Unicorns invaded the runway last night. For the Australian Fashion Week's final Resort 2018 showing, Sydney's Romance Was Born, known for its outlandish, yet highly desirable collections, worked with two-time Archibald winner Del Kathryn Barton to send out sparkling unicorns, polka dotted femme fatales and grand dames draped with rich prints in Barton's iconic style. This is Electro Orchid. The name references Barton's eponymous show from 2014, where she presented a series of smudgy word paintings in pink gouache, which was reflected by models who strutted down the catwalk wearing nothing but handwritten evocative messages, nude undies, a pair of killer shoes, oh and a good dose of sparkle. As expected RWB's Anna Plunkett and Luke Sales brought the spectacle to MBFWA, ending the week on a runway acid trip and giving life to all of our wildest dreams — which we'll now also be able to wear in the coming months. With such an extravagant showing, it was only fitting to keep those glittery good vibes a-glimmer. So, the fashion set said goodbye to Carriageworks for the year, and made its way to QT Sydney to celebrate with a grand finale of pink tinsel and neon lights, cocktails, oysters and a soundtrack of ABBA and Whitney Houston. (The party also opened a small RWB archival exhibit at QT's Parlour Lane, on free public display until the end of the month.) Mercedes-Benz Fashion Week Australia has come and gone, bringing with it an epic collaboration between two Australia design icons in their own right (yes, one of those is the Opera House), street style by the sea, hectic mullets and a slew of trends to now mull over and decide which will influence what we're wearing next from our fine Aussie designers. Until next time MBFWA, you've been quite the ride. Images: Tim Da Rin / Flaunter.
Reluctant pirates of Australia, this one's for you. Announced today, Australia's getting a brand new internet service, Yournet, which uses geododging to grant you access to TV from around the world. No VPN/funny business needed. Yournet is a soon-to-be-launched internet provider with a philosophy that everyone should pay for the content they consume, but also that Australians often get shafted out of competitive deals and easy access to good streaming services because of a certain someone’s monopoly on the market (Foxtel. It's Foxtel. Foxtel.). According to SMH, Yournet will un-geoblock your access to the holy grails of cheap TV streaming (US Netflix, Hulu, HBO Now, Amazon Prime, BBC iPlayer) and other blocked foreign sites. Yournet will become available in August and you’re looking at an ADSL2+ connection for $129.95 with unlimited downloads, which is a wee bit more than your current (terrible) TPG bargain bin deal. But considering a good VPN will cost up to $10 a month and Yournet has an uncapped download limit, we’re pretty into it. Yournet is also designed specifically for people who like to procrastabinge-watch entire seasons of TV shows without slow buffering times reminding you of the mountain of responsibilities that lurk outside of the safe zone (your laptop-warmed, bed pillow fort). If you're using Yournet, you will need to find your own way to sign up for blocked overseas services and actually pay for the service. But once you're signed up, Yournet allows you to flick between platforms easily with the 'Global Mode' service — unlike many VPNs like Hola, which don't allow Australian geoblocked sites through to the rest of the world, you can just flick between BBC and ABC iView for example. With Australia's new copyright laws rolling out with gusto, this could be the solution that lets you hang up the cutlass and parrot. How this is possibly legal, we're still pretty in the dark. However, Fairfax references legal advice that this type of technology to bypass geoblocking is perfectly okay, something that consumer advocacy group CHOICE Australia thinks is not exactly correct. "It's possible that we'll see a legal challenge against Yournet, similar to the actions against Global Mode services in New Zealand," CHOICE campaigns manager Erin Turner told SMH. "CHOICE remains concerned that the recently passed Copyright Amendment (Online Infringement) Bill 2015 will allow Australian rights holders to block access to online tools that allow consumers to access geo-blocked services. This isn't an anti-piracy measure, it's an anti-consumer measure that could see some of Australia's biggest companies block access to their international competitors." Check out Yournet here, launching in Australia in August. Via SMH.
This could either be a truly great idea or the Worst Thing Ever. The 'party game for horrible people' is now playable all day long — on your phone. Usually cushioned by the presence of other terribly dark-humoured friends, Cards Against Humanity is now playable in the silent, silent realms of your solo commutes, bedtime reading moments or sneakily between work tasks. A new site called CardsAgainstOriginality.com allows you to play the politically incorrect party game on your smartphone, tablet or desktop. CardsAgainstOriginality isn't an official app available from stores, but rather a free-to-use mobile site you can save to your home screen. The whole thing sounds iffy (like it's one creepy, terrible person playing a socially inappropriate game for one), but you're not just playing against yourself. After clicking the 'new game' button, you can send the link to your friends and play online together (drag and drop your round submission, judge clicks on the winner) — an attempt at simulating all those whisky-fuelled weekends away on the way to work. Built by developer Dawson Whitfield, the official Cards Against Humanity team have nothing to do with this. The original Cards Against Humanity game has always existed under a Creative Commons licence that allows for the game to be printed out, remixed and used for free (as long as you're not selling copies). According to the website, "It has all the cards you know and hate, plus all five expansions. It’s like having a big black box of cards in your pocket!" We're not completely sold on this probably terrible idea. The beauty of Cards Against Humanity comes from group acceptance of straight-up horribleness; the painstaking, side-splitting and often horrific reading out of every last terrible player card that's "kid tested, mother approved", what "the US has begun airdropping to the children of Afghanistan" or what grandma "would find disturbing, yet oddly charming". Pissing yourself laughing alone on a train about terrible, terrible politically incorrect humour might just make you a terrible, terrible person. But it could be great. We're torn. UPDATE 12/3: Site down. Site down. According to Mashable, the creator of CardsAgainstOriginality.com, Dawson Whitfield, said the site is running slower than a final episode ad-break. After y'all read and clicked, the site experienced staggering traffic. Whitfield is apparently updating servers to cope with the huge influx of traffic, and expects everything to be hunky dory by the weekend. Image credit: Cards Against Humanity via photopin (license). Via TIME.
In huge news for the Australian music industry and fans alike, US music events giant Live Nation has announced it's snapped up a controlling stake in Secret Sounds Group — the organisation behind both Falls Festival and Splendour in the Grass, run by Jess Ducruo and Paul Piticco. This 51 percent stake marks the first Aussie acquisition for the enormous LA-based company, which already lays claim to over 80 global festivals, including Lollapalooza, Reading, Leeds, Bonnaroo, Austin City Limits, Governor's Ball, Electric Daisy Carnival, and Rock Werchter. According to Music Business Worldwide, the deal excludes Secret Sounds Group-owned record labels Dew Process and Create Control, and Dew Process Publishing. Helmed by Michael Rapino, Live Nation has been buying up especially big in the music biz of late, with France's Nous Productions, South Africa's Big Concerts, and a majority stake in Tennessee's AC Entertainment just some of the 2016 additions to its ever-bulging portfolio. Nine months into this year, the group had already forked out a cool $113.1 million on net acquisitions. "Splendour in the Grass and Falls are the two most iconic festivals in Australia," said Rapino in a statement announcing the deal. "Jess and Paul have created events that attract the biggest artists in the world but still feel uniquely Australian. We look forward to partnering with them to find new ways to grow our live event footprint across Australia." Secret Sounds co-CEOs Ducrou and Piticco echoed the sentiment in their statement. "We started Secret Sounds with the sole mission of introducing Australians to the best artists, events and music possible, and Live Nation is the perfect partner to help us take this goal to the next level. With their support we can continue to curate the lineups that fans love, while also experimenting with new exciting ways for fans to experience live music." That such a big global player is now shouldering in on the Aussie festival scene and in control of two of our most prominent music events, could spell dramatic changes ahead. Via Pedestrian and Music Business Worldwide. Image: Splendour/Bianca Holderness. Home page image: A. Catt.
A nirvana of live music and creative thinking nestled smack bang in the middle of one of America’s most conservative states, Austin, Texas is amongst the most hypeworthy cities in the world. Never is this truer than during South by Southwest, a ten day festival of hugely talked-about movies, must-hear new music and groundbreaking, interactive tech. From flying cars to talks by Edward Snowden, this year’s event has once again got us turning green with envy. To help us cope with hardcore FOMO, we’ve come up with seven things happening at SXSW 2015 we wish we were bragging about experiencing firsthand. MEERKAT IS TAKING OVER With a tech-head on every corner, SXSW has become a premiere destination for developers looking to launch their latest app. Twitter and Foursquare both got their start in Austin, but this year the buzz has coalesced around Meerkat, an app that lets you live stream video from your phone to Twitter. Interesting idea, although whether it has staying power remains to be seen. VIRTUAL REALITY IS PUTTING PEOPLE IN THE AUDIENCE AT SNL40 Right now it feels like we’re right on the cusp of virtual reality actually being a thing. The team at Saturday Night Live certainly think so, teaming up with Sony to capture the filming of their recent 40th anniversary show. Just think: now you’ll be able to experience Eddie Murphy’s awkward guest spot like you were squirming in the audience firsthand. THERE'S A KWIK-E-MART FOOD TRUCK HANDING OUT FREE SQUISHEES Celebrating 25 years since the Kwik-E-Mart first opened its sliding doors on The Simpsons, Fox have created a food truck for SXSW that's serving up free squishees to lucky, lucky jerks for the duration of the festival. The flavours? 'Not So Very Cherry' and 'Give 'em the Razz'. The whole thing's a publicity stunt of course, and coincides with the announcement of the first ever 1100-piece Lego Kwik-E-Mart set. JIMMY KIMMEL TAPED A COMMERCIAL FOR A LOCAL AUSTIN VIDEO STORE For the second year in a row, late night host Jimmy Kimmel made the trip to Texas for a week’s worth of shows, with guests including Bill Murray, Willie Nelson and Kanye West. But the highlight might be the trio of TV ads he recorded for Austin’s Vulcan Video, where he and a self-effacing Matthew McConaughey pay tribute to Leonard Nimoy and extol the virtue of VHS. Alright, alright... alright? THERE'S BEEN SWORD FIGHTING AT SXSWESTEROS Well of course there was a Game of Thrones thing. HBO’s SXSW installation, teasing the launch of the show’s fifth season, has been one of the biggest drawcards of the festival, with lines stretching around the block. Fans got the chance to practice their swordsmanship, snap a pic in the Iron Throne and get a taste of the show’s latest branded beer, Three-Eyed Raven Ale. As of yet, no one appears to have been betrayed and brutally murdered, but we’ll be sure to keep you posted. TINDER'S BEING USED IN A CREEPY BUT MOVING MARKETING CAMPAIGN Okay, so we’re not exactly sure we’d actually want to experience this one. Like any popular social networking app, Tinder has got its fair share of bots, but none of them are quite like Ava. While she appears to be a pretty 25-year-old, she’s actually part of a viral marketing campaign for sci-fi thriller Ex Machina, which premiered at the festival over the weekend. It’s a clever stunt, although we can’t help but feel a little bad for the guys who swiped right. PEOPLE ARE VOLUNTARILY STAYING AT BATES MOTEL We all go a little crazy sometimes. Some of us are even crazy enough to want to stay in a pop-up Bates Motel, publicising the A&E thriller television show with a terrifying stay. An exact replica built with the help of the show's set designers for the third season of Bates Motel, the pop-up fully functioning hotel accommodates guests in three rooms from March 13-21. You're only able to check-in by winning a daily sweepstakes in the motel office. Lucky winners have found a fake blood spatter in the shower in their room, along with poor ol' Norma's bathrobe on the bed. Freaky. PEOPLE ARE GENUINELY RALLYING AGAINST ROBOTS Perhaps a few of Ava’s disgruntled victims were amongst the protestors at the Rally Against Robots, a protest march attempting to warn festivalgoers about the dangers of artificial intelligence. Or at least, that’s what it looked like. Turns out this was actually another marketing stunt, for a dating app called Quiver. That said, we’ve seen The Terminator enough times to think they might actually be on to something. PUNTERS ARE TAKING INTERSTELLAR VR TOURS Speaking of virtual reality, a VR tie-in with Christopher Nolan’s Interstellar put attendees 'inside' the film’s Endurance space craft — letting them explore the ship in zero gravity and get a glimpse of a time-warping black hole. No word on whether this experience actually helps you understand the plot of the movie, but either way it sounds pretty cool.
Ethical shopping is really goddamn hard sometimes. On one hand, you don’t want clothes that have been painstakingly made by someone earning a dollar a day in a sweatshop. On the other hand are a bunch of shopping bags because you've no idea where to even start shopping ethically. Like everything, an ethical mindset happens incrementally and the first step you can take is here — the Good On You ethical shopping assistant app is seeking crowdfunding. Intended to help you make better consumer choices, the Good On You app amalgamates information on the ethical rating of fashion brands, either by search term or in your local area. The app also measures different production impacts and processes such as child labour, treatment of animals and contribution to climate change. Basically, the app tells you all the real ingredients that went into making your must-have leather jacket, leaving no stone unturned. At times, it may be a hard pill to swallow if your favourite brands don’t pass the test, but the GOY team don't want you to stop shopping — the app also feature alternative suggestions, based on your style, that do better ethically. And perhaps the feature with the greatest potential to catalyse change is the ability to directly message brands who don’t pass muster (fire up your emoji dictionary for maximum emotional impact). There are a few ethical shopping assistant apps on the market right now, however this is the first that systematically catalogues Australian fashion and beauty brands — and it’s about time. Ethical shopping needn’t be a time-consuming ordeal and with an app that creates brand transparency it hopefully soon won’t be. Image: Dollar Photo Club and Good On You. UPDATE DECEMBER 18, 2015: Thanks to awesome crowdfunded dollars, Good On You reached their target of $15,000 and the app is now live. You can download it from their website. Go team!
A magical feast awaits the foodies of London, inspired by the writings of C.S. Lewis. For two weeks starting in late January, fiction-inspired supper club The Literary Hour is hosting a five course Narnia-themed banquet — and yes, you have to step though a wardrobe to attend. Just don't forget to bring your winter furs. Set to take place in a secret location somewhere near Tottenham Hale station in north London, Feast in Narnia is but the latest literary supper club hosted by the group. Previous dinners took their cues from the Brothers Grimm and Roald Dahl, and featured dishes such as Cinderella's pumpkin arancini and Willy Wonka's whipple-scrumptious fudgemellow delight. They've also run a not-so-fairytale dinner inspired by Hannibal Lecter, featuring blood soup, brain fritters and Silence of the (Ten Hour Slow Roasted) Lamb. What exactly you'll find on the menu in Narnia is currently being kept under wraps, although the organisers are promising "traitors' tea with Mr Tumnus" and "a fine fishy time with Mrs Beaver". We figure that it's not too much of a stretch to assume that Turkish delight will feature prominently as well. Londoners can book themselves a spot at the table via Grub Club. The rest of us might have to find our own enchanted wardrobe to transport us there first. Via Londonist.
We're all up in cat cafes. We've lined up for cat video film festivals. Now your insatiable need for quality feline time without actually owning one has reached peak internet-happy headline — a new London start-up is planning to open the world's first ever cat cinema. Yep. Cat cinema. Great Kitten — possibly the most puntastic business name since Thai Tanic — is the grand crowdfunding project of mid-20s legends Paula Siedlecka and William Piper. Not only a cinema where you can cuddle up to a cat while taking in a film (really) but also as cafe and cat shelter (slam dunk), Great Kitten is looking for dosh on IndieGoGo to fund the idea you wish you came up with first. The goal is £120,000 (about $235,646), which seems pretty achievable with the amount of crazy cat lovers online. They're looking for a spot in Crouch End in London, hoping to deck it out like a wintry log cabin — fireplaces, hot cuppas and all. "Working in London for 18 months, we saw first hand the demand for constant innovation within London's entertainment scene," say Siedlecka and Piper on their IndieGoGo page. "As animal lovers with a flair for business, seeing the global popularity of Cat Cafes got us thinking — how could we add a twist to an already successful concept? Simple — we add a cinema." Now you won't have to cry all over your date through Infinitely Polar Bear. So what can you expect to be watching with your furry armrest? According to their IGG page, Great Kitten will be screening around ten films every week. While exact titles haven't been confirmed, it's not going to be all cat-themed, but sure, we're hoping some feline-inspired movies first-up — definitely The Aristocats, perhaps Catwoman, probably not Pet Sematary. Ticket prices have been set at $19 to $24 and you'll get to book in a one or two hour-long snuggle with one of the shelter's more people-friendly resident kits. One-hour cat-patting tickets will cost around $9 to $11 , and two-hour slots about $15 to $19. Sure, it sounds a tad brothelly, but these are rescue cats getting much-needed pats. Great Kitten isn't just a novelty trend concept though. The team are planning to invite children and adults who struggle with mental health issues (such as depression and anxiety), physical disabilities or life-threatening illnesses, for all-expenses-paid cinematic cat cuddle sessions and cakes and tea and all round loveliness. Very cool. Throw Great Kitten some dosh over here. Image: The Shiznit — Antonio Banderas stages 'special screening' for Puss in Boots at Montreal's 2014 International Cat Film Festival. Hopefully what you can expect from Great Kitten, Banderas included.
Generally speaking, New Year's Eve can go one of two ways. Get it right, and it's a chance to let loose with your friends and celebrate the promise of the next 365 days. Get it wrong, and it's an unending hellscape of munted revellers, terrible music and being cooked to death on crowded public transport. But while it doesn't always seem like it, there are other options — ones that don't involve crushing crowds or spending an arm and a leg on some 'exclusive' party that'll only end up disappointing. If you're not one for blowouts and can't be stuffed watching the fireworks, here are five alternative suggestions for NYE 2018. HOST A DINNER PARTY At the end of the day, the best thing about New Year's Eve is getting together with your friends and loved ones. Well, it turns out you can have all that without the stress of leaving the house. Invite a few of your closest friends around and then get busy cooking. Once the night is underway you can keep yourselves amused with everything from bake-offs to board games to catching up with old episodes of Brooklyn Nine-Nine. If nothing else, getting your friends to supply the booze will mean you save yourself a bundle to spend in 2019. HOST A SLUMBER PARTY Doubling down on our previous suggestion, a sleepover saves you the awkwardness of kicking your mates out at 1.30am once the party has wound down — and it means you don't have to worry about dressing up, since you'll presumably all be hanging out in your pyjamas/'at home' clothes anyway. Spend the evening and early hours of the morning playing Cards Against Humanity and gorging yourself on snacks before collapsing onto a giant pile of pillows in the living room. As an added bonus, this idea means you get to wake up in a room full of your favourite people… and then you can guilt them into helping you with the cleanup. GO CAMPING While everyone else is figuring out the best way into the city, we reckon that there's a very strong case to be made for heading in the opposite direction. If it's serenity you're after, grab a tent, a sleeping bag, an esky and a couple of friends, and make your way deep into the bush. There mightn't be fireworks, but as you're ringing in the New Year gazing up at the stars, you won't feel too hard done by. Just make sure you're aware of any fire restrictions that might be in place, and be careful on the roads. Check out some of our favourite spots outside of Sydney, Melbourne, Brisbane and Auckland. MOVIE MARATHON There were a ton of great movies to hit cinemas this year (we wrote about some of our favourites over here). As we gear up for another Oscar season, there's no better time to fire up your Netflix account and catch up with the flicks you might have missed. If you do want to get out of the house, select Palace Cinemas around the country are hosting advance NYE screenings of the crowd-pleasing Green Book, with a celebratory glass of Prosecco included in the ticket price. Alternatively, Melburnians can pay a visit to the historic Astor Theatre and rock into January with Prince's Purple Rain. FIND SOMEWHERE TO VOLUNTEER YOUR TIME IN 2018 Look, let's be honest — 2018 was not a great year. So why not spend its final moments figuring how to make 2019 a better one? Volunteering is a great item to include on your list of New Year's resolutions, and there are no shortage of worthwhile organisations looking for extra bodies. Medicine sans Frontiers, Oxfam, Second Bite and the Asylum Seeker Resource Centre sit at the top of our list, but a quick Google search will reveal hundreds of others. Wouldn't it be nice to wake up on January 1 feeling good instead of just really, really hungover?
Woken up in a self-induced, whiskey-fuelled, stomach-grating, cold-sweating Sunday Hades too many times? You’re about to feel real guilty. London’s wholesome beige cashmere cardigan of a suburb, Notting Hill, is about to open the unthinkable: an alcohol-free cocktail bar called Redemption. We like to call this a ‘juice bar’. But apparently there's more to it than that. Redemption is London’s first alcohol-free bar, the city’s only ‘cocktail spot’ with a mocktail and food menu designed by nutritional therapists. Created by Catherine Salway, ex Virgin Group Brand Director, executive chef and raw, vegan specialist Andrea Waters, the bar sports the tagline, “Spoil yourself without spoiling yourself.” It’s the latest in a ‘healthvolution’ (yep) of dry bars happening across England, tackling the country’s huge social drinking focus by simply replacing the booze with Healthy Things. It's like almost like nicotine patch for being around bars. “These days it’s hard to get away from booze – you can’t even go to the cinema without being offered a glass of wine,” says Salway and Waters. “With Redemption, we are creating a space away from temptation that still feels like a treat. We’re challenging the convention that we need alcohol to lubricate every social occasion.” Anyone who just did Dry July (right here), would probably be down with this. But let’s be honest, this isn’t a ‘cocktail bar’. Basically it’s a wholesome, vegan cafe open late and using a buzzword to generate articles like the one you’re reading now. Consider us suckers. Redemption’s less about getting smashed on Negronis and more about filling your weekends with less sugar and alcohol. Think 'beet-o-tinis', 'apple mockjitos', and the mildly terrifying-sounding ‘lettuce spray’. For those who don’t drink at all, or those looking to detox the Captain Morgan from their pores, this is a great, appealing initiative from a country whose deep-set drinking problems mirror our own. Perhaps it’s time for a Redemption of our own? *rolls over, orders pizza online, burps Chardonnay* Redemption Bar opens on August 10 at 6 Chepstow Road, London. Open Monday – Saturday 10am – 11pm. Sunday 10am – 5pm. Via VICE and Sharking for Chips and Drinks. Images: Redemption and Sharking for Chips and Drinks.
People are always finding new and exciting ways to advance technology — and when their aim isn’t creating phone apps or more realistic pornography, it’s often about helping others. The Chilean team behind the SULI project fall into the second category of helpers. Their solar-powered SULI lamp is designed to bring a quick, easy, renewable light source to people without access to electricity. SULI estimates 1.5 billion people worldwide are without access to lighting, and use alternatives (such as kerosene lamps, candles, etc.) that are expensive and dangerous. And while solar-powered lights aren’t exactly new technology, an easy, cheap and versatile application for solar lighting is. With 3D-printed accessories, the SULI lamp has applications in both the developed and developing word. It can be used as a flashlight, a bicycle light, a garden light, a reading lamp or (this is the best one) screwed onto a water bottle and transformed into a device that throws light up to five metres. The light takes up to 12 hours to charge and the charge lasts for around 50 hours. For those of you trying to cut down your electricity bills, this may be the gadget for you. With two years of development and several grants behind them, the SULI team has finally brought the project to us via Indiegogo. For US$52 plus shipping you can send yourself one lamp, but for $85 you can add a second that gets sent to Haiti, where 3500 people are still living without electricity or access to water since the devastating 2010 earthquake. SULI have already raised US$22,000 but they still need to sell a few hundred more lamps in order to keep production costs low and their altruism train rolling. So get on board with this clever idea, fill your house with SULIs and know that while your household enjoys light after dark, so does a household in Haiti. Via PSFK. Image via Suli Lab.
Anyone who’s dreamed of spending a summer living in Berlin has just gotten some added incentive. The German capital has officially enacted new rent-control legislation, in order to curtail rising rental prices that have been driving low-income earners out of the city. Must be nice. The new law, which was approved by the German parliament in March, will prohibit landlords from increasing rent to more than 10 percent above the local average. The law was already in place for existing contracts, but will now apply to new tenants as well. Berlin was previously experiencing some of the fastest rising rental rates in Europe, with the average rate jumping by more than 9 percent between 2013 and 2014 alone. If you’re wondering why Australia doesn’t have similar legislation on the books, then welcome to the club. A recent global survey that took into account rental prices as well as various other cost of living factors including food, transport and utilities found that Sydney was the fifth most expensive city in the world, with Melbourne right behind at number six. Brisbane came in at 21, while Perth and Adelaide tied at 24. By comparison, New York City was number 26. That’s right. Living in New York is less expensive than Perth. The NSW Greens Party actually proposed changes to Sydney rental laws during their state election campaign earlier in the year. Under their proposal, rises in rent would be tied to the rate of inflation, and landlords would be restricted to one price increase per year. Member for Newtown Jenny Leong has pledged to introduce the legislation to the state’s lower house. In the meantime, Flight Centre has tickets to Berlin starting at $1499. Via The Guardian. Image: Dollar Photo Club.
It seems you can never have too many burger joints or American-style eateries, so another is joining Brisbane’s ranks. Meet 5 Boroughs, the newest addition to the busy Greenslopes and Stones Corner area. Just don’t expect its blend of casual dining and New York-influenced food to be like all the rest. Already trading ahead of its official opening on March 31, 5 Boroughs endeavours to fill in the gaps in what is becoming a sizeable US food scene. That means looking beyond the usual, to dishes influenced by the Big Apple’s multiculturalism across Manhattan, Brooklyn, Staten Island, The Bronx and Queens. It also means an opening day special of two-for-one meals, and every tenth burger free, too. Yes, the good ol' meat-and-bun combo is a mainstay, complete with artisan bread baked daily and fresh, handcrafted beef patties (particularly taking cues from Le Parker Meridien's Burger Joint in NYC) . Yes, the drinks list includes staples such as craft beers, whiskey and classic cocktails. However, the 5B menu also features quite a few other Noo Yawk classics. As well as picking from a hefty list of sliders and fries, customers can also choose street bites and what 5 Boroughs is calling 'drinking food'. Think steamed bao buns, Cubano and Reuben sandwiches, soft snapper tacos, duck and plum gyoza and more. To wash it all down, think spiced rum and bottomless iced tea. "New York food is about so much more than burgers," says Todd Clayton, co-owner with his wife Marisa. "We love New York for its melting pot of the cultures and cuisines. In true New York City spirit, our menu will take the best of these cuisines, ensuring it is continually evolving.” 5 Boroughs was inspired by the pair's extensive travels and love for New York, with the eatery their attempt to put their affection into practice. Marisa explains, "We're passionate about translating our travels and experiences into venue concepts that don't just follow trends, but expand on them and bring longevity to the table." Visit 5 Boroughs at 9/401-405 Logan Rd, Stones Corner Village, Greenslopes or visit their Facebook page for more information. Image: Burger Joint at Le Parker Meridien, New York City.
With three holiday dates coming up, April is the month to plan a weekend getaway. If you're still looking for your ticket out of the city, Flash Camp has just announced they'll be hosting a pop-up glamping site within Shoalhaven's Coolendel private reserve from April 7 through 25, including the Easter and ANZAC Day holidays. Only a 2.5 hour drive down the South Coast from Sydney and thirty minutes from Nowra, the remote location is an easy trip to achieve a true bush experience — well, kind of. As to be expected, the tents look quite luxe. The bell-shaped, premium 'Flash Tents' come with a king-sized mattress, covered in plush bedding and perched on timber pallets. The tents also feature solar lighting, table and chairs, Biology toiletries and a hand-woven Armadillo & Co rug. For groups looking for a slightly (very slightly) more traditional camping experience, Flash Camp also offer their regular bell tents with air beds. Guests will also have access to the existing Coolendel amenities, including hot showers and barbecue facilities, as well as a communal Flash Camp tent with seating, fairy lights and a campfire. The glamping site will be located within Coolendel's 52 hectares of bushland along the Shoalhaven River. Nature lovers will be keen on this secluded grassy park, which is an ideal location for spotting wombats, goannas, wallabies and native birds. Apart from nature watching and bushwalking, guests can also try a spot of canoeing, biking and fishing. Rates vary from $110 to $220 per night, depending on day of the week and holidays. Food is not provided, though, so campers should make sure to pack the eski full for the duration of the trip. Flash Camp Glamping will pop up at Coolendel from April 7 through 25. To book, visit the Flash Camp website. For more glamping options, check out our list for the ten best glamping spots near Sydney .
Australian diners, greasy, fast food is currently battling with wholesome, nutritious fast food for most on-trend — and our arteries are favouring the latter. Brisbane has just added one more go-to for nutritional nosh to its repertoire with The Farm Wholefoods opening in Newstead. After crafting three successful cafe-grocery-stores in Sydney, owners Josh and Lisa Thompson have brought their famed business north of the border to Gasworks Plaza. Their mission? Reminding Brisbanites that a well-rounded approach to wellness starts with a good meal. No scary calorie counters or sad-looking salads here. The cafe's interiors reflect its relaxed approach to healthy eating, with exposed brickwork, black steel, recycled timber and concrete showcasing an abundance of greenery and natural light. The Farm offers a seasonal menu focusing on fresh produce and hearty meals made from quality ingredients, ranging from the breakfast bowl (sourdough with smashed avocado, goats cheese, beans and scrambled eggs) to the bento lunch bowl (buckwheat, soba noodles, salmon, pickled ginger, edamame beans and avocado). Everything is made in-house daily, with a selection of smoothie bowls, salads, sandwiches, soups and sides on offer for dining in or taking away. If the 'Glowing Matcha Smoothie Bowl' (mango, banana, spinach and matcha powder blended with coconut water and topped with buckinis, chia seeds, coconut flakes and strawberries) inspires you to whip something up at home, they've also got you covered. The store offers a wide range of organic and ethically sourced ingredients for sale so you can conjure up some masterpieces in the comfort of your own kitchen. The Farm Wholefoods is open at Gasworks Plaza in Newstead for breakfast, lunch and dinner seven days a week.
For all of us down here in the southern hemisphere, Christmas has never really aligned with the classic ‘snowy tree, Christmas jumpers, roast dinner and egg nog’ style of celebration enjoyed by the north. Frankly, the thought of eating a hot, greasy wad of ham on a 35-degree day is kind of gross — give us a tinnie and a prawn skewer anytime. But that doesn’t mean we don’t like to pretend, and the Hotham Street Ladies have just the thing. These cheeky Melbourne artists have created a sweet, sweet installation for the iconic Hotel Windsor that features a massive, traditional Christmas spread. There's a fat roast chicken, glazed ham, juicy lobster, baked whole fish (man, we sure eat a lot of meat at Christmas, Gaviscon must rake it in) and not to mention the succulent desserts and sides. This piece of art looks better than any Christmas meal you’ve ever made (hell it looks better than most things) and the kicker? It’s made entirely from icing sugar. The Christmas at The Windsor exhibit (which is on display from December 1 to January 5) took over a month to create and the gals used an incredible range of modelling and piping techniques to work in so much detail. Aren't across these bold, culinary artists? The Hotham Street Ladies are an artist collective of five women — Cassandra Chilton, Molly O’Shaughnessy, Sarah Parkes, Caroline Price and Lyndal Walker — who derive their name from the days when they lived together in a share house in Collingwood. Their mutal passion for cakes, baking, feminism and craft has since informed their work and it’s pretty damned cute (with a big streak of feminist badassery). Check out some of their other work, including a puppy cake covered in iced flowers, candy beards, a table setting designed around leftovers and this gloriously graphic iced period stain installation in the men’s toilets at the Victorian College of the Arts. Christmas at The Windsor is on display at the Hotel Windsor, 111 Spring Street from December 1 to the January 5.
Finally, the Bloody Mary will have a breakfast bev companion. Bacardi has been cooking up what is thought to be the first spirit distilled from tea leaves, a new product they're calling Tang. Although we're pretty sure that's already a long-copyrighted drink name for a sugary orange fizz, Bacardi are running with it as inspired by the Chinese Tang Dynasty — when the country's obsession with tea really put down its roots. And with tea still the second most widely consumed beverage in the world (behind coffee, of course), it looks like Bacardi's capitalising on a still-travelling bandwagon. Someone at Bacardi obviously saw more than The Grim in their tea leaves. Apparently the company has been developing a brand new distillation process for four years, according to The Spirits Business. Releasing complex sugars from green tea leaves, the process makes the tea leaves fermentable — so able to become booze. Looks like someone at Bacardi left the leaves in their home teapot too long and had a Brilliant Idea. The fermented gloop then heads to distillation phase, before being blended to really get those tea flavours out. Then the whole thing is diluted with French spring water at Cognac's Grey Goose distillery and you've got yourself a 'tea spirit', designed to drink alongside Chinese food or dropped into cocktails. If you're all fired up to drop a little Tang in your morning cup, be warned; it's going to be exclusively distributed in China (initially only from DFS Hong Kong until May). Plus, it's not going to be cheap. Bacardi are only making small batches of 2000 500ml bottles a go (HK$1888 or AU$318), with the first 500 of the batch numbered, so you're going to see some pretty steep eBay prices on Tang. Via The Spirits Business.
Calling all Gordon Gekkos and Jordan Belforts, the UK's got a new bar for you. The Reserve Bar Stock Exchange is London's new venue where drink prices fluctuate in real time according to their nightly popularity, opening on June 17. Set across three floors, Reserve is attempting to connect customers to the value of their cocktails, and how quickly one drink can rise in value while another crashes. It all depends on which drink is most popular on the night — classic supply and demand. There's a live market price board where you can see how different cocktails are doing, and the bar's smartphone app will let you keep track of things at your table — an app that also allows patrons to order cocktails right to their table. The bar's advice? "Buy low, play the market, and when the market crashes... everybody wins." We guess that means a sweet cheapo special. So who's the Wolf of Wall Street behind this whole deal? Reserve has been dreamt up by Alan Grant and his crew, whose former escapades include London's Cherry Jam, Supper Club and Notting Hill Arts Club. It's London's first bar of its kind, but it's not the world's — Austin, Texas has a stock market themed bar called The Brew Exchange, where the hundred beers on tap fluctuate according to popularity. If you happen to be in London (or you've got buds over there) before the bar opens on June 17, Reserve is offering punters the chance to feel like a right ol' Gecko — you can invest £25, £50 or £100 in the bar and you'll double your money instantly with a 100% return of £50, £100 or £200 in bar credit. The Reserve Bar Stock Exchange opens on June 17 at 46 Gresham Street, London. Via The Drinks Business. Image: Dollar Photo Club.
This holiday season, there's only one decoration we want hanging from our Christmas tree. It's the latest absurd dessert from the team at Gelato Messina, who so far this year have created ice cream cigars, ice cream hamburgers and an ice cream inspired by an air freshener. Available just in time for a yuletide family feed, Messina's 2015 Christmas cake combines the tastes of gingerbread, pear and chocolate. With flavours that smooth, it's no wonder they called it the Michael Baulble. The limited edition dessert, which can be ordered now until December 22 through the Gelato Messina website, consists of burnt butter and gingerbread gelato with pear mouse and fruit mince florentine, enclosed in a chocolate dome and dusted with gold powder. It also comes with vanilla brandy custard, which should be warmed and applied generously before eating. The Michael Baulble costs $90 and can be picked up from select Messina stores in Sydney (Roseberry, Miranda and Parramatta), Melbourne (Fitzroy) and Queensland (Coolangatta). According to Messina it feeds 16 people, although let's be real here: there's no way you're sharing it with that many people. Sure, Christmas is the time for giving and all that, but everyone has their limits. https://www.youtube.com/watch?time_continue=6&v=SUp6tmSbQN0 To order your own Michael Baulble, visit the Gelato Messina website. Via Good Food.
When I first signed up for a day of whitewater rafting on Tropical North Queensland's Tully River I was pumped. I can't say it had ever been on my bucket list, but as a new resident of North Queensland I was keen to do anything that meant I got to explore the deep north – so I couldn't turn down this RedBalloon experience. My alarm on the morning of the adventure went off at 5.15am, and my dreams of being flung out the raft and thrown into white water came to an end. Mild panic had begun to settle in. By the time I arrived at the meeting point in Cairns where our tour bus was waiting to drive us to the riverside destination, I was scheming ways to get out of it. We travelled down the Bruce Highway past sugar cane fields, banana plantations and cloud-covered coastal mountains. About an hour later, the road started getting narrower, the surrounding vegetation more lush, and glimpses of the river opened up to full views. We got off the bus and our guide Gregor helped with my helmet and life jacket, then I grabbed a paddle and headed down the path with five strangers towards our raft. As we paddled towards our first lot of rapids I tried to recall the instructions on what to do. I realised that upon entering the raft, I'd been way too focused on wedging my foot in between the seats to ensure I was attached no matter what and forgot to listen. As the menacing whitewater looked like it was about to engulf us I didn't know whether to squeeze my eyes shut or hold on tight, or both. Neither of the options included helping to paddle. [caption id="attachment_593255" align="alignnone" width="1280"] This is me terrified and holding on to the rope.[/caption] Then Gregor's clear, calm voice came from the back of the raft, "Okay guys, this is how today will work," he said. "Listen to me and you'll be fine. I promise to give really simple instructions. We're going to have heaps of fun getting to know this river." I wasn't 100 per cent convinced but I did listen to him. My life was in his hands. "Okay guys, here we go! Paddle forward, forward, forward aaaand relax. Now back paddle, back, back, back aaaand relax." I did relax. Honestly. As soon as we'd cleared the first lot of rapids I knew I was in safe hands with a pro river guide and a bunch of people who were a mix of fairly experienced thrill-seekers and newbie thrill-seekers like me. Gregor maneuvered the raft through the first lot of rapids expertly. With names like 'Double D Cup', I couldn't help but giggle (nervously) as we approached them and then scream/laugh as we rode through them. Gregor informed us they were the trickiest set we'd encounter. I didn't want to ask if he meant before lunch or throughout the whole day, so I kept my mouth shut and rejoiced with the rest of my team that we'd aced it. As we floated into calmer waters we got out of the raft for a swim, letting the cool, crystal-clear waters take us past springs and falls while the magnificent rainforest growth of the gorge towered overhead. Ulysses butterflies flying above us came along for the ride too. After a refreshing shower under Pony Tail Falls we hopped on to dry land for a barbecue lunch in the middle of the rainforest before setting off to tackle the rest of the rapids. This time around, it was panic-free. By the end of the day I was jumping off a 5-metre-tall rock formation. As I bobbed up to the surface, I was chuffed with myself for being a bit of a daredevil. I knew I would've regretted not giving the jump a go, which sums up how I felt about the whole day. From the first "aaaand relax" from Gregor, my worries seemed silly. Photos from the day show that I was holding on to the safety ropes a lot, which made my team mates ask whether I'd actually done any paddling. But I did. I promise. Book your white water rafting adventure (or gift it to someone else) at RedBalloon. Images: RedBalloon.
In the latest "hello young people" example of giant fast food chains desperately attempting to be cool, McDonalds has announced that a dedicated French fry 'concept store' will open tomorrow in Sydney and it's called, wait for it, Fries With That. You can probably hear us sighing from here. Located on Glebe Point Road in Glebe, Fries With That will throw its doors wide to the insatiably curious masses at 11am tomorrow and the menu is (as you may have guessed) dedicated solely to fries. It's a big trend-sucking gimmick to promote their new loaded fries menu, and they'll be test running six new varieties of toppings. The most popular topping will get the honour of becoming a permanent member of the illustrious Maccas menu. As is tradition in a democratic country, you vote by smashing down your fave French fry flavour. After Camperdown's new eatery The Corner turned out to be a Maccas in disguise last year, this is just some more casual bandwagon-jumping for Maccas. Just look at this on-trend interior, blonde wood, white tiles, exposed light bulbs — someone's been paying attention: It's only open for three days and will close up at 6pm on Sunday, giving you only three days to try all the new flavours — which are, quite honestly, boring as batshit. The six options include sour cream and sweet chilli, Caesar, curry, pesto and parmesan, chipotle cheese sauce and peri-peri cheese sauce. Yawn. They'll also be serving gravy loaded fries which launched nationally yesterday. Eh, we'll probably inhale some. Stop looking at us like that. Find Fries With That at 166 Glebe Point Road, Glebe. Opening hours Friday, May 27 to Sunday, May 29 11am-6pm.
Don't believe anyone who tells you that you can't like both arts and sports. Whenever a film or TV awards ceremony rolls around, that's clearly proven wrong. Watching great movies and television shows get the attention they deserve, as well as the talented folks that make them, is the screen entertainment equivalent of a grand final — with the same amount of thrills. At this year's Golden Globes, that included a red carpet filled with black-hued outfits to make an important statement, Oprah Winfrey giving one of the most inspiring and extraordinary speeches you'll ever hear about oppression and the fight for equality, and host Seth Meyers making Kevin Spacey jokes. And that's not to mention Tommy Wiseau living his dreams and taking to the stage, Natalie Portman pointing out that there was not one female nominated for best director and Amy Poehler popping up as well. Plus, whether some of your most anticipated films of 2018 won plenty of shiny ornaments (hello The Shape of Water and Lady Bird) or you're certain the best damn thing on any big or small screen was thoroughly robbed (yes, we're talking about Twin Peaks), we can still watch all of the best and the rest once the ceremonies are over. Indeed, this year's Globes winners have gifted us all with quite the must-watch list of both quality efforts to catch up on, and others coming to screens near us soon. Here's our pick of their picks. Get viewing. BIG SCREEN MUST-SEES https://www.youtube.com/watch?v=XFYWazblaUA& THE SHAPE OF WATER Building his career out of monster movies in multiple guises, Guillermo del Toro has proven himself a master at creature features of the moving and unusual kind — think Hellboy, Pan's Labyrinth, Pacific Rim and even haunted house effort Crimson Peak. Compared to the above, The Shape of Water floats through its own stream of romance and drama, and yet it could've only been made by this year's Golden Globe winner for best director. Here, Sally Hawkins plays a mute woman who works nights cleaning at a top-secret government lab, only to fall for its prized possession: a man-like amphibian. The film won top honours at last year's Venice Film Festival, and it's likely to keep collecting them in the next couple of months. It's that entrancing and wonderful. GLOBES Won: Best Director — Motion Picture (Guillermo del Toro), Best Original Score — Motion Picture (Alexandre Desplat) Nominated: Best Motion Picture — Drama, Best Performance by an Actress in a Motion Picture — Drama (Sally Hawkins), Best Performance by an Actress in a Supporting Role in any Motion Picture (Octavia Spencer), Best Performance by an Actor in a Supporting Role in any Motion Picture (Richard Jenkins), Best Screenplay — Motion Picture (Guillermo del Toro and Vanessa Taylor) In cinemas January 18. https://www.youtube.com/watch?v=pzgTHyEv5Ng LADY BIRD Greta Gerwig, sitting solo in the director's chair for the first time in her career, didn't even score a nomination in that Golden Globes category. No female filmmakers did. As ridiculous as that is, her film won half of the fields it was nominated in anyway. A clearly personal endeavour for the Frances Ha and Mistress America star, Lady Bird wanders through life in her hometown of Sacramento circa 2002, spinning the exploits of its titular character (Saoirse Ronan) into one of the most relatable coming-of-age flicks to grace the big screen in years. No wonder it took out the gong for best musical or comedy film, and that fantastic Irish talent Ronan (Brooklyn) won best actress in the same category. GLOBES Won: Best Motion Picture — Musical or Comedy, Best Performance by an Actress in a Motion Picture — Musical or Comedy (Saoirse Ronan) Nominated: Best Performance by an Actress in a Supporting Role in any Motion Picture (Laurie Metcalfe), Best Screenplay - Motion Picture (Greta Gerwig) In cinemas February 15. https://www.youtube.com/watch?v=3aZ3r-84EQc THREE BILLBOARDS OUTSIDE EBBING, MISSOURI If Three Billboards Outside Ebbing, Missouri wasn't already an Oscar frontrunner, it is now, winning best drama, best actress in a drama, best supporting actor and best screenplay. They're all well-earned awards for Martin McDonagh's black comedy about a mourning mother doing whatever it takes to motivate her local police force, though none is more deserved than star Frances McDormand's. She's in typical top form spouting McDonagh's typically coarse dialogue; however, the always-fantastic Rockwell shouldn't be underestimated for bringing nuance to a difficult role either. Our only gripe about its Globes success? That the fleet-footed Rockwell didn't dance when he won his statuette. GLOBES Won: Best Motion Picture — Drama, Best Performance by an Actress in a Motion Picture — Drama (Frances McDormand), Best Performance by an Actor in a Supporting Role in any Motion Picture (Sam Rockwell), Best Screenplay — Motion Picture (Martin McDonagh) Nominated: Best Director — Motion Picture (Martin McDonagh), Best Original Score — Motion Picture (Carter Burwell) In cinemas now — read our review. https://www.youtube.com/watch?v=3DT41LF22ZA THE DISASTER ARTIST Well, we all know what The Disaster Artist 2 should focus on. James Franco might've won best actor in a musical or comedy for playing Tommy Wiseau, but there wasn't a fan of The Room didn't break into an enormous smile when the real-life man himself took to the stage as well. He might've missed out on another chance to leap up when The Disaster Artist couldn't turn its second nomination — for best musical or comedy flick — into a trophy, but he stole the show as he tried to steal the microphone away from the man who imitated him perfectly. Next stop: the Oscars, hopefully. GLOBES Won: Best Performance by an Actor in a Motion Picture — Musical or Comedy (James Franco) Nominated: Best Motion Picture — Musical or Comedy In cinemas now — read our review. https://www.youtube.com/watch?v=UyjnzhXJlHU IN THE FADE Diane Kruger may be the most famous German-born actress working today, but she hadn't starred in a German-language film until In the Fade. At Cannes last year, she won best actress for her troubles, but at the Golden Globes, it was the movie's time to shine. Under writer/director Fatih Akin's guidance, the best foreign-language feature winner is an exploration of terror, mourning and revenge that — like much of what we're seeing on screens these days — is all-too timely and relevant. It's also on the shortlist for the same field at the Oscars, so expect to keep hearing about it. GLOBES Won: Best Motion Picture — Foreign Language Release date TBC. https://www.youtube.com/watch?v=7DIm1PyBSwc COCO In an industry increasingly ruled by sequels, prequels, remakes, reboots, resurrections, cinematic universes and franchises that'll still be going long after we're all dead, it's always a joy to see a studio rewarded for taking a chance. While Pixar was once known for only making original stories — albeit, always about toys, monsters, robots and even feelings having feelings — their love of follow-ups like the terrible Cars 3 changed that. Then came Coco, which isn't the first animated film to play with Mexico's Dîa de los Muertos celebrations, but it is the most gorgeous, engaging and heart-swelling. A great pick for best animated film, it overflows with warmth and authenticity as it charts a 12-year-old boy chasing his music dreams into the Land of the Dead. GLOBES Won: Best Motion Picture — Animated Nominated: Best Original Song — Motion Picture In cinemas now — read our review. FUTURE SMALL SCREEN BINGES https://www.youtube.com/watch?v=fOmwkTrW4OQ THE MARVELOUS MRS. MAISEL Calling all Amy Sherman-Palladino fans. If you loved Gilmore Girls and Bunheads, then you'll follow the American TV writer, director and producer anywhere, including to her latest show The Marvelous Mrs. Maisel. Winning best comedy TV series, and best actress for star Rachel Brosnahan (House of Cards) too, it's the best show you probably haven't seen yet about a New York housewife trying out her stand-up comedy chops in the late 1950s. It should come as no surprise that Joan Rivers was one of the inspirations for the series, and that it is equally hilarious, heartfelt and finely observed, with the usual Sherman-Palladino charms in abundance. GLOBES Won: Best Television Series — Musical or Comedy, Best Performance by an Actress in a Television Series — Musical or Comedy (Rachel Brosnahan) Now streaming on Amazon Prime. https://www.youtube.com/watch?v=p9P34WqoBtQ BIG LITTLE LIES The series everyone was talking about in early 2017 just keeps garnering attention — turning a limited run into a second season, sweeping the Emmys and now doing the same at the Golden Globes. The only nods Big Little Lies didn't turn into victories? When it had two actresses competing against each other in both the lead and supporting actress categories. Winners Nicole Kidman, Laura Dern and Alexander Skarsgård, and nominees Reese Witherspoon and Shailene Woodley all star in this adaptation of Aussie Liane Moriarty's novel, about the mothers of first-graders attending the same school in California's Monterey. With filmmaker Jean-Marc Vallée (Wild, Cafe de Flore) in the director's chair for all seven episodes, it's a deep and complex ride through topics that aren't always thrust into the spotlight. GLOBES Won: Best Television Limited Series or Motion Picture Made for Television, Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television (Nicole Kidman), Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television (Alexander Skarsgård), Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television (Laura Dern) Nominated: Best Performance by an Actress in a Limited Series or a Motion Picture Made for Television (Reese Witherspoon), Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television (Shailene Woodley) Now streaming on Foxtel Now. https://www.youtube.com/watch?v=PJTonrzXTJs THE HANDMAID'S TALE 2017 couldn't have been been a better time for The Handmaid's Tale to make it to the small screen. If that felt true when it first aired, the series' depiction of the oppression of women in a near-future dystopian society only proved more powerful as events played out in Hollywood as the year went on. The show's topical nature is only one of the its selling points, however, with everything about the adaptation of Margaret Atwood's ahead-of-its-time novel drawing you into an utterly unnerving realm. Standout and best actress in a drama winner Elisabeth Moss is particularly fantastic as Offred, one of the still-fertile women forced into sexual servitude to bear the ruling elite's children, while the series' mastery of mood and tone will give you literal chills. GLOBES Won: Best Television Series — Drama, Best Performance by an Actress In A Television Series — Drama (Elisabeth Moss) Nominated: Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television (Ann Dowd) Now streaming on SBS On Demand. https://www.youtube.com/watch?v=pzwZZjPHv3A FARGO When the idea of turning the Coen brothers' Oscar-winning black comedy Fargo into a television show was floated, fans were understandably skeptical. So specific in its tone, so tied to its directors' sensibilities and so driven by Frances McDormand's ace lead performance, would it work on the small screen? And if an attempt to do just that failed in 1997, why would it succeed now? Those fears were easily quelled by the excellent end result, and the anthology series has continued its stellar run across not one, or two, but three series to date. In the latest, newly minted best actor in a limited series winner Ewan McGregor plays two very different brothers, in another account of greed, crime and stupidity in snowy Minnesota climes. GLOBES Won: Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television (Ewan McGregor) Nominated: Best Television Limited Series or Motion Picture Made for Television, Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television (David Thewlis) Now streaming on Netflix.
Wondering what to say when you step inside Brisbane's new mini-golf bar? At Holey Moley Gold Club, it really is all there in the name. And, as awesome as the concept of having some drinks, donning a visor, hitting the indoor greens and taking a few swings on pop culture-themed holes sounds, the reality is even better (and weirder). Entering Holey Moley is like entering an alcohol-fuelled indoor amusement park for adults, even if the building it's in — a former church — makes that quite the surreal experience. So does the angel statue decked out with golf clubs, the pink-lit neon sign declaring "I like big putts and I cannot lie", and the twirling giant disco ball hanging in the centre of the venue, which visitors familiar to the site's many previous watering holes and live music spaces will recognise. Of course, with the right wall taken up by a stocked bar, it's obvious that this is a drink-focused spot with two nine-hole mini-golf courses inside, rather than a putting facility that happens to serve booze. Each hole has a six stroke maximum, however whether you decide to keep score is completely up to you — it's fun, rather than sports, that the venue wants to promote. Even taking a quick glance at the eighteen different holes on offer demonstrates that having a good time is the main aim here, unless you're scared of clowns and puppets, that is. Suspended from a frame and lurking on the ground, these vaudevillian creeps adorn the seventh stop on the ground level, which means anyone suffering from coulrophobia has plenty of time to work up the courage to play there. Beforehand, you'll hit your way through a beachy (fri)endless summer, enter a glow-in-the-dark space for three holes of luminous action, and play pinball and pool with a golf ball and club. Yes, really. Keeping with the arcade theme, a putting version of skeeball marks the end of the lower course — but don't worry, more holes await upstairs. That's where you'll show off your short game on a turntable, in a bathroom and a gym, and on a Twister board, to highlight just a selection of the standouts on the upper level. You'll also tap, tap, tap the ball into a Nintendo-focused hole that pays tribute to Super Mario and Donkey Kong, brave the Mad Putter's Tee Party, prove that you're obviously not a golfer at a bowling alley, and marvel at the glory of the nine-iron throne. You just know the latter is going to be mighty popular, particularly for selfies that'll clog up your Instagram feed. For something different between rounds, ping pong tables provide a break from the main action, as do a selection of old-school video games. Or, chew a couple of gum balls, grab a drink, and sit down and watch everyone else. In fact, the cocktail list is worth the trip alone, thanks to beverages like the Tee-quila Mocking Birdie (with Don Julio Blanco Tequila, Blue Curacao, sour mix and sugar syrup), Teeyonce Knowles (Pampero white rum, soda, fresh mint, limes and syrup) and Happy Gilmoreo (Chambord raspberry liqueur, Smirnoff Red vodka, Baileys, milk, chocolate sauce, crushed Oreos and whipped cream). Yep, we're calling it: Holey Moley is about to become everyone's favourite new hangout. Holey Moley Golf Club opens on September 29 at 25 Warner Street, Fortitude Valley. For more information, check out their website and Facebook page.
With so much space and so few people, Australia has the edge when it comes to country pubs. There are eccentric, outback institutions, hundreds of kilometres from anywhere, that have witnessed murders and shoot-outs and cattle stampedes. There are posh hotels with incredible views and gourmet menus featuring emu and camel and kangaroo. There are cosy joints with fireplaces where the locals will sidle up for a yarn within minutes and offer you a beer. Here are ten of the best of the lot. PUB IN THE PADDOCK, TASMANIA There are two reasons to visit Tassie's Pub in the Paddock. One, it's actually in a paddock. So, you'll find yourself in the country — seriously — and surrounded by spectacular, rolling green scenery. Two, it's home to a beer-sculling pig by the name of Priscilla, who can knock back a stubby in seven seconds. Don't fret; the alcohol content is significantly diluted. You can stay the night in one of six private rooms, and the pub, which has been licensed since the 1880s, is famous for its fresh-fuelled menu and hug-worthy hospitality. Find Pub in the Paddock at 250 St Columbafalls Road, Pyengana, 30 kilometres inland from St. Helens. Give 'em a call on (03) 6373 6121. GRAND HOTEL, WESTERN AUSTRALIA Built in 1902, the Grand Hotel is as friendly as ever. Back in the day, it was an epicentre for local gold diggers, but these days it shares its home town of Kookynie with just ten people. Travellers still drop by, though, to hang out on the Grand's wide, shady verandahs and stay the night in its spacious, old-school rooms. Keep an ear out for ghosts. The Grand Hotel is on Kookynie Rd, Kookynie, which lies 200 kilometres north of Kalgoorlie. Call on (08) 9031 3010. PRAIRIE HOTEL, SOUTH AUSTRALIA Situated right where the Flinders Ranges turn into the outback, the Prairie Hotel, which has been licensed since 1876, serves up your cold one with excellent mountain views. It's also home to one of Gourmet Traveller's Top 100 Gourmet experiences, the Feral Mixed Grill. That's kangaroo fillet, camel sausage, goat chop and emu patty. There's enough accommodation for 90 people, from fancied-up heritage rooms to architect-designed executive studios to self-contained cabins. You'll find the Prairie Hotel on the corner of High Street and West Terrace, Parachilna, 90 kilometres north of Hawker. Make a booking on 1800 331 473. DALY WATERS PUB, NORTHERN TERRITORY It's possible that the Daly Waters has a bigger bra collection than any pub in Australia. The legend goes that, back in the '80s, a passenger passing through bet her coach driver that, if she couldn't drink a nominated number of beers, she'd leave her bra behind. She lost. Ever since, other patrons have felt the urge to donate their undergarments to the display. Built in 1930, the Daly Waters sits on the Explorers Way, 600 kilometres south of Darwin and 900 kilometres north of Alice Springs. Its official dress is 16 Stuart Street, Daly Waters. Call up on (08) 8975 9927. SCARBOROUGH HOTEL, NEW SOUTH WALES On a sunny Sunday, many a Sydneysider scoots down to the Scarborough Hotel for a lazy afternoon overlooking the sea. Situated just an hour's drive from the city, it's not quite as hardcore countrified as other pubs on our list, but you'd travel a long way to find one with better Pacific Ocean views. The spacious 'Seacliff' Beer Garden comes with both tables and island-inspired huts. Best to book in advance on weekends. The Scarborough Hotel is at 383 Lawrence Hargrave Drive, Scarborough. Make contact on (02) 4267 5444. THE LOADED DOG, NEW SOUTH WALES Country music fans crowd into The Loaded Dog every third Saturday of the month for its legendary live gigs. A stack of well-known country musicians have played there, including Amber Lawrence, Luke O'Shea and Felicity Urquhart. Built in 1848 in the then bustling, now disappearing town of Tarago, 69 kilometres northeast of Canberra, the pub used to be the main pit stop for travellers to and from the national capital. Now, it's on the scenic route, but worth the detour for its open fireplaces and hearty bistro fare. The Loaded Dog is at 1 Wallace Street, Tarago. The number is (02) 4849 4499. NINDIGULLY PUB, QUEENSLAND Daly Waters might have the bras, but Nindigully has the Akubras. One-hundred-and-forty or so of them hang on the walls, donated mostly by local farmers and stockmen. Situated on the banks of the Moonie River, Nindigully is the oldest continuously licensed pub in Queensland, having been in operation since 1864. Visitors are welcome to camp and park their caravans nearby, and there are free showers on tap. Find this one on the Carnarvon Highway via Thallon, 160 kilometres west of Goondiwindi, 45 kilometres east of St George and 70 kilometres of the Queensland-New South Wales border. Call in on (07) 4625 9637. BIRDSVILLE HOTEL, QUEENSLAND One of Australia's most famous pubs, the Birdsville Hotel perches on the edge of the Simpson Desert, in the town of Birdsville, 1,590 kilometres west of Brisbane and 720 kilometres south of Mt Isa. One hundred people live there. The pub was opened in 1884 and is a gathering place for locals, who are only too happy to shout visiting strangers a beer and a story or several. If you're keen to stay, there's plenty of room at the associated motel units. Stay over on a Sunday night and you'll be treated to a traditional roast. The Birdsville Hotel is on Adelaide Street, Birdsville, and can be reached on (07) 4656 3244. TINAMBA HOTEL, VICTORIA Tinamba Hotel makes the list for keeping its old-school, unassuming atmosphere, but introducing a delicious, locally sourced menu. The owners even list their producers on their website. Established in 1874, the pub has changed hands numerous times and is now owned by food-and-wine-loving pair Brad Neilson and Damien Gannon, who bought and revamped it in 2009. The pub is situated in Gippsland dairy farming country, in the small town of Tinamba. Find it at 4-6 Tinamba-Seaton Road and get in touch on (03) 5145 1484. TANSWELLS COMMERCIAL PUB, BEECHWORTH For getting in touch with your bush-ranging ancestry, Tanswells Commercial Pub in Victoria's northeast is the place to go. Ned Kelly and his Gang used to drink here while planning their next exploits. These days, there's an open fire and a long drinks list, featuring craft beers and wines from local, regional and international producers. Stay over and leave yourself time to wander through the historic goldfields town of Beechworth. Find Tanswells Commercial Pub at 50 Ford Street, Beechworth and phone in on (03) 5728 1480.
The two-kilometre coastal walk between Bondi and Tamarama is always a stunning Sydney sight no matter when you mosey along it — and for locals and tourists alike — but it's especially impressive during Sculpture by the Sea. Once a year since 1997, except during the pandemic's early days, the outdoor art event displays large-scale pieces with the ocean as a backdrop. Understandably, it isn't just one of the annual highlights of Sydney's cultural calendar, but of Australia's. That excuse to soak up the great outdoors in the Harbour City returns again in 2023, from Friday, October 20–Monday, November 6. On the agenda once more: 100-plus artworks by Australian and international sculptors, all along a two-kilometre walk. But this is the 25th Sculpture by the Sea, so it's celebrating notching up that milestone with pieces by artists who displayed at the event back at its beginning. Paul Bacon, Stephen King, Michael Le Grand, John Petrie, James Rogers and Margarita Sampson earn those honours, bookending a quarter-century run. [caption id="attachment_911393" align="alignnone" width="1920"] Artist: Nigel Washington. Photo: Jack Bett.[/caption] Sculpture by the Sea 2023 also features works by Philip Spelman and Ron Gomboc, who reach double decades displaying at the event; Lucy Barker and Ayako Saito, who hit a decade; and Chinese artist Chen Wenling. Discovering exactly who'll be showing what and where is part of the fun of taking the spring stroll, but this year's event clearly won't be short on talent. Another huge must-see: the return of 2006's famous melting ice cream van, aka Hot with a Chance of a Late Storm by Glue Society + James Dive, which will display at Tamarama Beach. As always, the exhibition is set to draw a crowd. Each year, Sculpture by the Sea attracts approximately 450,000 visitors over 18 days, with the same number of art lovers expected this time around. [caption id="attachment_922730" align="alignnone" width="1920"] Artist: Glue Society + James Dive. Photo: Louise Beaumont.[/caption]
Ever wanted to own your own Banksy original? Well now for a mere $435,000 you can. And while that may sound a bit steep, the price actually isn't that bad when you consider that it includes the entire three bedroom house on which the mural is painted. Located on the side of a two-story terrace in Cheltenham, Gloucestershire, Spy Booth depicts three secret agents dressed in trenchcoats and dark glasses monitoring a nearby phonebooth with surveillance equipment. Painted in April 2014, it's viewed as a comment on the global surveillance scandal caused by whistleblower Edward Snowden. The house is located just a few kilometres away from the headquarters of the GCHQ, Britain's security and intelligence agency. But while you might imagine that having a Banksy on the side of your house would be a blessing, the owner of 159 Fairview Road says he has experienced constant stress since the appearance of the artwork, which he's been unable to remove or sell since council planners granted it retroactive planning permission. So instead, he's selling the whole building. "If Cheltenham want it, they can have it," 45-year-old David Possee said in an interview. "Just buy the building off me, I just want to get on with my life. Cut me free, you can have the Cheltenham Banksy." Fair warning to any potential bidders out there: while the artwork may be great, the house itself is in need of serious renovations. Or, as real estate agents Peter Ball & Co put it, "requires a comprehensive schedule of refurbishment." To view the listing, go here. Via Domain.
“Have you skied before?” This is the question I am asked — repeatedly — on the way to Thredbo: at reception when checking in at the Thredbo Alpine Hotel, at a five-course champagne brunch in an inflatable igloo on the ski slopes (a combination of words I never thought I'd say), while dancing and chatting to strangers during a poolside party started by French phenomenon La Folie Douce and, of course, when collecting gear and being assigned to a ski lesson on the final day of this weekend celebrating the Thredbo Top2Bottom race. The answer is sort of, once, when I was in high school and spent a day tumbling down Friday Flats. But if you think Thredbo isn’t for you, it’s time to think again. There’s a lot more than just skiing on offer in this alpine village getaway. ARRIVE AT THE HOTEL; DON'T LEAVE THE HOTEL From outside, the Thredbo Alpine Hotel (Friday Drive, Thredbo Village Resort, +61 2 6459 4200) looks austere — with a grey timber exterior capped by an aggressively sloping roof. But inside, it’s warm and wood-panelled, the staff are chilled out and friendly and there is a roaring log fire in the middle of the lobby lounge. The setting is pretty spectacular too. From the hotel room window, I can see a snow-covered mountain that reflects the pink morning light, and a pristine landscape of sky and trees. The rooms are small and haven’t been refurbished since the ‘80s, but this adds a rustic charm and comfort. The hotel breakfast is deliciously comprehensive, and the restaurant windows look out onto the slopes. Whether you’re into the bircher muesli or hash browns (or both), you can sit in your warm smugness and watch early morning skiers tear down the Supertrail at their own peril. The hotel also has an outdoor spa, an in-house massage therapist and sauna. So you basically have no reason to leave. OPEN CHAMPAGNE THE RIGHT WAY: WITH A SWORD On the first morning, I am whisked away to Crackenback Drive and treated by Mumm Champagne to a five-course champagne degustation with chef ambassador Josh Lopez (from Brisbane’s GOMA restaurant). The pop up restaurant is set on the snow in an inflatable igloo by the ski slopes. Mumm ambassador Chris Sheehy introduces the champagne at the beginning of each course, followed by Josh Lopez, who explains his approach to each dish. I learn how to open a bottle of champagne with a saber (the essential trick is to chill the neck of the bottle for a couple of hours to get a clean break), eat black rose caviar off the back of my hand and appreciate how truffle coated in 24 carat gold goes marvellously with a cordon rouge (that’s a type of champagne). The dessert is the highlight (or perhaps my head is rather light by this point), an architectural feat with macadamia, berries, vanilla and rose petals, matched with a light rosé. An evening champagne and caviar masterclass with Sheehy and Lopez was also available to Thredbo visitors at the Segreto Restaurant back at the Alpine Lodge Hotel. PARTY LIKE IT'S -5ºC (IT IS) Thredbo Alpine Hotel is known for its afternoon après-ski parties, and from 3-6pm international party-starters La Folie Douce took to the poolside stage, pumped up the beats and got the crowd going. It’s hard to explain the magic of La Folie Douce and exactly what happens up there on stage, but they charmed us with what essentially is a glorified karaoke-cross-Rihanna-inspired dance routine, hollering and grinding to a set of pumping music, encouraging the audience to follow suit. And before long, half the audience was up on stage, a squish-friendly party of ski jackets and champagne-fuelled shenanigans. And amazingly, it was finished in time for dinner. CELEBRATE OTHER PEOPLE'S ATHLETIC VICTORIES Upon assignment to this story I had a momentary freak-out where I thought I might have to actually ski in the 25th Anniversary Top2Bottom race — a kind of City2Surf for the slopes. Each year, a slew of skiers, snowboarders and even a select few fatbike racers (literally people riding fat bicycles down the slope) compete on Australia’s longest run (3.2km) for a $1200 prize pack. Luckily, all I had to do was hang out at the finish line by the Mumm Champagne pop-up bar and cheer them on. There were dramatic crashes, narrow finishes and plenty of champagne-popping to start the day. ATTEMPT TO SKI, DECIDE TO INVEST IN A TOBOGGAN The opportunity to ski came on the last morning of the trip. I quickly realised that the preparation for this sport takes more energy than the sport itself. I wore way too many layers of clothing, struggled to get my ski boots on and then walk in them (skis in tow) to the shuttle bus. But once on the magic carpet at the bottom of Friday Flats, under the friendly guidance of Albert our ski instructor, the snowplough position came rushing back to me and I went rushing down Friday Flats. It was exhilarating! But next time I think I'll invest in a toboggan. LET'S DO THIS; GIVE ME THE DETAILS Thredbo is open 365 days a year, though the ski season runs from the June long weekend to the October long weekend. By air: Qantas and Virgin Australia service Canberra Airport from major Australian cities. Canberra Airport is a 2.5 hour drive from Thredbo and shuttle transfers to and from the airport can be arranged. Several major car hire companies also hire from Canberra. By bus: Greyhound Australia run daily services from Canberra and Sydney, Murrays run daily services from Canberra during July and August and other service operators also offer transport and packages. By car: Thredbo is approximately 500km, or 6 hours' drive, from both Sydney and Melbourne. If you’re cruising to the mountains from Sydney, once you’re on the Eastern Distributor there are only a few sets of traffic lights to Thredbo. From Melbourne, the fully sealed Kosciuszko Alpine Way is your scenic window as you wind through the spectacular Kosciuszko National Park. The National Parks and Wildlife Service collect park use fees upon entry to the park. You can purchase your pass from the Entrance Station 13km before you get to Thredbo, the Snowy Region Visitors Centre in Jindabyne, the National Parks Visitors Centre in Khancoban, or the Thredbo Information Centre. Check out some tips for safe snow driving before you leave home. Roslyn travelled to Thredbo as a guest of Mumm champagne.
How Kevin Hart's never made it to Australia for a stand-up tour before is beyond us (apart from a one-off set at Sydney's Comedy Store), but the celebrated US comedian is about to rectify that. Off the back of an epic US arena tour, Hart will bring his What Now? tour to Australia this February. Hitting Perth, Brisbane, Melbourne and Sydney from Wednesday February 3, Hart will take over some of our biggest venues for a four-date run of shows. Both a stand-up veteran and a comedy film actor you might have seen Hart in Get Hard opposite Will Farrell, Little Fockers, Death at a Funeral, Fool’s Gold, Soul Plane, the Chris Rock-directed Top Five, or getting coffee in a car with Jerry Seinfeld. He's also starring in Ride Along 2, but Australia hasn't seen that sequel just yet. But Hart's going back to his roots with this tour. The 36-year-old really got his start while sizing men and women for footwear, when he performed at an amateur night in Philadelphia, subsequently quitting his job and ending up as a regular at lauded joints like The Boston Club, Caroline’s, The Laugh Factory, and The Comedy Store in Los Angeles. His 2011 Laugh at My Pain tour hit it out of the ballpark — in February 2011 he sold out LA's hallowed Nokia Theater for two nights in a row, breaking the record previously set by the great Eddie Murphy. KEVIN HART WHAT NOW? AUSTRALIAN TOUR: Wednesday, February 3 — Perth Arena, Perth Friday, February 5 — Rod Laver Arena, Melbourne Staurday, February 6 — Brisbane Entertainment Centre, Brisbane Sunday, February 7 — Allphones Arena, Sydney Tickets on sale 10am Friday, September 4. My Live Nation and ticket agent presale starts 2pm September 2 until 5pm September 3. For more info, head over here. "Comedians in Cars Getting Coffee" Kevin Hart from Peter Holmes on Vimeo.
Two years after it was first announced, Brisbane's inner east is set to welcome its new movie haven. If you live near Coorparoo and love great films, then you might want to mark November 30 in your diary. That's when you can head to the flicks at Dendy's brand new cinema on the corner of Old Cleveland and Cavendish roads. Boasting a three-level entrance as part of the new Coorparoo Square development, the ten-screen site marks the first new Dendy to open in Brisbane since Portside launched in 2006. As well as featuring twice as many cinemas as its sibling across town, it will also play host to the city's first Dendy Premium Lounge — this will be the chain's Gold Class meets arthouse offering, complete with reclining seats and during-movie dining treats. To celebrate its first month of operation, Dendy Coorparoo will also be putting on quite the series of events, including afternoon wine tastings over the weekend of December 1 to 3, and a Star Wars double of The Force Awakens and The Last Jedi as December 13 ticks over to December 14. Premiere and previews screenings of the likes of The Florida Project and Pitch Perfect 3 are also on the agenda, plus a sneak peek session of Breathe with high tea. If you're feeling a bit of déjà vu, that's because the Dendy previously had a second location on George Street in the CBD, back before it became the now-dormant Tribal Theatre. The new opening gives Brisbane its second new cinema in two months, coming hot on the heels of The Elizabeth Picture Theatre's launch in October. As for the Coorparoo location, as well as providing that patch of the city's east with its own cinema, it's also part of a development that has been a rather long time coming. More than a decade ago, the spot on the corner of Old Cleveland and Cavendish roads was Myer — in fact, it was the site of Queensland's first Myer store — but other than some short-lived indoor markets, it mostly collected cobwebs until construction started on Coorparoo Square. Three residential towers, a food hall and a retail complex are also part of the precinct. Find Dendy Coorparoo at Coorparoo Square, corner of Old Cleveland and Cavendish roads, Coorparoo, from November 30. Head to the website for further details.
Our love for wine bars in Brisbane is strong and enduring. You could even say we're a bit obsessed. And with grape-based tipples undergoing a bit of a revolution — shifting away from the world of wanky wine-speak, and moving into creating a more accessible wine experience for everyone — it's well-justified. While you can still find plenty of expense and intimidation in the wine world, you can also find helpful sommeliers and staff keen to impart their knowledge and love of vino, including at the places on this list. From reds to whites and everything in between, we bring to you the best wine bars in Brisbane. Some are old classics, others are fresh, but they all have stellar selections with stunning surrounds for drinking in. Recommended reads: The Best Waterside Restaurants and Bars in Brisbane The Best Beer Gardens in Brisbane The Best Rooftop Bars in Brisbane The Best Bars for After-Work Drinks in Brisbane
Enjoy a breakfast of champions at whatever hour you please, courtesy of Australia's first ever cereal cafe. Opening its doors in Melbourne in just over a week, this pop-up snack hub will be serving all your childhood and/or late-night share house favourites, including Froot Loops, Coco Pops and Kellogg’s Crunchy Nut. Launching February 12, Cereal Anytime is the latest temporary tenant of Richmond’s year-long food and retail precinct, Swan Street Chamber of Commerce. Supposedly, the aim of the cafe is “educating people on foods in moderation”, which might get tricky given the sugar content of what they serve. Perhaps a limit of one bowl of Frosted Flakes per customer? The cafe will operate via a “pay-it-forward” payment system. Upon entry, diners simply peel a Post-it note off the wall, which they can then use to pay for their bowl of cereal. The Post-its can be replenished for $4 a pop, ensuring that those who are a little less fortunate don’t miss out. A recent cereal cafe that opened in London served over 120 different kinds of cereal, 13 milks and more than 20 additional toppings, so our iteration has something of a reputation to live up to. It sparked huge demand, followed by something of a culture war when some very practical types balked at paying £3.50 for flakes out of a box. Melbourne's version, with its element of feelgoodery, should sidestep that issue. Hungry members of the public can help decide the cafe’s final menu and gain entry on day one (February 12) via a ballot on their Cereal Anytime Facebook page.
A few months after Tropfest's near-death experience, founder John Polson has gone into greater detail on the alleged "financial mismanagement" that almost led to the festival's downfall. Appearing on triple j's Hack with Tom Tilley, Polson spoke about the moment when he first found out about the event's economic woes, and appeared to imply that blame lay at the feet of his business partner, Tropfest managing director Michael Laverty. "We raised well over a million dollars towards Tropfest last year and I got an email in early November saying we had not enough money to move forward with the event," Polson said on the Thursday, February 12 radio show. "It was obviously an incredible shock and a devastating blow." Polson claims to have documents proving the financial mismanagement, but declined to share them due to his impending court case against Laverty's company. "I don't believe Michael Laverty did the cliche thing of going off and spending it in the Bahamas but clearly something went wrong," he said. "There was massive, massive financial mismanagement that went down with this event and it's terrible and I'm trying to fix it." Tropfest was thrown a lifeline in December when CGU insurance stepped in to fund this year's festival, which will take place this Sunday in Sydney's centennial gardens. Polson is currently working on plans to secure the festival's long term future, and recently launched a crowdfunding campaign which has a week left to reach its $100,000 target. Polson also spoke about Hollywood star Mel Gibson, who was this week announced as a Tropfest judge alongside actors Simon Baker and Rebecca Gibney, director Jocelyn Moorhouse and cinematographer Don McAlpine. The news raised some eyebrows, given Gibson's unfortunate habit of saying appalling things whenever he's near a microphone. Nevertheless, Polson defended the choice, calling Gibson "an Australian icon." "As a 15-year-old in 1980 I went to see Mad Max and watched it three or four times over," said Polson. "What's happened to him in the last few years you'd have to ask him about." Via Hack. Image: Tropfest.
Sick of the winter weather? Then escape from the chill to a warm, dark cinema, where you can watch movies from places even colder than here. Returning to Palace Cinemas in Sydney, Melbourne and Brisbane, the Volvo Scandinavian Film Festival will once again showcase the best of Swedish, Danish, Finnish, Norwegian and Icelandic cinema, from award-winning dramas to esoteric comedies and the very best of Nordic Noir. One of the big highlights on this year's program is the Golden Globe-nominated The Fencer, a Finnish-German-Estonian co-production — dubbed by Finland Today as "the best Finnish film in a decade" — about a fencing instructor hiding from Soviet forces in Estonia in the years after the war. It's one of a number of critically-acclaimed titles in the program this year, alongside oddball Icelandic rom-com The Together Project which took home a screenplay prize at Cannes, and the excruciatingly tense Danish drama Land of Mine, which played in competition at the Sydney Film Festival earlier this year. Check out our list of the five must-see films at this year's Scandinavian Film Festival, below. https://vimeo.com/166024818 WELCOME TO NORWAY The opening night film at this year's festival is the fittingly titled Welcome to Norway, a jet black comedy about the current European migrant crisis and the attempts of one intrepid businessman to cash in. Anders Baasmo Christiansen plays a casually racist Norwegian hotel owner who, due to mounting debt, is forced to turn his establishment into refugee housing. With a supporting cast made up of actual Syrian refugees, director Rune Denstad Langlo has created a timely piece of social satire that promises to be both funny and outrageous. https://www.youtube.com/watch?v=ShMAkhyC6bY THE FENCER One of two post-war dramas to feature on this list, The Fencer first caught our attention at the Golden Globes earlier this year, when it competed as Finland's nominee for Best Foreign Language Film. Directed by Klaus Härö, the film tells the story of a world class swordsman turned reluctant German soldier, who in the years following WWII finds himself hiding from the Soviets in a small Estonian village, where he finds work as a school P.E. teacher and fencing instructor. Critically acclaimed in Finland, The Fencer was described by one media outlet as "the best Finnish film in a decade". Good luck finding a more glowing recommendation than that. https://www.youtube.com/watch?v=-CLtk5NewrM LAND OF MINE In the aftermath of WWII, German POWs under the command of Allied forces were put to work clearing Denmark's western coast of more than two million German landmines. This gripping Danish drama follows one such group of prisoners, with director Martin Zandvliet drawing on historical events to craft a film that combines the stomach-churning tension of The Hurt Locker with the anti-war sentiment of Joyeux Noel. With the lives and limbs of frightened young soldiers hanging in the balance for much of its running time, Land of Mine is certainly not for the faint of heart. For anyone who can handle the anxiety, however, the film is an absolute must-see. https://www.youtube.com/watch?v=7XKM2zqzoMw THE TOGETHER PROJECT In a desperate attempt to get closer to a beautiful swimming instructor (Florence Loiret-Caille), a lonely crane driver (Samir Guesmi) signs up for lessons with her at the local pool — despite the fact he already knows how to swim. A sure-fire charmer, The Together Project is the final film from French-Icelandic filmmaker Sólveig Anspach, who passed away last year after a battle with cancer. The breezy, off-beat rom-com premiered posthumously at Cannes, where it scored strong reviews from critics and won the Directors' Fortnight SACD Prize for Best Screenplay. https://www.youtube.com/watch?v=X6m9B-xk3sk THE PUSHER TRILOGY Long before anyone in the English-speaking world had heard of him, director Nicolas Winding Refn broke onto the scene in Denmark with this violent, kinetic crime saga set on the mean streets of Copenhagen. Crisscrossing the lives of various unseemly characters, the Pusher films, with their stylish aesthetic and searing central performances, are unmistakably the work of the same auteur who would go on to direct Ryan Gosling in Drive and Only God Forgives. Each film in the trilogy will screen just once over the course of the festival, in late night time slots befitting their underground status. Special discounted ticket prices are available to patrons who decide to see all three. The Scandinavian Film Festival runs July 5-27 in Sydney, July 6-27 in Melbourne and July 13-27 in Brisbane. For the full program, visit scandinavianfilmfestival.com.
It's been a big year or so for Delfina's Bistro. First, they set up shop at Emporium, and started serving up hearty meals with a gourmet twist. Then, when their mouthwatering mix of modern Australian and European cuisines proved a hit, they expanded their menu and operating hours, adding weekend brunch to the mix. Onwards and upwards must be the restaurant's motto, because they're not stopping there. In fact, they're not staying at 1000 Ann Street in Fortitude Valley at all. Come the end of July, they're shutting up their existing location, and shifting their entire operations up the road. Well, not just up the road to 959 Ann Street, but to the Alex Perry Hotel and Apartments. And part of the fun of getting into bed with a luxury accommodation provider is that anyone staying on the premises overnight will soon be able to enjoy their delicious dishes in their rooms, on their rooftop bar and in their plush beds as well. Indeed, the new setup will include in-room gourmet hampers of house-made breads, relishes, jams, butters and cheeses, plus the ability to order a barbecue dinner and have a chef cook for them on the rooftop — or arrange for the ingredients to be delivered to you so you can cook it yourself. Drinks-wise, Delfina's will be making the hotel's flavoured sparkling waters, syrups, soft drinks and cocktails, too. And whether you're checking in for a night, or just dropping by for a tasty bite or beverage, you'll also be able to actually sit in the kitchen while you tuck into whatever takes your fancy. Now that really is home-style eating. Find Delfina's Bistro at the Alex Perry Hotel & Apartments, 959 Ann Street, Fortitude Valley, from the end of July. Check out their website and Facebook page for more information.
Simple Pleasures Camping Co. is taking over the grounds of Oberon's Mayfield Garden for its next luxurious eco-friendly camping retreat. Glamping in the Garden will pop up from March 23 through April 30 in one of the world's largest privately owned cool climate gardens. Located three hours west of Sydney's CBD, the gardens are seriously impressive and include an 80-metre waterfall, a walled kitchen garden, an Islamic-style pond and a six-acre water garden — plus a bluestone chapel, aviary and rose garden. Bookings include three-day passes to all 160-acres, with exclusive nighttime access for glamping guests. There's plenty to do apart from moseying around, including romantic canoe rides, interactive garden games, tours and workshops, with the garden's Autumn Festival also on during April. The intimate campsite will include only 15 two-person tents, situated next to the picturesque obelisk pond. The bell-shaped tents are fitted with Hugo Sleep queen mattresses, IN BED linens, goosefeather pillows, bedside tables, solar lighting and vintage rugs from around the world. The experience also comes complete with towels, an outdoor table and chairs to sit at, lanterns and torches, along with on-site bathrooms and showers, which are exclusive to the glamping area. Bookings also include a 'paddock and garden-to-plate' barbecue menu for two, with 80 percent of the produce sourced on-site and 20 percent handpicked from local suppliers. The cook-it-yourself menu includes steaks, marinated chicken, a fresh vegetable platter and vegan salad, with all cookware provided and communal barbecues and alfresco dining area available on the campground. If you really want to be greeted to your personal oasis in style, you can add on a drink and food package, which includes bubbles, cheese and charcuterie on arrival. Bookings for Glamping in the Garden are now open. Each tent costs $290 per night and includes dinner for two, with the option of drinks ($45) and charcuterie ($26) on arrival and family packages are also available. If you're looking for more glamping options, check out our ten favourite glamping spots near Sydney. Glamping in the Garden will run from March 23 until April 30 at Mayfield Garden, 530 Mayfield Road, Oberon. Check out the website to book or for more information.
A new rooftop hotel in Melbourne is offering a luxurious alternative to the cramped family camper you would have piled into as a kid. Opening on Friday, August 26 atop a Flinders Lane carpark in the CBD, this boutique venture consists of six vintage airstream caravans transported from the U.S. and completely refitted as "designer urban accommodation", complete with queen size bed, split-system heating and cooling, and a fridge full of complimentary craft beer and wine. Throw in a little laneway graffiti art and this couldn't get any more Melbourne if it tried. In addition to the amenities listed above, each caravan at Notel Melbourne comes with a television, linen and an en suite bathroom with full height shower. Sounds a little cosy, but sometimes that's exactly what you need, especially when you're dealing with chilly Melbourne weather. There's also an 'Airstream with benefits' ultra-luxe option, which includes access to a goddamn spa outside your trailer. The rooftop itself, meanwhile, has recently gotten a new lick of paint courtesy of local artist Ash Keating. A photo posted by Notel Melbourne (@notelmelbourne) on Aug 24, 2016 at 3:03am PDT Guests will have access to tablets loaded with music and movies along with a virtual guide to help them explore the city. The space will also be available for functions, with room for up to 300 people on the roof. Keen to book a night up there? Airstreams are going at $395 a night for two people, and bookings are officially open here. Notel Melbourne is now open on the corner of Flinders and Harper Lanes, Melbourne. For more information and to book visit notelmelbourne.com.au.
The ploughman's lunch: it's a meal packed with old-world connotations of country living and hard labour, loved by many, even those who have never touched a plough in their lives. A standard definition is a small meal of bread, cheese and pickle, generally eaten in the middle of the day, usually served in a pub. From its time as a farmer's mainstay to the pub classic it is today, the dish has gone through many changes. When we tried the ploughman's at the White Rabbit Brewery in Geelong, we wondered, where does the dish actually come from? What is it that makes it such a legend? Here's a little bit of history, from ye olden days to the here and now. [caption id="attachment_584446" align="alignnone" width="1280"] Flickr.[/caption] YE OLDEN DAYS Back in the day, the world ran almost exclusively on agriculture. Aussies were farming as early as 1788, and agriculture remains a large part of Australian trade today. This is likely why the dish remains so prominent and evokes such overwhelming cultural nostalgia – even in those who have never stepped foot on a farm. For the farmers of old, the meal made perfect sense; clearly, the ploughmen of centuries ago didn't return home for a long lunch and siesta before finishing the day's work. Nor did they spend lunchtime hours hanging at the pub over a few pints — tough days, we know. Historians surmise that it is more likely farmers took with them some cheese, bread and pickles for luncheon, which didn't need to be refrigerated and could last out in the heat of the day. The notion of a 'pub lunch' is a much more modern and luxurious one than could have been afforded centuries ago. FROM RAGS TO RICHES While the meal itself was certainly a mainstay of farmers, its name, and indoctrination into society, came way, way later. The meal actually gained popularity after a nation-wide marketing push that happening between 1958 to 1977. At this time, post-war rationing was a thing of the past and businesses were not happy with the swift decline in the amount of cheese being eaten. To whip up nostalgia for this time-honoured dish, a marketing company made a bold claim that English cheese and beer have for centuries formed a perfect combination enjoyed as the 'Ploughman's Lunch'. This is the first historical reference to the dish, which was essentially invented as a marketing ploy to sell cheese — and not just one type of cheese, but all cheeses, thus making the dish popular across all regions and allowing for the creation of endless regional versions. Of course, the combination of bread and cheese was a timeless one and an obvious accompaniment. At that time, many rural pubs wouldn't have had a proper kitchen, so the Ploughman's Lunch was embraced as it could include simple ingredients that would be stored in the cellar and assembled easily by staff. THESE TIMES, THEY ARE A-CHANGIN' Once the dish was named, it was swiftly taken from the fields into the pubs. The emphasis on fresh produce, which in the past was a necessity, is a big part of why it fits so well into today's organic culture where we expect nothing less. Since the derivation of the dish is a farce, the components of a 'traditional' ploughman's lunch are also widely open to interpretation. An entire book was written on the subject – The Definitive Ploughman's — which found that one region of England uses thirteen ingredients in their ploughman's, adding sweetcorn, olives and beetroot components to your average cheese and bread. The variations don't stop there – Jamie Oliver's version contains spinach and fennel artisan bread and a scotch egg, while Barfoot Contessa's Ina Garten prefers an English-American fusion of thickly sliced Virginia ham and English cheddar. The restaurant within Geelong's White Rabbit Brewery allows patrons to pair any number of craft cheeses and meats, like wagyu bresaola paired with a Barossa triple cream. Each platter is served with a baguette from local bread makers Born & Bread and Yarra Valley's Cunliffe & Waters chutneys and spreads, along with pickled veg galore. This is truly the crème de la crème of ploughman's. Also agreed upon is that a good ploughman's lunch is a true testament to the overall quality of a pub. The dish continues to take many forms, and at its fanciest, better resembles a charcuterie. But even in its simplest form, there really is nothing better than a plate of crusty bread, homemade chutney, pickled vegetables and of course, a wedge of artisan cheese. Don't forget to wash it all down with a nice cold pint — it makes the dish taste just right. Find White Rabbit Brewery at 221 Swanston Street, South Geelong. Open Sunday to Thursday 11am – 5pm, Friday to Saturday 11am – 9pm.
We've tried everything. Berocctails, toasted sandwiches, Icy Poles, B&E rolls, gallons and gallons of water, even military-grade cures. But there's been an cheeky little hangover cure lurking in fruit shops Australia-wide, the humble, oft overlooked nashi pear. According to ABC, new results suggest Korean pear juice could stop your hangover before it starts — the ultimate pre-game bev. Valiant scientists from the Commonwealth Scientific and Industrial Research Organisation (CSIRO) have been hard at work delving into the unsung benefits of the pear, and while the study is still ongoing, they've apparently uncovered some pretty high-fiveworthy results. According to the study, people who drank Korean pear juice before a big night on the turps experienced milder hangovers the next day. It seems there's certain components in pears that speed up your ability to metabolise alcohol — this usually sits at around one drink per hour for your average human. You'll need to drink about a cup (seven ounces) of pear juice to get the shield going. Importantly, the pear juice must be sculled before drinking, not after, as there's no evidence the liquid gold will save you once you've got a hangover. So let's crank a nashi before we head on out on the whiskey. Here's a recipe we've pulled from Serious Eats' Carolyn Cope. PRE-GAME HANGOVER-FIGHTING NASHI PEAR JUICE INGREDIENTS: 1 cup fresh pear juice from about 4 nashi pears 1/4 cup (2 ounces) fresh basil juice from about 2 packed cups basil leaves and stems 1/4 cup (2 ounces) fresh lemon juice from about 2 lemons, peel and pith removed 2/3 cup (about 5 ounces) fresh celery juice from about 4 large celery stalks DIRECTIONS: Blend/juice ingredients together thoroughly, divide between two glasses, and serve immediately. Servings: 2 Via ABC, Shape, Serious Eats. Images: Dollar Photo Club, Carolyn Cope.
Sydney’s Sepia has won prime position on the Australian Financial Review’s inaugural
If you want to see glamping taken to a whole new level, get thyself to Uluru right now. As if sleeping under the stars while taking in views of an ancient sacred site wasn't enough, you can do it in a luxury desert camp named Longitude 131°. What's more, all 15 of its tents have been made even fancier (and altogether less tent-like), thanks to the addition of some extraordinary Ayers Rock-facing balconies. The brainchild of designer Max Pritchard, these dreamy verandas come with lush day beds, armchairs and EcoSmart fireplaces, made of stone and rosewood. So, you can loll around and toast marshmallows, while keeping an eye on Uluru all night long. If you're travelling with your bestie, you'll be snuggling in front of the fire in a bespoke swag. Handmade by South Australia's Country Sew 'n' Sew, it's an all-Aussie creation, made of a cotton underlay, wool and a canvas exterior. As you might've guessed, it's based on an old-school Aussie drover's bedroll, but is built for two and, needless to say, is way, way comfier than what swaggies were lugging around in Henry Lawson's days. Plus, while you're kicking back, you'll be invited to order port, Cognac and other digestifs of your choosing. The balconies are just one of many extras brought to Longitude 131° since Baillie Lodges took over in late 2013. Since then, the tents have also scored a mega, multi-billion buck revamp, which brought new fabrics, designer furnishings, ceramics, Indigenous artworks and signature 'Baillie Beds'. "Our aim is to take the property to new levels of luxury, while at the same time enhancing its connection with Uluru and the desert environment," says managing director James Baillie. "The new balconies and luxury swags create a whole new level of intimacy, completely removing any barrier between the visitor and the landscape at Australia's spiritual heart." Prices start from a cool $1350 per person per night. We're sure you'd forget about the cash once you're snuggled up in that swag under the stars though.
The folks behind profit-for-purpose eateries Gratia and Folonomo have come up with a brand new way for you to give to charity. And it's dead easy. All you have to do is shop online — in your regular fashion, at your favourite stores — and, with every purchase, a percentage goes straight to a not-for-profit of your choice. To make it happen, simply download the free Folo browser extension, which takes about 30 seconds. In case you're wondering, this miracle doesn't cost you (or your nominated charity) a cent. In fact, it's the retailers' pockets that cover your donations. "It works according to a cash back system," explains Folo's Jaimee Abict. "A percentage of what the user spends online goes into their Folo account. This money accumulates and, once a year, the user decides to keep it or give it away." More than 700 retailers are already on-board. These include big names like Expedia, Dan Murphy's, Eurocar, Woolworths, Coles, The Iconic and Sephora. And, later in the year, the Folo team plans to roll out across the US, where the online shopping industry is worth around $300 billion annually. "Folo has the potential to solve the age-old problem of regular fundraising. And its scale can't be overstated," Abict says. "500 users spending $95 a month would raise more than $30,000 in a year. Beyond that, the numbers get ridiculous. A million users could raise over $60 million per year." Users get to choose from hundreds of charities, including large organisations, like Medecins sans Frontieres, the Australian Red Cross and St Vincent de Paul, as well as smaller ones, such as the Australian Breastfeeding Association, Interchange Inner East and the Victorian Deaf Society. If you can't make up your mind, you can opt to support a cause, like climate change, indigenous equality or global education.
Maintaining that perfect yoga pose may have just gotten a wee bit easier, thanks to the latest innovation in wearable tech. Australian company Wearable Experiments have developed a pair of yoga pants with electronic sensors that will vibrate when you're body is out of alignment. Thanks to the Nadi Smart Fitness Pants, you'll never have to feel self-conscious at beginner's yoga class again. Y'know, except for the fact you're wearing vibrating leggings. The unassuming looking pants come fitted with sensors that can sense your body's position. If you're not downward dogging quite hard enough, subtle haptic vibrations on the wearers skin let them know they need to adjust. And while you might think wearing vibrating pants would be distracting (get your mind out of the gutter), the vibrations are designed to be so subtle that you process the feedback subconsciously. "As someone who doesn't always know the correct form or alignment or pose, I find having that proper guidance is crucial," said Wearable Experiments co-founder and CEO Billie Whitehouse at the Consumer Electronics Show in Las Vegas earlier this month. "As a lifestyle product, Nadi not only acts as that guide, but also integrates into your everyday life – reminding you of something as simple as uncrossing your legs while sitting down." The pants, along with corresponding Android and iOS apps, will be available later in the year for an undisclosed amount of money. According to Mashable, the pants will last up to 25 washes, and can be recharged by a basket that is currently being developed. In addition to their yoga pants, Wearable Experiments also make smart rugby and football jerseys that let fans feel what the players on the field are feeling. What a brave new world. Via Mashable.
If you're a female chef, sommelier, waiter, restaurateur or manager — in short, if you're a woman and you work in hospo — there's a brand new not-for-profit in Australia dedicated to you. It's called WOHO and it's already attracted the support of some big names in the industry, including Christine Manfield, Danielle Alvarez and Nadine Ingram, who'll be acting as mentors. Even though 51.8 percent of Australian hospitality workers are women, only 15.4 percent of CEOs in the same industry are. So, when it comes to the top jobs, females are seriously underrepresented. WOHO will be bringing educational opportunities and forums to professionals at all stages of their careers. Members will be able to share experiences, ask questions, discuss issues, seek advice and access a supportive network. There'll be a formal mentoring program, regular events and meet-ups. "It is a very exciting time for Australian hospitality, which is now getting more recognition on the world stage," says Julia Campbell, founder and chair of WOHO. "While our forward-thinking approach to food and concepts is well-recognised, it is imperative that we face the issue of female underrepresentation at a senior level in the industry. WOHO is a vehicle for us to inspire, recruit and retain more females and to give them the confidence to support themselves and each other in their professional development." The rest of the WOHO Board is made up of Anna Pavoni (Ormeggio), Jane Hyland (4fourteen), Claire van Vuuren (Bloodwood), Michelle Maiale (A Tavola), Jane Strode (Bistrode CBD), Lisa Hobbs (Dedes Group), Lisa Margan (Margan Estate), Kerrie McCallum (delicious and Stellar) and Lyndey Milan (OAM). WOHO will launch on May 29 at 6pm at Three Blue Ducks, 1/85 Dunning Avenue, Rosebery. There'll be food by Bloodwood, 4Fourteen, Pastry Project and Bistrode CBD, and drinks by Printhie, Lisa McGuigan, Margan Estate, Young Henrys and Santa Vittoria. Tickets are $25 (members) or $30 (non members). WOHO membership is $10/month.
Goodbye Hollywood, hello Hallyuwood. No, that's not a typo. Instead, it's the thriving Korean film industry, which has become a major player in the global cinema realm in more ways than one. First, there's the spate of high-profile Korean directors making the jump to English-language movies, such as Okja's Bong Joon-ho and Stoker's Park Chan-wook. Next, there's the growing list of Korean flicks that have earned American remakes, like Oldboy and The Lake House. And finally, there's the all-round ace movies that Korean's finest cinema talents keep pumping out. It's the latter that's in the spotlight at the annual Korean Film Festival in Australia, which marks its eighth year in 2017. From high-octane crime efforts to different takes on familiar genres to thoughtful dramas, this year's lineup is filled with highlights — including these five must-see picks. https://www.youtube.com/watch?v=xoc0KZQnoKA THE VILLAINESS It's a great time for kickass women in cinema, finally. Wonder Woman and Atomic Blonde have company, however, and her name is The Villainess. This killing machine-focused thriller ramps up the action and body count as a trained assassin seeks bloody vengeance after her husband is murdered on their wedding day. Spies, secrets, Kill Bill-like mayhem, and La Femme Nikita-esque trickery and duplicity — they're all on the bill, as is a memorable display from star Kim Ok-bin (perhaps best known for Park Chan-wook's Thirst) as the formidable Sook-hee. THE DAY AFTER Another Australian film festival, another Hong Sang-soo film. It's becoming a habit, but the Korean writer/director is nothing if not prolific, having made four flicks in the past year alone. Hong's latest boasts his usual trademarks — booze and interpersonal battles — in a tale about a publisher's affair with his assistant, his wife's expectedly unhappy reaction, and his new helper caught in the middle. Fans will know that misunderstandings and written missives feature as frequently in his movies as free-flowing soju, and that's the case here. https://www.youtube.com/watch?v=T7STTUWI0as SEOUL STATION One of 2016's unexpected highlights gets an animated prequel — and yes, that's a rather rare development. Train to Busan was exactly what a zombies-on-a-train flick should be, and while Seoul Station isn't that movie, it is intriguing in its own right. Flesh munching and mindless shuffling takes over the titular railway stop, as brought to light in grittily drawn frames that somehow make the ravenous masses of undead even more frightening. You might think you've seen every take on zombie movies ever made, but we're betting that you haven't seen this. https://www.youtube.com/watch?v=uvqaLwfh0C0 THE WORLD OF US Winner of best youth feature at the 2016 Asia Pacific Screen Awards, The World of Us uses the friendship between two ten-year-old girls to explore the social reality facing kids in modern-day South Korea, and dissect the situation given to them by their adult counterparts. In doing so, the small in feel, sizeable in impact effort relays a relatable story audiences all around the world have been through. There are few things tougher in childhood than realising the inequities and differences that are used to separate the population, particularly when they don't go in your favour, something that director Yoon Ga-eun clearly understands. https://www.youtube.com/watch?v=_jhPgL0_3ac BECAUSE I LOVE YOU Even given their fantastic premise, a good body swap film can not only entertain and amuse, but can also offer ample insights about walking in someone else's shoes. Because I Love You is the latest to attempt that feat, though it's not just content with making songwriter Lee-hyung inhabit one other person. No, a sole soul switch clearly isn't enough. Instead, after an accident renders him hospitalised, he hops from body to body trying to solve their romantic problems, all while his own potential fiance waits for him to wake up. Need a couple more suggestions? Here's two others. We recommended The Bacchus Lady highly back when it played at the 2016 Brisbane Asia Pacific Film Festival, while Karaoke Crazies caught our interest from the 2016 SXSW lineup. The Korean Film Festival in Australia tours the country from August 17 to September 23, screening at Sydney's Dendy Opera Quays from August 17 to 26, Melbourne's Australian Centre for the Moving Image from September 7 to 14, and Brisbane's Event Cinemas Myer Centre from September 8 to 10. For further details, check out the festival website.
The world's best game of connect the dots is currently happening in Brisbane. Step foot inside Brisbane's Gallery of Modern Art, and it begins — first with a multi-coloured, circled-covered sculpture, then with giant yellow spheres suspended from the ceiling. Bright canvases blasted with tiny pinpricks, portraits of animals surrounded by giant rings, mannequins with orb-like structures protruding from their torso — the list goes on. They're present on paintings of pumpkins, on recreations of the Venus de Milo and when you peer into a mirrored hexagon through a circular porthole. Of course, given that GOMA is currently playing host to a free 70-plus piece retrospective of Yayoi Kusama's work, dots are inescapable. Whether peppered across other objects, floating through the air or plastered across a white room by a willing audience, they've been a part of the Japanese artist's work since she was ten years old. Ask her why, and she has a simple answer: "I am just another dot in the world," she has famously replied — and it couldn't better encapsulate the feeling of looking at her repetition-filled, infinity-pondering artistry. That sentiment doesn't just echo throughout the gallery. It's written on one of its walls — not that visitors need the reminder, given the round shapes that linger everywhere you look. The exhibition might be called Life Is the Heart of a Rainbow after one of her most recent pieces, but at the heart of that rainbow sits a giant circle. Yes, we mean that literally. It's one of the last paintings on display, so you'll see it for yourself. Co-curated with the National Gallery Singapore, where the exhibition displayed until September, the vast showcase also spans everything from Kusama's 'net' paintings and soft sculptures to her black-and-white pieces and video work — and, all of the dot-flecked pieces that you could imagine. Running in Brisbane until February 11, 2018, it's an immersive experience that has to be seen to be truly understood and appreciated. Here's six things to look out for along the way. [caption id="attachment_646485" align="aligncenter" width="1920"] Anwyn Howarth[/caption] I WANT TO LOVE ON THE FESTIVAL NIGHT A mirrored hexagonal box isn't the type of thing that you see every day. Neither is the kaleidoscopic array of colourful lights shining brightly inside. An Instagrammer's dream, I WANT TO LOVE ON THE FESTIVAL NIGHT was specially created for the exhibition's Singapore stint, though it has evolved from her 1966 effort, Kusama's Peep Show. You'll want to peer into each of the structure's three viewing holes, and, given the changing hues, you'll want to stay staring through each for at least a few minutes. [caption id="attachment_646487" align="aligncenter" width="1920"] Anwyn Howarth[/caption] THE HEART OF KUSAMA'S RAINBOW Colour abounds in Life Is the Heart of a Rainbow, just like dots; but standing in one particular room in the exhibition will make you feel like you're bathing in several pails of paint. The bright, spiky shapes of Kusama's sculptures combine with the vibrant hues and vivid lines in her paintings, making the room seem alive. And that's without featuring any of the artist's immersive installations in this specific space. [caption id="attachment_646493" align="aligncenter" width="1920"] Anwyn Howarth[/caption] THE OBLITERATION ROOM It's an old favourite for a reason, and it's back. Interactive in the best, brightest and most fun possible way, The Obliteration Room stems from Kusama's childhood perception, seeing the world through a screen of tiny dots. After "obliterating" her work with dots from that moment, she now asks everyone else to do the same. You step inside a room, painted white from floor to ceiling — including all of its surfaces, fixtures, furniture and objects too — and then add spots of colour in sticker form. Yes, running around sticking spots on everything is as fun and therapeutic as it sounds. [caption id="attachment_646512" align="aligncenter" width="1926"] Sarah Ward[/caption] SOUL UNDER THE MOON Other than dots, one thing is certain at Life Is the Heart of a Rainbow: whatever day or time you visit, there'll be a line visible on the other side of the exhibition entrance. It's for the most immersive aspect of the show, and it's well worth the wait. While you're only allowed inside SOUL UNDER THE MOON for 30 seconds given the queue, you'll find a dark, mirrored room filled with suspended glowing balls awaiting once you enter. Be careful not to step too far when you're marvelling at its luminous sights that appear to go on forever (or taking snaps), or you'll find yourself in water. [caption id="attachment_646510" align="aligncenter" width="1920"] Sarah Ward[/caption] PUMPKINS AND POLLEN If you can wander through Life Is the Heart of a Rainbow and leave without feeling the need to eat pumpkin, then you clearly haven't spent enough time looking at Kusama's orange corner. You won't just find paintings of vegetables on display here, but sculptures that look like mutated pollen, a horror-movie like tentacle piece called Sex Obsession, and quite the blend of fabric, stylised anatomy and paint. Just when your cravings subside, however, you'll enter the mirrored THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS — and you'll be seeing pumpkins for days. [caption id="attachment_646494" align="aligncenter" width="1920"] Anwyn Howarth[/caption] KUSAMA'S VIDEO WORK Amidst the colour, movement, mirrors and dots of GOMA's exhibition, it's easy to walk past the dark room out the back — but don't. Inside, you'll find documents and video works from throughout Kusama's career, plus a seat to sit down and watch. Doing just that is recommended, whether you want to see the artist walk through the streets five decades ago, or see her stick dots on a cat. Yes, the latter does happen, and yes, it's as fantastic as it sounds. "If there's a cat, I obliterate it by putting polka dot stickers on it," is another of her famous quotes, after all. Yayoi Kusama: Life is the Heart of a Rainbow exhibits at Brisbane's Gallery of Modern Art until 11 February 2018. For more information, head to the gallery website. Images: Anwyn Howarth / Sarah Ward.
Going camping on Stradbroke Island is a south-east Queensland tradition — but even if you've hitched a tent on the land mass' sandy shores more times than you can remember, we're guessing your sleeping under the stars experience wasn't like this. Meet Flash Camp, the glamping outfit making one of the easiest forms of holidaying a whole lot fancier. After successes at Byron Bay's Splendour in the Grass and Victoria's Winton Wetlands, they're now bringing the concept to Straddie. In the spirit of all good pop-up events, it's a limited-time-only affair, so block out March 23 to April 10 in your diary. That's when you can hop on the ferry across Moreton Bay, grab the shuttle to the scenic Adams Beach and spend your Easter in waterside luxury — but Flash Camps hopes to extend the concept and host more frequent, seasonal events. If you still can't get images of uncomfortable sleeping bags, buzzing insects and burnt marshmallows out of your head — i.e. the bad bits of camping we've all endured — then let us walk you through the Flash Camp experience. You'll sleep on a single or king bed in a five-metre tent, hangout in the communal cafe, and enjoy the simple pleasures of solar lamps, fresh towels and clean, sheltered bathrooms and showers. They don't call it glamorous camping for no reason. Flash Camp's next Straddie season runs from March 23 to April 10. For more information, visit their website.
The advertising will tell you that Brisbane's BIGSOUND is all about a whole lot of music, played by whole lot of bands, at a whole lot of venues over a whole lot of nights. And it is. But there is a deeper subtext to the festival — it's a deliberate symposium of an important cross-section of 'the music industry'. Music label representatives, radio producers, agents, artists, producers and even lawyers descend upon the Valley in an expedition to unearth and support Australian talent. BIGSOUND 2017 had an especially broad and eclectic showcase this year, guaranteeing no two punters had the exact same experience. But, in an attempt to compress four nights worth of amazing performances into a list, here's the ten most kickass, going places artists we came across. [caption id="attachment_636231" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] BOAT SHOW Boat Show might be one of the most important bands that played BIGSOUND this year. They've opened for San Cisco and Pond, yet still haven't reached the acclaim one would expect for possibly the best punk band in Australia at the moment. Punk — not post-punk. Boat Show don't just play sharp and sweet compressed guitar lines with nonsense lyrics about petty modern gripes. Boat Show are angry, and their tracks are poignant, feminist anthems about the many patriarchal constructs in society that need to change — and the energy Boat Show brought to Heya Bar made the entire audience embrace the notion that it can be achieved. Lead singer Ali Flintoff jumped from amp to amp, got amongst the crowd, and demanded to be heard. She even approached the lanyard-wearing audience members and made a public, ironic, and hilarious attempt to 'network'. Boat Show has big things ahead of them. [caption id="attachment_636279" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] OH MERCY Oh Mercy aren't exactly undiscovered as such — they've been around since 2008, have four studio albums under their belt and an ARIA. But the aesthetic of Oh Mercy, canvassing both the ensemble and the sound of the band, is perpetual, and the band we saw at BIGSOUND 2017 seemed to resemble a contemporary take on Brit-Pop, with some remnant of resemblance to the Hoodoo Gurus. The founding member Alexander Gow took to the Woolly Mammoth stage looking like a dashing Garth Marenghi with his leather jacket, and sung of love and heartbreak in that way only an acoustic guitar-playing front man can. His backing ensemble was tight and rich, and it was evident Gow had complete faith in his band, and this afforded him the complete freedom to engage with the audience in an authentic way. [caption id="attachment_636239" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] DONNY BENET There's nothing about Donny Benet and his big band that doesn't scream '80s, with his killer saxophone solos, rippling, almost ironic synth tones and endless hip movement. Benet himself might have been one of the most personable performers at BIGSOUND. At both his shows he danced with the crowd and was seen around the Valley inviting people to rub his bald head. A man you could call the king of anachronistic fashion (a heavily contested title amongst the BIGSOUND crowd), he was a favourite for photo opportunities, and embraced the role with relish. His songs are sensual synth-pop anthems detailing sexual ballads, all homages to the age of shoulder pads and powersuits. As a musician, Benet is doing something no-one else is in Australia is — and as a live-act he's wickedly fun. [caption id="attachment_636252" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] SLOW DANCER Slow Dancer (Simon Okely), along with Didirri and Stella Donnelly, completed the trio of the most beautiful, simplistic artists at BIGSOUND 2017. His whispered anthems and minimal instrumentation made for one of the most heartwarming sets of the festival. His music is deeply thought-provoking — best listened to with closed eyes, prompting reflection on childhood memories and lost loves. His set at the Blackbear Lodge was one of the last acts of night one of the festival, and the crowd sat absorbed in an appreciative silence. [caption id="attachment_636230" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] BIG WHITE Big White is Australia's answer to Pavement, almost two decades later. Their distinct jangle rock filled The Zoo on the second day of BIGSOUND to a solid crowd. The five-piece seem to be an ensemble in the truest meaning of the word, a single pulsing organism working as one to produce technically fanciful yet fun music. Their almost ineffable stage demeanour is that of a band of brothers (and sister), and is one expressed well by their music. While they haven't made the festival headlines yet, if their insanely dedicated fanbase keeps growing as they are, it won't be long before Big White are an established name in the national scene. [caption id="attachment_636255" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] BRIGHTNESS There is a certain kind of band where someone can listen to the lead singer and think "gosh, I hope he's okay". Such are the lyrics of Brightness. Lead singer Alex Knight conducts his backing ensemble as an iconoclastic figurehead. His sound is an angry indie-rock but the resounding authenticity of the sound lies in Knight's acoustic guitar and gripping vocals. One only needs to listen to their hit single 'Oblivion' to perfectly understand the allure of Brightness. Simple lead guitar and bass lines (usually played on one string) create a musical vacuum in which Knight's art is free to grow and dominate the stage. [caption id="attachment_636258" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] DIDIRRI Like Slow Dancer, Didirri was one of the more acoustic, meditative sets of BIGSOUND. Comparable to Slow Dancer's beautiful lyrics and stage presence, and Stella Donnelly's endearing modesty, Didirri is a natural performer. Even when only using a nylon-string guitar, Didirri, in his recordings and in his live performances, fills all spaces in an uncanny way. Didirri might actually be magical — or a great vocalist, multi-instrumentalist and gripping storyteller, at the least. [caption id="attachment_636248" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] MADDY JANE Maddy Jane's entry on the Spotify BIGSOUND playlist was 'No Other Way', a dole-wave, blues pop hit that's fiercely catchy and reminiscent of Courtney Barnett. With interesting guitar lines and endearingly peculiar lyrics, one might have expected her BIGSOUND sets (of which she played an above-average, three) to mimic Barnett. But her sets were far beyond this scope. Maddy Jane's musical prowess, lyricism, and engaging stage presence is amazing for someone of only 22 years old. Both Jane and her band seem to truly enjoy performing, and the audience of 256 Wickham couldn't help but get on board with this compelling energy. [caption id="attachment_636225" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] BAKER BOY A lot is said about Australia's hip hop and rap scene, and most of what is said is generally valid criticism. Which is why talented Australian rappers are such diamonds in the rough and usually cause a good deal of excitement. Based on Baker Boy's set at Oh Hello! on the second day of BIGSOUND, he's an Australian rapper to get very, very excited about. This 20-year-old artist is from remote Northern Territory and he is doing everything right — poignant lyrics (some of which he sings in the language of his people, the Yolgnu), a bit of didgeridoo, and the best dance moves of BIGSOUND. Baker Boy told the crowd we could expect new music from him shortly — so look out for that. [caption id="attachment_636263" align="alignnone" width="1920"] Image: Bec Taylor.[/caption] STELLA DONNELLY Stella Donnelly was one of the last acts of BIGSOUND. This may have been a deliberate choice as her performance was nothing short of emotionally draining (in the best conceivable way). She is an endearingly human performer and engages her audience in frank conversation. She committed herself fully to her performance at the Heya Bar, from crossing her eyes when she hit her high notes, to throwing her body into each and every rhythmic beat. With only an electric guitar and a microphone as her instruments, every member of the crowd was moved by Donnelly's performance, laughing and even crying together as a single presence. In the course of half an hour she sung little comedic ditties, and deeply heartbreaking ballads — an especially impressive juxtaposition to her equally striking work as the rhythm guitarist for Boatshow. Go listen to her stuff.
It's such a shame David Bowie's not around to see this. Sydney installation artist Michaela Gleave has come up with an app that translates constellations into musical scores so you can 'play' the stars above you. Wherever you are in the world, at anytime of night, A Galaxy of Suns can read your geolocation and plays the music it transcribes from the constellations within your view. But don't expect space to sound like Ziggy Stardust or Sun Ra. Instead, the app reads the galaxy as though it's a score. The transposing — which has been years in the making — was a collaboration between Gleave, composer Amanda Cole and programmer Warren Armstrong. What's more, every 'song' comes with a matching light display, choreographed according to the stars' movements, as they rise, cross the sky and set. Gleave launched the A Galaxy of Stars app at Dark Mofo's Dark Park this month, where the Tasmanian Symphony Orchestra helped to bring the night sky's songs to life. She'll be doing a similar performance with the Bristol Choir at the Bristol Biennial in September this year for the work's international premiere. But you don't need a choir to do this thing. You can download the app for yourself via iTunes (for iOS) or Google Play (for Android).
Sex and horror movies go so well together, but it never turns out good for anybody. Despite being the most deviant of genres — kids have been sneaking into gory flicks for as long as there have been cinemas, plus slasher movie sleepovers and late-night screenings of cult classics have been corrupting young minds for generation after generation — these gruesome films sure do have some old-fashioned attitudes to this most natural of human interactions. Here are eight films that have given us something to think about when it comes to scary cinema and what goes on between the sheets. IT FOLLOWS Last year it was The Babadook, but 2015’s must-see horror film is this chic American indie, perhaps the ultimate culmination of cinema’s warnings about sex. When small-town beauty Jay (Maika Monroe) sleeps with her boyfriend, little does she know that he is passing along to her a sexually transmitted haunting. The only way to stop this mysterious, shape-shifting being from slowly and methodically hunting her down is to have sex with somebody else and pass it along. It sounds loopy, but it works, and is super scary to boot, as Jay and her friends must not only outrun her supernatural infection, but weigh up the moral and bodily obligations of irresponsibly sending somebody else to their potential doom. It echoes with a throbbing synth-driven score that would make John Carpenter smile, and never lets the audience question its ridiculous conceit. It Follows is in cinemas nationally on April 16. GINGER SNAPS The 2001 teen-horror flick Ginger Snaps takes a trope as old as the hills — this time lycanthropy — and injects it with a heavy dose of subversive smarts. Director John Fawcett essentially made 'Puberty: The Horror Movie' in this energetic and entertaining horror comedy, presenting the terror of adulthood and its horrific body-altering effects in a terrifyingly new way. Brings new meaning to the old menstruation euphemism, “the curse”. SCREAM The characters in Wes Craven’s 1996 bloody whodunit have seen all the horror movies and know all the tricks, including that “sex equals death”. So when Sidney (Neve Campbell) loses her virginity to bad boy high school boyfriend Billy (Skeet Ulrich) and lives to tell the tale, it effectively flipped the script on horror conventions that audiences had come to expect. Unfortunately for poor Randy (Jamie Kennedy), who was “happy to be a virgin” after surviving the genre-reviving slayings, he went to college in the sequel and found out the hard way that some traditions are hard to keep down. VIDEODROME The term “body horror” was around long before Canadian auteur David Cronenberg made his first forays into filmmaking, but his unique brand of frights popularised the term. Perhaps never was he more warped than in Videodrome, which is about a television executive who broadcasts a Malaysian program that he believes to be staged snuff (the real torture and murder of anonymous victims), but which leads him down a dangerous path that includes his own torso becoming a sexually suggestive VCR player. Hallucinogenic and bravely surreal, this 1983 film not only demands audiences confront the increasingly techno-oriented world of sex, but asks us to question their own desire for the sexualised violence made so popular in films of the era. HALLOWEEN Virginal high school student and babysitter Laurie Strode (Jamie Lee Curtis) can’t even get a date let alone sleep around, which makes her perfect for John Carpenter’s groundbreaking 1974 slasher, Halloween. Every one of Laurie’s friends are dispatched as easily as they take their tops off, but Laurie puts up one hell of a fight in this and the sequel Halloween II. It wasn’t until 1998’s Halloween H20 that a sexual Laurie Strode (now Keri Tate, single mother and private school principal) battles Michael Myers and lives to see another day. Well, until the sequel Halloween: Resurrection, wherein she plummets to her death from the roof of an insane asylum. The slasher movie’s sex = death rule found even stronger adherence in the never-ending Friday the 13th franchise, which began in 1980. ROSEMARY’S BABY If you’re sick and tired of explaining why you don’t want to have children, just reference Roman Polanski’s film about a young woman who believes there is a witch’s coven in her fancy new Manhattan apartment building and that they’re planning on having her birth Satan’s baby. That’s messed up! This scandalous creeper classic is every expectant mother’s worst nightmare. Just six months after the film’s release, Polanski and then-wife Sharon Tate would discover they were expecting a child, but no amount of Hollywood horrors could prepare him for the violent events that followed. PSYCHO Alfred Hitchcock’s iconic 1960 Oscar-nominated horror begins with a cheating couple lounging in their risque underwear in post-coital bliss. Not even five minutes in and already audiences of the day were aware they were seeing something new and different, including a heroine who was a thief with dubious sexual morals. But when Marion Crane (Janet Leigh) strips down to take a shower in the unassuming Bates Motel, she gets her comeuppance. Smartly playing with audience expectations, Psycho shocked crowds and gave karma a wicked name. NOSFERATU Vampires have always been a much sexualised villain. Whether it’s the teen sexual angst of Buffy the Vampire Slayer or the after-dark strip club employees of Vamp, the art of seduction is key to the nature of being a vampire. And so despite its age, it’s not surprising that FW Murnau’s 1922 gothic horror Nosferatu, a blatantly unauthorised adaptation of Dracula, is full of it, too. In the film’s famous climax, the female heroine, Ellen (Greta Schroder), uses her goodness of heart and distracting beauty to hold the nefarious Count Orlok at bay just long enough to see him stung by the rays of the morning sun, ultimately brought down by his need for sex (aka the drinking of her blood) from a virtuous woman.
