Instagram looked rather fetching last week. Hoards of hovering fashion bloggers, well-dressed punters breaking out their most social media-baiting outfits and a somewhat random Gerard Butler all descended on Sydney's Carriageworks last week for Australia's premier fashion event. Mercedes-Benz Fashion Week Australia is a tossed salad of the fashion industry's heavyweights, Next Big Things and hopeful scenesters eager to catch a glimpse of the coming season's boldest and brightest looks. Fresh from a long, house music-fuelled week of drooling over impossibly high heels and disarmingly playful outfits we could never comfortably wear into the office, Concrete Playground takes a look at next year's biggest trends. Looks like next year we'll be wearing wetsuits, donning enough sparkles to blind passers-by and asking our mums for style advice. Image: Toni Maticevski, Dion Lee, Ginger & Smart Luxe sports We all know Australia is a sporting nation, but who could have predicted that a fair whack of the MBFWA designers would premiere collections referencing sportswear as a key inspiration? Prominent zips, pockets, mesh panels, racer backs, fabrics that looked totally capable of wicking moisture — sporty detailing was everywhere this year. Dion Lee went varsity track-and-field, Ginger & Smart inserted a hint of streetwise mesh into otherwise romantic pieces, and several newcomers came out looking ready to race. The style reached its zenith, however, with Toni Maticevski, who sent athletics-inflected eveningwear down the runway (and it was stunning and formidable and would be perfectly rocked by Claire Underwood on House of Cards). Style inspiration: Sochi Olympics Image: Gabriel Lee (Raffles showcase), Ciara Nolan (The Innovators), Toni Maticevski Neoprene dreams Although a pedant might say neoprene is just one subset of the sports trend, the textile (you might know it as wetsuit material) was so prevalent at MBFWA that it deserves a mention in its own right. As well as anchoring the athletic collections of Maticevski et al, it made appearances contrasting against floatier, finer fabrics in the girlier wares of Cameo, Alice McCall and Gabriel Lee (part of the Raffles International Showcase), while Ciara Nolan achieved ultimate neoprene-age with her dinosaur-inspired (yes, dinosaur inspired) pieces. Best of all, neoprene should prove surprisingly wearable, particularly in skirts, where it not only makes sculptural curlicues from your waist to your knees but has a hold-everything-in effect. Stay away from any neoprene jumpsuits though; that could well just be a wetsuit. Style inspiration: Surfers. Duh. Image: Yousef Akbar, Alice McCall, Bei Na Wei SO SHINY This season designers are infusing a little celebration in each of their pieces. Accompanying the straight-up party that is Romance Was Born's hootenanny of an exhibition, Reflected Glory, designers like Aurelio Costarella, Alex Perry and Zhivago are making a dance floor out of mere clothing. Basically, the more sequins you can pack into a pair of pants the better. Metallic, rigid tunics and playsuits shone down more than one runway, making appearances everywhere from Alice McCall to Bei Na Wei, while glass beadwork, monochrome sequins and shimmering tassels made an absolute shindig of the Yousef Akbar runway. Day to night has never been easier. Style inspiration: Vince Noir's mirrorball suit Image: Dyspnea, Alice McCall, Haryono Setiadi OVERLAYS We could see right through this one — overlays are getting serious exposure. Romantic as ever, intricate lace is all loved up by designers like Aje, Alice McCall and Alex Perry, prettying up full-length onesies, sheer business shirts and playful cocktail dresses. Appropriately breezy for her cruise-inspired birthday collection, Alice McCall paired long hemlines with high-waisted '50s style undergarments, while Ae'lkemi took sheer to the next level with gowns, shirts and skirts almost whispered on. The best thing about the evolution of sheer into overlays? Odds are you can actually wear it in the street. Style inspiration: Freedom Image: Hayley Elsaesser, Alice McCall, Emma Mulholland LOUD PRINTS Oh, you're thinking of wearing that ditsy floral dress? No. Life is short and this year's designers want you to spend yours not as a wallflower but as a rare, crossbred and likely poisonous orchid. Therefore, those who are working with colour (and not strictly monochrome and structural, which is, of course, also a thing right now) are working in vivid technicolour smashed together in brash prints. We're particularly taken with Emma Mulholland's and Hayley Elsaesser's sweet spins on childhood nostalgia and Alice McCall's mystical and alluring digital pyramid print. Fortunately, mixing prints is the pinnacle of this trend, so: let's wear both. Style inspiration: Ken Done Image: Dyspnea, Aelkemi, RACHELALEX THAT '70s SHOW Hemlines are longer, prints are bolder, sleeves are bigger — the '70s are the season's chosen decade for a runway revamp. Bell bottomed pants, asymmetrical tunics and winged sleeves made appearances in the Ellery, Bianca Spender and Ae'lkemi shows, while the impossibly bright, geometric prints of Desert Designs and tie-dyed designs from Rukshani channel an early '70s post-Woodstock vibe. Zhivago brought out yellow long-sleeved gowns with plunging necklines and Jayson Brunsdon featured super feathered, luminescent collars and one-shouldered numbers, also seen in Haryono Setia's candy corn-coloured tunics. Style inspiration: Studio 54 Image: Hayley Dawson, Yousef Akbar, Dion Lee MIXED MATERIALS Sometimes you need to pair something with its opposite to truly bring out its best qualities. Alex Perry fused rough snakeskin with bejewelled silk, Dion Lee is bringing leather to denim like only the Ramones could and newcomer Hayley Dawson introduced feminine, sheer cotton to hardy industrial uniforms. Yousef Akbar's Francis Bacon-inspired collection ended with floor-length gowns of half neoprene half silver sequins, while Bei Na Wei blended industrial strength synthetic mesh textiles with shiny leather to find a futuristic femininity. Style inspiration: Neenish tarts Image: Cameo, Emma Mulholland, Ellery MORE OF WHAT YOU'VE ALREADY GOT Not everything is a flash in the fashion pan; some trends are showing staying power that's a good two seasons long. Crop tops, bustiers and sheer garments are still around in a big way (layer the two together and you have something approaching modesty), while matchy-matchy monochrome remains a strong look, particularly in statement white. Style inspiration: MBFWA 2013 Top image: Emma Mulholland. Words by Shannon Connellan and Rima Sabina Aouf.
We all know that fast fashion is gross. And yet, we're all familiar with the need to something cheap and quick in a time crunch — often overwhelming our need to not pollute the planet beyond repair. We really don't do well by Mother Earth here in Australia. According to the Australian Bureau of Statistics, every year 500,000 tonnes of fashion ends up in landfill and each Aussie consumes 27 kilograms of textiles. Rhianna Knight believes we can do better, so she started an apparel business that won't leave you feeling shamefaced. The result is Mister Timbuktu and, after a successful crowdfunding campaign earlier this year, it's kicking ass — with its debut collection now available. Mister Timbuktu's outdoor apparel is made from recycled plastics and discarded fishing nets. At the moment, the range is all about quality leggings, raincoats and crop tops, but they'll soon branch into all things outdoorsy, including tents, sleeping bags and puffer jackets. The designs are gorgeous and bright because outdoor activities don't have to be completed in drab natural colours (apologies, Kathmandu, you serve a purpose but there's a new queen on the block). According to Knight, eleven plastic bottles are recycled in each pair of leggings they create. How in the name of activewear is that possible? Well, recycled plastics are collected, shredded into chips, washed, melted into liquid form and then spun into thread that goes on to become your new favourite comfy pants. Science, bitches! The company also puts 20 percent of profits back into helping the planet in other ways: by partnering with both a mental health charity (Waves of Wellness) and the Foundation for National Parks and Wildlife. But wait, there's more. Okay, we probably shouldn't get so excited about this part because the rest of the initiative is so phenomenal, but check out the leggings: they have a pocket in the waistband which is the best and most practical thing ever. Thank you for listening to our secret wishes and delivering. For more information, visit Mister Timbuktu's website.
It's Ekka time again, but heading to the annual show isn't everyone's idea of fun. Specifically, if you're after an event that puts sustainability and ethical practices first and foremost — and focuses on zero-waste ideals and cruelty-free products — then you might want to mosey along to The Green Edge's one-day alternative instead. Taking place on the Brisbane midweek public holiday that is Wednesday, August 14, The Green Edge Vegan Ekka Day Festival has dagwood dogs, but without any animal products. It'll also have show bags, but they won't be filled with the kind of sugary goodies you'd get at the RNA. Instead, the Windsor store is all about green and vegan wares — at its bake sale, in its raffles, throughout its stalls and while live music plays. From 10am–4pm, a heap of other likeminded businesses will be on-site joining in, and yes, everything is 100-percent vegan. Entry is free, and as well as bringing the littlies, you can also bring your pets too. Image: The Green Edge.
Summer is here, which means that it's time to leave the den that we've crafted for ourselves for our winter hibernation. We need to go outside, and there's no better way to get into the 'outside' than by roughing it under a canvas sheet with fire and nature. But camping doesn't have to be all about being at one with nature; it can be about surviving in the coolest way possible. With this level of bad-assery in mind, here are the top ten gadgets you need to make camping an excellent trip to the great outdoors instead of a terrible trip to the hospital with hypothermia. TENTSILE STINGRAY TREEHOUSE TENT First on your pyramid of camping needs is shelter, and this is the coolest shelter around. The Stingray hangs from the trees, keeping you safe from bugs, animals and all those things that go bump in the night. Going for about AU$850, this genius tent is 4.6 metres square and can hold a whopping 400kg. Now all you have to worry about are the Drop Bears. US$749 from tentsile.com MUSUCBAG LITE Despite having a potential gross-out for a name, this is the 'handiest' sleeping bag you'll ever see. Because it has hands. And feet. Ever get sick of having to get up out of your sleeping bag to get some water or a snack? Fear not, the MusucBag has you covered. Now you can sit around drinking with friends without having to leave the comfort of your bedding. It's like the Snuggie of the camping world. The 'classic' is 119 euros from musucbag.com. TRANSPARENT CANOE For the more sporty of us, summer camping trips are all about getting in or on the water, whether it's the beach or a not-at-all scary lake. For these grand occasions, there's Hammacher's Transparent Canoe. Can't decide between snorkelling or kayaking? Fine, because now you can row your heart out and check out the depths beneath you, all at the same time. US$1900 from the Hammacher online store. BIOLITE CAMPSTOVE Possibly the coolest innovation in heat since the discovery of fire, the BioLite CampStove takes the heat from an internal fire to create electricity that charges phones, tablets, lights and anything else with a power cord. One chamber holds a fire made from twigs that's suitable for cooking, which fuels a generator in another chamber. It's about the size of a drink bottle, affordable and eliminates the need for lighting a giant fire every time you want a cup of tea. The BioLite CampStove is simply one of the coolest inventions in town. US$129.95 from the BioLite online store. KANZ FIELD KITCHEN Camping can seem somewhat less appealing when you think about the fact that it means eating a whole load of tinned spaghetti — it's hard to lug around the gear necessary to cook a decent meal. Instead, why not pack up the portable and awesomely nifty Field Kitchen? It houses a two-burner stove top, cabinets and a prep area, all in less than a metre cubed. Get the fully pimped propane version for US$1640 from the Kanz online store. LIFESTRAW Not only is it important to be comfortable and have your phone charged whilst camping, it's also important to have clean water, which is where the life straw comes in. The straw looks like a little water bottle, and can filter 1000L of filthy, stagnant water into the purest elixir you've ever had. Handy for when you just can't boil up some river water and wait for it to cool. US$19.95 from the Lifestraw store. Plus, for every straw you buy, part of the funds go towards distributing LifeStraw Community institutional water purifiers to schools in Africa. BEAR GRYLLS SCOUT ESSENTIALS KIT Whether or not Bear Grylls really does do all the wicked stuff he appears to on television, there's no doubt that he's the ultimate survival guy, and this kit is all the basics he deems necessary to live outside. There's a scout knife, a first aid kit, a compass and an LED light, just for starters, and it's all packaged up polypropylene case. £35.99 at the Bear Grylls website. VICTORINOX TINKER DELUXE SWISS ARMY KNIFE This isn't just a camping essential; this is a life essential. Everyone needs a Swiss Army Knife because they can do just about anything. Victorinox are always coming up with innovations that already improve on the perfect design, and the Tinker Deluxe is one of the best examples. With a knife, a can opener, scissors, pliers, screwdriver and the always handy bottle opener, this camping/life essential is well worth the $80 it costs to have one. YETI TUNDRA 65 WHITE COOLER The Tundra 65 isn't the cheapest cooler in town, but it sure is the best. It holds 60L, which is about 39 cans of beer. Which is a lot. Plus, the walls are super thick, so it keeps these cans of beer cooler for much longer than your regular old cooler. It may cost a pretty penny, but what a price to pay for beer that's still cold until you've finished the case, which is what camping is all about, isn't it? US$399.99 from Yeti, FESTIVE BRAZIL HAMMOCK Finally, it's essential to touch on the more comfortable side of sleeping outdoors — glamping, if you will. For those of us who really don't like getting dirty or sleeping on a thin mat, glamping is an opportunity to enjoy the fresh air and beautiful views outdoors in comfort. And for that, there's the Festive Brazil Artisan Crafted Hammock. Not only is it big enough for two, it's all done up in pretty rainbow colours, and is finished with crocheted draping, hand crafted by Brazilian artisans. At $160, it's the perfect excuse to skip the hike. US$159.99 from Novica.
Regal drama fans, it's time to give The Crown a rest and direct your streaming queue towards a different take on the UK monarchy. The Emmy-winning hit Netflix series isn't the only on-screen source of royal intrigue of late, and you'll find plenty of the same bases covered in Spencer — 90s-era chaos and tension galore, especially — as well as Kristen Stewart doing career-best work playing Princess Diana. KStew just got nominated for an Oscar for the part, in fact, and it's easy to see why. Saying that Spencer director Pablo Larraín (Jackie, Ema) has cast his Diana well, pitch-perfect head tilt and all, is a royal understatement. And, although the film only hit cinemas Down Under in late January, it's doing what many flicks do recently — including Dune, The Matrix Resurrections, The French Dispatch and The 355 in just the past month — and jumping to streaming while it's still showing on the big screen. Your next royal date arrives on Friday, February 18, which is when Spencer will be available to watch with Prime Video subscriptions. Obviously, heading to the cinema will always be the most glorious way to see a movie, but having options regarding when and where you can watch is always welcome. In the bold and enthralling slice-of-life biopic, the year is 1991, the time is Christmas and the place is the Queen's (Stella Gonet, Breeders) Sandringham Estate, where the Windsors converge for the holidays (yes, Spencer is now prime seasonal viewing). As scripted by Peaky Blinders and Locked Down's Steven Knight, the choice of period puts Diana (Stewart, Happiest Season) in one of the most precarious situations of her then decade-long married life, with her nuptials to Prince Charles (Jack Farthing, The Lost Daughter) turning into an "amicable separation" within 12 months. Spencer's focus is on three days, not all that defined the People's Princess' existence before or after, but she can't stop contemplating her past and future. The Sandringham grounds include the house where Diana was born, and those happier recollections — and time spent now with her children (debutants Jack Nielen and Freddie Spry) — give her a glow. Alas, all the monarchical scrutiny simmers her joy to ashes, unsurprisingly. Timothy Spall (The Last Bus), Sally Hawkins (The Shape of Water) and Sean Harris (The Green Knight) also feature, but Stewart is obviously the star of the show. With two-plus decades as an actor to her name, she hasn't spent her career as a candle in the wind, with her flame both blazing and flickering since her first uncredited big-screen role in The Flintstones in Viva Rock Vegas — but, by Elton John's definition, she's always known where to cling to. After jumping from child star to Twilight heroine and then one of the savviest talents of her generation, she's gleaned where to let her haunting gaze stare so piercingly that it lights up celluloid again and again, too. Spencer joins Stewart's resume after weighty parts in Clouds of Sils Maria, Personal Shopper, Certain Women and Seberg, and has her do something she's long done magnificently: let a world of pain and uncertainty seep quietly from her entire being. Check out the trailer for Spencer below: Spencer is still showing in cinemas Down Under, and will be available to stream via Prime Video Australia and New Zealand from Friday, January 18. Read our full review. Top image: Pablo Larraín.
Located in an ordinary stretch of shops in Jindalee, Piggy Back Cafe mightn't look like it stands out; however its vibrantly coloured menu ensures that's not actually the case. The daytime eatery has fast become the suburb's worst-kept secret thanks to a particular offering that has taken over every Instagram feed in city: rainbow foam-topped coffees. At the first west-side venture from the folks behind Picnic and Pawpaw on the other side of town, there's no such thing as a boring old cuppa; instead, their caffeinated hits will brighten up your cup and your day. That extends to a red velvet variety, though you don't have to be a coffee fiend to jump on that trend. Red velvet shake or red velvet French toast with bacon, anyone? Yep, you'll be too busy taking pics to actually eat and drink anything you order, with Piggy Back's snap-worth selections only continuing. The eggs Benny comes with pulled pork, smashed avo gets the matcha treatment, every acai bowl features an explosion of different tones and textures — and here, breakfast salad is most definitely a thing. Plus, cakes, doughnuts and special dessert nights take care of any cravings for morsels that both look and taste sweet.
With 1654 stores to its name worldwide, Five Guys' burger joints have become a common sight across America, Europe, the Middle East and Asia — and soon, they'll also be opening in Australia and New Zealand. The cult-favourite chain is making the leap Down Under as part of a master franchise agreement with Seagrass Boutique Hospitality Group, aka the folks behind The Meat & Wine Co, Hunter & Barrel, 6 Head, Ribs & Burgers, Italian Street Kitchen and Butcher and the Farmer. Sydneysiders can start getting excited first, with Seagrass currently looking for suitable locations in the city's CBD. "Our aim is to identify high-visibility ground-floor sites in high-traffic areas," said the company's Chief Marketing Officer David Ovens in a statement. But burger lovers in other states, and in New Zealand, can also prepare their stomachs, with around 20 stores due to launch in Australia alone — although exactly where and when Five Guys will be popping up is yet to be revealed. What we do know is why Five Guys has amassed quite the reputation — and why, given the number of big-name US burger chains with hefty followings, such as Shake Shack and In-N-Out, it stands out. Its made-to-order burgers skew in the classic rather than oversized, jam-packed direction. They come with two hand-formed patties on toasted buns with your choice of toppings (including pickles, grilled mushrooms and jalapeños), plus bacon cheeseburgers that add two strips of bacon and two slices of Kraft American cheese as well. Five Guys also serves up hotdogs, sandwiches, hand-cut fries (with or without Cajun spices) and vanilla milkshakes. Don't go thinking the latter are boring, though — you can add bacon, bananas, peanut butter, salted caramel and even Oreo pieces to your design-your-own beverage. The chain started back in 1986 in the Washington, DC area and, as anyone with allergies should note, only cooks its fries in peanut oil. Five Guys is currently looking for sites in the Sydney CBD, with stores in other Australian states — and in New Zealand — to follow. No opening dates have been revealed as yet — we'll update you when more information comes to hand.
"I will find you. No matter what it takes." So promises Squid Game protagonist Seong Gi-hun (Lee Jung-jae, Deliver Us From Evil) in the clip that fans of the Netflix sensation have been waiting for for years: the first proper glimpse at what's in store when the series finally returns for its second season. One of the best new TV programs of 2021, Squid Game was such a huge smash that Netflix confirmed at the beginning of 2022 that more was on the way, and also dropped a teaser trailer for it the same year — but, it didn't include any footage of what's to come. The platform then announced new cast members in 2023, which came with a video; however, again, it wasn't a real sneak peek. To help start 2024, the service has finally unveiled a scene from the show's upcoming return, which it has already confirmed will stream sometime this year. The snippet of Squid Game season two is brief, arriving in a broader trailer for Netflix's slate for the year — as it releases every 12 months. In the footage, Seong Gi-hun, aka player 456, answers a phone call while at the airport with his newly crimson locks. He's soon told "you're going to regret the choice you've made". Cue his statement of vengeance; Squid Game meets John Wick, anyone? There's no other new information on season two right now — including no exact release date — but Netflix has also dropped a few images from the forthcoming episodes, complete with neon hues, those pivotal red outfits and familiar symbols. As already revealed, Lee Byung-hun (The Magnificent Seven) is also back as the masked Front Man. With Lee Jung-jae, he's joined by Wi Ha-joon (Little Women) as detective Hwang Jun-ho, plus Gong Yoo (Train to Busan) as the man in the suit who got Gi-hun into the game in the first place. A show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount, which means that new faces were always going to be essential in Squid Game season two. Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) have all joined the series. New photos from Squid Game Season 2 -- coming this year. Gi-hun (Lee Jung-jae), Front Man (Lee Byung-hun), Recruiter (Gong Yoo) and Gi-hun (Lee Jung-jae), and a new character played by Park Gyu-young. pic.twitter.com/8xRC1EvQPr — Netflix (@netflix) February 1, 2024 If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. Accordingly, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Here, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out Netflix's teaser for Squid Game season below: Introducing the very first look at SQUID GAME SEASON 2. Coming this year. pic.twitter.com/fzRzdtHRDY — Netflix (@netflix) February 1, 2024 Squid Game season two will stream via Netflix sometime in 2024. We'll update you when an exact release date is announced. Images: Netflix.
UPDATE, MARCH 13: Due to concerns around the coronavirus, Disney has announced that The New Mutants will no longer release on its initially scheduled date of Thursday, April 9, 2020. At present, a new release date has not been announced — we'll update you when one has been revealed. When it comes to superhero cinema, quantity doesn't equal variety. A new caped crusader flick hits screens every month, or so it seems, but many of them follow the same formula. You know the drill, because you've seen it in everything from Captain America to Wonder Woman and several different iterations of Spider-Man: someone with special abilities grapples with their powers, learns how to put them to best use, then faces off against an evil nemesis — saving the world from destruction and devastation in the process. Accordingly, when something dares to break the mould in even the slightest way, it stands out. That's one of the reasons that Marvel's The New Mutants has gathered quite a bit of attention in recent years. Set within the X-Men universe and based on the comics of the same name, it follows a group of young mutants being held against their will in a secret psychiatric hospital, basically plonking them in horror movie territory. There's still plenty that's familiar about the premise, with the titular super-enhanced folks all learning to use their powers while trying to escape captivity — but the tone and approach of the film is definitely a welcome change. The darker, scarier mood is on full display in the just-dropped latest trailer, which also confirms an important piece of information: five years after it was first announced, four years since it was cast and three years after it was shot, The New Mutants finally looks set to hit cinema screens. That hasn't always been a given, with the long-delayed film originally due to release in April 2018, only to be pushed back to February 2019, then August 2019, and now April 2020. Along the way, it has been through cast member changes, script rewrites, reshoots and the Disney acquisition of Fox — aka the company behind the MCU flicks snapping up the company behind the X-Men movies — so if you were skeptical about it actually seeing the light of day, let this new sneak peek allay your fears. As well as its ominous tone and plenty of horror imagery, The New Mutants boasts an impressive cast — including Game of Thrones' Maisie Williams, Stranger Things' Charlie Heaton, and Glass and The Witch's Anya Taylor-Joy. Obviously, given how long ago the film was first shot, they all look quite a bit younger than their most recent screen appearances. And, behind the camera sits director/co-writer Josh Boone, who last helmed teen weepie The Fault in Our Stars. Check out the trailer below: https://www.youtube.com/watch?v=otomJ2gKHfQ The New Mutants was due to open in Australian cinemas on April 9, 2020; however it'll now release on a yet-to-be-revealed date — we'll update you when one is announced.
Sometimes, street parties occur for a specific reason, to mark a date or open — or farewell — part of a neighbourhood. Sometimes, however, they happen just because. No one really needs an excuse to throw a big ol' shindig, especially if the whole community is invited. Consider the new Seven Hills Festival an event in the first mould, but with the spirit of the second as well. It aims to bring the Brisbane suburb together, but it's also taking place because The Rabbit Hole Cafe has been around on The Corso for a decade. Party in the street in Brisbane's inner east: that's on the agenda from 3–9pm on Saturday, November 5. There'll be food trucks to grab bites from, pop-up bars pouring sips and a whole heap of live entertainment. The idea is to start a new trend, too — so when this starts happening annually, folks who head along in 2022 will be able to say they were there at the very first festival.
It’s fairly rich these days to compare a band to both The Doors and Bowie, but these labels seem to only stick firmer with every performance by Brisbane’s own Mega Ogre. For two years they’ve been working the Brisbane music scene and now, with the support of Gung Ho’s Michael McAlary, they’ve got their first EP to show for it. In a night of celebration at Black Bear Lodge, these four musos slash synth dreamers will be launching their first-ever single 'TED (The Ethereal Darkness Beyond Planet Earth)' — a track reminiscent of aliens, dinosaurs, shadows, fuzzy jams and loopy riffs and wails. Tickets for this monster of a gig are going at $10.20 a pop, with the support acts Cull (Sydney) and Pool Shop ensuring you'll receive far more than your money’s worth. Remember, don’t wreck yourself before you Shrek yourself.
It's a pretty clever move — and one that probably made you think about this event more than you might've otherwise. Rather than just calling the celebration of New Zealand's finest craft beers what it really is (aka a boozefest), the powers that be have labelled it a symposium. That means that you can feel like you're partaking in something scholarly as you're sipping on brews from across the ditch. Given that you'll be able to sample a whole host of beverages you probably haven't come across before, there really is an educational side to it. In Brisbane, two places are getting in on the action: Bloodhound Bar and The Scratch. At the former, you'll find not only the finest New Zealand tipples, but a menu of Kiwi-inspired dishes to match. At the latter, you'll get more drinks, Flight of the Conchords on repeat, and a 1 in 600 change of winning a trip to the Beervana beer festival in Wellington. Basically, whichever you pick you're in for an afternoon and evening of themed, informative fun. And it all takes place on Waitangi Day, which really couldn't be any more appropriate.
In the just-dropped full season-three Only Murders in the Building trailer, Mabel Mora (Selena Gomez, The Dead Don't Die) asks Oliver Putnam (Martin Short, Schmigadoon!) and Charles-Haden Savage (Steve Martin, It's Complicated) a key question: "who are we without a homicide?". When you're characters in a murder-mystery comedy who make a podcast about murders in your building, death comes with the territory. So does chatting about it — and both are covered in this latest and lengthiest sneak peek at the show's new batch of episodes. This time, it's actor Ben Glenroy (Paul Rudd, Ant-Man and the Wasp: Quantumania) who has shuffled off this mortal coil — and at opening night of theatre producer Putnam's latest Broadway show. Of course Mora, Putnam and Savage are going to get sleuthing again, as they did with past murders in season one (aka one of the best new shows of 2021) and season two (one of the best returning shows of 2022). And of course scrambling to save Putnam's career is also part of the storyline. Season three stars not only Gomez, Martin, Short and the ageless Rudd, but also the one and only Meryl Streep (Don't Look Up) as it add another bit of murder, a new mystery to solve and plenty of laughs to the winter streaming lineup. The show returns on Tuesday, August 8 with its main trio spending plenty of time on Broadway trying to work out who is responsible for Gilroy's death, and why, with help from Streep as his co-star Loretta Durkin. "Is this really happening again?" asked Putnam in the first teaser trailer for the new batch of episodes. Yes, yes it is. So is the series fondness for big-name guest stars, as viewers will know from both season one and two. Tina Fey (Girls5eva) has been a significant presence, Sting and Amy Schumer have played themselves, and Cara Delevingne (Carnival Row) has also popped up. If you're yet to experience Only Murders in the Building's charms, it follows its central odd trio after they bond over two things: listening to a Serial-style podcast hosted by the show's own version of Sarah Koenig, aka Cinda Canning (Fey); and a death in their luxe abode. Of course, they did what everyone that's jumped on the true-crime bandwagon knows they would if they were ever in the same situation, starting their own audio series that's also called Only Murders in the Building. That's how season one kicked off — and continued, proving a warm, funny, smart and savvy series at every step along the way. In the show's second go-around, another death needed investigating. That time, it was someone the main trio were all known not to be that fond of, so suspicions kept pointing in their direction. Check out the full trailer for Only Murders in the Building season three below: Only Murders in the Building's third season will start streaming Down Under via Star on Disney+ from Tuesday, August 8. Season one and two are currently streaming. Read our full review of season two — and of the show's first season, too.
Inspired by the life experiences of writer/performer Waiata Telfer, an indigenous, mixed race woman with an intense cultural connection to her family despite feeling deeply disconnected, Song-The Story Of A Girl, A Bird & A Teapot sees its central character travel on with her trusteed teapot, itself a symbol of lost traditions and rituals, always pushed forward by the calls of an unseen, but ever-present, bird. Directed by Sue Rider Song will ignite your senses and passions as it entertains, enthrals and baffles you.
With 24 percent of London's rush-hour traffic now made up of cyclists, the call for infrastructure upgrades is growing louder. Following the deaths of six cyclists within a fortnight last November, more than 1000 concerned riders staged a 'die-in' outside the Transport for London headquarters in mid-December. Now, architect and cycling fan Lord Norman Foster is proposing a solution: the SkyCycle. It's 135 miles (or 217km) of car-free cycle paths that would be built in the air, supported by pylons, at a height of three storeys, above the routes established by London's current railway lines. Fifteen metres of width would handle up to 12,000 cyclists every hour. More than 3 million people would live and work within ten minutes' of one of SkyCycle's 200 access points. "It's a lateral approach to finding space in a congested city," Lord Foster said. "By using the corridors above the suburban railways we could create a world-class network of safe, car-free cycle routes that are ideally located for commuters." SkyCycle is a collaboration between Foster and Partners, Space Syntax and Exterior Architecture. Space Syntax director Anna Rose compared the system's potential to that of previous major infrastructure changes that have "transformed the fortunes" of London. "Bazalgette's sewer system helped remove the threat of cholera to keep London at the forefront of the Industrial Revolution; the Underground strengthened London's core by making long-distance commuting possible," she said. "SkyCycle is conceived in this tradition as a network of strategic connections from the suburban edges to the centre, adding the much needed capacity for hundreds of millions of cycle journeys every year with all the social, economic, environmental and health benefits to London that follow." However, London is not the final stop. Sam Martin of Exterior Architecture told the Guardian that SkyCycle's ambition is, ultimately, international in scope. "The dream is that you could wake up in Paris and cycle to the Gard du Nord. Then get the train to Stratford, and cycle straight to London in minutes, without worrying about trucks and buses." The catch? The usual — time and money. The current projected cost is £220 million and the construction period is up to 20 years. In the meantime, however, Londoners have been taking advantage of their new cycle super highway. Via Inhabitat.
You might only eat birthday cake when it's your own big day, or if someone you know is celebrating. In October, commemorating 11 years of Lune Croissanterie also counts. As it did in 2022, the cult-favourite bakery is marking its latest occasion with one of its Frankenstein's monster-style sweet treats: a twice-baked birthday cake croissant. Each month, Lune Croissanterie whips up a new batch of limited-time specials, giving you something tasty to look forward to when you flip over your calendar. Iced Vovo cruffins, twice-baked finger bun croissants, pumpkin pie cruffins, lasagne pastries, lamington cruffins, its own take on baklava: they've all been on the list so far in 2023, just for a month. Now comes the return of its sprinkles-topped birthday treat, alongside other bites such as Snickers cruffins, choc-chip cookie pastries and an everything croissant. As also seen in Lune's very own cookbook by founder Kate Reid, the birthday cake croissant is exactly what it sounds like. Lune has taken a traditional croissant, filled it with birthday cake frangipane, then topped it with a sprinkle crumble, buttercream icing and then even more sprinkles. What's a birthday without sprinkles, after all? A bad one. The birthday cake croissant is available everywhere except the Melbourne CBD store right through the month until Tuesday, October 31, and you can order it online from Armadale in Melbourne, plus South Brisbane and Burnett Lane in Brisbane. The rest of the list pops up here and there — but always at at least one spot in Melbourne and Brisbane, where Lune currently operates until it launches in Sydney in 2024. If you're excited about the Snickers cruffins, it takes a Lune cruffin, pipes in peanut crème pâtissière and salted caramel, then adds chocolate ganache and sundae peanuts on top. The bakery describes it as "like a chocolate-chip cookie, a muffin, croissant and a Snickers bar all rolled into one delicious package". The twice-baked choc-chip cookie pastries are filled with milk choc chips and a Marie biscuit frangipane, then score melted dulce chocolate ganache and choc-chip cookie chunks drizzled over them. As for the everything croissant, it's a take on the everything bagel featuring herb paste and chive cream cheese. There's also a hazelnut pudding that's made with Frangelico caramel hazelnut financier and praline cream, if you still need something to tempt your tastebuds. Lune's October specials menu runs until Tuesday, October 31, with different specials on offer at Armadale, Fitzroy and the CBD in Melbourne, and South Brisbane and Burnett Lane in Brisbane. From the Armadale, South Brisbane and Burnett Lane stores, you can also order them online. Images: Pete Dillon.
Memes might not be the first thing that spring to mind when you're thinking of ways to stage a hard-hitting political protest (you know, those times when you do that). But this unassuming cultural phenomenon, initially reserved for LOLcats, has spent over a decade mutating into a medium that netizens now actively use as a form of direct political expression. Straightforward and effective in their output, memes usually consist of a simple (or roughly photoshopped) image accompanied by some witty text using the IMPACT font. Memes are more and more becoming the people's answer to the realm of government-issued propaganda, distilling an issue down to its core message and dispersing it far and wide. Here are five of the best political memes that have recently infected social and mainstream media. CHINA: Free CGC So it would be super-embarrassing if one of the world's largest and most powerful military and security powers let an activist escape house arrest, right? And even more so if he was blind, right? Well this is what happened in April last year, when blind Chinese activist Chen Guangcheng escaped from house arrest right under the noses of officials. In an effort to keep word from spreading, search terms including his name, as well as related terms like 'CGC' and 'the blind man' were quickly blocked by Chinese online censors. But many web-savvy internet users and Chen supporters came up with creative ways to spread the message and to show their support. 'Free CGC' became a slogan attached to this appropriated KFC ad, which features Chen in his signature sunglasses, looking like the archetypal Western hero, Colonel Sanders. The meme proved a powerful way of dodging The Great Firewall, as images, unlike words are not easily searchable (for similar reasons, our favourite giant rubber duck became a subversive symbol this year). It soon went viral on Weibo (China's Twitter) and everybody found out about what happened. Here's the punchline: Chen sought protection from the US Embassy in Beijing, who allowed him to then seek asylum in the US. Ironic, as whistleblower Edward Snowden recently travelled to Hong Kong to seek asylum from US prosecution for similar offences. Bonus Snowden Meme: TURKEY: The Standing Man Throughout June, a protest movement formed in opposition to Turkey's ruling AKP (Justice and Development Party), who announced plans to redevelop the secularly symbolic Gezi Park located in Taksim Square with an Ottoman-era barracks and a mosque. The initial small-scale protest snowballed into nation-wide anti-government demonstrations after a heavy-handed police response left many seriously injured. But following a wave of arrests in an effort to clear out Taksim Square, performance artist Erdem Gunduz, now known as 'the Standing Man', staged an eight-hour silent vigil where he stood in Taksim Square facing a portrait of Kemal Ataturk, the founder of modern, secular Turkey. This simple symbolism inspired hundreds to join him, and has generated "the standing man" meme on social media. It's kind of like planking's cool vertical brother. Some of the images that best illustrate the development of this meme are collected in this Atlantic article. https://youtube.com/watch?v=QMjK0nmwzKU EGYPT: Harlem Shake In February, an Australian teen known on YouTube as TheSunnyCoastSkate, uploaded this averagely amusing 'Harlem Shake' video, triggering a mass of imitation uploads. Within two weeks, YouTube reported around 12,000 Harlem Shake videos had been posted, amassing more than 44 million views. Whilst the vast majority of these videos are by bored university students in need of an excuse to get krunk and semi-naked in their bedrooms, the video meme has also served as an avenue for political expression in Egypt. In March, protestors in Cairo staged a 400-strong flash mob-style Harlem Shake in front of the main office of the Islamic Brotherhood in what has been dubbed a "satiric revolutionary struggle", sending a powerful anti-conservative message not just to president Mohammed Morsi but also reinvigorating the country's weary press-corps. #TweetLikeAForeignJournalist Disappointment high among Kenyans as electoral body denies them chance to rig elections. #KOT — Major Mouz (@mosesmuya) March 4, 2013 KENYA: #tweetlikeaforeignjournalist In 2007, foreign journalists were accused of misreporting the Kenyan elections, exaggerating and presenting inaccurate information for the sake of dramatic narrative. So what did those savvy Kenyans do to combat the threat of misrepresentation in this year's March General elections? They used the hashtag #TweetLikeAForeignJournalist on Twitter to generate satirical election news. The meme spread rapidly amongst Kenya's 12 million Twitter users, with the groundswell catching out the global media to force more balanced reporting. #TweetLikeaForeignJournalist: Peace erupts in various parts of Kenya. The government is asking the international community to assist. — Vicarius Filli Dei (@Vicarius) March 7, 2013 #TweetLikeAForeignJournalist several foreign journalists reported dead from boredom across the country. — Miss Kibui (@rouzieroze) March 7, 2013 AUSTRALIA: Kevin Rudd wins at Game of Thrones Everyone's saying it, Australian politics is the new Game of Thrones, which is sad for Julia Gillard because she used to like Game of Thrones. But let's face it, K-Rudd has returned to the throne. And with him has arrived a slew of punchy memes, cutting through the onslaught of media babble surrounding the spill, poking fun at the ridiculous state of Australian politics. What with all the recent frontbench backbench slaying, we're just glad nobody's memed it with Texas Chainsaw Massacre. Yet. We'll leave you with these.
Just like most of us, Jetstar enjoys marking the passing of another year spent journeying around the sun. And, also like most of us, it's fond of flight sales. Combine the two and you get the Australian airline's 20th-birthday celebrations, which bring the return of its popular 'return for free' sale — where you buy a ticket to your holiday destination, then the carrier covers the cost of you coming home. This time around, the airline is doing discounted flights across Australia and to a range of international destinations, including in Japan, Thailand, Bali, Hawaii, South Korea and New Zealand. Wherever you'd like to head, the key part of this sale is making your way back Down Under without paying for the flight, which'll also make your holiday oh-so-much cheaper. Running from 12am AEST on Wednesday, May 1–11.59pm AEST Thursday, May 2, or until sold out — with Jetstar members getting an extra 12 hours access to the sale from 12pm on Tuesday, April 30 — it really is as straightforward as it sounds. Whatever flights you opt for as part of the sale, you'll get the return fare for nothing. The caveats: you have to book an outbound fare, then you'll get the return fare for free — and the deal only applies to Starter fares, and only on selected flights. Also, checked baggage is not included, so you'll need to travel super light or pay extra to take a suitcase. Plus, you have to use the same arrival and departure ports for your flights — so you can go from Sydney to Osaka and back, for instance, but can't return via another place or to another city. On the international destinations list: Osaka, Phuket, Bangkok, Bali, Honolulu, Bali, Seoul, Singapore, Auckland and Wellington, to begin with. Prices obviously vary depending on where you're flying from and to, but some include Sydney to Osaka from $548, Melbourne to Singapore from $399, Brisbane to Seoul from $479, Adelaide to Bali from $349 and Perth to Bangkok from $309. Domestic fares span deals such as Sydney to Ballina/Byron from $86, Melbourne to Launceston from $87 and Gold Coast to Melbourne from $125. You'll be travelling within Australia from mid-January to late March next year, and from mid-June this year to late March 2025 if you're going global. Jetstar's 20th birthday 'return for free' sale runs until 12am AEST on Wednesday, May 1–11.59pm AEST Thursday, May 2 — or until sold out. Jetstar members get an extra 12 hours access to the sale from 12pm on Tuesday, April 30. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Since Iron Man first soared into movie theatres in 2008, proved a huge hit and started a massive franchise, fans of the Marvel Cinematic Universe have been getting their caped crusader fix on the big screen. But, while this immensely popular superhero realm mentions its preferred medium right there in its name, the MCU has also made the leap to television — including via Disney+'s WandaVision and The Falcon and the Winter Soldier so far this year. Marvel and Disney+ aren't stopping there, either. A heap of new shows are in the works at the streaming platform, including Ms. Marvel, Hawkeye, She-Hulk, Moon Knight, Secret Invasion (about Samuel L Jackson's Nick Fury), Iron Heart, Armour Wars, I Am Groot, a Guardians of the Galaxy Holiday Special and a series set in Wakanda. Next up, though, is Loki — and, after releasing a sneak peek last year, the Mouse House has dropped a full trailer for the soon-to-premiere show. Obviously, if you've seen a Thor or Avengers movie, then you know who Loki is about. Creative series names aren't part of the package here. So, Tom Hiddleston (Kong: Skull Island) is back as the God of Mischief — and he's enjoying stepping into the trickster's shoes again, if the glimpses so far are anything to go by. Viewers will watch Loki's antics post-Avengers: Endgame, with Owen Wilson (Wonder), Gugu Mbatha-Raw (Summerland), Sophia Di Martino (Yesterday), Wunmi Mosaku (Lovecraft Country) and Richard E Grant (Can You Ever Forgive Me?) rounding out the main cast. When the series starts airing from Friday, June 11, Loki finds himself in a bit of trouble thanks to his previous actions with the Tesseract. The TVA — that'd be the Time Variance Authority — is on his case, which is where Wilson's Mobius M Mobius comes in. Obviously, more time-travelling trickery is in Loki's future from there. We're guessing that Wilson will say "wow" once or twice, too. Check out the full trailer for Loki below: https://www.youtube.com/watch?v=SUwwdj6AlBA Loki will be available to stream via Disney+ from Friday, June 11. Top image: ©Marvel Studios 2020. All Rights Reserved.
While many of Australia's film festivals showcase the cinema of a particular country, region or genre, the Jewish International Film Festival embraces an entire culture. From films about famous comedians to thrilling docos about strange-but-true tales to award-winning dramas, if it ties into JIFF's Jewish focus in any shape or form — and from almost any country or filmmaker — then it's probably on the fest's program. In 2018, that means Love, Gilda, about original Saturday Night Live star Gilda Radner; The Twinning Reaction, which uses a different angle on the real-life situation also chronicled in Three Identical Strangers; and Israeli effort Redemption, about an devout musician contemplating returning to his rocker ways in a time of personal crisis. In a star-studded lineup, other highlights include Can You Ever Forgive Me? starring Melissa McCarthy as a writer who dabbles in literary forgery, plus Charlotte Gainsbourg in French biopic Promise at Dawn. In Brisbane, JIFF runs from Thursday, November 8 until Sunday, November 18 at New Farm Cinemas. This is the fest's 29th doing the national rounds, with its full Australian program featuring more than 60 films from 23 countries.
Calling all French film fans: for the whopping 34th year, Australia's Alliance Française French Film Festival is screening a feast of flicks from the other side of the world. Hitting Palace James Street and Palace Barracks in Brisbane from Wednesday, March 15–Wednesday, April 12, this year's cinematic celebration will screen 39 movies throughout March and April — and the full program is something special. AFFFF's 2023 opening-night pick: Masquerade, spinning a tale of glitz, glamour and the Côte d'Azur's far-less-glossy underbelly under La Belle Époque's director Nicolas Bedos' guidance — and with Pierre Niney (Yves Saint Laurent) and Isabelle Adjani (The World Is Yours) among his stars. As a bookend on closing night, it's joined by Freestyle, which takes to the road with Benjamin Voisin (Lost Illusions) and Marina Foïs (Stella in Love), and promises to end the fest as memorably as it begins. In-between, must-sees include Saint Omer, with documentarian Alice Diop drawing from true events to craft a drama about a young Parisian journalist and novelist attending murder trial, then wading through the complexities it surfaces within her own family history; One Fine Morning, the latest film by Bergman Island's Mia Hansen-Løve, this time a family drama starring Léa Seydoux (Crimes of the Future); and The Innocent, as written by, directed by and starring Louis Garrel (A Faithful Man), based on his own experiences, and also featuring Noémie Merlant (Tár). There's also Final Cut, a French remake of Japanese cult hit One Cut of the Dead from The Artist director Michel Hazanavicius, starring Romain Duris (Eiffel); Winter Boy, the new film from Sorry Angel's Christophe Honoré, an autobiographical drama focusing on 17-year-old Lucas (newcomer Paul Kircher); Brother and Sister, with Marion Cotillard (Annette) playing a stage actor and sibling to Melvil Poupaud (Summer of 85); and Other People's Children, a Virginie Efira (Benedetta)-led effort about being a stepmother that's also inspired by director Rebecca Zlotowski's (Planetarium) own life. Two Quentin Dupieux films sit on the program, too, with the director of Rubber and Deerskin adding both Incredible but True and Smoking Causes Coughing to the lineup — and a sense of humour that only he possesses. Plus, there's award-winner Playground, which focuses on a seven-year-old girl; On the Wandering Paths, which brings Sylvain Tesson's novel to the screen so swiftly after The Velvet Queen also turned his work into cinema (including at AFFFF 2022); and The Origin of Evil, an account of a dysfunctional family that's one of three AFFFF 2023 movies to star Full Time's Laure Calamy. This year's focus is firmly on the new over the classic, but when it comes to looking backwards, 1988 French box-office smash The Big Blue does the honours. The full list of 2023 AFFFF titles goes on, as cinephiles have come to not just expect but thoroughly enjoy from a fest that's the largest celebration of French film outside of France.
For more than two decades, Fortitude Valley has been home to a huge annual street party, with live tunes taking over its two malls, various bars and plenty of venues. That's the old Valley Fiesta. In 2019, the event has had a considerable revamp. Now, instead of jamming all your fun into a hectic couple of days, you can enjoy a free gig every Friday afternoon all-year-round. You'll either need an arvo off work, a long lunch or a cruisy afternoon break, because these shows are happening from 2–4pm. Head to the Brunswick Street Mall and Chinatown Mall, as well as Bakery Lane and other spots around the suburb, with the lineup changing each week. On the upcoming bill: Charlie Shay and Leo Altarelli on November 8, Sid Whitely and This New Light on November 15, Liam Norton, Maisy Taylor and The Brothers Calling on November 22, and The Letter Elle on November 29. And yes, every great Friday ends with ace music. Every great weekend starts with it, too.
We might never know what the future will hold, but we do know one thing: come December 31, Brooklyn Standard will throw one heck of a party. As 2017 becomes 2018, they're not only taking over Eagle Lane — they're turning it into a Midnight Disco. Actually, the fun starts at 6pm — and the five-hour drinks and street eats offering from 7pm — but you know just what's on offer. As the clock ticks towards the top, getting glam under a mirrorball, making your best shapes, drinking vodka and whiskey cocktails are all on the agenda. Plus, an array of bands will be taking over the bar's stage, extending the revelry even further.
Somewhere in the Australian wilderness there's a spot with tall trees, lizards sunning themselves on rocks, the sound of total solitude — and a really expensive tent. We don't know where it is, but if you can find it, it's yours to keep. The tent — along with some $3k kitty of camping goods — has been hidden in a secret campsite somewhere in Australia. It's been put there by outdoor mega brand Kathmandu as part of a new scavenger hunt that leads entrants to the location — if you can find it, you score the whole lot. So how will you find it? Clues to the Hidden Retreat will be released across the brand's Facebook, Twitter and Instagram from Wednesday, February 14 up until Saturday, February 24. The clues are said to be cryptic and will specifically test competitors' knowledge of Australian wildlife through the use of images, videos and — randomly enough — poetry. Unfortunately, there's no worm for the early bird in this case — if you do discover the secret location before February 24, you still need to wait and get to the campsite first on that day to win. You'll also have to arrive during the designated 'prize winning window', which is from 7am–12pm. The first to arrive during this window will go home with the gold, winning a seriously decked out campsite package, which will include this three-person tent, a connectable living space and two down sleeping bags, plus a bunch of extra gadgets. Sure, it's a big promo for Kathmandu and it requires a lot of commitment, but if you've got some spare time up your sleeve, the prize will be a big asset for avid (or aspiring) campers. Handy if you want to tick off these beach camping spots this year. The four runners-up will win a smaller campsite package, each valued at over $2000. For anyone else who shows (up to 200 people), you won't go home empty-handed, but will only nab a BPA-free water bottle for your efforts. To be eligible, you must first RSVP to the Facebook event page. Happy hunting.
As The Delta Riggs return home for their national tour one wonders if these Brit rock look-a-likes from Melbourne, in their extra skinny jeans, Vince Noir haircuts and lyrics about winklepickers and marmalade shoes, will miss the Notting Hill scene they seem so at home in. The four-piece band, known for their gritty blend of blues, psychedelica and classic Brit rock are fresh off the plane from this year's CMJ Music Marathon — New York's five-day music mecca — keeping up the brutal momentum of an epic year in which they've hit over 20 European gigs and toured Australia with their long-time idols Kasabian. The new album Dipz Zebazios is described by lead singer Elliot Hammond as a "sonic shift" from their previous work, with singles 'The Record's Flawed' and 'Supersonic Casualties' dialling up the psychedelic guitars and keyboard to give an intoxicating, almost sinister sound. It's sure to be a high-energy, whisky-drenched tour as The Delta Riggs endeavour to perfect their unique Brit-rock-from-Fitzroy sound. https://youtube.com/watch?v=KEgB2ra5su8
Every year, before Brisbane Festival drops its full lineup, it teases the city's arts fans with a few sneak peeks. In 2019, the event's early reveals have included a blazing garden of fire, an immersive theatre production that takes over an entire warehouse and a screening of No Country for Old Men with a new live score — but they're just a taste of the whole program. Just unveiled in all of its glory, the festival's entire feast of arts, music, performance, comedy, cabaret, installations and culture promises everything from amazing mazes to ambitious theatre productions to music-fuelled birthday bashes, which will all liven up the city between September 6–28. By the numbers, Brisbane Festival 2019 will feature 454 performances of 83 shows over 23 huge days. Performer-wise, it'll boast 908 artists from around the globe. And for artistic director David Berthold, it'll commemorate his fifth year at the helm. After House of Mirrors proved such a hit in 2018, it should come as no surprise that Christian Wagstaff and Keith Courtney are bringing their equally mind-bending 1000 Doors to this year's fest. As the name suggests, you'll navigate your way through a huge setup of doors, which'll be located at Brisbane Festival's Arcadia hub at the South Bank Cultural Centre Forecourt. Also in the expected and thoroughly welcome camp: the return of the event's biggest-selling show to date, aka Strut & Fret's Blanc De Blanc. The hedonistic cabaret's encore version won't be exactly the same as its last, so that's reason enough to head along. With this year marking 30 years since the Brisbane Riverstage hosted its first gig, Bris Fest is throwing the famed outdoor venue a shindig — and, with the help of Hot Dub Time Machine, partying like it's 1989. Much of the event's music lineup will also takeover the site, including The Amity Affliction, City and Colour and the enormously popular (and free) Symphony for Me orchestral show. There'll be tunes over at The Tivoli, too, including a 90s-themed throwback for opening night, featuring Groove Terminator with a gospel choir, plus the likes of Paul Dempsey and Emma Louise in the rounds. Other highlights include Kate Miller-Heidke, fresh from her dazzling Eurovision performances; Chinese choreographer Yang Liping's Rite of Spring; both Sam Simmons and John Safran, with each breaking out their inimitable comedy stylings; Bryony Kimmings' acclaimed I'm a Phoenix, Bitch; the world premiere of Fangirls, which ponders teenage obsessions. Or, you can enjoy a dance-off eisteddfod featuring ordinary folks, Regurgitator doing a family-friendly show, and a stage production that sees four people recreate Tetris — yes, the classic video game — with their bodies. In the old fave camp, Riverfire is back to close out the fest with a literal bang, plus River of Light returns to cast another laser-filled glow over the city's central waterway while drawing upon local Indigenous history. As always, the spiegeltent will once again set up shop and welcome a host of musicians, such as Girlpool, Justin Townes Earle and Bruno Major, while the performance-focused Theatre Republic will host modern takes on ancient myths, an apocalyptic drama that combines climate change and Chekhov, and a cycle of stories about love, death and friendship. Brisbane Festival runs from September 6–28 across Brisbane. For the full 2019 program, or to book tickets, visit the festival website. Compagnie Carabosse Fire Gardens images by Vincent Muteau
Choosing which beer to drink at any given time can be far more difficult than it sounds. There are just so many brands, breweries, types and flavours, so you can be forgiven for feeling completely spoiled for choice. No one wants to start sipping a substandard tipple — or get stuck with a pint of something that's merely average. At Kingdom of Beers, though, it'll be top brews all the way, because that's what this brand new Brisbane beer festival is all about. On Saturday, March 7, across two sessions between 1–4.30pm and 5–8.30pm, 20 of Australia's best breweries will be serving up more than 100 stellar beers. And you'll know they're good because some of them will be medal-winners, with the event held by the the Royal Queensland Food and Wine Show and linked to its RQFWS Beer Awards. It all happens mere days after the best 2020 picks are announced, actually, so everyone will be mighty buzzed indeed. Expect beers from Aether, Bacchus, Felons, Soapbox, Catchment, Newstead Brewing, Stone and Wood, Ballistic, Slipstream, Green Beacon and more, all on offer in the Exhibition Building at Brisbane Showgrounds. Some of the beverages — from 13 brewers, in fact — will have been made using desalinated water from the Pacific Ocean, so that's something you can ask all the chatty brewers in attendance about. [caption id="attachment_707149" align="aligncenter" width="1920"] Rachael Nixon[/caption] You'll also be able to grab a bite to eat, including wagyu rolls, German sausages, Italian street food, jerky and gluten-free doughnuts. Live music, inflatable jousting, axe-throwing, giant jenga, handball and live street art are also on the bill. Tickets start at $10, if you nab one online before Monday, February 3 — and will cost you $15 after that, or $20 on the door if any are still available on the day. Top image: Felons Brewing Co.
Queensland has the Big Pineapple and Big Mango. New South Wales boasts the Big Prawn and the Big Merino, and you'll find the Big Lobster in South Australia. They're just some of Australia's 150-plus big things, because we sure do love giant versions of foods, animals and everyday items — and if you'd like to walk into a huge whale that's also an underwater observatory, that'll be on the cards from the end of 2022, too. Australia already has a couple of big whales, but not like this one. The animal-shaped structure will house the Australian Underwater Discovery Centre, and it'll sit right at the end of the Busselton Jetty in Western Australia. That means that it'll be located two kilometres out to sea — and, when it launches in December next year, it'll become the largest natural marine observatory in the country. The $30 million centre has been in the works since 2017, when Busselton Jetty started looking into ways to increase the capacity if its current underwater observatory — because it can only accommodate 44 people per hour. Now, however, the designs for the new site have been revealed. Marine contractor Subcon has appointed Baca Architects as the project's lead architects, and it's going with a cetacean design that resembles a whale. The design recreates the marine creature in an abstract but still noticeable manner, and will be made to look as if the concrete structure is raising its head over Geographe Bay. When the building comes to fruition, it'll span 900 square metres across multiple levels, and huge windows will be a big feature. Some will measure up to 5.5 metres tall and 12 metres long, letting visitors peer out at the area's marine life — including via a partially submerged window called the 'cetecean's eye'. Attendees will enter from the pier, which is 5.5 metres above the average sea level, then descend down through an art gallery and accompanying exhibition spaces to the observatory on the ocean floor level. Those galleries will mainly focus on new habitats for fish and coral, but underwater sculptures and marine art will be part of the project, too. And, if you'd like to eat beneath the ocean's depths, an underwater dining experience is also set to be included. Project engineers Core Marine have experience with restaurants under the sea, as the company also worked on Norway's Under. The Australian Underwater Discovery Centre will be designed to withstand cyclones and storm surges, including 6.5-metre-high waves, and will feature an outer surface that'll enable barnacles and algae to graft onto the outside, like they would with a real whale. And, as it'll be fabricated onshore, the centre will then get towed out to its location — which is planned to occur in tandem with 2022's annual whale migration. As for Busselton Jetty's current underwater observatory, it's set to become a marine research centre. It'll focus on promoting clean oceans and educating people about ocean climate change. The Australian Underwater Discovery Centre is set to open at the end of Busselton Jetty by December 2022 — we'll update you with an exact launch date when it's announced.
Pipes blow gently. The camera swirls. Rows of plants fill the screen. Some are leafy and flowery as they reach for the sky; others are just stems topped with closed buds. Both types of vegetation are lined up in boxes in an austere greenhouse. Soon, another shoot of green appears among them. Plant breeder Alice (Emily Beecham, Cruella) is cloaked in a lab coat far paler than any plant, but the symbolism is evident — and, although audiences don't know it yet, her cropped red hair resembles the crimson flowers that'll blossom in her genetically engineered new type of flora, too. "The aim has been to create a plant with a scent that makes its owner happy," she says. She explains that most research in her field has involved cultivating greenery that requires less human interaction; however, her new breed does the opposite. This species needs more watering and more protection from the elements, and responds to touch and talk. In return, it emits a scent that kickstarts the human hormone oxytocin when inhaled. Linked to motherhood and bonding, that response will make everyone "love this plant like your own child," Alice advises, beaming like a proud parent. So starts Little Joe, which shares its name with the vegetation in question — a "mood-lifting, anti-depressant, happy plant," Alice's boss (David Wilmot, Calm with Horses) boasts. She's borrowed her son's (Kit Connor, Rocketman) moniker for her new baby, although she gives it more attention than the flesh-and-blood teen, especially with the push to get it to market speeding up. The clinical gaze favoured by Austrian filmmaker Jessica Hausner (Amour fou) is telling, though. The eerie tone of the Japanese-style, flute- and percussion-heavy score sets an unsettling mood as well. And, there's something not quite right in the overt eagerness of Alice's colleague Chris (Ben Whishaw, Fargo), and in the way that everyone dismisses the one naysayer, Bella (Kerry Fox, Top End Wedding), who has just returned to work after a mental health break. Making her first English-language feature, Hausner layers this tension across every image, sound and interaction within Little Joe. Dread, too. Agitation blooms inescapably in a movie that quickly becomes a disquieting sci-fi/horror masterwork. Like many features in the genre, this is a film about possibilities and consequences, creation and costs, and happiness and sacrifices. It's about both daring to challenge and dutifully abiding by conformity as well, and about the societal need not just to thrive and survive, but to prosper and propagate by creating order out of chaos. And yet, as recognisable as these themes and ideas are, Little Joe is always its own beast. Aspects of Frankenstein are at play, and The Day of the Triffids, and even Side Effects. The film also has much to say about motherhood, the expectations that come with it, and the way that women are supposed to acquiesce to everything around them. But as anyone familiar with Mary Shelley's iconic work knows, combining familiar elements can give birth to an intriguing new entity that's much more than just the sum of its components. Little Joe, the plant, is alive — obviously. As it scent wafts through nostrils, it evokes change. Like Frankenstein's creature, it yearns for love and attention. It doesn't scream, but it still clamours to be cared for. As Alice notes in the aforementioned opening scene, her creation is specifically designed to respond to human affection. It reacts when it's nurtured, though, rather than rankling against its absence. And, as Alice begins to discover slowly but noticeably, that response has repercussions. Co-scripting with Géraldine Bajard, who she also worked with on Amour fou and Lourdes, Hausner tinkers with a classic tale to make several statements. She ponders the advertising-reinforced need for bliss that we're all meant to covet, and the way we're conditioned to accept progress and advancement — and to actively work towards it — no matter the ramifications. She also interrogates wellness bandwagons, purportedly easy cures and profiting from the quest for happiness, as well as the notion that normality and being like everyone else is worth striving for. The more that Little Joe examines the impact that Alice's work has upon her home life, too, the more it explores the pressures and demands that come with balancing personal and professional spheres. As a science fiction film, this savvily unnerving creation has much germinating within its frames. As a horror movie, it unpacks existential and primal worries with slickness and smarts. Hausner also calls upon aspects of The Little Shop of Horrors and The Invasion of the Body Snatchers — and, although it premiered at the 2019 Cannes Film Festival, before the pandemic, Little Joe slides into the cohort of contagion-focused flicks that contemplate the way infections spread, evolve and reshape everything in their image. Plus, this is a feature about awakenings, as Alice cottons on to exactly what she's created. Its aesthetic might be sparse — whites, greys and glassy surfaces punctuated by small bursts of colour, including from Little Joe's petals and the pink lights needed to make them blossom — but its musings and impact are anything but. Indeed, if there's any stylistic flourish that epitomises the film overall, it's Martin Gschlacht's exacting and controlled cinematography. In his camera placement and shot composition, he peered just as meticulously in the exceptional Australian horror film Goodnight Mommy, and he demonstrates the festering unease that lingers in icy restraint here once again. Watching Alice navigate all of the above, it should come as no surprise that Beecham has earned awards for her performance — the Best Actress prize at Cannes, in fact. She plays a creator forced to face the reality of her dreams, achievements and choices; a mother confronted with changes in both of her children; and a woman weathering the world's expectations. As Alice's status quo crumbles, Beecham's quiet distress and sprouting doubts are palpable, and she couldn't be more crucial to the film. Hers isn't an overt portrayal, though. Its power grows, fittingly, in a movie that's constantly striking in its premise, tone, look, emotions and concepts. Little Joe's audience won't need a plant to alter their mood — this distinctive and beguiling standout manages that all by itself.
Who doesn't love a pre-fest shindig? It's the best way to express your enthusiasm for an upcoming event — and when it comes to Jungle Love Music & Arts Festival, there's plenty to be excited about. This is a festival where you can swim in a creek while watching bands crank out tunes, after all. After making everyone's laid-back weekend dreams come true by announcing that they're returning for another year, the Jungle team will descend upon The Triffid from 7pm on August 6 to reveal the next big piece of the puzzle. Yep, we're talking about the 2016 complete lineup. Yep, that's why they're throwing a rather epic party to celebrate. It wouldn't be a gathering without some friends to share in the fun, which is where the other great part of the evening comes in: the entertainment. Enjoy sets from past faves BULLHORN, Baskervillain, beneb and PocketLove, plus newcomers Lastlings and Yoste; check out performances by Kimera Visual Theatre and Pent Upglamour Productions; dance to a DJ set by Mood Swing & Chevy Bass; and get a glimpse of new live visual art works curated by The Brisbane Collective. And remember, this is just a taste of the main event to come in November.
What's more spectacular than spending time in Brisbane's great outdoors? Heading outside for an event dedicated to the city's multicultural community. Taking place at Roma Street Parklands from 10am on Sunday, October 10, that's MOSAIC through and through. The returning festival will unleash a storm of world music, dance and food — aka the type of storm that brightens things up, rather than darkens clouds. Multiple stages will showcase performances, songs and cultural storytelling, including sets by The Mad Mariachi, Cigany Weaver and Estampa. A drumming workshop will teach you a new skill, too, and the Rock Around the Wok cooking demonstration will see refugee and migrant community cooks whipping up a traditional dish while sharing their settlement stories. Markets will be selling handmade wares, and an array of international cuisine will also be on offer. So, in-between checking out the stages and demos, you can eat and drink your way through a range of food stalls.
Love is in the air at South City Square in February, celebrating affairs of the heart at the perfect time for it. For two days across Friday, February 14–Saturday, February 15, 2025, the Woolloongabba precinct is hosting the return of the BLUSSH Romance Festival — a fest dedicated to amorous affairs on the page and screen. Film fans, get ready to fall in love with romantic movies all over again. A mix of new and classic titles is on offer, with Bridget Jones: Mad About the Boy falling into the first camp and When Harry Met Sally sitting in the second, all screening at the Angelika Film Centre. The latest Bridget Jones flick kicks off the fun, complete with cocktails, as attendees check in with the franchise's titular character (Renée Zellweger, Judy) as she navigates two new romantic interests (Prime Target's Leo Woodall and Venom: The Last Dance's Chiwetel Ejiofor). Also on the lineup: more features, a range of shorts fitting the theme, poetry over lattes on the lawn, a chat about rom-coms making a comeback and authors getting talking. Plus, you can hit up the pop-up markets on the Saturday, which are taking over the cinema foyer from 9am–3pm.
When a composer pens music, it's the tune that they want the world to enjoy, not the marks on a page scribbling it into existence. When a conductor oversees an orchestra, the performance echoing rather than their own with baton in hand and arms waving is their gift. In Maestro, Bradley Cooper (Guardians of the Galaxy Vol. 3) is seen as Leonard Bernstein in both modes. His portrayal, especially in an unbroken take as the American great conducts Mahler's Resurrection Symphony at England's Ely Cathedral in 1973, is so richly textured and deeply complex that it's the career-best kind of astonishing. But Cooper as this movie's helmer, co-writer and one of its producers wants Maestro's audience to revel in the end result, not just in his exceptional on-screen contribution to bringing this virtuoso feature to fruition. And if he wants the love showered anyone's way first, it's towards Carey Mulligan (Saltburn), who the second-time director (and second-time director of a music-fuelled film, since his debut behind the lens was A Star Is Born) gives top billing for stepping so astoundingly into Felicia Montealegre Bernstein's shoes. Symphonies should erupt for Mulligan's awards-worthy turn, which deserves to claim her third Oscar nomination (after 2010's for An Education and 2021's for Promising Young Woman) at a minimum. As the Costa Rican actor — a talent herself, of the stage and small screen — hers is similarly a never-better performance. It's a chalk-and-cheese partner to Cooper's, too; his is all about playing someone whose entire reason for earning a biopic is his effort and what it wrought, while she makes everything from the screwball-esque early sparks of connection to soul-aching pain feel natural. When she says "you don't even know how much you need me, do you?", the words melt, and the moment with it. When she beams by Cooper's side during a TV interview about his achievements, the practicalities of spending your life with someone have rarely felt as giddying. When Maestro's main pair quarrel on Thanksgiving, away from their family and as the parade trots along outside the window, each word is a cut. Every scene with Mulligan lays its emotions bare so thoroughly, yet never forcefully or showily, that she virtually spirits the audience into Felicia's footwear with her. No matter who else receives Leonard's affections — clarinettist David Oppenheimer (Matt Bomer, Magic Mike's Last Dance) is one of the first — Maestro sees its story as a duet between him and Felicia, its key stars singing their parts accordingly. The crooning isn't literal, but the marital melodrama double act is perfectly attuned. The Bernsteins were harmonious in their love for each other, yet often in different ditties, bands and genres otherwise, which Cooper and Mulligan ensure hums as the baseline across the entire movie. Their relationship is as much the narrative's throughline as music, plus the clashing constantly pulsing inside Leonard. Indeed, the conflicts and contradictions that comprise a man who needs to be introverted to compose but extroverted to conduct — who can light up a room and descend into his own dark recesses — are all the more palpable and resonant because they're reflected through Felicia. Maestro examines not merely what it meant to be one Bernstein, but two. Cooper's screenplay with Spotlight, The Post and First Man's Josh Singer isn't a strict birth-to-death tale, ignoring Leonard's childhood. It starts with another television chat as an elderly man at the piano, smoking and swooning about Felicia, before zipping back to when perhaps his existence truly began: November 14, 1943. On that day, the then-assistant conductor discovered he'd be guiding the New York Philharmonic for the first time that evening. Charted from the call that got the 25-year-old Leonard out of bed, and initially framed against a black rectangle with a white border — the light endeavouring to sneak in from behind a blind — this sequence, the film's second, says everything about Cooper's approach. The elated Leonard runs from his room to Carnegie Hall's balcony as if only a corridor links them, a technique to be repeated aesthetically and emotionally. Maestro skips from beat to beat like there's no pause in-between, and like it can't get from instant to instant fast enough. Some biopics serve up a slice of life as a symbol for the whole, such as fellow 2023–24 awards contender Ferrari. Maestro hands around several plates, each dishing up a vignette that helps paint its overall portrait. As it leaps across five decades, it flits from heady thrills, buzzing parties and professional heights to complicated choices, heartbreak and loss. So swirls Leonard and Felicia meeting at his sister Shirley's (Sarah Silverman, The Bob's Burgers Movie) cocktail soiree, him marvelling at her acting, her questioning advice given to him to change his name and attitude, wedded bliss, domestic disharmony, children (Asteroid City's Maya Hawke plays their eldest Jamie), affairs, rumours, arguments, illness, hard conversations and tougher realisations. So dances a sweepingly dynamic feature that takes the concept of basing its style on its subject, and using that style to do its subject's intricacies justice, to its core. With its jumps from black and white to colour as well, and between the 1.33:1 and 1.85:1 aspect rations — A Star Is Born returnee Matthew Libatique's 35-millimetre-shot cinematography is ravishing — Cooper's handling of Maestro in look, format, air and atmosphere isn't new. But it couldn't feel more fitting for someone who put his all into track after track, composition after composition and conducting performance after conducting performance, each of which said something about Leonard. Cooper lets the maestro's music do ample talking, his soundtrack filled with it. Cue the symphonic suite from On the Waterfront; pieces from Fancy Free, On the Town, Trouble in Tahiti and Mass; and the prologue to West Side Story. Each is deployed precisely and powerfully, whether in turning courtship into a fantasy ballet that also demonstrates the push and pull of Leonard's bisexuality, or getting tension dancing when romantic discontent can only lead to confrontation. That said, some of the movie's best music moments are set to other tunes, and not just Mozart and Mahler's works that Leonard led orchestras to perform. (Yes, this is 2023's second film Down Under to unpack a baton-wielding figure who adores the Austro-Bohemian icon, after Tár; that picture's fictional Lydia was a Bernstein protégée, it advised.) Shirley Ellis' 'The Clapping Song' bounces with bittersweetness, with the inherently upbeat track arriving when there's little to be cheerful about in the Bernstein household except appreciating what time you can with those you cherish. With Tears for Fears' 'Shout' late in the piece, catharsis and release thumps as heavily as the song itself. Donning his filmmaker's cap, Cooper arranges every inch of Maestro this meticulously, and with a monumentally moving and meaningful viewing experience in mind. Martin Scorsese (Killers of the Flower Moon) and Steven Spielberg (The Fabelmans) produce the film after each originally planning to helm it — and holding its own with the idea of a Scorsese- or Spielberg-directed Leonard Bernstein movie is another of Maestro's resounding triumphs. Maestro screens in cinemas from Thursday, December 7 and streams via Netflix from Wednesday, December 20.
Get ready for battle: House of the Dragon is returning in 2024 and, based on the just-dropped first teaser trailer for the Game of Thrones spinoff's second season, things are getting even more fiery. "There is no war so hateful to the gods as a war between kin — and no war so bloody as a war between dragons," Rhaenys Targaryen (Eve Best, Nurse Jackie) tells her niece Rhaenyra Targaryen (Emma D'Arcy, Mothering Sunday) in the just-dropped sneak peek. Also glimpsed in the debut look at the Targaryen-focused show's next eight episodes: dragons, obviously, plus Rhaenyra and Alicent Hightower (Olivia Cooke, Slow Horses) going head to head — and Prince Daemon Targaryen (Matt Smith, Morbius) looking brooding while suiting up in armour. Troops preparing to fight, burning soldiers and the Iron Throne (also obviously) all pop up as well, as do serious words about what's to come. Set to arrive in winter 2024 Down Under — because, yes, winter is always coming — House of the Dragon's second season will arrive two years after the first premiered in 2022. Game of Thrones was always going to spark spinoff shows. Indeed, when HBO started thinking about doing a prequel five years ago, before the huge fantasy hit had even finished its run, it was hardly surprising. And, when the US network kept adding ideas to its list — including a Jon Snow-focused series with Kit Harington (Eternals) reprising his famous role, novella series Tales of Dunk and Egg and an animated GoT show, to name just a few prequels and spinoffs that've been considered, but may or may not actually come to fruition — absolutely no one was astonished. So far, just House of the Dragon has hit screens, which jumps back into House Targaryen's history. When it initially roared into streaming queues, it became an instant success. Accordingly, as it delivered more complicated GoT realm relationships, flowing long blonde hair, dragons, stabbings and fights for power — and plenty to fuel a drinking game, as we created — it was quickly renewed for season two. The series kicked off 172 years before the birth of Daenerys and her whole dragon-flying, nephew-dating, power-seeking story, and gave HBO its largest American audience for any new original series in its history when it debuted. If you're thinking that House of the Dragon is basically a case of new show, same squabbles, as it was easy to foresee it would be, you're right. It's pretty much Game of Thrones with different faces bearing now well-known surnames — and more dragons. If you haven't yet caught up with the show so far, it dives into the battle for the Iron Throne before the one we all watched between 2011–19. Paddy Considine (The Third Day) started the series King Viserys — and it's exactly who should be his heir that sparked all the Succession-style fuss. The words "succession" and "successor" (and "heir" as well) got bandied around constantly, naturally. Also, Australian actors Milly Alcock and Ryan Corr were among the stars. House of the Dragon's returning season two cast includes Rhys Ifans (The King's Man) as Ser Otto Hightower and Steve Toussaint (It's a Sin) as Lord Corlys Velaryon, plus Fabien Frankel (The Serpent), Ewan Mitchell (Saltburn), Tom Glynn-Carney (Rogue Heroes) and Sonoya Mizuno (Shortcomings). HBO has also announced new faces for the show's comeback, with Clinton Liberty (This Is Christmas) as Addam of Hull, Jamie Kenna (Gran Turismo: Based on a True Story) as Ser Alfred Broome, Kieran Bew (Warrior) as Hugh, Tom Bennett (Black Ops) as Ulf, Tom Taylor (Love at First Sight) as Lord Cregan Stark and Vincent Regan (One Piece) as Ser Rickard Thorne. They join Abubakar Salim (Napoleon) as Alyn of Hull, Gayle Rankin (Perry Mason) as Alys Rivers, Freddie Fox (The Great) as Ser Gwayne Hightower and Simon Russell Beale (Thor: Love and Thunder) as Ser Simon Strong among the season two newcomers. This latest adaptation of George RR Martin's popular fantasy books — based on Fire & Blood, specifically — is bound to continue on for more than just two seasons, but that's all that's confirmed for the moment. Check out the first teaser trailer for House of the Dragon season two below: House of the Dragon streams Down Under via Foxtel and Binge in Australia and SoHo, Sky Go and Neon in New Zealand, with season two arriving in winter 2024 — with an exact release date yet to be announced. Read our full review of season one. Images: HBO.
Sharp, savage and skewering, plus twisted in narrative and the incisive use of genre tropes alike: as a filmmaker, Emerald Fennell certainly has a type. With the Oscar-winning Promising Young Woman and now Saltburn, the Barbie and The Crown actor-turned-writer/director takes aim, blazes away giddily and blasts apart everything that she can. When she made a blisteringly memorable feature debut behind the lens — giving audiences one of 2021's's best Down Under releases, in fact, and deservingly earning a place among the Academy Awards' rare female Best Director nominees in the process — she honed in on the absolute worst that a patriarchal society affords women. Now, after also pointing out the protection provided to the wealthy in that first effort as a helmer, Fennell has class warfare so firmly in her gaze that Saltburn is named after a sprawling English manor. With both flicks, the end result is daringly unforgettable. This pair of pictures would make a killer double, too, although they enjoy neighbouring estates rather than frolic across the same exact turf. On her leaps from one side of the camera to the other, Fennell also keeps filling her features with such spectacular casts that other filmmakers might hope to fall into her good graces to bask in their glow — a fate that sits at the heart of Saltburn, albeit beyond the movie world. Fresh from nabbing his own Oscar nomination for The Banshees of Inisherin, Barry Keoghan adds yet another beguiling and astonishing performance to a resume that's virtually collecting them (see also: The Killing of a Sacred Deer, Dunkirk, American Animals, The Green Knight and Calm with Horses), proving mesmerisingly slippery as scholarship student Oliver Quick. Usually standing in his sights, Euphoria's Jacob Elordi perfects the part of Felix Catton, aka that effortlessly charismatic friend that everyone wishes they could spend all of their time with. And as Felix's mother Elspeth, father Sir James and "poor dear" family pal Pamela, Rosamund Pike (The Wheel of Time), Richard E Grant (Persuasion) and Carey Mulligan (Fennell's Promising Young Woman star, also an Academy Award nominee for her work) couldn't give more delicious line readings or portraits of the insular but shambolic well-to-do. Saltburn's first stomping ground is Oxford University, as is Oliver's as well, not that he's initially able to make the most of it. Fennell and cinematographer Linus Sandgren — who shot this after Babylon, going all-in on decadence and its dark side on back-to-back projects — spy the careful look on the film's protagonist's face as he enters the revered college among the class of 2006, and also see how he stands out from his moneyed peers. Felix isn't merely at the centre of the in-crowd; not just because his blue blood may is pure sapphire, he's the sun that everything revolves around. When a bicycle mishap threatens to make him late for class but Oliver is on-hand to assist, Felix also shines his light on his working-class outsider schoolmate. At the end of term, to save his new loyal offsider from a fraught homecoming and to treat him to a heady summer dream instead, he then extends a sympathetic invitation to while away the break with the full Catton clan at their palatial property. Cue Brideshead Revisited by way of The Talented Mr Ripley, Cruel Intentions, gothic thrillers and Fennell-esque flair, as set in the mid-00s and graced with a superlative soundtrack from the era to go with it — a wickedly entertaining and delightful blend. Butler Duncan (Paul Rhys, A Discovery of Witches) might be stern and strict rather than welcoming when Oliver decamps to their stately surroundings, but Elspeth and Sir James are as obliging as they are eccentric (one of the family matriarch's best moments, and Pike's as her, involves sharing a tidbit about her role in potentially inspiring Pulp's 'Common People'). Amid the group's nightly black-tie meals ("we dress for dinner here," Felix advises), leisurely sunshiny days, swish soirées, oozing lust and the kind of hallucinatory blowouts that you can only have if you're basically corrupting Downton Abbey, fellow Oxford student and Catton cousin Farleigh (Archie Madekwe, Gran Turismo: Based on a True Story) sits in the competitively icy camp about Oliver's arrival. Sharing the next generation's seductive vibe, Felix's sister Venetia (Alison Oliver, Conversations with Friends) is warmer, but with a seen-this-before air about her sibling's new bestie (or, in her eyes, plaything). As the name of a grand country tract where cashed-up privilege is so flavoursome that it leaves a mark, Saltburn is a brilliant choice. As the moniker for a bitingly piquant movie, it similarly couldn't be more gloriously on-target. This is a spicy and sweltering film again and again: in its cast, farce, luxuriousness, confidence, horrors, bodily fluids, pitch-perfect portrayals, devil-may-care protagonist, blooming sense of mischief, intoxicatingly opulent look, and deeply committed boldness to dig in and tear down. That secrets and lies line the walls of the eponymous property, gathering far less dust than the well-appointed library that no one appears to use — scary flicks are the Cattons' communal pastime of choice, aptly — isn't at all surprising. That eat-the-rich brutality awaits resides in the same category. But Saltburn never stops enticing jaws to the floor, then sticking them there with sweat, blood and more, as it murders a dance floor filled with posh entitlement, yearning desire, and the impulsiveness of the young and the affluent. Sophie Ellis-Bextor's best-known tune does indeed get a spin, alongside expertly deployed tracks by Bloc Party and MGMT. For the second time in as many movies, Fennell knows how to nail not only a meticulously matched playlist but the precise mood. That she could've been one of Oliver and Felix's Oxford peers given that she was also studying at the prestigious university when the feature is set helps every detail gleam, including the mid-00s fashions. Crucially, though, Fennell never forgets that her film is showing to today's audiences, not to newly minted adults nearly two decades back (or anyone transported so evocatively to the past by this film that it feels like they've never left). Whether or not Elordi boasted such a pivotal role, Euphoria is unmistakably one of Saltburn's visual touchstones. With its swooning and sultriness — and scorching obsession as well — so is Call Me By Your Name. As much as it revels in the alluring, and torridly, Saltburn is fearlessly and devilishly about tarnishing not gloss. In the pursuit of love, comfort, belonging and revenge, nothing glitters within its chandelier-lit story that can't be shattered and smeared — that doesn't deserved to be cracked and crumbled, either — even when the movie's namesake place appears to host the most carefree of times. With boxed-in frames and looking-back narration as a framing device, the film purposefully unspools as a provocative fantasy and an unreliable memory combined, as the tales we all tell ourselves about our lives in our deepest, darkest, most closely held thoughts and feelings always do. As anchored exquisitely by the enigmatic Keoghan in entertaining everyman mode, it's no wonder that Saltburn feels so potent, so haunting, so visceral, and so attuned to vulnerability and viciousness in equal doses: it's the reverie and nightmare beating inside us all with infatuating abandon if we'd let it.
Since first opening its doors back in 2013, Sydney's Golden Age Cinema and Bar has proven a home for interesting and eclectic movies, screening new independent and arthouse fare alongside offbeat retro favourites. It's the kind of venue that shows flicks you won't see in multiplexes, all in boutique surroundings. And if you like its taste in films — or you're Melbourne or Brisbane-based cinephile who regularly wishes they could experience Golden Age's program, too — then you'll definitely like their latest venture as well. As plenty of other companies and cinemas have been doing during the COVID-19, Golden Age is getting into the streaming game. Now available online, Movie Night by Golden Age Cinema showcases movies that've graced the venue's screens over the years, as well as others chosen by the cinema's programmers. That includes a curated selection of recent and new releases, with extra films added to its lineup every week. At the time of launch, the service's range features The Trip to Greece, which was supposed to release in cinemas but has been fast-tracked to streaming instead; 2019 favourites Portrait of a Lady on Fire and Parasite; and thoughtful documentary For Sama, which hit the big screen earlier in 2020. Viewers can also revisit Bong Joon-ho's excellent monster movie The Host, see Nicolas Cage milk an alpaca in Color Out of Space, and enjoy Robert Pattinson's recent stellar work in High Life and Good Time. Spanning award-winners, cult favourites, fashion docos and collections of Asian, Aussie and European cinema, Movie Night's highlights also include 2018 Cannes Palme d'Or winner Shoplifters, adorable cat documentary Kedi and masterful German comedy Toni Erdmann — as well as Sydney Film Festival prize-winner Aquarius, Australian drama Judy & Punch, and docos about Yayoi Kusama, Roy Halston Frowick and Alexander McQueen. https://www.facebook.com/OurGoldenAge/photos/a.472586509492206/2993131060771059/?type=3&theater Films are available to watch on a pay-per-view basis, with prices varying per movie — from $4.99 for an older title to $19.99 to something brand new (such as The Trip to Greece). And, for Sydneysiders eager to physically return to Golden Age, it's also opening its doors for private screenings of up to ten people from June 1 — so you and your mates can pick a film to watch on the big screen, then get the whole place to yourselves for three hours. For more information about Movie Night by Golden Age Cinema — or to watch a movie — visit the streaming service's website. Top image: Portrait of a Lady on Fire, Madman.
Do you ever find yourself tuning in to your favourite podcast and then tuning back out again because you're fantasising about being on the podcast? Laughing along with the host, practising your hot takes on controversial topics, and, of course, planning your humble-brag post for when you announce it on social media? Come on, we all do it. If you're that passionate about your podcasts, you should consider turning that passion into a profession. Plus, it'll bring you one step closer to an invitation to speak on the podcast of your dreams. Sure, launching into unknown career territory can be daunting, but it can also be rewarding. Luckily, Open Universities Australia (OUA) helps you find a degree to fit your goals, and study it online. So, no matter your physical proximity to the university running the course, or your life commitments, you can make it happen. Whether you're a first-time student, an aiming-to-finisher, or just looking to extend your career options by adding another notch to your belt, we know that half the battle is figuring out what you actually want to study. So, why not use the hours you've already dedicated to your favourite podcasts? Chances are your favourite genre might give you a pretty good clue as to what you're into. Read on to discover eight possible careers based on what you love to listen to. TEACHER'S PET Consider studying: Bachelor of Criminology and Criminal Justice with Griffith University or Bachelor of Criminal Justice with University of South Australia. First up: excellent taste in podcast. Secondly: you're not alone in your ghoulish interest in murders and whodunits. This Aussie crime podcast has taken the world by storm — we seem to be morbidly fascinated in murder, assault and a bunch of gory details. Basically, Teacher's Pet gives you an insight into humanity's dark side. And if that presses your buttons, it could make you a great candidate for criminology or a criminal justice degree. If you're into uncovering bloodthirsty crimes, consider studying a criminology or a criminal justice degree online through OUA. It'll open you up to career opportunities in areas such as policing, correctional services or intelligence analysis. 7AM Consider studying: Bachelor of Communication with Griffith University or with University of South Australia. This news and current events podcast, produced by the crew behind publications The Monthly and The Saturday Paper, is a surefire way to know what's up. If you're an avid listener, it's likely that you're keen to keep up with what's going on in the world. Plus, if you're drawn to its punchy interviews and alternate analysis of news events, then you should strap in for a wild ride in communications and journalism. You'll learn all the tools you need to hold your own in interviews and produce stories that are engaging and that matter. And, when you study online through OUA, any previous relevant work experience you have may be counted, too. SCIENCE VS. Consider studying: Diploma in Science with University of New England. If you were the kid who debunked Santa Claus with cold, hard reasoning, you probably now listen to Science Vs. And, if you get riled up by the hosts debunking science's greatest myths and fads, pitting them against scientists to get to the facts straight, then you should be firing up the bunsen burner. Or, you could start by studying a Diploma in Science. Studying will give you a broad understanding of all things science but, more importantly, train you to think with scientific reasoning. Once you've got that down pat, every day will be like an episode of Science Vs. And, when you enrol through OUA, you can get started on your tertiary path even if you don't have an ATAR or any relevant work experience. STARTUP Consider studying: Bachelor of Business or a Master of Business Administration (MBA), available from a range of universities. Longtime listeners of Startup will be able to appreciate that running a business is not as easy as having a good idea — it takes an amazing amount of grind, too. Sure, there are office ping pong tables, nap pods and fridges full of beer (sometimes). But when working at one, you'll often need to wear a lot of hats. From HR issues and strategic planning one minute to thinking outside of the box and crunching numbers the next, the roles in newer companies are often blurred, so finding the right hat stand can be hard. But, if you're serious about joining a startup or building something of your own, a great place to start is with a Bachelor of Business. Or, you can level-up and undertake a Master of Business Administration. Plus, if you study through OUA, you'll be studying online, which means more time for you to work on your main hustle: building your very own startup. TRAVEL WITH RICK STEVES Consider studying: Language subjects with Australian National University or a Graduate Certificate in TESOL with Bond University. We're very visual creatures — now more so than ever before. So, you wouldn't think a travel podcast would have a hope in hell of hitting 500-plus episodes, let alone have a huge following. But Rick Steves' unambiguously titled podcast, Travel with Rick Steves, tells such rich, practical and linguistically driven stories that virtually transport you to another country instantly. It's also far more informative (and interesting) than envying your mate at Yacht Week via Instagram. So, if this podcast gives you itchy feet, consider planning a more immersive travel experience by learning another language. Or, if you're a native language wiz, consider studying a Graduate Certificate in TESOL so you can help others learn English. Not only will you be able to teach English as an additional language in Australia, but it may also open up teaching jobs around the world. STUFF YOU SHOULD KNOW Consider studying: Bachelor of Education in Primary, Secondary or Early Childhood Education with Curtin University. Stuff You Should Know has been around for a while now. Investigating everyday topics and ideas, it teaches you a lot. If you've been tuning in to this podcast, chances are you're a keen learner — and you know a bunch of stuff. So, why not apply all this knowledge by educating the future generation. Your mates are probably bored of you monologuing at them about esoteric topics by now anyway. That said, you'll need a degree to be a teacher. You can undertake a bachelor degree in primary, secondary or early childhood education and, if you struggle to decide between them, enrolling through OUA allows you to study single subjects and make up your mind once you've completed a few. GASTROPOD Consider studying: Bachelor of Food and Nutrition with La Trobe University. Hey, you. Yeah, you over there. The one listening to Gastropod while scrolling through food-based Instagram accounts and eating a cronut. Your love for food is commendable. Not only are you probably able to justify splashing some serious cash at a new restaurant or breaking the bank on your weekly grocery run, but there are also so many career avenues that food can lead you to — think careers in nutrition, public health, agriculture or government. To get there, you can start by studying a Bachelor of Food and Nutrition with La Trobe University online through OUA. Also, studying online means you're not bound to eat at an on-campus cafeteria, which can only be a good thing. Explore hundreds of degrees from leading universities, available online through Open Universities Australia. You could have a new skill by the end of the year. Hop to it.
Padre in Woolloongabba is commencing a week-long celebration of all things Murray. Matching Murray brews to Bill Murray films at 7pm every night of Brewsvegas, head along to sip a Whale Ale while watching The Life Aquatic, or laugh along to Groundhog Day with the IPA you could drink again and again and again. If you prefer your movie marathons straight up, all in a row, then drag your sleeping bag along to Newstead Brewing’s Quintet Tarantino event. There will be you in your jim-jams, five Tarantinos, five beers, a pizza and your new best mates.
Vancouver takes care of their own, even those without four walls to call home. A particularly high-five-worthy charity in Vancouver built pop-up shelters on benches, inviting homeless citizens to find shelter for the night. London is shuffling awkwardly across the Atlantic. Teaming up with Spring Advertising for a heartfelt and genuinely useful campaign, nonprofit RainCity Housing installed modified public benches to open eyes and raise awareness of local homelessness while actually providing homeless people a slightly improved temporary sleeping shelter. After London and Montreal's atrocious 'anti-homeless spikes' sparked furious debate and removals, Vancouver was successfully reminding the globe that it doesn't take much to offer a helping hand. RainCity, a nonprofit providing assistance to Vancouver's homeless population, designed two types of modified benches targeting citizens without shelter. The first boasted a convertible backrest which functions as an overhanging cover (with the address of RainCity Housing listed to encourage homeless people to "find a home here"). The second was more of an advertising campaign, but heartfelt nonetheless — during the day, the bench sports text reading "THIS IS A BENCH" and after sunset the text glows in the dark and changes to read "THIS IS A BEDROOM." Although this isn't a new ad campaign (in fact, the benches were installed last year), it didn't get much press amidst the London/Montreal spikes uproar. But seriously, somewhat useful covered benches win over 'anti-homeless' design any day. Via Gawker and Bustle. Images by Spring Advertising/RainCity.
Everybody, be cool. This isn't a robbery — but it is a raucous rush through the filmography of one of the most distinctive directors of the past three decades. Two Man Tarantino is exactly what it sounds like, with two men hopping up on stage to re-enact diamond heists, twist dancing contests, blowing up bad guys, hunting down the hateful and more. Running at Wonderland between Thursday, November 29 and Sunday, December 2, it's an hour-long recreation that also has the perfect framing device: it's set in a video store. Everyone knows that's where Quentin Tarantino's love of movies blossomed long before he was asking Samuel L. Jackson to wax lyrical about royales with cheese — and revisiting the kind of shop that has died out in recent years is also part of the fun.
Some pieces of film news feel like they can't be believed until the end results are actually seen. For a decade, the prospect of Hayao Miyazaki making another movie has been one of them. This enchanting development has come to fruition in the form of The Boy and the Heron, which not only exists but has been playing at international film festivals, already released in cinemas in Japan and now boasts two English-language trailers to give audiences a sneak peek at it magic. After a mesmerising first look back in September, The Boy and the Heron has just dropped a full glimpse at the new gift from the Studio Ghibli great. In store is the story of Mahito, a boy pining for his mother and experiencing the realm where the living and the dead converge. Also present: stunningly gorgeous animation. Miyazaki is back to spirit audiences away again, ten years after releasing The Wind Rises, which was expected to be his last film at the time. The movie maestro even announced his retirement. Thankfully, he changed his mind quickly — and now, more than half a decade after that welcome revelation, his next film is here. The My Neighbour Totoro, Spirited Away and Howl's Moving Castle icon's latest was confirmed back in late 2022 for a 2023 release, at least overseas. Back then, it was known as How Do You Live, but has changed its title since. The official synopsis describes it as "a semi-autobiographical fantasy about life, death and creation" — and yes, plenty of Miyazaki's trademarks already exist in that short blurb. While The Boy and the Heron hit the big screen in July in Miyazaki's homeland, it did so without the usual promotional campaign — which is why trailers have only arrived in the lead-up to the American release, which begins in November. At the time of writing, the feature doesn't have a date with cinemas Down Under as yet, but it'll obviously get one. Echoing through the latest sneak peek is the film's English-language voice cast, which boasts the starry likes of Christian Bale (Amsterdam), Robert Pattinson (The Batman), Florence Pugh (Oppenheimer) and Dave Bautista (Guardians of the Galaxy Vol. 3). You'll also hear Gemma Chan (The Creator), Willem Dafoe (Asteroid City), Mark Hamill (The Fall of the House of Usher) and Karen Fukuhara (The Boys). There's nothing quite like a Miyazaki movie. While Studio Ghibli isn't short on gorgeous on-screen wonders hailing from a range of filmmakers, the Japanese animation house's best-known co-founder truly does make films like no one else. The Boy and the Heron already looks spectacular — unsurprisingly — in its initial glimpses, complete with lush greenery, mysterious spaces and floating critters. And, of course, with Mahito and the picture's titular bird making appearances. The Boy and the Heron marks Ghibli's fifth film since Miyazaki's last movie, following Isao Takahata's The Tale of the Princess Kaguya, page-to-screen treat When Marnie Was There, gorgeous French co-production The Red Turtle and the CGI-animated Earwig and the Witch. Check out the full English-language trailer for The Boy and the Heron below: The Boy and the Heron is already open in Japan, and will release in the US on Friday, December 8, 2023. The film doesn't yet have a release date Down Under — we'll update you when one is announced. Images: © 2023 Studio Ghibli.
If you're going to host a 40th anniversary screening of Saturday Night Fever, you have to do it in style. And we can overlook the fact that Kristian Fletcher's celebration is actually happening on a Friday thanks to one thing: an on-site, in-cinema disco. Before the flick starts rolling at 7.30pm — and before a tight attire-clad John Travolta demonstrates just how great the '70s were to his career — attendees can strut their own stuff on the dance floor. If you don't have 'Stayin' Alive' stuck in your head just thinking about it, well, we think you're probably not being honest with yourself. Dressing up is encouraged, as always, with prizes on offer for the best outfit. Singing along is also encouraged, particularly given that Brisbane has claimed The Bee Gees as our own. BYO white flares and pocket mirrorball.
When an art and design festival sweeps into Brisbane, as Brisbane Art Design is throughout May, checking out exhibitions and browsing for impressive wares comes with the territory. There's more to this fest than just the basics, however, no matter how stunning its showcases are — and how much perusing and purchasing you're keen to do. Fancy learning about ceramics, then tucking into a two-course banquet with paired wines? That's also on the BAD agenda. For one night only, Southside and Mas & Miek are teaming up on a dinner that'll showcase the former's food and vino, plus the latter's hand-crafted items, and also celebrate the link between tableware and the feasts adorning them. Across two sittings on Thursday, May 25 — at 5.30pm and 7.45pm — mother-daughter duo Mieke and Charlie from Mas & Miek will first unpack their hand-building process during a masterclass. You'll put your hands all over fine white porcelain, and you'll discover how 'pinch pot' vessels are created. After that, this Southside x Mas & Miek dinner will use Mas & Miek's wares to plate up hiramasa kingfish, wasabi chicken and chives dumplings, and wakame potato and truffle spring rolls, as well as wok-fried pork belly and macadamia steamed market fish. In addition to the class, food and wine, your $169 ticket also includes a handmade glazed and fired plate that'll be used while you dine, and that you can take home afterwards.
It's blast from the past time, again — and time to spend a couple of nights journeying back a few decades just by hitting the dance floor. Whether you lived through the 90s rave scene, spent every weekend enjoying club life in the 00s or just wish you were old enough to have ticked both boxes, Ministry of Sound will take you there when its huge Testament parties return for 2024. Ministry of Sound itself was around through both eras, so you couldn't be in better hands to get retro via old-school 90s and 00s bangers. The Testament events last toured Australia in 2023, and will return for this year from the end of August through to early September — for two nights each in Sydney, Melbourne, Brisbane and Perth, plus one-day-only stops on the Sunshine Coast and the Gold Coast. Each evening is devoted to either the 90s or the 00s, so you'll need to attend both if you want to make shapes to tunes from both decades. But it's a choose-your-own-adventure type of affair, so fans of late 20th-century beats can hit up the session dedicated to 90s house, rave, trance and garage tracks if that's all that you're keen on, while lovers of 00s electro and breaks get their own shindig. More than 80 DJs will be on the decks between Saturday, August 31–Sunday, September 8, with Danny Rampling, Judge Jules and Seb Fontaine joined by Mousse T, Laidback Luke and X-Press 2 on headlining duties. The first three, all from the UK, are all about the 90s — and the second three are no strangers to getting dance floors pumping with 00s tunes. Australia's own John Course, Mark Dynamix and Dirty South are also on the lineup, alongside over 70 other names across the tour. And if you went to 2023's events, you'll be making a date with different venues in some cities. In Sydney, the newly reopened White Bay Power Station will host a music party of this type for the first time. In Brisbane, Felons Barrel Hall awaits for letting loose by the river. Ministry of Sound: Testament 2024 Dates: Sydney: Saturday, August 31 — 00s session at White Bay Power Station Saturday, September 7 — 90s session at White Bay Power Station Melbourne: Saturday, August 31 — 90s session at The Timber Yard Saturday, September 7 — 00s session at The Timber Yard Brisbane: Sunday, September 1 — 00s session at Felons Barrel Hall Friday, September 6 — 90s session at Felons Barrel Hall Gold Coast: Sunday, September 1 — 90s session at Miami Marketta Sunshine Coast: Sunday, September 8 — 00s session at The Station Perth: Friday, August 30 — 00s session at Metro City Sunday, September 8 — 90s session at The Court Ministry of Sound: Testament 2024 Lineup: Danny Rampling Judge Jules Laidback Luke Mousse T Seb Fontaine X-Press 2 Dirty South John Course Mark Dynamix Minx Alex Taylor Andy Murphy Ange Annabelle Gasper Barking Boy Ben Korbel B2B Declan Lee Boogs Casey Leaver Cassette Chantal Chiari Chris Wilson Craig Obey Darren Briais Diamond D Ember Franky D Gavin Campbell General Lee Goodwill Greg Sara Hutcho Ian Spicer Illya Jackness Jade James A Jen E JJ John Ferris Jumping Jack Kate Monroe Kevin Matt Kitshon Matt Nugent Menis Micah Miggy Mike Dotch Mind Electric Ming D Miss Doodes Mr Sparkles Pete McNamara pH Pussymittens Rachel Harvey Rob Sharp Robbie Lowe Robin Knight RobKAY Rudy Sam Hill Sardi Sgt Slick Shamus & Gabby Sheen Spacey Space Stephen Ferris Sunshine Sweet Chilli DJ's T-Rek Tim McGee Tonez Trent Anthony Ministry of Sound: Testament 2024 will tour Australia in August and September. For further details, and to buy tickets — with pre-sale registrations until 11.59pm on Tuesday, May 21, then pre-sales from 12pm on Wednesday, May 22 and general sales from 12pm on Thursday, May 23 — head to the event's website. Images: Rachel Rachel / Ashlea Caygill.
If you're a fan of iconic late-90s/early-00s high school-set dramedies, big-name Hollywood comedies, entertainingly twisty mysteries and TV shows about teenage witches, then SXSW Sydney 2025 is doing you a simple favour: Paul Feig, the director, writer, producer and actor who created Freaks and Geeks, helmed Bridesmaids and A Simple Favour, and co-starred in the OG Sabrina the Teenage Witch, is heading Down Under for this year's event. Not only is Feig the 2025 SXSW Sydney Screen Festival keynote speaker and also the filmmaker in the spotlight at the fest's big-screen retrospective, but he's also being celebrated with a brand-new accolade. When the event runs between Monday, October 13–Sunday, October 19, 2025, it'll debut the SXSW Sydney Screen Pioneer Award, and Feig is its inaugural recipient. If you're a fan of The Heat, Spy, Last Christmas and this year's Another Simple Favour, too — and also Feig's excellent 2018 Ghostbusters with an all-female spirit-hunting team — then this keeps proving great news. Exactly which titles among those flicks will be among SXSW Sydney's screenings is yet to be revealed, however. The same is the case with whether the Feig-helmed Unaccompanied Minors, The School for Good and Evil and Jackpot! might pop up. Here's something to cross your fingers for, though: The Housemaid, Feig's latest movie, is due to make its way to cinemas at the end of 2025. So, while there's absolutely no word yet that it'll be playing SXSW Sydney before its general release, you can start hoping that the Sydney Sweeney (Echo Valley)-, Amanda Seyfried (Long Bright River) and Brandon Sklenar (Drop)-starring film might score a spin when Feig makes the trip Down Under to get chatting. "I'm so honoured to receive the first-ever Screen Pioneer Award from SXSW Sydney. SXSW is my favourite festival in the world because they are committed to entertaining audiences. They've been supporters of mine for so many years and to have my work celebrated in this way, and to be able to share it with Australian audiences through this retrospective, is incredibly special. I look forward to the conversations, the Q&As, and the Tim Tams come October!" said Feig. Added Fenella Kernebone, Head of Conference Program, "Paul Feig's films have reached huge audiences — from Bridesmaids, The Heat and Spy to Ghostbusters and A Simple Favour, his career has been defined by genre-shaping stories that put powerful, complex and hilarious women front and centre. Paul has spent his career breaking moulds, challenging industry norms, and proving that female-led films can be both critically acclaimed and wildly successful. We're thrilled to welcome him to SXSW Sydney and can't wait to hear his insights from a career built on visionary storytelling, sharp comedy and a deep commitment to elevating others." Also big: SXSW Sydney's Screen Festival has announced its first six features beyond the Feig retrospective, so get excited about seeing By Design, $POSITIONS, Dead Lover, Zodiac Killer Project, The Last Sacrifice and Bokshi. Among that group, body-swap effort By Design features Juliette Lewis (The Thicket), Mamoudou Athie (Kinds of Kindness) and Robin Tunney (Dear Edward); horror-comedy Dead Lover is a SXSW Austin award-winner; Charlie Shackleton (The Afterlight) digs into a famed serial killer; and everything from comedy to folk horror features. Shorts Stomach Bug and Chasing the Party have a date with the fest as well, among other titles, with the former a BAFTA-nominee and the latter boasting Sam Rockwell (The White Lotus) as a producer. The new round of SXSW Sydney announcements for 2025 — following its dates, that its free programming is expanding, plus a few batches of speakers and music artists — also span Slo Mo podcast host and former Google X Chief Business Officer Mo Gawdat, Google Maps co-founder Lars Rasmussen, Passes founder Lucy Guo and MIT Technology Review Executive Editor Niall Firth as fellow speakers across the rest of the technology, music, film and gaming event. Signal President Meredith Whittaker is already on the keynote list from past program drops. The initial 50 Conference Program sessions and the first 40 titles at the Games Festival Showcase have been revealed, too, which is ace if you're keen to learn more about exploring space, sustainable design, the creator economy, people living in the ocean, writing true stories for TV, indie game marketing, cutscenes, cyber intelligence, digital sovereignty and AI ethics — or to mash a whole heap of buttons. SXSW Sydney 2025 runs from Monday, October 13–Sunday, October 19 at various Sydney venues. Head to the SXSW Sydney website for further details. Top image: Frank Micelotta.
On Saturday, September 7, Fortitude Valley's Chinatown mall will be glowing — under the spring moonlight, and thanks to the luminous vibe that comes from the annual Chinese Moon Festival. Running from 4–9pm, the event harks back to Chinese tradition, and is timed to coincide with the moon at its roundest and brightest. It was originally a harvest fest, but has grown and evolved to become an all-round celebration, which is exactly what's on the cards in Brisbane. Check out the lion and dragon dances, catch some live and traditional music, and keep an eye out for other wandering entertainment. Impressive Japanese footwork and Chinese clowning are also on the agenda, as is a moon-shaped installation that symbolises closeness — upon which you'll be able to write the names of your own nearest and dearest. And, if you're understandably feeling peckish after all of the above, you're in the perfect place for dumplings, Peking duck and yum cha, thanks to the surrounding Chinatown restaurants.
Maybe you really love Patrick Swayze. Perhaps you just need some more terracotta or ceramics in your life. Or, the idea of pottering around a clay-based showcase and finding pottery pieces — for yourself or as gifts — could just be your idea of a great Saturday. Whichever category you fall into, coast on over to Clayschool's Winter Show. Browse, buy, support local artists — it's the ultimate exhibition-slash-market. Indeed, while we're talking multi-tasking, Clayschool's students are hoping to show off their unique, handcrafted designs, and sell some as ace one-off wares. Christmas might be quite a few months away, but you can start planning already — or pick up something special for someone special, just because. (Yes, that includes for yourself). Plus, given that it's all taking place at West Village from 11am on Saturday, June 18, that means food and drinks will be in the vicinity as well. No one likes shopping on an empty stomach, after all — or while thirsty.
When Super Mario Kart first rolled onto Super Nintendo consoles back in 1992, it came with 20 inventive courses and endless hours of fun. Nearly three decades later, the game has become a beloved phenomenon — not just speeding through desert tracks and rainbow roads, but onto Google Maps and mobile phones, and also into reality. The hugely popular game's next stop? Theme parks. Come Thursday, February 4, 2021, you'll be able to enjoy a real-life Mario Kart experience as part of the first-ever Super Nintendo World. Initially announced back in 2017, the new site is joining Universal Studios in Osaka. Its launch was pushed back due to the COVID-19 pandemic but, after revealing back in October that it'd open early in the new year, the fresh addition to the theme park has an official date. Actually, Universal Studios Japan has done more than lock in an exact date. It has dropped a heap of new details — and a couple of sneak peeks, too. The fact that there'd be Mario Kart and Yoshi-themed rides isn't new news; however, until now, only a few clues about what they'd entail had been released. For those keen to hop on Mario Kart: Koopa's Challenge, prepare to race through familiar Mario Kart courses that've been recreated in real life. And yes, as you're steering your way along the track, you'll be surrounded by characters such as Mario, Luigi and Princess Peach. You'll also be able to throw shells to take out your opponents — because it wouldn't be Mario Kart without them. If you're wondering how it all works, expect physical sets, plus augmented reality, projection mapping and screen projection, all designed to make you feel like you're really in the game. As for Yoshi's Adventure, it'll see you climb on Yoshi's back — and it's designed to be family-friendly. So, you'll hop on, then set off on an adventure. You'll follow Captain Toad to find three coloured eggs, plus a golden egg as well. Taking over multiple levels — fitting for a gaming-themed space — Osaka's Super Nintendo World will also feature Bowser's Castle, complete with spiked fences and heavy iron doors. Peach's Castle is part of the park, too, as are other rides, restaurants and shops. A certain highlight: the world's first Mario cafe, which has already launched ahead of the rest of the site. Here, patrons are surrounded by oversized Mario and Luigi hat sculptures, the whole space is kitted out with a red and green colour scheme, and Mario Kart-style checkered floors are a feature. As for snacks, there are Mario pancake sandwiches and cream sodas, plus other drinks available in 'super mushroom' souvenir bottles. The theme park is also introducing wearable wrist bands, called Power Up Bands — which connect to a special app and allow patrons to interact with the site using their arms, hands and bodies. That mightn't sound all that exciting, but the bands will enable you to collect coins just like Mario does in the Super Mario games. Like the red-capped plumber, you'll also be able to hit question blocks to do reveal more coins. And there'll be collectible items to gather, such as keys and character stamps, which you'll find after achieving various goals. The stamps will also earn you even more coins — so you really will be basically playing Super Mario in real life. You will have to buy a Power Up Band separate to your entry ticket to enjoy that element of the park, though. If you're keen to take a look, Nintendo has released two videos that take you through Super Nintendo World — one brief, and the other running for 15 minutes. The latter is hosted by 'Mario's dad', aka Shigeru Miyamoto, the video game designer who created Super Mario Bros all those years ago. It provides a detailed walkthrough, so you'll spy everything from huge piranha plants to giant bob-ombs, all with Miyamoto's commentary . You can check out both videos below — and yes, the music will sound very familiar: https://www.youtube.com/watch?v=i4Nc9au7FjY https://www.youtube.com/watch?v=hQaRBOI-9kg Nods to other Nintendo games are expected to pop up around the park but, for now, all other specifics remain sparse. Given that Nintendo's game stable includes everything from Donkey Kong to Tetris and The Legend of Zelda, there's plenty more to play with. Our suggestions: real-life Tetris, where you move bricks around in person, or a Donkey Kong water ride that uses the game's iconic aquatic music. While no one is travelling far at present, Universal Studios is also planning Super Nintendo Worlds for its other parks in Hollywood, Orlando and in Singapore — if you need to add more places to your must-visit list when international tourism starts returning to normal. The latter was just announced last year, and is set to open by 2025. Super Nintendo World is slated to open at Universal Studios Osaka on Thursday, February 4.
The time-honoured Italian tradition of aperitivo has been embraced by Australians. Across the country, heaps of bars and restaurants offer aperitivo specials — but have you ever tried throwing your own aperitivo hour at home with family and friends? Classic Italian apéritif brand Aperol is here to help you do just that. It has launched a series of Aperol Spritz @ 6pm experiences, which are hosted by some of the country's top chefs, musicians and artists. With these, you can try out new recipes, partake in virtual art classes and learn how to create the perfect playlist for your (socially distant and responsibly sized) get together. Keen to pair your spritz with some snacks? Saké Restaurant & Bar has shared three of its signature recipes that'll seriously impress your mates during your aperitivo hang. Learn how to whip up kingfish sashimi, karaage chicken with yuzu mayo and salmon hand rolls via an easy to follow video. Or, you can log on for a cooking class with Fratelli Fresh's culinary director Gabor Denes, who'll demonstrate how to make the restaurant's famous lasagna, as well as pappardelle, linguini and farfalle from scratch. There's also a music mixing session with DJ Niki Dé Saint — a musician who's played at Fashion Week Sydney and Paris, Melbourne's F1 Grand Prix and Vivid — who'll also share her top playlists to set the mood for your aperitivo, and a sunset-inspired painting class with artist and photographer Danielle Cross. There are a heap of prizes up for grabs, too, including $150 vouchers for Saké Restaurant & Bar in NSW, Queensland and Victoria, and an Aperol Spritz cocktail pack — with Aperol, prosecco, Fever Tree soda water, Aperol Spritz glasses and a jigger — delivered straight to your door. The cocktail pack competition is running weekly until July 12, and to enter you need to post a pic of you and your mates having a spritz on Instagram or Facebook and tag @aperolspritzau and #SpritzAt6. You can check out all the details over here. To check out all of the Aperol Spritz @ 6pm experiences and enter the competition, head on over to the Aperol website. Remember to Drinkwise. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
The twin film phenomenon means that movies often come in pairs, with two flicks with the same premise arriving at the same time. Now, meet Australia's two current twin flight sales. After Virgin launched a Valentine's Day sale for flights to and from Queensland, Qantas has unveiled a 72-hour sale on fares across the country. Whether you're a Sydneysider thinking about a Byron Bay getaway, a Melburnian keen on jaunt to Tasmania or a Brisbanite eager to hit The Whitsundays, you have options. There's more than 500,000 fares covered, featuring everywhere from Queensland's tropics to the Apple Isle's cities, and from Perth to Sydney, too, as well as all the other state capitals, the Gold Coast, Coffs Harbour, Broken Hill and more. And, on 25-plus routes, flights will cost you under $150. The cheapest, as tends to be the case on all flight sales, is the Sydney–Ballina route, which'll get you from the Harbour City to Byron Bay from $109. Then, the Melbourne–Launceston fare comes in at $119, Gold Coast–Sydney at $125, Gold Coast–Melbourne at $129 and Brisbane–Hervey Bay at $139. The sale runs until 11.59pm on Saturday, February 17, so you'll want to get in quickly to get a bargain. And, as always, if fares sell out earlier, you'll miss out. Inclusions-wise, the sale covers fares with checked baggage, complimentary food and beverages, wifi and seat selection. If you're keen on heading further afield, but just across the ditch, Qantas also has a sale on flights to New Zealand on right now. This one runs until 11.59pm AEDT on Monday, February 19, or until sold out again. The sale covers Auckland, Christchurch, Queenstown and Wellington, for dates between March–December 2024, with starting prices from $499 return. Go on, pack your bags. Qantas' 72-hour surprise sale runs for 72 hours until 11.59pm on Saturday, February 17, or until sold out. It's also doing a New Zealand sale until 11.59pm AEDT on Monday, February 19, or until sold out again. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
