There are two things at the forefront James Cousins' paintings – interference and disruption. In most of his pieces, few marry together in terms of colours, texture and shadow, but their clashes create something comfortably wholesome. Everything seems a little disheveled, with the only focus is on the irregularities. Cousins employs images, which he submerges, redefines, overlays, and manipulates with vinyl stencils and paint, letting each lurch away from his own artistic intentions, taking direction on their own. And this type of work has long been appreciated and admired on Australian, New Zealand and international circuits. Cousins has exhibited as part of the The Wallace Art Awards (2005), Waikato National Art Awards (2002) and the Visa Gold Awards (1996, 1998) and featured at the 2005 Rotterdam Art fair. You can see the work of this New Zealand artist at Ryan Renshaw Gallery till the 23rd of August. Some of his pieces are a little confronting, other’s are just sporadic, but all say a little something about the uselessness of focus.
Whether you're celebrating your mum, grandmother or any other maternal figure, they deserve more than just a bunch of flowers for Mother's Day. But on top of whatever gift you have planned, or wherever you're taking the mama in your life to celebrate, you can nab them free florals — because when it comes to marking the occasion, this really is a more-the-merrier kind of date. DoorDash and Coles are teaming up on a flower giveaway, which means that you can get them delivered to your mother's door, too. There's 5000 up for grabs and, while it isn't all about bouquets, they're among the range on offer. If your mum would love nothing more than a surprise bunch of petals, order away. If she'd prefer a single rose, or potted daffodils or hyacinths, they're available as well. And, you don't have to spend any cash getting anything else from Coles; however, there are delivery and service fees. Obviously, you need to order via DoorDash, with the freebies available across Saturday, May 13–Sunday, May 14 to the first 5000 orders. You also need to use the code MOTHERSDAY to redeem the free flowers, and you can't pick anything over $30. The floral giveaway is only available at select locations, and you can only score one redemption per customer. Also, if you select free flowers that cost less than that amount, you won't get the difference credited to you or be able to choose something else. Your mum can expect her blooms in around 45 minutes (on average) after you place your order. Still looking to book in a breakfast, brunch, lunch, dinner or drinks with the mum in your life as well? Check out our guides for top-notch spots in Sydney, Melbourne and Brisbane. To score free flowers for your mum, be one of the first 5000 people to place an order via DoorDash across Saturday, May 13–Sunday, May 14.
For most folks, Boxing Day follows one of three paths. First, you nurse your Christmas hangover and spend all day fussing over your pressies. Second, you hit the shops for bargains, adding to your haul. Third, you seek out the dark and cosy confines of a cinema — 'tis the biggest movie release day of the year, after all. In 2021, you can shake up your routine — or add to it — by hitting up Hibiscus Room's Boxing Day BBQ Brunch. The just-launched retro-themed rooftop venue on level four of the Hyatt Regency Brisbane is turning the day after Chrissie into an excuse to get eating and drinking — and splashing if you like. You'll pay $79 per person for the food lineup, which obviously goes heavy on barbecued fare — and there'll be live entertainment on the bill as well. It's a pay-as-you-drink setup and, if you'd like to get splashing, access to the pool will cost you $25 on top, too. And yes, the CBD location means that you can slot it in after shopping up a storm in the sales, and before catching a flick.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. We've spent plenty of couch time watching our way through this months latest batch — and, from the latest and greatest to old favourites, here are our picks for your streaming queue from October's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW THE GREEN KNIGHT Mesmerising and magnetic from its first moments till its last, The Green Knight is a moving musing on destiny, pride, virtue, choice, myths and sacrifice, all wrapped in a sublime spectacle. The medieval fantasy hums with haunting beauty and potency as it tells of Arthurian figure Gawain (Dev Patel, The Personal History of David Copperfield), nephew to the King (Sean Harris, Mission: Impossible — Fallout), and the only man who accepts a bold challenge when the eponymous figure (Ralph Ineson, Gunpowder Milkshake) — a mystical part-tree, part-knight — demands a duel one Christmas. The catch: whichever blows the eager-to-prove-himself Gawain inflicts on this towering interloper, he'll receive back in a year's time. So, when this initial altercation ends in a beheading (and with the Green Knight scooping up his noggin and riding off), Gawain faces a grim future. Twelve months later, that bargain inspires a quest, which The Green Knight treats as both a nightmare and a dream. There's an ethereal look and feel to every inch of this stunning movie, where the greenery is verdant, and the bloodshed and battlefield of skeletons just as prominent. Playing a man yearning for glory yet faced with life's stark realities, Patel is in career-best form — and the latter can also be said of writer/director/editor David Lowery. Every film he makes has proven a gem, from Ain't The Bodies Saints and Pete's Dragon to A Ghost Story and The Old Man and The Gun; however, The Green Knight is a startling and riveting feast of a feature that's as as contemplative as it is visionary. The Green Knight is available to stream via Amazon Prime Video. THE VELVET UNDERGROUND Excellent filmmakers helming exceptional documentaries about music icons just might be 2021's best movie trend. It isn't new — see: Martin Scorsese's filmography as just one example — but any year that delivers both Edgar Wright's The Sparks Brothers and Todd Haynes' The Velvet Underground is a great year indeed. Both docos are made by clear fans of the bands they celebrate. Both films find creative and engaging ways to approach a tried-and-tested on-screen formula, too. And, both movies will make fans out of newcomers, all while delighting existing devotees. They each have killer soundtracks as well, obviously. They're each tailored to suit their subjects, rather than leaning on the standard music bio-doc template. As a result, they each prove the kind of rich, in-depth and electrifying features that only these two directors could've made. With The Velvet Underground and Haynes, none of this comes as a surprise. As well as the astonishing Carol and the just-as-devastating Dark Waters, he has experimental short Superstar: The Karen Carpenter Story, glam-rock portrait Velvet Goldmine and the Bob Dylan-focused I'm Not There on his resume, after all. Here, he makes two perceptive choices: splitting his screen Andy Warhol-style to show both archival materials and new interviews simultaneously, and avoiding the allure of giving the late, great Lou Reed all his attention. The result is an inventive, impassioned and wide-ranging doco that charts the band's story and impact; captures the time, place and attitudes that gave rise to them; and proves as dazzling as The Velvet Underground themselves. The Velvet Underground is available to stream via Apple TV+. SPREADSHEET When Katherine Parkinson starred in The IT Crowd 15 years ago, she played a woman trying to exude a cool, calm and collected air, but constantly finding her life — and her new job in IT — hindering that aim. In Spreadsheet, her new sitcom role, Parkinson's latest character isn't attempting the same feat. Instead, freshly divorced Melbourne-based lawyer and mother-of-two Lauren has has accepted that her existence is now messy; however, having a spreadsheet to keep track of her revamped love life is meant to help. Embracing being single, and all the opportunities for casual hookups that apps now bring, she isn't looking for a relationship. She even has her colleague Alex (Rowan Witt, Adore) helping to maintain her fast-growing database of sexual options. But this clearly wouldn't be a comedy if her new status quo turned out smoothly and stress-free. As this new Australian sitcom knows and keenly relies upon, there's a breeziness to Parkinson's comic performances that hits both humorous and relatable notes. Indeed, the British actor is the key reason that Spreadsheet's eight-episode first season is so incredibly easy to binge. Whether Lauren is being introduced in the throes of pleasure in the car park outside the Palais Theatre, is getting intimate in a snake dungeon or sports an eye patch after a run-in with a cuckoo clock, Parkinson is a comedic whirlwind. In a series that approaches its 'sex in the suburbs' setup with smarts and insights, too, she's also surrounded by an impressive local cast that includes Witt, Stephen Curry (June Again), Katrina Milosevic (Wentworth) and Zahra Newman (Long Story Short). The first season of Spreadsheet is available to stream via Paramount+. THE DONUT KING The documentary that comes with an obvious serving suggestion — avoiding pastry cravings while watching is impossible — The Donut King chronicles the life of Cambodian American Ted Ngoy. In the mid-70s, the soldier-turned-refugee fled the Khmer Rouge for a new start in the US. Then, after being enticed by the smell wafting out of a Californian doughnut shop, he found owning his own the path to success. After beginning with one venue, Ngoy grew his empire. In the process, he even helped cement pink-hued doughnut boxes as the industry standard — the pop culture standard, too. Inhabiting a constant cinnamon cloud might've been bliss, and it certainly was the impetus behind Ngoy's rags-to-riches story; however, filmmaker Alice Gu covers much more than pastry highs in this incisive and thoughtful portrait of the American Dream. Not even the best job is ever 100-percent filled with glaze and sprinkles, including when making desserts is your daily trade. For Ngoy, becoming a doughnut kingpin was the result of hard work — not just his own, but his whole family's — as well as savvy choices. His business also helped set a path for fellow Cambodians, as well as fostering a sense of community, by sparking a run of expat-owned doughnut shops in California. Gu captures all of this lovingly, with a celebratory tone, and with a warm appreciation for Ngoy's achievements both in general and as an immigrant entrepreneur. That said, she doesn't shy away from the twists and turns that've complicated his path, and this story, along the way. The Donut King is available to stream via Docplay. THE GUILTY It's the remake that was always going to eventuate; the remake that was announced before the original Danish film even reached Australian cinemas, in fact. A high-concept thriller set in a police call centre and solely conveying its dramas via telephone conversations, The Guilty was instantly destined to get the Hollywood treatment — not only because it's predicated upon a commanding concept, but because the first time around made for exceptional, Oscar-shortlisted, outstandingly tense and gripping viewing. Thankfully, Netflix's take on the tale lives up to its predecessor. It's as suspenseful and taut, as economical and evocative, and as superbly acted. Twenty years after Donnie Darko made him a star, Jake Gyllenhaal's resume isn't short on highlights; however, The Guilty easily sits among them. Gyllenhaal (Spider-Man: Far From Home) plays LAPD officer Joe Baylor, who's been demoted to taking 911 calls after an on-the-job incident that'll see him in court the next day. His evening at work will prove just as stressful, after a woman called Emily (Riley Keough, Zola) advises that she's been kidnapped by her ex (Peter Sarsgaard, Interrogation), with their kids left home alone. Joe springs into action, and tries to get his colleagues to do the same. But as the excellent series Calls also demonstrated, words can tell viewers the whole story while keeping on-screen characters twisting. Reteaming with Gyllenhaal after Southpaw, filmmaker Antoine Fuqua directs this intense affair with that truth firmly in mind. The Guilty is available to stream via Netflix. A GLITCH IN THE MATRIX When a certain Sydney-shot, Keanu Reeves-starring sci-fi/action film did big box-office business 22 years ago, it did more than just start a huge movie franchise. The Matrix and its sequels also gave proponents of the simulation hypothesis — the idea that this life we all call our own is merely an artificial simulation, but we don't know it — an enormously successful pop culture touchstone. Examining that notion, as well as its connection to the series that shares part of its title, A Glitch in the Matrix couldn't arrive at a timelier moment. The concept is about to get another blockbuster billboard, after all, with The Matrix Resurrections just months away from release. What truly interests this documentary, however, isn't the answer to that reality-versus-simulation question, but all the reasons that might inspire someone to think that nothing about their experience is genuine. Documentarian Rodney Ascher likes delving into ambiguous and liminal spaces. With Room 237, he pondered conspiracy theories around The Shining. Next, he dedicated his sophomore effort The Nightmare to sleep paralysis. He's clearly fond of fascinating, mind-bending concepts, too, but there's always a shagginess to his films — a sense that the underlying ideas he clasps onto are far more compelling than actually charting the stories he selects on his chosen topic. A Glitch in the Matrix is no different, but it's also ambitious and engrossing as it mixes everything from animation and archival clips to interviews. A movie can be thought-provoking and also messy, of course, and still make for compelling viewing. A Glitch in the Matrix is available to stream via Docplay. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK SUCCESSION For fans of blistering TV shows about wealth, power, the vast chasm between the rich and everyone else, and the societal problems that fester due to such rampant inequality, 2021 has been a fantastic year. The White Lotus fit the bill, as did Squid Game, but Succession has always been in its own league. In the 'eat the rich' genre, the HBO drama sits at the top of the food chain as it chronicles the extremely lavish and influential lives of the Roy family. No series slings insults as brutally; no show channels feuding and backstabbing into such an insightful and gripping satire of the one percent, either. Finally back on our screens after a two-year gap between its second and third seasons, Succession doesn't just keep plying its astute and addictive battles and power struggles — following season two's big bombshell, it keeps diving deeper. The premise has remained the same since day one, with Logan Roy's (Brian Cox, Super Troopers 2) kids Kendall (Jeremy Strong, The Trial of the Chicago 7), Shiv (Sarah Snook, Pieces of a Woman), Roman (Kieran Culkin, No Sudden Move) and Connor (Alan Ruck, Gringo) vying to take over the family media empire. This brood's tenuous and tempestuous relationship only gets thornier with each episode, and its examination of their privileged lives — and what that bubble has done to them emotionally, psychologically and ideologically — only grows in season three. It becomes more addictive, too. There's no better show currently on TV, and no better source of witty dialogue. And there's no one turning in performances as layered as Strong, Cox, Snook, Culkin, J Smith-Cameron (Search Party), Matthew Macfadyen (The Assistant) and Nicholas Braun (Zola). The first two episodes of Succession's third season are available to stream via Binge, with new episodes dropping weekly. Read our full review. LOVE LIFE Mere minutes into Love Life's second season, a big query arises. With The Good Place's William Jackson Harper taking over from Anna Kendrick as the show's lead, it's an obvious question: what would Chidi Anagonye think? He'd recognise the indecision bubbling away inside Harper's new character, Manhattanite book editor Marcus Watkins. From a moral and ethical standpoint, he'd be less enamoured with Marcus' other choices, especially the flirtatious friendship that Love Life's new protagonist pursues with Mia (Jessica Williams, Booksmart) while still married to Emily (Maya Kazan, Love Is Love Is Love). Thankfully, it doesn't take long for Harper to settle into his new part, and for the ghost of Chidi to fade. The latter would still protest, of course, but Love Life sends the man behind him wading through a different pool of rom-com dilemmas. It's a delightful stroke of casting, in a series that has always hinged upon its audience's connection with its main character. Harper doesn't ever let his natural charm eclipse Marcus' flaws — Love Life doesn't trade in perfect protagonists or easy, clearcut romantic fantasies — and that balance adds both weight and depth to the show's second season. That said, the storylines here won't seem particularly different to Love Life's season-one viewers. This is a case of new lead, same city, similar romantic struggles. It isn't a spoiler to note that Marcus and Emily's marriage doesn't last long, or that the relationships that follow take him on quite the rollercoaster ride, but Harper instantly gets you hooked on the journey. The first three episodes of Love Life are available to stream via Stan, with new episodes dropping weekly. FOUNDATION If you've ever wondered whether good things truly do come to those who wait, as the old adage insists, let Foundation convince you. In the 90s, these Isaac Asimov-penned sci-fi stories were slated to become a film trilogy, but those plans faltered. In the late 00s, Independence Day's Roland Emmerich was onboard to direct a different movie adaptation — and thankfully that didn't eventuate either. It's hard to see how Foundation would've worked on the big screen, unless it fuelled a sizeable number of features. On the small screen, it still spins an immensely dense storyline, but it also has room to breathe. Stepping into a futuristic world on the precipice of ruin, this is a series that rewards patience. (If you've ever seen the Party Down episode that jokes about hard sci-fi, you'll know how seriously it takes its genre, too.) Created by screenwriters David S Goyer (Christopher Nolan's Batman trilogy) and Josh Friedman (the TV version of Snowpiercer), Foundation splashes its sizeable budget across the screen — all while reimagining Asimov's tales almost eight decades after they were written. Mathematics professor Hari Seldon (Jared Harris, Chernobyl) remains a key part, though, thanks to his prediction that the Galactic Empire will soon fall. That prophesy angers the three cloned versions of Emperor Cleon, especially Brother Day (Lee Pace, Captain Marvel), with his dismay sparking action just as Seldon's new protege Gaal Dornick (Lou Llobell, Voyagers) arrives. That's just Foundation's setup, too, and it's sci-fi catnip. The first six episodes of Foundation are available to stream via Apple TV+, with new episodes dropping weekly. A RECENT MUST-SEE YOU CAN (AND SHOULD) STREAM NOW THE OTHER TWO You're in your twenties, trying to make it in New York and struggling to chase your dreams. The only thing that's making you feel better is the knowledge that your sibling is doing the exact same thing. Then your kid brother comes up with a throwaway pop hit, adopts the stage name ChaseDreams and becomes a YouTube sensation — and suddenly you're related to the world's next Justin Bieber. That's the premise of sitcom The Other Two, which follows struggling actor Cary (Drew Tarver, Bless the Harts) and his ex-dancer sister Brooke (Helene York, Katy Keene) as they come to terms with their new situation. Yes, they're thrilled for their baby brother; however, they're also shocked, envious and desperate to get their own time in the spotlight. That's the other thing about having a famous sibling: riding their coattails isn't the same as making it yourself. The Other Two leans upon two things: its sense of humour and the way it interrogates the celeb game, and its casting. Both are as sharp as Chase's rise to stardom; Case Walker even got that part after becoming a Musical.ly sensation IRL. Tarver and York's back-and-forth is the series' anchor, however. Also excellent: Molly Shannon (The White Lotus), Ken Marino (Black Monday), Wanda Sykes (Breaking News in Yuba County) and Josh Segarra (The Moodys). Its second season hasn't arrived in Australia yet, but The Other Two's first ten episodes are hilarious, acerbic and perceptive, especially when it comes to today's celebrity-obsessed, influencer-heavy society. It's an instant classic (it was one of our best new shows of 2019, in fact), and it's instantly rewatchable. The first season of The Other Two is available to stream via Paramount+. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August and September this year — and our top straight-to-streaming movies and specials from 2021 so far, and our list of the best new TV shows released this year so far as well.
Change keeps sweeping along Eagle Street, whether some parts of the CBD stretch are being torn down and replaced, new seafood restaurants have joined the area, or cascading bars are launching or relaunching. Next up at the prime Brisbane spot: unveiling Opa Bar + Mezze's renovations, which've given the venue's watering hole a makeover just as outdoor sipping season kicks in. The aim: to get Brisbanites exclaiming Opa's name in the bar side of its setup, while soaking in not only Story Bridge and Kangaroo Point Cliffs vistas, but also the new Santorini-inspired look and vibe. Just like being on holidays in Europe, spending prime spring and summer afternoons drinking with a view is also high on the venue's new agenda. In an open-plan space — and at spot that's been pouring beverages since 2021 — patrons will find both low and high seating, those killer views and, because this is the Sunshine State, an electric awning to provide shade. The tones splashed around the place are neutral and sleek. Think: seats lined with linen and white plaster walls with visible texture. To add colour, Opa's new bar fitout is using greenery. Amid the refreshed surroundings, the same menu remains on offer from 11am daily, including bar snacks such as ocean trout fritters, taramasalata, baby yiros and five different types of oysters — and brews, wine and cocktails to knock back. Head by from 4–6pm, however, and schooners will only cost you $7, select vino $8 and espresso martinis $12 during happy hour. "The bar reno extends Opa's casual al fresco dining offering out to the boardwalk, making it the perfect place to enjoy lowkey mezze and a signature cocktail or two," advises owner Michael Tassis, who is having a busy year. Fosh, his new Hamptons-inspired seafood restaurant with caviar bumps, opened at Portside in Hamilton in August. Over in West End, upscale steakhouse Rich & Rare launches on Thursday, September 28. The Tassis Group also already boasts Yamas Greek + Drink and Massimo in its stable, and has an overwater restaurant and bar Bombora and landing cafe Mulga Bill's on the way in 2024 as part of Kangaroo Point's new green bridge. Find Opa Bar + Mezze at 123 Eagle Street, Brisbane — open 11am–late daily.
Whether they riff on fairy bread or turn lamingtons into something cold and creamy, plenty of Gelato Messina's popular desserts transform other foods into a frosty sweet treat. Who doesn't love a culinary mashup? Not this chain and its devotees, clearly. And, since 2021, the brand has been taking that process a step further by whipping up a chocolates based on its already-inventive gelato flavours. With 2022 now here, Messina is kicking off the new year the way it always goes on — with a fresh batch of one-off specials, starting with a return to its gelato-inspired choccies. This time, there's four varieties available, all in one box. So yes, you'll get to try them all without having to choose which one you'd prefer. Love Messina's take on Iced Vovos, Coco Pops, lamingtons and fairy bread? They're all accounted for here. And they all look the part, because of course they do. They all look delicious, too. The Vovovroom bar comes filled with layers of raspberry cream, raspberry jam, desiccated coconut and sablé biscuit, then coated in raspberry chocolate. With the Just Like a Chocolate Milkshake bar, you're getting chocolate malt cream, milk chocolate-panned rice bubbles and chocolate sablé biscuit, all coated in milk chocolate. Obviously, the fairy bread bar is coated with 100s and 1000s — and includes layers of toasted breadcrumb cream and sablé biscuit coated in white chocolate as well. Or, for the lamington, you'll get chocolate cream, raspberry jam, chocolate-dusted desiccated coconut and chocolate sablé biscuit, as wrapped in dark chocolate. Boxes cost $40 each and you'll need to place your order on Monday, January 17, with times varying depending on your state. You can then pick up the choccies between Saturday, January 22–Sunday, January 23. Gelato Messina's chocolate box will be available to order from on Monday, January 17, from 9am local time in Queensland and the ACT, 9.30am in Victoria and between 10am–11am in New South Wales.
Two Chicago-based designers have come up with an entertaining and sustainable solution to their city's heavy winter snowfall. Noel Turgeon and Natalya Egon's Second Hinterlands Project proposes to turn Chicago's snow into a playground for young and old alike. The project suggests that instead of spending large amounts of money removing the snow, certain areas could be left snow covered, and the remaining snow strategically relocated to this uncleared area. In the process a unique new landscape would be created for the locals to interact with and enjoy until the weather starts to thaw. Think giant snow mountains, snow forts, tunnels and other delightful things. Whilst it has basically zero implications for Australia, both designers live in a place where heavy snowfall has an inevitably transformative quality upon the cityscape and upon its citizens' movements, and they want to make this transformation a positive one. "The experience of the city is altered overnight; for a short while the city transforms from a system of streets, transportation networks, landmarks, and nodes into a landscape of concealment and exposed void, dramatically simplified yet overtly dynamic," says Egon on her website. The project won the 2013 competition “COLDSCAPES: New Visions for Cold Weather Cities" organised by Kent State University's Cleveland Urban Design Collaborative (CUDC).
Already in 2023, Cate Blanchett has scored her seventh Oscar nomination. Thanks to her phenomenal performance in conductor drama Tár, she's likely to win her third Academy Award, in fact. However her luck pans out on Hollywood's night of nights in March, she'll be towering over Melbourne in June regardless — in a historic space built in 1867, across a film installation spanning an array of huge screens, and in one mighty impressive 360-degree display. The first event announced for this year's RISING, Melbourne's major annual arts festival, will feature Blanchett in her latest starring role for artist and filmmaker Julian Rosefeldt. The duo reteams for Euphoria after working on 2015's stunning installation Manifesto together. Set to take over Melbourne Town Hall from Friday, June 2–Sunday, June 18, their new multichannel work doesn't just focus on the acclaimed Australian actor playing multiple parts, however, instead honing in on the weighty topic that is capitalism. The Berlin-based Rosefeldt tackles his current topic — aka two thousand years of greed and the effect that unlimited economic growth has — via a spiral of screens that'll sit throughout the venue. On the ground floor, 24 screens will showcase a life-sized choir of Brooklyn Youth Chorus singers, while five jazz drummers will duel on the screens above them. And, there'll also be five theatrical vignettes looping above, too, which is where Blanchett playing an anthropomorphic tiger stalking supermarket aisles comes in. Those drummers? They include Grammy Award-winning drummer and composer Antonio Sánchez, who also composed the score for 2014 film Birdman. And those vignettes? They'll also feature Breaking Bad and Better Call Saul favourite — and recent Kaleidoscope star — Giancarlo Esposito among a cast that'll speaking thoughts penned by economists, writers and thinkers like Warren Buffett, Ayn Rand, Angela Davis and Snoop Dogg. As well as Blanchett as a jungle cat, RISING's first major international commission — which hits this year's fest as an Australian exclusive, and enjoyed its world premiere at the Park Armory in New York back in November 2022 — features homeless men chatting about economics, executives getting acrobatic in a bank lobby, and an all-round unpacking of capitalism via its own excess. Paired with it, Euphoria's original score by Canadian composer Samy Moussa and British saxophonist Cassie Kinoshi goes big on jazz, the tunes sung by the children's choir and those uttered ideas. Befitting the theme, the installation will run with a pay-as-you-can pricing model, and welcome in visitors for free on Fridays during its season. 2023 is turning out to be a stellar year for spectacular takeovers of town halls by citywide arts fests, after Sydney Festival turned Sydney Town Hall into an indoor beach — temporarily, of course — for an opera performance back in January. Check out the trailer for Euphoria below: RISING 2023 will take place across Melbourne from Wednesday, June 7–Sunday, June 18, with Euphoria displaying at the Melbourne Town Hall on from Friday, June 2–Sunday, June 18. Tickets for Euphoria go on sale to RISING subscribers from 12pm on Tuesday, February 14, with general sales from Friday, February 17. First top image: Katja Illner.
UPDATE, May 28, 2021: Free Solo is available to stream via Disney+, Google Play and YouTube Movies. Soaring 900 metres tall, its craggy edges and sheer surfaces jutting into the sky, El Capitan is one of earth's monsters. A granite cliff in Yosemite National Park, it's a formidable sight, striking fear into the heart of anyone averse to heights, making even the steadiest on their feet feel shaky, and casting a long shadow over the world below. To stand at the bottom of the mammoth monolith is to stand at the base of a giant. To scale its heights is to ascend into the heavens. But you don't need to have experienced El Cap's eye-catching expanse in person to feel its inescapable power. Even on the big screen, the glorious rock formation is staggering — and it gets plenty of screen time in Free Solo. In a film that can't stop looking at El Cap, Alex Honnold does more than stare at the cliff's lofty size and gaze at its vertical terrain. A professional climber with 20 years experience and the centre of this stellar documentary, he's determined to scamper up the intimidating structure. He's not the first to scale the sheet of rock, but he is the first to do so without any ropes or support — and, just to make the deed even more difficult, he does it alone. That's free soloing. While the outcome of his attempt is now common knowledge, Free Solo steps through the process from start to finish, chronicling his setbacks and successes in a methodical manner. From contending that the climb is just too scary, to training through an injury that'd make anyone else quit, to facing his girlfriend Sanni's fretful feelings about his death-defying dream, the movie delves deep into Honnold's quest. The latest high-altitude, high-stakes picture from Meru filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin — and a newly minuted Oscar nominee for this year's best doco prize — Free Solo is the tale of a cliff, a climber, and the latter's desire to conquer the former. But it's the story of humanity's yearning to explore, interrogate and brush up against our environment as well. Charting Honnold's unwavering commitment to his task, it's also an account of his preference for hanging precariously above the world instead of planting his feet firmly on the ground. The film shows how the possibility of dying can't deter someone so dedicated from pursuing their passion, and that the thrill of a seemingly impossible challenge is as intoxicating as any drug. This nerve-wracking movie also details the intense preparation and planning required not just to make such a climb, but to capture it on camera. And, it examines the toll of documenting Honnold's feat, pondering whether the picture immortalises history or jeopardises his life. In short, Free Solo has as many angles as El Cap's ledges and crevices, however Honnold is the film's own towering presence. Vasarhelyi and Chin can't claim to lay bare their subject's psyche — he's a man of action more than talk — but they can and do reveal plenty about the wiry thirty-something. The documentary acts as a coming-of-age narrative of sorts, tracking Honnold's transformation from living in a van, eating slapped-together dinners out of a frying pan and dedicating every waking minute to climbing, to buying a house, finding room for someone else in his life, and experiencing the ups and downs of being in a serious relationship. And yet, it's never more revelatory than when it's simply staring at his face while he's gripping a slab of granite, his precariously placed fingertips the only things keeping him from plummeting down a nearly one-kilometre drop. Of course, that's not to say that Free Solo doesn't boast plenty of other spectacular sights. Seeing Honnold suspended against his surroundings will stick with audiences long after watching, as will the stunning Yosemite scenery. Indeed, the exceptional footage compiled by Vasarhelyi, Chin and their dedicated team (all mostly climbers themselves) proves nothing short of a technical and visual marvel, as edited to precision by veteran Bob Eisenhardt. But the calm, focused, assured gleam in Honnold's eye still says more than any other image can — and more than words as well. As counter-intuitive as it may seem, every second that the film spends on his zen-like expression paints a picture of pure intensity and exhilaration. What's more astonishing, dazzling and ultimately life-affirming than witnessing someone so relaxed and confident in the face of such extreme danger? What's more tense and thrilling, too? Butterflies in the stomach, fidgeting fingers and a near-unshakeable case of the jitters all spring from Free Solo as well, with the movie hitting several nerves. It's never easy to accept one's mortality. In fact, it's the hardest thing we're ever tasked with doing during our time alive, even when we're just sitting in a cinema watching someone else put their existence on the line. That's the crux of this equally insightful and scary documentary, which serves up more suspense than most horror flicks. As well as chronicling an awe-inspiring story, every frame of Free Solo offers a palpable, visceral reminder of life's enormous risks and immense rewards — and to the filmmakers' credit, you're all but certain to feel the impact in your constantly sweaty palms. https://www.youtube.com/watch?v=7XhsuT0xctI
Anyone who’s spent a frosty morning commuting on the Underground would know that London’s not exactly the world’s friendliest city. Well, not before a beer or five, anyway. In fact, a quarter of city siders report feeling lonely often, if not all the time. But a group of talkative types has decided that it needn’t be this way. They’ve come up with a project called Talk to Me London. The aim is to encourage a friendlier culture by helping strangers to talk to one another. The first assignment is a Kickstarter campaign, raising money for London’s first ever ‘Talk to Me’ day. The initial goal of £6,000 ($10,700) has been reached. So, one day this summer, thousands of Londoners will receive ‘Talk to Me’ badges to wear, indicating that they’re ‘up for a chat’. There’ll also be events held in public spaces, like dinner parties in parks and book discussions on tube carriages, lectures on wellbeing and community, conversation-prompting public art, flash mobs to break awkward silences, ‘talk bars’ on train platforms and busking acts that depend on interaction. Mayor Boris Johnson is a keen supporter. “I love the idea behind Talk to Me London,” he said. “What an innovative and fun way to encourage Londoners to talk to each other. Conversations are a great way to share experiences and stories, increase wellbeing, and bring a greater sense of community in the capital.” Via Springwise.
Get ready to feel insecure about your age. That dynamo 17-year-old with the Grammys and the dance moves and the best friend named David Bowie is set to hit our shores in April. Lorde has announced six shows across the country including Melbourne, Adelaide, Perth, Sydney, Newcastle and Brisbane. After a heartbreaking cancellation earlier in the year, this will be Lorde's first Australian stadium tour after playing smaller clubs and the Laneway circuit. And while we're sure to get the full royal treatment from her 2013 breakthrough album Pure Heroine, this 2014 tour is said to have some surprises in store. It's been announced there will be a huge light show component, but we're keeping our fingers crossed for a cameo from Ziggy Stardust. In good news for wunderkinds nationwide, every show on the tour will also be all ages. Stands to reason, really — if the main act is underage why should you have to flash ID? General tickets go on sale 9am on Friday, March 21, but if you're a Frontier member you should get excited — pre-sale is available for just 24 hours from 2pm Thursday, March 13. See the Frontier Touring website for more details. Lorde April/May Australian Tour Dates (supports yet to be announced) Thursday April 24 — Melbourne, Festival Hall (All Ages) Sunday April 27 — Adelaide, EC Theatre (All Ages) Tuesday April 29 — Perth, Challenge Stadium (All Ages) Friday May 2 — Sydney, Hordern Pavillion (All Ages) Sunday May 4 — Newcastle, Entertainment Centre (All Ages) Tuesday May 6 — Brisbane, Riverstage (All Ages)
While the weekend is still one day away, you can enjoy the taste of freedom on your Thursday night with the Wandering Cooks and their caravan of food trucks. Each week the "incubator for food entrepreneurs" invites the city's food trucks to park in their lot and cook alongside some of the organisation's own talent. Sweet tunes accompany the selection of cheap-as-chips dinner options, and different trucks roll up each week. Meet your buds after work, organise a casual midweek date night or head along on a whim for something a bit different. But get in early, before the food drives out. When they’re not parking their wares for roadside service, Wandering Cooks are catering events, lending commercial kitchens and showcasing their members' wares to grow their pretty fun community. Image: How We Rolls.
What do Byron Bay, Busselton, Bali and Bangkok all have in common? Alongside everywhere from Launceston, Newcastle, Uluru, Cairns, Darwin, The Whitsundays, and the Gold and Sunshine Coasts through to Singapore and Phuket, you can nab a cheap flight there and back as part of Jetstar's latest sale. This time around, fares start at $33. The one catch: you'll need to be a Club Jetstar member (but you can sign up now to get in on the bargains). There always seems to be an airline sale popping up, but this one has a heap of discounts on a huge number of fares, with 100,000 flights on offer. You do need to get in quick, however, as it's running for just 48 hours. The cheapest domestic price, $33, gets you between Sydney and Ballina/Byron, but Launceston–Melbourne is only $43, Brisbane–Whitsunday Coast and Newcastle–Melbourne are both $49, Gold Coast–Sydney is $50, Sunshine Coast–Sydney starts at $52 and Hobart–Melbourne begins at $58. To get from Brisbane to Cairns, you'll pay $76 — and from Sydney to Uluru is $105, Melbourne–Busselton / Margaret River is $135 and Darwin–Sydney is $156. The list goes on, including for overseas jaunts, where the Perth–Singapore route starts at $139, Melbourne–Singapore begins at $189, Adelaide–Bali is $215, Sydney–Phuket kicks off at $279 and Brisbane–Bangkok starts at $285. If you're keen, the sale runs from 12pm AEDT on Wednesday, March 19–11.59am ADST on Friday, March 21, 2025 — or until sold out, if snapped up earlier. And yes, if you're eager for a holiday at reduced prices, you'll want to get in quick. Travel periods vary, but you should find dates betwen late-March 2025–early-February 2026 across the full spread of specials. You'll pay extra for checked baggage if you need it, however, or you'll want to travel super light. Club Jetstar membership costs $65 a year, which you can join online while making a flight booking, and also gives you 20-percent off checked bags and seat selection. [caption id="attachment_976497" align="alignnone" width="1920"] Jesse Shaw Photography[/caption] The Club Jetstar March member-only sale runs from 12pm AEDT on Wednesday, March 19–11.59am ADST on Friday, March 21, 2025 — or until sold out, if snapped up earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
If you're headed to Mexico, then you probably have two things on your itinerary: seeing the sights and sipping tequila. And while you can do both in the usual fashion, travelling from place to place, soaking up the scenery, and stopping for a few drinks here and there, combining them on the Jose Cuervo Express really is the ultimate holiday dream. Move over, Hogwarts Express — this is your new favourite train trip, and while it isn't fictional, it does still sound magical. Run by the Jose Cuervo tequila brand, this regular venture takes patrons from the city of Guadalajara to the aptly named town of, you guessed it, Tequila. You'll visit agave fields and take a tour of the Jose Cuervo distillery once you arrive; however, the journey really is just as important as the destination. On the eponymous locomotive, you'll down the spirit in question along the hour-long trek, all thanks to an all-you-can-drink tequila selection. There are three types of tickets available, with the open bar included in the most expensive tier — 2500 Mexican pesos, or around AU$182. While you're chugging along, a range of Mexican snacks and cocktails are also on offer, as well as boozy beverages other than tequila (i.e. rum, vodka and whiskey), should you feel the need to mix up your drinks. Off the train, you'll watch an agave harvesting demonstration, take part in a professional tasting session, wander through the distillery and cellar, and have time to explore the town at your own leisure. You'll also head to a Mexican show, but just what that entails has been left vague. Running most weekends — typically on Saturdays, but sometimes on Sundays instead — the Jose Cuervo Express offers two timeslots. Although the departure time only varies by half an hour (9am versus 9.30am), the 'sunrise' tour takes you on the train during daylight, then brings you back via bus, and the 'sunset' tour reverses the two, so you're on the train come evening. Both take a minimum of ten hours return, making for one hefty tequila-filled day. We're assuming that lemon and salt will also be included in the ticket price. For more information or to make a booking, visit the Jose Cuervo Express website. Images: Jose Cuervo Express.
If you've ever whiled away your evening hours watching MasterChef while enviously eating a two-ingredient pesto pasta for dinner, we have some good news for you: Jacob's Creek is setting up a pop-up kitchen in Sydney, and it's aimed precisely at those who want to refine their chef skills a little — i.e., you. Rather than defaulting to one of the well-worn tourist trap restaurants on your Sydney trip, head to Kitchen Collective for a more memorable experience. In this Surry Hills pop-up restaurant, Huxtaburger chef (and past guest judge on MasterChef) Daniel Wilson will guide attendees through a two-course cooking demonstration of one entree and one dessert. Diners will learn from Wilson and then take part in a little friendly competition as they recreate the two courses. While there will be prizes up for grabs, there won't be any eliminations (and hopefully no tears, either). To take a little of the pressure away, caterers Studio Neon will take care of your main course and Jacob's Creek Barossa Signature wines will be matched to each course. Wine expert Ambar Maddox will be present to chat through each free-flowing drop and share the secret to food and wine pairing. As well as helping you hone your top chef skills, the pop-up will also contribute to an even greater good: 100 percent of profits are being donated to SecondBite, a charity that provides food and support for the needy. It's the perfect excuse to book an interstate jaunt. Jacob's Creek Kitchen Collective will take place between Friday, July 27 and Sunday, August 12 in Surry Hills, Sydney. Daytime sessions will run from 12pm–4pm on Saturdays and Sundays, and the nighttime experience will run from 6pm–10pm every Friday to Sunday. Only 16 seats are available for each session, so move quickly and nab your spot here.
Ah hot chocolate! Once a substitute for those non coffee drinkers (are there any of you left?) is now a fine and respectable drink to order. In fact, new research shows a cup or two of hot cocoa can help keep brains healthy. For those purists who like their chocolate fix plain and simple, as well as those who are willing to mix it up with punchy flavour combinations — we have you all covered. Here are the top ten hot chocolates in Brisbane, in no particular order. And a disclaimer: we take no responsibility for your sugar coma, but will take credit for increased memories. 1. La Dolce Vita Cafe Life is indeed sweet, especially while sipping on a Nutella hot chocolate under the Eiffel Tower. With its signature 'you can stand a spoon in it' consistency, La Dolce Vita's hot chocolate has been around for so long it should be a dedicated stop on Brisbane's City Sights bus route. Remember the days getting caught red handed with your head in the pantry and heaped tablespoon of Nutella stuck to the roof of your mouth? Well, my friend, those days were not in vain, for they were the perfect practice for chugging down this drink. Nutella lovers will be back for more, we can guarantee it. 20 Park Road, Milton 2. The Dark Chocolatier Like stepping into chocolate heaven, the Dark Chocolatier is complete sensory overload. Take your eyes away from the array of take-home goodies available for a second, then head toward the back of the shop and order yourself a Dark Turkish Delight hot chocolate from their 'rustic hot chocolate' menu. They're made from vegan natural rosewater jelly, Noosa Chocolate Factory dark chocolate, raw cane sugar and Ecuadorian single origin cacao. For those who don't fancy Turkish delight, there are plenty of other options available such as Dark Valencia Orange Hot Chocolate or White Hot Chocolate. Three words. Thank you God! 156 Adelaide Street, Brisbane 3.Monty's Chocolates A good hot chocolate should be like any good husband: sexy, rich and smooth. So ladies, you can rejoice as Monty's hot chocolate meets all of the above criteria. Not for the faint hearted, this drink is ideal for a cold winter's day and should be slowly savoured to get the most out of the Belgian chocolate and spicy blend. For a mid-workday pick-me-up this glorious drink is also available at their city store, sure to please all our working folk based in the CBD (not just you, ladies!). 155 La Trobe Tce, Paddington 4.Bunker Although usually renowned for their impeccable coffee, Bunker challenges your thinking when it comes to hot chocolate. Theirs is available in 75% dark, milk or white with flavours such as lavender, Chai and their newest addition, lime and sea salt (a must try!). Bags of this ethical, Fair Trade chocolate mix are also available to take home. 20 Railway Tce, Milton 5. Campos Coffee If 'thickness ain't your weakness' then a Campos' hot chocolate may be more down your alley. They're renowned primarily for their coffee, but hot chocolate fans need not worry. It's not too sweet, not too thick — these guys take pride in getting the balance just right (and the only chocolate powder you'll see is for decorative purposes only). Made with premium melted chocolate but not overpowering, this drink is ideal for those who don't want to 'eat' their hot chocolate with a spoon, but rather enjoy in a takeaway moment. 11 Wandoo Street, Fortitude Valley 6. Max Brenner Who knew that a little bald man could have women lining up out the door. I bet you George Costanza didn't see that happening! On a cold winter's night you can't go past the cult classic hot 'chocolat' served in a hug mug. Mmm, the perfect shape to wrap each hand around and inhale each sip. Heaven. However, if you are feeling a little adventurous, definitely give the Mexican spicy chocolate or the Danish Toffee chocolate a try — both are equally tasty and don't overpower the original recipe. 179 Oxford St, Bulimba 7. Cream Patisserie Ever enjoy a great hot chocolate out and think to yourself 'I should make this at home' only to cry over your homemade cup of ruin? Well gone be the days! After consuming a cup of the finest Belgian hot chocolate from Cream Patisserie (and being completely distracted by all the pastries showing off in the front window) one must purchase a bag of the pre-made hot chocolate mixture ready for you to take home. No more watered down Nesquick in front of the TV; you deserve the best. 380 Cavendish Road, Coorparoo 8. San Churro The day San Churro arrived in Brisbane was the day the Spaniards successfully seduced us with cups of melted hot chocolate and we all went a bit loco. Available in an array of flavours such as peanut butter bomba (which tastes like a liquid form of a Reese's peanut butter cup! Winning!) it'll have you saying 'puedo tener otro?' We recommend pairing your drink with churros, naturally. 2/161 Grey St, South Bank 9. Wrapture Cafe After drinking Wrapture's Shakti hot chocolate you'd be forgiven for spending the rest of the day in a Zen-like state. The chai spice mix and chilli Venezuelan hot chocolate warms you up from the inside out, and gives you a subtle chilli kick at the end. Set in the quieter side of West End, escape the crowds, leave the awkward yoga positions at home and achieve hot chocolate enlightenment. 71 Russell St, West End 10. Chocolate Soldier Amongst their busy CBD shopfront, Chocolate Soldier's hot chocolate made with their homemade ganache is ideal for those people who don't want to commit to dessert but need a sugar hit after every meal. Reminiscent of an old-school traditional Parisian coffee house, it's all too easy to spend a few hours here while enjoying some locally made hand-crafted sweets. 275 George St, Brisbane
You've watched every episode of Tidying Up with Marie Kondo back to back, applied the 'spark joy' test to all of your worldly possessions and still your home is in desperate need of an organisational bootcamp. Sounds like it might be time to call in the experts. Luckily for any disorderly folk out there, IKEA is here to lend a helping hand. The Swedish furniture and homewares giant has assembled a team of tidying wizards to help whip 100 lucky Aussie homes into shape. It's currently taking submissions from locals desperate for a spruce-up and will choose 100 of them to each win a two-hour home organisation session. Winners will be guided through an organisational masterclass by one of Ikea's experts and even score themselves a $300 swag of new Ikea smart storage products to help keep everything in tip-top shape. We're expecting you'll pick up some ninja-level tidying skills to make even Marie Kondo proud. To enter this comp, you need to live within 20 kilometres of an IKEA store and to submit a photo of your messy pantry, bathroom or bedroom (and some words about why it frustrates you) over here. In another nod to Japan's organising queen, IKEA is holding a separate competition open to anyone named Mary who lives in a condo (or apartment). One of the lucky applicants will win a year's worth of tidying services, which involves a three-hour monthly home visit from an Ikea 'tidy professional'. Just imagine all the extra joy you'll spark by handing over decluttering duties to someone else. Jump over here to submit your plea for a home tidying session before midnight on Wednesday, February 12. Enter IKEA's Mary search here before midnight on Tuesday, February 18.
Hear that? It's the sound of the collective population shutting windows, zipping up jackets and switching the AC setting from cool to warm. Summer is officially over. You may have bemoaned what felt like an endless summer after one too many sunburns or sleepless nights. You also may have excitedly unpacked your winter coat and thought giddily of cosy nights in with Netflix and hot chocolate for company. But truthfully, for us coastal-dwelling folk who thrive in the great outdoors, the appeal of winter can wear off before it has even truly begun. And soon enough, you'll be plotting ways to escape to sunnier pastures. Well, lucky for you, we've teamed up with Coopers to handpick some the best destinations around Australia where summer never really ends. Just like the new Coopers Session Ale, a fresh and fruity brew, these spots keep the summer dream alive all year long. [caption id="attachment_605628" align="alignnone" width="1280"] Petra Bensted via Flickr.[/caption] RUN TO PARADISE IN THE WHITSUNDAYS Imagine this: rather than a blaring alarm, you're woken by the call of a native bird or lapping waves. Rather than woolly socks and slippers, you sink your bare feet into glorious white sand. This is Whitehaven Beach, one of the most popular spots in the Whitsundays. The picturesque surroundings and tropical climate (no frosty mornings here — temperatures sit pleasantly in the mid-20s during winter) are enough to please even the most cynical of campers. A maximum of 36 people is permitted at the beach's campsite, so the morning is yours to explore the oasis in relative seclusion before the day-trippers arrive. Time your 1.3-kilometre walk to the Hill Inlet viewing platform at Tongue Point to coincide with low tide, and witness a stunning display of swirling silica sands. The vista is the ultimate reward for 'roughing it', as is returning to the campsite for a cool beer as the sun sets. Winter blues be gone. EXPLORE FAR NORTH QUEENSLAND Tropical North Queensland is the perfect distraction from your wintery reality. Average water temps sit at a very acceptable 24-degree mark, and low rainfall vastly improves water visibility in the Great Barrier Reef, which will please both scuba and snorkelling enthusiasts. If donning a wetsuit is not your style, there are plenty of land-based activities around to keep you active, too. Cape Tribulation, where Daintree Rainforest meets the ocean, offers plenty of exploration options: foot, horseback, kayak, four-wheel drive or flying fox among them. Whichever you choose, the area has a real 'untouched' vibe to it, with pristine beaches, lush plant life and native wildlife waiting to be discovered. [caption id="attachment_619578" align="alignnone" width="1920"] Field of Light: Bruce Munro. Photo by Mark Pickthall.[/caption] VISIT OUR RED CENTRE Arguably our most famous natural icon, Uluru is a bucket list item for many. Witnessing a kaleidoscope of colours cross the sacred rock as the sun sets over the horizon — it's truly something to behold. Winter is actually the preferred time to visit as temperatures are milder — around the mid-20s during the day — which makes trekking the 10.6-kilometre base circumference a more achievable task. As night falls, so does the temp. Avoid shattering the summer illusion, and jump onto a helicopter tour for a birds-eye view of the spectacular Field of Light installation. Extended until December 2020, the artwork uses 50,000 glass spheres to transform the arid plains into an illuminated, multi-coloured blanket. It may help you temporarily forget the winter chill but you'll remember this magical experience forever. [caption id="attachment_669247" align="alignnone" width="1920"] Broome Visitor Centre.[/caption] RIDE A CAMEL AS THE SUN SETS IN BROOME Nestled along the coastline in the Kimberley region's far west, Broome is completely unique and yet quintessentially Australian. It's where the beach meets the outback with a tropical climate that encourages an itinerary of strictly outdoor activities. Start the day by hunting for dinosaur prints at Gantheaume Point before venturing to Willie Creek Pearl Farm for a boat cruise across crystal waters, complete with lessons on pearling. After you've properly explored the clear waters and rugged coastline, head to Cable Beach to watch a stunning sunset atop a camel — cliché be damned, it's an unmissable tourist attraction for a reason. Finish off the day with a visit to the over 100-year-old Sun Pictures, the world's oldest outdoor cinema still in operation. Those chilly nights will be a distant memory. TRAVEL TO AUSTRALIA'S TOP END Darwin may be the oft-forgotten state capital, but in recent years it has established itself as a hot destination (pun intended) — particularly for younger travellers due to its thriving art and nightlife scenes. If you weren't quite ready to say goodbye to summer sundowners, waterside Darwin Ski Club will ensure your beers-by-the-bay quota is met. Kakadu National Park is usually a drawcard for visitors when up north. But if you're short on time or want to try something a little more off-the-beaten-track, the less-frequented Tiwi Islands provide an equally rich indigenous experience. There are two main islands, Melville and Bathurst, plus nine other smaller, uninhabited islands which are all just a 30-minute scenic flight from Darwin. Art is a hugely important part of the culture here and is best appreciated at morning tea with some local ladies from the Wurrumiyanga community. Over a snack of billy tea and fresh damper, you can watch the Tiwi ladies weaving and painting. Finish off your day trip with a scenic drive around the island exploring the lush tropical gardens, plus a visit to a Tiwi burial site. Grab a Coopers Session Ale and make the most of summer, all year round. Top image: Coral Beach, Gareth McGuigan.
“Film in the hands of a great filmmaker has the power to change lives; the power to bridge cultural divides; the courage to explore and tell our stories; to inform and entertain; to deliver better understanding into hearts and minds.” The Asia Pacific Screen Awards (APSAs) are back for 2012 in all their diversity and richness. This year the QPAC playhouse will play host to filmmakers from over 30 countries in attendance for what is regarded as one of the region’s highest honours in film. Over the past five years, 180 films have been nominated for a prestigious APSA, all of which have and have been expected to exhibit its own unique story in its own way, based in its country of origin. To catch the APSAs, tune into the live webcast from 7pm.
For someone so pivotal to the story of Jesus, it's surprising how few films have told the tale of Mary Magdalene. The biblical figure has been played by Barbara Hershey, Debra Messing, Monica Bellucci and even PJ Harvey over the years, but she's usually a mere supporting character. More than that, she's frequently painted as a sinner at the very least, and often as a prostitute. Neither proves the case in Mary Magdalene, a contemplative, humanist drama that casts Mary (Rooney Mara) as a woman of determination, devout faith and devotion. In fact, the film proposes that she was Jesus' 13th apostle. An early line gives a clear indication of the movie's focus: "I can't marry," Mary tells her father; "I'm not made for that life." What follows is an account of someone defying convention, sticking to her own path, and finding strength and solace when Jesus of Nazareth (Joaquin Phoenix) comes to town. With her dad and brothers preferring to exorcise her convictions away rather than respect her choices, it doesn't take long for Mary to warm to Jesus' caring and charismatic presence. But his existing offsiders are far from welcoming, with Peter (Chiwetel Ejiofor) especially wary. In fact, it's Judas (Tahar Rahim) who's actually more accepting. As such, Mary Magdalene depicts a strong woman breaking free from the shackles of her patriarchal fishing village, and from the expectation that matrimony and motherhood are all she should hope for. The film watches on as she finds a supportive and inspirational companion in Jesus, and as she bears witness to not only his deeds and perspective, but to his worries as well. Still, for all of its ambition — for all of its attempts to recast Mary as a feminist hero while the usual Jesus tale plays out — the movie can't quite decide if it's championing the titular character, or getting lost in her affection for the preacher and religious leader. Of course, you can't tell her story without him, but the balance isn't always right. More often than not, it appears as though Mary Magdalene wants the audience to understand Mary's connection to Jesus more than it seeks to understand Mary herself. Thank whichever deity you please for Mara, then. As she demonstrated so emphatically in Carol, she's one of the best actresses of her generation when it comes to conveying a whole world of emotion without saying a word. Her eyes flicker as Mary reacts to Jesus, her posture shifts, and viewers can grasp not only what the character sees in him but how that makes her feel. Phoenix is also impressive, his mumbling take on Christ in keeping with the film's down-to-earth air. This isn't a movie that looks to the heavens to find spiritual meaning, but to people, their actions and the impact their deeds can have. It's a fitting approach, particularly with Australian filmmaker Garth Davis (Lion) in the director's chair. While a religious tale seems quite the departure from his acclaimed debut, both prove intimate dramas about lost souls searching for fulfilment. Both also share stirring scores and scenic imagery — courtesy of the late, great composer Johann Johannsson (Arrival) and Icelandic cellist Hildur Guðnadóttir, and cinematographer Greig Fraser (Lion), respectively — but movie magic doesn't strike twice. Instead, Mary Magdalene is an intermittently convincing film about belief, rather than a film to believe in. https://www.youtube.com/watch?v=dH6A_YDafBw
You'd be hard-pressed to find an Aussie fashionista who doesn't know Sass & Bide. Founded by Sarah-Jane Clarke and Heidi Middleton in 1999, the Brisbane-born label captured the early 2000s by storm with its gilded embellishments and bold prints. Sass & Bide's designs have strutted down runways in Australia, London and New York — and remains one of the country's most recognisable names in fashion. After Sass & Bide kicked off, Middleton spent 25 years straddling Sydney and Paris as she pursued art and design alongside her role as Creative Director. Now, the designer has returned to Queensland with an exciting new project in tow — ARTCLUB, a retail, gallery and studio space displaying her multidisciplinary designs and artwork. Housed in a former Sass & Bide boutique on James Street, ARTCLUB reimagines Middleton's world into a retail experience. On the first floor, a six-metre gallery wall is lined with Middleton's original artworks. Abstract floor-to-ceiling sculptures and sculptural brass clothes railings fill the room. Paintings hang alongside clothing made from natural fabrics and offcuts — both are available for purchase. Upstairs, the mezzanine has been converted into a working atelier that perches above the shop. Visitors can watch Middleton hand-cutting and sewing her designs, or even have something made to order. There are no smoke and mirrors here, just slow and sustainable production that yields limited runs. Like any beautiful home, the space will evolve. Soon, collaborations with artists, designers and other kindred creatives will take shape within the sunlit walls. In 2026, Middleton plans to weave in an Objet Trouvé edit — a curation of found objects from her travels — plus a collection of limited-edition furniture and sculptural design pieces. Images: Supplied
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from April's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW https://www.youtube.com/watch?v=qmSK3XliTk4 RUTHERFORD FALLS He co-wrote and produced The Office. He did the same on Parks and Recreation and Brooklyn Nine-Nine, which he co-created as well. And, he gave the world The Good Place — which makes Michael Schur one of the best in the business when it comes to kind-hearted, smart and savvy small-screen laughs. His new show, Rutherford Falls, continues the streak. Co-created with star Ed Helms and showrunner Sierra Teller Ornelas (Superstore), it also boasts his usual charm and intelligence and, as with all of the above programs, it's exceptionally well-cast. Plus, it's immensely easy to binge in just one sitting, because each one of its ten first-season episodes leave you wanting more. The setup: in the place that gives the sitcom its name, Nathan Rutherford (Helms, Aunty Donna's Big Ol' House of Fun) runs the local history museum. One of his descendants founded the town, and he couldn't be more proud of that fact. He's also very protective of the towering statue of said ancestor, even though it sits in the middle of a road and causes accidents. So, when the mayor (Dana L.Wilson, Perry Mason) decides to move the traffic hazard, Nathan and his overzealous intern Bobbie (Jesse Leigh, Heathers) spring into action. Nathan's best friend Reagan Wells (Jana Schmieding, Blast) helps; however, the Minishonka Nation woman begins to realise just how her pal's family have shaped the fate of her Native American community. Also featuring a scene-stealing Michael Greyeyes (I Know This Much Is True) as the enterprising head of the Minishonka Nation casino, Rutherford Falls pairs witty laughs with warmth and sincerity, especially when it comes to exploring the treatment of First Nations peoples in America today. The first season of Rutherford Falls is available to stream via Stan. https://www.youtube.com/watch?v=f3PkRz0Qda4 WAKEFIELD Scroll through the list of Wakefield's cast members, and many a famous Australian name pops up. Ryan Corr (High Ground), Wayne Blair (Rams), Kim Gyngell (Brothers' Nest), Harriet Dyer (The Invisible Man), and comedians Felicity Ward and Sam Simmons are just some of them, but this ABC series belongs to phenomenal British talent Rudi Dharmalingam (The Split). With an Aussie accent so flawless that all other actors attempting the feat should study it in the future, he plays nurse Nik Katira. His workplace: the eponymous Wakefield, a mental health hospital in the Blue Mountains. Nik's days involve caring for his patients, navigating the usual workplace politics and grappling with his personal life, with all three often overlapping. That might sound like the usual medical drama, but Wakefield isn't ever as straightforward as it might appear. From its very first episode — one of five directed by The Dressmaker filmmaker Jocelyn Moorhouse, with the other three helmed by The Rocket's Kim Mordaunt — the series purposefully throws its viewers off-kilter. With roving cinematography and looping stories, it keeps everyone watching guessing, just as the figures within its frames are doing about their daily existence (including and sometimes especially Nik). Already set to be one of Australian TV's most impressive new series of the year — and likely the best of the year, too — Wakefield is gripping, twisty, powerful and almost devastatingly empathetic about a topic that is rarely handled with as much care and understanding. In other words, it's a knockout. The first season of Wakefield is available to stream via ABC iView. https://www.youtube.com/watch?v=WZ3dgHqaw8U CONCRETE COWBOY Like many titles that grace Netflix's catalogue, Concrete Cowboy sounds like the type of movie that the streaming platform's algorithm could've easily cooked up. It might've gleaned that its subscribers like Idris Elba, and that they're keen on horses. It already knows that viewers love Stranger Things, obviously, which is where Caleb McLaughlin comes in. Combine all of the above with a coming-of-age tale that also doubles as a story of redemption, and this movie could be the end result. That's not how Concrete Cowboy came about, though. It's based on Greg Neri's novel Ghetto Cowboy, and it has both a classic and a vibrant air — befitting a film about a teenager who finds his life forever changed by an animal, and a movie about an urban riding community in Detroit as well. As the trouble-prone 15-year-old at the centre of the story, McLaughlin puts in a stirring performance. As his initially estranged father, and the man that introduces him to the stables, Elba (Cats) is magnetic, but his work here doesn't coast by on charm alone. First-time feature writer/director Ricky Staub guides stellar portrayals out of both his stars, and also works with cinematographer Minka Farthing-Kohl (The Nowhere Inn) to ensure that every second of Concrete Cowboy looks and feels as if it's galloping thoughtfully and perceptively through an oft-seen subculture. Concrete Cowboy is available to stream via Netflix. https://www.youtube.com/watch?v=TgB7rMuxY-s THE SERPENT One day, Tahar Rahim will likely win an Oscar. He's that phenomenal an actor, as he has shown in everything from A Prophet, The Past and Daguerreotype to The Eddy and The Mauritanian. In The Serpent, however, he's never been more unsettling — but given that he's playing Charles Sobhraj, that comes with the territory. If the real-life French serial killer's name doesn't ring a bell, then this eight-part series will make sure you'll never forget it. The instantly riveting drama tells a grim true tale, and an unnerving one. With his girlfriend Marie-Andrée Leclerc (Jenna Coleman, The Cry) and accomplice Ajay Chowdhury (TV first-timer Amesh Edireweera), Sobhraj targeted young travellers in Bangkok and south Asia in the 70s — usually luring them in with a scam first, or trying to flat-out steal their money, then drugging them, killing them and stealing their passports. Ripper Street writers Richard Warlow and Toby Finlay intertwine Sobhraj, Leclerc and Chowdhury's murderous exploits with the efforts of Dutch diplomat Herman Knippenberg (Billy Howle, Star Wars: Episode IX — The Rise of Skywalker) to find two missing tourists. After being tipped off about two bodies by a loud-mouthed Australian in Thailand (Damon Herriman, Judy & Punch), Knippenberg begins to piece together the broader story. It's easy to feel just as he does while watching The Serpent, actually, because getting swept up in its distressing details is simply inevitable. The Serpent is available to stream via Netflix. https://www.youtube.com/watch?v=a9xVoRoWmnA I USED TO GO HERE With I Used to Go Here, writer/director Kris Rey (Unexpected) tackles an experience that everyone goes through once they've spent a decade or so being an adult. You might've achieved everything you'd ever hoped for when you were in university — and you might be well-aware that your teenage self would be gobsmacked by what you've conquered — but few dreams are ever as glittering in reality. For Kate Conklin (Gillian Jacobs, Love), things should've been perfect. But while the 35-year-old's first novel is new on bookshelves, it isn't selling. Her book tour has been cancelled as a result. And, although a wedding was in her near future, she soon finds herself single, confused, angry, alone and hurting. So, Kate accepts an offer to step back into the past. Asked to speak at her alma mater by a professor (Jemaine Clement, Legion) she looked up to, she jumps at the chance to revisit her old haunts, to feel like a big deal in her old college town and to get nostalgic with familiar faces. But, she primarily ends up hanging out with the students who now live in her old house, and regressing emotionally. In in its narrative, I Used to Go Here delivers few surprises. And yet, this keenly observed film knows how it feels to walk in Kate's shoes, and how to make those emotions drip from the screen as well. It helps that both Rey and Jacobs invest depth and emotion into every frame; indeed, this would've been half the movie it is otherwise. I Used to Go Here is available to stream via Stan. NEW SHOWS TO CHECK OUT WEEK BY WEEK https://www.youtube.com/watch?v=miQqyfO66uw MARE OF EASTTOWN Kate Winslet doesn't make the leap to the small screen often, but when she does, it's a must-see event. 2011's Mildred Pierce was simply astonishing, a description that both Winslet and her co-star Guy Pearce also earned — alongside an Emmy each, plus three more for the HBO limited series itself. The two actors and the acclaimed US cable network all reteam for Mare of Easttown, and it too is excellent. Set on the outskirts of Philadelphia, it follows detective Mare Sheehan. As the 25th anniversary of her high-school basketball championship arrives, and after a year of trying to solve a missing person's case linked to one of her former teammates, a new murder upends her existence. Mare's life overflows with complications anyway, with her ex-husband (David Denman, Brightburn) getting remarried, and her mother (Jean Smart, Watchmen), teenage daughter (Angourie Rice, Spider-Man: Far From Home) and four-year-old grandson all under her roof. With town newcomer Richard Ryan (Pearce, The Last Vermeer), she snatches what boozy and physical solace she can. As compelling and textured as she always is, including in this year's Ammonite, Winslet turns Mare of Easttown into a commanding character study. That said, it's firmly an engrossing crime drama as well. Although yet again pondering the adult life of an ex-school sports star, The Way Back's Brad Ingelsby isn't just repeating himself by creating and writing this seven-part series, while The Leftovers and The Hunt's Craig Zobel takes to his directing gig with a probing eye. The first two episodes of Mare of Easttown are available to stream via Binge, with new episodes available weekly. https://www.youtube.com/watch?v=rg_160Be71g THE HANDMAID'S TALE Fans of The Handmaid's Tale have had to wait longer than expected for its fourth season, with the dystopian series' next batch of episodes among the many things that were postponed due to the pandemic. But, now it's here — and yes, the word you're looking for is 'finally'. Basically, it's time to trade one source of anxiety and tension for another. Watching the series has never been a stress-free experience, and that continues this time around. Given that the show is all about toppling a totalitarian society that's taken over the former United States, tearing down its oppression of women under the guise of 'traditional values', and fighting for freedom and equality, sending your blood pressure soaring is to be expected (and reading Margaret Atwood's 1985 book wasn't a calm experience, either). After season three's cliffhanger, June (Elisabeth Moss, The Invisible Man) is still battling against Gilead. In fact, after everything that the oppressive regime has done to her and her loved ones — and the ways in which it has changed life for women in general — she's firmly out for justice and revenge. That involves taking new risks, but that's what a rebel leader has to do. And we all know that stress and tension is only going to keep building as The Handmaid's Tale drops its new episodes week by week. The first three episodes of The Handmaid's Tale season four are available to stream via SBS On Demand, with new episodes available weekly. INSTANT AND OLD-SCHOOL CLASSICS TO WATCH AND REWATCH https://www.youtube.com/watch?v=Dc5hiLqHa6g ZAMA Nine years is a rather long time to wait for a filmmaker to make a new movie. But, for fans of Argentinian director Lucrecia Martel, that's exactly the period that passed between her 2008 thriller The Headless Woman and 2017's exceptional Zama. Although there was never really any doubt that the latter would be something special when it finally surfaced, the acclaimed auteur well and truly made her comeback with an effort that matches her reputation: mythic. Here, Martel takes on Antonio di Benedetto's 1956 Argentinean novel Zama to explore the story of an 18th-century Spanish magistrate — the Don Diego de Zama (Daniel Giménez Cacho, The Promise) of the movie's title. He's stuck in a small South American town, desperately hoping for a transfer and, as he waits and his patience slips, he's also quickly losing his grip on everything. Narrative-wise, Zama has plenty to say about colonialism and class, and uses drama, comedy and tragedy to do so; however, it's how Martel conveys the film's tale and dives into its themes that sears this inimitable movie into viewers' brains. As its protagonist's ideas of his own grandeur are chipped away moment by moment, Zama, the feature, charts the opposite trajectory with its exquisite imagery, hypnotic rhythm and distinctive logic. Zama is available to screen via Binge. https://www.youtube.com/watch?v=KH-aPyydgoE SNOWPIERCER Whenever Bong Joon-ho makes a movie, the entire world should take notice. It did with Parasite, with the masterful thriller nabbing Cannes' Palme d'Or, Sydney Film Festival's prize and four Oscars to prove it (and a slew of other awards as well). But, arriving two titles and six years earlier on his filmography, Snowpiercer didn't initially get the same amount of attention. Yes, it sparked an immensely watchable TV remake; however, it didn't attract eyeballs en masse. It should've, but that's the thing about movies once they're out there in the world: if you've missed them, you can always hunt them down. When it premiered in Australia, also at SFF, more than a few folks in the audience walked out. They robbed themselves of a smart, savage and supremely entertaining dystopian action-thriller, all set on the perpetually moving train that gives the film its title. Adapted from the French graphic novel Le Transperceneige by Bong and co-screenwriter Kelly Masterson (Before the Devil Knows You're Dead), the film transports the world's class, social and economic struggles into the locomotive's stratified carriages, and charts the inevitable uprising that follows when those left at the back of the train decide to rebel. Bong's first English-language feature, it boasts a killer cast, too, including Chris Evans (Knives Out), Song Kang-ho (Parasite), Tilda Swinton (The Personal History of David Copperfield), Jamie Bell (Rocketman), Octavia Spencer (The Witches) and John Hurt (Jackie). Snowpiercer is available to stream via Amazon Prime Video. https://www.youtube.com/watch?v=P8lT_X8Oycc FRIDAY NIGHT LIGHTS Clear eyes, full hearts, can't lose. If those six words already mean something to you, you're clearly a fan of Friday Night Lights — which, although it only spanned five seasons and 76 episodes, is one of the very best dramas of the 00s. It wasn't guaranteed to be a hit, or to even be any good, though. Initially, Friday Night Lights was a 1990 non-fiction book about small-town high-school football. Then, it became a grim sports film, starring Billy Bob Thornton when he was fresh off of Bad Santa. Both the text and the movie still exist, of course, but it's the TV series that everyone now thinks of when the Friday Night Lights name comes up. It's the show that made everyone think of Kyle Chandler (Godzilla vs Kong) as their coach and their dad, too, because they're the roles he plays to absolute perfection here. The general premise remains the same, this time following the Dillon Panthers. Chandler's Eric Taylor steps into the head coach role just as the team's star quarterback is injured, which sets up the storyline for the first season. Not just centred on sport, the series also dives deep into the everyday lives of its players in its fictional Texas community, and their loved ones as well — which is where everyone from Connie Britton (Promising Young Woman), Taylor Kitsch (21 Bridges) and Jesse Plemons (Judas and the Black Messiah) to Michael B Jordan (Just Mercy) and Jurnee Smollet (Lovecraft Country) pop up. All five seasons of Friday Night Lights are available to stream via Binge. Top images: The Serpent, Mammoth Screen Ltd, photographer: Roland Neveu.
It's been 14 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Thankfully, Laneway Festival has just confirmed it will be heading back to its collection of unconventional venues for another year, revealing its jam-packed 2019 lineup. Returning to Melbourne, Sydney, Adelaide, Brisbane, Fremantle, Auckland and Singapore next January and February, Laneway will raise a plastic cup to the middle of summer with one heck of a lineup. This year's eclectic program is headlined by two huge Aussie names: indie rock group Gang of Youths and acclaimed singer-songwriter Courtney Barnett — while New Zealand audiences will also be treated to UK indie rock band Florence + The Machine and teen sensation Billie Eilish. A few big artists are heading Down Under for the first time, too, including English R&B superstar Jorja Smith, neo-soul singer Rex Orange County and American rapper Denzel Curry. You'll also be able to get down to Camp Cope, Middle Kids and Mitski and sway along to Mansionair, What So Not and Skeggs. If you want to catch Jorja Smith and NYC rapper A Boogie Wit Da Hoodie, you'll have to head along to Laneway — they'll both be playing exclusively at the festival, with no sideshows. This year, the Melbourne leg of the festival will be heading to its new location for the first time: Footscray Park. Its a bigger space, but, supposedly, won't have an increased capacity — so, hopefully that'll mean less lines and more room for dancing. But, enough chit-chat — here's the full 2019 lineup. LANEWAY 2019 LINEUP Gang of Youths Courtney Barnett Florence + The Machine** A Boogie Wit Da Hoodie (exclusive) Baker Boy Bene** Billie Eilish** Camp Cope Charlie Collins* Clairo Cosmo's Midnight Crooked Colours* Denzel Curry* DJDS G Flip High Beams** Imugi** Jon Hopkins Jorja Smith (exclusive) KIAN Lontalius** Mansionair Masego Methyl Ethel Middle Kids Miss June** Mitski* Parquet Courts Ravyn Lenae Rex Orange County Ruby Fields Skeggs Smino The Dead C** What So Not Yellow Days *East Coast only ** New Zealand only LANEWAY FESTIVAL 2019 DATES Auckland — Monday, January 28 Brisbane — Saturday, February 2 Sydney — Sunday, February 3 Adelaide — Friday, February 8 Melbourne — Saturday, February 9 Fremantle — Sunday, February 10 Singapore — Dates TBC Visa pre-sale tickets go on sale at 9am this Thursday, September 20 — you can register here — and the rest of the tickets going on sale at 9am on Tuesday, September 25 from Laneway Festival. Laneway Image: Anthony Smith; Courtney Barnett: Pooneh Ghan.
There's no Academy Award solely for vocal performances. If there was, Lupita Nyong'o might've added another of Hollywood's prized statuettes to her mantle when the 2025 ceremony rolls around. A decade after taking home an Oscar for 12 Years a Slave, her first feature, and following standout work in everything from Black Panther and Us to Little Monsters and A Quiet Place: Day One since, she's the voice of Roz — short for ROZZUM unit 7134 — in the big-screen adaptation of Peter Brown's The Wild Robot. Unsurprisingly, she's marvellous and moving, taking viewers on an emotional journey even while playing a robot without facial expressions. When Roz is fresh out of the box, powering up on an animal-filled island devoid of humans in a futuristic vision of earth, Nyong'o lends her vocals to the perky Siri and Alexa peer that audiences will wish spoke back to them from their own devices. As the task-oriented mechanical helper learns that there's more to life than her programming — as she befriends a gosling that she names Brightbill (Kit Connor, Heartstopper) and a fox called Fink (Pedro Pascal, Drive-Away Dolls), too, and wins over other wild critters who are initially fearful of the metallic interloper — the warmth that begins to infuse Roz's tones couldn't feel more genuine. The Wild Robot doesn't only prove a gem thanks to Nyong'o's pivotal performance, but it wouldn't be even a fraction of the film that it is without her. In 2024, the actor has had two movies in cinemas. In A Quiet Place: Day One, speaking was one of the worst things that anyone could do. In The Wild Robot, Nyong'o's entire portrayal comes down to talking. "I love that you made that comparison. I hadn't even thought about it that way," she tells Concrete Playground when we point out the contrast, and also ask what she seeks out in new projects at this point in her career. "What gets me excited? I think about the character that I've been offered to play, and I think about what I will require to play the character — and what I could learn as well from playing the character, what I'm curious about. If the character makes me ask questions of the world and of myself and I'm excited to find out the answers, then I want to play that character," Nyong'o explains. When The Wild Robot came her way, she didn't say yes immediately, however. For Nyong'o, voicing Roz was always going to need to be a creative collaboration; just showing up to speak her lines and leaving it at that isn't how she wanted to work. "I don't know how to be just a voice for hire. I have opinions and I want to share them, and I want to make sure that the person I'm sharing them with wants to hear them," she notes. Nyong'o joined the film after meeting with director Chris Sanders and understanding his vision. "You shape these things together. You go on this journey together, and she is a creative force just like every other artist in this film, for sure," he tells us. "And I have to say, she's an absolute genius. Taking Roz apart bit by bit to understand her thinking kept me honest as a writer," he continues. The Lilo & Stitch, How to Train Your Dragon and The Croods director — and voice of Stitch — couldn't be more enthusiastic about the latest picture that now sits on his packed resume (also on his filmography from the 90s when he was starting out: production design on The Lion King, visual development on Beauty and the Beast, and story credits on both alongside Aladdin). Before signing on for The Wild Robot, Sanders describes himself as "book-adjacent" to Brown's illustrated tome, as his daughter had read it. "I saw it sitting around the house and I'd actually forgotten about it until the day I came into DreamWorks to look at what was in development. And there was the book, and they described it, and I thought 'that's the one I'm interested in'," he advises. As the feature's writer and director, he's crafted a version that takes inspiration from Hayao Miyazaki's enchanting Studio Ghibli fare, classics such as Bambi and the work of painter Claude Monet, too — and a gem for all ages. How does Nyong'o tackle a voice-acting part — and, whether she's seen on-screen or heard echoing from it, how does she find the right voice for a character? What kind of thinking and planning goes into expressing Roz's inner journey? How important was it to Sanders that the film didn't shy away from animals being animals, not just in appearance but also into recognising the food chain and cycle of life? We chatted with the pair about all of the above as well, and more, including how animated movies trade in big emotions —because we all have that flick, or several, that we'll never forget — and how that sits in your mind when you're making one. On How Nyong'o Approaches a Voice-Acting Part, Especially Playing a Character Without Facial Expressions Lupita: "I think the animators did a great service to Roz — and a great service to an audience — by not giving her facial features. Because then we stay truer to the fact that Roz is not a feeling entity. She is a robot and has a goal — she's goal-oriented and her goal, luckily, is to be of service to whomever purchased her. So that lends itself to kindness. And she's also very adaptable, so she's able to adapt to the behaviours and expressions of the wild animals that she is now living with. And through that, you can adopt sensibilities akin to emotional expression. I like figuring that out cerebrally. How do I play a character without emotions but still be able to convey a bunch of emotions, and then trust that an audience will project their emotions onto her? We are given that license because she doesn't have facial expressions, so she's not doing it for us. We were very much a part of the performance." On Finding the Right Voice for the Right Character Lupita: "It starts off with understanding the given circumstances of the character. What are the facts, right? And so for Roz, one of the main facts that was very important was that she is a programmed robot. That was very informativem and it led me to listen to automated voices like Siri and Alexa, the voices on TikTok and Instagram — they were an inspiration, their relentless, positive vibrancy was the inspiration there. For someone like Red in Us, I knew that there had been a strangulation at some point, and so that fed my imagination on what could that sound like if you were strangled. Things like that. Then I also work very closely with a vocal coach, and I worked with her on both Us and The Wild Robot, and that's really helpful to just externalise my ideas and make sure that I'm doing it in as healthy a way as possible to stave off injuries." On What Sanders Was Excited to Bring to the Screen in Adapting The Wild Robot Chris: "The story for sure. I've always wanted to do a robot movie. And the other thing that I never thought I'd get a chance to work on would be an animal movie like this. This is a lot like Bambi — the forest, the animals, the creatures. And it's a real forest, they're only slightly anthropomorphised. Bambi is a huge favourite. It always will be. One of the things I think that you cannot understate is the emotional power of that film. It has a staying power and a beauty that we wanted to emulate. Aspire to it, actually, is a better way to say it — that and the art of Miyazaki films. These are things that have a huge influence on us as animators and filmmakers. So we had big boots to fill if we were going to equal the power and the scale of those of those stories. Our animators really took to it, by the way. I didn't understand until they started working on the film the level of excitement that they had to do animals that were animals. That kind of movement, I guess, is really a huge thing for an animator. They're usually doing animals carrying cell phones and they have jobs, etcetera. Animals that are animals, there's a purity to the motion that I was really struck by. The animation went unusually quickly because of the lack of things, like jackets and coats and stuff. And so it was a joy to see all of this come to life day by day." On the Importance of Not Shying Away From the Reality of Animals Being Animals Chris: "It was critical because if there isn't consequence, then the story is just not going to work. We don't want to shy away from any of those things because we need that kind of ballast. I would actually harken back to things in The Lion King — if you don't have consequences, you're not going to have that emotional resonance, and I don't think you going to have a movie that works. So death shows up several times in this movie. The first time, of course, is the critical and pivotal event where Roz accidentally, quite literally, runs across this goose's nest by accident and that sets this whole story in motion. Later on, we revisit it, but we often revisit it with humour. We get a laugh out of it. It's a dark kind of humour, but boy is it effective. The animals on this island have programming, and that's the way that Roz looks at it. She's a creature of human programming, and she sees the animals as running programs as well. I thought that was a really interesting way to look at the world, and one of the load-bearing ideas and themes of the film is the idea that someday you may have to change your programming in order to survive. In our lives, we are creatures of habit, we resist change, and we may have to change the way we think. I think that sometimes we're so fearful of losing ourselves for some reason. I think we're very protective of ourselves. I can only speak for myself, but I get that — but whenever I've been forced to see things in a different way, I've been better for it." On What Goes Into Conveying Roz's Inner Journey Through a Vocal Performance Lupita: "I would say the intention was set at the beginning. Before I took on the role, I asked Chris why he thought I would be good for it, and he said he liked the warmth of my voice. So that was very good information for me, so that I knew what I had for free to offer Roz, and so that was where we would end up — that's the voice when Roz has taken on and embraced the role of mother most fully, that she sounds most like me. And then in the process, a two-and-a-half-year process, the script is developing, and along with it our understanding of who Roz is and how we experience her evolution is also developing. That was really quite technical, and we had certain markers, certain benchmarks for where the quality of my voice was shifting. And I did it quite technically, so it dials up in a way that when you're watching the performance is perhaps, hopefully, quite subtle and unnoticeable — until you meet the robots that are more like the other robots like her, towards the third act of the film." On the "Miyazaki by Way of Monet" Visual Approach to the Natural World Within the Film Chris: "All these things we've been talking about, what a perfect line of questioning actually, all these things are linked together like spokes of a wheel. I felt that it was absolutely critical, and I pushed very hard for this level of sophistication in the look of the movie. Think back to what we were talking about with Bambi, that level of sophistication, I felt, would make our audience see this film in the right way, if that makes sense. This is a film that kids will love. Kids should go see it. Families should go see it. But it's not a little kids' film — it's a film. And that's how Walt Disney looked at those stories as well, he always said so. So that level of sophistication helps us to get into the film in a certain way, and it really immerses us in a way that I've never seen a film like this accomplish. I have gotten so much feedback since we finished the film that it really blurs the line between a live-action film and an animated film, frankly, the way that you see it — and that was very deliberate. And I have to credit the artists and the incredible advances that DreamWorks had made technologically that allowed this look. The funny thing is all that technology opened this film up so that humans are more present than ever before. Literally everything is hand-painted. It would be as if I took out a brush and started painting dimensionally in space. That's exactly what they were doing. So there are no forms underneath the trees or the rocks. It's free handed. So the beauty that you get from that, there's no substitute for it. There's an analogue warmth that we reconnected with on this journey that we've taken through CG." On How Animation Allows Audiences to Have Big Feelings — and Thinking About That When You're Making an Animated Film Lupita: "You have to keep the audience in mind. One of the things that I remember us discussing, Roz has a lot of robotic language, just mumbo jumbo that she says — and you want to keep that in a way that allows for children to grow their vocabulary, and also a way for adults to understand and appreciate what she is saying. But you can't make it too difficult that you lose the children altogether. So those were fun workshops where we tried different words. I remember in the script, there was a time when a character asks Roz something and she goes 'hmm, let me see'. But 'hmm', that's a very human expression, and so I said 'processing' and everybody broke out laughing, and it became part of Roz's vocabulary. For children, that is perhaps maybe a new word — children never say processing, I can't imagine they do. But in that sense, you've expanded their vocabulary and stayed true to the character." Chris: "It's something I don't know if I'm really thinking about it, but in a sense I'm striving for it as I'm working on scenes. I'm scaling things. I think one of the neat things about taking a story like Peter Brown's to the screen is the potential for how big these feelings can be. I'm always going for audacity and scale. And I will run a scene over and over and over in my head, modifying it before I even commit anything to paper a lot of the time, until I'm feeling I've found every edge of the boundaries of that particular moment, and I've built it as large as it possibly can be. Because why wouldn't you, you know? Why wouldn't you? And then the really amazing thing is, I take it only so far, and then we have our actors and our and our animators — and eventually the cinematographer, the lighting, and then eventually Kris Bowers [who composed The Wild Robot's soundtrack]. I cannot overstate his contribution as well. I credit him for, I think, the gosh-darn best score I've ever heard in a movie ever." On What Nyong'o Makes of Her Career Over the Past Decade Since 12 Years a Slave Lupita: "I was sitting at the premiere of The Wild Robot at TIFF [the Toronto International Film Festival], and there was a moment, I think it was a moment when Brightbill is flying away and a feather floats into Roz's hands. And it's a very emotional moment within the story. But in that moment, I was just caught, I was struck by the truth that I have been living out my dreams and this project is another dream come true. I was just filled with gratitude, because not everybody gets to live out their dreams so exactly. And I've had that wonderful, wonderful privilege, and I just don't take it for granted. It's been deliberate. It's sometimes been scary. I've had to say no before I knew I could in order to wait for the project that felt like it would give me the kind of expansion I was looking for. And those times that I've said no have paid off. And looking at the last ten years, I'm very, very proud of the work that I've been able to do, and I look forward to continuing to live out my dreams one decision at a time." The Wild Robot opened in Australian cinemas on Thursday, September 19, 2024.
He has declared that he's not famous anymore, taken phone calls from strangers, transmitted his heartbeat, live-streamed a three-day movie marathon of his own films and asked the public to take him around North America. Now, one of the most intriguing actor-turned-artists of his generation has revealed his next performance piece — and it's happening in (and streaming from) Sydney this weekend. Shia LaBeouf fans and anyone interested in experimental art antics might already know that the American Honey star has been on the bill for the Sydney Opera House's new pop culture festival, BingeFest, since it was announced back in October. As part of the program, he'll continue to collaborate with his creative partners Nastja Säde Rönkkön and Luke Turner, who he's worked with on more than a dozen projects to date. And yes, at #ANDINTHEEND, they want you to participate. The first of their two free performances kicks off tonight at 11.59pm and runs through until 6am, with their second taking place between 10pm on Sunday until 6am Monday morning. Here's how #ANDINTHEEND works: visitors will be invited inside Sydney Opera House's Joan Sutherland Theatre one by one, and asked to deliver a statement or message in person to LaBeouf, Rönkkön and Turner. They can say whatever they like — but, the one requirement is that each participant's message should begin with the words: "AND IN THE END…". https://twitter.com/thecampaignbook/status/809926146313830401 Once communicated to LaBeouf and company, the statements will be live-streamed online at andintheend.sydneyoperahouse.com — and beamed across Sydney harbour on a 60-metre display installed on the Opera House itself. At the centre of the piece, the trio are aiming to ponder a number of questions, including where we are headed, what might it all mean and what is important in the end? "As 2016 draws to a close, we are all too aware of the pervasive sense of foreboding that has come to define the year," the artists offered in a statement about #ANDINTHEEND. "Wars have raged, demagogues have risen, cultural heroes have departed, environmental catastrophe looms, while the voices of the people have been continually manipulated and polarized. Hope for the future seems more distant than ever. And yet, we still yearn for some greater truth, for the utopias of our distant horizons, expressed through art." Just how it will turn out is anyone's guess, but that's the great thing about live art in general, and about LaBeouf, Rönkkön and Turner's performance projects in particular: no one knows just what will happen. If you're planning to flock to the free event in person — or just thinking about stopping because you're already heading to BingeFest's all-night Buffy binge-a-thon or 24-hour Street Fighter tournament — visitors are reminded that entry isn't guaranteed. Everyone else, train your eyes towards your nearest internet-connected screen once the clock hits midnight tonight, Sydney time. #ANDINTHEEND takes place at BingeFest on from 11.59pm, Saturday 17 December to 6am, Sunday 18 December — and again from 10pm, Sunday 18 December to 6am, Monday 19 December. Follow @thecampaignbook on Twitter for more information, and visit andintheend.sydneyoperahouse.com to access the live-stream. Images: Abazar Khayami, Daniel Boud and Vivi Fragou.
Bracken Ridge Tavern has finally reopened after a mammoth $10 million renovation. This major transformation ushers in a new era for Brisbane's Northside hospitality, with the venue now primed for all-day socialising and dining for families, friends and groups. The Tavern is run by second-generation owners and operators, publicans Chad and Elisabeth White, who both left corporate careers to continue the family legacy. The pub has been a cornerstone of the region's hospitality for almost five decades. "Bracken Ridge Tavern has always been part of the community's fabric, but we wanted to create a place that evolves with it," says Chad. Elisabeth adds, "We've created a space where local families, long-time customers and new faces can come together to eat, drink, connect and celebrate, whatever the reason, whatever the time of day, all under one roof." As the doors swing open, the first stage of the facelift has been unveiled, revealing a new Italian eatery, Two Wise Guys, a reimagined steakhouse, Panama Jacks, a bustling laneway that connects the indoor and outdoor spaces, a refurbished games room, the Laneway Cafe, and a garden terrace, perfect for families, which includes a kids' playroom and grassed areas. At a later date, the second stage of the renovation will introduce The Captain's Sports Bar to the buzzing precinct. Two Wise Guys is an ode to Chad and Elisabeth's grandfathers, which served freshly sliced meats, crisp pizzas and fresh pastas. "Two Wise Guys is a love letter to our grandfathers, who were humble men, believing the best meals start in the soil and end at the table, surrounded by friends and family. We wanted to honour their stories through food made with heart, using the best local produce and Italian know-how." Elisabeth says they wanted to design a venue that suits each moment of the day, from a morning coffee to a long lunch, to catching up over the footy with mates, or even celebrating a special occasion. The renovation comes at just the right time, as Brisbane's Northside is experiencing a surge in locals seeking more exciting and elevated hospitality experiences. "Now is the time to raise the bar. People want spaces that feel special, yet familiar, with great food, great company and a sense of community at the core," says Chad. Images: Supplied.
Ask a few people when they fell in love with David Attenborough documentaries and you might receive an array of answers. Or, everyone might point to Planet Earth. The landmark 2006 series won both awards and love aplenty when it had the world's most-famous natural historian and broadcaster narrate a look at this pale blue dot we call home. Indeed, it was such a success that Planet Earth II followed in 2016, and now Planet Earth III arrives this year. In Australia, the third instalment in the franchise (because everything is now a franchise) starts screening and streaming from Sunday, November 26. Viewers heading to Channel 9 and 9Now can look forward to more spectacular glimpses at the rock from the sun, more time getting to peek at its creatures and more of Attenborough's guiding voice. Eight episodes will peruse the planet, each sending viewers to a different environment or focusing on a specific topic. The series starts with a look at the earth's coasts, including what happens where the land meets the sea, before diving deep into the ocean. From there, it's onto vast deserts and grasslands, then to the place where a tenth of all species live: freshwater. Next up is a wander through forests, before Planet Earth III embraces the extremes that its namesake has to offer. In episode seven, humanity's impact upon the planet is in the spotlight. Then, the series wraps up with a chapter devoted to meeting some of the folks in conservation who are fighting to save the earth. "In this new series of Planet Earth, we travel to the most astonishing wild places, see mysterious creatures, witness rare, spectacular wonders and reveal breathtaking animal dramas," said Attenborough during production, on location near Down House, Charles Darwin's family home. "The natural world continues to surprise us, but since Darwin's time it has changed beyond recognition, being transformed by a powerful force — us. We will see how animals are adapting in extraordinary ways to survive the new challenges they face. At this crucial time in our history, we must now look at the world through a new lens." Five years in the making, and boasting Planet Earth II and Prehistoric Planet's Mike Gunton as an executive producer, the latest must-see from BBC Studios Natural History Production also brings back a big name for its music: Hans Zimmer (The Creator), who has teamed up with Bleeding Finger Music's Russell Emanuel and Bastille's Dan Smith on the show's score. And those astonishing visuals, as glimpsed in the trailer for the series (and expected if you've watched Planet Earth and Planet Earth II)? You've got everything from drones and deep-sea submersibles to high-speed cameras, as placed in the oceans, in deserts, inside caves and in jungles, to thank. Check out the trailer for Planet Earth III below: Planet Earth III will start screening and streaming via Channel 9 and 9Now from 8pm on Sunday, November 26.
It's been home to plenty of Australia's best-known acting names — and a heap of Aussie music stars, too — but when the second half of 2022 hits, the country's most famous fictional roadway will no longer be part of the TV landscape. Thirty-seven years after first whisking viewers off to Ramsay Street, long-running soap opera Neighbours is wrapping up. Whether all of its characters will move to Queensland to join its 80s golden couple Scott and Charlene — aka Jason Donovan and Kylie Minogue — is obviously yet to be seen. News of Neighbours' potential demise had been circling for weeks, after its UK network, Channel 5, announced it was dropping the show — leaving the Australian series in need of another British broadcaster, to join its local backer Network Ten, to go on. Sadly for the program's fans, it hasn't been able to find an alternative source of funding, marking the end of the Ramsay Street era. I'll be forever grateful for the experience & the friends I made on @neighbours. We had no idea how big the show would become and how passionately viewers would take it to heart. Pure love! 💞🏡 I can still hear Madge calling … CHARLENE!!!! — Kylie Minogue (@kylieminogue) March 3, 2022 The show will continue to film until June this year, as announced via social media on Thursday, March 3, with its final episodes from its almost 9000-strong run to air sometime afterwards. Exactly when the world will be saying goodbye to Neighbours hasn't yet been revealed — and neither have any possible plans to bring back any high-profile cast members. The list of well-known faces who've graced the series since its 1985 debut is hefty, all playing characters either living in or connected to the show's cul-de-sac in the fictitious Melbourne suburb of Erinsborough. As well as Minogue and Donovan, 80s-era Neighbours boasted a young Guy Pearce and a four-episode stint from Russell Crowe. In the 90s, Natalie Imbruglia got her start there. Margot Robbie and Liam Hemsworth were both regulars in the 00s, and Chris Hemsworth popped up in one 2002 episode before moving over to rival Aussie soap Home and Away. I'm so sorry to hear Neighbours will end. Aside from being the incredible launch pad it's been no one can deny the effect it's had throughout millions of homes around the world. It's bonded all of us in immeasurable ways. A true honour to have been a part of it. Great memories Xx — Guy Pearce (@TheGuyPearce) March 3, 2022 Neighbours' list of celebrity appearances is also sizeable — including The Wiggles, one of the Pet Shop Boys, The Spice Girls' Emma Bunton, The Wombats, Lily Allen, Hanson and pretty much every Aussie celeb who didn't otherwise star in it anyway. Of course, the show's 37 years of twists, amnesia spells, shock returns from the dead, and other Ramsay and Robinson family dramas will live on in our memories — even if, for many of us, Neighbours wasn't an active part of our viewing. Never going anywhere, especially from the part of your brain that knows all the words, is the iconic Neighbours theme tune. That's when good Neighbours songs become good friends, naturally. Neighbours will cease production in June, with its final episodes to air later this year. To watch the series in the interim, head to Network Ten in Australia and TVNZ in New Zealand. Top image: Manon van Os.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from July's haul. BRAND NEW STUFF YOU CAN WATCH IN FULL NOW THE BEAR The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when chaos surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Shameless) and his colleagues — aka sous chef Sydney (Ayo Edebiri, I Think You Should Leave with Tim Robinson), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. The Bear season two streams via Disney+. Read our full review. THEY CLONED TYRONE Jordan Peele's Get Out and Us would already make a killer triple feature with Boots Riley's Sorry to Bother You. For a smart and savvy marathon of science fiction-leaning films about race in America by Black filmmakers, now add Juel Taylor's They Cloned Tyrone. The Creed II screenwriter turns first-time feature director with this dystopian movie that slides in alongside Groundhog Day, Moon, The Cabin in the Woods, A Clockwork Orange, Invasion of the Body Snatchers and They Live, too — but is never derivative, not for a second, including in its 70s-style Blaxploitation-esque aesthetic that nods to Shaft and Superfly as well. Exactly what drug dealer Fontaine (John Boyega, The Woman King), pimp Slick Charles (Jamie Foxx, Spider-Man: No Way Home) and sex worker Yo-Yo (Teyonah Parris, Candyman) find in their neighbourhood is right there in the film's name. The how, the why, the specifics around both, the sense of humour that goes with all of the above, the savage satire: Taylor and co-writer Tony Rettenmaier perfect the details. Ignore the fact that they both collaborated on the script for the awful Space Jam: A New Legacy, other than considering the excellent They Cloned Tyrone as a far smarter, darker and deeper exploration of exploitation when the powers that be see other people as merely a means to an end. On an ordinary day — and amid vintage-looking threads and hairstyles, and also thoroughly modern shoutouts to SpongeBob SquarePants, Kevin Bacon, Barack Obama, Nancy Drew and bitcoin — Fontaine wakes up, has little cash and doesn't win on an instant scratch-it. He chats to his mother through her bedroom door, tries to collect a debt from Slick Charles and, as Yo-Yo witnesses, is shot. Then he's back in his bed, none the wiser about what just happened, zero wounds to be seen, and going through the same cycle again. When the trio realise that coming back from the dead isn't just a case of déjà vu, they team up to investigate, discovering one helluva conspiracy that helps Taylor's film make a powerful statement. They Cloned Tyrone's lead trio amply assists, too, especially the ever-ace Boyega. Like Sorry to Bother You especially, this is a comedy set within a nightmarish scenario, and the Attack the Block, Star Wars and Small Axe alum perfects both the humour and the horror. One plucky and persistent, the other oozing charm and rocking fur-heavy coats, Parris and Foxx lean into the hijinks as the central threesome go all Scooby-Doo. There isn't just a man in a mask here, however, in this astute and inventive standout. They Cloned Tyrone streams via Netflix. GOOD OMENS Since 2019, witnessing David Tennant utter the word "angel" has been one of the small screen's great delights. Playing the roguish demon Crowley in Good Omens, the Scottish Doctor Who and Broadchurch star sometimes says it as an insult, occasionally with weary apathy and even with exasperation. Usually simmering no matter his mood, however, is affection for the person that he's always talking about: book-loving and bookshop-owning heavenly messenger Aziraphale (Michael Sheen, Quiz). With just one term and two syllables, Tennant tells a story about the show's central odd-couple duo, who've each been assigned to oversee earth by their bosses — Crowley's from below, Aziraphale's from above — and also conveys their complicated camaraderie. So, also since 2019, watching Tennant and Sheen pair up on-screen has been supremely divine. Good Omens, which hails from Terry Pratchett and Neil Gaiman's award- and fan-winning 1990 novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, was always going to be about Aziraphale and Crowley. And yet, including in its second season, it's always been a better series because it's specifically about Sheen as the former and Tennant as the latter. In this long-awaited return, neither Aziraphale nor Crowley are beloved by their higher-ups or lower-downs thanks to their thwarting-the-apocalypse actions. Season one saw them face their biggest test yet after they started observing humans since biblical times — the always-foretold birth of the antichrist and, 11 years later, cosmic forces rolling towards snuffing out the planet's people to start again — and saving the world wasn't what their leaders wanted. One fussing over his store and remaining reluctant to sell any of its tomes, the other continuing to swagger around like Bill Nighy as a rule-breaking rockstar, Aziraphale nor Crowley have each carved out a comfortable new status quo, though, until a naked man walking through London with nothing but a cardboard box comes trundling along. He can't recall it, but that birthday suit-wearing interloper is the archangel Gabriel (Jon Hamm, Confess, Fletch). He knows he's there for a reason and that it isn't good, but possesses zero memory otherwise. And, in the worst news for Aziraphale and Crowley, he has both heaven and hell desperate to find him — which is just the beginning of season two's delightful chaos. Good Omens streams via Prime Video. Read our full review. FULL CIRCLE Whether on screens big and small, when an audience watches a Steven Soderbergh project, they're watching one of America's great current directors ply his full range of filmmaking skills. Usually, he doesn't just helm. Going by Peter Andrews and Mary Ann Bernard — aliases from his parents' names — he shoots and edits as well. And he's prolific: since advising that he'd retire from making features after Side Effects, he's directed, lensed and spliced nine more, plus three TV shows. Among those titles sit movies such as Logan Lucky, Unsane, Kimi and Magic Mike's Last Dance; the exceptional two seasons of turn-of-the-20th-century medical drama The Knick; and now New York-set kidnapping miniseries Full Circle. The filmmaker who won Cannes Film Festival's Palme d'Or at 26 for Sex, Lies and Videotape, earned two Best Director Oscars in one year for Traffic and Erin Brockovich, brought the Ocean's franchise back to cinemas in 2001, and eerily predicted the COVID-19 pandemic with 2011's Contagion is in his element with his latest work. Six-part noir-influenced thriller Full Circle reunites Soderbergh with Mosaic and No Sudden Move screenwriter Ed Solomon, boasts a starry cast, involves money and secrets and deception, and proves a twisty and layered crime tale from the get-go. Full Circle starts with a murder, then a revenge plot, then a missing smartphone. These early inclusions all tie into an intricate narrative that will indeed demonstrate inevitability, cause and effect, the repercussions of our actions, and decisions looping back around. The pivotal death forms part of a turf war, sparking a campaign of retaliation by Queens-based Guyanese community leader and insurance scammer Savitri Mahabir (CCH Pounder, Avatar: The Way of Water). She enlists freshly arrived teens Xavier (Sheyi Cole, Atlanta) and Louis (Gerald Jones, Armageddon Time) to do the seizing under her nephew Aked's (Jharrel Jerome, I'm a Virgo) supervision; one of the newcomers is the brother of the latter's fiancée Natalia (Adia, The Midnight Club), who is also Savitri's masseuse. The target: Manhattan high-schooler Jared (Ethan Stoddard, Mysteries at the Museum), son of the wealthy and privileged Sam (Claire Danes, Fleishman Is in Trouble) and Derek Browne (Timothy Olyphant, Daisy Jones & The Six), and grandson through Sam to ponytailed celebrity chef Jeff McCusker (Dennis Quaid, Strange World). Savitri is convinced that this is the only way to stave off the curse she's certain is hanging over her business — a "broken circle", in fact. But, much to the frustration of the US Postal Inspection Service's Manny Broward (Jim Gaffigan, Peter Pan & Wendy), his go-for-broke agent Melody Harmony (Zazie Beetz, Black Mirror) is already investigating before the abduction. Full Circle streams via Binge. Read our full review. WHAM! "If you're gonna do it, do it right," sang Wham! on their 1985 single 'I'm Your Man'. When it comes to living the dream of becoming international pop sensations in your twenties, and with your childhood best friend by your side, George Michael and Andrew Ridgeley took those lyrics to heart. Wham!'s rise wasn't perfect, as the documentary that shares the group's name surveys, but the group's brief existence in the 80s saw them make their mark on history — and release quite the array of earworms. The songs, the ska band that Michael and Ridgeley formed first, the doubts, the struggles: documentarian Chris Smith (Fyre: The Greatest Party That Never Happened, Operation Varsity Blues: The College Admissions Scandal) steps through it all, including Michael's difficult decision to keep his sexuality closeted. The early club gigs to drum up a fandom, the big-break Top of the Pops appearance, catapulting to fame, becoming the first Western pop group to play China: that's all featured as well. And shorts — so, so, many shorts donned by both the man who'd become a massive solo star once Wham! split and the pal who volunteered to show him around on his first day at Bushey Meads School long before their Wham! success. Smith crafts an affectionate and insightful film that's unashamedly a tribute, celebrates all things 80s from the hair and the outfits to the aura of excess, but makes clear that the band was never just Michael's launching pad — even if it did cement his talents not just as a singer, but also as a writer and producer. A fast-paced array of archival footage tells the tale visually, aided by scrapbooks kept by Ridgeley's mother that chart their careers; candid interviews with Michael before his death and Ridgeley now fill in the details. Also echoing: Wham!'s hits from 'Wham Rap!' and 'Young Guns' to 'Club Tropicana' and 'Wake Me Up Before You Go-Go'. Each gets their engaging origin story, although none more so than the still-astonishing 'Careless Whisper', which record executives dismissed when they ignored the group's very first demo four decades ago. The behind-the-scenes material is relaxed and intimate, the live clips electrifying, and the joy on Michael's face while playing Live Aid with the likes of Freddie Mercury and David Bowie is genuine (even as he talks of his fears that he didn't belong in their company). Watching means getting Wham!'s catalogue stuck in your head, of course — yes, 'Last Christmas' as well. Wham! streams via Netflix. THE HORROR OF DOLORES ROACH It takes place in New York, not London. The era: modern times, not centuries back. Fleet Street gives way to Washington Heights, the demon barber to a masseuse nicknamed "Magic Hands", and pies to empanadas. There's still a body count, however, and people end up in pastries as well. Yes, The Horror of Dolores Roach namedrops Sweeney Todd early, as it needs to; there's no denying where this eight-part series takes inspiration, as did the one-woman off-Broadway play that it's based on, plus the podcast that followed before the TV version. On the stage, the airwaves and now via streaming, creator Aaron Mark asks a question: what if the fictional cannibalism-inciting character who first graced penny dreadfuls almost two centuries back, then leapt to theatres, films and, most famously, musicals, had a successor today? Viewers can watch the answer via a dramedy that also belongs on the same menu as Santa Clarita Diet, Yellowjackets and Bones and All. Amid this recent feast of on-screen dishes about humans munching on humans, The Horror of Dolores Roach is light yet grisly, but it's also a survivalist thriller in its own way — and laced with twisted attempts at romance, too. That knowing callout to Sweeney Todd: The Demon Barber of Fleet Street comes amid an early banquet of knowing callouts, as The Horror of Dolores Roach begins with a play based on a podcast that's wrapping up its opening night. Newspaper clippings in actor Flora Frias' (Jessica Pimentel, Orange is the New Black) dressing room establish that the show takes its cues from a woman who got murderous in the Big Apple four years prior, and helped get unwitting NYC residents taking a bite out of each other. Meet the series' framing device; before the stage production's star can head to the afterparty, she's face to face with a furious Dolores (Justina Machado, One Day at a Time) herself. The latter isn't there to slay, but to haunt the woman spilling her tale by sharing the real details. Two decades earlier, Dolores was a happy resident of Lin-Manuel Miranda's favourite slice of New York, a drug-dealer's girlfriend, and a fan of the local empanada shop. Then the cops busted in, The Horror of Dolores Roach's namesake refused to snitch and lost 16 years of her life. When she's released, gentrification has changed the neighbourhood and her other half is nowhere to be found. Only Luis Batista (Alejandro Hernandez, New Amsterdam) remains that remembers her, still in the empanada joint, and he couldn't be keener on letting her stay with him in his basement apartment below the store. The Horror of Dolores Roach streams via Prime Video. Read our full review. HUESERA: THE BONE WOMAN The sound of cracking knuckles is one of humanity's most anxiety-inducing. The noise of clicking bones elsewhere? That's even worse. Both help provide Huesera: The Bone Woman's soundtrack — and set the mood for a deeply tense slow-burner that plunges into maternal paranoia like a Mexican riff on Rosemary's Baby, the horror subgenre's perennial all-timer, while also interrogating the reality that bringing children into the world isn't a dream for every woman no matter how much society expects otherwise. Valeria (Natalia Solián, Red Shoes) is thrilled to be pregnant, a state that hasn't come easily. After resorting to praying at a shrine of Our Lady of Guadalupe in desperation, neither she nor partner Raúl (Alfonso Dosal, Narcos: Mexico) could be happier, even if her sister Vero (Sonia Couoh, 40 Years Young) caustically comments that she's never seemed that interested in motherhood before. Then, two things shake up her hard-fought situation: a surprise run-in with Octavia (Mayra Batalla, Everything Will Be Fine), the ex-girlfriend she once planned to live a completely different life with; and constant glimpses of a slithering woman whose unnatural body movements echo and unsettle. Filmmaker Michelle Garza Cervera (TV series Marea alta) makes her fictional narrative debut with Huesera: The Bone Woman, directing and also writing with first-timer Abia Castillo — and she makes a powerfully chilling and haunting body-horror effort about hopes, dreams, regrets and the torment of being forced into a future that you don't truly foresee as your own. Every aspect of the film, especially Nur Rubio Sherwell's (Don't Blame Karma!) exacting cinematography, reinforces how trapped that Valeria feels even if she can't admit it to herself, and how much that attempting to be the woman Raúl and her family want is eating away at her soul. Solián is fantastic at navigating this journey, including whether the movie is leaning into drama or terror at any given moment. You don't need expressive eyes to be a horror heroine, but she boasts them; she possesses a scream queen's lungs, too. Unsurprisingly, Cervera won the Nora Ephron Award for best female filmmaker at the 2022 Tribeca Film Festival for this instantly memorable nightmare. Huesera: The Bone Woman streams via Shudder. NIMONA Bounding from the page to the screen — well, from pixels first, initially leaping from the web to print — graphic novel-to-film adaptation Nimona goes all in on belonging. Ballister Boldheart (Riz Ahmed, Sound of Metal) wants to fit in desperately, and is willing to do whatever it takes to achieve it. In this animated movie's medieval-yet-futuristic world, there's nothing more important and acclaimed than being part of the Institute for Elite Knights, so that's his aim. Slipping into armour usually isn't possible for someone who grew up on the wrong side of this realm's tracks, as he did, but Ballister has been given a chance by Queen Valerin (Lorraine Toussaint, The Equalizer), who says that anyone can now be a hero. Alas, just as he's about to have his sword placed upon his shoulder with all the world watching, tragedy strikes, then prejudice sets in. Even his fellow knight-in-training and boyfriend Ambrosius Goldenloin (Eugene Lee Yang, Star Wars: Visions), who boasts family ties to legendary monster-slaying heroine Gloreth (Karen Ryan, Under the Banner of Heaven), believes that Ballister is responsible. His only ally? Nimona's namesake (Chloë Grace Moretz, The Peripheral), a shapeshifter who offers to be his sidekick regardless of his innocence or guilt. Nimona usually appears as a human girl, but can change into anything. The shapeshifter also wants to belong — but only by being accepted as she is. Unlike Ballister's feelings of inferiority about being a commoner, Nimona is happy with morphing from a kid to a rhinoceros, a whale to a shark, then between anything else that she can think of, and wouldn't give it up for anyone. Indeed, when Ballister keeps pestering her for reasons to explain why she is like she is, and asking her to remain as a girl, she's adamant. She already is normal, and she rightly won't budge from that belief. Animated with lively and colour animation that sometimes resembles Cartoon Saloon's Song of the Sea and Wolfwalkers, Nimona is a family-friendly adventure and, as penned as a comic by ND Stevenson (She-Ra and the Princesses of Power), also a clear, impassioned and sincere allegory for being true to yourself. As a film, directors Nick Bruno and Troy Quane (who also teamed up on Spies in Disguise) and screenwriters Robert L Baird (Big Hero 6) and Lloyd Taylor (another Spies in Disguise alum) ensure that it remains a thoughtful delight. Nimona streams via Netflix. RETURNING FAVOURITES TO CHECK OUT WEEK BY WEEK FUTURAMA Good news, everyone: Futurama keeps getting thawed out. The small screen's powers that be love defrosting the animated sci-fi series, and viewers should love watching the always-funny results. Not once but twice in the past quarter-century, Matt Groening's other big sitcom has been cancelled then respawned years later. It was true back in 2007 when the show was first reanimated, and it's true again now: whenever Futurama flies across the screen after a stint in stasis, it feels like no time has passed. Groening first spread his talents beyond The Simpsons back in 1999, riffing on Y2K excitement and apprehension, and also leaping forward in time. Futurama's 20th-century pizza delivery guy Philip J Fry (voiced by Billy West, Spitting Image) didn't welcome the 21st century, however; he stumbled into a cryogenic chamber, then awoke to greet the 31st. After tracking down Professor Hubert J Farnsworth (also West), his only living relative, he was soon in the delivery game again — but for intergalactic cargo company Planet Express, in a show that that satirises every vision of the future previously committed to fiction, and with one-eyed ship captain Turanga Leela (Katey Sagal, Dead to Me) and shiny-metal-assed robot Bender Bending Rodríguez (John DiMaggio, Transformers: Rise of the Beasts) by his side. Futurama's initial run lasted four seasons, four years and 78 episodes. Then, the show reappeared in 2007 as a direct-to-DVD movie, followed by three more, which were then turned into episodes for the show's fifth season. Alas, another trio of seasons later, Futurama said goodbye again. Thankfully, when a series not only peers at and parodies the next millennia, but takes an anything-goes approach that's brought everything from robot Santas and soap operas to human-hating alien news anchors and talking celebrity heads in jars, there's always room for a new spin. Still, getting the Planet Express soaring yet again does pose one difficulty: how do you undo a perfect finale? When the prior season ended in 2013, it wrapped up Fry and Leela's on-again, off-again romance in a smart, sweet and widely loved bow. The new instalments pick up exactly where that swansong left off, then unleash a "massive disruption in the flow of time" to move everyone to 3023, then restore the usual status quo. So, Fry, Leela, Bender, the Professor, Jamaican accountant Hermes Conrad (Phil LaMarr, Craig of the Creek), Martian intern Amy Wong (Lauren Tom, Dragons: The Nine Realms) and lobster-esque alien doctor Zoidberg (also West) resume their workplace sitcom antics — in vintage form. Futurama streams Disney+. Read our full review. WHAT WE DO IN THE SHADOWS Following in Taika Waititi and Jemaine Clement's footsteps isn't easy, but someone had to do it when What We Do in the Shadows made the leap from the big screen to the small. New format, new location, new vampires, same setup: that's the formula behind this film-to-TV series, which is now in its fifth season. Thankfully for audiences, Matt Berry (Toast of London and Toast of Tinseltown), Natasia Demetriou (Eurovision Song Contest: The Story of Fire Saga) and Kayvan Novak (Cruella) were enlisted as the show's three key bloodsuckers in this US spinoff from the New Zealand mockumentary, all in roles that they each seem born for. The trio play three-century-old British aristocrat Laszlo, his 500-year-old creator and partner Nadja, and early Ottoman Empire warrior Nandor, respectively, who share an abode and the afterlife in Staten Island. In cinemas, the film already proved that the concept works to sidesplitting effect. Vampire housemates, they're just like us — except when they're busting out their fangs, flying, avoiding daylight, sleeping in coffins, feuding with other supernatural creatures and leaving a body count, that is. On TV, What We Do in the Shadows has been illustrating that there's not only ample life left in palling around with the undead, but that there's no limit to the gloriously ridiculous hijinks that these no-longer-living creatures can get up to. It was true as a movie and it's still true as a television show: What We Do in the Shadows sparkles not just due to its premise, but when its characters and cast are both as right as a luminous full moon on a cloudless night. This lineup of actors couldn't be more perfect or comedically gifted, as season five constantly demonstrates via everything from mall trips, political campaigns, pride parades and speed dating to trying to discover why Nandor's long-suffering and ever-dutiful familiar Guillermo (Harvey Guillén, Werewolves Within) hasn't quite started chomping on necks despite being bitten himself. Berry's over-enunciation alone is the best in the business, as is his ability to play confident and cocky. His line readings are exquisite, and also piercingly funny. While that was all a given thanks to his Toast franchise, Year of the Rabbit, The IT Crowd, Snuff Box, The Mighty Boosh and Garth Marenghi's Darkplace history, What We Do in the Shadows is a group effort. Demetriou and Novak keep finding new ways to twist Nadja and Nandor's eccentricities in fresh directions; their characters have felt lived-in since season one, but they're still capable of growth and change. What We Do in the Shadows streams via Binge. Read our full review. THE AFTERPARTY When The Afterparty arrived on Apple TV+ in 2022, riding a wave of revived murder-mystery comedy love that Knives Out and Only Murders in the Building had helped wash over screens big and small, it made one big risky move. Throwing a motley crew of characters together, then offing one? Tried, tested and a favourite for a reason. The ensemble cast attempting to sleuth its way through a shock death? Flawless. The genre-bending setup that saw each episode in the season parody a different style of filmmaking? Perfectly executed. Having the words "how great is this party?" uttered over and over again? That's what could've proven dicey if The Afterparty wasn't in fact great; thankfully, it very much was. There's a reason that phrase kept being uttered, because superfluous detail isn't this show's style: as in all great whodunnits, everything happens, is mentioned or can be spotted with cause. Creator Christopher Miller and his fellow executive producer Phil Lord, a duo with Cloudy with a Chance of Meatballs, 21 Jump Street and 22 Jump Street, and The Lego Movie on their resumes as co-directors, know the format they're working with. Crucially, they know how carefully their audience will scrutinise every clue and element. And, in the show's first season and now the second season — they also know how to equally honour and spoof. Fittingly, The Afterparty feels like a murder-mystery comedy party as a result. Adoring, irreverent, willing to get loose and shake things up: that's the vibe and approach. In season one, the series' title was literal thanks to a high-school reunion with fateful post-soiree hijinks. In season two, a wedding brings a disparate group together — and, following the nuptials and reception, The Afterparty's moniker comes into play again. To the horror of the returning Aniq Adjaye (Sam Richardson, I Think You Should Leave with Tim Robinson) and his ex-classmate, now-girlfriend Zoe Zhu (Zoe Chao, Party Down), another body then puts a dampener on the festivities; however, this second go-around doesn't get a-solving just in one night. Aniq and Zoe have recovered from their last confrontation with a killing at a celebration by diving into their romance, but it's the latter's younger sister Grace (Poppy Liu, Dead Ringers) who's getting hitched. Her groom Edgar (Zach Woods, Avenue 5) sports both family money and a cryptocurrency-aided bank-balance boost, he's an all-work-no-play socially awkward type as a result and, when he's alive, he's more fond of his pet lizard than most humans. Then he's found face down after the afterparty, déjà vu arrives and so does the also-returning Danner (Tiffany Haddish, The Card Counter) to sift through the suspects. The Afterparty streams via Apple TV+. Read our full review, and our interview with Sam Richardson. MINX A full-frontal embrace of feminism, penises and 70s porn for women greeted audiences when Minx instantly cemented itself among 2022's best new TV shows. The setup: Vassar graduate and country club regular Joyce Prigger (Ophelia Lovibond, Trying) makes her dream of starting her own magazine come true, but for pornography publisher Doug Renetti (Jake Johnson, Spider-Man: Across the Spider-Verse). Created by Ellen Rapoport (Clifford the Big Red Dog) and executive produced by Paul Feig (Last Christmas), the show wasn't shy about the industry it dived into, even if its protagonist initially was. It wasn't afraid to push the strait-laced Joyce out of her comfort zone, see the empowering side of erotica for the fairer sex and champion the female gaze, either. The end result: a savvy, smart and breezy series that was as layered as it was astute and funny — and, yes, one that happily filled its frames with male genitalia. The show was quickly renewed, but also then cancelled in December 2022 during production as part of David Zaslav's cost-cutting measures at Warner Bros Discovery. Then, fellow American network Starz stepped in to save it. Watching Minx's bigger, richer and deeper second season, it's mindboggling to think that it almost didn't make it to screens. "Minx is back and better than ever," announces Doug with his usual shambling brand of swagger — the kind that Johnson long-perfected in New Girl, and also in film roles in Drinking Buddies and Win It All — and he isn't wrong. Of course, he's talking about the series' eponymous erotic mag, not the series itself, but he's on the money. First, though, the again vibrantly shot, styled and costumed show has season-one finale fallout to deal with, after Joyce and Doug ended their tumultuous working relationship. The former goes looking for a new publisher, with boardrooms overflowing with men dropping compliments and promising money awaiting. Then billionaire and ex-shipping industry titan Constance Papadopoulos (Elizabeth Perkins, The Afterparty) shows an interest in the magazine, in supporting and mentoring Joyce, and in having Doug involved — and the Minx gang, including former model Bambi (Jessica Lowe, Miracle Workers), photographer Richie (Oscar Montoya, Final Space), Doug's girlfriend and ex-secretary Tina (Idara Victor, Shameless), and Joyce's sister Shelly (Lennon Parham, Veep), are back together. Minx streams via Stan. Read our full review. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May and June this year. You can also check out our running list of standout must-stream shows from this year as well — and our best 15 new shows of 2023's first six months, top 15 returning shows over the same period and best 15 straight-to-streaming movies from January–June 2023, too. Top image: Parrish Lewis/Netflix.
No longer confined to children's birthday parties, bouncy castles, inflatable obstacle sources and blow-up labyrinths have become hot property for adults (and their inner kids, of course). And the next blow-up event to return to Australia is big. Really big. Dubbed 'The Big Bounce Australia', it's an inflatable theme park made up of the world's biggest bouncy castle — as certified by the Guinness World Records — plus a 300-metre long obstacle course, a three-part space-themed wonderland and a sports slam arena. You're going to need a lot of red cordial to bounce your way through all of this. Set to tour the country in 2022, The Big Bounce is open to both littl'uns and big'uns, but there are a heap of adults-only sessions — so you don't have to worry about dodging toddlers on your way through. Tickets for adults will set you back $59, which gives you a whole three hours in the park. Yes, you'll need it. Inside, you'll encounter the aforementioned bouncy castle — aptly named The World's Biggest Bounce House — covering a whopping 1500 square metres and, in some spots, reaching ten metres off the ground. In this house, you'll encounter a heap of slides, ball pits, climbing towers, basketball hoops and (if you can believe it) a stage with DJs, confetti cannons and beach balls. Then, there's The Giant, with 50 inflatable obstacles, including giant red balls and a monster slide. [caption id="attachment_825374" align="aligncenter" width="1920"] Sarasota Experience[/caption] Before you hit the next, three-part section of the extremely OTT theme park, you may need to pause, down some red frogs and maybe even have a nap. Or not, as you do only have three hours to explore it all. Either way, at Airspace, aliens, spaceships and moon craters collide with a five-lane slide, some more ball pits and an 18-metre-tall maze. After that, you'll certainly need a nap. And, new for 2022, there's also the Sport Slam, which is rather self-explanatory — and will be a must of you're keen to add a competitive spin to all that bouncing. THE BIG BOUNCE AUSTRALIA 2022 TOUR DATES: January 14–16: Eagles Sports Complex, Brisbane January 28–30 and February 4–6: Flemington Racecourse, Melbourne February 18–20: Ellis Park, Adelaide March 4–6: Canberra, venue TBC March 11–13: St Ives Showground, Sydney April 8–10: Newcastle, venue TBC May 6–8: Claremont Showgrounds, Perth The Big Bounce tours Australia from January–May, 2022. For more information, or to buy tickets, head to the event's website.
When it comes to experiencing the great outdoors it doesn't get much better than Tasmania. So it's no surprise that, according to Airbnb, the Best Nature Stay in Australia can be found in the Apple Isle. The winning property: Susie Aulich's The Container listing, which is the epitome of the eco-luxe aesthetic. The striking home is made out of a recycled shipping container that's been reimagined into an extravagant one-bedroom getaway blessed with uninterrupted views of the bucolic landscape of Lilydale, a town perched on the foothills of Mount Arthur and just half an hour's drive from Launceston. Catering to solo parties or couples, The Container offers an immersive nature experience. It's set on a stunning farm that's also home to all manner of flora and fauna, like chickens, wallabies, echidnas, incredible birdlife, peonies, waratahs, pepperberries and more. The perfect setting, in other words, to disconnect from reality. Fresh off her win, we spoke with Aulich about her hosting journey and her incredible property. Firstly, what are the qualities that make a good Host, Susie? Authenticity and attention to detail. What do you do to ensure an outstanding experience for your guests? Be who you are. While our guests don't ever meet us, they get a feel for who we are through The Container. We designed The Container and all that is in here for us — it's how we want to stay, travel and experience life. We believe in abundance so we supply guests with an abundance of local produce, fresh flowers and the best our local artisans can deliver. We keep signs to a minimum, which allows guests to truly immerse themselves in their surrounds. They get to experience life here just as we do. What's your favourite thing about your property? It's constantly changing — every day nature is changing. At The Container, you are surrounded by big skies and small wonders. Nature is the true host and our guests get to experience being connected to nature in a creative space. What's something you love about hosting? People are really happy and open when on a holiday — they bring joy to your place and they are open to a wonderful experience. It's an honour to be part of people's lives at such a special time. What advice would you give to someone thinking of becoming a Host? Start as you intend to continue. Set up your Airbnb to suit your lifestyle. What has hosting allowed you to do? I can live the life I want on my property — Airbnb gives me the freedom to stay, play and live on my farm, and going to work involves wandering from my house to the accommodations, checking on the chooks and my garden on the way. Want to begin your own hosting journey with Airbnb? If you're feeling inspired, head to the website to find out how to get started. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Bec Baxter
Take advantage of the Labour Day holiday and get out of town. Dance the night away and recover in style at Establishment Hotel, indulge in award-winning food at Lake House or sample the best wine the Margaret River has to offer at Empire Retreat and Spa. Whether you go bush at Arkaba Station, swim with the manta rays at Pinctada Cable Beach or pamper yourself at Lyall Hotel and Spa, it will be a weekend well spent. Establishment Hotel, Sydney The building that holds the decadent Establishment Hotel is an all-in-one affair, with a two-hatted restaurant, nightclub, speakeasy and exclusive cocktail bar at your fingertips. For the ultimate opulent experience, book the top-floor Loft Penthouse or huge two-level Duplex Penthouse. Either way, you’ll want a room on the higher levels; the all-inclusive set-up means noise from the revellers downstairs is unavoidable. Head to .est on level one for a fine dining experience like no other, and continue the party with drinks at Hemmesphere, the luxurious cocktail lounge on level four. When the music calls, venture downstairs to Establishment Main Bar to dance until the early hours. Step outside the door to be in the heart of the city — the Harbour Bridge and Opera House are literally a hop, skip and a jump away. Smith Extra: VIP access to Establishment’s lounge bar Hemmesphere, nightclub Ivy and Pool Club, and a bottle of sparkling wine. QT Port Douglas, Qld Soak up the spring sun at QT Port Douglas, the tropical getaway tucked away from the bustle of the main town. Lounge by the lagoon-shaped pool with a good book; the island deck will ensure you’re the centre of attention. Use the free guest bikes to explore the town or take the path down to Four Mile Beach for a leisurely ocean swim. Recover with a luxurious treatment at spaQ before spying on the shenanigans by the pool’s swim-up bar from the balcony of your One-Bedroom Pool View Villa. In winter and spring, QT also hosts Moonlight Cinema — enjoy a delicious snack while watching a classic or latest release on a state-of-the-art outdoor screen. Indulge with a meal at Bazaar, the resort’s main restaurant. The glass fridges hold fabulous produce that the chefs cook to order. Start with salad and seafood, before moving onto dishes from around the world (just make sure to leave room for dessert). Smith Extra: A bottle of bubbly plus late check-out (12 noon). Arkaba Station and Walk, Flinders Ranges Find your inner farmer at Arkaba Station and Walk, a 60,000-acre homestead and sheep station. Nature is king here; watch for kangaroos and emus or listen for the pink-hued galahs flocking the trees around the property. The exclusive homestead has five rooms, meaning you can bring friends along for an adventure. Each room brings a little of the outdoors inside, with cowhide rugs and wool-sack-wrapped bedside tables. Escape the spring heat with a dip in the outdoor pool, admiring the view of Arkaba Creek, hills and bush. The more adventurous can book a three-night guided walk, sleeping in comfy campsite swag beds for two nights before a night at the station. Eat food made over the fire, have an alfresco bush shower and fall asleep with a sheepskin hot-water bottle keeping you warm. Smith Extra: An assortment of Australian bush spices. Pinctada Cable Beach, Broome Perched between one of Australia’s most iconic beaches and the vast Kimberley, Pinctada Cable Beach delivers both beachside relaxation and rugged desert adventures. Rooms reference the town’s Asian heritage: the Honjin (meaning ‘most honoured guest’ in Japanese) Courtyard Suites share a serene courtyard and a plunge pool between four. Ocean adventurers can go swimming with manta rays on Cable Beach or take a camel ride along the white sand. Meanwhile, guests in search of rejuvenation can be pampered with an Aboriginal-influenced treatment at Pinctada Spa, which champions Li’Tya products and local plants and spices. Finish the day at Selene Brassiere, where the menu blends North African, Middle Eastern and Mediterranean flavours with a taste of the Kimberley. Pair your meal with an excellent selection of Australian wines. Smith Extra: A bottle of wine and canapes. Lake House, Daylesford The runner-up for Best Hotel Restaurant in the Smith Hotel Awards 2013, Lake House boasts an award-winning restaurant, rural lodge and a state-of-the-art spa just outside the rustic town of Daylesford. Indulge in a signature Salus Bliss treatment at the Salus Spa, or unwind in the hot mineral-water tubs looking over the lake. For a private experience, try the Spa Villa, which boasts a courtyard with a sunken hot tub and direct access to the lake. Sample the local produce at chef Alla Wolf-Tasker’s destination restaurant — almost everything on the menu is grown in the kitchen garden or in the region. Alla’s husband Allan is responsible for the paintings that adorn the interiors, adding a splash of exuberance to an otherwise tranquil space. Smith Extra: Elemis spa products presented in a satin travel pouch. Lyall Hotel and Spa, Melbourne For a stylish mini-break with designer shopping on your doorstep, look no further than Lyall Hotel and Spa. The spacious one-bedroom suites are a sleek affair, resembling deluxe city apartments. For extra room, try the Platinum Suite — it comes with a living room, ensuite bathroom, double spa bath and full kitchen. You’ll find the space filling up after an afternoon in the boutiques of South Yarra; the credit card — and your legs — will be given a proper workout. Comfort your weary pins with a signature treatment at the hotel’s destination day spa, a three-storey space perfumed with mandarin and ylang-ylang. Unwind in one of two steam rooms or just relax in the indoor-outdoor area. Wear your latest purchase to the sexy Lyall Champagne Bar, an intimate space with a soundtrack of easy listening tunes. Choose between an apple crumble martini and a selection of champagne by the glass. Smith Extra: A bottle of Chandon NV on arrival. Empire Retreat and Spa, Margaret River While the weekend away at the slick Empire Retreat and Spa, smack-bang in the centre of Margaret River wine country. Tour the onsite vineyard and sample the estate’s chardonnay and cabernet sauvignon, the region’s dominant varieties. Sip a glass in front of the open fireplace in a Luxury Villa or have a shower in your private courtyard. There’s no pool, but a secluded Jacuzzi should satisfy your watery whims. Achieve full relaxation with a treatment at Empire Spa — the three-hour Opulence session lives up to its name with an exfoliation, wrap, massage, bath and facial. There’s no restaurant, but the communal kitchen in the heart of the property is open to guests, meaning you can whip up a meal to match your wine. You can find excellent examples of the local offerings at Moss Wood, Cullen Wines and Leeuwin Estate. Smith Extra: A bottle of Empire Estate wine and a cheese plate. Saffire, Tas Just minutes from the azure water and white sand of Wineglass Bay, Saffire goes back to nature with a blend of stone and timber, beach views and locally sourced food and wine. For the ultimate in private comfort, book one of four Private Pavilions — they each have their own courtyard plunge pool, spacious living and bedroom areas, a front deck and a kitchen where a hotel chef can rustle something up for you. Room rates also include a treatment at Spa Saffire, so you’d be silly not to visit. The facials in the Jewel Collection are particularly special — all of the therapists have been trained by celebrity facialist Marionne De Candia. Other free activities include exploring the secret life of oysters at Freycinet Marine Farm, learning about the local produce with the hotel’s award-winning chef or quad biking around the wetlands. Smith Extra: A bottle of champagne. The Australasian Circa 1858, Fleurieu Peninsula With the facade of a heritage pub and graced with light, Asian-inspired interiors, The Australasian Circa 1858 offers the weariest of weekenders an intimate and stylish retreat from reality. The Parlour Room whispers extravagance with a huge tub in a step-up area of the bedroom, perfect for a spot of reading and relaxing. This adults-only sanctuary specialises in fine dining, with co-owner and head chef Juliet Mitchell preparing meals with an Asian theme. The restaurant is only open to guests (except Saturday night), but for extra privacy, dine in your room. The hotel is only open from Wednesday to Sunday each week, but its location makes it a perfect stopover before continuing onto Kangaroo Island — only a 45-minute ferry ride away. Smith Extra: A tasting selection of ales from the Steam Exchange Brewery at Goolwa Wharf Kingsford Homestead, Barossa Valley, SA Put your station-owner hat on at Kingsford Homestead, an historic estate with an impressive cellar in the Barossa Valley. The rooms are named after the former owners of the property — the Kerry Packer suite catches the afternoon sunshine and has a gorgeous claw-foot bath tub, and the Stephen King suite (named after the founder, not the famous author) is perfect for families as it connects to the John Angas Suite. There’s no pool, but the alfresco bush bath, located in a secluded corner of the grounds, is big enough for two. Follow up with an in-room massage or facial — but be sure to book in advance. Local produce dominates the menu here; chef Stuart Oldfield has developed strong relationships with local farmers. The menu changes by the season, but the wine will always be Barossa. Enjoy drinks and canapes on the veranda while watching the resident kangaroos have their dinner. Smith Extra: A picnic hamper. Browse other long weekend stays, or contact Smith’s expert Travel Team on 1300 896 627.
You've heard the tales. Those mystical, weird-as-blazes stories of entire restaurants manned by robots in Japan, surrounded by glow sticks, frantic lasers, bejewelled dancers and robot battles. The rumours are straight-up true. But don't even think about breaking that piggy bank open for an airfare, the world-renowed Japanese Robot Restaurant from Shinjuku, Tokyo is coming to Sydney for two nights only. This is not a drill. As part of the launch of Contiki’s new 'Japan Unrivalled' itinerary kicking off in March 2015, the travel-lovin' team are bringing one of Japan's major kitschy attractions to you — battling robots included. Set to pop up in a yet-to-be-announced location, the Japanese Robot Restaurant is the sum of your wildest, weirdest and wackiest Japanese-inspired dreams — big ol' J-pop beats, choreographed dancers, fluorescent fitout and tasty Japanese food and bevs — and LASERS. So very many lasers. The kicker? The pop-up will see giant futuristic robots doing battle while you nosh. That's right, bigass robots battling. Just, just look at this: Classic weird, wonderful Japan. This is going to be nuts. Robots Unrivalled will perform from February 23 -24 at the pop-up, location TBA. For more information or to register for tickets head to www.contiki.com/robotsunrivalled. Image: Lindsay Clark, THINK Global School.
By now, you've probably forgotten what an overseas holiday even feels like. But you might want to pull out a map and start flexing those vacation planning skills, because the folks at Qantas and Jetstar have just announced plans to kick start international flights from late-October. Yep, if all goes to plan, the two airlines could have you jetting off to foreign lands as early as spring. The Qantas Group today announced it aims to resume flights to most international destinations from October this year, after it ramps up flights on its trans-Tasman routes from July. The news comes almost a year after the COVID-19 pandemic first forced Qantas and Jetstar to suspend overseas flights back in March 2020. The tentative plans also take into consideration the Aussie rollout of the COVID-19 vaccine. Last week, Prime Minister Scott Morrison confirmed the Federal Government aims to give every Australian the opportunity to get vaccinated by October. You might not be able to fly until you've received your jab, with Qantas CEO Alan Joyce previously stating the airline would only allow vaccinated passengers to travel on international flights. The airline is also currently trialling digital health pass apps, such as Common Pass and IATA Travel Pass, which contain information about a passenger's COVID-19 status, testing and vaccinations, on current international repatriation flights. Come October 31, Qantas expects to have resumed flights to 22 of its 25 international destinations, including London, Singapore and Los Angeles. Unfortunately, if you've got New York, Santiago or Osaka on your wish list, you may have to wait a little longer to fly. Meanwhile, Jetstar plans to resume all of its 13 international routes by the same projected date, though flight frequencies will be determined by what's happening in the rest of the world. Got your sights set a little closer to home? Both airlines are aiming to dramatically increase their trips to and from New Zealand, starting from July 1. Of course, even once international flights are up and running again, you can expect a much lower capacity than pre-COVID travel — Qantas says it's not anticipating a full return to normality until 2024. In good news for planners, Qantas has also announced some extra flexibility for customers booking international flights. It's expanded its Fly Flexible policy to include overseas routes that are booked from now until at least the end of April 2021. That'll allow you to change your flight date to any other currently available, up to 355 days in advance. Learn more about Qantas and Jetstar's international travel plans at the website.
After blowing Sydneysiders away with her singing, dancing and towering cosmic structures at the Sydney Opera House last year for Vivid Live, Solange is heading Down Under once more. The Grammy Award-winning singer — composer, choreographer, actress, filmmaker, fashion icon — is coming back to the Opera House for four shows in January 2020. Mark it in your calendars, friends. If you were one of the lucky ones to score tickets the sold out show last year, you'll know what to expect come January: a stunning 360-degree stage, a live band, a team of incredibly choreographed dancers. Although this time, instead of singing and dancing to A Seat at the Table under a giant moon-like sphere, Solange will be performing her new album When I Get Home in Australia for the first time. Featuring hits such as 'Way to the Show', 'Dreams' and 'Binz' — and collaborators such as Pharrell, Sampha, Gucci Mane and Tyler, the Creator — the album is an ode to Solange's hometown of Houston, Texas. It was released alongside a 33-minute art film of the same name, which you can watch on YouTube while you're waiting for her Aussie return. https://www.instagram.com/p/Bv_bpnIFr5g/?utm_source=ig_embed While the stage will look a little different to the one above, we're told to expect something similarly impressive. You can get a glimpse of what to expect from the new choreography, too, by checking out Solange's Instagram. The Sydney Opera House performances will be Solange's only Aussie shows, so, if you're interstate we suggest you start keeping an eye on cheap flights. Solange will perform four shows in the Sydney Opera House Concert Hall on January 27, 28, 30 and 31. Pre-sale tickets are available from 9am on Wednesday, August 21 with general sale starting at 9am on Friday, August 23 via the Sydney Opera House website. Images: Max Hirschberger
Three days after environmental advocates glued themselves to a pedestrian crossing in Queen Street, the CBD will weather another outcry against Queensland's just-approved Adani coal mine. Come 5pm today, Friday, June 21, a march will head from the top of Queen Street Mall over to South Brisbane, to protest the controversial facility. Led by Uni Students for Climate Justice and Movement Against Destruction, the We Do Not Approve: Stop Adani! rally will leave from Brisbane Square on George Street, travel over the Victoria Bridge and end at the ABC's Brisbane headquarters on Grey Street at South Bank. According to the protest's Facebook page, it's expected to run for two hours until 7pm — which means Brisbane peak-hour traffic will be affected. Whether you're a CBD worker looking forward to quitting time, need to travel through the city on your way home or have plans to head out tonight, you might want to adjust your schedule as a result. Brisbane City Council advises that road closures are likely, including on George, Adelaide and William streets in the city, along North Quay, over the Victoria Bridge and down through Grey Street. Translink also notes that delays and changes to public transport are possible, with the 555 bus already being diverted to miss some CBD stops both inbound and outbound. https://twitter.com/MoveAgainst/status/1141311094826213377 At the time of writing, more than 1200 people have RSVPed to attend the Brisbane event. Simultaneous protests will also be held in Melbourne, Canberra and Adelaide. If you're wondering about the march's route, organisers are hoping that the national broadcaster will air the protest live, giving the rally — and the widespread unhappiness about the government's decision to support the Adani project — a bigger platform. For public transport and traffic updates throughout the afternoon and evening, keep an eye Qld Traffic Metro and Translink's twitter feeds, as well as Brisbane City Council's Facebook page. Image: Victoria Bridge, John via Flickr.
Intelligent machines that interact with humans have long been a sci-fi staple in books, cartoons and film. Whether the future will hold the doe-eyed Haley Joel Osment of Artificial Intelligence or the all-destroying Terminator is still the stuff of fiction, but the fact is thinking machines are already among us, watching us, and telling us what to drink. Japanese beverage company JR East Water Business Co. have created the ultimate in customer service with the Acure vending machine. This oversized box can be found on train platforms in Shinagawa and Tokyo. It boasts a 47-inch touch screen and a camera that uses inbuilt technology to detect sensory data, including the age and sex of the individual standing before it. When the hi-tech device is idle it engages in its 'intelligent marketing system' whereby advertisements relevant to the season, weather and time of day are displayed. If it’s a cold winter’s eve you can expect a nice warm cup of cocoa tempting you on its LCD. While it offers demographically targeted drink selections it also collects marketing data, which is stored and then collated by the company. Launching their first Acure vending machine in August 2010, they already know the most frequent users of the device are men in their 30s and that an inordinate number of juices are bought by them at night. [Via Hypebeast]
More than three decades after opening its doors, Brisbane's Queensland Performing Arts Centre is set to undergo a massive change with the addition of a huge new performing arts theatre. Announced in the lead up to the Queensland budget, the new venue will see the site transform from a four-theatre centre to a five-theatre centre — courtesy of a 1500-to-1700-seat theatre constructed on what's currently the Playhouse Green, The Courier-Mail reports. The government will commit $125 million to the $150 million project. Slated to be up and running by 2022, the new site will enable "QPAC to reach new audiences across Queensland, build on the vibrancy of the Queensland Cultural Centre and grow the value of the performing arts to Queensland's creative, cultural and tourism economies," said QPAC Chair, Professor Peter Coaldrake AO in a statement. "The digital and technological advances available in new theatre infrastructure also gives promise to QPAC's intentions of growing the reach of its programs to audiences beyond Brisbane including regional Queenslanders", said QPAC Chief Executive John Kotzas. It's a development that helps address one of the city's cultural roadblocks, with the lack of theatres of a particular size across Brisbane often cited as a reason that some big shows bypass Queensland. Back in early 2017, Building Queensland's Infrastructure Pipeline Report recommended that the State Government build a new performing arts centre with a capacity of 1500 to 1700 — specifically to house big-scale productions that QPAC can't currently handle due to its already jam-packed capacity. It might mean that shows like The Book of Mormon come Brissie's way in the future, for example. Via The Courier Mail.
It's the American cable TV network everyone knows by name in Australia, even though it doesn't air here. We all know its famed television static intro clip, too. That'd be HBO, which keeps carving out a place in TV lovers' hearts because it just keeps delivering must-see television programs. We've all just finished streaming our way through The White Lotus, after all — and next comes Scenes From a Marriage. As its name makes plain, Scenes From a Marriage steps inside a relationship, and finds that it's hardly a picture of domestic bliss. It stars two supremely watchable leads: Oscar Isaac and Jessica Chastain. The former was last seen on our screens saving the galaxy and fighting evil in Star Wars: Episode IX — The Rise of Skywalker, and will also show up in Dune when it finally hits cinemas. The latter last popped up in IT: Chapter Two and the straight-to-digital Ava. And if pairing them up sounds familiar, that's because they've already navigated a complex and fraying marriage in 2014's A Most Violent Year. Given that their last collaboration turned out phenomenally, seeing Isaac and Chastain team up again looks to be a treat. And if you know your classic Swedish TV, you'll know they're following in footsteps other than their own, too. If that doesn't apply to you, this miniseries is adapted from an iconic work by one of the best Swedish filmmakers ever — the late, great Ingmar Bergman. Chastain plays Mira, a tech executive who is unhappy in her marriage to Isaac's Jonathan. He's keen to save their relationship, but marital troubles are never that straight forward — as this series promises to explore through the couple's private conversations. HBO is positioning its version of Scenes From a Marriage as a "re-imagining", which means that it shouldn't fastidiously stick to the original's beats, and it'll also jump to contemporary times. It'll still explore love, hatred, desire, monogamy, marriage and divorce, though. As the just-dropped full trailer shows, it's obviously going to get emotional. Writer/director Hagai Levi (In Treatment, The Affair) does the honours behind the lens — and you'll be able to watch and stream the full series via Foxtel in Australia from Monday, September 13, with new episodes airing weekly And yes, thanks to not just The White Lotus, but to everything from Watchmen, Chernobyl and The Undoing to I Know This Much Is True and Mare of Easttown, HBO has had a particularly great run with its miniseries recently. Obviously, that's yet another reason to be excited about Scenes From a Marriage, too. Check out the trailer below: Scenes From a Marriage will screen on and stream via Foxtel in Australia from Monday, September 13.
In not one but two seasons of Russian Doll, Natasha Lyonne has tried to solve mysteries. As the Netflix show's sweet birthday baby, she's stalked around various time loops, periods and cities endeavouring to work out why she's reliving the same night over and over again — or how and why she can head into the past. Of course, one show featuring the Orange Is the New Black star getting sleuthing is all well and good, including over multiple seasons; however, two is even better. Yes, there's a feeling of déjà vu about Poker Face — but, as the just-dropped first trailer for the new ten-part series demonstrates, that happens in the best possible way. Solving mysteries is 100-percent the focus here, with Lyonne playing Charlie Cale, who works her way through resolving a series of crimes while she's on the road in a Plymouth Barracuda. Cale has an uncanny ability to tell if someone is lying, a skill that's going to come in handy as she encounters a hefty roster of other familiar faces. Adrien Brody (See How They Run), Chloë Sevigny (The Girl From Plainville), Joseph Gordon-Levitt (Pinocchio) and Ron Perlman (Nightmare Alley) are all set to pop up in Poker Face, too, as also seen in the initial teaser — and that's just the beginning of the show's stacked guest cast. American audiences will be able to stream the end result via Peacock in the US in late January 2023. Release details Down Under, including when and where Australian and New Zealand viewers will be able to see the new series, are still to be revealed. Whenever it does pop up Down Under, Poker Face also boasts another talent well-acquainted with mysteries: filmmaker Rian Johnson. The series joins his resume straight after Knives Out and its upcoming sequel Glass Onion: A Knives Out Mystery, because clearly he can't get enough on-screen puzzles in his life — like the rest of us. Johnson also helmed Brick, The Brothers Bloom, Looper and Star Wars: Episode VIII — The Last Jedi, as well as a few episodes of Breaking Bad. Check out the trailer for Poker Face below: Poker Face will release in the US on January 26, 2023 — we'll update you regarding Down Under release details when they're announced.
The zero-waste movement started small, with cafes, bars, farmers markets and environmental groups encouraging us to ditch single-use cups, bags and straws. Now, the big guys have finally joined the party. Last month, Maccas pledged to ditch plastic straws by 2020 and Woollies has ditched single-use plastic bags (Coles will hopefully follow suit on August 29). And the latest company to jump on board is 7-Eleven, who has just launched a (surprisingly) great product. The world-first reusable coffee cup, dubbed the rCUP, is made from six recycled takeaway coffee cups. Costing a reasonable $15, the cup is made in collaboration with Simply Cups — a coffee cup recycling company that functions across Australia and the UK. Since launch, Simply Cups has upcycled more than 1.48 million takeaway cups into reusable cups, car park bumpers and hospital trays. The rCUP is 100 percent leak proof (supposedly) and fully insulated, so if you forget about your coffee it'll still be hot half-an-hour later. It's also available at all 7-Eleven stores across the country. To make the rCUPs, 7-Eleven needs single-use takeaway cups — and it's collecting them at over 200 stores across NSW, Vic, Qld and WA, too. The stores are collecting all takeaway coffee cups (not just their own), Slurpee cups and plastic straws to recycle together with Simply Cups. So next time you forget your keep cup, you don't have to feel as guilty. The rCUP is now available at all Australian 7-Eleven stores. You can recycle your takeaway coffee cups, plastic straws and Slurpee cups at select stores in NSW, Vic, Qld and WA.
Rummaging through your cupboards can be an invigorating exercise, unearthing and breathing new life into old gems. In one of the most high-fiveworthy collaborations in recent memory, Future Classic and le coq sportif have paired up for their own big ol' throwback project. The Sydney-based electronic label home to Flume and the French-founded sportswear company have joined forces to release a collection of remixes and reissues from the archives. Dubbed 'The Reissue Project', the double-sided project sees both parties bring their mad skills to the table. Delving deep into the back catalogues, le coq sportif have designed a collection of garments exclusively for Future Classic. Looking particularly to the '80s and '90s chapters of le coq history, the team have created six brand new designs that hope to fuse le coq aesthetic with the beats-loving clubs of now — think drop crotch trackies, reversible jackets, bucket hats, fleecy sweaters and good old fashioned t-shirts. Best part? Glow in the dark details, FO' CLUBBIN'. The team have also made exclusive varsity jackets for Future Classic artists, not for sale but still fly. In return, Future Classic have dug into their own back catalogue to reissue some older bangers, revamped with some pretty damn excellent remixes and reworks by Chicago legend Derrick Carter, Sydney's acid house master DJ HMC, NYC beatsmaster Jaques Renault, French young gun Pyramid and UK 'resident producer' of Wolf Music, Greymatter. Touch Sensitive's 2006 track 'Body Stop' has been worked over, alongside Luke Million, Stick Figures, Peret Mako and the gold nugget-like 'Possum', the first tune Flume ever put on triple j Unearthed. The physical collaboration element between the two comes from the unique codes paired with each le coq sportif piece; if you buy a piece you can download the Reissue Project tracks to strut down the street with for free. But because both sides are legends, they're letting you listen in anyway — you'll be able to stream the tracks from Soundcloud and www.thereissueproject.com from Thursday, August 14 at 10am AEST. Here's the sweet threads, you can run from the gym to the clurb without changing a thing: The LCS x FC Reissue Project is available in le coq sportif stores, selected Glue Stores nationally and online from 14 August. Want to customise your own le coq sportif threads in the meantime? Stroll to The Rocks over here. https://youtube.com/watch?v=FBh7PVr0p9Y
Who would've thought that little old, humble-as-anything Southside Tea Room would make it to two years old? Pretty much everyone, right? As grand holders of the infamous white chocolate and Turkish delight brownie, leaders in themed trivia, music, and movie nights, they’ve spent a good two years working their way to the top of Brisbane's artistic and culinary food chain – and now it's time to celebrate! In a night of great tunes, free brownies, streamers, free brownies, an over-excited rendition of happy birthday, free brownies and I’m a guess a hell of a lot of sugar- and alcohol-induced dancing, Southside Tea Room’s Second Birthday Bash is an event you can’t really afford to miss. There will be hugs, cheer, beer and some pretty excited faces under just as wild party hats. BYO novelty straw. A joint that has sold itself as a home away from home, with three times as much food, beer and entertainment, we all owe them a birthday drink, or a high five at least. So truck long at 5pm this Friday, present in one hand, cinnamon babka in the other, yell Happy Birthday, and party all night!
Since the mid-90s, Paul Rudd has been a constant presence on both big and small screens. First, he won over Beverly Hills' coolest teen in Clueless, joined horror royalty in Halloween 6: The Curse of Michael Myers and somehow became the unattractive romantic alternative in Romeo + Juliet. Then, he helped deliver San Diego's news in Anchorman: The Legend of Ron Burgundy, ran for office against Leslie Knope in Parks & Recreation and became the world's smallest superhero in Ant-Man. The list goes on, spanning a trip to camp in Wet Hot American Summer, plus appearances on Friends and Veronica Mars. But it's Netflix's new series Living With Yourself that's finally giving the world all the Paul Rudd that anyone could ever ask for. Both asking and answering the question we've all been pondering for decades — aka why have one Paul Rudd when you can have two? — Living With Yourself is yet another existential comedy. That said, as written by Emmy Award-winning The Daily Show producer Timothy Greenberg, and directed by Jonathan Dayton and Valerie Faris (Battle of the Sexes, Ruby Sparks, Little Miss Sunshine), the show finds its own charming niche amongst this growing genre. While the likes of The Good Place, Forever, Russian Doll, Miracle Workers, Maniac and Undone have each contemplated existence and our place in it, they haven't pondered whether we're all actually our own worst enemies in this comic but insightful fashion. Twice the Paul Rudd is twice as nice, obviously; however the two versions of his character cause quite the chaos in Living With Yourself, especially given that the double-up is a wholly unintended development. Everyone's favourite ageless star plays Miles, a burnt-out writer turned advertising agency employee struggling through an average life, until he discovers an unusual solution. Heading to a day spa recommended by a colleague, he's looking to come out relaxed and refreshed. That happens, but only because he's replaced by a clone and left for dead. Although the new and improved version of Miles couldn't be happier, the old version is still hanging around. So, the original Miles and the new Miles have to work out how to co-exist — and if they even can. How the pair handle their shared life, wife Kate (Irish actor and comedian Aisling Bea), career and identity fuels the show's eight-episode first season, as do plenty of weighty matters — including the quest to try to be a better version of ourselves. That's a notion that Living With Yourself's fellow existential comedies all deal with in different ways, and it's one that never stops being relevant. Here, in a series that comes layered with a heft dose of melancholy, that tussle not only gets a literal spin, but fuels an engaging, thoughtful and amusing show that does much more than just duplicate one of entertainment's beloved talents. Before binging the whole first series, check out the trailer for Living With Yourself below: https://www.youtube.com/watch?v=5w54yW2Ur50 All eight episodes of Living With Yourself's first season are available on Netflix now. Images: Netflix.
Since launching in 2013, Four Pillars has given Australian gin lovers plenty to drink, including its famed Bloody Shiraz Gin, an annual Christmas-themed tipple, olive leaf gins and even a boozy ode to Melbourne landmark The Espy. Next time you pour yourself a sip of one of the above juniper spirits, you'll actually be pouring yourself a drop from the world's best gin producer, with the Yarra Valley-based distillery earning that title for the second consecutive year at 2020's International Wine and Spirits Competition. Four Pillars nabbed what's considered the industry's top gin gong, receiving the prize in a virtual ceremony on Thursday, November 18 at 6pm UK time. And if you're wondering about the size and scale of the IWSC, it's the globe's largest international competition for spirits, receiving more than 4000 entries worldwide. Winning for its impressive range of gins — which also includes its Rare Dry Gin, Spiced Negroni Gin and Navy Strength Gin — Four Pillars made history by becoming the first Australian distillery to win the award in 2019. It's the latest exciting chapter in the company's short but substantial run so far, with the gin outfit founded by Cameron Mackenzie, Stuart Gregor and Matt Jones seven years ago, earning plenty of acclaim and awards since, and selling a 50-percent stake to beer giant Lion earlier in 2019. [caption id="attachment_774866" align="alignnone" width="1920"] Four Pillars Laboratory in Surry Hills by Anson Smart[/caption] In anointing Four Pillars this year's IWSC International Gin Producer of the Year, the organisation also recognised the company's role in the gin industry, its commitment to collaboration and creativity — and its full lineup of tipples. This year certainly hasn't been a normal year for the company, however, with the distillery pivoting to produce hand sanitiser overnight when the pandemic hit — and then launching its first Sydney bar and distillery just a couple of months later. "This is a triumph for strength over adversity, for professionalism and passion in the face of what sometimes in 2020 seemed insurmountable odds," said Mackenzie in a statement. "This is a victory for every single person in the Four Pillars world but most particularly for everyone at Healesville who has faced so much uncertainty and difficulty this year but has never stopped putting in the hard yards." To peruse the full list of International Wine and Spirits Competition 2020 winners, visit the organisation's website.
When HOTA, Home of the Arts opened its new six-storey gallery in May, it did more than just give Gold Coast residents a towering place to peer at art. That's obviously on the agenda — the site is Australia's largest gallery outside of a capital city, after all — but the colourful building is also home to a sky-high drinking spot. If walking through art-adorned halls and staring at masterpieces makes you work up a thirst, you'll want to end your visit to HOTA Gallery with a trip to its fifth floor. That's where you'll find The Exhibitionist, an attention-grabbing bar that pairs bites and beverages with views across the city, as well as out to the hinterland. Here, you can sit either indoors or outdoors, then tuck into tapas, sip cocktails and stare at the Surfers Paradise skyline. The drinks lineup goes heavy on cocktails; the 'Heat and Time' pairs gin, mezcal foam, lemon and ginger, for instance. You can also enjoy a glass of wine, knock back local craft brews or opt for a house-made soda. Food-wise, head chef Dayan Hartill-Law has whipped up a menu filled with share options, including salt and vinegar onion rings ($9), suckling pig sausage rolls with burnt strawberry ketchup ($9), oysters with finger lime vinegar ($6) and halloumi with green tomato pickle ($12). Or, there's the duck pie made with sour cream pastry (14), oven-roasted Gold Coast prawns ($16) and a brioche lobster roll with Sriracha mayonnaise ($16) — which you can then follow up with cheesecake mousse ($14) or cake truffles ($4) for dessert.
Driving through Mission Beach on your way to Dunk Island? Make sure you stop in at the local community arts centre for a visit. Mission Arts is located within MARCS Park and features an exhibition space, gift shop, pottery studio and community meeting spaces. Feel like getting creative? The arts centre has regular open workshops in drawing, pottery and knitting that you can attend. Or, stop by to check out the upcoming exhibitions including Focus Photography and Language of Intimacy.
When you need a gift for that hard-to-buy-for friend. Or, when you want your look to make a bold statement. Or, when you love Vegemite so much you just want to wear it. Whatever the occasion, you need Thousand Island Dressing. Although this shop has been a much-loved fixture in the boutique shopping scene in Paddington for years, the constant is that the merchandise will always surprise you. Inside, you'll unearth a collection of eclectic, limited-edition and designer jewellery, scarves, bags, homewares and accessories in bright colours and tempting textures. It stocks an ever-changing range of stylish jewellery from independent makers and artists: Busy Head Designs, Cheeky Little Monkey, PollyLaLu, Concrete Jellyfis, and many more. It's jewellery that makes a statement and is worth getting excited about. Show some Queensland pride with Debra Hood brooches of iconic Queenslander houses or upgrade your earrings with pop culture icons. Lean into childhood nostalgia with your very own Very Hungry Caterpillars. For all things Australiana, it has wearable treasures featuring magpies, Tim Tams and tiny tinnies. Or, you can stand out at your next event with tasseled, glittery or sequined jewellery feature pieces. Why settle for the ordinary, when you can wear something unique? Image: Kiel Wode
Ready to see Brissie at its most vibrant? The Brisbane Festival launches Saturday, September 6, paving the way for 23 days of exceptional performance, public art and participatory adventures. Running until Saturday, September 27, visitors can get stuck into 106 productions and 1069 performances, with a staggering 2260 artists involved from start to finish. With so many highlights to explore, it's hard to pick just a few. Yet perhaps the most unmissable is Walk This Way — a kaleidoscopic series of installations crafted by Brisbane art and design duo, Craig & Karl. Transforming the Goodwill, Neville Bonner and Kangaroo Point bridges with large-scale art, there's a good chance you'll never see these structures like this ever again. Meanwhile, pop over to Griffith University's Art Museum for an exhibition that honours the pair. Marking one of 21 world premieres on the program, Afterglow will fill Brisbane City Botanic Gardens with fire sculptures and candlelit installations. Another global debut is The Great Gatsby-themed show and pop-up club GATSBY at The Green Light, which is heading to Twelfth Night Theatre to celebrate 100 years since F. Scott Fitzgerald's iconic book first hit shelves. "This year's festival is a vibrant tribute to Brisbane – its energy, its creativity, and its people," said Brisbane Festival Artistic Director Louise Bezzina. "As my final program, I wanted it to reflect the incredible journey we've shared: bold ideas, heartfelt stories, and unforgettable moments. From large-scale spectacles to intimate community experiences, every event is rooted in a love for this city. I invite everyone to join us this September and be part of something truly special." [caption id="attachment_1008622" align="alignnone" width="1920"] JD Lin[/caption] Contemporary dance is also a significant focus of this year's schedule. All three chapters of Gems will be presented for the first time, featuring acclaimed choreographer Benjamin Millepied in collaboration with the L.A. Dance Project. Plus, First Nations artist and Bangarra Dance Theatre founder Stephen Page is back home in Brisbane, presenting Baleen Moondjan, which explores the link between baleen whales and Country. With literally hundreds of more events taking place, now is the perfect time to start planning your Brisbane Festival adventure. "Brisbane Festival is more than just an arts event. It's the jewel in our festival calendar that brings us all together, creates more to see and do in the suburbs and adds to our fantastic lifestyle," says Brisbane Lord Mayor Adrian Schrinner. [caption id="attachment_1008620" align="alignnone" width="1920"] Laurent Philippe[/caption] Brisbane Festival runs from Saturday, September 6–Saturday, September 27, at various locations across Brisbane. Head to the website for more information.
