Since July 2022, Brisbane has boasted something that no other Australian city has: Butler Wine Bar, the first vino-pouring venue from New York Times-approved bakery Lune Croissanterie. But if you haven't stopped by the intimate 30-seater already, you've missed your chance, with the watering hole making the shock announcement via social media that it has already closed its doors. Butler wasn't a pop-up, but a permanent venue. Still, Lune's Kate Reid, Nathan Toleman and Cameron Reid have decided to bring it to an end. "We regret to inform you that Butler Wine Bar has made the difficult decision to close. Our final service was Wednesday 1st March," the venue's team announced on Instagram on Friday, March 3. View this post on Instagram A post shared by Butler Wine Bar (@butlerwinebar) "We have been so grateful for the relationships with our guests, suppliers and the exceptional hospitality community in Brisbane. We've hosted a few amazing parties, drank an incredible amount of beautiful wine and crafted dishes that will remain in our memories. We very much hope they stay in yours, too," the statement continues. "From the bottom of our hearts, we would like to thank everyone who played their part or came in Butler Wine Bar. Butler could not have been what it was without your support and loyalty." Butler was one of Brisbane's best new bar openings of 2022, and its closure comes just days after the intimate neighbourhood bar hosted a party with its sibling Lune, pairing pastries with wine. During its eight-month run, the venue heroed premium drops and sips from sustainable producers, particularly focusing on vinos from close to home, and served bites such as prawn tartare, mushroom tarts and chicken liver parfait. Nestled into a long, cosy space designed by Hogg & Lamb — who also did the honours with Lune Brisbane — it also poured beers, spirits and cocktails, including miso caramel old fashioneds and pumpkin highballs. Lune still operates its South Brisbane bakery, plus a CBD outpost in Burnett Lane that also opened its doors in July 2022. The news of Butler's closure comes just a day after Three Blue Ducks announced that it is closing its W Brisbane restaurant; however, shutting after five years of operation, it'll keep serving diners until the end of May. Butler Wine Bar closed at 15 Manning Street, South Brisbane, next to Lune, on Wednesday, March 1.
Portside is no stranger to hosting markets, but its latest excuse to browse and buy will be positively blooming. After holding Mother's Day markets and welcoming in a dedicated vegan market, the Hamilton spot is devoting a blossoming day to plants and flowers. Head along from 10am–2pm on Saturday, July 16 to find all things floral taking over the riverside precinct, including 30-plus stalls to shop and a supremely photogenic flower wall. Portside Wharf Plant and Flower Market is also handing out freebies, too — with 100 free baby succulents, 50 free coffees and 50 free ice creams up for grabs for folks who get there early. As well as plants and flowers, there'll also be stalls slinging art, ceramics, handmade jewellery, pet treats and clothes fashion. If you've been to markets at the Gasworks, or in Fish Lane, Coorparoo and Gabba South City, you'll have a firm idea of what you're in for — because The Market Folk is behind all of the above, and is running this new Portside pop-up as well. Love plants, and also want something unique to put them in? That's where the free succulent pot painting workshop comes in. To give your shopping a soundtrack, live tunes by Sam Perren will echo through the precinct. And, if those hunger pangs strike — or you're just keen on having a drink — everywhere from Sono, Bamboo Basket, Burrito Bar and Ginga Sushi to Mr & Mrs Jones, Belvedere Bar 'n' Grill, Byblos Bar and Restaurant and Gusto da Gianni will be open.
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. As usual, speculation has run wild in anticipation of the lineup announce — will Childish Gambino be on the lineup (and actually show)? Will there by more than three females? — but the details for Splendour 2019 are finally here. And we're happy to report that some of the rumours were true. Childish Gambino — AKA Donald Glover — himself, will be Splendouring. Well, we hope. Childish Gambino recently cancelled his Spilt Milk appearance and Australian tour due to an ongoing injury, but the lineup also doesn't state that Splendour is his only show — so stay tuned for news of a replacement national tour (hopefully). The other huge names are Chance the Rapper and Tame Impala, the former who is American rap royalty, the latter homegrown Aussie talent who were recently been announced as one of the headline acts for this year's Coachella. There's also a big female contingent — that is kick-ass but still nowhere near as big as the pool of male performers — which includes SZA, Santigold, Courtney Barnett, Thandi Phoenix, Hatchie, Meg Mac and all-female indie rock band Warpaint. Also doing their only Australian shows at Splendour will be Santigold and Slaves. The lineup seems to go on forever, including Foals, The Streets, The Lumineers, James Blake, Friendly Fires, the list goes on. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2019 LINEUP Chance the Rapper Tame Impala Childish Gambino SZA Foals Catfish and the Bottlemen James Blake Santigold The Lumineers The Streets Russ What So Not Courtney Barnett Warpaint Mystery Oz Act Matt Corby Wolf Alice Friendly Fires Broods Dean Lewis Fidlar Cosmo's Midnight Meg Mac Ziggy Alberts Hayden James Dave Dope Lemon Dermot Kennedy Allday & Friends Little Simz The Rubens Maribou State Winston Surfshit Tycho Pond The Teskey Brothers Jacob Banks Wolfmother Tropical F*ck Storm Kyle Hall Local Natives Mansionair Odette Ruby Fields Mike Servito Last Dinosaurs Thelma Plum Trophy Eyes Harvey Sutherland (DJ set) K.Flay Sam Fender Slaves Pub Choir Seb Wildblood The Beths Set Mo Hatchie Honne Kwame The Nude Party Nathan Micay Slowly Slowly Pychedelic Porn Crumpets Kian Kenji Takimi Dear Seattle Charly Bliss Kaiit Phony Ppl A. Swayze and the Ghosts The Midnight Channel Tres Pist Idiots Mormor Suzanne Kraft Erthlings Telephones Moaning Lisa Thandi Phoenix DJ Jnett Wax'o Paradiso Andy Garvey Tyne-James Organ Lastlings Merve Jennifer Loveless Noise in my Head Skin on Skin Rebel Yell Nina Jirachi Body Promise Donald's House Casual Connection DJ Klasik Close Counters Merph Dameeeela Lex Duluxe Splendour will return to North Byron Parklands on Friday 19, Saturday 20 and Sunday 21 July. Onsite camping will once again be available from Wednesday, July 17. Tickets go on sale Thursday, April 11 at 9am sharp AEST through Moshtix. For more info, head to the official Splendour In The Grass site. Image: Bianca Holderness.
Before it introduced anxious teen sex counsellor Otis Milburn (Asa Butterfield, Flux Gourmet), his fellow-therapist mother Jean (Gillian Anderson, The Great), his ever-exuberant best friend Eric Effiong (Ncuti Gatwa, the next Doctor Who), and his whip-smart and rebellious crush Maeve Wiley (Emma Mackey, Emily), Sex Education's very-first episode started with trembling lights. With that debut back in January 2019, depictions of adolescent sexuality on-screen earned a welcome shake up as well. Horny high schoolers struggling with life, love and lust are such a pop culture staple that they inhabit their own genre, which this British series has always recognised. But when a show bursts onto streaming queues with a roll in the sheets that ends with a guy (Barbie's Connor Swindells as Adam Groff) faking an orgasm with his girlfriend (Living's Aimee-Lou Wood as Aimee Gibbs), it's clearly not interested in sticking with the usual tropes — and it wants its audience to know it. Candidly and enthusiastically subverting well-worn cliches about growing up and exploring all things carnal has always been Sex Education creator, lead writer and executive producer Laurie Nunn's focus in her first major project beyond the stage and shorts, as seen in that attention-grabbing premiere run, then 2020 and 2021's equally excellent second and third seasons, and now the show's big finish. Another key element right through to the series' fourth and final go-around, which hits Netflix from Thursday, September 21 to cap off its tale with as much charm, heart, humour and maturity as ever: knowing that it's far more relatable to be open, honest, warm, authentic, inclusive and diverse than to just spill out the same old coming-of-age story. Here's a third factor that's also long been crucial to Sex Education: understanding that life doesn't begin or end with surging hormones. When the series arrived with bulb-jostling sex, it pushed viewers into the thick of an existing relationship in a situation that couldn't be more intimate, and yet it didn't need to get neat or overly definitive to reach that point. That approach has thrived throughout the show, and not merely in fellow opening scenes in following episodes that've laid bare other residents of Sex Education's English village setting in various steamy states. It's there in its handling of romances, friendships and getting erotic, and in every subject that comes with each. And, when the beloved hit comes to its last-ever climax, it does so by recognising that an array of futures await Otis, his friends and his family members — even if the program they're in is saying goodbye. In other words, as it spends time with Moordale Secondary School's students, parents and teachers — and, in season four, the pastel-hued and progressive Cavendish College cohort instead — Sex Education embraces being in the moment while also appreciating that lone moments rarely define anyone forever. That's among the lessons that its characters keep learning in their own ways, all while listening to their hearts, yearning over crushes, uncovering their preferences, pondering priorities, making mistakes, amassing regrets, grappling with history and dreaming about possibilities. Also, in a series with a Degrassi-esque list of topics covered — a show that could've been called Relationship Education, except that it isn't as pithy — as Otis and company touch upon everything from pregnancy, pleasure, body image, masturbation, asexuality and addiction to assault, faith, gender identity, transitioning, mental health and prejudice. Although no longer a virgin scared of self-love who gets talked into giving his peers advice, which is how Sex Education began his tale, Otis is still as uncertain as ever when season four kicks off. With his old school shuttered and snapped up by developers, he's forced into a new start, as well as a new bid to become the on-campus sex therapist — competing with existing student O (Thaddea Graham, Wreck). While Eric doesn't want them to be dubbed outsiders from the get-go, he fits in easily when he sees "all the gays everywhere", in his excited words. The fact that Maeve is at university in the US just after they've just come to terms with their feelings for each other was always going to hold Otis back, of course. The pair are finally more than friends, but also on different continents. Sex Education's fourth season isn't short on chaos for everyone, with Maeve being overlooked by her professor (Schitt's Creek favourite Dan Levy) for a well-to-do classmate, then coping with heartbreaking loss; Eric tussling with what it means to be queer and Christian, and not wanting to hide either; Adam attempting to find a path beyond school; Jackson Marchetti (Kedar Williams-Stirling, Small Axe) confronting both his health and past; and Aimee getting closer to Isaac Goodwin (George Robinson, Perfect) as she discovers new ways to work through her trauma. Viv Odusanya (Chinenye Ezeudu, The School for Good and Evil) makes a connection that turns dark, Cal Bowman (singer Dua Saleh) is six months into taking testosterone and desperate for top surgery, and Ruby Matthews (Mimi Keene, Tolkien) is trying to carve out a new status quo now that she's no longer the resident queen bee. Also, newcomers Abbi (debutant Anthony Lexa) and Roman (fellow first-timer Felix Mufti) beam with positivity as Cavendish's golden couple but have intimacy issues, while Aisha (Alexandra James, Backstage), who is deaf, helps fight for better treatment of pupils with disability. Among the adults, Jean finds being a new single mum to an eight-week-old baby filled with challenges, especially when her sister Joanna (Lisa McGrillis, Last Night in Soho) visits with good intentions but plenty of drama. After separating, Adam's parents Michael (Alistair Petrie, Funny Woman) — also Moordale Secondary's ex-headmaster — and Maureen (Samantha Spiro, The Pentaverate) are still working on who they each want to be. With such a wealth of folks familiar and fresh filling its frames — even with adored faces such as Ola (Patricia Allison, His Dark Materials) and Jakob Nyman (Mikael Persbrandt, Foundation), Lily Iglehart (Tanya Reynolds, Emma), Olivia Hanan (Simone Ashley, The Little Mermaid) and Anwar Bakshi (Chaneil Kular, Atlanta) absent — Sex Education's swansong has much to juggle. Balancing its various players and their plights has never been this astute and engaging series' problem, though, and neither has fleshing out its characters, their emotions, and their ups and downs. In fact, Nunn and her writers, directors and exceptionally cast actors have always taken the opposite route. The more amusingly and affectionately rendered mess that has surrounded Otis, Eric, Maeve and the like, the more realistic, resonant, sincere and meaningful they've all proven. This crew will be deeply missed, but perhaps the biggest compliment that season four inspires springs from the show's legacy: its young stars are already popping up everywhere (not just Swindells but also Gatwa and Mackey were in Barbie), and the series that thrust them to fame won't ever be forgotten. Check out the full trailer for Sex Education season four below: Sex Education season four streams via Netflix from Thursday, September 21. Images: Samuel Taylor / Netflix.
Call it an end-of-year movie theatre frenzy, call it the spirit of Christmas spreading celluloid dreams across the city, or call it a mighty great time for film lovers — whichever way you describe it, Brisbane's cinema scene has been growing at an astonishing rate in recent months. With the Elizabeth Picture Theatre giving the CBD a new movie base, and Dendy Coorparoo taking care of eastsiders, it's now the inner north's turn. More than a decade since a Reading-branded shopping centre popped up in Newmarket, a cinema is finally being added to the site. Come 12.01 am on December 14, cinephiles can head to 400 Newmarket Road for their filmic fix, and find eight shiny big screens — including two Gold Class screens — ready and waiting. The late-night opening time might sound a little odd, but it won't to Star Wars fans. If you're going to launch a new cinema, you may as well do it with midnight screenings of Episode VIII — The Last Jedi, aka this year's biggest flick in this or any far, far away galaxy. That's not the only big news that Reading Newmarket is serving up. In an Australian first, the site will also be revealing Reading's new Titan Luxe offering, which comes with a 23-metre screen, Dolby Atmos 360 sound, recliner seats and a dine-in food menu. Lush seats and during-movie eats and drinks are also a part of their Gold Class offering, of course, while all patrons can hang out at the cinema's lounge bar — either inside, or on the balcony. As part of the shopping centre's broader redevelopment, around 900 square metres of cafes, eateries and bars are also being added across a new dining precinct. As well as a new spot to catch a film, that's your next dinner-and-movie date sorted. Find Reading Newmarket at Newmarket Village, 400 Newmarket Road, Newmarket from December 14. Head to the cinema's website or Facebook page for further details.
There’s legitimate cause for concern at Jack Rogers and Jonathan McBurnie’s exhibition YOU WORRY ME. Why? Because it’s messy, confusing, a little creepy, sometimes insulting, and a showcase of staggering artistic genius. With the help of some ink, paint and mighty canvases, both artists have created pieces of Daniel Johnston-esque wackiness, with fine-line driven, eclectic expression. You won’t find any conservative art school sketchings at this Hold Artspace curated exhibition, rather pieces that will challenge you to take a chux to their noggins. On one hand, Sydney-based artist Jonathan McBurnie showcases the aggression, trauma, and egos that alter and adhere to no boundaries, through fine-lined, and mathematical sketchings - his work is just as trigonometry heavy in angles as it is terrifying. Rogers, as both contrast and counterpart, is softer, and liberal in curves, his art closer to creative cartoons, than textbook scribblings. McBurnie provides the faultless, and Rogers showcases the aesthetics that lie in flaws. Their artistic marriage in YOU WORRY ME gives a whole new meaning to juxtaposition – both exhibit the same degree of talent, in strikingly different strains of WTF.
If there's ever been a reason to jump out of bed early on a Saturday morning (or stay up until daybreak after a big night out), it's seeing cosmic history made before your very eyes. The longest lunar eclipse of the 21st century delivered just that when it put on its sky-high show from 3.14am AEST — with the partial eclipse starting at 4.24am, the total eclipse at 5.30am and maximum eclipse occurring at 6.21am. For anyone that missed the event — and the news in the lead-up — this lengthy event lasted 103 minutes in the total eclipse phase, a duration that won't be seen again until the 2100s. It was also the last total lunar eclipse of any length that is visible from Australia again until May 2021. And, thanks to sunlight that was filtered and refracted by the earth's atmosphere, the moon also turned a blood-red share as well. So, in addition to spying a total lunar eclipse and a full moon, sky-gazers also saw a blood moon as well. Last but by no means least, Mars was also seen twinkling in the sky right next to the moon, with the planet at its closest position to earth in 15 years. As always, social media is packed full of stellar photo from those who saw and snapped the astronomical event — so whether you saw it with your own eyes or blissfully slept through it, here are some of the best shots of the lunar eclipse from around the planet. https://www.instagram.com/p/Blv7VuFHds_/?taken-by=seathebreezee https://www.instagram.com/p/Blv6W6klmLn/?taken-by=bodrumlayasa https://www.instagram.com/p/BlwBF0PHUUk/?taken-by=dorpell https://www.instagram.com/p/BlwBAQRlHpR/?taken-by=imikov https://www.instagram.com/p/BlwFT2cntgc/?tagged=lunareclipse2018 https://www.instagram.com/p/Blv4yWnBsC7/?taken-by=daves_snippets https://www.instagram.com/p/Blv2RLhnqqB/?taken-by=evrensongun https://www.instagram.com/p/BlwEgD1H6jO/?taken-by=matthias.hangst https://www.instagram.com/p/BlwHTeTn207/?taken-by=mel_weber_photography https://www.instagram.com/p/BlwFhjXH5K1/?taken-by=milkyway_scientists
One day, glowing plants might provide enough energy to light up entire buildings. At least, that's the hope of Antony Evans, Kyle Taylor and Omri Amirav-Drory. They have the science to justify it, and the support behind their Kickstarter campaign to attempt its realisation. Their plan has been made possible by developments in synthetic biology over the past 30 or so years. Back in 1986, scientists cultivated the very first radiant seeds but discovered that their effectiveness required the addition of luciferin (the pigment that illuminates fireflies). Three years later, the luciferase-luciferin gene was sequenced. However, it wasn't until 2010 that researchers at the State University of New York managed to add the gene to plants, giving them a dim glow. Around the same time, on the other side of the Atlantic, the University of Cambridge's iGem team was recycling luciferase to create bacteria that beamed with the ferocity of Kryptonite. Fast-forward three years, and the aforementioned trio of scientific talents is building on these developments to hatch a plan that has the dramatic reduction of CO2 at its heart. They've already raised the $65,000 necessary to achieving their initial aim — the cultivation of Arabidopsis plants. Now, they're on the cusp of reaching their first stretch goal — $400,000, which will enable the development of glowing roses. So far, 6,981 backers have committed funds, to the tune of $395,135. Supporters who pledge $40 or more are promised a batch of seeds, meaning they'll be able to grow their own glowing plants at home. $150 or more buys a bioluminescent rose. The project has received the backing of some of the highest fliers in the fields of Genetics, Biotechnology and Biochemistry, including George Church (Head of Genetics at Harvard Medical School), Andrew Hessel (Autodesk Distinguished Research Fellow) and Austen Heinz (Founder of Cambrian Genomics). [Via Inhabitat]
Wellness travel is on the rise, and it doesn't take a genius to figure out where Australians choose to rest and recharge most. According to Traveloka's 2025 Wellness Travel Trends, the much-loved destinations of Bali, Bangkok and Hanoi top the list, offering the ideal combination of stunning scenery, relaxing experiences and affordability. If a self-care holiday sounds pretty good right now, you'll be happy to know Traveloka has just revealed its Spring Travel Sale. Featuring stellar deals on flights to these mindful destinations and more, the sale also includes discounts on serenity-inducing resorts and renowned sightseeing experiences that elevate your adventure. Until Friday, October 10, Perth-based travellers can score one-way flights to Denpasar starting from $179, while flights from Melbourne to Hanoi start from $274 one-way. Special airline brand days also offer massive savings, with up to 30 percent off flights with Indonesia's Garuda Airlines and Malaysia Airlines. Plus, there are low-cost flights to Bangkok, Seoul, Da Nang and beyond. At the same time, Traveloka has budget-friendly discounts on luxe hotels and resorts, making it easy to secure accommodation that matches your relaxation vibe. Think up to 52 percent off Bali's Legian Beach Hotel and 77 percent off Bangkok's The Quarter Ratchayothin. That means no noisy, crowded party hostel for you. Discounts on activities will also help you get out and about more during your overseas adventure. For instance, 40 percent off tickets for Singapore Zoo or 20 percent off Hong Kong Disneyland will help keep your travel costs down and ensure your vacation is filled with incredible one-off experiences. "Travel is no longer just about sightseeing — it is increasingly a way to nurture well-being, build meaningful connections, and support local communities," says Baidi Li, VP Commercial at Traveloka. "Through our Spring Travel Sale, we want to make these restorative travel experiences more accessible and affordable, while also contributing to the growth of the tourism ecosystem across Asia Pacific." Traveloka's Spring Travel Sale is happening until Friday, October 10. Head to the website for more information.
When Skrillex and Four Tet took to the Coachella stage back in April, they did so to help plug a gap left by Frank Ocean dropping out of the Californian festival's second weekend. When they make the trip Down Under this spring, however, they won't be filling in for anyone, headlining 2023's lineup for electronic-meets-hip hop festival Listen Out. Back for another year — after 2022 marked its first gigs since 2019 — this fest will do the rounds throughout September, including hitting up Brisbane Showgrounds on Saturday, September 23. This is the first time that Skrillex will play gigs in Australia since Listen Out 2018 and, as well as Four Tet, the DJ and producer will have plenty of company. [caption id="attachment_900829" align="alignnone" width="1920"] Josef W[/caption] Also on the bill: Lil Uzi Vert, Ice Spice, Coi Leray, Piri, venbee, Mallrat and Jyoty, as well as Marc Rebillet, Metro Boomin and Kenny Beats, with Ebony Boadu will be on hosting duties. 2023's fests around Australia mark Listen Out's tenth birthday, and will bring curated stages to its four stops. So, The Atari Stage is primarily about hip hop artists, while 909 Stage features major dance acts. Then, over on the Prophet Stage, you'll enjoy cutting-edge electronic and house acts. LISTEN OUT 2023 LINEUP: Arrdee Coi Leray Four Tet Friction Ice Spice Jbee Jpegmafia Jyoty Kenny Beats Lil Uzi Vert Mallrat Marc Rebillet Metro Boomin Piri Skrillex Spinall Venbee Wongo B2B Little Fritter Young Franco Yunè Pinku Ebony Boadu as host 1TBSP Ayebatonye Donatachi Handsome Kobie Dee VV Pete Willo Plus triple j Unearthed artists to be announced + more Top image: Leo K.
Over the Easter long weekend, plus in the days and weeks leading into it, one type of sweet treat is always on the menu: chocolate. No matter how you like getting a taste of cocoa, there's always an egg, bun or other dessert for it on offer around March and April. There's always several, in fact. But Brisbane isn't done getting a choc fix yet, even though Easter is done for 2025. Across Saturday, April 26–Sunday, April 27, the Brisbane Chocolate Festival is making its debut at The Hills of Rivermakers in Morningside. Two days, one riverside precinct, oh-so-much chocolate to feast on from 10am–5pm daily: if you're a chocaholic or just a chocolate fiend, that's your new favourite recipe. This is a ticketed affair, and then you'll pay for what you eat once you're in — but whether you want chocolate for breakfast, brunch, morning tea, lunch or afternoon tea, you have options. Think: chocolate fountains, chocolate brownies, chocolate poffertjes, chocolate soufflé waffles and chocolate cupcakes, as well as chocolate doughnuts, chocolate gelato and ice cream, chocolate slices, chocolate meringue and plenty more. Yes, there'll be chocolate eggs. There'll also be bites for lactose-free, gluten-free, nut-free, sugar-free and vegan diets. Also on the bill: hunting for those chocolate eggs, an eating contest, pop-up bars, live tunes and other entertainment — and dessert cocktails. Brisbane Chocolate Festival is the latest event from the folks behind the Sweet As Brisbane Dessert Festival, which was drawing crowds between 5000–10,000 in its pre-COVID-19 days in West End's Musgrave Park — so expect to have a whole lot of company.
Ever since Messina has been scooping out gelato, the dessert chain has also been turning beloved sweet treats into ice cream. Sometimes, it creates wonderful new flavours inspired by lamingtons and the like. Sometimes, it gives iconic biscuits the gelato treatment. And sometimes, it whips up its own version of classic dishes — such as the vanilla- and chocolate-layered ice cream cake that everyone considered the height of extravagance as a child, aka the Viennetta. The Messinetta, as Messina calls its Viennetta, debuted in 2020, then returned in 2021. That same year, it also got a Golden Gaytime twist, which is exactly what it sounds like. That Frankenstein's monster of a dessert — but in the best possible way — also made a comeback, reappearing in 2022. Now, it's time to unleash the Neapolitan Messinetta. Again, this limited-edition dish is extremely self-explanatory. And yes, that name alone points to it being supremely tasty. Once more, Messina is combining two things that everyone tucked into a whole heap when they were kids — Viennetta and the vanilla, chocolate and strawberry ice cream that is Neapolitan — into one delicious package. What's in a Neapolitan Messinetta? That iconic trio of flavours is all accounted for, as are the slices of chocolate. Think: vanilla sponge layered with chocolate gelato, vanilla gelato and strawberry gel, plus those with chocolate shards, then piped with vanilla chantilly cream. It serves up to 14 people, but that obviously depends on portion sizes — and how willing you are to share. The Neapolitan Messinetta earned Messina a return spot on MasterChef on Tuesday, May 30, with Messina co-owner and head chef Donato Toce challenging contestants to make their own. If you felt your stomach grumbling and tastebuds tingling while you were watching, you can now get ordering — from 8.40pm on Tuesday, May 30. A Neapolitan Messinetta will set you back $120, and you'll collect it in-store between Friday, June 16–Sunday, June 18. Gelato Messina's Neapolitan Messinetta is be available to order from 8.40pm on Tuesday, May 30, for pick up between Friday, June 16–Sunday, June 18 — head to the Messina website for further details.
The best Australian horror film of 2023 is getting some more skin: Talk to Me, the smash-hit feature debut by Adelaide-born twins Danny and Michael Philippou — aka YouTubers RackaRacka — is scoring a sequel. A24, which released the flick after picking it up in a Sundance Film Festival bidding war, has announced that audiences will be spending more time in this possession thriller's world. Does that news call for shaking hands with an embalmed palm? Feeling the rush while being haunted? Having your mates watch and film it? Dealing with the spooky consequences? If you're game after seeing the initial movie, yes. Variety reports that the Philippou brothers will be back behind the lens, and that Danny is writing the screenplay with Bill Hinzman after the pair penned the first flick together. And the follow-up's name? Talk 2 Me. So far, a release date for the now-franchise's second effort hasn't been announced, nor stars; however, the Philippous have long had more than just one Talk to Me film in their sights. "It's so funny — we've written such an in-depth mythology bible about the backstory of the hand, the spirits that are possessing the kids, and there's just so many seeds that we planted," Danny told Concrete Playground in a chat before the first movie's release. "Even when we're writing the first film, I was writing scenes for a second film — and me and the other writer were always discussing it and talking about it. The idea of franchising or doing a sequel is so exciting to us." Danny and Michael made their leap to the big screen after racking up a huge following with RackaRacka's viral videos, and via behind-the-scenes work on Australian films such as The Babadook. Their debut feature has proven a big box-office success, taking in US$10 million on its opening weekend in America alone, which placed it second among A24's films after Hereditary. In Australia, it has notched up over AU$1.2 million at the time of writing since its July 27 release. Starring Sophie Wilde (The Portable Door), Miranda Otto (The Clearing), Zoe Terakes (Nine Perfect Strangers), Otis Dhanji (June Again), Chris Alosio (Millie Lies Low) and Alexandra Jensen (Joe vs Carole), Talk to Me sits alongside a mighty impressive lineup of other eerie flicks in A24's catalogue — The Witch, Midsommar, In Fabric, Bodies Bodies Bodies, Beau Is Afraid, X and Pearl, to name a few. Soon, Talk 2 Me will join that list as well. Check out the trailer for Talk to Me below: Talk to Me is now screening in Australian and New Zealand cinemas. Read our review, and our interview with Danny Philippou. Via Variety.
At this point in human history, we've left the world 'normal' far behind us. We live in an age of out-there ideas across all mediums, from entertainment to food and beyond. So why limit yourself to routine plans, basic weekenders and tickets to the same old festivals when you could shake up your calendar with something a little more unique? There's no shortage of offbeat events taking place in New South Wales in 2023, so we've partnered with Destination NSW to showcase some of the more left-of-centre and memorable attractions across this vast state. From existential dread to fabulous festivals and some good old-fashioned silly fun, we invite you to consider the following...
It was back in late 2021 that word of La Luna — aka Australia's first European-inspired floating beach club — initially arrived, and news of its plans to set up shop on the Gold Coast. Earlier in 2022, the Seaworld Drive venue's waterside restaurant opened, but it's taken some time for the whole place to follow suit. Now, that time is upon us. Living the yacht life without actually getting on a yacht: that's just become a reality on the Glitter Strip, whether you're a local looking to break up your routine, a Brisbanite eager for any excuse for a trip down the highway or you're vacationing from further afield. From its white-heavy decor to its overall concept, La Luna gleans its cues from its counterparts on the other side of the world — and from Mykonos and Saint-Tropez in general — with influences taken from the setups in Tulum in Mexico as well. Get ready for luxe poolside stints; yes, you'll find those daybeds right by the water, including king-size versions for getting cosy with up to three people. If you'd prefer a cabana, they're available for four-hour bookings catering for ten (standard), 12 (in a lower-level location) and 15 (in the grand cabanas) guests. Or, you can simply choose a sun lounge for two hours — but whatever you opt for, there's a fee. The cheapest seats require a minimum spend of $150 per person, and the price only goes up from there. Menu-wise, the poolside fare includes plenty of the ocean's finest — oysters, kingfish ceviche, yellowfin tuna tartare, caviar, seafood cocktails, fried crispy baby squid, Moreton Bay bug buns, and lobster and scallop ravioli are all on offer — as well as wagyu beef burgers, fruit platters, sorbet and gelato. As for drinks, patrons can sip cognac mango iced teas, lychee martinis, strawberry and kiwi gin sours, plus all the classic concoctions. Or, pick from a small range of on-tap beers, and sparkling, rose, red and white wines. Feeling flush? A $1454 bottle of champagne is available for waterside splurges. La Luna is the brainchild of the Gennari Group, which is already behind the Gold Coast's Koi Broadbeach, Glass Dining & Lounge Bar, The Loose Moose, Maggie Choo and Roosevelt Lounge. Also up and running: onsite restaurant Mare, with Meyjitte Boughenot overseeing the kitchen team. Cruisy bites to eat, long lunches and drinks on the pontoon are all the focus, with the cuisine heroing Mediterranean dishes. If you like the poolside menu, many of the same options are also available here. Expect a heftier range, however, including char-grilled steaks, four types of pasta, and a 14-page drinks list.
Donald Glover's filmography is expanding, as is his directorial resume as well. The next time that he graces a movie, the star also known as Childish Gambino play a hit musician on-screen, in a flick that he's helming himself. If it seems like art imitating life, however, we're betting that IRL Glover — whether or not he's in his Gambino guise — hasn't found himself on an island teeming with greenery, largely devoid of people and also home to giant animals. In the just-dropped trailer for Bando Stone & the New World, Glover is the film's namesake — "the singer: 'Starlight', 'Let's Make It Happen', 'Party Monkey'," he tells a woman (Jessica Allain, The Continental: From the World of John Wick) pointing a gun his way when they cross paths in a convenience store. She doesn't know who he is, has a kid in tow and is on a mission to get to the other side of the island. But they can only move during the daytime, because at night is "when everything comes out". By everything, the movie means a massive boar, octopus and flock of flightless birds, plus glowing laser netting and structures — all of which Bando is ill-equipped for. "Can you shoot? Can you hunt? Do you know how to fish? Do you know how to set a trap?" he's asked. His reply: "I can sing". Bando Stone & the New World will mark Glover's feature directorial debut, after helming a short film as Childish Gambino, his own music videos, and episodes of both Atlanta and Swarm. The script comes courtesy of Evi Wilder, while Glover's frequent collaborator Hiro Murai — who has directed a heap of his music videos as well, plus 26 Atlanta instalments, two episodes of the 2024 Mr & Mrs Smith series and 2019 movie Guava Island — is an executive producer. As for the soundtrack, that's unsurprisingly springing from Gambino. Exactly when the film will drop, other than 2024, hasn't been revealed — and nor has any Down Under release plans. It's headed for big screens in the US, though, with the trailer announcing that it's an exclusive IMAX event. Whether audiences in Australia and New Zealand will get to see Bando Stone & the New World before Childish Gambino brings his latest tour this way in 2025 also hasn't been advised so far. Check out the trailer for Bando Stone & The New World below: Bando Stone & the New World doesn't yet have a release date, other than 2024 — we'll update you when more details are announced.
It doesn't get much better than this: a roomy tent decked out with everything you could need, all within a stone's throw of the water on Stradbroke Island. And that's just what Minjerribah Camping has up its sleeves at its Adder Rock site at Point Lookout. You'll get cosy in a mini village of ten beachfront tents, with each equipped with cotton sheets, fresh towels, two bamboo chairs and power. Plus, as well as roaming around the camping ground's communal kitchen, barbecue and picnic facilities, you can stroll up to the shops and pub — when you're not splashing around or soaking in the view, that is.
Cave hotels, tree-house hotels, and hotels next to natural wonders: the bedroom-pros at Mr & Mrs Smith have seen it all (well, we’re still waiting for our first spaceship hotel, but hey). Here are 10 of Smith’s most interesting places to pass a night, picked just for Concrete Playground. 1. LONGITUDE 131° by VOYAGES, AUSTRALIA What: Safari-style desert campWhere: Up close to Uluru What could possibly be any more awe-inspiring than waking up to views of the world’s biggest monolith, Uluru? It’s remote, for sure, but Longitude 131° by Voyages can be reached via a flight to Yulara, where guests are greeted by a member of staff in a four-wheel drive. The villas are called ‘tents’, but you can banish memories of uncomfortable camping trips from your school days. These impressive specimens are on stilts, with ensuite bathrooms and fully automated blinds. Tours of the national park are included in the rates and the curvy pool is kept ice-cold at all times – perfectly refreshing after unforgettable treks up Uluru. 2. HAPUKU LODGE AND TREE HOUSES, NEW ZEALAND What: Architectural meets arborealWhere: Deer-dotted pastures and peaks Simultaneous views of mountains, the sea, olive grove and a deer-park… where else other than New Zealand? A top-spot for whale-watching, Hapuku Lodge and Tree Houses is a true get-away, with fully equipped villas nestled high amongst the tree-tops, so you can coo at the local birds (or just kiss your lovebird). The lodge’s knockout 600-hectare grounds, between the towering Kaikoura Seaward Mountains and surf-lashed Mangamaunu Bay, include the family farm’s oil-producing olive grove and deer stud. For a cool canopy experience, the modern, wood-clad Tree House Rooms, set in a manuka grove remote from the main lodge, are a must. 3. SIX SENSES YAO NOI, THAILAND What: Rustic-chic castawayWhere: Yao Noi island hillside Perched on a cliff-side over-looking Phang Nga Bay, Six Senses Yao Noi makes each night feel like an adventure. A selection of nine different types of villa are available, each with stylish interiors, some with pools, and every one offering the best views we’ve ever clapped eyes on. Privacy-seeking couples or families would do well to book a Hideaway Two-bedroom Pool Villa, which has two levels, an open-air bathroom, private ensuite and its own infinity pool. 4. OHLA, BARCELONA What: Classic Catalan coolWhere: Beside Barrio Gotico With a neoclassical exterior but minimalistic interiors, Ohla Hotel in Barcelona never quite makes up its mind. Originally the palace of the first Count of Barcelona, then a department store and police office, and now a hotel renovated with assistance from artist and sculptor Frederic Amat, Ohla is an eclectic mix of history. Hundreds of ceramic eyeballs adorn the outside walls of the hotel, thanks to Amat. The rooms have wooden floors and refrain from over-decoration; in-room massages are available on request. 5. GORAH ELEPHANT CAMP, SOUTH AFRICA What: Bastion of imperial glamourWhere: Stunning South African savannah The wilderness of Addo Elephant National Park is right on the doorstep of Gorah Elephant Camp. Combining Victorian colonial style with classy mod cons, the tent-like suites have thatched canopies, four-poster beds, private deck and panoramic views of the savannah. The Gorah house itself is a mid-18th-century heritage manor, and serves as the main building on the site. Unabashed luxury abounds in the tents themselves: expect silk-soft Egyptian cotton linen and glossy toffee wooden floorboards. 6. SAFFIRE, TASMANIA What: Elemental sanctuaryWhere: Curving Coles Bay coastline Saffire must confuse the seagulls swooping overhead: is it a giant starfish? A huge silver oil spill? A resting spaceship? If only we could tell them: no, it’s a stingray-shaped sanctuary with eye-widening architecture, an excellent restaurant, a pampering spa and a prime natural location (iconic Wineglass Bay is just minutes away). If you fancy your own private courtyard plunge pool, snaffle one of the four Private Pavilions (rooms 1 to 4, aka Mayson, Amos, Dove or Baudin), which include cat-swingingly spacious living and bedroom areas, a kitchen, dining zone and front deck. Saffire's chef can even come and cook for you in-room. 7. GILI LANKANFUSHI, MALDIVES What: Water worldWhere: Lapis lazuli lagoon Be prepared to come home feeling lonely, or with a Mr Friday stuffed illegally in your suitcase: this hotel’s service is flawless, and every villa comes with a Ms/Mr Friday who will look after you so well, you won’t want to leave them behind. You’re not allowed shoes here, and you won’t find any newspapers, but these are the only limits at this beautiful beachside hotel, which must prompt proposals left, right and centre. Gili Lankanfushi’s villas are all overwater: we like the 210sq m Villa Suites best. They’re open-air, apart from the bedroom (which is also the only bit with air-con; everywhere else gets a sea breeze) and have a large living room with day beds and an overwater sundeck with stairs leading to the ocean. 8. QT SYDNEY, AUSTRALIA What: Theatrical temptressWhere: Sydney's happening heart This super-central design diva is carved out of the historic State Theatre and Gowings department store buildings, blending Gothic, art deco and Italianate architecture with quirky-but-cool interiors. Door gals dressed in saucy uniforms, buzzy drinking and dining, and a hip day spa? We're smitten. Sexy, sassy and stylish, QT Sydney has her party shoes on and is ready to dance. Helmed by chef Paul Easson under the creative direction of Sydney restaurateur Robert Marchetti, Gowings Bar & Grill is an edgy, European-style all-day brasserie, which lures diners with its fresh Australian produce (sourced from artisan providores), so-now culinary techniques (we're talking wood-fired rotisseries and ovens) and smart list of up-and-coming wines. 9. SEXTANTIO LE GROTTE DELLA CIVITA, ITALY What: Boutique BedrockWhere: Matera’s grand canyon If Fred Flintstone were looking for a romantic crash-pad for him and Wilma, he could do a lot worse than check into this cave hotel, set in the ancient stassi (stone settlement) of Matera, a mysterious, overlooked patch of Basilicata in southern Italy, flanked by the Ionian and Tyrrhenian seas. Sextantio le Grotte della Civita has a prehistoric birthday and old-world charm: bed sheets and furniture are antique; candles flicker in corners; bath products feature olive oil and packaged simply, and there’s a tasting room set in the old church. Whole families once bedded down in each cave, so expect buckets of space. 10. SAMODE PALACE, INDIA What: All that glittersWhere: Fairytale desert fort Mirror-tiled walls, mural-lined walls, marble swimming pools and antique-filled suites: Samode Palace in the heart of Rajasthan, Jaipur, sounds like the stuff of far-flung fairy tales, but it’s deliciously real. This blue-blooded getaway began life 300 years ago as a maharaja's mansion, so it’s had a while to perfect its poise; modern additions include a gym, sauna, steam room, day spa and boutique. (Of course, kings and queens need to keep in touch with their subjects, so there’s free WiFi in the central courtyard and business centre.) Wander through the Sheesh Mahal, a series of glittering rooms, each more breath-snatching than the last. Once a royal reception space, it's now used for chichi cocktail sessions.
For most of Australia, 2018 has been hot. Last weekend, Melbourne endured its hottest day for two years, while Sydney experienced its second hottest day ever. Temperatures have been toasty around the rest of the country too, with Brisbane expecting a top of 38 today. And although Tasmania hasn't been immune to the extreme heat — reaching 35 degrees earlier this week — the state also just dipped firmly in the opposite direction. Yesterday, while it was a rather warm 34 degrees in Sydney, 36 in Brisbane and 37 in Perth, eastern Tassie enjoyed storms, hail and even ice. In Hobart, yesterday's maximum only made it to 15.8 degrees, while the minimum was 13.5 degrees. That's rugging-up weather, not swimming temperatures. https://www.instagram.com/p/Bd4Ob8oBD5b/?taken-by=tasmaniawhyweloveit https://www.instagram.com/p/Bd4CcbTHV-7/?taken-by=what_kat_did_next "I don't think we've seen that very often," the Bureau Of Meteorology Debbie Tabor told the ABC, explaining that the icy conditions were caused by the thunderstorms. "We had a series of thunderstorms move through the eastern half of Tasmania… and did produce some hail at various locations and that's what was seen at Orford." On Twitter, BOM also clarified that the visible whiteness wasn't snow, even if it might've looked like it. https://twitter.com/BOM_Tas/status/952077590453514240 That said, snow did reach the state's lofty peaks — at 1300 to 1400 metres, not on the ground. Today, a top of 21 is expected in Hobart, ahead of a week in the mid twenties. Via ABC. Top image: Katrina Ashton via Instagram.
The lofty title of the ‘World Wide Web’ implies that we can access the internet, well, all over the world. However, with 71 percent of the Earth’s surface covered by oceanic bodies, the web is more limited than you think. Researchers at the University of Buffalo may have found a way to cross the digital gap between land and sea. Their ‘deep sea Internet’ is a sunken wireless network that will provide instant communication from beneath the surface to any device on land. Since wireless access has expanded everywhere, from subways to third world countries, why hasn’t this been thought of before? Although the internet feels like an omnipresent force that floats invisibly above our heads like the particles of a broadcast chocolate bar in Willy Wonka’s Chocolate Factory, it’s a little more complicated. Wireless communication on land relies on radio waves from satellites and antennas, which don’t work well out in the middle of the ocean. Deep-sea communication technologies function on sound waves, which are converted above the surface and transmitted to our devices. This interaction is a bit dodgy, given that it’s nearly impossible to communicate in real time because of the various methods and standards involved when it comes to communicating with underwater sensors. To make things easier, the masterminds in New York are developing a framework that would create a singular way to collect and send data from an underwater sensor to any computer in the world. The possibilities are endless with this superpower technology. Tsunamis and hurricanes could be detected and warned of earlier, oil and gas could be detected more efficiently, pollution could be better monitored, and law enforcement agencies could track down drug-smuggling pirates. The underwater modem seems to be well on its way to doing these things; it is currently being tested at the bottom of America’s Lake Erie and will be presented at the International Conference on Underwater Networks & Systems in Taiwan this November. So on your next deep-sea dive or fishing trip, check your smartphone for Wi-Fi: BIG BLUE, password: n3m0. Via Fast.CoExist.com.
Sometimes, dreams do come true. More often than not, they don't. The bulk of life is what dwells in-between, as we all cope with the inescapable truth that we won't get everything that we've ever fantasised about, and we mightn't even score more than just a few things we want. This is the space that Party Down has always made its own, asking "are we having fun yet?" about life's disappointments while focusing on Los Angeles-based hopefuls played by Adam Scott (Severance), Ken Marino (The Other Two), Ryan Hansen (A Million Little Things), Martin Starr (Guillermo del Toro's Cabinet of Curiosities) and more. They'd all rather be doing something other than being cater waiters at an array of California functions, and most have stars in their eyes. In the cult comedy's first two seasons back in 2009–10, the majority of its characters have their sights set on show business, slinging hors d'oeuvres while trying to make acting, screenwriting or comedy happen. By even existing, Party Down itself is the product of dreams that aren't fulfilled and the twists of fate that follow. If Veronica Mars hadn't initially been cancelled after three seasons, its creator Rob Thomas mightn't have moved onto a new collaboration with two of the show's fellow former staff — writer/producer John Enbom and producer Dan Etheridge — plus one-time guest star Paul Rudd (Ant-Man and the Wasp: Quantumania). And, if that hadn't have occurred, Party Down wouldn't have ever graced screens with its spectacular dark farce at all. It too was cancelled too soon but has found a way to make a comeback. In its 13-years-later revival, it smartly and hilariously grapples with what it means when dreams don't pan out, and when they seem like they will only to crash. Bringing most of the original gang back together — Lizzy Caplan had scheduling issues making the also-excellent Fleishman Is in Trouble, but Jane Lynch (Only Murders in the Building) and Megan Mullally (Reservation Dogs) return — Party Down keeps its shindig-by-shindig setup. Across its first 20 instalments as well as its new six, which drop weekly on Stan from Friday, February 24, each episode sends the titular crew to a different soirée. The opening get-together is thrown by one of their own, Kyle Bradway (Hansen), who has just scored the lead part in a massive superhero franchise. Ex-actor Henry Pollard (Scott) is among the attendees, as are now-heiress Constance Carmell (Lynch) and perennial stage mum Lydia Dunfree (Mullally), but comedian Casey Klein (Caplan) is too busy being Saturday Night Live-level famous. Hard sci-fi obsessive Roman DeBeers (Starr) and the eager-to-please Ron Donald (Marino) are present as well, in a catering capacity. Having some of the team still sporting their black pants, crisp white shirts and pastel pink bow ties after such time has passed could've played as lazy or unbelievable. Party Down has always been as unflinchingly honest as it is sidesplittingly funny, however. It finds its main figures literally in reunion mode, and uses that entry point to explore everything that could've changed — and what mightn't have — for anyone getting their start working in hospitality in LA. Some achieved exactly what they said they would. Some are still just talking about it, and bitterly. As for Henry, he advises Kyle that he's a high-school English teacher. When his pal asks "on what show?" in response, Party Down remains as incisive as ever at tearing down the Hollywood mindset, its posturing and its centre-of-the-universe delusion. Henry genuinely is a high-school English teacher IRL, a fact that Kyle hasn't even entertained. More of the Party Down OGs end up back in uniform, in turns of events that couldn't be more organic, believable and steeped in the series' constant confrontation with dreams failing, flailing and fading. Still, season three has fresh faces; hospitality is a turnover-heavy industry. Content creator Sackson (Tyrel Jackson Williams, Brockmire) would rather be filling his socials, and flouts the Ron Donald dos and Ron Donald don'ts as Henry, Kyle, Roman and the group always have. The Gen-Z influencer wannabe also acts as visible reminder of how the notion of stardom has changed. Chef Lucy Dang (Zoë Chao, The Afterparty) seeks fame through her cooking, which isn't your standard catering spread. Baking ripened camembert into birthday cake, for instance, she wants food to be art rather than mere fuel. Also among the newcomers, but not holding trays for minimum wage, are Jennifer Garner (The Adam Project) as film executive Evie Adler and James Marsden (Dead to Me) as hotshot actor Jack Botty. The former hits it off with Henry — because with Caplan's Casey absent, Party Down still needs its emotional core and will-they-won't-they rom-com spark amid the Hollywood takedowns, ridiculous celebration ideas and slapstick absurdity it throws together skilfully, cleverly and hysterically. Unsurprisingly, season three is usually at its best when the show's old favourites bounce off each other, but Thomas and company have done well with their newcomers. That's another returning talent; before she was winning awards for The White Lotus, Jennifer Coolidge made a killer two-episode addition to the crew, and Mullally joined the cast when Lynch moved onto Glee. Are we having fun yet? Yes, always. While the catchphrase that's long haunted Henry — uttered in a beer commercial, and his biggest acting claim to fame — is rolled out again, Party Down season three is also supremely skilled at working in nods and callbacks without ever feeling like the person at the party that won't move on from the past. With Enbom showrunning, the writing is again intelligent and amusing, and the tone hasn't wavered a decade-plus on. And, once getting the gang back together has been established, Party Down's latest stint still ranks it among the all-time great workplace comedies. Scott does love pondering the daily grind, starring in Parks and Recreation and Severance before making his way back to pouring drinks. There's exactly one issue with season three: it only runs for six episodes. Since 2009, the world has always needed more Party Down, and that remains the case now that it's finally back. No one needs Party Down, the company, like Ron still does, though. None of the show's characters have ever embodied the desperate extremes that someone can go to to make their dreams come true as he still does, either — or what happens when someone has pitched their whole identity on one thing and won't accept any alternatives no matter the humiliations that arise. Marino, like Hansen and Scott, made the jump over to Party Down from Veronica Mars to play the catering outfit's oh-so-keen (but always-bumbling) manager, and his performance continues to be a masterclass in bleak and physical comedy in a series that's outstanding at (and has fun with) both. Check out the trailer for Party Down season three below: Party Down's third season streams via Stan from Friday, February 24 — and via TVNZ+ as well.
Art/Work is a new Concrete Playground series where we take some time to chat with our local creatives in an attempt to unravel the daily grind behind being an artist. First cab off the rank is Mitch Cairns, a Sydney-based artist represented by BREENSPACE. He is also one quarter of the now defunct collaborative group, Cosmic Battle for Your Heart. He can also play the drums. Most days you'll find me in a bit of a jam, I'd very much like to be in the studio, but being an adult is difficult and most days lately I'm either at accruing pennies or… When I am not there I am working on the next batch of paintings. Painting, for me, is a tricky problem and generally involves 'filling in' the frame with an image of some sort. In order to keep painting, I set up a few hooks to work out from. Currently I've been looking a lot at cartooning, straight up and down visual gags that generally involve the tragedy of going bald. After combing over this material I then go through a process which includes a night of heavy carbs, waking, stretching, keeping up fluids and eventually setting off on a light jog. My day job is at Oxford Arts Supplies, I work with good people, I get to peruse the store, at times, like a guest.... It's great, I could be digging holes right now. Like all job you've got to turn up to be paid.... this isn't a problem for me really, but I am seeking a double, anybody that fits the type of 'chubby greyhound' should apply here. Working in an art supply house is fine, the discounts aren't wild but they're helpful. In fact I work with some really awesome artists.... so yes it is quite a stimulating place to work. If money wasn't an issue I'd have a beer in the fridge. Being an artist/musician in Sydney is very tight right now. But I would never leave for any great deal of time. I have entertained moving to New Zealand, I mean our house is being bent over soon, we gotta live somewhere. My neighbourhood is currently in Rozelle, I am peninsulated. There is in fact a whole bunch of really excellent artists that live on the peninsular, its a very nice neighbourhood. Best kept Sydney secret Balmain Star. It's a pho joint in the Balmain Plaza, very simple, cheap, delicious food. I'm not sure why you'd ask me about hip Sydney secrets thou? Isn't that your job to tell us? I'm a mild mannered and sometimes awkward guy, I got no secrets..... good afternoon.
First, her milkshake brought all the boys to the yard. Now, Sweet Relief! is bringing Kelis to Brisbane in 2024. The R&B talent is also on the speaker lineup at BIGSOUND 2024, because why hit up one festival in the Sunshine State capital when she can take to the stage at two? Damn right, this plan is better than yours. At BIGSOUND, Kelis joins the conference lineup at the huge music event, which combines plenty of discussions with live gigs in Fortitude Valley, and returns to Brisbane from Tuesday, September 3–Friday, September 6 for its 23rd year. Then, on Saturday, September 7, Kelis will be part of Sweet Relief!'s 2024 bill. 2024 marks a quarter century since Kelis' first record Kaleidoscope and also 21 years since Tasty — featuring 'Milkshake', 'Trick Me' and 'Millionaire' — became such a hit, so she'll have plenty to celebrate on her trip to Brisbane. At Sweet Relief!, when she starts busting out tunes in an exclusive show, Kelis will have not just 'Milkshake' and 'Bossy' to sing, but more tunes from her catalogue at the fest's second year. And forcompany at the event, which moves to Ballymore Stadium for 2024 after debuting at Northshore Brisbane in 2023, she'll be joined by The Presets, 2024 Eurovision contestants Electric Fields, Haiku Hands, Dameeeela and Juno so far, with more to be announced. Sweet Relief! images: The James Adams
It's already one of the most anticipated films of 2017 — Danny Boyle's iconic 1996 film Trainspotting is finally getting the sequel you kind of don't want to see but can't look away from. Set to be released on February 9, T2 will apparently be loosely based on Irvine Welsh's 2002 novel Porno, which was released six years after the film of Trainspotting. And while Trainspotting was perhaps the most effective campaign against shooting up heroin (and the need to learn the dialect and slang of Edinburgh youth), T2 may well do the same for the amateur porn industry. Don't worry, there'll probably still be gratuitous drug use. The old guard is back, with Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Robert Carlyle reunited by Boyle, and even John Hodge, the screenwriter of Trainspotting, has worked on the film. Here's the latest trailer, one of the more detailed we've seen pop up ahead of the film's release. Take a peek and see Mark Renton (McGregor) returning to the only place he can ever call home. Gang's all here. T2 is in cinemas February 9.
A top-notch cocktail is something worth savouring. It's worth searching for, too — and what a delicious quest that is. Rather than add every bar ever to your must-visit list, however, plenty of competitions, lists and rankings exist to help you find the best of the best, so that you can spend more time sipping ace drinks. One such contest: the Patrón Perfectionists Australian Cocktail Competition, which then ties into a global tournament. Its focus: getting standout bartenders shaking up and mixing tequila, and using far more than just lemon and salt. The 2022 Aussie event has just been held, with a new best local bartender crowned, as announced at a ceremony on Wednesday, November 9. Tequila lovers of Australia, you'll want to make a date with Melbourne's Pearl Diver Cocktails & Oysters, because the glam bar's Alex Boon just took out the Patrón Perfectionists Australian Cocktail Competition title. To win, Boon had to mix up two cocktails: one that blends Patrón Silver tequila with something representing local culture, using ingredients from a prescribed list, and another speciality drink that featured one Australian ingredient. For the first beverage, Boon's Frankie was inspired by Uncle Toby's oats — yes, you'll never think about the breakfast staple the same way again — while his second, the 60 Hands Highball, used mango in three different ways. Ten Australian bartenders competed for the title, hailing from an impressive list of bars from around the country, including Kayla Reid from fellow Melbourne spot Nick & Nora's; Haadee Bahar of Mimi's & Will's and Storm Evans of Cantina OK! in Sydney; and Andie Bulley of Savile Row, Bec Bayley of Before + After and Martin McConnell of Frog's Hollow Saloon, all in Brisbane. Chris Tilley of Neon Palms and Volare Bar represented Perth, Talis Heggart of Shotgun Willie's and Memphis Slim's House of Blues did the same for Adelaide, and Etien Celzner of Rude Boy flew the flag for Hobart. Boon next vies for international glory, mixing up his best against bartenders from another 18 countries, in March 2023 at Hacienda Patrón in Jalisco, Mexico. If he emerges victorious on the global stage, he'll give Australia two winners in a row, after Cantina OK!'s Harrison Kenney took out the worldwide title last year. For full details on the Patrón Perfectionists Cocktail Competition, head to the event's website.
Each month, Lune Croissanterie whips up a new batch of limited-time specials, giving you something tasty to look forward to when you flip over your calendar. Lamington cruffins, bolognese and bechamel-filled lasagne pastries, Iced Vovo cruffins, tiramisu pastries, finger bun croissants and cherry blossom cruffins have all been on the list so far this year, just for a month. If that's what Lune cooks up just for a regular portion of the year, just imagine what's on its menu for its tenth birthday. Actually, you don't need to ponder. The time is now, the birthday-focused October menu is here and your stomach will want it. First up, the latest Frankenstein's monster of baked goods: a birthday cake croissant. Yes, it's exactly what it sounds like. Lune has taken a traditional croissant, brushed it with a vanilla milk syrup, then filled it with an almond and sprinkle frangipane. On top: a sprinkle crumble, buttercream icing and then more sprinkles. What's a birthday without sprinkles, after all? A bad one. The birthday cake croissant is available at all stores right through the month until Monday, October 31, and you can order it online from South Brisbane. The rest of the list pops up here and there — but always at at least one spot in Melbourne and Brisbane, where Lune currently operates. That includes cherry ripe pain au chocolats (made with cherry and coconut frangipane, buccaneer tea ganache and sliced maraschino cherries, then dusted with Mork chocolate and freeze-dried cherries) and PBJ cruffins (filled, obviously, with house-made raspberry jam and peanut crème patisserie, then dusted with cinnamon sugar and finished with a button of raspberry jam) — and both are on offer at Fitzroy and South Brisbane. Or, there's the spring pea danish (which features fresh peas and broad beans coated in a herbaceous salsa verde, sat on top of a layer of orange marmalade and seasoned goats' curd, and garnished with snow pea tendrils and edible flowers), also at the same stores — and the return of the cheese and Vegemite escargots (an escargot pastry filled a classic Vegemite bechamel and gruyere cheese, rolled, then baked with extra gruyere melted on top) at all shops. Fitzroy, South Brisbane and the new Brissie CBD spot in Burnett Lane are doing cardamon buns as well – a "kardemummabullar"-inspired croissant piped with a cardamon-spiced butter, then twisted into a knot, sprinkled with sugar and baked. Hungry? Of course you are, and you now have a whole heap of snack options. In Melbourne on weekends in October, Lune is also serving up a selection of past hits — if you need even more choices. Lune's October specials menu runs until Monday, October 31, with different specials on offer at Fitzroy and the CBD in Melbourne, and South Brisbane and Burnett Lane in Brisbane. From the South Brisbane store only, you can also order them online. Images: Pete Dillon.
Brisbane's only celebration of queer cinema has announced its first films for 2017, with a fresh selection of lesbian, gay, bi, trans, gender diverse and multigenerational movies heading to New Farm Cinemas from March 10 to 19. Eager to take an in-depth look at the art form that is voguing, and the world that surrounds it? Explore the ups and downs of an intimate relationship? Catch an Aussie coming-of-age flick? Watch new Brazilian television? Dive into a romantic drama starring Mistress America's Lola Kirke? You'll find all of that and more in the Brisbane Queer Film Festival program this year. After impressing audiences at last year's Sydney and Melbourne film festivals, Kiki kicks off the BQFF 2017 lineup, while Berlinale 2016 Teddy award winner Tomcat bookends the fest with an intimate tale about two men and their beloved pet feline. In between, multicultural queer effort Teenage Kicks, four episodes of Portuguese-language runaway drama The Nest and small-town drama AWOL also prove highlights, alongside 12 other features and two shorts sessions that reflect modern queer life and contemporary forms of storytelling. If that sounds like must-see viewing, then keep your eyes peeled for a second announcement, with seven of the festival's titles due to be revealed on January 30. And, as exciting as it is to discover that you'll be feasting your eyes on everything US black comedy Women Who Kill to the launch of Brisbane web series Two Weeks to documentary Out Run, which tells the story of Bemz Benedito's attempts to become the first transgender woman in the Philippine Congress, that isn't the only news on offer. With BQFF turning 18, it's also branching out on its own and becoming an independent event. After forming part of Brisbane Powerhouse's slate of festivals, the fest moves out of home for its 2017 run. While BQFF has screened at external cinemas for the last two years, this year it will become its own individual entity. For eager movie buffs, that means a whole separate party in addition to and at a later date from Powerhouse's MELT — or, two ace reasons to celebrate queer arts and culture at two different times, rather than one.
It's the news Brisbane eastsiders have been waiting for, and anyone keen on mixing up their Sunday morning shopping routine will be pretty happy about it too. Come January 31, the Carindale PCYC will be playing host to a new weekly market. It's called Moo and Glue. And the great name is just the beginning — though, when it comes to summing up both the farm-fresh and handmade goodies on offer, the market's moniker really does get the message across. They're backing it up with the usual mix of stalls and trucks, all selling things that will stock your pantry, fill your stomach and decorate your home. On the edible side of equation, expect locally grown produce from The Happy Veg, fresh bread from The Baker's Corner, caffeinated brews from Mr Barista, ice cream from Miss Daisy and sweet treats from Eat That Cake. More stallholders are being announced on a regular basis, so expect that list to grow. Yes, you're allowed to get hungry just thinking about it. Elsewhere, you'll find an international food court lined with many of the city's favourite mobile eateries, plus a jumping castle for younger attendees. Basically, it's the weekend marketplace locals have been dreaming of — and a much needed addition to this patch of Brisbane. The first Moo and Glue Farmer's, Craft and Boutique Market will take place on January 31 at the Carindale PCYC, 27 Narracott St, Carina, and will run every Sunday morning from 7am. For more information, visit their Facebook page. Image: Dollar Photo Club.
When the working week is done, folks just wanna have fun. We're paraphrasing Cyndi Lauper because she knows what she's singing about. If your idea of taking her advice involves listening to ace musos belt out a few tunes, then QPAC's Green Jam has long been the Friday afternoon session you're looking for. All about live music, tasty bites to eat and kicking back in a grassy spot a stone's throw from the inner city, this regular event offers an ace start to your weekend every week, returning for 2021 from Friday, January 8. But, because Shrek the Musical is also hitting up QPAC to start the year, Green Jam is unleashing a 'monster edition' — and running not only on Friday arvos, but on Saturdays as well. Held between 5.30–7.30pm on both Fridays and Saturdays from Friday, January 8–Saturday, February 6, the outdoor songfest takes over the Melbourne Street Green (aka that vibrant patch of turf just past the Cultural Centre walkway) with live tunes — with plenty of street food, of course. The music lineup changes every week and, as for your stomach, it can feast on pizzas, broad bean and feta dip (with warm bread to go with it), and pumpkin and provolone arancini — while sipping spritzes, wine and beer. You'll have to pay for the eating part of the evening (and any bevs you place in your hand), but it'll be worth it.
Swing into London's Tate Modern until April 2018, and you'll literally be swinging thanks to their latest large-scale installation. Teaming up with Danish artists' collective SUPERFLEX, the gallery's Turbine Hall now boasts playground equipment as part of its newest commission, which comes with the apt title of One Two Three Swing! The numbers in the piece's moniker don't just refer to the countdown everyone does in their head before they set a swing in motion. They also indicate that each of the installation's pieces has been built for three. That means gathering up two pals and heading for a swinging good time is on the agenda, with the work designed to get audiences to be more social through collaboration — the coordination it takes to get a three-person swing to do its thing, for example. 22 swings feature in total, all connected by their orange frames and all conceived "as an assembly line for collective movement," according to the exhibition's press release. They comprise of the movement section of the work, which also features apathy and production components. In the former, attendees can lie on a 770-square-metre carpet — in a colour scheme inspired by British currency — and view a a large pendulum suspended from the ceiling by a 20 metre cable. In the latter, a factory station assembles swing seats, storing them for later use. During the installation's six-month run, One Two Three Swing! will also expand beyond the Tate Modern, with plans to spread the swings throughout London and even possibly further afield. If that sounds like an ambitious project, it's just the latest for SUPERFLEX, who were formed in 1993 by Jakob Fenger, Bjørnstjerne Christiansen and Rasmus Nielsen, and helped designed Copenhagen's 30,000-square-metre Superkilen park. One Two Three Swing! runs at the Tate Modern, London until April 2, 2018. For more information, head to the gallery's website. Via The Guardian. Images: Tate Modern.
The settings vary, and the motley crew of characters involved, too, but many whodunnits share the same premise. Take a ragtag group of folks, pop them all in the same spot, kill one off and then start asking questions — that's it, that's the formula. It works for boardgame Cluedo, it worked for Agatha Christie and her lengthy list of Hercule Poirot novels and stories, and it's also been behind everything from Knives Out and The Translators to Only Murders in the Building in the past few years. So, when Apple TV+'s new murder-mystery series The Afterparty kicks off, it's familiar by design, but this streaming bash is just getting started. Adding a new comic sleuthing series to your queue, and filling that Only Murders-shaped hole in your life, this eight-part show sports a killer cast: Sam Richardson (Detroiters), Ben Schwartz (Space Force), Zoe Chao (Love Life), Ilana Glazer (Broad City), Ike Barinholtz (The Mindy Project), Dave Franco (If Beale Street Could Talk), Tiffany Haddish (The Card Counter), Jamie Demetriou (The Great) and John Early (Search Party). It's also home to a savvy spin on its oft-used scenario. Rather than skewering true-crime podcasting, this quickly addictive comedy from writer/director Christopher Miller (The Lego Movie) toys with a basic truth. We all know that every tale differs depending on the perspective, so The Afterparty has fun with the idea. Of course, whodunnits always hinge upon this exact fact, as many an interrogation scene has demonstrated. Miller has also clearly seen iconic Japanese film Rashomon, which is famed for baking the notion into its whole story. And, considering that The Afterparty's big murder takes place after a school function, there's a touch of Big Little Lies at play here as well. That said, with his directing partner Phil Lord, Miller has made a career out of getting smart and funny with familiar parts (see also: 21 Jump Street and 22 Jump Street, plus Cloudy with a Chance of Meatballs). That's firmly still the case with his latest venture into TV, following writing for How I Met Your Mother, directing the pilot of Brooklyn Nine-Nine and executive producing The Last Man on Earth. The Afterparty's setup: at the afterparty (obviously) following his 15-year high-school reunion, obnoxious autotune-abusing pop star Xavier (Franco) winds up dead on the rocks beneath his lavish mansion. Everyone is shocked but no one is overly upset, which gives determined Detective Danner (Haddish) plenty of suspects. With her partner Culp (Early), she starts grilling Xavier's former classmates one by one to find out who's responsible, with most of the show's episodes dedicated to a different person. The interrogations begin with the sensible Aniq (the always-great Richardson), who was hoping to finally make a move on his schoolyard crush Zoe (Chao), only for his night to get sidetracked well before anyone got murderous. After Aniq's version of events, Danner hears from Zoe's macho ex Brett (Barinholtz) in The Afterparty's second episode, which takes the show further into the couple's seemingly chalk-and-cheese — and now very much over — marriage. Next comes Aniq's best bud Yasper (Schwartz, riffing on Parks and Recreation's Jean-Ralphio without being quite as ridiculous) and his dreams of leveraging his connection with Xavier, who he used to be in a ska band with, to launch his own music career. The fourth episode focuses on Chelsea (Glazer), who has been the class outcast since a high-school scandal. And, in the fifth, those teenage days get their time in the spotlight. Miller doesn't just switch between perspectives episode by episode, or give most of his well-known cast their moments to shine — a task that Richardson, Barinholtz, Schwartz and Glazer are all up to, and Chao and Haddish in the series' sixth and seventh episodes, too. He also styles each of The Afterparty's chapters after a different genre, so the show filters its sleuthing comedy through rom-com tropes, action-movie conventions and musical flourishes (yes, that's Schwartz's High School Musical-esque focus episode). Psychological thrillers also get a look in, as do teen party flicks. The list goes on. Whodunnits have long played with other genres, but Miller's addition to the fold layers them all together like a murder-mystery onion. The cast is top-notch. The writing is clever. Surprises arrive frequently, and the throwaway gags — including the jokes involving Xavier's film career, cameos from other famous faces and magnificent 80s yacht-rock references included — are simply glorious. If Apple TV+ wasn't dropping episodes weekly following the show's initial three-chapter launch, The Afterparty would be an easy binge, although going the week-to-week route extends the fun. There's also a great time to be had with the series' genre- and viewpoint-bending touches, which help the show twist in its own directions, tell its tale with flair and approach its entire premise with a savvy sense of humour. Bringing is own vibe to the murder-mystery party, this is one streaming shindig well worth attending. Check out the trailer below: The first five episodes of The Afterparty are available to stream via Apple TV+, with new instalments dropping weekly.
If 11-time world champion surfer Kelly Slater wants to catch a wave, but doesn't feel like going to the beach, he can hop on a board at his inland surf ranch in Lemoore, California. Next time the surfing champ is in Australia, he'll be able to hang ten at a second facility on the Sunshine Coast. While no dates have been announced, the second surf ranch is set to open in Coolum, a 90-minute drive from Brisbane. It'll sprawl over a 510-hectare site, with 75 percent of the space dedicated to wetlands, public areas and lakes — although the surf ranch is clearly the main attraction. Like the Californian spot, the Sunny Coast's surf ranch will use the Kelly Slater Wave System — which, after taking ten years to develop, is crucial to the whole concept. It creates "repeatable man-made waves that convincingly deliver the power and shape of ocean waves most sought after by accomplished surfers, including a hollow barrel allowing for long tube rides". It was the impressiveness of these man-made waves that convinced surfing's governing body World Surf League (WSL) to acquire a majority stake in the Kelly Slater Wave Company (which created the wave technology and owns the Lemoore ranch) back in 2016. Opening more surf ranches was always part of WSL's plans — and, thankfully for us, it's launching the next one in Australia. [caption id="attachment_747864" align="aligncenter" width="1920"] Kelly Slater surfing at World Surf League's surf ranch in Lemoore, California.[/caption] As well as serving up all of the waves and none of the rips, unpredictable conditions and not-so-friendly sea creatures, the $1.1 billion development surrounding WSL's first Aussie ranch will also feature an eco-resort, a hotel, shops, a 'farm to plate' restaurant, serviced apartments, a sports centre, a school and houses. That means that you can head by for a surfing vacation or, if you're super-dedicated and have always wanted an excuse to pretend that you're in Point Break, you can move into the residential area. Like the Lemoore facility, the surf resort will be used for both competitions and coaching purposes. And if you're wondering why WSL has Queensland on its radar, the reasons are twofold. Firstly, surfing is set to become an Olympic sport at the Tokyo games next year. Secondly, the Sunshine State is contemplating putting in a bid for the 2032 Olympics. Australia already has a few man-made surfing spots for the public in the works, with Urbnsurf Melbourne launching this summer, and a Sydney location due to open next year. An outfit called Surf Lakes has also built a prototype spot at Yeppoon in regional Queensland, but it's only for testing — although the ultimate hope is that commercial versions will follow. WSL Surf Ranch is set to open in Coolum, Sunshine Coast. We'll let you know when exact dates are announced. Images: WSL Surf Ranch in Lemoore, California.
With Brisbane about to head into another lockdown from 6pm on Tuesday, June 29 until the same time on Friday, July 2 — this time encompassing 11 Local Government Areas in southeast Queensland, including both the Sunshine and Gold Coasts — home cooking and takeaway is back on the menu. Fancy the latter more than the former? Spent too much time baking during January and March's similar stint at home? Eager to order in for any reason possible? If you fall into any of the above categories, and you're keen to both support local eateries and keep an eye on your bank balance, Deliveroo is ditching its delivery fees for orders from most restaurants for three days. From 5pm on Tuesday, June 29 until the end of Friday, July 2, the service is doing free delivery from a hefty range of Brissie restaurants. It's also doing the same on the Sunshine Coast, if that's where you're based. Exactly how many eateries will be taking part hasn't been revealed, but expect to have plenty of choices if you're keen to get something delivered without spending a cent. The aim: to encourage folks to help local restaurants during this latest stay-at-home period and, because that's the world we live in, to help stop panic buying at supermarkets as well. Plus, to ensure that all of the eateries involved aren't missing out on revenue or left out of pocket, Deliveroo is footing the bill for the discounted amount, too. If you're suddenly hungry, you'll need to place an order via the Deliveroo app. There are a few caveats, unsurprisingly, with the free delivery deal not extending to bottle KFC or to places listed in the app as 'delivered by restaurant'. You'll also need to spend at least $10 at most eateries, $12 at McDonald's, Subway and Baskin-Robbins, and $15 if you're purchasing from Red Rooster. Deliveroo is doing free delivery across Brisbane and the Sunshine Coast from 5pm on Tuesday, June 29 until the end of Friday, July 2. To make an order, head to the Deliveroo app.
2022 isn't over yet, but it has been filled with a huge array of stellar television and streaming shows so far, including both new and returning series. If you're looking ahead to the new year already, though, HBO has just confirmed your first big small-screen obsession of 2023: the game-to-TV adaptation of The Last of Us. Right now, we all fall into two categories. Firstly, there's the hefty group of people who are already devoted to The Last of Us, the hit video game that's been a button-mashing favourite since 2013 and spawned a sequel in 2020. Then, there's the folks that are about to start obsessing over its new HBO adaptation when it arrives on January 16. Whichever camp you fall into, this is bound to be 2023's first big show — and if you're wondering what you're in for, the initial teaser trailer from September sets a moody, creepy, action-packed scene, as expected of a story that dives into a tense and fraught post-apocalyptic version of the US. For The Last of Us newcomers, here's the premise: 20 years after modern civilisation has been destroyed, survivor Joel is hired to smuggle 14-year-old Ellie out of a tough and oppressive quarantine zone. There wouldn't be a game, let alone a television version, if that was an easy task, of course — and if the pair didn't need to weather quite the brutal journey, as well as a nightmarish quest for survival. So far, so intriguing — and while the debut sneak peek does indeed conjure up memories of The Walking Dead, that just comes with the basic concept. The Naughty Dog-created PlayStation game wouldn't be the huge hit it's proven for almost a decade now if it simply cribbed from that TV show, obviously. As a series, The Last of Us also boasts a heap of impressive names — starting with star Pedro Pascal (The Unbearable Weight of Massive Talent) as Joel, plus Game of Thrones' alum and recent Catherine Called Birdy standout Bella Ramsey as Ellie. Fans of the game will note that Ashley Johnson (Blindspot) and Troy Baker (Young Justice), who voiced the two characters in the source material, will indeed pop up in the HBO show. They'll clearly be playing different characters, however. Also pivotal to HBO's adaptation: co-creator, executive producer, writer and director Craig Mazin, who already brought a dystopian hellscape to the US network (and to everyone's must-watch list) thanks to the haunting and horrifying Chernobyl. He teams up here with Neil Druckmann from Naughty Dog, who also penned and directed The Last of Us games. Alongside Pascal and Ramsey — and Johnson and Baker — the series also boasts Gabriel Luna (Terminator: Dark Fate) as Joel's younger brother and former soldier Tommy, Merle Dandridge (The Flight Attendant) as resistance leader Marlene and Aussie actor Anna Torv (Mindhunter) as smuggler Tess. And, Nico Parker (The Third Day) plays Joel's 14-year old daughter Sarah, Murray Bartlett (The White Lotus) and Nick Offerman (The Resort) feature as isolated survivalists Frank and Bill, Storm Reid (Euphoria) pops up as Boston orphan Riley, and Jeffrey Pierce (Castle Rock) plays quarantine-zone rebel Perry. As seen in the trailer, Yellowjackets' Melanie Lynskey also guest stars. Check out the teaser trailer for The Last of Us below: The Last of Us will start streaming Down Under from Monday, January 16, 2023 — in Australia via Binge and New Zealand via Neon.
How do you fill 18 Victorian winter days with movies? That's the glorious problem that the Melbourne International Film Festival is tasked with solving each year. 2025's solution for its 73rd event will span hundreds of pictures, brand-new local features and must-see international award-winners alike, as MIFF delivers every August. Some examples this time around: Jafar Panahi's Cannes Palme d'Or-winning It Was Just an Accident, almost-100-year-old masterpiece The Passion of Joan of Arc with a new score by Julia Holter performed live, an Australian time-loop comedy involving tequila, a Baker Boy- and Hugh Jackman (Deadpool & Wolverine)-narrated tribute to David Gulpilil, Eternal Sunshine of the Spotless Mind filmmaker Michel Gondry's latest and the world-premiere of natural disaster-focused virtual-reality documentary When the World Came Flooding In. Yes, it's MIFF first glance time, with the festival revealing its initial batch of titles for 2025 — and it's a hefty collection. While there's many more to come, 26 films are now officially on the lineup and set to hit Melbourne's big screens between Thursday, August 7–Sunday, August 24. Some will also play regional Victoria venues across two weekends, Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24. Then there's the return of MIFF Online via the Australian Centre for the Moving Image's streaming platform Cinema 3, sharing selected fest titles with the rest of Australia across Friday, August 15–Sunday, August 31 (and with Melburnians, too, for a week after the physical festival ends for the year). Among the films mentioned above, the combination of Julia Holter and Carl Theodor Dreyer's 1928 silent great The Passion of Joan of Arc is taking over Melbourne Recital Centre for two evenings; One More Shot will get the spirits flowing amid temporal trickery with help from Emily Browning (Class of '07), Apple Cider Vinegar co-stars Aisha Dee and Ashley Zukerman, Sean Keenan (Exposure) and Pallavi Sharda (The Office); Journey Home, David Gulpilil charts the iconic actor's journey to be laid to rest; and Maya, Give Me a Title hails from Gondry. But even from the first-glance batch, they're just the beginning. Also on the bill, for instance: Richard Linklater's (Hit Man) Blue Moon with Ethan Hawke (Leave the World Behind), Margaret Qualley (The Substance) and Andrew Scott (Ripley); Carey Mulligan (Spaceman) in music-fuelled comedy The Ballad of Wallis Island; the Dylan O'Brien (Saturday Night)-led Twinless; and Dreams, with Jessica Chastain (Mothers' Instinct) reuniting with her Memory helmer Michel Franco. "It all starts here — the full MIFF 2025 program is soon to arrive; set to be a world-ranging, celebratory and all-out extraordinary collection of films," said Melbourne International Film Festival Artistic Director Al Cossar, announcing his team's debut picks for this year. "I'm excited to share some of our first announcement of titles, and incredible highlights, of this year's MIFF: beloved auteurs, festival blockbusters, the best of new Australian filmmaking, alongside the incredibly special and absolutely unmissable live-score cinema event Julia Holter: The Passion of Joan of Arc." Similarly on the way to Melbourne: A24's Sorry, Baby starring Naomi Ackie (Mickey 17), Harvest's pairing of actor Caleb Landry Jones (DogMan) and Greek filmmaker Athina Rachel Tsangari (Chevalier), actor Jay Duplass (Dying for Sex) making his solo directorial debut with SXSW Austin favourite The Baltimorons, and The Bear and Beef alum Alex Russell also doing the same with the obsessive Lurker. The 60s-era Bond-style homage Reflections in a Dead Diamond should be at the top of your list as well if you were a fan of Hélène Cattet and Bruno Forzani's Let the Corpses Tan when it played MIFF back in 2018, or Amer and The Strange Colour of Your Body's Tears in general. Or, catch Cloud, with e-commerce in the spotlight in Japanese director Kiyoshi Kurosawa's (Serpent's Path) new thriller. Plus, Marlon Williams: Two Worlds — Ngā Ao E Rua is about its namesake New Zealand musician, while Fwends is set in Melbourne and marks Sophie Somerville's first feature. If you've been paying attention to Sydney Film Festival's 2025 program and you're spotting some familiar pictures, MIFF does indeed share some of the same films, as is the custom each and every year. [caption id="attachment_1002698" align="alignnone" width="1920"] Courtesy of Sundance Institute | photo by Greg Cotten.[/caption] The Victorian capital's annual major film fest boasts its own premiere fund, though, which helps to finance new Australian movies. That's where not only One More Shot but a range of other titles come in, with 2025's haul also spanning the likes of Filipino Australian photographer James J Robinson's debut feature First Light, documentary Not Only Fred Dagg But Also John Clarke about the comedy icon, the competitive Microsoft Excel-centric Spreadsheet Champions and Nigerian stand-up comedian Okey Bakassi in Pasa Faho's window into being African Australian, MIFF's program already goes on from there, and already boasts oh-so-much to get excited about; however for even more, the full 2025 lineup will arrive on Thursday, July 10. [caption id="attachment_997749" align="alignnone" width="1920"] Alistair Heap/Focus Features ©2025 All Rights Reserved[/caption] The 2025 Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, including the full program from Thursday, July 10, visit the MIFF website. Top image: Ben King/Stan.
Great things are in store for those who visit the Queensland Centre of Photography (QCP) this month. From the deeply prolific to the awe-inspiring, the photographers featured at the QCP, including Sonia Payes, Warwick Clarke and Dan McCabe, are absolute masters of their craft. Sonia Payes' works are often dissection's of reality - pieces that combine imagination with traditional imagery and tease out the unreal internal from the external. Her latest collection 'Luminous Interlude' is no different with its poignant themes of rebirth and transformation expressed through hallucinatory images. Warwick Clarke's 'Dargan' is a collection quite different. Photographs of bush that lies between Bell and Lithgow in the Blue Mountains west of Sydney, 'Dargan' is more a collection of sombre relics than photos - within the trees lies a story of industrial influence and activity. Dan McCabe's collection 'Photo Drawings' is quite different again as it questions the inconsistencies and flexibility of our visual perception through individual matte photographs that have been literally drawn on with pencil. The centre will also feature collections from Julian Pearce, Athene Currie, Lynette Letic, Belinda Kochanowska and Katelyn-Jane Dunn - don't miss out.
If you're making the rounds of a trio of superhero- and supervillain-themed bars, do you need a change of outfits Superman-style for each one? Should you conjure up an alter ego to bust out, at least? Start pondering those questions, Brisbanites, because Fortitude Valley's 1st Edition will soon have two sidekicks: the aptly named Harley Quinn and Poison Ivy. As 1st Edition has since 2021, the newcomers will also make California Lane their base, giving this patch of Brisbane its own comic book-themed quarter. Both will sling cocktails and lean into the theming as heartily as a caped crusader does vanquishing world-threatening foes, but they'll each have their own niche. Again hailing from Marc Grey and Chef Steve Maiden, Harley Quinn is the next of the gang to open, welcoming in patrons from Friday, May 24. It'll operate as a bar by night and a cafe by day, with the latter starting trade on Saturday, June 1. When the sun is out, expect tea, coffee, toasties, savoury platters, apple pie muffins and homemade curry pies. When evening hits, the cocktail list named The Multiverse will kick in. While all three bars belong in the same superhero-loving stable, each will pour its own specific signature beverages if you need motivation for a California Lane bar crawl. At Harley Quinn, expect to sip the venue's namesake cocktail, which is made from gun, rosé prosecco and lemon fairy floss. Fittingly, there's also a Puddin spritz, which features vodka, a grapefruit blend, prosecco, rosemary and soda. You'll also choose from a range that also spans Doctor Doom, Mysterio, Infinity Stones, The Riddler and Doctor Strange concoctions at Harley Quinn, so you won't just be thinking about a character played by Margot Robbie (Barbie) in Suicide Squad, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) and The Suicide Squad — and that Lady Gaga (House of Gucci) is taking on in the upcoming Joker: Folie à Deux. Or, there's the Kryptonite!, which includes a lightbulb, plus the lemon- and curd-featuring Flash Meringue. "Harley Quinn promises daytime casual vibes, and an evening filled with handcrafted creations, grazing options and conversation, and we're thrilled to bring this dynamic concept to Fortitude Valley to further enhance the fun but serious cocktail culture we continue to cultivate. It's a small bar, but packs a cheeky punch," says Grey. Poison Ivy, which is being dubbed a 'villain bar', will open Saturday, June 1, splashing around green aplenty (of course) in the space that was previously home to Viva La Cali. And yes, laneway parties will be on the bill when both Harley Quinn and Poison Ivy are up and running. Find Harley Quinn Bar in California Lane at Shop G4, 22 McLachlan Street, Fortitude Valley from Friday, May 24, 2024 — operating its bar from 5.30–9pm Thursday and Sunday, and 5.30pm–late Friday–Saturday from its opening date, and also its cafe from 11am–4pm Tuesday–Sunday from Saturday, June 1. Head to the venue's website for further details.
Always dreamed of a relaxing dip in Iceland's Blue Lagoon? How about bunkering down for the night next to the man-made series of geothermal pools, which happen to be in the middle of a lava field? Soon visitors to one of the Nordic nation's biggest attractions will be able to do just that when the Moss Hotel opens its doors. Expected to launch later in 2017, the luxurious Moss Hotel will feature 62 rooms with floor-to-ceiling windows looking out over its steamy setting, plus terraces allowing quick access into the warm waters, and balconies with views over the volcanic vista. A new subterranean day spa, Lava Cove, will boast a lagoon and waterfall sourced from the same seawater aquifer as the Blue Lagoon, and will be designed to take advantage of other natural aspects such as lava corridors. A viewing deck, a cold air well and the usual massages and other relaxation-inducing services, all with a killer vantage over the scenic surroundings, will also feature. Those keen on eating with quite the backdrop can head to the Moss Restaurant, complete with a wine cellar in centuries-old lava, and a seven-course chef's table experience. Basically, there's plenty of soaking, sleeping, steaming, sipping and eating in or near lagoons created on a bed of lava on the agenda. For anyone that hadn't already added a trip to the top of the globe to their bucket list — and therefore isn't up to speed on all things Blue Lagoon — the site has quite the history. The moss-covered lava flow dates back to 1226, but the mineral-rich pool itself was formed in 1976 as a result of the nearby geothermal power plant. People started having a dip in the silica- and sulphur-laden waters, which became popular for their supposed healing abilities. Come the late '80s and early '90s, the Blue Lagoon was officially established as a public spa and bathing facility. And no, for anyone who loves '80s cinema, or just thought the name sounded familiar, it has nothing to do with the 1980 movie that helped make Brooke Shields famous. Via inhabitat. Images: Blue Lagoon.
It took a mere one episode when House of the Dragon premiered for HBO to sign on for season two of the Game of Thrones prequel. That second season debuts on Monday, June 17, 2024 Down Under, but the US network behind the TV adaptations of George RR Martin's novels just can't wait to go all in on more battling Targaryens, already renewing the show for season three. Yes, Succession may be over, but the fight for the Iron Throne between half-siblings Aegon II (Tom Glynn-Carney, Rogue Heroes) and Rhaenyra (Emma D'Arcy, Mothering Sunday) is sticking around for at least another batch of episodes after 2024's return to Westeros continues the story before the hit fantasy series everyone watched from 2011–19. Both figures want to rule the Seven Kingdoms. Both claim the famous seat as theirs. Both are destined for war: the Targaryen civil war between the green and the black camps known as the Dance of the Dragons. "We are in awe of the dragon-sized effort the entire team has put into the creation of a spectacular season two, with a scope and scale that is only rivalled by its heart. We could not be more thrilled to continue the story of House Targaryen and watch this team burn bright again for season three," said Francesca Orsi, the Executive Vice President of HBO Programming, and Head of HBO Drama Series and Films, about the renewal. There's no details yet on when season three of House of the Dragon will arrive — including if it'll be in winter in Australia and New Zealand, as has proven the case for both season one and two — but this account of flowing long blonde hair, carnage, fire, dragons, conflicting factions and fights for supremacy is nowhere near done yet. When the show's season season premieres, it will arrive two years after the first debuted in 2022. If you haven't yet caught up with the series so far, which is based on Martin's Fire & Blood on the page, it dives into a prior battle for the Iron Throne. Paddy Considine (The Third Day) started the series King Viserys — and it's exactly who should be his heir that sparked all the fuss. The words "succession" and "successor" (and "heir" as well) got bandied around constantly, naturally. Also, Australian actors Milly Alcock and Ryan Corr were among the stars. As this first Game of Thrones spinoff jumps back into House Targaryen's history, the initial season kicked off 172 years before the birth of Daenerys and her whole dragon-flying, nephew-dating, power-seeking story — and gave HBO its largest American audience for any new original series in its history when it debuted. If you're thinking that House of the Dragon is basically a case of new show, same squabbles, as it was easy to foresee it would be, you're right. It's pretty much Game of Thrones with different faces bearing now well-known surnames — and more dragons. Game of Thrones was always going to spark spinoff shows. Indeed, when HBO started thinking about doing a prequel six years ago, before the huge fantasy hit had even finished its run, it was hardly surprising. And, when the US network kept adding ideas to its list — including a Jon Snow-focused series with Kit Harington (Eternals) reprising his famous role, novella series Tales of Dunk and Egg and an animated GoT show, to name just a few prequels and spinoffs that've been considered, but may or may not actually come to fruition — absolutely no one was astonished. So far, just House of the Dragon has hit screens; however, A Knight of the Seven Kingdoms: The Hedge Knight, the Dunk and Egg adaptation, is now due in 2025. Also returning among the cast when House of the Dragon season two hits: Olivia Cooke (Slow Horses) as Alicent Hightower, Matt Smith (Morbius) as Prince Daemon Targaryen, Rhys Ifans (The King's Man) as Ser Otto Hightower, Eve Best (Nurse Jackie) as Rhaenys Targaryen and Steve Toussaint (It's a Sin) as Lord Corlys Velaryon, plus Fabien Frankel (The Serpent), Ewan Mitchell (Saltburn) and Sonoya Mizuno (Civil War). HBO is also adding new faces to the mix, with Clinton Liberty (This Is Christmas) as Addam of Hull, Jamie Kenna (Gran Turismo: Based on a True Story) as Ser Alfred Broome, Kieran Bew (Warrior) as Hugh, Tom Bennett (Black Ops) as Ulf, Tom Taylor (Love at First Sight) as Lord Cregan Stark and Vincent Regan (One Piece) as Ser Rickard Thorne. They join Abubakar Salim (Napoleon) as Alyn of Hull, Gayle Rankin (Perry Mason) as Alys Rivers, Freddie Fox (The Great) as Ser Gwayne Hightower and Simon Russell Beale (Thor: Love and Thunder) as Ser Simon Strong among the season two newcomers. Check out the full trailer for House of the Dragon season two below: House of the Dragon streams Down Under via Foxtel and Binge in Australia, and SoHo, Sky Go and Neon in New Zealand, with season two arriving on Monday, June 17, 2024. Season three doesn't yet have a release date. Read our review of season one. Images: HBO.
In 2020, the pandemic forced international sport come to a halt for months, Australian football seasons to be played in condensed blocks and the AFL Grand Final to be held in Brisbane for the first time ever. In 2021 so far, it has also seen parts of the Australian Open played without spectators. Now, COVID-19 is affecting the Aussie leg of this year's World Surf League Championship Tour, too, with the WSL announcing that it's making some big changes to its upcoming stint Down Under. Usually, WSL's annual Australian events include high profile stops in Bells Beach and on the Gold Coast, but they've both been cancelled in 2021. Instead the sporting body will head to New South Wales, and over to Western Australia for two events as well. From April 1–11, the Rip Curl Cup will take over Newcastle's beaches, while the Rip Curl Classic will hit Narrabeen in Sydney's northern beaches from April 16–26. Then, Margaret River will become the centre of the surfing world from May 2–12, before the tour will head over to Rottnest Island from May 16–26. Announcing the change, WSL advised that it would concentrate on NSW and WA this year "following approvals for pre-approved quarantine bubbles" for surfers and staff. In a statement, it explained that it "could not achieve these bubbles in Victoria and Queensland in the short amount of time it needed to do so". https://twitter.com/wsl/status/1361449251172061185 Victorian surf fans — and anyone who has memorised the final Bells Beach-set scene from Point Break — can rest assured that WSL will be returning to town from 2022. Earlier this month, it announced that it had signed a deal for a three-year stint in the Surf Coast Shire until 2024. Regarding the Gold Coast event, its future hasn't been revealed; however, WSL advised that the decision to "cancel this event was based on the genuine possibility of multiple risks attached to sudden public health measures in reaction to COVID-19 such as lockdowns, state border restrictions and event cancellations". Under an agreement with the NSW Government, international competitors heading Down Under for the Australian leg of the 2021 World Surf League Championship Tour will board a chartered flight in Los Angeles that'll fly to Sydney, which is where all traveling athletes and support staff will then undergo 14 days of hotel quarantine. They'll also need to obtain a medical clearance from public health officials before they can enter the general community and start preparing for competition events. The Australian leg of the 2021 World Surf League Championship Tour will head to Newcastle and Narrabeen, plus Margaret River and Rottnest Island in Western Australia, between April 1–May 26. For further details, head to the World Surf League website.
As fans of whodunnits on the page, stage and screen know, anything can and often does go wrong in sleuthing tales. Usually, however, the antics remain in the story. That's not the case in The Play That Goes Wrong, as its title indicates — and as theatre audiences have enjoyed for over a decade, watching what happens when The Cornley Polytechnic Drama Society endeavours to put on a murder-mystery, then chaos ensues. When the production premiered in 2012 in London, it not only proved a hit but won Best New Comedy at the Laurence Olivier Awards. It's also still treading the boards in the UK, making it West End's current longest-running comedy. For its first Broadway season, it also nabbed a Tony Award for Best Scenic Design of a Play. The Play That Goes Wrong has made its way Down Under before, too, but audiences will have another chance to catch it locally when it tours Australia again in 2025. HOTA, Home of the Arts is hosting the show's Gold Coast stop — so, the closest to Brisbane — from Wednesday, August 6–Sunday, August 10. The plot: when The Cornley Polytechnic Drama Society give the whodunnit genre a spin, telling the tale of a murder at a country manor and the quest to find the perpetrator, making it through the show becomes an accident-filled challenge. Since its debut over a decade ago, The Play That Goes Wrong has been seen by more than 4.2-million people worldwide — in 49 countries — and given 3500-plus performances at West End's Duchess Theatre alone. Another tidbit: also in West End, members of The Drama Society have been hit more than 125,545 times, sometimes by objects and sometimes by each other. Images: original West End cast, Robert Day.
With the weather finally starting to warm up, it's the perfect time to embrace seafood, preferably teamed with sunshine, good friends, alcohol and stuffing yourself to the point where a siesta is mandatory. It's also the beginning of the 2013 oyster season, and to celebrate, South Bank Surf Club have joined up with resident oyster farmer Wade McFadgen to host an all-you-can-eat oyster event on Saturday, September 14. They'll be serving up a smorgasbord of fresh Moreton Bay rock oysters, both natural and cooked, with a range of condiments, antipasto, sourdough and chips to go with them. The $75 ticket price covers a drink on arrival, and there'll be discounted Jansz Sparkling, Chaffey Brothers Riesling or Hills Cider on offer too. Live entertainment comes in the form of a shucking demonstration and a performance from Australian singer/songwriter Brant Ward, as well as a major prize for whoever can eat the most oysters on the day. The main event runs from noon to 2.30pm, but the drinks and the music will continue into the afternoon. For bookings contact events@southbanksurfclub.com.au or call South Bank Surf Club on (07) 3844 7301.
Sometimes, we're all looking onwards, upwards and forwards because we're thinking about the future. Given how normality as everyone knows it has changed and evolved rapidly over the past couple of years, that's hardly surprising. But don't forget to look up literally, too — especially when must-see sights keep gracing the night sky. When it comes to vibrant astronomical visions, this is the latest in the space of a few short weeks, after the Lyrids meteor shower lit up the night back in April. Every autumn, the Eta Aquarids meteor shower sets the sky ablaze, too — and it's that time now. This year, the shower will be at its most spectacular early on Saturday, May 7 — very early, in fact. If you're eager to catch a glimpse, even from just your backyard or balcony, here's how. WHAT IS IT The Eta Aquarids might not be as famous as Halley's Comet, but the shower is actually a distant relation — because the bits and pieces you see flying around were on Halley's path a really, really long time ago. And, rather than only being visible every 76 years (the next Halley's Comet sighting is in 2061), the Eta Aquarids come around every year, usually between April 19–May 28 every year. The shower's name comes from the star from which they appear to come Eta Aquarii, which is part of the Aquarius constellation. So, that's what you'll be looking for in the sky. Luckily, being in the southern hemisphere, we get some of the best views in the world. On average, you can see up to 20–40 meteors per hour. [caption id="attachment_769233" align="alignnone" width="1920"] Via Wikimedia Commons[/caption] WHEN TO SEE IT The shower will reach a peak in the early morning of Saturday, May 7, but will still be able to be seen for a few days on either side. The best time to catch an eyeful is just before dawn after the moon has set, so around 4am — but between 2am–6am is also recommended. At that time, you'll be in the running to see as many as 50 meteors every 60 minutes. Each will be moving at about 225,000 kilometres per hour, shining extraordinarily brightly and leaving a long wake. The shower's cause is, essentially, the Earth getting in the comet's way, causing stardust to fry up in the atmosphere. HOW TO SEE IT Usually, when a meteor shower lights up the sky, we'd tell city-dwellers to get as far away from light pollution as possible to get the best view. If you can't venture out of town at the moment, you can still take a gander from your backyard or balcony. To help locate the shower, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also has a table that shows the direction and altitude of the Eta Aquarids. It has been updating this daily. The weather might get in the way of your viewing, though, depending on where you live. Melbourne is set for showers until next Monday, and Adelaide is as well until Saturday — fingers crossed that the wet weather takes a break during the early hours. It's also forecast to be wet in Brisbane until Friday, so here's hoping that any rain doesn't hang around till Saturday. In Sydney and Perth, however, sunny conditions await.
When Netflix officially launched on our shores back in 2015, three things happened. First, everyone without a VPN rejoiced. Next, anyone already familiar with their US offering couldn't help noticing that the Aussie catalogue was considerably smaller. Finally, while the streaming service was eager to sign up Australian customers, it didn't show any signs of putting those subscription fees towards making local content. It might've taken two years, but they're finally addressing the latter issue. Behold, Netflix's first original Aussie series. Due to be made in Queensland in 2018, and presumably providing fuel for late 2018 binge-watch sessions, Tidelands is a supernatural crime drama series about a fishing village with strange inhabitants: a group of dangerous half-Sirens, half-humans called 'Tidelanders'. Ten episodes, each running for 50 minutes, will be made, with Brisbane's Hoodlum Entertainment doing the honours. And Tidelands won't just gift Australian users with a new favourite series, with the show set to land in all 190 countries that Netflix is available in. Thinking you've seen plenty of Aussie stuff on Netflix already? You're not wrong, however, there's a difference between throwing old sitcoms and standup specials into a range inexplicably overflowing with new Adam Sandler movies, and actually funding brand new Australian material. Last year, it was announced that they'd join forces with the ABC to co-produce a second season of Glitch, which showed them dipping a toe in the water — but now they're completely diving in. Tidelands will join the platform's hefty stable of original series, which started back in 2013 with House of Cards, and just keeps growing (Orange Is the New Black, The Get Down, The OA, Wet Hot American Summer, Master of None, Unbreakable Kimmy Schmidt, Dear White People, BoJack Horseman, four Marvel series with one more to come — the list goes on). Given the premise, here's hoping it'll be the next Stranger Things, and not the new Hemlock Grove.
It's that time of year, somehow. Christmas is almost here, summer has officially started and you're probably thinking about your 2021 shenanigans. While jetting overseas still isn't an option for Australians at the moment, you can make plans to roam around much of this country we all come home now that borders are reopening — and, if you'd like to head over to South Australia in the new year, its government wants to give you an extra incentive. As part of the returning Great State Vouchers scheme — which first ran in October this year — the SA Government is giving away $50 and $100 vouchers to use at hotels in the state between Thursday, January 7–Wednesday, March 31, 2021. The amount of the voucher varies depending on where you're planning on staying, with $50 vouchers on offer for regional and suburban accommodation, and $100 vouchers available to use for Adelaide CBD and North Adelaide stays. During the first round of vouchers, more than 50,000 where snapped up in just over an hour — but they were only available to South Australian residents. This time around, with more than $2 million worth of vouchers available, the scheme is open to interstate folks as well. And, in another expansion, they can be redeemed over a longer booking period, and can also be used at accommodation places with five or more rooms (up from ten or more last time). That means that you'll be able to choose between hundreds of places to stay — with more than 800 accommodation providers eligible to participate. To take part, you'll need to download a voucher from the scheme's website on Tuesday, January 5, then make your booking between Thursday, January 7–Sunday, January 31. There are a few caveats, unsurprisingly. The vouchers don't cover Saturday nights and, to try to nab one, you'll have to log on to the voucher website and prove your identification via your driver's license or proof of age card. Border-wise, SA currently doesn't require interstate visitors to quarantine, after opening its borders to Victoria on Tuesday, December 1. But some states do currently have restrictions in place for anyone who has travelled to South Australia, or parts of it (such as Queensland, Western Australia and Tasmania) — or require permits (Victoria) to enter if you've been in SA. So, it's best to keep an eye on your state's requirements when you're trying to score a voucher and then making a hotel booking. For further details about South Australia's Great State Vouchers scheme — or to nab one on Tuesday, January 5 — head to its website.
If sitting down for a beverage, asking the bartender to whip you up something special and getting a drink tailor-made to your niche, niche tastes sounds like your idea of boozy heaven, then prepare to become a regular at The Stuffed Badger. Opening in Bowen Hills on April 11, the new tapas bar is all about crafting alcoholic concoctions to suit each and every customer. Don't even try to peruse a cocktail list — you won't find one. The venture from experienced hospitality trio Terry Tai, Thomas Marshall and Peter Clark has been five years in the making, and it aims to convey that passion in its food and drink selection. A small, carefully picked range of wines from France, Italy, Spain, Australia, New Zealand and the US is also on offer, but snacking on Spanish-influenced, locally-sourced dishes is the main attraction. Drawing upon his experience in England and his previous role at an Italian restaurant in Brisbane, Clark's menu will change seasonally. Expect the likes of beetroot-cured salmon and four-cheese and serrano arancini, with all dishes under $16. It wouldn't be an Aussie tapas joint without breads, dips and charcuterie boards, of course, while dessert offerings include dark chocolate and beetroot brownies, cheese and chutneys, and red fruits with vanilla anglaise and black pepper honeycomb. Find The Stuffed Badger at Shop 1, 9-11 Bowen Bridge Road, Bowen Hills from April 11. For more information, head to their website and Facebook page.
First, it was a popular 80s comedy starring Dolly Parton, Jane Fonda and Lily Tomlin. Then, it became a five-season television sitcom led by Parton's real-life younger sister. In 2009, 9 to 5 made the leap to the stage too, because you just can't stop a good story about female empowerment in the workplace. Revived in the West End earlier this year, it's still a huge hit — and now the latest version of the production is coming to Sydney. Just by reading the show's title, we know that you already have Parton's catchy song of the same name stuck in your head. Pour yourself a cup of ambition, because that tune isn't going away anytime soon. Indeed, you'd best get ready to exclaim "what a way to make a living" more than once when 9 to 5 The Musical plays its Australian premiere season, with its local run playing the the Sydney Lyric Theatre from April 21, 2020. Ahead of its time when it first reached cinemas, this tale of three women who take on their sexist, egotistical and all-round despicable male boss is obviously still highly relevant today. Before #TimesUp and #MeToo, workmates Doralee, Violet and Judy decided to turn the tables by kidnapping their supervisor and reforming their office. Expect the same story in 9 to 5 The Musical, as penned by the original film's screenwriter Patricia Resnick, just with more songs. With Parton herself writing the score — and earning Tony and Grammy nominations for her efforts — expect plenty of feel-good music as well. Although she doesn't appear on stage, the famous country star is still involved with the show, and with bringing it to Australia. While the show will premiere in Sydney, it's possible it'll head to other cities around the country after — cross your fingers and we'll let you know if more dates and locations are announced. While you're still singing 9 to 5 to yourself, check out Parton's announcement video below: https://www.youtube.com/watch?v=-eLfds3BNk8 9 to 5 The Musical will hit Sydney Lyric Theatre at The Star from April 21, 2020, with tickets on sale from 4pm on Friday, September 13. For more information, or to join the ticket waitlist, visit the musical's website.
UPDATE, September 1, 2020: Fighting with My Family is available to stream via Stan, Foxtel Now, Google Play and iTunes. A word to the wise: should you find yourself watching wrestling with the Bevis family, don't go claiming that their favourite sport isn't real. While the in-ring entertainment is staged, its narratives are scripted and its rivalries areas fabricated as any soap opera, the difference between fixing matches and faking them is as hefty as The Rock's hulking biceps. The same sentiment rings true in Fighting with My Family, in a fashion. Playing producer as well as appearing as himself, Dwayne Johnson ushers this British tale onto the screen with a clear awareness of its tropes and cliches, which anyone who's ever seen a rousing sports drama or underdog movie will spot. But the former WWE pro also knows that a fantastic story can make a mark even when it's swinging every expected blow — and in terms of emotional impact, Fighting with My Family packs a mighty punch. The driving force behind Norwich's World Association of Wrestling, the Bevis crew first came to broader attention in the 2012 documentary The Wrestlers: Fighting with My Family. It's easy to see why they've now inspired not just a TV doco, but a dramatised film that shares most of its predecessor's moniker. Patriarch Patrick Bevis (Nick Frost) turned to the spandex as a respite from a life of crime, then founded his own wrestling organisation with his wife Julia (Lena Headey). Better known as Rowdy Ricky Knight and Sweet Saraya in the ring, the two were soon bringing their kids in on the action, including a daughter named after Julia's stage persona. When the big leagues came calling for the younger generation in 2011, Saraya (Florence Pugh) and her brother Zak (Jack Lowden) couldn't get to their audition fast enough. While the above details could've filled a movie by themselves, here they're just the starting point. The jump from scrapping around England's east to earning fame and fortune doesn't come without ample hard work — and many doubts. Training montages rumble across the screen, but so does plenty of contemplation, with Fighting with My Family never shying away from the difficulties of trying to make it in wrestling. Some members of the Bevis clan are forced to realise that dreams don't always come true. Some learn to stop living vicariously through others. Thrust out of her comfort zone and struggling with her sense of identity, Saraya discovers the challenges and costs of even trying to take the next step. Indeed, Fighting with My Family might champion a broader focus in its title, but this is Saraya's show. Or Paige's, as she's been known to her adoring WWE fans since 2012. The film correctly notes that she took her new name from her favourite childhood TV show, Charmed, and it's that kind of earnestness that helps transform a straightforward tale into a resounding crowd-pleaser. Devotees and newcomers alike will know where the movie is going, however this feel-good comedy charts its path with genuine affection for its characters, their chosen pastime and the quirks of each. It immerses viewers in the wild, weird and wonderful world of wrestling, embraces the sport's theatricality and pageantry, and never serves up an ounce of judgement. As a result, the film deserves every laugh and fist pump that it inspires. Of course, it's easy to go along with the movie's flow when there are such engaging figures at its centre. The picture's pitch-perfect tone feels like an extension of its central motley crew, who love everything about wrestling even when the sport is kicking their arses. Segueing from an initially reluctant fighter to one of the field's female superstars, Pugh puts in a powerhouse performance as Paige, switching the scheming steeliness of 2016's Lady MacBeth for a completely different type of fierceness and fortitude. Credit should also go Lowden, Frost and Headey's way, all playing multifaceted characters who could've devolved into caricatures in other hands. As the no-nonsense WWE scout with dominion over the family's hopes and dreams, Vince Vaughn similarly leaves an imprint among Fighting with My Family's impressive cast. As for The Rock, he cameos as his usual likeable self — the kind of tough but tender guy viewers have basically welcomed into their families for decades now, and that the Bevis' mob incredulously yet excitedly welcomes into theirs. Like his former profession, his well-cultivated persona shares much in common with this flick: big-hearted, sturdy, sincere, relatable and relentlessly charming. Stylistically, the film earns comparable terms, with writer-director Stephen Merchant rarely dazzling with his visuals, but crafting a delight of a movie nevertheless. And yes, it's the same Merchant who's best known for palling around on-screen and off with Ricky Gervais. Devoid of snark or awkwardness, the sweat, stress, tears and cheers of this wrestling comedy suit him nicely. https://www.youtube.com/watch?v=MFew9cpWijc
With its iconic steps sequence and distinctive use of montage, 1925 Soviet-made movie Battleship Potemkin changed the way the world thought about film. Making enduring efforts such as Solaris and Stalker, Russian director Andrei Tarkovsky also achieved the same feat during the '60s and '70s. And in 2003, roaming historical drama Russian Ark did too courtesy of a single 96-minute take. Yep, this was more than a decade before Birdman tried something similar. They're just some of the highlights of Russian film history, and there's more where they came from. In fact, that's the domain of the Russian Resurrection Film Festival, which brings future classics and beloved greats alike to Australian cinema screens for an annual celebration of Russian movie making. In its thirteenth year, the fest has curated a collection of twenty efforts that showcase just what makes the country's film output so stellar. Whether you're keen on diving into a duelling epic, going swashbuckling with a beloved animated pirate, or catching a glimpse of uncompleted relics from the past, you'll find plenty to watch here — plus our five must-see picks, of course. FLIGHT CREW Flight Crew falls into the disaster film genre — on account of its content, not its quality or performance. In fact, it's the number one movie at the Russian box office this year, as well as one of the top six of all time. Audiences sure do love watching efforts about earthquakes, volcanoes and trouble on planes, after all, and this one has all three. It's actually a remake of a 1979 Russian blockbuster disaster movie of the same name, because constantly rehashing the past isn't limited to English-language flicks, but boy oh boy does it sound entertaining. THE STUDENT Not every film is going to appeal to every member of the audience, but most people can recognise ambition when they see it. And that's the case with The Student, which some viewers will love and others won't — but honestly, it's genuinely hard to not be enthralled by director Kirill Serebrennikov's visual, thematic and storytelling confidence. Adapting a controversial play, he tells the tale of a teenager who starts questioning everything from his classmates swimming costumes to his biology teacher's lessons as he becomes more and more immersed in religion. The end result certainly got Cannes talking, and it's completely different to any other high school-set film you're likely to come across. ICEBREAKER You can probably count on one hand the number of movies you've seen about a ship striking an iceberg. Actually, to be precise, you can probably count it on one finger. Without a floppy-haired Leo in sight (or Celine Dion's warbling in earshot), Icebreaker might just join the fold as it recounts the real-life exploits surrounding a boat in 1985. Or, it might skirt the obvious and plunge into other polar catastrophes. You'll have to watch to find out, however, the film is made by the same folks behind train-based disaster flick Metro from 2013. That effort was cheesy and cliched, sure, but isn't that what disaster flicks are meant to be? MOSCOW NEVER SLEEPS An Irish filmmaker heads to Moscow with Moscow Never Sleeps — though that's the story behind the movie, rather than the movie itself. In his second Russian-made feature, writer/director Johnny O'Reilly dives into the nation's capital through the antics of five different people going about their daily lives over a 24-hour period. Yep, just about everywhere you can think of boasts a film like this (or a few), but there's a reason that they keep popping up. How better to get a glimpse into the reality of another city and country than through overlapping, intertwined narratives? ALEXANDER NEVSKY A word of warning: this historical drama clocks in at over three hours. But, unlike most lengthy efforts you see at the cinemas these days, there's not a superhero, hobbit or transforming car on screen. Instead, Alexander Nevsky hails from 1938, marks the first sound film directed by Battleship Potemkin's Sergei Eisenstein, is based on a real Russian prince, and has been named among the best movies ever made. As far as really getting a glimpse of the full scope of Russian filmmaking is concerned, there's nothing in the program like it. The Russian Resurrection Film Festival tours the country from October 27, screening at Sydney's Event Cinemas George Street Sydney and Event Cinemas Burwood from October 27 to November 5, Brisbane's Event Cinemas Myer Centre from November 2 to 9, and Melbourne's Australian Centre for the Moving Image from November 10 to 16. For more information, visit the festival website.
