When it comes to wrapping up the weekend, trust the Triffid to have the right approach. Sunday afternoon sessions have become a staple at pubs and bars across the city; however the Newstead live music venue's take on the trend is a bit more laidback than most. Given that all anyone wants to do is drink, relax and forget that Monday is a-coming much too soon, the Triff has the ideal answer. They're serving up just that with a soundtrack to match, aka their weekly Triffid Stripped beer garden extravaganza. Here, you'll devour stripped-back sounds to cure the end-of-weekend blues, including blues — of course — plus roots, folk, contemporary jazz, soul, reggae and world music. New artists take to the stage every week, so you'll never hear the same tunes twice.
It is often said that a photograph offers a window into another world — but in these snap-happy times of selfie sticks, food pics and constantly updating Instagram feeds, what are we actually seeing? If you have a social media account, you'll be used to viewing your friends' faces, meals and latest purchases. What you're probably not accustomed to is peering much deeper. IN SITU: New Photodocumentary Work aims to reach beyond the use of photos as a casual record of everyday life, and present images that truly capture the greater aspects of human existence. The documentary photographers featured aren't interested in snapshots, but in stories — about tragedy and suffering, rituals and habits, and things most people usually don't notice. Think of their pictures as a statement of what they've actually witnessed, felt and pondered over, rather than quick shots of whatever they're doing, buying or eating. Of course, their intention is all there in the exhibition's name. When you're viewing these photos, you're not just glancing at a happy snap; you're looking through the eyes of the photographer, and simultaneously stepping into the frame with the subject. Image: Cale Searston.
A year ago, Brisbane's comic book scene got a whole lot brighter. In April 2015, Junky Comics threw open its doors and showered its customers with all the alternative, hard-to-find and all-round weird and wonderful publications, zines and graphics novels they could ask for. As their first birthday approaches, of course they're marking the occasion. This being a Junky shindig, it's not a case of if they're throwing a party, but how. The answer is both simple and not so, because this day of revelry comes in multiple parts. Who needs just one celebratory jamboree when you can have two? First, head to the Vulture Street store at 4pm on April 9 for the usual goodies — i.e. beers, sales and a rockin' raffle that could see you win Junky stock, vouchers and merch, and a little something from across-the-road neighbour Jet Black Cat, too. Then, come 7pm, scoot on over to the afterparty at The End. That's where you'll boogie along to DJ Shannon and stuff your face with Lucky Egg-provided finger food.
56 years ago, an iconic kind of footwear was born. Actually, Doctor Klaus Martens tinkered with his own style of boot from 1945; however it takes some time to perfect the right design when you're creating shoe history. Early prototypes featured soles made out of tires and discarded rubber, for example. If you haven't already guessed, we're talking about good ol' Dr. Martens, aka the trusty boots you probably wouldn't take off when you were in high school. With the first docs going on sale in April 1960, Fortitude Valley's just-as-iconic Downes Shoes is celebrating the occasion, joining forces with Sabotage Social for an afternoon of foot-based fun. From 3pm on April 3, you can use your feet to try a new pair of boots, get a shoeshine, saunter over to the bar for a Bloody Mary, or tap your toes. With Leah Lovelaces and Kirsty Kaos taking care of the tunes, there'll be plenty of the latter — and what better way is there to break in your new prized possessions than to get in the groovin' mood?
The Triffid has inspired a whole heap of reactions over its almost 18 months of operation. Mostly enjoyment, amazement and chilled vibes as anyone who has caught a live gig, feasted on the venue's tasty bites to eat or spent a lazy weekend afternoon in their beer garden would know. Now, the Newstead hangout wants to make you laugh courtesy of the first annual Triffid Comedy session. What better way to celebrate the yearly day dedicated to gags, pranks and general silliness than an evening showcase of four fine folks who tell jokes and cause giggles for a living? Yes, head on down to the Triff this April Fool's Day — or April Fool's Night, to be exact — to see Greg Sullivan, Aaron Gocs, Michelle Azevedo and Velvet Winter burst out their gut-busting material. Given that Sullivan has more than 20 years experience, Gocs had the internet in hysterics by wearing cornrows, eating corn and listening to Korn, Azevedo rocked the Brisbane Fringe Festival and Winter is a Class Clowns national finalist, you'd be an April fool not to turn up.
If anything is can inspire us to resist the urge to hit the snooze button a Saturday morning, it's food, glorious food. You might not expect to head to an Indian restaurant at 7am to get a serving of start-of-the-day deliciousness, though — but if you do, you'll be handsomely rewarded. For one day only, Sultan's Kitchen's Paddington store is hosting a cake pop-up. And, that's just the beginning of the good news. When an event has a name as rad as Ms Fat Booty Bakes, you just know that there's more great stuff to come. If you don't believe us, just run your eyes over the following list of mouthwatering morsels: matcha black sesame marshmallows, salted chocolate buckwheat cookies, salted caramel apple pie, caramel fudge with Malteser topping, and white chocolate peanut butter and jelly cups (and yes, there's more where that came from). Now, try to pretend that you're not hungry. We certainly can't.
Following in David Bowie's footsteps is all part of a day's work for Jeff Duff. In fact, he's been doing it for years — first in his smash-hit show Ziggy, and then in his follow-up Bowie Unzipped. It's the latter that thrusts the performer into the spotlight once again, with Duff returning to Brisbane for a one-off encore of the tribute show that's all that and so much more. Channelling the thin white duke has taken on a mournful tone this year, of course; however if anyone can do the difficult task justice, it's the man who has also played Andy Warhol and even popped up in The Great Gatsby. As Bowie's '80s toe-tapper 'Let's Dance' implores, Duff will put on his red shoes and dance the blues, and belt out stunning interpretations of the inimitable artist's classic tracks as well. Hear everything from 'Life on Mars' to 'Fame' echo throughout the Judith Wright Centre, and try to remember that you're not watching the real thing. Yep, Duff's take on the music icon really is that convincing — and magical.
Every few months or so, Hollywood throws a few of its stars into the sea. Whether they're forced to conquer towering swells or left to float and flounder until rescue, the end result is usually the same: men battle nature, treading the very fine line between sinking and surviving in the process. Favouring disaster over drifting, The Finest Hours relates the details of the SS Pendleton. To date, the US Coast Guard's mission to bring the ship's crew to shore remains the greatest small boat rescue operation in history. Like many such stories, the true tale behind the film stems from a combination of bad weather, bravery and luck both good and bad. On the day Massachusetts crewman Bernie Webber (Chris Pine) intends to ask his superior officer (Eric Bana) for permission to marry his sweetheart (Holliday Grainger), a storm strikes. Two tankers are ripped in half by the hurricane-force winds and giant waves. With most of their colleagues tending to one vessel, it's left to Bernie and a tiny band of offsiders (including Ben Foster and Kyle Gallner) to jump onto a modest 36-foot boat to try and aid the other. Sadly, daring and noble deeds don't always inspire films filled with the same spirit, even when they're made with the best of intentions. The Finest Hours is set in 1952 and looks the period part. Unfortunately, the '50s are currently plastered across the screen in everything from Brooklyn to Hail, Caesar!, and frankly those offerings provide richer old-school depictions of the decade, and not just in a visual sense. Here, director Craig Gillespie keeps his tone as flat as his images are dark. Given that he also helmed the tender Lars and the Real Girl as well as the remake of Fright Night, his lack of energy is both surprising and disappointing. What The Finest Hours lacks in liveliness, it attempts to make up for in CGI-enhanced thrills. But while the splashing and crashing spectacle of the second half provide decent entertainment, they can't quite gel with the more intimate, character-based moments. It's never a good sign when the killer storm seems more subtle than the bulk of the people caught in its midst. Thank goodness for the sections devoted to the men on the struggling ship, as anchored by Casey Affleck. In his second impressive outing in as many movies following his turn in Triple 9, he endeavours to save his fellow sailors and keep The Finest Hours coasting along. The on-board drama he's immersed in might cycle through as many cliches as the rest of the film and the wet-and-wild genre in general, but it's the only part of the action presented with any tension or urgency.
It all started with a purchase and a push. In the early 1970s, playwright Alan Bennett (Alex Jennings) bought a house in London's Camden Town, and helped the elderly Miss Shepherd (Maggie Smith) move her broken-down vehicle. She was far from the area’s favourite inhabitant, with few others willing to offer such assistance, but little could he know what his one act of kindness would bring. Shepherd wouldn’t just stay in the suburb for nearly two decades: she'd park the van she lived in in Bennett’s driveway. The story of The Lady in the Van might sound like the type of tale that could only be cooked up by a couple of screenwriters, but Nicholas Hytner's film is based on the real-life Bennett’s actual experiences. Well, mostly. The movie version of the award-winning theatre production of the same name has fun with the concept of art capturing life, throwing an extra Bennett — a duplicate to do his writing, while he lives his life — into the mix. Other winking meta-textual nods to Bennett himself, and to Bennett and Hytner's previous stage-to-screen effort, The History Boys, also feature. Accordingly, both Bennetts peer out their window as the eccentric, cantankerous Shepherd yells at recorder-playing children, repeatedly paints her various cars a very distinctive shade of yellow, and generally shakes up the otherwise quiet and friendly neighbourhood over the years. Always complaining about her many illnesses but refusing any help, she’s a force to be reckoned with, as well as a woman with a backstory spanning ambulance driving, time in a nunnery, a musical past and a brush with the law. As her unlikely friendship with Bennett blossoms, she's also the film’s most convincing element. While Bennett has clearly worked with the material before, and Hytner directed the initial stage version, Smith’s interpretation of Shepherd is the main attraction. In fact, the English actress is another Lady in the Van veteran, receiving an Olivier Award nomination for playing the role in the original 1999 theatrical production, and also resuming the part in the 2009 radio adaptation. Like the charming acting treasure she is, she ensures Shepherd is more than just a victim of sympathy or mockery — or a means for changing Bennett's perspective of the world. For an actress with so many iconic performances to her name, including Harry Potter and Downton Abbey in recent years, it's a testament to her efforts that this ranks among her most memorable on-screen work. Smith's prominence does highlight the feature's struggles in other areas, though. TV-style images give the movie a standard, almost bland look, while too-timid pacing makes it seem much longer than its 104-minute running time. That the film began its life as a play is obvious. Never the less, the film's quirky story and Smith's compelling performance more than make up for any minor issues.
Where does a young musician get their start? And what does the Aussie youth scene have to offer? Looking in the direction of 4ZZZ for answers to those questions is a sensible decision for a big bunch of reasons. The community radio legends have had their finger on the sonic pulse for more than four decades now — and they also boast their own annual showcase dedicated to under 25s. That'd be Street Soundzzz, which takes over Zed's headquarters for a Saturday arvo filled with tunes, markets and even a sausage sizzle. If you're an aspiring muso or an avid gig goer and you're in the right age bracket, you'll want to be there. Max Chillen & The Kerbside Collective, Makeout Creek and Regular Band are among the acts making sure everyone gets their groove on, should you need another incentive to attend. You can also win every music fan's dream, aka the chance to program the 4ZZZ Youth Show. If that's not the future of music, we don't know what is.
You might need a thousand monkeys working at a thousand typewriters to come up with the phrase "the blurst of times" — but you don't need them to tell you about how ace the festival of the same name will be. When an event is inspired by a quote from The Simpsons, it already has a fair head start in the awesomeness stakes. A lineup of 24 of the country's best current punk, rock, hardcore and jangly pop acts keeps making that case, as does the event's spread over three Valley venues. Basically, to hear the former, you'll have to head to the latter. So, find Dune Rats, BAD//DREEMS, Methyl Ethel, Kirin J Callinan and The John Steel Singers — plus Polish Club, The Murlocs, Moses Gunn Collective and The Lulu Raes, too — at The Zoo, The Brightside and The Foundry. Seeing them all on one bill is the kind of thing that doesn't happen very often, so you'd best get your ticket quick. It'll be the best of times. Don't say we didn't warn you.
Forget worms — the early bird gets gourmet bites to eat, farm-fresh produce to line the cupboards, and an enjoyable morning of browsing and shopping at Milton Markets. Every Sunday morning from 6am — and 7am in winter — more than 80 stalls descend upon the corner of Cribb and Little Cribb streets in the inner western suburb to sell tasty wares. From whenever you feel like waking up until midday, you can wander through massive fig trees to join them. Returning for their first run of the year on February 5, the Milton Markets know that you probably have a hankering for a few things, and they're set to deliver. If duck egg pasta, Dutch syrup waffles, artisan honey and handmade goats cheese gets your stomach grumbling, you can stock up here. Don't worry if all of the above sounds familiar, too — and not just because you've been to a market around town before. In fact, if you went to the Red Hill Farmers Markets when they were up and running, you know what you're in for. Milton became the new site (and provided the new name) for the local favourites in early 2016.
It's not every day that someone is called the modern-day Mark Twain. It's not every day that an American writer wins Britain's Man Booker Prize either. Thanks to his novel The Sellout, Paul Beatty achieved both — and now he's coming to Brisbane to talk about it. It's not every day that you get to hear a critically acclaimed author discuss his work, too. At An Evening with Paul Beatty on May 21, he'll chat about the book that turned the literary world upside down with its purposefully challenging concept: after The Sellout's narrator is forced to weather personal tragedy and a spate of other struggles, he decides to reinstate slavery and segregate the local high school. Only a writer with his smarts could turn the situation into an insightful, intelligent, satirical gem that turns an uncomfortable topic into an absurdist scenario, and raises a plethora of questions in the process. Sydney Festival director Wesley Enoch will host the chat, and, drawing attention to race relations closer to home than The Sellout's Californian setting, spoken word artist Fred Leone will present a new poem inspired by his Tongan and South-Sea Islander heritage. The latest event in UPLIT's in-conversation series, expect a powerful, memorable, thought-provoking evening.
Between May 18 and 21, make the drive to Noosa to do something other than take a swim. Catching some surf, sun and sand will likely be on your agenda anyway — that's what happens on the Sunshine Coast, after all — however the tourist spot will be in the thick of their annual food and wine festival. Eating multiple courses on a golf course, partying while drinking pinot, hanging out at a jazz supper club and enjoying a culinary tour through the hinterland are just some of the events on offer as the town goes gastronomy crazy, and the surrounding area too. Indulge in a feast of Queensland seafood, have a cheeky champagne, learn Indigenous cooking techniques or dine on the waterfront — whatever cuisine-focused celebration takes your fancy, you'll probably find it on the menu. Basically, it's the kind of fun you'll want to make a weekend of. You've heard of eating, drinking and being merry; this is eating, drinking, being merry and being beachy as well.
Among the many gifts that Japan has given the world — ramen, sake, Godzilla, Pokemon, the list goes on — bonsai is perhaps the most relaxing, even if you haven't mastered the art yourself. Cultivating tiny trees certainly sounds soothing, but it's not a skill we all have. Still, regardless of how green your thumbs are (or aren't), we all can enjoy the calming bliss of looking at these small wonders. On May 20 and 21, Brisbane's Royal on the Park hotel is the place where miniature plants come to life, thanks to The Bonsai Society of Queensland and The Association of Australian Bonsai Clubs' bonsai exhibition. It forms part of their National Bonsai Convention, but the important part for us non-bonsai-making folks is that their creations will be on display, looking cute and comforting, for anyone that wants to take a gander. Warning: stare long enough, and you will want to take up bonsai yourself. Don't say we didn't tell you.
Do you remember a time before a certain frozen alcoholic beverage no one can get enough of? Well, before there was was frose, there was rose. It's pink, sweet and everything that's great your drink of choice, just without the slushiness. It's also the main attraction at Jellyfish Restaurant every Sunday from 11am. You know what that means: boozy brunch. For $85 per person, you'll be treated to a glass on arrival; however, you'd best settle in and cancel your plans for the rest of the day. Yes, there's more sipping and some eating to be done. Sitting at the Eagle Street eatery's communal table, you'll share a Mediterranean-inspired meal while trying three or four different varietals of the beverage in the spotlight. Just be warned: once you head along for the first time, you'll probably want to rush back the next week. Why not?
It's a pretty clever move — and one that probably made you think about this event more than you might've otherwise. Rather than just calling the celebration of New Zealand's finest craft beers what it really is (aka a boozefest), the powers that be have labelled it a symposium. That means that you can feel like you're partaking in something scholarly as you're sipping on brews from across the ditch. Given that you'll be able to sample a whole host of beverages you probably haven't come across before, there really is an educational side to it. In Brisbane, three places are getting in on the action: Bloodhound Bar, The Scratch and Tippler's Tap. Each will offer up their own take on the event, plus their own selection of world-class NZ brews, on their own days. Basically, whichever you pick you're in for an afternoon and evening of themed, informative fun. And, while the symposium runs from February 1 to 6, it's time to culmination on Waitangi Day, which really couldn't be any more appropriate.
Who doesn't want to fling some tropical fruit around on a public holiday? It's a strange concept, we know — and one that's exactly as silly and simple as it sounds — however this day seems to not only embrace tradition, but novelty. Of course, when it comes to throwing pineapples, there's only one iconic, 131-year-old venue for it. Head to one of Kangaroo Point's finest, enjoy the other Australia Day merriment (including pub food, brews and the Hottest 100), and then try your luck in the 11th annual competition. The winner won't just receive bragging rights, but $750 for their efforts.
For two days each May, most of Brisbane heads to Musgrave Park to pretend they're in the Mediterranean. Yes, it's Paniyiri time again, with the city's massive Greek festival taking over West End with quite the array of food, drink, partying and more. There's a reason that more than two million people have gone along over the past four decades. In the event's 41st year, there's grapes to stomp, coffee to sip and plates to smash, plus TV stars to rub shoulders with and cooking demonstrations to watch, too. And, it wouldn't be Paniyiri without everyone's favourite entertaining displays. If dancing is more your style, watch Greek Dancing with the Stars or celebrate 40 years of the Hellenic dancers. If devouring as much as you can is your idea of fun, take part in the festival's regular food contests. Can you eat more olives or honey puffs than anyone else? Here's your chance to find out. Because you're never too old to try new things, Paniyiri has also added something different to the mix in 2017: The Plateia, which aims to recreate the sights, tastes and smells of a traditional Greek Village. Inside, you'll find Greek coffee, a sweet shop selling desserts, a seafood tavern cooking fresh octopus on the coals, a wine bar serving up Greek brews and tipples, and a traditional taverna whipping up souvlaki. Make sure you leave room for some haloumi, calamari and dolmades as well.
Break out the hairspray — or, find your best big wig: glam rock is coming to town. Lycra, spandex, face paint, leather, ear-piercing screams and oh-so-much gyrating are all certain to be on the bill as well. Of course, The Triffid's latest shindig might be as much about the outfits as it is about the music, but don't think the latter won't be banging a gong. At Spandex 2017: A Celebration of Glam Rock, Old Fashion, Driving Conditions, Elko Fields, Chelsea Rockwells and Hell & Whiskey will be breaking out the '70s and '80s hits come 7pm on May 12. If you love to boogie, get down and get with it. Jumping from the style's beginnings with David Bowie and his UK cohort through to the hair rock that followed, there'll be plenty of glam goodness. Guns N' Roses, Mötley Crüe, Queen, Van Halen, Skid Row, Twisted Sister, The Darkness, Poison, Sweet, Warrant and Joan Jett will all pop up on the playlist, so, like Axl once shouted, you'll be taken down to paradise city.
"Show me what you got!" someone will yell at The Brightside after 8pm on May 13. Don't worry, armaheadon isn't here — but you will want to get schwifty. How many folks will sing the tune Rick and Morty came up with to appease song-loving aliens and save the earth? Plenty. And the live karaoke comp is just one part of the Warner Street venue's Adventures through the Multiverse. Getting into the partying spirit to celebrate the news that Rick and Morty season three is coming (after dropping the first episode as an April Fool's gag, it'll arrive at some point over the US summer), and certain to be garner as much enthusiasm as Mulan McNugget Szechuan teriyaki sauce, the Brighty's shindig keeps the fun coming with plumbus temporary tattoos, an adult jumping castle and free face masks on entry. While you're living it up like an eccentric scientist and his constantly distressed teenage grandson, you can listen to renditions of TV and game theme songs by The Morty's, as well as other tracks spun by special guest DJs Mulan McNugget Sauce (aka Sophie Luna) and DJ Taylor Schwifty (aka Aimon Clark). Expect video games on the big screen too, which might be the next best thing to interdimensional cable, and more themed cocktails than even Rick could drink in one sitting. Plus, don some brown pants and a white lab coat, dress up as Birdperson or summon your inner Mr Meeseeks to squanch yourself a chance to win a $100 venue card. Be there, or be Jerry.
As much as we all might want to, not everyone can make it down south for the Melbourne International Comedy Festival. No, we're not happy about it — but it's time to turn that frown upside down, because you can go to the next best thing. Yes, the Melbourne International Comedy Festival Roadshow is back for another year of touring hilarity. Bringing the best of the fest to the Brisbane Powerhouse, its showcase of highlights and hijinks is almost like being there. This year's line-up of local and international acts is certain to tickle your funny bone, with Dave Callan, Carl Donnelly, Andy Saunders, Daniel Fernandes and Sharul Channa on the bill. Catch all five funny acts live on stage during one chuckle-heavy set, trading their best jokes for your loudest laughs.
He has played Rocky and Rambo, commanded The Expendables, told people "Stop! Or My Mom Will Shoot" and is set to show up in Guardians of the Galaxy Vol. 2. Yes, he's none other than Sylvester Stallone, and he's one of the kings of the '80s — particularly when it comes to average then, amazing now action flicks about elite cops and arm wrestling comps. Yes, you read that last part correctly. After making four Rocky flicks, two Rambo movies and even directing Saturday Night Fever sequel Staying Alive, Stallone added Cobra and Over the Top to his resume in 1986 and 1987 respectively — and now, Netherworld is adding them to their Two Bit Movie Club. The arcade bar will play the films, SBS Comedy's Ben McLeay will host, you'll watch surrounded by games, and everyone will feel like they've stepped back in time. Now that's a might fine way to spend a Sunday evening.
"I know it's only rock 'n' roll, but I write about it," sang no one, officially — though if anyone was going to paraphrase the Rolling Stones to describe the relationship between writing and music, it's probably someone at Australia's only literary festival dedicated to the two. After launching in 2016, A Rock & Roll Writers Festival returns for a second year of tackling tunes-inspired text from April 1 to 2 at the Old Museum. Crooning, scribbling: both are encouraged at the weekend-long event; however it's chatting about both and how they intersect in panel and interview sessions that proves the fest's catchy refrain. Here, authors, artists, journalists and musicians come together to discuss the relationship between art and freedom, stereotypes of rock 'n' roll stardom, the role of music criticism and the way that a picture can convey the vibe of a live gig, among other topics. And, not only will they trade words about songs in what are certain to be energetic and melodic conversations, but you can head along to watch. The lineup features everyone from rockers Adalita and Tim Rogers, to radio stars Zan Rowe and Rhianna Patrick, to writers Nick Earls and Iain Shedden — plus Rolling Stone Australia editor Rod Yates and seasoned music photographer Sophie Howarth, too, from a speaker list that just keeps on keeping on. If you're looking to get your toes tapping before all their talking, the festival has also put together a handy compilation of playlists from this year's guests to really put you in the rock 'n' roll mood.
If there's one thing that Brisbanites like more than talking about our weather (it's hot — we're with you), it's a good old-fashioned music tribute. Songs, bands, fallen stars, the year that was: we're only a couple of weeks into 2017, but the calendar has been full of them. At Ric's on January 28, Bob Marley is in the spotlight. If you're wondering why, we'll counter with the obvious: why not? What would've been his 72nd birthday is just around the corner, but this evening of tunes is all about celebrating his life and legacy. As well as renditions of the likes of 'I Shot the Sheriff', 'No Woman, No Cry', 'Is This Love' and 'Buffalo Soldier', attendees can enjoy the musical stylings of Shem Reggae, the only Aussie artist who has worked with members of the Wailers. So, get up, stand up and make your way to the Valley for a night of Marley magic to remember.
Forget everything you think you know about Australian films, such as the silly ideas that get splashed around every couple of years. No, they're not all the same. Yes, we do like to watch them. And yes, our history is filled with ace gems beyond the obvious. In fact, we made a genre our very own back in the 1970s and 1980s, and none other than Quentin Tarantino became such a fan of Aussie flicks that he cast John Jarratt in Django Unchained. We're talking about Ozploitation, aka the violent delights that became cult hits. A hitchhiker used as bait by a serial killer? A town being subject to experiments that cause rapid body decomposition. Who doesn't want to watch those? The specific films in question are the Jamie Lee Curtis-starring Roadgames, as well as Body Melt featuring a young Lisa McCune and Andrew Daddo, and they're the main attraction at Kristian Fletcher's Ozploitation Double Feature at Metro Arts on January 27. Heading along with net you two things: a great night at the movies, and an even deeper appreciation for our national cinema.
15 years after the original, and 12 years after the first sequel, is anyone really clamouring for a third xXx? Probably not, but then again, there was also a time where nobody was all that interested in a new Fast and the Furious movie either, and now it's one of the most popular film series' in the world. xXx: Return of Xander Cage has a lot in common with the recent films in the automotive franchise, beyond the chrome dome and cocky attitude of their shared leading man. In an age where so many Hollywood action flicks are bogged down by pomposity and existential angst, these Vin Diesel vehicles offer dumb fun at its absolute finest. The major difference between the two franchises is that, while the Fast and Furious films play fast and loose with the laws of physics, Return of Xander Cage scarcely bothers with them at all. In reintroducing extreme athlete turn super spy Xander Cage (Diesel) by having him ski – yes, ski – through a Dominican rainforest, director D.J. Caruso and screenwriter F. Scott Frazier make it abundantly clear they have little interest in telling a story set in the real world. Frankly, that's fine by us. This isn't Jackie, damnit, this is xXx! It's hard to imagine anyone in the audience will actually care why a cabal of super crims want to steal a piece of hardware capable of turning satellites into projectiles. The important thing is that Cage is out to stop them, and he's going to look dope while he does it. Diesel is joined by an outstanding set of supporting players, each sexier and seemingly less suited to the world of international espionage than the last. Hong Kong and Thai martial art stars Donnie Yen and Tony Jaa, Bollywood icon Deepika Padukone, and Australia's own Ruby Rose are just a few of the names on the roster – and while their roles are thin and their dialogue often painfully cheesy, the cast never seems anything less than 100 per cent committed. The same can also be said for Toni Collette as a tough-as-nails CIA handler. Nothing the character does makes a modicum of sense, but we'll be damned if Collette doesn't make her entertaining to watch. If nothing else, Return of Xander Cage deserves considerable credit for the diversity of its cast. It's hard to think of a recent ensemble blockbuster that featured fewer white men – and while part of that probably has to do with the involvement of Chinese investors behind the scenes, it also fits in nicely with the film's political throughline. There's no flag waving here – indeed, an attempt by the CIA to appeal to our hero's sense of patriotism is met with a quip: "there are no more patriots, just rebels and tyrants." Outsiders all, Cage and his fellow daredevils have no time for authority, or the overreach of a system that puts security before civil liberty. And while it's a stretch to call the film a reaction to a Trump presidency, his ascension makes the film's rebellious spirit and multicultural flavour that much more appealing. Having said that, no one is buying a ticket to the new xXx movie to get a hot take on global politics. They're buying it to see things go boom – and go boom they certainly do. Caruso and co. deliver big time on the action, crafting set-pieces that (mostly) manage to toe the line between knowingly silly and genuinely exhilarating. It's hard to think too hard about the gaping holes in the plot when Vin Diesel is riding a motorbike underwater. And who said cinema was dead? https://www.youtube.com/watch?v=MQEFmHsseaU
Pinball-loving folks, you'd best give your fingers a workout — one Sunday each month, you're going to need them. We're not suggesting that your digits don't come in handy every other day, but you'll want them fit and flexible when Saccharomyces Beer Cafe, Young Henry's Brewing Co and Retro Toys combine for the ultimate end-of-week button mashing session. That's when all of the above thrown open SBC's doors for their regular social pins (which might just be an excuse to drink, flip balls and be merry, but hey, you don't hear us complaining). Entry costs $15, but once you handed over your cash, all your playing is taken care of all day. And, you'll get a frosty schooner for your troubles. Competition-wise, expect to start practising from 10am, then work your way through the qualifying rounds — playing four machines twice each — to try to reach the four-person finals. There will be other mini contests throughout the day, but keep your eyes on the big prizes. Yes, beer is involved in each and every one of them.
Welcome to a brave new world, art, film, media and culture fans. What's that, you ask? Well, it's a world in which thinking about the science and sensation of looking and viewing in this technology-heavy, screen-focused times is going to become one of our most frequent pastimes. We don't just like to watch and observe, these days. We also like to contemplate how and why. Truly stepping into the space where art and analysis combine, Christopher Handran's The Curve of Sensations both offers audiences an experience and asks them to think about it. Displaying at Metro Arts until March 1, the exhibition ponders and deconstructs all of those domestic devices, and the content that plays on them, that we all know, use and love. Expect a spectacle that will make you consider the very forms of media in front of you — which is what all great art, screen or otherwise, should do, isn't it? In terms of impact, Handran is aiming big, given that he takes the showcase's name from research into cinema pioneers Louis and August Lumiere. Without them, watching as we know it would't have been possible.
Ever feel like your life is going in circles? Ever wondered if that could be a good thing? Don't go accepting your quarter-life malaise just yet, because we're actually talking about giving your hips a big ol' swing. At Work-Shop's Hoop Dreams classes, you'll forget all your troubles and embrace all things circular thanks to a toy you probably haven't thought about in years. Yep, that'd be the hula-hoop. You'll step into its round confines, start moving your core, and then try to holdback the smiles and giggles. Plus, Claire Odgen will be on hand to help, just in case hula-hooping doesn't come naturally. As well as plying her talents around town, Odgen started her own circus school back in 2009, so you know you're in good hands — or with good hips. Image: via S. Pakhrin.
If you have a smartphone — and who doesn't? — then you've probably heard that blue light is bad for you. That's the shade of illumination that device you can't stop pawing at emits, and it's also the reason that you mightn't sleep so soundly at night. So, that's one side of the lighting spectrum. On the other sits the soothing tones of pink, glowing brightness. If blue light keeps you awake, pink keeps you calm — and doesn't artist Corrie Furner know it. Her latest exhibition champions that very concept in its name, and demonstrates it in its pieces. Here, you really will keep calm and carry on. Or, you'll head to Metro Arts between February 15 and March 4 for a dose of light-based relaxation that will also force you to explore the how and why. Expect many a flickering, but of the good kind. Strobe lights are out, sources of light that reset your equilibrium are in.
The key to being happy at this hectic time of year is simple: good tunes equals good times. With that in mind, why not join local band Good Oak for their festive contribution: The Second Annual Good Oak Xmas Party. On December 17 from 4pm, they'll be taking over The Triffid for some rockin' merriment, and they won't be alone. It ain't no party without a heap of other bands strutting their stuff, so expect Sahara Beck, Harry Hookey, Nat Dunn, Big Bad Echo and Brad Butcher to be in attendance too. The good news keeps on coming, with the gig entirely free, the sounds certain to stir up some Americana-style vibes, and other friends and guests expected. All that's left is for The Shambolics to play their first ever show, and for you to turn up.
If you've dismissed A Day On The Green in the past, or thought it was just something your parents would be interested in, you might want to rethink that opinion. Sure, you're getting older, but the national event is definitely skewing younger, as its next gig well and truly demonstrates. Yep, all things '90s Aussie rock is on the agenda this time around, courtesy of a lineup that would've made a music fan's dreams two decades ago. Who are we kidding — it should still inspire plenty of excitement now. That's the only appropriate reaction to the news that You Am I, Something For Kate, Spiderbait, Jebediah and The Meanies will be sharing a stage. All five acts have done the rounds many, many times over the years, but they haven't actually all been on the same tour bill at the same time. As a result, we're guessing A Day On The Green is about to turn into a legendary local music hangout. Tickets go on sale from June 14 — and with this array of acts, we'd suggest getting in quick.
Music shapes lives, creates memories and becomes intertwined with special events — and that certainly proves true in Daffodils. The New Zealand indie cabaret tells the tale of teddy boy and a farm girl who meet, marry and seem to have all their important occasions marked by a New Zealand pop-rock soundtrack. If you were wondering just which tunes that might entail, allow us to provide a list. Everything from Crowded House to Dave Dobbyn pops up, plus Bic Runga, Chris Knox, The Mint Chicks, The Exponents, Darcy Clay, The Mutton Birds, Th'Dudes, The Senators, The Swingers and Blam Blam Blam. The sonic, sweet end result isn't just a slice of heaven — it'll make you sway, too. And while it must come to an end after 70 minutes, you can always pretend that's not the case. That's right: don't dream its over.
Festivals seem to be a dime a dozen these days, with no weekend complete without some sort of celebration of film, music, food or all three. However, only one event sends most of Brisbane flocking to Musgrave Park en masse. That'd be Paniyiri Greek Festival, the city's source of autumn fun for 40 years and counting. Paniyiri is a kaleidoscopic cultural explosion. More than 50,000 people descend upon West End each year for the annual two-day tribute to the Hellenic Republic, and it's not hard to understand why. First, there's the entertainment, featuring dancing lessons, traditional music, comedy, fireworks, amusement rides and then some. Then, there's more spanakopita, baklava, Greek salad, haloumi and other tasty treats than you can possibly devour — including both olive and honey puff eating competitions, if you really want to try. Finally, there's the laidback vibe of people feasting, drinking and just being merry. There's a reason there's no other Brisbane festival quite like it, and not just because of the grape stomping. Yes, that really is part of the Paniyiri shenanigans.
Hands up if situation sounds familiar: you're out in Fortitude Valley on a Saturday night, and a hefty dose of post- (or pre-, or mid-) drinking hunger strikes, but the clock has already struck 10.30pm. That means your eating options are few and far between, unless something greasy takes your fancy. Yep, we've all been there, and more than once; however from May 21st, we won't have to again. That's when Valley Late Night Bites starts up to take care of your after-hours munchies. About time. Simply head to the Chinatown Mall until 3am, take your pick from the assembled line of Brissie's best food trucks, and prepare to have a very satisfied stomach. Of course, you don't bring a heap of meals-on-wheels eateries together without making a party out of it, complete with live music, free bottled water and a chill-out zone for those in need of some quiet digestion. Image: Albert Melu.
Aaah, that Morrissey: he's never boring. He won legions of fans as the driving force behind one of the '80s biggest alternative rock bands, and has caused plenty of head scratching with the outspoken antics that followed. You know the stories. You've read — or read about — his autobiography. The legendary musician's biggest claim to fame is what the New Globe Theatre is focusing on at their video night, in a belated celebration of the influential artist's birthday. Expect an audiovisual ode to all the things that made the Smiths great, from their iconic singles to their memorable performances. There'll be music videos, of course, featuring everything from the upbeat strains of 'This Charming Man' to the darker guitars of 'How Soon Is Now?' (aka the Charmed theme song, for those fond of bad supernatural TV dramas). There'll also be television appearances, interview extracts and concert footage, too, because this event can't get enough of this particular band and man.
If you're planning to swing by Sabotage Social this Friday night, you'd best stop in at Vinnies or Lifeline beforehand. Their end of week shindig isn't just any old party — it's their second annual Op Shop Prom. Here, secondhand formal wear rules once more, and everyone can relive the high school rite-of-passage experience. First, find some funky threads at your nearest thrift shop (including a cummerbund or an oversized scrunchie, ideally). Then, head to the corner of Gipps and Wickham streets, and indulge in a night of cocktail-fuelled shenanigans. If you like finessing pre-loved fashions into awesome outfits, as well as pretending you're in an American teen movie, well, it's the best of both worlds. Yes, a prom king and queen will be crowned. Yes, there's nothing wrong with trying to win in all your vintage couture glory. Image: Sabotage Social.
Every festival has a standout show, whether it's a surprise hit or just something so quirky and comedic that no one can stop talking about it. At the 2015 Queensland Cabaret Festival, Warmwaters took that honour. Now, it's back for another round. Well, now they're back, to be more accurate. If you're not already acquainted with "the southern hemisphere's most inspirational nu-folk duo", aka Lena and Luke Warmwater, then here's your chance to remedy the situation. That they're the alter-egos of actor/comedian Bridget Boyle and playwright/songwriter David Megarrity might give you an idea of the cheeky folk fun that you're in for. This is one of our five top picks from this year's Queensland Cabaret Festival. Read the full list.
Sabotage Social's upcoming Sunday session is a group effort. The venue provides the location, of course. Victoria's Holgate Brewhouse will be serving up tasty, tasty beverages. And because you'll no doubt be hungry after all of that hanging out and drinking, The Smoke BBQ will be offering up their meaty best. That's what the last daylight moments of the weekend are all about, aren't they: eating, boozing, spending your time somewhere relaxing, and just being merry. All in all, it's not a bad way to spend the last non-work day before summer. There's more: aka The Gutterbirds playing their mash-up covers of Violent Soho, Jay Z, Snoop and others, plus another yet-to-be-announced act joining in on the music fun. The only thing that's left is for you to settle in for a long, fun, (probably) sunny afternoon.
Why does the name Michael Myers (no, not that Mike Myers) cause a shiver down horror movie viewers' spines? And why should you stay away from anyone wearing a red and green sweater? If you know the answers, then you're primed to slay everyone with your tidbit-retaining talents at the Brightside's Killer Trivia night. Freddie, Jason, Leatherface, the heap of folks that've donned a ghost face mask in the Scream movies — they'll all get a mention, we're sure. So will Hannibal Lecter, Jack Torrance from The Shining and anyone else who has picked up a weapon and wreaked havoc in a scary flick. They slashed their way through many a feature, and now you can use your knowledge of their exploits to slash your way through the horror film-loving competition. And, the usual Brighty trivia conditions apply: it's free, costumes are 100% encouraged, and prizes will be handed out for the best dressed, the best team names, and for winning (obviously).
Brisbanites, meet one of your newest arts festivals. Yes, it covers visual arts, theatre, music, dance and film. Yes, it takes place over four days and features more than 100 artists. No, it's not your usual event. As devised by Brisbane-based theatre collective The Stan Dup Ensemble, the DIY Festival doesn't even adhere to the norm when it comes to the acronym in its name, actually. That D doesn't stand for do, but for devise, though it could also reference diversity. Emerging creatives have been encouraged to craft their own innovative and original works, and to go wherever their imaginations take them. Everything from a self-help guide about combatting awkwardness to a play about fiery red hair comprises the end result, and an exploration of physicality and a contemplation of the meaning of life, too. If it's fresh and inventive, you'll find it here, in the city's newest showcase of the next generation of artists.
It's one of those jobs that everyone wants, even if we all know that the reality isn't as glamorous as we think it is. And given it's a line of work focused on snapping the perfect shot to convey the mood of a live show in one image, that's quite amusing. Yes, we're talking about music photography. That's the life Markus Ravik has chosen for the last seven years, and he has an amazing portfolio of pictures — featuring everyone from Yeezy, Peaches and Arcade Fire to Violent Soho, Lorde and Metallica— to prove it. And, for the month of September, he's parlaying his shutterbug prowess into his own exhibition. That's what happens when you're Beach Burrito Fortitude Valley's artist of the month. Drop by the Brunswick Street eatery for a gander at some of the best gig shots from recent years, all while you order a Mexican dish. Or, head along on September 2 for the event's opening night celebrations. There'll be beers, art and burritos (of course), plus all of Ravik's ace prints will be available to purchase. Image: Markus Ravik Photography.
We've known for a while that the Wynnum-Manly area is brimming with the ocean's finest bounty. In fact, we've even suggested going on a fish and chip crawl there. Who doesn't want to mosey between coastal greasy spoons and eat seafood by the seashore at every one of them? Well, the fine folks in the city's east have gone one better: they've made a whole day of fun out of the bayside's fondness for bugs, crabs, prawns, oysters, scallops and plenty of kinds of fish. That'd be the Wynnum Seafood Festival, a new community seafood event that'll take over Edith Street overlooking the iconic Wynnum jetty on October 22. Eating is the main thing on the agenda, of course, so you'd best skip brekkie and make sure you're in the mood for some local catches. And it wouldn't be a fest without live music and market stalls. How else are you going to work off all that delicious seafood you're going to be devouring — and wander around the foreshore, learn about its heritage, breathe in the sea air and check out the charming stores that make it such a popular destination?
Fancy spending your Friday night hearing about murder? Stick with us here. The Australian Academy of Science's latest event promises to be both gory and informative, and touch upon everything from poisons to venom to a peek in to what makes a killer. Murder in Brisbane is the third session in the AAS's The Science of Life & Death series, which aims to push audiences to the edge of our comfort levels, and start a national conversation about life, death and beyond in the process. You're either horrified at the thought, or you're fascinated and already booking a ticket. Join Dr Aaron Sell to delve into the mind of a murderer, and then hear Dr Harendra Parekh spill the deets on substances that aren't so good for you. Plus, Associate Professor Bryan Fry shares what he's learned from a life studying venom. You'll also discover a few modern murders with strange new weapons, because this really is the morbid topic that keeps on chilling. Don't say we didn't warn you.
D'you know the great thing about hit new films or TV shows that take their cues from great movies or programs from a few decades ago — other than being enjoyable in their own right, that is? They're likely to inspire you to dig through your DVD collection or head to your favourite streaming service and feast on a heap of beloved classics. Take Stranger Things, for example. If it hasn't made you want to re-watch The Goonies, then we don't know what will. And if you are craving some time with the never-say-die gang, Crowbar has you covered at their regularWednesday evening pizza, movies and beer shindig. Eat, watch, drink and enjoy the acting talents of The Hobbit's Sean Astin, Sicario's Josh Brolin and Sharknado 3's Corey Feldman when they were much, much younger. Enjoy reliving a highlight of everyone's childhoods, too. The booze is just a bonus.
Think Barbara threw a Stranger Things shindig just because they — like everyone — wanted justice for Barb? Think again. The boutique Fortitude Valley bar are clearly fans of pop culture in general, as their next themed night shows. Prepare to get down. Or, make that The Get Down, with the joint we've just started calling Babs celebrating Baz Luhrmann's Netflix-streaming '70s hip hop odyssey. Get ready for the kind of music you're going to want to wear your best vintage threads to dance to — and your comfiest, coolest sneakers. From 8pm, Disco Dolani will get the party started with just the kind of tracks you'd expect; however, that really is just the start of the evening. At 10pm, Spare Time DJs take over to bust out some early tunes and breaks, with Gnash Johnson hitting the decks from midnight for some post-'90s bangers. Yep, you'll be getting down indeed.
It's a weighty topic, and one that's unavoidable in our daily lives, even if we're not always actively thinking about it. What impact has humanity had upon the earth? How has our relationship with the world around us changed? And, as we consume more and more natural resources, is the planet still plentiful? They're the questions at the heart of Brisbane Powerhouse's latest exhibition, Plenty, which takes over the venue's walls from September 27 to October 23. Peruse your eyes over pieces influenced by ecological crisis, as created by prominent and emerging Australian artists. Curated by Griffith Uni's Associate Professor Marian Drew, Plenty forms part of RONA16: the Rights of Nature Australia National Arts Fiesta. The country-wide event contemplates the connection between people and nature via a host of different creative activities — including a showcase of art crafted by school kids from natural objects, called Home, at Nundah's Neighbourhood Centre from October 7 to 9.
Some films are long, slow and serious. Others are brief, quick and fun. There's a place for the former, of course; however Radical Reels champions the latter category, combining the most action-packed mountain movies it can find into a compilation of high-octane shorts. Radical Reels is the adrenaline-loving little brother of the Banff Mountain Film Festival, the most prestigious international film competition and annual presentation of short films and documentaries about mountain culture, sports, and environment. From the most recent festival's 300-strong submissions, a subset of daring displays have been singled out for their own showcase. Over a three-hour session, nine shorts approach the very edge of action sports and natural highs: the wild rides, long lines, steep jumps, and skilful stunts, as well as the rugged playgrounds thrill-seekers explore on their mountain bikes, paddles, ropes, skis, snowboards and wingsuits. Expect the world's best extreme athletes getting fast and furious when the Radical Reels Tour 2016 stops in at the Brisbane Powerhouse.
On January 11, Australian time, music lovers heard the news of David Bowie's passing — and, oh boy, did the grief come thick and fast. The chameleonic performer also known as Ziggy Stardust, the Thin White Duke and Aladdin Sane was an icon for many, many reasons. And while the world will miss his inimitable presence, we'll always have his immense catalogue of tunes. It's that rich musical legacy that David Bowie: Nothing Has Changed celebrates, with iOTA, Steve Kilbey, Deborah Conway, Adalita and Tex Perkins joining forces with the QSO for an evening to remember. Hear the group of singer-songwriters pay tribute to a legend by belting out his hits backed by a full symphony orchestra. Let's dance, indeed. Given that the show takes its name from Bowie's 2014 compilation album, it really will be a best-of package, ranging from turning and facing the strange with 'Changes', pondering whether there's 'Life on Mars', and singing along to 'Under Pressure' while screaming "let me out". You'll tap your toes, shed tears and enjoy stellar renditions of his standout tracks — and, afterwards, there'll probably be dancing in the street.
