No one wants to get married, then feel like they need to add more spice to their relationship. But if you've always wanted to tie the knot with help from some secret herbs and spices, there's a solution. Don't just pick up some KFC for your nuptials — get the fried-chicken chain to throw the ceremony for you, all thanks to the return of KFC Weddings. So, you've found that special forever someone — someone who deals with your drama, puts up with your quirks and shares your passion for all the important stuff, like, say, finger-lickin'-good chook. Clearly there's just one thing left to do, and that's to seal the deal at your very own official KFC nuptials. After cooking up an idea we never knew we needed and launching its own wedding service in 2019, the chain is back at the romance game again. Fried chook obsessives across Australia now have another opportunity to get hitched via KFC's unique service; however, there is a caveat: you must propose using the Colonel's wares. The brand has brought back its weddings to promote its new BBQ onion ring burgers, and it wants you to pop the question using its onion rings as rings. The burgs feature two onion rings, so that's one for you and one for your other half. All couples are invited to apply, as long as you're both over 18. There's just one wedding up for grabs this time, which you can try to score by going to KFC, getting a BBQ onion ring burgers, proposing using its onion rings and taking a snap to prove it. You'll also need to provide a 15-second-long video that introduces you and your partner, and sum up your need for a KFC wedding in 100 words. There's no time to waste — if you want to be the lucky duo that gets a call-up, you need to enter before Monday, November 27. So what's involved in the ultimate KFC nuptials, you ask? Well, you can bank on KFC theming via a KFC stylist, KFC chicken for catering thanks to a KFC food truck, and also a budget to take care of a venue, entertainment and photos. All up, the prize is worth $80,000, and you'll need to get hitched within 12 months of winning. We can only hope the bride will be throwing buckets instead of bouquets, and that there'll be plenty of wet wipes to go around. If you're keen to kick off married life with some secret herbs and spices, you can apply for your own KFC wedding online until Monday, November 27, 2023.
In the not-so-distant future, every wine lover in Brisbane might be able to call Ardo's their local. The neighbourhood bar and bottle shop first opened in Carl's Bar and Bistro's old Newstead digs earlier in 2023, giving the River City's inner north a new vino haven. Now, the chain is also pouring in Graceville, launching in Brissie's west mere months later. The just-launched Honour Avenue outpost doubles the brand's footprint — and gives the City Winery crew, which is behind all things Ardo's, yet another venue. It sticks with the same concept that's proven such a hit on the other side of town. Accordingly, wine fans in Brisbane's west now have easy access to plonk-slinging chain's curated range of vino, including over pintxos, cheese and charcuterie. Like its sibling spot, Ardo's Graceville is welcoming in patrons in for a glass and a bite, and will also let folks pick up their favourite tipples — or a new discovery — to take home once the takeaway license kicks in. Again, offering a selection that you wouldn't just find at any bottle-o is a big source of pride, with Ardo's staff on-hand to chat you through its drops, help you make a pick and impart their expert knowledge. Here, customers can enjoy wines by the glass and the bottle. The lineup rotates, but everything you see on the shelf is able to be drunk on the premises or, license pending, taken away. As you're getting cosy, you'll also be surrounded by vino all across the walls, plus a wine tap that looks like an altar. And, you'll be tucking into seasonal snacks.
You've watched her on television. You've cooked her recipes. Her books might sit in your kitchen. You could've even heard her culinary tips live and in-person. The next way to take your cues from Nigella Lawson? Eat where she did, and then raved about, during her recent trip to Brisbane. Fortitude Valley's Agnes is no stranger to attention — we named it Brisbane's best restaurant — and the latest comes from Lawson. The author of How to Eat: Pleasures and Principles of Good Food, Nigella's Cook, Eat, Repeat and more — the star of Nigella Bites, Nigella Feasts, Nigella Kitchen, Nigellissima, Simply Nigella, Nigella: At My Table, Top Chef, MasterChef Australia and My Kitchen Rules as well — took to the stage at QPAC Concert Hall on Thursday, March 14, 2024 for An Evening with Nigella Lawson. Around that speaking engagement, she also headed to the restaurant that recently welcomed in Adam Wolfers as Group Chef (alongside Biànca, sAme sAme and hôntô). And, she couldn't have more praise for Agnes. "Ever since I found out that Adam Wolfers was opening Agnes Restaurant, I'd been longing to go, and lo, the food gods looked favourably upon me and made sure it came to pass. What a cave of delights!" Lawson said on social media. In a lengthy post, the celebrity chef then went on to call out the "fabulous space", Skull Island tiger prawns with fermented chilli butter that she says are now "imprinted on my taste-memory", plus the rock oysters with coal mignonette that she dubbed "an extraordinary experience". She also had kind words for Agnes' raw beef with dripping toast and Bangalow pork chop. "But the dish that quite spun my senses was the chicken skewer with fenugreek: chicken oysters brined in onion juice, flamed and brushed with toum, along with turmeric and fresh fenugreek. Still reeling with pleasure," Lawson advised. View this post on Instagram A post shared by Nigella (@nigellalawson) Lawson's visit came just after Wolfers, Gerard's Bistro's former Head Chef, took on his post at hospitality group Anyday — which is behind Agnes, Biànca, sAme sAme, hôntô, LOS (sAme sAme's cocktail bar) and Agnes Bakery (Agnes' woodfired pastry offshoot). Located in a three-level space in an old brick warehouse on the street that shares its name, Agnes focuses on woodfired cooking, and features not only a main dining room — which overlooks the open kitchen and its two charcoal pits — but a wine bar and a rooftop bar as well. Also boasting Ben Williamson as Executive Chef and a co-owner, it's been worth stopping by since opening in 2022. Now, however, it officially comes with Lawson's glowing adoration and tick of approval. Find Agnes at 22 Agnes Street, Fortitude Valley — open for lunch from 11.30am Friday–Sunday and for dinner from 5.15pm Monday–Saturday. Head to the restaurant's website for further information. Top image: Cathy Schusler.
Back in 2022, celebrity chef Adrian Richardson opened his first Brisbane restaurant with BŌS, a meat-heavy eatery with riverside views on Queen Street in the CBD. Now, he's bringing another debut to the Queensland capital — and, yes, it's also something tasty. Already a hit down south, including regularly selling out in Melbourne, Richo's Suckling Pig Festival is heading to the Sunshine State on Saturday, April 22–Sunday, April 23. Taking place at BŌS, naturally, this pork-loving feast is all about its namesake dish, which comes crispy, roasted, succulent and tender. The event's four-course lineup comes in waves, starting with bacon and onion bread with pork butter, then moving onto cured meats handmade by Richardson. After that, the spread also spans various pig products grilled, fried and sautéed; pigs ears done in a balsamic glaze; bacon croquettes with bacon jam mayonnaise; bull boar sausages; and pork fried potatoes. For your $225 ticket, dessert is included as well — presumably without pork, but it is the ingredient of the fest — and so are matching wines and beers. Richo's Suckling Pig Festival is running for lunch on both days, kicking off at 12pm, with spots limited and bookings required.
Putt putt fans of Brisbane — so, everyone in Brisbane — it's time to do the monster mash while you're tap, tap, tapping your way around a mini golf course. This city of ours is home to more than a few places to unleash your short game, but only one of them keeps busting out seasonal theming and giving you a reason to celebrate special occasions with a putter in your hand. For the past two Christmases, the Victoria Park Putt Putt Course has given itself a festive revamp. Mini golf is more fun with reindeer, obviously. Earlier in 2021, the venue celebrated Easter as well, courtesy of a candy-themed course. Now, it's getting into the Halloween spirit by giving its greens a spooky makeover. No, missing a hole in one won't be the most terrifying thing about your next stint on the course. From Friday, September 17–Sunday, October 31 (naturally), the site will become home to all things frightening. If a haunted house was to meet up with a mini golf course, this is what it'd look like. So, you'll be putting around greens with names like Pumpkin Patch, Witch's Way, The Freaky Forest and Skeleton's Graveyard. Obviously pumpkins will feature heavily — plus skeletons, spiderwebs, grave headstones, ghosts and all the usual scary paraphernalia. Bookings are essential, with the course open from 6am–10pm daily. Fancy a few holes before work? Want to add some fun to your lunch break? Need something to look forward to come quitting time? They're all options. Just remember that it's a family-friendly affair, so you'll likely have plenty of company. Halloween Putt Putt takes over the Victoria Park Putt Putt Course at 309 Herston Rd, Herston from Friday, September 17–Sunday, October 31, open from 6am–10pm daily — with tickets costing $22 for adults. For more information, head to the venue's website. Images: Pandora Photography.
The idea that you can't have too much of a good thing has been part of The Office franchise ever since an American version of the UK-originated hit was initially locked in. As well 188 episodes of the US take on the workplace comedy, more iterations have followed around the world, including in Australia. An American spinoff called The Paper led by Domhnall Gleeson (Echo Valley) also arrives in September 2025. Here's another way that "the more, the merrier" applies to The Office: via the Superfan episodes. Extended scenes, bloopers, deleted moments: they're all included, alongside other bonus content — and for the first time, these lengthier instalments are available Down Under. [caption id="attachment_1018235" align="alignnone" width="1920"] Chris Haston/NBC[/caption] As at Thursday, August 21, 2025, Binge has dropped the Superfan episodes across seasons 1–8 of the US The Office, spanning 170 episodes — and an extra 28 hours, 55 minutes and 20 seconds material. This is the first time ever that they've not only been made available in Australia, but outside of the US. Get ready to see the beloved sitcom in an entirely new way, then, no matter how many times you've watched and rewatched it before. For everyone who has ever had a cringeworthy boss, annoying co-worker or soul-crushing office job, this comedy franchise has understood for more than two decades now. It was back in 2001 that the original UK version of The Office arrived, introducing the world to the literally paper-pushing David Brent. And, in 2005, an American series featuring the also-awkward Michael Scott hit the small screen as well. The US iteration of The Office proved one of the rare instances where a TV remake is better than the original. It was also immensely easy to just keep rewatching, as fans have known since the 2005–13 show finished its run. Of course, that's what you get when you round up Steve Carell (Mountainhead), John Krasinski (Fountain of Youth), Jenna Fischer (Mean Girls), Rainn Wilson (Home Delivery), Mindy Kaling (Velma), Ed Helms (Family Switch), Ellie Kemper (Happiness for Beginners), Craig Robinson (Hot Frosty) and more in the same show, and let all of them break out their comedic best. As for The Paper, it streams from Thursday, September 4, 2025, also on Binge, and is set at a midwestern newspaper publisher. As its predecessor was, it's a mockumentary series. The setup: the same documentary crew that turned their cameras towards Dunder Mifflin's Scranton branch have found a new workplace to explore. Their time pointing their lens the Toledo Truth Teller's way coincides with Ned Sampson (Gleeson) joining the publication as editor-in-chief, with the paper's newest employee underwhelmed with the status quo and brimming with ideas about how to change things. Check out a trailer for The Office season one's Superfan episodes below: The Office Superfan episodes are available to stream in Australia from Thursday, August 21, 2025 via Binge.
Whatever else the past couple of years have served up, it has been an impressive time for folks who like staring up at the sky. 2016 ended with a huge supermoon that had everyone looking to the heavens, then 2018 began with an extremely rare super blue blood moon (a supermoon, a blue moon and a total lunar eclipse all at once). Next, at the end of July, an epic lunar eclipse will mark the next notable celestial happening. In fact, the Saturday, July 28 event will be longest lunar eclipse of this century — with the penumbral eclipse lasting just shy of four hours (236 minutes, to be exact) and the total lunar eclipse spanning 103 minutes. If you're wondering what the difference is between the two (because we're all more familiar with The Mighty Boosh's take on the moon than actual lunar terms, aren't we?), a penumbral eclipse is when the earth's outer shadow falls on the moon's surface, while a total lunar eclipse involves the moon passing directly into the earth's actual shadow. During the main event, which is expected to kick off at 5.30am local time, the moon will also turn a blood-red shade thanks to sunlight that's filtered and refracted by the earth's atmosphere. So yes, as well as a total lunar eclipse and a full moon, it'll be a blood moon as well. Australians will be able to spy the penumbral eclipse from 3.14am and the partial eclipse from 4.24am, before the full thing at 5.30am, with the maximum eclipse occurring at 6.21am. We won't be able to see the end of it, however, as the moon will be below the horizon when the full, partial and penumbral eclipses end (at 7.13am, 8.19am and 9.28am local time, respectively). While it's a great excuse to go stargazing, the 103-minute total eclipse only just pips the 100-minute event that took place on June 15, 2011 — and falls just short of the 108-minute event on July 16, 2000. Still, when the super blue blood moon did come around earlier in 2018, its full eclipse only lasted 72 minutes. If you miss it, 102-minute total lunar eclipses are expected in 2029, 2047 and 2094 — but nothing this long will occur again this century. Via Space.com and timeanddate.com.
If you've ever made dinner plans at the Night Noodle Markets when they've popped up in Brisbane, then enjoyed plates and plates to eat surrounded by a sea of fellow diners, then you'll know that the River City loves an excuse to grab a meal from an array of culinary stalls under the stars. It was back in 2022 that Brisbane Powerhouse announced its own plans to capitalise upon this fact, too — and to combine it with art and music. The result: Night Feast, which debuted in March 2023, then returned in October the same year. Initially, this neon-lit after-dark culinary event was set to tempt Brisbanites' tastebuds twice a year. In 2024, Night Feast missed its autumn timeslot, but it's still back for spring. For a month from Wednesday, October 16–Sunday, November 10, food, tunes and installations are on the menu outside Brisbane Powerhouse, this time with a 20-strong lineup of chefs and restaurants spanning Night Feast favourites as well as newcomers. Fourteen folks and eateries are returning for the event's third run, each slinging their signature dishes. If you've enjoyed a bite from Donna Chang, Gerard's Bistro, Southside, Allonda, Ngon, Hoy Pinoy, Wonderbao, Bugster's and Mary Mae's at Night Feast before — and LouisB, Lek's Thai, Anchalee's and La Mano as well — get excited about tucking in again. This time, they have company from Gelato Messina, which is whipping up a bespoke dish — and from Byblos for Mediterranean and Lebanese flavours, Cartel del Taco for Mexican fare and Calida's Latin-inspired meals. Diviners and Savile Row are also teaming up, while Central, the new restaurant from the folks responsible for Rick Shores and Southside, is taking part, too. For Night Feast's October 2023 dates, an izakaya was another highlight, letting patrons get slurping over a Japanese spread. Last year's pop-up boasted Taro Akimoto from Taro's Ramen in charge of the menu. This year, Boom Boom Room is taking over the food instead. Sapporo ambassador and beer sensei Shinichiro Shimo is back again, however, to pair the dishes with brews. Night Feast was a success from the outset, with its first-ever season seeing 67,258 wontons, 28,352 skewers and 6306 oysters devoured. That said, food has never been the only reason to drop by. Both the art and the music sides of the lineup are free — unlike getting a bite or a drink — with the latest program featuring Leeroy New, Dr Christian Thompson, Gijs van Bon, QUIVR DJs and more. New is constructing a freshly commissioned installation on Brisbane Powerhouse's facade, with the entire work made from recycled and repurposed materials that are being sourced locally. Thompson is also decking out the building, with a large photographic piece displaying across the bricks. From van Bon, a light and sound installation with 200 linked beacons will dazzle the senses. QUIVR DJs are providing the beats, obviously. Images: Pixel Frame / Markus Ravik / Lachlan Douglas.
South Bank's Little Big House boasts plenty of things to lure you in: chicken parmi spring rolls, canned cocktails and a free karaoke room included. The Grey Street has another as well — and it'll definitely pique your interest if you're keen on some not-quite-the-weekend shenanigans. Every Thursday is now a Little Big Thursday, with the venue putting on a big music gig every single week. Young Franco christened the series when it launched, and Client Liaison are the next big act that's dropping by. On April 19, they'll be in the house for a huge DJ set. Even better: like every Thursday night event, it's free. Acts on the curated roster change weekly, which gives you an excuse to drop by regularly. Plus, the twilight timeslot of 5.30pm means your post-work plans just got better. There's also free pool, which'll keep you occupied between tracks and tipples.
We're almost halfway through 2022 but Brisbane is just getting warmed up. There's a jam-packed schedule still to be enjoyed, from new gallery exhibitions and boundary-pushing immersive art experiences to international sporting events and the return of pandemic-postponed festival celebrations. This year, the Queensland capital will continue to attract world-renowned creators and performers while spotlighting the best local talent, too. The biggest food festivals are still to come — serving up the best of southeast Queensland on a platter — as well as a brand new brew fest that's exclusive to Brisbane. Adrenaline junkie? Football fanatic? Culture vulture? Fervent foodie? Here are nine must-do events happening in Brisbane in 2022.
It's new year time, again, and Fortitude Valley's The Lanes precinct is celebrating. To mark the Year of the Pig, Bakery and California Lanes are throwing together a heap of festivities from 6pm on Saturday, February 9. All of the bases are covered, so expect a double lion dance moving through both laneways, complete with roving musicians; plenty of food, including Fat Dumpling's finest and MisFortune Cookies getting into the appropriate cookie game; and themed cocktails — lychee martini, anyone? — from The Stand Cocktails and Desserts, King Tiki and TSO Lounge and Dining. If you'd like to get into the spirit of the date and learn a new skill, you can also drop by earlier in the day, with tea meditation workshops happening at 11.30am and 5.30pm. While attending the general shenanigans is free, you'll need your wallet for the food and drink side of the fun. And, to take part in the meditative bliss, which costs $30.
So, you know that dia de los muertos hails from Latin America — but did you know that llamas do too? Don't worry, as with everything these days, there's a festival that combines both: the Brisbane Fiesta Latina 2016. This year's Latin American shindig once again commemorates the Day of the Dead, but it also does more than that. You've either been to or heard about the many, many culture-specific festivities that grace Brisbane's public areas on any given weekend, so you know the mix of food, music, markets, dancing, and arts and crafts that we're talking about. The Fiesta celebrates 22 diverse, unique countries when it takes over West End's Russell Street from 3pm on October 29. And, once the main event is over, there's an on-theme after party at Archive Beer Boutique to keep the fun keepin' on. Dress up, win prizes, and drink the Brisbane Brewing Company brown porter with chocolate and chilli that's on offer especially for the night.
If Justin Gignac's success in selling garbage as art is anything to go by, doing something (and doing it well) because others thought you couldn't, actually works. Gignac's New York City Garbage is just that, except packaged nicely in transparent cubes and sold as art. Selling between $50 online and $100 at selected stores in the U.S, the handpicked NYC Garbage has owners in 29 countries, according to Gignac's website. The New York City-based artist and entrepreneur has been selling garbage since 2001 and has said he wanted to prove packaging could sell anything. Gignac has also sold commemorative editions of NYC Garbage cubes including St. Patrick's Day in Ireland and President Obama's inauguration. It sounds ridiculous but you’ve got to love a guy who can make a profit out of garbage at a time where newspaper sales are declining. Image: nycgarbage.com
From writer and director Luc Besson (of The Professional and The Fifth Element fame), comes Lucy, a highly anticipated sci-fi thriller starring cinema legends Scarlett Johansson and Morgan Freeman. Johansson plays Lucy, who unwillingly becomes the centrepiece of an international drug trafficking scheme after a brutal kidnapping. After some drug residue leaks into her stomach, she is able to exploit the full potential of her brain capacity — surpassing the limited 10 percent urban legend tells us we usually have available to us. Suddenly, she has some pretty enviable superpowers: she can absorb information instantaneously, move objects with her mind and choose not to feel pain, among other handy skills. Lucy brings up ideas of cognitive enhancement, while exploring paradigms of mind versus body. The film is the epitome of an action thriller, complete with some pretty nifty special effects and a cargo pants-clad Johansson kicking some serious arse. Lucy (© 2014 Universal Studios. All Rights Reserved) is in cinemas on July 31, and thanks to Universal Pictures Australia, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au Follow Lucy at facebook.com/universalpicturesau and www.lucymovie.com.au.
When it rolls around each year, Eat Local Week serves up a massive incentive to wander through southeast Queensland's Scenic Rim, showcasing the absolute best in food and drink — and related experiences — that the region has to offer. Can't manage to fit in a trip south across its usual nine-day run? Always wanted to head along, but the end-of-June dates haven't worked? In 2023, there's a solution: expanding the festival to take place over a whole month. Goodbye Eat Local Week, hello Eat Local Month — which'll run from Thursday, June 1–Sunday, July 2. That actually means that it'll span across a huge 32 days this year. The festival turns 12 in 2023, and taking over an entire month is an ace way to mark the occasion. This year's Eat Local Month lineup still involves exploring, eating and drinking — all while showcasing Scenic Rim produce and the people behind it. 2023's bill spans 139 events at a range of locations, and also in a region that was named one of the best places to visit in 2022. On offer: 37 long lunches, degustations and dinners; 43 workshops and classes; and 37 tours and experiences. And more, spanning both new additions to the lineup and returning favourites, including an array of 'meet the producer' events. Making a comeback this year is the beloved winter harvest festival, which will feature 70-plus stalls, complete with camel milk products and carrot ice cream. Still on those orange-coloured vegetables, the usual day dedicated to them is back as well, and you'll even be able to pull them up out of the soil. Elsewhere, attendees can look forward to a degustation dinner at Witches Falls Winery on Tamborine Mountain; Copperhead Restaurant's first sunset soiree; and Floravesence — An Evening in the Flowers, which will take place on Elderflower Farm's flower field, and feature floral-leaning Cauldron Distillery cocktails. Or, there's a Mediterranean long-table feast in the olive grove at Olive View Estate, and the broader fest's inaugural fermented food festival — which is all about pickling and the like. Gin-blending classes, edible-flower picking sessions (and then using said blooms to decorate cupcakes), rainforest picnics, burgers and beer on the grass, a three-course feast heroing native ingredients, truffles aplenty, sunset cocktails: they're all on the agenda, too. Top image: Glenn Hunt. Updated April 20.
We've heard of public bookshelves and we see piles of terrible self-help books left outside people's terrace houses all the time (just one time, we'd like to pick up a classic), but this New York artist has found a different way to pass on his unwanted paperbacks. Shaheryar Malik, an art director originally from London but working in NYC, left piles of books in high traffic spots around the city for people to pick up and read — and has created a pretty bloody beautiful work of art in the process. Dubbed The Reading Project, the art experiment was both a way for Malik to pass on books from his personal collection and express himself in NYC in a way that wasn't just taking another selfie. So he placed books in some of the busiest spots in one of the busiest cities in the world — Times Square Subway Station, Central Park, The High Line, Brooklyn Bridge — and had photographer Daniel Yim take a single photo of them. Then, the books were left for passersby to pick up, take home and read. Malik left a note with his contact details in each of the books, and according to The Guardian, he's recieved over 60 responses so far. The result is some seriously great photos of books in some of the world's most iconic locations. And literary nerds will be pleased to know that Malik has a diverse range of books in his collection, with titles ranging from Portuguese literature to the history of Nazi Germany — so if you ever bump into one of his book piles, you'll find much more than just the same self-help schtick. Via The Guardian. Images: Daniel Yim.
It's been home to weekly jazz sessions and regular markets over the last few years, but now it's time for Vieille Branche to close its doors. The team behind the Albion spot are moving on to their next adventure, so they're saying goodbye with a huge sale. Like something in the fabulously appointed warehouse-slash-event space? It can probably become yours. Just head to 10 Fox Street between Thursday, November 15 and Wednesday, November 28, and you'll find a buying frenzy. It's an everything-must-go kind of deal, where you'll exchange cash for bargains. And if you really do want to nab a good price, definitely bring cold, hard, physical money. There'll also be cheese and plants to purchase, with the event running between 9.30am–4.30pm each day. Getting in early is recommended, because while the sale is slated to last for two weeks, it'll finish earlier if everything has been sold.
As far as annual traditions go, slathering yourself in pale makeup, splattering on some fake blood, shuffling along the streets and pretending you have a hunger for human flesh is up there with the most interesting. For ten years now, that's what Brisbanites have been doing, thanks to a yearly celebration of all things undead and not quite living. Yes, the Brisbane Zombie Walk has become entrenched in the city's calendar of activities. The event's purpose is twofold: revel in a horror staple and raise awareness for The Brain Foundation. That it does so while combining shock and silliness is one of the reasons it has endured, becoming the most successful gathering of its type in the world. This year, markets, movies, music and a makeup booth — for touchups of extra ghoulishness — are all part of the all-ages mayhem. Then, head to the apocalypse-themed after party at The Foundry to keep the fun going well into the early hours of the morning, aka the ideal time for ample zombie antics.
Winter in Melbourne in 2024 began with a festival, with RISING getting June started with everything from music-fuelled block parties to 24-hour movie marathons. Winter in Melbourne in 2024 will also end with a fest when Now or Never makes its big return in mid-to-late August. After proving a hit with its mix of tunes, performances, installations, talks and more in 2023, its inaugural year, this City of Melbourne-presented celebration will again fill the Victorian capital with creativity. Clear your calendar now — you've got more than 100 different events to attend. Now or Never already locked in its dates and theme earlier in the year. Whether you're a Melburnian or an interstater looking for an excuse for a getaway, you'll have plenty to do across Thursday, August 22–Saturday, August 31. And, with help from 250-plus local and international talents, you'll be getting revelling with the concept 'look through the image' — so, honing in on imagination, emotions and contemplation — firmly in mind. A recurring idea among 2024's Now or Never events is peering beyond the surface, as reflected in a lineup that's jam-packed full of deep cuts. While 2023's fest saw Melbourne's historic Royal Exhibition Building host its first large-scale live music performances in over 20 years, 2024's will return to the venue for four nights of tunes and audiovisual projections that aim to leave a big impression. Eartheater, Sandwell District, Erika De Casier, Ben Frost, Naretha Williams, Clark and DJ Donato Dozzy are all on the bill, as is the Australian debut of COUCOU CHLOE. Still on Aussie premieres, DESASTRES from Marco Fusinato falls into that category, heading Down Under after first appearing at the Venice Biennale 2022 across a 200-day run. For just two days in Melbourne, audiences will be peering at the world's largest LED volume screen for virtual production at NantStudios in Docklands cinema studios for this experimental noise performance project, which synchronises its guitar sounds with imagery. It's both a solo performance and an installation. Across Thursday–Sunday nights during the festival, Joanie Lemercier will unveil Constellations above the Yarra River. This free AV installation projects lights to form shapes in the air, focusing on the cosmos, as accompanied by a soundscape by producer Paul Jebansam. Similarly at the right price for everyone's wallets, the also-free Silent Symphony and Present Shock II hail from London's United Visual Artists. The first features Frost's compositions as part of celestial patterns given a sonic interpretation, in a piece that will never repeat. The second boasts a score by Massive Attack's Robert Del Naj with Robert Thomas, and is all about confronting a realm where alternative facts and post-truths now dwell. At ACMI — and also presented by the Melbourne International Film Festival — the free world-premiere kajoo yannaga (come on let's walk together) will take participants on an interactive virtual and gamified walk on Country that puts First Nations knowledge at the fore, all thanks to Wiradjuri Scottish artist April Phillips. Or, hovering above Melbourne Museum Plaza, get ready to experience Peder Bjurman's augmented-reality experience Slow Walker, which turns a microscopic organism into a floating giant. Plagiary is another certain highlight, with dance technologist and choreographer Alisdair Macindoe joining forces with media artist Sam Mcgilp to create a new dance performance each night. Ten dancers will improvise, but it's a computer presence that'll tell them what to respond to. Elsewhere on the lineup, Roxane Gay's latest trip to Australia is tied to discussing 2023 book Opinions: A Decade of Arguments, Criticism, and Minding Other People's Business; Melbourne's HTRK and Britain's Actress are teaming up for a single evening; and Mutti Mutti, Yorta Yorta and Nari Nari man Kutcha Edwards is in the spotlight at Wuigada — Gagada (To Sing — Loud), which makes its Victorian premiere. There's also MOUNTAIN, a dance performance with costumes by Akira Isogawa, plus mycologist Merlin Sheldrake chatting about fungi, if you needed more examples of how wide-ranging the 2024 program is. Now or Never 2024 runs from Thursday, August 22–Saturday, August 31 around Melbourne — head to the festival website for further details.
Like beer? Like trying local boutique brews? Ever feel a little overwhelmed by the number of options available? While no one should complain about the wide variety of beverages those fond of a tipple can now access, attempting to try them all can prove overwhelming. That's where Five Flavours comes in. Changing its microbrewery of the moment at each event, the festival showcases different varieties to give beer lovers a taste of the options they might be missing. On March 5, Green Beacon and Fortitude Brewing will be competing for the limelight, serving up their finest beers. Yes, it's a brew off — but drinks aren't the only thing on offer at Five Flavours, with the festival also featuring a menu of contemporary morsels ranging from banh mi to kangaroo plum pies. And, the music lineup will keep patrons in the boozing, grazing mood, courtesy of live acoustic sets fromMaddie McHugh, Andy Ellem, Ty Fader, Alex Mather and Emma Rumble.
Writers' festivals are getting more and more 'with it' these days. People wear shirts with hashtags on them, you're encouraged to live-tweet questions for authors on panels, and the events are no longer held at local library reading rooms, but cool back-alley warehouse spaces. The kind of place where everyone's wearing black-rimmed glasses and talking about Tao Lin. All this is old news now however, as the Emerging Writers' Festival has just announced the creation of the world's first exclusively online writers' festival to take place in February 2014. While writers' festivals once lamented the damning effects of the internet and digital technology on the written word, the Digital Writers' Festival will be a 12-day celebration of it. Digital publishing, eBooks, alt lit, fan fic, webcams and Twitterbots — the publishing industry and the nature of writing itself has transformed dramatically in even the past few years, and DWF is going to be a dedicated space in which to examine it. This also has a huge impact on accessibility. Do you live in the Northern Territory and always feel jealous when you see pictures of the Melbourne Writers' Festival? Maybe you live in Melbourne, but never felt quite cool enough to head along to the events. Perhaps you tried, but got lost looking for the event down a laneway? The DWF will be the first truly accessible festival for a vast array of people all over country, and more than that, the world. Admittedly it could all be a little confusing though. We talked to the new DWF Director, Connor Tomas O'Brien about what the festival will be and how it will all work. We talked on Twitter because that's what the cool kids do now, right? Right? The full DWF program of events and artists will be released in January 2014.
Shelves of board games. Rows of arcade games. A wall of old-school consoles with retro televisions to match. Daytona given pride of place. The sound of The Simpsons' theme filtering through the playing space. Welcome to Netherworld, Brisbane's first arcade game bar — and your next hangout. If you like hitting flippers, smashing buttons and passing go, all while drinking brews and eating burgers, you'll like it here. Trust us. "This isn't a nerd dungeon," co-owner Benjamin Nichols — who local drinkers might recognise from Milton's The Scratch — is quick to offer about the new Fortitude Valley venture, which opens its doors to the public at midday on January 7. Alongside his The Scratch collaborator Kieran Ryan and avid pinball wizard James Angliss, Nichols is eager to make the fresh addition to Fortitude Valley an accessible venue for everyone keen on pairing their beverage with something fun. Like fellow newcomer Holey Moley Golf Club just a few blocks away, having a good time is the name of the game here (and yes, shuffling between the two is about to become Brisbane's best pub crawl). From the moment you walk into Netherworld, you'll notice a laidback vibe — and games a plenty, unsurprisingly. When Concrete Playground stopped by the Brunswick Street and St Paul's Terrace corner establishment that has previously been known as The Shamrock, The Step Inn and the Underdog in older guises, the finishing touches were being made ahead of the bar and diner's grand opening, which meant that a tower of board games was the first thing that caught our eye. If cards, counters, dice and decks all form part of your preferred kind of gaming, you're in luck. Everything from a Fallout-themed edition of Monopoly to Settlers of Catan to Balderdash are set to line Netherworld's shelves among a selection of around 100 titles. They'll all be free to play for patrons — and if there's a better thing to do while knocking back one of the bar's craft beers, with a focus on local brewers and two exclusive branded tipples of their own, we can't think of one. Okay, maybe we can: roaming between the venue's three rooms pumping shiny Netherworld tokens or $1 coins into 37 pinball and arcade machines, the main attraction. Mosey past the heritage-listed bar itself — which has been given a nice touch up, but still boasts the requisite retro feel for anyone feeling nostalgic — and you'll find all of the titles you've been dreaming of since the place was first announced in October last year. That means NBA Jam, Space Invaders, Frogger, Centipede, Double Dragon, Street Fighter, Pac Man, Donkey Kong and more, with the range due to change and rotate. Pinball-wise, prepare to blast some balls through Ghostbusters, The Addams Family, Metallica, The Twilight Zone, Batman, Tales from the Crypt and Flash Gordon tables, among others, plus one dedicated to those English rocker pinball wizards and their rock opera album, The Who and Tommy. There's more, namely Nintendo, Sega and Atari video game consoles hooked up to classic TVs (because you can't go OG with one and not the other), plus bright, lively murals pushing Netherworld's monster theme, and a few spooky characters if you look up in the right spot. A stage, projector and pull-down screen sit at the end of the space, meaning that live gigs — like video game theme-playing five-piece band Boss Fight's set on opening night — and more are in the hangout's future. Nichols and co. are keen to work with the local creative community, including artists, musicians and filmmakers; indeed, a Netherworld-set short film is due to emerge in the coming weeks. Yes, for a place named after somewhere hellish or hidden, it's all rather inviting, which also fits the food and drink lineup. At the Hellmouth Diner, American and Japanese influences infiltrate a selection of bar fare that aims higher than the greasy usual bites to eat. All standard items such as burgers, burritos and bowls are also vegan-friendly, though meat and dairy can be added. And if you're keen on something other than the range of beers on tap, wine, spirits, cocktails and house-made sodas are also on offer, with the latter available as boozy 'loaded' versions as well. Netherworld opens on January 7 on the corner of Brunswick Street and St Paul's Terrace, Fortitude Valley. For more information, check out their website, Facebook page and Instagram feed.
Spoiler warning: this interview incudes spoilers for Yellowjackets season three if you're not up to date with the series at the time of publication. It was meant to be a simple sports trip, with a high school girls' soccer team travelling from New Jersey to Seattle to compete in a tournament. That's where the plot of Yellowjackets begins in a linear sense — with American teenagers, their coaches and one of the latter's two children all flying across the US in 1996, and with the promise of on-field glory awaiting. But after the plane carrying the titular team is diverted over Canada, it plunges to the ground en route. What immediately happens next for young women who should be living normal teen lives, not doing whatever it takes to survive, is one half of the series. What's occurring a quarter of a century afterwards also fills Yellowjackets' frames, as the hit survivalist thriller has spent three must-see seasons so far exploring the impact of a wild dance with the wilderness, and with the trauma such an experience sparks, plus the vulnerability of being stranded then scarred by it. New Jersey, Seattle, Canada: that trio of locations is pivotal to Yellowjackets, even if no one has yet made it to the middle spot on the list. In the show's third season, New York proves crucial as well, but New Zealand and Australia have also long left their own imprint. The series began with Aotearoa's Melanie Lynskey (The Tattooist of Auschwitz's) leading the present-day cast as the adult Shauna, nee Shipman and now Sadecki, one of the team members to make it back from the plane crash alive. Also since the first season, Australians Courtney Eaton (Mad Max: Fury Road) and Liv Hewson (Party Down) have helped dig into what enduring in the forest really entails, the first as Charlotte "Lottie" Matthews and the second as Vanessa "Van" Palmer. In season two, New Zealander Simone Kessell (Muru) joined Lynskey among the survivors — and joined Eaton in portraying Lottie. Alongside a killer premise, an unflinching embrace of the darkness and devastation that was always going to spring from such an ordeal, a glorious array of 90s nods and a spectacular cast — Christina Ricci (Wednesday), Juliette Lewis (I'm a Virgo), Tawny Cypress (Law & Order) and Lauren Ambrose (Servant) also play the 2020s-era crew; Sophie Thatcher (Companion), Sophie Nélisse (No Return), Jasmin Savoy Brown (Scream VI) and Samantha Hanratty (Atlas) are among the talents bringing the squad's younger guises to life — characterisation has always been one of Yellowjackets' strengths. There's no doubting that these are complex women, both as teens and decades later. Its cast may portray a team, but the show sees its main figures as individuals, surveying their respective wants, needs, desires and fears. In Lottie's case, Yellowjackets spies someone yearning to be loved and accepted, so much so that she tries to grasp it in her faith in her new surroundings. No high schooler is prepared for suddenly living in the wilderness for months and months awaiting rescue, but Lottie's moneyed upbringing — her dad financed the fateful private plane to Seattle — leaves her seesawing between confidence and fragility. She's so assured in her beliefs in the forest that her fellow survivors start following her lead. She's also troubled, including from her family life, and despite how she projects herself to the world. The adult Lottie is introduced as a wellness guru-slash-cult leader, complete with purple-wearing disciples, but she's still weathering the same internal struggles. Following a stint staying at Shauna's and bonding with the teenage Callie Sadecki (Sarah Desjardins, The Night Agent), season three takes Lottie's story to an end that the character avoids in the woods, as the world discovered at the end of the latest run's fourth episode. How is Kessell feeling now that the character's fate is out there in the world? "I've got to say the fans of Yellowjackets are everything," she tells Concrete Playground. When the episode aired, an influx of messages came her way. "It's so lovely and so kind and generous, and I think I'll read them all," she advises. "I didn't quite expect such an outpouring of love and support." "And also because season two starts on Netflix soon, I was cautious not to — and for people who haven't watched that episode yet — put a spoiler on social media and things like that. But I'm overwhelmed. And it's amazing that you can play these characters that touch so many people." [caption id="attachment_995131" align="alignnone" width="1920"] Jesse Grant[/caption] Kessell came to Yellowjackets more than three decades into her career. Like her compatriot Lynskey, she was starting out as an actor when she was a 90s teen herself. NZ TV series Homeward Bound gave Kessell her first role — and from there, her resume has spanned everything from Xena: Warrior Princess, the OG Heartbreak High, CSI: Miami, Underbelly and Terra Nova through to 1%, Pine Gap, Our Flag Means Death, Obi-Wan Kenobi, Wellmania, Critical Incident and plenty of others. Next, she'll be seen in The Last Frontier, a new American thriller series that also sees her keep a Down Under connection courtesy of Aussie Jason Clarke (Oppenheimer). Kessell is coy about whether Lottie could possibly return to Yellowjackets in some form, spirit or otherwise, in the future. "Oh my goodness, how would I play ghost Lottie? My god, I don't even know," she laughs. But she's deeply grateful for the chance to have stepped into her shoes, she also shares, in a chat that covers the balancing act that is portraying such a complicated character, plus how she approached taking on a figure that'd already been established in a younger guise, the Australian and NZ-heavy roster of talent, why the show has earned such a devoted following and more. On Saying Goodbye to Lottie — and What It Has Meant to Play Her "I've had so many people say 'is Lottie really dead? Please come back. Diva down. I miss you mother. I'm an orphan'" — all these great social media comments, which crack me up. But I think when I found out that Lottie was going to die in the season, of course I was disappointed because I just loved playing her. If I'm really honest, I just love playing Lottie. So unpredictable. And she's so vital. And you don't know whether she's going to analyse you or laugh at you — or laugh with you. And I think that getting the opportunity as an actress in my late 40s, playing those characters, they don't come along very often. So when you get them, you grab them with both hands. And I got to really, really play in the world of Lottie, which was incredible. So, when they told me she was no longer, I just went 'okay'. It's that kind of show, right? It's Yellowjackets. So it's the kind of show, if you're going to die — and let me just say, I'm not the only main character that dies this season — so, I went with it. And it was just so great to film, and it was such amazing cast — and I just had the time of my life working on the show." On Juggling Lottie's Confidence and Her Vulnerabilities — Her Faith in the Wilderness, Too, and Her Desperate Need to Be Loved and Accepted "The first season was a lot tougher, because she was really unravelling — and we saw that through the flashbacks. Also, you don't know what's happened in the wilderness till you read the script or watch the episode for the younger characters. So you've got to really go with your gut instinct, because you get these new scripts and you're like 'oh my god, I did that?. Huh. Maybe I would have played that other scene differently had I known I did that'. I think as an actress, you have to have a well where you can tap, or a part of me that I can tap and go there, and there was some really vulnerable, fragile scenes this season — but mostly last season, too, where she was just haunted by her past and I really had to go there emotionally. I was away from my family — living in Vancouver, and hadn't seen my family for a long time. My two boys, because they're at school here, and my husband and everything. So I was able to really tap into the loneliness in myself. And the unknown. As an actress, you find the things that really resonate truthfully for yourself and then put it through the character's words, and that's where I go. And then you have to take it off. You go for a run, or you go and do a hot pilates class, or you drink some white wine. You just throw it at the wall and see what sticks. And she was vulnerable. Thank you for saying that, because that was something I really wanted to find in her this season — just lost, a bit out at sea." [caption id="attachment_995127" align="alignnone" width="1920"] Jesse Grant[/caption] On How Kessell Approached Stepping Into Lottie's Shoes When Courtney Eaton Had Already Established the Character as a Teen "First of all, Courtney's a lot taller than me — so literally stepping into shoes that were a lot higher. And also I wanted to do Courtney justice as a young actress on the verge of her career, and a character that she had done such a beautiful job with setting up. I wanted to make sure I did it well out of respect for her craft and her work. But those are high stakes, and there's a lot of pressure. I mirrored a few of her mannerisms, and then I decided that 25 years ago — I don't know about you, but 25 years ago, I was very different to who I am today, so that gives you a lot of room to play. And Lottie was the queen of reinventing herself. In this season, yet again she reinvents herself. Yet another mask is put on Lottie. She's gone from spiritual guru cult leader to now sort of like a bit of a vagabond, a bit of a lost soul, finding shelter at Shauna's house, at the Sadeckis', when really she has a penthouse in New York. She's shoplifting even though she's probably worth $100 million. Things like that. So you just roll with it on the show, and you never know what the writers are going to throw at you, so you have to be open to all of those storylines. But yeah, it was big shoes — literally high shoes — to fill." [caption id="attachment_995129" align="alignnone" width="1920"] Jesse Grant[/caption] On the Down Under Origins of Plenty of the Cast "Unfortunately I never got to work with Liv and Courtney, because they're in the different timeline. So it was often Melanie and I. And Melanie, even though she's been out of New Zealand maybe 25 years, has got a stronger accent than ever. And, because I'm me, I still fall on the ground — even though I when I get drunk, I speak like that. So she's got a great Kiwi accent and the two of us just chat, chat, chat, chat, chat away — and I can tell that the American and Canadian crew are like 'what are they saying? What are they talking about?'. And often, Melanie and I, I'd be like 'babe, how do I say this word?'. She's like 'oh, well, I think you say it like this'. And I was like 'okay, great, great, great'. And then occasionally our accents would drop and we'd laugh. But it's just lovely having someone, when you're so far away and you're working with such heightened characters, to have a confidant and have a best friend like I had with Melanie. She's not only an incredible actress, extraordinary talent, she's actually a really beautiful person. And that was that was a joy." On Why Kessell Thinks Yellowjackets Has Earned Such a Dedicated Following "I think the two timeframes make it — if you're not into the older timeline, then you've got the younger timeline. I think the fact that it twists and turns the way it does. I think the fact that it's set in the 90s, so for older audiences, they're like 'oh my god, I remember this song, I remember this time, I remember this'. So you can reminisce. And then it's also, I think, there's the part that you go 'oh my god, how would I be if my plane had crashed?'. And what we did to survive — that's kind of intriguing, because it could have happened to any one of us, right? And then it goes to a whole different level. So I think there is a part of us that's intrigued with the actual storyline and what happens to these girls, and do they get rescued or do they all go fucking crazy? And I guess the answer is the latter, and then we get to see it as older versions. I think the casting on the show is brilliant. I think everyone is like their younger selves, and I think there's a part of it that makes you go 'that really could have happened to me and what would I have done?' And 'if you're that hungry, what would you have done?'." [caption id="attachment_995130" align="alignnone" width="1920"] Jesse Grant[/caption] On What Gets Kessell Excited About a New Role More Than Three Decades Into Her Career "I think the writing. And I think speaking to you, a journalist, you get that — when you read something that pops off the page and you can't stop reading it, as an actress that's everything to me. And then my mind starts going. I love picking up bits of people in my life, like a characteristic or a way someone tilts their head or eats their food or walks, all of those wonderful things that we instinctively do as human beings. So if I feel I can paint that into a character, then I get really excited. Then I'm like 'ooooh, this is a challenge. Oh my god, what's her voice? Where's she from? What's happened to her? Why is she doing what she's doing? Why is she behaving badly or why is she behaving this way?'. That's what gets me going. [caption id="attachment_894498" align="alignnone" width="1920"] Lorenzo Agius/SHOWTIME.[/caption] And that's, I think, why I'm so sad to see the end of Lottie in Yellowjackets, because I got to do that — I got to play in that world for a long time. And there were no restrictions on me as an actress. I got to really dive deep and nothing was a no. When I asked them, I was like 'what if I tried this?'. And it's like 'yeah, go for it'. I think that's why that show is so successful, because we were given so much rope to play with and then, I guess, eventually, she hung himself with it, right? She didn't. That's not a spoiler." Yellowjackets season three streams via Paramount+ in Australia and Neon in New Zealand. Read our review of season one and review of season two, plus our interview with Melanie Lynskey. Yellowjackets stills: Kailey Schwerman/Paramount+ with SHOWTIME.
When Kirra Beach Hotel reopened in November 2023, a Gold Coast favourite made a comeback in a brand-new guise. With the similarly named Kirra Beach House, Coolangatta's Kirra Point Precinct now welcomes a fresh spot to enjoy a bite and sip. Both are about dining and drinking beachside with ocean views and cruisy vibes; however, only one will let you and 19 mates hang out in a cabana on its northward terrace. Kirra Beach House is perched on the precinct's second level. Here, patrons can find a 1200-square-metre venue by SITE Hospitality's Dave Galvin (Kōst, Mozza Mozza) — and a spot that boasts a number of spaces within its one big space. There's a wine bar, two cocktail bars (one, Preston's, is for intimate soirées), indoor spots to drink, outdoor places to settle in, a seafood barbecue area, and room for events such as weddings and shindigs. The views at Kirra Beach House naturally feature the sea and sky — so, plenty of blue — from almost everywhere within its walls. Obviously, when you're out on the terrace cocktail bar, seeing the beach is a given (also expect to spy Broadbeach and Surfers Paradise's skylines). While you're soaking in the vistas, you can listen to DJs and acoustic tunes, and get comfortable in those three 20-person cabanas. Head around to the western terrace and a kitchen, bar and asado barbecue await, as well as foliage as a backdrop. "The southern Gold Coast has been crying out for a venue like this but it was important for us to ensure it embodied the Kirra lifestyle. We have created something elevated yet approachable and effortless, that evokes the idyllic feeling of being on one endless, glorious summer holiday," said Galvin. The Mediterranean-skewing food menu by Kōst Executive Chef Sebbie Kenyon includes seafood platters both raw and cooked, plus steaks, burgers, flatbreads and pizzas. Patrons can enjoy kingfish ceviche in a citrus dressing, smoked ham hock croquettes, fried fish burgs with pickled zucchini, and burrata featuring yellow peach, aged balsamic and smoked salt. The tempura bug roll comes on a milk bun and is paired with smoked cocktail sauce — and those platters feature everything from the kingfish ceviche, bug tails and rock oysters to spanner crab remoulade and king prawns. As for the cocktails, they fittingly take their cues from holidays, with a Bahamas champagne piña colada and a Cancun spicy watermelon margarita among the options. Also on offer: house-made spritzes and Aussie wines. Kirra Beach Hotel and Kirra Beach House form part of Kirra Point Precinct's first stage. When stage two arrives, it'll add to the places to stay, shop, and eat and drink. On the cards: a boutique hotel, laneway retailers, a village square, a fresh food marketplace, another residential apartment tower, a gelateria and more. Find Kirra Beach House at Kirra Point, 2 Marine Parade, Coolangatta — open 11am–late Sunday–Thursday and 11–1am Friday–Saturday.
The rise of White Lotus-esque luxury wellness escapes is in full swing this year, fuelled by the same energy driving members-only health clubs, At these retreats, the itinerary is slower, holiday-goers are excited to be rejuvenated by nature and eco-friendliness is a priority. The 2025 Spa & Wellness Awards have landed just in time for the holidays, spotlighting the best spa destinations and wellness centres around Australia and New Zealand. In the Travel section, sustainability takes centre stage — and Elements of Byron has just been crowned the Best Resort or Hotel Focused on Wellness, beating out other world-class stays such as Qualia and Kokomo Private Island. Anchored by the award-winning Osprey Spa, Elements of Byron stretches across 50 acres of rainforest, eucalypt, wetland and dune landscapes at the doorstep of Belongil Beach. The treatments foster have a deep connection to the natural world — the spa hosts rainforest walks led by its resident naturalist, in partnership with Vanessa Megan Skincare (who took Best Haircare at the awards). Guests can wander through banksia, Davidson plum, tea tree and lemon myrtle, all native botanicals found in Vanessa Megan concoctions that grow right on the property — it's the spa version of farm-to-table. Besides cultivating a love for land, the resort's green ethos includes solar-powered infrastructure, waste-minimising practices, culinary philosophies and partnering with local businesses. Spa Manager Amy Back says, "This award celebrates the passion and integrity behind everything we do, from sustainable operations to the way we source ingredients, train staff, and care for our guests and our environment." Wellness at Elements of Byron go beyond the Osprey Spa. Guests start their morning with yoga classes overlooking the ocean, ride through the forest on horseback (there's even a charming fairy trail for the kids) or unwind with self-guided meditation rituals. Or grab a cheeky spritz at the swim-up bar in the adults-only pool— because self-care comes in all forms. Find out more about the 2025 Spa & Wellness Awards. Images: Supplied
Drop everything, it's time to book a holiday for next year. At this time of year, every dollar counts, and when else can you book a return flight (domestic and international) and only pay for half the fee? Jetstar — ever the patron saint of affordable getaways — has just announced its latest special offer: three days of deals that offer essentially two flights for the price of one. From midnight tonight (or midday today if you're a Club Jetstar member), customers who purchase an outbound starter fare on select flights will get their return flight completely free, until 11.59pm on Sunday, November 30, or until the 90,000 available fares sell out. As mentioned, the offer is available across both domestic and international trips. Sydneysiders could skip the eight-hour drive to Byron and instead book a flight to Ballina from $42, or to Cairns from $102. Brisbane travellers can book a Whitsundays flight from $63, and Perth locals looking to go cross-country can fly to Melbourne from $199. If you're going out of the country, you're spoilt for choice. Sydneysiders looking for a quick and easy trip to Bali can do so from $249, Melbournians can immersive themselves in the cultural melting pot that is Singapore from $209, and if you're part of the Aussies that have yet to visit the 'it' destination of 2025: you can fly from Brisbane to Tokyo from $373 and Sydney to Osaka for the same price. Just next door is South Korea, which has gone underappreciated for too long — but Brisbanites can fly to Seoul from $309 in 2026. In terms of dates, the availability varies per route, but the offer is open for domestic flights between early February and late October 2026, and for international flights between early February and mid-September 2026. The Jetstar Return for FREE Black Friday sale runs from 12pm AEDT on Thursday, November 27 for Club Jetstar members, and from 12am AEDT for the general public. The sale will run until 11.59pm AEDT on Sunday, November 30, or until fares sell out. Visit the Jetstar website for more information.
Brisbane, get ready to giggle — because a whole heap of chuckle-inducing comedians are coming your way. Normally at this time in March, guffaws and chortles would already be echoing through Brisbane Powerhouse; however, as announced last year, 2022's Brisbane Comedy Festival is happening a bit later than usual. The just-dropped full lineup will still have you in stitches, though. Some of 2022's funny folks were already revealed last year, too, so you've probably already been looking forward to rolling in the aisles watching Nazeem Hussain, Ross Noble, Tom Ballard and Melanie Bracewell, plus Josh Earl, Jude Perl, Wil Anderson, Lizzy Hoo, Nat's What I Reckon and Peter Helliar. But the list of talent that'll be doing their hilarious thing across Friday, April 29–Sunday, May 29 definitely doesn't end there, with more than 100 comedians bringing the laughs across 350-plus shows. Also on the bill: the inimitable David O'Doherty, complete with his trusty keyboard; Irish star Jason Byrne, who heads back to Australia for the first time in four years; Malaysian doctor-turned-comedian Jason Leong; the BCF debut of Schapelle, Schapelle – The Musical; the return of Speed: The Movie, The Play; and everyone from the always side-splitting Judith Lucy to TV regular Dave Hughes. And, there's a big focus on local talent — so much so that BCF 2022 boasts the fest's largest-ever homegrown lineup. Becky Lucas, Cal Wilson, Claire Hooper, Mel Buttle, Zoë Coombs Marr, Rhys Nicholson, Reuben Kaye and The Chaser's Andrew Hansen: they're all on the bill, too. Plus, BCF is also shining a spotlight on well-known and upcoming Indigenous comics, including Steven Choolburra, Kevin Kropinyeri, Andy Saunders and Steph Tisdell. Other highlights from the program include the Brisbane Comedy Festival Opening Gala, with Nick Cody hosting; the Multicultural Comedy Gala, complete with Akmal, Tahir and Ting Lim; late-night comedy sessions; and a Sunday roast at The Tivoli. Or, there's also Brisburned's comedy sketches about Brissie, after-work laughs and the return of Queerstories. Wondering which BCF show has the best name? That'd be Diana Nguyen's Chasing Keanu Reeves. As always, Brisbane Comedy Festival will takeover Brisbane Powerhouse, filling as many of the New Farm spot's spaces with comedians as it possibly can. And, venue-wise, it'll also get you giggling at The Tivoli and Fortitude Music Hall. The 2022 Brisbane Comedy Festival will take place between Friday, April 29–Sunday, May 29. For further details and tickets, head to the festival's website.
This week, Brisbane cinephiles received fantastic news, with the announcement of Westpac OpenAir's first-ever Brisbane season. But with the Australian Government announcing a ban of non-essential gatherings of 500 people from Monday, March 16, the outdoor cinema has now postponed its Brissie plans. "In the interests of community health and playing our part in limiting the transmission of coronavirus disease (COVID-19), we believe it's best for everyone if we postpone the soon to be staged Brisbane season of Westpac OpenAir," said organisers Cinerent OpenAir in a statement. "This is in line with the advice of Australia's Chief Medical Officer and Prime Minister to cancel non-essential gatherings of 500-plus people from next week." Unlike many other events — Paniyiri, the World Science Festival Brisbane and Gold Coast Film Festival locally, plus the Melbourne International Comedy Festival, the Sydney Royal Easter Show and Tasmania's Dark Mofo further afield, among others — OpenAir is delaying rather than cancelling its 2020 Brisbane event. At present, new dates haven't been set. "We look forward to staging the wonderful event we had planned for Brisbane in the near future when current health concerns have passed," Cinerent OpenAir said. When it does eventually go ahead, OpenAir will take place on the Howard Smith Wharves precinct lawn — which means a riverside spot and views of the Story Bridge and CBD. And, a huge screen, which is as much an attraction as what it'll be playing, given that it'll measure 170 square metres and reach three storeys high. OpenAir joins a growing list of cancelled and postponed events and closed venues worldwide, with large swathes of cinemas shutting in China, Iran, South Korea, Japan and across Europe, and theme parks doing the same in Asia, Europe and the US. We've also seen the cancellation of Texan music and film festival South by Southwest and postponement of Coachella, as well as the Brisbane, Gold Coast and Australian events mentioned above. Westpac OpenAir's debut Brisbane season will no longer take place from Sunday, April 5–Sunday, April 26 at Howard Smith Wharves, 5 Boundary Street, Brisbane City; however it will be postponed at a later date. For further details, visit the cinema website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Whiplash is a film about a drummer, and it might just be the scariest thing you see all year. It's not Annabelle scary, as in paranormal pant-soiling scary, nor is it Silence of the Lambs scary, aka psychological pant-peeing. It's more disturbing, a sort of 'do whatever it takes', Talented Mr Ripley kind of film, chronicling the terrifying lengths people will go to in pursuit of a goal. It's a 'jazz thriller', really, and it's an exceptional, engrossing movie. Narrow in its focus, Whiplash concerns an ambitious young drummer named Andrew Neyman (Miles Teller), a first-year student at a prestigious New York music academy. When the school's premier conductor, Terence Fletcher (JK Simmons), invites him to join the marquee jazz ensemble, Neyman quickly finds himself embroiled in a gripping, exhausting, unsettling and even violent clash of egos driven by Fletcher's unyielding pursuit of excellence and Neyman's own determination to be the next musical great. Chairs are thrown, punches are thrown, and in any given practice session the trinity of 'blood, sweat and tears' becomes almost mandatory. The one small mercy for panic-stricken viewers who found The Exorcist to be an exercise in endurance rather than enjoyment was that the terror occurred predominantly within the confines of the bedroom. You knew when to be afraid, and in Whiplash that room is Fletcher's rehearsal space. What ought to be the epitome of cool is instead the Roman colosseum, with Fletcher its sitting Emperor. One of the bad ones. More Caligula than Caesar. He rules through fear and exploits his students' aspirations as a means of ensuring his own reputation remains one of excellence and achievement. A few minor roles notwithstanding (Paul Reiser has a nice turn as Neyman's softly spoken father), this is a movie focussed on the performances by Teller and Simmons, and they're both first rate. Teller spent hours on the kit every single day rehearsing for the role, and his percussive skills are as impressive as his acting ones. Both arrogance and insecurity bubble just beneath his character's surface, and his descent into physical and mental ruin is painfully believable. Opposite him, Simmons is a powerhouse of brute force and bravura; a fedora-wearing, baton-wielding drill-sergeant right out of Full Metal Jacket. He bullies, he abuses and he hurls bigoted slanders so often it's almost as though that's how he breathes. The explanation he offers is as unapologetic as it is simple: greatness only comes from being pushed beyond the comfort zone and penetrating the unknown. For a jazz movie there's surprisingly little of it, and while the final performance is nothing short of extraordinary, the lack of jam sessions and gigs feels at odds with Neyman's professed love of the art and his dogged pursuit of pre-eminence. The film's conclusion, too, is troubling, for while it delights on the musical front, conceptually it appears to reinforce what is plainly a flawed and dangerous approach to nurturing talent. Still, this a showcase of two outstanding performances and a clear standout in what has otherwise been a largely mediocre run of films in 2014. Must see. https://youtube.com/watch?v=8J6JH-R-TN0
Little Black Pug in Mount Gravatt, south of Brisbane CBD, has three main focuses: good food, good coffee and, yes, pugs. Bowie and Mate are the fur babies of owners Louise and Josh, who bring their scientific backgrounds and environmental consciousness to the cafe, which was a winner of Toby's Estate Local Legends competition in 2023. The menu has a focus on local produce and the diversity of the local community, so breakfast staples like scrambled eggs and smashed avo sit alongside field mushrooms and miso carrot lentil hummus on vegan crumpets, and fermented chilli tofu with pickled daikon on a toasted croissant. As you'd expect, there are options for your four-legged friend, too, with lactose-free puppycinos and grain-free beef meatballs available. There are three separate dining areas to enjoy your meal in, including a secluded garden. The cafe always announces on social media when Bowie and Mate will make a VIP (Very Important Pooch) appearance. There's also an events space within the same complex, which you can hire and set up for group dining and functions. But really, all you need to remember is those three Little Black Pug priorities: good food, good coffee and good dogs. And not necessarily in that order.
Have you ever been half way through the work week and fantasised about living the simple life? Perhaps you've been dreaming about waking up in a timber cottage with nothing but rolling hills as far as the eye can see? Well, luckily for you, there's a small collection of quaint cottages on vineyards and rustic cabins set amongst idyllic gardens in Victoria — perfect for your next serene weekend venture. To help you live out your dungaree-wearing, straw chewing, horse riding dreams, here's a list of the most charming farm stays across Victoria you can book right now. UNDER A PEPPERCORN TREE, CASTLEMAINE A beautifully renovated self contained studio perched under an ancient peppercorn tree. Just four minutes from Castlemaine, a charming country town with a bounty of restaurants, pubs and small shops. From $216 a night, sleeps two. DOG-FRIENDLY HOLLOW LOG ESTATE, MUSK VALE With weatherboard interiors, a stylish yet quaint kitchen and stain glassed windows, this stone cottage looks like its straight out of a fairytale. Bring your pup for a weekend on the 23 acre property featuring gardens, open paddocks and dams. From $225 a night, sleeps two. HALCYON COTTAGE RETREAT, STRZELECKI This stylish cottage is perfect for a group of friends searching for an idyllic weekend away spent cooking and drinking wine in front of jaw-dropping views of the Strzelecki Ranges. There's a veggie garden and an outdoor bath, too. From $290 a night, sleeps six. MOORAKYLE RETREAT AT EASTERN HILL ORGANIC FARM, BLAMPIED This cottage is set on a 300 acre property that is a registered farm animal rescue and grows wildflowers. Perch yourself on its deep verandah that overlooks grows overlooks native forests, a creek, and Mt Kooroocheang. From $255 a night, sleeps two. BUSH HAVEN CHAPEL NEAR CASTLEMAINE, FRYERSTOWN If you want to mix things up for your next country stay, consider booking a weekend at this chapel (originally built in 1861), which has been lovingly restored and styled. Swim nearby at the mineral spring reservoir if you stay during summer. From $210 a night, sleeps two. ORTO TWO STRAW ECO COTTAGE, BLAMPIED Set on a regenerative permaculture farm, and nestled between even more farms with delightful offerings (free-range pork, home cooked sweets, organic wine and berries), this straw eco cottage also has cooking lessons for two to ten people. From $230 a night, sleeps two. A VIEW TO A HILL, BULLAROO Bullaroo has two spacious bedrooms, each of which can be rented separately or all at once if you're with a group. There's a high-end kitchen and a top floor terrace with a barbecue and bar with sweeping views across acres of farmland. From $690 a night, sleeps five. THE JUNE, BIRCHCREEK This two bedroom cottage is tucked into the foot of the Mornington Peninsula Hinterland, close to beaches and nearby towns. Wander the grounds of the working farm you'll be staying on — you'll see goats, cattle, alpacas and beehives. From $275 a night, sleeps four. RED HILL BARN IN IDYLLIC RURAL SETTING, RED HILL A picturesque barn-style house stands amongst vines and olive groves. The timber wrap-around deck is ideal for afternoon drinks, and there's a dam for swimming on those balmy summer days. From $390 a night, sleeps six. RURAL RETREAT, SELF-CONTAINED STUDIO, WOODFORD If you want alpacas, sheep, pigs and chickens as your neighbours for a weekend, this newly built studio set on five acres of farmland is right up your alley. The farm also supplies fresh free range eggs and has a walking track nearby. From $140 a night, sleeps two. ON A PEACEFUL VINEYARD IN THE YARRA VALLEY REGION, ARTHURS CREEK This B&B is on the first floor of a vineyard farmhouse 45 minutes from Melbourne with world renowned Yarra Valley wineries only a 15 minute drive. If you want to stay in, there's a clawfoot bath for soaking, plus a deck overlooking a private garden. From $246 a night, sleeps two. THE ROCKS, PYALONG This off-grid studio is truly unique — it's surrounded by massive granite boulders and just as many sheep. Bask in views across the Great Dividing Range from the deck, or by the fire through floor to ceiling windows. From $210 a night, sleeps two. MACEDON RANGES FELLCROFT FARMSTAY, COBAW Built by the Crozier family who have been farming in the Macedon Ranges since 1862, every detail in this house has been thoughtfully planned for an authentic and relaxing stay away from the hustle and bustle of city life. From $255 a night, sleeps two. HALFMOON CREEK — MOONDANCE COTTAGE, WANDILIGONG If you've been needing to finish that book with a glass of wine, unreachable by your boss, Moondance Cottage has cozy, rustic decor, no television, no phone reception and gets all of its water and power from the nearby creek. From $255 a night, sleeps two. BABENOREK STUDIO, DEANS MARSH Charmingly styled, with a small but dreamy country-style kitchen and handmade furniture, this solar powered studio was hand-built from lime-rendered straw bales twenty years ago by the family that owns the farm. From $175 a night, sleeps four. TORQUAY FARMSTAY BLUE STUDIO TRUCK, FRESHWATER CREEK Close to Great Ocean Road beaches and national parks, this tiny house has been built on a truck using a recycled timber, windows, doors and stain glass. Don't be fooled by the exteriors — three lofts and a fully functioning kitchen await you inside. From $155 a night, sleeps four. COUNTRY PARADISE IN THE GULLY, SMITHS GULLY The twisted staircase leading to a wooden mezzanine along with stain glass windows and a pitched roof give this farm house a magical feel. Enjoy panoramic views of vineyards, nearby farms and the Kinglake Ranges. From $195 a night, sleeps four. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
The greatest trick that Late Night with the Devil pulls could be a trick on future viewers. In a decade or so, perhaps less, someone will likely come across the film on a streaming platform and think that the year that's listed next to its name is a typo. The illusion would be stronger if video stores still existed, where the Australian-made horror marvel that's had audiences talking since its 2023 SXSW premiere could sit on a shelf beaming its 70s-era look and artwork at perusers searching for their next watch. Everything about the movie, which is presented as a found-footage documentary showing a Halloween episode of a late-night talk show in full, wants everyone to make that misinterpretation. The year is 1977 in Cameron and Colin Cairnes' latest feature, which joins the writer-director siblings' resume after 100 Bloody Acres and Scare Campaign. The date is indeed October 31. The show: Night Owls with Jack Delroy, which has been slipping in the ratings. The week is Sweeps Week, the key ratings period in the US, in fact. Host Jack Delroy (David Dastmalchian, Dracula: Voyage of the Demeter) has been struggling himself, following the death of his wife (Georgina Haig, NCIS Sydney) 12 months prior. In his efforts to pick himself and his show back up, he commits to a special live spooky instalment featuring a skeptic (Ian Bliss, Safe Home), psychic (Fayssal Bazzi, Prosper), parapsychologist (Laura Gordon, Foe) and a girl (Ingrid Torelli, Force of Nature: The Dry 2) who is reportedly possessed — and being willing to do whatever it takes to succeed gets a demonic spin. The experience of watching Late Night with the Devil is like stepping into whichever type of time machine takes your fancy; the attention to period detail is that exact, as is the Cairnes' commitment to practical effects when things get eerie. The same can be said of Dastmalchian's stunning lead performance, playing a character styled after Australian TV's Don Lane alongside American television's Dick Cavett and Johnny Carson. When future viewers add Late Night with the Devil to their queue, the can't-look-away portrayal from the picture's star is bound to get them thinking that this truly is an unearthed treasure from the 20th century. Aptly, Dastmalchian is a big fan of horror TV hosts, even penning an article for Fangoria about them. So, take a childhood in the 80s spent watching late-night talk shows, a love of horror from that decade and the one prior, a keen awareness of the period's flicks about television such as Network and The King of Comedy, experience working in studios themselves, an exceptionally well-cast lead and a killer concept — plus that dedication to authenticity — and the next Aussie horror hit is the end result. "It's our twisted love letter to talk shows and the horror movies of that era," Colin tells Concrete Playground during a chat with both brothers. "I think it was really was a golden age for horror movies in the States, but also in Australia to some degree. We made some pretty cool stuff back then." A wild horror ride, a helluva character study, and an unpacking of the way that sensationalist media haunts and possesses as much as literal spirits, too, Late Night with the Devil is "pretty cool stuff" itself, deservedly earning a reputation far and wide. Iconic horror author Stephen King called it "absolutely brilliant" and said that he couldn't take his eyes off it". Mere days before we spoke with Colin and Cameron, they had run into one of their influences IRL, who also adored it. "Definitely all the great films by David Cronenberg and John Carpenter, the Wes Cravens," Colin cites as inspiration. "Joe Dante, who we were lucky enough to bump into two days ago in LA walking out of the screening of our film, which was really cool. Mind blown — it was just a wonderful chance encounter. And we've since exchanged emails. Yeah, he's a fan of the film. So that was really, really special to us. As kids growing up watching Gremlins or The Howling or Innerspace, all these great 80s horror hybrids, fun horrors that he made, it was just such an honour to bump into the man who had just seen our film, which was crazy." After it popped up on the festival circuit in 2023, viewers Down Under have been able to discover why Late Night with the Devil has been wowing King, Dante and more since it hit local cinemas on Thursday, April 11. We chatted with Colin and Cameron about their inspirations, specifically picking 1977 as the year to set the film in, the work that goes into making the movie look and feel so authentic, their take on Delroy and getting Dastmalchian to play him, and more. On Taking Inspiration From Watching Late-Night Talk Shows as Kids in the 80s in Australia Cameron: "I think TV was just a bit looser back then, and felt a little more dangerous. It was late night, and for a kid staying up late to watch those shows, it just felt a little taboo. So, what we love about that period in those shows — and we're talking not just our Australian icons, but the American ones as well — is just they all felt unscripted and dangerous, and like anything could happen or anything could go wrong at any minute. So that felt like fertile ground for us to to play in. And those experiences, they stuck with us. I think when you're young and you're watching stuff, you're very impressionable. So we're watching lots of horror movies on VHS, and we were watching lots of TV at home, lots of American stuff. It was all feeding into the script and to the story. We drew on those experiences quite a lot." On Setting the Film Not Just in the 70s, But Specifically in 1977 Cameron: "It really came down to our date, didn't it? Like 77, we wanted to set it on Halloween night, but it also needed to be Sweeps Week, if that means anything." Colin: "The ratings period." Cameron: "So in our research, we discovered that in 77 on Halloween week, it was actually Sweeps Week. So we tried to be as authentic as we could with every detail." Colin: "What's not to like about 77? We always knew it was somewhere in that range, but 77 felt like that was that was peak 70s, really." Cameron: "It was kind of the peak in-between time, too. The Exorcist, I think was released in 73, and then we were at the dawn of the Satanic panic. So I think, between 73–80, that period felt right. And also, we wanted to suggest that Night Owls, the show Jack Delroy hosts, had been on the air for a while and was struggling. So it just made sense that it maybe started around early 70s." Colin: "And going back to the movies, that's when that cycle of great films — I mean, there'd been Texas Chain Saw, probably that was 73, 74 maybe, that's when all those directors that we admire and are paying some homage to, I think, started to do their work. Halloween, I think was released 78, just a bit later. Network, I think, was released beginning of 77. So all that wonderful stuff was happening at that time, so that felt right — and yes, fortunately, Halloween fell on a Monday night at the beginning of Sweeps Week." On the Movie's Commitment to Period Detail and the Work That Went Into It Cameron: "Being as authentic as we could was just key to the whole movie. If no one's buying it, then they're checking out and it's not going to be worth your time. So we took all that stuff really, really seriously — just immersed ourselves in that world. I think having grown up a little bit in the period, and certainly through the 80s, we felt a little bit more connected to it, to that period." Colin: "We knew if something was a bit phony. I think a lot of the audience has been actually a younger crowd, but we are finding people in their early 20s talking to us after screenings, saying ' you know, I'm going bring my mum and dad to this. I reckon they'll really like it'. So people are sensing the authenticity of it, and like Cam's saying, I don't think the scares are going to work, the humour won't work — and, importantly, the drama isn't going to work — if it doesn't feel of a very specific time and place." Cameron: "Going into the production of it, it was just 'let's just commit to the idea that we're making this show in 1977'. So all the costumes, the lighting, the way we shot it, everything was pretty much of the period apart from the cameras we shot on — we obviously had to do some treatment on that in post. But we just tried to shoot it exactly like a late-70s Tonight Show. That meant three cameras were rolling the same at the same time, and the lighting looks a bit hot and harsh. But you just have to embrace all that stuff." On Drawing Upon Their Own Experiences Working in TV Studios Colin: "I directed, in a past life going back 20-plus, 25 years, I actually worked in television in Singapore. I got a job fresh out of uni directing sitcoms, English-language sitcoms, which were really big, huge successes in that part of the world. It was a lot of fun. That was a three-camera set up where we rehearsed through the week, and then we bring in an audience, so we would shoot it as if it were live. We would get a second go if something didn't work out, but we also didn't want to keep the audience there too late, because they'd stop laughing after the second or third take. And Cam's done some work in TV, too. So we had a sense of how adrenaline-fuelled that environment is, and how it's very stressful and has lots of anxiety, but it's also seat-of-your-pants stuff — it's exciting, it's fun. So we thought taking that as the foundation for an already very tense environment, and then bring in the supernatural element, we thought that that could go places. Ten years later, ten years of writing, we got there — so it helped a lot." On How the Film Evolved Over the Ten-Year Writing Period Cameron: "It went through lots of different iterations. In fact, I think the first draft it was centred around a seance. It was going to be a seance live on TV. But we kind of blew our wad early on that, because the seance was happening sort of at the 25-minute mark and we found we had nowhere to go after that. So it was constantly sort of rethinking the conceit and also finding the characters…" Colin: "That were going to warrant 90 minutes of your time." Cameron: "Exactly." Colin: "A character that could host legitimately host the talk show, but has his own baggage, his own issues. Plot's important, story is important, but for us, the characters are key. You want people walking away saying 'I hated that guy. I love that guy. I wanted to know more about that person'. And that's the stuff that really needs to succeed for any movie to work, regardless of genre." On What Inspired Jack Delroy — and the Cairnes' Take on Him Cameron: "Jack's a little bit desperate at this point in his career. He's been at it for a little while, but he's…" Colin: "Ruthlessly ambitious." Cameron: "But, his background is, he's this Midwesterner, worked in radio. He's kind of a sweet guy with good intentions." Colin: "He may have made one or two poor choices over the course of his career. A victim of some of those choices, I think. But he's a man who's experiencing some grief as well. I mean, his wife has passed away a year prior to the taping of this show. And, we explained early on — I don't think it's a spoiler to say that — his most-successful episode to date was the episode where his dying wife came on as his special guest. So there are some ethical concerns, I think, about his character. But the audience loves him. He's got his hardcore fans, and he's a showman through and through, who believes the show must go on. But that, of course, becomes harder and harder as some very strange events occur over the course of evening." Cameron: "When we first set out, we were referring a lot to Dick Cavett, Johnny Carson, I guess in our heads. He was almost an amalgam of those two. But then, we started drawing a lot on our own experiences, watching our homegrown talent. When I say homegrown…" Colin: "Bronx-born Australian Don Lane." Cameron: "Who people of a certain age will remember. We obviously grew up in the early 80s and watched a lot of Don Lane. Don and Bert, and Mike Walsh, and saw a little bit of Graham Kennedy as well. So they were definitely there in our heads as we are writing the character, but I think we were thinking more the urbane kind of American TV host." Colin: "We watched a lot of Dick Cavett. A lot of Dick Cavett. There's a bit of a blend." Cameron: "But when the American producers got on board and David got on board, we pointed them in the direction of Don Lane. We just thought as a curious thing they might be interested to see our own talent. And the producers, Steven Schneider [Insidious: The Red Door, Knock at the Cabin] in particular, and then David, our main actor, really took to Don. And he was like 'he's great'." Colin: "Yeah, 'what a character'. Because there's layers. He's not the slick showman that Carson is. Cavett's a bit more the slightly, there's a hint sarcasm, cynicism, but quite the intellectual — very happy to be talking to some novelist as he is to some pop singer. But Don was a bit less polished and a lot more, well, basically into the supernatural. He would have these lengthy specials where he'd have the Warrens [the inspiration for The Conjuring films] or whichever psychic happened to be visiting Australia. He would dedicate entire episodes, sometimes several episodes to these characters, which made him really different from the American version of that host." On Casting David Dastmalchian Colin: "We knew what a fan of the genre he was. He writes for Fangoria. His love of regional TV horror hosts." Cameron: "He writes comic books, he has written graphic novels" Colin: "He has Count Crowley. So we knew how embedded he was in the horror scene back in the States. And add to which he's just a really, really great character actor. And he has this look about him that also screams 70s, I think. So when we floated his name with all the producers, it was probably the first time everyone said yes at the same time. We were out to him a couple of weeks later through one of our American producers, the great Roy Lee [Don't Worry Darling, Barbarian], and weeks later we're talking to him and then a bit later he's signed on. We've got him. It just felt like was meant to be, and now you watch it and you cannot imagine anyone else being that character." Cameron: "It just wouldn't have worked if we'd had a big A-list star in there, you know, if Ryan Gosling — he's a great actor, but…" Colin: "You'd spend 90 minutes trying to look past the star. He's going to go on to bigger, possibly better — he's already working on a big show for Apple. Plus, the world is his oyster, and it has been for ages. We're just fortunate that we're a small part of his journey to international stardom." On Making the Connection Between the Film's Literal Possession and the Ravenous Urges that Sensationalist TV Sparks Colin: "Obviously, it was an important consideration in the scripting and the shooting, because we have the studio audience there and they're complicit in that. They're not — no one's leaving their seats. What would we do if we were there and shit started to go down like that? The logical thing would be to run to the door, but the fact is they know that the weirder and stranger and darker things get, the better the ratings are." Cameron: "I mean, we all love a bit of car crash TV, where we just can't turn away. And I think, yeah, definitely playing into that idea." Colin: "We're a little complicit, almost, and responsible to some degree for shows going where they go. And that hasn't changed — that was there before 77, and it's gotten even worse in many ways since. So if there's some little commentary or critique going — no, maybe not a critique — it definitely has fed into it. It was a serious consideration, because at what point would the audience just say 'this is stupid, I'm going home' or switch off? Or would the network just shut down the broadcast? So the fact that no one does had a lot to do with how we pace the thing, and how we reveal information, and where the scares come and all that sort of stuff. That's a more technical consideration, but it plays into what you're saying." Late Night with the Devil opened in cinemas Down Under on Thursday, April 11, 2024. Read our review.
Between the inaugural So Pop festival, drawing names like Vengaboys, Aqua and Lou Bega, and RNB Vine Days, headlined by the likes of Nelly and Craig David, the list of international music heroes hitting Aussie stages this summer is already huge. But it's about to get even heftier, with news that the world's biggest hip hop festival Rolling Loud is set to make its southern hemisphere debut next January. The independently owned one-day event hits Sydney Showgrounds on Sunday, January 27, and while the lineup won't be released until later this week, it's set to be seriously buzz-worthy, if previous years' offerings are anything to go by. Since its first outing in Miami back in 2015, Rolling Loud has expanded to Los Angeles and San Francisco, pulling crowds of up to 135,000 earlier this year. Past sell-out events have seen names like Kendrick Lamar, Cardi B, A$AP Rocky, Future, Lil Wayne, Young Thug, Post Malone, Migos and Lil Uzi Vert all grace the festival's stage. For Rolling Loud's first Australian foray, young founders Matt Zingler and Tariq Cherif are teaming up with local production and events company HSU Events, who has previously brought us big international headliners for the likes of Midnight Mafia and Knockout Circuz. If you're keen to catch Rolling Loud's Aussie debut, you can sign up now for exclusive pre-sale access. The festival will take over Sydney Showgrounds, Olympic Park, on January 27. We'll fill you in on who's headlining as soon as they're announced later this week. Images: Beth Saravo and Sebastian Rodriguez
If a great restaurant is all about the location, food and talent, then Brisbane's next big addition has hit a trifecta: it's opening on Queen Street in the CBD with prime river views, features a meat-heavy menu with a particular focus on steak, and hails from restaurateur Chris Higgins (ex-Cha Cha Char) and TV chef Adrian Richardson. That new eatery is BŌS, a 120-seater settling into Otto Ristorante's old Dexus Tower digs from Tuesday, November 15 — and that's just the first stage of its launch. BŌS takes its name from the Latin word for beef, which is indeed reflective of its menu. Here, you'll find steak tartare, eight cuts from the grill included a bacon-wrapped fillet mignon, and two giant 1.2–1.5-kilogram options to share all on offer. The pasture- and grain-fed beef and wagyu range is also complemented by a lineup of cuts in a glass dry-ageing cabinet, which guests can buy and reserve, then eat via the BŌS 'Cleaver Club' whenever they feel like it. View this post on Instagram A post shared by @bos_brisbane Clearly, if steak is your favourite meal, you'll be in heaven, with Higgins, Good Chef Bad Chef and Richo's Bar Snacks star Richardson, and lawyer Liam McMahon teaming up to give the River City its next carnivorous go-to. Diners will also find oysters three ways, chargrilled Fremantle octopus, house-smoked salmon, sand crab lasagne, crackling-wrapped pork loin and duck breast with black garlic on the menu, however, as part of BŌS embrace of different types of proteins. The culinary theme, other than meat: modern Mediterranean, as also seen in the lineup of handmade small goods like salamis, bresaola and pastrami; the southern rock lobster with hand-cut mafaldine pasta; and the hand-stretched buffalo mozzarella. Overall, Richardson is also taking cues from La Luna, his bistro in Carlton in Melbourne since 1998. "For over ten years we've been waiting for the right time to bring the soul and character of La Luna's style of cuisine to Brisbane," he explains. View this post on Instagram A post shared by @bos_brisbane BŌS' sides range covers creamy mashed potatoes, wagyu-fat roasted spuds and a selection of other vegetables, while the dessert options include vanilla bean crème brûlée, Basque cheesecake, strawberries and cream, cheeses, ricotta doughnuts and dark chocolate brownies. Espresso martinis and affogatos fall into the 'liquid dessert' category, but thanks to restaurant manager and sommelier Romain Maunier (Montrachet, La Cache a Vin), the drinks list spans far further. The vino choices favour drops from high-end producers in Australia, France and Italy, and the cocktail and spirits offerings fills seven pages. Keep an eye out for an around-the-world gin selection, Bond-style martinis, share jugs of sangria and three kinds of spritzes. Decor-wise, this Sunshine State newcomer heroes green hues and a plush fitout, with local interior design outfit Alkot Studio also favouring rounded edges, warm light, plenty of linen, and polished marble and brass. That's what you'll soak in while sitting at tables and banquettes, or in the restaurant's al fresco seating. View this post on Instagram A post shared by @bos_brisbane While all the above should tempt you in the door ASAP, plan a return trip to BŌS from January 2023, which is why its champagne and cocktail terrace bar — called The Aviary Terrace Bar — will open. Primed for summer sips, but also bound to be a must-drink spot year-round given Brisbane's usually sultry weather, it'll do full bottle service with city views. Find BŌS on level four, 480 Queen Street, Brisbane, from Tuesday, November 15 — open 11.30am–12am Tuesday–Saturday. The Aviary Bar and Terrace is set to open in January 2023, and we'll update you with further details close to its launch.
Sydney's summer of sport is officially in full swing, and this season's lineup includes everything from blockbuster cricket and harbour-skimming catamarans to world-class football and top-rate tennis showdowns. And with action taking place throughout the city, each event offers the perfect jumping-off point to explore more of the city. Rather than racing in and out for a match, consider this your playbook for turning four of Sydney's biggest summer sports events into proper mini-escapes, with our picks of nearby restaurants, bars and hotels to help you make the most of your experience. Here's how to make the most of Sydney's summer of sport. [caption id="attachment_1043313" align="alignnone" width="1920"] Tennis Australia/Steven Markham[/caption] United Cup Why it's unmissable The Australian summer tennis swing kicks off in Sydney on Saturday, January 3 with the return of the United Cup. This fan-favourite tournament sees national sides battle it out in men's singles, women's singles and mixed doubles, bringing a lively, festival-like vibe to Ken Rosewall Arena. The 2026 edition serves up plenty of reasons to get courtside, with local hero Alex de Minaur, Iga Świątek and Emma Raducanu among the headline names leading a stacked field. Find out more here. Eat here first If you're heading to a day session, kick things off at Happyfield, the enduringly popular American-style diner in Haberfield serving pancake stacks with 100-percent Canadian maple syrup, hefty breakfast burgers and top-notch single-origin coffee. Later in the day, Olympic Meats delivers hearty charcoal-grilled meat plates and other Greek favourites, while Sippenham is a cool, quietly confident neighbourhood hangout known for its seasonal plates and punchy wine list. [caption id="attachment_898451" align="alignnone" width="1920"] Happyfield[/caption] Celebrate here after Post-match, follow the fan flow back into the Inner West and drop into Deadwax, the late-night bar and listening room home to wagyu sandos, a massive vinyl collection and Enmore's only karaoke room. Make a weekend out of it Turn matchday into a mini-escape with a stay at Australia Street Suites, a boutique Newtown address offering stylish accommodation just steps in the thick of one of Sydney's most vibrant neighbourhoods. With easy transport links to Sydney Olympic Park, it's a relaxed, design-led base for a full weekend of tennis and inner-west exploring. Women's T20I Series v India — 1st T20I Why it's unmissable Women's cricket returns to the SCG this February, as the Aussies take on India under the lights in a primetime T20 showdown. The growing rivalry between these two powerhouses is one of modern cricket's most thrilling storylines, with both sides playing at the top of their game right now. Can Alyssa Healy and her side reclaim bragging rights in front of a home crowd after India knocked them out of November's ODI World Cup, or will the Women in Blue spoil the party? Find out more here. Eat here first The SCG's location in the thick of the eastern suburbs means it's within easy reach of some of Sydney's favourite restaurants. Enjoy a spread of Greek mezedes paired with ouzo coladas at vibey Redfern taverna Olympus, fuel up at Surry Hills' Argentinian steakhouse Porteño, or soak up the scene at Neil Perry's big-swinging Italian dining room Gran Torino. If it's water views you're after, Rick Stein at Coogee Beach plates up the legendary British chef's produce-driven seafood dishes, as well as sweeping views of one of the city's most beloved stretches of sand. Celebrate here after When stumps are called, wander up to sleek Darlinghurst neighbourhood bar Vin-Cenzo's (pictured above) for a pick from the impressive wine list and traditional Italian biscuits served in vintage tins, or settle in nearby at The Waratah, home to a cocktail menu that heroes native ingredients. Make a weekend out of it Extend your stay at The EVE — just steps from the SCG, you'll feel like you're a world away thanks to its tropical resort vibes. AFC Women's Asian Cup Australia 2026 Why it's unmissable For the first time in two decades, Australasia's biggest celebration of women's football returns to Australia, bringing some of the region's best national squads (and biggest names) to Western Sydney Stadium and Sydney Olympic Park's Stadium Australia. And with spots in the 2027 FIFA Women's World Cup — and, for the first time, the AFC Women's Olympic Qualifying Tournament — up for grabs, you can expect teams to leave it all out on the pitch. Find out more here. Eat here first Kick off your matchday at Misc. This breezy 300-seater in Parramatta Park does it all, from cheeky breakfast items like the Lebs Benedict, featuring grilled sujuk, smoked butter hollandaise and pickled chillies on thick-cut milk toast, to all-day sharing dishes like daily market fish with a preserved lemon vinaigrette and a fall-off-the-bone lamb shoulder with minted labneh, zhoug and flatbread to mop it all up. [caption id="attachment_879092" align="alignnone" width="1920"] Parker Blain[/caption] Celebrate here after Keep the energy high after the final whistle at Lady Banks, Western Sydney's sky-high rooftop perched above Bankstown. Head up for sweeping views and summer-ready cocktails — the perfect perch to debrief every goal, near-miss and heart-stopping moment from the game. Make a weekend out of it Stay close to the action at the Crowne Plaza Sydney Macquarie Park. With brand-new rooms, sleek modern interiors and easy access to both Parramatta and Sydney Olympic Park, it's a smart base for turning matchday into a full Sydney escape. KPMG Sydney Sail Grand Prix Why it's unmissable SailGP brings the world's most exciting race on water back to Sydney Harbour this summer, turning the city's most iconic waterway into a high-octane racecourse. From tight duels and fierce national rivalries to near-flying boat speeds of over 100 kilometres per hour, every race unfolds just metres from shore, with Shark Island perfectly positioned as your front-row seat to the action. This year's event comes with a twist: racing kicks off at 5.30pm, delivering the first-ever twilight showdown in the event's local history. Find out more here. Eat here first Make a day of it on the harbour's edge. Start your pre-race wander at Flaminia, the polished new Italian restaurant bringing big coastal flavours to a prime harbourfront location. For something more laidback, Watermans — tucked along the Barangaroo boardwalk — serves Levantine-inspired plates backed by seasonal local produce. If you fancy a stroll into the city, Rockpool's steak-frites restaurant 24 York serves up MB2+ scotch fillet cooked to your liking for $48. Celebrate here after Take the post-race festivities skyward at Smoke Bar, Barangaroo House's sleek rooftop perch with panoramic views, sharp cocktails and a near-constant buzz. If you'd prefer something more intimate (but no less lively), slip into Maybe Sammy, the award-winning cocktail bar pouring playful, theatre-driven drinks in an elegant, pared-back setting. Make a weekend out of it Cap off your raceday with a stay at the Park Hyatt Sydney (pictured above), where balconies overlook the Sydney Opera House and morning swims on the rooftop pool come with postcard views. It's the ultimate base for a weekend built around the harbour. Ready to feel the Sydney side of summer? Discover the full calendar of what's on across the city at sydney.com.
The winter chill is enough to make anyone head for the airport. That idea is even more tempting now that Qantas has just discounted 350,000 seats across its international network for a huge one-week sale. With economy fares starting at $499 return, perhaps an overseas adventure is the perfect way to cure the winter blues. Featuring discounted flights on more than 30 routes across Asia, the Americas, the United Kingdom, Africa and the Pacific, now is your chance to soak up fascinating (and warmer) destinations. Think the bright lights of Los Angeles, a Tokyo shopping spree or some much-needed beachside bliss in Bali. For those who can't just get up and go, the sale features travel dates from July 2025 to May 2026, offering plenty of time to carve out some space in your calendar. Meanwhile, the sale coincides with the school holidays alongside must-see international events, like the Hong Kong Wine & Dine Festival and Disneyland's 70th anniversary celebrations in LA. Ready to depart? There's no shortage of options. Melburnians can book return flights to Bali from $599, while Sydneysiders can soak up the island scenery of Nadi for the same price. There's also discounted return departures from Sydney, Melbourne and Brisbane to Vanuatu from $549, Tokyo from $949 and Los Angeles from $1099. Plus, holiday-seekers in Perth and Darwin can journey to Singapore from $519, while those in Perth can kick-start a European adventure in London with return flights from $1749. There are heaps more routes on the list too, with premium economy and business fares also discounted for those with a little more room in their travel budgets. "What makes this sale special is the availability during school holidays, which is something we know families really value," says Qantas International CEO, Cam Wallace. "Whether you're looking for a tropical escape to Bali, exploring Los Angeles and Dallas or experiencing the culture in Hong Kong, there's something here for everyone." Qantas' international sale is on now and ends at 11.59 AEST on Monday, August 4. Head to the website for more information.
Indulging in some high-altitude hijinks — aka locating a vantage point to peer over the city from while consuming cocktails— isn't difficult in Brisbane, but doing so from the Sofitel's rooftop is. For most of the year, the hotel's highest space is only available for private functions and to folks of the VIP variety. Until December 18, that's changing as part of Pop Up Soiree. As a spring and summer treat, the Sofitel is throwing open their doors (and stairs and elevators) to the rest of the city. Of course, they're making an event out of it — why wouldn't they? Every Friday evening from 3.30pm, anyone fond of some panoramic fun can converge on the outdoor terrace on the edge of the building. You'll enjoy sweeping sights over the CBD, plus live music to set a festive mood, in case the 180-degree city vista hasn't done that already. If you think champagne and cocktails are the perfect drinks for the occasion, you'd be right, which is why you'll find both in abundance here. There'll also be share plates for snacking on and lounges for relaxing on. Given how chilled out you're likely to be thanks to ending your week on such a high, we think you'll need them. Pop Up Soiree runs every Friday afternoon until December 18. For more information, visit the Sofitel website.
The predictably sole stay available in the Zig-Zag-occupied Republic of Zubrowka, Wes Anderson's mighty Grand Budapest Hotel is quietly killing it over at Trip Advisor. With its own page up for user reviews, photos and generous applause for its cable car access, mountaintop location, satisfying concierge and significant amount of available rooms, the fictional hotel is now rated higher than Paramus, New Jersey's Holiday Inn Express. Seems the marketing team have pulled one humdinger of a stunt, celebrating the UK DVD/Blu-ray release of The Grand Budapest Hotel. If only Trip Advisor had been around for The Shining, they might have pulled a few more winter guests. The official description, as provided by the 200-room 'hotel' reads as follows: Located in the mountainous Republic of Zubrowka and reached by funicular railway The Grand Budapest Hotel has all the advantages of being secluded amongst nature, while having attractions including the Kunst Museum and Mendl’s Patisserie close at hand. Famed for its staffs’ meticulous attention to detail and commitment to the wellbeing of its residents this hotel proves to be the perfect retreat — you’ll never experience anything quite like the Grand Budapest Hotel. True to Trip Advisor form, the comments section is the best bit. Whether fuelled by fans or the marketing team themselves, there's some chortleworthy digs in there for fans of Anderson's wonderfully whimsical hotel: "I am a lady in my 80s and I had the pleasure of staying in this wonderful hotel. Charming, luxurious, soothing, breathtaking... these are just some of the words I'd use to describe the concierge. Simply put, Gustav blew my mind. The hotel wasn't bad either." "Its best days may be behind it, but it's at least quiet, and you never have to wait for a table at dinner time." "As much as I enjoy the solitude, though, it's not perfect. The elevator has the odor of some strong cologne that just won't dissipate, and every so often a VERY creepy old man wanders around and sleeps in the servant's quarters. I'm sorry, but somebody like that has no business amongst the classes that would be staying in a grand hotel." "One of the few genuinely historic buildings remaining in Zig-Zag-occupied Zubrowka. The concierge is lazy, but also quite accommodating." Marketing teams for The Exotic Marigold Hotel, Bates Motel and Hotel Transylvania are face palming right now. Via Indiewire and IWATCHSTUFF.
If there's one thing that puts Australia head and shoulders above the rest of the world when it comes to tourism, it's that you can enjoy every type of climate in one place. Enjoy shredding it on the ski slopes? You're sorted. Love sojourning balmy beaches in your speedos? No worries. Over 18-percent of the country is made up of desert, which also makes Australia one of the best places for the ultimate desert experience. From red sand dunes and dramatic sheer cliffs to wallabies around watering holes and ancient rock formations, the desert could not look any better than in Central Australia. So, we've teamed up with Tourism Central Australia to give you the ultimate desert itinerary in the Red Centre. Want to plan your very own adventure to the Red Centre? Take a look at our handy trip builder to start building your custom itinerary now.
Getting into festive mood? Prefer to do your shopping while the big day is still a few weeks away? Hate leaving your Christmas preparations until the last minute? Then pencil one of the year's must-attend Yuletide markets into your calendar: the Milton Christmas Twilight Markets. Formerly known as Christmas on Cribb, this is the Milton Markets' seasonal shindig, and it's taking place on Saturday, November 26 from 4–10pm this year. And sure, you've been to markets before; however, his festive event boasts plenty to get excited about. Here, you'll get your food and gift plans sorted, and lap up music and entertainment while you're there. This Cribbmas, you can also enjoy everything from gourmet food to artisanal wares — and, based on past years, there are usually more than 150 stalls on offer. Grab bites you'll want to eat on the night, produce for your big feast, and presents for your loved ones (and yourself). Plus, there'll be a pop-up bar onsite in case you need a break from the browsing and buying — or an extra excuse to feel merry. Entry costs $2 at the gate, and you can pay $2 more for VIP parking.
While some people seem to want to make it harder to be a cyclist in the city (ahem, NSW Government), others want to make it easier. We could point to many European cities — for example, Amsterdam's solar powered bike path and London's cross-city cycle highway — as well these low-cost recycled cardboard bikes and this beautiful fold-up one from Lucid Design. But this time it's IKEA who are getting on board with urban cycling, creating a chainless bike for commuters. The bike, named SLADDA, is designed to be low maintenance so that anyone (i.e. the general population who don't know anything about chains and gears) can use and ride the bike without worrying about all the technical stuff. Instead of a chain it will have a corrosion-resistant, maintenance-free cogged drive belt that, according to IKEA, will be good for up to 15,000 kilometres. The whole concept of the bike, which was created by global design consultancy Veryday and has already won an award, has been "designed to fit an urban lifestyle". The bike's aluminium frame is lightweight, which makes it easier to carry up and down stairs and manoeuvre in and out of your house, as well as scratch-resistant and adjustable. It will also be integrated into a 'click system', which will allow you to buy accessories — like baskets, racks and even a small trailer — that simply 'click' onto the bike. The SLADDA is set to be available from August in Europe, with a worldwide release potentially following soon after. It will cost €699 (or about $1000 AUD). Via Core77.
18 artists. Many photographs. A plethora of topics. One exhibition. That's Over the Fence: Contemporary Indigenous Photography from the Corrigan Collection in a nutshell. Of course, nothing about the latest show to grace UQ Art Museum's walls is quite that simple. Named after one particular image by Destiny Deacon, Over the Fence examines the Indigenous Australian experience once picture at a time. Each photo isn't just a record of a particular moment in time, but a way of expressing contentious issues such as identity, representation, racism, religious influence and the exploitation of land. Vernon Ah Kee, Bindi Cole and Tracey Moffatt feature among the array of artists that explore complex concepts through the camera. And, if you're wondering what the Corrigan Collection is, that's actually the least complicated part of the exhibition, with every artwork on display sourced from the private collection of art patron and philanthropist Patrick Corrigan. Image: Destiny Deacon, Over the Fence 2000 (from the series 'Sad & Bad'), Lambda print from Polaroid original, ed. 13/15, 80.0 x 100.0 cm, Corrigan Collection. Reproduced courtesy of the artist and Roslyn Oxley9 Gallery, Sydney.
In the on-screen sea that is the never-ending list of films and television shows constantly vying for eyeballs, Taika Waititi and Rhys Darby have frequently proven gem-dappled treasure islands. When the immensely funny New Zealand talents have collided, their resumes have spanned four of the most endearing comic hits of the big and small screens in the 21st century so far, aka Flight of the Conchords, What We Do in the Shadows, Wellington Paranormal and Hunt for the Wilderpeople — and now, with HBO Max pirate parody Our Flag Means Death, they've given viewers another gleaming jewel. The brainchild of writer, showrunner and executive producer David Jenkins (People of Earth), this show was always going to swashbuckle its way into streaming must-see lists — and into comedy-lovers' hearts — based on its concept alone. The inimitable Darby stars as Stede Bonnet, a self-styled 'gentleman pirate' and a great approximation of Flight of the Conchords' Murray if he'd existed centuries earlier. Meanwhile, Waititi dons leather, dark hues aplenty, an air of bloodthirsty melancholy and a glorious head of greying hair as Edward Teach, the marauder better known to the world as Blackbeard. While the latter is a household name — pop culture has been inserting him into stories for decades: Ian McShane played him in Pirates of the Caribbean: On Stranger Tides and Hugh Jackman did the honours in Pan, for instance — Bonnet will be a new discovery to most of Our Flag Means Death's audience. Also a real-life figure, he left his life of wealth, privilege and comfort to rove the oceans. That's a scenario that this ten-episode comedy has plenty of fun with, complete with Bonnet's onboard library decked out with classics and summer linens-filled auxiliary wardrobe. In its first three episodes, Our Flag Means Death establishes its fish-out-of-water situation — or its tale about a ruffled shirt-wearing aristocrat seemingly out of his depths while sailing across treacherous waters, to be more accurate. Bonnet is not one for the usual pirate stereotypes, and that takes some adjusting to by his crew. Among those with him on the Revenge: Lucius (Nathan Foad, Bloods), his righthand man and official scribe; Buttons (Ewen Bremner, First Cow), a seasoned seafarer and source of advice; Black Pete (Matthew Maher, Marriage Story), who constantly claims to have worked with Blackbeard; the fire-obsessed Wee John Feeny (Kristian Nairn, aka Game of Thrones' Hodor); and the initially secretive Oluwande (Samson Kayo, Truth Seekers) and Jim (Vico Ortiz, The Sex Lives of College Girls). Scene-setting and ensemble antics abound in the series' opening instalments, including a run-in with a British navy captain (Rory Kinnear, No Time to Die) with ties to Bonnet's past, and another a fellow pirate captain-turned-bar owner (Leslie Jones, Death to 2020) and one of her husbands (Fred Armisen, Los Espookys). But then Blackbeard arrives, taking over the Revenge with his first mate Izzy (Con O'Neill, The Batman) — and Our Flag Means Death starts becoming a rom-com. From the outset, it's already a gloriously inclusive and emotionally astute comedy. Bonnet wanting his crew to be in touch with their feelings, rather than simply solve everything with swords and violence, is one of the aforementioned ways that he bucks expectations. But that trend deepens and grows as its two key swashbucklers gravitate towards each other, riding the waves from adversaries to co-captains to potentially something more. From its first trailer, Our Flag Means Death delivered answers to questions that no one knew they had, such as "what'd happen if Waititi and Darby played pirates?" and "what if Waititi and Darby played pirates alongside Spud from Trainspotting and Hodor?". Now that the results have played out across an entire season — all of which is available to stream in Australia via Binge and in New Zealand via Neon — it's sweeter than a bottle of rum to a buccaneer (or oranges to fend off scurvy, which definitely get a mention in the show). Smartly, Our Flag Means Death doesn't just satirise pirate archetypes. It isn't content with finding easy laughs at the whole 'gentleman pirate' caper, either. Instead, it's a comedy about plundering one's own depths to find out who you really are, where you truly belong and who should comprise your chosen family — whether you've been set up for a life of luxury, you're the world's most fearsome scourge of the seas or you're simply roving the oceans with them. When Waititi's Blackbeard steps into the story, meet-cute and all, less of its focus resides upon its other supporting characters. When you've got comedic greats such as Waititi and Darby bouncing off of each other — as they do from episode four onwards, and with pitch-perfect comic chemistry — you let them have the spotlight. Still, subplots that flesh out the remainder of the Revenge crew's histories wholeheartedly link in with Our Flag Means Death's focus on reinvention and rediscovery, and its open heart. Relationships are laid bare, and secrets, too. In the process, cliches are dismantled, correct pronouns are used, and everyone helps build a thoughtful and sincere comic caper. Indeed, add Our Flag Means Death to the list of delightful sitcoms that beam with warmth, even when it's soaking cat flags (yes, that's a pirate banner adorned with a feline) with blood. Stellar talent doesn't always equate to a must-see, something special or both, of course; however, Our Flag Means Death ticks all of those boxes — and the who's who that is its guest and supporting cast also includes fellow Conchords alum Kristen Schaal, Big Mouth's Nick Kroll, Arrested Development's Will Arnett, and Aussies Claudia O'Doherty (Sarah's Channel) and Angus Sampson (Bump). With Waititi also helming the pilot and executive producing, his winning ways with TV comedies continue, too, after a top-notch few years that've included the What We Do in the Shadows television spinoff and Reservation Dogs as well. Ahoy, streaming lovers — let Our Flag Means Death sail into your queue right now. Check out the full trailer for Our Flag Means Death below: Our Flag Means Death's first season is available to in Australia via Binge and in New Zealand via Neon. Images: Aaron Epstein/HBO Max.
Exercise should be fun. It is a great way to feel fit and fresh and make new friends along the way. Running on that treadmill can be repetitive though, and by now you are probably zoned out of Zumba. So we're all ears to new workout options and technologies that can rejuvenate our routines. Thankfully, creative trainers all across the world have been hard at work creating the next big thing for you and your friends to throw yourselves into. These weird trends are taking over gyms, parks and post-workout coffee discussions everywhere. Want the endless energy to conquer whatever heights a new workout takes you to? We recommend you get fitted in the latest Boost technology found in the Adidas adistar Boost, available in limited release from our friends at the Athlete's Foot. Bokwa Where: Nationwide Dance-inspired fitness classes show no sign of fatiguing any time soon, and Bokwa is the latest craze stepping out onto the floor. Bokwa is cardio with a culture, fusing conditioning with customary African dance to create a full body workout that will leave you craving more. The best part is you can be as uncoordinated as you like and still join in, with the steps all spelling out basic numbers, letters and words. So basically if you have read this far into the article, you can Bokwa. Virtual Reality Cycling Where: Athlete Lab, Sydney and Best Practice Personal Training, Brisbane Virtual Reality cycling takes cyclists on a virtual vacation from inside their own gym. The class utilises a large projector or screen display to simulate scenery and environments from all across the world to crash through the cycling constraints of the four walls surrounding exercisers. Whether you are peddling the pavement in New York or assailing the Alps, you will find yourself working up a serious sweat whilst dodging cars without the danger. TRX Suspension Training Where: Fitness First centres across Australia or your own home TRX Suspension Training is ready to get you navy-fit anywhere, anytime. All you need are suspension bands and your own body weight to perform a rewarding resistance workout that caters to all levels of fitness and gets you fit for whatever life throws your way. You do not even have to pay for a gym membership as the bands can be put up anywhere from your bedroom to the local park. Bingo! Quidditch Where: Across Australia Yes, you read correctly. Quidditch is taking over the world as Harry Potter fans look to keep the magic going. There is no need to have read or seen any of the books or films to take part though, with all equipment, including your very own broomstick, supplied and rules very easy to pick up. Once you embrace looking silly alongside everyone else, you will probably end up having the best time you have ever had with a broomstick between your legs. So lace up those runners, mount up and seek that snitch. Street Workouts Where: Anywhere outdoors Street workouts provide you with the best opportunity to head outdoors for your exercise this winter. This workout emphasises the utilisation of public facilities and your surrounding environment. You could do activities such as pull-ups on the monkey bars, dips on the park bench and jumping over obstacles, parkour style. Plus, it is all for the price of free. Extreme Obstacle Courses Where: Nationwide Whether you want to be a Tough Mudder or a Spartan Racer or both, there is an extreme obstacle race out there waiting for you to conquer it. These gruelling courses stretch up to 20 kilometres and allow you to test all elements of your endurance as you crawl through mud, swing over pools and climb over walls. Then they zap you with live wires, just to make sure your heart is in it. It is all worth it at the end, though, as you are rewarded with that glorious sense of athletic achievement and personal pride. Backwards Running Where: Outside Backwards running is the process of running backwards. See, it is nice and simple. Aside from being a fun way to imagine the world in reverse, it also is said to be good for your fitness, as it can improve your balance and take the strain off muscles used in that boring forward running. This is a good time to pull on a pair of adistar Boosts, as the extra cushioning in the sole provides support for the heel when running backwards. Check out this clip for some motivation. One to try on a track very clear of obstacles. Cycle Karaoke Where: Currently only the US Cycle Karaoke — or Cyclaoke, as we have taken to calling it — finally provides an opportunity to sing your way into shape. It aims to get you exercising at your optimal heart rate, so if your rendition of Queen's 'Bicycle Race' is proliferated with panting, then you should ease off a little. Then again, if you are belting out 'Eye of the Tiger' with ease then you really need to focus on your pedal power rather than your power ballad. Either way, it is exercise at its embarrassing best. Antigravity Yoga Where: Nationwide Ever wondered what it would feel like working whilst airborne? If so, then antigravity yoga is for you. By settling into a supportive silk hammock you can exercise off the ground and remove a significant amount of stress from your body. Combining elements of yoga, dance and the aerial arts, it will help you form a concrete core as you have fun learning to fly. Man Versus Horse Marathon Where: Wales, United Kingdom If none of these are for you, though, and you want the ultimate challenge, then you should race a horse. The annual Man Versus Horse Marathon covers a 35km cross-country course and is the ultimate test of man versus animal. You can take on the horse all by yourself, or you can take two gym buddies with you and claim team glory. With only three human winners in the 32-year history of the race, your name could go down in history forever. Before you head out on these 10 super-charged new workouts, it helps to have the endless energy harnessed by the new Adidas adistar Boost on your side. They're in limited release at the Athlete's Foot now. How do you boost? These four athletes have a few ideas to rival our own. Vote for your favourite to be in the running for your own pair of Adidas adistar Boost running shoes. https://youtube.com/watch?v=nTH4KKY5_5s https://youtube.com/watch?v=RJYVuVV-yC4 https://youtube.com/watch?v=u3-xitE0fy0 https://youtube.com/watch?v=juY_jxiCJms Top image: Tough Mudder contestants in costume.
Jiro is an idealistic young man obsessed with the concept of flight. His poor eyesight means he can never be a pilot, so he becomes an engineer, designing planes that go as fast as is humanly possible. As Japan finds itself embroiled in the Second World War, Jiro falls in love with Naoko, and is torn between his desire to be with her, and his duty to his masters. Japanese animation maestro Hayao Miyazaki — best known for classics such as My Neighbour Totoro, Spirited Away, Howl's Moving Castle and Ponyo — creates what may be his final film ever. (Miyazaki has announced his retirement many times in the past, and did so in the lead-up to this film. There are claims that he has backtracked this one as well.) If it is his last, it's a fitting coda. It's not difficult to see Miyazaki in Jiro: a single-minded focus with an artistic endeavour to the point of obsession. Despite being based upon a true story, a significant amount of creative licence is taken. This is, counter-intuitively, a good thing. Often, the more reverential a biopic attempts to be, the less interesting a film it is. This is a film about artistic passion, and there are more important truths about life during wartime that are illuminated in a way that a simple recounting of events would not. The film studiously avoids the cliches one would expect from this setup. It refuses to shy away from the questionable decisions made by Japan during wartime, but nor does it allow the idea of the country as the destined defeated to overwhelm what is ultimately a tale of human passion and endeavour. It's hard to think of a more measured film about non-violent people in wartime. Much of the controversy surrounding the film has focused on the fact that the protagonist is developing planes that will eventually becomes those that attacked Pearl Harbour. But that is the exact position of the myopic Jiro, who at one point expresses frustration that the planes must carry weapons and bombs, for they will slow down his masterpieces. And that's the point of the film: that the purity of artistic endeavours are often destroyed by those more concerned with conflict and battle. Madman Entertainment is releasing the film in both English and Japanese with English subtitles. You'll have to check to see which version your local cinema is playing, but if you have a choice, the Japanese language one is always preferable. There's something about the formality and manner of Japanese speech that doesn't translate well into English vocals, and even the most careful redubs often sound silly and awkward. Moments of sincerity can often sound funny, so exercise discretion. On the other hand, the English version has Werner Herzog as a German spy, so you can't really go wrong either way. It's a bold, unapologetic film that is not always completely successful, but there is a confident vision at play, and that is always welcome. https://youtube.com/watch?v=RzSpDgiF5y8
After closing its doors two years ago, Woolloongabba's popular Chalk Hotel is set to spring back into business. Don't go queueing for a drink on the corner of Stanley and Reid streets or planning your post-cricket or -footy brews just yet, however. The watering hole's revamp will form part of the surrounding site's redevelopment, meaning that it's likely to be a couple more years in the making. Still, the resurrection of the pub on the city's outskirts will come as welcome news for locals, or anyone who headed to the inner east for a pint and a pizza during the ten years it was in operation. Since shutting up shop when the company behind the hotspot went into receivership, the building has lain dormant, with nothing else popping up inside to replace it. The Courier-Mail reports that the Barakat Group and Dyldam Group will spend $3 million on the venue, including a new beer garden and an interior refurbishment, aiming to bring the site into line with the commercial, hotel and residential buildings that are in the works at adjacent properties. The Chalk's reopening is planned once the rest of development is finished, with construction slated to start within the next year, and to take up to 18 months. Via The Courier-Mail.
If you're feeling a little more adventurous this New Years Eve, hop over the Tasman to New Zealand for the Rhythm and Vines festival. Stretching over the last three days of December, Rhythm and Vines helps you welcome the new year with one of the biggest line-ups to grace the festival circuit in 2011, as well as Concrete Playground's own Pool Party. This instalment is headlined by Australia's biggest drum and bass export, Pendulum, whilst Calvin Harris brings his incredibly infectious sound to eager audiences. For the old-school demographic, DJ Grandmaster Flash will provide a great history lesson in hip-hop with his set. Don't miss out on an opportunity to see this undisputed legend working in an element that he was primarily responsible for. More bass will be provided by Skream and Benga, two dubstep pioneers who have developed a distinct, global sound from their modest beginnings in English warehouses. Other festival favourites such as Erick Morillo, Tiga and Architecture in Helsinki will also be in attendance. Accomodation ranges from rental houses to motel rooms to camping spots, so there's plenty of options to help mould your perfect festival bender experience. Courtesy of our friends at Stolen Rum, Concrete Playground has a double-pass three-day Club Stolen VIP Package up for grabs. What does the VIP Package offer? It will include an exclusive area with an uninterrupted view of the main stage, treated to delicious Stolen Rum cocktails throughout the night. Importantly, you'll also get access to toilets with actual flushes, and anybody who has been to a festival will know that this is truly a Godsend. To win this double VIP pass to Rhythm and Vines, make sure you are subscribed to Concrete Playground then email hello@concreteplayground.com.au (for Australia) or auckland@concreteplayground.co.nz (for New Zealand) by 5pm on Thursday 15 December, 2011. The winner will be notified by email soon after, and will be responsible for own transport and accommodation arrangements.
When The Market Folk first brought a heap of stalls to Newstead's old gasometer a couple of years back, it was clearly a smart move. Browsing and buying beneath one of inner-city Brisbane's most striking sights — what's not to love? Because some ideas are too great to stop, this winning combination has made a comeback for 2024. On regular dates — Saturday, September 14 and Saturday, November 2 are the next — you'll be heading to Newstead and shopping for fashion, art, homewares, plants, pots and ceramics. [caption id="attachment_814294" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] The September event is all about spring, taking place from 9am–1pm. To start November, you'll be shopping by twilight from 5–9pm. Either way, the Gasworks Plaza Markets will feature plenty of artisanal goodies to tempt your wallet. As always, Brisbane creatives will be in the spotlight, so you'll also be showing them some love as well. And, there'll be live music on the lawn, soundtracking your shopping. Plus, bringing your pooch is 100-percent encouraged. [caption id="attachment_747965" align="aligncenter" width="1920"] Andrew S via Flickr[/caption] Top image: The Market Folk.
