Did you love playtime as a kid? I did. No restrictions on your imagination, just a designated time to be and to create. We didn’t always create masterpieces, but getting a finger painting up on the fridge wasn’t always the intended result. Forgive me if I go a bit too deep right now, but maybe the loss of playtime as we have grown older has made us lose a bit of our internal creativity. I give full credit to artists that can make playtime into all-the-time. As without them our world would be incredibly dull. The Institute of Modern Art is hosting an exhibition based on the notion of ‘infantile regression’. This exhibition will feature artwork that is rough, vivid, juvenile and cheeky, as each artist is encouraged to revisit their early infant creativity, unbridled, unrestrained, uninhibited. Playtime features work from Jenny Watson, Otto Muehl, Peter Robinson, Justene Williams, Steve Carr and Jake and Dinos Chapman. Each artist brings a unique interpretation to the theme and helps make the exhibition truly unique.
It is just all happening at our state galleries right now: Matisse, Yayoi Kusama, and now the distinct and beautiful work of Eugene von Guerard. For those philistines who are not aware of von Guerard’s work (like me, prior to researching this article), he is considered one of Australia’s most important colonial landscape painters. Born in Vienna, von Guerard trained as an artist throughout Europe in the early-mid 1800s spending time in Rome, Naples and Dusseldorf. Then, in 1852, he migrated to Australia, finding his artistic inspiration in the Australian landscape. Focussing mainly on Victoria, where he was based, he depicted the amazing forests of Gippsland and the Otways, the crater lakes of Victoria's volcanic Western District and the peaks of the Kosciuszko plateau like no other painter at this time. Von Guerard had a keen interest in the geography, geology and vegetation found in Australia, which was so different to his homeland. His depictions were so detailed and well developed that they are still hold environmental significance today. This is the first dedicated exhibition to Eugene von Guerard since 1980 and includes not only his paintings of the Australian landscape, but also landscapes from New Zealand and Europe. The exhibition includes sketches and never before seen works by this significant artist.
Nothing makes us feel so alive as to see others die. This starkly confronting line comes from Leo Carax's new surrealistic film, Holy Motors, and is resemblant of the tone and style of the whole story. Carax's first feature film in 13 years, Holy Motors is an abstract expression of a heightened reality. It follows the life of Monsieur Oscar, a roving assassin played expertly by Denis Lavant, who meanders between varying identities and lives - whether that be a family man, a monster or a captain of industry. The film is set between dawn and dusk, yet follows no clear linear progression, instead exploring the irrational nature of the human subconscious. Peter Bradshaw of The Guardian awarded the film a whopping five stars and described it as "wayward, kaleidoscopic, black comic and bizarre; there is in it a batsqueak of genius, dishevelment and derangement; it is captivating and compelling". It first appeared at this year's Cannes Film Festival and although it has received some mixed reviews, it has largely been received as a cinematic delight and created a mass of critical excitement. Other notable performances in the film include the slender blonde chauffeur, Celine, played by Edith Scob, the sultry Eva Mendez as Kay M, and Kylie Minogue, whose character is believed to represent the struggles in the protagonist's career. The most important thing to note in Holy Motors is to not look for one simple meaning - although we can safely say that it is at least in part about the significance of human role-playing as we journey through life. Concrete Playground has ten double passes to giveaway to see Holy Motors. To go in the running, subscribe to Concrete Playground (if you haven't already) then email your name and postal address to us at hello@concreteplayground.com.au
After a shitty, watery start to Brisbane’s year, the punk and hardcore scene kids have lifted themselves off inner-city benches and combined their musical talents to cause a ruckus. The Flood is happening August 13 and aims to raise much-needed funds whilst also providing attendees with a ‘flooding’ great time (heh). Organised by Kill The Music, the day includes a marathon bill to see punk lovers go all afternoon and night, plus there will be stalls selling zines and promoting good causes. The heavy lineup includes Quiet Steps, Fires Of Waco, Headaches, Thickskin, We Set Sail, Marathon, Inside The Whale, Waiting Room, Done For, and The Open Sea. As all money raised is going towards producing a compilation LP that features all these local bands, so you should probably attend because it’s not often you are given the opportunity to party for a good cause and a good time.
Young dudes on their way to find a steady job. Frustrated teachers between classes. Older sisters taking their younger brothers to football training. You've met so many story-filled faces on the streets of NYC through Brandon Stanton's insanely popular site Humans of New York. Now the neighbourhood's getting a little more global, with HONY heading out of the five burroughs. Street photography can often stand on its own wordless feet, but photographer Stanton uses just one quote to give a skerrick of insight into lives you had no comprehension of. Strolling through the streets of New York City, Stanton takes unbelievably poignant shots of strangers paired with one excerpt from a conversation he's had with them on the spot. The result is heartwrencher after heartwrencher of wonderfully joyous, sad, excited, in love, grieving, human stories. Now, with a number one New York Times best-selling book, over 1.5 million Instagram followers and nine million Facebook fans behind him, Stanton has left the streets of Brooklyn, Manhattan, the Bronx, Staten Island and Queens behind for a more worldwide neighbourhood. Sponsored by the UN, Stanton is taking a 50-day world tour of war zones and areas in conflict. The UN hopes to raise awareness of the Millennium Development Goals, which aim for "human dignity, equality, and equity". Iraq, Jordan and the Democratic Republic of Congo have been visited so far, next for Stanton are Haiti, Ukraine and South Sudan. "Those are the places that have the most extreme headlines coming out," Mr. Stanton told the New York Times from Jerusalem. "Those are the places most skewed in people’s heads. The work has a very humanising effect in places that are misunderstood or feared." "It's always been my dream to have a successful business. I'd like one day to open more stores, and maybe even expand into the provinces. But the conditions are very difficult to start a business. Taxes are very high and services are very limited. The electricity was out for eleven days last month, but I still had to pay for thirty days. And when I try to use a generator, the costs are so high that the customers stop coming. It's very difficult." (Kinshasa, Democratic Republic of Congo) "She said she'd let me take her photo if I bought some peanuts from her. Afterward, I asked if she could remember the saddest moment of her life. She laughed, and said: 'You're going to need to buy some more peanuts.'"(Kasangulu, Democratic Republic of Congo) "I get way too sensitive when I get attached to someone. I can detect the slightest change in the tone of their voice, and suddenly I'm spending all day trying to figure out what I did wrong." (Amman, Jordan) "He runs to me every time I come home. It makes me very happy, and it reminds me of the times when I used to run to my father." (Al-Salt, Jordan) "Back in Syria, I sold antiques and Orientals. I had all sorts of things in my shop: glass vases, old stamps, coins from the Roman and Ottoman empire, valuable laces, antique furniture. But they beat me with rifles and knocked out my teeth. Then they burned my store to the ground." (Zaatari Refugee Camp, Jordan) "I want to discover the cure for Ebola." (Kinshasa, Democratic Republic of Congo) "We told her to sit with us so we could share her sadness." (Dohuk, Iraq) "I'm studying law. My dream is to be a judge one day. Too many people in this country are only in prison because they were too poor to defend themselves. When I'm a judge, I'll look only at the facts, and not at the person." (Kinshasa, Democratic Republic of Congo) "We're trying to get to Grandma's." (Zaatari Refugee Camp, Jordan) Check out the whole series at Humans of New York, on Instagram or Facebook. Via New York Times and Fast Company. All images Brandon Stanton.
Most musicians avoid day jobs like the plague. But not singer-songwriter Gregory Alan Isakov. Back home in Colorado, he's a full-time farmer, who hits the touring circuit in between sowing seeds, harvesting crops and wandering around the land he loves. But he's carved out some time to come our way this autumn, armed with his fifth studio album (seventh in total), Evening Machines. Up until this release, Isakov was an indie musician with his own label, Suitcase Town Music, and a recording studio on his farm — and he managed to sell 370,000 records all on his lonesome and share stages with the likes of Iron & Wine, Ani DiFranco and Passenger. This time, though, he's teamed up with Dualtone, simply because he was curious to see how working with a bigger label would unfold. Hitting The Triffid on Wednesday, March 6, Isakov will play a bunch of new tunes, plus a selection of the tracks that have won him his loyal following, like 'The Stable Song', 'Big Black Car' and 'If I Go, I'm Goin''. To purchase tickets to Gregory Alan Isakov's only Brisbane performance, head here. Plus, you can go in the running to win a trip to Denver, Colorado to see Isakov perform at Red Rocks Amphitheatre. To enter, head this way. Images: Israel Nebeker/Rebecca Caridad.
"I've had an incredible life," says David Bowie in Moonage Daydream. "I'd love to do it again." Alas, even for a music icon who always seemed beamed in from the future, another world or both — his casting in 1976 sci-fi masterpiece The Man Who Fell to Earth was perfection, as was the movie's title — that isn't possible. For viewers, however, reliving that spellbinding, shapeshifting, stratosphere-blasting existence is as easy as watching Brett Morgen's documentary. The Cobain: Montage of Heck filmmaker calls it "an experience", and that's exactly what the mind-blowingly immersive and spectacular blend of sound and vision delivers. It doesn't sound difficult, making a movie about someone as visionary as Bowie. There's so much to his life, so many decades of music and live performances to draw upon, and such a wealth of other touchstones — his acting, art, reinventions, alter egos ("I collect personalities," Bowie notes in the film) — to layer in. But Moonage Daydream isn't a Bowie biopic and was never going to be. That simply isn't Morgen's style; instead, he's all about digging into what makes his subjects tick, delight and surprise, then conveying that in a manner that so deeply captures their essence it feels like no other picture about them could've existed. In Moonage Daydream, that means using Bowie himself as the kaleidoscopic feature's narrator via soundbites and interviews from across his entire career. It means not only weaving archival materials spanning half a century-plus into an ever-twisting and spinning collage, but recutting famous footage, such as revered concert film Ziggy Stardust and the Spiders from Mars, from the original camera reels to unveil something new. It also means being driven by a playlist that covers Bowie's whole discography, and speaks to doco's exploration of chaos, fragmentation and transience, plus their constant relevance to his work. It truly does mean a big-screen spectacular, as the man recently voted the most influential British artist of the last 50 years deserves. "I don't know why they stopped at 50 years. Who's topping him, and why not century?" says Morgen, in Australia for this year's Melbourne International Film Festival back in August, chatting to Concrete Playground the morning after Bowie topped that British arts industry poll. "I would go a little further and say perhaps the greatest artist globally of the past 50 years," Morgen advises, before stepping through why Bowie remains such an enduring cultural presence, how Moonage Daydream came together, getting approval to make the first authorised film after Bowie's death and what he learned from living the Bowie dream. ON BOWIE'S EVERLASTING INFLUENCE "I think to reframe that question is: why does he continue to have so much influence and resonance? Because David meant something in 72 when Ziggy [Stardust, the seminal album] came out that was specific to that moment in time — and until the internet came about in the early 90s, as there were less sources for media and to find subcultures and tribes, Bowie united a lot of likeminded individuals and nurtured them. Moving forward, what's amazing is that each generation seems to discover and embrace Bowie, and they seem to discover him on their own. Sometimes you hear 'oh my dad played him' or whatever, but most of the time, talking to fans, they all arrive at Bowie on their own around the time they're sort of entering puberty. He becomes a kind of rite of passage — this sounds a bit cliched and we have other sources now to reference, but perhaps musically he captured that sense of alienation and confusion, and some of those feelings that we all experience at 12, 13 or 14 as we're all trying to feel our way throughout this world. Bowie, one of the reasons that he is one of the few artists of that era to continue to resonate with young audiences has to do with the fact that Bowie was so far ahead of his time that we might now just be entering the age of Bowie. David used to say in 1971 that he was writing for the 21st century in the 1970s. David's stock and trade was chaos and fragmentation — those were, as he would say, the throughline for his art. If we think of it, the world has only become more fragmented and more chaotic, and Bowie was writing the soundtrack for that world. Great artists have an ability to hear and see what is happening all around us but most of us can't see or hear yet, and Bowie had that gift for several decades. I had shown the film to Bono, who sent me an email the day after he saw it saying that he saw a lot of similarity in my style with Moonage and [U2's] Zoo TV. I went back and looked at Zoo TV, their 91 tour, and at the time the Zoo TV tour was presented as something futuristic and sci-fi — the internet, I don't even think it had started yet, but when you look at Zoo TV, it looks like something you would do when you were doing a tour today. And what I said to Bono was that 'I think like David, you weren't a futurist; you weren't writing about the future, you were writing about the present, just none of the rest of us were able to access it yet'. I think that has a lot to do with why certain artists are able to resonate across time, and David had that gift." ON HOW THE FIRST AUTHORISED BOWIE FILM AFTER HIS DEATH CAME TOGETHER "I had been doing theatrical documentaries for 23 years, and so the way I was able to get approval was most likely my previous endeavours, Cobain: Montage of Heck and The Kid Stays in the Picture, resonated with the estate. Where do you start a film or how do you construct a film that's designed to be an experience? It wasn't easy. It was slightly torturous. I made a decision from the get-go that I had no interest in producing a biography — that my interest was purely in sound and vision, and that I had no interest in trying to define or explain Bowie. That, I thought would be a fool's interest. So I just kind of embraced that, and it was a bit like trying to find your way out of a maze in the dark. I stumbled, I ran into walls, I cried, I felt Jack Torrence in The Shining: all work and no play make Jack a dull boy. [caption id="attachment_869789" align="alignnone" width="1920"] Liam Arthur[/caption] There was a point — I didn't have a producer, I didn't have a staff, I was making a David Bowie film for IMAX by myself, it was like an arts and crafts project. And it was weird, it was not a traditional approach. I don't mean in terms of the methodology — I just mean the actual genre that I was trying to explore is not a genre that exists. So about six months into the cutting, no one had seen a frame, I didn't even have an assistant editor in the building, and I needed a change of scenery. I was going to take my media to a place I had rented out of town, and before I left I called my wife who's my executive producer, partner and brilliant filmmaker Debra Eisenstadt, and said, 'listen I need you to come and look at what I have'. She said, 'do you want me to take notes?'. And I go, 'no no, I don't want notes, I just want you to tell me if it's a film'. She goes, 'what do you mean, if it's going to work?'. And I go, 'no no, I mean like does it actually make sense shot to shot? Am I insane, you know? Like, literally is it in English or have I lost my fucking mind?'. She came into my office. I pressed play, and I was sitting behind her. She couldn't see me — I was shaking, I was so uncomfortable because I thought I was about to get exposed, and I thought when she would turn to me and with deep concern in her eyes going 'what have you done?'. And she looked at the film and turned back and said 'it's a diamond in the raw — a diamond in the raw'. She goes, 'keep going', and that was wildly important in the genesis of the film. So it really wasn't until the film was at rough cut stage that anybody including the financiers saw a frame it. ON STARTING MOONAGE DAYDREAM AS A CASUAL FAN, BUT ENDING IT A DEVOTEE "I was a casual fan at best. I think that when I was 12 or 13, Hunky Dory was one of my favourite albums. I probably stopped listening on an active basis when I got to college. I liked Bowie, but I never read a book about him, never did any sort of deep dive, but had obvious tremendous respect and admiration. Rediscovering him at 47 was as illuminating and inspiring as discovering him at 12 or 13. Most people gravitate towards Bowie's 70s catalogue — and for those who are well-versed in the 70s catalogue, I am thrilled to report that his later period work beginning with Outside, to me, is as revelatory and inspiring as any of his earlier endeavours. He's just one of a kind. Oh my god, if I ended the project a casual fan — I am, I believe, as hardcore as it gets right now. After spending years living and breathing David Bowie, you would think I'd had enough. But yesterday I was driving around Melbourne with my 14-year-old son, and he's like, 'dad, really, we're going to listen to Bowie? You haven't had enough?'. And I was like, 'no, I haven't.' I'm very blessed that I didn't enter the film from this vantage point because it would've, I think, felt too much of a burden given my reverence and appreciation I currently hold for David." [caption id="attachment_869788" align="alignnone" width="1920"] Olivier Borde[/caption] ON LEARNING FROM BOWIE TO APPRECIATE EVERY MOMENT "Everything that's embedded into the film was revelatory for me, and it has to do with his philosophy and approach to his day-to-day living. His appreciation for life and for challenging oneself to make the most out of each and every moment — that was something that I did not anticipate unearthing in my journey with David Bowie." Moonage Daydream screens in cinemas Down Under from September 15. Read our full review.
Over Easter, KFC spread some paschal cheer — and some of its finger lickin' good fried chicken — with free delivery. This weekend mightn't be a special occasion or include any public holidays, but now it's McDonald's turn to share the fast food love. If you're craving a Quarter Pounder or a box of chicken McNuggets and you don't fancy leaving the house, Maccas is offering free home delivery on orders over $25 via UberEats. The limited-time offer is available nationwide and runs until Sunday, April 19. To get your hands on a burg, some fries, a Happy Meal, McFlurry or a hot fudge sundae — or anything else on the chain's regular menu — with no extra delivery cost, head to UberEats' website or use the UberEats app and enter the code MACCASWEEKEND. The entire transaction will be contact-free, including when it hits your doorstep. And, if you're after a few household staples, Maccas is also delivering milk, plus six-packs of English muffins and its gourmet buns. Or, of course, you can ignore whatever time of day it is and go straight for a McMuffin, hash brown and some hot cakes. McDonalds is offering free delivery across Australia on orders over $25 made via UberEats, with the special available until Sunday, April 19. To order, head here and use the code MACCASWEEKEND. Images: McDonalds.
Felt butter. Felt SPAM. Felt condoms. Snuggle up to your groceries in this new, adorable installation from London artist Lisa Sparrow. Taking over a Bethnal Green cornerstore, Sparrow has stitched, stuffed and hand-priced hundreds of Coke cans, milk bottles and Men's Health magazines to stock the shelves with her latest artwork. Partly crowdfunded by Kickstarter, the Cornershop project took eight months to put together, realising the contents of an entire Bethnal Green shop in felt (with a tiny bit of lycra and plastic detailing). Crafting canned goods, confectionery, alcohol, toiletries, frozen food, cigarettes, ice cream, chewing gum, newspapers and magazines, Sparrow posted up the full inventory on her blog. While by no means an entirely never-done-before idea, it's pretty damn cute. The store will stick around for the month of August at 19 Wellington Row, then move to Brighton in October. Channeling artists like Sarah Lucas, Tracey Emin and Michael Landy with their embracing of the humble store, Sparrow's obvious penchant for nostalgia shines through felt Extra gum packets and felt Fanta. "[The corner shop] is something that's disappearing with the growth of supermarkets, and the loss of the corner shop has adversely impacted our high streets and communities," said Sparrow. "I hoped that this project would remind people just how much the corner shop cemented life in local communities." But the Cornershop Project isn't merely a vessel for shining a light on consumerism; Sparrow's work often makes a big statement on art audiences (and their undeniable hierarchy). "The Cornershop is a tactile project and I felt it was important to create some art for communities that normally find themselves excluded from mainstream art," Sparrow told Dezeen. Opening doors to all art enthusiasts, the Cornershop Project includes sewing workshops for children and people with neurological disabilities. "I chose felt because it's a naive, almost childlike material that everyone comes into contact with at a young age when first they start to sew," Sparrow explains. "It's a very forgiving fabric that's approachable and is available in a huge range of colours. It was just the right material to give the pieces saturation, stroke-ability and a uniform appearance." Sparrow introduces the often underapplauded realms of craft to the more recognised world of contemporary art. Mainly working with felt and wool to tackle the politics of consumerism, Sparrow has crafted food many times before — a movement she's called 'feltism' and 'craftivism' — crafting everything from felt cigarettes to oversized giant felt burgers. Alongside reams of huge group shows — over 35 including the annual 'Modern Panic' exhibition in London and Nottingham's City Art Institute of Mental Health Exhibition —the London artist was notably shown alongside Banksy in the Victoria and Albert Museum's touring street art exhibition 'Urban Take-Over' in 2013. So whip out that cuddly credit card, let's go shopping. The Felt Cornershop will be open until 31 August in Bethnal Green, London before moving to Brighton in October. Via Dezeen.
Arcade Fire already established themselves long ago as pioneers in the realm of music video interactivity: 'We Used to Wait' used HTML5 and Google Maps to feature the viewer's own home in the video, and a flock of new windows popped open all over your screen as the song progressed, birds flying in each of them. 'Neon Bible' similarly tapped new technology to create a fresh way of experiencing the band's sounds. Now the band has shown it has the finger on the pulse once again, with a dazzling interactive video (one of two videos, actually) for their song 'Reflektor'. Between its groovy beat and whisperings in French, 'Reflektor' is already uber cool. But the video Just A Reflektor, filmed in Haiti, is next level: a short film whose visuals you can affect, just so long as you have three basics of the modern tech era: Google Chrome, a computer webcam and a tablet or smartphone. That's when the real magic begins. Director Vincent Morisset takes us on a journey with a beautiful young woman who switches between her world and ours. Dancers in motion-tracking costumes, gyroscopes and mixed video assets add to the technological melee. Depending on how close you wield your handheld device to the screen, and its tilt, you can watch the action unfold from a variety of viewpoints and both conceal and reveal what you're seeing via whacky kaleidoscopic tunnel vision. Presto: the theme of reflection is seamlessly woven into the multimedia experience, with light effects swimming over the screen at your command in ways that are totally mesmeric and super fun to play with. The team consciously aimed for a strong visual metaphor that would chime with the song's lyrics, as you can see in the behind the scenes video below. They've even made it possible for computer geeks to mess around with the code, which is downloadable from the Just A Reflektor Technology page. Via PSFK
When cinemas around the globe started temporarily shutting down in March 2020 due to the COVID-19 pandemic, horror sequel A Quiet Place Part II was only weeks away from opening. The film's release was quickly moved to September 2020, when it was hoped that life might've returned normal — and, when that didn't end up panning out, to April 2021. Now, the film has just shifted its release date again, this time staking out mid-September as the new time that cinephiles will be able to see the John Krasinski-directed, Emily-Blunt-starring follow-up to 2018 hit A Quiet Place. Cinemas Down Under are currently up and running, and have been for months (although Melbourne's reopened, then closed down again during the city's second lockdown in the latter half of 2020, then relaunched once more). But with COVID-19 numbers still enormously high in places such as the US and UK — with many cinemas closed in America and all of them presently shut in Britain — Hollywood studios aren't willing to release their big movies on the silver screen and risk low box office returns. Over the past week, the companies behind a heap of high-profile films that had already been delayed at least once over the past year announced that they'd be postponing them yet again. That includes No Time to Die, the latest Bond flick and the last that's set to star Daniel Craig. It was actually the first big movie to reschedule its 2020 release, moving from April to November, then to April 2021. It's now set to reach screens on October 8 this year. https://twitter.com/007/status/1352416833815633922 If you were looking forward to more Ghostbusters, you'll need to wait longer for that as well, with the Paul Rudd-starring Ghostbusters: Afterlife making its latest shift to November. The Spider-Man-related Morbius, featuring Jared Leto, moved from October 2021 to January 2022, while The King's Man — the next instalment in the Kingsman franchise — postponed its release from March to August this year. At the moment, both Black Widow and Fast and Furious 9 are still set to release in the first half of 2021 — on April 29 and May 27 Down Under — but don't be surprised if they move back as well. Actually, as has proven the case for almost a year now, constantly moving release dates is just a regular of pandemic life for the time being. Some flicks that shouldn't be changing their release plans in Australia and New Zealand: Dune, Godzilla vs Kong, The Suicide Squad, The Matrix 4, In the Heights and the latest Conjuring film. All of the above were produced by Warner Bros, who announced in 2020 that it'd launch movies in cinemas were they could and on streaming platform HBO Max at the same time where the latter is available, enabling it to keep to a schedule and not have to continually push releases back. New movies are still hitting in cinemas Down Under each week at the moment, of course, and will continue to do so; however, you can probably expect the next few months to be light on big-name flicks — and possibly even longer depending on how the pandemic continues to play out. And, as for whether any of the above repeatedly delayed movies will shift to streaming platforms as Mulan, Soul and Hamilton did in 2020, it doesn't seem overly likely while studios are willing to just keep pushing their dates for them back instead. To check out the new releases screening in Australian cinemas from this week, check out our weekly rundown and reviews. Top image: Jonny Cournoyer. © 2019 Paramount Pictures. All Rights Reserved
The amazing minds of the Studio Ghibli team had to start out somewhere, right? Tokyo is the home of to some of the worlds most creative and prestigious art schools producing many amazing artists of our culture and time. QUT is hosting the Tokyo: Peer to Peer art series, showcasing student work for the Tokyo University of the Arts as part of an international work exchange. The exhibition will be an innovative outdoor projection series supporting ‘the moving image’ and all its forms including film, television, art and new media. This digital canvas is a new initiative to encourage experimental and emerging artists. You don’t have to travel the world to find fine art - just pop on over to QUT and get introduced to the art world’s future greats. Sayonara!
Mandatory across all of Victoria (from tonight) and encouraged elsewhere when you cannot maintain social distancing (on public transport and at supermarkets, for example), face masks have become a part of everyday life for many Australians. There are plenty of shops across the country selling them now, but if you want to make yours a touch more unique, Petflair is here to help. The company is selling custom face masks with your pet's adorable fluffy (or not-so-fluffy) face on them. Whether you have an iguana, schnoodle or misanthropic cat, you can get their face emblazoned on a mask for all your fellow grocery shoppers to see. The masks are made to Department of Health and Human Services guidelines with three layers — a 100 percent polyester outside layer and 100 percent cotton face and filter-pocket layers — and come in ten different colours, including pastel pink, yellow, red, blue and black. They'll set you back $39.95 each — or two for $70 — with free shipping across Australia. Because of high demand, Petflair is only taking orders until 4pm on Wednesday, August 5 and shipping may take three-to-four weeks. So, you may need to get another couple of masks in the meantime (we've got some suggestions here). As an added bonus, the company is giving a portion of profits to charity Pound Paws, which helps pounds and rescue centres rehome animals across Australia. If you're set for masks, Petflair also makes towels and bathers with your pet's face on it. You'll be more than ready for a summer of social distancing on the beach if you get a set of these with Fido on them. Petflair is selling its custom print pet masks for $39.95. Orders must be submitted by 4pm on Wednesday, August 5. Top image: @dobiejax
After announcing they'll be playing sets at six European festivals this summer — their first live shows since 2012 — Radiohead have added a string of headline shows to their year, carving out a very neat 2016 world tour. So neat in fact, that's it's a little on the sparse side. That is to say that there are no Australian or New Zealand dates listed on their 2016 schedule as of yet (even after we checked and refreshed the page nine times). Instead, the band will do a series of May dates in Amsterdam, Paris and London, before heading to Barcelona's Primavera Sound, Iceland's Secret Solstice, Switzerland's Openair St Gallen and Lisbon's Nos Alive festivals. They'll then move onto New York, LA, Japan, Berlin for Lollapalooza and Mexico City. And although their website says these are "all the headline shows that the band will play in 2016", we're not taking that as an absolute, and will continue to cross our hopeful little fingers that a Australasian date or two gets added to the list. Not to be too forthcoming, but November would be perfect. No pressure. Radiohead have yet to announce a new album, but you can view all their 2016 tour dates at their website, W.A.S.T.E.
Facial hair is inspiring everyone these days. I would even go as far as saying moustaches in particular are peaking in trend more so now than in 16th century France. It really is amazing what a little growth on the upper lip can encourage, and Moustache Magazine is proof. Moustache Magazine is a publication for the local creatives. They’ve been soaring the social media scene for a little while now and finally, after months of submissions and a big bag of build up, the count down is over: issue one launches this Friday with a huge party at Alloneword. It’s going to be an amazingly eventful night with entertainment for any eyeballs. A specially mixed nebulous set by Clothes and Things will feature as well as interactive live art showcases, live fashion, and as expected, false moustaches. The magazine is an entirely visual publication attributing the hidden and unique creative talent in Brisbane. Finally, something for the locals! The party is getting some serious hype so be early if you want to make it in the door as venue capacity is 200. You really must dash.
Marvel fans, it's time to get witchy. Agatha Harkness is back and she has a quest in her sights, plus a new posse of pals helping the MCU's latest small-screen series get spooky. A spinoff from WandaVision, Agatha All Along was announced back in 2021, then locked in its exact September 2024 release date earlier this year — and now Disney+ has conjured up the first teaser trailer for the eagerly awaited show. Kathryn Hahn (Tiny Beautiful Things) is also back as the series' namesake, starting the just-dropped sneak peek without her powers; however, that situation doesn't last long. First, Aubrey Plaza (Scott Pilgrim Takes Off) is on hand for a Parks and Recreation reunion, and to point out the bind that Agatha is in. Then, there's a goth teen, a magical gauntlet of trials and the promise of rewards — with the assistance from a coven of chaos. Joining Hahn and Plaza in the series: Joe Locke (Heartstopper), Patti LuPone (Beau Is Afraid), Sasheer Zamata (Unfrosted), Emma Caulfield Ford (a Buffy the Vampire Slayer alum) and Debra Jo Rupp (That '90s Show). Behind the scenes, Jac Schaeffer (Black Widow) returns from bringing WandaVision to the screen to run the show and direct the pilot instalment. For fans, this series really has been Agatha All Along thanks to the Emmy-winning tune that everyone who saw the character's first on-screen appearance has had stuck in their heads ever since — and again now — but the program has gone through a few monikers. House of Harkness, Coven of Chaos and Darkhold Diaries, this won't be, though, when it hits streaming queues from Thursday, September 19, 2024. If nothing else joins the Marvel television slate between now and then, that'll make Agatha All Along just the second Marvel Cinematic Universe TV series of the year, after Echo (by design, with the Mouse House noting several times that it wants to better space out its releases). When the MCU made the leap to Disney+ back in 2021, WandaVision was the first program to arrive. It also finally made everyone take notice of the always-great Hahn, who stole every scene she was in each and every time that she popped up — hence Agatha All Along getting the green light. Obviously, WandaVision was about Wanda and Vision, with Avengers: Endgame's Elizabeth Olsen (Love & Death) and Paul Bettany (A Very British Scandal) reprising their roles. But Hahn played a significant part as neighbour-slash-witch Agatha, even nabbing an Emmy nomination for her efforts. So, because she was such a fan favourite, Disney magicked her up her own show. Check out the first trailer for Agatha All Along below: Agatha All Along will stream via Disney+ from Thursday, September 19, 2024. Read our review of WandaVision. Images: courtesy of Marvel Television. © 2024 MARVEL.
If you've been dreaming of a frosty cold winter — a reprieve not only from a record-breaking summer, but a hotter-than-usual autumn, too — it's time to recalibrate your expectations. As it does every quarter, the Bureau of Meteorology has released its climate outlook for the June to August period, and the forecast favours two words that Australians are all too used to: warm and dry. Just like last season, if you call mainland Australia home, there's a very good chance that you'll experience winter temperatures that are a whole lot warmer than the median. Apart from the far north of Queensland, as well as isolated spots in Western Australia and the Northern Territory, the whole country is tipped to endure maximums at least 60 percent higher than normal. For the east and west coasts, that figure goes up to 80 percent. Nights are also likely to be toastier than average, especially for WA, the northern NT, parts of Queensland, eastern New South Wales, and most of Victoria and Tasmania. If you're wondering exactly what's in store, then it's worth keeping the usual daily temps across the period in mind — and remembering that they'll be exceeded. In Sydney, that means the mercury will soar above a 17-degree maximum in June, a 16.4 top in July and a 17.9 max in August, while Melbourne can expect temps above 15.4, 15.7 and 16.3 in the same months. In Brisbane, the standard tops range between 22–23.3, and in Perth it spans 18.4–19.4. Once again, farmers are in for not-so-great news. The three months are set to be drier than average for much of Queensland, NSW, Victoria, southeast South Australia, northern Tasmania, the NT, and northern and far southwest WA — and, for everywhere else, the chances of either being wetter or drier are roughly equal. If you're wondering what's behind this forecast, El Niño–like warmth has been having an impact in the central tropical Pacific Ocean, and a drying effect on Australia as a result. That's actually expected to reduce slightly over winter, but the Indian Ocean Dipole (IOD), or Indian Niño, will spark its own dryness. Combined with higher atmospheric pressures, it all makes for a lack of rain and a spike in warmth. It's becoming a familiar story. Let's not forget that in 2018, overall, Australia copped its third-warmest year ever. If this year's winter is set to favour hotter than usual temps, and less rain than usual as well, things aren't shaping up well for spring and summer.
It sure is no secret that Sydney's a pretty exxy place to call home. But here's some news to make you really start plotting that move interstate: a recent report on the cost of living has stuck it right up at number 10, above both New York and London. That's right, all your mates battling those killer Hackney rent prices now, apparently, have it better than you. As The Guardian reported this week, the Economist Intelligence Unit's 2018 study pushed our harbour city up four spots higher than in the same list last year, seeing it crack the top ten for the first time ever. This comes after another pice aggregation website Numbeo saw Sydney and Melbourne move up on its list too. The study compared prices across more than 150 products and services, looking at things like food, transport, utilities, clothing and rent in all the major cities. Singapore has again claimed the title of the world's most expensive city, followed by Paris, which jumped five points, and Zurich, which climbed one position. New York swapped last year's number nine ranking for a spot in 13th, while at number 30, London scored its lowest position in two decades — a fall the report's authors say has a lot to do with a little thing called Brexit. Via The Guardian.
In repentance for all the times you've ordered take away and slumped on the couch feeling like the worst, you can now do the exact same thing while feeling like the best. On Friday, July 15 Uber is teaming up with OzHarvest and a horde of celebrity chefs to design and deliver a range of gourmet ice creams for a good cause (sorry Gelato Messina, you're out of the gang). The guys at OzHarvest hope to deliver 100,000 meals for vulnerable Aussies to help them get through the harsh winter season. The profits from a $15 half-litre tub of ice cream will provide five square meals to struggling Aussies — and one indulgent meal to yourself. George Calombaris, Matt Moran and Neil Perry have all signed up, and each has designed a custom ice cream flavour. There are no prizes for guessing that George's has an amazing Greek twist — it's called Caramel and Walnut Baklava Smash. Matt Moran has wisely gone with the deliciousness of banana with his Banoffee Crunch and Neil Perry will be scooping Spiced Cookie and Caramel Swirl. They all sound bonkers, which is a good thing because distribution is randomised. All you have to do is jump on the app between 11am and 5pm on Friday and press the ice cream button for ice cream delivered straight to your door. If only all things in life were that simple. Check out their service areas on their website. Like all of Uber's extracurricular pursuits, demand will be high. But if you miss out, just buy an ice cream and donate to OzHarvest directly over here.
Surfing and gig-going have always been two of Australia's best-loved pastimes, and last year we scored a festival celebrating the best of both worlds. And, now, it's back for its second round of autumnal beachside festivals. Returning this March and April, The Drop festival will cruise around the country as it follows the Aussie leg of the World Surf League (WSL) Championship Tour and it's bringing a banging little lineup of musical gold along for the ride. Surfing the festival wave for 2019 are brother-sister folk band Angus and Julia Stone, the perennially pastel indie pop duo Client Liaison and NSW surf rock band Hockey Dad, along with other local legends The Jungle Giants and Alex the Astronaut. Held on the first weekend of each area's surfing event, The Drop is set to grace some of the Australia's most iconic surf spots, each outing featuring a locally focused offering of food, drink and culture, to match the tunes. As well as heading to the official WSL events in Torquay, Margaret River and Coolangatta, this year, the festival will also kick off Surfest Newcastle and Vissla Sydney Surf Pro in Manly — both WSL Qualifying Series events. THE DROP FESTIVAL 2019 LINEUP Angus and Julia Stone Client Liaison Hockey Dad The Jungle Giants* Alex the Astronaut * Ball Park Music will replace The Jungle Giants in Newcastle THE DROP FESTIVAL 2019 DATES Newcastle, NSW — King Edward Park, Saturday, March 16 Manly, NSW — Keirle Park, Saturday, March 23 Coolangatta, Qld — Queen Elizabeth Park, Saturday, April 6 Torquay, Vic — Torquay Common, Saturday, April 20 Margaret River, WA — Barnard Park, Busselton, Saturday, June 1 The Drop tickets are currently on sale for $95. For more info, visit thedropfestival.com.au. Images: Miranda Stokkel.
Facebook might have spawned its fair share of hook-ups over the years, but now the site's taking the whole matchmaking thing to the next level. As announced by CEO Mark Zuckerberg at the company's annual F8 developer conference, a new Facebook feature for dating and relationships is just around the corner. According to Facebook's blog post about its latest technology announcements, the dating service is designed to improve the experience of meeting new people. You'll be able to use it to create a dating profile (separate to your regular one, thankfully), which will then throw you potential love matches, based on information about your mutual friends, preferences and things you might have in common. Users will also be able to scout out compatible matches through Facebook's 'Groups' and 'Events' features. The service is being built as we speak, with testing slated to kick off later this year. Other nifty new Facebook services announced at the F8 conference include a blood donations registrations feature for communities in India, Pakistan and Bangladesh, and new ways of sharing to your 'Stories'. Also in development is a 'Clear History' feature, which will show you what websites and apps send Facebook your information, and enable you to switch off the process going forward. It's a feature that might make users feel more secure after the Cambridge Analytica privacy breach.
2023 marks six years since Revel Brewing Co set up shop on Oxford Street in Bulimba, and started both brewing and pouring its beers. And, when the end of the year hits, it will have been two years since these purveyors of yeasty beverages opened their second location in in Morningside, a sprawling spot in a century-old riverside factory in the Rivermakers precinct. They're usually the only two places you'll find the brewery doing its thing — except during the 2023 Brisbane Comedy Festival. Fancy a brew while you're giggling? Until the end of May, Revel has launched a pop-up bar outside Brisbane Powerhouse. It's a first for both — Revel's first time at Brisbane's annual laughfest, and the first time that the event has boasted its own bar at all. And, it's one of only a few places where beer lovers can sip a brand-new brew whipped up just for the occasion: the aptly named Laughing Lager, a limited-release drop that's on tap at the Revel Bar, plus BCF's hubs at The Tivoli and Fortitude Music Hall. With the Revel Bar making itself at home on the Powerhouse Plaza until Sunday, May 28, Brisbane Comedy Festival attendees can also kick back under strung-up lights and grab a bite from a range of food trucks. Eating and drinking here should be familiar — the space just hosted the first Night Feast markets back in March, which will return again in October.
Niche eateries are the culinary trend no one seems to be able to get enough of, just like the food items they're devoted to. Add New York's upcoming cream cheese cafe to a list that already includes cereal, avocados, mayonnaise, cookie dough, peanut butter on toast and marshmallows. Sugary treats and spreadables — when it comes to dedicated restaurants, they seem to hit the sweet spot. Indeed, when it sets up shop in NYC's East Village over the American summer, Becky's Bites will offer both. Given that cream cheese is quite the versatile — and delicious — substance, the new venture will serve desserts and savoury snacks. Start off with a bagel filled with the good stuff, then move on to cream cheese parfaits, cream cheese tarts, cream cheese cookie sandwiches and even cream cheese-filled chocolates. A cream cheese-topped hot chocolate might also make an appearance. https://www.instagram.com/p/BVncD3cHEDo/?taken-by=beckysbitesnyc The store, which will be the bricks-and-mortar digs for the existing catering company of the same name, will also offer up cream cheese in more flavours than you might expect. Vanilla, strawberry, peanut butter and cookies n' cream might all sound standard, but apple pie, cappuccino and bacon and egg definitely aren't. For other creative concoctions, there'll also be a cream cheese flavour of the month. Via Gothamist.
When I think ‘comedy festival’, I immediately start getting my grandma rant on. I mean seriously, the amount of comedians at festivals who derive their work from unintelligent vulgarity and shock rather than actually being funny at all is a depressingly high amount... Kids these days, am I right? One comedian keeping it real is Frank Woodley. You just have to look at the guy to know that he is going to be hilarious. Wide-eyed and long limbed, Woodley combines the perfect mix of slapstick, classic stand-up and musical comedy to keep you endlessly entertained. Performing a series of 60-minute solo shows as part of this year’s Brisbane Comedy Festival, his random segues and liquid limbs are sure to take you on a confusing yet side-splitting journey. Nourish your inner child and giggle yourself silly with this goofy and hilarious guy.
Writer-director Sarah Polley's follow-up to the much-loved drama Away From Her, Take This Waltz follows the story of a freelance writer Margot (Michelle Williams) as she meets a rickshaw driver from Toronto, Daniel (Luke Kirby). Margot shares with him an uncontrollable sexual chemistry, and when they realise they live just across the street from each other, the bombshell is dropped: Margot is happily married to sweetheart husband Lou (Seth Rogen), a gentle and caring cookbook writer. Margot finds herself in a complex and conflicting situation, not knowing whether her comfortable routine with her husband, whom she still loves, is enough in the face of the fiery desire of her alluring neighbour. She finds herself frequently trying to bump into the young man and testing the limits of her resolve by having late night pool dips and sipping margaritas with him, yet not actually acting on the attraction. Far from being a shallow display of trivial conflicting desires, the movie poignantly illustrates the internal dilemma of whether familiarity and comfort will suffice when they come up against the temptation of exotic sex, romance and art. Williams gives a heartwarming and evocative performance, making audiences sympathise and identify with her plight. Similarly moving displays from Rogen and Kirby work to make this film a heartwarming and complex production, which is a must-see for romantics and cynics alike. Concrete Playground has five double passes to giveaway. To go in the running to win tickets to Take This Waltz, make sure you're subscribed to Concrete Playground then email your name and postal address to us at hello@concreteplayground.com.au
So. Your iPhone 6 keeps dying at 28 percent battery, apps have started quitting unexpectedly and the home button has just stopped working. It must be time for the new iPhone to come out. Just as iPhones everywhere start living our their convenient two-year life expectancies, Apple announced the details of the brand new iPhone 7 (and iPhone 7 Plus) in San Francisco overnight. Design-wise, it looks pretty much the same; the new model is the same size and shape and the home button hasn't disappeared (although it isn't clicky anymore) — the biggest change to the look is that it comes in some v sleek new colours (like "piano jet black"). Oh, and it'll have two cameras and be water resistant. Of course, Apple is calling this the best bloody phone they've ever invented. In their words it has the "best performance and battery life ever" (well, you'd hope so), "immersive" speakers (how immersive) and "the most powerful chip ever" that will make it twice as fast as the iPhone 6. But enough with the brand speak. Here's seven details about the new iPhone 7 in dot point form that you can use for prime water cooler convo at work today. THERE WILL BE NO HEADPHONE JACK — WE REPEAT, NO JACK FOR HEADPHONES But you knew this was gonna happen already and have mourned the fact that you will ever have headphones on you at all because you will surely lose these wireless ones immediately. Apple's new-age headphones are called AirPods and they'll connect with all your Apple devices wirelessly. Siri will also live inside them, so you'll also be able to talk to them and get her to do stuff without touching your phone. Apparently they'll last up to five hours. IT WILL HAVE NOT ONE, BUT TWO REAR-FACING CAMERAS Why on Earth do you need that? To shoot a photo for one of those 'shot on my iPhone' billboards, of course. The iPhone Plus will be both a wide-angle and telephoto lens, and supposedly the phone will take a photo will both of them, and then allow you to choose your depth of field when editing, which is pretty cool. The regular iPhone 7 has had a bit of an upgrade too with a larger ƒ/1.8 aperture, which should make those sexy low-light photos a little more hi-res. IT WILL COME IN NEW FIERCELY-NAMED COLOURS LIKE PIANO JET BLACK In what seems way overdue, Apple are finally doing an all-black iPhone. Both matte black and a shiny piano jet black options will join silver, gold and rose gold. IT'S GONNA BE WATER RESISTANT Your long history of seeing off your iPhone in a death bed of rice may be over. The new model will be the first iPhone to be splash, water and dust resistant. THE HOME BUTTON LIVES! Sorta. Everyone thought the home button was going to be tossed out on this model — and while it still looks the same, the button isn't going to be clicky anymore. It'll be more of a touch situation (i.e. non-clicky). Apparently it'll still feel like it clicks though. YOU'RE GONNA HAVE HEAPS MORE STORAGE Everything can stay. Those cats at Apple have very generously doubled the storage so that the phones will be available in 32GB, 128GB and 256GB. Because 16GB was a crock anyway and we all know it. YOU'LL BE ABLE TO PLAY SUPER MARIO Even if you're not planning on upgrading your phone, just make sure you update to iOS 10 when it's released on September 13. According to The Verge Nintendo will release a new Super Mario Run — and it will only be available on iOS. The iPhone 7 will be available from September 16, and keen beans can pre-order from September 9 here.
Whether you're looking for hangover relief, or just want to keep the party going, New Year's Day is the perfect chance do absolutely everything or nothing at all in Brisbane. You could binge on Hungry Jacks and strike out three New Year's resolutions in doing so, or stroll triumphantly down the other path and kickstart your shiny new 2015 self. Both seem pretty appealing (if we're being honest here), but if you're really stuck for something to do on New Year's Day, here's a few ideas to start 2015 with a bang. THE TRIFFID'S NEW YEAR'S SOLUTION Since opening this year, The Triffid has been breaking the music venue norm. Now, they're even fronting the hangover for you, opening the doors for a music-heavy New Year's Day celebration. Australian indie rock lads The Cairos will making the commute from Woodford Folk Festival to the Triffid stage to reboot your dusty, dusty head. Brisbane four-piece Baskervillain, banjo-wielding blues maestro Karl S. Williams and harmony-infused trio Avaberee will hit the aircraft carrier stage as well. This is an afternoon event that kicks off at 2pm, and rounds up at 10pm, with tickets $10 at the door. 9 Stratton Street, Newstead NEW YEAR'S DAY AT STOKEHOUSE If you've done New Year's well, you'll find yourself in that shaky state that craves Gatorade, Berocca and Dorito-crusted Dominos pizza. But it's a new year, and you can do better than that. Stokehouse is keeping the beats, beers and burgers flowing in their Stoke Bar for the entire afternoon of January 1. Set yourself up for a great 2015 with delicious food, solid music and the company you want by your side to ride the year out. Book in advance. Sidon Street, South Bank EATON HILL HOTEL NEW YEAR'S DAY FOAM PARTY Massage a throbbing headache with throbbing bass; the Eaton Hill Hotel has pulled together a full-on drum and bass lineup for their New Year's Day Foam Party. The Stafford Brothers, Joel Fletcher, Timmy Trumpet and Havana Brown are headlining, so expect all your club chart hits while the foam flies. Foam-wise, expect it by the truckload — it's going to be pretty impossible to leave without being drenched by bubbles. Needless to say, don't go parading any of your expensive Christmas get-ups to this party; the expected combination of moshpit-induced sweat and foam will have crowds sopping. 646 S Pine Rd, Brendale NEW YEAR'S DAY RACES If you've played your cards right, you may have post-NYD Friday off for an extra long weekend — or have the willpower to call in sick at least. Back your New Year's Eve up with an even wilder New Year's Day at the races. The annual NYD races at Doomben promises to be a fierce one, with fascinators and fillies kicking off 2015. Don't go into this halfheartedly — between all the stressful pacing and trying to improvise race-horse speak, you need all the energy (read: bubbly) you can get to be on your game. Let loose. Doomben Racecourse, Doomben WINDOW SHOPPING While not exactly a NYD party, this is one for the truly fragile. These are the last few days to lap up the holiday window displays of Brisbane's department stores and shopping strips. From the Myer Centre's famed Christmas window story, to the elegant you-can't-afford-this mannequins of James Street, today's the perfect day to put your purse away, and shop with your eyes. Public holiday trading as is usual in the city, and all gargantuan Westfields are opening their doors too. Just try not to show too much sympathy for the bloodshot eyes working behind the windows — New Year's penalty rates could put a smile on an hungover face. Shop windows Brisbane-wide, all day When 2015 sees its first sunset, we'll meet you here (and halfheartedly vow to spend the rest of the year more up and at 'em, or something).
Each year, the esteemed World's 50 Best Restaurants awards do exactly what's on the box: names the top eateries around the world. Actually, the accolades go a step further, doubling that number thanks to a 51–100 longlist. That's 100 top-notch restaurants singled out every year, giving diners globally plenty of places for their culinary bucket lists. For 2023, the results are now in, as announced on Tuesday, June 20 in Valencia in Spain. In number one spot: Central, with chefs Virgilio Martinez and Pía León taking the honours for their restaurant in Lima, Peru. It earned the prestigious top ranking from 2022's winner Geranium, after coming in second to the Copenhagen venue last year. Perhaps helping its fortunes: the fact that Geranium isn't named in this year's list at all because it's been elevated to the Best of the Best hall of fame, which means that it's no longer in the running for the regular rankings. View this post on Instagram A post shared by The Worlds 50 Best Restaurants (@theworlds50best) This who's who of worldwide restaurants does lack one big thing in 2023, however, and on both its 1–50 and 51–100 rankings. In 2022, only Andrew McConnell's Melbourne diner Gimlet at Cavendish House earned a place on either list from Australia, coming in at 84 for its World's 50 Best debut. This year, neither it nor any other Aussie venues got the nod. Australia's hospitality scene hasn't ever dominated the World's 50 Best Restaurants gongs, but not placing at all for 2023 hasn't escaped attention. Just two Aussie restaurants claimed spots in 2021's awards, both of them Victorian, with Dan Hunter's Brae placing 57th and Ben Shewry's Ripponlea fine diner Attica coming in at number 97. There were no awards in 2020, but Brae and Attica also placed in the longlist in 2019. In 2018, Attica came in 20th and Brae 58th. Australia has had up to four restaurants in the top 50 before, including three when the awards debuted in 2002. [caption id="attachment_860199" align="alignnone" width="1920"] Gimlet, Earl Carter[/caption] The World's 50 Best awards are chosen by a panel of over 1000 culinary experts, guided by a strict voting procedure. They're now hosted by a different country each year, with Melbourne playing host city back in 2017. Alongside Central, 2023's picks included Disfrutar in Barcelona in second, Diverxo in Madrid in third, Atxondo's Asador Etxebarri in fourth and Copenhagen's Alchemist in fifth. Next came Maido in Lima, Lido 84 in the Gardone Riviera, Atomix in New York, Quintonil in Mexico City and Table by Bruno Verjus in Paris to round out the top ten. [caption id="attachment_906576" align="alignnone" width="1920"] Central, Winedirector via Wikimedia Commons[/caption] Geranium joins El Bulli, The French Laundry, The Fat Duck, Noma's original and current location, El Celler de Can Roca, Osteria Francescana, Eleven Madison Park and Mirazur in the Best of the Best hall of fame, so you won't see any of them on the main lists. Wondering about the best places to eat Down Under, even if Australia has been snubbed by the World's 50 Best Restaurants? Check out our picks for the best Sydney and best Melbourne restaurants. [caption id="attachment_884417" align="alignnone" width="1920"] Noma[/caption] To check out the full World's 50 Best Restaurants Top 50 and 100 lists, head to the awards' website. Top image: Alchemist, City Foodsters via Wikimedia Commons.
Thought you’d be eating vacuum packed meals in space? Think again. Fruit and veges could now be part of everyday space cuisine as part of EDEN’s (Evolution and Design of Environmentally-Closed Nutrition Sources) latest research initiative to grow fruit and veges in outer space with LED lights. The German Aerospace Centre (DRL) has picked up new Heliospectra LED lighting technology which the company has developed to help researchers explore conditions that can be used to grow fruit and veges in outer space. These space greenhouses could potentially function and feed a crew millions of miles above the clouds and prove particularly useful in harsh environments like a greenhouse module on Mars, or on slightly closer turf at the Neumayer Station III in Antarctica. One of the current projects at the German institute investigates testing the greenhouse module in the hostile Antarctica environment where a team lives in total isolation for nine months straight. Researchers hope to discover the ways whereby food could be produced for the crew and investigate how plants influence humans in isolation. [via inhabitat]
If you haven't watched season one of Yellowjackets, which made it one of the best new shows of 2021, the full trailer for season two is here to play catchup. "Once upon a time, there was a place called the wilderness," explains Van (Liv Hewson, Santa Clarita Diet) in the just-dropped sneak peek's opening moments, as a Florence and the Machine cover of No Doubt's 90s hit 'Just a Girl' plays. "It was beautiful, but it was also violent and misunderstood. And it waited and waited to befriend whoever arrived." Van offers the above words like she's telling a bedtime tale, but there's nothing cosy about this survivalist hit. The instantly intriguing (and excellent) series follows a New Jersey high school's girls soccer team in the 90s after they crash in the forest and possibly turn to cannibalism — plus the aftermath among the survivors 25 years later. Indeed, already in season one, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (The Last of Us' Melanie Lynskey as an adult, and also The Kid Detective's Sophie Nélisse as a teenager), Natalie (Welcome to Chippendales' Juliette Lewis, plus The Book of Boba Fett's Sophie Thatcher), Taissa (Billions' Tawny Cypress, and also Scream VI's Jasmin Savoy Brown) and Misty (Wednesday's Christina Ricci, as well as Shameless' Samantha Hanratty). The full setup: back in 1996, en route to a big match in Seattle on a private plane, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost territory. The accident saw everyone who walked away stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. Season two will pick up with the 90s-era group still endeavouring to stay alive as the woods get snowier, and that eerie symbol that's always been at the heart of the series pops up in more places. Also in the works, as based on this new trailer plus not one but two glimpses before now: the adult Shauna, Nat and Tai facing the fallout from their season-one actions — IYKYK — and Misty and newcomer Walter (Elijah Wood, Come to Daddy) playing citizen detectives together. After getting picked up for a second season because its first was that ace, Yellowjackets will start unfurling its next batch of episodes from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand, as announced in late 2022. Season two will pick up after a heap of chaos in both timeframes, and with new faces among the cast. Introducing more of the team in their adult guise is very much on the agenda, including Simone Kessell (Muru) playing the older Lottie and Lauren Ambrose (Servant) as the older Van. In their younger years, both characters are played by Australian actors, with Courtney Eaton (Mad Max: Fury Road) as Lottie and and the aforementioned Hewson as Van. Also, this won't be the end of the story, with the show already renewed for season three before its second season even airs. Check out the full trailer for Yellowjackets season two below: Season two of Yellowjackets will start streaming from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand. Read our review of season one.
If your blood's boiling over human rights abuses, inequality or environmental destruction, there's never been a better time to let the world know. As of yesterday, your activism can not only help the cause, it can also get you access to free concert tickets. That's because Danny Rogers has launched Global Citizen Tickets Australia. Even if you don't know Danny Rogers by name, chances are you probably like him already. Or like what's he done. His achievements include co-founding both St Jerome's Laneway Festival and And Publishing and managing Gotye. Here's how it works. You choose a cause and get active online. You might give time, donate money, write letters, sign petitions, start protests or spread the word via social media. Every action earns points and, once they've accumulated, you submit an entry to win a pair of tickets. An array of bands has signed up, including big names like Bruce Springsteen, Cold Chisel and Pearl Jam, and medium-sized names such as DD Dumbo, Tigertown and Asta. "More and more people are coming on every day," Rogers told themusic.com.au. "Bernard Fanning reached out to Hugh [Evans, Global Poverty Project CEO] about a month ago, putting his hand up to be an ambassador. But it’s not really about how big you are, the idea is that anyone can be a part of it ... I think it’s got such a great message and it’s also a really positive way for the music industry to work together on something.” Via themusic.com.au.
It is often said that drawing is the ultimate artistic skill. It reveals the abilities of the artist to produce an image with the most simple of tools, the marker (pencil, charcoal, graphite) and the blank page. The new summer exhibition at GOMA ‘Matisse: Drawing Life’ is the most comprehensive exhibition of Henri Matisse’s drawings and prints ever mounted. It reveals that even before he added colour and paint, Matisse could make amazing imagery with merely a brush and a canvas. This exhibition brings together works from international, national, and private collections to reveal the breadth and depth of the drawings Matisse created. It reveals the style that Matisse developed in his works, and how this evolved. Alongside the exhibition there is a film program and although Matisse’s engagement with cinema was limited, there are a number of films showing the artist working in his studio. This is could be one of few chances to see the amazing scope of Matisse’s artistic skill.
No matter what our television screens told us about the 21st century, it looks like we probably won't gain access to hoverboards, robot maids or teleporting stargates any time soon. Sorry guys. However, recent news from the US may offset every other sci-fi-based hope that has been dashed by the underwhelming reality of 2013. NASA has just announced that it is dropping US$125,000 on the development of a 3D food printer. Yes, you heard right, a sort of inkjet for pizza. And they're actually starting with pizza. The 'universal food synthesiser' will be designed by mechanical engineer Anjan Contractor (who has already constructed a chocolate printer, the likes of which you can play with at the Sydney Powerhouse Museum event Eat the Collection) and turn powder into a three-tiered space-age Italian snack. While it may not exactly rival your local woodfired joint, the advantages of this technology could have galactic consequences. First, because powder has a longer shelf-life than organic food (it can last for decades), astronauts will be able to survive epic interplanetary voyages. The 15-year journey to Mars, for example, would be much more bearable with some powder and a printer than it would be with stale Weet-Bix and rock-hard peanut butter. But the designer of the universal food synthesiser has even higher hopes for his machine that could have an impact right here on Earth. Contractor imagines a world where every kitchen contains a 3D food printer stocked with nutritious meals bought cheaply from the local grocery store. A future where powder enables the full flourishing of human life. Indeed, he believes that the synthesiser could end world hunger. It's crazy that TV never told us about that. Via Quartz.
Sounds like a branding exercise, but there really is a brand new vegetable on the block; a teeny tiny new development dubbed lollipop kale, currently under development in Australia, the UK and US right now. And it's possibly the most adorable thing we've seen in many a day — even if it's almost a Brussels sprout. Lollipop kale is indeed a thing — one gaining predictable popularity in the US, UK and now, South Australia and Victoria. Developed as a hybrid by British company Tozer Seeds, lollipop kale is now known as kale sprout (boring) in Australia and kalette (better) in the US. A form of cross-breeding between kale and Brussels sprouts (so you'll actually eat 'em), lollipop kale is currently being developed by a cluey South Australian grower. Adelaide Hills grower Scott Samwell, of Eastbook Farms in Mount Barker, has been upping the ante on his lollipop kale plantings over the last two years. Samwell told the ABC the lollipop kale grows sort of like a Brussels sprout — tiny bunches growing from a central stem, growing to around a metre tall. Apparently the new veggie has been getting good reviews in South Australian and Victorian markets, where the mini-kale has been available. "Everyone we've spoken to who has tried it, especially in the local area, are very keen on it." he told ABC. "It's a different tasting product, compared to green Brussels sprouts, because it's a bit sweeter." According to Grub Street, lollipop kale was the centre of mere whisperings in the food community — and wholly doubted and denied by chefs. GS's Hugh Merwin described it as the Bigfoot of the vegetable world — appearing in fruit exchanges around America and then suddenly becoming unattainable. But now it's here, ready for 'hipster' brandings and total hater ridicule. Being so teeny tiny, lollipop kale is primed for the home roasting — more bite-sized and considerably more adorable than your regular freaky kale chips. Right now, however, growing lollipop kale at home is pretty expensive — GS noted that online vegetable message boards (an actual Thing) criticised the high cost of the seeds; $11 for 40 seeds. So expect to see higher prices on Australian menus for the bite-sized little blighters. Lollipop kale will supposedly be available on the Australian market this year. Via ABC and Grub Street. Image: Hugh Merwin, Grub Street.
While a lot of people are wondering about the future of journalism in general, some people are thinking about the future of just the magazine in particular. Craig Mod, once part of the team behind slick, newsreading app Flipboard, coined the genre name of a new kind of small magazine: "Subcompact Publishing". It's an interesting new form that's getting played over in the States, especially on the iPad, and most notably by the Weekend Companion of pioneeringly-profitable blog the Awl, the Atlantic Weekly and — inspiration for Mod's original manifesto — the Magazine. Now Australian publication the Lifted Brow is throwing its hat in the subcompact ring, one of the first publications to try it over here. Though not the first, as it turns out. The Brow is a literary mag — originally with a strong McSweeney's influence — that grew up amongst a bunch of Brisbane writing students in 2007 and now runs big name, international authors alongside local Australian talent. Now based in Melbourne, they've got a back catalogue that includes literary wunderkind David Foster Wallace, Aussie comics star Eddie Campbell and sex advice from Benjamin Law. And his mum. It's big. To say, as a reader, that each issue can be hard to finish isn't exactly a flaw: it's just that they each have so much stuff in them. Because, First World Problems Craig Mod's idea of the subcompact magazine is kind of the opposite aesthetic to the Brow's all-inclusive, physical incarnation. It describes a world of smaller digital publications that eschew the idea of replicating print's design, size and digital slowness. Following his style lets you avoid a few first world problems. Downloads, for a start. A single issue of Wired on the iPad, say, can weigh in at just over 600 megabytes. A month or so of mobile phone data for some people. Subcompact-only the Magazine, by contrast, can go from pressing download in the the app, to reading its trial issue's opening story about roller derby, in about 18 seconds. One of these small magazines will typically have just a few articles, so it's much easier to get your head around the range of stuff in it. These, and other, small usability problems addressed by the subcompact format seem really do seem like first world issues. But we read magazines for fun. It's nice not to have to kill yourself to enjoy reading one. Ease and comprehension are good things. Less is More Mod saw the rise of small, mostly iPad-based magazines through the historical metaphor of Honda's development of subcompact cars. In his telling, Honda's cars weren't as big or feature-heavy as the big US cars they were competing with. But they were good enough, efficient enough, nimble and cheap. He suggests that the magazines of this new digital world should take a similar approach. An important word here is closure. The idea of internet addiction, with accompanying thoughts of switching off and the "digital sabbath", is a bit of a rising meme. Closure isn't a thing that you run into too often online. I mean, how often do you get to the end of the internet? A lot of sites are easy to browse, but hard to finish. Think Tumblr, Twitter or Facebook. Design = Journalism Australian immigration detention monitor, Detention Logs had already got its subcompact on before the Lifted Brow hit the app store. It uses freedom of information requests to the Department of Immigration and Citizenship (DIAC) to gather and publish records of incidents at immigration detention centres. They have over 7000 of these records up so far, each incident encapsulated into its own tiny and individual webpage. On their Principles page they specifically single out Mod's Subcompact Publishing Manifesto alongside their other ethical and design considerations. For them, this nimble and lightweight form seems to actually be a kind of journalistic muscle. "Small parts loosely joined" is how Detention Logs co-founder Luke Bacon describes it. He adds that using selections from Mod's manifesto publishing model is, essentially, a case of reporting form following function. "The form in which we received this information from DIAC could be seen as the opposite [of an appropriate and useful format]: one enormous, inaccessible PDF file, poorly labeled and thoroughly redacted. Transforming this complex information into easy to access and understand chunks is an act of design and journalism." Why Change What Now? So will "easy to access" work for the Brow? The new Lifted Brow iOS app is pretty slick. It's published by 29th Street Publishing, who put together minimalist iPad periodicals like Maura Magazine, the Awl's Weekend Companion and free, investigative subcompact ProPublica. The Brow is voluminous and dense in a way that 29th Street's publications are not. By going subcompact, the Brow is using the format both to boost, and cut through, their print legacy. They have a strong bench. Their all-star back catalogue of local and overseas writers sold the idea to 29th Street, according to Brow Digital Director Elmo Keep. "It has a great mix: a very strong roster of international writers, and an amazing cadre of Australian writers, so it was a perfect way for both 29th Street to reach outside the US and for the Brow to reach outside Australia." This small format makes that reach easy. Every fortnight, in a small, digestible format, you'll get the chance to catch up with new work, and their back catalogue. "It's going to be a mix of sort of teaser content from upcoming issues with reprinting stuff from the archives which a lot of people only joining us now could have missed." It will be a finite amount of short articles bimonthly, distributed via Apple's Newsstand service. There's a free trial, but the model banks on you being interested in subscribing. (Old issues will remain, if you unsubscribe.) Pixels Make It Better It's low maintainance. And that's no mistake. "There's so much opportunity to do things on digital that would be not be so cost effective to do in print," says Keep. She feels like a lot of the hard work has been done for her already. "I just move some things around in a content management system, and TA DA. (Not really, but kind of.)" The plan is to split the money the digital version makes between the writers and 29th Street. "There isn't a huge amount of money to be had by anyone in this entire transaction, so we want there to be ways for writers to make money beyond what we can pay them initially [in print]." In an age where it's easy to be asked to write for free the Brow prizes paying its contributors. PLEASE BUY OUR MAGAZINE So the Brow's writers will get a little more money, the Brow finally gets a wider audience ("realistically, there will only ever be so many printed copies that can be produced") and the public gets a newer gobbet of casual reading. (29th Street's Creative Designer, Tim Moore, compares the subcompact style to a cheap Pengiun paperback.) It all seems like a pretty good deal. And, on the iPad, an Aussie first. But these new digital steps aren't necessarily part of a war between online minimalism and print. "There will always be the magazine, in its dense and intense full-page glory," says Keep. "PLEASE BUY OUR MAGAZINE THANK YOU FOR YOUR TIME." Photo of Honda N360 by Tennen-Gas, Looking for Loretta artwork by Total Bore. Revised myth of superman artwork by Colin Panetta. Update: Luke Bacon's full email response, quoted in part for this article, is worth reading. It's up now at his blog Equivalent Ideas.
Be honest: have you actually read any of those books mouldering on your shelf? Are you even half the erudite, Dickens-toting literatus you claim to be? Are you in truth a filthy commoner? Or is it a simple matter of not being able to access your tomes, because they are stacked so poorly? If so, Chris Cush of Brooklyn-based Cush Design Studio has the answer for you: the wall-mounted Balance Bookshelf, a shelf system that literally weighs the books you've read against those you're yet to read. Cue book face-off, as you compete against yourself in the ultimate quest for knowledge. The two shelves in Cush’s design take five to ten average-sized books, so you can swap them out to the already-read side as you finish them, and balance the read side with all the novels and biographies you’re excited to get into. It’s a visually pleasing and practical innovation that could just save your intellectual reputation, as well as encourage you to keep expanding your literary repertoire. Methinks having a public display of your reading life would also encourage you to plan ahead, look out for new books and generally include reading more in your daily life. Books are, after all, such a miraculous thing. They put the collective experience of human culture at our fingertips. On my unread shelf would be: Gravity's Rainbow, Fear and Loathing in Las Vegas, and A Confederacy of Dunces. On the just-read shelf: Play the Harmonica for Fun and Profit. Combining the clean, simple elements of pine wood platters, black twine and black steel pipe fittings (the red version is also very fetching and contemporary), Cush’s design is something to prettify and add interest to your lacklustre apartment walls. Etsy has all the deets for how you can score this baby for your digs, and be sure to check out his other minimalist interior design offerings. Soon you'll be inspired to host a literati party, and inevitably, your fancypants guests will catch sight of this wonder of storage, and have all their elaborate linguistic skills reduced to but a single lexeme: Ermahgerd. Via PSFK
Have you ever woken up in the middle of the night, in your cosy bed in your warm, above-ground room, and thought “There’s really not enough human remains in here. I wish I could take this doze underground to the world’s largest grave”? Macabre napper, you're in luck. Airbnb is running a competition to win a romantic night for two, deep in the catacombs of Paris. Yes the catacombs, which are currently the resting place for 6 million skeletons and presumably their angry, angry ghosts. This cosy little corner of death could be your own little getaway on the spookiest night of the year: October 31, Halloween. Airbnb are flying the winners out to Paris and putting them up for a night in the ‘combs. They’ve confirmed there will be a real mattress, so no bedding down amongst various femurs. The prize also includes dinner with a private concert, a catacombs tour, and a spooky storyteller to really lend the whole ‘night in a tomb with walls made of the dead’ experience some chilling ambiance. Next morning, you will become the only living person ever to wake up in the Paris catacombs (allegedly). Tres bien. Airbnb have reportedly paid $450,000 to rent the tunnels for the night, which kinda checks out — the tunnels are, of course, a huge tourist attraction with lines for entry frequently around the block. This isn't the first time Airbnb has tried to scare your pants clean off, between this terrifying stay at the end of a ski jump, or this luxurious, perilous night you could have spent dangling at 9000ft in a cable car. The scariest part of this particular Airbnb stay though? The listing doesn’t have internet access. OooOOooOOooOO. Enter the contest here.
Sick of searching for that one last kebab joint on your weekend walks home? Say hello to our city's new food trucks, ten mobile restaurants which will deliver snacks to the streets of Sydney. The ten trucks will offer a diverse range of gourmet tastes for patrons, with everything from tacos to steamed dumplings. Furthermore, there will even be a take on modern Australian cuisine from Stuart McGill, former sous chef at the globally acclaimed restaurant Tetsuya's. Vegetarians will also be pleased with one truck, Veggie Patch, that will serve up veggie burgers and veggie chips, while the truck itself runs on vegetable oil and proudly displays a herb garden on its roof. City of Sydney's Late Night Economy Manager, Suzie Matthews, says that the trucks will serve food "at random places and at random times." There will also be the development of an online app, as well as social media pages to let people know when and where the trucks will be appearing. Food trucks applicants to took their ideas to the City of Sydney last year, where they underwent a Masterchef-esque testing process that included a one hour cook-off. They also presented their business plans and backgrounds, and ten successful applicants were eventually chosen. This is one government initiative that all Sydneysiders will welcome with open arms and open mouths. Stop salivating and check out the video below for a sneak preview, with the real trucks expected to arrive in the next few weeks. The ten new Sydney food trucks are: • Agape • Al Carbon • Bite Sized Delights • Burger Theory • Cantina Mobil • Eat Art Truck • Let's Do Yum Cha • Taco Truck • Tsuru • Veggie Patch https://youtube.com/watch?v=jwuhf9J6lHs
The term 'underground' gets thrown around a lot in modern culture. Anything outside the mainstream genre can fall under the vast umbrella of underground arts. And what a beautiful big umbrella it is. Everyone's huddling under it! If underground arts really was an umbrella, Mark McGuire would be the rain causing noisy droplets to fall around all us. Yep, he's the music man. Recognised as one of the central figures emerging from the American underground music scene he developed an entirely unique method of live looping and introduced a network on tone, melody and free form modification. In Brisbane for the very first time, McGuire will perform at The Judith Wright Centre for first Syncretism event of the year. Also featuring Brisbane's own Black Realm with their very distinctive audio vision, the night promises to be an intimate performance showcasing some of the best electronica and experimental music. For fans of live looping this is a night not to be missed. Head down to the Judy this Thursday to catch the talented player/songwriter mastering his craft.
Waking up and hearing the rain cascade over your roof, drizzle down your windows and water your plants sounds like heaven to most of us. To the cyclists among us, on the other hand, maybe not so much. Riding in the rain isn't the most desirable (or safe) way of getting to work, but for some it's the only way. So various bike umbrellas have been developed over the years (including this shocker), but here's one that might actually work. LEAFXPRO is a brand new leaf-style umbrella for your bike, looking for funding on Kickstarter. Designed with aerodynamics and ergonomics in mind, the windscreen-shaped umbrella hopes to keep you nice and dry on your way to work.You can even pick the colour from 'storm colours' to 'advanced colours'. Yep, deep breaths. The LEAFXPRO aerodynamics work to pull the water away from your body as you ride, and can be installed on any bike. We're a little worried about the visibility factor with that frontal shield, but we'd have to take it for a test run to make the call. And from the looks of the promo video, you'll need to unclip from the umbrella when you're locking up your bike — so you might get pretty wet anyway. Available for pre-order on Kickstarter, the umbrellas are going for about £99 — about $195AUD, pretty steep stuff when you add shipping. But with the amount you're likely to drop on Uber every time in rains, it might pay for itself. Maybe. Via Cycling Weekly.
Despite being many kilometers and continents away from the country of Croissants, berets and good wine, Brisbane has its fair share of Francophiles. Thankfully once again, from 16 March to 3 April, this group of accent loving people can leave their adopted homes of the faux Eiffel Tower in Milton and Brisbane’s Hermes boutique and head to Palace Cinemas to enjoy the annual French Film Festival presented by the Alliance Française. A chic French themed party will mark the opening of the festival, where attendees will be treated to canapés, wine and the screening of Potiche. The movie, which contains a stellar cast including Catherine Deneuve, Gérard Depardieu and Fabrice Luchini, was last year chosen to appear at both the Toronto International Film Festival and Venice International Film Festival. Other standout movie events from the festival include the 22 March screening of Angele and Tony, with a guest appearance from elegant French actress and Ambassador of French Cinema – Next Generation, Clotilde Hesme, as well as showings of crime thrillers Sphinx, White as Snow and documentary The Arrivals. Finally, the French are known for their bourgeois lifestyle as much as they are for their cheese and baguettes, so what better way to end the festival than with a fashion and love themed evening and showing of YSL & P.Berge l’Amour Fou, the story of Yves Saint Laurent and his glamorous life?
Lock up your children: the Sanderson sisters are back and they're wreaking havoc again, as this witchy trio are known to. Twenty-nine years after Hocus Pocus first cast a spell on audiences, the beloved flick is getting a sequel — arriving on Disney+ this month, on Friday, September 30, and with a new full trailer to prove it. The latest sneak peak at Hocus Pocus 2 follows an initial teaser back in June, and the results are the same: more witchy mayhem as originally seen in 1993; more Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music) getting spooky; and oh-so-much nostalgia this time, of course. In this second effort, Winnie, Sarah and Mary Sanderson are unleashed in modern-day Salem again, and things naturally get chaotic. As the trailers show, the magical siblings make a reappearance thanks to a different threesome — a trio of teenage pals who, early in the initial trailer, are told that "it's on the 16th birthday that a witch gets her powers". Cue a black cat, a book of spells, chanting in a graveyard and big The Craft vibes. Soon, cue Winnie, Sarah and Mary as well. Story-wise, Hocus Pocus 2 naturally follows what happens next, as the Sandersons try to unleash their child-eating ways — and the high schoolers who conjured them up attempt to stop them before dawn on All Hallow's Eve. It's been 29 years since someone last lit the black flame candle which resurrects the 17th-century sisters in the movie's world, just as it has in our own, and the witches aren't happy about it. That said, in this new sneak peek, the Sandersons also get an origin story. So if you've always wanted to know more about the sisters, here's your chance — and Ted Lasso's Hannah Waddingham factors into it. Hocus Pocus 2 also features Sam Richardson (The Afterparty), Doug Jones (The Shape of Water), Whitney Peak (Gossip Girl), Belissa Escobedo (American Horror Stories), Lilia Buckingham (Dirt), Froyan Gutierrez (Teen Wolf) and Tony Hale (Veep). While the original film was directed by Kenny Ortega — before the filmmaker gave the world the High School Musical movies — this one has Dumplin', Hot Pursuit and The Proposal's Anne Fletcher behind the lens. And yes, the Mouse House's streaming platform sure does love dropping seasonal-themed movies at the appropriate times. Here's hoping this one turns out better than last year's Christmas-focused Home Sweet Home Alone, though, when it hits the platform just before the scariest month of the year. Check out the full trailer for Hocus Pocus 2 below: Hocus Pocus 2 will be available to stream via Disney+ on Friday, September 30. Images: Matt Kennedy. © 2022 Disney Enterprises, Inc. All Rights Reserved.
Having quite literally broken the internet within 24 hours of landing — thanks to an Australian designer dress and a baby announcement — the Duke and Duchess of Sussex (aka Prince Harry and Meghan Markle) are now deep into their Antipodean adventures. During the royals' 16-day tour of Australia, New Zealand, Fiji and Tonga, they're getting up to all kinds of shenanigans — from meeting koalas at Taronga Zoo to visiting socially conscious cafes in Melbourne to hopping over to picturesque Fraser Island. Even if you don't live according to a royal budget, the royal itinerary is a handy guide for showing first-time visitors around Australia. Here's the nitty-gritty of the itinerary, with a few extra suggestions from the Concrete Playground team thrown in for good measure. Don't worry, it's nice and accessible for us mere plebs. ROYALS IN SYDNEY After meeting the Governor-General, the royals' first port of call was Taronga Zoo, where they met their koala namesakes — two ten-month-old joeys, which were wedding gifts from the people of NSW — among other unique Aussie fauna. Harry asked if the koala was a "drop bear" — and we're really glad to see that local legend has made it all the way to the monarchy. For your visit, we recommend adding an adrenalin rush with the Wild Ropes course followed by a snooze among wildlife at Roar and Snore. From there, take a brief ferry ride to Circular Quay, to see a show at the Opera House. The royals couple sat in on Bangarra Dance Theatre's rehearsal of Spirit 2018, but you can choose from a multitude of other performances and live music events. After a few days in other states, Harry and Meghan returned back to Sydney and made tracks to Bondi Beach. The couple spent time in an "anti-bad vibes circle", met local surfers and talked about mental health with OneWave. The non-profit group meets weekly on a heap of different beaches, if you want to get involved. https://twitter.com/KensingtonRoyal/status/1053065957571092481 To channel those good vibes on your trip, we suggest you swing by one of Bondi's vegan-friendly cafes or treat yourself to some natural wine at Bondi Hall. Alternatively, make tracks to the Harbour Bridge — where later today Meghan and Harry will tackle the famous BridgeClimb (which has just relaunched with new owners) with Prime Minister Scott Morrison. Don't mess it up, ScoMo. Or, head to Cockatoo Island, where the duo will head to attend an event at the Invictus Games Sydney 2018. Terrifying ghost tours take place after dark, if you're looking for a something a little extra spooky to do. ROYALS IN MELBOURNE The couple's Melbourne escapades included a stop by South Melbourne beach — of course, it was overcast — and a cooking class at social enterprise restaurant Charcoal Lane. The forward-thinking eatery is also covered in colourful murals paying homage to the area's Indigenous identity. You can see the royals checking it out here: https://twitter.com/KensingtonRoyal/status/1052823771910832128 If you're keen to mirror this socially conscious agenda, Melbourne has added several new cafes to its already impressive collection this year — including a throng of social enterprise cafes from Kinfolk, where 100 percent of profits go to charity, to Wild Timor Coffee Co., where the coffee is bought directly from Timorese farmers, at fair prices. On the shores of Port Phillip Bay, Meghan and Harry learnt all about how to keep Melbourne's beaches and waterways clean, from both school students and grown-up volunteers. If you've been thinking about lending an eco-friendly hand, get in touch with Earthcare St Kilda. ROYAL ISLAND HOPPING With 8,222 Australian islands to choose from, there's no shortage of inspiration when it comes to island hopping. The royals have their sights set on the biggest sand island in the world, the legendary Fraser Island, whose magnificent giant dunes shimmer in 72 colours. It's a shame the two don't have more time on their hands, to embark on the epic, eight-day Great Walk, which visits many of Fraser's 100 freshwater lakes. If you've been contemplating an island hop of your own, check out this handpicked selection of paradises. [caption id="attachment_681271" align="alignnone" width="1920"] Nicole Reed.[/caption] ROYALS GO REGIONAL As magnetic as Australia's major cities and beautiful coastline are, no visit Down Under is complete without a trip inland. Meghan and Harry also stopped by Dubbo, which is perched on the Macquarie River, 300 kilometres northwest of Sydney, to meet drought-stricken farmers and host a community picnic. We suggest returning by car, to explore some of the Central West's other friendly country towns. There's Parkes, home to The Dish and the annual Elvis Festival; Orange, where you can hike to the summit of Mount Canobolas and go truffle hunting at Borrodell Vineyard (in between tasting scores of wines); and Bathurst, for an innovative regional art gallery and woodfired pizza inside a candle-lit former church schoolhouse. Meanwhile, in Victoria, regional adventures should definitely include a journey along the Silo Art Trail, a 200-kilometre road trip through Australia's biggest outdoor art gallery. Top image: Sydney Opera House, Hamilton Lund
The steely gaze and warrior-like stance of Kristen Visbal's legendary bronze statue Fearless Girl have made their home in our own Federation Square. Erected in time for International Women's Day on Friday, March 8, the work is a limited-edition reproduction of the famous sculpture, which was first installed facing off against Arturo Di Modica's Charging Bull in New York's Wall Street. The statue depicts a small girl, with hands on hips and chin in the air, looking boldly into the distance. First commissioned by investment company State Street Global Advisors and appearing on International Women's Day in 2017, she's since become a symbol for female leadership and gender diversity in the workplace — although, not without some criticism. Many, including Di Modica himself, called the statue as a 'publicity stunt' created by a company that itself only had a small number of female executives. The statue was, late last year, relocated to a spot across from the New York Stock Exchange. https://twitter.com/StateStreetGA/status/1072588598388633602 One of just four in the world, our Fearless Girl — commissioned by law firm Maurice Blackburn and superannuation funds Hesta and CBUS — will make her home in Fed Square for the next three years, in an effort to inspire conversations about gender rights and equality. Aside from New York, the only cities to have played host to one of the statues are Oslo and Cape Town. Find 'Fearless Girl' at Federation Square until March 2022.
Get excited, festivalgoers: Pitch Music & Arts is returning to Grampian Plains in 2025, complete with a jam-packed roster of talent. Joy Orbison, Honey Dijon, Funk Tribu, 2manydjs: they're all on the bill. So are Daria Kolosova, SPFDJ, 999999999, Shanti Celeste, FJAAK, Lady Shaka and Job Jobse, with the list going on from there. Everyone should make the trip to the Grampians at least once, and here's as ace an excuse to do so as any: the return of the much-loved camping festival, which will host its eighth edition, taking over Moyston again. Next years' festivities are happening from Friday, March 7–Tuesday, March 11. Not only will its three stages play host to a sparkling lineup of local and international musical talent, as always, but the tunes will be backed by a hefty program of interactive art and installations. Basically, no matter who makes it onto the bill, attendees are in for a very big, very busy four days. Joy Orbison's 'flight fm' and 'better' were used in teaser videos for 2025's fest, which was indeed a huge advance lineup hint. You can also look forward to catching Gabber Eleganza, BASHKKA, Funk Assault, Baraka, ISAbella, Ogazón, southstar, Midland, Dax J, Anetha and plenty more, including Osmosis Jones, Moopie, DJ PGZ, Stev Zar, Jennifer Loveless and Mabel. On the Pitch Music & Arts arts lineup: Adnate, Anatolik Belikov, Ash Keating, Builders Club, Clayton Blake, EJ Son, ENOKi, Georgia Treloar, Henry Howson & Ambrose Zacharakis, Jaqui Munoz, Joan Sandoval, Lukas Rafik Mayer, ØFFËRÎNGŠ (aka Melissa Gilbert), Petra Péterffy, Rachel Lyn & Cameron Trafford, Raquel Villa, Reelize Studio, Sam Hayes, TERRAIN, Tetrik and UnitePlayPerform. In between all of the dance-floor sessions and arty things, festivalgoers will again be able to make themselves at home in the Pitch Pavilion, which is where yoga classes, meditation and sound baths usually help patrons unwind. The local-focused Club Serra will be new in 2025, championing homegrown talent. Pitch Music & Arts 2025 Lineup 2 LUBLY 2manydjs (DJ set) 6 SENSE 999999999 Anetha Audrey Danza BADSISTA Baraka (LIVE) BASHKKA D. Tiffany Daria Kolosova b2b SPFDJ Dax J Diffrent DJ Fuckoff DJ Gigola DJ Paulette DJ PGZ b2b Moopie Ed Kent Ela Minus Elli Acula Fadi Mohem FJAAK (LIVE) Funk Assault Funk Tribu Gabber Eleganza presents the Hakke Show GiGi FM Guy Contact Honey Dijon ISAbella Jennifer Loveless Job Jobse Joy Orbison Kasper Marott Kia Kuzco (LIVE) Lacchesi Lady Shaka Leo Pol Maara Mabel Maruwa Mia Koden Midland Mikalah Watego Miley Serious Naycab Ned Bennett Objekt Ogazón Ollie Lishman Osmosis Jones Pablo Bozzi Pegassi Shanti Celeste southstar Stev Zar Sugar Free Surf 2 Glory Taylah Elaine The Illustrious Blacks Trym VOLVOX Y U QT Images: Duncographic, William Hamilton Coates, Max Roux and Ashlea Caygill.
When it comes to street art exhibitions, it really doesn't get any bigger than this. A retrospective of Banksy's work has made its way to Australia, featuring more than 80 of the artist's off-street masterpieces. Opening today, Friday, October 7 at The Paddock in Melbourne's Federation Square, The Art of Banksy is a massive collection of pieces by the art world's chief enigma — including the darkly satirical, overtly political work that has turned the stencil-loving artist into such an infamous icon. Endeavouring to take audiences on a journey through Banksy's output and mindset, the exhibition includes the well-known Girl with Balloon, Flag Wall and Laugh Now pieces, as well as three efforts that have never before been displayed to the public. If it sounds epic, that's because it is. The art featured has been sourced from over 40 different private collectors around the world, and comprises the largest showcase of Banksy pieces to ever make its way to our shores. As curated by the artist's former manager Steve Lazarides, the exhibition is also a little controversial. While every piece is original, unique and authentic, The Art of Banksy proudly boasts that the entire show is 100 percent unauthorised. No, Banksy hasn't signed off on the event. As well as displaying Banksy's work in a custom-built enclosure, The Art of Banksy also shines a light on a range of pieces by well-known and emerging local street artists. Expect to find them on the surrounding external surfaces and the inside walls of the exhibition's own Circle Bar, which will serve craft beers and cocktails. Outside, the Welcome to Thornbury team will corral a heap of food trucks into an area called 'The Railyard'. Plus, on Friday nights and Saturday arvos, DJs will also provide appropriate tunes to suit the occasion. Of course, Melburnians will know that this isn't the mysterious figure's first dalliance with the city. The artist's stencils have popped up around the city previously courtesy of a visit in 2003, though many have been destroyed and damaged in the years since. The Art of Banksy will run from October 7 to January 22 at The Paddock in Federation Square, Melbourne. For more information or to buy tickets, visit the exhibition website. Images: Olga Rozenbajgier. Words: Sarah Ward.
When the COVID-19 pandemic first started making its impact known, we all began to feel like we were living in a disaster movie. Contagion flicks, outbreak films, sci-fi fare about infectious diseases — they all echoed with eerie prescience. The next types of movies that might start cutting a little too close to home? Dystopian flicks about climate change's impact. The Intergovernmental Panel on Climate Change (IPCC) has released its sixth assessment report about the state of the planet, global warming's impact and humanity's influence upon increasing temperatures — and it doesn't paint a calming picture. The big news: if no big moves are made in current efforts to combat climate change, the planet will warm by 1.5 degrees above pre-industrial temperatures by as early as 2030. That figure has been mentioned for some time as an unwanted milestone, as it's when climate scientists predict that higher temperatures, rising sea levels, heavier rains, longer fire seasons and worse droughts will kick in. Given the increasing frequency of extreme weather events around the world already, including Australia's devastating 2019–20 bushfire season, seeing these conditions worsen is obviously alarming news. Also flagged by the IPCC, which is the United Nations' body for assessing the science related to climate change, has been around since 1988 and has 195 members from around the world: that the planet has already warmed by 1.1 degree since industrialisation, and that Australia has warmed by 1.4 degrees. And, it has dubbed humanity's part in these increases as "unprecedented", with working group co-chair Dr Valérie Masson-Delmotte saying that "the role of human influence on the climate system is undisputed." The #IPCC released its latest #ClimateReport today, #ClimateChange 2021: the Physical Science Basis. "The role of human influence on the climate system is undisputed." – Working Group I Co-Chair @valmasdel Report ➡️ https://t.co/uU8bb4inBB Watch the video, 🎥 ⬇️ pic.twitter.com/hZOSU1xWQR — IPCC (@IPCC_CH) August 9, 2021 Also, even if the IPCC's most ambitious targets to arrest the impact of climate change were put in place, global warming would still likely hit 1.5 degrees by 2035. The body's scientists expect that the planet will warm by at least 1.6 degrees above pre-industrial temps regardless of whichever measures are put in place, before ideally beginning to drop again once those drastic mitigation tactics — things like large-scale reforestation projects, or being able to remove carbon dioxide from the atmosphere — started to have an effect. It's no wonder that United Nations Secretary-General Antonio Guterres has called the IPCC report "a "code red for humanity" in a statement. "The alarm bells are deafening, and the evidence is irrefutable: greenhouse gas emissions from fossil fuel burning and deforestation are choking our planet and putting billions of people at immediate risk. Global heating is affecting every region on Earth, with many of the changes becoming irreversible," he continued. "The internationally agreed threshold of 1.5 degrees Celsius is perilously close. We are at imminent risk of hitting 1.5 degrees in the near term. The only way to prevent exceeding this threshold is by urgently stepping up our efforts, and pursuing the most ambitious path," the Secretary-General said. "This report must sound a death knell for coal and fossil fuels, before they destroy our planet... If we combine forces now, we can avert climate catastrophe. But, as the report makes clear, there is no time for delay and no room for excuses." World leaders will meet at the 26th UN Climate Change Conference of the Parties (COP26) in Glasgow from October 31 this year to discuss the planet's plans to stop warming at 1.5 degrees. To read the Intergovernmental Panel on Climate Change's sixth assessment report, head to the IPCC's website.
One of soccer's biggest events is heading Down Under, with the FIFA Women's World Cup 2023 unleashing a month of fierce global competition across Australia and New Zealand this winter. There's no shortage of ways to celebrate the tournament, including heading to matches, barracking for the local squads, donning team colours head to toe, watching along at the pub or turning your couch into World Cup central. Here's another: hitting up the Sydney Harbour Bridge on Sunday, June 25. For one morning only, to celebrate 25 days until the FIFA Women's World Cup 2023 kicks off, the Harbour City's famous structure will close to traffic and open to soccer festivities instead. Whether you're keen for a kick, run, jog or dance across the iconic roadway, or to be in the company of local and international football legends, this'll be an event like no other. At a festival of football that's been dubbed the FIFA Women's World Cup 2023 Sydney Harbour Bridge Unity Celebration, the fun will start from 6am, running until 8.45am. Exactly what the lineup will entail hasn't yet been revealed — or who those soccer stars will be — but there'll be activities and activations linked to the Women's World Cup, music from participating nations, and grassroots football and multicultural communities coming together. If you do want to take the invitation to dance across the bridge literally, that's encouraged. In fact, there'll even be a 'unity beat' for you to bust out your best moves to. Folks eager to head along will need to book in a free spot in advance, with registrations open now. "Football unites the world," said FIFA Secretary General Fatma Samoura, announcing the World Cup 2023 Sydney Harbour Bridge Unity Celebration. "The Sydney Harbour Bridge will be the perfect setting to rally and unite our communities and create an enticing and distinctive experience that truly goes beyond greatness!" The tournament itself runs from Thursday, July 20–Sunday, August 20, with Sydney hosting at least 11 matches, including the Australian team's opener against the Republic of Ireland and the final a month later. Games will also be played in Brisbane, Melbourne, Adelaide and Perth, as well as Auckland, Wellington, Dunedin and Hamilton. The FIFA Women's World Cup 2023 Sydney Harbour Bridge Unity Celebration will take place on Sunday, June 25 on the Sydney Harbour Bridge — and registrations for tickets are open now. The FIFA Women's World Cup 2023 runs from Thursday, July 20–Sunday, August 20 across Australia and New Zealand, with tickets available from the FIFA website. Images: Destination NSW.
