Brad Pitt (Babylon) and Angelina Jolie's (Eternals) time as pop culture's only Mr and Mrs Smith in something called Mr & Mrs Smith is going the way of their IRL relationship, all thanks to a new TV spin on the 2005 movie. Now, it's Donald Glover (Atlanta) and Maya Erskine's (PEN15) turn to combine espionage and matrimony, with the upcoming eight-part Prime Video streaming series just unveiling its debut teaser trailer. Almost two decades back, an action-comedy cast Brangelina as a bored married duo who didn't know that they were actually both assassins, let alone that they'd each been tasked with killing the other. While Pitt and Jolie's off-screen relationship afterwards was more memorable than the flick itself in general, the concept struck enough of a chord to be brought back for another whirl. So, in 2024, Mr & Mrs Smith is now taking the path from the big to the small screen that everything from Dead Ringers and Irma Vep to A League of Their Own and Interview with the Vampire also has of late. There's a twist, however, with Glover and Erskine playing strangers who have to pretend to be wed as part of their job. So, that's how one becomes John Smith and the other takes on the identity of Jane Smith — and how the two embark upon a high-risk spy life together. The tradeoff for faking a romance: the lucrative gig, money, travelling the world, a dream Manhattan brownstone and, in this take on the premise, these strangers actually falling for each other. Pretending to be a couple but seeing sparks fly is one of Hollywood's current obsessions, with rom-com Anyone But You taking the idea to the big screen — without espionage or anything to do with Mr & Mrs Smith, though. Adding another TV show to his resume, Glover co-created the new Mr & Mrs Smith with Francesca Sloane (also Atlanta), with the end result set to drop in full on Friday, February 2, 2024. If you have vague memories of Phoebe Waller-Bridge (Indiana Jones and the Dial of Destiny) being involved, she was initially slated to play Jane until Erskine took over her role. The series does feature a heap of other well-known names, with Alexander Skarsgård (Infinity Pool), Sarah Paulson (The Bear), Eiza González (Ambulance), Michaela Coel (Black Panther: Wakanda Forever) and Paul Dano (Dumb Money) all popping up — and Sharon Horgan (Bad Sisters), Ron Perlman (Poker Face), Billy Campbell (Troll), Úrsula Corberó (Money Heist), John Turturro (Severance), Parker Posey (Beau Is Afraid) and Wagner Moura (The Gray Man) as well. Check out the first teaser trailer for the Mr & Mrs Smith TV series below: Mr & Mrs Smith will stream via Prime Video from Friday, February 2, 2024.
Break out the bandannas and start practising your old-school R&B moves, 'cos those time-tripping throwback parties just keep on coming. We've scored recent visits from Usher, Salt-N-Pepa, Vengaboys and even Aqua – now, get ready for another musical blast from the past, as Bobby Brown, Young MC, Bell Biv DeVoe (Ricky Bell, Michael Bivins, and Ronnie DeVoe) and Blu Cantrell head Down Under to deliver a sweet serve of nostalgia. The Bring That Beat Back tour is the retro music party of your wildest 90s kid dreams, hitting stages in Melbourne, Brisbane, Sydney and Auckland this October. And it sees none other than Public Enemy membr Flavor Flav in the role of MC. Headlining this mammoth lineup is a group now known as RBRM (Ronnie, Bobby, Ricky and Mike), featuring four legendary hitmakers from the likes of New Edition, Bell Biv DeVoe and Bobby Brown. They'll be digging into their collective back catalogue to throw down time-honoured gems like 'My Prerogative', 'Every Little Step', 'Poison' and 'Rock Wit'cha'. Joining them on tour is gospel-driven R&B star Montell Jordan, who you'll know from hit track 'This Is How We Do It', as well as 'Get It On Tonite' and 'Somethin' 4 Da Honeyz'. And we'll hopefully all be belting out renditions of 'Breathe' and 'Hit 'Em Up Style (Oops!)', when singer-songwriter Blu Cantrell hits the stage. Elsewhere in the lineup you'll be jamming out to nostalgia-heavy tunes from All 4 One ('I Swear', 'I Turn To You' and 'I Can Love You Like That'), and the Grammy Award-winning artist behind 'Bust A Move', Young MC. BRING THAT BEAT BACK 2019 DATES Friday, October 18 — Margaret Court Arena, Melbourne Saturday, October 19 — Eatons Hill, Brisbane Sunday, October 20 — Hordern Pavilion, Sydney Tuesday, October 22 — Logan Campbell, Auckland Bring That Beat Back tickets start from $99 — you can buy them here. Updated: August 2, 2019.
Walking around Brisbane is a great way to enjoy your own backyard, see the local sights and get in some exercise. And for a 17-day period between Friday, June 24 and Sunday, July 10, doing just that will also allow you to engage with a series of interactive installations. They're called 'curiocities', and they're part of the returning Curiocity Brisbane festival, which focuses on the interaction of science, technology, innovation and the arts. This year, the festival's been curated by local artist, curator and academic Jay Younger. If this all sounds familiar — and not just from past years — that's because Curiocity Brisbane was planned to go live during World Science Festival Brisbane in March. But, no fear — it's here now! And enlivening a month of winter with its buzzing lineup of art-meets-science creativity, panel discussions and tours. First things first, lace up your walking shoes. This year, the festival will guide you past 20 outdoor, interactive installations, displayed along a 5km walking trail — snaking through South Bank, South Brisbane's Cultural Precinct, the City Botanic Gardens and the CBD. Standout installations include Acknowledging Place, which asks participants to sit and consider an Indigenous perspective of caring for Country; public sculpture OHCE/ECHO, which captures your portrait and embeds it in the work; and The Wandering Birds Have Returned to the River (Even Bernice), featuring imaginary giant bird nests made out of repurposed and reusable consumer goods. Other Curiocity must-sees include Luminous Threads, which combines embroidery with modern fibre optic technology; Mirage Project [Iceberg], which uses stereoscopic photography to inlay an iceberg from Antarctica into South Bank; and light and soundscape In the Air, a time-lapse piece that uses data from Antarctic ice-core samples to map changes over the past 400,000 years in a half-hour music and light show. Looking for some boundary-pushing chit chat? The Curious Conversations offering is for you. On Sunday, June 26, Art, AI & Empathy will see Younger and artist Georgie Pinn dive headfirst into the question of whether immersive technology can teach us to be better humans. Hidden in the Trees will highlight the intricacies present at the intersection of our devices and understanding of our natural world on Sunday, July 3. And First Nations artists will discuss their creative pieces and the communicative role art plays in awareness and protection of Country at Art, Science & Indigenous Knowledge on Sunday, July 10. If you want someone with the intel to explain the art to you, nab a spot in one of two free walking tours guided by the festival curator herself. The Curiocity Brisbane Tour will start at the Wheel of Brisbane on Wednesday, June 29, and the State Library of Queensland on Wednesday, July 6. Ready to explore, create and play? Head to the website to plan your visit and register for a free Curious Conversations session.
A film festival dedicated to American films? Bear with us here. Sure, Hollywood pumps out most of the movies that reach our screens, but don't expect to see superheroes battling for supremacy, transforming robotic cars saving the world or an endless parade of sequels at Essential Independents: American Cinema, Now. Instead, the brand new event is dedicated to the types of US flicks that don't usually make it to our shores. Here, smaller titles and character-driven fare share the spotlight with experimental efforts, intriguing docos and the kind of classics that you won't find on every retro lineup. Think revisionist westerns featuring gun-slinging gals and explorations of important American artists, plus the chance to see early work by the Coen brothers, Kathryn Bigelow, Richard Linklater and Sofia Coppola in a cinema. The festival will run from May 17 until June 8 at Palace Centro. You can find Brisbane session times here. Need help deciding what to see? Take a look at our top five films to see at the festival.
When the second season of Only Murders in the Building came to an end, it did so with exactly what fans of the delightful murder-mystery comedy series have come to expect: another death. And when the hit Disney+, show returns for its third season, hopefully sometime in 2023, it'll delve into the fallout, giving both the program and viewers another killing to solve. Even better, it'll boast a new high-profile addition to its suspects list: the one and only Meryl Streep. The three-time Oscar-winner, and star of everything from Big Little Lies to Little Women and Don't Look Up of late, is the latest big name to join a series that's been stacked with them from the outset, given that it's led by Steve Martin (It's Complicated), Martin Short (Schmigadoon!) and Selena Gomez (The Dead Don't Die). Over both season one and two, Tina Fey (Girls5eva) has been a significant presence, Sting and Amy Schumer have played themselves, and Cara Delevingne (Carnival Row) has also popped up. Oh, and so has Paul Rudd, who'll be back again in season three. View this post on Instagram A post shared by Selena Gomez (@selenagomez) Gomez, aka Only Murders' Mabel Mora, announced the news on her Instagram. That's where you'll see the show's main trio get mighty excited about the upcoming season, as joined by the returning Andrea Martin (Evil), Rudd and Streep. Clearly, New York City's deadliest fictional apartment block is about to get mighty busy — and residents turned true-crime podcasters Mabel, Charles-Haden Savage (Steve Martin) and Oliver Putnam (Short) will have something else, and a few more someone elses, to chat about. Is there a more chaotic place to live in NYC at the moment, at least on the small screen? It doesn't appear so. [caption id="attachment_824354" align="alignnone" width="1920"] Craig Blankenhorn/Hulu[/caption] If you're still yet to experience the series' charms, it follows the odd trio of Charles-Haden, Oliver and the much-younger Mabel after they bond over two things: listening to a Serial-style podcast hosted by the show's own version of Sarah Koenig, aka Cinda Canning (Fey); and a death in their luxe abode. Of course, they did what everyone that's jumped on the true-crime bandwagon knows they would if they were ever in the same situation, starting their own audio series that's also called Only Murders in the Building. That's how season one kicked off — and continued, proving a warm, funny, smart and savvy series at every step along the way, as well as one of 2021's best small-screen newcomers. In the show's second go-around, another death needed investigating. This time, it was someone the main trio were all known not to be that fond of, so suspicions kept pointing in their direction. View this post on Instagram A post shared by Steve Martin (@stevemartinreally) Further details about season three are still scarce — sorry, armchair detectives — including exactly when it'll return. Considering that there was less than a year between seasons one and two, though, cross your fingers that the show keeps up the same schedule. Steve Martin, on his Instagram, confirmed that filming has just started, so here's hoping for a quick turnaround. Until more information about season three is announced, check out the trailer for Only Murders in the Building season two below: Only Murders in the Building's third season doesn't yet have a release date — we'll update you when one is announced. Season one and two are currently streaming Down Under via Star on Disney+. Read our full review of season two — and of the show's first season, too. Top image: Glynn Lowe Photoworks via Wikimedia Commons.
It's Hollywood's night of nights for television, it usually takes place in September and it has already announced its 2023 nominees. This year's Emmys look set to delay anointing a new round of winners, however, with word circling that the awards ceremony will be postponed due to the current film and TV industry strikes. Both Variety and The Hollywood Reporter are reporting that the 2023 Emmy Awards will ditch its scheduled date: the night of Monday, September 18 in the US, which is Tuesday, September 19. If the strikes are still ongoing, actors and writers won't be attending the ceremony — not the red carpet, nor the awards themselves — meaning that the bulk of the televised accolades wouldn't be able to be accepted by their recipients. Also, the shindig will look mighty empty. As per Variety, vendors have been told that the event will be postponed, with a new date yet to be confirmed. The Hollywood Reporter also advises that the rescheduled awards won't take place in September — and, in a best-case scenario, will be held off until the Alliance of Motion Picture and Television Producers comes to an agreement with SAG-AFTRA and the Writers Guild of America. TV lovers will have to wait a little longer, then, to find out which shows have been dubbed the past year's best by the voters in the Academy of Television Arts & Sciences — and how much they love HBO. The answer already: a whole heap. In 2023, the folks who decide which shows will score some Emmys love awarded a massive 74 nominations to three HBO series: Succession, The Last of Us and The White Lotus. TV's best case of family feud earned 27 nods, including for almost every actor who appeared in its fourth and final season in leading, supporting and guest roles. In the Best Actor category alone, Brian Cox, Jeremy Strong and Kieran Culkin are going head to head. The most spectacular game-to-screen adaptation yet nabbed 24, while vacation chaos brought about 23 nominations. The other show that racked up a comparable tally? Apple TV+'s Ted Lasso with 21 nods. Similarly in the running: everything from Andor, Better Call Saul, House of the Dragon and Yellowjackets (all in the drama fields) to Abbott Elementary, Barry, The Bear, Only Murders in the Building and Wednesday (the comedy categories), plus the likes of Beef, Daisy Jones & the Six and Fleishman Is in Trouble (limited series) as well. Hollywood talents are fighting against diminishing residual payments for performers, and to establish firm rules about the future use of artificial intelligence in the industry, among other improvements to working conditions. When they took action in mid-July, SAG-AFTRA's members joined their counterparts in the Writers Guild of America, who've been striking since May. The current strikes are affecting film releases, too, with Australian crime-thriller Force of Nature: The Dry 2 already ditching its planned August date with cinemas given that star Eric Bana a member of the striking SAG-AFTRA. It's also been rumoured that big blockbusters such as Dune: Part Two, Aquaman and The Lost Kingdom and The Colour Purple might also delay their releases, including until 2024; however, none have officially shifted their dates as yet. The 75th Emmy Awards are currently scheduled to take place on Tuesday, September 19, Australian time, but may be postponed — we'll update you if/when a new date is confirmed. Check out the list of 2023 nominations, and keep an eye on the Emmys' website for further details in the interim. Via Variety / The Hollywood Reporter.
It never gets all that cold in Brisbane. It doesn't snow, for instance. Still, it's fun to pretend that it's frostier than it is. One way to do exactly that: In the Snow at Customs House, which sets up igloos and wintry decor by the river each year. It's the Queen Street venue's regular seasonal makeover when the mercury drops, and it comes complete with see-through domes for you and your mates to hang out in — while getting cosy under faux-fur blankets, peering at the river and knocking back a range of Veuve Clicquot tipples. Or, if you'd prefer cocktails for your chalet-style waterside hangs, the Berries and Bubbles pairs raspberries, citrus, Belvedere Pure and Veuve Clicquot Brut. There's also the Whiskey Business, as made on Woodford Reserve with chilli, citrus and bitters, plus espresso martinis. Open Thursday–Sundays weekly from Thursday, May 18 until Sunday, September 3 — operating from 4pm on Thursdays and Fridays, and from 1pm on Saturdays and Sundays — the pop-up is also serving up a selection of bites to line your stomach. Start with up to three cheeses with truffle honey, or the baked whole brie. Your tastebuds can enjoy oysters, duck terrine, pumpkin provolone arancini as well, and wagyu beef tartare and mac 'n' cheese croquettes. There's the always-popular Moreton Bay bug croissant, too — it wouldn't be a Custom's House igloo pop-up without it — which you can also pair with truffle fries. Just rocking up, walking in and enjoying the Aspen-inspired vibes is more than welcome. Gathering the gang? You can also book igloos for between six and 11 people — with a minimum spend of $80 per person.
What do one of 2022's huge box-office behemoths and one of 2023's most-anticipated movies have in common? In Avatar: The Way of Water and the new live-action The Little Mermaid alike, darling it's better down where it's wetter. Come May, the Mouse House's latest remake of its beloved animated hits (see also: Alice in Wonderland, Cinderella, Beauty and the Beast, Dumbo, Aladdin, The Jungle Book, The Lion King, Lady and the Tramp, Mulan, Pinocchio) will get Halle Bailey (Grown-ish) slipping into Ariel's scales and tail, and take a dip into the story of a mermaid pining for a different life. While it was busy dropping Guardians of the Galaxy Vol. 3 and Indiana Jones and the Dial of Destiny trailers during the Super Bowl, Disney has just unveiled the latest sneak peek at the new The Little Mermaid — and, like the first glimpse in 2022, it's going big on look and feel. Given that viewers already know and adore the first flick, the trailers for the latest movie don't need to dive too far into the narrative, although the just-released second glance does bring a pivotal figure into the mix. [caption id="attachment_868655" align="alignnone" width="1920"] Photo courtesy of Disney. © 2022 Disney Enterprises, Inc. All Rights Reserved.[/caption] Fans of the original 1989 movie, aka everyone given how popular The Little Mermaid-themed events have proven over the years — such as screenings with live orchestral scores and cocktail experiences at aquariums — are well aware that Ariel dreams of being human, and is willing to make a deal with a sea witch to see her wishes come true. That involves a trade, though: giving up her voice to get legs in return, which'll allow her to live above the water. Accordingly, as well as Bailey as Ariel, this new version of The Little Mermaid features Jonah Hauer-King (The Flatshare) as Eric, the human prince that Ariel falls for; Javier Bardem (Lyle, Lyle Crocodile) as King Triton, Ariel's protective father; and Melissa McCarthy (Nine Perfect Strangers) as Ursula, said sea witch — who pops up at the end of the new glimpse. Also among the cast, on voice duties: Daveed Diggs (Snowpiercer) as Sebastian the crab, Jacob Tremblay (Doctor Sleep) as Flounder and Awkwafina (Shang-Chi and the Legend of the Ten Rings) as Scuttle. Based on the two trailers so far, this take on The Little Mermaid from filmmaker Rob Marshall (Chicago, Nine, Into the Woods and Mary Poppins Returns) and not Sofia Coppola promises vivid underwater realms, glowing light shining down from above, mermaid dances, bright coral, friendly fish and floating jellyfish — and the flick's star singing 'Part of Your World'. As for the tunes, they come courtesy of Alan Menken — returning from the original movie, as do all those old songs — and upcoming Australia visitor Lin-Manuel Miranda. Check out the new teaser trailer for The Little Mermaid below: The Little Mermaid will release in cinemas Down Under on May 25, 2023.
For the past few months, Netflix has been drip-feeding The Crown fans sneak peeks of the show's fourth season. By now, you've probably watched the first teaser, which gave a brief 46-second snippet of the royal drama's latest ups and downs. And you've likely also viewed the longer trailer, which sported quite the heavy mood. If you can't wait for more, however, a new glimpse at the series' next batch of episodes has just hit — just over a fortnight before you'll be able to watch the entire thing, too. Of course, it has been a huge year for The Crown all round, even before the show started dropping teasers and trailers. At the beginning of 2020, Netflix announced that it would end the royal drama after its fifth season. Then it had a change of heart, revealing it would continue the series for a sixth season. That's quite the drama — and, obviously, there's more to come on-screen. This season focuses on two showdowns. Firstly, as shown in some detail in the new trailer, Queen Elizabeth II (Oscar-winner Olivia Colman) and British Prime Minister Margaret Thatcher (The X-Files icon Gillian Anderson) don't quite see eye to eye. Also, with Prince Charles' (God's Own Country's Josh O'Connor) marriage to Lady Diana Spencer (Pennyworth's Emma Corrin) a big plot point, the latter clashes with the entire royal establishment. When season four hits Netflix on Sunday, November 15, it'll be the last chance for fans to see the current lineup on talent. The series' fifth and sixth seasons — which are expected to follow the Queen in the 1990s and 2000s — will switch out its cast again, as it did after seasons one and two. This time, after season four, Downton Abbey, Maleficent and Paddington star Imelda Staunton will don the titular headwear, and Princess Margaret will be played by Staunton's Maleficent co-star and Phantom Thread Oscar-nominee Lesley Manville. Also, Game of Thrones and Tales from the Loop's Jonathan Pryce will step into Prince Philip's shoes and Australian Tenet, The Burnt Orange Heresy and Widows star Elizabeth Debicki will play Princess Diana. Check out The Crown's latest season four trailer below: https://www.youtube.com/watch?v=OiXEpminPms The Crown's fourth season will hit Netflix on Sunday, November 15. Image: Ollie Upton / Netflix
Your one-stop, go-to shop for all things cutting-edge and experimental is music label Room 40. Now, to celebrate 15 years in the game, they're hosting a two experimental concerts with some international talent worth getting out of bed for. In a fitting tribute to the 150 editions produced by Room 40, spanning artists from just about every continent, this weekend will showcase some of the label's best friends from afar. William Basinski, Hypnosis Display and Jim O'Rourke will be heading over from The States, alongside Makino Takashi from Japan. Solo, each of these artists is a master of experimental innovation. Throw them on a stage together and you can expect something next level. Mono 18 + 19 takes place at The Institute of Modern Art on August 1 and 2, with each performance kicking off at 7pm sharp. If there's a particular artist you want to check out, have a squiz at the event website in advance to make sure you catch them on the night they're playing.
Most food festivals offer a variety of dishes, ranging from snacks to mains to treats. Sweet As Dessert Festival will too — as long as you're fine with meringues, marshmallows and macarons as appetisers, cakes and doughnuts for a main, and ice cream, sorbet and gelato to wrap it all up. That's just our suggested order. With all of the above on offer — plus everything from brownies and waffles to cheese and chocolate — there's no right or wrong way to work your way through the menu. All of the treats will be served up by a range of Brisbane's best dessert-makers, with The World Food Markets overseeing the event. And while this isn't the city's first sweet-filled festival, or even its first this year, no one is complaining. With the festival running on Saturday, May 11 and Sunday, May 12 at the Cleveland Showgrounds in Redlands, that means dessert is on the menu for a late brekkie, brunch, morning tea and afternoon tea — and if you opt for to stick around for a few of those meals, there'll be no judgement. Also on offer: non-sugary street food, pop-up bars and live entertainment. And, you can nab your $5 ticket in advance.
Movies about Deloreans, phone booths and hot tubs might all claim otherwise, but travelling through time isn't currently a possibility. At the moment, travelling too far physically is also proving a little tricky — but at this immersive Anywhere Festival show, you can definitely pretend otherwise. Taking over Woolloongabba's Canvas Club, The Time Travel Cafe is actually a big theatre party. You'll sit, you'll talk with your fellow attendees and you'll feel like you've leapt back to 1920s Paris. Oh, and because Bill and Ted really are pioneers when it comes to messing with all things temporal, you'll also chat with travellers from throughout history. It's not how you'd usually spend an hour at a bar, but that's a big part of the attraction between Wednesday–Sunday from Wednesday, May 5–Sunday, May 23. Tickets cost $45, and you're encouraged to dress up in either formal or surreal attire — and, if you're wondering what the latter entails, you can be the judge.
There's never a bad time to party while you're perched above the rest of the world, especially when there's a new year to celebrate. December 31 isn't the only time to do just that, of course, with Brisbanites able to climb up high from 5–8.30pm on Saturday, February 8 to mark the start of the new lunar calendar on a shopping centre's rooftop. As it has in the past, the 2025 BrisAsia Festival is throwing a huge Lunar New Year Rooftop Party. To join in the fun for the Year of the Snake, you'll want to head to Sunnybank Plaza and head up to the top of the Hoyts Cinema carpark. Expect dragon and lion dancers, live tunes and plenty to eat. Expect to feel like you're at a traditional lantern festival, too, but without leaving Brisbane. Past years have featured tea ceremonies, calligraphy classes and more — and fireworks at 8pm are always a big highlight. Entry is free, but bring your wallet to feast on dinner from the nearby restaurants.
Would Australians flock to Bunnings each weekend if barbecued sausages weren't there for the munching? Hopefully we'll never need to learn the answer to this very important question. Shopping for hardware, garden products and everything else the chain sells, then hitting up the onsite sausage sizzle, has long been an Aussie weekend tradition — and, from Saturday, October 16, getting the COVID-19 vaccination will also be part of the ritual at some Brisbane and Queensland stores. Queensland Premier Annastacia Palaszczuk has announced that 33 Bunnings sites will host pop-up vax clinics from this coming weekend. Getting jabbed, eating snags — if you haven't been vaccinated yet, that's now on your agenda. It's the latest move in the government's effort to get Queenslanders vaxxed, and comes just a day after Palaszczuk also announced that the state had hit the 70-percent single-dose mark. Those jabs and sausages will be on offer at the Mt Gravatt, Stafford, North Lakes, Morayfield, Brendale, Browns Plains, Underwood, Victoria Point and Bethania Bunnings stores in and around Brisbane, if you're wondering where to head from Saturday. Elsewhere across Queensland, vax clinics will set up at the brand's Oxenford, Pimpama, Nerang, Robina, Arundel and Burleigh Waters sites on the Gold Coast, and at its Maryborough, Bundaberg, Hervey Bay, Dalby, Airlie Beach, Kingaroy, Gladstone, Yeppoon, Rockhampton, Gympie and Plainland stores. And, Smithfield and Atherton in Cairns, three stores in Townsville and two locations in Mackay will also get vaccination pop-ups. You can get vaccinated at 33 @Bunnings Warehouse stores across Queensland this weekend 👇 pic.twitter.com/57qcuulCt4 — Annastacia Palaszczuk (@AnnastaciaMP) October 12, 2021 Getting vaxxed is free, but nabbing a snag afterwards will still cost you — with Bunnings using its sausage sizzles to raise much-needed funds for local charity groups and sporting teams. Pop-up vaccination clinics will set up at 33 Bunnings stores across Brisbane and Queensland from Saturday, October 16. For further information about Australia's COVID-19 vaccine rollout, head to the Australian Government Department of Health website. For more details specific to Queensland, visit the Queensland Health website.
Mondays are nobody's favourite day of the week. The weekend is over, another work week has begun and fun seems in short supply. Or, you can look at them another way — and take your delights when and where you can find them. Hate the first day of the week but love delicious culinary dishes? As well as being the human equivalent of Garfield, you're destined to make a date with Get Trucked. Each and every week, X Cargo is inviting a heap of food trucks to drop by. If a feast of tasty eats can't cure your Monday blues, then nothing can. The new regular event kicks off at midday on Monday, April 1, and runs until late — so whether you're in the vicinity of the Valley shipping container hangout for lunch, an afternoon snack, dinner or a late meal, you're sorted. Entry is free, and the purveyors of meals on wheels will change each week.
Waking up to a perfect sunrise on an almost empty beach. Spotting a true-blue Aussie icon. Or sticking your head out of the window when you're cruising with the fam. Each one of these TikTok videos has us dreaming of epic adventures with our besties, lazing in the sun, and rising early to catch a wave or two. In short, they make us miss the best parts of summer — and make us want to extend that carefree holiday vibe into autumn, too. To help inspire you to live your best life, we've teamed up with TikTok to bring you five videos that'll have you handing over that resignation and GTFO to bigger and brighter things. [embed]https://www.tiktok.com/@kendallandglenn/video/6885137289199095042[/embed] Kendall and Glenn are really channeling that sun-kissed, no-worries Australian dream right now. The couple is travelling around Australia in a VW — called Vance — and they're capturing the best (and worst) parts of living on the road together. They've been to Magnetic Island, Uluru, Flinders Ranges and the Fleurieu Peninsula. Here they're really flexing that perfect #vanlife morning. [embed]https://www.tiktok.com/@yeetus_mcfeetus/video/6716434036241206534[/embed] In 2010, the Big Prawn came close to death when the Ballina Shire Council voted in favour of its demolition. Luckily, the public had other ideas and today you can still find it in Ballina, NSW. KT, or @yeetus_mcfeetus, picked a true-blue legend to soundtrack their encounter with two other Aussie greats: Bunnings and the Big Prawn. Make like KT and plan your own trip to see these extremely Australian big things for yourself. [embed]https://www.tiktok.com/@genuine_spud/video/6858869469809249541[/embed] Emilee Flood's 'Electric Love' is one of those tracks synonymous with TikTok. (It's a real Sad Girl TikTok banger). But here, Kel-C uses that 'lightning in a bottle' lyric to show us all their feels about a perfect summer road trip — kangaroos, beaches, sunsets and snacks. Take. Us. Back. [embed]https://www.tiktok.com/@gemmacatherine29/video/6828566161651666181[/embed] How good's WA? Gemma Catherine, maker of this extraordinarily good case for getting out of bed before sunrise, shows us it's the state to be in for escaping iso and getting out for a surf. Now, being back at work isn't strictly the same as iso, but we're feeling the itch to travel all the same. If you're looking for inspiration, here are ten must-visit locations in Australia. [embed]https://www.tiktok.com/@_.lilyhaynes._/video/6894561223736691969[/embed] If there's one video in this roundup that speaks to us most it's this gem from Lily Haynes. She's filmed her pup Alfie living his best self, chilling with the fam, seeing what's up, riding shotgun. If that doesn't push you to book a long weekend on the road, we don't know what will. Alfie, we ❤️ you. Download TikTok to watch more blissful travel videos. Top image: Wikimedia Commons
Think there's just one Hottest 100 in January? Think again. The second important countdown of the month actually goes rather well with the music poll that just proclaimed The Wiggles' cover of Tame Impala's 'Elephant' as the nation's best track of 2021. In fact, while you were listening to the hottest songs of the past year, you might've been sipping some of these other winners. That'd be the great brews in the spotlight on the GABS Hottest 100 Aussie Craft Beers list, which does for yeasty tipples what Triple J's poll does for bangers. And, just like its music counterpart, a worthy victor has come out on top. That'd be Bentspoke Brewing Co, with the Canberra brewery taking out the top spot with its Crankshaft American IPA for the second year in a row. In doing so, it bested 2017 and 2018 winner Balter Brewing Company, which came in second with its Balter XPA; Your Mates Brewing Co, which took third spot with its Larry pale ale; and Stone & Wood's Pacific Ale, the winner of the 2011, 2015, 2016 and 2019 polls, and 2020's second-place getter, which nabbed fourth position this year. As it did in 2020, Bentspoke had five beers in the 2021 top 100 list in total, which is clearly something to toast to — also coming in 12th for its Barley Griffin Australian Pale Ale, 41st for its Sprocket American IPA, 45th for its Cluster 8 Imperial IPA and 91st for its Red Nut Red IPA. Run by GABS — or the annual festival also known as the 'Great Australian Beer SpecTAPular' — the countdown is a people's-choice poll decided by booze-lovers around the country. Now in its 14th year, it saw a huge 2238 beers nominated this time around, hailing from 281 breweries. Still playing the numbers game, 58 beermakers nabbed a spot on the 2021 list — and, states-wise, Queensland emerged victorious with 30 brews on the full rundown of 100 beers, followed by Victoria with 22, New South Wales with 20, the Australian Capital Territory with 12, and South Australia and Western Australia with eight apiece. 2021 was also a big year for new brews, with 37 beers making their GABS Hottest 100 debut. And, low- and no-alcohol tipples also made a splash, including Heaps Normal's Quiet XPA debuting at 20 and Sobah Beverages' zero-alcohol Pepperberry IPA taking 69th place. If you're thinking "less background, more beer", here's what you've been waiting for: the rundown of the best beverages from the past year that just keep tempting tastebuds. Black Hops, Better Beer, Capital (with two showings), Ballistic and Young Henrys round out the top ten, while Coopers, Bridge Road, Pirate Life, Gage Roads, Kaiju!, Heads of Noosa, Brick Lane, Moon Dog, 4 Pines, Philter, Stomping Ground, Grifter, Hawke's and Mountain Goat and are among the other brands featured. Working your way through the whole 100 isn't just a great way to show your appreciation for locally made brews, either — consider it research for the 2022 countdown. GABS HOTTEST 100 AUSSIE CRAFT BEERS OF 2021: BentSpoke Brewing Co — Crankshaft IPA Balter Brewing — Balter XPA Your Mates Brewing Co — Larry Stone & Wood Brewing Co — Pacific Ale Black Hops Brewery — G.O.A.T. Better Beer — Better Beer Zero Carb Capital Brewing Co — Capital XPA Ballistic Beer Co — Hawaiian Haze Capital Brewing Co — Coast Ale Young Henrys — Newtowner Coopers Brewery — Original Pale Ale BentSpoke Brewing Co — Barley Griffin Balter Brewing — Balter Hazy Bridge Road Brewers — Beechworth Pale Ale Beerfarm — Royal Haze Pirate Life Brewing — South Coast Pale Ale Gage Roads Brewing Co — Single Fin KAIJU! Beer — KRUSH! Tropical Pale Ale Black Hops Brewery — East Coast Haze Heaps Normal — Quiet XPA Heads Of Noosa Brewing Co — Japanese Lager Brick Lane Brewing Co — One Love Pale Ale Little Creatures — Little Creatures Pale Ale Moon Dog Craft Brewery — Old Mate Philter Brewing — Philter XPA Mountain Goat Beer — GOAT Very Enjoyable Beer Feral Brewing Co — Biggie Juice Brookvale Union — Ginger Beer 4 Pines Brewing Co — 4 Pines Pacific Ale Big Shed Brewing Concern — Boozy Fruit Hawke's Brewing — Hawke's Patio Pale Bright Brewery — Alpine Lager Grifter Brewing Co — Pale Blackflag Brewing — Rage Juicy Pale Green Beacon Brewing Co — Wayfarer Stomping Ground Brewing Co — Gipps St Pale Ale Akasha Brewing Co — Hopsmith IPA Dainton Beer — Blood Orange NEIPA Revel Brewing Co — Strawberries & Cream Sour Ale Coopers Brewery — Sparkling Ale BentSpoke Brewing Co — Sprocket Capital Brewing Co — Hang Loose Juice Blood Orange NEIPA Coopers Brewery — Coopers XPA Your Mates Brewing Co — Sally BentSpoke Brewing Co — Cluster 8 Black Hops Brewery — Neverland Balter Brewing — Eazy Hazy Ballistic Beer Co — Hawaiian Haze IPA Capital Brewing Co West Coast NEIPA — Mountain Culture Collab Coopers Brewery — Coopers Pacific Pale Ale Bodriggy Brewing Co — Speccy Juice Colonial Brewing Co — Colonial Pale Ale Grifter Brewing Co — Serpents Kiss Sunday Road Brewing — Cryotherapy Deeds Brewing — Juice Train 10 Toes Brewery — Pipeline Pale Burleigh Brewing Co — Bighead No-carb Lager Hop Nation Brewing Co — J-Juice Range Brewing Co — Lights + Music Black Hops Brewery — Hop Swap Black Hops Brewery — Black Hops Pale Ale Your Mates Brewing Co — Macca Balter Brewing — Captain Sensible Capital Brewing Co — Trail Pale Ale Hawke's Brewing — Hawke's Lager Burleigh Brewing Co — Twisted Palm One Drop Brewing Co — Double Vanilla Custard Pancake Imperial Nitro Thickshake IPA Cronulla Beer Co — Next Level XPA Sobah Beverages — Pepperberry IPA Jetty Road Brewery — Jetty Road Pale Ale Brouhaha Brewery — Strawberry Rhubarb Sour Stone & Wood Brewing Co — Cloud Catcher Blackman's Brewery — Juicy Banger 4 Pines Brewing Co — 4 Pines Pale Ale Brick Lane Brewing Co — Sidewinder Hazy Pale Hop Nation Brewing Co — Rattenhund Sunday Road Brewing — Enigma Ale Otherside Brewing Co — Anthem IPA Bad Shepherd Brewing Co — Peanut Butter Porter Ballistic Beer Co — Mexican Hot Chocolate Stout Black Hops Brewery — Hornet Little Creatures — Pacific Ale Your Mates Brewing Co — Eddie Dainton Beer — Jungle Juice Bodriggy Brewing Co — Utropia Pale Ale Young Henrys — The Unifier Hawkers Beer — West Coast IPA Mismatch Brewing Co — Mismatch Session Ale Gage Roads Brewing Co — Side Track All Day XPA Little Bang Brewing Co — Face Inverter BentSpoke Brewing Co — Red Nut Tumut River Brewing Co — Ginja Ninja Eumundi Brewery — Eumundi Alcoholic Ginger Beer Deeds Brewing — Once More Into the Fray Akasha Brewing Co — Mosaic IPA Ballistic Beer Co — Low Ha Capital Brewing Co — Rock Hopper IPA Wayward Brewing Co — Raspberry Berliner Weisse Willie The Boatman — Nectar Of The Hops Balter Brewing — CryoHaze For more information about the GABS Hottest 100 Aussie Craft Beers of 2021, head to the GABS website.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=loGLiMU5fuI TENET Christopher Nolan has never made a Bond film. He certainly didn't helm The Matrix franchise, either. But pick and twist aspects of each, including narrative tropes, sci-fi trickery and special effects wizardry, and the writer/director's latest slick, bold, mind-bending action-thriller Tenet is the end product. Spy flick elements are evident from the outset, thanks to a tense, taut, supremely well-executed opening attack on the jam-packed Kiev Opera House. When a gun fires during the chaos, but the bullet returns to the weapon rather than shooting out from it, Tenet's nods to late 90s and early 00s sci-fi are apparent, too. Soon afterwards, a scientist (Clémence Poésy) talks the film's CIA operative protagonist (BlacKkKlansman's John David Washington) through some of the nuts and bolts of the shadowy situation he finds himself in, explaining that inverted objects being sent back through time from the future, that a war is coming, and detailing the reverse trajectory of the bullet — and the Protagonist, as he's literally called, exclaims a Keanu-esque "whoa!" that's particularly memorable. Armed with the relevant background — tidbits the film wants viewers to pay close attention to as well — the Protagonist must hop around the world to stop life as everyone knows it from ending. He has suave handler Neil (Robert Pattinson) for company, but if Tenet's premise sounds a tad vague and convoluted, well, that's the movie's wavelength. As obsessed with time, space, existence and consciousness as much of Nolan's work, the cerebral feature doesn't get any less tangled or labyrinthine, or try to. It boasts the kind of plot that is actually quite straightforward, yet is told in an overly complicated fashion to keep viewers puzzling. Nolan likes messing with audiences' heads, so this shouldn't come as a surprise; however he jumps even beyond Inception's leaps, The Prestige's magic tricks and Interstellar's temporal dilations. As a result, as entertaining and downright spectacular as it is when it's at its action-packed best, there's also a sense that Tenet is bounding forward in some ways, while also needlessly looping back on itself in others. It's stirring, but also laborious. It's designed to overwhelm viewers in an inventive head trip, yet it makes the audience feel like they're working. It's intricate and exacting, and also messy and repetitive. It's a Nolan film through and through, in other words — usually to a mesmerising degree, but too indulgently as well. Read our full review. https://www.youtube.com/watch?v=TIsEZ2tTavU&t=6s LES MISÉRABLES Almost 160 years since Victor Hugo immortalised the Montfermeil commune in Les Misérables, first-time feature writer and director Ladj Ly heads there to tell a different story. Or, to be exact, his Cannes prize-winning, Oscar-nominated crime-thriller that's also called Les Misérables stops by the spot to explore comparable themes in contemporary France — and to interrogate the reality of life in the Les Bosquets housing estates in one of the capital's banlieues. The latter and their communities have featured in the likes of 1995's La Haine and 2014's Girlhood before, two hands-down French movie masterpieces, but the approach here is especially inspired. Drawing parallels with a globally known, much-adapted, long-popular classic to shine a spotlight on modern-day class and cultural clashes is smart and savvy and, in the hands of a filmmaker from the area who is already known for making documentaries about the area, results in an especially compelling and confronting piece of cinema with revolution at its heart. Every neighbourhood bubbles with stories. So, focusing on Les Bosquets, Ly relays as many tales as he can. With propulsive and fittingly restless energy, his film flits between the locale's cops, kids and gangs — with troubles between all three groups reaching boiling point over the course of two summery and eventful days. The catalysts: familiar prejudices, long-held beefs, a stolen lion, a wrongful shooting and some controversial drone footage. The fallout: considerable. Unrelentingly terse and unafraid to filter real-world unrest through every frame, this Les Misérables is not always subtle; however, given the complicated terrain that it traverses, it needn't be. As a portrait of social tensions drawn from real-life situations, this is a movie of explosive emotional and visceral power even when it's clearly lacking in nuance. As an examination of how one event can escalate, detonate and spark a chain of chaos, and, Hugo-style, how insurrectionary acts come about, it hits hard. This definitely isn't a musical, but Ly's gripping, evocatively shot, deftly choreographed and impressively acted feature is still a rousing cinematic song of angry Parisians. Read our full review. https://www.youtube.com/watch?v=CtCmpNdsA44 THE EIGHT HUNDRED The first Chinese film shot entirely on IMAX cameras, The Eight Hundred delivers exactly what that status demands. That'd be an impressively staged and shot spectacle, and plenty of it. Indeed, this big-budget dramatisation of the October 1937 Sihang Warehouse standoff during the Second Sino-Japanese War (which also formed part of the Second World War) is filled with fights, frays, combat and bloody confrontations to an almost relentless extent. Of course, that's the war movie formula, with the genre routinely endeavouring to steep viewers so deeply in the minutiae of the action that they feel both the mass and the personal toll. In The Eight Hundred's case, that means spending the bulk of its lengthy 147-minute duration with the 400-plus soldiers from the 524th Regiment of the National Revolutionary Army's 88th Division, who hold their ground for four days as the Imperial Japanese Army closes in on and wages an assault on the building — with the latter already overpowering Chinese forces at large during the Battle of Shanghai, and the former now representing China's last stand in the city. Complicating matters tactically, at least for the Japanese, is the warehouse's location. Adjacent to Suzhou Creek, and therefore across from Shanghai's International Settlement, the structure is in full view of the neutral zone. For writer/director Guan Hu (Mr Six), however, that gives the film an extra opportunity to dazzle visually. On one side of the waterway sits carnage; on the other, luxury, shining lights and streets filled with well-dressed onlookers all beckon. Yes, The Eight Hundred is that blunt. Yes, it takes every opportunity to be as blatant as possible on as many levels as possible, too. This is a feature that uses a white horse galloping through the mayhem as one of its overt metaphors, after all, and deploys 'Londonderry Air', aka 'Danny Boy', as its emotive song of choice. Also among its sizeable list of heavy-handed touches: repeatedly making the case for sacrifice and bloodshed in the name of China's glory and greater good, visibly adoring solider point-of-view shots, and offering little in the way of depth amongst its heaving roster of characters. If you're wondering what else is currently screening in cinemas, check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23, July 30, August 6, August 13 and August 20 — and our full reviews of The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin and Peninsula.
Maybe G&Ts are your favourite tipple and, if you're sipping drinks at your favourite bar, you always have one within reach. Perhaps you've never found a vodka cocktail that you haven't loved, or you've made it your life's mission to try all the whiskies (yes, spanning both whisky and whiskey) that you can find. Or, you could simply like broadening your horizons when it comes to knocking back the good stuff, and supporting independent producers while you're at it. Since 2015, the boozing sipping party that is Indie Spirits Tasting has covered all of the above — and it's back in 2022 after a couple of pandemic-affected years. Move over, craft beer — at this east coast event, which'll return to Brisbane in July, it's craft spirits' time to shine. Everyone has been to plenty of days dedicated to brews, brews and more brews, but this touring shindig is solely about all the whisky, gin, vodka, rum, tequila, vermouth and mezcal you could ever want. More than 30 exhibitors and master distillers are on the bill, showcasing over 200 craft spirits. Clearly, your booze-loving tastebuds will be in heaven. As well as tasting away, attendees will also be able to chat to the folks behind the craft and independent tipples on offer, listen to talks on booze-related topics and buy bottles to take home with you. Taking place at Lefty's Music Hall from 1–4pm on Sunday, July 17, this year's Brisbane event will feature brands such as Never Never Distilling Co, Poor Toms, Boat Rocker, Wolf Lane and Archie Rose, some of which will be pouring limited-edition tipples. And while the big focus is on homegrown spirits, a few international names will be on the bill as well — taking your tastebuds on a trip, including through French cognacs and American gins.
If you want floor to ceiling ocean views at a centrally-located hotel, Crystalbrook Riley is for you. This five-star luxury resort is perched on the Cairns Esplanade, placing you in walking distance of many of the tour operators, restaurants and bars that Cairns has to offer. For a picturesque waterfront wake up, check in to a Panoramic Sea room or Riley's Suite and you'll awaken to uninterrupted views of the Coral Sea and beyond. There's a lush pool that wraps around the entire resort, a day spa to destress at and two in-house restaurants to try — Paper Crane and rooftop bar Rocco. The resort makes an effort to reduce food miles by sourcing 80-percent of ingredients from within a 3.5-hour radius of Cairns, including all of its beef products which come from Crystalbrook's own 85,000-acre cattle station.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue for July. NEW STUFF TO WATCH NOW https://www.youtube.com/watch?v=DSCKfXpAGHc HAMILTON If you haven't been lucky enough to catch Hamilton on the stage — and, let's face it, most of us haven't — a filmed "live capture" version of the popular hip hop musical here to fill the gap. The story, for those who aren't intimately acquainted with US revolutionary history, chronicles the Caribbean-born eponymous "bastard, orphan, son of a whore and a Scotsman" from his arrival in New York in the early 1770s. As the informative opening number explains, Alexander Hamilton will go on to become "the ten-dollar Founding Father without a father", with the production charting how he "got a lot farther by working a lot harder, by being a lot smarter and by being a self-starter". And, as shot on Broadway back in 2016, the results really are as phenomenal as we've all been hearing for the past five years. The entire cast, including not only creator, writer and star Lin-Manuel Miranda but Tony-winners Daveed Diggs (Snowpiercer) and Leslie Odom Jr (Murder on the Orient Express), Mindhunter's Jonathan Groff and Waves' Renee Elise Goldsberry, is superb, as is every element of the production. Infectiously exuberant from its first moments, and not only lively but frequently funny, Miranda's rich, dense but always accessible words and songs interrogate US history with passion, intelligence and energy. They'll also become firmly lodged in your head, too, so don't say we didn't warn you. The filmed version of Hamilton is available to stream via Disney+. Read our full review. https://www.youtube.com/watch?v=n8zHfScOWO8 MCMILLIONS Your next true-crime obsession is here and, as all these types of docuseries tend to, McMillions charts quite the case. The McDonald's Monopoly promotion isn't just confined to America, as anyone who has collected the chain's peel-off tokens and tried to win big prizes (or just score a few free burgers and fries) knows; however when it ran in the US between 1989 and 2001, it was the target of an enormous scam. If you don't know the rest of the details yet, let this in-depth six-part HBO show do the honours. Featuring interviews with those involved in the FBI investigation into the winners and chats with some of the latter as well, it makes for engrossing viewing — even though the series features a hefty amount of recreations and talking heads compared to archival footage. Writer/directors James Lee Hernandez and Brian Lazarte are fond of teasing out revelations, but that just comes with the territory. And it's part and parcel of this tale, too, which definitely falls into the 'so wild it can only be true' category. All six episodes of McMillions are available to stream via Binge. https://www.youtube.com/watch?v=aK-X2d0lJ_s THE OLD GUARD If Charlize Theron starred in every action movie, the genre would vastly improve. That isn't a criticism of this very busy, very popular category of flicks, but recognition of how great the Mad Max: Fury Road, The Fate of the Furious and Atomic Blonde star is when she's in them. The latest movie to prove it: The Old Guard. Based on the comic book of the same name, it's a superhero film of sorts, following a group of immortal warriors (including Kursk's Matthias Schoenaerts, Aladdin's Marwan Kenzari and Trust's Luca Marinelli) led by Theron's Andromache of Scythia, or Andy. They use their skills to help those in need, and have done for centuries and centuries, although Andy's patience with humanity's pervasive cruelty is wearing thin. Then, just as a job set up by an ex-CIA operative (Chiwetel Ejiofor) goes awry, the gang gets a new member in the form of US Marine Nile (If Beale Street Could Talk's KiKi Layne). Unlike most movies that aim to set up a franchise — which this clearly does — The Old Guard never feels like filler for the next chapter. It's far more focused on character to fall into that trap, all while still boasting lithe, energetic action sequences. Thank not only Theron and her co-stars, but also Beyond the Lights director Gina Prince-Bythewood. The Old Guard is available to stream via Netflix. https://www.youtube.com/watch?v=MJqHpN9b0U4 JU-ON: ORIGINS First, an obvious truth: this year's latest American version of The Grudge, which marks the fourth US film adapted from the J-horror series, is downright awful. Thankfully, 2020 isn't a wash for Ju-On fans, with the six-part Ju-On: Origins getting suitably eerie on Netflix. In fact, it's the streaming platform's first original Japanese horror series. As the name suggests, Origins jumps back in time, starting in 1988. The cursed Tokyo house everyone knows but no one loves looms large over the show, obviously, with upsetting incidents happening not only within its walls, but to those who visit. When Tetsuya Fukazawa (Kai Inowaki), the boyfriend of TV host Haruka Honjo (Yuina Kuroshima), checks out the place, it comes with repercussions. When schoolgirl Kiyomi Kawai (Ririka) is lured there by her new classmates, her life will never be the same. Unfurled over 30-minute episodes, filled with dread-inducing horror filmmaking yet never leaning too heavily on the franchise's iconic imagery, and switching between restrained and brutal, this is exactly what the Ju-On series needed right now. The first season of Ju-On: Origins is available to stream via Netflix. https://www.youtube.com/watch?v=Atqf47wM5Gg RELIC It's a recognisable setup: a remote house, a family haunted by decades-old troubles, a murky history that's still leaving an imprint and tension levels rising when, naturally, strange things start to happen. But new Australian horror movie Relic has more than a few tricks up its sleeves as it follows three generations of women in a Victorian-based family. In fact, while the slow-burning affair is set in a nerve-shatteringly creepy house that's up there with many a horror great, and it serves up well-executed jumps, bumps and unnerving sensations, this smart, thoughtful and constantly disquieting film also uses its concept and plot to ponder the physical and emotional impact of ageing, including dementia. It all starts with the disappearances of the widowed and elderly Edna (Top of the Lake's Robyn Nevin). Her daughter Kay (Mary Poppins Returns,' Emily Mortimer) arrives from Melbourne to join the search, with her own offspring Sam (Bloom's Bella Heathcote) in tow, but then Edna reappears suddenly without any explanation for her absence. In the assured feature directorial debut of Japanese-Australian filmmaker Natalie Erika James, Kay and Sam still need to try to ascertain just what happened, though, and work out why Edna's house — and, increasingly, Edna too — seems so sinister. Relic is available to stream via Stan. https://www.youtube.com/watch?v=_5O3cMmg3JQ PERRY MASON When a young boy is kidnapped, murdered, then returned to his parents with his eyes stitched shut, private investigator Perry Mason (Matthew Rhys) is brought onto the case. The time: the early 1930s. The place: Los Angeles. The outcome: an instantly engaging new take on the famed detective, who is down on his luck, trying to navigate depression-era America, makes questionable personal decisions and often rubs those in his orbit the wrong way. Mason first popped up on the page in the 30s, actually, and in cinemas then, too — before a radio serial followed in the 40s and 50s, then TV shows in the 50s, 60s and 70s, and television movies in the 80s and 90s. But, while HBO's new eight-part noir mini-series is set almost 90 years ago, it confidently presents an alluringly murky, impeccably performed and grandly stylish version of Perry Mason that's firmly made for today. Casting the ever-reliable Rhys helps, of course, as fans of his work in The Americans, The Post and A Beautiful Day in the Neighbourhood already know. Also impressive: a number of episodes are directed by Mustang filmmaker Deniz Gamze Ergüven. The first three episodes of Perry Mason are available to stream via Binge, with new episodes dropping weekly. https://www.youtube.com/watch?v=cq2iTHoLrt0 DARK There's only one thing wrong with Netflix's thrilling, labyrinthine, time-travelling science-fiction series Dark — and that's the fact that, with its just-dropped third season, the German-language show has now come to an end. Like Stranger Things, it follows odd occurrences in an eerie small town, focuses on a group of teens and their families, and isn't afraid to jump into another realm; however this immensely intricate tale tumbles down its own rabbit hole. At the centre of a very complex narrative sits the depressed Jonas Kahnwald (Louis Hofmann), a spooky cave beneath a nuclear power plant and a spate of missing kids going back decades. When the third season begins, Jonas has just lost the girl he loves (Lisa Vicari) and met her almost-identical counterpart from an alternate reality, with things only getting more complicated from there. There's no quick way to summarise Dark's period- and world-hopping story, but no one does smart, philosophically minded, cliffhanger-heavy, constantly circling and looping sci-fi quite like this compelling, quickly addictive series. Visually, emotionally, thematically and in its alluring soundtrack, it lives up to its name, too. The third season of Dark is available to stream via Netflix. https://www.youtube.com/watch?v=oEFfIc5GzM4 WAR OF THE WORLDS HG Wells passed away more than seven decades ago but, when it comes to new adaptations of his work, the famous author is having a good year. Leigh Whannell's update of The Invisible Man is savvy, scary and excellent and, for those who prefer their Wells-penned stories with a dash of extra-terrestrial conflict, a new episodic version of War of the Worlds is now streaming. The alien-invasion tale has been brought to the screen many times, of course, including by Steven Spielberg and Tom Cruise back in 2005. And yet, this eight-part international TV production never feels overly bogged down by familiarity. Starting with a strange transmission detected by astronomers, the show finds its own way to work with Wells' classic, enduring premise — with ample help from a first-rate cast that includes Gabriel Byrne (Hereditary), Elizabeth McGovern (Downton Abbey), Lea Drucker (Custody), Daisy Edgar-Jones (Normal People), Adel Bencherif (The Little Drummer Girl) and Stephen Campbell Moore (also Downton Abbey). The first three episodes of War of the Worlds are available to stream via SBS On Demand, with new episodes dropping weekly. ONES TO WATCH OUT FOR LATER IN THE MONTH https://www.youtube.com/watch?v=aqzgDB1CMI4 LUCE In Waves, Kelvin Harrison Jr currently stars in one of the best movies to hit cinemas Down Under this year — and he puts in a powerful, unforgettable performance. But he's also stellar in Luce, a tightly wound drama that similarly casts him as a star high-school athlete whose life changes abruptly, but couldn't be more different in style and tone. Here, he plays the titular character. A refugee from Eritrea who was adopted by Amy and Peter Edgar (Naomi Watts and Tim Roth) ten years earlier, Luce has embraced his new life, and is considered a role model academically, too. Then he has a run-in with his history teacher (Octavia Spencer), who is concerned about one of his assignments, and everything shifts. Adapted from the play of the same name, this is a tense, taut affair that ponders the subject of assimilation deeply, also serves up a sociopolitical puzzle, and benefits from excellent on-screen work all-round. An assured and engaging piece of filmmaking, it's also worlds away from director Julius Onah's last film, aka the forgettable The Cloverfield Paradox. Luce will be available to stream via Amazon Prime Video from Saturday, July 25. CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=y4lGzgVqVvU A WHOLE HEAP OF CLASSIC AUSTRALIAN FILMS Whether you like your Aussie films romantic and vibrant, as seen in Baz Luhrmann's Strictly Ballroom, or unsettling in the outback, as all-time great Wake in Fright achieved so well, the ABC's Australian Movie collection has you covered. This nation of ours has made many a feature over the years — and you can now stream plenty of them for free, including the Kylie Minogue-starring The Delinquents and the Michael Hutchence-starring Dogs in Space, if you have a think for local music icons on-screen as well. Also on offer: standout Indigenous stories such as Jedda, Satellite Boy, Samson & Delilah, Spear and Goldstone, plus the unnerving crime antics of Animal Kingdom, Snowtown and The Boys. Or, you can join Willem Dafoe on a search for the Tasmanian tiger in The Hunter, and witness the blistering work of Oscar Isaac in Balibo. Our must-revisit pick, if you're only going to choose one, is Two Hands. It'll always remain one of the best Aussie movies ever made, with both Heath Ledger and Rose Byrne excellent in early-career performances. ABC's Australian Movie collection is available to stream via iView. Top images: The Old Guard via Aimee Spinks/Netflix; Hamilton filmed version courtesy Disney+; Perry Mason courtesy of HBO and Merrick Morton; McMillions courtesy of HBO.
If DC Studios could live life like it's a Cher song, would it turn back time to erase the DC Extended Universe, setting itself on an entirely different path instead? With new co-head honchos James Gunn and Peter Safran wrapping up the underwhelming franchise — after 2023's films, The Suicide Squad director and producer are replacing the DC Comics on-screen realm with a new movie saga just called the DC Universe — the answer is likely yes. Does DC Studios regret having to release The Flash, which gives the character played by Ezra Miller since 2016's Batman v Superman: Dawn of Justice his own feature, arrives after their past few years of controversies and legal troubles, and comes with a jumping-backwards focus? It must've been better for the bottom line to let the picture flicker before audiences, rather than ditching it after it was finished as happened with Batgirl; however, the response there about lamenting Barry Allen's latest big-screen stint might also be in the affirmative. As was the case with Shazam! Fury of the Gods, and could also be with the DCEU's upcoming Blue Beetle and Aquaman and the Lost Kingdom, a feeling of futility buzzes through The Flash. Plenty happens, featuring an array of caped crusaders and more than one version of Barry, and yet all that tights-wearing sound and fury might signify nothing in the scheme of all things DC. Movies have never needed sequels or franchises to gift their existence a spark. Increasingly, the opposite occurs. Instalment after instalment in ever-sprawling cinema universes are dragged down by being exactly that: a series instalment, rather than their own films. And The Flash does frequently try to be its own feature, but it's also firmly tied to being part of a pop-culture behemoth while eagerly worshipping superhero history. The blatant and overdone nostalgia, the already-announced returns and still-surprise cameos, and the now-overused multiverse setup that assists in linking its narrative together — it all rings empty when it proves so disposable, as the dying DCEU is. Living with your choices, and facing the fact that you can't always take back mistakes and fix traumas, does fittingly sit at the heart of The Flash's narrative, though. While the Barry (Miller, Fantastic Beasts: The Secrets of Dumbledore) that audiences have also seen in Suicide Squad, Justice League and Shazam! enters The Flash calling himself "the janitor of the Justice League", answering Alfred's (Jeremy Irons, House of Gucci) calls to clean up Batman's (Ben Affleck, Air) chaos offers a handy distraction from his family situation. Understandably, he's still grief-stricken over his mother's (Maribel Verdú, Raymond & Ray) murder. He's also struggling to prove that his incarcerated father (Ron Livingston, A Million Little Things) wasn't the killer. Cue messing with the space-time continuum, using his super speed to dash backwards to stop his mum from dying — and, as Bruce Wayne warns, cuing the butterfly effect. Back to the Future devotees know what follows when someone tinkers with the past. The Flash director Andy Muschietti (IT, IT: Chapter Two) and screenwriter Christina Hodson (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)) count on viewers being familiar with the consequences, and with the Michael J Fox-starring 80s classic. Amid navigating various iterations of its protagonist and, as revealed in its trailers, getting Michael Keaton (Morbius) back in the cape and cowl as the Dark Knight three decades after the last Tim Burton-helmed Batman flick — plus finding time for Supergirl (Sasha Calle, The Young and the Restless) — this DCEU entry splashes around its broader pop-culture nods with gusto. Given that was Gunn's tactic in Marvel's Guardians of the Galaxy movies, right down to also mentioning Kevin Bacon and Footloose, perhaps Barry might have a DCU future after all? Whatever happens, The Flash's riffing on and namechecking other beloved films isn't its best trait. There are multiples of much in this movie, which includes multiple ways to slather on fan service. Virtually retracing Marty McFly's footsteps involves that extra Barry, the younger and more OTT of the two — the one aiding the OG Barry in seeing why people can find him a bit much, in fact. It also inspires the comeback of Superman's Kryptonian foe General Zod (Michael Shannon, George & Tammy), as the events of Batman v Superman: Dawn of Justice ripple through an alternate timeline. Yes, every superhero saga has become a multiverse saga, everywhere and all at once. The Marvel Cinematic Universe keeps leaning in, while the Spider-Verse films embrace the idea in every gorgeously animated frame. Reuniting with a past Batman was always going to play like a Spider-Man: No Way Home wannabe, but The Flash isn't helped by hitting cinemas so soon after Spider-Man: Across the Spider-Verse, aka the current gold standard in multiple everything, spandex-clad saviours in general and franchise fare. It was true when Tobey Maguire, Andrew Garfield and Tom Holland were all webslinging in the one film, and it's true now with Affleck and Keaton being oh-so-serious here: teaming up past and present takes on the same figure in the same feature can smack of refusing to cut ties with history. That's what nostalgia is all about, of course, and it clashes glaringly with what The Flash endeavours to teach its red-suited namesake. As Barry attempts to protect, nurture and heal his inner child — rather literally — the movie advocates for ultimately accepting life's hardships and moving on. Then it has more and more recognisable faces pop up, including some grave-robbing choices using woeful special effects. With its routine fan-baiting multiverse antics, the picture keeps finding additional ways to ring empty. A film that adores all that's gone before, but exists in the waning days of a dissipating saga. A feature with little future path and too much fondness for the past. A reminder that life goes on that epitomises that very fact within the movie business, yet can't live and breathe it within its frames even as its narrative sings that notion's praises. That's The Flash — and it's also a picture made better by Miller's convincing dual turns, especially when they're at their most vulnerable and melancholy, and particularly when they're on-screen twice in the same scene. It benefits from Keaton's subtlety in an appearance that's anything but within the story, and from Muschietti's eagerness to amuse through the flick's strongest action scenes, as seen in quite the baby shower. Pondering playing god and its repercussions, it also owes a debt to Mary Shelley's Frankenstein, as almost everything does. Feeling like disparate pieces that don't stitch together to make the best whole isn't what The Flash was aiming for, however, but it's what's been zapped into cinemas.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to the Manly Pacific on Sydney's Northern Beaches. We partnered with this lush hotel to give CP readers a special deal — a luxurious one-night stay — that can only be found on Concrete Playground Trips. WHAT'S SO SPECIAL? This boutique hotel serves up top luxury features alongside uninterrupted beach views, creating a relaxing city escape just 20 minutes from Sydney's CBD. THE ROOMS There are stacks of room and suite options at Manly Pacific. Some look out over the town and are minimal on inclusions — but still have that luxe calm feel thanks to the soft and neutral colour pallette used throughout. Then you have the ocean view rooms and suites that scream 'treat yourself'. The Sun Lounger rooms (where you'll stay when booking our luxury one-night stay) comes with a huge 100-square-metre sun terrace looking over the beach. The Coastal Suites come with a large living area, two bedrooms, two bathrooms and sliding doors that lead out onto a private balcony. And then there's The Infinity Residence. The 177-square-metre suite has one bedroom, large bathroom, living area, kitchen and a 100-square-metre terrace. Renowned Sydney design firm Coco Republic also gave this suite some extra love, featuring opulent marble surfaces throughout — elegantly complementing the striking black and white beach palette. FOOD AND DRINK Manly Pacific has three main drinking and dining spots. First, there's Bistro Manly. The French-inspired menu focuses on local seafood, bistro classics and seasonal produce — of course, paired with Australian and French wines. Tokyo Joe is Manly's latest Japanese restaurant helmed by ex-Nobu Sydney Chef, Marcelino Elamparo Papio Jr. It focuses on sushi, delicately cut sashimi, steamed buns and more traditional mains. You've also got to grab some cocktails from 55 North during your stay. Bartenders serve up all the classics as well as some of their own creations throughout the day and night. [caption id="attachment_892193" align="alignnone" width="1920"] Fabio Santo (Unsplash)[/caption] THE LOCAL AREA There are heaps of things to see and do in Sydney's beachside burb of Manly. You can either follow our extensive guide or just hit up some of the top spots. Walking along the Manly Scenic Walkway should be at the top of your agenda, heading in the direction of North Head to sneak in a swim at Shelly Beach. We also recommend grabbing some brekkie from Belgrave Cartel, downing afternoon drinks at Manly Wharf Hotel, having a spa and sauna sesh at Rimba Sweat and treating yourself to a few cocktails at The Steyne's hidden whisky bar. THE EXTRAS When you book The Infinity Residence, you'll get one totally unnecessary — but brilliantly extravagant — addition. A personal Beach Butler will be all yours for the entire duration of your stay. They'll do all the heavy lifting to and from the beach, even setting up umbrellas and towels before packing them up when you're done. Feeling hungry? The butler will set up the outdoor dining table on your massive balcony for a glam dinner or organise a luxurious picnic on one of the nearby beaches. It's over the top. But we are all for it. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we go to Lady Elliot Island Eco Resort off the coast of Queensland, the spot we're putting up guests who book our Four-Day Turtle Hatching and Photography Adventure. WHAT'S SO SPECIAL? This award-winning retreat is the only accommodation on Lady Elliot Island, a small coral cay located at the south end of the Great Barrier Reef. And the beach — where you'll find wild turtles, manta rays and tropical fish swimming around colourful coral fields — is only ten metres away from many of the rooms. THE ROOMS Sustainability is at the core of everything at Lady Elliot Island Eco Retreat. The units, glamping tents and cabins are all designed to seamlessly sit within the natural environment, minimising the impact on local flora and fauna. In line with such an ethos, you won't find wifi, televisions nor radios in any of the rooms — only a limited wifi connection can be found in the restaurant. You go to this island to disconnect — put the phone away and go exploring IRL. But, it must be noted that this lack of signals and screens doesn't mean you'll be roughing it. All room types come with plush beds, charging points, an ensuite bathroom and ceiling fans for hot island nights. [caption id="attachment_889431" align="alignnone" width="1920"] Fabrice Jaine[/caption] FOOD AND DRINK You're on a remote island, so you're not going to find a series of flash restaurants and bars. However, you do have a few casual places to eat and drink to choose from. First off, you have the laidback Beachfront Cafe — a lunch spot where you can get burgers, salads and some booze in the arvo. Next door you'll find The Lagoon Bar, where you can down a few cocktails, crush some beers or sip a vino after spending a big day out on the reef. The uninterrupted beach views don't hurt either. Lastly, there's the Beachfront Dining Room, where you'll find your included buffet breakfasts and dinners. You'll enjoy a variety of modern Australian cuisines here, set to fuel you up for more outdoor adventuring. THE LOCAL AREA Lady Elliot Island is about 80 kilometres northeast of Bundaberg — located roughly halfway between Fraser Island and Lady Musgrave Island. And even though it's the closest Great Barrier Reef island to Brisbane, it is never overcrowded — you won't find swarms of people or big boats full of tourists in these parts. What you will find is a flourishing marine sanctuary. Go snorkelling or diving around tropical sea life or take the easier route by hopping aboard a glass-bottom boat tour. You can also go on walks around the island (it's super flat, so it won't be difficult) or simply read your book on the beach or by the saltwater pool. You can be as active or relaxed as you want. THE EXTRAS While you can explore the land and water at your own leisure at Lady Elliot Island Eco Retreat, we recommend joining one (or a few) of the available tours. You'll have stacks to choose from, but we've teamed up with these guys to create an exclusive Four-Day Turtle Hatching and Photography Adventure that combines all the best experiences into one epic trip. This package includes return flights from Hervey Bay, snorkel tours, turtle-hatching experiences, a private boat trip around the island and photography classes led by Mark Fitz (an expert wildlife photographer). As well: all your breakfast and dinners will be sorted. It's the ultimate trip for nature and photography lovers. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
Pick your poison, action-franchise edition circa 2023: balletically choreographed carnage; cars, kin and Coronas; or Tom Cruise constantly one-upping himself in the megastar stunts stakes. Hollywood loves them all. Cinemas keep welcoming them all. So, after John Wick: Chapter 4 and Fast X comes Mission: Impossible — Dead Reckoning Part One to deliver the kind of movie spectacle that always looks best on the biggest and brightest of silver screens. And, as its lead actor's gleaming teeth do, the seventh instalment in the TV-to-film spy series shines. Like Cruise himself, it's committed to giving audiences what they want to see, but never merely exactly what they've already seen. This saga hasn't always chosen to accept that mission, but it's been having a better time of it since 2011's Mission: Impossible – Ghost Protocol, including when writer/director Christopher McQuarrie jumped behind the lens with 2015's Mission: Impossible – Rogue Nation. McQuarrie and Cruise have history; McQuarrie first helmed Cruise in 2012's Jack Reacher, and also penned or co-penned the screenplays for the Cruise-starring Valkyrie, Edge of Tomorrow, The Mummy and Top Gun: Maverick before and during their Mission: Impossible collaboration. Prior to that, however — the year before Mission: Impossible was reborn as a movie, in fact — the filmmaker won an Oscar for writing The Usual Suspects. Take the puzzle-like trickery of that mid-90s big-reveal mystery, combine it with Cruise's determination to score the first Academy Award for Best Stunts if and when it's ever introduced (or die trying), and it's plain to see why they make an ace Mission: Impossible pair. With both 2018's Mission: Impossible – Fallout and now Mission: Impossible — Dead Reckoning Part One in particular, they ensure that a franchise based on a half-century-old formula courtesy of Mission: Impossible's television days still feels fresh and thrilling. Rubber masks so realistic that anyone on-screen could rip off their face to reveal Cruise's Ethan Hunt? Of course they're present and accounted for. Espionage antics that involve saving the world while traversing much of it? Tick that off ASAP. The saga's main Impossible Missions Force operative doing whatever it takes, including sprinting everywhere and relentlessly exasperating his higher-ups? Check. A trusty crew faithfully aiding the always-maverick Hunt, plus slippery adversaries to endeavour to outsmart? Mission: Impossible — Dead Reckoning Part One gives them a hefty thumbs up as well. Shady forces with globe-destroying aims, being able to trust oh-so-few folks, wreaking slickly staged havoc, those jaw-dropping stunts, top-notch actors: Cruise and McQuarrie, the latter co-writing with Erik Jendresen (Ithaca), feel the need to feed it all into the flick, too. They're also rather fond of nodding to and reworking the franchise's greatest hits. Happily playing with recognisable pieces while eagerly, cleverly and satisfyingly building upon them isn't the easiest of skills, but it's firmly in this team's arsenal. When Mission: Impossible — Rogue Nation labelled Hunt "the living manifestation of destiny", it wasn't the series' finest piece of dialogue. There's a sense of humour about hearing him called "a mind-reading, shape-shifting incarnation of chaos" in Mission: Impossible — Dead Reckoning Part One, though. That description could also be directed at Hunt, Luther Stickell (Ving Rhames, Legacy) and Benji Dunn's (Simon Pegg, The Boys) latest timely enemy: The Entity, an artificial intelligence that's literally killer. Unlike in The Terminator flicks, this AI is content without mechanical bodies to control. Whether in Russian submarines, Abu Dhabi's airport or on careening trains, it does a commanding job of bending both computer programs and people to its will. The aim: to secure that power, a quest that Hunt is on a mission to thwart. Returning from the OG 1996 movie, IMF head Eugene Kittridge (Henry Czerny, Scream VI) initially gives Hunt and company their orders — and once this troupe has been set in motion, little can stop it. So, when the crew punches its "get disavowed by the government again" card, they still stick to the task of tracking down the two-part key that The Entity wants. Terrorist Gabriel (Esai Morales, How to Get Away with Murder) and assassin Paris (Pom Klementieff, Guardians of the Galaxy Vol. 3) are on the AI's side. Jasper Briggs (Shea Whigham, Spider-Man: Across the Spider-Verse) is among the US operatives trying to bring in Hunt. Back from the last instalment, arms dealer White Widow (Vanessa Kirby, The Son) has her own plan, while ex-MI6 agent Ilsa Faust (Rebecca Ferguson, Silo) appears in her third flick in a row to again link in with the usual team. Then there's pickpocket Grace (Hayley Atwell, Doctor Strange in the Multiverse of Madness), a newcomer who is accustomed to flying solo. Atwell and Klementieff are scene-stealing additions to the cast, and the always-great Ferguson has been a standout since Mission: Impossible – Rogue Nation. Still, as has been teased, talked about and splashed across Mission: Impossible — Dead Reckoning Part One's poster, Cruise is the one actually physically soaring. What would a Mission: Impossible movie be without flaunting its riskiest stunt, as performed by its stratospheric name himself, as audience bait? Not a McQuarrie-era chapter, that's for sure. When the scene arrives, getting Cruise riding a motorcycle off a towering cliff in an effort to land aboard the hurtling Orient Express, it is indeed breathtaking — and a gripping, nerve-shredding sight to behold. It isn't alone, though, thanks to a tense underwater opening, cat-and-mouse airport antics, Arabian desert horse chases, Fiat-driving Italian Job-style Rome romps and the high-stakes hijinks on Agatha Christie's favourite locomotive itself. Cinematographer Fraser Taggart (Robot Overlords) and editor Eddie Hamilton (back from the last two movies), plus the entire stunt team, help shoot, splice and execute these setpieces rivetingly. Repeatedly besting past Mission: Impossible action triumphs? Mission: accomplished. Twenty-seven years, notching up three pictures now with McQuarrie at the helm, and with Mission: Impossible — Dead Reckoning Part Two obviously on the way (arrival: June 2024), there's a well-oiled air to Mission: Impossible — Dead Reckoning Part One. That said, to run so smoothly requires care, aka someone doing the oiling, which is why there's rarely a well-worn moment or element be seen. Mission: Impossible — Dead Reckoning Part One covers some ground that John Wick: Chapter 4 and Fast X already have in 2023 (and Indiana Jones and the Dial of Destiny as well). It eagerly nods to its own past. And it knows that Cruise could just cruise-control his way through, as could his co-stars, if they wanted. Its biggest feat? Lifting everything that it does, and that a Mission: Impossible flick must, again and again so that seeming routine proves, yes, impossible. There's no self-destruction here — just devotion to an intense and entertaining action extravaganza.
Fancy a trip to Melbourne, but can't fit it into your busy schedule? Let the Victorian capital come to you for one art, music, food and cocktail-filled evening. It's called Melbourne After Dark, but it should probably be called Melbourne On the Road After Dark given that the shindig is bringing a sample of the city's finest to the other end of the country. On the menu come 6pm on November 29: the oh-so tasty burgs Huxtaburger are known for, which come to Brissie all-too-rarely; a tipple by Carlton's The Beaufort, to get you nice and relaxed; and tunes by Remi, Saskwatch and The Delta Riggs DJs. Plus the usual fun vibes at Lefty's Old Time Music Hall, of course — and, it's free to attend. While you won't have to spend a cent to get in the door, registration is required in advance. Now, when someone asks you where you're going on Wednesday night, you can answer "Melbourne" and it'll be somewhat accurate.
Taking over the slice of Newstead that Chester Street Bakery once called home, Hello Gorgeous has one thing in common with its now-defunct predecessor: wherever you look, something catches the eye. In the site's previous incarnation, colourful and inventive cakes screamed out for attention. Now, it's the vivid decor. Given its name, this new watering hole isn't pretending to be modest. It might be compact in size, accommodating up to 100 people, but Hello Gorgeous is designed to make an impact. Emblazoned with the venue's moniker, a pink neon sign lights up one corrugated iron wall. Elsewhere, tropical prints and plants are scattered around the joint. Patrons grab drinks from a bar decked out with pastel pink tiles and gold detailing, then sit and sip at teal banquettes. In short, Hello Gorgeous is the kind of place that is luxe but casual — somewhere Brisbanites can head after work, settle in for a lazy arvo on a weekend or grab a meal up until 10pm every night of the week. Owner Justinn De Beer describes it as a place "for everyone to just relax, enjoy great food and wine, and have fun", an ethos that shines not only in the vibrant interiors by Bea Berry Designs, but in its multiple spaces. As well as the main bar, there's a deck out the front, a private dining room for 20 and the ability to host functions of up to 80 guests. With Matthew Wrench (Eleven Rooftop Bar) overseeing the kitchen, variety reigns on the menu as well. Primed for sharing, the food range spans sesame-crusted tuna sliders, a pan-seared cuttlefish salad and lamb cutlets with harissa and pumpkin purée — plus sides that include roasted bone marrow with sourdough crisps. That's just the beginning. Although, it's the seven-page drinks list that visitors will spend most of their time flicking through, whether they're after boozy or non-alcoholic options. House cocktails on tap and by the glass take pride of place, and Hello Gorgeous' staff can make most classic and contemporary concoctions by request; however, the venue's list of non-alcoholic and low-alcoholic beverages is just as sizeable. Here, you can indulge in a few Hello Gorgeous gimlets or a trio of tipples made from the booze-free spirit Seedlip — or, back on the strong stuff, choose from more than 45 wines, 20-plus beers and ciders, and over 100 different types of spirits. Find Hello Gorgeous at 32A Chester Street, Newstead, open from 4pm Monday–Thursday and from 12pm Friday–Sunday.
Until the end of June, the UQ Art Museum is delving into all things occult, supernatural and magical, all thanks to its Second Sight: Witchcraft, Ritual, Power exhibition. Whether you've already been enchanted by the art showcase, or you're looking to dive in for the first time, the St Lucia spot is serving up an extra reason to stop by on Saturday, May 4: a zine fair. Popping up from 10am–4pm, the market will highlight zines, comic books and other small-press publications, with local and independent publishers, artists and writers on hand to chat about their work. There's your reading material sorted for the next few months — and, while the fair ties in with the exhibition, you won't just find otherworldly themed offerings on sale. That said, if you're the kind of person who wants more witchcraft more often, two workshops will help keep you entertained across the day as well. In the morning, experts will chat about Rune and Nordic spirituality, while a session on modern day witchcraft is on the bill after launch. Image: Naomi Blacklock, Padma. 2018. Performance documentation from NETHERWORLDS exhibition, Spring Hill Reservoir, Brisbane, 9 June 2018. Photo: Charlie Hillhouse. Courtesy of the artist.
For a few days the Brisbane Convention and Exhibition Centre is hosting a sales event of most peculiar stock. Strange things they are, full of pages, rampant with words and with covers of the most beautiful colours. You can’t charge them, they don’t run out of battery, their brightness is unalterable, and they won’t smash when you drop them and have them lost forever. Lifeline Bookfest is back for another round of vintage bargains and startling ranges of everything from Australian Women’s Weekly Cookbooks to a bit of cheeky erotica. If you’re been before, you’ll know there are warehouse quantities of books for sale – your grade five diary is probably hidden under a copy of Shantaram, and you’ll come across at least three copies of Cooking with Days of Our Lives. Prices range from cents to the big bucks – bring a trolley and your glasses and absorb yourself in books.
When cinemas around the globe started temporarily shutting down in March 2020 due to the COVID-19 pandemic, horror sequel A Quiet Place Part II was only weeks away from opening. The film's release was quickly moved to September 2020, when it was hoped that life might've returned normal — and, when that didn't end up panning out, to April 2021. Now, the film has just shifted its release date again, this time staking out mid-September as the new time that cinephiles will be able to see the John Krasinski-directed, Emily-Blunt-starring follow-up to 2018 hit A Quiet Place. Cinemas Down Under are currently up and running, and have been for months (although Melbourne's reopened, then closed down again during the city's second lockdown in the latter half of 2020, then relaunched once more). But with COVID-19 numbers still enormously high in places such as the US and UK — with many cinemas closed in America and all of them presently shut in Britain — Hollywood studios aren't willing to release their big movies on the silver screen and risk low box office returns. Over the past week, the companies behind a heap of high-profile films that had already been delayed at least once over the past year announced that they'd be postponing them yet again. That includes No Time to Die, the latest Bond flick and the last that's set to star Daniel Craig. It was actually the first big movie to reschedule its 2020 release, moving from April to November, then to April 2021. It's now set to reach screens on October 8 this year. https://twitter.com/007/status/1352416833815633922 If you were looking forward to more Ghostbusters, you'll need to wait longer for that as well, with the Paul Rudd-starring Ghostbusters: Afterlife making its latest shift to November. The Spider-Man-related Morbius, featuring Jared Leto, moved from October 2021 to January 2022, while The King's Man — the next instalment in the Kingsman franchise — postponed its release from March to August this year. At the moment, both Black Widow and Fast and Furious 9 are still set to release in the first half of 2021 — on April 29 and May 27 Down Under — but don't be surprised if they move back as well. Actually, as has proven the case for almost a year now, constantly moving release dates is just a regular of pandemic life for the time being. Some flicks that shouldn't be changing their release plans in Australia and New Zealand: Dune, Godzilla vs Kong, The Suicide Squad, The Matrix 4, In the Heights and the latest Conjuring film. All of the above were produced by Warner Bros, who announced in 2020 that it'd launch movies in cinemas were they could and on streaming platform HBO Max at the same time where the latter is available, enabling it to keep to a schedule and not have to continually push releases back. New movies are still hitting in cinemas Down Under each week at the moment, of course, and will continue to do so; however, you can probably expect the next few months to be light on big-name flicks — and possibly even longer depending on how the pandemic continues to play out. And, as for whether any of the above repeatedly delayed movies will shift to streaming platforms as Mulan, Soul and Hamilton did in 2020, it doesn't seem overly likely while studios are willing to just keep pushing their dates for them back instead. To check out the new releases screening in Australian cinemas from this week, check out our weekly rundown and reviews. Top image: Jonny Cournoyer. © 2019 Paramount Pictures. All Rights Reserved
In yet another major carbon-reduction move, London has just seen the completion of the world’s biggest solar bridge. The development follows plans to heat homes with the Underground and recycle sewer waste via a ‘fat plant’. Blackfriars Bridge has been covered with 4,400 photovoltaic panels, comprising 6,000 square metres. These will harness energy to power 50 percent of Blackfriars Station's needs, reducing carbon emissions by approximately 511 tonnes annually. That's equal to about 89,000 average trips in a car. In addition, the entire station has been revamped, acquiring four extra platforms and two new entrances, one providing access to South Bank and the other to New Bridge Street on the river's north side. The development is part of the US$10.7 billion Thameslink Programme, the goal of which is to increase the frequency and capacity of London's north-south railway line. "Our work at Blackfriars demonstrates two key benefits of solar," said Frans van den Heuvel, CEO of Solarcentury, the company that delivered the project. "First, it can be integrated into the architecture to create a stunning addition to London's skyline. Second, it can be integrated into the most complex of engineering projects; in this case being built above a construction site, over a rail track over a river. We are confident that future major infrastructure projects can and will benefit from solar.” The bridge was officially launched on January 22, 2014, with a massive hot beverage giveaway featuring Britain's biggest tea cup. Via gizmag.
When the National Gallery of Victoria hosts its annual Architecture Commission, almost anything can grace the venue's Melbourne grounds on St Kilda Road. Sometimes, that means a colourful mini Parthenon. Or, it might herald a bright pink pool to wade through. A bamboo garden with its own deck, the unforgettable pink carwash — they've each popped up, too; however, in the memorable stakes, a giant inflatable sphere that breathes might just have them beat. The 2023 structure, which'll debut on Sunday, December 3, then stick around until June 2024, is called (This is) Air. One of its aims: to make the invisible substance that's there in its name visible. Australian architect Nic Brunsdon has joined forces with ENESS — the art and technology company behind public artworks such as Sky Castle, Airship Orchestra, Cupid's Koi Garden, Lost Dogs' Disco and more — on a work that will expand with air, then release it. So, yes, it will inhale and exhale all day. Based on its concept images alone, (This is) Air is certain to make quite the sight. No one in the vicinity will be able to miss it, either, given that it'll span 14 metres in height when it's fully inflated. To get to that measurement, it'll use air as a building material. And when it breathes out, it'll do so by releasing gusts, forming different cloud-like shapes, then filling back to capacity again. Brunsdon and ENESS also want everyone taking in (This is) Air to think about humanity's need for and relationship to air. While you're peering at the commission, you'll see air in action and notice how essential it is. Also highlighted: how dependent we all are upon the element, how finite it is and how its quality is being impacted. "The idea for this project was conceived by the architect during the global pandemic, when the air we breathed was suddenly at the forefront of everyone's mind. Taking the form of a giant inflatable sphere, this living structure inhales and exhales before our eyes, giving presence to that omnipresent yet invisible element that connects us all," said Ewan McEoin, the NGV's Senior Curator, Contemporary Art, Design and Architecture. "Air can be understood as part of our global economic, social and ecological realities. And yet, the quality of air we breathe varies depending on where and how we live. Air is universal, yet clean air is not." As (This is) Air gets viewers pondering, it's also designed to be uplifting. As is always the case with the NGV's yearly commission, it'll provide a place for accompanying performances and other public programs in the NGV Garden, too. When the sphere is unveiled, it'll form part of this year's NGV Triennial exhibition, which will display from Sunday, December 3, 2023–Sunday, April 7, 2024. On the agenda: robot dogs, a room-sized ode to plants, Yoko Ono's work and more, with 75 works set to feature, including more than 25 world-premiere projects. The art showcase will respond to the themes magic, matter and memory, with (This is) Air fitting in with the matter strand. '(This is) Air' will be on display at NGV International, St Kilda Road, Melbourne from Sunday, December 3, 2023–June 2024 — head to the NGV website for further details. Images: Renders of (This is) Air by Nic Brunsdon, the 2023 NGV Architecture Commission on display at NGV International, Melbourne from 3 December 2023. Renders courtesy of Nic Brunsdon.
The weather might be heating up in sunny Queensland, but that doesn't mean you can't all spend a day pretending you're somewhere much, much cooler. How does an imaginary visit to Denmark, Sweden, Norway, Finland, Estonia and Iceland sound? All you need to do is head along to the Scandinavian Festival Brisbane. Now in its fifth year, the annual showcase of countries with colder climates offers a smorgasbord of authentic food, entertainment and shopping that'll make you think you're on the other side of the world. Yes, the festival does include two of the things Scandinavian nations are best known for: Ikea and Lego. It also includes more than 50 stalls serving up Swedish pastries, Finnish recycled products, Nordic homewares and other goodies, plus traditional folk dancing and music. There's even a Viking painting studio, which might be designed for younger patrons, but we think the young at heart count too.
Been working so hard loving films from four decades back? When it comes to watching and rewatching blasts from the past, there are worse flicks to punch your card with. So, maybe you know all the words to and dance moves from Footloose, and will always see Kevin Bacon as the teenager who brought fancy footwork back to a small American town. Perhaps you have hungry eyes for Dirty Dancing, Patrick Swayze and Jennifer Grey. You might be a brain, an athlete, a basket case or a princess, The Breakfast Club-style, too. Whichever fits, Dirty Fame Flash Candles Club sees you and understands your love of VHS-era favourites such Fame, Flashdance and Sixteen Candles as well. Taking to the Brisbane Powerhouse stage during the 2023 Brisbane Comedy Festival, but actually kicking off earlier on Thursday, April 20 — with shows Thursday–Saturday until Saturday, April 29 — this cabaret comedy musical is made by 80s movie fans for 80s movie fans. Expect dance numbers, some mighty familiar songs and to have the time of your life revelling in film references, all as Helen Cassidy, Lizzie Moore, Neridah Waters and Melissa Western crimp their hair kick off their Sunday shoes. Story-wise, the show follows four southeast Queensland women hitting middle age, dealing with everything that throws their way and coming together to find solace in adoring those 80s flicks.
Since 2024, the Australian Academy of Cinema and Television Awards doesn't just give out awards when its annual ceremony celebrating the best of the year's big- and small-screen output rolls around. When the accolades moved its night of nights to the Gold Coast, it turned the whole event into a festival, getting the folks behind — and starring in — Aussie movies and TV shows, plus homegrown talents enjoying success overseas, chatting at sessions open to the public. That's the AACTA Festival setup — and when the nation's screen academy promised that the fest would be bigger this year, it meant it. The lineup for the event from Wednesday, February 5–Sunday, February 9, 2025 has just expanded again, after the initial program details were revealed in November 2024, then more highlights were added in December. One impressive new inclusion is Oscar-winning Memoir of a Snail animator Adam Elliot talking about his work and career, including his latest delight (which, fingers crossed, could be an Academy Award-nominee by then, too). Another is the return of Talk to Me filmmakers Danny and Michael Philippou after they were involved in 2024, this time with ONEFOUR to discuss challenging stereotypes via both horror and drill music. AACTA Festival is also hosting Actor on Actor talks, first teaming up Lee Tiger Halley from Boy Swallows Universe with Alyla Browne from Furiosa: A Mad Max Saga and Sting, then getting Better Man and How to Make Gravy co-stars Kate Mulvany and Damon Herriman talking. [caption id="attachment_986977" align="alignnone" width="1920"] Jono Searle/Getty Images for AFI[/caption] If you're keen to find out more about Binge's upcoming The Last Anniversary, which is based on a novel from Big Little Lies author Liane Moriarty and stars Teresa Palmer (The Fall Guy), the latter will be in attendance with some of the show's team — including director John Polson (Law & Order: Organised Crime) — to dig into the adaptation. Heard about snake-movie remake The Anaconda with Jack Black (Dear Santa) and Paul Rudd (Only Murders in the Building) that's being shot in Queensland?. US film producers Brad Fuller and Andrew Form (A Quiet Place: Day One) are heading along to dive into it, and the topic of bringing making blockbuster films in general. Aussie acting icon Jack Thompson (Runt) is also on the lineup, with 1975 classic Sunday Too Far Away celebrating its 50th anniversary. Thomas Horton, the VFX producer/supervisor on House of the Dragon, will explore bringing Westeros to life as well. And, as part of the screening program — and giving some love to film and TV successes in general — Wicked is receiving a free outdoor showing. The current additions join already-revealed sessions with The Invisible Man and Wolf Man writer/director Leigh Whannell, Better Man and The Greatest Showman filmmaker Michael Gracey, a live How to Make Gravy concert featuring Paul Kelly, Colin and Cameron Cairnes talking Late Night with the Devil and a behind-the-scenes look at Netflix's ripped-from-the-headlines Aussie series Apple Cider Vinegar. In still-huge news, the Working Dog team, aka Santo Cilauro, Tom Gleisner, Jane Kennedy, Michael Hirsh and Rob Sitch, are coming together for an in-conversation session that's bound to touch upon everything from The Castle, Frontline, Thank God You're Here and Utopia to The Dish, The Hollowmen and Have You Been Paying Attention?. The Dish is also the screening program, and the Working Dog team will receive the prestigious AACTA Longford Lyell Award. Australian cinematographer Greig Fraser, who won an Oscar for Dune and is highly tipped for another one for Dune: Part Two, is another significant inclusion, chatting about his Hollywood work. Also in the same category: John Seale, who took home an Academy Award for The English Patient, and was nominated for Witness, Rain Man, Cold Mountain and Mad Max: Fury Road. Everyone can also look forward to authors Trent Dalton and Holly Ringland returning from 2024's lineup, talking about Boy Swallows Universe and The Lost Flowers of Alice on the small screen, respectively; a dive into the Heartbreak High soundtrack; a panel on queer storytelling with RuPaul's Drag Race Down Under season two winner Spankie Jackzon and Deadloch's Nina Oyama; and a session with First Nations filmmakers. And if you're keen to watch movies, Gettin' Square followup Spit will enjoy its Queensland premiere, complete with star David Wenham (Fake) diving into the feature's journey; Looney Tunes: The Day The Earth Blew Up will make its Australian debut, at Movie World, of course; and upcoming action film Homeward with Nathan Phillips (Kid Snow) and Jake Ryan (Territory) will take viewers behind the scenes. [caption id="attachment_926549" align="alignnone" width="1920"] Moshcam[/caption] [caption id="attachment_985262" align="alignnone" width="1920"] Courtesy of Netflix © 2024[/caption] AACTA Festival will run from Wednesday, February 5–Sunday, February 9, 2025 at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise, Gold Coast. For further details, head to the fest's website.
Sampology isn't something you can just learn at school, though sometimes I wish it were on the curriculum. Sam Poggioli aka Sampology has moved Peaches to breakdance and has enjoyed success with his remix of PNAU's Baby back in 2008. Of late, the self-named audio visual disc jockey (AVDJ) has been scratching his way to the surface with Super Audio Smashdowns (as awesome as they sound). He madly manipulates video and sound, with excerpts from TV shows, YouTube clips and VHS finds and throws it all together with heavy beats and a cheeky sense of humour. His presence at Surrealism: Up Late will be pretty significant, as he is prime real estate at the mo', I mean, he just finished his US tour, which saw him playing at Texas’ SXSW, and also in New York and LA. As if that wasn't enough, did I mention he's the infamous Jaydos' favourite AVDJ? As the 'Dos said, “you gotta face facts, he's a little wizard. He mixes s-s-s-sound and v-v-v-video. I effing hate most wizards, but he's a top bloke". Can't argue with that kind of logic.
Victoria's Hot Chocolate Festival is back again this August. And, like last year, it's also bringing the decadence to you. Whether you're a Melburnian who can't make it to one of the three venues outside of town, or you're located elsewhere and you really love hot chocolate, the Yarra Valley Chocolaterie, the Great Ocean Road Chocolaterie in Bellbrae and the Mornington Peninsula Chocolaterie are churning out at-home kits filled with creative hot choccie flavours. Like this year's physical fest, there's a wild range of flavours — and whichever you choose, you'll receive couverture flavour-infused melts, a giant marshmallow and interactive elements to add to your choice of hot milk at home. Wondering which inventive flavours will tempt your tastebuds? The 2022 lineup is as OTT and indulgent as ever — and as tasty. Kicking things off: the Top Gun, which comes with red, white and blue marshmallow, as well as a jam-filled donut and dark choc moustache. Keeping things movie-themed, there's also a Hocus Pocus hot choc as well. Or, you can pick from salted caramel pretzel, honeycomb macadamia kronut, Iced Vovo and Milky Way hot chocolates — and vegan caramel surprise as well. The kits are available to order throughout August, and there's a flat-rate shipping fee of $15 to anywhere in Australia.
In a perfect world, cinephiles from all around Australia would currently be converging upon Melbourne to attend the city's always jam-packed annual film festival. Going to MIFF is an experience. In its pre-pandemic form, the festival ran for 18 days every year, screened hundreds of movies, and had film buffs constantly hopping between the Forum, ACMI, Hoyts Central and whichever other venues happened to be in use at any given fest. It's an ordeal. It's glorious. It a movie-lover's dream. It's a way of life. It also now feels like a treasure from a completely different time. The Melbourne International Film Festival is still on the agenda for 2021, thankfully. It's quite a bit different to MIFFs gone by, though, and — at least according to current plans at the time of writing — to the fest's online-only version last year. Ideally, there'll still be an in-cinema experience after Melbourne's latest lockdown ends on Thursday, August 12; however, from Thursday, August 5, the fest is also playing more than 90 titles digitally (and nationally) via its new online platform MIFF Play. Accordingly, whether you're a locked-down Melbourne resident who's gearing up for the usual MIFF fun in a week's time, or you're a movie fan also in lockdown in Sydney or Brisbane, a heap of films from around the world are now available to stream. Some have done the rounds of prestigious international fests, and arrive with a reputation. Others you mightn't have heard of yet, and you definitely won't find streaming anywhere else. That's this year's MIFF, digital-style, and we've watched and reviewed ten standouts from the online program that you should pop on your must-see list. FRESHMAN YEAR A college-set rom-com about stumbling forward — literally and emotionally — Freshman Year sounds rather familiar on paper. Alex (Cooper Raiff, Madeline & Cooper) has moved to Los Angeles for school, has struggled through six months so far and is still finding it hard to fit in, especially with his constantly drunk roommate Sam (Logan Miller, Escape Room: Tournament of Champions). When he isn't eating alone, he's video-chatting with his mum (Amy Landecker, Bombshell) and younger sister (Olivia Scott Welch, Fear Street) in Dallas, and wishing he was there himself. Then, after a party at a frat house called "shit house" — which was also the movie's original title when it won the Grand Jury Prize for best narrative feature at the 2020 SXSW Film Festival — Alex connects with Maggie (Dylan Gelula, Unbreakable Kimmy Schmidt) over a night spent drinking, walking, talking, burying a dead pet turtle, spilling secrets and more. Raiff, who writes and directs as well as stars, has clearly seen Before Sunrise, Before Sunset and Before Midnight, plus Dazed and Confused. He's seen all the flicks they've inspired over the past couple of decades, too. Thankfully, the talented young filmmaker and actor crafts a romance-meets-coming-of-age film that's both laden with Gen Z specifics and steeped in universal emotions, as aided by his dreamlike visual eye and stellar performances — yes, from Raiff himself, and also from the always-excellent Gelula. LA VERÓNICA When Mariana Di Girólamo starred in the astonishing Ema, filmmaker Pablo Larraín didn't want to look away from her fierce and unflinching performance, and rarely did. With La Verónica, fellow Chilean director Leonardo Medel (Harem) goes one better — because only once throughout the entire feature does he let someone other than his star linger in the centre of his frame. Di Girólamo plays the titular character here, too, and she's an influencer married to a famous soccer star (Ariel Mateluna, Amanda). Vero spends her life putting herself in the middle of every image, including the daily snaps she poses for her by her pool with her model pals. Yes, she's that determined to always be the centre of attention. Accordingly, Medel uses one big and bold stylistic flourish to constantly remind viewers about what's important to his protagonist, what she seeks and how she goes about it — and it's just one of the movie's pitch-perfect touches. Also outstanding: Di Girólamo, of course, with her portrayal effortlessly conveying Vero's carefully manufactured facade, the at-any-cost drive always lurking underneath, and the way that a life spent courting the spotlight can both hide and augment a person's struggles and flaws. The script bubbles with smarts and insights, too, as the eponymous figure finds it hard to balance motherhood, a secret from her past, her jealousy over her husband and the need to notch up two million Instagram followers to become the face of a lipstick brand. BALLAD OF A WHITE COW During its in-cinema program, MIFF will screen There Is No Evil, the exceptional 2020 Berlinale Golden Bear winner that ponders the costs and weight of the Iranian justice system — and its penchant for the death penalty specifically. Also on the bill: A Hero, the latest movie from acclaimed Iranian director Asghar Farhadi, who is known for Oscar-winning domestic drama A Separation and other such thorny fare about the reality of life in his homeland. Helmed by filmmakers Behtash Sanaeeha and Maryam Moghaddam (The Invincible Diplomacy of Mr Naderi), and starring the latter, Ballad of a White Cow slides in seamlessly alongside the fest's other Iranian titles. It too explores the impact of executions, and also the unfair disadvantage at which the Middle Eastern nation places its female citizens. It's also moving, insightful, compelling, potent and excellent all-round. In a determined, resilient, often-silently heartbreaking performance, Moghaddam plays Mina, a Tehran resident struggling with the stigma of being a widow after her husband was killed by the state for a crime that he's now been posthumously found innocent. That's a wrong she isn't just willing to stomach, even as simple things like finding somewhere to live and caring for her young daughter keep proving all the more difficult because she's seen as a single woman. THE WITCHES OF THE ORIENT Even if the tail end of the 2020 Tokyo Olympic Games didn't coincide with the beginning of MIFF, The Witches of the Orient would be must-see viewing. The story it covers is just that engaging, fascinating and important. Back in 1964, when the Japanese capital last hosted the event, the country's women's volleyball team were one of the games' sensations. They didn't just win gold, beating the USSR to claim glory — the team of former textile factory workers managed to nab that coveted medal as part of a 258-game winning streak that lasted from 1960–1966. Fresh from serving up another sports snapshot with John McEnroe: In the Realm of Perfection, director Julien Faraut assembles the remaining living members of the squad to tell their tale. Starting with an anime sequence about enchanted women, and peppering in a large array of other animated clips that were actually inspired by the team's success (yes, volleyball anima is a thing), this is no ordinary sports documentary. With circling camerawork, Faraut turns roundtable chats over bento boxes into eye-catching clips. He weaves in archival footage with mesmerising and rhythmic flair, cuts to the heart of his interviewees' recollections while also surveying Japan today, and sets his footage and discussions to the likes of Portishead and K-Raw. One training montage is nothing short of hypnotic, and the big game itself is a masterclass in tension. COMING HOME IN THE DARK Peering across New Zealand's gorgeous landscape as far as the camera can see, Coming Home in the Dark starts with a recognisable setup. Hoaggie (Eric Thomson, The Furnace), Jill (Miriama McDowell, Waru), and their teenage sons Maika and Jordan (debutants Billy and Frankie Paratene) have hit the road from Wellington for a scenic trip — stops at quaint service stations, family photos with striking backdrops and cosy little picnics all included. It's during the latter that two men suddenly and unexpectedly cross their paths, and it's apparent immediately that the gun-toting Mandrake (Daniel Gillies, Occupation: Rainfall) and his offsider Tubs (Matthias Luafutu, Ghost in the Shell) aren't there to make friends. Adapting Owen Marshall's short story, first-time feature director James Ashcroft doesn't waste a second in jumping from an idyllic getaway to holiday horrors. He basks in NZ's vast natural splendours, then shows how isolating it can be when things go awry, too. And, he doesn't flinch at splashing bloodshed across the screen as his central family soon find their slice of happiness shattered forever. As a thriller, Coming Home in the Dark is tense, nerve-wracking and unrelenting; however, as masterfully handled by Ashcroft and his co-screenwriter Eli Kent (The Seagull), it finds an even deeper pool of terror in pondering the abuse of children in government-run facilities, the scars it leaves and, here, the retribution it inspires. An exacting genre piece and a weighty musing on trauma all in one — and a feature that's constantly shifting — this riveting film isn't easily forgotten. NINJABABY When Rakel (Kristine Kujath Thorp, Betrayed) learns that she's pregnant, it isn't exciting news. It's a shock that the aspiring artist isn't thrilled about, especially given that it'll require a drastic change to her usual drinking- and partying-heavy lifestyle. That's also how New Zealand comedy Baby Done started, but Norwegian gem Ninjababy boasts a particularly raucous sense of humour, an animated foetus — the titular infant — that talks to and slings plenty of savage comments at its mum-to-be, a guy with the unfortunate but also amusing nickname of Dick Jesus (Arthur Berning, Neste Sommer), and a look and feel that makes plain its graphic novel origins. As savvily adapted from Inga Sætre's Fallteknikk, its protagonist is fiercely her own person as well. Rakel completely refuses to fit anyone's idea of how a young expectant mother should act, or a woman in general for that matter, and steadfastly defies every expectation thrust her way at all steps along her maternal journey. Thorp turns in a raw, rich, resonant and relatable leading performance, all in a memorable movie that also earns those terms with gusto. And director Yngvild Sve Flikke (Women in Oversized Men's Shirts) doesn't so much find the right balance between crude and affecting as embrace the fact that those extremes, and everything in-between, should always be a part of any cinematic bundle that examines motherhood. SISTERS WITH TRANSISTORS As her stellar 2015 documentary Heart of a Dog demonstrated, the great Laurie Anderson should really narrate everything. Clearly, director Lisa Rovner feels the same way. Making her feature-length doco debut with Sisters with Transistors, she enlists the visual artist to talk through a history that's essential but also barely known: the history of women in electronic music. This thorough and illuminating ode to the female pioneers that have helped make the field what it is — including when it didn't even exist, and was met with derision — explores and celebrates ladies like Clara Rockmore, who was handy with a Theremin; Delia Derbyshire, who helped create the distinctive theme tune for Doctor Who; and Suzanne Ciani, the first solo female composer of a Hollywood film score. Also earning attention: Daphne Oram, Laurie Spiegel, Eliane Radigue and Pauline Oliveros, all legends in the field — and with achievements that include creating a technique to draw electronic sound, making a famed piece of musical composition software, and pushing the arena forward in leaps and bounds. Anderson's voice and an unsurprisingly magnificent soundtrack are paired with must-know details about iconic women that each deserve several movies devoted to them. Of course, we shouldn't need films like this to fill in ignored and overlooked gaps, but this a glorious and informative tribute. CELTS Every 90s kid that ever wanted or attended a Teenage Mutant Ninja Turtles-themed birthday party has an instant entry point into Serbian drama Celts. Everyone who has ever made their way to a friendly or family get-together, navigated heated conversations about the state of the world and felt a sense of malaise seething through the room is similarly well-primed for this striking film. In Belgrade in 1993, Minja (first-timer Katarina Dimic) is looking forward to celebrating turning eight by donning a homemade green costume and being showered in attention. It's an event that requires significant preparations on her unhappy mother Marijana (Dubravka Kovjanic, Underneath), doting taxi-driver father Otac (Stefan Trifunovic, The Living Man) and ever-present grandmother Saveta's (Olga Odanovic, Radio Mileva) parts, though. But the child-friendly festivities are just a backdrop for debut director Milica Tomović — because, as she charts the events of a single day in this bustling household, she explores not only the dynamics festering among the kids and the discontent infecting the adults, but also the effect that the political turmoil seeping through Yugoslavia at the time has upon everyone gathered. As a result, Celts delivers a relatable portrait of domestic chaos and a fictionalised snapshot of a particular moment in time, and in an engaging and textured fashion. WIFE OF A SPY As he's demonstrated in movies as varied as Journey to the Shore, Daguerreotype and Before We Vanish, Japanese filmmaker Kiyoshi Kurosawa makes features with patience — and with a mood that hangs around like an unforgettable memory. He jumps into both marital dramas and period-set wartime espionage antics with Wife of a Spy, and therefore into new territory for him, but his precise approach and affecting tone remains very much intact here. In fact, he won the Best Director prize at the 2020 Venice Film Festival for this sumptuously handsome and emotionally complicated effort. As this film about a wealthy silk merchant and his wife in 1940s Japan unfurls, it's easy to see why. From the painterly imagery to the potent performances — and including the layered script, as co-written with Ryūsuke Hamaguchi (Asako I and II) and Tadashi Nohara (Happy Hour) — every element is brought to the screen with meticulous care and impact in Kurosawa's hands. When Yusaku (Takahashi Issey, Romance Doll) visits Manchuria, Satoko (Aoi Yu, They Say Nothing Stays the Same) thinks it's just an ordinary business trip. But then she's visited at home in Kobe by her childhood friend Taiji (Higashide Masahiro, Before We Vanish), who tells her that her husband's jaunt abroad mightn't have been as straightforward as it sounds. A woman has turned up dead, Taiji has his suspicions, government secrets are involved and, soon, everything surrounding Satoko and Yusaku is under several shadows. DRY WINTER For Australian directors, the country's distinctive landscape is the gift that keeps on giving. A sizeable portion of our national cinematic output puts its blazing ochre hues to great use, and its sprawling outback expanses as well (see: everything from Wake in Fright and Walkabout to Mystery Road, The Rover, The Dressmaker and High Ground). Dry Winter isn't one of those movies, however. It makes the most of its rural backdrop, of course, but by roving over it with the same probing and naturalistic eye that it affords its listless characters. As first-time filmmaker Kyle Davis follows twenty-something couple Jake (debutant Andrew Phillips) and Kelly (fellow first-timer Courtney Kelly) as they go about their ordinary lives on the Eyre Peninsula, he sees the shades of browns that remain evident in every patch of dirt around them. In their routine, he spies the many shades of grey that have infused everything from the odd jobs they work to get by to their nights spent finding mundane ways to pass the time, too. An observational feature that ticks by at a leisurely pace, Dry Winter hones in on detail. It sees the repetition, the minutiae, and the sights and sounds — and lets them build an immersive story. This is a sublime portrait of not knowing what the future holds that makes its audience feel like they're there in the frame with its yearning protagonists, even across its brief 62-minute running time. The 2021 Melbourne International Film Festival runs from Thursday, August 5–Sunday, August 22 — screening online for the festival's entire duration via its streaming platform MIFF Play. Depending on the current lockdown, the festival is also aiming to play at a variety of venues around Melbourne from Thursday, August 12–Sunday, August 22. For further details, visit the MIFF website.
From riverbeds and snowmen to watering holes surrounded by animals and sculptures made out of bubbles, water is everywhere at the Gallery of Modern Art at present. The South Bank spot is hosting a huge exhibition with that very name, and throwing a couple of after-hours art parties on the theme — and, from Friday, January 17–Sunday, March, 8, it's also running a free cinema retrospective that'll be filled with seafaring, ocean-dwelling and otherwise H2O-related films. You're gonna need a bigger boat for this movie season, which is called The Noise of Waters — or a big tolerance for sitting in a darkened room at the very least. Highlights include the beachside terror of Jaws, the quirky marine comedy of Wes Anderson's The Life Aquatic with Steve Zissou, and the Hollywood-set musical glory of Singin' in the Rain. Catch not one, or two, but three Studio Ghibli flicks, all courtesy of Spirited Away, Ponyo and the studio's co-produced The Red Turtle. The submarine drama of German classic Das Boot and the weird island-set wonders of recent surreal French flick The Wild Boys are on the bill as well, as are Apocalypse Now: Final Cut and dreamlike Aussie apocalyptic effort The Last Wave. https://www.youtube.com/watch?v=YIhxgIZJSbk Cinephiles can also watch the Amazon-set Embrace of the Serpent, splash around with erotic psychological drama Stranger by the Lake, revisit 2019 anime hits Weathering with You and Children of the Sea, and journey through Werner Herzog's Aguirre, the Wrath of God. If you're interested in pondering the factual side of the topic, look out for visually stunning doco Aquarela and three episodes of oceanography TV series The Undersea World of Jacques Cousteau. Films screen on Wednesday and Friday evenings, as well as during the day on Saturdays and Sundays. And while the bulk of the program won't cost you a thing, you can spend $15 for two film and music sessions, featuring Buster Keaton's silent 1928 delight Steamboat Bill, Jr and Jean Grémillon's 1929 movie The Lighthouse Keepers — one with a live organ soundtrack, the other with a new contemporary score by Corporate Vibes.
Across its five seasons to date, Black Mirror has dedicated 22 episodes to imagining dystopian futures — and while it makes for compelling viewing, none of the sci-fi anthology series' predictions are particularly pretty. But, for all of its prognosticating, the Charlie Brooker-created show didn't foresee 2020's chaos. And now we've all endured this hectic year and are about to see it come to an end, the team behind Black Mirror has something to say about it. At 6pm AEST on Sunday, December 27, just before 2020 fades away forever, Netflix will drop a new comedy special called Death to 2020 — which is made by the Black Mirror crew. The show will look back on the year via a documentary-style special that uses real-life archival footage from the past 12 months, as well as narration from fictitious characters played by the high-profile likes of Samuel L Jackson, Hugh Grant, Lisa Kudrow, Kumail Nanjiani, Tracey Ullman, Samson Kayo, Leslie Jones, Diane Morgan, Cristin Milioti and Joe Keery. Immediately keen to see more? After revealing a teaser trailer for Death to 2020 earlier in December — when it first announced that the project even existed — Netflix has now dropped a full sneak peek. Jackson's character gets snappy, Grant's wants to make sure that a drink is close at hand, and Jones' advises she'd say 2020 "was a trainwreck and a shit show, but that'd be unfair to trains and shit". Brooker has a history of looking back at events that have just passed, as Newswipe with Charlie Brooker and his end-of-year Wipe specials between 2010–16 have all demonstrated — so satirising and savaging the year's developments definitely falls into his wheelhouse. Brooker and Netflix also love releasing new material over the holiday period, with interactive Black Mirror special Bandersnatch dropping between Christmas and New Year's Eve back in 2018. So, true to form, they're giving everyone an extra festive — and grimly funny — present this year. Check out the full Death to 2020 trailer below: https://www.youtube.com/watch?v=veUqfcyZ_Bo Death to 2020 will hit Netflix at 6pm AEST on Sunday, December 27 . Images: Saeed Adyani/Keith Bernstein.
Prepare to be enchanted: from Saturday, December 2, 2023–Sunday, April 28, 2024, fairy tales are spreading their magic through the Gallery of Modern Art. For five months, the South Brisbane venue is filling its walls and halls with entrancing stories, myths, legends and folklore. But GOMA doesn't just boast exhibition spaces — it's also home to its own cinema. Whatever is gracing the site in art and installation form usually makes it way to the Australian Cinémathèque's big screens, too. That's the case with Fairy Tales. Called Fairy Tales Cinema: Truth, Power and Enchantment, the program runs across the same dates, with sessions during the day on Saturdays and Sundays, plus at night on Wednesdays and Fridays. Also, heading along is free. Thanks to more than 40 titles, there's a must-see for everyone — several, in fact — on a program that has a daily component as well. In Cinema B, Jim Henson's The StoryTeller television series is showing its episodes every single day. The film lineup is the kind of treasure trove that you'd expect an adventuring princess to find, including David Lynch's Wild at Heart, Studio Ghibli's The Tale of the Princess Kaguya and Guillermo del Toro's Pan's Labyrinth. The David Bowie-starring Labyrinth is also on the bill, as are The Princess Bride, The Wizard of Oz, Where the Wild Things Are, and the most-recent live-action versions of Cinderella and Beauty and the Beast. Throw in the inimitable Border, Poland's horror-musical The Lure, Céline Sciamma's Petite Maman, stunning Spanish silent film Blancanieves, cult-favourite The Fall, and Australia's own Blaze, Walkabout and Picnic at Hanging Rock, and this packed selection keeps on giving. Also among the highlights: Björk in The Juniper Tree and Taiwan's trippy Thrilling Bloody Sword.
Just a few short months ago, hopping around Brisbane to eat and drink at a variety of different restaurants and bars was completely off the menu. When July rolled around, that meant that the city's annual Good Food Month couldn't take place in its regular slot — but, thankfully, it's now unleashing its hefty program of food-filled events in November. If you've spent this year becoming weary of your own home cooking, you'll be particular eager to sink your teeth into the culinary festival's sizeable spread. Good Food Month is operating under COVID-19 safety measures, of course, which means social distancing, limited capacities and staggered arrival times; however, it's still serving up everything from yum cha paired with Gelato Messina's desserts to a Brisbane appearance by an acclaimed Noosa pop-up. The idea of tucking into dumplings and gelato has probably already inspired a few grumbles from your stomach, and that's on offer at the event's yum cha high tea at Donna Chang. As well as the restaurant's dishes, it'll feature gelato versions of mango pancakes, baos and bubble tea — and everyone will get a whisky cocktail as well. If haven't made the trip north over the past few months to check out Esme, the latest venture from ex-Arc Dining Chef Alanna Sapwell, then you'll be pleased to hear that it's coming to Brunswick Street's Baja Restaurant for two sittings. Choose between lunch and dinner, then eat multiple courses of Sapwell's dishes as paired with wine and beer. Other highlights from Good Food Month's program include the annual Young Chef's Lunch, this time taking place at Za Za Ta Bar & Kitchen; a decadent three-course brunch featuring Moreton Bay bugs and bottomless prosecco at riverside restaurant Patina; both learning about and eating Three Blue Ducks' recipes, as guided by Head Chef Jensen Brouwer; and feasting your way through a dinner party at Stanley with the Howard Smith Wharves restaurant's Louis Tikaram and his former colleagues Adam Wolfers (Gerard's Bistro) and Alex Munoz (Labart). Or, if you'd the type of person who'd rather mosey along to a regular event whenever the mood suits — rather than a once-off meal — The Golden Pig is doing $45 banquet lunches every Friday and Saturday in November, Walter's Steakhouse is pairing three courses with three martinis on Wednesdays, and The Gresham is devoting Thursdays to freshly shucked oysters and martinis. Pour Boy is also doing daily local-focused lunches, while Popolo is hosting picnics at South Bank's River Quay Green every Friday and Saturday evening.
Whenever a movie milestone rolls around, it sparks two things: a reminder about how much time has passed since the flick in the spotlight first hit screens, and a yearning to watch whichever classic is worthy of such celebrations right now. When a Studio Ghibli film hits a big anniversary, it also sparks a sense of urgency — although we all just feel like watching the beloved Japanese animation house's flicks right this minute all the time, don't we? 2022 marks a huge 25 years since one of Studio Ghibli's absolute best movies first graced picture palaces, which means that it's time to revel in all things Princess Mononoke. And if you're now desperate to revisit the Hayao Miyazaki-directed masterpiece, Australia and New Zealand's cinemas have great news for you: they're playing the historical fantasy gem again from Thursday, July 14. Two versions of the movie will hit a selection of Aussie and NZ venues as part of a 25th-anniversary season: the original Japanese version, which is the one that every Ghibli fan should be flocking to, and the English-dubbed version as well. And, whichever you choose, participating cinemas will also be offering a free commemorative pin featuring San's mask. It's available when you buy a ticket — although, given it's a collector's item, it's only on offer while stocks last. If you're a newcomer to this delight by the one and only Miyazaki — a film that only ranks behind Spirited Away and Nausicaa of the Valley of the Wind among the director's greats — get ready for a picture that makes a clear ecological statement. The iconic filmmaker has never shied away from doing just that; however, Princess Mononoke might just send his most forceful message about humanity's impact upon the earth. As set in Japan's Muromachi period (from the 14th to 16th centuries), the involving fantasy takes place among humans, animals and gods, all of which have been living in harmony until the movie starts. From there, the film charts the paths of a young prince with a curse and a young woman raised by wolves, as well as the conflict between a modernising town and the forest it's destroying. Every Studio Ghibli film is worth seeing — the animation house hasn't ever made a bad one, even if a few sit below the rest — but Princess Mononoke is a stone-cold classic. The highest-grossing Japanese feature of 1997, it's also the picture that helped bring the company's wonderful flicks to western audiences. Check out the trailer for Princess Mononoke below: Princess Mononoke returns to Australian and New Zealand cinemas from Thursday, July 14. For more information, and to find cinema locations, head to the Madman Films website.
Heading to a waterside dining and entertainment precinct and only buying vegan goods mightn't always go hand in hand, but they do now at Portside Wharf. After a successful debut in 2022, 2023 marks the second year that the Hamilton venue is playing host to the Queensland Vegan Markets. Next hitting up its northside location from 12–7pm on Saturday, June 17, this event will let you browse more than 30 stalls, all selling cruelty-free, animal-friendly wares. The plant-based spread will include everything from burgers, bao, tacos, miso-glazed fries and katsu to custard-filled croissants, cupcakes, brown sugar boba sundaes and other sweet treats. Yes, you know the motto here: all of the taste, absolutely none of the animal products. You'll have plenty of option, food-wise, as well as other cruelty-free wares to scope out. Also, the markets are pet-friendly, so you can bring your pooch along. Entry is free, and so is the live music that'll soundtrack your vegan shopping. Updated April 27.
Brisbane's Riverside at the Gardens Market is turning 40, and to celebrate, they are holding a big birthday extravaganza on Sunday, October 19. Founded by Peter Hackworth in 1986, the market moved to the City Botanic Gardens in 2015 and has since become a beloved hub for locals. Taking place from 8am to 3pm, the anniversary event promises a day packed with plenty of activities, including live music, Brazilian dancing and puppet shows. Kids can also enjoy face painting and a balloon-twisting clown. While adults can peruse what Riverside at the Gardens Market does best, and that's its market stalls of global cuisine, fresh produce, fashion and artisanal goods. Brisbane's longest running market is also home to plenty of homemade goodies, like chutneys, honey, flower teas, as well as hand-painted silk scarves, hats, shirts and jewellery. For those looking for something special, Beech Mountain Distillery will showcase its new line of native botanical spirits, including the exclusive Botanica de Terra Australis gin. Guests can also enter a draw to win a goodie basket with every purchase made. To find out more about Riverside at the Gardens Market's 40th Birthday, head to the website.
When the COVID-19 pandemic began, life as we once knew it changed suddenly, and everything started to feel like something out of a horror or sci-fi movie set in a post-apocalyptic future, films about contagions, outbreaks and infections all became go-to comfort viewing. We flocked to visions of situations similar to our own, even if only slightly, to help us cope with the existence-shattering shift we were all going through. Accordingly, Contagion proved eerily prescient, while I Am Legend and 28 Days Later mirrored the empty streets — and, yes, everyone was watching them. Next came the spate of flicks that were shot during the pandemic and responded to it. Think: opportunistic fare such as Locked Down and Songbird, neither of which proved memorable. Movies and TV shows will be ruminating upon life in the time of COVID-19 for years and decades to come, obviously; however, the highlights so far have rare. Add Station Eleven to the certain-to-keep-growing pile, but thankfully as one of the very best examples. Indeed, it's unfair to clump this haunting end-of-the-world miniseries in the same group as almost anything else that's emerged since the pandemic began, other than Bo Burnham's exceptional comedy special Inside. As also proved the case with Y: The Last Man when it reached streaming queues in 2021, Station Eleven's narrative actually predates our current predicament. Its nine-episode run now sits on Stan in Australia and Neon in New Zealand, available to watch in full, after its story first garnered a devoted following on the page. And, it taps into something far deeper than obvious observations about being stuck at home with your significant other for longer than either of you had ever considered, and having to scramble to buy toilet paper when the supermarket shelves are bare. The focus of this excellent show, and of Emily St. John Mandel's 2014 book before it: how art and community all play immeasurable parts in helping humanity process and navigate existence-shattering traumas, and to find a path out the other side. That's a sentiment that might sound mawkish and self-evident when described in a mere sentence, but nothing about Station Eleven ever earns such terms. [caption id="attachment_841063" align="alignnone" width="1920"] Parrish Lewis/HBO Max[/caption] Here, it all starts with a flu that swiftly proves more than just the usual sniffles, coughs, aches and pains. This one spreads lightning fast, too, and strikes down its unlucky victims heartbreakingly quickly. For eight-year-old Shakespearean actor Kirsten (Matilda Lawler, Evil), the chaos descends during a tumultuous opening-night performance of King Lear led by Arthur Leander (Gael García Bernal, Old). In the aftermath, she's stuck traipsing around snowy Chicago with Jeevan (Himesh Patel, Don't Look Up), who she has just met — and then sheltering in his brother Frank's (Nabhaan Rizwa, Mogul Mowgli) high-rise apartment. That's really just the beginning of this multi-layered narrative, which also jumps forward 20 years to survey Kirsten's (Mackenzie Davis, Happiest Season) adult life. There, she's a key part of a travelling theatre troupe who performs Shakespeare to the outposts of survivors it passes on its annual route — and she's spent almost her entire existence adjusting, like the rest of the planet, to this new normality. Still, while two decades might've passed and little may now resemble all that passed for routine before the flu, the earth remains an anxious and fraught place. So when a mysterious man, known as The Prophet (Daniel Zovatto, Penny Dreadful: City of Angels) to his army of child followers, shows up at one of the Travelling Symphony's stops, Kirsten is immediately and understandably suspicious. [caption id="attachment_841060" align="alignnone" width="1920"] Ian Watson/HBO Max[/caption] Station Eleven's narrative isn't just about one woman, the men who help her as a child and the other that threatens her status quo as an adult. As well as continually fluttering backwards and forwards between Kirsten's younger and older exploits, it dives into the experiences of others connected to her story in various ways. Before the flu, Miranda Carroll (Danielle Deadwyler, The Harder They Fall) devoted her spare time to writing and illustrating a graphic novel about feeling lost and adrift in space, for instance — and that text, which shares the show's name, is part of the series' broader contemplation of art, tragedy, trauma and dealing with our feelings in general. Premiering late in 2021, just as Omicron started sweeping the world, Station Eleven might've seemed blighted by unfortunate timing. Nonetheless, it's the ideal show for right now. Shot with a soft grey-blue sheen like it's unearthing watery memories, it cuts close to home but always plays like a beacon of hope — and an ode to endeavouring to make it through, come together and make a difference however one can. It's impeccably acted, with the broader cast also spanning Orange Is the New Black's Lori Petty, Veronica Mars' Enrico Colantoni, Arrested Development's David Cross, Veep's Timothy Simons, Succession's Caitlin FitzGerald and Little Joe's David Wilmot. It's meticulous and expressive with every shot, and perfects the feeling of simultaneously trying to get by and daring to dream about something other than weathering a pandemic. Rich and layered and cathartic, this is a dystopian disaster tale not just about merely surviving, but about truly enduring. In a sea of pandemic tales — those made before COVID-19 and since — Station Eleven is a lyrical, heartfelt and character-driven apocalyptic musing with an immediate difference. Check out the trailer below: Station Eleven is available to stream via Stan in Australia and Neon in New Zealand. Top images: Ian Watson/HBO Max.
Getting excited about 2025's Melt Festival has been easy for a few months now. First, the Brisbane LGBTQIA+ event announced that Broadway icon Bernadette Peters was making the River City her only Australian stop just for the fest. Then, it also confirmed that the River Pride Parade would float its boats for another year. After that came news of 1000 Voices, uniting singers from queer and pride choirs en masse. Need more? Melt is still over four months away, but it just unveiled its initial big program drop. Reuben Kaye, the Miss First Nation drag contest, a queer wrestle party, Femme Follies Burlesque: they're all on the lineup so far as well. Whether you're a Brisbanite or keen to hit the Sunshine State for the spring queer fling, pop Wednesday, October 22–Sunday, November 9 in your diary and get ready to be spoilt for choice. [caption id="attachment_1007544" align="alignnone" width="1920"] Claudio Raschella[/caption] Kaye is heading to the fest to give his cabaret show enGORGEd, which'll feature Camerata — Queensland's Chamber Orchestra, its Sunshine State premiere. Shining the spotlight on Aboriginal and Torres Strait Islander drag queens, Miss First Nation is also making a date with Brisbane for the first time, bringing the finale to the city after putting on state heats around the nation in the lead-up. The Tivoli is your go-to for Melt's high-energy queer wrestle-party, while Femme Follies Burlesque will bring its sapphic moves to The Wickham. Or, you can catch The Lucky Country, a new musical about what it means to be Australian — and the myths and contradictions that come with it — in 2025. Malacañang Made Us and Whitefella Yella Tree are also treading the boards, the first about the Filipino Australian experience and the second telling a love story. [caption id="attachment_1007548" align="alignnone" width="1920"] David Kelly[/caption] There's also a queer boat party on floating venue Oasis; the return of Queer PowerPoint; and a drag Scream Queen shindig with Naomi Smalls and Yvie Oddly, plus Drag Race UK's Kyran Thrax. Or, check out a heap of instruments and performers suspended by rope to pay tribute to Brisbane's punk history, Gerwyn Davies' series of portraits in collaboration with Open Doors Youth Service's trans and gender-diverse young people, and Instagram imagery given a new life in Micah Rustichelli's Demon Rhythm. Melt has more program news on the way, because this fringe-style celebration of queer arts and culture goes huge as it fills Brisbane Powerhouse and spreads further across the city. In 2024, more than 120 events popped up in 70-plus venues across southeast Queensland, complete with a Wicked-themed Halloween ball, a pool party and plenty more. [caption id="attachment_1007543" align="alignnone" width="1920"] Anna Hickey[/caption] [caption id="attachment_1007545" align="alignnone" width="1920"] Markus Ravik[/caption] [caption id="attachment_1007547" align="alignnone" width="1920"] Gregory Lorenzutti[/caption] Melt Festival 2025 runs from Wednesday, October 22–Sunday, November 9. Head to the festival website for more details.
You can never have too many beers, wings, burgers or pizzas — or too many places to consume them. That's obviously the motto of the team at Yard Bird Ale House, who just keep adding more food-slinging ale houses to Brisbane's bar scene. After bringing all of the above to Fortitude Valley and Paddington, they've spread their wings and flown straight to Stones Corner. 329 Logan Road is where you'll find their third nest, so prepare to start flocking to the inner south-east hotspot. If you've experienced Yard Bird's combo of Tex-Mex-style food and craft brews before, then you're already excited. And if you haven't, checking out their new digs should be all the motivation you need to drop by. Patrons will find the usual Yard Bird offerings, including beer and cider taps a-plenty, and more than a few kinds of whiskey. If you're hungry as well as thirsty, then expect a dining menu stacked with poultry pieces, meat and bread, and slices of pizza, plus tacos, nachos, wraps and hot sandwiches too. And yes, this does mean that embarking upon a Yard Bird crawl is now a genuinely great way to spend part of your weekend. Our suggested itinerary: kick things off in the Corner, then jump over to Paddo before heading to the OG YB in the Valley. Find Yard Bird Ale House's Stones Corner venture at 329 Logan Road, Stones Corner. Keep an eye on their website and Facebook page for more information.
Nightclub toilets aren't just a place where people head when nature calls between drinks and dancefloor stints. Amid the women's bathroom cubicles, sinks and queues — there's always a queue — conversations erupt, heart-to-hearts spring and friendships are forged. So knows everyone who has ever needed to use a club's facilities, and also UK-born theatre show Overflow, which is one of the highlights of 2023's MELT Festival. Hitting Brisbane thanks to Darlinghurst Theatre Company, but hailing from British playwright and prominent trans voice Travis Alabanza, Overflow doesn't only dive into the camaraderie that can arise in its distinctive setting — it's also about someone trapped in a flooding stall. As it spends time with protagonist Rosie, it confronts the debate circling about who is and isn't allowed in these public spaces, in a powerful piece about trans and gender diverse experiences. Overflow sits on MELT Festival's lineup alongside an array of music, theatre and visual art, as Brisbane Powerhouse's annual celebration of queer culture always puts on. Since 2015, the event has celebrated all things LGBTQIA+, with 2023's fest from Saturday, November 11–Sunday, November 26 marking its eighth edition. Also leading the bill: Kah-Lo, Djanaba, Aluna and KUČKA. Kah-Lo hits MELT ready to bust out 'Rinse & Repeat', 'Fast', 'Fake' and 'Drag Me Out', with First Nations artist Djanaba with her. Aluna, formerly half of AlunaGeorge, has songs from her solo record MYCELiUM to play, with Flume, SOPHIE and Kendrick Lamar collaborator KUČKA sharing her stage. [caption id="attachment_914091" align="alignnone" width="1920"] Robert Catto.[/caption] MELT's 2023 lineup also includes TOPS and Matt Hsu's Obscure Orchestra on the music roster — the former getting Jane Penny's vocals echoing through Brisbane Powerhouse, and the latter featuring more than 20 BIPOC, First Nations, disabled, non-binary and trans artists. Plus, Alter Boy, June Jones, Keiynan Lonsdale and Keelan Mak are also help round out the bill. Theatre fans can check out Bunny, too, the rope-focused work by Luke George and Daniel that explores trust, consent and desire. And, Rhys Nicholson is on the roster on a book tour for Dish. Also, MELT will feature three free visual art exhibitions: Paul Yore's BECOME WHAT YOU ARE, The Huxleys' Places of Worship and Multitudes by Tin Nguyen & Edward. Contemplating consumerism, sexuality, pop culture, neo-liberalism and more, the first is textiles-heavy, including pieces from a collaboration with Romance Was Born. For the second, performance artists Will and Garrett Huxley play outsiders in their latest photographic series. And, with the third, Tin & Ed are setting up a series of outdoor installations about borderless spaces. If you'd like to be a part of art, artist Spencer Tunick is returning to Australia for MELT, too, staging a new nude photography work along the Brisbane River. [caption id="attachment_919587" align="alignnone" width="1920"] Spencer Tunick[/caption]
