Tasmania may sit forgotten and ridiculed on the outskirts of our borders, but every January it truly shines. Attracting tens of thousands of visitors from all over the country, MONA's annual Festival of Music and Art is a cultural icon. Now, in its seventh year, it's still bringing in the goods. The just-released 2015 lineup will include legendary post-punk outfit Swans, Dan Deacon, Amanda Palmer, Paul Kelly and — because why not — author Neil Gaiman. And that's not even mentioning the art. Curated by Brian Ritchie of the Violent Femmes, the musical program is incredibly eclectic — a tasting plate of genres for those not quite so fascinated with predictable summer festivals like Laneway or Future. In 2015 you can relax whileNeil Gaiman reads you a story accompanied by the ambient sounds of Jherek Bischoff, go local with Paul Kelly's Soul Sessions featuring Dan Sultan and Kira Puru, or melt your brain with some Dan Deacon goodness. MOFO caters to all. The art on display will be just as strange. UK group Architects of Air will be bringing their giant inflatable sculpture — read: artsy bouncy castle — EXXOPOLIS down south from the Brisbane Festival. Melbourne artist Atticus J. Bastow is acting as maestro to an orchestra of iPhones. Johannes S. Sistermanns will be wrapping thing (and possible people) in cling wrap to create terrifying sound art. Then, Alvin Curran will combine both art and music while mobilising rafts and dinghies to make music on the Derwent River. "We are thrilled that the audience for MOFO has developed to the point where we can present this dazzling array of creativity and know the people are ready, willing and able to come along for the ride," said Ritchie. "It’s a party with brains, heart and soul." For a little look at what you're missing, check out our write-up from last year's Dark Mofo. January's festivities are bound to be about the same with 100 per cent more sunshine. What's not to love? MONA FOMA will run from January 15-18, 2015 in Hobart. Tickets are on sale now via the festival website. Full lineup: Alvin Curran Allan Halyk And Adam Wojcinski Amanda Palmer & The Tasmanian Symphony Orchestra Amir Farid Anna Von Hausswolff Architects Of Air Ava Mendoza Atticus J. Bastow Ben Frost Brendan Walls Chordwainers Dan Deacon David Francey Trio Debashish Bhattacharya Emma Dean And The Hungry Truth Faux Mo Francesca De Valence Gabriella Smart Genevieve Lacey Jim Moginie Johannes S. Sistermanns Li Binyuan Marduk Martine Corompt And Philip Brophy Melisandre Michael Kieran Harvey MOFI Eastern Sho MOMA (mona Market) Neil Gaiman Omar Souleyman Paul Kelly Presents The Merri Soul Sessions – Featuring Dan Sultan, Clairy Browne, Kira Puru & Vika And Linda Bull Phillip Johnston Rektango Robyn Hitchcock Ruth Roshan And Tango Noir Senyawa & Lucas Abela Shonen Knife Speak Percussion Swans The Clean Tim Hecker Xylouris White Young Wagilak Group & Australian Art Orchestra Zammuto
Half the fun in camping is the fact that you're forced to get grubby, as you and your fellow campmates collectively get back to nature and forgo the modern luxury of a shower. This is all well and good for a few days, until everyone gets a little sweaty, a little dirt-caked and probably a little grumpy. You see, the problem with showers is that they're usually set pretty firmly in one place. They need a water source, drainage, electricity — basically, they're the first thing you forgo when you leave the safety of a modern building. But the geniuses at Tokyo-based startup Hotaru are set to change that, with a portable water-recycling shower that can be set up almost anywhere. So how does it work? The shower holds about 19 litres of water, which is then purified and reused for the next person who hops in. Hotaru claims that a family of three could each take a five-minute shower each day for up to two weeks. That's over 40 showers on less than 20 litres of water. While the possibilities for where the shower can go are pretty endless, it does need to be hooked up to a power source — although, according to Hotaru, a car will do the trick. This new sustainable shower was spotted by TechCrunch at SXSW this week, and is expected to go to market sometime next year. It's not only great news for campers, but the technology could really change how we recycle and make the most of our water. Via TechCrunch.
If you're one of the first 50 people to walk through the door of Henry Deane on any Sunday in April after 2pm, you'll be greeted with a free G&T. And it's not any old concoction – it's made by The Rocks' very own distillery, Hickson House. The freebies are a celebration of Henry Deane's new party, Sips and Sounds. Every Sunday (except Easter Sunday), the bar will host six hours of special cocktails, delicious snacks and live music. On Sunday, April 13, catch multi-instrumentalist Dom Diaz, who layers singing, rapping and beatbox with guitar, piano and trumpet on reggae, soul and R&B tunes. Then, on Sunday, April 27, Brazilian-born Tiago de Lucca will be in the house with his soulful vocals, jazzy harmonies, funky guitar riffs and groovy beats. All of this comes, of course, with Henry Deane's spectacular views. It's perched atop the Hotel Palisade in The Rocks, and, whichever way you look, you're gazing over blue skies, sparkling harbour views and legendary landmarks. Entry to Sunday Sips and Sounds is free, but it's a good idea to RSVP to claim your spot.
Play music, make calls, take photos, open doors and share your location – all with the flick of a single switch. That's the idea behind Flic, a new wireless, portable button developed by a group of Swedish entrepreneurs that can be programmed to work with just about any smart device that you please. The 28mm diametre button works in conjunction with a smartphone app that allows you to assign it a particular function – such as snoozing your alarm, dialing pre-set phone numbers or switching on the lights in your smart home. Each button can be programmed with up to three different functions (single click, double click and hold) and has a reusable adhesive back so it can be fastened wherever is convenient. The creators of the device offer up a few more potential applications in the promotional video, below. Be warned though: the cheese factor is pretty high. https://www.youtube.com/watch?v=MDsjBh2xOgQ While we're still not entirely convinced that getting your phone out of your pocket is really all that strenuous, this little button does look pretty cool. According to the specs listed on their website, the button's silicon overmould means that it is able to withstand weather and dust, and can be used both indoors and out. It also comes in a number of different colours, and operates on a replaceable coin battery that lasts up to five years. You can currently preorder a Flic button for US$34 plus $5 shipping. You can also get discounts if you order more than one – just in case you were planning on decking out your house like the inside of a spaceship.
Bluesfest has lifted the lid on its first artist announcement for 2019, the festival's 30th anniversary, and heading the stampede are famed American singers Jack Johnson and Ben Harper, who will play with his band The Innocent Criminals. Both artists will be performing exclusively at Bluesfest, with Johnson making his third appearance at the festival after first appearing in 2001 and again in 2014. Speaking of the noughties, both artists are sure to bring hefty dose of nostalgia along with them — expect both 'Diamonds on the Inside' and 'Banana Pancakes' to make an appearance. Other acts taking to the stage at Tyagarah Tea Tree Farm over the weekend include Aussies Kasey Chambers and Richard Clapton, six-piece soul band St. Paul and The Broken Bones and Grammy Award-winning jazz and funk collective Snarky Puppy. American singer and record producer George Clinton will perform one of his last live shows ever, before retiring in May, alongside his funk collective Parliament-Funkadelic. Anyway, here's the full lineup (so far). Better start making Easter plans because tickets are already on sale. BLUESFEST 2019 LINEUP Jack Johnson Ben Harper and The Innocent Criminals Ray Lamontagne George Clinton & Parliament-Funkadelic Snarky Puppy Kasey Chambers St Paul and The Broken Bones Nahko and Medicine for the People Tommy Emmanuel Colin Hay Arlo Guthrie Keb' Mo' Tex Perkins Allen Stone Richard Clapton Russell Morris Kurt Vile and The Violators Vintage Trouble The Black Sorrows The California Honeydrops Trevor Hall I'm With Her Larkin Poe Irish Mythen Elephant Sessions Greensky Blugrass Rockwiz Live + more to be announced. Bluesfest 2017 will run April 18 to April 22 at Tyagarah Tea Tree Farm, Byron Bay. More details and ticket info here. Image: Gavin Conaty and Andy Fraser.
The pointy end of this year's awards season is here. Every 12 months, and for months and months, the film industry celebrates the best and brightest movies that've graced cinemas — and now streaming as well — across a spate of accolades culminating in the Academy Awards. Exactly which movies the Oscars will shower love on is about to be revealed, with the gongs' 95th ceremony taking place on Monday, March 13, Australian and New Zealand time. Of course, sometimes the finest flicks, performances, directors and other talents truly do nab these coveted prizes, as seen with Parasite and Nomadland in recent years. Sometimes, movies initially considered surprises gather momentum, such as 2022's Best Picture win for CODA. And sometimes, the very best movie of the past year doesn't even get a look in — yes, Decision to Leave was criminally ignored among 2023's nominees, and no we'll never get over it. Whatever films you adored in 2022, some might end up with Hollywood's ultimate accolade — and plenty of deserving winners will be anointed. Will this be the year that Cate Blanchett earns a third Oscar? That the Academy shows how much it loves actors playing real-life people — again? That a Marvel movie wins an acting Oscar? That movies about donkeys steal the show? Could two categories, at least, make history? We've done some assessing and prognosticating; here are our predictions: BEST MOTION PICTURE The nominees: All Quiet on the Western Front Avatar: The Way of Water The Banshees of Inisherin Elvis Everything Everywhere All At Once The Fabelmans Tár Top Gun: Maverick Triangle of Sadness Women Talking Should win: Everything Everywhere All At Once Could win: Top Gun: Maverick Will win: Everything Everywhere All At Once Every year delivers a heap of phenomenal movies — if you think otherwise, you're just not watching enough — and 2022 was no different. And, some of those films are competing in this very category, including the sublime and lingering The Banshees of Inisherin. Still, nothing else among the ten contenders boasts the energy that Everything Everywhere All At Once sports. Everyone remembers when they first saw Everything Everywhere All At Once. Not every film earns that feat, but this Michelle Yeoh-starring date with the multiverse is simply unforgettable. It should win. It will win. But, the Oscars do have a history of loving blockbusters such as Titanic and The Lord of the Rings: The Return of the King — and Top Gun: Maverick might ride its need for speed to the top spot. BEST DIRECTOR The nominees: Martin McDonagh, The Banshees of Inisherin Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once Steven Spielberg, The Fabelmans Todd Field, Tár Ruben Östlund, Triangle of Sadness Should win: Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once Could win: Steven Spielberg, The Fabelmans Will win: Daniel Kwan and Daniel Scheinert, Everything Everywhere All At Once After awarding its Best Director prize to Chloé Zhao and Jane Campion over the past two years, tripling the number of women who've earned the award — from a paltry one to a just-as-dismal three — in 94 years, the Academy once again went back to deciding that ladies weren't among the past year's top helmers. To say that's disappointing is an understatement: Sarah Polley's Women Talking and Charlotte Wells' Aftersun both earned nominations elsewhere, but apparently directed themselves. The Daniels, aka Kwan and Scheinert, made a stunner with Everything Everywhere All At Once, and should be rewarded as a result. Don't discount Steven Spielberg for his supremely personal The Fabelmans, though — which, yes, we also said last year when he was competing for West Side Story. This'd be his first in almost a quarter-century (since Saving Private Ryan), and the Oscars do love sharing the love with this gong, awarding something that doesn't win Best Picture or get much else. PERFORMANCE BY AN ACTRESS IN A LEADING ROLE The nominees: Cate Blanchett, Tár Ana de Armas, Blonde Andrea Riseborough, To Leslie Michelle Williams, The Fabelmans Michelle Yeoh, Everything Everywhere All At Once Should win: Michelle Yeoh, Everything Everywhere All At Once Could win: Michelle Yeoh, Everything Everywhere All At Once Will win: Cate Blanchett, Tár Of course Cate Blanchett should 100-percent receive her third Oscar for Tár. Yes, she already has two, for The Aviator and Blue Jasmine. This isn't her last shot at adding another to her mantle, and she'll win more from here. But she genuinely is better than she's ever been playing this conductor drama's definitely not-real namesake. And, she likely will win. She deserves to. But in what'd be her first Academy Award — she's as the first nominee in the category who identifies as Asian, too — Michelle Yeoh also deserves the trophy for Everything Everywhere All At Once. It's a movie that knows how much of a star she is to the point that it even baked it into its concept, and a film that definitely wouldn't be what it is without her. Also, forget the controversy surrounding Andrea Riseborough's To Leslie nomination; she won't win, but she's earned her spot. PERFORMANCE BY AN ACTOR IN A LEADING ROLE The nominees: Austin Butler, Elvis Colin Farrell, The Banshees of Inisherin Brendan Fraser, The Whale Paul Mescal, Aftersun Bill Nighy, Living Should win: Colin Farrell, The Banshees of Inisherin Could win: Brendan Fraser, The Whale Will win: Austin Butler, Elvis Play a real person, go home clutching a statuette after Hollywood's night at nights: that's how things have turned out for Colin Firth, Daniel Day-Lewis, Matthew McConaughey, Eddie Redmayne, Leonardo DiCaprio, Gary Oldman, Rami Malek and Will Smith since 2010. And Austin Butler is that electrifying in Baz Luhrmann's Elvis as, of course, Elvis Presley. His onstage efforts in the concert scenes alone are goosebump-giving levels of spectacular. Colin Farrell's work in The Banshees of Inisherin is far less flashier, of course, but no less exceptional. In a movie filled with exquisite portrayals — three of his costars are nominated, too — he's never less than magnetic, especially at conveying pain and confusion. The Brenaissance may nab Brendan Fraser the accolade for The Whale, though, because Hollywood loves a comeback — even if Fraser hasn't ever been far from screens. PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE The nominees: Angela Bassett, Black Panther: Wakanda Forever Hong Chau, The Whale Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All At Once Stephanie Hsu, Everything Everywhere All At Once Should win: Kerry Condon, The Banshees of Inisherin Could win: Angela Bassett, Black Panther: Wakanda Forever Will win: Jamie Lee Curtis, Everything Everywhere All At Once Give the cast of The Banshees of Inisherin all the awards. Better Call Saul star Kerry Condon is heartbreaking in the Irish dramedy — playing the kind but frustrated sister who can see both sides to its central feud, and whose own wants and needs are always ignored by the either chatting or fighting men around her. And, she might capitalise upon Everything Everywhere All At Once's Jamie Lee Curtis and Stephanie Hsu competing against each other. That said, give the cast of Everything Everywhere All At Once all the awards as well. Curtis has momentum fresh off a Screen Actors Guild win, in what's somehow the acting veteran's first-ever Oscar nomination, but Hsu would be just as worthy a winner. Golden Globe-recipient Angela Bassett may just make history for winning as the first-ever Marvel performance, however — she is Black Panther: Wakanda Forever's powerhouse. PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE The nominees: Brendan Gleeson, The Banshees of Inisherin Brian Tyree Henry, Causeway Judd Hirsch, The Fabelmans Barry Keoghan, The Banshees of Inisherin Ke Huy Quan, Everything Everywhere All At Once Should win: Ke Huy Quan, Everything Everywhere All At Once Could win: NA — because Ke Huy Quan will win. Will win: Ke Huy Quan, Everything Everywhere All At Once Last year, the Best Supporting Actress category was a lock for months. Ariana DeBose was always going to win for West Side Story, and she did. This year's equivalent is the Best Supporting Actor race, with Ke Huy Quan set to shine for one helluva return. As he's spoken about in plenty of speeches as he keeps collecting well-deserved trophies, the Everything Everywhere All At Once star went from childhood fame in Indiana Jones and the Temple of Doom and The Goonies to virtually nothing before The Daniels came along. Quan helps give Everything Everywhere All At Once its heart and soul, and he'll give the speech of the Oscars: mark our words now. If there is an upset, Brendan Gleeson and Barry Keoghan from The Banshees of Inisherin loom as the biggest threats, albeit vying against each other, and Brian Tyree Henry's nomination for Causeway should be the first of many. BEST ORIGINAL SCREENPLAY The nominees: The Banshees of Inisherin, Martin McDonagh Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert The Fabelmans, Steven Spielberg and Tony Kushner Tár, Todd Field Triangle of Sadness, Ruben Östlund Should win: Tár, Todd Field Could win: Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert Will win: The Banshees of Inisherin, Martin McDonagh Every year has them: the films that could earn a swag of Oscars, and would against different company, but only end up with a gong or two. In 2023, it looks as if Tár and The Banshees of Inisherin are those two movies. The latter should be rewarded for Martin McDonagh's layered original screenplay, and the former also deserves to be — Todd Field's Tár script is a masterclass in complexity. McDonagh has two screenwriting nominations before, for In Bruges and Three Billboards Outside Ebbing, Missouri. Field has the same for In the Bedroom and Little Children. The Daniels might just pip them both for Everything Everywhere All At Once — or, if Spielberg doesn't win Best Director, maybe this is where The Fabelmans gets the icon some love. BEST ADAPTED SCREENPLAY The nominees: All Quiet on the Western Front, Edward Berger, Lesley Paterson and Ian Stokell Glass Onion: A Knives Out Mystery, Rian Johnson Living, Kazuo Ishiguro Top Gun: Maverick, screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; story by Peter Craig and Justin Marks Women Talking, Sarah Polley Should win: Women Talking, Sarah Polley Could win: All Quiet on the Western Front, Edward Berger, Lesley Paterson and Ian Stokell Will win: Women Talking, Sarah Polley Women Talking might've directed itself to a Best Picture nomination in the Academy's eyes, but it didn't write itself. Adapting Miriam Toews' 2018 novel of the same name, which draws on events in a Bolivian Mennonite colony from 2005–9, actor-turned-filmmaker Sarah Polley should earn her first win from two screenwriting nominations — the first was for 2008's Away From Her — for her powerful efforts, which do indeed make women talking the most important thing imaginable. Edward Berger, Lesley Paterson and Ian Stokell's work scripting All Quiet on the Western Front — adapting it again from the 1929 anti-war novel — should put up a fight, though. And who doesn't want to live in a world where Rian Johnson picks up a gong for Glass Onion: A Knives Out Mystery? It won't happen, as it didn't with his Knives Out nomination either, but a win here would be glorious. BEST INTERNATIONAL FEATURE FILM The nominees: All Quiet on the Western Front Argentina, 1985 Close EO The Quiet Girl Should win: Close Could win: Argentina, 1985 Will win: All Quiet on the Western Front Sometimes, the Academy recognises that movies in languages other than English are regular movies, too, nominating them for Best Picture as well as the field currently called Best International Feature Film. Obviously, that should just be standard, but this is one such year. In fact, All Quiet on the Western Front has scored recognition all over the place, notching up nods in nine categories. It'd be an immense surprise if the German-language flick doesn't garner the international prize. Still, courtroom drama Argentina, 1985 picked up the Golden Globe, and could repeat the feat at the Oscars. From the five nominees, sensitive, tender and stunning Belgian effort — and Cannes award-winner — Close is hauntingly exquisite from start to finish, and a standout among impressive titles. Again, as already mentioned, Decision to Leave should be here (and everywhere). BEST ANIMATED FEATURE The nominees: Guillermo del Toro's Pinocchio Marcel the Shell With Shoes On Puss in Boots: The Last Wish The Sea Beast Turning Red Should win: Marcel the Shell With Shoes On Could win: Turning Red Will win: Guillermo del Toro's Pinocchio There's never a lack of Pinocchio films on our screens, and Guillermo del Toro's Pinocchio was just one in 2022. What a version it is; a feat of gorgeous stop-motion, and a movie that inescapably belongs to its Nightmare Alley and The Shape of Water director. It's also a spin on Frankenstein in its own way, marvellously so. And, it's a wonder that'll make an ace Best Animated Film winner — but so would the sweet, adorable, thoughtful, intelligent and meta Marcel the Shell With Shoes On, which is even better as a feature film than as a viral smash. Pixar is a heavy-hitter in this category, of course, so Turning Red is definitely in with a shot. BEST DOCUMENTARY FEATURE The nominees: All That Breathes All the Beauty and the Bloodshed Fire of Love A House Made of Splinters Navalny Should win: All the Beauty and the Bloodshed Could win: Fire of Love Will win: Navalny What a year it is for documentary filmmaking when All That Breathes and A House Made of Splinters look unlikely to nab the Best Documentary Feature Oscar — and when Moonage Daydream wasn't even nominated. This field comes down to Navalny, Fire of Love and All the Beauty and the Bloodshed, each of which are astonishing in their own ways. The scope of All the Beauty and the Bloodshed, and the empathy within it, means that this Venice Golden Lion-winner about photographer Nan Goldin really should emerge victorious. But, telling French volcanologists Katia and Maurice Krafft's tale using wonderful archival footage, Fire of Love was one of 2022's best films. Expect Navalny to win, with this portrait of Vladimir Putin opponent Alexei Navalny also a gripping thriller. BEST ORIGINAL SCORE The nominees: All Quiet on the Western Front, Volker Bertelmann Babylon, Justin Hurwitz The Banshees of Inisherin, Carter Burwell Everything Everywhere All At Once, Son Lux The Fabelmans, John Williams Should win: Babylon, Justin Hurwitz Could win: The Fabelmans, John Williams Will win: Babylon, Justin Hurwitz More often than you might expect, a year rolls around where neither John Williams or Hans Zimmer get Oscar nominations. One of the Newmans — cousins Thomas or Randy — tend to fill the gap, or Alexandre Desplat. This year is Williams' turn as a contender again, earning his whopping 53rd nod. He's won five times so far from that, and The Fabelmans might be his sixth. This is a jam-packed field with no weak links, but Justin Hurwitz should add to his two La La Land wins. His score for Babylon is propulsive, vibrant, energetic and largely responsible for the film's mood. Yes, it's jazzy, naturally — his latest collaboration with jazz-loving director Damien Chazelle is set in Jazz Age Hollywood, after all. BEST ORIGINAL SONG The nominees: 'Applause', Tell It Like a Woman (Diane Warren) 'Hold My Hand', Top Gun: Maverick (Lady Gaga and BloodPop) 'Lift Me Up', Black Panther: Wakanda Forever (music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler) 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) 'This Is a Life', Everything Everywhere All At Once (music by Ryan Lott, David Byrne and Mitski, lyrics by Ryan Lott and David Byrne) Should win: 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) Could win: 'Lift Me Up', Black Panther: Wakanda Forever (music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; lyrics by Tems and Ryan Coogler) Will win: 'Naatu Naatu', RRR (music by MM Keeravaani, lyrics by Chandrabose) Maybe you're the kind of Oscars watcher that uses the song performances to grab a bite. Forget your usual routine — don't miss this year's rendition of 'Naatu Naatu'. The infectious and joyous track from RRR will win, and should, for a movie that should've had a better showing in the nominations. Despite Bollywood's stature, an Indian film has never been nominated outside of Best International Feature Film before, so this'll be a history-making victory. Still, Black Panther: Wakanda Forever's 'Lift Me Up' could sweep in; Rihanna's slot at the Super Bowl didn't hurt its fortunes. And Lady Gaga's 'Hold My Hand' from Top Gun: Maverick is also in with a good chance. BEST CINEMATOGRAPHY The nominees: All Quiet on the Western Front, James Friend Bardo, False Chronicle of a Handful of Truths, Darius Khondji Elvis, Mandy Walker Empire of Light, Roger Deakins Tár, Florian Hoffmeister Should win: Empire of Light, Roger Deakins Could win: Empire of Light, Roger Deakins Will win: Elvis, Mandy Walker Another field where every entry is excellent, the Best Cinematography category could also make history. Horrifically, it wasn't until the 2018 ceremony that a female cinematographer — Mudbound's Rachel Morrison — was even nominated. Australia's own Ari Wegner received the award's second-ever nomination to go to a woman in 2022 for The Power of the Dog, but didn't win either. Fellow Aussie Mandy Walker should go one better for Elvis; however, she has stiff competition. Cinematography great Roger Deakins does stellar work with Empire of Light; a movie about the power of cinema set in a cinema, it has to look perfect, and it does. And James Friend could sneak in for All Quiet on the Western Front, especially if it doesn't capitalise upon all of its nominations in other fields. BEST FILM EDITING The nominees: The Banshees of Inisherin, Mikkel EG Nielsen Elvis, Matt Villa and Jonathan Redmond Everything Everywhere All At Once, Paul Rogers Tár, Monika Willi Top Gun: Maverick, Eddie Hamilton Should win: Tár, Monika Willi Could win: Top Gun: Maverick, Eddie Hamilton Will win: Everything Everywhere All At Once, Paul Rogers Thanks to editing wins at the BAFTAs, Critics Choice, Film Independent Spirit and American Cinema Editors Awards, Best Film Editing is Everything Everywhere All At Once's category to lose — but there's one caveat around Paul Rogers' likely win. Also at the ACE Awards, Top Gun: Maverick 's Eddie Hamilton won, because that ceremony gives out gongs for dramas and comedies separately. So, if Top Gun: Maverick takes the Academy's breath away, don't be surprised. Elvis, The Banshees of Inisherin and Tár also benefit from exacting splicing — indeed, everything in this field except The Banshees of Inisherin delivers a masterclass in overt editing with style and purpose. Wondering where to watch this year's Oscar contenders? We've put together a rundown for both Australia and New Zealand.
When Ron Swanson discovered digital music, the tech-phobic Parks and Recreation favourite was uncharacteristically full of praise. Played by Nick Offerman (The Last of Us) at his most giddily exuberant, he badged the iPod filled with his favourite records an "excellent rectangle". In Black Mirror, the same shape is everywhere. The Netflix series' moniker even stems from the screens and gadgets that we all now filter life through daily and unthinkingly. In Charlie Brooker's (Cunk on Earth) eyes since 2011, however, those ever-present boxes and the technology behind them are far from ace. Instead, befitting a dystopian anthology show that has dripped with existential dread from episode one, and continues to do so in its long-awaited sixth season — which arrived on Thursday, July 15 — those rectangles keep reflecting humanity at its bleakest. Black Mirror as a title has always been devastatingly astute: when we stare at a TV, smartphone, computer or tablet, we access the world yet also reveal ourselves. It might've taken four years to return after 2019's season five, but Brooker's hit still smartly and sharply focuses on the same concern. Indeed, this new must-binge batch of nightmares begins with exactly the satirical hellscape that today's times were bound to inspire. Joan Is Awful, with its AI- and deepfake-fuelled mining of everyday existence for content, almost feels too prescient — a charge a show that's dived into digital resurrections, social scoring systems, killer VR and constant surveillance knows well. Brooker isn't afraid to think bigger and probe deeper in season six, though; to eschew obvious targets like ChatGPT and the pandemic; and to see clearly and unflinchingly that our worst impulses aren't tied to the latest widgets. Taking ripped-from-reality tales to an uncanny extreme, tearing into the obsession to adapt everything into content, exploring the catharsis found and carnage wrought by slipping into avatars: that's all in Black Mirror season six's five instalments. So is the ravenous nature of celebrity culture, plus the apocalyptic path that insular attitudes give rise to. Throw in explosive diarrhoea, Salma Hayek Pinault (Magic Mike's Last Dance) playing herself, the true-crime boom, the savagery of fame, alternate pasts, astronauts and devilish bargains as well, and Brooker has given himself and viewers much to play with. Each chapter, whether focusing on a woman's existence being broadcast to the world or swapping sci-fi for horror in the first-ever Red Mirror instalment, pinballs between chilling and thrilling. Each chapter also knows that no matter whether streaming queues, VHS tapes, human replicas, 00s-era cameras or runic talismen feature, humanity's biggest enemy is itself. Starring Annie Murphy (Kevin Can F**k Himself) as its namesake, Joan Is Awful is the only futuristic story in season six, examining where our current times might lead as Black Mirror long has. After firing a friend, complaining to her therapist about her boyfriend (Avi Nash, Silo) and meeting up with her ex (Rob Delaney, The Power), tech-company CEO Joan gets comfortable on the couch to watch Streamberry's latest wares, only to find that she's the platform's fresh subject (and that Hayek Pinault has stepped into her shoes). The series-within-the-series dramatises her past 24 hours, in fact, and doesn't paint Joan in a positive light. Swiftly, everyone she knows is watching, all taking the on-screen version as gospel. Savvily, the episode interrogates the platforms that Black Mirror and almost every other TV show exist on right now, television's relationship with reality, the incessant quest to thrust ordinary lives into the spotlight and the undervaluing of everyone in the creative industries — which bites hard given the present writers' strike — and it's a cutting and amusing delight. Next comes Loch Henry, which also has the medium of streaming in its sights. Black Mirror has been part of Netflix's stable since 2016, moving to the service after commencing on the UK's Channel 4, but Brooker doesn't let that stop him from digging the show's claws into its funder and home. Initially, the episode's film students Davis (Samuel Blenkin, The Witcher: Blood Origin) and Pia (Myha'la Herrold, Bodies Bodies Bodies) visit the former's sleepy Scottish hometown to make a nature documentary. Then Pia learns about the serial killer who terrorised the scenic locale decades back. Loch Henry doesn't just riff on the prominence of both David Attenborough-style series and headline-driven crime shows, or the fact that the latter can put sensationalist entertainment ahead of the very real victims; it also contemplates how easy it is to conceal one's true self from the world and how empty getting exactly what you've dreamed of can be. In Beyond the Sea, Aaron Paul returns to Black Mirror after first being involved in 2017. Here, it's an alternative 1969, and Cliff (Paul, Westworld) and David (Josh Hartnett, Operation Fortune: Ruse de Guerre) are on a deep-space mission, retaining ties with their families on earth — including Cliff's wife Lana (Kate Mara, Call Jane) — via mechanical doppelgängers that they can port their consciousness into from the heavens above. Brooklyn's John Crowley directs this episode, which proves apt when its retrofuturistic concept plunges into yearning after pivoting on a tragedy and following in Once Upon a Time in Hollywood's footsteps. Black Mirror is rarely light; however, this thoughtfully paced, supremely well-acted chapter takes a particularly grim view of humanity's proclivity for jealousy and spite, and our penchant to use technology to indulge both. With Mazey Day, which shares its title with a starlet (Clara Rugaard, I Am Mother), the series also jumps backwards. This time, it's the mid-00s, Suri Cruise's birth is big news, and Bo (Zazie Beetz, Atlanta) is a paparazzo barely getting by, then quitting after her snaps lead to an actor's demise, then tempted back for a $30,000 payday. Her task: nabbing photos of Mazey, who has disappeared after a hit-and-run incident. Again, this season of Black Mirror carves into the commodification of people as content. Again, it shows that 2023-era devices and anything they evolve into aren't behind this trend. And again, it's both perceptive and surprising — and, although it tells viewers what they already know, that's also Black Mirror's usual remit. While horror bubbles through most Black Mirror episodes, including season six's, Red Mirror debut Demon 79 gives the genre its heartiest embrace yet. It's also the series' 2023 standout, and not just because Anjana Vasan (Killing Eve) and Paapa Essiedu (Men) are each a treat as a shopgirl forced to get murderous and a Boney M-inspired demon, respectively. The year is 1979, Needa (Vasan) sells footwear in a Northern England department store and racism stalks her every move, as does the fomenting political fearmongering sweeping the community. Soon, a Knock at the Cabin-esque scenario arises, with Gaap (Essiedu) giving Needa three days to kill three people or the world will come to a fiery end. As penned by Brooker with Bisha K Ali (Ms Marvel), Demon 79 looks like a video nasty from decades back, and hones on spreading ideas rather than the technology that enables them. But as someone's status quo forever changes in no small part thanks humanity's most atrocious traits, it's still Black Mirror 101. Check out the full trailer for Black Mirror's sixth season below: Black Mirror season six streams via Netflix from Thursday, June 15. Images: Netflix.
Each year sees William Street close to cars, with the usual traffic replaced with fun and frivolity spilling out onto the road for the annual William Street Festival. This year from 11am–8pm on Saturday, October 19, the unique businesses of Paddington will be celebrated in style with food, pop-up bars, shopping and live entertainment. What happens? Well, all of the boutiques along this well-known shopping strip swap their usual trading for parties, food and deals galore to lure you away from the Westfields of the world and back to the simple joy of wandering around the Victorian terrace-lined, quaint streets of Paddo. Plus, there'll be live music, street art and swing dancing to keep you entertained. Be sure to keep an eye out for the Victorian-inspired, eccentrically dressed entertainers, too, who will be roving throughout the streets in celebration of Hendrick's Gin's special edition, and deeply floral, Midsummer Solstice gin to keep you entertained and point you in the direction of the Paddo Inn — aptly renamed Paddo Ginn for October — where you can enjoy a Midsummer Solstice Spritz while surrounded by Dr Lisa Cooper's wonderful floral installations. You can also line your stomach with some of the best food, wine and cocktails the area has to offer, with 10 William Street, Barbetta, Italian Bar and The London all taking part in this street-wide party.
"Kara is a storyteller," reads the comedy festival program entry for Kara Schlegl's new show. "Picture her as your kindergarten teacher, except she drinks wine, swears a lot and tells you inappropriate stories about her sex life." Co-host of the diversity driven Wolf Comedy, one of our favourite undiscovered comedy rooms in town, Schlegl shapes up as one of the most exciting young acts on the local comedy circuit. But don't just take our word for it. Festival organisers clearly feel the same way, hence her inclusion in the festival's FRESH section, featuring some of the best emerging talent in the country.
Doing your bit for the environment has never looked quite so good as it does with Frank Green's colourful range of reusable cups. The durable containers are not only helping to quash Australia's single-use coffee cup waste problem, they're also super stylish and beautifully designed. And you've got the perfect excuse to add a couple to your collection (or someone else's) with Frank Green's Virtual Warehouse Sale, offering up to 50 percent off a heap of Frank Green products. From Thursday, March 18 until Sunday, March 21 you'll be able to treat yourself, a friend or your family to a stylish and sustainable cup on the cheap. Head to the website to browse all the sale items and find the best deals. Frank Green is best known for its reusable cup and bottle range featuring the brand's recognisable pastel colour palette and in-built tap-to-pay feature, but its range of stylish and sustainable goods doesn't stop there. The brand also produces homewares like ceramic reusable containers, tea, coffee and stylish ceramic french presses, as well as Disney and Minions-inspired cups and bottle for kids. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Sydney's art world and global cultural clout are about to receive a huge boost, with the Art Gallery of NSW's new Sydney Modern Project finally throwing open its doors on Saturday, December 3. Perched upon a hill next to the original AGNSW, looking down on Woolloomooloo's Finger Wharf, the world-class museum boasts a series of stunning and immersive exhibition spaces housed within an expansive open-plan glass building. On Tuesday, NSW Premier Dominic Perrottet called the Sydney Modern Project New South Wales' "most significant cultural build since the Opera House". The ambitious four-level, $344-million project is filled with breathtaking works of art. Wonder through the gallery and you'll discover fully immersive exhibition spaces, vibrant works from world-renowned artists, and huge sculptures welcoming you into the building or looking out onto the harbour. [caption id="attachment_880682" align="alignnone" width="1920"] Aerial view of the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Iwan Baan[/caption] The first piece of art that's sure to catch your eye is the pair of massive, larger-than-life bronze statues that stand at the front of the museum. Created by artist Francis Upritchard, these tree-like figures are playfully incorporated into the outdoor foyer of the building. Once inside, there's plenty to discover. As you enter, head into the Yiribana Gallery that's been relocated from the lowest level of the original AGNSW building to the entrance of Sydney Modern. Here you'll find a showcase of Aboriginal and Torres Strait Islander artworks spanning across mediums and messages. One of the nicest touches of this new Yiribana Gallery is its floor-to-ceiling glass windows that offer views of the surrounding ocean and trees, connecting the space with its natural surroundings. [caption id="attachment_880677" align="alignnone" width="1920"] Installation view of the Dreamhome: Stories of Art and Shelter exhibition in the new building at the Art Gallery of New South Wales, featuring Samara Golden Guts 2022 © Samara Golden, photo © Iwan Baan[/caption] Continue around the gallery and you'll find works from two of Japan's most renowned artists. Yayoi Kusama has created a set of massive spotted flowers that can be observed from a large outdoor space overlooking Woolloomooloo. One level below these multi-coloured structures, you'll find Japan Supernatural: Vertiginous After Staring at the Empty World Too Intensely, I Found Myself Trapped in the Realm of Lurking Ghosts and Monsters, a chaotic 2019 artwork from Takashi Murakami. Some of the opening exhibitions include Dreamhome: Stories of Art and Shelter, a multi-media exhibition ruminating on the concept of home and shelter; Outlaw, a series of works from rule-breaking artists inside a space purpose-built for evolving time-based art; and Adrián Villar Rojas: The End of Imagination, a fully immersive work that places visitors in the gallery's underground exhibition space called The Tank, shrouded in darkness with each piece of art slowly being revealed by a set of spotlights. [caption id="attachment_880681" align="alignnone" width="1920"] The Tank space in the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Art Gallery of New South Wales, Jenni Carter[/caption] From Saturday, December 3 until Sunday, December 11, the Sydney Modern Project will be open until 10pm each day, giving Sydneysiders more chances to come and explore the new facilities. Accompanying these extended opening hours will be a series of opening celebrations that includes a free concert in The Domain with Ellie Goulding, Meg Mac and Electric Fields, a nightly drone show over Wooloomooloo from Reko Rennie and a series of talks from artists and creatives. All events are free, but if you want to head along to the concert, talks or the gallery on the opening weekend, you'll have to sign up for a ticket. For five years now, the Sydney Modern Project has been on its way — originally announced in 2017, officially given a green light in 2018 and revealing its first commissioned artworks in March 2022. [caption id="attachment_880685" align="alignnone" width="1920"] Exterior view of the Welcome Plaza of the Art Gallery of New South Wales ' new building , featuring Yayoi Kusama Flowers that Bloom in the Cosmos 2022 , photo © Iwan Baan[/caption] The Sydney Modern Project is located next to the Art Gallery of NSW. It will open on Saturday, December 3 with extended opening hours of 10am–10pm until Sunday, December 11.
UPDATE, August 9, 2021: Due to recent COVID-19 outbreaks and lockdowns, The Empire Strips Back's 2021 season has been postponed to 2022. The Sydney shows will now take place on Friday, February 4 and Friday, February 11. This article has been updated to reflect that change. In 2011, in this very country and galaxy, a pop culture favourite gained a singing, stripping burlesque parody. It's the mash-up that was bound to happen. Who hasn't looked at George Lucas' space opera, its sprawling drama and ample spectacle, and wondered what a steamier, funnier version with more visible butt cheeks would look like? Russall S Beattie clearly did, and had a good feeling that other people would give it a shot. The Empire Strips Back was the end result. It became a hit around Australia, then took itself overseas to much acclaim. Now it's returning home for a 2021 tour — once again showing local audiences that lightsabers aren't the hottest thing in the Star Wars galaxy. The saucy show promises "seriously sexy stormtroopers, a dangerously seductive Boba Fett, some tantalising Twi'leks, a delightfully lukewarm Taun Taun, a lady-like Skywalker [and] the droids you are looking for", according to its website. Apparently Yoda doesn't get the sexed-up treatment, but there is plenty of song, dance, acrobatics and — because it's burlesque — the removal of clothing. A dancing Chewie and Han is just the beginning of this cheeky take on Star Wars cosplay. Given that it's got an upbeat soundtrack, the costumes are extremely detailed and the show throws out lots of references to George Lucas' original plot, it's not surprising that local audiences — presumably the same ones that pack out Star Wars parties and large-scale screenings with a live orchestra — have latched onto the production. Heading to the Enmore on Friday, February 4 and 11, The Empire Strips Back sits alongside Dame of Thrones in Beattie's pop culture parody stable — so if you've already seen one of your fantastical screen obsessions get the burlesque treatment, then you know what you're in for. If you're super keen, you can also nab a Wookieerotica magazine online: a 116-page, 70s-style men's mag, just casually featuring all of your favourite jedis, siths, ewoks and other Star Wars characters. Either way, it could be a great introduction to burlesque or Star Wars, depending on which way you're coming at it. Images: Jon Bauer, Leslie Liu and Josh Groom.
Make new friends and get a good feed while you're doing it. That's the basic premise behind SocialTable, an intriguing new service inviting you to share a meal with a group of gastronomically compatible strangers. Starting in September, SocialTable will team up with a number of carefully selected restaurants around Sydney. They'll work in partnership with the venues on specially designed set menus, the details of which will then be posted to the SocialTable website. "For example, we might have a booking at a restaurant on a Thursday night for eight people," explains SocialTable co-founder Tom England. "We release that onto the website and as a diner you can see that table, you can get an idea of the menu, and book your seat." "When you sign up you create a brief profile, including a photograph, your likes and dislikes around food, and interests outside of that," adds his business partner Ben Stokes. "You'll also get a brief snapshot of the person who might be sitting at the table with you." Users will also be able to list any allergies, and buy drinks packages to go with their food. The whole meal will be paid for ahead of time via the SocialTable website (and eventually an app), with Stokes estimating an average bill of "around $50 to $60 for the food, and then drinks on top". Initially the plan is to work with around ten medium-to-high-end restaurants in areas like Bondi, Manly, Newtown and the CBD, providing what England calls "a cross section of locations and a cross section of cuisines that really show what Sydney dining is all about." They're coy about exactly which restaurants they've struck deals with so far, although they plan on releasing the details of their launch event in the new few weeks. In the long run, SocialTable hope to be hosting upwards of 20 dinners a week, and have already talked about expanding to Melbourne and potentially Perth. "Perth has a huge fly-in fly-out market," says Stokes, adding that they see the service as something not just for locals, but also tourists and business travellers. Of course, the danger with a service like this is that you could end up on a table with people you don't have anything in common with. Then again, with all this talk about social bubbles we've been hearing recently, perhaps that's not such a bad thing. And hey, either way, at least you get dinner out of it. SocialTable will launch in September, but you can submit your interest via their website now. You can also follow them on Facebook, Twitter and Instagram.
For three decades, Hank Azaria's voice has echoed from the TV screen in almost every possible variation imaginable. Being one of The Simpsons' six main cast members will do that. He's gotten gruff as perennially short-tempered bartender Moe Szyslak, especially when answering prank phone calls. He's cheerfully announced "hi, everybody!" as Dr Nick Riviera. He's hardly bothered with police work as Chief Wiggum, oozed beer-loving self-importance as Duffman, been nerdy as Professor Frink and uttered many a stern reprimand as Super Nintendo Superintendent Chalmers. The list goes on, including characters he no longer voices — such as Kwik-E-Mart owner Apu Nahasapeemapetilon — and everyone from Frank Grimes to Disco Stu. Azaria hasn't just been heard, and often, since The Simpsons' debut episode in 1989. He's virtually synonymous with the long-running animated sitcom, but his resume isn't short on other highlights. His first film role came courtesy of Pretty Woman, and he's featured in fellow flicks such as Heat, the 1998 American version of Godzilla, Mystery Men, Shattered Glass and Lovelace from there. On the small screen, he's stepped in front of the camera in Herman's Head, Mad About You, Friends and Ray Donovan, too — and led excellent two-season drama Huff, plus sportscaster comedy Brockmire. Now, he's stealing scenes in Apple TV+'s Hello Tomorrow!, a retrofuturistic sci-fi dramedy set in an alternative version of the 1950s where The Jetsons-style technological advancements are commonplace. Also an ordinary part of life, amid the hovering cars and robot waiters: everyday folks relocating to the moon. A workplace comedy as well, the series focuses on BrightSide Lunar Residences, specifically regional manager Jack Billings (Billy Crudup, The Morning Show) and his door-to-door salesmen crew. They head from town to town on earth selling timeshares on the planet's only natural satellite. Azaria's Eddie doesn't just sling getaways to whichever customers are willing to pay, either; he's desperate to take the trip north himself. Azaria uses his own vocal tones in Hello Tomorrow!, but his acting is just as elastic as his voice has repeatedly proven in his best-known gig. Eddie makes a living selling the American dream and, despite seeing that his customers' launches keep getting pushed back, he's bought into it himself. He's also as cynical as they come, and has the kind of gambling addiction that has physical consequences, yet remains hopeful of saying hello to his own better tomorrow. It's a powerful performance in a show filled with them, including from Crudup — who Azaria has always wanted to work with. "I chased this job down. I've always wanted to work with Billy. I know Billy, I love him as a performer and a person, and I wanted to be a part of this," Azaria tells Concrete Playground. Also part of our chat: what else appealed to him about Hello Tomorrow!, the show's many layers, the kinds of roles he looks for beyond The Simpsons and busting out his voice work on salesmen himself. ON HIS FIRST REACTION TO HELLO TOMORROW! "I imagined a gritty, realistic, Glengarry Glen Ross take on it. I was very surprised by this retrofuturistic element, that to me almost feels like an episode of The Twilight Zone from the 50s that we've expanded into a series. It's this kind of low-tech but high-tech high-concept idea in a morality play playing out in the context of a futuristic sci-fi premise. It reminds me of a Rod Serling-type idea. And then [there's] the heightened language of the thing, the kind of Damon Runyan sort of 1950s heightened speak that we all engage in. So it was more of a stylised thing than I had imagined." ON HELLO TOMORROW!'S EXPLORATION OF THE AMERICAN DREAM "It's this metaphor of the American dream being out of reach. Is it or isn't it? What's hope? What's delusion? What really struck me about Billy's character Jack is he's this really pretty ruthless conman who is believing, I think — it could be hope, it could be delusion on his part. But the hope he's giving people, even though it's an utter lie, [he believes] is good for them. And in many cases, it is. It's kind of what saved his life, and he wants to pass that along. Billy also refers to the pursuit of money as almost religious zealotry in this world we're in. These folks, there's a religious fervour around their pursuit of the American dream and the capitalist vision that these folks have — like even more than our current society has that we live in. So it's making that extreme version of what these ideals were and holding it up as satire." ON PLAYING THE GAMBLING-ADDICTED, LUNAR-DREAMING EDDIE "That's interesting isn't it? He's the most cynical. I think he believes he's bought into what they're selling, but he doesn't need to do that to sell. He's happy to con people — and knowingly con people, if that's what he's doing. But it speaks to, I think, the potency of that dream that Billy's character is selling — if even a cynic like Eddie, a gambling-addicted, negative, maladaptive, self-destructive person like Eddie, buys into this. He doesn't need it to sell. I don't think it affects his selling style at all. But even Eddie sees his dream of love and happiness, [living] happily ever after with his beloved Shirley [BrightSide's office manger Shirley, played by Truth Be Told's Haneefah Wood], as happening up there. It speaks to the power of that delusion, that dream." ON THE RESEARCH THAT GOES INTO PLAYING A LUNAR TIMESHARE SALESMAN "There aren't too many travelling salesmen around these days to talk to. There's a brilliant movie called Salesman, a documentary — I believe from the 60s — about bible salesmen that we all watched, and that really affected me a lot. Just the lives of these guys and their attitudes going door to door. The movie Tin Man is a great other piece of source material, [about] these conmen salesmen who were just that kind of bottomline, have to sell, really living or dying by whether you sell or not types. And then, as an actor, just wrapping your mouth and mind and heart around the language, the way these guys are talking — which is so much fun, but challenging at times. This is more the mind you apply to [Glengarry Glen Ross writer David] Mamet or [The West Wing creator Aaron] Sorkin or Shakespeare, where that's not how I would express myself, and I have to transpose my truth, what's real to me, to how this guy's expressing it. Which takes like a little bit of practice. It's almost like a skill, like a language you learn — or not as hard as that, but related to that. It is a rhythm thing, though. You find that there's a rhythm and a way of speaking that's sells it, but finding what that is takes a little bit of practice at first." ON THE TYPE OF ROLES HE LOOKS FOR BEYOND THE SIMPSONS "It's always different but always the same. Honestly, it's good writing. If I could write, I would. I can write, but I'm sort of a C+ writer. The stuff I write I guess gets made, but I probably would turn it down if I were offered it, if writer me came to me, with rare exception — Brockmire being one that I helped develop, which I loved, it was an idea I'd had since I was a teenager. But it's really writing, whether it's comedy, drama, this role, that role. Once you weed out what you really respond to in writing for whatever reason, there's not all that much left. And if you're fortunate enough to not have to work, then there's not much — to me anyway, there's not that many things that come along that I go 'oh, I could see doing that'. This was one of them." ON HOW HIS PENCHANT FOR VOICES COMES IN HANDY WITH TELEMARKETERS "It's rare that you run into a travelling salesman anymore, let alone one that's offering you up on the moon — you'd be crazy not to be immediately suspicious. But we're all barraged by telemarketers if you still have a home line, or even if you don't! You just get spam calls, and we're all pretty familiar how we usually react to those. I usually adopt a different voice and try to engage, and turn it around on the folks that call me up at dinnertime. It's one of the fun little perks of being a voice guy." Hello Tomorrow! streams via Apple TV+. Read our full review.
Springtime in the wine world is when we start looking forward to the upcoming vintage. Wineries start releasing some of the fresher styles of white wine, bright and lighter reds and rosés ahead of new wines to be made in the beginning of 2018. Others dust off their retail shelves and push full-bodied reds to the back, making room for all the new release rieslings and other aromatic whites coming into the store, ready for the warmer months. But if don't know where to start drinking with all these new springtime releases, fear not — we've done the heavy lifting for you by combing through the Vinomofo cellars to find the best drops, regardless of the occasion, time of day or springtime locale you might find yourself in. And what's more, if you're looking to start stocking up your home cellar in preparation for the party season (yes, it's less than three months till Christmas) you can use any extra American Express reward points you have floating around to buy some vino. Here are the drops we think you should be looking to first. RIESLING In the words of Miranda Priestly, "Florals? For spring? Ground-breaking". It may not be new, but a delicious floral riesling and springtime are a classic pairing for a reason. For example, it's Friday night, you've had a long week at work and got hit with one of those days where you thought the weather was going to be mild (but ended up being a scorcher), and you wore too many layers. You're exhausted, and all you want to do is peel off your sweaty clothes and eat takeaway in front of the TV. Enter, refreshing and soul-reviving riesling. The wine style naturally hangs on to its acidity while its balanced with white florals, ripe citrus, tropical fruit (and sometimes) melon notes, so it's always going to have this lovely, invigorating quality to it. That's what makes it so perfect for food. Indian, Thai, Chinese and anything with spice, oil or fat (you know, all the necessary food groups). Always keep one in the fridge, nice and cold, like the 2017 Penna Lane Lot 5 Riesling from the Clare Valley in South Australia. It's pretty much the wine version of a first aid kit. ALBARIÑO Albariño has seen its way through a funny turn of events in the history of Australian wine. In 2009, after the CSIRO did DNA studies on winery vines, it was discovered that the vineyards in Australia that thought they had planted albariño were in fact planted with savagnin. Native to Spain, the white grape is perfect in any warm climate (not only to grow but also to drink in abundance) because of albariño's light style and bright acidity and freshness. For a perfect thirst quencher after an afternoon springtime dip in the ocean (when the water is still crisp and refreshing), splash some of the 2014 Paco Y Lola 'Lolo' Albariño in your glass and sip on the Spanish version wondering what could have been if we had it planted on our great shores. ROSÉ Picture this: a warm spring day in the park, sitting on a picnic blanket with a little Bonobo playing out of your Bluetooth speakers. What's missing? A glass of dry rosé in your hand. Rosé typically has fresh acidity alongside a natural meatiness and density in the mid-palate. This is usually paired in the wine with bright red fruits that are stereotypical of the varietal along with a dry finish to refresh the palate after each bite of food. Want to up your rosé game with something a little left of centre? Try a sparkling rosé like the NV Royal Marine Sparkling Rosé Brut. It has classic characters of raspberries, redcurrant, rose petal and gooseberries, not to mention that pretty, pale pink aesthetic that makes it a wonderful pair with a sailboat around Sydney Harbour, springtime breeze on your skin included. MALBEC There's nothing that pairs better with quintessential springtime Aussie barbecue than malbec. There's a reason why it's heralded as Argentina's 'national grape' (have you seen how much meat is piled on your plate at an Argentinian steakhouse?). Opt for one of the more fruit driven styles like the 2014 Chevalier du Lagrezette from the south of France, with a bit of spice weaving its way through the palate, and go for some huge hunks of chargrilled steak to counteract the fruitiness of the wine. Then, crank The Strokes or LCD Soundsystem in the background, and you'll be food and wine matching like a rockstar (and a crowd favourite at any springtime housewarming). TAWNY PORT What about those of you with a sweet tooth? Or those still holding onto the last dregs of winter by craving full-bodied reds? Enter fortified wines, or, specifically, tawny port. Australian vintage ports tend to be richer in style than their Portuguese ancestors. Tawny ports are blended ports (a combination of older wines mixed in with the new wine and then aged in oak barrels and casks from five to up to 100 years. Tawny ports are ready to drink when bottled as most of the maturation has already taken place in the five to 100-year period. They're perfect for romantic balcony hangs, paired with an assortment of cheeses and golden light from the setting sun. Try the Lou Miranda Estate Dark Angel Grand Tawny. It's smooth and sweet, showcasing toasted nut, toffee, spice and raisin notes. It's also full-bodied, just like the rest of your evening if all goes well. Treat yourself this spring. More and more places welcome American Express — like Vinomofo — and you can even use your reward points to pay off your purchases, so you'll feel like you're winning at life as you use all those points you've collected over winter. Images supplied by Vinomofo.
One of Sydney's best pubs, The Dolphin Hotel is known for its boundary-pushing wine list and top-notch Italian eats. Situated in a sunlit space unlike any other pub, the venue's kitchen has already built a reputation for its tasty plates of pasta, prosciutto and burrata. And now it's taking its pizza offerings to a whole new level. The Surry Hills stalwart has just welcomed Delfino, an in-house pizzeria dedicated to woodfired rounds. This fresh offering is centred around a newly arrived, handcrafted Neapolitan Mesiano Wood Oven and Head Pizzaiola Sasa Smiljanic, who was previously leading the kitchen over at Newtown favourite Bella Brutta. Working with Executive Chef Danny Corbett, Smiljanic has created a menu that balances the traditional and the playful, featuring eight different varieties of pizza all atop the pub's specialty Napoletana pizza dough. This meticulously crafted pizza base utilises three different types of flour imported from Italy, and is pre-fermented using a biga base, which means it requires less yeast and is lighter overall. "The [old] pizza oven has gone to the gods! After eight years and thousands of delicious pizzas, it needed a replacement," said The Point Group restaurateur Brett Robinson. "We've always had a great reputation for our pizza, and so we sought out the best in the business, and that's how we found Sasa." Former Dolphin classics make a return on the new menu — like the double pepperoni and the Mari e Monti, an Italian take on surf and turf featuring king prawns, pancetta, fermented chilli and XO sauce. And there's a range of new Smiljanic creations including a New York-style sausage and capsicum pizza; the eggplant ragu, ricotta, calamata olives and mozzarella-topped Caponata; and a truffle, mushroom and porcini variety titled Funghi e Tartufo. The new pizza menu is available alongside the core range of eats at the pub, and is waiting and ready to be paired with one of the many impressive vinos on offer at the bar. Delfino Pizzeria is now open inside The Dolphin Hotel at 412 Crown Street, Surry Hills. The pub is open 12pm–12am Monday–Saturday and 12pm–10pm Sunday.
When you're taking your pet pooch to the park in the cooler months, you want your four-legged friend to look its best and be warm. Yes, all puppers are adorable anyway, because that just comes with the territory. But your furry little woofer is certain to dial up its natural cuteness in a piece from Big W's new winter pet range. Whether your dachshund would look dapper in a cosy knitted vest, your jack russell terrier needs a faux fur-trimmed jacket or your shih tzu could do with an 'Always Snackin' sweater, you'll find it on offer in this new line. It's super-affordable, too, with sweaters starting from $9 and jackets from $15. More than 100 items are currently available (including various sizes and colours), spanning collars, harnesses and leads, as well as cable-knit jackets, tartan jumpers and novelty beds. Yes, if you and your pooch are looking to to go on an 'indoor camping adventure' — we've been WFH for a while now — you can get them a teepee: The fashion and accessory line will add further items throughout the year, too, because even your doggo's wardrobe can change with the seasons. While Big W has dubbed the line its 'petwear', so far it's all for dogs. That said, if you can somehow manage to get your cat into a vest or sweater, then you're well-equipped to slip them into something from this range. Big W's petwear is currently available to purchase online, with contactless home delivery and pick up available.
Airport accommodations are normally pretty drab but the lively 150-room Citadines Connect (formerly the Felix Hotel) is bucking this trend with a truly first-class stay. Yes, we're as surprised as you are. Inspired by the golden age of air travel in the 60s — that is, before budget airlines made you pay for water and wearing leggings as pants became the norm— the seamless experience starts from the get-go with guests heading straight to the top-level penthouse to check-in. Expect bright pops of pastel colours alongside smooth woods and polished metal finishes. They do a pretty good job of blending modern chic and retro cool design features. From here, overlooking the runway, guests can enjoy the rooftop cinema, dining area, heated outdoor terrace and colourful cocktail bar — the latter of which will undoubtedly be a departure from the usual monotonous airport watering holes. It's a surprising inclusion to our choice of the best hotels in Sydney.
When it comes to sourcing unique ingredients for culinary adventures, supermarkets have admittedly come a long way. But every now and then, there will be one or two mystery items that throw the whole recipe into mayhem. Pontip opened over two decades ago and remains a Campbell Street institution for professional chefs and home cooks alike. The grocery specialises in ingredients that form the foundation of traditional Thai recipes including fresh Asian produce, herbs, spices and noodles. If you're on the hunt for a hard-to-find exotic fruit or veg, venture into the rainbow bonanza that is Pontip.
Visit Balmoral Beach in 2023 and you'll be splashing around in one of the nation's top beaches for this year, no matter when you head by. Make a date with the Sydney patch of sand this winter, however — and with Balmoral Beach's Bathers' Pavilion, to be specific — and you'll also be able to enjoy a meal from a three Michelin-starred English restaurant, with Simon Rogan's L'Enclume making the trip Down Under for the first time ever. For five weeks between Wednesday, July 19–Sunday, August 20, in what marks L'Enclume's debut venture away from its Northern England home, it'll set up shop at Bathers' Pavilion for a residency. British chef and restaurateur Rogan, who is known for his farm-to-table focus, will bring a number of the restaurant's famed dishes our way. In fact, he'll transport a version of the L'Enclume experience beachside from its base in the village of Cartmel in The Lake District in Cumbria, where it resides in a former 13th-century blacksmith workshop. L'Enclume will still operate as usual in the UK during its Sydney residency, too, giving the world two L'Enclumes running at the same time. If you're new to L'Enclume, and to Rogan, both favour the idea of the perfect ingredient. So, in each small and meticulously constructed bite served up, that concept comes to the fore. Across an eight-course menu, plus snacks and petit fours, patrons can expect L'Enclume's favourites — but adapted to use ingredients from New South Wales and Australian producers. The residency is committed to having a traceable menu, and Rogan is already contacting locals, seeking folks who can grow supplies specifically for his time at Balmoral Beach. And yes, Rogan himself will overseeing the Bathers' Pavilion stay, leading the kitchen for every single service. Oli Marlow, Executive Chef of Roganic and Aulis London and Hong Kong, and Sam Ward, Managing Director of Simon Rogan restaurants around the globe, will join him, plus a team from the UK that'll feature up to eight chefs, four front of house staff and a sommelier. Only welcoming in a maximum of 80 attendees per sitting, the intimate residency will also bring over L'Enclume style of service, and have diners eating off of a version of its preferred crockery that'll be handmade in Australia. To help wash down Rogan's precisely fashioned dishes, Rogan's sommeliers are crafting a sizeable wine list, complete with wine pairings to match the food. And, there'll also be a cellar list, with folks with cash to splash on budget-breaking vino able to pre-arrange rare vintages and bottles before their bookings. Setting guests back $420 each for eight courses plus snacks and petit fours, and either $190, $290 or $750 per person for wine pairings on top (or $70 for non-alcoholic sips), this clearly isn't the kind of culinary experience that Aussies get every day — and it's also one that's worth travelling for. If you don't normally call Sydney home, you'll only need to book a jaunt to the Harbour City, rather than the other side of the world. Announcing the residency, Rogan said that "winning three Michelin stars at L'Enclume is a culmination of 20 years of work and evolution by a group of dedicated chefs and front of house specialists". L'Enclume notched up that feat in 2022, when it also hit that 20th anniversary. "The Sydney residency marks a big milestone for us as we enter our third decade and our boundary-pushing team could not be more excited to share our strong sustainability ethos and serve up some of our favourite L'Enclume dishes using the outstanding local ingredients unique to New South Wales and Australia," Rogan continued. "For me, it's all about layers and complexity of flavour, creative produce sourced with a sustainable ethos, and warm and knowledgeable service. It's not just the restaurant which makes the L'Enclume experience, it's the surroundings too, and even though the setting at Bathers' Pavilion on Balmoral Beach couldn't be more different to Cartmel, it feels so similar in its sense of beauty and uniqueness." Find L'Enclume at Bathers' Pavilion, 4 The Esplanade, Balmoral Beach, Mosman from Wednesday, July 19–Sunday, August 20 — open for lunch Tuesday–Sunday and dinner Tuesday–Saturday. Head to the Bathers' Pavilion website for bookings from Tuesday, February 14, or sign up to the Bathers' Pavilion newsletter for updates.
After one of the hottest summers on record, the thought of throwing on a suit is just becoming bearable. And, in perfect timing, menswear label M.J. Bale has announced a huge autumn warehouse sale. Running from Thursday, April 4 to Sunday, April 7 at Paddington Town Hall, the sale will get you sorted for the season ahead (and maybe a few after that, too). Since Matt Jensen founded the quality menswear brand in 2009, it's since become a staple in many the Aussie male's wardrobe. From quality office attire to special occasion wear, the label prioritises maintaining a close supply chain between Australian wool growers, Italian weavers and Japanese tailors, so you're guaranteed to find clothing that is stylish, breathable and top quality. Along with suit wear, the brand also offers laidback linen, knitwear, cotton and lightweight flannel styles, plus a great selection of accessories. And you'll be able to score some of it for up to 70 percent across the four-day sale. Plus, we've heard there may also be some heavily discounted pieces from Australian-born womenswear label Ellery on offer there, too. The M.J. Bale warehouse sale will be running from 8am–8pm on Thursday, 9am–7pm on Friday, 9am–5pm on Saturday and 8am–5pm on Sunday. For more info, head here.
One month. Two countries. 32 teams. A single, shining, much-coveted, hard-contested trophy. They're the basic numbers behind the 2023 FIFA Women's World Cup, which is being played across Australia and New Zealand from mid-July to mid-August. Football fans — and no, we don't mean AFL, NRL, rugby union or gridiron devotees — this is your time to shine. Here are a few other pivotal figures: two nights, one hotel suite, and you and three mates. And some more: one Aussie soccer squad, a world-first place to stay and one pivotal match. Throw in one football star, too, and you have everything you need for the ultimate Matildas-themed staycation (for Sydneysiders) or vacation (if you hail from beyond the Harbour City). To celebrate the FIFA Women's World Cup heading Down Under, The Star Grand Hotel Sydney is giving its two-storey penthouse a Matildas-worshipping makeover for a couple of nights, and just for a few guests. As part of a partnership with Destination NSW, it's decking out the place in green and gold — what else? — for you and a a trio of your soccer-loving besties to call home from Wednesday, July 19–Friday, July 21. The timing coincides with Australia playing the Republic of Ireland on Thursday, July 20, with tickets and transfers to the game included in your stay. The one big catch: you'll need to win this football fanatic's dream of a stay in a game of skill, by explaining why Sydney is the best place on the planet to see Australia's women's team compete for the cup, with entries open until 9pm AEST on Wednesday, July 12. If you're the lucky recipient, you'll score that curated suite that pays homage to Sam Kerr and her teammates, which comes decked out with a four-metre-long Matildas scarf, various football ornaments, books about the team's history, a staircase adorned with football quotes, and framed photos of past and present Matildas legends. Autographed jerseys also feature, and international trophies — yes, real ones — already won by the squad, such as the AFC Women's Asian Cup, Cup of Nations and the Tournament of Nations. And, there's a foosball table for you and your crew to get playing yourself. Michelle Heyman will also pop up to meet and greet you, and chat about football, the FIFA Women's World Cup and a career that spanned becoming the A-League Women's top goal scorer. "This is the ultimate experience for any football fan! Not only do you get to stay in this incredible football suite, you get to fully immerse yourself in the Matildas hype ahead of their first match on home soil. You even get tickets to the Matildas soldout opening game, so overall it's a money can't buy experience and an incredible way to get behind the Matildas and celebrate women's sport here in Sydney," said Heyman. You'll also take home a heap of Matildas merchandise, and get a pre-game party playlist curated by Nina Las Vegas. Live outside of Sydney? Domestic flights are included, too, and you might be extra keen on the harbour and Harbour Bridge views from the penthouse. Now that's how you kick off the World Cup in style — and cheer on the Matildas to hopefully make football history. Entries to stay at the Matildas Fan Suite are open until 9pm AEST on Wednesday, July 12, for a two-night stay from Wednesday, July 19–Friday, July 21 — head to The Star Grand Hotel website for further details. The FIFA Women's World Cup 2023 runs from Thursday, July 20–Sunday, August 20 across Australia and New Zealand, with tickets available from the FIFA website. Images: Scott Ehler. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
It's a rare treat to see classical favourites performed by world-class musicians in a beautiful setting. And it's even rarer for that experience to be completely free, but that's exactly what's provided by Sydney Symphony Under the Stars. Each year the renowned orchestra brings its rapturous performances to Parramatta Park, with the park's rolling green hills acting as a backdrop to a free program that ranges from enduring pieces of the 18th century to famous film scores of the modern era. The symphony was originally supposed to pop up earlier this year as part of Sydney Festival, but was postponed to Saturday, March 26 due to COVID-19. Pack a picnic basket and your favourite rug before heading down early to nab a comfy spot in front of the huge stage located at Parramatta Park's The Crescent. You'll then be treated to a world-renowned performance from the Sydney Symphony Orchestra conducted by Benjamin Northly. Beethoven's epic Symphony No. 5 will act as the grand finale to the night, accompanied by a thunderous firework display lighting the night's sky. The event is family-friendly and spots are first-come-first-serve with no online registrations required this year. You can head to the Sydney Festival website for all the details. Top images: Jamie Williams
If you adore a hidden bar, you're going to love discovering Clarence Street's latest watering hole Old Love's. The new venue from the team behind Old Mate's Place is located down an unmarked corridor and behind a nondescript security door in the basement level of the building. You truly don't know whether you're about to find a bustling CBD venue or an empty fire escape once you head through — but luckily, a welcoming new cocktail bar awaits you. Old Love's has taken over the space previously occupied by Ginny's Canoe Club — a pop-up that Old Mate's Place ran while it was putting the final touches on the Old Love's concept. Namely, the crew was waiting for the perfect swivel chairs to arrive from the US and thought a limited-time restaurant would be a fun idea. Now that the digs have been transformed into Old Love's, you'll find a loving homage to the world of rum in the basement bar. On entry, you're even handed the Book of Rum, a passion project that Old Mate's Dre Walters has been working on in the lead-up to the opening. The book is a guide to all things rum, and the back bar is set up from left to right in the order that different regions and distilleries appear in the book. Flick through the pages to the middle of the guide and you'll discover a list of fun and inventive cocktails — many of which are based on long-forgotten Pacific Island and Caribbean combinations that Walters and the team have dug up from historic Tiki recipe books. The Old Mate's Place owner says they've "dropped some power steering" into these drinks of yesteryear with the help of contemporary spirits and modern mixology. The Pet Dragon will delight, combining a house-made rum-based drambuie, dried plum extract, a burst of citrus and egg whites for fluffiness. Or the Cuban Payphone takes white rum and brightens it with sherry, citrus, sugar and orange bitters. A favourite from the Ginny's and Old Mate's menus, the pickled jalapeño Tommy's margarita is also available here — a good option for the rum-averse. There are seasonal daiquiris using whatever fruit is available from the markets that week. If you want to dip your toes in the world of rum, chat with the bartender and pick out a rum of your choosing to combine with freshly squeezed sugar cane juice. It's the beginner's version of a rum on the rocks. Rounding out Old Love's offerings are a few memorable bar snacks. Both the mini Cubano and the jerk chicken roll are packed with flavour — a true delight when paired with a top-notch cocktail. Old Love's is located on the basement level of 199 Clarence Street, Sydney. It's open 5pm–2am Tuesday–Sunday. Head to the bar's website to browse the full menu.
The beaches at Broken Head Nature Reserve are uncharacteristically bordered by rainforest, and this unusual Australian terrain allows for views of both sea and forest-dwelling birdlife on the reserve. The Three Sisters walking track is the best for whale watching, where the rainforest slopes into secluded beaches. The headland tends to burst with wildflowers at this time of year as well, so natural beauty will be all around you. The history of the trail is worth a read along the way, starting with the Aboriginal story behind the three sisters' namesake. Image: NSW National Parks and Wildlife Service
Melbourne is the world's most liveable city, as well as Australia's fastest growing capital. Sydney is the nation's most expensive city. But when it comes to the country's most 'hipster' spot, they've got nothing on one Queensland destination. According to The Hipster Index, a study by international relocation website MoveHub, the Gold Coast claims that title — because sun, surf, sand, theme parks, schoolies, the Commonwealth Games and hipsters apparently go hand-in-hand. The index's criteria actually helps explain the Goldie's top placing, with the study scoring cities based on five data points. The more vegan eateries, coffee shops, tattoo studios, vintage boutiques and record stores a city has, the higher they're ranked — and the tourist destination sure does boast a hefty number of meat-free cafes, spots to grab some caffeine and places to get inked. Queensland seems to be hipster central in general, too. Cairns comes in second, the Sunshine Coast makes sixth position, and the state nabs more places on the list than any other — with Brisbane at 11th and Townsville at 13th. Down south, Geelong ranks fourth and Melbourne fifth, while Newcastle sits at ninth followed by Sydney at tenth and Wollongong at 12th. With the study only ranking cities with populations over 150,000, Hobart, Adelaide, Canberra and Perth also earned a spot. Internationally, however, the Goldie only places 70th, with the index ranking 446 cities across 20 countries. Top honours didn't go to the location you're probably thinking about, aka the city so filled with hipsters, there's literally a television show satirising it. No, Portland actually came in second, with Britain's Brighton and Hove earning hipster bragging rights. Salt Lake City, Seattle and Lisbon round out the top five. Image: Marcus Bichel Lindegaard via Flickr.
The celebrated sculptor and perpetual made-you-look artist has revealed his latest installation as part of the first Kochi-Muziris Biennale in India. Set in a gallery floor at the Aspinwall House in Fort Kochi, Anish Kapoor's Descension sees a caged vortex of black water furiously frothing and swirling, slowly receding into an bottomless abyss. Looks like Kapoor hopped out of the bath one day, pulled the plug and got well freaked out. The Kochi-Muziris Biennale is India's first biennale for contemporary art held in Kochi — with Kapoor's work one of the major drawcards for both local and international visitors. Created especially for the Kerala capital by the artist who gave Chicago Cloud Gate in Millennium Park, Descension is located in a seaside corner room of the Aspinwall gallery, looking out to the harbour and freaking out gallery visitors looking for a peaceful stroll through Nice Art. I mean, look at this GIF: Terrfiying. Check out Kapoor talking to the Biennale team about the work here. Via Designboom and Colossal.
Did you wake up this morning with a pounding headache, a few Instagram selfies of you and a beardy blur that looks like Zach Galifianakis, and a strange number in your phone? Good news! Your horrible life decisions are actually not your fault at all — it's science! Or at least that's what we'll tactfully choose to deduct from the latest research out of Spain. Researchers at the University of Granada have recently published a study that scientifically proves the existence of beer goggles. Proving that the eye actually suffers a significant deterioration in optical quality after alcohol consumption, these boozing brainiacs figured out that ethanol from the alcohol you consume makes its way into your tear ducts and clouds the outermost layer of your tear film. This affects the quality of the image you see and, when drinking at night, it increases the perception of luminous circles — halos — around the objects you view. Giving an entirely new meaning to a certain Beyonce song, this new phenomenon manifests itself best at night and ends up looking a little something like this: Pouring various quantities of prize-winning Spanish wine into their 67 subjects — who knew science was so glamourous? — the researchers deducted that these halos were most prevalent in the volunteers whose breath alcohol limit exceeded the legal driving range of 0.25mg/litre. As if we needed more evidence that you shouldn't drive under the influence, this gives some physical proof to why drunk drivers are dangerous behind the wheel. But it also has important implications for your romantic life. Picture this: you're in a dim-lit underground bar with romantic candles perched around some snug booths and a dance floor. You've partaken in a certain 2-for-1 cocktail special and followed it up with a selection of shots named after 1950s movie stars (because, what can you say, you're classy like that). A man approaches, all bearded and stylish with an effortless Joaquin Phoenix-style strut. The music's too loud and you can't really hear what he says, but you feel somewhat compelled to mush your lips on his face, slip him your number, or some smooth combination of the two. With scientific fact in hand, maybe now you can think twice before trusting your Grey Goose-laden eyes. Via Science Daily. Photo credits: katie coleslaw via photopin cc and Juan Castro/University of Granada.
As Carmy in The Bear, Jeremy Allen White was born to cook up kitchen chaos. In Springsteen: Deliver Me From Nowhere, he's born to run, slipping into Bruce Springsteen's shoes in the next big music biopic that's on its way to cinemas. Less than 12 months after Bob Dylan scored the same treatment in the Oscar-nominated A Complete Unknown, another icon is getting their filmic time to shine. Deliver Me From Nowhere has a time-specific focus, too, with the making of the rockstar's 1982 Nebraska record in the spotlight. Does the just-dropped first trailer for the film deliver White singing, including belting out 'Born to Run' onstage? Does it also feature Jeremy Strong (The Apprentice) monologuing in the role of Springsteen's manager Jon Landau? Does it head into the Boss' New Jersey bedroom, where the acoustic album that joined his discography immediately before 1984's smash-hit Born in the USA was recorded? The answer to all three: yes. Also seen, alongside Allen swapping The Bear for another real-life tale after The Iron Claw: glimpses of Stephen Graham (Adolescence) plays as Springsteen's father Dutch Springsteen and Gaby Hoffmann (Poker Face) as his mother Adele. The movie's cast spans Odessa Young (The Narrow Road to the Deep North), Marc Maron (Stick), Paul Walter Hauser (Cobra Kai) and David Krumholtz (The Studio) as well. Audiences will be able to check out their efforts Down Under from Thursday, October 23, 2025. Scott Cooper (The Pale Blue Eye) both directs and penned the script, adapting the latter from Warren Zanes' book Deliver Me From Nowhere: The Making of Bruce Springsteen's Nebraska. The last time that the filmmaker focused on a musician was in his 2009 debut Crazy Heart, fictionalising the story of Hank Thompson — and Jeff Bridges (The Old Man) won the Best Actor Oscar for his starring role. "Making Springsteen was deeply moving as it allowed me to step inside the soul of an artist I've long admired — and to witness, up close, the vulnerability and strength behind his music. The experience felt like a journey through memory, myth and truth. And more than anything, it was a privilege to translate that raw emotional honesty to the screen, and in doing so, it changed me. I cannot thank Bruce and Jon Landau enough for allowing me to tell their story," said Cooper about Deliver Me From Nowhere. Check out the first trailer for Springsteen: Deliver Me From Nowhere below: Deliver Me From Nowhere releases in cinemas Down Under on Thursday, October 23, 2025. Images: © 2025 20th Century Studios. All Rights Reserved.
Sydney Festival 2020 launches this week, and with it comes one massive program of arts and culture. Redfern's multi-arts precinct Carriageworks is once again part of the city-wide festival, and, this year, it's bringing Sydneysiders four immersive and illuminating artworks — all of which are free to the public. Installations by artists Rebecca Baumann, Daniel Boyd and Kate Mitchell all launch on Wednesday January 8, with an additional installation by Reko Rennie opening in late January. While each artist presents a distinctly different work, they all speak to a common theme — the exploration of human interconnectivity using light — and highlight the history and architecture of Carriageworks. [caption id="attachment_756739" align="alignnone" width="1920"] Rebecca Baumann, Radiant Flux, 2020, Carriageworks. Image: Zan Wimberley.[/caption] Rebecca Baumann's Radiant Flux, running until June 14, sees every glass surface and skylight of the building's exterior covered in dichroic film. The luminous film acts as a sundial and changes colours — from blue to yellow and magenta — when viewed from different angles and at different times of day. Baumann is known for her spellbinding kinetic sculptures and Radiant Flux promises to be one of her most hypnotising. Running alongside Baumann's installation are Daniel Boyd's Video Works and All Auras Touch by Kate Mitchell, both of which will remain on displace until March 1, 2020. Boyd, a Kudjala/Gangalu artist, has brought together three large-scale video installations: A Darker Shade of Dark #1-4 (2012), History is Made at Night (2013) and Yamani (2018). These videos will be projected across the walls of the gallery with the artist's signature circular lens, which Boyd uses to "fragment and disrupt Eurocentric perspectives of history", creating a cosmos of colour and composition — and all set to a score by DJ duo Canyons (Ryan Grieve and Leo Thomson). [caption id="attachment_756741" align="alignnone" width="1920"] Kate Mitchell, All Auras Touch, 2020, Carriageworks. Image: Zan Wimberley.[/caption] Mitchell's work uses colour in a slightly different way: to "present a snapshot of contemporary Australia". The artist is photographing one representative for each of the 1023 officially recognised jobs within the Australian and New Zealand Standard Classification of Occupations — all in an attempt to capture the occupations' overlapping 'auras'. Colourful photos taken using the Aura Camera 6000, an electromagnetic field imaging camera invented in the 1970s, are blown up on the gallery's walls and will continually be added to throughout the exhibition — so you'll want to plan a return visit. The installation aims to understand the relationship between 'what we do' and 'who are are'. Finally, Reko Rennie's Remember Me will launch at the end of January (with the exact date still TBC) and act as a year-long reminder of the ongoing impact of Australia's invasion. Coinciding with the 250th year since Captain James Cook's arrival at Kamay Botany Bay, the 25-metre-long and five-metre-high installation recognises frontier wars, massacres and the survival of Australia's First Nations peoples. Similarly to Rennie's other works, Remember Me references his identity as a Kamilaroi man, but it's also one of the artist's most minimal works to date. [caption id="attachment_756738" align="alignnone" width="1920"] Reko Rennie, Remember Me, 2020, Carriageworks. Image: Zan Wimberley.[/caption] Rebecca Baumann: Radiant Flux runs from January 8–June 14, Daniel Boyd: Video Works runs from January 8–March 1, Kate Mitchell: All Auras Touch runs from January 8–March 1 and Reko Rennie: Remember Me runs from late January 2020–January 2021 at Carriageworks, 245 Wilson Street, Eveleigh. Top: Daniel Boyd, Video Works, 2020, Carriageworks. Images by Zan Wimberley.
Whether you're heading south from Brisbane or north from Sydney, a small patch of northern New South Wales boasts your next boozy road-trip destination: Husk Farm Distillery. Located on the Tweed River at North Tumbulgum, less than half an hour's drive over the Queensland–NSW border and only 45 minutes from Byron Bay, this quiet estate whips up agricole rum at its onsite distillery — and features views across the Tweed Valley over to Mt Warning to soak in as well. Given the leafy surroundings, it won't come as a surprise to hear that Husk Farm is a paddock-to-bottle operation — Australia's first in the agricole rum realm, in fact. Focusing on sustainability, the 60-hectare site grows its own raw materials for its tipples, which includes Ink Gin as well. What isn't used in making booze is then fed to the farm's herd of cattle, and what they don't eat is used as compost on the 12-hectare rainforest. Freshly opened to the public, the distillery also features a cellar door, cocktail bar and cafe, plus an area for lawn games. That means that you can take a 45-minute tour from Wednesday–Sunday — which costs $35 and include a gin and tonic on arrival, as well a rum tasting flight at the end — then sip cocktails, nab a bottle to take home with you, tuck into a snack and relax. Beverage-wise, the cocktail list will change seasonally, not only heroing Husk's spirits but blending them with native bush food as well as locally growth produce. Think roasted wattle seed, flamed lemon myrtle and lilly pilly flavours, in concoctions such as the Husk, Finger Lime and Soda, Flamin' Myrtle, and cane honey and grapefruit-heavy winter Sun. As for the food, three types of grazing boards, marinated olives, dips and breads, a daily selection of baguettes, and a range of cakes and cookies are on offer.
Avocados: everyone loves them, not just Aussies accused of spending all their cash on smashed avo for brunch. In Amsterdam, one person loves them so much that he's opening up a restaurant dedicated to serving the green creamy fruit up in as many ways as possible. Yum. The aptly named The Avocado Show is due to open in February in Amsterdam's De Pijp district, and is calling itself "Europe's first and finest avocado bar". Breakfast, brunch, lunch, dinner, late at night, any time in between: if you've got a hankering for avo on bread, avo between two pieces of bread (aka avocado sandwiches), burgers made with avocado buns and more, you'll find it here. Owner Ron Simpson told MUNCHIES that he found the inspiration for his new single-ingredient eatery in two obvious places, the internet and his own diet. "I looked at the internet and how people react to certain products like Nutella, Oreo, and peanut butter and figured I want to find a main mono ingredient that's adaptable to almost anything," he said. "People, including myself, throw avo on just about any dish and are making extremely creative dishes with it. So we decided to open a valhalla for anyone who loves avocado." As you've probably noticed, avocado isn't literally the only thing on the menu, although every item will include it in some shape or form. Just imagine the Instagram pics. Of course, this isn't the first time someone has had this idea, with a pop-up showering London with avo across four days in 2016, New York boasting a few avo-centric places, and plenty of Australian cafes only really a few non-avo dishes away from fitting the bill. Via MUNCHIES.
The folks at Moo Brew are launching a limited edition beer to celebrate some fairly limited edition humans. Available at select venues in Hobart for just a few days at the end of April, Moo Brew Wet Hop is the latest creation from the MONA's onsite brewery, and comes emblazoned with the image of a video store employee on the can, along with the slogan "a super rare beer for super rare people". The brewery has created just 70 kegs of the Moo Brew Wet Hop, so named because it was made within two days of the hops being harvested. Described as a "bright, hoppy and deliciously refreshing pilsner," it's expected to sell out within days of becoming available. To celebrate their latest baby, Moo Brew is hosting a launch party on the evening of April 26 at Video City, a VHS rental store in the Hobart suburb of Newtown. In addition to the store employees, other rare guests will reportedly include a fax machine repairman, a blacksmith, a chimney sweep and a full service servo attendant.
The days might be shorter and the nights might be longer, but our impending winter is no excuse to hibernate — especially when there are excellent dining deals to be found all over town. Joining the party is Delta Rue, the Sofitel Sydney Wentworth's elegant French-Vietnamese diner, which is warming up Monday and Tuesday nights with 50-percent off noodle and rice dishes. From Monday, May 19–Tuesday, June 24, you can score any of the rice and noodle dishes on the restaurant's à la carte menu at half price — with absolutely no catch. Prices start at $13.50, making it a perfect option for those looking for a winter warmer that's big on flavour but small on price. Jazz up your weeknight dinner with the likes of Vietnamese-style flat noodles with drunken chicken, snake bean and basil; spicy spanner crab noodles with chilli sambal; or the umami-laden fried rice loaded with pork belly and crispy chicken skin, finished in a five-spice gravy. There are a couple of creative meat-free options too, namely the wok-fried sate egg noodles with mushroom, lemongrass and Thai basil, and a veggie fried rice with gai lan, carrot and chilli crisp. Of course, half-price carbs mean that you can splurge a little more on mains, like Delta Rue's fall-apart hoisin-glazed lamb shoulder, turmeric-roasted John Dory, or roasted duck legs served with a spicy plum sauce. Finish your meal with a pick from the restaurant's impressive drinks list, which boasts a sturdy selection of French wines and champagne available by the glass, as well as classic French-inspired cocktails.
With Game of Thrones finishing its run a few months back, there's currently a huge fantasy-shaped hole in the TV and streaming landscape. Of course, the beloved show is set to go on thanks to its own prequel; however plenty of networks and platforms are trying their hands at the genre in the interim — and giving television buffs plenty to watch. Amazon is hoping to fill the gap with its forthcoming Lord of the Rings series, although it isn't due until 2021. HBO's next contender has just arrived this month, courtesy of its adaptation of His Dark Materials. And, while Netflix already has its Dark Crystal prequel, which launched back in August, it'll soon drop new series The Witcher as well. In fact, the Henry Cavill-starring show will arrive on Friday, December 20, just in time for some Christmas break binge-viewing. Even better — if you're super-keen for the new series, you now have two seasons to look forward to. As reported by Variety, Netflix seems confident that plenty of folks are eager to see Cavill sporting long blonde locks and fighting monsters, because it has already renewed the show for a second season before the first even drops. You will have to wait for the follow-up batch of eight episodes, though, as it's not slated to shoot until 2020 or hit the streamer until 2021. Perhaps it's the concept that has everyone excited. As seen in both the initial trailer and the recent second sneak peek, the witcher of the title is Geralt of Rivia (Cavill), a monster hunter who prefers to work — aka slay beasts — alone in a realm called The Continent. But life has other plans for the lone wolf, forcing him to cross paths with powerful sorceress Yennefer of Vengerberg (Anya Chalotra, Netflix's Wanderlust) and young princess Ciri (newcomer Freya Allan). The latter harbours a secret, because of course she does, with the series blending plenty of fantasy staples such as magic, royalty, fighting factions, battling hordes, fearsome creatures, a heap of sword-swinging and many a scenic location. After stepping into Superman's shoes and facing off against Tom Cruise in Mission: Impossible — Fallout, The Witcher marks Cavill's return to TV a decade after starring in regal period drama The Tudors. As well as Chalotra and Allan, it also features Jodhi May (Game of Thrones), MyAnna Buring (Kill List), Lars Mikkelsen (House of Cards) and Australian actor Eamon Farren (Twin Peaks). Behind-the-scenes, the show's eight-part first season is created, executive produced and co-scripted by Lauren Schmidt, who has everything from The West Wing, Parenthood and Power to Daredevil, The Defenders and The Umbrella Academy to her name. If the series' name sounds familiar, that's because The Witcher is based on the short stories and novels of writer Andrzej Sapkowski — and, as well as being turned into comics, it was adapted the video game series of the same name. A Polish film and TV show also reached screens back in the early 2000s, although they were poorly received. Check out the latest trailer for Netflix's The Witcher below: https://www.youtube.com/watch?v=ndl1W4ltcmg The Witcher will hit Netflix on Friday, December 20. Image: Katalin Vermes. Via Variety.
Sydney-based Eat Art Truck was one of the first food trucks to really take off, with its American barbecue street food infused with fine dining, and bright, colourful trucks that feature the work of local artists. It's quality food, but instead of being artfully plated up on ceramics, the chefs lean down and hand you your meal in a paper tray. Specialities on the menu are the eight-hour smoked pulled pork bun, the slow-roasted beef brisket bun and the crispy fried chicken bun. There are nachos, salads, fancier dishes like the kingfish entrée, and desserts like flourless chocolate cake. Once a month an artist will paint a piece on the side of the truck, and at the end of the month the piece is auctioned off for charity — so you get a serving of culture along with your fries. Brenton Balicki, founding chef of Eat Art Truck, cooked us up a three-course feast last week to celebrate the launch of the KitchenAid Mini in Australia. All three courses were inspired by Brenton's work experience as a chef — he spent his formative chef years working at Tetsuya's and moved to Quay before becoming one of the founding chefs of Eat Art Truck. His professional background instilled in him the importance of good produce, so Brenton rode down to the Sydney Fish Markets and picked up the fresh fish, meat, vegetables he would be using. The first course was a beautifully plated entree of beetroot-cured hiramasa kingfish — a dish that relies on quality produce above anything else. The second course was a classic Eat Art Truck burger. Brenton wouldn't give us the exact ingredients that he needed to make the patty, or the sauce (can't give away all Eat Art Truck's secrets) but there's enough there to make your version of their classic burger. The third course was a flourless, sugarless chocolate cake. He's given us his recipes so you can re-create them at home. Burgers for dinner tonight? BEETROOT-CURED HIRAMASA KING FISH INGREDIENTS 1 fillet of hiramasa kingfish 1 large beetroot 1 lemon 1 bunch baby radish 1 tablespoon of sugar 1 tablespoon of salt 1 poached octopus crème fraîche rice wine vinegar olive oil METHOD Marinate the fish in grated beetroot, lemon zest, sugar and salt overnight. This will begin the curing process Wipe off marinade with paper towel and slice the fish as thinly as possible. Lay it out on the plate and decorate with thinly sliced octopus, baby herbs and thinly sliced radish Create a dressing with the vinegar, lemon juice and olive oil. Once you're happy with the presentation, dress the fish with plenty of the vinaigrette and finish with some crème fraîche and sea salt EAT ART TRUCK BURGER INGREDIENTS 3 of your favourite cuts of meat (ours are a secret) your favourite sauces (also a secret) your favourite bread — we used brioche tomato caramelised onion lemon thyme chorizo sausage your favourite cheese — we used smoked cheddar METHOD Dice your chosen meat into small cubes ready to be minced Use the KitchenAid Mini meat grinder attachment on the coarse setting so you have a unique texture. Add chopped thyme and mix everything together with hands thoroughly until everything is combined Heavily season the burgers and then begin grilling along with the chorizo and onions. Once you have everything cooked just the way you like it, begin building your custom burger just the way you like it FLOURLESS, SUGARLESS CHOCOLATE CAKE INGREDIENTS 5 egg whites 3 egg yolks with 2 whole eggs 1 block of your favourite chocolate 200g butter 200g almond meal honey seasonal fruits ice cream dulce De Leche METHOD Melt the butter with the chocolate in bowl A. Use a KitchenAid Mini to whisk the egg yolks and whole eggs with the honey in bowl B. In bowl C, whisk the egg whites until firm Add the almond meal, bowl A and bowl B together and mix until smooth. Finish by folding in the egg whites from bowl C until a nice mixture forms Gently pour this into a non stick baking dish and cook at 160 degrees until firm in the centre Garnish with fruits, chopped nuts, dulce de leche, ice cream and some grated chocolate Images: Samantha Hawker.
When lockdowns and restrictions started becoming a reality in 2020, a heap of cinemas around Australia began jumping online. Venues as varied as Sydney's Golden Age, Melbourne's ACMI and Australian-wide chain Event Cinemas launched their own streaming services, as did Palace Cinemas and the team behind the Ritz, Lido, Classic and Cameo cinemas — not just when the pandemic first hit, but as it kept impacting movie-going as we know it. That wasn't merely a 2020 or early 2021 trend, and it isn't simply limited to city or big national chains. Indeed, Australia has just scored another digital spot to check out movies from home, with Theatre Royal Castlemaine in regional Victoria adding its own platform to your viewing options. Watch something on this one, however, and you'll be supporting a 167-year-old venue that's been open since 1854 and operating as a cinema since the silent movie era. The first films flickered across its screen back in 1919, and it's now one of the oldest continuously operating theatres in the southern hemisphere. Theatre Royal Castlemaine's streaming site is called Royal Flix and Chill, and it's curated by cinema co-owner Felicity Cripps, some movie-loving friends of the venue and Castlemaine Documentary Festival Director Claire Jaegar. It's a pay-per-view platform, so you'll just fork out for what you want to watch on a title by title basis — with more than 100 films currently on offer, and five new additions set to join the catalogue each month. At the time of writing, highlights include recent fare such as A Quiet Place Part II, The Father, Antoinette in the Cevennes, The Godmother and The United States vs Billie Holiday — plus flicks from the past few years like Parasite, For Sama, Dunkirk, Get Out and Shoplifters. Or, there's also older titles such as Donnie Darko, City of God, There Will Be Blood, Tampopo, Chinatown, The Big Lebowski, The Professional and Twelve Monkeys; Australian movies like High Ground, Firestarter — The Story of Bangarra and Bran Nue Dae; documentaries such as Honeyland, Ai Weiwei: Never Sorry and Studio 54: The Documentary; and European cinema highlights including Cold War, Dogman and Toni Erdmann. "The cinema is one of the toughest arms of our business. We are one of the last remaining single-screen venues in the country and that is because it is so hard to make ends meet when there is so much available to view in the digital world. But it's also very special and as a long-standing 'picture palace', we want to do all we can to keep it going," said Cripps. "That's where our virtual cinema comes in. A way to connect with people who may not be able to physically attend our cinema and a way to show more arthouse and international films with less overheads, it's intended to compliment the in-house offering and draw a wider audience with a uniquely curated library of amazing cinema, available to everyone." For more information about Theatre Royal Castlemaine streaming platform, or to start watching, head to the Royal Flix and Chill website.
A Bondi institution for more than two decades, the Beach Road Hotel is one of the only venues the eastern suburbs for free live music, with bands blowing the roof off their bandroom most nights of the week — they get some pretty great acts, and they're almost always free. On the weekend you'll find the front bar packed with enthusiastic sports fans watching their game of choice on one of several screens, while outdoors you'll discover the venue's enormous, sun-soaked beer garden. The latter has long been a preferred destination of locals and backpackers looking to enjoy a few bevs in the sunshine — and with more than 20 different beers available by the bottle, plus a recently refurbished cocktail bar, you shouldn't have any trouble finding something decent to drink. If you're hungry, they've got a rock solid menu and their daily specials include all your typical pub favourites, including tacos, cheeseburgers and, of course, the humble parma.
Applejack Hospitality, the restaurant group behind beloved venues like The Butler and Forrester's is opening an expansive new venue on Mount Street in North Sydney. Boasting capacity for 300 people, RAFI is set to open in September in the North Sydney business district with multiple indoor and al fresco areas. Some of the many different spaces across RAFI will include a semi-al fresco glasshouse coined The Arbor which will be connected to a large indoor dining room by a geometric island bar, a chef's kitchen which will host a variety of dining experiences and a series of greenery-filled outdoor terraces placed in the centre of the North Sydney highrises. "We set out to create a space that was youthful and playful. Drawing inspiration from exuberant colours and patterns, our design reflects Applejack's energy and warmth," lead designer and longtime Applejack collaborator Luchetti Krelle said. Food-wise the menu will be driven by local seafood and fresh veggies cooked over the kitchen's charcoal grill. Yuzu tuna, crispy potatoes with sea urchin, toothfish with chickpea miso and dry-aged duck crown accompanied by plum and mustard leaves are just a few of the inventive dishes slated for the menu. "Our food is meant to surprise and nourish with simple dishes creatively combined to be as tasty, nutritious, and sustainable as possible," Executive said Head Chef Matias Cilloniz, who has arrived in Sydney from Peru to head up RAFI's kitchen. "Our team is focused on delivering an amazing experience starting at sourcing our produce with care to pouring a glass of wine, honouring the produce, the producers, and our team, while our guests enjoy themselves." With two months until the doors open, RAFI is taking bookings for those that want to be the first to discover the new venue. You can book for groups of seven or fewer for dates from Thursday, September 29. RAFI will open in late September at 99 Mount Street, North Sydney. It will be open from midday to midnight, Monday–Saturday.
Ethereal-voiced songstress Katie Noonan and Brisbane dance-circus troupe Circa will soon treat Sydney to Love-Song-Circus. A show inspired by and devoted to the gutsiness of Australia’s first female convicts, it tells tales of love, longing, hardship and survival from a period where traditionally only men’s stories got a look-in. With the highly versatile Noonan on piano and vocals, a folk-infused string quartet and a troupe of aerial acrobats directed by Circa’s own Yaron Lifschitz, it’s a night guaranteed to delight both your visual and aural senses. Love-Song-Circus is written and composed by Noonan, who got the initial idea from a museum exhibition of engraved love tokens made by convicts for their left-behind loved ones. Inspired to research the period, she poured over the letters and records concerning women’s stories in particular. “As a woman and a mother I felt deeply compelled to explore these stories," she says, "and I soon discovered that the life of the first female convicts is a part of our history that has been explored by few.” The show premiered in Adelaide and has been well received so far (in fact it’s been described as “searing”, “transporting” and “spell-binding"). It’s on for an exclusive two nights only in the acoustically generous City Recital Hall.
One, two, three, four: Sex Bob-Omb! are back, and everything Scott Pilgrim with them, thanks to upcoming Netflix animated series Scott Pilgrim Takes Off. First announced earlier in 2023, the new take on a bass player fighting the object of his affection's seven evil exes is hitting the small screen as a streaming series, with the entire Scott Pilgrim vs the World cast returning to their roles. And if you're wondering what that all looks like, the show has just dropped its first teaser trailer. Obviously, a lot can happen in 13 years — and for the cast of 2010's page-to-screen favourite Scott Pilgrim vs the World, much has before Scott Pilgrim Takes Off reaches screens. Michael Cera kept returning to Arrested Development's George Michael, made a stunning appearance in the Twin Peaks revival and featured in Barbie. Mary Elizabeth Winstead added everything from Fargo and 10 Cloverfield Lane to Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) to her resume. Chris Evans became Captain America, Kieran Culkin killed it with insults in Succession and Anna Kendrick had the whole Pitch Perfect franchise. Brie Larson slipping into Captain Marvel's shoes, Aubrey Plaza's The White Lotus stint, Jason Schwartzman still showing up in Wes Anderson films aplenty — that's all occurred as well. Now, more Scott Pilgrim has come all of the above actors' way, too. The movie that started off as a series of graphic novels by Bryan Lee O'Malley, and also hit video games, will live on again from Friday, November 17. And, once more, Scott (Cera) will fall for Ramona Flowers (Winstead), and face off against her past loves. When a film becomes a streaming series, that doesn't always mean that the OG stars return with it — but it does in this case. As well as Cera and Winstead, Scott Pilgrim Takes Off boasts Culkin as Wallace Wells, Kendrick as Stacey Pilgrim, Larson as Envy Adams and Plaza as Julie Powers. And, yes, Evans, Schwartzman, Satya Bhabha (Sense8), Brandon Routh (The Flash) and Mae Whitman (Good Girls) are all back as Ramona's evil exes. The list doesn't stop there. Alison Pill (Hello Tomorrow!) as Kim Pine, Johnny Simmons (Girlboss) as young Neil, Mark Webber (SMILF) as Stephen Stills, Ellen Wong (Best Sellers) as Knives Chau are reprising their roles as well. While Scott Pilgrim Takes Off still sees its namesake swoon over Ramona, then tussle with her former paramours, this is more than just a do-over. "I knew that a live action sequel was unlikely, but I would usually defer by suggesting that perhaps an anime adaptation was an interesting way to go," the original film's director Edgar Wright told Netflix back when the series was first announced. "And then, lo and behold, one day Netflix got in touch to ask about this exact idea. But even better, our brilliant creator Bryan Lee O'Malley had an idea that was way more adventurous than just a straight adaptation of the original books," Wright continued — and he's back as an executive producer. Check out the first teaser trailer for Scott Pilgrim Takes Off below: Scott Pilgrim Takes Off will be available to stream via Neflix on Friday, November 17.
Sebastian Goldspink was born and raised in Kings Cross, Sydney. In 2011, he opened ALASKA Projects in an abandoned mechanic's office in the basement of a Kings Cross Car Park. In its first year of operations ALASKA Projects has shown the work of over 100 artists, and is committed to showcasing emerging art in disused or under-utilised spaces. In December 2012, ALASKA Projects will tour its first exhibition internationally to artist run space Good Children in New Orleans, USA. In 2011, Sebastian was asked to speak as part of Creative Sydney's lecture series of Australia's most influential image makers. He regularly contributes to panels as a speaker, most recently as part of the SAMAG panel ‘Thinking outside the white cube’. As an administrator, Sebastian has worked for various organisations including the Biennale of Sydney, MCA, MoNA, and now, in his current position, Art Month Sydney. We asked him to tell us about his five favourite spots in Sydney that are a little off the beaten path: the hideaways that have always been just around your corner. 1. Garden Island Board the Watson's Bay ferry from Circular Quay and casually tell one of the ferry guys that you wish to get off at Garden Island. The ferry will make a stop just for you and chances are you'll be the only person getting off. On Garden Island you'll find a cafe and some of the best views of Sydney Harbour, and there is also a strange little naval history museum. Great to take visitors to Sydney. 2. 21 Espresso Double Bay Since 1958 this Double Bay Jewish soul food emporium has been serving up amazing Hungarian food to homesick Eastern Europeans and their children, grand children, great grand children… I like the gypsy platter for two, the lemon pancakes, the mish mash coffee, the sides of creamed spinach and, when I'm sick, the matzo ball soup dusted in paprika. 3. Domain Car Park Travelator The longest moving walkway in the Southern Hemisphere is hidden underground between St Mary's Cathedral and the Domain Car Park. Super scary at night. You can pretend you're in Luc Besson's film Subway. 4. Woollahra Library, Double Bay/Bellevue Hill Amazing library in Bellevue Hill with beautiful gardens and grounds right next to the glamourous Seven Shillings beach and Redleaf pool. Wander around the gardens which are filled with great hidden areas. Fantastic for kids. Take a swim at Seven Shillings beach or year round at Redleaf pool. 5. Alaska Projects Hidden within the Kings Cross car park, Alaska Projects is a contemporary art space built in a disused mechanics workshop. The space has a busy program of exhibitions of Sydney's top emerging artists as well as interstate and international artists. Alaska also holds regular music nights and film screenings and is embarking on a theatrical program. Upcoming at ALASKA: Anything, Everything and One Other Thing (Parts 1-5)Curated by Tom PoloFeaturing Dan Bell, George Egerton-Warburton, Leahlani Johnson, Kenny Pittock and Kate Smith.Exhibition Opening: Wed 25th Jul 6-8PM. Continues from Wednesday 25th July to Sunday 5th August.alaskaprojects.com
A quarter-century since the world first met Monica, Ross, Rachel, Chandler, Joey and Phoebe, TV's most famous friends are never too far from anyone's thoughts. When the sitcom's catchy theme tune promised "I'll be there for you", it seems these New York pals really meant it — not just about each other, but for the legions of viewers who watched their antics between 1994–2004, then kept rewatching them afterwards. Over the years, you've probably caught reruns on television, binged your way through boxsets or let episode after episode play on Stan — but you probably haven't enjoyed a marathon of standout eps on the big screen. To celebrate the series' 25th anniversary, a heap of Sydney cinemas are letting Friends fans do just that. There mightn't be an orange couch for you to sit on, but you'll want to gather the gang regardless. Prices and session times vary per cinema, but the lineup remains the same. On the bill are 12 of the show's classic episodes, including The One With The Black Out, The One With The Prom Video and The One Where No One's Ready — plus The One With Chandler In A Box, The One Where Everyone Finds Out and The One Where Ross Got High. Running for five hours, the screening will also feature new footage, interviews and bloopers — so you'll get an extra dose of Friends fun.
You could hear Sydney collectively sigh when Rushcutters Bay's beloved restaurant Acme announced its closure. But fans of chef and owner Mitch Orr's cooking haven't had to wait too long to find out where and when they'll be able to get their next hit of his inauthentic Italian fare. Orr has been welcomed into the fold of Maurice Terzini's ever-growing empire, which currently includes Surry Hills' The Dolphin Hotel, Bondi Beach Public Bar, Icebergs and Da Orazio Pizza + Porchetta. While details are slim at the moment, Orr will be jumping in the kitchen of the latter, Da Orazio, which will be relaunching as Ciccia Bella in the coming months. At the moment it's mainly a pizza spot, and its name is a nod to former chef Orazio d'Elia, who has since gone on to open Matteo Double Bay and Downtown. And while the woodfired oven will remain, Orr will also be bringing in some classic pasta dishes. [caption id="attachment_731512" align="alignnone" width="1920"] Pizza and pasta from The Dolphin's Italo Disco.[/caption] This isn't the first time Orr has teamed up with Terzini and landed in one of his kitchens, either. You may've seen him in on the pans during one (or two) of The Dolphin's super-popular Delfino Aperitivo sessions, or perhaps for a Pizza Party back in 2016, or last month's Italo Dining & Disco Club. If you were at any of these pop-ups, you may have some idea of what to expect on the menu at Ciccia. Pig's head carbonara pizza (a riff on Acme's signature pig's head macaroni dish), Jatz a la Icebergs (with sea urchin and foie gras), eggplant parmigiana rolls and clam pizza could also possibly make an appearance, as may some of the Acme pasta favourites. Although, it is suggested that this menu will be more classic than Orr's usual offering. As well as the menu and the name, the interiors will also be getting a makeover, with the team working closely with an architect to refresh the space. But before the relaunch, it'll be business as normal at Da Orazio, with the Hall Street restaurant open for pizza seven days a week. We'll let you know when any more details or dates are announced for Ciccia Bella. Cicca Bella is slated to launch 75–79 Hall Street, Bondi in the upcoming months. Da Orazio Pizza + Porchetta will continue to run as normal until then.
The Danish Christmas Market is returning for another year of authentic eats, tunes and gifts. Each year as the festive season kicks off, the Danish Church in Australia brings a big dose of Scandinavian cheer and culture to north-west Sydney. The market hosts a range of stores selling wares and knick-knacks destined to be wrapped and placed under the tree, as well as Danish Christmas tunes bringing a heap of festive spirit. The highlight of the market, however, has to be the food. Alongside an array of take-home eats like Danish lollies, chocolates, bread and condiments, there will be stalls on-site serving up northern European favourites for you to devour on the day. Take your pick from the smørebrød (open sandwiches topped with the likes of smoked salmon, eggs and deli meats), æbleskiver (round Danish pancakes paired with jam and icing sugar), and a staple of the Danish culinary world — hotdogs with crispy onions, pickles and remoulade. This is the first time since 2019 that the market has been able to take place IRL due to the pandemic, so expect extra cheer from the organisers and volunteers. The market will kick off at 9am, running until 3pm, and entry is free.
Thanks to Taronga Zoo, you can already spend your days staring at capybaras, seals, meerkats, otters, sumatran tigers, lions and elephants, all without leaving your home. With Sydney back in lockdown, the famed venue has relaunched its online TV channel, where it livestreams its adorable critters all day and all night. All those animals are all well and good. They're great, and they're very easy to spend too much time staring at, actually. But if you'd like to scope out some penguins as well, now you can. Yes, penguin cam is now part of Taronga's live-stream lineup, with its 45 little penguins and four Fiordland penguins being caught on camera 24/7. Melbourne's zoos have been live-streaming their penguins during the pandemic also, so this isn't the first time you've been able to gawk at black-and-white creatures while they go about their business — but when it comes to watching animals, the more the merrier, obviously. There's your background viewing sorted. Popping the stream on in the background while you work from home suits these kinds of feeds, in fact, because sometimes the critters in the spotlight aren't in view. The online television station was established by Taronga Zoo Sydney and Taronga Western Plains Zoo Dubbo in 2020, and it is back now for obvious reasons. Taronga is also releasing regular videos across its Facebook, Instagram and YouTube channels, and making keeper talks and other clips available online as well. Or, you could always take a peak at its new Southern hairy-nosed wombat joey via our own website. It's just as adorable as you'd expect, naturally. To check out Taronga TV, head to the channel's website — or keep an eye on its videos on its Facebook, Instagram and YouTube pages. Top image: Rick Stevens
If it can happen in a pandemic, it can happen in any year. Yes, we're talking about Brisbane Festival. After 2020's event, which had to adjust to the new realities brought on by COVID-19, the annual celebration of arts and culture returns in 2021 — so mark Friday, September 3–Saturday, September 25 in your diary. Most of the 2021 program will be announced much closer to those September dates, as happens each time the festival rolls around. That said, you can expect everything from art, music and theatre to lights, lasers and interactive installations, plus whatever other weird, wonderful, unique and just brand new ideas and shows the fest's organisers and the talented artists they work with manage to come up with this year. If you'd like to get excited already, a few details have already been revealed — including the long-awaited world premiere of Boy Swallows Universe, which'll hit the Brisbane stage during Brisbane Festival. Also on the bill so far: Queensland's Finest, with the Queensland Symphony Orchestra showcasing top local talent; and Songs That Made Me, with singer-songwriter Jess Hitchcock crooning tunes. [caption id="attachment_793650" align="aligncenter" width="1920"] Boy Swallows Universe, David Kelly[/caption] Top image: Brisbane Festival 2020, Atmosphere Photography.
As the days get warmer and longer, what better way to rediscover the city than at one of the many street parties taking over Sydney? Head west on Saturday, October 13, to do just that and celebrate Marrickville's diverse culture and community at the returning Marrickville Music Festival. Supported by Live Music Australia, an Australian government initiative, the free festival will spotlight local talent and businesses, from live music and performances to restaurants and retailers down and around Marrickville Road. Discover emerging artists across various genres at one of the seven music stages. The Main Stage will host performances by DOBBY, Loretta, FANGZ, Karen Lee Andrews, Sir Archer, In Good Hands and Isobel Knight. For something different, at least 20 other musicians and bands will be performing on the big day. Dedicated stages will be set up for Jazz, Hip Hop, World and Funk music, while a second stage will play host to local singers and songwriters, including Dina Juana, Martha Chess Phelps, Euan Hart, Dan Romeo, Sam Green, Lindsey and Lorenzo. Other local groups will make appearances on the community stage, with performances from Coomba All Stars, Marrickville Bush Band, the Inner West Vietnamese Language School and more. Between sets, meander down the road for the Inner West Artist Market, which will feature over 30 artists and makers. For those with an eye for photography, head down to Marrickville Library to join a hands-on workshop hosted by local music photographer Jack Moran, to discuss the tricks of the trade in music photography. Stop for a breather and grab a bite at one of the food stalls along the main street. Or head to one of the many local restaurants, which will take over parts of the footpaths for the day, so you're well-positioned to enjoy some of the roving and pop-up performances. The event runs from 12–6pm on Sunday, October 13, but you can keep the good times going with a cold bev and even more live music at one of the official afterparty venues: Gasoline Pony, Lazybones Lounge, Pepito's, Unexpected Guest Distillery, Where's Nick, Man on Marrickville, The Crown and Emperor Hotel. Marrickville Music Festival is supported by Live Music Australia, an Australian government initiative. Check out the full lineup of events and artists at the Marrickville Music Festival website and get in the mood with the festival's Spotify playlist.
