You may think you have a good handle on David Attenborough docos by now. He waltzes into an amazing natural landscape, dispels an extraordinary amount of knowledge on Everything in the Entire World, and promptly films something incredibly disgusting or depressingly ruthless. I think we're all still trying to forget that time he narrated hermaphroditic slug sex. Nevertheless, his latest venture is set to blow your mind all over again. Returning to Australia in November, this legendary, knighted filmmaker is filming his latest work in 3D at the Great Barrier Reef. Intended as a three-part series, Attenborough is excited about the possibilities of filming underwater in 3D. "People will think ‘for God’s sake not another program on the Barrier Reef. Haven’t we done enough?’ But underwater is a marvellous subject for 3D, I mean it really is absolutely breathtaking," he told The Herald Sun, sporting his trademark British charm. But honestly, we have no idea why Attenborough feels the need to convince us. While we've felt a little tired with the gimmick of 3D in recent years, this is the type of work the technology was made for. Attenborough won't be diving himself — give him a break, he's 88 years old — but he will be exploring the reef with the help of new underwater equipment that renders an incredibly high resolution. Though nothing has been released about the content of the series, Attenborough will more than likely be covering the political and environmental problems the reef has faced in recent times as well as its friendly fauna. It's a topic that has been in the news once again with #fightforthereef emerging on everyone's Twitter feeds earlier this year. Between global warming, the threat of coal ports in surrounding areas, and questionable preservation practices from the state and federal governments, the World Heritage listed site has faced a lot of problems in recent years. Documentary filming begins in November, but we won't know how far off the actual film is for months yet. Regardless, get ready to be transported directly to the heart of all your underwater Disney dreamlands. This is going to be well worth the IMAX money. Via The Herald Sun. Photo credits: ciamabue, stuandgravy, robdownunder, richard ling, richard ling via photopin cc.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=wu9wL8sDhXE SUPERINTELLIGENCE Playing a former couple who reconnect and reignite their spark, Melissa McCarthy and Bobby Cannavale have great chemistry together in Superintelligence. This isn't the first time they've featured in the same movie, thanks to 2015's Spy, but there's an energy to their work opposite each other here. She's Carol Peters, an ex-Yahoo executive who quit her job eight years ago with a dream of moving into philanthropy. He's George Churchill, a creative writing professor. Carol still thinks about George two years after their breakup and, when they re-meet-cute in a supermarket, he's happy to see her — although he is flying out to Ireland in three days to take up his dream academic job. There is enough to the concept just described to furnish a likeable albeit predictable rom-com that coasts by on McCarthy and Cannavale's charm and charismatic pairing. A film that simply followed the above story would be straightforward, but Superintelligence shows that it'd likely work. Alas, Superintelligence makes Carol and George's romantic antics the subplot in a movie that's actually about a sentient artificial intelligence that's trying to decide what to do about humanity, chooses Carol as an example of the most average person on earth, and pushes her to get back with George so it can observe, judge her actions and extrapolate what it might mean about people in general. Unsurprisingly, the tech side of the story crashes hard. As everything from Her and Ex Machina to the Terminator and Matrix franchises have shown, films about AI aren't new — and nor are movies about technology threatening to eradicate or enslave humanity — so a wealth of far better features have already traversed this territory. And while screenwriter Steve Mallory (The Boss) has come up with a twist on the idea that he seems to think is brilliant, it really isn't. How can it be when his killer concept just involves said artificial intelligence being voiced by James Corden, and that fact being recognised in the story because Carol is a big fan? If you're not as fond of Corden as she is (likely because you've seen Cats and The Prom), you won't be laughing. It wouldn't be funny even if you did like his work. It's a one-note gag, and a grating one at that. It also chews up far too much of Superintelligence's running time, when viewers would always rather be seeing McCarthy and Cannavale together without any silly gimmickry. The former's husband Ben Falcone directed the film, as he did with Tammy, The Boss and Life of the Party, but that can't explain why the movie squanders the best thing it has. McCarthy's career constantly swings from highs to lows (Can You Ever Forgive Me? and The Happytime Murders came out in the same year, for instance), but Superintelligence is both misguided and a missed opportunity. https://www.youtube.com/watch?v=6nmsIChFUCo DREAMLAND Back in 2013's The Wolf of Wall Street, Margot Robbie didn't simply hold her own against Leonardo DiCaprio. The Australian actor stole scenes from her then far-more-famous co-star — which, given that he put in a phenomenal performance, is no small task. Accordingly, the fact that she quickly rocketed from supporting player to the kind of lead that an entire film can hang from is hardly surprising. Her path from Suicide Squad to Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) illustrates it perfectly, in fact. Still, even Robbie's ability to lift a movie has its limits, which Dreamland tests. She's both luminous and textured in the Great Depression-set thriller. Playing a bank robber on the run, she's the most absorbing and intriguing part of the film. She's meant to be, because that's how and why her character of Allison Wells draws in Texan farm boy Eugene Evans (Finn Cole, TV's Animal Kingdom) and gets him to help her. And, Robbie is clearly invested in the movie both on- and off-screen, as she not only stars but also produces. That said, very little about Dreamland other than her performance proves anything more than standard, and noticeably so. Director Miles Joris-Peyrafitte (As You Are) aims to follow in the footsteps of Badlands and Ain't Them Bodies Saints — and brings Bonnie and Clyde to mind, too — but flails in comparison to both. Dreamland does boast a gorgeously hazy, woozy aesthetic — through the hues that cinematographer Lyle Vincent (A Girl Walks Home Alone at Night) splashes across the screen, primarily — that gives it an enticing look and feel. In quick square-framed shots inserted to represent flashes of dreams of a life that could possibly come if everything goes Allison and Eugene's way, the film couldn't be more alluring. But, alongside Robbie's performance, that isn't enough to boost the routine storyline. Indeed, at times the movie's visual style even augments and bolsters Dreamland's been-there, done -hat air. The narrative doesn't need much help, though, with screenwriter Nicolaas Zwart (Riverdale) hitting as many recognisable beats as the cops pursuing Allison fire off shots. She's wanted in general, but also because her last stick-up with her now-dead partner saw a little girl get killed. Eugene's stern stepfather George (Travis Fimmel, Lean on Pete) is one of the deputies on her trail, so the teen's decision to let her hole up in his family's barn is instantly risky. The young man is also desperate to flee himself, to find the dad that abandoned him and his mother (Kerry Condon, Better Call Saul) years earlier on their dustbowl property, so he doesn't need much convincing to assist Allison in this all-too-familiar affair. https://www.youtube.com/watch?v=1_xZGoYU1eg CROCK OF GOLD: A FEW ROUNDS WITH SHANE MACGOWAN Frontman for The Pogues since the early 80s, and a formidable music force in-between the Celtic punk band's stints together — until the 90s, and then from the early 00s to the mid 10s — Shane MacGowan is a rare beast in his chosen industry. He's a true individual that no one could ever emulate no matter how they tried. He's also a spikier, pricklier, far more recalcitrant figure than others who've earned that description (David Bowie and Prince, for example). He certainly has more stories to tell about smoking cigarettes and drinking booze as a child, then listening to his aunt teach him the gospels and sharing her religious fervour to such an extent that he even thought about turning his childhood beliefs into his life's work. Accordingly, to delve into MacGowan's existence beyond the easy-to-Google biographical details, the usual musician-worshipping documentary was never going to do him justice. So, seasoned director Julien Temple doesn't try to fit the usual mould. The filmmaker has ample experience in the genre, with Sex Pistols rockumentary The Filth and the Fury on his resume — plus Joe Strummer: The Future Is Unwritten and Glastonbury, too — and he's just adept at finding the right approach for the right subject. In Crock of Gold: A Few Rounds with Shane MacGowan, viewers hear the song that he's best known for more than once. The Pogues' 'Fairytale of New York' is an instrumental part of his story, after all. Although it was released in 1987, it's also the most popular Christmas song of the 21st century. Alongside the film's birth-to-now linear path, the use of well-known tune is the most standard part about this deep dive into MacGowan upbringing, fame and controversy. Case in point: MacGowan isn't an interviewee here in the traditional sense. Archival footage of him answering questions fits the expected mould, but in his more recent chats specifically for the doco, he talks with people he knows such as Johnny Depp, Primal Scream's Bobby Gillespie and former Sinn Féin president Gerry Adams. It's a canny and compelling approach, likely by necessity, and just how MacGowan changes depending on his company doesn't escape attention. In the process, and amidst animated sequences, family photos and videos, and deftly deployed stock imagery, Temple lets his audience see first-hand how a man with such a strong presence and infamous reputation is still a rolling, rambling bag of contradictions and complications — although MacGowan's words, offered over more than a few drinks as the lively film's title makes plain, easily paint that picture themselves. If you're wondering what else is currently screening in cinemas — or has been throughout the year — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26; and December 3 and December 10. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle, The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta, Rebecca, Kajillionaire, Baby Done, Corpus Christi, Never Rarely Sometimes Always, The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky and The Furnace. Images: Superintelligence, Hopper Stone; Crock of Gold: A Few Rounds with Shane MacGowan, Andrew Caitlin.
There is nothing quite like an international design competition to put the world's leading architecture firms into a bit of spin. And that is exactly what has happened since the Busan Metropolitian City Government in Korea sponsored a competition to find a design for Busan's new Opera House, set to begin construction in 2014. The brief was fairly straightforward - the winning design needed to completely reenvisage the Busan Opera House on the harbour of South Korea's second largest city, Busan, and create a new cultural landmark which would resonate with the residents of Busan and the surronding marine culture, yet would also put Busan firmly on the international stage. In practical terms, the brief also stipulated that the design had to include an Opera Theatre, a multi-purpose theatre, and provide areas for people to congregate and enjoy views of the city skyine and the ocean. The competition certainly has fired up the imaginations of architects worldwide The Swiss-based architecturel firm Kubota and Bachmann have put forward a design based on Korean traditions, featuring an impressive artificial body of water, while a German firm, Peter Ruge Architekten, have gained significant attention with their sustainable design. Sydney-based architects Lascoste and Stevenson have also weighed in with their pod-shaped design. The final decision on the design of the Opera House will not be known until the second stage of the competition. But whatever the result, it looks like post 2014 Sydney may not be the only harbour city with an enviable Opera House.
Earlier this year, when events worldwide started cancelling, postponing and rescheduling due to COVID-19, the Museum of Old and New Art (MONA)'s Dark Mofo was sadly one of many that had to pull the plug. It's also just one of the annual festivals that the venue holds and, thankfully, MONA's summer event will be forging ahead — with the venue announcing dates and locations for Mona Foma 2021. Come January, arts and music fans will be able to soak in the fest's eclectic sights and sounds across two weekends — and in two locations. Although Mona Foma was originally held in Hobart, where MONA is located, the event made the move to Launceston in 2019. In 2021, however, it'll split its program between both Tasmanian cities. Launceston will be up first, from January 15–17, with Hobart getting the nod the next week from January 22–24. Just what'll be on the bill hasn't been announced as yet, and won't be until later this year, but the fact that the festival is happening at all is the kind of great news that 2020 has been lacking. As Mona Foma curator Brian Ritchie explained, "Mona Foma thrives on reinvention and we are compelled to do that big time in January 2021. One weekend in Launceston, and one weekend in Hobart, to spread the love. Great Tasmanian artists, unusual venues, and an irrepressible creativity". Focusing on Tassie artists isn't new for the fest, with 61 percent of creatives involved in the 2020 event hailing from the state. [caption id="attachment_784488" align="aligncenter" width="1920"] Robin Fox laser installation at the Albert Hall, Launceston, Mona Foma 2019. Photo Credit: MONA/Jesse Hunniford. Image courtesy of the artist and MONA Museum of Old and New Art, Hobart, Tasmania, Australia[/caption] Of course, before you go making big plans for a weekend getaway down south, you'll want to keep an eye on Tasmania's current border restrictions — which, at the time of writing, requires 14 days in quarantine in government-designated accommodation for non-Tasmanian residents who aren't classified as essential travellers, and additionally requires pre-approval from the Deputy State Controller if you're entering from a location considered high-risk, such as Victoria. Mona Foma will take place from January 15–17, 2021 in Launceston, and from January 22–24, 2021 in Hobart. We'll update you when the full program is announced later this year — but head to the festival website in the interim for further details. Top image: The Flaming Lips, Mona, Hobart, Mona Foma 2016. Photo Credit: MONA/Rémi Chauvin. Image Courtesy Mona, Museum of Old and New Art, Hobart, Tasmania, Australia.
In between running one of Brisbane's favourite vintage cafe bars and teaching us where the best bits of Brisbane are, longtime Aussie music go-to The Grates are back for their first national headline tour since 2011. Brisbanites Patience Hodgson, John Patterson and Ritchie Daniell will be taking their Team Work Makes The Dream Work tour down Australia's east coast with Sydney punk garage band Straight Arrows and Brisbane punk/synth duo Pleasure Symbols. Described as "fun and thrashy pop punk at its best" by triple j, these three have a reputation for giving an incredible live show that'll have you on your feet. The Grates have been seriously productive over the last few months; after releasing their fourth celebrated studio album, Dream Team last year, they went on to absolutely crush it at Splendour In The Grass. The Grates' long-awaited return to the stage is sure to be one of those dance-till-you-drop affairs — here's hoping for a furious '19-20-20' throwback singalong to obliterate our vocal chords once and for all. THE GRATES 'TEAM WORK MAKES THE DREAM WORK' 2015 TOUR: Saturday, August 8 – The Triffid, Brisbane Friday, August 14 – Oxford Art Factory, Sydney Saturday, August 15 – The Corner Hotel, Melbourne The Grates are touring Australia's east coast this August, and thanks to Secret Service, we have three double passes to give away to their Brisbane, Sydney and Melbourne shows. To be in the running, subscribe to the Concrete Playground newsletter and then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Over the last few days, Queensland's COVID-19 situation has started to change rapidly, resulting in the reintroduction of social gathering limits for the Greater Brisbane area. While the Sunshine State hasn't reinstated any other restrictions at the time of writing, the Queensland Government is now recommending that Brisbanites begin wearing a face mask in certain situations. On Monday, August 24, Chief Medical Officer Dr Jeannette Young advised that Queenslanders living in the Brisbane, Ipswich, Logan City, Scenic Rim, Somerset, Lockyer Valley, Moreton Bay and Redlands local government areas should think about covering their faces "if you can't maintain social distancing". Dr Young's specific advice: "if you're in a crowded situation that you can't get out of, put a mask on". Her recommendation comes as the state identified one new COVID-19 patient linked to the growing number of cases it is calling the Brisbane Youth Detention Centre cluster, and as authorities keep warning that more positive cases are likely. Situations where Brisbanites might want to think about donning facial coverings include visiting crowded areas such as shopping centres or markets, catching public transport, or anywhere where it is not possible to maintain a distance of at least 1.5 metres from other people. Dr Young included a strong caveat with her recommendation, however, advising that folks shouldn't stop social distancing because they're wearing a mask. "Social distancing, that 1.5 metres, is far more effective than a mask," she noted. "Masks are not totally foolproof, they will not protect you totally, whereas maintaining social distancing and washing your hands will protect the vast majority of people in the vast majority of situations." https://www.facebook.com/annastaciamp/photos/a.523591701005345/3447603491937470/?type=3&theater Also pivotal, as Dr Young also stressed: getting tested at the first sign of even the slightest of COVID-19 symptoms. They include coughs, fevers, a sore or scratchy throat, shortness of breath, and the loss of smell or taste. The advice regarding masks isn't compulsory and won't be enforced, so you won't be fined if you don't comply. At the moment, it's just a suggestion for residents of Greater Brisbane — although, as a precaution, hospital patients, visitors and staff in the metro north, metro south and West Moreton regions have been specifically asked to consider wearing masks throughout medical facilities. Down south, masks have been compulsory in Melbourne since mid-July — so if you're now wondering which type of face mask is best, where to get them or how to make your own, the Victorian Department of Health and Human Services website has put together a guide, including step-by-step instructions for putting together your own three-layer face mask at home. You'll also find information about how to wear a mask correctly, how to take it off, and when to wash and replace it. Of course, you could always order a custom mask with your pet's face on it, too. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website.
Calling all history buffs: now is an excellent time to plan a long weekend in Canberra, with an incredible exhibition celebrating the might of the Roman Empire arriving at the National Museum of Australia (NMA) on Friday, September 21. Rome: City and Empire is a collaborative exhibition with the British Museum and makes the NMA only the second institution to host it worldwide — and the only museum that will do so in Australia. The exhibition showcases over 200 jaw-dropping objects, including marble sculptures, illustrations, geometric jewellery, gold medallions and burial chests — many of which have never toured internationally, let alone reached the Southern Hemisphere. This is once-in-a-lifetime stuff. Whether you're a history aficionado who smashes all the ancient Rome questions at trivia or a total novice, the exhibition offers an opportunity to step back in time to experience what daily life was like in one of the most sophisticated, culturally diverse and creative civilisations the world has ever known. You'll leave with an insight into just how Rome became such a mighty empire — one whose aesthetics, ingenuity and approach to design continue to influence us today. Rome: City and Empire will run from Friday, September 21, 2018 to Sunday, February 3, 2019. Tickets can be purchased via the NMA's website. Images: Fragment of a diadem, Naukratis, Egypt, 67–98 CE, gold; Roman Republican coin for Julius Caesar minted in Rome, Italy, 44 BCE, silver; Mosaic panel, Halicarnassus (modern Bodrum), Turkey, 4th century CE ©Trustees of the British Museum
Biannual art and design markets The Finders Keepers returns for an autumn iteration, bringing shoppers face-to-face with some of the country's most creative designers. This time, it's happening over three bumper days from Friday, May 20 to Sunday, May 22 at Brisbane Showgrounds' Exhibition Building, with general admission tickets starting at just $5. The focus remains, as ever, on helping you discover and connect with the next wave of independent and emerging artisans, with a focus on local designers. Expect to find everything from jewellery, fashion and ceramics to leather goods and body products. Be sure to stop by K-Rae Designs, this edition's recipient of the Brisbane Indigenous Program, to browse a range of lettered stationery, tees, prints and more. When the inevitable shopping-induced hunger strikes, there'll be food trucks and coffee spots on offer. One thing you do need to remember, though, is that the markets are completely cashless, so be sure to bring along your digital (or plastic) payment device to take home a new design or two. The Finders Keepers Autumn/Winter Markets take place on Friday, May 20 (4–9pm), Saturday, May 21 (9am–4pm) and Sunday, May 22 (9am–4pm) at the Exhibition Building, Brisbane Showgrounds. For more info and to check out the full vendor lineup, head to the website.
Isabella Rossellini is coming to Australia, dressed as a praying mantis and talking about sex. Set to perform her critically acclaimed, one-woman comedy show Green Porno, Rossellini will tour Perth, Sydney, Brisbane, Melbourne and the Adelaide Festival, with her hilarious take on the fascinating sexual habits of land and marine animals. The playful stage show, based upon Rossellini's short film series and subsequent book of the same name kookily exploring mating in the natural world, will first premier in Los Angeles this November. The screen icon — who is currently studying animal behaviour at Hunter College in New York — says that she's always been interested in animal behaviour: "...and I certainly know a lot of people that are interested I sex. So here you have the three elements that make the core concept of Green Porn." Provocative, unusual and hilarious, the show first originated in 2008, when Robert Redford asked the Italian actress to create short, environmental films for his Sundance TV Channel. Rossellini then wrote the stage production, alongside Jean-Claude Carrier —well-known author, actor, opera librettist and director. Expect a mix of live performance along with some of Rossellini's short films. The actress dresses up in a variety of ridiculous insect and sea-creature costumes, while providing a storyline that is completely scientifically accurate. https://youtube.com/watch?v=BckqviVaWl0
In his amazing text exploring the essence of photography, cultural theorist Roland Barthes talks about ‘the image that pricks’. This refers to the moment when the photographer is moved by the scene in front of them, and clicks the button to capture this vision at just the right moment. Now in its eleventh year, the Nikon-Walkley Photographic Exhibition includes over a hundred images that prick - these are the finalist photographs from the Nikon-Walkley 2011 Press Photography awards. With the tumultuous year that was 2011, the collection on display includes some incredibly moving images with many photographs of the Queensland floods, Cyclone Yasi and the Christmas Island boat tragedy on display. Though with the records of disaster there are also moments of great triumph and excitement to view as well – the tenacity of Australians in the aftermath of the many natural disasters, many of the great moments in art and sport, visits from royalty – that is, Her Majesty the Queen and the honourable Lady Gaga. The exhibition opens this week and will be on display until late February, taking up three levels of wall space at the Brisbane Powerhouse. Get down to New Farm today and see what ol’ Barthes was talking about. Image credit: Stuart McEvoy, 'Cyclone Yasi – Maria Domandi'
If mythical creatures, unsolved murders and unease in the Victorian era all sound like your idea of great television, then Amazon Prime Video's new fantasy series might be just up your alley — or row. Starring Cara Delevingne as a faerie and Orlando Bloom has a brooding detective, Carnival Row boasts all of the above, as well as a heavy gothic-meets-steampunk vibe. Story-wise, the drama unpacks the fallout of a turf war, after humanity encroaches upon the homelands of mythological beings. In the aftermath, the latter — including Delevingne's Vignette Stonemoss — attempt to co-exist with non-magical folk. It doesn't go smoothly, with a series of killings under investigation by Bloom's Rycroft Philostrate understandably making matters worse. Releasing on Friday, August 30, Carnival Row appears to follow in the footsteps of plenty of previous tales that've used fantasy, sci-fi and superheroes to explore intolerance, immigration, discrimination and refugees. The twist comes from the period setting and neo-noir atmosphere — so think X-Men meets Penny Dreadful. Created by René Echevarria (The 4400, Teen Wolf) and Travis Beacham (Clash of the Titans, Pacific Rim), Carnival Row is based on the latter's script. Amazon is already confident about the show, renewing it for a second season before the first has even released according to Variety. Check out the trailer below: https://www.youtube.com/watch?v=369LHB9N-Ro Carnival Row hits Amazon Prime Video on Friday, August 30.
We've all been there: you're eating something delicious and your adorable dog wants some, but it's just not good for them. Everyone who shares their life with a barking four-legged best friend has experienced this scenario, because pooches always want to do whatever their humans are doing — and eat whatever they're eating, too. Sadly, while cute pups love the sight and smell of plenty of human treats, they just can't stomach some foodstuffs. Chocolate is a culprit, as everyone remembers come Easter. Thanks to its milk and sugar content, ice cream is another. If your four-legged best friend goes yapping mad over heaped ice cream cones, here's the good news: Gelatissimo is releasing a new limited-edition flavour that's both human and canine-friendly. We're not saying that you and your fluffball should share the same cone of the frosty dessert, but you definitely could. Made fresh in-store, the new scoop is banana and strawberry flavoured. To make it suitable for dogs, it's made with oat milk, so it's also vegan. It also features cavendish bananas and strawberries, unsurprisingly. That said, puppers with a history of pancreatitis or allergies do need to steer clear. Those who can tuck into a tub will find it at Gelatissimo outlets around the country from early October, but only for a limited time. If it all sounds familiar, that's because Gelatissimo did something similar back in 2019, but with a peanut butter flavour. "Our last pup-friendly gelato was the hugely popular, limited-edition Pawesome Peanut Butter," says Filiz Kaya, Gelatissimo's Head of Product Innovation. "It is still requested to this day, so we wanted to bring back the concept, but this time with a fresh and fruity twist." View this post on Instagram A post shared by Harvey the Border Collie 🐾 (@henlo.itsharvey) Vegan banana strawberry gelato is available at all Australian Gelatissimo stores for a limited time from early October. For more information and to find your nearest store, visit Gelatissimo's website.
For many folks, renting is one of life's unpleasant necessities, and it comes with plenty of grief. If you've ever been forced to beg your landlord to fix faulty lighting (you know, so you can see at night and just generally live in a safe environment), then you'll understand. But in good news, the Queensland Government looks set to shake up the state's tenancy laws. After a nine-week tenancy legislation review — the first step in the first major examination of existing laws since the 70s — the government has announced the key findings from more than 130,000 responses. Given that 34 percent of Queensland households are rentals, the main points shouldn't come as a surprise to anyone. Pets and making minor changes were hot topics, as everyone who has ever rented would expect. From those surveyed, many tenants reported that it was difficult to find a property that accepted four-legged creatures. Many also said that they'd like to be able to hang pictures or affix their furniture to the wall without it being a huge hassle. From the landlords' perspective, they'd like to approve changes to their properties, make sure any modifications were safe, and have their houses returned to their original condition when a tenant leaves. Another frequent issue of contention, rental bonds, inspired a range of answers. Tenants would like to transfer bonds from one place to the next if they move, while owners flagged that bonds weren't always sufficient to cover rental arrears, or if a tenant damages a property but won't pay for it. On the issue of wear and tear, folks living in rentals asked for expectations to be clarified around what's fair, and also around the standard of cleaning required when they vacate the premises. The situation where a tenant receives clear quarterly inspections, only to be penalised — and lose their bond — for wear and tear when they move out, was also raised. Regarding applications, renters requested standardised and simplified forms, and suggested that supplying bank statements as part of the process was an invasion of privacy. Payment processing fees, ranging between 60 cents and $5 whenever someone pays their rent, were also mentioned. Overall, half of respondents stated that existing rules seemed weighted in landlords' favour, compared to just under a quarter who thought the opposite. And nearly 87.6 percent of participants thought that the quality of their rental property was good or excellent. Other than continuing to analyse the feedback, the exact next steps haven't been revealed, and nor has a timeline for implementing changes. That said, reviewing the Residential Tenancies and Rooming Accommodation Act 2008 and looking at legislative amendments is the overall aim. Earlier this year, the Victorian Government passed its own rental changes, which the Queensland Government notes in its statement. Many of the same matters are set to be enshrined into law down south, including no less than 100 reforms aiming to increase Victorian renters' rights and protect tenants in vulnerable positions. Image kgbo via Wikicommons.
Fatima Fazal, founder of iHeart, has created the Heart Part, a clever contraption which can be used as a knife, fork and scoop. Heart Parts are 100% biodegradable and are made of 88% less plastic than regular utensils. Furthermore, when they're joined together they form a lovely heart shape that will bring a little happiness into your day. Sitting at $8.95 for a box of ten, these are conveniently small, environmentally friendly and easy on the wallet too. I doubt these will get you through a 500 gram rump steak, but they'll be a handy addition for light snacks and party foods. Grab one of these at the iHeart store and do your part to save the world. Watch the video below for a comprehensive rundown on how these work. https://youtube.com/watch?v=jAIVjmQKn0g [via PSFK]
Enter the words 'true crime' or 'serial killer' into Netflix and something thoroughly unsurprising results: a hefty list of shows and movies to watch, dramas and documentaries alike, because the streaming platform sure does love this niche. In the future, those searches will throw up two more results, with 2022 newcomer Monster set to return for another couple of seasons. Monster's debut run came with the unwieldy full title DAHMER — Monster: The Jeffrey Dahmer Story. While exactly what season two and three will be called hasn't yet been revealed, they will need to switch that moniker up. For the show's return, it'll turn into an anthology series, creating "two more instalments that will focus on other monstrous figures who have impacted society", the service announced on social media. Following the record-breaking success of DAHMER - Monster: The Jeffrey Dahmer Story, Ryan Murphy & Ian Brennan will create two more installments that will focus on other monstrous figures who have impacted society. A second season of The Watcher has also been greenlit! pic.twitter.com/NmFdj6soJj — Netflix (@netflix) November 7, 2022 Who'll those monstrous figures will be also hasn't yet been unveiled, but Netflix is expanding its true-crime remit either way — and creator and prolific TV producer Ryan Murphy is adding another anthology series to his resume after American Horror Story and American Crime Story. In its ten-part first season, which dropped in September, Monster starred WandaVision, Mare of Easttown and American Horror Story actor Evan Peters as the titular IRL murderer. Dahmer's story is particularly gruesome, as the series conveyed; between 1978–1991, he murdered and dismembered 17 boys and men — and there's more to his crimes, including cannibalism. Yes, getting well-known faces to play horrific killers is also part of Netflix's true-crime trend so far — which, if you watched Zac Efron play Ted Bundy in Extremely Wicked, Shockingly Evil and Vile a few years back, you'll already know. Netflix might've stopped adding new Mindhunter episodes to our streaming queues, sadly, but the platform has served up everything from The Serpent and the Conversations with a Killer series to The Stranger and The Good Nurse since. Also included: fellow recent series The Watcher, also produced by Murphy, which is now getting a second season as well. Check out the trailer for DAHMER — Monster: The Jeffrey Dahmer Story below: DAHMER — Monster: The Jeffrey Dahmer Story is available to stream via Netflix. We'll update you with release date's for Monster's second and third seasons when they're announced.
New Year's Eve isn't just a time for looking forward — it's also a time for looking back. Take Brooklyn Standard's "Made in America NYE16" Laneway Party, for example. When you're taking stock of the years that have passed by, you might remember that these kind of shindigs didn't always happen in Brisbane, let alone in the CBD. If that doesn't make the Eagle Lane gathering even more special, then we don't know what does. Actually, we do. Try parties both outside and in, music from Pocketlove, DJ Thomas Prime, Colt Seavers and the Rockabilly, and Road Band and Demon Drink, plus a 4.5 hour package that includes beer, cocktails, basic spirits and sparkling, as well as American street food.
The Melbourne International Film Festival has been showcasing the best that cinema has to offer for seven decades now, but it has never hosted a fest like its upcoming 2021 event. Given that every year's festival heralds a fresh lineup filled with new big-screen gems, that's always true in a fashion; however, this is the first time that MIFF is going both physical and digital in a significant way. MIFF's just-announced full 2021 program boasts plenty of must-see movies, including opening night's previously revealed Australian standout The Drover's Wife The Legend of Molly Johnson; Adam Driver-starring musical Annette, which screens straight from opening this year's Cannes Film Festival; and a festival-record 40 world premieres in total. It also offers multiple ways for audiences to watch its selection, including folks who aren't or can't make the trip to Melbourne. Accordingly, between Thursday, August 5–Sunday, August 22, Melburnians can head to a range of local cinemas — and from Saturday, August 14–Sunday, August 22, cinephiles all around the country can watch from home, too. Neither group will be short on options, although the in-person lineup is considerably bigger than the program of flicks that'll be available to watch on the festival's new online viewing platform, MIFF Play. In total, this year's fest spans 283 titles, including 199 features, 84 shorts and 10 virtual reality experiences, with 62 of those also available to watch digitally. MIFF's 2021 closing night pick is one of the films that movie buffs can choose to view in either setting. Directed by and starring Natalie Morales (The Little Things), and completely filmed via Zoom in 2020, Language Lessons is a platonic rom-com about a Spanish teacher (Morales) and her new student (Mark Duplass, Bombshell). It's also one of the big-name titles on the full lineup this year, alongside Memoria, which features Tilda Swinton in Cemetery of Splendour filmmaker Apichatpong Weerasethakul's English-language debut; Bergman Island, the Tim Roth and Mia Wasikowska-starring latest title from Mia Hansen-Løve (Things to Come); No Sudden Move, Steven Soderbergh's crime flick with Don Cheadle, Benicio Del Toro and Jon Hamm; and Pig, which sees Nicolas Cage play a truffle hunter (yes, really). Also on the newly revealed complete bill: centrepiece gala selection Summer of Soul (...or, When the Revolution Could Not Be Televised), which is directed Questlove and looks back on the Harlem Cultural Festival of 1969; Roadrunner: A Film About Anthony Bourdain, a documentary charting the late presenter and chef's life; and River, the latest musing on the planet we all call home by Sherpa director Jennifer Peedom. There's also Cow, which sees American Honey director Andrea Arnold explore the existence of a dairy cow; Street Gang: How We Hot to Sesame Street, about the beloved children's television staple; and Year of the Everlasting Storm, in which the aforementioned Weerasethakul is joined by six other filmmakers on an anthology about life under lockdown and the power of cinema. Festival attendees can similarly check out There Is No Evil, the searing 2020 Berlinale Golden Bear-winner which screens as part of a showcase of new Iranian cinemas; collaborative doco Those Left Waiting, which has been filmed by refugees around the world; music mockumentary The Nowhere Inn, starring Carrie Brownstein (Sleater-Kinney) and Annie Clark (St Vincent); In the Earth, the new film from Free Fire and High-Rise's Ben Wheatley, which steps into a world ravaged by a virus; and blistering thriller New Order, which delves into power and oppression in Mexico City. From the Australian contingent, Fist of Fury Noongar Daa dubs the Bruce Lee-starring Fist of Fury in an Aboriginal Australian language, and becomes the first feature to ever do so — while The Kids looks back on the seminal 90s film Kids, competitive swimming drama Streamline is based on Ian Thorpe's experiences, and Friends & Strangers is an Aussie slacker satire. On the must-see list, these newly revealed titles join the likes of Australian drama Nitram, about the lead up to the events in Port Arthur a quarter-century ago; Petit Mamam, the new film from Portrait of a Lady on Fire's Céline Sciamma; and tweet-to-screen comedy Zola — all of which were announced last month in the fest's first batch of titles. MIFF's physical venues for 2021 include Comedy Theatre, the Forum, RMIT Capitol Theatre, ACMI, Kino Cinemas, Hoyts Melbourne Central, Coburg Drive-In, The Astor, Palace Cinemas Pentridge, The Sun Theatre and Lido Cinemas — and, if you're wondering about the big move into digital as well, that follows 2020's online-only fest, which became MIFF's largest festival ever, audience-wise. The 2021 Melbourne International Film Festival runs from Thursday, August 5–Sunday, August 22 at a variety of venues around Melbourne. For further details, visit the MIFF website.
When it comes to yoga poses, downward-facing dog is yesterday's news. Now, it's all about reclining cats and scampering kitties — and having furry, friendly felines in the room with you. Okay, okay, so we just made up those two positions; however we wouldn't dare joke when it comes to Brisbane's latest exercise trend. And, at Stretch Yoga's next event, working out with a purrfect pal isn't the only thing on the agenda. Should you fall in love with one of the cute critters, you can also take it home with you. That's right, stretching your limbs, potentially adding a cat to your family and helping a creature from Kitt Kat Care go hand in hand at the studio's Kitten Yoga Adoption Day. With all that on offer at 5.30pm and 6.30pm April 27 in the CBD, at 12.30pm and 1.30pm on April 28 at Holland Park, and at the same time and place on May 5 — but this time throwing pilates into the mix — resistance is futile. Just remember to book in for the classes in advance, because this kitty bonanza is certain to be popular. And, if you'd rather do pilates with a pooch, that's on offer too — as part of Stretch Yoga's Stretch for a Stray animal-oriented birthday weekend.
Australians, it's time to pack away your gumboots for the year and completely forget about dancing in a field this spring — because music lovers won't be descending upon North Byron Bay Parkland in November. For the second year in a row, Splendour in the Grass has been forced to change its plans due to the pandemic. Like fellow Byron Bay festival Bluesfest, the event will now sit out 2021 completely due to the COVID-19 situation in New South Wales, and will instead reclaim its usual winter slot in 2022. The dates to mark in your diary: Friday, July 22–Sunday, July 24, 2022, as that's when the fest will now celebrate its 20th-anniversary event. And, in a welcome development, festival organisers have confirmed that already-announced headliners Gorillaz, The Strokes and Tyler, The Creator will all still play next year. "With vaccine rollout progressing more slowly than anticipated, we have made the decision to move the 20th-anniversary edition of the festival to July 2022," said Splendour in the Grass co-founders Jessica Ducrou and Paul Piticco in a statement. "We are confident that moving the festival to July 2022 will finally see us enjoying Splendour in the Grass in all its glory. More of the population will be vaccinated, international talent will have the ability to enter the country more freely and we'll be able to deliver the Splendour in the Grass that you know and love." View this post on Instagram A post shared by Splendour in the Grass (@splendourinthegrass) The news is hardly unexpected; Bluesfest made the same announcement just two days ago, on Wednesday, August 18. Also, Splendour had already ditched its usual July 2021 plans in favour of a move to November, and also scrapped a planned pop-up event in Sydney in July as well. One Splendour-related event has gone off without a hitch this year, though: Splendour XR, the event's online-only fest. Who else will join Gorillaz, The Strokes and Tyler, The Creator onstage hasn't yet been revealed, but the festival now has plenty of time to finalise its lineup given that Splendour's new dates are 11 months away. If you have already purchased a ticket for SITG 2020 or 2021, you'll be happy to know that they're still valid for the 2022 edition. And if you don't have a ticket yet, you can head to the festival's website to nab a pre-loved ticket now. Splendour in the Grass has been postponed again and will now take over North Byron Bay Parkland from Friday, July 22–Sunday, July 24, 2022. All 2020 and 2021 tickets are valid for the new dates, with pre-loved tickets currently available via splendourinthegrass.com. Top image: Charlie Hardy.
Recognising the potential of creative youth is very important to the future of Brisbane and what better time than National Youth Week to shine light on this much needed support. In a week where Brisbane has experienced the loss of arts support, it's time to appreciate and enjoy what creative opportunities remain. Visible Ink is a Brisbane City Council program that offers free spaces, support, resources and opportunities for young people to be an active part of life in Brisbane city. Chances are if you're under 25 and have ever needed free printing, free internet or assistance with anything even remotely creative, then you would have visited the space. They also have a zine library and performance/band practice spaces and internet. Oh and did I mention all of this is free? Free is a word that don't hear often enough in the arts. To add to the long list of things Visible Ink do to support young people defining Brisbane, they have curated the launch of National Youth Week, featuring more than 20 bands, performances and artists over three stages and pop up spaces. Organised by the young people, for the young people, this free event will showcase the best talent in Brisbane. Even if you're over 25, come support the youngsters striving to create something good for Brisbane. Everyone is young at heart. Find timetables and performance times here.
There's never been more reason to dramatically point at a menu and shout "I CHOOSE YOU!" and not find yourself immediately kicked out. In a move that's about 15 years too late, Nintendo will be opening a brand new pop-up eatery in Tokyo entirely themed around that little sparky Pokemon legend, Pikachu. The inventively-named Pikachu Cafe will be open July 19 - August 31 to celebrate the opening of the exhibition Pokemon the Movie XY in Roppongi Hills in Tokyo. Decked out in Pikachu-inspired decor and serving up some pretty adorable Pikafoods, this new pop-up is so offensively cute we're enlisting known Charizards and Digletts to skip the airfares for us. Here's the Pikachu Curry: Pokeball Rice Thing with gravy: Pikachu Parfait (just terrifying): Pikachu Pancakes (yeah, might have lost some ideas with this one): And here's the Pokemon yoghurt drinks that come with SPECIAL COASTERS. Right? (Yeah, they pretty much just look like regular yoghurt drinks, whaddayagunnado.) If you're keen to get amongst the Pokemonstronsities, head to Roppongi Hills, Tokyo and hit the opening on July 19. This one's going to be the most 'grammable, nostalgic, web-friendly pop-up for miles. Via Eataku.
Only idiots pre-judge films. Trailers are increasingly so misleading that the only true test of a movie is when the lights dim and the titles roll. And yes, idiots pre-judged this film. From the moment it was announced, so-called fanboys declared the female-led Ghostbusters a piece of feminist propaganda – helpfully allowing us to identify precisely who to unfollow on social media. The next level of premature opposition came from those who watched the trailers and deduced that this was to be the unfunniest film of all time. OF. ALL. TIME. If there was to be any merit given to the Ghostbusters pre-haters, it came in the form of the scepticism over reboots in general. The original Ghostbusters was made in 1984, yet there's little beyond the giant hair of Harold Ramis and Sigourney Weaver to make it feel dated – a factor that contributes heavily to its re-watchability. Again, though, the same could be said for Tim Burton's Batman (1989), which only sixteen years later would be spectacularly reimagined by Christopher Nolan in Batman Begins. The key word, of course, is 'reboot', which – unlike remakes – have licence to edit the story, characters and setting of the original for a whole new audience. Paul Feig's Ghostbusters is unreservedly a reboot. Indeed, it bears so little resemblance to the first film that comparisons are, by and large, pointless. Beyond the theme song, name and general busting of ghosts, this is a new film for a new generation, led by four comedic heavyweights in their absolute prime. Kristen Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones are a powerhouse ensemble, embodying four distinctly new and wonderfully defined characters. Wiig's uptight academic with a zero-point flirtation game bounces perfectly off McCarthy's acerbic renegade scientist, while McKinnon's genius inventor is so absurdly odd that only Jones's streetwise Patty could keep the balance in check. They're a courageous and capable collection of heroes supported by an amusing turn from Chris Hemsworth as the team's air-head secretary. The only time gender is ever even touched upon is in a nod to those internet fanboys, with Wiig reading aloud a YouTube comment that declares "ain't no bitches gonna hunt no ghosts". To suggest that this film's shortcomings have anything to do with its leads being women is so plainly dim as to not even warrant comment. After all, let's remember that just five years ago Feig, Wiig and McCarthy delivered the funniest film of the year in Bridesmaids. No, where Ghostbusters unfortunately falls short is in its story – and it's here that comparisons to the original are unavoidable. The original Ghostbusters was a deceptively complex story masquerading as a simple one, with multiple vignettes that not just cleverly, but critically, came together at the film's climactic crisis point. EPA intervention, an overloaded containment unit, bureaucratic interference and the seemingly-irrelevant lives of several apartment dwelling strangers all suddenly merged with both the Ghostbusters' own story and the ever-growing menace from the opening scene in a spectacular (and genuinely spooky) explosion of paranormal activity. By contrast, Feig's Ghostbusters is a disappointingly simple film striving ever so hard to seem more complex. Everything that happens on the supernatural front is the result of a single, poorly-defined human villain whose motivations for bringing about the apocalypse are nothing more than that he was bullied as a child. Compare that with Dan Aykroyd and Ernie Hudson in the original film as they considered, with genuine trepidation, the possibility that Judgment Day was truly upon them. Their fear became ours, and that combination of bona fide supernatural horror with outstanding humour was what made it one of the most successful and enduring comedies of all time. That's what's so noticeably absent in this reboot: the laughs aren't nearly as frequent as you'd expect, and the scary stuff simply isn't. Yes, there are some spectacularly funny moments, with Jones's debut outing as a Ghostbuster during a metal concert being the standout. Still, for a cast of this calibre, you're right to expect more. As for the ghosts, they scarcely feature until the effects-laden finale, one that's over as quickly as it begins. All in all, this is not a film that's going to destroy your childhood like so many clairvoyant haters suggested. Sadly, it's not quite a home-run either. The film's greatest strength, by far, is its cast. The four leads compliment each other magnificently and there's no scene-stealing; each has her moment in the spotlight, yet knows when to let the others shine. The post-credits scene, too, offers a tantalising hint at what the sequel might concern itself with. Here's hoping it happens sooner rather than later. Feig's Ghostbusters is not a particularly memorable film, but it's an excellent step in the right direction and an exciting glimpse of what might come next. https://www.youtube.com/watch?v=w3ugHP-yZXw
UK rocker Yungblud has announced he'll bring his Idols world tour to Australia next January, marking his biggest local shows to date. The Doncaster-born singer and songwriter — real name Dominic Harrison — will kick off the tour at Sydney's Hordern Pavilion on Saturday, January 10, before hitting Melbourne, Adelaide, Brisbane and Perth. View this post on Instagram A post shared by Rolling Stone AU/NZ (@rollingstoneaus) The run celebrates Yungblud's fourth studio album, Idols, which dropped in June and went straight to number one in the UK and number four in Australia. Known for his high-energy performances and fiercely loyal fan base, the tour promises the kind of chaotic, cathartic shows that have earned him global acclaim. Speaking to Rolling Stone AU/NZ earlier this year, Yungblud teased "massive plans" for the Australian leg of the tour and hinted that his self-created festival Bludfest — which launched in the UK last year — could eventually make its way Down Under. "I know the Australian festival market has been struggling," he said. "I really want to try my best to implement a new idea with Bludfest because it worked in the UK." Tickets go on sale from Tuesday, October 21, with pre-sales for Telstra Plus members opening Thursday, October 16 and Frontier Members from Monday, October 20. Yungblud's 2026 Australian tour kicks off in Sydney on January 10. Visit Frontier Touring for ticket details and dates.
Earlier this year, just in time for Mother's Day, Brisbane scored a new riverside market. That was handy then, but it wasn't a once-off. Yes, the Portside Local Markets are returning — because everyone likes shopping by the water, even when they don't have an excuse. And for the event's third outing, it's celebrating spring. If you really like browsing and buying, taking in the riverside air, and having a reason to stop for a bite and a drink, you'll want to head to Hamilton on Saturday, September 18. From 12–4pm, you can shop, stroll and sip, which sounds like a mighty fine weekend itinerary. A sizeable lineup of stalls will offer up plenty for you to browse and buy, including art, plants, ceramics, accessories and more. If you've been to markets at the Gasworks, or in Fish Lane, Coorparoo and Gabba South City, you'll have a firm idea of what you're in for — because The Market Folk is behind all of the above, and is running this returning Portside event as well. To give your shopping a soundtrack, live piano tunes will echo through the Hamilton precinct. And, if those hunger pangs strike — or you're just keen on having a drink — everywhere from Pineapple Express Cafe, Bamboo Basket, Burrito Bar and Ginga Sushi to Mr & Mrs Jones, Belvedere Bar 'n' Grill, Byblos Bar and Restaurant, Gusto da Gianni and Sono will be open. Images: Claudia Baxter.
If you've ever visited Japan, you've likely made your way to the top of one of Tokyo's tall towers — Tokyo Tower, even — and tried to catch a glimpse of Mount Fuji. You might've even made the trip to the active volcano yourself, and you probably saw its shape splashed across plenty of souvenirs. And you likely spotted variations of Katsushika Hokusai's art work featuring it, too. His Thirty-six Views of Mount Fuji series, which includes The Great Wave off Kanagawa, is one of the things he's best known for. Actually seeing Mount Fuji for yourself might be off the cards at the moment, but you can learn more about Hokusai and his work at Australia's annual Japanese Film Festival. It's back for its 25th year in 2021, screening in Brisbane at Palace Barracks and Palace James Street from Thursday, November 11–Sunday, November 21, with biopic Hokusai kicking off the festival on opening night. Also on the 21-movie program: Oscar submission True Mothers, which sees acclaimed filmmaker Naomi Kawase spin a story about adoption; Wheel of Fortune and Fantasy, a Berlinale 2021 Silver Bear for director Ryūsuke Hamaguchi; and The Deer King, an animated film that steps into a world plagued by disease — and follows two survivors who might have the cure. Or, you can check out Under the Open Sky, about an ex-yakuza starting again after 13 years in prison; hostage thriller Masked Ward, which comes to the screen from the pages of a medical mystery novel; and comedy Not Quite Dead Yet, about a singer who wishes for her dad's demise. A number of movies by avant-garde directors Shūji Terayama also grace the lineup and, from Monday, November 15–Sunday, November 21, JFF is screening a range of titles free online — so you can keep watching even when you're not in a cinema. Want to transport yourself to Japan? Let the Japanese Film Festival whisk you away from Monday, November 15–Sunday, November 21 at Palace Barracks and Palace James Street. For more information and to book your tickets, visit the website. Images: © 2021 NEOPA / Fictive and Copyright © 2020 HOKUSAI MOVIE.
UPDATE, January 21, 2022: Synchronic is available to stream via Netflix, Binge, Google Play, YouTube Movies, iTunes and Amazon Video. Justin Benson and Aaron Moorhead aren't currently household names. If they keep writing and directing mind-bending sci-fi like Synchronic, though, they will be. The pair actually appear destined to become better known via Marvel, as they're slated to helm one of the MCU's many upcoming Disney+ TV series, the Oscar Isaac-starring Moon Knight — but they've already worked their way up from the US$20,000 budget of their 2012 debut Resolution to making movies with Anthony Mackie and Jamie Dornan. Here, with Marvel's own Falcon and Fifty Shades of Grey's leading man, they play with time, relativity, fate and brain-altering substances. They ponder the shadows that the past leaves on the present, the way that progressing through life can feel far more like a stumble than following a clear path, and how confronting loss and death can reframe your perspective on living, too. Those temporal jumps and existential themes aren't new, of course, and neither is the film's steely look and feel, and its willingness to get dark. But that's the thing about Benson and Moorhead: few filmmakers can twist familiar parts into such a distinctive, smart and engaging package in the same way, and with each and every one of their movies. Synchronic shares its title with a designer drug. In the film's vision of New Orleans, the hallucinogen can be bought in stores — and plenty of people are doing just that. Shift after shift, paramedics Steve Denube (Mackie) and Dennis Dannelly (Dornan) find themselves cleaning up the aftermath, as users of the synthetic substance keep overdosing, dying in unusual ways and getting injured in strange mishaps. And, these aren't your usual drug-fuelled incidents. One, involving a snakebite, happens in a hotel without even the slightest sign of slithering reptiles on the loose. That's enough to arouse the world-wearied Steve and Dennis' interest, and to give them something to talk about other than the former's attachment-free life and the latter's marriage. Then Dennis' teenage daughter Brianna (Ally Ioannides, Into the Badlands) goes missing, and the two EMTs are instantly keen to investigate any links that the popular pill might have to her disappearance. In a film that initially drips with tension, dread and intensity, Benson and Moorhead don't take too long to reveal how synchronic works, but it's still something that's best discovered by watching. They don't ever simply tell the audience what's going on, though. As all good films that tinker with time should — and as some not-so-great ones, like Australian rom-com Long Story Short, try to yet flounder — Synchronic doesn't merely show the effects, either, but instead uses every tool at its disposal to take viewers on the same journey. Indeed, much of the movie hinges upon how Steve feels when he pops a pill. While the character could just explain that aloud, that'd be the least interesting option and the film's directors know it. So, whether peering up at the sky, toying with slow motion and perspective, tilting angles, completely flipping the picture or using long takes, the feature gets subjective with its cinematography, which is lensed by Moorhead. One dazzling and dramatic shot at a time, it plunges everyone watching into Steve's head as he first experiments with synchronic's capabilities, then endeavours to use them to bring Brianna home. There's more to Steve's story than possibly being a hero, and that's one of Synchronic's superpowers. Although surreal imagery, a trippy narrative and an off-kilter atmosphere all sit in the movie's toolkit, it's how Benson and Moorhead ground all of the above in genuine emotions that makes this a science fiction film with both brains and a pulse. Easy sentiment and schmaltz have no place here, but anchoring the film's musings on life certainly does. After all, there's little point in pondering 'what if?' scenarios, which is sci-fi's entire remit, if those trains of thought don't also interrogate and explore the human condition. Consequently, although it initially seems as if the script makes a few easy moves regarding Steve's background and current experience, there's insight in those choices. There's cold, hard truth, too, which Synchronic happily faces — because how we're each shaped by trauma is life's number one story. This isn't Benson and Moorhead's first dance with this subject, as anyone who has seen Resolution, 2014's horror-romance Spring and 2017's excellent cult thriller The Endless will spot. That said, even when the premise of their features explicitly calls for repetition — always cleverly and playfully — the pair doesn't just retread their previous footsteps. With each addition to their shared resume, the filmmaking duo demonstrates an uncanny knack for using genre confines and deploying recognisable tropes to excavate pain and tragedy. When viewed as a whole, their career to-date provides an impressive and perceptive snapshot of dealing with life's difficulties, in fact. Each of Benson and Moorhead's four films so far are strikingly shot and astutely written, and rank among the best horror and sci-fi efforts of the past decade, but they're also as thoughtful and resonant as they are intelligent and ambitious — and that's an irresistible combination. Synchronic does occasionally falter. Mackie gets the better part and has far more of an impact than Dornan, for instance. But the lived-in camaraderie between their characters — who've been partners so long that they speak in shorthand — always feels real, and Dornan is still worlds away from the woeful Wild Mountain Thyme, his previous big-screen role. The film's ending doesn't completely fall into place, too, but even that feels like a minor issue. When a movie takes you on the kind of ride that Synchronic does, in such a stunning, sharp and thrilling fashion, and with such depth at is core, its tiny imperfections fade from memory quickly. Or, as Benson and Moorhead might posit, they help make everything that's exceptional shine even brighter, stand out even more and cut even deeper. https://www.youtube.com/watch?v=87RIVAc6MJU&feature=youtu.be
Let's face it, you can't buy a whole lot for 50 cents in 2022. But on one day — Wednesday, April 6 to be exact — you can consider that little dodecagonal coin your best friend. That's all you'll need to grab a cheeseburger at McDonald's on that date, with the fast-food giant treating the whole country to 50-cent burgs. If this sounds familiar, that's because Macca's has dished up this deal a few times now. On this current occasion, which coincides with the launch of McDonald's new chicken range, there are 350,000 50-cent cheeseburgers available Australia-wide. So, you'll want to get in early to get this classic combo for pocket change — beef, bun, onion, pickles, ketchup, cheese and all — because that cheap price will apply on a first-in, first-served basis. To claim your 50-cent burger, you'll first need to download the MyMacca's app via the Apple Store or Google Play. Then, log on, check the My Rewards section and boom — Ronald's your uncle. Unfortunately, there's a limit of one 50-cent cheeseburger per customer, which probably isn't enough to make a meal of. But we're sure there are a few other Macca's menu items that might tempt your tastebuds while you're there. Because you have to use the MyMacca's app, you'll only be able to get your cheap burg via takeaway, drive-thru or in-store — not through McDelivery. McDonald's 350,000 50-cent cheeseburgers are available on Wednesday, April 6 until sold out via the MyMacca's app.
A terrifying advertisement for the Kimberly Peirce remake of Carrie has gone viral, garnering nearly 10 million views since Monday. The ad shows a young girl in a coffee shop telekinetically tearing the joint apart and scaring the living daylights out of customers. The video comes courtesy of Thinkmodo, an agency that has specialised in viral marketing and prankvertising. This developing form of marketing involves "upping the ante in almost every imaginable way", and this Candid Camera-esque advertisement does exactly that. Actors and stunt people fill a small, faux cafe rigged with all manner of pulleys, gears and ropes. Regular folk then wander in off the street for a coffee or sesame bagel and become unsuspecting extras in a horror film of their own. Like all good viral ads, the actual advertisement is hidden until the very end, and, like all good internet videos, there's a shameful dose of cathartic glee to be had. The Carrie film, starring Chloe Grace Moretz and Julianne Moore, is due in Australian cinemas on November 28. https://youtube.com/watch?v=VlOxlSOr3_M
When Disney announced that it was jumping on the streaming bandwagon via its very own platform, it unsurprisingly announced a number of new Marvel series specifically made for the small screen. None are yet to arrive on Disney+ so far, following the service's launch late in 2019 — but that hasn't stopped the Mouse House adding another high-profile show to its upcoming roster. Later this year, WandaVision — focusing on Avengers Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany) — will drop. At some point in the future, viewers will also be able to watch The Falcon and the Winter Soldier, about Bucky Barnes/Winter Soldier (Sebastian Stan) and Sam Wilson/Falcon (Anthony Mackie), while Loki, starring Tom Hiddleston, was always slated for 2021. Also in the works are Hawkeye, Ms Marvel, Moon Knight and She-Hulk. And, as Variety reports, now joining them at a yet-to-be-revealed date is a show about Nick Fury. Yes, that means that Samuel L Jackson looks set to score his own Marvel series. At this stage, details are scarce — other than the fact that Jackson will star, and Kyle Bradstreet (Mr Robot) will write and executive produce. But if you've been craving more time with Fury, who usually only pops up as a supporting player, this'll be the news you've been waiting for. Fury, and therefore Jackson, did appear in two episodes of the Agents of S.H.I.E.L.D. TV show in 2013 and 2014, so this won't be the character's first small-screen outing. In the Marvel Cinematic Universe, Fury has popped up in 11 of its 23 films to-date, after first showing up in 2008's Iron Man. He has since featured in everything from Thor and Captain America: The First Avenger to multiple Avengers films, as well as 2019's Captain Marvel and Spider-Man: Far From Home. If you need a refresher about one of the character's recent big-screen appearances, check out the Captain Marvel trailer below: https://www.youtube.com/watch?v=Z1BCujX3pw8 Via Variety. Top image: Marvel's The Avengers. Nick Fury (Samuel L. Jackson). Photo: Zade Rosenthal. © 2011 MVLFFLLC. TM & © 2011 Marvel. All Rights Reserved.
Chocoholics and fans of Sydney's resident macaroon maestro Adriano Zumbo will no doubt be titillated to learn that the popular patissier has created three limited edition Tim Tam flavours about to hit stores. The collaboration celebrates the 50th birthday of Australia's iconic biscuit (which, incidentally, we as a nation consume over 45 million packets of annually). The new Tim Tam flavour combinations are pretty tame for Zumbo, but they're exciting in supermarket-aisle terms: salted caramel, choc brownie and raspberry white choc. Coles, Woolies and selected independent grocers will start selling "treat packs" of them in March. For those who just can't wait till then, Zumbo will be holding two preview tasting events in Sydney and Melbourne. It's a first-in, best-dressed kind of thing, so get in early if you want the chance to sample the new Tim Tams and try some Tim Tam-inspired treats (Tim Tam Zonut?) “It was an honour to personally develop my own range of Tim Tam biscuits. I grew up on the iconic Aussie bikkie and it’s a joy to be able to put my own twist on it,” said Zumbo. Sydney preview tasting: Wednesday, February 19, 4-8pm, Shop 1, Cafe Court, The Star, 80 Pyrmont Street, Pyrmont Melbourne preview tasting: Thursday, February 20, 7am- 7pm, Zumbo Patisserie, 14 Claremont Street, South Yarra
Let's call it 'under the Sicilian sun': the plan that Airbnb has to send one lucky person to Italy for an entire year, that is. If that sounds like how you'd love to spend 12 months from June 30, 2022, the house-share platform is calling for applications. And yes, you'll get to bunker down in one of its rentals without paying a cent to stay there. Whoever wins Airbnb's latest promotion won't just be living in any old property, either. The townhouse up for grabs for a year has been dubbed '1 Euro House' — and it's been given a huge makeover by Airbnb and Italian architectural firm Studio Didea. Located in the rural village of Sambuca in Sicily, population around 6000, it's a three-storey, two-bedroom home that you'll get to both live and work remotely in. You will also need to play host, however, with the second bedroom set to be listed on the platform. You'll get your pick of your sleeping space, though — so you can opt for either the ground floor, which has a master bedroom with king-size bed and en-suite bathroom, plus a small living room; or the first floor, where the bedroom also boasts a king-size bed, and where the living room, kitchen, working space, bathroom and mezzanine also sit. The upper floor will remain accessible to both the competition winner and their Airbnb guests, and features an extra living space with a queen-size sofa bed. The whole promo is rather similar to its giveaway in 2021, when it offered 12 people and their pals free accommodation to hop between Airbnb properties for 12 months — and to work remotely while you're there, too. Unsurprisingly, more than 300,000 people applied. And yes, being able to do your job from this sweet Sicilian spot is still a focus of the new deal, as long as you can still meet your hosting duties and Airbnb's other requirements. The setup is open to applicants in a number of countries, including Australia and New Zealand — and having "a passion for the rural Italian culture and lifestyle" has been listed by Airbnb as a big plus. Also, this isn't just a win for you alone. You can bring a friend, your partner or family, up to a maximum of two adults and two kids. Your accommodation will be rent-free, and you have to commit to staying for at least three months. You'll also take an Italian language course for a month, plus four cooking classes hosted by a local mentor as part of your stay. Airbnb will pay for your flight to Sambuca as well, although you will have to cover the costs of both living at 1 Euro House and renting it on Airbnb — such as personnel, consumables, cleaning services and utility contracts, plus property maintenance. Keen? There's also the possibility that the arrangement could be extended until 2024, if you're looking for a heftier stint away from home. To apply, you'll need to head to the Airbnb website before Friday, February 18. For more information about Airbnb's 1 Euro House promotion — and to apply — head to the Airbnb website. Images: Claudia Zalla. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
If you Google 'Michael Jackson's legacy', you'll find the following pearls of pop culture wisdom: he made R&B the sound of pop, he made music videos an 'event', he made dancing a prerequisite to any occasion, he was instrumental (no pun intended) in developing the celebrity charitable-industrial complex, and his 1977 book The World Guide to Beer created the modern concept of beer styles that underpins the craft beer movement to this day. That last fact may come as a surprise to devoted fans of the King of Pop, but probably not to craft beer aficionados who are well aware that there's more than one Michael Jackson in the firmament. When it comes to craft beer, the 'real' Michael Jackson was an English writer, journalist and TV presenter, and not a moonwalking, anti-gravity-leaning, crotch-grabbing singer. Although it's easy to see how confusion could arise. The book explored the wide and wonderful world of craft beer styles — from porter to pilsener and everything in between. It elucidated their history, discerned their characteristics and uncovered unique (and decidedly roguish) facts about each type. Almost 40 years on, thanks to the work of Michael Jackson and other craft beer evangelists like James Smith, more people are aware of the beer varieties available to them. But what do the different styles mean and how does sampling them introduce you to a whole world full of flavour? Let us explain. Porter Brewed from brown and dark coloured malts, this moderately hopped beer became popular in 18th century London. Sharing similarities with stout, it descended from brown ale. Expect a complex, interesting beer with flavours of chocolate and coffee. Many tall tales have been told about the origins of this style of beer. No one can be certain which is true, which only adds to the porter's mystique and appeal. India Pale Ale (IPA) Also originating in the 18th century, this strong, hoppy (yet also light, bright and sparkling) beer was brewed specifically to last the journey from England to India in the days of the British Raj, so that the thousands of ex-pats living there could still enjoy their creature comforts. On arrival in India, IPA was said to be watered down before being given to the rank and file British troops, meaning only the officers got to enjoy it in all its glory. American-style Pale Ale Typified by strong citrus and fruity hop aromas, American pale ales were developed in the 1980s and take their name from the use of American hops such as Cascade. The style has since been adapted to embrace hops from around the world, while retaining the key taste characteristics and a good balance of malt and hops. Anchor Liberty Ale is regarded as the first modern American pale ale. It was first brewed in 1975 to mark the start of the American War of Independence, when the US colonies effectively said 'up yours' to their British overlords. Golden Ale Combining elements of pilsners and wheat beers, golden ales are technically part of the broader pale ale family. Noted for their alluring colour, golden ales are light, refreshing and highly drinkable, with a restrained bitterness and dry finish. Often called 'summer ales', this is the fastest-growing style of beer in the UK, charming drinkers away from the heavily promoted lager brands. Pale Ale Originating in northern England (Burton upon Trent, to be precise, a town blessed with plenty of rich, hard water, which helps with clarity and enhancing the hop bitterness), the term stems from the practice of using coke to dry-roast malts, resulting in a lighter-coloured beer. Pale ales tend to be fruity and hoppy, and can vary in colour from amber to golden. Craft beer fans around the world have innovative chemist CW Vincent to thank for identifying the calcium sulphate content in the Burton water that first allowed for hoppy beers to be brewed. The act of adding gypsum to water is now known as 'Burtonisation' and now allows the likes of the Malt Shovel Brewery (home to the James Squire craft beer range) to bring out the flavours of the hops. Copper Ale Named after their distinctive colour (which perhaps isn't the most creative approach, but at least you know what you're getting), copper ales can vary in taste from mild to bitter. In the US, copper ales are classed as American amber ales and originated on the West Coast, home to various counter culture movements and alternative, individualistic approaches. Amber Ale Another member of the pale ale family, and another named after its colour, amber ales tend to be balanced, rich and effortlessly flavoursome. Coloured malts such as Crystal are used to create the rich amber colour. Amber ale was the first craft beer brewed in the James Squire range. Now known as Nine Tales Amber Ale, it tells James Squire's remarkable life story in a toffee-caramel nutshell. Pilsner Also (and more correctly) spelt pilsener, this pale lager takes its name from the Bohemian city of Plzen (or Pilsen) where it was first brewed. There are now three main styles of pilsner: Czech — golden, earthy and bitter; German — colourful, light and foamy, European (mainly Dutch and Belgian) — sweeter. Josef Groll, the brewer who invented pilsner, was a Bohemian in every sense of the word, from his revolutionary approach to brewing to the manner of his death — of natural causes while happily telling stories at the regulars' table in his favourite pub. Australian lager Synonymous with Australian beer, lagers are European in origin (the word comes from lagern, meaning 'to store' in German). The fundamental difference to ales comes from the type of yeast used (bottom-fermenting as opposed to top). Lagers tend to be clean and crisp, and often have grassy characteristics. In the US, lagers brewed before Prohibition were often crafted with a high percentage of corn. Coincidentally, James Squire also brewed beer from corn in Australia's earliest days — which perhaps makes 'necessity is the mother of invention' the rogue's motto. Photo credits: Daveybot, Jaryl Cabuco | Fitted.Life, Keithius, Claudio Brisighello, Speed-Light, Matthew Black, blondinrikard, and martingarri via photopin cc.
If there's a speed record for greenlighting a new television series, the ABC's decision to make A Dog's World with Tony Armstrong a reality must be right up there. Saying no couldn't have even been an option, because it's just such an innately winning formula. Former AFL player turned ABC News Breakfast sports presenter Armstrong has proven an enormous hit for the national broadcaster since joining in mid-2020 — including when he's accidentally talking about bulging dicks — and everyone loves watching cute canines. Now streaming on ABC iView, as well as airing on ABC, the show that results is exactly what viewers expect — Armstrong fans and dog lovers alike. The former chats through exactly why the four-legged creatures have become humanity's best friend, and how and when, and is occasionally seen on-screen with an array of adorable puppers. Experts on all things pooch lend their commentary, research and general thoughts, too, and barking critters are rarely far from the screen. Across its three parts, the series isn't lacking in informative bite. The first episode bounds through the affinity that humans have found with dogs, and vice versa — including contemplating how dogs evolved, what separates them from wolves now, and how they react to human emotions. Then, in the second instalment, A Dog's World with Tony Armstrong focuses on how canines sense their way through the world, and what type of perspective that gives them. Finally, in part three, pooch happiness and wellbeing is in the spotlight. If you've ever wondered why your pet pupper does what it does — and how it gets you to do what it wants, too — prepare to find out. That wide-eyed look that every dog gives when it's after something, knowing that we're all defenceless against it: yes, the science behind that, including the muscles that make it happen, earn the show's attention. Providing more than just endearing canine footage was always the program's aim, as Armstrong explained when the ABC dropped the first trailer. "When I was approached about the possibility of being involved in A Dog's World, I don't even think I got to the end of the email before I was agreeing to take part," he said. "It was amazing being involved in the project, I learned a lot and I hope everyone who watches enjoys it as much as we enjoyed making it!" It's been a great couple of years for getting your dog fix via a screen, whether you're living vicariously through your viewing because you don't have a barking bestie of your own or you simply (and understandably) believe that there's no such thing as too many dogs. Netflix already gave us two seasons of the docuseries Dogs, recent big-screen release Stray spent time with puppers in Istanbul, Channing Tatum is currently in cinemas road-tripping across the US with a dog and there's even a whole streaming platform made for woofers — because as every pooch owner knows, they like to watch TV, too. Only A Dog's World enlists Armstrong to explore the world of canines, though. Check out the trailer for A Dog's World with Tony Armstrong below: A Dog's World with Tony Armstrong is now available to watch via ABC iView.
Darlings who attend any art exhibition during the day are just so passé, if you want to be seen, it’s all about staying up late now. As always, GoMA is ahead of the curve and has been running Up Late events in support of their special exhibitions for several years now. To coincide with the current exhibit Surrealism: The Poetry of Dreams, GoMA have been hosting Friday night events with classic, genre-appropriate movie screenings and even more appropriate DJs and producers creating the right atmosphere for the cultured attendees. This Friday, Sydney's Catcall will be doing her thing and making people dance to a sure-to-be catchy set. Last year her single Swimming Pool was named the best of 2010 by Mess + Noise, so you know she’s good. Also happening on the night will be screenings of Alejandro Jodorowsky’s movies ‘El Topo’ and ‘The Holy Mountain’. Curator’s talks with Nicholas Chambers and Nancy Underhill are also worth catching. On top of all of this, there will also be a bar and nibbles provided, plus...you know, the amazing art on display! No excuses people!
There are plenty of benefit shows and events on throughout the year and it is so hard to be able to go to all of them, especially when they're invite-only. That is what makes the Spare Parts – London Calling benefit show stand out – it's not only supporting a worthy cause, but it’s also ticketed, which means every lovely person out there wanting to lend a hand can. A bit of background on the intriguing name - Spare Parts was the name of a very different and awe-inspiring exhibition in Brisbane in 2010. It was a collaborative effort that saw a diverse blend of local artists to use prosthetic limbs as the canvas. If it all sounds a bit doom and gloom, it’s okay, because the curator, Priscilla Sutton is actually an amputee herself, who clearly has an excellent sense of humour and humility. Since then, Priscilla has been working incredibly hard to get her exhibit to London this year, and has managed to secure a residency in the city from 25 August to 9 September. She has bundled up an amazing bunch of artists from all over the world, as well as a new lot of prosthetics kindly donated by amputees and their families. She has all this but she still needs your help to see the exhibition come to life. The benefit show will be held at The Zoo and is a night that will bring old and new friends together to raise some much needed funds for this collection of work that is sure to start a positive and open conversation about the seemingly dark subject of amputation. Guests on the night will be The Good Ship, Danny Widdicombe, Tylea, and the very fun Patience Hodgson from The Grates as MC. There’ll also be the comedic stylings of Jenny Wynter as well. There’ll be a raffle drawn as well on the night and you can enter here. If there’s one charity event or worthy cause you donate to this year, make sure it’s this one.
As our fear of global warming intensifies, major cities are coming up with all kinds of piecemeal solutions, from solar-powered bridges to train-powered heating systems. But always in our minds nags the persistent question, 'Will it all prove to be too little, too late?' So, a New York-based research group by the name of Terreform has taken matters further. They've envisioned the city as it would be, were every last block — from Manhattan to The Bronx — self-sustaining. In this green paradise, 147th Street would transmogrify into an urban farming block, Amsterdam Avenue would be free of cars and reclaimed rooftops would each provide food enough for 12,000 individuals. There are even plans for meat production towers, where chickens would range freely (sort of) on outdoor terraces. Terreform put six years of research into the project, which they've named 'New York (Steady) State'. If every detail were to be executed, it'd be possible for New York's citizens to meet every one of their needs without stepping (or trading) outside of the city's geographical boundaries. Food, water, waste disposal, air quality, climate regulation, construction, manufacturing and construction would all be taken care of. Sounds an awful lot better than slowly roasting while watching our coastal cities (Manhattan included) drown. Via PSFK.
The Cut Copy boys have a talent that many artists dream of and yet it seems to come naturally to them. Their ability to seamlessly blend disco and pop into something edgier has resulted in hit after hit, and a guarantee of people racing to dance floors when their songs come on. Luckily for Australian residents, the band is back on home soil and are keen to show off their latest album Zonoscope in all its winning glory (as well as rehash some of their earlier crowd pleasers I’m sure). Brisbane’s turn comes Thursday 19 May, when the stage at The Tivoli will be lit up with their unique style and lovable sounds, not to mention their renowned light shows. Supporting them will be World’s End Press Tickets are yet to sell out, but they wont’ be around much longer so stop hesitating and buy!
We're simply spoiled for choice in Brisbane when it comes to heading off for a mini-break or weekend away. Sure, as the halfway point between the Gold and Sunshine Coasts, it's de rigueur to jettison yourself towards the beach during the warmer months, but what about when it's too cold for all that? Winter demands bracing walks, warm antique stores and hearty meals — and when the sun goes down, an open fire, a cosy armchair and maybe a glass of red. Is that too much to ask? Not in Ipswich, it's not. Close enough so that you don't spend half of your day driving just to get there but far enough so that you feel like you've stepped away from it all, Ipswich is the perfect spot for a romantic escape or a fun-filled country weekend with mates. Plus, this southeast Queensland gem is packed with so many activities you might just find yourself planning to return while you're still here. We suggest driving out after work on Friday and staying for two nights. That way you can wake up early and launch straight into a day of activities on Saturday — or sleep in and enjoy the luxury of nothingness. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. While regional holidays within Queensland are now permitted, some of the places mentioned below may still be closed due to COVID-19 restrictions. Please check websites before making any plans. [caption id="attachment_770956" align="alignnone" width="1920"] Four Hearts Brewing via Tourism and Events Queensland[/caption] EAT AND DRINK If, like us, the day doesn't begin until you have some caffeine in your system, your first stop should be local favourite Strictly Coffee. For a filling brekkie, we suggest popping into Rafter and Rose. Grab a seat in the leafy courtyard and soak up the atmosphere with a Single O coffee and selection of sausage rolls, pies, croissants and cakes. Everything, including the pastry, is made in-house. If you opt for something savoury, be sure to add a side of the bacon jam, which is every bit as amazing as it sounds. For lunch, make tracks to Ruby Chews in Riverlink Shopping Centre for American-style burgers, hot dogs, wings and milkshakes. This retro diner also does classic frozen custards, but if you're craving something sweet, we suggest holding out for a scoop or two at Ungermann Brothers. This gourmet ice-creamery is known for its experimental flavours including salted caramel, bacon and pecan; blue cheese and fig; coffee, cardamom and liqueur; and — wait for it — roasted garlic. Next up, the guys at Four Hearts Brewing have you covered for afternoon bevvies. Located in a stunning red brick, heritage listed, 100-year-old building, the focus here is on full flavour, high quality, chemical-free brews. With pilsner, pale ale, red IPA and stout just some of the varieties on offer, be prepared to settle in for a full afternoon of gruelling beer sampling. You can continue the drinking session over at Tap'd, a craft beer bar set within the PA Hotel, which boasts a whopping 72 craft beers and ciders on tap. It also offers a selection of classic pub feeds, including chicken schnitties, pizzas and burgers, to keep your stomach well-lined. [caption id="attachment_580756" align="alignnone" width="1280"] Homage Restaurant[/caption] Or, you can pop over to German beer hall Heisenberg Haus. Pull up a seat at one of the communal tables, order a beer and a pretzel, and later on maybe grab a serving of käsespätzle, which, if you haven't had it before, is a big ol' gooey serving of wheat dumpling noodles, fried onion and cheese. Lots and lots of cheese. This dish is a long-cherished chalet staple — and while it's not Arctic weather, the chill of a Queensland winter is reason enough to indulge, don't you think? But if you're after something just a little bit special for dinner (okay, a lot special) the hatted Homage Restaurant at Spicers Hidden Vale is the order of the day. Select something from the a la carte menu or opt for either the two- or three-course tasting menu. The focus here is on paddock-to-plate dining and there's a real emphasis on sustainability. With such incredible local growers and farmers to choose from nearby, it makes a lot of sense. Feast on greens plucked from the kitchen garden, lamb from Mulgowie, steak from Toowoomba — you get the idea. This is truly a special spot, and dinner here would be a decadent and wonderful way to mark a birthday or anniversary. [caption id="attachment_580777" align="alignnone" width="1280"] Nerima Gardens[/caption] DO Start the day with a stroll around Queens Park, which is home to a Nature Centre packed with native Aussie animals, including wombats, wallabies and bilbies. Yes, they're adorable. And yes, you will squee. Also in the park is Nerima Gardens, a Japanese retreat devised in close consultation with Ipswich's eponymous Japanese sister city. Soak up all the serenity as you meander around these picture-perfect grounds. Next, head for the bustling couple of blocks known as the Top of Town. Take your time exploring the quirky stores dotted around and be sure to visit The Vintage Advantage for that perfect 50s-style frock and CJ Vogler & Son, a hobby store that's been trading since 1877. Fans of antiques must go for a poke around the Ipswich Antiques Centre for quirky and impressive art, collectables, furniture and jewellery. For a truly memorable experience, take the plunge and see Ipswich from the air. Pterodactyl Helicopters offer a range of tours to check out the scenery and surrounding sites (including wineries and pubs). The packages are super flexible, so you can craft a trip based on your interests and budget. Captain Mike is your main man, pilot, tour guide extraordinaire, and also possibly the most affable chap around. Take off with him to visit sights like Woodlands of Marburg — a stately plantation manor house built in 1890 but only opened to the public in 2002 — or maybe hop over to the Ironbark Ridge Winery for a tasting. [caption id="attachment_770932" align="alignnone" width="1920"] Ipswich Central Cottage[/caption] STAY To be right in the heart of the action, make this chic little cottage your home away from home for the weekend. This charming spot sleeps up to four guests, with two bedrooms, two bathrooms and two living areas, and is in easy walking distance to many of the sites mentioned above. But if spoiling yourself is on the cards then head directly to Spicers Hidden Vale in Grandchester, which is a 30-minute drive from the town centre. Equally suited to couples and groups of friends, this spot has country luxury down pat. Your accommodation comes equipped with thoughtful details, and may very well have a fireplace or a spa — or both — meaning it may be hard to leave your room. When you do venture outside, be sure to check out the kitchen garden, smokehouse and orchard or complete one of the nearby walking trails. As dusk settles you might play a game of pool in the games shed, take a dip in the spa or toast some marshmallows around the campfire. Yep, there's plenty to do around here. That said, you'll likely be just as happy to just pull up a chair on your verandah and watching the sun dip below the hills. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Spicers Hidden Vale FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
World-class sports and international teams returning to Australia? It's a post-pandemic dream come true for rugby union fans. For the first time since 2016, the England rugby union team will be back on Australian soil to face off with the Wallabies in a three-test series. And, the second test in the series will be battled out at Brisbane's Suncorp Stadium this July. At 7:55pm on Saturday, July 9, the old rivals will go head-to-head for a moment in sporting history that rugby union fans won't want to miss. The Wallabies have been waiting for this moment for half a decade, and are set to give their rival a test series they won't forget. Want to see the whole series? You can catch game one at Optus Stadium in Perth on Saturday, July 2 and the third and final game at the Sydney Cricket Ground on Saturday, July 16. For more information and to book tickets, visit the website.
McDonald's has been serving up Big Macs and soft serve cones to Australians for 50 years, so to celebrate the big five-oh, the golden arches are running a series of promotions and adding some new items to the menu. The latest celebratory surprise popping up at Macca's around the country is a special Birthday McFlurry. While the fast-food chain is no stranger to limited-edition McFlurry flavours — good (apple pie) and bad (bubblegum) — this new edition really takes things up a notch. The Birthday McFlurry is packed with bite-sized pieces of the fan-favourite custard pie, alongside a drizzle of caramel sauce and sprinkles to give it that birthday feel. As well as the inclusion of the bite-sized custard pie pieces in the McFlurry, the full-sized pie will return to the menu for anyone that's been missing the crispy custard-filled treat. Earlier this month, McDonald's kicked off its birthday celebrations with a day of 50-cent Big Macs across Australia. And the celebrations aren't stopping any time soon, with more fun surprises set to pop up throughout July and August. Australia's first McDonald's opened in Yagoona in 1971 and has grown to over 1000 stores nationwide in the 50 years since. The Birthday McFlurry and custard pie are available exclusively via Uber Eats from tomorrow, Wednesday, June 30 through until Wednesday, July 7, before becoming available in all Macca's nationwide for a limited time from Wednesday, July 7. McDonald's Birthday McFlurry is available via Uber Eats from Wednesday, June 30 and available in-store and on McDelivery from Wednesday, July 7.
London based writer, Susie Lau pioneered the fashion blogging revolution in 2006 with her blog Style Bubble and is considered by many to be the best in the business. Her daily posts are an intelligent and articulate approach to fashion trends and cycles. This, matched with her expert knowledge of online publishing, has established Susie as the leading voice in fashion blogging internationally. Not to mention that she has also gone on to help some of the world’s biggest brands, such as Prada, Dior and Top Shop, to become relevant online. This gives you an idea of how incredibly influential Susie Lau has become in the world of fashion. Thanks to Portable you have the chance to see this iconic trendsetter in a uniquely non-virtual way (aka in the flesh). Susie will explain how fashion designers and retailers can position themselves globally by working with online publishers, bloggers and social media channels to create real connections with audiences. She will also share insights into her trajectory as a professional blogger exploring challenges as well as creating an authentic voice. There will also be a Q&A session with the audience and networking drinks after the event. Tickets, on sale here, are limited and highly covetable so make sure you grab some fast!
Sun, splashing around, sipping drinks right beside to your closest patch of water: all of these things scream summer in Brisbane. But thanks to our sweltering climate, escaping into the airconditioned comfort of an art gallery is also a quintessential warm-weather activity in this sultry town of ours — and this year's exhibition lineup is top-notch. Whether you're keen to wander through a masterpiece, bounce around an immersive installation, or embrace something weird and wonderful, that's all on the bill this summer. So next time you're looking to break up your pool sessions with peering at art, add these ten showcases to your must-visit list.
Director Takashi Miike transports us back in time — not only into the cruelly executed hierarchy of the 17th century samurai but also into Japanese cinema's Golden Age. His expressive tale of solitary heroism moves with an arthouse patience and poise, and the violence is deeply affecting, rather than for effect. In this respect, Hara-Kiri: Death of a Samurai represents a departure from the spectacularly bloody epics for which Miike is known, such as 13 Assassins and Audition. This should come as no surprise, though, for those intimately acquainted with the prolific Japanese director's work, which includes at least 70 productions. His filmmaking has never been confined to creativity-crunching limitations — he's dabbled with comedy, children's films and period drama. A story-within-a-story structure propels the narrative. Hanshiro (Ebizo Ichikawa), an out-of-work samurai, seeks permission from the House of Li to commit seppuku (honourable self-disembowelment). Suspicious that Hanshiro might be another in a line of poverty-stricken warriors who have been attempting "suicide bluffs" for financial gain, the feudal lord, Kageyu (Koji Yakusho) regales him with the tale of Motome (Eita). A young man who came seeking a few coins to save his dying family, Motome was forced to self-disembowel on a bamboo sword, having already sold his own. What Kageyu does not realise is that Motome and Hanshiro knew each other well. Hanshiro is on a mission to avenge Li's lack of humanity and expose the lie beneath the front of "honour", which enables the condemnation of the lower classes to unemployment, sickness and death. Miike does not hold back in his critique of sadism. Putting aside broad-brush depictions of bloodletting, he reaches his viewers through specific experiences and emotional investment in character. Motome's horrendously slow suicide is depicted so viscerally, it's not easy to keep your eyes on the screen. As his increasing physical and mental agony is mirrored by the gradual snapping of his pathetic bamboo sword into impossibly blunt pieces, the feudal authorities seem to have no limits on their capacity for brutality. Cinematographically, Hara-Kiri inhabits a shadowy world. Symmetrically positioned characters and 17th-century architecture frame the drama. Contrast is subtle, rather than extreme, achieved through the natural rhythms of day and night and the passing of the seasons — bursts of spring sunshine, fiery autumn leaves and silent snow showers — intensified by Ryuichi Sakamoto's restrained yet haunting score. Hara-Kiri: Death of a Samurai is one of Miike's finest, saddest and most important films. It's a brave depiction of a brutal world whose romantic mythology has often curtained a pitiless and unjust reality. https://youtube.com/watch?v=R-sp6Xw0jJU
Since Australia is now its second largest importer, it's high time we learned a thing or two about the brewing and history of the fermented rice spirit known as sake. Cue Moga's Sake Masterclass. Since 1902, Fukui's (Japan) Ippongi Sake Brewery has been renowned for its pure, high-quality dry sake and will be bringing us a rare opportunity: to meet third generation Sake Master Kakutaro Kubo. Kubo will be headed to Paddington's Moga Izayaka for the classes that give sake bluffers a clue in. For $85, participants will get an introduction to the art of brewing, an education on sake's history and an appreciation of its role in tradition. You'll also score a six-course dinner from the restaurant's head chef Satoshi-san, paired with matching sakes and house made umeshu (plum liqueur). It all happens from 6.45pm on Friday, November 8, so call (07) 3367 2808 for bookings.
Just in case social media didn't already provide us with sufficient scope to project our mood at unwitting strangers, three German artists have provided another, even more public avenue through the 'Public Face'. Their interactive art installation reflects the mood of the city in which it stands with a giant electric emoticon. Hidden cameras at ground level capture the facial expressions of passers-by to measure the general vibe at any given time, and relay it back to the emoticon tower. So long as there are no manic-depressives in the crowd or cause for any emotion beyond happy, sad, or indifferent, the giant smiley will provide an accurate public vibe-o-meter, constantly updating itself to match the collective mood. There are unverified rumours that the Public Face will do the rounds in a variety of cities across the globe in 2012, but this may not be good news for everyone. The smiley's stint atop a lighthouse on Bavaria's Lindau Island last year revealed that the town could do with a little more cheer, where the giant face spent a lot of time being indifferent and was rather reluctant to flash any pearly whites. How to bring the mood of a city down even lower? Show the people how depressed they already are. The Public Face is a quirky piece of interactive art, taking a playful spin on the distillation of emotion that occurs when relationships go digital. [Via Archetizer]
The team behind RAW Artists have been shining a spotlight on some of the best creative minds around Australia through their multi-faceted showcases. They are hosting another event, ‘Mixology’ at Oh Hello this week and, like the event namesake suggests, it will feature a great cocktail of art, music and fashion shaken and poured into a tall glass of creativity. Included in the nights events are a film screening, a fashion show as well as a demonstration by a featured make-up and hairstylist. Mixology will feature a live performance from El Motel, art by Beau Deely, Joel Devereux and Amy Commins, fashion by labels Flynn and Benji as well as a film screening by writer and director Jack Webb. Get raw at Oh Hello and immerse yourself in the communal creative atmosphere with the Raw Artists community this week.
How many times can James Cameron break his own record? How many shades of blue can shimmer across the screen in one movie? Will Avatar's 13-years-later first sequel also dazzle the Oscars, as its predecessor did? Will Avatar: The Way of Water influence everything that comes after it, special effects-wise, also as the initial flick did, too? They're just some of the questions that the mere existence of this Avatar follow-up sparks. Here's another: will you get Eiffel 65's 1998 hit 'Blue (Da Ba Dee)' stuck in your head, even though it surely isn't in the film? Audiences will start finding out the answers to these queries in mid-December, when Avatar: The Way of Water hits cinemas worldwide — and Cameron has dropped a full trailer for the movie in the interim. This is Avatar: The Way of Water's second sneak peek, following an earlier look back in May — but this is one of those films that you might only truly believe exists once you're sat in a theatre watching it, because it has been in the works for that long. If you saw Cameron's initial entry in this sci-fi franchise back in 2009, you'll undoubtedly be buying a ticket. Indeed, given that the original Avatar quickly became the highest-grossing picture of all time — a record this one will try to break — it's highly likely that you did and will. Amid blue-hued CGI-filled waters and skies, and surrounded by the franchise's blue-toned Na'vi people, Avatar: The Way of Water steps back into the story of the Sully family, aka Jake (Sam Worthington, Fires), Neytiri (Zoe Saldana, The Adam Project) and their children, on the habitable moon Pandora. This time around, staying safe and alive remains a focus, as trouble keeps finding the Sullys, battles mount and striving to keep together also requires their focus. Also set to feature: Sigourney Weaver (Ghostbusters: Afterlife), Stephen Lang (Don't Breathe 2), Cliff Curtis (Reminiscence), Joel David Moore (Bones), CCH Pounder (Godzilla: King of the Monsters), Edie Falco (Nurse Jackie), Kate Winslet (Mare of Easttown) and Flight of the Conchords' Jemaine Clement. If the two sneak peeks so far have you excited about re-entering Avatar's blue-heavy world, get ready for more where that came from. A third movie is due in 2024, a fourth in 2026 and a fifth in 2028. Check out the latest Avatar: The Way of Water trailer below: Avatar: The Way of Water releases in cinemas Down Under on December 15. Images: Photos courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.
I don’t know if you have heard, but Brisbane has somewhat become the Soccer capital of Australia over the past two years thanks to the massive effort of the Brisbane Roar. Our local team have been champions for the past two seasons and are constantly doing us proud by playing with massive amounts of heart and passion, not to mention copious amounts of skill. This weekend, they take on Adelaide United in what will surely be another cracker of a match. There are few atmospheres as electric as one at Suncorp Stadium when it is filled to capacity with hometown support, so get behind your team and ‘roar’ your loudest as the Brisbane Roar compete to stay at the top. Ticket prices start from a very affordable $12, a small price to pay for some quality football.
If you haven't spotted festive decorations popping up around Brisbane yet, that means that you haven't been anywhere in Brisbane since Halloween ended and November arrived. Otherwise, you would've seen the obvious: it's beginning to look a lot like Christmas around the River City. Come Thursday, November 23 until the big day, the Brisbane CBD will be brimming with even more festive cheer — whether you're keen on shopping your way through markets, peering at dazzling lights or searching for tiny doors. Brisbane City Council and Lord Mayor Adrian Schrinner have unveiled the lineup of Christmas events that'll be decking out the city, and it's filled with highlights. Some, like the Enchanted Garden in Roma Street, are popular favourites set to delight again. Others, such as a Christmas party at Victoria Park / Barrambin that'll livestream the Lord Mayor's Christmas Carols, are fresh additions to your seasonal itinerary. It all kicks off on Thursday, November 23 with the return of Enchanted Garden, aka glowing sights filling Roma Street Parkland for you to wander around, which runs until Wednesday, December 20. Then, to welcome December — taking place on Friday, December 1, in fact — the annual lighting of King George Square's 22-metre-tall Christmas tree will herald a cavalcade of merriment showering the inner city. For nabbing gifts, Brisbane Arcade's two-day Christmas markets are back, as are the BrisStyle twilight Christmas markets in King George Square — both joining the city's hefty list of places to browse and buy beyond shopping centres. In the CBD, there'll also be nightly light shows at City Hall, running from 7.30pm–12am from Friday, December 8–Sunday, December 24; daily roving performances in the mall from Friday, December 1–Sunday, December 24; and the Lord Mayor's Christmas Carols on Saturday, December 9 at the Riverstage, plus the broadcast over to Herston. For the latter, entry is free and picnic baskets are encouraged, with food trucks also popping up. As for the tiny doors, they're all handmade and will be scattered throughout the city from Friday, December 1–Sunday, December 31, ready for you to find and marvel at their cuteness. The rest of the festive lineup includes a free Christmas show in the Queen Street Mall on three Fridays — December 8, 15 and 22 — plus singers and dancers taking to the same stage from Saturday, December 16–Sunday, December 24. And, at Uptown (RIP the Myer Centre), Queens Plaza and the Wintergarden, you'll have a heap of chances to get Santa snaps.
Some pop star dreams just aren't meant to be, and The Idol's are now among them. Whether you watched some of it, the whole thing or simply read about it (because no one could avoid the latter), the HBO series has been one of the most talked-about shows of 2023 — when it started dropping sneak peeks from July 2022, too, but especially once it hit streaming in June this year. All that chatter hasn't inspired the US network to bring it back for a second season, however, and unsurprisingly. As per Variety and The Hollywood Reporter, the show has been cancelled after its first season — which ran for five episodes, and focused on singer Jocelyn (Lily-Rose Depp, Voyagers) and nightclub impresario Tedros (Abel Tesfaye, aka The Weeknd). "The Idol was one of HBO's most provocative original programs, and we're pleased by the strong audience response," said a HBO representative in a statement. "After much thought and consideration, HBO, as well as the creators and producers, have decided not to move forward with a second season. We're grateful to the creators, cast and crew for their incredible work." Set within the music industry, The Idol followed Jocelyn as she attempted to make a comeback, got caught up in controversy and met Tedros. It bears more than a passing resemblance to UK series I Hate Suzie, but with its own stacked cast — and with Sam Levinson, the mastermind behind Euphoria, creating it alongside The Weeknd. The Idol's packed list of on-screen talent also spanned Red Rocket's Suzanna Son, Boy Erased's Troye Sivan, Schitt's Creek's Dan Levy, singer-songwriter Moses Sumney, BLACKPINK's Jennie Kim, Only Murders in the Building's Da'Vine Joy Randolph, Hacks' Jane Adams, Bodies Bodies Bodies' Rachel Sennott and Inglourious Basterds' Eli Roth. Also appearing: Hank Azaria (Hello Tomorrow!), Hari Nef (Barbie), Steve Zissis (Happy Death Day 2U), Melanie Liburd (This Is Us), Tunde Adebimpe (Marriage Story), Elizabeth Berkley Lauren (Saved By the Bell) and Nico Hiraga (Booksmart), plus Anne Heche (All Rise) in what was one of her last performances. Controversy surrounded the show not just once it was releasing episodes, but beforehand. Prior to arriving on streaming — before it premiered at 2023's Cannes Film Festival, too — the Los Angeles-set series started with She Dies Tomorrow's Amy Seimetz directing every single episode. But back in April 2022, it was revealed that Seimetz had left the project and reshoots were underway as a result. Reports also surfaced about the working environment — and, neither the viewer nor the critical response was anywhere near glowing, making The Idol's cancellation far always likely. Check out the trailer for The Idol below: The Idol season one streams via Binge in Australia and Neon in New Zealand. Via Variety / The Hollywood Reporter. Images: Eddy Chen/HBO.
