First, the bad news: if you're not fond of peanut butter of you have an allergy (and therefore you've decided deep down in your stomach that it tastes awful), Krispy Kreme's latest batch of limited-time-only doughnuts definitely isn't for you. For everyone else, get ready to treat yourself to a dreamy mashup, because the fried pastry chain and Reese's have joined forces. A couple of years back, gelato brand Gelatissimo scooped up Gelato made with Reese's Peanut Butter Cups. Now, it's Krispy Kreme's turn to give those American sweets the doughnut treatment. The three-option range does indeed go all in on peanut butter — two with chocolate, too, and one in a cheesecake variety. If you opt for Krispy Kreme's peanut butter cheesecake made with Reese's doughnut — a mouthful to say and to eat — you'll be munching on the brand's original glazed doughnut, which has been dipped in white truffle, topped with peanuts and then given a Reese's Peanut Butter cream cheese frosting swirl. As for the others, the Krispy Kreme Reese's Peanut Butter and choc doughnut takes the usual Krispy Kreme shell, fills it with Reese's Peanut Butter sauce, then dips it in chocolate ganache, and sprinkles on peanuts and Reese's Peanut Butter Chips. Then there's the Krispy Kreme Peanut Butter choc brownie made with Reese's doughnut, which jams its shell with Reese's Peanut Butter and choc brownie butter, then gets plunged in milk chocolate ganache, and comes with Reese's Peanut Butter drizzle, choc crumbs and peanuts on top. You'll find the first two varieties — the Krispy Kreme's peanut butter cheesecake made with Reese's doughnut and the Krispy Kreme Reese's Peanut Butter and choc doughnut — on sale from today, Tuesday, September 20, at all Krispy Kreme stores nationwide. The cost: $3.90 each and $29.90 for a dozen. The Krispy Kreme Peanut Butter choc brownie made with Reese's doughnut will only be available from Tuesday, October 4 from 7-Eleven stores for the same price. Krispy Kreme's Reese's range is available for $3.90 each/$29.90 for a dozen for a limited time — with two varieties available at Krispy Kreme stores from Tuesday, September 20, and a third from 7-Eleven stores from Tuesday, October 4.
Six years after opening its doors back in 2012, and just a few months after giving its distinctive patch of Wynnum Road a huge facelift, Morningside's Southside Tea Room has announced that it's closing down. The bar and eatery will shutter after it finishes trading on Sunday, November 4, which means no more barbecued meats, weekend brunch, burnt-wood panelling and hanging out on picnic benches after that date. And, no more band pop-ups, plaster fun house sessions and retro New Year's Eve parties, either. In an update shared to both Facebook and Instagram, Southside owners and The Grates band members John Patterson and Patience Hodgson explained that "it has taken a huge amount of bravery to make this decision". They continue: "what we have be able to achieve, and the memories we have made together, are nothing less then epic". Patterson and Hodgson's post also notes that Southside will be slinging specials and selling off its wares across its last week of operation. "Come say goodbye and grab some kind of bargain in our final week of trade — or buy a table, or the shop", it advises. If you're keen to swing by for old times' sake, you'll still find a pinball and arcade area, outdoor seating, and slow-cooked brisket and pulled pork on metal trays. Since its revamp mid-year, the current iteration of Southside has been all about hefty chunks of meat that come with a slice of bread, pickles, onion and the choice of two sides, such as mac 'n' cheese and charred broccoli with pecorino. Drinks wise, say one last hurrah with local beers on tap, a small range of wines, and house cocktails such as the Morningside margarita and the calippo daiquiri. As for what comes next for Patterson and Hodgson, expect to keep hearing from them — literally. "We never managed to strike a balance between industries and can not be more thrilled about returning to music." Find Southside at 639 Wynnum Road, Morningside until Sunday, November 4 — or visit the venue's website or Facebook page for further details.
2022 was a big year for Brisbane-based hospitality crew Potentia Solutions Leisure, with Lina Rooftop and Soko Rooftop both opening their sky-high doors, and Mina Italian first welcoming in diners as well. How does a restaurant and bar-running (and -loving) crew top that? By kicking off 2023 with another new venue, obviously: Rumba, a Cuban and Latin American-centric joint. While this cocktail- and platter-slinging spot is a fresh arrival, officially launching on Thursday, February 2, it'll draw Brisbanites to familiar digs. Potentia has farewelled Argentinian eatery Evita on St Paul's Terrace, with Rumba taking over its site. New year, new focus, clearly. [caption id="attachment_863797" align="alignnone" width="1920"] Evita[/caption] While the full menu details haven't yet been revealed, patrons can start looking forward to share-style meat and fish bites, a big focus on roof vegetables, plus homemade cheese bread served in Cuban cigar boxes. Drinks-wise, expect creative concoctions that nod to the venue's regions of inspiration — and plenty of them. The vibe: relaxed yet boisterous, colourful but raw, and stripped back while soundtracked by Latin jazz. Azulejo prints and bright hues will cover the place, and there'll even be the remnants of a car in a hole in the wall. A roster of DJs and bands will set help set the mood, too, in the kind of space that'll be worlds away from Lina and Soko's luxe rooftops — but promises to be lively and enticing in its own way. Unsurprisingly given Rumba's name, wearing a comfortable pair of dancing shoes is also recommended. Find Rumba at 365 St Paul's Terrace, Fortitude Valley, officially launching on Thursday, February 2 — then operating 4pm–12am Tuesday–Saturday.
For years, Strut & Fret has turned Brisbane's performance venues into its playground, with shows such as Blanc de Blanc, FUN HOUSE, THE PARTY, LIFE — The Show, Fear & Delight and more popping up around town. The events and production company next has a date with the River City at 2024's Brisbane Festival, a trip to the Sunshine State that's almost as reliable as clockwork; however, when it unveils LIMBO — THE RETURN, it'll unleash the circus-cabaret show in Strut & Fret's very own site. From late August, The West End Electric will become Brisbane's new 400-plus-seat theatre and entertainment space, making 125 Boundary Street its home. The venue is launching with LIMBO — THE RETURN's opening, then sticking around. That'll make two Strut & Fret locations around the country, adding a sibling to The Grand Electric in Sydney. "We have been blown away by The Grand Electric's success since it opened in Sydney last year. It's quickly established itself as both a smashing venue for our own shows, and a venue for other players like Michael Cassel (Titanique) and Sydney Comedy Festival," said Scott Maidment, who is both Strut & Fret's Creative Director and the director of LIMBO — THE RETURN. "We staged our first Brisbane Festival production over 25 years ago in 1998, so it feels very fitting to launch The West End Electric with this year's festival." Both Maidment and Sarah Stewart, who co-founded Strut & Fret together, are from Brisbane — and it was in the Queensland capital in 1997 that they gave rise to the company. Accordingly, The West End Electric is a homecoming in a way, not that the outfit's productions are ever absent from Brissie for long. LIMBO — THE RETURN revamps a show that's been touring the world for over a decade, taking audiences to a netherworld scored by live tunes composed by Sxip Shirey, and filled with cabaret and circus alongside eye-popping acrobatic feats. Both it and The West End Electric will kick off in Brisbane on Thursday, August 29, in a space that designer James Browne is decking out with a nod to West End's London counterpart. "It will be chic and luxurious but with the essence of historical vaudeville, bohemian hedonism and abandonment. The space itself will be immersive, full of surprising elements that are unforgettable," said Browne. [caption id="attachment_960920" align="alignnone" width="1920"] The Grand Electric, Nick Jones[/caption] [caption id="attachment_960921" align="alignnone" width="1920"] The Grand Electric, Lexy Potts[/caption] [caption id="attachment_960922" align="alignnone" width="1920"] The Grand Electric, Lexy Potts[/caption] [caption id="attachment_960923" align="alignnone" width="1920"] The Grand Electric, Lexy Potts[/caption] [caption id="attachment_960924" align="alignnone" width="1920"] The Grand Electric, Lexy Potts[/caption] Find The West End Electric at 125 Boundary Street, West End, from Thursday, August 29, 2024, opening with LIMBO — THE RETURN at Brisbane Festival — head to the venue's website for further details. LIMBO — THE RETURN images: Damien Bredburg.
Home to brews, bands and giant-sized board games since 2014, Ann Street's Woolly Mammoth Alehouse now has an in-house sibling venue: a tropical-themed watering hole called Ivory Tusk. Now open after first being announced late last month, the new bar has taken over Woolly Mammoth's Mane Stage area and given it a Palm Springs-inspired revamp, complete with plenty of pastels. As well as transforming the Fortitude Valley's site's existing garden terrace into a tequila-focused party space, Ivory Tusk boasts three bar areas, all serving up cocktails on tap. Expect eight different concoctions made from fresh ingredients and botanicals — such as the Living Vanilla Loca, with rum, French vanilla syrup, citrus and spritz; and the Apricot Julep with bourbon, apricot brandy, lime, mint and sugar. Wine and craft brews are on the menu, too, plus ten types of tequila. And, you can nab either a cocktail tasting paddle or a tequila flight, each featuring four tipples. Food-wise, the venue champions Mexican cuisine, with the kitchen overseen by Executive Chef Graeme McKinnon (Covent Garden) and Head Chef Jack Thompson (The Line & Label, Port Lincoln). Think gazpacho tequila shooters, lamb barbacoa, chorizo sliders, black bean chilli and roast pork, as well as vegetarian, vegan-friendly and gluten-free options. With the site also doubling as an events space — and catering for between 20-1000 people — set menus are a feature. Visitors will also spy plenty of colour, new furnishings and a lighter, airier feel to suit the 'tropicali' vibe, thanks to renovations led by Luis Nheu of BSPN Architects. In the garden terrace, that means pendant lighting and a stencilled terrazzo floor. Back inside, Woolly Mammoth's band room has also been given a makeover. Ivory Tusk's entertainment lineup will span regular DJs, live bands and rockaoke — aka karaoke, but with a live band playing as you sing. And if you're fond of Woolly Mammoth in its current guise, its Mane Stage is still hanging around — just smaller, and on the site's upper level. Find Ivory Tusk at 633 Ann Street, Fortitude Valley, open Wednesdays and Thursdays from 4–11pm, Fridays and Saturdays from midday–midnight, and Sundays from 5pm–midnight.
In accomplished The Box style, this creative little art-space brings together a cross-pollination of talent that have long been riddling Brisbane but in only the humblest of manners. Bloody Oath gives the long awaited recognition to a set of artists who encompass work expressing diverse cultural heritage, and a play on stereotypical Australian culture This string of artist's projects and designs are recognised as some of our best local exports, from Holly Ryan's coneptual yet classic jewellery to Frank+Mimi's signage which is taking over almost every Brisbane street. From design to detail, the art of Ellie Anderson is as intricate as the environment she paints. Exploring patterns, print-making and flaura and fauna, her art has featured in Brisbane's very own Bleeding Hearts Gallery, Oh Hello and Brew as well as being collected locally and abroad in the UK and Canada. Be it a strong use of Australian iconography, symbolism, or artwork derived directly from a culture, ‘Bloody Oath’ presents a visual snapshot of the modern Australian identity through the works of these local creatives.
From the remnants of war and conflict, Saught aids the creation of wearable pieces of art. Aiming to support sustainability in post-conflict countries worldwide, with a current focus on Cambodia, the organisation strives to make the entire jewellery-making process a collective effort on the part of people recovering from a period of war, from metal scrap collecting through to design and sale. For the 'Freedom From Fear' collection, pieces of discarded metal from landmines and unexploded ordnance were collected by the Cambodia Mine Action Centre. Then, artisans from Cambodia NGO partner workshops, with input from designers, handcrafted individual jewellery pieces. On sale for AU$160, the necklace pictured above, called the 'Bricks of Hope Statement Necklace', is made with brass pieces plated in rhodium to symbolise three decades of bombing in Cambodia; the orange silk is incorporated to represent hope for reconstruction. These workshops allow local Cambodian artisans to both collect income and to improve their craft and business skills. The result is a simple yet striking piece of jewellery. [Via Lost At E Minor]
If last summer was the summer of seltzer, we're ready to call the upcoming season the summer of canned cocktails. And if the seltzer wave showed us anything, it was that convenience will almost always win out over taste. So the next natural step? A convenient sip that tastes great. Here at CP, we think the espresso martini is an ideal canned candidate. The frothy, caffeine-infused libation holds a special place in the cocktail canon. While it's not considered a classic in the traditional sense — legend has it that it was created in the 1980s by a London bartender who was asked by a young female patron for something that would "wake me up, and then fuck me up" — a case could certainly be made that it is perhaps the most influential of cocktails. Think of the last time you had one when you were out and about — chances are, you spotted someone else with one in hand and decided it would be a good idea to have one yourself. Then, your crew decided it would be a good idea too, and so did the crew next to yours, and all of a sudden it was espresso martinis all round. Does any other cocktail have this kind of effect on people, friends and strangers alike? Unlikely. Beloved though it is, the espresso martini is notoriously tedious to make. Enter Mr Black — that equally beloved Australian producer of the eponymous coffee liqueur — which is bringing your dreams of espresso martini o'clock that much closer to reality with its new canned version. This velvety smooth blend of Mr Black, vodka and cold brew arabica coffee is supercharged with nitrogen, meaning that just a couple of shakes is all it takes to have a picture-perfect pour every time. The only question: where will you be having your canned, ready-to-serve espresso martini this summer? We've asked our editors for how they'll be enjoying theirs, so read on for inspo on how to drink yours. [caption id="attachment_872385" align="alignnone" width="1920"] Declan Blackall[/caption] AT A DINNER PARTY A beautifully set table, salty snacks to start, multiple courses, delightful company: the recipe for a stellar dinner party. Honestly, I'll live a happy life if it's filled with good food and good company. Add an expertly balanced espresso martini — that sits pretty in the fridge till the minute I want its frothy topped pour in my hand — and we're talking peak enjoyment. Whether you're hosting or attending, you'd be a goose to miss a minute of the tableside vibes. Measuring nips and the risk of spills? Trust me, stay seated with a coffee-laden tinny. Be it for the ease of the sip or the few extra hits of caffeine you'll squeeze into your day. (Or, level up the experience with a martini glass kept icy in the freezer till the second you're ready for it — a serve that's still miles easier than the 'real' deal.) Grace MacKenzie, Branded Content Manager [caption id="attachment_871106" align="alignnone" width="1920"] Dave Kan[/caption] AT A MUSIC FESTIVAL For the first time since 2019, festival season is here. I had the privilege of enjoying a couple of espresso martinis at this year's Festival of the Sun, taking full advantage of the fest's BYO policy to enjoy a cold can of Mr Black in the campsite before heading off to catch Middle Kids. If you're heading to any of this summer's BYO events — whether that's Victoria's Meredith Music Festival or Jungle Love in Queensland — I highly recommend doing the same. If you're not one for camping, you could also pick up a four-pack of espresso martinis to enjoy as the perfect pre-festival tipple for any one-day gatherings you might be heading to. You best believe I'll be cracking a can before catching Fred again.. at Laneway, TISM at Good Things and the Boiler Room stage at Mode Festival on Cockatoo Island. Ben Hansen, Junior Editor [caption id="attachment_872384" align="alignnone" width="1920"] Declan Blackall[/caption] AT A GAMES NIGHT My friends and I are not the types to stay out late — we prefer a reserved night of dignified card games that, inevitably, devolve into screaming at each other over a Monopoly board. Personally, I find that the tactical and economic strategies of board games need an energised and level head. That's when a good espresso martini comes in handy. But, why bother making one when I can keep an emergency reserve in my fridge? That way, there's more time for me to clearly present my case as to why I should be the new owner of the Kings Cross Station card. Alec Jones, Junior Writer [caption id="attachment_872387" align="alignnone" width="1920"] Jael Rodriguez (Unsplash)[/caption] ON A HOT-GIRL WALK The post-work, summer-evening hot-girl* cocktail walk is a wordy but delightful concept I now have down to an artform — after years of practice — so let me share my secrets. This divine intersection between exercise and cocktail hour is a way to decompress after work and celebrate summer — while still hitting those steps, getting a little fresh air and soaking up some Vitamin D. I like to pop a chilled canned espresso martini or two into my fanny pack, along with sunglasses, keys and phone (tip: this one from Kmart is the perfect size), and trot along with a friend discussing the week's scandals. If possible, find a nearby hill to scoot up so that when you reach the peak, you're perfectly glowing for golden hour. (We are always glowing darling, sweating). Find a grassy spot to park up, crack your bevvies, watch the sunset and cheers to being healthy — but not too healthy. That's balance, baby. *hot-boy and general hottie walks also firmly encouraged, all other aspects remain the same. Sarah Templeton, Aotearoa New Zealand Editor [caption id="attachment_872388" align="alignnone" width="1920"] Declan Blackall[/caption] AT HOME WITH A GOOD BOOK For me, one of the few good things that came out of two years in and out of lockdown was the discovery that I really appreciate my own company. And maybe it's a sign that I'm getting older, but I've come to realise that solo time can be a genuine indulgence. My favourite way to spend time on my own: switching off my phone and sitting down with a good book for an uninterrupted afternoon of losing myself in a fictional world of my own choosing. This process will also involve making myself a fresh pot of coffee in my French press and taking long, slow sips — but, next time I'll be trading out the beans for a velvety smooth and perfectly frothy espresso martini poured from the can. This way, I can get the caffeine buzz I need with far less effort and a little extra kick — I'm already indulging after all, so I may as well go all out. Nik Addams, Branded Content Manager For more info on Mr Black Espresso Martini, head to the website. Top image: Declan Blackall
They're the TV equivalent of page-turners: the shows that have you hanging on every twist and revelation, and that you just want to keep watching when each episode comes to an end. You know the type. They're filled with mystery and intrigue, as well as wild plot developments that constantly keep you guessing. And they're exactly the thing to watch when you've had a long and busy day and just feel like immersing yourself in someone else's ups and downs. Perhaps you want to jump into a moody supernatural thriller. Maybe an involving crime drama is more your style — or you could prefer the ins and outs of a marriage rocked by scandal, the trials and tribulations of a hitman who really just wants to be an actor, or to see what happens when a flight attendant comes under suspicion for murder. They're all on offer on Binge, and we've teamed up with the streaming service to explain why you'll want to add them all to your must-watch list — including via a 14-day free trial for new customers.
What's a Brisbanite to do when they want to go slipping and sliding in a big way? Head to Wet 'n' Wild on the coast? Fashion their own in the backyard? Reminisce about the demolished-but-not-forgotten Amazons? With previous attempts to bring this type of giant, watery, inflatable attraction to town falling short, they've been the options so far. That was before Slideapalooza was born. First slated for November 2017 but now taking place on January 13 to 14 and again on January 19 to 21, this slip 'n' slide to end all slip 'n' slides will roll out its plastic at Sirromet Winery. If you're thinking what we're thinking, yes that does mean alcohol is involved — plus food, because you'll need to keep your energy up if you're getting wet and watery, and non-boozy beverages as well. Now, the numbers game. There'll be over a kilometre of inflatable slides just for single sliders, including two super sky-high options to really get you soaring. And, there'll also be a six-lane behemoth for group sliding, which spans the length of a footy field. Tickets cost $59 for adults, with morning (9am to 11.30am), lunch (11.30am to 2pm) and afternoon (2pm to 4.30pm) sessions available on each day.
It's the absolute last thing Melbourne needs right now, but just after 9am this morning, Wednesday, September 22, the city was hit by what's reported to be an earthquake. Yep — we're out here deep into Lockdown 6.0, having clocked up over 200 days of stay-at-home orders, and the universe goes and dials up the drama with the literal shifting of tectonic plates. Just who exactly Melbourne pissed off so badly, is yet to be revealed. The experts over at the Seismology Centre shared details of the quake on Twitter, confirming a magnitude 5.3 earthquake hit Gippsland and was felt right across Melbourne, a good 100 kilometres away. The earth shakes lasted about 20 seconds, which proved pretty exciting stuff for this particular writer who hadn't even had their morning coffee yet. The preliminary magnitude 5.3 estimation is yet to be officially confirmed and may be revised. As you can imagine, Twitter fired up instantly following the quake, as people rushed to swap notes on Melbourne's 843576th bad news event of the year. There'll be more information to come as the experts recover from this sneak environmental attack. But in the meantime, here are some winning reactions from the Twitterverse. We'll bring you more information as details unfold on the earthquake event from this morning. Sounds like Melbourne's going to be in need of a good construction industry — Josh Withers (@JoshuaWithers) September 21, 2021 im pretty sure an earthquake is the sixth seal opened during the apocalypse. good news melbourne, just one to go! — Jim Malo (@thejimmalo) September 21, 2021 Statewide earthquake in Vic, 5.6. Whoever is writing this script of the impending apocalypse is getting ridiculously heavy-handed, I mean just fucking introduce a fun love interest or something and give us a breakhttps://t.co/erVIIzC7Ny — Marieke Hardy (@mariekehardy) September 21, 2021 pic.twitter.com/appe69o1u5 — fungbunger (@parsfarce) September 21, 2021 At what point do we accept that God hates Melbourne? — James Colley (@JamColley) September 21, 2021 FACT: Melbourne are 0-1 in VFL/AFL Grand Finals that immediately followed magnitude 6.0+ earthquakes in Victoria pic.twitter.com/7cGOgsMfUY — Michael (@HiReception) September 22, 2021
Having a drink with friends is such a simple act, but it hasn't been easy for Australians this year. During the country's periods of lockdown — including two for Victorians — clinking glasses with your mates was mostly vanquished to the realm of fantasy. So now that life is slowly returning to normal, we're betting that you're more than a little keen to gather the gang, pick up your preferred beverage and make the most of it. This year hasn't been smooth sailing for the folks who make your favourite drinks either, of course. But when you're saying cheers with your nearest and dearest, you can also say cheers to local standouts like 6Ft6, Billson's and 3 Ravens in the process. They're responsible for three of Victoria's most-loved tipples, and they have the votes to prove it as part of the BWS Local Luvvas initiative. Over the last few months, the bottle shop retailer asked Aussies to pick their top local drinks, in which the winners receive an extra helping hand with getting their products stocked in more BWS stores. That's a big show of love in a year where everyone definitely needs it — and we've chatted to the talented teams behind the scenes at 6Ft6, Billson's and 3 Ravens to hear about their journeys. THE GEELONG WINERY ON AN EX-SHEEP FARM 6Ft6 prides itself on three things: its location, its varieties, and its talented viticulture and winemaking team. They're must-haves for every winery, but this Geelong vineyard boasts a particularly intriguing story behind the first two components on that list. Not only does it sprawl across an old run-down sheep farm in the Moorabool Valley, but it originally began with 90 acres of pinot noir — because when you know what you like to drink and where you'd like to drink it, you naturally go all in. That was back in 1982, when Austin's Wines was first established. It is now run by a second generation of family members, Scott and Belinda Austin, and counts 6Ft6 among its brands. Although many folks in the industry can make the same claim, Scott and Belinda are now living the dream. "We've always had a passion for drinking wine," Belinda explains, "and the love and learnings of growing and making wine has been a fascinating journey to be on". These days, Belinda isn't just passionate about sipping 6Ft6's tipples, but sharing them. "We love to spread a little cheer wherever we go, and this has been very relevant in 2020," she notes. That's an impressive attitude to have in this difficult year, especially one that has brought so many changes to the winery. "We have had to adapt in more ways than we could have imagined, from finding ways to make up for lost revenue for events and restaurant trade, to shifting to a digital focus in our marketing efforts," Belinda says. "The only thing that hasn't changed in 2020 is the grape-growing and winemaking process. We are glad something was predictable!" THE 155-YEAR-OLD BREWERY AND DISTILLERY USING ALPINE SPRING WATER Back in 1865, when English brewer George Billson founded the company that still bears his name, he couldn't have imagined what would follow. Established in Beechworth all those years ago purely to enable easy access to the town's alpine spring water — which it uses in its spirits, beers, cordials and sodas, as sourced from a 150-year-old red-brick well onsite — Billson's is now a must-visit regional destination. "Historically, our small business has relied almost solely on regional tourism," says director Nathan Cowan. That statement doesn't apply to 2020, though. "It's definitely been a challenging year for everyone," he notes. But local support has helped to keep Billson's afloat, and keep its team busy. "It's so awesome to see so many people supporting their local producers. We wouldn't be here without it," he says. "When people choose local, they are supporting far more than just the business. There are so many flow-on benefits to the entire community." When someone chooses Billson's spirits, they're choosing a tipple made by a company that's "completely captivated by the process of spirit-making," Cowan explains, describing the team's approach as "a mix between creative expression and science". Unsurprisingly, Billson's is committed to using local ingredients in that process, too. "We are passionate about showcasing our spectacular region," Cowan says. "Our talented team use as many fresh local ingredients as possible, and we are lucky to be surrounded by so many amazing growers." THE OLDEST INDEPENDENT BREWERY IN A BEER-LOVING CITY It might seem like a fool's errand, asking a Melburnian to pick their favourite local brew — and to select only one, too. When BWS did just that, however, the city showed its support for 3 Ravens. Founded in 2003, the Thornbury-based beer makers, bar and barrel room helped kickstart Australia's craft beer scene, and did the same in Melbourne as well. Sparked by "a love for more flavoursome European style ales at a time when Australian beer drinkers' options were a little lacklustre to say the least," as general manager Nathan Liascos explains, it's now the Victorian capital's oldest independent brewery. That isn't a status that the 3 Ravens team takes lightly. "Brewing good beer is relatively easy, but brewing excellent, award-winning beer requires a lot more attention to detail," he notes. "We're firm believers that even people who claim to not like beer can be won over by an excellent example of something that aligns with their tastes — and we feel like our job is done whenever we hear 'I don't usually like beer, but...'." When you love beer and you feel just as strongly about making it, singing your favourite brew's praises isn't a hard task. But 2020 has thrown more than a few challenges 3 Ravens' way, although Liascos is looking on the bright side. "There have been some positive outcomes that we've been able to celebrate this year so far, such as seeing increased public awareness and support of local and independent businesses, and an incredible level of ingenuity and adaptation to an increasingly challenging world," he says. "It's also been fun delivering to the locals and personally meeting the people that have been supporting us through these turbulent times." To find these or other Victorian drinks as part of the BWS Local Luvva's initiative, head to your nearest BWS store.
When Gelato Messina and Standard Procedure first joined forces back in 2022, the pair got saucy. Because getting sweet and slippery with Messina's frosty sweet treats wasn't enough, the two companies teamed up on gelato-flavoured lube — finger bun gelato-flavoured at that — as a limited-edition product. In 2023, the duo has reunited for another collaboration, this time focusing on the best weather to eat ice cream. Beach trips and ice creams have always gone hand in hand; however, mango, pineapple and vanilla gelato-scented Standard Procedure x Messina SPF50+ is new. Standard Procedure x Messina's sunscreen might be launching just in time for summer, dropping on Tuesday, November 21, but it's an all-year-round product. Stopping skin damage from the sun's rays isn't only necessary when the weather is warm. That said, like the lube, the new Messina merchandise is a limited-edition product — so nabbing some quickly is recommended. Each 250-millilitre bottle comes filled with high UVA and UVB protection, and adds to Standard Procedure's range of sunscreens. When you get slipping, slopping and slapping — and smelling like gelato — you'll be doing so with a non-greasy product that doesn't leave a white cast. Expect to feel hungry with those dessert scents emanating, with Messina's Summer Standard flavour — which includes mango swirls — the inspiration for the aroma. You can grab a bottle online now via both Standard Procedure and Messina, and also Qantas, plus at Messina and Sephora stores in the near future. Standard Procedure x Messina's sunscreen is available now via the Standard Procedure and Messina online stores, plus Qantas Marketplace. It's also on its way to Messina's physical outposts and Sephora's shelves.
Brisbane's balmy summers aren't just a blessing for beachgoers. If you're fond of cooling down on dry land with a spritz in your hand and the sun's rays on your face, this is your time to shine. Queensland's gorgeous climate, tastebud-tempting cocktails, and that carefree vibe that floats across the Brisbane River as soon as the season hits is certain to bring us back together. If you're wondering where to head, we've teamed up with Aperol to pick seven must-visit spots that'll take care of the holy trifecta: all that glorious sunshine, ample space for you and your pals, and, of course, spritzes.
According to a popular Christmas song that you're about to get stuck in your head claims, the festive season is the most wonderful time of the year. We have an alternative proposal, because October has to give it a run for its money. Not only are all things spooky and scary on the agenda as the end of the month nears, but all things beverage-related every October day beforehand. Yes, that means one thing: Oktoberfest. At Green Beacon on Saturday, October 20, the brewery is showing just how to celebrate this adopted occasion the only way it knows how. That's right, it's once again time for GB's annual party — for the sixth time, actually. You'll eat, drink and... well, actually, that's all there is to it. German-style brews will be on offer, GB will deck out the joint like it's a German beer hall, and the food menu includes pretzels, gose-marinated pork knuckle, schnitzel, German sausages and German salads. Who needs Christmas?
An institution in fine provisions since 1997, Rosalie Gourmet Market is your go-to spot for everything delicious and luxurious. From local goods such as Queensland honey, Jocelyn's Provisions sourdough and fresh fruit and veg to delicacies from across the seas, including Italian smallgoods, oils and panettone, the grocer is packed tight with every indulgence and artisanal treat you can imagine. Here, you'll find Belgian chocolates, a full patisserie, seasonal specialties, plus preserves, pickles, relishes and aged vinegars — everything that takes a meal from good to great with that extra bit of oomph. Level up your picnic game with terrines, pates and artisanal cheeses from Australia and abroad, or lean on its knowledgeable deli experts to put together a perfectly balanced charcuterie platter. You can grab a freshly made baguette for lunch, a gourmet cook-at-home meal and even arrange catering for your next event. The gourmet treats and hampers are the ultimate gift for the foodie in your life, especially when paired with a bottle of bubbles and fresh flowers.
If you like eating breakfast, brunch and lunch in leafy surroundings, then you're probably fond of parkside and al fresco dining. Step inside James Street's newest addition, however, and you'll still be be greeted by plants aplenty. You can browse through and buy some before or after your meal, too, now that nursery pop-up The Green has set up permanent digs — and also combined it with a Middle Eastern eatery. After selling potted greenery further along the busy Fortitude Valley street, and earning a following in the process, The Green has nestled into its long-term home in the same vicinity. You'll find it in a space that's been designed by Channon Architects to resemble an urban oasis, and boasts timber, raw concrete, marble and red-hued interiors by Borhan Ghorfran. You'll also spy cascading plants both indoors and in its outdoor dining pavilion and garden room. Offering a curated, design-driven range of plants and homewares, The Green stocks everything from eye-catching leafiness to items made by Relik Designs, by local artist Luke Mansini — if you're looking for something green for your home, and something to put it in. Handmade Japanese ceramics also sit on the shelves, and the store will soon feature its own flower bar. Need some advice? You can also pick up tips and information on plant styling and landscape design options, and get design consultations. When it comes to food, owners Christina Habchi and Angela Sclavos — the latter of whom is also behind fellow recent Valley newcomer Essa — have enlisted Executive Chef Warren Turnbull (Tetsuya, Assiette, Chur Burger) to oversee a Lebanese-inspired menu. The Green dials daytime dining up a few notches, combining fine-diner cooking techniques with Middle Eastern dishes. And, it also does takeaway and catering. To start the day, green shakshuka with smoked labneh, chilli and Turkish bread sits on the breakfast lineup alongside tahini granola with blood orange, cacao, coconut yoghurt and barberries. Or, for lunch, there's rainbow chard and montasio cheese brick rolls, grilled zhug marinated lamb cutlets with smoked onion puree and crispy shallots, and spiced cured ora king salmon with golden beetroot, horseradish and lemon seed lavosh. And if you're wondering how The Green came about, it was originally sparked by Habchi and Sclavos' aim to give the area a great place to buy plants — and somewhere that paired them with coffee, too. Find The Green at Shop 1/27 James Street, Fortitude Valley — open daily from 7am–5pm. Images: PHNX Digital.
It's not often we're told our public transport costs are going to decrease. In fact, this will be the first time it has ever happened in Queensland at all. From November 3 this year, the state government will use its $30 million savings from the abolished carbon tax to drop the cost of all trains, buses and ferries by five per cent. The decision to drop public transport costs comes as a result of a government survey of 22,000 people. When asked whether they would prefer the money to fund fare cuts or create additional services, 74 per cent of participants opted for the cuts. With the changes in place peak Zone 1 travel will cost $3.35 instead of $3.53, and off-peak will be $2.69 from $2.83. However those with long commutes will see the biggest savings. Those regularly travelling from the Gold Coast to Brisbane's CBD will save nearly $300 per year. "Under the LNP, families now have more money in their back pocket, compared to Labor's record of ongoing 15 per cent fare hikes," Premier Campbell Newman told the ABC. The new prices will be frozen for the entirety of 2015, but some remain sceptical of the sustainability of the changes. The state Opposition claim the LNP plan to privatise the public transport network in the long term and ultimately commuters will be suffering much worse. Similar concerns have been echoed by those in public transport advocacy groups. While we're a big fan of cheaper public transport, it's also important to remember where that money came from. Following the repeal of the carbon tax, 30,000 people are currently marching the city streets for new action on climate change, and the UN Climate Summit is about to go ahead in New York without Prime Minister Tony Abbott. Will we still get cheap trains if the tracks warp from global warming? With the new prices to go ahead from November 3, here's how our major cities full-priced fares compare: Brisbane GoCard Zone 1: $3.35 peak, $2.69 off-peak Zone 2: $3.93 peak, $3.15 off-peak Melbourne Myki 2 hour Zone 1: $3.58 2 hour Zone 2: $2.48 2 hour Zone 1 and 2: $6.06 Sydney Opal Zone 1: $3.30 peak, $2.31 off-peak Zone 2: $4.10 peak, $2.87 off-peak Via Brisbane Times and ABC. Photo credits: AlanFisher Imagery and wiccked via photopin cc
2020 has been a devastating year to cap off a tough decade for arts and entertainment in Australia. The global pandemic that has decimated the industry comes after years of overbearing lockout laws and strict licensing regimes for festivals in NSW. Now, as the industry begins to emerge from the rubble, it's getting some much-needed support from the Federal Government. The Restart Investment to Sustain and Expand (RISE) Fund is a government initiative that will invest $75 million into supporting the arts and entertainment sector across the next 12 months. One recipient of the funding is Splendour in the Grass and Falls Festival organiser Secret Sounds, who has received funding to put towards launching a new festival in 2021. Secret Sounds Group Co-CEO Jessica Ducrou didn't give much away about the new venture, telling Concrete Playground, "Secret Sounds is thrilled to receive financial support and recognition for an exciting innovative project we look forward to launching in 2021." The new festival will sit alongside the 2021 edition of Splendour in the Grass, which is currently planned for July with headliners Gorillaz, The Strokes and Tyler, the Creator pending mass gathering and border restrictions. The festival was postponed to 2021 in June due to the COVID-19 pandemic. Federal Minister for the Arts Paul Fletcher announced the Victorian recipients of RISE grants on Monday, November 23. Among the Victorian recipients are the Melbourne Theatre Company, which received just over a million for three new Australian works, as well as the Melbourne International Arts Festival, Melbourne Fringe and Grande Experiences who recently worked on Sydney's Van Gogh Alive. [caption id="attachment_636254" align="alignnone" width="1920"] Bec Taylor[/caption] The full list of recipients is expected next month, but according to a report by the Sydney Morning Herald, 28 NSW organisations will receive funding. Some of those include Byron Bay's Bluesfest, which is forging ahead with its Easter long weekend event for 2021, the Darlinghurst Theatre Company and the Australian Theatre for Young People. A new Secret Sounds-run festival will be a welcome addition to 2021 after a year void of major events and music festivals. Summer festival announcements have begun to roll, however, following the easing of gathering restrictions across the country in recent months. So far This That, Untitled Day Party, the newly funded Byron Bay Bluesfest and Yours & Owls have all announced 2021 dates with all-Australian lineups. A full list of recipients of the RISE grant will be announced mid-December. You can stay up to date at arts.gov.au. Top image: Justin Ma
Three shows on the Australian leg of Lady Gaga's The MAYHEM Ball tour were never going to be enough. First, a second Melbourne gig was added during the presale period — and now a second Sydney concert has joined her Aussie trip as well. If you're hoping for more from there to meet demand, however, that's all there'll be. Tour organisers have advised that the latest Harbour City concert is the singer's final Australian date on this run. Little monsters, you were already excited — but now you have more chances to see Mother Monster live. On her December 2025 visit this way, Lady Gaga is playing five gigs: across Friday, December 5–Saturday, December 6 at Marvel Stadium in Melbourne, then on Tuesday, December 9 at Suncorp Stadium in Brisbane, before finishing up over Friday, December 12–Saturday, December 13 at Sydney's Accor Stadium. When the 14-time Grammy Award-winner takes to the stage at the quintet of massive concerts, she'll not only play her first Australian shows in 11 years — she'll do her first-ever Australian stadium concerts as well. The tour kicks off in Las Vegas in July, a few months after Lady Gaga finishes her two-weekend Coachella headlining gig — the second of which can be livestreamed worldwide across Saturday, April 19–Monday, April 21 Australian time, just as everyone did with the first. Before The MAYHEM Ball tour begins, she's also doing shows in Mexico City, Singapore and Rio de Janeiro. After her Vegas dates, everywhere from Las Vegas, New York and Toronto to London, Stockholm, Berlin and Paris will also score Stefani Joanne Angelina Germanotta's presence. Given that this is Gaga's first Aussie visit since 2014's ArtRave: The ARTPOP Ball gigs (with the Joanne and Chromatica Ball tours bypassing this part of the world), tickets for the local leg have understandably been going fast. When she added 13 new dates to the initially announced first shows on the tour overseas, they all sold out swiftly. As the name makes plain, Germanotta is touring on the back of MAYHEM, her latest album — and seventh in a row to go to number one on the Billboard 200. It also debuted in the top spot on Australia's charts, and gave Gaga her biggest streaming week ever by notching up 240-million streams on its first week alone. In addition to MAYHEM tracks such as 'Disease', 'Abracadabra' and 'Die with a Smile', fans can likely look forward to hits from across the artist's career, such as 'Poker Face', 'Bad Romance', 'Paparazzi', 'Born This Way' and 'Rain on Me' — plus, of course, seeing Gaga live onstage, rather than getting your fix via her film work in recent years in A Star Is Born, House of Gucci and Joker: Folie à Deux. Lady Gaga's The Mayhem Tour Australia 2025 Dates Friday, December 5–Saturday, December 6 — Marvel Stadium, Melbourne Tuesday, December 9 — Suncorp Stadium, Brisbane Friday, December 12–Saturday, December 13 — Accor Stadium, Sydney [caption id="attachment_998819" align="alignnone" width="1920"] Frank Lebon[/caption] Lady Gaga is touring Australia in December 2025. General sales kicked off at 12pm on Thursday, April 17 for more shows, with times varying per city. For the second Sydney date, presales will start at 12pm on Tuesday, April 22, then general sales from 1pm on Thursday, April 24. Head to the tour website for more details. Live images: Raph PH via Flickr.
"Ain't no American dream for Black folks," Turquoise Jones (Nicole Beharie) is told partway through Miss Juneteenth by her boss Wayman (Marcus M Mauldin). The latter isn't being dismissive or pessimistic, just realistic — he owns the Fort Worth bar and barbecue joint where Turquoise works, and that she's always trying to spruce up; however, he's comfortable simply holding onto the place he's fought so hard to call his own. He outlines that struggle to his super-conscientious and hard-working number-one employee, including the efforts by developers to buy him out and gentrify this corner of Texas. He explains why the comfort-food menu, the boozy regulars and the fact that his joint is a beloved neighbourhood hangout spot all means so much to him. He not only utters a powerful line, but a potent explanation of how the US operates for people of colour, who often aren't even given the luxury of dreaming big. By this point in this observant, tender but clear-eyed film, it's already apparent that Turquoise's life hasn't turned out as she wished as a child, and that she's striving to ensure that things are better for her 15-year-old daughter Kai (Alexis Chikaeze). Also evident: that Turquoise was on a different path a decade and a half ago, after winning the local Miss Juneteenth beauty pageant and earning a scholarship to the historically Black college of her choosing. Doing the math, it's easy to work out why Turquoise's plans faltered, and why she's so determined that Kai enter the upcoming pageant, wow everyone, win and make the most of the coveted opportunity. Miss Juneteenth is a movie about choices, though — a movie about grabbing what you can when so much is snatched away or simply out of reach for unfair reasons — and it never forgets that it takes strength and courage to truly understand what the best options are. For those wondering about the pageant's portmanteau name, and the movie's, it hails back to June 19, 1865, and the chapter of history it refers to is pivotal to the feature. More than two years earlier, slavery was outlawed in the US via President Abraham Lincoln's Emancipation Proclamation — but Black Texans weren't told until the date now celebrated as Juneteenth. Accordingly, the contest that gives the film its moniker is supposed to be a celebration, a recognition of the past, and a chance for young women to take a proud and empowered step forward. But, as Turquoise's very existence typifies even if she hasn't quite realised it yet, it also enforces a strict set of rules, standards and expectations upon Black teenage girls. It dictates who they should be rather than letting them dare to attempt to follow their own hearts, learn to be independent, shape their own identities, and accept that their own hopes and desires might differ from those imposed upon them. The feature directorial debut of writer/director Channing Godfrey Peoples, Miss Juneteenth makes a careful and graceful effort to balance two ideas: that American society doesn't just have a problematic history with race relations, but that inequality is now engrained in everyday life; and that choosing one's own future, rather than ever simply towing a mandated line, is wholeheartedly worth fighting for even with seemingly insurmountable obstacles in the way. Turquoise describes her 2004 crown win as feeling "like I was walking into a new life", while Kai would prefer to join her school's dance team and hang out with her boyfriend (Jaime Matthis) than don formal gowns, memorise Maya Angelou poems and learn which cutlery to use when; however, they're not the only people caught in the middle of this situation. Whenever Turquoise asks her mother Charlotte (Lori Hayes) for assistance — to watch Kai while she flits between her two jobs, trying to earn enough money for pageant fees, expensive dresses and to keep the power on — she's confronted by a disapproving woman who uses religion to escape her own deep-seated woes. And while Turquoise's ex and Kai's father Ronnie (Kendrick Sampson) wants to be part of their lives permanently, his unreliable choices — also endeavouring to push him ahead in life — repeatedly spark further worries. Little about Miss Juneteenth's message, themes or the clashing predicament the film covers is new, of course. Nor is the time spent watching, with a cynical eye, the pomp and ceremony of the eponymous pageant. And yet this affecting drama always proves keenly observed, sincerely handled and authentic. Naturalistic cinematography helps — the type that lets audiences see the grimy bathroom Turquoise has to clean at work, but also spots the vivid colours in objects around her — but the picture's naturalistic central portrayals are its biggest strength. Playing a woman who has spent her whole life thinking that success only looks one specific way, Beharie takes Turquoise on an internalised journey that makes its impact known in every gesture and gaze. It's a complex, nuanced performance, and one that demonstrates why the Shame, Black Mirror and Little Fires Everywhere actor should be a bigger presence on the big and small screens. The movie's scenes between Beharie and engaging first-timer Chikaeze are just as special, though, and give Miss Juneteenth its foundation. As a filmmaker, Peoples sees the past, present and future of her characters, and of Black Americans, in tandem — and while her feature doesn't pretend to speak to the entire Black experience, it eagerly, generously and openly endeavours to lay bare as much about its chosen slice of life as possible. https://www.youtube.com/watch?v=XgUZ2AHp4rU
If movies have taught us anything, it's that there's nothing quite like a romantic vacation with your significant other. Obviously, real life has taught us that as well. And with Valentine's Day upon us for 2023, Jetstar has dropped a hefty sale to help make that amorous dream come true — another round of its popular 'return for free' sale, no less. The airline is doing discounted flights across Australia and to a range of international destinations, including in Thailand, Japan and New Zealand. Wherever you'd like to head, the key part of this sale is coming home without paying for the flight, making your holiday oh-so-much cheaper for you and your special someone. Running from Valentine's Day through till 11.59pm AEDT on Monday, February 20, or until sold out, it really is as straightforward as it sounds. Whatever flights you opt for as part of the sale, you'll get the return fare for nothing. There is a twist this time around, however. Jetstar's current return-for-free sale is focused on holiday packages, rather than just airfares. So, you'll be nabbing your flights and accommodation in the one transaction, and scoring those return fares for nothing in the process. On the destinations list: Tokyo, Phuket, Queenstown, Uluru, The Whitsundays and more. Out of Melbourne, flights and five nights at Nap Patong Phuket starts at $751 per person, for instance, while heading from Sydney to Daydream Island Resort for three nights kicks in from $784 per person. Deals include staying everywhere from Tokyo's Hotel Gracery Shinjuku, aka the Japanese capital's famous Godzilla hotel, through to mountainview resort options aplenty in NZ. Packages in the sale are for trips across a variety of dates depending on the destination, but are generally focused on mid-July—late November this year. Inclusions also vary per location and hotel, but span daily breakfast, dinner and late checkout. There are a few rules, as is always the case. You have to the same departure and arrival ports for the two fares — so you can go from Melbourne to Honolulu and back, for instance, but can't return via another place or to another city. And, the sale fares don't include checked baggage, so you'll need to travel super light or pay extra to take a suitcase. Jetstar's 'return for free' sale runs until 11.59pm AEDT on Monday, February 20 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Australia loves a drive-thru. Before the pandemic, the country became home to the first-ever drive-thru-only KFC in the world. In 2020 and 2021, during various COVID-19 restrictions, every business everywhere seemed to embrace keeping customers in their cars. Brisbane even scored temporary lasagne and wine, mac 'n' cheese, and Ekka-centric strawberry sundae, dagwood dog and Bertie Beetle showbag drive-thrus. Up next: the nation's debut Grill'd drive-thru, which is now open in Mt Ommaney in Brisbane's west. Taking over a site that used to be a Hungry Jack's, it's slinging the chain's burgs in a more convenient way from outside the suburb's shopping centre. [caption id="attachment_909056" align="alignnone" width="1920"] Coffee shop soulja via Flickr[/caption] The move comes almost 20 years since Grill'd launched in 2004 in Hawthorn in Melbourne, then started spreading around the country. Now, the chain boasts 165 stores in Australia, plus one in Bali. Hit the drive-thru at Mt Ommaney and you'll find a choice of more than 40 menu options, spanning Grill'd's burger range — including beef, wagyu, chicken, fried chicken, lamb and vegetarian options — as well as its sliders, salads and onion rings. And yes, you can get potato, sweet potato and zucchini fries with that. [caption id="attachment_909053" align="alignnone" width="1920"] Adrian Gigante via Flickr[/caption] While the new drive-thru opened at the end of June, Grill'd is celebrating its milestone with a day of $5 burgers — including for drive-thru customers, of course. Head along in your car from 10.30am–9pm on Saturday, July 15. The caveats: you can only nab a Simply Grill'd, Crispy Bacon & Cheese, Simon Says, HFC Classic, Kids Cheeseburger & Garden Goodness Burgers, and only on traditional buns. Also, you can't call in a takeaway order or get delivery. And, everyone can only get two discounted burgers each. Find Grill'd's drive-thru store at 171 Dandenong Road, Mt Ommaney — and it's doing $5 burger deals on orders from 10.30am–9pm on Saturday, July 15.
Apologies to your usual streaming queue — and to everything from the past month you're still trying to catch up with, too — but if you're a horror fan, there's only one acceptable way to spend your viewing time during October. Filling every spare second with unnerving flicks new and old is what the lead up to Halloween is all about. Scary movies work all year round, of course, but this is their season. Here's one to add to your list for your next couch session: Jordan Peele's Nope, the comedian-turned-filmmaker's third stint behind the camera, and a movie that's just as great as his Oscar-winning Get Out and equally exceptional Us. Yep, when it comes to making the leap from an iconic sketch comedy series to helming horror fare — and having a hand in bringing everything from BlacKkKlansman and the ace latest Candyman flick to Hunters and Lovecraft Country to our eyeballs, too — the former Key & Peele has been having a helluva time of it. Nope only hit cinemas in mid-August, and it's actually still showing on the big screen — so it joins the list of films that've been fast-tracked to digital while still gracing picture palaces. That's no longer a rarity, given that everything from Dune, The Matrix Resurrections, Spencer and West Side Story through to Everything Everywhere All At Once, The Unbearable Weight of Massive Talent and Elvis have done the same thing this year. Still, the timing of this digital release couldn't be better, especially if you've spent the first few days of October working out which chilling movies you're going to enjoy all month. The film reteams Peele with Get Out star and Judas and the Black Messiah Oscar-winner Daniel Kaluuya, with the latter playing Haywood's Hollywood Horses trainer OJ. His family ranch is proudly run by the only Black-owned horse trainers in show business (with Hustlers' Keke Palmer as his sister Emerald), with their connection to the industry dating back to the very birth of cinema. But their remote patch of inland California soon becomes home to a disturbing discovery — and the fact that everyone spends a fair amount of time either looking up in horror or running away from something chilling in the sky in the trailers says plenty. Emerald decides that they need to capture what's happening on film, which is where Michael Wincott (Veni Vidi Vici) and Brandon Perea (The OA) come in — one charged with standing behind the lens, the other selling tech equipment. And, the Haywoods aren't the only California residents seeing this uncanny presence in the sky, with neighbour, rodeo cowboy and former child star Ricky 'Jupe' Park (Steven Yeun, The Humans) also peering upwards. As with all of Peele's celluloid nightmares so far, the less you know going in, the better. Get ready for a whirlwind of unsettling imagery, though, including fields of colourful inflatable tube men waving in the breeze, the creepiest of clouds and shadows, and a big leap into X-Files territory. Check out the full trailer for Nope below: Nope is currently screening in Australian cinemas (and NZ cinemas), and is also available to stream online via video on demand — including via Google Play, YouTube Movies, iTunes and Prime Video in Australia, and Neon, Google Play and iTunes in NZ. Read our full review.
Roll up, roll up, it's show time — and not just in the obvious spot. The Ekka isn't the only place for games and fun in August, and it's not even the only place in and around Fortitude Valley, with Netherworld arcade game bar upping the ante for nearly two weeks of the month. From Tuesday, August 6 to Sunday, August 18, the St Paul's Terrace hangout is hosting its very own Netherworld Sideshow, combining the usual offerings with a few extra special inclusions. Expect their existing array of tables, machines and consoles, plus added carnival games, guest machines, fairy floss — and even creepy clowns. We'll let you decide if that last one is a good or a bad thing. The on-site cafe, aka the Hellmouth Diner, will also be cranking out carnival-style fare, so your stomach can get in on the action as well. And, you'll also be able to buy Netherworld showbags filled with merchandise and goodies. Plus, we're guessing you have a better chance of avoiding getting the flu here.
You answer a knock at the door, thinking you’ll find a familiar face only to be met with an impromptu party. Sure, that doesn’t sound too bad — but when your expected visitor is a teenager you met in a train station the day before, arriving with his hustler friends in tow, it doesn’t sound too good, either. This is where mild-mannered, middle-aged Daniel (Olivier Rabourdin) finds himself in Eastern Boys — and where cinema finds one of its most striking scenes in years. Shy-looking Ukrainian immigrant Marek (Kirill Emelyanov) arrives at Daniel’s apartment after accepting money for sex, his pals barging in, stealing stuff and trashing the place. Unravelling against an electronic soundtrack, it’s a sight that’s both unsettling and unforgettable. The movie takes its time in showing every detail of the home invasion, not only forcing Daniel to linger, but making the audience do the same. Prepare to feel stunned and awkward. Prepare to keep watching, too, and not just taking in the visuals and following the storyline. Eastern Boys is a film of observation, making you look close and then closer, and then even closer again. You’d best be scrutinising everything you can see, from the long shots of Paris's crowded Gare du Nord and the dialogue-free glances that fill the feature’s first frames. The movie demands that you gaze from afar while trying to delve beneath the surface, which is also what it offers in its complicated character studies. Never going where anyone might predict, this isn’t a tale about trouble and revenge, but a film that’s part love story, part thriller — and neither of those sticks with convention or worries about leaps in logic. Chapters signal shifts in the story, involving Daniel, Marek and Boss (Daniil Vorobyov), the volatile but charming Russian leader of the pack, as well. Power, survival, identity, affection and belonging are all wrapped up in a movie equally personal and topical. It manages to combine the attempts of men trying to carve out a different life however they can with a broader contemplation of class and immigration, and it does so with moments of horror, hope and heartbreak. Anyone familiar with French TV series The Returned will know the kind of style writer/director/editor Robin Campillo’s favours in only his second effort as a filmmaker: slow-moving, atmospheric, precise and always showing rather than telling. Here, it’s an ideal fit for a narrative that doesn’t try to justify what is going on but instead wants viewers to witness the actions, reactions, interactions and transactions that make up its reality and draw their own conclusions. Kudos also must go to his excellent cast for their naturalistic performances, specifically veteran Rabourdin and relative newcomers Emelyanov and Vorobyov. Making a movie feel intense, involving and intimate at the same time isn’t easy, but they ensure we’re always watching. Not that you have a choice — with a tale this simultaneously tense and tender, just try to look away.
Hallmark know a thing or two about invented celebration — heck, they did quite the number on that Valentine's Day. But there's never been a better reason to squeal and toss the nearest confetti-like whatever than Hallmark's latest campaign, the greeting card giants have hired puppies to deliver your mail. Have. Hired. Post. Puppies. With tiny, tiny mailbags. This is not a drill. To celebrate the launch of Hallmark's new Australian-only app, HelloYou:), (smiley face included, not this writer's haphazard love of emoticons), Hallmark have employed a team of outstandingly squealworthy, smooshface, ohp-dohp-dohp puppies to act as posties. The campaign runs like this: you download the HelloYou:) app to your smartphone, create a personalised card with your big ol' face on it, send it to the person in your life you most need brownie points from and it could be delivered by a tiny puppy in a tiny personalised uniform wearing a tiny mailbag within a few days. Could be. You're going to be pretty disappointed if some puppyless dude just shows up on your doorstep. Post Puppies will be in action on nominated dates between July 21 and August 8 in selected Australian cities. We're not sure how Hallmark acquired these tiny, tiny postal workers, whether they're getting good rates (read: pats and treats) and if they're allowed sick leave after all those love cards have been delivered. We're also pretty sure people will simply send cards to themselves to take all the postal puppy love for themselves (you selfish, selfish geniuses). Check out Hallmark's disarmingly adorable video below, in which a HelloYou:) user disturbs a tiny sleeping Golden Retriever with her need for post. Luckily, this pup takes the postal service seriously. We take no responsibility for you becoming the Office Weirdo for squealing at your computer after this little escapade: https://youtube.com/watch?v=uZwvmOczk-8
Rooftop bars — who doesn’t love 'em? Climbing up to the highest reaches of a building (preferably by elevator), grabbing a drink and kicking back while gazing out over the city below. Bliss. Brisbane already has its fair share of lofty establishments, however The Point is raising the stakes with their new rooftop bar. Coming soon, Eagles Nest is the newest member of the high-flying Brisbane bar scene. Those eager to wind down their weekends with an applaudable view will be flocking to Kangaroo Point to sip chilled champagne, enjoy the river breeze and take in that glorious sunset. After renovations in 2011, the hotel destined to become the favourite haunt of many continues to impress; with Eagles Nest its latest feature. A certain feather in The Point's cap, the top floor space offers Sunday afternoons of refreshing beverages and live music by duo 3rd Above, all set against a stunning panoramic backdrop of the city, the Story Bridge and New Farm. Other bars enjoy vantage points looking out over Brisbane, sure, but nowhere else has a view like this. Opening at 4pm on February 15, Eagles Nest is purely a Sunday affair, but that doesn't mean they're not making their one trading day of the week something special. Partnering with Moet and Chandon, Moet 'Ice' Imperial — the first champagne created to be served on ice — is the venue's drink of choice. Those with a taste for other tipples can choose from contemporary and classic cocktails, a comprehensive wine list, and local and imported ales. Find Eagles Nest Brisbane on the top floor of 21 Lambert Street, Kangaroo Point. Visit their website for more information.
UPDATE, January 25, 2022: The Long Sunset has been postponed from Saturday, February 12 to Saturday, April 30 "with the safety of staff, artists, punters and the wider music community in mind". This article has been updated to reflect that change. It's just been named one of the best places in the world to visit in 2022, and it's about to give you another reason to stop by. That'd be southeast Queensland's Scenic Rim region, which will play host to the state's newest music event early next year: The Long Sunset. On Saturday, April 30, the music and camping festival will sprawl across Elysian Fields in Canungra — and it'll make the most of its almost 500-acre location. Listening to live tunes may be the main drawcard, as well as bunking down for the night afterwards, but this fest will also fill its sprawling venue with other highlights. Think: cocktail bars, pop-up art galleries celebrating local artists and artisans, and a range of homegrown food highlights. The full event rundown hasn't been revealed as yet, but one key thing has been announced: The Long Sunset's headliners. Angus and Julia Stone will do their first Queensland gig together since 2018, with Brisbane's own Ball Park Music also taking to the stage. Byron Bay's Babe Rainbow is on the bill as well, alongside Jack Gray, Clea, Asha Jeffries, Sofia Isella and Cheek2Cheek. The fest will be an all-ages affair — organisers have used the word "wholesome" to describe it — and it's also aiming to entice visitors to check out the rest of the Scenic Rim while they're there. And yes, as the name suggests, you can expect quite the dazzling display as day turns to night — with sunset at Elysian Fields seeing beams of light flicker over from the region's surrounding mountain ranges. If you're keen, ticket pre-sales will be available from 8am on Monday, November 8, before general sales start at 9am on Tuesday, November 9.
For around 140 years, since back in the 1880s, Australians have been able to make calls from public payphones. Most of us might now carry mobile phones around with us in our pockets, but public payphones are still there — in case your battery is flat, you have no signal, you've lost or forgotten your phone, you simply don't have one, or there's an emergency. And, if you need to use one of Telstra's handsets while you're out and about, you now won't have to pay a thing if you're making a local, national or mobile call. Coins, phone cards, credit cards, debit cards: these have been acceptable forms of payment in the past; however, now you won't need them to get dialling in most situations. If you're calling overseas, that'll still cost you, but otherwise you can use Telstra's 15,000 payphones across the country for free. Telstra CEO Andrew Penn announced the news in a statement on the company's website, noting that "since mobiles became nearly universal, a lot of Australians might not give them [payphones] much thought. Until there's a natural disaster. Until you're in vulnerable circumstances, homeless or fleeing domestic violence." He continued: "that's why I decided it's time to make payphones free. Because even in the age of the smartphone, they play such a critical role in our community, particularly in times of need, and particularly for those in need." "I've seen myself how much payphones are part of the fabric of Australia and how important they are in good times, and bad. I've seen queues of people waiting in line, coins at the ready, to use a payphone to call home and tell their family and friends they're safe after a bushfire, a cyclone or some other natural disaster has taken the mobile network down," Penn said. "I know payphones are also a lifeline for thousands of vulnerable Australians — the homeless, the isolated, those escaping domestic violence — and often provide their only link to critical support services and those that care about them." Gone are the days when every 90s kid had a phonecard in their wallet to use when they needed to call home, but Australians still made 11 million payphone calls in 2020, including more than 230,000 to essential services such as Triple Zero. For more information about Telstra's free payphone calls, head to the company's website. Images: Sarah Tee.
If you're a fan of dance music, fond of getting nostalgic, and reside in Australia or New Zealand, then you're living in booming times for the intersection of all three. Ministry of Sound is one of the reasons. When it's not throwing massive 90s and 00s parties that nod back to raves three decades back and club nights at the turn of the century, it's busting out Ministry of Sound Classical, the orchestral tour that gives bangers from the past 30 years a new live spin. Separate to the similar Synthony, Ministry of Sound Classical has been popping up Down Under for a few years now. Before 2024 comes to a close, folks in Melbourne, Brisbane, Perth and Auckland will get another chance to attend. The tour has locked in dates in all four cities for prime party season — aka November and December. The brand that started as a London club night back in 1991 won't just get the Ministry of Sound Orchestra led by Vanessa Perica taking to the stage. Joining the fun this time around is DJ Groove Terminator, while the vocal lineup includes Reigan, Karina Chavez, Rudy, Lady Lyric and Luke Antony. Ministry of Sound Classical will head to Spark Arena first, with Tall Paul and General Lee in support. After that, it's Sidney Myer Music Bowl's turn, as accompanied by Tall Paul, John Course, Sunshine & Disco Faith Choir and Piero. Brisbane Riverstage is the next stop, which is where Stafford Brothers, Sgt Slick, Vinyl Slingers and Rousey will pop up. And at Kings Park & Botanic Garden, Perth, Stanton Warriors, Sgt Slick and Micah will feature. As it surveys tunes that've filled dance floors over the past three decades, the event provides the answer to a question you didn't know you had: what do classical renditions of Basement Jaxx, Darude, Röyksopp, Robin, Underworld, Moby, Fisher and more sound like played by an orchestra? And again, yes, it all sounds a lot like Synthony, which does the same thing — but who doesn't love getting multiple opportunities to hear dance-floor fillers given a classical spin? Ministry of Sound Classical Australian and New Zealand 2024 Dates: Saturday, November 9 — Spark Arena, Auckland, supported by Tall Paul and General Lee Saturday, November 16 — Sidney Myer Music Bowl, Melbourne, supported by Tall Paul, John Course, Sunshine & Disco Faith Choir and Piero Saturday, November 30 — Riverstage, Brisbane, supported by Stafford Brothers, Sgt Slick, Vinyl Slingers and Rousey Friday, December 13 — Kings Park & Botanic Garden, Perth, supported by Stanton Warriors, Sgt Slick and Micah 2024's Ministry of Sound Classical tour will pop up across November and December. For further details and tickets — with presales from Wednesday, July 3 at 12pm AEST/10am WST/12pm NZST, then general sales from Thursday, July 4 at the same times — head to the tour website. Images: Ruby Boland.
Back at the beginning of December, life in Australia seemed like it was largely returning to normal after a tough year spent coping with the COVID-19 pandemic. Then Sydney experienced a cluster of cases in the northern beaches region, cases popped up in Victoria as well, and now Brisbane is responding to the country's first local case of the new, more contagious coronavirus strain. Due to the latter situation — with a hotel quarantine worker testing positive to COVID-19 — the nation has been reacting at both the state and federal government levels. The Greater Brisbane area is going into lockdown for three days, and New South Wales is requiring anyone who has been in the region since January 2 and is now down south to also stay at home under the same conditions for the same period. In the latest announcement on the news-filled day that is today, Friday, January 8, Prime Minister Scott Morrison has made a similar statement, covering the whole country. Firstly, following the first Australian national cabinet meeting for 2021, the Prime Minister revealed that the Greater Brisbane area has been declared a COVID-19 hotspot at the commonwealth level. That applies to the Brisbane, Logan, Ipswich, Moreton and Redlands local government areas. Secondly, the PM has said that anyone who is in the rest of Australia but has visited Greater Brisbane should "treat yourself as if you are in those places". "Our message to Australians who are in those areas is — stay where you are," the Prime Minister said. "Don't go anywhere. Don't go home to another state or any other part of your state. Over the next few days, stay where you are. If you're somewhere else and you are planning to go there, don't. You should get tested. You should monitor your symptoms. And until you've gone through the testing process, you should remain isolated." https://twitter.com/ScottMorrisonMP/status/1347311954625396737 Queensland Health has made a similar statement about travellers from the state itself, announcing that anyone from Queensland who has been in the Greater Brisbane area since January 2 but is now elsewhere must quarantine wherever they are. They'll also need to wear a mask when they leave their homes — for one of the four reasons permitted during Greater Brisbane's lockdown. Other states and territories around the country have also been implementing their own restrictions on folks from Greater Brisbane, or who've visited there recently — and on the entirety of Queensland in some instances. As has been the case for much of 2020, the rules vary depending on the state and territory. As today's development's have shown, they're changing fast. At the time of writing, Victoria's Department of Health and Human Services advises that anyone who has arrived in Victoria from Greater Brisbane since January 2 should get tested, and remain at home or wherever they're staying until Monday, January 11, when a further assessment about the situation will be made. Tasmania has declared the Greater Brisbane region a high-risk area. Anyone who has arrived in Tasmania after spending time in Greater Brisbane since January 2 must immediately self-isolate and contact the state's Public Health Hotline, while anyone who has been in the area and intends to travel to Tassie won't be allowed to enter, unless they receive an exemption. In the Northern Territory, travel limits have also been put in place, affecting folks from the Greater Brisbane area. The hotspot declaration came into effect this morning, on Friday, January 8, and means anyone entering the NT from the region will have to go into quarantine for two weeks. South Australia is bringing in a quarantine requirement, too, from midnight as Saturday, January 9 begins, which means that arrivals from Greater Brisbane will need to isolate for two weeks. Anyone currently in SA who has been in the Greater Brisbane area since January 2 must get tested immediately. The Australian Capital Territory will require anyone who has been in the Greater Brisbane area since January 2 to go into isolation for 14 days from when they were last in the area. That comes into effect from 3pm on Friday, January 8. https://twitter.com/MarkMcGowanMP/status/1347373468585660417 Over in Western Australia, a hard border has been brought back in with all of Queensland. At midnight tonight, the border will close to anyone who has been in the Sunshine State since January 2, and anyone who receives an exemption to still enter WA will have to go into quarantine for 14 days and undertake COVID-19 testing at two different points. Those currently in WA who have been in Queensland since January 2 must self-isolate until they have spent 14 days in WA, and must get tested by January 12 and then have another test on day 11 of their quarantine. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
Sitting in a middle seat is few people's favourite way to fly, so Virgin Australia ran a lottery that gave away prizes to make the dreaded perch more enticing. Not knowing where your bag is when you disembark the plane is a downright travel nightmare — and now the airline is tackling that, too, this time by rolling out a baggage-tracking tool. Virgin Australia has been testing the new feature since May, but Monday, August 28 marks its launch on almost 70-percent of domestic flights. Accordingly, the next time you fly there's a high chance that you'll be able to track the status of your luggage via the carrier's app. The function marks a first for an Australian airline, and is included free on the routes that it's available on. Obviously, this feature covers checked luggage only. If you're carrying your bags into the cabin with you, you'll know where they are. For those stowing their suitcases in cargo, you'll be able to see where they are across your entire journey. Here's how it works: you'll need that aforementioned app, and to check your bag. You'll also want to enable push notifications. From there, you'll be informed via your phone when your luggage is checked in, when it's available for collection on the ground once you land and also when it is transferred to an international partner airline if you're travelling overseas. The app will tell you which baggage carousel to head to as well, solving another airport annoyance. The routes covered so far include select flights out of Melbourne, Sydney, Brisbane, Adelaide, the Gold Coast, Canberra and Newcastle, and also from Ballina/Byron, the Sunshine Coast and Hamilton Island. Joining them on the list right now: Launceston and Hobart, plus Townsville, Rockhampton and Mackay. In Western Australia, the service will become available on select flights out of Perth soon. "We know the potential of lost baggage is a concern for travellers globally and anticipate this announcement will give many guests that extra level of comfort knowing where their bag is at every step of the journey," said Virgin Australia Group Chief Customer and Digital Officer Paul Jones, announcing the rollout. Virgin Australia's baggage-tracking tool starts rolling out from Monday, August 28. Find out more via the airline's website, and download the app online as well.
Before Barbenheimer became the biggest thing in cinema in 2023, moviegoers flocked to a film that featured a blonde wearing plenty of pink, and also clouds and mushrooms, all in the one flick. That feature: The Super Mario Bros Movie. It was a hit. It was a smash, in fact. At the global box office, the first-ever animated movie based on the Nintendo favourite came in right in the middle of both Barbie and Oppenheimer for the year — notching up more than $1.3 billion in takings. That an animated Mario movie would get audiences saying "let's go" to cinemas is hardly a surprise. Neither is the next piece of news: that a sequel to The Super Mario Bros Movie is on the way. The folks at Nintendo and animation studio Illumination are back doing the filmmaking equivalent of hitting blocks to unveil power-ups — aka crafting a second picture that's due to hit cinemas in 2026. The exact date in the US: April 3, 2026. Expect audiences in Australia and New Zealand to see the film at around the same time. Nintendo and Illumination announced the sequel as part of the annual MAR10 celebrations on March 10 — which would also make a great movie release date, but features don't usually hit the big screen on Tuesdays, which is when the occasion will fall in 2026. "By getting deeply involved in the movie production with the aim to put smiles on everyone's faces through entertainment, Nintendo will continue its efforts to produce unique entertainment and deliver it to as many people as possible," said the company in a statement. In a video, Shigeru Miyamoto from Nintendo and Chris Meledandri from Illumination also chatted about the news — but without going into much detail regarding what'll be in store in the film, other than the return trip to the Mushroom Kingdom. "This time, we're thinking about broadening Mario's world further, and it'll have a bright and fun story," said Miyamoto. The 2023 The Super Mario Bros Movie enlisted Chris Pratt (Guardians of the Galaxy Vol. 3) to voice the Italian plumber, plus Charlie Day (It's Always Sunny in Philadelphia) as Luigi, Jack Black (Apollo 10 1/2: A Space Age Childhood) as Bowser, Anya Taylor-Joy (The Menu) as Princess Peach, Seth Rogen (Dumb Money) as Donkey Kong, Keegan- Michael Key (Wonka) as Toad and Fred Armisen (Wednesday) as Cranky Kong. Directors Aaron Horvath and Michael Jelenic (Teen Titans Go!, Teen Titans Go! To the Movies) will return from the first film, as will screenwriter Matthew Fogel (Minions: The Rise of Gru). Check out the trailer forThe Super Mario Bros Movie below: The sequel to The Super Mario Bros Movie is set to release in cinemas in the US on April 3, 2026 — we'll update you with Down Under release dates when they're announced. Read our review of the first film.
To write notable things, does someone need to live a notable life? No, but sometimes they do anyway. To truly capture the bone-chilling, soul-crushing, gut-wrenching atrocities of war, does someone need to experience it for themselves? In the case of Siegfried Sassoon, his anti-combat verse could've only sprung from someone who had been there, deep in the trenches of the Western Front during World War I, and witnessed its harrowing horrors. If you only know one thing about the Military Cross-winner and poet going into Benediction, you're likely already aware that he's famed for his biting work about his time in uniform. There's obviously more to his story and his life, though, as there is to the film that tells his tale. But British writer/director Terence Davies (Sunset Song) never forgets the traumatic ordeal, and the response to it, that frequently follows his subject's name as effortlessly as breathing. Indeed, being unable to ever banish it from one's memory, including Sassoon's own, is a crucial part of this precisely crafted, immensely affecting and deeply resonant movie. If you only know two things about Sassoon before seeing Benediction, you may have also heard of the war hero-turned-conscientious objector's connection to fellow poet Wilfred Owen. Author of Anthem for Damned Youth, he fought in the same fray but didn't make it back. That too earns Davies' attention, with Jack Lowden (Slow Horses) as Sassoon and Matthew Tennyson (Making Noise Quietly) as his fellow wordsmith, soldier and patient at Craiglockhart War Hospital — both for shell shock. Benediction doesn't solely devote its frames to this chapter in its central figure's existence, either, but the film also knows that it couldn't be more pivotal in explaining who Sassoon was, and why, and how war forever changed him. The two writers were friends, and also shared a mutual infatuation. They were particularly inspired during their times at Craiglockhart as well. In fact, Sassoon mentored the younger Owen, and championed his work after he was killed in 1918, exactly one week before before Armistice Day. Perhaps you know three things about Sassoon prior to Benediction. If so, you might be aware of Sassoon's passionate relationships with men, too. Plenty of the film bounces between his affairs with actor and singer Ivor Novello (Jeremy Irvine, Treadstone), socialite Stephen Tennant (Calam Lynch, Bridgerton) and theatre star Glen Byam Shaw (Tom Blyth, Billy the Kid), all at a time in Britain when homosexuality was outlawed. There's a fated air to each romantic coupling in Davies' retelling, whether or not you know to begin with that Sassoon eventually (and unhappily) married the younger Hester Gatty (Kate Phillips, Downton Abbey). His desperate yearning to hold onto someone, and something, echoes with post-war melancholy as well. That said, that sorrow isn't just a product of grappling with a life-changing ordeal, but also of a world where everything Sassoon wants and needs is a battle — even if there's a giddy air to illegal dalliances among London's well-to-do. Benediction caters for viewers who resemble Jon Snow going in, naturally, although Davies doesn't helm any ordinary biopic. No stranger to creating on-screen poetry with his lyrical films — or to biopics about poets, after tackling Emily Dickinson in his last feature A Quiet Passion — the filmmaker steps through Sassoon's tale like he's composing evocative lines himself. Davies has always been a deeply stirring talent; see: his 1988 debut Distant Voices, Still Lives, 2011's romance The Deep Blue Sea and 2016's Sunset Song, for instance. Here, he shows how it's possible to sift through the ins and outs of someone's story, compiling all the essential pieces in the process, yet never merely reducing it down to the utmost basics. Some biopics can resemble Wikipedia entries re-enacted for the screen, even if done so with flair, but Benediction is the polar opposite. It must be unthinkable to Davies that his audience could simply pick up standard details about Sassoon by watching a depiction of his existence, rather than become immersed in everything about him — especially how he felt. Benediction plays like the work of someone who wouldn't even dream of such an approach in their worst nightmares. That's true in Lowden's scenes, with the bulk of the movie focused on the younger Sassoon. It remains accurate when Peter Capaldi (The Suicide Squad) features as the older Sassoon, including opposite Gemma Jones (Ammonite) as the older Hester. When the latter graces the picture's immaculately shot frames (by Harlots, Gentleman Jack and upcoming The Handmaid's Tale season five cinematographer Nicola Daley), he's a portrait of man embittered, and he's utterly heartbreaking. Lowden and Capaldi's performances are as critical to Benediction as Sassoon himself, and Davies as well. They're that fine-tuned, that tapped into the whirlwind of emotions swirling through the man they're playing, and that awash with anger, determination, longing, loneliness, defiance, despair, resentment and tragedy. (Yes, that's a complicated and chaotic mix, and 100-percent steeped in everything that's thrown Sassoon's way). As overseen by Davies, Lowden and Capaldi are also two halves of a whole, not that either actor gives anything less than their all, let alone a fraction of a portrayal. It's devastating to see how and why Lowden's charisma eventually gives way to Capaldi's loathing, but that's the plight that both men are charged with surveying, relaying and helping echo from the screen — exceptionally so. For all of the feeling coursing through Benediction — including when using archival war footage to hark back to the combat that so altered his central figure, rather than taking the 1917 re-creation route — Davies remains a rigorous, fastidious and controlled filmmaker. The feature's 137-minute running time feels as lengthy as it is. While there's a rhythm to Alex Mackie's (Mary Shelley) editing, the movie is methodically paced. Every single image seen is meticulous in its composition, too. Watching Benediction is an active act, rather than a case of being swept away. That matches everything that the film conveys about Sassoon's experiences and the turmoil they caused him, of course. Still, the art of using restraint and precision to stir up big emotions, and to whip and whisk them around so that they're inescapable, is also on display here — and it's one that this exquisite picture's driving force dispenses with as much talent as his subject did with his poetry.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next escape. In this instalment, we go to The Henry Jones Art Hotel in Hobart, Tasmania, where you'll encounter hundreds of artworks adorning the walls, views of the harbour and boutique interiors with exposed timber beams and walls of hand-cut stone that nod to the building's former life as a waterfront jam factory. Stay here as part of one of our curated itineraries on Concrete Playground Trips that includes a four-nights stay with daily breakfast included, scenic flights for two over Wineglass Bay, and Posh Pit tickets to MONA. Book it now. WHAT'S SO SPECIAL? Located in the Hunter Street precinct, this building is one of the oldest waterfront warehouses in Hobart named for the one-time building owner who started working in the former jam factory as a 12-year-old kid, working his way up the ranks until he eventually took over the business and ultimately made the jam trade his bitch. While art hotels are no longer new-news, the Henry Jones does has the claim to fame as Australia's first dedicated art hotel and the extensive collection of works and ongoing artist in residence program upholds its place as a leader within the onslaught of art-devoted stays that has followed. There are some 400 artworks throughout the property with a strong representation of emerging Tasmanian artists. Stroll the hallways, guest rooms, drinking and dinings options and public spaces, including The Packing Room Gallery, which hosts a roster of themed exhibitions. THE ROOMS At the Henry Jones Art Hotel no two rooms are the same. Organic materials, tones and polished timber meets rich accents of primary colours and thoughtfully curated decor in each of the hotel's lodgings. In many rooms, large harbour-facing windows let in natural light to show off sleek contemporary design elements amid the building's original features. Like much of Hobart, it's a collision of old and new influences. As for the details: luxurious bedding, original artworks and beautifully-appointed modern bathrooms complete with ample fluffy white towels. There's also the requisite free wifi and in-room coffee machine, and in some rooms you'll find an ultra-deep Kohler bath tub for soaking between strolls and sampling the sensational local dining scene. FOOD AND DRINK Speaking of dining, the in-house offering is a step above your usual hotel lobby bar. There's the IXL Long Bar, for innovative cocktails and snacks. At the front of the hotel is the Landscape Restaurant and Grill with a menu by Head Chef Nathaniel Embrey designed around the Asado grill and inspired by the region's exceptional local produce and artworks of legendary landscape artist John Glover that surrounds diners. Then there's the hero of the lineup: Peacock & Jones. Culinary Curator Ben Milbourne (chef and former Masterchef Australia contestant) and Head Chef Julian Volkmer (MONA) have crafted a menu that celebrates the very best of seasonal Tasmanian produce from sea urchin to truffles. And, of course, the drinks program showcases a carefully considered selection of Tasmanian wines, whiskies and spirits. [caption id="attachment_869996" align="alignnone" width="1920"] Maria Island[/caption] THE LOCAL AREA It's no secret that we are serious devotees to all that Tasmania's got on offer. Here's a quick guide to some of our Hobart favourites, and a more comprehensive exploration of all the flavours of Tassie can be found here. Head to The Henry Jones Art Hotel website to book a stay or, if you'd rather we sort your itinerary for you, book our curated Bucket-List Hobart Getaway here.
In 2020, the inaugural Great Southern Nights saw more than 1000 gigs take place across 300 NSW venues. This year it's coming back throughout March and April with a heap of live shows from artists both emerging and bonafide iconic. The diverse and far-reaching program features everyone from icons like Jimmy Barnes popping up in western Sydney through to smaller acts like hyped young R&B singer Liyah Knight headlining a night of local music and DJs at Zetland's 107 Projects. We've picked out eight of our favourite gigs on the lineup including free block parties, Triple J favourites in oft-forgotten regional hubs, and inner-city Sydney dance parties. Top help you make the most of the Great Southern Nights 2022 program, we've also paired each gig with a set of nearby venues so you can book in a memorable pre-gig meal or post-show drink.
National Young Writers' Festival (NYWF) is the four-day writerly celebration that takes over the imaginations of young writers around the country. Directors Alexandra Neill, Jessica Alice and Lex Hirst have just announced their colourful program featuring familiar names like Benjamin Law, Yassmin Abdel-Magied, Clementine Ford, Lawrence Leung, Genevieve Fricker, Steph Harmon, James Colley, Patrick Lenton and more (including some other names you might not recognise now but definitely will in the next five years). As well as more serious talks on slacktivism, mandatory detention and identity, NYWF won't be holding back on the life's practical truths, informing young writers about how to get paid as a writer, how to become an astronaut, how to make a sumptuously good sandwich and how to keep a diary and still be cool. Like any good writers' festival, Breakfast Book Club will start each day with impassioned discussion on life changing books, ones that make you plain angry and ones that are so good you turn into a nocturnal creature. Over 60 panels, discussions, workshops, performances and launches will carry you through deep into the evening when you'll get to sit back and relax to late night romance, crime and dystopian readings. Did we mention the whole festival is free? Yep, all of it. Blowing out 17 candles this year, NYWF is growing bigger and wiser by the year. But a festival is never too old for an intergalactic-themed ball and a spelling bee-cross-Hunger Games-style battle of the brains, right? NYWF runs from 2-5 October. Check out the full program here. Image: Alan Weedon.
Philip Johnson, one of Brisbane’s most beloved chefs is opening his newest creation, One Eleven. One Eleven will be multi-faceted with an espresso bar for casual dining (open from today) and a bistro for more formal dining opening in September. Espresso One Eleven will serve coffee, drinks and light meals and will be perfect for those looking for an affordable and quick bite to eat. Bistro One Eleven will have more formal dining, aimed towards the corporate crowd. The bistro will be open for breakfast, lunch and dinner during the week, and open for dinner on Saturday nights. If One Eleven is set to follow in the footsteps of its older sibling, E’cco Bistro, then we all have a great deal to look forward to. E’cco has been an award-winning Brisbane institution since 1995 and continues to uphold impeccable standards in service and quality of food. The E’cco formula includes a welcoming and comfortable environment with high-quality produce prepared in simple but utterly delicious forms. If Johnson sticks to this, then we know One Eleven will be brilliant. You can find One Eleven on the ground floor of Brisbane’s newest office building, One One One Eagle Street, overlooking the Story Bridge.
In 2014, the ultimate celebration of French cinema in Australia will mark its silver anniversary with one of its most impressive programs yet. Lighting up Palace Cinema locations around the country, the 25th annual Alliance Française French Film Festival has film-faring Francophiles covered, with light hearted comedies to searing dramas, as well as hat-tips to two of France's most legendary filmmakers. The festivities kick off on opening night with a screening of Nils Tavernier's inspiring sports drama The Finishers followed by a post-film cocktail party. Other big tickets include the bloody Palm d'Or nominated epic Michael Kohlhaal, Bruno Dumont's lauded biopic Camille Claudel 1915 and the Monaco-set espionage thriller Möbius starring The Artist's Jean Dujardin. Lighter options can be found in the festival's romance and comedy streams. Stylish indie ensemble 2 Autumns, 3 Winters has garnered plenty of positive buzz internationally, while Bright Days Ahead offers something for the older crowd, recounting the tale of a newly retired senior who strikes up an affair with a much younger man. Patrons can also preview the works of France's future filmmaking elite, with a program of short films from renowned Parisian film academy La Fémis. At the other end of the spectrum, fans of the classics might enjoy a retrospective of the works of new-wave pioneer François Truffaut, including his medium-shifting masterworks Jules and Jim and The 400 Blows. Closing night serves up another iconic slice of French cinema, in the form of Jacques Tati's wonderful 1958 comedy Mon Oncle. For the full Alliance Française French Film Festival program, visit www.affrenchfilmfestival.org. We have six double passes to give away to the Alliance Française French Film Festival in Sydney, Melbourne and Brisbane. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Street artist Rone has a well-documented knack for taking on unexpected spaces as canvases for his distinctive large-scale works. In 2017, he staged an immersive installation in an abandoned weatherboard house for The Omega Project, while last year saw him reimagine the deserted Art Deco Burnham Beeches mansion for sell-out installation Empire. Now, the celebrated artist returns to his hometown of Geelong to transform Geelong Gallery into an immersive, experiential exhibition. Featuring the first comprehensive solo survey of Rone's long-running career, Rone in Geelong captures the artist's fascination with the concepts of beauty and decay. Visitors will be treated to a sprawling collection of street art, early stencil works and photographs from the many abandoned spaces he's reimagined as temporary art installations over the years. One of these past exhibitions will be reborn with a specially commissioned 3D recreation, while an exclusive new installation will see Rone overhaul the precinct's historic Douglass Gallery into a derelict space decked out with plenty of his signature painted murals. Exploring the inevitability of decay, he'll play on the room's grand architectural features with help from interior stylist and longtime collaborator Carly Spooner. A haunting soundtrack by Nick Batterham will bring the installation to life. Throughout the exhibition, you'll also catch plenty of references to Rone's youth and his own connection to the Geelong Gallery, from glimpses of portraits to pieces capturing the region's distinctive landscape. Initially set to take place in winter 2020, the exhibition has — thanks to the pandemic — been rescheduled for summer 2021. It's now set to run from Saturday, February 27 to Sunday, May 16 — and tickets are on sale now. [caption id="attachment_762250" align="alignnone" width="1920"] Rone, Powerhouse Geelong (2014). Photo by and copyright of Rone.[/caption] Geelong Gallery is open from 10am–7pm daily. Top image: Rone, 'I've seen fire and I've seen rain' (2016) from the Empty series, Geelong Gallery. Purchased with funds generously donated by Geelong Contemporary, 2019. Copyright Rone.
If you hoped that 2021 might see an end to border restrictions and lockdowns, the first few days of January — and the end of December 2020, too — have sadly scuppered that kind of thinking. Today, Friday, January 8, it was announced that the Greater Brisbane area in Queensland will be going into a three-day lockdown in response to the latest local case of COVID-19 in Brisbane, in a hotel quarantine worker. And that now has implications for folks in New South Wales who've been in Greater Brisbane recently. NSW isn't closing its border to Queensland, or to the Greater Brisbane area. But at the daily NSW press conference on Friday, January 8, Acting Premier John Barilaro announced new requirements for anyone in NSW who has been to Greater Brisbane — which includes the Brisbane, Logan, Ipswich, Moreton and Redlands local government areas — since 12.01am on Saturday, January 2. If you fall into that category, you're required to isolate under the same conditions that'd be in place if you were still in Greater Brisbane. Accordingly, from 6pm AEST/7pm AEDT on Friday, January 8 until 6pm AEST/7pm AEDT on Monday, January 11, anyone who has been in Greater Brisbane since 12.01am on Saturday, January 2 are required to stay at home. The rules in place are the same as during March's lockdown — which means that you're only allowed to leave the house for four reasons. So, you can only head out for work or education if you can't do that at home, for essential shopping, for exercise in your local area, and for health care or to provide support for a vulnerable person. While Queensland has had community cases of the coronavirus before — including back in July and August, when restrictions were tightened only weeks after they had been relaxed from the first lockdown — the state is being particularly cautious in the current instance because it involves the new, more contagious UK strain of COVID-19. That's why NSW has also taken action, and is applying stay-at-home conditions to anyone who has departed, left, worked or been in those Greater Brisbane areas. Unsurprisingly, Minister for Health Brad Hazzard also advised that "if you don't have to come [to NSW] from Brisbane, don't come in the next few days". He continued: "if you really need to, comply with the moments your government has placed on new in Brisbane but comply with them here in New South Wales". https://twitter.com/NSWHealth/status/1347334261926359040 The news comes as NSW reported 11 new cases over the past 24 hours, including four new local cases and seven acquired from overseas. Sydneysiders are also asked to continue to frequently check NSW Health's long list of locations and venues that positive coronavirus cases have visited over the past week — and, if you've been to anywhere listed on the specific dates and times, get tested immediately and self-isolate. You can also have a look at the venue alerts over at this new interactive map. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
Environmentalists from the Sierra Club teamed up with Pact underwear brand to form a bare-skinned project to lessen the use of coal, especially on university campuses where green-minded students are trying to be friendly to the environment. Beyond Coal is the resulting collaboration that sells a collection of comfy underwear with the goal of educating the public about the negative effects of coal on the environment, with hopes of changing the habits institutions that overuse the harmful substance. The ash released into the environment from coal is one of the leading causes of acid rain, smog, global warming and air toxins. 10% of the proceeds from the purchase of Beyond Coal undies goes to protests and petitions to convince universities to reduce their ever-increasing carbon footprint by minimising the supply of coal to power campuses. This generation of students is more conscious of the human impact on the environment, and the project simply points out that it is quite hypocritical for schools to be using so much coal power for students who are constantly searching for green alternatives. Help Beyond Coal prevent the dangerous effects of coal emissions by rocking a pair of pollution-fighting panties, starting at $20 for both men and women.
Gone are the days when film buffs got their fix in one of three ways: at the cinema, via the video shop and thanks to whatever happened to pop up on TV. Lately, streaming platforms have become a cinephile's best friend — especially with COVID-19 restrictions keeping everyone at home. We say 'platforms', plural, because there's just so many to choose from. Netflix may be the industry's big gun, but Aussie audiences can also subscribe to Stan, Amazon Prime Video, Disney+, Apple TV+, DocPlay, iWonder, Quibi and OzFlix, too. And, as even the most casual movie fan probably knows, that isn't even the end of the list. Feeling spoiled for choice? Can't pick which platform to splash your cash on? There is an easier way. Australian viewers can also access a number of free streaming services such as SBS On Demand, Tubi and Kanopy — which don't skimp on film options, but won't cost you a cent. And in the interests of budget-friendly movie marathons, we've rounded up ten excellent flicks you can stream for free right now. https://www.youtube.com/watch?v=CLdhN4oMxCQ BAD GENIUS Mark our words: in the next couple of years, an English-language version of this Thai thriller will reach our screens. A high-stakes high-school exam flick, it's smart and slick, funny and fast-paced, as well as tautly made and tension-filled — and it turns a situation we can all relate to into a nail-biting heist caper. Straight-A student Lynn (Chutimon Chuengcharoensukying) is the misbehaving high-achiever of the title, who first hatches a plan to make money by feeding her classmates test answers, and then bands together with her customers to cheat at the biggest test there is. The premise was taken from reality, and part of the movie was shot in Sydney, but the real highlight is Bad Genius' lively style and thoroughly entertaining narrative. Bad Genius is available to stream via SBS On Demand. https://www.youtube.com/watch?v=R8oYYg75Qvg YOU WERE NEVER REALLY HERE In Lynne Ramsay's long-waited fourth feature, an ex-soldier and former FBI agent grapples with his own trauma while trying to save others from theirs. Joe (Joaquin Phoenix) rescues children abducted and abused by pedophile rings — and if that sounds like an astonishing story, just wait, because You Were Never Really Here isn't done yet. Indeed, it's hard to pick what's more stunning here: Ramsay's empathetic and expressive direction, which keeps making unexpected choices to immerse viewers in Joe's headspace, or Phoenix's internalised performance, which won him the best actor prize at the 2017 Cannes Film Festival. Call it a tie, and call this film an exceptional achievement that isn't easily forgotten after watching. Phoenix might've won an Oscar this year for Joker, but this is his best performance. You Were Never Really Here is available to stream via Kanopy. Read our full review. https://www.youtube.com/watch?v=Gg9nzOFVwtQ THE FIFTH ELEMENT The 90s didn't shy away from big-screen sci-fi, but there's nothing quite as entertaining as The Fifth Element. Forget Independence Day, Armageddon and Men in Black — if you're eager for a film about humanity battling aliens and trying to save the planet, Luc Besson's action-packed flick is the best pick. Come for Bruce Willis and a pre-Resident Evil Milla Jovovich at their kick-ass best. Stay for the eye-popping set and costume design, with the latter by Jean-Paul Gaultier. And, story-wise, get immersed in an ambitious and entertaining futuristic tale about a taxi driver saddled with finding four mystical stones to fend off an intergalactic attack. The Fifth Element is available to stream via SBS On Demand. https://www.youtube.com/watch?v=36iHKZmeH60 BRIMSTONE & GLORY It's human nature to stare at the sky whenever fireworks ascend to the heavens. We hear the popping sound, spy the bright flashes of light and simply can't help ourselves. Set in Tultepec, the tiny town at the heart of Mexico's fireworks industry, Brimstone & Glory captures that feeling more effectively than anyone could've expected. Indeed, the gorgeous documentary commits the vibrance of watching colourful explosions twinkling above to film as it charts the locale's National Pyrotechnic Festival, explores the lives of those both working and watching, and proves as spellbinding as the substance at its centre. Brimstone & Glory is available to stream via Kanopy. https://www.youtube.com/watch?v=yKD0sMntjWE THE TRIBE Writer/director Miroslav Slaboshpitsky's first feature was always going to be a hard sell. The film runs for more than two hours without a word of dialogue, a hint of music or even any subtitles, with its characters — a group of classmates at a Ukrainian boarding school for the hearing impaired — communicating only through sign language. And it's not just a difficult concept; in an effort that becomes both violent and haunting — all the more so because it demands audiences pay the utmost attention to what they can see — it's also difficult to watch. Reports of fainting are widespread, but those who can stomach its brutal sights will find a movie completely unlike anything else they've ever seen before. The Tribe is available to stream via Tubi. Read our full review. https://www.youtube.com/watch?v=-70r7GkiBGM HEATHERS These days, Heathers is a stage musical, a TV series and (in Brisbane at least) a regular dance party theme. If you've ever wondered why this dark high school-set tale just keeps spawning new adaptations and celebrations, then you owe it to yourself to watch or rewatch the original 1988 movie. For Veronica Sawyer (Winona Ryder), every day at Westerburg High School is hell. Even though she's part of the popular clique — with her three closest friends all called Heather — that still proves the case. Then brooding loner JD (Christian Slater) arrives at school, instantly shaking up the status quo. The result: murder, mayhem, teen angst and one incredibly acerbic, sharp and amusing satire. Heathers is available to stream via Kanopy. https://www.youtube.com/watch?v=sVsAixfCL4Q HOLY MOTORS Cinematic mind-benders don't get much better — or more strange, eccentric and surreal — than Leos Carax's Holy Motors. Following a man called Oscar (Denis Lavant) who rides around in a limousine, attends unusual appointments in various costumes and plays an array of different parts, it's the type of film that can't be neatly summarised. Indeed, as Oscar goes about his day, anything could happen. Sometimes, he's dressed up as a beggar in the Parisian streets. Later, he's an old man listening to Eva (Kylie Minogue) sing. As it hops between kaleidoscopic vignettes, Carax's vibrant film ponders and probes identity and individuality, all while serving up dazzling visuals, exuberant performances and constant surprises. Holy Motors is available to stream via SBS On Demand. https://www.youtube.com/watch?v=K9QrvLd2pbY RIVER OF GRASS Kelly Reichardt boasts quite the filmography. She explored the companionship only a pet can bring in Wendy and Lucy, delved into the western genre in Meek's Cutoff and contemplated eco-activism in Night Moves. Then, she brought Michelle Williams, Laura Dern and Kristen Stewart together for contemplative triptych Certain Women, and stepped back to 19th-century America for her stellar latest film First Cow. Before all that, though, Reichardt spun a story of social isolation and disconnection in the Florida suburbs, all thanks to her debut feature River of Grass. And as with every entry on the director's resume, this not-quite road movie couldn't feel more authentic or keenly observed. River of Grass is available to stream via Kanopy. https://www.youtube.com/watch?v=fzp2HP4gaJ0 PURPLE RAIN 'Purple Rain', the song, is one of Prince's all-time greats. Purple Rain, the album, ranks just as highly. And Purple Rain, the 1984 film, is exactly the kind of movie that a Prince-starring rock musical should be. Focusing on an aspiring musician trying to balance his troubled home life with his band and his girlfriend, the storyline is straightforward — but when you plonk a charismatic star like Prince in the middle of it, bathe the flick's frames in plenty of purple, and crank up the killer soundtrack, sparks fly. Given the narrative, the array of live concert scenes also work a treat. And while the sequel, 1990's Graffiti Bridge, doesn't reach the same heights, this is a mighty entertaining, toe-tapping way to spend 111 minutes. Purple Rain is available to stream via Tubi. https://www.youtube.com/watch?v=x-_LxiRETWA THE CONVERSATION In 1974, Francis Ford Coppola directed a little film called The Godfather Part II. Yes, everyone has heard of it. But that was just one of his movies that year — and with zero scorn aimed towards the Oscar-winning crime flick, which is rightfully considered one of the best sequels ever made, The Conversation is actually even better. Winning the Cannes Film Festival's top gong, this Gene Hackman-starring thriller delves into a topic that's still very relevant today: the moral dilemma around surveillance. Hackman is fantastic as the film's conflicted protagonist, while Coppola crafts a tense, moody and brooding masterpiece. Keep an eye out for a young pre-Star Wars Harrison Ford, too. The Conversation is available to stream via SBS On Demand.
When Taika Waititi received an Oscar in 2020 for Jojo Rabbit, he became the first person of Maori descent to achieve that feat, as well as the first Indigenous person to be both nominated in and win the Best Adapted Screenplay category. When Meyne Wyatt won the 2020 Archibald Packing Room Prize for his self-portrait, he became the first Indigenous Australian to win any Archibald award across the competition's 99 years. Both Waititi and Wyatt deserve the acclaim and awards that have come their respective ways. But the fact their recent wins made history — more than nine decades after both the Oscars and the Archibalds were first created, too — demonstrates the ongoing lack of diversity in the arts. So, when NITV and Sydney Theatre Company decided to team up to make a three-part series exploring the topic, as well as other Indigenous issues in creative fields, the two must've been at the top of the guest list. The resulting show is called The Whole Table, and its first episode is available to stream now via SBS On Demand. The following two episodes will air at 8.30pm on Wednesday, January 27 and Wednesday, February 3 on NITV, and then stream online afterwards — and Waititi and Wyatt are in great company. The Sapphires, Top End Wedding and Redfern Now's Shari Sebbens is on hosting duties, while Sydney Festival artistic director Wesley Enoch, Black Comedy's Nakkiah Lui and Sydney Opera House's head of First Nations programming Rhoda Roberts sit on the show's panel. Joining them at the table each week is a lineup of guests, not only including Waititi and Wyatt, but also The Dry's Miranda Tapsell and musician Adam Briggs — all chatting about their experiences. Expect to hear spirited discussions that not only touch upon the arts in Australia and New Zealand, but also explore Indigenous involvement and representation worldwide — in the past, now and the possible future. The series forms part of SBS and NITV's 'Always Ways, Always Will Be' programming leading up to January 26 — such as its Australian Made TV collection, curated by Enoch, that's streaming on SBS On Demand as well. Check out the very brief trailer for The Whole Table below: https://www.youtube.com/watch?v=1FabOIRhNC0 The first episode of The Whole Table is available to stream now via SBS On Demand, with future episodes airing on Wednesdays at 8.30pm — and streaming online afterwards.
For two days each year, most of Brisbane heads to Musgrave Park to pretend that they're in the Mediterranean. And while the past few years have been interrupted by the pandemic and wet weather, Paniyiri will be back again in 2023 from Saturday, May 20–Sunday, May 21. Once again, the city's massive Greek festival will take over West End with quite the array of food, drink, partying and more. Yes, there's a reason that more than two million people have gone along over the years. Brisbanites can expect the usual array of Greek revelry — aka grapes to stomp, coffee to sip, olives to consume and plates to smash, plus TV stars to rub shoulders with and cooking demonstrations to watch. Food-wise, an array of stalls will serve up bites from different Greek regions, including an abundance of loukoumades, souvlaki, haloumi and barbecued calamari. If devouring as much as you can is your idea of fun, the festival's regular food contests usually keep stomachs satisfied. Then, to wash all of that down, there'll be Greek wine, Greek beer and Greek-inspired cocktails as well. Of course, it wouldn't be Paniyiri without entertainment. The full event program makes dancing a big feature, thanks to Greek Dancing with the Stars and the Hellenic dancers. In addition to celebrating all things Greek in Musgrave Park, Paniyiri also takes over The Greek Club — so, expect both venues to host one massive shindig.
Streaming service turned production house Netflix has announced its next big TV show project — and this time, it's animated. Voiced by Will Arnett of Arrested Development fame, BoJack Horseman is the lead in a new 12-part series of the same name. A former star of Horsin' Around — a '90s sitcom within the program — BoJack is galloping toward failure, dealing with alcoholism and is, er, a horse. Alongside Arnett is Strangers with Candy’s Amy Sedaris, playing Princess Caroline, BoJack’s ex-lover and agent who's also a cat, while none other than Breaking Bad's Aaron Paul plays his human buddy, Todd. And there's every chance Aaron will get to say 'bitch' just as much this time around, because BoJack Horseman is an adult animated series that's said to be darkly humorous. Netflix is surely hoping Bojack will continue their hit parade, following on from 2013's Arrested Development Season 4, House of Cards and Orange Is the New Black. LA-based studio Shadow Machine (Robot Chicken, Moral Orel) is behind the animation for the program that's set premiere in mid-2014. The design will come from acclaimed graphic artist Lisa Hanawalt. Discussion is already underway for a second season, which leaves us thinking this stallion of a program is pretty sure to be a runaway hit. Via Rolling Stone.
Your mates grabbed the snags, sauce, bread and all the extra trimmings for a successful Aussie barbecue. There's just one thing missing and it's up to you to supply it: the beer. There's quite a lot of pressure when you're tasked with bringing the booze. Do you go for the safe mainstream beer at the risk of looking painfully boring? Or do you grab the most expensive European craft beer you can find in the hopes you'll seem interesting (and clear out your bank account in the process)? The answer: find something that sits perfectly in the middle. We've teamed up with BWS to showcase a bunch of Aussie craft beers that will have both your VB-loving mates and your spent-two-years-abroad-in-Berlin buddies nodding along in approval. Cheers to being the favourite person at the party. PACIFIC ALE — STONE & WOOD Ah, Stone & Wood. It's the Hemsworth brother of the beer world — attractive, down-to-earth, Byron Bay-based, but (just quietly) incredibly successful. Australia can't seem to get enough of this brewery, with taps and bars popping up all over the country. And the go-to brew? That would be its Pacific Ale, which has been a mainstay on the GABS Hottest 100 Aussie Craft Beer List and recently nabbed top billing for the fourth time. Made with Australian barley, wheat and hops, it's a golden ale with a fruit-driven aroma. It's the ideal brew for a beer traditionalist (we're looking at you, dad) who is ready to dip their toe in the craft beer world. This beer isn't filtered so advise your novice drinking buddy to give the bottle a gentle roll before they open it to mix the settled yeast back in — and remind them that, yes, it is supposed to be a little cloudy. BIG HEAD NO CARB LAGER — BURLEIGH BREWING CO Craft beer often brings with it high levels of carbs and calories, so it's not a terrible idea to have a lighter option in the esky to help minimise the post-barbecue bloat. Well never fear, 'cause Big Head No Carb is here. This lager may have zero carbs — the first in Australia to do so — but it certainly doesn't lack flavour. This light, clean and dry brew is ideal on a hot day and will go well with any feed — and even your Tooheys-loving dad will like it. SINGLE FIN SUMMER ALE — GAGE ROADS BREWING CO Single Fin Summer Ale celebrates Australian summer in a bottle (or can). The beer is brewed near Gage Roads in Western Australia, the strip of ocean between Rottnest Island and Fremantle. So it makes sense that Gage Roads Brewing Co team makes beers with this beautiful and relaxing location in mind. Blow the froth off with this slightly bitter, clean and light-bodied brew at your next barbecue. PALE ALE — BLACK HOPS BREWERY Gold Coast-based Black Hops won Champion Small Brewery at the 2018 Australian International Beer Awards, and there'll be no wondering why when you try its sought-after hoppy Pale Ale. While it has a mix of five grains and five hops, the beer is uncomplicated and clean. It's light in colour but full in its hoppiness and tropical notes. The first beer Black Hops made available in cans, it's become a crowd favourite thanks to its straightforward but flavourful nature. TWISTED PALM TROPICAL PALE ALE — BURLEIGH TWISTED PALM Burleigh Brewing's Twisted Palm is as laid-back as an impromptu Sunday afternoon barbecue with your crew — so that's exactly the occasion to bring it to. Described as 'Burleigh in a bottle', this tropical pale ale will have you soaking up the salty sea breeze under a Burleigh Hill palm tree, metaphorically speaking of course. With hints of orange, mango and papaya, it's subtle and light and is a great accompaniment to a seafood feast. Did someone say barbecue on the beach? Update: Due to the current situation, we understand that throwing or attending parties may not be a possibility right now. But there's a silver lining — you can still order all of these drinks online to enjoy at home. Head to the BWS website to browse the full range.
While Queensland is miles away from the UK, this riverside Brissie pub encapsulates true Thames-side drinking. Established in 2002, the award-winning Pig 'N' Whistle Riverside is Brisbane's Home of Football, the go-to British pub for expats and sport-enthusiasts alike, particularly those looking to watch the UK/EU games live with a passionate crowd. Open for breakfast, lunch and dinner, the Pig 'N' Whistle serves up substantial gastropub meals, including British specialities like steak and Guinness pie and yorkshire pudding with gravy, alongside modern Australian standards like parmigiana and schnitzel with chips. Located near the financial district, it's the perfect place for an after-work wind-down, with a wine list, cocktails and a well-stocked selection of international and craft brews. Images: Grace Smith.
