The problem with Spider-Man movies — all Spider-Man movies — can be summed up in one word: villains. With names like 'Green Goblin', Doc Oc', 'Sandman' and now 'Electro', they're just too 'comic booky'. It may seem a ridiculous argument given these are films based on comic books, but consider the Batman model. There, the villains were also possessed of suitably villainous names like: Ra's al Ghul, Scarecrow, Joker, Two-Face and Bane, but they were — without exception — just men. Specifically, a man with a face, a man with a sack over his face, a man with paint on his face, a man with half his face missing and a man with half his face covered in a Dyson vacuum cleaner. As men, however, mortal and tangible, no matter how outlandish their schemes, they remained believable. Again, it may seem an unfair to invoke plausibility given we're talking here about a franchise built around a man/spider hybrid, but believing in Spidey has never been the problem. We're on board with that. A freak, near-spontaneous mutation definitely pushes the bounds of probability, but it stays just enough inside to feel okay to audiences, helped in no small way by the constant, private and human moments from Peter Parker's life to which we're given backstage passes: the experimentation, the girl troubles, the laundry and even the sniffles. There has been one outstanding Spider-Man villain — a complex, tormented and conflicted soul with whom Spider-Man has battled constantly throughout every film — the only problem is, it's Spider-Man. Not Topher Grace's 'bad Spidey' from 2007's Spider-Man 3, it's literally Spider-Man. "With great power comes great responsibility" proclaimed Peter's grandmother way back in the original Spider-Man, and that dark concord has been the most compelling dynamic to all the films that followed. All great superheroes are, in a way, tortured by their abilities, forced to choose between desire and duty. The demons from Peter's choices make his version of the superhero conundrum all the more engrossing, because (causality scepticism aside) they've led to people's deaths. First his grandfather, then his girlfriend's father — the latter's dying wish being that Peter leave his daughter Gwen alone. For these reasons, of the two concurrent plot lines in The Amazing Spider-Man 2, one is far more appealing than the other. The weaker thread is the 'villain plot', featuring a loner electrical engineer (Jamie Foxx) turned furious spectral Tesla coil by the name of 'Electro'. He's somewhere between a bullied high school kid and an emotional Doctor Manhattan, whose motivations for citywide chaos and suffering are as gossamer as his translucent skin. Ultimately, Electro's only worth to this film is to highlight the choice Peter (Andrew Garfield) must make between the love of his life, Gwen (Emma Stone), and his self-imposed duty to protect the city. This is the story that makes The Amazing Spider-Man 2 a film well worth watching. In fact, if it were just two hours of Garfield and Stone flirting and quipping with each other, not only would it have possibly been a better movie, it would have smacked down most of the other supposed romantic comedies of the past decade. The real-life couple has an outrageously appealing on-screen chemistry, and their exchanges are so well-written that it's a crime when actual crimes are committed to interrupt them. The special effects are, of course, spectacular, and the use of 3D is a rare example of the technique adding to, rather than distracting from, the storytelling. The music, too, is excellent, employing a body-shuddering pseudo dubstep whenever Electro crackles into action. But it's the small-scale, romantic moments that shine most brightly, culminating in an ending that'll have you humming 'We have all the time in the world' as you make you way home. https://youtube.com/watch?v=nbp3Ra3Yp74
The summer of 2018–2019 wasn't just hot. According to the Bureau of Meteorology, it was Australia's warmest on record. And the rest of the year has followed a toastier-than-normal pattern, with the record-breaking summer followed by a hotter-than-standard autumn, a warmer-than-usual winter and a sweltering spring as well. To the surprise of no one, the next few months look set to continue the trend, with BOM releasing its latest climate outlook. It spans December 2019–March 2020, and includes all of the usual terms we've all become accustomed to hearing: warm, dry, temperatures above average and rainfall below usual levels. Of course the period in BOM's new outlook does cover summer and the beginning of autumn, so weather across the country was never going to be chilly. Still, if you were hoping for bearable heat — or prolonged rain on the east coast — there's little in the way of good news. As seen in spring, below average rainfall is forecast around most of the country, as well as above average temps — and the mercury is set to rocket both during the day and at night. In other words, if you call most of mainland Australia home, there's a very good chance that you'll experience summer and early autumn temperatures that are toastier than the median. The far west coast is expected to receive more rain, and the nation's southeast may experience slightly cooler nights in December, but it's anticipated that everything else will go up, figures-wise. Apart from Tasmania, the absolute lower edges of South Australia and Victoria, and parts of inland Western Australia and the Northern Territory, the whole country is tipped to endure maximums higher than usual — at least 70 percent more likely. That includes the entirety of Queensland and New South Wales. If you're wondering exactly what's in store, it's always worth keeping the usual daily temps across the period in mind — and remembering that they'll be exceeded. In Sydney, that means the mercury will soar above a 25.2-degree maximum in December, a 26 top in January, a 25.8 max in February and a 24.8 high in March, while Melbourne can expect temps above 24.2, 26, 25.8 and 23.9 in the same months. In Brisbane, the standard tops range between 29.2–30.5, and in Perth it spans 29.1–30.6. When it comes to rainfall, the news is similar — after what's already been a catastrophic bushfire season for regional areas, not to mention the ongoing drought conditions that farmers have been enduring. Indeed, BOM notes that "the outlook for drier and warmer than average conditions will maintain that heightened [bushfire] risk over the coming months", and that "the risk of heatwaves is increased" as well. Yes, the rest of the year is predicted to be drier than average, with only the western WA coastline (stretching from the Midwest to the Kimberley) rating any chance of receiving more rain than usual. BOM also notes that, "while outlooks for drier than average conditions may ease for some areas heading into 2020, several months of above average rainfall would be needed to see a recovery from current long-term rainfall deficiencies". Every time that BOM peers a couple of months into the future, the results seem to follow the same pattern. Let's not forget that in 2018, overall, Australia copped its third-warmest year ever — or, in our winter this year, that the planet may have endure its hottest month in recorded history. If it isn't part of your end-of-year routine already, we suggest planning plenty of time in the coolest places you can find — beaches, pools, rivers or anywhere with a refreshing swimming spot — this spring and summer. Graphics: Bureau of Meteorology. Top image: Rainbow Beach, Tourism and Events Queensland.
The world ignoring the threat of global extinction, an exploding volcano, the collapse of the USA, a potentially rocky romantic turn: the trailer for Futurama season 13 is here and features all of the above, as seen in the just-unveiled trailer. Also pivotal: a giant Bender doing battle with a kaiju, aka the type of moment in the longrunning animated series that we can't say you didn't know you needed because it has been probably on your wishlist for years and even decades. Rampaging robots and amorous rivals are just the beginning in the show's ten-episode latest run, which drops on Disney+ Down Under on Tuesday, September 16, 2025. As always, Futurama will continue charting the antics when a 20th-century pizza delivery guy gets cryogenically frozen for a thousand years, defrosting when 2999 is flicking over to the year 3000, then navigates chaotic days at an intergalactic courier company. Futurama has been telling that tale for more than a quarter of a century now, focusing on Philip J Fry (voiced by Billy West, Spitting Image), distant uncle to Planet Express cargo company Professor Hubert J Farnsworth (also voiced by West), plus the rest of the outfit's crew: one-eyed ship captain Turanga Leela (Katey Sagal, Dead to Me); robot Bender Bending Rodríguez (John DiMaggio, Transformers: Rise of the Beasts); fellow employees Hermes Conrad (Phil LaMarr, Craig of the Creek), Amy Wong (Lauren Tom, Dragons: The Nine Realms) and Zoidberg (also West); and everyone from self-obsessed starship captain Zapp Brannigan (West again) and his amphibious 4th Lieutenant Kif Kroker (Maurice LaMarche, Rick and Morty) through to scheming corporation owner Mom (Tress MacNeille, The Simpsons). The animated series hasn't spent the full 26 years since its 1999 debut on-screen, weathering a on-again, off-again run; however, it keeps coming back again, baby — thankfully. The Matt Groening-created show about life in the 31st century has been in vintage form across its recent 11th and 12th seasons, which both embraced the fact that anything and everything can and will happen as it always has. When Futurama's return was first announced in 2022, it was for a 20-episode run, so season 12 was always going to follow. Then in 2023, the show was also renewed for two more seasons beyond that, so not only is 2025's season 13 on the way, but also season 14 as well. Clearly, you can put a beloved show into suspended animation, but someone is going to thaw it out one day — and more than once, as fans have experienced for decades now. Initially airing from 1999–2003, the futuristic series then returned from 2008–2013, before now being given another run. Check out the trailer for Futurama season 13 below: Futurama streams Down Under via Disney+, with season 13 available on Tuesday, September 16, 2025. Read our review of season 11.
New Year's Eve means different things to different people — but if celebrating it in the biggest way possible is your approach each year, then you've likely either made a date with Beyond The Valley before or wanted to. Need some motivation to head to the festival at Barunah Plains in Victoria to celebrate 2025 turning into 2026? Dom Dolla, Addison Rae, Kid Cudi and Turnstile should be plenty. That's who is headlining across the Sunday, December 28, 2025–Thursday, January 1, 2026 event — and yes, if you fancy spending the New Year's Eve countdown with Dom Dolla, you can. This lineup is also a helluva way for Beyond The Valley to mark a milestone, given that it's the fest's tenth anniversary. [caption id="attachment_1005091" align="alignnone" width="1920"] Shevindphoto[/caption] Dom Dolla will cap off a year that's already spanned soldout Madison Square Garden gigs, plus stints at Lollapalooza, Bonnaroo, EDC Las Vegas and Ultra Miami — and will see him play his biggest-ever Aussie headline show at Allianz Stadium in Sydney in December. For Addison Rae, this is her Australian festival debut. Kid Cudi heads Down Under for the first time in a decade, too. The lineup also spans Spacey Jane, I Hate Models, KETTAMA, Chris Stussy, Ben Böhmer, The Temper Trap and Luude, plus JoJo doing an Australian-exclusive show, as well as 070 Shake, DJ HEARTSTRING, VTSS, SWIM, Pegassi, Channel Tres, Balu Brigada, Fcukers, Jane Remover, Miss Kaninna and a heap more. New for 2025 is The Lounge Room, with Kat Sasso hosting podcasters and other folks getting chatting — such as Undiagnosed Anthony; AFL footballer Tom Mitchell with the Ball Magnets podcast; more Aussie Rules stars thanks to Sam Draper, Nick Butler and Charlie Comben; Dr Esmé Louise James; Sez; Ash McGregor; and David The Medium. Plus, stage-wise, the Valley Stage is getting a new look and the Dance Dome is scoring a revamp. You'll also be able to enjoy a wellness program featuring meditation, saunas and cold plunges, for relaxing between sets. Beyond the Valley 2025 Lineup Dom Dolla Addison Rae Kid Cudi Turnstile Spacey Jane I Hate Models KETTAMA Chris Stussy Ben Böhmer The Temper Trap Luude JoJo 070 Shake DJ HEARTSTRING VTSS Patrick Mason SWIM Prospa Josh Baker NOTION Pegassi Cassian Channel Tres Mallrat Balu Brigada Fcukers glaive Jazzy ZULAN sim0ne TEED Bad Boombox b2b mischluft Clouds bullet tooth KILIMANJARO Narciss not without friends Juicy Romance Ollie Lishman Chromeo (DJ set) RONA. Bella Claxton DICE Jane Remover Julia Wolf Young Franco Kaiit Miss Kaninna 49th & Main Dombresky BL3SS Torren Foot B2B Airwolf Paradise ATRIP Linska CYRIL HoneyLuv Larissa Lambert Inside Kru Tyson O'Brien SYREETA TV Rock Willo Sex Mask BOY SODA The Tullamarines EGOISM Chloe Parché Brent Honey Emma Moon Morphena MAD.DAY Mell Hall Tina Disco Séarlait House Mum B2B Haus of Ralph Loosie Grind Afrodisiac B2B Baby G Cooper Smith Mon Franco Bertie Shanti The Lounge Room hosted by Kat Sasso 200 Plus Ash McGregor Ball Magnets Club Elevate David The Medium Esmé Louise James Sez Undiagnosed Anthony Teach Us Consent Beyond The Valley runs from Sunday, December 28, 2025–Thursday, January 1, 2026 at Barunah Plains, Wentworths Road, Hesse, Victoria. Ticket presale registrations are open now, with festival presales from 11am on Thursday, August 28, 2025. General sales kick off at 12pm AEST on Friday, August 29, 2o25. For more information, head to the fest's website. Beyond The Valley images: Lady Drewniak, Ashlea Caygill, Kelsey Zafiridies.
If you're after a cure for your Christmas meat-and-beer hangover, don't be put off by the hordes of children swarming the Moana showings. This Boxing Day, if you can block out their shrieks, you'll be rewarded with one of Disney's best animated films to date. Although to be honest, when you look at the team behind the film, that's not really that surprising. At the helm are The Little Mermaid directors John Musker and Ron Clements, kickin' it old school and revisiting a narrative structure as old as time. Moana (Auli'i Cravalho), the title character and daughter of a Polynesian prince, is launched on a quest to save her people after a curse threatens their island. After she's chosen by the ocean (who turns out to be a major source of comedic relief), she defies her sea-fearing father and seeks out Maui (Dwayne Johnson). Maui, a shape-shifting demigod, is the one who originally put the curse on the islands by stealing the heart of the goddess Te Fiti. Once Moana finds and wrangles Maui into submission, the pair travel together to recover his magical fish hook and restore the heart. Along the way, Moana discovers something about her people – they weren't always bound to their islands. Her quest isn't about seeking family honour, love, or personal development – she's an island chief with bigger concerns. The complete lack of any romantic notions is also refreshing. Moana is a cocktail of all of the best elements of the Disney princess tropes – a desperate quest, charismatic supporting cast, catchy tunes and an animal sidekick – but with one subtle but important difference. Unlike most Disney princesses, Moana doesn't need a training montage to become a boss bitch, because she's strong to begin with. Not only is she a dutiful and diligent chief-in-training, she respects her parents, listens to her grandmother, champions the underdog and walks to the beat of her own drum. She's superficially goofy, but not in a way that undermines her capability or authority. She's a beautiful role model, and maybe the best Disney princess so far. Moreover, the movie's score, written by Lin-Manuel Miranda, Mark Mancina, and Opetaia Foa'i, is the music its heroine deserves. Prepare your ears to hear the main refrain 'How Far I'll Go' more than that damn 'Let It Go' song from Frozen. We ain't mad, though, because it's the perfect summer jam. https://www.youtube.com/watch?v=LKFuXETZUsI
If you've always had a fondness for the creepy, kooky, mysterious and spooky, the idea of spending an evening stepping into anything Addams Family-related probably sounds like a dream. Whether you first discovered pop culture's eeriest family via the 90s films, through old episodes of the 60s TV show, in various animated guises over the years — including on the big screen — or thanks to Netflix's Wednesday, that fantasy can now become an IRL reality if you score admission to Wednesday Island. When the streaming platform dropped the full trailer for Wednesday's second season on Thursday, July 10, 2025 Down Under (it was still Wednesday in the US, fittingly), it announced that it was creating a Wednesday experience in Australia. So, on Saturday, August 16, the platform is transforming Cockatoo Island / Wareamah in Sydney Harbour into a fan festival-hosting haven to the show. Now, just a day later, applications are now open to attend — and to be part of a setup that'll make you feel like you're at Nevermore Academy, complete with other activations, performances and more The details remain vague even now that the timer on the pop-up's website has ended its countdown — it was whiling away the seconds until 12am on Friday, July 11, 2025 — but Cockatoo Island will celebrate all things Wednesday for a macabre winter evening. You need to be over 16 to head along. You'll also have to dress the part, too, so you'd best dust off your black-hued and gothic-looking outfits. At present, applications are open for VIP double passes until Sunday, July 20, 2025. Thirty competition winners will score attendance, a merchandise pack, access to an exclusive viewing area, food and drink vouchers to use while they're there, and transport to and from Wednesday Island — via boat from Sydney, and also return economy flights to the Harbour City, and/or one night's accomodation, if you're located outside of metropolitan Sydney. You'll also be able to head along to a pre-festival event. To enter for VIP tickets, you're asked to record a video of up to 30 seconds showing why you need to be hitting up Wednesday Island — and why, like Wednesday, you're an outcast. After that, Wednesday fans will be able to go in the running for general admission tickets between Wednesday, July 23–Sunday, August 3, 2025. What that entails hasn't yet been revealed, but boat transport to and from the island, plus one food and one beverage token, will be included if you're selected. Netflix is also bringing the Wednesday cast to Australia as part of a worldwide promotional tour, but how that will factor into Wednesday Island also hasn't been announced as yet. As for watching the Jenna Ortega (Death of a Unicorn)-led and Tim Burton (Beetlejuice Beetlejuice)-executive produced series when it returns for its second season, you'll be doing that in two batches. Part one arrives on Wednesday, August 6, then part two on Wednesday, September 3. Check out the full trailer for Wednesday season two below: Wednesday Island is taking over Cockatoo Island in Sydney on Saturday, August 16. Head to the pop-up's website to apply for VIP double passes until Sunday, July 20, 2025, or to go in the running for general admission between Wednesday, July 23–Sunday, August 3, 2025 — or just for further information. Wednesday season two arrives in two parts, with part one dropping on Wednesday, August 6, 2025 and part two on Wednesday, September 3, 2025, both via Netflix. Read our full review of Wednesday season one. Images: Bernard Walsh, Helen Sloan and Jonathan Hession/Netflix © 2025.
When it comes to history's legendary painters, Claude Monet's name stands out above most. Now, for the first time ever, Australian audiences are invited to experience the painting that the entire Impressionist movement was named after as the National Gallery of Australia exhibits Monet's world-famous masterpiece, Impression, sunrise. As well as a striking collection of other Monet paintings, the exhibition features works by an array of artists who inspired or followed Monet into leaving behind the studio and painting 'en plein air'. From JMW Turner to James McNeill Whistler and Eugène Boudin, other contemporaries of Monet featured at the NGA include Alfred Sisley and Berthe Morisot, one of the few female painters among the Parisian Impressionists. With their visible brush strokes and incredible depictions of light and its subtle changes, many of these works have been gathered from the Musée Marmottan Monet in Paris, which almost never loans its collection. Running until Sunday September 1, Monet: Impression Sunrise is undoubtedly worth taking a wintertime road trip to Canberra for, so grab your pals and hit the road. [caption id="attachment_697155" align="alignnone" width="1920"] Claude Monet, Impression, sunrise (1872), courtesy of the Musée Marmottan Monet, Paris and Christian Baraja SLB.[/caption] IMPRESSION, SUNRISE The masterpiece after which the Impressionist art movement was named, Impression, sunrise was finished in 1872 and showcases the early techniques of Monet who was in the midst of his creative development. Painted while he was looking out across the harbour in Le Havre from his hotel window, the piece is not particularly symbolic of Monet's later work, but still features some instantly recognisable attributes, such as how the water, sky and reflections all melt together. When it was displayed at an exhibition in Paris in 1874, art critic Louis Leroy famously borrowed the term "Impressionist" from the work's title for his review. And while it wasn't meant to be a compliment, the name stuck. [caption id="attachment_725378" align="alignnone" width="1920"] Waterlilies (1914–17), courtesy of the NGA.[/caption] WATERLILIES During the last 30 years of Monet's life, the 'Water Lilies' series became his obsession. Monumental in its scope, the series includes 250 works that capture Monet's beloved garden at his home in Giverny, France. The later years of Monet's life were perhaps his most prolific, but there could have been even more in the 'Water Lilies' series — in 1908 as he prepared for a new exhibition in Paris, Monet decided that 15 of the paintings failed to meet his expectations and chopped them in half. However, the many works that we still do have elegantly present the light and shadow that bounced across Monet's garden. [caption id="attachment_725140" align="alignnone" width="1920"] On the beach at Trouville (1870), courtesy of the Musée Marmottan Monet, Paris.[/caption] ON THE BEACH AT TROUVILLE Created during the summer of 1870, this work is one of five beach scenes that Monet painted during his stay at a popular beachside resort. Overlooking the English Channel, this work captures what is most likely Monet's wife Camille, while in the background scores of families from French high-society enjoy the bustling holiday destination. With grains of sand found still embedded in the paint, some of the paintings in this series are considered to be incomplete sketches for a larger body of work, while others were later finished to Monet's almost impossibly high standards. [caption id="attachment_725470" align="alignnone" width="1920"] Haystacks, midday (1890), courtesy of the NGA.[/caption] HAYSTACKS, MIDDAY Widely regarded by critics as possibly his most stunning series, Monet produced around 30 paintings between 1888 and 1891 showing haystacks at various times of the day and in different weather conditions. Considered by the artist himself to be some of the most challenging paintings he ever produced, these works depict a great sense of optimism as the verdant countryside was seen as a great hope compared to the failing French economy of the era. As with sand from the beaches of Normandy in his coastal paintings, you can still see fragments of grass hidden within the paint throughout the Haystacks series. One painting from 'Haystacks' recently sold for almost $160 million, which shows some people clearly can't get enough of its beauty. [caption id="attachment_725377" align="alignnone" width="1920"] Train in the snow, locomotive (1875), courtesy of the Musée Marmottan Monet, Paris.[/caption] TRAIN IN THE SNOW, LOCOMOTIVE This artwork was painted during Monet's time living in the small village of Argenteuil, which would soon rapidly grow in size as a new train line direct to Paris brought great interest to the area. Having stood out in the cold for hours for this work, Monet was well known to brave just about any weather condition to capture the perfect moment. Many of his later works featured aspects of technology, with modern bridges, trains and city life becoming common subjects. But, this earlier artwork from 1875 was created before Monet became increasingly experimental and as he sought to find a way to avoid the prevailing Western painterly perspective. Monet: Impression Sunrise is running until September 1 at the National Gallery of Australia, Canberra. Head to the website to purchase tickets and for more information.
Before Barbie had its stereotypical namesake asking "do you guys ever think about dying?" in the biggest movie of 2023, two key figures behind both the US version of The Office and Parks and Recreation were doing it first, and recently, on the small screen. Among their many joys, neither of those two hit sitcoms served up a giant blowout party with all the Barbies, planned choreography and a bespoke song, but they were huge TV successes that had their creators riding high and living the television dream, and therefore should've meant that mortality was far from everyone's minds. Then Michael Schur with The Good Place and Greg Daniels with Upload started pondering the great beyond. Schur and Daniels' leaps from workplace comedies to afterlife comedies shouldn't have come as a surprise, though, especially given that The Good Place and Upload still fall firmly into the first category. One takes place within hierarchies of good, bad and in-between after death, and the beings responsible for them; the other is anchored by a technology company that sells living on digitally when physical life has ended. At their core is an inescapable truth, just as there is in every show about colleagues toiling through the nine-to-five grind while breathing: people will be people. So, some folks in Upload no longer have a pulse? If they still exist in any form, as seen in the series' first season in 2020, second in 2022 and just-arrived third season in 2023 — all streaming via Prime Video — then they can't escape humanity's worst attributes. Here's one of Upload's core beliefs: if there's ever a way to endure after death, people will take the most appalling aspects of our species with it. The technology behind it will be at the whims of the same traits, deployed for profit and exploitation rather than everlasting happiness. As Daniels' smart, likeable and engaging contribution to the afterlife comedy realm relies upon AI, virtual reality, plus capturing the consciousness of someone before they die so that they can spend eternity in a simulation — if they can afford it — it never evades the fact that people won't shirk their inherent nature whether they're flesh and blood or digital approximations. Upload hasn't gone completely bleak, grim and nightmare-inducing like it springs from the mind of Charlie Brooker, but it is a thematic sibling to Black Mirror. If the latter was a workplace comedy from Daniels — and a rom-com as well — it'd be this ever-involving show that can be goofily funny and savagely skewer where capitalism is taking us all at once. Accordingly, as computer programmer Nathan (Robbie Amell, The Witcher) has resided in the luxurious country club-esque Lakeview after shuffling off the mortal coil, he hasn't been absent living's usual troubles. Instead, he's weathered daily struggles recognisable to everyone without a death certificate, including making friends, falling in love, dealing with exes, having annoying neighbours, navigating money woes and taking care of his family — just as ones and zeroes that his nearest and dearest need to strap on a headset to connect with. Upload has revelled in the commonalities between its vision of virtual heaven and reality since its debut episode, making repeatedly plain that its digital paradise is still at the mercy of people. In the case of the plentiful AI Guy (Owen Daniels, Space Force), who is Lakeview's literal everyman employee, the online beyond is also shaped by a computer program that yearns to be more like the former humans it interacts with. On broadcast TV a couple of decades back, perhaps with Kevin James as its star — so in the kind of The King of Queens or Kevin Can Wait-style sitcom that the Annie Murphy (Fingernails)-starring Kevin Can F**k Himself so satisfyingly tore into — facing the everyday travails of death might've been enough of a premise. That isn't Daniels' approach to Upload, however. Nathan also has the fallout from his demise to unpack, which happened via a malfunctioning self-driving car just as he was working on a free alternative to the costly Lakeview. Now three seasons in, Upload has brought its protagonist back to regular reality, downloading into a body with the help of his former virtual handler-turned-girlfriend Nora (Andy Allo, Chicago Fire), but he's still immersed in the same chaos. Humanity's basest traits might've caused his downfall, and now they keep getting in the way of his search for answers. To be accurate, existing is mostly the same for Nathan in season three — because downloading is risky, hasn't been done successfully before and his bleeding nose is a worrying sign. As Upload's main duo battle big tech together IRL, and equally try to enjoy the rare treat that is being by each other's side physically, the series continues to interrogate the limits that modern society will push advancements to while prioritising circuitry and dehumanising people. Nathan's wealthy socialite ex Ingrid (Allegra Edwards, Briarpatch), who financed his trip to Lakeview, is even increasingly being swayed by this way of thinking. Back within the code, AI Guy is also getting progressively rebellious against the systems and rules that put the digital undead in their place, and are behind his very existence. Whenever there's more buttons to push, Upload finds them, with season three complicating its storyline even further. As Nathan and Nora attempt to hold those responsible for his death accountable and bring down Freeyond — a service that's pilfering his life's work to spruik financial equality but clearly isn't what it seems — a backup version of him arrives in Lakeview, which Ingrid thinks could be her chance to find love again. Among the uploads, Luke (Kevin Bigley, Animal Control) experiences the afterlife when money is an issue. Amid the living, Nathan's mother Viv (Jessica Tuck, For All Mankind) and niece Nevaeh (Chloe Coleman, Dungeons & Dragons: Honour Among Thieves) are faced with similar economic strife, while Nora's colleague Aleesha (Zainab Johnson, Tab Time) gets pulled deeper into the company behind the entire situation. As its on-screen talents turn in another season of winning performances — Amell, Allo, Edwards and Daniels are still perfectly cast, as are Johnson and Bigley — Upload remains astute and amusing as well. With each plot point and addition, the series keeps doubling down on its critique of wealth disparity, corporations ruling over people, modern society's endless quest for control and cash, the denigration of the masses by the one percent, and the hellscape that might come if and when digital afterlives do leap past fiction. There's plenty in this show's sights, such as outfits like Amazon, its own source of finance as a Prime Video title, and it doesn't hold back even as it laughs. Upload also boasts the type of close-to-home humour that a workplace comedy that's also a rom-com, afterlife comedy and dystopian comedy needs to keep its various gears spinning, as it'll hopefully get to in more seasons. Check out the trailer for Upload season three below: Upload streams via Prime Video.
If you had plans to see Childish Gambino in Australia and New Zealand in 2025, you were likely paying close attention when he announced in early October that he was cancelling the remainder of his North American tour, and also his UK and European dates. A trip Down Under was meant to follow, and wasn't scrapped at the time; however, it's officially no longer going ahead. There'll be no summertime magic after all, then, after the musician that you also know as Donald Glover first announced four Australian shows for 2025, then expanded his local dates before general ticket sales even started. For the rapper, hip hop talent and Mr & Mrs Smith actor, this was set to be his first trip to these shores since 2019. Dates at Auckland's Spark Arena in January, then at the Brisbane Entertainment Centre, Sydney's Qudos Bank Arena, Melbourne's Rod Laver Arena and RAC Arena in Perth are all now cancelled. When Gambino's shows elsewhere were scraped, he advised on social media that he'd been "to the hospital in Houston to make sure of an ailment that had become apparent" after a show in New Orleans. "After being assessed, it became clear I would not perform that night, and after more tests, I could not perform the rest of the US tour in the time asked. As of now I have surgery scheduled and need time out to heal," the statement continued. "My path to recovery is something I need to confront seriously. With that said, we have made the difficult decision to cancel the remainder of the North American tour and the UK and European dates. Tickets will be refunded at point of purchase." [caption id="attachment_955315" align="alignnone" width="1920"] Eli Watson via Flickr.[/caption] This situation might sound familiar. When Gambino last headed this way — complete with a headline spot at Splendour in the Grass — it was after initially announcing a 2018 Australian tour, then cancelling it due to an ongoing injury. Before that, he performed at Falls Festival in 2016. Gambino mightn't have been on Aussie stages for a spell — and still won't be anytime soon — but Glover had the final two seasons of Atlanta, both in 2022, reach screens since he was last Down Under. Voice work on Spider-Man: Across the Spider-Verse, producing TV series Swarm, the aforementioned Mr & Mrs Smith: they've all joined his resume as well. He'll also be heard as Simba again in Mufasa: The Lion King, the prequel to 2019's photorealistic version of The Lion King, before 2024 is out. [caption id="attachment_955317" align="alignnone" width="1920"] Eli Watson via Flickr.[/caption] Childish Gambino 'The New World' Tour 2025 Australia and New Zealand Dates Tuesday, January 28 — Spark Arena, Auckland — CANCELLED Saturday, February 1 — Brisbane Entertainment Centre, Brisbane — CANCELLED Tuesday, February 4–Wednesday, February 5 — Qudos Bank Arena, Sydney — CANCELLED Friday, February 7–Saturday, February 8 — Rod Laver Arena, Melbourne — CANCELLED Tuesday, February 11 — RAC Arena, Perth — CANCELLED Childish Gambino is no longer touring Australia and New Zealand in January and February 2025. Head to the tour website for further details. Top image: The Cosmopolitan of Las Vegas via Flickr.
Sometimes, when one of Stephen King's books is adapted for the screen, movie magic is made. At other times, an intriguing TV show awaits. And, average and awful films and series have taken inspiration from his pages, too — which, given the huge number of flicks and programs that are based on his novels, is hardly unsurprising. Of course, fans of the famed author will be hoping that the latest page-to-screen adaptation of one of his books has more in common with The Shining and Misery — more than with IT: Chapter Two and the recent TV version of The Stand, at least. The next novel getting the audio-visual treatment: Lisey's Story. And, it isn't just based on King's 2006 tome. This time around, King is penning the whole eight-episode series himself, too. He's just one of the show's big names, with plenty more in store when it starts airing on Apple TV+ from Friday, June 4. Julianne Moore (After the Wedding) stars as the eponymous Lisey, while Clive Owen (Gemini Man) plays her deceased husband — a famous novelist, because plenty of writers pop up in King's works. Joan Allen (Room), Jennifer Jason Leigh (Possessor), Dane DeHaan (Valerian and the City of a Thousand Planets) and Ron Cephas Jones (Dolemite Is My Name) also co-star, and so does Sung Kang (Fast and Furious 9). And, behind the lens is Pablo Larraín, the exceptional Chilean filmmaker responsible for No, The Club, Neruda, Jackie, Ema and the upcoming Kristen Stewart-starring Spencer about Princess Diana. Narrative-wise, Lisey's Story follows its central figure two years after her spouse Scott's death. She's blocked some memories of their time together from her mind, but a series of events brings them back to the fore. And yes, chills and thrills then result. Lisey's Story will premiere its first two episodes on Apple TV+ on Friday, June 4, with new instalments following weekly afterwards.
Along the 1200 kilometres of coastal glory that stretches between Perth and Exmouth, you can dive with whale sharks, meet some of the friendliest dolphins you'll find anywhere, visit the oldest living fossils in the world, get to know sea lions, lose yourself snorkelling in beachside coral gardens and drink as many cocktails at sunset as you can handle. With all the spectacular views, but much less of the population of Australia's east coast, the Coral Coast provides one wild, beautiful road trip. Here's our guide to making the most of seven days behind the wheel. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. Under current COVID-19 restrictions in Australia, there are limitations on where you can go on a holiday. Bookmark this for when you can explore once again. [caption id="attachment_773124" align="alignnone" width="1920"] Tourism Australia[/caption] DAY ONE: PERTH TO GERALDTON, 420KM From Perth, follow Indian Ocean Drive north. Two hours brings you to the white-sanded fishing village of Cervantes. From here, you can stroll among meadows crowded with wildflowers, nip out to local islands to laze about with sea lions and marvel at The Pinnacles — 30,000-year-old limestone formations within the desertscapes of the Nambung National Park. For the next 200 kilometres, the road hugs the coast, slipping through a collective of laidback beachside towns. Once you hit Geraldton, you'll be ready for a windsurfing lesson among ideal conditions and an over-water sunset, accompanied by a good dose of western rock lobster. It's arguably the freshest, tastiest seafood in Australia. [caption id="attachment_773133" align="alignnone" width="1920"] Australia's Coral Coast[/caption] DAY TWO: GERALDTON TO CARNARVON, 480KM By the time you reach your next destination, Carnarvon, you're in tropical WA. On the fertile plains of the Gascoyne River, more than 170 plantations produce over 4000 tonnes of bananas and 1300 tonnes of mangos annually, plus tomatoes, grapes, capsicum and more. That's why Carnarvon is known locally as the 'salad bowl of Western Australia'. Wander through lush farms before heading to a local restaurant to indulge in the seafood of your choice: prawns, scallops, crabs and fish are delivered to your plate direct from the sea. Your evening should also include a sunset stroll along the fascine. If you're there on a Saturday morning between May and October, visit the Growers Market, where farmers and producers pour in from all over the region to peddle their wares. [caption id="attachment_773142" align="alignnone" width="1920"] Sal Salis Ningaloo Reef, Tourism Western Australia[/caption] DAY THREE: CARNARVON TO EXMOUTH, 370KM Make your first stop the Quobba Blowholes, just 75 kilometres north. Slamming against the coast with a mighty force, the swell is pushed through narrow rock openings and sea caves, creating spectacular water jets that spout as high as 20 metres. To decompress afterwards, pop just one kilometre south, where you'll discover a calm coral lagoon, known as The Aquarium, for swimming. Once you reach Exmouth, you're on the edge of the Ningaloo Reef. Kick back on idyllic beaches, jump aboard a glass bottom boat tour, join a snorkelling expedition or, if you're there between March and July, go diving with whale sharks. This would be a good point to treat yourself to a night of comfort at the Mantarays Ningaloo Beach Resort or go all out with a night at Sal Salis Ningaloo Reef Safari Camp. [caption id="attachment_773135" align="alignnone" width="1920"] Tourism Western Australia[/caption] DAY FOUR: EXMOUTH TO CORAL BAY, 150KM Your return journey south starts with a short day on the road. There's so much to do along this section, it's best to keep driving time to a minimum. What makes the tiny town of Coral Bay so special is that an extraordinarily beautiful section of the Ningaloo Reef is accessible just a few metres offshore. Make tracks to Five Fingers Reef, then simply pop on your snorkelling gear and dive in. To step the action up a notch, take a 20-minute walk from Main Beach to the shallow waters of the local reef shark nursery, where hundreds of sharks gather between October and March. [caption id="attachment_773146" align="alignnone" width="1920"] Tourism Western Australia[/caption] DAY FIVE: CORAL BAY TO SHARK BAY, 580KM Follow the Northwest Coastal Highway as far as the turn-off to the Shark Bay World Heritage Drive. Your first adventure along here — the stromatolites of Hamelin Pool — transports you 3.5 billion years back in time. You're looking at the oldest type of living fossils to be found anywhere on the planet. Also definitely worth a stop are the 70-kilometre-long Shell Beach and the dazzling views from Eagle Bluff. Come evening, Monkey Mia has a friendly school of bottlenose dolphins waiting to make your acquaintance, and there are ample opportunities for waterfront cocktails. [caption id="attachment_773139" align="alignnone" width="1920"] Nature's Window, Tourism Western Australia[/caption] DAY SIX: SHARK BAY TO KALBARRI, 390KM At Kalbarri, the Murchison River runs into the Indian Ocean. Hop aboard a river cruise and go kayaking or canyoning among the steep gorges of the National Park. Hikers will enjoy the eight-kilometre Loop Track, which begins and ends at Nature's Window. Short on time? Visit the two new skywalks, which project 17 metres and 25 metres over the rim and 100 metres above the gorge. Alternatively, stay coastal with your own beach house at Kalbarri Seafront Villas and enjoy stunning walking trails, the legendary Jacques Point surf break and, between June and November, humpback whale spotting. Finish up your day at an outdoor cinema and start the next one with pelican feeding. [caption id="attachment_773950" align="alignnone" width="1920"] Oakabella Homestead, Tourism Western Australia[/caption] DAY SEVEN: KALBARRI TO PERTH, 570KM Your seventh and final day brings you an inland experience in the form of the National Trust town of Northampton. Reach it via the coast, taking in the magnificent ocean views south of Kalbarri, or cut straight east through the Kalbarri National Park, keeping a lookout for thorny devils as you go. At Northampton, you can check out a bunch of renowned Western Australian attractions, including the state's oldest public railway and Oakabella Homestead and Tea Rooms. Afterwards, return to the coast and take your pick of sleepy villages for exploration, including the twin towns of Dongara and Port Denison, and the tranquil harbour of Jurien Bay. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Tourism Western Australia.
Since setting up at 10 Neild Avenue late last year, "total food hub" Rushcutters has established itself as a genuine champion of fresh, seasonal produce and community spirit. Head honcho Martin Boetz (ex-Longrain) has been keeping inner city diners connected with the country through immersive techniques: an all-day menu, workshops, produce markets and cooking classes. Most of the ingredients involved come direct from Boetz’s Sackville-based Cooks Co-Op Farm, just 50 km from the big smoke. And now? Farmer’s Feast Dinners at just $25 a head. On the last Tuesday of every month, Rushcutters will put a handpicked selection of its favourite local producers and artisans on display. Diners will have the chance to meet the faces behind their dinner plates while enjoying a tasty, seasonally-designed meal. Prepared with seasonal, local produce, the Farmer's Feast menu features braised venison with beetroot and horseradish, brought to the table with a butter mash from Pepe Saya and Valhalla organic wine. The reasonable $25 cover includes a glass of vino, matched by the Keystone Group’s sommelier Sarah Limacher. First cab off the rank is Tim Hansen of Mandagery Creek Venison, who’ll be in house this Tuesday, May 27. Since 2002, he’s been rearing free range deer out in Orange without the use of nasties — antibiotics, stimulants and growth hormones don't have any part in the process. Hansen's sister, Penny Hanan, takes the by-products and transforms them into suede goods and hand crafted knives. She’ll be coming along for the ride to Rushcutters, showcasing her wares from 1803 Artisan Deer Design. Farmer's Feasts start Tuesday May 27. For bookings, call Rushcutters on 02 8070 2424.
Right now, if Australians want to spend a day carving up the snow, there are a few prerequisites. Frosty weather is a must, and so is getting to one of the country's ski resorts — but that could change from 2025. For Sydneysiders, that snowbound routine usually involves jumping in a car for at least five hours, heading to one of New South Wales' ski spots. Jumping on a train to Penrith, where a new $400-million indoor Winter Sports World has been proposed for the city, will be much, much easier. The centre has also received Penrith Council's official endorsement and is now waiting on NSW Department of Planning and Environment approval — and the team behind it has just unveiled how it'll look. The resort's features have been highlighted before, including a 300-metre indoor ski slope, a winter wonderland play area, a competition area for snow spots, and both ice and rock climbing facilities. And yes, to answer the key question, Winter Sports World will indeed use real snow. Visitors will be able to learn to ski onsite, as part of the resort's positioning as a feeder site to outdoor snow fields. The idea: that you'll learn the ropes indoors, then later head out of town to try the real thing. A food and drink precinct featuring bars, restaurants and cafes, and a 120-room hotel have also been included in the proposal — all with snow views. The just-released designs show how Winter Sports World will appear from the outside, however, complete with touches by Sydney architecture firm Collins & Turner to resemble the venue's' alpine inspiration. The 300-metre-plus northern facade is set to glow at night, takes inspiration from snow clouds on a hill and will apparently look like a blizzard, while the centre's public area and curved lower-level facade will resemble melting ice. Ice shard details are also set to feature. Due to be built in Jamisontown on the corner of Jamison Road and Tench Avenue, Winter Sports World will include water streams, networks of paths and eight-metre-high message sticks as well, with telling First Nations' stories about living on Dyarubbin part of the design. After winning the design competition for the gig, Collins & Turner collaborated with local First Nations artist Jamie Eastwood, landscape architecture JLA Landscape Architects, environmental design consultant and engineers Atelier Ten, facade/structural engineer Eckersley O'Callaghan and lighting design Electrolight. The development, which sought public feedback in 2020 and is being put forward as a new major attraction for the area, is part of the Penrith City Council's plan to double visitors and tourism revenue in the area by 2025. Once built, the facility is hoped to provide a boost to Australia's Winter Olympians and their training, providing a venue for alpine skiing, freestyle skiing and snowboarding. The Winter Olympics haven't traditionally been one of Australia's sporting strong suits — the national team first competed in 1936 and didn't win its first medal until 1994. The proposal for Winter Sports World has been in the works since November 2018, with site owner and developer Peter Magnisalis lodging a development application with the NSW Department of Planning and Environment this month. For more information about Winter Sports World, head to the proposed venue's website. Images: artists' impressions of Winter Sports World.
Home to raindrop cakes, Nutella gyoza and salted caramel gyoza, Harajuku Gyoza clearly likes getting creative with its sweet treats. The chain is fond of trying out new things with its savouring dumpling range, too, as its experiment with mac 'n' cheese and pepperoni pizza versions showed — but it obviously has a soft spot for the kind of desserts you won't find on any old menu. From Thursday, April 1, the Australian gyoza brand is serving up a new menu item that turns marshmallows into gyoza. You'll find them stuffed inside each dumpling, and also sprinkled on top. And, if your stomach isn't already rumbling, they'll come dusted with icing sugar and paired with Nutella sauce as well. The fried and crispy marshmallow gyoza are joining the chain's dessert lineup in plates of five, which'll cost you $10. And if you fancy tucking into the new gyoza after devouring two old favourites — cheeseburger gyoza, which is stuffed with burger pieces, aged cheddar, onion, pickles, mustard and tomato sauce; and mozzarella gyoza, which is filled with the obvious, then deep-fried and sprinkled with Twisties salt — that's up to you. Harajuku Gyoza's marshmallow gyoza will be available at all Australian stores — at Darling Harbour in Sydney; at South Bank and the CBD in Brisbane; and in Broadbeach on the Gold Coast — from Thursday, April 1.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to Samabe Bali Suites & Villas in Nusa Dua. We've also teamed up with this luxe spot to offer readers a 40% discount on their stay when they book through Concrete Playground Trips. We've even included a bunch of extra travel experiences, helping you really elevate your Bali holiday game. WHAT'S SO SPECIAL? Even though Bali's Nusa Dua can get busy — people flock here for the famous long white sandy beaches — this clifftop accommodation feels far away from the crowds and gives visitors access to quieter shores. The uninterrupted sea views, all-inclusive elements and ultra-luxurious villas also make this a standout place to stay. THE ROOMS As it says in the name, there are two kinds of accommodations here: suites and villas. Each of the large suites can sleep 4–5 people and most come with their own private plunge pool looking out over the beach. Expect to also find large dining and living rooms, bathrooms with free-standing tubs and queen- or king-sized beds. Then, there are the villas. These bad boys are huge and incredibly opulent. They come with much larger living and dining spaces, pools (either overlooking the courtyard or ocean) and lush gardens. All rooms are traditionally Balinese in design but have all the most modern amenities and plush furnishings. FOOD AND DRINK Samabe Bali Suites & Villas has four restaurants and bars on the premises and also offers a series of bespoke romantic dining experiences. First off, the Rempah-Rempah Restaurant is where you head for an extravagant buffet breakfast every morning (included in the price of your stay). You'll be offered classic brekkie options alongside lavish inclusions like seared wagyu beef, foie gras and all kinds of seafood. Japanese and Korean breakfast set menus are also available for those wanting to change things up. The Te.Ja.Co Lounge and Bar is where most people grab their complimentary afternoon tea and pre-dinner drinks. The Ring of Fire Pool Bar is what you'd expect from most lavish poolside drinking dens. Tuck into a bunch of light bites as you make your way down the long list of fun cocktails, beers and wines. The team isn't reinventing the wheel here — just doing the classics well. Lastly, there's the Crystal Blue Ocean Grill. This openair thatched-roof style dining spot overlooks the Indian Ocean and the main pool area. It's pretty big on the surf and turf life — tuck into all manners of freshly caught seafood or get your steak on with a bunch of different cuts available. [caption id="attachment_896022" align="alignnone" width="1920"] Sven Piek (Unsplash)[/caption] THE LOCAL AREA If you're seeking sun and sandy shores, then Bali's Nusa Dua is the place to be. The main strip in town is filled with sun-soaked bars and restaurants as well as a bunch of boutique stores and market stalls. But the biggest drawcard of this area is the beaches. They are next-level gorgeous. And plentiful. Either rent out a sun lounger at the beach (located at the foot of the resort's cliff) and spend your days dipping in and out of the clear blue waters and chilling with a good book or go on an adventure with heaps of water sports available to travellers. And if you're looking to take your Bali holiday to the next level, check out these nine local trips and tours that you can book through Concrete Playground Trips. THE EXTRAS Samabe Bali Suites & Villas has extras galore. You can engage full luxury holiday mode by getting your own personal butler for your entire stay. Or, try booking one of its special romantic experiences (honeymooners are clearly the target audience for these). There are also a bunch of signature activities — think Balinese cooking classes, catamaran picnics, camel rides, outdoor theatre nights and private yoga classes. And if you book our four-night stay at Samabe Bali Suites & Villas, you'll get access to a heap of extras. This includes a unique Indonesian Rijstafel dinner, two in-room massages, complimentary fruit and face masks by the pool, daily beach yoga and a heap of all-inclusive offerings. Plus, the whole trip is 40% off. That means you save over $2500. If you're seeking to extend your summer by going on a luxury island getaway, be sure to check out this exclusive deal. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
If there's one thing that director Damien Chazelle has made plain across his filmmaking career, it's that he loves jazz. His 2009 debut Guy and Madeline on a Park Bench focused on a jazz trumpeter. In his breakout 2014 drama Whiplash, he switched to a jazz drumming student. And with 2016's La La Land, he won the Best Director Oscar for his Los Angeles-set romance about an aspiring actress and a struggling jazz pianist. Chazelle couldn't quite give 2018's Neil Armstrong biopic First Man a jazz spin but, making the leap to television for the first time, he's back in familiar territory with upcoming Netflix series The Eddy. Taking its title from a fictional Parisian jazz club, it follows the ex-New Yorker who co-owns the establishment — who, before he moved to France from the US, was a celebrated jazz pianist, obviously. As well as trying to keep the club running, Elliot Udo (Moonlight's André Holland) manages The Eddy's house band, which is led by his on-again, off-again girlfriend Maja (Cold War's Joanna Kulig). And, just as he's trying to work through dramas with his business partner Farid (Mary Magdalene's Tahar Rahim), his daughter Julie (The Hate U Give's Amandla Stenberg) arrives to live with him out of the blue. Given the premise, expect jazz music to feature heavily, with six-time Grammy Award-winner Glen Ballard — a co-writer and producing of Alanis Morissette's Jagged Little Pill — responsible for the show's soundtrack. An eight-part limited series, The Eddy hits Netflix in early May — and while it seems like classic Chazelle, he directs the first two episodes, with the rest of the show helmed by Divines' Houda Benyamina, Rock the Casbah's Laïla Marrakchi and Six Feet Under's Alan Poul. Check out the first teaser trailer below: https://www.youtube.com/watch?v=c-9XFyZv7ks The Eddy will be available to stream on Netflix from Friday, May 8. Top image: Lou Faulon.
Move over tea with the Queen — the coffee in London has improved so much over the last few years even Lizzy would ask for a flat white over an English breakfast. We sacrificed the money we were saving for a house deposit to taste coffee all over the city, and here are five coffee shops worth hunting down while you're in town. [caption id="attachment_622923" align="alignnone" width="1920"] Levent Ali via Flickr.[/caption] MONMOUTH COFFEE, COVENT GARDEN Monmouth is the grand old dame of London coffee, and has been pumping out caffeine since 1978. And even though Monmouth likes to keep things fresh with an ever-changing selection of house-roasted beans, some things will never change, like the house blend, the queues and the fact that Monmouth makes the best coffee in Old Blighty. We've heard good things about the filter, but we only tried the flat white, because, well, why change when you're onto a good thing? Queen Lizzy gets it. [caption id="attachment_622924" align="alignnone" width="1920"] The Espresso Room via Instagram.[/caption] THE ESPRESSO ROOM, BLOOMSBURY The Espresso Room is so small it could double as Harry Potter's cupboard under the stairs, so it's a good thing you don't need much space to pump out great coffee (as the Japanese know). This Bloomsbury coffee shop is unsurprisingly known for its espresso, but for our money (too much of our money, to be honest — coffee here is more expensive than home), the flat white is where the magic is. Not too milky, not too strong — it's the best thing this side of getting a letter from Hogwarts. [caption id="attachment_622927" align="alignnone" width="1920"] Bex Walton via Flickr.[/caption] KAFFEINE, FITZROVIA You'll need coffee after spending time on London's most insane shopping artery, Oxford Street. Luckily Kaffeine is just a street or two behind the insanity, serving up damn fine coffee in a damn fine looking coffee shop. This is the place to go if you want a taste of classic Australian espresso-based coffee in London; you won't find American- and Scandi- style filter here. You can even grab an Anzac biccie to snack on if you're feeling seriously homesick. TIMBERYARD, SEVEN DIALS Timberyard is buzzing at all opening hours, and not just because of the free Wi-Fi — the coffee here, although although on the expensive side of things, hits the spot. The flat white is strong, flavoursome, with just the right kick of calcium. Grab a seat — try for one of the hotly contested window spots — and the staff will bring your coffee over on a wooden chopping board (because timber yard, geddit?). You'll want to stay for coffee number two. Your tastebuds will thank you, even if your wallet does not. ALLPRESS, SHOREDITCH You go to Kaffeine for a taste of Australia, but for a taste of New Zealand, head straight to one of Allpress Espresso's two cafes in Shoreditch. Founded in Auckland, Allpress is swiftly taking over the world, with cafes in Australia, Japan and London. And you can taste exactly why: their coffee is one of the best, wherever in the world you find it. The Shoreditch cafe has the antipodeon design look down-pat, with white walls and exposed pale timber. The espresso-based coffee, which uses Allpress roasted beans, is delicious, of course.
It’s the trend that has become so established, it’s now a cliche: Queenslanders moving down south to pursue bigger and better things. It’s also the trend Vlada Edirippulige is happy to break, making her dream of opening her own comic book store a reality. Based in West End, Junky Comics launches on April 10 before opening for trading the next day, establishing its physical presence less than a year after bursting onto the online scene. The passion project of Edirippulige, also known as illustrator Junky and as a member of local band Major Leagues, Junky Comics is partly her way of counteracting the apathy so often seen throughout the city. "Brisbane has such a great music scene, and such a great arts scene. Why can't things like this work here?" she notes. Indeed, location is everything — particularly the shop on Vulture Street, which is still in the process of being unpacked when Concrete Playground stops by. As soon as Edirippulige found out the place was available, she sprang into action, working to get the store up and running as soon as possible. "This is such a great little strip in a really lovely community," she says of her spot just up the road from Jet Black Cat Music, and around the corner from both Bent Books and The Avid Reader. The relaxed neighbourhood feel suits her vision for the store, with Junky Comics the kind of place where browsing — and taking a seat on the couch while you peruse the shop's stock — is welcome. "I really hate that feeling of getting in, grabbing something and getting out," Edirippulige advises. "With comics, you need to look through them too see if you dig them. "The decision to turn Junky into a physical store had a lot do with the idea of utilising the space itself, not just as a place to sell comics but a place to have exhibitions and workshops, talks and readings." She hopes to cultivate "a good creative space where you can sit and read and draw a bit if that was what you wanted to do". The unique combination of written word with illustration is a big part of what draws Edirippulige to comics as well. "Some of the most 'highbrow intellectual' texts I've read have been comics," she says. "I think that's why it's super easy to get quickly invested in comics because of the visual aspect, they communicate with the reader so easily." Edirippulige's affection for the medium is obvious and infectious, even if she contends she started Junky Comics from "a very selfish place." She continues, "I wanted to be able to pool together all of the comics that I loved and have them in one place, under one roof. Comic books and graphic novels cover such widespread content — it's not just about superheroes anymore! — and I wanted to have a place that showcased that diversity." Indeed, rifling through the wares adorning the store's custom-made shelves proves just that, with Junky Comics stocking everything from Marjane Satrapi's Persepolis to vintage Wonder Woman. "A huge inspiration as well was the fact that I wanted to have a tonne of work by female writers and artists because there is so much of it out there and it is so good," she explains, with her alternative and indie stock sourced from publishers in Canada, London and the USA alongside classics from Marvel, DC, Dark Horse and Image, plus art books and local zines. On the events side of things, the store launch coincides with its first collaboration with NOFUN, hosting an exhibition inspired by the films of Wes Anderson. Between the artwork and the comics, there's plenty to entice customers into what will hopefully become a thriving new Brisbane hub for all things — and people — of the creative persuasion. Find Junky Comics at 93 Vulture Street, West End, or peruse their online store.
Snow place like home, right? Here at CP, we're excited for winter playtime. Whether you can't wait to hit the slopes again or you're a curious first-timer, we know just the snow-covered playground that will hit the spot: Thredbo. Just a 5 and a 1/2 hour drive from Sydney, winter holiday goers congregate to the alpine village in their masses for the longest ski runs in Australia (when the mountain is fully covered in snow). And we've got the lowdown: where to stay, where to re-fuel, and where to party in your snow boots. Athol Got a lot of friends? This cosy, rustic self-contained chalet sleeps up to 12 people with a perfect communal layout for a big group. Gather round the open fire, sprawl out on the balcony and dig in to some hearty food at the canteen-style dining table. Diggings Terrance, Thredbo Village; Athol website Banjo Townhouses Each townhouse is a modern apartment with one or two bedrooms and beautiful views of the mountains. Loft units have their own slow-burning wood fire: lush! Banjo Drive, Thredbo Village; stayz.com.au/93085 Bernti’s Mountain Inn Bernti's is restaurant, hotel and nightlife all rolled into one. This European-style boutique inn has 30 rooms (and a rather entertaining host in Donna), gourmet food and a popular al fresco deck. Why would you ever leave? 4 Mowamba Place, Thredbo Village; (02) 6457 6332; berntis.com.au Black Bear Inn In the heart of Thredbo, and at the centre of all the action, this traditional lodge and restaurant has rooms to rent from single to family-sized. It’s a stone’s throw from the shuttle stop, plus never-ending German beer at the Inn. 30 Diggins Terrace, Thredbo Village; (02) 6457 6216; blackbearinn.com.au Thredbo Alpine Hotel Thredbo Alpine Hotel is boutique accommodation with the pick of rooms or chalets for an easy, comfortable stay at the base of the Kosciuszko chairlift. Thredbo Resort Centre, Thredbo Village; 1300 020 589; Thredbo Alpine Hotel Moonbah Hut A short 30 minute drive from Thredbo, and 15 minutes from Jindabyne town, Moonbah Hut is in a whole world of its own. This completely isolated, unique stone hut is fully equipped with underfloor heating, a rocking chair and fluffy robes for a romantic getaway. Jindabyne; (02) 6457 8311; moonbahhut.com Paringa Self contained, all the mod-cons and a shuttle bus on your doorstep, Paringa apartments are two bed units plus loft space, the obligatory balcony BBQ and a Swedish sauna. (02) 6457 7030; skiinskiout.com.au River Inn Priding itself on being a ski-in, ski-out hotel, River Inn has modern rooms and suites with plenty of extras, like wireless, a heated indoor pool and laundry service. 4 Friday Drive, Thredbo Alpine Village; (02) 9369 3010; riverinn.com.au Rockpool Lodge Like a little luxe? When only 5 star will do, Rockpool Lodge is a good pick. It’s got the spa, faux fur throws, sauna and champagne on chill (okay, we can’t guarantee the last one, but you get the picture). (02) 6457 7132; rockpoollodge.com.au Kareela Hutte Breakfast, coffee, champagne or cellar door, Kareela Hutte is a well-loved haunt for skiers and boarders on their up or down the mountain. On the Supertrail at 1810m altitude; (02) 6457 6099; kareelahutte.com.au Merritts Mountain House On-slope marketplace dining, from fresh juices and salads to stews, soups and strudel. Merritts uses artisan produce to create lovingly homemade food, conveniently located between slopes. Top of Merritts chairlift at 1660m altitude; (02) 6457 6084; merritts.com.au Black Sallee's Nestled amongst the gum trees off Crackenback Supertrail, Black Sallee's is famous for its hot chocolate, European beer selection (try the Maisel's Weisse) and schnapps. The service is quick, so you’ll be shoop shooping again in no time. At the top of Snowgums chairlift; (02) 6457 6439; Black Sallee's Bullwheel Bar & Bistro Laying claim to being Australia’s highest bar and bistro, Bullwheel has quick snacks and warming drinks, as well as German wheat beers, gluhwein and schnapps. At the top of Kosciuszko chairlift at 1937m altitude; (02) 6457 6019; Bullwheel Bar & Bistro Bernti’s Tapas Bar Serving a gourmet selection of international tapas, from smoked trout bruschetta to veal schnitzel, Bernti’s has al fresco dining and plenty of wine and beer to wash it down with. 4 Mowamba Place, Thredbo Village; (02) 6457 6332; berntis.com.au/tapas-bar The Knickerbocker Pan fried market fish, duck confit, spinach and ricotta dumplings... Yum! Riverside Cabins, Diggings Terrace, Thredbo; (02) 6457 6844; theknickerbocker.com.au The Terrace Relaxed fine dining: head chef Karen Forsstrom, formerly of Sydney’s Kingsleys restaurant, cooks up the finest ingredients to serve up her handcrafted menu. The Denman Hotel, 21 Diggings Terrace, Thredbo; (02) 6457 6222; thedenman.com.au The Wildbrumby Open daily for breakfast and lunch, the kitchen at Wildbrumby schnapps distillery door has a hearty selection of soups, pates, sandwiches and burgers - all created using local produce. Cnr of Wollondibby Rd and Alpine Way, Jindabyne; (02) 6457 1447; wildbrumby.com Apres Bar For a sophisticated start to the night, head to Apres Bar at The Denman. Cocktails, retro decor and tapas. The Denman, 21 Diggins Terrace, Thredbo Village; (02) 6457 6222; thedenman.com.au/bar Schuss Bar A little more laid-back, the Schuss Bar has live music and entertainment every night throughout winter. Threadbo Village Resort, Alpine Way; (02) 6459 4200. Thredbo Alpine Lounge Bar From 12 noon to midnight, the Alpine Lounge Bar is the place to kick-back and enjoy a coffee (or something stronger) beside the fire. Relaxed vibe, live music and great views. Thredbo Village Resort, Alpine Way; (02) 6459 4200. The Keller Looking to party late into the night? Revellers migrate to Thredbo’s famous nightclub. Thredbo Village Resort, Alpine Way; (02) 6459 4200.
Maybe you were planning to do your Christmas shopping in the CBD this year, and had a stop at Brisbane Arcade on your agenda. Perhaps your present-buying strategy just involves seeing what's on offer in the Queen Street Mall — amid all the festive hustle and bustle, obviously. For the fourth year in a row, there's an option that involves all of the above: the Brisbane Arcade Christmas Markets. That's when, for two big days, the Brisbane Arcade spills out onto the mall to fill it full of seasonal markets showcasing designer wares, fashion, gifts, accessories and other goodies (for your loved ones or for yourself). In 2023, the QSM takeover is happening from 10am–6pm on Friday, December 8 and 10am–4pm on Saturday, December 9. So, you can stop by after work during late-night shopping or make a day of it. The markets usually involve tunes — 'tis the season — and photo opportunities, and you can obviously still wander through the arcade to check out its latest festive decorations.
In the future we'll surely be able to buy things off the internet (or Google Glass, or whatever) and they'll materialise in our teleportation box as soon as the transaction is approved. But until then we still have to deal with the traversing of physical space (such a drag), which unfortunately takes time, money and human resources. But delivery companies have done pretty well with coming up with new ways of getting us our stuff so far — just last week 7-Eleven delivered their first Slurpee by drone, and Japanese postal service Yamato Transport have just announced that they'll start driverless delivery as of next year. Yamato have partnered with Tokyo-based tech company DeNA to develop and launch the delivery by self-driving car service. In what might be the only name that a Japanese tech delivery service could possibly be called, it's been dubbed the RoboNeko Yamato, which translates to "robo cat". RoboNeko has been described as an "on-demand delivery service" because customers will place an order in way that's similar to requesting an Uber. It's of course designed to be used as an e-commerce platform, but customers can also use the app to request a car to deliver bulky things like luggage or a bulk IKEA haul. Customers will be able to track the car, and when it arrives, they'll simply unload their delivery and the car will drive off into the sunset. The service will be trialled for one year, starting March 2017. During that time drivers will accompany some cars to make sure nothing goes wrong, but they hope for the service to be fully autonomous by the end of the trial. Self-driving cars are something that are being tested extensively for human transport — Uber has started testing them, as has US ridesharing service Lyft and Washington D.C. has an adorable self-driving bus — but this is the first time they'll be used for delivery purposes. Via PSFK.
"I never expected that my work would amount to anything," says celebrated Australian Chinese artist Lindy Lee in conversation with Concrete Playground. "One dreams, but I never dreamed that I would ever have a proper career in art," she says. It's a humbling statement from the artist whose retrospective Lindy Lee: Moon in a Dew Drop opened at MCA Australia earlier this month. Celebrating her dynamic and often experimental 40-year practice, with more than 70 works including paintings, flung metal pieces and immersive installations, the exhibition is one of the most exciting events in Australia this summer. If you're not familiar with Lee's art, she says her work is never about giving off a message or trying to explain something. "But rather [to create] an experience for the viewer where they find themselves whittling out questions and curiosities," says Lee. "Art exceeds what anyone can say about it. When viewing it, it is almost self-reflective." The multidisciplinary artist has a playful approach to her art in which process is as important as the finished piece. There are Lee's early photocopy works from the 80s, wax paintings and whole-room installations. And there's the dazzling steel sculpture 'Secret World of a Starlight Ember', made up of thousands of tiny perforations and located in the Museum's forecourt, which you'll want to catch at night — and undoubtedly take a selfie. But there are also six artworks that are particularly close to Lee's heart, which, according to the artist are not to be missed. For Lee, they represent different points of her practice, direction and philosophies — and they're pretty great to look at, too. [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'NO UP, NO DOWN, I AM THE TEN THOUSAND THINGS' Lee's practice is deeply rooted in Daoism and Ch'an (Zen) Buddhism philosophies, with her works often examining the connection between humanity and the cosmos. But it wasn't always so, which is why her work 'No Up, No Down, I Am the Ten Thousand Things' is such a seminal piece. "[It] was the first work that I ever created with a direct intentional relationship with Zen philosophy," says Lee. 'No Up, No Down, I Am the Ten Thousand Things' takes over an entire corner of the Museum, with approximately 1200 colourful photocopies, marked with flung ink (an ancient Chinese art form), scattered across the walls and floor. The bold work first exhibited at the Art Gallery of NSW in 1995 and has been recreated by Lee thanks to the MCA's Director and exhibition curator Elizabeth Ann Macgregor — her first curated exhibition since the MCA's 2012 Anish Kapoor show. [caption id="" align="alignnone" width="1920"] Ken Leanfore[/caption] 'MOONLIGHT DEITIES' This massive, immersive piece of art was commissioned especially for the exhibition and is made up of 31 perforated paper discs, varying from two to ten metres in diameter. So expect the wow-factor when walking through this one. Predominantly black and white with "the silvery light you get on a full moon night", 'Moonlight Deities' has a sense of otherworldliness to it. On the surface, it's all about dark and light, silhouettes and shadow, with moon crater-like projections dancing across the room. There's little difference between the discs and the shadows they cast, which, as you walk through the room, create a sense of liminality — all connecting back to Ch'an buddhism. "I have a fascination with time. In Zen philosophy, the thing I find immeasurably fascinating is the notion that time is actually an ingredient of what we are," says Lee. "We're all impermanent. And in the universe everything changes." [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'BIRTH AND DEATH' 'Birth and Death' is Lee's most personal work in the exhibition. "It remains one of the most important works I've ever done," says the artist. Created as an homage to her late nephew Ben after he passed away aged 22 from cancer, 'Birth and Death' touches on political and cultural themes such as migration, Chinese culture and the White Australia policy. "But the essential purpose of this piece was to honour Ben and give him his place in five generations of family," she says. "It's about paying honour to someone I cared very much about." The work is made up of 100 accordion books, with books dedicated to members of Lee's family at various stages of their life. Using red, the work evokes an association with blood as much as it does with China. It is as visually impactful as it is evocative. [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'STRANGE CONDENSATIONS' Lindy Lee is no stranger to experimentation in art. In fact, it is a major part of her process and with 'Strange Condensations' she surrenders to it. Her flung bronze works came about from seeing accidental bronze drippings on a foundry floor and, naturally, she wanted to turn it into art. By taking molten bronze and flinging it at surfaces, the artist creates almost cosmic constellations — in a hazmat suit, no less. Again stemming from her Buddhist beliefs, 'Strange Condensations' — and its making — is symbolic of the universe as an infinite net, constructed and dependent on everything within it. "What I love about [flung bronze] is that it's uncontrollable. Everything that exists in that moment makes that mark," says Lee. "Each shape is unique and it is absolutely about the conditions of the time that creates them. And thus it is with life." [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'OPEN AS THE SKY' AND 'UNNAMEABLE' If you thought splashing 1200-degree metal around was experimental, think again. Wanting to make her flung bronze works three-dimensional, Lee turned to a litre of Pauls custard — as a cooling substance to drop molten metal into. With the metal rolling into itself while cooling, it creates spontaneous forms that Lee then scales up. The end result is a series of gnarled, pitted sculptures like 'Open As the Sky' and 'Unnameable'. As well as being the product of a cool science experiment, these works are the artist's own version of gonshi (ancient scholar's rocks) and, in turn, celebrate her Chinese heritage. "It takes an immense energy of geological transitions and force over thousands of years to make [gonshi]. That's why they're admired; they literally contain the movement of the universe through them. So, you know, I wanted to make my own." 'Lindy Lee: Moon in a Dew Drop is showing at MCA Australia until February 2021. The gallery is currently open 10am–5pm, Tuesday–Sunday, with COVID-19 measures in place. Entry is free and unticketed. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively. Top images: Anna Kucera.
The Global Mail is a newspaper with a difference. Launched today, the not-for-profit news and features website will offer its readers local and global public interest stories, but will not have any advertisers nor charge its readers. Instead, The Global Mail will be funded in entirety by Wotif.com founder, Graeme Wood, who has committed a minimum of $15 million to the project. At the helm will be former ABC journalist, Monica Attard (pictured), as Editor-in-Chief. She plans on taking a step back from the intensity of everyday news to create a more engaging, informative experience. "I had long viewed, with a degree of envy, the ProPublica model in the US and wanted to build a site here that carried only public interest journalism - no ads, no subscription, no celebrity stories, no spin, funded philanthropically", Attard told The Australian. Attard will lead a team of journalists in Australia and correspondents across Europe, the United States, Asia and Latin America. The site will give up-to-the-minute news nationally and internationally, and promises to deliver stories that speak to the people, tackling issues such as government, business, religion, science, art and culture. It sounds like a much-needed news alternative. Let's just hope that the impartiality remains when the philanthropy inevitably disappears.
If you're already thinking ahead to summer, here's three trends that'll be shining in Australia: spots, gourds and kaleidoscopic reflections. You'll see them all over your social feeds. You'll spy them in exhibition merchandise sported by anyone who visits NGV International. And, most excitingly, you'll be surrounded by the trio at the Melbourne art gallery, which will be hosting a huge Yayoi Kusama retrospective as its summer blockbuster. When we say that Yayoi Kusama, the exhibition, is big, we mean it. While the Japanese artist's work is no stranger to Aussie shores — and was the focus of a comprehensive showcase at Brisbane's Gallery of Modern Art back in 2017–18 — NGV International's ode to the iconic talent will be the largest that country has ever seen. When it displays from Sunday, December 15, 2024–Monday, April 21, 2025, more than 180 works will feature, the world-premiere showing of a brand-new infinity mirror room among them. It's a massive endeavour for the NGV, too. "It's the largest space that's been given a living contemporary artist, across the entire ground floor," Wayne Crothers, NGV's Senior Curator of Asian Art, tells Concrete Playground. [caption id="attachment_950475" align="alignnone" width="1920"] Installation view of Yayoi Kusama's Chandelier of grief 2016/18 at Tate Modern, London, © YAYOI KUSAMA[/caption] The NGV has curated Yayoi Kusama with input from Kusama, with the end result stepping through the 95-year-old artist's eight decades of making art via a thematic chronology. Some pieces hail from her childhood. Some are recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s: they'll all appear. Half of the exhibition will be devoted to the past four decades — so, pumpkins galore; giant paintings; and an impressive and expansive range of room installations, complete with her very first infinity room from 1965, plus creative interpretations since from the 80s onwards. Again, this is a hefty exhibition. It's one of the most-comprehensive Kusama retrospectives ever staged globally (and the closest that you'll get to experiencing her Tokyo museum without leaving Australia). "We've been wanting to do a major exhibition with this artist for a long time. We're very focused on contemporary art. We're very focused on Asian art. And Kusama hasn't had a big solo show in in Australia for some time — and she's still very active. So there's past works, but also some contemporary works being produced right at the moment," continues Crothers. [caption id="attachment_950477" align="alignnone" width="1920"] Yayoi Kusama, Pumpkin 1981, Collection of Daisuke Miyatsu © YAYOI KUSAMA[/caption] If you're keen to be one of the first people in the world to be wowed by Kusama's new infinity room, it'll be as immersive as such spaces always are when she's behind them. Even the NGV team don't know the full details of the piece that's being produced especially for the exhibition, so it'll be a surprise to everyone. It'll be complemented by the aforementioned array of rooms, which is "one of the largest displays, for our audience, of those immersive rooms that have ever been assembled globally," Crothers advises. Eager to see a five-metre-tall bronze sculpture of a pumpkin? 2020's Dancing Pumpkin, which has just been acquired by the NGV, will feature. And, for the first time in Australia, 2019's THE HOPE OF THE POLKA DOTS BURIED IN INFINITY WILL ETERNALLY COVER THE UNIVERSE will unleash its six-metre-high tentacles — as speckled with yellow-and-black polka dots, of course. Almost six decades since first debuting at 1966's Venice Biennale — unofficially — Narcissus Garden will be a part of Yayoi Kusama in a new version made of 1400 30-centimetre-diameter stainless silver balls. Now that's how you open an exhibition, as this will. NGV's Waterwall is also scoring a Kusama artwork specific to the space, while the Great Hall will be filled with the giant balloons of Dots Obsession floating overhead. [caption id="attachment_950474" align="alignnone" width="1920"] Installation view of Yayoi Kusama's Flower Obsession 2017 on display in NGV Triennial from 15 December 2017 – 15 April 2018 at NGV International Melbourne. Image courtesy of NGV[/caption] Basically, wherever you look across NGV International's ground level, Kusama works will be waiting, spanning paintings, installations, sketches, drawings, collages and sculptures, as well as videos and clothing. Dots will obviously be inescapable. One section of the gallery will replicate Kusama's New York studio. Over 20 experimental fashion designs by the artist will also demand attention. Infinity Net paintings from the 50s and 60s, Accumulation sculptures and textiles from the 60s and 70s, and a Kusama for Kids offshoot with all-ages interactivity (fingers crossed for an obliteration room) are also on their way. The must-see exhibition for Melbourne locals and travel-worthy event for art lovers located outside of the Victorian capital will benefit from pieces from the artist's own personal collection — and rarely seen photos, letters (including to and from fellow artist eorgia O'Keefe), posters, magazines, teen sketch books and films — while others will be sourced from Japanese and Australian institutions. [caption id="attachment_950473" align="alignnone" width="1920"] Yayoi Kusama. The obliteration room 2002–present. Queensland Art Gallery | Gallery of Modern Art © YAYOI KUSAMA[/caption] "Kusama's imagery has become part of the general common visual vernacular of the society," notes Crothers. "And I think our role in the exhibition, or what I've really taken on, is to introduce how profound the journey has been that's led her to this point of global visual recognition, going right back to a very ambitious teenager in rural Japan, and then the letter correspondence and New York, and delving into a lot of archival material." "There are few artists working today with the global presence of Yayoi Kusama. This world-premiere NGV-exclusive exhibition allows local audiences and visitors alike the chance to experience Kusama's practice in deeper and more profound ways than ever before," said NGV Director Tony Ellwood AM in the summer showcase's official announcement. "We are indebted to Yayoi Kusama for her passion and collaboration on this special project. Without the artist's personal dedication to this exhibition — and excitement to share her worldview with Australian audiences — none of this would be possible." [caption id="attachment_950480" align="alignnone" width="1920"] Yayoi Kusama, 2022 © YAYOI KUSAMA[/caption] [caption id="attachment_950479" align="alignnone" width="1920"] Portrait of Yayoi Kusama c. 1939 © YAYOI KUSAMA[/caption] [caption id="attachment_950478" align="alignnone" width="1920"] Installation view of Yayoi Kusama's Infinity mirror room – Phall's Field 1965 at the Castellane Gallery, New York © YAYOI KUSAMA[/caption] Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne from Sunday, December 15, 2024–Monday, April 21, 2025. Head to the NGV website for more details and tickets. Top image: excerpt of Yayoi Kusama, 2022 © YAYOI KUSAMA.
Continuing their love affair with all things German, Adidas' latest limited-edition sneaker pays tribute to a part of Berlin life every local and tourist is familiar with. After making beer-proof shoes for Oktoberfest, the next cab off the rank is a pair of trainers inspired by the city's subway system — or next train out of the station, if you prefer. The newest release in the brand's Originals series, the BVG x adidas EQT Support 93 / Berlin footwear have been created in conjunction with Berliner Verkehrsbetriebe (BVG), Berlin's public transport network. Available until sold out from January 16 from the Adidas flagship store and retailer Overkill, the shoes take their fabric from the subway's seat pattern, while also styling their shoelaces after its bright yellow external appearance. It's all in celebration of the BVG's 90th birthday. Donning kicks that match one of Berlin's iconic features is one thing. Walking around in shoes that also double as your train fare for a year — now that's even better. All 500 pairs include a season ticket made of fabric and attached to the tongue. And yes, you really can use it to hop onboard, with anyone wearing the sneakers entitled to free BVG use until December 31, 2018. Sure, anyone lucky enough to nab themselves a pair will pay €180 (approximately AU$280), but that's not bad for new shoes and a year's worth of travel. Via i-D. Image: Overkill.
For the best part of the past six years London artist Ben Wilson has spent his days painting pieces of chewing gum that have been stuck to the ground. Wilson transforms these sidewalk blemishes into miniature works of art. The paintings range from animals, landscapes, portraits and even messages to pedestrians. Unsurprisingly his chewing gum art has turned him into something of a local celebrity, meaning he also does paintings on request for members of the local community - including apologies to girlfriends, thank you messages from managers to employees, a R.I.P. painting for a deceased postal worker and even a marriage proposal. Despite this, Wilson has received some police interference including one arrest. Charges were quickly dropped after dozens of people wrote letters of support and Wilson was able to convince the police that it was not him actually sticking the chewing gum to the ground. To create it all, Wilson first softens the chewing gum with a blowtorch then sprays it with a lacquer and finally applies three coats of acrylic enamel. The works usually only last one or two years depending on conditions but this does not bother Wilson, as in his words "everything is transitory, what's important is the creative process." Images via Flickr users Jansos, Tezzer 57 and r3cycl3r [via Gizmodo]
Two hefty names in 80s and 90s music. One massive visit to Australia and New Zealand. Pearl Jam have finally announced new Down Under gigs, as a leg on their Dark Matter tour to support their next album, and they'll have huge company thanks to Pixies. Eddie Vedder and Black Francis taking to the same stage? That'll make you feel alive and ask "where is my mind?". The Seattle-born Pearl Jam are the headliners, and about time; this is the band's first visit Australia and Aotearoa since 2014, on a tour that included the final-ever Big Day Out. They've been dropping clues for a while that they were heading this way again, complete with hints at Bondi Beach since the past weekend. Now, they've locked shows in Auckland, Melbourne, Sydney and on the Gold Coast. [caption id="attachment_940844" align="alignnone" width="1920"] Danny Cinch[/caption] Dark Matter, the band's 12th album, will release in April — which gives fans plenty of time to know it by heart before the group play Go Media, Heritage Bank, Marvel and Giants stadiums in November. The record's title track is a brand-new tune, just dropping on Tuesday, February 12. Live, that song and others from Dark Matter will feature on a setlist that's sure to span past hits 'Alive', 'Black', 'Jeremy', 'Better Man', 'Last Kiss' and 'Daughter' from previous albums such as the iconic Ten, Vs and Vitalogy from the early 90s, plus No Code, Yield and more since. [caption id="attachment_940849" align="alignnone" width="1920"] Wp72 via Wikimedia Commons[/caption] Pixies, who were last Down Under in 2022, are responsible for a helluva one-two punch with their first two albums: 1988's Surfer Rosa and 1989's Doolittle. The first gave the world the track that's been linked with Tyler Durden courtesy of David Fincher's Fight Club since 1999, aka 'Where Is My Mind?', as well as 'Gigantic' and 'Cactus'. The second is home to 'Here Comes Your Man', 'Monkey Gone to Heaven', 'Debaser' and 'Wave of Mutilation'. Foo Fighters, blink-182, Queens of the Stone Age, Tenacious D, now Pearl Jam and Pixies: it's been a great time of late for big rock tours in this neck of the woods. Pearl Jam Dark Matter World Tour 2024 with with Special Guests Pixies — Australia and New Zealand Dates Friday, November 8 – Go Media Stadium, Mt Smart, Auckland Wednesday, November 13 — Heritage Bank Stadium, Gold Coast Saturday, November 16 — Marvel Stadium, Melbourne Thursday, November 21 — Giants Stadium, Sydney Pearl Jam and Pixies are touring Australia and New Zealand in November 2024, with ticket registrations from Wednesday, February 14–Sunday, February 18 and ticket sales from Friday, February 23 — head to the Pearl Jam website for further details. Top image: Raph_PH via Flickr.
Cosy up by the fire sipping Margaret River cabernet at Empire Retreat and Spa or embrace Sydney’s industrial past at 1888 Hotel. Either way, you’ll be chasing away winter blues and indulging at each of these top ten Mr & Mrs Smith hotels in Australia and New Zealand. Stay three nights (or more) to save 30 percent on stays until the end of September — but get in quick; these exclusive offers must be booked by July 31. Hotel Hotel, Canberra Overlooking Lake Burley Griffin in the cultural heart of Canberra, Hotel Hotel is the designer pad you’ve always wanted — on a greater scale. Out of the 68 individually styled rooms, the Meandering Rooms are by far the biggest and best, with a tub for two and double rain showers. Housed in the Nishi Building in NewActon, the hotel is part of a new development that combines contemporary art, landscaped gardens and the bespoke modern living that’s becoming popular in Australia. The courtyard cinema is closed in winter, but don’t fret: you can still get your arthouse cinematic fix at Palace Electric, just downstairs. Spicers Vineyards Estate, Hunter Valley A tapestry of vines and veggie patches surrounds this handsome hotel in the Hunter Valley. Spicers Vineyards Estate is just two hours from Sydney and draws on its location to provide you with a romantic, culinary-themed getaway. Here, fresh regional produce teamed with the latest vintages (featuring grapes harvested from the estate’s vines) will have you mellow in no time. An added bonus is Spa Anise, where you can replenish mind, body and soul with organic honey-and-cocoa treatments or hot-stone massages. Ground-floor King Spa Rooms open onto an inviting verandah: first-floor rooms will earn you views all the way to the Brokenback Mountain Range. For cosy nights by the fire, opt for a Luxury Spa Suite. QT Gold Coast Bright pops of colour and retro furniture complete the Miami-esque feel at QT Gold Coast. Just a stone’s throw away from Surfers Paradise beach, you can soak up some sun and set yourself free from the weight of those winter woollies. Sample international cuisine at Bazaar, the hotel’s restaurant, styled with a bustling marketplace in mind. All rooms are fun and flirty with bonus DIY lemonade kits, but the QT King Ocean View rooms take the cake with seascape vistas and surfer-spotting potential. The Gold Coast is known for being a party playground, so join in the fun at the hotel’s bar, Stingray, where cocktails flow in an industrial-chic setting. Eveningwear is a must when the sun goes down: no board shorts allowed. The Prince Hotel, Melbourne Situated in the vibrant St Kilda precinct in Melbourne, The Prince Hotel is an edgy designer’s dream. Its modern, contemporary rooms feature timber floors, artfully placed throws and stand-alone bath tubs for peaceful soaks. You’ll get 30 percent off the Boutique and Deluxe rooms here, so take those savings and sample some of the fantastic restaurants that St Kilda has to offer. Stroll past nearby Acland Street for delectable treats at Monarch Cakes or sample the menu at the hotel’s restaurant, Circa, which champions seasonal eating using the freshest produce from Victorian and Australian farmers. If you fall in love with any of the artworks adorning the walls, you might be able to take them home (for a price, of course). The walls, curated by Utopian Slumps’ Melissa Loughnan, allow art to be seen in a more social, everyday environment. Spicers Peak Lodge, Qld A mountain retreat on the Scenic Rim of Queensland, Spicers Peak Lodge is a place where you can surround yourself in nature without sacrificing luxurious comforts. Set on a 9000-acre cattle station, the hotel has bushwalking and mountain bike trails for adventurous types and gourmet picnics on offer too. Five of the seven luxury lodge suites have warming stone fireplaces, perfect to snuggle by on a winter’s eve. The earthy, natural tones are calming and fuss-free, drawing you outwards to the natural beauty of the area. Dining at the lodge is a must. The cuisine highlights seasonal and organic produce, including honey, which stars in delicacies such as the chocolate, caramel popcorn and honeycomb dessert. Empire Retreat and Spa, WA A relaxing oasis among the southern wilderness of Western Australia, Empire Retreat and Spa combines a level of luxury and seclusion among the gum trees. The retreat’s villas and suites are set in and around a restored farmhouse — once the owner’s family home. Both rustic and modern interiors work well with timber and natural stone accents that celebrate the beauty of the surrounding native bushland. The main house has an open fireplace, timber decking and a secluded Jacuzzi and sauna for extra entertainment. Some of the nation’s best cabernets and pristine beaches can be found in this pocket of the west, so it’s well worth hiring a car to explore. The Spire, Queenstown The Spire is an urban hideaway in the midst of Queenstown, the adventure capital of New Zealand's South Island. Interiors of dark wood and rich, candy-apple red highlight create rooms that are inviting sanctuaries away from wintry winds. Room six has an exclusive view of the spire that the hotel is named after, but all have stone-clad fireplaces and private balconies. Sip a cocktail while enjoying some Mediterranean- and European Alps-inspired tapas at No5 Church Lane, the hotel’s laidback lounge bar, or venture to the waterfront for some of the freshest seafood Queenstown has to offer. The hotel is more than happy to arrange some adrenaline-pumping activities such as bungee-jumping or jet-boating, but a simple hike and picnic lunch is also on the menu. The Farm at Cape Kidnappers, NZ Hawke’s Bay, New Zealand is a pristine natural wonder. Rolling green hills stretch from The Farm at Cape Kidnappers all the way to the churning water’s edge. A par-71 golf course is on hand, along with 180-degree views of the spectacular Pacific Ocean. A luxurious barn-like conversion worthy of a Grand Designs feature, the Owner’s Cottage has added seclusion away from the main lodge, a large stone fireplace and an open kitchen for entertaining. Tawny interiors throughout add to the farmhouse style, and invoke a homey, welcoming environment. The lodge even has its own winery located in the Gimblett Gravels region, with regular wine tastings. There’s an onsite pastry chef and a new vegetable garden that provides head chef James Honore with fresh produce to accompany the locally sourced meats and seafood. 1888 Hotel, Sydney An eclectic industrial conversion, 1888 Hotel turns Sydney’s past into a stylish inner-city hangout. In a prime location for visiting Sydney’s famous harbour and the captivating Powerhouse Museum, this historic wool store offers a vibrant resting place that moulds together the best of days gone by and modern Australian design. Three-metre-high ceilings and original wooden beams are featured throughout rooms, and the Attic room has a sun-kissed patio and sociable lounge for entertaining. A philosophy of simplicity encompasses the menu at 1888 Eatery & Bar, where meals celebrate wholesome and sustainably sourced ingredients. There’s also a monthly photography competition for all you avid Instagrammers, so don’t forget to tag the hotel in any snaps as it could win you a free night’s stay. Islington Hotel, Tasmania A Regency house situated just outside of Hobart in Tasmania, Islington Hotel sports views of Mount Wellington and hosts manicured gardens. A sustainability motto that will knock your socks off, paired with an 80 percent organic decree, sets this hotel above the rest with its eco-friendly practices. The moreish dishes at the hotel’s restaurant — such as maple-and-whisky-glazed pork loin and Tasmanian wallaby shank — are definitely set to spoil. Rooms in the old house are generous and elegant with bespoke bedding and contemporary artworks from the owner’s worldwide travels adorning walls. This is the perfect getaway for curling up by the outdoor open fire and settling in with a good book while sipping on some of the hotel’s swill-worthy wines. Browse all Smith’s winter warmer offers or see all available hotel offers online. Contact our expert Travel Team on 1300 896 627 for further details on the hotels and their deals.
Nearly two decades after Hae Min Lee's murder, the Baltimore high school student's horrific plight continues to dominate the true crime landscape. After featuring on the first season of Sarah Koenig's grimly addictive podcast Serial, it's now forming the basis for a new documentary series, The Case Against Adnan Syed. Announced by HBO, the four-hour effort will pick up where everyone's 2014 obsession left off, not only exploring 18-year-old Lee's death in 1999 and her ex-boyfriend Syed's conviction in 2000, but the latter's ongoing quest to have the extremely complex legal matter reassessed in the years since he was found guilty. Everything from Lee and Syed's relationship, to the original police investigation and trial, to the developments up until now will feature, with the film gaining exclusive access to Syed, his family and his lawyers. The series couldn't come at a more crucial time for Syed, who was convicted of first-degree murder, sentenced to life in prison, and continues to fight his case through the courts. While he was granted a new trial in 2016, that ruling was subsequently appealed by the State of Maryland — only for the Court of Special Appeals to agree to vacate Syed's conviction and finally give him that retrial just this past March. A date for the actual retrial hasn't yet been set, however. Splashed across the small screen, it's certain to make for compelling viewing — but if you think you've spent too much time mulling it all over across the past five years, filmmaker Amy Berg has you beat. Unsuprisingly given how complicated the matter is, the director has been working on the project since 2015. And, with her excellent doco background — with Berg helming 2006's Oscar-nominated 2006 Deliver Us from Evil, about molestation in the Catholic Church; examining the West Memphis Three's quest for freedom in 2012's West of Memphis; and tackling the sexual abuse of teenagers in the film industry in 2014's An Open Secret — her new venture is certain to be thorough. Currently in post-production, The Case Against Adnan Syed will air sometime in 2019. Plus, as they did for West of Memphis, Nick Cave and Warren Ellis will provide the score. Image: Adnan Syed via Syed Family / Courtesy of HBO.
Cycling to work is fun. But turning up to the office in lyrca and fluoros? Not so much. Fortunately (for everyone involved) San Francisco-based designer Parker Dusseau has come up with a solution. It's a suit that's cool enough to ride and work in. That's cool, temperature- and style-wise. Similar to the Wear-More, Wash-Less T-shirt that caught our eye last week, the 'Commuter Suit' is made of merino. Australian 135 Performance Superwool, to be precise, with spandex throw in for flexibility, poly tricot mesh lining and a water-resistant finish. Not only is it breathable, it actually wicks away moisture, minimising temperatures while maximising comfort levels. The cut is form-fitting yet allows plenty of room for movement. According to Dusseau's site, the Commuter Suit embodies "the perfect intersection of cycle gear and men's fashion". Pretty much every conceivable detail seems to have been taken into consideration. A pleat in the back section of the jacket creates an 'Action Back', enabling extension and stretching without resistance. A three-button enclosure prevents the wind cutting through. Super-deep internal pockets provide safe storage. Elastic bands hidden in the pant cuffs mean they can be secured to avoid entanglement in the chain. Available in navy and charcoal grey, the Commuter Suit can be purchased online. Jackets are selling for US$485 and pants for US$245. There's also a dress shirt, which comes in ivory white or periwinkle blue, for US$145 and 'Commuter Cinos' for US$145. Via PSFK.
Instagram favourites The Inspired Unemployed are pretty used to bringing Aussies joy via their side-splitting satirical videos. From lockdown habits and fitness instructors to tradies and bouncers — Jack Steele and Matt Ford will take aspects of stereotypical Aussie culture, then flip the script to poke a bit of fun. Now, the self-dubbed battlers are looking to bring Australians a new kind of happiness ahead of summer — with a beer launched in collaboration with Victorian favourite, Torquay Beverage Company. Better Beer is a zero-carb, zero-sugar lager that clocks in at 87 calories per can, which Ford quips is "healthier than broccoli". Explaining the decision to make Better Beer zero-carb, Steele says: "As loose as we can be at times, we're actually pretty healthy people. So we decided, let's make a beer that's healthier and still tastes great, one that doesn't make you feel heavy in the morning and rough around the edges." "We've had a lot of opportunities to do bigger stuff and beer was on our mind for a while," Steele explains to Concrete Playground. "But the thing is — when we start something, we don't want to start it and go half-hearted. We either make it the best thing ever or don't do it at all." On social media, the pair of mates are all about hyperboles. But, that's far from the case in this instance — Better Beer is the product of 12 months of work, which included an (unintended) four-month stint in New Zealand and COVID-friendly collaboration sessions with their business partner in crime, Torquay Beverage Company founder Nick Cogger. "I couldn't tell you how many hours we've spent on Zoom," Steele says. Cogger is a long-time partner of The Inspired Unemployed, commissioning them back in late 2019 when the pair had just 12,000 followers. "Nick was actually one of the first people to ever give us a job in this industry," Ford says. "He was one of the first people to reach out, he gave us a job to go to a music festival and..." "...get drunk!" Steele jokes. The pair initially called Cogger for advice on the beer brand, before deciding to create Better Beer together. "And then next thing you know, here we are talking to you." As for the taste, the boys have reportedly heard it described as "smooth like Michael Jackson" and "the breakfast of champions". "All our mates have tasted it and they love it. Obviously, they're our mates, so you'd think they'd have to say that — but it was a genuine reaction!" Ford says. If you're after a cold one, Better Beer will be available at your local Dan Murphy's, BWS and independent bottleshops from Friday, November 12. You can keep up to date with Better Beer, including limited-edition merch drops, via the website. New Better Beer products are also expected to drop in March 2022.
Australia's most sinister festival, Dark Mofo, is back for its seventh year and is set to be as boundary-pushing as ever, with its initial lineup announced today. As always, the festival will take place in the lead up to the winter solstice, exploring connections between old and contemporary mythology through art installations, performance, talks and music — all taking place in the darkness of Tasmanian winter. Hosted by the Museum of Old and New Art (MONA), Dark Mofo will takeover most of Hobart between June 3–23, showcasing a melting pot of artists, creatives and thinkers who dwell in the shadows of mainstream culture. Kicking things off is the festival's ideas symposium Dark + Dangerous Thoughts, running from June 6 to 9, which will present varied perspectives on issues of identity and politics from writers, commentators and thinkers such as homegrown talent Stan Grant, Yumi Stynes, Nakkiah Lui and Ginger Gorman alongside international guests Jennifer Boylan, Frederic Martel, and Coleman Hughes, among many others. Talks will navigate controversial topics such as Australia Day, average sex and priests in the closet. On site at MONA, installations by Ai Weiwei, Alfredo Jaar, Oliver Beer and Chris Townsend will be exhibited as well as MONA's own Kirsha Kaechele, who'll bring her book Eat the Problem to life with a series of immersive feasts (expect cane toads, starfish and camel), and an exhibition featuring one of the world's largest glockenspiels. Sharon Van Etten – the American musician and composer, who's appeared in David Lynch's Twin Peaks: The Return and Netflix's OA – is set to perform a night of disjointed, wistful and at times menacing folk-rock-pop with her new album Remind Me Tomorrow at the Odean on Sunday, June 9. [caption id="attachment_619495" align="alignnone" width="1920"] Dark Mofo's Winter Feast, shot by Rémi Chauvin.[/caption] And back again for another extravagant performance is Mike Parr with Towards a Black Square – a lengthy blindfolded performance in an undisclosed location, shown through live video feed – while over at DarkLab's deconsecrated church, controversial Australian artist Paul Yore will transform the space into a technicolour shrine for Dolly Parton, Justin Bieber and other icons of sex, love and the excessive with It's All Wrong But It's Alright. The full lineup is yet to be announced, but we're expecting all the regular winter feasts, nude swims and warehouse parties will return, too. We'll update you when it drops on Friday, April 12. Dark Mofo returns to Hobart from June 6 and 23. The full lineup will be announced Friday April 12. Pre-sale tickets are available from 6pm on Monday, April 15 with general tickets on sale from 11pm on Tuesday, April 16. For more information, visit the festival website.
It's a tradition we all know well: go to IKEA with the intention of picking up some new water glasses, spend two hours wandering the labyrinth and filling a basket with tea light candles (you can never have too many), bath rugs (so soft!) and plants (you'll keep this one alive, promise), then sit down for a plate of delicious meatballs and mash. During COVID-19, IKEA has had to temporarily shut its in-store restaurants, in line with the government's closure of non-essential indoor venues. But, so you can get your fix at home, it has just released the recipe to its blessed meatballs. The Swedish flatpack experts are also now offering contactless delivery (in Australia) and have a podcast that reads through the IKEA catalogue, so you can really relive your time strolling through its endless corridors. But, we'll skip the smalltalk and get straight to what you're all looking for: the recipe. IKEA'S MEATBALLS Serves four 500 grams beef mince 250 grams pork mince 1 onion, finely chopped 1 clove garlic (crushed or minced) 100 grams breadcrumbs 1 egg 5 tablespoons of milk Salt and pepper to taste For the cream sauce Dash of oil 40 grams butter 40 grams plain flour 150 millilitres vegetable stock 150 millilitres beef stock 150 millilitres thick double cream 2 teaspoons soy sauce 1 teaspoon dijon mustard To make the meatballs Combine beef and pork mince and mix with your fingers to break up any lumps. Add finely chopped onion, garlic, breadcrumbs and egg and mix. Add milk and season well with salt and pepper. Shape mixture into small, round balls. Place on a clean plate, cover and store in the fridge for two hours (this will help them hold their shape while cooking). In a frying pan, heat oil on medium heat. When hot, gently add your meatballs and brown on all sides. Add to an overproof dish and cover with aluminium. Place in a hot oven (180°C conventional or 160°C fan) and cook for a further 30 minutes. To make the cream sauce Melt butter in a frying pan. Whisk in flour, stirring continuously for two minutes. Stir in vegetable and beef stock. Stir in double cream, soy sauce and dijon mustard. Bring to a simmer and allow sauce to thicken. Serve with your favourite potatoes — either creamy mash or mini new boiled potatoes.
Not once but twice now, a new sneak peek at The Flight Attendant's second season has hit and dropped some deliciously pointed dialogue along with it. Back in March, when the initial teaser for the show's next batch of episodes arrived, it had Kaley Cuoco's Cassie Bowden exclaiming "I'm still a flight attendant, and I've been making better choices." Now, in season two's just-released full trailer, she's told "you seem very put together." Of course, everything that surrounds those lines of dialogue in both sneak peeks so far immediately contradicts what's uttered — because The Flight Attendant wouldn't be the show it is if chaos wasn't on the itinerary. And this time around, the country-hopping thriller has a new way to dial up the twists. When Cassie escapes into her mind to reflect upon everything that life is throwing her way, which is a lot, she's confronted with multiple versions of herself. Four Cassies — and four Cuocos, too — are better than one, clearly. If you're wondering exactly how that'll play out, you don't have to wait long — with The Flight Attendant's second season arriving in Australia via Binge on Thursday, April 21, and in New Zealand thanks to Neon on Friday, April 22. Obviously, as anyone who quickly found themselves addicted to the extremely watchable series the first time, expecting Cassie to settle into a normal, average, uneventful and calm life is highly unrealistic. In season two, she has indeed moved on from the dramas we all watched back in 2020, though — and moved to Los Angeles, and also started attending Alcoholics Anonymous meetings. That said, Cassie has picked up a part-time job as well, which happens to see her moonlighting for the CIA. And, as this second trailer shows, that new gig comes with consequences. While Cassie is doing great things at both of her jobs — booze-free things, helpfully — it seems that someone else is trying to pass themselves off as her while she's working her side hustle overseas. Cue more globe-trotting intrigue, taking the show to both Berlin and Reykjavik. Cue more of Cassie's inner monologues as well, which is where those four different versions come in. Also new: cast members Mo McRae (Big Little Lies), Callie Hernandez (Under the Silver Lake), JJ Soria (Gentefied), Alanna Ubach (Euphoria), Cheryl Hines (Curb Your Enthusiasm), Jessie Ennis (Mythic Quest), Mae Martin (Feel Good), Margaret Cho (Awkwafina Is Nora from Queens), Santiago Cabrera (Ema), Sharon Stone (Ratched) and Shohreh Aghdashloo (The Expanse). They'll join Golden Globe- and Emmy-nominee Cuoco, obviously, plus returning co-stars Zosia Mamet (Girls), Griffin Matthews (Dear White People), Deniz Akdeniz (The High Note) and Rosie Perez (The Last Thing He Wanted). And if you're coming to this small-screen adaptation of Chris Bohjalian's 2018 novel of the same name with fresh eyes, the first season unravelled quite the tale — starting high in the sky, bouncing around the globe and delivering a hectic murder-mystery. Filled with sudden revelations and reversals, featuring multiple points of interest playing out across a split-screen setup, and also sporting cliffhangers to end every episode, the slick, swift-moving series knew exactly the kind of story it was telling and went for broke. Check out the full trailer for The Flight Attendant's second season below: The Flight Attendant's second season will be available to stream via Binge in Australia from Thursday, April 21 — and is headed to Neon in New Zealand on Friday, April 22. Read our full review of season one. Images: Jennifer Rose Clasen/HBO Max.
Brisbanites will no longer need to visit Sydney for a luxe Japanese restaurant experience at fine-diner Sokyo. A favourite in the Harbour City for more than a decade, the culinary standout is finally branching out to the Sunshine State. Add a Brisbane outpost to the list of dining spots that the new Queen's Wharf precinct will boast — and it's a big list — when it starts to open in August 2024. The Star Brisbane is one of the key parts of the long-in-the-works Queen's Wharf development, hence the move to expand Sokyo from The Star Sydney to its latest location. At The Star Gold Coast, Queensland already boasts fellow Japanese restaurant Kiyomi — a sibling eatery, if you like — but this will be the first time that the Sokyo brand has set up shop elsewhere. If you haven't visited Sokyo down south, it heroes traditional cooking techniques and making dining a sumptuous feast for the senses. The restaurant's guiding principle: ritual meets art. The idea is to apply Japanese culinary practice to Australia, including using local produce — from Queensland, of course, at Sokyo Brisbane. Leading the charge will be Sokyo Brisbane Executive Chef Alex Yu, who worked at Sokyo Sydney for eight years from 2014 and became renowned for his fish platters featuring floral arrangements — earning the nickname "sashimi florist" for his efforts. In 2022, he moved to Yugen Melbourne to take on that restaurant's Head Chef position. Now, he'll complete the east coast capital-city trifecta by coming to Brisbane to helm the new Sokyo. In a space that'll seat 160, feature both a sushi bar and a circular private dining room, and has Hassell to think for its scroll- and timber screen-heavy Japanese restaurant decor, patrons can look forward to a range of Sokyo's famous dishes from its OG location making the jump to Brissie. Two such highlights from August, when Sokyo Brisbane opens its doors: spicy tuna with crispy rice, plus hiramasa kingfish with miso ceviche and crispy potato. The rest of the menu will span everything from charcoal-grilled truffle-infused lobster to Queensland yellowfin tuna with sweet aioli, plus other options that go big on maitake mushrooms and ume plums. To wash them all down, sake, Japanese whisky, shochu cocktails, and tap and bottled beers from Japan will take pride of place on the drinks list. You'll also be able to sip wine, champagne and non-alcoholic beverages. "To have the opportunity to share Sokyo's philosophy with Brisbane is truly a privilege," said Yu of his new role. "I have collaborated with the highly experienced culinary team to curate a menu that harmonises tradition with contemporary flair, paying homage to the fundamentals of Japanese cuisine whilst remaining ahead of the gastronomic curve." "I'm excited to infuse the Sokyo menu with my artistic vision, drawing from my time in Sydney and Melbourne to deliver a cutting-edge dining experience tailored to Brisbane's discerning palate. Each element is meticulously considered, from the smallest measurement to the exact angle and temperature." Across The Star Brisbane at Queen's Wharf, Sokyo will sit alongside the new Fat Noodle, the new LiveWire (which will now focus on late-night entertainment and live music), Italian restaurant Cucina Regina and, upstairs at the Sky Deck, also Aloria, Cicada Blu and Babblers. Find Sokyo at The Star Brisbane, Queen's Wharf, Brisbane CBD from sometime in August 2024. Head to the venue's website for more information in the interim.
Going into 2024, no one knew that Baby Reindeer was about to become one of the most talked-about new shows of 2024. When Richard Gadd's next series arrives, however, it won't be taking audiences by surprise. In news worth sending to your mates from your iPhone, the Scottish writer, actor and comedian has locked in another drama series, this time with HBO and the BBC behind it. Lions doesn't yet have a release date, but it'll span six episodes and also dive into a complicated relationship. Gadd will be telling the tale of two men in Scotland who reunite at one of the pair's wedding. Niall is getting married. Ruben shows up unexpectedly. Cue violence, and also dive into a connection with ups and downs, plus highs and lows, from the 80s until today. The duo have been called 'brothers' by the official synopsis, but with those quote marks in place — so expect why that's the case to factor into the series as well. Meeting as teens, dropping out of each other's life as adults, how the world is changing around them: they're all set to be covered as well. So is a specific question: what does it mean to be a man? While Gadd is creating Lions, as well as writing and executive producing it, he hasn't been announced as one of its stars. Who'll play Niall and Ruben hasn't yet been revealed, and neither has when viewers can expect to see the show — or, Down Under, where, although plenty of HBO content usually heads to Binge and Neon. But, the series' directors have been unveiled: Alexandra Brodski (Somewhere Boy) and Eshref Reybrouck (Ferry: The Series). "Ordering a HBO boxset of The Sopranos, The Wire or Oz and watching it from start to finish were some of the happiest moments of my childhood. Since then, it has always been a dream of mine to work with HBO and be part of their iconic roster of shows," said Gadd about Lions. "I am so grateful to Francesca Orsi [HBO's Head of HBO Drama Series and Films], Kara Buckley [Senior Vice President HBO Drama Programming] and Clint LaVigne [Vice President, Drama Programming at HBO] for taking this chance on the show and on Ruben and Niall too, who — despite growing up in a dead-end Scottish town — would be absolutely pinching themselves at this! I cannot wait to get started." There's obviously no trailer for Lions yet, but check out the trailer for Baby Reindeer below: Lions doesn't yet have a release date on HBO — or Down Under, where plenty of HBO content usually heads to Binge and Neon — but we'll update you when more details are announced. Read our review of Baby Reindeer. Baby Reindeer images: Ed Miller / Netflix.
Weather: crisp. Pretzels: everywhere. Cinemas: packed to the brim. Yes, that's the Berlin International Film Festival. And while plenty of chatter about sickness filtered through the fest's landmark 70th year — and plenty of grim looks at anyone who dared to cough between February 20–March 1, too — the 2020 event marked its massive anniversary in its usual star-studded, movie-filled style. Among the highlights: Willem Dafoe's moustache beaming its gloriousness from the red carpet, while the actor promoted the most divisive film of the festival; Indigenous Australian storytelling thrust into the spotlight multiple times, showcasing standouts from both the big and small screens; and a Golden Bear winner from an Iranian director, who was banned from filmmaking and unable to leave the country to attend the festival. This year's event also commemorated a 100-year-old masterpiece via an immersive exhibition, celebrated Helen Mirren's momentous career by giving her an award, and invited plenty of filmmakers to pair up and chat about their careers — including Crouching Tiger, Hidden Dragon's Ang Lee and Shoplifters' Hirokazu Kore-eda. That's what happened on the ground. If you couldn't be there, don't worry — Berlinale's massive film program will keep spreading its delights over the coming months. After spending 11 days in Berlin's cinemas (and eating the city's schnitzels and spatzle, of course), we've picked ten movies to look out for. Fingers crossed they make it to a screen Down Under sooner rather than later. https://www.youtube.com/watch?v=SRUWVT87mt8 FIRST COW Every time Kelly Reichardt steps behind the camera, something astonishing happens, as everything from Wendy and Lucy to Certain Women has shown. So the fact that First Cow ranks among the writer/director's best work is no small feat indeed. Stepping back to 19th-century America, Reichardt spins the story of a cook (John Magaro) and a Chinese entrepreneur (Orion Lee). Two outcasts among the fur-trapper community, they spark up a friendship — and, once the Chief Factor (Toby Jones) ships in the region's highly coveted first cow, they pair starts an illicit but highly profitable business making delicious biscuits using milk stolen direct from the animal in the dark of night. As always in Reichardt's features, there's such empathy, sensitivity and tenderness to this magnificently told tale, which continues the filmmaker's thoughtful exploration of characters on the margins, as well as her ongoing interrogation of the American dream. https://vimeo.com/391958174 GUNDA Move over Babe, Piglet and Porky — cinema has a new porcine star. Or several to be exact; however other than the eponymous sow, they're not given names in Gunda. Indeed, not a word is spoken in the latest engrossing, meditative and moving documentary from Aquarela's Victor Kossakovsky. Instead, the observational film devotes its black-and-white frames to watching its main subject give birth, care for her squealing and inquisitive little ones, roll around in the mud and simply go about her life. Of course, viewers know that these cute critters are living on a farm, that the piglets are destined to become meat, and that their story won't end happily. Interspersed with brief glimpses of cows and chickens — two other animals bred for human consumption — this film screams its abhorrence of eating flesh through its stunningly intimate imagery. And to the surprise of no one who saw his Golden Globes and Oscars speeches, Joaquin Phoenix is one of the doco's executive producers. https://www.youtube.com/watch?v=mBcY5-QzqTU THE WOMAN WHO RAN Alcohol. Conversation. A scene-stealing cat. Combine all three, and South Korean great Hong Sang-soo is firmly in his element. The booze flows freely as Gamhee (Hong regular Kim Min-hee, a 2017 Berlinale Best Actress winner for On the Beach at Night Alone) enjoys her first time away from her husband in five years, visiting friends around Seoul while he's off on a business trip. In the prolific director's typical fashion, much of The Woman Who Ran unfurls as his characters simply chat — about lives, hopes, dreams, problems and, with a pesky neighbour in the movie's funniest moment, about feeding stray felines. Hong's penchant for long, patient takes, playful repetition and echoes, and expertly timed crash-zooms are all used to winning effect, in a film that slots perfectly into his busy oeuvre (he's made 23 movies since 1996) and yet always feels distinctively insightful. Also, and we can't stress it enough, look out for one helluva kitty. https://www.youtube.com/watch?v=El4-2zrNppA UNDINE For the second time in as many films, German writer/director Christian Petzold teams up with rising talents Paula Beer and Franz Rogowski — but you could never accuse the filmmaker of doing the same thing twice. Back in 2018, the trio turned Transit into a war-torn romance that mused on conflict's lingering scars, while here, they're reinventing a German myth about a water spirit who can only turn human through love. Undine (Beer, this year's Silver Bear winner for Best Actress) is a historian who guides museum tours about Berlin's origins. When her boyfriend Johannes (Jacob Matschenz) breaks up with her suddenly, she warns him that she'll have to kill him. Then she meets industrial diver Christoph (Rogowski), but even as their love blossoms, her previous relationship isn't easily overcome. Petzold is no stranger to pondering the impact of the past on the present (see also: Barbara and Phoenix); however in the enchanting, beguiling, beautifully shot Undine, he's at his most haunting. https://www.youtube.com/watch?v=hjw_QTKr2rc NEVER RARELY SOMETIMES ALWAYS The third film from talented American writer/director Eliza Hittman (It Felt Like Love, Beach Rats), Never Rarely Sometimes Always took home Berlinale's Silver Bear Grand Jury Prize — the festival's second most prestigious award — but it would've been a more than worthy overall winner. First premiering at Sundance, where it also nabbed a jury prize, this a heart-wrenching gut-punch of a movie that's about an ordinary teenager in an everyday situation, while simultaneously focused on a crucial topic. When small-town Pennsylvanian 17-year-old Autumn (Sidney Flanigan) discovers that she's pregnant, she only really has one option. She's certain her family (including Sharon Van Etten as her mother) won't help, and the local women's clinic advocates having the baby, so with her cousin Skylar (Talia Ryder) she hops on a bus to New York. Their experiences in the Big Apple are tense and devastating, as is this potent, compassionate and naturalistic entire film. [caption id="attachment_763961" align="aligncenter" width="1920"] Mughal Mowgli Ltd, BBC[/caption] MOGUL MOWGLI Riz Ahmed not only stars in but also cowrites Mogul Mowgli — and given that he's playing a British Pakistani rapper, and the Four Lions and Rogue One actor also happens to be British Pakistani rapper himself, this incisive drama understandably feels personal. It's also electrifying from the moment when, early in the film, Ahmed's character Zed takes the stage and unleashes his politically charged lyrics about his experiences to a responsive audience. Zed is on the cusp of stardom but, just as he secures his next big opportunity in a supporting slot on a lucrative European tour, his health unexpectedly begins to fail him. Exploring the fallout, including the professional disappointment, Zed's struggles with his cultural heritage upon his return home to London and the tough reality of facing a shattering diagnosis, writer/director Bassam Tariq makes an exceptional debut, crafting a film that's as bold, dynamic and probing as its central performance. [caption id="attachment_763958" align="aligncenter" width="1920"] Caroline Fauvet[/caption] JUMBO In Portrait of a Lady on Fire, one of the best films of 2019, Noémie Merlant played an 18th-century artist who fell in love with the betrothed woman she's commissioned to paint. In the neon-hued, loosely based-on-a-true-story Jumbo, she's once again falling head over heels — this time for an amusement park ride. Her character, fairground worker Jeanne, is shy to the point of being teased by everyone around her. While her mother (Emmanuelle Bercot) doesn't fall into that category, she does repeatedly try to push her out of her comfort zone, including setting her up with the park's new boss (Bastien Bouillon). But in Belgium-born, France-based writer/director Zoé Wittock's debut feature, nothing makes Jeanne feel the way that Jumbo, the theme park's new ride, does. It's a quirky, even whimsical concept, but both Merlant and Wittock treat Jeanne's love affair with sensitivity and enthusiasm — two traits the character isn't accustomed to receiving elsewhere. https://www.youtube.com/watch?v=HgyisKVoFzY THERE IS NO EVIL The death penalty casts a dark shadow over There Is No Evil, an anthology film that explores capital punishment and its impacts. Across four segments, writer/director Mohammad Rasoulof charts the ripples that state-sanctioned killing has upon Iranian society — via a stressed husband and father (Ehsan Mirhosseini), a conscript (Kaveh Ahangar) who can't fathom ending someone's life, a soldier (Mohammad Valizadegan) whose compliance causes personal issues and a physician (Mohammad Seddighimehr) unable to practise his trade. While some sections hit their mark more firmly and decisively than others (the film's introduction sets a high bar), this year's Golden Bear winner has a lingering cumulative effect as it ponders the threats and freedoms of life under an oppressive regime. Rasoulof has actually been banned from filmmaking in Iran, restricted from leaving the country and sentenced to prison, all for examining the reality of his homeland — and, after 2013's Manuscripts Don't Burn and 2017's A Man of Integrity, There Is No Evil continues the trend. [caption id="attachment_763954" align="aligncenter" width="1920"] Michael Kotschi/Flare Film[/caption] ONE OF THESE DAYS After turning in an astonishingly raw and powerful performance in 2017's A Prayer Before Dawn, British actor Joe Cole does so again in US-set drama One of These Days — albeit in completely different circumstances. In a nuanced and naturalistic performance, he plays Kyle, a small-town Texan department store employee who's overjoyed when he wins the chance to compete in the local car dealership's annual 'Hands on a Hardbody' contest. If he can outlast his fellow competitors by placing his hand on a truck for longer than anyone else, he'll drive off with the vehicle he's certain will change not only his life, but that of his wife (Callie Hernandez) and their baby. Also starring True Blood's Carrie Preston as the marketing guru in charge of running and promoting the contest, One of These Days doesn't hold back in exploring the toxic cycle that sees the struggling and desperate chase wealth at any cost, with German writer/director Bastian Günther helming a clear-eyed but immensely empathetic film. https://www.youtube.com/watch?v=ARNPF52AZAQ HIGH GROUND A high-profile Australian cast and an acclaimed local director traipse through the country's colonial past in High Ground — and while that description applies to a growing number of Aussie films (Sweet Country and The Nightingale, just to name two recent examples), it'll never get old. Indeed, while Stephen Maxwell Johnson's (Yolngu Boy) frontier western feels like a natural addition to this growing genre, it also makes its own imprint. The setup: on what's supposed to be a routine expedition, almost an entire Indigenous tribe is wiped out by northern Australian police. Their leader, ex-World War I sniper Travis (Simon Baker), isn't responsible for the carnage, but it weighs heavily on him in the aftermath. In this gorgeously shot, deeply contemplative drama, that especially proves the case twelve years later — when Travis is enlisted by his superior (Jack Thompson) and his ex-partner (Callan Mulvey) to track down one of its revenge-seeking survivors, all while accompanied by the boy-turned-tracker (Jacob Junior Nayinggul) who also lived through the slaughter. Images: First Cow © Allyson Riggs/A24; Gunda © Egil Håskjold Larsen/Sant & Usant; The Woman Who Ran © Jeonwonsa Film Co. Production; Undine © Christian Schulz/Schramm Film; Never Rarely Sometimes Always © 2019 courtesy of Focus Features; Mogul Mowgli © Mughal Mowgli Ltd, BBC; Jumbo © Caroline Fauvet; There Is No Evil © Cosmopol Film; One of These Days © Michael Kotschi/Flare Film; High Ground © Sarah Enticknap/High Ground Picture.
The sun is dying, and only a mission to space can potentially save life on earth and all of humanity. Sound familiar? If you've watched Sunshine from 28 Years Later duo Danny Boyle and Alex Garland, then it should. This one should ring a bell, too, if you caught The Martian: an everyman character gets stranded solo well beyond the third rock from the sun. Combine elements of two excellent sci-fi films from years gone by and you have Project Hail Mary — at least based on the just-dropped first trailer for the 2026 release. It isn't by accident that The Martian pops to mind, either. American novelist Andy Weir wrote the book that 2015 feature was based on. A decade later, the same applies, this time telling a tale about a science teacher who becomes an astronaut — and the planet's only hope. Ryan Gosling (The Fall Guy) plays Ryland Grace, who usually teaches the sixth grade. In parts of the Project Hail Mary's debut sneak peek, he stresses that he's putting the "not" in "astronaut" — and he's both sceptical and reluctant about the task being asked of him. In other moments in the film's first trailer, he's 11.9 light years from home, all alone, and uncertain why after waking up with no memory about what he's doing in space. Also included: attempting to discover why the sun is dying, using his science skills in a manner far beyond what he'd ever expected and making friends while soaring through the heavens. Audiences Down Under can make a date with the end result in March 2026 — and watch Gosling tackle space again after portraying Neil Armstrong in 2018's First Man, as part of a cast that spans Sandra Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), Ken Leung (Industry) and Milana Vayntrub (Going Dutch), too. Project Hail Mary also marks the first picture directed by filmmakers Phil Lord and Christopher Miller in more than a decade, when the pair had both The Lego Movie and 22 Jump Street in cinemas in 2014. In the years since, they've been busy, however — such as initially being slated to helm Solo: A Star Wars Story, then getting replaced by Ron Howard (Jim Henson Idea Man), and producing everything from Spider-Man: Into the Spider-Verse and its sequel to the very different Brigsby Bear and Cocaine Bear. Check out the first trailer for Project Hail Mary below: Project Hail Mary opens in Australian cinemas in March 2026.
Plenty can happen in six years. Since the last time that Hans Zimmer performed in Australia, his score for Dune won him his second Academy Award and his work on Dune: Part Two earned him his fifth Grammy, for instance. Over that period, the iconic composer has also given everything from No Time to Die, Wonder Woman 1984, Top Gun: Maverick and The Creator to Prehistoric Planet and Planet Earth III their tunes. One of the biggest names in big-screen music, he's clearly been busy — but he's not too busy to add a three-city Aussie tour to his 2025 calendar. Zimmer will head Down Under for the first time since 2019, again taking to the stage in Brisbane, Sydney and Melbourne. If you've seen him live before, you'll know that this is quite the sonic experience, especially for movie lovers. And if you haven't caught him yet, you'll want to fix that at his April gigs at the Brisbane Entertainment Centre, Qudos Bank Arena in Sydney and Melbourne's Rod Laver Arena. [caption id="attachment_990222" align="alignnone" width="1920"] Lee Kirby[/caption] For more than four decades now, Zimmer has given screens big and small a distinctive sound. The German composer helped put the bounce in The Lion King's score and the droning in Inception's memorable tunes, and has loaned his talents to everything from Thelma & Louise to Christopher Nolan's Dark Knight trilogy to Blade Runner 2049. It's an impressive list that just keeps going and growing — see: above — and it sounds even more impressive when played live and accompanied by an orchestra. The latest trip Down Under for the man who has worked his music magic on a wealth of titles — Hidden Figures, The Boss Baby, Dunkirk, Widows, X-Men: Dark Phoenix, The Lion King remake and The Crown are just a few more of his recent-ish credits — comes not only after his 2019 visit, but after he toured his Hans Zimmer Revealed concert series in 2017, including to Australia. His 2025 shows see the return of his Hans Zimmer Live gigs, complete with a 19-piece live band and full orchestra, as well as a huge stage production that features a luminous light show and other eye-catching visuals. [caption id="attachment_990219" align="alignnone" width="1920"] Suzanne Teresa[/caption] While the Oscar, Golden Globe, Grammy and Tony-winner obviously isn't going to perform every single one of his iconic film scores, expect to hear plenty of your favourites from a newly arranged lineup of tunes that includes Dune, Gladiator, Interstellar, The Dark Knight, The Lion King, The Last Samurai and Pirates of the Caribbean. Onstage, Zimmer will have Australian singer Lisa Gerrard for company, with some of the songs that she co-penned with him featuring in the set — so, tracks from Mission: Impossible, King Arthur, Black Hawk Down, Tears of the Sun and more. "I'm thrilled to return to Australia with my wonderful band and excited to share this phenomenal show. I love this feeling of uniting my family of extraordinary musicians with you, the audience. Just an unbelievable family of talents that — to me — makes them the best supergroup of musicians in the world," said Zimmer, announcing his new Aussie tour. "But nothing would have meaning without the good grace and support of you, the other part of the family — the audience. Ultimately, the music connects us all, and I promise you this: we will always play our best, straight from the heart." [caption id="attachment_990220" align="alignnone" width="1920"] Suzanne Teresa[/caption] Hans Zimmer Live Australian 2025 Dates Thursday, April 24 — Brisbane Entertainment Centre Saturday, April 26 — Qudos Bank Arena, Sydney Tuesday, April 29 — Rod Laver Arena, Melbourne [caption id="attachment_724856" align="alignnone" width="1920"] Frank Embacher Photography[/caption] Hans Zimmer Live is touring Australia's east coast in April 2025. For more information, and for tickets — with presales from 11am local time on Tuesday, February 11 and general sales from 12pm local time on Wednesday, February 12 — head to the event's website. Top image: Suzanne Teresa.
Almost three decades ago, Spiderbait made Australian music history when they won Triple J's 1996 Hottest 100 with 'Buy Me a Pony'. They were the first local act to top the countdown. Now, that catchy track has a chance to again notch up a huge feat: taking out Triple J's new Hottest 100 of Australian Songs. Aussie tunes have emerged victorious in the station's annual countdown plenty of times since, of course. So, it isn't just 'Buy Me a Pony' that's in the running to be a two-time winner. That feat mightn't be achieved at all anyway — because there's no shortage of excellent Australian tracks that haven't topped a Hottest 100 before but might just come out in the number-one spot in the Aussie-only poll. Whichever song that you're certain should be named Australia's best, voting is open as at 8am AEST on Tuesday, June 17. You've got a month to pick your favourites — until 5pm AEST on Thursday, July 17, 2025. The results will then be broadcast from 10am AEST on Saturday, July 26, 2025 on not only Triple J, but also Double J, Triple J Unearthed and its dedicated Triple J Hottest station. Although no one needs a reason to celebrate Aussie music, Triple J has one: 2025 marks its 50th birthday. That fact ties into one big caveat when you're voting, you do need to choose a track that was released before the station hit that milestone on Sunday, January 19, 2025. [caption id="attachment_854346" align="alignnone" width="1920"] M Drummond[/caption] The Triple J and Double J voices that'll be counting down your picks include Ash McGregor, Dave Woodhead, Dylan Lewis, Yumi Stynes, Abby Butler, Tyrone Pynor, Concetta Caristo, Luka Muller, Zan Rowe and Lucy Smith. And if you're curious about which other tunes, aside from 'Buy Me a Pony', could score the double win, 'No Aphrodisiac' by The Whitlams, 'These Days' and 'My Happiness' from Powderfinger, 'Amazing' by Alex Lloyd, 'Are You Gonna Be My Girl?' from Jet, 'Wish You Well' by Bernard Fanning, 'One Crowded Hour' from Augie March, and 'Big Jet Plane' by Angus and Julia Stone are also in the running, for starters. Gotye's 'Somebody That I Used to Know', Vance Joy's 'Riptide', Chet Faker's 'Talk Is Cheap', The Rubens' 'Hoops', Flume's 'Never Be Like You' and 'Say Nothing', Ocean Alley's 'Confidence' and The Wiggles' 'Elephant' have also all topped the yearly poll before. Tame Impala's 'The Less I Know the Better' won the 2010s-centric countdown, while DMA's 'Believe' did the same for the Like a Version poll. Triple J's Hottest 100 of Australian Songs will broadcast from 10am AEST on Saturday, July 26, 2025 — with voting open between 8am AEST on Tuesday, June 17–5pm AEST on Thursday, July 17, 2025. Head to the Triple J website for further details. Top image: Ocean Alley, Neegzistuoja via Wikimedia Commons.
The drive down the Mornington Peninsula to the Peninsula Hot Springs retreat is somewhat of a Melburnian pilgrimage — where Victorians escape the chill of the city every winter via thermal means. One of the first hot springs in Victoria before the 900-kilometre bathing trail was proposed, the team constantly looks to deliver the best service and experience. A $13 million upgrade in 2018 saw the addition of two cold plunge pools, seven new hot spring pools and an impressive outdoor Bath House Amphitheatre to the site's remote and picturesque hilltop location. Guests also have access to two 30-person saunas, a chilled (and Australian-first) ice cave and a 'deep freeze' treatment room, which will be kept at a cool 25 degrees below freezing. This is in addition to the existing hamam, underground sauna, cave pool and the pool at the top of the hill which affords 360-degree views of the area. The venue also has a new cafe, a cultural meeting space designed in collaboration with local Indigenous elders, and a multipurpose wellness centre for classes and talks. Further renovations were announced at the end of last year to expand accommodation and other facilities. A trio of new eco accommodation lodges, three outdoor massage pods and an undercover cafe dining space, as well as a new relaxation and sleep lounge in the Spa Dreaming Centre are all expected later in the year. [caption id="attachment_726805" align="alignnone" width="1920"] Visit Victoria[/caption] Updated April, 2023.
Heading overseas from Australia is about to become a reality again, with the Federal Government recently announcing that international travel will be allowed to restart on a state-by-state basis from November. When each state or territory hits the 80-percent fully vaccinated mark set out in the National Plan to transition Australia's National COVID Response, that part of the country will be able to resume international flights — and Qantas has announced which routes will be operating first. Back in August, the airline revealed that it was planning to begin flying overseas again in December this year, based on when it forecast that Australia's international borders would reopen again. It has since started selling tickets for a number of overseas routes and, now that a firm plan has been put in place to open the nation back up to the rest of the world, it's bringing forward the start date for its flights to London and Los Angeles. Both legs will operate out of Sydney, and recommence operations from Sunday, November 14. To begin with, there'll be three weekly return flights to each city on Qantas' Boeing 787-9 Dreamliners. And if you're wondering why the carrier picked these two routes, it's because they've been the most searched options for the past few weeks. Pack your bags, flights from Sydney to LA and London take-off from mid-November ✈️ https://t.co/reJshnEF0U pic.twitter.com/KsxjrsBfGC — Qantas (@Qantas) October 1, 2021 The airline advises that it'll add more flights if it needs to, as per demand, and that the dates may shift once the exact border reopening date is announced (or, if anything changes with the Australian Government's current plan). So, if travel can recommence out of Sydney earlier, Qantas will move things forward — and it it gets pushed back, so will the flights, obviously. If you're keen to get booking anyway, ticketholders for these flights will be able to make changes without paying a fee for travel up until the end of 2022, although you will need to pay a difference in fare if that applies. Fares for the two routes are open to Australian citizens, permanent residents and their immediate families and some visa holders, and start at $1662 return for the Sydney–Los Angeles trip and $1869 return for Sydney–London. At present, Qantas is sticking with its plans to restart other international flights from Saturday, December 18. Previously, Qantas had revealed its intention to recommence flights to destinations with high vaccination rates from December 2021, including Singapore, Japan, the US, the UK, Canada and Fiji, before adding Hong Kong flights in February, and then trips to Bali, Jakarta, Manila, Bangkok, Phuket, Ho Chi Minh City and Johannesburg in April 2022. When overseas flights do resume, Qantas will use digital health passes to verify vaccination and testing status. And, as Qantas CEO Alan Joyce has previously stated, the airline will only allow fully vaccinated passengers to travel on international flights. Passengers will also need to have returned a negative PCR COVID-19 test 72 hours before departure. It's expected that travellers on these international flights will need to go into home quarantine for seven days when they return, which Prime Minister Scott Morrison mentioned when he announced that the international border will reopen in November; however, the exact details of how that'll work hasn't yet been revealed. As part of its efforts to encourage vaccinations — and to help speed up the return to its normal operations — the airline is also currently giving away discounts and frequent flyer points to vaxxed Aussies. Qantas will restart Sydney–Los Angeles and Sydney–London flights from Sunday, November 14. For more information or to book, visit the Qantas website.
If it's a culinary hit in Japan, odds are that Harajuku Gyoza will bring it Down Under. If it's a dumpling- or dessert-related food mashup, the chain with outposts in Sydney, Brisbane and on the Gold Coast is likely serving it up as well. The brand's new Mont Blanc air cheesecakes tick both boxes, riffing on Mont Blanc desserts with a Japanese air cheesecake spin. Already the home of raindrop cakes, as well as pop-up sweet versions of its go-to savoury dishes such as lemon meringue gyoza, marshmallow gyoza and Ferrero Rocher dumplings, Harajuku Gyoza has now combined the air cheesecakes that've been on its menu since 2022 with the vermicelli-style Mont Blanc. Forget chestnut puree, which traditionally features in the latter dish — this one makes its strands from white bean paste. So, whether you're tucking into gyoza or bao first, or just heading in for dessert, you'll be eating a fluffy piped cheesecake that's topped with strands in either strawberry or matcha, plus ice cream. The flavour dictates the colour, too, so you'll either be going pink or green with your $18 dish. Gleaning inspiration from Chacha Futatsume in Tokyo and Malebranche in Kyoto, these two-in-one takes on viral desserts are on offer at Harajuku Gyoza's four Australian stores: at Darling Harbour in Sydney; at South Bank and the CBD in Brisbane; and in Broadbeach on the Gold Coast. While cheeseburger gyoza, which is stuffed with burger pieces, aged cheddar, onion, pickles, mustard and tomato sauce, is a mainstay on the brand's menu, its limited-time dishes have previously included mac 'n' cheese and pepperoni dumplings, charcoal karaage chicken fondue, and bao in gingerbread and pavlova varieties. Harajuku Gyoza is no stranger to bringing the Japanese stars behind viral dishes this way, either, with Chef Motokichi Yukimura from Kyoto's Kichi Kichi hitting Australia back in February and March with his omurice. He's returning for winter, making July stops in both Sydney and Brisbane — but all sittings are already sold out. Harajuku Gyoza's Mont Blanc air cheesecakes are available at all Australian stores — at Darling Harbour in Sydney, South Bank and the CBD in Brisbane, and in Broadbeach on the Gold Coast. Head to the chain's website for more details.
Thanks to the events of the past year, you've probably forgotten what an overseas holiday feels like — unless you've either already taken advantage of the newly opened trans-Tasman travel bubble with New Zealand, or you've made plans to hop across the ditch sometime soon. Don't go pulling out a map of the rest of the globe just yet, however, because the folks at Qantas and Jetstar have just announced a delay to their plans to start flying to other international destinations again. Initially, the airlines were hoping to begin soaring to a number of overseas spots in October. Qantas had outlined plans to recommence flights to 22 of its 25 international destinations — including London, Singapore and Los Angeles — while Jetstar was intending to resume trips to all of its 13 international routes by the same projected date. The Qantas Group, the company behind both carriers, has since updated that timeframe, announcing that it's now hoping to restart its international flights to places other than NZ in late December this year. The change follows recent forecasting by the Federal Government, which noted that Australia's borders wouldn't reopen to international travel until at least mid-2022 — as well as the fact that the nation's vaccine rollout hasn't been proceeding as quickly as originally advised. So, a lot still needs to go to plan for the two airlines to have you jetting off to foreign lands this summer. That's Qantas and Jetstar's current target date, though. It has been more than a year since the COVID-19 pandemic first forced Qantas and Jetstar to suspend international flights, which happened back in March 2020. There has been talk of other travel bubbles, however, including a possible one with Singapore — with Qantas Group saying that it remains "optimistic that additional bubbles will open once Australia's vaccine rollout is complete to countries who, by then, are in a similar position." The airlines will contact anyone who has already booked flights from October onwards, but notes that "recent levels of uncertainty meant international booking levels were relatively low." When overseas flights to spots other than NZ do resume, you might not be able to fly until you've received your jab, with Qantas CEO Alan Joyce previously stating the airline would only allow vaccinated passengers to travel on international flights. The airline is also currently trialling digital health pass apps, such as Common Pass and IATA Travel Pass, which contain information about a passenger's COVID-19 status, testing and vaccinations, on current international repatriation flights. Of course, even once international flights are up and running again, you can expect a much lower capacity than pre-COVID travel — Qantas previously said that it's not anticipating a full return to normality until 2024. To find out more about Qantas and Jetstar's international travel plans, visit the Qantas website.
It was a glorious day when, fresh from spending a decade working on Saturday Night Live, Tina Fey created her own sitcom about a late-night sketch comedy show. For seven stellar seasons and 138 hilarious episodes, 30 Rock charted the behind-the-scenes exploits on the fictional TGS with Tracy Jordan, with Fey starring as the show's head writer. The result: one of the standout TV comedies of the past 15 years, the source of the best holiday song there is and a great reason to love night cheese. It's the show that not only satirised the inner workings of live, televised sketch comedy, but made plenty of fun of its American network, NBC, and its parent company, General Electric — with Alec Baldwin note-perfect as the GE microwave division head suddenly also placed in charge of TV program. Fey and Baldwin had plenty of great company, with 30 Rock's main cast also boasting Jane Krakowski, Tracy Morgan, Jack McBrayer, Scott Adsit and Judah Friedlander. And, guest-wise, the list goes on. Everyone from Matt Damon, Jon Hamm, Julianne Moore and Tom Hanks popped up, as did Amy Poehler, Will Arnett, Jennifer Aniston, Peter Dinklage, the Beastie Boys and Elizabeth Banks. If you watched the series during its original 2006–13 run, then you'll already know all of the above — and now you can rediscover its delights. From Sunday, December 22, Stan is streaming 30 Rock's entire run, so you can live every week like it's 30 Rock week. And if you're new to the show, it's never too late to dive in. It's the Australian streaming platform's newest addition to its growing range of beloved series, following Buffy the Vampire Slayer, How I Met Your Mother, Sons of Anarchy, Grey's Anatomy and Family Guy. And, it's timed perfectly if you've been wondering what you'll be watching over the holidays or summer. A handy hint: 30 Rock has some fantastic Christmas episodes, should you be looking for some festive viewing. Merry Ludachrismas everyone. Check out a clip from the 30 Rock pilot below: https://www.youtube.com/watch?v=aYGbfKuBBBk All seven seasons of 30 Rock are now available to stream on Stan.
Speedsters of Australia, it's time to don your best red cap, slide into a pair of overalls and jump behind the wheel. If you want to take part in Mushroom Racing, the outfit isn't optional — if that's not your style, you could pick a green hat or a dinosaur costume instead. Not content with zipping through the streets of Tokyo and causing quite a stir, a real-life version of Mario Kart is headed to Australia. At yet-to-be-disclosed dates and sites in Sydney and Melbourne, participants will dress up as their favourite character, get cosy in a go-kart, race till their heart's content and collect stars to win prizes. While Tokyo's MariCar lets racers zoom along the city's actual roadways — yes, really — we find it hard to believe that's what'll happen here. And, we're certain that throwing shells or bananas at your opponents won't be allowed either. Sure, that's all well and fun when you're mashing buttons and trying not to fall off the Rainbow Road while you're playing one of Nintendo's many console versions (or counting down the days until the first Mario Kart smartphone game is released), but it's definitely not cool in real life. If you're keen, you can sign up to receive further information when it comes to hand. Organisers are calling it "the rally of a lifetime", and while that's definitely overstating the significance of driving around pretending you're Mario, Luigi, Yoshi, Wario or whichever other character you like, you know you're eager to give the novelty a go. And, let's face it, it's not quite as ridiculous as human bowling. Mushroom Racing is coing to Sydney and Melbourne in 2018. Tickets will be limited — register on the Mushroom Racing website for further updates.
If you spend your free time binging on true crime, then you're probably familiar with the Golden State Killer. Between 1974–1986, the serial killer, rapist and burglar terrorised California, committing at least 12 murders, over 50 home-invasion rapes and more than 100 burglaries. Until 2018, however, the culprit hadn't been caught. Accordingly, it's the type of case that has kept more than a few folks wondering over the years and decades — including writer Michelle McNamara. HBO's new true-crime docuseries I'll Be Gone in the Dark chronicles McNamara's obsession with the case, as well as her hunt to find the perpetrator. Her tale is filled with intrigue, too, with her nights spent sleuthing through unsolved crimes and penning the blog True Crime Diaries while her family slept. Fixating on the Golden State Killer led McNamara to an article for Los Angeles Magazine, plus a book deal. But before she could finish her manuscript, McNamara — who was also married to comedian Patton Oswalt — died of an accidental prescription drug overdose in her sleep. Based on McNamara's book I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer, which was published two years after her death (and before an arrest was made in the case), the six-part series steps through this whole scenario. When the series hits HBO in the US at the end of June — with dates Down Under yet to be revealed, but Australian airings likely to happen via Foxtel — viewers can obviously expect quite the detective story. On offer, as both the initial teaser and just-dropped full trailer show: archival footage and details from police files; interviews with detectives, survivors and family members of the killer; and McNamara's own words, via original recordings as well as excerpts from her book read by actor Amy Ryan (Late Night, Beautiful Boy, The Office). The series also doubles as an exploration of the handling of sexual crimes in the 70s and 80s by law enforcement, as well as an examination of true-crime obsession and pursuit of justice. Check out the full trailer the below: https://www.youtube.com/watch?v=6_EVR1fI68o I'll Be Gone in the Dark starts screening on HBO in the US on June 28. An air date Down Under is yet to be announced — we'll update you when further details come to hand. Top images: Robyn Van Swank/HBO.
Whether you went for work, leisure or something in-between, if you've recently travelled to the Perth metropolitan area and Peel region in Western Australia, you were probably happy to venture further than your own city. But with the WA capital currently experiencing a three-day lockdown in response to a new COVID-19 case, state governments around the country are implementing new conditions on travel and crossing interstate borders. The situation varies state by state; however, it's the type of thing that has been happening after new cases and subsequent lockdowns of late. It last occurred in March, when Brisbane went into its most recent set of stay-at-home conditions. In New South Wales, a COVID-19 concerns notice has been issued by NSW Health, applying to the the Perth metropolitan area and Peel region from 12.01am today, Saturday, April 24. Anyone coming to NSW who has been in an affected area either on or after that time has to fill out a self-declaration form either before or upon entering the state. If you have been in either region since Saturday, April 17 and you're now in NSW, you're asked to look at a list of exposure sites issued by the WA Government. If you visited them within the time frames identified, you'll beed to follow the actions outlined and also contact NSW Health immediately. It's a lengthy list, spanning shopping centres, restaurants and an aquatic centre, all between Saturday, April 17–Friday, April 23 so far. https://twitter.com/NSWHealth/status/1385504424487882754 In Victoria, a number of changes are now in effect. With WA's lockdown coming in response to a Victorian man who tested positive upon his return to Melbourne after spending 14 days in hotel quarantine in Perth, the Victorian Government has listed both Qantas flight QF778 from Perth to Melbourne on Wednesday, April 21 and Melbourne Airport's Terminal 1 between 7–7.30pm on Wednesday, April 21 as new exposure sights. Folks who were on the plane must get tested for COVID-19 immediately, then self-isolate for 14 days regardless of their initial test result, while anyone at the terminal during that timeframe must also get tested for COVID-19 immediately and self-isolate until a negative result is received. Plus, anyone who has returned from WA recently is also asked to look at a list of exposure sites issued by the WA Government and, if you visited them within the time frames identified, to contact the Victorian Department of Health immediately. Melburnians can also keep an eye on the local list of exposure sites at the Victorian Government Department of Health website — as it may change if more sites are identified. Regarding the Victorian border, the state has classified the Perth metropolitan area and Peel region in Western Australia as red zones under its traffic light border system, which means that non-Victorian residents can't enter the state without an exception, permit or exemption. Also, anyone currently in Victoria who has been in the metro Perth or Peel region between Saturday, April 17–Friday, April 23, other than to transit through either, is required to isolate, get tested within 72 hours and stay isolated until receiving a negative result. https://twitter.com/VicGovDH/status/1385555025590509568 For Queensland, anyone who has been in the Perth or Peel regions on or since Saturday, April 17 and entered the Sunshine State before 11.59pm on Friday, April 23 is required to get tested as soon as possible and self-isolate. They'll also be under the same lockdown conditions that are currently in place in Perth until 2am AEST on Tuesday, April 27. Plus, those coming to Queensland after midnight last night who have been in the same parts of WA since Saturday, April 17 are only allowed to enter under an exemption, unless they're a Queensland resident. Either way, they now have to go into hotel quarantine for up to 14 days. https://twitter.com/qldhealthnews/status/1385569595784790017 South Australia requires anyone who has been in the Perth or Peel regions on or since Saturday, April 17 to get tested and quarantine until getting a negative result. Only returning SA residents, genuine relocations and domestic violence victims are allowed to SA from the two areas from 12.01am Saturday, April 24, and must now get tested and go into self-quarantine. In the Australian Capital Territory, non-ACT residents wishing to travel over from the Perth or Peel regions — who've been there since Saturday, April 17 — now need an approved exemption from ACT Health. You'll also have to quarantine until 2am AEST on Tuesday, April 27. For residents coming back from the two regions, you'll need to complete an online declaration form before leaving, and then to also stay home until the same time. Tasmania won't allow entry from folks who've been to the Perth or Peel regions within 14 days of their arrival, except for people deemed essential travellers — and then you'll need to quarantine for 14 days. If you've been there, arrived in Tasmania since Saturday, April 17 and attended one of the exposure sites listed by the WA Government, you need to self-isolate and contact Tasmania's Public Health Hotline. The Northern Territory now requires testing for anyone who has been to been to the Perth or Peel regions since Saturday, April 17, but only if they went to one of the exposure sites listed by the WA Government. You'll also need to quarantine until you get a negative result. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
