to Beaver feel to Hello Tomorrow!, too, as its characters seek the same thing we all do: a better life. Creators Amit Bhalla and Lucas Jansen (both Bloodline alumni), also co-writers and showrunners with You're the Worst's Stephen Falk, zoom in further, focusing on the reasons anyone holds onto to hope their lot will improve. Befitting any blend of all of the above series, the look of Hello Tomorrow! is retro-futuristic, steeped in 50s-era visions of what might come. The time and place is an alternative version of that decade, in a suburban enclave called Vistaville, where one of Jack's biggest fibs has its origins. He's summoned back with his crew of hawkers — the gambling-addicted Eddie (Hank Azaria, The Simpsons), promotion-coveting Herb (Dewshane Williams, In the Dark) and resident righthand-woman Shirley (Haneefah Wood, Truth Be Told) — by his mother Barbara (Jacki Weaver, Penguin Bloom) after his wife Marie (Annie McNamara, Severance) is injured by a self-driving delivery van. His son Joey (Nicholas Podany, Archive 81) is struggling to cope, a task made all the more difficult by Jack's absence from his family's lives for decades. He's skilled at sharing stories about his domestic bliss on the moon to customers, but being a happy head of a lunar household is merely one of his go-to falsehoods. Hello Tomorrow! streams via Apple TV+. Read our full review, and our interview with Hank Azaria. THE CONSULTANT If there's a question that no employee wants to hear from the person setting company agendas, pulling strings and signing paycheques, it's "what do we do?". In moody and mysterious workplace nightmare The Consultant — which adapts horror author Bentley Little's 2016 novel of the same name, but plays like Severance filtered through Servant — Regus Patoff (Christoph Waltz, Guillermo del Toro's Pinocchio) asks a variation of it early. "What do we make?" he queries at CompWare after he arrives amid grim circumstances. The mobile gaming outfit came to fame under wunderkind Sang (TV first-timer Brian Yoon), so much so that school groups tour the firm's office. Then, during the visit that opens this eight-part, excellently cast and supremely easy-to-binge thriller, a kid shoots and kills the company's founder. That doesn't stop Regus from showing up afterwards clutching a signed contract from Sang and spouting a mandate to do whatever it takes to maximise his legacy. Regus is as stern yet eccentric as Waltz has become known for — a suit- and tie-wearing kindred spirit to Inglourious Basterds' Hans Landa, plus Spectre and No Time to Die's Ernst Stavro Blofield. He first darkens CompWare's door in the thick of night, when only ambitious assistant Elaine Hayman (Brittany O'Grady, The White Lotus) and stoner coder Craig Horne (Nat Wolff, Joe vs Carole) are onsite, and he won't take no for an answer. There's no consultant job for him to have, Elaine tells him. There's no business to whip into shape, she stresses. By the next morning, he's corralling employees for an all-hands meeting and telling remote workers they'll be fired if they don't show up in-person within an hour, even if he proudly doesn't know what CompWare does — or care. From there, The Consultant gets creator Tony Basgallop, who is also behind Servant, doing what he loves: kicking off with a blow-in, unsettling a group already coping with tragedy and reordering their status quo with severe methods. Both of his current shows lace the chaos that follows with nods towards the supernatural, too, and both ask what bargains we're willing to make to live the lives we're striving for. The Consultant streams via Prime Video. Read our full review. THE HORROR OF DOLORES ROACH It takes place in New York, not London. The era: modern times, not centuries back. Fleet Street gives way to Washington Heights, the demon barber to a masseuse nicknamed "Magic Hands", and pies to empanadas. There's still a body count, however, and people end up in pastries as well. Yes, The Horror of Dolores Roach namedrops Sweeney Todd early, as it needs to; there's no denying where this eight-part series takes inspiration, as did the one-woman off-Broadway play that it's based on, plus the podcast that followed before the TV version. On the stage, the airwaves and now via streaming, creator Aaron Mark asks a question: what if the fictional cannibalism-inciting character who first graced penny dreadfuls almost two centuries back, then leapt to theatres, films and, most famously, musicals, had a successor today? Viewers can watch the answer via a dramedy that also belongs on the same menu as Santa Clarita Diet, Yellowjackets and Bones and All. Amid this recent feast of on-screen dishes about humans munching on humans, The Horror of Dolores Roach is light yet grisly, but it's also a survivalist thriller in its own way — and laced with twisted attempts at romance, too. That knowing callout to Sweeney Todd: The Demon Barber of Fleet Street comes amid an early banquet of knowing callouts, as The Horror of Dolores Roach begins with a play based on a podcast that's wrapping up its opening night. Newspaper clippings in actor Flora Frias' (Jessica Pimentel, Orange is the New Black) dressing room establish that the show takes its cues from a woman who got murderous in the Big Apple four years prior, and helped get unwitting NYC residents taking a bite out of each other. Meet the series' framing device; before the stage production's star can head to the afterparty, she's face to face with a furious Dolores (Justina Machado, One Day at a Time) herself. The latter isn't there to slay, but to haunt the woman spilling her tale by sharing the real details. Two decades earlier, Dolores was a happy resident of Lin-Manuel Miranda's favourite slice of New York, a drug-dealer's girlfriend, and a fan of the local empanada shop. Then the cops busted in, The Horror of Dolores Roach's namesake refused to snitch and lost 16 years of her life. When she's released, gentrification has changed the neighbourhood and her other half is nowhere to be found. Only Luis Batista (Alejandro Hernandez, New Amsterdam) remains that remembers her, still in the empanada joint, and he couldn't be keener on letting her stay with him in his basement apartment below the store. The Horror of Dolores Roach streams via Prime Video. Read our full review. HIGH DESERT In High Desert, the always-excellent Patricia Arquette (Severance) leads a private investigator comedy that dapples its jam-packed chaos under California's golden sun, against the parched Yucca Valley landscape and with an anything-goes philosophy — not to mention a more-mayhem-the-merrier tone. She plays Peggy Newman, who isn't letting her age get in the way of perennially struggling to pull her life together. That said, when the eight-part series starts, it's Thanksgiving 2013 and she's living an upscale existence in Palm Springs, with gleaming surfaces abounding in her expansive (and visibly expensive) home. Then, as her husband Denny (Matt Dillon, Proxima) jokes around with her mother Roslyn (Bernadette Peters, Mozart in the Jungle), and her younger siblings Dianne (Christine Taylor, Search Party) and Stewart (Keir O'Donnell, The Dry) lap up the lavish festivities, DEA agents swarm outside. Cue weed, hash and cash stashes being flushed and trashed, but not quickly enough to avoid splashing around serious repercussions. A decade later, High Desert's protagonist has been sharing Roslyn's house and trying to kick her addictions while working at Pioneertown, a historical attraction that gives tourists a dusty, gun-toting taste of frontier life. Peggy would love to step back in time herself when she's not pretending to be a saloon barmaid — to when her recently deceased mother was still alive, however, rather than to her glitzy post-arrest shindigs. Still angry about being caught up in a drug bust, Dianne and Stewart have zero time for her nostalgia and a lack of patience left for her troubles. Their plan: to sell Roslyn's abode with no worries about where Peggy might end up. Her counter: doing everything she can to stop that from happening. High Desert doesn't just embrace the fact that living and breathing is merely weathering whatever weird, wild and sometimes-wonderful shambles fate throws your way; in a show created and written by Nurse Jackie and Damages alumni Jennifer Hoppe and Nancy Fichman, plus Miss Congeniality and Desperate Housewives' Katie Ford, that idea dictates the busy plot, too. High Desert streams via Apple TV+. Read our full review. TOTALLY COMPLETELY FINE In Thomasin McKenzie's breakout role in 2018's deeply thoughtful and moving Leave No Trace, she played a teen being the responsible one while living off the grid with her PTSD-afflicted father. She turned in a magnificent performance in a film that also earns the same description — one of that year's best — and a portrayal that rightly ensured that more work came her way. In Totally Completely Fine, the New Zealand actor is again excellent, as she's been in Jojo Rabbit, The Justice of Bunny King, Old and Last Night in Soho in-between; however, this six-part Australian series, which makes ample use of its Sydney setting, casts McKenzie as the least responsible among her siblings. Vivian Cunningham's elder brothers John (Rowan Witt, Spreadsheet) and Hendrix (Brandon McClelland, Significant Others) are conscientious and family-focused, respectively, while she has internalised her bad decisions to the point of thinking that she ruins everything. But then her grandfather passes away when she's at a particularly low moment, wills only her his cliffside house and also leaves a note saying that she'll learn what to do with it. When Totally Completely Fine begins, Vivian is close to saying goodbye. Soon, she discovers that her inherited home is a destination for others feeling the same way. Creator Gretel Vella (a staff writer on The Great, and also a scribe on Christmas Ransom and Class of '07) doesn't shy away from a a tricky topic, as her definitely-not-totally-completely-fine protagonist becomes an unofficial counsellor to strangers — like runaway bride Amy (Contessa Treffone, Wellmania) — who step into her yard planning to commit suicide. This character-driven series doesn't ever reductively posit that only struggling people can help struggling people. Instead, it sees life's difficulties everywhere, the many ways that folks attempt to cope and don't, and the parts that others can have in that journey. McKenzie's performance is pivotal, selling the deep-seated grief that has defined Vivian's life, the chaos she's embraced as an escape, and how telling others that they have something to live for is both complicated and crucial. Totally Completely Fine streams via Stan. BAD BEHAVIOUR When high school is hellish on television, sometimes that happens literally; Buffy the Vampire Slayer's teens did their studies above a hellmouth and Stranger Things' crew is constantly trying to avoid the Upside Down. In Bad Behaviour, hell is the girls of Silver Creek, the wilderness campus of an exclusive all-female boarding school where young women decamp to spend a year learning resilience away from the wider (and supposedly wilder) world. It's where Joanna Mackenzie (Jana McKinnon, We Children From Bahnhof Zoo) attended on a scholarship, sharing a cabin with Alice Kang (Yerin Ha, Sissy) before they cross paths again ten years later — Jo striving to become a writer, but paying the bills in hospitality; Alice a musical prodigy-turned-global classical star. While Jo doesn't have fond memories of her year away, she's shocked at Alice's frosty reception. Indeed, she'd always thought that the domineering Portia (Markella Kavenagh, The Lord of the Rings: The Rings of Power) was the bully of their dormitory, making her own experience a nightmare. But this blast from the past gets Jo rethinking her own behaviour. Adapted from Rebecca Starford's book of the same name by Pip Karmel (Total Control) and Magda Wozniak (Neighbours), with Corrie Chen (New Gold Mountain) directing, Bad Behaviour is spot-on about the Mean Girls-meets-The Lord of the Flies realm it navigates. Starford's tome is a memoir, after all. For anyone who has ever been or known a teenage girl — so, everyone — this four-part series feels deeply lived-in, even if you've never attended a private school, let alone such an education institution's remote campus. With McKinnon, Ha and Kavenagh all delivering potent performances, and the latter making a memorable antagonist, the mood is equal parts tense and reflective. As Bad Behaviour flits between Jo's time at Silver Creek, including the thrall that Portia held over her, and her adult awakening to who she really was while she was there, it's unafraid to face stark truths about our teenage demons as well. Bad Behaviour streams via Stan. Check out the trailer.
'May you live in interesting times.' Ancient Chinese curse Interesting times indeed. As the world collectively bites its nails while watching the US government sink, literally by the second, further and further into unfathomable debt, Apple is doing OK. Really OK, in fact. Latest figures show that while the US government has an operating cash balance of US$73.7 billion dollars (they are currently spending 200 billion dollars more a month than they are collecting), Apple has US$76.4 billion in its piggy bank. That's right — Apple officially has more money than the US government. Apple's success is mostly due to their recent iPhone sales, with an estimated 20 million units shipped in the last quarter. As the US government is estimated to finish the year with a US$15 trillion debt, Apple predicts to be bringing in about 25 billion dollars. So while there may be no government money to pay for pensions, schools and hospital, you can rest assured that we will still be able to text. And if you want to get your head around just how much a 15 trillion dollars is but find the endless zeros confusing, these visuals should help. We'll never think about the Statue of Liberty in quite the same way again.
FBi Social, the Sydney radio station's first ever pop-up live music venue, opened its doors last week. Housed on the second level of the refurbished Kings Cross Hotel, in stumbling distance of the Coca Cola sign, FBi is hoping to use the space to further their ever evolving mission of helping emerging local bands break through to larger audiences. With a 200-person capacity and a 24/7 license, and the aim of taking Kings Cross back to it's live music/dive bar roots, it's sure to be a very exciting couple of months. Rarely can you make me go to Kings Cross. The place evokes memories of dangerously high heels, bogan's blaring bad music from their souped up cars and being hit on by drug dealers. But FBi Social will be enough to get me, and many like me, to venture to the end of William Street. And perhaps the biggest perk is that no longer will you have to catch two buses and a train to a shoddy warehouse at the back of Marrickville to see emerging live music. It all kicks off this weekend, with Friday night's Socially Acceptable bringing you FBi's favourite emerging DJ's to assist you in all manner of hand-clapping, toe-tapping and hip-thrusting. The lineup of bands kick off on Saturday night with Dance To The Radio, featuring The Preachers, Underlights and Sister Jane. Gigs over the next two months include Ernest Ellis, Pikelet and Guineafowl, and will sit side by side with nights devoted to genres such as folk, hip hip and experimental music.
Steaming pumpkin soup with cracked pepper and a side of fresh bread. A roaring fireplace with friends bundled up in front toasting marshmallows. Drinking a freshly brewed batch of tea whilst discussing the merits of HBO’s programming with female relatives. Winter is truly here and as such, it is time to start reaping the benefits of this short by fabulous Brisbane season. Although tea drinking is obviously so wonderful and therapeutic it’s a year round activity, there’s something to be said for enjoying toasted sandwiches and a pot of tea, especially when the pot is wearing a jumper as snuggly as yours. Someone who definitely agrees with this idea is Loani Prior, renowned author and connoisseur of all things tea cosy related. Celebrating the publication of her new book How Tea Cosies Changed the World, she will be hosting an afternoon tea at Riverbend Books to discuss all things quaint and knitted. Now we all know that mid afternoon meals are the best time to brew some English Breakfast or Earl Grey and converse with friends, so don’t hesitate to make a reservation to this fantastic event.
If you're planning on spending a Saturday with a beer in your hand, then one Fortitude Valley establishment has you covered. Admittedly, serving up pints is what Bloodhound Bar does every day of the week; however in honour of Brewsvegas, it's bringing back its beloved beer fest on Saturday, March 21, adding it to the city-wide celebration and making an extra special occasion of it. At the sixth Hopfields, Bloodhound Bar is also making an occasion out of showcasing hops, without which we wouldn't have the brews we know and love. With that in mind, expect all the tasty IPAs from around the world that you could dream of — and plenty you've likely never heard of, too — including limited releases, launches of new beers and one-offs brewed especially for the event, plus a slew of classics. In previous years, names like Sparkle Muffin, Alligator Tugboat, Unicorn Tears and 'Morning Blend' Coffee Milkshake IPA have been on the menu — and if this year can match it, you're going to want to try them all. Save some room for the creative concoctions though, with the humble hop flower given its moment to shine in all its forms. If you're choosing to go out and support local businesses, have a look at the latest COVID-19 advice and social-distancing guidelines from the Department of Health.
Ridley Scott directs an all-star cast in The Counselor, the first original screenplay from Cormac McCarthy. Fans of the gritty, unflinching writing behind The Road will definitely want to check out this soon-to-be released drama-thriller. It stars man of the moment Michael Fassbender (currently generating praise for his turn in 12 Years a Slave) as a hotshot lawyer who gets involved in the dangerous world of drug trafficking and, quelle surprise, throws his near-perfect life (good job, beautiful fiance) into chaos. It's worth seeing for Javier Bardem alone, who demonstrates yet again just how well he can play the bad guy and rock an unsettling hairstyle. Although his 'do this time round doesn't quite live up to his No Country for Old Men coiffure in the creep-o-metre stakes. There are also performances from Penelope Cruz, Brad Pitt and Cameron Diaz in a surprisingly hard-edged role that looks set to showcase her dramatic range outside of comedy. The Counsellor is in cinemas on November 7, and thanks to Twentieth Century Fox, we have ten double in-season passes per state to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Here's the headlines: Drake has announced Australian and New Zealand gigs for 2025; it'll be his first trip this way since 2017; and you're now going to have 'Hotline Bling', 'Too Good', 'Passionfruit', 'Nice for What', 'In My Feelings', 'One Dance' and 'Laugh Now Cry Later' stuck in your head again. The Canadian artist is bringing his Anita Max Win tour Down Under, locking in seven shows in four cities. Melbourne, Sydney, Brisbane and Auckland, this is what's next. The five-time Grammy-winner will head this way in February and March, kicking off on Sunday, February 9–Monday, February 10 at Rod Laver Arena in the Victorian capital. The following week, it's the Harbour City's turn at Qudos Bank Arena across Sunday, February 16–Monday, February 17. After that, Drake will play the Brisbane Entertainment Centre and Spark Arena in Auckland on Friday, February 28–Saturday, March 1. The Degrassi: The Next Generation star last took to the stage in this neck of the woods on his Boy Meets World tour, and eight years will have passed between those shows and his 2025 visit. The platinum-selling singer is fresh off his 2023–24 It's All A Blur Tour, which saw him chalk up over 80 soldout shows in North America. On that last visit, Drake had four studio albums to his name: 2010's Thank Me Later, 2011's Take Care, 2013's Nothing Was the Same and 2016's Views. He's doubled that since, so expect tunes from 2018's Scorpion, 2021's Certified Lover Boy, 2022's Honestly, Nevermind and 2023's For All the Dogs, too. The Anita Max Win tour's announcement isn't new news if you've been paying attention to Drake's social media, where he's been teasing details — but now consider it all officially locked in. And yes, there's plenty of space between his 2025 Aussie and NZ shows — a great sign if you're worried about a huge demand for tickets, because there's room for more concerts to be announced. Drake's 'Anita Max Win' Tour 2025 Australian and New Zealand Dates Sunday, February 9–Monday, February 10 — Rod Laver Arena, Melbourne Sunday, February 16–Monday, February 17 — Qudos Bank Arena, Sydney Monday, February 24 — Brisbane Entertainment Centre, Brisbane Friday, February 28–Saturday, March 1 — Spark Arena, Auckland Drake is touring Australia and New Zealand in February 2025, with various ticket presales from Tuesday, December 2, 2024 at various times — and general sales from 12pm local time on Friday, December 6, 2024. Head to the tour website for more details. Images: The Come Up Show via Flickr.
For two days, one particular patch of Brisbane has all of your Christmas needs covered, including one that you mightn't have given as much thought to as you'd like. If you're eager to give your loved ones gifts that were created by hand, and ethically, then that's what the Brisbane Fair Trade Christmas Market is all about. It's also a chance to pick up homewares, clothing and more from other cultures, with pieces made by artisan communities in Africa, Asia, South America and other areas around the globe. No, your dad isn't getting boring old socks. And no, you're not just buying your mum flowers. The market runs from 8am–8pm on Saturday, November 26 and from 8am–3pm on Sunday, November 27 at the Queensland Sport and Athletics Centre. An added bonus: you'll be perusing for presents in air-conditioning. Already know that all that shopping will make you hungry? There's also a cafe onsite.
