We're off the see The Wizard again: in not one but two movies, the first arriving in cinemas in November 2024 and the second in 2025, the wonderful world of Oz is returning to screens. It took a mere two years for L Frank Baum's 1900-published book to reach the theatre, with the debut film version following almost four decades later. Now, 85 years have passed since The Wizard of Oz initially entranced cinemas. Its latest big-screen comeback owes debts to both the page and the stage, but beyond the novel that started it all. Wicked first enchanted in print in 1995, when author Gregory Maguire conjured up an alternative Oz-set tale. Since 2003, it has worked its magic as a Tony-winning Broadway musical, before it too makes the eagerly anticipated leap to picture palaces. The Life and Times of the Wicked Witch of the West, the novel's subtitle, explains Wicked's focus. Whether reading the book, seeing the play or watching the upcoming two features, audiences are whisked into origin-story territory — not only for the green-skinned Elphaba but for Glinda. At the Land of Oz's Shiz University, the pair meet and, despite their differences, cement a friendship. Even before they cross paths with The Wizard, everyone who has ever seen Judy Garland follow the yellow brick road with the Scarecrow, Cowardly Lion and Tin Man knows Elphaba and Glinda's destinies. Giving Wicked the movie treatment: a wide-ranging cast and crew led by director Jon M Chu, with the Crazy Rich Asians filmmaker making his second and third stage-to-screen musicals in succession following In the Heights. On-screen, he's enlisted Emmy-, Grammy- and Tony-winner Cynthia Erivo (Pinocchio) as the misunderstood Elphaba, Ariana Grande (Don't Look Up) as Glinda and none other than Jeff Goldblum (Kaos) as The Wizard, plus Michelle Yeoh (A Haunting in Venice), Jonathan Bailey (Bridgerton), Bowen Yang (Saturday Night Live) and more. Off-screen, a six-time Oscar-nominee — five of them for Christopher Nolan (Oppenheimer) films — also couldn't be more pivotal. When Academy Award recognition comes your way for art direction on The Prestige and The Dark Knight, then for production design on Interstellar, Dunkirk and Tenet — and for Damien Chazelle's First Man as well — jumping to Oz on Wicked's two parts might seem like a massive change. But English production designer Nathan Crowley is interested in world-building first and foremost, and has been ever since his first screen credit on as a junior set designer on 1991's Hook. Also on his resume recently: The Greatest Showman and Wonka. And, he's a veteran of Bram Stoker's Dracula, Braveheart, Mission: Impossible II, Escape From LA, Insomnia, Batman Begins, The Dark Knight Rises, John Carter and the Westworld TV series as well. When you're taking a well-trodden path thanks to multiple books, the Wizard of Oz movie that's been beloved for generations, blockbuster stage musicals, and everything from The Wiz to Oz: The Great and Powerful, you're embarking on an enormous task. That isn't lost on Crowley, he tells Concrete Playground, although the full scope dawned on him slowly. Not only does he need to bring Oz to life beyond the painted backdrops of the Garland-starring film, but he has the job of creating Shiz University — not to mention a field filled with nine-million tulips as part of Munchkinland and a throne room featuring a mechanical version of Goldblum's head, plus various forms of transport, such as by rail, river and air. Ahead of the first Wicked film's release in cinemas — including premiering at Sydney's State Theatre on Sunday, November 3, with Erivo, Grande, Goldblum, Bailey, fellow stars Marissa Bode (a screen debutant) and Ethan Slater (The Marvellous Mrs Maisel), plus director Chu, all in attendance — we also chatted with Crowley about those nine-million flowers, the joy of practical effects, aiming to get audiences to fall into a fantastical world, what he makes of his career so far and more. On How Planting a Field of Nine-Million Tulips in Norfolk Is Symbolic of the Scale of the Task of Bringing Wicked to the Screen "It was the first major challenge for me. My thing is, I love doing things practically because there's a colossal joy to it. So one of the first challenges was: what do all the munchkins do? I need something for them to do in their village. Okay, they're flower farmers and they use the dyes to make colours, because they're colourful people. And so each house, that allowed me lots of scope with the colours of the buildings. So then it was like — and I think it must have been Jon — 'well, what if it's the colours of the rainbow?'. Which is a massive thing. So then what goes in strips of colour? Tulips? You grow tulips in strips of colour. So that's kind of where 'oh we need tulips'. And then it was like 'well, let's grow them'. It was myself and the location manager Adam [Richards, Wonka], who I've worked with many times before. It like 'where can we grow tulips? We can go up to Norfolk'. He found a tulip farmer and was like 'let's go up there and see if we can grow'. I'm going quickly, but there's lots of between. I planted 500 acres of corn in Interstellar in Canada. So I've been a farmer before and I knew if could find the right farmer — and with Adam's help, because ultimately it was crown property; I needed it to be without trees, because in Oz trees are circular. I needed it to be a perfectly large sky, a tulip sky. So we found Mark the farmer, who's just simply brilliant, and he got us our bulbs. Then I had to go back to the production and explain: 'we have a field, we have permission from crown properties to plant, you need to write a check for tulips. You've got to get them from Holland. And we've got to get them in the ground quickly before it freezes'. When you're a flower farmer, you've got to get the bulbs in the ground. And so there's a lot of umming and aahing, and it was difficult, but I think it set the pace of what we were trying to achieve. And Jon, and Donna Langley from Universal, was very into it. She was like 'I love it. Let's do it'. We planted them and we got to know the farmer. He was into it, and we got the colours — and it was just a great life experience. You need to step out of your department occasionally and get into the real world. So, practical filmmaking. So that started it off, and then of course, it snowballs. But they all grew, they all worked. It was brilliant." On Valuing Practical Effects in Age Where CGI Is Everywhere in Visual Effects — and Combining the Two "That [CGI] is very powerful tool now. But you have many tools. We have 120 years of filmmaking experience. My thing is if we can make it enough for real, and light it and get real photography, we can tell visual effects what it should look like and their job becomes symbiotic with ours — and we become one rather than working as a line. So I always feel the balance is essential and we can do it. I guess it's so obvious to me that you build as much as you can until you can't foe whatever reasons: landscape, weather, money, time. So you have to balance it — and then if you balance it, and this really goes back to the audience in the cinema, can you not make them not notice how you did it? Can you do a film, especially a fancy film, where they don't pay attention, they're into the film, they're not paying attention, nothing bounces them out, so you fall into the film? Ever since I was little, when I go to the cinema, I want to fall into the telling of the story. And so I believe that we almost have to go quietly — and to do that, I strongly believe you have to do it practically, because if you suddenly cut to visual effects, I think audiences know that. The emotion is taken away from the audience. It flattens it. So if you can make it seamless, I don't want the audience to notice. Because then you're just in it and you're into the emotion of it." On the Massive the Scope in Not Just Bringing One of the 21st Century's Biggest Stage Musicals to the Screen, But Reimagining Much That's Crucial to The Wizard of Oz "I guess I was a little naive about how big Wicked, the stage show, was. I had three daughters who had grown up and they were like 'what, oh my god!'. And The Wizard of Oz, to me, they sit side by side. What was brilliant is that Wicked is the alternative story to The Wizard of Oz — so together, what a piece of cinema. The realisation I had to recreate Oz kind of slowly dawned on me. And that was like 'oh'. It was like 'Jesus, we've got to remake, we've got to figure out Emerald City'. And Emerald City was just a painting on a backdrop, and everyone's childhood, everyone's reimagined what that is — it's very clever. Everyone's filled in all the blanks of what they didn't show you. So we're going to tread on people's nostalgia for Emerald City — and how do we do that? And then you've got the Wicked fans, there's little things that they want in the film, Shiz details, and it's very important. But luckily we had Marc Platt [the film's producer, and also the stage musical's], who's all things Wicked. So he was my constant guide to Wicked. And then Wizard of Oz was just making sure I didn't hurt and I enlarged people's opinion of what Oz is, rather than shrunk it. So, it was a massive challenge. The biggest challenges, the two films in my career that sit as giant design challenges: Wicked and Interstellar. And they both hurt your head. It's not a physical thing, it's like they hurt your design brain. On How the Wicked Set Became the Most Complex of Crowley's Career So Far "First of all, it was the design, because Shiz, there's so many versions of Shiz — the school, Hogwarts, Cambridge, there's all these perceived ideas. So, one, you have to find a design. And secondly, I realised that the first day of school when everyone comes in, we've got no horse and carriages because the animals aren't enslaved. We've got no trains because they belong to The Wizard, and we have to introduce them later. We can't come by airship, because the balloon belongs to The Wizard. There's no cars. So how do you get anywhere in Oz? And then it was like 'oh, we go by a river' — which is a tradition. Of course we go by river. But what that means is the set, we have to build a giant water tank for the set so we can row the boat into the Shiz courtyard. And of course I like everything practically, so it's like 'we've got to build a giant water tank that takes seven days to fill'. And that was a challenge because, if you know about practical filmmaking, there's never been a tank that didn't leak. So you have a servicing problem with it. Every tank always leaks. Then Shiz for me was about finding architecture. The Wizard of Oz is an American fairy tale, so I need Americana, so White City of Chicago, 1893 World's Exposition, those giant Burnham and Root arches. I need to put some Americana in it. I need to put the scale of America in it. But then I need the nostalgia of every great ancient educational facility. So I need you to, when you walk into to Shiz, you feel this sort of ancient learning vibe. I need to take architecture from all over the world and change the materials of it, and try to blend it — from onion domes to Venice staircases. So I was really trying to make it fantastical, but familiar. So when you watch it, you'll see something that's kind of familiar to you. And if you've been a tourist in in Italy, you'll feel it a bit — or if you've been to Spain, to the Alhambra, you'll feel it a bit. Or maybe a little bit of Melbourne. Not much Georgian architecture, I'm afraid. On the Once-in-a-Lifetime Opportunity of Building a Throne Room Around a Mechanical Version of Jeff Goldblum's Head "It was so exciting. Every film has influenced the last one. So back on The Prestige — and really Bram Stoker's Dracula, we did automatons and mechanics, and we had to puppeteer the head and get expressions. So the joy of realising we had, one, a phenomenal special effects scene. Who could do that? And puppeteer it? And then secondly, okay, we've got the head, and if we could come through the curtain and say 'I am Oz' and put an eye through it, that's exciting. But then you think, 'well, what about the curtain?'. And so we came up with all these string curtains, it's almost like an art installation. We sat there for a very long time with drapers and mechanical people. We'd sit there at the end of the day and try all different things. And we had Joss [Carter, Aquaman and the Lost Kingdom], the puppeteer, who was just brilliant. It comes down to just trying something, developing it and and being with the right people. And it's people — you're with all these people, and they're all creative, and the fun out of it is remarkable." On What Crowley Makes of His Career Three-Decade-Plus Career in Cinema So Far — and What Gets Him Excited About a New Project "I think when I look back, I just think 'wow, I got a bit lucky with the people I met'. There's a huge part of luck in if you happen to bump into the right people when you're younger. It's just like if you turn left at a certain time. So I look back at it and wonder 'how did all that happen?'. And I just like to get excited. So what does that mean now? Still to this day, I remember walking on to the old MGM lot for my first day at Hook and there was a ship on stage 27. They built a water tank. There was a ship in it, the Hook ship. It was giant, and it was just like 'this is incredible'. [caption id="attachment_614251" align="alignnone" width="1920"] Interstellar[/caption] So I'm really just looking to world-build. Films like Wonka and Wicked opened those doors — things I've not done before. I wouldn't have said, I couldn't have said to you that I would end up making lots of musicals. To me, that wasn't even in my mind when we were doing Interstellar. 'I do lots of musicals? You're going to do four musicals?' I couldn't imagine that, but they've been some of the most-interesting design jobs I've ever had. So definitely new experiences, new journeys. You've got to keep yourself interested, you especially as you get older." Wicked releases in Australian cinemas on Thursday, November 21, 2024, with limited previews on Wednesday, November 20 — and tickets for the latter on sale now.
Ted Lasso (Jason Sudeikis, Hit-Monkey), Rebecca Welton (Hannah Waddingham, Smurfs), Keeley Jones (Juno Temple, Venom: The Last Dance) and Leslie Higgins (Jeremy Swift, Snow White) all sit in a diner booth looking adoringly at each other: that's it, that's your first glimpse at Ted Lasso season four. The heartwarming Apple TV+ hit comedy is now officially back in production, after a new season was locked in earlier in 2025. And no,"we're not in Richmond anymore" — at least initially. The streaming platform has unveiled a first image from the series' fourth season, and also dropped a "now in production" video that matches the filming of the moment that the still is from with some behind-the-scenes audio. On YouTube, the clip comes with that Wizard of Oz-paraphrasing note about the setting, too, aptly given that Lasso is famously from Kansas. If you've been believing that more Ted Lasso would be on the way ever since the kindhearted show seemed to wrap up its storyline for good at the end of the third season, that faith has proven well-founded — and here's more proof. Sudeikis is back in his two-time Emmy-winning role, donning the American college football coach-turned-English soccer manager's moustache again. While only Waddingham, Temple and Swift are also in the debut image from season four, they're not the only fellow returning cast members. As The Hollywood Reporter confirms, Brendan Hunt (Bless This Mess), aka Coach Beard, is back both on-screen and among the new season's producers — a behind-the-camera role he also held in the first three seasons — and Brett Goldstein (Shrinking) is also doing double duty, reprising the part of Roy Kent and executive producing. These familiar Ted Lasso faces will have company from a number of new cast members, with Tanya Reynolds (The Decameron), Jude Mack (Mission: Impossible — The Final Reckoning), Faye Marsay (Andor), Rex Hayes (getting his first screen credit), Aisling Sharkey (Jurassic World Dominion), Abbie Hern (My Lady Jane) and Grant Feely (Chicago PD) all joining the series. The latter is now portraying Ted's son Henry. And no, that "we're not in Richmond anymore" description won't prove true for long, with Ted Lasso season four set to chart its namesake's Richmond comeback to coach a second-division women's team. As Sudeikis noted when the new episodes were announced, "as we all continue to live in a world where so many factors have conditioned us to 'look before we leap', in season four, the folks at AFC Richmond learn to leap before they look, discovering that wherever they land, it's exactly where they're meant to be". There's no trailer yet for Ted Lasso's fourth season, but check out Apple TV+ "now in production" video below: Season four of Ted Lasso will stream via Apple TV+ — we'll update you when a release date is announced. Read our full review of season two and season three, our interview with Brendan Hunt and our chat with Bill Lawrence, who co-developed the series.
Fashion isn't the first industry that most rugby stars choose post-retirement. For Lewi Brown, however, it was a chance to channel his creative streak into a self-run project. Earls Collection is an elevated menswear label that creates nostalgic and sport-inspired looks. Now in its sixth year, the brand is going from strength to strength with new collections and its Paddington brick-and-mortar store. We caught up with founder Lewi Brown in Sydney to learn more about Earls Collection and why it's helping him find the community he lost after leaving the NRL. Founded just days after retiring from the NRL in 2018, Earls Collection represents a strong family connection for the Māori creative director. Lewi grew up as the child of a single mother and used his creativity to get by. While it would be decades until he explored the fashion world seriously, Lewi always had a creative streak, crediting skaters as his ultimate sport and style inspiration. "I had to get creative with what we had," he says. "We didn't have much money so I wasn't wearing designer stuff. Half the time I was wearing my aunty's skate shoes, my sister's skate shoes, just to try and piece things together. As I grew up, I started to embrace the creativity of dressing." The name also ties to Lewi's family legacy. Earls is the middle name of Lewi, as well as his father and grandfather, both of whom passed by suicide. "This brand is built off mental health [awareness]." Now, Lewi is channelling a whole new community using the creativity he didn't know he had as a child. Through working with creative collaborators on shoots or via the face-to-face relationships built in the Paddington store, Earls Collection is helping foster a sense of community that can often be lost when leaving an institution such as the sporting world. [caption id="attachment_1028531" align="aligncenter" width="1920"] Declan May - Galaxy Z Flip7 is featured[/caption] "When I played rugby league, community was huge. You had your community within the boys at training each day, then the wider community, then the fans." As a business owner, the founder and creative director has to wear many hats, but Lewi loves the juggle and credits tools such as the Samsung Galaxy Z Flip7 to his creative drive and success. From booking meetings on the fly to campaign photoshoots and helping make styling and business decisions, the phone is supercharged by Google Gemini*, making it even easier to run his self-made brand. "I always knew it would be a challenge. Some days I'm logistics, some days I'm designing, some days I'm in the warehouse packing orders. When you love something, and you're so passionate you'd do anything for it," he says. In addition to his familial and community inspiration, Lewi often looks to vintage stores and clothes to help inspire Earls Collection's aesthetic. During our catch-up, Lewi takes us to the consignment store SWOP Darlinghurst. "The most beautiful thing about vintage wear is that you can't emulate that. The textures of the fabrics [get] better with age and time and patience. That's the beauty about thrift shopping." While many celebrity ambassadors take on similar projects to chase fame and money, it's clear that the sporting community spirit is at the heart of Earls Collection. "I'm not just here for money or fame or to have a profile. I'm really passionate about clothing." Explore more at Samsung. Images by Declan May If you or anyone you know is experiencing emotional distress, please contact Lifeline (131 114) or Beyond Blue (1300 22 4636) for help and support. *Gemini is a trademark of Google LLC. Gemini Live feature requires internet connection and Google Account login. Available on select devices and select countries, languages, and to users 18+. Fees may apply to certain AI features at the end of 2025. Editing with Generative Edit results in a resized photo up to 12MP. Accuracy of results is not guaranteed. Flex Mode supported at angles between 75°and 115°. Some apps may not be supported in Flex Mode. Gemini is a trademark of Google LLC. Requires internet connection and Google Account login. Works on compatible apps. Features may differ depending on subscription. Set up may be required for certain functions or apps. Accuracy of results is not guaranteed.
Speculation or humanity's certain future? Thinking about which of those two options best fits MIRRORSCAPE is part of the experience of viewing Théo Mercier's latest work. The end of the world has arrived at Mona. Where a library once sat, sand and water has been shaped into a debris-strewn post-disaster landscape. It's all in the name of art, of course — Dark Mofo is still on the calendar for 2025; after becoming the first museum in the world to receive Wu-Tang Clan's rare Once Upon a Time in Shaolin album on loan earlier in 2024, the Tasmanian gallery hasn't dropped the mic and said goodbye — but as the piece's title makes plain, MIRRORSCAPE just might be a reflection of what's to come. Making his Australian debut, French artist Mercier has moulded 80 tonnes of Tasmanian sand into a vision of life overrun by catastrophe — and as it displays for 12 months, his giant sand sculpture will keep changing. First announced in late 2024, when it was initially called DARK TOURISM, the artwork was unveiled on Saturday, February 15, 2025. It'll show Monday, February 16, 2026, and the sand within it will do what sand does over that period: erode. "The earth shuffles and trembles. It is a collection of catastrophes and its surface bears witness to the natural and political changes — and cataclysms — that pass through it," explains Mercier about the piece. "In this work, devastation finds itself petrified in the stone, as if we opened a mountain here in Tasmania and discovered the great fossil of a disaster. We don't know whether this would have happened in the past or if it's a foreshadowing of the near future." "MIRRORSCAPE is a conflict suspended in time, quarantined inside a panoramic cell that recalls the scientific laboratory or a vivarium. It is something to be studied at a distance." Featuring sandy recreations of old utes, other upturned vehicles, mattresses, cushions, clothing, bricks pipes and much more, MIRRORSCAPE undeniably looks like the aftermath of the worst occurring, and unsurprisingly makes a statement about planet's changing climate — plus humanity's role in it, and in natural disasters. "Crafted entirely from Tasmanian sand, Théo's work is a reflection of the fragile and temporary nature of the world around us, and of life itself," notes Mona Curator Sarah Wallace. "I hope visitors will be drawn in by the intricate detail in this captivating installation, while considering the questions he raises about our ecological predicament." The piece originated from a trip to the Apple Isle by the artist. "When Théo was last in Hobart he said he was 'going for a walk'. He walked to the top of kunanyi. He's back, and he'll be doing something just as mad at Mona," added Mona Owner and Founder David Walsh. Given how it'll change over the course of 12 months, you won't want to see MIRRORSCAPE just once — if you can fit in two trips to Mona between now and February 2026. MIRRORSCAPE is on display at Mona, 655 Main Road, Berriedale, Tasmania until Monday, February 16, 2026. Head to the venue's website for more information. Images: Mona/Jesse Hunniford. Courtesy of the artist and the Museum of Old and New Art, Hobart, Tasmania, Australia.
Visiting a zoo, checking out all creatures great and small, then going home to slumber in your own bed: that's one way to get an animal fix. But menageries around the country have started offering more than just a day trip — with Taronga Zoo home to a wildlife retreat, as well as its own glamping experience; Melbourne Zoo letting folks stay overnight in its elephant exhibit; and Queensland's Australia Zoo now launching its own cabins. If this news sounds familiar, that's because the move was first announced back in 2019, with an opening date of 2020 originally planned. Obviously, we all know what's been holding life in general up over the past few years. So if you're keen for a sleepover among the animals at the Irwin family's Beerwah zoo, The Crocodile Hunter Lodge is now up and running. Guests can choose from eight rustic cabins, complete with roomy decks that peer out over the site's bushland surroundings — and at the wildlife within it. Indeed, the zoo is calling the whole Crocodile Hunter Lodge setup a "multi-species habitat". As well as the cabins' various human visitors, red kangaroos, emus, echidnas and koalas that were affected by the 2019–2020 summer bushfire season also call the venue home. Fancy keeping an eye out for animals while taking a dip? The Billabong, the Crocodile Hunter Lodge's 25-metre infinity pool, also looks out over the native wildlife. Unlimited Australia Zoo entry — where more than 1200 animals await — and a peek inside the Australia Zoo Wildlife Hospital comes with every stay as well, for every guest. Back in the cabins, which are made out of timbers recycled from the zoo's famous crocodile viewing grandstands — which Steve Irwin built himself — you'll find a queen bed and two singles; a kitchen equipped with a fridge, microwave, cooktop and dishwasher; and a lounge with a TV. There's a dining space on the verandah as well and, to munch on while taking in the breeze, each booking comes with a breakfast pack, too. And, you'll also score a welcome gift. A stay doesn't come cheap, though, with prices starting at around $949 for an overnight visit for two adults. If you're keen on a restaurant feed, The Crocodile Hunter Lodge opened alongside the zoo's new Warrior Restaurant & Bar — and it's welcoming in lodge guests and general punters for breakfast, lunch or dinner, and also for group bookings in its private dining room. The focus inside its charred timber-clad walls: Aussie cuisine, locally sourced ingredients, and paying homage to Indigenous Australians and the plants that have long been part of First Nations diets. Breakfast options include haloumi and corn fritters with poached eggs, corn and tomato salsa, avocado, fresh herbs and tahini yoghurt — plus cranberry and pecan granola, with Maleny cane sugar yoghurt, bee pollen and berry compote. The lunch lineup features duck liver parfait with kumquat chilli marmalade and toasted brioche; salmon rillettes with toasted sourdough, capers, cucumber and, pickled shallots; and a selection of sandwiches. And, for dinner, there's pan-fried snapper, blue pumpkin and rosemary risotto with wattleseed crumb, and river mint-crusted Tasmanian lamb loin — among other dishes. At the bar, a small snacks offering helps line the stomach — think plates with cheese, ham and quandong chutney — while the wine menu spans three pages. Opening The Crocodile Hunter Lodge, Terri Irwin said that "Steve always had a dream that one day, people would not just visit Australia Zoo, but stay overnight, and have the immersive experience of listening to and being around wildlife after dark." She continued: "it was so important for us to make his dream come true through the opening of The Crocodile Hunter Lodge. This stunning luxury accommodation is surrounded by our conservation work, providing a home to endemic wildlife species while further continuing Steve's important legacy." Sustainability and conservation is a big focus of Australia Zoo's new addition, with the grounds featuring more than 3000 native trees and shrubs, including greenery that provides food for species such as the endangered glossy black cockatoo. "By building this luxury accommodation with lush bushland around for our animals, we are achieving Dad's vision of a world where humans and wildlife can peacefully coexist, making this planet a better and more harmonious place for future generations," said Robert Irwin. Find The Crocodile Hunter Lodge and Warrior Restaurant & Bar at 88 Irwin Road, Beerwah, Queensland. For further information, visit the venue's website.
Which film can boast besting a Yorgos Lanthimos and Emma Stone collaboration, a Silver Bear-winner at Berlinale, and the 2023-defining duo of Barbie and Oppenheimer? Only one: Italy's There's Still Tomorrow. First, the melodrama defied the Barbenheimer phenomenon to top the box office in its homeland last year. Now, the hit flick has beaten Kinds of Kindness — aka Lanthimos and Stone getting weird again after The Favourite and Poor Things — and ten other movies for 2024's coveted Sydney Film Festival Prize. Actor Paola Cortellesi (Petra, Don't Stop Me Now) both stars and makes her directorial debut with SFF's cream of the crop for 2024, earning the event's $60,000 cash prize for her efforts. Set in post-Second World War Rome, There's Still Tomorrow follows a wife and mother who dreams of a different future, with the feature no stranger to accolades. At the David di Donatello Awards, Italy's equivalent of the Oscars, it took home six gongs in May. (And if you missed it during's SFF official dates, it's among the fest's encore screenings between Monday, June 17–Thursday, June 20.) Tasked with rewarding "audacious, cutting-edge and courageous" filmmaking, the 2024 jury comprised of Bosnian writer and director Danis Tanović (The Hollow), Indonesian director Kamila Andini (Before, Now and Then), US producer Jay Van Hoy (The Lighthouse), Australian producer Sheila Jayadev (Here Out West) and Aussie director Tony Krawitz (Significant Others) picked There's Still Tomorrow for welcoming "audiences into one of the historic cradles of cinema". "Set in post-war Italy, Paola Cortellesi's debut feature C'è ancora domani (There's Still Tomorrow) feels intensely relevant today. We relive every woman's struggle for equality through Cortellesi's Delia, we face the brutal cycles of domestic violence with an immense empathy that ultimately proclaims and affirms the virtues of democracy," they continued in a statement. "C'è ancora domani deftly weaves humour, style and pop music into a dazzling black-and-white cinematic event, then it delivers an ending that will take your breath away." There's Still Tomorrow joins an impressive list of past SFF Prize-winners, including Moroccan documentary The Mother of All Lies in 2023, Lukas Dhont's Close in 2022, Mohammad Rasoulof's There Is No Evil in 2021 and Bong Joon-ho's Parasite in 2019. Before that, The Heiresses (2018), On Body and Soul (2017), Aquarius (2016), Arabian Nights (2015), Two Days, One Night (2014), Only God Forgives (2013), Alps (2012), A Separation (2011), Heartbeats (2010), Bronson (2009) and Hunger (2008) have all taken out the accolade since its inception. 2024's recipient was announced at this year's closing event, where body-horror The Substance made its Australian premiere and the rest of the film festival's annual prizes were handed out. Another big winner: 11-minute short film First Horse. Hailing from New Zealand filmmaker Awanui Simich-Pene, it received SFF's first-ever $35,0000 First Nations Award. "Members of the jury were thrilled with the quality and variety of the works programmed for the inaugural First Nations Competition, noting the power and beauty in the collection of these storytellers' films which represent all types of cinematic art. The jurors also celebrate the launch of this meaningful prize and congratulate the Festival for making it a reality," said producer and programmer Jason Ryle (Amplify), Australian First Nations producer Erica Glynn (True Colours) and Aussie producer Kath Shelper (The New Boy). "In awarding the winning work, the jury recognises its originality, elegance, and cinematic achievement in story and form. In a few short minutes, the talented creative team has crafted a deeply impactful film with a resonant emotional punch." The fest's annual shower of love also covers films focused on sustainability, Australian documentaries and shorts. SFF's fourth-ever Sustainable Future Award, which now hands out $40,000, went to documentary Black Snow about the Siberian eco-activist who has earned the nickname the "Erin Brockovich of Russia". The Feast and Wilding received high commendations. Welcome to Babel, which puts Chinese Australian artist Jiawei Shen at its centre, took out the $20,000 Documentary Australia Foundation Award for Australian Documentary. In the Dendy Short Film Awards, Die Bully Die won Best Australian Live Action, while the Yoram Gross Animation Award for Best Australian Animation went to Darwin Story. Say picked up two prizes, the AFTRS Craft Award for Best Practitioner for screenwriter Chloe Kemp and the Event Cinemas Rising Talent Award for lead actor Bridget Morrison. And the Rouben Mamoulian Award for Best Director went to Pernell Marsden for The Meaningless Daydreams of Augie & Celeste. The 2024 Sydney Film Festival ran from Wednesday, June 5–Sunday, June 16, with the festival screening four days of encores until Thursday, June 20.
Fancy reliving your childhood film favourites on the stage? That seems to be the current trend. Harry Potter and the Cursed Child is doing big business in Melbourne, the Charlie and the Chocolate Factory musical has been taking its golden tickets around the country, and now Shrek the Musical is bringing its all-singing, all-dancing version of the animated movie franchise to Sydney, Melbourne and Brisbane. Expect plenty of green when this Tony and Grammy award-nominated stage show finally makes its way to our shores, after first premiering on Broadway back in 2008. Since then, everyone's favourite ogre has sung his way through theatres in the UK, Asia Europe, Canada, Latin and South America, Israel and Scandinavia. Although exact dates haven't been revealed, the character originally voiced by Mike Myers will bound across the Sydney Lyric Theatre at The Star from early January 2020, then hit up Her Majesty's Theatre, Melbourne and the Lyric Theatre, Brisbane. You know the story, of course — unless you somehow managed to miss the original 2001 Oscar-winning film, its sequels in 2004, 2007 and 2010, and the heap of spin-offs, shorts, TV specials and series that all followed. Based on the 1990 picture book Shrek!, the tale follows the reclusive but kindly titular figure who endeavours to rescue the feisty Princess Fiona from the the fairy tale-hating Lord Farquaad, all while trekking along with a talking Donkey sidekick. Australian cast details haven't been revealed, but Shrek lovers can expect a whopping 19 songs, an obvious colour scheme and plenty of other fairy tale references. Check out the trailer for the production's UK run below: https://www.youtube.com/watch?v=g2VQ2pfXbyI Shrek the Musical will tour Australia from 2020, starting with a Sydney season at the Sydney Lyric Theatre, The Star from January. Complete dates — including for the show's seasons at Her Majesty's Theatre, Melbourne and the Lyric Theatre, Brisbane — are yet to be announced. Sydney tickets go on sale on Friday, July 5, with pre-sales from Monday, July 1. Head to ShrekTheMusical.com.au to join the waitlist, and for further details. Image: Helen Maybanks.
Feel like startin' something? Now's the time to finally perfect your moonwalk—a celebration of Michael Jackson's unique artistry has hit Australia in the form of multiple Tony Award®-winning MJ the Musical, with the Australian Premiere now playing at the Sydney Lyric Theatre. The global touring musical's Sydney stint is brought to you by director and choreographer Christopher Wheeldon and two-time Pulitzer Prize winner Lynn Nottage, supported by Destination NSW. [caption id="attachment_991797" align="alignnone" width="1920"] Image supplied.[/caption] Centred around the making of The King of Pop's 1992 Dangerous World Tour, MJ the Musical offers a rare look at the creativity and collaborative spirit that landed Jackson legendary status. You'll be out of your seats in no time. The musical features 25 hits, including all your favourites like Beat It, Billie Jean and Bad, plus plenty more. If you want the full VIP experience, why not go in the draw to win a bunch of epic experiences? Lucky winners will score four A-reserve tickets to a performance of MJ the Musical on select nights from Sunday, March 9 onwards, two nights of accommodation at Novotel Darling Harbour for a group of four, and a pre-theatre dinner at the Ternary for four people on one night. Winners will also get their hands on the official MJ Program and Merchandise pack and be treated to a backstage tour and meet and greet with some of the cast. Not in Sydney? No worries. We will hook you up with return flights from the nearest capital city. The competition is only open to those in Victoria, Queensland, ACT and New South Wales, and all prize elements are subject to availability. [competition]991802[/competition] Images: Original Broadway Cast, supplied. For more information on MJ the Musical, visit the website.
Brisbane might be situated on the opposite side of the globe to the Amalfi Coast; however, as if you're eager for a local staycation, you can now spend your days lazing around a pool bar like you're in southern Italy. In the latest addition to the Queen's Wharf precinct, The Star Grand Hotel is now home to the Isoletto Pool Club. If the name sounds familiar, that's because there's one at The Star Gold Coast — but Brisbane has scored its very own, complete with three infinity pools. From Saturday, April 12, 2025, splashes and sips seven levels up await — with the catch that you need to be a guest of the 340-room hotel to head by. That's the same on the Goldie, too, so consider that fact motivation to spend a night or several living the vacation life without travelling far. You'll find the Brisbane Isoletto Pool Club and its year-round summer vibes on the Queen's Wharf hotel's leisure deck, where the trio of pools take up 527 square metres combined, the view will have you peering both over the river and at the sunset, and a resort-style feel guides both the food menu and the cocktail list. Also part of the leisure deck for folks staying at the hotel: a gymnasium, sauna and steam room. If you're all about having a swim once you've checked in, you'll be able to do so from 6am–9pm daily in warm waters no matter the season. While Brisbane doesn't get particularly cold even in winter, all three pools are heated. Two will hit 28 degrees as the temperature drops around it, with the swim-up spa pool staying at 32 degrees. Prefer to pick a sun lounge and camp out all day? You can order your bites and drinks from there, whether you're tucking into burrata, Mooloolaba prawn cocktails, club sandwiches or Roman-style pizzas — or margaritas, martinis, a fruit tingle cocktail, another boozy concoction inspired by Toblerones, wine, beer, mocktails or other non-alcoholic choices. The bar and cafe operates from 11am–5pm daily. Given there's three pools to choose from, you can also opt between sitting completely in the sun, a semi-sheltered space and being entirely undercover. Find Isoletto Pool Club at The Star Brisbane, Queens Wharf Road, Brisbane, from Saturday, April 12, 2025, open from 6am–9pm daily — for further information, head to the venue's website.
True Detective started with Matthew McConaughey (The Rivals of Amziah King) and Woody Harrelson (Last Breath) as its leads. Next came Taylor Kitsch (American Primeval), Colin Farrell (The Penguin) and Rachel McAdams (Are You There God? It's Me, Margaret). Mahershala Ali (Jurassic World Rebirth) and Stephen Dorff (Bride Hard) did the honours, too, followed by Jodie Foster (Nyad) and Kali Reis (Rebuilding). And if the world is lucky, Nicolas Cage (The Surfer) could join that list. Variety is reporting that Cage is in talks to star in True Detective's fifth season — which The Hollywood Reporter notes is expected to arrive in 2027. So far, the only details confirmed include that the new episodes will be set in New York's Jamaica Bay area, and that Tigers Are Not Afraid filmmaker Issa López, who wrote and directed every one episode of True Detective: Night Country, is due to return. [caption id="attachment_793116" align="alignnone" width="1920"] Jim Bridges/HBO[/caption] Cage can and has played everyone from Dracula, a man who thinks he's a vampire, himself, a heartbroken lumberjack and an alpaca-milking dad to black-and-white film noir-style Spider-Man, twins, an Elvis obsessive, a terrorist switching faces with an FBI agent, a man everyone dreams about, a serial killer and an Aussie expat who just wants to hit the waves at his childhood beach (and much, much more). A cop on the case in True Detective? It'd be dream casting. The series was renewed for season five after its fourth season dropped in January 2024 and became the most-watched season of the show ever. Across the show's run, it's always been a case of new batch of episodes, new police officers, new case, as the series has been delivering since 2014. "Issa Lopez is that one-of-a-kind, rare talent that speaks directly to HBO's creative spirit. She helmed True Detective: Night Country from start to finish, never once faltering from her own commendable vision, and inspiring us with her resilience both on the page and behind the camera," said Francesca Orsi, Executive Vice President, HBO Programming, Head of HBO Drama Series and Films, back when season five was revealed. "From conception to release, Night Country has been the most beautiful collaboration and adventure of my entire creative life. HBO trusted my vision all the way, and the idea of bringing to life a new incarnation of True Detective with Casey, Francesca and the whole team is a dream come true. I can't wait to go again," added Lopez. There's obviously no trailer yet for True Detective season five, but check out the full trailer for True Detective: Night Country below: Season five of True Detective doesn't yet have a release date, but we'll update you when more details are announced. True Detective: Night Country streams via Max in Australia and Neon in New Zealand. Read our review. Via Variety/The Hollywood Reporter. Top image: Jason Bollenbacher/SXSW Conference & Festivals via Getty Images.
Victoria has no shortage of standout destinations to explore throughout the year — natural, beautiful and sometimes downright surprising. The state is one of Australia's smallest, yet it boasts a diverse array of stunning landscapes, from tumbling waterfalls in the middle of dense forest to ancient volcanic craters teeming with wildlife. Here, we've rounded up eight unexpected natural sights just waiting to be explored. Start plotting some epic adventures around this lineup of must-see Victorian landmarks. Recommended reads: The Best Natural Hot Springs in Victoria The Best Walks in and Around Melbourne The Best Beaches in Melbourne The Best Places to Go Glamping in Victoria [caption id="attachment_785503" align="alignnone" width="1920"] Darren Seiler for Visit Victoria[/caption] Pink Lakes, Murray-Sunset National Park As far as bodies of water go, these ones are what you'd call true show-stoppers. Up in the wilds of northwestern Victoria, the Murray-Sunset National Park is best known for its four eye-catching Pink Lakes, which feature solid salt beds and a vibrant blush tinge thanks to the red algae growing in their waters. With the lakes shifting in colour throughout the day, the vast, flat territory makes for some pretty magical photo ops, especially during sunset and at dusk. You can soak up the untouched surrounds while trekking one of the area's many walking trails, and you can even spend a night onsite at the campgrounds, taking advantage of the open starry skies and lake views. [caption id="attachment_785511" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] The Pinnacle Lookout, Halls Gap Rising up above Halls Gap, The Pinnacle Lookout is The Grampians' crowning glory, in more ways than one. It clocks in at an impressive 720 metres above sea level and boasts some unimaginably good panoramic views to match. The spectacular summit is accessed by a bunch of different hiking trails (starting from a medium-grade 45-minute trek), which'll take you winding through a rugged region of leafy bushland and rocky outcrops. Make your way up to the top and take in those dramatic vistas over the National Park's peaks and valleys. You'll feel like you're standing atop Victoria's own version of the Grand Canyon. [caption id="attachment_785496" align="alignnone" width="1920"] Garry Moore for Visit Victoria[/caption] Buchan Caves, Buchan Some of you might find it hard to get excited about a cave. But this huge subterranean network, filled with majestic limestone formations, really is some exceptional stuff. Carved out by underground rivers almost 400 million years ago, Gippsland's Buchan Caves are the largest of their kind in Victoria, and are also a site of huge Aboriginal cultural significance. You can take guided tours of the two main lit sections, known as Royal Cave and Fairy Cave, winding your way amongst the stalactites, stalagmites and calcite-rimmed pools. What's more, the adjoining Buchan Caves Reserve boasts loads of native wildlife, bushland walks and idyllic picnic spots. You can even make a mini-getaway of it and spend the night at one of the campsites. It's one of our favourite Victorian caves to explore. [caption id="attachment_845835" align="alignnone" width="1920"] Great Ocean Road Tourism[/caption] Tower Hill Wildlife Reserve, Tower Hill If you ever want to see what life is like within a dormant volcano, simply venture a few hours west to the site of Tower Hill, near Port Fairy. Here, a 30,000-year-old volcanic crater houses the Tower Hill Wildlife Reserve, featuring a striking backdrop of cone-shaped hills, wetlands and lakes. And as well as boasting gorgeous scenery and bushwalks aplenty, this one's steeped in history. A significant Indigenous landmark and Victoria's first national park, the site was driven to ruin by early settlers before volunteers restored it to the natural beauty it is today. The crater is also home to scores of native wildlife species — keep an eye out for the likes of koalas, kangaroos and spoonbills kicking around in this unique habitat. [caption id="attachment_785501" align="alignnone" width="1920"] Mark Watson for Visit Victoria[/caption] Californian Redwood Forest, Beech Forest Take a trip out to the Otways' famed Californian Redwood Forest and you'll find yourself quickly enveloped in an otherworldly haven of peace and tranquillity. Created over 85 years ago, this plantation of towering Californian redwoods (Sequoia sempervirens) makes for quite the nature spectacular, with its uniform rows of tree trunks, hushed forest floor and shards of sunlight filtering through the upper branches. Nothing offers a change of perspective quite like taking in the full stature of these arboreal giants on a stroll through the 1400-strong forest. Some of the redwoods reach a whopping 55 metres tall. Enjoy a picnic lunch, hug a few trees and revel in a much-welcomed dose of Mother Nature. [caption id="attachment_785504" align="alignnone" width="1920"] Pennicott Wilderness Journeys[/caption] Skull Rock, Tidal River Victoria lays claim to plenty of famous rock formations, but this skull-shaped number emerging from the waters off Wilsons Prom might just be the coolest. Cleft Island — also known as Skull Rock for obvious reasons — is a giant granite formation near the very southern tip of the state. It's been gradually shaped and smoothed by waves over centuries, and features a giant grassy cave hollowing out one side. For a close-up view, you can (normally) jump on a 2.5-hour cruise, departing daily from Tidal River. And if you're visiting during migration season, you could even spy a few of the area's less eerie residents, including sea birds, dolphins and fur seals. [caption id="attachment_785502" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] Trentham Falls, Trentham As one of the state's longest single-drop waterfalls, Trentham Falls is always a majestic sight to feast your eyes on. And, at a soaring height of 32 metres, we reckon the falls certainly get the tick of approval from TLC. Located within the lush forest of Coliban River Scenic Reserve — about 90 minutes northwest of Melbourne — this impressive water feature looms large against ancient basalt rock, with the whole scene framed by leafy native vegetation. Unfortunately, you're not allowed to get too close, but you'll find the best vantage point from atop the dedicated viewing area, just a short trek from the car park. Take a moment to admire the dancing water, surrounded by shady manna gum and messmate trees, and we promise you'll feel worlds away from the big smoke. [caption id="attachment_785540" align="alignnone" width="1920"] Gillian via Flickr[/caption] The Organ Pipes, Keilor North It's not too hard to see where this unique rock formation gets its name from, with its row of towering cylindrical columns that look like they could just about start pumping out tunes. Gracing the side of a big basalt cliff, the distinctive design was naturally created back in ancient times by cooling lava. Now, it serves as a constant reminder that this region is on the edge of one of the world's largest ancient volcanic lava flows. You'll find the geological gem located within the Organ Pipes National Park, just 30 minutes out of the CBD. While you're there, be sure to catch some of the park's other quirky resident rock formations, including the mosaic-like Tessellated Pavement and another that looks like the spokes of a giant wheel. Top Image: Californian Redwood Forest, Beech Forest.
Movie lovers of Australia, rejoice: New York-born arthouse cinema chain Angelika Film Centre is making the leap Down Under. A film-showing favourite in the US since 1989, starting in Soho and expanding to nine American locations since, the brand is launching its first-ever Aussie location on Thursday, August 24. In fact, when it opens its doors in Brisbane, it'll mark the chain's first picture palace outside of the USA. First announced earlier in 2023, and now set to welcome in filmgoers to its Woolloongabba site, Angelika Film Centre's Australian debut will land in Woolloongabba, in the inner-city suburb's South/City/SQ precinct. On offer: an eight-screen, 400-seat cinema complex that spans 2500 square metres. Three of those screens are SoHo Lounge cinemas, which means full-recliner seating, table service, and access to the SoHo Lounge Bar for wine, spirits and signature cocktails. When it starts ushering in patrons, Angelika Film Centre will screen a heap of current hits, with Asteroid City, BlackBerry and Gran Turismo: Based on a True Story all on its launch slate. Yes, so is Barbenheimer, aka Barbie and Oppenheimer. Plus, viewers can check out advance screenings of Past Lives before it officially releases the following Thursday. And, in excellent news for your wallet, the cinema is doing $10 tickets for all sessions — including SoHo Lounge — across its opening week. The above lineup will be joined by the likes of Theatre Camp, Biosphere, My Big Fat Greek Wedding 3, Ego: The Michael Gudinski Story, A Haunting in Venice and Scrapper in coming weeks, following the style of programming that's served the chain well in the US. In New York, Angelika Film Centre's clout in the independent, foreign and specialty film space has seen it help make titles like Lady Bird, Moonlight, I, Tonya, Pain & Glory and Free Solo box-office hits. Woolloongabba's outpost also has retrospective flicks such as Searching for Sugar Man, Roman Holiday, Fight Club, Fargo and The Third Man on its slate. And, it'll do gin-inspired sessions, with Casablanca, The Great Gatsby and Casino Royale all locked in. "We look forward to joining the Angelika family, and being part of the exceptional reputation that comes with the Angelika name. More so we are incredibly pleased that we get to open our doors in such an impressive and elegant complex as South/City/SQ. We are really looking forward to being part of the community" said Mark Douglas, Reading International's Australia and New Zealand Managing Director, with Angelika Film Centre hitting Australia via Reading Cinemas Group. The venue has been in the works since 2017, and also boasts a lolly station among its snack selection. And yes, it's a case of another week, another Australian-premiere movie experience landing in southeast Queensland, after Event Cinemas launched its 270-degree ScreenX setup on the Robina in mid-August. In Brisbane specifically, new cinemas have been popping up with frequency over the past decade, including New Farm Cinemas, The Elizabeth Picture Theatre, Red Hill Cinemas, Dendy Coorparoo, Reading Newmarket and Reading Jindalee. There's no word yet as to whether Angelika Film Centre has more Aussie sites in its future. Film lovers in other cities, cross your popcorn-grabbing fingers. [caption id="attachment_893537" align="alignnone" width="1920"] Markus Ravik[/caption] Angelika Film Centre will open at level one, 160 Logan Road, Woolloongabba, on Thursday, August 24 — head to the cinema's website for tickets and further details.
Sometimes tour news is so huge and demand for tickets is so feverish that the details change before anyone has even snapped up a ticket. It happened with blink-182's upcoming 2024 tour. It was the same with Lizzo's visit this past winter, and also with The Weeknd's forthcoming trip Down Under from November. Now, it's also proven the case with Zach Bryan's first-ever Australian gig. A Melbourne exclusive, Bryan's Aussie debut was set for St Kilda's Catani Gardens; however, organisers have swiftly realised that that space won't be big enough. So, before tickets even go on sale — with pre sales from 12pm AEDT on Thursday, October 5 and general sales from 12pm AEDT on Friday, October 6 — Bryan's gig has been moved to Flemington Racecourse. The date of the show is still the same: Saturday, December 9. That's when the 'Something in the Orange' singer and Oologah, Oklahoma native will hit the Victorian capital for statewide music celebration Always Live, which runs for 17 days — and also features Christina Aguilera doing a one-off Down Under show, plus exclusive Eric Prydz and Jai Paul gigs as well. Expect the biggest name in country music right now to give his 2022 American Heartbreak album a hefty spin when he takes the stage in Melbourne. Although he released two records prior — 2019's DeAnn and 2020's Elisabeth — his third album marked his major-label debut, and also the reason that Bryan has become such a sensation. Among Bryan's recent feats, American Heartbreak premiered in the top spot on America's Billboard 200. 'Something in the Orange' has now stayed in the charts longer than any single by a male country artist. In Australia, Bryan has earned that same achievement in the ARIA Top 50 Singles Chart for all country artists. And his streaming numbers? In excess of 6.8 billion worldwide. As he's been taking his American Heartbreak tour around the US — including stops at Lollapalooza and Austin City Limits — Bryan has been smashing attendance records, too. So, the Melbourne change of venue isn't that surprising. In his first Australian stint, he'll also have tracks from his latest album to play, with the self-titled Zach Bryan releasing in August. Among the tunes: collaborations with Kacey Musgraves, The Lumineers, The War and Treaty, and Sierra Ferrell. Being brought Down Under by Untitled Group, which is also behind Beyond The Valley, Pitch Music & Arts, Grapevine Gathering, Wildlands and Ability Fest, Bryan's just-announced spot on the Always Live bill is his only currently scheduled gig in Australia. The statewide music celebration's full lineup includes more than 165 artists at 60-plus events — all, of course, in Victoria. Always Live 2023 runs from Friday, November 24–Sunday, December 10, with one pre-festival gig on Saturday, October 14. For more information, and to get tickets, head to the festival website. Zach Bryan will play Flemington Racecourse on Saturday, December 9, with pre sales from 12pm AEDT on Thursday, October 5 and general sales from 12pm AEDT on Friday, October 6.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your text trip. In this instalment, we take you to Wollemi Wilderness Cabins in the Blue Mountains, where Lionel Buckett has constructed the Secret Treehouse overlooking two National Parks and a World Heritage listed rainforest. WHAT'S SO SPECIAL? You'll spend a few nights in your own uniquely designed treehouse looking out over 600 acres of Australian wilderness. It's escapism on stilts. THE ROOMS The private treetop cabin comes with the lot. You have a kitchenette, Queen bed, fireplace and floor to ceiling windows looking out over the Blue Mountains. But our favourite feature has to be the in-floor spa bath. It sits in the corner of the treehouse and has retractable doors all around it so you can decide to either let nature in, or just look out at it from the warmth of your room. We could spend the whole day getting pruney in here. But they only have one treehouse, which fits two guests – and it's pretty damn popular. If you can't book the treehouse, don't be scared off. These guys do have other accommodations on site. They have a few large wooden cabins (and a tipi accommodation) with impressive views over the surrounding area. They aren't adult-sized treehouses, but they are still great for nature lovers. FOOD AND DRINK The treehouse is set up with its own little kitchen so you can be fully self-sustained here. BYO groceries and booze, and cook up a storm. But, we get it, sometimes you just want to be taken care of by someone else when you're on holiday. That's when Caroline comes in. Caroline is a local who runs her own catering company called Come by Chance. All you need to do is ask the accommodation's hosts for some brekkie or dinner — and they'll get Caroline on the case and she'll cook and deliver great meals to your room. Expect a classic chicken parma, tea and scones, or a full English breakfast spread. THE LOCAL AREA Come here to marvel at some classic Aussie bush landscapes. All the cabins are located within Wollemi National Park, which is the largest wilderness area in NSW. Forming part of the Greater Blue Mountains World Heritage Area - Wollemi is made up of a consort of canyons, cliffs, watering holes and undisturbed forest. And it's only an hour drive from Sydney. Winner! THE EXTRAS But you don't have to spend your whole visit up in the treehouse. There are stacks of things to do around here. First off, there are hikes galore, of course. The hosts will direct you to the nearby trails where you can also go mountain biking, or to the nearby river for canoeing. Pampering is also big here — although it's done in true Aussie fashion. They have a few of their own hot mud baths available. Sit in an old tub, surrounded by bushlands, and let the in-house therapist guide you through a relaxing, muddy ritual. It's great for your skin, plus its loads of fun. You're already in a treehouse, so why not embrace your inner child even more with this experience? Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world. Images by Jochen Spencer
There's no shortage of Aussies trying to become global social media stars. If that's your goal too, a first-of-its-kind experience will give your influencing career a significant boost, as Australia's first TikTok content house launches in Adelaide. Known as The Party Games House, this $10 million beachfront mansion in Moana is officially on the lookout for five more influencers keen to live, create and party for free for a minimum of seven days up to two months. The brainchild of Adelaide-based entrepreneur Shane Yeend, a self-made multimillionaire who made his fortune in party games, this extravagant property already has its first tenant, Frida Khalife, a 23-year-old real estate and hospitality worker from Adelaide. With the decision still to be made on who else will be moving into this luxe home, there's still time for influencers of all stripes to submit their applications. "This is the opportunity of a lifetime," says Yeend. "We are looking for Australia's next social superstars. Huge global names like Alex Warren and Addison Rae began in content houses just like this one, and now they have billions of views, brand deals, and are selling out arenas. We believe we will find the next generation of stars right here in Australia." It's not Yeend's first venture into viral escapades. He got his start in 2001 — before most even understood the concept — by creating the official Big Brother Board Game. Becoming an overnight hit, pallets of board games were craned over the Big Brother house wall for housemates to autograph. Now Yeend is returning to the world of virality, this time targeting the Gen Z wave of influencers. "In 2026, anyone with a social media presence should be able to make $1 million a year from social commerce. There's no better time or place to get started than the Games House this summer," says Yeend. Set against the backdrop of Moana Beach, the lucky few who call The Party Games House home will have access to a private chef, a massive pool and a dedicated production team, ensuring each TikTok post does massive numbers. Best of all, influencers living in the house retain full ownership of their channels and commercial activity, with any deals made during their stay theirs to keep. Applications to live in The Party Games House are now open. Head to the website for more information. Images: Benjamin Liew.
With the onset of autumn, Sydney's warm and cosy cinemas beckon more than ever, particularly the city's independent and boutique ones. Once you get away from the multiplexes with overpriced tickets and sticky floors, Sydney has some amazing cinemas screening the best new release indie, arthouse and classic films in atmospheric theatres with excellent beer and fancy ice cream. Unfortunately, independent cinemas are, like live music venues, facing tough times of late, and the city has lost some of its loveliest to financial struggles and renovation. That's why it's more important than ever that we support the amazing independent venues that we have left. Here we present our pick of Sydney's best boutique cinemas, from the velvet-upholstered art deco kind to the sleek and modern, and all are set to please any ardent cinephile or those just looking for an easy date option. Whatever you're keen on, Sydney's boutique and independent cinemas are some of the best around and well worth checking out. THE CHAUVEL The Chauvel has been operating in the old ballroom of Paddington Town Hall since 1977. With a fully sprung dance floor beneath its comfy seats, the Chauvel has by far the most tightly curated selection of current release and vintage films as well as old-timey ambience and the convenience of being in Paddington. Around five years ago, its future looked mighty grim, and like it could go the way of Glebe's Valhalla or the nearby Academy Twin. But a campaign to save the Chauvel saw it rescued by Palace. Now fighting strong, the Chauvel is a destination in and of itself, with a cafe and bar on the second floor of the beautiful old building. The Chauvel is also home to the city's only dedicated film club, the Chauvel Cinematheque, a curated program of arthouse classics for seasoned cinephiles and their friends for a very reasonable price indeed. Cnr Oxford St and Oatley Rd, Paddington 2. Hayden Orpheum The Orpheum is a heritage art deco cinema which has been around since your grandparents day, a claim very few cinemas left in Sydney can still make. Housing six theatres, a Wurlitzer pipe-organ played at selected sessions and a foyer pianist, the Orpheum is the kind of place where you could catch a Vera Lynn tribute or swing band sessions on a given night. The selection of films is strictly along independent lines - arthouse and foreign films are the only ones you'll find on the program, but the glass light fittings, velvet curtains and seats, terrazo floors and fresh flowers make the decor alone worth the trip. While it was left to fall apart during the middle of the twentieth century, restorations got under way in 1986 to restore the Orpheum to its former glory; the kind of place that makes you feel as though you should be wearing furs with a cigarette holder dangling languidly between your fingers. Address: 380 Military Rd, Cremorne 3. The Randwick Ritz The Ritz is, alongside the Orpheum, the only original art deco cinema left in Sydney, and one of the few remaining independent cinemas. Built in 1937, the cinema is still family-owned and runs your typical selection of current-release arthouse films. The Ritz also boasts the cheapest tickets around: $13 for an adult. With an extra five auditoriums added over the last fifteen years, the Randwick Ritz has cemented itself into the heart of Sydney film culture and regularly plays hosts to events like the Australian Film Festival and one-off nights like The Big Lebowski Bash and infamous Rocky Horror Picture Show screenings. A traditional candy bar, red velvet upholstery and bright lights gilding the cinema's exterior all make the Ritz one of the best experiences of old-timey nostalgia you can get in Sydney. Address: 45 St Paul's St, Randwick 4. Palace Verona The Palace Verona is a stone's throw away from the Chauvel on Oxford Street, and is a sleek and modern cinematic alternative hidden amongst the leafy trees and bookshops of lower Paddington. With an excellent cafe and bar serving wine, beer, Lavazza coffee, popcorn cooked in olive oil and fancy ice creams, the Verona does its best to bring arthouse food to the arthouse films it screens. Renovated a couple of years ago when its neighbour the Academy Twin was shut down, the Verona has expanded its screens and taken up the slack in the wake of the Academy's demise, kicking up its selection of quality and edgy films from around the world. Address: 17 Oxford St, Paddington 5. Dendy Newtown Possibly the best art house cinema in the inner-West, the Dendy lies at the heart of the King Street hub and is popular with the night-owl crowd. With an impeccable selection of current release art house cinema, the Dendy is also in easy browsing distance of Fish Records and Better Read Than Dead, as well as a merry walk away from good coffee, food and plentiful alcohol. The Dendy also regularly hosts special events like the Hola Mexico Film Festival, Queerscreen and one-off film nights. Given its proximity to all things fun, the Dendy Newtown is a perfect way to start or finish a night out on the town. Address: 261-263 King St, Newtown 6. Govinda's Restaurant and Cinema Govinda's is a bit of an odd one, yet a true Sydney institution. Govinda's is actually a vegetarian restaurant in Darlinghurst, which is at once a boutique cinema and a quiet space dedicated to yoga, chanting and 'uplifting the consciousness'. Open every day but Monday, a proper evening at Govinda's is a culinary as well as cinematic experience. The gourmet buffet was named best vegetarian restuarant in Sydney in 2011, and at $29.80 for dinner and a movie it's one of the most whimsical and cost-effective date options on offer. The movie room is upstairs, and patrons are invited to kick off their shoes and recline on floor cushions, couches or tub chairs. There are generally three films to choose from each night, all at different times, and generally cover the current release art house range pretty solidly. Address: 112 Darlinghurst Rd, Darlinghurst 7. Bondi OpenAir Cinema Bondi OpenAir Cinema is seasonal, from late January to early March, and our pick as Sydney's best outdoor cinema. Even though it's a summertime-specific event, Bondi OpenAir is a cinema experience unequalled anywhere in Sydney. Located on the Dolphin Lawns beside the Bondi Pavilion, the program is a fairly eclectic mix of retro classics, art house and Australian new releases. Patrons can chill out on a bean bag with a drink, gourmet treats from the likes of Sonoma and Ben & Jerry's, and check out some of the best acts emerging on Sydney's live music scene all before the film even starts. Address: 1 Queen Elizabeth Drive, Bondi 8. Dendy Opera Quays Situated along the promenade from Circular Quay to the Opera House, the Dendy Opera Quays cinema is the best art house cinema in the city, and probably the most scenic. With an impeccable range of current release art house films alongside some middlebrow fare, the cinema is also home to classic film screenings, Met Opera and Ballet screenings and special events like the Sydney Film Festival. With reasonably priced ticketing, a luxurious fit-out and boutique wine, beer and snacks available, the Opera Quays makes movie-going very pleasant indeed. Address: 9/2 East Circular Quay, Sydney 9. Mount Vic Flicks Mount Victoria is a bit tricky to get to at the best of times, but if you make the trip to the top of the Blue Mountains you'll find a whimsical high-altitude answer to art house cinema. Run by couple Ron and Diane Bayley, Mount Vic Flicks is advertised as 'cinema, the way it used to be'. All films are carefully selected - generally a mix of indie and classic stuff - with Ron managing the technical side of things while Diane ensures the candy bar is stocked with a variety of delicious handmade cakes and scones. Housed in the former local community hall, Mount Vic Flicks has an intimate community vibe to it, with a foyer barely big enough for two people and tea and coffee served in mugs. While it's a little out of the way, Mount Vic is worth it if you want to re-experience the old world ritual of going to the pictures. Address: Harley Ave, Mount Victoria 10. Palace Norton Street The Norton Street Palace is smack bang in the middle of the Leichhardt restaurant strip, conveniently close to the best pasta and gelato Sydney has to offer. Not only does the Norton Street Palace screen an excellent range of new-release art house cinema, and house a fully licensed bar and cafe, but it also plays host to Sydney's French, Greek, German, Brazilian, Spanish and Italian film festivals, making it perhaps the most international of Sydney's cinemas. Address: 99 Norton St, Leichhardt
Brisbane's inner city has come into its own in recent years. Gone are the days of skipping the CBD for New Farm or Mount Tamborine. Areas like South Brisbane, West End, and the inner city now have a laundry list of places to eat, drink, shop and explore. At the edge of the CBD lies Hotel Indigo Brisbane City Centre. The boutique hotel is perfectly situated for a weekend getaway or an inner-city staycation. Located at North Quay, the hotel is ready to serve as a home base for a weekend that will inspire your creative side. Each Hotel Indigo accommodation draws inspiration from its local neighbourhood, meaning the atmosphere of the city is woven into the design and experience of your stay. The hotel is adorned with hand-painted sculptures and artworks and features an industrial chic aesthetic that complements Brisbane's gritty atmosphere. Plus, the location puts you right in the heart of the action as it straddles the CBD and South Brisbane. Whether you're looking for some new inspiration as a local or you're planning a weekend away, here's how to explore Brisbane's inner city neighbourhood. [caption id="attachment_984027" align="alignleft" width="1920"] Lune Croissanterie[/caption] Fuel the Right Way Start your day with some fuel. Lune Croissanterie CBD is located just around the corner from Hotel Indigo Brisbane City Centre. Enter via Burnett Lane and you'll find strong coffee and a warm pastry fresh out of the oven. If you need something a little more substantial for your first meal of the day, just down the road you'll find Felix For Goodness, a hole-in-the-wall cafe that serves fresh produce and mouth-watering brunch. For other great Brisbane beans, try Edward Espresso on Edward Street or the hidden gem Coffee Iconic. [caption id="attachment_900348" align="alignleft" width="1920"] Bambi Corro (Unsplash)[/caption] South Bank Stroll Located right on the riverfront, South Bank is Brisbane's premier arts and culture hub. A short stroll over Victoria Bridge will find you in the green gardens of the South Bank Parklands. Here, you can take a dip at the famous Streets Beach, which is actually a public swimming pool with a stunning city view. There's a whole host of cafes and eateries in South Bank, so you could easily spend the day getting lost and enjoying Brisbane's unrivalled outdoor lifestyle. [caption id="attachment_910812" align="alignleft" width="1920"] GOMA[/caption] Cultural Hub In addition to being a place for people to enjoy the great outdoors amidst the concrete jungle, South Bank is also home to several cultural institutions. From the Queensland Art Gallery to the Gallery of Modern Art (GOMA), the State Library of Queensland and the Queensland Museum, it's a culture lover's mecca. With an ever-rotating roster of exhibitions, the inner city arts precinct is one to add to your Brisbane list. Plus, the air conditioning is a nice reprieve from the Sunshine State's warmth. [caption id="attachment_937352" align="alignleft" width="1920"] Como[/caption] Dine Like a Local Brisbane has also become a foodie's paradise in recent years. With the opening of Supernormal and the chic James Street precinct, there's a wealth of restaurants to choose from. If you're specifically thinking about Inner City Brisbane, however, consider a trip to Fish Lane. Just a 15-minute walk from Hotel Indigo Brisbane City Centre, you'll find a number of cuisines to choose from. There's pizza at Como and Julius, Asian fusion at Southside and Chu The Phat and unrivalled cocktails at bars such as Bar Brutus, Midtown and Maeve Wine Bar. In the CBD, you can't go past the riverwalk restaurants: Felons Brewing Co, Babylon, Riverbar & Kitchen and Riverland are all perfect inner city eateries to book for a long lunch and watch the sun set over the river. If you prefer something closer to your accommodation, Bar 1603 is located inside Hotel Indigo Brisbane City Centre. The speakeasy-inspired space brings together Japanese minimalism and Brisbane flair, perfect for an evening tipple. [caption id="attachment_1034184" align="alignnone" width="1920"] Bar 1603[/caption] The Perfect Base When you're done eating and drinking your way through Brisbane city and its surrounds, Hotel Indigo Brisbane City Centre is the boutique accommodation to refill your cup. With modern and stylish rooms and artistic nods to the neighbourhood, you can wind down and prepare to enjoy more of what Brisbane has to offer. Want to stay in the thick of it? Find out more about Hotel Indigo Brisbane City Centre here. Lead image: Riverland Brisbane
For a month in 2026, The Phantom of the Opera will be there, on a floating stage on top of Sydney Harbour. Each year, Australia's most-stunning performance venue welcomes a big-name Opera Australia show to unleash its wonders with a spectacular backdrop. Just like in 2022, 2026's production involves the music of the night echoing over the ocean. The extremely popular Handa Opera on Sydney Harbour has repeated titles before, but there's a particular reason for Andrew Lloyd Webber's The Phantom of the Opera haunting its scenic setup again so soon. 2026 also marks the stage musical's global 40th anniversary. There's phenomenal ways to commemorate a milestone and the there's this. When it takes to Handa Opera on Sydney Harbour's picturesque waterfront digs at Mrs Macquaries Point for 2026 — across Friday, March 27–Sunday, April 26 — this run of The Phantom of the Opera will kick off a worldwide program of events planned for the year to celebrate four decades of the show. The production will also increase the huge audience numbers that've spent time with The Phantom and Christine, given that it has already been seen by 160-million-plus people in 205 cities across 58 territories across its lifespan so far. Simon Phillips, who recently helped bring Round the Twist from the screen to the stage, initially directed the 2022 Handa season — and is back for 2026, too. Also a highlight: the eye-catching production design that includes a giant chandelier. "We're honoured to be playing such a prominent role in the 40th-anniversary global celebrations for this iconic musical, in the same year that OA is marking its own significant milestone with its 70th anniversary," said Opera Australia Acting CEO Simon Militano. "Our spectacular staging of The Phantom of the Opera, with its magical setting on Sydney Harbour, and the sweeping gothic romance and unforgettable music, all combines to create a fantastic showcase of OA's artistic excellence, and an event not to be missed." As always, included in the new The Phantom of the Opera Handa Opera on Sydney Harbour experience is not just the show on the overwater stage, but also fireworks each evening, dazzling Sydney skyline views and hitting up pop-up dining spots that are constructed onsite each year. The Phantom of the Opera at Handa Opera on Sydney Harbour will run from Friday, March 27–Sunday, April 26, 2026 — with tickets via Opera Australia subscription packages available from Tuesday, August 5, 2025; single-performance presales on offer from Tuesday, August 26, 2025; and general tickets available from Tuesday, September 2, 2026. Images: Handa Opera on Sydney Harbour's 2022 production of The Phantom of the Opera © Prudence Upton / Hamilton Lund.
The Marvel Cinematic Universe has taken us from New York skyscrapers to the far reaches of space, but for one weekend this year, it's landing right here in Sydney. Under the direction of Conductor Benjamin Northey, the Sydney Symphony Orchestra is bringing Marvel's Infinity Saga to life at the Sydney Opera House with a brand-new film concert experience featuring the biggest moments from 23 movies, with every heroic (and villainous) note performed live to screen. You will hear a selection of heart-pounding themes live at the Sydney Opera House, including Academy Award-winning scores by Ramin Djawadi, Alan Silvestri, Ludwig Göransson, Danny Elfman and a taste of the Guardians of the Galaxy mixtape. To celebrate hearing the soundtracks of MCU's biggest personalities in our own backyard, we've rounded up the ultimate Marvel-inspired list of places to visit in the city. From rooftop cocktails fit for a billionaire inventor to Viking-worthy feasts, here's where you can hit up to feel like you're the main character of your own movie. Iron Man If Tony Stark is your vibe, you don't just book any old dinner reservation; you expect sky-high views, sleek interiors and a drinks list as inventive as your tech. At O Bar and Dining, you could sip a martini while surveying the city from its revolving perch. For something moodier, Joji offers the kind of minimalist design and premium whisky selection Stark would absolutely approve of. And for sunset cocktails with harbour views? Zephyr ticks all the boxes: luxury rooftop elegance with a modern feel. Thor Sydney may not have Asgard's golden towers, but it can still offer a feast worthy of the God of Thunder. Mjolner is an obvious choice — not only for its Viking-inspired decor and meat-heavy menu, but for its weekly 'ThorsDay' all-you-can-eat night. In between bites, you can burn off some energy at Throw Axe Penrith, showing off your hammer-throwing skills. And since Thor's not one to shy away from mingling with other gods, dinner at Olympus Dining would be a fitting nod to his Greek counterparts. Captain America Steve Rogers is a man out of time, but luckily, Sydney has spots that speak to his 1940s nostalgia and all-American charm. Kittyhawk (named after a US fighter jet) is a perfect choice for its vintage wartime and aviation theme. For something more casual, Surly's American Tavern serves up classic barbecue and cold beer that would feel like home for Captain America. But before a feed, you can make like Rogers by doing sets at One Playground Gym, keeping your superhero conditioning in check. Hulk Bruce Banner might prefer the quiet life, but when the Other Guy takes over, it's all about big energy and bigger portions. At Smash Room City, you can release some Hulk-sized tension — no collateral damage to Sydney's buildings required. Wings and Tins might be next, where the beer-can smashers at each table would make for a very on-brand dinner ritual. And for a calmer Sunday, The Lord Dudley offers a classic roast feast in a cosy pub. Bonus points for the building's green facade that gives a subtle nod to his alter ego. Captain Marvel Carol Danvers may have been born on Earth, but her powers deserve a Sydney itinerary that's a little… otherworldly. Bar Planet is the aptly named Newtown favourite where even a soldier of the Kree might feel at home. The 81st-floor Infinity Bar gives you panoramic views of the city (and perhaps a moment to check in on other galaxies). And for a rush without leaving the atmosphere, Indoor Skydiving Sydney offers the pure adrenaline hit of flight powers. Whether you're team hero or villain, the Marvel's Infinity Saga Concert Experience is your chance to relive the best moments of the MCU in an entirely new way. Relive the most iconic moments from these beloved films in this unforgettable concert experience live at the Sydney Opera House. Book tickets now. Presentation Licensed by Disney Concerts © Disney
On the outskirts of Tokyo sits one of the city's most coveted spaces: the Studio Ghibli museum. It's also one of Japan's hottest tickets, with locals and tourists alike needing to book well in advance to get in. You'd expect that of a place that features a life-size catbus, a towering robot on its roof and Totoro sitting behind the counter of its box office. You'd expect it of any venue celebrating this beloved animation house, to be honest — even though it now has company three hours out of town thanks to Studio Ghibli's very own theme park. For almost four decades now, Studio Ghibli's movies have possessed their own kind of magic — the type that made viewers want to get spirited away by their gorgeously animated frames long before the company made a film of the same name. Indeed, in the 38 years since Studio Ghibli was formed by directors Hayao Miyazaki and Isao Takahata with producer Toshio Suzuki, it has introduced the world to all manner of delightful and moving on-screen experiences. Cute balls of soot, determined teenage witches and pining high-schoolers sit side-by-side in the company's filmography with war-torn tales, sitcom-style family antics and more than one ecologically minded fable. And, in the process, Studio Ghibli has achieved a significant feat: it has never made a bad movie. Including TV films and co-productions, it has 25 to its name to date in total — with the latest and Miyazaki first film in a decade, The Boy and the Heron, in cinemas Down Under now. While every single Ghibli flick is worth feasting your eyes on, we've ranked them all. Now you know where to start during your next binge-viewing session. 25. TALES FROM EARTHSEA Combine Studio Ghibli with any number of dragon-filled fantasy tales, and the result might look like Tales from Earthsea. It's actually adapted from one such series of books, Ursula K Le Guin's The Earthsea Cycle. The feature directorial debut of Hayao Miyazaki's son, Gorō Miyazaki, this is the most standard of the company's features — although its characters, including a troubled prince and a young girl saved from slavers, always strike a chord. Tales from Earthsea streams via Netflix. 24. EARWIG AND THE WITCH The studio's first movie made solely using computer-generated 3D animation, Earwig and the Witch immediately stands out thanks to its plastic-looking visuals. And, despite the fact that it's about a determined young girl, features a witch, and even includes a talking cat and other helpful tiny critters, it never completely feels like a classic Ghibli film either. That said, a by-the-numbers Ghibli flock is still better than many others, especially of the family-friendly variety. Earwig and the Witch streams via Netflix. Read our full review. 23. ONLY YESTERDAY Based on the 1982 manga of the same name, Only Yesterday explores the incredibly relatable inner turmoil of 27-year-old Tokyo worker Taeko when she heads out to the countryside for a working vacation. Charting her efforts to reconcile her childhood dreams with the life she's living now, it's a mature and thoughtful film from Isao Takahata — and a wistful and sensitive one, too. Only Yesterday streams via Netflix. 22. FROM UP ON POPPY HILL Gorō Miyazaki's second feature heads to Yokohama, in 1963, when high-schooler Umi Matsuzaki lives in a boarding house. Adapted from an 1980 Japanese comic, this sweet and gentle effort charts her quest to stop a beloved school building from being demolished — and benefits from a tender screenplay co-written by none other than Hayao Miyazaki. From Up on Poppy Hill streams via Netflix. 21. PORCO ROSSO Inspired by his family's business from when he was a child — aircraft parts manufacturer Miyazaki Airplane — many of Hayao Miyazaki's movies take to the skies. Porco Rosso, with its high-flying eponymous man-pig pilot, is one of them. This wartime adventure follows the First World War veteran's clash with a group of sky pirates and the American hotshot they've hired to help, as told with wry humour and, obviously, spectacular flying sequences. Porco Rosso streams via Netflix. 20. MY NEIGHBOURS THE YAMADAS The studio's most visually distinctive effort, Isao Takahata's My Neighbours the Yamadas is based on the manga series Nono-chan, and favours the look of a hand-drawn, watercolour-painted comic strip. That stylistic choice suits the content perfectly, immersing audiences into the quirky series of vignettes about the Yamada family, and offering a visible reminder that nothing is ever as simple as it appears. My Neighbours the Yamadas streams via Netflix. 19. THE CAT RETURNS The only Studio Ghibli movie to continue on from one of its earlier films, The Cat Returns is a spinoff from Whisper of the Heart. As the name makes plain, felines take centre stage. That proves entertaining and even often enjoyably silly for audiences; however, for the film's protagonist Haru Yoshioka, it forces her into a battle with the Cat Kingdom after she saves a four-legged fur ball from being hit by a car — and is told she'll have to marry him. The Cat Returns streams via Netflix. 18. ARRIETTY For a movie filled with tiny people who live in the walls of human houses, Arrietty certainly does brandish a big heart. Based on Mary Norton's 1952 novel The Borrowers, this story was always going to fall into Studio Ghibli's wheelhouse, especially given its focus on a new friendship between unlikely pals. As soulfully relayed by director Hiromasa Yonebayashi, the film charts the connection that between its diminutive titular character and a human boy. Arrietty streams via Netflix. 17. WHEN MARNIE WAS THERE When Marnie Was There champions the importance of friendship, acceptance, understanding and looking to the past to embrace the future, all recurring themes in Studio Ghibli's work. That's hardly surprising in a melancholy and contemplative movie about a lonely foster child and her new friend, of course, but they also take on a different tone here. Made in 2014, Hiromasa Yonebayashi's film adapts Joan G Robinson's novel of the same name into a bewitching gem. When Marnie Was There streams via Netflix. Read our full review. 16. OCEAN WAVES Made for TV, this 1993 Studio Ghibli movie spends the bulk of its time in the city of Kochi, where friends Taku Morisaki and Yutaka Matsuno both become smitten with new high-school classmate Rikako Muto. When the animation studio isn't marching off to magical worlds, it's pondering the emotional turmoil bubbling within everyday characters, with this quiet and moving drama falling into the latter category. Ocean Waves streams via Netflix. 15. THE WIND RISES When it first hit cinemas, The Wind Rises was presented as Hayao Miyazaki's final film — and, if that had stayed the case, it would've been a fitting farewell. Thanks to The Boy and the Heron, the acclaimed animator hasn't said goodbye to viewers yet; however, he gets especially reflective in this rich and bittersweet fictionalised biography of aircraft designer Jiro Horikoshi. Like all of Miyazaki's output, of course, there's much more to this understated gem than the obvious. The Wind Rises streams via Netflix. Read our full review. 14. PONYO As well as boasting quite the catchy theme tune, Ponyo takes inspiration from Hans Christian Andersen's The Little Mermaid. Here, though, the story focuses on an escaped goldfish — and explores the cute critter's new bond with a five-year-old boy. Following in the footsteps of fellow Hayao Miyazaki movie My Neighbour Totoro, the film is perfect for audiences of all ages. It's also bright, bouncy, exuberant and poetic as well. Ponyo streams via Netflix. 13. THE TALE OF THE PRINCESS KAGUYA In The Tale of the Princess Kaguya, the eponymous girl blossoms within a bamboo shoot. She's not the only thing that blooms in this hand-drawn beauty, which marked Isao Takahata's first film as a director in 15 years — and, sadly, his last. Spinning an elegant and entrancing story, this Ghibli wonder evolves from a seemingly standard setup into something subversive and meaningful. The Tale of the Princess Kaguya streams via Netflix. 12. KIKI'S DELIVERY SERVICE Feisty kids are as common in Studio Ghibli movies as jaw-dropping visuals, and 13-year-old Kiki well and truly fits the mould. In this Hayao Miyazaki-helmed coming-of-age fantasy, the fledgling witch moves away from home to prove her independence — as all teen witches must at that age. As well as relaying a smart tale about finding one's place in the world, Kiki's Delivery Service boasts another big highlight: a very amusing talking cat. Kiki's Delivery Service streams via Netflix. 11. WHISPER OF THE HEART Playful, heartfelt and sometimes melancholy, Whisper of the Heart is one of Studio Ghibli's under-appreciated gems — and not just because it features two very memorable cats. It was the company's first film to be directed by someone other than Hayao Miyazaki and Isao Takahata. Miyazaki wrote the screenplay, though, with Yoshifumi Kondō helming this story about a Tokyo high-schooler obsessed with the boy who borrowed all the same library books before her. Whisper of the Heart streams via Netflix. 10. LAPUTA, CASTLE IN THE SKY Studio Ghibli's first offical feature, Laputa, Castle in the Sky heads back to the late 19th century, as a young girl, Sheeta, endeavours to fend off the cunning and determined government agents on her tail. They're chasing not only a rare magic crystal, but a fabled city floating in the clouds — and as Hayao Miyazaki depicts with steampunk flair, endearing characters and a spirited statement, it all makes for an entrancing adventure. Laputa, Castle in the Sky streams via Netflix. 9. POM POKO Mischievous racoon-like critters called tanuki sit at the heart of this Isao Takahata-directed film — creatures with a basis in folklore, boasting the ability to transform into almost anything and possessing very flexible scrotums (yes, really). Alas, their habitat outside of Tokyo is under threat from developers, with this touching delight combining magical wonder with a message. It's an impassioned, affectionate fable, matching its narrative and overtly offbeat sense of humour with memorable imagery. Pom Poko is available streams via Netflix. 8. THE RED TURTLE In its first-ever collaboration, Studio Ghibli teamed up with Dutch-British illustrator Michael Dudok de Wit — and earned a Cannes Un Certain Regard special jury prize-winning for their efforts. A film of narrative simplicity but both visual and thematic intricacy, this textured and meditative feature explores the complicated splendour that springs from humanity's relationship with the world around us after a man is washed up on a deserted island. The Red Turtle streams via Beamafilm. Read our full review. 7. HOWL'S MOVING CASTLE If ever a movie encapsulated everything that's made Studio Ghibli such a beloved filmmaking force, it's Howl's Moving Castle. Energetic, creative and sensitive, this Hayao Miyazaki-helmed fantasy not only unfurls a mesmerising story — about a young milliner who is cursed by a witch, transforms into an elderly woman and becomes a wizard's housekeeper — but does so with beautiful imagery, endearing characters, and strong anti-war and pro-feminist sentiments. Howl's Moving Castle streams via Netflix. 6. THE BOY AND THE HERON Trust Hayao Miyazaki to return from a ten-year absence, and his latest purported retirement, to deliver one of the best, most breathtaking and most gorgeous movies that he ever has. This World War II-set "semi-autobiographical fantasy" follows 11-year-old Mahito after his mother is killed in an air raid, his father moves him to the countryside and the titular bird beckons him into an otherworldly realm — and every frame feels like a culmination of Miyazaki's career. The Boy and the Heron opened in Australian and New Zealand cinemas on Thursday, December 7. Read our full review. 5. MY NEIGHBOUR TOTORO It's the film that immediately found a place in viewers' hearts and never left. Thanks to its heartwarming mood and emotions, astute observations, adorable characters and eager sense of adventure, Hayao Miyazaki's My Neighbour Totoro has become Studio Ghibli's best-known movie for many great reasons — all as it chronicles two sisters' exploits when they not only move into a new house, but make a new pal in the forest (and discover the catbus). My Neighbour Totoro streams via Netflix. 4. PRINCESS MONONOKE Hayao Miyazaki has never shied away from making an ecological statement; however, Princess Mononoke might just send his most forceful message about humanity's impact upon the earth. As set in Japan's Muromachi period (from the 14th–16th centuries), this involving fantasy charts the paths of a young prince with a curse and a young woman raised by wolves, as well as the conflict between a modernising town and the forest it's destroying. Princess Mononoke streams via Netflix. 3. NAUSICAÄ OF THE VALLEY OF THE WIND Nausicaä of the Valley of the Wind technically pre-dates Studio Ghibli, but Hayao Miyazaki's post-apocalyptic fantasy has been claimed as the company's own. Charting the battles of a young princess as she fights an invading kingdom and tries to reconcile the damage ravaged upon the planet, the 1984 film became an instant classic, with its environmentally conscious story, stunning animation and stellar score all proving beguiling. Nausicaä of the Valley of the Wind streams via Netflix. 2. SPIRITED AWAY In Spirited Away, ten-year-old Chihiro stumbles across a magical and mysterious world, then wants nothing more than to escape back home. Viewers of Hayao Miyazaki's Oscar-winning masterpiece, however, are happy spending as much time as possible in the film's wondrous realm — which, as set around a luxurious and busy bathhouse that caters to spirits, constantly surprises, delights, and revels in inventive storytelling and animation. Spirited Away streams via Netflix. 1. GRAVE OF THE FIREFLIES The most heartbreaking animated film ever made, Isao Takahata's touching war drama Grave of the Fireflies is the rarest of inclusions on Studio Ghibli's cinematic resume. Plunging into dark and sombre territory, it tells the tale of two siblings desperately struggling to survive in the last days of the Second World War. From its fleshed-out characters tussling with life and death to its striking visuals, the movie's handling of its moving and sorrowful story couldn't be more astonishing. Grave of the Fireflies is available on DVD. Images: Sugoi Co / Madman.
Shaking beef isn't a great name for a restaurant, but Lúc Lắc is, and still allows this addition to Brisbane's Queen's Wharf precinct to nod to one specific dish in its moniker. That meal: Bo Lúc Lắc, which brothers Adonis and Nehme Ghanem, Ghanem Group's directors, came across on a research trip to Asia. They're aiming to make their new venture as memorable and as vibrant as they found the traditional Vietnamese staple — and as flavoursome. Lúc Lắc is among Ghanem Group's venues in Brisbane. Its sibling eateries and bars: Donna Chang, Boom Boom Room, Bisou Bisou, Iris Rooftop, Byblos Bar & Restaurant and Blackbird Bar, Dining & Events. Here, a combination of Vietnamese and Thai tastes await, starting with the dish that gets its nickname from the motion used when it's in the wok. The restaurant's take on its signature features Kampot peppered wagyu beef, cherry tomatoes and capsicum. It's just one of the restaurant's must-tries, however. Under Ghanem Group Executive Chef Jake Nicolson and Lúc Lắc Head Chef Dann Rowell (ex-Balfour Kitchen & Bar, Longitude 131°, Silky Oaks Lodge and Southern Ocean Lodge), the range of options includes escargot and pork spring rolls, tumeric-marinated swordfish and a Vietnamese-inspired twist on tiramisu, too. Steamed and braised duck leg bao, pork bun cha, and wagyu skewers with sweet soy glaze and chilli lime butter are among the smaller dishes, while Singapore-style noodles, lemongrass-braised pork belly, and goat curry with sweet potato and Thai basil are heartier choices. Or, tuck into the roasted red duck curry with lychee and bean sprouts. Fancy fried chook? Lúc Lắc's version poaches the chicken in house-made masterstock first, then batters and fries it before adding a shrimp paste caramel. The 159-seat site within The Star Brisbane also operates as a place for drinks till late, when DJs provide a soundtrack. For beverages, patrons can choose from a 19-option cocktails list, with 15 boozy concoctions and four without the hard stuff. A handy tip: the Thai iced tea comes in both alcoholic and virgin varieties. Asian beers and international wines, including a riesling from the Clare Valley's Rieslingfreak made especially for Lúc Lắc, are also on offer. Design-wise courtesy of Space Cubed Design Studio, Lúc Lắc's subtropical decor features floral fabrics, brass and animal prints, all chosen to leave an imprint. If you eat indoors, you'll be in the 58-seat main area with booths — and the bar made from jade onyx stone slabs. Outdoors, 46 guests can get cosy.
You're soon about to lead an existence in which you carry chicken salt and vinegar in your bag at all times. Australian hot chip vending machines are about to be all up in your grill. Again, slower. Hot. Chip. Vending machines. According to the ABC, the Perth-based Hot Chips Company have been cooking this up for the last five years, inspired by Australian '90s models and similar developments in Dubai, Japan, the UK and Belgium. They've been working with WA potato processor Bendotti Exporters to create the perfect take-away solution for late night snackery — reppin' the Western Australian potato industry while they're at it. Stephen Bendotti (of Bendotti Exporters) told the ABC the chips will be freshly cooked while you wait, all inside the machine. "You put your money in and it goes from frozen to the fryer and in your cup within two minutes and 20 seconds," he said, with an aim to whittle that waiting time down to two minutes. And in case you're freaking out over the hefty price of Perth airfares to try this out, these babies are going national. According to the ABC, Bendotti's friends over at WA Chip are going to roll them out Australia-wide. So how long will we have to wait for the mighty hot chip robots? Apparently we're looking at national distribution by December 2015, with trials and development continuing until then. We're still waiting on details for condiments, salt options and cost, so watch this space for your chippie deets. Via ABC. CORRECTION 29/1 3:15PM : We initially ran this story reporting that these were Australia's first hot chip vending machines. They aren't, in fact, the first, as numerous models have made their way through Australian cities since the '90s. Apologies for the wrong info, we got way too excited about the prospect. Image: will ockenden via photopin cc
Love might be blind, but deaf it is not. Just ask anyone who’s fallen madly for a snorer. Like Anthony Burgess wrote, “Laugh and the world laughs with you, snore and you sleep alone.” No amount of moonlit serenading, Shakespearean declarations of passion or Lindt chocolate can make up for harrowing nights next to your own personal Boeing-747. But how to deal with it? Entire national websites are dedicated to the problem. Surgery to remove parts of the snorer’s mouth and throat? Implants to harden up their palate? Sticking tape to their nose and chin? Approaching an ear plug company for sponsorship? The Crowne Plaza Hotel chain has trialled “snore absorption” rooms in Europe and “snore monitors” in the UK. The latter patrol a hotel’s “quiet zones”, knocking on the doors of snorers who are audible from the corridor. Hammacher Schlemmer, supplier of “unexpected gifts”, has now introduced a 'Snore Activated Nudging Pillow' to the market. A tiny inbuilt microphone picks up on the sonic vibrations caused by snoring. As they escalate, an internal bladder fills with air, causing the would-be marriage wrecker to shift position. It’s possible to adjust the mic according to the user’s velocity and set the inflation level at anywhere between 7 and 17 centimetres. A contoured shape and 100 percent polyurethane filling aim to make the pillow as comfy as possible and the 100 percent polyester removable cover is machine-washable. Valentine’s Day might have come and gone, but if you don’t mind spontaneously splashing out on your favourite unbearably noisy bedfellow, US$149.95 will buy a Snore Activated Nudging Pillow. Via PSFK.
With his first feature, Samoa-born, New Zealand-based writer/director Miki Magasiva is living the filmmaking dream, all by championing what's important in his culture. Tinā, about a grieving mother who takes a job at a private school after the Christchurch earthquakes change her life forever, premiered at the Hawai'i International Film Festival late in 2024. Just over six months later, it's a homegrown hit that's earned so much affection from audiences in Aotearoa that the picture is now one of the most-successful NZ films in history. Sitting in sixth place as at mid-April 2025, Tinā is behind only Taika Waititi's Hunt for the Wilderpeople and Boy, then The World's Fastest Indian, Once Were Warriors and Whale Rider. For the year so far overall, it's second to A Minecraft Movie at the New Zealand box office. Taking on her first lead role after decades as an actor — on-screen, see: The Market, One Thousand Ropes, The Changeover, Filthy Rich, The Breaker Upperers, The Justice of Bunny King, Our Flag Means Death, The Rule of Jenny Pen and more — Anapela Polataivao wasn't envisaging this reaction, after she initially came onboard Tinā to help with the movie's development process without knowing that Magasiva had plans for to star. "Let's just say I did not anticipate this kind of response," she tells Concrete Playground. "You do the work and then you walk away and hope for the best, but this has been a continual — the response has been incredible, and mainly from our people, who are so appreciative of the work. And also a lot of the comments also are about their pride in the work, and visibility and for them being seen in our stories. So that's a great compliment." Did Magasiva foresee that Tinā, which takes its title from "mother" in Samoan, would strike such a chord? "Yes and no," he advises. "We were confident we had an initial script that people would enjoy watching. And then once we did the first round of edits, we knew we were onto something good that people would want to go and watch. However, having said that, the eventual response that we've gotten so far has been far beyond what we expected." "Touching on what Bels has just said before, you make these films and then you think 'that's it, my job's done. I'll just send it off — and if people go watch it, great. And if people don't go watch it, well, that's fine, too. We can't help that.' But having people come up to us and talk about their experiences, transformational experiences with family members and themselves, having gone through watching the film, is just way beyond what we ever expected. And so it's just been this really massive surprise for us that we're just so overwhelmed by and thankful for." Screening in Australian cinemas since Thursday, May 1, following its NZ release on Thursday, February 27, Tinā's origins mirror plenty of other movies in one regard: art imitating life. That said, Magasiva combined inspiration from IRL choir contest The Big Sing, the New Zealand choral festival for high schools that's been running for over 30 years, with not only tapping into Samoan culture but paying tribute to both the importance of connection and the leadership role of mothers. Mareta Percival, the heartwarming film's fictional protagonist, dotes on her daughter when the feature begins, encouraging her to make the most of her singing talents. Then tragedy strikes. While grappling with her loss, substitute teaching at a wealthy school becomes a necessity — and starting a choir that croons Samoan tunes proves a much-needed move for Mareta and her new pupils alike, even if some in the privileged community that's barely letting her in are vocal in their opposition. Tinā sits on Magasiva's resume after decades in the business as well, including earning acclaim for his shorts — Rites of Courage arrived in 2005, then Uso in 2006 — and working in television. The Panthers, of which he helmed two episodes, was the first-ever New Zealand TV drama series to screen at the Toronto International Film Festival. On We Are Still Here, an anthology feature directed by Indigenous filmmakers from New Zealand and Australia that opened the 2022 Sydney Film Festival, he was one of the behind-the-camera talents. His success with Tinā is far from overnight, then, but it might not have happened if he hadn't been so moved by online The Big Sing footage. With Magasiva and Polataivao, we also explored the journey from Tinā's first sparks to the tale that viewers are now being so touched by in cinemas — a story that puts the importance of moving forward collectively at its core; that is shaped by grief, and understands how mourning is so personal yet universal; and that also centres navigating cultural differences as a warm, hopeful film, while not shying away from the impact of attitudes of prejudice. And, we unpacked how Polataivo came to be its lead, what that achievement means to her, how Magasiva built Tinā's cast around its star and more. On Finding Inspiration for the Film in Online Footage of High School Choirs Miki: "It was hearing the choir performing. We grew up in churches, Samoan churches, listening to choirs, so we know it well. We have this sort nostalgic memory anytime we hear all of our old church choir songs. And so when I saw that, I was just so emotionally moved. I almost cried watching that video or that YouTube clip. I just thought that would make a great premise. I thought 'if I can just recreate some of the emotion that I'm feeling at the moment, I think we're on to something really special here' — and so I think luckily we've done a little bit of that." On the Path From Watching New Zealand's The Big Sing Competition to a Story About a Grieving Samoan Mother Getting a Job in a Private School in Post-Earthquake Christchurch Miki: "Well, it's a story process, much like you go through when you when you create stories. And what's always good is we had the end in mind, and so we wanted just to build towards that moment, that end. We were always working our way towards the end. So it's about 'who's the main character?'. And it's a drama, and so we try to create situations and journeys for her to get to that end — and put her into situations that challenge her, and put her into situations where she has relationships with others that really drives her towards the end there. And then when you're piercing these things together, you source techniques that you like yourself. There's a lot of comedy in the film, and so I wanted to infuse the storyline with a bit of comedy. And it seemed to work well, because it has this sort of mother-teacher relationship that I always find funny, and I think that that can be a really rich ground for comedy. Add into that a bit of emotion, add into that music, and then just drive the story towards the end — it's a really fun part of the process." On Polataivo's Initial Response to the Project — and Being Asked to Help Develop the Film Without Knowing That Magasiva Wanted Her to Play the Lead Anapela: "Yes, this guy — let's not go there." Miki: "I tricked her." Anapela: "He did. Because these things, I'm just so used to working as part of the team, being the assistant or coach or stuff like that. So when I come in to help, I don't have any other thoughts or any other preconceived anything. It's just like 'I'm going to help my friends'. So when these guys got the green light, and then I get the call saying 'hey, we had you in mind for it' — gosh, I was just like 'you little ...', all of the things. And then, of course, I think we did our first read — I had said yes after that, and then we did our first read where everyone was a mess and we were all in tears. And that's just when you know it's a family affair and it's going to work." On Polataivo Scoring Her First Lead Film Role After Decades as an Actor Anapela: "I think this is different. This was a different one, because it was more personal — so it wasn't like 'oh my goodness'; it was really like 'okay'. I didn't even think about being in the lead, either. I just felt like I was just part of the fabric of the story. There's so many moving parts. Yes, you may be driving the thing, but you understand, well I understand, you'll be able to play that — and to be helpful and to assist in the purpose of it. So it was not an 'oh my goodness' moment. It was an 'oh my gosh', because it's personal, it's family, and you just know. My partner would always say to me 'Bels, it's one shot, one shot for Miki, let's go' — with that tone. And I get it. It is. Any shot we get, it is a shot. And we don't take those things lightly, either. So we go and you pour all of yourself in there. And we do have a big sense of responsibility, as well, to continue." On the Importance of This Being a Movie About Community and About Moving Forward Collectively Miki: "It's everything. It is what we are to be Samoan or Pacific. It's just how we see the world. So right from the way we run our sets to the way we run our production, to the themes of our story, that's how we communicate — and that's how we see the world, and that's how we work. So it is everything to us. And so to have a film reflect those themes, it's really important and allows us to highlight our culture in a way to the world that communicates what it is like to be Samoan and what it is like to be a Pacific Islander, what it's like to live in New Zealand and Aotearoa. And I think a lot of communities around the world can resonate with that, can see something in that, that they connect with as well. So I think it's a very human condition." On Making the Specific and Personal Universal Through the Film's Story of Grief and Connection Anapela: "It's not a thing — it just is. It's only when we talk about these things and analyse, but they are just a way of being. It's like with Miki talking about in Samoan, we're talking at very young age about sharing, and also that you're not the most-important person in the line. If anything, you're the last, you're supposed to help. It's never ever about you. There's this quote that says 'I is we always in a Samoan village'. So it's that mentality. That's how we're born. We're born into religion. We're born into all these things that make us Samoan. That goes more into the nitty gritty of what it's like. But when you try to find all those nuances in her, to not only explore but to allow those things about her being Samoan to breathe on-screen, to bring life and to evoke — let's just say, some of the comments that I've read, and I know it's from non-Samoan viewers, are 'we get a window, we kind of understand now what that means to be a Samoan just through that story'." Miki: "And it is things that we think about when we're piercing it together as well, so that will be the heart of it. But we've tried to create a story that does feel universal, that everybody can connect with. So we're telling a story from a Pacific perspective, but we're telling a story that's a universal story. Those who go and watch the film will see that it's not all about just being a Pacific Islander. And we've had great success back home in New Zealand because the entire country has found something to connect with. And we've tried to build that into the story, when we pieced it all together — that it is about community and coming together, and cultural acceptance. A large part of our European community back home have connected with the film because it has those things in it, and it does deal with things that they can connect with and they find funny, and they can find some sort of connectivity back to how they grew up as well. So hopefully it is a universal story for everyone." On the Movie's Approach to Navigating Cultural Differences Miki: "I tried to put it this way: we're not trying to hide from our past, and we are saying that these things did happen — and actually continue to happen, let's face it. And we've dealt with a lot of that stuff both on the nose, both directly and a little bit more subtly in the film, too. But you have to have that backdrop to it. You have to have some sort of setup for the entire film to end up in a place that we hope everybody ends up, which is inclusiveness and working together and coming together despite our differences — that we can celebrate a culture and the richness of it, we can say that we have been through this and some of us continue to go through these, but we can work our way through it through cultural acceptance and working together as a community." On Building the Cast and the Choir Around Polataivo Miki: "It's an exciting part of it. So, all of our students had to sing in their auditions. They all sung songs to audition for it. We went through the natural casting process. But we got really lucky when we came across Antonia [Robinson, Mystic], who has a musical background herself. She's a great singer anyway. She sings in her real life. But she's also a wonderful actress. We absolutely love Antonia. She's very hard-working, she's super talented. We know she's going to go on to great stuff after this. And then we managed to also find and create students next to her, in Zac [O'Meagher, Uproar] and Talia [Pua, Happiness Is the Path] and Tania [Nolan, The Convert] who had their own unique traits that they could bring to the group as a whole. Outside of that, we also have lots of wonderful New Zealand actors in there. Beulah Koale [Next Goal Wins] is in there, and Nicole Whippy [Shortland Street] is in there. Jamie Irvine [Literally Dead] is in there." Anapela: "Alison Bruce [The Gone]." Miki: "Alison Bruce as well. So we've got all of these well-known and really experienced New Zealand actors that not only are around Bels, but also help support and stand next to Bels." Anapela: "And our guy from Perth." Miki: "And Dalip Sondhi [Better Man] as well, who I think is a wonderful Australian actor — from England originally as well, the UK. So it was just special to be able to build a cast to support that. And they were all just so wonderful and embracing the community spirit of what we were trying to create. They're all amazing in the film, so it's quite lucky — super lucky and grateful." Tinā opened in Australian cinemas on Thursday, May 1, 2025, and in New Zealand cinemas on Thursday, February 27, 2025.
It's all in the name. The sheer amount of food on offer at Eat Street Markets is astonishing. Hand over your $2.50 to get in, and then scuttle around the food stalls trying to weigh up the virtue of Pizzeria 4007's spicy salami pizza versus Japanese pizza, all while telling yourself it's totally fine to have churros for dinner because you're an adult and can make decisions for yourself. There are also plenty of retail stores and shops to keep you occupied, but let's be real, you're here for the treats. Come with a group of mates because there are plenty of food options to suit every want and need. Though the market can be crowded, the atmosphere is simply alive and buzzing, and the air filled with tempting aromas wafting from the stalls. The only real issue here is deciding where to begin, and maybe when to stop too.
Fans of classic racing games like Mario Kart are in for a real treat as the BattleKart crew prepares to bring a live-action version to Melbourne in February 2024. For the augmented-reality racing game, drivers will jump into a real electric go-kart and whiz around an empty 3000-square-metre shed in West Footscray that's lit up by projectors. But you won't just be driving around a lit-up racecourse — you'll be properly interacting with it as well. Pass over mystery boxes to get bonuses like speed boosters, missiles you can shoot at other drivers (using the triggers on your steering wheel), and oil that causes others to spin out. It's all very Nintendo 64 Mario Kart, just without the licensing. And if racing isn't your jam, you can try a bunch of different driving games at BattleKart. Get around an augmented reality soccer game where you 'kick' balls around the lit-up field — or an IRL version of Snake where you try to grow the longest tail while avoiding everyone else. These do sound cool, but the adrenaline-inducing races are sure to be the highlight. BattleKart already has 23 sites across Europe, with this being its first Australian venture. According to its team, this will be the first time technology like this will be available to the Australian public as well. BattleKart is set to open in February 2024 at 50 McArthur Street, West Footscray. For more information, check out the venue's website.
When BŌS asks you to join its club, here's what it means: picking a dry-aged cut of meat from its cabinet, purchasing and reserving it, then tucking into it via the restaurant's 'Cleaver Club' whenever you're onsite. If that sounds like a swanky experience, it is, and that's what Brisbane's newest dining option has in store all round. You'd expect exactly that from a venue by Good Chef Bad Chef and Richo's Bar Snacks chef Adrian Richardson, plus ex-Cha Cha Char restaurateur Chris Higgins. Now open on Queen Street opposite Customs House, in Otto Ristorante's old Dexus Tower digs, the 120-seater BŌS gives the River City a luxe go-to with river views. Think: green hues and a plush fitout, as well as rounded edges, warm light, plenty of linen, and polished marble and brass, all courtesy of local interior design outfit Alkot Studio. Seating diners at tables and banquettes, or in the restaurant's al fresco seating, BŌS also clearly goes heavy on steak. It takes its name from the Latin word for beef, after all, which is indeed reflective of its menu. Here, you'll also find steak tartare, eight cuts from the grill included a bacon-wrapped fillet mignon, and two giant 1.2–1.5-kilogram options to share all on offer. That said, diners can also choose from oysters three ways, chargrilled Fremantle octopus, house-smoked salmon, sand crab lasagne, crackling-wrapped pork loin and duck breast with black garlic as part of BŌS' embrace of different types of proteins. The culinary theme, other than meat: modern Mediterranean, as also seen in the lineup of handmade small goods like salamis, bresaola and pastrami; the southern rock lobster with hand-cut mafaldine pasta; and the hand-stretched buffalo mozzarella. And, BŌS' sides range covers creamy mashed potatoes, wagyu-fat roasted spuds and a selection of other vegetables, while the dessert options include vanilla bean crème brûlée, Basque cheesecake, strawberries and cream, cheeses, ricotta doughnuts and dark chocolate brownies. As first announced in early November, BŌS sees Richardson and Higgins team up with lawyer Liam McMahon, with Richardson also taking cues from La Luna, his bistro in Carlton in Melbourne since 1998. The drinks list is just as much of a highlight as the meat-centric menu, thanks to restaurant manager and sommelier Romain Maunier (Montrachet, La Cache a Vin). BŌS' vino choices favour drops from high-end producers in Australia, France and Italy. If you prefer cocktails, the espresso martinis and affogatos fall into the 'liquid dessert' category; the full cocktail and spirits offerings fills seven pages; and there's a global gin selection, Bond-style martinis, share jugs of sangria and three kinds of spritzes. Come January 2023, BŌS will also boast a dedicated champagne and cocktail terrace bar — called The Aviary Terrace Bar — for summer sips and taking advantage of Brisbane's usually sultry weather, which'll pair full bottle service with city views.
It's a lifesaver when it comes to transporting oversized items, it comes in especially handy when moving house and it even makes a pretty mean bucket hat. Now, there's another nifty new use for the ubiquitous blue IKEA Frakta bag — edgy doggy fashion for the oh-so-stylish canine. Yes folks, the Swedish furniture giant is taking a dip into the world of haute couture for dogs. The chain isn't selling the extremely blue outfits, though. Instead, it has released a series of instructional patterns to help you upcycle those signature bags into some very dapper looks for your pooch. In the spirit of its renewed focus on sustainability for 2021, IKEA has dropped DIY guides for three Hund Couture dog outfits, complete with the same sort of step-by-step instructions that accompany its flat-pack furniture pieces. With these designs, though, there's no Allen key required — and you won't have any pesky stray screws left over at the end of the build. The Hund Couture line features a ruffled raincoat, an eye-catching frilled-necked lizard-inspired get-up and even an AM-to-PM look centred around a dashing detachable collar. To recreate them, you'll need a sewing machine, some velcro, and — depending on which garment you're going for, and the size of your pooch — between three and seven Frakta bags. After first announcing the new pet-focused release on April 1, the brand had many people writing it off as an April Fools' Day joke, which is how it started out. But IKEA has come through and given canine lovers the step-by-step details on how they can turn the DIY pieces into legit dog outfits. You'll find all three designs and their accompanying manuals available to download for free on the company's website. All that's left to do is let your four-legged fur-shionista choose which glam statement piece they want you to whip up first. Check out IKEA's Hund Couture range over at the company's website.
2026's Down Under live music calendar already boasts David Byrne, Lorde and G Flip, to name just a few big-name acts hitting the stage. Now, in another of the year's must-see tours, Nick Cave and The Bad Seeds have announced a slate of shows in Australia and New Zealand in January and February. The group's Wild God tour is finally making its way to this part of the globe, after dates across UK, Europe and North America in 2024 and 2025. Fans can get excited about a two-and-a-half-hour show focused on the band's 2024 record Wild God, but also spanning their four-decade career. 'Red Right Hand' and 'Into My Arms' have indeed been on the set list so far. Fremantle Park in Perth will host the first Aussie gig on Saturday, January 17, with Cave, Warren Ellis and company then heading to Adelaide Entertainment Centre on Tuesday, January 20. Two shows will take over The Domain Sydney on Friday, January 23–Saturday, January 24, before a single-night stop at Victoria Park in Brisbane on Tuesday, January 27, then three concerts on Friday, January 30–Sunday, February 1 at Alexandra Gardens in Melbourne. In New Zealand, Nick Cave and The Bad Seeds are headed to TSB Arena in Wellington over Thursday, February 5–Friday, February 6, in their only NZ gigs — which are taking place in association with the Aotearoa New Zealand Festival of the Arts. "I can't wait to get to Australia and New Zealand with The Bad Seeds and to bring you our epic Wild God show. It's been a long time coming, and I've missed both Australia and New Zealand very much. It will be a wild and mighty joy," said Cave, announcing the Aussie and NZ leg of the tour. Cave and Ellis last hit the stage Down Under sans the rest of The Bad Seeds on the Aussie run of their Carnage tour in 2022, supporting the 2021 album that shared the tour's name — which actually marked Cave and Ellis' first studio album as a duo. Bandmates across several projects since the 90s — including Nick Cave and The Bad Seeds, and Grinderman — Cave and Ellis are Aussie icons, with careers spanning back decades. Together, they also boast more than a few phenomenal film scores to their names as well, including for The Proposition, The Assassination of Jesse James by the Coward Robert Ford, The Road, West of Memphis, Far From Men, Hell or High Water and Wind River. Nick Cave and The Bad Seeds Wild God Australia and New Zealand Tour 2026 Saturday, January 17 — Fremantle Park, Perth Tuesday, January 20 — Adelaide Entertainment Centre, Adelaide Friday, January 23–Saturday, January 24 — The Domain, Sydney Tuesday, January 27 — Victoria Park, Brisbane Friday, January 30–Sunday, February 1 — Alexandra Gardens, Melbourne Thursday, February 5–Friday, February 6 — TSB Arena, Wellington Nick Cave and The Bad Seeds' Wild God tour hits Australia and New Zealand in January and February 2026. Tickets go on sale at 10am local time in each city on Friday, August 29, 2025 — for more information, head to Nick Cave's website. Images: Megan Cullen.
If you're familiar with Supernormal in Melbourne, yes, the New England lobster rolls had made the jump north now that Supernormal Brisbane is open. So has the 150-seater restaurant's focus on Asian-influenced dishes, as influenced by Andrew McConnell's time in Hong Kong, Shanghai, Tokyo and Seoul. But the aim is to both give the OG Supernormal a sibling and Supernormal Brisbane its own vibe — including by embracing the place it calls home. Accordingly, from its riverside site next to Customs House — between the Queen Street Mall and Howard Smith Wharves, complete with water and Story Bridge views — Supernormal Brisbane is pairing signature dishes with newcomers, all while paying tribute to Queensland ingredients. You'll spot the former as you tuck into the restaurant's half crispy duck, which comes cured in salt and cooked twice, for instance. From a lineup that spans appetisers, a raw bar, dumplings, dishes to share and more, other menu highlights include claypot sticky pork rib dumplings, baked abalone pastries, and Szechuan and yellow chilli-poached Moreton Bay bugs. This is the type of spread that you'll want several visits to feast your way through, also featuring mussel and kimchi flatbread, smoked beef with mustard leaf and clam mayonnaise, squid and spring onion skewers, and sour and salty crispy lamb. The same sentiment applies to the four-strong dessert range, where milk gelato with shiso oil, plus apple and sorrel gelato, sit alongside a mix of Valrhona chocolate, caramelised miso, peanuts and sesame; the strawberry, yuzu and pineapple sage meringue; and fresh mangosteen on ice. Saying cheers to a hefty wine list with almost 400 options is equally a multi-trip quest, with the vino selection favouring family-owned producers both emerging and established. If you prefer cocktails, the libation are taking their cues from Brisbane's subtropical climate. For those with an occasion worth celebrating, Supernormal Brisbane also features private dining in The Bridge Room, catering to up to 50 people surrounded by sandstone walls. Vince Alafaci and Caroline Choker of Sydney's ACME have been on design duties for Supernormal Brisbane since it was announced. With creating a sensory experience from the moment that patrons step inside the guiding principle, they've decked out the eatery with an emerald marble maître' d station, green terrazzo floor, carved timber bar that's meant to resemble growth rings on tropical trees, giant columns, bamboo pendant lights, and timber and rattan aplenty. Those vistas? You can peer at them through floor-to-ceiling glass, giving your meal — lunch, dinner, and whatever suits you across Supernormal Brisbane's daily midday–11pm operating hours — quite the backdrop. Mirrors also feature prominently to ensure that you can see the view, even as a reflection, no matter where you sit. Images: Earl Carter.
For more than two decades, every Australian kid was familiar with Aerobics Oz Style. It's the show that kept TV-loving children from their early-morning cartoon fix — airing each day before Cheez TV and its predecessors started. Back then, between 1982–2005, the sight of leotards, tights and leg warmers probably brought a frown to your face. Now, while we're all trying to keep active in isolation, it's reason to smile. Bust out your best retro workout outfit and get ready to stretch, bend, step and tone — because Network Ten has just dropped a heap of old-school episodes on its free streaming platform. Over at 10Play, 15 90s-era instalments of Aerobics Oz Style are now available to watch (complete with 90s-era soundtracks). The bulk were first aired in February 1995; however you can also get sweaty to episodes from April and October 1996, December 1997 and February 1998 as well. Most of the available episodes were filmed in a studio, so prepare not only for some thoroughly 90s activewear fashions, but also for pastel-heavy set design from the period. If you're eager to get a glimpse of Sydney from more than 20 years ago, though, three of the episodes were shot at various outdoor locations around town — so you can get fit and check out the scenery. Need an amusing reminder of what you're in for? In 1998, TISM satirised the show in the music video for their single 'Whatareya?', which you can watch below: https://www.youtube.com/watch?v=GiHdpAVIHgo To sweat your way through 15 retro episodes of Aerobics Oz Style, head to 10Play.
These days, working out extends far beyond the gym floor. Housed in spaces that have their own personalities, boutique studios offer a type of workout for specific goals – whether that's endurance, strength, flexibility, or simply bragging rights. BFT and F45 offer high-intensity group training via circuits, while Barry's Bootcamp's sleek interiors are a luxe spin on the same sweat. If zen is more your speed, traditional mat-based yoga classes now sit alongside hammock-draped aerial yoga spaces where familiar poses are performed in the air. [caption id="attachment_1002460" align="alignnone" width="1920"] The Commons[/caption] Boutique fitness classes have become so popular that studio memberships are now a standard monthly expense – and it's not a tiny one. A recent study by health insurer iSelect reveals that a year of group fitness in Australia costs around $3,343.92. The price tag on group classes might be edging into luxury expense territory, but there's a reason it's hard to give up. Ever so often, a fitness trend explodes: indoor cycling, bouldering and Zumba have all had their moments in the past decade – and the current obsession is reformer Pilates. A recent study from health insurer iSelect has confirmed what your bank account already suspected: reformer pilates is officially Australia's most expensive workout. Reformer pilates studios typically have a range of membership tiers, but unlimited access is usually the best value for frequent attendees. These passes tend to be the priciest – Canberra's studios top the charts with an average of $82.20 a week. Sydney isn't far behind at $77, then Melbourne ($75.20), Perth ($74.30), Brisbane ($70.60) and Tassie ($64). Staying fit doesn't always have to break the bank. Some gyms and health clubs include reformer pilates classes in their offering, while boutique studios are getting savvy with costs. At Melbourne's Reformer Space, classes are led via a screen without an instructor present, and the savings trickle down to a weekly fee of under $30. For those seasoned with the carriage springs, explore free-and-easy formats like Pilates 24/7 and Revo Fitness, where reformer machines are readily available for self-guided workouts. It's not just group fitness that can dent your wallet. Training for sold-out endurance events requires an immense amount of time and grit, but it also takes a toll on your wallet. It costs a whopping $630 to complete the gruelling 226-kilometre Ironman triathlon, while you can show your strength at Hyrox, a hardcore hybrid competition, for $250. There's a pattern: the bigger the spectacle, the higher the price. Following its addition to the Abbott World Marathon Major series, the Sydney Marathon now costs $330 per participant – an increase of over $100 from last year's edition. In contrast, the Gold Coast marathon offers a more affordable option at $235 per runner. For those seeking a muddy challenge, Tough Mudder's obstacle courses are priced below $200. While high-end classes and prestigious triathlons dominate the conversation today, accessible options like fringe events endure. Every Saturday, parkrun organises free 5K runs and walks across the country. Who knows? It might just deliver the same sweaty satisfaction. Images: The Commons, Strong Pilates, Iron Man
Beau was afraid. In Ari Aster's third feature — another excellent and unforgettable film after Hereditary and Midsommar — Beau was anxious and unsettled and agitated and knocked off-kilter, too. Sheriff Joe Cross is all of these things also, with Joaquin Phoenix (Joker: Folie à Deux) again taking on a key role for a writer/director responsible for some of the best movies, and viewing experiences, of the 21st century. Along with the filmmaker's initial two pictures, Beau Is Afraid earns that description, as does Eddington, Aster and Phoenix's mid-2020-set, COVID-era-probing, brilliant and chilling and equally very amusing latest collaboration. Its focus: a small New Mexico spot struggling when normality as everyone knew it just months prior has vanished and seems as if it might never return. The Sevilla County official at Eddington's centre is as much a man interrupted, as his community is — but the Cross way of coping is to flout and defy anything that doesn't match his preferred status quo. His dislike of incumbent Mayor Ted Garcia's (Pedro Pascal, The Fantastic Four: First Steps) way of handling the pandemic, aka respecting social-distancing restrictions and mask mandates, inspires the Sheriff to take action, entering the race to lead the town (population: 2345) himself. Eddington is a western, as well as being an unnerving thriller and a hilarious dark comedy; Aster has Cross and Garcia headed for showdowns and standoffs more than once. With a Best Actor Oscar for Joker to prove it, Phoenix has been enjoying a recent stint of playing characters who are fixated, obsessed, unyieldingly determined and driven to act of late — since before the outstanding You Were Never Really Here, but that's firmly a recent example prior to his time as Arthur Fleck and now Joe Cross. He hasn't necessarily noticed that trend, he tells Concrete Playground, or recognised that anything particularly draws him in that direction. "I've never thought of it that way, but you say that and I go 'I don't even know what the last two movies I made are'," Phoenix advises. "But maybe you're right. I don't know why. I think I'm always just — it is an instinct. I either react to something that I'm reading it or I don't. And I don't really analyse why." Eddington is easy to spot trends and parallels in and around. Given that it peers into very recent history, to a period forever seared and scarred into memories — and has the era's paranoia and polarisation in its sights, spotting how neither have subsided since — that's by design. Another piece of mirroring comes via Aster's filmography. Chatting with Concrete Playground in 2018 when Hereditary released, he described his debut as "a family tragedy that curdles into a nightmare". Grief over a mother and grandmother begets worse in the feature that won Toni Collette (Mickey 17) a deserved Best Actress Gotham Award — in a movie, too, that cemented itself as an instant horror great. That "curdling into a nightmare" idea resides in each of his features, Eddington included. "I think that could be one way of describing this film," Aster tells us. "I would say that this is a film about a bunch of people who are all very paranoid, and who have very clear but kind of oppositional ideas of what is happening. And everybody's picture of the world is pretty sinister. Then, by the end of the film, the film itself becomes gripped by this paranoia — and so the movie too becomes paranoid." He continues: "and in that way, the film goes off the rails in a way that I like. It's got a long, sustained climax, which I like, especially in a genre film. It's easy to make this film, in an interview like this, sound like eating your vegetables — but it's supposed to be fun, even though what it's talking about is no laughing matter. But the film is about the circus of America, and the tilt-a-whirl goes faster and faster until the teacups start flying off." Cross' blatant and inescapable acrimony for Garcia, Joe's depressed wife Louise (Emma Stone, Kinds of Kindness) embracing online conspiracy theorists and becoming particularly enthralled by the charismatic Vernon Jefferson Peak (Austin Butler, The Bikeriders), local teens staging Black Lives Matter rallies to share their anger over the death of George Floyd, tech company SolidGoldMagikarp's plans to build a data centre on Eddington's outskirts, doomscrolling feeding the pervasive sense of distance between townsfolk: these all help that rotating ride spin. As the whirring of conflicting attitudes and opinions that's unbalancing its setting gains speed, Aster's film digs into America's contradictions, patently, as well as conservative-versus-liberal clashes. Internet hokum's easy spread, our immensely tech-reliant lives and AI earn attention; giving up power to the powerful without realising it, too. Anti-fascist activism, performative bandwagon-jumping, ignoring health-protection rules when folks are dying, not knowing how to cope with this chaos: they're also among the swirl. Aster doesn't see it as a horror movie; however, Eddington is as perceptive a portrait of 2020 and the times since as had reached screens so far, and as disquieting yet clear-eyed. The path to the feature started with an old idea predating the pandemic, which also came up while talking to the director, as did piecing the narrative together, living in a world where no one agrees on what's true anymore, reteaming with Phoenix and more — alongside chatting with Phoenix about that repeat collaboration and reuniting with filmmakers of late, interrogating fear and anxiety with Aster, what he recognised in the script, and bringing humanity and humour to Cross. On How Aster Following His Instincts in the Early Days of the Pandemic, and Picking Up an Old New Mexico-Set Idea, Lead to Eddington Ari: "Well, I feel like we're living in a very, very weird time. And the human capacity for adaptation is amazing, and everything becomes normal very quickly, and things that might be obvious become less so once they become ambient. And I just found that I wanted to pull back as far as I could, and try to describe this new reality that we're living in as well as I could — which is that everybody is living in a different version of reality, and we totally distrust anybody and anything that falls outside of our little bubble of certainty. And we've become unreachable to each other. So I wanted to make a film about that. And I'm from New Mexico — and that's really what the project was that had already been there waiting for me, which is that I have just been wanting to make my New Mexico movie. And I wanted to make a western. And it felt like the right framework for this." On Whether Returning Collaborations with Directors, Such as Ari Aster Here, Todd Phillips on Joker: Folie à Deux and Ridley Scott on Napoleon, Help Phoenix Challenge and Extend Himself as an Actor Joaquin: "I think that's what you would hope for, right, because it's almost like a long relationship, just the value of growing with somebody and changing — and somebody that learns to read you better after time. We all put our best foot forward when we first meet people and are working with them, and I think after some time we start really showing ourselves and there's real value in mining that. With Ari, it's weird, because I had one of those experiences where when I first met him, when I first just talked to him on the phone, I instantly knew that he was — I don't know, a friend just doesn't even sound like it's enough. I just knew that we were going to be working together closely, and I knew that he was somebody that I loved the way that he talked. And I understood him, like I felt like I really understood. And I think he understood me. And so there's real value in that — and I hope, I think, that he did and does challenge me in ways that are really beneficial to me and helpful." On When Aster Realised That He Wanted to Reteam with Phoenix on Eddington Ari: "After working with Joaquin on Beau Is Afraid, I really wanted to work with him again. Before Beau, he was one of my favourite actors and somebody that I very seriously wanted to work with. But when I was writing Eddington, at least the first pass of it, I hadn't worked with Joaquin yet, didn't know him yet, and so I didn't really have anybody in mind. But after we shot Beau, then I rewrote Eddington and spent a lot of time in New Mexico, travelling around, going to different small towns and meeting different people, public officials, Sheriffs of different counties, police chiefs, Mayors — went to different pueblos — and tried to get as broad a picture of the political climate of New Mexico as possible. And then once I had incorporated all of that and I had a script, it was clear to me that I wanted to at least try Joaquin again and see if he was interested. And happily he was, and I really think he does something really special with this character, Joe Cross, the sheriff of Eddington — or the sheriff of Sevilla County. Eddington is a town in Sevilla County. These are made-up places. But I think what he does here is really wonderful. He brings so much humour and humanity to this character. And I think part of the trick of the film — or I don't know if it's a trick, or if it's just something that is important to the film working — is that you have to kind of like this guy, whether you have his politics or not. There's something winning about him. And then, of course, as the film goes on that should get more complicated — our relationship to him should change." On Whether There's Something Unique to Digging Into Fear and Anxiety with Aster Joaquin: "I don't think he's exploring these traits because they're good for a character, for a movie, but it feels like it's a genuine curiosity for him. And maybe it's part of his experience, or maybe it's the experience of people that he knows. I don't know why he has that curiosity — or I don't know if it's an obsession — but definitely it's a curiosity to explore those feelings, and I don't know where it comes from. I've never asked him 'is that your personal experience, or ... ?'. I think oftentimes writers obviously observe things in others and become fascinated by it. So there's definitely a real drive and curiosity. And so I think when you're — there's not a standard way of playing that for Ari, right? It always has to be something very detailed and specific. And I'm struggling with trying to come up with an example, probably because there's so many and they're all running together. But I wish we could come up with an example of a scene. Like even in the scene where I'm — it's such a brief moment, you may not even remember — but I go back to the police station and somebody that was in the police station that was locked up is no longer there. It was really this very quick scene that's in the midst of the most-manic moment. And it was a long process for us that went throughout the day, as we discussed all the possibilities of what would be going through the character's mind and then how that is translated to somebody else as he speaks or whatever actions he takes. And so I think with Ari, it always feels that we are trying to find something that feels very specific and unique to that character in that moment — versus a blanket approach to anxiety or fear." On the Crucial Elements to Create a Film About Living in a World Where No One Can Agree on What's Real Anymore Ari: "For me, the most-important thing was to pull back as far as I could, because what I wanted to talk about was the environment, right — and I feel like we've become so atomised, and things have become so complicated and so intensely partisan, that it felt very important to move back and just try to get a picture of the landscape. And to see just how many of those particles were floating around not actually meeting each other. And then it's a genre film, and so it's built on conflict. And so the question then became 'well, what happens when these atoms start bumping up against each other? What comes out of that?'. And the answer is almost always violence, because there's nothing in the ether to hold anybody together anymore. And so that was, I guess, the challenge, but also the thing that felt necessary." On Phoenix Seeing Himself and Reality in Eddington When Aster First Sent the Script His Way Joaquin: "My first reaction was 'I recognise so much of myself and my family and my friends and my neighbours in all of these characters, and that makes me uncomfortable at times. But I'm laughing and I can't stop laughing'. That was my first reaction. And then I think I was like 'oh yeah, it's us'. And as ridiculous as we were, we were scared. Like, everyone was scared. Whether they should have been scared or whether we overreacted, it doesn't really matter. In that moment, it was kind of like waking up from a nightmare and they're like 'yeah, in the moment, it really felt like that monster was going to get me and I was scared. And all the things I did in that that moment, it was just how I reacted. I couldn't help it.' And I think in some ways, it made me just have a lot of forgiveness and understanding for how we behaved." On Putting the Pieces of Eddington Together — Including the Societal Landscape, America and Western Society's Pervasive Polarisation, and COVID-19 — in a Western-Meets-Thriller That's Also Darkly Humorous Ari: "First of all, the film is set in 2020. It's a period piece, set in June 2020, and so it helps to have something as specific as that, right, because then you're asking 'okay, what is happening right now? Who are the players here?'. And of course, I would have liked to have included far more characters, but I jammed as many people as I could into the film without sacrificing coherence or narrative clarity. But it all felt pretty intuitive that we begin with the arguments of the day, the most popular ones, which had a lot to do with masking and personal freedom versus public safety and health. And from there, things start unraveling and spinning out. And then you have these more fringe figures coming in. And I think what's interesting about this moment, even right now in 2025, is that this counterculture had been building up in America for a long time that the prevailing culture at the moment wasn't aware of. And that counterculture meanwhile was being fed and agitated, and was growing. And now that counterculture has kind of taken over. And it's all become very, very distorted and strange. It's so interesting that the right kind of adopted the language of 1960s–70s radicalism. Everything has become — I want to use the word farcical, but none of this is any laughing matter. It's feels pretty catastrophic, what's happening. And it's also why the western felt right, because it is about the building of America and forging new societies. And it feels like right now we're living through the collapse of something — we're on the cusp of something, something new. And I think everybody's feeling it and there's a lot of anxiety and a lot of fear. And for some people, a lot of excitement. I wrote this film in a state of anxiety and fear." On Whether Trying to Convey the Humanity of Joe and Also Bringing Humour to the Part Helped in Stepping Into His Shoes Joaquin: "Nothing ever feels easy. You just feel that — yeah, it doesn't feel easy, but it seemed like very much from the beginning, I could not create any separation between me and Joe. Like, that if I at any point stood above him in judgment, I would lose it, I would lose him. And so it just felt important to humanise him as much as possible. I wanted to surprise anybody that might have a preconceived idea of what conservative Sheriff in a small town might be like, and so that definitely felt like my directive. But what helped me, probably most of all, was meeting with real Sheriffs. Ari and I went on a trip together in New Mexico and spent some time, and there were a few people that I met that I really connected with that seemed like great examples of who Joe could be. So it felt to me that as much as there's something very humorous and absurd about so much of this film, I wanted to make sure that Joe was really grounded and that he was recognisable to people that actually know a Sheriff like Joe." On Whether Aster Considers Eddington to Be a Horror Film — and What's at the Heart of the Film That Scares Him, Be It Humanity's Embrace of Existential Risks, Including Not Just Health But Also AI, or Stopping Questioning the Powerful Ari: "No, I don't consider it a horror film. No. But, I do think it's talking about something that scares me. There's a lot that scares me. I'm scared that the people who are leading us don't seem to believe in the future. You mentioned AI, and I would say if you asked me to say in one sentence what this film was about, I might tell you it's about a data centre being built. And that's happening on the periphery of the film, but it's really pretty central. And all these stories are really just data for this giant wooden wheel — to churn into what? What is coming? The film is about people navigating a crisis, but all the while, there's this other crisis that's incubating in a lab over here. And who knows, the utopian dream of what this thing could bring might be true. It might come to pass. But we really don't know what's coming. And yeah, I think that what's happening all over the world — and it's happening in the United States, but it's happening everywhere — it's something that's already happened to us, which is that we've been fortressed off. And I think that's very scary that we're completely unable to reach each other, and we're living out an experiment that has already failed badly. And it doesn't seem like anybody at the levers has any interest in slowing this thing down. It feels like, on the contrary, it's only accelerating." Eddington released in cinemas Down Under on Thursday, August 21, 2025.
Comforting colours are here to stay, at least for another year. For its Colour of the Year for 2025, the Pantone Colour Institute has gone with "a soft, warming brown" as its chosen hue — a tone that it says symbolises thoughtful indulgence, harmonious comfort and feelings of contentment. That shade: Mocha Mousse. Before every new year hits, the institute's colour experts select a hue for the 12 months ahead — the shade that you can expect to see popping up around the place, including in fashion and accessories, home decor, design and beauty, and more. For 2024, it also opted for a calming shade with Peach Fuzz, choosing for a tone between pink and orange. Now, it's going all in on mellow brown. Obviously given its pick, expect to see this hue in food and drink as well. "Underpinned by our desire for every day pleasures, Pantone 17-1230 Mocha Mousse expresses a level of thoughtful indulgence. Sophisticated and lush, yet at the same time an unpretentious classic, Pantone 17-1230 Mocha Mousse extends our perceptions of the browns from being humble and grounded to embrace aspirational and luxe," said Pantone Colour Institute Executive Director Leatrice Eiseman, announcing 2025's pick. "Infused with subtle elegance and earthy refinement, Pantone 17-1230 Mocha Mousse presents a discrete and tasteful touch of glamour. A flavourful brown shade, Pantone 17-1230 Mocha Mousse envelopes us with its sensorial warmth." This is the 26th year that Pantone has chosen a shade to encapsulate the year to come, and this time took cues from cacao, coffee and chocolate, as well as humanity's desire to connect to the natural world. "The everlasting search for harmony filters through into every aspect of our lives including our relationships, the work we do, our social connections and the natural environment that surrounds us. Harmony brings feelings of contentment, inspiring a positive state of inner peace, calm and balance as well as being tuned in with the world around us. Harmony embraces a culture of connection and unity as well as the synthesis of our mental, spiritual and physical well-being," Pantone Colour Institute Vice President Laurie Pressman expanded. "With that in mind, for Pantone Colour of the Year 2025 we look to a colour that progresses our embrace of the feeling of our Pantone Colour of the Year, Pantone 13-1023 Peach Fuzz, into another dimension, extending further into our desire for comfort, and the indulgence of simple pleasures that we can gift and share with others." The new shade follows not only 2024's Peach Fuzz, but also 2023's Viva Magenta, 2022's Very Peri, and 2021's Ultimate Gray and vibrant yellow Illuminating before that. In 2020, Pantone went with Classic Blue, while 2019's colour was Living Coral, 2018's was Ultra Violet and 2017's was Greenery. To find out more about Mocha Mousse — and to check out all of the previous Colours of the Year — head to the Pantone website.
Whether you come home to a lush oasis of greenery or have killed so many plants that the High Plant Council would jail you for life without parole, gardeners run the gamut of experience. And just like caring for plants, buying them is a skill in itself. As you master the art of keeping hardier plants alive (hello, devil's ivy), you may feel the challenging trumpet of an orchid or banana plant and sweep the city in a hunt for green babies to add to your growing family. Eschew Bunnings with a firm hand and head on down to the best Brisbane nurseries and plant shops for solid advice, rare finds and an abundance of crazy plant-lovin' folk. THE SOUL PANTRY, STAFFORD Plants, classes and a cafe. That's the garden shop trifecta, and it's exactly what The Soul Pantry offers. A visit to the Stafford spot will help you deck your halls with plenty of greenery, make sure you really know what you're doing, and keep your hunger and thirst at bay. As well as a range of indoor beauties — plus pots to put them in — you'll also find flowers of both the fresh and dried variety (for those who love nature, but know that keeping something alive is beyond their capabilities). Workshop-wise, you can learn about everything from table styling and terrariums to making succulent living wreaths at this Brisbane plant shop. OXLEY NURSERY, OXLEY Oxley Nursery is more like the nurseries your parents dragged you to as a child — a huge, rambling, humid place that sells everything you could ever want. As well as a wide range of cacti, succulents, palms, and endless fiddle leaf figs, you'll also find carnivorous plants, blooming aloes, man-sized lobster claws (Heliconias), Teddy Bear magnolias, Casuarina glauca (a Cousin It-like plant), pencil pines and voodoo lilies — basically, if you can imagine it, this Brisbane nursery has probably got it in stock. The family-run spot also dabbles in landscape and garden design, so when you visit you'll always find advice and garden gravel aplenty. MAPPINS NURSERY + AQUARIUM, WEST END Nestled among a row of warehouses in West End, Mappins is the kind of place you might simply walk right past you didn't know it was there. The low-key Brisbane nursery specialises in imposing cacti and lush indoor plants, as well as all your potential aquarium needs. Inside, you'll find fluffy maidenhair ferns, long and lush devil's ivy, rigid philodendrons and monstera, as well as all the other darlings of the indoor plant world. The staff are passionate, knowledgeable and will make sure you leave knowing just how to keep your new green babies thrivin'. Plus, it's just over the way from the West End Markets, and the perfect chaser to a Saturday morning spent eating lángos and petting other people's dogs. No matter how experienced your green thumb may be, this is one of the best places to buy plants in Brisbane. ALL THE GREEN THINGS, HIGHGATE HILL Plants aren't the only attraction at All the Green Things, although it does stock a sizeable range of gorgeous houseplants. While you're wandering around the Brisbane nursery's Vulture Street spot, perusing the shelves and looking at everything from hardy favourites to rare varieties, you may also spy the shop's resident dog, Ruby. In fact, if you're as fond of four-legged friends as you are plants, you'll be able to stock up on pet-friendly greenery. Animal-shaped and -adorned planters and pots are also a highlight, which'll help you combine your love of both — or make you feel better if the leafy new addition to your home is the closest you're going to get to expanding to your household at the moment. CITY FARM NURSERY, WINDSOR Fancy something green, alive and edible? Then you'll want to make a visit to City Farm Nursery. Given that this Brisbane nursery is part of Northey Street City Farm, aka Windsor's permaculture haven, the focus on plants that produce vegetables, fruit, herbs and bush tucker shouldn't come as a surprise. Consider it a two-for-one type of scenario: pick up some greenery to brighten up your balcony, and score yourself a treasure trove of ingredients that you can use in the kitchen at the same time. From cucumber, cherry tomato and beetroot seedlings right through to fruit trees, you'll find plenty here that'll make you hungry. You will also find other plants, particularly succulents; however if you've always wanted to use your green thumb to be a little more self-sufficient, this is your spot. BROOKFIELD GARDENS, BROOKFIELD One of Brisbane's long-term greenery go-tos, Brookfield Gardens may have changed its name from Brookfield Garden Centre, but it's still the same beloved spot that's been around for more than a decade. It's also well worth making the trip out to the western suburbs to visit. Outside in the nursery, a host of outdoor plants await. Back inside in the greenhouse, it's time to feast your eyes on indoor plants. If that's not enough, you can also mosey around areas specifically dedicated to pots, homewares, and edible flowers and herbs. And, while you're out at this Brisbane nursery and plant shop, you can also grab a plant-focused breakfast or lunch from onsite bistro Wild Canary. SATURDAY FRESH MARKET, ROCKLEA The weekend markets at Rocklea are for serious plant buyers. We recommend you squad up with your green thumb friends, make a dedicated trip to the Saturday Fresh Market between 6am–12pm and back that car straight up to the loading zone. The plants on sale are cheap as chips, often half the price of your average Brisbane nursery (though it's not the place to hunt for weird or exotic species, as sellers will offer everything else in bulk). However, it's the perfect spot to pick up big indoor and outdoor plants, pots of colour, natives and smaller succulents and cacti. Remember to take cash (as well as coins for entry and parking, $6 per car and $2 per person) and be strategic: do a sweep of the plant sellers before settling on purchases and going back, otherwise you might be disappointed to find a better deal elsewhere. If you're looking for a bargain, it's the best place to buy plants in Brisbane.
With Groovin the Moo announcing its dates then cancelling, and Splendour in the Grass sadly doing the same, your plans for 2024 might be missing a few music festivals. News for the industry hasn't been great Down Under in recent years, especially in Australia this year. But Listen Out is aiming to buck the trend, locking in its return for spring, as well as its dates and venues — and all of the above for Listen In as well. "It's been a very tough time for the Australian music festival industry and we are thrilled to be back in 2024, welcoming returning and first-time attendees through the gates," said Listen Out's promoters, confirming that the event will get everyone dancing for the third time in the pandemic era after 2022 and 2023 runs. [caption id="attachment_957218" align="alignnone" width="1920"] Jordan Munns[/caption] Last years' fest was Listen Out's most successful in terms of ticket sales ever, and the crew behind it are hoping to continue that trajectory. Something that might help: turning the fest into a 16-plus event, age-wise, which is a first for 2024. The festival's focus is staying true to its niche, filling its stages on electronic and hip hop artists — both international and local talents, too. The lineup hasn't been revealed as yet, but watch this space to see who follows in Skrillex, Four Tet, Lil Uzi Vert, Ice Spice and company's footsteps from 2023's bill. [caption id="attachment_957232" align="alignnone" width="1920"] Anna Warr[/caption] This is Listen Out's 11th year, with four stops on the agenda: Caribbean Gardens in Melbourne, HBF Arena in Perth, RNA Showgrounds in Brisbane and Centennial Park in Sydney. Listen In, the condensed version of the fest with a smaller lineup, is headed to Go Media Stadium Mt Smart in Auckland, and also Ellis Park in Adelaide. [caption id="attachment_957226" align="alignnone" width="1920"] Jordan Munns[/caption] Listen Out and Listen In 2024 Dates: Friday, September 27 — Listen Out Melbourne, Caribbean Gardens, Wurundjeri Land / Melbourne Saturday, September 28 — Listen Out Perth, HBF Arena, Mooro Country / Joondalup Sunday, September 29 — Listen In Adelaide, Ellis Park / Tampawardli (Park 24), Kaurna Country / Adelaide Friday, October 4 — Listen In Auckland, Go Media Stadium Mt Smart, Auckland / Te Ipu Kura A Maki Saturday, October 5 — Listen Out Brisbane, Brisbane Showgrounds, Meanjin / Brisbane Sunday, October 6 — Listen Out Sydney, Centennial Park, Gadigal Country [caption id="attachment_957230" align="alignnone" width="1920"] Samm Venn[/caption] [caption id="attachment_957221" align="alignnone" width="1920"] Sam Venn[/caption] [caption id="attachment_957224" align="alignnone" width="1920"] Mitch Lowe[/caption] [caption id="attachment_957228" align="alignnone" width="1920"] Anna Warr[/caption] [caption id="attachment_957220" align="alignnone" width="1920"] Sam Venn[/caption] [caption id="attachment_957225" align="alignnone" width="1920"] Zennieshia Butts[/caption] Listen Out and Listen In's 2024 season tours Australia and New Zealand in spring 2024. For more information, head to the festival website — and we'll update you when lineup details are announced. Top image: Mitch Lowe.
Heston Blumenthal’s London restaurant Dinner will soon be losing a head chef to a Melbourne version of the Michelin-starred restaurant. But in an international switcheroo, Blumenthal is taking back quite the culinary talent to the UK to reopen The Fat Duck in Berkshire: a MasterChef from Ballina. Confused? Let's break it down. Last night saw the greatly anticipated MasterChef finale, and after a two-and-a-half hour tension headache, a winner was crowned (spoiler alert: it was Ballina chef, Billie McKay, who beat competition golden girl Georgia Barnes in a shocking twist that took a long, long while to get there). But the real star of the show was (as always) wacky, inflatable arm-flailing Blumenthal who appeared with a dish from another dimension: the Botrytis Cinerea dessert, a dish more art than food. After the winner was crowed, Heston offered McKay a job at The Fat Duck when it reopens in Berkshire, which she graciously accepted. So, Australia is losing its newly crowned MasterChef to the UK, but at the same time Melbourne is gaining a new Blumenthal restaurant, Dinner, complete with ex-Fat Duck head chef, Ashley Palmer-Watts. Dinner will take up residence in the Crown Melbourne in October, taking over from The Fat Duck's now-closed, six-month Melbourne residency. Farewell Fat Duck classics as snail porridge and quail jelly with crayfish cream, and welcome Dinner specialties like the fabled meat fruit. Dinner Melbourne will be modelled on the Blumenthal's Michelin-starred London restaurant which serves a typically jaw-dropping menu — inspired by 15th century manuscripts and 'the fanciful dramatic dishes of the royal courts of King Henry VII'. Expect dishes such as the infamous meat fruit (chicken liver parfait contained within a mandarin jelly skin), and ‘rice and flesh’, which is made of saffron, calf tail and red and hails all the way from 1390AD (where it perhaps should have stayed). It’s an ode to historical British gastronomy, which in Hestonspeak means: be wary of your meal because there’s almost certainly four and twenty blackbirds baked into it and about to sing somehow. Dinner by Heston Blumenthal will open in late October at the Crown Melbourne, 8 Whiteman Street, Southbank. Open for lunch Friday and Saturday, and dinner daily. Via Good Food. Images: Alisa Coonan, Ashley Palmer-Watts.
Brisbane is already home to two mini-golf bars, multiple arcade bars, several axe-throwing bars and a digital ping pong bar — and it also boasts a huge two-storey darts hangout, too. Usually the domain of old-school pubs, the projectile-flinging sport is the main attraction at Oche Brisbane, though it's had a thoroughly 21st-century update. Originally launching in Oslo in Norway, Oche (pronounced ockey) has opened its first Australian digs in Fortitude Valley. Lining the walls are dart boards that look exactly how you remember — but they all have an electronic component. Each board comes with dozens of games built in, so you can pick between the knockout-style Killer, high-scoring High Striker and points-accumulating 201, among other options. The boards also keep score, so there's no need for a pencil and paper (and no room for arguments). And, for unknown reasons, some of them chat to you as well. Located within the brick walls of the 115-year-old Old Flour Mill Building on Constance Street, Oche's darts sessions run for 85 minutes, and are designed to get patrons to do something that's definitely not common these days: put down your phone. The idea is that you'll head along with your mates, get drinking, throw a heap of darts, and forget about your emails, Insta feed, DMs and the like. (You'll probably keep picking up your phone to take and post snaps, but hey, getting folks to switch off is a noble aim). Inside the 700-square-metre, heritage-listed spot, Oche also features an outdoor terrace and two separate bars — so you can sip your way through mocktails, cocktails, beer on tap and spritzes. Food-wise, you'll find pizza, tostadas, burgers, grazing boards, popcorn chicken, and cheese and chive croquettes. So you can hurl darts and eat simultaneously, plenty of dishes are designed to be eaten with one hand. Expect to have plenty of company while you're throwing darts at boards for bragging rights — Oche can accommodate 360 people. Updated August 25, 2021.
You won't have to hack together IKEA's latest collection, as the iconic furnisher of homes everywhere has just released its collaboration with Stockholm-based architect-turned-designer Gustaf Westman. Renowned for his bubbly, curvaceous pieces, it's Westman's first-ever product design collaboration, though he's far from an unknown quantity. He counts design-conscious celebs like Tyler, the Creator and Olivia Rodrigo among his fans. While we usually associate the Swedish giant with ready-to-assemble furniture made for functionality, this collaboration brings a little more personality to the fore. Created with joyful informality, Westman's 12-piece collection is inspired by seasonal celebrations, challenging tradition through his trademark sculptural shapes and bold colour combinations. "For me, this was an opportunity to take traditional holiday decor aesthetics and turn it on its head, instead, introducing a sense of playfulness and boldness," says Westman. "This is my interpretation of the holidays; it's a new design for a new generation." So, what's in store for IKEA and Westman fans? As you might expect, there's no shortage of pieces celebrating food and togetherness. The most attention-grabbing is a dedicated meatball plate — especially appropriate considering IKEA's iconic dish turns 40 this year. Meanwhile, Westman has designed an offbeat porcelain cup and saucer set for glögg, aka mulled wine, shaped by memories of his grandma's holiday baking. Westman's collection is also here to level up your lighting. There are matching candlesticks and holders in two candied colours — red and blue — and a portable, rechargeable lantern that twists from a round shape into an orbital one. Those familiar with Swedish Christmas traditions will also recognise a reimagined candelabra-style lamp, traditionally placed in windows during the holiday season. "Celebration often comes with established traditions, and we were curious to explore a more fun and inclusive take," says Maria O'Brian, IKEA Range Identity Leader. "Teaming up with Gustaf Westman felt like a natural match to help us reimagine the holidays with a twist." The limited-edition IKEA x Gustaf Westman collection will be available for purchase from Monday, September 29. Head to the website for more information.
Freshly minted Modern Australian bistro Marlowe is stepping up its offering, inviting guests to see out the weekend with an unhurried weekly ritual: Sunday Service. Part indulgence, part theatre, guests build their own Bloody Marys from a roaming bar cart, featuring house-made tomato juice, blue cheese liqueur, fresh lemon and a choice of Absolut Vodka or Beefeater Gin. Each drink dovetails with a special bite — in this case, a refined take on the bistro's Ploughman's Gilda. Think a skewer with grilled pickled cocktail onion, a smoked slice of LP's sausage, an olive and a cube of cheddar finished with pickled mustard seeds. Yet there's plenty to come after this tasty morsel. Launching alongside the tableside Bloody Marys is Marlowe's new lunch and bar snack menu, while the full à la carte offering is available if you're feeling extra peckish. Highlights include the Marlowe wagyu cheeseburger, headlined by a 200-gram smoked brisket and aged wagyu patty, or a fancy take on fish and chips, including herb-crumbed sand whiting. Once you're finished dining, guests are invited to continue their long lunch upstairs on the rooftop patio. The ideal spot for a refreshing cocktail, dig into Marlowe's new bar snack lineup, featuring too-tempting-to-resist options like a spiced gingerbread waffle with chicken pâté, and a potato hash with smoked trout.
If you know only one thing about Singapore, it's most likely its reputation for fantastic food. And it's not just the cuisine that's earned high esteem with foodies around the world. Alongside the world-class eats, the city's bars are making waves on the global cocktail scene. There's no quicker way to unravel the complexities of Singapore's cultural heritage than by eating your way through the city, from Michelin-starred European fine-dining to humble hawker centres selling affordable but delicious dishes. Then there's the drinking, which ranges from quirky speakeasies to opulent cocktail dens. To showcase the depth of Singapore's drinking and dining, we've partnered with the Singapore Tourism Board to present some of the city's can't-miss experiences. From art deco bars and urbane craft breweries to authentic Peranakan restaurants and French fine dining, these are the places to bookmark for your next visit. ATLAS If you try only one cocktail bar in Singapore, make it Atlas — previously featured on the World's 50 Best Bars list. First, you'll be blown away by the grand art deco space with its vaulted (and frescoed) ceilings. Then you'll be awed by the lofty bronzed gin tower that requires bartenders to scale a ladder to access the more than 1,300 gins (though the extensive menu also includes seriously fine wines, champagnes and whiskies). Going beyond the booze, there's a European-inspired food menu, a lavish afternoon tea service, and the must-try #SundaysAtAtlas which includes free-flowing cocktails, champagne and nibbles. Reservations are essential. [caption id="attachment_864471" align="alignnone" width="1920"] Singapore Tourism Board[/caption] JIGGER & PONY Singapore has speakeasies aplenty but there's no finer example than Jigger & Pony. The proof? It landed on the World's 50 Best Bars list in 2021, 2022 and 2023. The buzzy spot, located at the Amara hotel, is swanky yet relaxed but shakes up a serious cocktail. Jigger & Pony's drinks list — cheekily titled "A Decent Menu" — elevates 24 classic cocktails with clever twists. Think yuzu whisky sours, black pepper sazeracs and sakura martinis. Pair your tipple with a next-level bar snack — we're looking at you, black truffle macaroni and cheese — and go home with some of the bar's bottled cocktail selection to enjoy another day. [caption id="attachment_864481" align="alignnone" width="1920"] Mindy Tan (Singapore Tourism Board)[/caption] KENG ENG KEE Zi char is a term derived from the Chinese Hokkien dialect that translates to 'cook and fry' and refers to casual home-cooked Chinese food meant for sharing. Third-generation zi char restaurant Keng Eng Kee has been firing its woks since the 1970s and has truly perfected its craft. The food here is largely of the Hainanese and Cantonese influence, with popular dishes including the chilli and black pepper crabs, coffee pork ribs and Marmite chicken. The late Anthony Bourdain was a fan, as is feted British chef James Martin, and that's good enough for us. [caption id="attachment_864482" align="alignnone" width="1920"] Afur Wong (Singapore Tourism Board)[/caption] LEVEL33 Singapore may be the home of Tiger Beer, but LeVeL33 is the place to go for a brew with a view. Known as the world's highest urban microbrewery, this award-winning concept serves up freshly shucked oysters, lobster bisque, and pasture-fed Australian steaks, while brewmaster Gabriel Garcia whips up everything from lagers and pale ales to stouts and Bavarian-inspired wheats. Order a tasting paddle for the full experience. The beer menu pairs expertly with LeVeL33's views of the Singapore skyline as well as the "contembrewery dining" of elevated pub grub like baby back ribs and Wagyu beef chunks. [caption id="attachment_864485" align="alignnone" width="1920"] Singapore Tourism Board[/caption] NATIONAL KITCHEN BY VIOLET OON France may have Alain Ducasse but Singapore has Violet Oon, the doyenne of authentic Peranakan cuisine. Oon's flagship is an elegant, colonial-inspired space of dark woods and Straits Chinese tiles tucked into the grand National Gallery of Singapore — but it's the authentic plates infused with fine, fresh ingredients that'll thrill. Dig into refined takes on popular local dishes like kueh pie tee, beef rendang and the signature dry laksa, all of which are full of flavour and beautifully presented. There's also a dedicated plant-based menu that features meat-free takes on classics. Round off the experience with a selection of locally inspired cocktails for a sophisticated Singapore meal. [caption id="attachment_864487" align="alignnone" width="1920"] Danny Santos (Singapore Tourism Board)[/caption] MAXWELL FOOD CENTRE Hawker centres are a quintessential Singapore experience. And while the well-known Lau Pa Sat and Newton are on every tourist's hit list, insiders head straight for Maxwell. This go-to destination began life in 1929, but its current iteration opened in 1987. Inside you'll find a smorgasbord of popular food stalls so this is very much a choose-your-own foodie adventure. There's rich laksa at Old Nyonya, Michelin Bib Gourmand-awarded chicken rice at Tian Tian and traditional sweets at Heng Heng tapioca cake stall. And that's before you get to the rare culinary finds like the alluring Maxwell Fuzhou Oyster Cake and DIY China Street Fritters. [caption id="attachment_864493" align="alignnone" width="1920"] Singapore Tourism Board[/caption] ODETTE Three Michelin stars? Step into Odette and it's easy to see why this is among Singapore's most lauded restaurants. Named after chef Julien Royer's grandmother, Odette delivers dishes inspired by Royer's French farming heritage and Asian culinary experiences, all laced with high-quality luxury ingredients handled with impeccable technique. Expect plates like the signature organic egg with ibérico chorizo, Normandy brown crab with wasabi oil and nashi pear, and kampot pepper-crusted pigeon. All of this is served in a graceful, elegant dining room and paired with polished service and a curated wine list. [caption id="attachment_864497" align="alignnone" width="1920"] Singapore Tourism Board[/caption] MANHATTAN It might be located at the Conrad Singapore Orchard but Manhattan isn't your average hotel bar. Drawing on old New York glamour for its art deco-esque interiors and artisanal spirits for elevated cocktails, Manhattan is one of the city's best drinking dens. The onsite rickhouse produces exquisite liquid like solera-aged negronis and barrel-aged spirits, while the menu brings together classic and forgotten cocktails that revive Golden Age drinking. There's even a collection of over 150 rare American whiskies and tipples inspired by New York personalities like Whoopi Goldberg and Andy Warhol. Did we mention it's ranked 21st on the World's 50 Best Bars list in 2024? [caption id="attachment_866128" align="alignnone" width="1920"] Supplied[/caption] BURNT ENDS When Aussie chef David Pynt ran his Burnt Enz pop-up in London, he probably didn't know it was going to evolve into Burnt Ends, a modern Australian barbecue restaurant that currently holds one Michelin Star and is on the list of Asia's 50 Best Restaurants. Pynt translates his love of flame cooking (found while working with Victor Arguinzoniz of renowned Spanish restaurant Asador Etxebarri) into a daily menu of grilled delights. You might find items like flatiron steak with burnt onion and bone marrow or grilled leeks with hazelnut and black truffle, all complemented by a convivial, unpretentious atmosphere and boutique wines. For more incredible ways to experience Singapore, head to Singapore Tourism Board's website. Top image: Nauris Pukis (Unsplash)
If you're going to open an arcade bar that nods to all things circus and sideshows in Brisbane — and gives away prizes — then Bowen Hills is the obvious place for it. That's where Archie Brothers Cirque Electriq now calls home, although that wasn't always the case. The venue has made the move to King Street from Toombul, where it launched back in 2019, then had to close due to the 2022 floods (the precinct is now officially being torn down). Fun and games in a suburb known for the Ekka, but all throughout the year? That's what's on offer at Archie Brothers' 340-person space in Bowen Hills — aka arcade antics, drinks, bowling and more. The games span everything from Mario Kart to Dance Dance Revolution, the sips are of the OTT variety, and a six-lane ten-pin alley and karaoke rooms are also onsite. Archie Brothers Bowen Hills also features Hungry Hungry Hippos, Connect 4 Hoops, The QUBE virtual reality experiences and party rooms. Need more? Air hockey, basketball hoops and VR are all included, too, in a place that definitely doesn't want you to get bored. On the drinks list: alcoholic concoctions like the Pop Till you Drop (made with fireball, butterscotch, apple juice, maple popcorn, bitters and whipped cream) and the Candy Stand (a strawberry shake featuring white rum, Frangelico, a vanilla candy frosted rim and a giant lollipop, plus whipped cream and sprinkles). Archie Bros' food menu focuses on over-the-top novelty American diner grub, fitting right in with the circus decor. So, expect to tuck into dishes such as three-meat burgers, giant pretzels, and potato gems with garlic aioli that's served in a syringe. The kidulting venture is just one of many for Funlab, which also boasts boozy mini-golf chain Holey Moley, Strike Bowling, the also games-related B. Lucky & Sons and challenge-room venue Hijinx Hotel in its stable — and opened a new Holey Moley and Hijnx Hotel in Chermside in 2022.
This month, The Lakes Festival celebrates its tenth birthday. The festival is designed in homage to the Central Coast's lakes, waterways and community with a stellar program of 30-plus events dotted along the coast. The majority of the program is free to enjoy, too. Each year, it brings a smack of music, colour and culture to the Central Coast. From November 7–16, we're all invited to head north and make the most of the lineup. The highlight of the festival takes place on Saturday, November 8 with Light Up the Lake. Headlined by Ruby Fields, she'll share the stage with Dear Sunday, Dizzy Days, Chloe Parché, and Elaskia. As the sun sets, the sky will erupt with fireworks to, as the name suggests, light up the lake. Away from the main stage, food trucks and local restaurants will be serving hungry festival goers between sets. Aside from great music, The Lakes Festival is about honouring the waterways through sustainability. Naturally, that means everyone's favourite gardener, Costa Georgiadis, will be making an appearance. You can catch him and Lottie Dalziel (NSW Young Australian of the Year) at the Sustainable Future Festival at The Entrance on Saturday, November 15. Over the ten days, make the trip north and you'll be able to experience everything from floating yoga to artisan markets. There's something for everyone at the festival—even Pelican Time. Join a free talk with local volunteers who rescue and care for the area's beloved pelicans. Or, join a cooking class and learn to cook with native ingredients like pepperberry and saltbush. Stop by The Entrance Artisan Markets for local artwork and homemade scones. Spend a day following the Soundscapes Story Trail throughout the Central Coast where local writers and creators have written stories with the coast as the muse. Drive up to Canton Beach for a day at Sea Food Fest and devour fresh prawns in the sunshine. You can even operate an underwater drone or rover to scope out underwater habitats in Tuggerah Lake. Or, head down to Avoca Beach and join a free surf lesson or group surf. Carve out some space in your November, The Lakes Festival is sounding like summer's place to be. Check out the full digital program here. Lead Image: The Lakes Festival
Sometimes in The Whitsundays, sometimes outside the Sydney Opera House, sometimes in the rooftop carpark of a Melbourne Woolworths, thousands of people have disrobed for Spencer Tunick. The New York-based artist stages naked installations in public places that also become nude photography works. He's filled Bondi beach, Federation Square, Munich's Bavarian State Opera, a patch of the Nevada desert and many more places with folks sans clothes, too — and, in both 2023 and 2024, he's turned his attention to Brisbane as well. Tunick first hit the Sunshine State last November for a piece called TIDE by the Brisbane River, which formed part of 2023's queer arts and culture-focused Melt Festival. On a spring Saturday, more than 100 participants shed their attire for the camera by the water. Before that installation even took place, it was revealed that he'd back in 2024 for an installation now called RISING TIDE. It too is part of the same fest, and it also involves another Brisbane landmark: the Story Bridge. [caption id="attachment_973212" align="alignnone" width="1920"] TIDE, Spencer Tunick[/caption] On Sunday, October 27, 2024, the famous river crossing will welcome thousands of naked volunteers. Accordingly, it isn't just traffic that will bring the structure to a standstill this spring. For the shoot, the stretch across the water is closing to cars. If you're keen to get your kit off for the camera — and be part of history — there's no limit to the number of people who can take part. RISING TIDE is just one way to engage with Tunick's art in Brisbane this year, however. The other: the just-announced TIDE Exhibition, featuring images from his debut in the River City. It'll display at Brisbane Powerhouse from Saturday, September 28–Sunday, November 10, also falling into Melt, featuring projected video from the installation. [caption id="attachment_970675" align="alignnone" width="1920"] Brisbane, Spencer Tunick[/caption] The TIDE Exhibition marks a few firsts for Tunick as he celebrates 30 years of making his style of art, over which period he's staged more than 100 installations. This is his first-ever Australian exhibition, and it's the first time that his work will be on display for the public. The single-channel video at the heart of the TIDE Exhibition not only includes imagery from the shoot by the Brisbane River, but also stories from participants. "Creating TIDE was a very special experience, and I hope the exhibition will speak to diverse groups of people. It is a privilege to be making art that centres around the LGBTQIA+ community with all its beauty and vibrance," advised Tunick. When RISING TIDE was announced, the artist said that "the series will hopefully speak to diverse groups of people, and everyone navigating their way through the difficult challenges of our current world". "This challenging work on the Story Bridge marks the second in my two-part series in Brisbane scheduled one year apart, in 2023 then 2024. It is the first time I have ever worked on installations with the same institution for an extended two-year project. This will allow me to deeply explore the city, its light, environment and its people." [caption id="attachment_973211" align="alignnone" width="1920"] Sydney, Spencer Tunick[/caption] [caption id="attachment_973210" align="alignnone" width="1920"] Barcelona, Spencer Tunick[/caption] [caption id="attachment_926439" align="alignnone" width="1920"] Gateshead, Newcastle, England by Spencer Tunick.[/caption] [caption id="attachment_874950" align="alignnone" width="1920"] Dublin, Spencer Tunick[/caption] [caption id="attachment_926442" align="alignnone" width="1920"] Jay Cull[/caption] Spencer Tunick's TIDE exhibition displays from Saturday, September 28–Sunday, November 10 at Brisbane Powerhouse, 119 Lamington Street, New Farm. Spencer Tunick's 2024 Story Bridge installation RISING TIDE takes place on Sunday, October 27, 2024 during Melt Festival. Head to the festival website to register to take part. Top image: Spencer Tunick.
"The best way to spread Christmas cheer is singing loud for all to hear," Buddy (Will Ferrell, The Boys) tells Jovie (Zooey Deschanel, Physical) in end-of-year staple Elf. The musical version of the hit festive flick takes that idea to heart. Debuting on Broadway in 2010, it brings the beloved movie to the stage with a swag of merry songs. Fourteen years later — and 21 years since cinemas first discovered Elf's seasonal fun — Elf: The Musical has finally locked in its Australian premiere. Sydney Opera House's Concert Hall will stand in for both the North Pole and New York City across Thursday, December 19–Sunday, December 29, 2024, as Buddy goes on a journey of self-discovery. If you've seen the film, as almost everyone has, you'll know the storyline already; however, unless you've caught Elf: The Musical overseas, including a West End season in 2015–16, you haven't seen it like this before. Buddy isn't an elf, but he was raised by them — and he doesn't realise that he isn't like Santa's other helpers until he grows up. Cue his trip to the Big Apple to discover who he is, and also who he wants to be, as first told in a movie directed by actor-turned-filmmaker Jon Favreau before he helmed Iron Man, The Jungle Book and the photorealistic version of The Lion King. The stage adaptation's Aussie debut comes courtesy of Sydney's most-famous venue and John Frost for Crossroads Live, with the pair serving up the ideal way to get jolly in the Harbour City this festive season (as well as a gift of an excuse to take a festive-season trip to the New South Wales capital if you reside elsewhere across Australia). Elf: The Musical boasts a book by Tony Award-winners Thomas Meehan (who also helped bring The Producers, Hairspray, Cry-Baby and Young Frankenstein from picture palaces to theatres) and Bob Martin (The Drowsy Chaperone), plus songs by Tony Award-nominees Matthew Sklar and Chad Beguelin (more film-to-stage veterans courtesy of The Wedding Singer). The Australian run is being staged as a concert production, in a presentation designed for Sydney Opera House's Concert Hall. If it's been a while since you watched Elf, the film, check out the trailer for it below: Elf: The Musical plays Sydney Opera House's Concert Hall from Thursday, December 19–Sunday, December 29, 2024, with presale tickets from 9am on Tuesday, August 20 and general ticket sales from 9am on Friday, August 23. Head to the Sydney Opera House website for more details.
Maybe your day hasn't truly started until you've had your caffeine fix. Perhaps you like the ritual of the coffee shop experience. Or, you might just love pairing your cuppa with a cafe spread. Whichever applies, you'll have your favourite spots for a coffee — and you'll know that not all venues slinging it are created equal. According to the first-ever Top 100 Coffee Shops list, the very best place for a cuppa on the planet is Down Under. Toby's Estate Sydney flagship cafe and roastery in Chippendale in has been named the best in the world in the inaugural ranking, which made its picks based on the quality of coffee, barista experience and customer service, as well as each venue's approach to innovation, ambience and atmosphere, plus its sustainability practices, food and pastry quality, and consistency. Combined, Australia and New Zealand account for a tenth of the list, with eight other Aussie spots joining Toby's Estate, alongside one from Aotearoa. Two of those other Australian coffee shops also made the top ten: Proud Mary in Melbourne at fourth and Coffee Anthology in Brisbane at eighth. From around the globe, they were joined by Onyx Coffee Lab in the USA at second, Gota Coffee Experts in Australia in third and Tim Wendelboe in Norway at fifth — then Singapore's Apartment Coffee taking sixth place, Kawa in France at seventh, Malaysia's Story of Ono in ninth and Colombia's Tropicalia Coffee at tenth. Back to Down Under coffee havens, Veneziano Coffee Roasters in Melbourne came in at 19th, fellow Melburnian Calēre Coffee ranked 28th, Adelaide's Exchange Coffee placed 37th and Fonzie Abbott in Brisbane took 70th spot. Next came Melbourne's Vacation Coffee at 71 and Seven Seeds, also in Melbourne, at 87. Flying the flag for NZ, Rocket Coffee in Hamilton notched up 62nd place. [caption id="attachment_733568" align="alignnone" width="1920"] Proud Mary[/caption] So, in plenty of cities across Australia and Aotearoa, you've got no excuse to drink a subpar coffee. While Toby's Estate's Sydney flagship earned the list's love, it also has locations in Brisbane and Melbourne locally. "At Toby's Estate, coffee is at the heart of everything we do, and I think that's reflected in our customer's experience. Our whole team puts in an immense amount of effort to make the best coffee possible, so we're absolutely delighted to be awarded this incredible recognition," said the brand's General Manager Jody Leslie about the win. [caption id="attachment_992420" align="alignnone" width="1920"] Toby's Estate[/caption] [caption id="attachment_935274" align="alignnone" width="1920"] Fonzie Abbott[/caption] [caption id="attachment_631878" align="alignnone" width="1920"] Vacation Coffee[/caption] [caption id="attachment_918220" align="alignnone" width="1920"] Seven Seeds[/caption] [caption id="attachment_992421" align="alignnone" width="1920"] Toby's Estate[/caption] For more details about the Top 100 Coffee Shops list, head to the ranking's website.
We found out the hard way that milkshakes don’t bring all the boys to the yard, but they do bring back nostalgic memories. And while our tastebuds have matured since childhood, so too have Brisbane’s. Classic run-of-the-mill syrups have given way to gourmet handmade mixes, and in some places the ‘retro’ silver cup has been replaced by on-trend glass jars. Even milk can be ‘organic’ and the ice-cream, ‘hand-churned’. We scoured Brisbane on a few milkshake crawls, including one six-leg tier that made us more milk-drunk than a newborn baby, and have compiled this bible of the best ten milkshakes this river city has to offer. You’re welcome. Pearl Cafe Pearl Cafe has thrown its arms up to the heavens, captured falling angel’s tears, added milk and called it a shake. Their homemade butterscotch concoction tastes like they poured the caramelly mixture straight from the stovetop to the bar mix. The milkshake is frothy and light and served straight-up in a classic steel cup. Being given the steel cup is the ultimate shake experience – it’s comforting to know you’re getting the maximum amount of milkshake possible. Like drinking liquid Werther’s Originals, this is a shake for the bucket list and a coup for Brisbane. Homemade Butterscotch, $7.50 Shady Palms Too often this sick, sad world makes you choose between the glory of salted caramel and peanut butter. This is not so at Shady Palms. Special of the day, and didn’t we pick the best day, was a salted caramel and peanut butter shake – a crafty mashup of all that is good. From the hands of the gods, Shady have combined the yin and yang of the milkshake world to produce a flavour that stomps all over the usual ‘chocolate peanut butter’ combo. The only downside was that the shake was on the small side and after hitting the bottom with a slurp of approval we were looking to the kitchen for more – and the mysterious missing steel cup. Salted Caramel & Peanut Butter, $7.50 Southside Tea Room Yes, this is ‘that cafe/bar’ owned by band The Grates, but does being a rockstar mean you can whip up milkshakes worthy of one? The answer is gladly yes. With lead singer Patience Hodgson the proclaimed milk-master, connoisseur of all things creamy and all-round great human at the helm – our strawberries and cream milkshake was in good hands. Skip the syrup, this guy is made with real jam and real cream. Before we could say 19, 20, 20 a jar full of this fluffy cream and sprinkle-topped shake appeared on the retro laminate table. Lean back onto the crochet granny rug and sip up the relaxed vibes. Strawberries & Cream, $7.50 Hoo Ha Bar What Hoo Ha do, Hoo Ha do well and so the same could be said about their milkshakes. This cafe and bar do a mean salted caramel shake topped with a dusting of cinnamon that will do things to your mind you thought cinnamon was never capable of. It was as if salted caramel could not be more perfect, and then Hoo Ha go and pull a swift one on us. Thank you Hoo Ha, thank you. Open until late, if you’re not hankering for a beer at 9pm, I’m sure they’d be accommodating enough to whip you up a milky treat. Salted Caramel, $6 Milk Easy to spot with it’s yellow and white striped awnings and classic-meets-modern milkbar appeal, this Ashgrove cafe is called milk for a reason – milkshakes. At just $5 a pop it’s hard to walk past the classics (they even have blue heaven and malt) but read down the menu and a deluxe cookies and cream thickshake comes in like a wrecking ball. Served up in a big kickarse jar with handle and a chocolate and sprinkle dipped rim, this shake looks like all your childhood dreams come true and you’ve never hit a love so hard. The thickness passes the straw test (straw gets firmly stuck in the thick of it) and this creates the only draw back – regular straws just don’t cut it for slurping thickshakes. Guess you’ll have to get your tongue all up in it. Cookies & Cream, $7.90 Bitter Suite New Farm local Bitter Suite certainly has a sweet side. On offer here the Lemon Meringue Pie milkshake is doing to milkshakes what others have not dared before. When life gives you lemons, add real meringue and biscuit to milk and ice-cream base, top it with whipped cream, put it in mason jar with a paper straw and call it a milkshake. While it may be tempting to stay a while, knock back some craft brewskis and soak up the New Farm vibes - you're on a quest, and so, push on to the next place. Lemon Meringue Pie, $8 Scout The second best part about going on a milkshake crawl is ordering a single shake between three people, explaining our quest, and diving in menage-a-trois-style with three straws. The best part, however, was when asking our waitress the ultimate question – salted caramel, butterscotch or chocolate ganache – she described the caramel as “quite the tits”. Tits are great and so probably is the salted caramel, but we went for chocolate ganache to mix it up. The shake was quite heavy, thick and viscous. Made from homemade ganache, it formed an almost milo-like texture on top of the foam and had a malty aftertaste. Heaven. Chocolate Ganache, $7.50 Beach House Yes, Beach House – that ‘nothing too special’ pub-style bistro on the corner of Albert and Elzabeth streets in the city. At a mere $4 they are perhaps the cheapest milkshake in Brisbane, and while they’re not boasting home-grown vanilla pods or milk from Belinda the Black Angus dairy cow from Northey St City Farm they are pumping out classic flavours with the syrups we remember as a kid. The caramel shake was everything it should be. Beach House were generous on the syrup, even detailing the cup with a drizzle, and it was served up in a tall milkshake glass – perfect. The only thing missing is the steel cup and a sore stomach. Turns out 20-something me can stomach more than my single-digit self. Caramel, $4 Lucky Duck Lucky Duck have really dropped a bomb on the milkshake world. More like an entire breakfast than a shake, the Canadian Bomb shake mixes your morning espresso shot with the healthiness of banana, naughtiness of chocolate and beloved pancake topping – maple syrup. To cover all the food groups, all that is missing is some pureed bacon. Served generously in a big steel cup with coffee beans on top, the thick milkshake is sweet and moreish, with the bitter coffee keeping you from sugar coma-ing entirely. Each flavour can be tasted individually, and as a whole it is delicious. Canadian Bomb, $7 Gramercy For a gourmet hit just off Queen St it is hard to go past Gramercy. The cafe has just added a the new malted hazelnut milkshake to the menu, because guys, salted caramel is so 2013. These seasoned taste buds of ours have a hunch that nutella is used for the base – and oh how good it tastes. Those with a penchant for both the chocolate spread and malt should get thyself within Gramercy's yard immediately - because their milkshake is better than yours. Malted Hazelnut, $7.50
