First, Boiler Room announced the news that Brisbane had been waiting for: its debut date in the Queensland capital, arriving 14 years after the London-born club culture-loving outfit first popped up. Then, the event has unveiled another crucial piece of information, aka who'll be hitting the decks at Brisbane Showgrounds this spring. If nothing says warm weather to you quite like dancing in a crowd, here's something for your calendar — with STÜM, Spray, Y U QT, Dr Dubplate and Juicy Romance all on the lineup. They'll be joined by Soju Gang, Neesha Alexander, Scalymoth and Rominndahouse from 2–10pm on Saturday, November 16, 2024. Boiler Room is no stranger to Australia thanks to past stops in Sydney and Melbourne, but hasn't made its way to the River City until now. The word that you're looking for? Finally. The Brisbane date sits between Boiler Room's return to Melbourne in late October and its latest Sydney gig in early December. Both have already sold out. [caption id="attachment_971379" align="alignnone" width="1920"] Jordan Munns[/caption] Boiler Room Brisbane 2024 Lineup: STÜM Spray Y U QT Dr Dubplate Juicy Romance Soju Gang Neesha Alexander Scalymoth Rominndahouse
Move aside turmeric, matcha and beetroot — the next controversial coffee trend to look out for involves an unassuming little veggie called broccoli. Yep, the green stuff could soon star on coffee menus across the country, thanks to an innovative broccoli powder created by teams at Hort Innovation and the CSIRO. The product is crafted from those imperfect-looking vegetables that would otherwise be binned, and is designed to help everyday Aussies infuse more nutrients into their diets. Packed full of fibre, protein and phytochemicals, the 100 percent broccoli powder also sounds like a pretty nifty way to sneak some greens onto your kids plates. As well as being used as a key ingredient for a range of packaged snacks unveiled during last year's National Science Week, the powder also looks set to elbow its way onto the Australian coffee scene. It was recently trialled at Mornington's Commonfolk — a sustainability focused coffee roaster and cafe that's aiming towards a zero-waste existence — though, with mixed response from customers. Image credit: CSIRO
It begins with a ghost story, then a chilling diversion away from its main characters that's heartbreakingly ripped from the headlines. It ends with the most OTT yet incisive Amelie parody — and reckoning with restlessness, too — that's ever likely to grace screens, complete with baguettes wielded as weapons. In-between, it may or may not attend Tupac's date with death in Amsterdam, literally takes to history with a chainsaw and calls out Karens who are quick to snipe at others with their "I want to speak to the manager" sense of entitlement. Also, Alexander Skarsgård (The Northman) pops up and masturbates furiously, and cannibalism plays a part. The show in question: Atlanta. It took four years for the Donald Glover-created and -starring (and often -written and -directed) series to return for its third season, but the deservingly acclaimed program sashays through its latest batch of ten episodes like no time has passed. That said, when its latest stint first arrived back in March, launching with two episodes at once before reverting to weekly single-instalment drops, it made its comeback with two pieces of fantastic news and one inevitable but not-so-welcome reality. Wonderfully, this is one of two seasons of Atlanta that'll air this year. Surreal, insightful and exceptional, it's also as great as the show has ever been since it initially debuted in 2016. But when season four does appear later in 2022, that'll be the end. Knowing that Atlanta's time is numbered makes revelling in what it has for viewers now all the more special, although this series has long earned that description anyway. That quick list of season-three highlights above demonstrates that anything and everything can happen in Atlanta — and frequently does. But there's always an underlying point to stress, and one that'll never get old. Just as Jordan Peele has on the big screen with Get Out and Us after building upon his excellent sketch comedy show Key & Peele, Glover lays bare what it's like to be Black in America today with brutally smart and honest precision, and also makes it blisteringly apparent that both horror and so-wild-and-terrifying-that-you-can-only-laugh comedy remains the default. Atlanta's third season goes big on white bullshit, and also on the way that the white-centric world will forever be haunted by how it still treats and has historically treated people of colour. And, in the episodes that focus on Glover's Earnest 'Earn' Marks, his cousin and rapper Alfred 'Paper Boi' Miles (Brian Tyree Henry, Eternals), their Nigerian American pal Darius (Lakeith Stanfield, Judas and the Black Messiah) and Earn's ex Vanessa (Zazie Beetz, The Harder They Fall), the lived experience of being a Black American anywhere is thrust into the spotlight. Atlanta has now evolved to the point where it can be Atlanta anywhere, including well beyond its titular city. A lesser show might feel as Van visibly does from the moment that she meets Darius at the Amsterdam airport — careening, unmoored, uncertain of where to fit — but Atlanta is never anything but its ambitious and incredible self. Now all wrapped up and ready to binge — if waiting week to week isn't your style of viewing — the series' current spin has Al on tour in Europe, after his fame has rocketed since viewers last saw him. One of season three's bold moves: jumping into a stratospheric phase in the rapper's career, with money and success now just a given for the talent that the show saw strive, struggle and hustle through seasons one and two. When he's jailed in The Netherlands, he's treated like royalty. He's chased in the street, too, and recognised wherever he goes. And when Earn has to rustle up a fat stack of cash to get him out of prison, it's as easy as demanding an advance on that night's gig. Al's new luxury-dripping status quo, and Atlanta's drastic change of scenery, results in an on-the-road onslaught of antics that repeatedly put the program's key foursome at the mercy of white bullshit. Racist traditions, money-hungry rich folks looking to cash in on someone else's culture, scheming hangers-on, brands using Black artists for politically correct PR stunts, culinary gentrification, not just literal commodification but also voracious consumption — they're all included, and unpacked scathingly and exactingly. Also covered, particularly in the season's sublimely ridiculous final episode: the way that navigating this constant swirl of white-fuelled chaos isn't just exhausting, but dispiriting to the point that joining can seem like the safest move. Closing out with the only Van-focused entry from the new batch, season three's closer is as farcical and funny as Atlanta gets, and also deeply steeped in the everyday exasperation of battling to exist. When Glover, Henry, Stanfield and Beetz are on-screen — albeit never together as much as audiences hope — Atlanta is as comfortable as it gets while also always throwing up a non-stop array of surprises. Then there's the season's standalone stories, all of which would fuel excellent movies. Proving astute, incisive, sometimes-absurd, always-stellar and relentlessly inventive, here Atlanta examines the welfare system and its inequalities, reparations for slavery, the emotional and physical labour outsourced to Black workers, and how the world enforces all things white as the default — and preferred — option. Sometimes the takeaway points are obvious, but that doesn't mean they're any less searing. The cast, as always, are a powerhouse. Few actors can convey wearingly resigned yet still determined like Glover, or make Darius' ethereal vibe run deep as Stanfield does. Henry fleshes out Al's growing dissatisfaction with the trappings and expectations of fame, while Beetz steals every scene she's in — even when, for most of the season, she's flitting around the edges as Van free falls from the crew's most sensible member to its most erratic. Some of season three's stunt casting doesn't pay off, though, with obviousness rearing its head again and less successfully, but Atlanta still boasts the best core quartet currently on television. It's still the best among at almost everything it does, in fact, including sliding onto Glover's always busy resume. Obviously, season four now can't come quickly enough. Check out the full trailer for Atlanta's third season below: The third season of Atlanta is available to stream via SBS On Demand in Australia and Neon in New Zealand.
Some workplaces encourage suggestions, speaking up and letting company leadership know if things aren't quite right. As Severance viewers discovered in season one, Lumon Industries hasn't historically been one of them. So what happens when a group of employees attempts to raise issues? In the just-dropped full trailer for the Apple TV+ series' second season, Mark S (Adam Scott, Loot), Helly (Britt Lower, American Horror Stories), Dylan (Zach Cherry, Fallout) and Irving (John Turturro, Mr & Mrs Smith) all find out, as Mr Milchick (Tramell Tillman, Hunters) informs them that they've now become "the face of severance reform" after their actions at the end of season one. The latest sneak peek at season two returns viewers to a world of innies, outies and workplace nightmares — and a sci-fi thriller mindbender with a first run of episodes that deserved all the praise that it received and more. Apple TV+ has released past teasers for the second season, but the latest unveils the most details yet of what's to come. Existence inside and outside Lumon isn't just on a collision course; the two are crashing into each other repeatedly, even if Mark S and co's secretive employer wants otherwise. Audiences will be clocking back in for more Severance come Friday, January 17, 2025, in a case of ideal timing. Thinking about how to best balance your professional and personal spheres, and the time you dedicate to them, is an annual tradition when each new year starts after all. The subject will get a bigger push via this hugely anticipated TV comeback — and so will how work-life balance can weigh on your mind, or not. If you missed the first season, disconnecting from your job come quittin' time — and giving your gig every ounce of your focus during your daily grind — has become literal in Severance in a hellish way. At Lumon, employees agree to undertake the titular procedure, which splits their memories between work and home. But as Macrodata Refinement division employee Mark S begins to learn, nothing about the situation is what it seems. The show dives into the kind of scenario that Black Mirror might've dreamed up, with technology that could've been used if Eternal Sunshine of the Spotless Mind was about punching the clock instead of romance. Mark S willingly signed up for severance, all to help process his grief over the death of his wife. And he was happy with the situation until his work BFF Petey (Yul Vazquez, The Outsider) left suddenly without saying goodbye, then new staff member Helly arrived to replace him — and instantly questioned the insidious setup, the rules and restrictions needed to keep it in place, and why on earth her "outie" (as the outside versions of Lumon employees are known) agreed to this in the first place. In season two, Mark and his work pals will attempt to dig deeper into the consequences of the severance procedure, and trying to escape it. They'll also find out the ramifications of messing with the system — and Lumon isn't just filled with the same familiar faces. Severance's return calls for a waffle party, an egg bar or a melon bar — or at least a big bunch of blue balloons with the face of Mark S on them. Jen Tullock (Perry Mason), Michael Chernus (Carol & the End of the World), Dichen Lachman (Kingdom of the Planet of the Apes), Christopher Walken (Dune: Part Two) and Patricia Arquette (High Desert) are all back among the cast, alongside new cast members including Gwendoline Christie (Wednesday), Bob Balaban (Asteroid City), Merritt Wever (Memory), Alia Shawkat (The Old Man) and John Noble (Twilight of the Gods). Ben Stiller (Escape at Dannemora) returns as a director on five episodes, too, and executive producer across the whole season, with ten episodes on the way. Apple TV+ will drop instalments through until Friday, March 21, 2025. Check out the full trailer for Severance season two below: Severance returns for season two on Friday, January 17, 2025 via Apple TV+. Read our review of season one.
Knock knock, Matrix fans: the door to the sci-fi franchise, which celebrates its 25th anniversary in 2024, is reopening. Mere days after notching up half a century since the first film in the saga hit cinemas in the US — which happened on March 31 — Warner Bros has announced that it's making a fifth live-action movie in the Keanu Reeves (John Wick: Chapter 4)-led saga. The news also comes three years after The Matrix last returned to the big screen courtesy of 2021's The Matrix Resurrections. But whether Reeves will be back, or Carrie-Anne Moss (Accidental Texan) as well, hasn't been revealed so far. While the world wonders whether a live-action Matrix movie without Keanu and Moss is really a Matrix movie, one thing is certain: this new Matrix flick won't feature either Lana or Lilly Wachowski (Sense8) behind the lens. Together, they helmed 1999's first film, then 2003's The Matrix Reloaded and The Matrix Revolutions. Lana did the honours solo on The Matrix Resurrections. On the upcoming feature, Lana will now be an executive producer instead. In the director's chair this time: Drew Goddard, who helmed The Cabin in the Woods and Bad Times at the El Royale, and earned an Oscar nomination for writing The Martian's screenplay. He'll also be scripting and producing, but the tale he'll be telling also hasn't been announced. "Drew came to Warner Bros with a new idea that we all believe would be an incredible way to continue the Matrix world, by both honouring what Lana and Lilly began over 25 years ago, and offering a unique perspective based on his own love of the series and characters," said Warner Bros Motion Pictures President of Production Jesse Ehrman in a statement announcing the new film, as per Variety. "The entire team at Warner Bros Discovery is thrilled for Drew to be making this new Matrix film, adding his vision to the cinematic canon the Wachowskis' spent a quarter of a century building here at the studio." "It is not hyperbole to say The Matrix films changed both cinema and my life," added Goddard. "Lana and Lilly's exquisite artistry inspires me on a daily basis, and I am beyond grateful for the chance to tell stories in their world." So far, the saga that rightly claims that Keanu is the one began with with one of the best sci-fi films ever made, delivered two underwhelming sequels mere years later, also includes excellent animated anthology The Animatrix and then enjoyed its first decades-later comeback with The Matrix Resurrections. When its next instalment will land, and what it'll be called, haven't been revealed as yet, either. There's also no word as to whether any other Matrix cast members will return, with Resurrections also featuring franchise regular Jada Pinkett Smith (The Equalizer) — plus series newcomers Jonathan Groff (Knock at the Cabin), Neil Patrick Harris (Doctor Who), Jessica Henwick (The Royal Hotel), Priyanka Chopra Jonas (Citadel), Christina Ricci (Yellowjackets) and Yahya Abdul-Mateen II (Aquaman and the Lost Kingdom). There's obviously no trailer for the next Matrix movie right now, but check out the trailer for The Matrix Resurrections below: The new Matrix movie doesn't yet have a release date — we'll update you when one is announced. Read our review of The Matrix Resurrections. Via Variety.
Indecisive eaters of Australia, rejoice: you no longer have to pick between two go-to snack foods. Feel like a doughnut, but also feel like a muffin as well? Not quite hungry enough to tuck into both? Spending too long deciding which to eat? Behold your new culinary saviour — the duffin. The concept is right there in the name, with this mashup combining a doughnut and a muffin. And, none other than Krispy Kreme is making them — so if you already covet the chain's treats, here's something else to try. Do these kinds of food hybrids actually make picking something to eat easier — or do they make it harder because you've now got a third option to choose from? Good question. Either way, they rely upon the novelty factor, and the idea that combining two tasty dishes has to result in something special. If you're eager to give Krispy Kreme's duffins a whirl across your tastebuds, they've hit shelves from Tuesday, July 5 in three flavours. So, you do actually have a few more choices after all — picking between apple and cinnamon, blueberry and white chocolate, and double choc. The first option features toasted oats and a spiced apple filling, while the second includes real blueberries on top and a blueberry filling inside. As for the third, it gets its chocolate fix via choc chip pieces and a chocolate custard filling. To get snacking, you'll find the duffin trio at Krispy Kreme and 7-Eleven stores across Australia for $4 each. Krispy Kreme's duffins are available from Tuesday, July 5 at Krispy Kreme and 7-Eleven stores across Australia.
Some films are long, slow and serious. Others are brief, quick and fun. There's a place for the former, of course; however Radical Reels champions the latter category, combining the most action-packed mountain movies it can find into a compilation of high-octane shorts. Radical Reels is the adrenaline-loving little brother of the Banff Mountain Film Festival, the most prestigious international film competition and annual presentation of short films and documentaries about mountain culture, sports, and environment. From the most recent festival’s 300-strong submissions, a subset of daring displays have been singled out for their own showcase. Over a three-hour session, nine shorts approach the very edge of action sports and natural highs: the wild rides, long lines, steep jumps, and skilful stunts, as well as the rugged playgrounds thrill-seekers explore on their mountain bikes, paddles, ropes, skis, snowboards and wingsuits. Expect the world's best extreme athletes getting fast and furious when the Radical Reels Tour 2015 stops in at the Brisbane Powerhouse.
Visit Bowen Hills for nine days each August and the sounds of the Ekka echo through the suburb. Hit up the inner-city spot since August 2023, however, and you'll hear plenty of cracking at Claw. This crustacean-slinging joint on King Street is an American-influenced crab shack, pairing seafood with barbecue fare in a massive sports bar. How massive? Taking over the space that food truck park Welcome to Bowen Hills previously called home, Claw can cater to 1000 people donning bibs, slicing into a steak, sipping boozy slushies and watching a match. Obviously, the crab shack heroes its fondness for seafood in its moniker, with king crab its signature menu item. You'll nab it in buckets, prepared Baja-style, and paired with chilled shrimp, oysters, lemon and cocktail sauce — and you'll pay $199 for the venue's delicacy. Also on offer: plank-roasted salmon, shrimp enchiladas, rib-eye steaks topped with half a lobster tail, jalapeño bacon burgers, fried chook, beef short ribs, Texas smoked beef brisket, Carolina pulled pork, buffalo chicken wings and blackened shrimp tacos. Add Cheetos mac 'n' cheese as a side, then feast on a salted choc brownie sundae for dessert. To wash down all of the above, frozen cocktails and craft beers are in the spotlight. Claw's drinks list features boozy slushies — think: margaritas, mango daiquiris and beergarita made with Coronas to share — plus both local and international brews, with an exposed keg room heroing the latter. If you prefer wine, there's a short array of options. And for more cocktails, go for guava or cactus apple margs, the root beer float, an apple pie-inspired tipple and a two-person concoction that's served in "a shark-infested fishbowl". For sports fans, large-screen TVs are a given, while DJs and live music will provide a soundtrack. Plus, because this is a family-friendly joint, there's even a playground for children. And, for everyone, arcade games will get you mashing buttons.
The team at Brisbane's El Planta restaurant does an amazing job of making sure nobody misses meat when dining there. Everything served at this Hope Street Mexican hangout here is 100-percent plant-based and made from scratch, including the tortillas. The menu changes weekly and, while it's always simple, it's certainly never boring. Try ceviche made using hearts of palm, capsicum and corn; El Planta's take on classic pescado (fish) tacos; or elote, fried spiced corn ribs with a potent chimichurri. Can't decide? Ask for EL Planta's Feed Me banquet and let the kitchen make the decisions for you. Whatever you end up eating, make sure you wash it down with one of the restaurant's four margaritas — the grilled pineapple version is our pick. And if you're a tequila or mezcal connoisseur, El Planta is the place for you. The team has a huge selection of the agave-based spirit, serving each with either tajin spiced fruit, a traditional sangria or a green juice made with pineapple, jalapeno, coriander, mint and lime — for you to alternate sips. Say goodbye to smashing tequila shots with salt and lime. Nowadays, we sip on fine tequilas with fruity chasers. Look at us being grown ups.
Public holidays are wonderful, with Australia currently experiencing its usual autumn run of them — and loving it. The one big side effect: they always get everyone thinking about enjoying more than just a day or two off work. Yes, you're likely now in holiday-planning mode, and Virgin's latest sale wants to help. Forget staying local, or even just heading somewhere around the country. This batch of discounted fares is all about island getaways overseas. Bali, Fiji, Samoa and Vanuatu, here you come — because they're the spots that the airline is slinging cheap return flights to right now. The love islands flight sale runs until 11.59pm AEST on Monday, April 24 — unless sold out earlier. And while prices start at $429, that'll get you there and back. In that specific instance, that's how much it costs for Gold Coast–Bali airfares. Other specials include Adelaide to Bali from $489, Brisbane to Fiji from $489 and Melbourne to Samoa from $729, as well as Sydney to Fiji from $469 and Perth to Vanuatu from $909 — all with economy lite fares. If you're wondering when you'll need to travel, it depends according to route, but the sale is largely clustered around October–December 2023 and January–March 2024. To some destinations, you can go in May and June 2023 (and avoid the start of Australia's winter, too). As usual when it comes to flight sales, you'll need to get in quick if you're keen to stack your next year or so with island trips. Virgin's love islands flight sale runs until 11.59pm AEST on Monday, April 24 — unless sold out earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Sometimes, we take the little things for granted, and we don’t get a chance to stop and smell the roses. While roses should be around for a little while longer, artist Catherine Young has worked in collaboration with Swiss perfume company Givaudan to create a collection of fragrances that we may lose due to climate change. The Ephemeral Marvels Perfume Store (or TEMPS for short) features eight perfumes in the scent of Coasts, Coffee, Honey, Wine, Eucalyptus, Peanuts, Ice and Hardwood Trees. Young approached Givaudan with the smells that she wanted to capture and the feelings or memories that she wanted to evoke, and the scientists went from there. The perfumes are held in beautiful glass bottles, each with a hummingbird on the label. "Because of its speed, the hummingbird is known as a messenger and stopper of time," writes Young on her website. "It is also a symbol of love, joy and beauty. The hummingbird is also able to fly backwards, teaching us that we can look back on our past. This could be the saddest perfume collection ever produced. And while it's not likely to flip the Ian Plimers of the world into acting on climate change, there's no denying it is a poetic way to communicate the message. Scent is renowned for its ability to transport us back to a past memory. Think of all the things we stand to forget if we can no longer visit them via olfactory highway. Unfortunately, the scents are not for sale. TEMPS is part of Young’s solo exhibition The Apocalypse Project, held at the Mind Museum in the Philippines. This is also not the first time that Young has used scents as part of her artistic work. In graduate school Young created a book called An Olfactory Memoir of Three Cities: Manila, New York, Barcelona, which featured smells from three cities Young had previously lived in. Via Fast Company.
Huge music festivals are back, and Australia has the ever-growing gig calendar to prove it — and it just got even bigger. Get ready to hop into the mosh pit like its the 90s and early 00s at massive alternative, metal and punk music fest Good Things, which is living up to its name with its just-dropped 2022 lineup. Headlining the tour are Bring Me The Horizon and Deftones, plus NOFX — who'll be playing 1994's iconic album Punk In Drublic in full. They'll also be joined by The Amity Affliction, Gojira and Millencolin, spanning everything from Queensland favourites to infectious Swedish punk. Oh, and just none other than Australia's own TISM playing their first live shows in 19 years. Will TISM take to the stage naked? That's now the question of the summer. 'Tis the season — and the times in general — for Ron Hitler-Barassi and company to drop their clothes but keep their masks, after all. Whatever they're decked out in, or not, expect plenty of legendary Aussie songs. Expect to have 'Greg! The Stop Sign!', 'Whatareya' and 'Ol' Man River' stuck in your head right now as well, obviously. Good Things' impressive bill also features Kisschasy playing 2005's United Paper People in full, fellow Aussie faves Regurgitator — because, just like the 90s and 00s, it wouldn't be a festival without them — and Lacuna Coil, Soulfly, ONE OK ROCK, 3OH!3, Cosmic Psychos and more. The fest is headed to Melbourne, Sydney and Brisbane across three massive early December days, from Friday, December 2–Sunday, December 4. And whether you're a yob or a wanker, you'll want to be there. GOOD THINGS 2022 LINEUP: Bring Me The Horizon Deftones NOFX (performing Punk In Drublic in full) TISM The Amity Affliction Gojira ONE OK ROCK 3OH!3 Blood Command Chasing Ghosts Cosmic Psychos Electric Callboy Fever 333 Jinjer JXDN Kisschasy (performing United Paper People in full) Lacuna Coil Millencolin Nova Twins Polaris RedHook Regurgitator Sabaton Sleeping With Sirens Soulfly The Story So Far Thornhill GOOD THINGS 2022 DATES: Friday, December 2 — Flemington Racecourse, Melbourne Saturday, December 3 — Centennial Park, Sydney Sunday, December 4 – Brisbane Showgrounds, Brisbane Good Things will hit the Melbourne, Sydney and Brisbane in December 2022. Pre-sale tickets go on sale from 10am, Tuesday, June 21, and general sales from 10am on Thursday, June 23. Head to the festival website for more info and to register for pre-sales.
The saying “to kill two birds with one stone” is a motto embraced by many and partially responsible for the success of dual purpose objects such as smartphones, or even the humble spork. Another ingenious method of saving time are all-in-one cafe and gift stores. These establishments are like the best friend you could ever have — a wonderful cook who provides copious amounts of delectable food as well as an endless source of inspiration for new accessories and cute gift ideas. So listen up time-poor readers: we've found the best cafe/gift stores so you can enjoy a meal and find a special gift for a loved one (or yourself). Ma Belle Amie Ma Belle Amie is all that is cute in this world jammed into a cafe gift store. From the footpath you can quickly see that this place is a bit different. White tables and chairs set up on squares of AstroTurf protected by shady and colourful umbrellas give a sneak peek as to the feel of the store. Inside, there are knick-knacks and quirky gift ideas for men, women and kids, making gift-buying a breeze. The cafe has a vintage feel, with a bold floral feature wall and carefully thought out touches. In terms of breakfast, Ma Belle Amie are traditionalists, and you can find favourites such as as bacon and eggs on toast, eggs Benedict and homemade pancakes. 10 Albion Road, Albion Woolloongabba Antique Centre Why not treat your inner Fonzie or rockabilly girl to a day of exploring? Located in Woolloongabba is this mecca for vintage lovers. The huge centre is filled to the brim with clothes, jewellery, knick-knacks, books, furniture and records from bygone eras. Strolling around the stalls will get your tummy growling, so head towards the 1950s-style cafe after you've selected your new treasures. Here, you will find cabinets stocked full of sweat treats and savoury options. Try the chicken and pumpkin tostado and sip on a chocolate malted milkshake. 22 Wellington Road, Woolloongabba The Providore Store Close to Albion train station and with a huge cup and saucer on its roof, you'll find a quaint little store. Stepping into The Providore Store is a bit like visiting Nan's as it is filled with lovely tea cups, bottles of jam, old keys, vintage suite cases and gorgeous garlands that breathe life into any room. What's more, it smells like baked cookies. After feasting your eyes on the gift selection, settle into one of the doily adorned table settings. Choose a strawberry muffin with an iced coffee for a morning tea treat. If you're looking for a hunger buster, try The 'Ben', avocado, feta and mint on rye, turkish, white or gluten free bread. 59 Albion Road, Brisbane Gallery B Past the screwdrivers, hammers and tool boxes in a little hardware store lies one of the northside's best kept secrets. Gallery B is an oasis for lovers of vintage, featuring an abundance of unique handbags, jewellery, knick-knacks and clothes. It also offers a humble range of sweet treats and drinks, all homemade on site. For morning tea, select the scones with jam and cream and an orange and poppyseed gluten-free friand. The light scones are deliciously warm and uphold their status as a morning tea staple, while the hearty friand is presented with peach slices and a drizzling of syrup and proved to be just as tasty. Both sweet treats come on quaint mismatched crockery, perfectly matching the eclectic feel of the gallery. For drinks, try the iced coffee and iced chai latte. 178 Enoggera Road, Newmarket Making Lemonade Making Lemonade is the new kids on the block in Bulimba, having only opened late last year, yet they have already impressed their clientele. These guys are a cafe, book shop and gift store who also boast a selection of homewares and quirky finds. Oh, and they also offer the best homemade lemonade that would top the most successful lemonade stand. Join the bevy of locals who make this spot their meeting place and select a chunky slice of chocolate monster cake before browsing for gifts and enjoying the good life. After morning tea, stay on for lunch and try the delicious roast beef sandwich with pickles, cheese and rocket. You'll leave with a full tum and plenty of goodies. Shop 3/77 Oxford Street, Bulimba Top image: Ma Bella Amie.
Another month, another round of Lune Croissanterie specials — aka the tastiest thing about flipping over your calendar. The beloved bakery celebrates all 12 parts of the year with a different lineup of treats, such as lamington cruffins among its January specials earlier this year, bolognese and bechamel-filled lasagne pastries in June, and Iced Vovo cruffins and tiramisu pastries in July. With spring now upon us, it's going pink and floral. On Lune's September menu: finger bun croissants and cherry blossom cruffins. If you like beloved desserts that have been turned into other sweet treats — or mashups, food hybrids and the Frankenstein's monsters of baked goods, all those labels fit — prepare to be in culinary heaven. They're both exactly what they sound like, which is delicious, and you can only get them between Thursday, September 1–Friday, September 30. If the finger bun croissants have your tastebuds in a tizzy, they're an old Lune favourite that's making a comeback in-store in Fitzroy and South Brisbane, and also online at the latter. They're made with traditional croissants that are brushed with strawberry syrup, then filled with a coconut milk frangipane and house-made strawberry jam. On top: a whipped coconut icing, because a finger bun isn't a finger bun without the icing. And yes, they're also dipped in desiccated coconut. Feel like celebrating spring with cherry blossom cruffins? You know how cruffins work by now — the ol' muffin-croissant mashup that they are — and these ones have been piped with whipped cherry blossom ganache and raspberry jam. That's what you'll find on the inside, which definitely counts. On the outside, expect a dusting of icing sugar and freeze-dried raspberry powder, then a cherry blossom meringue on top. And you can nab these from the same spots: in-store in Fitzroy and South Brisbane, and online at South Brisbane as well. The September specials list also boasts an everything croissant at all stores — a new product that's made from strips of herb filled pastry which are twisted into a bun, then covered with Lune's 'everything bagel'-inspired seasoning, and also piped with a chive cream cheese after they're baked. And, all stores are doing choc-chip cookies, too, which sees Lune fill its pain au chocolate with a biscuit frangipane and extra chocolate chips, then add dulcey ganache and chunks of choc chip cookies on top when they're out of the oven. Just at Fitzroy and South Brisbane (including online at the latter), there's coconut Kouign Amanns as well — and as a South Brisbane exclusive, asparagus danishes. If you're on snacks duty for September — in the office or at home — your job just got easier and tastier. Lune's September specials menu runs from Thursday, September 1–Friday, September 30, with different specials on offer at Fitzroy and the CBD in Melbourne, and South Brisbane and Burnett Lane in Brisbane. From the South Brisbane store only, you can also order them online. Images: Pete Dillon.
Next time you're hankering for a pastry and you're in the vicinity of West Village, let Hungary's cylindrical-shaped kürtőskalács tempt your tastebuds. The traditional dish, also known as chimney cake, is caramelised, crunchy and flaky on the outside, soft on the inside, and can even come filled with Nutella — and it gives West End newcomer Kürtősh its name. Now open at the Boundary Street precinct seven days a week, the bakery takes its cues from Central Europe, as its name and favourite menu item makes plain. Here, you'll also find burekas in a range of flavours — ricotta and feta, potato and mushroom, and sweet potato, rosemary and thyme, for starters — plus chocolate brandy balls. Croissants, danishes, chocolate twists and cookies, too. Another highlight: cakes by the slab that are sold by weight. Owner Ben Haikin takes his kürtőskalács seriously, travelling to learn how to make them and coming back with a 70-year-old recipe. But his now eight-store chain of bakeries also serves up everything from cheesecakes to coffee, and mixes up its menu regularly. Making many of its dishes onsite, the West End store marks Kürtősh's first in Queensland, with its seven other shops spread across New South Wales and Victoria — and new outposts to come in both southern states, too. Visitors can expect both indoor and outdoor seating, a packed cabinet full of baked goods, and a drinks lineup that also includes iced drinks — coffees, teas, chocolates and mochas — and juices. And yes, if you've been paying attention to the ever-growing West Village precinct, it just keeps gaining new spots to eat, with Kürtősh following Anita Gelato among the newbies indulging your sweet tooth this summer. Find Kürtősh at 111 Boundary Street, West Village, West End — open 7am–10pm daily.
Topology is a contemporary chamber ensemble. This means that rather than the standard chamber ensemble, they have a contemporary twist, often playing the work of contemporary composers, then adding a saxophone and piano to the traditional strings. They’re a bit different to your traditional chamber music makers, but still pretty conventional when compared with… The Kransky Sisters, who are a weird but wonderful ensemble of quirky musical sounds, and even quirkier personalities. Now, put these two groups together and what do you get? A musical encounter, that's what. This meshing of musical minds happened by accident when Topology’s Robert Davidson was cycling through Esk in rural Queensland and he fell of his bicycle right in front of the Kransky sisters’ house. The generous Kransky's set him up on the couch with a crochet blanket, a lamington, and soon after Robert and tuba player Dawn Kransky were playing duets together. This will be a night of hilarity as the two musical ensembles vie for centre stage, each with their own brand of musical genius. Eventually though, they will succumb and realise that the magic that Dawn and Robert created on the couch in Esk can be found once again if the two groups play in harmony. This they do, and we are all the better for it!
The King has risen. Head out to Parkes in January and you would be forgiven for thinking you're in Graceland — if there's anything this town is known for (apart from the iconic Dish, of course) it's the Parkes Elvis Festival. Pull on your blue suede shoes and get ready to find yourself a hunk, a hunk of burning love. The festival takes place over five days during the second week of January to coincide with the King's birthday (January 8, as if you didn't already know). Over 25,000 visitors flock to the town to see international and national Elvis tribute artists battle it out to be named the Ultimate Elvis Tribute Artist. There's also a Miss Priscilla competition, rock 'n' roll dancing, busking, a midnight show and a finale concert. The Parkes Elvis Festival is officially endorsed by the King's estate, Elvis Presley Enterprises Inc., so you know it's legit. Stop talking about it, and just do it this year. A little less conversation, a little more action.
Noosa's beaches and laidback vibes are legendary. It's little wonder that the spot has also given rise to its own brewery, too. When you're soaking in this scenic corner of southeast Queensland, a locally made cold one goes down even more smoothly than it normally would. That's especially the case when it's made for easy drinking, which — along with minimising its environmental impact — is firmly Land & Sea — Noosa Brewing Company's focus. Expect a variety of options, with this Noosa Heads outfit's craft beer selection spanning pale ales, IPAs, mango sours, rice lagers and kolschs. Head by the brewery's tap room, and you can also take a tour — not only of Land & Sea, but of the Fortune distillery. Running on Saturdays from 11am–12.30pm, the $55-per-person tours also include a craft beer tasting paddle and a spirits tasting paddle.
A decade ago, English Premier League team Tottenham Hotspur FC scored a new American coach and assistant in an advertisement hyping up soccer coverage by US TV network NBC. In that four-minute commercial, Ted Lasso made his debut, taking a gig across the pond without knowing a thing about the sport — or letting that whole lack of familiarity with the world game stop him. At his side: a bearded, sunglasses-wearing, cap-donning offsider, who dutifully offered advice and tried to steer him in the right direction. Unsurprisingly given how successful Ted Lasso has now become as an award-winning sitcom, viewers warmed to the sketch and its characters. A year later in 2014, the clueless coach returned in another ad, this time back in the US and using his Premier League learnings on home turf. But it'd take six more years before the Apple TV+ series that's widely and deservedly loved would grace screens, and before Saturday Night Live alum Jason Sudeikis and his We're the Millers and Horrible Bosses 2 co-star Brendan Hunt would return to the roles of Ted and Coach Beard. Now, Sudeikis has two acting Emmys for the first two seasons of the smash-hit show, and another two as one of its executive producers — and Hunt has a nomination for his on-screen supporting part, and shared those latter two wins. "It's wonderfully insane," Hunt tells Concrete Playground while chatting about Ted Lasso's long-awaited third season, which starts streaming from Wednesday, March 15 after an almost two-year gap since 2021's season two. Even if you hadn't seen the two ads that sparked the show, Hunt's face might've been familiar when Ted Lasso first hit Apple TV+ — his resume also includes appearances on everything from Parks and Recreation and Community to How I Met Your Mother and Key & Peele — but co-creating, -producing, -writing and -starring in one of the biggest comedy smashes of the past four years has made him instantly recognisable. He's also the man behind one of the show's most beloved characters, which is no mean feat given how widely adored the AFC Richmond crew are. A man of few words who's always at Ted's side, Beard hasn't stopped intriguing viewers yet. When Ted Lasso started its run as a series, its namesake and his righthand man Beard moved to London, and switched sports. So far, so familiar from the ads. But Ted Lasso as a series has a warmer tone, a busy roster of other players and the hearty embrace of audiences worldwide thanks to its kindness as much as its comedy. The gap between season two and three has been keenly noticed and felt — and not just because season two ended with a bombshell, after AFC Richmond assistant coach Nathan 'Nate' Shelley (Nick Mohammed, Intelligence) defected to rival club West Ham United, burning bridges with his old team and, pointedly, with Ted. How will Ted and Nate handle their new status quo? How has Hunt handled the Ted Lasso rollercoaster ride so far? Why is Beard such a fan favourite? They're just some of the things that we discussed with Hunt — alongside season two's delightful Beard After Hours episode, of course. ON TED LASSO'S JOURNEY FROM A SKETCH TO A SITCOM — AND ITS HUGE SUCCESS "Yeah, it's bonkers. You know, we took that first gig in that first campaign, and the main selling point was 'oh and we get to go to London for three whole days!'. Cut to: last year when we're in London for ten months. I think last year we were in London so long, we were like 'eh, London'. But that first one was super fun, and it went well enough that they had us go the next year, and that was fun too. And then Jason, [Ted Lasso co-creator] Joe Kelly and I got together [and went] 'alright, we've got to find a way to do more of this'. And then we wrote a pilot and put together a season arc — that was in late 2014/early 2105, and it felt like 'oh wow, we're going to have a TV show any minute now!'. And we didn't. We didn't for years. Years passed. Jason's career, he's going fine. Joe's career, he's going fine. Me, I'm baking on a rock, holding on for dear life in Los Angeles. And I had officially gotten to the point where I had given up any hope of anything Ted Lasso happening — like I was no longer even asking Jason if anything was happening. Then one day out of nowhere, he was like 'hey, is that pilot we did, is that still online somewhere?'. Yeah man, of course it is, that's how online works. He goes, 'oh, because Im talking to [Scrubs creator and sitcom veteran] Bill Lawrence tomorrow'. And then suddenly things moved very, very quickly after years of nothingness and heartbreak. I mean the last four years — it is what it is, and I just cannot, cannot, still cannot believe what has happened. I try not to think about it. I try to just get on the ride and pull down the harness and shake it and make sure it's secure, and then 'weeeeeeeeeeeeee!' — and then not think about the actual physics of the loop-de-loops, because it's insane." ON WHY TED LASSO HAS STRUCK SUCH A CHORD WITH AUDIENCES "In the ads, it's a sketch. And a thin sketch idea can work really well for five minutes, but it's unlikely to work for 30. So we just had so much fun doing the first two — 'like, we've got to find a way to do this' — and as soon as were making the TV show, we knew from early on, and this was Jason's idea, that something has to be going on in Ted's life to make him do this crazy thing. And we came upon the idea that he's going through a divorce. We weren't going to play the divorce for laughs — we were going to play the divorce for real. Jason and Joe and I, we've all been through a divorce. It's nothing to mess with. It's a very hard time. And once we had that in there, then the reality of this character is more fully formed and is now baked in, and is something to keep returning to. That's what led the way to panic attacks. That's what led the way to finding out his history with his dad, and stuff like that. I think we wouldn't be sitting here still talking about this show if it was still what it was in the original campaign." ON COACH BEARD'S ROLE IN THE SHOW — AND HIS FAN APPEAL "I think the main thing was still have him standing next to Ted as much as possible, because then people understand why he's there. No, it's just the idea that Ted wouldn't do this crazy thing alone. He would do it with someone he trusts — someone who would help him with the finer points, such as offside. And Beard's whole mission — we come from an improv and sketch-comedy culture, and one axiom you hear in that world is while you're offstage, while you're watching your partners improvise, ask yourself 'what does the scene need?'. Then you come into the scene with that. Well, Ted is the scene that Beard is watching, and Beard is always asking 'what does Ted need?'. That is rarely for Beard to talk, because Ted's pretty good at that bit. So Ted and Beard just have a very unspoken yet incredibly clear relationship and dynamic, and one's not going to take such a journey like this without the other — they're bosom buddies. I think it's [Coach Beard's fan appeal] just sort of a happy ancillary result of how little he talks, because he's on camera a lot by dint of the aforementioned standing next to Ted, who will most often be in the centre of your screen. And when someone is on camera that much but isn't talking, well, that's mysterious. Now you don't know what that dude's really about. It makes him a bit if a blank canvas that people can project themselves on and make their own assumptions about, but they're still unable to fill up that whole canvas themselves. So that accidentally discovered air of mystery, once we knew that was there, then it was like 'we can play with this and have good fun with it'." ON SEASON TWO'S BEARD AFTER HOURS EPISODE "We started writing season two before season one had come out, and season two was going to be ten episodes as season one was. We'd been going for three or four months before season one came out, so by then we had the season worked out — we had it mapped out, we had the dynamics, we had the peaks and valleys, and where things were going to go. Then suddenly the show comes out and, as you may have heard, that went pretty well. Almost first thing Monday morning, Apple was like 'you have two more episodes, please do two more episodes!'. And we're like 'okay, alright'. But we can't just mess with the dynamics we'd created for the scenes, so we had to come up with two episodes that were kind of standalone. We had a bit of a discard pile of things we were thinking of doing, and one was the Christmas episode, and the other was an episode where we follow Beard around. On top of that, where it's placed in the season, we really liked from sort of a mischief standpoint — because the episode before is a very big episode where a lot of big things happen, and by the end of that episode, you're definitely ready for next week and to find out where these things are going to go. And instead we go 'no, no, sorry, you're getting Beard for 45 minutes'. 45 minutes! 'Yeah, sorry, his is how it worked out'. And then, the week later, then we finally get back to business. So it was a happy accident, essentially, and it ended up being a pretty fun diversion." ON SEASON THREE'S BIG THEMES "Certainly for Ted, he made a promise in season one if they ever got back he'd try to win the whole fucking thing. Well, now they're back, and he doesn't give promises lightly. So he has to decide if he's going to go whole hog with that and, if so, is that at the risk of the values that he's trying to teach? And at the same time, Nate is off at West Ham having to figure out if what he's done or what he's doing, and what he has now, is worth the bridges that he's burned. With Rupert in his ear, that can go a few different ways. Other than that, we're looking at some of the same things we always have — vulnerability and honesty, and love and pain. And every ten minutes or so, somebody apologises for something." Season three of Ted Lasso starts streaming via Apple TV+ from Wednesday, March 15. Read our full review.
If there's one thing no one ever gets sick of, it's burgers, which suits the trend currently sweeping Brisbane rather nicely. Taking over the space where the Villager used to be, Miss Kay's is the latest place to offer a menu overflowing with meat and bread products (and veggie patties, too, a significant proportion of you will be pleased to hear). If this is your idea of a tasty meal, then you'll want to stop by. Open for lunch and dinner from Monday to Saturday, the city's newest burger bar boasts all the usual suspects, from good ol' fashioned cheeseburgers to sides of fries and onion rings. They also offer a few options you'll want to try just based on their names alone. Who wouldn't want to eat a Ludakrisp (a burger with crispy fried chicken) or a Mac Daddy (a burger with mac and cheese — yes really). As always, the food is only part of the fun, with Miss Kay's an ideal spot for an after-work drink or several. Live entertainment helps set the mood, and they even have alcoholic ginger beer on tap, plus a range of 'jartinis' in flavours like spiced bacon maple sour. Yum.
Brisbane has long been partial to a party boat. The Island did the honours from the 80s through until early last decade, and Seadeck has cruised the river over the past couple of years. Now Yot Club has started sailing into the city's waters, and it's making quite a big splash — as you'd expect from a huge yacht with two bars, a stage, a dance floor and a 400-person capacity. Throwing its next series of shindigs between February–May, the glamorous, custom-built vessel calls itself "the world's first super yacht entertainment venue". It's certainly something that southeast Queensland hasn't seen before, at the very least. Sprawling over two levels, it measures nearly 40-metres long and over 22-metres wide, and blends a licensed floating club and a luxe function space, including room for 200 people to enjoy a sit-down meal. With lounges across an open deck and undercover, a VIP room in the hull, both general and ticketed events set to welcome guests, and the promise of bands and DJs on its lineup, Yot Club wants to be the region's one-stop watery hangout. It serves up more than water, of course, thanks to a menu of classic and creative cocktails, plus brews chilled in the 45-keg-capacity cool room. Yot Club sets off from South Bank's Ferry Terminal One, with tickets starting from $39. Dates vary between Saturday, February 15 and Sunday, May 17, but you can head along for a cruisy Friday night, or enjoy a watery Saturday or Sunday afternoon session. Images: Yot Club. Updated March 10.
Plenty about the past couple of years has felt dystopian, but that isn't stopping one West End spot from indulging in an annual tradition. That'd be Archive Beer Boutique's signature event, its craft beer fest Armakeggon, which returns on Saturday, August 17. Obviously, the bar will still be around long after the shindig is over. It isn't the end times on Boundary Street. Head along, though, and you'll find a lineup extra-special beverages being poured through the establishment's taps until your beer-loving heart is content. Expect both new and rare brews, plus old favourites, too. For those after more than an out-of-the-ordinary drop of the yeasty good stuff, there'll also be games throughout the day, as well as live music providing a soundtrack. Entry is free from 11.30am, or you can nab a $35 VIP ticket to head in early at 10am and get sipping before the event opens to the general public. The paid option also includes a tasting paddle with four brews, plus a bacon and egg roll to line your stomach. Images: Archive Beer Boutique.
Breaking down a classic tale best known as an opera, rebuilding it as a lovers-on-the-run drama set across the US–Mexico border and making every moment burst with emotion, Benjamin Millepied's Carmen is a movie that moves. While its director is a feature debutant, his background as a dancer and choreographer — he did both on Black Swan, the latter on Vox Lux as well, then designed the latest Dune films' sandwalk — perhaps means that the former New York City Ballet principal and Paris Opera Ballet Director of Dance was fated to helm rhythmic, fluid and rousing cinema. His loose take on Georges Bizet's singing-driven show and Prosper Mérimée's novella before it, plus Alexander Pushkin's poem The Gypsies that the first is thought to be based on, is evocative and sensual. It's sumptuous and a swirl of feelings, too, as aided in no small part by its penchant for dance. And, it pirouettes with swoon-inducing strength with help from its stunningly cast leads: Scream queen and In the Heights star Melissa Barrera, plus Normal People breakout and Aftersun Oscar-nominee Paul Mescal. When Mescal earned the world's attention in streaming's initial Sally Rooney adaptation, he had viewers dreaming of fleeing somewhere — Ireland or anywhere — with him. Carmen's namesake (Barrera) absconds first, then has PTSD-afflicted Marine Aidan (Mescal) join her attempt to escape to Los Angeles. Carmen runs after her mother Zilah (flamenco dancer Marina Tamayo) greets the cartel with thunderous footwork, but can't stave off their violence. Aidan enters the story once Carmen is smuggled stateside, where he's a reluctant volunteer border guard in Texas alongside the trigger-happy Mike (Benedict Hardie, The Drover's Wife The Legend of Molly Johnson). As the picture's central pair soon hurtle towards California, to Zilah's lifelong friend Masilda's (Rossy de Palma, Parallel Mothers) bar, they try to fly to whatever safety and security they can find. That may be fleeting, however, and might also be in each other's arms. Mérimée's 1845 work told of blistering passion, as did Bizet's 1875 aria-filled version that's become the first Carmen that usually springs to mind. Indeed, ardour and intensity are among this tale's key traits no matter what format it's in — see also: iconic French filmmaker's 1983 effort First Name: Carmen; the Beyoncé-starring, 2001-released Carmen: A Hip Hopera; and everything prior and since. Millepied, who co-wrote the script with Alexander Dinelaris (an Oscar-winner for Birdman or (The Unexpected Virtue of Ignorance)) and Loïc Barrere (President Alphonse), doesn't buck the trend. Heat and energy beat through his iteration as kinetically as Zilah's heartbeat-mimicking opening number, with the same burning that blazes in Barrera's eyes and as swelteringly as the movie's desert setting (Australia, specifically Broken Hill, standing in for the other side of the world when the film was shot in early 2021 while the pandemic was still wreaking havoc with international borders). Millepied isn't afraid to be bold with Carmen, clearly. Neither are his collaborators on- and off-screen. Barrera, Mescal and de Palma anchor the former — which also includes Elsa Pataky (Interceptor), Tara Morice (who came to fame with Baz Luhrmann's Strictly Ballroom three decades back) and rapper The DOC (Winning Time: The Rise of the Lakers Dynasty) — with such force that to witness them swish through the feature is to feel like you're in their shoes. Barrera and Mescal's chemistry simmers, pivotally. Together and apart alike, each convincingly unpacks the woes and worries paving their characters' struggles in their physicality as much as their words. Enlisting Pedro Almodóvar favourite de Palma is a spectacular coup, of course, and one that makes the La Sombra Poderosa nightclub stretches glimmer and glide with extra zest and potency. This Carmen doesn't just move — it transports, all while pulsating with emotions usually belted out with gusto in song. The movie's destination: the yearning that pushes Carmen and Aidan's flights towards different lives, the sorrow and desperation that refuses to remain buried in their hearts, the determination to fight and the lusty whirlwind that is their time together. Milliped knows how to immerse his audience in these sensations via his frames, which are so strikingly lensed by Jörg Widmer — a cinematographer with past credits that couldn't better sum up the look and tone of Carmen. Back in 2011, Widmer held the same role on Wim Wenders' big-screen Pina Bausch ode Pina. In 2019, he aided Terrence Malick's A Hidden Life in appearing as visually lyrical as the Badlands and The Tree of Life director's work gets. Carmen is that enamoured with the expressive nature of dance, and with imagery as its own haunting form of poetry. That Carmen means ode and poem in Latin is even verbally mentioned within the feature's dialogue. To peer at, Carmen is arresting, too, with its backdrop more than a minor reason. The arid expanse that's long made Broken Hill a popular filming destination has previously graced Wake in Fright, Mad Max II, The Adventures of Priscilla, Queen of the Desert and Mission: Impossible II, yet demands fresh eyes as Barrera and Mescal twirl over it with longing. In one particularly stirring scene, the duo cavort and embrace, their bodies as feverish as the golden hues evident in both the soil and sky. Carmen and Aidan come together in a desolate existence, finding — even making — what rays they can, but their romance is as jagged as the rocky, scrubby stretch around them. That Mescal's steps can't quite match Barrera's also feels all the more apt given the locale; it's visibly imperfect, so is his dancing and, of course, Carmen and Aidan's intertwined thrust for a new destiny earns that exact description. Similarly vivid touches: seeing Carmen's characters unleash such telling body language against such a still background, and the film's rich costumes gleaming against the ochre earth. The camera spies it all, yet never just lingers and passively observes. Rather, the cinematography flows — never more than in that sashaying against the dirt, plus a glowing fairground interlude that plays like a dream, in Masilda's clu,b and also a late boxing sequence that's as throbbing as anything on a makeshift or genuine dance floor. Singing is still a part of this Carmen, spiritedly and affectingly so, but this is a drama with carefully placed songs worked into the narrative rather than a traditional musical. To be more accurate, it's a drama with dance and sometimes lyrics, with the grandly ambitious and layered score by Nicholas Britell (Succession) getting intoxicatingly stormy to match the sea of movement that keeps washing through like waves.
Overseas travel is at the top of many Australian bucket lists right now. And if you're the kind of traveller who prefers fewer stopovers, there's some exciting news on the horizon from Qantas. Dubbed Project Sunrise, the Australian airline has unveiled plans to introduce a fleet of twelve Airbus A350s, which are all capable of flying direct from Australia to London and New York. Direct flights are currently available from Darwin to London, however, for those on the east coast of Australia, this still means factoring in a layover to your journey. Qantas has announced that with these new aircrafts, direct flights will be available from the east coast as well, starting with Sydney-to-London and Sydney-to-New York flights in late 2025. Qantas first toyed with the idea of direct flights from Australia's east coast to New York and London back in 2017, however after two trial flights in 2019 decided to delay the decision. "The A350 and Project Sunrise will make any city just one flight away from Australia," said Qantas Group CEO Alan Joyce. "It's the last frontier and the final fix for the tyranny of distance." With time in the air set to exceed the current 18-hour flight time of the Darwin-to-London route, the new aircrafts are also being designed with comfort in mind. The A350-1000s will carry 239 passengers compared to other airlines' average of 300 passengers, and will feature a designated comfort zone in the middle of the cabin where people can stretch their legs. [caption id="attachment_852120" align="alignnone" width="1920"] A350 wellness zone render[/caption] Alongside this announcement, Qantas has also revealed it will add 40 new A321XLRs and A220 aircrafts to its domestic fleet late next year. These new planes will gradually replace the Boeing 737s and 717s as they are retired. "The A320s and A220s will become the backbone of our domestic fleet for the next 20 years, helping to keep this country moving," continued Joyce. According to Qantas, this new fleet of aircrafts will create over 1000 jobs and Joyce says the aircrafts will help reduce emissions "by at least 15 per cent if running on fossil fuels, and significantly better when run on Sustainable Aviation Fuel". This will play a role in Qantas' commitment that it made in 2019 to reach net-zero by 2050. If you fly Qantas regularly and you're committed to sustainability, you can also sign up for its Green Tier rewards program which unlocks rewards and benefits to customers who complete at least five sustainable activities across six areas in their lives. Qantas' direct flights from Sydney to London and Sydney to New York are set to take to the air in late 2025. For more information, head to the Qantas website. Images: Qantas
These days, we're all aware of the impact plastic shopping bags have on the environment, but what about another popular disposable item that everyone uses and no one thinks about? If you've enjoyed a cold beverage somewhere other than your home recently, odds are that you've probably sipped it through a straw (or you were given one). From now on, that won't be the case at Brisbane's Crowbar. Because little things can make a big difference, the Brunswick Street haunt has adopted a "say no to straws" policy and will no longer be serving them with their drinks unless specifically requested. "We are conscious of the environmental impact of plastic and are taking steps to reduce our footprint," the venue advised in a Facebook post announcing the new move. Further expanding upon Crowbar's plans in an interview with The Music, manager Tyla Dombroski explained that they're currently assessing biodegradable options for punters that can't kick their straw fix, and that their efforts won't stop there. If they can work with an organisation that focuses on marine or wildlife conservation, Crowbar would like to implement a donation-for-a-straw scheme. "Even though we're already cutting back our usage, we can also be giving back," said Dombroski. "And hopefully it makes more people think about their use of plastic in everyday life." Here's hoping that Crowbar's efforts also inspire other bars to follow suit — and other industries. Just two months ago, France passed legislation to ban all plastic plates, cups and cutlery from 2020; however Australian laws still haven't caught up with the single-use plastic bag backlash, with only Tasmania, South Australia, ACT and the NT banning them at present. Via The Music.
If your life could use a bit more Pixar magic at the moment, then Disney is here to help, with the Mouse House rushing the beloved animation studio's latest film to Australian and New Zealand audiences via digital rental and its streaming platform Disney+. Featuring the voices of Chris Pratt, Tom Holland, Julia Louis-Dreyfus and Octavia Spencer, Onward was originally slated to release on the big screen Down Under on Thursday, March 26; however those plans changed when cinemas were ordered to shut. While the movie did play in Australian theatres for a few days over the weekend immediately beforehand, giving dedicated audiences a sneak peek, cinemas were hardly packed at the time — so, if this elf-filled adventure is still on your must-watch list, you're not alone. Pixar fans will be able to get their animation fix via video on demand from Friday, April 3, which'll require paying separately to view the film. Or, if you're already a Disney+ subscriber — or you've been thinking of becoming one — you'll be able to watch Onward on the company's own streaming platform as part of its regular package from 6pm on Friday, April 24. Story-wise, Onward tells the tale of brothers Ian and Barley Lightfoot (Marvel co-stars Holland and Pratt), two teenage elves who've grown up without their dearly departed dad. Thanks to an unexpected flash of long-dormant magic, they're given the chance to spend one last day with their father — but, in order to do so, they'll have to undertake a perilous quest in Barley's rundown van Guinevere. From the above description, you might've noticed that Pixar's usual formula isn't at play here, with the company branching beyond the "what if toys/cars/rats/robots/monsters/feelings had feelings?" setup that's served it so well in everything from the Toy Story franchise to Inside Out. Rest assured, however, that Onward's central elf siblings do indeed experience a whole heap of emotions as they cast spells, try to decipher mysterious maps, endeavour to avoid curses, explore their complicated brotherly relationship and team up with a part-lion, part-bat, part-scorpion called The Manticore (Spencer). Fast-tracking Onward to digital platforms is the latest example of film industry's efforts to adapt to the changes forced by the spread of COVID-19. In Australia and New Zealand, Disney follows fellow distributor Roadshow's lead — with the latter also speeding up the online release of a number of its big titles as well. Check out the trailer for Onward below: https://www.youtube.com/watch?v=HxKXiQvyG_o Onward will be available to purchase separately on digital platforms in Australia and New Zealand from Friday, April 3, before hitting Disney's streaming platform Disney+ as part of its regular package at 6pm on Friday, April 24. Images: © 2019 Disney/Pixar. All Rights Reserved. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Sydney comes alive in summer — long lunches segue into golden-hour drinks, warm evenings spill into the streets and the city buzzes with new exhibitions and openair experiences. Whether you're browsing a waterside market or diving into a boundary-pushing gallery show, this season is built for discovery. Instead of dipping in for a single exhibition or market visit, treat each outing as the start of its own mini escape. In the spirit of making the most of every sunny moment, we've paired five must-see summer events with nearby neighbourhood gems that showcase the breadth of Sydney's food, culture and creativity. The Rocks Markets: Christmas Edition Why it's unmissable Set beneath the Sydney Harbour Bridge, The Rocks Markets: Christmas Edition brings together local makers showcasing their wares for three festive weekends of openair browsing. Add woodfired pizza, gozleme and crepes into the mix — along with furoshiki gift-wrapping workshops — and you've got one of summer's most charming holiday pit stops. Find out more here. Make a day of it Once you've filled your tote, wander a few steps to Hooked and Harvest, The Rocks' sunny new fish and chippery serving market-fresh fish, freshly shucked oysters and flavour-packed salads. If you're after something with a deeper sense of place, Midden by Mark Olive heroes native Australian ingredients via refined dishes like kutjera-braised beef cheek, blue gum-smoked miso eggplant and Olive's signature Bush Pavlova topped with a native fruit coulis and wattleseed cream, all from a breezy spot under the sails of the Sydney Opera House. [caption id="attachment_921470" align="alignnone" width="1920"] Steven Woodburn[/caption] Wind down nearby As the sun starts to slip, take the lift up to Martinez, Circular Quay's breezy rooftop bar with Mediterranean coastal vibes, panoramic views and a bright drinks list made for golden hour. Extend your stay Make a weekend of it at The Russell Boutique Hotel, the charming new stay in the heart of The Rocks (and set right above Sydney's oldest pub). With its warm, character-filled rooms — some of which have direct courtyard access — and unbeatable proximity to some of Sydney's most iconic spots, it's an ideal base for an urban summer escape. [caption id="attachment_918689" align="alignnone" width="1920"] Eugene Hyland[/caption] RELICS: A New World Rises Why it's unmissable This immersive new exhibition at the Australian Museum transforms discarded objects into intricate LEGO® civilisations, from a grandfather clock reverse-engineered into a time machine to a cryogenics facility inside a vintage freezer. Part art installation, part nostalgic playground, it's a summer experience for kids and adults alike — and a reminder that creativity and curiosity have no age limits. Find out more here. Make a day of it Kick things off with coffee and a pastry — or an inventive breakfast plate like avo and kale bagel with peanut chilli sauce, or soft scrambled eggs swimming in chicken broth and served with garlic-buttered baguette — in the charming sandstone-framed courtyard of A.P Bread & Wine in Darlinghurst. Post-exhibition, stroll down to Woolloomooloo for a late lunch at Akti, the breezy, coastal-Greek diner serving moussaka croquettes, lamb shoulder with chimichurri and summer-ready cocktails overlooking the Finger Wharf. Wind down nearby Round out your day at Monica, Paddington's new sun-drenched rooftop bar overlooking the bustle of Oxford Street. Head up to take in sweeping skyline views, playful cocktail — like a rhubarb and grapefruit paloma on tap — in hand as the city lights flicker on. Extend your stay Not ready to go home? You don't have to — Monica sits on the roof of the new 25hours Hotel Sydney The Olympia, a design-forward Paddington boutique set in a heritage-listed former cinema. Its prime location offers easy access to some of Sydney's most vibrant neighbourhoods, with hire bikes available if you're keen to explore more. [caption id="attachment_1045265" align="alignnone" width="1920"] Emmaline Zanelli, 'Magic Cave', 2024-2025, installation view, image courtesy the artist and Museum of Contemporary Art Australia © the artist, photograph by Hamish McIntosh[/caption] MCA double-header: Primavera 2025: Young Australian Artists and A Conversation with the Sun (Afterimage): Apichatpong Weerasethakul Why it's unmissable While we're never short of reasons to visit Australia's home of contemporary art, this summer, the MCA is giving us two more. Running until early March, Primavera 2025: Young Australian Artists continues the annual exhibition's nearly four-decade legacy of providing a platform to Australia's next generation of artistic and curatorial talent. This year's works invite visitors to consider what it means to continue making art in a digital and post-industrial world. Find out more here. Also on show: Palme d'Or-winning filmmaker Apichatpong Weerasethakul's new cinematic site-specific installation for the MCA. The large-scale work — on display in the MCA Macgregor Gallery until early February — features video diaries projected onto floating fabric, creating a dream-like experience inspired by pondering the sun while walking in nature. Find out more here. Make a day of it Take a leisurely stroll around Circular Quay and drop anchor at Flaminia, the refined yet laidback venue by acclaimed chef Giovanni Pilu (Pilu at Freshwater) plating up Italian coastal classics alongside sweeping harbour views. Feeling adventurous? Hop on the ferry from Circular Quay to Manly and arrive at Felons Seafood for towering seafood platters, salt and vinegar martinis and a tap pouring Australia's coldest beer. Take a seat in the spacious outdoor terrace to soak up the sun, or nab a seat by the window for uninterrupted views across Manly Cove and Sydney Harbour. [caption id="attachment_1011783" align="alignnone" width="1920"] Steven Woodburn[/caption] Wind down nearby Next door to its namesake restaurant, Felons Manly brings the award-winning Brisbane brewhouse's beers to an expansive, sun-washed space, with regular events and live music keeping things lively throughout the evening. Or, follow the boardwalk around the shoreline to settle in at The Espy Manly, an alfresco bar serving up spritzes and sunshine in equal measure. If the mood is less wind down and more turn up, venture to neighbouring Freshwater and settle in at Bombies, a late-night bar and live music lounge that brings 1970s beach house energy to the rooftop of the historic Harbord Hotel. Extend your stay If there's a better way to start your day than at the beach, we're yet to find it. And at Manly Pacific Hotel, you'll wake up mere steps from the sand. And whether you choose to start your day with espresso on your sunlit balcony overlooking Manly Beach or you're popping across the road for a pre-breakfast surf, your morning will feel like its own little holiday. The Makers and Shakers Christmas Gift Market Why it's unmissable If you're hunting for holiday gifts with personality, this market at Rozelle's White Bay Cruise Terminal ticks every box: you'll find over 140 stalls selling Australian-made homewares, slow-fashion pieces and artisan treats in a bright, harbour-framed warehouse setting. Add drop-in workshops, kids' zones and free parking, and you've got all the ingredients for some feel-good festive shopping. Find out more here. Make a day of it Start the day with a hearty Middle Eastern-inspired brunch at The Rusty Rabbit, a light-filled corner spot in leafy Concord. If it's views you're after, it's hard to beat The Fenwick. This restaurant and art gallery on the edge of the East Balmain waterfront, set in an 1880s former tugboat store, plates up Italian-inspired fare and postcard-perfect views of the Sydney Harbour Bridge. [caption id="attachment_706208" align="alignnone" width="1920"] The Old Clare Rooftop[/caption] Wind down nearby Swap the Inner West waterfront for its indie bar scene. Start with the Inner West Distillery Trail, where small-batch gin, whisky and new-world spirits are poured straight from the source in tasting rooms across Rozelle, Marrickville and surrounds. The Inner West is also home to some of Sydney's best breweries, and the Inner West Ale Trail links a string of top-tier taprooms within a few easy kilometres. From hazy IPAs in sunny beer gardens to crisp lagers and barrel-aged sours in cavernous converted warehouses, it's a relaxed way to dig a little deeper into one of Sydney's most creative neighbourhoods. Extend your stay Make it a full weekend escape at The Old Clare Hotel, which blends luxe contemporary comforts with the character of a historic Chippendale building. By day, bask by the rooftop pool and bar, soaking up the city skyline with a drink in hand; then, wander into the laneways of Chippendale's buzzy food and bar scene to make a night of it. Ready to feel the Sydney side of summer? Discover the full calendar of what's on across the city at sydney.com.
If you live Down Under, winter is still coming for 2022 — but your next excuse to indulge your Game of Thrones love is already here. You will need to pack your suitcases and head to Northern Ireland, however, and also be mighty pleased that visiting the new GoT studio tour doesn't involve sailing by ship, walking for months or using other forms of transport from the fictional Seven Kingdoms. First announced in 2018, the Game of Thrones Studio Tour at Linen Mill Studios started welcoming in eager GoT fans at the beginning of February 2022 — and it boasts plenty to get excited about. And yes, while you're waiting for prequel series House of the Dragon to arrive later this year, and still biding your time wondering when author George RR Martin's The Winds of Winter will finally hit shelves, this'll help tide you over. Get ready to add Winterfell, The Wall, King's Landing and Dragonstone to your next holiday itinerary, and to peer at the Iron Throne as well, because that's all part of the new tour. Visitors are able to step inside the Great Hall, which is where Jon Snow was proclaimed the King in the North; see Daenerys Targaryen's Dragonstone throne; and also check out an array of props, weaponry, armoury, costumes, make-up and prosthetics from the show. Much of the series was filmed in Northern Ireland, hence the tour — which marks the first time that HBO has opened up the sets and sites to the public. Now rebadged as a tourist site, the GoT sets span across a hefty 110,000-square-feet location in in Banbridge. Basically, if you've ever dreamed about walking around Westeros, this is your chance. The tour has been dubbed an 'interactive experience', which covers wandering through fully dressed sets, reliving moments from the series and standing exactly where many of the show's standout scenes took place. Also part of the immersive attraction: learning more about the skills and craft behind the program that helped make it such a hit. And, there are also art files, models and other production materials in display, plus accompanying digital content and interactive materials highlighting GoT's digital effects. If it sounds huge, that's because it is. The whole setup comprises the largest authentic public display of Game of Thrones artifacts in the world — and is bound to make fans happier than Arya Stark crossing a name off of her infamous list. The Game of Thrones Studio Tour is now open at Linen Mill Studios, The Boulevard, Banbridge, Northern Ireland. For more information or to buy tickets, head to the tour's website.
When you've fought for your life, plus a massive cash prize, while donning a green tracksuit, you're probably not going to shake off the deadly endeavour easily. So shows the latest teaser trailer for Squid Game season two. Lee Jung-jae (The Acolyte) is back as Gi-hun, and there's a familiar face — or mask — at his door, awakening him from a restless slumber. Soon, he's back on bunks as competitor 456. Let the games begin — again. Following a three-year wait since its award-winning first season, and after teasing the show's 2024 return since January, Squid Game will start playing once more on Boxing Day. If you usually spend the day after Christmas shopping, at the cinema or recovering from your food coma by trying to play backyard cricket, you now have other plans if you want to catch the next instalment of the South Korean thriller ASAP. It was back in August that Netflix not only advised when its huge 2021 hit — one of the best new TV programs of that year, in fact — will finally make a comeback, but also announced that there's even more in store. After Squid Game season two arrives on Thursday, December 26, 2024, Squid Game season three will drop sometime in 2025. There's no exact date for the latter as yet, but it will be the final season, closing out the Squid Game story. The streaming platform revealed both pieces of news with a date announcement teaser that featured a running track, competitors in recognisable green tracksuits, and also-familiar folks in red watching on alongside the masked Front Man — and with a letter from series director, writer and executive producer Hwang Dong-hyuk. Now, Netflix has dropped its next sneak peek at the second season — including at new games. Also back: Gi-hun's nemesis (Lee Byung-hun, The Magnificent Seven). If you're wondering what else is in the works after the hefty gap — Squid Game was such a huge smash in it first season that Netflix confirmed at the beginning of 2022 that more was on the way, and also released a teaser trailer for it the same year, before announcing its new cast members in 2023 — a few further details were dropped earlier in the year. That's when Netflix previously unveiled a first brief snippet of Squid Game season two in a broader trailer for Netflix's slate for the year, as it releases every 12 months. In the footage, Seong Gi-hun answers a phone call while at the airport sporting his newly crimson locks. He's soon told "you're going to regret the choice you've made". Cue his statement of vengeance; Squid Game meets John Wick, anyone? Wi Ha-joon (Little Women) is also back as detective Hwang Jun-ho, as is Gong Yoo (Train to Busan) as the man in the suit who got Gi-hun into the game in the first place. A show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount, which means that new faces were always going to be essential in Squid Game season two — so that's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. Accordingly, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Here, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out the latest teaser trailer for Squid Game season below: Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: Netflix.
Melbourne might be where Lune started its world-acclaimed croissant empire ten years back; however, Brisbane is where the Kate Reid-founded bakery has branched out with not just two pastry-slinging spots, but also a wine bar. That tipple-pouring venue: Butler, which started serving drinks in mid-2022, then started teaming up with its sibling for food-and-wine parties late in the year. Still rolling in 2023, Tarte Party is one such shindig. Sunday, February 26 marks just the second time that Lune and Butler have joined forces, and they'll be serving up Lune's tartes with ample vino. The pastries will be baked fresh by Lune, with a special menu for the day, while Cork and Co is on wine duty. Food-wise, there'll be three types of tarte: mushroom and blue cheese; 'nduja, tomato and soft herbs; and a dessert plum, vanilla and almond number. Cork and Co's Logan Moore will be onsite showcasing winemakers such as LATTA, Koerner, Jilly and Sven Joschke, complete with rare and unique drops from each's private cellars. Tarte Party is taking place over two sessions: from 2–4.30pm and 5–7.30pm. Your $30 ticket gets you two tartes, with extras available to purchase — and wine being sold by the glass.
There are plenty of luxury resorts around the Bundaberg region, but if you're wanting all the amenities without the flashiness (or high price tag), Kellys Beach Resort is the way to go. This collection of 40 self-contained villas is just a short walk from Bargara's main beach and is the perfect base for exploring Bundaberg and the Great Barrier Reef. As well the onsite restaurant, the resort also has a pool, spa, tennis court, barbecue area and access to snorkels and boogie boards.
2023 marks six years since Revel Brewing Co set up shop on Oxford Street in Bulimba, and started both brewing and pouring its beers. And, when the end of the year hits, it will have been two years since these purveyors of yeasty beverages opened their second location in in Morningside, a sprawling spot in a century-old riverside factory in the Rivermakers precinct. They're usually the only two places you'll find the brewery doing its thing — except during the 2023 Brisbane Comedy Festival. Fancy a brew while you're giggling? Until the end of May, Revel has launched a pop-up bar outside Brisbane Powerhouse. It's a first for both — Revel's first time at Brisbane's annual laughfest, and the first time that the event has boasted its own bar at all. And, it's one of only a few places where beer lovers can sip a brand-new brew whipped up just for the occasion: the aptly named Laughing Lager, a limited-release drop that's on tap at the Revel Bar, plus BCF's hubs at The Tivoli and Fortitude Music Hall. With the Revel Bar making itself at home on the Powerhouse Plaza until Sunday, May 28, Brisbane Comedy Festival attendees can also kick back under strung-up lights and grab a bite from a range of food trucks. Eating and drinking here should be familiar — the space just hosted the first Night Feast markets back in March, which will return again in October. "For the first time, we have a designated festival bar with the Revel Bar, which includes a selection of great food trucks out on Brisbane Powerhouse's Plaza. We look forward to watching this space come to life throughout the Festival," said Brisbane Comedy Festival Director Phoebe Meredith. "As well as developing the limited-release Laughing Lager, we are excited to deliver the Revel Bar. We look forward to offering a fantastic, streamlined customer experience where visitors to the festival can get great quality food and beverages quickly, then relax and enjoy before they head into their show for a laugh," added Revel Brewing Co Founder and CEO Jay Neven. Until Monday, May 22, Revel and Brisbane Powerhouse are also giving one lucky person the chance to win a year's worth of beer to celebrate the Revel Bar — which you can enter online. Find the Revel Bar at Brisbane Powerhouse, 119 Lamington Street, New Farm during the 2023 Brisbane Comedy Festival until Sunday, May 28.
Think about Byron Bay, and a quiet coastal town with stunning beaches is no longer the only thing that comes to mind. Hemsworths pop up, plus other celebrities. So does the New South Wales spot's stint backdropping TV shows. Fancy leaning into the locale's luxe side? Enter its first-ever five-star hotel, with Hotel Marvell opening its doors on Tuesday, August 1. It boasts Marvell in its name, but Marvel Cinematic Universe fans will have spotted the spelling difference. No, even with Chris Hemsworth virtually synonymous with Byron Bay of late, this new place to stay has nothing to do with superheroes. Instead, this new addition to Marvell Street features 24 rooms and suites, the town's first rooftop bar and pool, and onsite restaurant Bonito. Owners Scott Didier and Scott Emery have gone lavish, aiming to give holidaymakers a one-of-a-kind stay. "Hotel Marvell is designed to offer our guests an extraordinary experience like no other. From the exclusive rooftop bar and pool with breathtaking views to the Bonito restaurant showcasing the finest local ingredients, we have crafted a haven for those seeking refined luxury in Byron Bay," said Emery. "Our passion for Byron Bay and our belief in the potential of this incredible destination inspired us to create Hotel Marvell. We want to offer our guests an unparalleled experience that combines the beauty of the surroundings with the luxury of our accommodations," added Didier. The 24 spots to slumber include 16 hotel rooms, six suites and a pair of two-bedroom rooms, all equipped with private balconies. Guests will sleep on Bemboka & Eadie linens, hit up the mini bar stocked with locally sourced products, make coffee from their in-room Nespresso machine, and take in the Byron Bay vibe and surroundings. Keen on room service? That runs from 11am–8pm. For a dip, head to level three — and for a bite beyond your room, to Bonito, which features chef Minh Le (ex-Spicers Peak Lodge, The Byron at Byron, The Foraging Quail) at the helm. His menu heroes seafood and plant-based cuisine, as well as his own heritage. On offer: organic sourdough with house-cultured miso butter, oysters in a Japanese dressing and Hiromasa kingfish glazed with spiced soy sauce Harley Graham of Harley Graham Architects is responsible for the hotel's look, which skews tropical, warm and colourful — complete with plenty of greenery and a pedestrian laneway. Unsurprisingly, a night at Hotel Marvell doesn't come cheap, starting at $600 per night for a hotel room. If you're keen on a suite, that'll set you back at least $780. Find Hotel Marvell at 4 Marvell Street, Byron Bay from Tuesday, August 1 — head to the hotel's website for further details and to make a reservation. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Banish the midweek blues with a satisfying after-work snack and a spirit-heavy sip to go with it. Because there are few things that put the grind into the working week like an average Wednesday, Chu the Phat is serving up a solution — as long as you like dumplings and martinis. That's the menu for the evening, and for just $20. Parting with a lobster nabs you one drink as well as a selection of those delicious parcels that no one can ever get enough of. The regular menu will be on offer as always, so you can always stop by the West End joint for a small bite and a beverage, see whether your hunger (and thirst) grows, and then settle in for the longer haul. When it comes to dumplings, Chu the Phat has a few varieties, so we hope you're hungry. Favourites include the boiled pork with tomato and miso relish, the smoked trout in broth, and sweetcorn with coriander.
The Howard Smith Wharves precinct just keeps expanding, with Goodtimes Gelateria the latest addition to the riverside spot. It's a natural location for Brisbane's newest sweet treat haven — hanging out by bodies of water and licking frosty desserts have always gone hand-in-hand, after all. Scooping up the good stuff seven days a week, Goodtimes features 22 different flavours, all overseen by HSW Executive Pastry Chef Rhian Shellshear, whose resumé includes stints at Gelato Messina and Adriano Zumbo's patisseries. Twelve gelato flavours sit in the cabinet on a permanent basis, alongside six sorbets and four rotating flavours. All the classics are covered, such as vanilla, chocolate and salted caramel; however, it's the more inventive varieties that might particularly tempt your tastebuds. You'll find options like baked apple pie, brown butter and caramelised popcorn, and mandarin sorbet. Goodtimes' icy treats are all made from premium ingredients, including French chocolate, Maleny dairy products and local fruit from Queensland farmers. Find Goodtimes' pastel-hued ice creamery underneath The Fantauzzo Hotel, slinging its desserts from 11am–11pm.
A great bar isn't just about the tap count, but that figure can be a sign of a more-the-merrier situation for beer lovers. When the number is hefty, usually so are your drinks choices, including trying tipples that you mightn't have had a chance to otherwise. So when a 120-tap bar awaits, it really is a case of imagining the possibilities. The Great Australasian Beer Spectapular, aka GABS, loves getting creative with beers — and loves letting attendees at its annual festivals sip and sample over 100 different varieties each year. In 2025, when the fest returns to Melbourne in April, then to Brisbane and Sydney in May, it'll set up that 120-tap bar, all in a straight line. Exactly 100 of those taps will pour beers, and the weirder and wilder the flavours, the better. The other 20 will feature spirits, cocktails and other beverages. For many of the brews on offer at GABS, this is either the first time or the only place that you can taste them. It's too early for details on specific beers as yet, but sushi beer, cookie stouts and lollipop sours have featured in the past. Think of a foodstuff — peanut butter, coffee, earl grey tea, chicken salt, pizza, fairy floss, bubblegum, doughnuts, red frogs and sour gummy bears, for instance — and there's likely been a brew made to taste exactly the same at GABS. This year, GABS is doing two-day visits to its three Aussie stops. Across Friday, April 4–Saturday, April 5, Melbourne Convention and Exhibition Centre will be saying cheers. Then, from Friday, May 23–Saturday, May 24, it'll be time to clink cups at Brisbane Convention and Exhibition Centre, before ICC Sydney hosts the last event of the tour on Friday, May 30–Saturday, May 31. If you're a newcomer to GABS, it started off as a Melbourne-only celebration of ales, lagers, ciders and more. Then it began spreading along Australia's east coast capitals, as well as to New Zealand. The event surveys both Australian and New Zealand breweries, plus sometimes some guests from further afield — Schlenkerla and Weihenstephan, both from Germany, are the first names on the list in 2025 — with more than 60 normally showcasing their wares annually. Also on the bill: other tipples, including non-alcoholic beers, seltzers, whiskey, gin, cocktails and wines. GABS is known for dishing up a hefty lineup of activities to accompanying all that sipping, too, which usually spans a silent disco, roaming bands, circus and sideshow performers, games and panels with industry leaders, plus local food trucks and vendors to line your stomach. And you might just find a ferris wheel or a mullet bar — yes, dispensing the haircuts — as well, as they've popped up in the past. Great Australasian Beer Spectapular 2025 Friday, April 4–Saturday, April 5 — Melbourne Convention and Exhibition Centre, Melbourne Friday, May 23–Saturday, May 24 — Brisbane Convention and Exhibition Centre, Brisbane Friday, May 30–Saturday, May 31 — ICC Sydney, Sydney GABS will take place across Australia's east coast throughout April and May 2025 — head to the event's website for further details.
If you’re cursed by the eternal mind battle of whether to use Calibri, Times New Roman, Arial, or Verdana when using Word, then you need to get familiar with Wayne Thompson. With an esteemed career in type concept and design, he’s spent 17 years as an art director in various advertising and design agencies, and worked on the typefont of everything from NRMA to NRL. Needless to say he’s got quite the know how on why Joker isn’t actually the best font for a resume (disputable, but whatever) and why Comics Sans doesn’t scream fun, okay Jerry. Fortunately for you, Wayne is jetting up from Newcastle to present his workshop, Hindsight, at Jugglers Art Space. Wayne will be leading participants through design process, with reflection on his own journey as a type-master. For anyone in the design world, this is a unique opportunity to get right inside the head of someone who knows all the tricks of the trade, and isn’t afraid to share a few. Tickets for Hindsight are $15 for students, and $20 for general admission – nab them here.
UPDATE, August 3, 2020: Mary Poppins Returns is available to stream via Disney+, Google Play, YouTube and iTunes. Floating in on the wind with her umbrella in hand, Mary Poppins is back — in a most delightful way. More than half a century since the magical nanny made the leap from page to screen, this lively, loving sequel explores a notion that's already fuelled seven books. Directed by Rob Marshall (Into the Woods) and scripted by David Magee (Life of Pi), Mary Poppins Returns asks: what if the seemingly prim-and-proper governess worked her wonders on the Banks children once more? The answer both does and doesn't play out as expected. Imaginative songs, animated flights of fantasy and a friendly labourer all feature, as does the Banks house on Cherry Tree Lane. Kids learning life lessons and to embrace their creativity are part and parcel of the film as well, and so is the warmest of moods. But, letting time pass in the story as it has in real life, Mary Poppins Returns introduces adult versions of the tykes that Poppins once cared for. They need her help yet again, and so does the next generation snapping at their heels. Struggling to make ends meet during the Great Depression, widower Michael Banks (Ben Whishaw) is about to lose the family home. He's behind in the mortgage and, despite working for the bank as his late father did before him, the financial institution's president (Colin Firth) won't offer an extension. Michael's only option is to find proof that he own shares, with his sister Jane (Emily Mortimer) and his children Anabel (Pixie Davies), John (Nathanael Saleh) and Georgie (Joel Dawson) all doing their part in the search. Enter Poppins (Emily Blunt), as radiant and no-nonsense as ever – except when she's the source of the nonsense. If that idea seems like a conundrum, the nanny explains the predicament herself in one of the movie's catchy musical numbers. Reviving not only a long-beloved character, but one engrained in the youth of multiple generations, is far from an easy task. Thank the heavens that Poppins descends from for Blunt. Fresh from putting in a powerhouse performance in the virtually dialogue-free horror flick A Quiet Place, she charms and captivates stepping into Julie Andrews' shoes. Always entrancing, it's the kind of singing and dancing showcase that audiences mightn't have realised that the English actor could deliver. Whether she's schooling and being silly with the Banks poppets, or leading them into adventures with kindly lamplighter Jack (Lin-Manuel Miranda) by her side, Blunt fits the part perfectly. More than that — she practically perfects the film's infectious air of fun in every way. While a spoonful of sugar isn't needed to make the movie go down a treat, it comes in the form of Marshall's love and care. The filmmaker's output can be hit and miss, with Chicago falling into the first category and Into the Woods the second, but Mary Poppins Returns is a winning effort. There's a juggling act at the picture's core, as the movie endeavours to pay homage to its popular predecessor without becoming a mere rehash. In a playful and well-judged manner, Marshall finds the necessary balance. His film deploys elements of the original — reflecting, reshaping, inverting, referencing — and yet it flies high as a kite on much more than nostalgia. Among the few elements that don't soar, nothing threatens to send the picture tumbling. The slight story feels like it could be whisked away by a breeze, but it's aided by the frequent diversions into song and dance. Rarely at her best in music-heavy scenarios (as the Mamma Mia! movies have shown), Meryl Streep is forgettable as the magical nanny's cousin, however her part is brief. And even when the film falters momentarily, Mary Poppins Returns has quite the distraction up its sleeves. From the eye-catching costuming to the colourful sets to the gorgeous animation, the movie serves up a visual wonderland. First Paddington, then Winnie the Pooh and now Mary Poppins, British treasures just keep coming back to the screen. But when they're this enjoyable, they're more than welcome. We're sure Poppins herself would approve of that sentiment. Among her many life lessons: realising when to relish what's in front of you. https://www.youtube.com/watch?v=hMe7hUb3TpI
Over the past few weeks, racially motivated discrimination, oppression and injustice has been in the global spotlight. It's a subject that always demands action and attention, both worldwide and within Australia. Lately, however, it's been particularly thrust to the fore due to the Black Lives Matter movement, and protests over the death of American George Floyd at the hands of a police officer — as well as, at the local level, the ongoing fight to end the systemic mistreatment of Aboriginal and Torres Strait Islander peoples by law enforcement, and to stop Indigenous Australian deaths in custody. This isn't a new topic. The quest to end racial prejudice and inequality isn't new either. Centuries of history can attest to that fact beyond the current news headlines — and so can a wealth of powerful documentaries on the subject. Some recent films chart the American civil rights movement. Others explore the lives and impact of Indigenous Australian musicians. And, with examples from both categories, five such docos are now available to watch for free on YouTube for the entire month of June. All five films are distributed by Australian company Madman Entertainment, and all have previously screened in cinemas and/or at film festivals. They're all vital viewing, too — and, at present, doing so doesn't involve any cost or require a subscription to a streaming platform. The documentaries are now up on Madman's YouTube channel, as embedded into the company's website. Leading the bill are a trio of movies with a local angle, and with a particular interest in Indigenous music. Viewers can watch Gurrumul, the immensely moving portrait about the chart-topping late Indigenous talent from Elcho Island off the coast of Arnhem Land; then check out Murundak: Songs of Freedom, which focuses on Aboriginal protest music, specifically following The Black Arm Band and other Indigenous Australian musicians on tour; then view Westwind: Djalu's Legacy, about Yolngu elder and master Yidaki (didgeridoo) player Djalu Gurruwiwi and his efforts to pass on his culture's ancient Songlines. https://www.youtube.com/watch?v=_USf1UQIAYg Those docos are joined by two films that examine race and injustice in America, and prove particularly relevant to current US protests. 3 1/2 Minutes, Ten Bullets chronicles the 2012 murder of 17-year-old high school student Jordan Davis — who was shot at a Florida gas station after an argument over loud music — as well as trial that followed, and the media coverage and resulting protests also. Then there's Raoul Peck's potent and affecting Oscar-nominee I Am Not Your Negro, which tackles racism in America from a historical perspective. That's conveyed through the words of novelist, poet and activist James Baldwin — words written in the mid-70s, but sadly still applicable today — with Samuel L. Jackson serving as the documentary's narrator. In sharing the five films, Madman is encouraging everyone to not only watch, but to learn, listen, and talk about them with friends and family. It's also suggesting that viewers donate to support relevant causes, naming a worthy organisation — and, in some cases, multiple organisations — for each documentary. To watch Gurrumul, I Am Not Your Negro, Murundak: Songs of Freedom, Westwind: Djalu's Legacy and 3 1/2 Minutes, Ten Bullets for free until the end of June, head to the Madman website. Top image: I Am Not Your Negro.
A Month of Sundays tells a familiar tale of middle-aged unhappiness. Think family struggles, work troubles, regrets and attempts at redemption. Yet there's an undercurrent of dry Australian comedy apparent in the latest feature from writer-director Matthew Saville (Noise, Felony). In the same way that other recent local releases The Dressmaker and Looking for Grace traversed darker territory with a wry smile, A Month of Sundays doesn't quite try to look on the bright side of life, but it does understand the way laughter can disarm bleak, tense and even routine situations. Here, amusement lurks quietly, always present in Anthony LaPaglia's lead performance. As Adelaide real estate agent Frank Mollard, the actor is rarely without a look of bemused resignation on his face or a droll tone in his voice. Frank is surrounded by the misery of a fresh separation from his actress wife (Justine Clarke), a strained relationship with his teenage son (Indiana Crowther) and a strong feeling of professional dissatisfaction. Perhaps that's why Frank believes he's talking to his deceased mother when a stranger dials a wrong number, and why he then forges a bond with the woman, retired librarian Sarah (Julia Blake), on the other end of the phone. It's the kind of situation that could only occur in a movie, though courtesy of the film's blend of empathy and comedy, it's never as far-fetched as it sounds. That's the film all over: slightly too convenient in its story, but still realistic in its emotions. More often than not, Saville finds the balance between the two, courtesy of a lighthearted touch and warm sense of humour. Indeed, as thoughtful as the movie's treatment of its gloomier themes proves, A Month of Sundays is at its best when it's cultivating chuckles. In fact, the entire film could've easily been set around Frank, his boss Phillip Lang (John Clarke), and their shared scenes. Their one-liners, about selling houses and installing Flash to view the company website, not only raise a few giggles, but also reveal plenty about their characters. The old adage, that every joke contains a grain of truth, clearly hasn't been lost on Saville. Neither has the need for a slow and patient approach in letting both the amusing and moving sides of every exchange play out. That it all builds slowly and subtly might feel a tad anticlimactic, but that's the point. Just as life creeps up on Frank Mollard, so to does this modest Aussie film creep up on all who watch it.
Usually when Cirque du Soleil hits cities around the world, it has audiences rolling up to its big top to see stunning acrobatic feats. But with the Montreal-based circus company's latest show, which also marks a pioneering display for the organisation, viewers will be hitting up arenas instead — because CRYSTAL takes place on ice. Cirque du Soleil's first-ever ice show, CRYSTAL still features all the trapeze, juggling, aerial acrobatics and more that fans have seen and loved across the company's past 41 productions — seven traditional circus acts, in fact, including banquine and hand balancing — but then adds a frosty surface rather than its usual stage setup. And, it includes figure skating and extreme skating into the spectacle as well, two disciplines that've never been featured in a Cirque du Soleil production before now. Even better: CRYSTAL will make its debut Down Under in 2023, kicking off in — when else? — winter. Brisbanites, get ready for frosty wonders from Friday, July 21–Sunday, July 30 at the Brisbane Entertainment Centre. This'll mark Cirque du Soleil's first visit since KURIOS: Cabinet of Curiosities in 2019 and 2020, although that production's run was interrupted by the pandemic. Also part of CRYSTAL, and another Cirque du Soleil first: remastered pop songs, including Beyoncé's 'Halo', U2's 'Beautiful Day', Nina Simone's 'Sinnerman' and Sia's 'Chandelier', in the company's only touring show so far to use such tracks. CRYSTAL has been doing the rounds worldwide since 2017, with more than 1.8-million people in 115 cities in 12 countries checking it out over the past five years. The all-ages show takes its name from the production's protagonist, who acts as the audience's guide as she follows her destiny to become herself.
The Mighty Boosh, Flight of the Conchords, Monty Python and Hi-5 are just some of the comedic outfits that Aunty Donna has been compared to. Even if you're not a fan of any or all of the first three names on that list, the inclusion of an Australian children's musical band is certain to have aroused a sliver of interest. Our advice: don't waste your time wondering about the how and why, particularly when you can simply witness the comic trio's brand new show at Brisbane Comedy Festival and find out for yourself. You might've already helped ratchet up the 7 million hits their YouTube channel has received; however their subversive, hyperactive, witty and fast off-screen antics are the kind of thing that you have to see with your own eyes in person.
Over the past few years, the Laneway Festival as established itself a preeminent music festival for the edgiest and hippest music, becoming a weathervane for the coolest sounds in music today. With a great blend of sounds and styles, combined with the urban chic of Fortitude Valley, Laneway is one of the more unique festival experiences of the summer. 2013 sees a stellar line-up of artists from Australia and overseas. Headlined by the likes of Yeasayer (pictured), Bat For Lashes, Japandroids and Divine Fits, Laneway also has a strong Australian contingent, led by Twerps, Flume, Snakadaktal and Alpine. Be sure to grab a ticket before they are all gone. Undercover stages provide the perfect environment regardless of weather.
A tribute to Los Angeles in film. Dreaming about somewhere over the rainbow and defying gravity with Wicked stars Ariana Grande and Cynthia Erivo singing the house down. 2025 ceremony host — and four-time Oscar-viewer — Conan O'Brien making a The Substance-inspired entrance, then regaling the crowd and the watching world with a genuinely funny opening monologue. A Real Pain winner Kieran Culkin telling Jeremy Strong how phenomenal he was in The Apprentice when collecting the first award of the night. Parks and Recreation favourite Nick Offerman announcing the presenters. That's how the 97th Academy Awards began. As they went on, this year's Oscars made dreams come true for the folks behind some of the best movies of the past 12 months. Flow, Wicked, Anora, Conclave, The Substance, Emilia Pérez, No Other Land, Dune: Part Two, The Brutalist, I'm Still Here: with A Real Pain, they're now all Academy Award-winners. Accordingly, 2025 is the year that an independent, dialogue-free film about animals — a movie that marked the first-ever Latvian title nominated for an Oscar, and to make good on that nod — won Best Animated Feature, and Flow couldn't be a more-worthy victor. Wicked costume designer Paul Tazewell made history as well, his award for the stage-to-screen musical making him the first Black man to ever take out the category. Best Supporting Actress Zoe Saldaña is the first American of Dominican origin to collect an Oscar statuette, too. I'm Still Here's Best International Feature prize makes it the first Brazilian flick to win that field. For Anora, Tangerine, The Florida Project and Red Rocket's Sean Baker, one of American cinema's great champions of otherwise untold tales, now has multiple Academy Awards — including for directing, writing and editing. Adrien Brody is now a two-time Best Actor winner, nabbing his second trophy 22 years after his first, again for grappling with the horrors of the Holocaust. By the numbers, this was a night of sharing the love, however. Best Picture's Anora wasn't the only film to get a shoutout more than once, even if it was the big winner with five awards. Also victorious multiple times: The Brutalist, Wicked, Dune: Part Two and Emilia Pérez. And, from the Best Picture nominees, only A Complete Unknown and Nickel Boys went home empty-handed — although both deserved better. Among the ceremony's fun, the 2025 Oscars also delivered an ode from Morgan Freeman to the late, great Gene Hackman to start the in-memorium segment, worked in a Bond song-and-dance spectacle, nodded to Kill Bill, honoured Quincy Jones and saw Mick Jagger receive a standing ovation for presenting the award for Best Original Song. When Quentin Tarantino announced Best Director, he was rewarded with thanks from Baker, noting that Anora wouldn't exist if QT hadn't first cast Mikey Madison in Once Upon a Time in Hollywood. The Oscars featured a pitch for a building dedicated to watching streaming movies on the big screen as well, and a Dune and Dune: Part Two sandworm playing various musical instruments. If you needed a reminder of who was hosting, O'Brien wasn't afraid to skew silly, clearly — and savage in some of his jokes, including about standing up to Russians. Wondering what and who won what, and the films and talents that were also contending, at this year's Academy Awards? Check out the full list below — and if you're curious, you can also see what we predicted would and should win, plus our full list of where most of this year's nominees are screening or streaming in Australia right now. Oscar Winners and Nominees 2025 Best Motion Picture Anora — WINNER The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez I'm Still Here Nickel Boys The Substance Wicked Best Director Anora, Sean Baker — WINNER The Brutalist, Brady Corbet A Complete Unknown, James Mangold Emilia Pérez, Jacques Audiard The Substance, Coralie Fargeat Performance by an Actress in a Leading Role Cynthia Erivo, Wicked Karla Sofía Gascón, Emilia Pérez Mikey Madison, Anora — WINNER Demi Moore, The Substance Fernanda Torres, I'm Still Here Performance by an Actor in a Leading Role Adrien Brody, The Brutalist — WINNER Timothée Chalamet, A Complete Unknown Colman Domingo, Sing Sing Ralph Fiennes, Conclave Sebastian Stan, The Apprentice Performance by an Actress in a Supporting Role Monica Barbaro, A Complete Unknown Ariana Grande, Wicked Felicity Jones, The Brutalist Isabella Rossellini, Conclave Zoe Saldaña, Emilia Pérez — WINNER Performance by an Actor in a Supporting Role Yura Borisov, Anora Kieran Culkin, A Real Pain — WINNER Edward Norton, A Complete Unknown Guy Pearce, The Brutalist Jeremy Strong, The Apprentice Best Original Screenplay Anora, Sean Baker — WINNER The Brutalist, Brady Corbet and Mona Fastvold A Real Pain, Jesse Eisenberg September 5, Moritz Binder, Tim Fehlbaum and Alex David The Substance, Coralie Fargeat Best Adapted Screenplay A Complete Unknown, James Mangold and Jay Cocks Conclave, Peter Straughan — WINNER Emilia Pérez, Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi Nickel Boys, RaMell Ross and Joslyn Barnes Sing Sing, Clint Bentley, Greg Kwedar, Clarence Maclin and John 'Divine G' Whitfield Best International Feature Film I'm Still Here — WINNER The Girl with the Needle Emilia Pérez The Seed of the Sacred Fig Flow Best Animated Feature Flow — WINNER Inside Out 2 Memoir of a Snail Wallace & Gromit: Vengeance Most Fowl The Wild Robot Best Documentary Feature Black Box Diaries No Other Land — WINNER Porcelain War Soundtrack to a Coup d'Etat Sugarcane Best Original Score The Brutalist, Daniel Blumberg — WINNER Conclave, Volker Bertelmann Emilia Pérez, Clément Ducol and Camille Wicked, John Powell and Stephen Schwartz The Wild Robot, Kris Bowers Best Original Song 'El Mal', Emilia Pérez, Clément Ducol, Camille and Jacques Audiard — WINNER 'The Journey', The Six Triple Eight, Diane Warren 'Like A Bird', Sing Sing, Abraham Alexander and Adrian Quesada 'Mi Camino', Emilia Pérez, Camille and Clément Ducol 'Never Too Late', Elton John: Never Too Late, Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin Best Cinematography The Brutalist, Lol Crawley — WINNER Dune: Part Two, Greig Fraser Emilia Pérez, Paul Guilhaume Maria, Ed Lachman Nosferatu, Jarin Blaschke Best Film Editing Anora, Sean Baker — WINNER The Brutalist, David Jancso Conclave, Nick Emerson Emilia Pérez, Juliette Welfling Wicked, Myron Kerstein Best Production Design The Brutalist, Judy Becker, Patricia Cuccia Conclave, Suzie Davies, Cynthia Sleiter Dune: Part Two, Patrice Vermette, Shane Vieau Nosferatu, Craig Lathrop, Beatrice Brentnerová Wicked, Nathan Crowley, Lee Sandales — WINNER Best Visual Effects Alien: Romulus, Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan Better Man, Luke Millar, David Clayton, Keith Herft and Peter Stubbs Dune: Part Two, Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer — WINNER Kingdom of the Planet of the Apes, Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke Wicked, Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould Best Costume Design A Complete Unknown, Arianne Phillips Conclave, Lisy Christl Gladiator II, Janty Yates and Dave Crossman Nosferatu, Linda Muir Wicked, Paul Tazewell — WINNER Best Makeup and Hairstyling A Different Man, Mike Marino, David Presto and Crystal Jurado Emilia Pérez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini Nosferatu, David White, Traci Loader and Suzanne StokesMunton The Substance, Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli — WINNER Wicked, Frances Hannon, Laura Blount and Sarah Nuth Best Sound A Complete Unknown, Tod A Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco Dune: Part Two, Gareth John, Richard King, Ron Bartlett and Doug Hemphill — WINNER Emilia Pérez, Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta Wicked, Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis The Wild Robot, Randy Thom, Brian Chumney, Gary A Rizzo and Leff Lefferts Best Documentary Short Subject Death by Numbers I Am Ready, Warden Incident Instruments of a Beating Heart The Only Girl in the Orchestra — WINNER Best Animated Short Film Beautiful Men In the Shadow of the Cypress — WINNER Magic Candies Wander to Wonder Yuck! Best Live-Action Short Film A Lien Anuja I'm Not a Robot — WINNER The Last Ranger The Man Who Could Not Remain Silent The 2025 Oscars were announced on Monday, March 3, Australian and New Zealand time. For further details, head to the awards' website.
"I think if someone like Bong says 'I'd like to work with you' once and then again, you just say yes," Daniel Henshall tells Concrete Playground. In the past decade, Bong Joon-ho has directed three films: Parasite, picking up the Palme d'Or at Cannes and four Oscars in the process, plus two pictures featuring an Australian actor who initially came to fame in Snowtown, aka one of the nation's most-haunting movies. In Okja, Bong and Henshall's first collaboration, the former tasked the latter with playing an animal-rights activist in a sci-fi action-adventure about battling the meat industry. Reteaming with the writer/director for Mickey 17, Henshall now portrays the righthand man to a wannabe dictator — an egomaniacal politician with clear real-life parallels — who is attempting to set up his own space colony, and cares little for the lives, human and other, that are lost in doing so. "I think I read it after I'd already said yes," Henshall continues. "So I was already on my way to doing it before I got to really appreciate how brilliant and bizarre and epic and fun this film is. I think it's really funny, this one." He's right: while there's darkness in every Bong picture, and the filmmaker's career-long cinematic exploration of exploitation in its many guises continues in Mickey 17, this is a comedy as much as it's a science-fiction flick. Adapting Edward Ashton's novel Mickey7, Bong ensures that humour flavours what's otherwise a bleak premise, with the movie's namesake (Robert Pattinson, The Batman) unwittingly signing up to die again and again and again — enough so he's lived at least 17 lives, hence the title — to assist the sinister Kenneth Marshall's (Mark Ruffalo, Poor Things) designs on an intergalactic empire march forward. This is a tale about expendables — a term that applies literally in Mickey 17, but could've been used to describe much else across Bong's filmography, be how a serial killer regards his victims in Memories of Murder, the way people considered lower-class in Snowpiercer and Parasite are treated, or the animals in the food chain in Okja. Mickey's job, which he didn't read the paperwork for before agreeing, is basically a human guinea pig and crash-test dummy. Death comes with the gig, as does being cloned each time that he says farewell. There's one key rule, however: there can only be one of Mickey, or of any expendable, at a time. Multiples are expressly forbidden. When the 17th Mickey is left for dead on Niflheim, the icy planet that Marshall is endeavouring to make his own, but survives, Mickey 18 is generated. Keeping the fact that there's two of them a secret; navigating his other self's different personality; fighting with himself over his security-agent girlfriend Nasha (Naomi Ackie, Blink Twice); feuding with frenemy Timo (Steven Yeun, Beef); avoiding scientists Dorothy (Patsy Ferran, Miss Austen) and Arkady (Cameron Britton, The Umbrella Academy); being stuck at the whims of Marshall and his sauce-loving wife Ylfa (Toni Collette, Juror No 2); communicating with Niflheim's indigenous creatures, which are nicknamed 'creepers': that's all now on Mickey's plate. Rarely far from Marshall's side, Henshall's Preston is the type of person who'll do anything for the man that he's pledged his allegiance to, including helping to shape his boss' image as fervently as he's constantly stroking his ego. Unlike Mickey of any number and his job, Preston is participating willingly. How did Henshall respond when Bong thought of him for the part? "The first reaction was 'this is more bonkers I'd ever experienced of his work'," he advises. "Parasite is proper bonkers, but this film was bizarre and excellent and unique and funny and humane and violent and scary, and all within this genre. And it was all the things that he brings to his work, all the commentary and the satirical nature of his work. I thought 'oh man, this is such a wonderful, delicious soup'. And Preston is a wonderful ingredient in that soup. What a strange character in this world, right? And from what he had said briefly about the character, it just seemed like a lot of fun — a lot of fun." [caption id="attachment_994744" align="alignnone" width="1920"] Alex Vaughn[/caption] Henshall can thank Snowtown for plenty in his career. His performance as John Bunting in his first-ever film role — beforehand, single episodes of All Saints and Rescue Special Ops, plus a main part in soap Out of the Blue are on his resume — is that unforgettable, and everything from fellow Aussie movies These Final Hours, The Babadook, Acute Misfortune, Measure for Measure, A Sunburnt Christmas, The Royal Hotel and How to Make Gravy (which we chatted with him about in 2024) through to international productions Ghost in the Shell and Skin have followed. So too have TV roles at home in Bloom, Lambs of God, Clickbait, Mystery Road: Origin, Savage River and The Newsreader, and overseas in TURN and Defending Jacob. He can directly credit Justin Kurzel's debut crime drama based on the real-life South Australian murders for being cast in both Okja and Mickey 17, though, after Bong was on the Cannes Film Festival Camera d'Or jury in 2011 when Snowtown played at the prestigious festival, then approached Henshall after seeing the movie. How did that first meeting with the filmmaker lead to not one but two performances in front of Bong's lens? Having collaborated with him twice now, why does Henshall think that the South Korean director is so drawn to digging into humanity's penchant for exploitation? What energy did acting alongside Mickey 17's cast, with many of his co-stars turning in such distinctive portrayals, give him for his own performance? Alongside what gets him excited about a new project, what he makes of his career so far and more, our conversation with Henshall spanned all of these topics. On How Snowtown Led to Okja, and Then to Mickey 17 "So Bong was the head juror of the Camera d'Or back in 2011, which is a prize given to the what the jury deem is the best first film by a debut filmmaker at the Cannes Film Festival — and Snowtown played there. And so after the first screening of Snowtown, Bong waited around and he was very sweet, and came up and said hello, and gave me a card and said 'yeah, it'd be great to work with you'. There's a bit of protocol there that says they can't say much about the film or howthey responded to it, just because of the secrecy of the ballot at the end of the week and who wins what, but he said 'I'd like to work with you, very lovely to meet you' — and then he went on his way, and it was very lovely. I went back to an event at Screen Australia, I think, and Jennifer Kent — the writer/director of The Babadook and The Nightingale — was there. She with there with her producer, as she was selling The Babadook to get some international money before making it. And she taught me at acting school. She came up to me and she said 'I heard you met someone today'. And I said 'oh yeah, yeah' — and I was going through my mind who I may have met that she was so excited about. And I said 'oh yeah, there's this beautiful man from Korea'. And she was like 'yeah, I know who he is: director Bong Joon-ho'. And I was like 'oh yeah, yeah'. And she's like 'you don't know who he is, do you?'. And I'm like 'oh, no, no' — and she's like 'you're an idiot, you need to watch this, this, this, this, this and this'. And I was like 'okay, I will, I will'. [caption id="attachment_994759" align="alignnone" width="1920"] Okja, Netflix[/caption] So I went home when Cannes finished and I watched the films. And I was very happy that I didn't know who he was when I met him, because I think I would have been very shy because the films were incredible. Anyway, I was a bit naive. It was the first thing I'd ever been to outside of Australia to do with work, and I thought it was a nice gesture and nothing more. So years go by and we get a phone call, and he'd like to meet for me to work on Okja. I was on a plane the next day. He said 'I'm in LA, I'd love to meet you. I've got this film. I think you'd be great in it'. I'm like 'can I get there quicker?'. So I got on a plane and we met, and I think he'd already cast me in his mind, but he just was doing an energy check. He wanted to see, just to see, I think — he doesn't just cast the people he thinks are going to be great in the film, I think energetically he wants to put together an ensemble of people, not just in front of the camera but behind the camera, who are going to work best to make the film come to life. And I think he knew from meeting me that that might be a good thing. So, obviously you don't know until you do it, but I guess he trusted his intuition. And not long after that I got offered Okja. And then, I get a call out of the blue while I haven't had much work — it's 2022, I haven't had much work or I'm in-between jobs, and I think a couple of things have been pushed, and I'm about to go to start a job on a film. And I get this call from his American producer Dooho Choi, who was a friend of mine because we worked together on Okja, and he says 'hey, Bong wants to work with you again'. I thought he was joking and just having a laugh, and he was like 'no, no, I'm in London and you need to get here'. And I was like 'oh'. So then that happened, and I went to London a couple of months later and I got to do the thing — again. So I'm feeling very blessed and very grateful that I that I got to do it, not just once but twice, because I felt a lot more comfortable the second time working with him in the way that he works. And, of course, with the brilliant people that he brings together to make his very unique, excellent films. So I felt like part of the family the second time. There's a lot of co-collaborators that he worked with again, so I got to be part of that family again and we got to reunite and work together again, and I felt a lot more comfortable in my skin this time." On the Theme of Exploitation Continuing to Recur Across Bong's Career, Including in Okja and Mickey 17 "I think he's a very socially aware guy. I can't speak to what his reasons are, really — he's a very open and lovely human, but I haven't talked in-depth with him about how he came to do [this], because, as you say, there are themes that he, in every one of his films, these themes sort of show up. And I haven't really had a chance to talk in depth about that with him. So that, I couldn't speak to that, other than I think he sees the absurdity in humanity, and while it moves him to, I assume, sadness at times, he just sees the hilarity in the indifference. And I think what he's trying to do — and again this is my take on it — I think what he's trying to do is to show us there's a better way through the absurdity. I think that means a lot to him. I mean, he came out of — again, you'd have to speak to him, but this is my assumption knowing a little about the history — he came out of a military dictatorship, like in 1988 that was thrown over in Korea, and Korea came into this sort of industrial boom, which made people start having a bit more equity across the board and more finances to consume things. And he is the result of that, in that he can now comment on his experience through his art. And he does it so uniquely and so brilliantly. But I think the thing is, it's a lofty goal, but I think the hope when you make something and you spend so long doing it and you commit your life to doing it is to show people that there is a better way. That we can — because there are good people in every one of his films, right? And a lot of the darkness, he shows through absurdity. And you're right, there are some really dark moments in this film in the way that we treat the original habitants, the aliens, of this planet Niflheim, and the way that we treat the expendable, Rob Patterson's characters — character or characters — and the class system within this this spaceship. He's constantly making fun, not just of the people who are being awful, but the people down the scale. So I think that's the goal. Again, this is just me surmising. But that's what I receive when I see his work outside of the work that I've been involved in myself, is that you're pointing out to us that there's a better way — and look how silly we are as a race when ego and hubris and self-interest gets involved. And community is much better together rather than at odds." On Being Part of Such a Stacked Cast — and the Energy That His Co-Stars' Committed Performances Gave Henshall for His Own "It's so much fun, because those guys are so committed to what they're doing and what they're being asked to do by Bong, that it helps inform what you're supposed to do and where you're supposed to be as the character, and how you're supposed to respond to something — whether that be physically, emotionally or verbally. And so when people are giving you so much; I mean, Rob gives so much, Mark gives so much, Toni gives so much, Naomi gives so much. Everybody was coming to work wanting desperately to make this work. And everybody has such a different energy level. Everybody is such a unique, standout character for their moments. The scientists with Cameron Britton and Patsy Ferran, at odds with each other, that classic dynamic. Steven Yeun — Steven Yeun blew me away. Again, everybody's giving their personal story so much value. And our commitment that when you step into that soup or that mesh, you feel it, the energies are pushing and pulling you, and you know what you're there to do, what you're supposed to do there, what you've been asked to do and your intentions. So to play those intentions within that sort of tête-à-tête coming at you and you're responding to it, it's so much fun. You're in such good hands with the crew and Bong behind the camera. I can only speak positively about it. It's just so much fun. Even though he's very prescriptive and he has the film in his head — he only shoots the frames that he's going to use in the edit. So that might interrupt your speech or that might interrupt the dialogue. You only might get a chance to respond at one certain moment. You don't get to play the whole scene out on camera. And he knows exactly what he needs for that, so he might direct you in a certain fashion, and he'll show you the storyboard, and so you get an idea of what you're supposed to be physically — but within that he wants you to play and find something that's not within the storyboard, but you have to just hit those mark physically. And when you're getting the response from that you're getting from Rob — I just remember when doing the read-through and Rob was doing that voice, and I'm like 'this is so great, this is going to be so much fun to work opposite'. And then Mark was finding his voice, and I'm like 'these energies are just wild and within the Bong universe — I can't wait'." On What Excites Henshall About Getting to Skew in a Lighter Direction, Even If There's Still Darkness Evident, Than Projects Like Snowtown, The Royal Hotel and Acute Misfortune. "It doesn't have to be a dark turn for me to get excited to do the work, to flesh out of character. I think that's just the stuff that I've been lucky enough to have been thrown, and I really enjoyed investigating why men like those roles from those films that you mention, to question and investigate why these guys are the way they are and then try to portray that as best I can. But anything on any spectrum excites me. The thing with Preston in this film, Bong's world, there's always a sense of playfulness and absurdity and commentary, and you don't necessarily play that but you lean into the idea of it — and that's really exciting. And I cherish to be able to flesh something like that out in his world. Anything that comes along that is lighter or more comedic, too, that's a different type of challenge and a different type of investigation and curiosity. That's really fun to do, too, depending on who you're working with and the story and the context of the character within that story. But working with him — and his characters are arch at times, and you're fulfilling certain tropes within the story for him, but there's a menace to Preston. And an underlying nastiness, an ugliness that I think comes from an ideology that's dark, but it's portrayed in this sort of very humorous observation of people who can be like that, that end up working for or being part of a belief system. In Preston's terms, it's in with this sort of corporation church, and there are some uglier elements there that we don't delve into but are quite obvious if you look at them hard enough. And that's really fun and it's zany — you know, he's wearing a £2000 suit on a spaceship. Why does he look like that? Where did that come from? Who is he? Bong said to me, the first time we met and talked about this film and this character, he said 'I want you to be shiny and smell like shampoo. You've got no hair, but I want you to be shiny and smell like shampoo'. So that excites me. What does that mean? That's very fun, and inspires the imagination and your curiosity. And then at one point, he said to me 'you think you're Mick Jagger. Nobody knows this. You don't show it. But that's what's happening internally for you'. And again, whatever that means, that's a really fun, exciting thing to play within the context of the dynamics between Mark's character, my character, Toni's character, Rob's character. What a fun direction. What a fun note to give. And then there's the intentions, I think he's trying to influence heavily without offending someone who is obviously very intimidated and insecure but has a great deal of power. And I think he's trying to get in the ear of Marshall as best he can by inflating his ego so as to serve his own mission, which I think is to further his position. So there's a menace and a malice there, and an intention that isn't very light — especially when we're talking about the loss of life, whether it be creeper or human, to get to a certain place. And then you justify that because you have a certain belief in a certain, in god, but it's done in this very sort of absurd way. So all of that excites me." On What Henshall Looks for in a New Project at This Stage of His Career "Well, the people, really. I've been very fortunate to work with some really great people — not just incredible artists or practitioners or craftspeople, but good humans. And I've been taken to some really exciting places that, had I not been in this industry, had I not chosen this career, I wouldn't have gone to. And also the people that are in these places, I wouldn't have met. It's not just fellow film and TV folks — it's people that you meet on the ground wherever you are. So that's been incredible. What excites me about a new project is the possibility of new friendships and new collaborations, and also the possibility to apply everything that you've learnt from the past experiences. Every job is similar in context in many ways and you can rely on those things, but the variables are different — it's a different crew, perhaps, or different people that you don't know yet how they work, what makes them tick, how best to fit into the job, how best to form a relationship with them to get the best out of you and them. That's all very exciting and terrifying. Is it going to work? Who knows? We don't know until we're doing it and then when we're doing it, you can't really go back and do it again. I know you get the time to do multiple takes, but to really know someone you have to sort of do the time with them, whether it be a director or cinematographer, a crew member, or an actor, writer, producer. Many things. [caption id="attachment_983107" align="alignnone" width="1920"] How to Make Gravy, Jasin Boland[/caption] So that's all exciting. And to employ all the things that you've relied on in the past and then push yourself into new challenges — that could be location, that could be many things. The role, the people you're working with, opposite, as an actor, it's all new and exciting. So I enjoy that challenge. Also, obviously, the depth of the scripts and the role that you get to play — and what part of your experience do you get to employ or get to use? Hopefully it's something fresh. And as you grow, you have new experiences and new perspectives, so you get to play things differently, I suppose. [caption id="attachment_994760" align="alignnone" width="1920"] Okja, Netflix[/caption] And the opportunity to be working. Just working. It doesn't happen for all actors, as you know, and it's a very fickle thing. And you can be working a lot and then you don't work for a while or you don't work at all. So there's the joy of working, which I adore. And I adore what I do, so I really love all that. The chance to play something different, as you sort of intimated. Some of the stuff that I've done in the past has been very dark. I think more recently, I've done stuff that's been less dark. I've played less-troubled people or people who have exorcised some of the darker parts of themselves, have been better human beings, I'd say — or more-loving human beings. So that's been really fun. I played something quite comical recently, that's been really fun. I'm just enjoying the different parts of myself that I get to peruse, too, then put in place with whatever character presents. But yeah, the people and the challenge of the work and all the different variables, that's what excites me. I think it's a multi-faceted answer." [caption id="attachment_994745" align="alignnone" width="1920"] Alex Vaughn[/caption] On What Henshall Makes of His Journey as an Actor So Far "I think I'm incredibly fortunate to have worked with the people that I've worked with and worked on some of the projects I've worked on. I've been taken all around the world. I've met some of the great, really great people, not just as practitioners but as humans. I've gotten to work on projects with director Bong. I've gotten to work with Justin Kurzel. I've gotten to work with Emma Freeman. Kitty Green. I've gotten to work on a television show in America for four years. I've gotten to play some really sinister people with some major issues, both mentally, physically and emotionally, and that's been an incredible exploration of perspective. And I've learnt a lot from that. I've learnt a lot from the people that I've worked with, young and old. It's just been brilliant. I feel very fortunate. I feel very fortunate that I can continue to do it. I feel very lucky. And I hope it continues, because I really enjoy it." Mickey 17 opened in cinemas Down Under on Thursday, March 6, 2025.
The Commonwealth Games are not coming to regional Victoria. One year on from its announcement and just three years out from the event, the 2026 games are going to have to find a new host after Victorian Premier Dan Andrews announced his government had pulled the plug on hosting the global sporting event. In a press conference on Tuesday, July 18, Andrews announced the decision had been made after the reported cost to host the games had nearly tripled since it was first budgeted for back in 2022. "What's become clear is that the cost of hosting these games in 2026 is not the $2.6 billion that has been budgeted and allocated," said Andrews. "It is, in fact, at least $6 billion and could be as high as $7 billion. "[This] is well and truly too much for a 12-day sporting event. I will not take money out of hospitals and schools to fund an event that is three times the cost as estimated and budgeted for last year." The plan for the 2026 games was to share the event between four regional hubs – Geelong, Bendigo, Ballarat and Gippsland – each with their own athletes' village and sports program. [caption id="attachment_831273" align="alignnone" width="1920"] Robert Blackburn, Visit Victoria[/caption] While the games were set to deliver billions in regional upgrades and tourism, the state government has instead announced a $2 billion+ regional fund. This will invest in sporting facilities, tourism, community sport and social and affordable housing across the state's regional areas. Included in the package is a commitment to deliver the facilities promised to these regional hubs as part of the 2026 games. As well, 13,000 new homes that will be built across regional Victoria. Andrews promised that the Victorian Government had "looked at every option", including moving the games to Melbourne. However, all alternatives far exceeded the original $2.6 billion budget. The premier said talks with Commonwealth Games authorities had been amicable and productive, but no plan for where the games would now be hosted was announced. Neither the Commonwealth Games nor Commonwealth Games Australia have made an announcement yet. Australia only recently held the games, back in 2018 on the Gold Coast and still has a massive sporting event on the horizon, with the 2032 Olympic Games already locked in for Brisbane. Bit of a long one this morning. You might have heard the news this morning that Victoria will no longer be hosting the 2026 Commonwealth Games. And I wanted to tell you about the decision. — Dan Andrews (@DanielAndrewsMP) July 17, 2023 The Commonwealth Games will no longer take place across Geelong, Bendigo, Ballarat and Gippsland in 2026. Head to Victorian Premier Dan Andrews' Twitter for a full run-down of why the government has pulled the plug.
If you're already making travel plans for next year, you might want to consider a destination close to home: New South Wales' Lord Howe Island. Located 600 kilometres off the state's northern coast, the UNESCO World Heritage-listed spot has just been named one of the best places to visit in 2020 by travel publication Lonely Planet. The only Australasian location to make the list, Lord Howe Island ranked fifth in Lonely Planet's rundown of top regions, which forms part of its Best in Travel 2020 guide. The publication heaped plenty of praise on the NSW spot, noting that the "visually stunning island makes an instant impact on the senses". It also called out Lord Howe's "soaring green mountains", "perfect lagoon", "perfect crescents of beach" and "splendid hiking trails" — as well as calling it "a shining example of sustainably managed tourism". If you haven't yet experienced Lord Howe's wonders for yourself, only 400 people are allowed to visit the island at a time — which is why its approach to tourism earned a specific mention. That means you won't have too much company when you're trekking up Mt Gower's 875-metre one-day climb, swimming among 60 species of coral and more than 500 species of fish, surfing at Blinky Beach, visiting the world's largest sea stack or sleeping in a rainforest. [caption id="attachment_747140" align="alignnone" width="1920"] Zach Sanders[/caption] On the top regions list, the Aussie spot was in great company. The Central Asia's Silk Road took first place, Le Marche in Italy nabbed second, Tohuku in Japan ranked third and Maine in the USA came in fourth. Further down the rankings, China's Guizhou Province took sixth spot, followed by Spain's Cádiz Province, Northeast Argentina, the Kvarner Gulf in Croatia and the Brazilian Amazon. Lonely Planet also compiles lists of top cities, countries and best-value places to visit; however, no Aussie or NZ spots ranked among the selections. Salzburg in Austria was named the best city, Bhutan topped the best countries and East Nusa Tenggara in Indonesia emerged victorious among the publication's best-value picks. You can check out Lonely Planet's full Best in Travel 2020 lists over here. Images: Zach Sanders.
Feeling bold to start 2023? Brave? Fearless? Ready to take on a new year, embrace life and show your spirit? That's the standard January vibe, but this year has a colour to match: Viva Magenta, aka the hue of the year according to the Pantone Colour Institute. Each year, Pantone's colour experts pick a tone for the 12 months ahead. As announced back in December 2022 but supremely relevant now that 2023 is actually here, its latest selection is Pantone 18-1750. This hue from the red family — a colour that Pantone says "vibrates with vim and vigour" — is meant to both set the trend for and sum up the year ahead. Pantone is never short on words for its picks of the year, and has also dubbed this tone as "a pulsating colour whose exuberance promotes a joyous and optimistic celebration, writing a new narrative". Viva Magenta is meant to be powerful and empowering, too, and a colour that "revels in pure joy, encouraging experimentation and self-expression without restraint — an electrifying and a boundaryless shade that is manifesting as a standout statement". View this post on Instagram A post shared by PANTONE (@pantone) "Viva Magenta welcomes anyone and everyone with the same verve for life and rebellious spirit. It is a colour that is audacious, full of wit and inclusive of all," Pantone's announcement continues. Explaining the decision, Pantone Colour Institute Executive Director Leatrice Eiseman said that the tone has a natural, primordial, galvanising feel to it. "Viva Magenta descends from the red family, and is inspired by the red of cochineal, one of the most precious dyes belonging to the natural dye family as well as one of the strongest and brightest the world has known." Expect to see all things Viva Magenta popping up around the place throughout 2023, with Pantone suggesting how it can be used in fashion and accessories, home decor, design and beauty, too. The new shade takes over from 2022's Very Peri, and 2021's Ultimate Gray and vibrant yellow Illuminating before that. In 2020, Pantone went with Classic Blue, while 2019's colour was Living Coral, 2018's was Ultra Violet and 2017's was Greenery. To find out more about Viva Magenta — and to check out all the previous Colours of the Year — head to the Pantone website.
If spending your days indoors has you feeling nostalgic, that's understandable. As the world reacts to the COVID-19 pandemic, pining for happier times gone by is a completely natural response. So far, you've probably adjusted your viewing — lapping up plenty of retro animated favourites, such as Studio Ghibli's back catalogue. And, thanks to San Churro, you can now send your tastebuds back to a simpler, rosier era as well. The nationwide chain has just launched a new 'throwback edition' range of churro snack packs, which combine its eponymous dish — aka those long, thin, fried-dough pastries — with a number of retro dessert staples. Think churros with fairy bread, churros with chocolate crackles, and churros sprinkled with strawberry and grape Nerds. Each pack comes with mini churros, its chosen nostalgic dessert, your choice of drizzled white, dark or milk chocolate, and either ice cream or strawberries. The fairy bread pack features speckles and white chocolate ice cream, for example, while the chocolate crackle pack keeps the theme going with chocolate ice cream — and the Nerds pack drops its sugary lollies over the pinkest of fruits. If you're not already getting playground flashbacks, San Churro is also hosting 'throwback Thursdays' throughout May, with its snack packs on offer at 90s prices every Thursday from 4–8pm. That'll reduce a $17 snack pack down to $11, with packs available for takeaway, or for delivery via DoorDash, Menulog, Deliveroo and Uber Eats. And, for those who prefer going retro with a warm, milky beverage instead, 'throwback edition' hot chocolates are also on the menu. Yes, that means that you can sip a hot choccy topped with fairy bread, chocolate crackle pieces or Nerds — or choose honeycomb pieces instead. San Churro's 'throwback edition' range of snack packs are available in-store now, with 'throwback Thursday' pricing available every Thursday from 4–8pm until Thursday, May 28. For further information, visit the chain's website.
