Crap in a suitcase and you too might win an Emmy. Actually, don't try that at home. It worked well for Australian actor Murray Bartlett, though, after he just nabbed one of TV's most prestigious awards — and gave his mum back home Down Under a shoutout in the process — for the all-round phenomenal first season of The White Lotus. In 2022, the Emmy Awards did what the Emmy Awards always do: gave a heap of gleaming trophies to a heap of ace TV shows, and the folks who make them, of course. Oh, and it also had people dancing to the Law and Order theme, among other classic television tunes; enlisted Oprah to stress how massive the odds are of anyone ever winning; and paid tribute to the one and only Geena Davis as well. The winners, which included frontrunners Succession, The White Lotus, Ted Lasso and Squid Game, all showed that it really has been an exceptional time for TV lately. The nominees list illustrated that anyway — and even if Severance, Better Call Saul, Yellowjackets, What We Do in the Shadows,Only Murders in the Building, Barry, Station Eleven and Scenes From a Marriage didn't end up emerging victorious, they're all still among the absolute best shows that graced the small screen over the past year. That's the ceremony done and dusted. Looking for a rundown of how it all went down, as well as a list of winners? We've got that taken care of. Now, here comes the next part for all of us at home: celebrating all of the series that earned Emmy recognition this year by getting watching or rewatching. Here's ten you should check out ASAP. THE WHITE LOTUS With Enlightened, his excellent two-season Laura Dern-starring comedy-drama from 2011–13, writer/director Mike White (Brad's Status) followed an executive who broke down at work. When she stepped back into her life, she found herself wanting something completely different not just for herself, but for and from the world. It isn't linked, narrative-wise, to White's latest TV miniseries The White Lotus. The same mood flows through, however. Here, wealthy Americans holiday at a luxe Hawaiian resort, which is managed by Australian Armond (Murray Bartlett, Tales of the City) — folks like business star Nicole (Connie Britton, Bombshell), her husband Mark (Steve Zahn, Where'd You Go, Bernadette), and the teenage trio of Olivia (Sydney Sweeney, Euphoria), Paula (Brittany O'Grady, Little Voice) and Quinn (Fred Hechinger, Fear Street); newlyweds Rachel (Alexandra Daddario, Songbird) and Shane (Jake Lacy, Mrs America); and the recently bereaved Tanya (Jennifer Coolidge, Promising Young Woman). From the outset, when the opening scene shows Shane accompanying a body on the way home, viewers know this'll end with a death. But as each episode unfurls, it's clear that these characters are reassessing what they want out of life as well. In The White Lotus, a glam and glossy getaway becomes a hellish trap, magnifying glass and mirror, with everyone's issues and problems only augmented by their time at the eponymous location. In terms of sinking its claws into the affluent, eat the rich-style, this perceptive, alluring and excellently cast drama also pairs nicely with the White-penned Beatriz at Dinner, especially as it examines the differences between the resort's guests and staff. EMMYS: Won: Outstanding Limited Series, Outstanding Supporting Actor in a Limited Series of Television Movie (Murray Bartlett), Outstanding Supporting Actress in a Limited Series of Television Movie (Jennifer Coolidge), Directing for a Limited or Anthology Series or Movie (Mike White), Writing for a Limited or Anthology Series or Movie (Mike White) Where to watch it: Binge. Read our review of season one. SUCCESSION Fans of blistering TV shows about wealth, power, the vast chasm between the rich and everyone else, and the societal problems that fester due to such rampant inequality, are living in a golden time. Just in the past 12 months or so, The White Lotus has fit the bill, as has Squid Game; however, Succession has always been in its own league. In the 'eat the rich' genre, the HBO drama sits at the top of the food chain as it chronicles the extremely lavish and influential lives of the Roy family. No series slings insults as brutally; no show channels feuding and backstabbing into such an insightful and gripping satire of the one percent, either. Finally returning in 2021 after a two-year gap between its second and third seasons, Succession didn't just keep plying its astute and addictive battles and power struggles — following season two's big bombshell, it kept diving deeper. The premise has remained the same since day one, with Logan Roy's (Brian Cox, Super Troopers 2) kids Kendall (Jeremy Strong, The Trial of the Chicago 7), Shiv (Sarah Snook, Pieces of a Woman), Roman (Kieran Culkin, No Sudden Move) and Connor (Alan Ruck, Gringo) vying to take over the family media empire. This brood's tenuous and tempestuous relationship only gets thornier with each episode, and its examination of their privileged lives — and what that bubble has done to them emotionally, psychologically and ideologically — only grows in season three. It becomes more addictive, too. There's no better show currently on TV, and no better source of witty dialogue. And there's no one turning in performances as layered as Strong, Cox, Snook, Culkin, J Smith-Cameron (Search Party), Matthew Macfadyen (The Assistant) and Nicholas Braun (Zola). EMMYS Won: Outstanding Drama Series, Outstanding Supporting Actor in a Drama Series (Matthew Macfadyen), Writing for a Drama Series (Jesse Armstrong) Where to watch it: Binge. Read our review of season three. SQUID GAME Exploring societal divides within South Korea wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but its success was always going to give other films and TV shows on the topic a healthy boost. Accordingly, it's easy to see thematic and narrative parallels between the acclaimed movie and Netflix's highly addictive Squid Game — the show that's become the platform's biggest show ever (yes, bigger than everything from Stranger Things to Bridgerton). Anyone who has seen even an episode knows why this nine-part series is so compulsively watchable. Its puzzle-like storyline and its unflinching savagery making quite the combination. Here, in a Battle Royale and Hunger Games-style setup, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. That includes series protagonist Seong Gi-hun (Lee Jung-jae, Deliver Us From Evil), a chauffeur with a gambling problem, and also a divorcé desperate to do whatever he needs to to keep his daughter in his life. But, as it probes the chasms caused by capitalism and cash — and the things the latter makes people do under the former — this program isn't just about one player. It's about survival, the status quo the world has accepted when it comes to money, and the real inequality present both in South Korea and elsewhere. Filled with electric performances, as clever as it is compelling, unsurprisingly littered with smart cliffhangers, and never afraid to get bloody and brutal, the result is a savvy, tense and taut horror-thriller that entertains instantly and also has much to say. EMMYS: Won: Outstanding Lead Actor in a Drama Series (Lee Jung-jae), Directing for a Drama Series (Hwang Dong-hyuk) Where to watch it: Netflix. TED LASSO A sports-centric sitcom that's like a big warm hug, Ted Lasso belongs in the camp of comedies that focus on nice and caring people doing nice and caring things. Parks and Recreation is the ultimate recent example of this subgenre, as well as fellow Michael Schur-created favourite Brooklyn Nine-Nine — shows that celebrate people supporting and being there for each other, and the bonds that spring between them, to not just an entertaining but to a soul-replenishing degree. As played by Jason Sudeikis (Booksmart), the series' namesake is all positivity, all the time. A small-time US college football coach, he scored an unlikely job as manager of British soccer team AFC Richmond in the show's first season, a job that came with struggles. The ravenous media wrote him off instantly, the club was hardly doing its best, owner Rebecca (Hannah Waddingham, Sex Education) had just taken over the organisation as part of her divorce settlement, and veteran champion Roy Kent (Brett Goldstein, Uncle) and current hotshot Jamie Tartt (Phil Dunster, Judy) refused to get along. Ted's upbeat attitude does wonders, though. In Ted Lasso's also-excellent second season, however, he finds new team psychologist Dr Sharon Fieldstone (Sarah Niles, I May Destroy You) an unsettling presence. You definitely don't need to love soccer or even sport to fall for this show's ongoing charms, to adore its heartwarming determination to value banding together and looking on the bright side, and to love its depiction of both male tenderness and supportive female friendships (which is where Maleficent: Mistress of Evil's Juno Temple comes in). In fact, this is the best sitcom currently in production. EMMYS: Won: Outstanding Comedy Series, Outstanding Lead Actor in a Comedy Series (Jason Sudeikis), Outstanding Supporting Actor in a Comedy Series (Brett Goldstein), Directing for a Comedy Series (MJ Delaney) Where to watch it: Apple TV+. Read our review of season two. ABBOTT ELEMENTARY The Office did it, in both the UK and US versions. Parks and Recreation did it too. What We Do in the Shadows still does it — and, yes, there's more where they all came from. By now, the mockumentary format is such a well-established part of the sitcom realm that new shows deciding to give it a whirl isn't noteworthy. But in Abbott Elementary, the gimmick is also deployed as an outlet for the series' characters, all public school elementary teachers in Philadelphia, to help convey the stresses and tolls of doing what they're devoted to. In a wonderfully warm and also clear-eyed gem created by, co-written by and starring triple-threat Quinta Brunson (Miracle Workers), that'd be teaching young hearts and minds no matter the everyday obstacles, the utter lack of resources and funding, or the absence of interest from the bureaucracy above them. Brunson plays perennially perky 25-year-old teacher Janine Teagues, who loves her gig and her second-grade class. She also adores her colleague Barbara Howard (Sheryl Lee Ralph, Ray Donovan), the kindergarten teacher that she sees as a mentor and work mum. Actually, Janine isn't just fond of all of the above — she's so devoted to her job that she'll let nothing stand in her way. But that isn't easy or straightforward in a system that's short on cash and care from the powers-that-be to make school better for its predominantly Black student populace. Also featuring Everybody Hates Chris' Tyler James Williams (also The United States vs Billie Holiday) as an apathetic substitute teacher, Lisa Ann Walter (The Right Mom) and Chris Perfetti (Sound of Metal) as Abbott faculty mainstays, and Janelle James (Black Monday) as the incompetent principal who only scored her position via blackmail, everything about Abbott Elementary is smart, kindhearted, funny and also honest. A second season is on its way, too. EMMYS: Won: Outstanding Supporting Actress in a Comedy Series (Sheryl Lee Ralph), Outstanding Writing for a Comedy Series (Quinta Brunson) Where to watch it: Disney+. EUPHORIA From the very first frames of its debut episode back in June 2019, when just-out-of-rehab 17-year-old Rue Bennett (Zendaya, Spider-Man: No Way Home) gave viewers the lowdown on her life, mindset, baggage, friends, family and everyday chaos, Euphoria has courted attention — or, mirroring the tumultuous teens at the centre of its dramas, the Emmy-winning HBO series just knew that eyeballs would come its way no matter what it did. The brainchild of filmmaker Sam Levinson (Malcolm & Marie), adapted from an Israeli series by the same name, and featuring phenomenal work by its entire cast, it's flashy, gritty, tense, raw, stark and wild, and manages to be both hyper-stylised to visually striking degree and deeply empathetic. In other words, if teen dramas reflect the times they're made — and from Degrassi, Press Gang and Beverly Hills 90210 through to The OC, Friday Night Lights and Skins, they repeatedly have — Euphoria has always been a glittery eyeshadow-strewn sign of today's times. That hasn't changed in the show's second season. Almost two and a half years elapsed between Euphoria's first and second batch of episodes — a pair of out-of-season instalments in late 2020 and early 2021 aside — but it's still as potent, intense and addictive as ever. And, as dark, as Rue's life and those of her pals (with the cast including Hunter Schafer, The King of Staten Island's Maude Apatow, The Kissing Booth franchise's Jacob Elordi, The White Lotus' Sydney Sweeney, The Afterparty's Barbie Ferreira, North Hollywood's Angus Cloud and Waves' Alexa Demie) bobs and weaves through everything from suicidal despair, Russian Roulette, bloody genitals, unforgettable school plays, raucous parties and just garden-variety 2022-era teen angst. The list always goes on; in fact, as once again relayed in Levinson's non-stop, hyper-pop style, the relentlessness that is being a teenager today, trying to work out who you are and navigating all that the world throws at you is Euphoria's point. EMMYS: Won: Outstanding Lead Actress in a Drama Series (Zendaya) Where to watch it: Binge. HACKS In 2021, Hacks' first season quickly cemented itself as one of 2021's best new TV shows — one of two knockout newbies starring Jean Smart last year, thanks to Mare of Easttown as well — and it's just as ace the second time around. It's still searingly funny, nailing that often-elusive blend of insight, intelligence and hilarity. It retains its observational, wry tone, and remains devastatingly relatable even if you've never been a woman trying to make it in comedy. And it's happy to linger where it needs to to truly understand its characters, but never simply dwells in the same place as its last batch of episodes. Season two is literally about hitting the road, so covering fresh territory is baked into the story; however, Hacks' trio of key behind-the-scenes creatives — writer Jen Statsky (The Good Place), writer/director Lucia Aniello (Rough Night) and writer/director/co-star Paul W Downs (The Other Two) — aren't content to merely repeat themselves with a different backdrop. Those guiding hands started Hacks after helping to make Broad City a hit. Clearly, they all know a thing or two about moving on from the past. That's the decision both veteran comedian Deborah Vance (Smart) and her twentysomething writer-turned-assistant Ava Daniels (Hannah Einbinder, North Hollywood) had to make themselves in season one, with the show's second season now charting the fallout. So, Deborah has farewelled her residency and the dependable gags that kept pulling in crowds, opting to test out new and far-more-personal material on a cross-country tour instead. Ava has accepted her role by Deborah's side, and is willing to see it as a valid career move rather than an embarrassing stopgap. But that journey comes a few narrative bumps. Of course, Hacks has always been willing to see that actions have consequences, not only for an industry that repeatedly marginalises women, but for its imperfect leading ladies. EMMYS: Won: Outstanding Lead Actress in a Comedy Series (Jean Smart) Where to watch it: Stan. Read our full review of season two. THE DROPOUT Dramatising the Theranos scandal, eight-part miniseries The Dropout is one of several high-profile releases this year to relive a wild true-crime tale — including the Anna Delvey-focused Inventing Anna, about the fake German heiress who conned her way through New York City's elite, and also documentary The Tinder Swindler, which steps through defrauding via dating app at the hands of Israeli imposter Simon Leviev. It also dives into the horror-inducing Dr Death-esque realm, because when a grift doesn't just mess with money and hearts, but with health and lives, it's pure nightmare fuel. And, it's the most gripping of the bunch, even though we're clearly living in peak scandal-to-screen times. Scam culture might be here to stay as Inventing Anna told us in a telling line of dialogue, but it isn't enough to just gawk its way — and The Dropout and its powerful take truly understands this. To tell the story of Theranos, The Dropout has to tell the story of Elizabeth Holmes, the Silicon Valley biotech outfit's founder and CEO from the age of 19. Played by a captivating, career-best Amanda Seyfried — on par with her Oscar-nominated work in Mank, but clearly in a vastly dissimilar role — the Steve Jobs-worshipping Holmes is seen explaining her company's name early in its first episode. It's derived from the words "therapy" and "diagnosis", she stresses, although history already dictates that it offered little of either. Spawned from Holmes' idea to make taking blood simpler and easier, using just one drop from a small finger prick, it failed to deliver, lied about it copiously and still launched to everyday consumers, putting important medical test results in jeopardy. EMMYS: Won: Outstanding Lead Actress in a Limited Series of Television Movie (Amanda Seyfried) Where to watch it: Disney+. Read our review. DOPESICK 'Eat the rich' dramas have been having their day across small screens and streaming queues (see: Succession, The White Lotus and Squid Game above), inescapably so. That said, shows in another big current trend are everywhere, too. Dramatised true tales just keep enlisting stacked high-profile casts to wade through murky IRL details, Dopesick included — which adapts Beth Macy's non-fiction book Dopesick: Dealers, Doctors, and the Drug Company that Addicted America. You don't need to have read that text to instantly know that it's about the impact of opioids throughout the US. Everyone has heard of painkiller OxyContin, which originated from US pharmaceutical company Purdue Pharma. Everyone now knows that it is highly addictive, and that that simple fact is the cause of too many woes. If you aren't aware of all the details — or even if you are — prepare for grim viewing via this eight-part affair. The names don't mirror real life, but the story is factual — and infuriating. Michael Keaton (Morbius) plays Samuel Finnix, a mining town doctor who is convinced by Purdue rep Billy Cutler (Will Poulter, Midsommar) to begin prescribing the then-new OxyContin to patients — such as Betsy (Kaitlyn Dever, Dear Evan Hansen), who has a back injury. Also covered: the legal efforts by assistant US attorneys Rick Mountcastle (Peter Sarsgaard, The Lost Daughter) and Randy Ramseyer (John Hoogenakker, Castle Rock) to make Purdue accountable, with the series never holding back about the ills that the drug has caused. The word for the end result: harrowing in oh-so-many ways and for oh-so-many reasons, and also empathetic towards the people affected by opioids. EMMYS: Won: Outstanding Lead Actor in a Limited Series of Television Movie (Michael Keaton) Where to watch it: Disney+. OZARK In 2022, Julia Garner schemed her away into New York's upper echelons in the instantly addictive Inventing Anna, playing IRL faux socialite Anna Delvey — and won the unofficial award for wildest accent on TV, too. She didn't end up nabbing an Emmy for her part, despite being nominated; however, the acclaimed actress didn't go home empty-handed. The reason? Fellow Netflix series Ozark. Not for the first time, The Assistant star picked up the Outstanding Supporting Actress in a Drama Series gong for the crime drama. Actually, this marks her third win, all for her blistering performance as Ruth Langmore. When the show started back in 2017, Garner wasn't in its top-two biggest names, thanks to Jason Bateman (The Outsider) and Laura Linney (Tales of the City), but she's turned her part into an absolute powerhouse. Ozark's focus: a financial advisor, Marty Byrde (Bateman), who moves from Chicago to a quiet Missouri town — yes, in the titular Ozarks region — after a money-laundering scheme goes wrong in a big way. That's a significant shift for his wife Wendy (Linney) and kids Charlotte (Sofia Hublitz, What Breaks the Ice) and Jonah (Skylar Gaertner, Daredevil), but it doesn't see Marty change his ways. Instead, more laundering is in his future, as well as crossing paths with Ruth, who hails from a criminal family. Across its four-season run, Ozark has always been lifted by its performances, which is unsurprising given that Bateman, Linney and Garner are all at the top of their games. It's a masterclass in tension, too, and in conveying a relentless feeling of dread. EMMYS: Won: Outstanding Supporting Actress in a Drama Series (Julia Garner) Where to watch it: Netflix. Top image: Mario Perez/HBO.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=WL-G4oCoDF0&feature=youtu.be HIGH GROUND Violence is never splashed across a cinema screen unthinkingly. Depicting physical force is always a choice, even in by-the-numbers action films where fists and bullets fly far more frequently than meaningful moments. Accordingly, when brutality and bloodshed arrives in a drama that peers back at Australia's colonial past, there's no doubting that the filmmakers responsible have thought about what they're including, why, the message it conveys and the impact it'll have on the audience. High Ground is one such Aussie feature. Its main forceful encounter occurs early, motivating everything that follows and proving impossible to forget. In 1919, ex-World War I sniper-turned-police officer Travis (Simon Baker, Breath) sets out across the area now known as Kakadu National Park, leading a law enforcement team on a routine expedition; however, it doesn't take much — namely, the decisions of his less fair-minded colleagues — for the journey to end with the slaughter of Indigenous Australians. Twelve years later, in the 30s, Travis is still haunted by the incident. In one of High Ground's most important choices, it doesn't require any effort at all to understand why he feels the way he does, or why his eyes have taken on a sorrowful glint. The movie's viewers have witnessed the same awful events, with Aboriginal men, women and children who were enjoying a peaceful waterside gathering all suddenly and savagely killed, and a boy called Gutjuk (played by as a child Guruwuk Mununggurr and Jacob Junior Nayinggul as an adult) only managing to leave the scene alive thanks to Travis' intervention. Even when untainted by blood, the country's landscape has blazed with red, orange and ochre hues since long before European settlement — since the sun first started beating down upon it, undoubtedly — with those colours helping many an Aussie film bake heated feelings of fury and torment into their frames. Indeed, simmering anguish goes with the territory in High Ground. That's true of every movie that recognises that Australia was far from terra nullius when the First Fleet arrived, but there's no escaping the scorching mood that radiates here, as director Stephen Maxwell Johnson (Yolngu Boy) intends. Working with cinematographer Andrew Commis (Babyteeth) to bring screenwriter Chris Anastassiades' (The Kings of Mykonos) script to the screen, the filmmaker fills his first feature in two decades with picturesque yet also pulsating scenery. Peering down at eye-catching swathes of the Northern Territory, the nation's earthy beauty is striking and stunning, and so is the knowledge that it was walked upon by Indigenous Australians for tens of thousands of years. And one goes with the other, as the movie's soundtrack also helps reinforce, layering the noises of birds and wildlife with songs by Yolngu singers such as Yothu Yindi's Witiyana Marika — who also appears in the film as Gutjuk's grandfather Dharrpa — and his son Yirrmal Marika. Read our full review. https://www.youtube.com/watch?v=SG_EVA58P-g NEWS OF THE WORLD A year after his exquisite and rightly Oscar-nominated performance in A Beautiful Day in the Neighbourhood, Tom Hanks returns to the big screen with his latest great film. In News of the World, he plays a Civil War veteran-turned-travelling newsman who becomes saddled with escorting a child back to her family — and he's as gripping and compelling to watch as he's ever been. Hanks' character, Captain Jefferson Kyle Kidd, is a travelling newsman in the very literal and era-appropriate sense. He journeys from town to town to read newspapers to amassed crowds for ten cents a person, all so folks across America can discover what's going on — not just locally, but around the country and the world. Then, on one otherwise routine trip in 1870, he passes an overturned wagon. Only a blonde-haired ten-year-old girl, Johanna (Helena Zengel, System Crasher), remains alive. Kidd soon discovers that she had been abducted by the Kiowa people years earlier during a raid that saw her entire family slaughtered, and was then raised as one of their own, but she has now been left homeless after more violence. The wagon was transporting Johanna to her last remaining relatives and, in the absence of any officials willing to take over — or ensure her safety until they get around to setting off — Kidd reluctantly agrees to the task. Reading the news is still part of their trek, but so is avoiding the many dangers that plague their ride across Texas' golden-hued landscape. If the sight of a wearied Hanks donning a wide-brimmed hat, sitting atop a horse and galloping across scrubby plains feels unfamiliar, that's because it hasn't happened before — with News of the World marking his first-ever western more than four decades after he made his acting debut. (No, his time voicing cowboy plaything Woody in the Toy Story movies doesn't count.) Hanks is a natural fit, unsurprisingly. The grounded presence he has brought to everything from Apollo 13 to The Post couldn't pair better with a genre that trots so openly across the earth, and ties its characters' fortunes so tightly to the desolate and wild conditions that surround them, after all. As a result, the fact that News of the World eagerly recalls previous western highlights such as The Searchers and True Grit doesn't ever become a drawback. Instead, this adaptation of Paulette Jiles' 2016 novel makes a purposeful effort to put its star in the same company as the many on-screen talents who've shone in — and strutted and scowled through — the genre. Hanks takes to the saddle like he's been perched upon one his entire career, of course, and takes to Kidd's lone-rider status with the same naturalistic air as well. But, in a movie directed with less frenetic and jittery flair but the right amount of pulsating emotion by Captain Phillips filmmaker Paul Greengrass, he isn't the only standout. His young co-star is just as phenomenal, in fact, although that won't come as even the slightest surprise to anyone who saw Zengel's performance in 2019's System Crasher, which won the pre-teen the German Film Prize for Best Actress. Read our full review. https://www.youtube.com/watch?v=CGZmwsK58M8 MALCOLM & MARIE Shot in quarantine in mid-2020, Malcolm & Marie meets its eponymous couple on a momentous night, with filmmaker Malcolm (John David Washington, Tenet) all abuzz after the premiere of his latest feature. The critics gushed to him in-person so, arriving back at the flashy house that's been rented for him, he's drunk on praise and eager to celebrate with his girlfriend and aspiring actress Marie (Zendaya, Spider-Man: Far From Home). As she cooks him mac 'n' cheese, he pours drinks and relives the evening's events. But Marie isn't as enthusiastic, or as willing to cast everything about the premiere in a rosy glow. The catalyst for her simmering discontent, other than just the state of their relationship: as Malcolm & Marie writer/director Sam Levinson admits he did himself at the premiere of his 2017 movie Assassination Nation, Malcolm forgot to thank Marie. Levinson's wife only brought it up once, he has said; however, the moment the subject comes up on-screen, Marie isn't willing to accept Malcolm's claim that he simply forgot. Cue oh-so-much arguing, mixed in with cosier banter, broader chats about art and politics, Marie's frequent escapes outside to smoke and Malcolm's impatient waiting for the first reviews of his film to drop. Again and again, their discussion circles back to their history. Malcolm's movie is about a 20-year-old addict, and Marie once was that woman. So, she feels as if her real and painful experiences have hoovered up by him, without any appreciation or recognition — without casting her in the role, too. Where everything from Blue Valentine and the Before trilogy to Marriage Story have previously gone, Malcolm & Marie follows: into the fiery heat and knotty struggles of a complicated relationship. Like Blue Valentine, it charts ecstatic highs and agonising lows. As Before Sunrise, Before Sunset and Before Midnight did, it relies upon dialogue swapped frequently and passionately. And stepping in Marriage Story's territory, it follows a director and an actor as their career choices highlight issues they've plastered over for far too long. Still, while assembled from familiar pieces, Malcolm & Marie slinks into its niche. It's devastatingly stylish thanks to its black-and-white colour palette, elegant costuming and luxurious single-location setting. It glides by almost entirely on the strength of its ferocious performances, with Zendaya and Washington both exceptional. But it's also indulgent and obvious, as well as clumsy in its handling of many of its conversation topics. The film is at its best when its characters fight specifically about their relationship, and at its worst when it forgets that it's about people rather than about ideas. Like most relationships, it soars at times and sinks at others — and, in a very 2020–1 outcome, it easily leaves viewers wondering what might've eventuated if it hadn't been cooked up in a pandemic, designed to work within COVID-19 restrictions and scripted in just six days. Malcolm & Marie is screening in select Sydney and Melbourne cinemas. Read our full review. https://www.youtube.com/watch?v=uZLKevPsC6M PIXIE 2021 is barely a month old, but only one film reaching cinemas this year will feature beloved comedian Dylan Moran as a drug kingpin working out of a fish factory — and remaining as acerbic as ever in the process, of course — as well as Alec Baldwin as a gangster priest who uses his collar and church as a cover. That'd be Irish caper comedy Pixie, which takes its name from the woman, Pixie O'Brien (Olivia Cooke, Sound of Metal), at the centre of a heist, more than a few instances of double-crossing and a long-running feud between two groups of mobsters. Her stepfather Dermot (Colm Meaney, Gangs of London) leads one faction. Her still-yearning ex-boyfriend Colin (Rory Fleck Byrne, Zomboat!) is in his employ, but is willing to put his job and life at risk by ripping off a huge haul of MDMA. That said, most of Pixie's quest to cash in on the big score and flee to art school in San Francisco sees her spending time with best mates Frank (Ben Hardy, Bohemian Rhapsody) and Harland (Daryl McCormack, Peaky Blinders). The former has always had a crush on the titular character, while the latter sports his own feelings — and the fact that they're told "she won't just break you, she'll take a Kalashnikov to your heart" doesn't phase them in the slightest when they think they have a chance to earn her attention and affection. Directed by St Trinian's and St Trinian's 2: The Legend of Fritton's Gold helmer (and Wayne's World and Spice World producer) Barnaby Thompson using a script penned by his son Preston (Kids in Love), Pixie finds enough charm in two key places: its engaging lead actor and its energy. Cooke is fantastic, running rings around every single one of her almost-exclusively male co-stars with her smart, spirited attitude and mesmerising presence. And, tonally, the film sports a distinct mid-90s/early-00s vibe; if you found it on a streaming platform rather than showing on the big screen, you could easily think that it had been sitting in an online catalogue for quite some time and you just hadn't ever heard of it. Still, Pixie is never anything more than watchable. The younger Thompson's screenplay doesn't quite perfect its attempts to make its protagonist her own person, leaning too heavily on male fantasies even despite Cooke's impressive efforts. Also, almost every aspect of the plot seems like the product of someone who spent their formative years worshipping Quentin Tarantino, Martin McDonagh (In Bruges) and John McDonagh (The Guard). In fact, the elder Thompson's stylistic approach actually does the latter, too, which is evident no matter how quickly the whole movies zips along. https://www.youtube.com/watch?v=f8tofjqqrV8 OCCUPATION: RAINFALL Every science fiction film that has reached cinemas since 1977 has sat in the shadows of Star Wars, the best-known big-screen franchise there in the genre. But few movies have splashed around their desire to resemble the George Lucas-created saga and its success as blatantly as the Gold Coast-shot Occupation: Rainfall, the second entry in Australia's Occupation series. Narrative-wise, it follows an alien invasion, which its 2018 predecessor first detailed. That might sound more like Independence Day than Star Wars; however, humanity's survivors are cast as rebels fighting back against ruthless extraterrestrial forces with planet-eradicating weapons, which should ring more than a few bells from a tale set a long time ago in a galaxy far, far away. It's also impossible not to notice the red beams of light adorning sword-like weapons, especially when they're swung around in one-on-one face-offs; the frequent front-on shots of solo pilots sitting in their aircrafts as sky battles rage around them; the way that everything from towering military technologies to bobbing, weaving and crashing aerial conflicts are framed; and the sound effects so familiar you'd be forgiven for thinking they've just been lifted wholesale. There's also a comic green-skinned critter as a sidekick, this time quoting lines from other films rather than saying "ooh, mooey mooey, I love you!" (and, interestingly, voiced by Harry Potter's Jason Isaacs). That Occupation: Rainfall proves so derivative sits at odds with its ambition. Writer/director Luke Sparke is clearly dreaming big, which is to be admired and applauded — as any attempt to remedy Australia's lack of a big homegrown sci-fi franchise should be. Alas, just as Occupation's aping of Red Dawn and Tomorrow, When the War Began was always evident, the debt that Rainfall owes its high-profile influences is obvious to the point of being distracting. The thin storyline doesn't help, with Rainfall starting with the decimation of Sydney, then splitting its focus between resistance fighter Matt Simmons (Dan Ewing, Home and Away) and his reluctant alliance with alien Gary (Lawrence Makoare, The Dead Lands), and the ideological differences between his colleagues Amelia Chambers (Jet Tranter, Tidelands) and Wing Commander Hayes (Daniel Gillies, The Originals). Matt and Gary head to Pine Gap to track down an item of value to the extraterrestrials, which puts them in odd-couple road-movie territory, while Amelia disagrees with Hayes' willingness to conduct experiments on and torture their otherworldly foes. The clunky dialogue everyone is forced to utter doesn't assist either, and neither does the return of Star Wars alumnus Temuera Morrison or the appearance of Community's Ken Jeong — or the always-apparent reality that keeping the franchise going and laying the groundwork for a third film is the main aim above all else. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26; and December 3, December 10, December 17, December 26; and January 1, January 7, January 14 and January 21. You can also read our full reviews of a heap of recent movies, such as The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky, The Furnace, Wonder Woman 1984, Ottolenghi and the Cakes of Versailles, Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger and Only the Animals. Top images: News of the World, Bruce W Talamon/Universal Pictures/Netflix; Malcolm & Marie, Dominic Miller, Netflix.
The time has come. Nintendo's highly anticipated new mobile Mario Kart game has raced onto smartphones everywhere, giving fans what they've always wanted: the ability to play the iconic title anywhere and everywhere, and zoom around tracks inspired by real-life locations. Yep, Mario Kart Tour ticks both boxes. Released yesterday — Wednesday, September 25 — on both iOS and Android, the game is a big deal for Nintendo, marking Mario Kart's first foray into the mobile realm. For the past 27 years, if you wanted to hop in a red-coloured kart, pretend you're the company's famous character and hurl shells at your competitors (all virtually, of course), you had to have a Nintendo console or handheld device — such as a Super Nintendo, Nintendo 64, Game Boy, Game Cube, DS, Wii, 3DS, Wii U or Switch. While Luigi, Bowser, Peach and the gang reappear in the game as they've always done, the fresh courses are also a huge achievement. Say goodbye Rainbow Road — Mario Kart Tour features tracks in Paris, Tokyo, New York and more. You can drive past Tokyo Tower, rush beside the Arc de Triomphe and zoom along Broadway, among other spots. The global tours will change every fortnight, too, so you can look forward to more locations. And, on select courses, some beloved Mario Kart characters can navigate their own special variations. https://www.youtube.com/watch?v=vgJO3000GXU Free to play (with in-app purchases), you use your finger to steer, drift and sling items. Otherwise, it's basically business as usual. Cycle through different karts and drivers, hit the accelerator and get ready to collect coins and unleash oh-so-many banana peels. Mario Kart Tour is now available for free on iOS and Android via the Mario Kart Tour website.
Sorry coffee lovers, becoming an adult is realising that water is actually the ultimate drink. And for one day only at Yo-Chi stores around the country, you can fill up for free and score yourself a sweet two-for-one treat at the same time. Taking place on Wednesday, March 25, Yo-Chi is inviting everyone to fill a reusable bottle or vessel at each store's free water station. Sparkling or still, the choice is yours. But just know plastic isn't accepted — this promo is all about saying goodbye to single-use bottles. View this post on Instagram As your reward for getting hydrated and making an eco-friendly move, the free froyo that comes with your feel-good refill is more than a small bonus. It's buy-one-get-one-free, with the Yo-Chi of lesser value complimentary up to $12. Back in 2022, Yo-Chi stopped selling bottled water, recognising its significant environmental impact. Despite up to $10 million in lost sales, the company turned to free water stations, where every refill means less plastic waste going to landfills. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
After a sold-out Sydney season, the Tony and Grammy Award-winning musical The Book of Mormon is heading back to Melbourne and Brisbane in 2026. The hit production will return to Melbourne's Princess Theatre next February — the same venue where it made its Australian debut in 2015 and set a new record for the highest-selling on-sale period in the theatre's 159-year history — before opening at Brisbane's QPAC in July. The Australian cast features Sean Johnston (Hairspray) as Elder Price, Nick Cox (Beauty and the Beast) as Elder Cunningham, and Paris Leveque, who made her professional debut in the Sydney season, as Nabulungi. They're joined by Tom Struik (Sister Act the Musical), Simbarashe Matshe (Filthy Business), Augie Tchantcho, reprising his role as The General, and Matthew Hamilton (Tina – The Tina Turner Musical). Winner of nine Tony Awards, including Best Musical, and a Grammy for Best Musical Theatre Album, The Book of Mormon has earned global acclaim since its Broadway debut in 2011. Created by South Park's Trey Parker and Matt Stone, alongside songwriter Robert Lopez (Frozen, Avenue Q), the production combines biting humour with sharp satire and unforgettable music. You can join the waitlist for priority access to tickets via The Book of Mormon website. Images: Supplied
The GPO is finally back — and it's become a trio of spots behind the same historic facade. Fancy hitting up a 1920s-themed lounge bar? You now can. Prefer a contemporary dining venue? That's on offer, too. And need a new post-work drinks spot? Step right in. Those three spots are The Gatsby, TAMA and The Tax Office, aka the results of a massive makeover. It was in August 2022 that it was revealed that the 136-year-old GPO site was being taken over by Artesian Hospitality, with news of its key staff, three-venues-in-one setup and opening date unveiled since. Then, from early July, GPO started welcoming Brisbanites back through its doors. Now, the full trio of its hangouts behind its heritage-listed facade. Head to The Gatsby not just for cocktails, but for hanging out around the venue's old vault — a reminder of the location's previous iterations. This joint is a late-night, walk-in-only cocktail and whisky bar on the building's upper level, with lavish decor and an upscale mood. TAMA is found on the site's ground level, complete with a private dining room, a cellar stocked with 1000 handpicked bottles of vino and champagne, and Executive Chef Richard Ousby guiding the menu. And at The Tax Office, folks can sit around an island bar and tuck into pub food-style snacks, plus beers both bottled and on tap, and a curated wine list.
Death and destruction are no strangers to our screens at the moment. When Avengers: Endgame isn't pondering the decimation of half of humanity, then Game of Thrones is getting kill-happy with dragons — and then there's John Wick: Chapter 3 — Parabellum's astonishingly staged action and ample body count, plus Godzilla: King of the Monsters' world-destroying mayhem as well. But when it comes to sheer horror of the bone-chilling kind, not to mention the kind of soul-crushing dismay that can only stem from the bleakest of tales, they all pale in comparison to HBO's hit new mini-series Chernobyl. Currently streaming on Foxtel Now in Australia and Soho in New Zealand, the five-part show explores the aftermath of the 1986 nuclear disaster, which saw the reactor inside the Ukrainian facility explode. The fallout, unsurprisingly, was catastrophic, with the incident considered the worst nuclear power plant accident in history as well one of the worst man-made events ever. Releasing approximately 400 times more radioactive material than the atomic bombings of Hiroshima and Nagasaki will do that, as will the disaster's significant environmental and human toll. While the dramatisation begins with the fiery explosion, it's what happens next that earns the show's focus — the initial salvage attempts by workers condemned to suffer and die just for doing their jobs; the arrogant cover-ups, including by stubborn plant supervisors who refuse to believe what's happened; the clean-up and rescue missions, sacrificing more lives to the incident; and the inevitable investigation. Every aspect of the series is detailed, thorough, and even more relentless and unnerving than you'd expect given the real-life situation, with creator and writer Craig Mazin drawing upon meticulous research, interviews with nuclear scientists, chats with former Soviet residents and first-person accounts from those who were there. Expect a grim tone, grey imagery, the galvanising feeling that comes from watching such an enormous disaster unfold, and a slew of great performances as well. Mad Men's Jared Harris leads the cast as the Soviet nuclear physicist who first grasps the full scope of the accident, Stellan Skarsgård pops up as the Soviet Deputy Prime Minister assigned by the Kremlin to lead the government commission into the incident, and Emily Watson plays another physicist determined to work out what caused the disaster. Other familiar faces among the hefty cast include Beast's Jessie Buckley, Harry Potter and the Deathly Hallows' Adrian Rawlins and American Animals' Barry Keoghan. A word of warning: Chernobyl isn't easy viewing. If you're not fond of constantly feeling tense, terrified and panicked, don't fare well with body horror, and have no time for cruel and clueless political machinations from inept folks cowering in the face of catastrophe, this isn't for you. But the US-UK series, a co-production between HBO and British broadcaster Sky, is as masterful as it is haunting and shocking — which is exactly what a show about such a dark chapter of recent history should be. Check out the trailer below: https://www.youtube.com/watch?v=s9APLXM9Ei8 Chernobyl's first four episodes are currently available to stream via Foxtel Now and Soho, with the fifth and final episode arriving on Monday, June 3. It'll also air weekly on Foxtel Showcase from Wednesday, June 12. Images: Liam Daniel/HBO.
Considering a road trip to the nation's capital? From feeding lions and conquering epic hikes to treating yo'self in palaces of rejuvenation, Canberra isn't short on activities that'll make any mini-break extra memorable. Of course, after visiting the city's museums and galleries and exploring the surrounding wineries and national parks, you'll need somewhere to rest your head at the end of the day. And, you'll want it to tick every box you're looking for — whether you'd prefer a plush glamping bed hidden among the vineyards or a luxurious city nest within stumbling distance of the top-notch nightlife. To help ensure you make the most of your trip to Canberra, we've found seven places to stay that'll tickle the fancy of every type of adventurer there is. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
It arrives in the dead of winter. It fills Hobart with festivalgoers in the dark of night. It gets the brave donning nothing but their birthday suits to take a dip for the winter solstice. For ten fests now, with Tasmania's Museum of Old and New Art at the helm, Dark Mofo has unleashed its wildest and weirdest delights upon the Apple Isle — its most sinister, surprising, challenging and stunning as well — and tempted arts lovers Australia-wide and beyond to the nation's southernmost state. Don't just think of Dark Mofo as the twisted sibling to Tasmania's other big annual festival, summer's Mona Foma, though. Running from Thursday, June 8–Thursday, June 22 in 2023, this event adores the space where opposites clash: dark and light, birth and death, all things wholesome and hedonistic included. That's what makes it the kind of Tassie getaway where you can slumber while listening to an eight-and-a-half-hour lullaby, see garbage turned into musical instruments, then wander into a theatre-meets-rave performance and witness Dante's journey through hell, purgatory and paradise come to life. Keen on the sunnier, sweeter side of this year's lineup? Prefer letting loose and making "when at Dark Mofo" your mantra? There's an event on the 2023 program for you either way, and no matter what level of chaos you're after — and after asking the Dark Mofo team for their tips on both sides of the spectrum, we've put together this handy guide. Concrete Playground Trips' Dark Mofo accommodation package might come in helpful, too. And, while some of these events are sold out at the time of writing, keep a keen eye on the fest's resales for more tickets. WHOLESOME: [caption id="attachment_899216" align="alignnone" width="1920"] Photo credit: Luke Currie-Richardson. Courtesy of BARKAA and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] THE GATHERING There's no doubting that Dark Mofo knows how to throw a party. That's the entire festival from start to finish, as well as many of its events from its first moments each year to its last. But there's nothing like a massive opening-night celebration — especially when that shindig showcases and celebrates First Nations culture and talent, as The Gathering does. On 2023's bill: Palawa and mainland Indigenous artists, all taking over In The Hanging Garden from 6.30pm–12am on Thursday, June 8. When you're not listing to BARKAA's energetic tunes and Tasman Keith's synth-scored raps, you'll be enjoying dameeeela's mixes, DENNI's vocals, and MARLON X RULLA's R&B and hip hop. Kartanya + KARAI are joining forces for a performance that blends poetry and music, Rob Braslin will do a stand-up set and Lutruwita / Tasmanian Aboriginal Elder Uncle Dougie Mansell will play music inspired by the state. And, in a partnership with Melbourne's YIRRAMBOI, Kin heroes cross-cultural connections between Victoria's Koorie and Tasmania's Palawa peoples. [caption id="attachment_803281" align="alignnone" width="1920"] Max Richter — SLEEP, Kraftwerk Berlin 2016. Photo: Stefan Hoederath.[/caption] MAX RICHTER'S SLEEP For some party people at Dark Mofo — many, even — spending all night at the festival doesn't involve getting any shuteye. But hitting the hay is definitely a part of this year's fest. Actually, Dark Mofo wants you to wear your pyjamas and sleep over. The slumber party comes courtesy of Max Richter's SLEEP, which returns to Australia for an eight-and-a-half-hour overnight stint on Wednesday, June 14 (and heads to Tasmania as an Aussie exclusive). You'll close your eyes, drift off to the land of nod and Richter's compositions will play as you snooze. The forty-winks part will happen on beds provided by Dark Mofo, while the latter is based on the neuroscience of having a kip. If you've seen the documentary about it, you'll already be excited — and you'll have your PJs ready. [caption id="attachment_899213" align="alignnone" width="1920"] Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] ZINDZI & THE ZILLIONAIRES There's a bear on Dark Mofo's 2023 program. There's also an actor and musician that usually appears on-screen to entertain the festival's youngest attendees after a song about chairs, games and stories gets a spin. That'd be Zindzi, one of Play School's beloved hosts, who joins the fest lineup with The Zillionaires, her fluffy sidekicks. This concert is firmly for kids — and the adults taking them along, with children under two admitted free. If you're making the visit to Tassie with your family, Zindzi's two daytime sets on Sunday, June 11 (at 12pm and 2.30pm) are prime all-ages fun. And yes, you'll also know Zindzi as Okenyo, and for popping up as an actor in The Code, Sisters, Wakefield and Totally Completely Fine. [caption id="attachment_899214" align="alignnone" width="1920"] Photo credit: Zizuke. Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] FULU MIZIKI Venturing to Dark Mofo from the Democratic Republic of Congo, Fulu Miziki won't just entertain you with their Afro-futurist-punk sounds. That's a given; however, they'll also make you think twice about what you discard. As you watch them play, they'll be making music with garbage — which they've turned into musical instruments. There are two parts to Fulu Miziki's Dark Mofo stint. The experimental workshop on Sunday, June 11 will teach a few lucky folks how to follow in the collective's footsteps with their own refuse and reclaimed materials, complete with a concert afterwards. And, the day prior on Saturday, June 10, Fulu Miziki will also be taking to the Odeon Theatre stage. This isn't just a family-friendly part of Dark Mofo — it's eco-friendly as well. [caption id="attachment_899210" align="alignnone" width="1920"] Photo credit: Zan Wimberley. Courtesy of the artist and Dark Mofo, Nipaluna/Hobart, Tasmania, Australia.[/caption] WITHOUT US YOU WOULD HAVE NEVER LEARNT ABOUT LOVE When we said before that there's a bear in Dark Mofo's 2023 program, we were referring to Giant Teddy, a towering Korean pop culture-inspired teddy bear that has lasers for eyes, plus a camera that'll show its live surveillance elsewhere in Hobart. But you can also expect to see stuffed toys at Without Us You Would Have Never Learnt About Love — because it makes an operatic tragedy with repurposed playthings. Artist Jason Phu is behind this creative use of jailbroken toys, and will have them performing inside a taoist robotic shrine. If it sounds like the kind of thing that you don't see every day, it truly is. Checking it out is free, and as simple as heading to the Baha'i Centre from 4–10pm between Thursday, June 8–Monday, June 12 and Wednesday, June 14–Sunday, June 18. HEDONISTIC: [caption id="attachment_898571" align="alignnone" width="1920"] Photo Credit: Dark Mofo/Jesse Hunniford. Image Courtesy Dark Mofo, Hobart, Tasmania, Australia. Dark Mofo 2018.[/caption] WINTER FEAST Winter Feast is all about tucking into local produce by the fire while listening to tunes and just generally enjoying an evening of revelry. One of Dark Mofo's annual highlights, it returns for 2023 across eight nights — running from Thursday, June 8–Sunday, June 11, then again from Thursday, June 15–Sunday, June 18, at Salamanca Lawns and Princes Wharf Shed 1 — with 90 stallholders setting up by the feast's blazes. Headlining the 2023 event is an acclaimed culinary name: Ana Roš, who you might know from Netflix documentary Chef's Table. She's the owner of Slovenia's two Michelin-starred restaurant Hiša Franko in Kobarid, and was named the world's best female chef by The World's 50 Best Restaurants academy in 2017. The World Tourism Organisation have also given her the title Ambassador of Gastronomic Tourism. At Dark Mofo, Roš will get cooking in a newly built 50-seat structure just for cooking and dining, and she'll have company: Stephen Peak and Rodney Dunn, both from New Norfolk's The Agrarian Kitchen. Their spread is set to span four courses, taking its cues from the dishes that that Roš and Peak whip up in their own kitchens. So, expect Slovenian-inspired fare, but made with Tasmania's top seasonal produce. [caption id="attachment_897774" align="alignnone" width="1920"] Camille Blake. Image courtesy of the artist and Dark Mofo.[/caption] TRANCE Slipping into a different mindset is just part of being at Dark Mofo. At TRANCE, you're openly invited to slide into a reverie in the process. Hailing from Berlin-based Chinese artist Tianzhuo Chen, this three-day performance from Thursday, June 8–Saturday, June 10 isn't just something that you watch — it's a true festival experience. You'll need to purchase a 'trance pass' to head along, which gives you access to the whole show across its run. Then, you can wander in and out as you like, seeing each day's 12-hour ritual — which is batched up in six two-hour chapters — in what's basically a physical theatre-meets-rave show. Along the way, you'll notice nods to religious iconography and pop culture alike — and Butoh choreography as well — as things get psychedelic and transcendental. You'll also spot Tinazhuo's cast of characters go all-in on testing the body's corporeal limits. [caption id="attachment_886260" align="alignnone" width="1920"] Nicole Marianna Wytyczak[/caption] A DIVINE COMEDY A wild dance theatre performance inspired by Dante's The Divine Comedy? Yes, that sounds completely in Dark Mofo's wheelhouse. That production is A Divine Comedy, hailing from Austrian choreographer and performance artist Florentina Holzinger, and hitting the festival from Friday, June 16–Sunday, June 18 as both an Australian premiere and an Aussie exclusive. Holzinger is known for making challenging and provocative theatre, and for exploring gender relations — including how women's bodies are represented in art and media. For A Divine Comedy, she's staging the whole dive into the hell, purgatory and paradise as a giant autopsy room, all to explore how humans negotiate life and death. From an all-female-identifying cast spanning all ages, as well as a variety of physical, musical and athletic disciplines, expect to see nude performers, slapstick acts, bodily substances and references to slasher movies as well — plus a jam-packed selection of nods to art and dance's respective histories. [caption id="attachment_899218" align="alignnone" width="1920"] Image courtesy of DarkLab.[/caption] THE BLUE ROSE BALL Get ready for a ball both wonderful and strange: Dark Mofo's hedonistic masquerade, which this year is called The Blue Rose Ball. David Lynch fans, this sounds like absolute heaven — and it is indeed inspired by the inimitable filmmaker behind Twin Peaks. The event takes its name from a secret task force in that very show, in fact, which you'll already know if you agree that it's the best show ever made (as you should). On Wednesday, June 7, a mystery venue will play host to cocktails, wines, aperitifs and epicurean provisions. Exactly what will happen from there is set to be revealed on the night — having your expectations challenged Lynch-style is part of the fun, of course — but if your costume includes red and white zigzags, you've obviously nailed it. Fancy getting a Lynch-meets-Dark Mofo fix throughout the rest of fest? From Thursday, June 8–Monday, June 12 and Wednesday, June 14–Sunday, June 18, Dark Park will also play host to a Blue Velvet Lounge, and with live tunes and performances all on theme. [caption id="attachment_899219" align="alignnone" width="1920"] Photo credit: Rosie Hastie, 2022. Image courtesy of Dark Mofo 2022.[/caption] NIGHT MASS If you love wild affairs that run late into the evening, it's time to lose yourself to Night Mass. Anything and everything can and does happen at this after-dark affair, which is sprawling wider in 2023 than usual — taking over three city blocks, and naming the space District X. Within the precinct's confines, there'll be 13 stages hosting a hefty list of acts, all in an area with a capacity of 4500 — with Night Mass taking place over five nights across two weekends. Those dates: Friday, June 9–Sunday, June 11, and then Friday, June 16–Saturday, June 17. On offer: everything from music and cocktail lounges through to punk theatre and junkyard raves. Attendees can also expect art, performances, cinema cabarets, games arcades, tarot readings, plenty of places to eat and drink, and fire beacons lighting the way. And, on the bill, folks such as Desire Marea, dameeeela, Amnesia Scanner, Violent Magic Orchestra and Mahne Frame, as well as Ms Boogie, Prison Religion, Pelada, Marie Davidson and Moktar. Dark Mofo 2023 runs from Thursday, June 8–Thursday, June 22 in Hobart, Tasmania, with tickets on sale now. Top image: Dark Mofo/Jesse Hunniford, 2018. Image of Société Anonyme Costume Ball Hadley's Orient Hotel. Image Courtesy Dark Mofo, Hobart, Tasmania, Australia. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world — including our Dark Mofo tickets and accommodation package.
One of the most worthwhile things you can do when looking to start your own business is sit down with another small business owner and share your ideas, as well as take note on what they've done right (and wrong), what small wins they encountered that eventually led to bigger things. When it comes to opening a cafe specifically, successful venues like Three Williams in Redfern can be a great source of inspiration — especially considering that this particular brunch spot was once started by a first-time cafe owner, too. As running your own business can typically involve a lot of hard work and crazy hours, we've teamed up with MYOB to bring you some helpful hints from those in the know. Here are four ideas to get you started (whether you're looking to open a cafe, a shop or other small business), courtesy of Three Williams co-owner Toby Iaccarino. [caption id="attachment_683542" align="alignnone" width="1920"] Three Williams co-owner Toby Iaccarino.[/caption] DON'T BE AFRAID TO GET YOUR HANDS DIRTY Put yourself out there and get your hands dirty in a business that inspires you, says Toby. "Learn the ropes from cleaning drains to fine-tuning your customer service skills to honing the art of people management," he says. While there's much to be gleaned from research and study, nothing beats rolling up your sleeves and jumping in there yourself — whether it's through an internship or a few hours per week in a related side hustle. "I cannot stress how paramount raw experience is to your success in such a hands-on industry." LEARN THE RULES OF THE GAME Most new venues will require a spruce up, so make sure to run your plans through council first. "Council regulations raised a multitude of unexpected and untimely hurdles along the way that I wasn't necessarily financially prepared to accommodate," says Toby. "Regulations differ, sometimes significantly, from council to council. So do your research. Calculated planning and foresight can save you a wealth of not only time and money, but major headaches down the line. Familiarise yourself on what you can do, can't do and must do in order to operate in the capacity you are envisioning." MAKE SURE YOUR FINANCES ARE IN ORDER Having great staff — in this case, an excellent chef, barista and floor team — is obviously vital to a business's success, however, the importance of financial understanding cannot be stressed enough, says Toby. "The ability to get your head around GST, BAS, super and all the other cash flow and cash management requirements will be the difference between failure and success." While a few cents difference between shopping bags or sugar sachets may seem like small beans, keeping your eye on market prices can end up being paramount to profitability, and it's these small wins that help lead to bigger things. "Constantly tweaking roster costings, analysing suppliers and their pricing and keeping up to date with the cheapest energy companies makes all the difference." INVEST IN NEW TECHNOLOGY AND SMART BUSINESS SYSTEMS New business systems and smart platforms that allow you to monitor, track and manage your operations can help you run your business more efficiently, as well as free up your time for the jobs that really matter. For Toby, managing finance and compliance obligations had become overwhelming, so he decided to invest in cloud-based accounting software. "MYOB has been, and continues to be, such a practical way to manage our invoicing, payroll, reporting and finances. It makes everything from preparing BAS to managing financial year rollovers and keeping track of inventory a breeze." Planning to open your own business? Consider MYOB to help sort out all your accounting needs.
Beach vibes. Hot pizzas. And ice-cold jugs of Aperol Spritz. It may be giving Positano, but we're not talking about a summer on the Italian Riviera. Instead, Aperol is bringing something similar a little closer to home with an inspiring Sunshine State road trip. Inspired by the best offerings of the Amalfi Coast, the Aperol Queensland Kombi Tour will travel along the east coast of Australia — starting in Airlie Beach and ending in Port Douglas — bringing all the trimmings of a mid-year European escape with it. Want to get on board? While you may not personally be able to hop onto the Kombi van yourself (that spot's reserved for the rooftop DJ), you can certainly create your own road trip to chase the sun and enjoy an Aperol Spritz in the process. To get you started, prep your playlists, nominate a designated driver and drop the following suggestions into Google Maps. NOOSA Home to one of only two everglade systems on earth, the natural beauty of Noosa can be found 90 minutes north of Brisbane via the Bruce Highway. It's a location that feels far enough to count as a road trip, without the need to fork over half your week's rent to fill the tank to get there. There are a couple of things you need to know about Noosa. Number one: it's packed with excellent options for outdoor activities, like surfing, dolphin spotting, swimming in secluded beach spots or simply exploring the aforementioned everglades. And two: its iconic Main Beach is packed with places serving up perfectly made Aperol Spritzes just steps away from the sand. On that note, our suggestions are to check out Locale Noosa and Miss Moneypenny's. The former is a refined Italian restaurant on Hastings Street that does an excellent Calamarata pasta with Fremantle octopus, black olive, leek cream and fried capers. Meanwhile, the latter delivers high-end dining, including a seven-course degustation. [caption id="attachment_907330" align="aligncenter" width="1920"] Steve Davison via Unsplash[/caption] TOWNSVILLE Being blessed with year-round sunny weather means outdoor activities — such as beach parties, barbecues and day trips to balmy Magnetic Island — are popular pastimes in Townsville, practically any time you visit. Ditto al fresco dining, with some of the best options in town including The Ville and Rockpool Pavilion. Part resort, part casino and part restaurant, The Ville is an excellent destination to tackle the trifecta of relaxation, roulette and revelry (including a refreshing Aperol Spritz or two). Rockpool, on the other hand, is all about enjoying a meal that fuses old-school coastal charm with a modern style. AIRLIE BEACH Work your way up to the Whitsundays and book a couple of days at Airlie Beach — generally considered the gateway to the Great Barrier Reef. While its close proximity to one of the seven natural wonders of the world makes the options for outdoor ventures fairly obvious — snorkelling, island hopping, helicopter riding over the ocean, oh my — more obscure (though no less interesting) suggestions include exploring Airlie's social scene. If you're keen to extend your stay at Airlie Beach, Coral Sea Marina Resort is our suggestion, with the 76-room boutique hotel offering a wide range of accommodations alongside some brilliant in-house dining venues. Similarly, Northerlies Beach Bar & Grill is an excellent option if your long-weekend requirements include a place to play and stay. Insider hack: plan your stay for either of the first two weekends in July to coincide with the Aperol Kombi pit stop five, and enjoy the vintage van serving up icy Aperol specials (like rosemary-infused Rosy Cheeks) on Friday, Saturday and Sunday afternoons at Northerlies. CAIRNS A pit stop at Cairns comes highly recommended if you want your itinerary to include swimming in natural pools below gushing waterfalls, hiking through lush rainforests and white water rafting down steep ravines and raging rapids. Cairns is also home to some of the best places to dine and drink in Tropical North Queensland. The breezy, bustling beachfront Villa Romana is our pick for all-day, Italian-inspired fare. Standouts include the live black mussels served Sicilian-style, with cherry tomatoes, chilli, garlic white wine and charred ciabatta. The nearby Salt House serves up fresh, local and seasonal produce that perfectly pairs with amazing cocktails. And, although the Salt House never fails to deliver on the drinks front, come late July a visit by the Aperol Kombi Van will elevate the experience by way of an exclusive pop-up Aperol Lawn Bar. While the relaxing day beds and ocean views will still be on offer, they'll now include a side of funky DJ tunes. The van will then hang around for another week, making an appearance at the Food & Wine Festival '23 - Salt House Cairns, on Saturday, August 5. PORT DOUGLAS This palm-fringed, 3500-person town 70 kilometres north of Cairns makes it easier than you could ever imagine to access iconic World Heritage-listed marvels, specifically the Daintree Rainforest and the Great Barrier Reef. However, it is also an excellent option if you're keen to sink your teeth into some world-class watering holes, such as the Court House Hotel and La Cucina. The Court House Hotel (AKA The Courty) is the oldest pub in town, so we're going to guess it knows a thing or two to keep customers coming back. Add it to your itinerary, if your road-trip non-negotiables include old-school pub grub that focuses on fresh, local produce. If, on the other hand, you really can't get a trip to Milan out of your mind, head to La Cucina. While the eatery may be a million miles away from The City of Love, its Italian-inspired menu and classy cocktails bar (including an excellent Aperol Spritz) make it our pick for those who want to experience la dolce vita, minus the long-haul flight. Keen to follow the Aperol Kombi Tour? Invite your friends, load up your own car and come along for the ride. For further details, visit the website.
When one holiday ends, the only thing for it is to start planning the next one. Perhaps in one of those magical places where Slack and email doesn't exist. Where it's not only fine to drink cocktails with lunch — it's encouraged. And entire days are spent by the nearest body of water before you feast on platters of local seafood as the sun sets. If that sounds appealing and you're ready to get booking, spin the fantasy into a reality with one of these luxurious island holiday deals that can be booked now exclusively through Concrete Playground Trips. We teamed up with accommodation and experience providers to curate trips that are truly unforgettable (and significantly discounted), so scroll now to find and book your fave. AFFORDABLE LUXURY STAY IN LOMBOK We are obsessed with Lombok — Bali's less crowded neighbour. It has a high calibre of beaches, food and hospitality but at a significantly lower price point and with fewer tourists. To best take advantage of this stunning island, we teamed up with KU Villas Lombok to create three different travel deals. The first deal is the simplest and includes a two-night stay with daily breakfasts (for two people) in this lavish accommodation for just $105 a night. For an extra $25 per night, you can upgrade to get your own private plunge pool. The second deal includes a three-night stay, private chauffeur, $200 credit for the clifftop SIWA Clubhouse, one-hour massage for each guest and all your breakfasts — and is just $455 total for two people. And the third deal is $655 for all the same inclusions plus extra spa treatments. BOOK NOW THE ULTIMATE KANGAROO ISLAND ADVENTURE This Kangaroo Island deal makes exploring this criminally underrated South Australian travel destination so much easier. It includes a three-day car hire, return ferry tickets from Cape Jervis, a two-night stay at the Mercure Kangaroo Island Lodge and an epic ocean safari to get a sea creature's perspective of the spectacular natural beauty. This cruise will take you along the coastline with the chance to see dolphins, seals, eagles and other native birdlife. For more things to do during your stay, check out our weekender's guide to Kangaroo Island and discover why the New York Times recently named it one of the world's best places to visit in 2023. BOOK NOW A FIVE-DAY HOLISTIC BALI RETREAT We love a good wellness escape. That's why we teamed up with Y Retreats to create this exclusive five-day Bali retreat experience. During your stay, you can join any of the wellness experiences — life coaching sessions, stress management activities, yoga and breathwork classes, leadership and resilience training and workshops from keynote speakers. All your meals and transfers are also included. But get in fast. This unique retreat package only has eight spots available. BOOK NOW [caption id="attachment_810409" align="alignnone" width="1920"] Christoph Burgdorfer (Unsplash)[/caption] GLAMPING HOLIDAY ON THE COOK ISLANDS The Cook Islands made our 2022 list of rising bucket list destinations for 2023 and it's easy to see why — you just need to have it on your radar. Immerse yourselves in nature (but in total comfort) on Rarotonga Island with this luxurious glamping holiday. We'll put you up in the Ikurangi Eco Retreat — the Cook Islands' first and only purpose-built eco-accommodation and glamping hotel — where you can choose to stay in a range of beautiful safari tents. You'll spend five nights on this tropical island, venturing to stunning lagoons, remote beaches and scenic nature trails. The trip also includes use of the hotel's bikes and snorkelling equipment, transfers and daily tropical breakfasts delivered to your room. For just $165 per night, this is untouched tropical paradise without the big ticket price tag. BOOK NOW LUXURIOUS MEDITERRANEAN-STYLE ESCAPE IN LOMBOK We teamed up with Royal Avila Boutique Resort to offer an incredible deal to Concrete Playground readers. When you book a three-night or five-night stay, you'll get 47% off the total price. And this special Lombok deal doesn't just include your accommodation. For $755 for a three-night stay for two (around $125 per person per night), each of you will also get a 60-minute massage, lunch and dinner at its restaurant, a welcome cocktail on arrival and daily breakfasts. BOOK NOW THE ULTIMATE WHITSUNDAYS ESCAPE The Whitsundays is one of our top picks for the best Australian destinations to visit in 2023. That was the inspiration behind this exclusive deal which goes above and beyond with unforgettable inclusions to showcase the very best of this beautiful part of the country. Two adults will spend five days at the Mirage Whitsundays resort and take part in a series of guided tours. There's a two-hour sunset sailing cruise, a one-hour scenic flight over the Great Barrier Reef and a full-day Whitehaven Beach excursion. Airport transfers and daily breakfasts are also included. (And those who are working with a smaller budget can opt for this shorter travel package.) BOOK NOW FIVE-STAR STAY IN THE HEART OF KUTA If you're visiting Bali and would prefer to be at the centre of the action, then we have the five-star hotel deal for a luxury stay in the heart of Kuta. We've paired up with the opulent Aryaduta Bali to give Concrete Playground Trips users an exclusive offer at a very special rate. A three-night stay (for two people) at the resort is less than half the standard price at just $455. And our package includes perks like a daily cocktail at the rooftop pool bar, dinner at the resort restaurant, an airport transfer and breakfast every day. A no-brainer for realising your island fantasy as soon as possible. BOOK NOW Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Lombok by Tom Bixler (Unsplash)
Although it's tempting to live in your swim shorts all season, it's not socially acceptable unless you live on the beach. But with warmer days and nights, we don’t blame you for wanting to keep things cool and casual. This summer, there are plenty of modern styles that can be easily added to any wardrobe. We've also got a style guide for women. Here it is over here. Classic For the style-conscious man who knows what he likes: this season, be on the lookout for well-tailored and timeless pieces. Tailored shorts, short-sleeved shirts and anything in beige, white or tan are your signature summer go-to's. But classic doesn't have to mean boring, so don't be afraid to roll up your (pant) cuffs and get a little creative. Blue Suits Have to wear a suit for work? You don't have to stick to your banal black and greys. Nobody wants to be caught sweltering in the sun on their lunch break. Instead, opt for lighter-coloured suites in tans and blues. The spring and summer has seen all fifty shades of cool, from nautical navies to pale pigeons. Wear a crisp white or striped collared shirt underneath, throw on a fedora and voila: instant update. Images: Milan street style by Lee Oliveira Look from Shipley & Halmos’ SS 14 collection shot by Yannis Vlamos for GoRunway.com Suit from Dolce & Gabbana’s SS 14 men’s collection Nautical Stripes Ah, sailor stripes, a pattern that faithfully returns every season. When worn outside of the summer months, you look like a Frenchman. But once the season begins those black/navy and white stripes become the universal flag of leisure time. Whether you own a sailboat, yacht or (k)not, these laidback lines give the appearance that you know your way around a dock. Pair a tee with some Nantucket Red chinos and deck shoes, and you're ready to go. Or, if you're not exactly on holiday, throw one of those equally stylish blue blazers over for a smarter look. Striped shorts are also popping up this season, but please, limit the lines to one piece. You’re going for the seaman look, not inmate. Images: Jumper from J.Crew shot by Yannis Vlamos Jumper from Burberry Prorsum's SS 14 men’s collection Sydney Streetsyle shot by Carolina Falk for Style Creeper Cuffed Hem and No Socks Ok, this look might seem a little trendy, but if you think about it, those Italians have been doing it for years. Envision the mod Roman gentleman, propped up against a wall in a perfectly tailored suit, smoking his cigarette. Yep, his cuffs are rolled. Socks? No way. It's summer, too hot for that. The look is a no-brainer to pull off, and it's definitely not limited to suits or any type of shoe. Keep it casual by rolling up anything you like, from khakis to jeans. (Extra bonus points if you're wearing a striped tee and navy sport coat.) Images from Pinterest. Trendy When it comes to staying with-it, the trendy guy knows what's up. He's probably been rolling his pants and going sockless for years. Mixing prints and and implementing bright colours are standard. There is, however, a sexy simplicity in going monochromatic. Whichever look you prefer, you're not afraid to mix things up. Florals Once restricted to Mediterranean and Polynesian holidays, the floral print is taking spring and summerwear to the next level. Blooms are sprouting up everywhere on shirts, suit detailing, hats, jackets, shoes and, for those brave enough, pants. Think of this as the new 'real men wear pink'. Mixing other small prints such as polka dots or stripes with florals is being popularised by those who are extra adventurous. But if that's literally too bold for you, pair your piece of choice with something basic like a chambray button-up or chino shorts. We swear, you'll feel like every day is Friday. Images: Shirt from Burberry Prorsum’s SS 14 men’s collection Shorts by D’Marge Look from Marcs’ SS14 mens collection Denim on Denim (aka the Canadian Tuxedo) This has been a look sported by our North American friends for a while. Traditionally worn with flannels and work boots, the quintessential lumberjack vibe is a favourite of hipsters. Pair this tux with the three Bs (Beanie, Beard and cheap Beer), and you're pretty for the party. But the Canadian tuxedo is a little too cosy for an Aussie summer. More realistically, you'd ditch the jacket and wear a chambray over jeans or jorts. Beer is still an appreciated accessory. Images: Street style snap by Romeo Style Denim look from Calvin Klein’s SS 13 collection at men’s Fashion Week in New York Sydney street style snap by Carolina Falk for Style Creeper Neon There is nothing new about neon. Everyone has a bright thing or two, but it's probably limited to sports wear. Nike and other companies have been incorporating electric colours into their shoes and clothes for ages. Now, neon has spread outside the gym for men. Making its way onto chinos, shoes, windbreakers and even suits, neon is a huge trend for men this season. We're not expecting the execs of the CBDs to start running around in hot pink suits; rather, the gym junkies, beach bums and trendily bold will enjoy this craze. It's most sensible to limit your exposure to a pair of shorts, tee shirt or light windbreaker. You don't want to go about blinding anyone. Images: Shorts from Ben Sherman Suit from Salvatore Ferragamo’s SS 13/14 collection Milan Vukmirovic at Men’s Fashion Week 2013 in Milan shot by Lee Oliveira Maverick The true maverick isn’t afraid of to go out on a limb. You probably already own a neon suit and are about to buy ones in floral and camo prints after seeing the spring/summer runway photos. You’re also not afraid to steal ideas from the girls. Hey, they adopt men’s looks all the time (hello, blue suits), so why shouldn’t you? Hot items such as studded slipper/loafers and clutches are being revamped on such a masculine level, you'd think they'd been yours all along. The true maverick knows how to own even the craziest trends. The Man Clutch Although a man carrying a bag has been a stigmatic subject in the past, I think we can all agree that the times are a-changin'. In an age where men have increasingly more things to lug around — tech devices, work papers, gym essentials, etc — a guy needs a place to stash his stuff. If you think satchels and messenger bags are overdone, then consider this your new and lighter briefcase. But fear not, for the male clutch is nothing like its female counterpart. Depending on the size, they look more like document holders, tablet covers or big leather/suede pouches than the feminine envelope-styles. Tucked under your arm as you dash about town, an oversized pouch will make you look like man on a mission. Images: Look from Paul Joe’s SS 14 collection shot by Yannis Vlamos for GoRunway.com MBFWA street style by Style Creeper Parisian street style shot by Lee Oliveira Camouflage Suits Camouflage print was one of the biggest trends for men this past European summer. Popping up on clothes, shoes and accessories (clutch included), the print is best limited to one item per outfit. However, with the monochrome/print sensation taking off for both women and men this season, it's only natural that camo pieces have grown together to create the ultimate organic ensemble. And this G.I. Joe-inspired look is a very real thing. Directly interpreted from the New York runways by the likes of American designer Mark McNairy (who is infamous for his crazy combos), the camo combination has been seen on carpets both concrete and red. Lucky for you, it's been modified for warmer weather with shorts options. So if you're feeling like a real rebel, feel free to try out this oxymoron of army-inspired fashion. Images: Camo street style by The Sartorialist Look from Mark McNairy’s SS 14 collection shot by Yannis Vlamos Singer Pharrell Williams in a Moncler Bleu Camo Tux at the 60th Art Basel Miami Party by Getty Images Studded Loafers Leave it to the rappers and basketball players to take a female trend and make it rock star-worthy. Stars like Kanye West, Pharrell Williams and Dwyane Wade have been seen sporting spiked slippers at fashion shows and NBA finals. Somehow the trend has made it all the way down here, with sightings of the studded loafers at this year's MBFWA and on the streets of Melbourne. It's a bold look, since these kicks quite literally have an edge to them. They take any outfit, from a tux to a tee and jeans, to the next level. Images from Pinterest
Plenty happens at an awards ceremony. For 2024's second round of Emmys — the first took place in January, after the 2023 event was postponed from its usual September timing during Hollywood's writers' and actors' strikes — history was made before the glitzy televised ceremony even happened. At the Creative Arts Emmys, Shōgun picked up 14 awards, making it the most-decorated show in a single season ever. The love for the series continued on Monday, September 16, 2024, and rightly so, with the historical Japanese drama also nabbing four more gongs: for outstanding drama series, directing, lead actor and lead actress. The Bear also won big again in the comedy categories — after hosts and Schitt's Creek favourites Eugene and Dan Levy joked in their opening monologue that, in the true spirit of the dramedy, they wouldn't be making any jokes in their gig. The pair's opening remarks spanned everything from calling out the number of movie stars now popping up on streaming series to noting how often Nicole Kidman (The Perfect Couple) graces the small screen these day. Baby Reindeer "sent from my iphonn" gags and recognising that it took three seasons for the Emmys to even nominate the sublime Reservation Dogs also helped get the ceremony started. A Schitt's Creek reunion, Jeremy Allen White advising that The Bear changed his life, Murphy Brown great Candice Bergen meowing, a tribute to Saturday Night Live's 50th year, a Happy Days ode with Henry Winkler punching a jukebox, John Leguizamo celebrating diversity: they all happened once the night started flowing. So did Fargo's Lamorne Morris telling The Sympathizer's Robert Downey Jr he has a poster of him in his house, Slow Horses' Will Smith riffing on the fact that he's not that other Will Smith, Brendan Hunt going all Coach Beard, Joshua Jackson's reaction to 'I Don't Want to Wait' from Dawson's Creek playing him on and familiar faces from The West Wing all together. At the first post-Succession Emmys, the list of winners is similarly hefty. While a few shows went home with multiple statuettes — including Shōgun, The Bear, Baby Reindeer and Hacks — the list of recipients also spans Slow Horses, True Detective: Night Country, Ripley and Fargo. And, thanks to The Crown, Australia was represented among the accolades with Elizabeth Debicki emerging victorious for playing Princess Diana. As always, if a nominated series didn't end up with its stars or creators on the Emmys stage, that doesn't mean it wasn't ace. Cases in point: Only Murders in the Building, Reservation Dogs, Mr & Mrs Smith, Abbott Elementary, Lessons in Chemistry, Loot, Palm Royale, Fallout and more. What did nab a trophy? Who else was in contention? We've got that covered. Here's a rundown of the awards handed out at the main ceremony, plus the nominees competing for them — and you can check out nine winning shows that you should watch ASAP, too. Emmy Nominees and Winners 2024: Outstanding Drama Series The Crown Fallout The Gilded Age The Morning Show Mr & Mrs Smith Shōgun — WINNER Slow Horses 3 Body Problem Outstanding Comedy Series Abbott Elementary The Bear Curb Your Enthusiasm Hacks — WINNER Only Murders in the Building Palm Royale Reservation Dogs What We Do in the Shadows Outstanding Limited or Anthology Series Baby Reindeer — WINNER Fargo Lessons in Chemistry Ripley True Detective: Night Country Lead Actor in a Drama Series Idris Elba, Hijack Donald Glover, Mr & Mrs Smith Walton Goggins, Fallout Gary Oldman, Slow Horses Hiroyuki Sanada, Shōgun — WINNER Dominic West, The Crown Lead Actress in a Drama Series Jennifer Aniston, The Morning Show Carrie Coon, The Gilded Age Maya Erskine, Mr & Mrs Smith Anna Sawai, Shōgun — WINNER Imelda Staunton, The Crown Reese Witherspoon, The Morning Show Lead Actor in a Comedy Series Matt Berry, What We Do in the Shadows Larry David, Curb Your Enthusiasm Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jeremy Allen White, The Bear — WINNER D'Pharaoh Woon-A-Tai, Reservation Dogs Lead Actress in a Comedy Series Quinta Brunson, Abbott Elementary Ayo Edebiri, The Bear Selena Gomez, Only Murders in the Building Maya Rudolph, Loot Jean Smart, Hacks — WINNER Kristen Wiig, Palm Royale Lead Actor in a Limited or Anthology Series or Movie Matt Bomer, Fellow Travelers Jon Hamm, Fargo Tom Hollander, Feud: Capote vs The Swans Richard Gadd, Baby Reindeer — WINNER Andrew Scott, Ripley Lead Actress in a Limited or Anthology Series or Movie Jodie Foster, True Detective: Night Country — WINNER Brie Larson, Lessons in Chemistry Juno Temple, Fargo Sophia Vergara, Griselda Naomi Watts, Feud: Capote vs The Swans Supporting Actor in a Drama Series Tadanobu Asano, Shōgun Jon Hamm, The Morning Show Mark Duplass, The Morning Show Billy Crudup, The Morning Show — WINNER Takehiro Hira, Shōgun Jack Lowden, Slow Horses Jonathan Pryce, The Crown Supporting Actress in a Actor in a Drama Series Christine Baranski, The Gilded Age Nicole Beharie, The Morning Show Elizabeth Debicki, The Crown — WINNER Greta Lee, The Morning Show Lesley Manville, The Crown Karen Pittman, The Morning Show Holland Taylor, The Morning Show Supporting Actor in a Comedy Series Lionel Boyce, The Bear Paul W Downs, Hacks Ebon Moss-Bachrach, The Bear — WINNER Paul Rudd, Only Murders in the Building Tyler James Williams, Abbott Elementary Bowen Yang, Saturday Night Live Supporting Actress in a Actor in a Comedy Series Carol Burnett, Palm Royale Liza Colón-Zayas, The Bear — WINNER Hannah Einbinder, Hacks Janelle James, Abbott Elementary Sheryl Lee Ralph, Abbott Elementary Meryl Streep, Only Murders in the Building Supporting Actor in a Limited or Anthology Series or Movie Jonathan Bailey, Fellow Travelers Robert Downey Jr, The Sympathizer Tom Goodman-Hill, Baby Reindeer John Hawkes, True Detective: Night Country Lamorne Morris, Fargo — WINNER Lewis Pullman, Lessons in Chemistry Treat Williams, Feud: Capote vs The Swans Supporting Actress in a Limited or Anthology Series or Movie Dakota Fanning, Ripley Lily Gladstone, Under the Bridge Jessica Gunning, Baby Reindeer — WINNER Aja Naomi King, Lessons in Chemistry Diane Lane, Feud: Capote vs The Swans Nava Mau, Baby Reindeer Kali Reis, True Detective: Night Country Directing for a Drama Series Stephen Daldry, The Crown Mimi Leder, The Morning Show Hiro Murai, Mr & Mrs Smith Frederick EO Toye, Shōgun — WINNER Saul Metzstein, Slow Horses Salli Richardson-Whitfield, Winning Time: The Rise of the Lakers Dynasty Directing for a Comedy Series Randall Einhorn, Abbott Elementary Christopher Storer, The Bear — WINNER Guy Ritchie, The Gentlemen Lucia Aniello, Hacks Mary Lou Belli, The Ms Pat Show Directing for a Limited or Anthology Series or Movie Weronika Tofilska, Baby Reindeer Noah Hawley, Fargo Gus Van Sant, Feud: Capote vs The Swans Millicent Shelton, Lessons in Chemistry Steven Zaillian, Ripley — WINNER Issa Lopez, True Detective: Night Country Writing for a Drama Series Peter Morgan and Meriel Sheibani-Clare, The Crown Geneva Robertson-Dworet and Graham Wagner, Fallout Francesca Sloane and Donald Glover, Mr & Mrs Smith Rachel Kondo and Justin Marks, Shōgun Rachel Kondo and Caillin Puente, Shōgun Will Smith, Slow Horses — WINNER Writing for a Comedy Series Quinta Brunson, Abbott Elementary Christopher Storer and Joanna Calo, The Bear Meredith Scardino and Sam Means, Girls5eva Lucia Aniello, Paul W Downs and Jen Statsky, Hacks — WINNER Chris Kelly and Sarah Schneider, The Other Two Jake Bender and Zach Dunn, What We Do in the Shadows Writing for a Limited or Anthology Series or Movie Richard Gadd, Baby Reindeer — WINNER Charlie Brooker, Black Mirror Noah Hawley, Fargo Ron Nyswaner, Fellow Travelers Steven Zaillian, Ripley Issa Lopez, True Detective: Night Country Writing for a Variety Special Alex Edelman: Just for Us — WINNER Jacqueline Novak: Get on Your Knees John Early: Now More Than Ever Mike Birbiglia: The Old Man and the Pool The Oscars Outstanding Reality Competition Program RuPaul's Drag Race The Amazing Race The Traitors — WINNER The Voice Top Chef Outstanding Scripted Variety Series Last Week Tonight with John Oliver — WINNER Saturday Night Live Outstanding Talk Series The Daily Show — WINNER Jimmy Kimmel Live! Late Night with Seth Meyers The Late Show with Stephen Colbert The 2024 Emmy Awards took place on Monday, September 16, Australian time. For further details, head to the Emmys' website.
Sometimes, only your favourite coffee order will do. At other times, your caffeine-loving tastebuds crave the taste of something new. Toby's Estate's Brisbane flagship, which has opened in Newstead, can cater for both instances. And if you're keen to try a heap of different types of coffee, it'll serve up more than 84 different kinds each year. Sleek digs, a hefty array of specialty brews, a full kitchen: they're all part of Toby's Estate's new River City setup as well. The brand has made its home on Longland Street, adding its Brissie base to a global footprint that includes similar sites in Chippendale, where its Sydney roastery is located, as well as Singapore, Indonesia, the Philippines and the Middle East. You won't miss the curved coffee bar when you walk in — which is by design by Melbourne architects Russell & George. Sitting in the middle of the room, the round centrepiece includes an espresso bar, filter bar and training bar. While perched at it, you also won't miss the chance to witness the coffee-making process and hear from the baristas pouring your brew. Otherwise, in a venue that uses sustainable vinyl and raw ply heavily — and aims for a look that mixes 70s-style retro with modern touches — tables and chairs are scattered around the place for you to settle in and sip cuppas at. Caffeine fiends can choose from a wide range of choices on the coffee menu, including the limited-edition Flavour Savour blends and the single-origin picks that'll offer new picks monthly. Food-wise, cooked meals and sweet treats are available. "Like most Aussies, Queenslanders love quality coffee. We've had a strong following there for many years, so we thought it was time to give them a chance to encounter our full coffee experience delivered in the Toby's way," said Toby's Estate General Manager Jody Leslie about the Brisbane opening. The Newstead haunt is doing free monthly tasting sessions, too, starting on Monday, May 9 — with registrations available online. Find Toby's Estate Brisbane flagship cafe at 1/33 Longland Street, Newstead — open 6.30am–2pm daily. Head to the brand's website for further details. Images: Markus Ravik.
Addicted to the grind? We understand. You may not be taking as many trips to your local cafe for barista-made flat whites for the next week, but there are ways to stay keen for the bean, while staying safely at home for as long as it takes for the wave to pass. During the peak of lockdown in 2020, several roasters had to reduce their cafe operations, but they kept roasting, grinding and shipping coffee to customers — with some offering free delivery. Many roasters offer subscriptions for those plunging more at-home brews than ever before, some have online stores of equipment so you can up your home brewing game, and a few have sample packs and isolation gift boxes (as well as cute merch) so that we can make the most of this temporary shift in our daily habits. Here are 12 of the best roasters delivering the goods. If you choose to pick up your beans, make sure you follow the government's latest advice on social distancing. [caption id="attachment_693510" align="alignnone" width="1920"] Tom Ross[/caption] EVERYDAY COFFEE The Melbourne-based micro roaster delivers espresso, filter and decaf blends, as well as your requisite brewing gear — filter papers, pour-over cones, AeroPress kits and more. If you're familiar with Everyday Coffee's cafe blends, order a bag of All Day Espresso ($16), which goes well with milky coffees for a dark chocolate and caramel flavour, or a sweet and malty black coffee. Add your grind instructions at checkout and you should have your beans via Express Post within two-to-four days. In it for the long haul? Everyday offers subscriptions to deliver freshly roasted beans to your door. Select how you make your coffee and your preferred quantity, with prices starting at $20 for 250 grams. [caption id="attachment_813753" align="alignnone" width="1920"] Abigail Varney[/caption] MARKET LANE Prefer your beans with an aesthetically pleasing Pantone-esque packaging design? Market Lane not only offers free standard shipping for all orders over $40 within Australia but also make your kitchen shelf look excellent. The coffee retailer sells beans roasted for all filter brew methods, including pour over and plunger and, right now, all their shops are open for takeaways during their usual operating hours. For the bean fiends among you, Market Lane's vending machine is on 126 Weston Street, Brunswick East and is switched on 24/7 so you'll never go empty handed. Those further afield will get theirs via Australia Post, allowing up to five days for shipping. Fond of commitment? Join the Coffee Club, which ships beans every two weeks for $20 (for 250 grams). SAMPLE COFFEE Pacemaker is Sample Coffee's year-round house blend that has a Cherry Ripe-style flavour profile and goes well with milk. The Sydney roaster has subscription services for a range of blends, delivered across the country and ground to your preference, every week, fortnight or month. A 250-gram bag is between $15.80–23.80 per delivery and quantities go up to four kilograms. The online shop also has eight single origin blends, with bags starting from $16.20, plus brewing gear like cold brew pots, mini grinders and speciality kettles, but note delivery costs are calculated based on weight and distance. LOGGERHEAD Small scale Sydney roaster Loggerhead takes delivery orders up until Tuesday, 3pm, for its weekly Wednesday roast. Its online shop has Nespresso-compatible capsules from $10 a box (of ten), and a selection of roasted blends that start at $13 for 200 grams. So if you'd rather save those essential trips out for the supermarket you can select size, roast and grind preference online. To quote the words on the Loggerhead website: rip in. MECCA COFFEE Mecca Coffee, roasted in Alexandria, Sydney, serves up its orange, honeycomb and chocolatey house blend along with six other options through the website. It's offering ten-percent off all coffee and equipment, too, as well as free shipping on all orders over $30. Just as you can for any coffee order, you can select how your beans are ground if you'd like to skip the arm workout. Sydney deliveries take 1-2 business days and for Melbourne (along with Brisbane, Adelaide and Canberra) orders should arrive within 3-5 business days via Australia Post. Looking for a longer term relationship? The Blend Subscription will set up within fortnightly deliveries, making sure you'll never have to worry about a caffeine shortage. ONA COFFEE If you want to geek out, Canberra-based Ona Coffee has an extensive online shop with merch — including winter-appropriate beanies and sweats — and some serious brew gear. There's also milky coffee blends Raspberry Candy, Black Betty, The Founder and The Hitman, which you can order to your brewing style. Filter fiends get some serious Central American single origins to choose from and specialty espresso roasts. Shipping is $10 or free when you spend over $75, and deliveries to Melbourne will reach you in 2-3 days. [caption id="attachment_635510" align="alignnone" width="1920"] Alana Dimou[/caption] SINGLE O In Botany Bay, Sydney's Single O is roasting and packing orders of its seasonal blends, single-source coffee and equipment. Order before 2pm and your coffee (ground to your liking or in whole bean form) is dispatched the next working day. And right now they're offering free standard shipping. Single O has equipment starting from $7, T-shirts and other merch, gift vouchers and coffee subscriptions that are well worth a browse to complement a short- or long-term working from home arrangement. ST ALI South Melbourne's St Ali has been roasting the good stuff for 15 years. Its online shop has ethically sourced Feels Good organic espresso beans, the rich and butterscotch Wide Awake espresso blend, dark roast Italo Disco and apricot and orange sweet single origins. But St Ali doesn't stop there. You can pick up Nespresso compatible capsules filled with its two house blends from $65 for 60 pods. Need a restock of your hand sanitiser? St Ali makes its own formulation in good-looking bottles, along with a collection of products all about keeping you safe and sanitised. For Australia-wide deliveries of its coffees, there's free shipping on orders over $99 so go big or go home. SENSORY LAB Sensory Lab's coffee and subscriptions can be sent anywhere in Australia either weekly, fortnightly or monthly - and shipping is free, Australia wide (with no minimum order!). Packs of whole beans start at $14 for 250 grams, and you can dive into a selection of blends or single origin beans. From the sweet red apple and caramel notes of the excellently titled Kiorero Washing Station to the chocolaty palette of the Steadfast Espresso Blend, you're guaranteed to find your flavour. It also has a limited range of mugs, totes and equipment worth a look in. PROUD MARY Proud Mary roasts its coffee in Collingwood, where you've likely eaten at its two cafes, Aunty Peg's and the eponymous Proud Mary. Founder Nolan Hirte is considered a leader in Australia's specialty coffee industry, and his mission is bridging the gap between farmers and coffee drinkers — so now's as good a time as any to support that mission through Proud Mary's $24 coffee subscription. A fortnightly run of single origin filter is shipped on Wednesdays, which gets you around 16 cups-worth. Add a single bag to your cart from $15 for a blend, and up to $22 for a single-o and in 1–4 days you'll be treated to the candy-coloured surrealist cartoons of Proud Mary's packaging in the mail. SMALL BATCH North Melbourne's socially responsible Small Batch has been roasting exceptional coffee since 2009. The juicy Golden Ticket filter is a blend from two producers, from Ethiopia and Colombia, and you can see how many pesos per carga each producer was paid by Small Batch when you select your quantity and grind. Transparency in the supply chain is Small Batch's bag, and as you're enjoying a Candyman Espresso Blend, which has a malted milk and macadamia flavour when taken with milk, you can be sure of the fact that all four producers who farmed the coffee in the blend were paid above Fairtrade prices. Standard shipping is $8 across Australia and typically takes 2–3 days, while the $13 premium rate should get your beans to you the next day. [caption id="attachment_712131" align="alignnone" width="1920"] Industry Beans[/caption] AND MORE! In Adelaide, Monastery Coffee has free shipping on coffee orders over 250 grams with single origins starting at $16, and Elementary Coffee is shipping country-wide when you spend more than $30 (get the Young Street Blend used daily in its cafes). In Brisbane, Wolff Coffee Roasters has Australian International Coffee Awards-winning filter Hummingbird Vol 3 ready to ship for those after a fruity, gooseberry-driven flavour for $16. Industry Beans has espresso blends named for its cafe locations in Melbourne, Sydney and Brisbane, with prices starting at $15. Melbourne's Code Black Coffee is offering free shipping Australia-wide for orders over $25, which means you could grab two bags of its signature 3056 blend (named for the postcode of the roastery) for $30. Then there's Axil Coffee, Black Market Roasters, Coffee Cartel and Reuben Hills all offering subscriptions. And, Edition Coffee Roasters is delivering Australia-wide with free delivery on orders over $50. So there really is no excuse for drinking bad coffee. Top image: Single O by Alana Dimou
On the big screen, Marvel largely sat out 2024, only releasing Deadpool & Wolverine in cinemas. That might've left some gaps in the moviegoing market, but it still wasn't a great year for superhero and supervillain films from other studios, at least according to the 45th Golden Raspberry Awards. After both Madame Web and Joker: Folie à Deux notched up a heap of Razzie nominations, they've each collected multiple accolades. Only one could be named the Worst Picture of last year, though — the one that made the line "he was in the Amazon with my mum when she was researching spiders right before she died" famous via its trailer. Dakota Johnson's (Daddio) spin into Sony's Spider-Man Universe collected three Razzies, the most of any film, with its star dubbed Worst Actress and its script chosen as Worst Screenplay. Following his Oscar-win for the first Joker film, Joaquin Phoenix (Napoleon) avoided being named Worst Actor, but picked up the prize for Worst Screen Combo with Lady Gaga (House of Gucci) instead. Joker: Folie à Deux was also selected as the Worst Remake, Ripoff or Sequel. Only two other titles received multiple prizes at Hollywood's least-coveted accolades: Francis Ford Coppola's Megalopolis and Jerry Seinfeld-directed comedy Unfrosted. For his win for the former, the iconic filmmaker noted on social media that he was "thrilled to accept the Razzie Award in so many important categories for Megalopolis, and for the distinctive honour of being nominated as the worst director, worst screenplay and worst picture at a time when so few have the courage to go against the prevailing trends of contemporary moviemaking". "In this wreck of a world today, where art is given scores as if it were professional wrestling, I chose to not follow the gutless rules laid down by an industry so terrified of risk that, despite the enormous pool of young talent at its disposal, may not create pictures that will be relevant and alive 50 years from now," the director of The Godfather franchise, The Conversation and Apocalypse Now continued. "What an honour to stand alongside a great and courageous filmmaker like Jacques Tati, who impoverished himself completely to make one of cinema's most beloved failures, Playtime! My sincere thanks to all my brilliant colleagues who joined me to make our work of art, Megalopolis, and let us remind ourselves us that box office is only about money, and like war, stupidity and politics has no true place in our future." View this post on Instagram A post shared by Francis Ford Coppola (@francisfordcoppola) Nominated across the categories but going home empty-handed: Borderlands, Reagan, Dear Santa, Harold and the Purple Crayon, Argylle, Atlas, The Crow, Kraven the Hunter, Mufasa: The Lion King and Rebel Moon 2: The Scargiver. This year's winners might be tomorrow's Razzie Redeemer Award recipients, however, with the Golden Raspberries selecting someone each year who once graced its list but has gone on to better work. Its 2025 pick: Pamela Anderson, Worst New Star of 1996 for Barb Wire, picking up the Redeemer prize for her excellent performance in The Last Showgirl. Check out the full list of Razzie winners and nominees below: Golden Raspberry Winners and Nominees 2025 Worst Picture: Borderlands Joker: Folie à Deux Madame Web — WINNER Megalopolis Reagan Worst Actor: Jack Black, Dear Santa Zachary Levi, Harold and the Purple Crayon Joaquin Phoenix, Joker: Folie à Deux Dennis Quaid, Reagan Jerry Seinfeld, Unfrosted — WINNER Worst Actress: Cate Blanchett, Borderlands Lady Gaga, Joker: Folie à Deux Bryce Dallas Howard, Argylle Dakota Johnson, Madame Web — WINNER Jennifer Lopez, Atlas Worst Supporting Actor: Jack Black, Borderlands Kevin Hart, Borderlands Shia LaBeouf, Megalopolis Tahar Rahim, Madame Web Jon Voight, Megalopolis, Reagan, Shadow Land and Strangers — WINNER Worst Supporting Actress: Ariana DeBose, Argylle and Kraven the Hunter Leslie Anne Down, Reagan Emma Roberts, Madame Web Amy Schumer, Unfrosted — WINNER FKA Twigs, The Crow Worst Screen Combo: Any two obnoxious characters (but especially Jack Black), Borderlands Any two unfunny "comedic actors", Unfrosted The entire cast of Megalopolis Joaquin Phoenix and Lady Gaga, Joker: Folie à Deux — WINNER Dennis Quaid and Penelope Ann Miller, Reagan Worst Director: SJ Clarkson, Madame Web Francis Ford Coppola, Megalopolis — WINNER Todd Phillips, Joker: Folie à Deux Eli Roth, Borderlands Jerry Seinfeld, Unfrosted Worst Remake, Ripoff or Sequel: The Crow Joker: Folie à Deux — WINNER Kraven the Hunter Mufasa: The Lion King Rebel Moon 2: The Scargiver Worst Screenplay: Joker: Folie à Deux Kraven the Hunter Madame Web — WINNER Megalopolis Reagan Razzie Redeemer: Pamela Anderson, The Last Showgirl For more information about the Golden Raspberry Awards, head to the accolades' website.
Escaping is the aim of every holiday. When you temporarily swap your own four walls for somewhere further afield, your daily worries should float away. Tokyo in general is great at evoking that sensation; however, the best place in the Japanese capital for forgetting that real life exists is digital-only art gallery teamLab Borderless, where being surrounded by and immersed in art is taken literally. After being closed for a year and a half to move to a new location, this must-visit spot on any Japan itinerary has finally reopened. As at Friday, February 9, teamLab Borderless now resides at Azabudai Hills with an array of stunning works — some brand-new, some familiar, all glorious. So, if your 2024 resolutions involve seeing spectacular art and travelling, this is one of the best ways to tick both boxes. Everything from bubbles and jelly to flowers and oceans now awaits, plus waterfalls and a tea house pouring cuppas adorned with blooming flowers as well. When it initially launched in 2018, teamLab Borderless instantly became a Tokyo favourite. It was also anointed the most-visited single-artist museum in the world during its first year of operation. Expect that to happen again in central Tokyo, where it has relocated to from its past Odaiba base. Sadly, you no longer need to cross over Tokyo's gorgeous Rainbow Bridge to get there — but your eyes will have much to feast on inside. If you were lucky enough to mosey around the OG spot before the pandemic, you'll know that the Borderless experience involves vibrant, constantly moving, always-changing interactive digital art keeps that keeps glowing and rearranging before your eyes. As the name makes plain, nothing is fixed or static here. Pieces move from one space to the next, and interact with other works. Sometimes, several different projections and installations mingle together. For attendees, peering at the end results isn't merely a passive experience, with the venue encouraging patrons to "wander, explore and discover". This is a place where terms like breathtaking, kaleidoscopic and delightful are all earned, and where the art is worth a trip to Tokyo to see all by itself. Borderless 2.0 spans both evolved and brand-new artworks. Accordingly, even if you've been before at its old digs, you won't just be seeing the same things (even though they're definitely worth enjoying more than once). Standout pieces include the jaw-dropping Light Sculpture series, which cycles through an array of light formations and colours, as well as an eye-catching mirrored infinity room-style space titled Microcosmoses — although, to be fair, everything is a standout here. Among the world-premiere installations, there's also Bubble Universe: Physical Light, Bubbles of Light, Wobbling Light, and Environmental Light, which is comprised of spheres that look like soap bubbles and jelly, and moves through various colours. With Flowers and People — Megalith Crystal Formation, you can spy florals bud and blossom, then wither and decay, repeating that pattern endlessly. And thanks to Black Waves — Megalith Crystal Formation, the sea gets a nod. Attendees can also enjoy Giant Solidified Spark, which is a sphere made from rays of light — plus Wall Without a Wall, which you'll see as a wall even though nothing physical exists. For younger visitors, plus those young at heart, Sketch Ocean turns drawings into art that swims before your eyes. And after proving a hit at the original site, the tea house ensures that every time that you sip a hot beverage in future will feel flatout average — blossoming projections on your cup while you drink will do that. teamLab might be best-known for its Tokyo site, but it doesn't only operate in Japan. A second teamLab Borderless has already been open in Shanghai since 2019, and others are slated for Jeddah in Saudi Arabia and Hamburg in Germany — the former without an exact opening date, the latter slated to launch in 2025. The organisation also operates a different museum in Macao, and has its first teamLab Phenomena on the way for the Saadiyat Cultural District in Abu Dhabi, again targeting a 2024 launch. The list goes on, with teamLab's works a drawcard wherever they pop up. teamLab Borderless Tokyo: MORI Building Digital Art Museum is now open at its new location at Azabudai Hills, Garden Plaza B B1F, 1-2-4 Azabudai, Minato-ku, Tokyo — for more information, visit the museum's website. Images: teamLab, Exhibition view of teamLab Borderless: MORI Building DIGITAL ART MUSEUM, 2024, Azabudai Hills, Tokyo © teamLab, courtesy Pace Gallery.
Brisbane Festival is gearing up to be a big one this year, with over 1000 events taking place across the city in September. One of the key venues and major partners of the annual event, for the third year running, is Northshore Brisbane — Queensland's largest urban renewal precinct. The riverfront hub will play host to the world premiere of Salamander and the heart-pumping Erth's Shark Dive. In Salamander, a brand new dance-theatre spectacle, L Shed at Northshore will be transformed into a flooded, climate-fiction world through a mix of light, sound, movement and design installations. The show features spellbinding choreography by Maxine Doyle and an ensemble of dancers, set to evocative music by Australian composer Rachael Dease and performed amongst sculptures by prominent artist Es Devlin. [caption id="attachment_913329" align="alignnone" width="1920"] Image: Damien Bredburg[/caption] For fun with the whole family, innovative puppeteers Erth will be bringing their large-scale creations to Northshore from Sunday, September 17 to Friday, September 29. In Erth's Shark Dive, kids can choose to have a thrilling adventure or an awe-inspiring interaction with their choice of soundtrack. Music-lovers can look forward to Sweet Relief! festival at Maritime Green on Saturday, September 16, and The Australian Voices choir is also putting on a free concert there on Saturday, September 2. While you're there, be sure to make the most of your time at Northshore with uninterrupted views of the Brisbane River from The River Room cafe, a meal at Gusto Da Gianni or a sunset drink at Byblos Bar and Restaurant. Street food festival Eat Street will be running every Friday, Saturday and Sunday with over 70 food and drink vendors, along with live music. Book tickets for Salamander from $74 at the website. Tickets for Erth's Shark Dive are $29 and are also available to book at the website. For more information and help on getting to the venue. head to the Northshore website.
One of Eddie the Eagle's many training montages is set to the toe-tapping refrains of Hall & Oates' 'You Make My Dreams'. For an '80s-set film about a sporting wannabe trying to achieve Olympic glory, it's an appropriate choice in a multitude of ways. It's also rather clichéd. Still, it fits — and the feature knows that it's obvious, making it even more apt. That's Eddie the Eagle in a nutshell: a bit cheesy but completely aware of that fact, and utterly warm and enjoyable as a result. Those who aren't up to date on their British sporting history might be surprised to discover that Eddie Edwards (Taron Egerton) changed the face of the nation's ski jumping team. Actually, he was the face of the nation's ski jumping team. After struggling to become a downhill skier, the good-natured lad turned his attention to soaring not only down the snowy slopes but through the frosty air as well. England didn't have any other competitors in the field that year. In fact, they'd never had any competitors in the field in any year. But with his dad (Keith Allen) far from impressed, his coach (Hugh Jackman) a heavy-drinking, washed-up former athlete, and his own experience severely lacking, Eddie's Olympic quest wasn't exactly easy. Eddie the Eagle is a crowd-pleaser through and through — and while the term can sometimes have not-so-flattering connotations, that isn't the case here. Indeed, much of the film's success springs from director Dexter Fletcher's happy embrace of the tried-and-tested sports movie formula. While plenty of liberties have been taken with the truth to bolster the film's feel-good credentials, they all suit the story. If only sticking to the inspirational underdog playbook was always this entertaining. Fletcher seems to be following a specific train of thought: if it worked for Cool Runnings, which told of another against-the-odds story at the exact same Winter Olympics, then it can work here too. The actor-turned-filmmaker even nods to the Jamaican bobsled team, and to his own background around the same time, courtesy of a brief appearance from one of his late '80s Press Gang co-stars. Accordingly, his feature isn't just lazily throwing together the usual elements and hoping that something sticks. It's doing so knowingly with a wink, a nod and a smile, and while wearing its retro style and upbeat cheer on both sleeves. A number of other factors assist the all-round amiable effort enormously, including broad but winning performances by Egerton and Jackman in vintage earnest protégé and reluctant mentor mode, respectively. Add a canny splash of visual spectacle, a well-earned sense of genuine tension during the jumping scenes, and other time- and theme-appropriate tunes on the soundtrack, and Eddie the Eagle soars.
As Australia continues to respond to the COVID-19 situation, getting cosy on your couch is becoming the norm. And, while you could take a break from the news of mass-gathering bans, self-isolation requirements, and event cancellations and postponements by indulging in pure escapism, it's completely natural and thoroughly understandable to swing your viewing choices in the other direction. No one alive has experienced a pandemic quite like this one before, but, thanks to decades of movies, we've watched similar events on-screen for years. And, based on how much everyone has been talking Steven Soderbergh's Contagion of late, movies about outbreaks and, yes, contagions are in high demand at the moment. We know you're seeking them out anyway, so we're here to help. Here are ten movies about pandemics, contagions and outbreaks that you can watch via Australian streaming platforms right now. https://www.youtube.com/watch?v=5UkXOj8u1Fo CONTAGION Steven Soderbergh is one of America's most prolific filmmakers, with everything from Cannes Palme d'Or winner Sex, Lies and Videotape to amusing heist flick Logan Lucky on his resume — and drug drama Traffic, which nabbed him the Best Director Oscar, too. But thanks to current events, Contagion will be the movie he'll be remembered for, with the 2011 thriller feeling eerily prophetic when revisited today. It all starts with a lawyer (Gwyneth Paltrow) returning from Hong Kong, then falling ill. In methodical style, Soderbergh then tracks the progression and the response. He enlists an enormous all-star cast to help, spanning Matt Damon, Jude Law, Marion Cotillard, Kate Winslet, Laurence Fishburne and Bryan Cranston — and his aim to make as realistic a movie as possible about a pandemic certainly strikes a chord in current circumstances. Available to stream on Google Play, iTunes and YouTube. https://www.youtube.com/watch?v=AgZ5goJibn0 OUTBREAK Over the next few years, once the cinema industry — and existence in general, of course — gets back to normal, a new big-screen genre is certain to emerge. Drawing upon real-life events is such a staple of filmmaking that a plethora of COVID-19 movies is inevitable. Using Ebola as its model, Outbreak did the same thing in the mid-90s. When a virus called Motaba starts wreaking havoc, staff from the United States Army Medical Research Institute of Infectious Diseases and the Centers for Disease Control and Prevention are forced to react. Starring Dustin Hoffman, Rene Russo, Donald Sutherland, Morgan Freeman, Cuba Gooding Jr and Patrick Dempsey, this disaster drama spends plenty of time within the two aforementioned organisations, if watching procedural action is what you're craving at present Available to stream on iTunes. https://www.youtube.com/watch?v=sFNPNT_4Qww I AM LEGEND When it came to updating Richard Matheson's 1954 book I Am Legend for the 21st century, enlisting Will Smith to play humanity's sole survivor was a logical choice. He wasn't the first to roam around the big screen in such desolate circumstances, with 1964's The Last Man on Earth putting horror icon Vincent Price in the same situation and 1971's The Omega Man tasking Charlton Heston with navigating isolation; however Smith was the thoroughly 2007 choice. And, playing a US Army virologist who sees the whole world turned into vampiric creatures after a genetically engineered measles virus turned lethal, he's one of the best things about I Am Legend. For folks interested in Heston's stint in the same situation, The Omega Man is also available to stream via Google Play, iTunes and YouTube as well. Available to stream on Stan. https://www.youtube.com/watch?v=7suz9ndPBHg 28 DAYS LATER These days, Danny Boyle is making 'what if?' rom-coms that ponder what life would be like without the Beatles, and Alex Garland is writing and directing moody sci-fi TV thrillers — but back in 2002, they joined forces to tackle a pandemic. And, marking their first proper collaboration after Boyle adapted Garland's best-selling novel The Beach for the big screen two years earlier, 28 Days Later still ranks among the best work on either's resume. Set in the aftermath of the accidental release of a highly contagious virus, the film's images of a desolated London instantly became iconic; however, this is a top-notch movie on every level. That includes its performances, with then-unknowns Cillian Murphy (A Quiet Place Part II) and Naomie Harris (the Bond franchise's current Moneypenny) finding the balance between demonstrating their characters' fierce survival instincts and their inherent vulnerability. Available to stream on Foxtel Now. https://www.youtube.com/watch?v=-gpxnI1tQM4 CARGO Australian cinema isn't immune to virus-driven movies — and 2017 post-apocalyptic horror flick Cargo is among the best of them. In this full-length adaptation of Ben Howling and Yolanda Ramke's Tropfest finalist short of the same name, the infection turns people into zombies within 48 hours, a situation that the Andy (Martin Freeman) and Kay (Susie Porter) want to avoid. Complicating matters: the fact that they have an infant daughter they'll do anything to protect. Already experienced at trekking across the landscape Down Under after starring in the New Zealand-shot Hobbit films, Freeman wanders across Australia determined to save his family, in a movie that also ponders both environmental factors and Indigenous culture as well. Available to stream on Netflix. https://www.youtube.com/watch?v=YMbSpnlOOtE THE ANDROMEDA STRAIN Michael Crichton's influence on popular culture is vast. The Jurassic Park franchise is still going almost three decades later, and Westworld (which is based on his 1972 movie) is enjoying quite the small-screen adaptation. Back in 1969, the author also contemplated what might happen if a deadly alien organism started infecting people on earth — and in 1971, The Andromeda Strain hit cinemas. The premise: after a satellite crashes near a small New Mexico town, almost all of its inhabitants die, with a team of scientists tasked with getting to the bottom of it. It's an unmistakably 70s affair, and a slick and solid film too. You might've come across the 2008 TV mini-series remake starring Benjamin Bratt, Viola Davis and Brooklyn Nine-Nine's Andre Braugher; however we recommend sticking with the original. Available to stream on Google Play, iTunes and YouTube. https://www.youtube.com/watch?v=C5ZtovQtG3s&feature=emb_logo WARM BODIES Pandemic movies and zombie movies often go hand-in-hand, as a number of entries on this list have already demonstrated. And, more often than not, they're grim, bleak and tense affairs — as is to be expected when the whole fate of the human race is at stake. Enter Warm Bodies, which isn't the first zombie comedy by any means, but both earns and owns the term 'zom-rom-com'. Here, R (Nicholas Hoult) is a member of the shuffling undead. Julie (Australian actress Teresa Palmer) is still alive. When they cross paths, he doesn't just bite into her flesh and she doesn't just kill him. This sweet and funny flick is based on the Isaac Marion-penned novel of the same name, and its characters' monikers should give an important detail away, with the influence of Shakespeare's Romeo and Juliet keenly felt. Available to stream on Foxtel Now and Stan. https://www.youtube.com/watch?v=Y8RScNfgPh4 TWELVE MONKEYS Before Brad Pitt won the Best Supporting Actor Oscar for sauntering through Quentin Tarantino's vision of 1969-era Tinseltown in Once Upon a Time in Hollywood, he was nominated in the same category back in 1996 for Twelve Monkeys. Deservedly so, too, with the star playing a mental patient in a post-apocalyptic version of 2035 — where a virus wiped out most of humanity four decades earlier. As offbeat as it is entertaining and eye-catching, this sci-fi thriller serves up exactly what anyone could hope for with Monty Python member and The Man Who Killed Don Quixote's Terry Gilliam behind the lens. For fans of cinema history, it's also an engaging update of Chris Marker's legendary 1962 short film La Jetée. And while Pitt steals the show, he has fine company, with 90s Bruce Willis in his element as well. Available to stream on Google Play, iTunes and YouTube. https://www.youtube.com/watch?v=zfeEhb4xnps THE NIGHT EATS THE WORLD When The Night Eats the World first hit screens in 2018, it was just a horror film about a man who goes to a party in Paris, then wakes up the next day to find zombies everywhere. It was a nice addition of the genre, too, proving both atmospheric, evocative, and firmly settling on its own tone. Now, this French movie hits close to home — not due to the undead, of course, but because the bulk of the feature focuses on Sam's (Anders Danielsen Lie) experiences stuck inside a flat, including his efforts to stock up on supplies in such circumstances. Cue thrills, twists, company in the form of a zombified neighbour (Denis Lavant) and a desperate need for resourcefulness. Oh, and ample existential dread as well. Available to stream on Google Play, iTunes and YouTube. https://www.youtube.com/watch?v=jE5dJDgZ644 BIRDEMIC: SHOCK AND TERROR What if humanity wasn't under threat from a virus, but from birds? Not just in one town, either, as seen in Alfred Hitchcock's classic thriller The Birds — but everywhere. That's the idea behind Birdemic: Shock and Terror. A word of warning: this is the silliest entry on this list, and the schlockiest as well. We honestly can't stress that enough. Indeed, Birdemic: Shock and Terror definitely isn't the world's best movie. In fact, it's the disaster and pandemic equivalent of The Room and a film that makes the Sharknado franchise's production values look positively gleaming. But, sometimes, that's just what you need. It also spawned a sequel, Birdemic 2: The Resurrection, because of course it did. Available to stream on Amazon Prime Video. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top images: Contagion, 28 Days Later, Cargo, Twelve Monkeys and The Night Eats the World.
One of Australia's most-iconic novels has a new date with the screen, with Netflix starting production on a series adaptation of Miles Franklin's My Brilliant Career. The 1901 book, the acclaimed author's first, has already reached cinemas thanks to a 1979 iteration. It has also hit the stage as both a play and a musical in the past five years. Next comes its small-screen version — a new big Aussie drama for streaming platform behind it, too. Netflix recently went the page-to-screen route in Australia with The Survivors, adapting the novel of the same name by The Dry and Force of Nature author Jane Harper. A beloved writer, a book with ample fans, a proven history of said author's work hitting the screen with great success: that's the template that it's following again with My Brilliant Career. Filming is currently underway in South Australia, but when you'll be able to watch the series hasn't yet been revealed. Fresh from fellow Netflix show Territory, Philippa Northeast leads the cast as Sybylla, the young woman growing up in rural Australia who dreams of becoming a writer. The rest of the ensemble boasts big names aplenty, including Slow Horses star Christopher Chung as Harry, as well as Andor's Mon Mothma aka Genevieve O'Reilly, plus Anna Chancellor (My Lady Jane), Kate Mulvany (Better Man), Jake Dunn (What It Feels Like for a Girl), Alexander England (Nautilus), Sherry-Lee Watson (Thou Shalt Not Steal) and Miah Madden (Troppo). Barons' Liz Doran is developing and co-writing the series, with Alyssa McClelland (Amandaland) and Anne Renton (Good Cop/Bad Cop) its directors. "It's been a privilege to work with so many incredible creatives on this reimagining of Miles Franklin's rollicking tale of a young woman's quest to determine her own life," says Doran. "It's thrilling to bring this Australian classic to a whole new audience. Partnering with Netflix and fellow executive producers Liz Doran and Alyssa McClelland, with Philippa Northeast as our rebellious and witty Sybylla, has been the stuff that dreams are made of," added executive producer Chloe Rickard (another Good Cop/Bad Cop alum). Northeast and Chung follow in the footsteps of Judy Davis (Nitram) and Sam Neill (Apples Never Fall), who played Sybylla and Harry in Gillian Armstrong's (Women He's Undressed) movie take — which won Davis two BAFTAs, including for Best Actress; and scored Best Film, Best Director and Best Screenplay from the Australian Film Institute. There's no trailer yet, but check out Netflix's My Brilliant Career social-media announcement below: View this post on Instagram A post shared by Netflix Australia & NZ (@netflixanz) My Brilliant Career will stream via Netflix, but doesn't yet have a release date — we'll update you when more details are announced. My Brilliant Career images: Courtesy of Netflix © 2025.
These days, whenever an old pop culture commodity comes back in a new guise, it's easy to feel complacent. It happens all the time, whether it's a classic franchise receiving its second reboot, a cult 80s movie making the leap to the small screen or a huge TV hit jumping into prequel territory to continue its story. But if you're a fan of a certain undead-killing late 90s and early 00s television show, you'll know that great things can start this way. It's the path that Buffy the Vampire Slayer took, after all. Based on the 1992 movie of the same name, the Sarah Michelle Gellar-starring series might just be the finest example of a film-turned-TV show — well, it's definitely the best example in the high school-set vampire genre — as the world came to learn across seven seasons that initially aired between 1997–2003. Buffy has remained a cult favourite ever since, and plenty of devotees still have the huge DVD collections to prove it. Now, binging your way through the whole show is as easy as heading to Australian streaming platform Stan. As part of a deal with Disney that's also brought How I Met Your Mother, Sons of Anarchy, Grey's Anatomy and Family Guy to the service, all seven seasons of Buffy the Vampire Slayer are available to stream. Whether you now know what you're doing this summer, have your after-work viewing planned for the foreseeable future or are planning to devote many a weekend to a rewatch, it's all there — from Buffy's arrival in Sunnydale, to her romantic fondness for brooding vamps Angel (David Boreanaz) and Spike (James Marsters), to all the hijinks that the Scooby Gang got up to while living on top of a hellmouth. https://www.youtube.com/watch?v=-1v_q6TWAL4 Because this is a series that, fittingly, no one wants to die, a Buffy spinoff was announced back in 2018 — however, to date, it's yet to come to fruition. There's nothing quite like the original Joss Whedon-created show, though, even if it wasn't the very first take on the feisty character. Grab your stakes, line up a range of suitably garlic-flavoured snacks and get ready for a whole world of small-town, high school hell — with vampires, demons, witches, plenty of dark forces, wise watchers like Giles (Anthony Stewart Head) and Wesley (Alexis Denisof), and, of course, Buffy's besties Willow (Alyson Hannigan) and Xander (Nicholas Brendon). All seven seasons of Buffy the Vampire Slayer are now available to stream on Stan.
There are food festivals, and then there's Noosa in June. From Thursday, June 11 to Sunday, June 14 2026, the Noosa Food & Wine Festival transforms the coastline into a playground of waterfront lunches, live cooking battles and beachside dinners that blur the line between refined and raucous (how Noosa). Sand underfoot, champagne in hand, some of the country's best chefs on the tools – it's a format that's hard to beat, and the 2026 lineup looks particularly electric. Come hungry. Official Opening Party Friday, June 12 Promising to be "bigger, brighter, and even more unforgettable" than its sold-out 2025 equivalent, this is the celebration that sets the tone for everything that follows. Expect continuous canapés and interactive pop-ups from an all-star culinary cast, including Guy Grossi, a South African braai from Warren Mendes, and Lucio's Marina's interactive seafood bar. As the sun drops behind the marquee and the sky shifts to gold, live DJs take over, and the three-hour beverage package keeps pace – welcome Enough cocktail on arrival, wines from Mojo and beers from Stone & Wood flowing freely. Part marquee comfort, part open-air beachfront beauty, this is Noosa at its most celebratory: sand underfoot, drink in hand, chefs at full throttle. Sunset Sessions: Beachside Dinner Saturday, June 13 Sunset Sessions brings fire, flavour and three of Australia's most exciting restaurants together for one collaborative feast on the sand. Lanai's Ryan Fitzpatrick, Stanley's Louis Tikaram and Serai's Ross Magnaye join forces for a share-style dinner inspired by the islands of the Pacific and the spice markets of Asia – bold, expressive and designed to pass across the table. Canapés on arrival lead into three generous courses, with interactive cooking stations adding theatre as the sky shifts to gold. The Catalina Afternoon Float Sunday, June 14 Swap sand for something sleeker and step aboard Noosa's most iconic vessel for a two-hour river cruise where flavour, sunshine and soundtrack align. Presented by Florcita Tequila, this Sunday session blends Latin-inspired canapés, premium pours and DJ-curated beats as you glide along the Noosa River. At the helm is Jason Jones, the culinary force behind Melbourne's acclaimed Mamasita and Noosa's Bandita. His menu of continuous canapés celebrates bold Latin flavours with a refined coastal twist – vibrant, punchy and designed to match every sip. If your ideal Sunday involves midday margaritas, river breezes and dancing in the golden glow of a subtropical afternoon, this is your move. The Festival Sundowner Sunday, June 14 One last, sun-soaked celebration to round out the weekend. As golden hour settles in, this big-finale beach party blends continuous canapés, flowing drinks and DJ sets that roll effortlessly into the evening. On the tools is Light Years, serving bold, punchy modern Asian flavours designed to share. Expect playful combinations, vibrant spice and the kind of dishes that demand a second lap. At the bar, Stone & Wood keeps things crisp and easy-drinking – think Pacific Ale in hand, sand underfoot and that salty twilight breeze coming off the water. Three hours. 350 guests. Toes in the sand and festival energy at full tilt. Restaurant Series Thursday, June 11 to Sunday, June 14 If the beach parties bring the spectacle, the Restaurant Series is where things stay intimate. Across four days, almost 20 of Noosa's top dining destinations will host one-off collaborations, curated menus and chef pairings that exist for one service only. It's billed as "an unmissable series of fully curated events, top-tier collaborations, and never-before-seen culinary experiences" – and many of these line-ups may never share a kitchen again. Expect Rickys Bar & Grill with Brisbane's Essa, Light Years alongside Long Time (Bali), Bandita and Byrdy bringing Melbourne energy north, Peli's teaming up with George Calombaris, Sum Yung Guys collaborating with Marion Grasby, The Wood Shed (Kin Kin) partnering with Lancemore (Melbourne), Humble on Duke joining forces with Makepeace Island, plus brand new venue Cibaria Noosa stepping into the mix. Smaller rooms. Sharper menus. Blink, and you'll miss them. American Express Festival Village Saturday, June 13 If you want it all in one place, this is your base. The American Express Festival Village is the beating heart of Noosa Food & Wine – a high-energy day packed with live cooking, cold drinks and more than 40 bars and restaurant pop-ups to roam between. Your General Admission ticket sets the tone early: a reusable festival glass, canapés on arrival and a welcome mocktail in hand before you dive into the action. From there, it's a choose-your-own-adventure of 10+ live cooking demonstrations across the Main Stage and Olsson's Salt Culinary Stage, plus a full soundtrack of DJs and live acts. The Main Stage brings the theatre, with headline cooking demonstrations and the ever-rowdy PorkStar Live Cooking Battles. Over on the Culinary Stage, guest chefs share tips, tricks and samples, with Interactive Tickets available for front-row seats and extra tastings. Between sessions, settle into the Village Pavilion for laid-back luxe under shady palms, explore producer pop-ups from around Noosa and the Sunshine Coast, or post up in the Premium Lounge to sip and watch the action in comfort. It's dynamic, delicious and delightfully buzzy – a full-day immersion in everything the festival does best. The full festival program has just been unveiled, with Signature Events and Festival Village tickets on sale now. The Restaurant Program tickets will go on sale from Friday, March 13 – subscribe to access an exclusive 24-hour presale. Images: Supplied
Lazing on the couch. Wearing your comfiest clothes. Feeling very, very cosy. For folks trying to find something — anything — to be positive about from the past year or so, these benefits of spending so much time at home should rank highly. And, whatever the weather, they're also a recipe for blissful lounge sessions. Fancy feeling extra warm and fuzzy? Keen on some agreeable viewing options that'll not just make you feel cosy, but nostalgic too? Need a feel-good fix that only a nice animated blast from your past can rustle up? Jump into that groove you've got going on the sofa, put on your snuggest outfit and settle in to relive brighter, sunnier times — we've rounded up a whole heap of retro animated flicks that you can stream or watch on VOD right now. https://www.youtube.com/watch?v=92a7Hj0ijLs ALMOST EVERY STUDIO GHIBLI FILM Getting spirited away, spending time with Totoro and chasing a moving castle are now as easy as clicking a few buttons whenever you feel like it. So is revelling in the heartwarming delights of one of the best animation studios there is, too. Over the past four decades, Studio Ghibli's reputation and popularity have only grown with each new film, with the Japanese outfit beloved the world over — for a very good reason. Whether you're fond of the talents of the great Hayao Miyazaki, or you've fallen hard for gorgeous animation by fellow Ghibli co-founder Isao Takahata, Miyazaki's son Gorō Miyazaki, and other directors Yoshifumi Kondō, Hiroyuki Morita and Hiromasa Yonebayashi, you'll find them all available to stream on Netflix. In fact, from Kiki's Delivery Service and My Neighbour Totoro to Spirited Away and The Tale of The Princess Kaguya, every solely Studio Ghibli-produced animated feature except Grave of the Fireflies and the recent Earwig and the Witch is on offer, as well as made-for-TV movie Ocean Waves. Twenty-one Studio Ghibli films are available to stream via Netflix. https://www.youtube.com/watch?v=hgW6hUO2oyg FERNGULLY: THE LAST RAINFOREST Mention the words Robin Williams and animation in the same sentence, and one film springs to mind. Aladdin deserves the instant recognition; however the 1992 hit was actually the second movie released that year to feature Williams' vocal stylings, after FernGully: The Last Rainforest. In the latter, he voices Batty Koda, an unstable bat who says he's been experimented on by people. He's fantastic, obviously — and he raps. But that's just one of the highlights of this environmental musical fantasy, which follows a logger, Zak (voiced by Jonathan Ward), who is shrunk down to fairy size by the winged, magical Crysta (Samantha Mathis). Christian Slater, Tim Curry, Cheech Marin, Tommy Chong and Tone Loc also provide voices, and the movie's message against pollution and deforestation is a worthy one. Oh, and any Aussie 90s kid knows, the entire film is set in Australia. FernGully: The Last Rainforest is available to stream via Fetch TV. https://www.youtube.com/watch?v=ZisWjdjs-gM PIXAR'S ENTIRE CATALOGUE Disney+, Disney's very own streaming platform, was always going to become the one-stop-shop for all of the entertainment behemoth's many famous brands, franchises and studios. That includes Pixar — and with the company spending the past quarter-century making lively, thoughtful, soul-lifting animated features, there are plenty of movies for fans to stream, re-stream and then stream yet again. In fact, all 25 Pixar features to-date are available on the platform, including last year's Onward and Soul, and this year's Luca as well. That means you can now spend, hours, days and weeks reliving the ups and downs of the Toy Story saga, enjoying the antics of Ratatouille's wannabe chef, being overwhelmed with emotion thanks to Inside Out and pondering the life of a dutiful robot left all alone in WALL-E. Pixar's entire feature catalogue is available to stream via Disney+. https://www.youtube.com/watch?v=X-rpEUuxgmY THE LAND BEFORE TIME If The Land Before Time taught us anything, it's this: even in prehistoric times, when you're a cute baby dinosaur and your species rules the earth, life isn't just about roaring, eating and playing. For "longneck" Littlefoot (voiced by Gabriel Damon), his trek to find the Great Valley is filled with peril — but it also fuels one of the most beloved non-Disney, Pixar and Studio Ghibli animated films there is. Of course, Littlefoot's journey also involves life lessons, endearing adventures and plenty of other cute, tiny dinosaurs, all in a movie that sparked a whopping 13 direct-to-video sequels between 1994 and 2016 (as well as a TV series). It seems that a pre-Jurassic Park Steven Spielberg knew what he was talking about when he decided he wanted to produce a movie like Bambi, but with dinosaurs. Also a producer on this heartfelt flick: George Lucas. The Land Before Time is available to stream via Google Play, YouTube Movies and Amazon Prime. https://www.youtube.com/watch?v=1huZhKwhIQc A HEAP OF DREAMWORKS FLICKS When DreamWorks jumped into the animation game back in the 90s, it did so with a splash. In one year, 1998, it released both the computer-animated Antz and the traditionally animated The Prince of Egypt. Then, in 2001, it had audiences everywhere falling for a cranky, green, Mike Myers-voiced ogre in Shrek. Not every DreamWorks film has hit the mark, of course. For every franchise-starter such as Madagascar and Kung Fu Panda, there's been the less-successful likes of Shark Tale and Over the Hedge — and, more than many other animation studios, its flicks entertain actual kids far more than kidults. But if you're still keen for a DreamWorks-shaped trip down memory lane, both Netflix and Stan boast a sizeable array of the company's aforementioned movies, including everything from Bee Movie, Megamind and Monsters vs Aliens to How to Train Your Dragon and more. A variety of DreamWorks films are available to stream via Netflix and Stan. https://www.youtube.com/watch?v=fq2FZdvQXXg THE IRON GIANT What it means to be alive is one of humanity's oldest questions, and one of our most frequent literary and cinematic narratives as well. In The Iron Giant, a 100-foot-tall metal-eating alien robot voiced by Vin Diesel is doing the pondering, after the eponymous figure plummets from the sky and lands outside the town of Rockwell, Maine circa 1957. There, in a tale based on Ted Hughes' 1968 novel The Iron Man, he befriends a curious nine-year-old called Hogarth (voiced by Eli Marienthal), as they both try to hide from the Soviet-fearing Cold War-era US government. Marking the debut feature by director Brad Bird (The Incredibles and its sequel, Ratatouille, Mission: Impossible — Ghost Protocol and Tomorrowland), the result is one of the smartest, sweetest, most ambitious and astute all-ages animated films there is — which you'd expect from a movie that uses a towering space robot to contemplate not just human nature, but our ability to defy expectation and choose who we wish to be. The Iron Giant is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. https://www.youtube.com/watch?v=aMlIpQ5pbCk DISNEY'S CLASSICS For decades now, no childhood has been complete without a whole bunch of animated Disney movies. The Mouse House has been in the business of making feature-length animated flicks for 83 years — since Snow White and the Seven Dwarfs first released in 1937 — and it's still going strong. Obviously, everything from Pinocchio, Bambi and Cinderella to The Sword in the Stone, Robin Hood and The Rescuers are all on Disney+. More recent films, such as The Little Mermaid, The Lion King, Pocahontas, Mulan, The Hunchback of Notre Dame and Atlantis: The Lost Empire, are too. And so is the movie that combined a cartoon mouse, eight pieces of classical music and over two hours of gorgeous animation into a masterpiece: the pioneering, imaginative and highly experimental hit Fantasia. Disney's animated films are available to stream via Disney+. https://www.youtube.com/watch?v=1v6-T52zLO0 FANTASTIC MR FOX Roald Dahl, Wes Anderson and stop-motion animation: that's a match made in cinematic heaven. Dahl wrote the acclaimed 1970 children's novel about the canny and cunning titular fox, of course, while Anderson brings it to life with a voice cast that includes George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Willem Dafoe and Owen Wilson. While Fantastic Mr Fox is his first animated feature, the director behind Rushmore, The Royal Tenenbaums and The Life Aquatic with Steve Zissou is a natural when it comes to witty comedy paired with playfulness, ample sight gags and a whole lot of visual symmetry. As for the story, it follows Mr Fox's (Clooney) efforts to outsmart a trio of mean farmers — and it's told here with energy, personality and Anderson's usual charm. Fantastic Mr Fox is available to stream via Netflix. https://www.youtube.com/watch?v=S1-0Fst-J08 WHO FRAMED ROGER RABBIT It's the part live-action, part animated film that's really not for kids, and it's still a delight more than three decades later. Who Framed Roger Rabbit steps back to 1947, plays with both neo-noir and comedy, and creates a world where humans and cartoons — or Toons as they're called — co-exist. A who's who of Hollywood's late-80s best and brightest were all considered for the part of private detective Eddie Valiant (Harrison Ford, Bill Murray and Eddie Murphy among them), but Bob Hoskins is pitch-perfect in the role. Also working a charm is the film's dark but funny tone, its exceptional special effects, and the reteaming of Robert Zemeckis and Christopher Lloyd after Back to the Future. Oh, and the fact that this always-entertaining PI tale is basically an oddball take on all-time classic Chinatown. Who Framed Roger Rabbit is available to stream via Disney+. https://www.youtube.com/watch?v=bmhXPNg3DZ8 THE NIGHTMARE BEFORE CHRISTMAS More than a quarter-century ago, Tim Burton and Henry Selick served up one of the most enchanting holiday films to hit the big screen — and one that doubles as both Halloween and Christmas viewing. It's Burton's name that everyone remembers; however a pre-Coraline Selick is actually in the director's chair on The Nightmare Before Christmas, which charms with both its offbeat story and its gorgeous stop-motion animation. Burton came up with the narrative though, because Jack Skellington only could've originated from the Beetlejuice and Edward Scissorhands filmmaker's brain. Imaginative, original and engaging (even as it nods to Dr Seuss a few times), it still remains a treat for all ages no matter the time of year. The Nightmare Before Christmas is available to stream on Disney+.
Monet. Degas. Renoir. If those names sound familiar, it's because they're some of the most renowned and revolutionary artists of the impressionist movement. Now, their masterworks will make a grand entrance in Melbourne, and it'll be sure to draw the crowds. The NGV's Winter Masterpieces® series is known for bringing blockbuster exhibitions to Melbourne, and this year is no exception. The French Impressionism collection opens Friday, June 6, and brings over 100 works from the Museum of Fine Arts in Boston to the National Gallery of Victoria for a rare glimpse into one of art's most influential movements. Expect hazy sunrises, countryside hills, dancers in motion and gardens drenched in light by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, Édouard Manet and more. But while the paintings are the headline act, the city more than lives up to the hype. From cosy dinners and cinematic nights out, to garden trails lit up after dark, this is the perfect opportunity to see Melbourne really come alive. Planning a visit to see the NGV's Winter Masterpieces®? Don't stop at the exhibition. Here's how to turn a few hours of Impressionism into a totally unforgettable weekend. [caption id="attachment_1004664" align="alignnone" width="1920"] Michael Pham[/caption] NGV Friday Nights Every Friday during the exhibition, the NGV stays open late for NGV Friday Nights. Your ticket includes after-dark access to French Impressionism between 6pm and 10pm, as well as live music, food and drinks in the Great Hall. Catch performances from artists like Mindy Meng Wang王萌 and Tim Shiel, whose collaborative project blends electronica, pop and classical Chinese traditions into something entirely new. Wander the exhibition with a glass of bubbles in hand, sample a wine flight from Yering Station, or grab some French-inspired dinner. It's everything Melbourne does best: art, music, food and a good excuse to stay up after the sun has gone down. Dame Exploring the gallery during the day? It's worth breaking things up with a long lunch at Dame Melbourne, just a few blocks away from the NGV. Set in what's colloquially known as the 'Paris-end' of Collins Street, this elegant venue features high ceilings, beautiful brunch plates, and the perfect opportunity for people watching as the afternoon drifts by. [caption id="attachment_1003425" align="alignnone" width="1920"] Alex Drewniak[/caption] Maison Bâtard Within walking distance from the NGV, Maison Bâtard puts a modern spin on the classic French bistro. From restaurateur Chris Lucas, it's the kind of place that doesn't take itself too seriously but still delivers when it comes to top notch food and wine, with multiple levels of sophisticated dining rooms. On Thursday to Saturday, descend downstairs into 'Le Club', for (very) late-night supper, cocktails and shows. [caption id="attachment_1003195" align="aligncenter" width="1920"] Jana Langhorst[/caption] Elio's Place If you're looking for something more low-key, Elio's Place on Flinders Lane is a European-inspired bistro that delivers comforting, crowd-pleasing favourites from 8am until late every day. The menu changes regularly and you'll always get a warm welcome as you walk in. It's the sort of spot where you can show up spontaneously, skip the fuss and focus on good food and good company. Lightscape After dinner, swap the gallery walls for open skies. This year, award-winning immersive light experience Lightscape is once again transforming the Royal Botanic Gardens into a glowing, dreamlike trail of illuminated tunnels, giant floral sculptures and projections. It's immersive, surreal, and very Melbourne. Running from Friday, June 20 to Sunday, August 10, this is a must for anyone who believes art doesn't have to stay inside galleries. Open House Melbourne If you're in Melbourne at the end of July, Open House Melbourne is worth lining up. Across one weekend (Saturday, July 26 - Sunday, July 27), dozens of the city's most fascinating buildings are opening their doors for public tours. From historic theatres and hidden rooftop gardens to incredible private homes, it's a rare chance to step inside some of Melbourne's most interesting spaces and see the city from the inside out. Melbourne International Film Festival Looking ahead, August brings the Melbourne International Film Festival, a citywide celebration of independent cinema from Australia and around the world. If your idea of a perfect winter night is catching a world premiere with a glass of red in hand, MIFF is your festival. It turns the entire CBD into a buzzing hub of late-night screenings, director talks and film club energy. In their day, the French Impressionists changed the way the world saw beauty. In Melbourne this winter, you can follow their lead: wandering through galleries by day, neon gardens by night, and cosy dining rooms in between. Head to visitmelbourne.com.au to discover more of what makes Melbourne every bit different. Images courtesy of Visit Melbourne By Jacque Kennedy
A trip to the Queensland Art Gallery or the Gallery of Modern Art usually brings with it the happy dilemma of deciding what to have for lunch in South Bank. Our recommendation for your next visit: GOMA Restaurant, a regular recipient of two chef's hats from the Good Food Guide Awards. The fit out is simple, not just providing a frame for the view but a blank canvas for the beautiful-looking dishes. Friendly waitstaff pre-empt any questions about the menu you may have. The current menu is pleasingly cohesive: clean flavours with lots of lean proteins, an abundance of native ingredients and creative plating feature throughout. It would be a terribly obvious cliche to describe the dishes as works of art; however, in keeping with their location, the presentation of the food is modern and unabashedly arty. It is hard to smother a goofy smile when presented with the dessert of gianduja & milk chocolate crémeux, hazelnut praline, sour raspberries and violet caramel. GOMA Restaurant always puts on a show with its sweet treats. Two-course and three-course set menus are offered (and are good value), as well as a seven-course degustation. The food not being heavy — you needn't fear leaving the restaurant too full — though you always have the option of walking it off by taking a stroll around the gallery or along the river.
It's hard to look past the historically bright personality and sticky pub floors of Oxford Street when passing through Paddington, but the beating heart of Sydney's eastern suburbs has spent the last few years undergoing a facelift amid the challenges of lockouts and lockdowns. Paddington has one of the most tightly-knit communities of the city, with a shared pride in both its history and present-day diversity of venues and businesses. Here, we've distilled a taste of it in partnership with Paddo Collective the locals who know it best. Read on to discover some of our favourite spots to visit in the daytime, then flick the switch above and we'll dim the lights to show your favourite things to do once the sun goes down.
At any given moment, finding a movie to watch isn't difficult. But there's a difference between pressing play on any old film that your streaming service of choice is throwing your way — new releases and classics alike — and feeling like you're discovering something that's truly special. Online film festivals have been playing in the latter space during the pandemic, and letting cinephiles enjoy that electric feeling that comes with giving yourself over to a gem of a feature. And, for two years in a row now, Melbourne's annual film fest has been as well. The Melbourne International Film Festival didn't intend to run solely online two years in a row. In 2020, it made the jump to digital by necessity. This year, it worked towards a triumphant return to cinemas — yes, to physical screenings — while also continuing to embrace the greater accessibility that virtual sessions provide. But this year's fest always had to have contingency plans in case outbreaks and lockdowns bubbled up again, which is exactly what's happened. So, MIFF is unleashing its magic solely online once more. Making movie buffs feel like they're getting swept up in the latest and greatest in international cinema is still on the agenda, though. You might be sitting on your couch instead of in your favourite seat right at the back of the Forum or Hoyts Central — and you might be elsewhere in the country, too, instead of making the trip to Melbourne for some wintry cinema fun — but MIFF hasn't stopped giving film lovers what they adore. Already, we've watched, reviewed and recommended ten must-sees on the festival's MIFF Play streaming platform; however, this 18-day fest has plenty more where they came from before it wraps up on Sunday, August 22. So, we've done the same with another ten films. Streaming a couple won't just help you feel like you're getting a MIFF experience, either, but it'll also support the fest during an obviously challenging time. RIDERS OF JUSTICE Few things will ever be better than seeing Mads Mikkelsen get day drunk and dance around while swigging champagne in an Oscar-winning movie. Yes, that's one fantastic film experience that 2021 has already delivered. But the always-watchable Danish star is equally magnetic in Riders of Justice, a revenge-driven comedy that's all about tackling your problems in a different and far less boozy way. After a train explosion taints his life with tragedy, dedicated solider Markus (Mikkelsen, Chaos Walking) heads home to be with his traumatised daughter Mathilde (Andrea Heick Gadeberg, Pagten). Talking is her way of coping, but clamming up has always been his PTSD-afflicted modus operandi. Then statistician Otto (Nikolaj Lie Kaas, The Keeper of Lost Causes), his colleague Lennart (Lars Brygmann, The Professor and the Madman) and the computer-savvy Emmenthaler (Nicolas Bro, The Kingdom) arrive at the grieving family's door with a theory: that the accident was anything but because mathematically it's just so unlikely to have occurred otherwise. As written and directed by Anders Thomas Jensen (Men & Chicken) — and co-penned with Nikolaj Arcel (A Royal Affair) — Riders of Justice takes a darkly comedic approach to its storyline, which is where its anarchic plot developments and witty dialogue come in. But this is also a film with a thoughtful and tender core, especially when it comes to men facing their troubles. It's set at the end of the year as well, so it counts as a screwball Christmas movie. ROSE: A LOVE STORY Less is more in survival thriller Rose: A Love Story — which is also a brooding horror movie, and yet doesn't feel the need to overplay its hand. This intimate British gem takes a familiar setup, bides its time building out its chosen world and revels in getting to know its two main characters, because their precarious relationship sits at the heart of the smartly written film. Living off the grid in a tree-lined patch of wilderness, the eponymous Rose (Sophie Rundle, Peaky Blinders) and her husband Sam (Matt Stokoe, Cursed) have clearly settled into their routine some time ago. They largely live off the land and pay one trusted acquaintance to bring them petrol for their generator, all so Rose can stay inside writing while Sam tends to chores outdoors. But she also needs his care, and needs the blood he collects via leeches — and when an injured teenager (Olive Gray, Save Me) literally stumbles upon their quiet abode, that part of their existence starts sparking questions. With its stripped-back way of unfurling its narrative, Rose: A Love Story leans heavily on Rundle and Stokoe's textured and compelling performances, which explore the stakes and sacrifices that come with love in every glance and gesture. Stokoe also wrote the script, but first-time feature filmmaker Jennifer Sheridan brings a canny eye to both warm and brutal moments alike, and to teasing out the complicated and fragile bond between this particular pair, as well as any duo in love. NIGHT OF THE KINGS Every movie aims to make its viewers feel as if they've stepped straight into its glistening frames. Rare is the film that genuinely manages that feat, though. Rarer still is a feature as vivid, immersive and engaging at every moment, and via every piece of sound and vision it thrusts at its audience, as Night of the Kings proves across its 93-minute running time. The second directorial effort from Ivorian filmmaker Philippe Lacôte (Run), this prison-set blend of drama, thrills and fantasy heads inside a Côte d'Ivoire jail surrounded by rainforest outside Abidjan. When a new inmate (debutant Bakary Koné) arrives, he's plunged straight into its chaotic depths; however, he also becomes a key player in its internal politics. Here, the inmates enforce their own order, including requiring their leader (Steve Tientcheu, Les Miserables) to take his own life if he can no longer fulfil his role. This incarcerated society also places great emphasis on one particular storyteller, a job that's soon bestowed upon its newest member. So, the fresh face dubbed the prison's 'Roman' spins a tale that jumps through the past, from 19th-century Africa to more recent bloodshed, with his words leaving his fellow detainees hanging — but if he can't make his yarn last all night, he too will meet his end. Night of the Kings sits right on the precipice of myth and grit, and of history and fantasy, and it's as inventive as it is gripping. And, even if the great Denis Lavant (Holy Motors) didn't pop up, it'd still be an imaginative and beguiling piece of cinema. COME BACK ANYTIME Craving the rich, noodle-laden flavour that only ramen can bring is an instant side effect of watching Come Back Anytime. Yearning to wander into a tiny Tokyo ramen bar, take a stool at the bar and watch a ramen master at work — while you leisurely slurp through his brothy bowls, pair them with pan-fried gyoza, enjoy a sake or several, and chat to his regular customers — is just as natural a consequence. Directed by John Daschbach (Brief Reunion), this year-in-the-life portrait of Chiyoda City's Bizentei and its owner and chef Masamoto Ueda is culinary documentary filmmaking at its finest, examining a beloved type of dish, one talented man who has made it his life's work, and the many other lives — and tastebuds — touched along the way. When the film hangs out in the ramen bar, watching Masamoto cook, his wife Kazuko assist, and Bizentei's devotees savour every sip, it captures a place and a mood with the same affection as Las Vegas bar doco Bloody Nose, Empty Pockets. When it explores Masamoto's technique and impact, it's the Jiro Dreams of Sushi of ramen movies. And when it cycles through the seasons, showing what different times of the year mean at the ramen joint in question, how its central figure's existence adapts and evolves, and also using its structure to prompt jumps back into both Bizentei's and Masamoto's history, it's never anything less than a deep, charming, soul-warming and all-round full cinematic meal. PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME Preparations to Be Together for an Unknown Period of Time first introduces Hungarian neurosurgeon Márta (Natasa Stork, Jupiter's Moon) as she's unloading her romantic woes upon her therapist. What could've been a standard rom-com or romantic drama setup soon twists into something far more alluring and intriguing, however, with writer/director Lili Horvát (The Wednesday Child) pondering just how we can ever know how someone else really feels about us, and how long any romantic emotions can last — and if we can ever trust those intense memories of love that implant themselves inside our brains and refuse to leave. After working in the US, Márta has returned home to Budapest suddenly because of fellow doctor János (Viktor Bodó, Overnight). They met at a conference in New Jersey, and pledged to cross paths again a month later on a Budapest bridge, but he doesn't show up. Worse: when she tracks him down at work, he says he doesn't know her. Márta can't bring herself to return stateside, though, and can't get János out of her mind in general. This is a haunting and beautifully acted psychological drama that lays bare just how all-encompassing, obsessive, intoxicating and mind-melting love can feel, all as it toys with memory and its ability to shape our perspectives. The tone is loaded but uncanny — sweet but uncertain, too — and Horvát has fun getting both emotional and cerebral while having her characters cut open brains. In other words, there aren't many movies quite like this one. THE NOWHERE INN "From now on, I need more say in how people are going to act," says Annie Clark. "It's a documentary," replies Carrie Brownstein. Winking and nodding (and gleefully eager to show it again and again), The Nowhere Inn tasks the famous pair with playing versions of themselves — under the guise of the Sleater-Kinney muso and Portlandia actor shooting a doco about St Vincent as she goes on tour for her album Masseduction. This psychological thriller-meets-mockumentary finds plenty to parody within its premise, especially after Brownstein suggests to Clark that she might want to let her onstage persona bleed out into the behind-the-scenes footage, because talking about radishes isn't really setting the right vibe. Cue a satirical interrogation of authenticity and performance, creativity and fame, and the riding the rollercoaster that is putting yourself out there in the world. Clark goes from mildly playing Scrabble and chatting about vegetables to becoming an OTT rock diva 24/7 and staging an affair with Dakota Johnson, with the Suspiria star even aping the musician's hairstyle. Meanwhile, Brownstein segues from trying to convey the different facets and blurred boundaries within her subject to sometimes recoiling from and sometimes embracing the exaggeration and artifice that comes with Clark being St Vincent non-stop. The two central figures wrote the script themselves, mining fame's existential struggles for both insights and laughs, and their commitment to the concept shows. Behind the lens, first-time feature filmmaker Bill Benz also brings a sketch comedy feel from his time on Kroll Show and, like Brownstein, Portlandia. NEW ORDER If only one word could be used to describe New Order, that word would be relentless. If just two words could be deployed to sum up the purposefully provocative latest film by Michel Franco (April's Daughter), savage would get thrown in as well. Sharing zero in common with the band of the same name, this 2020 Venice Film Festival Grand Jury Prize-winner dreams up a dystopian future that's barely even one step removed from current reality — and in dissecting class clashes, and examining the growing discontent at the lavish lives indulged by the wealthy while so much of the world struggles, the mood and narrative are nothing less than brutal. The place: Mexico City. The setup: a wedding that goes wrong. As the ceremony gets underway at a compound-esque mansion jam-packed with the ultra-rich and ultra-corrupt, the chasm between the guests and the staff is glaring. Case in point: bride-to-be Marianne (Naian González Norvind, South Mountain) couldn't be more stressed when she's asked for money to help ex-employee Rolando's (Eligio Meléndez, La Civil) ailing wife, and plenty of her family members are flat-out rude about their former servant's plight. Then activists start making their presence known outside, and further afield in the city's streets. The military respond, sparing no one in their efforts to implement the movie's moniker. Franco doesn't want any second of New Order to be easy to watch, or for the parallels he's critiquing to go unnoticed — and while this definitely isn't a subtle film, it's a stylistically brash and bold, emotionally dynamic whirlwind that festers with palpable anger. STRAY In glorious 2016 documentary Kedi, Istanbul's stray cats received their moment in the cinematic spotlight, and also expressed much about the Turkish city and its human inhabitants in the process. The result was perfect — purrfect, even — regardless of whether you're normally a feline fan. With Stray, it's now their canine counterparts' time to shine. Istanbul has a 'no kill, no capture' law when it comes to the dogs roaming its streets, which is why there's more than 100,000 of them scampering around. And while documentarian Elizabeth Lo only spends time with a few of those tail-wagging woofers, including street veterans Zeytin and Nazar, as well as puppy Kartal, she stitches together a perceptive and textured portrait of their daily lives, of the city around them, and of the people who help and are helped by them. Making her first full-length film after a background in doco shorts, director/cinematographer/editor Lo lets her four-legged subjects be the stars, and lets her audience observe them. More than that, she frequently places the camera at canine height so that viewers feel as if they're seeing the world through a dog's eyes. Forget saccharine Hollywood flicks that use that idea as a gimmick (see: A Dog's Purpose and A Dog's Journey — or, better yet, don't see them because they're terrible). Here, immersion and insight are the key aims, and they're feats that the soulful and thoughtful Stray repeatedly, patiently and ruminatively delivers. THE GIRL AND THE SPIDER When spectacular choreography graces the screen, it's often via balletic feats of action or striking displays of movement and cinematography. The John Wick franchise and The Raid films demonstrate the first category, while movies with a hypnotic sense of physicality such as Climax and Ema sit in the second camp. The Girl and the Spider has little in common with any of these features, and yet it's still a stunningly choreographed film. Directors Ramon and Silvan Zürcher turn their attention to people going about their ordinary lives, as they did in their excellent 2013 debut The Strange Little Cat. Where that last delight almost solely remained inside one apartment, this movie flits between a few, as Lisa (Liliane Amuat, Those Who Are Fine) moves out of the flat she shares with fellow students Mara (Henriette Confurius, Golden Twenties) and Markus (Ivan Georgiev, Leipzig Homicide). As family members, neighbours, handymen and removalists all potter around, Mara only feigns to help. Really, she just hovers around as everyone else works, packs and moves, haunting the space and sometimes wilfully causing messes and scenes. The Zürcher brothers adore gazing at everyday domesticity and letting their characters' actions do plenty of talking. This is a chatty film, but the physical symphony of ordinary comings and goings says just as much. As it contemplates connections and absences, new starts and festering loneliness, and camaraderie and alienation — and isn't afraid to show its characters being awkward, petty and petulant — The Girl and the Spider also uses its enveloping sense of movement to embrace life's ambiguities. THE MOST BEAUTIFUL BOY IN THE WORLD In 1970, at the age of 15, Swedish teen Björn Andrésen's life changed forever. He walked into a hotel room to audition for Italian filmmaker Luchino Visconti, and only did so at his grandmother's urging — but, after the director was struck by his look and presence, the boy was quickly cast in the big-screen adaptation of Death in Venice. Soon, Andrésen would receive quite the compliment, too. When Visconti declared him "the most beautiful boy in the world" at the movie's premiere, the entire planet took notice. That statement had an impact and, while the experience would leave an imprint upon any shy adolescent who'd much rather be playing music than making movies but nonetheless finds himself becoming an international idol, it drastically altered Andrésen's entire future. That's the poignant story that The Most Beautiful Boy in the World tells with a perceptive eye; however, crucially, this isn't just a case of documentarians Kristina Lindström (Palme) and Kristian Petri (The Hotel) looking back, compiling archival footage — including Andrésen's initial audition video — and relaying all of the details from an outsiders' viewpoint. Their central figure is as much a part of the film now as he is in snippets from the past, and he's just as willing to interrogate how Death in Venice caused a major shift in everything he knew. His tale spans much further, too, covering several personal tragedies that he reflects upon with candour, next-level adoration in Japan and a pivotal role in Midsommar. The 2021 Melbourne International Film Festival runs until Sunday, August 22, screening online via the festival's streaming platform MIFF Play. For further details, visit the MIFF website. Looking for a few more MIFF movies to watch? Check out our first ten recommendations from this year's digital-only program.
Being so close to the continent means Australians are absolutely spoilt for choice when it comes to Asian cuisine. From Sydney's famous Chinatown to Melbourne's bustling Koreatown in Healey Lane, simply head out your front door in any major city, and you can find venues that capture the bold flavour of Asian dining. Sydney cafe, Dutch Smuggler, is one of these venues. Located behind 200 George Street in the heart of the CBD, Dutch Smuggler serves toasties and Indonesian specialty coffee to busy city workers. But it's not just locals who pilgrimage to the Circular Quay cafe. [caption id="attachment_1075260" align="alignnone" width="1920"] Dutch Smuggler[/caption] Tourists and Sydneysiders head to Dutch Smuggler to try their famous mie goreng toastie. The dish is exactly as it sounds — a blend of the deliciously spicy noodles and a fried egg, encased in melted gruyere cheese on fresh white bread. Blending Western and Indonesian comfort food has worked well for the cafe, which offers a range of flavourful fusion dishes including a kimchi toastie (combined with ssamjang sauce and cheese), and a beef rendang-inspired toastie. [caption id="attachment_1075262" align="alignnone" width="1920"] Dutch Smuggler[/caption] Executive Chef, Irenne Winata, describes the cafe as "fast-paced" and "flavour-driven". Born in West Borneo, Irenne is constantly inspired by the flavours of her home. "As an Indonesian, it's like coming back home." When asked to sum up Indonesian cuisine in three words, Irenne describes it as "Bold, emotional and unapologetic", which rings true for Dutch Smugglers' small yet mighty menu. Indonesian Flavours To Try Outside of the mie goreng noodles (toasted or otherwise) we all know and love, there are other Indonesian flavours Irenne recommends if you're trying to expand your palate. First on the list is rendang. "I think it's one of the most complex but also comforting dishes in Indo," says the chef. "We call it nasi padang. There are a lot of spices. Then we reduce the sauce until it's like a dried curry. It's super layered." The curry is traditionally cooked for six hours, adding a "smoky depth" to the meal. "You get the warmth from the spices, sweetness from the coconut, savoriness from the beef, and the slightly smoky depth from the long process of cooking it," says Irenne. Another flavour (that Irenne makes herself in the cafe) is balado, a hot and spicy paste originating from West Sumatra, Indonesia. "It's spicy, it's tangy, it's flavorful, as per usual. We normally cook it with soft-boiled egg or deep-fried boiled egg." Irenne also recommends soto, a traditional Indonesian aromatic soup. "It's a vermicelli noodle soup with shredded chicken on top. There's a beef version of it, too." Alongside the Indonesian fusion meals, Dutch Smuggler is Sydney's destination for Indonesian coffee. The venue is a specialty roaster that showcases Indonesian coffee. "I think in Indonesia, the coffee is bolder," says Irenne. "I think it's more full body and more earthy." [caption id="attachment_1075263" align="alignnone" width="1920"] Dutch Smuggler[/caption] The team at Dutch Smuggler work alongside farmers from different regions of Indonesia to source the best in single origin beans and brew the coffee to accentuate the rich and bold flavours the country is known for. Whether they're offering a new coffee style to the people of Sydney or upgrading the humble toastie, Dutch Smuggler, with its Indonesian heritage, is a flavoursome staple and comfort food destination among the city's run-of-the-mill CBD cafes.
When a TV show is as warm as Ted Lasso — when it feels like getting a hug in TV form while you're watching it, in fact — wanting to step right into its frames is an understandable reaction. Fans of the hit soccer-themed sitcom will be able to go one better in October, however, if they're lucky enough to score one mighty nice Airbnb booking: The Crown & Anchor, aka the show's go-to pub in the heart of Richmond. Taking a page out of Ted's (Jason Sudeikis, Saturday Night Live) book, here's a few things for you to believe in: yourself, always; that you deserve a London getaway; and that you can nab one of the three reservations for this AFC Richmond-themed stay. Like all of Airbnb's pop culture-related listings — see also: Hobbiton, the Paris theatre that inspired The Phantom of the Opera, the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage, to name just a few — this one is around for a spectacular time but not a long time. The Crown & Anchor will be open for three overnight visits: on Monday, October 23, Tuesday, October 24 and Thursday, October 25. Each booking will welcome in four Ted Lasso-loving Greyhounds supporters, though, so you can gather your obsessed mates and plan one helluva UK jaunt. As well as a night in the pub that's located right around the corner from Ted's apartment — and maybe a dash of the American coach's always-upbeat attitude just by stepping onto the show's home turf — the three groups that nab the reservations will also enjoy nods to the series in a number of ways. You'll sit down to pub fare from The Prince's Head (aka the IRL pub) over a discussion about all things Ted Lasso, wear AFC Richmond gear and cheer on local Richmond sports teams. You'll also play darts, give the pinball machine a go, sit at Ted's go-to table for a round of chess and sing karaoke. And, all that AFC Richmond merch hangs in the bedrooms as well. Biscuits are also part of the visit — naturally — over tea (sorry, Ted is wrong when he calls it "garbage water"). And, you'll be welcomed virtually by the show's Mae, who is played by Annette Badland (Midsomer Murders). All of the above will set you back just £11 (AU$20) plus taxes and fees, with the price reflecting the number of soccer players on the pitch. That said, while the once-in-a-lifetime accommodation comes ridiculously cheap, you do still need to fork out for your flights there and back, plus everything else to do with your London trip. If you're keener than Roy Kent (Brett Goldstein, Uncle) about scowling or Coach Beard (Brendan Hunt, Bless This Mess) about saying as little as possible, you'll need to try to score a reservation at 5am AEDT / 4am AEST / 7am NZDT on Wednesday, March 22. When that date rolls around, you will have seen the first episode of Ted Lasso season three, too — and likely be even more eager to get as close as you can to slipping into the show. And if you strike it lucky with the reservation and want to go all Beard After Hours while you're at The Crown & Anchor, that's up to you. For more information about The Crown & Anchor's listing on Airbnb, or to apply to book at 5am AEDT / 4am AEST / 7am NZDT on Wednesday, March 22, head to the Airbnb website. Images: Henry Woide. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Although we're now over a month into autumn, we're far from the classically autumnal weather. Temperatures remain stubbornly high around Australia, and new long-range forecasts have made this mild annoyance into an ominous portent for the weather we can expect later in the year. A number of signals are pointing to an El Niño event in the coming weeks that could be one of the strongest on record. If you're unfamiliar — El Niño and La Niña are the two halves of a natural weather cycle, akin to an invisible pendulum in the Pacific Ocean, conditions swinging from one side to the other on a regular basis and affecting global weather in a big way. El Niño emerges when ocean surface temperatures in the tropical Pacific are elevated by 0.5 degrees Celsius for an extended period, disrupting the high-altitude airflow that brings moisture across the Pacific from the Americas, leading to reduced cloud cover and rainfall across Australasia. It's not necessarily a period of heat, but of dryness. The ominous name "Super El Niño" is used when the ocean warms by two degrees Celsius or more. At the time of writing, the Bureau of Meteorology is predicting that the threshold will be crossed in August, and could exceed 2.5 degrees by spring, but cautions that long-range prediction models can change as time goes on. One factor under consideration is the recent frequency of tropical cyclones in the South Pacific this year, which could accelerate the oceanic warming process that ends the current La Niña period and kicks El Niño into gear. [caption id="attachment_1092698" align="aligncenter" width="1920"] Tropical Cyclone Zelia via Getty[/caption] There have been three periods of Super El Niños in the modern weather record: 1982, 1997 and 2015, each of which saw some of the driest winters and hottest summers on record (at the time). But how could this affect Australia in 2026? Generally speaking, El Niño strips cloud clover and the benefits it provides. That means colder, frosty nights and thin and underwhelming snowfall throughout winter, before elevated daytime temperatures in spring and summer and a longer, harsher fire season. Good news for northern Australia at least, the barrage of cyclones and monsoons in the tropics will relent. At this point, El Niño is likely, but a Super El Niño isn't a total guarantee. And even if it does enter the super range, that's not a guarantee of severe weather events. It just increases the likelihood of them. But when it comes to extreme weather, it's always best to be prepared. [caption id="attachment_1063729" align="aligncenter" width="1920"] Credit: iStock/Beverley Van Praagh.[/caption] For dry summers, there are easy ways to be ready for the worst. If your property has grass, bushes or trees, keep them trimmed and clear away dead and dry plant matter. For the worst-case scenario, visit My Fire Plan to help prepare your property and family for a disaster. In NSW, you can download the Hazards Near Me app for alerts of fires or extreme weather near you, and Victorians can do the same on the VicEmergency app — otherwise the READI app offers disaster information near you, nationwide. Lead image: Getty Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
True Detective started with Matthew McConaughey (The Rivals of Amziah King) and Woody Harrelson (Last Breath) as its leads. Next came Taylor Kitsch (American Primeval), Colin Farrell (The Penguin) and Rachel McAdams (Are You There God? It's Me, Margaret). Mahershala Ali (Jurassic World Rebirth) and Stephen Dorff (Bride Hard) did the honours, too, followed by Jodie Foster (Nyad) and Kali Reis (Rebuilding). And if the world is lucky, Nicolas Cage (The Surfer) could join that list. Variety is reporting that Cage is in talks to star in True Detective's fifth season — which The Hollywood Reporter notes is expected to arrive in 2027. So far, the only details confirmed include that the new episodes will be set in New York's Jamaica Bay area, and that Tigers Are Not Afraid filmmaker Issa López, who wrote and directed every one episode of True Detective: Night Country, is due to return. [caption id="attachment_793116" align="alignnone" width="1920"] Jim Bridges/HBO[/caption] Cage can and has played everyone from Dracula, a man who thinks he's a vampire, himself, a heartbroken lumberjack and an alpaca-milking dad to black-and-white film noir-style Spider-Man, twins, an Elvis obsessive, a terrorist switching faces with an FBI agent, a man everyone dreams about, a serial killer and an Aussie expat who just wants to hit the waves at his childhood beach (and much, much more). A cop on the case in True Detective? It'd be dream casting. The series was renewed for season five after its fourth season dropped in January 2024 and became the most-watched season of the show ever. Across the show's run, it's always been a case of new batch of episodes, new police officers, new case, as the series has been delivering since 2014. "Issa Lopez is that one-of-a-kind, rare talent that speaks directly to HBO's creative spirit. She helmed True Detective: Night Country from start to finish, never once faltering from her own commendable vision, and inspiring us with her resilience both on the page and behind the camera," said Francesca Orsi, Executive Vice President, HBO Programming, Head of HBO Drama Series and Films, back when season five was revealed. "From conception to release, Night Country has been the most beautiful collaboration and adventure of my entire creative life. HBO trusted my vision all the way, and the idea of bringing to life a new incarnation of True Detective with Casey, Francesca and the whole team is a dream come true. I can't wait to go again," added Lopez. There's obviously no trailer yet for True Detective season five, but check out the full trailer for True Detective: Night Country below: Season five of True Detective doesn't yet have a release date, but we'll update you when more details are announced. True Detective: Night Country streams via Max in Australia and Neon in New Zealand. Read our review. Via Variety/The Hollywood Reporter. Top image: Jason Bollenbacher/SXSW Conference & Festivals via Getty Images.
This online-only dessert bar clearly knows its market well. Open the menu on DoorDash, and one of the first items you'll see is Netflix & Chill, a two-person combo of waffles, Nutella, marshmallows, caramel sauce, ice cream, and crushed peanuts. Not in the mood to share? Scroll straight to the Nutella Choc Chip Cookie Pie, which is served soft and warm with a side of vanilla ice cream. Or maybe pick the Rainbow Cake: a Pinterest-worthy confection of layered butter sponge with cream cheese icing. Alternatively, the Caramello New York Cheesecake sounds mighty tasty, with a crumbly biscuit base and drizzled with salted caramel sauce. Images: Hennessy Trill
Since December 2023, Brisbanites have been welcomed to... a real-life way to feel like you're visiting Isla Nublar, recreated dinosaurs and all. These creatures are made out of Lego, however, as part of the Jurassic World by Brickman exhibition that's turned Queensland Museum into its latest home using more than six-million blocks. Haven't wandered through it yet? You now have a couple more weeks to head along. The showcase has been a hit, unsurprisingly, with more than 200,000 people attending, including previews and across extended hours. Jurassic World by Brickman can't stay in the River City forever, though, and was originally set to close on Sunday, July 14, 2024. Now that end date has been extended by a fortnight to Sunday, July 28. When Michael Crichton put pen to paper and conjured up a modern-day dinosaur-filled amusement park, he couldn't have known exactly what he'd done — or what else, such as this exhibition, would come. The author easily imagined the story making its way to the big screen, because the Jurassic Park novel started out as a screenplay. He could've also perceived that a whole film and TV franchise could follow, and that folks would be quoting the movies for decades. And yet, we're guessing that he didn't predict recreating the Jurassic World movies, which started with the fourth flick in the series back in 2015, made completely out of Lego. Jurassic World by Brickman first popped up in Melbourne in 2021, then Sydney in 2022. At each stop, Brisbane among them, visitors can peer at more than 50 dinosaurs, props and scenes from the Jurassic World movies that have all been fashioned out of the popular plastic bricks in the process. The four-metre-tall park gates, the lab where the dinosaurs are genetically engineered, those instantly recognisable jeeps, a heap of critters: they're all there. Welcome to... your Lego Jurassic World fantasy, basically. Lego dinosaurs are clearly the main attraction and, yes, this event has gone big. You can see a life-sized brachiosaurus that weighs more than two tonnes, a huge tyrannosaurus rex, two life-sized velociraptors (Blue and Delta), and everything from a stegosaurus to a triceratops, too. Plus, patrons can check out some prehistoric creatures in the baby dinosaur enclosure, encounter more on the loose and learn how to track them over the exhibition's recreation of Isla Nublar (while using your imagination a whole heap, obviously). Lego aficionados are also able to get building while they're there, with 2.5-million bricks to play with. This is a family-friendly affair, so expect plenty of small dinosaur fans for company. Jurassic World by Brickman will now display at Queensland Museum, corner of Grey and Melbourne Streets, South Bank, South Brisbane until Sunday, July 28, 2024. Head to the venue's website for further details. Images: Anna Kucera, Australian Museum.
When a brewery opens in Brisbane that shares part of its moniker with Queensland's nickname, it's clearly happy to get playful. At Little Miss Sunshine, that's the vibe. First announced in mid-July 2024 and welcoming in patrons in the River City since early August, this addition to Ann Street is a bistro, too, pouring brews and serving up Sunshine State-inspired cuisine from the back of the ground floor of an office building. From Milton to West End, Woolloongabba to Morningside and Fortitude Valley to Newstead, it isn't hard to find a brewery in Brisbane's inner-city suburbs and their surrounding locales. River City drinkers are spoiled for choice, in fact. Maybe it's thanks to the yeast and hops smell that's long lingered over the inner west courtesy of the XXXX factory, but this beer-loving town has never been one to say no to more breweries, especially over the past decade. Brissie loves new spots making beer as much as new bridges — so opening a brewery in this area of town feels like an inevitability. Whether you're keen to drop in for after-work drinks, lunch, dinner or anything in-between, Little Miss Sunshine sports a choice of both indoor and outdoor seating — and, yes, a sunny yellow hue features heavily, with light-coloured timber to match. Wherever you choose to say cheers, 28 taps have your tips taken care of, complete with both house-brewed tipples, including small-batch sips, alongside favourites from elsewhere picked by the team. On the menu, Moreton Bay bug spaghetti, a wagyu cheeseburger with lettuce from the Sunshine Coast, harissa roasted sweet potato salad with Toowoomba-grown spinach and a sirloin served with Lockyer Valley broccolini are just a few examples of Little Miss Sunshine's Queensland-leaning culinary options. Haloumi skewers, beer-battered barramundi, wings, lamb kofta, and beef and chicken shawarma also feature, as the food lineup additionally takes some inspiration from the Mediterranean. Hitting up Little Miss Sunshine means catching live tunes as well, all in a space that you've probably walked past countless times — especially if you work in the CBD — without considering that a brewery could one day live there. The folks behind it: RMS Group, which also has fellow inner-city haunts Isles Lane Bar & Kitchen, Fig & Olive Bar Bistro, Hellcat Maggie Laneway Bar & Kitchen and The Grove Rooftop Event Space to its name. Images: Markus Ravik.
If there's one thing Brisbanites can count on almost all year round, it's a sunny day begging to be spent outdoors. Whatever the season, the chances of nice weather are high — as are the chances you'll want to make the most of it. Though the beach is a drive away, the city abounds in the next-best places to while away a fine afternoon: picnic spots. With greener pastures aplenty dotting the expanse of the CBD and the surrounding suburbs, there are many wide-open spaces to head to with your trusty rug and a basket filled with snacks and cold bevs — or, you could picnic on the river itself. Don't know where to start? Here's 11 options. [caption id="attachment_750974" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Kangaroo Point Cliffs Whether you're hitting up the top or the bottom of the Kangaroo Point Cliffs, this just might be the best spot for a picnic in Brisbane. On any given day, locals and tourists flock to the area to soak up the sunshine and admire the city. Up high, the view spans from the CBD to the mountains of the Great Dividing Range, while those down below can gaze out over the river. Regardless of your preference, you'll find gazebos, seats and tables, barbecues and enough grassy areas to lay down a picnic spread — plus cafes for those sans food, as well as rock climbing and cycleways for the more adventurous. [caption id="attachment_826332" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] New Farm Park Everyone has enjoyed an afternoon in New Farm Park at least once. You've most likely strolled around markets, seen a movie and participated in some kind of sport, too, but it's the simple joy of kicking back on the grass that sticks in your mind and keeps you coming back. There's no such thing as a bad spot here, whether you're keen on looking out over the river, sitting near the rose garden or enjoying the sea of green that's around you. Among its many merits is New Farm Park's proximity to nearby shops, ensuring that even if you spend all day lazing around, you're never going to run out of supplies. Howard Smith Wharves Howard Smith Wharves might only be a few years old, but this busy and scenic Brisbane precinct is bustling with bars, restaurants and eateries. So, whether you're after burgers and beers, a Greek feast or Japanese bites, you have options. The area also offers up views from underneath the Story Bridge, and a grassy space where you can bring along some snacks for the full picnic effect. Public greenery is a huge part of this freshly redeveloped site, giving Brisbanites access to a vantage point that we haven't been able to enjoy in many a year. And there's no need to BYO — you can grab a six-pack from Felons Brewing Co, and some fish and chips, too. Dogs and families are welcome. [caption id="attachment_931901" align="alignnone" width="1920"] Brisbane Marketing[/caption] Roma Street Parkland A picnic in Roma Street Parkland gives you the option of saying cheers with whichever brews you've filled your esky with, or that natural wine that you can't stop sipping. The CBD site is home to two of the four parks in Brisbane where BYO alcohol is allowed — so you just need to pull out a rug at either the Celebration Lawn or the Lake Precinct. If you're fine to leave the hard stuff at home, the Sunset Glade, Palm Tree Court and Memorial Corner also await. For getting cooking, there's free barbecues around the place, too — and if you'd like a tour of the sprawling site, they're free as well, although you'll need to book one in advance. [caption id="attachment_668009" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] City Botanic Gardens Since opening in 1855, the 45-acre City Botanic Gardens has remained the jewel in Queensland's horticultural landscape. Neither flood nor drought has wearied the symbolic heart of the city, with its array of national and international flora plentiful all year-round. It's not just beautiful and accessible — nestled between the river on one side and QUT and Government House on the other as it is — but a sanctuary from the hustle and bustle of inner city life. Where else can you sit on secluded benches scribbled with lover's notes, gaze at ponds housing birds, fish and turtles, and stroll around unique sculptures and themed walkways, all while on your lunch break? [caption id="attachment_703976" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] Wynnum-Manly Foreshore Kilometres of coastline, a lengthy jetty and a pool by the ocean aren't the only attractions located along the Wynnum-Manly foreshore. There's also an abundance of grass, seats and tables perfect for enjoying the view over a meal, as well as a small beach for those eager to sit on the sand. If the weather is nice, expect to have more than a little company; however, this spot to the city's east has plenty of room for picnickers. You're also in the ideal place for a leisurely post-meal stroll — pick a direction, start walking, and instantly soak in the delightful and calming scenery. Picnic Island at South Bank A whole island just for picnics? We'd like to say "yes, really", but this is more a "well, kind of" affair. The South Bank Parklands Picnic Island isn't actually a land mass surrounded by water, as anyone who has been to South Bank before knows — but it is a space dedicated to feasting, knocking back a few beers — it's one of the four parks in the city where you can BYO booze — and enjoying Brisbane's usually glorious weather. Don't worry: even if the sky opens here, the barbecues are undercover (and they're free, too). We recommend having your own sausage sizzle, lazing about on the grass with a drink, and even indulging in some inner-city wildlife spotting thanks to the surrounding foliage and the neighbouring fish-filled pond. [caption id="attachment_703973" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] Shorncliffe Pier Brisbane isn't a beach city. We're not really considered a coastal city either. Still, all you need to do is mosey in the right direction and you'll hit the sea in almost no time at all. For northsiders, or anyone keen on heading that way for their sunny summer outing, the Shorncliffe-Sandgate region has more than its fair share of picnic spots right next to the ocean — plus, the largest timber pier in the city to casually stroll along. The super green Sandgate Foreshores Park is one such place and has exactly what everyone here is after: a killer vista. [caption id="attachment_683462" align="alignnone" width="1920"] Brisbane City Council[/caption] Mt Coot-tha Botanic Gardens The Mt Coot-tha Botanil Gardens are similar to their city counterpart in name only. Just west of the city, you'll find a sprawling wonderland of themed areas, including the Japanese gardens, bonsai house, arid zone, herb garden, and purpose-built, nine-metre-high biosphere slash prized tropical display dome. Wandering around wandering and being wowed by the perfectly manicured showcase of natural beauty is the perfect way to spend a day, but there's more on offer for those wanting to look to the heavens. Here, you'll also find the Sir Thomas Brisbane Planetarium, too. [caption id="attachment_703974" align="alignnone" width="1920"] Brisbane City Council via Flickr[/caption] Sherwood Arboretum This heritage-listed gem to the CBD's west has been welcoming the public and its picnics for nearly a century. Here, you'll sit under leafy trees — more than a thousand, in fact — while looking out over your choice of man-made freshwater wetlands or the Brisbane River. Whichever you choose, you're in for both a green and glistening sight — although the plant life is as much of a drawcard as the proximity to water. As the name makes plain, Sherwood Arboretum is all about amassing different species of trees (or collecting them, in a sense), so make time during your picnic to go for a wander. The Brisbane River Picnicking by the water in Brisbane is a tried-and-tested way to spend an afternoon, as this list attests. But you can also picnic on top of the water, all thanks to Denmark-born company GoBoat, which is sailing its 18-feet-long, dog-friendly vessels from Breakfast Creek. The company is all about making the whole boating caper more accessible for everyday folk, and its Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence — making for some fun, fuss-free sailing sessions. Each GoBoat boasts a central picnic table with room for eight people (and all the necessary snacks and booze). And they're even affordable enough to fit your budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will start at around $10 per person, per hour. You can find Abbott's Bakery products at all major supermarkets — and discover more tasty sandwich recipes via its website. Top image: Tourism and Events Queensland.
UPDATE, Wednesday, May 15, 2024: After two new Olivia Rodrigo shows for October were added at midday today, another two have been announced at 4pm. This article has been updated to reflect all four new gigs — two each in Sydney and Melbourne. Great news if you're a fan of Olivia Rodrigo and the first four tour dates announced for her first-ever Down Under visit didn't suit: four more shows have just been added to the singer and former Disney talent's Australian itinerary. She's still only playing Sydney and Melbourne, adding a third and fourth gig in both cities — and doing so before punters can even buy general tickets, which starts on Thursday, May 16. Big-name acts have a habit of doing this; see also: Taylor Swift, blink-182, Lizzo and The Weeknd, for some recent examples. So, it shouldn't come as a surprise — but it will give you more chances to head along to Rodrigo's huge GUTS world tour Rodrigo has a date with Australia in October, and will now take to the stage at Melbourne's Rod Laver Arena from Wednesday, October 9–Thursday, October 10, and also from Sunday, October 13–Monday, October 14. In Sydney, you can catch her at Qudos Bank Arena dates from Thursday, October 17–Friday, October 18, and also from Monday, October 21–Tuesday, October 22. When we say that this tour is big, we mean it. With the Aussie dates alongside gigs in Bangkok, Thailand, Seoul, Hong Kong, Tokyo and Singapore, the tour spans more than 80 concerts around the globe. Fans Down Under who aren't in Sydney and Melbourne, however, you'll be needing to travel. In support of her second studio album that's also called GUTS, this marks three-time Grammy-winner Rodrigo's first arena tour. The 'Drivers License', 'Good 4 U' and 'Vampire' singer will have her debut album SOUR to work through as well. The GUTS tour started in Palm Springs in February, saw Rodrigo do four shows at Madison Square Garden in April, and is currently making its way around the UK before heading to Europe, back to the US, then to Asia and Australia. Olivia Rodrigo GUTS World Tour 2024 Australian Dates: Wednesday, October 9–Thursday, October 10 + Sunday, October 13–Monday, October 14 — Rod Laver Arena, Melbourne Thursday, October 17–Friday, October 18 + Monday, October 21–Tuesday, October 22 – Qudos Bank Arena, Sydney Olivia Rodrigo is touring Australia in October 2024. Ticket presales start at 1pm on Wednesday, May 15, and general sales at 1pm on Thursday, May 16 — head to the tour website for further details. Images: Chris Polk, Polk Imaging.
It isn't just traffic that will bring Brisbane's Story Bridge to a standstill in October 2024. On one Sunday, the famed river crossing is closing to cars to become the site of a new nude photography work instead. Staging spectacular pieces filled with naked participants has long been Spencer Tunick's remit — and the New York-based artist's next River City installation is no different. Back on Saturday, November 18, 2023, Tunick took to numerous spots along the Brisbane River for a piece called TIDE, which formed part of that year's Melt Festival. Featuring around 150 people posing for the camera, the photography shoot was a prequel for Sunday, October 27, 2024, when the Story Bridge will welcome thousands of folks sans clothes. [caption id="attachment_874950" align="alignnone" width="1920"] Dublin, Spencer Tunick[/caption] Tunick initially turned his lens Australia's way in 2001 in Melbourne, when 4500 naked volunteers posed for a pic near Federation Square as part of the 2001 Fringe Festival. Since then, he's also photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras, then returned to Victoria in 2018 shoot over 800 Melburnians in the rooftop carpark of a Prahran Woolworths — and he popped up in the Whitsundays with almost 100 Aussies in 2019, and briefly turned Bondi into a nude beach in 2022. Elsewhere, Tunick has photographed the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK. The list goes on, with more than 100 temporary installations on his resume since 1992. Brisbanites, or anyone who's keen to disrobe on the Story Bridge for a new piece of art, can put their hand up to join in — with the call for volunteers open now. And Tunick does indeed mean anyone, because there's no limit to the number of people who can take part. Successful applicants will be informed via email a few weeks prior to the shoot. [caption id="attachment_926442" align="alignnone" width="1920"] Jay Cull[/caption]
For the person who's always between flights, cities or Airbnb check-ins, the best gifts aren't novelties — they're things that solve a real problem, hold up to repeated use, or make the in-between moments feel a little less like dead time. This edit was put together by CP's travel writers: the people who actually live out of carry-ons and know which things earn their place in a bag. From a London-designed rolling trunk built for serious packers to a camera that's quietly replacing the digicam, these are considered picks for the person who treats the world like a second home. Shopping for someone who lives for movies, marathons and home cinema setups? Explore our guide to the best gifts for screen addicts. Trunk, Carl Friedrik London-based Carl Friedrik has spent years building a reputation for luggage that takes its design cues from the founder's Swedish heritage — and the Trunk is the clearest expression of that yet. Built from a polycarbonate shell with an aluminium frame and genuine leather trim, it centres on an 80/20 main compartment specifically designed to handle bulky, irregular items that standard suitcases won't accommodate. Three included packing cubes and retractable internal dividers make organisation feel considered rather than crammed, and it comes backed by a lifetime warranty. Shop now. LED Light Therapy Face Mask, Nanoleaf A compact LED mask designed to earn its place in a carry-on. Nanoleaf's model offers notably stronger and more even coverage than others in its price range — triple the LED density — with clinically backed light modes spanning red for fine lines, yellow for inflammation and more. For long-haul regulars whose skin pays the price of recycled cabin air, it's one of the more functional wellness upgrades going. Shop now. Meridian Tote Bag, State of Escape State of Escape's neoprene bags have earned a devoted following by doing exactly what a travel bag should — holding a lot, weighing very little, and not looking out of place anywhere. The Meridian is a structured take on their signature tote: rope handles, a detachable shoulder strap and a silhouette that moves from airport terminal to evening easily, without asking you to change bags. Shop now. Heartbreaker Jewellery Case, Status Anxiety Status Anxiety has built a strong reputation for considered leather goods at a reasonable price point, and this compact jewellery case is one of the more useful things they make. Pebble leather exterior, soft-lined compartments — it keeps rings, chains and earrings organised and scratch-free without adding meaningful weight or bulk. The kind of thing that's easy to underestimate until it saves a favourite necklace from a tangled mess on arrival. Shop now. Handheld Steamer, Philips Wrinkled clothes are one of travel's more avoidable indignities. Philips' 1400W handheld steamer heats up in 35 seconds and works across cotton, linen and delicates — fast enough to be genuinely useful between the suitcase and the meeting, without the faff of ironing boards or the expense of hotel pressing. Shop now. Fujifilm X-T30 III, Fujifilm The X-T30 III is the kind of camera that makes you wonder why you ever used your phone. Compact enough to disappear into a jacket pocket, it shoots with 26.1 megapixels and comes loaded with 20 of Fujifilm's signature film simulations — Classic Chrome, Velvia, Provia — that render colour and texture in a way no smartphone algorithm can replicate. Our editor tested it and came back a convert. Read the full verdict here. Shop now. Avedon Dark Havana Sunglasses, P. Johnson P. Johnson is best known for bespoke suiting, but their eyewear carries the same handmade Italian craftsmanship. The Avedon is a warm tortoiseshell acetate with a slightly oversized profile — classic enough to wear anywhere, distinctive enough to make an impression. The kind of sunglasses that get noticed before you do. Shop now. Tech Kit, Bellroy Melbourne-born Bellroy has made a career out of solving the small, persistent frustrations of modern life — and the Tech Kit is one of their best. Made from recycled ripstop with a zip-through layout that reveals all your cables and chargers at once, it means no more upending a bag at security or tracing the same knot of wires for ten minutes. Compact, considered, exactly like everything else they make. Shop now. LM Workroom Hat, Lee Matthews Lee Matthews has been making considered, quietly elegant Australian clothing since 1989, and the Workroom bucket hat is a good distillation of what the brand does well: soft cotton construction, a structured silhouette that packs flat without losing shape, and a design that reads as intentional rather than incidental. Works as hard in a warmer climate as it does heading to the airport in winter. Shop now. Isla Round Luggage Tag, The Daily Edited A monogrammed leather luggage tag sounds like a cliché until you're standing at baggage claim watching three identical black suitcases go past. The Daily Edited's Isla is smooth leather with a clean circular silhouette — simple, personal, and the kind of thing that turns a functional necessity into something worth noticing. Shop now. Expandable Checked Bag, July July has spent years refining what a good suitcase should actually do, and the Expandable Checked Bag reflects that. A built-in compression system keeps everything held in place, a separate laundry bag lives inside the lid, and the expandable design gives you the flexibility to come home with more than you left with. The kind of luggage that makes you wonder what you were putting up with before. Shop now. The Watch Roll, Maison de Sabre For anyone who travels with more than one watch, the logic of a dedicated roll is hard to argue with — and Maison de Sabre's full-grain leather version makes the case even more convincingly. Soft-lined to prevent scratching, structured enough to hold everything in place and compact enough to slip into a toiletries bag. A gift that will be used on every single trip. Shop now. Gift Card, Airbnb For the person who has everything they need and just wants more time somewhere else, an Airbnb gift card is one of the more open-ended and genuinely useful things you can give. Redeemable anywhere on the platform — a coastal villa, a city apartment, a countryside retreat — it's less of a present and more of an invitation. Shop now. Ceramic Reusable Bottle, Frank Green Melbourne-founded Frank Green has become one of the better-known names in reusable drinkware for good reason — their ceramic-lined bottles are well-designed, well-made and genuinely effective at keeping water cold. Triple insulation keeps drinks temperature-controlled for hours, and the ceramic lining keeps the taste clean in a way that standard stainless steel can't always claim. Better than anything from the airport vending machine. Shop now. Rio Passport Holder, Wolff Studios A passport holder that justifies its existence by actually doing more. Wolff Studios' Rio holds two passports, three cards and a boarding pass in buttery soft RFID-secure leather — which means everything is in one place, accessible in seconds and shielded from electronic skimming. A quiet but genuinely practical upgrade for anyone who travels regularly. Shop now. Universal Strap, Rikka Small, useful and genuinely fun — Rikka's candy-coloured phone straps clip to any device and keep it close without demanding a case. For anyone who's spent more than five minutes panicking about where their phone is in a foreign city, this is a simple fix that earns its place in a pocket immediately. Shop now. The Signature Pouch, Ouvert Ouvert's Signature Pouch does the thing that most toiletry bags don't: it looks good enough to leave on a hotel bathroom shelf. The plush exterior houses a fully waterproof lining — practical insurance against leaking serums and exploded sunscreen — with enough room for a proper skincare routine without sprawling into half the bag. Shop now. Ginger Shampoo Gift Bundle, Cooki A haircare duo that travels without compromise. Cooki's ginger-infused shampoo and conditioner come in reusable metal tins — zero plastic, airport-friendly and genuinely better for the hair. Tucked into a natural-fibre woven bag, this is one of the few gifts that manages to be both considered from an environmental standpoint and entirely practical in a carry-on. Shop now. FYI, this story includes some affiliate links. These don't influence our recommendations, but they may earn us a small commission. For more information, see Concrete Playground's editorial policy. Like what you see? Subscribe to the Concrete Playground Newsletter to get stories just like these straight to your inbox.
Every single week, new releases grace the country's cinemas, spanning instant masterpieces, forgettable dreck and everything in-between. But as glorious as the silver-screen experience is — for watching a film, there's absolutely nothing like it — that's not the only place to see an ace movie. Plenty of standout flicks are now dropping in your streaming queue every single month without gracing a picture palace first. Sometimes, they've had small film festival runs beforehand — but definitely not always. Back in the day, these would've been dubbed 'straight to video' and come with an air of suspicion. But bypassing cinemas has never been synonymous with terrible films. It certainly hasn't been in 2022 so far, with the first six months of the year delivering a heap of highlights — 15 that we've picked, in fact — that rank among the year's best. Here's the full rundown of the straight-to-streaming gems that you need to catch up with. The added bonus: you can watch them all from your couch now. KIMI For the second year in a row, Steven Soderbergh has made one of the year's best movies and it has completely bypassed Australian cinemas. Unlike last year's No Sudden Move, however, Kimi was always destined for streaming. The latest in his series of paranoid thrillers that also includes Contagion, and once again female-fronted as Haywire, Side Effects and Unsane were too, this Zoë Kravitz-starring standout takes its cues from smart devices, humanity's increasing dependence upon technology, and the kinds of events that a virtual assistant like Siri, Alexa or Google Assistant might eavesdrop on. As a result, Soderbergh has crafted another movie that riffs on a growing area of real-life interest, then turns it into a tense, potent and devilishly smart feature. A bonus: focusing on a protagonist who doesn't feel safe leaving her house, Kimi couldn't better capture how the pandemic has felt without overtly needing to be a COVID-19 film. Kravitz (The Batman) plays Angela Childs, who works for Seattle-based tech corporation Amygdala from the comfort of her own sprawling loft — and from her own audiophile's dream of a computer setup — listening to snippets of conversation captured by smart speaker Kimi for quality assurance. In one clip, she hears what she believes to be a horrible crime and is compelled to follow up; however, her bosses aren't thrilled about her probing. Complicating matters: after being the victim of an assault a couple of years earlier, Angela suffers from anxiety and agoraphobia, making leaving the house to investigate a fraught task. As he did to particularly stellar effect in Unsane as well, Soderbergh styles his latest psychological thriller after its protagonist's mindset, making unease and suspense drop from every aesthetic choice — camera angles and placement, jittery frames and a voyeuristic perspective all included. Kimi is available to stream via Binge. FRESH Finally, a film about dating in the 21st century with real bite — and that's unafraid to sink its teeth into the topic. In this hit Sundance horror-comedy, Normal People's Daisy Edgar-Jones plays Noa, and once again gets entangled in a romance that'll leave a mark; here, however, the scars aren't merely emotional. Swiping right hasn't been doing it for Fresh's protagonist, as a comically terrible date with the appropriately named Chad (Brett Dier, Jane the Virgin) demonstrates early. Then sparks fly the old-fashioned way, in-person at the supermarket, with the curiously offline doctor Steve (Sebastian Stan, Pam & Tommy). Soon, he's whisking her away to a secluded spot for the weekend — a little too swiftly for Noa's protective best friend Mollie's (Jojo T Gibbs, Twenties) liking, especially given that no one can virtually stalk his socials to scope him out — and that getaway takes a savage and nightmare-fuelling twist. If Raw met Ex Machina, then crossed paths with American Psycho and Hostel, and finally made the acquaintance of any old rom-com, Fresh still wouldn't be the end result — but its tone stems from those parts, as do some plot points and performances, and even a few scenes as well. First-time feature director Mimi Cave doesn't butcher these limbs, though, and screenwriter Lauryn Kahn (Ibiza) doesn't stitch them together like Frankenstein's monster. As anchored by the excellent Edgar-Jones and Stan, there's care, savvy, smarts and style in this splatter-filled, satirical, brutal, funny, empowered and sweet film. Its twists, and its cutting take on predatory dating, are best discovered by watching, but being turned off apps, men and meat in tandem is an instant gut reaction. Fresh is available to stream via Disney+. COW As its name so clearly explains, Cow devotes its frames to one farmyard animal — and it's one of the most haunting films of the past few years. It's the third feature to take its title from a four-legged critter in the past 12 months, after the vastly dissimilar Pig and Lamb. It's also the second observational documentary of late to peer at the daily existence of creatures that form part of humanity's food chain, following the also-exceptional Gunda. And, it also joins 2013's The Moo Man in honing its focus specifically upon dairy farming, and in Britain at that. But the key to Cow is Andrea Arnold, the phenomenal filmmaker behind Fish Tank, Wuthering Heights, American Honey and the second season of Big Little Lies. She sees Luma, her bovine protagonist, with as much affection and understanding as she's ever seen any of the women who've led her projects. While watching, viewers do as well. Starting with the birth of Luma's latest calf — and, in the beginning, taking detours to see how it's faring as well — Cow unfurls with the rhythm of its agricultural setting. It's the rhythm of Luma's life, too, as she's milked and fed, moos for the offspring that's taken away too quickly, and is soon impregnated again. There's no doubt where the documentary is headed, either. There's simply no shying away from the fact that Luma and cattle like her only exist for milk or meat. Without ever offering any narration or on-screen explanation, Arnold stares at these facts directly, while also peering deeply into its bovine subject's eyes as often as possible. The result is hypnotic, inescapably affecting, and also features the best use of Garbage's 'Milk' ever in a movie. Cow is available to stream via DocPlay. I'M YOUR MAN Since 2013, any film that's involved making an emotional connection with artificial intelligence has brought Her to mind. Since 2014, any movie about human-android relationships has conjured up Ex Machina as well. And, since 2007, any flick that focuses on the companionship that a lonely human soul might find in an artificial companion has walked in Lars and the Real Girl's footsteps, too. In smart, perceptive and warmly humorous German gem I'm Your Man, however, it's a woman who is opening her life to a male presence — an AI-run robot designed to be her perfect match — and she's not too happy about it. Archaeologist Dr Alma Felser (Maren Egger, I Was at Home, But) is merely and begrudgingly testing out the technology that brings Tom (Dan Stevens, Eurovision Song Contest: The Story of Fire Saga) into her life, for three weeks at the behest of her boss at Berlin's Pergamon Museum, and solely for the good of science. I'm Your Man is a rom-com, which means exactly what viewers think it does going in: that Alma slowly starts rethinking her position on Tom. But that's about the only aspect of this thoughtful, witty and yearning exploration of what it means to be human and to truly connect that does what's expected. Fresh from winning an Emmy for directing Unorthodox, German filmmaker Maria Schrader helms a charming and insightful take on what's beginning to be an oft-considered topic, and is unpacked in a moving and delightful way in her hands. Her film is also extremely well cast, with Egger thoroughly deserving her 2021 Berlinale Silver Bear for Best Acting Performance as Alma, and Stevens pitch-perfect as the supposed robotic man of her dreams — who just wants love himself. I'm Your Man is available to stream via Binge. HELLBENDER Meet the Adams family — no, not the creepy, kooky, mysterious and spooky characters that've featured on pages and screens for decades (including in two terrible recent animated flicks), but the filmmaking collective comprised of couple Toby Poser and John Adams, plus their daughters Zelda and Lulu Adams. The quartet might be missing a letter from their well-known counterparts' names, but they're just as fond of all things horror. Case in point: their second feature Hellbender, a self-financed standout that's both a spellbinding tale of witchcraft and a clever coming-of-age story. It starts in a house in the woods, and also spends most of its time there. It includes the arrival of an unexpected stranger, shattering the status quo. But formulaic and by-the-numbers, this must-see isn't. In making first-rate use of its setting, and of a cast that's primarily comprised of Adams family members, it's also a masterclass in lockdown filmmaking. In the most expected aspect of Hellbender, the film's name does indeed refer to a punk-metal band, with 16-year-old Izzy (Zelda Adams, The Deeper You Dig) and her mother (Toby Poser) its sole members. No one else has ever heard them play, either, given that Izzy is both homeschooled and confined to the family's sprawling mountainside property, as she has been since she was five. Her mum tells her that she can't venture into town or around other people due to a contagious autoimmune disease; however, when a lost man (John Adams) wanders their way and mentions that his teenage niece Amber (Lulu Adams) lives nearby, Izzy gets the confidence to go exploring. As both written and directed by three out of four Adams family members — all except Lulu — Hellbender proves an impressive supernatural affair from its opening occult-heavy prologue through to its astute take on teen rebellion. Here's hoping this Adams family spirits up more DIY horror delights soon, too. Hellbender is available to stream via Shudder. APOLLO 10 1/2: A SPACE AGE CHILDHOOD In 1969, the year that Apollo 10 1/2: A Space Age Childhood is set, writer/director Richard Linklater was nine years old and living in Houston, Texas. This lovely animated film happens to follow a boy around the same age in the same city — and trust the filmmaker behind Boyhood, Dazed and Confused, and the glorious trio that is Before Sunrise, Before Sunset and Before Midnight to make viewers who weren't there then (who weren't even alive and have never been to America, too) to feel as nostalgic about the place and era as he clearly does. As narrated by his Bernie and The School of Rock star Jack Black, the film's entire middle section dances through memories of the time and city with infectious enthusiasm, but its biggest dose of affection radiates towards the technological promise of the 60s. The Mercury, Gemini and Apollo missions were rocketing into space and it patently felt like anything was possible, a sensation so marvellously captured in each second of Apollo 10 1/2. Jumping back into the rotoscoped animation that served Linklater so well in Waking Life and A Scanner Darkly, this loving ode to years and moods gone by also sports a delightful premise. As his older guise (Black) explains, young Stan (debutant Milo Coy) was an ordinary Houston kid with a NASA-employed dad (Bill Wise, Waves), doting mum (Lee Eddy, Cruel Summer) and five older siblings when he was approached by two men (Shazam!'s Zachary Levi and Everybody Wants Some!!'s Glen Powell) to help them with a problem. In the lead up to Apollo 11, it seems that NASA accidentally built the lunar module a couple of sizes too small, so they need a kid — Stan — to help them by going to the moon to test things out before Neil Armstrong, Buzz Aldrin and Michael Collins make their famous trip in a bigger version. That fantastical idea feels ripped from Linklater's childhood dreams, and it well might be; it also makes for a warm and charming entry point into a movie that's as much about life's ups and downs, the bonds of family and the wide-eyed optimism of youth as it is about heading to space. Apollo 10 1/2: A Space Age Childhood is available to stream via Netflix. THE JANES In the perfect version of 2022, watching The Janes would resemble unpacking a time capsule. In this documentary's frames, remnants of life during 60s and 70s America flicker across the screen — visions of what the US was like for women before the Supreme Court's landmark 1973 Roe v Wade ruling. But, devastatingly, that's not how viewing this Tia Lessin (Citizen Koch)- and Emma Pildes-directed film feels like now thanks to recent developments with America's current conservative-skewed highest judicial body. Accordingly, this powerful doco might just offer a window into the possible future by cataloguing a dark and heartbreaking part of the past. Its focus: members of Chicago's The Jane Collective, who stepped in to provide safe, affordable but also highly illegal abortion services when terminating pregnancies, and therefore giving women agency over their choices and their very existence, was a crime across the nation. Fellow 2022 highlight Happening has charted the same territory at around the same time, but in France and fictionalised. Back in 2020, the phenomenal Never Rarely Sometimes Always examined the situation in the US recently — well, before this year's Supreme Court ruling undoing Roe v Wade — as well. Each of the above, and The Janes as well, unsurprisingly makes for harrowing, infuriating, heart- and gut-wrenching viewing. In this instance, the film sticks with current-day talking heads and archival footage to step through why the service provided by Jane, aka the Abortion Counseling Service of Women's Liberation, was necessary and important. The brave and heroic women involved talked through the details with clarity and potency, as do some of the men who assisted, whether as husbands who were also lawyers, doctors, or construction workers-turned-abortionists. Of course, unlike in the times chronicled, women never come second to men in this gripping and resonant doco. The Janes is available to stream via Binge. CHA CHA REAL SMOOTH With Freshman Year, Cooper Raiff cemented himself as a talent to watch, both on- and off-screen. The writer, director, actor, editor and producer wore many hats on the likeable romance-meets-coming-of-age film, and he wore them all impressively and effortlessly. With Cha Cha Real Smooth, he hands over splicing duties, but he's just as ace in every other guise yet again. Winner of the Audience Award at this year's Sundance Film Festival, in the prestigious event's US Dramatic competition, this comedy also focuses on the fact that no one really knows how to handle life — this time centring its tale around the just-out-of-college Andrew (Raiff, Madeline & Cooper). The character returns home after graduating with the sole aim of making enough cash to follow his girlfriend to Spain, but falls into a gig hosting Bar Mitzvahs for his younger brother David's (Evan Assante, Dinosaur World) friends. Andrew falls in another way, too: in love with Domino (an exceptional Dakota Johnson, playing a mum again after The Lost Daughter), mother to Evan's classmate Lola (debutant Vanessa Burghardt). Lola has autism, is bullied by the other kids and usually finds herself ignored at parties, somewhat happily so; however, Andrew makes her feel comfortable and accepted, which doesn't go unnoticed. His growing fondness for Domino is complicated, though. So is the object of his affection herself — and, while more than half a century ago The Graduate splashed in a similar pool, Johnson brings her own shades and depths to a woman who is yearning for stability yet rallying against it. Everything also remains complex about Cha Cha Real Smooth's portrait of being a fresh college graduate with everything ahead of you and zero ideas of how what to truly do — and proves always-earnest as well, a description that applies to Raiff's work as Andrew and this low-key, insightful and charming movie alike. Cha Cha Real Smooth is available to stream via Apple TV+. FIRE ISLAND Pride and Prejudice, but set on New York's Fire Island. That's it, that's the queer rom-com that shares its setting's name. Fire Island, the movie, even comes with its own Mr Darcy — here called Will and played by How to Get Away with Murder's Conrad Ricamora, who should enjoy the same career bump that Colin Firth did in the 90s when he stepped into the part in a far-more-faithful TV adaptation. Updating Jane Austen isn't new, of course. Bridget Jones' Diary, also famously starring Firth, did the same with Pride and Prejudice. Stone-cold classic Clueless, which gets a shoutout here in a perfectly co-opted line of dialogue, did it with Emma, too. One of Fire Island's best traits is how new yet comfortable it feels, though, like thumbing through a favourite but seeing it afresh — with hot tubs full of praise deserved by director Andrew Ahn (Spa Night, Driveways) and screenwriter/star Joel Kim Booster (Loot). Booster also boasts a writing credit on The Other Two, one of the best new TV comedies of the past few years — and that bitingly smart, laugh-a-minute tone shines through in Fire Island, too. He takes Austen's tale about love and class and steeps it within the queer community, its subdivisions and subcultures, and issues of race and socio-economic status that ripple through, as they do in America and the world more broadly. That's what Booster's self-confident Noah finds himself navigating on a week-long annual getaway with his best friends, and after he decides to put his pal Howie's (Bowen Yang, Saturday Night Live) romantic prospects above his own. If you know the OG story, you know what happens next, including Noah's path towards the initially stern, quiet and standoffish Will. The end product here is witty, funny, heartwarming and sincere, as well as supremely well cast, energetic from start to finish, and bursting with queer pride. Fire Island is available to stream via Disney+. ASCENSION Ascension may not be one of this year's Oscar-winners, losing out to the also fantastic Summer of Soul (...Or, When the Revolution Could Not Be Televised), but it'll always be among 2022's nominees. More than that, this two-time Tribeca Film Festival winner will forever remain one of the most arresting documentaries of the past 12 months as well. Helming her first feature-length doco, filmmaker Jessica Kingdon turns her gaze to the Chinese dream — and what she sees, while situated in a very specific cultural context by design, is a clear and easy sibling to its American counterpart. That's part of the statement her film makes, all just by watching on patiently but meticulously as people go about their lives. Starting with factory recruitment on the streets, then moving into mass production, then climbing the social hierarchy up to the rich and privileged, Ascension explores employment and consumerism — and what they mean in an everyday sense in modern-day and modernised China. It's a portrait of the needs that make working on assembly lines a necessity, and of the dreams that inspire every climb, rung by rung, up the societal ladder. Some folks build sex dolls, their uncanny valley-esque forms adding an eerie mood. Others take lessons on etiquette for service jobs, including about not letting your face betray your emotions, and the tone is also unsettling. Observational to a mesmerising degree, Kingdon's exceptional film lets its slices of life and the behaviour, attitudes and patterns they capture do the talking, and they all speak volumes. Indeed, what a clever, telling, incisive and surreal story they unfurl. Ascension is available to stream via Paramount+. THE HOUSE Not to be confused with well-cast but decidedly unfunny Will Ferrell and Amy Poehler-starring comedy of the same name, The House dedicates its weird and wonderful stop-motion animated frames to three tales all set in the same abode. In the anthology film's first chapter from directors Marc James Roels and Emma De Swaef, a poverty-stricken family mocked by richer relatives luck into a deal with an architect, which results in the movie's central dwelling being built — and its new inhabitants getting more than they bargained for. In the second part by Niki Lindroth von Bahr, a developer, who also happens to be a rat, finalises his renovations and readies the place for sale; however, two odd prospective buyers won't leave after the first viewing. And in the third section from Paloma Baeza, the home towers above an apocalyptic future flooded with water, with its owner, a cat, struggling with her fellow feline tenants. Each of The House's films-within-a-film hail from a different creative team, boast different voice casts and splash around their own aesthetics — and they're all a delight. The constants: the titular structure, the fabric-style look to the animation (even as each director comes up with their own take) that makes you want to reach out and touch it, and mix of creativity and emotion in its dark-skewing stories. This is a movie that questions the comfortable mindset that bricks and mortar are expected to bring, and where where just trying to get by is recognised as the struggle it is in a variety of wild and inventive ways. And as for that vocal talent, Matthew Goode (The King's Man), Mia Goth (Emma.), Helena Bonham Carter (The Crown), Susan Wokoma (Truth Seekers) and Pulp frontman Jarvis Cocker all do ace work. The House is available to stream via Netflix. TURNING RED What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao. As many of the animation studio's movies do, the film takes its title literally. But, it also spins the usual Pixar question. Turning Red does indeed wonder what'd happen if red pandas sported human-style emotions; however, the Disney-owned company has been musing on people becoming other kinds of critters of late, with particularly astute and endearing results here. The movie's focus: 13-year-old Chinese Canadian Meilin Lee (Rosalie Chiang, also making her film debut). The year is 2002, and she loves meeting her strict but doting mum Ming's (Sandra Oh, The Chair) expectations, hanging out with her pals and obsessing over boy band 4*Town. And while her mother doesn't approve of her friends or her taste in music, Mei has become accustomed to juggling everything that's important to her. But then, after a boy-related mishap, the red panda appears. Mei goes to bed feeling normal, albeit angsty and upset, only to wake up looking like a cuddly creature. Like werewolf tales about teenage boys tend to be, Turning Red is all about puberty and doesn't hide it — and whether it's tackling that head-on, pondering generational trauma or showing its rampant love for boy bands, it sports sweetness, soul and smarts. Turning Red is available to stream via Disney+. Read our full review. HUSTLE When well-deserved Oscar predictions came Adam Sandler's way for the astounding Uncut Gems, the actor and comedian said that he'd make the worst movie ever if he didn't win one of the Academy's shiny trophies. He didn't, and then Hubie Halloween arrived — and now Hustle. No, neither is the most terrible film on Sandler's resume. In Hustle's case, it happens to be home to one of his best performances. He has plenty to his name, including in Punch-Drunk Love, The Meyerowitz Stories (New and Selected) and, of course, Uncut Gems, so it's in good company. There's also an element of art reflecting life in this new sports drama, even though basketball isn't what Sandler is famous for IRL. He knows more than a thing or two about only being seen one way, however, when his talents span much further. Whenever he branches away from the style of comedies that made his name, starting with Billy Madison and Happy Gilmore, he knows plenty about being the underdog, too. On-screen, Stanley Sugerman is Hustle's underdog. A scout for the Philadelphia 76ers, he jets around the world scoping out new talent in the hope of finding a future match-winner, but it's not the job he wants. He loves basketball, he used to play and he's long dreamed about being a coach — but when good news arrives, then tragedy strikes, then the calculating Vince Merrick (Ben Foster, Galveston) takes over as the team's owner, it seems he'll be on the road forever. Bo Cruz (real-life NBA player Juancho Hernangómez) might be his ticket to better things, though, if he can get the Spanish construction worker signed or drafted. There's nothing that's surprising about director Jeremiah Zagar's (We the Animals) choices, or screenwriters Taylor Materne (video game NBA 2K20) and Will Fetters' (A Star Is Born) either, but Hustle remains a strong and lived-in character-driven drama as much as a tense against-the-odds sports film — and it's as entertaining and engaging to watch as the playoffs. Hustle is available to stream via Netflix. LUCY AND DESI Icons celebrating icons: when Amy Poehler directs a documentary about Lucille Ball, as she does here, that's the end result. It's fitting that Lucy and Desi includes a letter read mere days after Desi Arnaz's death, about his ex-wife and longterm professional partner, that included a touching line: "I Love Lucy wasn't just the name of the show". Poehler loves Lucy, too, understandably. Watching the compilation of clips curated here — spanning Ball's movie career in the 30s and 40s, as well as her TV shows such as the pioneering I Love Lucy, follow-up The Lucy–Desi Comedy Hour, and later sitcoms The Lucy Show and Here's Lucy — it's impossible not to see Ball's influence upon the Saturday Night Live and Parks and Recreation star, and upon the generations of female comedians that've followed Ball. Lucy and Desi loves Arnaz as well, though, and truly adores the pair's tumultuous love story — one that changed the course of comedy history. Forget Being the Ricardos, the average-at-best Aaron Sorkin film that inexplicably earned Oscar nominations — including for its one-note performances — and doesn't even dream of being funny. A deeper, meatier, far more interesting dance through Ball and Arnaz's life comes from Lucy and Desi, which benefits not just from Poehler's affection and her eagerness to ensure that her subjects' personalities shine through, but also from previously unreleased audio tapes of the pair talking about their ups and downs. Recent interviews pepper the film as well, including with daughter Lucie Arnaz Luckinbill, and the iconic Carol Burnett. Still, this doco's points of focus truly do speak best for themselves, whether chatting frankly or seen in all of those wonderful sitcom snippets. Lucy and Desi is is available to stream via Prime Video. THE FALLOUT As a next-generation scream queen, Jenna Ortega has had an eventful 2022 so far. She proved one of the highlights of the latest Scream, in fact, then popped up in Foo Fighters horror movie Studio 666. And, she also made a firm impression in 70s-set, porn-shoot slasher X. Similarly a recent highlight: The Fallout, which earned both jury and audience awards for Best Narrative Feature at the 2021 SXSW Film Festival, and is horrifying in a completely different way to its star's other roles of late. To be precise, it's devastating. Here, the former child actor plays an American teenager who endures what must be every American teenager's worst nightmare, then understandably struggles to process the aftermath. Surviving a school shooting isn't something that anyone should be expected to come to terms with, to move on from, or to slide easily back into their everyday life — including going back to the same classes — after, obviously. When that terrifying incident occurs, Vada Cavell (Ortega) happens to be in the bathroom. As soon as the first shots are heard, she's hiding in a toilet stall with the school's resident dance star Mia Reed (Maddie Ziegler, thankfully worlds away from Music), and both emerge physically unscathed. But the trauma and emotional scars run deep, with The Fallout chronicling Vada's post traumatic stress disorder-affected headspace in the days, weeks and longer that follow. Written and directed by actor-turned-feature filmmaking debutant Megan Park, this is an immensely powerful portrait of grief on several levels — for classmates lost, lives forever changed and innocent views of the world instantly shattered. Every choice made by Park, and also by Ortega and Ziegler, plunges viewers into their Vada and Mia's internal tussles, including the score by Finneas O'Connell. The Fallout is available to stream via Binge. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We've also picked our top 15 movies that hit cinemas in the first half of 2022, as well as the 15 best new TV shows and 15 best returning TV shows of the year so far.
It's a great time to be a fan of Mexican filmmaker Guillermo del Toro, thanks to not one, not two, but three new projects hitting Australian screens in 2022 — aka Nightmare Alley, Cabinet of Curiosities and Pinocchio. But if you adore the director's stunning Pan's Labyrinth, as everyone should, then 2023 is going to be even better in Brisbane. The reason? The wondrous film is getting the Hear My Eyes treatment Remixing cinematic masterpieces with a brand-new live score is Hear My Eyes' big thing, as seen in its take on Chopper in 2022 in Sydney and Melbourne, plus past tours of No Country for Old Men with Tropical F*ck Storm and Suspiria with King Gizzard & The Lizard Wizard — and more. It hasn't ever done the same with Pan's Labyrinth before, however, so this performance at 7.30pm on Friday, March 24 at Brisbane Powerhouse is a premiere. Sleep D and artists Hektor and RBI (Ruby Willis) are writing and performing the new score, giving a hypnotic and resonant picture matching sounds. The end result is set to be one of the most transporting examples of movies meeting music you'll ever go to; think of it as a cinema session and a concert in one. Need a refresher on the film? Released in 2006 and winning three Oscars for its efforts — including Best Cinematography, Best Art Direction and Best Makeup — Pan's Labyrinth takes audiences to Spain during the Franco regime, specifically in the summer of 1944. That when and where ten-year-old Ofelia (Ivana Baquero) gets drawn into a stone maze, with the lines between her reality and this dreamworld colliding — and creating powerful, moving and dazzling movie magic.
In 2021, the Golden Globes are taking place more than a month later than usual. The awards are also staging a different kind of ceremony than normal, with hosts Tina Fey and Amy Poehler steering the show from separate cities, and Zoom certain to feature heavily. Still, the first big event of this year's film and television awards season definitely knows how to get everyone talking — about its achievements and inclusions, as well as its snubs. The nominations for the 2021 Golden Globes were announced in the early hours of Thursday, February 4, Australian and New Zealand time, and they made history. For the first time ever, three women were nominated for Best Director, with Nomadland's Chloe Zhao, One Night in Miami's Regina King and Promising Young Woman's Emerald Fennell all getting a nod. If you're wondering how monumental this is, the Globes has never nominated more than one woman in the category in a single year, and it has only given out seven nominations to female filmmakers — yes, in total — in its 77-year history before now. David Fincher's Mank picked up the most amount of nods in the film categories, with six, but other highlights include Chadwick Boseman's nod for Best Actor in a Motion Picture — Drama for Ma Rainey's Black Bottom, Riz Ahmed's nomination in the same category for Sound of Metal, the filmed version of Hamilton picking up two nods in the comedy fields (including Lin-Manuel Miranda's nomination for Best Actor in a Motion Picture — Comedy), and Sacha Baron Cohen getting a look for both Borat Subsequent Moviefilm (in the Best Actor in a Motion Picture — Comedy category) and The Trial of the Chicago 7 (Best Supporting Actor). Borat's breakout star Maria Bakalova also earned a nomination (for Best Actress in a Motion Picture — Comedy), too, becoming the first Bulgarian actor to do so. https://www.youtube.com/watch?v=0Rsa4U8mqkw The Globes also recognise TV, which is good news for the likes of Unorthodox, The Great and The Mandalorian, all of which received some love. There's a big omission in 2021's nods, however, with Michaela Coel's exceptional I May Destroy You — the best new show of 2020 hands down — absolutely nowhere to be seen. Instead, The Crown came out on top with six nominations, and everything from Normal People and Small Axe to Lovecraft Country and The Flight Attendant earned some attention. Aussie actors Nicole Kidman and Cate Blanchett also scored nods in the television fields, thanks to The Undoing and Mrs America. Every list of nominees for every awards ceremony has gaps, of course, and I May Destroy You isn't alone in missing out at this year's Globes. In the movie fields, Spike Lee's Da 5 Bloods was also completely overlooked — as was Zendaya's performance in Malcolm & Marie and the entire cast of Minari. In the TV categories , the Globes didn't sink its teeth into What We Do in the Shadows at all, and barely paid Better Call Saul any attention either. If you're wondering who else is actually up for an award, though, you'll find the full list of nominees below. And, as for who'll emerge victorious, that'll be announced on Monday, March 1 Australian and New Zealand time. GOLDEN GLOBE NOMINEES 2021: BEST MOTION PICTURE — DRAMA The Father Mank Nomadland Promising Young Woman The Trial of the Chicago 7 BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — DRAMA Carey Mulligan — Promising Young Woman Frances McDormand — Nomadland Vanessa Kirby — Pieces of a Woman Viola Davis — Ma Rainey's Black Bottom Andra Day — The United States vs Billie Holiday BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — DRAMA Riz Ahmed — Sound of Metal Chadwick Boseman — Ma Rainey's Black Bottom Anthony Hopkins — The Father Gary Oldman — Mank Tahar Rahim — The Mauritanian BEST MOTION PICTURE — MUSICAL OR COMEDY Borat Subsequent Moviefilm Hamilton Music Palm Springs The Prom BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — MUSICAL OR COMEDY Maria Bakalova — Borat Subsequent Moviefilm Kate Hudson — Music Michelle Pfeiffer — French Exit Rosamund Pike — I Care a Lot Anya Taylor-Joy — Emma BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Sacha Baron Cohen — Borat Subsequent Moviefilm James Corden — The Prom Lin-Manuel Miranda — Hamilton Dev Patel — The Personal History of David Copperfield Andy Samberg — Palm Springs BEST MOTION PICTURE — ANIMATED The Croods: A New Age Onward Over the Moon Soul Wolfwalkers BEST MOTION PICTURE — FOREIGN LANGUAGE Another Round La Llorona The Life Ahead Minari Two of Us BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE Jodie Foster — The Mauritanian Olivia Colman — The Father Glenn Close — Hillbilly Elegy Amanda Seyfried — Mank Helena Zengel — News of the World BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Sacha Baron Cohen — The Trial of the Chicago 7 Daniel Kaluuya — Judas and the Black Messiah Jared Leto — The Little Things Bill Murray — On the Rocks Leslie Odom, Jr — One Night in Miami BEST DIRECTOR — MOTION PICTURE David Fincher — Mank Regina King — One Night in Miami Aaron Sorkin — The Trial of the Chicago 7 Chloe Zhao — Nomadland Emerald Fennell — Promising Young Woman BEST SCREENPLAY — MOTION PICTURE The Father Mank Nomadland Promising Young Woman The Trial of the Chicago 7 BEST ORIGINAL SCORE — MOTION PICTURE The Midnight Sky Tenet News of the World Mank Soul BEST ORIGINAL SONG — MOTION PICTURE 'Fight for You' — Judas and the Black Messiah 'Io Si' — The Life Ahead 'Speak Now' — One Night in Miami 'Hear My Voice' — The Trial of the Chicago 7 'Tigress & Tweed' — The US v Billie Holiday BEST TELEVISION SERIES — DRAMA Ratched Ozark The Crown Lovecraft Country The Mandalorian BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — DRAMA Emma Corrin — The Crown Olivia Colman — The Crown Jodie Comer — Killing Eve Laura Linney — Ozark Sarah Paulson — Ratched BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — DRAMA Jason Bateman — Ozark Josh O'Connor — The Crown Bob Odenkirk — Better Call Saul Al Pacino — Hunters Matthew Rhys — Perry Mason BEST TELEVISION SERIES — MUSICAL OR COMEDY Emily in Paris The Flight Attendant Schitt's Creek The Great Ted Lasso BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — MUSICAL OR COMEDY Lily Collins — Emily in Paris Kaley Cuoco — The Flight Attendant Elle Fanning — The Great Catherine O'Hara — Schitt's Creek Jane Levy — Zoey's Extraordinary Playlist BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Don Cheadle — Black Monday Nicholas Hoult — The Great Eugene Levy — Schitt's Creek Jason Sudeikis — Ted Lasso Ramy Youssef — Ramy BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Normal People The Queen's Gambit Small Axe The Undoing Unorthodox BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Cate Blanchett — Mrs America Daisy Edgar-Jones — Normal People Shira Haas — Unorthodox Nicole Kidman — The Undoing Anya Taylor-Joy — The Queen's Gambit BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Bryan Cranston — Your Honor Jeff Daniels — The Comey Rule Hugh Grant — The Undoing Ethan Hawke — The Good Lord Bird Mark Ruffalo — I Know This Much Is True BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Cynthia Nixon — Ratched Gillian Anderson — The Crown Helena Bonham Carter — The Crown Julia Garner — Ozark Annie Murphy — Schitt's Creek BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TV John Boyega — Small Axe Brendan Gleeson — The Comey Rule Dan Levy — Schitt's Creek Jim Parsons — Hollywood Donald Sutherland — The Undoing The 2021 Golden Globes take place on Monday, March 1 Australian and New Zealand time. For further details, head to the awards' website. Top image: The Crown, Des Willie/Netflix.
Last year might have been a dumpster fire of a year but, for the Coorparoo cafe scene, it saw the welcome arrival of Rabbit & Co, from the owners of the ever-popular Rabbit Hole Cafe. The venue itself is also generously sized, with a modern aesthetic thanks to its white and timber fit-out complemented by lots of lush greenery. As for the food, the menu boasts cafe favourites like brekkie burgers and corn fritters alongside crispy chicken waffles and brekkie bao, packed with scrambled eggs and haloumi.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue in January (and yes, we're assuming you've already watched Kaleidoscope in whichever order you preferred). BRAND NEW STUFF YOU CAN WATCH IN FULL NOW COPENHAGEN COWBOY Ten years ago, Nicolas Winding Refn released his second Ryan Gosling-starring film in succession, won his second Sydney Film Festival Prize, and was a reliable source of dazzling and blisteringly atmospheric crime fare thanks to Drive and Only God Forgives — and also the Pusher trilogy and Bronson before that pair. In the past decade, however, he's only brought one more movie to cinemas. The Neon Demon was a gem, too, and about as Refn as Refn gets, but that was back in 2016. Smaller screens have been beckoning the Danish director, thankfully. He launched his own free streaming service, and also co-created, co-wrote and directed the ten-part, Miles Teller (Top Gun: Maverick)-starring Too Old to Die Young. Refn's latest effort gets episodic as well, and sees him return to his homeland for the first time since Valhalla Rising — and, while it feels filtered through David Lynch's sensibilities alongside his own, Copenhagen Cowboy remains Refn through and through. The visuals have it, as they always do when this filmmaker is behind the lens. Neon aplenty, how he composes a room, how his characters peer on at the world around them, the use of 360-degree pans, the chilly mood, his overall aesthetic flair: they're all here. So, too, is another of the director's essentials, courtesy of a synth-heavy score by Cliff Martinez. That combination makes an entrancing mix, as it has over and over before, but Copenhagen Cowboy is never simply a case of empty style, sound and vision. Also present is an enigmatic tale, this time about the magnetic and mysterious Miu (Angela Bundalovic, Limboland). Considered a "living lucky charm" and highly sought after for her talents, she's the show's entry point to Copenhagen's criminal underworld. Can she help Rosella (Dragana Milutinovic, also Limboland) get pregnant? What kind of eerie situation has she found herself in? Are her gifts genuine? It wouldn't be a Refn project if questions didn't linger in the pulsating sense of stillness. Copenhagen Cowboy streams via Netflix. THE MAKANAI: COOKING FOR THE MAIKO HOUSE At the beginning of The Makanai: Cooking for the Maiko House, 16-year-old best friends Kiyo (Nana Mori, Liar x Liar) and Sumire (Natsuki Deguchi, Silent Parade) leave home for the first time with smiles as wide as their hearts are open. Departing the rural Aomari for Kyoto in the thick of winter, they have internships as maiko lined up — apprentice geiko, as geishas are called in the Kyoto dialect. Their path to their dearest wishes isn't all sunshine and cherry blossoms from there, of course, but this is a series that lingers on the details, on slices of life, and on everyday events rather than big dramatic developments. Watch, for instance, how lovingly Kiyo and Sumire's last meal is lensed before they set out for their new future, and how devotedly the camera surveys the humble act of sitting down to share a dumpling soup, legs tucked beneath blankets under the table, while having an ordinary conversation. Soothing, tender, compassionate, bubbling with warmth: that's The Makanai: Cooking for the Maiko House from the outset. There's a key reason that this cosy and comforting new treasure overflows with such affection and understanding — for its characters, their lives and just the act of living. Prolific writer/director Hirokazu Kore-eda simply isn't capable of anything else. Yes, Netflix is in the auteur game at the moment. Its January question: why give streaming queues the world over one new series by an acclaimed filmmaker in a month when you can gift them two? The Makanai: Cooking for the Maiko House couldn't be more different from Nicolas Winding Refn's Copenhagen Cowboy (see: above), but it is unmistakably the work of its rightly applauded creative force. One of the biggest names in Japanese cinema today, and the winner of the received Cannes Film Festival's Palme d'Or back in 2018 for the sublime Shoplifters, Kore-eda makes empathetic, rich and deeply emotional works. His movies, including 2020's France-set The Truth and 2022's South Korea-set Broker, truly see the people within their frames. On the small screen, and hailing from manga, the nine-episode The Makanai is no different. It's also as calming as a show about friendships, chasing dreams and devouring ample dumplings can and should be. The Makanai: Cooking for the Maiko House streams via Netflix. I HATE SUZIE TOO Watching I Hate Suzie Too isn't easy. Watching I Hate Suzie, the show's first season, wasn't either back in 2020. A warts-and-all dance through the chaotic life, emotions and mind of a celebrity, both instalments of this compelling British series have spun as far away from the glitz and glamour of being famous as possible. Capturing carefully constructed social-media content to sell the fiction of stardom's perfection is part of the story, as it has to be three decades into the 21st century; however, consider this show from Succession writer Lucy Prebble and actor/singer/co-creator Billie Piper, and its blood pressure-raising tension and stress, the anti-Instagram. The unfiltered focus: teen pop sensation-turned-actor Suzie Pickles, as played with a canny sense of knowing by Piper given that the 'Honey to the Bee' and Penny Dreadful talent has charted the same course. That said, the show's IRL star hasn't been the subject of a traumatic phone hack that exposed sensitive photos from an extramarital affair to the public, turning her existence and career upside down, as Suzie was in season one. In I Hate Suzie Too, plenty has changed for the series' namesake over a six-month period. She's no longer with her professor husband Cob (Daniel Ings, Sex Education), and is battling for custody of their young son Frank (debutant Matthew Jordan-Caws), who is deaf — and her manager and lifelong friend Naomi (Leila Farzad, Avenue 5) is off the books, replaced by the no-nonsense Sian (Anastasia Hille, A Spy Among Friends). Also, in a new chance to win back fans, Suzie has returned to reality TV after it helped thrust her into the spotlight as a child star to begin with. Dance Crazee Xmas is exactly what it sounds like, and sees her compete against soccer heroes (Blake Harrison, The Inbetweeners), musicians (Douglas Hodge, The Great) and more. But when I Hate Suzie Too kicks off with a ferocious, clearly cathartic solo dance in sad-clown getup, the viewers aren't charmed. Well, Dance Crazee Xmas' audience, that is — because anyone watching I Hate Suzie Too is in for another stunner that's fearless, audacious, honest, dripping with anxiety, staggering in its intensity, absolutely heart-wrenching and always unflinching. I Hate Suzie Too streams via Stan. Read our full review. DUAL New movie, familiar query: what would you do if you physically came face to face with yourself, and not just by looking in a mirror? Films about clones, including all-timer Moon and the recent Mahershala Ali (Alita: Battle Angel)-starring Swan Song, have long pondered this topic — and so has the Paul Rudd-led series Living with Yourself. In Dual, there's only one legal option. This sci-fi satire shares Swan Song's idea, allowing replicating oneself when fate deals out a bad hand. So, that's what Sarah (Karen Gillan, The Guardians of the Galaxy Holiday Special) does when she's told that she has a rare but terminal disease, and that her death is certain. Cloning is meant to spare her boyfriend Peter (Beulah Koale, Shadow in the Cloud) and her mother (Maija Paunio, Next of Kin) from losing her, making a difficult situation better for Sarah's loved ones. But when she doesn't die after all, the law states that, just like in Highlander, there can be only one. To decide who lives, Sarah and her doppelgänger must fight to the death in a public dual — with Trent (Aaron Paul, Better Call Saul) helping train the OG version. Even with its twist, on paper Dual sounds like a feature that any filmmaker could've made — one that any actor could've starred in, too. But this is the meaty, meaningful and memorable movie it is thanks to writer/director Riley Stearns and his excellent lead Gillan. With his penchant for deadpan, the former pondered working out who you truly are through an unlikely battle in 2019's very funny The Art of Self-Defense, and does so again here. He's also fond of exploring the struggle to embrace one's personality, and confronting the notion we all have in our minds that a better version of ourselves exists. That said, Dual plays like a sibling to The Art of Self-Defense, rather than a clone itself. It'd certainly be a lesser flick without Gillan, who sheds her Nebula makeup, wades out of the Jumanji franchise's jungles, and turns in two powerful and nuanced performances as Sarah and Sarah 2.0. And while Paul is in supporting mode, he's a scene-stealer. Dual streams via Netflix. HUNTERS Call it a conspiracy thriller. Call it an alternative history. Call it a revenge fantasy. Call it another savage exploration of race relations with Jordan Peele's fingerprints all over it. When it comes to Hunters, they all fit. This 70s-set Nazi-slaying series first arrived in 2020, following a ragtag group determined to do two things: avenge the Holocaust, with many among their number Jewish survivors or relatives of survivors; and stop escaped Third Reich figures who've secretly slipped into the US from their plan of starting a Fourth Reich. The cast was stellar — Al Pacino (House of Gucci), Logan Lerman (Bullet Train), Tiffany Boone (Nine Perfect Strangers), Jeannie Berlin (Succession), Carol Kane (Unbreakable Kimmy Schmidt), Lena Olin (Mindhunter) and Australia's own Kate Mulvany (Elvis) among them — and Get Out and Us filmmaker Peele executive produced a gem as he also did that same year with Lovecraft Country. And, when it wrapped up its first season, it did so with one mighty massive cliffhanger: the fact that Adolf Hitler (Udo Kier, Swan Song) was still alive in 1977. Returning for its second and final batch of episodes three years later, but largely moving its action to 1979, season two of Hunters sees its central gang initially doing their own things — but unsurprisingly reteaming to go after the obvious target. Jonah Heidelbaum (Lerman) is living a double life, with his new fiancee Clara (Emily Rudd, Fear Street) in the dark about his Nazi-hunting ways, but crossing paths with the ruthless and determined Chava Apfelbaum (Jennifer Jason Leigh, Possessor) ramps up his and the crew's efforts. Knowing this is the final go-around, the stylishly shot series isn't afraid of embracing its OTT leanings, tonal jumps and frenetic camerawork, and always proves entertaining as it hurtles towards its last hurrah. The best episode of the season, however, is one that jumps back to World War II, doesn't focus on any of its main stars and is as clever, moving and well-executed as Hunters has ever been. If the show ever gets revived in the future, which it easily could, more of that would make a great series even better. Hunters streams via Prime Video. THAT '90S SHOW The teenagers of Point Place are at it again: hangin' out down the street, that is, usually in Kitty (Debra Jo Rupp, WandaVision) and Red Forman's (Kurtwood Smith, The Dropout) basement. This time, decades have passed on- and off-screen since the world first met a group of high schoolers happily doing the same old things they did last week in the fictional Wisconsin town, and enjoyed their relatable antics. Netflix's new That '90s Show picks up just over 15 years after That '70s Show's timeline, embracing all that the mid-90s had to offer from raves and Alanis Morissette's initial fame to video stores and Donkey Kong. (Yellowjackets isn't the only series going all-in three decades back right now.) For viewers, the 1995-set series arrives 17 years after its predecessor said farewell, and also delivers endearing, laidback, easily bingeable throwback that's quite the good time. The years might've changed, but the basics stay the same in a wave of familiar places, faces, scenarios and themes — and the overall formula. From 1998–2006, Eric Forman (Topher Grace, Home Economics), girl-next-door Donna Pinciotti (Laura Prepon, Orange Is the New Black), and pals including Michael Kelso (Ashton Kutcher, Vengeance), Jackie Burkhart (Mila Kunis, Luckiest Girl Alive) and Fez (Wilmer Valderrama, NCIS) earned That '70s Show's attention as they chatted through their hopes and dreams, got stoned frequently, and tried to work out who they were, who they loved and what they wanted. Now, doing the same is Eric and Donna's 14-year-old daughter Leia (Callie Haverda, The Lost Husband), plus the new friends — feisty riot grrrl Gwen (Ashley Aufderheide, Four Kids and It), her airhead brother Nate (Maxwell Acee Donovan, Gabby Duran & The Unsittables), ladies' man Jay (Mace Coronel, Colin in Black & White), the witty Ozzie (Reyn Doi, Barb and Star Go to Vista Del Mar) and the super-smart Nikki (Sam Morelos, Forgetting Nobody) — she makes while visiting her grandparents. That '90s Show streams via Netflix. Read our full review. BLACK SNOW Fans of weighty Australian fare that reckons with the country's past are fans of the Mystery Road franchise, spanning both the big and small screens. They're fans, then, of the way that the outback-set saga surveys the nation's distinctive ochre-hued landscape from above in picturesque drone shots, all while contemplating the racist ills waged to live and work upon it. Six-part series Black Snow borrows much that's made Mystery Road such a hit, including a shock murder in a small town, a cop riding in to solve the mystery it heralds, a grim look at Aussie history and a bird's-eye view of its setting. But when this instantly compelling show peers down, it spies fields of green sugar cane fields far and wide. And, when it explores the country's traumas, it focuses on the treatment of the Australian South Sea Islander community — especially blackbirding, which involves forced relocation, severe underpayment and brutal working conditions, a grim form of slavery that isn't forgotten here. Seventeen-year-old Isabel Baker (talented debutant Talijah Blackman-Corowa) is the first person seen in Black Snow's opening moments, riding her bike hurriedly through the cane in the thick of night, making a frantic call from a remote phone booth and getting spooked by a music-blaring car's sudden appearance. The year is 1994, and the evening is the high schooler's Year 12 formal, as well as her last alive. Black Snow's second face belongs to James Cormack (Travis Fimmel, Raised by Wolves), a Brisbane-based Cold Case Unit police officer trying his luck in 2019 at a claw machine in a pub. He's troubled in a different way, haunted by emotional pain he attempts to deaden by paying for a Fight Club-style beating in the bar's back alley. After a time capsule buried by Isabel and her classmates reveals more than pop-culture blasts from the past, he's swiftly trying to solve her death — with help from her shrewd sister Hazel (potent first-timer Jemmason Power). Black Snow streams via Stan. Read our full review. NEW SHOWS TO CHECK OUT WEEK BY WEEK THE LAST OF US If the end of the world comes, or a parasitic fungus evolves via climate change, spreads globally, infests brains en masse and almost wipes out humanity, spectacular video game-to-TV adaptation The Last of Us will have you wanting Pedro Pascal in your corner. Already a standout in Game of Thrones, then Narcos, then The Mandalorian, he's perfectly cast in HBO's latest blockbuster series — a character-driven show that ruminates on what it means to not just survive but to want to live and thrive after the apocalypse. In this smart and gripping show (one that's thankfully already been renewed for season two, too), he plays Joel. Dad to teenager Sarah (Nico Parker, The Third Day), he's consumed by grief and loss after what starts as a normal day, and his birthday, changes everything for everyone. Twenty years later, he's a smuggler tasked with tapping into his paternal instincts to accompany a different young girl, the headstrong Ellie (Bella Ramsey, Catherine Called Birdy), on a perilous but potentially existence-saving trip across the US. Starting to watch The Last of Us, or even merely describing it, is an instant exercise in déjà vu. Whether or not you've played the hit game since it first arrived in 2013, or its 2014 expansion pack, 2020 sequel or 2022 remake, its nine-part TV iteration ventures where plenty of on-screen fare including The Road and The Walking Dead has previously trodden. The best example that springs to mind during The Last of Us is Station Eleven, however, which is the heartiest of compliments given how thoughtful, empathetic and textured that 2021–22 series proved. As everything about pandemics, contagions and diseases that upend the world order now does, The Last of Us feels steeped in stone-cold reality as well, as spearheaded by a co-creator, executive producer, writer and director who has already turned an IRL doomsday into stunning television with Chernobyl. That creative force is Craig Mazin, teaming up with Neil Druckmann from Naughty Dog, who also wrote and directed The Last of Us games. The Last of Us streams via Binge. Read our full review. POKER FACE Cards on the table: thanks to Russian Doll and the Knives Out franchise, Natasha Lyonne and Rian Johnson are both on a helluva streak. In their most recent projects before now, each has enjoyed a hot run not once but twice. Lyonne made time trickery one of the best new shows of 2019, plus a returning standout in 2022 as well, while Johnson's first Benoit Blanc whodunnit and followup Glass Onion: A Knives Out Mystery were gems of the exact same years. The latter also saw the pair team up briefly — Lyonne and Johnson, that is, although getting a Russian Doll-meets-Knives Out crossover from the universe, or just the Netflix algorithm, would be a dream. Until that wish comes true, there's Poker Face. It's no one's stopgap or consolation prize, however. This new mystery-of-the-week series is an all-out must-see in its own right, and one of 2023's gleaming streaming aces already. Given its components and concept, turning out otherwise would've been the biggest head-scratcher. Beneath aviator shades, a trucker cap and her recognisable locks, Lyonne plays detective again, as she did in Russian Doll — because investigating why you're looping through the same day over and over, or jumping through time, is still investigating. Johnson gives the world another sleuth, too, after offering up his own spin on Agatha Christie-style gumshoes with the ongoing Knives Out saga. This time, he's dancing with 1968–2003 television series Columbo, right down to Poker Face's title font. Lyonne isn't one for playing conventional detectives, though. Here, she's Charlie Cale, who starts poking around in sudden deaths thanks to an unusual gift and a personal tragedy. As outlined in the show's ten-part first season, Charlie is a human lie detector. She can always tell if someone is being untruthful, a knack she first used in gambling before getting on the wrong side of the wrong people. Then, when a friend and colleague at the far-from-flashy Las Vegas casino where Charlie works winds up dead, that talent couldn't be handier. Poker Face streams via Stan. Read our full review. SHRINKING Viewers mightn't have realised they'd been lacking something crucial until now, but Shrinking serves it up anyway: a delightfully gruff Harrison Ford co-starring in a kind-hearted sitcom. Creating this therapist-focused series for Apple TV+, Bill Lawrence, Brett Goldstein and Jason Segel didn't miss this new gem's immediate potential. Lawrence and Goldstein add the show to their roster alongside Ted Lasso, which the former also co-created, and the latter stars in as the also wonderfully gruff Roy Kent to Emmy- and Golden Globe-winning effect. It too bathes in warmth amid chaos, all while understanding, exploring and accepting its characters as the flawed folks we all are. As for Segel, he's no stranger to playing the type of super-enthusiastic and super-earnest figure he inhabits again here, as seen in Freaks and Geeks and How I Met Your Mother. If Ted Lasso downplayed the soccer, instead emphasising the psychologist chats that were a pivotal part of season two, Shrinking would be the end result. Also, if Scrubs, another of Lawrence's sitcoms, followed doctors specialising in mental health rather than working in a hospital, Shrinking would also be the outcome. Round up those familiar elements and details brought over from elsewhere, and Shrinking turns them into a series that's supremely entertaining, well-cast and well-crafted — and an engaging and easy watch. The focus: Segel (Windfall) as Jimmy Laird, a shrink grieving for his wife Tia (Lilan Bowden, Murderville), making bad decisions and leaving parenting his teen daughter Alice (Lukita Maxwell, Generation) to his empty-nester neighbour Liz (Christa Miller, a Scrubs alum and also Lawrence's wife). When he decides to start checking back in, and to also give his patients like young war veteran Sean (Luke Tennie, CSI: Vegas) some tough love, it causes ripples, including for his boss Paul (Ford, The Call of the Wild) and colleague Gaby (Jessica Williams, Fantastic Beasts: The Secrets of Dumbledore). Shrinking streams via Apple TV+. Read our full review. RECENT AND CLASSIC MOVIES YOU NEED TO CATCH UP WITH CENSOR You don't need to fondly remember the height of the VHS age to know that Censor, the exceptional, intelligent and inventive debut by Welsh writer/director Prano Bailey-Bond, sports a killer concept. Set in Britain in the 80s, this is a video nasty-loving flick about video nasties, aka low-budget, frequently exploitative, blood- and gore-filled horror movies that proliferated when home entertainment finally became affordable for the masses. Watching and assessing such fare for the British Board of Film Classification — and judging what's acceptable for release, what can get by after a little or a swag of cuts, and what should be banned outright in the process — Enid Baines (Niamh Algar, The Wonder) spends her days wading through the violent, visceral and queasy. If she and her colleagues make the wrong call, there's a public outcry, as happens when a man gets murderous and the media ties it to a recent title. Amid the resulting uproar, Enid finds herself drawn to a different director's OTT work, seeing uncanny parallels within his frames with her own traumatic experiences. An attention-grabber at Sundance back in 2021, Censor doesn't ascribe to the view that wild screen content sparks wild behaviour — but it does have a brilliant amount of fun cleverly toying with it. Bailey-Bond knows the discourse and satirises it savagely. She knows the type of movies that Enid has to evaluate, too, with her confident first film both lovingly nodding to and playing with them. Rising star Algar, who was also a standout in The Virtues and Calm with Horses, is intense and inimitable as workaholic Enid; the always-welcome Michael Smiley (Bad Sisters) enjoys his sleazy role; and cinematographer Annika Summerson (Mogul Mowgli), editor Mark Towns (Choose or Die) and composer Emilie Levienaise-Farrouch (Rocks) help get the look, feel and sound just right. Creepy, immersive, and boasting a multi-layered ending that works as a parody, a statement and a balls-to-the-wall horror spectacle, Censor demands close and engrossed notice — and marks Bailey-Bond as a talent to keenly watch. Censor streams via Stan. MIAMI CONNECTION Back in 1987, an out-there martial arts movie that really has to be seen to be believed first hit screens. There was one huge problem with this collaboration between director Park Woo-sang (American Chinatown) and star YK Kim, however: Miami Connection wasn't a success with critics or audiences at the time, despite featuring a band called Dragon Sound that's filled with Taekwondo aficionados, a motorcycle-riding ninja gang and a cocaine war. That lacklustre response is thoroughly understandable. Miami Connection isn't great, and wouldn't have been even amid the 80s action boom — but it is 100-percent worth watching at least once. It debuted well before The Room but made a comeback afterwards, and proves immensely entertaining in the same so-bad-it's-just-so-bad manner. Post-Tommy Wiseau's hit, Miami Connection was unearthed and revived by the Alamo Drafthouse in Texas, then worked its way around the festival circuit, including playing the Brisbane International Film Festival. An obvious caveat applies to this Florida-set flick: watching it with as big a group of people as you can, even while streaming it at home, is the ideal way to have the best time with everything that it throws at the screen. And make no mistake, Miami Connection gets a-hurling, including when it comes to makeup, ridiculous dialogue, a plot that's absurd and jumps all over the place, choreography, montages, musical numbers, acting and action. Story-wise, Dragon Sound's members become the target of the film's ninjas over a gig. Don't go expecting much that's coherent springing from that basic premise, though. Do get ready for the kind of movie that no one could ever set out to make on purpose, and that no one can truly be prepared for before viewing. Throwing spoons isn't required here, but you might want to anyway. Miami Connection streams via SBS On Demand. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December 2022. You can also check out our list of standout must-stream 2022 shows as well — and our best 15 new shows of last year, top 15 returning shows over the same period, 15 shows you might've missed and best 15 straight-to-streaming movies of 2022.
Taking design cues from Everything Adorable Ever works a treat for Edwina Sinclair. The 22-year-old Brisbane designer behind Australian label Soot counts Emojis, kiddie terrycloth beach ponchos and post-swim towel huddling as the triggers for her SS14/15 collection 'Splash'. A beachworthy assortment of flowing, wide-leg pants, summery tunics and her signature knitted bubble print, Soot's spring/summer collection is a pastel-lover's paradise. An unfathomably recent graduate from Queensland University of Technology (we're talking a couple of years), industry favourite Sinclair took us through her pretty-as-blazes looks for next season. On Fusing the '30s with Emojis Soot's impossibly summery SS14/15 collection 'Splash' found its beginnings in Sinclair's enthusiasm for both structured '30s beachwear and her own Australian beach-bound childhood. "I wanted to incorporate humour, luxury and texture which are values that I aim to include in all Soot collections," she says. "Inspirations came from looking at 1930's beach loungewear and vintage pyjamas. I am all about comfort so this is subconsciously incorporated into the garments shapes." In an adorable move that reflects Sinclair's age, she found further inspiration right under her thumbs. "I further looked at Emoji's for the prints to incorporate another playful element and develop my 3D textures." On Getting Back to Aussie Roots Full of flat, flowy tunics, wide-leg pants, 'Splash' gives a firm nod to Sinclair's Australian heritage. Remember those 'ball gowns' you and your tiny crew used to make out of towels on the beach, perfect for a parental parade? Sinclair's taken those makeshift moments of Roxy towel-made haute couteur and made them into Actual Garments. "I love the beach, I am there almost every weekend!" she says. "The homage to my Aussie roots comes from the colour, the water references and some literal references too! Such as the linen towel dress — the shape came from wrapping a towel around you after a swim and the droplet jersey dress silhouette came from the terry toweling ponchos children wear at the beach!" On Her Signature Knitted Bubble Design Sinclair's signature knitted bubble bags and dresses popped up at every turn at this year's Mercedes Benz Fashion Week, with many a front rower swanning by with SOOT's most recognizable items in tow. Trending at MBFWA is a dream for most up-and-coming designers, and while Sinclair is flattered by the design's success she can see the pressure such hoo-ha can create. "It is great to have other people respond so positively to an idea that has come from a concept to a physical object," she says. "When something does have a good response it does put the pressure on to create something that will be as well received the following season." On Teaming Up With the Fam Edwina isn't the only talented sibling in the Sinclair family. 'Splash' is the first SOOT collection to feature her sister Tilly's jewellery designs. Fusing the strengths of the Sinclair sisters in one gorgeous collaboration, 'Splash' is a beautifully-executed family affair. "It is fun! Also it is very easy to talk openly about our ideas and if we disagree on something it is easy to resolve and compromise," says Sinclair. "It is really great that Tilly wanted to come on board to collaborate this season. I think the jewellery has added a nice touch to the collection." On Hanging at Home in Brisbane So where does one of Brisbane's best exports hang out when she's at home? "I like Shady Palms, Tipplers Tap and Lefty's for a drink with friends. I usually go to Jamie's Espresso Bar or Reverends to get my coffee (both in Fortitude Valley just near my studio). I shop at my favourite store which also happens to be Soot's Brisbane stockist, Blonde Venus in Fortitude Valley." Now for more pretty pictures, here's Soot's SS14/15 'Splash' collection. Check soot.com.au for stockists.
Taco Bell, Wahlburgers, Five Guys and Wendy's all did it. Now, Chuck E Cheese is as well. Big-name American food chains keep making the leap to Australia, with this US restaurant-slash-entertainment centre brand first announcing its Down Under plans in 2024, and now backing it up by confirming that it'll launch in 2025. Yes, Charles Entertainment Cheese is heading this way, ready to delight kids, families and Australian adults who've always wanted the Chuck E Cheese experience. The children's birthday-party go-to is set to open its first Aussie venue in the coming months, in Perth. Exactly where in the Western Australian capital will be revealed in April. Chuck E Cheese's jump Down Under is a result of the WA-based Royale Hospitality Group signing a master franchise partnership for the country, adding to a stable that also includes Outback Jack's and Milky Lane. It's helping extend the chain as it closes in on five decades of existence — launching in 1977 — and as Asia and Europe also become a global focus. On offer: the place to eat slices, play games and watch animatronics that's been parodied in the likes of Five Nights at Freddy's and Willy's Wonderland, but obviously without the horror. And yes, that spans the company's characters. Yes, Charles Entertainment Cheese is Chuck E Cheese's mouse mascot's full name. Patrons can look forward to pizza, arcade games, climbing walls, an interactive dance floor and other play areas, plus VIP birthday party rooms and a space for parents to kick back sans kids. On the menu, smoothies and milkshakes will also be a feature, as will healthy options. "Perth has a strong culture for family entertainment, so bringing Chuck E Cheese to Australia is incredibly exciting — we can't wait for families to experience the fun, games and great food that have made it famous around the world," said Royale Hospitality Group General Manager Christian Beaden, announcing that Perth will play host to the chain's first Aussie store. If you live elsewhere around the nation, you'll need to keep waiting to find out when you'll be able to take your nieces and nephews to Chuck E Cheese in other Australian cities. Chuck E Cheese will start opening in Australia in 2025, starting in Perth, but exactly when and where hasn't yet been revealed — keep an eye on the chain's website, and we'll update you with more details when they're announced.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=j_jjELPpKkk HAPPIEST SEASON Heading home for the holidays and stepping into a sea of interpersonal dramas is a familiar on-screen set-up, as a new movie every Christmas or so reminds us. By now, then, we all know the formula. Adult children make the pilgrimage to their parents' place, rivalries and animosities flare up, secrets are spilled, chaos ensues and, by the end of the film's running time, everyone has learned something. Happiest Season fits the template perfectly. With the merriest time of the year in full swing, the Caldwells converge on the Pennsylvanian family home, with their celebrations given an extra edge due to patriarch Ted's (Victor Garber, Dark Waters) mayoral campaign. His fastidious wife Tipper (Mary Steenburgen, The Book Club) insists on snapping every moment for his Instagram feed, all as stern eldest daughter Sloane (Alison Brie, GLOW) arrives with her husband (Burl Moseley, Crazy Ex-Girlfriend), two children (Asiyih and Anis N'Dobe) and plenty of unspoken tension in tow; zany middle sister and aspiring fantasy writer Jane (Mary Holland, Between Two Ferns: The Movie) is largely ignored; and Pittsburgh-based political journalist Harper (Mackenzie Davis, Irresistible) returns with the girlfriend, Abby (Kristen Stewart, Charlie's Angels), that none of her relatives know about because she hasn't come out to them yet. If someone other than The Faculty, Girl, Interrupted, Veep and The Handmaid's Tale actor-turned-filmmaker Clea DuVall had made Happiest Season, the above paragraph would accurately reflect the feature's character hierarchy — because Sloane would take centre stage, and Harper and Abby would hover around the narrative's edges. But DuVall did make Happiest Season and, with co-writer Holland, she flips the movie's focus, even while still sticking with a well-worn general premise. Accordingly, this festive flick resembles a comfy sweater that often gets a wear, but seems welcomely different on this particular occasion. It shouldn't be so subversive to take an overused genre that's heavy on recognisable tropes, then strip away the engrained heteronormativity, but it is. Amid the sibling struggles, the re-emergence of old flames both male (Jake McDorman, What We Do in the Shadows) and female (Aubrey Plaza, Parks and Recreation), and the always hectic whirlwind that surrounds every seasonal family affair — and every attempt to run for political office, too — Happiest Season also explores two crucial themes in a meaningful way. First, it unpacks the performative nature of human existence, where too often we're all trying to match other people's perceptions and expectations without consistently remaining true to ourselves. And, it also interrogates how coming out isn't a simple or straightforward act, even in seemingly loving circumstances. Read our full review. https://www.youtube.com/watch?v=97nnV0fNd30&feature=youtu.be AMERICAN UTOPIA There may be no catchier lyric in music history than "same as it ever was", the five words repeated in Talking Heads' 1981 single 'Once in a Lifetime'. As uttered again and again by the band's inimitable frontman David Byrne, it's a looping phrase that burrows into your skull and never leaves. So when American Utopia opens with the musician sat at a table holding a brain and talking about what its various parts do, it feels as if Byrne is acknowledging what everyone already knows in the deepest recesses of their consciousness: that Byrne long ago got cosy in our craniums and has been nattering away to us ever since. As he stares at grey matter while wearing a grey suit — a perfectly fitting one, unlike the famed big number he wore in iconic 1984 Talking Heads concert film Stop Making Sense — he has something else on his mind, however. American Utopia starts with the part of our bodies where we all mentally reside, but slowly and smartly evolves from the cerebral to the communal. It segues from one man alone on a stage lost in his own thoughts to 12 people singing, dancing, playing instruments and connecting, and also pondering the state of the world and how to better it in the process. And it takes its titular concept seriously along the way, confronting America's political and social divisions in Byrne's witty, wise and impassioned between-song chats, but never satirising the idea that the US could be improved to the benefit of everyone. American Utopia is a concert film like its predecessor but, as that masterpiece proved, the whole notion means more to Byrne than merely standing in front of a camera and busting out well-known hits.From the sublimely soothing 'This Must Be the Place (Naive Melody)' to the punchier 'Burning Down the House', plenty of Byrne's best-known songs do grace American Utopia. 'Once in a Lifetime' is among them, of course, as are 'Road to Nowhere' and 'Everybody's Coming to My House', with the film's playlist spanning his career with Talking Heads and solo. Across a range of styles and tempos, each track is a wonder, and not just in the way that fans already know. As should be obvious from the way in which Byrne has conceptualised this stage performance — which he toured in 2018, then adapted for Broadway in 2019, and has now turned into this standout movie directed by Spike Lee — this is a meticulously crafted work. Basking in the glory of Byrne and his band is inevitable and would happen regardless, but soaking in everything that American Utopia does is another marvel entirely. Before the film forces you to do so, you probably won't have realised how enlivening, wondrous and cathartic it is to see the act of connecting so firmly thrust to the fore. It takes an incredible amount of work to make something so tightly constructed seem so loose and natural, and that's just one of the reasons that American Utopia is yet another of the star's masterpieces. Read our full review. https://www.youtube.com/watch?v=kFqCTIdF7rs&feature=youtu.be POSSESSOR In Possessor, technology permits assassins to hijack the bodies of people close to their targets, letting them assume not just their identities but their physical presence to fulfil their murderous missions. Tasya Vos (Andrea Riseborough, The Grudge) is one such killer, and she is so exacting and accomplished at her job that her no-nonsense boss and handler Girder (Jennifer Jason Leigh, Annihilation) keeps trying to push her further. Such work comes with consequences, though, with Tasya slowly estranging herself from her husband (Rossif Sutherland, Catastrophe) and young son (Gage Graham-Arbuthnot, Becky). During the luridly shot undertaking that opens the movie and the assignment that the often neon-hued flick spends the bulk of its time on, Tasya also begins to realise that separating herself from the folks she's temporarily inhabiting is becoming difficult. In the first job, Tasya's consciousness takes over a woman called Holly (Gabrielle Graham, On the Basis of Sex) to gun down a high-flying lawyer at a swanky hotel party. Every mission should end with extraction via suicide — the possessed person's, as forced by the possessor, who then returns to their own bag of bones, flesh and blood — but Tasya can't pull the trigger on her host body. When she's later sent into Colin (Christopher Abbott, Vox Lux), the fiancé of the daughter (Tuppence Middleton, Mank) of a ruthless business mogul (Sean Bean, Snowpiercer), she similarly struggles to retain control. As depicted in gory detail, being able to stick a probe into your head and mind-hop into someone else's may be pure science fiction, but writer/director Brandon Cronenberg intentionally apes The Matrix when he shows how the tech behind his premise operates. Our present analogues to Possessor's body-jumping concept exist in the online world, virtual reality, avatars, catfishing, trolling and even just anonymous commenting while you're tapping at your keyboard or phone, and this film makes it ferociously clear that it all has a significant cost. Cronenberg isn't just taking cues from his father David — whose 1999 film eXistenZ, also starring Jason Leigh, toyed in somewhat similar territory — or from a beloved sci-fi franchise. As many works that reflect upon humanity's true nature via dystopian futures tend to, the writer/director adds an entry to both the body horror and science fiction canons that seems like it might've appeared in a feverish dream after a life spent consuming those exact types of tales. But Possessor also always feels like a unique creation, and never a film puppeteered by its influences in the same way that Tasya pulls the strings of her marks. Cronenberg's feature boasts far too much of its own chilliness, daring and determination, as well as the filmmaker's fondness for particularly gruesome imagery, to merely be the sum of its various sources of inspiration. Possessor also has its own wellspring of nihilism pumping through its veins, not only tackling big notions in a bold and ultra-violent way, but proving deeply, gut-wrenchingly, existentially dark. Read our full review. https://www.youtube.com/watch?v=cp3WjuJJYB8 MISBEHAVIOUR The fact that it took 50 years to bring Misbehaviour's true tale to the screen is nothing less than remarkable. Following the protests staged by the women's liberation movement at the 1970 Miss World Pageant in London, it harks back to a noteworthy and important chapter of history — so much so that you would've expected filmmakers to have been clamouring to give it the cinematic treatment. A plethora of compelling topics are baked into this story, after all, including calling out the gross sexism inherent in objectifying women and ascribing their worth according to their looks, questioning society's narrow view of beauty and making plain the racial prejudice that's also frequently in play. But you don't need a movie about all of the above to tell you the obvious, and also the reason that a film about this incident hasn't existed until now. Much may have changed in the past half-century, but the feminist quest for recognition, fairness and equality in every way isn't over yet. Indeed, it's galling how many of Misbehaviour's observations about the way women are treated — and how women of colour fare on top of that — continue to ring true in 2020. Director Philippa Lowthorpe (Swallows and Amazons) and screenwriters Rebecca Frayn (The Lady) and Gaby Chiappe (Their Finest) are eager to pay tribute to pioneering feminists, but they're also very keen to make a feel-good, cheer-inducing movie that fits a clear formula. So it is that a seemly mismatched group comes together, united by the shared goal of improving how women are regarded by society, and decides to target the giant, glitzy and televised spectacle that is the Miss World Pageant — which 100 million people will watch. The two main instigators, aspiring history academic Sally Alexander (Keira Knightley, Official Secrets) and graffiti-spraying anarchist Jo Robinson (Jessie Buckley, I'm Thinking of Ending Things), are initially worlds apart, but squaring off against a common enemy has a way of bringing people together. Also earning the film's attention: contestant Jennifer Hosten (Gugu Mbatha-Raw, Farming), pageant founder Eric Morley (Rhys Ifans, Berlin Station) and the year's host Bob Hope (Greg Kinnear, Strange But True). The result is a rousing, overt and easy movie that ticks all the boxes it has placed on its own checklist, but doesn't do anything more — and it definitely could. Getting caught up in Misbehaviour's plot, purpose and impressively staged climax is almost a foregone conclusion. Being happy that it's hitting screens and telling this tale at all after all of these years is as well. But so is knowing that this is the most standard and clearcut rendering of this story possible. Read our full review. https://www.youtube.com/watch?v=tibarzGOUSk LET HIM GO Hell hath no fury like a grieving mother and grandmother in Let Him Go, an involving drama that shows that few actors can convey quiet anger and unflinching determination quite like Diane Lane. The Unfaithful and Under the Tuscan Sun star plays Margaret Blackledge, a Montana rancher with a way with horses, and with strong, silent ex-sheriff George (Kevin Costner, Yellowstone) for a husband. Soon after the family's rural idyll is first established, she not only loses her adult son (Ryan Bruce) to a tragic accident but, just a couple of years later, is shocked to discover that her newly remarried daughter-in-law Lorna (Kayli Carter, Bad Education) has left the local town in a hurry one night with Margaret's three-year-old grandson Jimmy (Bram and Otto Hornung). Determined not to see more of her family members ripped away, she convinces George that they should set off on their trail. Complicating their plans is he fact that Lorna has wed into the Weboys, who hold significant — and criminal — influence over their patch of America's north. As the Blackledges learn after finally tracking down their new relatives-via-nuptials, brash Weboy matriarch Blanche (Lesley Manville, Misbehaviour) isn't keen to relinquish her claim on the only link Margaret has left to her dearly departed child. Adapted by writer/director Thomas Bezucha (screenwriter of 2018's The Guernsey Literary and Potato Peel Pie Society) from the novel of the same name, Let Him Go follows a straightforward narrative with a smattering of hits and misses — but its two main female roles are so superbly cast, and the film's handling of tension so finely tuned, that it proves gripping for the bulk of its running time. The last time that Bezucha dabbled with complicated family antics, in 2005's The Family Stone, he was in far lighter territory; however, he's more than adept at handling the fierce confrontations, simmering and overt suspense, and pulpy revenge-fuelled setpieces that are pivotal here. And, he does so in a fittingly pared back but forceful manner; Let Him Go takes its time and doles out only the necessary details, butt does so with maximum emotional impact in mind. While Costner is also solid as a man trying to deal with his own heartache and disappointment in his own way, and Booboo Stewart (The Twilight Saga) leaves a lasting impression as a Native American teen the Blackledges cross paths with on their journey, Let Him Go is at its best when it cedes the screen to the potent Lane and the gloriously overt Manville. https://www.youtube.com/watch?v=YqEQyL8prJg&list=PL6F30AC1F68415FCE IN THE NAME OF THE LAND In We'll End Up Together, French filmmaker and actor Guillaume Canet directed a sequel to his friendship-driven drama Little White Lies, this time ruminating on his characters' choices and struggles years latter. In La Belle Époque, he played the man behind a company that lets anyone pay to recreate the place and time of their choosing, whether to enjoy a life they didn't get to live, temporarily try to correct past wrongs or revel in happier memories. His third release to reach Australian cinemas this year, In the Name of the Land is a vastly different film — but it too is about someone grappling with his chosen path and wondering what might've been. Here, Canet steps into the shoes of Pierre Jarjeau, who returns to his dad's (Rufus, Amelie) modest farm in 1979 after a stint on a vast Wyoming cattle ranch and, with a 25-year-old's hope for the future, instantly agrees to take over the family property. Fast-forward to the mid to late 90s, when the majority of the movie takes place, and Pierre is saddled with debt and trouble. He's still repaying his father, the price he earns for his produce just keeps dropping and, despite his wife Claire's (Veerle Baetens, The Broken Circle Breakdown) disapproval, he's certain that expanding and taking on bigger loans is the only way forward. Pierre's plan requires building a coop to house 20,000 chickens — livestock he doesn't currently farm — and getting into bed with a giant agriculture company to do so. First-time feature writer/director Edouard Bergeon bases In the Name of the Land on his own father's story, and it's a grim one, as every move Pierre makes seems to place the Jarjeaus in a worse situation with ever-increasing stress and higher stakes. Given that this is a personal tale and topic for the filmmaker, it's hardly surprising that he draws such nuanced and authentic performances from Canet, Batens and Rufus, and from young actor Anthony Bajon (The Prayer), who is virtually playing the director's on-screen surrogate. The prominence given to the gorgeously shot landscape, including golden and green fields that stretch as far as the eye can see, isn't the least bit astonishing either. And, neither is this solemn but passionate movie's unshakeable condemnation of the current state of French agriculture, and of the very real toll that the push towards corporations and mass production is taking on those who dedicate their life to working the land. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12 and November 19. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle, The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta, Rebecca, Kajillionaire, Baby Done, Corpus Christi, Never Rarely Sometimes Always, The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon and Ellie and Abbie (and Ellie's Dead Aunt).
