When you're Australia's oldest film festival and you screen hundreds of movies each and every year, how else do you keep standing out after notching up seven decades of cinema celebrations? If you're the Melbourne International Film Festival, you start your own major accolade. That was MIFF's approach in 2022, when it announced the new $140,000 Bright Horizons Award. Adding the gong to its lineup annually, the Victorian capital's major film fest has just revealed its 2023 winner: Senegalese-French love story Banel & Adama. When you're such a long-running event and you show so many flicks year in and year out, how do you highlight newcomers worth knowing about? That's the Bright Horizons Awards' remit. In 2023, 11 titles were chosen to compete again as part of the festival's full lineup, but only one could emerge victorious. That winner hit Melbourne fresh from playing in-competition at Cannes, and marks the feature debut of Franco-Senegalese writer/director Ramata-Toulaye Sy. Banel & Adama follows it titular characters (Khady Mane and Mamadou Diallo), who are happily in love in a rural village in Senegal's north. But when Adama shies away from being the future chief, their romance — which has already been complicated by Banel being married off to Adama's older brother Yero first — sparks repercussions. Sy cast her star-cross'd lovers-focused film not only with first-time actors, but with non-professionals hailing from the region she uses as her setting. She also shot her movie entirely in the Pulaar language, a variant of Fulah from the area. To take out the 2023 Bright Horizons Award, Banel & Adama competed against features such Australian efforts Shayda (MIFF's opening-night film) and The Rooster (starring Hugo Weaving, Love Me); 2023 Cannes Un Certain Regard winner How to Have Sex, about three British teen girls on a boozy getaway; Earth Mama, an A24 release by Grammy-nominated music video veteran Savanah Leaf; and Inside the Yellow Cocoon Shell, which follows a musical journey across the Vietnamese countryside. Also, Disco Boy stars German talent Franz Rogowski (Great Freedom) and Animalia explores an alien invasion in Morocco. Fellow contender Tótem, which spends a single day with a seven-year-old, earned a Special Jury Mention for Mexican actor-turned-director Lila Avilés (The Chambermaid). Picking Banel & Adama as the winner, and showing Tótem some love: co-jury presidents Saul Williams and Anisia Uzeyman, who directed 2022's Bright Horizons-winner Neptune Frost; documentarian Alexandre O Philippe (Lynch/Oz, Leap of Faith: William Friedkin on The Exorcist); former Cannes Camera d'Or-recipient Anthony Chen (Wet Season); and Indonesian filmmaker Kamila Andini (Yuni). Announcing their selections, the jury said that Banel & Adama "is a film that speaks directly to the times with a cinematic language and landscape that challenges and confronts while drawing you into its immense beauty. A mysterious and strong first film from a young filmmaker with bright horizons". And about Tótem, it advised that "the rich subtleties and nuance of this circular story draws us in and makes us a part of its family". The MIFF jury also gives out another of fest's prizes: the $70,000 Blackmagic Design Australian Innovation Award. Also first arriving in 2022, it recognises an outstanding Australian creative from one of the festival's movies, and can span span a large number of roles, including the winning flick's director, technical or creative lead, or other craft positions. This year's recipients: Soda Jerk for their latest clip-based satire Hello Dankness, which the jury called "a clear-eyed, sharply satirical take on one of America's most troubling chapters, transformative use of existing footage, and groundbreaking manipulation thereof". The winner of 2023's brand-new First Nations Film Creative Award was also unveiled at the festival's closing night, with directors Adrian Russell Wills and Gillian Moody winning for autobiographical documentary Kindred. And, scoring 2023's MIFF Audience Award: This Is Going to Be Big, about Sunbury and Macedon Ranges Specialist School in Bullengarook staging a John Farnham-themed musical. The 2023 Melbourne International Film Festival runs until Sunday, August 20 in-person, and until Sunday, August 27 via MIFF Play, the fest's online platform.
Gathering the country's best of the best, the annual Melbourne Royal Wine Awards (MRWA) took place on Thursday 27 October at the Victoria Pavilion after receiving a colossal 2,350 entries this year (South Australia submitted the most with 967). Taking home The Champion Victorian Winery Trophy was Yarra Valley's Oakridge Wines led by chief winemaker David Bicknell. On top of its other five gold medals from this year, Oakridge also claimed Best Victorian Chardonnay in 2021. Elsewhere, Scotchman's Hill snagged The Trevor Mast Trophy for Best Shiraz for its 2021 Shiraz, an offering that was also awarded Best Victorian Shiraz. As for the coveted Jimmy Watson Memorial Trophy, Barossa vineyard Hentley Farm had the honour of claiming the title this year thanks to its Old Legend grenache featuring a medium body and notes of strawberry, red currant and nutmeg. "The Melbourne Royal Wine Awards recognise and celebrate excellence in Australian winemaking. The Jimmy Watson Memorial Trophy was first awarded 60 years ago and is the trophy winemakers from all around Australia want to win. Melbourne Royal congratulates South Australia's Hentley Farm on being the 2022 winner," Brad Jenkins, Melbourne Royal CEO, shared. Meanwhile, for the first time in a number of years, The Francois De Castella Trophy for Best Young White went to a category other than chardonnay—the Macclesfield Grüner Veltliner 2022 by Longview Vineyard in Adelaide Hills. In addition to its Francois De Castella Trophy, Longview Vineyard also earned Best Pinot Gris/Grigio, Best Single Varietal White, and Best Cabernet Sauvignon. You can check out the full list of award winners at the Melbourne Royal Wine Awards website. Top image: Kelsey Knight
Bad news for Occupy protesters: Bernado Bajana has created a new riot shield which does much more than just shield officers. Inspired by the shell of the armadillo, this has an adjustable visor which allows officers to be protected from any projectiles launched from in front or above. Furthermore, if things get real rowdy, the shield is lined with multiple taser strips. Furthermore, it has a built-in pepper spray which can reach up to 30 feet. Both of these attacks are conveniently trigger-operated. Regardless of your thoughts on protesting and police misuse of power, you've got to admit that this is a pretty nifty piece of design. It would be pretty handy to have one of these when you brave the crowds at the upcoming Boxing Day sales. Those crowds can get pretty pushy. [via TrendHunter]
It has won 11 Tony Awards. It's one of the Obamas' favourite musicals. A filmed version of its Broadway production was nominated for several Golden Globes. It was also the hit of Sydney since early 2021, and it's now making its way to Melbourne — and, if you're as keen to see Lin-Manuel Miranda's game-changing musical Hamilton as its namesake was about American politics in the 18th century, you just might be able to nab yourself a cheap ticket. As has happened with The Book of Mormon, Harry Potter and the Cursed Child and Moulin Rouge! The Musical, a ticket lottery is being held for Hamilton's Melbourne run at Her Majesty's Theatre. And, this one is cheap. Very cheap, in fact. Via Today Tix, you can sign up for your chance to score a ticket for just $10. Yes, that figure is accurate. Obviously, you won't want to throw away your shot to see the most talked-about musical of the decade for less than the price of a cocktail. To take part in the lottery, you will need to download the Today Tix app — which is available for iOS and Android — and submit your entry each Friday. The lottery will go live at 12.01am every Friday morning and close at 1pm the next Thursday, with winners drawn between 1–6pm on that Thursday. If your name is selected, you'll have an hour to claim your tickets from when you receive the good news. The first lottery will open on Friday, March 4, covering performances for dates between March 15–20. From then onwards, you'll be entering on a Friday, then hearing if you're successful on the following Thursday, all for performances that start the next week. And, if you need a reminder, you'll also be able to sign up for lottery alerts via Today Tix, too. The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. In addition to its 11 Tony Awards, which include Best Musical, it has nabbed a Grammy Award and even a Pulitzer Prize. After hitting Broadway in 2015, then West End in 2017, Australians have been finally getting their turn — including Melburnians from Tuesday, March 15. Usually, tickets will set you back $70–200 a pop, so the $10 lottery really is an absolute bargain. Thinking about heading south from interstate to be in the room where it happens? A $10 ticket obviously makes that trip to Melbourne a much cheaper option. [caption id="attachment_817298" align="alignnone" width="1920"] Hamilton, Daniel Boud, Destination NSW.[/caption] This isn't Miranda's first musical to hit Australia, of course, with his take on the classic 2000s film Bring It On: The Musical hitting Melbourne in 2018 and quadruple Tony Award-winning In The Heights playing a short season at the Sydney Opera House in 2019. While you wait for your lottery shot, you can watch the filmed version of Hamilton with the original Broadway cast on Disney+ — yes, it's as phenomenal as you've heard. Hamilton's Melbourne season kicks off on Tuesday, March 15 at Her Majesty's Theatre. Visit the musical's website for further details. To enter the Today Tix $10 lottery, download the company's iOS or Android app, and head to the company's website for more information — and to set up an alert. Top image: Hamilton, Daniel Boud, Destination NSW.
Take the Fast and Furious franchise's ongoing success and longevity, the current rush to make game-to-movie and -TV show adaptations, and everyone's affection for Stranger Things star David Harbour. Then, throw in the real-life story of a British teen who turned his love of PlayStation racing game Gran Turismo into an IRL racing career. The end result: a movie also called Gran Turismo, which will speed into cinemas this August — taking a Tetris-style approach, too, to bringing a button-mashing favourite to the screen. "Do you really think you're going to take a kid who plays video games in their bedroom, [and] you're going to strap them to a 200-mile-an-hour rocket?" They're Harbour's words, sounding characteristically cranky and unsurprisingly incredulous, in his role as Jann Mardenborough's trainer. Indeed, much of Gran Turismo's just-dropped trailer features Harbour doing his best Hopper schtick while being none too happy about the concept behind GT Academy, which is how the real-life Mardenborough made the leap behind the wheel. For newcomers to the story, and to anything beyond knowing Gran Turismo as a racing game, GT Academy did turn gamers into racers from 2008–16. Players competed through phases, including in real Nissan cars, with each year's winners scoring fast-tracked training to get an international racing license, and usually a competition slot in an international endurance race. In 2011, Mardenborough was one such winner — the youngest, in fact. So, his path from racing virtually to actually hitting the track provides the framework for the Gran Turismo film to offer something more than just speeding cars. They're still a part of the flick, of course, because it wouldn't be a GT movie without them. Alongside Harbour, Gran Turismo features Beau Is Afraid, Voyagers and Midsommar's Archie Madekwe as Mardenborough, plus Djimon Hounsou (Shazam! Fury of the Gods) as his father and Orlando Bloom (Carnival Row) as the marketing executive behind GT Academy. And, although it's a blink-and-you'll-miss-her situation in the trailer, Geri Horner — aka Spice Girl Geri Halliwell — plays Mardenborough's mother. Behind the lens, director Neill Blomkamp adds the high-octane flick to his resume after District 9, Elysium and Chappie. And if you're thinking about past instances of racing video games becoming movies, Need for Speed might've come to mind. Here's hoping that focusing on Mardenborough's story steers Gran Turismo to a better result. Check out the trailer for Gran Turismo below: Gran Turismo releases in cinemas Down Under on August 10.
For the past 37 years, everyone that's wanted good neighbours to become good friends has wished they were living in one spot: Ramsay Street. Since 1985, the cul-de-sac in the fictional Melbourne suburb of Erinsborough has been beamed into homes around Australia, and further abroad, unfurling the always melodramatic, often chaotic, sometimes downright wild antics of residents named Charlene, Harold and Madge and more. Some folks don't have to dream about living on the nation's most famous TV street, though. For a small portion of Aussies, feeling like you're on one of the country's big soap operas just comes with the address. Indeed, if you happen to reside on a Ramsay Street somewhere across the country, the shadow of Neighbours has been inescapable — and now that the long-running series has been cancelled after almost four decades, with its final episode set to air on Thursday, July 28, Ramsay Street inhabitants nationwide can celebrate with a free meal. To mark the last-ever instalment of Neighbours — which is set to see a hefty cast of well-known Aussie names return, including Kylie Minogue, Jason Donovan, Margot Robbie and more — Menulog is giving away free food to folks who really do live on a Ramsay Street somewhere in Australia. If you happen to be in love with someone called Scott, that's obviously a bonus. No, you don't need to have been through an amnesia spell or a shock return from the dead, or know someone who has. [caption id="attachment_844968" align="alignnone" width="1920"] Manon van Os[/caption] You don't need to have been held hostage, been through more than one tumultuous wedding, or managed a bikini store called Bounce — all things, among oh-so-many others, that happened to the one and only Jarrod 'Toadfish aka Toadie' Rebecchi (Ryan Moloney). And if you're wondering why we're bringing him up specifically, that's because he's the face of Menulog's Ramsay Street giveaway, fittingly. Here's how it works: if you have the right address — with or without the Toadie-style Hawaiian shirt — you can head to Menulog between Monday, July 25–Monday, August 1. That's where you'll find a $20 voucher code in the 'For You' section if you're eligible, which you need to redeem within those dates. Also, you have to spend more than $20 in your order. Hey #Neighbours fans 👋 We wanted to confirm when you'll be able to watch the finale in the UK & Australia. Both us here in Australia and our friends @NeighboursTV in the UK will be a spoiler free zone until everyone has had a chance to watch our incredible final episode. pic.twitter.com/fBQRmU10ST — Neighbours (@neighbours) July 4, 2022 Obviously, if you were wondering what to eat at 7.30pm on Thursday, when the final-ever Neighbours episode goes to air on 10 and 10 Peach, now you know. And if you need a dose of Neighbours nostalgia in the interim, you can also check out Toadie revisiting the famed roadway below: Menulog is giving away $20 vouchers between Monday, July 25–Monday, August 1 to folks who live on Ramsay Streets around Australia. If that's you, head to the Menulog app and the Menulog website.
All that ideating of Vivid can really take it out of you. Fortunately, on its second weekend, the Vivid Ideas throws up this two-day event to engage us visually rather than intellectually. Get set to see the cavern of Pier 2/3 in a whole new way. BYOB (Bring Your Own Beamer, not booze) is an international event movement where artists congregate with their projectors in tow, filling every wall space with their latest digital imaginings. Feats of 3D projection mapping, interactive interfaces, animations, games — they all play out on the walls while you circulate the room square-eyed. This local iteration is being put on by the knowledgeable folks from Electrofringe, and they've even roped in original BYOBer Rafael Rozendaal — the New York-based founder and internet artist — for the lineup, along with Kit Webster (Mel), Joe Hamilton (Mel), Optic Soup, Marian Tubbs, Giselle Stanborough, Josh Harle, Pia Van Gelder, La Petite Mort and many others. Fancy beaming a little something yourself? Registration is now open. Electrolapse BYOB is one of our top ten picks of Vivid Ideas. See the other nine here.
Ever since The Great Train Robbery back in 1903, heist films have been a much-loved part of our moviegoing diet. There's something uniquely thrilling about watching a group of smooth-talking outlaws come together for a caper, especially as filmmakers keep finding new ways to inject new life into the genre. Whether it's crime meets comedy like in Snatch or A Fish Called Wanda, or high-octane action a la Heat and Mission: Impossible, Hollywood has shown time and time again that there's more than one way to separate a mark from their money. To celebrate the release of Logan Lucky, we've put together a list of five very different heist flicks. Consider this essential reading ahead of your next movie night… or if you're planning to rob a bank. LOGAN LUCKY The latest film from the chameleonic Steven Soderbergh, Logan Lucky has been billed as a 'hillbilly heist', and based on the trailer it's easy to see why. Channing Tatum and Adam Driver star as Jimmy and Clyde Logan, two dim-witted brothers attempting to pull off an elaborate robbery during a big money NASCAR race. They're joined by the likes of Riley Keough, Katherine Waterstone and Daniel Craig, whose performance as an eccentric explosives expert looks to be worth the price of admission all on its own. If nothing else, we know Soderbergh is adept with this kind of story, which brings us to the next film on our list… OCEAN'S ELEVEN A rare remake that eclipses the cultural cache of the original, Soderbergh's hugely entertaining 2001 hit remains one of the prototypical heist films of the modern era, as stylish as it is funny as it is wholly unpredictable. They say crime doesn't pay, but boy does Ocean's Eleven make it look fun. Oh, and it also features one of the most impressive, big-name casts in modern movie history. George Clooney, Brad Pitt, Julia Roberts, Matt Damon, Don Cheadle… need we go on? An all-female spinoff is in the works for next year, and we could not be more keen. RESERVOIR DOGS The low budget indie flick that launched the career of Quentin Tarantino, Reservoir Dogs is a rare kind of heist film in that we never actually get to see the heist. Instead, the story jumps backwards and forwards in time, between the planning stages and the disastrous aftermath of a diamond robbery gone wrong. The film's graphic violence, distinctive dialogue and non-linear timeline has inspired endless imitations of varying quality — it's not an exaggeration to call this one of the most influential films of the 1990s. And yet, like all of Tarantino's movies, it somehow feels utterly unique. INCEPTION "Your mind is the scene of the crime," teased early trailers for Inception, Christopher Nolan's blockbuster version of an M.C. Escher print. Rightfully celebrated upon release as a smart, original property in a sea of unremarkable franchise films, this epic sci-fi caper — about a group of professional thieves who ply their trade in their victims' dreams — confirmed Nolan as one of the most ambitious filmmakers working in Hollywood today. Sure, some of the exposition may be a little bit clunky, but what Inception lacks in nuance it makes up for in excitement, emotion and sense of scale. Most importantly, like all the best heist films, it totally stands up on second viewing. FAST FIVE The best film in the Fast and Furious franchise, it was Fast Five that helped transform this flagging series into a bona-fide global phenomenon. Street racing takes a backseat as Dominic Toretto and fam instead set their eyes on a $100 million score — one that is ultimately realised via one of the greatest action sequences of this decade, involving a massive bank vault being dragged through the streets of Rio at breakneck speed. Inventive and exhilarating, with a charismatic cast at the top of its game, Fast Five is popcorn entertainment at its absolute finest. Logan Lucky is now showing at cinemas nationally.
It's not like we need much more of an excuse than a couple of balmy, sun-drenched days to get out there and enjoy Sydney summer. But if you could use a little extra push, Merivale has it sorted. The hospitality heavyweight — behind venues like The Newport, Felix and Totti's — has launched a new initiative, called This Is Sydney, encouraging locals to head out and enjoy an extra tasty program of discos, free gigs and half-price food. The free gigs will kick off, immediately, with The Preatures and Thandi Phoenix performing at Palings from 6–8pm tonight, Thursday, November 21. Other free shows to come will see Kira Piru play waterside at Pool Club and Brendan Maclean perform alongside a grand piano at Establishment. All that dancing will likely leave you pretty peckish, so it's handy that Merivale is also offering a sweet 50-percent-off all bar snacks in all its CBD bars — available right now until the end of summer. Grab those half-price bites between 11pm and 12am from Tuesday to Saturday, at venues like Little Felix, Palmer & Co, Bar Topa, Pool Club, Charlie Parker's and the soon-to-launch Bar Totti's and Jimmy's Falafel. Some of the discounted snacks you'll be able to dig into include $8 three-cheese toasties at Palmer & Co, $5 patatas bravas and $2.5 gildas skewers at Bar Topa, and $6 sweet potato hummas and $9 burrata at Charlie Parker's. [caption id="attachment_736325" align="alignnone" width="1920"] Little Felix by Nikki To[/caption] This Is Sydney will also see George Street's pint-sized 50-person Will & Co transformed into a miniature party for Disco Espresso, every Thursday and Friday afternoon. Roll by from 5pm each week for wines, beers and tap cocktails, served alongside a sparkly soundtrack from The Dollar Bin Darlings. Melbourne's legendary LGBTQI+ party-starters Poof Doof have also jumped on board.They'll be dishing up a new weekly dance-heavy experience at Ivy, launching this Saturday, November 23. Expect a fierce festival of grooves descending on the venue's Courtyard, Terrace and Den each weekend, starring sounds from the likes of Sveta, James Alexandr and Charlie Villas. All of this coincides quite nicely with the promised rolling back of the lockout laws in the CBD, which will supposedly happen before the year's out. So, you've got quite a few excuses to party, eat and drink around the city this summer. This Is Sydney will run right through summer, with different offers and events at each Merivale venue. Top images: Felix, Bar Topa by Nikki To and Ivy Pool Club.
While Christmas is undoubtedly one of the best holidays of the year for most, pulling off said celebration ain’t the easiest of tasks. You’ve done the presents, sent the cards, but this year there’s 15 coming over, two are vegetarian and uncle James is big into wine. Like crazy big. The Solution? WineMarket has made playing sommelier easier than convincing yourself to pop the champers at 11am on Christmas morning, with a wide range of drops to match any menu and suit even the fussiest sniff and swillers. TURKEY:EVANS & TATE CLASSIC SEMILLON SAUVIGNON BLANC Leaving aside the vegetarians for a moment, ain't no one going to say no to some turkey. Similarly, a semillon sauvignon blanc blend is a people-pleaser. The perfect middle ground between semillon structure and weight, and the herbal, punchy fruit highlights of Sav Blanc, it's perfect with white meat and lighter condiments. Try the take on it from Margaret River's Evans & Tate. $150 for a case from www.winemarket.com.au. BBQ PRAWNS: TEMPUS TWO PROSECCO Nothing complements a juicy, flame-grilled prawn or yabby off the barbie like a glass of something cold and sparkling. Prosecco is your go-to here. Try the cool-climate, lemon-zesty Adelaide Hills Tempus Two variety to match seafood. Oh, and don’t forget this fresh and clean Italian-style bubbly makes the ideal pre-dinner tipple, so be sure to stock up. $89.94 for a six-pack from www.winemarket.com.au. CHRISTMAS HAM: BLEASDALE SPARKLING SHIRAZ Unless, of course, you’re super into pork, that hunk of scrumptious piggy steaming on the table usually only comes out once a year. So why not go with the flow and crack open a bottle of sparkling shiraz to give it that extra special-occasion kick? Aussie legends Bleasdale have a great sparkling shiraz (their drops regularly score 90+ points), but it’s not exactly surprising seeing as they’re Australia’s second oldest wine growing family. $135 for a six-pack from www.winemarket.com.au. TURDUCKEN: ALEXIA BY JANE COOPER PINOT NOIR A hybrid of turkey, duck and chicken, this big meaty beast is probably best suited to a slightly lighter bodied red (especially on a hot summer’s day). Jane Cooper's 'Alexia' Pinot Noir will suit game meats with its earthy, dark cherry flavours, plus a dozen of these babies comes in at just $11 a bottle. $132 for a case from www.winemarket.com.au VEGAN TURDUCKEN: GEMTREE GREEN JADE ORGANIC CHARDONNAY Anyone going for a vegetarian or vegan roast (yes, it’s a thing) should think about a chardonnay. We know this poor ol’ drop somewhat went out of fashion, but the pesticide-free, medium-bodied dry Gemtree Green Jade Organic Chardonnay, with a whole bunch of pure fruit flavours sans oak, will add delicious textures to the vego’s delight on your plate. $99 for a case from www.winemarket.com.au. POTATO SALAD: BALLAST POINT 'BIG EYE' INDIA PALE ALE Of course, sides shouldn’t be forgotten, and neither should beer. In the hotter months you’re gonna want something bitter and hoppy (and cold, obvs), and a frosty Ballest Point 'Big Eye' India pale ale has your name, and those creamy carbs, written all over it. $79.99 for a case from www.winemarket.com.au.
They played the first game of their 2023 Women's World Cup campaign in Sydney. They took on Denmark there in the round of 16, then England in the semi-final loss. The next reason that the Matildas will hit the Harbour City: a match against China PR on the way to the 2024 Paris Olympics, and also for goalkeeper Mackenzie Arnold and coach Tony Gustavsson to take to the Vivid stage. The duo have just joined the already-packed Vivid Sydney 2024 lineup for a Vivid Ideas session at Sydney Town Hall on Monday, June 10. At Champions of Change: Mackenzie Arnold and Tony Gustavsson, the pair will have plenty to talk about — all things Matildas, of course, including the team's achievements over the past year, the challenges along the way, the squad's impact, the pressures and the coach-athlete dynamic. "This Vivid Sydney event is an awesome opportunity to connect with fans and reflect on the incredible ride we've had with the Matildas over the last couple of years. The highs and lows, the pressure and the triumphs, what it means to represent your country on the world stage — this is more than just a game. It's a chance to inspire the next generation and make a difference for women and girls on and off the field," said Arnold about the session. "The Matildas have had an incredible journey over the last 12 months, and it's a proud moment for me as a manager to celebrate and reflect on this at Vivid Sydney alongside Mackenzie," added Gustavsson. "I want to shed light not only our achievements on the field but also the incredible spirit and resilience behind the scenes, how much each of these players gives to this game. This conversation is also a chance to delve into the strategies that shaped our team's success and to touch on the broader implications of our journey for women's sport and society at large." Arnold and Gustavsson's addition to the Vivid lineup comes after Amy Poehler recently also joined the bill, to discuss her career and the upcoming Pixar sequel Inside Out 2. "We're so proud to be bringing two modern-day superstars of sport to the Vivid Sydney 2024 program. This discussion with Mackenzie and Tony will explore humanity through the lens of sport and bring a relatable and inspirational touch to their world class achievements on the field. You do not want to miss this opportunity to hear from two of Australian football's most influential and inspiring figures," said Vivid Sydney Festival Director Gill Minervini. Champions of Change: Mackenzie Arnold and Tony Gustavsson takes place on Monday, June 10, 2024 at Sydney Town Hall, with tickets on sale from 9am on Thursday, May 9, 2024. Vivid Sydney runs from Friday, May 24–Saturday, June 15 at various locations around Sydney. Head to the festival website for further details and tickets.
Being an assistant in a technical field can have something of the Igor about it. The feature photographer goes on with their showy job, while the assistant toils day-by-day providing touch-ups, grunt work and an occasional spark of lightning. Sun Studios has been running an award to bring Sydney's photographic Igors out of the shadows, and is bringing you the results at an upcoming exhibition in its Alexandria gallery. The Sun Studios Assistants Award aims to recognise photographers working their way up through the industry, helping push less established artists on to hopefully greater things. The Award has been open to entries since March, and on Thursday images from the six finalists will be shown some light. 'Uniform' is the theme for this year's competition, be it costuming, camouflage or sameness. The winner and runners-up will be announced at Thursday's opening night (open to the public, but RSVP essential), and all of the finalists stand a chance of turning up in an upcoming issue of sponsor Monster Children. If you can't make it Thursday, the exhibition continues until June 30. Original image by Alexandre Vialle.
2022 isn't over yet, but it has been filled with a huge array of stellar television and streaming shows so far, including both new and returning series. If you're looking ahead to the new year already, though, HBO has just confirmed your first big small-screen obsession of 2023: the game-to-TV adaptation of The Last of Us. Right now, we all fall into two categories. Firstly, there's the hefty group of people who are already devoted to The Last of Us, the hit video game that's been a button-mashing favourite since 2013 and spawned a sequel in 2020. Then, there's the folks that are about to start obsessing over its new HBO adaptation when it arrives on January 16. Whichever camp you fall into, this is bound to be 2023's first big show — and if you're wondering what you're in for, the initial teaser trailer from September sets a moody, creepy, action-packed scene, as expected of a story that dives into a tense and fraught post-apocalyptic version of the US. For The Last of Us newcomers, here's the premise: 20 years after modern civilisation has been destroyed, survivor Joel is hired to smuggle 14-year-old Ellie out of a tough and oppressive quarantine zone. There wouldn't be a game, let alone a television version, if that was an easy task, of course — and if the pair didn't need to weather quite the brutal journey, as well as a nightmarish quest for survival. So far, so intriguing — and while the debut sneak peek does indeed conjure up memories of The Walking Dead, that just comes with the basic concept. The Naughty Dog-created PlayStation game wouldn't be the huge hit it's proven for almost a decade now if it simply cribbed from that TV show, obviously. As a series, The Last of Us also boasts a heap of impressive names — starting with star Pedro Pascal (The Unbearable Weight of Massive Talent) as Joel, plus Game of Thrones' alum and recent Catherine Called Birdy standout Bella Ramsey as Ellie. Fans of the game will note that Ashley Johnson (Blindspot) and Troy Baker (Young Justice), who voiced the two characters in the source material, will indeed pop up in the HBO show. They'll clearly be playing different characters, however. Also pivotal to HBO's adaptation: co-creator, executive producer, writer and director Craig Mazin, who already brought a dystopian hellscape to the US network (and to everyone's must-watch list) thanks to the haunting and horrifying Chernobyl. He teams up here with Neil Druckmann from Naughty Dog, who also penned and directed The Last of Us games. Alongside Pascal and Ramsey — and Johnson and Baker — the series also boasts Gabriel Luna (Terminator: Dark Fate) as Joel's younger brother and former soldier Tommy, Merle Dandridge (The Flight Attendant) as resistance leader Marlene and Aussie actor Anna Torv (Mindhunter) as smuggler Tess. And, Nico Parker (The Third Day) plays Joel's 14-year old daughter Sarah, Murray Bartlett (The White Lotus) and Nick Offerman (The Resort) feature as isolated survivalists Frank and Bill, Storm Reid (Euphoria) pops up as Boston orphan Riley, and Jeffrey Pierce (Castle Rock) plays quarantine-zone rebel Perry. As seen in the trailer, Yellowjackets' Melanie Lynskey also guest stars. Check out the teaser trailer for The Last of Us below: The Last of Us will start streaming Down Under from Monday, January 16, 2023 — in Australia via Binge and New Zealand via Neon.
NAIDOC Week is an opportunity for all people of Australia to celebrate the history, culture and achievements of Aboriginal and Torres Strait Islander peoples. In the past, the "National Aborigines and Islanders Day Observance Committee" were responsible for organising the events of NAIDOC Week, and since then the acronym has become the name of the event itself. The theme of NAIDOC Week this year is 'Heal Country!'. Grounded in Country, this theme calls for the recognition, protection and maintenance of all aspects of Aboriginal and Torres Strait Islander culture. But in order to achieve this, it's essential that historical, political and administrative settings adapt in order to empower and celebrate Aboriginal and Torres Strait Islander communities. Did you know the Aboriginal flag is currently under copyright? Clothing The Gaps are leading the campaign to have the Aboriginal flag freed. Join them for this lunchtime yarn to learn about the Aboriginal Copyright issue and the progress of the Free the Flag campaign. Head to Clothing the Gaps Instagram to keep up-to-date with everything the organisation is doing this NAIDOC Week and view its 'Heal Country!' collection. [caption id="attachment_817386" align="alignnone" width="1920"] Image: Supplied by Clothing The Gaps.[/caption]
Just when you finally upgraded to the Spotify premium package, Apple announces they're bringing iTunes Radio to Australia. In its first international release after a wildly successful run in the US, this goliath music streaming platform is throwing its hat in the ring against already popular services such as Pandora and Spotify. Boasting a wealth of scientific algorithms to curate personalised listening streams, Apple are basically asking you to, please, for the love of God, start using your iTunes again. The main drawcard Apple has here is its huge catalogue. No longer will the infuriating words 'artist not found' pop up under your search bar; iTunes has pretty much everyone on board. There are over 100 stations programmed including both basic genre offerings ('Dance Radio', 'Pop Hits Radio') as well as specific artist streams (the universal: 'Beatles Radio', the good: 'Yeah Yeah Yeahs Radio', and the meh: 'Bruno Mars Radio'). But, as Apple said in a statement yesterday, "The more you use iTunes Radio and iTunes, the more it knows what you like to listen to and the more personalised your experience becomes." That being said, the service still doesn't have the capacity for music on-demand that Spotify offers. Once you skip tracks, iTunes will take note and avoid that genre of music, but ultimately playlists are curated for you according to what's already in your music library. Like its competitors, the service is free with interspliced ads between tracks, with the option of upgrading. An annual subscription will set you back $34.99, as compared to $39 with Pandora or $11.99 per month with Spotify (although that also includes the capability to download music and listen offline). Also, you can guarantee that every track you listen to will have that guilt-inducing 'buy' button hovering right next to it. While many will stick to their current platforms, it's comforting to see a major player like Apple get on board with such services. At the very least, it's an acknowledgement that our listening habits have changed — a step in the right direction for an industry that's been failing for far too long. iTunes Radio was made available to Australians on February 11. You can access it via your iTunes account.
Whether it's dropping Golden Gaytime-inspired Viennettas, cookie pies, Mint Slice-style biscuits, dulce de leche balm or its most-beloved gelato flavours — or just the usual frosty sweets lining its freezer cabinets — Gelato Messina sure does love giving dessert fiends a whole heap of treats. Come December, however, it's busting out 24 of them in the lead up to Christmas. Well, to be precise, you'll be busting them out of Messina's first-ever advent calendar. 'Tis the season to be jolly, and to enjoy opening tiny doors and eating the goodies within. First, the sad news for ice cream lovers: Messina's advent calendar won't need to be stored in your freezer, because it isn't filled with gelato. Next, the still-tasty news: it does come stuffed with Messina's delicious chocolate bites. (And it is recommended that you keep it in a cool, dark place, or in the fridge.) That means that this year, you can spend the first 24 days of December eating your way through mini waffle cone bites, salted cashew brittle, coconut rough, Messinatella biscuits, panned Panettone and other Messina wares. That's all that the chain is officially giving away, because part of the whole advent calendar setup is getting a surprise daily. That said, you can also expect to find little chocolate snowmen figures among the sweets. Handmade by Messina's in-house chocolatiers, every chocolate in the custom advent box is different — and, like all Messina specials, there's only a limited number available. In this case, only 300 calendars have been made. Christmas fiends (and chocolate lovers) will need to order on Wednesday, October 19, for pick up from Friday, November 25–Sunday, November 27. (Yes, that does mean you'll need to exercise some self-control for a few days, to stop yourself breaking open the calendar as soon as it's in your hot little hands.) Also like the brand's other limited-edition treats, this one is doing staggered on-sale times. Accordingly, folks in Queensland and the ACT are able to purchase at 9am, Victorians at 9.30am, and New South Wales customers are split across three times depending on the store (with calendars from Surry Hills, Bondi, Randwick, Circular Quay and Miranda on sale at 10am; Brighton Le Sands, Tramsheds, Parramatta and Darlinghurst at 10.30am; and Darling Square, Newtown, Norwest, Rosebery and Penrith at 11am). Gelato Messina's advent calendar goes on sale on Wednesday, October 19, for pick up from Friday, November 25–Sunday, November 27. For more information, head to the Messina website.
With just three months until we find out who will officially ascend the Iron Throne, Game of Thrones fans are facing a bittersweet farewell as the final season of the cult show looms ever closer. While we may be eagerly awaiting to see who'll ultimately survive the winter, saying goodbye to the show forever will be harder than watching the Red Wedding on repeat. However, living for the thrills that come out of all this Westerosi drama won't be totally lost. Alas, a musical parody (or shall we say homage) is coming to Sydney, gracing the stage of a venue befitting so epic a story: the Sydney Opera House. The A Song of Ice and Fire series from mastermind George RR Martin is given new life in musical form, telling the tale of a group of avid fans preparing to watch the final season. When one reveals they are a GoT virgin, the rest of the group tell the story themselves — with music. From the acclaimed producers at Spark Creative, the brains behind Baby Wants Candy, Shamilton and 50 Shades! The Musical Parody, the show comes to Sydney after selling out in Edinburgh, New York and Chicago. Featuring an original score, a vast array of costumes to cover the forty characters played by the ensemble and wit sharper than Valyrian steel, this show is sure to be a hit with fans and those unknowing John Snows, alike. So call your banners, mount your dragons, blow your horn three times and march down to the Opera House to see whether or not Theon, Grey Worm and Varys have the vocal range their characters should. This 'Long Night' of lust, laughter and lacerations (and surely a few White Walkers for good measure) runs from Wednesday, June 5 to Sunday, June 23. Tickets are on sale now and start at $45.
Paperlinks, a savvy Los Angeles-based QR code company, are allowing customers to explore what's on offer at a restaurant via their smartphone. The operation was launched earlier this month and has been put to trial in several restaurants. Once the code has been scanned, customers can browse the menu of the restaurant and order food on their phone. When they check out, Paperlinks then contacts the restaurant via e-mail to relay the order to the kitchen. This smooth operation not only adds convenience for customers, but also gives businesses a little novelty and an exciting new means of interacting with customers. Furthermore, Paperlinks allow you to create QR codes with customised colours and designs. If you happen to own a vegetarian restaurant, you might want to present a lush green QR code at the front of your business. Paperlinks have already worked with high-profile clients including Nestle and GNC. With a plethora of food-based iPhone apps now available for purchase, and with companies like Beat The Q popping up locally, it will be interesting to see the impact that this will have on businesses in Australia and New Zealand. [via PSFK]
After a sold-out run of shows over summer, Zetland's newest outdoor music nights are returning for autumn. Every second Friday throughout April and May, the folks at 107 Projects and the Sydney Improvised Music Association (SIMA) are filling the stage at the gorgeous Joynton Avenue Creative Centre with with talented local musicians. The program will include jazz guitarist Ben Hauptmann and his siblings Zoe and James on Friday, April 23, vocalist Kate Wadey with her trio on Friday, May 7 and crowd-pleasing horn players Queen Porter Stomp on Friday, May 21. Apart from the tunes, a full bar will serve drinks and nibbles. For the full program and to book, head to the SIMA website. All tickets cost just $15, or a tenner for SIMA members and concession card holders. Images: Ruby Summer Social by Arthur Washington / Joynton Avenue Creative Centre by Rhiannon Hopley Photography
Written, directed by and starring Dax Shepard (Ashton Kutcher's wingman on MTV's Punk'd), Hit & Run is a romantic action-comedy that'll make you laugh just by watching dreadlocked Bradley Cooper as crazed gang member Alex Dmitri. Unable to escape their past, former getaway driver Charlie Bronson (Dax Shepard) jeopardizes his witness protection identity in order to get his girlfriend (Kristen Bell) to an important job interview. However, things don't go according to plan. Hit & Run is in cinemas from September 6. Concrete Playground has 10 double passes to giveaway to see Hit & Run. For a chance to win, make sure you're subscribed to Concrete Playground then email your name and postal address to hello@concreteplayground.com.au
With COVID-19 case numbers rising in New South Wales over the days leading up to Sunday, December 20 — primarily as part of the northern beaches cluster — the NSW Government is asking Sydneysiders across all of Greater Sydney to wear face masks. At a press conference today to announce new gathering and venue restrictions, Premier Gladys Berejiklian said "even if you live beyond the northern beaches, you should be wearing a mask indoors". She also gave specific examples of places where wearing a mask is "a must", including "going grocery shopping anywhere in New South Wales", "going to a place of worship anywhere in New South Wales" and "going into an indoor setting or anywhere where social distancing can't be maintained". Also, everyone is asked to wear masks on public transport — although that isn't a new message. "For heaven's sake, do not get on public transport unless you are wearing a mask. I can't stress that enough," the Premier said. Health Minister Brad Hazzard also listed specific areas where folks should be donning face coverings — covering all of the Greater Sydney area, but going into more detail if you're wondering what that means. The highlighted spots include "the Sydney CBD, the Illawara, Shoalhaven, the Central Coast, and the Nepean and Blue Mountains [areas]". The government's mask request is in effect "at least for the next few days until we revisit this issue on Wednesday," Minister Hazzard advised; however, it may extend beyond that date. "It may well be wise to wear those masks going through Christmas and New Year in the Greater Sydney area," he noted. Wearing masks hasn't been made compulsory as yet, though, as Chief Health Officer Kerry Chant explained. "We all have a part to play in how we respond to this, and often the actions we require people to adopt require people to cooperate... We have had a lot of cooperation from both the community and business, but we will use all strategies to bring this virus under control. Ultimately it is also in the hands of the individuals within New South Wales," she said. The announcement comes as NSW records 36 new COVID-19 cases in the 24 hours leading up to 8pm on Saturday, December 19, including 30 that have been locally acquired. If you don't have a mask, Victoria's Department of Health has put together a handy step-by-step guide for how you can make your own. We've also put together a rundown of local companies making and selling them. To find out more about the status of COVID-19 in NSW, head to the NSW Health website.
Anyone who's been outside in the last few weeks will have noticed that Sydney's been unseasonably warm. On Sunday it hit 22 degrees and last night the low was just 14 — in the sun you don't even need a light jacket. Although this undeniably adds to our ever-present anxiety about global warming, it's hard to deny it: this winter has been delightful. And you probably won't have to raid your house for your beanie anytime soon — well, not this week, anyway. Meteorologists have predicted that this winter weekend could be one of the warmest on record. According to Weatherzone, the temp is expected to hit 22 degrees on Saturday, July 29 before rising to 25 degrees on Sunday, July 30. The highest temperature on record for July is 25.9 degrees (back in 1990), so this weekend looks set to come pretty close, if not match it. It's going to be warmer still in northwestern NSW, with Bourke set to hit 28 degrees. This is a bit of contrast to this time last year, when it got so cold it snowed in parts of Canberra and Melbourne. If you've got the weekend off, make the most of it — visit a secluded beach, do a coastal walk or do bevs at a beachside pub.
You will rue the day that you balded your Barbie's golden locks and 'dyed' the remaining tufts rainbow with highlighters. You will regret dismembering her in the imagined fire that plagued her doll house in the summer of '96. One day she'll be crawling her way up and out of the rubbish bin that you tossed her in a la The Ring’s Samara and seek the vengeance that is rightfully hers. Ew. But seriously, how creepy are dolls? The answer is very, and if you're like me, many a horror film has seen you stare with terror through fingers as a doll turns its head 360 degrees. Yep, Sydney's famous 100-year-old Doll Hospital is a horror writer's dream, and in Sean Izzard's case, a photographer’s inspiration. Izzard, who has been working as a professional photographer for 25 years, initially expected his series, entitled 'Doll House', to consist of portraits of the owner and staff. But once he’d stepped foot into the Bexley hospital, which recently celebrated its 100th year, he-was-never-the-same-again. Not really, but his approach to the photographic series certainly wasn’t. The dolls had the artist question whether they're alive or dead (dead, plz dead), because they aren't just inanimate: they are personified, clothed, the embodiment of their owner. But it’s all kinds of enchanting, really. Most of the images are portraits and seem to give each and every one of those (predominantly maimed) dolls a personality and a backstory. View the full Doll House series in the fourth issue of The Pool Collective app, out now. The Pool Collective app is a free quarterly publication created exclusively for the iPad featuring photography, short film, interviews, music and more. See more photos in the The Pool Collective app.
If you like your cinema experiences shaken, not stirred, then the 2022 British Film Festival has just the thing for you. Taking its array of Brit flicks around the country between Tuesday, October 18–Wednesday, November 16, this year's fest is turning itself into a big 60th birthday party — not for the Australia-wide cinema showcase itself, which only dates back around a decade, but for all things Bond, James Bond. 2022 marks six decades since Dr No, the first movie in the 007 franchise, first graced cinemas — and yes, it'll be the British Film Festival's screens to commemorate the occasion. Also hitting picture palaces in Adelaide, Sydney, Melbourne, Canberra, Brisbane, Perth and Byron Bay: You Only Live Twice, because two Sean Connery-starring Bond films are better than one; On Your Majesty's Secret Service with Australia's Bond George Lazenby; and Daniel Craig doing his brooding Bond in Skyfall. They're just some of the titles among the fest's first lineup announcement, with the full British Film Festival program set to drop on Thursday, September 29. Can't wait till then? A handful of other flicks have already been announced — and, as always at this cinema showcase, they're filled with familiar faces. Arriving Down Under after wowing the global festival circuit, The Banshees of Inisherin marks the reunion of In Bruges writer/director Martin McDonagh (Three Billboards Outside Ebbing, Missouri) and his stars Colin Farrell (After Yang) and Brendan Gleeson (The Tragedy of Macbeth). This time around, the latter pair star in a story about two lifelong friends who go for a pint everyday until a dispute gets in the way, with their feud also impacting the entire village. Also on the bill: an Emily Brontë biopic, aptly named Emily, directed by Australia actor-turned-filmmaker Frances O'Connor (The End); more sea shanties in song-filled sequel Fisherman's Friends 2: One and All; the Bill Nighy (The Man Who Fell to Earth)-starring Living, about a terminally ill man in the 1950s; and The Lost King, which takes inspiration from the IRL discovery of King Richard III's remains beneath a Leicester car park. And, opening the fest is Mrs Harris Goes to Paris, set in the world of French fashion, with Oscar-nominated Phantom Thread actor Lesley Manville in the titular role. BRITISH FILM FESTIVAL 2022 DATES: Tuesday, October 18–Wednesday, November 16 — Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide Wednesday, October 19–Wednesday, November 16 — Palace Norton, Palace Verona, Palace Central and Chauvel Cinema, Sydney Wednesday, October 19–Wednesday, November 16 — Palace Electric, Canberra Wednesday, October 19–Wednesday, November 16 — Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, The Kino, Pentridge Cinema and The Astor, Melbourne Wednesday, October 19–Wednesday, November 16 — Palace James Street and Palace Centro, Brisbane Wednesday, October 19–Wednesday, November 16— Palace Raine Square, Luna Leederville, Luna on SX and Windsor Cinema, Perth Wednesday, October 19–Wednesday, November 16 — Palace Byron Bay, Byron Bay The 2022 British Film Festival tours Australia between Tuesday, October 18–Wednesday, November 16. For more information and to buy tickets, visit the festival website. We'll update you with the full program on Thursday, September 29.
A Secret Service agent-turned-bodyguard falls for the superstar singer he's been hired to protect. It's pegged as one of cinema's most iconic love stories, with Whitney Houston and Kevin Costner first tugging at our heartstrings back in 1992. And now, The Bodyguard is set to come alive for the Australian stage, with producers David Ian, Michael Harrison and John Frost bringing their award-winning musical show Down Under next year. Kicking off in Sydney in April 2017, this local production of The Bodyguard — which follows the just-as-awesome news that Moulin Rouge! will finally be made into a stage show — comes off the back of a wildly successful and star-studded run in London theatres, and record-breaking UK tour, which commenced in February this year. Paulini (of Australian Idol fame) will play Houston's Rachel Marron. Based on the eponymous Warner Bros. film and adapted for the stage by Academy Award winner Alexander Dinelaris, The Bodyguard musical features all those epic Houston tracks that audiences fell in love with the first time around. According to co-producer Frost, the emotionally-charged storyline, along with those "soaring ballads" — like 'Queen of The Night', 'I Wanna Dance With Somebody' and the legendary 'I Will Always Love You' (you know the ones) — were simply destined for the stage. The album is still the biggest selling movie soundtrack of all time. Yep. Still.
After weeks of protest and a snowballing boycott by artists, the Biennale of Sydney has cut ties with its longtime sponsor Transfield. Philanthropist and Transfield Holdings director Luca Belgiorno-Nettis stepped down from his position as chair of the Biennale board, which went on to end the partnership agreement, effective immediately. Until it happened just now, this was a moment that seemed pretty unlikely. However, a point was reached where the negative publicity was doing neither brand Biennale nor Transfield any favours, with nine artists having withdrawn from the event and many art fans considering staying away. These artists have 'imagined what they desired', in keeping with the theme of the festival. "I hope that blue sky may now open up over this 19th Biennale of Sydney," said the departing Belgiorno-Nettis. This does nothing to fix Australia's repulsive treatment of refugees in detention, of course, but it means the focus of protest can shift, and Sydneysiders can enjoy and engage with the Biennale in full. Here's the statement from the Biennale: Today the Board of the Biennale of Sydney received the resignation of its Chairman, Luca Belgiorno-Nettis. With deep regret, the Board reluctantly accepted the decision of the Chair to resign. We gratefully acknowledge the personal contribution of Luca as Chair over the past 14 years. We also acknowledge the enormous contribution of the Belgiorno-Nettis family over 41 years. The Board also discussed its relationship with its founding partner Transfield. We have listened to the artists who are the heart of the Biennale and have decided to end our partnership with Transfield effective immediately. The Board and the extended Biennale community owe an enormous debt of gratitude to Luca and his family. Luca Belgiorno-Nettis said: ‘I wear two hats: one as Chair of the Biennale of Sydney and the other as a Director of Transfield Holdings; both organisations conceived by my father and nurtured by my family over many decades. I am deeply thankful to the many friends of the Biennale, and my personal friends who have supported me and the teams throughout my tenure, especially in recent weeks. I also express my gratitude to my Directors and Marah Braye and her beautiful team, and Juliana Engberg for their unequivocal allegiance to the Biennale. ‘I hope that blue sky may now open up over this 19th Biennale of Sydney: You Imagine What You Desire and its future incarnations.’ Deputy Chair Andrew Cameron will be interim Chair until the Biennale appoints a new Chair following the close of the 19th Biennale of Sydney. The Board look forward to working with Juliana Engberg and the Biennale team to realise an enormously successful 19th Biennale of Sydney.
Love it or hate it, winter is on the way out. Whether you're celebrating the coming of spring or mourning the end of the cooler months, your last and best chance to do either is at the Northern Beaches Market, which marks the end of the season on Saturday, August 31. Organised by Cambridge Markets, the masters of any event with artisanal goods and collapsible stalls, it's what the business does best: a gathering of makers, growers and artisanal wizards from all over a region of Sydney (north of the bridge in this case) for a day of browsing by locals. With markets usually coming in at a bustling total of 100-150 stalls, you'll have from 10am to 3pm to visit James Meehan Reserve in Dee Why to browse to your heart's content. Bring deep pockets, a deeper bag and an empty stomach. You'll be strolling among homewares and fashion, hot food and cold drinks. It'll make for an exceedingly fun day out. Northern Beaches Market runs from 10am to 3pm on Saturday, August 31. For more information, visit the website.
Chvrches are back again with all music guns a blazing, Crystal Fighters will make you feel so special and Will Smith reminds the world that he is once was the coolest human being on the planet. 1. 'GUNS' - CHVRCHES The band who spell churches wrong this week unveiled their newest track 'Guns' and it is a veritable feast of sensational synth, fierce beats and glorious hooks that combine for a tune best described as huge. This is pop in its purest, most enjoyable form and gives Australian fans yet another reason to get excited for their upcoming August tour. 2. 'CAPE TOWN' - CLUBFEET Melbourne five-piece Clubfeet dropped this track earlier this month and released the accompanying video this week, providing a perfect opportunity to showcase this brilliant track. The clip itself was filmed in Cape Town, a favourite haunt of the quintet, and the method actors look like they are having a pretty great time. Not suprising really, as when you strip back the visual aesthetics 'Cape Town' is a classic jam for all party times. 3. 'NATURAL LOVE' - CRYSTAL FIGHTERS This track comes from Cave Rave, the album released this week by the half Spanish, half English, all fantastic band named Crystal Fighters. The entire album provides an endless selection of tracks that put a smile on your face and a hop, a skip and a jump in your step, triple jump style. This is the most jovial of the songs and if you put it on you may just have the most delightful weekend of your life. 4. 'TWISTED' - FRACTURES Fractures is incredibly just a one man band comprising the multi-talented Mark Zito. He is all about experimentation and as such is almost impossible to classify into a genre. The track title 'Twisted' could be appropriate though as he twists his fragile voice amongst a haunting melody to create an atmospheric auditory stimulant. 5. The Fresh Prince Reunion It's the little things in life we need to appreciate, but this week we were treated to a great, big, whopping thing. Having watched this on repeat I have concluded that the primary purpose of creating the Internet was for the spreading of this video to the masses. What the world thought was an ordinary interview between Graham Norton, Will and Jaden Smith turned into the Fresh Prince stealing the show just like last time, as himself and Jaden surprised us all by bringing out DJ Jazzy Jeff, and if that wasn't enough we then got treated to Carlton in all his dancing glory. If you have not seen this yet, you are welcome. If you have, watch it again and again and again.
If December to you means luminous festive decorations, then simply driving through your neighbourhood can be a jolly good time. Wherever you look, there just might be a glowing set of Christmas lights sharing its seasonal merriment and brightening up the suburban streets. Of course, these lit-up displays really shouldn't cause such a fuss. They pop up everywhere every year, after all, and we're all well and truly aware of how electricity works. But twinkling bulbs are just so hard to resist when it's the happiest portion of the calendar. Perhaps you're a casual Christmas lights fan, and you're completely fine just checking out whichever blazing displays you happen to pass in your travels. Maybe you have a few tried-and-tested favourite spots, and you return to them every year. Or, you could want to scope out the best and brightest seasonal-themed houses and yards. Whichever category you fall into, an Australian website called Christmas Lights Search is likely to pique your interest. [caption id="attachment_882324" align="alignnone" width="1920"] Donaldytong via Wikimedia Commons[/caption] Christmas Lights Search is as nifty and handy as its name suggests, covering festive displays all around the country. To locate all the spots that you should head to, it's as easy as entering your postcode or suburb — or those of places nearby — and letting the site deliver the relevant options. Plus, it also rates the lights displays, if you want to either go big or stay home. It's also constantly being updated, so, like the best combos of glowing trees, sparkling bulbs and oversized Santas, you might want to check it out more than once. [caption id="attachment_882325" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] When you pick an individual address listed on the site, you'll be greeted with some key information, too. The level of detail varies per listing, but expect to potentially peruse photos, the ideal hours to swing by, a date range and a description of what's on offer. All that's left is to get searching, plot out where you'll be heading every night between now and Christmas Eve, and get ready to see oh-so-many reindeer, candy canes and snowmen. To find festive displays near you, head to the Christmas Lights Search website.
After nearly a decade of Westerosi power struggles, obsessed fans and soaring ratings, HBO found itself with a Game of Thrones-sized gap to fill last year. The network isn't completely saying goodbye to the world created by George RR Martin, with at least one spinoff in the works — but it's also eager for something else to help pick up where GoT left off, fantasy-wise. First debuting late in 2019, and due to return for a second season in November, His Dark Materials is one of the US network's prime candidates. It's based on Philip Pullman's award-winning young adult trilogy of books of the same name: The Golden Compass, The Subtle Knife and The Amber Spyglass. And if it sounds familiar — and not just because you watched the initial batch of episodes — that's because one of the tomes, The Golden Compass, was already turned into a movie back in 2007. HBO is keeping things simple with its adaptation by sticking with the franchise name, other than individual book monikers — hence the His Dark Materials title. It has also bet big on star power, with the series boasting a hefty cast. James McAvoy, Ruth Wilson, Hamilton's Lin-Manuel Miranda, Da 5 Bloods' Clarke Peters and Logan's Dafne Keen all feature, while Fleabag's Andrew Scott and Phoebe Waller-Bridge will also pop up in the second season. Yes, it'll be a reunion for the two series newcomers, although you'll be seeing Scott on-screen as Colonel John Parry and hearing Waller-Bridge's voice as Parry's daemon. What's a daemon? It's one of the key parts of His Dark Materials. Here, Keen plays an orphan by the name of Lyra Belacqua — who seems just like everyone else, but hails from an alternate universe where a person's soul manifests as a shape-shifting animal called a daemon. In the show's first season, as Lyra looks for a kidnapped friend in the Arctic, she discovers a church-run stolen children ring, learns about mysterious particles known as Dust and ventures through different worlds, including the one we all know. McAvoy pops up as a powerful aristocrat, Wilson is his ex, and Miranda plays a balloonist and adventurer. If you're eager for the next season, HBO dropped its first sneak peek a few months back, releasing a trailer as part of this year's Comic-Con at Home — and it has just revealed a new trailer as well. As for when you'll be watching it, it returns to screens on Tuesday, November 17, Australian and New Zealand time. In Australia, it airs on Foxtel. Check out the latest trailer below: https://www.youtube.com/watch?v=3CdQm6gLHUM His Dark Materials' second season will start airing from Tuesday, November 17 on Foxtel in Australia, and will also be available to view on-demand. Images: HBO.
When Australia's international border reopens and holidaying overseas resumes, a long list of experiences we've all been missing will be back on the agenda. Some of those are great, such as being somewhere other than our own backyard. Some just come with the territory, like spending all that time in the air. And others will probably seem more exciting than they really are after such a long period without them, such as hanging out in airports, sipping drinks at the bar before your flight and browsing through gift shops. We all have our own balance when it comes to all of the above elements, how we handle tham and what we prefer. But if you're the kind of traveller who likes fewer stopovers and can cope with spending almost a whole day on a plane non-stop, you're probably a fan of — or dreamed of hopping on — Qantas' direct Perth-to-London route. It launched back in 2018, and it takes around 17 hours each way. It's certainly an experience, from the layover time you'll spend in the Perth airport if you're starting out from another city, through to what it feels like to sit on a plane (or get up and walk the aisles every now and then, for exercise) for that very lengthy spell. That flight won't be on the itinerary when Qantas restarts its international trips, however, with the airline opting not to resume the leg straight away due to Western Australia's strict border rules. Instead, the carrier is aiming to recommence the Perth-to-London route from April 2022 — and, if you think that means more stopovers in the interim, it's also looking into doing non-stop flights from Darwin to London over that gap period. "At this stage, WA doesn't intend to open to international travel until sometime next year, so we'll unfortunately have to temporarily move our Perth-London service until at least April 2022," said Qantas Group CEO Alan Joyce in a statement. "Instead of operating from Melbourne to Perth and then on to London as it usually does, this flight will operate from Melbourne to London via either Darwin or Singapore, depending on conversations we're having with the NT in the coming weeks. We look forward to operating this flight via Perth again when circumstances allow." So, only needing to hop on one plane to get to the UK from Australia will ideally remain a reality. But, for that super-long flight, there'll be a different starting point. If you're currently thinking about your travel plans — when that's possible, of course — the Northern Territory is doing discounts of up to $1000 on trips if you're fully vaccinated and coming from an area of Australia that isn't considered a hotspot. Yes, that means that starting with a NT holiday and then heading overseas could be an option if your budget allows it. You might remember that, pre-pandemic, Qantas was contemplating starting non-stop routes from Sydney, Melbourne and Brisbane to both London and New York, too. In fact, it had even run two trial journeys, and was poised to announce whether it was feasible in March 2020. We all know what happened to international travel then, though, so clearly the topic hasn't been a priority since. For more information about Qantas's plans for non-stop flights from Australia to London when Australia's international borders reopen, head to the Qantas website. Images: Qantas
With 2022 coming to a close, Sullivan+Strumpf is presenting its final major solo exhibition later this month. Featuring the works of Sydney-based artist Karen Black, the upcoming Gentle Pulse showcase will run from Thursday, November 24—Saturday, 17 December. Black's works will be presented at the gallery, which capture her take on radical care — being more kind, soft and loving. The painting process of her pieces was intentionally slowed down in order to deliver a softer touch through the mind and hand. Additionally, Black notes that each brushstroke on her canvas reveals a side of vulnerability. The exhibition will also feature Black's towering raw clay sculptural installation, which will be constructed over the course of two days. Head over to the Sullivan+Strumpf website for more information about Gentle Pulse. [caption id="attachment_877352" align="alignnone" width="1920"] Mark Pakorny[/caption] Top image: Karen Black, Sullivan+Strumpf and Nic Walker
Filmed in Melbourne, sci-fi thriller Predestination circles around the life of a Temporal Agent who travels through time in pursuit of the one criminal who has taunted him his whole career. The film is written and directed by Australian brothers Michael and Peter Spierig, known for their previous futuristic outing, Daybreakers. Based on the 1958 sci-fi classic short story All You Zombies by Robert A. Heinlein, Predestination stars Ethan Hawke as the agent a mission to stop the elusive terrorist The Fizzle Bomber from massacring over 10,000 New Yorkers. During this process he comes across a new recruit called John Doe (played by Australian actress Sarah Snook). The film shifts in and out of different time-periods, executed in a way that is described as "futuristic and nostalgic" by the Sydney Morning Herald. Predestination is in cinemas on August 28, and thanks to Pinnacle Films, we have 15 double passes to give away, as well as three DVD prize packs of Drive, Jobs, Welcome to The Punch, Dark Skies and The Expatriate. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=UVOpfpYijHA
M.I.A just added another notch to her rebellious belt, calling in Julian Assange to open her gig at NYC's Terminal 5 via a live Skype feed. In what some might say is a canny publicity move (her fourth album, Matangi, has just been released today), the performer took her fans by surprise when Assange appeared on an enormous screen over the stage. After briefly lamenting he couldn't be at the show due to his ongoing confinement in London's Ecuadorian embassy, the WikiLeaks founder told the American audience "your government sucks", stressing the seriousness of the sinister relationship between government and media in the west. Assange spoke for just over ten typically glitchy Skype minutes, declaring that "we are in a battle" and stressing to his listeners that truly caring means getting personally involved, which in turn could lead to an enormous collective power. He also expressed his admiration for the politically passionate English/Sri-Lankan artist, saying “I think she is the most courageous woman working in western music.” Assange actually helped write one of the tracks on M.I.A's new album, 'aTENTion', for which he seemingly hacked the word 'tent'. They have previously collaborated in his promotion of M.I.A's free 2011 mix tape Vicki Leekx, and she later contributed music to Assange's TV program The World Tomorrow. You can watch an audience member's recording of the unexpected address below. The sound isn't great, but if you fiddle around with the volume levels you can catch most of it. Via New York Times and Spin.
Puppets! Puppets are so rarely seen in this city, and it's a sad oversight. Who doesn't love, loath, or at any rate feel towards a puppet? Puppetry is one of the most ancient of theatrical arts, and aside from the possibilities it affords to take a more lateral tack with staging, we attach a lifetime of connotations to the living dolls — naive, playful, magical, murderous — and those feelings are ready to be tapped at several times, in several ways by a good show. The Splinter, by acclaimed Australian playwright Hilary Bell, is a good show doing just that. The new work, long in development at the Sydney Theatre Company, began life as a play for children — a fact which seems comically disturbing after you've seen the current version up on stage. Its puppet is a child, Laura, a girl of four returned to her parents, played by Helen Thomson and Erik Thomson, after having been missing for nine months. They don't know what's happened to her in this time, and in many ways, she's a vastly different little individual for it. But while her mother embraces Laura back into her life, for her father, she is too different, and he is tormented by the provenance of this changeling in his house. The title of The Splinter is inspired by the Hans Christian Andersen fairytale The Snow Queen; it only takes one shard to lodge in your eye for your whole vision of the world to be irrevocably tainted. The play centres on showing the effect this has on the father. As such, it's a very internal drama, and until the moodiness substitutes for tension, the sparse text isn't necessarily exciting. Yet when the show's manipulators of puppet and props start playing their tricks and your own sense of certainty is upended, it becomes an insidious and unnerving psychological thriller. The Splinter employs a bunraku style of puppetry, which means the puppeteer is not concealed. It's a fun and complex method, perfect for adult theatre, and it works particularly well in The Splinter, where performers Julia Ohannessian and Kate Worsley alternately look like they're playing with the doll, becoming one with the doll, and ditching the doll altogether to transform into representations of the child's personality. The two women also happen to be dressed in identical girlish, dropped-waist dresses, recalling the creepiness of the twins in The Shining. If anything, there isn't enough time with the puppet before she begins to devolve into more metaphorical fragments. It's also frustrating that her hair mostly falls wildly over her eyes; an audience needs to connect with a puppet through its face just as it would with a human actor. But the overall impression left by The Splinter is of the richly realised worlds that are possible when a deft playwright leaves her isolated writing desk and really works with the stagecraft pros that will bring the story to life on the stage.
If you're keen to learn how to say a few words in Sydney's indigenous language, don't miss Bayala. Named after the word for "speak" in local language, this annual series includes a free one-hour introductory language class taught by Darug woman Aunty Jacinta Tobin and Gadigal man Joel Davison. In under 60 minutes, you'll learn basic greetings, place names, and songs. Not a bad way to spend an hour. History and language buffs can also check out the Out of the Vaults show at the State Library of NSW, where a rarely-exhibited collection of items relating to the history of Sydney language will be available for public viewing. Image: Jamie Williams
Getting philosophical about existence can mean bobbing between two extremes. At one end, life means everything, so we need to make the absolute most of it. At the other, nothing at all matters. When genre-bending and mind-melting time-loop comedy-drama Russian Doll first hit Netflix in 2019, it served up a party full of mysteries — a repeating party overflowing with chaos and questions, to be precise — but it also delivered a few absolute truths, too. Fact one: it's possible to posit that life means everything and nothing at once, all by watching Natasha Lyonne relive the same day (and same 36th birthday party) over and over. Fact two: a show led by the Orange Is the New Black, Irresistible and The United States vs Billie Holiday star, and co-created by the actor with Parks and Recreation's Amy Poehler, plus Bachelorette and Sleeping with Other People filmmaker Leslye Headland, was always going be a must-see. Russian Doll's first season wasn't just one of the best TV shows of 2019, but one of the smartest, savviest and funniest, all while making the utmost of its Groundhog Day-meets-The Good Place setup. It tasked Lyonne's chain-smoking, acerbic and misanthropic New Yorker Nadia Vulvokov with cycling through the same date again and again, experiencing both gruesome and mundane deaths, and attempting to work out what this whole life business is all about. It was dark, heartfelt, amusing and innovative, as well as clever and compelling, especially in examining fate, logic, life's loops, wading through limbo, what counts in the time we have and if anyone can ever truly make a difference. (Also, it made the world appreciate how Lyonne pronounces "cockroach", something that never, ever gets old.) It took three years, but Russian Doll has finally returned for its seven-episode second season. The glorious news for sweet birthday babies who've gotta get up, gotta get out, gotta get home before the mornin' comes: it's smarter and weirder than its predecessor, and just as delightful. In the process, it achieves a tricky feat, because making more of a show that's already about duplicating the same events could've proven a lazy and easy rehash. Indeed, Russian Doll season two stresses another key fact: that taking a leap, twisting even further, and seeing life's ups and downs as a trip is always better than treading water. At the end of Russian Doll's first season, self-destructive video-game designer Nadia closed the live-die-repeat dilemma plaguing both her and mild-mannered fellow NYC-dweller Alan Zaveri (Charlie Barnett, You). The pair found a way to wind up "the one about the broken man and the lady with a death wish that got stuck in a loop," as Nadia describes, and the series came to such a glorious conclusion that no follow-up was really necessary. But in season two, death isn't the problem. Instead, time is. It was an issue before, given the duo couldn't move with it, only back through the same events — but now, via the New York subway's No 6 train, Nadia and Alan are speeding into the past to explore cause and effect, inherited struggles and intergenerational trauma. "Inexplicable things happening is my entire modus operandi," Nadia notes — with Lyonne as dynamite as ever in the wisecracking, angry-yet-tender, career-reshaping part — but it's also Alan's as well. They're now time prisoners, and their efforts to improve the present through the past leave sizeable ripples upon the pair themselves. There's no party as a catalyst, but there's still a birthday, with the narrative unfolding as Nadia's about to turn 40. Reaching that age has long been shorthand for reflection, crisis, taking stock of regrets and rethinking the future; however, it doesn't usually mean hopping to Berlin and Budapest from years gone by to learn not only how to stay alive, as the first season covered, but how to truly revel in every heartbeat regardless of whether it counts for something, nothing or everything. It's impossible to imagine how Russian Doll would work without Lyonne at its centre. Its mood, humour and look are so tied to the actor, who spits out sharp lines as naturally as breathing, wears the hell out of Nadia's overcoat and cascading crimson curls, and ensures that the flimsy chasm between being carefree and reckless is layered and relatable. Season two sees Lyonne also take over showrunning duties from Headland — and writing and directing three of its episodes, including its first and last instalments — so the fact that it dances so firmly as one with its leading lady is unsurprising as well as thrilling. Barnett's Alan doesn't get as much screentime as viewers would like as a result, but he's just as adept at making a splash in the time he has as he was in season one. (Add that to the show's list of truths across its entire run, clearly.) Sprawling and surreal, inventive and heartfelt, and somehow both skeptical and sentimental, Russian Doll is many things in season two, as it was in its debut airing. Now, it's also home to more of the always-welcome Chloë Sevigny (The Girl From Plainview) as Nadia's late mother Nora, the similarly returning Greta Lee (Sisters) as party-throwing pal Maxine, plus Schitt's Creek and Kevin Can F**k Himself star Annie Murphy and District 9's Sharlto Copley as series newcomers. Naturally, the twists that lead the latter two into the story are best discovered by watching, but they arise within a show that jumps backwards and keeps questioning that move simultaneously. That comes through stylistically — see: the visual cues taken from 70s cinema — and in snappy dialogue, profound themes and wily plot developments that muse on constant change versus hard-earned acceptance. Yes, Russian Doll is definitely back, entertainingly so, and serving up another wonderful on-screen matryoshka doll of life-pondering insights and time-twisting trickery for audiences to entrancingly unstack. And, it inspires its own IRL loop for beguiled viewers, too — because once you're done watching it, you'll want to cycle back and start all over again. Check out the full trailer for Russian Doll's second season below: The second season of Russian Doll is available to stream via Netflix. Read our review of the first season. Images: Netflix.
If you’re a vegetarian, stop reading. You'll have more fun over here. If, however, you're a caring carnivore with a penchant for environmental protection, stay with us. A pop-up shop in New York City is helping to make your meaty inclinations more sustainable, by turning byproducts into fashion items. You'll find the Marlow Goods temporary store next door to the Reynard Restaurant, within the Wythe Hotel in Williamsburg, Brooklyn. It's the creation of husband and wife team Andrew Tarlow and Kate Huling — Tarlow takes care of Reynard’s culinary offerings, while Huling turns the restaurant’s waste into clothing, bags and accessories. 'Waste' refers to the parts of an animal left at the abattoir once the meat’s been extracted – leather and wool, mainly. Even though this is the duo's first pop-up, they've been doing the farm-to-table-to-fashion thing under the Marlow Goods label since 2008. Tarlow heads up several other popular Brooklyn eateries, including Diner, Roman's, cocktail bar Achilles and She Wolf Bakery. "When we thought of it, I don’t think we saw anyone else who was connecting restaurants and grass-fed meat and fashion," Huling told Vogue. "That was kind of a eureka moment." Huling also explained that her unique designs and Tarlow's restaurant aesthetics are mutually complementary. "I'm always driven to find styles that are as simple and as useful as possible," she says. "In many ways, my aesthetic is the same as that of Andrew's restaurants. We're very nostalgic for the way things used to be — the classic look of old fashion houses like Louis Vuitton and Hermès, or the feeling of living in a village and selling your goods and wares." The Marlow Goods shop is popping up until December 31, 2014. Via Springwise.
Every family has its own stories, but how many can you remember? Every Thursday for over 50 years, Ab Solomons drew a picture on his weekly wage packet for his wife to keep, creating a series of more than 3000 drawings that chronicled their daily life in London's East End. It wasn't until Danny Braverman discovered his great-uncle's doodlings, stored in an old shoebox, that these forgotten memories found a new life on stage. In his disarmingly simple, one-man production, Braverman projects a series of selected drawings and relates the stories behind them. After success at the 2013 Edinburgh Fringe and winning the British Way Award for best new play that same year, Wot? No Fish!! has come to Sydney Festival for its Australian premiere. Don't miss this honest portrait of the ups and downs of family life – a production that reveals both the comic and affecting moments of the everyday, while exploring ideas of storytelling, forgotten memories and family secrets.
The first half of 2013 saw the world contract Gatsby fever as the literary classic received a visually stunning reinterpretation, and its lingering effects are clearly evident from the moment the audience enters Burley Theatre's latest production, The Importance of Being Earnest. The green light lending a haunting luminosity to the theatre and the modern melodies transplanting the timeless tale to the present parallel Gatsby, and director Brandon Martignago successfully rides this wave to present his own hilariously witty and visually excellent adaptation of this other famous text. No expense has been spared to convey the ugly side of the supposedly beautiful upper classes of high society. The clashing pastel colours, garish astroturf and fake flowers that occupy our vision for the show's majority remind us of the faux beauty embodied in the upper echelons of society, and how we should not be seduced by its charade of sincerity. It is beautiful in an incredibly ugly way. There is nothing ugly about the acting though. The Importance of Being Earnest is an inherently funny play but the cast takes the laughs to another level with their earnest (it had to pop up at some point in this review) portrayals and electric relationships. The interactions between Algernon Moncrieff (played by Kurt Phelan) and John Worthing (Michael Walley) are a laugh a minute, from Moncrieff's inability to discuss marriage to the duo's memorable muffin dispute. Their respective amorous relationships with the captivating Cecily Cardew (Katie McDonald) and flirtatious Gwendolen Fairfax (Paige Gardiner) are also very believable and consequently hilarious. However, the show is stolen by the vibrant boisterousness of Lady Bracknell (Andrew Benson). The decision to cast a male as the infamous female seneschal of Victorian high culture lends her an added formidableness that is impossible to withdraw your attention from. Benson performs Bracknell with perfect timing and detail, to the point that even the most ambiguous of entrances draws a torrent of anticipated laughter. What makes this production captivating is the abundance of energy that the cast radiates. Despite its modern refurbishment, the production cannot escape the staging difficulties of the dialogue-heavy script — it often becomes talking heads. Whilst this often leads to tiresome renditions of the play, this production avoids any potential lull thanks to the cast's exuberance, which transfers to the audience and animates them from beginning to end. It truly finds the modern importance of being earnest.
From the deepest oceans to the highest peaks, the wonders of the Earth defy belief. To some Earth is a battleground, a place to be feared, and plays host to danger, torment, and horror. While the rich live in splendor, the poor fight, and die, for scraps. But a brave few dare to talk, to share the marvellous and the macabre, the savage and the serene. They are the documentary-makers, and their medium is showcased stunningly in another round of the annual Antenna Documentary Film Festival. There are more than 30 feature-length documentaries in 2012's festival, but here's a list of five most intriguing titles to get you started. 1. Tomorrow Outraged by a Russia gagged by Putin's regime, anarchist art collective Voina ('War') stage prankster stunts that have won them worldwide admiration and support from the likes of Banksy. Tomorrow, an unnerving but highly captivating portrait, follows the group as, led by the brave and fearless Vor, they plan to leave their mark on their authoritarian state that holds them in shackles. 2. The Ambassador Featuring murderous thugs, shady opportunists, and crooked diplomats, The Ambassador is a frank and daring but also comical investigation into the African diamond trade. Director Mads Brügger infiltrates this dark world, disguising himself with an alter ego that verges on being a Borat-like caricature and tests the limits of those he encounters. 3. Mongolian Bling Old meets new and east meets west as Benj Binks investigates the Mongolian hip hop scene, and its unique characters, all of who come together in a fascinating mix of bouncing beats and broken stereotypes in Mongolian Bling. 4. Girl Model In a film filled with shocking revelations and stark realities, Girl Model sees the dark truths of the beauty industry torn open and shows the world the shocking exploitation and global trafficking that exists at its heart. 5. We Are Legion: The Story of the Hacktivists They started simple, just a group of pranksters working together to have a laugh, but the online activists known to the world as Anonymous grew serious quickly, attacking authority and spawning a global disobedience movement. We Are Legion is their story. The Antenna Documentary Film Festival screens at the Dendy Newtown and Dendy Opera Quays.
One of the great things about Alanis Morissette's discography is that it's filled with songs and lyrics that prove apt in plenty of situations. You oughta know that there's a musical dedicated to the Canadian singer's tunes, for instance — and now that it's coming back to Sydney this winter, you might want to say thank you. This news isn't like rain on your wedding day. It doesn't resemble finding a black fly in your chardonnay. And it definitely isn't anything like hitting a traffic jam when you're already late, either. But, it will have you singing those lines, because Tony-winner Jagged Little Pill the Musical will return to Theatre Royal Sydney for a second run. The Broadway show's trip Down Under kicked off at the same venue last December, then moved to Melbourne. Whether stops in any other cities are on the horizon hasn't been revealed as yet; however, after its first Harbour City stint sold out, Sydneysiders can now look forward to a big dose of 90s nostalgia all over again. Inspired by Alanis Morissette's 1995 album of the same name, Jagged Little Pill the Musical weaves a story around songs from that iconic record. So yes, it's a jukebox musical like Mamma Mia!, We Will Rock You and Rock of Ages. Famed tracks 'Ironic', 'You Oughta Know', 'Hand in My Pocket', 'Head Over Feet' and 'You Learn' all feature, in a production that boasts music by Morissette and her album co-writer and producer Glen Ballard, lyrics by Morissette, and a book by Juno Oscar-winner Diablo Cody. And, songs such as 'Thank U', 'So Pure', 'That I Would Be Good', 'So Unsexy' and 'Hands Clean' all pop up as well, even though they hail from the musician's subsequent albums. At present, tickets are on sale for shows from Saturday, July 9–Sunday, August 21, all starring Natalie Bassingthwaighte. She plays Mary Jane Healey, with Jagged Little Pill the Musical telling the Healey family's tale as they struggle with their seemingly idyllic suburban lives after a troubling event in their community. Expect to hear Morissette's tunes — including two new songs written just for the show — used in a story about social issues relevant to today, but also with an overall message of hope, healing and togetherness. Jagged Little Pill the Musical will return to the Theatre Royal Sydney at 108 King Street, Sydney, from Saturday, July 9–Sunday, August 21. For further details and to buy tickets, head to the musical's website. Images: Jagged Little Pill the Musical, Australian production, Daniel Boud.
Oh, the modern library. Like a grandmother with a laptop, it can seem lost, desperate and confused as it strives to survive the digital era. Is it a tech hub, a research centre or just another place to pick up? Not even it knows. Yet, if there's one thing the library should always be, it is a place for stories. And that's what the crew at Surry Hills are bringing back to the bookshelves with April's Late Night Library Slide Night. This LNL session will explore the tales behind the tales from three of Australia’s finest journalists: Fairfax crime reporter Ilya Gridneff, former Dateline/current Triple J reporter Sophie McNeill and the event's host, Tom Tilley of Triple J's Hack. From bike-back road trips with pals to Hells Angels to allegiances made in Syrian refugee camps, listen in awe as these raconteurs provide live commentary to a collection of photo essays exposing the hidden drama of newsmaking.
Sydney shines in summer. The long days, warm nights and many summer celebrations make the city buzz throughout the warmer months. After being cooped up all winter, we're pretty keen to spend summer exploring our own backyard to remember why it is we love living in this sparkling city so much. One part of town that'll be filled with sweet summer fun is Barangaroo. The inner city pocket will play host to art activations, Sydney Festival events, artisan markets and loads more. Did we mention it's a prime position to see in the new year, too? Whether you're after a picturesque picnic spot or a world-class dining experience, you'll find something to suit every one of your summer moods at Barangaroo. WELCOME 2022 WITH AN INCREDIBLE HARBOUR VIEW If there's one thing Sydney knows how to do well, it's New Year's Eve. The phenomenal fireworks show over the harbour is famous worldwide and you can get front-row access from the sloping lawns at Barangaroo Reserve. You can BYO food or enjoy tasty treats from the on-site food trucks while live performances keep you entertained until the the countdown to midnight. Bringing your own booze is not permitted but the on-site bar will be available to quench your thirst. Given the prime location, you'll need to get in early to make sure you're on the lawns for the midnight moment. Head to the website to grab your tickets. [caption id="attachment_836793" align="alignnone" width="1920"] 2021 Cultural Ghost Tour[/caption] FREAK YOURSELF OUT ON A GHOST TOUR From Thursday, January 13 till Saturday, January 22, you can immerse yourself in ancient Dreamtime stories at this spine-tingling First Nations-led ghost tour at Barangaroo (Thursday, Friday and Saturday nights only). You'll start with a cleansing ceremony at Stargazer Lawn before you make your way to Nawi Cove to connect with the Water Spirits of Birra (Sydney Harbour). To finish, you'll share your own spooky stories around a sandstone fire pit while acknowledging Barangaroo's Goomedah (spirit). UNCOVER ARTISAN-MADE TREATS AT THIS INAUGURAL MARKET You know a market means business when there'll be a road closure for it to take place. On Saturday, February 26, the very first Barangaroo Artisan Market will be kicking off with over 40 stalls to browse through and yep, you guessed it, the streets will be filled with people instead of cars. From carefully crafted ceramics to prints, homewares and jewellery, there'll be plenty of treasures to discover at this harbourside market. The best part? There'll be free live music to soundtrack your summer shopping spree. GET INSPIRED AT SYDNEY FESTIVAL Sydney Festival is the city's beating heart in January. From incredible live music to inspiring theatre productions and transformative artworks, there'll be so much to see during this jam-packed arts festival. This year, you can catch several Sydney Festival events happening at Barangaroo. See large-scale artwork Future Dreaming on Stargazer Lawn; head to The Cutaway to hear the lush acoustic sounds of Sydney Philharmonia Choirs' chamber singers in Night of the Soul; or get reflective at The Vigil: Songs for Tomorrow on January 25. [caption id="attachment_836794" align="alignnone" width="1920"] Rick Stevens[/caption] TAKE IN SOME HISTORY ON AN ABORIGINAL CULTURAL TOUR Keen to learn more about the history of Barangaroo? Best to get that education from an expert via an Aboriginal Cultural Tour, where you'll be guided through the six hectares of headland that is Barangaroo Reserve. On the tour, you'll take in the 75,000 native plants that feature in the area — the highest quota of native flora of any public space in Sydney — while learning about the importance of this land to clans of the Eora Nation. Tickets range from $16.50–$36.30 for the full 90-minute tour. AUGMENT YOUR REALITY AT THIS LARGE-SCALE ARTWORK Reality getting you down? Time to mix things up with the Artfresco Augmented Reality Art Activation. The free event is happening at Mercantile Walk (outside the entrances to the International Towers) in Barangaroo South until Monday, January 31. The large-scale activation has been developed from original works by renowned artists Alex Seton and Robert Fielding and curated by local artist and innovator Charles Clapshaw. Unfamiliar with the area? An interactive map will help you locate the art and give you information on the artists involved. [caption id="attachment_836795" align="alignnone" width="1920"] Eloi Stichelbaut (SailGP)[/caption] SET YOUR SIGHTS ON THE SAILS Love sailing? Head to Barangaroo from December 17-18 to catch the return of Australia Sail Grand Prix I on Sydney Harbour. There'll be a pop-up SailGP Village from 12pm both days for fans to have the chance to see racing boats, take part in Q&As with athletes, purchase merchandise and more. It's free to check out the village itself but experiences start from $30 each. HAVE A HARBOURSIDE PICNIC Looking for a new picnic spot this summer? Make tracks to the picturesque Barangaroo Reserve for your next outdoor get together. You'll be able to have your snacks near idyllic coves and check out the nearby lookouts in between drinks at this harbourside hang out. You can BYO food and drinks (including alcohol) from home or pick up supplies from the nearby stores. Want to leave the picnic packing to the professionals instead? Order something from Pop-up Picnic. These picnic pros will pack you a gourmet hamper and deliver it to your agreed location on the reserve. You can even get them to supply picnic gear and outdoor activities if you want to go all out. There's plenty of sweet summer fun to be had at Barangaroo this summer. For more information, visit the website.
Sydney's Shangri-La Hotel is doing something a little different to the usual super swish accommodation thing – they're hosting the annual Philippines Food Festival at Café Mix, with buffet lunch and dinner events happening in September. The hotel is bringing in guest chefs to expand your palates (and bellies). On the foodie line-up is Rico Celdo Venzon, Athena Blanche Tan Oropesa and Erma Balaquiao Palanca from the Shangri-La Hotel in Manila. The food featured will showcase a cuisine that draws inspiration from its tropical setting, and will definitely include some classic national dishes. Head over for tasty treats like Adobong Manok (chicken cooked in soy, vinegar and garlic), Lechon Kawali Sisig (stir-fried crispy pork) and Kare-Kareng Buntot ng Baka (stewed oxtail in peanut sauce). Keen for dessert? Try Halo-Halo (fruits with shaved ice and toppings) or Turon – a banana and jackfruit springroll. You'll be saying "napakasaráp nitó" (it is delicious) in no time. The festival will run from September 16th-23rd and the buffet lunch will be available between noon and 2:30pm at $57 pp, or dinner from 6-10pm at $82 pp. To book yourself in for the buffet, call (03) 9250 6000 or go to the Shangri-La website.
Wisemans Ferry has been largely devoid of music since the extremely popular Playground Weekender collapsed. However, festival fans can rejoice as Return To Rio is bringing music back to the venue this November. The three-day festival will have a deep house, disco and funk sound, with Mad Racket headlining the brand-new event. They will be supported by an eclectic mix of live bands and DJs including renowned party people S.A.S.H., R Music, Love Bombs and Disktrict. Whilst Return to Rio is curated by an entirely different group, many fan favourites from Playground Weekender shall remain, with the always popular fancy dress night and pool parties returning, as well as early morning yoga. Of course, if the partying has taken it out of you, then you can always play a round of the Del Rio resort's famous mini golf. Return to Rio will also have an exclusive feel to it, with only 1000 golden tickets, which you need to secure entry and access to camping, going on sale to the public on September 1. So if you feel like an early summer party on the Hawkesbury, get in quickly. Image from Playground Weekender.
Shortstop are celebrating their birthday in the best possible way: by giving away a boatload of free donuts! Friday, September 8 marks three tasty years since the coffee and donut specialists started slinging rings of dough and cups of joe from their Melbourne store. To mark the anniversary, they've crafted a special limited-edition Birthday Cake Donut, a vanilla bean concoction topped with glaze and sprinkles, which they'll be giving away free with every purchase. "It's a small way for us to say thank you to all our customers for their loyal support over the past three years," says Shortstop's Anthony Ivey. The donut giveaway will take place at Shortstop's Melbourne and Sydney stores for as long as stocks last. One per customer, so don't get any bright ideas. Find Shortstop Coffee & Donuts in Melbourne at 12 Sutherland Street, Melbourne and in Sydney at Shop 3, 23 Barangaroo Ave, Barangaroo.
Russell Crowe’s directorial debut, The Water Diviner, is a fine example of what might be termed 'a trailer movie’. Not because it’s stereotypically cheap, unsophisticated and championed by a guy named ‘Russell', but because it gives the impression of having been written, produced and directed entirely around a vision for how it might be sold to audiences. The Water Diviner's trailer, for example, features a perfect meld of spectacular visuals and intimate disclosures: a sandstorm of biblical scale followed by: “You can find water but you can’t even find your own children!”; a body-littered battlefield illumined by blinding explosions, with: “Gallipoli? There’s nothing there but ghosts”. You see the trailer and you think: “Man, I’ve got to see that film”, then you see that film and you think: “Man, that trailer was really good”. How this plays out in practice is that The Water Diviner feels very deliberate; a converted warehouse apartment of a film in that it's unembellished and beautiful, yet with all its parts exposed. You see how it was assembled, how everything fits together — a tradeoff of striking visuals at the expense of mystery. The plot, based on an astonishing true story, concerns an Australian farmer and father named Joshua Connor (Russell Crowe) whose three sons were all killed on the same day at Gallipoli. At the close of the war, Connor travelled to Turkey to locate their bodies, though with tens of thousands of remains, both Australian and Turkish, scattered across the wasteland, most considered it an insurmountable task. The film’s title, however, refers to Connor’s almost mystical ability to seek out subterranean water reserves in the otherwise barren Australian outback, and he uses that same gift to locate his dead sons on the battlefield. The latter application is admittedly less plausible and would feel horribly hinky were it not for Crowe’s understated sincerity and his character’s frank admission that he fails at the former "all the time". The Water Diviner's narrative flicks back and forth between Connor’s endeavours and his sons' final hours on the battlefield, and it's those brief scenes between the brothers where the film is at its heart-wrenching best. Most impressive is its entirely inglorious depiction of the Anzac experience, acknowledging the heroism but focusing exclusively on the horror. The guttural, almost animalistic wailing of one wounded brother is one of the most unsettling scenes ever depicted in a war movie and is to be commended both on its direction and performance. Less impressive is the clumsy and unnecessary romantic subplot between Crowe and his Turkish hotelier, Ayshe (Olga Kurylenko). It’s disappointing that so far Hollywood has proven itself incapable of capturing the subtlety of Kurylenko’s earlier work in films like L’Annulaire (The Ring Finger), favouring an emphasis on her beauty rather than her genuine talent. Still, with 2015 marking the centenary of Gallipoli, this is a well-timed and well-intentioned movie that marks a decent directorial debut for the Academy Award-winning Crowe.
After years of venue closures and endless Keep Sydney Open rallies, it looks likes proposed changes to the lockout laws may finally be getting somewhere — well, depending on who you talk to. Since the then-Baird administration's December announcement that NSW's controversial lockout laws will be relaxed by half an hour, 20 more venues across Kings Cross and the CBD have been approved for this exemption. The new law has pushed last drinks for these venues from 3am to 3.30am and lockout from 1.30am to 2am. We announced the first wave of approved venues back in February — which included World Bar, Stonewall, The Palace Hotel, ArtHouse Hotel, and the Observer Hotel — and the list has grown relatively quickly by an additional 15 venues since then. The extension is largely based around a venue's ability to provide legitimate live entertainment, with police records and liquor law compliance history also taken into consideration. The State Government of course sees the relaxed law as a compromise between preserving Sydney's cultural identity and reducing nighttime violence, but opponents have criticised the law as not doing enough — including Keep Sydney Open who took to Twitter back in December to vent their frustration, calling the legislative changes a "joke". It seems at least some of the approved venues are happy with the extension, though, with rather supportive managements from the Kings Cross Hotel and Potts Point Hotel reported by The Daily Telegraph. Recent months have admittedly seen some resurrection in our city's nightlife, with iconic music venues The Lansdowne and Flinders Hotel recently reopening under new management and this month's Meet Me in the Cross taking over seven venues in a precinct-wide festival. We just hope the good news keeps on coming. VENUES WITH EXTENDED OPENING HOURS Kings Cross Hotel Potts Point Hotel Slip Inn Oxford Art Factory The World Bar The Basement Observer Hotel The Arthouse Hotel Establishment Republic Hotel The Cliff Dive Kinselas Hotel Mr B's Hotel Palace Hotel Stonewall Hotel The Scary Canary O'Malley's Hotel Brighton Hotel ARQ Sydney Burdekin Hotel Via The Daily Telegraph.
We can all agree that the annual racing carnival should just be renamed the Season of Bubbles. It's a great occasion to splash out, pop Champagne and eat cheese like it's going out of fashion. And the good people at Mumm — purveyors of fine Champagne, fun times and free holidays — want to take you there. They're giving away a luxe Melbourne Cup Emirates Stakes Day experience and, trust us, you don't want to miss this. The winner — and their luckiest friend — will win a killer race-day adventure. Fly to Melbourne (from Brisbane or Sydney) and prepare to be chauffeured around by a private car (to and from your five-star hotel, mind you). You'll have access to the Mumm Marquee, too, where you'll enjoy flutes of Mumm Champagne, delicious canapes and a big screen to take it all in. And because Mumm knows how to take care of you, they've set up a luxurious (and greasy) breakfast at your hotel the next day, before your private car whisks you back to the airport. Now that's race day glamour. To enter, see details below. If you're a Sydneysider and don't win the comp, fret not. You can head down to the Cup Day Festival at Barangaroo — there'll be pop-up eateries, live music and, of course, plenty of Mumm to go around. Entry into the event is free and Barangaroo's restaurants and bars will be serving up race-day specials (many of which include complimentary Champagne). Splash out on seafood at Cirrus, a Shanghai feast at Lotus or a nine-course Turkish banquet at Anason. We'll tip our hats to that. [competition]642528[/competition]
