ANZAC Day is upon us for 2020; however with the usual parades and dawn services cancelled and downscaled due to COVID-19 restrictions, this year's commemorations are looking considerably different than usual. Given that pubs, bars and RSLs are closed across the country thanks to social-distancing requirements, the great Aussie tradition that is two-up has also been affected — but, like most aspects of normal life at the moment, the game has moved online. At 2up 2.0, you can yell "come in spinner" while you're playing along virtually (and while drinking brews and eating ANZAC biscuits, too, if that's part of your April 25 routine). As you're watching digital coins flip, you'll also be helping a very worthy cause, with 100-percent of the site's proceeds being donated to Wounded Warriors to help support Australian servicemen and women and their families. To play, all you need to do is head to the site — and, while purchasing virtual coins in order to make a donation to diggers is obviously encouraged, you'll receive 100 free virtual dollars just for signing up. Prizes are on offer from Rocks Brewing Co, while a leaderboard keeps track of how everyone is faring. And remember that you'll only be able to play along today, Saturday, April 25, as that's the only day each year that two-up is legal to play in most places in Australia. To play 2up 2.0 and donate to Wounded Warriors, visit the game's website.
If you've ever stopped by Doughcraft in Albion, where it slings pistachio praline croissants, truffle danishes, lemon meringue croissant tarts, chocolate and raspberry brioche, Vegemite sticks and more, and wished that you could add a cocktail over charcuterie to your visit, the bakery chain has you covered at its CBD outpost. Since early 2024, the European-style venture is indeed a chain now, with its second location open in Mary Street. Its second eatery is a panini-and-vino kind of place, too. Doughcraft initially opened its debut location in 2022, joining Craft'd Grounds' inner-north dining precinct. Because there's no such thing as too much of its pastries and bread, hitting Brisbane's inner city has followed. The menu is different. This venue isn't just a bakery and deli, but a wine bar as well. And while it only operates on weekdays, it stays open till 7pm from Thursday–Friday for after-work sips. Whether you sit by the window overlooking the street for a stint of people-watching, or you choose to get comfortable beneath the interior art — murals that take their cues from Keith Haring, plus a framed gallery that features pieces by Brisbane artists, with the work showcased set to rotate — you can feast your way through Doughcraft's French- and Italian-leaning bites. If you'll follow Doughcraft's croissants anywhere, the same delights made with Normandy butter remain one of the venue's pride and joys. Expect to be tempted, by the croissants and other pastries. A wall of baked goods accompanies the counter, for snacking while you're settling in and for taking some sourdough home with you alike. The all-day panini range features seven options, including a classic ham, cheese and mustard combination — and the vegetarian-friendly eggplant, artichoke, capsicum and feta. From the selection of boards, meat-only, cheese-only, a mix of of both, and olive and bread varieties are available, or you can make your own vegetarian or vegan styles. Beverage-wise, morning patrons can begin with coffee. If you're after a cocktail, they're only on offer from 3pm Thursday–Friday. Three types of sparkling, five rosés, seven whites and nine red wines are on the vino list — plus a port — with some by the glass and others by the bottle. And those cocktails include three types of negroni, a trio of spritzes, a margarita, a mojito and a cosmopolitan.
There is a particular type of holiday-goer who makes decisions based on very specific details about the accommodation they intend to stay in. For some (more than you might think), that detail is an al fresco bath tub. Such a detail is one of many winning qualities of The Gully, one of four charming stays on the property of Budgee Budgee Farm located a 15 minute drive outside the centre of Mudgee in central west New South Wales. The Gully is an appealing one bedroom cottage nestled among the trees. The oeuvre of the lodgings is accessible antique charm — deep Prussian blue walls complement the timber floorboards and antique furnishings, vintage light fixtures and framed botanical illustrations on the walls. An antique bed frame of the cushy queen mattress is updated with fresh sheets, plump pillows and cosy throws. The cooler months are when the Mudgee is particularly compelling — when wine tastings, fireplaces and extended long weekends are all de rigueur. And The Gully is a mere ten minute's drive away from some of the best local vineyards, breweries and dining spots in the region. With that said, it's the onsite options that give this accommodation its allure. Case in point: the claw foot bath perched amid the trees on a platform, positioned specifically so bathers can take in a view of the dam and property while soaking. [caption id="attachment_904553" align="alignnone" width="1920"] The al fresco tub surrounded by bush forest.[/caption] There is also an indoor bathroom with shower, a fully stocked kitchen complete with a stove, crockery and a Nespresso machine. There's also an indoor wood-burning fireplace and an outdoor fire pit, ensuring your every move is kept flame-y and warm so long as you need the assistance of heat and atmosphere. Getting the different accommodations of Budgee Budgee Farm ready for guests was a labor of love and passion project for the group behind the property which includes the team behind Sydney-based design studio Worktones plus partners and friends. The result is as tastefully considered as you might anticipate. You can book The Gully at Budgee Budgee Farm on Airbnb. Image credit: Amber Creative Now you can book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations everywhere.
Get away from it all at South Gorge Beach. This secret slice of island paradise is a full day trip (or overnight stay), but it's worth it. Catch a ferry from Cleveland to North Stradbroke, then head to the little seaside town of Point Lookout. South Gorge beach is tucked away like a precious jewel beside the bigger Main Beach. Your reward for the long journey? Pristine blue waters that are yours for the swimming. The astonishing, unspoiled view doesn't hurt either. These are the glorious white sand beaches Queensland is famous for. When you've had your fun, you can hit the walking tracks for some sweeping coastline vistas, take advantage of numerous beautiful picnic spots or just hit the Surf Life Saving Club for a drink. Image: Tourism and Events Queensland
How many ways can Melbourne go dotty for Yayoi Kusama? Everyone is about to find out. The National Gallery of Victoria's big summer 2024–25 exhibition is dedicated to the Japanese artist, complete with a five-metre-tall dot-covered Dancing Pumpkin sculpture in NGV International's Federation Court, plus a world record-breaking number of infinity rooms and other immersive installations, many featuring spots. There'll be polka dots inside and out around the venue, including on the plane trees on St Kilda Road. On Wednesday, November 27, 2024 — in the lead up to the exhibition's run from Sunday, December 15, 2024–Monday, April 21, 2025 — the NGV has unveiled the beginnings of Kusama's latest artwork. A version of Ascension of Polka Dots on the Trees is being staged in Melbourne, with more than 60 trees outside the gallery having their trunks covered in pink-and-white polka-dotted material. The first row has been completed, which anyone in the vicinity can now check out — and by early in the week commencing Monday, December 2, 2024, all four lanes of St Kilda Road in front of the NGV will be brightly wrapped. With over 180 works set to feature, in what'll be the largest Kusama retrospective that Australia has ever seen — as well as one of the most-comprehensive retrospectives devoted to the artist to be staged globally, not to mention the closest that you'll get to experiencing her Tokyo museum without leaving the country — stepping foot inside the NGV will still be mandatory for art lovers. But Kusama is also livening up the road for everyone to enjoy all day and all night long. In the past, including when Ascension of Polka Dots on the Trees debuted at the Kirishima Open Air Museum in Japan in 2002, a red-and-white colour scheme has been used; however, Melbourne has scored its own bold-pink iteration. Ascension of Polka Dots on the Trees is obviously free to view, joining several other artworks that won't cost anyone a cent to see during the exhibition. The aforementioned Dancing Pumpkin is already on display. NGV International's glass waterwall is also going pink, but with black rather than white dots. Kusama's new version of Narcissus Garden, which dates back to 1966 and will feature 1400 30-centimetre-diameter silver balls this time around, is set sit in front of the waterwall and in parts of Federation Court. Plus, the yellow-and-black spheres of Dots Obsession will hang over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Overall, Yayoi Kusama will step through the 95-year-old artist's eight decades of making art via a thematic chronology. Some pieces hail from her childhood. Some are recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they'll all appear. [caption id="attachment_950480" align="alignnone" width="1920"] Yayoi Kusama, 2022 © YAYOI KUSAMA[/caption] Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne from Sunday, December 15, 2024–Monday, April 21, 2025. Head to the NGV website for more details and tickets. Images: Yayoi Kusama's Ascension of Polka Dots on the Trees, 2002/2024, on display along St Kilda Road, Melbourne for the National Gallery of Victoria's Yayoi Kusama exhibition until 21 April 2025. © YAYOI KUSAMA. Photo: Tobias Titz.
A beach has long sat at the end of Morningside's Colmslie Road. For the past few years, so has Brisbane's newest riverside precinct — and it's about to get bigger. Sprawling across 30 hectares by the water in the River City's inner east, Rivermakers is already home to Revel Brewing Co, Mas & Miek's ceramic workshop and Bavay Distillery. Next comes The Hills of Rivermakers, which is weaving around the site's existing venues to turn the location into a new dining and entertainment precinct. In a year that's already seen Potentia Solutions Leisure open Claw BBQ & Grill, the second of its crab shack eateries, on this side of town at Carindale, the hospitality company that's also behind rooftop bars Lina and Soko, tequileria Carmen and Azteca at Queen's Wharf is now launching its most-ambitious project yet. On Wednesday, December 11, 2024, Brisbanites will be able to head to The Hills, where spots to eat and drink will sit alongside a range of things to do. There'll be an urban winery, for instance, as well as an openair cinema. Rivermakers' Heritage Quarter is at the centre of The Hills — a place with history, given that the restored building dates back to 1910, was once the Commonwealth Acetate of Lime Factory and also operated as an armament factory in World War I. Across its lengthy past, this patch of Brisbane hasn't ever been a hub with different culinary zones, however, accompanied by river views. The urban winery will give locally crafted vino some love, pairing drops with charcuterie boards and cheese platters. You'll be able to sit either indoors in the lounge or out under the stars. Fancy a slice instead? The Hills will also feature a pizzeria lab, heroing seasonal ingredients and getting patrons dining on tables and chairs on the grass. Fish and chips will be on the menu at the seafood market, spanning oysters, prawns, calamari and more, while the gelato factory will be on hand to cover dessert. From breakfast through till dinner, the bakery and cafe will welcome in customers. For a coffee fix, The Hills will boast its own roastery. For a beer over pub food, The Roadhouse is your destination. Food- and drink-wise, the list doesn't stop there, but not everything is launching upon opening. Serving up meats, dairy and produce, The Providore will join the site in 2025. Outdoor movies will grace The Hills' cinema screen, where film lovers can sit on bean bags, picnic blankets or on the lawn, and pair their viewing with bites from the onsite eateries. Or, to get up close with animals, head to the pop-up petting zoo featuring alpacas, rabbits, chickens, ducks, goats, guinea pigs, pigs and sheep. For those keen to throw their own celebration, a 400-person events hall is available to book, as is the more-intimate Events Engineers Hut. The openair cinema, lawn and picnic area, and petting zoo can each be reserved as well. The Hills is also planning to deck out the place with seasonal theming, starting — of course — with festive fun across Tuesday, December 17–Monday, December 23. Find The Hills of Rivermakers at 82 Colmslie Road, Morningside from Wednesday, December 11, 2024. Head to the precinct's website for further details.
Brisbane isn't a seaside city, but it knows how do seafood well. From fine-diners to neighbourhood fish 'n' chipperies, finding a top-notch serving of the ocean's finest isn't hard around town. Add New Farm Seafood to the list of eateries plating up fish, prawns, bugs, oysters, calamari, Japanese sea scallops, mussels and more — to dine in, for takeaway and also to cook at home from its market. Open six days a week, this Merthyr Village spot does double duty as a seafood-focused diner and a spot to pick up fresh catches. Whichever you choose, you'll be getting something sourced from Australian and New Zealand waters by owner Michael Hatzifotis. The eatery's fish is line-caught, while its market is stocked with wares fresh from the trawler. Both for eating on the premises while sitting in the venue's outdoor seating and taking cooked dishes home, options include oysters with rosemary and lemon granita, fish croquettes with saffron aioli, lemon pepper calamari, bug rolls, focaccia baked in-house with taramasalata, caviar and blinis, and fish burgers. The menu also spans a few meals that you can only enjoy if you're dining in, such as the aforementioned Japanese sea scallops (which come with cauliflower cream, macadamia and basil oil), one-kilogram servings of mussels (steamed, and paired with chilli, tomato, feta and garlic) and whole baked fish. Packs and platters are also on offer, such as takeaway-only family and one-person feasts, plus both cooked and fresh platters that come stacked with seafood. Opt for your choice of cod, snapper of flathead crumbed or battered in tempura, and it comes paired with fries. Go with grilled barramundi, ocean trout or blue-eye trevalla instead, and you'll get fennel puree and orange salad as sides. You can also select from non-seafood dishes, some of which reflect Hatzifotis' Greek heritage — which is where the one-kilogram Greek lamb shoulder, Greek beef hamburgers and traditional Greek salad comes in. Among the other choices: rib fillet steak on the bone with onion rings and salsa verde, and creme brûlée for dessert. And to drink? The beverage list features a small lineup of sparkling, rosé, red and white wines, plus beers. Feel like going all out? This is also the kind of place that pours Cristal for $490 a bottle if you're particularly flush with cash. Among the takeaway range, you'll also find heat-and-eat meals and items to stock your pantry, including marinades, sauces and stocks.
Italian Riviera-loving restaurant Bar Gusto is the latest addition to Rydges Fortitude Valley. The 190-seater gives pizza and pasta pride of place on the menu, and puts one of the King Street precinct's fig trees at the heart of its outdoor space. Dine outdoors on the terrace here — or drop in for an al fresco drink — and being surrounded by greenery is part of the package. Bar Gusto's deck has been built around the century-old tree, in fact. Indoors, the fitout heroes walnut panelling with antique brass. The vibe that the joint is aiming for: laidback but timeless. In a place that seats 150 in its main areas, plus 40 in its private dining room, executive Chef Francesco Trucco leads the kitchen — whipping up a menu that goes big on tradition, with family recipes steering his dishes. Cooked in a Valoriani Vesuvio Igloo pizza oven, the restaurant's slices come in eight varieties, including sausage and taleggio; pancetta atop carbonara paste; a mushroom and ham number made with truffle paste; and a combination of Mooloolaba tiger prawns, caviar and crab meat. If you prefer pasta, black squid linguine is the signature dish, the ravioli comes filled with carbonara sauce and tucking into nonna's meatballs in napoli sauce is an option. Among the smaller bites, pumpkin and basil arancini, potatoes crocchette with crab and bruschetta sit alongside rosemary olives, fries and those Mooloolaba tiger prawns again, this time in chilli garlic butter. Gusto does grazing boards, too, while panna cotta and tiramisu are the dessert choices. Whether you're just after a sip or you're pairing your beverage with a meal, the wine list favours Italian and local vino. Prefer a cocktail? They're a big feature. Think: the Gusto Aperitivo (made with Campari, Regal Rogue wild rose, lime juice, grapefruit soda and orange slices), Dolce Colada (Sailor Jerry, banana liqueur, coconut, lemon, pineapple and coconut foam), Bond, Rosemary Bond (Tanqueray, Cinzano Bianco, rosemary syrup, lemon and peach bitters) and Razzmatazz (vodka and Chambord with citrus, vanilla syrup, seat salt and egg whites). In total, seven types are available for just one person, two more for sharing (including the summery watermelon punch), plus two mocktails as well. And, if you prefer a classic other than Bar Gusto's specials, just ask.
"We were just saying, we love an Aussie." When you're My Old Ass writer/director Megan Park and Australia's own Margot Robbie has produced your latest film, it's easy to understand why. Gleaning why she greets Concrete Playground that way isn't hard, either. "We do," adds Maisy Stella, the movie's star. "Yeah, we really, really do," Park chimes back in. Robbie's production company LuckyChap Entertainment, which has I, Tonya, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) and Barbie to its name as well — and, among flicks that don't boast its co-founder on-screen, Promising Young Woman and Saltburn, too — is also onboard for Park's next release after this marvel of a coming-of-age tale. Viewers of My Old Ass have more from Park to look forward to, then. Right now, though, they already have a must-see to enjoy courtesy of her second feature as a filmmaker. Actually, that also applies to her debut. An actor herself, Park initially jumped behind the lens on 2021's excellent Jenna Ortega (Beetlejuice Beetlejuice)-led The Fallout, which plunged into the aftermath of a school tragedy. Now, the former The Secret Life of the American Teenager star has penned and helmed a picture set as its protagonist gets ready to leave her small-town home behind for college. [caption id="attachment_974458" align="alignnone" width="1920"] Alex J. Berliner/ABImages[/caption] For her second movie about teens making sense of their world, too, Park embraces a high-concept setup — and one that heads down a universal path that resonates with viewers of all ages. Have you ever wanted to get life advice from your future self? Or, conversely, to give your younger self some words of wisdom, whether about what not to worry about or who to avoid? Focusing on Nashville's Stella as the just-turned-18 Elliott — and featuring Parks and Recreation, The White Lotus and Agatha All Along favourite Aubrey Plaza as the older version — that's My Old Ass' storyline. If you're wondering how the two Elliotts come to meet, the film uses a mushroom trip to head into magical-realism territory. When they come face to face, Plaza's 39-year-old Elliott has a specific piece of advice for the girl that she once was: stay away from Chad (Wednesday's Percy Hynes White). We all know what happens when you tell someone not to do something, especially a carefree teenager, so of course Stella's Elliott doesn't heed that warning. This is a film, however, that understands the urge to want to send your former self in a certain direction, because it understands what it's like to live with the ups and downs that life takes us on just as firmly. It equally appreciates that it's those ebbs and flows — and joys and hurts as well, so our course for better and for worse — that make us who we are. [caption id="attachment_974462" align="alignnone" width="1920"] Marion Curtis / Starpix for Amazon MGM Studios[/caption] What would Stella do if the Sundance Film Festival-premiering movie's premise became an IRL possibility for her? It depends on which way the advice was flowing. Park is of the same opinion. They'd each be keen to talk to their younger selves, but not their older guises. "I've decided that I reject it. I really reject it. I've been asked this and every time I try to think of something, and I think the reason that I don't have anything is because I would not take the opportunity. I would take the opportunity to meet younger self. But the older, it just feels a little scary to me," Stella tells us. "It gets dicey. See, it goes dark quick. I mean, it really takes a turn," she continues. "Yeah, it's a it's a scary one," agrees Park. "I think I'm going to hard pass on it too, probably. I'd want to go back and meet my younger self." Thinking about these questions is unavoidable after watching My Old Ass, no matter whether you decide that you'd seize or shirk the chance that Elliott is given. Also part of the viewing experience: wishing that Plaza could pop up in your life either way. We also chatted with Park and Stella about where the idea for the film sprang from, what Park was interested in exploring with it, Stella's excitement about playing Elliott, how she approached the character, and working with both Plaza and Robbie. On What Inspired My Old Ass, and What Park Was Interested in Exploring Megan: "I think the themes that I really wanted to explore were grief and time passing, and nostalgia — and motherhood, truthfully, was a big one that I wanted. I was a new mum when I wrote this script, so it was those feelings that were really the entry point into this idea that's so universal, I think, of wanting to talk to your older or younger self. Or regrets. Regret is another big one. I think I'm such an emotionally driven writer that I'm not thinking about necessarily the structure of the story, and what's going to happen and what are people going to take from the movie — I'm just driven from that emotional place, at least I have been so far in the two movies I've written. It's all I really know how to do it. So those were the themes I wanted to explore. And then as I didn't know where it was going, as soon as Elliott came to me, and older Elliott, I just followed that lead and figured out the story as I went." On Stella's Initial Reaction to the Script, and What She Thought That She Could Bring to the Younger Elliott Maisy: "My first reaction to it was just beaming with excitement. It was funny, because I had been auditioning for so long and I really enjoy auditioning, and I really enjoy reading scripts and I read a lot of scripts at that time, and it was just my favourite thing I'd read in forever. And I was immediately met with anxiety. The second I started reading it, the thought of it being taken from me, I was like 'no!'. And it wasn't even mine at all. But the thought of not getting to be a part of this amazing project was so scary to me. So yeah, my initial reaction to it was deeply, deeply moved; really excited and inspired by it; and would have just been so grateful and lucky to have been a part of it. And it worked out for me. I'm very grateful and lucky." [caption id="attachment_974461" align="alignnone" width="1920"] Marion Curtis / Starpix for Amazon MGM Studios[/caption] On the Journey to Realising That Aubrey Plaza Was the Ideal Older Elliott Megan: "Truthfully, I'd written the role for somebody to be much older, like in their late 40s, early 50s. And we cast the film around Maisy, and so we were really stuck on who looks the most like her, who's in that age range and who's available to come to Canada to film the movie. And there just was never anybody that came up that was the right match for the tone of the movie, for energetically with Maisy, for the comedy. It wasn't until there was a list of names that somebody had suggested, and Aubrey was on there. It was like 'wait a second, I'm such a fan of hers' — and I knew Maisy was a fan of hers. She was not even 40 and doesn't look anything like Maisy really, but we were like 'wait a second', and for some reason the energy and the chemistry was just such a connection. And it just made the whole movie make sense in a whole new way for me. I'm close to age to Aubrey and I thought 'wow, I've actually never felt older than hanging out with all the 18 year olds'. And there was something so funny to me about this idea that she thinks she's so old and she's not even 40. And even the title became funnier when it was Aubrey." Maisy: "Yes!" Megan: "So then, luckily we sent it to her, and only her, and she read it and loved it and wanted to be a part of it. So once we got it to her, the stars really aligned quickly, but it was kind of me getting out of my own way and being like 'wait, instead of worrying about who looks the most like Maisy, who fits into the movie?'." Maisy: "Instead of worrying about who's blonde?" Megan: "Yeah, exactly." On Collaboration When You're Playing the Younger Version of a Character While Sharing Scenes with the Older Version Maisy: "It was quick. What happened, I was filming for like two weeks when Aubrey was officially attached. So my younger Elliott was already kind of established. On anything else, if this was any other situation, I would have been meeting Aubrey — and she kind of had to meet me because I was filming. So it was a quick thing, she came for like a week and we just went for it." [caption id="attachment_974460" align="alignnone" width="1920"] Marion Curtis / Starpix for Amazon MGM Studios[/caption] Megan: "She'd been watching dailies and studying Maisy a bit before." Maisy: "And then when we met, I felt Aubrey staring and filming me with her eyes, and getting the mannerisms and physicality. I think that was probably more what we focused on. And also just creating a friendship and a nice connection was probably the most important part, rather than mimicking each other. It felt more enjoyable." Megan: "I remember Aubrey asking me 'do you want me to mimic her? How deep do you want me to go with this?' And I was like 'I feel like that's not the most important part of it. I'd rather we just build the chemistry and the rapport'. And that was totally what I think was the main thing. We just spent the weekend together, talked through stuff." Maisy: "100 percent." Megan: "And it was just about building that chemistry — which, they're both genius actors, they can build chemistry so quickly. That's a skill that I think the best actors can do. And the two of them together were just able to connect so quickly." [caption id="attachment_974459" align="alignnone" width="1920"] Alex J. Berliner/ABImages[/caption] On Having Margot Robbie as a Producer, and How That Helped Shape the Film Megan: "As we were saying, we love an Aussie. Our other producer, Bronte Payne at LuckyChap, is also Australian. It happened really organically. I had a general meeting with the company, with Bronte, who had seen The Fallout — and she really loved the film, and she just wanted to sit and chat. And she was the one, honestly, who was like 'do you have any other ideas?'. And I was like 'I mean, there's this one thing I'm thinking about'. And she was like 'we'd love to hear more about that. We think that's a great idea'. Then she introduced me to the rest of people at the company, Tom [Ackerley, also one of LuckyChap's founders] and Margot and Josey [McNamara, another LuckyChap founder]. And they are just so — it's really hard to find good people in this industry who are really honest and smart and hardworking, and treat everybody, no matter if it's the star of the movie or the PA, they're just so consistent. And they're so grounded and down to earth, and there's a reason why they get so much repeat business with their directors. It's because it's genuine, and they're obviously very smart. So they were incredibly helpful, not only helping me build the script, but every step of the way — they've just been so invaluable and so easygoing. And just lovely, lovely human beings. I'm doing my next film with them, and I hope to work with them over and over again. They're incredible." On Balancing Playing a Carefree 18-Year-Old with Their Whole Life Ahead of Them with Elliott Getting to Take Stock of Her Existence Decades Before Anyone Usually Expects To Maisy: "Preparing-wise, I honestly read the script so many times. That was really my prep, just reading it. I didn't do too much, I didn't practice the deliveries." Megan: "We just talked through the scenes." Maisy: "We'd just talk it through. And on my own time, I had months before I went to film — but after I booked it, I enjoyed reading it so I would obsessively just read it and think about it a lot. I really lived with the concept and with the message. I thought about it a lot. I think was my preparation." [caption id="attachment_974457" align="alignnone" width="1920"] Alex J. Berliner/ABImages[/caption] Megan: "And you believed in it." Maisy: "And I believed in it and I meant it. I really meant it. Everything that Elliott says, I ended up meaning on the day. Even if I was learning from her and trying to mean it, I did end up meaning it." Megan: "Yeah." Maisy: "And with an indie, with the director like you [talks to Megan], where you really like things to feel like you press record and you're just like watching people exist, there's only so much you can do for prep to keep it feeling natural and real and sparky." My Old Ass opened in Australian cinemas on Thursday, September 26, 2024. My Old Ass images: Marni Grossman © Amazon Content Services LLC.
It wasn't so long ago that most Australians only knew Wendy's for its insanely viral social media posts. However, since 2022, the American chain has begun to establish a significant presence on our shores. First launching in Surfers Paradise (unless you're counting a series of stores closed in the 1980s), the brand aims to open over 200 locations around Australia by 2034. Well, they've ticked another off the list, with a flagship Wendy's Brisbane restaurant touching down in the heart of the CBD. Serving as a major milestone in the company's national rollout, delivered in partnership with Flynn Group, this two-level themed location provides an extra special nod to the restaurant's bold design, nicknamed Haus of Wendy. Featuring more than enough space for 130 diners, an openair ground floor leads into an expansive lower level, with both decked out in contrasting bright red and blue decor that resonates with fun-loving energy and personality. Going beyond just a splash of paint, red celebrates Wendy's sass and spice, with the in-store experience seeing hand-painted murals set against bespoke wall panelling inspired by Wendy's famed braids. Meanwhile, blue speaks to Wendy's iconic Frosty, with this level featuring a bow wall crafted by local artist Rachel Burke and made from upcycled materials. Here, you'll also encounter a Frosty-inspired lounge area, complete with a photo booth. "This flagship represents everything the Wendy's brand stands for — fresh food and bold personality," said Corina Black, Chief Marketing Officer, Wendy's ANZ. "Brisbane's vibrant energy is a natural fit for Wendy, and we're proud to contribute to the city's reputation as a destination for food, culture and creativity." With the spread of Wendy's across the country just getting underway, this brand-new location remains one of the few spots in Australia where you can dine on the brand's signature dishes. Think classic doubles, Baconmators and spicy chicken sandwiches alongside Wendy's Frosty in chocolate or vanilla. Plus, super crunchy double hand-breaded chicken tenders and sea-salted fries with loaded options hit the mark for an on-the-go snack. "Wendy's has built its reputation on doing things differently, and this flagship takes that spirit to a new level," said Lauren Leahy, Chief Transformation Officer, Flynn Group. "We've taken Wendy's much-loved global brand and reimagined it for Australia. The new store brings that to life in a way that's both unmistakably Wendy's and uniquely Australian." Wendy's Brisbane launches on Wednesday, October 29, at 245 Albert Street, Brisbane, open daily from 9am–10pm. Head to the website for more information.
When non-Brisbanites visit our river city, they tend to notice three things. First, the combination of humidity and heat always becomes a frequent, obvious and completely warranted topic of conversation. Next, there's the fact that we're definitely not the Gold Coast — or on the coast, for that matter. And finally, there's the unmissable feature that is our snaking central waterway. What out-of-towners don't usually expect, however, is our thriving food scene, which often shows off all of the above. Eating outdoors all year round, without throngs of tourists, while enjoying a river view or finding yourself in walking distance of its banks — well, that's Brisbane in a nutshell. If you're looking for the best examples of that, we've got 'em. With our pals at American Express, we've rounded up some of the most scenic, charming and all-around essential spots this town has to offer — the ones that show off Brisbane's charms and will make your visiting friends want to come back in a hurry. Plus, each of these accepts your American Express® Card so you can boost that points balance of yours for a reciprocal trip to your visitors home. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
Luck, be a lady tonight: when Handa Opera on Sydney Harbour's famed floating stage returns for 2025, Guys and Dolls will be sweeping audiences off to 50s-era Manhattan from the city's — and the country's — most-stunning performance venue. As one production does each year, the hit five-time Tony-winning musical will unleash its showgirls and gangsters, as well as its incredibly catchy tunes, against a helluva backdrop. Guys and Dolls will play the unique waterfront opera venue at Mrs Macquaries Point from Friday, March 21–Sunday, April 20, following in the footsteps of West Side Story in 2024, Madama Butterfly in 2023, The Phantom of the Opera in 2022 and La Traviata in 2021 — to name just a few shows that've gotten the Handa Opera on Sydney Harbour treatment over the years. This time, expect a new version of a musical that first premiered on Broadway in 1950, then on West End in 1953, and has enjoyed many a revival in the seven decades since. [caption id="attachment_968000" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2016 — Turandot, Hamilton Lund.[/caption] The story, as also conveyed in the 1955 Marlon Brando- and Frank Sinatra-starring film — which was nominated for four Oscars — follows Sky Masterson as he endeavours to win big, then crosses paths with missionary Sister Sarah Brown. Also weaved into the narrative: the tale of Nathan and Adelaide, with the former also immersed in gambling and the latter his fiancé. Tunes such as 'Luck Be a Lady', also 'Sit Down You're Rockin' the Boat', 'Adelaide's Lament' and 'I've Never Been in Love Before' will echo across the harbour in the latest take on Guys and Dolls, as directed by Opera Australia's Artistic Director Jo Davies. "Handa Opera on Sydney Harbour is so magical, just the walk through the venue to reach your seat creates such a sense of anticipation. I'm thrilled to be bringing a beloved musical like Guys and Dolls, with its wild ensemble dance numbers and brilliantly sharp comedy, to this incredible stage," said Davies. [caption id="attachment_968002" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2021 — La Traviata, Hamilton Lund.[/caption] Helping make the season even more of a spectacle is Handa Opera on Sydney Harbour veteran set designer Brian Thomson, who also demonstrated his talents on La Traviata, Carmen and West Side Story. As always, also included in this Guys and Dolls experience is not just the show on the overwater stage, but also fireworks each evening, dazzling Sydney skyline views and hitting up pop-up dining spots that are constructed onsite each year. [caption id="attachment_968003" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2022 — The Phantom of the Opera, Hamilton Lund.[/caption] [caption id="attachment_968006" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2024 — West Side Story, Richard Milnes, Alamy Stock Photo.[/caption] [caption id="attachment_968004" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2019 — West Side Story, Hamilton Lund.[/caption] [caption id="attachment_968001" align="alignnone" width="1920"] Handa Opera on Sydney Harbour 2017 — Carmen, Hamilton Lund.[/caption] Guys and Dolls at Handa Opera on Sydney Harbour will run from Friday, March 21–Sunday, April 20, 2025 — with tickets via Opera Australia subscription packages available and general tickets on offer from Tuesday, August 13, 2024. Top image: Opera Australia's Performance of West Side Story on Sydney Harbour 2019, Hamilton Lund.
What's the best thing for a rock star to do when celebrating sold-out shows on tour? For Yungblud, that depends. In Sydney, he visited a photography gallery and drew crowds big enough to attract police dispersal — but this weekend in Brisbane, he capped off two sold-out shows at Riverstage by pouring drinks at Crowbar. Getting to work pouring drinks, the Doncaster-born rocker was interacting with fans with every serve, with photos captured by his regular photography collaborator Tom Pallant (the same behind that aforementioned gallery). See them below. [caption id="attachment_1064924" align="aligncenter" width="1920"] Tom Pallant[/caption] Yungblud will round out his Australian tour this Tuesday in Perth. While down under, he took time to appear on the latest episode of the Rolling Stone Uncut podcast. "When people say 'to fit in rock,' that is the most un-rock and roll thing ever," Yungblud said in the chat. "Rock music isn't supposed to be a gate-kept boys club. And it became that. That's why it was being suffocated and boring and so adherent to the past. We have to allow young people to pioneer something, or at least try to give this thing a heartbeat. The worst thing that happened to rock was that you were getting ridiculed for the reference point. From 2005 onwards, Oasis sounded like the Beatles, and they fucking loved that. They wore that as a badge of honour. Kurt Cobain loved John Lennon. It's a beautiful fucking thing, and people ridicule it for it, and it just sucks… "My biggest fear is that they get deterred from pursuing a career in it by some old, bitter cunt on the internet." [caption id="attachment_1064926" align="aligncenter" width="1920"] Tom Pallant[/caption] Rolling Stone AU/NZ attended Yungblud's Sydney show and gave it a four-star rating, calling it "a lesson in audience stewardship". "Yungblud moved fluidly between scale and closeness, repeatedly entering the crowd, locking eyes and urging fans to take care of one another (not to mention letting one Wollongong fan play guitar left-handed on stage!)," the review reads. [caption id="attachment_1064925" align="aligncenter" width="1920"] Tom Pallant[/caption] "Yungblud's newfound level of artistic maturity crystallised on stage as he embodied a rockstar conscious of the space he occupies, aware that leadership, vulnerability and playfulness can coexist without cancelling each other out." This article first appeared on 'Rolling Stone AU/NZ'. Lead image: Tom Pallant
The best glamping sites in New Zealand are made for travellers who want to explore and stay amid the country's spectacular natural landscapes without having to rough it. Either hit a few of these as you road trip through the North and South Islands or find a location you love then stock up and stay for a good few days. Whether you're after seaside glamping or a mountain escape, with fantastic lodgings scattered across the countryside, Aotearoa's best assets are on full display at these glamping destinations that get you closer to nature than any hotel (although there's no shortage of great hotels in New Zealand). Recommended reads: The Best Places to Go Glamping in Australia The Most Romantic Places to Stay in Bali The Best Spas in Auckland The Best Spas in Wellington Glam Camping, Queenstown At Glam Camping, you'll find a collection of geometric dome tents perched along a hillside looking down on the green valley and lake just a 20-minute drive from Queenstown. During the day, take the 90-minute walk around Moke Lake or go horse riding. You can even join a morning yoga class or organise a wine tasting tour around one or many of Queenstown's famous vineyards. But we are particularly excited about the Glam Camping's food and drink offerings. You can opt to cook your own food (with all the produce provided by the hosts) or let a private chef treat you and your travel buddies to a three-course feast on the property. [caption id="attachment_880413" align="alignnone" width="1920"] SJL Photography[/caption] Kawakawa Station, South Wairapa This sprawling farming property spans across rolling grassy hills by the South Wairarapa coastline. And until the end of April 2023, the Kawakawa Station team invites guests to stay in a series of large tents hidden within the pastures. But, unlike other bell tents, these have clear ceilings so guests can stargaze from the comfort of their own bed. It also has a fully equipped kitchen on the property, so you can prep your meals without needing to bring a heap of gear. You can easily spend a few days at this New Zealand glamping site, hanging out among the sheep and strolling around the property. But, if you're after a proper adventure, Kawakawa Station also offers an epic hiking experience. The three-day hike along the Station Walk takes you through forests, along creeks and right down to the coast. The team will put you up in a bunch of different accommodations along the way, too. Coromandel Luxury Escapes, Coromandel It's in the name but still deserves being repeated — Coromandel Luxury Escapes is a truly luxurious glamping site in New Zealand. It is all powered and comes with a mini fridge, oil heater, large king bed as well as a private free-standing outdoor bath. A massive deck with a BBQ is also there for you when you want to cook up some locally caught fish. Apart from the site, one of the biggest selling points is the location. It's close to some of New Zealand's best beaches, including the picturesque New Chums Beach. And, if you're up for a 50-minute drive, you've got to visit Hot Water Beach. Here, you can dig a hole in the sand to find naturally hot water bubbling up to the surface — just be careful when digging, as this water can reach temperatures beyond 100 degrees Celsius. Use Coromandel Luxury Escapes as your base when exploring the Coromandel region which is just a two-hour ferry ride from Auckland. Lavericks Bay, Christchurch The Lavericks Bay glamping spot has two tents making up this wonderfully bucolic site. Seclusion is almost totally guaranteed. Apart from the property's wandering sheep. You'll feel as if you have the entire bay and rolling countryside to yourselves — for exploring or just sitting back and taking in the views. During the day, head to the beach for some leisurely swimming at the property's private beach to check out the resident dolphins and seals that tend to float past. And, at night, you can't say no to a dip in the large wooden hot tub in which you can do some proper stargazing. There's no light pollution here, so you'll be guaranteed a stunning night sky. Waitomo Hilltop, Waitomo The Waitomo Hilltop glamping site feels like it's pulled from a fairytale. Atop a hill, in the green Waitomo countryside lies this luxury tent that's been kitted out with everything you could need. Cook up fresh pizzas in its woodfired oven, rug up by the fire pit watching movies via projector or take a dip in one of the outdoor baths overlooking the countryside. There used to be just one glamping tent available, but Waitomo recently finished creating another equally luxurious site. The new campsite has two tents joined together with a glass walkway — including three separate bedrooms, a lounge area and a massive kitchen and dining room. It is technically a tent, but looks far more like a bricks and mortar home. The Black Yurt, Oakura This one is for the keen surfers out there. You're a short walk away from Oakura's surfing beach which is known for having some fairly reliable swell. The Black Yurt is also close to town — walking distance from plenty of boutique stores, restaurants and bars. It may be one of the least remote New Zealand glamping spots on this list but it still feels miles away from crowds. The large yurt is surrounded by palms and native bushland, offering up some well-needed privacy. The interiors of the yurt are also extra cushy. There's a king bed, a queen futon mattress as well as some schmick bathroom facilities. And, if the weather is good, you can open the dome and windows to let the outside in. [caption id="attachment_879080" align="alignnone" width="1920"] Lisa Sun Photography[/caption] Tawanui Farm, Cheviot It doesn't take long to find jaw-dropping vistas outside of New Zealand's main cities. Just an hour-long drive from Christchurch lies Tawanui Farm, a working sheep, cow and deer farm. Here, the Loughnan family have set up two geodesic domes, a central camp kitchen (with couches and cooking gear all provided) and a large hot tub looking out over the pastures. It's easily one of the best New Zealand glamping sites out there. Each dome sleeps up to four people, and no matter how many guests you book for, you'll get the entire site — that makes Tawanui Farm great for larger groups. Either laze around playing boardgames and drinking in the hot tub or use it as a base to explore the rest of the region. You can fish at the local Hurunui River, swim and surf at Gore Bay or take an ATV farm tour to learn a little more about Tawanui Farm. Dealer's choice. Kanuka, Rotorua This is just about as remote as it gets. A single Kanuka glamping tent is hidden up in the bush, right next to Lake Tarawera, and can only be reached by a boat ride or hike. The campsite comes with a large tent and queen-sized bed, a bush kitchen with everything you need to cook up some grub, a dining area as well as a separate bathroom. The essentials are sorted. And, once you're all settled in, what you choose to do around here is totally up to you. The Kanuka team can provide a kayak for exploring the lake, there's a sandy beach less than 50 metres away and you can hike along a number of trails (with one leading to a natural hot pool in the bush). Ah, you've got to love New Zealand and all its thermal hot springs. [caption id="attachment_880412" align="alignnone" width="1920"] Dan Kerins[/caption] Camp Kekerengu, Kaikoura Coast If you're travelling with a bunch of mates or a big family, Camp Kekerengu is perfect. Here, you will find three large tents, a group kitchen and a covered lounge area — all with uninterrupted sea views. But, be prepared for living it a little rougher than you might like. The entire glamping site is off grid. This will force you to fully unplug and enjoy nature. You're a short walk from the beach, close to several walking trails and simply surrounded by wide open plains and rolling mountains. It's stunning. And is the perfect example of why people love to go glamping in New Zealand. Here, you get the best bits of Aotearoa's natural landscape all in one location. Feeling inspired to book a getaway unlike anything else out there? Only through Concrete Playground Trips, our new travel booking platform, can you now purchase holidays specially curated by our writers and editors. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips at destinations all over the world. Top images: Waitomo Hilltop
Nothing can cure mid-afternoon or mid-morning hunger quite like a cup of tea and a scone. The combo of a sweet pick-me-up and hot cuppa is somehow both homely and cosy, as well as a little fancy — especially when served with delicate, whimsical china. So, instead of reaching for the two-minute noodles when your tummy starts grumbling, get ready to raise your pinkie while enjoying the oh-so-fancy experience that is Devonshire tea. Passiontree Velvet Please your inner aristocrat with Passiontree Velvet's lovely Devonshire cream tea. Their home-baked scones are light and cake-like, served warm and accompanied with jam and cream (of course). The scones are made extra special when paired with Harney & Sons selective range of teas. Try Florence, a chocolate and hazelnut blend that tastes and smells delicious. Or take a quick trip to France with a cup of Paris, another lovely black tea choice which includes vanilla, caramel and currant notes. Carindale Westfield, 1151 Creek Road, Carindale Ormiston House Former home to Captain Louis Hope, this homestead dates back to 1862 and has become a perfect day-trip destination. The colonial house is open for members of the public to enjoy. What's more, Devonshire tea is served on the verandah overlooking lush azalea bushes each Sunday (noon - 4pm). After you've had your fill of jam, cream, scones and tea, mosey through the 14 acres of gorgeous gardens. Visitors are also welcome to bring a picnic and sit soaking in the views of Moreton Bay. 277 Wellington Street, Ormiston Room with Roses Room with Roses has become a bit of a Brisbane icon, and rightly so. At the top of the gorgeous Brisbane Arcade is a real treat for lovers of old-school elegance, making it a great choice for an inner city tea date. Room with Roses creates special scones — try the ginger scones with real chewy bits of delicious ginger served with cream and marmalade. Their scones are more of a cake consistency rather than the traditional style, and suitable for the coeliacs among us. Gallery Level Brisbane Arcade, 160 Queen Street, Brisbane Dandelion and Driftwood Hendra's Dandelion and Driftwood is a Northside favourite. Every detail in this cafe has been beautifully thought out in order to give diners a rememberable overall experience. From the staff's uniforms to the interesting information cards that accompany all teas and coffees, Dandelion and Driftwood receive a well-deserved A+ for effort. Their scones are served with raspberry jam and double cream and are made all the more tasty when enjoyed with their signature dandelion tea. For a relaxing morning tea, choose to sit in their back courtyard; we can guarantee the front of the cafe will be busy. Shop 1/45 Gehler Road, Hendra
After years of international border closures, and also the shutting down of overseas travel from Australia except for specific approved purposes, seeing the world open back up to tourism country by country is a far more pleasing trend. And, with that in mind, you can now add another destination to your next overseas holiday — yes, that one you've probably spent two years dreaming about now thanks to the pandemic. That location: Bali, which will start welcoming back Australian tourists from Friday, February 4. The Indonesian island will reopen to all international travellers, coinciding with a move to shorten the quarantine period for vaccinated visitors from seven to five days upon arrival. So, if you're now raring for a getaway, you'll still need to factor a stay in isolation into your travels — which likely means spending that time in a bubble hotel. Discussing the reopening, Indonesian Coordinating Minister for Maritime Affairs and Investment Luhut Binsar Pandjaitan said that Bali's quarantine options for international traveler include "bubble quarantine at five hotels for now with a total of 447 rooms, and on live-on-board ships". The move follows an earlier reopening, back in mid-October, but just to some countries — with opening Bali to all tourists now happening to help boost the holiday hotspot's economy. Late in 2021, Virgin started selling flights from Australia to Bali for travel from late March, while Qantas signalled an April date to restart its Bali routes. Australians will obviously need to factor in the various state rules around international travel, too — some helpful, such as Queensland's recent scrapping of quarantine for double-vaccinated international travellers, and some that'll still delay your plans, like Western Australia's decision to indefinitely delay its border reopening. For more information about Bali's reopening plan, head to the Indonesian Government's website.
Come the really raw bits of winter, our gut instinct generally tells us to bunker down in our own homes with blanket forts and hot comforting stews. Nothing says 'let's stay home in our pyjamas tonight' like frosty air and something trashy on TV. But don't fret — mini-holidays are still achievable (even in winter) and in Melbourne weekends away are at your fingertips. All you have to do is jump into your car and go for a little spin. Cold places can make for beaut weekends away, and Melbourne's Dandenong Ranges are a very valid option. Only 35 kilometres east of the CBD, The Hills, as they're affectionately known, will make you feel like you're in a tiny European village at the best of times, or lost in the forest at the worst (hint: take a map with you). Stretching from the southern ranges to Belgrave, the foothills and hilltop villages like Sassafrass and Mount Dandenong, here are some tips for a weekend away in the area filled with woodfires, ferns and a plethora of dessert options. [caption id="attachment_581918" align="alignnone" width="1280"] Hideaway Cottage[/caption] STAY Heading up to stay a few nights? Feeling cosy in Airbnb cottages are what it's all about up there, so have yourself a gander at this one. Hideaway Cottage is right up the top of the mountain in the area actually called — fittingly enough — Mount Dandenong, and it's a sweet little stone cottage house embodying all things quaint. There's a loft bedroom up a spiral staircase, a fireplace for those wintry times and even a veranda as an added bonus. You'll be sitting out the front wrapped in your blanket cocoon saying things like "this is what life is all about" before you know it — not even minding that your toes have gone a bit numb. If you want to step it up a notch and go full forest, head up to the Linden Rainforest Retreat; it's also in Mount Dandenong, but a whole level above when it comes to indulgence. You can choose from one of four 'designer suite' retreats, there's room service, and you can even pre-order a cheese platter and/or rose petals to be strewn about your bed before you arrive. It's prime fare for a couple celebrating something special, or just for a single really going for it in the treat yo'self stakes. 100 points for you. Alternatively, just go bush and camp somewhere in the basically enormous expanse of green camping possibility that the Dandenong Ranges are. There are a bunch of well-equipped camping grounds dotted around the ranges — here's a list to start you off. But a warning to you, the Dandenongs do tend to hover a few degrees lower than the mainland down below at all times, so nights outdoors in winter will be frosty indeed. [caption id="attachment_581920" align="alignnone" width="1280"] Ripe Sassafrass[/caption] EAT AND DRINK Contrary to popular opinion, it's not all about scones up here. Okay, it is a little bit. A hot tip is avoiding the over-touristy and over-priced Miss Marple's Tearoom in Sassafras and heading a few doors down to Ripe. The café has a produce store attached, a heated deck so you can sit amongst the ferns, and a Devonshire tea that includes a hot drink in the price (unlike Miss Marple's). For those who aren't all about lashings of cream and jam, Ripe also does a solid baguette menu — and it almost goes without saying that the prosciutto, quince paste and brie is the winner over here. [caption id="attachment_581922" align="alignnone" width="1280"] Cafe de Beaumarchais[/caption] If you've done a fair whack of walking around the mountainous surroundings, it could be high time for some sweet treats. Café de Beaumarchais (also in Sassafras) has you sorted with a fairly hectic cake display and great coffee, and a general vibe making you feel like you're in a tiny village in France. For heavier fare head to Woods Sherbrooke — the Sri Lankan chef and owner's contemporary Asian menu will warm your belly on a cold winter's night. Drinking holes are a little harder to come by in the hills, so our first suggestion would be to make a big vat of your own mulled wine and drink it by the fireplace in your cottage. If you're very keen to venture on out, Belgrave is probably the place to go. Sooki Lounge on Burwood Highway isn't the hallmark that the bar it replaced, the famous Ruby's Lounge, once was, but it still does live music and organic tapas. Oscar's Alehouse, also just down the road, is a bit of Brunswick in Belgrave — there's a heap of different craft beers and you can even BYO pizza in. [caption id="attachment_581933" align="alignnone" width="1280"] RJ Hamer Aboretum, Matthew Paul Argall via Flickr[/caption] SEE AND DO Getting around in the Dandenongs can be slow-going — thanks to the one-lane Mount Dandenong Tourist Road starting at Tremont and running all the way up to Montrose — so don those old runners, flex your feet and set off on foot. It's like the hills are urging you to go a-hikin' through them, and there's plentiful walks to be done. A tip is avoiding the tourist-saturated 1000 Steps Walk on a weekend because it ends up being more of a shuffle/whoops-avoid-the-family-of-five-plus-their-dog type affair. Instead, head to the huge RJ Hamer Arboretum in Olinda. Here stand over 150 different types of trees and, when the leaves start to fall in cold weather, it has a real resemblance to Narnia. The National Rhododendron Gardens nearby are also beautiful, covered in colour, and quite hilly so you can get a bit of cardio in at the same time. [caption id="attachment_581935" align="alignnone" width="1280"] Ashim D'Sliva[/caption] Rainier days might see you heading into Belgrave's Cameo Cinemas, an eight-screen effort showing arthouse and cult hits as well as blockbusters, with an outdoor cinema in the warmer months. But if you want some more R&R (that is, if watching the new Tarzan isn't relaxing enough for you), the Japanese Mountain Retreat in Montrose has more mineral springs and massage therapies than you could have time for over a single weekend. Shopping-wise, Sassafras has options that range from homey and fragrant (Tea Leaves) to tasty pantry things (Cream), to kooky wooden puppets (Geppetto's), if that's your jam. Or, if you're up there between November and April, take home some edible souvenirs from Blue Hills Berries & Cherries by picking your own strawberries, raspberries, or cherries as fresh as they come. [caption id="attachment_548957" align="alignnone" width="1280"] Sherbrooke Falls Trail[/caption] ALRIGHT, LET'S DO THIS Public transport is sparse, but you can jump on a train and take the Belgrave line out to Upper Ferntree Gully Station, then wait for the 688 bus (every half hour or so), which runs along the Mt. Dandenong Tourist Road up the mountain. The drive is quicker — about 50 minutes from the CBD. The Burwood Highway and Mount Dandenong will take you up there pretty swiftly. Top image: Adrian Mohedano via Flickr.
Under current COVID-19 restrictions in Australia, you can't go on a holiday (locally or overseas). But, you can start dreaming. Bookmark this for when you can explore once again. Among all of the dream jobs that everyone wishes they had, picking the globe's top stretches of sun, surf and sand sits up there with taste-testing new gins and trying out every bar and eatery in Tokyo. That particularly proves true whenever a new list of the world's best beaches is revealed — although, Australians can always pretend by heading to one of the high-ranking spots on our own shores. In FlightNetwork's just-announced 2018 lineup of the planet's best beaches, which ranks 50 idyllic locations, six Aussie spots made the cut. And, in news that will come as no surprise to anyone, the Whitsundays' Whitehaven Beach came in at number two. It's the latest accolade for the picturesque Queensland favourite, which also came in second last year. Blinky Beach on Lord Howe Island also made the list, coming in at number 30, while Hyams Beach in New South Wales' Jervis Bay placed at number 33. Western Australia was responsible for two more of the country's top spots — with Lucky Bay at 35th and Cable Beach at 34th — and Tasmania's Wine Glass Bay rounded out the Aussie offerings at 44. If you're wondering which coastal oasis beat them all to first place, that'd be Shipwreck Beach on Zakynthos. On a Greek island in the Ionian Sea, the picturesque spot has a shipwrecked boat on its sands, crystal clear waters and sunny weather approximately 275 days of the year. Alongside the World's Best Beaches, FlightNetwork released a list of the World's Top 50 Untouched Beaches — featuring Tasmania's Wine Glass Bay at fourth and Binalong Bay at 19th — and the World's Top 50 City Beaches, where Sydney's Bondi Beach got top gong, Surfers Paradise Beach came in at 11 and NSW's Manly Beach at 12. The picks were made by more than 1200 travel journalists, editors, bloggers and agencies, aka folks who work in the travel and beach trade, and therefore know their stuff. Thinking about taking your own trip to Whitehaven Beach? Check out our Outside Guide to the Whitsundays. Image: Damien Dempsey via Wikicommons.
When the National Gallery of Victoria dedicates its blockbuster summer or winter exhibitions to big fashion names, one word usually applies no matter which designer is in the spotlight: stunning. It was true back in 2022 when the Melbourne venue turned its focus to Alexander McQueen, for instance, and also in 2021 when it did the same with Gabrielle Chanel. Expect the same across the summer of 2025–26 — it's Vivienne Westwood's time to shine, plus Rei Kawakubo from Comme des Garçons' moment as well. Displaying at NGV International across Sunday, December 7, 2025–Sunday, April 19, 2026, Westwood | Kawakubo is both an Australian and a world first, pairing pieces by both the British talent and the Japanese designer in one massive showcase. No matter which of the duo's works you're looking at, you'll be revelling in rule-breaking, status quo-subverting threads. Some helped define the fashion of the punk movement in the 70s. Others have earned the world's attention at the Met Gala. In-between, items donned by supermodels, seen in films and from collections worn by plenty of well-known names feature. [caption id="attachment_1011671" align="alignnone" width="1920"] Rhianna wearing Comme des Garçons, Tokyo (fashion house), Rei Kawakubo (designer) at The Met Gala, 2017. Photo © Francois Durand via Getty Images.[/caption] In total, more than 140 designs are gracing the NGV. To assemble such a wide range, the gallery has sourced pieces from New York's Metropolitan Museum, The Victoria & Albert Museum, Palais Galliera and the Vivienne Westwood archive, plus its own collection. Over 40 works are new gifts to the gallery from Comme des Garçons especially for Westwood | Kawakubo, as chosen by Kawakubo. Among the full lineup of items: punk ensembles made famous by The Sex Pistols and Siousie Sioux, the wedding gown that Sarah Jessica Parker (And Just Like That...) wore in Sex and the City: The Movie and the tartan dress that Kate Moss stepped into in Westwood's Anglomania collection in the mid 90s — and also a version of Rihanna's petal-heavy 2017 Met Gala outfit, plus pieces from collections that Lady Gaga and Tracee Ellis Ross (Black Mirror) have sported. Westwood | Kawakubo spans from taffeta to tweed, vinyl and leather to silk, and corsetry to ruffles and knitwear, then — and much beyond. The exhibition is designed to step through Westwood and Kawakubo's careers across five thematic strands, including the former's punk-era work and the influence of the movement on the latter, their shared needs to rebel against the norm, how the two women have looked either forward or back in their pieces, eschewing objectification and using fashion to make a statement. [caption id="attachment_1011673" align="alignnone" width="1920"] Vivienne Westwood, London (fashion house), Vivienne Westwood (designer) Look 49, from the Anglomania collection, autumn–winter 1993–94. Le Cercle Républicain, Paris, March 1993. Photo © firstVIEW. Model: Kate Moss.[/caption] Top image: excerpt of Vivienne Westwood, London (fashion house), Vivienne Westwood (designer) Look 49, from the Anglomania collection, autumn–winter 1993–94. Le Cercle Républicain, Paris, March 1993. Photo © firstVIEW. Model: Kate Moss.
When the ground rumbles in a disaster movie, do you wish that you could feel it too? When everyone's taking a dip in a watery flick, do you get an instant desire to splash around? Or, perhaps you just think that today's big-screen blockbusters need a little extra off-screen magic? When lightning flickers in a Harry Potter movie, for example, you want it to completely fill the room. Enter four-dimensional cinemas. Because 3D wasn't enough, 4D movie-watching is here to add physical sensations and smells to your film-going experience. The specific technology is called 4DX, and it's a bit like a cross between a theme park ride and watching a flick, in a way. As the movie plays, you sit in motion chairs that move to match what's going on on-screen, while environmental effects blast you with wind, snow and different scents. Vibrating seats, water jets, air jets — the list of effects goes on, and also includes bubbles, fog and rain, plus the smell of fresh coffee and other aromas. And it's all coming to Event Cinemas Chermside and Pacific Fair from December. The Queensland spots are opening their new 4DX cinemas just in time for this year's big batch of holiday movies. While the official list of sensory screenings has not been announced just yet, the Sydney 4DX cinema (Australia's first) is set to show Star Wars: The Rise of Skywalker, Jumanji: The Next Level and Dolittle — and we imagine these will be shown in 4D at Chermside and Pacific Fair, too. If it sounds somewhat familiar, that's because the general overall concept isn't particularly new. In fact, it has been floating around in Australia for years thanks to smaller, more gimmicky sites, including 9D versions. But with 4DX specifically — which first launched back in 2009 in South Korea, has been adding new locations over the past decade, and is already operating in Village Cinemas Century City in Victoria — the idea is becoming more established. Plus, 4DX focuses on full-length movies that are coming to the big screen anyway, rather than shorts that are all about ramping up the in-cinema effects. Event Cinemas' new 4DX sessions are launching in December at Event Cinemas Chermside and Pacific Fair.
Unique accommodations are available in abundance on Airbnb. So what makes Aussie Host Quentin Dempster's Table Cape home, which was recently named Australia's Best Unique Airbnb Stay, the most innovative of all? Affectionately named The Winged House, this extraordinary Tasmania property boasts a long list of features that has seen it recognised as one of Australia's best stays. It starts with its ability to stand out — literally — with architecture that sees it cantilevered over a cliff to deliver dramatic 180-degree views of the seascape that surrounds it. Designed by Australian artist Richard Goodwin (and engineered by Harry Partridge), Dempster's abode is a liveable art installation, inspired by the appearance of the wings of an aircraft stretching over a cliff. Guests who drive into the property have also noted its resemblance to a bird poised to take off. However, not content to simply serve breathtaking vistas of waves breaking on rocks to the east and Rocky Cape National Park to the west, changing cloud formations, eagles and even an occasional seal, Dempster's commitment to offering guests an unforgettable experience extends to every room of his house. The bathroom features a traditional Japanese soaking tub, the living room shelves are stocked with best-selling books, the gourmet kitchen is fully equipped and the pantry is packed with premium condiments — including extra virgin olive oil produced by Dempster himself. In addition to complimentary bottles of local wine on arrival, Dempster also offers a unique "call-in" service, where guests can dial-a-massage or dial-a-chef, connecting with the best local suppliers and service providers. Impressed with Dempster's understanding that "it's the hospitality that truly makes all the difference when it comes to helping guests feel like they are living in a place, not just travelling to it," we caught up with him to talk about his Airbnb hosting journey, as well as what he believes makes for a truly unique Airbnb stay. What made you decide to become an Airbnb Host? My wife and I use Airbnb when we travel. We've enjoyed it from a guest perspective so I joined up as a Host and things developed from there. We've attracted people from all over the world. What do you think Hosts can do to make an Airbnb listing outstanding? We provide a stocked larder, breakfast victuals, a complimentary bottle of Josef Chromy chardonnay or Tasmanian pinot noir as well as our own extra virgin olive oil. In addition to the dramatic views, we have found this warm welcome and generosity makes all the difference to the guest experience. What do you love about sharing your unique property? The sense of a special place and guests who love to share it with us. We chat happily with guests from all over the world and give advice on local things to do. What's something you wish you knew when you started hosting? The importance of taking the edge off guest stress about cancellations. During the early stages of the COVID pandemic we quickly adopted a lenient booking policy, one which gave a full refund to people who had to cancel because of lockdowns. Or offered them a credit voucher against a future stay so they were not out of pocket. What are some of the benefits of hosting? The income derived through hosting has allowed us to pay for a cleaner, manager, suppliers and tradies, which all helps to contribute to the local economy. We also pay Tassie land tax which returns some revenue to the Tasmanian taxpayer. So it's a win-win. Want to begin your own hosting journey with Airbnb? If you're feeling inspired, head to the website to find out how to get started. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Bec Baxter
New South Wales is dotted with seemingly endless country towns and weekend destinations. Among the best of these is Kangaroo Valley, named for the Kangaroo River along which the tiny village is situated. The town is only two hours south of Sydney but packs all of the charm that we love about rural NSW — breathtaking mountain and valley views, bushwalks aplenty and wineries galore. Kangaroo Valley is a cabin retreat that will feel decades away from the city hustle and bustle, but is still close enough for a quick weekender. Here's how to make the most of it. [caption id="attachment_581967" align="alignnone" width="1280"] @she_eats[/caption] EAT/DRINK Kangaroo Valley may not be the most talked about wine region, but it sure is a quiet contender. The region is distinguished by its rich volcanic soil which is ideal for viticulture — aka growing grapes. The winding pathway to the remote Yarrawa Estate is not an easy one to follow, but you'll be pleasantly surprised as the path opens to this lakeside vineyard. If the golden retrievers and frolicking children remind you of a visit to the family country home you either have or dream about, well, it should — the cellar door is quite literally set in the Foster family dining room, where strangers momentarily become relatives. Apart from the incredible wine, they also offer a range of nuts, jams and pickles made from homegrown produce. Be sure to taste their homemade walnut liquor wine, a combination of both passions. Possibly the best known among the region's wineries is Silos Estate. The cellar door is run by friendly, knowledgeable locals and set among the estate's sloping Shiraz vineyards. Order a local producer's cheese plate at the cellar bar while you enjoy your free wine tasting or peruse the collection of locally-made smallgoods for sale. If you're hankering for something more substantial, head over to the Silos restaurant which is set in a 100-year-old hay shed and has a relatively reasonable tasting menu ($29.95 for lunch, $95 for dinner). Head chef Nick Gardner (Tetsuya's, Quay, The French Laundry) focuses on native Australian ingredients and local produce, like the decadent red snapper topped with warrigal greens, smoked oyster cream and citrus caviar sauce. The open fireplace keeps you cosy in the winter months while outdoor seating is perfect for warm weather days. Once you're out by Silos, might as well stop over at The Famous Berry Donut Van for their notorious cinnamon-sugar doughnuts. You deserve a second dessert — you're on holiday after all. [caption id="attachment_575084" align="alignnone" width="1280"] Southern Pies.[/caption] If wineries aren't your thing, Kangaroo Valley holds plenty of small town eateries to explore. If you're looking for a quick, road trip snack, check out Southern Pies — the cheeseburger pie or the curry beef are standouts, and vegetarians will love the award-winning lentil and chickpea dhal pie or the honey-roast pumpkin and spinach. The only pub in town, The Friendly Inn, has been around since 1892 and is one of the oldest in the region. Though it's pretty standard pub fare, the real draw is the expansive beer garden which overlooks the rolling valleys and mountains beyond. On the drive down from Sydney, or on the way back home, have a stopover at Berrima's Bendooley Estate, which houses the original Berkelouw Book Barn. The architecturally-designed winery is situated within a gorgeous backdrop, while the produce-driven restaurant sits within the bookshop itself. Check out our Foodie's Guide to Kangaroo Valley for more eating destinations. [caption id="attachment_581969" align="alignnone" width="1280"] Angus L.[/caption] DO As the town lies along the Kangaroo River, one of the best ways to see the valley is via kayak or canoe. Two companies in town, Kangaroo Valley Safaris and Kangaroo Valley Kayaks are comparable in price and both offer pick-up service at the end of the five-kilometre, self-guided journey. The gentle rapids and overall calm river is easy to navigate and includes spectacular scenery and plenty of wildlife to sight. A pro tip is to go on an overcast or drizzly day when the tourist count will be at its lowest and the river will be as peaceful as ever. If bushwalks are more your speed, Mortan National Park and Kangaroo Valley Nature Reserve seem to have an endless number of hiking trails to explore. Within the park is the Fitzroy Falls walking track, which offers both forest and cliff-side views, as well as a good chance to see platypus and lyrebird in their natural habitat. The full West Rim walking track, a moderate 3.5 kilometre trip, will take you through eucalypt and lush rainforest, remarkable gorges and waterfalls before finishing at Twin Falls. Beach lovers should go for the Seven Mile Beach track, which includes stunning ocean views and beach side picnic areas. [caption id="attachment_581975" align="alignnone" width="1280"] Maarten Danial.[/caption] Once the great outdoors has you good and tired, it's time to check out the many antique shops around town. While Kangaroo Valley town itself is loaded with boutiques and craft shops, our favourite is the out-of-towner, Grandpa's Shed. Located down the road from Fitzroy Falls, this warehouse has every antique imaginable, from hand-axes and old farming equipment to antique jewellery and comic books. The shop is connected to an old-school, working gas station, which will offer a much needed cold drink if you're visiting after a trek. [caption id="attachment_581976" align="alignnone" width="1280"] The Heavens.[/caption] STAY Kangaroo Valley is ideal for a cabin getaway weekend and there are plenty of options to that end, from The Heavens to Kookaburra Hill. Twin Falls Bush Cottages is by far our favourite — family-owned and operated, the five one- or two-bedroom cottages are nicely spaced for privacy from the neighbours and include a fireplace, full kitchen and outdoor barbecue. The expansive property is set right in the bush, with private hikes and mountain bike trails, as well as a communal tennis court, pool and fire pit to boot. The location is also perfectly situated for both for Twin Falls and Fitzroy Falls treks and the remote location is a true removal from city living. If you're looking to stay closer to town, the Tall Trees Bed and Breakfast is conveniently located just one kilometre from the town centre and is walkable for those without a car. You can either choose a traditional B&B or a self contained unit here. Another, more upscale option is the villas at Kangaroo Valley Golf and Country Club, only a four-minute drive from town and offering sweeping valley views. [caption id="attachment_581974" align="alignnone" width="1280"] Flickr.[/caption] LET'S DO THIS, HOW DO I GET THERE? By car: Kangaroo Valley is two hours drive south of Sydney along Hume Highway. This is the suggested route, as it makes it much easier to travel around the valley for hikes and wineries. By public transport: Catch the Southern NSW train line from Central Station to Moss Vale Station, then transfer to the 810 bus toward Nowra, which stops in the heart of Kangaroo Valley. Top image: Rodney Campbell.
The Northern Rivers' food scene has got a new kid on the block, and it's bringing more than a little of the Big Apple with it. Tucked inside a newly renovated community business precinct in Byron Bay, Baloney's is a New York-Italian-style deli and cafe that's serving up nostalgia, deli meats and loaded sambos — no baloney. It's been brought to life by founder George McFarlane as a passion project that puts a breezy Byron spin on Italian-American food culture. And while the two-hander sandwiches might be the initial drawcard, the space itself — designed by Northern Rivers studio Happy Hour — is full of character. Inside, you'll find black-and-white checkerboard tiles, a standing espresso bar and a restored vintage church bench that serves as a nod to old-school delis, while outside, a sun-soaked, 40-person deck sets the stage for relaxed al fresco hangs. View this post on Instagram A post shared by Baloney's Deli (@baloneys_deli) If you reckon the name sounds playful, that's exactly the point. Inspired by the Americanisation of mortadella — a meat banned by the US government during the Italian migration waves of the late 19th and early 20th centuries — 'baloney' became both a regulation-friendly substitute and, in time, slang for 'nonsense'. And McFarlane is actively leaning into the word's double meaning, too: "I am not Italian or American, however I am passionate about Italian and American food so I'm a phoney baloney," he tells Concrete Playground. As for the menu? Expect stacked sandwiches with a personal twist. Each one is named after someone close to McFarlane — like the Spicy Gabita, a tribute to his partner — who, according to McFarlane, is "a little bit spicy" — that sees eggplant, mozzarella, rocket, fermented chilli and balsamic layered on fluffy focaccia. You'll also find other creative combinations like the Alt Tayo, which features lemon-spiked cannellini beans, roast capsicum and vegan basil pesto, alongside the likes of a classic Reuben and, of course, a loaded mortadella, stracciatella and green olive number. If that's not enough to get you road tripping, there's also java juice by Coffee Supreme, artisan deli goods and a rotating selection of sandwich specials. Baloney's also carries the influence of McFarlane's time cutting his proverbial teeth at Mortadeli in Torquay, Victoria, and Byron's much-loved Pixie Food & Wine. Baloney's is another feather in the cap for the burgeoning Byron food scene, which continues to evolve far beyond açai bowls and organic smoothies. Baloney's is located at 10-12 Shirley Street, Byron Bay. It's open Tuesday–Sunday, 8am–2.30pm. For more info, head to the venue's Instagram page.
On the outskirts of Tokyo sits one of the city's most coveted spaces: the Studio Ghibli museum. It's also one of Japan's hottest tickets, with locals and tourists alike needing to book well in advance to get in. You'd expect that of a place that features a life-size catbus, a towering robot on its roof and Totoro sitting behind the counter of its box office. You'd expect it of any venue celebrating this beloved animation house, to be honest — even though it now has company three hours out of town thanks to Studio Ghibli's very own theme park. For almost four decades now, Studio Ghibli's movies have possessed their own kind of magic — the type that made viewers want to get spirited away by their gorgeously animated frames long before the company made a film of the same name. Indeed, in the 38 years since Studio Ghibli was formed by directors Hayao Miyazaki and Isao Takahata with producer Toshio Suzuki, it has introduced the world to all manner of delightful and moving on-screen experiences. Cute balls of soot, determined teenage witches and pining high-schoolers sit side-by-side in the company's filmography with war-torn tales, sitcom-style family antics and more than one ecologically minded fable. And, in the process, Studio Ghibli has achieved a significant feat: it has never made a bad movie. Including TV films and co-productions, it has 25 to its name to date in total — with the latest and Miyazaki first film in a decade, The Boy and the Heron, in cinemas Down Under now. While every single Ghibli flick is worth feasting your eyes on, we've ranked them all. Now you know where to start during your next binge-viewing session. 25. TALES FROM EARTHSEA Combine Studio Ghibli with any number of dragon-filled fantasy tales, and the result might look like Tales from Earthsea. It's actually adapted from one such series of books, Ursula K Le Guin's The Earthsea Cycle. The feature directorial debut of Hayao Miyazaki's son, Gorō Miyazaki, this is the most standard of the company's features — although its characters, including a troubled prince and a young girl saved from slavers, always strike a chord. Tales from Earthsea streams via Netflix. 24. EARWIG AND THE WITCH The studio's first movie made solely using computer-generated 3D animation, Earwig and the Witch immediately stands out thanks to its plastic-looking visuals. And, despite the fact that it's about a determined young girl, features a witch, and even includes a talking cat and other helpful tiny critters, it never completely feels like a classic Ghibli film either. That said, a by-the-numbers Ghibli flock is still better than many others, especially of the family-friendly variety. Earwig and the Witch streams via Netflix. Read our full review. 23. ONLY YESTERDAY Based on the 1982 manga of the same name, Only Yesterday explores the incredibly relatable inner turmoil of 27-year-old Tokyo worker Taeko when she heads out to the countryside for a working vacation. Charting her efforts to reconcile her childhood dreams with the life she's living now, it's a mature and thoughtful film from Isao Takahata — and a wistful and sensitive one, too. Only Yesterday streams via Netflix. 22. FROM UP ON POPPY HILL Gorō Miyazaki's second feature heads to Yokohama, in 1963, when high-schooler Umi Matsuzaki lives in a boarding house. Adapted from an 1980 Japanese comic, this sweet and gentle effort charts her quest to stop a beloved school building from being demolished — and benefits from a tender screenplay co-written by none other than Hayao Miyazaki. From Up on Poppy Hill streams via Netflix. 21. PORCO ROSSO Inspired by his family's business from when he was a child — aircraft parts manufacturer Miyazaki Airplane — many of Hayao Miyazaki's movies take to the skies. Porco Rosso, with its high-flying eponymous man-pig pilot, is one of them. This wartime adventure follows the First World War veteran's clash with a group of sky pirates and the American hotshot they've hired to help, as told with wry humour and, obviously, spectacular flying sequences. Porco Rosso streams via Netflix. 20. MY NEIGHBOURS THE YAMADAS The studio's most visually distinctive effort, Isao Takahata's My Neighbours the Yamadas is based on the manga series Nono-chan, and favours the look of a hand-drawn, watercolour-painted comic strip. That stylistic choice suits the content perfectly, immersing audiences into the quirky series of vignettes about the Yamada family, and offering a visible reminder that nothing is ever as simple as it appears. My Neighbours the Yamadas streams via Netflix. 19. THE CAT RETURNS The only Studio Ghibli movie to continue on from one of its earlier films, The Cat Returns is a spinoff from Whisper of the Heart. As the name makes plain, felines take centre stage. That proves entertaining and even often enjoyably silly for audiences; however, for the film's protagonist Haru Yoshioka, it forces her into a battle with the Cat Kingdom after she saves a four-legged fur ball from being hit by a car — and is told she'll have to marry him. The Cat Returns streams via Netflix. 18. ARRIETTY For a movie filled with tiny people who live in the walls of human houses, Arrietty certainly does brandish a big heart. Based on Mary Norton's 1952 novel The Borrowers, this story was always going to fall into Studio Ghibli's wheelhouse, especially given its focus on a new friendship between unlikely pals. As soulfully relayed by director Hiromasa Yonebayashi, the film charts the connection that between its diminutive titular character and a human boy. Arrietty streams via Netflix. 17. WHEN MARNIE WAS THERE When Marnie Was There champions the importance of friendship, acceptance, understanding and looking to the past to embrace the future, all recurring themes in Studio Ghibli's work. That's hardly surprising in a melancholy and contemplative movie about a lonely foster child and her new friend, of course, but they also take on a different tone here. Made in 2014, Hiromasa Yonebayashi's film adapts Joan G Robinson's novel of the same name into a bewitching gem. When Marnie Was There streams via Netflix. Read our full review. 16. OCEAN WAVES Made for TV, this 1993 Studio Ghibli movie spends the bulk of its time in the city of Kochi, where friends Taku Morisaki and Yutaka Matsuno both become smitten with new high-school classmate Rikako Muto. When the animation studio isn't marching off to magical worlds, it's pondering the emotional turmoil bubbling within everyday characters, with this quiet and moving drama falling into the latter category. Ocean Waves streams via Netflix. 15. THE WIND RISES When it first hit cinemas, The Wind Rises was presented as Hayao Miyazaki's final film — and, if that had stayed the case, it would've been a fitting farewell. Thanks to The Boy and the Heron, the acclaimed animator hasn't said goodbye to viewers yet; however, he gets especially reflective in this rich and bittersweet fictionalised biography of aircraft designer Jiro Horikoshi. Like all of Miyazaki's output, of course, there's much more to this understated gem than the obvious. The Wind Rises streams via Netflix. Read our full review. 14. PONYO As well as boasting quite the catchy theme tune, Ponyo takes inspiration from Hans Christian Andersen's The Little Mermaid. Here, though, the story focuses on an escaped goldfish — and explores the cute critter's new bond with a five-year-old boy. Following in the footsteps of fellow Hayao Miyazaki movie My Neighbour Totoro, the film is perfect for audiences of all ages. It's also bright, bouncy, exuberant and poetic as well. Ponyo streams via Netflix. 13. THE TALE OF THE PRINCESS KAGUYA In The Tale of the Princess Kaguya, the eponymous girl blossoms within a bamboo shoot. She's not the only thing that blooms in this hand-drawn beauty, which marked Isao Takahata's first film as a director in 15 years — and, sadly, his last. Spinning an elegant and entrancing story, this Ghibli wonder evolves from a seemingly standard setup into something subversive and meaningful. The Tale of the Princess Kaguya streams via Netflix. 12. KIKI'S DELIVERY SERVICE Feisty kids are as common in Studio Ghibli movies as jaw-dropping visuals, and 13-year-old Kiki well and truly fits the mould. In this Hayao Miyazaki-helmed coming-of-age fantasy, the fledgling witch moves away from home to prove her independence — as all teen witches must at that age. As well as relaying a smart tale about finding one's place in the world, Kiki's Delivery Service boasts another big highlight: a very amusing talking cat. Kiki's Delivery Service streams via Netflix. 11. WHISPER OF THE HEART Playful, heartfelt and sometimes melancholy, Whisper of the Heart is one of Studio Ghibli's under-appreciated gems — and not just because it features two very memorable cats. It was the company's first film to be directed by someone other than Hayao Miyazaki and Isao Takahata. Miyazaki wrote the screenplay, though, with Yoshifumi Kondō helming this story about a Tokyo high-schooler obsessed with the boy who borrowed all the same library books before her. Whisper of the Heart streams via Netflix. 10. LAPUTA, CASTLE IN THE SKY Studio Ghibli's first offical feature, Laputa, Castle in the Sky heads back to the late 19th century, as a young girl, Sheeta, endeavours to fend off the cunning and determined government agents on her tail. They're chasing not only a rare magic crystal, but a fabled city floating in the clouds — and as Hayao Miyazaki depicts with steampunk flair, endearing characters and a spirited statement, it all makes for an entrancing adventure. Laputa, Castle in the Sky streams via Netflix. 9. POM POKO Mischievous racoon-like critters called tanuki sit at the heart of this Isao Takahata-directed film — creatures with a basis in folklore, boasting the ability to transform into almost anything and possessing very flexible scrotums (yes, really). Alas, their habitat outside of Tokyo is under threat from developers, with this touching delight combining magical wonder with a message. It's an impassioned, affectionate fable, matching its narrative and overtly offbeat sense of humour with memorable imagery. Pom Poko is available streams via Netflix. 8. THE RED TURTLE In its first-ever collaboration, Studio Ghibli teamed up with Dutch-British illustrator Michael Dudok de Wit — and earned a Cannes Un Certain Regard special jury prize-winning for their efforts. A film of narrative simplicity but both visual and thematic intricacy, this textured and meditative feature explores the complicated splendour that springs from humanity's relationship with the world around us after a man is washed up on a deserted island. The Red Turtle streams via Beamafilm. Read our full review. 7. HOWL'S MOVING CASTLE If ever a movie encapsulated everything that's made Studio Ghibli such a beloved filmmaking force, it's Howl's Moving Castle. Energetic, creative and sensitive, this Hayao Miyazaki-helmed fantasy not only unfurls a mesmerising story — about a young milliner who is cursed by a witch, transforms into an elderly woman and becomes a wizard's housekeeper — but does so with beautiful imagery, endearing characters, and strong anti-war and pro-feminist sentiments. Howl's Moving Castle streams via Netflix. 6. THE BOY AND THE HERON Trust Hayao Miyazaki to return from a ten-year absence, and his latest purported retirement, to deliver one of the best, most breathtaking and most gorgeous movies that he ever has. This World War II-set "semi-autobiographical fantasy" follows 11-year-old Mahito after his mother is killed in an air raid, his father moves him to the countryside and the titular bird beckons him into an otherworldly realm — and every frame feels like a culmination of Miyazaki's career. The Boy and the Heron opened in Australian and New Zealand cinemas on Thursday, December 7. Read our full review. 5. MY NEIGHBOUR TOTORO It's the film that immediately found a place in viewers' hearts and never left. Thanks to its heartwarming mood and emotions, astute observations, adorable characters and eager sense of adventure, Hayao Miyazaki's My Neighbour Totoro has become Studio Ghibli's best-known movie for many great reasons — all as it chronicles two sisters' exploits when they not only move into a new house, but make a new pal in the forest (and discover the catbus). My Neighbour Totoro streams via Netflix. 4. PRINCESS MONONOKE Hayao Miyazaki has never shied away from making an ecological statement; however, Princess Mononoke might just send his most forceful message about humanity's impact upon the earth. As set in Japan's Muromachi period (from the 14th–16th centuries), this involving fantasy charts the paths of a young prince with a curse and a young woman raised by wolves, as well as the conflict between a modernising town and the forest it's destroying. Princess Mononoke streams via Netflix. 3. NAUSICAÄ OF THE VALLEY OF THE WIND Nausicaä of the Valley of the Wind technically pre-dates Studio Ghibli, but Hayao Miyazaki's post-apocalyptic fantasy has been claimed as the company's own. Charting the battles of a young princess as she fights an invading kingdom and tries to reconcile the damage ravaged upon the planet, the 1984 film became an instant classic, with its environmentally conscious story, stunning animation and stellar score all proving beguiling. Nausicaä of the Valley of the Wind streams via Netflix. 2. SPIRITED AWAY In Spirited Away, ten-year-old Chihiro stumbles across a magical and mysterious world, then wants nothing more than to escape back home. Viewers of Hayao Miyazaki's Oscar-winning masterpiece, however, are happy spending as much time as possible in the film's wondrous realm — which, as set around a luxurious and busy bathhouse that caters to spirits, constantly surprises, delights, and revels in inventive storytelling and animation. Spirited Away streams via Netflix. 1. GRAVE OF THE FIREFLIES The most heartbreaking animated film ever made, Isao Takahata's touching war drama Grave of the Fireflies is the rarest of inclusions on Studio Ghibli's cinematic resume. Plunging into dark and sombre territory, it tells the tale of two siblings desperately struggling to survive in the last days of the Second World War. From its fleshed-out characters tussling with life and death to its striking visuals, the movie's handling of its moving and sorrowful story couldn't be more astonishing. Grave of the Fireflies is available on DVD. Images: Sugoi Co / Madman.
In 2026, Flickerfest Short Film Festival will celebrate its 35th year as a highlight in the cultural calendar. The curated programme, which takes place from Friday, January 23 until Sunday, February 1, showcases around 200 short films, including 42 world premieres and 41 Australian premieres, giving Sydney audiences a first look at the industry's creative talents. Alongside Flickerfest's outstanding lineup, the festival has also partnered with Specsavers for the third year running to support emerging filmmakers. The competition invites filmmakers to create a 30-second short film in the spirit of the brand's recognisable "Should've Gone To Specsavers" ad, which has been gracing Australian screens for over 15 years. "The partnership is about getting people to think creatively and giving opportunities for emerging filmmakers," says Flickerfest director, Bronwyn Kidd. "It has evolved from a script competition to people producing their own 30-second ideas. It encourages people to get a team together and make something." From all of the entries, five finalists have now been selected, with each short film set to be showcased at Flickerfest and awarded $20k in prize money. One entrant, however, will win a major prize — $50k cash to help launch and support their creative career. While the finalists have been handpicked by a judging panel, the winner will be chosen by the general public. Voters are also in with a chance at some prize money. Voters are also in with a chance at some prize money. Tell us, in 25 words or less, why your favourite 30-second short film deserves to win. You'll then go in the draw to score a $1000 Digital Visa Gift Card. Perhaps the winner will be Edvard Christie's wine blunder with The Expert? Hannah Dougherty's hilarious crime mystery, Sketch Artist? Or the unique animated short, Garbologist? Justin Villar's The Chase makes for a thrilling TVC, while Muraya Moore's Fishtank nails the creative brief. Watch and vote for the five Flickerfest finalists at the Specsavers hub and go into the running to win $1000 — all while supporting the Australian film industry. See the full Flickerfest programme and find more information here. Lead image credit: Flickerfest
From high speed car chases across the post-apocalyptic outback to heartbreaking tales of love and loss, 2015 was a pretty great year for Australian cinema. Films like Mad Max and The Dressmaker hit it big at the box-office, while Holding the Man and Last Cab to Darwin had people reaching for their handkerchiefs. Throw in a couple of strong documentaries in the form of Gayby Baby and That Sugar Film, along with crowd-pleasing family fare like Oddball and Paper Planes, and it seems like local audiences are finally coming around to the idea that movies made in Australia can be every bit as good as those made overseas. Of course, in order to keep up that positive perception, the local film industry needs to keep making great films. Luckily, it looks like they're up to the challenge. We've already given you our list of our most anticipated international efforts, but now, here are the ten Australian films you need to see in 2016. https://www.youtube.com/watch?v=pSse2RIapEA THE DAUGHTER The debut film from theatre director Simon Stone (adapted from his own critically acclaimed stage play), The Daughter arrives in cinemas following great reviews at a number of local and international film festivals last year. A reworking of Henrik Ibsen's The Wild Duck, this nuanced family drama concerns a man, played by Paul Schneider, who returns to the small logging town where he grew up, only to uncover a secret that could tear the lives of his friends and family apart. With Geoffrey Rush, Ewen Leslie, Miranda Otto and Sam Neill, it might have the best cast of any Australian film this year. The Daughter is due in cinemas on March 17. https://www.youtube.com/watch?v=Dn2vfS6bbK0 SHERPA Anyone who saw Everest might think they have an idea of what it's like to climb the world's tallest mountain. But as this eye-opening documentary from filmmaker Jennifer Peedom reveals, you only know a fraction of the story. Sherpa shows the efforts of the native mountain guides, who risk life and limb in order to get foreign visitors to the summit. Over the course of a season, tension begins to brew between the locals, the tourists and the companies that facilitate the climbs, before finally boiling over in the wake of a deadly avalanche. A powerful, troubling film — it's of the best things we caught at last year's Sydney Film Festival, and an absolute must see in 2016. Sherpa is due in cinemas on March 24. DOWN UNDER A comedy about the Cronulla race riots? It's safe to say Down Under could either be brilliant or a total disaster. Director Abe Forsythe appears to be deliberately courting controversy — not that there's anything wrong with that, per se. With racism and Islamophobia still major issues in this country, a dark comedy that tears into good old Aussie jingoism could be exactly what the doctor ordered. Of course, satire is a tricky thing — and easy to muck up. Guess we'll just have to wait and see. Down Under is due in cinemas on August 4. 2:22 Between Predestination, The Infinite Man and the recent remake of Patrick, it's been a good few years for homegrown science fiction. Continuing this trend (we hope) is Paul Currie's 2:22, an American-Australian co-production in which a man is forced to relive the same day over and over, always ending when the clock hits — you guessed it — 2.22pm. Game of Thrones actor Michiel Huisman stars alongside Australia's own Teresa Palmer. Imagine Groundhog Day remade as a psychological thriller, and you'd be roughly on the right track. 2:22 is due in cinemas in 2016. https://www.youtube.com/watch?v=-98kUEnkxHM DOWNRIVER Writer-director Grant Scicluna's feature film debut was one of the most buzzed about local films at last year's Melbourne Film Festival. Reef Ireland (Puberty Blues) plays James, a young man recently released from prison after serving time for his involvement in the drowning of a small boy. Looking for redemption, James sets out to recover the boy's body, only to find himself in danger when it becomes clear that his accomplices would rather the past remain buried. Downriver looks grim and compelling in equal measure, and could well mark the emergence of a promising new Australian film talent. Downriver is due in cinemas in 2016. THE FAMILY This upcoming documentary, from director Rosie Jones, promises to pull back the curtain on Australia's most notorious cult. For three decades between the 1960s and 1990s, Anne Hamilton-Byrne led a group of devoted followers as the head of a sect known as The Family. Controlling her disciples, including a host of "adopted" children, through a mix of physical abuse and mind-altering drugs, Hamilton-Byrne convinced cult members she was the reincarnation of Jesus, before their compound was eventually raided by police. It's a story made all the more troubling for having taken place in our own backyard. The Family is due in cinemas in 2016. GOLDSTONE Actor Aaron Pedersen and filmmaker Ivan Sen are reuniting for a sequel/spin-off to their masterful outback thriller Mystery Road. Pederson returns as Indigenous detective Jay Swan, who finds himself in the eponymous town of Goldstone while investigating a missing persons case, only to find himself caught up in a web of crime and corruption. He'll be joined in front of the camera by two-time Oscar nominee Jacki Weaver, veteran Indigenous actors David Gulpilil and Tom E. Lewis, and Hong Kong martial arts star Cheng Pei-pei. If it's half as good as Mystery Road it'll be a contender for best film of the year. Goldstone is due in cinemas in 2016. JASPER JONES The new film from Bran Nue Dae director Rachel Perkins, Jasper Jones is an adaptation of Craig Silvey's award winning novel, described by at least one reviewer as Australia's To Kill a Mockingbird. Set in the fictional WA town of Corrigan in the mid 1960s, the film tells the story of 13-year-old Charlie Bucktin who befriends the eponymous Jasper Jones, a half-white, half-indigenous boy from the wrong side of the tracks. Toni Collette, Hugo Weaving and Dan Wyllie are set to co-star, although it's the younger cast members who will ultimately make or break the film. Jasper Jones is due in cinemas in 2016. LION Adapted from Hobart man Saroo Brierley's best-selling memoir, Lion stars Dev Patel as a young man who was adopted by an Australian couple (Nicole Kidman and David Wenham) as a child, who travels to India to try and track down his biological family. Rooney Mara co-stars, along with a number of high-profile Indian actors, giving this cross-cultural drama a real shot at international success. The film marks director Garth Davis' first feature film, following on from strong work on Top of the Lake. Lion is due in cinemas in 2016. NEST We've got two words for anyone who thinks Australian films are serious and boring: giant bloody spiders. Okay, so that's technically three words, but you get what we're trying to say. A Chinese-Australian co-production directed by Kimble Rendall — the same guy behind the wonderfully schlocky sharks in a supermarket movie Bait — this 3D creature feature stars Kellan Lutz, Kelsey Grammar, Shane Jacobson and Li Bingbing as a group of scientists who become lost in a labyrinth full of enormous, man-eating funnel web spiders. Leave your scaredy-cat friends at home. Nest is due in cinemas in 2016.
Before August 2024, it was normal to spend at least $5 per day to get to and from work via public transport in Queensland. Now, for all trips there and back across a five-day week, no one should be forking out more than $5 in total. As promised during the state's election, the 50-cent fare trial that's been in place since midyear is no longer just a pilot — it's sticking around permanently. What do you have more cash for when each journey on your commute to and from your job only costs 50 cents (and to get to wherever else you might need) via the Sunshine State's Translink public transport? Queensland residents will keep finding out. The bargain fares were introduced as cost-of-living relief measure, discounting tickets to a shiny dodecagonal coin. Unsurprisingly, they've proven so much of a hit that the move is now here to stay. Slashing the price of public transport was always going to be popular. In its first month, the 50-cent fare trial saw more than 15-million trips taken across southeast Queensland alone, increasing patronage by 2.4 percent on pre-COVID-19 levels. Up until the end of October 2024, patronage went up 5.1 percent on the same pre-COVID-19 period. During the election campaign, the then-Labor Queensland Government committed to keeping the reduced price. So did the Liberal party, which won power. Now, the Crisafulli government has locked in cheap public transport on Translink's buses, trains, ferries and trams on an ongoing basis. The price-slashing move is also an effort to reduce traffic congestion, and impacts a hefty range of travel options. Translink, which falls within Queensland's Department of Transport and Main Roads, runs trains, buses, ferries and trams in southeast Queensland, for starters. So for Brisbanites, whether you ride the rails as part of your daily commute, hit the road or hop on a CityCat, you're now scoring a hefty discount, getting there and home for just $1 a day. This is a statewide measure. Translink also runs buses in Bowen, Bundaberg, Cairns, the Fraser Coast, Gladstone and Gympie — and in Innisfail, Kilcoy, Mackay, Rockhampton, Yeppoon, the Sunshine Coast Hinterland, Toowoomba, Townsville, Warwick and The Whitsundays. The 50-cent price applies to everyone, including concession cardholders, but is only available on Translink services. As such, privately operated transport services aren't doing the cheap fares. [caption id="attachment_958247" align="alignnone" width="1920"] John Robert McPherson via Wikimedia Commons[/caption] [caption id="attachment_857365" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] [caption id="attachment_796727" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] [caption id="attachment_703636" align="alignnone" width="1920"] Philip-Mallis via Flickr[/caption] [caption id="attachment_754201" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] [caption id="attachment_630654" align="alignnone" width="1920"] Andrew Thomas via Flickr[/caption] [caption id="attachment_749921" align="aligncenter" width="1920"] John via Flickr[/caption] All fares across Translink's Queensland public transport services only cost 50 cents on an ongoing basis. To find out more about Translink's services, head to the company's website.
A 90s-era Blockbuster Video might play a prominent role in the next big superhero movie headed to cinemas, Captain Marvel, but in Australia, the chain and its bricks-and-mortar outlets will soon be a mere nostalgic memory. The country is currently home to one last Blockbuster outlet in Western Australia, and one of only two remaining on the planet; however the store's owners have just announced that they're shutting up shop. As reported by Community News, Blockbuster Morley in Perth will close its doors at the end of March, with locals able to head in and say farewell for the rest of the month. Speaking with AAP, owner Lyn Borszeky said that the rise of streaming services had impacted the business. "We knew change was coming but were a bit surprised how quickly it affected our customer base once Netflix hit the Australian market." [caption id="attachment_710127" align="aligncenter" width="1280"] Blockbuster Morley[/caption] When the Morley shop says goodbye, just one Blockbuster will remain worldwide. Located in Oregon in the US, Blockbuster Bend earned the title of America's last outlet back in July 2018, when a fellow store in Alaska closed up. It's a far cry from the brand's glory days, aka the late 90s and early 00s, when it had more than 9000 stores worldwide. In Australia, the first Blockbuster store opened in Melbourne in 1991. For Perth folks who haven't completely replaced their physical media collection with a never-ending streaming queue, the Morley shop will also be throwing a closing down sale — the bittersweet part of any video store's last moments. For everyone else, hold on to those memories of spending way too long walking up and down video store aisles, picking movies based on their cover artwork, and taking home towers of plastic cases during school holidays and sleepovers. Scrolling through Netflix isn't quite the same, and doesn't throw up anywhere near as many old gems that you wouldn't have come across otherwise. Via Community News.
Maybe you hop on the ballot the moment that it opens each year. Perhaps you wait to find out who'll be behind the mic before trying to nab tickets. Either way, Golden Plains dropping its lineup is always big news. In 2025, get ready to see PJ Harvey, Fontaines DC, 2manydjs and Kneecap — and also Wet Kiss, Durand Jones & The Indications, Magdalena Bay, Osees and Thelma Plum. And yes, that's just the beginning. "Something special in the soil this season. In the water, in the manna gum, in the air, the ether, the atmosphere, the troposphere. And it has all landed right here, in a wonderland designed and refined over 30-odd years for the sole purpose of hosting something truly remarkable," said the festival team, announcing the lineup. "Right size, same shape, ample time, abundant space." Come Saturday, March 8–Monday, March 10, 2025, it'll be time to dance among the autumn leaves in regional Victoria again, at the Meredith Supernatural Amphitheatre in the same place that Meredith Music Festival also calls home. And now that the lineup is here, you still have the chance to put your name down to get tickets. This round of Golden Plains will mark the fest's 17th year. The ticket ballot has been a part of the event since its debut — and this year's is now open until 10.17pm AEDT on Monday, October 21, 2024, which means that clicking ASAP is recommended. [caption id="attachment_976058" align="alignnone" width="1920"] Theo Cottle[/caption] Catering to 12,000 punters each year across three days and two nights, the fest has long proven a favourite for its one-stage setup, which skips the need for frantic timetabling. And, like Meredith Music Festival, its sibling, Golden Plains is also known for the Aunty crew's star-studded bills. If you're wondering how the roster of talent has shaped up in past years, 2023's fest boasted Bikini Kill, Carly Rae Jepsen, Soul II Soul and Four Tet, while 2024's featured The Streets, Yussef Dayes, King Stingray and Black Country, New Road — and plenty more. [caption id="attachment_976059" align="alignnone" width="1920"] Kira Puru[/caption] Golden Plains 2025 Lineup PJ Harvey Fontaines DC 2manydjs Wet Kiss Durand Jones & The Indications Magdalena Bay Osees Kneecap Thelma Plum Grace Cummings Bahamadia Hermanos Gutiérrez Ela Minus Bonny Light Horseman Adriana Mulga Bore Hard Rock CCL Teether & Kuya Neil Skeleten Zjoso Jada Weazel Elliot & Vincent Storytelling with Uncle Barry Sun Ra Arkestra Golden Plains returns to the Meredith Supernatural Amphitheatre from Saturday, March 8–Monday, March 10, 2025. Head to the festival's website for further details, or to enter the ticket ballot before 10.17pm AEDT on Monday, October 21, 2024. Golden Plains images: Chip Mooney and Ben Fletcher.
Diversity has always been at the heart of Brisbane's MELT Festival, which has celebrated all things LGBTQIA+ since 2015. The same concept sits at the core of Spencer Tunick's work as well. The acclaimed New York-based artist has spent his career staging mass photographs filled with both naked participants and an array of different bodies — and the results, including going to the Whitsundays with almost 100 Aussies in 2019 and briefly turning Bondi into a nude beach in 2022, are always stunning. Tunick initially turned his lens Australia's way in 2001 in Melbourne, when 4500 naked volunteers posed for a pic near Federation Square as part of the 2001 Fringe Festival. Since then, he's also photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras, and returned to Victoria in 2018 shoot over 800 Melburnians in the rooftop carpark of a Prahran Woolworths. Next stop, and before spring 2023 is out: the Queensland capital during this year's Brisbane Powerhouse-run MELT. Brisbanites,or anyone who's keen to disrobe for a new piece of art will want to be in the River City on Saturday, November 18. The destination: numerous spots along the Brisbane River. And the work that's being created? It's fittingly called TIDE and will involve a series of photographic installations. "I love Australia and Australian people. Being able to create works in a new city in the context of an event celebrating LGBTQIA+ arts and culture is a real honour," said Tunick, announcing TIDE. "TIDE will hopefully speak to diverse groups of people, and everyone navigating their way through the difficult challenges of our current world. It is a privilege to be making art that centres around the LGBTQIA+ community with all its beauty and vibrance." Elsewhere, Tunick has photographed the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK. The list goes on, with more than 100 temporary installations on his resume since 1992. Exactly where in Brisbane he'll be training his camera hasn't been announced, but the Brisbane River's landscape will provide the backdrop. If you're keen to take part, Tunick is looking for volunteers. He hopes to have a diverse mix of bodies in the shoot — again, that's both MELT's and his own focus — with participants each getting a print of the photograph and, we're sure, a big boost of body confidence. Regarding the location, specific details of where the photographer's shoots take place are only given to folks who'll be in front of the lens — and, if you're not usually located in Brisbane, you will need to travel at your expense. The number of participants needed hasn't been announced as yet either, but interested parties are advised that there are only limited places — and that successful applicants will be informed via email approximately two weeks prior to the shoot. Also among the highlights on the 2023 MELT lineup from Saturday, November 11–Sunday, November 26: UK-born theatre show Overflow, which is set in nightclub toilets, and hails from British playwright and prominent trans voice Travis Alabanza; live tunes from Kah-Lo, Djanaba, Aluna and KUČKA; Rhys Nicholson on a book tour for Dish; and Paul Yore's BECOME WHAT YOU ARE, The Huxleys' Places of Worship and Multitudes by Tin Nguyen & Edward among the fest's art exhibitions. TIDE will be shot on Saturday, November 18 along the Brisbane River. Head to the installation's website to register to take part. Melt Festival 2023 runs from Saturday, November 11–Sunday, November 26 at Brisbane Powerhouse. For more information or to buy tickets, head to the fest's website now. Images: Spencer Tunick / Drew Lambert.
There are many ways to make the most of Brisbane's all-year-round sunshine, whether you're keen on going for a stroll with a scenic view, hitting the pedals or finding a refreshing swimming spot. One activity stands out, though, perhaps because you can do it at so many places around town — including before or after you take that walk, bike ride or splash. We're talking about picnics, of course. And, in most cases, picnics with a watery view. Brisbane boasts many a patch of greenery adjacent to the river, including big hitters such as New Farm Park, the Brisbane City Botanic Gardens, Howard Smith Wharves and South Bank. If you're after a bite to eat by the coastline, you can head to the Wynnum-Manly foreshore, plus the Sandgate and Shorncliffe region, too. But if you've whiled away more than one afternoon at all of the obvious places — as every Brisbanite has — this city also features plenty of other great waterside picnic spots that you might not have visited. We've listed nine that'll get you thinking about sandwiches, cheese and whatever else you'd like to put in your basket. [caption id="attachment_770752" align="aligncenter" width="1920"] Kgbo via Wikimedia Commons[/caption] Sir John Chandler Park If you don't live nearby, it takes a little time to get to Sir John Chandler Park, even though it's just in Indooroopilly. As a suburb, Indro sprawls along the river, as do its roads — so you'll find yourself enjoying a suburban drive past the golf course before your picnic. Perhaps that's why this park is rarely crowded. It's tucked out of the way and, when you're there, it feels that way. As a result, it also feels particularly cruisy and laidback, which exactly the right atmosphere for a park overflowing with grass, boasting picnic tables and barbecues, and also right next to the river. If you like looking at rather expensive houses, you'll also spy a few across the water. [caption id="attachment_692305" align="aligncenter" width="1920"] Brisbane City Council via Flickr[/caption] Colmslie Beach Reserve Brisbanites, you don't need to head up or down the coast to enjoy a picnic on a beach. This city of ours is home to its own sandy spot, but it's hidden. Don't worry, you won't have to trek too far to find it, because it's actually less than ten kilometres out of the CBD. Head to the secret idyll that is the Colmslie Reserve, and you'll come across a tiny riverside beach — yes, sand and all — as well as tree-lined paths and a boardwalk that catches the cool water breeze. This southside oasis is a great place for a peaceful interlude and a lazy day in the Brissie sun. And, if you fancy going fishing while you're there, don't forget to bring your rods. [caption id="attachment_770753" align="aligncenter" width="1920"] Kgbo via Wikimedia Commons[/caption] Wilson Outlook Reserve When the Howard Smith Wharves precinct opened in 2018, it gifted Brisbane one helluva picturesque inner-city riverside picnic spot. That said, it also stole a little of Wilson Outlook Reserve's thunder. Perched atop the cliffs next to HSW, this scenic space has been welcoming locals for years — but it's not so well-known that it's always jam-packed. Here, you'll take in the eye-popping vantage, which includes the Story Bridge and the CBD, while kicking back beneath jacarandas in New Farm. Fancy an evening picnic? Wilson Outlook serves up quite the sight when sunset rolls around. Just remember, unlike HSW below, you'll want to bring your food with you. [caption id="attachment_770749" align="aligncenter" width="1920"] Warren Major via Flickr[/caption] Bullocky Rest Beaches are great. Rivers, too. But there's just something extra special about lazing around by a lake. There's a peacefulness that emanates, and it's very much present at Lake Samsonvale in the Moreton Bay region. Thanks to the lake's dam, aka North Pine Dam, it's also a source of Brissie's drinking water. If you're fond of a nice walk, it's surrounded by tracks as well. But, if it's picnicking you're after — and you're reading this list, so you clearly are — then get cosy at Bullocky Rest. Just be prepared to have company, including of the tiny human kind thanks to the onsite play equipment. [caption id="attachment_814713" align="aligncenter" width="1920"] Brisbane City Council via Flickr[/caption] Rocks Riverside Park Before making the most of its riverside location, this spot in Seventeen Mile Rocks, in the city's west, was home to a cement and lime quarry. So, when you're wandering around, expect to see more than a few remnants of the site's industrial past. Expect plenty of trees and bushland as well, and a plethora of perfect places for picnicking with water views. The park's Great Lawn spans around 8000 square metres, so green is clearly the hue here. Also onsite: a market garden, pathways for that after-lunch stroll, a half-size basketball court and heaps of kids' play equipment — making it an ideal spot if someone in your crew has littlies in tow. [caption id="attachment_770750" align="aligncenter" width="1920"] Brisbane City Council via Flickr[/caption] Porter's Paddock Park Located on Brisbane's eastside, Minnippi Parklands is comprised of several smaller parks throughout Tingalpa, Cannon Hill, Carina and Carindale. Only one of them boasts a lagoon, however, which instantly shoots Porter's Paddock Park to the top of the must-visit list. When you're not eating your way through your picnic basket, you can walk across the boardwalk, peer into the water, and look at both the birds and the plant life. That's a particularly relaxing way to digest all those cheese slices, crackers and sandwiches — or whatever other picnic feast you feel like bringing along. [caption id="attachment_972027" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Sherwood Arboretum This heritage-listed gem to the CBD's west has been welcoming the public and its picnics for nearly a century. Here, you'll sit under leafy trees — more than a thousand, in fact — while looking out over your choice of man-made freshwater wetlands or the Brisbane River. Whichever you choose, you're in for both a green and glistening sight — although the plant life is as much of a drawcard as the proximity to water. As the name makes plain, Sherwood Arboretum is all about amassing different species of trees (or collecting them, in a sense), so make time during your picnic to go for a wander. [caption id="attachment_770748" align="aligncenter" width="1920"] Brisbane City Council via Flickr[/caption] Bulimba Riverside Park It isn't the lengthiest walking track in Brisbane, but the paved path along the Bulimba stretch of the river is one of the nicest places to put one foot after the other while soaking in both the river breeze and the Brissie sun. Naturally, there's a park nearby — and while it's never empty thanks to the fact that it's surrounded by houses, it's still a mighty fine picnic spot. Peering out over the water to Newstead, Bulimba Riverside Park is also a great place for impromptu picnics given that Oxford Street and its shops and cafes are so close by. Stock up, walk down to the river and get munching. It's also just a quick stroll from the CityCat terminal. [caption id="attachment_770747" align="aligncenter" width="1920"] Michael Zimmer via Flickr[/caption] Bongaree Beach There are beaches, and there are beaches. Yes, you can claim a sandy riverside spot as a beach (see: Colmslie Beach Reserve above), and that's all well and good. But if you want to picnic at a beach where you can actually go for a swim, then Bribie Island's Bongaree Beach is worth a visit. It features parklands on one side and water on the other, so you can pick between grassy and sandy sitting spots. You can also choose just to go for a dip in shallow water, or to hire a kayak or paddleboard. And, you can do the very Brisbane thing of saying you're heading away to an island, even though it's connected to the mainland by a bridge. Top image: Brisbane City Council via Flickr.
Muggles, something very magical has landed in Melbourne. While the city has already had a wizarding hotel, a Harry Potter escape room, a magical train trip and a potion-filled rooftop bar, it seems our love for The Boy Who Lived is insatiable — because, the country's biggest Harry Potter shop has today swung open its magical doors and started welcoming in wizards, witches, goblins, centaurs and even mere muggles. Located on the basement level of Myer Melbourne on Bourke Street, the 500-square-metre store is home to a Platform 9 3/4 — so you can finally achieve your dream of heading off to Hogwarts, even if you're much older than 11 — and an Ollivanders with over 20 different wands. As the store is a collaboration between Myer and Warner Bros, it's also home to tonnes of official merchandise, homewares, apparel, stationery, toys and more. We're told there's a heap more 'photo opportunities' from The Wizarding World, and Lego, too — so bring your smartphone and a patient mate. JK Rowling's Harry Potter and the Cursed Child theatre production is still playing at Princess Theatre and you'll be able to snag tickets for that here, too, at a dedicated booth. And to celebrate the Harry Potter at Myer store's opening, the play's cast performed hit track 'Wand Dance' on Bourke Street at midday on Friday, October 18. Of course, the opening of the Harry Potter store coincides with the lead-up to another magical event (which is, mind you, only ten weeks away), so we're sure Myer and Warner Bros are hoping to collect a few galleons from muggles doing their Christmas shopping. But, we're not complaining — the more Harry Potter, the better. The Harry Potter at Myer store will be disappearing — evanesco! — in December 2020, so we suggest if you're located interstate, to book in a trip to Melbourne ASAP. Find Harry Potter at Myer at the basement level, Myer Melbourne, 314–336 Bourke Street. It's open Monday–Thursday 9.30am–7pm, Friday 9.30am–9pm, Saturday 9.30am–7pm and Sunday 10am–7pm. Updated on October 18, 2019.
Brisbane is a river city and always will be — but it's now a rooftop city as well. Only a few years ago, sky-high bars were rare across this town of ours; however, that's been changing. In fact, these days, we're spoiled for choice when it comes to drinks with a lofty view. The latest watering hole that's asking you to look at Brissie from a different vantage: Ooh La La Rooftop, which has made its home in Woolloongabba. It's an upstairs offshoot of beloved French restaurant C'est Bon, and it's serving tipples and bites to eat three days a week — from Friday–Sunday. First, when it comes to a view, you'll be peering over a different part of the city than usual — given that this sky-high spot isn't in the CBD or Fortitude Valley. The Mater Hospital and its carpark will be in your eye line, but so will the rest of this inner-city pocket. When the suburb's revamped Princess Theatre reopens in August, that'll just be around the corner, too. So, you know what you'll be looking at after you climb up the rear steps from C'est Bon, with entry to Ooh La La Rooftop via the rear laneway and carpark. As for what you'll be eating and drinking while you sit at high tables — or in regular chairs — the French theme unsurprisingly travels upstairs. Food-wise, both Siberian and Oscietra caviar is on the menu, including as part of a blini caviar set with potato rye blinis. From the seafood-heavy lineup, you can also tuck into Appellation oysters, Fraser Island crab, mussels, barbecued prawns and kingfish crudo. Or, there's duck liver parfait eclairs, angus tartare and confit suckling pig terrine, as well as a cheese and charcuterie selection for snacking. On the beverage list, the vino hails from either France or Australia — and while there's only four signature cocktails on the menu, Ooh La La is clearly about quality over quantity. Warm up with a hot whisky grog, opt for passionfruit or elderflower-heavy concoctions, or drink your way through a Tasmanian pinot negroni. Whatever you're sipping, you'll be doing so in a spot designed by Brisbane's JDA Co — who looked to open up the space, highlight its views and pay tribute to the building's history. Another key aspect of this makeover: ensuring that the structure's 1900s facade still has pride of place, too.
Being selected for the Melbourne International Film Festival's Bright Horizons is an achievement. Only one movie each year can take home the competition's $140,000 prize, however. 2025's just-announced victor: A Poet, which follows a once-celebrated literary figure who is having trouble writing, premiered at the 2025 Cannes Film Festival and marks the second feature by Simón Mesa Soto (Amparo). The fest's annual competition for emerging filmmakers has given its coveted accolade to "a tragicomic satire and microcosm of melancholy and irreverence", as the Bright Horizons Jury led by Aftersun director Charlotte Wells described A Poet. The same group also made its pick for MIFF's Best Australian Director of 2025, with photographer James J Robinson winning the award for his filmmaking debut First Light. Bright Horizons has been part of MIFF's program since 2022, when Australia's oldest film festival started its yearly prize for new directorial voices. Afrofuturist musical Neptune Frost won the award in its initial year — which Aftersun contended for — followed by Senegalese-French love story Banel & Adama in 2023, then Canadan dramedy Universal Language in 2024. "A Poet depicts Óscar, a failed poet turned reluctant mentor drifting between aspiration and self-destruction. The film is a biting fable of art as both an inescapable burden and a personal compass, breaking convention through its refreshingly brisk pace, unpretentious use of 16mm cinematography, deadpan performances by a mostly first-timer cast and pared-back jazzy score," the 2025 jury continued about A Poet. "The film's balancing act of unflinching character study and social satire marks Simón Mesa Soto as a vital voice in contemporary Latin American cinema." [caption id="attachment_1018710" align="alignnone" width="1920"] Dijana Risteska[/caption] Of First Light — a Bright Horizons competitor, too — as the Best Australian Director recipient, Wells, Pavements and Videoheaven director Alex Ross Perry, Harvest filmmaker Athina Rachel Tsangari, composer and musician Caitlin Yeo (Last Days of the Space Age), author and screenwriter Nam Le (The Boat), performer Tamala (Late Night with the Devil) and IMDb founder Col Needham said: "James J Robinson's First Light is a moving and powerful meditation on faith, institutional corruption and moral awakening". "The film is anchored by a pitchperfect performance from Ruby Ruiz [Expats] and a sensorial mise en scène, inviting the audience into the spiritual grandeur of the landscape and the sacred intimacy of the convent to interrogate, alongside Sister Yolanda, not only the crime at hand, but also the Catholic Church and modern society itself." "As the first Australia–Philippines co-production to debut at MIFF, First Light not only showcases Robinson's promise as a cineaste but also marks a noteworthy milestone in cross-cultural cinema." 2025 is the third year of MIFF's Uncle Jack Charles Award, aka the First Nations Film Creative Award, as won this year by Yarrenyty Arltere Artists the art direction of short The Fix-It-Man and the Fix-It-Wooman. If you went to the festival and had your say in the Audience Award voting, you also contributed to 2025's winners lineup, too. After Australian documentaries Voice and Left Write Hook shared the accolade in 2024, another has won it outright in 2025: the aged care-focused Careless. For those who haven't caught them at MIFF, add the recipients of this year's accolades to your must-see list ASAP. Check out the trailers for A Poet, Careless andThe Fix-It-Man and the Fix-It-Wooman below: The 2025 Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24. For more information, visit the MIFF website. Bright Horizons Jury image: Dijana Risteska.
If you've ever heard someone mention Botanica, then you've heard plenty of gushing. But if you've never been there, you might be surprised at just what everyone's about: their salads, all 19 of them. Yep, people talk about the plant-focused eatery and their kale, cauliflower and lettuce-heavy offerings with so much enthusiasm, you'd think they were talking about doughnuts and burgers. And while you'll find sweeter treats on their menu (particularly of the gluten-free kind), here you'll also find that dessert can actually be good for you. They're just some of the reasons that the Camp Hill store has been causing such a buzz. It looks and feels the same as its other locations, which is definitely a good thing.
During the summer months, there's often one thing at the top of our to-do lists: hitting up as many beaches as possible. Australia has a lot of them (11,761 of them, to be exact) and choosing which ones to go to can be difficult. Where won't be too busy? Too seaweed-y? Which one has the whitest sand? The bluest water? Is the best for beach cricket? There's a lot to consider. Thankfully, Tourism Australia's Beach Ambassador (how do we apply?) Brad Farmer AM has done the hard yards and pulled together a tidy list of the top 20 Australian beaches for 2020. Farmer chose the beaches based on water quality, cleanliness, capacity, facilities, safety and 'wow' factor, as well as a host of other factors. Topping the list for 2020 is Cabarita Beach on the Tweed Coast, tucked between Byron Bay and the Gold Coast. As well as being a great surfing spot that's reasonably quiet, Cabarita is filled with lauded dining destinations and a brand-new glamping retreat a thong's throw from the award-winning beach. Farmer calls it a "quintessential Aussie beachscape showcasing a truly diverse range of settings to swoon over". [caption id="attachment_754821" align="alignnone" width="1920"] Wagga Wagga Beach by Destination NSW.[/caption] Also on the list, for the first time, is an "inland beach". Wagga Wagga Beach, coming in at number nine, is located on the banks of the Murrumbidge River a five-hour drive inland from Sydney. It's far from the coast — and the seashore — but Farmer said "it's time we extend the meaning of a beach". "There are so many aquatic environments across Australia's interior," Farmer said in a statement. "These water spaces...socially connect rural and remote communities in often dusty and dry, drought conditions." At a time when so many parts of rural Australia are suffering through a two-year drought, it seems a fitting time to recognise our inland water bodies. A second non-coastal beach made the list, too: the pristine Lake McKenzie on Queensland's Fraser Island, which came in tenth. Rounding out the top five are the Gold Coast's Currumbin Beach at number two, NSW's hidden Minnamurra Beach (aka Mystics Beach) at number three, and Maria Island in Tasmania and Queensland's Cape Tribulation at number four and five respectively. Some of Australia's busiest (and, arguably, most popular) beaches — ie Bondi and Jervis Bay— didn't make the short list, but are both on Farmer's long list of 101 top Australian beaches for 2020. As did the Whitsunday's Whitehaven Beach, Australia's top-ranking beach in FlightNetwork's global list. So pack your togs (and your beach cricket set), round up some mates and start ticking these off. We see many road trips in your future. [caption id="attachment_754820" align="alignnone" width="1920"] Lake McKenzie by Ashley Dobson[/caption] THE TOP 20 BEST AUSTRALIAN BEACHES FOR 2020 1. Cabarita (NSW) 2. Currumbin (Qld) 3. Minnamurra (NSW) 4. Maria Island (Tas) 5. Cape Tribulation (Qld) 6. Brighton Beach (Vic) 7. Bettys Beach (WA) 8. South Port Beach (SA) 9. Wagga Wagga Beach (NSW) 10. Lake McKenzie (Qld) 11. The Basin, Rottnest Island (WA) 12. Fingal Bay (NSW) 13. Smiths Beach (WA) 14. Neds Beach, Lord Howe Island (NSW) 15. Quobba Station Red Bluff (WA) 16. Cossies Beach (Indian Ocean) 17. Lake Tyers Beach (Vic) 18. Diamond Head (NSW) 19. Pondalowie Bay (SA) 20. Killiecrankie Beach, Flinders Island (Tas) Top images: Cabarita Beach by Destination NSW
Beach culture is such an integral part of Australian life, but so many of our nation's most iconic and celebrated coastal areas aren't really at their best during the cooler months. Luckily, Brisbane doesn't suffer such issues, particularly the suburb of Manly, located just half an hour from the CBD. Here, there are plenty of attractions to keep you entertained, from The Manly Hotel (fresh off a multimillion renovation) to the group of performers making a song and dance on a tiny island. Intrigued? Keep reading to find out the best Manly has to offer. Where To Eat: The Manly Hotel, Frankie's Coffee Bar, The Arsonist Just a stone's throw from the Royal Esplanade and Manly Boat Harbour, The Manly Hotel has everything you could want from a modern pub, dishing out elevated classics and local produce by the plate. The Brisbane institution has been serving schooners and schnitties since 1960 and has three areas that each offer a slightly different vibe, all recently refreshed with a $7 million renovation to elevate the offering to any diner. The restaurant has all the trappings of a sit-down meal — think chilled Moreton Bay bugs, Coffin Bay oysters and prawn spring rolls to start and pub classics for mains. The courtyard is filled with light and atmosphere to soak up as you sip local brews (like a glass of Green Beacon) and specialty cocktails — take the Lavender Collins; made with Bombay Sapphire gin, Husk Ink gin, lemon juice, sugar syrup and lavender syrup garnished with lavender sticks. For a third option, the inner terrace has three giant screens playing a live sport, ideal for cheering on the Maroons during State of Origin season. You'll probably want to start your day with a coffee, though, and a short hop north of Manly is the suburb of Wynnum, where you'll find Frankie's Coffee Bar. This cosy oasis offers single-origin pours, cold brew on tap, and beetroot, turmeric or matcha lattes alongside the more traditional offerings you'd expect. There's also a range of pastries, toasties and muffins if you're feeling peckish. Who is Frankie, you might wonder? Well, Frankie is the cafe dog — an American staffy cross rescued from the pound by cafe owners Ross and Sarah. Unsurprisingly, your own four-legged friend is also more than welcome. Caffeine in the morning and casual beers in the late arvo are pretty much the cornerstones of Aussie culture, but if you want to take it up a notch, then Manly has you covered. Slightly intimidatingly named, The Arsonist is a fine-dining experience unlike anything you've experienced before. All food is cooked over a custom-made fire pit (hence the restaurant name), meaning you're hit with the comforting aroma of smoky flames as soon as you walk into the restaurant. There's a smoke-themed cocktail menu where you can sample delights such as a short rib old fashioned with smoked honey, and the food options are just as inventive. Even the most cursory glance at the menu reveals mouth-watering treats like rye sourdough with smoked brisket butter, coal-roasted lamb rump with smoked eggplant, and suckling pig with fig relish and celeriac rémoulade. As you'd expect, bookings are essential. [caption id="attachment_957691" align="aligncenter" width="1920"] SaintM Photos via iStock[/caption] What To Do: Markets by the Sea Aside from the formidable sand and surf, where Manly really excels is its markets and there are two must-sees on the beachfront: the Jan Powers Farmers Markets and the Manly Creative Markets. Queensland food icon Jan Powers founded Brisbane's first farmers markets at the tail-end of the 20th century, and they can now be found in three separate locations across Brisbane. The Manly iteration takes place year-round on the first and third Saturday morning of the month and fulfils Powers' passion for connecting local people to local produce. Manly Creative Markets has called Manly's Esplanade home since it first opened in the 90s. Running every Sunday morning, the markets offer you the chance to browse art, fashion, and artisanal products locally made by talented creators. There's also live music and kids' attractions to add to the feel-good ambience, as well as a range of pop-up food stalls to ensure you're well-fed. [caption id="attachment_957692" align="aligncenter" width="1920"] Saint Helena Island — Kgbo via Wikimedia Commons[/caption] What To See: Wynnum Manly Yacht Club, St Helena Island At Wynnum Manly Yacht Club, there's far more on offer than just sailing. Yes, as the name suggests, you can certainly engage in yacht racing on the big blue if that's your bag, and there's arguably nowhere better to do it in Brisbane. But for the more casual day-tripper who might not know their starboard from their port, there are activities with a slightly lower barrier to entry. Fishing, kayaking and dragon boats are all possible from the marina and that's before you even mention the purest and best form of recreation there is: a good, old-fashioned dip in the ocean. If you're feeling ambitious on your visit and want to venture slightly further afield, then St Helena Island is the place for you. Just a 30-minute ferry ride from Manly, St Helena Island has a museum on the site of the former 19th-century penal colony and Queensland's first passenger tramcar service. There are also beautiful areas to relax, picnic and enjoy the sea views. There are guided tours to give you the full and fascinating history of the island, but what's not quite so expected is the theatre troupe that provides a dramatic retelling of island history for a truly unique and immersive experience. The Manly Hotel is open for dining every day from 11.30am. Accommodation is currently undergoing renovations but will reopen for bookings in late 2024. For more information, visit the website. Top image: The Manly Hotel
Beau was afraid. In Ari Aster's third feature — another excellent and unforgettable film after Hereditary and Midsommar — Beau was anxious and unsettled and agitated and knocked off-kilter, too. Sheriff Joe Cross is all of these things also, with Joaquin Phoenix (Joker: Folie à Deux) again taking on a key role for a writer/director responsible for some of the best movies, and viewing experiences, of the 21st century. Along with the filmmaker's initial two pictures, Beau Is Afraid earns that description, as does Eddington, Aster and Phoenix's mid-2020-set, COVID-era-probing, brilliant and chilling and equally very amusing latest collaboration. Its focus: a small New Mexico spot struggling when normality as everyone knew it just months prior has vanished and seems as if it might never return. The Sevilla County official at Eddington's centre is as much a man interrupted, as his community is — but the Cross way of coping is to flout and defy anything that doesn't match his preferred status quo. His dislike of incumbent Mayor Ted Garcia's (Pedro Pascal, The Fantastic Four: First Steps) way of handling the pandemic, aka respecting social-distancing restrictions and mask mandates, inspires the Sheriff to take action, entering the race to lead the town (population: 2345) himself. Eddington is a western, as well as being an unnerving thriller and a hilarious dark comedy; Aster has Cross and Garcia headed for showdowns and standoffs more than once. With a Best Actor Oscar for Joker to prove it, Phoenix has been enjoying a recent stint of playing characters who are fixated, obsessed, unyieldingly determined and driven to act of late — since before the outstanding You Were Never Really Here, but that's firmly a recent example prior to his time as Arthur Fleck and now Joe Cross. He hasn't necessarily noticed that trend, he tells Concrete Playground, or recognised that anything particularly draws him in that direction. "I've never thought of it that way, but you say that and I go 'I don't even know what the last two movies I made are'," Phoenix advises. "But maybe you're right. I don't know why. I think I'm always just — it is an instinct. I either react to something that I'm reading it or I don't. And I don't really analyse why." Eddington is easy to spot trends and parallels in and around. Given that it peers into very recent history, to a period forever seared and scarred into memories — and has the era's paranoia and polarisation in its sights, spotting how neither have subsided since — that's by design. Another piece of mirroring comes via Aster's filmography. Chatting with Concrete Playground in 2018 when Hereditary released, he described his debut as "a family tragedy that curdles into a nightmare". Grief over a mother and grandmother begets worse in the feature that won Toni Collette (Mickey 17) a deserved Best Actress Gotham Award — in a movie, too, that cemented itself as an instant horror great. That "curdling into a nightmare" idea resides in each of his features, Eddington included. "I think that could be one way of describing this film," Aster tells us. "I would say that this is a film about a bunch of people who are all very paranoid, and who have very clear but kind of oppositional ideas of what is happening. And everybody's picture of the world is pretty sinister. Then, by the end of the film, the film itself becomes gripped by this paranoia — and so the movie too becomes paranoid." He continues: "and in that way, the film goes off the rails in a way that I like. It's got a long, sustained climax, which I like, especially in a genre film. It's easy to make this film, in an interview like this, sound like eating your vegetables — but it's supposed to be fun, even though what it's talking about is no laughing matter. But the film is about the circus of America, and the tilt-a-whirl goes faster and faster until the teacups start flying off." Cross' blatant and inescapable acrimony for Garcia, Joe's depressed wife Louise (Emma Stone, Kinds of Kindness) embracing online conspiracy theorists and becoming particularly enthralled by the charismatic Vernon Jefferson Peak (Austin Butler, The Bikeriders), local teens staging Black Lives Matter rallies to share their anger over the death of George Floyd, tech company SolidGoldMagikarp's plans to build a data centre on Eddington's outskirts, doomscrolling feeding the pervasive sense of distance between townsfolk: these all help that rotating ride spin. As the whirring of conflicting attitudes and opinions that's unbalancing its setting gains speed, Aster's film digs into America's contradictions, patently, as well as conservative-versus-liberal clashes. Internet hokum's easy spread, our immensely tech-reliant lives and AI earn attention; giving up power to the powerful without realising it, too. Anti-fascist activism, performative bandwagon-jumping, ignoring health-protection rules when folks are dying, not knowing how to cope with this chaos: they're also among the swirl. Aster doesn't see it as a horror movie; however, Eddington is as perceptive a portrait of 2020 and the times since as had reached screens so far, and as disquieting yet clear-eyed. The path to the feature started with an old idea predating the pandemic, which also came up while talking to the director, as did piecing the narrative together, living in a world where no one agrees on what's true anymore, reteaming with Phoenix and more — alongside chatting with Phoenix about that repeat collaboration and reuniting with filmmakers of late, interrogating fear and anxiety with Aster, what he recognised in the script, and bringing humanity and humour to Cross. On How Aster Following His Instincts in the Early Days of the Pandemic, and Picking Up an Old New Mexico-Set Idea, Lead to Eddington Ari: "Well, I feel like we're living in a very, very weird time. And the human capacity for adaptation is amazing, and everything becomes normal very quickly, and things that might be obvious become less so once they become ambient. And I just found that I wanted to pull back as far as I could, and try to describe this new reality that we're living in as well as I could — which is that everybody is living in a different version of reality, and we totally distrust anybody and anything that falls outside of our little bubble of certainty. And we've become unreachable to each other. So I wanted to make a film about that. And I'm from New Mexico — and that's really what the project was that had already been there waiting for me, which is that I have just been wanting to make my New Mexico movie. And I wanted to make a western. And it felt like the right framework for this." On Whether Returning Collaborations with Directors, Such as Ari Aster Here, Todd Phillips on Joker: Folie à Deux and Ridley Scott on Napoleon, Help Phoenix Challenge and Extend Himself as an Actor Joaquin: "I think that's what you would hope for, right, because it's almost like a long relationship, just the value of growing with somebody and changing — and somebody that learns to read you better after time. We all put our best foot forward when we first meet people and are working with them, and I think after some time we start really showing ourselves and there's real value in mining that. With Ari, it's weird, because I had one of those experiences where when I first met him, when I first just talked to him on the phone, I instantly knew that he was — I don't know, a friend just doesn't even sound like it's enough. I just knew that we were going to be working together closely, and I knew that he was somebody that I loved the way that he talked. And I understood him, like I felt like I really understood. And I think he understood me. And so there's real value in that — and I hope, I think, that he did and does challenge me in ways that are really beneficial to me and helpful." On When Aster Realised That He Wanted to Reteam with Phoenix on Eddington Ari: "After working with Joaquin on Beau Is Afraid, I really wanted to work with him again. Before Beau, he was one of my favourite actors and somebody that I very seriously wanted to work with. But when I was writing Eddington, at least the first pass of it, I hadn't worked with Joaquin yet, didn't know him yet, and so I didn't really have anybody in mind. But after we shot Beau, then I rewrote Eddington and spent a lot of time in New Mexico, travelling around, going to different small towns and meeting different people, public officials, Sheriffs of different counties, police chiefs, Mayors — went to different pueblos — and tried to get as broad a picture of the political climate of New Mexico as possible. And then once I had incorporated all of that and I had a script, it was clear to me that I wanted to at least try Joaquin again and see if he was interested. And happily he was, and I really think he does something really special with this character, Joe Cross, the sheriff of Eddington — or the sheriff of Sevilla County. Eddington is a town in Sevilla County. These are made-up places. But I think what he does here is really wonderful. He brings so much humour and humanity to this character. And I think part of the trick of the film — or I don't know if it's a trick, or if it's just something that is important to the film working — is that you have to kind of like this guy, whether you have his politics or not. There's something winning about him. And then, of course, as the film goes on that should get more complicated — our relationship to him should change." On Whether There's Something Unique to Digging Into Fear and Anxiety with Aster Joaquin: "I don't think he's exploring these traits because they're good for a character, for a movie, but it feels like it's a genuine curiosity for him. And maybe it's part of his experience, or maybe it's the experience of people that he knows. I don't know why he has that curiosity — or I don't know if it's an obsession — but definitely it's a curiosity to explore those feelings, and I don't know where it comes from. I've never asked him 'is that your personal experience, or ... ?'. I think oftentimes writers obviously observe things in others and become fascinated by it. So there's definitely a real drive and curiosity. And so I think when you're — there's not a standard way of playing that for Ari, right? It always has to be something very detailed and specific. And I'm struggling with trying to come up with an example, probably because there's so many and they're all running together. But I wish we could come up with an example of a scene. Like even in the scene where I'm — it's such a brief moment, you may not even remember — but I go back to the police station and somebody that was in the police station that was locked up is no longer there. It was really this very quick scene that's in the midst of the most-manic moment. And it was a long process for us that went throughout the day, as we discussed all the possibilities of what would be going through the character's mind and then how that is translated to somebody else as he speaks or whatever actions he takes. And so I think with Ari, it always feels that we are trying to find something that feels very specific and unique to that character in that moment — versus a blanket approach to anxiety or fear." On the Crucial Elements to Create a Film About Living in a World Where No One Can Agree on What's Real Anymore Ari: "For me, the most-important thing was to pull back as far as I could, because what I wanted to talk about was the environment, right — and I feel like we've become so atomised, and things have become so complicated and so intensely partisan, that it felt very important to move back and just try to get a picture of the landscape. And to see just how many of those particles were floating around not actually meeting each other. And then it's a genre film, and so it's built on conflict. And so the question then became 'well, what happens when these atoms start bumping up against each other? What comes out of that?'. And the answer is almost always violence, because there's nothing in the ether to hold anybody together anymore. And so that was, I guess, the challenge, but also the thing that felt necessary." On Phoenix Seeing Himself and Reality in Eddington When Aster First Sent the Script His Way Joaquin: "My first reaction was 'I recognise so much of myself and my family and my friends and my neighbours in all of these characters, and that makes me uncomfortable at times. But I'm laughing and I can't stop laughing'. That was my first reaction. And then I think I was like 'oh yeah, it's us'. And as ridiculous as we were, we were scared. Like, everyone was scared. Whether they should have been scared or whether we overreacted, it doesn't really matter. In that moment, it was kind of like waking up from a nightmare and they're like 'yeah, in the moment, it really felt like that monster was going to get me and I was scared. And all the things I did in that that moment, it was just how I reacted. I couldn't help it.' And I think in some ways, it made me just have a lot of forgiveness and understanding for how we behaved." On Putting the Pieces of Eddington Together — Including the Societal Landscape, America and Western Society's Pervasive Polarisation, and COVID-19 — in a Western-Meets-Thriller That's Also Darkly Humorous Ari: "First of all, the film is set in 2020. It's a period piece, set in June 2020, and so it helps to have something as specific as that, right, because then you're asking 'okay, what is happening right now? Who are the players here?'. And of course, I would have liked to have included far more characters, but I jammed as many people as I could into the film without sacrificing coherence or narrative clarity. But it all felt pretty intuitive that we begin with the arguments of the day, the most popular ones, which had a lot to do with masking and personal freedom versus public safety and health. And from there, things start unraveling and spinning out. And then you have these more fringe figures coming in. And I think what's interesting about this moment, even right now in 2025, is that this counterculture had been building up in America for a long time that the prevailing culture at the moment wasn't aware of. And that counterculture meanwhile was being fed and agitated, and was growing. And now that counterculture has kind of taken over. And it's all become very, very distorted and strange. It's so interesting that the right kind of adopted the language of 1960s–70s radicalism. Everything has become — I want to use the word farcical, but none of this is any laughing matter. It's feels pretty catastrophic, what's happening. And it's also why the western felt right, because it is about the building of America and forging new societies. And it feels like right now we're living through the collapse of something — we're on the cusp of something, something new. And I think everybody's feeling it and there's a lot of anxiety and a lot of fear. And for some people, a lot of excitement. I wrote this film in a state of anxiety and fear." On Whether Trying to Convey the Humanity of Joe and Also Bringing Humour to the Part Helped in Stepping Into His Shoes Joaquin: "Nothing ever feels easy. You just feel that — yeah, it doesn't feel easy, but it seemed like very much from the beginning, I could not create any separation between me and Joe. Like, that if I at any point stood above him in judgment, I would lose it, I would lose him. And so it just felt important to humanise him as much as possible. I wanted to surprise anybody that might have a preconceived idea of what conservative Sheriff in a small town might be like, and so that definitely felt like my directive. But what helped me, probably most of all, was meeting with real Sheriffs. Ari and I went on a trip together in New Mexico and spent some time, and there were a few people that I met that I really connected with that seemed like great examples of who Joe could be. So it felt to me that as much as there's something very humorous and absurd about so much of this film, I wanted to make sure that Joe was really grounded and that he was recognisable to people that actually know a Sheriff like Joe." On Whether Aster Considers Eddington to Be a Horror Film — and What's at the Heart of the Film That Scares Him, Be It Humanity's Embrace of Existential Risks, Including Not Just Health But Also AI, or Stopping Questioning the Powerful Ari: "No, I don't consider it a horror film. No. But, I do think it's talking about something that scares me. There's a lot that scares me. I'm scared that the people who are leading us don't seem to believe in the future. You mentioned AI, and I would say if you asked me to say in one sentence what this film was about, I might tell you it's about a data centre being built. And that's happening on the periphery of the film, but it's really pretty central. And all these stories are really just data for this giant wooden wheel — to churn into what? What is coming? The film is about people navigating a crisis, but all the while, there's this other crisis that's incubating in a lab over here. And who knows, the utopian dream of what this thing could bring might be true. It might come to pass. But we really don't know what's coming. And yeah, I think that what's happening all over the world — and it's happening in the United States, but it's happening everywhere — it's something that's already happened to us, which is that we've been fortressed off. And I think that's very scary that we're completely unable to reach each other, and we're living out an experiment that has already failed badly. And it doesn't seem like anybody at the levers has any interest in slowing this thing down. It feels like, on the contrary, it's only accelerating." Eddington released in cinemas Down Under on Thursday, August 21, 2025.
There are plenty of ways to pretend that it's the 80s, you live in Hawkins, Indiana and vanquishing a demogorgon is your life's mission. Listening solely to eerie synth tunes, devouring pop culture from the era, playing Dungeons & Dragons — they all fit, and so does binging Stranger Things, of course. But for one morning only, if you happen to be in the vicinity of Bondi Beach, you can go a step further. Always wanted to have an encounter with the Upside Down (well, since 2016, when the hit Netflix series first appeared)? Until 12pm today, Friday, May 27 — aka right now — you can. An IRL Upside Down rift (not to be confused with a Fast and Furious drift) has taken over the famed stretch of sand in front of the skate park, but only for a few hours. Of course, when we say real, we all know that it's a Netflix promotional stunt and not really an opening to a terrifying, monster-filled alternate dimension — but hey, if you've been counting down the years between Stranger Things' third and fourth seasons, you'll be happy to go along with it. Glowing red in its centre — naturally — and filled with branch-like vines that stick out from that luminous void, this rift isn't small. It measures 20 metres by 16 metres in size, in fact. So, again, if you're in the area, you really can't miss it. And if you're a Sydneysider who now wants to take a detour to work, or a mid-morning trip, that's understandable. If you follow the Netflix Australia and New Zealand Twitter account, you might've already made the journey — yesterday, on Thursday, May 26, it teased that something spooky was coming between 7am–12pm today, complete with coordinates (written upside down, of course). That means you may have already seen the scientists patrolling the area in hazmat suits, too, and lifeguards setting up a perimeter. The reason for the Upside Down arriving Down Under: the return of Stranger Things after a three-year gap, with the first seven episodes in the show's fourth and penultimate season hitting Netflix today, at 5pm AEST, as well. Bondi is one of 15 sites in 14 countries getting a taste of the Upside Down — alongside the Empire State Building in New York City, Duomo Square in Milan, Malecon Barranquilla in Colombia, the Gateway of India in Mumbai, Menara Kuala Lumpur in Malaysia, Al-'Ula National Monument in Saudi Arabia, Cologne Media Park in Germany, XBox Plaza in Downtown Los Angeles, Wawel Castle in Krakow, Medborgarplatsen in Stockholm, the Guggenheim Museum, Bilbao; and the Telefónica building and Plaza del Callao in Madrid. London and Tokyo are also on the list. It's been a big few years for pop culture-themed pop-ups in Australia, with the Upside Down following in Borat, Nicole Kidman, Homer Simpson and the creepy Red Light, Green Light doll from Squid Game 's footsteps in Sydney. Homer Simpson's huge head made its way to Queensland, too, while Melbourne scored an Everything Everywhere All At Once-style multidimensional laundromat and a massive Timothée Chalamet mural to promote Dune. Find the Stranger Things Upside Down rift at Bondi Beach until 12pm on Friday, May 27. You can also watch the first seven episodes of Stranger Things season four via Netflix from 5pm AEST on Friday, May 27 — and read our full review. Images: courtesy of Netflix and Aquabumps.
What did a negroni taste like in the 70s? That's one of the questions that Stan's, the lounge bar at Howard Smith Wharves, answers. Here's another: does Cantonese restaurant Stanley need a Hong Kong-inspired watering hole that combines XO sand crab cigars, lobster and truffle dumplings, design-your-own martinis, DJ-spun tunes and a late-night dance floor, all on its second level? The answer to the latter is a hearty yes. A night out at at one of Brisbane's top eateries now doesn't have to start or end with dinner. An evening at Stanley can expand beyond your meal without leaving the premises, in fact. While there's no change to the restaurant's operations downstairs in its heritage-listed 1930s-era former water police building by the river, the upstairs space relaunched in October 2024 — which is where Stan's comes in. As a result, one of the city's best places to eat has become one of Brissie's must-visit places for a drink as well. So, when you're not tucking into a feast of dishes on the ground level — including yum cha daily for lunch — you'll want to head up a floor for beverages over snacks in a newly transformed part of the site. At Stan's, the vibe and the decor take inspiration from Hong Kong — and the idea is to mix old-world touches with modern flourishes as well. Think: jewel-hued furnishings and decor, such as rich red seating and velvet curtains in emerald tones; dark and moody lighting; antique mirrored wall panels, including the back bar; timber aplenty as accents; hand-painted mural walls across the private lounge; and aged brass cocktail tables to sit at. This is also a place to make shapes or simply enjoy the DJ's music picks, thanks to a vintage JBL sound system. The promise for the tunes: extensive and eclectic. The bar has folks on the decks most evenings, and is also hosting album listening sessions in the middle of the week. Turning the space into a late-night dance floor is encouraged. Naturally, cocktails feature prominently on the beverage list — and the approach here is classic-meets-new, too. Martinis and daiquiris are highlights, with the signature martini menu letting patrons pic their gins or vodkas, bitters and extracts to taste. If you're just after spirits and you have some cash to splash, a collection of vintage tipples from around the world, some dating from as far back as the 60s, is also a drawcard. You'll find the range of rare drops on display in a custom-built cabinet, and those 70s-style concoctions as well. Stanley Executive Chef Louis Tikaram isn't just focusing on the main restaurant downstairs now that Stan's is up and running. He's whipped up a new range of Cantonese bites just for the upper floor, designed to match the beverages. Options span steamed lobster and truffle dumplings, rolled peking duck pancakes, rock lobster buns, painted tropical crayfish, fried prawn toast and more, ensuring the venue's luxe vibes come through in its food offering.
If clothes make the man, the beard defines the attitude. Whether it's a sharp stubble, a neat fade or a bold statement moustache, the right grooming routine can elevate your whole look. That's where the Philips OneBlade 360 comes in. This all-in-one tool is built to trim, edge and shave any length of hair with precision and ease, thanks to a flexible 360-degree blade that follows the contours of your face, a five-in-one adjustable comb and a fast-moving cutter that can deal with hair of any length. To show what it can do, we've teamed up with Joe Kurdyla from Melbourne barbershop Kings Domain to walk us through four trending facial hair styles that you can nail at home with the Philips OneBlade 360. Short stubble Effortless and universally flattering, a tidy five o'clock shadow is an easy way to look put-together without appearing as though you've tried too hard. Keep it sharp by using the adjustable guard to maintain your preferred length, and let the 360-degree blade do the heavy lifting. Neat beard A short-to-medium beard with faded sides and defined edges is a low-maintenance way to enhance your face shape and jawline while still looking professional. No fuzz, no fuss. The OneBlade's precision trimmer lets you clean up the neckline and cheeks in seconds, keeping things fresh between barber visits. Full beard Bold, rugged and full of character, a full-length beard is a surefire way to make a statement. Use the OneBlade to shape and edge around the beard, especially around the cheeks and neckline, so it stays strong rather than scruffy. Retro moustache Throwback alert: whether you're going for the retro Tom Selleck look or prefer a neater, cleaner look (think: Nathan Cleary), the OneBlade's dual-sided blade helps you define edges with total control. Ditch the guard, tidy the stubble around your mo and let the whiskers take centre stage. For more information on the Philips OneBlade 360, head to the brand's website.
That age-old act of verbalising frustration, anger or in some instances passion, in the form of a swear word is generally seen as a crass act. But artist Theo Olesen has turned this everyday language into illustrations that prove even the most profane words can be beautified with good design. When Olesen was in kindergarten learning four-letter words, he recalls suggesting 'fuck' as a four-letter word beginning with 'F'. Since then, his fascination with profanity has evolved into finely illustrated graphics that he posts on his online blog, Beautiful Swear Words. Barely two months old, his blog has already attracted over 2,000 followers. Not bad for a 17-year-old who cites "fun" as his motivation for illustrating profanities. Olesen updates his blog daily with hand drawn illustrations of swear words ranging from 'boobs' to 'gonads' and has begun making his illustrations available for purchase on t-shirts. Why say it when you can wear it?
Plan a trip to South Australia, and spending time surrounded by grapes is probably on your agenda. This year, you can pair all those winery visits with plenty of pumpkins, too, because Yayoi Kusama's pumpkin-focused infinity room The Spirits of the Pumpkins Descended into the Heavens will display at the Art Gallery of South Australia from Friday, April 1. Australia just keeps going dotty for Kusama. Brisbane's Gallery of Modern Art's hosted a kaleidoscopic exhibition dedicated to the Japanese artist back in 2017, her Obliteration Room has proven a hit in the Sunshine State several times and, going one better, Canberra's National Gallery of Australia acquired The Spirits of the Pumpkins Descended into the Heavens back in 2018. While the latter is a permanent addition to the NGA's collection, it's also going on the road on — which is why Adelaide is your next place to see oh-so-many dots. The piece was first exhibited in 2015. Comprised of a mirrored cube filled with yellow, dot-covered pumpkins, it's a quintessential Kusama work. Whether you're a devoted fan who considers visiting the artist's own Tokyo museum a bucket-list moment, or someone who has simply placed stickers around one of her obliteration rooms, you would've noticed that dots and the concept of infinity are crucial to her art — "our earth is only one polka dot among a million stars in the cosmos," she says. Inside the cube, the bulbous vegetables appear to create an endless field thanks to the shiny surface. On the outside of the cube, the structure's mirrored exterior reflects the yellow-and-black walls in the surrounding installation room — again, making it appear as though the pattern stretches on forever. The NGA's acquisition was made possible via a gift from Andrew and Hiroko Gwinnett, which is also supporting the infinity room's tour. AGSA hasn't revealed how long it'll be on display, but entry will be free — and it's obviously a must-visit addition to any Adelaide itinerary. Images: Installation view, THE SPIRITS OF THE PUMPKINS DESCENDED INTO THE HEAVENS by Yayoi Kusama, 2017, National Gallery of Australia, Canberra. © Yayoi Kusama, courtesy of Ota Fine Arts, Tokyo/Singapore/Shanghai.
If you're familiar with Supernormal in Melbourne, yes, the New England lobster rolls had made the jump north now that Supernormal Brisbane is open. So has the 150-seater restaurant's focus on Asian-influenced dishes, as influenced by Andrew McConnell's time in Hong Kong, Shanghai, Tokyo and Seoul. But the aim is to both give the OG Supernormal a sibling and Supernormal Brisbane its own vibe — including by embracing the place it calls home. Accordingly, from its riverside site next to Customs House — between the Queen Street Mall and Howard Smith Wharves, complete with water and Story Bridge views — Supernormal Brisbane is pairing signature dishes with newcomers, all while paying tribute to Queensland ingredients. You'll spot the former as you tuck into the restaurant's half crispy duck, which comes cured in salt and cooked twice, for instance. From a lineup that spans appetisers, a raw bar, dumplings, dishes to share and more, other menu highlights include claypot sticky pork rib dumplings, baked abalone pastries, and Szechuan and yellow chilli-poached Moreton Bay bugs. This is the type of spread that you'll want several visits to feast your way through, also featuring mussel and kimchi flatbread, smoked beef with mustard leaf and clam mayonnaise, squid and spring onion skewers, and sour and salty crispy lamb. The same sentiment applies to the four-strong dessert range, where milk gelato with shiso oil, plus apple and sorrel gelato, sit alongside a mix of Valrhona chocolate, caramelised miso, peanuts and sesame; the strawberry, yuzu and pineapple sage meringue; and fresh mangosteen on ice. Saying cheers to a hefty wine list with almost 400 options is equally a multi-trip quest, with the vino selection favouring family-owned producers both emerging and established. If you prefer cocktails, the libation are taking their cues from Brisbane's subtropical climate. For those with an occasion worth celebrating, Supernormal Brisbane also features private dining in The Bridge Room, catering to up to 50 people surrounded by sandstone walls. Vince Alafaci and Caroline Choker of Sydney's ACME have been on design duties for Supernormal Brisbane since it was announced. With creating a sensory experience from the moment that patrons step inside the guiding principle, they've decked out the eatery with an emerald marble maître' d station, green terrazzo floor, carved timber bar that's meant to resemble growth rings on tropical trees, giant columns, bamboo pendant lights, and timber and rattan aplenty. Those vistas? You can peer at them through floor-to-ceiling glass, giving your meal — lunch, dinner, and whatever suits you across Supernormal Brisbane's daily midday–11pm operating hours — quite the backdrop. Mirrors also feature prominently to ensure that you can see the view, even as a reflection, no matter where you sit. Images: Earl Carter.
Because you're reading this, we know you're not someone who would receive a pet for Christmas, only to decide it wasn't for you. We know you're one of the good folks. You're probably hoping that you do receive a loveable animal as a gift, even if you already have one — or several — that you adore. We understand your yearning, and so does RSPCA Queensland. In trying to find permanent homes for dogs, cats, puppies and kittens surrendered into their care from all over the state, they're bringing all those cuddly creatures to the Brisbane Convention and Exhibition Centre from 9am–2pm on Saturday, January 18 for their sixth annual pop-up adoption event. Entry is via gold coin donation, and includes demonstrations, entertainment, food and activities, as well as RSPCA stalls and information. And then there's the hundreds of animals waiting for your affection — and for you to take them home with you. Hundreds of critters find homes each year, in case you're wondering. Although you can't put a price on the happiness that a new four-legged friend will bring, those wanting to adopt an older cat or dog can do so for a cheaper price — $150 for a meowing cutie, and $250 for a barking bestie. If you've got your heart set on loving your new family member from an early age, kittens ($245) and puppies ($499) aged under four months will also be looking for human companions. There'll also be guinea pigs for $40. There's more to pet adoption than overdosing on cuteness, of course, with making the commitment to care for an animal serious business. For further information, read RSPCA Queensland's FAQs. And, while you can take a pet home with you, you can't bring your existing furry pal.
With apologies to the many worthy winners at the 2024 Oscars, this year's ceremony will always be known for one thing. When the lights went pink, Ryan Gosling started singing from his seat in the crowd (with Margot Robbie and Billie Eilish giggling around him) and the words "doesn't seem to matter what I do…" rang out, the world began to witness Academy Awards history. His rendition of 'I'm Just Ken' from Barbie was a musical number for the ages. When he made it up to the stage to keep crooning about Kenergy, the man behind the tan and blonde fragility, it wasn't the only time that Gosling stepped up onto the platform that night. He also delivered a tribute to stunts with Oppenheimer's Emily Blunt — and the two couldn't have been better candidates to make the presentation, which doubled as a reminder that their new film was on the way. In The Fall Guy, Gosling blends his action and comedy modes to play a seasoned stunt performer. Blunt co-stars as the director of the latest flick he's working on, and also his ex-girlfriend. The picture is helmed by David Leitch, who famously was in the stunt game himself, including doubling for Brad Pitt on movies such as Fight Club and Ocean's Eleven, and also for Matt Damon, then jumping behind the camera on John Wick, Atomic Blonde, Deadpool 2, Fast & Furious Presents: Hobbs and Shaw, Bullet Train and now this. Gosling and Blunt's shared portion of the Oscars ceremony was also a call to arms: stunts, despite being so crucial to the film industry, are not currently recognised by the Academy Awards. They absolutely should be. Ask Leitch if he sees The Fall Guy as helping to advance the case to recognise the field at Hollywood's night of nights and he tells Concrete Playground "that's the hope". He continues: "I think it is definitely a celebration of the stunt industry, and hopefully it continues to shine a light on how much these unsung heroes contribute to the films you guys love and we all love. You just can't separate the history of action from the history of cinema, and stunt performers have been there since the beginning." Loosely based on the 80s TV series of the same name, The Fall Guy tasks Gosling with playing Colt Seavers, who has spent much of his career making actor Tom Ryder (Aaron Taylor-Johnson, reteaming with Leitch after Bullet Train) look good. He's been out of the business after a workplace accident when he's enlisted to help out on a big-budget sci-fi blockbuster — not just to double for Tom, but to work out why the flick's star has gone missing in Sydney. Making the gig even more chaotic: plenty of nefarious folks on his tail, complete with a chase across the Sydney Harbour Bridge. Plus, there's the fact that his ex Jody Moreno (Blunt) is directing, and it's her first stint in the role. Cue an action-comedy from Leitch, plus Kelly McCormick as his regular producer, that doesn't just showcase stunts but is firmly about stunts as well. [caption id="attachment_952101" align="alignnone" width="1920"] Caroline McCredie[/caption] When The Fall Guy's shoot shut down one of Sydney's most-famous landmarks, everyone in Australia knew. It isn't every day that Gosling brings the Harbour City to a halt, after all. The bridge isn't the only part of the New South Wales capital that can be spotted in the movie, however, because this is a film that takes place in Sydney and makes the most of it. The Fall Guy is a love letter to stunts, of course, but McCormick — who also co-founded production and action design company 87North with Leitch — also considers it a love letter to its setting. Using the Sydney Opera House as the backdrop for a sci-fi shoot also isn't forgotten quickly. ("It's still so sci-fi. It's still beyond its time. It's an amazing, amazing building," says McCormick.) Leitch and McCormick returned to Sydney in early April to give The Fall Guy a big local premiere at the State Theatre. While they were in Australia, the pair also chatted with us. Leitch living the dream as a former stunt performer-turned-filmmaker now making a movie about stunts, the challenges on such a stunt-heavy film, ensuring that the movie is a mix not just of action and comedy but also mystery and romance, casting Gosling and Blunt, shooting in Sydney: we asked the duo about all of the above and more. On Living the Dream by Being a Former Stunt Performer Now Directing a Movie About Stunt Performers David: "Absolutely — I mean, the 80s TV show was one of those shows that lit the fuse of me wanting to be a stunt performer. There's a lot of wish-fulfilment in that show as a teenage kid. So it was exciting that this property would come [my way] — and obviously having 20-plus years as a stunt performer and the anecdotes and the real life experiences to go with it, I had a lot to be able to put into it. And I felt I could really talk with the authentic voice and actually give Ryan some notes from a real place." On Whether Making a Movie Like The Fall Guy Was the Plan when Leitch Was Still Doubling David: "I don't know if that was the actual aim, although I did early on get the film bug and really want to tell stories beyond the stories I was telling in the action. So, I really did lean into spending my time on set observing and learning everything I could about filmmaking process so I could move to the director chair. I was excited about directing." On the Challenges of Making a Movie That Isn't Just Stunt-Heavy, But Is Constantly Calling Attention to Stunts Because It's About Stunts Kelly: "I think every movie has its own challenges, action or otherwise. I think safety is obviously something that comes to mind that we are particularly sensitive to. When we're doing an action sequence, bringing a team together that is top of class is essential to make sure that it's as safe as possible and as creative as possible at the same time. That's always the goal. I think that's maybe a bit of extra pressure, but it's exciting in the sense that stunt performers get into the business to do stunts — so the last thing we want to do is not do stuff. It's making their dreams come true and making them viable in the film business. So it's this tricky balance of just trying to make sure that you know you're as safe as possible and you've got excellence around them, and in them, to make sure that you can give them the opportunities." David: "I think it was fun to be on the other side of it. I was a stunt coordinator for so many years that it was fun to challenge the team to do these things. I knew what they were going to have to go through to achieve them. But to be like 'good luck, guys' and just run in there and throw down the gauntlet — 'I need you to recreate some of these classic stunts from history, but just make them bigger' — that was fun for me. So I didn't feel the pressure. I made the stunt team feel the pressure and, again, I felt that for many years as a coordinator, when I've been asked to deliver things. And I certainly didn't have to feel the producorial pressures like Kelly had to feel as well. So I was just telling people what to do." On Making It an Aim to Create a Fun Vibe on Leitch and McCormick's Sets Kelly: "I have this theory that the set atmosphere flows through the film to the audience. And we actively try to keep a happy, congenial family environment on our sets, as big as they are. That's what we're always striving for and hopefully achieving. We work with a lot of our heads of departments again and again and again, and part of that is because we like their energy, we like their creativity and we like to have a family kind of atmosphere around our films." On Balancing the Mix of Action, Comedy, Romance and Mystery in The Fall Guy Kelly: It was like problem-opportunity in a sense. I consider David an atonal director — and that used to be such a dirty word, but I actually think it's such a positive thing because you never know what energy you're feeling or you're going to be having in a David Leitch film. You may be crying one moment and laughing the next, and feeling the stakes in one moment and thinking it's ridiculous another moment later. When you have three movies in the one movie, that is the bigger challenge — to strike that tone and to get all of that right. And so it was a way to challenge David in his filmmaking." David: "I loved it. I loved taking the audience on a ride. I liked what Kelly just said, laughing at one moment, being awed by spectacle the next, then pulling at the heartstrings few minutes later. And to have an a property, an IP, where we could do that and have two actors that can pull it off with you is was really, really fun to do." On Casting Ryan Gosling — and Only Approaching Ryan Gosling for the Part David: "Ryan is obviously an incredible actor. He's great at comedy. He's great at romance. And our early conversations — he was the only person we went to, and we were crossing our fingers and toes that we would get him. It was even before we had a script. But I think he saw the potential in the property and the potential in this underdog hero, and that we could create an action, hopefully, franchise where he could use all those skill sets. I think that's what he was excited about — where he could use romance and comedy, and his new action chops that he had on The Gray Man. So a lot of the DNA of the tone stems from also what Ryan was excited about doing and we all leaned in as well, and it was fun." On Casting Emily Blunt — and Shaping the Role to Suit Her Kelly: "To be honest, we just feel so lucky that we got her. Right before we went to her, we switched the role from a makeup artist to a first-time director, thinking that it raised the stakes for that character and allowed for her to be in a place where she was dealing with some really serious stuff, like the weight of her dream on her shoulders and getting that to take over directing for the first time — and then this person who basically broke her heart and she thought she was over coming in, and the last thing she ever wanted to see, and the one thing that could probably disrupt this big opportunity for her. We went to Emily right after we had come up with that idea with a very, very rough draft and felt so lucky that she saw her way into it, so that she could add so many layers. And so, in a sense, it was really tailored to her as well to like Colt was to Ryan." On Shooting in Sydney, Including on the Sydney Harbour Bridge and at Sydney Opera House Kelly: "It was really exciting, actually, to get the access to both of those two super-iconic locations. I was amazed at how much time we got at the Opera House. And we chose a scene that we could really exhibit the Opera House as something other than the Opera House — Jody Moreno is using it as the sci-fi backdrop of her epic sci-fi love story. That they allowed for us to put a bunch of sand on the beautiful stairs, and bring in waterworks so that we could make it rain, even though the sun was shining that day — and let us yank and pull and show the beauty of what a ratchet looks like in an action sequence — that stuff you don't get to see when you're normally looking at just the film, instead of the movie being made. It was really, really exciting and we just kept pinching ourselves. 'Can you believe we're just at the stairs with the Opera House here and they're letting us do this? This is a thing.' It was amazing. The whole city just really opened their arms, and wanted to solve the problems and give us access and show the town. And we just hope that everyone's really as happy with it as we are in showcasing Sydney. We really consider it a love letter to to this town." The Fall Guy releases in cinemas Down Under on Wednesday, April 24, 2024. Read our review.
Sydney comes alive in summer — long lunches segue into golden-hour drinks, warm evenings spill into the streets and the city buzzes with new exhibitions and openair experiences. Whether you're browsing a waterside market or diving into a boundary-pushing gallery show, this season is built for discovery. Instead of dipping in for a single exhibition or market visit, treat each outing as the start of its own mini escape. In the spirit of making the most of every sunny moment, we've paired five must-see summer events with nearby neighbourhood gems that showcase the breadth of Sydney's food, culture and creativity. The Rocks Markets: Christmas Edition Why it's unmissable Set beneath the Sydney Harbour Bridge, The Rocks Markets: Christmas Edition brings together local makers showcasing their wares for three festive weekends of openair browsing. Add woodfired pizza, gozleme and crepes into the mix — along with furoshiki gift-wrapping workshops — and you've got one of summer's most charming holiday pit stops. Find out more here. Make a day of it Once you've filled your tote, wander a few steps to Hooked and Harvest, The Rocks' sunny new fish and chippery serving market-fresh fish, freshly shucked oysters and flavour-packed salads. If you're after something with a deeper sense of place, Midden by Mark Olive heroes native Australian ingredients via refined dishes like kutjera-braised beef cheek, blue gum-smoked miso eggplant and Olive's signature Bush Pavlova topped with a native fruit coulis and wattleseed cream, all from a breezy spot under the sails of the Sydney Opera House. [caption id="attachment_921470" align="alignnone" width="1920"] Steven Woodburn[/caption] Wind down nearby As the sun starts to slip, take the lift up to Martinez, Circular Quay's breezy rooftop bar with Mediterranean coastal vibes, panoramic views and a bright drinks list made for golden hour. Extend your stay Make a weekend of it at The Russell Boutique Hotel, the charming new stay in the heart of The Rocks (and set right above Sydney's oldest pub). With its warm, character-filled rooms — some of which have direct courtyard access — and unbeatable proximity to some of Sydney's most iconic spots, it's an ideal base for an urban summer escape. [caption id="attachment_918689" align="alignnone" width="1920"] Eugene Hyland[/caption] RELICS: A New World Rises Why it's unmissable This immersive new exhibition at the Australian Museum transforms discarded objects into intricate LEGO® civilisations, from a grandfather clock reverse-engineered into a time machine to a cryogenics facility inside a vintage freezer. Part art installation, part nostalgic playground, it's a summer experience for kids and adults alike — and a reminder that creativity and curiosity have no age limits. Find out more here. Make a day of it Kick things off with coffee and a pastry — or an inventive breakfast plate like avo and kale bagel with peanut chilli sauce, or soft scrambled eggs swimming in chicken broth and served with garlic-buttered baguette — in the charming sandstone-framed courtyard of A.P Bread & Wine in Darlinghurst. Post-exhibition, stroll down to Woolloomooloo for a late lunch at Akti, the breezy, coastal-Greek diner serving moussaka croquettes, lamb shoulder with chimichurri and summer-ready cocktails overlooking the Finger Wharf. Wind down nearby Round out your day at Monica, Paddington's new sun-drenched rooftop bar overlooking the bustle of Oxford Street. Head up to take in sweeping skyline views, playful cocktail — like a rhubarb and grapefruit paloma on tap — in hand as the city lights flicker on. Extend your stay Not ready to go home? You don't have to — Monica sits on the roof of the new 25hours Hotel Sydney The Olympia, a design-forward Paddington boutique set in a heritage-listed former cinema. Its prime location offers easy access to some of Sydney's most vibrant neighbourhoods, with hire bikes available if you're keen to explore more. [caption id="attachment_1045265" align="alignnone" width="1920"] Emmaline Zanelli, 'Magic Cave', 2024-2025, installation view, image courtesy the artist and Museum of Contemporary Art Australia © the artist, photograph by Hamish McIntosh[/caption] MCA double-header: Primavera 2025: Young Australian Artists and A Conversation with the Sun (Afterimage): Apichatpong Weerasethakul Why it's unmissable While we're never short of reasons to visit Australia's home of contemporary art, this summer, the MCA is giving us two more. Running until early March, Primavera 2025: Young Australian Artists continues the annual exhibition's nearly four-decade legacy of providing a platform to Australia's next generation of artistic and curatorial talent. This year's works invite visitors to consider what it means to continue making art in a digital and post-industrial world. Find out more here. Also on show: Palme d'Or-winning filmmaker Apichatpong Weerasethakul's new cinematic site-specific installation for the MCA. The large-scale work — on display in the MCA Macgregor Gallery until early February — features video diaries projected onto floating fabric, creating a dream-like experience inspired by pondering the sun while walking in nature. Find out more here. Make a day of it Take a leisurely stroll around Circular Quay and drop anchor at Flaminia, the refined yet laidback venue by acclaimed chef Giovanni Pilu (Pilu at Freshwater) plating up Italian coastal classics alongside sweeping harbour views. Feeling adventurous? Hop on the ferry from Circular Quay to Manly and arrive at Felons Seafood for towering seafood platters, salt and vinegar martinis and a tap pouring Australia's coldest beer. Take a seat in the spacious outdoor terrace to soak up the sun, or nab a seat by the window for uninterrupted views across Manly Cove and Sydney Harbour. [caption id="attachment_1011783" align="alignnone" width="1920"] Steven Woodburn[/caption] Wind down nearby Next door to its namesake restaurant, Felons Manly brings the award-winning Brisbane brewhouse's beers to an expansive, sun-washed space, with regular events and live music keeping things lively throughout the evening. Or, follow the boardwalk around the shoreline to settle in at The Espy Manly, an alfresco bar serving up spritzes and sunshine in equal measure. If the mood is less wind down and more turn up, venture to neighbouring Freshwater and settle in at Bombies, a late-night bar and live music lounge that brings 1970s beach house energy to the rooftop of the historic Harbord Hotel. Extend your stay If there's a better way to start your day than at the beach, we're yet to find it. And at Manly Pacific Hotel, you'll wake up mere steps from the sand. And whether you choose to start your day with espresso on your sunlit balcony overlooking Manly Beach or you're popping across the road for a pre-breakfast surf, your morning will feel like its own little holiday. The Makers and Shakers Christmas Gift Market Why it's unmissable If you're hunting for holiday gifts with personality, this market at Rozelle's White Bay Cruise Terminal ticks every box: you'll find over 140 stalls selling Australian-made homewares, slow-fashion pieces and artisan treats in a bright, harbour-framed warehouse setting. Add drop-in workshops, kids' zones and free parking, and you've got all the ingredients for some feel-good festive shopping. Find out more here. Make a day of it Start the day with a hearty Middle Eastern-inspired brunch at The Rusty Rabbit, a light-filled corner spot in leafy Concord. If it's views you're after, it's hard to beat The Fenwick. This restaurant and art gallery on the edge of the East Balmain waterfront, set in an 1880s former tugboat store, plates up Italian-inspired fare and postcard-perfect views of the Sydney Harbour Bridge. [caption id="attachment_706208" align="alignnone" width="1920"] The Old Clare Rooftop[/caption] Wind down nearby Swap the Inner West waterfront for its indie bar scene. Start with the Inner West Distillery Trail, where small-batch gin, whisky and new-world spirits are poured straight from the source in tasting rooms across Rozelle, Marrickville and surrounds. The Inner West is also home to some of Sydney's best breweries, and the Inner West Ale Trail links a string of top-tier taprooms within a few easy kilometres. From hazy IPAs in sunny beer gardens to crisp lagers and barrel-aged sours in cavernous converted warehouses, it's a relaxed way to dig a little deeper into one of Sydney's most creative neighbourhoods. Extend your stay Make it a full weekend escape at The Old Clare Hotel, which blends luxe contemporary comforts with the character of a historic Chippendale building. By day, bask by the rooftop pool and bar, soaking up the city skyline with a drink in hand; then, wander into the laneways of Chippendale's buzzy food and bar scene to make a night of it. Ready to feel the Sydney side of summer? Discover the full calendar of what's on across the city at sydney.com.
A coffee roaster opening its own cafe is the caffeinated equivalent of a beloved movie or TV character scoring their own spinoff. This version sparks a different kind of buzz, though. Australian favourite Single O is no stranger to slinging its own brews, thanks to cafes in both Sydney and Tokyo — but finally launching in Brisbane is a new and welcome leap. If you're a fan of the 20-year-old brand, then you might be familiar with its self-serve tap system in its cafes elsewhere. In more excellent news, that's now in place in the River City as well. Single O is currently pouring — and getting customers to — on Austin Street in Newstead, where it opened at the end of August. Since 2019, coffee lovers nabbing their caffeinated brews from Single O's Surry Hills cafe in Sydney have been getting their cuppas themselves — basically, it's the coffee you make when you're not actually making the coffee — which Brisbanites can also enjoy at the first coffee-on-tap setup in the Sunshine State. The filter brews on offer will rotate through single-origin batch options. Crucially, Single O's beloved oat iced latte has earned the tap treatment, too. Also among the standout sips made on La Marzocco machines, then drunk from Malcolm Greenwood's ceramic cups: Single O's Reservoir signature blend for espresso fiends, which customers can pair with either dairy or plant milks. With local gelato makers Allora Black, the roaster has also brought its Affogato Project to town. The Brisbane version starts with coffee-infused-gelato — favouring Kenyan and Costa Rican beans — then pours on a shot of the same brew. Teaming up with Newmarket's Allora Black is just one of Single O's local collaborations. Working with Agnes Bakery is another, in an excellent development for pastry fiends. Plates come from Noosa's Kim Wallace Ceramics, while Brisbane-born artist Gemma O'Brien has given the Austin Street spot its bespoke artwork, including her first-ever hometown large-scale mural. For bites to pair with your caffeine fix, Single O owner Dion Cohen has tapped into nostalgia. Sandwiches and toasties might sound rather standard, but Cohen has taken cues from his time spent as the chef at Single O's OG location in 2003. From Surry Hills, banana bread with espresso butter makes the jump north, as has the brunch favourite that is the Avo Show (yes, it's avocado on toast, but Single O's eye-catching version). While you're eating and drinking, you'll be sat in space that heroes eco-conscious practices both in making its coffee and in decking out its cafes. Design-wise, think: raw materials aplenty, and Defy Design whipping up bar tops and stools made from recycled plastic. The venue is also Single O's new distribution and training facility for its wholesalers, aka the places you've been drinking its coffee at before now.
When Brisbane favourite Longtime shut up shop, it marked the end of an era. The Ann Street restaurant had only been open since 2014, but the Thai joint had amassed a hefty following. Thankfully, when one door closes, another one opens — in this case, new upscale eatery Same Same from the same crew. The focus on street-inspired Thai cuisine remains the same — think salt and pepper tofu sliders, and whole crispy fish with sweet four chilli dressing — however Same Same has plenty of surprises in store. This isn't just a case of transplanting a successful concept to a new spot and giving it a new name. Other food highlights include grilled scallops lathered in a curry butter, banana blossom salad with fermented shrimp salad and grilled sweet soy chicken. Or, you can pick from five types of curry, featuring the likes of lamb shanks, angus beef cheeks, and Queensland grouper. The Longtime chicken burger has made the jump over, sitting on the bar menu, while the dessert lineup is worth a trip all on its own — with coconut pana cotta, tamarind pudding with butterscotch sauce and condensed milk ice cream ($12), and mango sticky rice with coconut foam and toasted sesmae on offer. Dining with seven or more others? Then you'll need to tuck into the $79 or $120 banquet menu. You'll receive a selection of Same Same's most popular dishes, including some of the aforementioned ones — ranging from snacks and mains through to dessert. Located in the same Ada Lane strip as The Calile — one of the best hotels in Brisbane — its location also makes an imprint, joining the busy James Street precinct. Spread across two levels, it's a place with clean lines, concrete and wicker design flourishes, and, on the ground level, a long bar curving around an open central kitchen. Drinks-wise, expect a heavy focus on riesling, rose and rhone on the 140-bottle wine list, as well as a nice range of natural, organic and biodynamic Aussie drops. Given the restaurant's overall Thai flavour, Thai-inspired cocktails are also a highlight. And, if you're particularly keen on having a few beverages, Same Same's upstairs level is home to dimly lit bar LOS — and more than 110 tequilas. It's open from Thursday to Sunday until late. The team has also opened a collection of other restaurants in Brisbane, including Bianca, Honto and Agnes — if you fall in love with Same Same, perhaps give the rest of these a go as well. Appears in: The Best Restaurants in Brisbane
We know it's nothing revelatory, but we've spent far more time staring at our own four walls these past 18 months. Our homes have become our havens (and our hells), meaning it's high time to spruce up our pads. And one surefire way to give your living room a lift or brighten up your bedroom — even if you rent — is with some brand-new homewares. But this is your sanctuary, so any old couch won't do. Instead, pick up some wares that'll spark serious joy, and save yourself from the less-than-joyful activity of assembling flat-pack furniture while you're at it. In partnership with Great Southern Bank, we're helping you skip the flat-pack struggle — and still stick to your savings goals. In fact, with Great Southern Bank, you can actually top up your savings account with The Boost, which lets you add small amounts (between $0.01 and $5) to your savings as you spend on stunning new wares. So, if you're after colourful handmade ceramics, plush sofas, linen sheets and quirky chairs, check out these eight stores with homewares that won't break the bank. CASTLERY If you'd describe your taste in homewares as 'modern minimalist' then check out Castlery. There's something decidedly homey and comfortable about its affordable furniture range, though it still has a sleek edge. This 100-percent online store also makes it dead easy to browse from the comfort of your couch. Want a new dining room set? Take your pick of retro-style sideboards, mango wood tables and sleek dining benches. Or, maybe it's time to finally get rid of your nan's hand-me-down sofa and replace it with a luxe sectional. Whatever you're looking for, Castlery probably has it — and at a competitive price — so jump online stat. Be sure to sign up to its mailing list for a cheeky $50 off your first order, too. BED THREADS The clue is in the name here, so if you're looking to level up your bedding, look no further. Bed Threads is your go-to for linens and will set you up with the snoozing ensemble of your dreams. You can mix and match its 100-percent flax linen sheets, with more than 20 colours to pick from. Plus, you can currently score 20 percent off its 'build your own bundle' sets. The great news, though, is that Bed Threads services other rooms, offering a great selection of bath and table accessories to bring some pep into every space, including waffle towels, vibrantly hued table linens and quirky serveware. It's got a concise-but-killer collection of cookbooks, too. [caption id="attachment_798511" align="alignnone" width="1920"] Cassandra Hannagan[/caption] OPUS DESIGN Fun and functional, Opus Design's homewares range from subtle and understated to ostentatious and fun. Whether you're after a new set of knives or big-ticket items like coffee tables and chairs, everything here looks and feels high-end — but without the hefty price tag. A great shout if you're looking to pick up a few pieces to breathe new life into your living room, it also offers free delivery across Australia on orders over $100. Result. THIRD DRAWER DOWN Melbourne-based shop Third Drawer Down is a top homewares contender (which thankfully has a comprehensive online store, too). Stocking bold (and sometimes tongue-in-cheek) designs from an impressive list of local and international artists, Third Drawer Down celebrates individualism and playfulness with its carefully curated selection of wares. Everything here is as much a work of art as it is a functional piece of furniture, so expect a heap of bright colours, out-there drawings, crude knick-knacks and pop-culture influences. This is a great store if you're after a fun statement piece (or a few) without wanting to fork out a fortune. GOODSPACE Goodspace is a humble Instagram page dedicated to redeveloping and repurposing preloved furniture. Not only will you score something unique for your pad, but you'll also be doing the earth a solid with these sustainable pieces. The social media store sells all manner of small and large storage units, tables, chairs, sofas and lamps, to name but a few. The price on these beauties varies greatly, so be sure to check its swag regularly. It also recently launched its own line of bright-hued checkerboard rugs that'll add a splash of colour and help spiff up any room. MUD Founded in 1994, Mud has been going strong for 27 years with its minimalist ceramic designs. Perhaps best known for its handmade porcelain range brought to life by designer Shelley Simpson, Mud is all about clean, colourful pieces that are as much about the artistic process as they are functionality. So, if you're in the market for a statement salad bowl, a new mug or some unique hanging lights, check out its online store. SUNDAY SOCIETY This Brisbane-based store delivers across Australia, which is the first bit of great news you need to hear. The second? Sunday Society embraces individualism and creativity while remaining approachable in aesthetic and, perhaps more importantly, price. It has a diverse range of lounge and bedroom furniture as well as a timeless selection of outdoor wares. Style and sophistication go hand in hand every step of the way here, so no matter what you're looking for, you're bound to find something that suits your taste. LOUNGE LOVERS Whether it's the comfortable, stylish sofas or rustic, asymmetrical tables stocked at Lounge Lovers, you may find yourself being surprised at the price tag on these slick pieces. Lounge Lovers keeps things simple by offering concise variations on a number of easily workable themes. Classic and contemporary designs are brought to life via chic colour palettes that range from neutral to jewel tones, allowing you to add your personal flair to any of these accessible pieces. Great Southern Bank is empowering Aussies to get clever with their banking. Whether you want to stick to your savings goals with The Boost or hide your house deposit fund from yourself with The Vault, Great Southern Bank helps you get there. For more information on savings tools and home loan options, head to the Great Southern Bank website. Top image: Opus, Cassandra Hannagan
