Imagine that, for some strange reason, you're only allowed to watch films starring one particular actor. Then, imagine that you're forced to watch them over and over again. You can pick any performer that you like — but we all know there's just one right answer to this. Who wouldn't want to keep enjoying flicks starring Bill Murray? In fact, it sounds like a scenario out of one of his movies. No, it's not Groundhog Day at Dendy Portside — it's the Month of Murray, although you'll find the star's joyfully repetitive rom-com with Andie MacDowell on the lineup, of course. Every Monday night throughout July, you'll also find other favourites, whether running away to the army, heading to Japan or going deep-sea diving takes your fancy. If you hadn't already guessed, Stripes, Lost in Translation and The Life Aquatic with Steve Zissou round out the program, and give audiences a glimpse of a host of different Murray roles in the process. Picking only one to see is virtually impossible, so that leaves you with one option: head along to them all.
If you choose where to slumber while you're on holidays solely based on the amenities, then The Star Gold Coast has just given you a new reason to book in a night away. Levelling up your vacation with swims and cocktails on a sixth-floor pool club will do that — and that's exactly what's now on offer at the Goldie spot. As first announced in 2021, The Star Gold Coast has launched Isoletto Pool Club, which is where all those dips and drinks come in. It is located within the resort, within its new $400 million, 53-storey hotel and apartment tower. To make the most of the pool club, though, you'll either need to be a resident or a hotel guest. A coast holiday it is, then — depending on your budget, of course. The sky-high Isoletto Pool Club features a 12-metre-long pool that boasts views over to Broadbeach, daybeds scattered around the deck and wet lounges in the pool itself. There's also a restaurant and lounge serving up sushi, oysters, prawn cocktails, fried snapper burgers, grilled chicken BLTs and gelato, plus cocktails such as the Giulietta (made with concoction with gin, Aperol, and Pavan grape and orange blossom liqueur) and the Green Cove (with white rum, orange bitters and mint). Craft beers are on the menu as well, and the wine list spans both local and international tipples — to drink either inside or outdoors by the water. If you're gathering the gang, guests can opt for poolside packages designed for larger groups, too. Think: bottled champagne, cocktails, seasonal fruit platters and complimentary sunscreen. Whichever you opt for, you'll be kicking back in a space designed by local architecture and interior design practice Plus Architecture, and that takes its cues from its Gold Coast surroundings. Colour-wise, that means neutral tones with pops of lemon and melon hues, and big tropical vibes.
When Baz Luhrmann decided to bring The Great Gatsby to the screen, he enlisted 2010s Sydney to double for 1920s Long Island and New York. Now, a decade after the Australian director's Oscar-winning movie hit cinemas, Sydney Opera House is following in the filmmaker's footsteps, turning itself into a The Great Gatsby-themed pop-up club while hosting a The Great Gatsby-inspired cabaret variety show. From Saturday, December 16, 2023–Sunday, February 25, 2024, GATSBY at The Green Light will take over the Sydney Opera House's Studio with an array of excuses to pretend that it's a century ago — and that you're on the other side of the globe. The GATSBY part of the big summer event's moniker refers to the entertainment, while The Green Light is the temporarily rebadged venue where what's being dubbed a "theatrical experience" will take place. First, the show: taking its cues from F Scott Fitzgerald's text, which will also date back a century when 2025 hits, GATSBY gives the classic text the aerial, burlesque, dance and circus treatment. As performers show off their skills, live vocals will accompany their efforts, all on a glittering stage. Then, the club: The Green Light will also owe a debt to prohibition-era speakeasies, and will feature cabaret tables for attendees to sit at while watching the performances. Canapé and cocktail packages will be on offer, with themed drinks including the Green Light gimlet, the Blind Tiger martini and the Reggio manhattan. GATSBY at The Green Light hails from director Craig Ilott, who adds the event to his resume alongside Smoke & Mirrors, La Clique Royale at Edinburgh Festival's The Famous Spiegeltent, and also American Idiot, Amadeus and Velvet Rewired at Sydney Opera House. With GATSBY co-producer Stuart Couzens, he was also involved in L'Hôtel, the dinner theatre experience which turned the exact same space into a French hotel with cabaret, circus and burlesque. "Our treatment of GATSBY has been akin to that of a concept album; riffing on the essence of a familiar text through a new form to create an evocative experience," said Ilott, announcing GATSBY at The Green Light. "We've taken elements entrenched in the 1920s — the vaudeville, the fashion, the hospitality — and remixed them with a bold 2020s beat, with the aim of creating an evening that feels both contemporary and captivating." [caption id="attachment_681696" align="alignnone" width="1920"] Hamilton Lund[/caption] [caption id="attachment_857577" align="alignnone" width="1920"] L'Hotel, Claudio Raschella[/caption] [caption id="attachment_857579" align="alignnone" width="1920"] L'Hotel, Claudio Raschella[/caption] GATSBY at The Green Light will take over the Sydney Opera House's Studio from Saturday, December 16, 2023–Sunday, February 25, 2024, with ticket pre sales from 8am on Wednesday, August 30 and general sales from 9am on Friday, September 1. Head to the Sydney Opera House website for more information. Top image: Tom Oldham.
Despite its name, Fat Noodle doesn't just serve up the obvious. On chef Luke Nguyen's menu, you'll also find everything from grilled prawn skewers and banh mi to dumplings and caramelised barramundi with rice. Spotted the street eats influences among the home-style flavours? Of course you have — and Nguyen is leaning in even further in July, August and September. For three months, the Treasury eatery is hosting a Street Food Series, with dishes typically served on Southeast Asia's sidewalks in the spotlight. Each month will focus on a different country, starting with Vietnam in July, then heroing Thailand in August and finally showcasing Malaysia in September. Expect to tuck into bites that explore the absolute best street food flavours from each country — such as pumpkin flowers stuffed with prawns and dill first up. That's a dish that hails from the small city of Da Lat, in the central highlands of Vietnam. Or, there's also green tea smoked duck with vermicelli noodles, a northernwestern Vietnamese meal popular in the mountains of Sapa. The Vietnamese menu also includes chargrilled scallops in spring onion, pork and lemongrass skewers, and warm beef and watercress salad. Come August, the Thai range will feature drunken noodles with prawn and Thai fish cake — among other dishes — while the Malaysian spread in September will plate up chicken and prawn curry laksa, plus stir fry chicken and snake beans with chilli relish.
Spoiler warning: this interview incudes specifics about The Survivors if you haven't watched the full series before reading. "Being new," Thom Green offers. "If it's fresh. If you haven't tackled it before. That's always a good drawcard, right?". "I really love a strong perspective in storytelling," adds Shannon Berry. "Good team, good filmmaker," pipes back in Green. "If it's someone you've always wanted to work with, whether that be a director or producer, a writer, an actor or an actress, that's always another good keyword or a key factor when picking a job," he furthers. And for Berry, too, " I think well-written". She continues: "I love reading scripts. Scripts are the baseline for everything, and I think when you get a script and it's just really good and you can really imagine everything, that's what's super exciting. It's reading a script and you go 'I cannot wait to see how this turns out' — or 'I cannot wait to be a part of it'." These are some of the pivotal elements that Green and Berry, co-stars in The Survivors, look for in a new project. With the six-part Netflix adaptation of Jane Harper's 2020 novel of the same name, they've ticked those boxes. Green comes to the series with a packed resume that already spans Beneath Hill 60, Dance Academy, Halo, Downriver, Eden, Of an Age, Ladies in Black, Exposure and Apple Cider Vinegar, to name just a few of his previous credits. Berry is an alum of Offspring, Romper Stomper, The Wilds, Foe, Winner, High Country, Fake, Watson and more. The pair have encountered all of these crucial aspects before, then, but bringing an adaptation of such an acclaimed author's work to the screen — a writer whose Aaron Falk books have proven huge hits on the big screen as The Dry and Force of Nature — was always going to stand out. In The Survivors, Green plays Sean Gilroy, one of two of characters who lost their older brothers to a tragedy 15 years prior. When Toby Gilroy and Finn Elliott attempted to rescue the latter's sibling Kieran (Charlie Vickers, The Lord of the Rings: The Rings of Power) from flooding coastal caves during a storm and didn't make it home, the scenic Tasmanian town of Evelyn Bay was forever changed. Kieran left quickly. Sean remained. Their respective parents — Damien Garvey (Nugget Is Dead?: A Christmas Story) and Robyn Malcolm (After the Party) portray Brian and Verity Elliott, Martin Sacks (Darby and Joan) is Julian Gilroy — are understandably still haunted by their grief a decade and a half later. As the anniversary of the incident approaches, Kieran comes home, his partner Mia Chang (Bridgerton season four's Yerin Ha), another ex-local, plus their new baby with him. The pain of a loss like this won't ever subside. The town's close-knit community hasn't been telling itself the full story, though. Everyone knows that someone else went missing on the same day that Toby and Finn drowned, but 14-year-old Gabby Birch's (Eloise Rothfield, How to Make Gravy) disappearance isn't treated in the same way. Berry plays recent arrival Bronte, who is staying with Gabby's sister Olivia (Jessica De Gouw, The Union), has become close with her fraying mother Trish (Catherine McClements, Apple Cider Vinegar) and is so furious that the teen's absence keeps being overlooked that she begins investigating it herself. With Kieran's return at its core, The Survivors charts the past lingering over and colliding with the present in multiple ways, then, including when there's another tragedy and the police start searching for a killer. [caption id="attachment_1008349" align="alignnone" width="1920"] Graham Denholm/Getty Images for Organic PR.[/caption] With George Mason (Black Snow), Miriama Smith (End of the Valley), Johnny Carr (Strange Creatures), Julian Weeks (Prosper) and Don Hany (Neighbours) also among the cast, Australia's newest Harper adaptation is filled with folks grappling with trauma, no matter where their tale starts or ends. Some have lived it for much of their lives. Others are determined to interrogate it. In their roles, Green and Berry are tasked with tackling the reality in different ways. Sean might appear externally laidback, but he's clearly deeply impacted by the events of 15 years ago. Bronte views Evelyn Bay, plus Gabby's disappearance and Finn and Toby's deaths, with outsider eyes — and, while making friends and settling in, even if only briefly, is driven to do what she can to redress a wrong. Being cast in The Survivors was an exciting prospect for both Green and Berry for an array of reasons — those key factors listed above and more. Green was already a fan of the book, while Berry revelled in the experience of reading it knowing that she'd be stepping into its tale. What does being part of a series like this mean to the two Australian talents? What did they initially see that they could bring to Sean and Bronte? When an intimate dynamic among a tightly bound community teeming with secrets and complicated family dynamics is so pivotal, how do you cultivate that with your co-stars? They're some of the other topics that we dug into with Green and Berry, alongside leaving an imprint in a limited time, the sense of responsibility that accompanies translating Harper's novel to the screen, the long-running appeal of murder-mysteries in Australia and more. On Being a Part of a Tasmania-Set Mystery Series About Tragedies Past and Present Colliding — and One That Adapts a Jane Harper Novel Shannon: "Well, this was my first time going to Tassie. I've never been to Tassie before. So it was amazing to come with the show. And I was just so excited to work with so many Aussie legends. And I've worked before with both Cherie Nowlan [The Irrational] and Ben Lucas [Nautilus], the directors, so it was really exciting to come back together with them again. And I think just it's really amazing to tell Australian stories and to film them here, and to show how beautiful our country is. Tasmania is just such a beautiful place, it kind of became a character within itself. And that's what I really loved about it." Thom: "I think for me, I loved the book. I absolutely adore the book. So that was a huge reason why I wanted to do it. Tasmania as well. I love Tasmania. And then it was the cast. It was the cast, and Cherie and I had worked together on Dance Academy so many years ago, and so that was also — there were so many factors on why I wanted to come do this. But I think that it was the book, mainly, because I was such a big fan. I was like 'I've got to be a part of this'." On Green and Berry's Starting Points with The Survivors on the Page — and Their Approaches to Helping Bring the Book to the Screen Thom: "I read it the year it came out — and then when I was cast in this, I didn't actually go back to the book. I knew the story, but I think I was actually drawing more from stuff I'd seen, to give it my own flavour. So that was building the wardrobe, and the hair and makeup, and you're building all that. So I didn't go back to the book. I didn't try to draw anything from that. I decided to take a step back and do my own thing, so hopefully it did it justice." Shannon: "I read the book. I had read The Dry previously, so I was familiar with her work. Love The Dry. But I had not read The Survivors until I found out that I was cast on the show. So that was super exciting. I think it's such a rare experience to read a book for the first time and see your character's name and go 'that's me' — which was just a really cool, really cute experience. And I'm a huge reader. I love to read. So it was just really special to read it and imagine myself in that world and imagine all the potential. And I think it's been absolutely amazing to watch it. It makes me giddy to think about." Thom: "Yeah, it's one of those things as well, like you can do jobs and sometimes the experiences can be less than glamorous — and this was actually so much fun. We all just got along so well as well, so it just makes it, you go into work each day enjoying it, and then you're wrapping for the day and everyone's hanging out with each other. And it reads on the screen." Shannon: "100 percent." Thom: "It always reads on screen." On Building the Show's Close-Knit Character Dynamic with the Rest of the Cast Shannon: "I feel they made it so easy. It got to the point where I knew I wasn't going to be working on it for a whole lot of time, and meeting you all, I then got very jealous that I wasn't going to be able to spend as much time with you guys [to Thom] as the rest of them — because everyone was just so lovely and so welcoming, and it very quickly really did feel like a family vibe. I always feel that when I step into Aussie spaces with Aussie cast and crew. Everyone's just absolutely the best. So I did feel quite jealous when all of my stuff was done and I had to leave you guys to your own devices." Thom: "I think a good indicator is that, what, it's been 14 months since we wrapped, and George Mason was Facetiming me yesterday from Perth, from his next job, to have a yarn. So that's just a good indicator of how well we all got along." [caption id="attachment_1008351" align="alignnone" width="1920"] Graham Denholm/Getty Images for Organic PR.[/caption] On What Green and Berry Were Excited to Bring to Sean and Bronte Thom: "I think that I felt very comfortable talking to Tony [Nowhere Boys, Glitch, Stateless, Clickbait and Fires' Ayres, who is behind The Survivors' streaming adaptation] and to Ben and to Cherie about the complexity of Sean. So that I felt I was able to bring — from my first take, I remember thinking 'I think I know how to do this'. And you kind of do your take and you sort of go 'well, this is what I think'. And Tony came back and said 'that's what we think as well'. So talking to Ben, there's so many layers. Everyone, every single character in this story, has layers. But I think that was what I felt — that's the part I'm quite happy with what I did, was that vulnerability and intelligence." Shannon: "I think with me, I really enjoyed relating to Bronte. We both moved out really young, moved across the country to a different place, and had to make our own friends and find our own way. So that was really exciting, reading the book, to relate to her in that way. And also talking with Cherie a lot about her art project, and she's so passionate about what she does, and I really relate to her in that sense as well. So it was really exciting to talk about her shared passions and how that drives her in this universe. And I just really related to that a lot. So that was super exciting, to remind me of my young days." Thom: "I'm going to say as well, but for Shannon, Shannon wasn't with us the entire time. So when an actor has to come on, and only come in to do a day or two, and then knock it out of the park and get on the plane and leave — that's a testament to Shannon." On the Task of Conveying the Impact of Trauma in Layered Performances Thom: "It takes a lot. You've got to really sit with the script for a while, I think. It sounds really morbid to think, but if you've dealt with it, you can draw from that — if you dealt with it your personal life. Some people don't like to do that. Some people do. I like to — I do sometimes. I feel like it helps. But I think it just takes a lot of time of sitting with the director and really fleshing out each layer, as I was previously mentioning — fleshing out each single layer and just building on top of it. So when you get on the set and you're setting up for the take and you look at the director, you go 'okay, now what do we need to remember? This, on top of this, on top of this, on top of this'. And then as long as you're thinking, it usually shows in your eyes and your body. That's how I approach it." Shannon: "Yeah, taking it with the instinct on the day. You've done all your research." Thom: "Yeah. Yeah. Exactly right. You're letting it go. How about you?" Shannon: "Yeah, I agree. I agree with everything that you said. Because a lot of Bronte exploring Evelyn Bay and this, she has this whole relationship with Trish that we never get to see in the show but is so prevalent and so alive throughout conversations — I think a lot of it was, yeah, sitting with the script and thinking a lot about 'what would those conversations have been like?' What would their relationship have been like?'. And having that in the back of my brain. So then, when I went in on the day thinking about where I had met these people before, even where I'd met Sean, when we meet each other, and thinking about how I met Ash [Mason's character] — I think it was just doing a lot of prep, and I write a lot of diaries for characters that I do sometimes. So I wrote a lot in Bronte's POV about where I met those people and what we had done together, and then coming in with that. And then just going on the day with instinct." Thom: "Then, I think on top of that as well, so if you've seen very strong series that deal with it and seeing what works — like what affects you when you watch it? What part of the show do you like? You know, in shows you might watch. So that's another visual to draw from, going 'okay, well that works on camera for that type of genre' — especially for this, the mystery, the murder-mystery genre in particular. You watch some of your favourites, there's too many titles to name right now, but watching what you enjoyed the most of that and going 'okay, can I use that? Can I take a little bit from that and a little bit from that, and put it all together in my little tool chest?'." On Leaving an Imprint and Making the Most of Your Character's Scenes When They're So Pivotal to the Narrative Shannon: "I think before doing the show, it reminded me a lot of Twin Peaks — it reminded me a lot of Laura Palmer. So I was privately calling myself the Laura Palmer of the show. But I think it was definitely a challenge to make sure that — I think the most important thing, for me rocking up, was making sure that I had a strong sense of self within her. And that I had a strong sense of who she was, what her dreams were and why she was there. And yeah, I think it was just made really easy by the fact meeting everyone and getting to work with you [to Thom] and getting to work with everyone, it was easy for her to feel fleshed out and like I belonged — which I think made it a whole lot easier." [caption id="attachment_1008350" align="alignnone" width="1920"] Graham Denholm/Getty Images for Organic PR.[/caption] On Expressing a Laidback Air, Alongside Pain and Vulnerability, in a Storyline That's Keeping Audiences Guessing Thom: "It's so difficult trying to, that balancing act. I still remember days on set with Cherie — and particularly with Cherie with her episodes, and going 'we need to do this again because of A, B and C', and then having to say 'well, we don't, we can't show our hand too early. We can't show this. We can't show that'. So trying to mask certain things. We're trying to throw a curveball. I kept saying to Cherie my biggest thing was trying to mask one aspect with another, and that was trying to help throw people off for the whole thing. But you're 100-percent right, just trying to convey that, it's really tricky. You really need to go through each episode and see where your character's come from, where they're going, and make sure you're following that line, that throughline, the entire way through. Otherwise, people who watch it will go 'that doesn't make sense. Why was this person doing this after doing this?'. I think in the end, I think we did pretty good. I think we did pretty good with keeping that balance. But it's hard to say, right? You watch something and you're like 'could have done this, could have done this'. It's very, very hard — I think, probably the hardest I've had to do that." On Whether Any Pressure Comes with Starring in an Adaptation of a Well-Loved Novel From an Author Whose Other Books Have Already Sparked Hit Films Thom: "I think so. Definitely. The Dry was so successful. And you've got Eric Bana — then you've got Force of Nature with Anna Torv. And then it's like, then you're like 'alright, now it's Shannon and Tom and The Survivors'." Shannon: "I think at the end of the day, you just want to make sure you're walking away, when you're doing the job and then also when you finally get to see it, that you have that feeling of doing it justice." Thom: "Yeah, you're right." Shannon: "And that you feel like you've done the best that you can." Thom: "Yeah, 100 percent." Shannon: "I think I'm really happy. Are you happy? [to Thom]" Thom: "I'm happy. But we had a good team. Like Tony, and Andy Walker [The Survivors' producer, Deadloch], were ... " Shannon: "Amazing." Thom: "I think at times, I don't know about you but for me, it only really dawns on me, I think, when someone like yourself [to Concrete Playground] raises that or brings that up. On set, it didn't feel like that. On set, it just felt like we were making a cool project with our friends and a cool crew. And then afterwards, you go 'oh yeah, shit, that's right. This is — yeah, we're in good company here'." On Why Murder-Mysteries Seem to Strike Such a Chord in Australia — Whether We're Making Them, Watching Them or Both Thom: "It's like when that time — was it like 2010? — when Nordic noir really blew up with Trapped. And I inhaled Trapped and Fortitude, all on SBS On Demand, and it was like then it exploded. And then The Bridge was also happening at the same time, and the American adaptation. And there was Broadchurch. So it was all happening elsewhere, and I think Aussies just flocked to it. As to say why, are we just perverse? Do we just want to watch it?" Shannon: "I think maybe also, I think Australia as an environment is so vast, and I think it's just such an excellent backdrop, too, to a lot of murder-mystery." Thom: "Yeah." Shannon: "Like you think of really good shows like Mystery Road, and there's all of that desert. We always just have such beautiful landscapes for such devastatingly twisted stories, which I think there's something to be said in that contrast." Thom: "I can't understand like the psyche, why we all love it — but I mean, I inhale them. I absolutely inhale them from everywhere, from each country. So I think now, it's like we've got some cracker series that are murder-mysteries, and I'm sure there's more to come. But as to saying why, like why we and devour them so much, I don't know. But hopefully people ... " Shannon: "Devour this one." Thom: " … devour this one the same." On What Green and Berry Make of Their Respective Paths to The Survivors Thom: "My foundation is coming from — I mean, my first job was a murder-mystery, actually, now that I'm remembering. It was actually a murder-mystery for Channel Ten back in the day. But for stuff like Dance Academy, I started with young-adult television, and then I think mine was quite diverse. I went from that to the Halo series for Microsoft in Canada. And it was like guns and aliens. And then it's Of an Age, this romantic, queer love story set in Melbourne. And now it's this murder mystery, which is so, at times, can be quite confronting. Diverse, I think, is the keyword there." Shannon: "I think I agree. It's been — I love working in Australia, and I'm so lucky to have done so many Australian things in my time. And yeah, I think I'm just really lucky to be able to sit here and say 'yeah, I'm an actor. I did it'. I'm from Perth originally, so it was always that feeling of isolation being in Perth and wanting to do acting. But I've just been really lucky. And I've been really lucky to do a lot of incredible things, meet so many incredible people. And then, yeah, getting to work with Cherie and Ben both on The Wilds, separate seasons, and coming back to work with them again, was just such a treat. I've just been really lucky. I think that's the main word, lucky. I'm so honoured to be able to do a lot of things in Australia and beyond." The Survivors streams via Netflix from Friday, June 6, 2025. Images: courtesy of Netflix © 2025.
After a two-year hiatus and a cancelled 2024 run, Groovin the Moo is officially returning — though not quite in the format longtime fans might remember. Rather than its traditional multi-stop regional tour, the festival will stage a single-day, single-stage event in Lismore on Saturday, May 9. Organisers have described the move as a "deliberate and considered return", signalling a slower, more sustainable rebuild for one of Australia's most-loved regional music institutions. "Starting with a single stage and single-day show allows the festival to rebuild with care, while staying true to its regional foundations," organisers said in a statement. For nearly two decades, Groovin the Moo has been a rite of passage for regional music fans — bringing major international acts and emerging Australian talent to towns often skipped by big-city touring circuits. Past lineups have featured everyone from Billie Eilish and The Kooks to Gang of Youths, Amy Shark and The Veronicas, alongside breakout local artists who've gone on to headline their own tours. But like many Australian festivals, GTM has faced mounting pressure in recent years. Rising production costs, shifting audience habits and challenging ticket sales led to the cancellation of its 2024 edition just weeks after the lineup announcement. At the time, organisers cited insufficient ticket sales and a need to rethink the festival's long-term model. Now, with support from Great Southern Nights, the NSW Government and Destination NSW, the comeback show aims to test a more financially viable structure — while still honouring its regional DNA. "The festival belongs to regional Australia," said Fuzzy CEO Adelle Robinson. "Returning with a one-off show allows us to focus on doing it with the care and responsibility it deserves while the festival industry continues to navigate rising costs and increased pressure." ARIA CEO Annabelle Herd echoed the sentiment, describing the return as "a genuinely special moment for Australian music" and highlighting the importance of regional centres like Lismore in the broader live music ecosystem. For now, the message is simple: Groovin the Moo is back — just smaller, more intentional and (hopefully) built to last. The full lineup and ticket details will be announced in the coming weeks. This article first appeared in Rolling Stone Australia. Images: Supplied
Trade the crowded trains and constant hum of Tokyo's city streets for otherworldly views of volcanic terrain, subtropical jungles and subterranean lakes on your next trip to Japan. From deep-blue waters dotted with islands to towering snow-covered mountains and mangrove forests, Japan boasts a truly diverse mix of natural landscapes, which are home to not only thousands of years of culture and tradition but also impressive wildlife such as brown bears, orcas and red-crowned cranes. Together with the Japan National Tourism Organization, we've put together a guide to some of the most spectacular natural sights across the country — so you have yet another excuse to visit Japan. [caption id="attachment_965458" align="aligncenter" width="1920"] Jodogahama Beach via Shutterstock[/caption] Pacific Coast, Iwate Prefecture Experience sweeping views of the Pacific Ocean from Iwate's coastline, which features a striking stretch of cliffs, distinctive rock formations, underground lakes and tranquil beaches in Japan's north. Part of Sanriku Fukko National Park, the Iwate Coast can be explored by land or water. Take in the 200-metre-high Unosu Cliffs at Kitayamazaki on a boat tour; venture into the Ryusendo Cave to see subterranean lakes with stalactites and bats overhead; and cool off with a post-hike dip at peaceful Jodogahama Beach. [caption id="attachment_965460" align="aligncenter" width="1920"] Mount Aso, Masafarnorth via iStock[/caption] Kuju Mountains, Oita Prefecture Down south, get your steps in at the Kuju mountain range in Aso-Kuju National Park, home to the highest peaks in Kyushu. Whether you choose to make the ascent on one of the hiking trails or opt for a more leisurely stroll on ground level, you'll be treated to remarkable views across the volcanic landscape, especially when the foliage changes in autumn. There's also natural hot springs nearby at Kurokawa Onsen, for you to relax your tired muscles with a long soak at the end of the day. [caption id="attachment_965463" align="aligncenter" width="1920"] Seto Inland sea, SAND555 via iStock[/caption] Seto Inland Sea, Hiroshima, Okayama, Kagawa and Ehime Prefectures There's no shortage of things to discover around the Seto Inland Sea. The 400-kilometre stretch of water connects Honshu, Shikoku and Kyushu, with 700-plus islands in between. Reconnect with nature on a sustainable sailboat tour, or take in the sights from a cycling track – such as the 46-kilometre Tobishima Kaido (which crosses seven bridges) or the 70-kilometre Shimanami Kaido (which spans six islands). For a cultural fix, see world-class artworks scattered against the breathtaking backdrop of the Seto Island Sea at Naoshima, explore the charming canals of Kurashiki, and take in the view of the floating torii gate at Miyajima Island. [caption id="attachment_965462" align="aligncenter" width="1920"] Kurobe Alpine Route, courtesy of JNTO[/caption] Chubu-Sangaku National Park, Toyama Prefecture Immense in size, Chubu-Sangaku National Park has plenty of activities for every season, from trekking the 3000-metre-tall Japan Alps to snow sports and chasing waterfalls at Sanbondaki. In summer, popular pastimes include hiking, wildlife-spotting, biking, fishing and camping, while winter sees the area blanketed with snow. Not to be missed is the famed Tateyama Kurobe Alpine Route, which transforms into a stunning snow corridor from April to June, with stacks of snow reaching heights of up to 20 metres. [caption id="attachment_965457" align="aligncenter" width="1920"] Iriomote Island via Shutterstock[/caption] Iriomote Island, Okinawa Prefecture If you'd prefer to be in warmer weather year-round, head south to the lush Iriomote Island. You'll find more than pristine beaches here, with subtropical jungles, mangrove forests and cascading waterfalls throughout the island. When you're not kayaking through mangroves or cruising through the jungle, make your way across to Yubu Island on an unconventional (and unforgettable) mode of transport — hop on a cart and a buffalo will pull you across the strait while a local guide sings traditional Okinawan songs. [caption id="attachment_965456" align="aligncenter" width="1920"] Ago Bay via Shutterstock[/caption] Ago Bay, Mie Prefecture Culture and scenery collide at Ago Bay, which is dotted with approximately 60 small islands and famed for its pearl farming and Ama divers. These female free-divers have been collecting pearls and seafood in Mie Prefecture for over 2000 years, and still utilise many of their traditional methods to this day. Visit Ama Hut Satoumian to chat with Ama divers while feasting on fresh seafood at the restaurant. Don't leave without getting a bird's-eye-view of the bay from the Yokoyama Observation Deck, which offers impressive views of the peninsula and across the water from 200 metres above sea level. [caption id="attachment_965461" align="aligncenter" width="1920"] Shiretoko Mountains, Saturo S via iStock[/caption] Shiretoko National Park, Hokkaido Prefecture Get close to some of the locals at Shiretoko National Park, where you'll come across wildlife such as brown bears, owls, sea eagles, seals and orcas. With a range of landscapes — from mountains to forests and rivers — the UNESCO World Natural Heritage site is home to almost 60 land and marine animal species. Come during winter to walk across drift ice, snowshoe through the icy forest and witness the snow-covered landscapes. In spring and summer, visitors can spot brown bears and waterfalls on a boat tour, cycle through the Shiretoko Pass, explore the Shiretoko Five Lakes, or hike along the Kamuiwakka Hot Falls (which are fed by natural onsen waters). [caption id="attachment_965459" align="aligncenter" width="1920"] Kushiro Shitsugen National Park via Shutterstock[/caption] Kushiro Shitsugen National Park, Hokkaido Prefecture For even more wildlife spotting, head nearby to Kushiro Shitsugen National Park to catch a glimpse of deer and numerous bird species, including the iconic and endangered red-crowned crane. Kayak, canoe, or hike through Japan's largest wetlands for views of towering waterfalls, the port city of Kushiro, the Kushiro River and the Pacific coastline. If you'd rather take it slow and steady, head to one of the many observation decks by car or with a leisurely stroll, or you can even hop aboard a steam train that meanders along the river. Discover more and start planning your trip to Japan at the Japan National Tourism Organization website.
Australian theatre fans haven't yet had the chance to see Dear Evan Hansen on the stage without leaving the country, but that's finally changing in 2024. When Sydney Theatre Company announced its season for this year, it revealed that the six-time Tony Award-winner would grace theatres in the Harbour City. In excellent news for folks around the rest of the country, the season will now make stops in Melbourne, Canberra and Adelaide as well. When a musical becomes a Broadway sensation, FOMO tends to sink in for Aussie theatre aficionados. Rave reviews might start pouring in, and awards as well, but seeing whichever production has New York talking usually requires a Big Apple trip — an expensive endeavour even for the biggest stage aficionado. The other option: waiting patiently for NYC's brightest shows to head Down Under. It happened with Hamilton eventually, and now it's happening with Dear Evan Hansen. Dear Evan Hansen premiered in the US in 2016, then made the leap to the big screen in 2021. The next stop, back in stage form, is Sydney's Roslyn Packer Theatre from Saturday, October 12, then Playhouse Theatre at Arts Centre Melbourne from December 2024, Canberra Circuit Theatre from February 2025 and Her Majesty's Theatre in Adelaide from April 2025. Brisbanites and Perthians, runs for both cities haven't been revealed as yet — so start crossing your fingers. Created for the stage by songwriting and composing duo Benj Pasek and Justin Paul — who nabbed an Oscar for La La Land's 'City of Stars' — with playwright Steven Levenson (Fosse/Verdon), the musical spins a coming-of-age story about a plethora of high school struggles. Dear Evan Hansen follows its titular anxious teen, who is advised by his therapist to pen letters to himself to highlight the good aspects of his day. Then one of his notes ends up in a similarly lonely classmate's hands, sparking a complex chain reaction. STC, who is putting on the production with Michael Cassel Group, has also announced a number of cast members who'll bring Dear Evan Hansen to life on Australia's stages. Get ready to see Verity Hunt-Ballard (Mary Poppins) as Evan's mother Heidi, Natalie O'Donnell (MAMMA MIA!, Come From Away) and Martin Crewes as Cynthia and Larry Murphy, Georgia Laga'aia as Zoe Murphy, Harry Targett as Connor Murphy, Carmel Rodrigues as Alana Beck and Jacob Rozario as Jared Kleinman. You'll need to wait until August to find out who'll be following in Ben Platt's (Theater Camp) footsteps — after he played the lead part on both Broadway and in the film — as Evan in the Aussie show. Dear Evan Hansen Australian Season: From Saturday, October 12, 2024 — Roslyn Packer Theatre, Sydney From December 2024 — Playhouse Theatre, Arts Centre Melbourne, Melbourne From February 2025 — Canberra Theatre Centre, Canberra From April 2025 — Her Majesty's Theatre, Adelaide Sydney Theatre Company's production of Dear Evan Hansen will kick off in Sydney in October 2024, then tour the country. Head to the show's website for tickets, waitlists and more details. Images: Universal.
Milton has been home to a giant brewery for decades. In recent years, a variety of small and independent beermakers have also set up shop in the inner west suburb. But, amidst all that yeast and hops — and the strong scent of both that lingers in the air — Milton boasts its own spirits outfit thanks to Milton Rum Distillery. Obviously, rum is on the menu at this family-run operation. The distillery actually nods to an undersung part of the area's history, with the original rum-producing Milton Distillery springing into action way back in 1871. At this new joint, you can choose between Spanish-inspired tipples, a spiced cane spirit, and a coffee and cane spirit. Milton Rum Distillery is colocated with Milton cocktail bar The Malecon, which — you guessed it — also heroes rum.
As filmgoers, it would seem that we have a unique fascination with anthropomorphised machines. From WALL-E to Blade Runner to Spike Jonze’s recent Her, movies are full of artificially intelligent creations who have captured the imagination of audiences, and in doing so blurred the line of what it truly means to be human. The most recent robot to achieve sentience on screen is the title character in Chappie, the latest film from writer-director Neill Blomkamp. A member of Johannesburg’s robotic police force, Chappie (voiced and motion captured by Sharlto Copley) is earmarked for decommission after being damaged during a drug raid. Instead, his designer Deon Wilson (Dev Patel) decides to use him as a guinea pig for a radical new form of AI, one that more closely resembles human consciousness. But Deon’s success is soured after Chappie is stolen by a group of gangsters (South African rap group Die Antwoord playing fictionalised versions of themselves), who plan on using the impressionable robot to execute a heist. Three films into his career, Blomkamp has proven himself as a storyteller with a lot on his mind. His hit debut District 9 used an outlandish sci-fi premise as an allegory for racial prejudice and discrimination, while his big-budget follow-up Elysium touched on notions of immigration and class divide. In Chappie his ideas get even bigger, hitting everything from police militarisation to the nature of consciousness, loss of faith and even alternate modes of parenting. If anything, Blomkamp maybe tackles too much, packing his movie with a litany of different concepts at the expense of covering any of them in depth. There’s an argument to be made for quality over quantity, yet it’s hard to fault the director for his ambition. Nor can you ignore the amount of food for thought the film provides — brains being an increasingly rare commodity in Hollywood blockbusters, after all. And to its credit, Chappie succeeds as more than just a think piece. Possessing the innocence and excitability of a child, Chappie makes for a wonderful protagonist, with Copley’s mo-cap and vocal performance comparable to the work of Andy Serkis. As Chappie slowly matures, viewers will find themselves caught up in his emotional journey; particularly moving is the dynamic between Chappie and his surrogate mother Yolandi, who helps the robot attune his moral compass. Chappie does unfortunately suffer from one major flaw, and it comes in the form of its villain. Sporting his natural accent in one of the most poorly written parts of his career, Hugh Jackman plays the brutish Vincent Moore, a former soldier who plans on sabotaging Deon’s police robots — including Chappie — so that the force might invest in his more heavily armoured, remotely piloted drones. Even if you can ignore his cringeworthy Australian slang and unintentionally hilarious Steve Irwin-style khakis, Moore’s motivations remain excruciatingly one-dimensional. His only purpose is to manufacture conflict, and he basically derails the movie whenever he appears on screen. Luckily, Chappie is always there to get the story back on track. And perhaps it’s only fitting that, in a story about artificial humanity, the most emotionally intricate character isn’t a human at all.
In most parts of Australia, watching a film beneath the evening sky with stars surrounding the big screen is a spring and summer activity. In Brisbane, it normally is, too. But that's changing in the River City from November, which is when Brisbane Powerhouse's previously announced permanent outdoor cinema is finally launching to screen flicks with the heavens as a backdrop all year round. Catching a movie outside at Brisbane Powerhouse should sound familiar. For years, the New Farm venue played host to Moonlight Cinema, with an outdoor big screen set up outside the site's Stores Building each summer. That annual setup has since shifted to Roma Street Parklands, so Powerhouse is now teaming up with Dendy to open its own replacement: Dendy Powerhouse Outdoor Cinema. The projectors will get whirring from Friday, November 10, with Dendy adding a third Brisbane site to its current footprint alongside Portside and Coorparoo (RIP Dendy George Street, which then became Tribal Theatre and is now sadly no longer a cinema). The cinema chain will bring the same mix of programming that graces its other sites in Queensland and across Australia. Think: arthouse and mainstream fare alike, and for all ages, with the launch lineup set to feature The Marvels, The Hunger Games: The Ballad of Songbirds and Snakes, Cat Person, Killers of the Flower Moon, Five Nights at Freddy's, The Royal Hotel, the remastered version of Talking Heads concert film Stop Making Sense and more. While Dendy Powerhouse Outdoor Cinema definitely isn't just a seasonal affair, it will keep its screenings to Thursday–Sunday evenings. Powerhouse had promised this setup, complete with a major exhibitor running the operations, back when adding a permanent openair cinema to the Lamington Street site was first revealed. Also announced then, in mid-2022: Night Feast, which has run in both March and October this year, and will keep popping up twice a year — and the Pleasuredome, a new tent-style riverside events space on the Powerhouse's Performance Lawn that arrived in 2022. Powerhouse has welcomed vertical dining experience Vertigo in 2023 as well. Dendy Powerhouse Outdoor Cinema will pop its screen on top of 40-foot shopping containers, and get patrons using wireless headphones for the best sound experience. As for the seating, you'll recline on outdoor loungers. Food-wise, there'll be the usual cinema snacks — including popcorn and choc tops — plus cheese boxes, wine and beer. Ordering will be made easy, using QR codes for to-your-seat delivery. [caption id="attachment_858079" align="alignnone" width="1920"] Past outdoor cinema sessions at Brisbane Powerhouse[/caption] "We are delighted to be partnering with the Brisbane Powerhouse to deliver a stylish and sophisticated, all-year-round outdoor cinema experience for the Brisbane community. True to the Dendy brand, Dendy Powerhouse will screen high-quality curated content across a wide range of genres, aiming to transport audiences on a journey like never before," said Dendy Cinemas CEO Sharon Strickland. "We're thrilled to partner with Dendy on this new outdoor cinema, a significant milestone in our ongoing commitment to showcasing diverse art forms at Brisbane Powerhouse. This cinema will feature Dendy's impressive film selection alongside our festival programming, offering audiences a range of films from blockbusters to artistically diverse creations," added Brisbane Powerhouse CEO and Artistic Director Kate Gould. [caption id="attachment_827164" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Dendy Powerhouse Outdoor Cinema will open on Friday, November 10 at 119 Lamington St, New Farm — head to the Dendy website for bookings and more information.
Passion. Vulnerability. Determination. This is what Mia Thompson offers when asked what's needed to make a career out of dance. The full-time artist speaks from a position of experience, having had both feet planted in the world of dance since childhood. "I started dancing when I was 4," Thompson shares. "I wouldn't say I was a superstar — just running around in a cute little tutu thinking everything's great. I have six sisters, so I think it was a way to get us into a controlled space together that was also artistic. It's in our family's blood to be artistic." Embarking on any creative journey is difficult — embarking on one as your 9–5 that satisfies your inherent creativity and enables you to share your craft with the world is especially so. With the support of LG SIGNATURE — a proud partner of Sydney Dance Company and supporter of the wider arts community — we had a chat with Thompson, exploring her travels to the world's stages, her current position with Sydney Dance Company and what it takes to be a full-time dancer. [caption id="attachment_866757" align="alignnone" width="1920"] Pedro Greig[/caption] "I THOUGHT WHAT YOU DID WITH DANCE WAS TEACH" Not fussy on her favourite style, Thompson fell in love with all forms of dance. Ballet, jazz, modern, hip-hop — for Thompson, it was a joy to just be moving. In high school, after watching an older sister perform, she realised that the world of dance extended further than the classes she was in. "I thought what you did with dance was teach," she laughs. "I saw the Queensland Ballet do The Sleeping Beauty and I was like, 'They're getting paid to do that?! I want to do that!'" After finishing high school, Thompson joined Queensland Ballet's professional program. "I did one year but the director didn't really like me — he thought I was only doing it 'cos my sister was. I was told it'd be unlikely that I'd get a contract with them, and that I could stay and get my training or find another program with a segue into another company." A heavy blow, but a blessing in the end. Because, what's vital to flourishing in the world of professional movement art? "A school or teacher that supports you as an individual. You can go to the top school in Europe, but it might not be the top school for you. If they don't understand you, they're not going to give you the most that you can get out of yourself as an artist. I was so headstrong on getting a ballet career, so being in a contemporary [dance] company now, maybe Queensland Ballet could see something I couldn't." Following her training in Queensland, Thompson went westwards with a successful audition for WAAPA. Living away from home for the first time, evolving as a dancer and starting friendships, the tingle for travel set in. Thompson secured a spot in the Scottish Ballet where, in 2018, she was promoted to first dancer. [caption id="attachment_865975" align="alignnone" width="1920"] Rimbaud Patron[/caption] LANDING ON HOME SOIL While at the Scottish Ballet, she met her future fiancé. "He wanted to do contemporary and I told him about Sydney Dance Company. We were just friends at this point, and I was like 'You should go'." He auditioned, got in and the pair got together, giving long-distance love a go for a year. In the audience of a Sydney Dance Company production — and seeing the new-found articulation in her partner's body — Thompson had a revelation: "With ballet, you're striving for perfection. Watching the [Sydney Dance Company] dancers — the way they moved and the understanding they had for their body — there was nothing that I could relate to. I wanted that, I wanted to be able to speak on behalf of myself and my body." Dance is a notoriously cutthroat industry. There's limited spots, stiff competition and a relatively short career span. "You have no idea how many dancers, even in Europe, are just desperate to get into Sydney Dance Company. We are the leading contemporary dance company in Australia, even in the world. Young artists leaving school are just so keen to get in, they want to know everything about you, it's like we're celebrities. It's very easy to forget — I remember myself at that age, dancers would walk past and my jaw would drop. Even before I auditioned, that was me looking at the company." The chance to audition arose and she took it. She got the longed-for call and high-tailed it Down Under, finishing her time with the Scottish Ballet as Cinderella. As Thompson speaks, she radiates an almost palpable enthusiasm for her vocation. Sydney Dance Company's stellar reputation is one that has not only been earned, but continues to be a work in progress. "If we're not performing, a typical day starts at 9.30am and ends at 6pm. You rehearse repertoire or create new work, explore ways of moving. You can have your steps, but every day I see dancers in the mirror or talking to each other trying to find new ways to develop it. It literally never stops growing, which is beautiful in itself." [caption id="attachment_866753" align="alignnone" width="1920"] Pedro Greig[/caption] "IT'S FLOW STATE" When seated behind a desk, it's difficult to imagine a work life dedicated to exploring and executing movement. Beyond perfecting shape after shape, there's a bottomless list of to-dos. "After a show," Thompson shares, "you'll see most of the dancers in a cubicle, with our feet shoved in an ice bucket to cool." Plus, there's warm-up classes, prehab/rehab (to safeguard those hardworking bodies), rehearsals, feedback sessions and self-review videos, collaboration, hair and makeup, stage direction and spacial notes. The end result? Expertly controlled dancers commanding the stage, allowing audiences to connect and feel something. When asked what it feels like to perform on stage, Thompson's eyes widen and she lifts her chin. "When I dance I feel a great sense of freedom and release," she smiles. "It's like I'm in a trance. There's no better feeling than feeling completely lost on stage, surrounded by your colleagues. Working with them but also feeling completely alone in this world. It's my happiness, it's my sadness, it's my expressive therapy. It's flow state." Defining what it takes to be a full-time dancer is so subjective that it's no simple task. But, when you reflect on Thompson's persistence and determination, her desire to understand her body and to collaborate on stage, and the palpable energy and emotion that buzzes around her when she speaks about dancing, it's clear that it's not just a job. "Some days can feel like work," Mia finishes. "But the minute you step out on stage, you just get lost in it." A supporter of the wider arts community, LG SIGNATURE is a proud partner of Sydney Dance Company. Head to the website to learn more about the partnership. Top image: Pedro Greig
Everyone loves a trip to the flicks — but if you're only heading to the pictures to check out the latest releases, you're missing out on half the fun. Seeing a classic film in a cinema isn't just an indulgence of avid movie buffs looking to climb off their couches, but a way to relive your love of your favourite big screen fare, discover something old to most but new to you, or both. Indeed, Brisbane is booming with retro programs that celebrate the hits from times gone by, and showcase the otherwise under-seen and under-appreciated. Check out these nine places for your trip down cinema memory lane — or to finally see a beloved classic the way it is meant to be seen: on as large a screen as possible, in the dark, with no distractions. GOMA's AUSTRALIAN CINÉMATHÈQUE If there's one place anyone with even a passing interest in film should flock to, it's the Australian Cinémathèque at the Gallery of Modern Art. When it comes to interesting and diverse cinema programs curated to expand audience horizons, no one does it better. In the nearly nine years since GOMA first opened, their two screens have examined American horror films, monsters in the movies, the wild days of pre-code Hollywood cinema and the wonders of cult Japanese filmmaking — and that's just a taste of their past and present lineups. Their slates tend to alternate between thematic collections of more mainstream fare and avant-garde, experimental and auteurist spotlights, so there really is something for everyone. PALACE CENTRO If you like the hustle and bustle of film festivals, you're probably quite accustomed to going to Palace Centro to devour movies from around the world. If you also like retro cinema wonders, you best get used to calling the James Street mainstay your second home. Their long-running Vintage Centro program keeps going from strength to strength, highlighting the kind of classics that you've either seen plenty of times (Blade Runner and Monty Python's the Life of Brian for example), or really should've (such as Nashville and Picnic at Hanging Rock). There's also usually more than one lineup of older fare gracing their screens, whether fashion on film or cult classics are your thing. Yes, that's their two latest — and maybe greatest — programs. Image: Kgbo. KRISTIAN FLETCHER Sometimes, you'll find all the retro film fun you're after under one roof. Sometimes, you'll find it all in one great movie mind, and then unfurled across a raft of venues. The latter is the case with Kristian Fletcher's focus on all things cult, which often pop up at the Schonell and the New Globe theatres. From The Toxic Avenger to Attack of the Killer Tomatoes and Labyrinth to Ferris Bueller's Day Off, the weird and wonderful are his forte, as well as the all-round awesome. If you've thrown spoons at The Room or sung along to The Rocky Horror Picture Show, chances are you've been at one of his screenings. CINE-RETRO FILM SOCIETY Want to not only celebrate classic films, but enjoy them the way they're meant to be screened? Then the Cine-Retro Film Society is the place for you — aka Brisbane's only organisation dedicated to fostering an appreciation of pre-1960 British and American cinema. Their film nights, usually held monthly at the Old Museum, include an introduction, a reel of shorts before the feature, and project vintage prints from the National Film and Sound Archive Collection on 35mm and 16mm. Whether you're a member or you're heading along to one of Cine-Retro's showcase general admission sessions, you'll feel like you've stepped back in time. NEW FARM CINEMAS Since bursting on to Brisbane's cinema scene just one year ago — or returning an old venue to its former glory and then some, more accurately — New Farm Cinemas has proven full of surprises. Screening new releases is their bread and butter, but they've also hosted a brand-new film festival, opened up their foyer to artisan markets, and broadened their movie horizons to include a celebration of Italian cinema during Italian week as well as the Queensland premiere of The Human Centipede 3. Nestled amongst this eclectic mix are one-off sessions of older fare as part of their Flashback Films program, and partnerships with other film-loving entities, such as the Friday Fright Night series with Monster Films. Basically, expect the unexpected — unless you're talking about their movie-themed pizza menu, which is always clever and delicious. EVENT MYER CENTRE Because every mainstream movie house dallies with the retro side of cinema these days, Event Myer Centre in the Brisbane CBD has also gotten in on the action. The top-level theatre is calling their In the House program a cult film festival; however here's hoping popularity will make it a permanent fixture. Flicks to see before you die is their angle, spanning the best of James Cameron, Steven Spielberg, Jim Henson, John Landis, Quentin Tarantino and more. If you've never seen Jaws, An American Werewolf in London or Pulp Fiction on a big screen, here's your opportunity. BRISBANE LIBRARIES The days of libraries serving up literature, learning and little else are long gone. The days of books and computers sharing the spotlight with events and film screenings: they're the days we're currently enjoying. Across the city, many a Council-run establishment also boasts a movie contingent, although the programming can be intermittent. Family fare such as James and the Giant Peach often features during school holidays, while beloved golden oldies like The Wizard of Oz also pop up frequently. For those looking for challenging and often-unseen film content as well as classics, the stellar queer film nights are must-attend events, alternating fortnightly between New Farm and West End. MOONLIGHT CINEMA When it comes to cinema under the stars during summer, you can't go past Moonlight Cinema. For many a year, they've hung their giant screen from Brisbane Powerhouse's stores building on the edge of New Farm Park, and welcomed many a patron onto their bean bags. Two things make their program stand out: sneak peeks of new movies yet to reach the multiplexes, and an array of celluloid treasures everyone has some affection for. Sure, you've probably seen Dirty Dancing, Top Gun and Breakfast at Tiffany's there before; however one of the things that makes each a favourite is that they're endlessly rewatchable. OPENAIR CINEMAS Who doesn't want to watch movies by the riverside, particularly when the weather starts to warm up? Come October and November, OpenAir Cinemas allows Brisbanites to do just that when their national roadshow sets up shop at South Bank. What each year's lineup offers is a mystery until a month or so out, though we all know that new and old flicks will happily mingle. A number of the classics that grace other venue's bills always feature — but there's just something special about seeing a movie while relaxing on a deck chair and eating your own picnic dinner.
The Lord of the Rings is turning 25 in 2026 — and one of the many ways you can celebrate a quarter century since the destruction of the One Ring is by listening to a candlelit rendition of its legendary score. The soundtracks of the fantasy films to end all fantasy films will get a string quartet treatment in cities across Australia thanks to Candlelight®: The Lord of the Rings. Presented by Fever and Warner Bros. Discovery Global Experiences, the intimate concert series will recreate the iconic scores composed by Howard Shore in a smaller scale, but just as emotionally sweeping, format. From the humble tunes of the Shire to the stirring sounds of the plains of Rohan, and beyond, it's a trip to Middle-earth that you won't be forgetting any time soon. Tickets are limited, but you can join the waitlist now. "We are proud to be partnering with Warner Bros. Discovery Global Experiences to host this unforgettable Candlelight concert series celebrating such a significant milestone as the 25th anniversary of The Lord of the Rings," said Isabel Solano, Global Vice President of Original Experiences at Fever. "With Candlelight®: The Lord of the Rings, we're paying tribute to the epic music from the timeless classic that continues to inspire generations and reinforcing our mission to make classical music accessible to every audience while celebrating some of the world's greatest composers." Candlelight®: The Lord of the Rings will be coming to Adelaide, Brisbane, Melbourne, Perth and Sydney throughout early 2026. Adelaide shows will take place across two nights in February at the Capri Theatre, with Perth to follow at shows in March and April at Perth Town Hall. Sydney, Melbourne and Brisbane dates are yet to be confirmed, but will take place at the Sydney Masonic Centre, Collingwood Town Hall and Saint John's Anglican Cathedral, respectively. For more information, or to join the waitlist for 'Candlelight®: The Lord of the Rings', visit the Fever website.
As the ongoing conflict in the Middle East shows no sign of slowing down, the widest-spanning impact for Australia and the world is yet another price hike, this time at the petrol station. With the world's global oil supply throttled by the closure of the Strait of Hormuz, and despite ordering the largest releases of stockpiled oil in history, the International Energy Agency (IEA) has issued warnings for Australia and other countries facing limited fuel supplies on how to curb demand and limit consumption. The advice is welcomed by Aussie drivers, who are staring down some truly eye-watering price boards across the country. At the time of writing, the cheapest fuel prices in NSW are $2.35 a litre in Rozelle, in Victoria, it's $2.37 in Northcote, and the same low price up in Queensland, specifically in Wynnum. Meanwhile, tanks of diesel aren't coming in any cheaper nationwide than for $2.69 a litre in Googong, ACT. [caption id="attachment_1085445" align="aligncenter" width="1920"] Getty[/caption] The IEA is now warning member nations like Australia that drivers should begin taking daily precautions to help prolong supplies — not hoarding, or stealing petrol — but in the form of easy everyday adjustments to routine. While Australia doesn't source its crude oil directly from the Middle East, the Asian countries we do source fuel from could soon focus on shoreing up their supply instead of meeting export demands, as evidenced by the last 24 hours, when six fuel supply vessels bound for Australia were cancelled or deferred. So, how can Australians be proactive and do their part to extend the supply? Firstly, work from home whenever possible, and take public transport to work when able (in NSW, the Rail Tram and Bus Union is calling on the state government to lower or scrap public transport fees). If driving on the highway, reduce speeds by ten kilometres per hour below the limit to extend time between refills. And if driving is a must, consider car sharing with friends, family, neighbours or colleagues to limit individual fuel consumption. Avoid air travel unless absolutely necessary, and if possible, limit the use of gas cooking at home. [caption id="attachment_1085447" align="aligncenter" width="1920"] Getty[/caption] Several of the IEA's recommendations are aimed at governments and organisational bodies, including alternating private vehicle access to certain roads to reduce congestion and high-consumption driving, limiting LPG supplies for transport to maintain supplies for everyday essentials and optimising commercial vehicles' loads and driving practices to optimise fuel consumption. If driving can't be avoided due to your own personal circumstances, there are a number of tools you can use to find cheap petrol prices near you. State governments in VIC and NSW offer fuel-checking services, or independent platforms like PetrolSpy and 11-Seven track the lowest prices in Australian suburbs and nationwide daily. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
No one loves choosing between two of their favourite foods. Also, everyone likes pies. They're two of the truths behind Banjo's Bakery Cafe's range of culinary hybrids, and it has just come up with another: the spaghetti bolognese pie. After introducing Australian tastebuds to the lasagne pie and the double cheeseburger pie — plus Tasmanian scallop pies, bangers and mash pies, and chicken parmigiana pies, too — the Banjo's team has launched another Frankenstein's monster of a snack. Pastry is a feature, as usual. This time, though, it encases angel hair spaghetti and meaty bolognese sauce, and is then topped with melted cheese and parsley. Yes, they're exactly what they sound like. Yes, your tastebuds now want to devour them ASAP. Yes, being unable to think of anything else until you eat one of these creations is completely understandable. The aim: to satisfy your cravings when you just can't bring yourself to pick between a pie and some spag bog, obviously. If you're a little indecisive when it comes to choosing what to eat in general, you're probably already a big fan of food mashups that find ways to combine two popular dishes — so this is an easy must-try. The spaghetti bolognese pies have joined Banjo's signature range, alongside the aforementioned other creative varieties — but only for a limited time. They'll be available from the company's stores from today, Wednesday, June 8, as well as via online click-and-collect orders and delivery services. In NSW, you'll need to head north to Glendale to get your fix. In Victoria, stores are located in Mornington, Traralgon and Mildura. Queenslanders can pick from ten spots, including Darra, Cleveland, Park Ridge and Redcliffe, while pie-loving SA residents can hit up Glenelg — and there's 27 stores in Tasmania. Banjo's Bakery Cafe's spaghetti bolognese pie is on the menu at the chain's stores nationally from Wednesday, June 8. To find your nearest location, visit the company's website.
It's that time again for 2024: time for Australia's Red Centre to glow with other hues, including across ranges dating back 300 million years, thanks to giant puppets and on the ochre earth. Every April, Parrtjima — A Festival in Light returns to the Northern Territory with art, music, talks and an all-round celebration of First Nations culture. This year's event is on now, kicking off on Friday, April 12 and running till Sunday, April 21 — and if you're not there or on your way, this is what you're missing out on. When Arelhe Urrperle strolls along, people take notice. A six-metre-tall puppet that weighs 600 kilograms wandering around draws attention. Seeing it mosey through Alice Springs Desert Park, sharing Arrernte stories and language, is a main attraction at 2024's Parrtjima — A Festival in Light, in fact — and just one of the highlights of this Indigenous arts festival. Erth, which has also brought dinosaurs and sharks to life around the country in the past — and held prehistoric picnics featuring puppets — is behind Arelhe Urrperle. In New South Wales, Marri Dyin, which also reaches six metres in height, has taken a stroll at Vivid Sydney 2018 and 2019, plus at the Nights on Crown Festival in Wollongong in 2019. Arelhe Urrperle is specific to the Red Centre, however, with Erth's puppeteers training local Indigenous performers to operate the roving puppet for Parrtjima's 2024 run. Representing Arelhe matriarchs, Arelhe Urrperle is one of this year's signature installations — and a new addition to Parrtjima for 2024. Fancy feasting your eyes on illuminated cars that form a collage of work celebrating Eastern, Western and Central language groups? Walking through an immersive passageway that pays tribute to late Arrernte leader Dr MK Turner? Thanks to fellow installations Arrernte and Honouring, they're also on the festival's program right now. One of the Northern Territory's annual highlights — and one of its dazzling sights, alongside natural features Uluru, the Tjoritja gorges and Kings Canyon, plus nightly light show Wintjiri Wiru, as well as Bruce Munro's Field of Light and Light Towers — this arts, culture and storytelling event takes place against the MacDonnell Ranges. 2024 marks the ninth Parrtjima, with its lineup focusing on the importance of interconnectedness across First Nations culture for this year. That's partly happening through two things that are always on the bill: two of the festival's regular annual attractions, aka a huge artwork that transforms a 2.5-kilometre stretch of the majestic ranges, showering it with light each night of the festival; and Grounded, the installation projected over the red dirt at tourism and conservation facility Alice Springs Desert Park. The Ranges Light Show has taken over additional projection space in 2024, while Grounded has become more interactive. Over its opening weekend, the program also included a three-night marketplace for the first time in the fest's history. The Northern Territory Indigenous Business Network (NTIBN) Buy Blak Market featured both food and other products from local Aboriginal businesses. On the music roster across the entire event, Troy Cassar-Daley, Shellie Morris, Miiesha and Mulga Bore Hard Rock are taking to the stage. Cassar-Daley and Morris are also on the talks lineup, alongside Floyd Doyle and Dr Josie Douglas. Parrtjima – A Festival in Light runs from Friday, April 12–Sunday, April 21, 2024, at venues around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: Parrtjima – A Festival in Light. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Heavy stuff coming to you today from the Concrete Playground lab: A debate sparked in the Iron Age and making waves in the Renaissance before uncontrollably escalating in the Breville Age. A competition that’s torn apart families and separated breakfast tables at once. Who reigns supreme in the sweet dough-off between pancakes and waffles? While both hold steady benchmark in the world of breakfast foods, the evidence is strong, the palates have been tested and the rivers will run thick with the loser’s sweet, sweet syrup. ON THE PLATE The aesthetic aspect of this debate intersects many dimensions, focusing primarily on simplicity versus the abstract. Compare pancakes to The Great Wall of China – architecturally, it’s a classic go to, of stock standard template, with few frills. Then compare waffles to The Pyramids – just as much work, but a bit more zest. Waffles have the capacity to capture toppings, in their valley of dints and rises, and are crispy enough to perform as plate, sandwich holder, or even carry around snack. Plus with waffles, you can make little houses, a syrup jakoozie and Drew Barrymore fall in love with you. First point to waffles. Waffles 1, Pancakes 0 IN YOUR MOUTH The question of which tastes better out of pancakes and waffles is totally subjective, however there can be no real competition with subjectivity at play, and with no competition comes no winner, and winning is everything. Therefore, objectively, the tastiest of the two would be the fattier, sweetest and saltiest product. On average waffles are 14% fat, versus pancakes, which are 10%. Waffles contain less sugar at 2%, while pancakes pack it up with 15%. Waffles take reign again with higher calorie, cholesterol, and salt figures, over pancakes. Buckwheat, buttermilk, and the stock standard substitutes are bound to alter these figures, but say what you will, waffles are more likely to kill you – and that gives them an extra point. Waffles 2, Pancakes 0 IN THE KITCHEN Finally, pancakes nab one in the bag. Just about any Joe Blow with a frypan, couple of eggs, and well-stocked pantry can pull together a pretty delicious pancake. Crack, pour, mix, fry, and boom, pancakes on the table, on your fork, in your mouth. On the other hand, traditional waffles take a good few steps, multiple bowls, and a handful of extra ingredients to perfect. Whites must be separated from yolks, and then beaten to stiff peaks, folded into the batter, and all the time remain lump free. And while it’s not as hard as it sounds, it sure makes for a heap of washing, and a sooky cooky when creations don’t work out Waffles 2, Pancakes 1 IN THE MIX For the sake of argument, fritters and crepes are rather mere derivatives of the pancake, deserving of spotlight, but not in this debate. Taste.com will try and mask a corn and zucchini fritter as a savoury pancake, but don’t play their fool. Pancakes are base best suited sweet. Blueberries, strawberries, chocolate chip and banana are just a few simple ingredients that can decode the simple taste of a pancake, and reform it as something totally new. As far as waffles go, sweet potato is a mix in that might make you squirm, but is truly a force of a feature - try Kettle and Tin's take on it. Potatoes aside, we have to admit, nothing really beats blueberry pancakes, so there’s another point to our flat friends. Waffles 2, Pancakes 2 ON TOP Both waffles and pancakes take ice-cream, syrup and/or other sweet toppings as well as each other in a flavour sense. From a savoury aspect, however, the fight gets full frontal and nasty. If you haven’t heard of Roscoe’s, google image, right now. Now! Back? Now google image Edward Lee Waffles. Chicken and waffles may be one of the strangest, American-reeking fusions on the market, but jeepers it’s a match made in heart-disease heaven. The Canadian breakfast plays worthy rival – bacon laced in syrup, topped with more bacon, covered in a dash more syrup, garnished with bacon, and finished with syrup, and is a staple on any successful breakfast menu. Therefore, both succeed in sweetness, pancakes take pork, and waffles woo chicken – that’s a worthy point each. Waffles 3, Pancakes 3 ON THE BIG SCREEN Reputation in any spectrum relies strongly on it’s perception and portrayal on the big screen. Therefore, the more referenced a food product is in a movie or TV Show, the more influence and appreciation is has on a public sphere. Waffles have strongly cemented themselves into quotes from comedies such as The Simpsons, Parks and Recreation, and Little Miss Sunshine, and mostly everything with Mike Myers or Rob Schneider in it – check out the Huffington Post’s ode to waffles on the big screen. Of course, waffles are also the soppy Hollywood glue between Drew Barrymore and Adam Sandler in rom-com, 50 First Dates. Pancakes have just as much dramatic flavour, lingering in more vintage, cult films – Breakfast at Tiffany’s, Public Enemy and Pulp Fiction holding home to the sweet treat. Both frequent the big screen as much as Nicholas Cage, but in deciding who takes the pick in this section, we have to go with the one loved by donkeys, feared by ogres, and quoted around breakfast tables since 2001. One more point to waffles, 100 points to Shrek. Waffles 4, Pancakes 3 As we tally the score, I defer to Mitch Hedberg, who described pancakes as, “all exciting at first, but then by the end you’re f***ing sick of them.” Sure, they have their moments, and wonderful moments at that, but when push comes to shove, they lack the fine, crisp crafted velour of their dented nemesis. The waffle is art – sweet, buttery art that can play both treat and staple. Do yourself a favour, buy a waffle iron, or better yet, sell up, and use all your money to open a Roscoes franchise in Queen Street Mall. Please. If it all seems too hard to DIY, we've provided a quick guide to pancake and waffle eats Brisbane-wide. Pawpaw’s chocolate pancake stack with honey and honeycomb is sickly fantastic, and should come with a shot of insulin on service. Kettle and Tin’s dark chocolate waffles are a just as dangerous, and create a chocolate waffle benchmark that begs to be rivalled. Post Cockadoodle Cafe's facelift, the waffles are still flying out with full flavour, berry abundant, and maple dowsed. The waffles at Comfort at My Table are some of the ritziest, yet most reasonably priced in this city – if the banoffee waffles ever feature on the specials board, nab them without batting a lash. And of course, Pancake Manor in the City is the 24 hour hot cake hotspot, that provides quality at any time of the day – crepes, waffles, pancakes and steaks, they cover it all, will combine on polite demand, and can play any drunken-night meal, or early-start breakfast. Bless them all.
Think Capri, and you likely think of the island off Italy's coastline. Southeast Queensland also boasts the Isle of Capri, however, in the Nerang River on the Gold Coast. And it's there that you'll find your next spot for Southern California-meets-Mexican eats while peering at the water, with newcomer Isla Cantina opening its doors. Back in mid-2022, the Capri on Via Roma shopping centre was snapped up by Mulpha Hospitality Group, who is behind this new restaurant and bar as well. Isla Cantina is nestled next to Edgewater Dining & Lounge Bar, can welcome in 100 people, and sports a coastal-appropriate earthy and airy fitout by Brisbane-based architect and interior designer Simone Barr from DAARC — and, amid greenery and neutral hues, those views. Mark Marshall, Mulpha's Area Executive Chef for Queensland, has overseen Isla Cantina's culinary lineup, which unsurprisingly goes heavy on seafood given the venue's location. Fried red snapper tacos are a particular highlight, sitting alongside spanner crab tostadas, snapper ceviche, cachaca- and lime-cured ocean trout, and yellowfin tuna tiradito. If you're keen to venture beyond the ocean's finest, eight-hour slow-roasted lamb barbacoa, adobe barbecue chicken, and flank steak paired with bone-marrow butter, fire-roasted onions and tomatillo salsa are also on the menu, plus jackfruit carnitas. For dessert, options include barbecue pineapple, as well as the sweet-and-spicy blend that comes with chocolate and chipotle mousse. And, you'll also lean into a melange of flavours in the cocktail range, which is filled with drinks ready to be sipped on Isla Cantina's breezy deck. Authentic Mexican cocktails lead the show, margaritas obviously included, and also the paloma, and the beer-based chelada and michelada. "This is a restaurant for everyone who likes a bit of spice in their life, locals and visitors alike. We want to show how tasty and interesting this food is and provide an atmosphere that reflects our easy-going coastal lifestyle and sunshine state of mind," says Isla Cantina manager Pablo Uribe. "We are thrilled to bring a whole new taste offering to the Gold Coast that is fresh, fast and fun, with authentic flavours and fabulous ingredients. You don't need a lot of ingredients to make great food. You just need to combine great flavours, prepared the right way," adds Marshall. Find Isla Cantina at Capri on Via Roma, Shop 4, G7 Via Roma, Surfers Paradise — open Wednesday–Saturday from 11am–late, and Sunday from 11am–3pm.
Plenty of different noises have echoed across Riverstage over the years, hailing from bands, festivals, Christmas carols, Matildas celebrations — complete with Nikki Webster singing 'Strawberry Kisses' to the champion football team — and more. The next sounds that the inner-city spot in the Brisbane City Botanic Gardens will hear: the Ministry of Sound, thanks to its huge dance music orchestra show. When anyone hits 30, they tend to look backwards — to reminisce, lament leaving their twenties behind and avoid accepting that they've just hit a big milestone birthday. Ministry of Sound marked that occasion two years ago, and it's been getting nostalgic ever since. The brand that started as a London club night back in 1991 has been touring an orchestral gig around Australia for a couple of years now, in fact, that's filled with three decades of dance music bangers. Returning to Brisbane for the second year running, this time in a new location, Ministry of Sound Classical is the answer to a question you didn't know you had. Ever wondered what classical renditions of Basement Jaxx, Darude, Röyksopp, Robin, Underworld, Moby, Fisher and more would sound like played by an orchestra? On Saturday, October 14, you'll have the chance to find out. On the bill: the Ministry of Sound Orchestra, of course, as well as Sneaky Sound System and The Potbelleez performing live, plus Mark Dynamix and DJ John Course. Conductor Vanessa Perica will lead the musicians, while live vocals are also part of the show.
If you're someone who loves chocolate and hazelnuts, and doesn't have an allergy to either, the odds are that you're rather fond of Nutella. Most folks fall into that category, which is why the world has seen everything from Nutella food trucks and dessert bars to Nutella hotels and festivals pop up — and plenty of eateries slathering the spread on and in other food stuffs, too. Your new way to get your Nutella fix? In bar form. Until now, you might've thought of Nutella bars as places that you can visit — because, as outlined above, they have definitely existed over the years. From Monday, January 4 at Australian supermarkets and convenience stores, however, Nutella bars are also something that you can buy and eat (and carry around with you in multi-packs for a Nutella-on-the-go situation). Nutella's new product is called B-ready, and it squeezes the spread into a wafer shell — with some wheat puffs as well. So, when you bite into one, you'll taste some Nutella, and get quite a crunch in the process. The Nutella B-ready bars are now available either individually, or in packs of six — if you can never seem to stop yourself when it comes to the choc-hazelnut spread. They'll cost you $2 for one, or $4.99 for a six-pack. Nutella B-ready bars are now on sale at Australian supermarkets and convenience stores.
The team at CBD favourite Lennons Restaurant & Bar is getting ready to host two lavish nights of spectacular food and wine this August. The occasion? A celebration of the eatery's focus on local, seasonal produce and the delicious drops from City Winery. Diners joining the meal at the much-loved hotel restaurant within the five-star Hyatt Regency (which has just revamped its menu) will be treated to three courses of executive chef Krisztian Herczig's signature dishes. The menu features marinated king prawns, watermelon and crisped-up fennel to open the meal, and an elevated classic — filet mignon — as main. As you eat, you'll be sipping stand-out glasses from the nearby City Winery, the urban micro-winery that creates its vinos amongst the buzz of Fortitude Valley. Sourcing grapes from the vines of a number of Australia's renowned growing regions, the metropolis-made drops range from a crisp South Australian vermentino to a sunny riesling from Tasmania's stunning Freycinet coast. We hear Gerler's recent release — its much anticipated 2020 Reserve Shiraz — is on pour, too. The exclusive mid-week event kicks off at 6.30pm, and with limited spots available, you'd be best to secure your date and grab your tickets ASAP. The Lennons Wine Dinners will take place on Wednesday, August 24 and Thursday, August 25. Head to the website to nab your seat.
Every couple of years, the team at Cuatro Group — aka Martin Lange, Wiebke Lange, Blake Ward and Belinda Ward — gives Brisbane a new place to while away a night or several over drinks. First came Death & Taxes, complete with a hefty focus on whisky. Next arrived Dr Gimlette, with table service in one of the River City's oldest buildings. Now Antico is here, this time riffing on Italian cocktail bars. You'll be heading to familiar roadway to get sipping from 4pm daily — for walk-ins only, with no reservations taken — with Antico located in Burnett Lane, where Death & Taxes also sits. After Super Whatnot closed its doors earlier in 2023, Cuatro Group has taken over the space, opening the crew's most intimate venture yet. The team's third spot is a 50-seater that, like its other watering holes, is big on atmosphere. Think: moody lighting including candles and an eye-catching gold chandelier, leather booths and a black-and-gold marble bar top. After taking the stairs up from the lane, patrons will enter a venue that finds its inspiration in old-school Italian hotel lobby bars. That's where the black-and-white mosaic floor comes in, too, and the sunken seating area — with the aforementioned booths catering to small groups. The hotel lobby bar theme comes through in the menu as well — and, of course, the Italian influences. Antico pours classic cocktails, and will rotate through ten different varieties every two months. Whatever's on the drinks lineup, it'll always feature the bar's own twists on well-known concoctions using fresh ingredients sourced locally from across Brisbane. And, a signature negroni is a mainstay as well. Beyond cocktails, beer and wine are also on offer, as well as a curated range of high-end spirits — for going in the cocktails, obviously, and just for enjoying otherwise. Food-wise, Brisbanites can nibble their way through selection of Italian-inspired bar snacks, such as bruschetta and burrata. And, after working at Dr Gimlette since 2021 — and running the joint, and picking up ten years of experience in the industry overall — Jacob Francis makes the leap over to Antico as Venue Manager. Find Antico at 48 Burnett Lane, Brisbane — open from 4pm–1am Sunday–Thursday and 4pm–2am Friday–Saturday.
When the ABC decided to take a few cues from Britain's music quiz and comedy panel TV series Never Mind the Buzzcocks by creating Spicks and Specks, Australia's national broadcaster likely knew that it had a hit on its hands — but it mightn't have realised just how beloved the show would become. 2025 will mark two decades since the series debuted. It hasn't always been on the air every year since, but it will be back for next year's milestone. Get ready to bust out all that music knowledge, and also to play along with one of the nation's favourite television shows — again. Among everything that the ABC has ever broadcast, be it news, entertainment, after-school kids shows, oh-so-much Doctor Who and late-night music videos to keep you occupied after a few drinks all included, the Adam Hills-, Myf Warhurst- and Alan Brough-led Spicks and Specks is among the all-time highlights. Exactly when the next season will hit in 2025 hasn't been revealed, but 2024's run arrived from June. There's no word yet on new guests, either, but a heap of top Australian talent will sit around and talk about tunes as always. 2024's guests included Anthony Callea, Marlon Williams, Elly-May Barnes, Nooky, Montaigne and Dan Sultan, as well as Mark Seymour, Oli from Lime Cordiale — and also Hamish Blake, Tommy Little, Steph Tisdell, Abbie Chatfield, Shane Jacobson and Jenny Tian. Here's how it works, if you need a refresher: Spicks and Specks' contestants answer questions, compete for points and just generally prove funny, too. That's the concept behind the series, which pits Aussie musos and comedians against each other. It was a weekly favourite when it first aired between 2005–2011 — and it keeps being resurrected. As fans are well-aware, Spicks and Specks has enjoyed more comebacks than John Farnham, although that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Hills, Warhurst and Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. In 2022, ten new episodes hit — and then the show returned again in 2024. To tide you over until new episodes, here's a clip from 2024's Spicks and Specks run: Spicks and Specks will return to ABC TV and ABC iView in 2025 — we'll update you with more details when they're announced.
Kicking off a new side hustle or small biz idea can be a challenging quest, but with the right connections and resources it doesn't have to be. In partnership with Fiverr, we're spotlighting budding entrepreneurs who are getting their businesses off the ground in style. Ask most beer drinkers what they love about their favourite brew, and few would say it's the complex molecular structure that gets them craving a cold one. But Daniel Rojas, Gina Pacheco and Shivam Tandon aren't your run-of-the-mill beer enthusiasts. While the trio of chemical engineers are, like the rest of us, partial to knocking back a few brews at their local, they took things up a notch by making their own tipples. Together, they created The Zythologist, a new, science-based Aussie brewery founded at Monash University, where the three met. "We just love to learn how things work. We also love beer," Rojas told Concrete Playground. "For us, it's about understanding what's happening at a molecular level, [along with] how to bring [out] flavours and unique aromas." So, how do three chemical engineers end up making A-class brews? The three co-founders set out to understand the science of brewing and got hooked on the challenging process of making beer. It began with Rojas and Pacheco, who founded Monash Brewlab, Australia's first student-led nano-brewery, with Tandon joining shortly after. It has since become an educational lab, where students can apply the scientific principles learned in lectures and tutorials to create a product loved by uni students the world over: beer. Riding on the success of the uni-based brewery, the trio launched a commercial spin-off. Initially, they created Scholars Ink (a nod to the mates' tertiary achievements), which produced two debut brews — a mango lassi sour and a sessionable 4.2-percent dark ale. Both sold out in less than two months. Fast-forward to 2021 and they now have The Zythologist — and it's got big plans. [caption id="attachment_818393" align="alignnone" width="1920"] Melanie Desa[/caption] Not prepared to rest on their laurels, Rojas, Pacheco and Tandon brought The Zythologist back to where it all began. Their entrepreneurial idea was validated through the Monash University's central startup hub, The Generator, where they won a $5000 grant from Fiverr to help evolve their unique business proposition. For the uninitiated, Fiverr is a freelance marketplace that connects small business owners — or anyone with a burgeoning side hustle — with freelancers across a range of disciplines, including social media marketing, SEO services, illustration, and video and animation. Its easy-to-use design and global database of freelance experts makes it simple-as to get started and give your side hustle a leg up. So, what does all this have to do with The Zythologist? Well, first on the three mates' to-do list is to put some of that cash towards rebranding from Scholars Ink to the new-and-improved The Zythologist — with the help of Fiverr freelancers, naturally. "'Zythologist' comes from [the term] 'zythology', which is the study of beer and brewing, Rojas told CP. "We want to create this persona of The Zythologist [as] the connoisseur of everything related to beer." It goes without saying that their plans for The Zythologist don't stop at a new brand identity and shiny website. Rojas says he and his co-founders are keen to leverage their expertise to launch a consultancy and analytics service, while also making new brews and ensuring their product and production processes are kinder to the planet. The ultimate goal? To move the brewing industry in a more sustainable and efficient direction, with better beer across the board as a result. [caption id="attachment_818388" align="alignnone" width="1920"] Melanie Desa[/caption] If you weren't lucky enough to snap up a six-pack of the trio's maiden brews, don't worry — there are more on the boil (yes, pun intended). First up, The Zythologist is working on a big, dessert-like imperial pastry stout, brewed in collaboration with Burnley Brewing. And, not ones to do things by halves, Rojas, Pacheco and Tandon are also working on a non-alcoholic beer to tap into the growing no- and low- alcohol trend. "The science behind brewing can be quite complex, and every time you add another ingredient or treat it differently, the dimensions increase by an order of magnitude," Rojas told CP. "For non-alcoholic [beer], I think it's even more difficult, because what we want to do is emulate the [same] sensation you would have from a normal beer. Accomplishing that — and having [an ABV of] less than 0.5 percent, which is the threshold for a non-alcoholic beer — is actually quite hard." While Rojas, Pacheco and Tandon will likely dabble in more traditional brews like pale ales and IPAs eventually, it's pretty clear that these three mates are enjoying pushing the boundaries and making unconventional brews. As for the rest of us, there's really no better motivation to crack a cold one — alcoholic or otherwise — than knowing it's for science. Bottoms up. Have your own booming side hustle — or need a hand getting it off the ground? Check out the Fiverr website and connect with freelancers around the world, all just a click away. Lead image: Shivam Tandon, Gina Pacheco and Daniel Rojas. All photography by Melanie Desa.
In a normal year, the five movies that comprise Small Axe would've likely screened in cinemas, and would be in the running for a heap of the film industry's shiniest trophies as a result. The entire quintet is directed by Hunger, Shame, 12 Years a Slave and Widows filmmaker Steve McQueen, and every entry is as phenomenal as anything he has ever made. Given his resume, that isn't a statement we make lightly. The focus: the treatment of London's West Indian population from the 60s through until the 80s, with the series of films exploring the racist behaviour directed their way and the methods in which the community waged their resistance. The powerful Mangrove gets the series started, bringing a potent true tale to the screen with a cast that includes Black Panther's Letitia Wright — and, although it is excellent, so is the dance party-set Lovers Rock, the John Boyega-starring Red, White and Blue, biopic Alex Wheatle and the school-focused Education.
Don't already have a date with Taylor Swift's Eras tour booked when it hits Australia in February 2024? Perhaps it won't be a cruel summer after all: more tickets are releasing on Friday, November 10. When Sydney and Melbourne stops for Swift's career-spanning showcase were announced back in June, it sparked a rush for seats. Before general sales even started, the 'We Are Never Getting Back Together', 'Shake It Off' and 'Bad Blood' musician had announced an extra gig in both cities. And, the Victorian Government even declared her Melbourne stint a major event so that anti-scalping legislation would apply to tickets. So, the response has clearly been huge — and now Swifties will have another chance to head along. Tour promoter Frontier Touring has announced that additional tickets will drop across all Aussie concert dates, with the Sydney shows releasing their extra tickets at 10am and the Melbourne shows doing the same at 4pm — all AEDT. Included among the new batch will be seats with a partially obstructed side view, with prices starting at $79.90. There'll still be limited tickets in the new release, but accessibility options will also be on offer. Expect another busy Ticketek day, obviously, with the singer-songwriter's Australian shows already garnering "historically unprecedented demand". Swift is playing the MCG in Melbourne across Friday, February 16–Sunday, February 18, and then heading north to hit the stage at Sydney's Accor Stadium from Friday, February 23–Monday, February 26. At all gigs, she'll have Sabrina Carpenter in support. [caption id="attachment_907314" align="alignnone" width="1920"] Ronald Woan via Wikimedia Commons[/caption] That blank space in your calendar that you were hoping to fill with Swift working through her entire career so far, playing tracks from each of her studio albums in a three-hour, 44-song, ten-act spectacular? You now have another attempt to do so. Sadly, Swift still hasn't added concerts in any other cities across Australia — as Frontier has previously advised, "no further dates will be added for the Australian tour". This'll be Swift's first tour Down Under since 2018, when she brought her Reputation shows to not only Sydney and Melbourne, but Brisbane and Perth, too. And if you're wondering what's in store, then you clearly haven't seen Taylor Swift: The Eras Tour as a movie, aka a concert film of her latest shows that's been screening in cinemas Down Under since October. TAYLOR SWIFT: THE ERAS TOUR AUSTRALIAN DATES 2024: Friday, February 16–Sunday, February 18 — Melbourne Cricket Ground, Melbourne Friday, February 23–Monday, February 26 — Accor Stadium, Sydney Taylor Swift will bring The Eras Tour to Australia in February 2024. Additional seats will go on sale on Friday, November 10 — at 10am AEDT for Sydney shows and 4pm AEDT for Melbourne shows. Head to the tour website for further details.
It's happening again. Another one of those dates dedicated to a specific dish is upon us, this time National Carbonara Day on Thursday, April 6. As usual, no one needs an excuse to enjoy this pasta option. If you prefer your spaghetti or fettuccine with eggs, hard cheese, cured pork and black pepper, go forth and devour whenever you like. Still, when there's a whole Carbonara Festival on offer, that's worth marking the occasion. Fortitude Valley's La Costa is your new home for all things carbonara from Tuesday, April 4–Sunday, April 9. And it isn't just sticking with the classic spaghetti carbonara option, although that's definitely on the menu — including as a set dish with a carbonara entree and a glass of wine for $29. Fancy trying carbonara arancini, bruschetta and loaded fries? That's what a carbonara fest is all about. Pick one to go with your spaghetti and you'll be in carbonara heaven. You'll also say the word "carbonara" so much that it'll begin to mean either everything or nothing. The set menu can also get paired with bottomless wine or beer for an extra $20, and you'll have 90 minutes to get sipping. Prefer to at your way through a one-kilogram pan of spaghetti carbonara for $35? That's also on the cards.
With Frogman, virtual reality meets live performance — and the Brisbane International Film Festival comes to the Brisbane Powerhouse. That's not the end of the production's mash-ups, with 1995 crossing paths with 2018 and the Great Barrier Reef coming to our fair city. In 1995, 13-year-old Ashleigh Richardson goes missing in Queensland's north. 11-year-old Meera is having a sleepover with her best friends Lily and Shaun, while police divers search the reef via torchlight. Then, in 2018, Meera finds her work in a coral laboratory interrupted when a police officer wants to revisit the case. With only 60 people admitted per session, Frogman unravels its contemporary storyline live on stage, starring performer Georgina Strawson. As for its 1995 segments, audiences experience them through the sensory 360-degree film and binaural sound capabilities of VR. It's safe to say that you haven't been to a blend of movie and theatre like this before, with the show running twice daily between Wednesday, October 17 and Sunday, October 21.
These viewers are in love: by the time that the first episode of Invisible Boys ends, pressing play on the next is a necessity, not a choice. Readers fell for the story of small-town Australian LGBTQIA+ teens grappling with who they really are in a remote community where everyone thinks that they know everyone courtesy of Holden Sheppard's award-winning 2019 novel. Now, thanks to an adaption created and directed by filmmaker Nicholas Verso (Boys in the Trees), streaming audiences are there with them. As a ten-part Stan series, Invisible Boys sets its action in 2017, as the same-sex marriage plebiscite is occurring, and as four young men in Geraldton in Western Australia navigate their identities, hopes, dreams and desires — and who they keep being told that they're meant to be. Consider the show's cast in love with this tale of coming of age and coming out in rural Australia, too. Chatting with Joseph Zada (Total Control), Aydan Calafiore (The Voice) and Zach Blampied (New Gold Mountain) means hearing about the genuine rapport that they formed as three of the eponymous Invisible Boys. Speaking with Pia Miranda (Windcatcher), who portrays one of the high school-aged lead characters' disapproving mothers, means discovering how significant it is for the star to again be helping to give an underrepresented community an on-screen space, as she did when fellow beloved book Looking for Alibrandi made the leap to cinemas 25 years ago. Anyone watching is already all in by the time that Invisible Boys' sixth episode arrives; however, as the local debutant ball becomes the only thing that anyone in Geraldton is talking about, impacting Zada's Charlie, Calafiore's Zeke and Blampied's Hammer in different ways, it's one of the series' standout chapters. That's equally the case for Zada, Calafiore and Blampied, in no small part due to a deeply affecting sequence where their characters, plus Joe Klocek (Territory) as farm boy Matt, get a rare moment to hang out together at the town's lookout. The bond that's evident between the quartet is genuine. "We just hung out a lot. We spent a lot of time rehearsing, and then I feel like the beautiful thing is that you get to meet these new people and we were lucky enough to get along really well with each other, and you can really see when there's real chemistry between characters on-screen. You can really tell that there's real chemistry between characters," explains Zada. "So if you're really good friends, it shines through. And there's a real connection between all of us and we really get along. It was so lovely to have that lookout scene where we were all together." "We had a lot of fun that night," adds Blampied. "We all talk about it, that lookout scene, it was a highlight for me. I think it's the only moment — I could be wrong — but I think it's the only moment where the four of us get to share the screen together, and all be talking and communicating and having a laugh, and really feeling like we are the invisible boys. We really find our people in that moment," notes Calafiore. Her character Anna, Zeke's mum, isn't a part of it, but Miranda was also moved: "it's beautiful, that scene — it brought tears to my eyes," she tells Concrete Playground. As Charlie, Zada plays a yearning and hurting soul who lives for My Chemical Romance, and for his dream of getting out of town when his punk band hits it big. When the series starts, he isn't living for himself, though, as he struggles with the death of his father when he was a kid, and hides his sexuality from his friends and family while making the most of hookup apps. Zeke and Hammer attend the same school: the former is the studious youngest son of a conservative Italian Australian family, where nothing he ever does is good enough; the latter is the resident Aussie Rules gun with his entire future as the next Indigenous AFL superstar mapped out. While Charlie has come out by the time that episode two starts, and is starting to connect with Matt and experiencing the rollercoaster that is falling in love, his peers have their own paths to chart. Heartfelt, raw, resonant, committed to rejecting the Hollywood view of the gay experience: as it swings between aching pain and amusing chaos, plus complicated decisions and life's messes and joys alike, they all apply to Invisible Boys. Zada, Calafiore, Blampied and Miranda want viewers to find hope in the series, and to see themselves in it, no matter their own personal journey. "I hope it inspires young people, young queer people, to be themselves, and let people know that if you're feeling alone, you're not alone — there's still people out there," offers Blampied, who took inspiration from Moonlight for his part and, like Hammer here, is no stranger to footy. "I think it'll obviously find its community, but I want everyone from every background and community to watch the show and give it a go," adds Zada, who is next treading where James Dean once did, playing the same character as the late, great icon in a new version of East of Eden. "There's a lot of topics that we cover — I'm sure everyone will have their own takeaways from it". In his TV acting debut after previously gracing the stage in Fangirls and Jagged Little Pill the Musical, and with an aim to continue to pursue both music and acting, Calafiore shares similar sentiments. "My takeaways from the show, from my time shooting and then even watching a couple of the episodes, was naturally the representation. We want people to see themselves in all of the characters, take what they need from everybody and feel like they can see themselves on the screen," he notes. "But I found with Zeke, my big takeaway was that you're not alone. Even though these boys are in this small town, everyone knows everyone but they feel so, so alone and so marginalised and so in their own little bubbles that they can't be themselves, and I think the show really goes through that and shows that emotion really, really strongly — then coming again to that lookout scene, it's the real moment where you're like 'wow, I'm not alone, even though it can feel like it and it feels like the entire world is against me'. There is a light out there somewhere and you just have to find that. You find your people. It's not always who, not that you get stuck with, but it's not always who you surround yourself with. And once you find that it's such a breath of fresh air. So that was a huge takeaway for me, that you're not as alone as you might feel." We also chatted with Zada, Calafiore, Blampied and Miranda about what initially excited them about being part of Invisible Boys, digging into their characters and pushing back against Hollywood's take on the gay experience — and about Zada balancing Charlie's fierce spirit and vulnerability, the complexities of Blampied's task given that there's never been an out gay or bisexual men's AFL-level player, how Calafiore approached Zeke's conflict between being his authentic self and his family, and Miranda serving up another on-screen Tomato Day. On What Initially Excited Zada, Calafiore, Blampied and Miranda About Being Part of Invisible Boys Zach: "The thing that really jumped out at me was just when I got the brief and I saw who the character was portrayed to be, and he was a narcissist and a bully and a jock, and had a big ego. I loved that, so I wanted to play that. But he also has a very sweet side, so it was nice to dive into the two." Joseph: "I really love the character of Charlie. I read the book after the first audition, and fell in love with this story and the characters. And I think it's also it was just so unique to see a story like this as an Australian TV series. It has a really important message and covers a lot of really prominent topics." Pia: "I think for me, I love being a part of something. This is definitely going to be a show where young people will see themselves reflected back for the first time. There's going to be some young people in remote parts of Australia who've never really felt represented on-screen. And so when you get to be a part of that, that's very exciting. I got my start in a film where that had that effect. There were a lot of young migrant people that saw themselves reflected back on-screen for the first time, so it's nice to sort of carry on that tradition. It was really beautiful and exciting. I don't think we've had an LGBTQI story set in — I mean, I might be wrong — but set in a rural town." Aydan: "I think you're right. I'm pretty sure it's the first, especially to come out of WA, a Western Australian-born kind of story. It's also just nice to be a part of something that you know will be a little bit of a conversation point and a conversation starter. I think it's really important for shows like this to be given the platform that Stan's given us just to encourage conversation around some of the tougher topics that shows don't usually dive into." Pia: "A great moment Nic spoke of was when he sent the first draft to Stan, to Amanda at Stan, and then she came back and said 'I thought you told me it was going to was going to be edgy' — and he went 'oh, you never hear that. You usually hear to tone things down'. And so he had this ability to go away and really just experiment and take chances, and do something risky and exciting." On the Cast's First Reads on Their Characters — and What They Wanted to Help Bring to the Screen Joseph: "For me, it was Charlie's vulnerability. I spoke about that with Nic as well. He's very defiant by nature, but he's got a big heart. He's very rebellious, except he's just looking for love — he's just scared of rejection. So that was the take I took." Zach: "The tough bravado, but what's behind that? That was where all the juicy stuff was, and I got to flesh that out. So it was a privilege — but also vulnerability. I think all the boys in the show are very vulnerable at points." Aydan: "It's tough dynamic, when you think about the fact there are people out there that experience mother-son dynamics like this, where it's not the most supportive and loving. I can't say that I experienced that at home. I had very loving, supportive parents, so it was a big shock to see Pia Miranda being so mean to me." Pia: "It's difficult. It's exciting when you get a role like that, because it's very layered and it's a big challenge to work out how to navigate a role — because you can't go into it being judgmental when you're playing a person, because you need that to just unfold naturally. So it's a nice balance to go 'okay, I need to work out how this woman ticks and what's making her feel this way'. It's nice to be able to go deeper. And I never wanted her to be a cartoon villain, because you don't want people to feel ostracised by the character, even though she is somewhat — in the book she's described as a monster, but I think a lot of that was on the page and I tried to have a little bit of, in quotation marks, fun with it, because I thought that would lighten it a little bit. I think we found it. We had a really great groove together and just working opposite Aydan was just a beautiful experience." Aydan: "The give and take was really nice." Pia: "We found something. You can do a lot of work at home, but then it's when you get on set, if you work with a great young actor, things really can unfold in a beautiful way. If you can have a laugh in-between takes, that really lightens the mood, so you can definitely go deeper and go harder. With some of the stuff, some of the stuff I say is pretty challenging and some of it was challenging for it to come out of my mouth, but I think it's important that there's a character like that in there." Aydan: "Oh, definitely. Having the connection off screen also meant for someone like myself, who doesn't necessarily have too much experience in the screen world, I felt super comfortable going there and feeling like I was being pushed by Anna. I felt really quite comfortable to dive into those darker places of being picked on by my mum." Pia: "And Nic is very caring, the director. So he would constantly check in. So when you feel like everyone's feeling safe on set, you can go deeper and go darker and push it a little harder." On Zada's Balancing Act as Charlie, Swinging Between His Fierce Spirit and His Vulnerability Joseph: "Yeah, it was really crazy. And we didn't shoot and order either, not that really would've helped anything. It's still very much topsy-turvy. But yeah, it was crazy — I think I had something nuts like two or three crying scenes, or at least very emotional scenes, a week. It was a lot to prepare for and was a lot to map out. He's a very animated character, Charlie. And so there obviously was a lot to balance, but I had fun doing it, and it definitely, definitely challenged me as an actor. I don't think I'd be half the actor today if I hadn't been given that opportunity by Nic. You just rip in, as with any other character you play. You do all your backstory and you just work hard. I did a lot about learning about punk music. That was a fun way to me. I use a lot of music in general, but just a learned a lot about My Chemical Romance, which is Charlie's favourite band, and their lead singer. And then just the emotional stuff, I didn't feel like I was too ready for it, but then as soon as you get there on the day and you've done all your backstory, it comes." On Blampied's Task Playing a Gay Aussie Rules Footballer When No IRL Men's Player at AFL Level Has Ever Come Out as Gay or Bisexual Zach: "I really love that question. You're probably one of the first people to ask that. But me and Nic had big convos about that, and how there isn't an openly gay or bisexual AFL player. You look at the dynamics of what they go through and it's crazy to think about. I think my goal with that character, specifically towards the end when we were filming some of those scenes, was to hopefully inspire some people in the future who may be playing footy or maybe really successful at that, to not be ashamed to be themselves. So hopefully my work as an actor resonates with some young folk here out there, and even older fellas that are playing footy at the moment. So hopefully there's a change soon. I've been in change rooms before. I've played footy for most of my life. I know the dynamic in in those locker rooms. I think Hammer's just scared at the end of the day. He's scared of what will happen if he actually chooses to be himself, so he has to put on this act for the people around him and his footy mates, and everything like that." On How Calafiore Navigated Zeke's Struggle to Be His Authentic Self When His Family Have Such Strict Expectations Aydan: "There's a lot of background work that went into the complexities of Zeke. He is super layered and I love that about him, because I think as humans were all pretty layered, so it was nice to dive into something that was meaty and had some substance. So I did a lot of work. I made three character journals, where I just made those little journals as 17-year-old Zeke, but in different moments, different headspaces. So if I knew that I had to dive into a scene where I maybe felt like I was under the thumb of family or friends or school bullies or whatever, I would dive into the pages of feeling trapped and feeling like I couldn't express myself and I don't know what's going on. Then there was moments where I felt like I did get to be myself and I didn't want to keep the keep the energy like I'm feeling trapped — I wanted to let Zeke flow a little bit more — so then I would flip to the pages that it's me being myself, and being unapologetically young and free, and exploring sexuality and all of that. So it was definitely a challenge, but I think there's something nice about getting a challenge as an actor. It means that you really get to dive in and do all the work. Because, I was really worried — I didn't want to be embarrassed, I didn't want to watch it on the screen and be like 'oh, dude, why didn't you go deeper?'. I didn't want to leave anything there on set. So yeah, it was a challenge, but I enjoyed getting my teeth into it." On What It Means to Miranda to Be a Key Part of Another Pioneering Aussie Coming-of-Age Tale — and If Doing Another Tomato Day On-Screen Is a Full-Circle Moment Pia: "Weirdly yes, because I've done Tomato Day twice and they've both been on-screen. I've never done one in real life. So it does a little bit. I mean, I don't — full circle makes me feel like my career is over." Aydan: "Half circle." Pia: "But definitely, when you are in a coming-of-age film and it feels like yesterday that you were the young actor on set, it does bring back memories — and definitely brought up those memories of my first job, and how wonderful the older actors were to me. And so it's very nice to hopefully pass on that tradition of caring and making sure young actors feel safe and supported, because you only really do your best work when you're relaxed and supported. So in that sense, it's really wonderful. But it is strange, because it does come quick. As you age, it comes quick — one day you're the young actor and the next day you're the older matriarch of the set. But also it's not lost on me that there's a privilege in that as well. I feel very lucky that I'm still working 25 years after that film. I feel like sometimes as women, we feel like there's a bit of an expiration date with our careers. So I'm very grateful for the opportunity to still have a meaty role, and to be able to just flex my muscles, which is really wonderful. It means a lot to me to be a part of this story. I've had such a wonderful time working on it. And I also have teenagers myself. I've grown up in an era where young actors were told to stay in the closet because people wouldn't believe them as a romantic lead. And I've lived that experience of seeing my friends go through that. And so to be able to be a part of something groundbreaking and positive and wonderful while I'm watching my young children grow up means a lot. And I think whenever you get to be a part of something that is deep and wonderful and you know is putting good into the world, that's a privilege as well." On Invisible Boys' Aim to Correct the Way That Hollywood Usually Portrays Gay Men and Gay Relationships On-Screen Joseph: "It just meant being more real and being more raw. Everything is very mapped out. Everything you see on TV when it comes to sex, especially nowadays, is thankfully very much well-rehearsed and everybody feels comfortable. But it was long conversations about just how bullshit sex is in any shows, and especially gay sex. There's a lot more to it. It's just like: no. But it makes for this this beautiful raw quality. And humour even, as well." Pia: "I have a lot of friends that I've messaged and gone 'can't wait for you to see this show, you're really going to love it' — because for me, I don't want to speak for the gay experience, but for me, a lot of my friends didn't have that experience where they were in the city and had found their tribe. It was a tricky road to find out where they belonged. I do a lot of work with Dolly's Dream, which is a charity that really deals with the mental health of young people, but especially people who are in rural communities who are feeling isolated. I'm very passionate about that. And so it was nice for me to actually tell a story that did deal with young people and mental health in rural communities who do feel isolated. And I think it'll be so great, because sometimes we just think about kids in the city when we're making art in Australia, and we forget that there's a whole country of people who are living in country towns and are very remote." Aydan: "It's also really special that the project itself is just so unbelievably authentic, being that all of the entire team of writers are all queer, plus obviously Nic Verso as well, so it was very easy to bring the story to life in an authentic way — especially in terms of the intimacy. I think that was a big one for me, was just making sure that it wasn't Hollywoodised. Because I think most young people go into their first time or some kind of intimate moment thinking that there's just going to be fireworks and candles, and there's a little bit of that that gets shown where it's candles and rose petals and quiet music and just the dream experience, but it's really never that. It's always awkward and unsure. And 'is this okay? Is it that? Is it this?'. It's awkward. It's real. It's human. So I think that that's just really an overarching theme of the entire show — that it's human, it's real, it's raw and it's not Hollywoodised. And I think that is something that was evidently really important to all of the writers and Nic, and passed on to all of us. It was important to keep it very authentic." Invisible Boys streams via Stan. Invisible Boys images: David Dare Parker, Stan.
It's been 17 years since Shannon Noll was robbed of the inaugural Australian Idol title – what else is there to say about the man? He's had ten consecutive top ten singles, his work has received 17 separate platinum certifications and his track 'Lift' was the most performed Australian song of 2007. Everybody knows Nollsy has a huge following wherever he goes. Whether shown by his popularity on I'm a Celebrity… Get Me Out of Here!, or the fact he's seemingly spending the entire month of November touring every regional venue in the state he possibly can, from country NSW to the coast. A bunch of his gigs already sold out, so if you want to see the Aussie legend — ironically or not — head over here for details. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively.
Victoria has no shortage of standout destinations to explore throughout the year — natural, beautiful and sometimes downright surprising. The state is one of Australia's smallest, yet it boasts a diverse array of stunning landscapes, from tumbling waterfalls in the middle of dense forest to ancient volcanic craters teeming with wildlife. Here, we've rounded up eight unexpected natural sights just waiting to be explored. Start plotting some epic adventures around this lineup of must-see Victorian landmarks. Recommended reads: The Best Natural Hot Springs in Victoria The Best Walks in and Around Melbourne The Best Beaches in Melbourne The Best Places to Go Glamping in Victoria [caption id="attachment_785503" align="alignnone" width="1920"] Darren Seiler for Visit Victoria[/caption] Pink Lakes, Murray-Sunset National Park As far as bodies of water go, these ones are what you'd call true show-stoppers. Up in the wilds of northwestern Victoria, the Murray-Sunset National Park is best known for its four eye-catching Pink Lakes, which feature solid salt beds and a vibrant blush tinge thanks to the red algae growing in their waters. With the lakes shifting in colour throughout the day, the vast, flat territory makes for some pretty magical photo ops, especially during sunset and at dusk. You can soak up the untouched surrounds while trekking one of the area's many walking trails, and you can even spend a night onsite at the campgrounds, taking advantage of the open starry skies and lake views. [caption id="attachment_785511" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] The Pinnacle Lookout, Halls Gap Rising up above Halls Gap, The Pinnacle Lookout is The Grampians' crowning glory, in more ways than one. It clocks in at an impressive 720 metres above sea level and boasts some unimaginably good panoramic views to match. The spectacular summit is accessed by a bunch of different hiking trails (starting from a medium-grade 45-minute trek), which'll take you winding through a rugged region of leafy bushland and rocky outcrops. Make your way up to the top and take in those dramatic vistas over the National Park's peaks and valleys. You'll feel like you're standing atop Victoria's own version of the Grand Canyon. [caption id="attachment_785496" align="alignnone" width="1920"] Garry Moore for Visit Victoria[/caption] Buchan Caves, Buchan Some of you might find it hard to get excited about a cave. But this huge subterranean network, filled with majestic limestone formations, really is some exceptional stuff. Carved out by underground rivers almost 400 million years ago, Gippsland's Buchan Caves are the largest of their kind in Victoria, and are also a site of huge Aboriginal cultural significance. You can take guided tours of the two main lit sections, known as Royal Cave and Fairy Cave, winding your way amongst the stalactites, stalagmites and calcite-rimmed pools. What's more, the adjoining Buchan Caves Reserve boasts loads of native wildlife, bushland walks and idyllic picnic spots. You can even make a mini-getaway of it and spend the night at one of the campsites. It's one of our favourite Victorian caves to explore. [caption id="attachment_845835" align="alignnone" width="1920"] Great Ocean Road Tourism[/caption] Tower Hill Wildlife Reserve, Tower Hill If you ever want to see what life is like within a dormant volcano, simply venture a few hours west to the site of Tower Hill, near Port Fairy. Here, a 30,000-year-old volcanic crater houses the Tower Hill Wildlife Reserve, featuring a striking backdrop of cone-shaped hills, wetlands and lakes. And as well as boasting gorgeous scenery and bushwalks aplenty, this one's steeped in history. A significant Indigenous landmark and Victoria's first national park, the site was driven to ruin by early settlers before volunteers restored it to the natural beauty it is today. The crater is also home to scores of native wildlife species — keep an eye out for the likes of koalas, kangaroos and spoonbills kicking around in this unique habitat. [caption id="attachment_785501" align="alignnone" width="1920"] Mark Watson for Visit Victoria[/caption] Californian Redwood Forest, Beech Forest Take a trip out to the Otways' famed Californian Redwood Forest and you'll find yourself quickly enveloped in an otherworldly haven of peace and tranquillity. Created over 85 years ago, this plantation of towering Californian redwoods (Sequoia sempervirens) makes for quite the nature spectacular, with its uniform rows of tree trunks, hushed forest floor and shards of sunlight filtering through the upper branches. Nothing offers a change of perspective quite like taking in the full stature of these arboreal giants on a stroll through the 1400-strong forest. Some of the redwoods reach a whopping 55 metres tall. Enjoy a picnic lunch, hug a few trees and revel in a much-welcomed dose of Mother Nature. [caption id="attachment_785504" align="alignnone" width="1920"] Pennicott Wilderness Journeys[/caption] Skull Rock, Tidal River Victoria lays claim to plenty of famous rock formations, but this skull-shaped number emerging from the waters off Wilsons Prom might just be the coolest. Cleft Island — also known as Skull Rock for obvious reasons — is a giant granite formation near the very southern tip of the state. It's been gradually shaped and smoothed by waves over centuries, and features a giant grassy cave hollowing out one side. For a close-up view, you can (normally) jump on a 2.5-hour cruise, departing daily from Tidal River. And if you're visiting during migration season, you could even spy a few of the area's less eerie residents, including sea birds, dolphins and fur seals. [caption id="attachment_785502" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] Trentham Falls, Trentham As one of the state's longest single-drop waterfalls, Trentham Falls is always a majestic sight to feast your eyes on. And, at a soaring height of 32 metres, we reckon the falls certainly get the tick of approval from TLC. Located within the lush forest of Coliban River Scenic Reserve — about 90 minutes northwest of Melbourne — this impressive water feature looms large against ancient basalt rock, with the whole scene framed by leafy native vegetation. Unfortunately, you're not allowed to get too close, but you'll find the best vantage point from atop the dedicated viewing area, just a short trek from the car park. Take a moment to admire the dancing water, surrounded by shady manna gum and messmate trees, and we promise you'll feel worlds away from the big smoke. [caption id="attachment_785540" align="alignnone" width="1920"] Gillian via Flickr[/caption] The Organ Pipes, Keilor North It's not too hard to see where this unique rock formation gets its name from, with its row of towering cylindrical columns that look like they could just about start pumping out tunes. Gracing the side of a big basalt cliff, the distinctive design was naturally created back in ancient times by cooling lava. Now, it serves as a constant reminder that this region is on the edge of one of the world's largest ancient volcanic lava flows. You'll find the geological gem located within the Organ Pipes National Park, just 30 minutes out of the CBD. While you're there, be sure to catch some of the park's other quirky resident rock formations, including the mosaic-like Tessellated Pavement and another that looks like the spokes of a giant wheel. Top Image: Californian Redwood Forest, Beech Forest.
When Beyoncé drops a new music video, it isn't just a chance to see whichever visuals she's pairing with her latest track. As each clip keeps demonstrating, it's a cultural moment in its own right. One such instance: the video for 2019's 'Brown Skin Girl', which doesn't only feature the singer, but also sees Lupita Nyong'o, Naomi Campbell, Kelly Rowland, Adut Akech, Aweng Ade-Chuol, Tina Knowles-Lawson, Blue Ivy Carter and Rumi Carter grace its frames. The clip won a Grammy for Best Music Video, which means that the director behind it is now a Grammy-winner. That British Nigerian artist and filmmaker: Jenn Nkiru, who now has her first-ever solo Australian exhibition on display at Brisbane's Institute of Modern Art. Running from Saturday, May 14–Saturday, July 9, and free to see, Rebirth Is Necessary focuses on the magic and dynamism of Blackness — and takes that idea into the past, present and future via a surreal archive of audio-visual material. Like the rest of Nkiru's work, it ties into the history of Black music, the Black arts movement, experimental film and international art cinema. The artist has likened it to her bibliography, in fact, with samples from Sun Ra, James Baldwin, Fred Moten, Steve Reich, Kathleen Cleaver and Alice Coltrane among the snippets weaved in. Rebirth Is Necessary also features original footage shot in South Africa and in South London — and sees IMA showcase Nkiru after the artist's latest piece was presented at New York's Metropolitan Museum of Art. The exhibition is open during IMA's usual operating hours, between 10am–5pm Tuesday–Saturday. Images: Jenn Nkiru, REBIRTH IS NECESSARY (video still), 2017, single-channel video, 00:10:31. Courtesy of the artist and Mothership.
One of Australia's most-iconic novels has a new date with the screen, with Netflix starting production on a series adaptation of Miles Franklin's My Brilliant Career. The 1901 book, the acclaimed author's first, has already reached cinemas thanks to a 1979 iteration. It has also hit the stage as both a play and a musical in the past five years. Next comes its small-screen version — a new big Aussie drama for streaming platform behind it, too. Netflix recently went the page-to-screen route in Australia with The Survivors, adapting the novel of the same name by The Dry and Force of Nature author Jane Harper. A beloved writer, a book with ample fans, a proven history of said author's work hitting the screen with great success: that's the template that it's following again with My Brilliant Career. Filming is currently underway in South Australia, but when you'll be able to watch the series hasn't yet been revealed. Fresh from fellow Netflix show Territory, Philippa Northeast leads the cast as Sybylla, the young woman growing up in rural Australia who dreams of becoming a writer. The rest of the ensemble boasts big names aplenty, including Slow Horses star Christopher Chung as Harry, as well as Andor's Mon Mothma aka Genevieve O'Reilly, plus Anna Chancellor (My Lady Jane), Kate Mulvany (Better Man), Jake Dunn (What It Feels Like for a Girl), Alexander England (Nautilus), Sherry-Lee Watson (Thou Shalt Not Steal) and Miah Madden (Troppo). Barons' Liz Doran is developing and co-writing the series, with Alyssa McClelland (Amandaland) and Anne Renton (Good Cop/Bad Cop) its directors. "It's been a privilege to work with so many incredible creatives on this reimagining of Miles Franklin's rollicking tale of a young woman's quest to determine her own life," says Doran. "It's thrilling to bring this Australian classic to a whole new audience. Partnering with Netflix and fellow executive producers Liz Doran and Alyssa McClelland, with Philippa Northeast as our rebellious and witty Sybylla, has been the stuff that dreams are made of," added executive producer Chloe Rickard (another Good Cop/Bad Cop alum). Northeast and Chung follow in the footsteps of Judy Davis (Nitram) and Sam Neill (Apples Never Fall), who played Sybylla and Harry in Gillian Armstrong's (Women He's Undressed) movie take — which won Davis two BAFTAs, including for Best Actress; and scored Best Film, Best Director and Best Screenplay from the Australian Film Institute. There's no trailer yet, but check out Netflix's My Brilliant Career social-media announcement below: View this post on Instagram A post shared by Netflix Australia & NZ (@netflixanz) My Brilliant Career will stream via Netflix, but doesn't yet have a release date — we'll update you when more details are announced. My Brilliant Career images: Courtesy of Netflix © 2025.
These days, whenever an old pop culture commodity comes back in a new guise, it's easy to feel complacent. It happens all the time, whether it's a classic franchise receiving its second reboot, a cult 80s movie making the leap to the small screen or a huge TV hit jumping into prequel territory to continue its story. But if you're a fan of a certain undead-killing late 90s and early 00s television show, you'll know that great things can start this way. It's the path that Buffy the Vampire Slayer took, after all. Based on the 1992 movie of the same name, the Sarah Michelle Gellar-starring series might just be the finest example of a film-turned-TV show — well, it's definitely the best example in the high school-set vampire genre — as the world came to learn across seven seasons that initially aired between 1997–2003. Buffy has remained a cult favourite ever since, and plenty of devotees still have the huge DVD collections to prove it. Now, binging your way through the whole show is as easy as heading to Australian streaming platform Stan. As part of a deal with Disney that's also brought How I Met Your Mother, Sons of Anarchy, Grey's Anatomy and Family Guy to the service, all seven seasons of Buffy the Vampire Slayer are available to stream. Whether you now know what you're doing this summer, have your after-work viewing planned for the foreseeable future or are planning to devote many a weekend to a rewatch, it's all there — from Buffy's arrival in Sunnydale, to her romantic fondness for brooding vamps Angel (David Boreanaz) and Spike (James Marsters), to all the hijinks that the Scooby Gang got up to while living on top of a hellmouth. https://www.youtube.com/watch?v=-1v_q6TWAL4 Because this is a series that, fittingly, no one wants to die, a Buffy spinoff was announced back in 2018 — however, to date, it's yet to come to fruition. There's nothing quite like the original Joss Whedon-created show, though, even if it wasn't the very first take on the feisty character. Grab your stakes, line up a range of suitably garlic-flavoured snacks and get ready for a whole world of small-town, high school hell — with vampires, demons, witches, plenty of dark forces, wise watchers like Giles (Anthony Stewart Head) and Wesley (Alexis Denisof), and, of course, Buffy's besties Willow (Alyson Hannigan) and Xander (Nicholas Brendon). All seven seasons of Buffy the Vampire Slayer are now available to stream on Stan.
If an arts festival is happening in Brisbane, Hiromi Tango is normally a part of it. The Japanese Australian artist's work has featured on a heap of Brisbane Festival lineups over the past decade — including in 2018, 2020, 2022 and 2023 — as well as at Botanica in the Brisbane City Botanic Gardens, plus other events around town. Usually, then, checking out her work means rushing along during an extremely limited window; however, that isn't the case with Tango's current Museum of Brisbane residency. Brisbanites have five months, until Sunday, August 11, 2024, to not only enjoy Tango's colourful creativity but to get involved themselves. Her time at the King George Square gallery includes 花弁 Hanabira (Gentle Petal), a public installation that everyone is invited to contribute to. In order to take part, you'll need to help fill MoB's Adelaide Street Pavilion with sculptural flowers. Onsite, upcycled textiles and foraged local materials await. Attendees can fashion them into blooms, then add them to the artwork. If you'd benefit from some guidance, drop-in sessions are taking place from 10am–1pm on Thursdays and Saturdays throughout Tango's residency. Or, you can just head by whenever suits you within the 10am–5pm daily opening hours. 花弁 Hanabira (Gentle Petal) takes inspiration from Brisbane's florals, as well as the changing seasons. The idea of the piece is to turn its home into a temporary flower-filled sanctuary. If it all sounds incredibly relaxing and gorgeous, it's also designed to be a meditative experience, with healing and wellness among the concepts that Tango is exploring with the work. When the Japan-born interdisciplinary artist contributes flowers to the installation herself, she does so in her usual cumulative style, which involves taking everyday objects and materials, then weaving and wrapping over them, then joining them together. The healing garden is free to attend, and to participate in — and adds to the array of Aussie pieces that the Tweed Heads-based artist keeps whipping up. It also pairs perfectly with MoB's Rearranged: Art of the Flower exhibition, which is on display until September. [caption id="attachment_927875" align="alignnone" width="1920"] Rearranged: Art of the Flower, Katie Bennett[/caption] [caption id="attachment_927876" align="alignnone" width="1920"] Rearranged: Art of the Flower, Katie Bennett[/caption] [caption id="attachment_927874" align="alignnone" width="1920"] Rearranged: Art of the Flower, Katie Bennett[/caption] Hiromi Tango's residency at the Museum of Brisbane, Level 3, City Hall, King George Square, Brisbane is taking place until Sunday, August 11, 2024 — head to the museum's website for further details. Images: Joe Ruckli.
The Swedish village of Harads is home to only 600 people, but houses something truly special. Treehotel is a unique hotel that sits in the undisturbed forest. The hotel has five different rooms, all of which are themed differently and offer much more than your standard bed and complementary chocolate. These rooms created by Treehotel aren't just cool designs; they also contain environmentally-friendly combustion toilets and are built from chemical-free wood. One room uses mirrors on all its outer walls to reflect the surrounding trees, but is coated in infrared film so that birds don't fly into it. Amazingly considerate. Another room is decorated as a giant bird's nest, and according to Treehotel it is 'camouflage so you quickly disappear and become part of the surroundings.' Hopefully you don't get swarmed by feathered Swedish creatures upon entry. While this room sits in harmony with the surrounding nature, another room does the exact opposite as it is shaped as a UFO. Spread over two levels, it can house up to four people and comes with some cute astronomy-themed cushions too. The best part is that you can call your mates staying in the bird's nest and all head to the communal sauna for a good dose of relaxation. According to Treehotel, Greek philosopher Plato 'knew that trees and steam baths together made the perfect stimulus for philosophical thoughts and ideas.' Therefore you might want to read some books before heading up the sauna for some intense discussion about the purpose of human existence. While there are five different rooms avaliable now, a total of 24 rooms have been planned.
Right now, if Australians want to spend a day carving up the snow, there are a few prerequisites. Frosty weather is a must, and so is getting to one of the country's ski resorts — but that could change from 2025. For Sydneysiders, that snowbound routine usually involves jumping in a car for at least five hours, heading to one of New South Wales' ski spots. Jumping on a train to Penrith, where a new $400-million indoor Winter Sports World has been proposed for the city, will be much, much easier. The centre has also received Penrith Council's official endorsement and is now waiting on NSW Department of Planning and Environment approval — and the team behind it has just unveiled how it'll look. The resort's features have been highlighted before, including a 300-metre indoor ski slope, a winter wonderland play area, a competition area for snow spots, and both ice and rock climbing facilities. And yes, to answer the key question, Winter Sports World will indeed use real snow. Visitors will be able to learn to ski onsite, as part of the resort's positioning as a feeder site to outdoor snow fields. The idea: that you'll learn the ropes indoors, then later head out of town to try the real thing. A food and drink precinct featuring bars, restaurants and cafes, and a 120-room hotel have also been included in the proposal — all with snow views. The just-released designs show how Winter Sports World will appear from the outside, however, complete with touches by Sydney architecture firm Collins & Turner to resemble the venue's' alpine inspiration. The 300-metre-plus northern facade is set to glow at night, takes inspiration from snow clouds on a hill and will apparently look like a blizzard, while the centre's public area and curved lower-level facade will resemble melting ice. Ice shard details are also set to feature. Due to be built in Jamisontown on the corner of Jamison Road and Tench Avenue, Winter Sports World will include water streams, networks of paths and eight-metre-high message sticks as well, with telling First Nations' stories about living on Dyarubbin part of the design. After winning the design competition for the gig, Collins & Turner collaborated with local First Nations artist Jamie Eastwood, landscape architecture JLA Landscape Architects, environmental design consultant and engineers Atelier Ten, facade/structural engineer Eckersley O'Callaghan and lighting design Electrolight. The development, which sought public feedback in 2020 and is being put forward as a new major attraction for the area, is part of the Penrith City Council's plan to double visitors and tourism revenue in the area by 2025. Once built, the facility is hoped to provide a boost to Australia's Winter Olympians and their training, providing a venue for alpine skiing, freestyle skiing and snowboarding. The Winter Olympics haven't traditionally been one of Australia's sporting strong suits — the national team first competed in 1936 and didn't win its first medal until 1994. The proposal for Winter Sports World has been in the works since November 2018, with site owner and developer Peter Magnisalis lodging a development application with the NSW Department of Planning and Environment this month. For more information about Winter Sports World, head to the proposed venue's website. Images: artists' impressions of Winter Sports World.
Giggles, guffaws, chuckles so forceful you feel it in your stomach — whatever kind of laugh you have, the past few years haven't been too big on hilarity. But after Brisbane Comedy Festival was forced to adapt to the pandemic in both 2020 (when it was cut short due to lockdowns) and 2021 (when it had to cancel some shows, again thanks to lockdowns, and then reschedule what it could throughout the rest of the year), it's already planning its 2022 event. That's great news for your funny bone; however, it won't be getting tickled until April and May next year. Pre-COVID-19, BCF was an end of summer/beginning of autumn activity — but given that 2021's fest happened in July and August, 2022's will arrive a bit later than usual as well. Brisbane Comedy Festival 2022 dates announced! 📅 Fri 29 April – Sun 29 May 1st drop includes @nazeem_hussain and @meladoodle plus new tix released for festival favourites including @realrossnoble, @natswhatireckon and more!https://t.co/km65RKh3qk pic.twitter.com/KpIwzuu2Jk — Bris Comedy Fest (@BrisComedyFest) November 24, 2021 The full lineup hasn't yet been announced, but you can expect to get giggling from Friday, April 29–Sunday, May 29 — and to Nazeem Hussain, Ross Noble, Tom Ballard and Melanie Bracewell, as well as Josh Earl, Jude Perl, Wil Anderson, Lizzy Hoo, Nat's What I Reckon and Peter Helliar. A heap of these names will sound familiar not just because they've had you laughing before, heartily and often, but because some are doing shows that were postponed from this year. As always, BCF will takeover Brisbane Powerhouse, filling as many of the New Farm spot's spaces with comedians as it possibly can. So far, both The Tivoli and Fortitude Music Hall are also on the venue list, and you can likely expect that to expand as the program does — so, keep your eyes peeled in the coming months. The 2022 Brisbane Comedy Festival will take place between Friday, April 29–Sunday, May 29. For further details, including tickets for already-announced acts, head to the festival's website. We'll update you with the full program when it is revealed.
What's better than one of the Attenborough siblings marvelling over our planet's ancient creatures? None other than David Attenborough following in his brother Richard Attenborough's footsteps, of course. While the latter showed dinos some love back in Jurassic Park — with the now-late actor and filmmaker even uttering the iconic words "welcome to Jurassic Park" — his broadcaster, biologist and natural historian sibling has largely surveyed the rest of the earth's living creatures in his iconic documentaries. In David's next series, however, he's solely focusing on prehistoric critters. That show is Prehistoric Planet, a five-part natural history doco that's coming to Apple TV+ — and yes, fittingly, it's arriving on the small screen just before new Jurassic Park franchise instalment Jurassic World Dominion reaches cinemas in June. Even better: after revealing a few sneak peeks earlier in the month, the streaming platform has just dropped the full Prehistoric Planet trailer. Here, you'll hear David Attenborough talk through everything you need to know about dinosaurs. And, while peering back at what the earth was like 66 million years ago, he'll give the fascinating creatures the same treatment he's rolled out in past shows The Living Planet, State of the Planet, The Blue Planet, Frozen Planet, Blue Planet II, Our Planet, Seven Worlds, One Planet, A Perfect Planet and Green Planet (as well as Planet Earth and Planet Earth II, plus documentary David Attenborough: A Life on Our Planet). Basically, if you're always wanted to see a David Attenborough series about dinosaurs, life just found a way. And, it's clearly a must-see if you'd listen to him narrate anything and you're always awed by dinos (both of those apply to pretty much everyone). Get ready to discover little-known and surprising facts of dinosaur life, step through the environments of Cretaceous times, see how the Tyrannosaurus rex parented, and explore the ancient creatures of both the sea and sky. That's what Prehistoric Planet will cover across five episodes, which'll drop daily on Apple TV+ across Monday, May 23–Friday, May 27. Unsurprisingly, CGI will feature heavily in Prehistoric Planet — David Attenborough can do many things, but time travelling isn't one of them — but the show's special effects-created dinos will be combined with wildlife filmmaking and paleontology learnings. While the broadcaster's voice is always music to anyone's ears, Hans Zimmer will be adding rousing score to the show — fresh from winning his latest Oscar for Dune. And, if you're wondering about the photorealistic imagery that's bringing dinosaurs to life, filmmaker Jon Favreau is one of the Prehistoric Planet's executive producers. Also, the effects company behind his versions of The Jungle Book and The Lion King is doing the CGI honours. Check out Prehistoric Planet's full trailer below: Prehistoric Planet will hit Apple TV+ across Monday, May 23–Friday, May 27, with a new episode available to stream each day.
That whole car ownership caper can now be a little less stressful, thanks to the arrival of Melbourne's new car subscription service. Operating a bit like Netflix, only with cars, Carbar+ can hook users up with a vehicle based on their needs, for a minimum one-month period. Prices currently run between $169 to $400 a week and cover all insurance, services and expenses, such as rego. If you want to opt out, a simple two weeks' notice is required before returning a car. To hire a car, you'll also need to hand over either $2000 as a bond or $495 for a lifetime membership. It works out to be cheaper than renting a car and way more flexible than leasing one, with customers able to swap between car models depending on the sort of driving they're doing. So one week you could drive around the city in an Audi A4, the next go off-road with a Jeep Grand Cherokee. The group's new program Carbar Connect, which will launch later this month, also offers users extra fuel savings and benefits for servicing. Car subscription services have already proved popular overseas, though Carbar is the first to operate on Aussie shores. After tackling Melbourne, the group has got plans to roll out its program across Sydney and Brisbane. That said, it could face competition further down the track, as international car companies claim a piece of the local action — Audi On Demand is already set to launch here by 2020. Pitched as a "vehicle owning experience", Carbar's four founders — Desmond Hang, Davie Saw, Richie Chen and Kenneth Teo — launched the company three years ago as a car sales website that allowed users a three-day road test period when buying a new or used car online. For more information and to sign-up for a car, head to the Carbar website.
She'll be back: Linda Hamilton, that is, and on the small screen sometime in the near future. The Terminator franchise star, who came to fame in the humans-versus-AI saga in the 80s, is making the leap to Netflix's favourite ode to that very decade. Yes, the actor who made Sarah Connor an icon is joining Stranger Things. When season five of the hit sci-fi series arrives, it'll bring with it a big ending, wrapping up the Netflix hit after the next batch of episodes. Everything from Succession to Barry has also said goodbye of late, and Stranger Things is next. It's clearly going out in style with help from its huge new addition to the cast, which the streaming platform just announced at 2023's Tudum — A Global Fan Event. 🚨Breaking News From #TUDUM🚨 Linda Hamilton is joining the cast of Stranger Things 5! pic.twitter.com/qYJMeGS700 — Netflix (@netflix) June 17, 2023 "I don't know how to be a fangirl and an actress at the same time," she Hamilton in a video played at the Netflix festivities. "I'm gonna work on that." Hamilton's casting marks the first mention of any new actors for the upcoming fifth and final season of Stranger Things; however, there's no news yet on who she'll play, where she'll fit in, what relationship she'll have with the usual Hawkins crew, how many episodes that she'll feature in or if she'll be visiting the Upside Down — or how pivotal she'll be to the show's big farewell. Hamilton, who also has everything from Children of the Corn, Dante's Peak and 80s series Beauty and the Beast through to Chuck and Claws on her resume, is the latest figure from four decades back to grace Stranger Things' frames. Winona Ryder (The Plot Against America) has been around since day one, of course, and Matthew Modine (Operation Varsity Blues), Sean Astin (Perry Mason), Paul Reiser (The Boys), Cary Elwes (Operation Fortune: Ruse de Guerre) and Robert Englund (Choose or Die) have all popped up as well. While the show will finish with season five, that isn't the end of the Stranger Things universe. Back in 2022, creators Matt and Ross Duffer revealed that their sci-fi show was working towards its endgame, but also said that they had more stories to tell in this fictional realm. Instantly, we all knew what that meant. Netflix doesn't like letting go of its hits easily, after all, so the quest to find a way to keep wandering through this franchise was about as surprising as Jim Hopper's (David Harbour, Violent Night) usual gruff mood. "Seven years ago, we planned out the complete story arc for Stranger Things. At the time, we predicted the story would last four to five seasons. It proved too large to tell in four, but — as you'll soon see for yourselves — we are now hurtling towards our finale," the Duffers said at the time. "There are still many more exciting stories to tell within the world of Stranger Things; new mysteries, new adventures and unexpected heroes," the Duffers continued. Already that includes an animated Stranger Things series, which was also announced in 2022, doesn't yet have a name, but will boast the Duffer brothers as executive producers. Obviously, it's headed to Netflix. There's no sneak peek at Stranger Things season five yet, but you can check out the trailer for season four below: Stranger Things season five doesn't yet have a release date, but we'll update you when one is announced. You can the first four seasons now via Netflix — and read our review of season four. Images: Terminator: Dark Fate / Netflix.
Feel like you're in a weekend activity rut? Run out of ideas for your next mini break? While we adore lazy brunches and home movie nights, sometimes you need an injection of leisure time adrenaline to break into new worlds of fun. Happily, there are plenty of unusual adventure avenues to explore in New South Wales. Whether you're looking to ride camels into the sunset or fling yourself from extraordinary heights, we've found a bunch of NSW activities that will redefine your comfort zone.
For many people out there, it is the Good Friday tradition to only eat fish this coming Friday. Whether you're after a fast fix on the day, or wanting to cook some delicious fish for yourself this Friday, we've narrowed down the best options for you. Fast Fish Whichever side of town you live on, everybody has their very favourite fish and chip shop. We have looked north, south, east and west and narrowed down our picks for each side of town so that everybody can be seafood-satisfied this Friday. Northsiders should head to Grilled Fish on Sandgate Road in Albion or Get Fished at Newmarket, both serving delicious and reasonably priced take away fish and chips. Southsiders will swear black and blue about the joys of Swampdog. Their focus on healthy and sustainable serving of fish exists through their motto "Good for you, good for me, good for the sea." It is fish and chips at the highest quality. Westsiders should head to A Salt and Battery, not only bragging some of the best fish and chips in Brisbane, but also one of the best fish and chip shop names of all time. Tippler's Seafood at Gailey Fiveways in St Lucia is also a winner. Eastsiders love the Fishmonger's Wife for the beautiful flavours they prepare their fish with including the wild wattleseed cod and lemongrass snapper. Inner city folks should head to Carraway Pier in Kelvin Grove for fast, friendly and fabulous service. The Fishery in Milton serves top quality fish and always has a great display of fresh fish oysters and prawns to enjoy as well. Fish for home Samie's Girl is one of Brisbane's longest running fish markets. Located near the Breakfast Creek wharf, the selection at Samie's Girl is always top shelf and varied according to availability. Morgan's Seafood has the largest shop display of seafood in all of Queensland so if it's variety that you are after then it is worth making the drive out to Scarborough to pick up some fresh produce to share with family and friends. George's Seafood in West End is perfect for those in the inner city looking for some fresh seafood to take home. Their display is always full of fresh prawns, oysters and bugs and the boys behind the counter are more than happy to provide great tip. Dining in If it's atmosphere that you are after, and you want the food prepared and served to you on a plate then head along to Alfred and Constance's Fish and Chip Pop Up or to Riverbar and Kitchen who are open all day on Good Friday.
Before the opening credits roll on the first of its eight season-one episodes, Binge's new Australian sitcom Colin From Accounts explores some of life's big questions. When two strangers cross paths and literally come to an impasse, who should proceed off into their regular lives to begin with — and who should hang back out of their way till they're gone? Also, what's the appropriate way to interact? Are smiles, nods, waves, and mouthing "you go" or "after you" acceptable? And, if you're the person who scores right of way, how do you show your gratitude as you're merrily venturing forward? These may seem like trivial matters, as everyday and relatable as they clearly are, but the right moves might just inspire a life-changing meeting. They could also have serious consequences, and bond you in a complicated situation for around 12 years with someone you wouldn't have otherwise met. Or, both could occur. That's how it pans out in Colin From Accounts, with the rom-com spying the familiarity, comedy and chaos in bumping into another person on the street. Medical student Ashley (Harriet Dyer, The Invisible Man) and microbrewery owner Gordon (Patrick Brammall, Evil) do just that one otherwise standard Sydney morning. He lets her go first, she flashes her nipple as thanks, then he's so distracted that he hits a stray dog with his car. A girl, a guy and a meet-cute over an adorable animal: that's this delightful and very funny series' straightforward underlying formula. But as the circumstances surrounding Ash and Gordon's initial run-in demonstrate, Colin From Accounts isn't afraid to get awkward, much to the benefit of audiences. There's a syrupy way to proceed from the show's debut moments, intertwining sparks flying with idyllic dates, plus zero doubts of a happy ending for humans and pooches alike. If this was a movie, that's how it'd happen. Then there's Dyer and Brammall's way, with the duo creating and writing the series as well as starring in it, and focusing as much on ordinary existential mayhem — working out who you want to be, navigating complex relationships and learning to appreciate the simple pleasure of someone else's company, for example — as pushing its leads together. Before Ashley becomes 'Flashley', she's a 29-year-old medical student reeling from an unexpected breakup with a colleague (Tai Hara, Underbelly: Vanishing Act). Before Gordon is forced to ask his ex Yvette (Annie Maynard, Playing for Keeps), a vet, to do him a favour, he's a fortysomething who has been single for a unicycle-buying amount of time. By the time the day of their first encounter is out, they'll be sharing a hefty debt and a Sydney home — the former for the dog's treatment and the latter because pets aren't allowed at Ash's sharehouse. She's in his phone as 'Ashley $12k', the amount they're on the hook for. He's in hers as 'Dog Car Guy'. They joke about being each other's weird mate, and openly wonder if two people can be friends once exposed mammary glands get involved. Just like in the Hollywood versions of this kind of tale, romance does blossom. That Dyer and Brammall are behind Colin From Accounts, their past chemistry on fellow Aussie comedy No Activity and the fact that they're married IRL means that pairing them up as more than new pals was always going to be on the show's agenda. It's how the series fleshes out each character and their baggage — including those who-am-I questions, Ash's difficult dynamic with her attention-seeking mother Lynelle (Helen Thomson, Elvis), and the responsibility that running your own business and committing to care for other people each bring — that helps give it depth. Colin From Accounts lets Ash and Gordon unfurl their woes and wishes, and also lets them grow. Sometimes, that happens by peeing and pooping in the wrong place, because that's also the type of comedy this is. Sometimes, it's because the show's central couple have taken a risk, or faced their struggles, or genuinely found solace in each other. There's more than a touch of Catastrophe to Colin From Accounts, in its thrusting of two strangers together by a twist of fate that sees them sharing caring duties — for a dog rather than children, however. In lesser hands, there'd be an initial dose of New Girl as well, but Ash is no manic pixie dream girl singing her way through Gordon's life or unleashing a big bag of quirkiness. Credited with penning four episodes apiece, Dyer and Brammall bring sharpness and authenticity to their scripts, especially when confronting the truth that neither Ash nor Gordon know what they truly want. There's a clear-eyed feel to Colin From Accounts' still-light embrace of one of life's immutable realities: that we're all just moseying forward, being spontaneous, coping with the fallout, colliding with other people — and critters — and hoping for a content-enough outcome. Watching Dyer and Brammall bounce off of each other, dog in tow, is easy. Even when things are at their most strained between Ash and Gordon, and even when Colin From Accounts is swinging for its broadest grabbag-style laughs, their rapport always feels grounded. The script layers in gags about the pair's age difference, and contrasts the distinctive brands of Millennial and Generation X chaos, but the series is never in laugh track-heavy sitcom territory. Neither actor's impressive work should come as a surprise, of course, and nor should their ability to find drama as well as comedy in the show's premise. See: their respective resumes, including Dyer's work in Killing Ground and Wakefield, and Brammall's on Offspring and Glitch. Colin From Accounts may focus on Ash and Gordon's ups and downs, and on Dyer and Brammall as its driving forces, but it also mines a wealth of other talent. Thomson is a scene-stealer, as part of a subplot that examines the lifelong hurt that can spring when no one actually says what they mean. As Gordon's brewery colleagues, Genevieve Hegney (Doctor Doctor) and Michael Logo (Why Are You Like This) each have their moments to shine, and the same applies to Emma Harvie (Frayed) as Ash's fellow med-student bestie. Behind the lens, directors Trent O'Donnell (another No Activity alum), Matt Moore (The Great) and Madeleine Dyer (Monster of Many Worlds) keep the series both breezy and weighty — and instantly bingeable. Check out the trailer for Colin From Accounts below: Colin From Accounts streams via Binge. Images: Lisa Tomasetti / Tony Mott.
The World's 50 Best Restaurants for 2013 have just been announced, and it seems the trend towards all things natural and sustainable is here to stay, along with a speckling of Australian culinary talent working here and abroad. The Acqua de Panna award for Australasia's best went to Attica in Melbourne, a Ripponlea gem helmed by Patrick Shewry. The New Zealand-born chef has brought a certain sensitivity to his kitchen and earned a reputation for sustainable practice that showcases natural flavours and textures. Breaking into the list at no. 21, Attica was also honoured with the highest placed new entry. Peter Gilmore's usual suspect, Quay, came in at no. 48 to secure its fifth consecutive year on the list and rounded out our national presence. The result of 900 food journalist, restaurateurs, gastronomes and chefs working across the planet, the World's 50 Best Restaurants named Catalonia's El Celler de Can Roca as this year's premier international culinary destination. Run by the three Roca brothers — Joan (chef), Jordi (pastry chef) and Josep (sommelier), pictured — it has sat at no.2 for the last two years behind Denmark's Noma, which left the number one ranking for the first time in three years to slip to no.2. The United States and France confirmed their ascendancy with six restaurants in the top 50 each, including the celebrity-magnet Per Se in New York. Homegrown talent working abroad also nabbed a few spots, with Brett Graham's Notting Hill restaurant, The Ledbury, finishing at no. 13 and ex-Sydneysider David Thompson coming in at no.32 with Nahm in Bangkok. Thompson became the Sydney authority on Thai cuisine during the '90s with his well-remembered Darley Street Thai.
Is your wardrobe overflowing with clothes that you don't wear? We've all been there, and we've all been too busy to do anything about it. Through its op shops, Australian Red Cross finds a new home for your pre-loved outfits, shoes and accessories, with proceeds going towards its charity efforts — but we all know that wanting to donate your old threads is one thing and finding the time to do it is another. That's why Australian Red Cross has once again partnered with Uber for its annual Uber x Red Cross Clothing Drive. When it launched in 2018, it collected over 43,500 kilograms of clothing in that first year alone, which saw clothing items worth an estimated $800,000 donated. And you'd best take the drive part literally, as the ride-sharing service will actually drive to your house, pick up your unwanted clothes and accessories, and deliver them to Red Cross Shops. Even better: it's not only super easy to take part, but it's free as well. Brisbanites, make sure you're ready between 9am–4pm on Saturday, October 21. Once you've bagged up all of your old bits and pieces (items you'd happily give your best friend, and no toys, books, furniture or electrical objects) into a bundle that weighs no more than 20 kilograms, it's all incredibly simple. Open the Uber app during that seven-hour window, then find the 'package' option. After that, you need to click 'send a package', enter "Red Cross Shop" as the destination, and select one of the Red Cross Clothing Drive locations displayed An Uber driver will then stop outside your house, meaning that you just need to take your preloved goods out to their car. Voila, you've cleared out your closet and you've helped folks in need, all with the tap of a button.
Film festival opening nights aren't just about red carpets, a jam-packed guest list, plenty of photo opportunities and oh-so-much buzz. They're also about launching a cinema celebration as the event means to go on. So, with SXSW heading Down Under for the first time in 2023, hosting SXSW Sydney from Sunday, October 15–Sunday, October 22, exactly which flick gets pride of place at the fest's Screen Festival is a particularly massive deal. The pick: The Royal Hotel, the latest film from Australian director Kitty Green. Green will bring her second fictional feature and fourth full-length effort to the Harbour City's first-ever SXSW, with the movie enjoying its Australian debut fresh from world-premiering at the 2023 Toronto International Film Festival. The Royal Hotel also marks the second collaboration in a row between Green and star Julia Garner, who was as stunning in the filmmaker's The Assistant as she was in Ozark and Inventing Anna. This time, the Casting JonBenet helmer and her current go-to star are teaming up on a tale about US backpackers who get jobs at an outback Australian pub — and also stay there. Amid the heat, the lack of wifi and drinking wine out of a cask, Hanna (Garner) and Liv (Jessica Henwick, Glass Onion: A Knives Out Mystery) also cross paths with the town's male residents, including Hugo Weaving (Love Me) as the watering hole's owner, plus Toby Wallace (Babyteeth) playing charming and Daniel Henshall (Mystery Road: Origin) getting chilling. "Kitty Green's The Royal Hotel is a deft reworking of the Aussie outback thriller, reoriented with a female gaze, and we could not be more thrilled to open the inaugural SXSW Sydney Screen Festival with Kitty in attendance," said SXSW Sydney's Head of Screen Ghita Loebenstein, announcing the opening-night selection. "The film takes deliberate stabs at the more toxic shadows of the genre, and our culture, in sophisticated but ever entertaining ways. Kitty is a local luminary gaining international acclaim as a writer-director with a fearless vision for nuanced storytelling and this film is the perfect opener to the Screen Festival, which seeks to amplify and celebrate bold voices in film." The Royal Hotel joins ten previously announced titles on the SXSW Sydney Screen Festival lineup from Sunday, October 15–Saturday, October 21, with more to come. Also a big local title on the bill: documentary Hot Potato: The Story of The Wiggles, which will enjoy its world premiere at the fest. And, among nine flicks revealed in July, everything from flicks starring Indonesian rappers and documentaries about Tokyo Uber Eats rider to movies featuring viral Chinese dance crazes will pop up. Can't wait to watch your way through the fest? SXSW Sydney Screen Festival wristbands go on sale on Friday, August 25, starting at an early-bird price of $240 and getting people wearing one into unlimited screenings. [caption id="attachment_910715" align="alignnone" width="1920"] Netflix[/caption] The SXSW 2023 Sydney Screen Festival also features an array of speakers, with Queer Eye star Tan France set to hit Australia to get chatting. Indigenous filmmakers Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Kodie Bedford (Mystery Road: Origin) and Jub Clerc (Sweet As) will also take to the stage; Osher Günsberg is on the SXSW Sydney bill recording an episode of his podcast Better Than Yesterday with a yet-to-be-announced special guest; and Gone Girl, The Nightingale, The Dry, Big Little Lies and Nine Perfect Strangers producer Bruna Papandrea and Binge's Executive Director Alison Hurbert-Burns will also appear. As well as showering viewers with movies and TV shows, with more titles to come — including First Nations Screen Festival programming by Winda Film Festival founder Pauline Clague — SXSW Sydney's film- and TV-focused strand will feature red-carpet premieres; digital and social content; an XR showcase; Q&As and panel discussions; parties and mentoring; and a screen market for industry deals. Free outdoor screenings are also slated, alongside indoor sessions at The ICC's Darling Theatre, Palace Cinemas Central and other yet-to-be-advised venues. SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues, with the SXSW Sydney Screen Festival running from Sunday, October 15–Saturday, October 21 at The ICC's Darling Theatre, Palace Cinemas Central and more venues to be announced. Head to the SXSW Sydney website for further details. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
