Uber's international developments are going gangbusters of late, after launching free breathalyzers in Canada, possibly slashing UberX prices in Western Australia, and launching its first ever cash-only service — a brand new auto-rickshaw option available in Delhi. Uber users in Delhi can book a rickshaw through the mobile app — you just don't have to punch in your destination — before paying in cash without extra commission charges. Drivers are apparently being trained not to refuse bookings. For regular Uber cabs, it's still electronic payment as usual. And as always, Uber users can rate their auto driver on the app, and vice versa. Sure, there's already an auto-rickshaw booking service called Ola in Delhi, and sure, it's a PR attempt to steer Uber Delhi's recently less-than-great reputation back into clear waters, but it's one that will hopefully boost job security and facilitate generally more organised and safe auto-rickshaw service in the capital for both drivers and passengers. Can't argue with that. There's just over 100,000 auto-rickshaws in Delhi (actually one of the lowest rickshaw populations in the country, something the Delhi government is trying to up), so this could really shake up the local transport industry for the Indian capital. Via Economic Times.
No, it's not surprising, but it certainly is exciting — after months of deliberation and speculation, Netflix has officially announced it will be launching in Australia and NZ this coming March. The wait is nearly over. In just a few months time you'll be able to stream the solid gold original programming of this American behemoth while being 100 percent within the confines of the law. Get ready for some epic marathons. You certainly have a lot to catch up on. The announcement was made initially this morning by this sneaky tweet: http://t.co/8kKEzEtyq8 ??pu?u?o?x?????N# u??? ???u? ¡ZN & sn? ????W u? no? ??S — Netflix US (@netflix) November 18, 2014 Scamps. The local TV markets have been in a total tizzy since rumours started circulating earlier in the year about this. It's thought that around 200,000 Australians already access the US version of Netflix via cheeky, semi-legal VPN software, and the thought of legitimate and widespread access to the service seemed all-round damning for local competitors. Though Australia has various streaming options like ABC's iView, Foxtel's Presto, Quickflix, and Channel Nine's promising yet decidedly poorly named Stan, none have the same hype or popular appeal as Netflix. But don't go crazy just yet. Though the platform is best known for its critically-acclaimed original shows such as House of Cards and Orange is the New Black, the full range of our access is not yet known. A press statement released this morning announced that we'd be getting a range of great movie options as well as exclusive Netflix shows such as historical drama Marco Polo and the Will Arnett-voiced cult favourite BoJack Horseman, but it was suspiciously quiet about the better-known flagship titles. In fact, there's not too much we know right now. Though the overseas service costs US$8.99 per month, we're yet to receive a price point either. We know there'll be an option for a one-month trial, but that's about it. You should also be tugging at your shirt collar if you're one of the tens of thousands currently accessing the US service — there's a good chance they'll stop turning a blind eye and pressure you to sign up for the (almost definitely limited) Australian alternative. Don't get us wrong — it's not all doom and gloom. With Netflix officially on the scene, there's bound to be some serious movement on important industry issues like local licensing, fast-tracking of overseas shows, and the quality and price of online streaming. With everyone stepping up their game to compete, we could even see a decrease in piracy and copyright infringement. Despite what George Brandis may say, there's a reason why Australians are among the world's worst offenders. Imagine how good binge-watching is going to be when you don't have to feel guilty about it?
A new rooftop hotel in Melbourne is offering a luxurious alternative to the cramped family camper you would have piled into as a kid. Opening soon (mid-2016) atop a Flinders Lane car park in the CBD, this boutique venture will consist of six vintage airstream caravans transported from the US and completely refitted as "designer urban accommodation," complete with queen size bed, split system heating and cooling, and a fridge full of complimentary craft beer and wine. Throw in a little laneway graffiti art and this couldn't get any more Melbourne if it tried. In addition to the amenities listed above, each caravan at Notel Melbourne comes with a television, linen and an en suite bathroom with full height shower. Sounds a little cosy, but sometimes that's exactly what you need, especially when you're dealing with chilly Melbourne weather. The rooftop itself, meanwhile, has recently gotten a new lick of paint courtesy of local artist Ash Keating. Notel update!!! The Airstreams are being moved into their final position in preparation for the bathroom instillation. Won't be long now 😉 #openingsoon #Notel #notelmelbourne #rooftophotel #notahotel #airstreamhotel #lovethis #adventure #original #airstream #vintagecaravan #rooftopview #journey #view #melbs #melbourne #melbournetodo #ilovemelbourne #visitmelbourne #australia A photo posted by Notel Melbourne (@notelmelbourne) on May 16, 2016 at 1:44am PDT Guests will have access to tablets loaded with music and movies along with a virtual guide to help them explore the city. The space will also be available for functions, with room for up to 300 people on the roof. Notel Melbourne is not currently taking bookings, however you can sign up for their newsletter to stay in the loop with how things are progressing. Notel Melbourne will open in mid-2016 on the corner of Flinders Lane and Harper Lane, Melbourne. For more information visit www.notelmelbourne.com.au.
What exactly does 'Australian life' look like, really? It's a pretty damn broad term, we know. If you were to capture a little glimpse of your own everyday Aussie existence, what would it look like? Each year, the City of Sydney holds their high profile Australian Life photography competition as part of Art and About. After a nationwide callout, 22 winning photos, all encapsulating the essence of Australian life, and taken by photographers at all skill levels, are presented in a free outdoor exhibition. Sometimes, the photos feature majestic Australian sunsets, bright outback-influenced colours or stunning beachscapes. Other times, the photos are of friends swinging off a Hills Hoist in the outback, or lying in the sun on a friend's deck. These photographs (all winners, or finalists in the competition) prove that you don't need to be a professional photographer to win the $10,000 prize. You could have a photo of your friends drinking tinnies by a campfire, or a majestic Bondi panorama you were going to post on Instagram. Think again — it could be the perfect image of Australian Life. [caption id="attachment_580209" align="alignnone" width="1280"] John Appleyard, Even When the Rain Falls (2015)[/caption] SIMPLE TECHNIQUES GO A LONG WAY Turn an everyday moment into a magic one by thinking about simple photography techniques, like framing and contrast. If you were at this football game, you may have just seen a team huddling in the rain. But John Appleyard, a 2015 finalist with Even When the Rain Falls, saw a team wearing dark colours, huddled in the foreground of an expansive, well-lit green field. The perfect backdrop for a stunning photograph. [caption id="attachment_580212" align="alignnone" width="1280"] Mark Callanan, Sundeckers (2013)[/caption] ANY OL' MOMENT CAN MAKE A NEXT-LEVEL PHOTO Mark Callanan's Sundeckers proves you don't need to be a professional to take a great shot. This shot could have come straight off someone's Instagram account, a quick shot of a group of friends taking in the first days of summer sunshine (probably after a cold winter). Learning to recognise everyday moments like this as they come, and being able to turn them into something more, will make for great photography. [caption id="attachment_580213" align="alignnone" width="1280"] Sally McInerney, Shark in Pool, Dover Heights (2012)[/caption] MAKE THEM THINK TWICE This stunning photograph by Sally McInerney, winner of the competition in 2012, plays with perspective in all the right ways. It matches the lines of a Photoshopped ocean up to the lines of a real-life Australian ocean — a detailed technique that makes you look twice, if only to figure out how the photographer achieved it. For an extra kick, she titled it Shark in Pool, Dover Heights, just to reel you in for another look. [caption id="attachment_580220" align="alignnone" width="1280"] Jenny Evans, Eleanor, Portrait of a Boxer (2013)[/caption] GET YOUR TIMING RIGHT This street mural was already beautiful. But when Jenny Evans captured it in her winning photograph Portrait of a Boxer, she made it even more mesmerising. If you're shooting outside, choose a time of day that will make your subject go further. Sunset is the perfect time to shoot landscapes, or colours like those in the indigenous flag. Overcast weather, or shade, is the perfect time to shoot people. [caption id="attachment_580208" align="alignnone" width="1280"] Georgina Pope, A Great Day for Drying (2014)[/caption] FIND INSPIRATION IN YOUR OWN BACKYARD A Great Day for Drying is the photograph Georgina Pope took when she won the Australian Life competition in 2014. She gathered a few props from around the house, and then took them out to her own backyard to be photographed with an instantly recognisable Australian icon — the Hills Hoist. No professional photography studio needed. Inspired? Art & About Sydney is inviting professional and amateur Australian photographers to submit images representing Australian life, showing the country beyond the icons. Capture any aspect of Australia, from everyday occurrences to the diversity of subcultures, from celebrations/rituals to natural/man-made environments. You could be one of the 22 finalists who'll be chosen and exhibited in Hyde Park from 15 September – 9 October 2016. The winner of Australian Life will receive $10,000. Enter here. Entries close at midnight on Friday, July 29.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, quit your desk job and put on that festival you've always wanted to give a red hot go? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of ten bold characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. As Katharine Butler Hathaway once said, "If you let your fear of consequence prevent you from following your deepest instinct, your life will be safe, expedient and thin," and never have her words rang truer. In our safe modern world, full of concrete, cushy comfort, our deeper instincts are all too often quashed. The only antidote to a safe, expedient and thin world is to seek out risk. For Brett Louis, co-founder and curator of Melbourne's ambitious festival Sugar Mountain, a 'Sine Metu' way of life is the only way. Thanks to Brett's meticulous curation and the team's unique penchant for collaboration over the years, Sugar Mountain has broken new ground with its blend of music, art and food — redefining what a festival can be (without fearing it won't work). RETHINK WHAT A FESTIVAL 'SHOULD' BE A change has been a-brewin' in Australia's festival scene for years. The exorbitant prices, cookie-cutter lineups and disappointing food so characteristic of the bigger festivals has worn thin and a counter-culture of boutique festivals has emerged. Enter Sugar Mountain, the brainchild of Brett and his equally groundbreaking team Tig Huggins, Pete Keen and Nicci Reid. It debuted in 2011, a small festival with a niche lineup of hungry musicians and artists. In the years since, SM has grown into an annual mainstay for foodies, visual art and music lovers across the country. Growing a festival from the ground up is no easy feat and harder still is maintaining momentum. The culmination of 18 months of planning comes together in one make-or-break day, and punters walk into the Victorian College of the Arts site brimming with expectation. Brett says the aim of the festival is to feed off this, to anticipate assumptions and shatter them on purpose. Instead of pandering to the common denominator, the Sugar Mountain music and art lineup pushes audiences out of their comfort zone and promises something different — something Brett and his hardworking collaborators value first and foremost. "We never want to be pigeonholed," says Brett. "Each year, we look for ways to expand creatively, it's about creating a cultural event. People go because they want to have a great day, be challenged a little bit and enjoy something that only happens once a year and really can't be recreated." At Sugar Mountain, it's best to leave all your preconceived notions of what a festival should be at the gate. OBLITERATE YOUR COMFORT ZONE (AND YOUR PUNTERS') Sugar Mountain is a place for creativity to be absorbed and celebrated; this is the antithesis to a safe, expedient and thin life. The ethos behind curating a festival that pushes boundaries is for people to have complete faith in Brett and his hardworking team, and understand that although the festival might differ from year to year, the quality will never falter. "We only book it if we love it and believe in it. Booking buzzy bands creates an expectation that every year you have to put on a buzz lineup," he says. Sugar Mountain has never been about validating people's taste, but about discovering new things and new favourites. Getting comfortable is a trap for musicians and artists too and Brett believes that the lineup should work as for itself as well as the audience. Blending a lineup of interconnected acts works because they respect and push each other; when the musicians know each other, like each other, work well together and vibe off each other's sets it changes from being a lineup of separate acts and becomes about the bigger picture. "When we put the lineup together, it's always a gamble because pretty much everything's put on the table," says Brett. "There's a team of us who are continually putting together booking options and our tastes and formative influences are incredibly broad." However for Brett, the food and drink offerings are the highest priority because, as a coeliac, he's had more than his fair share of terrible festival food, but also because sharing good food and drink is such an important social ritual that can elevate a festival from good to God-tier. In 2016, Sugar Mountain premiered Sensory, an immersive dining experience collaboratively crafted by experimental foodies Bomba, themed by visual artists Tin and Ed and soundtracked by Cut Copy. A risky venture (who's ever chanced a four-course sit-down tapas meal at a festival before?) but it paid off and brokered the completely novel idea that, if it's your bag, you can go to a music festival for the food alone. DO SOMETHING DIFFERENT TO WHAT'S ALREADY OUT THERE When punters walk through the gates into Sugar Mountain, they see a slick, well-oiled machine. It's success incarnate; a well-planned, thoughtful and smooth event that flows seamlessly with no hiccups or clashes. What they don't see is the struggle. "People walking in aren't aware of what you faced only days earlier, problems that come about through so many different things, the weather, logistical problems, artist related issues… but when you do get put in the shit, the most rewarding feeling is when you get the outcome that you intended," says Brett. The idea that success is the absence of hardship is, as Brett points out, ridiculous but common. Often the assumption is that if something is meant to be, it's meant to be easy and people conflate a smooth ride with success. "The five or six days leading up to show day… that's my favourite time of the year," Brett explains "Everyone's constantly knee-deep all week and you're forced to make decisions and problem solve as you go." Planning, rather than hoping for a cosmic alignment, is the key to overcoming the hurdles. Brett believes level-headed decision making and quick reaction times are all you need to turn a crisis into an opportunity (a crisitunity). "Just do it. Dive into it. There's no harm in starting small, just make sure you do everything in your own way because you want to make sure you're doing something different to what's out there. If you believe in it and you really want it the only thing that can stop you is your self-doubt." Want to experience a little bit of 'Sine Metu' yourself? Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to 'fear less' and go on a big ol' adventure to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. ENTER HERE. For more about how 'Sine Metu' influenced John Jameson's journey visit Jameson's website.
Yes, Rhianna snuffed Big Bird and made an omelette out of him. Yes, Solange looked like she was wearing a Sliders portal. But there were more than just celebrity fashion moments happening at yesterday's 2015 Met Gala — something only the likes of Humans of New York founder Brandon Stanton would make you appreciate. Making ordinary people of celebs and stars out of ordinary people, the HONY photographer took the best snaps of the night; bringing that tried and true human interest formula to the most star-studded event on the damn calendar. Waiters become stars, pop singers become regular folk. Slam dunk, HONY. “I tried to prank him one time by putting a tuna fish sandwich in his bedside drawer. But the prank ended up being on both of us because I forgot about it for weeks.” “There’s a secret addict in me that I’m always trying to tame.” “I was too hard on my son because I couldn’t understand why he didn’t love to compete as much as I do.” “I hope to be as selfless as my mother. My father died when I was seven months old. She had to raise five kids on her own, but she made time for all of us. We used to have these days called ‘Mommy Holidays.’ She’d choose a normal school day, wake us up, have us get ready for school, cook breakfast in a hurry, and right before we walked out the door, she’d scream ‘Mommy Holiday!,’ and she’d let us skip school and go somewhere fun.” “They forced me into having an Instagram.” "I'm trying to look at my phone less." “We managed to raise two teenage girls and not get divorced.” “It was hard to see my father not become all that he wanted to be. He brought my family here from Trinidad. He really believed in the marketing of the American dream, and he thought that he’d become a DJ on the radio. He loved music and had the gift of gab. But he didn’t understand the system and he came too late in life to make the proper connections. So he ended up using his gift of gab to sell cars.” “What’s your favorite thing about each other?” “We’re fine with just a picture, thanks.” Images: Brandon Stanton/Vogue.
If you're heading to New Zealand's Christchurch region for a short holiday, you can't leave without going bungy jumping. There are plenty of opportunities to get your adrenaline going, so why not live on the wild side of life? Experience breathtaking views of the Southern Alps, beautiful coastal vistas and lush green forest while you get reacquainted with the thrill-seeking side of yourself. If you're into the kind of fun that leaves your stomach in knots, then this guide will not disappoint. The adrenaline-junkie kiwis seem to know a thing or two about going on an adventure. TACKLE THE RAPIDS IN HANMER SPRINGS Drive for 90 minutes to Hanmer Springs and book yourself in for a white water rafting adventure. You'll find yourself situated within a stunning mountain range, with pink marble land formations heading all the way down the Waiau River canyon. The rapids are Grade 2 in Hanmer Springs, so expect medium-size rapids and low drops with waves less than a metre high. After all the twists, turns and drops you can still get your fair share of serenity — Hanmer Springs is known for its beautiful blue water and stunning scenery. Don't forget to pack something to swim in, there's no doubt you're going to want to relax with a swim at the Hanmer Springs Thermal Pools after a day out on the rapids. Even adrenaline junkies need some time to chill out. GO JET BOATING IN WAIMAKARIRI GORGE The Waimakariri River, translating to 'cold water' in Māori, is the home of jet boating in Christchurch, with canyons, gorges, rock faces and native forest lining an adventure trail through the water. You can choose between a 30- or 60-minute jet boating adventure in the beautiful blue water — expect 360-degree spins, hairpin turns and a high-speed ride that'll get your heart racing. The Waimakariri river is 90 minutes from Christchurch, but Alpine Jet organises transfers that pick you up from the city and drop you back when the day is done. Because there are so many beautiful rivers in the Christchurch region, there are many places to go jet boating. Another option is at Hanmer Springs. Once you've tested the strength of your stomach there'll be plenty of opportunities to sit back and take in the fresh air in both locations — catch a glimpse of the snow-capped Southern Alps if you're lucky. BUNGY JUMP AMID STUNNING SCENERY You're heading to New Zealand, which means you're going to want to throw yourself from a tall structure connected to an elastic cord — this is the home of bungy jumping after all. Why not let yourself free fall from a bridge for 35 metres towards a surging river to get the blood pumping and the bones jumping? It's an adrenaline rush like no other and one that you're bound to get addicted to. The idyllic Hanmer Springs Bungy, 90 minutes from Christchurch, is the perfect spot for first timers who may need to distract themselves with stunning scenery before taking a leap of faith. MOUNTAIN BIKE THE EDGE OF THE CITY The Christchurch region's beautiful scenery and stunning mountains make it an ideal destination for avid mountain bikers. There are many cycling tracks to discover, but the Port Hills is one of Christchurch's best kept secrets and one of our favourites. With its dramatic landscape of tussock grasslands and rugged mountain terrain, it's easy to see why. Ten different trails in this area each have their own unique highlights — and they're perfect for both new and experienced riders. The new Christchurch Adventure Park is another mountain biking option. The huge trails inside range in difficulty — from beginner courses to those designed for experts only. If you're new to mountain biking and want to learn some skills in a safe environment, head here. It's the biggest mountain biking path in the Southern Hemisphere — you won't be short on space. FLY THROUGH THE ADRENALIN FOREST If you consider yourself to be a little bit of a George of the Jungle, here's your chance to prove yourself in the tree tops. A 20-minute drive from Christchurch is the Adrenalin Forest, a two-kilometre aerial obstacle course set in the beautiful Spencer Park. We can't promise you'll have the opportunity to hang from vines, but there's more than enough to keep you challenged with over 100 activities and six courses to sink your teeth into. If you're a real adrenaline junkie, tackle the high-wire course. It's not quite walking between the twin towers Man On Wire-style, but you're sure to get up to 20 metres into the forest canopy — that's at least two or three stories off the ground and more than enough to get you shaking in your boots. Maybe you've been to New Zealand's North Island, but have you ever ventured down South? Christchurch, and New Zealand's surrounding Canterbury region, is the perfect place for a quick holiday. Use our planning guide to book your trip, then sort out your itinerary with our food, nature and relaxation guides.
Hold onto your doughnuts and prepare to say ay, caramba! more than once, because the Sydney Opera House has just announced a huuuuge headliner for this year's GRAPHIC festival: Matt Groening. The comedic cartoonist genius responsible for The Simpsons and Futurama will make his way to Australia for the very first time to speak at the two-day festival this November, which celebrates pop culture and graphic storytelling, animation and music. Considering most of us probably acquired the large majority of our pre-Internet knowledge on global popular culture from Groening's work (well, when we could wrangle watching The Simpsons instead of the 6pm news), it seems like a brilliant full circle that we're now able to see him speak IRL as adults. He will deliver a talk titled Secrets of The Simpsons, and a Couple of Milhouse Fun Facts, which will delve into the making of the show, include hardly-seen clips and apparently even some full-frontal cartoon nudity. He will also join a session with his friend and fellow cartoonist Lynda Barry. "The most intense Simpsons fanatics I've met are from Australia, so I'm coming to Sydney to check out all you lunatics," Groening said. "I'm going to share stories of the making of The Simpsons and show embarrassing home movies and rarely-seen animation, including oddball outtakes and uncensored Itchy & Scratchy cartoons." Other highlights from the GRAPHIC 2016 program announced this morning include a screening of George Lucas' 1971 sci-fi epic THX 1138, which will be re-scored live by Asian Dub Foundation. There will be a heap of free talks from cartoonists including Leunig and First Dog on the Moon, as well as two film premieres from Nail Gaiman, who has previously called the festival "the smartest, wisest, most cutting-edge festival and celebration of narrative literature and its intersection with culture in the world". GRAPHIC will take place at the Sydney Opera House from November 4-5. Tickets go on sale on Friday, September 16 here.
The office cubicle. Its powers have been known to reduce any nine-to-fiver to a groaning, listless puddle by the end of the day. Thankfully, its tenure as a mainstay in our working lives might soon be over, with a revolutionary office pitched by interior designers Sean Cassidy and Joe Wilson, whose entry won top gong in the Workplace of the Future 2.0 Competition. Cassidy and Wilson's vision of the future workplace is one where the employees' needs always come first. In their aptly named plan, Organic Grid+, workers can seek respite from long hours staring at computer screens in the form of a high-rise sky garden, right in the office. The space itself is designed to be flexible, with customisable walls, desks and meetings rooms to whatever suits the employees' best. The balance of sustainability and ergonomics is ultimately a move to encourage higher productivity and morale at work. And if you're feeling peckish, you can say goodbye to trips down to the local cafe; instead you'll be able to harvest and grow your own food right in the heart of the office. However, on a more freaky note, the duo have dreamed up the idea of 'health-conscious plug-ins', that is, wearable technology that will monitor your well-being and be the voice of reason when you're hankering for that afternoon pick-me-up. And there's indoor abseiling, why not. We spend on average one-third of our lives at work, so it's all the better Cassidy and Wilson are leading the charge to turn our working space into an environment that repackages the comforts of nature and the home. There's already been similar constructions incorporating greenery into the corporate world: New York's office garden terrace, and in London, a three-storey indoor public park. The only downside? After this, we'll probably never leave our offices ever again. Via Fast Company. Images: Organic Grid+.
Giving back and scoring some sweet new threads sound too good to be true? Naysayers, HoMie is here to dispel your doubt. A pop-up store with a heart of gold, HoMie is an initiative of Homeless of Melbourne, who put a creative spin on social justice. Boasting both up-and-coming as well as established local designers, the store will donate a piece of clothing to a member of the homeless community for each item purchased. For co-founder Nick Pearce, this 'one for one' policy "is a new way of trying to reinvigorate that whole outdated op-shop scenario and bring in something new and diverse, and hopefully have a bit of an impact in the homeless sector". With its first-hand clothes, new fit-out and mix of paying and non-paying clientele, HoMie aims to create a dignified shopping experience for Melbourne's homeless. Their crew of dedicated suppliers will be going that extra mile too, donating their time and expertise to running workshops that focus on increasing employability and life skills for Melbourne's most vulnerable. If their inventive project hasn't hooked you in already, a scroll through their Facebook page is sure to fix that. The charity has been collecting the stories of the city's battlers for the past eight months and sharing them online to debunk misconceptions about homelessness. They've garnered close to 15,000 followers. "We wanted to make people stop and think about where these people come from, so we're not just walking past, making judgements," says Marcus Crook, the other half of HoM. Marcus and Nick devised this latest three-month concept store following the success of HoM's Street Store in Federation Square in December last year. Armed with stacks of paper coat hangers and a budding team of eager volunteers, HoM gave Melburnians in need a chance to snag some pre-loved garments. "The response we got was unbelievable," says Nick, "we found that a lot of people on our page really wanted to help and donate stuff, but they just didn't know how to do it or where to go." That led them to look for a more permanent guise for the Street Store, and so shopfront HoMie was born. Speaking of dedication to the cause, Nick and Marcus are finding out just what it's like to live on the streets, spending two nights this week camping out in Melbourne's CBD for a humbling insight into the realities of life without a secure home. "We don't think its anything special because obviously people do it every night of their lives," says Marcus, "but we're going to be going out there with a sleeping bag and a phone in case of an emergency and just seeing what happens." Great intentions aside, these grand visions don't come cheap. As a grassroots organisation, HoMie is all too aware of the costs of CBD rent. They've turned to Pozible to raise $10,000 towards the rent and associated start-up costs, vowing to employ homeless labourers and designers as much as possible in the process. At time of writing, they're over halfway to their goal, with 17 days to go. Along with the Many Hands online art gallery and the Youth Food Movement Melbourne, the organisation is also in line for additional funds if they meet their target, thanks to burger chain Grill'd's Local Matters donation program. HoMie is vying for $2,000 that goes to the winner of the in-store customer vote at Grill'd restaurants. There's also $500 in it for each project that reaches its Pozible target. With goals of turning this three-month appearance into a long-term venture, HoMie hopes to open its arms to Melbourne this May. To help make it happen, grab a bite to eat at one of Grill'd Melbourne CBD locations or contribute directly to the Pozible campaign, which includes rewards like art prints and T-shirts.
Celebrate Oktoberfest like any good German: with beer, pretzels and tiny little sausage dogs racing for glory and gold. That's right everyone: Hophaus Bier Bar are hosting their inaugural Oktoberfest Teckelrennen, also known as the most adorable dog race ever. Never mind the running of the bulls. This is the running of the wieners. Schnell! The high stakes (not really) dachshund race will be held in the Southbank Podium Courtyard on Saturday, September 19. Racer registration is already closed, with organisers reportedly overwhelmed by the number of entries. You can, however, still enter your pooch in the Best Costume Contest — how willingly they'll participate is another matter entirely. Spectator entry to the event is free, while all racer entry fees will be donated to Dachshund Rescue Australia. Those wanting to make a day of it can head back to Hophaus after the race for more Oktoberfest-themed activities, including live German music and a sausage eating competition. Although to be honest, the idea of eating sausages after watching a sausage dog race just doesn't sit right with us. We know they're not actually made of dachshund, but still. And now, as a reward for making it to the end of this story, enjoy these GIFs of dachshunds being awesome. As if they know any other way to be. For more information about the Hophaus Inaugural Dachshund Race, visit their website. Via Beat.
For more than a decade, French cuisine-loving Brisbanites have been making a beeline to Paddington for soufflés, steak frites and Friday night five-course degustations. Come November, however, inner-west mainstay Montrachet will be moving its Gallic gastronomy to the other side of town. Au revoir, Given Terrace, bonjour Bowen Hills' King Street. It's a case of onwards and upwards for the award-winning restaurant, which will not only set up shop in bigger digs, but will also add another venture to the mix. Located on the corner of King and Machinery streets, Montrachet's new 240-square-metre site will offer twice as many seats as its current location — great news for anyone who's tried to score a table at the always-popular bistro — as well as a cellar and an all-day takeaway patisserie. Indulgent diners will find the likes of double baked soufflé with crab meat and gruyere cheese, seafood bouillabaisse and Grand Marnier brulee still on offer for sit-down meals, while those keen on a lunchtime baguette or pastry can take the goods away. As you'd expect, the daytime patisserie also promises a packed cabinet filled with lunch options and French desserts alike. The move marks the latest change for Montrachet, after current owners Shannon Kellam and Clare Wallace came on board back in 2015. It's also the latest joint to head to Brisbane's fast-filling new food precinct, alongside the likes of Sushi & Nori, Il Verde, Super Combo, The Lamb Shop, The Pine Kitchen and Banoi. Find Montrachet's new digs at King Street, Bowen Hills from November. In the interim, find the restaurant at 224 Given Terrace, Paddington. Head to their website and Facebook page for further information.
Brisbane has another tourist attraction, and lovers of giant sculptures shouting the city's name have reason to celebrate. A new Brisbane sign has popped up at the Cultural Centre Forecourt at South Bank, and this time it is here to stay. Yes, a similar large set of letters adorned the same spot just one short year ago, when a who's who of international leadership descended upon Brisbane for the G20 Summit. Bringing all these global heavies to town might've shut down the streets, but it was the sign that really got Brisbanites excited. It was colourful, it towered over passersby, and it became an instant icon. It filled your social media feeds, and not just because you had your photo taken next to it. And while that enthusiasm and delight resulted in the sign staying put long after Obama & Co. had gone home, it was taken away, letter by letter, in February. "It'll be back," the powers that be told us. Now, they've made good on that promise. The new and improved structure is made from aluminium, making it sturdier, which is quite important given Brisbane's weather frequently alternates between streams of sunshine and thunderous storms. It has also been placed a little bit further away from QPAC, purely so that eager snappers don't have to stand in the road to take pictures of it. And, it's illuminated thanks to 11 LED strips, so it will light up the riverside day and night. Sure, it's not quite the same as the Hollywood sign, but it's close enough.
Masters of late night snack fuel Ben & Jerry's have been dishing out pop culture-riffing flavours like Liz Lemon Greek Frozen Yoghurt, Stephen Colbert's AmeriCone Dream and, of course, Schweddy Balls for years. Then the masters of frozen confection go and create something called 'Free Cone Day', an annual event which defies haters. You can score an ice cream on the house, as part of the company's yearly, worldwide tradition thanking its fanbase for all the gluttonous support. On Tuesday, April 14, Ben & Jerry’s Scoop Shops around Australia are hosting the sixth annual Free Cone Day; scooping out free ice-cream from 1pm until 9pm. This year, Free Cone Day also marks the kick off of Ben & Jerry’s global 'climate justice' campaign, 'Save our Swirled', in Australia. WWF Australia will be hanging out on on Free Cone Day, collecting signatures to help bring attention to the need for Australia to lower carbon pollution. Suss out your nearest Scoop Shop purveyor of frozen dairy heaven here, and rock up on April 14 to claim your cone. Check out Ben & Jerry's Facebook page for updates.
Behold, the event that'll separate the pinball wizards from the pinball muggles, and those talented as mashing buttons from the folks that are happy when they get flipping lucky. That's what happens when Netherworld closes its doors to everyone except the devoted few — those eager to play pinball for 24 hours straight. No wonder they've called the arcade marathon Death by Pinball. No sleep till pinball also would've worked. Those brave enough to attend will battle it out in matches over many rounds, fit in a few fun games from the bar's array of machines in between, and get a prize if they survive the night. Taking place from 9am March 31 until 9am April 1, tickets cost $100, which includes all the pinball fun you can handle, a limited edition pin and t-shirt, three meals and two drinks. The bar will also be serving booze until 3am, and you can BYO snacks.
In just a few months time, Brisbanites will be able to sip beer under the Story Bridge at the city's first riverside brewery. Set to open in October as part of the Howard Smith Wharves development, Felons Brewing Co. will both brew and serve its own tipples in Brissie's new precinct. In fact, the site's tanks were just delivered this past weekend. The new venture hails from an ex-Little Creatures brewing team, including head brewer Tom Champion and general manager Ash Cranston. Under their guidance, thirsty patrons can expect brews made on-site, plus a waterside courtyard by the cliffs to drink it in, which will open to the public in December. The pair hasn't revealed much about what kind of beer it'll brew when it starts operating on the wharves, but Champion vaguely says it will focus on "natural and balanced" beers made with "locally sourced" ingredients. What isn't so vague is the meaning behind the brewery's moniker — it's named after the four 'felons' that are regarded as the first European settlers to discover the Brisbane River in 1823. Cranston does recognise Indigenous Australians as the original inhabitants of the land, but goes on to say that the felons' story "seemed to reflect our core values of adventure, freedom and fearlessness, and it made sense to name ourselves after a story linked to the foundation of Brisbane". While this isn't the first time an Australian brewery has based its brand around a convict — James Squire is named after a first fleet brewer — it is an interesting decision to focus on this specific part of Brisbane's history. Felons Brewing Co. will join a number of previously announced bars and restaurants, including a Greek eatery from Sydney chef and restaurateur Jonathan Barthelmess, a two-level Asian fusion joint, Brisbane's first Toko restaurant and the octagonal-shaped Overwater Bar. Brisbane's second Art Series Hotel will also open at the site, alongside four other restaurants, a 1500-square-metre exhibition area and entertainment stages. Find Felons Brewing Co. at the Howard Smith Wharves precinct, under the Story Bridge in the CBD, from October 2018. For more information about the development, visit the website.
Team Zissou, pack your vintage suitcase and meet us in Italy. Wes Anderson has designed a bar/cafe in Milan. Snuggled inside Prada's new art and culture complex, Fondazione Prada, set to open this weekend, Bar Luce has been designed by the baron of twee himself — and it predictably looks straight out of one of his films. As if planning a theme park with Devo's Mark Mothersbaugh wasn't enough work. Resembling some kind of Grand Budapest Hotel lobby cafe, Anderson's cafe is filled with pastel Formica furniture, faux-cornice patterned wallpaper, veneered wood wall panels and terrazzo flooring — an attempt to recreate the vibe of a typical Milanese cafe. The aesthetic, according to Fondazione Prada, is reminiscent of '50s and '60s Italian popular culture; something Anderson actually employed for his Prada short film Castello Cavalcanti, starring (as always) the excellent Jason Schwartzman. Anderson's also given aesthetic nods to Italian neorealist cinema classics like 1951's Miracolo a Milano (Miracle in Milan) and 1960's Rocco e i suoi fratelli (Rocco and His Brothers), both set in Milan. But for modern Anderson fans, there's even a Zissou pinball machine. One to usually keep things symmetrical, Anderson told Fondazione Prada, "There is no ideal angle for this space. It is for real life, and ought to have numerous good spots for eating, drinking, talking, reading, etc. While I do think it would make a pretty good movie set, I think it would be an even better place to write a movie. I tried to make it a bar I would want to spend my own non-fictional afternoons in." The Bar Luce menu is yet to be revealed, but we're going to hope there's a few Anderson references in there; perhaps sweet lime drinks, Mendl's Courtesan au Chocolats, or Red Remarkable winter apples. If you're stopping Milan, Bar Luce is open to the public and can be accessed from Via Orobia, Prada. It's open from May 9, from 9am to 10pm. Via Wired. Images: Candy, Prada and Fondazione Prada.
Summer is gone, and your beachside holiday memories along with it. Don't worry — there are plenty of excuses to jet around the country this autumn. Australia's art scene is positively thriving for the next three months, so even if you're staying put, you're not going to be bored any time soon. Up and down the eastern states from Brisbane to Melbourne, everything from artistic explorations of witchcraft, to deep dives into Chinese terracotta treasures, to haute couture gems are gracing the halls and walls of Aussie galleries. The list goes on, particularly if you're eager to ponder life beyond earth by stepping into a galaxy far, far away, staring at the moon, or getting up close and personal with objects that've travelled into space. If you're someone who travels for art, you might want to book those domestic flights now. This is an impressive autumn lineup — and, come June, plenty of them will be gone. Hop to it.
Honestly, how does this not officially exist already? Tokyo's seen its fair share of Hello Kitty pop-up restaurants in the past, but now China's making things permanent with Sanrio's feline monarch. The world's first Hello Kitty dim sum restaurant is about to open in Hong Kong, bringing with it possibly the most Instagrammable menu this side of a Pikachu pop-up. Set to swing open its adorable doors on June 1, Sanrio's first Hello Kitty restaurant would have presumably opened in Japan, Ms Kitty's birthplace. But restaurant owner Man Kwong told TIME that Hello Kitty was much more popular in Hong Kong. Kwong spent a year negotiating with Sanrio developing each adorable dish — that individually had to be given the thumbs up by Sanrio executives. So what's going to be filling Instagram feeds and HelloKitty-loving bellies? The menu includes 37squealworthy dim sum items, from Hello Kitty-shaped noodle dishes to shrimp buns, made from all-natural ingredients (Kwong is the founder of a Chinese health magazine, so he's practicing what he preaches). Just look at these outrageously cute buns (that have 17 steps each to make, including making the beetroot-coloured bow and dotting squid ink for the eyes): Kitty's first restaurant will open in the traditional Yau Ma Tei neighborhood on the Kowloon peninsula. Though we predicted a garish, cartoon-like interior, Kwongs' chosen a more modern, tasteful approach in theming. The pink-bowed mogul is splashed everywhere, from the teapots and chopstick holders to the restaurant mirrors and window panes — featuring Kitty as the Four Beauties of ancient China. Even Kitty's taken a modern revamp for the menu and website design, happy to serve her own face in a dumpling steamer, what a champ. The world's first Hello Kitty restaurant will open on June 1. Charge your phones and book that flight, Kitty fans. Via TIME. Images: TIME/Man Kwong.
Two of the greatest artists in history, who happened to have one of the most volatile relationships in recent memory, will be the focus of the Art Gallery of New South Wales' brand new exhibition in 2016. Frida Kahlo and Diego Rivera is coming to the gallery next year, running June 25 to October 9, 2016. BOOM. Nice one AGNSW. Kahlo and Rivera's artistic and personal rollercoaster ride will be the focus, with 40 artworks, self-portrait paintings, drawings and canvases from the pair, all from the renowned collection of Jacques and Natasha Gelman. Alongside these works will be approximately 50 photographs by the likes of Frida’s father, Guillermo Kahlo. Edward Weston and Lola Alvarez Bravo, so you can take a peek into these two artist's intimate world. Australia doesn't actually have a Frida Kahlo on public display, so this is one heck of a slam dunk for the gallery. The exhibition marks the cornerstone of the 2016 exhibition program for the Art Gallery of New South Wales, announced today. There's plenty more where that came from, including the upcoming blockbuster exhibition, The Greats, featuring Botticelli, Vermeer, Rembrandt and more masterpieces from the National Galleries of Scotland. German artist Julian Rosefeldt will bring the Cate Blanchett-starring video installation Manifesto to the Gallery from May 28 to November 13, after a huge exhibition of gold, silver, glass and ceramics from the Chinese Tang dynasty in April. Beloved Australian artist Tracey Moffatt will see a huge exhibition of her work dubbed Laudanum and other works, featuring the namesake photographic series and her famous montage videos Love and Other. It's an on-year, so the Biennale of Sydney will return to the gallery from March 18 to June 5, alongside the ever-popular ARTEXPRESS from March 16 to May 15. For the AGNSW's whole 2016 program and beyond, head to the website.
When the World's 50 Best Restaurants awards descended on Australia earlier in the year, we were lucky enough to not only have the world's best chefs on our shores, but also the world's best sommeliers. Over April, Wine Australia took 50 talented wine professionals on a tour of our best wine bars, restaurants and wine regions — starting in Sydney before moving on to Melbourne and visiting bars including Embla and Bar Liberty, then stopping to experience wine regions in Victoria, Tasmania, Canberra, South Australia and Western Australia. For one of their first stops at Newtown's Continental Deli, established wine writer Mike Bennie took the sommeliers on a wine-tasting journey. We couldn't lose an opportunity to get all patriotic, so we asked them for their thoughts on Australian wine. A pattern appeared in their answers: Australia, once known only to produce bulk, heavy wine varieties like Chardonnay and Shiraz, is going through a renaissance of sorts. A new generation of winemakers are jumping in and producing unique vintages with a true expression of the Australian terroir. All that small-batch, natural wine you've been hearing about is finally garnering the interest it deserves from international sorts. Sitting at the table was Alessandro Perricone of Copenhagen's relaxed, fine dining establishment Relae, Heidi Nam Knudsen, a wine buyer who works closely with Yotam Ottolenghi in the UK, Fahara Zamorano, head sommelier at Curtis Stone's restaurant Gwen in Los Angeles, Ambrose Chiang, of Australia's own Momofuku Seiobo, and Hiroshi Ishida, a multi award-winning sommelier from L'aube (an established restaurant in Tokyo with little online presence). Over the morning, each of them tasted around ten different Australian wines — they remained controlled and professional at all times, but make no mistake, they were drunk. [caption id="attachment_619886" align="alignnone" width="1920"] Fahara Zamorano.[/caption] What did you know about the Australian wine industry before coming to Australia? Alessandro Perricone: I knew little. While working in Italy at the beginning of my career, I came across some famous Australian brands which, in my opinion, speak more for themselves rather than talking about a territory. Now in Copenhagen, some of the new-generation winemakers are getting more and more popular, but my knowledge was quite confused before I arrived. Hiroshi Ishida: I know quite a lot about Australian wine as I've visited before. Australian wine is really diverse, it honestly offers the A-to-Z. I am more familiar with established regions such as the Hunter Valley, Yarra Valley, Barossa, Clare Valley and Margaret River. These are all sophisticated and sustainable wine growing regions, with well-known large wineries that we are familiar with in Japan. Fahara Zamorano: My knowledge about the Australian wine industry was limited to the wines I had been shown in the US. I do have the privilege to taste some beautiful Aussie wines in California, but the selection is quite limited in comparison to everything that's happening in Australia right now. Heidi Nam Knudsen: To be honest I didn't know a lot. I stopped paying attention a few years back because I felt that all the wines I tried were too big and heavy. It was all about Shiraz and Chardonnay, but without much terroir-driven personality. Only recently did I start taking notice again, when I tried the wines from a new generation of winemakers in the Adelaide Hills. [caption id="attachment_619884" align="alignnone" width="1920"] Hiroshi Ishida.[/caption] How has your perception of Australian wine changed? Ambrose Chiang: This program has shown me how physically big Australia is — Portugal to Poland is almost as far as Perth to Sydney. Imagine the different micro and macro-climates! The Australian wine industry has seen tremendous growth in the past decade. From internationally recognised as a single wine region for big, bold, alcoholic Shiraz and cloying, toasted Chardonnay, to establishing a country with a diverse range of terroirs which produce wines not only reflective of place, but good farming, skilled winemaking and dedication toward quality wines. FZ: My perception changed immensely, I was extremely surprised in the best possible way to find a renaissance happening in Australian wine right now. The energy is contagious, the collaboration between winemakers within regions is inspiring, and the unification of the country to elevate the world's perception of Australian wine is just a wonderful thing to witness. AP: Yes! I certainly went deeper regarding some territories. I see a change in style with the last vintages and in general a much better approach to winemaking with less intervention. Different to what my thoughts of Australian wines were. Many of the wines in Australia have a hard time talking about a terroir, as the approach to agriculture and viticulture is wrong, but this new wave of producers makes me hope for a better future. HI: On this trip to Australia I felt dynamism. There is much more diversity in the styles that winemakers are crafting, from conventional to funky. It's obvious there is some great talent within the new generation. There are new, emerging regions and I saw a lot of potential. [caption id="attachment_619905" align="alignnone" width="1920"] Alessandro Perricone.[/caption] Describe Australian wine in one sentence. AP: Australian wine is a total lack of rules and pure freedom. It can easily turn into something marvellous, or just as easily, into a mess! FZ: Renaissance. HNK: There's more history to Australian wine than one might think, and judging from what I've seen on this trip there's a big, bright future ahead of it. I guess the biggest difference is that Australia is such a large country and almost every climate and soil type can be found. That means Australia can produce all of the major wine types from red, white, fortified to sparkling wines. AC: I believe that it's almost impossible to describe Australian wine in one sentence. Our freedom of viticulture and vilification and the dedication of so many producers, along with the multiplicity of terroirs, drives us to be one of the most diverse and innovative wine industries in the world. [caption id="attachment_619888" align="alignnone" width="1920"] Heidi Nam Knudsen.[/caption] What were you looking forward to seeing the most, and did it live up to your expectations? HI: I wanted to see the potential in new regions and explore the Victorian High Country and Tasmania. Absolutely, this trip lived up to more than I expected. All the sparkling wine from Tasmania was fantastic. We tried sparkling wines from House of Arras, Josef Chromy, Pipers Brook. FZ: I was very excited to visit Tasmania because not much of their wine makes it out of Australia (thanks Melbourne and Sydney). The little exposure I had prior to this trip left me wanting more. Tasmania lived up to and surpassed my expectations. For such a young wine growing region, there's some serious talent that's 'put all their eggs in that one basket' as we say in America. That alone is an indication of the potential of the region. Now they just need to make more juice so we can get some too! HNK: I was really excited about visiting Adelaide Hills and visit some of the vineyards there. On my last day I went to Manon Farm up in Forest Range. It was one of the most beautiful places I have ever been to. Spending time with Tim and Monique on their beautiful farm was very special indeed and their approach to farming really inspired me. [caption id="attachment_619907" align="alignnone" width="1920"] Ambrose Chiang.[/caption] What was the most notable wine you've tasted, or thing you've seen on the tour? FZ: The wine that left me speechless was Henschke Hill of Grace. There's a lot of high end/expensive wines out there and I've been fortunate enough to taste many, but not many have the soul that wine has. Every vintage I tasted, from 1986 to current vintage was absolutely stunning. That kind of depth is only developed with the wisdom of time and those vines have attained it and pass it along in their fruit. It's hard to describe in technical notes. Like I said, it left me speechless. AC: Out of the 1000-plus wines tasted, the most notable wines were 2014 Si Vintners Halcyon Cabernet Sauvignon, 2004 Yarra Yerring Chardonnay and 1996 Henschke 'Hill of Grace' Shiraz. They were wines that displayed incredible flavour. One of the best trips in the program was visiting Western Australia. The sunset at the White Elephant Cafe was out of this world. What are you taking back home? AP: The passion of the people, organisers and winemakers who worked so hard and beautifully showed me their jobs, their produce and their land. I'm taking home Australia, as it deeply touched my heart. I will start importing some of the young and small producers I met during my trip. I look forward to coming back to Australia. FZ: Love. HI: I'll be taking a huge amount home. I use Australian wine very often in wine pairings in my restaurant, and I'd really like to showcase more Australian wine so Japanese diners can recognise its diversity. HNK: The energy and excitement of the new generation of winemakers in the Adelaide Hills and Basket Range and the outstanding quality of food on display everywhere we went. Celebrate Australian wine by attending Aussie Wine Month over May — there are events and tasting opportunities happening across the country. Images: Kimberley Low.
Australian cinephiles, meet the cure to your yearly bout of Sundance and SXSW envy. Palace Cinemas has announced a brand new film festival dedicated to the American indie scene — i.e. the closest you can get to heading to Park City, Utah or Austin, Texas without actually heading overseas. Debuting in May 2016, and running two-week-long seasons in Palace's Sydney, Melbourne, Brisbane and Canberra venues, Essential Independents: American Cinema, Now will showcase the past, present and future of US independent filmmaking. In a dedicated screen event, audiences will be treated to a snapshot of current creative directions in America, as well as an exploration of their impact throughout international cinema. Accordingly, expect new features, documentaries and shorts, retrospectives on important figures from both behind and in front of the camera, talks and masterclasses, and a few special guests, too. Basically, in a program overseen by former Australian Centre for the Moving Image Head of Film Programs and current Revelation Perth International Film Festival director Richard Sowada, expect American indie heaven in Australian movie theatres. Considering the wealth of talent that has emerged from the US indie realm — think Inherent Vice's Paul Thomas Anderson, Boyhood's Richard Linklater, Mistress America's Noah Baumbach, Selma's Ava DuVernay, Night Moves' Kelly Reichardt and Sleeping With Other People's Leslye Headland, just to name a few — there are plenty of reasons to be excited about an annual trip through the kinds of flicks that don't always make it to local screens outside of Sydney and Melbourne's major film fests. Indeed, while there seems to be an Australian festival dedicated to every other culture, style and theme, until now non-Hollywood US productions have proven an overlooked niche. Essential Independents: American Cinema, Now will tour Sydney, Melbourne, Brisbane and Canberra in May 2016. For more information, keep an eye on the Palace Cinemas website.
When it comes to creating and nurturing a family, all you need is love. That's the main message Gayby Baby pushes, as encompassing the perspective of those too often told that affection, commitment and forging a life together aren't enough for their unions to be legally recognised. Yes, we're talking about same-sex couples and their children — i.e. those at the centre of many a political and newspaper debate about sexual orientation and lifestyle preferences. Maya Newell's observational documentary, as inspired by her own upbringing by two lesbian mothers, gently works to refute perceptions about societal structures other than the stereotypical, so-called nuclear unit of a mum, dad and two kids that the suburbs are supposedly founded upon. In a broader sense, that's what the first-time feature filmmaker achieves in her follow-up to TV doco Growing Up Gayby, showing episodic slices of domestic and school life. However, honing in on the details, Newell also crafts a moving look at the experience of adolescence as told from the rarely seen vantage of the young hearts and minds at the centre of it all. Accordingly, an engaging group of 10- to 12-year-olds monopolise the movie, each united in their age range and stage of maturity, as well as in belonging to families with same-sex parents. Of course, they're brimming with diversity in other ways, namely their hopes, dreams, circumstances and personalities. Gus loves wrestling, much to one of his mothers' dismay, while Ebony is endeavouring to gain acceptance into a prestigious performing arts school. Matt is overcome with difficulties reconciling the teachings of his church with his home life, and Graham is learning to read as he relocates from Sydney to Fiji with his fathers. The tales their experiences touch upon could tie into many a kid in many a home across Australia, and that's Gayby Baby's strongest element. Gus, Ebony, Matt and Graham aren't different because their parents are gay, though they're needlessly forced to worry that they are. Interweaving political content — including Matt and his mothers meeting then Prime Minister Julia Gillard — helps emphasise the point, albeit with subtlety. The film doesn't focus on shouting an agenda, but rather lets the reality that these families face on a daily basis do the talking. So skips along a sensitive documentary made with the intimacy and authenticity its topic deserves. That the project was largely crowdfunded demonstrates the desire for on-screen explorations of the subject. That it bubbles over with earnest affection rather than overt statements shows how heartfelt and personal the end product feels. And while there's little that's revolutionary about the filmmaking at play in Gayby Baby, comprised of footage that flits between fly-on-the-wall and chats to camera as it is, the overall result proves as effectively constructed as its content.
Consider yourself quite the origami expert? Can you assemble an IKEA wardrobe with your eyes closed? Do cardboard boxes flood you with happy memories of making forts as a kid? Get excited, this guy has literally just manufactured a super sturdy bike — made entirely out of cardboard. The kicker? It costs roughly the same as your lunch to make — a minuscule $10 per vehicle. This cycling enthusiast/marketing genius is one Izbar Gafni of Cardboard Technologies, who's really putting the cycling into recycling. He cites his interest in cardboard utility developing as stemming from the invention of a working canoe made from the humble cardboard. After speaking to not one, but three engineers, Gafni was told it was impossible to apply this logic to a useable cardboard bicycle. Ignoring this advice, he pedalled on (sorry) and created the first eco-friendly, operative cardboard bike. How does one essentially craft a functional bike out of cardboard? Quite easily, according to Gafni. Using cardboard of varying degrees of thickness, he folds the cardboard on itself to increase thickness and durability — making it strong enough that it can actually support the average human weight (and then some). After he's fashioned the cardboard to the ideal shape and dimensions, Gafni applies resin to resist rain and other weather conditions and applies a coat of paint. For those who aren't content with mere feet pedaling, there's also the option of purchasing an attachable electric motor. Here's the building process if you don't believe us: It's an idea that avoids the pesky rusting of steel bikes. Riding on this cardboard contraption has taken recycling to the next level — all those discarded shoe boxes, all of those boxes used to move house, transformed into a mode of transport that does not harm the environment. For people who live in areas with high bike thievery rates, despair no more; the bike is so cheap it's probably not worth the energy deployed trying to steal it. The bike is not without its resistors — critics have asked why Gafni doesn't account for the manpower that has contributed to manufacturing process, only advocating the $10 worth of material used to make it. Questions of efficiency have been brought up, as the amount of time and manpower dedicated to the manufacturing of the bike being deemed as unnecessary. Qualified bike experts have also questioned if the single speed setting of the bike would be useful at all in difficult terrain. The bike has featured on the streets of New York as part of the bike sharing implementation. It's not quite on the market yet, but Gafni has indicated that it will retail for around $60 – 90. Via Inhabitat.
Splendour in the Grass might be over for another year and festival season still a blip on the horizon, but in the meantime here's a great opportunity to invest in some home-grown talent and have a killer weekend while you're at it. A brand new three-night festival, dubbed Against the Grain, is being organised by local indie publication Grain and will be held at Bakery Lane in Fortitude Valley on August 18-21. The lineup is headed by Brisbane honies Major Leagues, who'll be joined by ambient up-and-comers Twin Haus, the Jensens, Emerson Snowe and many more. The acts will be joined on stages by a visual installation designed local artists collective CORFLUTE. You can grab a two-day pass for $30. Here's the full three-day lineup. Friday night (free): Simi Lacroix, Alex L'Estrange, Jack Thomas and Moodie Gloom. Saturday night ($20 + bf): Major Leagues, Twin Haus, The Jensens, Big Bad Echo, Vulture Circus, PYNES, In Real Life and Moon Biscuit. Sunday night ($15 + bf): Good Morning, Big Dead, Emerson Snowe, Jess Locke, Pool Shop, McKisko, Self Care and Sleep Club. Image: Bakery Lane.
Start planning a cheeky summer Tassie trip, Hobart's palace of next-level art MONA has just announced the first glimmer of their 2017 Mona Foma lineup. Returning to the Apple Isle's capital from Wednesday 18 to Sunday 22 January 2017, Mofo is one of Hobart's calendar cornerstones — and this year's shaping up to be as weird as ever. First off the rank is the world premiere of tētēma, the newest project from legendary Faith No More frontman Mike Patton. The project is a collaboration between Patton and Aussie experimental composer and pianist Anthony Pateras, who are bringing their ambient, experimental live show to us which explores the theme of displacement. The combo of Pateras' electro- orchestral style with Patton's insane vocal range and a 12-piece band is not to be missed. Second up, MONA has also announced that US comedic, storytelling/musical outfit Puscifer are on the festival bill. They're known for high-energy, narrative driven shows. This is only the first announcement, with the full program set to be announced on Wednesday, October 12. Looks like Mofo is shaping up to be another banger. Tickets go on sale on Monday, October 17, so keep an ear to ground for further announcements. Image: Mofo/Facebook.
Costa Rica, the little nation that could, has achieved 99 percent renewable energy use in 2015 — and is subsequently putting us all to shame in the sustainable energy race. Capitalising on their abundance of jungles and waterfalls, Costa Rica are able to use hydroelectricity as their primary source of renewable energy, which has seen them achieve almost complete independence from fossil fuel use in the past year. Woah. We should really pay attention and learn from their example. By contrast, the Australian government leans further into non-renewables, actively takes backwards steps in regulating big polluters, and drags its feet on meeting renewable energy targets. In June of this year, the government even reduced our target of large-scale renewable energy generation from 41,000 GWh to 33,000 GWh, and made a limp little pledge to increase our renewables to 23.5% by 2020. We are literally the Daria playing volleyball of environmentalism. Even New Zealand has a 2025 renewable target of 90%. Like, come on Australia — you're not even going to pretend to reach for that volleyball, are you? The big bogeyman that's always rolled out in regards to renewable energy — or anything to do with environmental progress, really — is the cost to the consumer and the loss of jobs. But Costa Ricans have seen energy costs drop by 12% in the last year alone; New Zealanders too enjoyed price drops when they started to phase into renewable energy in 2014. Can we please get a slice of that action? AC has been so pricey this summer. What with all the global warming and all. Sigh. Costa Rica, we salute you. Via Inhabitat. Image: Dennis Tang via Flickr
Controversial muso, New York Times bestseller and human energy ball Amanda Palmer is coming to Sydney for an intimate solo performance at the Sydney Opera House on January 21. Palmer's announced the intention of her down under trip is to strip things back to basics. She'll be on stage with "a suitcase, a piano, a ukulele and a baby" which sounds like a very Palmer-esque combo of bold, relatable and off-beat. It's been five years since Palmer graced the Opera House stage with Meow Meow and her partner, Neil Gaiman, so expect the unexpected. The Opera House is just one of her Aussie tour stops. She'll be setting up at the Gasometer for a residency between January 12 and March 9. She'll also be dropping by MONA in Tasmania, Woodford Folk Festival over New Year's Eve, Melt Festival at the Brisbane Powerhouse, Her Majesty's Theatre and Playhouse Theatre in Melbourne and the NGV — a prestigious venue lineup indeed. Image: Shervin Lainez.
Whether you refer to him as co-creator and star of the cult British sitcom Black Books, one of the youngest winners of the prestigious Perrier Comedy Award at the Edinburgh Fringe, a multi-BAFTA winner, or simply "the greatest comedian, living or dead" (as did French newspaper Le Monde in 2007), one thing is clear: Dylan Moran is a one-man comedy industry. However, it seems comedy is no laughing matter once you’ve reached the upper echelons of worldwide stardom, as Moran most certainly has. Best known as the co-creator of iconic British sitcom Black Books, Moran is synonymous in the public imagination with the show's eponymous lead: the drunken, curmudgeonly, occasionally whimsical, second-hand bookstore owner Bernard Black. Therefore, when speaking to him over the phone — he's in Prague, partway through his mammoth 18-month, 143-show world tour and launching his new live show DVD Dylan Moran Off The Hook — the first revelation is just how affable the real Moran is. Despite a terrible, occasionally inaudible connection and the sneaking suspicion that this is but one in a long line of interviews he must sit through today and every day, he is warm and considerate; his speech is rapid and eloquent, pausing sporadically to gather his thoughts, his brogue transforming a quotidian 'um' into a far more charming 'erm'. His accent aside, Moran couldn’t seem more dissimilar from the bellicose drunkard he portrayed on screen and that the media seem intent on pigeonholing him as. Asked if the mischaracterisation annoys him, Moran laughs before replying: "I really don’t care. It doesn't bother me. You know, people latch on to what's obvious, some character or presentation or something, and they tend to run with it." "Time is short — I understand, people need to stick labels on things," he adds dryly. So if the labels aren’t accurate, just who is the real Dylan Moran? We had a chat with the multifaceted star to find out. THE CONSUMMATE PROFESSIONAL As his prolific touring schedule might suggest, professional comedy is a draining business, and Moran is candid about the reality of life on the road. "You don't just go and do three shows and then take a few days off, then do another show and take a day off," he says. "It's a discipline. You’ve got turn up everyday, you've got to make sure you're in working order... trundle yourself off to the theatre, do the show as well as you possibly can, try to keep yourself interested by doing new things — and then do it the next day and the next day and the next day and the next day." THE INTUITIVE ARTIST Having won the most prestigious award in live comedy, Moran later dismissed the Perrier Comedy Award as "a load of media rubbish". This disillusionment with the media and its inability to comprehend the creative process is a recurring theme for Moran. "The thing is, journalists ask questions from the outside, to 'describe what it's like on the inside'," he explains. "If I could describe what it was like on the inside, I'd have to be outside the experience, which would mean I could no longer do it. Do you know what I’m saying?” "So I'm trying to preserve the necessary ignorance to allow me to carry on doing it, because if I start overanalysing it — or I start interrogate the fairy that's collaborating with me inside my head to make this stuff happen — if I ask too many questions about where we're going or what we're doing, the fairy is not going to talk to me anymore." THE RELUCTANT COUNTRY BOY Growing up in rural County Meath, northwest of Dublin, Moran remembers his childhood as bucolic but bittersweet. "Well, you know, it's not a bad place to grow up — you're in the countryside, you're a kid, and you're out in the street. You're running around, you're off on your bike to get up to some mischief." But the appeal of rural living didn't last too long. "You get to be a teenager and you want more of what the city has to offer, so you start getting a bit impatient to get out." Living proof, Moran was 16 when he left school and, having made good his escape, he took out the Perrier Award just eight years later. Two incredibly successful decades on, does he ever feel he'll return to quiet country life? "I have no idea yet, I certainly don't feel it at the moment. I’m moving around a lot like, you know, I don't really have time to have an ear of corn between my teeth as I gaze out over the fields." THE RESPONSIBLE FATHER A lack of time is not just due to Moran’s gruelling work schedule, but also the pressures of raising two young children. Reflecting on how fatherhood has affected his comedy, Moran says it's a pretty fundamental alteration to your worldview. "It makes you place a different stock, or value, on everything. You might've been more attracted to what was noisy or loud or fun or eye-catching, short-term value, before you were a father, and then you start thinking obviously more in terms of consequence and enduring value when you have a child.” THE AMBIVALENT SCREEN STAR The notion of enduring value is a complicated one for any artist. How do you simultaneously remain relevant and preserve a legacy? Despite being most widely remembered for Black Books, Moran seems to feel no immediate compulsion to return to the small screen. "When time allows I'll write another television show, or I'll write a screenplay, or I'll write something else," he says. "But at the moment, I have to restrict my energies to what I'm doing right now, which is miles and miles of road." In the meantime, Moran has been racking up a series of supporting roles in independent feature films, such as Shaun of the Dead, Run Fatboy Run, and a particularly nuanced performance as a disillusioned millionaire plagued by his complicity in the Eurozone collapse in Michael McDonagh's critically-acclaimed Calvary. So, what's next? "I don't know what I'm going to make and it won't be a tour for a while because, obviously, you can only do this every now and again, because it does tend to fray the edges. So I’ll make something that I can make at home." So perhaps more iconic British television is in the offing? "In the future, yes. I will do some more [television], sure, in the future." Dylan Moran Off The Hook is out now on DVD.
After hosting everything from live gigs to cult film screenings to craft afternoons since 2005 — and operating as a cinema in the decades before that — Fortitude Valley's New Globe Theatre is set to close its doors in April. Announced via a Facebook post, the venue will celebrate its last day of operations on April 29, a decision that has come about "after extensive discussions with landlords, banks and just about every other stakeholder". Shows, events and everything else on its calendar will proceed as normal in the interim, with one last big party planned for the final day of trade, of course. Full details of the shindig are yet to be revealed, but it'll include live music all day across the New Globe's stages, and using up any remaining stock. What will happen to the site at 220 Brunswick Street is yet to be revealed, but the New Globe's loss will leave a significant gap — with its distinctive personality and eclectic roster of events, there's no other venue quite like it across the city. Much of the Valley streetscape around it has undergone significant changes in recent years, as the constant sights of cranes and high-rises demonstrates, so someone else stepping in and using the space as a venue seems far from assured. The New Globe Theatre is will close on Sunday, April 29 with one last party at 220 Brunswick Street, Fortitude Valley. Entry is free. Image: Google Maps.
If you've long felt you missed out on a decent childhood because you weren't bunking in with the Swiss Family Robinson, you can now make up for lost time. Treehouses for grown-ups are one of the latest fads sweeping global architecture, and a new apartment block in Turin, Italy is among the wildest. Named 25 Verde (25 Green) and designed by architect Luciano Pia, the five-storey apartment block doubles up as an urban forest. There are 190 trees snuggled within the structure, with 40 of them creating a tranquil courtyard garden, and the rest providing greenery for 63 uniquely luscious apartments. While the lower floor offers leafy garden-facing arrangements, apartments on the upper floor come with spacious, sunny terraces. Both, however, come with ample opportunities for making your own secret password security precautions and 'no boys/girls allowed' signs. Apart from their obviously eco-friendly presence, the trees also help to moderate temperature in the apartments — filtering sunlight on hot days and providing insulation when the weather cools. Total bosses. To pay 'em back, the trees are kept alive by an irrigation system that uses harvested rainwater. Meanwhile, heating is provided by ground water pumps and ventilated walls enable additional 'breathing'. Vertical gardening might have met its match. Via Huffington Post.
Clear your calendars for the next three weeks, and then start filling them with Brisbane Festival events. The city's annual artistic celebration is back — and, as proves the case every September, it's absolutely begging for your attention. Basically, if you're seeing a show, wandering around an exhibition, taking to the dancefloor or just having a beverage with a friend from September 3 to 24, then you'd best be doing it at Bris Fest. In his second year as the festival's artistic director, David Berthold has put together quite the list of options for Brissie arts and culture lovers: 70 productions and 540 performances across five key venues, in fact. You'll find a showcase of music cinema, a theatre re-telling of a recent chapter of Brisbane history, Meow Meow's take on The Little Mermaid and a couple of classic film versions of Snow White among the program's many highlights, plus hangout spot Arcadia and the explosive finale that is Riverfire, too. And if you can't decide what to see, we're here to help. In addition to the above, here's our pick of the ten festival events we think you should be flocking to.
What a slam dunk of year it's been for Bastille. The British four-piece have spent 2014 touring internationally, and casually celebrated a Brit Award win for British Breakthrough Act off the back of their UK #1 album, Bad Blood. Not too shabby. Singles 'Of The Night' and 'Pompeii' both reached #2 spots on the UK charts, and they’ve been working relentlessly on their second album to be released in 2015. Before we get to wrap our ears around their highly anticipated second effort, Bastille have released their third mixtape VS. (Other People's Heartache, Pt. III), featuring latest single 'Torn Apart'. The lads already visited Australia this year in June, and will be returning for Sydney's Field Day on New Year's Day. We managed to get hold of bassist Will Farquarson, and had a chat about the new album, the art of battling your friends and his unrelenting desire to go shark diving. The Second Album is Going to Sound REALLY Different Bastille’s first album, Bad Blood, is certainly going to be a tough act to follow, but the lads have seized the opportunity to do things very differently second time around. Firstly, there will be guitars in the new album. This sounds like an anticlimax, but guitars actually don't feature at all on Bad Blood. "On the first album, we got halfway through and realised we haven't really used any guitars. It became a little bit of a challenge to finish the record without putting any guitar on,” says Farquarson. "On this new one there’s loads of guitar stuff, which is cool because I play guitar, so it felt like a bit of a promotion. I get to stand on things and do solos at gigs which is all I ever really wanted to do." Despite the introduction of lead guitar, Bastille are conscious of not going too far in one direction; instead working to create a sound that mixes many different genres. "We didn’t want to suddenly sound like a guitar band, so we started to more electro, R&B and hip hop influences coming through. I think there will be quite a broad mix of musical styles," explains Farquarson. Any idea when it might be released? "We’re looking at the [European] summer, but these things can often take longer, so probably more like September. If it's not out by the end of the year we've done something horribly wrong, so hopefully it will come out!" We’ll keep our fingers crossed for. Mixtapes, Ryan Gosling and Side Projects Keep Things Fresh While recording original Bastille material, the band also brewed up a cheeky couple of mixtapes: Other People's Heartache and Other People's Heartache, Pt. 2. They've just released VS. (Other People's Heartache, Pt. III), but before you can accuse these lads of procrastinating the real album game, Farquarson is quick to point out that the mixtapes are not so much a distraction but more of a creative side project. "It gives us a chance to move away from the Bastille sound and the restrictions of having the band identity. It’s a Bastille project but it’s a collaborative thing. It’s not distracting but it’s a nice break." Another creative side project that they recently took part in was a rescoring of the Ryan Gosling-tastic film Drive, orchestrated by BBC Radio 1 DJ, Zane Lowe. "It was really nice to be asked to do that. It was quite interesting because we've not really set music to a film before, and it's quite different to just writing a song, says Farquarson. "We were in the studio and had the Drive scene playing, and we were trying to get a bit of a mood going. Working within the confines of a preexisting visual was an interesting challenge." Other prominent musicians also featured in the rescoring include Foals, Banks, SBTRKT, Jon Hopkins and CHVRCHES. They Enjoy Sporadically Battling Their Friends VS. (Other People's Heartache, Pt. III) will feature much collaboration and head-to-heads with Bastille's buds. "We don’t have any collaborations on Bad Blood or the second album," says Farquarson, explaining the mixtape offered up a great chance to explore new territory and test the waters of other genres. When Farquarson was asked who he particularly enjoyed working with, it was pretty clear he had difficulty choosing a favourite. "I personally was quite excited to work with Skunk Anansie because I'm from a generation that listened to that sort of music. Haim were wicked, we love them a lot. Angel Haze is a crazy rapper chick, and there's also Rag N Bone Man (who's also on the song with Skunk Anansie), who’s going to blow up really big and is a friend of ours. It's nice to get all your friends down." Previous mixtapes have included songs such as 'Of The Night' (a mash up of Corona's 'Rhythm Of The Night' and Snap!'s 'Rhythm Is A Dancer') as well as covers such as City High's ‘What Would You Do?' and reinterpretations ('No Angels' is TLC versus The xx). Interestingly, these songs are not exactly amongst the band's all time favourite tunes. "The idea behind them was to do songs that were not necessarily songs we particularly loved, but were just in our consciousness a lot," says Farquarson. "It's also kind of funny to choose songs that perhaps you wouldn't expect us to cover. Instead of picking a similar genre, we pick something completely different." They've Played Some Pretty Weird (and Somewhat Ancient) Venues Being in an internationally acclaimed indie band, you're bound to perform in some pretty whimsically novelty locations. Around the time their colossal single 'Pompeii' was released, the British Museum were curating an exhibition called Life and Death: Pompeii and Herculaneum. "I made a joke that we should play there because of the collection, and then they actually phoned us up, which was a bit strange, and we got the curator of the exhibition to give us a private viewing of it two days before it opened, which was amazing," says Farquarson. Bastille performed their hit single for the opening of the exhibition in front of an audience of press and leading archaeological figures. "We got to play our song 'Pompeii', we stood in a reconstruction of one of the rooms from the town of Pompeii which was slightly surreal." Funnily enough, the boys were asked to play at a French museum just a short while later. "For a bit it started to become a thing that we were the band that played in museums," chuckles Farquarson. They've Got a Soft Spot for Dangerous Creatures International touring this year saw Bastille performing to massive crowds over the Northern Hemisphere summer, including Glastonbury and huge shows in South Africa. Despite doing three 15,000 capacity shows in South Africa earlier this year, the highlight for Farquarson was going on safari. "We all got to meet baby lions. Holding a baby lion is the highlight of my life,” Farquarson enthuses. When they arrive in Australia for Field Day they also have similar animal adventures in mind. "I want to go shark diving. We went skydiving last time we were in Australia, and it seems like the most Australian thing we can do. Either that or have a barbecue,” he says. Sadly their New Year's resolutions don't include any more baby animal holding. "My New Year's resolution last year was to have more fun and drink more, maybe I should take that one back. I don't really go for New Year's resolutions, but I hope to release the second album, so maybe that can be it. Bastille are playing Sydney's Field Day in the Domain on January 1. More info right this way.
Whenever you head to Jocelyn's Provisions on James Street for your fix of sweet and savoury morsels, you're paying tribute to the efforts of one woman. Her name is featured in the store's moniker, and she's the reason it became one of Brisbane's most beloved places for cakes, pastries, pies and other scrumptious items fresh out of the oven. The eponymous Jocelyn Hancock is now taking on a new challenge — or going back to an old favourite, whichever way you'd like to put it. After also having a hand in the tasty food offerings available at Alfred & Constance, Kwan Brothers and Chester St Kitchen, she's returning to all things baked. Cake & Bake is her new venture, opening on Montague Road in South Brisbane at the end of November. Not only is her love of the titular concoctions important, but the place. Hancock considers South Brisbane and West End to have "a spirit that’s stuck around through all the changes," that she can’t wait to be part of again. Expect take-home treats made from produce sourced from Hancock's childhood home of Braeside, as well as from a network of local farmers. Also expect a seasonal menu of cakes and slices, plus some not so-sweet offerings, as well as fresh filled rolls using their own relishes, salads for lunchtime eating, and even the store's own range of fresh-made preserves. Yum. Find Cake & Bake on Montague Road, South Brisbane, and visit their website and Facebook page for more information.
Christmas shopping needn't be a chore. It's your chance to think about a person you care about, think about what element you and only you bring to their lives, mix it all up, and then pop a bow on that beautiful creation. Or, at the very least, make sure it's a good scented candle. Need some inspiration to start you off? Here's a leg up from the Concrete Playground team. It's only the products we've been eyeing off all year. These are the gifts we'd want under our tree, and to leave under others'. For the style savants A maximally minimal watch from The Horse No one does a wrist-dwarfing yet understated watch quite like The Horse. Japanese quartz movement meets gently grainy Italian leather at their Sydney studio, resulting in 12 highly Instagrammable timepieces. $129 from www.thehorse.com.au. Karen Walker's bold gold sunnies To mark ten unconventional years in the eyewear game, NZ designer Karen Walker has released the 'Celebrate' collection, entirely done in gold. This is for loved ones comfortable taking risks on their faces. NZ$399 at www.karenwalkereyewear.com. A reworked vintage Eames chair It's the kind of chair you get and then keep for life, and few do them better than Cast + Crew, who keep the classic shell and upholstery and add new custom legs in neon colours. From $395 at castandcrew.bigcartel.com/products (only some products ship to Australia). This completely perfect water bottle Ignore the gushy high-fashion crap all over the BKR website; these are just the best water bottles, period. They feel good to hold, they feel good to drink from, they're dishwashable and (since they're made of glass with a silicon sleeve) BPA free. US$30 at www.mybkr.com. The Lucy Folk 'Aphrodisiac' necklace It's a pearl. In its natural home. Much harmony, so wow. $750-$850 at lucyfolk.com/shop/. A custom wood keyboard by Oree For the design nerd who has it all: wooden tech. This portable wireless keyboard is made from single piece of wood (maple, walnut or wild cherry), and is customisable down to the key font. £150 from oreeartisans.com. For the food fiends The tiny woodfired pizza oven Yes, this is a legitimate option available to you. Tiny oven, full-size woodfired pizza. Just imagine the camping trip. The Uuni 2 oven is $399 from au.uuni.net. The Thug Kitchen cookbook If only all health food advocates were this sweary. We might be well detoxed by now. The Thug Kitchen cookbook is the perfect gift for friends, lovers, relatives, anyone in the MA15+ bracket. $23.95 at booktopia.com.au. Eau de Vie's small batch cocktails The only acceptable premix to put under someone's tree, from the cocktail masters at Sydney and Melbourne's Eau de Vie. $15 each from www.experimentalspiritsco.com.au. Cornersmith Hamper Hampers can be old hat, but not when they're full of goodies from Sydney's home of pickling, baking and cheese making. If you get the Workshop Wonder hamper, which comes with a class voucher, your giftee can learn to make the whole lot themselves. $40-195 at www.cornersmith.com.au. For the culture munchers The beautiful hardcover Wes Anderson Collection Film critic Matt Zoller Seitz dissects Anderson's aesthetic and idiosyncratic characters over 335 whimsical pages. If you think your giftee already has this one, there are 54 pages of lovingly made Wes Anderson tchotchkes on Etsy. $38.25 at www.booktopia.com.au. A dancing baby Groot Marvel is finally officially licensing these babies — the possible best thing from their possible best movie, Guardians of the Galaxy. The dancing baby Groot boogies in its pot while Jackson 5's 'I Want You Back' plays from the speaker. Stockists are as yet unknown, but Mashable says they'll be on shelves by Christmas. Tickets to one wild outdoor concert The new bookers at Taronga and Melbourne Zoos are magicians; they've got the likes of Bright Eyes' soul-searching dreamboat Conor Oberst, twee monarchs Belle and Sebastian and the one and only Rufus Wainwright playing their summer Twilight series. Tickets from $69 at twilightattaronga.org.au and www.zoo.org.au/melbourne/twilights. This portable speaker that looks like a big iPhone Portable speakers are almost as ubiquitous as soy candles this time of year, but the Bang & Olufsen Beoplay A2 speaker stands out for its omnidirectional sound, 24-hour battery life and crazy-good looks. For the fidelity geek $479 at www.beoplay.com. Sydney Festival tickets If your giftee is in Sydney, give them the gift of a dazzlingly cultured January. We've rounded up some of our favourite and most giftable shows over here. From $29 at www.sydneyfestival.org.au. For the sun junkies This meta picnic blanket The seagulls are dive-bombing for your chips forever on this genius 'Mine Mine' picnic blanket. Trust Gorman. $99 at www.gormanshop.com.au A very clever beach bag Beach bags full of stray sand are just a summer reality, right? Wrong. The Shake Tote has a little flap that opens out to ditch those little grains, easy. US$29.99 from www.quirky.com. This semi-sensible rash vest Safety up top, party down the bottom with this cute rashie from new swimwear brand Neon Cactus. Octopus print and maroon are a sincerely underrated combo. $145 from www.neoncactus.com.au. These thongs with built-in bottle opener Look, this isn't the handsomest shoe, even among that dubious category know as 'mandals'. But that moment when your giftee takes off their thong and uses it to open a beer? That will make it all worth it. $69.99 at www.reef.com/au The Phantom 2 camera drone Twenty years ago, a camcorder was a cool thing to take on holiday. Now it's this: a rugged little quadcopter designed for videography whose flight path you can precisely program from your iPad. US$959 at store.dji.com For the stocking Underwater Puppies: The Book Is your giftee the Grinch? Because only the Grinch would fail to enjoy 128 pages of underwater puppy photos. Everyone else: loves them, loves you, loves everything forevermore. $23.95 from www.booktopia.com.au. The Sunscreen Flask Suddenly that extended family gathering is looking a lot more survivable, thanks to this innocuous-looking flask. US$16.99 at www.thisiswhyimbroke.com. The World's Largest Gummi Bear 24cm and 2kg of pure gummi, this is the perfect gift for that friend in your life (rightly) bemoaning the new reduced size of Killer Pythons. US$29.95 from giantgummybears.com. A mould to turn hard-boiled eggs into tiny skulls Who doesn't need this in their life? There's also one for giftees who prefer their eggs sunny side up. US$9.99 at www.amazon.com. Super Soakers Give someone in your life the gift of a very Leo DiCaprio summer by sticking a Nerf Super Soaker in their stocking. Hint to self: make sure you have one of your own to fire back at them. From $7.99 at www.toysrus.com.au.
Ever have this problem? You're kayaking through crystal clear waters on adventure of a lifetime in paradise, and the goddamn bottom of your canoe is infuriatingly opaque. All that sea life, going unseen. All those underwater sea creature orchestras, going unappreciated. It's infuriating and devastating. Well, all of that is about to change thanks to the Crystal Kayak Company. They've invented (maybe a better term is re-imagined) the kayak, and this time round it's completely see-through. It's the boldest see-through invention since the see-through toaster. Using the same material as windshields are made from, the see-through kayaks are perfect for moments when you want to see what your kayaking over (i.e. undersea orchestras). Check out the promo vid — and we dare you to not feel like you want to quit your job, burn all of your possessions and spend the rest of your life in a transparent kayak. They retail from a whopping $1,499, but if that blows your kayak budget out of the water, you can trial it at resorts around the world. And don't think that price tag just buys the opacity of your kayak. Oh no. As well as offering quite the underwater view, they've been ergonomically designed to be wayyy more comfy than your average kayak. Check em out here.
You can't stop the music on the relatively quiet stretch where Upper Roma Street approaches Petrie Terrace. Long-standing venue, The Beetle Bar, might've closed in mid 2016 but it hasn't taken long for a newcomer to take over the space. Say goodbye to insects and hello to — a fiery bird? The Flamin' Galah is swooping in. Quietly opening its doors just before Christmas last year and officially launching as a live music spot in early April, The Flamin' Galah aims to combine gigs, ace events, drinks and food. Drop by for whatever's on each evening, or just for a tipple and something tasty. Eventually, there'll be something entertaining on the bill every night, whether it's a touring band, local talent, a party, trivia or a DJ, and from April 15, the kitchen will be whipping up burgers and fries, midday 'til close, seven days a week. The current lineup for April and May includes a Yeezus Has Risen tribute shindig, a '90s house party, a collab by Brisbane favourites, Kooii and Kafka, Spanish legends La Pegatina, and a Detroit techno-groove rave. It's a diversely curated selection that promises more curveballs to come. It sounds like the kind of place you'd be more likely to find in the Valley than a part of the city not really known for its hangout spaces, as co-owner Billy Grantley is well aware. "You're spoilt for joints when it comes to fun things to do on a Friday or Saturday night in Brissie," he says. "There's so much happening, but our goal is to offer a different destination outside of that usual craziness." Grantley, who's also behind local booze delivery service Knock Knock Booze There with Flamin' Galah co-owner Leon Lechner, has capitalised on the space's existing design to make that happen. "It's a purpose-built live music venue... the building was actually custom-built with a sound architect, so it's got double-layered walls, it's got a mezzanine," he explains. Accommodating between 300 to 330 people, "it has been designed in a way that we crank the sound up really loud, we don't have any close residential neighbours, so it's this perfect little party spot." For those wondering just how loud that is, The Flamin' Galah has a 115-decibel limit — the level of your usual huge concert. Patrons will also find walls adorned with murals by Brisbane street artist Drapl — his vast, painted bird is impossible to miss. Plus, the interior has been given a renovation to feel "new and contemporary" after The Beetle Bar's impressive decade-plus run. Find The Flamin' Galah at 350 Upper Roma Street, Brisbane. Head to their Facebook page for further information. Images: Lachlan Douglas Photography.
The Hunter Valley is the oldest and busiest wine region in Australia. Some of the country's first vineyards were planted there back in the early 1800s, and now, more than 150 wineries are on the wagon. These vary from flashy, famous establishments to more intimate, off-the-typical-wine-trail cellar doors. Semillon is the area's classic variety, but you'll also come across some tip-top chardonnay and shiraz, among others. In between wine tasting, pop into traditional and contemporary art galleries, sample local produce in stellar restaurants and maybe set your alarm clock for a hot air balloon adventure. DRINK With 150 wineries to visit, it's not easy to nut out an itinerary. At the big-name end, Tyrrell's in Pokolbin is the place to try your first drop. It's home to one of the oldest vineyards in the Hunter — the first grapes were planted in 1858 — and, despite its commercial success, remains family-owned, so it's friendly. Next, pop along to Tempus Two, not only for its legendary wines but also for its posh, architect-designed cellar door. The Hunter Valley Smelly Cheese Shop, Oishii Japanese restaurant and The Goldfish cocktail bar are all just a hazy stroll away. To keep things unpredictable, and avoid constant crowds, visit at least a couple of boutique wineries. Krinklewood, located in the Broke-Fordwich subregion, is one of the most interesting, with its certified biodynamic, organic, sustainably run vineyards. It's also incredibly beautiful, backdropped by the Brokenback Range and immersed in Provencal-inspired gardens. Owners Rod and Suzanne Windrim say they're committed to a "hands-on" approach, governed by the philosophy that "what you put in is what you get back". Just down the road, you'll find Ascella Wines, the Hunter's biggest organic vineyard. EAT A premium fine dining experience is to be had at Muse Restaurant in Pokolbin, which is attached to Hungerford Wines. This year, it was awarded two chef's hats. Run by husband-and-wife team Troy and Megan Rhoades-Brown, the restaurant is housed inside a stunning, airy, architect-designed building, and the contemporary Australian menu prioritises fresh, seasonally available ingredients and simple yet innovative combinations. If you're into creative dishes, book yourself a spot at Rothbury's Shakey Tables. Pretty much every plate is an art work, and the interior's designed to match, with bold, fun paintings on the walls and bright suede seating. Even if you're not interested in committing to a full meal, pop in for the desserts — they're extraordinary, in terms of both looks and taste. STAY Accommodation options are incredibly varied - from classic country pubs in tiny villages to simple yet cute cottages on rolling acreages to lush suites. On a wino's weekender, though, it's only fitting that you should spend at least one night deep in the grapes. The fanciest way to do this is at Spicers Vineyard Estate in Pokolbin, a ridiculously luxurious guesthouse set in its own private vineyard, with amazing views of the Brokenback Mountains. Each suite comes with its own fireplace, king-size bed, en suite with spa and complimentary mini bar. If you're envisioning yourself in a secluded cabin, consider the nearby Belford Cottages. A handful of private dwellings are scattered around 15 acres of beautiful, unspoilt bushland. Each has its own private balcony, for sundown wine sipping and kangaroo spotting. There's also a games room and, for hot days, a pool. The property is in a central location, with Pokolbin, Wollombi and Lovedale close by, and there's even a restaurant and a couple of wineries within walking distance. Take your torch. For winos travelling on a tighter budget (or saving bucks for bottles), the Hill Top Country Guest House in Rothbury is good value. Situated on the Molly Morgan Range, affording brilliant views of the Hunter Valley, it's housed in a colonial-style building and dressed with touches of luxury, including king-size beds, spa baths, a sauna and a pool. But with nightly rates starting at $115, it's much more affordable than similar options. DO The Hunter is dotted with art galleries and museums. For traditional Australian landscapes, decorative work and investment opportunities, visit the Morpeth Gallery. While you're there, take a wander around Morpeth's historic buildings, relax on the riverfront and sample some famous Morpeth sourdough. Meanwhile, at the Maitland Regional Gallery, you'll find contemporary exhibitions, with temporary shows changing every six to eight weeks. If you're banking on something more active, there's the Yango Walking Track, a 6 kilometre walk through untouched wilderness in Yengo National Park, which journeys past red cedars, giant stinging trees and spectacular vistas. Keep a lookout for the rare velvet wattle. Alternatively, get your adrenaline kicks with a hot air balloon ride. You'll have to wake up early, because the trip starts before sunrise, but the sun-kissed views are more than worth braving an early hangover for. Top image: Kevin Rheese.
When The Triffid starts welcoming patrons at midday at January 26, here's a tip: rush through the door, find your favourite spot, and settle in for the long haul. Trust the Newstead venue to have all your plans covered. Want to listen to the nation's biggest countdown? Keen on having some post-Laneway fun, even if you're not going to the fest? Consider it all sorted. The first part of the festivities, The Triffid's Third Annual Hottest 100 Party, will feature the tunes you voted for, the usual laidback atmosphere, and whatever takes your fancy from their food and drink menu. Then, come 10pm, stick around for the Laneway After Party with Juno Mars, White Lung DJs and Laneway DJs.
Brisbanites, you’d best start the coffee percolating and put a cherry pie in the oven, because David Lynch is coming to town. Yes, the filmmaker with some of the most strangely sublime sensibilities in the business — and the best hair, too — is making his first trip to Australia, with Brisbane his sole stopover. We know how lucky we are. He’s here to launch the Gallery of Modern Art’s David Lynch: Between Two Worlds exhibition, and though most might know him from his movies and that one certain TV show that some rightfully say is the best thing to ever grace the small screen, this is a whole-of-building affair. You can watch his films, as well as films about his films. You can hear renditions of the music that helped make much of his work so great. You can buy his signature blend coffee from the gift shop. And you can look at paintings, sculptures, carpet and more that only a mind like his could come up with. By now you hopefully have tickets to his sold-out in-conversation event, a busy film viewing schedule mapped out and plans to stare at his artwork more than once. We’ve got a few other things for you to do, too. Let’s call this your David Lynch homework. WATCH TWIN PEAKS We’ve said it before (just above!), and we’ll say it again: Twin Peaks is one of the best shows that has ever been on television. Sadly, GOMA’s program doesn’t currently include the chance to watch its first and second seasons in full, likely due to rights issues, but anyone with even the tiniest bit of interest in Lynch owes it to themselves to do so at home. You can see the pilot as part of the lineup, as well as the scariest horror film ever made — in the form of movie follow-on, Twin Peaks: Fire Walk With Me — but they’re just not enough. Once you enter Twin Peaks’ world of diminutive dancing men and ladies with logs, you won’t want to leave. And if you need any more convincing, consider it preparation for the third season due out next year. LISTEN TO HIS MUSIC Lynch’s movies are inextricably linked with music; what would Blue Velvet be without Bobby Vinton’s title track, Wild at Heart without Chris Isaak’s 'Wicked Game', or Twin Peaks without Julee Cruise’s 'Falling' and composer Angelo Badalamenti’s haunting themes, after all? The director has been instrumental in the creating distinctive soundscapes for his on-screen work, so it should come as no surprise that he has also released his own albums. His 2001 release, BlueBob, was an experimental rock record. His 2011 effort, Crazy Clown Time, featured the Yeah Yeah Yeah’s Karen O on one track and favoured experimental electronica. His 2013 album, The Big Dream, was inspired by blues and pop, combining for a dreamy, experimental sound. Noticing a trend here? So are we. And you’ll also notice that listening to his music — much of which can be found on Spotify — feels just like bathing in his film scores. WATCH LOUIE In 2012, Louis CK pulled off what will likely be his best-ever casting feat. Plenty of familiar faces and recognisable names have popped up in his fictionalised TV series, Louie, but when the comedian pursued an arc in season three that saw his on-screen alter ego considered to replace David Letterman as the host of the Late Show, there was only one person to turn to. Well, several actually, because Lynch wasn’t his first choice (Jerry Lewis, Al Pacino and Martin Scorsese all turned him down); however, it is now impossible to see anyone else as the plain-talking Jack Dall, the man who attempts to guide Louie to success over two episodes. It’s as if Twin Peaks’ Gordon Cole left the FBI and got into the television talk show game — and it is just as glorious as that sounds. READ HIS COMIC STRIP From 1983 to 1992, Lynch wrote and illustrated a comic strip. The Angriest Dog in the World appeared in the LA Reader, the Village Voice and other alternative US publications, inspired by a time in the 1970s when Lynch himself was seething with rage. No, we’re not kidding. Yes, Lynch’s life is filled with the kind of stuff that sounds made up, but isn’t. The image in the comic strip never changed, and always featured the same introduction, explaining that the dog is so angry that he cannot move, eat or sleep. Thought bubbles then delivered existential musings as well as puns and jokes, such as “If everything is real… then nothing is real as well.” Only selected strips can be found online, but even a quick glance proves that they’re pure Lynch. WATCH HIS TV COMMERCIALS AND MUSIC VIDEOS When he’s not making films, albums, TV shows, comic strips and artwork, or popping up in ingenious acting roles, Lynch also dabbles in the world of television commercials and music videos. Okay, okay, so do many other filmmakers – but we guarantee Lynch’s creations are unlike anyone else’s. You might have seen the Japanese coffee ads that tie in to Twin Peaks, but he has also spruiked everything from home pregnancy tests to perfume to Playstation, and even made a spooky public service announcement denouncing littering. In the music video realm, among others he directed an alternative video for Chris Isaak’s 'Wicked Game', an animated clip for Moby’s 'Shot in the Back of the Head', and a video for Nine Inch Nails' 'Came Back Haunted' that comes with a seizure warning. David Lynch: Between Two Worlds is on at the Queensland Gallery of Modern Art from March 14 to June 7. See the full program of exhibition-related events at the gallery website.
It's not everyday that Peter Gunn and Zach Furst shower Brisbane diners with the gastronomical delights that have made Melbourne's IDES such a hit. In fact, there's only two days when that'll be the case: July 25 and 26 during Good Food Month. That's when the duo will be teaming up with Gauge for an up-close-and-personal evening of dinner and drinks. Over eight courses paired with appropriate beverages, you'll discover the truth behind the rave reviews. Our advice: if you want to make the most of this rare opportunity, you might want to arrive hungry.
There's always something to see at a documentary festival. Whether true crime gets your pulse racing or you're excited about the idea of diving into the weird and wonderful side of this world we live in, part of the fun of a festival focused on factual efforts is the sense of real-life discovery — you'll most likely learn something new. Since it started in 2011, that's what the Antenna Documentary Film Festival has offered movie buffs keen on a dose of reality with their viewing, with the fest's annual program nothing if not varied and vibrant. Taking their true tales to Sydney, Melbourne and Brisbane audiences, the latter for the first time this year, Antenna beams everything from docos about eating crawling critters to cine-essays about the impact of horror cinema into hearts and minds. From this year's 39-feature lineup, here's our top five picks. BUGS Maybe you're the kind of person who's willing to eat almost anything once. Or, perhaps you're much more cautious about your culinary choices. Either way, this doco is something everyone should watch — when it comes to what we eat, the future of the planet is at stake. Researchers from gastronomic entrepreneur Rene Redzepi's (Noma) Nordic Food Lab investigate the practise of eating insects as a solution to issues of food security and scarcity, and documentarian Andreas Johnsen follows their efforts. Yep, Bugs is probably going to make your stomach squirm — but, if you really are adventurous, you can try an ant-covered ice cream at the films's screening. FEAR ITSELF In Beyond Clueless, critic and filmmaker Charlie Lyne explored the films audiences not only literally grew up with, but also chronicled that process on screen. Now, like we all do, he's moved on from teen flicks to horror — and he's giving the fright-inducing genre the same treatment. Assembling tension-filled clips from over 100 spooky efforts, he examines just how everything from the usual suspects to hidden gems manage to give audiences goosebumps and leave them on the edge of their seats. Clearly, this is a film for horror buffs — maybe don't head along if you're easily scared. CAMERAPERSON You mightn't know Kirsten Johnson's name, but if you watch documentaries, then you know her visuals. As a cinematographer and camera operator, she has shot or contributed to the shooting of everything from Fahrenheit 9/11 to Citizenfour, however, that's not all she has filmed. After more than two decades in the business, Johnson has assembled quite the array of unused footage from every effort that she has worked on, which all forms part of Cameraperson. Using these otherwise-discarded scenes, she crafts a portrait of the relationship between the people on either sides of the camera, as well as an absolutely riveting cine-memoir. BOBBY SANDS: 66 DAYS It was the film that launched the careers of both Michael Fassbender and his Shame and 12 Years A Slave director Steve McQueen: Hunger, a recreation of Irish Republican prisoner Bobby Sands' refusal to eat food for 66 days. As Bobby Sands: 66 Days' title suggest, Brendan Byrne's documentary also tells that story. Of course, it looks at the situation from a factual rather than dramatised perspective, with the end result both powerful and informative. There's a reason that the eponymous figure's actions back in 1981 continue to draw attention, which this compilation of interviews, archival materials and recreations attempts to get to the bottom of. CITY 40 The Russian city of Ozersk is the city time may as well have forgotten, closing itself off to the world around it, and even using armed guards to stop anyone entering. Indeed, the mountainous locale is referred to as City 40, and though it looks picturesque, it's really anything but. It's here that the Soviet nuclear weapons program was born after World War II — and where many are now stockpiled. This documentary examines not only the place, but the people who remain, even as their beloved home town literally poisons them through radiation. The Antenna Documentary Film Festival screens in Sydney from October 11 to 16, in Brisbane from October 26 to 30, and in Melbourne from November 2 to 6. For the full program, see the festival website.
You thought the time for giant slides was through. You thought you'd missed the boat. You thought you'd be doomed to slide down your own shitty bits of plastic soaked with detergent and your backyard hose forever. You're in luck, slider. There's a freakin' huge slide coming to Australia and you can skid right down the middle of it. Slide the City is a multi-city series hitting Sydney, Melbourne and Perth with more national dates to be announced. It's a gargantuan 300 metre vinyl slip 'n' slide that dares to rival the likes of Slide Melbourne, Slidestreet and every detergent-laden giant slide you've ever created in your own backyard. Apparently this is equal to nearly three football fields worth of sliding. Family-friendly and encouraging of dress-ups, Slide the City is so much more than a slide. There'll be live music, food stalls and a bar popping up on the day — all you have to do is bring your water buckets, floaties and super soakers — yep, you're actually encouraged to bring these. Unless otherwise specified, sliding starts at 9am and goes until 7pm. We know what you're thinking (after all the fun sliding bit's done), what about water wastage? In fact, the team are taking great pains to keep the event's environmental impact low, even swinging the whole thing to raise awareness of water conservation. Good stuff, team. SLIDE THE CITY 2016 DATES: MELBOURNE — Sunday, January 10 SYDNEY — Friday, January 15, Saturday, January 16 and Sunday, January 17 WOLLONGONG — TBC SUNSHINE COAST — TBC TOWNSVILLE — TBC GOLD COAST — TBC NEWCASTLE — TBC Register for tickets at the Slide the City website.
If you live in Brisbane and you're into theatre, you've probably heard about the city's venue problem. During busy times when all the usual locations are already booked, some shows can't tread our boards because there's nowhere for them to perform. That's where Anywhere Theatre Festival comes in, transforming unlikely places into lively performance spaces since 2011. If any event proves that anywhere and everywhere can host theatre, comedy, dance, music, magic and poetry, it's this. In 2016, 63 productions and 420 performances will grace gaols, reservoirs, rural railway stations, old skate rinks, pubs, people's homes and more — including these ten shows, our pick of the bunch.
Last summer, the Gallery of Modern Art’s Australian Cinematheque dwelled in the realm of film fairy tales and fantasies. Now, they prepare for the sequel. The focus? This time, Myths and Legends take their fancy, in movies about heroic deeds, epic journeys and sacred realms. Screening 54 films released between 1920 and 2014, the program opens with a diverse double, starting with 1928 silent The Passion of Joan of Arc — presented with a new live musical score by Brisbane band Hazards of Swimming Naked — and followed by James Cameron's Aliens. Elsewhere, expect classics and epics old and new, including Humphrey Bogart in Casablanca and The Maltese Falcon, the historical-leaning Spartacus and Cleopatra, '80s fantasies The Dark Crystal and E.T. the Extra Terrestrial, and all three movies in Peter Jackson's original Lord of the Rings trilogy. Yes, this lineup both includes and is bigger than Ben-Hur, and offers multiple interpretations of its theme in a schedule that features Mad Max, The Terminator, Pretty Woman, Pulp Fiction and Fight Club, too. As a special treat for those who missed it last year, you can also catch Aussie horror effort The Babadook — one of the best films of 2014 you probably didn't see.
It's finally happened. London's latest and greatest pop-up bar lets you literally inhale alcohol, a project that could only be the work of wildly ambitious, gastronomic artists Bompas and Parr. Built on the site of an ancient monastery in Borough and opened on July 30, the wonderfully-named Alcohol Architecture bar lets you walk into an actual cloud of cocktail. Sam Bompas and Harry Parr have used big ol' humidifiers to saturate the air with a cocktail of spirits and mixer, so you can simply breathe in the drink and let that sweet, sweet alcohol make its way to your bloodstream via lungs and eyes. Of course, visitors to the pop-up are advised to "breathe responsibly" — and the hour session of inhalation isn't quite enough to get you drunk, apparently. You're given a robe to protect your clothes from reeking of cocktail afterwards, and you'll be surrounded by atmospheric sounds to intensify the inhaling experience. #breatheresponsibly at @alcoholicarchitecture regram from @soniashahx A photo posted by Bompas & Parr (@bompasandparr) on Aug 6, 2015 at 8:59am PDT "Inside, the sound is modulated, so that it is like you are right inside the glass," Parr told Bloomberg. "It's a dense atmosphere that builds into a thunderstorm with lightning. It's a new way of experiencing drink, and it's social because it's an immersive shared environment. You all have the same flavor sensation. "It's like going to the seaside and finding that fish and chips taste better. Part of that is that in a human environment, your ability to perceive taste is heightened. It's the opposite of being in an aeroplane. Alcohol tastes better, with more nuances: You can detect more subtle flavors when it is humidified." We're on! Launch night of the bar tonight! A photo posted by Alcoholic Architecture (@alcoholicarchitecture) on Jul 29, 2015 at 12:37pm PDT This isn't the first jaw-dropping foodie installation Bompas and Parr have dazzled us with in recent memory. After opening a pop-up which tailored cocktails to your DNA, hosting anatomical whisky tastings allowing you to taste different aged whiskies from their same-aged human body, and creating lava-powered barbecues, the pair brought one hell of a banquet to this year's Dark Mofo festival in Tasmania — which involved much nudity and the eating of an actually beating pig's heart. If you're headed for London anytime soon, Alcoholic Architecture will be open until early 2016 at One Cathedral Street, Borough Market, London. Tickets and more info over here. We chatted to Sam Bompas recently, head over here to delve into pagan feasts, Vegemite chocolate and Australian food trends. Via Bloomberg.
When every new year starts, we all have our favourite ongoing shows. They're the series that have already earned both a place in our hearts and a permanent spot on our viewing schedules — and, each time they come back with new episodes, we eagerly look forward to spending time with again. In 2019, think Game of Thrones, The Handmaid's Tale and Big Little Lies, plus Stranger Things, Mindhunter, Wellington Paranormal and Rick and Morty too. They're the known quantities and the established heavy hitters; however each and every year also serves up a whole heap of new programs to enjoy as well. This year's slate of newcomers didn't disappoint, whether you're a fan of absurdist comedies, quirky Australian dramas or US spin-offs of existing favourites. Grim recreations of real-life events, thought-provoking police procedurals and mind-bending animation also made an appearance. They're the new favourites — the shows that, now you know that they exist, you'll either be awaiting new episodes (if they're ongoing) or revisiting again (if they're a one-off affair). With 2019 coming to a close, here's our rundown of the new TV series that top the pile for the year. An added bonus: they're all available to stream. https://www.youtube.com/watch?v=6uWCNHQgfnc UNDONE It's co-created by Raphael Bob-Waksberg, tells its tale through vivid animation, grapples with mental illness and saddles its protagonist with an existential crisis; however, Undone is worlds away from BoJack Horseman. That's not a criticism of the talking horse comedy, but a reflection of how firmly Bob-Waksberg and Kate Purdy's series charts it own path and makes its own imprint. Rendered using exceptionally fluid and expressive rotoscoped animation that often flows into surreal territory, and anchored by impressive voice work by Rosa Salazar (Alita: Battle Angel) and Bob Odenkirk, the series spends its time with the struggling Alma — who, after a near-fatal car accident, starts experiencing time and her memories differently. Inventive, smart, funny, tender, gorgeous to look at and always devastatingly astute, it's a worthy addition to the growing canon of great shows pondering the meaning of life of late, such as The Good Place, Russian Doll, Forever and Maniac. The first season of Undone is available to stream on Amazon Prime Video. https://www.youtube.com/watch?v=s9APLXM9Ei8 CHERNOBYL When it comes to sheer horror of the bone-chilling kind, not to mention the kind of soul-crushing dismay that can only stem from the bleakest of tales, nothing compares to Chernobyl. The five-part show explores the aftermath of the 1986 nuclear disaster, which saw the reactor inside the Ukrainian facility explode. The fallout, unsurprisingly, was catastrophic, with the incident considered the worst nuclear power plant accident in history as well one of the worst man-made events ever. While the dramatisation begins with the fiery explosion, it's what happens next that earns the show's focus — the initial salvage attempts by workers condemned to suffer and die just for doing their jobs; the arrogant cover-ups, including by stubborn plant supervisors who refuse to believe what's happened; the clean-up and rescue missions, sacrificing more lives to the incident; and the inevitable investigation. Every aspect of the series is detailed, thorough, and even more relentless and unnerving than you'd expect given the real-life situation, with creator and writer Craig Mazin drawing upon meticulous research, interviews with nuclear scientists, chats with former Soviet residents and first-person accounts from those who were there. All five episodes of Chernobyl are available to stream on Foxtel. Read our full review. https://www.youtube.com/watch?v=QTIkUzkbzQk UNBELIEVABLE Content warning: sexual assault Based on real-life crimes, and instantly becoming one of the most talked-about shows of the year, Unbelievable steps inside a series of rape cases between 2008–11. When Washington teenager Marie Adler (Booksmart's Kaitlyn Dever) reports her sexual assault to the police, authority figures begin to question her story almost from the outset — not just law enforcement, but two of her ex-foster mothers. She's forced to sign a statement saying that she made a false report; however, over in Colorado, detectives Karen Duvall (Merritt Wever) and Grace Rasmussen (Toni Collette) are on the trail of similar attacks. More than just the latest true-crime tale to hit the screen, the series explores the mistrust experienced by female victims of violent crimes, serving up a powerful account of weathering, surviving and investigating multiple horrors. It also features exceptional performances from its three leads, with Dever in heartbreaking form as a girl shattered by her ordeal, Wever in empathetic and thoughtful mode, and Collette proving a force to be reckoned with. All eight episodes of Unbelievable are available to stream on Netflix. https://www.youtube.com/watch?v=vrZkGgoVSFk I THINK YOU SHOULD LEAVE WITH TIM ROBINSON You don't even need two hours to get through all six episodes of this sketch comedy show but, once you're done, you'll wish that it went for at least twice as long. Social awkwardness is satirised with absurd precision in I Think You Should Leave with Tim Robinson, and the results are as offbeat and hilarious as a house completely filled with Garfield items and furniture (trust us). If he seems familiar, Robinson was the star of Detroiters and also spent a couple of seasons on Saturday Night Live. He has plenty of recognisable co-stars on his new show, which he also wrote and produced — talents such as Will Forte, Steven Yeun, Tim Heidecker and Vanessa Bayer. And, like fellow ace new 2019 comedy PEN15, the series boasts some big names off-screen too, with The Lonely Island (aka Andy Samberg, Akiva Schaffer and Jorma Taccone) its executive producers. It's also another of this year's big debutants that's coming back for a second season. The entire first season I Think You Should Leave with Tim Robinson is available to stream on Netflix. https://www.youtube.com/watch?v=yUeDkU7HyTs THE OTHER TWO You're in your 20s, trying to make it in New York and struggling to chase your dreams. The only thing that's making you feel better is the knowledge that your sibling is doing the exact same thing. Then your kid brother comes up with a throwaway pop hit, adopts the stage name ChaseDreams and becomes a YouTube sensation — and the world's next Justin Bieber. That's the premise of sitcom The Other Two, which follows struggling actor Cary (Drew Tarver) and his ex-dancer sister Brooke (Helene York) as they come to terms with their new situation. Also starring Molly Shannon, Ken Marino and Wanda Sykes, the show's ten-episode first season is constantly hilarious and acerbically perceptive, especially when it comes to today's celebrity-obsessed, influencer-heavy society. An instant classic, thankfully it's due to come back for a second season. The first season of The Other Two is available to stream on iTunes and Google Play. https://www.youtube.com/watch?v=YHcKoAMGGvY RUSSIAN DOLL Netflix and smart existential laughs continued to go hand-in-hand with Russian Doll, with the streaming platform once again tasking one its protagonists with wondering what this whole life business is all about. Here, however, New Yorker Nadia (Natasha Lyonne, Orange Is the New Black) is forced to relive her 36th birthday shindig over and over again. And while getting stuck at a celebration in your own honour will sound like a literal party to most folks, that's not Nadia's path. Co-created and co-written by Lyonne, Amy Poehler and filmmaker Leslye Headland (Bachelorette, Sleeping with Other People), this eight-episode show takes its misanthropic lead character through all kinds of twists and turns, examining fate, logic, life's loops and wading through limbo in a clever and compelling way. This is a dark, heartfelt, uproariously humorous and inventive series all at once, and, although the do-over premise has become a well-established trope on both the big and small screens, Russian Doll never feels like it's relying on a gimmick. Unsurprisingly, Netflix has renewed it for a second season. The entire first season of Russian Doll is available to stream on Netflix. Read our full review. https://www.youtube.com/watch?v=mfBbSwX6kEk WHAT WE DO IN THE SHADOWS A bunch of vampires. One share house. Ample undead hijinks. It worked swimmingly in 2005 short film What We Do In the Shadows. Next, it worked hilariously in 2014 mockumentary movie What We Do In the Shadows. And it works mighty fine in TV spinoff that's also called What We Do In the Shadows, too. Adapted for television by original creators and stars Jemaine Clement and Taika Waititi (with the first episode written by the former and directed by the latter), this Staten Island-set version focuses on a new set of vamps and new supernatural problems, and the laughs keep coming. Unsurprisingly, Matt Berry's English bloodsucker Laszlo is a highlight, but this is a great ensemble effort, complete with ace turns from Kayvan Novak as Ottoman Empire-era soldier Nandor the Relentless, Natasia Demetriou as Romani vamp Nadja, Mark Proksch as 'energy vampire' Colin Robinson and Lady Bird's Beanie Feldstein as a live-action role-play fan who falls in with the undead crowd. Also keep an eye out for some absolutely killer high-profile cameos — and for more episodes next year. The entire first season of What We Do In the Shadows is available to stream on Foxtel. https://www.youtube.com/watch?v=kU9SVg5i0WA ON BECOMING A GOD IN CENTRAL FLORIDA The American Dream — aka the idea that any US citizen can achieve all the success they've ever hoped for if they just toil hard enough — gets a very darkly funny spin in On Becoming a God in Central Florida. Anchored by a fantastic Kirsten Dunst, the show focuses on Krystal Stubbs, who works at a water park, earns minimum wage and has a baby that she often takes to her job. She's also immersed in a cult-like pyramid scheme. Founders American Merchandise sells household products, pushes its sales people beyond their limits and wraps up its mania in patriotism, with Krystal becoming involved through her husband Travis (Alexander Skarsgård). He's as devoted to the multi-level marketing cause as anyone can get, so the series charts the Stubbs' path after their fortunes take a turn. Set in the early 90s and sporting pitch-perfect costuming and production design, the show was originally planned as a TV project for The Lobster and The Favourite director Yorgos Lanthimos — and while the Greek filmmaker is no longer involved, it's easy to see how this savvy satirical comedy would fit into his wheelhouse. The first five episodes of On Becoming a God in Central Florida are available to stream on SBS On Demand. Episodes will drop weekly on Thursdays afterwards. https://www.youtube.com/watch?v=Rs_0_fG9-CQ LAMBS OF GOD On a remote island that's difficult to access, in a dilapidated convent that time seems to have forgotten, three women (Essie Davis, Ann Dowd and Jessica Barden) remain true to their faith by adhering to their routines and rituals. Then, an uncaring priest (Sam Reid) arrives with a message: their home is due to be sold off by the Catholic Church, for profit, and turned into a luxury hotel for the wealthy. More than just a fight against gentrification and corruption, the plight of Lambs of God's three nuns spans mysteries, murder, divine beliefs and otherworldly deeds, all based on the novel of the same name by Australian author Marele Day. Directed by Ali's Wedding's Jeffrey Walker and lensed by acclaimed Australian cinematographer Don McAlpine, the four-part mini-series proves a lush and twisty gothic drama — aka the best kind — that takes aim at both gender and class inequality. All four episodes of Lambs of God is available to stream on Foxtel Now. https://www.youtube.com/watch?v=lSOo4_7Pccg YEARS AND YEARS If Black Mirror weaved its dystopian visions of the future into an ongoing narrative, rather than doled out its horror stories in standalone instalments, it might look like Years and Years. Focusing on the Lyons family — which spans Muriel (Anne Reid), her grandchildren Edith (Jessica Hynes), Stephen (Rory Kinnear), Daniel (Russell Tovey) and Rosie (Ruth Madeley), plus their partners and children — the six-part British drama ponders their lives from 2019 onwards. So, all of the usual events happen, such as births, deaths and marriages. Here, they're all filtered through the possible political and technological landscape that could await us all, with wars, embeddable technology, climate change, the gig economy and nationalist politics (with Emma Thompson playing an increasingly popular Pauline Hanson-style politician) all part of the story. Created by Russell T. Davies (Queer as Folk and Doctor Who), Years and Years isn't just a must-watch portrait of what may come, but a smartly written, engagingly performed and absolutely fascinating series that's purposefully designed to intrigue, and to stress viewers out about the current and future state of the world. All six episodes of Years and Years are available to stream on SBS On Demand. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly.
There's a few delicious things you could buy for $817. You could buy a bucketload of Messina for your entire workplace. Or you could invest in one scoop of this not-so-great-sounding ice cream, the most expensive scoop in the world. Dubai's Scoopi Cafe is claiming their 'Black Diamond' as the priciest scoop in the globe, setting you back $817 a go. According to Al Arabiya, owner Zubin Doshi spent five whole weeks picking out the ingredients. Yep. Five of 'em. What did he come up with? Madagascar vanilla bean ice cream, Iranian saffron threads, and Italian black truffle, topped with a 23-karat gold leaf. Call us ungrateful, but four ingredients we've seen before hasn't left us jumping on Webjet. The exxy part of the scoop actually doesn't come from the saffron or gold leaf. It comes from the takeaway container. Your Black Diamond comes served in a bowl from Versace — one you can take home. So basically, you're paying for singular Versace crockery and the rights to tell your 'friends' you shelled out 800 beans for an average-sounding scoop. We'll stick with Messina any day. Via Al Arabiya.
