From Houseparty birthday bashes to Zoom weddings, celebrations have been looking a little different lately. But one thing is clear: not even a pandemic can stand between us and a good ol' party. And that includes marking World Whisky Day on May 16. We may not be able to head to a cosy bar and celebrate the legendary amber liquor in style, so Glenmorangie has partnered with Boozebud to bring the festivities to your living room via a virtual whisky masterclass. At 6pm on Boozebud's Facebook page, Glenmorangie's Director of Distilling, Whisky Creation and Whisky Stocks Dr Bill Lumsden will be guiding you through a tasting from the Scottish distillery's core range of single malts. You'll start with the classic Glenmorangie Original Aged 10 Years, then move through the Lasanta Sherry Cask Aged 12 Years, Quinta Ruban Port Cask Aged 12 Years and Nectar d'Or Sauternes Cask Aged 12 Years. The masterclass is free to stream but, to make the most of it, you'll want to snag one of the taster packs from Boozebud beforehand, which has the four smooth spirits in 100-millilitre measures — enough for you and a housemate to have a nip each. The pack costs $64.99 and first-time Boozebud customers will score 10-percent off and free shipping by using the code BESTBUD (terms and conditions apply). Purchase your Glenmorangie Scotch Whisky Taster Pack here, then head to Boozebud's Facebook page at 6pm on May 16 to take part in the virtual masterclass.
The BrisStyle team is a rather busy bunch. A few times a year, it puts on twilight markets in King George Square, but that isn't its only regular event. If you're particularly after a treasure trove of handmade goodies — and who isn't? — it hosts another opportunity to browse and buy that's dedicated to exactly those kinds of objects. Fashion, art, jewellery, homewares — if someone's been using their nimble fingers to make it, then you can probably trade your hard-earned cash for their hard work. In fact, there'll be more than 60 artisans selling their wares. And, while you're shopping, you'll also be able to grab a bite at the onsite cafe and listen to live tunes from local musos. The Handmade Markets always take place on Saturdays, so mark August 28 and October 30 in your calendars now. Head along from 9am–3pm, with it all taking place in the Queensland Museum's whale mall. Image: BrisStyle.
Déjà vu might strike when 2024 arrives, at least when it comes to one of your first TV shows of the year. Jamie Dornan (A Haunting in Venice), Danielle Macdonald (French Exit), amnesia, a past coming back to haunt, an early-January release: the first incredibly easy-to-binge season of The Tourist back in 2022 ticked all of those boxes, and now so will the second next year. When the series first arrived, it was swiftly renewed for another go-around — and, although plenty is clearly remaining the same, that follow-up does involve one big shakeup. While the initial season of The Tourist was set in Australia with Dornan as the titular figure, the season takes place in Ireland. This time, it's Macdonald's Aussie cop Helen who is travelling abroad. As the show's just-released first trailer for season two illustrates, however, not being able to recall anything remains part of Dornan's remit as Elliot. The character's lack of memory ties into a plot that bring secrets from his past into play, as well as a family feud. Audiences will be able to see the end result from Tuesday, January 2 via Stan in Australia and Monday, January 1 via TVNZ+ in New Zealand, with The Tourist season two spanning another six episodes. Screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) return as well, but Dornan and Macdonald will have Conor MacNeill, Operation Fortune: Ruse de Guerre), Olwen Fouéré (The Northman), Diarmaid Murtagh (Outlander), Nessa Matthews (Inspektor Jury: Der Tod des Harlekins), Mark McKenna (The Miracle Club) and Francis Magee (Then You Run) for new on-screen company. If you missed The Tourist's first season, Dornan's Elliot was caught up in a mystery, which unfurled its specifics in cliffhanger-heavy instalments. The show also had fun with its premise — and its onslaught of twists and turns. It knew that zigzagging thrillers that work from a clearcut roadmap should make their familiar pieces feel anything but, and should take their audience along for a wild ride. And, it was well aware that that should all be the case even when largely driving down a recognisable road. An Irish traveller in Australia, Elliot was run off the street by a steamrolling long-haul truck, sparking his fogginess about his own moniker and everything else about his past. Macdonald's Local Constable Helen Chalmers took a shine to him anyway, but piecing together his history was far from straightforward. His other immediate questions in season one: why is he in the middle of Australia, why does a bomb go off in his vicinity and why is he getting calls from a man trapped in an underground barrel? Check out the trailer for second season of The Tourist below: The Tourist season two will start streaming from Tuesday, January 2 via Stan in Australia and Monday, January 1 via TVNZ+ in New Zealand. Read our full review of season one.
Were Daniel and Amelia Miletic always destined to set up shop in South Brisbane's Fish Lane? As the owners of fish 'n' chippery One Fish Two Fish in Kangaroo Point, they're certainly keeping the ocean theme going. Midtown, their newest venture, isn't just about dishes from the sea, though. What the Miletics have dubbed "seacuterie" is on the menu, plus mini versions One Fish Two Fish's lobster croissants; however, this is venue is a martini bar. Midtown takes over an already-luxe space: the site previously home to Butler Wine Bar, Lune Croissanterie's boozy sibling, which launched in July 2022 but closed in March 2023. There must be something about the location playing host drink-focused offshoots to beloved eateries, given that that's what the Miletics are serving up as well. Loving martinis is the number-one thing on offer at Midtown, with nine set alcoholic types available, such as olive leaf, elderflower, apple and rhubarb, espresso and pornstar varieties. There's actually a tenth option, too, that lets you tell the bar how to make it your way — so anything is possible. If you're having trouble choosing, that's where the three-drink flights come in. They're designed to share, and include half serves of elderflower, espresso and the signature Midtown martini (made with Patient Wolf Pink Lakes gin, Cinzano dry vermouth and red onion). And, if you're not partaking in the hard stuff, go with a no-booze espresso, lychee or French martini. The sips do extend past James Bond's favourite drink (that said, we assume that the vesper martini comes shaken, not stirred). Two types of margaritas, plus a negroni, old fashioned, daiquiri, spritz and Charlie Chaplin sit on the rest of the cocktail list, but the bar will whip up anything it's able to if you ask. Beer-wise, the range is highly curated with Australian brews from Balter, Moondog and Little Creatures. Wine devotees will find a page of choices, from sparkling, amber and rosé to whites, reds and even a fortified drop to go with cheese. And for snacking while you drink, the seacuterie (oysters, prawn croquettes, salmon sashimi and more) and lobster croissants are joined by charcuterie, cheese plates, caviar, and a raw bar that also does steak tartare cigars. Gildas, octopus and subs made with cevapi pork sausage are on the menu as well, while Fraser Isle spanner crab tortellini and ten-hour barbecue bourbon brisket are among the mains. For dessert: yuzu brûlée with walnut biscotti and a pina colada tartlet. The whole place is called Midtown, and its digs are firmly on the intimate side, but the Miletics have split it into three areas. The main space that shares the watering hole's name is a 20-seater bar, Uptown is a 6–8-seat dining room and Downtown takes patrons outside for a tipple. Another drawcard: a late-night supper club from 10pm–12am every Friday and Saturday night, doing live music and its own food lineup.
If your dream European holiday includes vineyard picnics, forest hideouts and mountainside stargazing, Tiny Away have got you sorted. The eco-friendly Australian accommodation brand, known for its off-grid stays locally and in Southeast Asia, has unveiled a cluster of tiny houses in France, Spain and Italy — and just in time for Euro summer. Designed for nature lovers, slow travellers and anyone looking for a different kind of escape, these compact retreats are at the meeting point of sustainability and comfort. The new European houses, like their Australian stablemates, are located in picturesque off-grid locations that give you direct access to seriously stunning natural surrounds, perfect if you're looking to switch off. In France, you can check into Loire River Tranquility, a peaceful riverside outpost near the historic city of Orléans, where you can spend your days exploring vineyards, castles and art galleries in the city of Joan of Arc. If enchanted forests are more your thing, La Tiny Alchimiste awaits in the verdant village of Cressanges in central France, where you can soak up views of rolling meadows from your terrace or explore charming nearby towns like Bresnay and Tréban. Spain's tiny homes bring a mix of mountain solitude and Mediterranean sunshine. De la Luz Ecolodge sits 400 metres above sea level in Andalusia, offering solar-powered serenity, pine-covered mountain trails and night skies made for stargazing — and that's in addition to the sweeping views across the region and out to the ocean beyond. Meanwhile, in Girona's Llémena Valley in northern Spain, Caseta Wald offers a minimalist woodland haven just a short drive from Costa Brava's beaches, the volcanic landscapes of La Garrotxa and Girona's famous Arab Baths, built in the year 1194. Over in Italy, Casa della Montagna Sila is providing alpine vibes all year round. Located in Calabria's Sila National Park, near Lake Arvo in the mountain village of Lorica, this cabin offers a year-round base for mountain hikes, lake swims and access to nearby landmarks, like I Giganti della Sila, Monte Botte Donato and the 11th-century Castello di Santa Severina. Plus, the rugged beaches and coastline of Isola Capo Rizzuto are just a short drive away. "With Europe summer getaways on the travel radar for Australians, Tiny Away's five new properties arrive at the perfect time," says Jeff Yeo, co-founder of Tiny Away. "Australian holidaymakers are increasingly seeking eco-friendly stays that allow them to connect with nature and local culture. By expanding our offering in Europe, we're bringing unique and sustainable accommodation options that align with the values of modern travellers — combining comfort, minimal impact, and a deep connection with place." Tiny Away's new European properties are available for booking now. For more information, head to the brand's website. Images: Tiny Away
Brisbane's new permanent food truck hangout has been home to all kinds of things since it set up shop earlier this year — festivals dedicated to all kinds of foods mainly — but, come May 20, it'll welcome something different through its doors. While there's always some sort of party going at Welcome to Bowen Hills, and doggos are always welcome, the venue's Big Dog Festival see the space swarmed by puppers of the super-sized variety. If it sounds familiar, that's because the venue is following in its own paw prints and taking its other pooch party — the Tiny Dog Festival — to the opposite extreme. Taking place the day after all things small and cute scurry through, this one will focus on massive mutts, so bring your own or prepare to pat plenty of others. In addition to bites to eat from the site's food trucks, and just celebrating big dogs over a few beers, the fest will also feature a big dog race and a best dressed giant dog competition. If your pupper is speedy or has great style, then you'll want to take part. Plus, Welcome to Bowen Hills also wants to find Brissy's biggest adult dog, so prepare to spend a day staring at huge hounds that look like they need their own human-sized houses and saying "awwwwwww".
Sydney-based Eat Art Truck was one of the first food trucks to really take off, with its American barbecue street food infused with fine dining, and bright, colourful trucks that feature the work of local artists. It's quality food, but instead of being artfully plated up on ceramics, the chefs lean down and hand you your meal in a paper tray. Specialities on the menu are the eight-hour smoked pulled pork bun, the slow-roasted beef brisket bun and the crispy fried chicken bun. There are nachos, salads, fancier dishes like the kingfish entrée, and desserts like flourless chocolate cake. Once a month an artist will paint a piece on the side of the truck, and at the end of the month the piece is auctioned off for charity — so you get a serving of culture along with your fries. Brenton Balicki, founding chef of Eat Art Truck, cooked us up a three-course feast last week to celebrate the launch of the KitchenAid Mini in Australia. All three courses were inspired by Brenton's work experience as a chef — he spent his formative chef years working at Tetsuya's and moved to Quay before becoming one of the founding chefs of Eat Art Truck. His professional background instilled in him the importance of good produce, so Brenton rode down to the Sydney Fish Markets and picked up the fresh fish, meat, vegetables he would be using. The first course was a beautifully plated entree of beetroot-cured hiramasa kingfish — a dish that relies on quality produce above anything else. The second course was a classic Eat Art Truck burger. Brenton wouldn't give us the exact ingredients that he needed to make the patty, or the sauce (can't give away all Eat Art Truck's secrets) but there's enough there to make your version of their classic burger. The third course was a flourless, sugarless chocolate cake. He's given us his recipes so you can re-create them at home. Burgers for dinner tonight? BEETROOT-CURED HIRAMASA KING FISH INGREDIENTS 1 fillet of hiramasa kingfish 1 large beetroot 1 lemon 1 bunch baby radish 1 tablespoon of sugar 1 tablespoon of salt 1 poached octopus crème fraîche rice wine vinegar olive oil METHOD Marinate the fish in grated beetroot, lemon zest, sugar and salt overnight. This will begin the curing process Wipe off marinade with paper towel and slice the fish as thinly as possible. Lay it out on the plate and decorate with thinly sliced octopus, baby herbs and thinly sliced radish Create a dressing with the vinegar, lemon juice and olive oil. Once you're happy with the presentation, dress the fish with plenty of the vinaigrette and finish with some crème fraîche and sea salt EAT ART TRUCK BURGER INGREDIENTS 3 of your favourite cuts of meat (ours are a secret) your favourite sauces (also a secret) your favourite bread — we used brioche tomato caramelised onion lemon thyme chorizo sausage your favourite cheese — we used smoked cheddar METHOD Dice your chosen meat into small cubes ready to be minced Use the KitchenAid Mini meat grinder attachment on the coarse setting so you have a unique texture. Add chopped thyme and mix everything together with hands thoroughly until everything is combined Heavily season the burgers and then begin grilling along with the chorizo and onions. Once you have everything cooked just the way you like it, begin building your custom burger just the way you like it FLOURLESS, SUGARLESS CHOCOLATE CAKE INGREDIENTS 5 egg whites 3 egg yolks with 2 whole eggs 1 block of your favourite chocolate 200g butter 200g almond meal honey seasonal fruits ice cream dulce De Leche METHOD Melt the butter with the chocolate in bowl A. Use a KitchenAid Mini to whisk the egg yolks and whole eggs with the honey in bowl B. In bowl C, whisk the egg whites until firm Add the almond meal, bowl A and bowl B together and mix until smooth. Finish by folding in the egg whites from bowl C until a nice mixture forms Gently pour this into a non stick baking dish and cook at 160 degrees until firm in the centre Garnish with fruits, chopped nuts, dulce de leche, ice cream and some grated chocolate Images: Samantha Hawker.
There ain't no party like a Valley street party, and I don't care what S Club 7 has to say about it. The Valley Fiesta has become the precinct's flagship event, and is ready to bring the noise/events/rooftop roller disco. Fortitude Valley. Not much needs to be said about the area, as by now I'm sure you're aware of its notoriety the country over. The Valley is a bustling hub of music, bars and general debauchery, and this year's Fiesta has drawn on these things to make the best event ever. What will make it the best fiesta of recent years? 3 words: Rooftop. Roller. Disco. It's on the roof of the Chinatown Carpark and has free skates and free entry, so all that's required is your skating ability (or lack thereof). Also on the Special Events bill are Sampology and 2 Dogs (aka Resin Dogs), who'll be carvin' dat shit urp at the alloneword stage, the Elements Collective Hip-Hop stage at the Judith Wright Centre, a Wonderland High Tea at Cloudland and Gotye's sold out shows at the Powerhouse. Joining in on this insane lineup are the acts at the Brunswick Street Closure Stage: Hungry Kids of Hungary, Nina Las Vegas, Laneous and The Family Yah, Evil Eddie, Cheap Fakes and more. If this doesn't please you, I have no idea what will. Get down to the Valley like usual, but do it fiesta-style.
Not content with hosting the Brisbane Comedy Festival, queer culture fest Melt, and a jam-packed calendar of other events all year every year — and just adding a new outdoor venue, too — Brisbane Powerhouse is gifting music and art fans a brand-new boundary-pushing celebration of sound, tunes and performance. Meet ΩHM (pronounced "ohm"), a fresh venture that's all about getting adventurous. The New Farm venue has dubbed the event a "festival of other music", with a growing lineup that includes Peaches, Future Islands and Hear My Eyes doing Pan's Labyrinth to back up that statement. Across February and March 2023, ΩHM will take over the riverside spot with a program curated by Room40's Lawrence English alongside Brisbane Powerhouse Arts Program Director Brad Spolding, serving up a mix of big-name international headliners and emerging local acts — and gigs, cutting-edge shows and immersive installations. Peaches does the honours while she's in the country for Mona Foma, and Future Islands hits the fest as part of their first Aussie tour since 2017. Those two impressive headliners are part of ΩHM's previously announced first lineup drop, which also spans Monolake + Electric Indigo and The Chills, as well as Kae Tempest, Nakhane and black midi. There's more where that list of acts came from, too, with ΩHM turning its second program announcement into its big launch. Just announced today, Tuesday, November 29, ΩHM is screening Guillermo del Toro's Pan's Labyrinth like viewers have never seen it before — with a brand-new live score by Sleep D. This premiere performance marks Hear My Eyes' return to Brisbane, and continues its spate of stunning film-and-music combos (see: its take on Chopper in 2022 in Sydney and Melbourne, plus past tours of No Country for Old Men with Tropical F*ck Storm and Suspiria with King Gizzard & The Lizard Wizard). Also joining the bill are audiovisual artist Robin Fox, Los Angeles-based composer Yann Novak and Iranian sound artist mHz, who'll serve up a triple bill of audiovisual performances. ΩHM will host the Australian premiere of Fox's Triptych straight from UNSOUND KRAKOW, featuring three RGB laser projectors working in synchronicity. If you've seen his past works — Night Sky for Brisbane Festival, Aqua Luma for Mona Foma 2021, BEACON for Mona Foma 2022 and MONOCHORD for Rising Festival 2022, for instance — you'll know you're in for something special. As for Novak, he'll be using sound and light to explore how both can focus one's awareness on their experiences, as informed by his partial colour blindness and dyslexia. And, New Zealand-based Iranian sound artist mHz will take inspiration from material and architecture to hone in on sound and light production. [caption id="attachment_880277" align="alignnone" width="1920"] Robin Fox, Single Origin, Diego Figueroa.[/caption] Also, Swiss artist Zimoun will present two installations, both Australian premieres and exclusive to Brisbane. His ΩHM berth marks his debut exhibiting to Aussie audiences in general, and will showcase his work with everyday and industrial materials to mix sound and architecture. "Works like Zimoun's kinetic sound sculptures, Robin Fox's expansive audiovisual laser environments and Hear My Eyes: Pan's Labyrinth x Sleep D exist at a special nexus of sight, sound and space," said English, announcing ΩHM's new additions. "These dynamic pieces capture intensity and energy matched with a fearless sense of focus. The works are simply mind-blowing." ΩHM runs throughout February and March at Brisbane Powerhouse, 119 Lamington Street, New Farm. For more information and to buy tickets, head to the Powerhouse website. Top image: Hadley Hudson.
It's been impossible to get your hands on tickets to see Courtney Barnett these past few weeks. On her first headline national tour, this charming singer-songwriter has been selling out huge strings of shows in the best venues of our major cities. But don't worry if you missed out on tickets to The Zoo tonight. Barnett's hitting up Southside Tea Room tomorrow afternoon for a free solo surprise show. All the hype surrounding this folksy Melbournian is well and truly deserved. Barnett has received a tonne of press since last year's release of her double EP A Sea of Split Peas, on which 'Avant Gardener' was the lead single. She's been compared to Bob Dylan by Rolling Stone, debuted in the US on Jimmy Fallon, and had the privilege of performing at Glastonbury and Coachella this year. Just this week, she also picked up Best Independent Single/EP at the AIR Independent Music Awards. Basically, she's killing it. Her show at The Zoo tonight kicks off at 8pm supported by Victorian multi-instrumentalist D.D. Dumbo. But if you want to catch her up close and personal, Sunday's gig at Southside will be from 4.30pm. Bar owner and Grates singer Patience Hodgson is set to be the "best merch bitch ever", so that's something to see in itself.
Since you're reading this, we bet you love sippin' a cheeky marg — on a hot day, after a long day at work or when you're celebrating something special. It's a classic for a reason. But, like when reading a good crime fiction novel or watching the latest bingeable TV show, we love an unexpected twist from time to time. So, to celebrate International Margarita Day on February 22, we've teamed up with Patrón tequila to share these three recipes that'll help you mix things up. Whether you want to make the most of seasonal produce or test your tolerance for chilli, these tipples will do the trick. Want to leave it to the pros? Patrón is also giving away complimentary margaritas for the entire month of February at a bunch of bars around the city. Head here to claim your free tipple. PINEAPPLE MARGARITA Have your plans to escape to a tropical oasis been thwarted by border closures? We get it. But there's no need to cry — that's how you get sunscreen in your eyes. Instead, conjure those island vibes with this sweet concoction. Ingredients 45ml Patrón Silver 25ml Dekuyper Triple Sec 20ml lime juice Three cubes of fresh pineapple Method Muddle pineapple in the bottom of a cocktail shaker. Add all other ingredients in and add ice. Shake hard and double-strain into a chilled coupette. Garnish with a wedge of pineapple. SPICY MARGARITA We all know how well a classic margarita pairs with spicy food. Perhaps that's why we have two hands, so we can hold a margarita in one and a taco in the other. Here, you can cut out the middle man and get the spicy kick straight from your drink. Just don't use that free hand to text your ex. Ingredients 45ml jalapeño-infused Patrón Silver (see note) 15ml fruit or vegetable puree (blood orange, mango or fresh beet) 90ml lime juice Salt Lime wedge and sliced jalapeño to garnish Method Combine infused Patrón Silver with your choice of flavour puree and lime juice over ice in a shaker. Shake and strain into a salt-rimmed glass. Note: To make the jalapeño-infused Patrón Silver, add two whole jalapeños cut down the middle and deseeded into one bottle of Patrón Silver. Let rest for 12 hours. WATERMELON BASIL MARGARITA Lucky us. We get to celebrate International Margarita Day in the heart of summer, so we have excellent seasonal produce at our disposal, including watermelons, to jazz up our cocktails. Shake this sweet and colourful tipple up on the next sunny day and try not to boast too much to your poor mates shivering away in the northern hemisphere winter. Ingredients 45ml Patrón Reposado 30ml fresh watermelon juice or puree 30ml fresh lime juice 30ml agave nectar Three basil leaves (or basil simple syrup) Watermelon wedge or dehydrated lime wheel for garnish Method Combine all ingredients (except the watermelon wedge/lime wheel) in a cocktail shaker and shake with ice to chill. Strain onto fresh ice in a glass. Garnish with a basil leaf and wedge of watermelon or a dehydrated lime wheel. To score a complimentary margarita courtesy of Patrón throughout the month of February, head over here.
Do you live in a dog-friendly house? Do you have some spare time on your hands? Do you fantasise about hanging around at dog parks with an actual dog? The good folk at Seeing Eye Dogs Dogs Australia need you. They have 50 puppies running around the place at the moment, and they're in need of volunteers to raise them. In other words, they're giving away puppies — but you will need to give them back. If you put up your hand to become a puppy carer, you'll get a puppy for about a year — from around its eight-week birthday to when it turns turns between 12–15 months old. During that time, you'll be responsible for introducing the sights, sounds and smells it'll meet when it starts working as a seeing eye dog (and giving your new friend heaps of cuddles). Of course, it's not all just fun, games and cuteness. You'll have to be responsible enough to take care of regular grooming, house training and exercise, and be available for regular visits. A fenced-in backyard is mandatory, too. In return, the organisation provides a strong support network, and all food, training equipment and vet care. You'll also need to be home most of the time — so you won't be leaving the puppy alone for more than three hours a day — and to be able to put effort into training and socialising the pup. View this post on Instagram A post shared by Seeing Eye Dogs Australia (@seeingeyedogsaustralia) Seeing Eye Dogs Australia is looking for people in several Melbourne areas: in Kensington, Flemington, North Melbourne, Ascot Vale and West Melbourne; in the east to the Yarra Ranges (anywhere south of the eastern freeway); and southeast to Portsea (anywhere south of the eastern freeway). They're also looking in the Bendigo region and surrounding suburbs, too. In Queensland, the Sunshine Coast and north Brisbane are the priority areas. Once the pups reach 12-15 months old, they'll return to Seeing Eye Dogs Australia — and complete their journey to become four-legged companions for people who are blind or have low vision. Keen? You can apply online — and, at 10.30am on Friday, April 23, you can also virtually peek behind the scenes at one of Seeing Eye Dogs Australia's puppy centres. For more information about Seeing Eye Dogs Australia's puppy carers, and to apply for the volunteer roles, head to the organisation's website.
Add Shane Delia to the list of high-profile culinary figures setting up shop in Queensland, with the Melbourne-based chef and restaurateur announcing his first move north — and debut restaurant in Brisbane — with a 2025 opening slated. His new eatery doesn't yet have a name, but it will follow in the footsteps Guy Grossi's Settimo, Adrian Richardson's BŌS, and Andrew McConnell's Supernormal and Bar Miette when it launches at the Thomas Dixon Centre, Queensland Ballet's West End base. When Delia's newcomer joins Delia Group's roster of venues alongside the Victorian capital's Maha, Maha North, Maha East and Jayda, diners can expect Delia's focus on Middle Eastern flavours and rich, bold, spice-fuelled dishes — plus an evolving menu. The venture is a partnership with Queensland Ballet, with Delia Group taming up with the former's hospitality partner VenuesLive. "I'm excited to be launching a restaurant in Brisbane. It's long been a desire of mine to open a venue in this city — what is continually proving to be a vibrant new culinary destination in Australia," said Delia, announcing the news. "I look forward to bringing my passion for bold flavours, rich spices and diverse culinary traditions to Brisbane, crafting an experience that complements Queensland Ballet's artistic excellence." View this post on Instagram A post shared by Shane Delia (@shanedelia) In an Instagram story, Delia also noted that the restaurant has been in the works for a year, and this'll be his first signature restaurant outside of Melbourne, with more details to be unveiled in the coming months. There's no exact opening date yet, either; however, the plan is for the eatery to anchor the Thomas Dixon Centre's dining options, not only adding to the performing arts precinct but helping it become a new arts and hospitality hub. [caption id="attachment_893063" align="alignnone" width="1920"] Maha North, Pete Dillon[/caption] [caption id="attachment_972449" align="alignnone" width="1920"] Maha East[/caption] Find Shane Delia's currently unnamed Brisbane restaurant at the Thomas Dixon Centre, 406 Montague Road, West End, sometime in 2025 — we'll update you with more details when they're announced. Keep an eye on the Delia Group website for more details in the interim. Top image: Angharad Gladding.
Much about this last week of March has felt like history repeating itself — initially for Brisbanites, and now for anyone with an Easter date with Bluesfest. For the second year in a row, the Byron Bay festival won't be going ahead, with NSW Health announcing that a public health order has been signed that cancels the 2021 event. The long-running festival was set to return to Byron Events Farm (formerly Tyagarah Tea Tree Farm) just outside Byron Bay from Thursday, April 1 — for the Easter long weekend, headlined by Jimmy Barnes, Tash Sultana, Ocean Alley, Ziggy Alberts and The Teskey Brothers. But, as happened last year, COVID-19 has gotten in the way. NSW Health has advised that the move has been made "to minimise the risk of the highly infectious COVID-19 variant of concern being transmitted in the local area, as well as across states and territories." Over the past weekend, between Friday, March 26–Sunday, March 28, Byron Bay was visited by two people who later tested positive to COVID-19 as part of Greater Brisbane's current cluster. Today, Wednesday, March 31, NSW Premier Gladys Berejiklian announced that one person in Byron Bay has since tested positive as well. And, the Premier also advised that from 5pm AEDT today until at least 11.59pm on Monday, April 5, the Byron, Ballina, Tweed and Lismore shires will reinstate a number of social distancing restrictions. So, they'll be in effect exactly when Bluesfest was due to run. The north coast regions will revert back to 30-person caps for at-home gatherings, and will reintroduce the one person per four-square-metres rule at all indoor public settings, including hospitality venues. Folks in the area will also have to sit, not stand, while having a drink. And, masks will be compulsory on public transport, in retail settings and indoors in public places. [caption id="attachment_800519" align="aligncenter" width="1920"] Andy Fraser[/caption] "Infectious Queensland travellers attended a number of venues in the Byron Bay area and the new locally acquired case was infected at one of these venues," said NSW Health in its statement. "NSW Health acknowledges that the cancellation of Bluesfest is disappointing for ticket holders and event organisers; however, while urgent investigations and contact tracing are ongoing, NSW Health is adopting a cautious approach to keep everyone safe." Minister for Health Brad Hazzard noted that "while the cancellation of Bluesfest is disappointing for music lovers and the local community, I hope that ticket holders would support Bluesfest and hold on to their tickets as I understand Bluesfest will be working on a new date as soon as possible." At the time of writing, Bluesfest hasn't made a statement about the cancellation. Via the festival's last social media posts earlier today, event organisers said that an update was coming soon. NSW Health advised that it wished "to acknowledge the outstanding cooperation of Mr Peter Noble and his organising team, who were working hard to ensure Bluesfest would be conducted in a COVID-safe manner." For more information about the status of COVID-19 in NSW, head to the NSW Health website. Top image: Joseph Mayers
Whether it's a birthday, promotion, anniversary or celebration of general adulting (taxes in and laundry done), there are times you just want to treat yo-self with some luxurious daytime dining. Luckily, Brisbane has no shortage of restaurants where you can park yourself for hours, feasting and clinking glasses upon glasses of celebratory vinos. To make it easy, we've partnered up with Citi to narrow down some top Brissie faves for a leisurely lunch, spanning the spectrum from Italian along the river to Vietnamese fare with an extra French twist. Plus, there are a few wine pairing suggestions in there, too. All you have to do is make the booking. What's more, if you've got a Citi card, you can kick things off with a free bottle of wine, thanks to the Citibank Dining Program. Sad desk salad be gone. Book at any participating restaurant, mention the offer upon arrival and settle in for a long lunch complete with a free bottle of wine — just make sure to tap that Citi card at the end.
If you're someone who habitually forgets to grab your dear ol' dad a Father's Day gift until the last minute, now is your chance to get him something really special — especially if he loves a dram and his motorsports. Glenfiddich has partnered with the Aston Martin Formula One Team to release a limited-edition 16-Year-Old Single Malt Scotch Whisky (ABV 43%). Housed in an Aston Martin Racing Green presentation box, this will really pop on dad's bar shelf (when he isn't pouring himself a glass, that is). When it comes to whisky, few names are as renowned as Glenfiddich. Founded in 1887, this Scottish distillery has long been a pioneer in the production of single malt Scotch whisky and is one of the few remaining family-owned distilleries. Continuing to embrace the innovative practices of its founder, William Grant, it's responsible for some of the best-selling whiskies on the market, including the most awarded single malt Scotch whisky in the world. Its commitment to such a high level of craftsmanship is exactly why Glenfiddich has partnered with Aston Martin to release this limited-edition bottle. Announced at the Las Vegas Grand Prix 2024, this 16-Year-Old Single Malt Scotch Whisky celebrates the precision and mastery of these two iconic brands. "At Glenfiddich, we're committed to creating exceptional whiskies that honour tradition while embracing innovation," commented Brian Kinsman, Glenfiddich's Malt Master. "The Glenfiddich 16-Year-Old is a true testament to this philosophy. It combines craftsmanship and precision in a whisky that invites exploration and discovery, much like the journey of our partnership with Aston Martin Formula One Team. It's a celebration of blending tradition with the thrill of innovation." So what exactly makes this single malt Scotch whisky special? Like all of Glenfiddich's spirits, the devil is in the details. This 16-year-old whisky is aged in a carefully selected marriage of American oak wine casks, new American barrels and second-fill bourbon casks. Through the distillery's meticulous blending process, the result is a bottle that features distinct notes of maple syrup, caramelised ginger and, subtly, toasted oak. As it goes down, it has a silky and syrupy palate that tastes like fresh fruit salad and Chantilly cream. All of this culminates in a finish that's smooth and bold, with a sustained sweetness. What wouldn't Dad love about that? If he considers himself a bit of a whisky connoisseur or has an eye for the more luxurious things in life, this limited edition bottle is sure to go down smooth. It's also the perfect Father's Day gift if your dad is the kind of guy who saves spirits so he can crack them out for "special occasions". Every dram of Glenfiddich's 16-Year-Old Single Malt is sure to be enjoyed. If you're lucky, he might even let you have a glass. The Glenfiddich 16-Year-Old Single Malt Scotch Whisky (RRP $150) is available at First Choice, Liquorland, Vintage Cellars and independent retailers. You can purchase it here. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Glenfiddich
Award-winning Brisbane artist Victoria Reichelt brings her latest exhibition Future Ruins to Jan Murphy Gallery. Continuing her investigation into society's shift from the analogue to the digital, this series of skilfully crafted paintings looks at our past and digital future through abandoned haunted interiors of libraries and archive spaces. Since graduating from the Queensland College of Art in 2005, Reichelt has shown work across the nation and been the recipient for of some of Australia's most esteemed and sought after art prizes and grants. She has been a finalist in a number of significant prizes including the Archibald Prize, the Doug Moran National Portrait Prize and the Brett Whiteley Travelling Art Scholarship. Reichelt was also the 2013 winner of the Sulman Prize, and her art is held in the BHP Billiton collection, QAGOMA, Artbank and the Universty of Queensland gallery, as well as many more national and international collections. Future Ruins exhibits at Jan Murphy Gallery from October 6 to 31.
With breweries seemingly popping up on every corner, it's no wonder that Brisbanites have an appetite for a few cold ones. And given the city's close proximity to plenty of waterways, it's no surprise that we're rather fond of seafood either. Sure, Brissie residents like other things as well, but we're particularly fond of spending entire days devouring drinks while eating the ocean's finest bounty. Waves & Haze is your latest opportunity to do just that, with Bacchus Brewing Co in Capalaba throwing a free one-day festival from midday on Saturday, September 14. It'll be pouring its own New England-style IPAs, including old faves, some newbies, and tipples to enjoy on the spot and take away. There'll also be live music to keep everyone entertained, Ballandean Estate Wines if you need something other than a brew, and the other part of the beer and seafood equation: the seafood. If you like oysters, mussels and prawns, then Mussel Brothers will have you covered.
Anyone who went to school in Queensland and sweltered through the state's summers in sticky, sweaty classrooms has heard a persistent rumour: if the temperature reaches 40 degrees, you get to go home. You've outgrown that dream notion now, obviously, but Ben & Jerry's is spinning its own version by handing out free ice cream when the mercury next hits 31 degrees. First, the obvious — and glorious — part of that news: 31 degrees in southeast Queensland in summer is a frequent occurrence. Now, the caveat: it'll need to reach 31 degrees at Burleigh Heads, because those freebies will be handed out from Ben & Jerry's just-launched new store on the ground floor of the Surf Living Saving Club on Burleigh Heads beach. Whenever the 31-degree temperature next arrives at that exact location, the new shop will hand out free scoops from 1–6pm that day. Ben & Jerry's is leaving the giveaway open throughout February — so if we get a few under-30 days for a while and it doesn't get to 31 degrees or over again for a few weeks, those freebies could still be on their way. So that you don't have to keep checking forecasts for the area, the ice cream chain will take to the Burleigh Heads Surf Life Saving Club's social channels when the 31-degree mark is hit — and it'll be basing it off of a thermometer outside the store. Because we know you're know wondering, the current Bureau of Meteorology forecasts for Surfers Paradise and Coolangatta — so, in the vicinity of Burleigh — predict 30-degree days on Thursday and Friday, but nothing over that for at least the next week. Ben & Jerry's will give away free scoops from 1–6pm on the next day in February that the temperature reaches 31 degrees or over. Keep an eye on the Burleigh Heads Surf Life Saving Club's social channels, as that's where the chain will confirm the temperature when it's reached — and the giveaway.
The South Island is known for its breathtaking scenery. However, if you're a culture junkie, there's no end to the beautiful experiences you can have — and not just in a gallery. Whether you're into history, art, language or music, you're bound to find something (and often with a good feed to go with). We've curated a selection of experiences in the South all cultural but none that require the four walls of a gallery. THE SHERWOOD This little hotel is a gem in Queenstown's tourismscape. Perched on three acres of spectacular alpine hillside, with views over Lake Wakatipu and the Remarkables mountain range, The Sherwood is a true community hotel, built with the express intention of letting its guests connect with each other and with nature. Kitchen gardens service the holistic, natural dishes in its restaurant and the hotel has a community events schedule to boot. During your stay, attend a poetry slam, take a jewellery class or stretch it out at one of the regular yoga classes. With resident artists and writers and almost nightly live music, here, the culture comes to you 554 Frankton Road, Queenstown. FUSH Fush is not your ordinary fish and chippie. This family-owned eatery in Wigram aims to help diners integrate te reo Māori, one of New Zealand's official languages, into their conversations, by offering bilingual menus and using te reo phrases with customers. The fish and chips joint has even started offering free te reo Maori classes, accessible to anyone with the will to learn. What about the food? It's awesome — the fish comes pan-fried, coated or crumbed; hand cut chips are made from quality Canterbury spuds and the place is fully licensed, too. Have a sparkling with your order or a gin and tonic, and order a plate of shucked oysters or a smoked fish pie. It's all good. 104 The Runway, Wigram Skies. CHRISTCHURCH ARTS CENTRE A phenomenally beautiful space, the neo-gothic former home of the University of Canterbury is the heart of the arts in Christchurch. A community centre with events, stores and exhibitions, the Christchurch Arts Centre has something for everyone. If you're after some pieces for your home, visit Frances Nation, a beautifully considered homewares store inside the centre. Owner Tessa Peach stocks quality goods made from natural materials; they're New Zealand-made, functional pieces you will love forever. It sums up the ethos of the centre, really — full of heart and authenticity. 2 Worcester Boulevard, Christchurch. THE MUSSEL INN Golden Bay isn't really Golden Bay without The Mussel Inn. Worth the trip to the northwest Nelson region, this is a beloved watering hole for locals and visitors alike. After a day lounging on the beach, sink in for a night of live music and bevs. While there's no knowing who's going to show up on the bill, every week brings a new lineup of artists to the place. That's one of the beauteous things about the Inn. The team also brews its own beers, ciders and soft drinks. We'd recommend the feijoa cider if it's on tap. 1259 State Highway 60, Onekaka, Golden Bay. THE CHRISTCHURCH FARMERS' MARKET Luxe porridge? Fresh produce? People watching? You'll find it all at the Christchurch Farmers' Market, one of Aotearoa's first markets. The best way to experience a new place is to go where the people are — and on a Saturday, they're all in Riccarton buying wholesome seasonal goodness. Held on the doorstep of Christchurch's founding family's home, Riccarton House, and perched beside the Avon River, the market boasts over 80 stalls selling everything from veggies to coffee, cakes to organic dog biscuits. 16 Kahu Road, Riccarton, Christchurch. LARNACH CASTLE If history is your thing, head to New Zealand's only castle. Nestled in the beautiful Otago Peninsula, the castle was built in the 1870s by bank manager and cabinet minister William Larnach to house his large family. Restored to its former glory by the Barker family, the home and grounds are open every day of the year. While it may be considered a 'mock' castle, it's a magnificent site to see with Italian marble, Welsh slate, English floor tiles, Venetian and French glass, Kauri ceilings, rimu floors and honeysuckle panelling featured throughout. 145 Camp Road, Dunedin. MARLBOROUGH SOUNDS MAILBOAT Come summer, there may be no cruisier way to explore the Marlborough Sounds than aboard the Picton Mailboat. Hop aboard and join in on mail day, with commentary from your skipper on the history of the Sounds, the people who have lived there and those who call the area home today. Each journey is different, depending on where the post bags, groceries and freight need to go. Keep an eye out for dolphins and other wildlife, and make a stop at Ship Cove, where Captain James Cook stopped to replenish The Endeavour. Start planning your trip to New Zealand's south with our guide to the South Island journeys to take here.
Every Easter long weekend for 29 years, Bluesfest has descended on Byron Bay for five days of blues and roots. But this year, the acclaimed festival's 30th anniversary, may be its last in the Northern Rivers location. In a scathing letter addressed to the NSW Government, Festival Director Peter Noble has revealed that Bluesfest might leave the state because of the government's strict new policies on music festivals. "I am saying now, Bluesfest will leave NSW. We have no choice it's a matter of survival," the letter, originally published on The Industry Observer, said. "Will the last festival to leave NSW please turn out the light of culture in this soon to be barren state?" You can read the full open letter, which was shared with Concrete Playground, below. Noble described the new policies — which include a strict new licensing regime — as "poorly thought-out", "unbalanced" and "the Lockout Laws Version Two for festivals", highlighting that the State Government had neglected to fully consult those in the industry. He also revealed that the 30-year-old festival is having to spend hundreds of thousands of dollars to comply with recently implemented policies. Bluesfest, if relocated, will be just the latest casualty of the NSW Government's new policies, with both the Mountain Sounds and Psyfari teams cancelling their 2019 festivals in the last seven days, stating "the government's war on festivals", particularly "newly imposed safety, licensing and security costs", as reasons. Both said they were also required to spend thousands of dollars to comply with the new policies, but were unable to do so at such short notice. The new music festival licensing regime follows advice from the government's expert panel on music festival safety, which was assembled in September after two young people died of suspected drug overdoses at Defqon 1. Since then, three more young people have died from suspected drug overdoses at NSW festivals. The NSW Government is continuing to ignore increased calls for pill-testing as a harm-minimisation technique at festivals. Read Peter Noble's full letter below. Letter from Peter Noble OAM, Bluesfest Festival Director re NSW Government's policy changes to festivals in the State: Bluesfest may well be celebrating our last festival in NSW, should the sitting NSW Government proceed with its plans for its policies. Even though we are Australia's most highly-awarded festival both nationally and internationally – having won Best Major Event at the NSW Tourism Awards three years in a row; and in representing NSW we came in second in the Australian Tourism Awards (beating Victoria's F1 Grand Prix) – we have been designated a 'high risk event'. This will cost us hundreds of thousands of dollars to comply with a policy where we and every other event in this State have had zero opportunity to have any consultation or input into a policy where we will need to spend significantly more money to put on the event this year with zero notice. The policy will see our full-strength liquor approval denied, while a myriad of other costs may be levied costing us hundreds of thousands of dollars. The NSW police regularly state that our policies are those of an industry leader in the supply of alcohol, field hospital, and crowd security and care. But, due to headlines in the media, our 30-year-old professional business is to be seriously damaged in a new policy imposed regarding festival presentation by a government who has rushed the judgement of our industry without full consultation of stake holders, or meetings with entertainment industry professionals. I charge the Government with a systemic failure in fairness here and implore all politicians from all parties to quickly become involved with what is a serious injustice. We, like most events in this State, supply a significant level of culture – we don't receive a cent from government even though we cause thousands of people to be employed – and bring tens of millions of dollars into NSW through Tourism. In the recent study done by the NSW government into the arts, it was found NSW is significantly behind Victoria and Queensland. I ask the Premier, the Minister for the Arts, Tourism and Major Events and EVERY sitting politician: WHY? Why do you seem to be hell-bent on destroying our industry? We provide culture to the people of this state, and Australia, through our good works. Most festivals haven't had drug deaths and contribute greatly to our society through presenting well-run, professional, world-class events. Why have we been given zero recognition in this government's actions? It seems the new policies are poorly thought-out and through their implementation will decimate our industry, should our government not see good sense. Will the last festival to leave NSW please turn out the light of culture in this soon to be barren state? I have in my 50 years in presenting music NEVER EXPERIENCED such poorly thought out, unbalanced legislation. Surely a professional governing body could do better. It's the Lockout Laws Version two for festivals. This is NOT a vote winner in the upcoming election. Thank you, Peter Noble OAM Presenter, Bluesfest and the Boomerang Indigenous Festival Bluesfest 2019 is scheduled to run from April 18 to April 22 at Tyagarah Tea Tree Farm, Byron Bay. More details and ticket info here. Image: Joseph Mayers.
Sydney has just joined the likes of Bangkok, Hainan, Hanoi, Shanghai and Singapore as a home to the luxury hotel group Capella. The award-winning accommodation provider officially opened Capella Sydney today, Wednesday, March 15, bringing 192 luxury rooms to a historic inner-city building. Housed within the sandstone Department of Education Building on the corner of Bridge Street and Loftus Street just across from Macquarie Place Park, the expansive hotel adds another dose of lavish luxury to Sydney's hotel scene. The restoration and reimagination of the century-old building took seven years in the hands of the Pontiac Land Group. The nine-storey building has been transformed with a glamourous interior brought together by muted tones of white and brown giving the hotel both a vintage and timeless quality. "Pontiac Land has always been passionate about creating meaningful developments that contribute and help shape their communities. Capella Sydney was an ideal opportunity for us to sensitively repurpose this culturally significant landmark in the heart of downtown Sydney and transform it into a more public offering as a leading luxury hotel for everyone to be able to experience," says Pontiac Land Group Chief Executive Officer David Tsang. Guests are greeted with a flurry of acquired and commissioned art within the lobby including works from the likes of Judy Watson and Otis Hope Carey, as well as a robotic light installation titled Meadow from Dutch art duo DRIFT. Once you've navigated the lobby, you'll find elegant guestrooms fitted with Italian Frette linen, a standalone bathtub and sustainable vegan amenities created in partnership with Haeckels. And, there's plenty to love outside your room as well. There are two shared spaces for guests to unwind in, a spa offering relaxing rejuvenation treatments, a fitness centre, a heated 20-metre indoor pool and two dining areas. The first is the more laidback McRae Bar. While this hotel bar is still overflowing with luxury, boasting gold trimmings and a hefty cocktail menu, it's hard to compete with the sheer exuberance of Brasserie 1930. This European-influenced dining room comes from the acclaimed hospitality crew behind Bentley Restaurant and Bar, Monopole, Yellow and Cirrus, offering the likes of oysters, brown-butter scallops, beef tartare, Eastern rock lobster, whole roasted duck and three different steak options ramping up to the $110 Coppertree Farm rib eye. To mark the opening, Capella is kicking things off with a special Capella History Journey package. The $1500 experience for two includes a night's stay in a deluxe guestroom, breakfast at Brasserie 1920, a bespoke welcome amenity, a Capella Culturist experience that will take you on a curated journey through the history of the building and Sydney's Sandstone Precinct, 24-hour access to the fitness centre and valet parking. The package is bookable until Friday, June 30. Capella Sydney is now open at 35–29 Bridge Street, Sydney. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
It’s time to fire up your barbecues and perfect your spice rub recipe, because the big boys are in town — and they're about to show you how it's done. The Yaks Barbecue Festival is about come to Melbourne for the second year, and Sydney for the first time. The one-day event will feature free classes and demonstrations, more barbecued meat than you can poke a skewer at, live entertainment and, of course, the great barbecue cook-off. The cook-off is sanctioned by the too-legit-to-quit Kansas City Barbeque Society, and the winner will go on to compete at the world championships in the U.S., as well receive as a sweet cash prize and — most importantly — unrivalled barbecue glory. And just because you're not able to attend the festival doesn't mean you can't learn a thing or two — we spoke to festival director Matt Vitale about getting into the craft, the different styles of American barbecue, and got all the pro tips on how to barbecue like a boss. MEET THE EXPERT: MATT VITALE Matt had always been an avid backyard barbecue cook, and a few years ago he decided to try his luck at the big time by entering a barbecue competition for the Melbourne Food and Wine Festival. Matt teamed up with his wife and they won — sending them to the World Championships of barbecuing, held at the Jack Daniel’s distillery in Lynchburg, Tennessee. "It was an amazing experience, and unexpected," he says. "I met a bunch of great people from the Kansas City Barbeque Society (KCBS), which is the largest organisation of barbecue enthusiasts in the world, and the organising body for this sport — it is a sport in the States.” The KCBS wanted to sanction a contest to Australia, and with Matt's assistance the first Yaks Barbecue Festival was brought to Melbourne. Now, it's back for a second year, with the festival also being held in Sydney for the first time. THE FOUR TYPES OF AMERICAN BARBECUE According to Matt, there are four different regional styles of barbecue in the U.S. Texas barbecue is mostly beef-focussed; the rubs are a lot simpler, mostly salt and pepper, with not much sauce that is usually served on the side. In Memphis, they generally favour a dry rub on their ribs, and again sauce is usually on the side. North and South Carolina have more of a focus on pork where the sauce is more vinegary with a bit of chili thrown in for good measure. But it's Kansas City, Matt says, that takes the best elements from all of the regions. "They're really well known for their beef brisket and burnt ends, which are these cubes of meat taken from the point end of the brisket. They’re also known for their ribs with rich, tomato, sticky sauce, which I think a lot of people really associate American barbecue with. That’s what Kansas City barbecue is really famous for.” [caption id="attachment_555155" align="alignnone" width="1280"] Dollar Photo Club[/caption] HOW TO COOK THE PERFECT BBQ CHOOK Kansas-style barbecue may be well known for their trademark tomato-based sauce, but sometimes it's worth knowing how to perfect the basics before you go slathering on a sticky sauce left, right and centre. One never-fail barbecue recipe that Matt is happy to divulge is his cherrywood-smoked chicken. "Smoked chicken is an achievable dish to do," he says. "A lot of these things you need to cook for a long period of time, but chicken you can get done in a couple of hours." So how do we recreate this magic for ourselves? First, grab a split chicken from a good butcher or poultry and game supplier, as getting it split makes it easier to cook. You're going to need a smoker for this recipe — a very worthy investment if you're serious about your meat. Fire it up to a bit over 100 degrees celsius, and put some wood chunks in there. Matt recommends cherrywood because it's easily available in Australia. Cook the chook for about an hour and a half breast-side down, then turn it over, baste it with olive oil, and leave it for another 30 minutes. Unlike beef brisket, which can take 10-12 hours, this takes a little over two hours and you're ready to eat. Matt recommends pairing this with fresh vegetables cooked over charcoal, such as charred corn, sliced eggplant and asparagus, as they get nice and caramelised. Drink of choice? Beer, of course — either a Fat Yak or a Lazy Yak goes perfectly with any barbecue. PRO TIPS FOR BBQ NOOBS While a lot of Australians love to consume barbecued goods, not all of us are as talented at making it as we are eating it. Matt recommends starting with a solid fuel BBQ to get the most out of your meat. "Gas BBQs are great, but there's so much more that you can do on a solid fuel BBQ. Cooking with wood and charcoal, you'll always get a better result.” Another piece of advice Matt leaves us with is to not be afraid to just give it a go: “sometimes you’ll get it right, other times you’ll get it wrong, but the more you practice, the more you'll get it right." The Yaks Barbecue Festival is happening in Sydney this Saturday, January 30 and Melbourne on Saturday, February 6. For more information, check out the event. Top image: Dollar Photo Club
When cinemas were forced to close their doors back in March due to the COVID-19 pandemic, the industry had to adapt. Some individual films started moving to streaming and video on demand, while a number of picture palaces created their own online viewing platforms. Following in the footsteps of Sydney's Golden Age, as well as the teams behind the city's Ritz and Melbourne's Lido, Classic and Cameo cinemas, national chain Palace Cinemas is now making the leap to digital — with its new Palace Home Cinema venture launching during this year's Italian Film Festival. Palace Home Cinema will focus on world cinema, and on a curated movie lineup; however, when its first films become available to watch on Thursday, October 15, they'll all hail from the 2020 IFF program. The chain is calling its debut selection the 'IFF Piccolo', with eight movies on offer to watch on a pay-per-view basis until Wednesday, October 21. Cinephiles around the country can check out IFF's opening night film, a live-action, whimsy-heavy version of Pinocchio from Gomorrah and Dogman filmmaker Matteo Garrone — or watch its two special presentation flicks for this year, The Goddess of Fortune and Martin Eden. Also on the bill: comedies Once Upon a Time... in Bethlehem and Say It Loud, dramas Bad Tales and Ordinary Justice, and the family-friendly The Most Beautiful Day in the World. https://www.youtube.com/watch?v=-rIcXgMx7hU&feature=emb_logo Prices vary — with Pinocchio costing $20 to view and the rest of the program costing $14 per title. Once viewers make their purchase, they can watch their chosen film or films at any time during the seven-day IFF Piccolo window. That said, after you first press play, you'll have to finish watching within 48 hours. The Italian Film Festival is currently showing physically in cinemas in Sydney, Brisbane, Byron Bay, Canberra, Adelaide and Perth — but if you're a Melburnian eager to get your fix while theatres are still closed, you live in a regional area or you can't attend in-person, you now have an at-home way to enjoy the fest. While Palace hasn't revealed what else will screen on the Palace Home Cinema platform, the service will focus on the kind of films shown in the chain's venues. "People look to Palace for a special kind of entertainment. We want to accompany them on their journey, making fine cinema easy to find and play, even as we spend more time at home than ever before," said Palace Cinemas CEO Benjamin Zeccola. Palace Home Cinema is available via the service's website. The Italian Film Festival Piccolo is available to stream from Thursday, October 15–Wednesday, October 21.
Sometimes an exhibition gets gallery patrons exploring one artist's work. Sometimes it pays tribute to a specific person, heads back to a certain chapter of the past, or fills walls and halls around a theme. A particular object might be in the spotlight, or a movie franchise. Then there's The NBA Exhibition, which is celebrating hoop dreams and all things basketball in its first-ever Australian visit. After premiering in Warsaw, Poland in 2021, The NBA Exhibition gets bouncing in Brisbane from Thursday, November 9 — and bounds through basketball history at the same time. Catnip for fans of Air and Winning Time: The Rise of the Lakers Dynasty, this sports-focused showcase is big in scope and size, surveying the culture of hopping onto the court and the lifestyle that goes with basketball, too, in a hefty two-level display. Visitors can traverse 1000 square metres and make their way through 20 themed sections. Created with the National Basketball Association, The NBA Exhibition aims to lure in b-ball diehards, casual followers and folks that haven't thought about the sport since their school PE lessons alike — and attendees of all ages. Looking at basketball memorabilia is part of the presentation, but so is throwing a ball around yourself and, thanks to the virtual and augmented reality aspect of the showcase, taking snaps with your favourite NBA players. So, you can get a photo with the Larry O'Brien Championship Trophy, too — aka the coveted prize that each year's NBA Finals' winner receives — and shoot hoops, see how far you can jump and test your reflexes as well. Fancy a picture showing that you can slam dunk, even if you can't? There's a section of The NBA Exhibition for that. Eager to watch NBA highlights using VR goggles? That's also on the agenda. Keen to get surrounded by iconic NBA moments? That's what the infinity room is for. With names like Michael Jordan and Shaquille O'Neal obviously featuring — and Kobe Bryant, Steph Curry, Giannis Antetokounmpo, Magic Johnson and Larry Bird as well — other elements of The NBA Exhibition include a heap of balls and shoes on display; footwear and hand prints from past and present players; art that was commissioned for a pop-up NBA Gallery exhibit in Sydney in 2022, featuring Australian and First Nations artists; and celebrating NBA players that've made the jump from Australia, which is likely to feature Patty Mills, Ben Simmons, Luc Longley, Andrew Gaze and more. Brisbane's Queens Plaza hosts The NBA Exhibition's debut Aussie stop — just as it did with The Art of Banksy: Without Limits, which also hails from entertainment platform Fever, earlier in 2023. Updated Thursday, November 30, 2023.
Already one of the country's go-to spots for sand, surf and sun, the Gold Coast now boasts another reason to plan a visit this summer: Sandtunes, a massive two-day beachside music festival. Debuting this year across Saturday, November 30 and Sunday, December 1, the new event will take over the Coolangatta Beach with a jam-packed lineup of live tunes, with Travis Scott, Logic, Chvrches and Carly Rae Jepsen leading the bill. The festival will mark Scott's only Australian performance this year, so if you're keen to see the Texas-born rapper play tracks from his 2018 album Astroworld, this is the place to be. If you're a fan of fellow US hip hop star Logic, you'll also be treated to his first-ever Aussie show. While Scottish trio Chvrches are no strangers to our shores — they're on this year's Spilt Milk lineup as well — Sandtunes will also welcome Canadian pop star Carly Rae Jepsen for her debut performance in Australia. When you're not singing along to 'Call Me Maybe' live, you can also check out the rest of the just-announced first lineup, which spans Juice WRLD, Dean Lewis, Sampa the Great, Tkay Maidza, Cub Sport, Kait, Kwame, WAAX, Kian, Alice Ivy,Genesis Owusu and Saint Lane. A word of warning: while you'll be partying on the sand right by the ocean, the festival dates do overlap with part of Schoolies — although, thankfully Coolangatta is never as hectic with revelling school leavers as Surfers Paradise. Sandtunes Music Festival takes place on Saturday, November 30 and Sunday, December 1 on the Coolangatta Beach at the Gold Coast. Tickets go on sale at 12pm on Wednesday, July 31, with a Telstra pre-sale from 10am on Friday, July 26 — visit the festival website for further details.
From family classics like The Adventures of Huckleberry Finn to hard-hitting documentaries in the league of Camp 14 – Total Control Zone to black comedies such as Invasion, this year's Audi Festival of German Film promises the bravest, brashest and most bizarre in German film. There'll be panel discussions, Q&As, special cultural programs and parties. The selection for opening night, Georg Maas' Two Lives, makes it clear the festival is seeking the cutting edge, new generation of German filmmaking. It's a 2012 post-Berlin wall spy thriller about the exercise of state control over individual identities. Another highlight is This Ain't California, a Cannes winner that explores the development of skateboard culture in East Germany during the 1970s and 1980s. With over 20,000 people expected to attend, representing a 37 percent growth in popularity over the past six years, this year's festival is set to be the biggest on record. The festival is on in May around the country: Sydney: April 30 to May 14, Chauvel Cinema and Palace Verona Melbourne: May 1-15, Palace Cinema Como and Kino Cinemas Brisbane: May 3-9, Palace Centro Thanks to the Audi Festival of German Film, we have 15 double passes, valid for any screening throughout the festival, to give away in Sydney, Melbourne and Brisbane. To be in the running, subscribe to Concrete Playground (if you haven't already) then email us with your name and postal address at hello@concreteplayground.com.au. https://youtube.com/watch?v=8noDewE16iM
California's endless sunshine and awe-inspiring scenery helped establish it as the home of US filmmaking. Nowadays, just about every nook and cranny in the state has appeared on the silver screen, with Hollywood productions making the most of dynamic landscapes and architectural wonders. Ready to see some of pop culture's most iconic scenes in person? We've teamed up with Visit California to highlight ten of the best attractions to visit when you want to geek out on cinematic history. [caption id="attachment_960577" align="aligncenter" width="1920"] Hang Tran via iStock[/caption] Griffith Observatory, Los Angeles Perched on the side of Mount Hollywood, Griffith Observatory offers incredible views across Los Angeles stretching from downtown to the Pacific Ocean. After dark, it becomes a buzz of activity as free telescopes give visitors glimpses into deep space. Inside, cosmos-related exhibitions dazzle guests. A go-to spot for directors, Griffith Observatory has been the setting for hundreds of productions. You might recall the opening shot of The Terminator, featuring a stark-naked Arnold Schwarzenegger, or a mesmerising musical number in La La Land. Don't miss the James Dean busk to celebrate the observatory's role in Rebel Without a Cause. [caption id="attachment_960579" align="aligncenter" width="1920"] Travelview via iStock[/caption] Union Station, Los Angeles Few train stations have appeared on camera more than Union Station. Although it typically serves as LA's major rail terminal, its fascinating combination of art deco and Spanish colonial revival architecture gives it an undeniable gravitas that makes for a powerful scene. In the original Blade Runner, Union Station stands in for Los Angeles Police Station, while The Dark Knight Rises sees it transformed into a kangaroo court overseen by the Scarecrow. Although surprisingly rare, Union Station was simply a train station in Pearl Harbor. [caption id="attachment_961524" align="aligncenter" width="1920"] Ross G Perry[/caption] Fox Plaza, Los Angeles You might still debate whether Die Hard is a Christmas flick, but there's no doubting where it all began for Detective John McClane. Better known as Fox Plaza, or 2121 Avenue of the Stars, this LA skyscraper is where villainous mastermind Hans Gruber met his match. Yet McClane isn't the only cop to roam this building. In Brooklyn 99, Jake makes the team detour to the fictional Nakatomi Plaza, quoting McClane every step of the way. You can also catch Fox Plaza's exterior in Lethal Weapon 2, connecting more made-up cops to the building's legacy. [caption id="attachment_960584" align="aligncenter" width="1920"] Michael Overstreet via iStock[/caption] Bodega Bay, Sonoma County North of San Francisco, Bodega Bay is one of the top spots on the West Coast for whale-watching, peaceful hiking trails and day spas. It's also a must-visit on a cinema-inspired road trip along the coast. Though you might not get that impression from Alfred Hitchcock's 1963 classic, The Birds. After socialite Melanie Daniels follows lawyer Mitch Brenner to Bodega Bay, mysterious bird attacks terrorise the townspeople. Head along to discover how the reality is far more tranquil. [caption id="attachment_961526" align="aligncenter" width="1920"] Marie Beschen[/caption] Museum of Western Film History, Lone Pine Western films had a defining role in the development of American cinema, with the desolate surroundings of Lone Pine central from the beginning. Over 400 feature films were shot across the Alabama Hills, the Sierra Nevada and the Owens Valley since 1920, starting with the silent film, The Round Up, starring Roscoe Conkling "Fatty" Arbuckle. Iconic films like Gunga Din, High Sierra and The Lone Ranger have featured the same vast landscape. For a true movie-buff experience, the Museum of Western Film History offers a diverse collection of frontier film memorabilia. [caption id="attachment_960608" align="aligncenter" width="1920"] Olga U via iStock[/caption] Alabama Hills, Owens Valley On the outskirts of Lone Pine, the Alabama Hills is where numerous seminal western genre films were captured. Surrounded by towering rock formations and seemingly endless desert, traversing Movie Road with the Sierra Mountains adorning the horizon is a great way to get introduced. Films new and old were shot along this barren stretch, with the likes of The Lone Ranger, Iron Man and Gladiator just some of the best-known. Discover landmark geological wonders rising from the desert like the Mobius Arch, Nightmare Rock and Cyclops Arch. Kansas City Barbecue, San Diego Belt out 'Great Balls of Fire' just like Maverick and Goose in Top Gun at Kansas City Barbecue — the setting for the iconic diner scene. It was discovered by Paramount Studios' location scout ahead of production who liked the atmosphere so much that he returned with director Tony Scott. Situated in the harbour district of San Diego, Kansas City Barbecue serves up jam-packed meat dishes and hearty sides. If the classic diner vibe wasn't enough, the walls are adorned with assorted Top Gun memorabilia and the real piano used in the movie is still there. [caption id="attachment_960613" align="aligncenter" width="1920"] Damien Verrier via iStock[/caption] Death Valley National Park, Southwest California Tatooine might seem like a galaxy away in Star Wars Episodes IV and VI, but these otherworldly scenes were shot in the dunes and canyons of Death Valley National Park. Wander into Artist's Palette — a colourful collection of volcanic deposits — just like R2-D2 does in A New Hope. The movie also used one of Death Valley's most impressive vantage points, Dante's View, to capture a panorama of Mos Eisley, a spaceport town filled with scum and villainy. [caption id="attachment_961525" align="aligncenter" width="1920"] Courtesy of Flickr[/caption] Hillard House, San Francisco Featuring a masterclass in comedic performance by Robin Williams, Mrs Doubtfire remains an essential childhood film for millions. Many of the jokes might have gone over your head as a youngster, but this 90s classic still has much to say when you watch as an adult. Located in the upmarket Pacific Heights neighbourhood of San Francisco, Hillard House, featured throughout Mrs Doubtfire, still looks much the same. Although the interiors were shot on a soundstage, it's well worth climbing the hills to visit. Plus, the bay views are incredible. [caption id="attachment_960618" align="aligncenter" width="1920"] Rebecca Todd[/caption] Muir Woods, San Francisco Bay Delve into Muir Woods to discover a fascinating old-growth coastal redwood forest. With some of these towering trees dating to over 1,000 years old, this ancient landscape is bound to leave you feeling in touch with nature. Throughout the Planet of the Apes series, Muir Woods becomes home to a super-intelligent colony of apes. Although these scenes in the films were captured in Vancouver with the help of a little old-fashioned movie magic, the in-universe setting is a stunning location, easily driven to from San Francisco, and it makes for an unforgettable detour. Start planning your tour of California, America's ultimate playground, today. Header images: B Alberts via iStock, Visit California
When you're a bar that nods to all things spooky in your name, and you boast more than a couple of monster-themed pinball and arcade machines, then you're going to like the end of October. Netherworld does, of course. Indeed, the Valley pub celebrates Halloween in the expected style each and every year. So, what's on the agenda? Reflecting the kind of year 2020 has served up, Netherworld is hosting an ongoing Halloween party. Some of us want to mark the occasion on the actual date, and some of us want to have some themed fun across the whole week or so leading up to it. Here, you can do both. Up until and including Saturday, October 31, you can pick your time to drop by and get into the spooky spirit. Get dressed up, and you'll receive a limited-edition enamel pin to go with your costume, too. Then, you can simply hang out, drink, hit up the horror-themed pinball tables, check out the carved pumpkins and eat food to suit the occasion. Beverage-wise, plenty of cocktails will be on offer — and, if you'd like to feel as if you're trick-or-treating, they'll be candy flavoured. [caption id="attachment_669756" align="aligncenter" width="1920"] Cole Bennetts[/caption]
We've seen some cool ideas for putting solar cells in novel places, and everyone agrees that being able to better harness the sun's energy would go a long way to solving our energy problems. But perhaps it's time we thought a bit bigger than solar-charging furniture... a lot bigger. Like, evil-scientist scheme big. It just so happens that scientists at Japan's Shimizu construction corporation (who aren't evil — probably) have been thinking big for us. They are proposing that we use the moon as a giant solar farm, laying the surface with a ring of photo-voltaic cells to capture some of the 13,000 terawatts of solar energy that hits the moon each day, then beaming it back to earth via laser or microwave. Although LUNA RING sounds like something out of a sci-fi novel, the technology required for such a project already exists. What keeps the project from becoming a reality immediately is the, pardon the pun, astronomical cost. Such a massive venture would have an incalculable benefit for the entire world, and would probably require the co-operation and support of the entire world. Given that the world can't organise a football tournament without a few problems, this might be one world-saving project that never gets off the ground. Which would be a great shame. [via geeksaresexy]
As COVID-19 continues to spread around the globe, travel is in no one's immediate plans — and the airline industry is responding accordingly. In Australia, that means a huge drop in the number of available flights, both overseas and within Australia, with Virgin Australian announcing that it's grounding aircraft and slashing services for the foreseeable future. According to the ABC, Virgin Australia will suspend all international services and will cut domestic flights by 50 percent from March 30–June 14. The equivalent to 53 aircraft will be grounded. In a statement to the ASX published on the ABC, the company said: "The Virgin Australia Group has today announced a temporary suspension of international services and further cuts to domestic capacity in response to expanded government travel restrictions and increased impacts from COVID-19 on travel demand. As a leading airline group, Virgin Australia will work closely with Government to prioritise bringing Australians home and returning visitors back to their point of origin safely, while maintaining its important role in supporting connectivity and the nation's economy." This decision follows Qantas and Jetstar's move to cut international flights by around 90 percent, and domestic flight by approximately 60 percent, which was announced by the the 100-year-old Aussie airline yesterday. Both moves come in response to Australia's current containment and quarantine measures, including the requirement that all international arrivals into the country must self-isolate for 14 days — and, unsurprisingly, the steeply dropping demand for air travel both internationally and domestically. Worldwide, the scenario is the same. Air New Zealand is reducing its capacity by 85 percent overall, and its trips across the Tasman to Australia by 80 percent. Airlines in America, Britain, Europe, Asia and, well, basically everywhere are taking similar measures — as is to be expected as countries everywhere begin to close their borders. For more information about Virgin Australia's reductions, visit its website. For further details about Qantas and Jetstar's plans, visit the company's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Go buy a 3D printer right now, and show us what you can invent. Every industry is getting cooler thanks to this democratising technology, which is in the process of bringing us 3D-printed organs, 3D-printed cities, and 3D-printed sex toys (including a vibrator modelled on Justin Bieber's head). And what can it do for broken bones? One Victoria University of Wellington graduate has cleverly used 3D printing to reinvent the clunky, sweaty arm cast we all had to wear in primary school after a violent game of handball. Called the 'Cortex', Jake Evill's invention is breathable, eco-friendly and washable. Its polyamide can also be reused. Unlike the oh-so-analogue plaster casts of yore, the Cortex's structure has the potential to be digitally tailored to the injury. Computer software can receive x-rays and measurements of the limb, and via an algorithm, the printer produces (within a slightly lengthy 3 hours) a lightweight cast which protects and supports in all the right places. And excitingly, it can be worn under a long-sleeve shirt. While some would mourn the hallowed tradition of messy cast graffiti, it's our surmise that 3D printing culture will quickly come up with an upgrade for that, too. Via Gizmodo. Image from http://jakevilldesign.dunked.com.
After a near-sold out first spin around the Brisbane river in 2017, Sydney's permanent floating venue, Seadeck, is once again heading north. From May 12 until mid October, the glamorous vessel will be cruising through Brissie waters for another season of luxe parties and hangouts. Missed Seadeck last time? It's been up and running in Sydney Harbour since October 2016 — after almost two years, 10,000 nautical miles, a run in with Egyptian pirates and a stint in liquor licence limbo. The boat's first venture up Australia's east coast resulted in an 11-week Brisbane stint, and it clearly just can't keep away. The vessel spans 42 metres, can accommodate 410 passengers and is the epitome of handcrafted luxury — from the handmade tiles and custom-designed brass bar to the bespoke furniture from every corner of the glove, everything you see was tailored for floating. Even the palm trees, standing four metres tall, took a dozen specialists to make to the right specifications. Each of the three decks is connected by sweeping staircases and cast iron lace railings, an homage to Hollywood's golden age of the '20s, '30s and '40s. Yes, the word 'swank' should come to mind. In 2016, we sat down with the team behind this massive venture — that's managing partner Scott Robertson (Future Music Festival, DIVISION Agency), executive chef Drew Bolton (Vine Double Bay) and design director Alex Zabotto-Bentley (AZBcreative). "It isn't a nightclub, it's all about impeccable service, beautiful food and nice drinks," says Robertson. Bolton is happy to help with that, bringing the Vine ethos to Seadeck. "At Vine, we reinvent modern European flavours with great respect for regional produce," says Bolton. "At Seadeck, our food will also be very produce drive but more casual and playful," he adds. Seadeck focuses on bar friendly snacks, like fresh ceviche, oysters and lobster rolls, but patrons should still expect the refined food experience that Vine exudes. Design-wise, this lap of luxury is the handiwork of Zabotto-Bentley, who radiates passion about the vessel. "Imagine it's the 1930s and you're cruising the Nile or the Dalmatia Coast," he says. "The people on board were seen to be on a floating oasis in the middle of the sea, and that's what we want to recreate here." Seadeck's second Brisbane visit will start on Saturday, May 12 with an afternoon cruise at 1.45pm. Tickets, available from the Seadeck website, start from $25 general admission on Friday nights and Sunday afternoons, and $40 general admission on Saturdays. If you're feeling the need to blow some serious dosh, VIP packages and hosted bottle service is also available. By Marissa Ciampi, Lauren Vadnjal and Sarah Ward.
Now is the time to start planning your big adventures for 2020. After all, you have early bird flight specials to nab, spare hours to spend browsing and plenty of time to give your boss leave notice — before everyone else does. To save you time, we've scoured the globe to find the best destinations of 2020. There's something for every adventurer on this list — whether you're looking to visit the most sustainable destination in the world or keen to try out a brand new, multi-country hiking trail. KOCHI, INDIA Kochi's claim to fame is its massive, beautiful estuary — perched on India's southwest coast on the Arabian Sea. Traders, fishers, sailors and merchants have been travelling here for more than 600 years. And, more recently, it's become a mecca for artists. Spend your holiday wandering among 16th-century Portuguese architecture, bohemian cafes and thousand-year-old mosques, including the oldest one in India. In 2020, the Kochi-Muziris Biennale will fill the city with art, including the likes of site-specific installations in heritage buildings, live performance in disused spaces and exhibitions in traditional galleries. For an extra local experience, consider booking a homestay. ARMENIA Keen hiker? Make Armenia your 2020 destination. The new Transcaucasian Trail, which travels through some of the most remote countryside in Armenia and Georgia, gives you 3000 kilometres to conquer. One of the best sections is the 80-kilometre walk through Dilijan National Park, a five-day adventure among tenth-century monasteries, magical villages and enchanting forests. There's also Lake Sevan, which, at 1900 metres above sea level, is one of the largest freshwater high-altitude lakes in the world. You can camp in the wild or book into local guesthouses. If you're looking for some company, book a spot on a guided group treks, run by the creators of the Transcaucasian Trail. ETHIOPIA In 2018, tourism in Ethiopia went through the roof, increasing by 48.6 percent in just 12 months. If you have your heart set on visiting, it could be a good idea to go soon — before it gets even busier. You'll most likely begin your journey in Addis Ababa, the capital, where you'll meet Lucy, a 3.2 million-year-old skeleton of a human ancestor, in the National Museum. Other sights to add to your itinerary include the castles of Gondar, the World Heritage-listed ruins of ancient Aksum, the medieval stone churches of Lalibela and the Menz-Guassa Conservation Area, a community-managed wilderness that's home to Ethiopian wolves, geladas (baboons) and bearded vultures. TOKYO, JAPAN If Tokyo is on your bucket list, this could be the year to tick it off. The city's gearing up to host the 2020 Summer Olympics and Paralympics — from July 24–August 9 and August 25–September 9, respectively — so it's be even more dazzling than usual. Get started with the newest developments, including Maxell Aqua Park Shinagawa, where the underwater world meets immersive digital art; Shibuya Scramble Square, a 230-metre tower with views all the way to Mount Fuji; and the Kengo Kuma-designed Meiji Jingu Museum, where history blends with nature. You'll need to relax in between sights, so be sure to take five in an ashiyu (footbath) cafe, dine in a Buddhist temple and sample some quality drops in Tokyo's many wineries. Travelling on a budget? Check out our shoestring guide to Tokyo over here. GOTHENBURG, SWEDEN For followers of 16-year-old climate change activist Greta Thunberg, Gothenburg should be on the bucket list. Located on Sweden's west coast, half way between Oslo, Norway, and Copenhagen, Denmark, it's the most sustainable destination in the world, according to the Global Destination Sustainability Index. Among its eco-friendly delights are a public sauna made out of 12,000 recycled bottles, a theme park powered entirely by wind, ethical cafes galore, 274 square metres of green space per resident and a 1200-room hotel with more than 150,000 bees living on its rooftop. GALWAY, IRELAND Galway is always one big music festival — 24 hours a day, 365 days a year. And, this year, things will go next level, as the city embraces its status as a 2020 European Capital of Culture. The action will begin on Saturday, February 8, with an epic opening party in Galway Square, which will unleash a four-part year-long programme, inspired by the seasons. Prepare for touring theatre, lively concerts in the city's surrounding villages, audio installations, poetry readings on beaches, floating light shows and loads more. Check out the full programme over here. PAPUA NEW GUINEA If you're not into crowds, Papua New Guinea might the place to go. Its tourism density is just 2.75 percent, according to Intrepid Travel's 2019 Tourism Density Index. This means that, for every 100 residents, just three tourists visit per year. And yet PNG is just four hours' flight from Sydney. Begin with a deep dive into culture and history at the National Museum and Art Gallery in Port Moresby, before checking out the white-sanded beaches of Yuo Island, the cassowaries and endangered Matschie's tree kangaroos in Lae's Rainforest Habitat and the brightly coloured haus tambarans of Maprik. Getting around Papua New Guinea isn't always easy or safe, so be sure to plan before you go. NEW YORK STATE New York City is worth a visit anytime. But there's a compelling new reason to explore the rest of New York State: The Empire State Trail. Due to be finished by the end of 2020, this mammoth achievement is a 750-mile (1200-kilometre) path that travels from Manhattan to Lake Champlain on the Canadian border, as well as from Buffalo, the second biggest city in New York State, to Albany. You'll be able to walk or cycle every section — and link to several famous trails and areas along the way, like the Appalachian Trail, Catskill Park and the Great Lakes Seaway Trail. AMAZON RAINFOREST During the past decade, a whopping 62,000 square kilometres of the Amazon Rainforest has been deforested — mainly due to beef farming, logging and palm oil production. That's equal to 8.4 million soccer fields. The good news is that, according to the World Wildlife Fund, one way to help the Amazon is ecotourism, which provides income to local communities, while sustaining the environment. Consider a stay on the floating Amazon Eco Lodge, a trip with a responsible operator like Gondwana Ecotours or supporting the work of the Amazon Conservation Association. RWANDA Rwanda's Akagera National Park is a environmental success story. Nearly destroyed by war and hunters, it's now a thriving wilderness, where lions, warthogs, impala, hipos and zebra roam — thanks to a decade-long conservation program. It's reason enough to visit Rwanda in 2020, but, while you're there, you should also check out the mountain gorillas of Volcanoes National Park and the pretty beaches of Lake Kivu. For a spot of city life, head to Huye, where you'll find the rich collections of the Ethnographic Museum, the National University of Rwanda and, most importantly on steaming hot days, Inzozi Nziza ice cream shop, run by an all-female collective.
When you're watching Blade Runner 2049, Black Panther: Wakanda Forever and The Creator, or playing Cyberpunk 2077 and Saltsea Chronicles, possible futures unfurl before your very eyes. As these imaginings play out in cinemas and on televisions, how prophetic will they prove? No one can know for certain what tomorrow will bring; however, the tales told on screens big and small, and through games and comics as well, have delivered plenty of visions of what might come. At The Future & Other Fictions, these peering-forward works are in the spotlight. Will androids dream of electric sheep? Will a Keanu Reeves (John Wick: Chapter 4)-voiced rock star and terrorist make their presence known? Will Afrofuturist technologies transform life as we know it? These are some of the potential scenarios conjured up by beloved pop-culture titles — and they're all part of the Australian Centre for the Moving Image's world-premiere exhibition as well, which is filled with 180-pieces, such as artworks, sets, costumes and props, as well as scripts, clips and original design materials. Open since Thursday, November 28, 2024 and running until Sunday, April 27, 2025, this is a love letter to and deep dive into futuristic storytelling, including pondering the significance of humanity's thoughts about what could be in store. It's also the Melbourne screen museum big summer showcase. "Film, TV, videogames and art spark our imagination and help shift our thinking about how the future might, or should, be. The crafts of screen culture — visual effects, costume design, character creation and model building — are powerful tools that bring future visions to life," explained ACMI Director and CEO Seb Chan. "The Future & Other Fictions asks us to consider some of the worlds we're familiar with and imagine the worlds we'd like to see." "For thousands of years cultures have shared ideas through storytelling. It is an extraordinary common language. I hope a key takeaway of the exhibition is the importance of sharing stories about the futures we want to live in — be they greener, more sustainable, more harmonious or more diverse. Stories are products of culture and in turn produce it. As we write stories, we write the world," added director and artist Liam Young, who co-curated The Future & Other Fictions with ACMI's Amanda Haskard and Chelsey O'Brien. Before he was just Ken, Ryan Gosling (The Fall Guy) starred in the 35-years-later sequel to Blade Runner — and before he brought Dune and Dune: Part Two to the screen, Denis Villeneuve directed Blade Runner 2049. The Future & Other Fictions lets attendees follow in their footsteps via miniature sets, which are one of the exhibition's definite must-sees. Black Panther: Wakanda Forever gets the nod thanks to Academy Award-winning costumes by Ruth E Carter, while sketches from comic series NEOMAD also features — as does concept art showing The Creator and Cyberpunk 2077's cityscapes, plus more from Saltsea Chronicles. As it celebrates how screens imagine the years ahead, The Future & Other Fictions also features a film season focusing on Björk, complete with Björk: Biophilia Live on the lineup. Within the exhibition's halls rather than in ACMI's cinema, the Icelandic icon also pops up via the dress and headpiece from her music video for 'The Gate'. This showcase isn't just about well-known renderings of the future, though, thanks to work by Olalekan Jeyifous, Osheen Siva and Tāgata Moana art collective Pacific Sisters. Plus, via new commissions, DJ Hannah Brontë has her own take, and so do Young and Natasha Wanganeen (Limbo). The first, Birth of Dawn, is all about the circle of life. After the End, the second, muses on a future without fossil fuels. On The Future & Other Fictions' events program, visitors can look forward to four days of short films in February that highlight Australian cinema's future, a video-game showcase focused on emerging developers, the return of ACMI's annual symposium, and talks on topics as varied as artificial intelligence and pop-culture predictions. Fancy making your sci-fi movie — or, to be accurate, playing a text-based choose-your-own-adventure game about that very scenario? That's part of the exhibition, too, via INT. SPACESHIP — NIGHT, which you can access for free via the QR code in the ACMI foyer. The Future & Other Fictions is on display at ACMI, Federation Square, Melbourne, from Thursday, November 28, 2024–Sunday, April 27, 2025. Head to the venue's website for more details. Images: Eugene Hyland.
When Australia's annual Spanish Film Festival returns this year, it'll offer cinephiles a two-for-one affair. Fancy seeing the latest and greatest movies from the European country? Keen to watch fresh flicks from Spanish-speaking Latin America too? They're both on the lineup. While Latin American cinema has received its own dedicated Aussie fest over the past three years, in 2019 the Cine Latino Film Festival will form part of the Moro Spanish Film Festival. In short: this year's April–May fest presents the best of both worlds across a 32-title program. In Brisbane, it kicks off on Wednesday, April 24, with the Aussie premiere of applauded and acclaimed Spanish comedy Champions, which picked up this year's Goya award for best film, as well as the best new actor prize for star Jesús Vidal. The feel-good flick follows an amateur Spanish basketball team comprised of players with mental disabilities and an arrogant coach who's sentenced to community service to help them bounce their way to glory. At the other end of the event is a bona fide classic: Pedro Almodóvar's Women on the Verge of a Nervous Breakdown, the 1988 black comedy is one of the movies that first helped bring Antonio Banderas to fame. Other program highlights include action-packed bank robbery drama 70 Big Ones and comedy Super Crazy, which focuses on a woman who suddenly can't stop speaking her mind. If you've ever wanted to know all there is to know about olive oil, there's also a documentary on the topic: Virgin & Extra: Jaén, The Land of the Olive Oil. And from the Cine Latino contingent, Argentinian title Rojo delves into corruption before the country's mid-70s coup, while Tremors explores a Guatemalan family's secrets. Across its full slate, the Spanish Film Festival also showcases 11 titles by female filmmakers, ranging from established talents to up-and-comers. Watch out for romance Carmen & Lola, which has proven a hit on the queer circuit; star-studded comedy-thriller Crime Wave, which stars Maribel Verdú, Javier Cámara and Luis Tosar; and the 1982-set The Good Girls, which follows the wives of wealthy Mexican men. The Moro Spanish Film Festival will screen at Brisbane's Palace Barracks and Palace James Street from April 24 to May 15. For more information and to book tickets, visit the website.
BTS ARMY unite: you've got a new must-visit getaway spot, and Airbnb wants to make your dreams a reality. Fancy getting a dream glow because you're holidaying in the dynamite South Korean estate where BTS filmed season two of their reality show In the Soop? Of course you do — and, if you nab the overnight stay, you obviously have permission to dance. The series' second season dropped back in 2021, so if you always have 'Butter', 'Heartbeat' or 'Fake Love' on rotation in your head, you've probably been eyeing off a stay in PyeongChang for a while. Your chance now comes via Airbnb, with the accommodation service adding to its lengthy list of pop culture-themed one-off experiences — which also includes the Bluey house, the Moulin Rouge!, the Scooby-Doo Mystery Machine and The Godfather mansion in the past few months. The idea with this listing: letting two BTS fans relax in the South Korean countryside like their idols did. Even if you're not a diehard devotee, it looks like a mighty luxe place to stay. Clearly, you'll get more out of it if you live, breathe and worship the band, given that it's largely decked out as it was during their time there. That includes some of the furniture seen on the show, so you can kick back with a book like RM, float on a unicorn in the pool like Jin and hit the trampoline like Jung Kook. Also included: a karaoke machine, sound system and all of BTS' songs and albums, right up to their latest record Proof; and a specially catered menu, including charcoal grilled Korean beef and tteokbokki. And, because there's seven BTS members, the one-night stay costs just US$7 — which is just over AU$10 / around NZ$11. Sadly, if you score the booking, you'll just miss out on the best spring day ever, with the trip taking place on August 29. If you're keen to make it right all night and stay gold in the scenic estate, you'll need to try to nab the reservation at 12pm AEST on Tuesday, August 2. As with all Airbnb special listings like this, you need to take care of your own travel costs there and back, including airfares — although this one does cover the round trip by car from KTX PyeongChang station to the BTS In the Soop property. For more information about the BTS In the Soop estate listing on Airbnb, or to apply to book at 12pm AEST on Tuesday, August 2, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Time of Blue.
Warm weather, beach holidays and kicking back with a few cocktails all go hand in hand. But thanks to ever-changing border restrictions over the past few months — plus life during a pandemic in general — you mightn't have been able to enjoy this summertime routine recently. If you're the kind of person who can enjoy a few beverages and instantly feel like you're vacation, though, then you'll instantly want to add Four Pillars' latest tipple to your must-drink list. In collaboration with Melbourne venue Arbory Afloat, the highly awarded gin distillery is launching a new Beach House Gin. It comes in a cheery pink hue, and heroes citrus and fruit flavours — think lemon myrtle, grapefruit, orange, lemon peel, sweet strawberry gum, pineapple sage and davidson plums. The idea, as the name makes plain, is to make you feel like you're on holiday by the shore every time you take a sip. Melburnians will know that this isn't Four Pillars and Arbory Afloat's first joint venture, with the two pairing up in 2019 on a different – but still pink — limited-edition gin. This time around, however, the tipple won't just be available onboard at Arbory Afloat. It still will be, of course, including on tap in spritzes and mixed into G&Ts — but folks around the country can also order a bottle. If your gin shrine is screaming for a splash of colour, Beach House Gin goes on sale at 8am on Tuesday, February 9 for $90 a bottle — or you can get it with a four-pack of tonic for $100. While Melburnians can try the new gin at Arbory Afloat, bottles are only available to purchase from the venue's website. To complete the summery feel, Beach House Gin features a label from Melbourne design studio 21-19 and Finnish artist and illustrator Antti Kalevi, which uses shapes and textures to create an abstract beachy landscape. And, gin fans in Melbourne can also head to a launch party for the new drop on Thursday, February 4, with tickets costing $145, and gin cocktails, beer, wine, sparkling, oysters and canapes on the menu on Arbory Afloat's pool deck. Four Pillars x Arbory Afloat Beach House Gin is available on tap and in cocktails at Arbory Afloat, and to buy by the bottle via the venue's website from 8am on Tuesday, February 9.
A recent survey showed that satisfaction with festivals are at an all time low, and ticket holders are saying that douchebags without shirts on are ruining it for the rest of us. I may be wrong, but I have an inkling that Parklife's organisers have known about this for years, and have just started to take it on board. Parklife has gone from an all-out fluoro fest to an actual legit event with some actual legit names. This combo equals less douches - because we all know douches don't like good music - and less douches means more satisfaction! There's something for everyone this year: for real music lovers, the lineup includes Gossip, Lykke Li, Death From Above 1979, Kimbra, Santigold and The Streets, and for all of you who like to get drunk and listen to music, there's something for you too! Listen to the one song you know by Adrian Lux, The Naked and Famous, and Duck Sauce! Oh, and never fear, rich kids, there is also the Ridiculously Expensive Ticket still up for grabs. You get a slip and slide entry, a personal rider, a ‘Coming to America’ style chair as transport, side of stage views, and a drinks caddie, all for the low low price of seven thousand big ones! It's time to get your Barbra Streisand face on and get down to the Botanical Gardens this weekend, even if it is to see if anyone does buy that ridiculously expensive ticket.
The lineup for everyone's favourite New Year's Eve party has just landed, and it's a doozy. Way back in 1993, a tiny one-day concert was held in Lorne, a beautiful coastal town on Victoria's Great Ocean Road. Over 10,000 people showed up, far more than were expected, and a great Australian tradition was borne. In 2003 the festival (now known as Falls) celebrated hitting the big 1-0 by spreading its wings and setting up across the Bass Strait in Marion Bay; and now, to celebrate their 20th instalment, the Falls team are bringing the New Year party to Byron Bay for the first time. And they will be celebrating in style with the greatest house band in the world, The Roots, who haven't played in Australia since the Great Escape festival (RIP) in Sydney in 2007. They always bring the party, and we should thank Jimmy Fallon for lending them to us even if just for the weekend. The other headliners include festival favourites The Wombats, the always-interesting Grizzly Bear, 2013 Album of the Year contenders Vampire Weekend, R&B star Solange and The Violent Femmes. And there's an excellent contingent of local acts, too, including Hermitude, Pond, Chet Faker and Big Scary. Tickets will be allocated via a ballot, which is currently open via the Falls website. Registrations close on midday, August 26. Ballot-winners will be able to purchase up to four tickets from August 29, 9am. There will also be an allocation of tickets set aside for general sales starting on September 4, 9am. Prices will be released soon. Falls Festival first announce line-up: !! (Chk Chk Chk)AstaBig ScaryBombinoBonoboThe Cat EmpireChet FakerCrystal FightersCyril HahnFlight FacilitiesGosslingGrizzly BearHanni El KhatibHermitudeJames Vincent McmorrowLondon GrammarMGMTNeil FinnPondThe Preatures The RootsRüfüsSolangeTom Odell Vampire WeekendViolent FemmesWhite DenimThe Wombats Event dates: Lorne, Victoria (18-plus): December 28–January 1Marion Bay, TAS (all-ages): December 29-January 1Byron Bay, NSW (18-plus): December 31–Jan 3
Every actor has one, albeit in various shades, lengths and textures, but sometimes one single hairstyle says everything about a film. Wildly careening in whichever direction it seems to feel like at any point, yet also strikingly sculptural, the towering reddish stack of curly locks atop Penélope Cruz's head in Official Competition is one such statement-making coiffure. It's a stunning sight, with full credit to the movie's hairstylists. These tremendous tresses are both unruly and immaculate; they draw the eye in immediately, demanding the utmost attention. And, yes, Cruz's crowning glory shares those traits with this delightful Spanish Argentine farce about filmmaking — a picture directed and co-written by Mariano Cohn and Gastуn Duprat (The Distinguished Citizen), and also starring Antonio Banderas (Uncharted) and Oscar Martínez (Wild Tales), that it's simply impossible to look away from. Phenomenal hair is just the beginning for Cruz here. Playing filmmaker Lola Cuevas — a Palme d'Or-winning arthouse darling helming an ego-stroking prestige picture for rich octogenarian businessman Humberto Suárez (José Luis Gómez, Truman) — she's downright exceptional as well. Humberto decides to throw some cash into making a movie in the hope of leaving a legacy that lasts, and enlisting Lola to work her magic with a Nobel Prize-winning novel called Rivalry is quite the coup. So is securing the talents of flashy global star Félix Rivero (Banderas) and serious theatre actor Iván Torres (Martínez), a chalk-and-cheese pair who'll work together for the first time, stepping into the shoes of feuding brothers. But before the feature can cement its backer's name in history, its three key creatives have to survive an exacting rehearsal process. Lola believes in rigorous preparation, and in testing and stretching her leading men, with each technique she springs on them more outlandish and stressful than the last. As Lola, Cruz is a 'find yourself someone who can do both'-kind of marvel. She's clearly starring in a comedy, and her timing, rhythms and line delivery are as fine-tuned as any acting great who has ever tried to amuse an audience — and serve up a hefty reminder that viewers rarely get to see her in such a role — but she perfects the drama of the situation, too. The latter stems from Lola's male leads, who are caught up in a clash of egos, and from the director herself as she keeps eagerly but purposefully pulling their strings. Light, fluid, sharp, smart: they all fit this savvily portrayed character, and never for a second does Cruz feel like she's seesawing too easily, needlessly or temperamentally from comic to serious and back. Earlier in 2022, she was nominated for an Oscar for her sublime performance in Parallel Mothers — an award she deserved to win, but didn't — and although Official Competition couldn't be a more different film, she's just as much of a force to be reckoned with within its frames. Cohn and Duprat might have a little of Lola in them, as well as conjuring her up with fellow scribe Andrés Duprat (My Masterpiece). The Argentine filmmaking duo's rehearsal methods aren't part of the movie, obviously, and it's likely that they didn't wrap their cast in cling wrap as their protagonist hilariously does — but, whatever mechanisms they deployed, they obtain outstanding performances from their key players. This is Cruz's film, but Banderas revels in the chance to cleverly and cannily satirise his profession and industry as much as she does, with the two teaming up yet again after featuring side by side in plenty of Pedro Almodóvar's movies (see: Pain and Glory most recently). The playful teasing is ramped up a level, and there's a greater emphasis on his killer stare, which can flip from brooding to charming to pouting in an instant; however, the result remains remarkable. Martínez plays it relatively straight in-between his co-stars, but is no less compelling; Iván has his own ego battles. Getting Cruz, Bandereas and Martínez bouncing off of each other was always bound to spark something special. They're acting in the service of unpacking acting, and their pitch-perfect portrayals perceptively probe and parody in tandem. The arrogance that comes with fame, the quest for constant validation, the ridiculousness of being a celebrity — they're all targets for laughs, as is the gaping chasm between acting megastardom and everything else. None of these spark new revelations, but Official Competition isn't merely content to get three top talents turning in ace performances to merely state the blatant. Cohn and Duprat's work relies upon acting, and they clearly treasure it as an artform, even as they poke fun at it. The jokes land, but their film also has time to appreciate the emotional toll that goes into a dynamite performance and the sincerity summoned up by the best of the best, all as Lola wrings everything she can out of Félix and Iván. Her tactics, unfurled across their nine-day pre-shoot period, and designed to get the two men to discard their senses of self and become one with their characters, would do Wile E Coyote proud. They're more mischievous than torturous, though — and they're also shrewd and very funny. In one, Félix and Iván argue beneath a giant rock, suspended precariously above them, heightening their anxiety while Lola is thoroughly nonplussed. Another gets them practicing their kissing techniques in front of a bank of microphones so that every sound can be heard and critiqued, with their director ruthless in her scrutiny. In yet another, getting wrapped in plastic together, which both Félix and Iván unsurprisingly abhor, is part of a bold and drastic plan to get the pair to relinquish their reliance upon external approval. What images these three scenarios, and others like them, spark — capturing Cruz and that hairdo, naturally, and so much more. Plenty about Official Competition sounds surreal, and it's certainly how this spectacularly staged and shot feature looks at every moment. Eccentric and meticulous are words that describe Lola and, of course, her coif; they couldn't sum up the movie's production design or cinematography better, too. Here's another that fits: magnificent. Director of photography Arnau Valls Colomer (Lost Transmissions) operates on a Breaking Bad and Better Call Saul level of visual precision, spanning where the camera is placed, the angles it peers on from, the painterly composition of each and every image, and what that level of detail says about an industry that's all about detail. Like the gem it is, everything about this film gleams.
If you're going to launch a brand new online school encouraging creativity in girls, it doesn't hurt to have Marina Abramovic's backing. Or Yoko Ono's. Or Pussy Riot's. Or Sia's. Or Every Strong Awesome Wonderful Lady Doing Amazing Things Right Now. The School of Doodle did just that. A brand new, free online school geared to infuse a little creativity into girls' educations, the School of Doodle has launched a Kickstarter campaign with the support of some of the world's most high-fiveworthy women. The Portland-based (of course) SOD team (lead by Melbourne-born expat Kate Johnson) see an unacceptable lack of arts education in US schools, one they've particularly seen as detrimental to young girls' learning processes. "The arts are being cut from schools and yet all the research shows that when teens' creativity and imaginations are fortified, they excel and stay in school longer as well as develop the necessary skills for future success," says the SOD Kickstarter page. "After extensive research and interviews with teens, teachers and education reform experts, we believe that a girl’s imagination is a right and not a privilege. And, if we don’t fight to protect it, the next generation (of women and men) will suffer." The team have pooled their savings and started building their free online high school, but found funds wanting to finish the website (the key to the whole shebang). So the team looked to Kickstarter, bringing quite the flurry of famous friends to the party. Rounding up 28 all-round goal-kicking women like Marina Abramovic, Yoko Ono, Pussy Riot, Sia, Kim Gordon, Yayoi Kusama, Sarah Silverman, half the cast of Orange is the New Black and too many more to list without their inspirational faces, SOD had each fearless female submit an original doodle of their own devising. Kickstarter backers can nab an individual doodle or a colouring book with the whole series. Here's the backing team, it's honestly like scrolling through a glorious tunnel of oestrogen-charged high-fives: Right? What. A. Lineup. So once you've sent your Kickstarter backing funds, what can students actually learn at the School of Doodle? The team describe the whole thing as "part classroom and part content platform original programming, created by both teens and professionals, to engage and inspire imagination." The self-directed, free curriculum is made up of lessons called 'Daily Doodles', which end with a 'Doodle Challenge' each session for students to start putting their sweet knowledge into practice. The whole philosophy runs on creative confidence and 'being loud' through the 'three paths to imagination': Dabble, Dig, Do. If you're lurking in the dreaded so-called 'Dabble' stage (we've all been guilty of Dabbling), the team have put together a library of 'How Do' videos to get your creative juices flowing. And who's teaching these 'Daily Doodles'? This is where shit really gets cray. Salman Rushdie, Kim Gordon, John Baldessari, Yinka Shonibare, even Abramovic herself are all crafting lessons. Free lessons. From these guys: Best looking faculty lounge ever. Sure, there are no grades — students earn 'Doodle Dollars' that can be saved up and spent on live online expert chats, field trips (or 'dream trips') and other bits and pieces that 'aid imagination' (not in the Parklife way). But if Abramovic, Sia and Pussy Riot see value in a free online school boosting girls' creativity, we're on board for Doodle. Throw some cashola at the School of Doodle over here and nab one of those famously-penned doodles. Via Artnet.
UPDATE, October 29, 2020: Paterson is available to stream via SBS On Demand, Google Play, YouTube Movies, iTunes and Amazon Video. Who knew that watching the ebb and flow of an ordinary life could be so illuminating and soothing? Jim Jarmusch, that's who. If ever there was a movie that's destined to become contemplative comfort viewing, it's the new effort from the director of Dead Man, Coffee and Cigarettes and Only Lovers Left Alive. In Paterson, the daily grind of waking, working, talking with friends and loved ones, walking the dog and hanging out in a bar offers plenty of food for thought, particularly for anyone keen to peer beyond the surface of seemingly average, expected occurrences. In one of the movie's numerous instances of mirroring and symmetry, the film's title refers to many things. It's the name of a bus driver (Adam Driver) in New Jersey, as well as the name of the town where he was born, raised and still lives. It adorns the vehicle he steers from Monday to Friday, and the weighty tome by one of his favourite poets that sits on his desk. Paterson has a way with lyrical turns of phrase, too, which he jots down as he follows his usual schedule. Sometimes he takes inspiration from snippets of chatter he overhears between bus passengers, or interactions with strangers as he walks home from work. Sometimes he reflects upon his modest but happy relationship with his enthusiastic wife, Laura (Golshifteh Farahani), who styles their house in black and white patterns, bakes cupcakes and decides to learn the guitar. Jarmusch's features have always flirted with the poetic, preferred minimalism and intimacy, and frequently found beauty in the commonplace. In that way, Paterson is the latest example of the writer-director doing what he's done best for more than three decades. However it's also an astute, insightful ode to everyday creativity and contentment. Over the course of eight days, Paterson's waking hours appear to repeat the same cycle and yet also reveal crucial slivers of difference. While many movies try to paint their protagonist as an everyman, this one goes a step further. Even when he's noticing twins all around him, trading verse with children or chatting with strangers about great writers, everything feels purposefully warm and familiar. Indeed, Paterson proves the kind of movie that overflows with recognisable details, and immediately resonates for that very reason, while also gazing deeper into existential matters. It brims with grace, affection and solace, but avoids sugarcoating the reality it depicts. Oozing gentle emotion, the work of Driver, outstanding Iranian actress Farahani, and scene-stealing Cannes Palm Dog-winning canine Nellie is pivotal in perfecting that balance. Often ranging from soulful yet commanding, energetic yet yearning, and cute yet probing in turn, the trio offer an engaging glimpse of the colour and quiet contrasts inherent in an ordinary life. Add Jarmusch's fondness for evoking the literary art form at the film's centre wherever he can — in the visual harmony evident in every image, in the rhythm of the movie's pacing, and including text on screen — and Paterson couldn't be more meditative or more moving. The film is a revealing character study, a reminder to recognise the small stuff that comprises much of our existence, and an appreciation of the ups and downs of living, all in one.
"What we need is a hot, fresh dead body — preferably right here or very near to here." So declares Oliver Putnam (Martin Short, Schmigadoon!) in the just-unveiled first trailer for Only Murders in the Building season four. Viewers of 2023's season three already know that exactly that is about to greet him, Mabel Mora (Selena Gomez , The Dead Don't Die) and Charles-Haden Savage (Steve Martin, It's Complicated), aka the three New York City-residing podcasters who started teaming up to record audio when murders began occurring in their building. Being aware that there has again been a killing in the Arconia doesn't mean knowing what's in store in the sleuthing comedy's return, though — with season four now locked in to start streaming from Tuesday, August 27, 2024. Indeed, something different is afoot this time around, taking Only Murders in the Building into territory not seen in 2021's season one or 2022's season two, either. Get ready for a trip to Hollywood. Both Oliver, Mabel and Charles' investigation and the cinema business beckon in Los Angeles. A studio wants to turn their podcast — which is also called Only Murders in the Building — into a film. Again, Oliver has the right words for the scenario in the sneak peek: "pack your bags, bitches — we're going to the movies". Cue not only the return of Meryl Streep (Don't Look Up), who joined the cast in season three, but also the arrival of Molly Shannon (The Other Two), Eugene Levy (Schitt's Creek), Eva Longoria (Tell It Like a Woman), Zach Galifianakis (The Beanie Bubble), Melissa McCarthy (Unfrosted), Kumail Nanjiani (Ghostbusters: Frozen Empire) and Richard Kind (Girls5eva) joining the cast. Alongside Short, Gomez and Martin, fellow long-running Only Murders in the Building regulars Michael Cyril Creighton (American Fiction), Da'Vine Joy Randolph (a newly minted Oscar-winner for The Holdovers) and Jane Lynch (Velma) are also back. When it premiered in 2021, the series started with three residents of the same NYC apartment complex crossing paths after a death in their building, then bonding over true-crime podcasts. Next, they did what everyone that's jumped on that bandwagon knows they would if they were ever in the same situation: started their own audio series. Every season has given aspiring artist Mabel, Broadway producer Oliver and actor Charles another case to dive into, smartly and amusingly so. In the show's third batch of episodes, it was the murder of star Ben Glenroy (Paul Rudd, Teenage Mutant Ninja Turtles: Mutant Mayhem) at the opening night of Oliver's latest show that had them turning detective. Check out the first trailer for Only Murders in the Building season four below: Only Murders in the Building streams Down Under via Star on Disney+, and will return for season four on Tuesday, August 27, 2024. Read our reviews of season one, season two and season three.
Half the fun in camping is the fact that you're forced to get grubby, as you and your fellow campmates collectively get back to nature and forgo the modern luxury of a shower. This is all well and good for a few days, until everyone gets a little sweaty, a little dirt-caked and probably a little grumpy. You see, the problem with showers is that they're usually set pretty firmly in one place. They need a water source, drainage, electricity — basically, they're the first thing you forgo when you leave the safety of a modern building. But the geniuses at Tokyo-based startup Hotaru are set to change that, with a portable water-recycling shower that can be set up almost anywhere. So how does it work? The shower holds about 19 litres of water, which is then purified and reused for the next person who hops in. Hotaru claims that a family of three could each take a five-minute shower each day for up to two weeks. That's over 40 showers on less than 20 litres of water. While the possibilities for where the shower can go are pretty endless, it does need to be hooked up to a power source — although, according to Hotaru, a car will do the trick. This new sustainable shower was spotted by TechCrunch at SXSW this week, and is expected to go to market sometime next year. It's not only great news for campers, but the technology could really change how we recycle and make the most of our water. Via TechCrunch.
It has been 11 art-filled years since Brisbane's Gallery of Modern Art first opened its doors, and the creative riverside hub just keeps going from strength to strength. Fresh from hosting a huge Yayoi Kusama exhibition, GOMA is preparing to unveil its illuminating new permanent work: a brand new light installation by artist James Turrell. You might be familiar with the Arizona-based artist's work if you've been to Mona or the National Gallery of Australia (NGA). He's the one behind the sky-centred installations at both galleries — at Mona, the gazebo-like Armana lights up at sunrise and sunset each day, and at the NGA in Canberra, Within without acts as an outdoor viewing chamber to enhance your view of the sky. All up, Turrell has created 80 'skyspaces' like these around the world. Brisbane's Turrell piece isn't a standalone structure like these other two Australian works. Instead, the work will light up GOMA's eastern and southern white façades from within the building with a pattern developed by Turrell especially for the location. It's been described as "an ever-evolving pattern of intensifying and diffusing coloured light" by GOMA director Chris Saines, and when lit, it will make the gallery visible from across the river and around South Bank's cultural precinct. The plan is to light up the gallery from dusk until midnight each evening — and while the tunnel was originally set to be installed by late last year, it'll officially start glowing from 7pm on April 20, with Turrell in attendance. And while it's a new addition to GOMA, it's also a feature that ties into the gallery's history. As Saines explains, "during the development of GOMA, lead architects Kerry Clare, Lindsay Clare and James Jones envisaged an artist-illuminated 'white box' on the gallery's main pedestrian approaches. More than a decade on, Turrell's architectural light installation realises the potential of GOMA's white box façade, and completes a major aspect of the architects' original design intention." By Lauren Vadnjal and Sarah Ward.
Take your protein pills and put your helmet on. Picture yourself face to face with David Bowie's Ziggy Stardust 1972 bodysuits, Kansai Yamamoto’s trouser suits for the '73 Aladdin Sane tour, the Union Jack coat designed by Bowie and Alexander McQueen for the '97 Earthling album cover, props from Jim Henson's Labyrinth. We know, you're sweet to start freaking out. Opening next July, the Australian Centre for the Moving Image (ACMI) will play host to the acclaimed David Bowie is exhibition, celebrating the kickass career of the man himself. Created by London's Victoria and Albert Museum (V&A), the exhibition is a Bowiephile's dream — an unprecedented collection of over 50 stage costumes alongside tour sets (including the designs for the '74 Diamond Dogs tour), handwritten set lists and lyric sheets, Bowie's own sketches, rare live and interview videos, musical scores and diary entries, photographs and album artwork. Basically, if you're a Bowie fan, this is next level squealworthy material. "The mystery of David Bowie as an enigma is so lovingly explored in this incredible immersive exhibition you’ll feel as if you’ve stepped inside the mind of this astonishing cultural and pop icon," says ACMI Director & CEO, Tony Sweeney. "Bowie is a figure whose social and creative influence and significance far exceeds his status as a pre-eminent rock performer and in David Bowie is, his incredible career is showcased in glorious detail." Presented exclusively in Australasia by ACMI as part of Melbourne Winter Masterpieces, the exhibition explores Bowie's influences and legacy in a lengthy narrative layout (tracing Ziggy Stardust through Berlin and Thin White Duke phases), delving into his career as a musician, of course, but also reminding fans of his top notch cult film career, stints as a writer and his lifelong ability as a stage performer. V&A curators and brains behind the whole Bowie show, Victoria Broackes and Geoffrey Marsh, handpicked over 300 objects and films for the exhibition — a research process we're pretty damn jealous of. "The exhibition looks in-depth at how Bowie’s music and radical individualism has both influenced and been influenced by wider movements in art, design, film and contemporary popular culture over an incredible 50-year career and demonstrates how Bowie has inspired others to challenge convention and pursue freedom of expression," they said. The exhibition comes to Australia under a furious amount of buzz — its world premiere this March in London became V&A's fastest selling exhibition ever, recording record numbers of over 311,000 visitors. As the exclusive venue for David Bowie is, ACMI have crafted a specially-curated program of talks, screenings, live performances and special events to pair with the Major Tom-a-thon. David Bowie is will open at ACMI on 16 July 2015 as part of the Victorian Government’s Melbourne Winter Masterpieces series. Tickets go on sale to the general public in November 2014. To register for exclusive pre-sale ticket opportunities, visit acmi.net.au/bowie.
There are plenty of ways to cut a rug — different styles, spots and reasons among them — but the best way is just to hit the dance floor and go for it. That hasn't always been possible over the past two years; however, that's not the only motivation to bust out your fanciest footwork at the The People's Dance Party. The number one reason to head along: because there's nothing like losing yourself to the music. Losing yourself to dance is firmly the main aim at this inclusive shindig hosted by Bring a Plate. Here, it doesn't matter how you dance — or why. Whichever shapes you choose to make, you'll be showing off your smoothest dance floor movies amid professionals and community performers, with this 75-minute party also including pop-up showcases that just might teach you a thing or two to try out yourself. It all takes place at Metro Arts' New Benner Theatre, with tickets costing $25 and two parties being held on Saturday, April 2. If your afternoon could use some cutting loose, make a dance floor date at 3.30pm — which'll be a relaxed show with reduced lighting and sound. Or, strut your stuff to start your night at the evening session at 8.30pm. Images: Janna Imperial.
Hip hop used to be associated with overt displays of machismo, but there has been a steady evolution since those days. Arguably, this advancement and modernisation is represented nowhere better than with the rise to prominence of Cakes Da Killa. Originating on New York's queer rap scene, Cakes Da Killa has earned plaudits for his fusion of hip hop, house and dance over the last decade, alongside acts such as Mykki Blanco and Le1f. With the beats from his latest album, Killa Essentials (2021), in tow, the game-changing creative's impending trip to Sydney is sure to bring an unforgettable evening to Oxford Art Factory. Images: Ebru Yildiz
Earlier this year, Australia's caffeinated booze expert Mr Black gave fans of alcohol and coffee the premixed beverage they definitely wanted, with the company's bottled coffee negroni marking its first-ever pre-batched cocktail. Now, it's adding another tipple to the range, and it's another big hitter: the cold brew old fashioned, or cold fashioned. Yes, there's a time for coffee and there's a time for cocktails — but, sometimes, there's a time in the day when you want both and you don't want to do any of the mixing yourself. The cold fashioned is made with Mr Black coffee liqueur, rye whiskey and bitters, and you can expect both coffee and chocolate flavours to come through, as well as a bit of spice. Each bottle is going for $49 and can be used to make five cocktails (yes, that's a very reasonably $9.80 a drink). To make said cocktail, you just need to pour 100 millilitres of the sweet stuff into a glass over ice and garnish with a citrus twist — if you want to get a little fancy. It's the third new product that the Mr Black team has released during lockdown, with the company also launching a hand sanitiser in late March. As well as selling thousands (and thousands) of bottles to the public, the team donated hundreds to front-line medical workers, not-for-profits, testing clinics and medical centres. To get your hands on a bottle of cold fashioned, which, knowing Mr Black's track record, will sell out fast, head over to the Mr Black website. It's currently offering free shopping on all orders over $80. Mr Black's cold fashioned is on sale now for $49. Top image: Guy Davies.
