Get ready to ring in 2019 with Cruise Bar's huge New Year's Eve event. It's no secret that Sydney loves to put on a show and you'll be in one of the best spots for it, with a prime harbourside view of both fireworks shows and the Opera House. From $99 per person, you will receive a glass of sparkling on arrival and access to levels one and two. Or, if you want to splash out for the special night, you can opt for the VIP package (from $389 per person) which features three hours of food and beverages including free-flowing Pol Roger NV Champagne on Cruise Bar's glorious rooftop. You'll also get access to all three levels across the evening so you can scope out the best vantage point for the fireworks display. Plus, DJ duo Stafford Brothers will be on deck to provide your soundtrack for this epic farewell to 2018. Spots are filling up fast for this end-of-the-year bash. To nab your spot, head to Cruise Bar's website.
Food is usually the gift you give when you can't think of anything else. Come on, you know it's true. That said, anyone getting their dad Gelato Messina's latest special Father's Day creation can't be accused of that. If you're giving someone something that you're fighting the urge to just order for yourself, you're definitely giving a thoughtful present — and who doesn't want to tuck into three of the gelato chain's favourite desserts in chocolate bar form? Chocolates are Messina's Mother's Day go-to — and this year they're on the brand's Father's Day menu as well. The new three-pack marks the first time that Messina has ever made chocolate bars and blocks itself, however, with the team at its Rosebery headquarters doing the honours. Each kit actually contains nine items, but of three different types of chocolate. Loved Messina's recent cone-ception cookie pies? It has turned the concept into mini 105-gram chocolate bars, which combine sable biscuit, waffle cone spread and cone crunch, then cover it all in caramelised white chocolate. Your dad will get four of those, plus four mini milk chocolate Messinatella hazelnut bars featuring sable biscuit, Messinatella choc hazelnut spread and roasted hazelnuts. And, taking the final spot in the kit is the neapolitan chocolate block — and yes, it's made with milk chocolate, white chocolate that features Heilala vanilla, and strawberry chocolate infused with freeze dried strawberries. This gift will set you back $45, and it's being shipped, which is handy for folks in lockdown. Also, delivery won't cost you extra. Like most Messina specials, it's going on sale on a Monday morning — at 9am on Monday, August 23, to be exact. Then, it'll get brought to your door, with orders shipping on or before Friday, August 27. Gelato Messina's Father's Day chocolate three-packs will be available to order from 9am, Monday, August 23.
When a major arts festival drops its latest program, as Sydney Festival just has for its massive 2023 event, it's easy to start playing the numbers game. The figures are impressive, with the event's second year under Artistic Director Olivia Ansell boasting 748 performances across 54 venues. The lineup also spans more than 100 unique events, 26 of which won't cost attendees a thing. And, there'll be 18 world premieres and 14 Australian exclusives — aka shows that you'll need to travel to Sydney to see if you don't live there, because they won't pop up elsewhere. All of these stats do indeed tell a story, conveying how widely the festival crew has scoured for top-notch shows; how jam-packed the resulting calendar of performances, gigs and exhibitions is; and how busy the 25 days from Thursday, January 5–Sunday, January 29 are going to prove. And, they help express the most important message there is for audiences: if you're looking for not just a culture fix but to bathe in art, theatre, music and all-round exciting festivities for weeks on end all around Sydney at the start of 2023, then you'd best block out your diary now. There's no shortage of highlights in the program, no matter what kind of cultural experience take your fancy. Here's perhaps the most surprising one: turning Sydney Town Hall into a beach courtesy of 26 tonnes of sand. No, you won't be able to swim there — but you can watch Lithuanian opera Sun & Sea, which won the Venice Biennale's Golden Lion in 2019, stage its sandy work in the round. The end result explores the climate emergency, is certain to make for a memorable show, and is one of Sydney Festival's Australian exclusives. Also unlikely to be forgotten quickly: the Australian premiere of Frida Kahlo: Life of an Icon, a multi-sensory art experience dedicated to the iconic Mexican painter. Think: the immersive Vincent van Gogh showcase that's being doing the rounds, or the new Monet one headed to Melbourne, but all about the one and only Kahlo. Hailing from Spanish digital arts company Layers of Reality, alongside the Frida Kahlo Corporation, it'll take over the Cutaway with holography, 360-degree projections and live performances of traditional Mexican music, as well as a virtual-reality system that'll let you step inside the artist's iconic pieces. [caption id="attachment_874188" align="alignnone" width="1920"] Jacquie Manning[/caption] Other standouts include Bonobo hitting the decks at the Masonic Centre, and turning its banquet hall into a unique dance party; performance piece In Chamber, which literally takes place in a safe in the basement of the Margot Kimpton Hotel; ROOM, the latest surreal theatre piece by James Thiérrée; and Tracker, which sees choreographer-director Daniel Riley combine dance, ceremony and text. Or, there's also 16 days of live music inside the 70s-era underground bar beneath Martin Place's Harry Seidler-designed Commercial Travellers' Association building (yes, the mushroom building). That subterranean space remains unrenovated, so expect The Weary Traveller, as the fest-within-the-fest is called, to serve up a huge blast from the past (plus tunes by Alice Skye, Astral People, Automatic, June Jones, Kaitlyn Aurelia Smith, Lil Silva, Party Dozen, Tom Snowdon, Moktar, Two Birds with Bayand, Coloured Stone, HTRK and Potion). In the same structure, the 28-room hotel itself is being taken over by American artist Kelsey Lu. You'll want to check in for this one, and stay the evening — because In The Lucid: A Dream Portal to Awakening is an eight-hour audio journey. [caption id="attachment_874185" align="alignnone" width="1920"] Peter Wallis[/caption] Heartbreak High fans will want to catch Blue, and fans of homegrown theatre as well — it stars and has been written by Thomas Weatherall, and will enjoy its world premiere at Sydney Festival. Or, for something completely different, a Shinjuku-inspired magic bar will pop up at Darling Harbour, transporting you to Tokyo if you haven't already made Japan holiday plans now that the country has reopened its borders. The list goes on, including Bloodlines, an exhibition paying tribute to artists lost to HIV/AIDS; The Party, which'll celebrate Sydney's LGBTQIA+ nightlife and party culture between 1973–2002; and Retrosweat hosting a big 80s pool party that, yes, will involve aqua aerobics. Or, there's flamenco dancer Sara Bara in Alma at the Sydney Opera House; Dead Puppet Society and Legs On The Wall's take on the Trojan war in Holding Achilles; drag brunch show Smashed: The Brunch Party hosted by Victoria Falcone; and Prinnie Stevens singing tunes by superstars like Aretha Franklin, Ella Fitzgerald, Billie Holiday, Whitney Houston and Beyoncé. Plus, Sydney Symphony Orchestra will celebrate Lunar New Year outdoors at Parramatta Park; Polar Force at Carriageworks explores the extremes of ice and wind by pairing Antarctic field recordings with live industrial percussion; and Restless Dance Theatre's dance piece Guttered is set in a real-life bowling alley. And, Lego lovers can check out a new Brickwrecks exhibition, which recreates shipwrecks with the plastic bricks. Also, ENESS, who was behind the 2022 fest's Airship Orchestra, is back with Cupid's Koi Garden — which'll give Tumbalong Park a six-metre-tall immersive water-play park right in the middle of summer. [caption id="attachment_874184" align="alignnone" width="1920"] Sam Roberts Photography[/caption] Sydney Festival 2023 runs from Thursday, January 5–Sunday, January 29 at venues across the city. For further details and to buy tickets, visit the Sydney Festival website. Tickets go on sale at 9am on Wednesday, October 19. Top image: Andrej Vasilenko.
Fast food doesn't seem all that speedy when you're sat in your car, queued nine vehicles deep and trying to get through a drive-thru that's at a standstill. For folks who want their finger lickin' good fried chicken as soon as possible, with minimal waiting and hassle, KFC has a new solution — its first drive-thru-only store. Moving away from the usual one-lane drive-thru model, the chain has just opened a five-lane drive-thru-only concept in Newcastle. The first spot of its kind in the world, it features three lanes for the pick-up of online and app purchases, as well as two lanes for regular drive-thru transactions. Customers can order and pay in advance, then whiz through and pick up their food, or choose on the spot and and then collect their chicken. The idea reflects the growth on online ordering, and endeavours to respond to the rise of home delivery services such as Deliveroo and UberEats. It also nods to an obvious truth — for many folks, eating in at a suburban KFC doesn't often cross their minds. For Broadmeadow customers who choose to order by the KFC app or website, they'll receive a four-digit code with their transaction, which they'll then enter on a touchscreen when they drive up. Whichever way Newcastle residents decide to ask for their fried chook, they'll still need to wait for it to be cooked — but the whole concept is designed to speed up the time between asking for a two-piece feed and snatching those drumsticks through the drive-through window. Of course, if you need something to listen to in your car while you wait, KFC has that covered as well. Last year, it launched KFChill, a wellness website that lets you unwind to the sound of chicken frying, gravy simmering or bacon sizzling away in a pan. Yes, it'll make you hungry. You can find the drive-thru-only KFC at 80 Lambton Road, Broadmeadow. It's open from 10am–midnight daily.
YCK Laneways, a new cultural precinct that launched last year encompassing the CBD laneways in York Street, Clarence Street and Kent Street is throwing a huge party across six weeks. Kicking off on Monday, April 11, the food and music festival will feature in-venue events throughout the six weeks alongside a huge three-day party on Barrack Street across the ANZAC Day long weekend. If you're looking for something to do across April and May, check out the festival's lineup where live music, workshops and pop-ups will be happing across Since I Left You, Esteban, PS40, The Duke of Clarence, Stitch Bar, Uncle Ming's, Prince of York and many more venues in and around the city laneways. Catch a live set from Ange or Lady King at Since I Left You's fairy light-lit Garden Stage, have your tarot read at Stitch Bar, enjoy a set menu from surprise chefs at PS40 and make a book in a dinner with live music at Esteban-d. You'll also be able to find special meals from celebrity chefs Manu Feidel, Anna Polyviou and Luke Hines in the venues across the duration of Intersections. These limited-time menu items will each be available for two of the six weeks. At the Barrack Street party you'll find masterclasses by day and live music come sun-down. Sydney favourites including Maybe Sammy, Cantina Ok!, Hickson House and Sydney Oyster Farm Tours will all be running workshops across the three-day weekend, before an equally stacked music lineup takes over each night. Sneaky Sound System, Wafia, Day1, Kota Banks, Ula, East Av3, B Wise and A.Girl will all be making appearances. You can find the full program over at the YCK Laneways website. [caption id="attachment_654874" align="alignnone" width="1920"] Alana Dimou[/caption]
Everyone should play tourist in their own town. For fans of horror movies in the Harbour City, everyone should see Sydney's historic spots in a whole new light while a frightening flick rolls and Haus of Horror throws a party. That's the immersive cinema outfit's setup, and it has both the winter solstice and the Old Darlinghurst Gaol in its sights next — plus getting eerie with the American remake of The Ring. In the past, for over a year, Haus of Horror has popped up everywhere from Parramatta Gaol and Camperdown Cemetery to Cockatoo Island, showing The Exorcist, the OG Scream, Beetlejuice, A Nightmare on Elm Street and more. Now, before you truly get into the winter spirit, you'll see The Ring inside a cellblock with a full moon in the sky outside. You have two sessions to choose from, both on Saturday, June 22 (technically a day after 2024's winter solstice, but this kind of event was always going to be more fun on a Saturday instead of a Friday). So, either head through the doors at 5pm for a 7pm screening, or mosey through at 7.15pm for a 9.15pm showing. Either way, a date with Samara is only a portion of the party. Prior to the movie flickering through the projector, you'll be given time to explore the site — a place that dates back to the 1820s, housed prisoners from 1841–1914, then became a technical college and later the National Art School. The old gaol has turned the former women's prisoner wing into a theatre, which is where you'll be watching. If you need to peel your eyes away from the screen, look out for remnants of the space's previous use etched onto the walls. Haus of Horror is also setting up scare zones, a photo booth, and markets selling handmade and vintage wares. A fortune teller will get clairvoyant with attendees, a DJ will be spinning tunes, good vendors will have bites to eat on offer and a bloody-themed cocktail will be available at the bar.
Sydney sweet spot KOI Dessert Bar is going whimsical this month with a one-day pop-up restaurant inspired by Disney's upcoming blockbuster, The BFG. The restaurant, aptly named Rotsome, will open for one day only on Monday, July 4, just a few days prior to the film's Australia-wide release on June 30. The menu is the brainchild of Masterchef 2015 favourite, Reynold Poernomo, and the immersive dining experience is meant to stimulate your tastebuds and imagination alike. The details of the "deliciously disgusting" three-course degustation is still under lock and key, but will include a "snozzcumber" and some form of steaming green goo drink. Rotsome follows Sydney conventions with a strict no reservations policy; the restaurant will run on a first-come first-served basis from 1-6pm. All you grown-up BFG fans out there will have to hold your horses, though. As part of the deal, all "giants" (aka adults) will need to be accompanied by at least one "childler" (a small child over six years old) to get a table. Now's the time to suggest your siblings/nephews/nieces/cousins really need a day off school — you best get calling now before your brother beats you to it. The Rotsome pop-up restaurant will be open for one-day on Monday, July 4 at Koi Dessert Bar, 46 Kensington Street, Chippendale from 1pm until 6pm. For more information, visit the Facebook event. Updated: June 20, 2016. Please note that the date of the event has changed to Monday, July 4 after publication of this article. The above article has been changed to reflect this.
Take one of popular culture's biggest supervillains, throw in one of today's very best actors and add the director of The Hangover trilogy. Only a few years ago, the above sentence might've seemed like a joke. Today, it's the reality we're living in — the reality that sees a standalone Joker movie cackling its way towards cinema screens, starring Joaquin Phoenix in the titular role. Move over Cesar Romero, Jack Nicholson, Heath Ledger and Jared Leto — it's Phoenix's time to don exaggerated clown makeup, wield a killer smile and wreak havoc on Gotham City. The just-released first trailer for Joker promises plenty of all three, as failed standup comedian Arthur Fleck turns to a life of facepaint-wearing crime (and eventually obsessing over Batman, we're guessing). As directed and co-written by Todd Phillips (Old School, Starsky & Hutch, Due Date), Joker also comes with a suitably unhinged vibe, as if Phoenix's You Were Never Really Here character stumbled into Martin Scorsese's The King of Comedy. (Fittingly, the latter film plus Taxi Driver and Raging Bull have been cited as inspirations for the new DC Comics flick, and Scorsese is one of Joker's executive producers.) It also looks certain to help everyone forget that the last take on the famous villain only arrived three years ago, because who wants to remember Leto's green-haired turn in Suicide Squad? Here's hoping Phoenix will follow in the footsteps of Nicholson and Oscar-winner Ledger instead, which looks likely based on the footage so far. And, of course, his excellent body of work in general. Robert De Niro, Atlanta's Zazie Beetz and Brian Tyree Henry, and Marc Maron also feature in Joker, with the film hitting cinemas in October. Check out the first trailer below: https://www.youtube.com/watch?v=t433PEQGErc Joker releases in Australian cinemas on October 3, 2019.
On June 1, life is going to look a lot different for Sydneysiders. Restaurants, cafes and pubs will be allowed to have up to 50 customers and regional travel will be back on the cards, as will visiting cultural institutions and beauty salons. In an announcement yesterday, Sunday, May 25, that NSW Health Minister Brad Hazzard called "a big day for everyone in our community", Hazzard said that nail, waxing and tanning salons will be allowed to reopen from the first of next month. "Of all of the requests I've had as Health Minister in the last three months, this has been the one that I think has topped the barrel," Hazzard said. "I've even had text messages in the middle of the other meetings, telling me how bad acrylic nails were." Like all venues allowed to reopen, beauty salons must follow social distancing measures — with one person per four square metres — and have a COVID-safe plan in place before reopening. [caption id="attachment_761669" align="alignnone" width="1920"] Taronga Zoo[/caption] In a separate announcement yesterday, NSW Treasurer Dominic Perrottet confirmed that the state's zoos, reptile parks would also be allowed to reopen from June 1. Once again, the venues will need to comply with the one person per four-square-metres rule, and Perrottet is urging Sydneysiders to pre-purchase tickets or give the animal-filled spots a call before heading in. "With the June long weekend and school holidays not far away we want to ensure they take appropriate measures to make this a success," Perrottet said. "For example, that might be only doing online tickets to control visitor numbers on busy days." For more information about the status of COVID-19 in NSW, head to the NSW Health website.
Australian grime fans have been dealt a disappointing blow: Stromzy has announced he is cancelling his highly anticipated upcoming tour. The UK sensation was set to grace Australian shores later this year on the much-delayed H.I.T.H World Tour alongside a run of festival dates as the headliner for Spilt Milk, but has confirmed in a statement released through the festival that he has pulled out of all of his international tour dates for the remainder of 2022. "It is with the heaviest of hearts that I have to inform you guys that due to circumstances beyond my control, I must cancel international commitments for the remainder of the year which includes my Australian and New Zealand tour," said Stormzy. "You guys have waited so patiently and I am so sorry that this has to happen after all these ups and downs. I love you guys and I promise I will be back as soon as I can with a show that's bigger and better than ever." Originally scheduled for 2020 before being pushed back multiple times for pandemic-related reasons, the run of dates was finally supposed to kick off in Perth on Wednesday, November 23, before hitting Sydney, Brisbane, Melbourne, Adelaide, Wellington and Auckland, as well as Ballarat, Canberra and the Gold Coast with Spilt Milk. While losing Stormzy is a huge blow for the festival, Spilt Milk has come through with another exciting international headliner in his place. Highly influential Grammy-nominated indie-pop singer and one of 2022's biggest breakout stars Steve Lacy has been added to the lineup for all three Spilt Milk dates. An original member of the popular funk and soul group The Internet, Lacy has worked with the likes of Kendrick Lamar, Solange and Tyler, the Creator. Following solo success with his debut album Apollo XXI as well as singles like 'Dark Red' which you've almost certainly heard on TikTok, the Californian singer-songwriter has found huge mainstream success this year with the release of his album Gemini Rights and its lead single ' Bad Habits' which currently sits at number two on the Billboard Hot 100 in the US. Alongside his appearances at Spilt Milk, Lacy has also announced a run of headline dates across the east coast of Australia. He'll be popping up at Melbourne's The Forum on Tuesday, November 22, The Tivoli in Brisbane on Tuesday, November 23 and Sydney's Enmore Theatre on Monday, November 28. Due to the lineup change, Spilt Milk will be offering refunds for anyone who requests one via Moshtix before 5pm Thursday, October 4. After that, you can also pop your tickets up for sale on the festival's resale facility. Those that want to head along to catch Lacy alongside previously announced acts like Flume, The Wombats, Spacey Jane, G Flip, Fisher and Peach PRC can access tickets via the Moshtix resale. Tickets for Steve Lacy's solo shows will go on sale via the Frontier Members pre-sale at 9am local time on Tuesday, October 4, before the general public tickets go on sale on Wednesday, October 5. [caption id="attachment_851188" align="alignnone" width="1920"] Jordan Munns[/caption] Stormzy has cancelled his run of Australian and New Zealand shows including his appearances at Spilt Milk. Refunds for Spilt Milk are available via Moshtix until 5pm, Thursday, October 4.
I want to describe this band's music as "jangly". Probably in part because their name is almost onomatopoeic, but also because they make excellent use of clashing drums and oversized tamborines. Django Django are pegged as a "psychedelic quartet" but that suggests the only thing setting them apart from other psychedelic quartets is that they're not from Brooklyn. For one thing Django Django have far more inventive instruments. Besides drums and tamborine they have a guitarist, a synth operator and what sounds like a rather impressive collection of indigenous wind instruments, which they blend together to make a modern sound that takes all the addictive rhythm of African sounds and none of the cringey cultural appropriation. Anyway, way more fun than trying to describe them is seeing them live. In January Django Django will be putting on one special headline show at The Metro to accompany their Falls and Southbound appearances, and seeing as last year they sold out two Oxford Art Factorys you had better get in quick. Update: Django Django will be supported at their Sydney show by ex-Red Riders duo Palms and collaborative electro supergroup Twinsy. If you still don't have your tickets yet, remedy that here and now. https://youtube.com/watch?v=DDjpOrlfh0Y
Sporting giant Adidas has outdone itself with the adiZero f50 miCoach, a new soccer boot that boasts state-of-the-art technology. According to the manufacturer, the boot will be able to measure 'key performance metrics including speed, average speed (recorded every second), maximum speed (recorded every five seconds), number of sprints, distance, distance at high intensity levels, steps and stride rates.' Judging by this description, these super-intelligent boots are a serious athlete's dream. The information on the boot can then be stored for up to seven hours, and subsequently uploaded via WiFi or USB to other devices. The thoughtful guys at Adidas have then tapped into the social media aspect of the shoe, as your stats can then be shared with your friends on Facebook, or kept as a record for your own training regimes. You can even compare your own stats with professional (Adidas-sponsored, of course) athletes such as Lionel Messi as they upload their figures. With more features than necessary and more intelligence than you ever thought a shoe could possess, you're probably wondering how much it will cost to get your hands on a pair of these bad boys. They're set to drop in November at a price of $330, which isn't too bad considering that you're pretty much lacing up a computer on your feet. However, keep in mind that the $330 price point is in American dollars and you're probably going to have to fork out a lot more when they eventually land Down Under. https://youtube.com/watch?v=LK_paShxGM8 [Via PSFK]
The government's restrictions and regulations for COVID-19 containment are changing at a rapid pace. But there are two words we're all hearing on repeat: stay home. As much as is possible within each person's specific set of circumstances (including their job and requirements around food, exercise and health), every Australian is being encouraged to avoid leaving their homes unless absolutely necessary. We're being told that minimising the time spent outside is vital in getting through this crisis. As a result, many of the services that contribute to the lifestyles of city dwellers have been temporarily suspended, including cultural institutions, cinemas, clubs, pubs and gyms. But we still need to be able to access the essentials: household essentials, booze and, of course, food. Up until now, delivery services have been viewed as merely a convenience or something to facilitate laziness. Now, they're more important than ever. IT'S ONE OF THE SAFEST WAYS TO GET FOOD Supermarkets are still open to purchase food and other household items, but we'd rather avoid them as much as possible right now. The stories of stockpiling — and subsequent product shortages and buying restrictions — paint a pretty dire picture of a simple visit to the shops. Plus, with many of our favourite activities currently on hiatus, we have to find fun where we can. Yep, you may not be able to go to a gallery or play team sports, but you can still shirk your cooking and cleanup duties and let someone else prepare dinner. In the wake of the restrictions on public gatherings, many restaurants and cafes have shifted their operations to takeaway and delivery, so you can eat well in the comfort of your own home. And, to put your mind at ease, it's worth remembering that commercial kitchens are held to extremely rigorous food safety and hygiene practices, and most have upped their cleaning and sanitation procedures as the COVID-19 situation unfolded in Australia. For Domino's, this means daily audit checks and no human contact with the pizzas after they leave the 265-degree ovens. IT'S KEEPING PEOPLE INDOORS Obviously, the increased availability of delivery services means there are fewer people out on the streets, which can only be a good thing right now. But some places have taken it one step further. For example, Domino's has introduced a zero-contact delivery for all delivery orders place through the app or over the phone. The person delivering your meal will leave it on your doorstep and call or text you to confirm it's there — and they'll wait until they can see you've picked it up, too. This is just another simple step, facilitated by technology, to limit person-to-person contact with those outside your household. It also means you don't need to leave your house for too long and miss that live-stream of furry koalas, a theatre show or a gig. IT'S KEEPING PEOPLE EMPLOYED As the restrictions continue in an effort to manage the COVID-19 outbreak, huge job losses are occurring over many sectors, including hospitality. Maintaining (and supporting) delivery services is vital to ensuring this number does not continue to grow. In fact, it could help minimise the issue. Some companies, including Domino's, are currently seeking out temporary workers to keep up with increased demand for delivery services. The company is also supporting other essential workers with its Feeding the Frontline efforts, which delivers pizzas to those working tirelessly to support the community during this time — think healthcare, supermarket, government, education and emergency workers — to keep morale up and more people in jobs. Domino's is now offering zero-contact delivery across Australia. To order, head here.
For the dessert fiends at Gelato Messina, it isn't enough to sit in the chain's brand-new Marrickville headquarters in Sydney and dream up every kind of wild and delicious ice cream flavour that anyone could possibly think of. The Messina crew do that, and often, of course. But they also apply their sweet treat-loving minds to creating next-level limited-edition specials, often taking a beloved dish, adding gelato and then giving it another twist. Here's the latest: Messina's Vovovroom, aka its frosty version of Iced Vovo biscuits, which it has indeed made before. This time around, it's adding mango. Why? The better question is: why not? So, first everyone's favourite childhood biscuit is getting the gelato treatment — again. But because that's already been on Messina's menu, it's now adding in a flavour that most folks love just as much. Wondering what exactly the end result entails? It comes filled with layers of toasted coconut and mango gelato, plus mango salsa and shortbread. Then, it's topped with piped Italian meringue and desiccated coconut. Yes, the end result looks like the bikkies you know and love — but in a mango hue, obviously, and in a scoopable form. Messina's mango Vovovroom gelato tubs can only be ordered online on Monday, April 17 for collection between Friday, April 21–Sunday, April 23 Messina now opens its orders at various times for various places, so you'll want to hop online at 9am for Queensland and Australian Capital Territory stores, 9.15am for Victorian shops, and at either 9.30am, 9.45am or 10am depending on where you are in New South Wales. Gelato Messina's Mango Vovovroom gelato tubs will be available to order on Monday, April 17, for pick up between Friday, April 21–Sunday, April 23 — head to the Messina website for further details.
Sydney's pop-up events organiser and vintage queen Dear Pluto has operated out of the Mini-Mart Petersham collective space for 11 years now, but its fashion reign is coming to an end. The brand is hosting its last-ever vintage sale and closing its local storage space. This bitter moment, however, comes with a sweet parting gift — the brand is hosting one last blowout sale in true 'everything must go' style. It's happening this week from Thursday, June 13 till Sunday, June 16, with prices starting at just five bucks. Expect heaps of 1950s through 1990s fashion up for grabs, for both men and women. Every last garment will be on sale, including Christian Dior dressing gowns, Adidas track suits and even one very special 1960s pink fur coat. These endless racks of quality threads will be on serious discount, too, starting with a $5 sale bin. If you already have enough in your wardrobe but can't miss out on a good quality shop, the collective's other tenants will be open for a browse as well — think indoor plants, 'lewd' cards by Millie Hall and other artisan homewares aplenty. There will be no restocking, so serious shoppers will want to get in early. The sale will run Thursday and Friday from 11am–6pm, Saturday from 9am–4pm and Sunday from 10am–3pm.
Comprising 100 spa locations in Australia, Endota is one of the largest companies offering pampering treatments across the country. At its Crows Nest spa, you can book in for relaxation, remedial or deep tissue massages on any day of the week. Its team uses certified organic products across all its facials, massages and beauty treatments, and if you're rushed for time they offer express appointments, too, starting from 30 minutes for a facial ($95). But you should plan in some time to truly relax. Endota Spa at Crows Nest has six treatment rooms all up, plus two double treatment rooms with luxury spa baths — perfect for sharing the experience with a loved one. Simply here for some crucial maintenance? You can also get manis, pedis, waxing and spray tans. Image: Andrea Piacquadio
I imagine that Travis Cotton, the writer and director of Robots Vs Art, was watching Arnie curl his fingers into a gloriously corny thumbs-up towards the conclusion of Terminator 2 when he decided that the notion of robots being able to feel and emote needed to be revisited with more meta, and that that decision resulted in the creation of his incredibly entertaining play. Robots Vs Art is set in a dystopian (or utopian, depending on your stance) future where humans have been eradicated by their humanoid creations and sent to work in mines to source energy for the now-sustainable world the robot overlords rule. However, fate intervenes for Giles (Daniel Fredriksen) — the last human alive — when Master Executive Bot (Simon Maiden) charges him with the task of making robots feel through the final frontier they are yet to conquer, art. What ensues is one of the funniest plays I have seen in some time. It is littered with brilliant one-liners — "wanker detected" will bring a smile to my face for the foreseeable future — and expertly written jokes about the theatre industry that Mr and Mrs Normal Viewer can also enjoy. The didactic dictionary-defined nature of the robots also provides some side-splitting moments. However, it is the physical humour of Clawbot (Paul Goddard) that steals the show. Goddard is magnificent as the dysmorphia-suffering robot, and he provides the heartiest laughs of the evening, both when he attempts to pick up a pencil with his claw hands and later with his over-the-top acting of 'being taken aback', which still has me giggling hours later. He is brilliantly supported by Maiden, who becomes hilarious once he explodes with emotion, and Natasha Jacobs, who plays the fembot Gib to perfection, right down to her meticulously hypnotic double blinks. The play has its flaws; Fredriksen's performance is ironically unemotional as our human hero Giles, the scene changes are clunky and dislocating, and the ending is quite abrupt. However, these do not detract from the overall enjoyment that Robots Vs Art delivers, and it delivers it in spades. It is a thoroughly entertaining and witty, 80-minute exploration of the value of art that will more than quench your thirst for hilarious theatre.
Those seeking free WiFi will no longer need to spend hours lurking in their local McDonald's thanks to the development of 4sqwifi, an application that uses Foursquare to locate WiFi spots and give you their passwords. Apostolos Papadopoulos and Giannis Poulakas are the pair behind the app, and state that their vision is be "everywhere and always connected." They also stress that the product is still in its development stage, although a version is currently avaliable for free from the iTunes store. Features in the first version include "venue check-in, Twitter/Facebook sharing, in-app tip section for each venue so people can add WiFi passwords within 4sqwifi, map view and hell knows what more." The app works worldwide, and will be perfect for those who seek some urgent urban bandwidth. [Via TechCrunch]
Imagine that you had become an international superstar playing Harry Potter, then spent more than a decade as the beloved character in one of the biggest movie franchises there is. Once your wizarding time was over, you'd probably want to take on a whole range of weird, wonderful and vastly different projects. Daniel Radcliffe, the only person who fits the above description, certainly seems to be following that path — and his latest action-comedy might just be the wildest entry on his post-Boy Who Lived resume so far. Since the HP films wrapped up back in 2011, Radcliffe has played a man who wakes up with horns protruding from his head in the aptly titled Horns, as well as Victor Frankenstein's apprentice Igor in the terrible movie that's conveniently named Victor Frankenstein. He also transforms into a corpse in Swiss Army Man — a corpse whose farts make it skim across the ocean like a jet ski. And, in the first season of great TV sitcom Miracle Workers, he's an angel trying to save the world from a slacker God (Steve Buscemi). Next, though, Radcliffe is stepping into the shoes of a snarky video game developer — one who is forced into a real-life fight-to-the-death game. His ordeal is also being live-streamed as part of an illegal death-match fight club channel called Skizm. Oh, and he has guns bolted to his hands. That's the premise of Guns Akimbo, which seems to combine elements of Battle Royale, Man of Tai Chi, Scott Pilgrim vs. the World and Nerve into one clearly, gleefully over-the-top package. As seen in the movie's just-dropped new trailer, Radcliffe's character, Miles, has to try to survive when he's thrust into the city-wide game — and navigate a world where brutal gladiator-style fights have become mass entertainment. The film also stars Ready or Not's Samara Weaving and Flight of the Conchords' Rhys Darby, with New Zealand filmmaker Jason Lei Howden (Deathgasm) behind the lens. Check out the trailer below: https://www.youtube.com/watch?v=ZOFatKD0Vzo&feature=emb_logo Guns Akimbo will start screening around Australia on February 28 at special event screenings.
It can be hard to connect with a story happening a world away — until you see a photograph that makes it feel like it's taking place next door. Sydney's Reportage Photo Festival, back for its 10th year and held across the National Art School East Sydney and the Australian Centre for Photography, celebrates this moment of insight from photographers around the world. In the exhibition Guantanamo: If the Lights Go Out, the UK's Edmund Clark captures the environment of the Guantanamo Bay detention centre in stark and surprising compositions. Not only that, he juxtaposes these images with those of homes the inmates have returned to as well as the naval base that is home to the American personnel. The contrast of the domestic, military and eerie imparts its own meanings on the trauma of imprisonment. Alongside, Stephen Dupont's Afghanistan: The Perils of Freedom 1993-2009 takes a long, intimate and knowing view of a country in turmoil. This year Reportage will also be exploring the impact of new online media platforms on documentary photography. In a unique project, photographer Billy Plummer will curate a selection of Flickr's best — a tough task from among millions of users uploading some 5000 images per minute. Irreverent portraiture and computer-friendly square formatting are trends highlighted in the exhibition, titled Reportage Without a Cause: The Rise of Flickr. If you've missed this festival's first decade, you can get acquainted with highlights such as Adam Ward's images of the 2005 Cronulla Riots and Jack Picone's photography of Burmese refugees at Reportage: A Retrospective 1999-2009, a free, outdoor exhibition at the National Art School. You can also catch the projections photo essay series, talks, masterclasses with Stephen Dupont and Jack Picone and the big-time, internationally touring and very worthwhile Annie Liebovitz: A Photographer's Life, 1990-2005 at the MCA. Image by Edmund Clark.
On the third Saturday of every month, Ernest Place is transformed into a bustling marketplace with food stalls, clothing, bric-a-brac, antiques and more. The market is organised by The Rotary Club of North Sydney who is also responsible for a number of other markets in the area. Take a leisurely stroll browsing through the market stalls, grab a bite to eat from one of the many food stands and maybe relax in a nearby pub afterwards. The market offers a lively and diverse space to catch up or meet new friends and take in some excellent artisanal products and rare finds. Or, if you're looking to kick-start your passion project or new business, new stalls are always welcome and encouraged to get involved.
In life and onstage, singer-songwriters Archie Roach and Ruby Hunter shared plenty. On-screen over the past year, they shared frames in exceptional documentary Wash My Soul in the Rivers Flow, too. And, come 2023, the pair will share a sculpture celebrating and commemorating their work and legacies, which is set to become a permanent fixture in Fitzroy. The Melbourne suburb will welcome a piece that hasn't yet been commissioned and designed, but will be overseen by the Wurundjeri Woi-wurrung Cultural Heritage Aboriginal Corporation and Yarra City Council, as well as Roach and Hunter's family members. That process will start now, in preparation for unveiling next year, with the Victorian Government putting $287,000 towards the statue. [caption id="attachment_859315" align="alignnone" width="1920"] Jacinta Keefe[/caption] "I remember good times with my dear baby brother Archie in Fitzroy and with Ruby right beside him," said Roach's sister Myrtle Evans in a statement announcing the news. "We shared many good times here together as a family. Being back here reminds me of those times. I miss those times now. May the spirit of dear Archie and Ruby always be here." Both Roach and Hunter, who passed away earlier in 2022 and in 2010 respectively, enjoyed careers worthy of the heartiest of tributes. It's aimed for the statue to become a landmark for fans to visit, including from within Melbourne, across Victoria, interstate and beyond. The pair's individual achievements are immense, with Ruby's 1994 record Thoughts Within the first solo album released by a First Nations female artist — and Roach's 'Took the Children Away' a powerful anthem for the stolen generations since 1990. Ruby was inducted into the National Indigenous Music Awards Hall of Fame in 2020, and Archie was named Victorian of the Year the same year. The statue will also recognise Roach and Hunter's work with Melbourne's First Peoples communities, including via the Archie Roach Foundation since 2014. "Uncle Archie's and Aunty Ruby's passion for their people inspired these gifted songwriters. They produced lyrics that not only touched the hearts of millions but educated a nation on the Stolen Generations," said Wurundjeri Elder Uncle Colin Hunter. Fitzroy's new sculpture celebrating Archie Roach and Ruby Hunter will be installed and unveiled sometime in 2023. We'll update you when further details are announced — and keep an eye on the City of Yarra website in the interim. Top image: Wash My Soul in the Rivers Flow, Sandy Scheltem.
The bars that exist in five star hotels are a different breed. Grain bar, perched at the Four Seasons on George Street, epitomises this said breed. This newbie has a quiet elegance, A grade barmen and waiters who know what you want before you do. A prototype of eating and drinking decadence, Grain is the modern version of what hotel bars in the movies stand for; a place of sultry looks, sophisticated liquor and and inspiring service. Grain reflects the ethos of the bar; everything possible is carefully crafted or hand made, every ingredient is of quality. The entire interior is made of dark timber, which glows in the low yellow light engulfing the bar in cosiness. The island bar is the stand out feature, which is made of frosted glass covered in twisted pieces of Queensland Blackbutt timber, which gives the internationally branded bar a sense of location. Trays suspended at different levels hold perfectly aligned bottles of spirits aloft. The cocktail menu is a thing of wonder. The De Vines ($17), comprising grapes, elderflower and pisco shaken with lime and topped with sparkling wine is perfectly refreshing. The Eastern Promise ($19), fresh pineapple, coriander and vodka shaken with absinthe, is unlike any other cocktail I've tasted. The usually sweet pineapple is mellowed by the absinthe and as you sip, you get an incredible hit of coriander on the nose. The substantial food menu is designed to share and incredibly tempting, something we've come to expect from Hamish Ingham of Bar H. The oysters (there is a choice of three) are large and incredibly fresh, Moonlight en Surface ($4.50 each) are particularly good if your prefer them creamy and salty rather than fishy. The Old Man's Fried Salt Bush ($12) is a plant from South Australia with wide leaves that are dipped in batter, deep-fried and served with garlic aioli. This is a great drinking dish as it is salty with a fantastic crunchy texture. The flavour of the plant, however, is somewhat lost. This is a shame as the strong herbaceous, almost citrusy flavour compliments the salty batter very well. The Grain burger and fries ($21) is suited to those after something heftier; the seeded roll is stuffed full with pulled beef short rib, radish, onion and sorrel. The rangers valley hanger steak with salt and vinegar parsnip ($29.5) is cut up to share, with a salsa verde-type sauce is melt-in-your-mouth tender. I'm dying to try the Roquefort and chocolate oaties ($12) or box of tobacco chocolate almonds ($8) but am nearing on a food coma, so opt for a beer instead. My pick? The Brooklyn Lager ($11) which is amber and hoppy. So if you're in Circular Quay after a show at the Opera House, this is the perfect way to top a classy night. Make your way down to Grain quickly, because its set to dish up a full house seven days.
This year, even Christmas itself has been given an immersive, multisensory makeover, by way of an experiential new installation at Market City. It's only November, but the Chinatown precinct has already got a head-start on the festive season, with the launch of some mind-bending Christmas Infinity Rooms. Open from 10am–7pm each day until December 24, you'll find three immersive pop-up spaces, decked out with the likes of mirrors, props, high-tech lighting and graphics to create a series of illusion-filled rooms. Fittingly, they're decorated to look like giant gift-wrapped presents from the outside. Venture in and you might find yourself moving through a neon-drenched space packed with never-ending Christmas decorations, or even embarking on a journey through a mystical reindeer forest. The rooms are inspired by the likes of Yayoi Kusama and Tokyo's Digital Art Museum. And while they certainly aren't as large-scale or impressive, it's still a fun thing to do — you can snap a few yuletide selfies on your lunch break or while doing your Christmas shopping. Images: Anna Kucera.
He's quick, he's nimble and he has what you need to get through lockdown. Jimmy Brings is a booze delivery service that'll bring wine, beer and spirits to your doorstep in an unbeatable 30 minutes or less — from that bottle of champagne for an unexpected iso engagement celebration to a Couch Cuddle Pack of shiraz and Toblerone to spice up iso movie nights. Old-mate Jimmy has been delivering the goods since long before COVID-19, starting out as a late-night service in Sydney in 2011, dropping off extra drinks, snacks and even ciggies for your out-of-hand house parties. Those were the days. Now Jimmy is all grown up, with not only a long-serving history in Sydney but also a suite of drivers in Melbourne, Brisbane, Gold Coast and further afield. He's still peddling alcohol on demand, but things have stepped up a notch and you can now add in a bottle of hand sanitiser, ice and a pack of Jonny Condoms for those wild nights at home. The booze offering is a small-but-mighty range that's taste-tested by the Jimmy Brings team, and wine descriptions will make you smile. Those after organic wines can find low-preservative, punchy wines from Speak No Evil, Il Villagio and Farm Hand. There's also whites, reds and sparkling from Jolly Trotter, Heritage House and Covielle. And if you're stocking up for the long haul, there are wine bundles starting from $49.99 for six — around $8 a bottle. On the spirits and mixers front, you can make things super easy with Cheeky G&Ts, Skinny Soda and Moscow Mule packages that scoop up all the necessary ingredients for you, including soda, ice and limes, so you can add to cart without having to think too much about the logistics. A Dirty Daiquiri starter pack is $49.99 and an Aperol Spritz pack, just $42.99. Your beer, wine and bubbles are delivered cold and, as always, you can order seven days a week until 11.59pm in Sydney, and until 11pm in Brisbane and Melbourne — orders must be placed 30 minutes before closing time. Though they can't leave alcohol unattended, Jimmy Brings drivers are operating low-contact deliveries during COVID-19 times, including leaving bags on the ground and sighting your ID without handling it directly, so everyone's kept safe and happy. Never used Jimmy Brings before? Download the Jimmy Brings app and use the code 'CONCRETE' to get $10 off your first go. That's two packets of Nobby's mixed salted nuts, right there. Lucky you. Check out what Jimmy Brings can offer in your suburb. Offer expires on July 30, 2020.
If you know anything about the Hotel Rose Bay, it's probably the pub's obsession with miniature trains — up until recently, it sported a model that would skirt around the venue every hour. But an extensive renovation and a few million dollars later, and the 90-year-old pub will choo-choo no more. It will reopen on Friday, March 1 as a sleek new eastern suburbs venue. The heritage facade had been kept, but inside the space has undergone some serious work by Richards Stanisich Interiors, who raised ceilings, added more windows and doubled the interior space. It's now brighter and more airy and befits the venue's harbourside location. Rose gold finishes, terrazzo tiling and Australian spotted gum furnishings, along with an emerald granite bar, have replaced the pub's train track. [caption id="attachment_709922" align="alignnone" width="1920"] The kitchen's split king prawns with burnt butter and coastal greens.[/caption] As a result, there are now three distinct spaces on offer: the main bar and lounge with a cocktail list and share plates, the sports bar, and the 70-seat restaurant. The latter is helmed by ex-Flying Fish and Catalina executive chef Ian Royle, who's bringing his fine-dining background to pub grub. Sure, you'll find the usual fish and chips, cheeseburgers and steaks, but also a barramundi fillet with cauliflower and tamarind butter ($29.50) and soy spare ribs served with sriracha mayo ($29). Other menu specialties include the king prawns with burnt butter and native greens ($28), the free-range chicken with chilli coconut and peanut sauce ($28), and the salmon tartare with avocado, tomato ponzu and wonton crisps ($18.5). Having first opened its doors back in 1929, Hotel Rose Bay is also one of the few independent pubs around town — it's been owned and operated by the Auswild family from Bellevue Hill for over 20 years now. Hotel Rose Bay opens Friday, March 1 at 807 New South Head Road, Rose Bay. Opening hours are Monday through Saturday 10am–1am and Sunday 10am–10.30pm. Food images: Oliver Minnett.
Everyone's favourite melancholic hitmaker Post Malone is coming back to Australia later this year. The global superstar was just in the country in January and February supporting Red Hot Chili Peppers, but he must've enjoyed his time Down Under, because he's already announced a run of headline Australian shows as part of his If Y'all Weren't Here I'd Be Crying world tour. Diamond-certified multiple times over, Posty will be hitting Sydney, Brisbane and Melbourne throughout November on this run of shows. You can catch him at the Brisbane Showgrounds on Thursday, November 23; The Domain in Sydney on Wednesday, November 29; and Melbourne Showgrounds on Thursday, November 30. He's also swinging past New Zealand beforehand for a show in Auckland on Tuesday, November 21. The fun, however, does not stop there. Live Nation's tour poster for the Australian run of dates includes four other yet-to-be-announced stops: Canberra, Gold Coast, Ballarat and Perth. Interestingly, these locations lineup with where and when the touring festival Spilt Milk usually pops up. The festival is set to drop its lineup this coming Tuesday, July 4 at 8am, so it looks like Malone may be a real possibility to headline this year's edition. https://www.youtube.com/watch?v=wXhTHyIgQ_U This tour is in support of Post Malone's fifth studio album Austin which is set to arrive on Friday, July 28 featuring recent singles 'Mourning' and 'Chemical'. You can expect a career-spanning performance dipping into his most recent album, 2022's Twelve Carat Toothache, and his catalogue of global smashes like 'Congratulations', 'Rockstar', 'Sunflower' and 'Circles'. Check out the poster for Post Malone's Australian tour below — featuring the Sydney, Melbourne and Brisbane shows, as well as the unannounced Canberra, Gold Coast, Ballarat and Perth dates. View this post on Instagram A post shared by Live Nation Australia (@livenationaustralia) POST MALONE: IF Y'ALL WEREN'T HERE I'D BE CRYING AUSTRALIAN AND NEW ZEALAND TOUR DATES Tuesday, November 21 — The Outer Fields at Western Springs, Auckland Thursday, November 23 — Brisbane Showgrounds, Brisbane Wednesday, November 29 — The Domain, Sydney Thursday, November 30 — Melbourne Showgrounds Post Malone is touring Australia and New Zealand in November 2023. Tickets for Australian shows go on sale online on Monday, July 13 — at 1pm in Brisbane, 12pm in Sydney, and 11am in Melbourne, with pre-sales via Vodafone from Thursday, July 6 and from Live Nation on Tuesday, July 11. For more information, head to the tour website. Tickets for New Zealand shows go on sale online at 12pm on Thursday, July 13, with pre-sales via One NZ on Thursday, July 6 and from Live Nation on Tuesday, July 11. For more information, head to the tour website. Top image: Chrisallmeid
Staying in, getting cosy and inviting your friends over to watch a stack of TV shows has become a tried-and-tested winter pastime — but what if you've seen everything that's out there? Firstly, of course you haven't. But thanks to the huge range of content available, it can often feel that way. Perhaps you've just worked your way through all of the stuff that you know about and just can't bring yourself to keep scrolling through pages of options. Plus, we all know how picking a new show can go down when you're in a group and everyone has a different must-see priority. That's where we come in — we've teamed up with Aussie internet service provider MATE to take the stress out of choosing what to watch. If MATE can get you easily sorted with NBN access (with no contracts and locally based support teams), then we can make whiling away the hours with your pals and a TV screen much simpler. Gather the gang, microwave some popcorn, and put someone in charge of drinks and other snacks — you and your squad have a date with these seven ace shows. https://www.youtube.com/watch?v=xQaCxIJX0J0&feature=youtu.be GLOW Big hair, big drama, colourful costumes, strong women: that's the Gorgeous Ladies of Wrestling (or GLOW). In the 80s, when putting anyone other than men in the ring was considered a mere novelty act, GLOW emerged to prove that notion wrong. Now, three decades later, Netflix's series of the same name charts the ups and downs on both sides of the ropes. Starring Alison Brie and Betty Gilpin as struggling actors who find their place among GLOW's formidable ladies, as well as Marc Maron as the director who helps turn the all-female concept into a TV series, the show finds the perfect balance between comedy, drama and OTT wrestling action. Even better — when the third season hits at the end of July, taking the gang to Las Vegas, Geena Davis joins the cast. Where to watch: Netflix. https://www.youtube.com/watch?v=SpDUMdULVZg DETROITERS It has only been out for mere months, but Netflix's I Think You Should Leave with Tim Robinson has already proven one of the most bizarre and brilliant comedies in recent years. The sketch show isn't Robinson's first amusing outing, however. He also spent a couple of seasons on Saturday Night Live, and co-starred in (and co-created and co-produced) the hilarious sitcom Detroiters. Featuring opposite Veep's Sam Richardson, Robinson plays a Detroit advertising agency creative with more than a few out-there ideas — but that term describes his life working beside his best pal anyway. While it screened in the US in 2017, the show's ten-episode first season is a new arrival to Stan, includes guest stars such as Jason Sudeikis and Keegan-Michael Key, and is sidesplittingly funny. Where to watch: Stan. https://www.youtube.com/watch?v=Z1UjEaO4qd8 COLONY Given the current state of the world, dystopian sci-fi can scratch a cathartic itch — at least aliens haven't landed and taken over the planet, right? That's the premise behind Colony, which follows a Los Angeles family of five as they try to navigate the new world order under extraterrestrial rule. The otherworldly visitors are happy to let a few chosen humans keep the rest in their place with force, which headstrong cop Will Bowman (Lost's Josh Holloway) and his wife Katie (The Walking Dead's Sarah Wayne Callies) are willing to risk their lives to fight against. As well as giving Holloway another chance to unleash his no-nonsense charms, the series is suspenseful, engaging and relevant. Two seasons are available on Netflix, and keep an eye out for the third. Where to watch: Netflix. YOUNG AND PROMISING It's been two years since Girls wrapped up and, if you're still feeling the show's absence, it's time to head to Norway. With four seasons available to stream on SBS On Demand, Young and Promising is the Scandinavian equivalent. It's not a remake, but given that it follows struggling millennials Nenne (Gine Cornelia Pedersen), Elise (Siri Seljeseth, who is also the show's writer) and Alex (Alexandra Gjerpen) as they chase their dreams, it tackles similar themes and dramas — especially since they're all trying to work in creative arenas. Norwegian TV isn't just about Nordic noir, after all, as the series' highly relatable central trio try to balance love, work and life in general. Where to watch: SBS On Demand. https://www.youtube.com/watch?v=hfe5xQ1M7Jw JEOPARDY! 2019 has been huge for Jeopardy!, the highly addictive American game show that gives contestants the answers and asks them to respond with the questions. The program hit its 35th year, and also welcomed a professional Las Vegas gambler as a contestant — who bet big, won big and made series history. But there's never a bad time to watch Jeopardy! — or is there a bad episode for that matter. Netflix keeps cycling through the show's past, so you can catch some retro 80s, 90s and 00s fashions while you're playing along at home and battling your mates. At the time of writing, the season premieres for the show's first 32 years are all available, as are the episodes from the time that host Alex Trebek asked two of Jeopardy!'s biggest-ever winners to test their skills against a supercomputer. Where to watch: Netflix. https://www.youtube.com/watch?v=yfSUxKtgMDw YOU CAN'T ASK THAT The idea behind ABC's You Can't Ask That is so simple, it's almost surprising that someone hasn't thought of it before. In each episode, a range of traditionally marginalised Australians answer questions — and yes, as the title makes plain, they're the kind of queries people are usually afraid to ask. Basically, it's a Reddit AMA on TV. With each episode focused around a specific subset of the population, the thought-provoking series gives its subjects a chance to challenge stereotypes, counter discrimination and tell their own tales. Across four seasons so far, everyone from Indigenous Aussies, the short-statured, ex-prisoners, the terminally ill and refugees to ice users, former cult members, folks over 100, priests and carnival workers have featured. As well as opening your eyes, the show is certain to get you and your friends talking. Where to watch: ABC iview. https://www.youtube.com/watch?v=xzsy-haNy1E PEEP SHOW If you haven't seen this classic British sitcom by now, then it's time to address that gap in your viewing. Peep Show first aired back in 2003, but its view of share house life never gets old — or any less relevant. Comedians David Mitchell and Robert Webb play south London friends Mark and Jeremy. One is awkward and uptight, the other free-spirited and irresponsible, and they both make terrible decisions about their lives. With nine seasons each spanning six episodes each, the pair's antics cover bad jobs, different girlfriends, huge fights, chaotic weddings, crazy parties, children — and just generally trying and failing to be adults. Oh, and before she won an Oscar for The Favourite, Olivia Colman also co-starred. Where to watch: Netflix. Make home internet usage hassle-free by signing up to MATE. For more information on packages, visit the website. Top Image: Detroiters.
"Darling it's better down where it's wetter" isn't just a line The Little Mermaid fans have had stuck in their head for the last two decades. Come the beginning of 2019, it's also the first thing likely to pop into the minds of anyone heading to one particular Norwegian restaurant. Set to open in the coastal village of Båly in the country's south, Under will plunge hungry patrons into watery surroundings, offering more than just the usual scenic vistas. At this eatery, diners will be tucking into their dishes underwater. To be specific, they'll be feasting on seafood under the sea — if you're going to open a space underneath the ocean, you have to serve up the fish, which is just what head chef Nicolai Ellitsgaard will be doing. Visitors will descend down three colour-coded levels to sip sparkling tipples in a champagne bar that boasts views of the shoreline, before enjoying meals in the completely submerged dining room. The latter sits five metres below the water's surface, and is surrounded by panoramic acrylic windows for quite the aquatic view. For those wondering about pressure and safety, metre-thick concrete walls will keep everyone nice and dry, in a structure designed by architecture firm Snøhetta. Describing the space as "a sunken periscope", the building will be constructed not only to wow those stepping foot inside, but to fit in with its surroundings. The grey exterior colour scheme will blend in with the rocky coastline, and coarse surfacing will encourage molluscs to cling on. Indeed, over time it's hoped that Under will become an artificial mussel reef. As well as offering a memorable place to eat, the project also aims to champion biodiversity, functioning as a research centre for marine life. This will include informational plaques educating visitors about the area, helping to expand not only the list of places you've tucked into a meal, but your knowledge. Start planning your 2019 Scandinavian trip now. Images: Snohetta.
Of all the new TV shows that are heading to streaming in 2023, only one has a groove and a meaning. Well, only one is based on a movie with a theme song that claims that, at least. And yes, you now have that tune stuck in your head — because 'Grease', the track, is that much of a catchy and persistent earworm. The entire Grease soundtrack is, and perhaps the tunes that come with Grease: Rise of the Pink Ladies will be as well. This new prequel series steps back into the 70s-made, 50s-set musical rom-com's world, giving its titular girl gang an origin story. Based on both the initial teaser and the just-dropped full trailer, Rise of the Pink Ladies is hopelessly devoted to taking that task seriously. Here, in a ten-episode series set to stream via Paramount+ in Australia from Friday, April 7 — with New Zealand airing details yet to be revealed — it's the 1954–55 school year. It's also when the eponymous young women are given words of warning about appropriate behaviour. "Ladies, you must be careful with whom you associate," Assistant Principal McGee (Jackie Hoffman, Only Murders in the Building) tells them in the first trailer. "A girl's reputation is all that she has." Welcome back to Rydell High, clearly, but before Danny (John Travolta) and Sandy (Olivia Newton-John) walked its halls. If the OG Grease and its tale about an Australian transfer student falling in love with an American high schooler in California is the one that you want — always — then you'll know that this franchise hasn't ever just been about the hit 1978 movie anyway. Before it became a silver-screen classic, it was a popular stage musical. After the first film's success, it spawned a 1982 Michelle Pfeiffer-starring sequel, too. Pink jackets, T-Birds, dance scenes (including while wearing mechanics' overalls), a new take on a familiar track advising that Grease is indeed the word: they're all included in show's two sneak peeks so far. Cast-wise, Marisa Davila (Love and Baseball), first-timer Cheyenne Isabel Wells, Ari Notartomaso (Paranormal Activity: Next of Kin) and Tricia Fukuhara (Loot) play the four teens who start the Pink Ladies, and are joined on-screen by Shanel Bailey (The Good Fight), Madison Thompson (Emergency), Johnathan Nieves (Penny Dreadful: City of Angels), Jason Schmidt (FBI: Most Wanted) and Maxwell Whittington-Cooper (The Photograph). This isn't the last time that all things Grease will pop up again, either — not including the stage musical and OG movie's enduring popularity, of course — with a Danny and Sandy-focused prequel flick Summer Lovin' also in the works. Check out the full trailer for Grease: Rise of the Pink Ladies below: Grease: Rise of the Pink Ladies starts streaming via Paramount+ in Australia on Friday, April 7. New Zealand release details haven't yet been revealed — we'll update you when further information comes to hand.
Sydney's dining scene is not only well-known across Australia, it has a reputation around the world as being one of the best. And that's, in part, thanks to a handful of legendary dishes. Our fair city is home to pancakes regularly eaten by the Japanese Prime Minister and a dessert The New York Times described as "the world's most Instagrammed cake". With the help of American Express, we've rounded up the dishes that helped put Sydney on the map — and still hold up today. Bookmark this list and start ticking them off.
Hankering for a visit to Europe this year, but don't have the cash? Skip the plane trip and head along to The Rocks' French-inspired Christmas in July Village, set to coincide with Circular Quay's Bastille Festival. The market will take over Argyle Street for four days and nights, from Thursday, July 11 until Sunday, July 14. To make it feel as authentic as possible, 25 wooden chalets (more than twice as many as last year) will be shipped in from France. These little shacks will be set up around the area, with vendors serving up heart-warming snacks, mulled wine, freshly roasted chestnuts, a gingerbread house and Christmasy creations. The markets will open at 10am each day, but it's when the sun goes down that things will really get magical. Snow will be falling from the skies, all thanks to snowfall machines — and it'll pair perfectly with a very European blanket of fairy lights, Christmas pines, and a soundtrack of English and French Christmas carols. Expect a Club Med ski village vibe, too, with old ski racks dusted with snow, a pop-up ice skating rink for kids, and a Christmas-themed pop-up bar for adults (only) complete with cocktails and karaoke. The Christmas in July Village will take place over four nights, from from 10am–11pm each night except Sunday, which will wrap up at 9pm. If you can't wait till then, then visit the regular Friday Foodie Markets that take place in the Rocks every week from 9am–3pm. Updated May 19.
This summer, the National Gallery of Australia comes to life with a major exhibition on two greats of the modern art movement. Matisse & Picasso presents an Australian-first gathering of the iconic works of Henri Matisse and Pablo Picasso, with the pair's intense friendship and rivalry considered a defining factor behind contemporary art's development during the 20th century. The pair first met in 1906 when Picasso was essentially unknown to the art world, but Matisse was already considered one of the avant-garde's most prominent artists. Staying close throughout their lifetimes, they looked to each other's work, responding and challenging their peer to stay on the cutting-edge. As Picasso explained to one of his biographers Pierre Daix, "No one has ever looked at Matisse's painting more carefully than I; and no one has looked at mine more carefully than he." Running until April 13, 2020, Matisse & Picasso showcases more than 200 paintings, sculptures, prints and costumes. Across many of their most famous works, Matisse & Picasso makes the artists' intrinsic connection clear. The exhibition has been designed so instead of walking from start to finish, you'll be wandering back and forth between the artworks as the similarities emerge. To give you a head start before your visit to the NGA, we've picked out six artworks that you can't miss at Matisse & Picasso. [caption id="attachment_756083" align="alignnone" width="1920"] 'Woman by the Sea', Pablo Picasso (1922). Bequest of Putnam Dana McMillan, Minneapolis Institute of Art. Copyright Succession Picasso/Copyright Agency.[/caption] PABLO PICASSO: WOMAN BY THE SEA (1922) Following the First World War, both Picasso and Matisse demonstrated a deep fascination with classical Greek art and stories. A distinct departure from the Cubist aesthetic that he's best known for, 'Woman by the Sea' is one of many paintings with dreamy human figures set against plain landscapes that Picasso would go on to produce. Taking inspiration from the ancient statue known as Venus de Milo and a sculpture of the Greek goddess Hera that he saw in Naples, for this work, Picasso translates the relaxed posture and flowing dress of the marble structure into a two-dimensional format. [caption id="attachment_756086" align="alignnone" width="1920"] 'Woman by a Window', Henry Matisse (1920–22). Gift of Ferdinand Howald, Columbus Museum of Arts, Columbus. Copyright Succession H Matisse/Copyright Agnecy.[/caption] HENRI MATISSE: WOMAN BY A WINDOW (c. 1920-22) As you look over the art of Matisse, one of the most common motifs that repeatedly appears is his use of open windows. Following the end of the war, a despondent Matisse retreated to southern France where he found inspiration within the soft colour palette and charming interiors of the region. Turning his hotel rooms into art studios, these intimate quarters provided him with a new creative drive that became emblematic of his art. "[Matisse] was inspired by the southern light and painted a series of light-filled hotel rooms facing the sea," explains NGA's Curator of International Painting & Sculpture Simeran Maxwell. "When Picasso paid homage to Matisse after his death, he used this distinctive device in his own paintings." [caption id="attachment_756092" align="alignnone" width="1920"] 'Reading', Pablo Picasso (1932). Musée Picasso, Paris. Copyright Succession Picasso/Copyright Agency. Photo: RMN Grand Palais[/caption] PABLO PICASSO: READING (1932) Throughout Matisse and Picasso's lengthy careers, the various women in their lives often became the subjects of their artworks. Reading features one of Picasso's most adored muses, Marie-Thérèse Walter, whose face and figure was interpreted in a variety of ways through dozens of paintings and sculptures. Reading also demonstrates a significant change in artistic direction for the Spanish artist, showcasing his newfound interest in bold colours and patterning — a style that Matisse had been using to great effect within his artwork. [caption id="attachment_756096" align="alignnone" width="1920"] 'Seated odalisque', Henry Marisse (1926). Gift of Adele R Levy Fund Inc 1962, The Metropolitan Museum of Arts, New York. Copyright Succession H Matisse/Copyright Agency.[/caption] HENRI MATISSE: SEATED ODALISQUE (1926) Following trips to Morocco in 1912 and 1913, Matisse became fascinated by the bright clothing, distinct architecture and the daily life of the locals, which was so foreign to him having only experienced life in France. One way that the North African experience influenced his artwork was the inclusion of models dressed as odalisques — members of harems — alongside vibrant textiles that he had collected during his visit. For this work, Matisse "uses an appliquéd wall hanging as a backdrop for model Henriette Darricarrère dressed in Moroccan pantaloons and a sheer blouse," explains Maxmwell. [caption id="attachment_756102" align="alignnone" width="1920"] 'The studio', Pablo Picasso (1955). Presented by Gustav and Elly Kahnweiler 1974. Accessioned 1994, Tate. Copyright Succession Picasso/Copyright Agency.[/caption] PABLO PICASSO: THE STUDIO (1955) Over two weeks in 1955, Picasso painted 11 canvases of the studio in his Cannes villa known as La Californie. While the idea of the artist within the studio was something that Picasso explored many times during his career, this series stands out as the structure of the building is the central focus of the work. With the studio one of the subjects that often appeared in Matisse's work, it's been suggested that Picasso created this series in direct response to his contemporary's death the previous year. As Maxwell describes it, "One of Matisse's longstanding subjects was an interior scene with a view through a window. Here Picasso adopts this idea, as homage to his late rival." [caption id="attachment_756101" align="alignnone" width="1920"] 'Annelies', Henri Matisse. Purchased 1981, National Gallery of Australia. Copyright Succession H Matisse/Copyright Agency.[/caption] HENRI MATISSE: ANNELIES (1946) Matisse was best known for his colourful paintings and sculptures. But he often expressed the belief that drawing was the most intimate way to translate a subject onto the page. In 1946, he met Dutch model and artist Annelies Nelck, who would spend six years living with Matisse and posing for his artwork. "He would repeatedly draw the model from all possible angles with a deliberate, confident and clean series of lines," explains Maxwell. "When viewed in order, it would appear as if Matisse had been circling his model as he worked." Matisse described this process of repetitive and intensive creative process as "a cinema film of a series of visions". Matisse & Picasso is on display at the National Gallery of Australia, Canberra until April 13, 2020. Tickets and exhibition information are available on the NGA website. Top images: Installation view of Matisse & Picasso, National Gallery of Australia, Canberra, © Succession Picasso/Copyright Agency 2019, © Succession H. Matisse/Copyright Agency 2019.
Hanna (Saoirse Ronan) is just your typical 15 year-old girl. She Lives in a remote hut in Finland with her ex-CIA father (Eric Bana), speaks half a dozen languages, is proficient in martial arts and can shoot the wings off a fly from fifty yards. So she's typical in the way any girl might be — assuming that girl has been raised from birth to be an assassin. It seems a questionable approach to home schooling until you learn that both Hanna and her father have been marked for death by corrupt CIA agent and oral-hygiene-fetishist Marissa Wiegler (played by Cate Blanchett), resulting in a nasty case of kill or be killed. Directed by Joe Wright, Hanna is a tense and often violent thriller that marks a solid departure from his last three films (The Soloist, Atonement and Pride and Prejudice). It's a dark, gritty and largely soulless picture that closely mirrors both the characters and the bleak European locations within it. Ronan absolutely shines in the lead, with the juxtaposition of her ethereal beauty and remorseless killing resulting in some moments of exhilarating action and unexpected comedy. Much like Chloë Moretz’s character Hit Girl from Kick Ass, Hanna kills quickly and she kills often, but she does so without the same sense of joy. Killing is instead pure necessity, with her father constantly reminding her to “adapt or die”. It's a film where you see a young girl cornered in a dark alley by a group of heavily armed men, and you feel genuinely nervous for the men. All the music for Hanna was provided by dance duo The Chemical Brothers, doubtless inspired by the success of Daft Punk’s brilliant original score from last year’s Tron, and at times it gives the movie an almost music video feel — especially during one of the key chase sequences. While the film ultimately lags towards the end due to an unnecessary plot twist, its sleek action scenes and solid performances make it definitely one worth catching if you can.
Pirates of Australia: prepare to panic and startle the parrot perched on your rough, sea dog shoulder. The Pirate Bay, the worst enabler of petty criminality in Australia (probably), will be blocked in the next 15 days. According to ABC News, in a case before the Federal Court of Australia, Foxtel and Village Roadshow have asked for five major torrent sites, including The Pirate Bay, to be blocked by major internet service providers. Other sites include Torrentz, TorrentHound, IsoHunt and SolarMovie. It'll be up to the ISPs to decide how to do the blocking. In what is presumably favourable news for piraters, the ISPs haven't been granted a rolling injunction, which means new sites can't be added to the block list as they spring up. This means mirroring can (and most probably will) spring up, making the whole legal exercise a little redundant. One commenter on the ABC post offered their experience of similar legal orders in the UK. What the lack of rolling injunction means is that if a site like TorrentHound (which doesn't actually exist anymore), closes down and restarts under a different name, they will have to go back to court to shut it down. It's been noted (again and again, mind you) that VPNs are an easy and cheap way around the blocks, but Graham Burke — co-chief executive of Village Roadshow, who, as well as being one of the copyright-holding applicants, have also proposed a plan to fine illegal downloaders — told the ABC he doesn't think they are a significant issue. "The experience overseas is not many people use VPNs because they cost money as well," he told ABC News. Sure thing. While the outcome of this court case doesn't worry most people — and there's nothing in the act that mentions any fines or penalties for people who try to access the blocked sites — the precedent has been set, so it'll be easier in future to litigate. In a live Facebook video chat, ABC journalists Will Ockenden and Jake Sturmer note that piracy rates have dropped since sites like Presto, Netflix and Stan have become widely available in Australia, so it's possible a solution is out there. What did they expect, though? Australia was colonised by a steady stream of low-key crims from the start. If they could have downloaded bread in the 1700s, you know the convicts would have been racing home every Monday to download the latest tastiest loaf from HBO. Via ABC News.
A couple hundred comedians walked into a bar. And then a theatre. And then a club. And then the Enmore Theatre. Brace your funny bone because it's Sydney Comedy Festival time — and this year's lineup down not disappoint. David O'Doherty, Jason Byrne and Stephen K. Amos are just some of the big international acts who'll come flying into town (and, boy, will their arms be tired). They'll share the stage with stellar locals acts including Becky Lucas, Rhys Nicholson, Nazeem Hussain and Demi Lardner. And that's to say nothing of the endless amateurs and up-and-comers who'll by cracking jokes through the festival, which runs from April 23 right through until May 20.
What sits at the heart of European storytelling? That's a question that one of Australia's must-attend film festivals has been pondering for three years. It was back in 2022 that Europa! Europa initially started showcasing the breadth of cinema from across Europe — surveying as many countries as it can fit into each annual program, and swinging from the latest to the greatest pictures from across the continent. 2025's event kicks off in February to explore that idea again. Attending Europa! Europa's opening night this year means discovering what makes a French box-office hit, for starters. A Little Something Extra, directed by comedian and actor Artus, was its nation's highest-grossing homegrown movie of 2024. When it kicks off this Australian film fest in Sydney and Melbourne on Wednesday, February 12, it'll start the celebration of cinema with a tale about jewel thief and his son at a summer camp for young adults with disability. Returning to Ritz Cinemas Randwick in Sydney, plus both Classic Cinemas Elsternwick and Lido Cinemas Hawthorn in Melbourne — both for a month, running until Wednesday, March 12 — Europa! Europa has compiled a roster of 44 movies from 26 countries. Accordingly, its latest program lets viewers dig into what drives filmmaking from Austria, Belgium, Bulgaria, Denmark and Estonia, and also Greece, Italy, Luxembourg, Poland, Spain, Switzerland and Ukraine. Titles from Bosnia and Herzegovina, Czech Republic, Finland, Germany, Georgia, Montenegro, Norway, Romania, Serbia, Slovakia, Slovenia, Sweden and the United Kingdom are on the list, too. Unsurprisingly, the largest contingent comes from France. Indeed, Gallic cinema provides Europa! Europa with its centrepiece film as well — and it's an Australian premiere, with Once Upon My Mother stepping back to the 60s. The festival's headliners bring big-name talents, as well as touching documentaries to Sydney and Melbourne. In Another End from The Wait director Piero Messina, Gael García Bernal (La Máquina) plays a mourning widower exploring tech-enhanced ways of facing grief, with Renate Reinsve (Presumed Innocent) and Bérénice Bejo (Under Paris) co-starring. The Dardenne brothers (Tori and Lokita) co-produce the Belgian tennis academy-set Julie Keeps Quiet, while Sweden's 2025 Oscar submission The Last Journey hails from Swedish journalists and TV hosts Filip Hammar and Fredrik Wikingsson, and focuses on a trip to France with the former's father. Still on familiar faces, Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan Academy Award-nominee Maria Bakalova (The Apprentice) leads the satirical Triumph, French standouts Daniel Auteuil (An Ordinary Case) and Sandrine Kiberlain (November) get farcical in Love Boat, and Mélanie Laurent (Freedom) and Guillaume Canet (All-Time High) portray Marie Antoinette and Louis XVI in their final days in The Flood. Other highlights from the fest's slate of new titles include Spain's I Am Nevenka, about an IRL MeToo case; U Are the Universe, a Ukranian sci-fil film made during the current war; the Sundance-premiering Sebastian, about a writer who is also a sex worker; Anywhere, Anytime, a modernisation of Italian masterpiece Bicycle Thieves; and Loveable, from the producer of The Worst Person in the World — and the list goes on. Europa! Europa's annual retrospectives keep proving a drawcard, too. After shining the spotlight on Poor Things and Kinds of Kindness director Yorgos Lanthimos in 2024, the festival is jumping back into French film history by heroing the iconic François Truffaut. Four of the French New Wave filmmaker's movies are on the lineup, all showing as new 4K restorations: Shoot the Piano Player, The Soft Skin, Two English Girls and Finally, Sunday!. Europa! Europa Film Festival 2025 Dates Wednesday, February 12–Wednesday, March 12 — Ritz Cinemas Randwick, Sydney Wednesday, February 12–Wednesday, March 12 — Classic Cinemas Elsternwick and Lido Cinemas Hawthorn, Melbourne Europa! Europa will screen in Sydney and Melbourne from Wednesday, February 12–Wednesday, March 12, 2025. For more information or to buy tickets, head to the festival's website.
UPDATE, October 2, 2020: Official Secrets is available to stream via Google Play, YouTube Movies and iTunes. When Keira Knightley came to fame kicking a soccer ball in Bend It Like Beckham, her steely determination played a considerable part. The English actor does purposeful and plucky with aplomb — earning Oscar nominations in Pride & Prejudice and The Imitation Game — and they're traits that keep serving her well nearly two decades after her big break. In fact, they're perfect for her latest role. Stepping into Katharine Gun's shoes in Official Secrets, Knightley is the epitome of dedicated and purposeful, as a British security services agent-turned-whistleblower needs to be. That focus keeps shining, too, as her version of Gun weathers the personal, professional and legal repercussions for her actions in trying to thwart the 2003 invasion of Iraq, including breaching the United Kingdom's Official Secrets Act. Yes, there's no doubting where Official Secrets found its title. Even if you weren't across this fairly recent incident, there's no guessing where the film is headed, either. But, working in the same tense mode as he did with 2015's Eye in the Sky, director/co-writer Gavin Hood still treats Gun's rousing true tale like a thriller with good reason — the ins and outs are stirring and gripping. His clear-eyed procedural also proves riveting because it remains immensely relevant, as do the reasons behind Gun's leak of classified documents to start with. While it was once rightfully considered scandalous, politicians, governments and leaders routinely lying to the public has become a regular part of life today; but daring to speak truth to power — and to force those in power to speak the truth — is still rare. It's an ordinary day for Gun when, during her usual translation and analysis duties for British intelligence, she receives an extraordinary email. Sent from a National Security Agency chief, the communication requests help gathering information about United Nations diplomats, in the hope of convincing the seven non-permanent members of the UN Security Council to vote for military action. Her superiors say that nothing is amiss, but using blackmail to send the world to war doesn't sit well with Gun. Once she sends the document to a friend, who then passes it on to a journalist, it doesn't sit well with Observer reporter Martin Bright (Matt Smith) either. After his front-page story hits newsstands, global outrage naturally follows. So does a spiteful investigation by Britain's powers-that-be, who'd rather attack Gun than admit any wrongdoing. As pieced together with workmanlike precision by Hood, who clearly understands the significance of the story, Gun's plight has many moving parts. Her Turkish husband Yasar (Adam Bakri) is seeking asylum in England, something that's unsurprisingly used against her. After she enlists a veteran human rights lawyer (Ralph Fiennes), she's told that she's not allowed to discuss her work with anyone, including legal counsel, or she'll face further charges. When Bright convinces his pro-war Observer editors to run with the story, an innocent internal error gets conspiracy theorists on the attack as well. Gun is an average Brit calling out wrongdoing in her workplace — wrongdoing with worldwide consequences — and she faces her government's wrath for doing so, but she's steadfast in standing by her actions. Gun is tenacious, courageous and committed — and yet, crucially, she's just a regular person. That's another reason that Official Secrets resonates so strongly. The film's subject is employed by British security services to gather intelligence, so on paper she's a spy, but she's really just someone sitting behind a computer, doing her job, and daring to challenge the status quo when it conflicts with her sense of right and wrong. Indeed, for all of Knightley's skill at playing insistent, dogged and earnest, she also captures this truth, as does Hood's polished yet never slick direction (a Bourne or Bond-style flick, this isn't). Official Secrets lurks in nondescript offices and watches everyday folks go about their work, while managing a delicate balancing act in the process, ensuring that Gun is a flesh-and-blood figure rather than a simplified martyr. This is also a movie with a clear outcome in mind and an overt emotional path, although that comes both with the territory and with telling this tale today. Many of the film's supporting players are tasked with underscoring the story's importance — Smith, Fiennes, Matthew Goodes and Rhys Ifans as other journalists, and Jeremy Northam as the public prosecutor eager to put Gun in her place — however Knightley utters the line that couldn't sum up Official Secrets better. Her character is yelling at the TV while watching the news and, yes, it feels relatable as it sounds. "Just because you're the Prime Minister, it doesn't mean you get to make up your own facts," she notes as Tony Blair talks about Iraq. Try not to injure yourself nodding forcefully in agreement. https://www.youtube.com/watch?v=3IVuxnXFrl8
For Queenslanders, Bundaberg Rum is the nectar of the gods. To its most devoted admirers, it is known as 'sugarcane champagne', a colloquial fan term that Bundy has now officially co-signed in a new 'sparkling' beverage the distillery is releasing in partnership with Uber Eats. The creation is called Maison de Bundy's Blanc de Cane, a faux-pretentious riff on champagne house nomenclature, and is an alcoholic ginger beer made with white Queensland cane spirit and Bundaberg Ginger Beer. Not to be confused with the Dark 'n' Stormy, this drop doesn't actually contain rum per se — rather, white cane spirit is the base spirit used to make rum. The resulting beverage is super sweet, extremely easy to drink (4% ABV) and is best served cold on ice with a squeeze of lime. The good news for rum fans and Bundy collectors: They're giving the stuff away for free. This Friday, June 10 and Saturday, June 11 at Leonards and Dawn in Brisbane, The Civic Hotel in Sydney and The Sporting Globe in Melbourne (the Richmond location), you can turn up, show bar staff the Uber Eats app on your phone along with proof of ID and you'll get a free 640ml bottle. The bad news? Maison de Bundy's Blanc de Cane comes in an extremely limited run of one thousand bottles so you'll want to set your alarm. It will be available in the aforementioned venues from 5pm on Friday until they're all gone. There are people out there who will line up for these like BTS fans lining up for concert tickets. One thousand Maison de Bundy's Blanc de Cane will be available across selected Australian venues. Just show your Uber Eats app and proof of ID to claim a 640ml bottle this Friday, June 10 and Saturday, June 11.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=-jWZ6P1rWy4 FIRST COW Gone are the days when every image that flickered across the screen did so within an almost square-shaped frame. That time has long passed, in fact, with widescreen formats replacing the 1.375:1 Academy aspect ratio that once was standard in cinemas, and its 4:3 television counterpart. So, when a director today fits their visuals into a much tighter space than the now-expansive norm, it's an intentional choice. They're not just nodding to the past, even if their film takes place in times gone by. With First Cow, for instance, Kelly Reichardt unfurls a story set in 19th-century America, but she's also honing her audience's focus. The Meek's Cutoff, Night Moves and Certain Women filmmaker wants those guiding their eyeballs towards this exquisite movie to truly survey everything that it peers at. She wants them to see its central characters — chef Otis 'Cookie' Figowitz (John Magaro, Overlord) and Chinese entrepreneur King-Lu (Orion Lee, Zack Snyder's Justice League) — and to realise that neither are ever afforded such attention by the others in their fictional midst. Thoughtfully exploring the existence of figures on the margins has long been Reichardt's remit, as River of Grass, Old Joy and Wendy and Lucy have shown as well, but she forces First Cow's viewers to be more than just passive observers in this process. There's much to take in throughout this magnificently told tale, which heads to Oregon as most of Reichardt's movies have. In its own quiet, closely observed, deeply affectionate and warm-hearted fashion, First Cow is a heist movie, although the filmmaker's gentle and insightful spin on the usually slick and twist-filled genre bucks every convention there is. Initially, after watching an industrial barge power down a river, First Cow follows a woman (Alia Shawkat, Search Party) and her dog as they discover a couple of skeletons nearby. Then, jumping back two centuries and seeing another boat on the same waterway, it meets Cookie as he's searching for food. Whatever he finds, or doesn't, the fur-trapper team he works with never has a kind word to spare. But then Cookie stumbles across King-Lu one night, helps him evade the Russians on his tail, and the seeds of friendship are sown. When the duo next crosses paths, they spend an alcohol-addled night sharing their respective ideas for the future. Those ambitious visions get a helping hand after the Chief Factor (Toby Jones, Jurassic Park: Fallen Kingdom) ships in the region's highly coveted first cow, with Cookie and King-Lu secretly milking the animal in the dark of night, then using the stolen liquid to make highly sought-after — and highly profitable — oily cakes. Read our full review. https://www.youtube.com/watch?v=vcOP5kQrABk WRATH OF MAN With revenge thriller Wrath of Man, filmmaker Guy Ritchie (The Gentlemen) and actor Jason Statham (The Meg) reunite. The pair both came to fame with Lock, Stock and Two Smoking Barrels, repeated the feat with Snatch, then unsuccessfully tried again with Revolver, but they've spend the past 16 years heading in their own directions. During that stretch, the former subjected the world to his terrible Sherlock Holmes films, fared better with left-field additions to his resume like The Man From UNCLE and Aladdin, but didn't quite know what to do with King Arthur: Legend of the Sword. The latter has become an action go-to over the same time — with both forgettable and memorable flicks resulting, including three Fast and Furious movies and a stint scowling at Dwayne Johnson in the franchise's odd-couple spinoff Hobbs & Shaw. Thankfully, now that they're collaborating again, they're not just interested in rehashing their shared past glories. From Wrath of Man's first moments, with its tense, droning score, its high-strung mood and its filming of an armoured van robbery from inside the vehicle, a relentlessly grim tone is established. When Statham shows up shortly afterwards, he's firmly in stoic mode, too. He does spout a few quippy lines, and Ritchie once again unfurls his narrative by jumping between different people, events and time periods, but Lock, Stock Again or Snatch Harder this isn't. Instead, Wrath of Man is a remake of 2004 French film Le Convoyeur. While walking in someone else's shoes turned out horrendously for Ritchie with the Madonna-starring Swept Away, that isn't the case with this efficient, effective and engaging crime-fuelled effort, which finds its niche — and it's a new one for its central duo, at least together. Statham plays Patrick Hill, the newest employee at the Los Angeles-based cash truck company Fortico Securities. On his first day, his colleague Bullet (Holt McCallany, Mindhunter) dubs him H — "like the bomb, or Jesus H," he says — and the nickname quickly sticks. H joins the outfit a few months after the aforementioned holdup, with the memory of the two coworkers and civilian killed in the incident still fresh in everyone's minds. So, when gunmen interrupt his first post-training run with Bullet and Boy Sweat Dave (Josh Hartnett, Penny Dreadful), they're unsurprisingly jumpy; however, H deals with the situation with lethal efficiency. Cue glowing praise from Fortico's owner (Rob Delaney, Tom & Jerry), concern from his by-the-book manager (Eddie Marsan, Vice) and intrigue about his past from the rest of the team (such as Angel Has Fallen's Rocci Williams and Calm with Horses' Niamh Algar). Read our full review. https://www.youtube.com/watch?v=6MGhAbSsKtQ LAND Pitting humanity against nature is one of cinema's favourite setups; however, when movies dwarf a lone soul in their expansive surroundings, then watch them try to survive, the medium endeavours to explore exactly what makes us tick. The mere sight of a single figure attempting to endure against the elements can send a potent message, reminding viewers of how small we each are compared to the planet we live on, how fleeting our existence ultimately proves in its lengthy history and how witnessing one day following the next is never a given for anyone in any situation. Like everything from Into the Wild and The Grey to All Is Lost and Arctic before it, Land conjures up these ideas and themes within its hauntingly beautiful frames. It also boasts the space and patience to ponder the impressions our traumas and tragedies leave, too. None of these notions are new or unique, and Jesse Chatham and Erin Dignam's (Submergence) screenplay doesn't ever pretend otherwise or treat them as such. Rather, this thoughtful drama knows that it's traversing well-worn and universal territory, and that films past and future will continue to walk similar paths — but director and star Robin Wright (Wonder Woman 1984) is also well aware that continually interrogating and reevaluating why we're here, where we fit into this world, what we choose to do with our lives, and how we change and evolve along the way is what makes us human. In her filmmaking debut after helming ten episodes of House of Cards over the years, Wright plays Edee, a woman who can only see one way to cope with the type of pain, loss and heartbreak that has forever upended life as she once knew it. With a trailer filled with tinned and dry food, she escapes to the Wyoming wilderness, where nothing but a rustic cabin, clear lakes, trees and mountains as far as the eye can see, and the occasional animal awaits. But when a bear destroys her food supplies and the region's frosty winters prove punishing beyond her expectations, Edee struggles to find the peace she seeks. Enter the kindly Miguel (Demián Bichir, Godzilla vs Kong), a kindred spirit with his own troubles to work through, and with his own draw to the land as well. When done badly, movies about finding solace and strength in the great outdoors threaten to turn the "nature is healing" trope into a movie, but Land isn't that feature. It doesn't unravel a romance against cinematographer Bobby Bukowski's (Irresistible) scenic imagery, either. Instead, it watches as Edee works through the minutiae of her chosen new existence, faces challenges, rediscovers the value of having even just one person to reach out to and slowly comes to terms with who she is after all she's been through. Wright's internalised performance is phenomenal, and although its final act moves too quickly, this is always a compassionate, poignant and affecting film. https://www.youtube.com/watch?v=hrpibk1CgUw CLIFF WALKERS 2016's Matt Damon-starring The Great Wall might've threatened to prove otherwise, but when Zhang Yimou makes a movie, it usually demands attention. The Chinese filmmaker's 1988 debut Red Sorghum won Berlinale's Golden Bear, 1991's Raise the Red Lantern remains stunning on multiple levels, and 2002's Hero, 2004's House of Flying Daggers and 2018's Shadow remain dazzling examples of the wuxia genre at its finest. With new release Cliff Walkers, the acclaimed director toys with an espionage narrative. Jumping into the spy realm is new for him, but when the film starts with sweeping shots of snowy Manchukuo — a Japanese-controlled state in China's northeast in the 30s and 40s, and the site of a death camp that's pivotal to the story — it's clear that he's behind the lens. Indeed, these frosty moments are so visually striking that, when the white landscape gives way to terse, tense altercations on trains and then within the city of Harbin, feeling disappointed is an instant side effect. Zhang has a meticulous eye for streets and interiors, too, however. And, for secret exchanges and fraught chases also. Benefiting from the filmmaker's regular director of photography Zhao Xiaoding as well, there isn't a single shot in Cliff Walkers that doesn't demand attention. Even the sight of fallen snow collecting in the brims of the hats worn by the feature's characters boasts its own beauty. Within its eye-catching frames and amidst its entrancing era-appropriate production design, Cliff Walkers tracks four Chinese operatives who've been tasked with rescuing a survivor of a massacre at the Manchukuo camp from the Japanese authorities — a job that's filled with peril from the outset. After parachuting into the snow in the feature's vivid and alluring opening, Zhang (Zhang Yi, The Eight Hundred) and Lan (Liu Haocun, A Little Red Flower) tackle one part of the mission, while their romantic partners Yu (Qin Hailu, The Best Is Yet to Come) and Chuliang (Zhu Yawen, The Captain) are paired up and saddled with the other. It's the 30s, and double-crossing, double agents and danger all follow, as does betrayal, heartbreak, tests of loyalty and hard choices. The film that unfurls doesn't overflow with surprises, plot-wise, but Zhang and first-time feature screenwriter Quan Yongxian focus on the details, making every coded interaction and suspenseful altercation as gripping as the movie's multi-layered cat-and-mouse games. After his previous picture, One Second, was pulled from the 2019 Berlinale at the last moment — officially due to "technical difficulties" — Cliff Walkers' patriotic leanings don't come as a shock; however, it doesn't dampen the film's visual splendour or involving narrative, either. https://www.youtube.com/watch?v=24umxshK1f8 TWIST Forget watches, calendars and social media reminders that tell you what you were doing on this day years ago whether you like it or not — when it comes to conveying the passing of time, the entertainment industry has a surefire tactic. There's nothing quite like seeing the now-grown child of a famous face start appearing on-screen to make you realise how quickly the seconds, minutes, hours and more melt away. Twist is the latest film to have that effect, thanks to the first-time lead actor that plays the titular Charles Dickens-penned character. Rafferty Law looks exactly like his father, sounds like him and has the same stare that's worked so well for the latter for years, including in The Third Day and The Nest of late. He also appears here opposite Michael Caine, who Jude Law co-starred with in 2007's Sleuth; however, this isn't quite the start to his big-screen career that the younger Law would've hoped for. A modern version of Oliver Twist that reframes the famed orphan as a freerunner and graffiti artist who leaps between London's rooftops and tags the tallest of buildings, it's the update that no one could've asked for — including the teenage audience it's targeting. And, at a time when even Guy Ritchie is moving on from his usual bag of tricks with Wrath of Man, it enthusiastically follows in his decades-old footsteps. Presumably director Martin Owen (Killers Anonymous), screenwriters John Wrathall (The Liability) and Sally Collett (The Intergalactic Adventures of Max Cloud), and the seven other folks given either idea or additional material credits just couldn't handle living in a world where Lock, Stock and Two Smoking Barrels and Dickens hadn't crossed paths. There are no gruelling orphanage scenes in Twist, but there is a criminal mastermind called Fagin (Caine, Tenet), a gang of light-fingered pickpockets led by Dodge (Rita Ora, Fifty Shades Freed) and an abusive villain named Sikes (Lena Headey, Game of Thrones). When the eponymous teenager falls into their company, he's rightly apprehensive; however, he just wants to belong, even if that means becoming part of an art heist. If it wasn't for fellow building-leaping crew member Nancy (Sophie Simnett, Daybreak), Twist mightn't fall in as thickly with the thieves as he does. But Owen and his fellow creatives never let a cliche pass by. Similarly, as their hero and his new pals plot to pilfer paintings from gallery owner Losberne (David Walliams, Murder Mystery), the film doesn't miss an opportunity to spout hackneyed dialogue, fill its soundtrack with oh-so-literal choices and throw in more parkour whenever it seems that a few minutes might tick along without it. Caine should've left his Dickensian escapades to The Muppets Christmas Carol, while everyone else should've expended more than a couple of seconds thinking about this flimsy wannabe caper. And, while Rafferty Law's presence might remind the audience that time passes so quickly that multiple generations of families keep popping up on our screens (see also: Scott Eastwood in Wrath of Man, Lily-Rose Depp in Voyagers and John David Washington in Tenet, just to name a few), Twist makes its 88-minute running time feel like an eternity. https://www.youtube.com/watch?v=UN9RO5SnnCs THE DEVIL HAS A NAME In one of the many courtroom scenes in The Devil Has a Name's second half, Californian almond farmer Fred Stern (David Strathairn, Nomadland) takes the stand in the $2 billion lawsuit that he has brought against Shore Oil. He's demanding compensation for the poisoning of the land beneath his property for the past ten years, and the questioning and corresponding testimony turns to matters of intention and knowledge — with Stern pointing out that the energy behemoth mightn't have deliberately contaminated his farm initially, but it also didn't change its ways once it discovered the environmental effects of its actions. Instead, regional director Gigi Cutler (Kate Bosworth, Force of Nature) sent a flunky (Haley Joel Osment, Extremely Wicked, Shockingly Evil and Vile) to try to buy Stern off. The latter's foreman Santiago (Edward James Olmos, Mayans MC) immediately questioned the motives behind the deal, but it took the sight of toxic water streaming out of his shower to inspire Stern to fight. As told in flashbacks by a whisky-swilling Cutler to Shore Oil's slimy CEO (Alfred Molina, Promising Young Woman), the resulting battle sees lawyers both crusading (Martin Sheen, Judas and the Black Messiah) and corporate (Katie Aselton, The Unholy) become involved, a villainous fellow company employee (Pablo Schreiber, First Man) endeavour to derail Cutler, Stern's property threatened and Santiago's undocumented status given a public airing. Olmos also directs The Devil Has a Name, working with a script by first-timer Robert McEveety. Just like the company at its centre, their film has an intention-versus-reality problem. Taking its cues from the very real water contamination wars in Central Valley, passion, anger and a worthy point pump through the feature. But The Devil Has a Name isn't merely the latest in a long line of sincere dramas about corporate exploitation of natural resources and the very real consequences for everyday folks, as seen with Dark Waters, Promised Land and Erin Brockovich. Thanks to its overboiled tone, Bosworth and Molina's scenery-chewing, Schreiber and Osment's utter cartoonishness, and its eager bluntness, it strives for the comic causticity that Thank You for Smoking applied to the tobacco industry and I Care a Lot to legal guardianship. Finding a sense of balance between earnest and darkly comedic isn't Olmos' strength, though, and nor is pairing social activism with exaggerated melodrama. It doesn't help that Reynaldo Villalobos' (Windows on the World) cinematography always appears to be moving, with little reason, or that Bosworth is only ever asked to be in femme fatale or hysterical mode. When any combination of Strathairn, Olmos and Sheen share the screen, however, it's easy to see how The Devil Has a Name would've worked without its soapy, over-the-top quirks — but that's not the movie that Olmos has made, sadly. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15 and April 22. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident and The United States vs Billie Holiday.
Bill Murray. Zombies. As movie-goers learned ten years ago, it's a winning combination. But Zombieland is no longer the only way to see the beloved film star enter the realm of the shuffling undead. Thanks to upcoming comedy The Dead Don't Die, Murray dwells in a world of re-animated corpses once more — and it's now his job to fight them. The latest flick from filmmaker Jim Jarmusch, this zom-com spends time with a trio of small-town cops (Murray, Adam Driver and Chloë Sevigny), who discover that their new case has quite the twist. As the movie's first trailer tells us, "in this peaceful town, on these quiet streets, something terrifying, something horrifying is coming". Yes, that something is zombies, the undead or ghouls, as Driver's character explains. Cue plenty of comic battles against brain-munching foes, as well as plenty of appearances by famous folks — including Tilda Swinton, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Sara Driver, Selena Gomez and Carol Kane, plus Iggy Pop, RZA and Tom Waits. Murray (Coffee and Cigarettes, Broken Flowers), Driver (Paterson), Swinton (Only Lovers Left Alive) and Buscemi (Mystery Train) have all worked with Jarmusch before, as has the movie's trio of musicians, but don't go expecting something familiar here. As all of the above flicks have shown, and Night on Earth, Dead Man, Ghost Dog: The Way of the Samurai and documentary Gimme Danger too, the writer/director has never been fond of making the same film twice. The Dead Don't Die will hit Aussie cinemas on October 24. But if you're in Sydney, you can catch it at this year's Sydney Film Festival, where it will screen over three sessions on June 14, 15 and 16. There are still tickets available to them, so we recommend booking them in now. In the interim, prepare for a wacky yet deadpan addition to the zombie fold, complete with Murray hanging out in a cemetery and Swinton playing a sword-wielding mortician. Check out the deadly trailer below: https://www.youtube.com/watch?v=bs5ZOcU6Bnw The Dead Don't Die will hit Australian cinemas on October 24, 2019. It will also screen at Sydney Film Festival on June 14, 15 and 16. You can get those tickets here. Updated: May 20, 2019.
Truffle season is nearly upon us and Sydney's top eateries are reminding us why every dish should have (at least) a touch of this luxe ingredient. From truffle-topped pasta and waffle fries to truffle-infused dumplings and gelato, you can find this decadent fungus all over the city this winter. There's even a few venues going all out with truffle degustation dinners, too. With so many tasty options to choose from, we've narrowed down the list to set your truffle priorities straight. Sweet or savoury, you won't be disappointed with these six dishes — they'll make you forget all about that winter chill. TRUFFLE EGG SANDO, DEVON CAFE At its locations in Surry Hills, Barangaroo and North Sydney, Devon Cafe is serving up a dedicated truffle menu this season. While the exact dishes vary from place to place, one item that caught the attention of our taste buds is the truffle egg sando ($20). Combining fluffy white bread, omelette, mushroom pâté and shaved truffle, this is a tasty a twist on a Japanese classic. It'll be available at both Barangaroo and North Sydney shops from June 2 through to the end of August. If you're keen on something sweet to end the meal, try the cafe's truffle sundae ($23) — truffle-infused soft serve, honey and sea salt, served in a waffle cone or cup and topped with frosted corn flakes and more fresh truffle. TRUFFLE AND FOIE GRAS GELATO, GELATO MESSINA HQ July is the perfect time to check out Gelato Messina's Creative Department — the gelato fiend is adding truffles to all of its dishes for a ten-day series of eight-course gelato degustation dinners. Head chef Remi Talbot has sourced elite perigord black truffles from nearby Parkesbourne Produce farm. Expect brioche and foie gras gelato with black truffle sauce; pistachio and black truffle gelato with matcha and white chocolate fudge; and grilled kumquat sorbet with koji cream, wattleseed and black truffle. Paired with each is an equally creative non-alcoholic drink, like the lemon myrtle and macadamia bubble tea, or the pineapple, white soy and shiitake sparkling. The degustation will only be available in Sydney from July 4–13 and tickets are $160 per person. These dinners are known to sell out remarkably quickly — with only eight seats per night — so grab yours here. BLACK TRUFFLE XIAO LONG BAO, NEW SHANGHAI New Shanghai is celebrating all things truffle across its Westfield Sydney, Chatswood and Ashfield venues with a dedicated menu of Chinese favourites — all given a truffle twist, of course. We're most excited to try the black truffle xiao long bao ($12.9 for four), which arrive in jet black dumpling wrappers. Think of that soup dumpling taste you know and love, then taken to the next level with that distinct truffle flavour. Other special menu items on the list include truffle and mushroom wonton soup ($14.9), black truffle pot stickers ($16.9 for five) and truffle fried rice $19.9). We reckon you should aim for truffle overload and order the lot. It's available from the start of June until the end of truffle season. FOUR-COURSE TRUFFLE FEAST, FRATELLI FRESH This winter, Fratelli Fresh will showcase the decadent fungus with a series of four-course truffle feasts. The tasting menu will cost you a pretty reasonable $69 per person and includes the likes of truffled potato veloute, ricotta agnolotti in a truffle butter and parmesan sauce and wagyu rump with truffle mash and braised leeks. Finish off with a particularly tasty sounding truffle-infused tiramisu. The truffle-fueled dinner will hit Fratelli Fresh Bridge Street on June 17, Westfield on June 18, Crows Nest on June 19 and Alexandria on June 20, starting at 6.30pm each night. To book, head here. [caption id="attachment_723666" align="alignnone" width="1920"] Kimberley Low[/caption] TRUFFLE WAFFLE FRIES, THREE WILLIAMS One signature truffle dish that can be found throughout eateries this season is truffle fries. And Three Williams is putting its own spin on the popular menu item, using waffle fries as the base and topping them with a gooey three-cheese sauce, fresh truffle and chives ($22). It's part of the Redfern cafe's dedicated truffle menu, which also features truffle peking duck with angel hair pasta in a ginger-infused cream sauce ($38), truffle mac and cheese-stuffed croissant with jamon and poached egg ($35) and an especially decadent brioche french toast with truffle ice cream, gold feuilletine and chocolate brownie ($29). The new menu will launch on Saturday, June 1. [caption id="attachment_723663" align="alignnone" width="1920"] Nikki To[/caption] TRUFFLE-TOPPED HAM HOCK CARBONARA, OTTO SYDNEY Returning for its second year, Otto Sydney will again offer a special truffle service throughout the winter season. This means guests can add freshly shaved truffle to any dish on the menu. The kitchen staff will finish off your dish tableside— or, if you're really lucky, head chef Richard Ptacnik will come out himself to adorn your dish with truffle. Pictured above is the ham hock carbonara, lovingly topped with big ole' shaving of this delectable stuff. But you don't have to stop there. Truffle-topped beef tartare with horseradish and capers? Yum. Potato gnocchi with braised lamb shoulder and shaved truffle? Done. A non-traditional seared scallops with this black fungus? Go for it. The restaurant is expecting to start offering truffles mid-June and price will depend on the market. Last year, truffle service was $25 for five whole grams of the stuff. Top images: Truffle sundae, Devon; Truffle french toast and pasta, Three Williams by Kimberley Low.
It's an unlikely combination, but one we can totally get behind. Ken Done, the master of pre-school chic, and Scott Ludlam, the champion of all parliamentary smackdowns, are among the killer names lined up for the next Men of Letters event in Sydney. Writing about the women that changed their lives, these exceptional specimens will be dishing out some serious wisdom at The Basement on Sunday, October 19. An offshoot of Marieke Hardy and Michaela McGuire's hugely successful Women of Letters, this event will mark the fourth time men have been invited to the stage. Alongside Done and Ludlam will be TV personalities Andrew O'Keefe and Ian 'Dicko' Dickson. Hip hop artist Buck 65 and Queensland poet and rapper Omar Musa will be keeping things smooth and lyrical. The stage will feel like home to director of the Sydney Theatre Company Patrick McIntyre and writer, director and performer Nick Coyle. Even sports stars get a look in, with Brett Kirk of the Sydney Swans also penning a letter for the event. Though you may not have heard of the final speaker, you would definitely familiar with his work. Neil Lawrence was the brains behind the 'Kevin 07' campaign. Let's hope he brings some of that creative genius to play on the day. For those that haven't yet been to a Women (or Men) of Letters event before, it's a lot more than just storytelling. With a DJ set by Zan Rowe, flowing wine and letter writing by everyone involved, this could be the perfect time to pen your secret love letter to Scott Ludlam. Or Ken Done, if squiggly pictures of the Opera House are more your thing.
What's better than a film festival that brings the best and brightest new Japanese movies to Australian cinemas each year? One that also returns a few months later with a solely digital lineup that you can check out from your couch. Yes, after the IRL Japanese Film Festival last hit locations around the country in late 2021, it's now time for the Japanese Film Festival Online for 2022, aka your next excuse to indulge in your Japan obsession without hopping on a plane. This year's online program spans 17 films over two weeks, screening from Monday, February 14–Sunday, February 27. That gives you plenty of choices, plus ample time to catch comedies, mysteries, dramas, documentaries and more — some from the past year or two, others dating back to 2008. And, in particularly exceptional news, they're all streaming for free. Highlights include the food focused Mio's Cookbook and The God of Ramen, with the former offering up a period drama about a young chef and the latter honing in on famed Tokyo figure Kazuo Yamagishi; mystery Masked Ward, which unleashes its thrills and twists in a hospital; It's A Summer Film, about a high schooler obsessed with old samurai flicks; and comedy Happy Flight, as set during an emergency flight from Tokyo to Honolulu. While you won't pay a thing to watch, you do still need to register via the fest's website.
AH Shop Salon, housed in the heritage-listed old Newtown Post Office building, is part salon, part store, and part co-working space for local creatives. It's easy to see why the community loves it. First of all: the stunning space is airy, open, and filled with natural light and greenery. Secondly, the salon, which was founded in 2015, is now filled with dedicated hairstylists and beauty experts who care about their customers first and foremost. Treatments range from hair cut, colour and keratin treatments to facials, custom intravenous infusions and lash treatments. The space also stocks dozens of top-tier beauty and lifestyle brands, including Helmut Lang, Murad, Christophe Robin and Maison Balzac. You'll find everything you need to look and feel good in one place. Images: Arvin Prem Kumar
Aaron Hobson has taken some breathtaking landscape photographs of remote locations scattered across the globe, and all without leaving the comfort of his own computer screen. From the haunting energy of undisturbed forests in France to roads that wrap around mountainous Spain, Hobson has captured each of these picturesque moments using Google Street View. Hobson says that he began using Google Street View to discover possible shooting locations for a film, but soon found himself clicking away for miles along deserted roads, all for his own pleasure. He also says that he uses Google Street View in High Definition, so that the photographs only require a few minutes of editing before they are put on show. His work has garnered so much attention that last week his website buckled under the pressure of 50,000 views in one day. This isn't the first time that Google Street View has been used to create an artistic work. Last week we featured the remarkable Address is Approximate, a stop motion animation film by Tom Jenkins. This film uses a clever combination of Google Street View and everyday objects to create a quirky sense of travel and distance. The use of Google Street View by these online explorers proves that the world is now literally in the palm of our hands. [via Mashable]
It's been a busy 12 months or so for Qantas. The Australian airline launched 17-hour non-stop flights from Perth to London, started eyeing off even lengthier trips direct from the east coast to the UK and US, and introduced biofuel into its jaunts from Melbourne to Los Angeles. Now the carrier is kicking off the new year by earning a highly sought-after accolade, being named the safest airline to travel on in 2019. It's not the first time that Qantas has achieved the feat. In fact, the Aussie carrier has topped AirlineRatings.com's list for six years in a row. Entering its 99th year of operation, the airline emerged victorious from a pool of 405 carriers from around the world, with Virgin Australia and Air New Zealand also making the site's top 20. The other 17 airlines — which aren't ranked by number — span Alaska Airlines, All Nippon Airways, American Airlines, Austrian Airlines, British Airways, Cathay Pacific Airways, Emirates, EVA Air, Finnair, Hawaiian Airlines, KLM, Lufthansa, Qatar, Scandinavian Airline System, Singapore Airlines, Swiss, United Airlines and Virgin Atlantic. If you're a budget-conscious flyer, the website also outlined the ten safest low-cost airlines. Jetstar is one of them — and it's joined by Flybe, Frontier, HK Express, Jetblue, Cook, Volaris, Vueling, Westjet and Wizz. Factors that influence a carrier's placement on the two lists include crash and incident records, safety initiatives, fleet age, profitability, and audits by aviation governing bodies, industry bodies and governments. At the other end of the scale, five airlines received the lowest rankings: Ariana Afghan Airlines, Bluewing Airlines, Kam Air and Trigana Air Service. Via AirlineRatings.com.
Cronulla is best known for its two main surf beaches, but if you venture along the promenade that hugs the picturesque coastline, you'll find a treasure trove of smaller beaches and pools. Shelly Beach Rock Pool is one of them. It's the jewel in the crown of Cronulla's smaller swimming spots and a popular place for picnicking families — not only because of its quiet beauty, but also because it's easily accessible with a pram or wheelchair. Here, there's a ramp that leads straight into the water making it a more inclusive place for swimming. The ocean pool is a great place for beginner-friendly snorkelling, as it is closed off to keep out larger ocean creatures and large waves, but is home to small and friendly varieties of sea life. It is also right next to sprawling grass lawns and a playground so, after you're done swimming, you'll have plenty of space to spread out and enjoy lunch and a lie down in the sunshine. [caption id="attachment_805728" align="alignnone" width="1920"] Stef2230 via Flickr[/caption] Top image: Destination NSW
Haunting strains of bluegrass music flow through Belgium's tear-jerking entry to last year's Academy Awards. Such mournful melodies are a fitting accompaniment to the story, about two musicians whose marriage begins to crumble after their daughter succumbs to terminal cancer. Despite the miserable subject matter, writer-director Felix Van Groeningen eschews unchecked histrionics for honest, bittersweet emotion. Actors Johan Heldenbergh and Veerle Baetens have devastating chemistry as shell-shocked parents Didier and Elise. A banjo-playing cowboy and a music-loving tattoo-artist respectively, they're a free-spirited pair brought crashing down to earth by six-year-old Maybelle's unexpected diagnosis. The best moments in the movie are undoubtedly the songs; a mix of classics and original compositions performed in key scenes by Didier, Elise and their band. In these moments in particular, Van Groeningen finds his harmony between beauty, sorrow and joy. Read our full review here. The Broken Circle Breakdown is in cinemas on Thursday, May 15, and thanks to Entertainment One, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=raaHRyBtIEo
