No Anchor is listed on triple j Unearthed as being punk/metal. So punk/metal, in fact, that they don’t even have a guitar player - because guitars are way too cute to be punk/metal. Genres are superfluous in No Anchor’s case though as they don’t even consider what they do to be music – in fact, it’s a punishment. Listening to No Anchor equals an aural version of high-school detention. Self-deprecation aside, they’re actually really good, and they’ve made albums to prove it. In fact, they’ve just finished making one, and it’s called Real Pain Supernova, which you can now download for free on their website. But if you’re a live/vinyl purist, you’ll probably get a kick out of going to No Anchor’s album launch and having your face melted off at Woodland this Black Friday – the dudes will be joined by Dreamtime and Undead Apes. Your face might not survive the shred but the double vinyl LPs they’ll have for sale will so pick one up on the way out.
It's been a while since the name and sounds of Incubus have been syphoned into our ear drums, but they have not been forgotten, it seems. They brought us the now decade old classic, 'Drive', and follow up singles 'Wish You Were Here' and 'Dig', along with many others, but haven't put out a record for nearly five years. So what gives? Where have these lovable rogues been? After the success of their worldwide hit album Make Yourself in 1999 and its follow-up, Morning View in 2001, the band continued to tour well into the 00's, busting out a couple more albums and a greatest hits CD, bringing their discography to an impressive six records, as well as being certified platinum and scoring a number 1 US album for their 6th effort, Light Grenades. They announced a hiatus after their 2008 Australian Soundwave tour and re-emerged in July last year with their 7th album, If Not Now, When?. For a band renown for their gritty sound, there's hope in the new album, which lead singer Brandon Boyd says will be “darker, slower...and more involved than anything Incubus has birthed to date”. With that sort of promise, it looks like witnessing the rebirth and reappearance of this Californian band could be worth the wait.
If there’s one thing I’d like to bring back from ‘the way things used to be’, it would be the presence of the paper boy, except that instead of delivering the community paper (which tends to end up becoming part of the front garden), the kid that’s too young for a real job but too old for pocket money would deliver something you were actually interested in. For one day, For Us By Us is doing exactly that. Drawing from a concept originally started in Berlin, Papergirl is a project that invites everyone – be you artist or not – to submit a work of art that can be rolled up and delivered by various paper girls and boys throughout the city. It’s a concept that breaks the barriers between art, artists and audiences by directly engaging the people of Brisbane and allowing them to become part of a community they may not usually engage with. This Saturday the For Us By Us paper girls and boys will be taking to the streets of the Valley, city and West End, but if you’d like to view the art before they get rolled up and distributed, head to the White Canvas Gallery on Church Street for the Papergirl exhibition.
Seriously, it’s a comedy, rock musical. What else do I need to say? Rock of Ages, produced by Rodney Rigby is currently on a US National tour and the shows begin at QPAC next Saturday for a strictly limited season. So, it’s coined as an incredibly funny musical about a young aspiring rock star, Drew, who meets and falls in love with a girl named Sherrie through a volley of the greatest rock songs ever written. Drew is portrayed by Justin Burford who you may know from End of Fashion, so you know he’s got talent and definitely a good voice. Sherrie is the alias of Amy Lehpamer, a well recognised actress who’s recently been in some impressive musicals and appears in the series The Pacific. As well as being able to sit and sing along to the songs your dad wouldn’t turn off in the car as a kid, you also get to admire the ridiculous hair styles and costumes that some of us wish we still could get away with, all while relishing the two and a half hours of a musical with an incredible reputation. Rock of Ages has been nominated for a spectacular repertoire of awards including Musical of the Year. So tease your hair, put on your flares and get ready for Rock of ages to rip out your inner Gene Simmons.
The 21st century is synonymous with combos – from degustation to Family Packs, 2-4-1s and Bring a Friend for Free deals – we’re all about getting the most out of one offer. The concept’s not exclusive to Ikea or Coles; in fact, it’s applicable to art, too. At LEVEL, they’ve got four exhibitions in the one space, so you don’t have to go too far to see a hugely diverse range of work. First is Rise and Fall by Phoebe McDonald. McDonald is interested in the nature of life, time, space and perception and her recent bodies of work she explores shadows and reflected colour as compositional elements. Second is Familial Tangles by Melinda Ryan Carroll, in which Carroll explores the space in between memory, attempting to map the loss of memory. Third is Balance, a set of works by Louise Sparre, who pulls fragments out of everyday image and information flow and into dazzling constellations. Fourth is Lost Girls – Unchartered Territory and Dream Scapes by Rachel Bartram, using the concept of the fictional heroine archetype and presenting her in unfitting, unfamiliar and dream-like settings. While I don’t mind a combo of the edible variety (Family Box what up!), the creative variety is so much more fulfilling, so I’ll be making the journey down to Newstead this Saturday to take in the visual nourishment I've been really needing. Image credit: Phoebe McDonald ‘Rise and Fall’ (detail) 2011
I'm the first to admit that my uni course was a walk in the park. I am also happy to admit that I found out about a lot of cool things during my time as an Arts student, including the hilarious, now defunct, comedy sitcom Black Books. The star was Dylan Moran, an Irishman with a sharp wit and an even sharper dress sense. Not only is he an actor, starring in Shaun of the Dead and Run, Fat Boy Run, he is also an esteemed comedian, ranked #14 in the world - because apparently such accolades exist. Anyway, he is like, totally (that's the name of one of his past tours... and now you know) an amazing performer and has garnered much adoration for his deadpan humour and spot-on observations. He kind of looks like he just got out of bed, which is not only lovable, it's actually kind of attractive. Don't doubt him though, Dylan isn't just some scruffy old man, he's a legit comedy institution, having already sold out shows internationally and two here in Brisbane already. Make sure you skip uni to see the legend that is Dylan Moran when he's in town for his third and final show.
Australia’s relationship with water is a difficult one – jumping between extremes, we’re either in a time of drought or flood, and communities can buckle and disappear under the pressure. It’s often not until its too late that we finally ask ourselves how we need to develop new ways of understanding a constantly changing environment that we cannot control. In La Boite’s latest production Water Wars Cal, a seven-year-old boy, and his dog Freddo, are trying to understand this concept in their town. Cal observes as his friends and neighbours try to solve their problems but instead slowly descend into madness. There’s a delicate balance between two human instincts in times of disaster – the instinct to save yourself, and the instinct to help others – so what happens next? And how will Cal deal with everything that is happening around him? The indie production from La Boite is timely and full of dark humour weaved within the relatable plot. With only a short season, it’s an unmissable production.
I was sitting at home a few Sundays ago watching Great Migrations, feeling indolent and pointless. I thought, it’s bloody cool that animals have to undertake amazing feats just for the survival of themselves and their species. Disgustingly divergent, I sat with my microwave dinner in complete comfort, observing the incredible behavior of fauna, and it was that moment when I got up and decided to quit wasting away and get up and do something - perhaps even something beneficial to the survival of my species. So I turned my iTunes to shuffle and some classic punk came on - I was listening to The Get Up Kids and my disposition turned around. It was one small step that led to a chain of good events throughout my week. I guess you wouldn’t understand unless you experience it for yourself, so how do you remedy this? First step: get off your MacBook Pro. The Get Up Kids are playing at the Hi-Fi and if you don’t know what’s good for you, I do! Skate to your friends house, take them to drink some White Rabbit dark ale at Archive then cross the road, go and see them play and feel alive.
Clothes: whether it’s your overworn and almost outdated Wranglers, or the broached and revived polka-dot dress from the 70s you embezzled from your mother, they separate us from the animals. On the contrary, in the case of those flamboyantly antiquated, painfully hip individuals that we all know too many of, clothes can also make us look like animals. Regardless, everybody’s just looking for something different. Everyone wants to stand out, be noticed, be admired, which is why there is such a demand at the moment for unique designers and an escalating number of home mod enthusiasts. However, if you’ve been looking for something really out there, something that might even overshadow Gaga, then ThreadTech 3 is for you. If you haven’t heard of ThreadTech before, what they do is take a very literal approach to brightening up of your wardrobe. Previous workshops have employed the use of conductible thread, matched with LED lights to weave some dazzle into your chosen piece of clothing. In ThreadTech 3, this more advanced workshop will exercise sensors such as light and motion sensors to even further vitalise and customise your outfit. So if you’re free this Saturday, take a walk along the river to the Edge - just watch out for paparazzi when you’re done.
The tenth BIGSOUND conference has sold out this year, and for good reason – it’s three jam-packed days of talks, presentations, workshops, parties, and other general good times for anyone who has anything to do with the music industry. Don’t fret if you missed out on a ticket though, all is not lost! BIGSOUND Live still has tickets available, and if you ask me it’s probably the best part of the entire event anyway – I’m not one for listening to people make noise with their talky-hole unless there’s some shred in the background. BIGSOUND Live will bring the shred and a whole lot more when it takes over eight venues throughout Fortitude Valley this week. The Getaway Plan, Bleeding Knees Club, Street Chant, Calling All Cars, Ball Park Music, SEALS, The Sheepdogs and more make up the 80-act-strong cohort. What’s the price of a good time? The BIGSOUND dudes are generous, giving one night of aural delight for just $33, or both nights for $55. Pleasant numbers, pleasant results.
Australia’s premier illusionist Consentino is continually defying the odds. He is known for his incredible dexterity, intimate magic mysteries, his intense escapes and his ability to distort your perception of reality. This “daredevil performer” has won awards for his talents, including the Merlin Award for 2012. He is a Guinness World Record Holder, a Helpmann Award nominee, runner up for 2011 on Australia’s Got Talent and recently performed a sold-out show at the Regent Theatre for Channel 7. Now, you can see the man himself doing what he does best. Consentino’s original and innovative presentations have garnered prestige and respect amongst his peers and clients alike. A showman first and foremost, Consentino will prove why his performances are among the most powerful, riveting and sought-after in the industry today. Tickets to the VIP Experience have already sold out, so be sure to claim your own seats for the show before these magically disappear.
The team at Switchboard Arts present their latest play, The Choir. This performance focuses on a state choir competition in which a group of orphanage boys take part. The seven choirboys are aged between 12-16 but are in fact played by adult actors. After facing various up's and down's throughout the lead up to the competition, the young boys discover that not everyone is worthy of their trust. Themes of friendship and betrayal tie this story together and humour provides a charming undercurrent to the play. In addition, the fantastic musical pieces colour the drama and it's no wonder why Errol Bray's, The Choir, has received international acclaim. The Washington Post has described it as 'touching', London's Stage has stated that it 'packs a punch' and our own The Australian believes The Choir is 'beautifully shocking and funny'. Catch this special performance by Switchboard Arts at The Powerhouse from Tuesday to Saturday.
The teachers and dancers of Brisbane's Mad Dance House have prepared a show that will both entertain and impress you. Their passion for dance and pure talent will be showcased on Saturday night in the performance, Hype – A Dancer's Voice. Join the fun as Mad Dance House celebrates its 10th birthday. Hype is an annual show that features Hip Hop, Jazz and Contemporary styles with over 70 performers busting a move and breaking a sweat. Mad Dance House boasts a bevy of talented teachers such as the gifted Jasmine Meakin. This masterful Hip Hop dancer and teacher has become a Youtube sensation as her tutorials and dance videos have been watched by millions of people. Be inspired by amazing and passionate dancers this Thursday night. For an hour and ten minutes the performers will be giving it their all to celebrate a year of hard work.
Tex Perkins is a man of many faces. He has fronted The Cruel Sea with their ethereal soundscapes, he has lead the charge of hardened pub rock with The Beasts of Bourbon. He has collaborated on the Tex, Don and Charlie shows, he has accompanied Tim Rogers for the TnT Project. He has even channelled his wears for the Johnny Cash musical The Man In Black. Now, with a yet-to-be-titled album in circulation, Tex will be touring the country stylings with Dark Horses throughout November. The new offerings from the group show an altogether new direction for Tex, while maintaining his signature gravelly vocals and poetic songwriting. It promises to be a mature follow-up to the self-titled album released in 2011. On the live stage, Perkins’ world-weary growl is best showcased. Their set promises to be an enlightenment of newer material as well as a celebration of old gems. Tex Perkins alongside his fellow Dark Horses is a show that’s not to be missed.
During a routine traffic stop, Officer Taylor (Jake Gyllenhaal) and Officer Zavala (Michael Peña) confiscate a small cache of money and firearms from what turns out to be a notorious cartel. A regular day on the job soon escalates into a thrilling chase after the young officers uncover a secret that puts them on the wrong side of the country’s most dangerous drug operation. End Of Watch is already being heralded a must-see by critics for its high energy and cinematography that puts the audience in the firing line. This film is sure to be a hit with fans of the LAPD-thriller genre, however its added grit and harsh honesty promises more than just your average buddy-cop flick. Catch it while you can at a cinema near you.
Attention all gamers: Start warming up your thumbs as you are in for a treat. Head to the State Library of Queensland and play some of the Sunshine State's best video and mobile games. Workshops, films, trivia, and special events such as after-hours games nights and talks are all a part of this exciting exhibition. All you need to bring is yourself, as iPads, PCs and a Big Play screen are all provided. At each station you'll find the latest and greatest games available. Over the duration of the exhibition these platforms will be updated with the latest releases. Another feature of the event is the launch of the world's first ever video game musical, 7bit Hero. Meet like-minded people, sharpen your gaming skills, and share your passion at Garage Gamer.
International rock god's, The Hives, are back in Brisbane this Wednesday night. The globetrotters have returned to Australian soil after playing at the Mecca of music festivals, Coachella and blowing people's mind's across the UK. Their Brisbane fans are ready to welcome them back with open arms and rock out. The Swedish garage rock band are best known for their single, 'Hate to Say I Told You So' and their onstage wardrobe choices which sees the boys don black and white outfits. After forming in 1993, the Swedes have released five studio albums and a string of successful singles. Extend your New Year's celebrations by heading to The Tivoli on the 2 nd January to rock out with The Hives. We can't think of a better way to welcome in the New Year!
2012 has been a wild ride for the artisans of Drawn From Bees. From the release of their eagerly-awaited second album The May King and His Paper Crown to their national tour, to their grand performance as a 12-piece orchestra at the Brisbane Powerhouse, they have been busy Bees indeed. Drawn From Bees will be rounding out the year by way of a special set at Black Bear Lodge, and for those who missed their Powerhouse spectacular, they will be doing an orchestral encore, which is sure to be quite the sight. Joining them will be local psych-rock delights Grand Atlantic, alt-country shakers Rattlehand and the melancholic Slow Push. This is the shindig of choice to see out the year, and you’ll be in good hands should the world in fact end the following day. Tickets are moving swiftly, so don’t leave your apocalyptic plans to chance.
Brisbane’s (nay, Australia’s!) undisputed queen of boutiques, Blonde Venus, is turning 21 this year and she wants everyone to know she’s coming of age. No, this doesn’t mean that she’s going to don a fluro pink sash with flashing lights on it while strutting down Brunswick Street, come on now – you know she’s better than that. Instead, she’s going to host and present various events throughout the year in celebration of her debut, the latest of which is Boomgates + Super Wild Horses (+ guests)! Boomgates is the Melbourne supergroup consisting of members of Eddy Current Suppression Ring, Dick Diver, Teen Archer and The Twerps; Super Wild Horses are the girl-duo who recently took out the HEAR category in the Thousands Awards. Together, they’re launching their split 7”, and it’s all happening at Woodland. Forget the novelty 21st keys and personalised yard glasses – the only present Blonde Venus wants is your presence. Limited tickets are $10 – get in quick!
I like whimsical, elongated names for things, ya know, they aren't just fireworks I can hear, they are explosions in the sky. Ooooh. The Explosions In The Sky in question are in fact an experimental group reigning from Texas, home of non-experimental country music. The post-rock foursome are known for their super-long instrumentals and emotional live shows. And they don't make people emotional in a Beatles frenzy sort of way either – these sprawling tracks actually hit deep into your soul. Before you dismiss Explosions In The Sky for being a boring band, you probably should give them a chance. You may have already given them a chance without knowing – they could've slipped into your subconscious if you have ever been inclined to watch the TV show, Friday Night Lights. After my first listen to 'Your Hand In Mine', I felt extremely calm. Perhaps seeing Explosions In The Sky is just what you need if you really want to find peace within yourself. Meaning of life: contemplated.
If you’re yet to hear Royal Headache’s Down The Lane or Dick Diver’s Through The D, then what the hell are you doing reading this? Rip out your debit card and splash out on some Royal Headache and Dick Diver mp3s, get learned, then come back to this article. I’ll wait here. Okay, great. So now that you’ve listened to both of those songs, you’re well aware of the brilliance that is each respective band. Wouldn’t it be perfect if they could play during the balmy weather we have coming up, while you down brews in the inflatable pool on the deck? (Yes.) Well, that’s not going to happen – sorry – but the next best thing is their split launch of their respective LPs. It’s all happening at Woodland this Friday night – head in, buy both CDs (don’tcha know they’re gonna be vintage soon?) and see the two best bands of the summer before it’s too hot for you to ever leave the pool again.
Here in Australia, we have a glasses shop called Bright Eyes, so every time I listen to or hear about Bright Eyes, I think of sexy guys on posters wearing Raybans. This wouldn't be so bad if I weren't denying myself the privilege of having Conor Oberst on my mind every time I heard “First Day of My Life” at every wedding ever. It's hard to think that Bright Eyes have been creating music for over 15 years and have only toured Australia a handful of times. Conor and bandmates Mike Mogis and Nate Wallcott may be from Nebraska but they are definitely heard much further than their central roots, even if it took us a while to get to know their sound. And if you don't know what that is, it's acoustic, indie and lovely. Speaking of getting to know them, Brisbane is lucky enough to have the godforsaken gift of a sideshow on the tail of Bright Eyes' slot at Harvest. We never get sideshows for anything, EVER, so it would be very silly if you missed Bright Eyes twice when they were in town. C'mon, they are right in front of you, you just need to look.
Lightspace has been growing into an increasingly popular venue for great events as of late, and it’s not hard to see why. Lately it’s been home to fashion shows, art shows and all those other hip things to be seen at. One may even go there to crash their girlfriend’s graduation party and exploit the free booze available. If these reasons are making you miss that great white building on Light Street, well, this Friday you’ve got another chance to visit. The Whitelight ‘warehouse’ party is back, with a fantastic line up of bands that are killin’ it right now. Personally, I’m going to be at this event because aesthetically it’s a great place to be and statistically there’s probably going to be an abundance of gorgeous women. But if you need more excuses, then I’ll tell you that the last Whitelight warehouse party was incredible, with the Jezabels headlining. This Whitelight relapse will hopefully involve more beautiful women, but will most definitely involve even more great music – Belligerents, anyone? So, with all that said - I hope to see you on Friday, especially if you’re a cute girl.
The 2021 Tokyo Olympics will kick off after the game's official opening ceremony on Friday, July 23. If you've already binged your way through your favourite shows, swap the channel and sit down to watch our country's best and brightest athletes compete on the world stage. It'll also be great planning prep for 2032 when Brisbane will host the Olympic Games. Of course, when you're enjoying some world-class sport on TV, it's vital to have the perfect drink on hand. Here are six sports that you can catch over the next two weeks based on your favourite cocktail choice, which will perfectly complement these feats of athleticism. You can watch the 2021 Olympics via Channel 7, 7two and 7mate or stream it on 7plus. NEGRONI & LONG JUMP On the surface, a negroni seems like a reasonably simple set-up — just mix gin, campari and vermouth. But it's incredibly easy to mess up the balance and finding the perfect mix takes a decent amount of bartending experience and skill. In a purely theoretical sense, long jump seems like the kind of event that should be easy. In theory. But anyone who's been tormented with high school athletics can attest to its difficulty and appreciate the sophistication that goes into perfecting what seems like a straightforward event. When can I catch it? The men's qualifiers kick off on Saturday, July 31 at 8.10pm, while the women's qualifiers begin on Sunday, August 1 at 10.50am. Can I catch any Aussies? Yes, Brooke Stratton and Henry Frayne will both be competing. PIMM'S & TENNIS Pour yourself a Pimm's and pretend you're watching the tennis live from Tokyo. The light refreshing drink is a tennis staple for good reason, radiating warm summer energy, despite how gloomy the weather might be here at home. When can I catch it? The tennis kicks off at 12pm on Saturday, July 24 and runs until Sunday, August 1. Can I catch any Aussies? Yes, world number one Ash Barty will be competing alongside nine other Australian competitors including Sam Stosur and John Millman. MARTINI & DIVING Sophisticated, elegant and a little dangerous. These are all words that describe both James Bond's signature martini and diving. Sip this classic cocktail as you watch the astonishing aerial acrobatics of the Australian divers. Plus, after a few of Sydney's best martinis, you won't know whether the drinks or the diver's backflips are causing you to feel a touch lightheaded. When can I catch it? The diving will run from Sunday, July 25 until Sunday, August 7. Can I catch any Aussies? Yes, seven divers will represent Australia in this year's Olympics include previous medal winners Anabelle Smith and Melissa Wu. ESPRESSO MARTINI & ARTISTIC GYMNASTICS If you feel like life is best enjoyed with a healthy mix of enthusiastic energy and class, you're bound to enjoy both an espresso martini and the range of gymnastics events on offer throughout the Olympic Games. Whether it's the beam, vault, bars or floor, Australia's top-tier gymnasts will inject a burst of energy to match the caffeine hit in your espresso martini. When can I catch it? The artistic gymnastics will begin at 11am on Saturday, July 23 and run until Tuesday, August 3. Can I catch any Aussies? Yes, Australia has three artistic gymnasts competing this year as well as six rhythmic gymnasts and two athletes competing in the trampolining. [caption id="attachment_795641" align="aligncenter" width="1920"] Millie Tang[/caption] A SHOT & 100 METRE SPRINT As the Olympics marquee event is over in under ten seconds, you'll need a drink that's consumed equally quickly. Obviously, that's where shots come in. Just pick whichever tipple you prefer, pour it into a shot glass before the starter's pistol fires and you're ready to go. When can I catch it? The women's 100 metre will take place on Saturday, July 31 with the final taking place at 10.50pm. The men's 100 metre will then take over next Sunday, August 1, with the final occurring at the same time. Can I catch any Aussies? Yes, Hana Basic and Rohan Browning will both compete. LONG ISLAND ICED TEA & MODERNS PENTATHLON The modern pentathlon is a mix of five different sports: running, swimming, fencing, shooting and show jumping. Just like the long island iced tea, it's the perfect event if you're a bit indecisive about what you want to watch (or drink) and are just happy to enjoy the experience. When can I catch it? Both the men's and women's modern pentathlon will run from Thursday, August 5 until Saturday, August 7. Can I catch any Aussies? Yes, we have two competitors in the modern pentathlon, Ed Fernon and Marina Carrier. You can watch the opening ceremony of the 2021 Tokyo Olympics on Channel 7, 7two and 7mate or 7plus from 8.30pm on Friday, July 23. Top image: Atlanta Bell.
Heartbreak is two souls wanting nothing more than each other, but life having other plans. So goes Robot Dreams, another dialogue-free marvel from Spanish filmmaker Pablo Berger, who had audiences feeling without words uttered with 2012's Blancanieves — and showed then with black and white imagery, as he does now with animation, that he's a master at deeply expressive visual storytelling. His fourth picture as a director was nominated for Best Animated Feature at the 2024 Academy Awards. In most years, if it wasn't up against Studio Ghibli's The Boy and the Heron, it would've taken home the Oscar. It earns not just affection instead, but the awe deserved of a movie that perfects the sensation of longing for someone to navigate life with, finding them, adoring them, then having fate doing what fate does by throwing up complications. Usually this would be a boy-meets-girl, boy-meets-boy or girl-meets-girl story. Here, it's a dog-meets-robot tale. The time: the 80s, with nods to Tab and Pong to prove it. The place: a version of Manhattan where anthropomorphised animals are the only inhabitants — plus mechanised offsiders that, just by placing an order and putting together the contents of the package that arrives, can be built as instant friends. Eating macaroni meals for one and watching TV solo in his small East Village apartment each evening, Dog is achingly lonely when he orders his Amica 2000 after seeing an infomercial. As he tinkers to construct Robot, pigeons watch on from the window, but they've never been his company. Soon exuberantly strutting the streets hand in hand with his maker, the android is a dream pal, however, but this kismet pairing isn't what gives Robot Dreams its name. What do two beings, human, animal, automaton or otherwise, do when they're falling head over heels for each other's presence? They glide through their suddenly sunny existence like there's nothing else in the world, joined at the hip and the spirit. This pair explore. They mosey blissfully around New York, which finally feels like a playground for Dog, rather than a place where everyone else is happy. They eat hot dogs from street vendors and dance on rollerskates in Central Park. They swoon over a shared favourite song — embracing the pull of Earth, Wind & Fire's 'September' (because if it can't bring folks together, cementing connections and glorious memories, then nothing can). As the summer nears its end, Dog and Robot also decamp to Coney Island, to the beach, for a cheery day of swimming and sunbathing, and also of relaxing slumbering on the shore. Alongside slip-slop-slap advice, plus the rule that everyone is told as a kid about waiting before swimming after eating, Robot Dreams adds another piece of guidance: watch out that your metal mate doesn't rust and short-circuit from the saltwater and sea breeze if you're taking them out for sun, surf and sand. When Robot can't move after the duo wake up, Dog's only choice is to leave him there overnight, then return the next day with the requisite supplies. The season is truly saying farewell, though — and September, the month, takes on a more mournful tone than in the disco classic that cribs its moniker, as the film also goes on to reflect as the song keeps popping up. When Dog endeavours to bring Robot home, the beach is shut and gated. The reopening date: June 1 the following year, when summer approaches again. In Berger's adaptation of Sara Varon's 2007 graphic novel of the same name — the author and illustrator's Chicken and Cat also gets a shoutout within the flick's frames — Blade Runner's "do androids dream of electric sheep?" isn't the question. Visions frolic through Robot's bucket-shaped head while he sleeps, all toying with the only query that anyone watching is asking: will Robot and Dog reunite? Robot Dreams is a movie of yearning, a picture about the unwanted surprises that can derail contentment and a portrait of the fact that that's the fundamental reality of life. This hauntingly candid truth blows through the film gently but crisply, like a flurry from the ocean on a mostly still day. It sweeps through The Wizard of Oz-inspired reveries and solitary Halloweens, too, plus new friendships forged with a family of birds, and also with the outgoing and outdoorsy Duck. With its line-heavy 2D animation creating a world awash with loving details — the spooky costumes come October 31 are just one delight — this poignant tale is also one of reality and resilience. Everything that Robot Dreams muses on is handled with soul-stirring tenderness and astute recognition, such as the way that fulfilment can flow out with the tide for no other reason than that's how things work sometimes, that living is a balance of weathering disappointment and appreciating joy when and where you can interlace fingers with it, and that knowing when to ride what the next wave brings in is one of the most-crucial lessons there is. Premiering at the 2023 Cannes Film Festival, and winning Best Film at the Annecy International Animation Film Festival the same year, Robot Dreams first debuted before animated series Carol & the End of the World hit Netflix; however, they share the same emotional texture, and the same being-seen sensation, like they've peered into hearts and minds to render the results with strokes, shapes and colours. No words are needed to tell this narrative not only because that's Berger's savvy decision, but because no words are required to describe a journey that everyone has taken. We've all been Dog and we've all been Robot — forced to move on and left behind, that is — and so pictures here do say far more than dialogue ever could about the feeling of standing in both shoes (or paws, or metallic feet). As much of a toe-tapping gem now as it has been since its 1978 release and always will be, 'September' also conveys everything, crooning as it does about love changin' minds, chasin' clouds away, getting souls singin' and hearts ringin', and also about recalling such golden dreams and shiny days gone by. Do you remember revelling in the glow of someone that completes you, pining for them when they aren't by your side, and realising that everything is transient, elation and sorrow included? Thanks to Robot Dreams, you will.
For when you can't decide between dancing and playing a game that your grandmother might love, bingo raves were invented. Now, for when you want to see a musical theatre show and you're also keen to stamp squares on a card, Broadway Bingo is here, too. It's a performance. It'll get you playing along. There'll be singing, as well as winning. Running from Friday, April 19–Sunday, April 21 at Brisbane Powerhouse, taking over the venue's Underground Theatre, this entertaining mashup draws each tune that'll be crooned from the bingo cage. And, yes, the audience gets its own card to play along while they watch. You'll be keeping an eye out for things that correspond with the squares on your pivotal piece of paper — which might include "someone does a pirouette", or maybe "an audience member cries". Stamping them all and yelling "bingo!" isn't just allowed; it's mandatory. As the onstage talent dives into the costume box to match their outfits to their randomly chosen tracks, expect to hear songs from Les Misérables, Rent, The Sound of Music and Wicked, as well as Waitress, Cats, West Side Story, Dear Evan Hansen and more. Brisbane's own Outside the Jukebox is behind the show, adding it to its list of productions alongside Merry Mixology and Mixtape: Rewind to the 80s. [caption id="attachment_882045" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption]
When it comes to finger-lickin' goodness, fried chicken isn't the only delicious dish in town. Who doesn't love getting all sticky eating a big batch of ribs? And as regulars at the Boundary Street Markets will agree, Big Roddy does some of the best. Since April 2016, Big Roddy's Ripping Rib Shack has been one of the best places in the city to get your Chicago-style barbecue fix — and they're not done filling your stomachs just yet. Like so many market stalls before them, they made the leap to a permanent store because everyone really does need more beef and pork ribs, buffalo wings, poutine and burgers in their lives. Also following in the footsteps of plenty of other Brisbanites, Big Roddy's set up their bricks-and-mortar shop in Fish Lane in South Brisbane. As for what's on the menu, expect half and full racks of both pork and beef ribs; veggie, cheese and fried chicken burgers; and a combination of both ribs and burgers in the form of The Ribwich. Certain to tempt your tastebuds, the ribs-meets-burger comes served on a brioche bun. Snacks include wings dripping in sauce and dipped in homemade garlic aioli, chicken bites, chilli fries, jala-macca-peño poppers (which, yes, really do stuff good ol' jalapeño poppers with mac 'n' cheese) and the fries, gravy and cheese curd combo that is poutine. Be warned: if you weren't a rib lover before, you will be soon.
Everyone should see Henry Rollins on a stage. Luckily, audiences have had ample opportunities for more than four decades. The musician first came to fame singing behind the microphone in punk-rock band Black Flag and then Rollins Band, but is now just as renowned for his spoken-word shows, where he waxes lyrical (and candid and amusing) about his life, fame and the state of the world. Australians are no stranger to Rollins getting chatty; however, thanks to the pandemic, he hasn't taken to stages Down Under since 2016. That's changing this winter, with the icon, actor, author and radio host heading around the country on a 17-city tour. Rollins' spoken-word gigs always sell out, and they're always an entertaining — and unflinchingly honest — night spent listening to the Sons of Anarchy, Lost Highway and Heat star. This time, he's visiting both capitals and regional centres, and notching up every Aussie state and territory, on a tour dubbed 'Good to See You'. His Brisbane stops: Thursday, June 15, Friday, June 16 and Sunday, June 18 at The Tivoli. Attendees can look forward to Rollins looking back over the past seven years since he last visited Australia, stepping through his life from 2016 until COVID-19 hit — and, of course, exploring what's happened since. Fingers crossed for more mullet insights, too. Rollins makes his way around Australia after a massive leg in Europe, where he's been flitting from Croatia, Poland and Finland to Sweden, Germany, France and the United Kingdom — and more. And, his latest tour comes after he added two more books to his name in 2022: Sic, which draws upon the frustration of not knowing if his touring life would ever return; and Stay Fanatic!!! Vol. 3. Top image: Morten Jensen via Wikimedia Commons.
Maybe you really love Patrick Swayze. Perhaps you just need some more terracotta or ceramics in your life. Or, the idea of pottering around a clay-based showcase and finding pottery pieces — for yourself or as gifts — could just be your idea of a great Saturday. Whichever category you fall into, coast on over to Clayschool's Winter Market for 2023. Browse, buy, support local artists — it's the ultimate exhibition-slash-market. [caption id="attachment_893249" align="alignnone" width="1920"] Clayschool[/caption] Indeed, while we're talking multi-tasking, Clayschool's students are hoping to show off their unique, handcrafted designs, and sell some as ace one-off wares. Christmas might be quite a few months away, but you can start planning already — or pick up something special for someone special, just because. (Yes, that includes for yourself). Plus, given that it's all taking place at West Village from 9am–1pm on Saturday, June 17, that means food and drinks will be in the vicinity as well. No one likes shopping on an empty stomach, after all — or while thirsty.
Mention Caxton Street and a few things automatically spring to mind: the football stadium, pubs and seafood, to be specific. No matter how you feel about sports or even booze, the roadway's regular ode to the ocean's finest is always worth a trip to Paddington — and yes, the Caxton Hotel Seafood Festival is back for 2023. This street party loves everything from fish and prawns to oysters and calamari — and tunes, brews and a good time all round as well. On the culinary side of things, expect seafood galore on the menu on Saturday, July 15, plus all the drinks that the Caxton Hotel serves to wash it down with. Also on the agenda: live music, with Grinspoon's Phil Jamieson headlining the main stage in the hotel's beer garden. The aforementioned pub is driving the whole shindig, with the watering hole a fest staple since the event first launched more than a quarter-century ago. And, while you're sipping brews and cocktails with a soundtrack, and tucking into seafood platters, there will be sports on the big screen — it is The Caxton, after all.
Spinning tops at the ready — it's time to enter the dream within a dream that is Christopher Nolan's filmography. With Oppenheimer, the British writer/director's 12th feature, on its way to the big screen in July, Palace Barracks is dedicating its regular Palace Encore! retro screening program to his flicks for two action-packed months. Memento, The Prestige, Inception, Interstellar, Dunkirk, Tenet — they're all on the lineup, with the season running from Friday, May 12–Friday, July 14. Largely, the sessions take place at 6.30pm on Friday nights and cost $10 for Palace members and $15 otherwise, but there is one big exception: a day-long marathon of The Dark Knight Trilogy (aka Batman Begins, The Dark Knight and The Dark Knight Rises) from 11am on Saturday, June 17, where you'll pay $25–30 for grim caped-crusader antics. At Beyond the Infinite: The Influences and Films of Christopher Nolan, as the program is called, there's another dream layer to plunge into as well. Palace is also celebrating the films that've left an imprint on Nolan and his work, which opens up the door to a couple of other masterpieces. Everyone should see Stanley Kubrick's 2001: A Space Odyssey on the silver screen at least once. The same goes for Ridley Scott's OG Blade Runner, too. And, also on the ten-week bill is a jump back almost a century with 1927's highly influential German expressionist gem Metropolis.
Forget about every dog having its day — on Sunday, March 19, every dog in Brisbane can have their own festival. Victoria Park / Barrambin is putting out the welcome mat for peppy pooches and their loving owners thanks to DogFest. Has anything ever had a more appropriate title? Between 9am–2pm, the Herston spot will become a canine wonderland, complete with food trucks, live music and market stalls. Some spots will be selling food for humans only. Others will be going all in on doggo treats. Yes, it's a best-of-both-worlds situation. Plus, two stages will boast everything from dog competitions (including categories for best dressed and best trained) to masterclasses about pupper obedience behaviour. Promoting the latter is a big focus of the whole day, should you literally be looking to teach your four-legged best friend some new tricks. Entry is free, but you can reserve tickets in advance online.
Being an adult means celebrating Easter however you damn well want to. Fancy setting up an Easter egg hunt around your house? Go for it. Keen on drinking cocktails out of chocolate? No one will stop you. Want to ditch the usual festivities and dance away the afternoon and evening at a disco party on the river? Hop to it for the second year running. Indeed, if that last option particularly takes your fancy, you'll want to make a date with 2023's Mr Percival's Easter Sunday River Disco. Kicking off at 1pm on Sunday, April 9, it's exactly what it sounds like — all at Howard Smith Wharves' resident overwater bar. MC Double D, who you might know from Sneaky Sound System, will be spinning tunes alongside Dan Mumbles, Chilliana, Aunty Stan, Ethan Graves and LXXX — and they'll be on the decks right through until late. As for drinks, there'll be bubbles aplenty at Mr Percival's outdoor spritz bar, as well as Italian cocktails. And, the usual food menu will be on offer if you need a prawn cocktail, Moreton bay bug roll, bug-topped pizza or vanilla gelato sundae for sustenance.
Brisbane Powerhouse's new Night Feast, which enjoys its first-ever run throughout March, isn't just about having something to eat when the sun goes down. Yes, that's what the name says; however, the night market has some leeway around that. Given the place hosting it, of course a hefty serving of arts was also going to be part of the program. So, from running 4.30–9.30pm Wednesday–Sunday between Wednesday, March 1–Sunday, March 26 — for its first two weeks, then starting at 2pm on Saturdays and Sundays from Saturday, March 18 — Night Feast is filled with stunning installations, too. One such piece hails from Maschi Fontana and gives the New Farm venue something different, even just for a month: towering pyramids. [caption id="attachment_893482" align="alignnone" width="1920"] Markus Ravik[/caption] This feast sure is going big — with Amanda Parer's gargantuans thanks to Fantastic Planet, and also with Rising Lotus. The latter features large triangle sculptures, which look retro-futuristic with their shape, glow and haze. As for Maschi Fontana, it's a collaboration between artists Tom Mùller and Jean-Thomas Vannotti, and focuses on combining spiritual and cult practices from years gone by with technological and environmental notions to come. Harking back to ancient Egypt but looking like it could've stepped straight out of a futuristic movie, Rising Lotus nails the brief. [caption id="attachment_893480" align="alignnone" width="1920"] Coogee[/caption] Top image: Lachlan Douglas.
Easter in Sydney doesn't just mean chocolate, hot cross buns and whatever other sweet treats the city's eateries happen to come up with at this time of year — it also means the Sydney Royal Easter Show. And, while you won't find the latter at El Camino Cantina's Tex-Mex joints in Brisbane, of course, the chain is getting into the spirit of the event nationwide with its returning limited-edition margarita menu, which it has dubbed 'the Royal Rita Show'. For its latest batch of creative flavours, El Camino Cantina is serving up Jelly Belly, Warhead, Chupa Chup and Rainbow Nerd margs. There are Trolli Lolli and fairy floss versions, too. Basically, it's the candy and booze combination you obviously didn't know you'd someday want when you were a kid. These lolly-flavoured ritas are on offer from Monday, April 3–Sunday, April 30, in both 15-oz and 24-oz glasses. And if you'd like to pair them with tacos, you'll find a Royal Rita Show food menu on offer as well; think tacos with popcorn chicken, chorizo and potato hash, slow-cooked barbecue brisket, and prawns with bacon. In southeast Queensland, you'll find both the margs and tacos tempting your tastebuds at El Camino in Bowen Hills, South Bank and Chermside in Brisbane; Robina and Surfers Paradise on the Gold Coast; and Sunshine Plaza on the Sunshine Coast.
If sparkling wine puts some extra fizz into your life, then you'll want to drink your way through this Brisbane event. Across Friday, May 10–Saturday, May 11, 2024, the Bubbles Festival is coming to town to celebrate the most effervescent boozy beverages there are. You'll sip, you'll chat, and you'll meet the folks who make and distribute the tipples in question as well. You'll also eat canapes — no one wants to down champagne, prosecco and other sparkling drinks on an empty stomach — while you're sampling and tasting across two hours. At least ten different wines will be on offer, and your $109 ticket also includes a champagne tasting glass to take home with you. The venue: the Port Office Hotel in the CBD. You can take your pick of three sessions: from 6–8pm on Friday, and at either 12–2pm or 3–5pm on Saturday. If you're feeling like really treating your sparkling-loving self, you can pay an extra $75 for a VIP ticket, which gets you access to a special cuvée tasting before the regular doors open — and two tasting glasses, rather than one.
On Saturday, October 25, 2003, Brisbane scored a new place to see art, items and exhibitions that highlight this town of ours. That's when Museum of Brisbane opened its doors, with the City Hall gallery spending two decades since celebrating all things Brissie — including showcases dedicated to music, fashion, jewellery, getting playful, how Brisbane has been immortalised on canvas, storytelling and more. Over that time, the space has hosted more than 170 exhibitions, in fact. And, over 5,199,797 folks have wandered around inside. On Saturday, October 21, 2023, the venue wants to up that number — so it's throwing a big (and free) 20th birthday celebration. [caption id="attachment_848139" align="alignnone" width="1920"] Making Place, Josh Woning[/caption] From 10am–5pm, hitting up MoB involves free cupcakes, Indigenous cultural performances, getting weaving, and hearing from MoB's CEO and Director Zoe Graham — plus other staff working in curatorial and collections roles. There's also three tours on offer: MoB highlights, exploring City Hall and going up to the Clock Tower. The shindig also coincides with the Clay: Collected Ceramics exhibition's final hurrah, so you can check out its wares and take part in an Impossible Pots workshop as well.
If playing a musical instrument in public is on your bucket list, and breaking a world record as well, then Brisbane Festival 2023's closing event has you covered. 10,000 Kazoos is exactly what it sounds like, amassing 10,000 Brisbanites to get humming and hopefully go down in history. Never played a kazoo before? That doesn't matter. This kazoo orchestra will unleash its tunes from 3.30pm on Saturday, September 23, on the last day of this year's Bris Fest, taking over Victoria Park / Barrambin. The greenery will indeed be alive with the sound of music, in a huge mass-participation that just might make the record books. [caption id="attachment_902496" align="alignnone" width="1920"] Michael Pham[/caption] If you're keen to help, registrations to take part are now open. And no, you don't even need your own kazoo. Biodegradable versions of the buzzing musical instrument will be provided to everyone on the day. Once you have one, you'll just pop it in your mouth and start humming, which is what makes the membrane of the kazoo vibrate.
The Gold Coast might be known for its sandy beaches, sizeable array of shopping strips and more than a couple of theme parks, but beyond all that lurks plenty of interesting and architecturally significant buildings. Luxe houses, sky-high residential buildings, cute seaside chapels, a towering art gallery — the list goes on. It's a side of the Goldie that many never ponder, and it's on display for two days across Saturday, October 7–Sunday, October 9. That's when Open House hits the sunny tourist spot for 2023, and welcomes in anyone who'd like to take a sticky beak. Public buildings, sites and structures opening their doors include HOTA, Home of the Arts, plus the Broadbeach Cultural Precinct, Gold Coast Airport Southern Terminal expansion, Southport Town Hall and Gold Coast Hinterland Heritage Museum. Fancy peering inside homes and apartments? That's where Kingfisher House, the canal-front PALA and Cypreś all come in. Remember your childhood dreams of getting to run rampant in a department store after hours? Or your grown-up version, involving IKEA? Think of this as a more realistic version. And, it's also a way to satisfy your architectural and design curiosity. The 2023 lineup also includes talks on Surfers Paradise's 60s and 70s apartment towers, small living and housing affordability, and a Varsity Lakes walking tour.
When in West End, you really don't need an excuse to have a bit of a boogie, but it sure doesn't hurt to have one. The Bearded Lady has been making waves on Brisbane's south side since they opened 12 months ago, and now they're putting together a bit of a shindig to celebrate their first birthday. Like all good parties, you can expect the music to be off the hook. Brisbane locals Some Jerks, Moonshine and DJ Black Amex will keep the beats flowing, while the guys behind the bar will be doing the same with drinks. Expect wild cocktails, drink specials and some tasty surprises from 666 Vodka and Angostura. There might even be a birthday cake — we have no evidence to support this, but wishful thinking never hurts.
Slowly, Australia is starting to emerge from COVID-19 lockdown, which includes bars, pubs and venues — but life isn't back to normal just yet. That means that Isolation Trivia is still going strong and, on Saturday, June 13, going green as well. Yep, it's hosting a session dedicated to animated favourite Shrek. If you know why it really isn't easy being an ogre, you've watched the vibrant CGI animation more times than you can remember, and you've memorised the voices of Mike Myers, Eddie Murphy and Cameron Diaz, well, this is for you. And, as no one who has ever seen Shrek before can manage to forget, a whole lot of Smashmouth — aka 'All Star' and their version of 'I'm a Believer' — will also likely feature prominently. No bookings or registrations are required — all you need to do it hit up the event Facebook page at 6.25pm. And if you're wondering exactly which parts of the Shrek franchise you'll be quizzed on, this trivia night will focus on the 2001 movie that started it all, plus 2004's Shrek 2. So, no need to worry about Shrek the Third, Shrek Forever After, Puss in Boots, or all the Shrek short films, TV shows and TV specials. https://www.youtube.com/watch?v=CwXOrWvPBPk
Think music festivals are dying out? Think again. Sure, plenty of bigger events have called it a day — but as the old guard finish up, they're giving a swathe of smaller, more specialised, boutique, curated fests the chance to carve out their own niche. Since 2014, the two-day Jungle Love Music & Arts Festival has been one such smorgasbord of creative activities. Instead of ridiculous queues and heaving crowds clamouring for space in an ordinary city showground, you'll find a laidback vibe, a campground surrounded by luscious greenery, and the chance to go for a swim in the creek while you watch a gig. Oh, and did we mention that it's a BYO festival as well (though no glass is allowed)? The 2018 event will take place between Friday, November 29 and Sunday, August 1, at a yet-to-be-revealed secret Sunshine Coast location. If you've been in previous years, the fest is heading to a new site in 2018, so get excited. And, it has revealed its first acts, with more than half of the program featuring Queenslanders. Remember that visual arts displays are also part of the Jungle Love experience, as well as panels, workshops, laughing yoga, water aerobics and floating down a waterway while knocking back beverages. First-release tickets have already been snapped up, with the second batch on sale from Thursday, August 9. In the interim, here's what you're here for — the initial lineup: POND OPIUO Approachable Members of Your Local Community The Brains Trust Baskervillain China Bowls CHURCH Demon Days Department of Music FeelsClub FELIVAND First Beige Full Flower Moon Band Gabriella Cohen Golden Sound HRBRT Jungle Love Allstars: Live Tribute to Justice Kenta Hayashi L. Flora Mad Professor Mildlife Mufaro & the Barehouse Nonsemble Omegachild Oolluu Polygon Woods RACKETT Simi Lacroix Thando Image: Aimee Catt.
A Night by the Fire returns this April to raise awareness of the national Recognise campaign and the fight for recognition of Aboriginal and Torres Strait Islander peoples in the Australian Constitution. Set in the State Libary's Kuril Dhagun, the Indigenous Knowledge Centre tucked around the back near the elephant statue, this series of talks will take place over four evenings (7, 21 April and 5, 19 May). At each fortnightly event, the speaker will voice what they consider to be key issues surrounding the 1967 referendum and the Recognise campaign. What benefits will come from change to the Constitution? Will constitutional recognition negate a treaty or Indigenous sovereignty? Who is championing the cause, for or against? You don't have to be entirely 'in the loop' about what the Recognise campaign entails, but for some background reading, the campaign website provides a pretty good overview. These talks are educational ones, with the sole objective of bringing together unique voices at this critical time for the movement. The first three sessions are free, with the final forum on May 19 priced at $10. Each will kick of at 6.30pm, finishing up around 7.30pm. The schedule: Tue 7 Apr – Anti-recognise with Bogaine 'Boe' Spearim Tue 21 Apr – Supporter of all with Alethea Beetson Tue 5 May – Pro-recognition with Mark Yettica-Paulson Tue 19 May – Forum
In an idyllic celebration of the revered art, the Queensland Ballet will piece together a night of performances with excerpts from some of the most loved and prestigious works in the classical and romantic repertoire. To showcase the ethereal beauty, rich tradition, disciplined technique and heartfelt emotion, A Classical Celebration will showcase pieces from The Nutcracker, Swan Lake and La Sylphide, among others. Immediately following the performance will be a celebration in honour of Artistic Director François Klaus, also presented by Queensland Ballet. Accompanied by the Queensland Symphony Orchestra, the famous and familiar music will be a treat for the ears and the Queensland Ballet will dazzle the eyes, coming together for what is sure to be an unforgettable experience.
Getting engaged isn't meant to be bloody, but that's how Fair Play starts: with joy, love, passion and bodily fluids. What is and isn't supposed to happen is a frequent theme in writer/director Chloe Domont's feature debut, an erotic thriller set both within the heady relationship between Emily (Phoebe Dynevor, Bridgerton) and Luke (Alden Ehrenreich, Oppenheimer), and also in the slick, fast-paced, high-stakes world of New York finance — familiar territory for its Billions alum filmmaker, who also has Suits and Ballers on her resume. The blood arrives via a bathroom tryst at Luke's brother's (Buck Braithwaite, Flowers in the Attic: The Origin) wedding. He pops under her dress, she has her period, he drops the ring that he was going to propose with, she says yes, and next they're betrothed and fleeing out the window to go home. Staged to feel woozily, authentically romantic, the occasion seems perfect to this head-over-heels pair anyway, even if it leaves their clothes stained. Yes, Domont is playing with symbolism from the outset. Lust isn't a problem for Emily and Luke, clearly, but they've become experts at keeping everything about being together away from work out of necessity. The duo each chases big dreams at the same hedge fund, which has a firm no-dating policy for its employees. So, when they wake up, dress and step out the door the next day, they go their separate ways to end up at the one place — and Emily's finger is glaringly bare. Then something that they've both been hoping would happen does: a portfolio manager sitting above their analyst positions is fired. Next comes a development that they've each felt was meant to occur, too, with the word spreading around the office that's led by the icy Campbell (Eddie Marsan, Operation Fortune: Ruse de Guerre) and his yes-man flunkey Paul (Rich Sommer, Minx) that Luke is in line for a promotion to fill the new vacancy. Domont and cinematographer Menno Mans (Forever Rich) want viewers to watch Dynevor and Ehrenreich closely within Fair Play's glossy, steely frames, with the film taking on the cold and corporate hues of its main office setting, and also peering at its leads slowly and carefully. This isn't a strict two-hander, but frequently plays that way — and observing Emily and Luke's every reaction is crucial. One case in point: when Emily receives a 2am phone call from her higher-up Rory (Sebastian De Souza, Pixie), has no choice but to agree to his command that she meet him at a bar, but finds a life-changing conversation with Campbell over a whisky awaiting instead. Here's another: Luke's reaction when she returns home with stunning news for her, but a revelation that he visibly thinks wasn't meant to happen. That climb up that ladder is hers, not his, and he'll be working beneath her. Dynevor and Ehrenreich each possess a savvy talent for cycling through a storm of clashing emotions in mere seconds — and making the swift change feel not just understandable but believable — as Fair Play captures unblinkingly in its pivotal moments. She can go from dutiful to determined, caring to calculating, and cautious to confident; him from loving to withdrawn, supportive to passive-aggressive, and charming to menacing. Emily and Luke's relationship changes just as swiftly, its steamy days fading into sexless territory all thanks to that coveted job. Resentment seeps from Ehrenreich's pores, and exasperation from Dynevor's. Fair Play doesn't neatly box either Emily or Luke into easy categories, however. When everything shifts in an instant, the film's excellently cast stars ensure that viewers see every iota of complexity. At each point from popping the question onwards, the same proves true, and not just frame to frame and scene to scene. Domont's Sundance-premiering feature — Sundance bidding war-sparking picture, too, selling to Netflix for $20 million after getting the film festival buzzing — soon becomes an erotic thriller without that much physical slipping between the sheets. While the look is pure now and Donna Summer's 70s classic 'Love to Love You Baby' gets the soundtrack started, there's an 80s and 90s air to the movie, recalling the genre's heyday. That said, this isn't Fatal Attraction (which was just remade as a TV series, and reframed) or Disclosure meets Wall Street. Rather, the entire flick thrums with the heat and charge between its two protagonists, knowing that its psychological duel is all the more knotty because sex, intimacy and love are involved, while also pulsating with the pressure and stress of its high-rolling realm. The tension is palpable and unrelenting, as aided by Brian McOmber's (Hail Satan?) nervy score. Fair Play doesn't pretend that gender power imbalances don't exist in workplaces otherwise, beyond couples mixing the professional and personal in a cut-throat world and keeping it clandestine. Indeed, it shows that fact, too, and in grim detail. It's there in the salacious whispering by the other male analysts about how Emily got the job from, the strip club drinks and flat-out calling her a "dumb fucking bitch". This isn't a film that's afraid of getting uncomfortable. Fair Play also effortlessly carves into this wealth-chasing field's general soullessness, including with golf clubs being swung around in anger, public dressing-downs and humiliating begging. Still, it never escapes notice that square at the picture's centre sits the type of guy that's doting, encouraging and a dream until he doesn't think that he's on top. There's no one that's perfect in Fair Play's gaze, as its main performances superbly portray — the ever-reliable Marsan is also chillingly effective — but how men react to women doing well earns extra attention. Seeking power, losing it, trying to retain or reclaim it, forcing it back in the absolute worst way possible: this all bubbles up as well, and viciously. As the gripping film unpacks sexual politics in the workplace, it lays bare insecurities, jealousies and infuriatingly age-old rumours. Domont's movie is sharp, even when it's obvious. It's assured from its libidinous start to its increasingly lurid end, and riveting — even if it's never as gleefully OTT as its genre was famously known for back when Michael Douglas (and only Michael Douglas) would've been playing Ehrenreich's part. Fair Play screens in select cinemas from Thursday, September 28, and streams via Netflix from Friday, October 6.
Hey! You! You're a Brisbane writer, aren't you? Or do you just really, really love books? In any case, our city's flagship writing event needs to be written into your diary/notebook or onto your hand stat. The Brisbane Writers Festival has been drawing audiences since most of us were learning to write. The whole event's cause is to celebrate Queensland's great scribes, educate aspiring writers and please the readers, all at the same time. There's a hell of a lot of events on the exhaustive program, so you should check it out and get in ASAP to ensure you get the pen...ultimate seat. I recommend you catch one of Brisbane's best imports (from Iceland, no less), Kari Gislason, comedian Corinne Grant as she talks about odd people, and hilarious children's author Andy Griffith (The Day My Bum Went Psycho, anyone?). Also visiting our fair town is comedian Wendy Harmer, former Triple J presenter and all-round lovely lady, Marieke Hardy and the man made of forty-eight shades of brown, Nick Earls. Writers under pressure are, at present, tense, so take a break and make sure the Brisbane Writers Festival punctuates your week.
On screen, she followed the yellow brick road. Off screen, her life was littered with tragedy. Judy Garland's story is one filled with as many highs as lows, and littered with both darkness and rainbows — and now she's going to tell it. Well, Bernadette Meenach is, in the guise of Ms Garland. In Judy Strikes Back, the deceased performer has written her memoirs in the afterlife, and wants to share them with the masses. So begins a show that breathes new life into the Garland legend. Nothing is off limits, as she comes clean about those nasty rumours and Hollywood hallucinations, and spills the beans on everything from making The Wizard of Oz to mothering Liza Minnelli — we hope. Reuniting with her musical director Mort Lindsey means that she'll be belting out many a tune, too. Expect a few favourite songs, as well as some new numbers she’s been working on from beyond the grave, in this all-singing, all-dancing comic tribute. Image by Dylan Evans Photography.
An immensely popular part of Brisbane Powerhouse, Bar Alto has long been a riverside go-to — somewhere to head if you're hungry, thirsty and want to soak in a watery view regardless of whether you're about to see a show or not. And, post COVID-19 lockdowns, it's back in business. Yes, that means that all of the above is on the menu once again. Also on offer: $10 pizzas. Tuck into Bar Alto's margherita with fresh buffalo mozzarella and basil, or opt for the potato, pear, rosemary and taleggio — with other pizzas featuring Italian sausage with fior di latte, pepperoni, and zucchini flowers and macadamias, the list goes on. If you're looking for a tasty way to wrap up your working week or while away a weekend afternoon (and who isn't always looking for pizza?), the $10 special is available from 2.30–5pm Friday–Sunday until Sunday, August 30. And, in case you're worried about the river breeze during these colder months, you can also scope out a seat by the external heaters on the deck. [caption id="attachment_777388" align="aligncenter" width="1920"] Bar Alto[/caption] Bar Alto's $10 pizzas are available from 2.30–5pm Friday–Sunday until Sunday, August 30.
There's no doubting who Bob Marley: One Love is about, but the Reinaldo Marcus Green (King Richard)-directed biopic also brings two other big-screen portraits of music superstars to mind. There's always a dance through a legend's history flickering somewhere, or close to it, with the initial dramatised look at the reggae icon arriving after Bohemian Rhapsody and Elvis both proved major hits in recent years. Where the first, which focused on Freddie Mercury, had Live Aid, Bob Marley: One Love has the One Love Peace Concert. Both are gigs to build a movie around, and both features have done just that. Baz Luhrmann's portrait of the king of rock 'n' roll wanted its audience to understand what it was like to watch its namesake, be in his presence and feel entranced by every hip thrust — and, obviously without the gyrating pelvis, Bob Marley: One Love also opts for that approach. Enter Kingsley Ben-Adir as Bob Marley, in a vital piece of casting. Although it may not earn him an Oscar as Bohemian Rhapsody did Rami Malek (Oppenheimer), or even a nomination as Elvis scored for Austin Butler (Masters of the Air), the British actor turns in a phenomenal performance. He's worlds away from being a Ken in Barbie. He isn't in wholly new territory seeing that he played Malcolm X in One Night in Miami and Barack Obama in TV series The Comey Rule. He's also magnetic and mesmerising — and, in the process, expresses how and why Marley was magnetic and mesmerising. Ben-Adir's vocals are blended with Marley's. Accordingly, you're largely listening to the singer himself. But there's a presence about Ben-Adir in the part, perfecting Jamaican patois, getting kinetic and uninhibited in his movement while he's behind the microphone, radiating charisma, but also conveying purpose and self-possession. It's a portrayal that's as entrancing and alive as the music that's always echoing alongside it; with Marley's discography, that's saying something. Ben-Adir shares the part with Quan-Dajai Henriques, the acting debutant who gives the movie its younger version of Marley. That comes via sporadic flashbacks, which means that Lashana Lynch (The Marvels) also shares her role as Bob's wife and backup singer Rita with Nia Ashi (another feature first-timer) as the teen version. Green and his co-scribes Terence Winter (an Academy Award-nominee for The Wolf of Wall Street), Frank E Flowers (LeBron James biopic Shooting Stars) and Zach Baylin (Gran Turismo: Based on a True Story, and returning from King Richard) ground their picture in the elder Marley's life, though — not that, because he died at the age of 36, he could ever truly be deemed elder. The bulk of the feature is set between 1976–78, and between two Kingston concerts. Both were designed to help address Jamaica's political unrest, with two parties clashing and the impact of British colonialism still felt. Not only that peace and freedom were instrumental in Marley's message, but why, is a core element of the film. "Do you believe music can end the violence?" Marley is asked in Bob Marley: One Love's opening, where he's fronting the press days out from 1976's Smile Jamaica show. Green signals one of the movie's fundamental musings at the outset, then, as well as his intent to unpack how his subject aimed to counter not just political but human turmoil through his music and Rastafarian beliefs (his initial embrace of the religion, as well as his early courtship with Rita, fuels most of the film's jumps backwards). Marley is also queried about whether he harbours any fears about putting on the gig. He says no and soon demonstrates it, after an attempt is made on his life at his home studio two days out from the concert. Rita was among the victims shot, and survived. The show goes on, then Marley goes into exile in London, while Rita takes the kids to the US. To get to Bob Marley: One Love's second big Jamaican performance involves charting the defining aspect of Marley's career during that period: 1977 album Exodus. Recorded in the UK, and home to not just its own titular track but the flick's (and also 'Jamming', 'Turn Your Lights Down Low' and 'Three Little Birds'), it's as influential as albums get — and, again, unfurling the trains of thought driving it is one of the feature's motivations. There's few surprises in how Green brings this to the screen, complete with recording sessions, producer Chris Blackwell's (James Norton, Happy Valley) fingerprints and montages of the finished product flying off shelves, plus the rapturous response as it's toured. That there's several established templates in giving a star's story the filmic treatment reverberates through Bob Marley: One Love, in fact, even as it avoids the dutiful birth-to-death timeline. But the movie always has Ben-Adir imparting energy and vibrancy, and Lynch as well — and a determination to make this Rita's tale, stepping into the complications in their marriage, as well as Bob's. Notably unrelated to One Love: The Bob Marley Musical, the stage production about the legend — even if it uses plenty of the same Bob Marley and The Wailers songs, such as 'Get Up, Stand Up', 'War', 'Redemption Song', 'No Woman, No Cry', 'Is This Love' and 'I Shot the Sheriff' — Bob Marley: One Love unavoidably hits familiar beats. Enlivening those predictable moves are its tunes, compelling story and powerhouse central performances. This is a deeply respectful effort: Rita is among the producers, alongside her and Bob's children Ziggy and Cedella; Stephen, their third-born, is the music supervisor. Love was always going to shine through. The tunes were always going to resound with power and affection. The tale itself was always certain to prove inherently absorbing. Its casting couldn't be more important, however. After a lengthy search to find its Bob, Ben-Adir is a force of warmth, calm and potency — gifting the picture the kind of portrayal that it couldn't live without — while Lynch is formidably fierce as Rita. For a movie about someone so revolutionary, Bob Marley: One Love mightn't earn that description itself, but it does deliver the tribute it's striving for, celebrate Marley's message as much as his music and contextualise one helluva record. Indeed, where Bohemian Rhapsody was the silver-screen equivalent of a greatest-hits album and Elvis took its cues from concert spectaculars, Bob Marley: One Love is a jam-session type of flick. When it briefly recreates live shows, it does so with verve, as aided by cinematographer Robert Elswit (also back from King Richard). And yet, while Smile Jamaica and the One Love Peace Concert are pivotal — including structurally to the narrative — they aren't the primary way that the film lets its audience experience Marley's impact. When Bob Marley: One Love dives into Bob's creativity and just enjoys being in the moment with its take on the singer, it cuts deeper; no one is merely jamming in making this movie, but it hopes its viewers like jamming with Marley, too.
If you've got it, flaunt it — and Claire Marshall certainly has it. The legendary Brisbane-based choreographer has showcased her smooth moves on the stage and screen for over a decade now. She's worked on sold-out productions, countless tours, and music videos for the likes of Darren Hayes, Kate Miller-Heidke, Megan Washington, Little Birdie, The Sleepy Jackson, John Butler Trio, Savage Garden and George Michael. Her latest show, Flaunt, explores female sexuality, representation and empowerment through a dazzling display of dance. Presented in the round with performers on perspex above the audience, Flaunt combines the smoky haze, glittering lights, myriad mirrors and thrilling soundtrack of a nightclub with contemporary, bold and gutsy dance. Flaunt is the second show supported by Brisbane Powerhouse's inaugural SWEET creative development program for independent performance-makers and companies. He Dreamed a Train played to much acclaim in October, and the debut season of De Profundis is scheduled for April 2015.
