It has been a long time since the humble Cleveland Street Theatre was put to regular use. That will change on Monday when, after an almost seven-year hiatus, the (now) 'Giant Dwarf' is revived. The odd name is actually shared with The Chaser's production company, who are the crew behind the new venue. Never ones to lose connection with their Sydney performing arts roots just because of one, two or a dozen TV success stories (recently, The Hamster Wheel, The Checkout), they see the new live venue as feeding into the work they already do. "The main aim for the theatre has always been to extend the vision of the production company — to create an inspiring environment for new talent to develop skills and produce original and engaging content," says the venue general manager and Giant Dwarf program director Nikita Agzarian. "In doing this we hope we can create a vibrant space that offers a point of difference in live performance to the Sydney audience." The space is focusing on those funny-shaped hybrids of comedy, storytelling and performance that have become popular but nomadic fixtures on the Sydney scene — events like Story Club, Erotic Fanfiction and scratch night Cut & Paste. "We are excited for Giant Dwarf to be the platform that exposes a larger audience to some of the most amazingly talented writers, comedians and performers that we have been lucky enough to work with on a regular basis," says Nikita. Formerly the home of Performance Space (now based out of Carriageworks), Cleveland Street Theatre was first established in the early '80s as a venue by and for emerging artists. The space was seen to encourage contemporary performance makers in Sydney and challenge conventional notions of theatre. Performers did things like turning off all the lights and leaving the audience to fend for themselves in the dark and eventually discover they were locked in. (That one didn't go down so well; read more here.) Aside from a few brief, pop-up events over the years, the Cleveland Street Theatre has since been an empty vessel. Until now. It came to the Chaser team's attention when they were moving offices nearly a year ago, and they found they couldn't drop it. "We actually came close to going with a few other properties, but the theatre had a hold over us, we always seemed to come back to it," says Nikita. "Since moving in, we have been restoring it to its original state. It's been a lot of work to get to where we are but it's totally worth it." Giant Dwarf will open officially on Monday, February 10, kicking off with the uber-popular comedy/storytelling/all-round-riot-of-a-night Story Club. This month it features Ben Law (The Family Law, Gaysia), Tom Ballard (former co-host of Triple J Breakfast, general legend), The Chasers' own Andrew Hansen and other super funny people. Giant Dwarf is at 199 Cleveland Street, Redfern. Get your tickets and more info via Eventbrite. By Mairead Armstrong and Rima Sabina Aouf. Update Feb 12: Check out the photos from opening night. Photos by Helen Melville.
The 2011 World’s 50 Best Bars list has been published by Drinks International, curated by editor Lucy Britner and US drinks writer, Camper English (I can imagine someone with that name sipping cocktails on a daily basis). The pair asked the opinion of around 100 bar professionals, including the Playboy Club’s Salvatore Calabrese, 'King of Cocktails' Dale DeGroff, Esquire US’s David Wondrich and diamond ice-carver Hidetsugu Ueno. These votes were combined with global votes and resulted in a list with bars from 16 countries. Your local favourite may not be on the list, but rest assured that all fifty are well worth the visit next time you find yourself in one of the world's culture capitals. Here are the top ten (and you can download a guide to all of them here). 1. PDT, New YorkPDT, short for Please Don't Tell, is a sexy speakeasy with a deep-fried twist - you can order drunk snack food from the low-key joint, Crif Dogs (from where you enter via the false rear wall of a phone booth), next door. An old-fashioned with a side of frankfurt? Yes please. Where: 113 St. Marks Place, New York 2. Connaught, LondonThe height of London elegance, if you order a martini the waiter will pour gin and vermouth from a crystal tumbler at your table and let you choose an infused bitters from their many flavours. Where: The Connaught, Carlos Place, London 3. Artesian, LondonModern touches like purple mock-snakeskin leather chairs and excellent service brings this Grand Victorian-styled bar into this century and at the top of the list. Play dominos whilst you sip on a rum-based cocktail. Where: Regent Street, 1C Portland, London 4. Death & Co, New YorkSome of the best cocktails in New York can be had in this dark, shadowy speakeasy. Where: 433 East 6th Street, New York 5. Milk & Honey, LondonThis bar is tucked away so not anyone can just wander in - it's members only for most of the week. Regular people can visit at the beginning of the week to try the phenomenal cocktails. Where: 61 Poland Street, London 6. American Bar at the Savoy, LondonThe bar that bore the ultimate cocktail guide, this is London's most iconic imbibing institute. Good luck getting a seat. Where: The Savoy, 100 Strand, London 7. 69 Colebrooke Row, LondonIf you were very, very rich, this bar might feel like your lounge room, complete with bow-tied butlers to make you cocktails and pour your water in tall glasses from cocktail shakers. Where: 69 Colebrooke Row, Islington, London 8. Drink, BostonAll you have to do is a name a flavour you feel like and a personalised drink will be yours. Where: 348 Congress Street, Boston 9. Harry’s New York Bar, ParisHemingway, Sartre and Blondin were all regulars at this famous bar that invented the Bloody Mary and the White Lady. A Paris must. Where: 5 Daunou street, Paris 10. Black Pearl, MelbourneSplit over two levels, head up if you'd like to drink out of Royal Doulton glassware or downstairs for a beer. Either way, you'll have a good time. Where: 304 Brunswick St, Fitzroy, Melbourne Also... A special mention to Sydney's own Eau de Vie who finished in 13th place, and Wellington's Matterhorn who finished 33rd. For the rest of the list, click here.
After expanding south to Melbourne late last year, Camperdown's Acre Eatery has ventured north and opened a sprawling plant-filled restaurant on Sydney's lower north shore. Spread across 2000 square metres with 400 seats all up, Acre Artarmon is designed to educate and inspire its visitors, while putting them back in touch with the terroir of their food. That said, it's not just a restaurant, either. It's also a bakery, cafe, terrace bar and greenhouse-style functions space, surrounding by sprawling indoor and outdoor gardens. First up is the Atrium cafe and bakery, which is serving up all of the usual suspects — croissants, pastries, country-style pies and sausage rolls — alongside salads and baguettes for lunch. Cuppas by Sydney's Gypsy Coffee Roasters are also on offer, as is house-made gelato (in flavours like pavlova and banana dulce de leche). Italiano restaurant, which is opening this Friday, November 6, features dishes made using sustainably sourced produce. For starters, think local burrata, salmon crudo and peach prosciutto. There's also a pizza oven slinging a three simple Neapolitan-style pies — margherita, prawn and prosciutto — and a lineup of seasonal pasta dishes, which currently includes spanner crab linguine and bucatini carbonara with zucchini flowers. Larger plates feature whole john dory in a brown butter, lemon and caper sauce, spicy woodfired eggplant with pine nuts and ricotta, and a cotoletta to share, made using ethically raised chicken that's been stuffed with fontina and finished with burnt sage from the kitchen garden. If you want to try a bit of everything, the banquet menu will sort you out. The cocktail list is also Italian-inspired, with barrel-aged negronis and seasonal spritzes (think native flavours like lemon verbena) sitting alongside less popular tipples. Those include the garibaldi — which uses gin from neighbouring distillery Finders, plus Campari and freshly squeezed orange juice — and the sgroppino (vodka, prosecco, lemon sorbet and fresh mint). You can enjoy these drinks in the restaurant or the adjoining greenery-filled terrace. Designed by Sydney interior design studio Etic (Barangaroo House), the spaces are filled with curved planter banquettes surrounded by banana trees and a water fountain that doubles as seats, as well as greenery aplenty, with bougainvillea, fruit trees and vertical planters all making the cut. Apart from Acre's gardens, the space features a chicken coop, worm farm, community compost area and kids' playground. Guided tours, chefs' demonstrations, long lunches and meet-the-maker events will all be on the docket as well. Find Acre Artarmon at 1 Frederick Street, Artarmon. The cafe is open from 7am–5pm Monday–Saturday and 7am–3pm Sunday, and the restaurant and terrace are open 4.30–10.30pm Thursday, 12–11pm Friday–Saturday and 12–4pm Sunday.
Don't go saying that you don't have anything to watch between Thursday, August 7–Sunday, August 24. In cinemas around the Victorian capital, for 18 movie-filled days, 2025's Melbourne International Film Festival boasts a program more than 275 flicks deep. This year's MIFF is where The Chronology of Water, the feature directorial debut of Kristen Stewart (Love Lies Bleeding), will screen for the first time Down Under — and where Urchin, which notches up the same feat for Babygirl's Harris Dickinson, will as well. Both are heading to Melbourne fresh from their Cannes premieres. MIFF will also give the city its initial chance to see early pandemic-set western Eddington from Ari Aster (Beau Is Afraid), celebrate a music icon with the world premiere of Jimmy Barnes: Working Class Man, enjoy the full Norwegian Sex trilogy that culminated with 2025 Berlinale Golden Bear-recipient Dreams (Sex Love), get unsettled by Daisy Ridley (Cleaner)-led Australian found-footage horror We Bury the Dead, take the family to animated sequel The Bad Guys 2 based on Aussie author Aaron Blabey's books, pay tribute to The Texas Chain Saw Massacre and much, much more. If I Had Legs I'd Kick You starring Rose Byrne (Physical) is the fest's opening-night pick, Parasite composer Jung Jae-il is coming to Australia to conduct the movie's score live in an Aussie exclusive and Cannes Palme d'Or-winning It Was Just an Accident by Jafar Panahi (No Bears) is on the lineup, too — and so is The Passion of Joan of Arc with a new score by Julia Holter performed live. Richard Linklater's (Hit Man) Blue Moon with Ethan Hawke (Leave the World Behind), Margaret Qualley (The Substance) and Andrew Scott (Ripley) is just one of two of the director's features on the bill. The other: Nouvelle Vague, with the American helmer bringing the French New Wave to life. Her Smell's Alex Ross Perry is another filmmaker with two titles on the lineup. With Videoheaven, a movie essay solely comprised from movie and TV clips, he pays tribute to the video-store era — and with Pavements, he focuses on the band Pavement via an experimental blend of documentary, narrative, musical and more. The director is among MIFF's 2025 guests as well, including as a juror for its Bright Horizons award, the fest's $140,000 official competition for filmmakers that was introduced back in 2022. After Aftersun screened in the comp's debut year, its filmmaker Charlotte Wells is this year's jury president. The aforementioned Urchin and If I Had Legs I'd Kick You are in the running for 2025's Bright Horizon prize, as are the likes of Cannes hit Sound of Falling, Un Certain Regard award-winner The Mysterious Gaze of the Flamingo, the Bangkok-set A Useful Ghost, and Matthew McConaughey (Agent Elvis)- and Kurt Russell (Monarch: Legacy of Monsters)-starring crime-thriller The Rivals of Amziah King. It isn't hard to find more standouts across the complete MIFF program, such as dramedy Sorry, Baby, which has had the film festival circuit talking since Sundance; Left-Handed Girl, with first-time director Shih-Ching Tsou boasting Anora Oscar-winner Sean Baker as her co-writer and editor; legal drama Two Prosecutors; and Kelly Reichardt's (Showing Up) Josh O'Connor (Challengers)-led The Mastermind. Others include O'Connor again in the small town-set Rebuilding, coming-of-age story Enzo from BPM (Beats Per Minute)'s Robin Campillo, Wagner Moura's (Dope Thief) Cannes-winning performance in The Secret Agent, Bi Gan's (Long Day's Journey Into Night) Resurrection, the surveillance culture examination of documentary The Perfect Neighbor, 1000 Women in Horror's cinematic celebration, Aussie animation Lesbian Space Princess, the true crime-focused Zodiac Killer Project, Peter Dinklage (Wicked) as The Toxic Avenger and horror-comedy Zombucha! with Jackie van Beek (Audrey). The festival's retrospectives titles are always a highlight, and 2025's picks are no different — whether you're keen to mark 25 years since Looking for Alibrandi reached the screen via a 4K restoration; also see Sweetie, the debut feature from Jane Campion (The Power of the Dog), get the same restored treatment; flash back to BMX Bandits; or work your way through MIFF's largest-ever tribute to a single director via the 27-film Chantal Akerman: Traces strand. From Friday, August 15–Sunday, August 31, MIFF Online is also back so you can watch along from your couch.
One of the world's most visited multi-sensory experiences will come alive across Australia this year. After successful runs in Sydney and Auckland, Van Gogh Alive is setting off on a national Aussie tour, hitting Adelaide from Wednesday, June 23 before moving on to Brisbane, Canberra, Perth and Newcastle. The project is the brainchild of Melbourne-based Grande Exhibitions, which, for the past 15 years, has hosted immersive exhibitions and gallery experiences in over 150 cities across the world. The company also owns and operates Rome's Museo Leonardo da Vinci. A family-friendly experience, Van Gogh Alive creates the sensation of walking right into the Dutch artist's paintings. Attendees experience his world-famous work in fine detail thanks to Grande Exhibitions' state-of-the-art technology, which uses 40 high-definition projectors. A classical musical score accompanies the vibrant colours, too, as presented in cinema-quality surround sound. And, two of Van Gogh's most popular works have been transformed into new guises — with the Sunflower infinity room and the an immersive Starry Night walkthrough area also part of the experience. The Adelaide edition of Van Gogh Alive is popping up as part of the city's new winter arts festival, Illuminate Adelaide, and will take place in a purpose-built 25,000-square-foot gallery in North Adelaide. The gallery, which has been named The Grand Pavilion, will feature an exact recreation of Van Gogh's painting Cafe Terrace at Night in the foyer. Tickets are now available via Ticketek and start at $35 for an adult or $95 for a family. Details on the dates and venues for the rest of the national tour are still to come — so if you're in Brisbane, Canberra, Perth and Newcastle, watch this space. You can stay up to date with everything Van Gogh Alive by keeping an eye on the exhibition's website. Van Gogh Alive will run from Wednesday, June 23 in Adelaide's new The Grand Pavilion before moving on to Brisbane, Canberra, Perth and Newcastle. Dates beyond Adelaide are yet to be revealed — we'll update you when more details come to hand. Top image: Rebecca McMillan Photography
After much hype and anticipation, The Lansdowne is back and its safe to say they're sticking to their roots — with a mantra of "seedy nights, live music and cheap food" proudly explicated by the legendary men behind the resurrection, Jake Smyth and Kenny Graham (Mary's Newtown and The Unicorn Hotel). The two twice said no to taking on the refurb before giving in to the gritty magic of the space. "When we finally came down for a walk through, we just fell in love," says Graham. "We've given it the face lift it deserves." The 'seedy nights'-esque grungy feel of the space is definitely still in tact, with the old concrete floors and paint-peeling walls still peeping through. But the downstairs area is now home to a shiny new pool table and dart board, while the pokies room has been swapped for rock 'n' roll pinball machines, complete with a rotating disco ball. Those sticky green lounges have been replaced by high and low tables, plus a light-up dance floor and DJ booth. It's a massive space — a labyrinth of rooms that all lead out to a two-floor smoking courtyard with plush teal lounges and multi-colour floor lighting. Local artist Jessica Cochrane has given the space her own touch, complete with two Playboy wall collages, a candlelit shrine to the live music greats and pin-up girl covered bathrooms ceilings, a.k.a "pisstine chapels". Live music is the hero here, and the entire top floor is dedicated to getting some of the best bands in the business. "This can't be anything but a live music venue — how could we even try to convince ourselves that there's anything better for this place to be?" says Graham. "We absolutely want to fostering young, cracking bands." They've teamed up with renowned booker Matt Rule (The Music and Booze Co.) to this end, and worked with the producers of the new Sydney International Convention Centre to ensure top-notch acoustics — and we can confirm the sound is seriously impressive. They're breaking in the room with a weekend's worth of secret gigs, which started with super-group Delta Riggs, The Preatures and Sticky Fingers taking to the stage. The food is certainly simple, but not your usual Aussie pub food; there's not a schnitty in site. There's a full Detroit-style pizza menu, including Mary's burger pizza ($19), along with a non-Mary's (but still basically Mary's) barbecue cheeseburger ($17), fish finger sambo ($16) and cauliflower mac 'n' cheese ($16). The late-night menu will change cuisines periodically, and is currently Korean — including kimchi pancakes ($10), and spam and cheese dogs ($12). They've also got a cocktail menu and locals Grifter and Young Henrys on tap, along with the requisite VB and Resch's — this is the Lansdowne, after all. "Live music venues don't need it to be shit holes with dirt everywhere and cracked leather,"says Graham. "We ratbags deserve a cool, luxurious spot to listen to awesome rock 'n' roll." The Lansdowne is now open at 2-6 City Road, Chippendale. Images: Bodhi Liggett.
Welcome, everybody, to the wild, wild west. Oh wait, it's just the Art Gallery of New South Wales on a Wednesday night. Yup, for one night only the AGNSW will turn all things American western, in celebration of the gallery's current hit America: painting a nation. A journey through 200 years of American art and history, the major summer exhibition has been wowing Sydney crowds since November. But now it's time to have some good ol' fashioned American fun — with a special Art After Hours to be held on Wednesday, January 29. The night will feature performances from talented spoken-word artist Miles Merrill and one man band Trevor Brown, mixing live beats with American literary classics. Then, catch the screening of American classic To Kill a Mockingbird, try your luck at perfecting an all-'merican accent with specialist Paige Walker and get your picture taken in one of the themed photo booths — all this set against the rollicking tunes of the Green Mohair Suits. Boot-scooting made you hungry? Grab sliders, pulled pork and fries from the all-American diner, then wet your whistle in the pop-up bar, located at the entrance court. As always on a Wednesday night, the gallery will be open till 10, with complementary shuttle buses running every 15 minutes to various points in the city. Those keen to see the exhibition on the night will also receive a special two-for-one deal (available from 5pm).
First, it was a popular 80s comedy starring Dolly Parton, Jane Fonda and Lily Tomlin. Then, it became a five-season television sitcom led by Parton's real-life younger sister. In 2009, 9 to 5 made the leap to the stage too, because you just can't stop a good story about female empowerment in the workplace. Revived in the West End back in 2019, it's still a huge hit — and now, after being delayed by the pandemic, the stage production will make its Australian premiere in Sydney in February next year. Just by reading the show's title, we know that you already have Parton's catchy song of the same name stuck in your head. Pour yourself a cup of ambition, because that tune isn't going away anytime soon. Indeed, you'd best get ready to exclaim "what a way to make a living" more than once when 9 to 5 The Musical plays its Aussie debut season, hitting the Capitol Theatre in Haymarket from February 16, 2022. Ahead of its time when it first reached cinemas, this tale of three women who take on their sexist, egotistical and all-round despicable male boss is obviously still highly relevant today. Before #TimesUp and #MeToo, workmates Doralee, Violet and Judy decided to turn the tables by kidnapping their supervisor and reforming their office. Expect the same story in 9 to 5 The Musical, as penned by the original film's screenwriter Patricia Resnick — just with more songs. The Australian version will star Caroline O'Connor (a veteran of the movie version of Moulin Rouge!), as well as Eddie Perfect as the workplace's controlling boss. With Parton herself writing the score — and earning Tony and Grammy nominations for her efforts — expect plenty of feel-good music as well. Although she doesn't appear on stage, the famous country star is still involved with the show, and with bringing it to Australia. Images: Pamela Raith Photography. Updated February 14, 2022.
Toronto welcomed a new and unique edition to its dining scene last month: Canada's first-ever restaurant tailored for the deaf. Signs, already popular with locals and tourists alike, is the brainchild of Anjan Manikumar, a hearing man who was inspired to learn American Sign Language (ASL) after realising first-hand how deaf customers struggled in restaurant situations that are simply taken for granted by others. The bar-restaurant, serving modern Canadian and international fare, employs a team of waiters who are almost entirely deaf. Choosing from over 200 deaf applicants, Manikumar found none had any waiting experience and some had never had a full-time job at all. He hopes the new venture will encourage the creation of other career opportunities for the deaf, while also promoting sign language among the community. For customers unfamiliar to ASL, the menu handily lists the sign equivalent next to each item, and a 'cheat sheet' (pictured below) translates some longer phrases, encouraging customers to engage with staff and fellow diners in this universal language. Via Buzzfeed. Photo credit: Signs.
What could possibly make a night of jaw-dropping circus any more enjoyable — other than a glass of bubbly to help soak up the ambience (or perhaps to stop you from biting off all your nails?) [yellow tai] offers everything you want in a wine, which is why it will be supplied throughout the entire season of the upcoming Sydney Festival 2014. Following on from a killer, sold-out season in London, LIMBO will hit Sydney Festival in 2014. And this circus cabaret looks to be little less then explosive. With awe-inducing acrobatics, breathtakingly brilliant manoeuvres and a serve of cheeky cabaret, LIMBO is circus like you've never seen before. Presented by Strut & Fret, Underbelly Productions and Southbank Centre, LIMBO has all of the danger — but much more sexiness — of your regular night at Cirque du Soleil. This is circus with grit, set against the funked-up, old-time jazz, oompah, rap and bossa nova of Sxip Shirey's electric live score. Limbo will show in The Spiegeltent from January 8-26. The [yellow tail] Discovery Bar will be located in the Festival Garden, just beside The Spiegeltent. Thanks to [yellow tail], we've got four double passes to LIMBO on 24 January to give away, each with a bottle of [yellow tail] bubbles to enjoy on the night. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email win.sydney@concreteplayground.com.au with your name and address.
When Vivid rolls around, and it's rolling around once again this May, Sydney puts lights, music and food at the top of the priority list with celebrations all over the city. With the full program having just dropped earlier this week, attached events are cropping up everywhere we look — one of the most exciting being the latest collaboration between The International and P&V Wine + Liquor for a takeover of The Wine Bar at 25 Martin Place. Joining the occasion for the sake of good food and drink to go with all the light, art and sound, The co-owner of P&V Wine + Liquor Merchants, Mike Bennie, is joining forces with The International's Food & Beverage Director, Alex Kirkwood and Head Sommelier Jacqueline Turner to present Cult & Classic. View this post on Instagram A post shared by The International Sydney (@theinternationalsydney) Celebrating the best of the NSW wine scene, the one-day-only event will see The Wine Bar be overtaken by over 30 winemakers from across the state, who are bringing well over 100 wines to try — all included in the price of your ticket. They'll be best paired with a food menu designed by The Wine Bar's head chef, Gabriel Del Conti (Ragazzi), in collaboration with Chef Hugh Piper (Dear Sainte Éloise) of the Good Food Guide's Chef's Hat-winning wine bar in Orange, Hey Rosey. The tidy bundle that is your $45 ticket includes entry and a tasting glass to enjoy the many, many wines on offer, as well as live music from top DJs keeping the vibes up from 3–7pm, before the afterparty moves to the rooftop Panorama Bar. P&V's Mike Bennie is proud of the wine on offer, saying "The rise and rise of the avant-garde of NSW wine producers works in tandem with the emerging sect of high quality, younger gen boutique wineries — the last five to ten years alone has seen an explosion of indie makers plying their wares." "NSW is proving to be an ever-increasing, fertile ground for diversity of winemakers and wine styles, which makes tasting events like this so exciting and fun. The kaleidoscope of drinks on show will keep everyone on their toes." Cult & Classic will take over The Wine Bar at 25 Martin Place from 3–7pm on Saturday, June 6. For more information or to get tickets, visit the event website.
There's no forgetting the opening moments of Scrublands, Australia's latest rural noir entry. For viewers streaming along via Stan, where the four-part series is available in full, there's no chance of not being instantly hooked, either. After an otherwise ordinary Sunday congregation, as his worshippers disperse slowly from his rural church's car park, Riversend priest Byron Swift (Jay Ryan, Muru) starts shooting with a sniper rifle. Five locals — farmers Alf (Fletcher Humphreys, The Stranger) and Tom Newkirk (Scott Major, Heartbreak High), shop owner Craig Landers (Martin Copping, The Dunes), mechanic Hugh Grosvenor (debutant Ben de Pagter) and accountant Gerry Torlini (Adam Morgan, The Royal Hotel) — are killed, with the man of the cloth not living out the fray himself. After that introduction, the bulk of Scrublands picks up a year later as the small, remote and deeply drought-stricken town is still attempting to live with an event that it'll never get over. In drives journalist Martin Scarsden (Luke Arnold, True Colours), who has been dispatched from Sydney to write about the situation 12 months after the unthinkable occurred. Capturing the colour of the situation is his remit, in an article that his Sydney Morning Herald editor wants for weekend supplement reading, and is also meant to be Scarsden's easy way back to the job after a traumatic last assignment. To the shock of no one but the investigative reporter, his welcome is mixed. It also won't astonish viewers that the journo's time interrogating the truth behind the tragedy proves anything but straightforward and uneventful — and neither director Greg McLean (Jungle) nor screenwriters Felicity Packard (Ms Fisher's Modern Murder Mysteries), Kelsey Munro (Bump) and Jock Serong (a scripting debutant) expect that basic framework to come as a surprise. Scrublands remains a mystery; however, it's the why that haunts its frames, not the who. That question lingers over the townsfolk that cross Scarsden's path, although there's already been an official tale since the massacre occurred. In the rubber-stamped version doing the rounds and fuelling news headlines, abuse allegations were levelled at Swift just days before the incident. So, in external law enforcement's minds, that's long been the case closed. But Scarsden is increasingly unconvinced. Far from writing the "torture porn" that he's initially accused of, he begins digging deeper, despite as much hostility about him endeavouring to unearth the facts swirling as surrounds to his presence in Riversend at all. Bookstore and cafe proprietor Mandy Bond (Bella Heathcote, C*A*U*G*H*T), a single mum and the first local that Scarsden meets, swings from cordial to frosty and then more open. Police officers Robbie Haus-Jones (Adam Zwar, Squinters) and Monica Piccini (Freya Stafford, New Gold Mountain) vary in their cooperation. Resident chief landowner Harley Reagan (Robert Taylor, The Newsreader) is blunt but reluctant about imparting anything but his family's generational history in these parts. Among those who lost fathers and husbands — such as teenagers Allen Newkirk (Stacy Clausen, True Spirit) and Jamie Landers (Zane Ciarma, Neighbours), and the latter's mother Fran (Victoria Thaine, Nowhere Boys) — the response is equally as complicated. Recurring among most of Riversend's inhabitants: the certainty that the picture painted of the cleric that changed everything isn't what it seems. The list of Australian films and TV shows that involve a big-city outsider galloping in to run through a regional area's problems, struggles and secrets is considerable, including The Dry, Black Snow, Limbo and Deadloch in recent years. Scrublands happily fits the bill. As those past movies and series have shown, and this page-to-screen effort based on Chris Hammer's novel as well, such a setup can provide the basis for weighty and compelling stories when presented with care, thought and style. McLean isn't in Wolf Creek or Wolf Creek 2 territory. While the eye-catching imagery that the filmmaker and his cinematographer Marden Dean (Clickbait) offer up can lean on familiar visual tropes, relying on standard formula isn't the approach overall. Any narrative scenario, no matter how well-used — including to the point where it feels like a national genre — can feel worth diving into when fleshed out with riveting details. Scrublands is a clear case in point. This isn't a story backdropped by parched red earth as far as the eye can see, but by the dry scrubby landscape as the name suggests. Like picture, like themes, then. Emotional complexities between characters intertwine, spread and hook in like undergrowth, in that remote small-town way. In other series such as The Clearing and The Lost Flowers of Alice Hart as well, and in The Royal Hotel on the big screen, too, Australia's recent screen output has kept making plain the ties, secrets and lies that can bind when everyone knows everyone, or thereabouts — plus the thorns that lurk for outsiders. A sense of stifling often courses through Australia's rural noir efforts, even when filled with vast expanses. When it seems like all there is is space, often there's nowhere to run to. As Scrublands' take on the interloper mining for answers, Arnold adds an arresting and grounded performance to a resume that flits from The Tunnel, Black Sails, Glitch and Home and Away to playing Michael Hutchence in Never Tear Us Apart: The Untold Story of INXS. This genre needs not only a gripping mystery but an involving protagonist, and TV's new addition ticks both boxes. While Ryan's casting as a charismatic and beloved priest, at least until he started gunning down parishioners, gives away that there's a twist to come involving Swift — and that the man of god won't just be seen in the series' introduction — he's still expertly deployed given the role's charming, empathetic and no-nonsense turns, as seen in flashbacks. And as Bond segues between the past and the present sections, Heathcote wears both hope and grief like a second skin. Hammer, a former journalist himself, penned a rich and atmospheric novel that screamed to reach the screen. As well as the non-fiction The River and The Coast, both of which preceded 2018's Scrublands to bookshelves, he's also given Scarsden two more stints on the page so far: Silver in 2019 and Trust in 2020. Expect them both to appeal to streaming powers that be, giving Australia a new Jack Irish- and Mystery Road-like franchise. If Hammer's Ivan Lucic and Nell Buchanan novels — 2021's Treasure and Dirt, 2022's The Tilt and 2023's The Seven — also get the same treatment, that wouldn't be a surprise, either. Check out the trailer for Scrublands below: Scrublands streams via Stan.
New year, new murder in the building — in the fictional Arconia in New York, that is. That's what's in store for fans of Only Murders in the Building, the true-crime comedy that proved one of 2021's surprises and delights. Knowing they're onto a good thing, Hulu in the US quickly renewed the hit series, and now it's coming back in June with another killing to solve. If you missed the first season in 2021, it takes a great idea and turns it into an amusing murder-mystery gem. If you've ever listened to a true-crime podcast, decided that you'd make a great Serial host yourself and started wondering how you'd ever follow in Sarah Koenig's footsteps, then Only Murders in the Building is definitely the series for you. The show focuses three New Yorkers who basically follow that same process. Here, actor Charles-Haden Savage (Steve Martin, It's Complicated), theatre producer Oliver Putnam (Martin Short, Schmigadoon!) and the much-younger Mabel Mora (Selena Gomez, The Dead Don't Die) are all obsessed with a podcast hosted by the fictional Cinda Canning (Tina Fey, Girls5eva). They find themselves unexpectedly bonding over it, in fact. And, when someone turns up dead in their building, they decide that they can sleuth their way through the case by getting talking themselves. [caption id="attachment_824354" align="alignnone" width="1920"] Craig Blankenhorn/Hulu[/caption] That's how the first season panned out. Think Knives Out, but a sitcom and also a little goofier. Now, as the just-dropped first trailer for the show's second season shows, Charles-Haden, Oliver and Mabel are weathering the fallout from the last batch of episodes — namely, season one's big finale — and they have another murder to investigate (and another podcast season to chat about it on, obviously). Complicating their efforts this time around are a trio of factors: their public implication in the death in question; the fact that there's now a competing podcast about them and this new murder; the suspicions of their neighbours, who think they're guilty. Exactly how that'll play out won't be known until Tuesday, June 28, when Only Murders in the Building returns — but, whatever happens, both Cara Delevingne and Amy Schumer will be involved, with the pair joining the cast as guest stars. Check out the trailer for Only Murders in the Building season two below: Only Murders in the Building's second season will start streaming Down Under via Star on Disney+ on Tuesday, June 28. Read our full review of the show's first season. Images: Craig Blankenhorn/Hulu.
As one of the biggest events on Sydney's cultural calendar, Lakemba Nights is your chance to experience first-hand the rich culture and traditions of Ramadan. With people of the Muslim faith fasting from dawn to dusk throughout the month of Ramadan, iftar — or the evening meal — usually means gathering with family and friends for a joyous feast. For this special festival, 60 food stalls and food trucks are on hand to tempt your tastebuds. Running Thursday to Sunday between 6pm-2am from February 27 to March 30, Haldon Street will be transformed into a vibrant street market, with stalls dedicated to tantalising cuisine from several continents. Serving as the ideal spot to break your fast or take part in this celebration with the local community, heading along with an empty stomach makes for a memorable encounter. Last year alone, over 1.6 million people visited from all corners of Australia. Of course, Lakemba Nights is an unmissable chance to get involved with Ramadan and its eclectic cuisines. Yet it's also how people can learn about the multicultural tapestry that makes up Canterbury-Bankstown. With many of the most cherished restaurants and eateries from the surrounding area bringing along something special, you'll find tasty creations from Lebanese and Indian, to Pakistani, Syrian and Burmese cuisine. "Lakemba Nights during Ramadan is one of the biggest events in our city and one of the main reasons we can host such an event is because of our diverse multicultural and multi-faith community," says Mayor Bilal El-Hayek. But with the festival being so busy, it's important to plan your journey. While there is limited parking available, avoiding the crowds is made easy using the free shuttle buses, available from 6.30pm and operating from Campsie and Roselands to Haldon Street. Otherwise, catching public transport is bound to be a little less stressful than navigating the bustling streets surrounding the festival. "Although far from its humble beginnings as a street barbeque, the event continues to bring people together from all parts of the globe to experience the holy month of Ramadan together," says El-Hayek. "I encourage everybody to come along to taste what our city has to offer and to also participate in the unique traditions of other cultures in a safe environment." Lakemba Nights is happening every Thursday-Sunday from February 27 to March 30 along Haldon Street, Lakemba. Head to the website for more information.
What happens when a croissanterie known for perfecting its signature dish, and also for getting inventive with its pastries, joins forces with a distillery that both knows how to make a stellar dry gin and equally likes experimenting? We're talking about Lune and Four Pillars, of course — and the result is the world's first croissant gin. Is this the new perfect brunch drink? Will this help you enjoy a breakfast of champions? You can be the judge from Wednesday, February 19, 2025, when the croissant gin hits stores — and online. And yes, it's a buttery sip. "Lune croissants are made with nearly double the butter of your average croissant, so we knew that butter had to be a key part of the gin," explains Four Pillars Head Distiller Sarah Prowse, with Lune's own clarified butter a key ingredient. Alongside that caramel slice-smelling dairy product, the croissant gin is made with almonds that've been roasted in the Four Pillars distillery kitchen, juniper and a range of other botanicals, plus wattle seed and nutmeg. The recommended way to knock it back? In G&Ts or in espresso gin-tinis. While this isn't the type of tipple that just anyone could've dreamed up, Lune and Four Pillars joining forces couldn't seem more obvious — not only for their similar meticulous approaches to their chosen wares, but as Melbourne-born success stories that hero local ingredients. The croissant gin sprang from shared visits and tours, then hand delivering butter and testing distillations. If it sounds like a bucket-list collab, Lune Founder Kate Reid agrees. "Infusing our Lune magic into my favourite gin was a dream come true. I can honestly say I've never been thirsty for a croissant before but once you taste this gin, you'll understand what I mean." "It turns out there is a knack to distilling butter, but after a few trial distillations we found our sweet spot and we couldn't be happier with the end result," explains Prowse. "The nuts and spices add a real depth to the gin, the vanilla bean brings a hint of sweetness, and then we've bought in our signature organic oranges to deliver lovely brightness and balance." The croissant gin retails at $80 a bottle — or $100 with a Four Pillars x Lune tote bag exclusively from Four Pillars. If you're among the first to get your hands on it, free croissants are also on offer. On launch day, the Four Pillars Sydney Lab in Surry Hills will be giving away free Lune croissants with first 50 bottles of gin sold, for instance. At Dan Murphy's Malvern East and BWS Hawksburn in Victoria, plus Dan Murphy's Double Bay and BWS Potts Point in New South Wales, as well as Dan Murphy's Newstead in Queensland, there'll be a limited number of Lune vouchers up for grabs on launch day as well. And on Saturday, February 22, the Four Pillars Distillery in Healesville will have free Lune croissant for the first 50 bottles purchased, too. Croissant Gin will be available from the Four Pillars website, Four Pillars Distillery, Four Pillars Lab, and select Dan Murphy's and BWS stores from Wednesday, February 19, 2025 — head to the Four Pillars website for further details.
Travellers setting down at Sydney Airport may well want to spend the night, with the opening of a new hotel that can only be described as first class. Located just seven minutes by foot from the domestic terminal, Felix Hotel by 8Hotels takes its inspiration from the Golden Age of air travel in the 60s — that is, before budget airlines made you pay for water. It starts from the moment you step through the door, with guests checking in not at a ground-floor lobby, but the penthouse on the top level of the hotel. In addition to a view of the runway, the penthouse is home to a rooftop cinema, a 24-hour food shop and a cocktail bar that is surprisingly colourful — making a nice change to the usual drabness of airport hotels. Rooms at Felix are split into four different categories: economy, premium economy, business and first class. All rooms are fitted with power rain showers and 55-inch TVs, along with perhaps the most important feature of all: blackout curtains (after a long-haul flight, you're going to want a good night's sleep). They also offer family suites and pet-friendly rooms. Other amenities at Felix Hotel include a 24-hour gym and a 'sky lounge' with communal and individual workspaces. If you Felix Hotel is now open at 121 Baxter Road, Mascot. For more information visit felixhotel.com.au
Petersham's Oxford Tavern is going full sour this summer — and not just with its beers. The Rise 'N Brine festival will return for a third year, taking over the pub for a jam-packed day of pickle-themed food, booze and even entertainment on Saturday, December 18. To start off, the bar will offer a few pickle-flavoured beers, which have been brewed for the day by local craft breweries. Other booze options include a pickle-y cocktail menu, which features a slushie version of the classic pickleback — aka a shot of Jameson chased with pickle juice. And the pickling doesn't stop there, either. The pub has also created a special menu of pickle-inspired eats to tuck into. In the past, the event has served up jumbo pickle poppers, Cuban sandwiches, reuben spring rolls and pickle pops. There's also a whole heap of pickle-based entertainment throughout the day. The main event is the pickle eating competition, however there'll also be a pickle toss game with prizes on offer, plus live bands and DJs.
Last month felt particular steamy and uncomfortable (even for Australian summer) and it was — January was Australia's hottest month ever recorded. The Bureau of Meteorology this morning released its monthly climate summary, reporting that, for the first time ever in Australia, the mean temperature for a month exceeded 30 degrees. NSW, ACT, Victoria and the NT all had their hottest Januarys ever recorded, while other states had unusually hot weather and very little rain. If you're currently sitting at your desk — after running through rain in Sydney, waking up to 14 degrees in Melbourne or commuting in low-20s in Brisbane — and thinking, it didn't seem that bad, here's a quick summary of some of the weather we endured last month. The year kicked off with a country-wide heatwave, with the mercury hitting the 30s in every capital city and Canberra sweltering through four days of 40-degrees. By mid-January, the heatwave was causing record-breaking high temperatures across the country — including 48.9 in SA and high-40s across Victoria's North — with Sydney's west copping dangerously high levels of ozone gas. And, just last week, Melbourne survived its hottest day in ten years. Here's how hot our country looked at one point: https://twitter.com/BOM_au/status/1084218154782478337 Phew. We're sure you're happy to see the back of January. According to the BOM's senior climatologist Dr Andrew Watkins, the unprecedented heat was due to a "a persistent high pressure system in the Tasman sea which was blocking any cold fronts and cooler air from impacting the south of the country." Dr Watkins also said in a statement that Australia looks to continue getting hotter, too. "The warming trend which has seen Australian temperatures increase by more than 1 degree in the last 100 years also contributed to the unusually warm conditions." Unfortunately for our farmers, last month was also extremely dry. In NSW, where 100 percent of the state has been in drought, the northeast experienced one of the driest Januarys on record, while most of Victoria and Brisbane received less than 20 percent of their average January rainfall. Tasmania had its driest Jan on record and SA, which experienced some of the highest temperatures, also had very little-to-no rain — the Bureau's Adelaide city site recorded no rainfall for the month for the first time since 1957. So far, it looks like February is going to be less spicy. But if you'd rather not risk it, it might be time to book a trip to the northern hemisphere. Image: Visit Victoria.
Water Polo by the Sea, a highlight of the sporting/social/summer calendar, will return to Bondi Icebergs this January. Come watch our Aussie Sharks — including Olympians Rhys Howden, Richie Campbell, Billy Miller and Johnno Cotterill and Aaron Younger — as they take on the International All Stars in what’s sure to be a fantastic match. This is no normal sporting game. The event is an opportunity to meet the players, mingle with VIPs, extend the summer holiday vibe and sip cocktails (served by shirtless athletes) against the stunning backdrop of Bondi Icebergs. Gates open at 4.30pm, and the game is on from 5.20pm. The marquee stays open until 7pm.
You've probably noticed times are tough for hospo venues, especially those of the live music variety. However, until the end of June, you can do them a small favour with the help of purpose-driven, non-alc beer brewing legends, Heaps Normal. When the time comes to replenish your non-alcoholic beer stocks at home, online customers have the option to send a free case of Heaps Normal to their favourite venue. No strings attached — your local watering hole just gets a free case of beer to sell at their pleasure. "Aussie hospo venues – particularly live music venues – have been doing it tough lately and we're keen to give back. We figured the best way to do that was to let our community decide where the good karma should flow," says Heaps Normal's Chief Brand Officer Tim Snape. This good deed might just be the right move for you as well. Rather than waking up with a splitting headache after a big night out, the brand's tasty brews won't leave you with a hangover that stretches long into next week. "All you need to do is purchase a case of Heaps Normal for yourself and let us know which local watering hole you want to shower with a little good Karma (Case). We'll even throw a handwritten love letter from you in there, too," says Snape. When you're ready to bank that karma, you're welcome to gift any case from Heaps Normal's core range, from the down-to-earth Another Lager to the newly released Third IPA. Then, it's just a matter of your choice arriving at your go-to venue's door, ready to satiate thirsty customers keen to sidestep tomorrow's agony. Heaps Normal's Karma Cases campaign runs until the end of June. Head to the website for more information.
During the Point Break remake, a gang of adrenaline junkies contemplate their next fix. Staring up at a mountain they're about to base jump from, they discuss their limits — or "the point where you break". Dialogue isn't exactly this movie's strong point. Yes, the film expands its remit and titular reference beyond the realm of surfing that was so integral to its 1991 predecessor. No, it's not a smart move. The latest Point Break is as lacklustre as everything that comes out of its characters' mouths, despite its best efforts to distract audiences with scenes of spectacle. In broad terms, the story remains roughly the same: a freshly minted FBI agent tracks a gang of thieves whose crimes are tied to their thrill-seeking antics. Cue an undercover operation that tests the cops-versus-robbers divide, as Johnny Utah (Luke Bracey) is seduced by the swagger of ringleader Bodhi (Édgar Ramírez). This time, Bodhi and his cronies don't just surf and skydive, but snowboard, glide and free-climb too. Seeking spiritual fulfillment, they're attempting to complete the holy grail of death-defying endeavours, known as the Ozaki Eight. Their accompanying heists are designed to give back what they're taking in the process, redistributing the wealth to the poverty-stricken, Robin Hood-style. As a standalone feature, it all makes for the kind of slick film that leans heavily on what's being seen rather than what's being said. When the expositional or faux-philosophical chatter gets grating, up pops a daredevil act; when the script can't quite find a way to move forward, or anything for its characters to do, the same trick is deployed. It's the "look over there!" approach to filmmaking, and while it provides some striking sights, their purpose as filler is never in doubt. With the central bromance weak and the law-and-order side of things formulaic, Point Break becomes little more than a fast-paced, choppily edited mash-up of extreme sports videos and any template police procedural you can think of. Moreover, as a remake of a beloved, breezy '90s action classic, the film fares even worse. In reimagining the Keanu Reeves/Patrick Swayze, about stoner surfers trying to finance their endless summer, director-cinematographer Ericson Core (Invincible) and writer Kurt Wimmer (Total Recall) clearly think that bigger is better — and that's where their thinking stops. Core has actually toyed with this kind of material before, lensing the car-oriented riff that is The Fast and The Furious. But where that flick spawned a successful franchise, this rehash just peddles in tedium. Sure, he ramps up the stakes, stunts, locations and backstory, adds the requisite updates and throws in a few overt winks and nods (including one that Hot Fuzz did better). But he also strips the feature of its fun, thrills, humour and personality in the process. Indeed, never has there been a movie in greater need of Reeves saying "whoa", Swayze's oozing charm, or Gary Busey being Gary Busey than this choppy dip into been-there, done-that territory. Among the next gen performers, only Ramírez stands out. Aussie actor Bracey plays his role not just blankly but blandly, Ray Winstone phones in his turn as a London-based officer, and Teresa Palmer's love interest appears to exist purely to give someone female a speaking part. To say that this version of Point Break is a wipeout might be a cliché, but it's also the dull reality — and the film doesn't try to inspire anything more than that. https://www.youtube.com/watch?v=LsSGbIujmPo
Already in 2024, one huge Australian music festival that calls Byron Bay home has shut up shop, hopefully only temporarily. After Splendour in the Grass announced its dates for this year, then its lineup, only to swiftly cancel mere weeks later, another event that's synonymous with the coastal New South Wales spot is now also taking itself off the town's calendar. Bluesfest is bidding farewell — and its plans to say goodbye are definitely permanent — but it will host a final hurrah in 2025 on its way out. So, the sad news: once Thursday, April 17–Sunday, April 20, 2025 passes, Bluesfest will be no more. The silver lining is that last fest, a four-day event that'll mark the Easter long-weekend mainstay's 36th year. [caption id="attachment_969990" align="alignnone" width="1920"] Joseph Mayers[/caption] "After more than 50 years in the music business, Bluesfest has been a labour of love, a celebration of music, community and the resilient spirit of our fans. But after the 2025 festival, as much as it pains me to say this, it's time to close this chapter," advised Festival Director Peter Noble in a statement. "As I said earlier this year at Bluesfest 2024, next year's festival will be happening and it definitely is, but it will be our last," Noble continued. "To my dear Bluesfest family, I want to make it the most unforgettable experience yet. If you've been thinking about it, now is your last chance to experience our beloved festival." [caption id="attachment_969986" align="alignnone" width="1920"] LD Somefx[/caption] There's no word yet on who'll be gracing the stages at Bluesfest's swansong, following on from 2024 headliners Tom Jones and Elvis Costello. Since 1990, everyone from Bob Dylan, BB King, Mavis Staples, Robert Plant, Paul Simon, Bonnie Rait and Santana to Kendrick Lamar, Lauryn Hill, Erykah Badu, Mary J Blige, Beck, Midnight Oil and Crowded House have played the fest. And even if you've only ever been to one Bluesfest, you've likely seen Jack Johnson and/or Ben Harper on the bill. The last few years have been tumultuous for the Byron Bay event. 2023's fest lost a number of acts, including King Gizzard and the Lizard Wizard and Sampa the Great, after Sticky Fingers were added to the bill. Bluesfest ultimately dropped the controversial band. And while the fest went ahead in 2022 after two years of pandemic cancellations (and a thwarted temporary move to October for the same reason), it showcased a primarily Australian and New Zealand lineup. [caption id="attachment_969988" align="alignnone" width="1920"] Roger Cotgreave[/caption] Bluesfest calling time follows Mona Foma doing the same after its 2024 event — plus a lengthy list of festivals beyond Splendour that've ditched their plans this year, sometimes also without announcing their intentions for the future. Just two years after debuting, Adelaide's Harvest Rock has scrapped its 2024 fest as well. Spilt Milk cancelled its 2024 festivals, while Groovin the Moo did the same after announcing its lineup. Summergrounds Music Festival, which was meant to debut at Sydney Festival 2024, also pulled the plug. As announced in 2023, Dark Mofo took a breather in 2024. Yours and Owls has postponed its next fest until 2025, too, but is hosting a pre-party in October this year. [caption id="attachment_969989" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_969987" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_867504" align="alignnone" width="1920"] Kurt Petersen[/caption] Bluesfest 2025 will run from Thursday, April 17–Sunday, April 20 at Byron Events Farm, Tyagarah. Early-bird tickets are on sale now — for further information, head to the Bluesfest website.
He's had his heart broken during a lusty Italian summer, romanced Saoirse Ronan in a Greta Gerwig film not once but twice, spiced up his life in a sci-fi saga and sported a taste for human flesh. The next addition to Timothée Chalamet's resume: a sweet time worshipping chocolate. Get ready for a big Timmy end of 2023, with Dune: Part Two hitting cinemas Down Under in November, then Wonka giving Roald Dahl's famous factory owner and candy man a Chalamet-starring origin story. First gracing the page almost six decades back, in 1964 when Charlie and the Chocolate Factory initially hit print, Willy Wonka has made the leap to cinemas with Gene Wilder playing the part in 1971, then Johnny Depp in 2005. The difference this time: not just Chalamet plunging into a world of pure imagination, but a film that swirls in the details of Wonka's life before the events that've already been laid out in books and filled two movies. As the just-dropped first trailer for Wonka shows, the picture's main man has a dream — and, after spending the past seven years travelling the world perfect his craft, he's willing to get inventive to make it come true. Starting a chocolate business isn't easy, especially when the chocolate cartel doesn't take kindly to newcomers. "You can't get a shop without selling chocolate, and you can't sell chocolate without a shop," the bright-eyed Willy is told early in the debut sneak peek. From there, brainwaves, optimism, determination and life-changing choices all spring, plus big vats of chocolate, chocolate that makes you fly — "nothing to see here, just a small group of people defying the laws of gravity," comments a police officer — and Willy's dedication to making "the greatest chocolate shop the world has ever seen". Also accounted for: a mood of wonder, and not just due to the umbrella-twirling dream sequences and cane-whirling dance scenes, or the leaps through fairy floss and chats with Hugh Grant (Dungeons & Dragons: Honour Among Thieves) as an Ooompa-Loompa. Indeed, the magical tone doesn't just fit the tale; it's exactly what writer/director Paul King and his co-scribe Simon Farnaby have become known for on the Paddington films. King helmed and penned both, while Farnaby also did the latter on the second (and acted in each). The duo also worked together on wonderful and underseen 2009 film Bunny and the Bull, and on The Mighty Boosh, of which King directed 20 episodes. On-screen, Wonka's cast is as jam-packed as a lolly bag, with Chalamet and Grant joined by Farnaby (The Phantom of the Open), as well as Olivia Colman (Secret Invasion), Sally Hawkins (The Lost King), Keegan-Michael Key (The Super Mario Bros Movie), Rowan Atkinson (Man vs Bee), Jim Carter (Downton Abbey: A New Era) and Natasha Rothwell (Sonic the Hedgehog 2). Yes, you'll want a golden ticket to this. Check out the first trailer for Wonka below: Wonka releases in cinemas Down Under on December 14, 2023.
In 2003, Aaron Eckhart starred in a film called Paycheck. That's not even a joke, it actually happened. It's pretty much the acting equivalent of ending a relationship and then sleeping with someone whose name is literally 'Rebound'. But then came Thank You for Smoking, followed by Batman Begins. All of a sudden, Eckhart was credible. He was bankable. He was Harvey Dent — the very best of us. Symbolically, if he were to fail, what hope was there for anyone else? Well, having just seen I, Frankenstein, the answer is apparently 'none'. So give up now. The Joker won. It's hopeless. It's...it's all just so hopeless. Here's the story. We pick up the action where Mary Shelley saw fit to end it: with Frankenstein dead and his monster wandering the countryside lonely and without purpose. Then some demons try to capture him, whereupon some gargoyles come to life and save him. As it turns out, that little back and forth was just round #45,678,001,235 in one of those 'secret wars that's been fought for millennia without man's knowledge yet could very well decide the fate of all mankind' kind of things. And now Frankenstein's monster is caught right in the middle of it: still lonely, still angry and almost certainly itchy from all those stitches. And that's the story. Good versus evil. Statue versus demon. Miranda Otto versus Bill Nighy. At one point, Otto has to deliver the line "I am Queen of the Gargoyle League", immediately capturing the 'je ne sais quoi' of paycheck movies and prompting memories of a theme-park-river-stoned Lisa Simpson. As Frankenstein's monster, Eckhart looks suitably buff and menacing, though his performance is so drab and monotone it robs the film of any semblance of fun. Nighy, at least, remains a delight to watch as the Satan-esque villain Naberius, whilst Aussie actor Jai Courtney phones in a 'hey, check out my guns' performance as Otto's bodyguard Gideon. The action is the only thing that keeps I, Frankenstein rolling along with any pace, but even that's just one CGI light show after another, and none aside from the first are of any real note. Ultimately, this is an animated corpse of a film about a reanimated one, so either save your money or buy a turkey, sew a vibrator inside of it and watch that roll around for 90 minutes instead. https://youtube.com/watch?v=pxOSPfUw3qw
Leichhardt’s supine pub scene has been given an overhaul with the newly renovated The Royal bringing back the historic hotel’s charm and charisma. The Royal Botanical, situated upstairs, is the schmick new dining room, bar and garden terrace that is offering up not only an appealing new menu, but also a welcoming venue at which to sample this fare. The layout of the main room is traditionally bistro-style, yet freshened up with hanging baskets and framed botanicals on the wall, as well as views over the district, should you nab a window seat. The sophisticated outdoor terrace is a horticulturalist's heaven — wall-to-wall plants and greenery make the covered space a verdant, airy alternative — especially in the warmer months. Those seeking a change from Norton Street’s Italian flavour will be rewarded with a jazzed up menu that hasn’t boycotted the usual pub culprits. To start with, sharing plates such as the salt & pepper squid ($14) is a staple that can’t be missed, nor the potato wedges ($8) with sweet chilli sauce and sour cream (a match made in heaven). Even more tempting is a 1kg bucket of hot chicken wings ($17.50) — get your napkins ready, with flavours of coriander, chilli and lemon punching through, these are tasty sticklers. For the main fare, hearty pub grub lives up to its name with the classic schnitzel ($19), or dressed up with chunky tomato sauce and melted cheddar to turn it into a parmi ($21). The royal burger ($17.50) is indulgently royal: with everything you could want in a burger, plus more, same with the pulled pork roll ($16.50). The sirloin steak ($24) will curb any appetite — nothing like a 300g Black Angus steak served with gravy and green beans on a bed of mash. As for something more refined, crispy skin salmon ($23) is perfectly seared, yet hungrier bellies may be craving that bed of mash to really hit the spot. If you’ve got room for dessert ($11), go for it — the chocolate trifle will convert anybody who detests the old favourite. But our bet is that you’ll want to get started on the cocktails — the decent list has got numerous tantalizing options, all at reasonable prices. The Quince Cup ($14) is a sweet and fragrant blend of gin, pear, quince and lemon but it’s the Ginger Nut ($13) that’s the standout — Frangelico with vodka, apple juice, lemon and bitters shaken through, topped with ice cold ginger beer ($13). The bar also has a solid selection of craft beers and top notch wines from Australia- a Mr Riggs shiraz from McLaren Vale is a tasty drop at $8 a glass and the Margaret River Semillon sav blanc ($8/$38) is delicate, yet balanced with a fresh acidity. Needless to say, the hotel — which has been a part of Leichhardt’s fabric since 1886 — has been spruced up a notch, yet managed to stick to its customary roots with class.
As much as lingering over a long, multi-course dinner is one of life's great pleasures, sometimes a fast feast is a good feast. That's especially true when you have a jam-packed Vivid program to check out – from roller skating on glowing wheels while snacking on plant-based delights to catching Nick Offerman and Megan Mullally in conversation. To that end, Mexican restaurant Esteban has put together a Pre-Vivid Fire Fast Feast. Every evening during Vivid, you'll have one hour to work your way through three delicious courses before scurrying off. Settle in with salmon tartare with salsa macha, asao nori and crispy potato, before moving onto a taco filled with pork belly, lathered in pineapple-habanero salsa and sprinkled with crispy onion. Your third and final course is a butcher's choice steak with chipotle butter and potatoes with jalapeño crema. The set menu is $65 per head, and available at 5pm and 5.15pm only. Bookings are available online. Images: Leigh Griffiths / Steve Woodburn.
Want to spend a Sunday soaking in rays with live music, theatre performances, and a top-notch food and drink lineup — all for a good cause? You're most certainly in luck. Sydney hospo favourite Odd Culture Group (Odd Culture, The Duke of Enmore) is throwing a free street party to raise money for its historic Woolloomooloo theatre next month. Located within one of our favourite pubs in Sydney, The Old Fitz Theatre has been a vital space within Sydney's arts scene for over two decades now. To celebrate all the exciting things the theatre has in store and to ensure the space continues to thrive for another 20+ years, Odd Culture Group is hosting a day of art, eats and bevs out the front of The Old Fitz on Sunday, February 11. A Streetparty Named Fitz will take over Dowling Street from midday until 7pm on February 11. On the day, you can expect a pair of performances from the theatre for a preview of its upcoming season, plus a live set from red Wiggle Murray Cook's band The Soul Movers, DJ Aunty Jonny on the decks, and roaming performers popping up throughout the crowd. In charge of the food for the day will be Odd Culture Group Executive Chef James MacDonald who has created a summer barbecue menu inspired by New Orleans cuisine (the setting of A Streetcar Named Desire). There will be jambalaya, smoked meats and veggies, smoked cheeseburgers and loaded fries. Once you've indulged in your savoury eats, head to the Mapo Bus and pick up a gelato — talk about summer perfection. [caption id="attachment_716745" align="alignnone" width="1920"] Mapo Gelato, Kitti Gould[/caption] Odd Culture has called on some high-profile friends to assist with the day's drinks. A pop-up bar will feature slushies and spritzes created by Matt Whiley (Re), Evan Stroeve (The Waratah) and Eduardo Conde (El Primo Sanchez), as well as margarita seltzers and Four Pillars Bloody Shiraz gin and tonics. "It means so much to us to work alongside Odd Culture to ensure that the Fitz remains a local favourite and a home for experience-seekers all over Sydney to return to," says The Old Fitz Theatre's Emma Wright. "As a small, independent theatre space, support from the community and opportunities to reach beyond our 55-seat space make a world of difference and help us continue to champion independent artists and stories within this iconic space." [caption id="attachment_937223" align="alignnone" width="1920"] The Old Fitz Theatre, Sydney Fringe Festival[/caption] A Streetparty Named Fitz will hit 129 Dowling Street, Woolloomooloo, from 12–7pm on Sunday, February 11. To find out more and register your interest, head to the Odd Culture Group website.
The latest line of merch you never knew you needed has just dropped — and it's celebrating yet another old-school favourite. This time, it's South Australia's strangely beloved milky treat, Farmers Union Iced Coffee (FUIC), that's been emblazoned on some sweet threads. Much like beer brands VB and Melbourne Bitter before it, the new line of branded goodies has a bit of a vintage feel. The streetwear collection — which features mens and womens designs — runs from classic hoodies and tees to beanies and a denim cap, with prices starting at $35. Each piece is adorned with the iced coffee's recognisable brown and turquoise logo, so you can share your love of the caffeinated drink — or simply let people know you're from Adelaide — without having to say a word. Everything is all printed right in FUIC's homeland of South Australia — so it's basically a symbol of SA pride. If you happen to be in Adelaide and really keen, an FUIC pop-up hits Adelaide's Rundle Mall this Friday, June 28 and Saturday, June 29. Otherwise, you'll find the full range on sale at online. Farmers Union Iced Coffee's new line of gear is on sale now at fuicgear.com.au.
Contemporary artist Guan Wei first arrived in Australia after the events of Tiananmen Square in 1989. In the decades since, he's developed a renowned body of work that's both political and humorous, referencing the cultures and history of each country, while exploring ideas of identity. Now, Wei's throwing back to his artistic beginnings, with a new exhibition at the Museum of Contemporary Art — the same gallery that hosted his first Australian solo show back in 1999. Running until February 2020, Guan Wei: MCA Collection dives back through the years to showcase four of the artist's most significant works. The headline act is a sprawling, 18-metre-long painting made up of 120 panels, called Feng Shui. Commissioned in 2004 for Melbourne's Bureau of Meteorology building, it embraces the idea of humans, water, earth and sky existing in harmony. Here, it's connected by new art Wei has painted directly onto the walls of the gallery. Elsewhere, the free exhibition features Paper War (2014–15) — an animated video complemented by further works created on paper, inspired by symbols of warfare — and a paper-based series reflecting on Chinese governmental bureaucracy, called Certificates 1–4 (1999). And one of Wei's earliest works, Two-finger exercise (1992) takes the form of 48 different pieces, together revisiting the political climate of 1980s China. Images 1–3: Guan Wei, Feng Shui (2004). All images courtesy and copyright of Guan Wei. Photos by Anna Kucera.
By now, it's pretty common knowledge that businesses around Australia have been hit hard by the COVID-19 pandemic. Depending on what state the business is in, it's weathered multiple lockdowns, seating restrictions and ongoing financial uncertainty. And, through the hardest times, we've also seen resilience and adaptability from small business owners to meet these newfound challenges. Many businesses across the nation have changed the way they operate in order to stay afloat. And, so, in partnership with Square, we've spoken with five business owners across the country to find out how they adapted, what they changed, and what new elements they'll keep in the future. All these small businesses rely on business tools provided by Square, which helps the businesses with contactless payment systems, online stores and delivery services. So you can continue supporting your local with all the convenience you've come to expect from online shopping. THE BLOW DRY BAR THAT TURNED TO ONLINE COMMUNITY BUILDING The hair salon that keeps Melburnians looking photo-ready with exquisite blow drys and dry styles has seen its doors temporarily shut twice this year due to lockdown. The BLOW first closed its doors for seven weeks from March 17, and then again in July, which has meant Founder Phoebe Simmonds has looked to other opportunities to keep going. "We're focusing our efforts on community building activities, as well as expanding a new concept — The BLOW On-The-Go at Sephora Sydney," says Simmonds. For the hair salon, this time has been an opportunity to really connect with its customers online by sharing customers' stories via Facebook. Its Sydney pop-up offers a speedy dry styling service, which has an online booking system supported by Square. "Though we can't currently provide hair styling services or events in Melbourne, we can lean into our network of femme and fierce leaders to share stories of how they're conquering isolation with confidence," she says. "Our community has responded really well, and we love being able to maintain a connection with them. I've learnt a whole new level of resilience, creativity and flexibility. Owning a successful business now comes down to being able to manage ambiguity with grace, grit and a tonne of openness and positivity." THE COFFEE ROASTER AND CAFE THAT TURNED TO GROCERY BOXES AND TAKEAWAY MEALS Melbourne's beloved cafe and coffee roaster in the heart of Collingwood is usually known for its hustle and bustle, so when restrictions set in, Proud Mary had to pivot straight away. "We've completely changed our focus from bustling, noisy and vibrant dining in, to developing the best convenient and fast takeaway offering we can," says General Manager Tom Gunn. "We've pivoted to three different operational styles. Never let a good crisis go to waste, as they say. When we closed the cafe, we started doing delivery of grocery boxes and pre-prepared meals. The community has been fantastic; we've got to know so many more people who are more of the grab-and-go crowd, which we might've missed out on if things had remained normal this year." Gunn and his team has used the lockdown as a chance to develop the cafe's menus, ideas and processes. He says Proud Mary will continue its digital offering into the future, too. THE SPAGHETTI RESTAURANT THAT PIVOTED TO ONLINE STORE During Sydney's lockdown, Mark and Vinny's — the restaurant and bar in Surry Hills known for its spaghetti and spritzes — had to immediately adjust to manage the new dine-in restrictions. "We decided to try our hand at takeout as a matter of survival," says co-owner Vince Pizzinga. "One of the most successful initiatives was creating our own online store using Square, which was hugely helpful in allowing our customers to order directly with us." This was a game-changer for the business as it avoided the crippling fees of popular delivery services, which could exceed 30 percent. Now, post-lockdown, the venue is keeping up the online takeout service to complement the in-house dining, which helps the bottom line given its reduced seating restrictions. "This experience has forced me to take a closer look at how we operate and find ways to be more resourceful and pragmatic," he says. [caption id="attachment_780766" align="alignnone" width="1920"] Shaelah Ariotti[/caption] THE PLANT NURSERY THAT CHANGED ITS STOCK TO SUIT THE MARKET Bespoke plant store The Borrowed Nursery, in the sunny Gold Coast, saw a shift in customer behaviour as soon as lockdown hit. "We lost our venue and plant hire aspects of the business straight away," says owner Lauren Lance. "But we also saw immediate growth in the retail element, so we focused on stocking more items and different item lines, for example home entertaining items and serving ware. "There has been a huge growth in indoor plants with people spending more time inside; they're wanting to make their interiors into an oasis." Being in the lucky state of Queensland, the business hasn't seen a huge downturn during lockdown or endured a second, however, Lance say she's continuing to be adaptable: "Move quickly, read the situation and focus on what works," she says. THE FRIED CHICKEN BAR THAT TEMPORARILY CUT ITS HOURS AND MENU In Fortitude Valley, shipping container-turned-eatery The Lucky Egg had to plan its survival strategy early, as lockdown meant it wouldn't be seeing its usual late-night fried chicken-loving customers. "At the beginning of the lockdown, we closed Lucky Egg for a few weeks while we came to grips with the situation and developed a plan," says Founder Jesse Barbera. "We reopened offering delivery and pick-up with reduced trading hours, and cut back our menu to focus on our most popular products," she says. "Being in the Valley, a good share of our revenue comes from late-night trade on weekends, which we knew we wouldn't get, so we had to slim down as much as possible." Luckily, it did, and now, post-lockdown, the venue has reopened with limited capacity — and making use of its outdoor space — as it slowly returns to normal trading hours. The business has its full menu back, and is even looking to expand its offering. "We've learnt not to take anything for granted," says Barbera. "We've also learnt that our hard work has paid off, and the loyal customers we have are worth their weight in gold." Find out how Square is supporting small businesses with the tools they need to grow, here. Top image: Vince Pizzinga, co-owner of Mark and Vinny's.
About a 25-minute drive out of Nelson Bay is Oakvale Wildlife Park, a farm and park filled with native Australian animals that you can interact with. The park was first established in November 1979 and remains a family owned and operated business to this day. You'll need to reserve a good few hours to explore this 25-acre animal wonderland, which is filled with native species including kangaroos, dingos, koalas, quokkas and Tasmanian devils. There are exotic animals like llamas, highland cows, water buffalo and camels to see, too. If you'd like to get up close and personal with some of them, there are a few wildlife encounter packages available on top of the $29.50 entry fee (family passes available, too). You could have a ring-tailed lemur sit on your shoulder, feed a koala or meerkat or hold a reptile. Various shows and talks occur throughout the day, too, so you can go home having fed some baby farm animals and armed with facts on koala conservation and the cassowary. Images: Destination NSW
Australia keeps going dotty for Yayoi Kusama — and this time, one of the Japanese artist's dot-filled installations is coming to our shores on a permanent basis. Canberra's National Gallery of Australia has acquired Kusama's pumpkin-focused infinity room The Spirits of the Pumpkins Descended into the Heavens, which will form part of the NGA's collection and go on display from December this year. The piece was first exhibited in 2015 and last seen in Australia earlier this year, in Brisbane as part of the Gallery of Modern Art's Yayoi Kusama: Life Is the Heart of a Rainbow exhibition between October 2017 and February 2018. Comprised of a mirrored cube filled with yellow, dot-covered pumpkins, it's a quintessential Kusama piece. Whether you're a devoted fan who considers visiting the artist's own Tokyo museum a bucket-list moment, or someone who has simply placed stickers around one of her obliteration rooms, you would've noticed that dots and the concept of infinity are crucial to her work — "our earth is only one polka dot among a million stars in the cosmos", she says. Inside the cube, the bulbous vegetables appear to create an endless field thanks to the shiny surface. On the outside of the cube, the structure's mirrored exterior reflects the yellow-and-black walls in the surrounding installation room — again, making it appear as though the pattern stretches on forever. The acquisition was made possible via a gift to the NGA from Andrew and Hiroko Gwinnett. "It has long-been my ambition to see a major contemporary Japanese artwork housed in Australia's national collection," said Andrew in a statement. "Kusama's playful installation is a legacy that will keep giving for generations to come." Find The Spirits of the Pumpkins Descended into the Heavens at the National Gallery of Australia, Parkes Place, Parkes, Canberra from a yet-to-be-revealed date in December 2018. Images: Yayoi Kusama, THE SPIRITS OF THE PUMPKINS DESCENDED INTO HEAVENS 2015. Installation view at The Museum of Modern and Contemporary Art in Nusantara (Museum MACAN). © Yayoi Kusama. Courtesy of Ota Fine Arts, Tokyo/ Singapore/ Shanghai.
Australians, you won't be holidaying in New Zealand for the next two months. NZ residents, the same applies to you regarding going across the ditch. After the two countries started a trans-Tasman bubble back in April that let Aussies take a getaway in NZ and vice versa, all without having to go through quarantine upon arrival, the arrangement has been on pause since July. And today, Friday, September 17, the NZ Government announced that it'll remain that way for another eight weeks. "When quarantine-free travel (QFT) was established with Australia, both our countries had very few recent cases of COVID-19 community transmission, and a very similar elimination strategy. This has changed significantly leading to our decision to suspend QFT for a further eight weeks," said COVID-19 Response Minister Chris Hipkins in a statement. "Uncontrolled community transmission is still occurring in Australia, with case numbers continuing to steadily increase in New South Wales, Victoria and the Australian Capital Territory. A small number of cases also continue to appear intermittently in other states and territories. In New Zealand as well, we're getting on top of an outbreak in Auckland," the Minister continued. "Protecting New Zealand from any possible further spread of the Delta variant of COVID-19 is our absolute priority. We have made great progress to contain our current outbreak and are working hard to ease restrictions next week. Reopening quarantine-free travel with Australia at this point could put those gains at risk." At present, both Greater Sydney and metropolitan Melbourne are in ongoing lockdowns, while New Zealand reported 16 new cases in the past 24 hours and has 457 community-acquired cases at present. Back in April, when NZ Prime Minister Jacinda Ardern first announced the two-way bubble between Australia and New Zealand back, she noted that it could and would be paused if and when outbreaks occur. And, when NZ first started this current suspension back in July, stopping quarantine-free travel to and from all Aussie states and territories, it wasn't the first time that the bubble had been put on hold — including with all of Australia, with the same thing happening at the end of June. The arrangement has been paused with individual Aussie states before, too, on multiple occasions. But this suspension was already the longest pause yet, and that's set to remain the case given that the bubble won't be considered again by NZ for two more months. "We will review this decision in mid to late November to give more time for our vaccination rates to climb higher," advised Hipkins. "This recognises that the QFT was established on the basis that there was little to no community transmission in Australia, and that future settings are likely to change." To find out more about the status of COVID-19 in Australia, head to the Australian Government Department of Health's website. To find out more about the virus and travel restrictions in New Zealand, head over to the NZ Government's COVID-19 hub.
If there's a speed record for greenlighting a new television series, the ABC's decision to make A Dog's World with Tony Armstrong a reality must be right up there. Saying no couldn't have even been an option, because it's just such an innately winning formula. Former AFL player turned ABC News Breakfast sports presenter Armstrong has proven an enormous hit for the national broadcaster since joining in mid-2020 — including when he's accidentally talking about bulging dicks — and everyone loves watching cute canines. Now streaming on ABC iView, as well as airing on ABC, the show that results is exactly what viewers expect — Armstrong fans and dog lovers alike. The former chats through exactly why the four-legged creatures have become humanity's best friend, and how and when, and is occasionally seen on-screen with an array of adorable puppers. Experts on all things pooch lend their commentary, research and general thoughts, too, and barking critters are rarely far from the screen. Across its three parts, the series isn't lacking in informative bite. The first episode bounds through the affinity that humans have found with dogs, and vice versa — including contemplating how dogs evolved, what separates them from wolves now, and how they react to human emotions. Then, in the second instalment, A Dog's World with Tony Armstrong focuses on how canines sense their way through the world, and what type of perspective that gives them. Finally, in part three, pooch happiness and wellbeing is in the spotlight. If you've ever wondered why your pet pupper does what it does — and how it gets you to do what it wants, too — prepare to find out. That wide-eyed look that every dog gives when it's after something, knowing that we're all defenceless against it: yes, the science behind that, including the muscles that make it happen, earn the show's attention. Providing more than just endearing canine footage was always the program's aim, as Armstrong explained when the ABC dropped the first trailer. "When I was approached about the possibility of being involved in A Dog's World, I don't even think I got to the end of the email before I was agreeing to take part," he said. "It was amazing being involved in the project, I learned a lot and I hope everyone who watches enjoys it as much as we enjoyed making it!" It's been a great couple of years for getting your dog fix via a screen, whether you're living vicariously through your viewing because you don't have a barking bestie of your own or you simply (and understandably) believe that there's no such thing as too many dogs. Netflix already gave us two seasons of the docuseries Dogs, recent big-screen release Stray spent time with puppers in Istanbul, Channing Tatum is currently in cinemas road-tripping across the US with a dog and there's even a whole streaming platform made for woofers — because as every pooch owner knows, they like to watch TV, too. Only A Dog's World enlists Armstrong to explore the world of canines, though. Check out the trailer for A Dog's World with Tony Armstrong below: A Dog's World with Tony Armstrong is now available to watch via ABC iView.
New movies always come out on Thursday. Except for one special week of the year, where they come out on Boxing Day, whatever day that might be. It's just another one of those baffling Christmas traditions of which we're terribly fond. In 2012 distributors will be releasing some of their biggest titles — as well as some oddball underdogs — to duke it out on Australia's mass movie-going day. We've seen them all and can report back that some will ease your festive hangover, indigestion, and sunstroke more pleasantly than others. https://youtube.com/watch?v=87E6N7ToCxs Wreck-It Ralph For when you're with: Anybody It scores: Five (Christmas) stars This new Disney film may as well be a Pixar film. It's like when Disney swallowed Pixar six years ago, it absorbed all of Pixar's smarts, humour, anthropomorphic ingenuity, and knack for making kids' films that adults love. Gone (or sidelined) are the princesses; here to stay are the outsiders. Ralph is the 'bad guy' of his arcade game, forever unloved while Fix-It Felix basks in adoration. In hopes of finally being accepted by his fellow gamespeople, he leaves to seek valour in the psycho first-person shooter Hero's Duty and then gets caught in Sugar Rush, a lolly-themed kart-racing game that's achingly sweet. But Wreck-It Ralph is so much more than a sustained pop culture reference; it has warmth and heart in levels it seems impossible a little story about video games could contain. The voice work of John C. Reilly, Sarah Silverman, Jane Lynch and Jack McBrayer (30 Rock) is perfect, too. https://youtube.com/watch?v=G0k3kHtyoqc The Hobbit For when you're with: FX junkies and Tolkien heads It scores: Four stars At almost three hours long, Peter Jackson's The Hobbit is the perfect film for those who find the cracking pace of the Boxing Day test a little too hectic. Taking place some 60 years before the events of the Lord of the Rings trilogy, it chronicles the adventures of the young Bilbo Baggins (Martin Freeman), a meek hobbit recruited by the wizard Gandalf (Sir Ian McKellan) to help a gang of rowdy dwarves reclaim their mountain home. The whole film has a much lighter feel to it than the trilogy, with the first 45 minutes in particular veering awfully close to 'kids movie', and no matter how stunning the visuals (they really are breathtaking), it's difficult to escape the sense that we've all 'been here, done that' before. One notable distinction, however, is the way it was filmed. At 48 frames per second, it's twice the rate of conventional cinema, adding remarkable definition to every detail, especially in 3D. The innovation certainly won't be to everyone's taste, and nor will the film, but Tolkien's (and Jackson's) ability to enrapture one's imagination and tell compelling human tales in a most-inhuman world cannot be overstated. Les Miserables For when you're with: Blockbuster lovers It scores: Three-and-a-half stars If you fancy a good ole cry on Boxing Day, just think about the socks you got for Christmas. If that doesn't work, check out Les Miserables, a guaranteed tear-jerker about a jerk named Valjean (Hugh Jackman) who becomes a teary hero. Directed by Tom Hooper (The King's Speech), it brings to the screen one of musical theatre's most famous stories, along with all its rousing, beautiful music. It also boasts an impressive cast, with Jackman ably supported by Russell Crowe, Amanda Seyfried, Anne Hathaway, Eddie Redmayne, Helena Bonham Carter and Sasha Baron Cohen. The songs were recorded live on set to give the film a greater sense of realism, and while Hooper succeeded on that front, it regrettably comes at the expense of clarity, with lyrics often drowned out by crashing waves and dazzling explosions. Still, the music triumphs overall, and Les Miserables is one for the whole family (so long as the family is prepared to discuss prostitution, murder and revolutionary war). https://youtube.com/watch?v=hhvPWi1cdS4 Sightseers For when you're with: People who hate Christmas It scores: Two stars Sightseers is one of those comedies that is not funny. Belonging to the British genre exemplified by shows like Little Britain and The League of Gentlemen, it finds humour in the grotesque, especially where that grotesquery is an expression of some true, dark part of ourselves. The film follows shut-in Tina (Alice Lowe) as she goes on her first holiday, caravanning with new boyfriend Chris (Steve Oram). The kicker is that when the quiet, working-class couple meet individuals who ridicule or offend them, Chris kills the transgressing party. Like Dexter, for the really petty. Tina is surprisingly amenable to this, and the two continue their own twisted brand of romantic adventure, not knowing if their crimes will catch up with them. Sightseers has been critically well received in England, but it's certainly not everyone's cup of tea. https://youtube.com/watch?v=bjMkguY1OcE Samsara For when you're with: People who hate narrative It scores: Three stars Samsara provides a great counterpoint to the usual Boxing Day fare at cinemas. For those who are overfed on the sugar and fat of blockbusters, prepare to cleanse your mind and heart with another kind of richness. This latest film by director Ron Fricke and producer Mark Magidson (previously partnered in 1992's Baraka) is a non-verbal meditation on our planet and the billions who share it with us, and while only 99 minutes long, Samsara stares you in the eye for longer than most find comfortable. It flows from one luscious image to the next, carried by intuitive editing rather than plot, and is supported by an original score. https://youtube.com/watch?v=F5FcDIPjv_M Quartet For when you're with: Your mum. And her mum It scores: Three stars Rather oddly, Quartet is the directorial debut from Dustin Hoffman. No ostentatious Oscar bait from this celeb, however; Quartet is a quiet, sweet film about the goings-on at a bucolic retirement home in the English countryside catering to elderly musicians. It beautifully deals with the subject of how we might treat our passions once our talent for them has faded and includes an adorable romantic subplot among adorable olds. Quartet stars Dame Maggie Smith, naturally, as well as Billy Connelly. https://youtube.com/watch?v=ce73cyzp0gA Parental Guidance For when you're with: People who feel the Meet the Parents films ended too soon It scores: ?? We were too 'busy' to see this movie for ourselves. Billy Crystal and Bette Midler play grandparents who have to look after their grandchildren. It sounds like they're not very good at it. By Rima Sabina Aouf, Tom Glasson, and Jimmy Dalton.
For the creatively inclined, the best gifts are the ones that spark ideas — something they can hang, play, read, make or experience. This year's standout presents blend form and imagination, spanning gallery-worthy homewares, design-focused objects, limited-edition prints and culture-rich outings across music, theatre and the visual arts. Whether they're a dedicated gallery hopper or simply appreciate beautiful things, we've gathered thoughtful options that celebrate creativity in all its forms — and offer something a little more memorable than the usual stocking filler. Shopping for someone who thinks with their tastebuds? Explore our guide to the best small-batch foodie gifts. Disco Never Dies Tickets, Sydney Symphony Orchestra Relive the glory days of disco as the Sydney Symphony Orchestra brings the era's biggest hits back to life. Expect powerhouse vocals from Paulini, Emma Donovan and Jess Hitchcock, all led by conductor Carlo Antonioli. Grab your flares and get moving 'cos the dance floor awaits. In partnership with the SSO. Shop now. Jex Vinyl Stand, Idle Hands A minimal, sculptural vinyl stand that puts their favourite album artwork on display. Ideal for the design-minded listener who treats records like objects to admire. Shop now. Conversation Cards, Project Planet A beautifully illustrated deck designed to prompt thoughtful chats about creativity, culture and the world around us. A meaningful choice for reflective types. Shop now. Ticketek Gift Voucher, Ticketek Perfect for anyone who loves a night out, this voucher unlocks access to gigs, theatre, comedy, festivals and more. A reliably excellent choice for culture lovers. Shop now. One-Year Subscription, Overland A thoughtful gift for voracious readers, offering three print editions of Australia's longest-running literary magazine. Shop now. Cupid's Cup, Jean Riley A hand-blown piece that balances sentiment and sculptural form. A beautiful addition to any art lover's daily ritual. Shop now. Limited Edition Prints, Sunday Salon A curated selection of prints from upcoming artists, like this one by Brisbane-based painter Mia Boe. Shop now. David Shrigley 2026 Calendar, Hands A playful, month-by-month dose of Shrigley's signature wit and irreverent drawings. A smart pick for desks and studios. Shop now. Tears of the Sun Mug, Jardan A hand-painted stoneware mug with vibrant detailing that brings a little brightness to morning routines. Practical, but with artistic flair. Shop now. Candelabra by Candlelight Class, Hilary Green A hands-on session where participants shape their own sculptural candleholders in a warm, atmospheric studio. A uniquely memorable experience. Shop now. Instax Mini LiPlay, Fujifilm A hybrid instant camera that prints photos on the spot. Ideal for capturing concerts, exhibitions and creative days out. Shop now. Rano Coaster, Tanora Handwoven using traditional techniques, these organic coasters bring subtle texture and beauty to the home. A simple, thoughtful gesture. Shop now. Entwined Vase by Rachel Disalvo, Rachel Disalvo Studio Bold, contemporary ceramaics from emerging Australian artist Rachel Disalvo. Each piece adds energy and personality to a room. Shop now. Mirka Mora Bridge Set, Third Drawer Down A collectible set featuring Mirka Mora's distinctive artwork. Equal parts game and keepsake, it's a nostalgic nod to one of Australia's most beloved artists. Shop now. Guerrilla Girls Tea Towel, Heide Museum Store A striking tea towel from the legendary feminist art collective. Functional, political and unmistakably eye-catching. Shop now. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
When Lerida Estate first planted its vineyard back in 1997 — taking over almost 20 acres beneath the ACT's Lake George range — it did so with a firm aim in mind: making an outstanding pinot noir. More than two decades later, the Canberra District winery has more than a few drops to its name, and a sizeable range of varieties. It's also home to an onsite cafe, should you be in the area. But, back to the vino, which you can enjoy without making the trip down south. Alongside an array of well-known tipples, Lerida Estate makes a mean tempranillo, using the full-bodied black grape variety that's native to Spain. Expect the scent of cherry, a fruity taste and a weighty feel on the palate, all as part of a red wine that goes well with just about anything. If you're eager to stop by Lerida Estate in-person, you can enjoy lunch among the grapevines from 11.30am–3pm daily — with drinks (aka wine, wine and more wine) on offer from 10am—5pm.
In Sydney, you needn't travel too far to find some truly breathtaking natural wonders. Our national parks are filled with not only pristine beaches and adventurous walking tracks, but also magical sites. We're talking spots of awe-inspiring beauty that, at one glance, will carry you out of the ordinary. On this list alone — which is only the tip of the iceberg — there's a towering waterfall, a panoramic lookout affording epic views, and giant-sized moving sand dunes. All you have to do is jump in your car (or on a train) and make tracks. [caption id="attachment_845273" align="alignnone" width="1920"] Destination NSW[/caption] WEST HEAD LOOKOUT, KU-RING-GAI CHASE NATIONAL PARK There's no shortage of extraordinary vistas in Sydney, but West Head Lookout is one of the best. This mind-blowing spot gives you panoramas to the south over Pittwater, east over Barrenjoey Head and north to Broken Bay. Smack bang in the middle of it all is Lion Island, backdropped by the Central Coast's uncrowded beaches. You could easily spend a day here, so it's a good idea to pack a picnic. To add some art, take a wander on the Aboriginal Heritage Walk, along which is Red Hands Cave, where you'll see historic works from First Nations artists. Idyllic Resolute Picnic Area is nearby, too, as is the stunning and secluded Resolute Beach. West Head Lookout is a one-hour drive from the Sydney CBD, just off West Head Road. BOUDDI COASTAL WALK, BOUDDI NATIONAL PARK To see several of the Central Coast's wildest and most beautiful beaches, take the Bouddi Coastal Walk. This eight-kilometre adventure hugs the coastal edge of Bouddi National Park, beginning at Putty Beach in the south and ending at MacMasters in the north. Stop by lookouts affording sweeping ocean views and rest at rainforest-encircled picnic spots. If it's low tide, see if you can spot the shipwreck of the PS Maitland at Maitland Bay. If you're keen to extend your visit, camp overnight at Putty Beach or Little Beach. It's also possible to split the trail into short sections, namely Putty Beach to Maitland Bay (three kilometres), Maitland Bay to Little Beach (3.5-kilometres) and Little Beach to MacMasters Beach (1.7-kilometres). Note that a section of Bouddi coastal walk between Mount Bouddi walking track and Old Quarry trail is currently closed for upgrades until mid-May 2022. Check the website for more details. STOCKTON SAND DUNES, WORIMI NATIONAL PARK The 4200 hectares that make up Stockton Sand Dunes form the biggest system of sand dunes in Australia. Some are as high as 40 metres. You'll find them in the Worimi Conservation Lands, about 190 kilometres north of the Sydney CBD, just beyond Newcastle. Adding to their beauty is their stunning location, foregrounded by Stockton Beach — which, at 32 kilometres, is the longest beach in New South Wales — and backdropped by 1800 hectares of forest. While you're there, consider a beachfront horse ride, a sandboarding session and/or a visit to Tin City, an 11-shack off-grid village that appeared in Mad Max (1979). Note that Worimi Conservation Lands will remain closed until 10 March, 2022, due to extreme weather. [caption id="attachment_845272" align="alignnone" width="1920"] Destination NSW[/caption] JENOLAN CAVES, BLUE MOUNTAINS A classic for a reason, the Jenolan Caves are a long winding collection of stunning passageways. Located 175km west of Sydney, here you'll discover some of the most ridiculously beautiful rocks on the planet. There are nine caves altogether, filled with limestone formations, pristine underground rivers and secret chambers. The only way to visit is by tour — choose the cave that most appeals to you, take it easy with a one hour Imperial Cave Tour or get an adrenaline hit on an abseiling escapade. [caption id="attachment_845277" align="alignnone" width="1920"] Destination NSW[/caption] BELMORE FALLS, MORTON NATIONAL PARK The area surrounding Kangaroo Valley is a haven for incredible waterfalls with both Fitzroy Falls and this towering beauty. Belmore Falls offers a wall of tall sandstone cliffs, plus a rewarding two-kilometre walking track with endless views of the surrounding bushland. On your walk around the waterfall, take in the beauty of Australia's local flora and keep a lookout for sandstone flowers like the honey flower, banksia and wattle. The falls are located two hours south of Sydney with the option to venture back up through Wollongong and grab lunch or dinner at one of the city's beloved venues. Top image: Destination NSW
UPDATE, August 23, 2020: Eighth Grade is available to stream via Amazon Prime Video, Google Play, YouTube Movies and iTunes. For anyone who's ever been or known a 13-year-old girl, Eighth Grade can be a cringe-inducing experience at times. That's not a criticism, since the film's protagonist does plenty of cringing herself. In the movie's opening moments, Kayla Day (Elsie Fisher) records her latest YouTube video. Although the teen cheerfully dispenses advice about being yourself, she's still a portrait of awkwardness. In between uttering nervous filler words such as "um", "ah", "like" and "you know", Kayla tells her viewers that "being yourself can be hard. And, like, the hard part about being yourself is that it's not always easy". Her nuggets of wisdom couldn't be clumsier, just as her choice of self-help topic couldn't be more standard. But, as she trains her kohl-rimmed eyes on her webcam and desperately tries to convey an air of self-assurance, Kayla is never anything less than earnest and relatable. Attempting to beam the best version of yourself into the online void while secretly crumbling inside (and barely keeping it together on the outside, to be honest): for most, that's the modern human condition. Starting Eighth Grade with Kayla's gawky, well-meaning, confidence-boosting communique is a smart move on the part of writer-director Bo Burnham, who kicks off his debut movie by showing his audience a version of themselves. He's also playing with something that he knows — not being an adolescent girl, clearly, but rather a youthful YouTuber. Before the filmmaker was earning deserved acclaim for this perceptive and poignant coming-of-age tale (and performing stand-up, starring in a short-lived 2013 MTV sitcom and even popping up on Parks and Recreation before that), he was a 16-year-old uploading his own comic clips to the world. With Eighth Grade charting Kayla's final week before graduating from middle school to high school, Burnham keeps dabbling with scenarios and themes that are familiar to everyone — current and former teens included. Wanting to disappear into your chair out of sheer embarrassment? Tick. Being out of your element in a social situation, but putting yourself out there anyway? Tick again. Making a connection and feeling like you've finally been seen? The ticks just keep on coming. Going on a strained date, babbling at your crush, rolling your eyes at everything your parents say, and coining your own catchphrases are all covered too. And, because this is a thoroughly 21st-century flick, so is the omnipresence of screens and devices. Kayla hovers over her classmates' Instagram feeds, and tries to connect with her peers as they're glued to their phones. She also ignores her kindly dad (played by a pitch-perfect Josh Hamilton) in favour of her own handset, and covets the rush of dopamine that springs from likes, messages and digital attention. Teen movies might be as common as Kayla's cracked iPhone, but the best have always ranged beyond the obvious. In the likes of Heathers, Clueless, 10 Things I Hate About You and Love, Simon, to name just a few, the genre doesn't just explore the daily reality of an age group caught between childhood and maturity. It also speaks volumes about emotions and behaviour that can linger with us into adulthood, even if we don't want to admit it. While every frame of Burnham's film plunges deep into Kayla's existence, and that of adolescents circa 2018–19, the picture's insights about coping with life feel far more universal. Burnham realises that everyone has felt as anxious, uncertain and out of place as Kayla at some point. He also knows that, more often that we all might like, we still do. Matching the movie's style to its substance, every aspect of Eighth Grade plants viewers firmly in Kayla's shoes. Visually, the film zooms out from her post-it covered bedroom walls, treating her personal space like a hidden world. It tracks her hesitant footsteps through the school hallways as throngs of other awkward kids gaze her way, and approaches her jittery arrival at a popular girl's pool party like a horror flick. Sound-wise, music drowns out everything else whenever Kayla becomes lost in her own thoughts and feelings — when she's swooning over the hot guy in her grade, for example. Elsewhere, snippets of narration from her YouTube clips act like the inner monologue she wishes she had. As effective as every narrative beat, probing shot and well-deployed blast of Enya (yes, Enya) proves, Burnham's savviest move is also his most straightforward. Actually casting a teenager in a movie about a teenager is much more rare than it should be, and Eighth Grade wouldn't be the success it is without Golden Globe nominee Fisher as its star. Fourteen years old at the time of shooting back in 2017, she lives and breathes Kayla's reality, partly because she just lived through it off-screen. While the film isn't a documentary, her naturalistic performance makes it an astute and authentic slice of teenage life from start to finish. Fittingly, although Fisher has been acting since 2009 and has everything from TV series Medium to the Despicable Me movies to her name, Burnham found her via an online video. https://www.youtube.com/watch?v=ZoxKy3d7Wno
Barrington Tops National Park has something for everyone, regardless of fitness level or inclination to spend long periods of time in the 'wilderness'. If you find yourself in this part of the world, and fancy yourself a bit more of an adventurer, tackle the Corker trail. The challenging walking track is recommended for experienced bushwalkers only, and it runs all the way from the Lagoon Pinch picnic area right across to Careys Peak on the Barrington Plateau. Be warned, it's not called the Corker for nothing, so expect a pretty tough slog through challenging terrain. It's well worth it at the end, though, as you'll be rewarded with a scenic lookout over the snow gums, swamps and wide open grass plains of the Barrington Plateau for a view that will leave you as breathless as the hike did, if not more. The hike will also take you by Wombat Creek campground, a perfect spot to set up camp and spend a night under the stars. Image: John Spencer
Punching has never been what matters most in the Creed movies, no matter how fast and furiously fists frequently fly. One of the key things that's always set this boxing franchise apart — with its first instalment landing in 2015 and sequel Creed II hitting in 2018 — is its focus on character and emotion first and foremost, including favouring both above going round for round in the ring. Blows are traded, obviously. Bouts are fought, bruises inflicted, bones broken and titles won. But the Creed saga has kept swinging again and again, leading to latest instalment Creed III, because it's still about its namesake, who he is as a person, and his feelings, demons and conflicts. When you have Michael B Jordan (Just Mercy) leading a series — even when it's a part of the broader Rocky series, or perhaps especially when that's the case — you give him the room to dig deep. You also give him weighty material to bear, as well as the space to bare Adonis 'Donnie' Creed's soul. Jordan gives himself that room, weight and space in Creed III, in the actor's first stint as a director. Notching up a ninth chapter for the overall saga that dates back to 1976's three-time Oscar-winner Rocky, this is also the first film to sport either that character or Creed's moniker but not feature Sylvester Stallone on-camera — or his involvement beyond a producer credit. Creed III is all the better for Rocky Balboa's absence, despite Stallone turning in his best performance yet in the initial Creed film. Understanding what it means to move on and openly unpacking what that truly entails is something else this franchise-within-a-franchise has long gotten right. So, Donnie has moved on from struggling with his father's legacy, and from his need to live in the past. He has another date with history, but Jordan and screenwriters Keenan Coogler (Space Jam: A New Legacy) and Zach Baylin (King Richard) — with a story also credited to the original Creed's director Ryan Coogler (Black Panther: Wakanda Forever) — aren't just mindlessly repeating the series' pattern. Creed III begins by going back to where Donnie's story started on-screen — actually, by venturing even further back, meeting him as an idolising teen (Thaddeus J Mixson, The Wonder Years). It's 2002, he lives in a group home, and the slightly older Damian 'Dame' Anderson (Spence Moore II, AP Bio) is a best friend as close as a brother, his mentor, and also a boxing prodigy. But a night showered in glory turns traumatic and violent, ending with Dame being incarcerated for the best part of two decades. Jump to the film's present, where Donnie has thrown in the gloves but remains tied to his chosen sport thanks to his Los Angeles boxing gym, plus managing a stable of champions and hopefuls. Jump, too, to Dame (Jonathan Majors, Ant-Man and the Wasp: Quantumania) resurfacing fresh out of prison, wanting not just to reconnect but a title shot. The Rocky and Creed world sure does love an underdog. That's Dame, with only adolescent boxing achievements on his resume, but a certainty that he should challenge Donnie-managed reigning victor Felix Chavez (IRL pro boxer Jose Benavidez) for the belt. Even with plenty of its attention floating like a butterfly to the past, and stinging like a bee in what it sees, the movie wouldn't progress from there, of course, if its titular figure could himself resist the little guy — in the sport's hierarchy, not in stature. A hallmark of all things Rocky and Creed has always been giving the up-and-comer a go, as happened with Balboa and as he provided Donnie. So, true to the template but never only making itself about that tried-and-tested template, Creed III follows suit. This threequel-slash-ninequel isn't handing over the spotlight to its latest contender, though, no matter how magnetic and compelling Majors reliably proves (see also: The Last Black Man in San Francisco, Da 5 Bloods, Lovecraft Country and The Harder They Fall). He's Hollywood's current go-to for new villains in third efforts, and impressively so — particularly against the fellow heavyweight acting talent Jordan — but it's a touch unfortunate that Creed III drops in such short succession after the third Ant-Man rather than giving his efforts in both time to breathe. Inevitably, getting Jordan and Majors facing off in the ring, and getting Donnie back in the ring to do so, is a matter of when not if. The script obliges after Dame plays nice with Donnie's musician spouse Bianca (Tessa Thompson, Thor: Love and Thunder) and daughter Amara (Mila Davis-Kent, The Resident), who is deaf, but turns on his childhood pal on dime when he gets a taste of success and years of festering resentment bleeds out. Jordan directs with tension, intensity, energy, heft and a welcome willingness to get trippy with fight scenes, as aided by cinematographer Kramer Morgenthau (The Many Saints of Newark) — and with pace to the requisite training and match montages, with help from editors Tyler Nelson (The Batman) and Jessica Baclesse (Breakwater). Creed III is visually and viscerally immersive and engaging; in the process, Jordan also crafts a movie that plots a showdown between hard work and entitlement. In one corner sits someone committed to the toil, and to earning his rewards. In the other lurks a force driven by believing he's owed, that his wins must be someone else's losses, that his enemies must suffer for him to be happy, and by spite and revenge. The Cooglers and Baylin layer in genuine and complicated reasons for Dame's bitterness towards Donnie, but never justify his unhealthy way of handling his emotions — something that the Creed films have spent two prior instalments working through with his target. If a long-held grudge linked to childhood events sounds familiar, especially with Jordan involved, that's unsurprising. So should a suddenly arriving antagonist desperate to settle a score with someone enjoying power and prominence, plus duels over a throne of sorts. Jordan sparred through them all in Black Panther, which Ryan Coogler helmed after the first Creed (the pair's third collaboration, after 2013's exceptional Fruitvale Station before both). That leaves Creed III moving on from the Italian Stallion by following in footsteps other than its own franchise's — but still following in footsteps. It asks similar questions about masculinity, strength and heroism as Black Panther. It thrives on the dynamic between its two warring men, and on the performances the actors behind them give, too. It nods towards a different future for the saga as Wakanda Forever does as well. Also, it doesn't pack as hard a punch lingering beneath that shadow; Creed III is no knockout it's still a worthy bout.
Bored of your usual Wednesday-night entertainment? Head to Friend in Hand for something a little different — crab racing. Expect crisp-and-cold schooners of Reschs, Coopers, Young Henrys and Fat Yak whilst you watch an upturned bucket of hermit crabs race to the finish line. They've been doing it every Wednesday night at 8pm for the past 22 years. Image: Kitti Smallbone
When it comes to venturing out for a tasty feed, you don't have to ask us twice. And when that meal just happens to be raising funds for an excellent cause as well? Well, there's wins all round — which is the idea behind Enmore's newest culinary addition. There'll be plenty of winners at Colombo Social, which has just launched on Enmore Road. As a new social enterprise eatery, it's lending a big helping hand to Sri Lankan asylum seekers and refugees, assisting them by providing employment opportunities and supporting their integration into Australia. The restaurant is the brainchild of Australian-born Sri Lankan Shaun Christie-David, who has teamed up with friend and hospitality veteran Peter Jones-Best. Inspired by Christie-David's own experiences feeling like an outsider during his childhood, the venue will recruit and train asylum seekers and refugees, as well as offering ongoing support through what's often a pretty rough transition period. Colombo Social is working with refugee support agency Settlement Services International — and not-for-profit suppliers. A meal here won't just help out folks doing it tough, though — it'll also open diner's tastebuds to a whole world of new flavours. In celebrating diversity, Colombo Social is dishing up a bold, colourful menu, melding authentic Sri Lankan flavours with clever tweaks and a bit of modern Australian fusion flair. You'll see that in Colombo-born Head Chef Chamara Pathiranage's menu — like the rich lamb bone marrow roll, the chilli mango-glazed fried chicken and a Sri Lankan-style 'snack pack' with devilled potatoes, pulled lamb and curry gravy. You also won't want to miss street snack staple kottu (chopped) roti, or the roti 'tacos' which come loaded with spiced soft-shell crab, mango salsa and fried curry leaves. A range of cooling cocktails rounds out the fun, with sips like the Invisible Mango Lassi – a milk punch concoction fusing Ceylon Arrack (a traditional Sri Lankan spirit), with custard, Sri Lankan tea and mango. Find Colombo Social at 159 Enmore Road, Enmore. It's open from 5pm Tuesday to Friday, and from midday Saturday and Sunday.
In great news for your bank account and your wanderlust alike, Australia will soon be home to a new low-cost airline, with Bonza slated to fly 27 routes between 17 destinations around the country when it takes to the skies. In great news for your tastebuds, and for local producers as well, the carrier is also set to throw Aussie foods and brews some love when it does start soaring through the heavens. Although exactly when Bonza will commence its flights is yet to be revealed, those trips will come with a completely homegrown in-flight menu. The airline has announced that its entire culinary lineup will hero Australian items — all 40-plus products — including many made by Aussie small businesses. Travellers can look forward to tucking into banana bread waffles and a snag in a bag, plus fava beans by Happy Snack Company, Mildura Chocolate Company's giant chocolate freckles and bikkies by Aussie Biscuits. The Handmade Food Co, Silver Tongue Foods and Mama Kaz will also be keeping passengers' appetites sated, including via sandwiches, crackers and muffins. Plus, folks after vegan and vegetarian options can expect vegan sandwiches, brownies, Chappy's Snacks chips and AmazeBalls Popped Cheese from Ashgrove Cheese. Drinks-wise, there'll be a focus on Aussie craft beer, including tipples by Your Mates Brewing Co, Ballistic Beer Co and Spinifex Brewing Company. Fancy a brew without the booze? Heaps Normal Quiet XPA will also be on the menu. Back to the hard stuff, Sirromet Wines is taking care of the vino — red, white, rosé and sparkling all included — while Sunshine & Sons is gin, vodka and rum duty. And if you're looking for a coffee instead, Groundskeeper Willie's cold-drop coffee in a can will onboard. For soft drinks, Saxby's cola, lemonade and sugar-free ginger beer will be on offer. In addition to supporting local, many of Bonza's chosen food and beverage suppliers boast significant social and environmental efforts. Ballistic donates to helping injured turtles in the Whitsundays, a portion of Spinifex's profits go to veterans' mental health, Mildura Chocolate Company invests its profits into training and employment opportunities for people with disability or disadvantage, and Aussie Biscuits is a social enterprise that employs people with disability, for instance. Whatever looks set to satisfy your hunger, it won't come to you via a catering trolley. Instead, Bonza's cabin staff will be assigned seat rows to look after on each flight. So, you'll order and pay via the app, then have whatever you've selected brought to your seat. And, you can make multiple purchases throughout your trip rather than having to wait for the trolley to get to you — which is great news if you're sitting in the last row. When it hits the air, the airline will service locations such as Bundaberg, Cairns, Gladstone, Mackay, Rockhampton, the Sunshine Coast, Toowoomba, Townsville and the Whitsundays in Queensland; Albury, Coffs Harbour, Newcastle and Port Macquarie in New South Wales; and Melbourne, Avalon and Mildura in Victoria — with a big focus on regional destinations. Launching with the backing of US private investment firm 777 Partners, which also has a hand in Canada's Flair Airlines and the Southeast Asian-based Value Alliance, Bonza will also base its headquarters on the Sunshine Coast, too. And yes, a number of its food and drink suppliers hail from the region. Bonza doesn't yet have a launch date — we'll update you when one is announced. For more information, head to the airline's website. And for its full list of routes, you'll need to download the airline's app for Android and iOS.
It's time to clock on: come spring 2024, The Office will reopen, this time in Australia. Back in 2023, Prime Video announced that it was making the 13th international take on the hit workplace sitcom, and also the first to be set Down Under. Now, the latest version of the franchise has a release date — and a debut image of star actor and comedian Felicity Ward (Time Bandits) as Flinley Craddick Managing Director Hannah Howard. Whether you think that David Brent was awful, awkward or a bit of both, Britain doesn't have a monopoly on cringeworthy bosses. Accordingly, after the original UK version of The Office proved a huge success two decades ago, more iterations of the comedy were always going to follow around the world. The American series became even more popular, and everywhere from Canada, France and Germany to Israel, India and Poland have similarly given the idea a go — so it should come as no surprise that an Aussie version is finally making its way to screens. Move over Brent, and also Michael Scott — it's now Howard's turn to become the manager that no one wants but everyone has worked for. She oversees a packaging company. When she receives news that head office is shutting down her branch, with everyone working from home instead, she's determined to keep her team together. Obviously, that won't go smoothly, or there'd be no sitcom antics to be had in The Office's Aussie stint. Joining Ward is a hefty cast spanning Edith Poor (The Lord of the Rings: The Rings of Power), Steen Raskopoulos (The Duchess), Shari Sebbens (Preppers), Josh Thomson (Young Rock), Jonny Brugh (What We Do in the Shadows), Pallavi Sharda (The Twelve), Susan Ling Young (Barons), Raj Labade (Back of the Net), Lucy Schmit (The Pledge), Zoe Terakes (Talk to Me) and Claude Jabbour (Last King of the Cross). Also featuring: Susie Youssef (Deadloch), Justin Rosniak (Colin From Accounts), Carlo Ritchie (A Beginner's Guide to Grief), Rick Donald (Population: 11), and Chris Bunton (Wolf Like Me). Viewers will be able to binge Ward and company's antics, with the entire eight-episode first season of the The Office dropping on Friday, October 18 — so get your staplers in jelly ready. As well as marking the first woman-led version of the franchise, the Australian take on The Office also features an impressive roster of female talent off-camera. Jackie van Beek (The Breaker Upperers) co-developed the series alongside Julie De Fina (Aftertaste), with both executive producers — and van Beek the setup director. Kylie Washington (Return to Paradise) is also an executive producer, with Sophia Zachariou (Ladies in Black) and Linda Micsko (The Letdown) producers. There's no trailer yet for the Australian version of The Office, but you can check out clips from the UK and US versions below: The Australian version of The Office will stream via Prime Video from Friday, October 18, 2024. Top image: John Platt and Prime Video, © BBCS and Bunya Entertainment.
In the global push for a healthier planet, we've seen some pretty creative recycling initiatives, with single-use plastic bottles transformed into Adidas kicks, discarded chewing gum used to make sneaker soles, and all sorts of other genius stuff being dreamt up in between. Now, a clever project happening closer to home will see a massive haul of soft plastics, glass bottles and printer cartridges recycled into 250 tonnes of asphalt and used to construct a road in Craigieburn, a suburb in Melbourne's north. The Aussie-first trial is the result of a collaboration between Hume City Council, infrastructure services company Downer, and local recycling organisations Red Group and Close the Loop, and it could be a game-changer for sustainability. As well as being cheaper to make and a whole lot easier on the environment, the asphalt is expected to be more durable, longer lasting and better suited to heavy traffic than its regular plastic-free counterparts. This particular stretch of road alone will save around 200,000 plastic bags, 4500 printer cartridges and the equivalent of 63,000 glass bottles from landfill. As Red Group Director Elizabeth Kasell explains, "it demonstrates a great step toward a circular system, where soft plastic packaging recovered through the REDcycle Program, and other materials previously destined for landfill, can be used as a resource for Australian roads". While the major supermarket chains will phase out plastic bags from next month, we still use a hell of a lot of plastic — so it would be great to see this being put into necessary infrastructure rather than adding to landfill.
The discovery of the ancient cities of Ercolano and Pompeii continues to hold a great deal of fascination, particularly for photographer, Paul Ferman. In his latest offering, he captures the unique architectural designs of these formerly forgotten cities, ravaged by the eruption of Mount Vesuvius in 79AD. His series, Excavare, is an artistic project of excavation and conservation. That said, there is also a curious coagulation of ancient and modern in this exhibition. Ferman's use of multiple exposures generates a temporal fluidity and historical instability that queries notions of how memory is preserved and manipulated over time. Almost immediately it also becomes apparent that the glassy surfaces of Ferman's photographs reflect the relentless stream of William Street traffic. This notion of bringing the outside world into the gallery space can be perceived as an additional photographic layer that is in constant flux. In various works, the cracked facades of Italian ruins are overlaid by the day-to-day bustle of tourists and the modern streetscape. The less-than-magnificent architecture of contemporary Northern Italy, such as towering apartment complexes, is juxtaposed with the grand mosaics and facades of the old world. This has the effect of dislodging them from their timelessness. In this way, Ferman draws an architectural trajectory of Italian urbanism. There is an arresting beauty that stems from the multitude of perspectives. For example, Excavare #247 reveals a softly lit, sombre interior. However, Ferman's layering creates an impression of structural instability. With columns sloping inward, it is as if the entire shadowy space has been pivoted on its axis. This fluidity of stone planes creates a dreamy depth. Ferman then invites the viewer to wade through the fog of potential memories and architectures and imaginatively reconstruct the place. In Excavare #245, Ferman captures an infamous section of the Pompeii forum. Stretching the entire length of the photograph, its impending columns pierce the bright sky. The faint, overlapping mosaic has the effect of fleshing out the ancient skeletal structure, conveying a feeling of reminiscence. It is as though Ferman is attempting to restore the forum's former glory by projecting the preserved interior of one structure onto another. The natural environment is also brought forward, infusing the lifeless ruins with an ecological richness and vitality. This is most apparent in Ferman's largest photograph, Excavare #242, in which the structure is framed by shimmering, fast-flowing water and lush ferns. There is also a mesmeric quality to the aqua blue that recurs throughout the series, its infectious intensity seems to really lift the photographs. Throughout Excavare, there is a cumulative sense of reviving and re-making memories. It is important to remember that the archaeological investigation of these enigmatic cities and their unfortunate inhabitants is an ongoing operation. Paul Ferman's photography reminds us of how much remains unclear, communicating the idea that history is unfixed.
The subjects of Garth Knight's Bestiary are doubly mesmerising. For one thing, they are shiny and ornately bejewelled, displayed in bright contrast to the black vacuum of their backgrounds. For another, they are weird scary creatures. Sure, you might think butterflies are pretty or seahorses are endearing, but they're kind of freaky when you really think about them. And bees? Bees can sting you. And spiders can bite you. And bugs have their skeletons on the outside. Tell me the word 'carapace' isn't sinister. The creatures populating this series have never been alive, but they still somehow look pinned down, as though a jeweller has recreated specimens from the display cases of lepidopterists and entomologists. As they sparkle they seem ready to dart or scuttle or whir out of the images, with the absence that constitutes their spatial context effecting a strange sort of atemporal suspense. It's hard to look away.
During 2020's lockdown, Gelato Messina served up plenty of tasty specials to keep our tastebuds occupied at home — including cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties, as well as 40 of its best gelato flavours — and one of them proved particularly popular: Iced Vovo tubs. Now, the gelato fiends are bringing back the gelato version of everyone's favourite childhood biscuit for another limited round. Wondering what exactly Iced VoVo gelato entails? It combines toasted coconut gelato with pieces of shortbread biscuit, then tops it with marshmallow, raspberry puree and desiccated coconut. And yes, the end result looks like the bikkies you know and love — but in a scoopable form. Available as part of Messina's 'Hot Tub' series, the Iced VoVo gelato can only be ordered online on Monday, January 18, with a one-litre tub setting you back $30. You can then go into your chosen Messina store to pick up your tub between Friday, January 22–Sunday, January 24. The tubs are available to order from all Aussie stores except The Star and Coolangatta. Gelato Messina's Iced VoVo gelato tubs will be available to order from 10am on Monday, January 18, for pick up between Friday, January 22–Sunday, January 24 — keep an eye on the Messina website for further details.
