More murderers. More mysteries. More moody musings about people who kill people. More chances for Damon Herriman to step into Charles Manson's shoes, too. Yes, the second season of Mindhunter will have it all when it finally drops on Netflix on Friday, August 16, returning two years after the David Fincher-executive produced and co-directed series first hit the platform. This time around, FBI agents Holden Ford (Jonathan Groff) and Bill Tench (Holt McCallany) no longer need to prove that chatting to incarcerated serial killers can help solve ongoing cases. Taking place a couple of years after the initial season's 1977 setting, Mindhunter follows the dedicated duo during the Atlanta child murders. Across 1979–81, at least 28 kids, teens and adults were killed — with the first trailer for the show's new season showing the reaction in Georgia, and teasing one unnerving incident. Ford and Tench keep gleaning insights from talkative murderer Ed Kemper (Cameron Britton), whose thoughts narrate the haunting clip; however, he's not the only notorious figure that they're set to cross paths with. As well as Herriman's second take on Manson, after the Aussie actor's role in Quentin Tarantino's Once Upon a Time in Hollywood, the new Netflix series also features David Berkowitz, aka Son of Sam. Expect more criminal profiling and psychological thrills, obviously, with the show based on the excellent non-fiction book Mindhunter: Inside the FBI's Elite Serial Crime Unit. Expect more meticulous Fincher magic as well, as the Seven and Zodiac filmmaker continues his on-screen fascination with serial killers. He has company behind the lens, thanks to Australian director Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford) and US helmer Carl Franklin (Devil in a Blue Dress, Out of Time). Get creeped out by the first trailer for Mindhunter season two below: https://www.youtube.com/watch?v=wIazdDw4tao Mindhunter season two drops on Netflix on Friday, August 16.
Welcome to the graduating class of refined gin drinkers. You might have been on this juniper-shrouded path for some time, or you may still confuse aquavit with a London dry. But no matter the maturity of your palate or knowledge of the botanical wonder that is gin, you're bound to pick up some useful notes to casually weave into conversation at your next gin tasting excursion. That's because we've brought in an expert guest lecturer: the master distiller at Archie Rose, Dave Withers. We sat down with him to discuss the latest 'ginnovations', including the new limited-edition Archie Rose Bone Dry Gin. So, pour yourself something floral and zesty and start soaking up some gin knowledge. PINE TALKIN': HOW YOU CAN TELL IF YOU'RE REALLY SIPPING A 'GOOD' GIN When it comes to deciding what to drink, do you seek out hefty price tags or let provenance guide your review? Does vintage or distilling technique give an advantage? While these factors might all affect what's in the bottle, Withers says it has to start with juniper berries. "A good gin should have the flavour of pine which is the juniper doing the talking," he says. If you're not starting with a base of these peppery orbs in the distilling process, then what's being produced is actually a flavoured vodka, not gin. But that doesn't mean you should neglect balancing other ingredients — and you should be able to spot these, too. "The flavours of gin should be clearly discernible and not muddled," Withers says. "For example, if a gin has a good amount of citrus and earthy rooty characteristics, then it will come across confused as one flavour tries to cancel the other out." WANT TO KNOW HOW GIN IS MADE? LET'S TAKE A MINI DISTILLERY TOUR If you've ever visited a gin distillery, you'll likely remember the mad scientist-like copper stills used to heat and cool ingredients. This equipment is used to redistill a neutral alcohol, usually from a grain base (similar to vodka production). Then, that product is re-distilled with botanicals to provide flavour, before being simmered down with water to bring it to a fit-for-human-consumption alcohol level. "Juniper is a very versatile ingredient that can highlight some really lovely flavours," Withers says. "That was the concept behind our Bone Dry Gin. We distilled our hand-foraged juniper from North Macedonia in a number of different ways, which allowed us to highlight citrus, woody, peppery and floral aromas." This limited-edition gin is the first to be released from Archie Rose's new Banksmeadow Distillery. Here, tailor-made vacuum stills enable more precise extraction of botanicals through hot and cold distillation, resulting in a layering of citrus and herbaceous notes that are rounded with that classic pine-dry finish. BONING UP ON DIFFERENT GIN VARIETIES If you're a seasoned drinker, you'll likely be able to differentiate between chardonnay and sauvignon blanc (having the name on the label does help), but it can be a little more complicated with gin. While there are numerous gin varieties on the market, they can be broadly categorised as 'contemporary' or 'traditional', with dry gins leading the latter. Withers says juniper invariably takes charge in traditional variations, and rides in the backseat for contemporary concoctions. "In our Bone Dry Gin we wanted to take the traditional format but add a twist. The juniper is a massive presence but we accented that with native Australian finger limes and a uniquely Australian ingredient called lemon-scented gum, which is literally a lemon-flavoured eucalyptus." A SHORT HISTORY LESSON Gin's 17th-century juniper berry-infused ancestor, genever, was developed in the Netherlands as a medicinal liquor before rising to prominence in England. Early 1800s gin-crazed London is likely where the trope of gin being an 'emotional' drink emerged, since there was little regulation around its production. This meant the alcohol content in gin could reach extraordinary levels and be distilled with unsanitary drinking water — a combination that would bring a tear to even the most gin-pickled of eyes. Right now, Withers says, we're "living in the golden age of gin." Beyond the delicious (and well-regulated) traditional bottles, you can find anything from grapefruit-infused pink gin to drams featuring green ants, and gin that magically changes colour when it meets tonic or citrus. In Australia, these creations are pumping out of more than 300 gin distilleries, a number that has grown exponentially over just the last few years. "In terms of quality and variability it has never been a better time to be a gin drinker." JUNIPER RETURNS – BUT IT'S IN SHORT SUPPLY We've already talked about it, but juniper really is the king of gin botanicals. And Withers thinks it's making a comeback. "There has been a move over the last few years to using really exotic ingredients that give big flavours. But I think drinkers are going the other way, hoping to get their juniper fix from their favourite brands." However, for the last few years gin producers and drinkers have been facing a catch-22 — demand for juniper is increasing in the face of a global shortage in supply. As well as increased demand, this shortage has been attributed to the spread of a fungal disease in some countries that can destroy juniper plants. Here's hoping for more fruitful seasons ahead. MIX MASTERS Happily, crafting an excellent gin drink is about simple combinations that let those botanical flavours shine. As for the secret to a perfect G&T, Withers says it's all about the ratio: "G&T drinkers shouldn't be afraid of using ample ice and minimal tonic. By reducing the amount of tonic and letting the ice dilute your drink, it's easier to taste the unique flavours of the gin." Withers says you can find similar refreshment from a gin and soda combo — but if you're after something stronger, you can't go past a classic gin martini. "There are so many variations on the martini that there's a whole world of nuance to be explored here," he tells us. "Visiting a local bar and asking your bartender what they recommend is a great way of seeing how small differences like a lemon twist or an olive garnish can transform your drink." FINISHING TOUCHES A squeeze of citrus can definitely elevate gin, but with so many varieties of gin to taste-test, it would be wasteful to not experiment with different garnishes. Withers recommends you try a few final flourishes that completely oppose a gin's flavour profile. "If the gin is savoury and salty then a sweet garnish like a strawberry can create a fantastic counterpoint," Withers says. "Snacking on the strawberry in between sips refreshes your palate and allows you to enjoy the distinctive flavours of the drink anew." Turns out you can have your garnish and eat it, too. For more information on Archie Rose and its brand-new Bone Dry Gin, head to the website. Want to win a case of it, as well as two bottled cocktails and a distillery tour? Just enter your details on our competition page.
There's nothing particularly noteworthy about British actors playing Americans, since by now they've pretty much all done it. But it is a little weird when (a) every single one of a film's American characters are played by Brits, and (b) none of them actually need to be American for the story to make sense. In fact, in Bastille Day, the fact that all but one of the Americans also work for the CIA only adds to the mystery, given the film is set entirely in Paris, has nothing to do with America and any other spy agency would have made as much sense, if not more. Still, Americans they all play and – to be fair – they do a fine job playing them. Richard Madden (Game of Thrones) plays Michael Mason, a gifted American pickpocket who steals and then discards a bag from an anarchist bomber's naive girlfriend Zoe (the delightful Charlotte Le Bon), unaware that it contains a powerful explosive. When the bomb goes off killing several French citizens, Mason is presumed to be a terrorist, and – for no particular reason – the CIA decides they want to nab him before the French do. Sent in to retrieve him is the gruff, burly and comically maverick agent Sean Briar (Idris Elba), whose 'to hell with protocol' attitude is so inexplicably extreme it borders on parody. When Briar realises Mason is innocent, the pair teams up to track down the real bombers before they can carry out their final objective: setting Paris ablaze with race riots to provide cover for a daring robbery. Filmed on what appears to be a shoestring budget, director James Watkins (also British) manages to keep the pace snappy and the action altogether interesting, enough to gloss over most of the threadbare plot. The film's rooftop chase sequence would feel comfortably at home in any Bourne movie, while a close-quarters fist-fight inside a minivan provides Bastille Day's most inventive and engaging scene. Everything has a real Luc Besson feel about it, but not always in the good way. Secondary characters are just caricatures, the violence is hyper-stylised and rarely believable, and what little dialogue there is tends towards corny cliches. Bastille Day also contains perhaps the greatest line of instantly-dated dioalogue ever recorded, with one of the villains saying (without a single shred of irony) "the hashtags will tip them over. Release the final hashtag." Much has been made recently of Elba's potential selection as the next Bond, and this film certainly does nothing to harm his action man credentials. Elba is a giant, unstoppable juggernaut whose impressive physicality imposes itself in every scene. When asked early on why he ran from Briar, Mason's reply of "because you were chasing me. Have you seen yourself!?" is as amusing as it is fair. Still, it seems a waste to squander all this acting talent on a film that asks so little of its players and gives so little in return. https://www.youtube.com/watch?v=U5R0bI8EJCQ
Some days, don't you just want to grab a drink, make a few shiny spheres zigzag around a table, and enjoy the soothing blend of booze and pinball? If so, Melbourne's Pinball Paradise is your new hangout — as well as Australia's first dedicated pinball and whiskey bar. Lighting up the first floor at 213 Franklin Street, and accessed via a secret entrance in ground-floor bar Island Somewhere, Pinball Paradise is basically a beverage-serving pinball arcade for adults. And if that sounds like the kind of space that every pinball lover dreams of, wait until you clock the themed machines you'll be flipping balls in. Prepare for a pop culture bonanza, including Game of Thrones, Dracula, The Wizard of Oz, Dirty Harry, Terminator 2, Jurassic Park, Popeye, The Creature from the Black Lagoon and Maverick pinball. Ghostbusters, Back to the Future, The Addams Family, Star Trek — they're all likely to give your button-smashing, flipper-controlling fingers a workout as well, alongside a range of rare, classic machines. Drinks-wise, expect whiskey aplenty, with Japanese varieties a favourite. A selection of food is also on offer to help you keep up your pinball-playing energy levels. As well as becoming the new home of all of your spare change, Pinball Paradise might just be the future of your fun nights out. Indeed, with mini golf and arcade watering holes popping up around the country, simply going to a bar, grabbing a drink and chatting with your friends is quickly becoming a pre-2016 concept. Find Pinball Paradise on the first floor at 213 Franklin Street, Melbourne. Check out their Facebook page for more information.
Dance Energy is the result of three notable dance organisations working in tandem - Dancenorth, Expressions Dance Company and Queensland Ballet. The premiere performance of Dance Energy will showcase some of Queensland’s best dancing talent in a display of transcendental choreography and music. With a score written by great Australian composer, Peter Sculthorpe and choreography by London based choreographer Cameron McMillan, Dance Energy has all the components to be a Brisbane Festival highlight.
If you've got a hard-earned thirst for some spiffy beer merch, the folks at Victoria Bitter have you covered, and that's been the case for a couple of years. Hankering not just for branded VB gear for your wardrobe, but also for a VB fragrance? Then you'll be pleased to discover that the famed Carlton & United Breweries beer has just added a new scent to its range. Called Thirst, the brand's newest addition has also been dubbed "eau de hard work". That's by VB itself, of course. And, to answer the first question that will have instantly popped into your head — yes, it comes in a bottle that looks like a stubby. As for second query that we're sure you're currently pondering, the fragrance is made from perfume oil combined with "the essence of Australian Super Pride hops" — aka an extract from the same hops that are used to brew VB. So, while you hopefully won't reek like the stale aroma that sticks to your clothes after you've accidentally spilled your beer, you will definitely smell like hops, it seems. Apparently the scent has whiffs of "bitter citrus" and "icy aromas", too. If you're eager to not only drink VB, but bathe yourself in a cloud of its distinctive bouquet, you can purchase Thirst from Chemist Warehouse, either online or in-store. Sadly but unsurprisingly given how popular the brand's merch always proves (case in point: its retro Christmas sweater from earlier this year), the small amount of the stock that was up for sale via VB's 'Big Cold gear' website has already sold out, though. If you're keen on other VB-themed items as well, you can still head to the brand's site to check out its retro-styled collection, which nods firmly to the brew's lengthy history quenching the thirst of hardworking Aussies. There are crewneck jumpers, t-shirts, hoodies, beanies and caps, all emblazoned with that instantly recognisable logo. Alongside all the clothes, you'll also find VB jigsaw puzzles — plus glasses, water bottles, coolers, speakers, bar mats and even fridges. Victoria Bitter's Thirst scent is available to purchase from Chemist Warehouse — either online or in-store. For more information, visit VB's 'Big Cold gear' website.
It's impossible to think about Christmas without also thinking about ornament-adorned trees, but the traditional towering variety isn't always practical. Perhaps you don't have space in your apartment. Maybe you're keen on the real thing, but just can't make it to market, farm or nursery to get one. And, even if you've found a place for the same old plastic tree that you trot out every year, you're probably still wishing that you could gaze up at the real thing. Floraly, the Australian plant delivery service that focuses on sustainable blooms and even offers monthly subscriptions, now has a Christmas offering — and if you're eager for a living tree, and you're happy with a pint-sized version, then it's about to make your festive dreams come true. 'Tis the season to order a 60-centimetre-tall tiny tree that comes with decorations and a pop-up pot, wait for it to be delivered, then feel mighty jolly. Sourced from farms in Victoria and New South Wales, and able to be sent Australia-wide, Floraly's trees also arrive with soil, fairy lights, baubles and a tree-topper — so they really do look like miniature versions of your ideal Christmas centrepiece. You'll also receive batteries to power the lights and, if you need some extra sweetness, can order some Koko Black chocolate with your mini plant. In line with Floraly's eco-conscious mindset, its trees still have their root system intact. That means that once Christmas is over, you can replant them, keep them for some year-round merriment and then enjoy their splendour next year. The trees also come in fully recyclable packaging, further reducing their environmental impact. If you're keen, you can pre-order a small bundle of greenery from the Floraly website for $79, with trees due to be shipped in the first week of December. Even better — delivery is free to Sydney, Wollongong, the Central Coast, Brisbane and Melbourne. Fancy sending a tiny tree as a gift? You can do that too. Floraly's tiny Christmas trees are available to pre-order now by visiting the service's website.
Of all the things available to watch on YouTube, IKEA's new contribution to the online platform might just be the most leisurely. Jumping on the slow TV bandwagon (or ship, to be more accurate), the huge furniture retailer is currently streaming a watery boat journey between Sweden and Australia — the voyage that brings its Billy bookcases, Kallax shelves, Ektorp sofas and more to our shores. That trip takes a whopping 14 days — or 336 hours — and it's playing on IKEA's new Slow TV YouTube channel in full. The stream started on Thursday, September 12 and will run through until Thursday, September 26. And while it's designed to look like it's all happening live, IKEA has specifically called it a "real-time representation". Those keen to tune in will see plenty of the high seas for much of the stream's duration. Later, when the vessel reaches Australia, you'll be able to watch as the ship pulls into port, then keep viewing as its shipping containers are unloaded, and then witness their journey to stores. You'll also be able to see IKEA boxes arrive at the back of one specific shop, then make their way to the warehouse, with its products unpacked and ready to be sold. Whether it sounds like riveting viewing or not will depend on your threshold for the slow TV trend. Based on how many folks watched SBS' forays into the genre over the past couple of years — first by airing a 17-hour documentary about The Ghan and it's train trip across the country, and then by doing the same with the Indian-Pacific — it seems there's a sizeable audience for simply watching the world go by. IKEA's venture into the slow TV fold has a purpose. Yes, it's trying to get you into the company's stores. The chain is holding a Festival of Sleep on the stream's final day, because this 14-day video is also designed to help viewers relax, feel calm and get some shut-eye. It follows IKEA's Sleep Podcast earlier this year, which attempted to entice listeners to nod off by reading a list of Swedish furniture names. The podcast's narrators, Kent and Sara Eriksson, are also doing the same job here — this time rattling off products from IKEA's 2020 catalogue. Check out IKEA's Slow TV YouTube channel below: https://www.youtube.com/watch?v=DSZBjFzq3Ng IKEA's Slow TV YouTube Channel is screening until Thursday, September 26.
There are many things that are great on ice. Champagne and caviar are two. The Nutcracker is another. The stage performance of The Nutcracker is already something to behold, but add high-speed leaps, throws and astonishing acrobatics and you’ve got a jaw dropping-ly great show. Described as the world’s best theatrical ice-skating company, The Imperial Ice Stars are making their triumphant return with their brand-new production - The Nutcracker On Ice. Ice may seem a tricky surface to dance upon, however the 25-strong company of world ice-skating champions make it look easy and graceful, never failing to impress their audiences. The production is to be a feast for the senses – especially when it comes to the sets. The world’s best ice-skaters will be leaping and twirling around a set created by renowned scenic designer, Eamon D’Arcy. Add the costumes and Tchaikovsky’s famous music, and you’ve got a pretty cool production...literally…
Some days, we all just want to want to wander through a vibrant, inflatable, lit-up dreamscape filled with billowing shapes and rainbow-hued arches. Pop these dazzling installations on a boat floating down the Brisbane River, and we'd all want to make their acquaintance there, too. Brisbanites, the time to do both of these things is this September — because moseying around two giant and luminous installations, which'll also spend time on the water, is a key part of the 2021 Brisbane Festival program. Brissie's annual citywide arts festival has been revealing components of this year's lineup for a few months now. In the case of the pandemic-delayed stage premiere of Trent Dalton's Boy Swallows Universe, that news goes back even further. But now the huge event has unveiled its full roster for 2021, with the aforementioned Airship Orchestra and Sky Castle installations by ENESS — and Brisbane's Art Boat, the river-faring vessel that'll host both when they're not set up at Northshore Hamilton — chief among the big highlights. The standouts won't stop there when the fest takes over the city from Friday, September 3—Saturday, September 25, of course. In her second year as Artistic Director, Louise Bezzina's 23-day program includes 18 new works, 15 world premieres and 139 productions in total — and events in 223 locations. There's also a big focus on First Nations artists and performers this year, too, with 168 involved in the lineup. [caption id="attachment_819360" align="aligncenter" width="1920"] Airship Orchestra by ENESS, Ben Weinstein[/caption] Brisbane Festival 2021 will kick off with Jumoo, a smoking ceremony that'll be led by Yuggera and Turrbal man Shannon Ruska — and will take place in the new Festival Garden at South Bank. Afterwards, that's where the shows such as the Bond-themed Skyfall cabaret will take over the South Bank Piazza, and where two pop-up bars will also serve drinks. Also gracing the fest's new precinct: First Nations Fashion: Walking in Two Worlds, which focuses on design; a mass karaoke session that's all about 70s, 80s and 80s hits, unsurprisingly called Massaoke; Briefs Factory's new cabaret Dirty Laundry; and a display of light designed by the University of Queensland's Institute for Molecular Bioscience. West End's West Village will be brightening things up, too, thanks to Lost, Amanda Parer's floral illuminations — and 2020's Messengers of Brisbane is making a comeback around town, because big pieces of outdoor art are definitely the number one drawcard in this program. Other must-sees include Buŋgul, a celebration of Gurrumul Yunupiŋu; Ishmael, which sees Dead Puppet Society turn Moby Dick into a post-apocalyptic space saga; the Indigenous-focused gig Blak Day Out; and Let's Be Friends Furever, a community-sourced ode to dogs of all shapes and sizes. There's also rom-com show 44 Sex Acts in One Week, jazzy drag party Razzle Dazzle Riot, and everyone from Client Liaison and Jarryd James to Marlon Williams and WAAX hitting the stage. And, you can attend the official housewarming party for Woolloongabba's revamped Princess Theatre. As previously announced, Bris Fest's suburban Street Serenades series is returning, too — with the likes of Boy & Bear, Christine Anu, Montaigne and the Queensland Ballet doing shows all over the city. Riverfire is back as well, because the event's particularly glowing 2021 lineup really wouldn't be complete without it. Brisbane Festival will run from Friday, September 3—Saturday, September 25. For further details, head to the festival's website. Top image: Sky Castle by ENESS, Zhu Rui UPDATE, July 26, 2021: Brisbane Festival has announced that Circa's Silver City will no longer be part of this year's program. This article has been updated to reflect that change. For further information, visit the Brisbane Festival website.
George Clooney wandering around the Deep South. John Goodman as a one-eyed salesman. Jailbreak comedy based on the ancient epic poem The Odyssey. Yes, O Brother, Where Art Thou? really does have everything. The Coen brothers’ movie also boasts a killer soundtrack of bluegrass, gospel, country and folk tunes that won the 2002 Grammy Award for Album of the Year. You read that correctly: it is one of only three film soundtracks to ever win the most prestigious prize in the industry. It is little wonder that The New Globe Theatre is paying tribute to the movie, the music and the time both depict, albeit for one night only. Songs such as 'I Am a Man of Constant Sorrow' will undoubtedly feature; however, The Soggy Bottom Boys’ hit is just a starting point for a celebration of the sounds of the Depression era. Local artists Tuxedo Kitten, Dirt Hand, Dusty Stockroute, Emily Massingham and Henry James have been given the task of doing O Brother, Where Art Thou?’s soundtrack justice, while also exploring other tunes from the 1930s that you might not be as familiar with. Expect banjos, harmonies and harmonicas — and maybe a good ol’ fashioned hoedown too.
Earth Hour is a symbolic action. Although there is carbon saved by turning things off, the point is the unmissable demonstration that a huge chunk of the world's population caring about the same thing at the same time. If we can manage this for Earth Hour, why not for grander environmental things? The Hour started in Sydney in 2007, and has become an international event in the years since. There are Earth Hour events in Kenya, India and Ireland these days, but you don't need to travel so far afield to find a way to join in this time around. At its simplest, all you need to do is stay home and turn off the lights. But if you'd like to have a more social darkened moment, you can head to a candlelit restaurant or one of a raft of other lights-off events. Image of Earth Hour Switch Off 2010 by Sewell / WWF.
2024 was a year of heartbreaking cancellations in the Australian music scene. Not every festival that took some time out has returned a year later, but 2025 has thankfully seen more than a few comebacks. Here's the latest: Harvest Rock, the Adelaide event that cemented itself as a fest worth travelling to in its 2022 debut and 2023's second spin, has locked in a two-day 2025 instalment in October. It was in August 2024 that Harvest Rock revealed that just two years after initially popping up, the decision had been made to postpone that year's event. The news came after Splendour in the Grass announced its 2024 dates and lineup, then ditched its plans — and following Groovin the Moo going through the same cycle of reveals and cancellations. Spilt Milk, Summergrounds Music Festival and Dark Mofo also sat the year out or said goodbye permanently. Dark Mofo returned for 2025, as is Spilt Milk — and now Harvest Rock is joining them. Only Teenage Joans have been named on the lineup for this year's stint at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina so far, but you can pop Tuesday, August 12 in your diary, as that's when the full roster of acts that'll be taking to the stage will be unveiled. Also crucial, dates-wise: Saturday, October 25–Sunday, October 26, when the festival is taking place. When Harvest Rock was first born, hailing from the Secret Sounds crew — who were also behind Splendour in the Grass — it aimed to get everyone dancing in a park in Adelaide each spring, including interstaters heading to South Australia to enjoy the fest's visitworthy lineups. The first year welcomed Jack White, Groove Armada, The Avalanches, Crowded House and Courtney Barnett, for starters. 2023 backed that up with Jamiroquai and Beck doing Australian-exclusive shows, plus everyone from Sparks and Nile Rogers & Chic to Bright Eyes and Paul Kelly. A two-day blend of music, food and wine — well, it is in SA — Harvest Rock also spans Adelaide's top restaurants and eateries serving up dishes, a culinary-focused stage and wine tastings. 2025's iteration will include Wildwoods & Cellar Door by Duncan Welgemoed and Nick Stock, for starters. "We're thrilled to see Harvest Rock return to its Adelaide home to deliver a festival that brings global stadium-sized artists to South Australia, while also championing the region's world-class food, wine and culture for interstate guests. Harvest Rock not only drives tourism and benefits local businesses, but offers a unique festival experience for all ages across the local community and beyond," advised Festival Director of Harvest Rock Ryan Sabet. "Music to the ears of festival lovers and our hospitality and tourism operators, Harvest Rock will return to Adelaide this October. The beauty of this festival is that it combines what we do best in South Australia — offering premium food and beverages and delivering memorable events," said SA Minister for Tourism Zoe Bettison about Harvest Rock's comeback. "Held in 2022 and 2023, Harvest Rock has contributed a combined $34.5 million to the state's economy. We continue to see the impact major events like this deliver to our economy, while reinforcing our state's reputation as the ultimate destination for bucket-list events — whether you are a sports fan, art lover, foodie or just enjoy a good festival." Harvest Rock 2025 is set to take place across Saturday, October 25–Sunday, October 26 at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide. Head to the festival's website for further details — with presale tickets available from Tuesday, August 19 and general sales from Wednesday, August 20. And check back here on Tuesday, August 12 for the lineup. Image: Ian Laidlaw / Mitch Lowe / Zennieshia Butts.
If you don't break out the bubbly when you first hear about south-east Queensland's newest festival, then you will when you get there. All things sparkling and alcoholic are in the spotlight at Effervescence, after all. Indeed, the event's name both nods to its favourite type of beverage and describes the sensation champers-swilling attendees are bound to experience. And yes, we really do mean champagne, as in the fizzy wines specifically from France's Champagne region. In fact, it was a trip to the area that gave champagne enthusiast and educator Amanda Reboul the idea to start the festival. Fellow sparkling lovers have two options to get their drink on at Spicers Hidden Vale: walk the Champagne Trail, or hunker down for the weekend-long VIP package. The former offers an at-your-own-pace wander between themed tasting stations, complete with bread, cheese and charcuterie, plus games of boules and other activities. The latter serves up all that, as well as expert masterclasses, lunches, a degustation dinner and a cocktail evening — but only if you have a spare couple of grand to really treat yo'self and then some.
As I settled down in Event Cinemas to see Once Chance, I didn't realise I'd also be seeing my mother's cinematic debut. But more on that later. A British film directed by David Frankel (The Devil Wears Prada) and written by Justin Zackham (The Bucket List), One Chance is based on the true story of Paul Potts, a shop assistant and amateur opera singer who won Britain's Got Talent in 2007. It's a kind of hero's journey meets love story, with Potts' marriage to wife Julie-Ann (Alexandra Roach) at the core. Her patience and loyalty sustains him through a seemingly unending amount of bad luck. As does his love of opera. The film opens with Potts' troubled childhood and ends with his first audition for Britain's Got Talent, now a YouTube favourite, where he sang Nessun Dorma so beautifully he received a standing ovation, judges cried and even Simon Cowell beamed. Before we get to the happy ending, things get pretty dark. There's his bully-ridden childhood. Then there's his dysfunctional relationship with his father, his financial struggles, his chronic self-doubt (enforced by no less than Pavarotti in one of the film's most painful scenes) and his ill health, from bicycle accidents to appendicitis to cancer. Even the setting of Port Talbot is depressing. But without depicting the struggle, the film's final scenes wouldn't be quite as moving. We wouldn't appreciate how glorious a victory this was for Potts, the eternal underdog. I just wish we could have had a bit longer to bask in it before the credits started rolling. James Corden was an unusual casting choice. He's known for his cheeky, brash confidence, and at times you can almost feel him holding back. But for the most part he succeeded in giving a believable performance as the shy, self-effacing Potts. (And before you ask, no that's not him singing; he is lip-synching to Potts' voice.) Sometimes the plot and dialogue feel a tad schmaltzy, a bit 'Hollywood', potentially because it's a British story with British actors but in the hands of American filmmakers. The film could use a splash more irreverence, but there are real moments of humour, often thanks to the comedic timing of Corden, Julie Walters (as Potts' mum) and Mackenzie Crook (as his friend and inefficient manager at the Carphone Warehouse). One Chance is entertaining and tells a genuinely inspiring story. It's not the most well-written script, but if you like stories about self-belief and pursuing your dreams no matter how many obstacles life throws at you, then you should see it. Or if you want to see my mum's unwitting extra-work. She's the tourist in the white trousers in the final scene, standing in the middle of Piazza San Marco and staring straight at the camera. Hi mum. https://youtube.com/watch?v=1wtq5hN2eOE
Somewhere in the world, the afterparty for the World’s 50 Best Restaurants award ceremony is wrapping up. It’s been a very big event. The restaurant world’s creme of the crop came together to feast, celebrate and form alliances in order to claw their way up next year’s list. No doubt dishes were served that we couldn’t even imagine, dishes that would break our brains if we mere mortals were we to taste them. But best of all, Ben Shewry’s restaurant Attica was named amongst some of the best in the world, once again coming in at a very respectable #32. Ahhh the World’s 50 Best Restaurant list, you're so much more than a list of places we'll blow half our savings to eat at. The list, whose organisers revealed the top 51-100 last week, is compiled by industry heavyweights and international critics (those blessed people who get to eat Michelin-starred nosh for a living), and is considered a definitive ranking of international food-goodness and tasty nom-noms. So it’s no mean feat for Australia to have a spot on the list, with the likes of Sydney's Sepia and Quay and Victoria’s Brae also nabbing spots in the top 100. Being a restaurateur these days is almost as bloody as being the head of a great Westeros house — although in the foodie game, your position is determined by this annual list and not how many shocking betrayals and gruesome deaths you encounter per season. But there's just as much intrigue happening on this humble list as there is on the influence track of any drunken GoT board game session (go with it). The three big names that consistently dominate the game are this year’s victor El Celler de Can Roca (Girona, Spain), second place Osteria Francescana (Modena, Italy) and third place Noma (Copenhagen, Denmark). This is where it gets interesting, because Noma won last year, Osteria Franescana came second and while El Celler de Ca Roca moved up from third place to first and knocked Noma off the Iron Throne before being poisoned on their wedding day allegedly by their uncle while Sansa Stark escaped to the North under Littlefinger’s protection. Or something like that. When you play the game of lists, you win or you try again next year. See the whole list of the World's 50 Best Restaurants here. Image: Attica.
Love quirky facts? Spent your life amassing the kind of details that will probably never come in handy? Consider yourself a whiz at every trivia night around town? If so, you're probably a QI fan — and an avid listener of No Such Thing As a Fish. The former is, of course, the long-running British comedy panel quiz. The latter is the popular, award-winning podcast hosted by four of the show's researchers, aka the folks putting in the hard yards to come up with amusing pieces of information you didn't know you needed to know. Series staffers Dan Schreiber, James Harkin, Anna Ptaszynski and Andrew Hunter Murray aren't just finding tidbits for a raft of English comedians, or spending their spare time sharing the most bizarre facts they've come across over the last seven days, however. Come May 2018, they're also heading to Australia to shower our shores with trivia morsels. The live version of the podcast will include a live recording, so your laughter might be immortalised forever, plus a round up of the most astonishing things the team have discovered from the year's news. It has been a busy couple of years for the group, with their last UK and European tour proving a sell-out, and their 187 episodes to date scoring more than 55 million downloads. As Schreiber explains, "we started as four dorks sitting around a single microphone trying to make each other laugh. Things have changed a bit since we started — we now have four microphones — but it's a thrill to know there are hundreds of thousands of other people who love the same wild and hilarious facts that we do." No Such Thing As a Fish heads to The Comedy Theatre, Melbourne on May 12, the Sydney Opera House on May 15 and Brisbane's Queensland Performing Arts Centre on May 17. Tickets go on sale at 10am on November 1, with a pre-sale from midday on October 30. Check out the podcast's website for further details.
This Christmas, it's time to deck your halls with boughs of whichever greenery you'd like — and to give plenty of plants as gifts, too. That's on the agenda at VEND Marketplace, which is hosting not one but two huge Christmas Twilight Markets across the festive season. There'll be more than just succulents, cacti and indoor-friendly plants on offer; however, given that the northside spot is home to its own indoor greenhouse — aptly called the Greenhouse, naturally — that's definitely a big drawcard. Between 4–9pm on Saturday, November 26 and again at the same time on Saturday, December 10, you'll also be able to get festive at VEND's 130-plus shops, and at the array of pop-up stalls that it's setting up outside. Food trucks will keep your stomach satisfied while you're picking gifts — including for yourself — and the VEND cafe will also be serving boozy beverages and Christmas dinner specials. Also, there'll be a cocktail bar. Plus, VEND is doggo-friendly — should you want to bring your four-legged pal with you for a stint of Christmas fun. (No good boy or girl wants to stay home while you're out during the merriest time of year.) And, there'll be live tunes helping set the mood, as well as a photo booth for seasonal snaps. Images: VEND Marketplace.
There ain't no party like a public holiday eve block party, and The Elephant knows it. For the last year or so, the Wickham Street pub has made celebratory shindigs their new go-to gatherings — and everyone has been flocking to them, of course. They're throwing a big bash on ANZAC Day eve on April 24, complete with the usual chilled vibe, cold beverages and beer garden hangouts. Add a rocking music lineup of Philadelphia Grand Jury, The Pierce Brosnans, Columbia Buffet, Beneb, FeelsClub and Bugs providing the live tunes, and that's your lazy, long weekend Sunday well and truly covered.
Cinderella, Mary Poppins and Beauty and the Beast have all taken to Australia's stages in recent years, bringing beloved narratives that everyone associates with Disney movies from the cinema to the theatre. For the next show that falls into that category, no one needs to grow up. The inhabitants of Neverland, where Peter and the Starcatcher is set, certainly aren't known to. A five-time Tony Award-winner for its 2012 Broadway season, the production earned theatre's coveted accolades for its costumes, sound design, scenic design and lighting, and for Best Featured Actor in a Play — but the version that's hitting Brisbane comes with a twist. For Peter and the Starcatcher's long-awaited debut Aussie season, which is touring the country Dead Puppet Society (The Wider Earth, Ishmael) is reimagining the stage favourite, which is a prequel to JM Barrie's Peter and Wendy. Accordingly, from Friday, March 14, 2025 at the QPAC Playhouse, expect puppets helping to spin a tale that features more than 100 characters, as well as live tunes. Originally based on Dave Barry and Ridley Pearson's novel Peter and the Starcatchers, then adapted for the stage by Rick Elice (Jersey Boys), the play heads to Neverland before Peter Pan visited — before Captain Hook inspired terror, too. So, it's an origin story, complete with an island, a moustachioed pirate, an orphan without a name and Wendy's mother Molly. Images: Daniel Boud.
Coworking spaces offer the chance to break free from the daily office grind and work in an environment that fosters flexibility and community. Whether you're just starting out or looking to expand, Christie Spaces has you covered with top-notch facilities designed to elevate your business and help you succeed. And, because life shouldn't be all about work, there are plenty of opportunities to create and collaborate, too — from professional networking events to yoga classes and art workshops. We sat down with Christie Spaces CEO Robert Christie to get the lowdown on everything on offer at the dynamic coworking spaces located across Sydney, Melbourne and Brisbane. So, if you've been thinking about making the transition from a passé office cubical to an invigorating shared space, read on — we've got all your curly questions covered. WHAT KIND OF FACILITIES DO COWORKING SPACES HAVE? One of the best things about coworking spaces is that they reflect the dynamism of modern working life. Whether you're running your own business, slogging away at a start-up or simply freelancing, Christie Spaces allows you to focus on your business in a slick environment with all the mod cons. Depending on the size of your team, you can choose between open workspaces and private offices, which can comfortably accommodate 100 people. As there's no life without wifi, all spaces are equipped with top-notch connections. CEO Robert Christie says that much thought has gone into creating a space that meets the needs of all types of businesses. "For creatives, we have photo studios, podcast booths and high-quality printing," says Christie. "We also have project pitching rooms and Skype in our meeting rooms, and we're even looking at installing relaxation rooms in our new spaces as we really understand the need to switch off from everything," Because life isn't paper-free just yet, there are printing facilities located on each floor, too. And, maybe best of all, there's also a dedicated coordinator on site to answer any questions and provide support. HOW IS IT DIFFERENT TO WORKING IN A TRADITIONAL OFFICE? Coworking spaces are the perfect antidote to the drudgery of 9-to-5 office life. The team at Christie Spaces understands that good results don't come from sitting behind a screen all day, so there are plenty of opportunities for creativity that extend beyond the desk. When it's time for a reset, head to the chill-out room to take a load off and recharge. Or, give your brain a break and stretch the rest of your body downward dog-style in the yoga space. If you'd rather flex your creative muscles instead, partake in a daytime art workshop and get the synapses firing — who knows, you might even create something worth pinning on the fridge. In addition to these activities, there are regular networking and community events, which provide an opportunity to meet like-minded people and might even lead to a new professional relationship. "Coworking spaces are hubs of collaboration and creativity," says Christie. "I've heard of so many people meeting their business partners in coworking spaces," And, despite it not being a traditional office space, Friday night drinks are still celebrated at the Christie Spaces. Cheers to that. WHAT'S IT LIKE WORKING SOLO IN A COWORKING SPACE? As anyone who's ever tried to "work from home" knows, the term is just a euphemism for sitting on the couch in your pyjamas and watching Netflix all day. Never fear, though, if you're a party of one needing to get work done, Christie Spaces is the ideal place to set yourself up for solo success. Hot desking offers the freedom of a flexible work environment while still being connected to all the equipment and facilities you might need. Although you may not be working directly with others, surrounding yourself with people on the same level will help to motivate you (and shame you out of that mid-afternoon nap). Christie believes the versatile nature of Christie Spaces is perfect for those working solo. "What's great about a coworking space is that if you want to collaborate you can, and you're celebrated for that. But if you also want to work solo in an inspiring place, that's fine, too. There's no pressure," Christie explains. MOST IMPORTANTLY, ARE COWORKING SPACES DOG FRIENDLY? Even though a dog can't hold a stapler, a furry office companion is far superior to a human one. That's why pooches are welcome at the Sydney and Melbourne Christie Spaces and the business is currently looking into options for pet-friendly spaces within the Brisbane offices, too. Just imagine, instead of closing the door on your best mate in the morning or making excuses to head home early just to pet them, they can be at work with you. Dogs don't just make good looking coworkers, they're also known stress relievers. When you've got a deadline bearing down on you or a mountain of emails piling up, they're more sympathetic to your needs than any colleague could ever be. And, if you're not lucky enough to have a pup of your own, you can always creep out on someone else's doggo. HOW MUCH DOES IT COST TO JOIN A COWORKING SPACE? When it comes to running a business, cost is always important. Fortunately, Christie Spaces' impressive facilities and networking opportunities don't cost a fortune — for a base membership, you're looking at around $450 a month, which includes internet, maintenance and all the other perks. At the moment, you can set yourself up in Christie Spaces in three major cities. Sydney has three offices — two in North Sydney and one in the CBD — Brisbane has two offices in the city centre, and Melbourne has one office in the heart of the CBD. Plans are afoot to expand to Adelaide, the Gold Coast, Perth and regional locations such as Newcastle and the Central Coast, too. Christie Spaces is located in Sydney, Melbourne and Brisbane. To find your office space and start hustlin' head to christiespaces.com.au.
Just months after scoring one new waterside bar with a multi-layered deck, Eagle Street has gone and nabbed itself a second one. First came Babylon Garden, and now it's Riverland's turn. In this case, the Australian Venue Co-owned bar has been around since 2017, but has been undergoing a $3.5-million revamp since 2022 — and it's finally time to see the end results. Come Monday, May 22, Brisbanites will be able to kick back on Riverland's new 800-square-metre deck extension, which isn't just larger than the venue's original setup — it now sprawls across three tiers. Also, this piece of prime river frontage can accommodate 1000 people, making the already-popular CBD spot even busier. Those three levels include the sky deck up top, boasting uninterrupted views of the Story Bridge and a new container bar. Then there's the promenade deck with direct Eagle Street Pier access, as well as a space with a new live music stage, plus a large screen that'll show sports. Expect a talented lineup to jump behind the microphone or on the decks from Wednesday–Sunday, giving Riverland's latest guise an acoustic and DJ-spun soundtrack. Expect an array of new food options to tuck into, too, with Riverland 2.0 also featuring two new kitchen concepts. Given the name, it's no surprise that Sunshine State produce and dishes shine brightly at The Queenslander. Place your order here and you'll be tucking into pub fare such as chicken wings in a pineapple rum barbecue glaze, mango salad, cured Tin Can Bay cuttlefish paired with a brioche doughnut, Mooloolaba prawn san choy bow, fish and chips using Queensland seafood, and the usual burgers and parmigianas. Over at The Traveller, the culinary range takes its cues from international street food. On a seasonally changing menu, the first stop is Mexican eats; think: fried tortillas with guacamole, roasted tortilla soup, jalapeño poppers, cured red emperor tostadas and a variety of soft-shell tacos — and churros for dessert. Also changing at Riverland, which remained trading through its renovations, is the beverage menu. Your new sips include spicy watermelon margaritas, a signature cocktail alongside the gin, lemon, apple and raspberry number that's called Burst My Bubble. There'll be more spirits-heavy concoctions, plus 16 beers and ciders on tap, and a sizeable wine list. With its makeover, Riverland will now span seven different function spaces — adding plenty of areas for parties, too. Riverland joins the growing list of AVC sites getting a do-over, after The Wickham in Fortitude Valley unveiled its own revamp back in March, and Cleveland Sands Hotel, Salisbury Hotel, Koala Hotel, the Crown Hotel in Lutwyche and Bribie Island Hotel before that. Next, Nundah's The Royal is also getting the same treatment. Find Riverland at 167 Eagle Street, Brisbane, relaunching from Monday, May 22 — operating from 11.30am–12am Sunday–Thursday and 11.30am–3am Friday–Saturday.
In Harlem in the '20s and '30s, everyone was doing a brand new dance — and no, it wasn't the locomotion. Usually performed to big band music and known for being acrobatic, it was the Lindy Hop, which fused parts of jazz, tap, breakaway and the Charleston. If you've seen the music video to the Elvis Presley vs. JXL remix of 'A Little Less Conversation' from back in 2002, then you've seen it in action — now, you can try it for yourself. With Singapore artist Loo Zihan and his collaborators taking up the dance style over a decade ago, they're hosting an Australian-first, Brisbane-exclusive participatory performance class. 50/50 isn't just a way to learn new moves, though — it's an exploration of authenticity, identity, sexuality and culture.
What's your favourite thing about Twin Peaks? Other than the fact that it's back and just as damn fine as ever, of course. We know, we know, there's just too much to choose from. Any list would have to include Kyle MacLachlan as Agent Dale Cooper, cherry pie and coffee, and David Lynch's inimitable approach on screen and off — as well as the haunting music. From those first distinctive notes of composer Angelo Badalamenti's theme tune, to the ethereal sounds of Julee Cruise's Falling — a number one hit in Australia at the time — the show's soundtrack keeps echoing through our minds. That's not going to change for the next four months, or ever. In fact, Xiu Xiu will ensure the series' score gets permanently lodged in your brain when they return to GOMA. As The Giant would say, it is happening again. After wowing Brisbane crowds back in 2015 during the gallery's mind-bending, once-in-a-lifetime David Lynch: Between Two Worlds exhibition, the American experimental group are back to once again interpret the iconic music through their mix of post punk and synth pop for a final time. Prepare to amazed, delighted and even a little disturbed by this new take on Twin Peaks' chaos, drama, fear, noise, sidelong leering glances, arms turned into trees, mysterious glass boxes and Mr Jackpots. Performing live at 5pm and 8pm on June 24, Xiu Xiu's shows also come with a serious warning: BOB (or is it Cooper?) will be conducting. https://www.youtube.com/watch?v=_rrK6UvAkLs
UPDATE: September 23 2020: A Beautiful Day in the Neighbourhood is available to stream via Amazon Prime Video, Google Play, YouTube and iTunes. Fred Rogers never made a splash in Australia. But watching A Beautiful Day in the Neighbourhood, it's easy to see why the ordained Presbyterian minister turned children's television host is so beloved in the US, even 17 years after his death — and why adults who grew up watching Mister Rogers' Neighbourhood still hold him in such high regard. This thoughtful, full-hearted film doesn't merely tell viewers that Rogers was universally adored, or show the widespread devotion among his fans. As she proved in both The Diary of a Teenage Girl and Can You Ever Forgive Me?, Marielle Heller is far too soulful and observant a filmmaker for such a blunt approach. Rather, in a sensitive and astute manner reminiscent of Rogers himself, this delightful movie explores his appeal by examining his impact on one reluctant and cynical man. If you're a newcomer to Rogers, or you're jaded or skeptical by nature, consider Lloyd Vogel (Matthew Rhys) your on-screen surrogate. A writer for Esquire in 1998, he's the fictional stand-in for journalist Tom Junod, whose article 'Can You Say ... Hero?' inspired the film. Known for hard-hitting reporting, Vogel is taken aback when he's assigned to profile Rogers. He's also nowhere near as enamoured with his subject as everyone else, including his starstruck wife Andrea (Susan Kelechi Watson). Indeed, he's still hesitant when Rogers (Tom Hanks) engages in a generous chat on the phone and appears genuinely interested in getting to know him. Taking its cues from Rogers' puppet-filled TV show in inventive ways, A Beautiful Day in the Neighbourhood begins by recreating Mister Rogers' Neighbourhood's opening. To the sounds of a gentle theme sung by Rogers, a model town fills the screen, before cutting to the show's star arriving home, popping on his famous red cardigan, swapping his dress shoes for sneakers and addressing the camera. Purposefully affable and inviting when watched by kids on weekdays for 33 years, it remains just as cosy here. To segue into the bulk of the film, Hanks' pitch-perfect version of Rogers says that he's going to tell a story about his hurt friend Lloyd — and while that might seem like cutesy gimmickry, it works perfectly in Heller's hands. With screenwriters Micah Fitzerman-Blue and Noah Harpster (Maleficent: Mistress of Evil), she understands that Rogers left such a lasting imprint on so many people because he made kids feel like he really saw them. Accordingly, treating Vogel in the same way isn't just a creative flourish — it's essential. The same idea applies to A Beautiful Day in the Neighbourhood's audience, who the film never forgets. This movie is well aware that viewers are experiencing the famed figure through Vogel's eyes — and it wants you to feel like you're in his shoes, being seen, welcomed and accepted by the kindly host as well. A new father struggling with issues with his own long-absent dad (Chris Cooper) that stem back to childhood, Vogel's backstory assists. While somewhat generic, it's also immensely relatable. Everyone has pain from the past they haven't fully processed, which was Rogers' whole remit. His show helped kids express their emotions and personalities in healthy ways, and tackle topics as dark as death, divorce and war. Even though Vogel is much, much older, it's a role Rogers is still eager to play for his new friend. Conveying that compassion, grace and sincerity is a task only Hanks could've mastered. It's a case of getting a beloved, benevolent icon to play just that — although Hanks ensures that Rogers is a person rather than a shining picture of perfection. This isn't a warts-and-all tell-all and, as 2018 documentary Won't You Be My Neighbour? demonstrated, that film will never exist. Instead, A Beautiful Day in the Neighbourhood remembers a man who considered himself ordinary while having an extraordinary effect on others. You could say the same about Hanks, which is what makes his casting so sublime. His is a superb, deservedly Oscar-nominated performance that's never an act of simple mimicry, but that he's as revered — and has been a reliable screen presence for decades, too — is never forgotten. Amidst cardboard backdrops recreating Mister Rogers' Neighbourhood, talking puppets and scenes of Rogers making adults wait so he can spend more time with his child fans, A Beautiful Day in the Neighbourhood doesn't completely or even primarily belong to Rogers. His influence looms large, but this is really Vogel's story — and that makes the film all the better. Rhys finds his character's world-weary centre, then allows it to slowly crumble as his bond with Rogers grows. In the process, the movie mirrors the way the TV host found a place in millions of children's hearts, and cracks the cloak of cynicism hanging over some of its own viewers, too. It's easy to think that a feature like this will be too sappy, kitschy or hokey, just as Vogel thought about Rogers — but a man brimming with empathy and this charmingly made movie about his impact are both the perfect antidotes to distrust and disillusionment. https://www.youtube.com/watch?v=CELbK9q_ZeA
For TV fans, 2022 was the year of finally. After a couple of years of hefty pandemic delays, so many stellar television shows finally returned. In 2023 so far, it's been the year of farewells. Again, plenty of ace programs have added extra episodes — but some of them, such as Succession, Barry, The Other Two, Servant and The Marvelous Mrs Maisel, dropped back in for their final runs, then said goodbye. Revelling in the last glimpses of feuding families, actors-turned-hitmen, stardom-chasing siblings, eerie nannies and comedians — and maybe AFC Richmond, too — has only been part of the viewing landscape among returning TV shows this year, though. Thankfully, when our screens delivered more time with high schoolers lost in the woods, for instance, it did so with the promise of more to follow. Elsewhere, the lineup of already-great series offering more instalments spanned everything from decade-plus comebacks to ridiculously brilliant sketches — plus shows about comebacks, dinosaurs, twisted technology, being trapped in a musical and more. Now that 2023 has passed its halfway point, we've rounded up the 15 best TV series that released another season between January and June. Binge them now if you haven't already. SUCCESSION Endings have always been a part of Succession. Since it premiered in 2018, the bulk of the HBO drama's feuding figures have been waiting for a big farewell. The reason is right there in the title, because for any of the Roy clan's adult children to scale the family company's greatest heights and remain there — be it initial heir apparent Kendall (Jeremy Strong, Armageddon Time), his inappropriate photo-sending brother Roman (Kieran Culkin, No Sudden Move), their political-fixer sister Siobhan (Sarah Snook, Pieces of a Woman), or eldest sibling and now-presidential candidate Connor (Alan Ruck, The Dropout) — their father Logan's (Brian Cox, Remember Me) tenure needed to wrap up. The latter was always stubborn. Proud, too, of what he'd achieved and the power it's brought. And whenever Logan seemed nearly ready to leave the business behind, he held on. If he's challenged or threatened, as happened again and again in the Emmy-winning series, he fixed his grasp even tighter. Succession was always been waiting for Logan's last stint at global media outfit Waystar RoyCo, but it had never been about finales quite the way it was in its stunning fourth season. This time, there was ticking clock not just for the show's characters, but for the stellar series itself, given that this is its last go-around — and didn't it make the most of it. Nothing can last forever, not even widely acclaimed hit shows that are a rarity in today's TV climate: genuine appointment-viewing. So, this went out at the height of its greatness, complete with unhappy birthday parties, big business deals, plenty of scheming and backstabbing, and both Shiv's husband Tom Wambsgans (Matthew Macfadyen, Operation Mincemeat) and family cousin Greg (Nicholas Braun, Zola) in vintage form — plus an early shock, at least two of the best episodes of any show that've ever aired on television, one of the worst drinks, a phenomenal acting masterclass, a The Sopranos-level final shot and the reality that money really can't buy happiness. Succession streams via Binge. Read our full review. BARRY Since HBO first introduced the world to Barry Berkman, the contract killer played and co-created by Saturday Night Live great Bill Hader wanted to be something other than a gun for hire. An ex-military sniper, he was always skilled at his highly illicit post-service line of work; however, moving on from that past was a bubbling dream even before he found his way to a Los Angeles acting class while on a job. Barry laid bare its namesake's biggest wish in its 2018 premiere episode. Then, it kept unpacking his pursuit of a life less lethal across the show's Emmy-winning first and second seasons, plus its even-more-astounding third season in 2022. Season four, the series' final outing, was no anomaly, but it also realised that wanting to be someone different and genuinely overcoming your worst impulses aren't the same. Barry grappled with this fact since the beginning, of course, with the grim truth beating at the show's heart whether it's at its most darkly comedic, action-packed or dramatic — and, given that its namesake was surrounded by people who similarly yearn for an alternative to their current lot in life, yet also can't shake their most damaging behaviour, it did so beyond its antihero protagonist. Are Barry, his girlfriend Sally Reid (Sarah Goldberg, The Night House), acting teacher Gene Cousineau (Henry Winkler, Black Adam), handler Monroe Fuches (Stephen Root, Succession) and Chechen gangster NoHo Hank (Anthony Carrigan, Bill & Ted Face the Music) all that different from who they were when Barry started? Have they processed their troubles? Have they stopped taking out their struggles not just on themselves, but on those around them? Hader and his fellow Barry co-creator Alec Berg (Silicon Valley, Curb Your Enthusiasm) kept asking those questions in season four to marvellous results, including after making a massive jump, and right up to the jaw-dropping yet pitch-perfect finale. Barry being Barry, posing such queries and seeing its central figures for who they are was an ambitious, thrilling and risk-taking ride. When season three ended, it was with Barry behind bars, which is where he was when the show's new go-around kicked off. He wasn't coping, unsurprisingly, hallucinating Sally running lines in the prison yard and rejecting a guard's attempt to tell him that he's not a bad person. With the latter, there's a moment of clarity about what he's done and who he is, but Barry's key players have rarely been that honest with themselves for long. Barry streams via Binge. Read our full review. THE OTHER TWO Swapping Saturday Night Live for an entertainment-parodying sitcom worked swimmingly for Tina Fey. Since 2019, it also went hilariously for Chris Kelly and Sarah Schneider. Not just former SNL writers but the veteran sketch comedy's ex-head writers, Kelly and Schneider gave the world their own 30 Rock with the sharp, smart and sidesplitting The Other Two. Their angle: focusing on the adult siblings of a Justin Bieber-style teen popstar who've always had their own showbiz aspirations — he's an actor, she was a ballerina — who then find themselves the overlooked children of a momager-turned-daytime television host as well. Cary (Drew Tarver, History of the World: Part II) and Brooke (Heléne York, Katy Keene) Dubek were happy for Chase (Case Walker, Monster High: The Movie). And when their mother Pat (Molly Shannon, I Love That for You) gets her own time in the spotlight, becoming Oprah-level famous, they were equally thrilled for her. But ChaseDreams, their little brother's stage name, was always a constant reminder that their own ambitions keep being outshone. In a first season that proved one of the best new shows of 2019, a second season in 2021 that was just as much of a delight and now a stellar third go-around, Cary and Brooke were never above getting petty and messy about being the titular pair. In season three, however, they didn't just hang around with stars in their eyes and resentment in their hearts. How did they cope? They spent the past few years constantly comparing themselves to Chase, then to Pat, but then they were successful on their own — and still chaotic, and completely unable to change their engrained thinking. Forget the whole "the grass is always greener" adage. No matter if they were faking it or making it, nothing was ever perfectly verdant for this pair or anyone in their orbit. Still, as Brooke wondered whether her dream manager gig is trivial after living through a pandemic, she started contemplating if she should be doing more meaningful work like her fashion designer-turned-nurse boyfriend Lance (Josh Segarra, The Big Door Prize). And with Cary's big breaks never quite panning out as planned, he got envious of his fellow-actor BFF Curtis (Brandon Scott Jones, Ghosts). The Other Two streams via Binge. Read our full review. PARTY DOWN Sometimes, dreams do come true. More often than not, they don't. The bulk of life is what dwells in-between, as we all cope with the inescapable truth that we won't get everything that we've ever fantasised about, and we mightn't even score more than just a few things we want. This is the space that Party Down has always made its own, asking "are we having fun yet?" about life's disappointments while focusing on Los Angeles-based hopefuls played by Adam Scott (Severance), Ken Marino (The Other Two), Ryan Hansen (A Million Little Things), Martin Starr (Guillermo del Toro's Cabinet of Curiosities) and more. They'd all rather be doing something other than being cater waiters at an array of California functions, and most have stars in their eyes. In the cult comedy's first two seasons back in 2009–10, the majority of its characters had their sights set on show business, slinging hors d'oeuvres while trying to make acting, screenwriting or comedy happen. Bringing most of the original gang back together — including Jane Lynch (Only Murders in the Building) and Megan Mullally (Reservation Dogs) — Party Down keeps its shindig-by-shindig setup in its 13-years-later third season. Across its first 20 instalments as well as its new six, each episode sends the titular crew to a different soirée. This time, setting the scene for what's still one of the all-time comedy greats in its latest go-around, the opening get-together is thrown by one of their own. Kyle Bradway (Hansen) has just scored the lead part in a massive superhero franchise, and he's celebrating. Ex-actor Henry Pollard (Scott) is among the attendees, as are now-heiress Constance Carmell (Lynch) and perennial stage mum Lydia Dunfree (Mullally). Hard sci-fi obsessive Roman DeBeers (Starr) and the eager-to-please Ron Donald (Marino) are present as well, in a catering capacity. By the time episode two hits, then the rest of the season, more of the above will be donning pastel pink bow ties, the series keeps unpacking what it means to dream but never succeed, and the cast — especially Scott and the ever-committed Marino — are in their element. Party Down streams via Stan. Read our full review of season three. YELLOWJACKETS For Shauna (Melanie Lynskey, The Last of Us), Natalie (Juliette Lewis, Welcome to Chippendales), Taissa (Tawny Cypress, Billions), Misty (Christina Ricci, Wednesday), Lottie (Simone Kessell, Muru) and Van (Lauren Ambrose, Servant), 1996 will always be the year that their plane plunged into the Canadian wilderness, stranding them for 19 tough months — as season one of 2021–2022 standout Yellowjackets grippingly established. As teenagers (as played by The Kid Detective's Sophie Nélisse, The Boogeyman's Sophie Thatcher, Scream VI's Jasmin Savoy, Shameless' Samantha Hanratty, Mad Max: Fury Road's Courtney Eaton and Santa Clarita Diet's Liv Hewson), they were members of the show's titular high-school soccer squad, travelling from their New Jersey home town to Seattle for a national tournament, when the worst eventuated. Cue Lost-meets-Lord of the Flies with an Alive twist, as that first season was understandably pegged. All isn't always what it seems as Shauna and company endeavour to endure in the elements. Also, tearing into each other occurs more than just metaphorically. Plus, literally sinking one's teeth in was teased and flirted with since episode one, too. But Yellowjackets will always be about what it means to face something so difficult that it forever colours and changes who you are — and constantly leaves a reminder of who you might've been. So, when Yellowjackets ended its first season, it was with as many questions as answers. Naturally, it tore into season two in the same way. In the present, mere days have elapsed — and Shauna and her husband Jeff (Warren Kole, Shades of Blue) are trying to avoid drawing any attention over the disappearance of Shauna's artist lover Adam (Peter Gadiot, Queen of the South). Tai has been elected as a state senator, but her nocturnal activities have seen her wife Simone (Rukiya Bernard, Van Helsing) move out with their son Sammy (Aiden Stoxx, Supergirl). Thanks to purple-wearing kidnappers, Nat has been spirited off, leaving Misty desperate to find her — even enlisting fellow citizen detective Walter (Elijah Wood, Come to Daddy) to help. And, in the past, winter is setting in, making searching for food and staying warm an immense feat. Yellowjackets streams via Paramount+. Read our full review. I THINK YOU SHOULD LEAVE WITH TIM ROBINSON Eat-the-rich stories are delicious, and also everywhere; however, Succession, Triangle of Sadness and the like aren't the only on-screen sources of terrible but terribly entertaining people. I Think You Should Leave with Tim Robinson has been filling streaming queues with assholes since 2019, as usually played by the eponymous Detroiters star, and long may it continue. In season three, the show takes its premise literally in the most ridiculous and unexpected way, so much so that no one could ever dream of predicting what happens. That's still the sketch comedy's not-so-secret power. Each of its skits is about someone being the worst in some way, doubling down on being the worst and refusing to admit that they're the worst (or that they're wrong) — and while everyone around them might wish they'd leave, they're never going to, and nothing ever ends smoothly. In a show that's previously worked in hot dog costumes and reality TV series about bodies dropping out of coffins to hilarious effect, anything can genuinely happen to its gallery of the insufferable. In fact, the more absurd and chaotic I Think You Should Leave with Tim Robinson gets, the better. No description can do I Think You Should Leave with Tim Robinson's sketches justice, and almost every one is a comedic marvel, as again delivered in six 15-minute episodes in the series' third run. The usual complaint applies: for a show about people overstaying their welcome, the program itself flies by too quickly, always leaving viewers wanting more. Everything from dog doors and designated drivers to HR training and street parking is in Robinson's sights this time, and people who won't stop talking about their kids, wedding photos and group-think party behaviour as well. Game shows get parodied again and again, an I Think You Should Leave staple, and gloriously. More often than in past seasons, Robinson lets his guest stars play the asshole, too, including the returning Will Forte (Weird: The Al Yankovic Story), regular Sam Richardson (The Afterparty), and perennial pop-ups Fred Armisen (Barry) and Tim Meadows (Poker Face). And when Jason Schwartzman (I Love That for You) and Ayo Edebiri (The Bear) drop in, they're also on the pitch-perfect wavelength. I Think You Should Leave with Tim Robinson streams via Netflix. Read our full review. I HATE SUZIE TOO Watching I Hate Suzie Too isn't easy. Watching I Hate Suzie, the show's first season, wasn't either back in 2020. A warts-and-all dance through the chaotic life, emotions and mind of a celebrity, both instalments of this compelling British series have spun as far away from the glitz and glamour of being famous as possible. Capturing carefully constructed social-media content to sell the fiction of stardom's perfection is part of the story, as it has to be three decades into the 21st century; however, consider this show from Succession writer Lucy Prebble and actor/singer/co-creator Billie Piper, and its blood pressure-raising tension and stress, the anti-Instagram. The unfiltered focus: teen pop sensation-turned-actor Suzie Pickles, as played with a canny sense of knowing by Piper given that the 'Honey to the Bee' and Penny Dreadful talent has charted the same course. That said, the show's IRL star hasn't been the subject of a traumatic phone hack that exposed sensitive photos from an extramarital affair to the public, turning her existence and career upside down, as Suzie was in season one. Forget The Idol — this is the best show about being a famous singer that you can watch right now. In I Hate Suzie Too, plenty has changed for the series' namesake over a six-month period. She's no longer with her professor husband Cob (Daniel Ings, Sex Education), and is battling for custody of their young son Frank (debutant Matthew Jordan-Caws), who is deaf — and her manager and lifelong friend Naomi (Leila Farzad, Avenue 5) is off the books, replaced by the no-nonsense Sian (Anastasia Hille, A Spy Among Friends). Also, in a new chance to win back fans, Suzie has returned to reality TV after it helped thrust her into the spotlight as a child star to begin with. Dance Crazee Xmas is exactly what it sounds like, and sees her compete against soccer heroes (Blake Harrison, The Inbetweeners), musicians (Douglas Hodge, The Great) and more. But when I Hate Suzie Too kicks off with a ferocious, clearly cathartic solo dance in sad-clown getup, the viewers aren't charmed. Well, Dance Crazee Xmas' audience, that is — because anyone watching I Hate Suzie Too is in for another stunner that's fearless, audacious, honest, dripping with anxiety, staggering in its intensity, absolutely heart-wrenching and always unflinching. I Hate Suzie Too streams via Stan. Read our full review. THE GREAT Television perfection is watching Elle Fanning (The Girl From Plainville) and Nicholas Hoult (Renfield) trying to run 18th-century Russia while scheming, fighting and heatedly reuniting in a historical period comedy The Great. Since 2020, they've each been in career-best form — her as the series' ambitious namesake, him as the emperor who loses his throne to his wife — while turning in two of the best performances on streaming in one of the medium's most hilarious shows. Both former child actors now enjoying excellent careers as adults, they make such a marvellous pair that it's easy to imagine this series being built around them. It wasn't and, now three seasons, The Great has never thrived on their casting alone. Still, shouting "huzzah!" at the duo's bickering, burning passion and bloodshed-sparking feuding flows as freely as all the vodka downed in the Emmy-winner's frames under Australian creator Tony McNamara's watch (and after he initially unleashed its winning havoc upon Sydney Theatre Company in 2008, then adapted it for television following a BAFTA and an Oscar nomination for co-penning The Favourite). In this latest batch of instalments, all either written or co-written by McNamara, Catherine (Fanning) and Peter (Hoult) begin the third season sure about their love for each other, but just as flummoxed as ever about making their nuptials work. She's attempting to reform the nation, he's the primary caregiver to their infant son Paul, her efforts are meeting resistance, he's doting but also bored playing stay-out-of-politics dad, and couples counselling is called for. There's also the matter of the royal court's most prominent members, many of whom were rounded up and arrested under Catherine's orders at the end of season two. From Sweden, exiled King Hugo (Freddie Fox, House of the Dragon) and Queen Agnes (Grace Molony, Mary, Queen of Scots) are hanging around after being run out of their own country due to democracy's arrival. And, Peter's lookalike Pugachev (also Hoult) is agitating for a serf-powered revolution. The Great streams via Stan. Read our full review. PREHISTORIC PLANET When it initially arrived in 2022, becoming one of the year's best new shows and giving nature doco fans the five-episode series they didn't know they'd always wanted — and simultaneously couldn't believe hadn't been made until now — Prehistoric Planet followed the David Attenborough nature documentary formula perfectly. And it is a formula. In a genre that's frequently spying the wealth of patterns at the heart of the animal realm, docos such as The Living Planet, State of the Planet, Frozen Planet, Our Planet, Seven Worlds, One Planet, A Perfect Planet, Green Planet and the like all build from the same basic elements. Jumping back 66 million years, capitalising upon advancements in special effects but committing to making a program just like anything that peers at the earth today was never going to feel like the easy product of a template, though. Indeed, Prehistoric Planet's first season was stunning, and its second is just as staggering. The catch, in both season one and this return trip backwards: while breathtaking landscape footage brings the planet's terrain to the Prehistoric Planet series, the critters stalking, swimming, flying and tumbling across it are purely pixels. Filmmaker Jon Favreau remains among the show's executive producers, and the technology that brought his photorealistic versions of The Jungle Book and The Lion King to cinemas couldn't be more pivotal. Seeing needs to be believing while watching, because the big-screen gloss of the Jurassic Park and Jurassic World sagas, the puppets of 90s sitcom Dinosaurs, and the animatronics of Walking with Dinosaurs — or anything in-between — were never going to suit a program with Attenborough as a guide. Accordingly, to sit down to Prehistoric Planet is to experience cognitive dissonance: viewers are well-aware that what they're spying isn't real because the animals seen no longer exist, but it truly looks that authentic. Prehistoric Planet season streams via Apple TV+. Read our full review. SERVANT When M Night Shyamalan (Knock at the Cabin) earned global attention and two Oscar nominations back in 1999 for The Sixth Sense, it was with a film about a boy who sees dead people. After ten more features that include highs (the trilogy that is Unbreakable, Split and Glass) and lows (Lady in the Water and The Happening), in 2019 he turned his attention to a TV tale of a nanny who revives a dead baby. Or did he? That's how Servant commenced its first instantly eerie, anxious and dread-filled season, a storyline it has followed in its second season in 2021, third in 2022, and then fourth and final batch of episodes in 2023. But as with all Shyamalan works, this meticulously made series bubbles with the clear feeling that all isn't as it seems. What happens if a caregiver sweeps in exactly when needed and changes a family's life, Mary Poppins-style, but she's a teenager rather than a woman, disquieting instead of comforting, and accompanied by strange events, forceful cults and unsettlingly conspiracies rather than sweet songs, breezy winds and spoonfuls of sugar? That's Servant's basic premise. Set in Shyamalan's beloved Philadelphia, and created by Tony Basgallop (The Consultant), the puzzle-box series spends most of its time in a lavish brownstone inhabited by TV news reporter Dorothy Turner (Lauren Ambrose, Yellowjackets), her celebrity-chef husband Sean (Toby Kebbell, Bloodshot), their baby Jericho and 18-year-old nanny Leanne Grayson (Nell Tiger Free, Too Old to Die Young) — and where Dorothy's recovering-alcoholic brother Julian (Grint, Guillermo del Toro's Cabinet of Curiosities) is a frequent visitor. That's still the dynamic in season four, which slowly and powerfully moves towards its big farewell. Dorothy is more determined than ever to be rid of Leanne, Leanne is more sure of herself and her abilities than she's ever been — in childminding, and all the other spooky occurrences that've been haunting the family — and Sean and Julian are again caught in the middle. Wrapping up with one helluva ending, Servant has gifted viewers four seasons of spectacular duelling caregivers and gripping domestic tension, and one of streaming's horror greats. Servant streams via Apple TV+. Read our full review of season four. THE MARVELOUS MRS MAISEL Here's how The Marvelous Mrs Maisel started: in New York City in 1958, Miriam 'Midge' Maisel (Rachel Brosnahan, I'm Your Woman) had become accustomed to waiting in the wings while her husband Joel (Michael Zegen, The Stand In) tried his hand at stand-up comedy. Then she took to the stage herself, and this blend of comedy and drama followed the revolutionary aftermath. Sometimes, that's brought highlights, including having her talent recognised by Gaslight Cafe manager Susie Myerson (Alex Borstein, Family Guy), taking her sets on the road and working her way up the comedy ladder. Sometimes, there have been costs, especially in her relationships. And always, right up to the show's fifth and final season that featured jumps forward to the 21st century, there was a battle that still sadly remains oh-so-relevant IRL: for women in comedy to be treated and seen equally. Hailing from Gilmore Girls and Bunheads mastermind Amy Sherman-Palladino, The Marvelous Mrs Maisel's cast has always proven a dream — Tony Shalhoub (Flamin' Hot), Marin Hinkle (Jumanji: The Next Level), Kevin Pollak (Willow) and Caroline Aaron (Ghosts) also feature, and Jane Lynch (Party Down), Luke Kirby (Boston Strangler) and Stephanie Hsu (Joy Ride) as well — and, unsurprisingly, its writing, too. Indeed, there's nothing quite like Sherman-Palladino-penned dialogue, which Brosnahan especially is a natural at nailing its rhythms. The period detail has consistently been impeccable, but this wouldn't be the hit it is (or have Golden Globes and Emmys to its name) if it didn't also mean something. It should come as no astonishment that Joan Rivers was one of the inspirations for the series, and that it is equally hilarious, heartfelt and finely observed, with its guiding writer, director and producer's charms in abundance. The Marvelous Mrs Maisel streams via Prime Video. TED LASSO It wasn't simply debuting during the pandemic's first year, in a life-changing period when everyone was doing it tough, that made Ted Lasso's first season a hit in 2020. It wasn't just the Apple TV+ sitcom's unshakeable warmth, giving its characters and viewers alike a big warm hug episode after episode, either. Both play a key part, however, because this Jason Sudeikis (Saturday Night Live)-starring soccer series is about everyone pitching in and playing a part. It's a team endeavour that champions team endeavours — hailing from a quartet of creators (Sudeikis, co-star Brendan Hunt, Detroiters' Joe Kelly and Scrubs' Bill Lawrence), boasting a killer cast in both major and supporting roles, and understanding how important it is to support one another on- and off-screen (plus in the fictional world that the show has created, and while making that realm so beloved with audiences). Ted Lasso has always believed in the individual players as well as the team they're in, though. It is named after its eponymous American football coach-turned-inexperienced soccer manager, after all. But in building an entire sitcom around a character that started as a sketch in two popular US television ads for NBC's Premier League coverage — around two characters, because Hunt's (Bless This Mess) laconic Coach Beard began in those commercials as well — Ted Lasso has always understood that everyone is only a fraction of who they can be when they're alone. That's an idea that kept gathering momentum in the show's long-awaited third season, which gave much to engagingly dive into. It starts with Ted left solo when he desperately doesn't want to be, with AFC Richmond owner Rebecca Welton (Hannah Waddingham, Hocus Pocus 2) desperate to beat her ex Rupert Mannion (Buffy the Vampire Slayer's Anthony Stewart Head) new team, and with the Greyhounds' former assistant Nathan 'Nate' Shelley (Nick Mohammed, Intelligence) now coaching said opposition — and with changes galore around the club. It ends with more big moves after another astute look at the game of life, whether or not it returns for season four. Ted Lasso streams via Apple TV+. Read our full review. SCHMIGADOON! For fans of Key & Peele, the fact that Keegan-Michael Key can do anything won't come as a surprise. In 2023, proving that statement true has seen the comedian and actor voice Toad in The Super Mario Bros Movie, and also return to the realm of singing and dancing in Schmigadoon!. What would it be like to live in a musical? That's been this Apple TV+'s central question since it first premiered in 2021. Key stars opposite the also ever-versatile Cecily Strong (Saturday Night Live) as a couple, Josh Skinner and Melissa Gimble, who are simply backpacking when they suddenly find themselves in the wondrous titular town. The duo were hoping to fix their struggling relationship with a stint in nature, but instead step into a 24/7 Golden Age-style show — a parody of Brigadoon, clearly — that helps them work through their feelings, discover what they truly want and see a different side of life. That was season one. In season two, Josh and Melissa start back in the real world, married, in their medical jobs and going through the motions. In their malaise, a return trip to Schmigadoon! beckons; however, when they stumble upon it again, the place isn't quite the same. Instead, they're now in Schmicago. And, instead of 40s and 50s musicals, 60s and 70s shows are in the spotlight — including the razzle dazzle of Chicago, obviously. What a ball this series has, including with a jam-packed cast that includes Dove Cameron (Vengeance), Kristin Chenoweth (Bros), Alan Cumming (The Good Fight), Ariana DeBose (West Side Story), Jane Krakowski (Dickinson), Martin Short (Only Murders in the Building) and Tituss Burgess (Unbreakable Kimmy Schmidt) — and with ample thanks to creators Cinco Paul and Ken Daurio (the Despicable Me films). Schmigadoon! streams via Apple TV+. BLACK MIRROR When Ron Swanson discovered digital music, the tech-phobic Parks and Recreation favourite was uncharacteristically full of praise. Played by Nick Offerman (The Last of Us) at his most giddily exuberant, he badged the iPod filled with his favourite records an "excellent rectangle". In Black Mirror, the same shape is everywhere. The Netflix series' moniker even stems from the screens and gadgets that we all now filter life through daily and unthinkingly. In Charlie Brooker's (Cunk on Earth) eyes since 2011, however, those ever-present boxes and the technology behind them are far from ace. Instead, befitting a dystopian anthology show that has dripped with existential dread from episode one, and continues to do so in its long-awaited sixth season, those rectangles keep reflecting humanity at its bleakest. Black Mirror as a title has always been devastatingly astute: when we stare at a TV, smartphone, computer or tablet, we access the world yet also reveal ourselves. It might've taken four years to return after 2019's season five, but Brooker's hit still smartly and sharply focuses on the same concern. Indeed, this new must-binge batch of nightmares begins with exactly the satirical hellscape that today's times were bound to inspire. Opening chapter Joan Is Awful, with its AI- and deepfake-fuelled mining of everyday existence for content, almost feels too prescient — a charge a show that's dived into digital resurrections, social scoring systems, killer VR and constant surveillance knows well. Brooker isn't afraid to think bigger and probe deeper in season six, though; to eschew obvious targets like ChatGPT and the pandemic; and to see clearly and unflinchingly that our worst impulses aren't tied to the latest widgets. Black Mirror streams via Netflix. Read our full review. HUNTERS Call it a conspiracy thriller. Call it an alternative history. Call it a revenge fantasy. Call it another savage exploration of race relations with Jordan Peele's fingerprints all over it. When it comes to Hunters, they all fit. This 70s-set Nazi-slaying series first arrived in 2020, following a ragtag group determined to do two things: avenge the Holocaust, with many among their number Jewish survivors or relatives of survivors; and stop escaped Third Reich figures who've secretly slipped into the US from their plan of starting a Fourth Reich. The cast was stellar — Al Pacino (House of Gucci), Logan Lerman (Bullet Train), Tiffany Boone (Nine Perfect Strangers), Jeannie Berlin (Succession), Carol Kane (Unbreakable Kimmy Schmidt), Lena Olin (Mindhunter) and Australia's own Kate Mulvany (The Clearing) among them — and Get Out and Us filmmaker Peele executive produced a gem as he also did that same year with Lovecraft Country. And, when it wrapped up its first season, it did so with one mighty massive cliffhanger: the fact that Adolf Hitler (Udo Kier, Swan Song) was still alive in 1977. Returning for its second and final batch of episodes three years later, but largely moving its action to 1979, season two of Hunters sees its central gang initially doing their own things — but unsurprisingly reteaming to go after the obvious target. Jonah Heidelbaum (Lerman) is living a double life, with his new fiancee Clara (Emily Rudd, Fear Street) in the dark about his Nazi-hunting ways, but crossing paths with the ruthless and determined Chava Apfelbaum (Jennifer Jason Leigh, Possessor) ramps up his and the crew's efforts. Knowing this is the final go-around, the stylishly shot series wasn't afraid of embracing its OTT leanings, tonal jumps and frenetic camerawork, and always proved entertaining as it hurtles towards its last hurrah. The best episode of the season, however, is one that jumps back to World War II, doesn't focus on any of its main stars and is as clever, moving and well-executed as Hunters has ever been. If the show ever gets revived in the future, which it easily could, more of that would make a great series even better. Hunters streams via Prime Video. Looking for more viewing highlights? We picked the 15 best new TV shows of 2023, too. We also keep a running list of must-stream TV from across the year so far, complete with full reviews. And, you can check out our list of film and TV streaming recommendations, which is updated monthly.
When you're a single player in the arduous dating game, swiping can get old fast. You spend all your time sifting through the timewasters and sleazeballs, while your true love potentially slips through your too-busy-swiping fingers. Thankfully, lovers, there's a new app on the block pulling out all the stops to ensure you have a quality dating experience. The Inner Circle is a unique dating platform that brings together like-minded singles — online and offline. Turns out looking for love can be fun, after all. We've broken down the key features of the app below and paired them with a date idea for you to enjoy with your new flame. Bring on the lovefest. [caption id="attachment_637902" align="alignnone" width="1920"] Katje Ford.[/caption] NIGHTS OUT The Inner Circle brings members face-to-face through unique events. You can rub shoulders with other singles while enjoying a night out with friends. For a similar vibe, take your date to pub trivia and get to know them within a social setting — and maybe nab a sweet cash prize. It's a win-win, literally. Sydneysiders, head to the Botany View Hotel in Newtown for Thursday trivia with a cash prize. Melburnians, make tracks to The Penny Black for trivia in the beer garden, and Brisbanites, you can catch beer-garden trivia at The Wickham. NO CATFISHING With its involved screening process, The Inner Circle cuts out any risk of catfishing. Basically, all the rotten fish are thrown back to sea. See a literal representation of this and plan a date to go fish picking with your partner. Then, spend the evening cooking your catch with your other 'good catch' while enjoying a glass of crisp riesling. For an upscale fishmonger experience, head to the Fish Butchery (Sydney), run by the Saint Peter crew. Or, for a no-frills affair, head to Ocean Made (Melbourne) or The Fish Factory (Brisbane). PERFECT PAIRINGS The Inner Circle's dedicated team carefully considers each and every application to ensure members are well suited, much like pairing a good wine and cheese. To channel the same meticulous attention to detail and to sample some tasty treats, take your date to a cheese and wine tasting. There are loads of fromageries around, but we suggest, Formaggi Ocello in Sydney, Milk the Cow in Melbourne and Fromage the Cow in Brisbane. If all goes well, grab some gooey delights and vino to go and enjoy them together back at home. ON THE GO The Inner Circle has a ton of travel features that make it is easy to use at any time. So you have access to the best, even when travelling. Take your date on a scenic hike; it's a great way to get to know someone while you both enjoy a nice rush of endorphins from the exercise and get a dose of vitamin D. No matter where you are in Australia, you can always find a good trail. Check out our guides for Brissie, Melbourne and Sydney, then get planning. NO SWIPING Forget about the awkward left and right swipes that have started to hurt your fingers. Say goodbye to RSI. The Inner Circle has no swiping, which means your hands are free to do other fun things, like dabble in pottery or craft a terrarium. Plan a phone-free date with your new main squeeze and not only will you enjoy the use of both hands, but you'll pick up a new skill, too. To relive that pottery moment from Ghost and try your hand at ceramics, head to Bea Bellingham (Sydney) or Céramiques Elsternwick (Melbourne). Or, if you'd prefer something more organic, make a succulent-filled mini-garden at Work-Shop in Brisbane. Get off the tired, old dating apps and jump into The Inner Circle. Sign up here and get exploring.
Buying your food from the supermarket is fine. Ordering a gift for mum on the internet works. And picking up a new plant for your home at Bunnings is OK (well, it's pretty good if you get a snag). But, there's nothing quite like perusing rows and rows of vintage wares, handmade goods and just-picked produce at markets — especially when it's autumn. It can be a little fresh in the morning, but nothing to deter you from rising early, and a whole heap of local produce is at its peak. It's stone fruit time, friends, time to overload on plums. So, here are our favourite five markets happening around the city this May. And if you're not a morning person, no stress. A heap of them go until the afternoon, so you can roll out of bed whenever you please.
Back in 2021, news arrived that Round the Twist was joining The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, Strictly Ballroom, Starstruck and Moulin Rouge! in making the leap from Australia's screens to its theatres as a stage musical. If you've ever, ever felt like you needed to see the classic 90s and early 00s Aussie children's TV series with singing and dancing, the end result is debuting in Brisbane, with Round the Twist The Musical making its world premiere as part of Queensland Theatre's 2024 season. The homegrown gem has gone the screen-to-stage route with a show that already has the entire country well-acquainted with its characters. Taking over QPAC's Playhouse from Tuesday, November 12–Sunday, December 8, it closes out Queensland Theatre's 2024 run. We bet you're now more excited right now than a Twist family member in a lighthouse. Airing for two seasons between 1990–93, then another two from 2000–01, Round the Twist adapted Paul Jennings' popular books into an offbeat fantasy series. If you were the right age, it was must-see TV — and now it's your next must-see musical. Here's hoping that the new stage production not only does justice to the show that absolutely every Aussie kid watched in the 90s and 00s, and more than once, but that it taps into its balance of humour, strangeness and scares. There's definitely a big lighthouse involved, because of course there is. Obviously, we all know which song absolutely has to be included — and multiple times, ideally. Yes, it's the theme tune by Andrew Duffield that you've now got stuck in your head and will keep singing to yourself for the rest of the week. (And no, we're not sorry for putting it there.) Writer/composer Paul Hodge and director Simon Phillips (Muriel's Wedding: The Musical, Ladies in Black) are guiding the show, which will focus on single father Tony Twist; his children Pete, Linda and Bronson; and their efforts to save their home from the Gribble family while also attempting to solve a 200-year-old mystery. Expect haunted spaces, ghosts, smelly feet and a crystal ball as well, and songs. Images: Lyndon Mechielsen. Updated: Friday, November 22, 2024.
Maybe you were planning to do your Christmas shopping in the CBD this year, and had a stop at Brisbane Arcade on your agenda. Perhaps your present-buying strategy just involves seeing what's on offer in the Queen Street Mall — amid all the festive hustle and bustle, obviously. For the fourth year in a row, there's an option that involves all of the above: the Brisbane Arcade Christmas Markets. That's when, for two big days, the Brisbane Arcade spills out onto the mall to fill it full of seasonal markets showcasing designer wares, fashion, gifts, accessories and other goodies (for your loved ones or for yourself). In 2023, the QSM takeover is happening from 10am–6pm on Friday, December 8 and 10am–4pm on Saturday, December 9. So, you can stop by after work during late-night shopping or make a day of it. The markets usually involve tunes — 'tis the season — and photo opportunities, and you can obviously still wander through the arcade to check out its latest festive decorations.
Queensland Premier Annastacia Palaszczuk has announced that a number of Queensland's COVID-19 restrictions are easing again, including rules around gathering and venue capacities, drinking and eating while standing up, and dancing. The changes will apply from 4pm today, Friday, August 27; however, one thing is staying: wearing masks in many scenarios. If you live in the Brisbane City Council, Logan, Moreton Bay, Ipswich, Redlands, Sunshine Coast, Gold Coast, Noosa, Somerset, Lockyer Valley and Scenic Rim Local Government Areas, it has been some time since you've been able to flash your smile at people outside of your own home. Since the end of June, in an effort to stop the region's recent COVID-19 cases from spreading, wearing masks has been compulsory across the region; however, that mandate relaxed slightly a week ago. The current settings will now remain in place for the next fortnight across the state, too, so you'll still be hiding that grin until at least Friday, September 10. Need a refresher on the rules? Queensland has a standing mask mandate for flights, airports and stadiums, so you'll always need to mask up there — and, for the next two weeks, they'll remain mandatory in plenty of other spots. That includes on public transport, in ride shares and while waiting for both; in all indoor spaces other than your own home, including hospitality businesses, unless you're eating and/or drinking; in schools; and outdoors if you can't remain 1.5 metres away from people who aren't part of your household. Also, you will still need to always carry a mask with you. People must carry a mask at all times and wear it indoors, or when you are unable to physically distance outside. Mask wearing remains mandatory on public transport, ride share and at schools for teachers, staff and high school students. — Annastacia Palaszczuk (@AnnastaciaMP) August 27, 2021 "I have no doubt masks were critical in preventing more cases during the Indooroopilly cluster," said Chief Health Officer Dr Jeannette Young, announcing that masks will be hanging around — and explaining that they'll need to do so "given there are very serious COVID-19 risks in other states." Queensland currently has 30 active COVID-19 cases, with zero new locally acquired cases reported in the past 24 hours. As always, the usual requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms also still apply — as they have since March last year. Queensland's COVID-19 restrictions will relax further from 4pm on Friday, August 27; however, wearing masks will remain part of the rules. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website.
For the second consecutive year, the Brisbane International Film Festival returns to GOMA for 11 nights of cinematic fun. That means plenty of movies, obviously — and, until March 22, 2020, it also means a new mixed-media exhibition called Setting the Stage. The idea behind this showcase is simple: while sets, props, costumes and the like all form an important part of theatre productions, they're just as crucial in other creative realms, such as film. The gallery isn't just honing its focus on two types of art, however, with the exhibition exploring work by artists who uses performative spaces and elements across cinema, video art, photography, painting and sculpture. Free to attend, standout pieces include Hetain Patel's Don't Look at the Finger, which tasks its characters with acting out a wedding ceremony in a distinctive fashion — and Sharif Waked's To be continued…, which favours an obvious minimalist approach. Or, you can check out Tracey Moffatt's short film Night Cries: A Rural Tragedy, which uses the stage in a purposeful way — and expands the multidisciplinary ethos of the exhibition by nodding to Albert Namatjira's watercolours as well. Image: Hetain Patel. United Kingdom. b.1980. Don't Look at the Finger (still) 2017. Courtesy: The artist / © Hetain Pate.
Whenever Vivid takes over Sydney to kick off winter, the city instantly gets brighter. Unleashing a huge festival of lights and vibrant installations (and music and talks as well) will do that, of course. And, come Friday, May 27–Sunday, June 18 this year, the popular event might just beam a little stronger than usual — returning for the first time since 2019, after cancelling its 2020 and 2021 events due to the pandemic. Vivid's just-dropped full 2022 lineup certainly boasts plenty of highlights — and more than 200 events in total. Sticking with all that eye-catching light to begin with, there'll be more than 50 luminous installations dazzling the city, including two particularly spectacular attractions by the water. The first, Sydney Infinity by Oracle Liquid, is a water sculpture in Darling Harbour that'll feature 12 80-metre-high water shoots, plus a Sydney-inspired soundtrack by DJ Pee Wee Ferris. And the second, at Walsh Bay, will see a 100-metre floating Light Walk pop up for folks to mosey along, including more than 200 giant, bubble-esque spheres that'll hover eight metres in the air. [caption id="attachment_846473" align="alignnone" width="1920"] Mandylights, Our Connected City[/caption] There's also Endless Love from Michaela Gleave, which'll arch that phrase over Circular Quay; Leila Jeffreys' piece in the same spot, Temple, which is all about Sydney's bird life; and Yarrkalpa — Hunting Ground, which'll light up the Sydney Opera House's sails with First Nations art by the Martu Artists, as aided by creative technologists Curiious (and with a soundtrack by Electric Fields and Martu Artists). Also, Vivid will host First Light, a Welcome to Country celebrating the Gadigal people and Country on Friday, May 27. And, Our Connected City by Mandylights will literally shine new light on the city's landmarks, setting up 200-plus searchlights beaming over Sydney Harbour, CBD buildings and the Cahill Expressway. Plenty of Vivid's other light works were revealed back in February — such as the overall Light Walk, a certain-favourite that'll host works from 62 light collaborators and 114 light artists from five countries, and mark Vivid's longest-ever continuous Light Walk; and Ken Done's For Sydney With Love which'll be projected onto the facade of Customs House. There's also Convergence in the disused Goods Line railway tunnel at Central Station, aka Vivid's largest-scale laser exhibition ever, as well as Ramesh Mario Nithiyendran's Earth Deities. [caption id="attachment_846469" align="alignnone" width="1920"] Mike Eggert and Dan Hong, Destination NSW[/caption] In something completely new for 2022, Vivid will throw its first-ever Vivid Sydney Dinner, which'll celebrate the city in a whole heap of ways. Taking place at Merivale's Ivy Ballroom and hosted by Justine Clarke, it'll combine music, talks, food and wine — and lights, because it's Vivid — with a lineup that spans Ken Done, Julia Baird, the Vivid Sydney Brass Band, James Morrison, Ngaiire, Virginia Gay and Kate Monroe, plus food by chefs Dan Hong and Mike Eggert. On the talks part of the program, American filmmaker Aaron Sorkin is headed to Sydney to discuss the intersection of politics and drama, as seen so often in his work — so expect everything from The West Wing and The Newsroom to The Trial of the Chicago 7 and Being the Ricardos to get a mention. Also among the big names getting chatty: musician, artist and actor Troye Sivan, who'll talk with Patrick Abboud; and US journalist Gretchen Carlson, whose story was told in the film Bombshell. Get ready to enjoy this section of the lineup up late, too — thanks to the aptly named Vivid Ideas Up Late. It'll pop up at the Museum of Contemporary Art, the Australian Museum, the Powerhouse Museum and the National Maritime Museum, hosting free nights filled with talks, performances, fashion, music and food. And, the overall Vivid Ideas bill will also feature James Valentine and HG Nelson's the Even Greater Sydney Committee at Parliament House, as well as tales about Sydney from folks such as Jonathan Biggins, Kate McClymont, Leah Purcell and Stephen Page. Over at The Great Hall at The University of Technology Sydney, more than 60 events will also join the program, including seminars and film screenings. [caption id="attachment_811633" align="alignnone" width="1920"] Sampa the Great, Lucian Coman[/caption] Music-wise, Vivid is no slouch, either. It never is. Vivid Live at Sydney Opera House will feature Paul Kelly, Thelma Plum and Ash Naylor during a gig dubbed Time And Tide: Four Decades of Song; Sampa The Great's new show An Afro Future; and Berlin-based piano star Nils Frahm performing Music for Sydney, for starters. Also on the lineup: Tkay Maidza in the Joan Sutherland Theatre, Spiritualized at Luna Park's Big Top, three nights of live music and short films in Darling Harbour, free DJs every night at The Goods Line, and 150-plus music events in total. Included in the latter figure is Carriageworks' program of tunes, featuring Perfume Genius, CHAI, TOMM¥ €A$H, Cate Le Bon, Divide & Dissolve and more. In some cases, the venues will be as big of a drawcard as the performers, with gigs set for Central Station's Grand Central Concourse, Tumbalong Park, Phoenix Central Park, The Calyx – Royal Botanic Garden Sydney, The Bearded Tit, Cell Block Theatre and National Art School as well. Yes, you'd best clear your calendar for the end of May and first few weeks of June — Vivid is about to keep you mighty busy. Vivid Sydney 2022 will run from Friday, May 27–Sunday, June 18. For further information and tickets, head to the event's website. Top images: Convergence, Mandylands / Earth Deities, Ramesh Mario Nithiyendran, Jessica Maurer, Kane-Sullivan.
Ready to say 'see ya never' to 2021? Us too. This year, we reckon you should treat yourself to Riverlife's New Year's Eve soiree On the River to welcome the new year in style. Because honestly, you deserve it. There'll be live music, roving performances and plenty of canapes to enjoy as you make the most of the five-hour drinks package that's included in your ticket price. It'll include the gold standard of summer drinks from Aperol Spritz and Skyy Vodka — ideal for what's likely to be a balmy Brisbane evening. And, it's all taking place at Kangaroo Point which means you'll have front row seats for the fireworks when they burst above the Brisbane River at midnight. The dress code is white, so dig out your best Midsommar-inspired 'fit and head down to the river for an incredible night with your mates. Tickets are $199 per person and selling fast. For more information and to book, visit the website.
Saying goodbye to 2025 at Lost Paradise means farewelling the year with a jam-packed lineup of tunes. Ben Böhmer, Chris Stussy, Confidence Man, Duke Dumont, I Hate Models, KETTAMA, Marc Rebillet, Maribou State, Underworld, X CLUB: they're all headlining the annual end-of-year music festival in Glenworth Valley on the New South Wales Central Coast this year. You should already have the dates in your diary, given they were announced at the end of July — but if you don't, mark Sunday, December 28, 2025–Thursday, January 1, 2026 on your calendar and prepare for a huge few days. Other acts on the bill include Anna Lunoe, BIG WETT, Channel Tres, Fcukers, DJ Heartstring, Hot Dub Time Machine, Omar+, VTSS and plenty more. [caption id="attachment_1017760" align="alignnone" width="1920"] John Gorrigan[/caption] Some people love last-minute New Year's Eve plans, going wherever the mood takes them. Others can't start planning early enough. If you fall into the latter category, this December is for you. For Lost Paradise newcomers, the multi-day event turns a slice of its setting — which is located an hour out of Sydney — into one helluva shindig, complete with live music and DJ sets spanning both international and Australian talents. This year, organisers are promising newly reimagined versions of the festival's Arcadia, Lost Disco and Paradise Club stages. Tunes are just one part of the Lost Paradise experience, though. Here, art, culture, wellness, and food and drink also get a look in. And, at Shambhala Fields, you can hear talks and take part in workshops — so that's where you'll find the likes of Dr Karl, Eric Avery, Deano Gladstone, Lara Zilibowitz, Kath Ebbs, Sez, Tom Carroll, Simon Borg-Olivier, Gwyn Williams and others. Since first unleashing its specific flavour of festival fun back in 2014, Lost Paradise has become a go-to way to wrap up one year and welcome in the next — including if you're keen to camp for its duration. Lost Paradise 2025 Lineup Ben Böhmer Chris Stussy Confidence Man Duke Dumont I Hate Models KETTAMA Marc Rebillet Maribou State Underworld X CLUB Anna Lunoe Baby J Bad Boombox & Mischluft Balu Brigada Bella Claxton BIG WETT Blusher Bullet Tooth Cassian Channel Tres Dameeeela DJ Heartstring Dombresky presents Disco Dom Dr Banana Fcukers Folamour Heidi Hot Dub Time Machine INJI Jazzy Josh Baker Juicy Romance Kilimanjaro Luke Alessi Merci, Mercy Narciss Notion Odd Mob Omar+ Pegassi Prospa Riria Ross From Friends presents Bubble Love Sex Mask Silva Bumpa Sim0ne Sumner Swim (live) Two Another VTSS Wolters Alex Dowsing Badassmutha Bella Backe Caleb Jackson Couch Mechanic Cricket Dayzzi B2B Daug Disco Dora Elijah Something GMOZ Grooveworks Kai Kawai Large Mirage LAYTX Lily FM Lost Soundsystem Madame Reve Maina Doe Mash Middle James Mina Tonic Oscill8 Pamela Penelope People's Party Roxy Lotz Salarymen Selve Siila Silly Lily Sim Select Tia Lacoste Tokyo Sexwale Tseba Waxlily Yasmina Sadiki Shambhala Fields: Benny Holloway Catriona Wallace Chanel Contos Deano Gladstone Dr Karl Eric Avery Gwyn Williams Kath Ebbs Lara Zilibowitz Plastic Free Mermaid Sez Simon Borg-Olivier Tom Carroll [caption id="attachment_965688" align="alignnone" width="1917"] Byravyna[/caption] Lost Paradise returns to Glenworth Valley, New South Wales from Sunday, December 28, 2025–Thursday, January 1, 2026. Sign up for presale tickets online, with general tickets available from 10am AEST on Wednesday, August 27, 2025. Head to the festival website for more details. Underworld image: Roberto Ricciuti/Redferns. Lost Paradise images: Jess Bowen, Jordan K Munns, Byravyna and Amar Gera.
The point of difference is right there in the name: at ΩHM (pronounced "ohm") Festival of Other Music, genre-defying, boundary-pushing, cutting-edge and pioneering tunes — and the artists behind them — are in the spotlight. 2025 marks the third year that Brisbane Powerhouse is putting on the fest, following the event's 2023 debut and first return in 2024. To celebrate, expect everyone from King Stingray to The 5.6.7.8's, plus the largest neuro-inclusive silent disco that the River City has ever seen as well. One of the New Farm venue's annual celebrations alongside the Brisbane Comedy Festival and queer cultural festival MELT, ΩHM has a date with Lamington Street across Friday, February 28–Saturday, March 22, 2025. While the program extends across the three-week-plus period, heading along on opening weekend is recommended — that's when Bonny Light Horseman is kicking things off, Camerata — Queensland's Chamber Orchestra wants you to de-stress at its hour-long meditation concert 'Interludes', documentary Becoming Led Zeppelin is gracing the big screen at Dendy Powerhouse Outdoor Cinema and the Sound Space Silent Disco will get you dancing. If those first four events on the bill across ΩHM's initial three days seem like an eclectic mix — folk tunes, music to bliss out too, celebrating an iconic band through film under the stars and making shapes — that's this festival's approach. From there, patrons can catch Toby Wren take to the stage to mark the launch of his seventh album Songs for Dead Sailors, then see Camille O'Sullivan's pay tribute to Shane McGowan and Sinead O'Connor in her new show Loveletter, plus Nigerien rockers Etran de L'Aïr do their best. They might be scheduled for the fest's final weekend, but boasting Tokyo's The 5.6.7.8's — who everyone should remember from Quentin Tarantino's Kill Bill — and Australia's own King Stingray on the closing lineup sets the stage for quite the ΩHM 2025 finale. This is a program filled with highlights — and the aforementioned Sound Space Silent Disco is one of biggest. It isn't every day that Brisbane Powerhouse's entire Powerhouse Theatre hosts a DJ-soundtracked party that's all about inclusion and accessibility, not only featuring a dance floor but also sensory-friendly activities outside in the venue's foyer. So, while DJ KSMBA, Update Prayer and folks from Brisbane's Quivr will be spinning tunes, attendees can also create music with unconventional objects, help make a community soundscape and take part in sound-free experiences. "ΩHM Festival of Other Music is all about celebrating the boundless possibilities of sound, and Sound Space is a powerful addition to this year's program," said Brisbane Powerhouse Program Director Phoebe Meredith. "This event redefines how we experience music and connection, creating an inclusive and welcoming space where everyone can engage with sound in a way that feels meaningful to them. We're proud to partner with Create Space to bring this unique experience to Brisbane Powerhouse." Ωhm Festival of Other Music 2025 Lineup Bonny Light Horseman Camerata Sound Space Silent Disco Camille O'Sullivan Etran de L'Aïr The 5.6.7.8's King Stingray Toby Wren Becoming Led Zeppelin ΩHM runs from Friday, February 28–Saturday, March 22, 2025 at Brisbane Powerhouse, 119 Lamington Street, New Farm. For more information and to buy tickets, head to the Powerhouse website. ΩHM images: Somefx.
There are plenty of reasons to buy tickets to a comedy show. Maybe you're already a fan. Perhaps you want to check out some new talent. Sometimes, you might not able to resist a concept that inspires laughter just by reading about it. If you're not already familiar with musician and comedian Jude Perl, her satirical take on the music industry cliché of selling out should put you into the latter category. Imagine Perl as a former jingle writer and current wannabe pop singer teaming up with a sugar company to get by, and seeing the hilarious side of it — because, in this one-night-only entry on Brisbane Comedy Festival's lineup, that's exactly what you're going to get. Jude Perl is one of our top ten picks to see at the Brisbane Comedy Festival.
The unassuming streets of Newcastle have seen major rejuvenation in recent years. The former industrial centre has been transformed into a happening spot packed with hip bars and eateries plonked right beside a stunning stretch of coastline. Make the most of the salty air with a stay at The Beach House at Merewether. This luxurious private home provides the perfect digs for up to seven guests to chill out and lean in to the beachside lifestyle: quick morning dips after catching the sunrise from your deck's front-row seats, before bubbling away the afternoon in the backyard spa. Right on your doorstep is Bathers Way, a six-kilometre coastal path linking the nearby Merewether Ocean Baths (the largest in the southern hemisphere) to Nobby's Lighthouse in the north. Once the sun goes down, check out hidden spots in the CBD, like whisky speakeasy Coal & Cedar (to enter, you'll have to text a number scribbled on a brick wall) or the sprawling Foghorn Brewery, which houses a bar and restaurant in an art deco warehouse.
If your spring routine usually involves bar-hopping around Brisbane — and around Fortitude Valley in particular — while listening to up-and-coming musicians, then you must already a devotee of BIGSOUND. The music-fuelled celebration takes over the Queensland capital every September or October, albeit virtually in 2020. And this year, it's back as a physical festival. Between Tuesday, September 7–Thursday, September 9, Brissie will once again become Australia's live music hotspot — even if a Melbourne survey generally claims otherwise. When BIGSOUND hits the city in its in-person format, it typically seems like every venue in Fortitude Valley is filled with bands, industry folks and music-loving punters, all enjoying the latest and greatest tunes and talent the country has to offer. Expect 2021's iteration to be no different. The three-day program will include conferences, live festival showcases, secret shows and official parties, with around 150 musicians taking to the stage and showing the industry why they should be pointing their ears their way. While specific lineup details won't be revealed until closer to the event, attendees can look forward to an Indigenous showcase and a women in music event on BIGSOUND 2021's opening night. Also on the bill: tunes galore, as well as talks about everything from changing industry and audience dynamics and the post-COVID world to inclusivity and gender equality. Announcing the event's return for 2021, QMusic CEO and BIGSOUND Executive Producer Angela Samut said that this year's program will "provide the chance for us to collectively grieve the losses the industry has faced over the past year, and celebrate the treasure trove of Australasian talent that has been incubating throughout this time." She continued: "our commitment to rebuilding a stronger, safer, more inclusive industry as we emerge from COVID has never been greater, and BIGSOUND is once again stepping up to the plate as the place where people come to discover the future of music and to be part of the future of music." [caption id="attachment_809942" align="aligncenter" width="1920"] Kymie at BIGSOUND 2019, by Lachlan Douglas[/caption] Past BIGSOUNDs have showcased everyone from Gang of Youths, Flume, Tash Sultana and Courtney Barnett to San Cisco, Violent Soho, Methyl Ethel and The Jungle Giants, so its program is usually a very reliable bellwether of current and up-and-coming talent. If you're keen to attend the BIGSOUND conference within the broader program — and hear its talks and speeches — it'll run on Wednesday, September 8 and Thursday, September 9. And if you're an artist looking to take part in the event in general, applications are now open until May 28. BIGSOUND 2021 will take place between Tuesday, September 7–Thursday, September 9 in Fortitude Valley, Brisbane. For more information — or to apply to take part if you're an artist — visit bigsound.org.au. Top image: David Byrne.
National Reconciliation Week happens every year, with the purpose of educating all Australians about our shared history and celebrate the culture and achievements of Aboriginal and Torres Strait Islander peoples. The (very fitting) theme this year? In This Together. Running from May 27 to June 3, the festival's dates signify two important milestones in our reconciliation: the 1967 referendum and the Mabo decision, which saw the recognition of Aboriginal and Torres Strait Islander peoples land rights. This year, the program will centre on ideas of moving forward as a nation and working toward a shared future. Of course, due to COVID-19 restrictions, the week-long program will look a little different. It'll launch with an Acknowledgement of Country from 12pm on Wednesday, May 27, with Australians paying their respects via social media. Then, a panel discussion hosted by Larissa Behrendt (Speaking Out) will take place on Thursday, May 28 from 12–1pm. She'll be joined by parliament members Ken Wyatt and Linda Burney, plus Reconciliation Australia CEO Karen Mundine and University of Wollongong Lecturer Summer May Finlay to discuss the historic bridge walks of 2000 and the role of reconciliation since then. For more information and to stream, check out the Facebook event here. Also on the bill is a Virtual Indigenous Film Festival and an hour-long concert, featuring Busby Marou, Alice Skye and Jimblah and hosted by Christine Anu, no less. It'll go down at 9.05pm on Friday, May 29 and you can tune in via ABC Radio or head to Reconciliation Australia, ABC Sydney or ABC Australia Facebook pages. The National Gallery of Victoria will be hosting its own events to celebrate Reconciliation Week, including an introduction to Indigenous art, a look at the artworks of Destiny Deacon, and 'Curating Indigenous Art', which is a collaboration between the NGV, ACMI, Koori Heritage Trust and Deakin University. Sydney's AGNSW currently has an interview with artist Gail Mabo you can watch as part of its Together in Art series. The Sydney Opera House has a five-day program lined up, too, including recorded concerts, talks, dance performances, Badu Gili and the First Nations Arts Awards 2020. Red Room Poetry is hosting its annual Poetry in First Languages. https://youtu.be/T5hs5MLVqUM Images: Badu Gili, Sydney Opera House; Regalla (2013) by Reko Rennie, NGV courtesy of blackartprojects.
Here's one for the money: a huge Elvis Presley showcase, filled with around 300 artifacts owned by the King of Rock 'n' Roll himself, all on display in Australia. Come autumn 2022, you'll want to step into your blue suede shoes and take a trip to the Bendigo Art Gallery, which'll fill its walls and halls with Elvis' clothes, vehicles and other personal items. All those jumpsuits he was so famous for wearing? A selection will be on display. The only car from his movies that was actually his? That red convertible 1960 MG, from the film Blue Hawaii, is visiting Australia for the first time. The Bendigo Art Gallery will also showing some tender love to Elvis' military uniforms, first job application and wedding tuxedo — plus Priscilla Presley's wedding dress. Plenty of the items heading to regional Victoria rarely travel beyond Graceland — so yes, calling the exhibition is Elvis: Direct from Graceland is apt. It'll serve up this hunk of burning Elvis love between Saturday, March 19–Sunday, July 17 in an Australian exclusive, as curated in collaboration with the Graceland archives. "It is a great honour to work alongside the creative team at the Bendigo Art Gallery to bring this unprecedented, detailed and comprehensive look into Elvis' life and career to Australia," said Angie Marchese, Vice President Archives and Exhibits at Elvis Presley Enterprises. "While Elvis was never able to visit Australia himself, it brings us great pride at Graceland to know that his legacy and music lives on there. We look forward to sharing a glimpse into Elvis' life with the fans in Australia," Marchese continued. [caption id="attachment_829957" align="alignnone" width="1920"] Elvis Presley strolls the grounds of his Graceland estate, 1957. Photo by Michael Ochs. © EPE. Graceland and its marks are trademarks of EPE. All Rights Reserved. Elvis Presley™ © 2021 ABG EPE IP LLC.[/caption] Other featured objects include Elvis' 1976 Red Bicentennial Custom Harley Davidson, his first grade crayon box from school and other garments from his personal wardrobe — if you're wondering what else will get the exhibition shaking, rattling and rolling. Costumes from his film career, movie scripts, jewellery worn by him and even vintage Elvis-branded merchandise will all be on display as well. Elvis: Direct from Graceland will step through all the key periods in the rock 'n' roll icon's life, from his early Mississippi days through to his Vegas years — and also peer beyond the pompadour and sequins, exploring his interest in books, karate and horses, and all things Graceland. It's Bendigo Art Gallery's latest huge exhibition to focus on style icons, after previously showcasing Marilyn Monroe, Grace Kelly, Balenciaga and Mary Quant. When it comes to celebrating high-profile figures, it seems the venue can't help falling in love. Elvis: Direct From Graceland displays at the Bendigo Art Gallery from Saturday, March 19–Sunday, July 17, 2022. For further information or to buy tickets, head to the gallery's website. Top image: Elvis Presley in the 1968 NBC television special, Singer Presents... Elvis, later known as the 'Comeback Special'. Photograph: Fathom Events/CinEvents. © EPE. Graceland and its marks are trademarks of EPE. All Rights Reserved. Elvis Presley™ © 2021 ABG EPE IP LLC.
If you'd said five years ago that Matthew McConaughey was one of the finest actors of his generation, you'd have been a laughing stock. As it turns out, you'd also have been right. After spending most of last decade taking his shirt off in rom-coms and exhibiting poor equilibrium in film posters, the Texan has undergone a total reinvention in recent times, and his role in Dallas Buyers Club is his most transformative yet. With Christian Bale-like commitment, the actor is down to skin and bones as Ron Woodroof, a real-life AIDS patient who, at a time when the legally permitted treatments were proving totally ineffectual, ruffled the feathers of the Federal Drug Administration by smuggling unapproved medicines in through Mexico. Even more emaciated than McConaughey is Jared Leto, nigh unrecognisable as an AIDS-suffering transgender woman named Rayon. Together, she and Woodroof thumb their noses at the medical bureaucracy by forming the 'Dallas Buyers Club', providing patients with imported drugs in return for a $400 monthly fee. Even discounting their weight loss, both actors are in phenomenal form. Leto disappears completely into his part, creating a kind, funny, heartbreaking character whose unlikely friendship with Woodroof gives the movie its beating heart. Dallas Buyers Club is in cinemas on February 13, and thanks to Pinnacle Films, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au. Read our full review of Dallas Buyers Club here. https://youtube.com/watch?v=F5YQh7qsGNQ
On the lookout for a dope new denim jacket? Or do want to be rid of that weird-looking lamp taking up space in the living room? Then, by golly, you're in luck. The Garage Sale Trail works with local council partners Australia wide to get as many trash-and-treasure troves happening on the same day as possible. Last year, over 7000 garages opened their doors to bargain hunters, and they're doing it for the fifth time on October 25. Aside from the retro goodies up for grabs, the Trail is all about sustainability. Instead of ending up in landfill, unwanted clutter becomes a fantastic find. So get that tight pair of sunnies for peanuts and help the environment at the same time. The Garage Sale Trail began humbly in Bondi in 2010 and is growing bigger every year, so register online to make a quick buck from your old junk and hang out with the friendly folks in your hood.
People all around the world were understandably saddened when the Bourne Trilogy ended. Now, they have reason to rejoice! Although the titular character’s saga has run its course, the action continues with The Bourne Legacy. Jeremy Renner has been cast to play the lead in this new storyline, and although Matt Damon is hard to replace, Jeremy has enough action-star chops to succeed after great performances in Mission Impossible: Ghost Protocol, The Avengers and The Hurt Locker. The film also stars Edward Norton and Rachel Weisz, and is sure to be as thrilling as the original. Get to the cinema, grab some popcorn and strap yourself in for another ride on the Bourne rollercoaster.
Since opening in 2018, teamLab Borderless has been one of Tokyo's top tourist destinations, and with good reason. Dazzling, stunning, breathtaking, kaleidoscopic, worth a trip to Japan all by itself: all of those descriptions apply to the digital-only art gallery, which became the most-visited single-artist museum in the world during its first year of operation. But if it has been sitting at the top of your must-experience list for when Japanese vacations start getting easier, you'll still need to wait — because Borderless' Tokyo base is on the move. Japan's border restrictions ease again on Wednesday, September 7, allowing tourists to enter the country for holidays even if they're not on guided tours — as long as they still book their travel package through a travel agent. A stop at teamLab Borderless won't be on the itinerary until 2023, however, with the original Tokyo site in Odaiba shutting its doors at the end of August. That's the bad news. The excellent news: at some point in 2023, teamLab Borderless will relaunch at a brand-new site. Instead of crossing over Tokyo's gorgeous Rainbow Bridge to get to it, you'll be heading to central Tokyo, where it'll form part of the new Toranomon-Azabudai project. Those digs are only slated to be completed next year, so there's no exact opening date set for teamLab's new Tokyo Borderless museum — but the art collective has advised that the Toranomon-Azabudai location will let visitors "wander, explore, discover in one borderless world". If you were lucky enough to mosey around the OG spot before the pandemic, you'll know that that's an apt description of the Borderless experience, where vibrant, constantly moving, always-changing interactive digital art keeps glowing and flowing before your eyes. [caption id="attachment_701269" align="alignnone" width="1920"] Image: Sarah Ward[/caption] There's no word yet whether the same artworks will make the move over to the teamLab Borderless' new home, if old favourites will evolve in different surroundings, or whether fresh pieces will grace the walls, floors and every other surface imaginable — in Odaiba, that even included cups of tea. A second teamLab Borderless has already been open in Shanghai since 2019, and others are slated for Jeddah in Saudi Arabia and Hamburg in Germany — both with a 2024 opening date. teamLab also has operates a different museum in Macao, and has its first teamLab Phenomena in the works for the Saadiyat Cultural District in Abu Dhabi, again targeting a 2024 launch. [caption id="attachment_868129" align="alignnone" width="1920"] ⒸDBox for Mori Building Co.[/caption] As for the new Tokyo site, it'll still be a must on any Japanese holiday itinerary. Add it alongside the Super Nintendo theme park, Shibuya's famous scramble crossing, singing karaoke in a ferris wheel and wandering around the Studio Ghibli museum — and making a date with the animation house's theme park, which opens in November 2022. teamLab Borderless Tokyo: MORI Building Digital Art Museum is relocating to the Toranomon-Azabudai Project, Tokyo, from sometime in 2023 — for more information, visit the museum's website. Top image: teamLab, Exhibition view of teamLab Borderless: MORI Building DIGITAL ART MUSEUM, 2023, Tokyo © teamLab, courtesy Pace Gallery.
The summer of 2018–2019 wasn't just hot. According to the Bureau of Meteorology, it was Australia's warmest on record. And the rest of the year has followed a toastier-than-normal pattern, with the record-breaking summer followed by a hotter-than-standard autumn, a warmer-than-usual winter and a sweltering spring as well. To the surprise of no one, the next few months look set to continue the trend, with BOM releasing its latest climate outlook. It spans December 2019–March 2020, and includes all of the usual terms we've all become accustomed to hearing: warm, dry, temperatures above average and rainfall below usual levels. Of course the period in BOM's new outlook does cover summer and the beginning of autumn, so weather across the country was never going to be chilly. Still, if you were hoping for bearable heat — or prolonged rain on the east coast — there's little in the way of good news. As seen in spring, below average rainfall is forecast around most of the country, as well as above average temps — and the mercury is set to rocket both during the day and at night. In other words, if you call most of mainland Australia home, there's a very good chance that you'll experience summer and early autumn temperatures that are toastier than the median. The far west coast is expected to receive more rain, and the nation's southeast may experience slightly cooler nights in December, but it's anticipated that everything else will go up, figures-wise. Apart from Tasmania, the absolute lower edges of South Australia and Victoria, and parts of inland Western Australia and the Northern Territory, the whole country is tipped to endure maximums higher than usual — at least 70 percent more likely. That includes the entirety of Queensland and New South Wales. If you're wondering exactly what's in store, it's always worth keeping the usual daily temps across the period in mind — and remembering that they'll be exceeded. In Sydney, that means the mercury will soar above a 25.2-degree maximum in December, a 26 top in January, a 25.8 max in February and a 24.8 high in March, while Melbourne can expect temps above 24.2, 26, 25.8 and 23.9 in the same months. In Brisbane, the standard tops range between 29.2–30.5, and in Perth it spans 29.1–30.6. When it comes to rainfall, the news is similar — after what's already been a catastrophic bushfire season for regional areas, not to mention the ongoing drought conditions that farmers have been enduring. Indeed, BOM notes that "the outlook for drier and warmer than average conditions will maintain that heightened [bushfire] risk over the coming months", and that "the risk of heatwaves is increased" as well. Yes, the rest of the year is predicted to be drier than average, with only the western WA coastline (stretching from the Midwest to the Kimberley) rating any chance of receiving more rain than usual. BOM also notes that, "while outlooks for drier than average conditions may ease for some areas heading into 2020, several months of above average rainfall would be needed to see a recovery from current long-term rainfall deficiencies". Every time that BOM peers a couple of months into the future, the results seem to follow the same pattern. Let's not forget that in 2018, overall, Australia copped its third-warmest year ever — or, in our winter this year, that the planet may have endure its hottest month in recorded history. If it isn't part of your end-of-year routine already, we suggest planning plenty of time in the coolest places you can find — beaches, pools, rivers or anywhere with a refreshing swimming spot — this spring and summer. Graphics: Bureau of Meteorology. Top image: Rainbow Beach, Tourism and Events Queensland.
The Big Day Out has finally announced its replacements for pull-outs Blur. Not replacements that look or sound like Blur, but replacements all the same. Liam Gallagher's Beady Eye, The Hives and The Deftones are set to take to the BDO stages in the new year. Happy fans of those bands can hold on to their festival tickets; the still disgruntled can go ahead and claim their refund. Festival promoter AJ Maddah (the man behind Soundwave and the ill-fated Harvest) was originally set to make the announcement last Friday, but wanted to wait until he had all three of the bands' contracts in hand. In a move that shocked fans and festival organisers, Blur announced their decision to pull out of the festival last week via their Facebook page, citing "the constantly shifting goalposts and challenging conditions of the organisers" as the reason for the decision. Many fans took to social media to express their disappointment, with some blaming the festival, while others directed their anger at the band themselves, calling them a "bunch of sooks" and even rubbing in England's recent Ashes loss. Blur were one of founder Ken West's "white whales"; it took him 14 years to finally land them. The band even had their own purpose-built stage, called the Love Stage. The promoters disputed the claim that they were to blame. Big Day Out CEO Adam Zammit tweeted "22 years and thousands of bands, I don't think we are the issue."
Fresh Cut is just that: an exhibition showcasing Queensland’s freshest crop of artists, all of which have been cut from the local emerging art scene. The Institute of Modern Art’s Director, Robert Leonard, has handpicked the exhibition’s artists, meaning audiences can expect to see some excellent art. This year’s crop features Sean Barrett, Antoinette J. Citizen, Yavuz Erkan and David Nixon. Sean Barrett’s photography installation, The Gathering, showcases a selection of seemingly perfect photos, all placed out of context. Antoinette J. Citizen, inspired by Mayan calendar predictions, has put together Project Alpha, in which she has played with film, Google Calendars and writing. In his installation, Unorthodox Aphorisms, Yavuz Erkan has photographed himself enjoying a range of odd sensual experiences, such as holding a handful of jelly. Who knew?! Finally, David Nixon’s video and photography installation, Immanence, plays with creating abstractions from everyday objects – like the good old plastic bag.
Casting a biopic can't be easy. The awards-courting label that hangs over the genre that's earned Cillian Murphy (Oppenheimer), Will Smith (King Richard), Jessica Chastain (The Eyes of Tammy Faye), Rami Malek (Bohemian Rhapsody), Renée Zellweger (Judy) and Gary Oldman (Darkest Hour) lead actor and actress Oscars over the past decade alone can't make the task any less tricky, either. Then, when music bios get a spin — which is often — the weight of recognition and fandom is an especially heavy factor. Does the actor resemble the star that they're playing physically or in spirit? Can they? Will their attempt to slip into someone else's mega fame read like a triumphant ode or a faded facsimile? Will they try to inhabit rather than impersonate? Is doing the real-life person justice even possible? The questions go on. Even with those queries in mind, Back to Black has chosen its lead well. In Industry's Marisa Abela, who has just six prior acting credits on her resume before now — Barbie is the latest; Man in a Box, her first, came when she was only 11 — the Amy Winehouse-focused film has someone who looks the part beehive or not, and convincingly lives and breathes it behind a north London accent. She sings it, too, when the picture weaves in her own vocals atop Winehouse's music. But casting isn't the only key element for a biopic. The dance that a feature is taking through a well-known figure's life needs the material and the approach to support its central performance — the lyrics and tune to match with sheer talent, in music terms. If they fall flat, so does the flick. And unlike a bad song for an exceptional singer, there's no second chances in this realm. So echoes the big refrain of Back to Black: no matter her significant efforts, Abela as Winehouse is given as by-the-numbers a ditty to croon, and a beat to hit, as the music biopic genre has ever pumped out. It's impossible to know what the subject of the film would think of it, of course, but the movie from director Sam Taylor-Johnson (A Million Little Pieces) and screenwriter Matt Greenhalgh (Film Stars Don't Die in Liverpool) portrays her as someone who hated formula, which the picture itself does not. At their most routine, biographical features boil people and their achievements down to standard plot points that could be swapped into any such flick about any such folk with a sliver of fame. The names change, and the eras, but the details are virtually interchangeable. Dispiritingly, that's on full display here in a tale about supreme potential, the worldwide success to go with it, haunting demons that can't be shaken and a premature death. As a result, everyone knows what'll happen in Back to Black even if you somehow don't know a thing about Winehouse going in. Here, she's an outwardly plucky but inwardly vulnerable teen with a killer set of pipes who has a rocky time of it in the spotlight, in love and with addiction through her twenties until she heartbreakingly joins the 27 Club. If that was the movie's one-sentence pitch to get the green light, it's also all that Taylor-Johnson and Greenhalgh — who worked together before on 2009's Nowhere Boy, which was about John Lennon's adolescence — have committed to. To flesh it out, they've also made the broadest strokes, drawn from the most-obvious details and spun a narrative that's one-note. In this telling, which holds itself up as a tribute, Winehouse's on-again, off-again romance with Blake Fielder-Civil (Jack O'Connell, Ferrari) becomes her defining trait, not her voice. When they meet in a pub, bonding over drinks and pool, and bantering with enough woozy charm to get the entire bar drunk from proximity, Fielder-Civil introduces her to 60s girl group The Shangri-Las, one of her influences. Their first breakup is then the inspiration for the iconic album that gifts the movie its name. The end of their marriage during his incarceration, plus the news that he has started a family with someone else, are poised as developments that she can't get over. There's so little to Winehouse without him in this account — and so much that doesn't directly involve him, such as her early years and even recording Back to Black, is rushed through or relegated to a quick montage — that the movie might as well be called Amy & Blake (it's no Sid and Nancy, though, or even Pam & Tommy). Winehouse is "no Spice Girl", the film has her stress, but she is little more than Blake's girl in its eyes — and regardless of the strength of their love throughout their tumultuous romance, that's hardly the complete Winehouse story. Back to Black gives its protagonist a strong connection with the grandmother (Lesley Manville, The Crown) that she idolises and considers a style icon, and an unwavering sense of what she wants her career to be, but neither earns enough attention to overtake the picture's Blake-centric angle. When it comes to Winehouse's father Mitch (Eddie Marsan, Franklin), the main aim seems to be contrasting with his depiction in Senna and Diego Maradona director Asif Kapadia's Academy Award-winning 2015 documentary Amy. There's no depth there, or to much in Black to Black, as it also puts too much emphasis on its subject's maternal desires and not enough on the ugliness of becoming paparazzi-hounded tabloid fodder, or of addiction. The only place that you'll find complexity: Abela's performance and Winehouse's jazz-pop sound. It's no surprise, then, that the film is at its best when it's recreating gigs, or that they're the next most-prominent part of the movie after the Amy-Blake love story. But unlike in Bohemian Rhapsody or Elvis — or 2024's fellow music biopic Bob Marley: One Love — the concert scenes feel less designed to get audiences soaking in the sensation of watching a stunning talent, transporting them to those moments like they're there in-person, and more about adding a few easy highs to a tale told as an inescapable tragedy. Taylor-Johnson and Greenhalgh, the latter of which also penned the excellent Joy Division-focused Control, used Winehouse's lyrics and interviews as their guide to making the feature, but they've still filtered it through a view that sees the outcome of her life as inevitable. To that, to the well-worn bio template, to making her time with Blake its point of interest and to much more about Back to Black, there's only one response — and it's the same that Winehouse gave to going to rehab.
