There are some movies that can provide a suitable description of a movies premise before you have even bought a ticket. With some movies, you know what you are in for. Abraham Lincoln, Vampire Hunter is one such movie. Let’s cut to the chase, this movie is not for you Twilight or True Blood fans. There are vampires-a-plenty, sure, but this movie is about those who choose to hunt these vampires. One of these hunters just so happens to be former President of the United States, Abraham Lincoln. This intriguingly entitled film seems like it provides a unique take on the burgeoning ‘alternate history meets fantasy’ literary genre (Curious? See also: Pride and Prejudice and Zombies). While it may not be on many shortlists come awards season, Abraham Lincoln, Vampire Hunter may just provide enough action-packed entertainment to satisfy any bloodthirsty movie-goers.
Hearing about a new venue opening is becoming a regular occurrence in Brisbane, however this one might receive a warmer welcome than most. Every addition to the thriving local music scene is cause for celebration, but not every new spot that pops up offers more than a monster sound system and a place for beers and hangouts. In the case of The Foundry, we mean much, much more. Slated to throw open its doors on March 6, and taking over the space at 228 Wickham Street that previously housed a backpacker hostel, the new Fortitude Valley establishment promises a one-of-a-kind creative music hub unlike anything in Australia. That's a claim the managers of the venue make themselves on The Foundry’s website, and from the description that follows, it's one they can back up. In the two-level complex, a 300-person live room playing host to a roster of local and touring acts will certainly get people in the door. As will the adjacent rock ’n’ roll bar and beer garden, packed among the ever-growing maze of venues, bars and clubs along Wickham and nearby Brunswick Street. So far, so good, as far as the punters are concerned. What makes The Foundry extra special is its commitment to the industry beyond a stage to play on and an audience to listen. "Supporting Brisbane's creative community takes precedence over profits," the site states. Taking over the entire top level, a collaborative space, and 20 creative studios and offices will also dwell within its walls. 4ZZZ, Jeremy Neale, Smackface Records, Mitzi, Lost Movements and Mucho Bravado are among the first confirmed tenants, with "Brisbane's brightest artists, booking agents, publicists, street press [and] blogs" also expected to move in. For bands, amazingly there's still more good news, including a green room to die for, dedicated rehearsal rooms, another space where touring artists can crash after a show — free of charge, seriously — and very favourable financial terms such as free venue hire. When it opens, we think more than a few people are going to want to call The Foundry home, musicians and music fans alike. Find The Foundry at 228 Wickham Street, Fortitude Valley, from March 6. Visit their website for more information.
When your last festival screened 48 films to 168,000 people around Australia, what comes next? It's a problem many events wish they had, however, in their 28th year, the Alliance Française French Film Festival is on the case. With the massive celebration of Gallic cinema continuing to draw huge crowds, the beloved annual festival is offering up more of the same. The lineup has changed, of course, but the eclectic nature audiences have come to expect of the event is back. Kicking off on March 7 in Sydney before touring to Melbourne, Canberra, Perth, Brisbane, Adelaide, Hobart, Parramatta and Casula until April 9, the 2017 program begins and ends with a bang — or, with two very different journeys. In pole position at the start of the fest sits The Odyssey, an adventure-filled biopic focused on famous oceanographer Jacques Cousteau, and co-starring Audrey Tautou as Cousteau's wife Simone. Then, after running through the bulk of its 45-film selection, the fest comes to a close with maternal comedy A Bun in the Oven, featuring The Bélier Family's Karin Viard as an unexpectedly expectant 49-year old. In between, the AFFFF delivers on two fronts: stars and a vibrant array of big screen stories. There's plenty of both. The former includes 2017 Oscar-nominees Isabelle Huppert and Natalie Portman, with Huppert showing up twice — playing a woman with a secret past in the rom-com Souvenir, and a philosophy professor in Things to Come — and Portman joining forces with Lily-Rose Depp (yes, Johnny's daughter) in Planetarium. Depp also stars with French singer-actress Soko in The Dancer, while Marion Cotillard does double duty too in romance From the Land of the Moon and the Xavier Dolan-directed family drama It's Only the End of the World. Inglourious Basterds actress Mélanie Laurent co-directs environmental doco Tomorrow, the great Gérard Depardieu takes a road trip in Saint Amour, and one of the last roles played by Amour's Emmanuelle Riva, as an elderly aunt in Lost in Paris, also features. Elsewhere, the 2017 fest tells the tale of the first popular Afro-Cuban artist of the French stage in Monsieur Chocolate starring The Intouchables' Omar Sy opposite James Thierrée (aka Charlie Chaplin's grandson), examines the real-life circumstances surrounding a pregnant nun in The Innocents, dives into coming-of-age affections with Being 17 and gets ghostly with the haunting Daguerrotype. Or, viewers can catch Juliette Binoche at her most slapstick in farcical detective effort Slack Bay, and enjoy the kind of moral dilemmas the Dardenne brothers explore so well in The Unknown Girl. Looking back as well as forwards, a two-movie retrospective steps into the court of Versailles courtesy of the Marie Antoinette-centric Farewell, My Queen and music drama Mozart's Sister. Plus, if all of the above isn't enough for the most eager film buffs, dedicated cinephiles can take A Journey Through French Cinema for 191 minutes of movie history. The Alliance Française French Film Festival screens at Brisbane's Palace Barracks and Palace Centro from March 16 to April 9.
Portside is no stranger to hosting markets, but its latest excuse to browse and buy will be positively blooming. After holding Mother's Day markets and welcoming in a dedicated vegan market, the Hamilton spot is devoting a blossoming day to plants and flowers. Head along from 10am–2pm on Saturday, July 16 to find all things floral taking over the riverside precinct, including 30-plus stalls to shop and a supremely photogenic flower wall. Portside Wharf Plant and Flower Market is also handing out freebies, too — with 100 free baby succulents, 50 free coffees and 50 free ice creams up for grabs for folks who get there early. As well as plants and flowers, there'll also be stalls slinging art, ceramics, handmade jewellery, pet treats and clothes fashion. If you've been to markets at the Gasworks, or in Fish Lane, Coorparoo and Gabba South City, you'll have a firm idea of what you're in for — because The Market Folk is behind all of the above, and is running this new Portside pop-up as well. Love plants, and also want something unique to put them in? That's where the free succulent pot painting workshop comes in. To give your shopping a soundtrack, live tunes by Sam Perren will echo through the precinct. And, if those hunger pangs strike — or you're just keen on having a drink — everywhere from Sono, Bamboo Basket, Burrito Bar and Ginga Sushi to Mr & Mrs Jones, Belvedere Bar 'n' Grill, Byblos Bar and Restaurant and Gusto da Gianni will be open.
The super-adorable Finders Keepers Markets have been home to Brisbane's most creative and quirky designers for more than six years. The independent hip-fest is returning to their home at The Old Museum in November for two days. The biannual, designer-centric, come-one-come-all mini-festival has managed to bridge the gap between local market and exclusive exhibition, creating a space for independent designers to engage with the wider community. You'll be able to nab some marvellous treats difficult to find anywhere else. From bespoke leather goods to bespoke stationary, upcycled journals to upcycled bicycle reflectors, every stall will be a unique shopping experience that combines innovative design with grassroots feel-goodery. As usual, there will be live music, a cafe, a bar and thousands of other Brisbanites celebrating independent art and design. Finder Keepers is open 9am-4pm on both days.
To the surprise of exactly no one: many of us are looking to upgrade our home comfort level at the moment. Aussie furniture brand Koala is keen to help you do just that, with its sixth birthday sale. Nab up to 20 percent off mattresses, sheets, sofas, desks and armchairs to help you upgrade your pad or improve your night's sleep. A heap of products from across the brand's range are on sale from Monday, September 20 through until Sunday, September 26, including Koala's new range of mattresses. You can take your pick from the freshly unveiled range of mattresses which are 15 percent off and have your new sleep set up delivered to you later that day with free express delivery. Also on offer is the WFH desk, which is made from Forest Stewardship Council certified wood, easy to assemble and designed with a home office in mind. If your home office set isn't quite doing the job, you can pick up the desk for a sweet 15 percent off. Comfy Koala armchairs, sofas, silky bed sheets, dining tables and more are going with a 20 percent discount, too, so you can give your whole house a makeover. And everything comes with a 120-night trial — though, it might be hard to give any of these up after four months of comfort. The party doesn't stop at the sale though, with Koala collaborating with Jimmy Brings to put on a birthday giveaway, hosting a cupcake class and a whole bunch more on the brand's Instagram account.
Following their sellout 2011 season, A Festival Of Russian Ballet, the Imperial Russian Ballet Company are back in Australia with their performance of Charles Perrault and Jacob and Wilhelm Grimm’s beloved children’s tale, Sleeping Beauty. Sleeping Beauty follows the ill-fated story of Princess Aurora who, after being cursed to die from a needle-prick at age sixteen by the evil fairy Carabosse, falls into a deep sleep until, a hundred years later, a handsome prince stumbles upon her, and breaks the spell with a single kiss. Combining the unity and excellence of great Russian ballet schools the Imperial Russian Ballet Company will perform with grace and beauty.
Food and drink substitutions are generally associated with 'healthy' changes. But that doesn't always have to be the case — they can make the dish (or drink) more sustainable, less ordinary, or just more fun. On this list, we've highlighted some of the most unusual food and drink swaps that really shouldn't work, but do. They push the skill of chefs and cocktail makers into new territory and shake up classic dishes and drinks, all while maximising sustainability in the food industry by using up kitchen waste. We've partnered with Patrón to reveal that traditional isn't always best. By mixing things up, you may develop a love of a whole new flavour profile that — like with tequila — meets you at the intersection between refinement and craftmanship. [caption id="attachment_642741" align="alignnone" width="1920"] Chris Middleton[/caption] MAKE AN OLD FASHIONED WITH PATRÓN TEQUILA INSTEAD OF WHISKY Why not make your next old fashioned with Patrón? The Patrón Añejo — a blend of silver tequilas aged for at least one year — gets the same high-quality treatment as your favourite whiskies but offers a different flavour depth that complements the citrus of the orange zest we all know and love in an old fashioned. Just take 60 millilitres of Patrón Añejo, add ten millilitres of simple syrup and a dash of bitters. Make sure to squeeze the oils from two strips of orange and stir with the biggest ice cubes you can find. [caption id="attachment_666149" align="alignnone" width="1920"] Matinee Coffee by Arlo Pyne[/caption] LEAVE OUT THE EGG FOR VEGAN (AND NOT-SO VEGAN) ALTERNATIVES More and more we're seeing egg being replaced in popular dishes for unusual trade-offs. Don't worry, your favourite cafes will still serve eggs on toast — brunch is sacred — but sometimes it doesn't hurt to give an alternative a try. Sydneysiders can try it out at Marrickville's Matinee Coffee — the cafe does vegan and gluten-free takes desserts you might find at a milk bar or diner, like the traditional lemon meringue pie made with aquafaba (that's the juice from chickpea cans, foamed up like egg whites). Or, swinging the other way, try the very un-vegan, pasta at Peter Gilmore's Quay, which uses bone marrow in the pasta instead of egg yolk. [caption id="attachment_601484" align="alignnone" width="1280"] Nikki To[/caption] EAT CARAMEL SLICE MADE WITH COD FAT (YES, REALLY) Here is one food swap that we bet has never crossed your mind: a caramel slice made with fat from a Murray cod. Chef Josh Niland from Saint Peter in Paddington, the revered fish restaurant enjoyed by Nigella Lawson and Jaime Oliver, has redefined the very genre of desserts with this luxurious caramel treat. The top layer of the dish sees the salty caramel's butter component switched with cod fat, and the accompanying biscuit is made with Hapuka roe, to create an unexpected delicacy that really is impressive. An added factor that will make you feel even better about the swap is the promise of waste-reduction — the chefs are using every part of the fish. POP YOUR BACON AND EGGS IN A BOWL OF RAMEN Newtown's Rising Sun Workshop is in itself — the cafe is situated inside a motorbike workshop. That means you can bring your wheels in and enjoy coffee and brekkie at the same time. But the real treat at Rising Sun Workshop is the breakfast ramen. Ditch the avo toast for delicious noodles swimming in buttered toast broth, topped with bacon and fried egg. SWAP GIN FOR PATRÓN SILVER IN A NEGRONI As with the old fashioned, swapping out tequila as the hero alcohol profile in your favourite cocktails can shake things up a little. Try Patrón Silver instead of gin. The smooth, clean spirit uses 100 percent of Weber Blue Agave, and is a number one tequila for bartenders across the world — you'll be set to impress your friends at your next dinner party. For the negroni, trade-in gin for Patrón Silver, and simply add equal measures of Martini Bitters and Martini Riserva Rubino Vermouth. Stir with ice and strain over fresh ice cubes in your favourite tumbler, and add an orange twist. BE DONE WITH BORING JAFFLES There was a time when a jaffle was about simplicity — ham, cheese, maybe baked beans if you were feeling fancy. But times have changed, and the jaffle has been reinvented with depth and flavour profiles that'll match even Patrón tequila cocktails. We first fell in love with the idea with Super Ling's ma po tofu jaffle in Carlton. More recently, Cavalier 2.0 in Sydney has popped a beef tongue bolognese lasagne-inspired jaffle on its menu. And you must take a visit to Potts Point for Ms.G's curry puff jaffle, complete with Malaysian-style chicken. [caption id="attachment_738008" align="alignnone" width="1920"] Kate Shanasy[/caption] SWAP YOUR MARGHERITA FOR A SLICE TOPPED WITH CHINESE BOLOGNESE Tucked away on Grattan Street in Carlton is the ultimate food mash up, combining Chinese food, pasta and pizza. Chef Nick Stanton first married bolognese with the flavours of Hong Kong in a Chinese pasta dish at the now-closed Ramblr, but he's taken that beef-based sauce with him to Leonardo's Pizza Palace, and popped it on a chewy, doughy pizza base together with a creamy white sauce. The team used gochujang — a fermented chilli paste — Shaoxing wine, and stock infused with soy sauce for the oozy bolognese that'll go down in Aussie food history. Vegans can grab a plant-based version at sibling venue Leo's By The Slice at the old Ramblr site in South Yarra. Top image: Chris Middleton.
Designer stationery company Moleskine are getting into the hospitality game, with the launch of their first ever café, library, retail store and art gallery in Milan. With an aesthetic inspired by the brand's iconic notebook (think clean layout and plenty of neutral colours), the Moleskine Café is split into two levels. The ground floor will be home to the café and exhibition space, along with shared seating areas and an 'experience table' (yeah, alright guys) laden with various Moleskine products. The mezzanine level will be more secluded, featuring private seating and sofas for reading and studying. "We will provide our guests with an innovative retail experience, bringing the socialising dimensions of food, creativity and shopping to a single space designed to reflect the distinctive, clean aesthetics of Moleskine," said Moleskine CEO Arrio Berni. "I believe this vision fully reflects the growing interest people show for retail formats that go beyond the sheer act of shopping and I look forward to validating this concept for global expansion." The café in Milan comes on the back of a trial café in Geneva Airport. The brand is planning to open a number of other locations in major cities around the world, although they're remaining tight-lipped as to exactly which. Via Daily Coffee News and Design Week. Image: Moleskine/Interbrand.
The hit rock musical based on Green Day's iconic album American Idiot returns to Australian shores in 2018 for a national tour, which will see it visit Melbourne and Sydney for the first time. Following a hit season in Brisbane earlier this year, this next run of Green Day's American Idiot will see Grinspoon frontman Phil Jamieson reprise his lead performance as St Jimmy — a role played internationally by the likes of Melissa Etheridge, Chris Cheney and Green Day's own Billie Joe Armstrong. The acclaimed Aussie musician will again be joined on stage by Phoebe Panaretos, whose performance as Whatsername during the show's Brisbane run scored her a Helpmann nomination. Hailed as a bold and explosive production, the Tony and Grammy award-winning show features every song from the band's eponymous album, along with a number of tunes from Green Day's follow-up record, 21st Century Breakdown. It's the tale of three lifelong mates, torn between remaining in their safe, aimless ruts, and challenging the status quo to embark on a journey of self-discovery. The American Idiot 2018 tour will begin with a brief season at the Sydney Opera House, before runs in Adelaide, Perth, Melbourne and Brisbane. AMERICAN IDIOT 2018 TOUR Sydney — Sydney Opera House, January 11–14 Adelaide — Adelaide Festival Centre's Her Majesty's Theatre, January 18–28 Perth — Crown Theatre, February 2–11 Melbourne — Comedy Theatre, February 23 – March 11 Brisbane — Playhouse Theatre, QPAC, April 13–21 Tickets to Green Day's 2018 American Idiot tour go on sale from next Monday, October 9. For more info visit americanidiotlive.com.au. Images: Dylan Evans.
Father's Day is all fun and games for dads. For the rest of us, it's simply a reminder of how hard they are to shop for. We'll do you one — if he loves his grill and appreciates a little spice, Layla in West End has you sorted. Smokey charred flavours? Check. Bold Middle Eastern spices? Check. And bragging rights? Check because it's one of the most anticipated openings of the year. The kitchen is helmed by acclaimed chef Shane Delia, who has been championing Middle Eastern flavours in Melbourne for two decades. His flagship Maha restaurant, a local institution for spice-fuelled dishes, has birthed two spin-offs and a neighbouring bar. Tucked away in the heritage-listed Queensland Ballet headquarters, Layla is Shane Delia's debut venue in Brisbane. Here, he turns fresh Queensland produce into Middle Eastern- and Sri Lankan-influenced feasts worthy of a king (or a dad). Expect sharing mezes like an arak-cured kingfish and grilled Goan sausage combo, alongside smoked hummus and flatbread. Bigger plates include an Iranian roast duck stew with buttery walnuts and pomegranates, Turkish dumplings and an elevated take on butter chicken. There are two set menu options — one curated by Chef Delia and the other by the kitchen team. All Layla gift cards are 20 percent off on Father's Day weekend, so you might as well go all out. Images: supplied
Across Australia, tactics to stop the spread of the coronavirus are implemented at a state-by-state level, which means that different parts of the country have been navigating the situation in different ways. That's where the nation's varying, seemingly ever-changing domestic border restrictions come in — and why hopping across the country has been a rather complex task for much of the past 12 months. In Western Australia, the state initially implemented a hard border and strict quarantine requirements with the rest of the nation. WA's border system then changed late in 2020, moving to a controlled interstate border that classifies other states according to their COVID-19 risk and puts restrictions in place accordingly. But if you live in or have visited a state that's deemed medium risk or higher, it has still meant that you can't go to WA unless you receive an exemption. New South Wales has been in that camp since December 20, and Queensland has as well since January 9; however, come 12.01am on Monday, January 25, both states will revert back to the low-risk category. So, as announced on Friday, January 22, NSW and Queensland residents, plus those who've been in either state in the past 14 days, can now head west — although there is still a quarantine requirement. Low-risk states have had fewer than five community cases per day across the past 14 days — but travellers from the area are still required to self-quarantine for 14 days. You'll also need to get a health screening at Perth Airport if arriving via air and at a border checkpoint if arriving by land, then also take a COVID-19 test on the 11th day of your quarantine no matter how you've made it over to WA. If you don't have somewhere to self-quarantine, you'll have to do so at a government-approved site at your own expense. And, you'll still need to apply for a G2G Pass, which is mandatory for everyone entering the state. To move down to the very low-risk category, WA requires NSW and Queensland to have no community cases for at least 28 days. As at Friday, January 22, NSW had hit seven days, while Queensland was at 15 days — with WA's Chief Health Officer advising that the latter could move down to very low-risk on February 1 if it continues to record zero local cases. At present, the Australian Capital Territory, Northern Territory, South Australia and Tasmania are all considered very low-risk by WA, while Victoria joined the low-risk category on Monday, January 18. To find out more about the status of COVID-19 in Western Australia, and the state's corresponding restrictions, visit its online COVID-19 hub.
If you're doing your best to be an eco-conscious citizen, but find yourself stuck, bagless, at the checkout way too often, you're not alone. At least now, when you've again forgotten your reusable bag and are staring down the barrel of yet another purchase of a 15-cent plastic number, you could have a different, more planet-friendly option. Supermarket joint Woolworths has kicked off a new trial offering recyclable paper bags in 21 of its stores nationwide. Stores — including Marrickville Metro and Bondi in Sydney, Melbourne's St Kilda and the QV Centre, and Pacific Fair and Surfers Paradise in Queensland — are now offering customers the option of packing their groceries into 20-cent paper bags, which are made from 80 percent recycled paper. They're also a breeze to recycle in your regular curbside collection. The trial will be used to gauge customer demand and Woollies says it'll be monitoring feedback closely. In the meantime, all Australian Woolworths stores will continue to offer the 15-cent reusable plastic bags, as well as those signature green Bag for Good varieties priced at 99 cents. The reusable plastic ones can be recycled through the REDcycle collection bins found in-store, though plenty of us can probably attest to the fact that most of them end up collecting dust under the sink. As for the supermarket chain's sturdier green counterparts, they'll continue to raise much-needed funds for the Woolworths Junior Landcare Grants program. If one of yours gets damaged, Woolies will even replace it for free, regardless of how long ago it was purchased. The company says it has cut over three billion single-use plastic bags from circulation since it began phasing them out across its stores in June 2018. Here's which Woolworths stores are trialling the paper bags: Bondi, NSW Coogee, NSW Double Bay, NSW Marrickville Metro, NSW Neutral Bay, NSW Paddington, NSW Rose Bay, NSW Rouse Hill, NSW Rozelle, NSW Town Hall, NSW Cairns, Qld Pacific Fair, Qld Surfers Paradise, Qld Armadale, Vic Black Rock, Vic Burwood Brickworks, Vic Hawksburn, Vic Hawthorn, Vic QV, Vic South Yarra, Vic St Kilda, Vic
Here's Underworld: Blood Wars in brief: in the millennia-old conflict between werewolves and vampires, the werewolves (or Lycans) are regrouping while the vampires are down to their last two covens. The good news, however, is that the Paris coven is impregnable. Never been breached in 15 centuries. Not once. Give up now, Lycans. It cannot. Be. Pregged. Well…unless you have a small, mid-priced sedan driven by animatronic Gucci model Theo James, which ploughs through the coven's single-frame, wrought-iron gate like a knife through butter that isn't even butter because it's actually nothing. Not to be deterred, however, the vampires quickly re-attach the gate with a solding iron, rendering the coven once again...impregnable. To quote The Princess Bride, "You keep using that word. I do not think it means what you think it means". So here's what we need to do. First, we go buy some red baseball caps – bright red ones – then embroider them with the following message: MAKE UNDERWORLD OKAY-ISH AGAIN. The people will follow us. Landslide, guaranteed. The original Underworld, released in 2003, was not without its merit. It didn't have much merit, mind you, but some is still better than none. Kate Beckinsale proved a fantastic choice for the death-dealing werewolf hunter Selene, whose talents and temerity outstripped compatriot and opponent alike. Alongside her, Bill Nighy, Scott Speedman and Michael Sheen rounded out a not-unimpressive supporting cast capable of making even the most laughably bad line somehow resonate with a sense of class and purpose. Yes, it was fetishist-heavy and contained a whole lot of gun porn, but it was a film of its time and found a willing fan base to propel it into a franchise. Underworld: Blood Wars, however, is now the fifth film in said franchise, one that definitely ought to have stopped at two – and my, how the largely-passable have fallen. Honestly, people have written more compelling stories on toilet paper, and they didn't need a pen. This latest instalment takes every one of the already scant, okay-to-decent aspects of the original film and dispenses with them wholesale aside from Beckinsale herself. What little story there is comes across in heavy-handed dialogue which mostly exists to bridge one dull fight scene to the next. The characters, meanwhile, continue to clad themselves in comically revealing black lace or leather like extras from a Judas Priest video. Except for the ones in all white, because they're pacifist vampires, don't ya know. https://www.youtube.com/watch?v=QSlaWHDu5WU
If you're a vegetarian, worshipper of eggplant or just a keen home cook, chances are Yotam Ottolenghi has had some impact on your life. In fact, we bet you've got at least one of his bestselling cookbooks in your cupboard. Next year, you'll be able to learn a few more tips and tricks from the renowned Israeli chef as he heads to Australia for a speaking tour. The trailblazing chef, author, TV personality and restaurateur whose name has become its own cooking style is touring Sydney, Melbourne, the Gold Coast, Adelaide and Perth in 2021 off the back of his new book Ottolenghi Flavour, which builds on his love for innovative vegetable-based recipes. Yotam Ottolenghi — Flavour of Life will tour the country throughout June — and, as well as dishing up a few spicy secrets behind mouthwatering hits like miso butter onions and spicy mushroom lasagne, the show will provide an opportunity to hear directly from the man himself about his influences and experiences. It also promises to delve into Ottolenghi's experience as the owner of famed London restaurants Nopi and Rovi, how he approached home cooking during the COVID-19 pandemic and how you can dial up the flavour in your own kitchen. [caption id="attachment_768174" align="alignnone" width="1920"] Flickr/Stijn Nieuwendijk[/caption] YOTAM OTTOLENGHI AUSTRALIAN TOUR: Perth: Tuesday, June 8 at Perth Convention and Exhibition Centre Adelaide: Wednesday, June 9 at Adelaide Convention Centre Gold Coast: Friday, June 11 at The Star Gold Coast Melbourne: Saturday, June 12 at Hamer Hall Sydney: Sunday, June 13 at ICC Sydney The Yotam Ottolenghi — Flavour of Life speaking tour is scheduled to hit Sydney, Melbourne, the Gold Coast, Adelaide and Perth in June 2021. Ticket presales for all cities except Melbourne start at 10am on Wednesday, December 16, with general public sales kicking off at 11am on Monday, December 21. Melbourne presales will commence at 10am on Monday, February 1.
Before the division, Terry Hooley (Richard Dormer) was a popular man. But then his native Belfast bitterly split along sectarian lines, leaving the gregarious but staunchly apolitical Hooley to his own devices. He's DJing to nobody at a sad bar surrounded by barbed wire and run by the baleful Pat (Dylan Moran) when he finds a kindred soul in outsider Ruth (Jodie Whittaker). Emboldened by the support of Ruth, Dooley then decides on a whim that what his ailing city needs is a record store and he borrows over his head to set up the shop on a street famously known as the most bombed in Europe. Despite its perilous location, Hooley's boundless enthusiasm for the soothing power of music proves infectious and he watches in delight as it becomes a real cultural hub, quickly expanding into a record label as the city's burgeoning punk scene sparks into life. It's hard to think of another film which captures the fervour of discovery of music as thrillingly as Good Vibrations. You'll be won over by this scrappily loveable ode to the energy and abandon of punk rock. Read our full review here. Good Vibrations is in cinemas on June 12, and thanks to Curious Distribution, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=SE17U5ML9dQ
Homegrown pop rock crew Ball Park Music are making the rounds in Australia (and probably shouting a few rounds along the way) with their wonderfully-named, national Trippin The Light Fantastic Tour. If you've never seen these Brisbanites live, you're missing out on one heck of a party. A longtime triple j favourite, BPM took home Unearthed Artist of the Year in 2011 and have been frequently nominated in the Hottest 100 countdown — most recently in 2012 with tunes 'Coming Down' and 'Surrender'. The past two years have seen the five-piece delight crowds at Aussie music festivals including Splendour in the Grass, Falls Festival, Southbound, Homebake and Big Day Out, not to mention some pretty kickass US appearances. Hailing from Brisbane, BPM cite the success of their third album Puddinghead (released in April this year) to "twelve months sitting naked before a pedestal fan in a lucid, humid fantasy," having spent one year recording in a cheap tiny shack in the northern suburbs of Brisbane (which they lovingly refer to as a proverbial sauna). Ball Park Music will return to their hometown for two shows — October 18 at the Tivoli and an all-ages Alhambra show on November 2 — with old favourites, latest singles 'Trippin' the Light Fantastic' and 'She Only Loves Me When I'm There' and dance moves you can only dream of. Counting Millions and Pluto Jonze as supports, BPM are set to crank out their energetic tunes with unpretentious gusto. A breath of fresh air in an often tightly-wound industry, this is music that doesn't take itself too seriously — especially from a band that cites its interests as "pizza and yelling at farm animals". Supported by Millions + Pluto Jonze. https://youtube.com/watch?v=aNZ6Tr3cTT0
In Paris, 1971, the shaggy-haired, inscrutable Gilles (Clement Metayer) finds himself swept in political unrest that has fermented since the riots of May 1968. He and his friends are key figures in an underground movement that sells leftist newspapers, meets in secret and carries out targeted attacks. When his beautiful but enigmatic girlfriend Laure (Carole Combes) abruptly leaves the country, he quickly takes up with the spirited Christine (Lola Créton) instead. Together with Christine and a loose group of friends, he takes part in a street protest which is broken up by sickening violence by the police. The group then up the ante by attacking their school, where armed with Molotov cocktails, they graffiti slogans and drop political pamphlets. Their plans come unstuck, however, when a security guard is badly injured. With the school searching for the culprits, they decide that it is unsafe for them to stay, and instead hightail it to Italy until the volatile atmosphere cools off. Away from the volatility of their home city, the pace slackens and the film’s focus turns from the political to the personal. As old relationships fray, new ones form as the painter Alain (Felix Armand) meets a wealthy American girl, Leslie (India Salvor Menuez), who is now into spirituality and enlightenment. Seemingly untroubled by fear at their recent escape from France and at a loss for what to do next, the group attend political film screenings, debate philosophy, make art, smoke constantly and generally exude ennui. It makes for a strangely low-key portrait of an era of upheaval. Interestingly, the tableaus of beautiful youths lounging about in skinny jeans and unbuttoned shirts often looks more like a Calvin Klein advert than a political gathering, possibly because fashion has long since co-opted the look so associated with youthful rebellion in this era. Increasingly drawn into arguments with Christine about their next move and whether they should get involved with filmmakers working in the revolutionary movement, Gilles still thinks of the estranged Laure and goes to meets her at her decadent and druggy new lodgings. There he shows her an artwork he has done before setting it on fire, having explained it existed for her eyes only. After May’s failure to engage is surprising given the emotional heft of writer-director Olivier Assayas’ previous work, including his last film he wrote, the superlative Summer Hours. The height of the film’s obtuseness is the performance of Hugo Conzelmann as Jean-Pierre — even when blowing up a car he maintains the blankness of a mannequin. In perhaps the film’s most telling scene, Christine says to the perpetually aloof Gilles “I can’t tell if you’re in love with me”. She will not be the only one guessing at the inner workings or motivations of these characters. After May is a fitfully interesting but ultimately frustrating portrait of a time and place.
As part of the 2013–14 Sydney International Art Series and part of an exclusive deal with the NSW government, the Museum of Contemporary Art (MCA) and Destination NSW present, War Is Over! (if you want it): Yoko Ono. Legendary artist, musician, activist and perhaps one of the most controversial figures in the history of rock 'n' roll, Yoko Ono has developed her first solo exhibition made up of five decades worth of art in diverse media. Over the past decade skeptics of Ono and her involvement with the Beatles disintegration in 1970, have let the past go and have started to embrace Ono's musical and artistic endeavours. Ono brings back to life the iconic message, 'War Is Over!' that she and her late husband John Lennon spent years spreading around the world. First appearing in 1969 across billboards worldwide, the message may be the most recognised symbol of public outcry for peace during the Vietnam War. Over the past decade some of those who were once skeptical of Ono and her possible involvement in the Beatles 1970 disintegration, have let the past go and begun to embrace Ono's musical and artistic endeavours. MCA Senior Curator Rachel Kent has worked closely with Ono on the survey. The exhibition reaffirms Ono's belief in a better future. Sydney's MCA will be the only Australian venue for Ono's artwork which includes performances, sculpture, written texts, films, sound compositions, and participatory pieces of art that involve the viewers. The exhibit is to be presented throughout the Level Three Galleries in November of next year. Ono is expected to attend.
In the 70s and 80s, it was Countdown. In the 90s and early 00s, it was Recovery. Last year, the ABC added The Set to its roster of music-focused TV shows. Fronted by triple j's Linda Marigliano and newly minted Wimbledon quad doubles champion Dylan Alcott, the newcomer was a hit — and now it's returning for a second season in August. Screening on ABC weekly from 9.30pm on Wednesday, August 28, The Set features live music performances in front of a live studio audience — and will once again spotlight a different main band each week, who'll then invite two guest acts to perform as well. To end each show, the week's artists all team up in a one-off musical collaboration, because the series has a definite party atmosphere. That extends to the audience; with the whole thing taking place on a purpose-built share house set, which also includes a backyard, 250 folks get to head along, in person, enjoying the gig. https://www.youtube.com/watch?v=j_pcuYplrTg While this year's bands haven't yet been announced, 2018's lineup included Baker Boy, Vera Blue, Ball Park Music and The Presets, as well as Illy, Odette, Wafia, Mallrat, Angie McMahon, Tia Gostelow, LANKS and Kult Kyss. The Set's second season will screen from Wednesday, August 28 till Wednesday, October 9, which each week's episode available on iView after it airs.
Now that you can start inviting friends round for an overdue catch up, we'd like to help you out with a refresher on how to play host. Sure, maybe you want to show off all those loaves of sourdough you've been baking (and we won't stop you), but to truly rise to the occasion, why not pair it with some delicatessen quality cheeses and a celebratory round of passion fruit martinis? It's an unusual pairing, but these are unusual times. We've partnered with Pernod Ricard to bring you four indulgent food and drink pairings that'll bring you back to not-so socially distant times with classic matches like freshly shucked oysters and rosé to more surprising flavour matches, such as a massaman curry with sour cocktails. Bonus: each one can all be delivered to your doorstep, so you can keep the best of lockdown convenience next time you're having your mates over. [caption id="attachment_626153" align="alignnone" width="1920"] Stinking Bishops[/caption] MATCH A PLATTER OF CHEESE WITH PORN STAR MARTINIS We know the classic pairing is white wine with mild cheese and red (or more tannin-heavy styles) with blues and mature cheeses, but we'd like to suggest a more playful match that adds a little fizz to the mix. The London-born cocktail porn star martini is sweet and celebratory — it's traditionally served with a shot glass of champagne — and pairs particularly well with blue cheese, comté and brie. The sweet concoction cuts through most creamy cheeses, as well as dense dried fruits and quince. What to order: Sydneysiders can order European and Australian farmhouse cheeses direct from Formaggi Ocello, or from Stinking Bishops via Doordash. In Melbourne, you can order hampers of 'all Victorian' or 'all soft' cheeses from Milk the Cow. Speciality cheese shop Harper and Blohm also delivers cloth-bound cheddars, gooey soft cheeses and stinky blues from its Brunswick store. And Brisbanites should head to Le Fromage Yard who is delivering a combo of three cheeses, quince and crackers for $55. Pair with: a round of porn star martinis made with Absolut Vanilla. [caption id="attachment_768195" align="alignnone" width="1920"] East 33[/caption] SHARE A DECADENT SEAFOOD FEAST WITH BONE-DRY ROSE You'll hardly be surprised to hear that a delicate, textural rosé sits well with a platter of grilled prawns. It's practically a national drink pairing come summer, so we're here to say make the most of those lingering warm days and fire up the barbie. There are nuances you can consider when matching your rosé to your ocean catch; light, dry styles (often pinot noir based) work well with raw and lightly cooked shellfish, and medium-dry or sweeter wines (such as zinfandel) work best with salads, dessert or foods with a bit of spice. What to order: In Sydney, sustainable seafood eatery Fish & Co delivers cold cooked king prawns and fresh oysters via Deliveroo. When you want to go all out, order from East 33 — supplier to the country's best restaurants. In Melbourne, there's been no better time to indulge in a delivery from fine diner Minamishima — order the box-pressed hakozushi, a specialty of chef Hide. And in Brisbane, Sushi Edo has nigiri and aburi nigiri available via Deliveroo. Pair with: a cold bottle of Jacob's Creek Le Petit Rosé. The blend of pinot noir, grenache and mataro is a perfect match for seafood. [caption id="attachment_696538" align="alignnone" width="1920"] Continental Deli by Kitti Gould[/caption] GRAZE ON CHARCUTERIE WITH A SUBTLE SPANISH RED It's a similar method for matching wine with cured meats — lighter styles of wine are better bedfellows for lighter flavoured meats. And while a charcuterie board is an assembly of cured meats, we also like to add cheese, fruit, cornichons and nuts to the mix, so look at the flavour balance as a whole. Generally speaking, saltier foods are best paired with acidic wines and those with bolder tannins complement smoky flavoured meats. What to order: In Sydney, Bel and Brio has ready-to-serve charcuterie platters (including white truffle honey, prosciutto, salame felino and mortadella) via Deliveroo. Or, order Continental Deli's cheese and charcuterie platter (with brie, comté, jamón and sopressa) via Bopple. Melburnians can pick up from Windsor's Tipico, which has salumi misti as well as pizza, pasta and dessert. And D.O.C. also has local delivery and takeaway of its salumi and cheese boards from $17. In Brisbane, there's a dedicated charcuterie delivery service called Say Cheese, which is packing boxes of platter-ready cheeses, cured meats, olives, dips and crackers to all suburbs, as well as Rosalie Gourmet Market which has a decadent charcuterie box for $84.99. Pair with: a bottle of Campo Viejo Tempranillo — expect woody and vanilla notes with ripe red fruits and spices. [caption id="attachment_686214" align="alignnone" width="1920"] Chin Chin[/caption] PAIR A THAI FEAST WITH SOUR PINK COCKTAILS As Thai dishes balance sweet, sour, salt, spice, bitterness and aromatic flavours, you can pair them with almost any sweet–sour cocktail. If it's been a while since you've enjoyed a table full of share plates and chinked glasses with loved ones, perhaps you can take a step towards bringing the flavour party back home with a round of colourful cocktails. Whether you prefer whisky, gin or tequila as your base, go big or go home on theatrics. We suggest shaking up this pink concoction with strawberry-infused gin. What to order: In Sydney, you can get speciality dishes from award-winning restaurant Spice I Am, such as the pad prik pao pork belly. And in Melbourne and Sydney, Southeast Asian restaurant Chin Chin is offering a takeaway service direct from its website, including curries, roasts and barbecued dishes. In Brisbane, Phat Elephant has whole barramundi platters and mixed entree plates via Deliveroo, and Same Same in Fortitude Valley is running a daily delivery service of its curries and salads. Pair with: London dry gin Beefeater Pink. Right now, Pernod Ricard is offering a $10 Deliveroo voucher for every $50 spent on a select range of its wine and spirits — bought online or in-store at its partner liquor stores. Find out more, here. Top image: Continental Deli by Kimberley Low.
Summer in Australia means sun, surf, sand — and, increasingly, sweltering weather of heatwave proportions. The country clocked up its third-warmest year on record in 2018, and while we don't know just yet if 2019 will match it, we do know that a spate of particularly toasty days is on its way. It is the time of the year for it, of course; however the next run of warm weather will blast temperatures up, with the mercury hitting the 30s in every capital city except Hobart. The sweaty conditions will be travelling over from the western side of the country, where Perth has been has been enduring a multi-day run of temps around the 40-degree mark this week. On Thursday, the WA spot hit 39, while Friday reached 40, and tops of 41 and 40 are forecast on Saturday and Sunday. As that heat moves east over the week, the impact will differ around the country, with inland locations expected to bear the brunt. In the capitals, Sydney is expected to hit 33 degrees on Thursday, Brisbane will max out at 38 degrees on Monday before hovering around 30 for the rest of the week, Melbourne is due to hit 36 on Thursday and 41 on Friday, Adelaide will experience four days over 40 from Tuesday–Friday, and Canberra will top out at 42 on Thursday. And again, while sultry days are part and parcel of this time of year, each of the aforementioned cities except Brisbane will experience temps above its average maximum for December. https://twitter.com/BOM_au/status/1205670711156789248 As the ABC reports, the Bureau of Meteorology predicts that, inland, the country may even break the heat record for the hottest day ever recorded. It currently stands at 50.7 degrees at Oodnadatta in South Australia, and dates back to January 1960. The warmest temp ever recorded in December is 49.5 degrees, which Birdsville in Queensland hit on Christmas Eve in 1972. BOM has already predicted that this summer will be warmer and drier than average, like 2019 overall — and that those conditions will continue well into 2020.
There are many, many excellent and very familiar things to do in New South Wales — from climbing the Sydney Harbour Bridge to watching the sunset from the Cape Byron Lighthouse. But there are loads of other, more unusual possibilities, too. And some of them might never have crossed your mind. How about snorkelling with fur seals in the wild? Riding a camel along a beach? Crawling through an 1880s mine shaft? Get ready to throw out your old adventure playbook and re-write it. Here are seven things you didn't know you could do in Australia's most populated state. RIDE A CAMEL ON THE BEACH You might be aware that Australia has the biggest herd of wild camels in the world — there are over one million roaming around out there. But, did you know that, in New South Wales, you can ride one of the mighty humped beasts with waves crashing at your feet? This wondrous adventure is less than three hours away from Sydney. In Port Stephens, Oakfield Ranch leads camel rides along sweeping Stockton Beach. Should you be contemplating further escapades in the area, check out our weekender's guide to the area. SAND BOARD THE BIGGEST MOVING SAND DUNES IN THE SOUTHERN HEMISPHERE Just behind Stockton Beach are the Stockton Sand Dunes, the biggest moving sand dunes in the Southern Hemisphere. Once you're immersed, you'll feel as though you're in some far-off desert. That's one of the reasons why the first Mad Max film was shot here. Hands-down, the most fun way to experience them is with a sand board under your arm. After climbing your way to the top, slide back down head first (or, if your balance is good, standing) at epic speeds. You'll need to book with a local operator — or, to avoid enormous tour groups, go with the small, family-owned Sand Dune Safaris. SNORKEL WITH FUR SEALS IN THE WILD Around five hours south of Sydney is the coastal town of Narooma and, nine kilometres offshore, lies Barunguba (otherwise known as Montague Island). This pristine nature reserve is home to around 90 bird species, 12,000 little penguins and the biggest fur seal colony in New South Wales, which attracts 2500 seasonal residents — some of which you can snorkel with. Several tour operators are available and it's possible to add time exploring Montague Island. If you're keen to spend more time on the Far South Coast, our road tripper's guide might come in handy. GO HOT AIR BALLOONING ABOVE A 23 MILLION-YEAR-OLD VOLCANIC CRATER North and west of Byron Bay is the Tweed hinterland, a land of ancient rainforest, wild rivers and rugged mountain peaks. Twenty-three million years ago, a volcano erupted here, creating a caldera 40 kilometres wide and 1000 metres deep. To see it in all its lush beauty, wake up before sunrise and ride a hot air balloon with Byron Bay Ballooning. This dreamy escapade takes you way up into the air for an hour or so and, on landing, treats you to a champagne breakfast. EAT DOUBLE-HATTED FARE OVERLOOKING THE TASMAN SEA There's no shortage of delicious fare wherever you go in New South Wales, but there aren't many spots where you can feast on two-hatted dishes while gazing at the Tasman Sea. Paper Daisy Restaurant, within Halcyon House, near Cabarita Beach on the Tweed Coast, is one of them. Here, Executive Chef Jason Barratt (ex-Circa, The Prince, Attica) is in the kitchen whipping up ocean-inspired combinations. Start with lobster, white radish and granny smith apple, before moving onto kingfish baked in local kelp, sweet corn, smoked onion and dried prawn. Then, for dessert, pear with spiced date, almond and roasted fennel ice cream. CRAWL THROUGH AN 1880s COAL MINE On the road between Broken Hill and Silverton — around 1200 kilometres west of Sydney — lies Day Dream, one of Australia's first coal mines. Built in the 1880s, it's now a tourist attraction, where you can experience a day-in-the-life of a 19th century miner. Prepare for darkness, dust and lots of squeezing through teeny-tiny spaces — all 30 metres underground. Mining is still a dangerous business, but was way more terrifying back then. In fact, workers did it so tough that their bosses handed out opium to ease the pain. When that wore off, horehound beer, which caused temporary blindness, was the next refuge. You'll hear these and other tales on a 1.5-hour tour. Find more tips for exploring Broken Hill over here. VISIT THE (HUGE) TELESCOPE THAT HELPED BROADCAST MAN'S FIRST WALK ON THE MOON You might recognise this one from The Dish, the 2000 indie comedy by Australian writer-director Rob Sitch, who's also responsible for The Castle. Located around 360 kilometres west of Sydney near Parkes, the 64-metre-wide telescope helped broadcast man's first moonwalk and has since found more than half of the 2000 known pulsars. When you're finished marvelling at its architecture, feast on a beef and red wine pie in the on-site cafe and check out the memorabilia in the gift shop. Should you be travelling by vehicle, our road tripper's guide to Central NSW might help. Discover more adventures around NSW at visitnsw.com. All images: Destination NSW
Taking over the city during September, Brisbane Festival does many things. It gives everyone an excuse to devour entertaining cultural delights — and it serves up a new hangout. Actually, make that hangouts. Yes, Brisbane Festival's central hub offers multiple spaces in one. Revamping South Bank's Cultural Forecourt, Treasury Brisbane Arcadia boasts everything from pop-up food stalls to the spiegeltent to everything in between. Indeed, as well as offering a place to go when you need a wine, craft beer or food between shows, there's two places you'll want to check out. Stop by Divine for 20s, 30s and 40s-style revelry, vintage glamour and late-night DJs — or head to Voodoo for outdoor cocktails, jazz and piano music. Running from Tuesday–Sunday during the festival, Arcadia is free to enter all day and night. Other events in the vicinity include 1000 Doors and River of Light, plus the feast of performances at The Courier-Mail Spiegeltent. That's where you'll catch many of the fest's highlights, including Girlpool, Bruno Major, Mzaza and Blanc de Blanc Encore.
April 9th, 2011 was an important day for the residents of Fayetteville, Arkansas and bacon-lovers everywhere. Why? The third annual Bacon Day took place, of course, and did so with more of a 'bang' than expected. Bacon Day began as a private event, and although it was only opened to the public for the first time last year attendance has increased significantly. The event is an all day feast, but it's B.Y.O.B (bring your own bacon) for a potluck style dinner. Nick Hamon, co-founder of the Bacon Day celebrations, brings a little extra to the table each year with his sculptures and devices made out of bacon. In previous years he's delivered the BA-K-47 and the Bacon AT-AT, but this year he made bacon history. On the day of the event, Hamon lead the inaugural launch of his new bacon-based contraption, the BA-Zooka. The BA-Zooka, unlike past bacon designs, is fully-functional. The sausage-launching contraption was successful in its first fire in Fayetteville's Agri Park in front of the crowd of admiring bacon enthusiasts in attendance. I guess playing with your food isn't always a bad thing. https://youtube.com/watch?v=sz-sq7yF4bs
Alan Partridge (Steve Coogan) is a man with such a proficient ability to inject even the most banal of situations with toe-curling awkwardness that it borders on being a talent. A much-loved character that fans have followed over a range of TV series, specials, radio plays and his I, Partridge autobiography, this latest instalment (and the first big-screen outing for the character) is an unusually high-concept affair which makes the most of its delicious conceit. Having schemed desperately (but unsuccessfully) for his old TV hosting job, Partridge is still clinging onto his local celebrity status, revelling in the soul-crushingly inane show where he tackle questions such as "What's the worst kind of monger? Fish, Rumour, Iron or War?". When the station is taken over by a corporation intent on rebranding the backwater North Norfolk Digital as a vibrant youth station, he barely survives the cull. The upheaval sees the ageing Pat (Colm Meaney) axed, a decision he responds to by returning to a station party with a gun and taking the staff hostage. By dumb luck, Alan finds himself outside the station as the siege begins, and as the only one Pat trusts, he finds himself pushed into being the go-between between Pat and the police tasked with ending the siege. Simultaneously fearful and puffed up with importance, he soon starts to think that being the face of the siege (or "siege face" in his words) could be just the tonic his forever ailing career needs. Among those trapped at the station are the hapless Sidekick Simon (the hilarious Tim Key) and Angela (Monica Dolan), a co-worker so socially inept and desperate that she seems a plausible love interest for Alan. It also wouldn't be a Partridge show without Alan's long-suffering assistant Lynn (Felicity Montagu), who is on hand to massage Alan's fragile ego and generally be bossed around and underappreciated. It's interesting to see how the character of Partridge has softened over the years. Initially a misanthropic buffoon with the soul of a parking station, Partridge now seems completely eccentric and devoid of self-awareness but an essentially sympathetic figure who you actually cheer for as he finds himself in way over his head. The lighter tone hasn't led to a lack of laughs though — whether singing along to Roachford, back-announcing his soft rock favourites with baffling non-sequiturs, losing his trousers while managing to lock himself out of the under-siege building or completely misjudging every single conversation he enters, the painfully funny Partridge remains exhibit A in the argument for Coogan's status as a comic genius. While the pitch-perfect slice-of-life series Mid-Morning Matters with Alan Partridge remains the high water mark of the now sprawling Partridge oeuvre, Alpha Papa is a beautifully written and performed work, likely to delight both long-term fans and introduce a broader audience to one of British comedy's most inspired creations. https://youtube.com/watch?v=qywG2-FC6x0
Think you've seen every version of Peter Pan? Think again. In Straight On Till Morning, the boy who never grows up also never ventures out — because he's nestled inside a mental asylum with Wendy and Tink, and receiving treatment from Dr Hook. If it sounds like quite a different take on J. M. Barrie's classic tale, that's because it is. Interwoven with mental health stories from Queensland's past, the immersive theatre show follows the titular character through the hidden rooms and forgotten corridors of The Foundry, while drawing upon talented local spoken word artists, dancers, actors and physical theatre performers.
The annual French Film Festival is touring the country next month and is set to be an entertaining delight for film lovers of all tastes and ages. The festival is a wing of the Alliance Française, an independent, not-for-profit organisation devoted to promoting the spread of French language and culture worldwide. With a presence in over 146 nations and over 30 Alliance Françaises in Australia alone, it is safe to say the organisation has done well in achieving these goals. The Alliance Françaises of Adelaide, Brisbane, Canberra, Perth, and Sydney have joined forces to develop the Film Festival, now in its 24th year. And the 43 films set to screen at this year's festival will certainly not disappoint. The festival has a huge array of productions on offer, sure to sate the appetites of the soppy romantics, the arty, youngsters, those simply looking for a bit of a laugh, nostalgia-sufferers, and even thrillseekers. These films are some of most acclaimed productions to have come out of France over the last 12 months and will have you adoring both the language and the artistic creativity of the French by the time the credits roll. Opening the festival is Haute Cuisine, light fare about a successful chef who is appointed to head the President's kitchen in the Elysee Palace. During the festival you can see Renoir (pictured), a sumptuous film about the feuds of great painters; the erotic tableaux of FEU by Christian Louboutin; the Cannes closer and Audrey Tautou vehicle Therese Desqueyroux; and the pre-Freudian Augustine. The French Film Festival will tour to major capital cities during March and April. Visit their website to see the full program. Concrete Playground has six double passes per city to give away to see the French Film Festival in Sydney, Melbourne, and Brisbane. The passes entitle you to receive two complimentary tickets to one festival session of choice. To go in the running, subscribe to Concrete Playground (if you haven't already) then email your name and postal address to us at hello@concreteplayground.com.au
Everyone's favourite 'candy man' first made his way to Aussie shores back in 2019, which is when the smash-hit musical production of Charlie And the Chocolate Factory premiered in Sydney. After also travelling to Melbourne the same year, it was meant to make the trip Brisbane in 2020; however, the pandemic had other plans. Thankfully, Brisbanites aren't missing out on the popular musical. Instead, it's now bring its song-filled stage show to the Queensland Performing Arts Centre's Lyric Theatre in September. Flowers won't be the only thing blooming around the city between Thursday, September 2–Sunday, September 26 — because a hankering for more than a few sweet treats will be, too. In the popular musical, Roald Dahl's classic sugar-dusted tale is brought to life by a collaboration between theatre producers John Frost, Craig Donnell, Langley Park Productions, Neal Street Productions and Warner Bros Theatre Ventures. Following the worldwide popularity of both the original book and the 1971 Gene Wilder film, the musical has been confirmed a sweet success internationally, scoring rave reviews during its stint on Broadway and selling out a heap of shows in Sydney. With original songs like 'The Candy Man' and 'I've Got a Golden Ticket' featured alongside new tunes from the songwriters of Hairspray, this confection of a show promises to lure audiences of all ages into, shall we say, a land of pure imagination. It's directed by three-time Tony Award winner Jack O'Brien, with music by Tony, Grammy and Emmy Award winner Marc Shaiman, lyrics courtesy of Grammy and Tony Award winners Scott Wittman and Marc Shaiman, and choreography by Tony Award nominee and Emmy Award winner Joshua Bergasse. Images: Brian Geach.
Another beloved film is heading to the theatre — this time, iconic Australian effort Starstruck. It follows in the footsteps of a growing number of Aussie flicks-turned-musicals; think Priscilla, Queen of the Desert, Muriel's Wedding and Moulin Rouge!. Like its predecessors, it's easy to see why the film is getting the stage musical treatment. In fact, given the movie's storyline, it's a wonder that a large-scale production of hasn't been made before. Directed by Gillian Armstrong and first released in 1982, the comedy-drama tells the tale of Sydney teenager Jackie Mullens, who works in her mum's pub by the harbour but wants to become a rock star — and her cousin Angus, an aspiring manager, plans to get Jackie on a national TV talent series to help her dreams become a reality. An all-singing, all-dancing affair that'll be filled with 80s pop just like the movie, Starstruck — The Stage Musical will see RGM Productions, the folks behind the Priscilla, Queen of the Desert musical, team up with the National Institute of Dramatic Art. For the show's initial run at Sydney's Parade Theatre in 2019, it'll showcase NIDA's graduating class; however the production will also act as pilot for future commercial seasons. Dates haven't yet been announced, but it's expected to take to the stage towards the end of next year. As well as Priscilla Queen of The Desert, The Musical producer Garry McQuinn and his partner Rina Gill, the behind-the-scenes talent includes director Simon Phillips (Priscilla Queen of the Desert, Ladies in Black, Muriel's Wedding) and choreographer Andrew Hallsworth (Anything Goes, Sweet Charity), with the book by actor, singer, writer and director Mitchell Butel (Two Hands, Gettin' Square, Holding the Man). "It'll be an exciting adventure to see this warm-hearted little Australian film take shape on the stage," says Phillips. "The story about a couple of self-invented Ozzie kids trying to save their family pub is full of joy and adolescent energy, and NIDA feels like the perfect place to road-test its charms." https://www.youtube.com/watch?v=ucf3bzv-e9M
In some cities, it'll happen in October. In others, it'll occur in November. Either way, folks in a heap of places around Australia are about to learn a very important truth. If you've watched Aunty Donna's Big Ol' House of Fun on Netflix — aka the platform's best comedy of 2020 — then you'll have already heard this crucial nugget of wisdom. Everyone could use a reminder, though, because knowing that everything's a drum is just that essential. Aunty Donna, purveyors of such powerful tidbits, are following up their streaming success by spreading the word — and the absurdist gags — countrywide. For the first time in more than three years, the comedy trio is hitting the road and heading to stages in Brisbane, Canberra, Perth, Adelaide, Sydney, Melbourne and Hobart. Even if you haven't yet had your cup of morning brown yet, you'll know that this is exciting news. Writers and performers Mark Samual Bonanno, Broden Kelly and Zachary Ruane will be breaking out their distinctive brand of humour between Wednesday, October 6–Friday, November 12, as part of a roadshow they're calling The Magical Dead Cat Tour. They've released a trailer to explain why these gigs have that name, and it's as silly and hilarious as you'd expect. Also part of the clip: the very wise recommendation that wannabe attendees should get their tickets quickly. Aunty Donna's Big Ol' House of Fun was just the dose of hilarity we all needed last year, so the troupe's tour is certain to prove the same this year — but in-person. Fingers crossed for more Crazy John's, Four'n Twenty pies, Eagle Boys Pizza, the Hoodoo Gurus and Grant Denyer references. And yes, plenty of funny folks are about to hit the road and bring their amusing shows to Aussie cities — with Aunty Donna touring at around the same time as Bill Bailey and Hannah Gadsby. Check out the trailer for Aunty Donna's The Magical Dead Cat Tour below — and the full tour dates, too: AUNTY DONNA'S THE MAGICAL DEAD CAT TOUR 2021: Wednesday, October 6–Thursday, October 7 — Fortitude Music Hall, Brisbane Saturday, October 9–Sunday, October 10 — The Playhouse, Canberra Wednesday, October 13 — Astor Theatre, Perth Thursday, October 21 — Thebarton Theatre, Adelaide Wednesday, October 27–Thursday, October 28 — Enmore Theatre, Sydney Tuesday, November 2–Saturday, November 6 — Arts Centre, Melbourne Friday, November 12 — Theatre Royal, Hobart Aunty Donna's The Magical Dead Cat tour will make its way around the country this October and November. For pre-sale tickets until 10am on Thursday, June 17, or for general ticket sales afterwards — and for further information — head to the Aunty Donna website. Top image: Netflix.
A great gin is dry and soft, relaxed but fragrant, and always full of flavour. And, if you're lucky, it makes you feel like you're miles away when you're sipping it. That's what Sunshine & Sons' Original Dry Gin serves up, with the juniper spirit not only crafted from native Australian botanicals, but made in Woombye on the Sunshine Coast. In other words, it's the gin to pour into your cocktails when you wish you were taking a local holiday, but can't actually arrange a break just yet. And if you're thinking about drinking it while spending time with your best mates, that's very fitting — with Sunshine & Suns created by four firm friends who love the Sunny Coast and stellar spirits. Sunshine & Suns runs an online cellar door, too — and, as well as its Original Dry Gin, it's also the home of a volcanic rock-filtered Original Vodka.
Sixteen years ago, film fans swooned over a story about love. They danced to a cinematic tune filled with gorgeous tunes, too. The movie: Once, the Dublin-set romance from writer/director John Carney (Sing Street), which picked up an Academy Award for Best Original Song and had viewers everywhere falling — quickly, not slowly — for its ample charms. That Oscar wasn't the only gong the feature won, and deservedly so. Once didn't stop as a movie. In 2011, it hit the stage as well, as a Broadway production adapted by Irish playwright Enda Walsh. It too picked up accolades, including eight Tony Awards and a Grammy, all for once again relaying a guy-meets-girl story with otherworldly lyricism. Unsurprisingly, the theatre version of Once has kept treading the boards over the past decade — and, thanks to Darlinghurst Theatre Company, the musical has been touring Australia of late. Across Saturday, June 17–Thursday, June 22, it's southeast Queensland's turn to welcome the production, playing at HOTA, Home of the Arts on the Gold Coast. Director Richard Carroll's rendition boasts Once's peerless musical score, of course, and the show's five-night run will mark its Queensland debut and exclusive Sunshine State stop. A brief synopsis: Once opens in a charming and grungy Dublin pub. That's where we meet Guy, who plays gigs at this sort of locale while pining over his unfaithful ex-girlfriend (a backstory wonderfully evoked in the song 'Broken Hearted Hoover Fixer Sucker Guy'). Guy is packing up his guitar when Girl, a young Czech woman enchanted by his music, approaches him. We soon discover that Girl is also a musician. And, perhaps more importantly — for Once's narrative at least — Girl is the owner of a broken 'hoover'. The rest of the show charts the transient but intense intimacy that Guy and Girl form through their shared love of creating music. To borrow a well-worn catchphrase used my many a reviewer: a show like this only comes around Once. Once plays HOTA, Home of the Arts on the Gold Coast from Saturday, June 17–Thursday, June 22. Head to the venue's website for further details and tickets. Images: Robert Catto.
Hitting the city with not just a bang, but with a whole heap of banging tunes, this year's Brisbane Festival launches with one hell of a house party. No, you're not destined for the suburbs. Instead, The Tivoli will echo with the sounds of 90s house music, with Groove Terminator leading the charge, GT will perform his famous retro 'House 5 DJ' mix — but he'll have company, too. This show isn't called The Church of House for nothing. Singers from the Gospo Collective and Brisbane's Aboriginal Centre for the Performing Arts will form a gospel choir, while guest vocalists and other DJs will join in. The party kicks off at 8pm on Friday, September 8 and dressing up to suit the occasion is heartily encouraged. This is a whole different kind of worship.
Having risen to fame by the ARIA-award winning success of her adventures with her brother Angus, Julia is taking the world by the horns in her own right, something she cements in the similarly named title of her debut album, with chilling vocals and a heart on her sleeve style of melancholy storytelling that has seen her more than separated from the echoes of her past. With a voice that bears traces of Bjork, Harriet Wheeler, Kristen Hersh, Jesca Hoop and Alison Shaw, Stone has become somewhat of a feminist icon, with her work transporting her into new and alien territory. Playing tracks like 'And The Boys' and 'For You' from Angus & Julia’s back catalogue and 'By The Horns' and 'Memory Machine' from her own, Julia Stone will mesmerize any audience.
Maybe you plan an entire day around them, nabbing your seat by the river as early as possible. Perhaps you head to a waterside bar with the best view before sunset, or you could just scope them out from your nearest lofty vantage. Whichever fits, there's no escaping Riverfire when the end of September rolls around in Brisbane. Part of Brisbane Festival, it lights up the night sky with fireworks — and it'll be back in 2021. In 2019, Riverfire was scaled back. In 2020, it was cancelled due to the pandemic and replaced with a light and laser show. But the event will go ahead as normal this year, with Saturday, September 25 the date to mark in your diaries. It'll operate under COVID-safe requirements, though, so there'll likely be changes to the crowd sizes. Usually, more than 500,000 people attend. Announcing the news, Brisbane Festival Artistic Director Louise Bezzina said that "Riverfire has been a wholly inclusive and widely accessible part of Brisbane Festival's program since 1998 — and while some changes are necessary to ensure it is a COVID Safe event, it will once again surprise and delight residents and visitors alike." Full details about the event will be revealed when the Brisbane Festival program is released in mid-July, but it'll obviously be as straightforward as it usually is — with fireworks doing their thing for more than 20 minutes across the evening, and folks around Brissie finding the right spot to look up. As usual, the Riverfire playlist will be simulcast via Triple M, too, while Channel Nine will broadcast the fireworks if you can't get a decent vantage. Even if fireworks aren't usually your thing, you might still be interested in the Riverfire shindigs that always pop up on the night, with bars around town usually throwing plenty of parties with quite the lit-up backdrop. Riverfire 2021 will take place on Saturday, September 25, during this year's Brisbane Festival. Further details will be announced with the full Brisbane Festival program in mid-July.
In the whimsical 2001 film that bears her name, Parisian waitress Amélie Poulain (Audrey Tautou) decides to devote her life to bringing happiness to others in the quirkiest, sweetest, most charming ways possible. The results earned the Jean-Pierre Jeunet-directed effort five Oscar nominations, a slew of other awards and box office success around the world, and turned the movie into everyone's favourite French flick. We know you've seen it more than once. Now, Amélie is back — and the folks behind her latest incarnation clearly want to keep following in her footsteps by spreading joy wherever they can. No, they aren't returning prized childhood possessions, helping people find romance or taking a garden gnome around the world. However, given that they've adapted the beloved film into a stage musical, they're still achieving that aim. The song-filled theatre production will make its way to Broadway in April 2017, with previews the month prior, following its world premiere in Berkeley, California back in 2015, and another run in Los Angeles this December. Hamilton's Tony-nominated Phillipa Soo will jump from one hot hit to what's sure to be another to play the titular role alongside a cast of veteran performers, as directed by Tony-winning Who's Afraid of Virginia Woolf? helmer Pam MacKinnon. Amélie joins everything from Moulin Rouge to The Bodyguard in making the leap from the screen to the stage — and into must-see theatre lists as well. Just as it's a good time to be a film-loving TV watcher with the likes of Eternal Sunshine of the Spotless Mind and What We Do in the Shadows making their way to television, it is also an excellent to be a movie-obsessed musical attendee. Groundhog Day, Matilda, Singin' in the Rain, Heathers and Carrie have all also received the singing, dancing theatre treatment after all, just to name a few, with musicals of True Blood and SpongeBob SquarePants also slated in the near future. Via Variety.
Fresh from sell-out shows at Adelaide’s Fringe Festival and a manic Asian tour, The Idea Of North return, for one night only, to The Brisbane Powerhouse. Described by the Sydney Morning Herald as “one of Australia’s brightest cultural treasures” The Idea Of North have been mesmerising audiences for nearly twenty years, with sophisticated interpretations of classics and distinctive arrangements of contemporary and traditional tunes alongside extraordinary original material. Made up of four remarkable singers, The Idea Of North are charming and charismatic, with quick wit and stylish banter.
The Intern is one of those films that’s not easily labelled. It absolutely feels like a romcom, especially with writer/director Nancy Meyers at the helm (responsible for the likes of Father of the Bride and It's Complicated), but there’s not really any romance in it to speak of. It’s also a funny film, though you’d fall short of calling it a comedy, and it consistently packs in the feels, only there are too many lighter moments for it to be an out-and-out drama. Ultimately, whether by chance or design, The Intern's indeterminate status actually offers us a neat reflection of the story within it, for this is a story about two individuals — the ‘retiree’ and the ‘working mum’ — both grappling with the expectations and misconceptions that accompany those characterisations. De Niro, the retiree, is a 70-something widower without a purpose. Intelligent, polite and openly uncomfortable with inaction, his character Ben Whittaker applies for (and secures) a place in a senior’s intern program at fashion tech startup About the Fit. Anne Hathaway, the ‘working mum’, is the company’s 30-something founder and CEO, Jules Ostin. Passionate and driven but overworked, Jules is fending off shareholder insistence that she hire a ‘proper’ CEO while simultaneously struggling to keep her family together on account of her relentless schedule and the restless ‘stay-at-home dad’ (another unhelpful label) waiting at home. When De Niro is assigned to be Hathaway’s personal intern, their initially uncomfortable partnership soon develops into an indispensable friendship: he the calming influence on her, and she his newfound sense of purpose. The early scenes in The Intern are enough to give serious pause. De Niro’s ‘old guy in a young person’s tech world’ shtick had the potential to be incredibly hammy, and moments like not knowing how to wake up his laptop or use a USB did not augur well for avoiding the tired ‘analog meets digital’ cliche. Hathaway’s character, too, was immediately unlikeable, wearing her wireless headset and riding her fixed-gear bicycle through the office from meeting to meeting. Thankfully, though, neither concern plays out for long. De Niro’s reserve — that trademark smile and gentle nod that has traditionally masked violent intent — works perfectly as a juxtaposition to the madness of the Gen Y workplace around him. His old-school approach to both work and life endears him to all, as he offers advice from fashion and accessories through to putting down the phone and actually talking to people. Similarly, as soon as Hathaway’s pristine veneer reveals its vulnerabilities, she becomes at once an entirely sympathetic character and a surprisingly cogent representation of the unresolved workplace gender debate. In many ways, The Intern plays out like an adaption of Annabel Crabb’s The Wife Drought or Unfinished Business by Anne-Marie Slaughter, the first female director of policy planning at the US State Department and author of the controversial ‘Why Women Still Can’t Have It All’ essay in the Atlantic. Both these texts highlight the difficulties and hypocrisies surrounding successful women in the workplace, including why we never hear the label ‘working dad’, and — at its heart — this is what The Intern ultimately concerns itself with. There are plenty of laughs along the way, as well as some admittedly saccharine scenes, but mostly this is a heartwarming tale of friendship and a constructive engagement with feminism and gender inequality.
They're red, sweet and juicy — and they're everyone's favourite fruit. They're also grown in abundance around Queensland. Did you know that around 40 percent of the state's strawberries come from the Moreton Bay region? Well, you do now — and you might just want to celebrate that fact. All you need to do is head on over to Sandstone Point from midday on Sunday, September 24 for the returning Strawberry and Dessert Festival. Because you can never have too much of a good thing, this Sandstone Point Hotel event will paint the pub pink with farm-fresh strawberries — and strawberry milkshakes, strawberry ice cream, scones with strawberry jam and chocolate-coated strawberries are all usually on the menu. So is a strawberry-eating competition and a bar serving strawberry-flavoured cocktails. As you might've noticed, this isn't just a strawberry festival. It's a showcase of many a sweet treat as well. Basically, arrive hungry — and wear something stretchy — as you prepare to devour desserts aplenty. Also on the lineup: cooking demonstrations, spanning strawberries and desserts; dessert cocktail-making demos as well; and live tunes and rides for kids. Tickets cost $13.60, and you'll pay for whatever you eat and drink. Images: Sandstone Point Hotel.
If you're looking for an excuse for your next getaway, new Australian airline Bonza has plenty, including cheap airfares on 25 routes. First announced in 2021 and planning to take to the skies this year, the soon-to-launch carrier has announced the locations it'll be flying to, as well as the legs it'll take between them — with a big focus on regional destinations. When it hits the air, Bonza will service 16 different spots, spanning nine in Queensland, four in New South Wales and three in Victoria. For those heading to the Sunshine State, get ready for trips to Bundaberg, Cairns, Gladstone, Mackay, Rockhampton, the Sunshine Coast, Toowoomba, Townsville and the Whitsundays. NSW's list covers Albury, Coffs Harbour, Newcastle and Port Macquarie, while Victoria's features Melbourne, Avalon and Mildura. Given that Melbourne is the only state capital that Bonza will be servicing, the airline's routes largely connect regional spots — heading from the Sunshine Coast to Coffs Harbour or Port Macquarie to Melbourne, for instance. Indeed, the Sunshine Coast and Melbourne both feature heavily, with the airline set to run 37 flights weekly to the former and 22 to the latter from its roster of locations. Bonza will also base its headquarters on the Sunshine Coast, too. Opening up routes to more of regional Australia was stated as Bonza's aim back when it first revealed its existence last year. "Bonza's mission is to encourage more travel by providing more choices and ultra-low fares, particularly into leisure destinations where travel is now often limited to connections via major cities," said Bonza founder and CEO Tim Jordan, who comes to the airline with 25-plus years experience in low-cost carriers such as Virgin Blue, Cebu Pacific in The Philippines and central Asia's FlyArystan. An exact date that the carrier will start flying its Boeing 737 MAX aircraft around the country still hasn't been revealed as yet, but it hopes to put flights on sale within the next two months. Those fares won't include baggage and seat selection, which'll you need to pay extra for — and it'll be cheapest to do so when you make your booking, rather than afterwards. When it launches, the carrier will take to the skies with the backing of US private investment firm 777 Partners, which also has a hand in Canada's Flair Airlines and the Southeast Asian-based Value Alliance. Bonza is set to start flying in 2022 — we'll update you when an exact date is announced. For more information, head to the airline's website. And for its full list of routes, you'll need to download the airline's app for Android and iOS.
For the much of the second half of 2020, the Sunshine State has been off limits to Victorians. Over that period, the status of Queensland's borders has changed multiple times — as it has throughout much of 2020 — including shutting out all of NSW, then reopening to all of NSW except Greater Sydney, then recently closing to Adelaide residents. But, finally, Victorians will be able to make the journey north from Tuesday, December 1. Today, Wednesday, November 25, Premier Annastacia Palaszczuk announced on ABC News Breakfast that Queensland will reopen its border to all of Victoria from the first of next month — which is less than a week away. The move was flagged in yesterday's similar announcement about reopening to all of New South Wales on the same date, but was contingent on the southern state not recording a new case in the past 24 hours. Victoria has now had 26 consecutive days with zero new cases and yesterday hit the milestone of zero active COVID-19 cases for the first time since February. The Queensland Premier called the announcement "very, very good news" — and said the lack of community transmission of COVID-19, plus testing rates and sewerage testing results, all played a part in the decision. She also noted that the Sunshine State now expects an influx of visitors over the summer holidays. Of course, this is also good news if you're a Queenslander now keen on a Victorian getaway, as you'll be able to head to Melbourne and not have to worry about quarantining on return. The Sunshine State will continue to keep its borders closed to 20 South Australian LGAs for the foreseeable future. Whichever way you're heading, though, you will still need a border pass. It isn't required to leave the state, but you'll need one to enter, regardless of whether you're a tourist or returning resident. To obtain a pass, you'll need to apply online, with each one valid for seven days. For more information about Queensland's border policies, head to the Queensland Government website.
Semi-Permanent is the leading global design event, a creative experience by creatives for creatives. The design world descends on Darling Harbour each year and for 2 days the Sydney Exhibition Centre becomes a showcase for the cream of the world's design, art and media communities. Now in its ninth year of bringing together interesting speakers with interested audiences, this year's speakers are continuing the trend of exceptional local and international speakers, including musician/artist Reg Mombassa, designer Annie Sperling, photographer Corey Arnold and illustrator Kelly Thompson. We're partnering with Semi-Permanent again this year and have 5 x two-day passes to give away (worth $310 each). To win, simply subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au with your name and address. Entries close Tuesday, 10th May at 5pm. You won't want to miss out.
Money can't buy you love, as four mop-topped Brits first sang 59 years ago, but it can buy you tickets to see the music legend who wrote one of the catchiest pop tracks ever released — and co-performed it — play it live in Australia. When Paul McCartney heads Down Under this spring, he'll have a wealth of material to choose from. One of his favourite openers: 'Can't Buy Me Love'. Hitting our shores for the first time since 2017 on his Got Back tour, McCartney will work through a massive catalogue of hits from his time in The Beatles, Wings and also across his solo career. In Brisbane, Sir Paul has a one-night date with Suncorp Stadium on Wednesday, November 1. This tour will commemorate almost six decades since the band that helped McCartney make history famously toured Australia in 1964 amid a wave of Beatlemania. In Adelaide all of those years back, it's estimated that 350,000 people lined the streets to get a glimpse of the group, packing the stretch between the airport and Town Hall. McCartney's Got Back setlist has featured everything from 'Hey Jude', 'Let It Be' and 'Ob-La-Di, Ob-La-Da' to 'Love Me Do', 'Blackbird' and 'Got to Get You Into My Life' from The Beatles across its stops so far. Yes, 'Get Back' gets a whirl. Wings tunes 'Live and Let Die', 'Band on the Run', 'Letting Go' and 'Junior's Farm' usually pop up, too, as does McCartney's own 'Maybe I'm Amazed'. The Got Back tour kicked off in the US in February 2022, wrapping up last year's run with a massive Glastonbury set. McCartney now brings his usual band — keyboardist Paul 'Wix' Wickens, bassist and guitarist Brian Ray, fellow guitarist Rusty Anderson and drummer Abe Laboriel Jr — our way after picking up a Helpmann Award for Best International Contemporary Concert for his last visit. Images: MPL Communications.
‘There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening’, reads the opening line of Anthony Burgess’s scandalous novel, A Clockwork Orange. How ringleader Alex and his band of teenage delinquents do eventually spend their night — on a rampage of brutal assault and rape which ends in the murder of an elderly lady — propels the audience of Action to the Word theatre’s contemporary reimagining of Burgess’s seminal text, directed by Alexandra Spencer-Jones, into an exploration of testosterone fuelled boredom gone awry. Those who may have attempted the novel but baulked at its unfamiliar, somewhat jarring ‘Nadsat’ dialect (an English and Russian hybrid language invented entirely by Burgess and later, in a case of life imitating art, employed by real life gangs following the success of the text) will be grateful for the physicality of the dynamic, all male cast. Where it may be easy to verbally miss what it means to ‘tolchock a chelloveck in the kishkas’, the actualisation of Alex (Martin McCreadie) senselessly brutalising those unfortunate enough to fall under his malicious gaze when he’s looking to break up the monotony of it all cannot be lost in translation. Although a fascination with violence is inherent to the performance, a stylistic emphasis on dynamic dance sequences, accompanied by a modern, high-energy soundtrack, allows some of the more shocking portrayals to remain implied, rather than descend into self-serving vulgarity. This is no coincidence — unlikely Stanley Kubrick’s highly graphic film adaptation, Action to the Word’s stage performance has auctorial integrity, having been developed in association with Burgess, who sought to rectify misconceptions of the text as being designed as an invitation to the disillusioned youth of the world to mirror the rage of his fictional droogs. Unlike the originally published and widely circulated American version of the novel, Spencer-Jones’s stage adaptation remains true to Burgess’s original ending. By privileging the author’s intended sequence of closure, a protagonist whose behavior is undeniably animalistic and barbaric throughout the performance is ultimately humanised — it turns out it was all a case of ‘boys will be boys’ and what Alex really wants is the wife, kid and white picket fence, just like the rest of us. Where Burgess may have intended this to suggest an innate potential for goodness in even the most seemingly depraved members of society, it simultaneously highlights the audience's ability to feel empathy for, and identify with, a violent murderer. When played by the achingly charismatic McCreadie, despite his propensity for kicking heads in and pillaging innocent women, Alex is strangely mesmerising and even appealing — what might be most interesting is what that implies about our own attitude towards aggression, manhood and ‘that old ultra violence’. Just what that wider societal attitude might be remains unclear, although just shy of two years on from the London riots, audiences of A Clockwork Orange will feel that its depictions of the human propensity for violence, aggression and brutality remain as scandalously relevant today they were when first published as a text 50 years ago. While it may leave you unsure of whether whether to take up adult dance classes, attempt (probably feebly) to kick down a street sign or run for cover from the mad, bad world outside, A Clockwork Orange is an immersive triumph of modern theatre that will confront, then refuse to neatly providing answers to all of the terror it raises — real horror show, in all senses of the term.
Birds will chirp, rainbows will form and the sun will shine a little brighter over Brisbane Showgrounds when the award-winning Dog Lovers Show comes to Brisbane for the very first time. The show has been to Sydney and Melbourne for the last few years — and, let us tell you, it involves a lot of pats, licks and parades. And a dedicated puppy cuddle zone. Bounding into the Royal International Convention Centre on the weekend of November 4 and 5 (from 9.30am till 5pm each day), the Brisbane Dog Lovers Show will see thousands of dedicated pooch fans celebrating the noble four-legged monarch of human companionship. There'll be dozens of furry friends available for adoption from rescue groups across Queensland in the Rescue Dog Zone, where you can learn up on what's actually involved with adoption. But hold up, you came here to cuddle pooches. We're getting there. Punters can make their way to the Pat-A-Pooch zone, where you can cuddle up to a wide range of Australia's most loveable and popular breeds from puppy to adult dogs — we're talking uppity dachshunds to fluffball samoyeds, all up in your grill. This has undeniably been the main attraction of the events in Melbourne and Sydney, and gives kitten cafes a run for their money. There's plenty more happening over the two days of furry friended fun. Not sure which type of schnoochie is perfect for you? Sign up for a Perfect Match session where you'll be paired with your ultimate dog breed. Already found your tail-waggin' soulmate? Get some expert tips on training, behaviour, first-aid and nutrition in seminars by some of Australia's big name vets. Plus, there's going to be a doggie kissing booth. Yep, pucker up. Tickets are $20 online or $35 on-site (adult, ages 16 and over). Everything is free (including cuddles) once you have purchased your ticket, obviously excepting food and drink.
Our society seems to be developing an obsession for sleeping in places that are not our beds. Are our lives so busy and so constantly on the go that the notion of getting your 8 hours in the quiet comfort of your bedroom sometime between dusk and dawn is becoming impractical, unrealistic and just plain outdated? A range of designs over the past few years seem to be pointing to our desire to harness modcon's to make going to sleep - the concept, the verb - unnecessary and obsolete and instead, in its place, enable us to take sleep with us wherever we go. it seems survival of the fittest is all about adaptation, with new designs allowing our weary bodies to adapt to our demanding lifestyles. Athanasia Leivaditou has added a new incentive to staying late at the office through her latest offering - an office desk that can convert into a bed. The white, seemingly innocuous, everyday office desk masks deep within its belly a 2m x 0.8m x 0.73m escape to the Land of Nod complete with a small flat screen TV. Leivaditou pointed to the contraction of our lives to fit into the walls of our office as the inspiration for her design. If your occupational allegiance is tied not to an office but to mobility, you may want to invest in an OSTRICH. Designer Kawamura Ganjavian states that it is a combination of a pillow, cushion, bed and garment that offers "a micro environment in which to take a warm and comfortable power nap at ease" with a "soothing cave-like interior" into which we bury our heads and hands in mimicry of the habits of the aforementioned large flightless bird. If you want to take the concept of portable sleep vessel one step further, perhaps try out Forrest Jessee's Sleep Suit, which, for all intents and purposes, transforms you into a walking sleeping bag. It was designed as a facilitatory aid to the adoption of an alternative sleep cycle whereby you take frequent naps over the course of a day rather than having a big greedy sleep at night. The pleated foam construction enables the user to hear, eat, breathe and see, as well as, at the user's discretion, keel over whenever and wherever for a comfortable and safe snooze. Mixing literal instrumentality with aesthetic absurdity, these designs simultaneously allow us to adapt to our evolving circumstances as well as, possibly, making us question whether the need for such adaptations is an indication that it is our lifestyles themselves that need changing.
Wearing your heart on your sleeve might not be all that cool, but wearing your love of ramen proudly emblazoned on your chest? Well, that's completely acceptable. In fact, the designers at Japanese casual-wear retailer Uniqlo wholly encourage the idea, who've just released a line of covetable ramen-print t-shirts. The fresh designs are part of the label's latest spring/summer t-shirt drop, working the theme 'wear your world' with authentic pop culture images from around the globe. The ramen collection is a nod to Japan's most iconic ramen joints, including Ippudo, Menya Musashi, Setagaya and Hokkaido Ramen Santouka. Some, like the t-shirt for Ebisoba Ichigen, feature bright bowls of noodle soup, while others are printed with recognisable restaurant logos. Other Uniqlo pop culture collections to hit Aussie stores include one called 'The Brands', one devoted to 80s American movies and an art-meets-fashion tribute, SPRZ (Surprise New York + Eames). The t-shirts are retailing for $19.90, but if you're in Brisbane or Sydney, you can try and nab a free one at the collection launches. Brisbane's Queen Street Mall store will be running giveaways tomorrow — Saturday, October 6 — from 11am–3pm, while Sydney's Pitt Street location will do the same the following weekend, at Saturday, October 13. Uniqlo's Wear Your World ramen t-shirts are available now for $19.90 each. You can purchase them from all Australian stores or online here.
It's that time of year again. The bargain-filled Click Frenzy sale return for its next online shopping riot, kicking off at 7pm on Tuesday, March 17 — and, this time around, it's focusing on Aussie businesses in need. The site's inaugural Places in Need event arrives on the heels of Australia's devastating bushfire season and amidst the COVID-19 pandemic. This double-whammy has hit the travel sector hard, and Click Frenzy plans to aid local businesses through its quarterly sale. As of 7pm, you'll have access to the usual array of bargain deals on airfare, holiday packages and accommodation, as well as on experiences, tours, car hire and travel insurance. Over 500 deals will be on offer, with big names like Virgin Australia, Travel Online, Flight Centre and Klook all on board. Those deals will specifically focus on a combination of lesser-known Australian gems and well-traversed destinations where tourism is especially low. Of course, in this period of uncertainty, it's not expecting travellers to book a trip for next week. Instead, there'll be flexible dates and cancellation terms — with the intention that consumers will hold onto their vouchers or book for future dates. Now for the deals: expect 70-percent-off Flight Centre packages, 50-percent-off Travel Online destinations, 20-percent-off Hamilton Island stays and 25-percent-off Metro Hotels across Australia. [caption id="attachment_765150" align="alignnone" width="1920"] Shotever Jet Boat[/caption] A few of the New South Wales-specific offers include $400-off luxury stays at White Sand Jervis Bay, a free private tour of biodynamic vineyard Lark Hill Wines, a $100 voucher in Bundanoon (when staying at Fulford Folly) and one-night-free accommodation at Redleaf Carriages in Fitzroy Falls. There's also $30 off Sydney-based experiences via Klook, including the Harbour Bridge Climb, skydiving and hot air balloon bookings. Now may be a time to tick these off your bucket list. Other featured deals around the country include one-night-free stays at Waverley House Cottages in Lake Entrance, Yarranungara Yurt Retreat in Oxley and Aurora Ozone Hotel on Kangaroo Island (which was devastated by the bushfires. And the Mansfield Zoo in Victoria is offering adult camping for child prices. And if you're a member (or want to register for free), you get additional benefits, including early access to all of the deals. There's no official 'end' time to the sale this year, either so you'll have extra time to explore and book. Choose wisely. Click Frenzy's Places in Need kicks off at 7pm on Tuesday, March 17. You can find all the tasty travel bargains here. Check each individual deal for exact terms and conditions. Top image: Kangaroo Island by Isaac Forman
Some Pixar movies bring childhood obsessions to big screen, as seen in the Toy Story and Cars films. If you loved monsters as a kid, the Monsters, Inc flicks definitely also count. Other features made by the beloved animation studio explore exactly what it feels like to be a child — as seen in the wonderful Inside Out, of course, and now in the company's upcoming release Turning Red. We say 'upcoming', and that is indeed accurate — but after both Soul and Luca hit streaming over the past six months, the studio's next movie won't release until March 2022. So, you'll be waiting a while to get another dose of heartwarming animated cuteness. Based on its just-dropped first trailer, Turning Red looks like it'll be worth it, though. Marking the first feature from writer/director Domee Shi, who won an Oscar for her delightful 2018 short Bao, Turning Red takes its moniker literally. Many Pixar flicks do, of course (see also: Finding Nemo, Up, Brave and Onward, for instance). Here, 13-year-old Mei Lee (Rosalie Chiang, also making her movie debut) is an ordinary teen who gets embarrassed by her mum Ming (Sandra Oh, Killing Eve) fairly often, and can find adolescent life a bit overwhelming. So far, so relatable — but when she's overexcited by all of the above, Mei Lee also happens to turn into a fluffy red panda. If you're thinking about the Hulk but red, female, younger and more adorable, that's the kind of vibe the trailer gives. Disney does own both Pixar and Marvel, so that isn't a big leap. Just how Mei Lee copes with her sudden transformations is exactly what the flick will cover, obviously — and, at this stage, viewers will be able to see the end result in cinemas next year rather than on streaming. Check out the trailer below: Turning Red is slated to release in Australian cinemas on March 31, 2022. Top image: © 2021 Disney/Pixar. All Rights Reserved.
