As our fear of global warming intensifies, major cities are coming up with all kinds of piecemeal solutions, from solar-powered bridges to train-powered heating systems. But always in our minds nags the persistent question, 'Will it all prove to be too little, too late?' So, a New York-based research group by the name of Terreform has taken matters further. They've envisioned the city as it would be, were every last block — from Manhattan to The Bronx — self-sustaining. In this green paradise, 147th Street would transmogrify into an urban farming block, Amsterdam Avenue would be free of cars and reclaimed rooftops would each provide food enough for 12,000 individuals. There are even plans for meat production towers, where chickens would range freely (sort of) on outdoor terraces. Terreform put six years of research into the project, which they've named 'New York (Steady) State'. If every detail were to be executed, it'd be possible for New York's citizens to meet every one of their needs without stepping (or trading) outside of the city's geographical boundaries. Food, water, waste disposal, air quality, climate regulation, construction, manufacturing and construction would all be taken care of. Sounds an awful lot better than slowly roasting while watching our coastal cities (Manhattan included) drown. Via PSFK.
The Cut Copy boys have a talent that many artists dream of and yet it seems to come naturally to them. Their ability to seamlessly blend disco and pop into something edgier has resulted in hit after hit, and a guarantee of people racing to dance floors when their songs come on. Luckily for Australian residents, the band is back on home soil and are keen to show off their latest album Zonoscope in all its winning glory (as well as rehash some of their earlier crowd pleasers I’m sure). Brisbane’s turn comes Thursday 19 May, when the stage at The Tivoli will be lit up with their unique style and lovable sounds, not to mention their renowned light shows. Supporting them will be World’s End Press Tickets are yet to sell out, but they wont’ be around much longer so stop hesitating and buy!
London based writer, Susie Lau pioneered the fashion blogging revolution in 2006 with her blog Style Bubble and is considered by many to be the best in the business. Her daily posts are an intelligent and articulate approach to fashion trends and cycles. This, matched with her expert knowledge of online publishing, has established Susie as the leading voice in fashion blogging internationally. Not to mention that she has also gone on to help some of the world’s biggest brands, such as Prada, Dior and Top Shop, to become relevant online. This gives you an idea of how incredibly influential Susie Lau has become in the world of fashion. Thanks to Portable you have the chance to see this iconic trendsetter in a uniquely non-virtual way (aka in the flesh). Susie will explain how fashion designers and retailers can position themselves globally by working with online publishers, bloggers and social media channels to create real connections with audiences. She will also share insights into her trajectory as a professional blogger exploring challenges as well as creating an authentic voice. There will also be a Q&A session with the audience and networking drinks after the event. Tickets, on sale here, are limited and highly covetable so make sure you grab some fast!
Director Takashi Miike transports us back in time — not only into the cruelly executed hierarchy of the 17th century samurai but also into Japanese cinema's Golden Age. His expressive tale of solitary heroism moves with an arthouse patience and poise, and the violence is deeply affecting, rather than for effect. In this respect, Hara-Kiri: Death of a Samurai represents a departure from the spectacularly bloody epics for which Miike is known, such as 13 Assassins and Audition. This should come as no surprise, though, for those intimately acquainted with the prolific Japanese director's work, which includes at least 70 productions. His filmmaking has never been confined to creativity-crunching limitations — he's dabbled with comedy, children's films and period drama. A story-within-a-story structure propels the narrative. Hanshiro (Ebizo Ichikawa), an out-of-work samurai, seeks permission from the House of Li to commit seppuku (honourable self-disembowelment). Suspicious that Hanshiro might be another in a line of poverty-stricken warriors who have been attempting "suicide bluffs" for financial gain, the feudal lord, Kageyu (Koji Yakusho) regales him with the tale of Motome (Eita). A young man who came seeking a few coins to save his dying family, Motome was forced to self-disembowel on a bamboo sword, having already sold his own. What Kageyu does not realise is that Motome and Hanshiro knew each other well. Hanshiro is on a mission to avenge Li's lack of humanity and expose the lie beneath the front of "honour", which enables the condemnation of the lower classes to unemployment, sickness and death. Miike does not hold back in his critique of sadism. Putting aside broad-brush depictions of bloodletting, he reaches his viewers through specific experiences and emotional investment in character. Motome's horrendously slow suicide is depicted so viscerally, it's not easy to keep your eyes on the screen. As his increasing physical and mental agony is mirrored by the gradual snapping of his pathetic bamboo sword into impossibly blunt pieces, the feudal authorities seem to have no limits on their capacity for brutality. Cinematographically, Hara-Kiri inhabits a shadowy world. Symmetrically positioned characters and 17th-century architecture frame the drama. Contrast is subtle, rather than extreme, achieved through the natural rhythms of day and night and the passing of the seasons — bursts of spring sunshine, fiery autumn leaves and silent snow showers — intensified by Ryuichi Sakamoto's restrained yet haunting score. Hara-Kiri: Death of a Samurai is one of Miike's finest, saddest and most important films. It's a brave depiction of a brutal world whose romantic mythology has often curtained a pitiless and unjust reality. https://youtube.com/watch?v=R-sp6Xw0jJU
Since Australia is now its second largest importer, it's high time we learned a thing or two about the brewing and history of the fermented rice spirit known as sake. Cue Moga's Sake Masterclass. Since 1902, Fukui's (Japan) Ippongi Sake Brewery has been renowned for its pure, high-quality dry sake and will be bringing us a rare opportunity: to meet third generation Sake Master Kakutaro Kubo. Kubo will be headed to Paddington's Moga Izayaka for the classes that give sake bluffers a clue in. For $85, participants will get an introduction to the art of brewing, an education on sake's history and an appreciation of its role in tradition. You'll also score a six-course dinner from the restaurant's head chef Satoshi-san, paired with matching sakes and house made umeshu (plum liqueur). It all happens from 6.45pm on Friday, November 8, so call (07) 3367 2808 for bookings.
The team behind RAW Artists have been shining a spotlight on some of the best creative minds around Australia through their multi-faceted showcases. They are hosting another event, ‘Mixology’ at Oh Hello this week and, like the event namesake suggests, it will feature a great cocktail of art, music and fashion shaken and poured into a tall glass of creativity. Included in the nights events are a film screening, a fashion show as well as a demonstration by a featured make-up and hairstylist. Mixology will feature a live performance from El Motel, art by Beau Deely, Joel Devereux and Amy Commins, fashion by labels Flynn and Benji as well as a film screening by writer and director Jack Webb. Get raw at Oh Hello and immerse yourself in the communal creative atmosphere with the Raw Artists community this week.
I don’t know if you have heard, but Brisbane has somewhat become the Soccer capital of Australia over the past two years thanks to the massive effort of the Brisbane Roar. Our local team have been champions for the past two seasons and are constantly doing us proud by playing with massive amounts of heart and passion, not to mention copious amounts of skill. This weekend, they take on Adelaide United in what will surely be another cracker of a match. There are few atmospheres as electric as one at Suncorp Stadium when it is filled to capacity with hometown support, so get behind your team and ‘roar’ your loudest as the Brisbane Roar compete to stay at the top. Ticket prices start from a very affordable $12, a small price to pay for some quality football.
Wrapping up high school with the party to end all parties is a rite of passage. Watching movies about the experience has become one as well. Most of their classmates would've pegged Booksmart's Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) for preferring the latter over the former — but, on the night before graduation, after buckling down, studying hard and getting great grades for their entire lives, these two besties are determined to treat themselves to one stereotypically OTT night out before heading off to college. Making her directorial debut, actor-turned-filmmaker Olivia Wilde might have chosen a familiar narrative; however, absolutely nothing about this affectionate and engaging instant-classic teen flick ever feels routine. That includes the genuine rapport between its delightful stars as their characters let loose, and learn plenty about each other and themselves across the course of the wild evening.
Sustainability, maze-like furniture stores and music streaming services are just a few of the things Sweden does better than everybody else. And now, stamps can safely be added to that list. To celebrate the fact that Sweden are pretty darn good at churning out pop musicians, Swedish postal service PostNord have dedicated their next stamp series to some of the best Swedish purveyors of pop. The famous faces include the iconic artist Robyn, folk duo Klara and Johana Söderberg from First Aid Kit, soul singer Seinabo Sey, DJ and producer Avicii and Max Martin, the brain behind at least one of your late-night karaoke faves. And no ABBA, phew. Swedish artist Jenny Mörtsell is responsible for the beautiful illustrations pictured below, which were created from original photos by Alex Wessley, Andreas Larsson, Kirstoffer Berg, Johannes Helje and Mikael Dahl. So how does our good ole national postal service compare? Australia's Stamp Advisory Committee (yes, it's an actual thing) have been celebrating living legends on stamps since 1997 and last year, the Australian Legend series celebrated home-grown musos like Paul Kelly, INXS, The Seekers, Kylie Minogue and others. Not too bad. Maybe with a bit more creativity and by branching out to artists who are, er, born in more recent decades perhaps, we could reach Swedish stamp levels, one day. Just sayin', Australia Post. The pop musician stamps will be available to lick and stick on postal goods in Sweden on January 15. Just enough time to find a Swedish pen pal. Via Pitchfork.
Recently I realised I would love to be a burlesque dancer. I don’t think it is in my personality to ever actually do it, but I do love the idea of strutting my stuff on stage in a super cute outfit, with just a touch of seduction on display and a great burlesque name like Catie Tourniquet! Instead though, living vicariously through much braver ladies seems like a good option and this Friday at the Hi Fi bar is the perfect opportunity, with top Australian burlesque performers presenting their best festive season acts in a show titled Vixen. It will be a night of naughty but nice performances with all kinds of interesting festive folk, including a stripping Santa! Performers on the night include the Queen of the Quiver, La Viola Vixen; Miss Burlesque QLD, Coppelia Jane; the golden girl with all the curves, Miss Alyssa Kitt; Russian Doll, Davina Mercy; Burlesque diva, The Diamond Dahlia and many more. Don’t think that you can just turn up in your jeans and t-shirt though, the audience is encouraged to get in on the act, donning their best festive outfits, or going all rockabilly vintage. There will even be a prize for the best dressed! Not your traditional Christmas event, Vixen will be a very fun night that adds a little more spice to the festive season!
Visiting the Louvre art gallery in Paris is an exciting experience. Battling the crowds to get a glance of Venus de Milo is exciting. Copping an elbow to the face as you attempt to take a selfie with the Mona Lisa is even kinda exciting. But, imagine, if you could spend an entire night inside the Louvre, exploring the halls — and taking many many selfies with Mona Lisa — without any other tourists around. A total dream. And one that could become a reality, thanks to Airbnb. Yep, the company that lets you stay for cheap in other people's homes is giving away a night at the Louvre for you and a mate (date, mum, whoever). As well as spending the night under the iconic glass pyramid, you'll be given a Renaissance-inspired cocktail to toast with Mona — while relaxing on a luxe Parisian lounge and listening to French vinyl records, of course — enjoy an extravagant feast in a pop-up dining room next to Venus de Milo, and watch an acoustic concert inside Napoleon III's lavish apartment. Pick your jaw up off the ground and enter the competition, now. Well, before April 12. This crazy once-in-a-lifetime experience is part of AirBnB's Night At series, where it gifts sleepovers at really over-the-top spots. Previous sleepovers have been held on the Chicago Bulls basketball court, at the top of an Olympic ski jump, in a shark aquarium and on the Great Wall — the list goes on. To enter the competition, you need to answer the question "Why would you be the Mona Lisa's perfect guest?" in 800 characters or less before midnight on Friday, April 12 French time, which the morning of Saturday, April 13 AEDT. The sleepover will take place between April 28 and May 2 (the winner will win a total of three nights in Paris). To win a night at the Louvre head to the Airbnb website. Images: Julian Abrams.
In news set to tickle the fancies of luxury fashion lovers the country over, Melbourne will this month play host to the Aussie leg of Louis Vuitton's Time Capsule exhibition. Chadstone Shopping Centre, which is the largest in the country, has announced it's teamed up with the iconic label to bring the travelling exhibition down under. It comes off the back of recent stops in Shanghai, Singapore, Dubai, Hong Kong and Berlin. It'll run for free from February 24 until March 21, treating visitors to a glimpse at the brand's history and celebrating some of its landmark innovations, pulling together a selection of key objects from the Louis Vuitton archive. Expect plenty of local insertions too, with pieces from the likes of the 2015 Rugby World Cup, former Australian Cricket Captain Michael Clarke and wife of David Jones, Mrs Lloyd Jones. The exhibition's broken into six main parts, including the Artisans Room, featuring a 'live' experience with Louis Vuitton craftsmen, and Journey Around the World, which explores how the brand evolved to meet the demands of new forms of transport. Icons of The House will look back at some of Louis Vuitton's most memorable creations, while Magic Malle takes visitors back to where it all began. News of the Louis Vuitton Time Capsule exhibition comes just a few weeks after Chadstone announced plans to open a $130 million luxury hotel, as it looks to cement its status as an international tourist destination. Louis Vuitton's Time Capsule exhibition will be at Chadstone Shopping Centre, 1341 Dandenong Road, Chadstone from February 24 till March 21, 2018. It will be open from 9am–5pm Monday to Wednesday, 9am–9pm Thursday to Saturday and from 10am–7pm Sunday. For more info, visit chadstone.com.au.
Yep: whenever Jordan Peele drops a new film, it instantly proves a must-see, as both the Oscar-winning Get Out and the equally exceptional Us have shown so far. Also yep: when it comes to making the leap from an iconic sketch comedy series to helming horror movies — and having a hand in bringing everything from BlacKkKlansman and the ace latest Candyman flick to Hunters and Lovecraft Country to our eyeballs, too — the former Key & Peele has been having a helluva past five years. And one last yep: the comedian-turned-filmmaker's next flick, his third big-screen directorial effort Nope, couldn't look more eerie, enticing and exciting (aka the classic Peele combination). That was true back in February, when the first sneak peek at Nope dropped and had Get Out star and Judas and the Black Messiah Oscar-winner Daniel Kaluuya ask "what's a bad miracle?". Now that the film has released a full trailer that sheds further light on its narrative, that still remains 100% accurate. The setup: the Haywood ranch is proudly run by the only Black-owned horse trainers in Hollywood (played by Kaluuya and Hustlers' Keke Palmer), whose connection to show business dates back to the very birth of cinema. But their remote patch of inland California soon becomes home to a disturbing discovery — and the fact that everyone spends a fair amount of time either looking up in horror or running away from something chilling in the sky in both trailers says plenty. In the new sneak peek, Kaluuya and Palmer's brother-and-sister duo OJ and Emerald are rocked by tragedy, then spooked by what's happening above. And, yes, Kaluuya utters the movie's title. Emerald decides that they need to capture what's happening on film, which is where Michael Wincott (Veni Vidi Vici) and Brandon Perea (The OA) come in — one charged with standing behind the lens, the other selling tech equipment. With Nope also lending its attention to other California residents who see this uncanny presence in the sky, Steven Yeun (Minari) also pops up as a rodeo cowboy. As with all of Peele's celluloid nightmares so far, the less you know going in when the movie hits cinemas Down Under in August, the better. That said, the two trailers so far do a fantastic job of teasing all of the unsettling imagery that the filmmaker is about to get lodged in your brain, including fields of colourful inflatable tube men waving in the breeze, the creepiest of clouds and shadows, and a big leap into X-Files territory. Check out the full trailer for Nope below: Nope will release in cinemas Down Under on August 11, 2022.
Why should kids have all the fun at Christmas? Ripping open a new treat every day of December is the kind of fun that never gets old, which is why some clever characters have created advent calendars especially for adults. Instead of chocolates or toys, you'll count down to Christmas Day with a daily fix of your favourite booze. From beers and wine, through to top Aussie gins, here's our pick of the best advent calendars for grown ups. BEER BEER CARTEL With over 1,000 craft beers at its Artarmon bottleshop and even more online, it's safe to say Beer Cartel knows a thing or two about the big, wide world of ales and lagers. Its 2017 advent calendar features 24 countdown beers, plus that all-important Christmas Day brew, handpicked from top breweries across Australia and overseas. What's more, there's a whopping 20 different beer styles featured in the lineup. Grab yours online, or at the Sydney store. $119.99 CRAFTY BREW Keep your beer standards high this festive season, with Crafty Brew's all-local, all-craft 2017 advent calendar. The online beer boutique has curated a mix of 24 top-notch brews from across the country and decked out each of those cardboard doors with some fun, Great Barrier Reef-themed artwork, so you can countdown to the big day in style. $119 CARWYN CELLARS' CANVENT CALENDAR Add this one to your Christmas list for 2018, folks. This year, the booze experts at Thornbury's Carwyn Cellars threw together an all-Aussie lineup of craft beer tinnies for their Canvent Advent-ure Calendar, made 200 of them, and they've promptly all sold out. For future festive seasons, you can rest assured there's nothing boring in this mix. Behind the 24 cardboard doors of this slab-shaped creation are some of the most impressive and interesting local drops around, from hop-heavy IPA's, to tastebud-tingling sours, and everything in between. $150 WINE HALLIDAY FESTIVE WINE GUIDE For a DIY twist on the traditional advent calendar, we love Halliday's Christmas creation — a free, downloadable round-up of 24 quality wine picks. You'll need to make the journey to your bottle shop to purchase the goods, though it's curated by the tasting team behind the iconic Halliday Wine Companion guide, so you know you're in good hands. This year's version is set to be released around November 20. THE TWELVE WINES OF CHRISTMAS The lead-up to Christmas becomes one extended wine tasting with Secret Bottle's boozy riff on the advent calendar. Dubbed The Twelve Wines of Christmas, this nifty package features 12 tasting tubes of top Aussie wine — all reds, all whites or an equal mix of both. You'll also score tasting notes and access to special future discounts on any drops you love. $86 THE WINE GALLERY While ploughing through a bottle of wine each day for a month seems slightly unreasonable, the new advent calendar from The Wine Gallery boasts a much more manageable 12 bottles, featuring the sommelier-led start-up's highest rating wines of 2017. Yes, it's a mighty handy collection to have on hand during the festive season. Drink a few solo, share some with mates and save a couple for those last-minute Christmas pressies. $285 CIDER BOOZE BUD Those balmy days in the lead-up to Christmas are prime time for cider sipping, so the crew at Booze Bud have put together an advent calendar featuring a selection of Australia's favourite cider varieties. You'll enjoy 25 different bottles and cans, in a range of styles both sweet and dry. This year's lineup is being kept under wraps, though last year's included treats from the likes of Pagan, Jachmann, Batlow and Willie Smith's. Booze Bud also offers a beer-filled version of its countdown calendar. $109.99 SPIRITS MASTER OF MALT WHISKY CALENDAR How does 24 pre-Christmas drams sound? International online spirits retailer Masters of Malt has again dipped into its impressive collection to create the whisky-filled advent calendar of your dreams. The 2017 edition features 24 wax-sealed 3cl serves of whisky, including award-winning drops from around the world and plenty of drool-worthy single malts. There's even one worth £600 a bottle. $213.72 GINTONICA Hardcore gin-thusiasts will be clamouring to get their mitts on Gintonica's all-Aussie gin advent calendar, which features an expertly curated lineup of spirits from 21 of our finest distilleries. In addition to the 24 50mL bottles of local gin, it's got a bunch of great extras, including tasting notes and serving suggestions from the distillers, a map showing 101 Australian and New Zealand gin producers, and cocktail recipes from The Martini Whisperer. $295 CARWYN CELLARS DECEMBER SURVIVAL KIT Depending on your festive season stress levels, Carwyn Cellars' gin-filled advent calendar is either a fun Christmas countdown or a sweet, boozy lifeline, aptly dubbed the December Survival Kit. This one's a celebration of Australian gin, filled with 24 30mL nips from some of the country's top distilleries. You'll be reacquainted with some old favourites and make a few new discoveries as well. $220
Ambitious is an understatement when it comes to the infamously ongoing construction of Antoni Gaudí’s famous basilica, Sagrada Familia, in Barcelona. Eighty-seven years have passed since the death of the Catalan virtuoso. During this time, a subsequent nine architects have continued the project, striving to adhere to Gaudi's original vision. However, according to the current chief architect, Jordi Fauli, the basilica will be completed by 2026. And even more excitingly, the Sagrada Familia Foundation has released a computer-generated glimpse into what the finished product will look like. Each architect who has taken on this eccentric masterpiece has encountered a unique set of challenges. One of the central problems was the destruction of Gaudi’s workshop, containing the building plans and models, during the Spanish Civil War. This resulted in a slow process of piecing together the essential details of the project. There's also the issue of decoding Gaudi’s highly unorthodox method of design. Rarely putting pen to paper, he created 3D scale models, moulding his uncanny inventions as he conceived them. Gaudi famously stated, "my client is not in a hurry," and clearly there is no substitute for perfection. You have to admire the commitment of a man who put so much faith in engineering technologies that hadn’t been invented yet. It is only recently that the special lightweight concrete cladding has been developed to complete the uppermost spires. To comprehend the scope of this magnificent structure really demands a visit to Barcelona. It is all too easy to whittle away the daylight hours inside this basilica, admiring the kaleidoscopic effect of light filtering in through stained glass windows or Gaudi’s distinctive organic structures blossoming like flowers across an impossibly intricate ceiling. Will the endless construction come to a close by 2026? Only time will tell. Via Gizmodo and My Modern Met.
The Moon Lantern Festival is a 3000 year old tradition celebrated by Chinese, Korean and Vietnamese party people. Its celebratory purpose is to rejoice the mid-autumn harvesting whilst also coinciding with the autumnal equinox of the solar calendar. To describe the equinox in logical terms, it is a phenomena that only occurs twice a year when the tilt of the Earth’s axis is leaning in such a way that allows it to be neither close nor far from the sun, meaning the sun in on the exact same plane as the earth’s equator. Now, that may be a mouthful of information you vaguely remember from high school science class, but basically the Moon Lantern Festival is a pretty legit reason for rejoicing. Although Brisbane’s version of the festival is not in autumn or in sync with the earth’s solar calendar, it would be un-Australian to let the lack of rare phenomena stop us from partying. This year’s local celebration will feature martial arts performances, lion dancing, bamboo skipping, Chinese belly dancing, live music and a magic show. Say ni hao to the integration of Asian and Australian culture.
Ever spent an afternoon walking around with a sketchbook, taking in your scenery and drawing the world through your own artistic eyes? No? You should try it sometime, it’s very relaxing. Here is an opportunity to be amongst other sketchy individuals (the good sketchy, the art sketchy) and to see Brisbane through a different lens. The 41st Sketchcrawl is happening on the 19th of October and organisers invite interested parties to join for all or even part of the 3 stop route, to sketch their city and be a part of a global occurrence that takes place on this date, each year. Check out the event page for timetable and information. Be sure to bring your drawing implements, GO card, camera, water, sunscreen and hat (it’s going to be a hot one). Get sketchy!
Melbourne's 17-year-old bedroom producer, Gab Strum, is probably more talented than you are. Strum, who otherwise goes under the moniker of Japanese Wallpaper, recently played Splendour in the Grass for the first time, won this year's triple j Unearthed High Competition and had his music featured on the soundtrack of Zach Braff's new film, Wish I Was Here. Now, he's embarking a mini-national tour of sorts, with a couple of shows spanning Melbourne and Brisbane. Japanese Wallpaper's ambient electronic-pop is a breath of fresh air in the Australian music scene, drawing similarities between other lo-fi artists like Washed Out or Teen Daze. His recent single, Between Friends, is a lush track of summer nostalgia, thanks to his collaboration with vocalist Jesse Davidson, who elevates his tunes with a splendid three-dimensionality. Tickets to his first two shows in Melbourne have sold out, so get on it before it's too late.
It might take more than nine hours to fly from Brisbane to Tokyo, but this fair city of ours isn't found lacking in the Japanese cuisine department. When it comes to brothy bowls of pork-laden noodle soup, Taro's Ramen is helping lead the way. Better yet, as first announced late last month, the chain of stores is now serving up their delicious dishes in a fourth location. Already causing a slurping frenzy in Edward Street and Queen Street in the CBD, plus Racecourse Road at Ascot, the eateries overseen by Taro Akimoto have expanded their footprint to South Brisbane. Settled into the Melbourne Street site that the now-closed Socarrat Paella Bar previously called home, it's a case of same great tonkotsu taste, new — and bigger — location. Other than upping the ante to 80 seats, everything else Taro's fans know and love has made the leap over the river. That means ordering by iPad; trying to pick between the extra spicy fire ramen or the restaurant's famous jiro special; and finishing the whole meal off with some green tea ice cream. House-made noodles, two-day brewed pork stock and tasty sides like crunchy karaage, slippery gyoza and salty edamame also feature. And, if you're keen on enjoying a Japanese beer, sake or shochu between slurps, the new site's liquor license is expected next week. Find Taro's Ramen at 154 Melbourne Street, South Brisbane. Head to the eatery's website and Facebook page for further details.
This article is sponsored by our partners, Wotif.com. If you’ve been thinking that tropical island holidays are all lazing on the sand and drinking cocktails by the pool, think again. Sure, you can make them an excuse to read every book in the Game of Thrones series or catch up on the 200 hours of sleep deprivation that you’ve clocked up over the past year, but it doesn’t have to be that way. Even if you’ve been to the Whitsundays before, there’s never a shortage of adventures to be had: from taking to the skies on a scenic flight to sailing on an old-school ship to spending a night sleeping under the stars on the Great Barrier Reef. Choose your own adventure. HIGH FLYER: SCENIC SEAPLANE FLIGHT Once you’ve seen the Great Barrier Reef from underwater, from the deck of a boat and from the land, there’s only one way left to the see it, really — from the sky. A scenic seaplane flight carries you soaring into the air, treating you to 60 solid minutes of bird’s eye views. Sights that will make you ‘ooh’ and ‘aah’ like it’s New Year’s Eve all over again include the swirling sands of Hill Inlet, which look a bit like Impressionist artworks created by some enormous Druidic paintbrush; Bait Reef’s magical stepping stones; and Hardy Lagoon, the most photographed spot in the entire Great Barrier Reef National Park (and there’s some mean competition!). But they’re just the starting gun; the itinerary includes a sizeable list of other gobsmacking spots: Shute Harbour, Daydream Island, Hayman Island, Hook Island, the Molle Group of Islands, Whitsunday Island and the Whitsunday Passage. What’s more, it’s not all macroscopic panoramas. At various points, the seaplane descends to 500 feet, giving you the chance to partake in some turtle and ray spotting. Between June and October, you’re highly likely to see humpbacks, too. And for some added excitement, the pilot makes a touch-and-go water landing at the reef. Scenic flights carry between four and ten people each and depart from Airlie Beach. ALL-ROUND ADVENTURER: 3-DAY SAIL, SCUBA DIVE AND KAYAK Here’s the choose your own adventure option for indecisive types and commitment-phobes: the all-rounder. Why settle for one activity when you can take on the whole kit and caboodle? During this three-day extravaganza, you get to sail, snorkel, scuba dive, kayak and bush walk. Here’s how it works: for 72 hours or so, you live aboard the Summertime, a beautiful, traditional-style sailing vessel built in 1947, complete with rustic timber square rigging. But the good news is you don’t have to do any traditional living — if you don’t want to. You can get as olde worlde and Sailor Jerry-ish as you like, but you’ll still have the option of jumping into a freshwater hot Jacuzzi, turning on the air conditioning and dissolving in front of a DVD whenever you feel to. Nine luxurious berths make up the accommodation. The same goes for the action-packed itinerary. As the Summertime carries you from one secluded cove or silky-sanded beach to another, you can get involved in as many or as few activities as you like. Some travellers jump at every chance while others opt to spend every ounce of their precious energy moving between the Jacuzzi and the deck. It’s up to you. OUTDOOR NATURE LOVER: OVERNIGHT SLEEP ON THE GREAT BARRIER REEF If you still haven’t recovered from reading Treasure Island, Robinson Crusoe or perhaps Life of Pi, this one's for you. Pack your list of ‘top-five-items-I’d-take-with-me-to-a-desert-island’ and turn your long-cherished childhood survival fantasy into a reality. Given that the Great Barrier Reef is heritage listed, not to mention one of the world’s natural wonders, you can’t just go around sleeping on any old coral bed of your choosing; in fact, there’s only one place on the reef where you’re able to catch some shut-eye, and this adventure — dubbed Reefsleep — is it. A high-speed luxury vessel transports you for an 11am arrival. You spend the day doing as you please — be it swimming, grabbing a massage, snorkelling, diving, catching a heli-scenic flight or checking out the local underwater viewing chamber. Then, at 3pm, the ship splits the scene, leaving you, your fellow adventurers and the crew all on your lonesome. The only guests you can expect are some turtles who drop by at dusk for a seaweed feast. A maximum of 12 overnighters is permitted at any one time and accommodation is in the form of good ol’ Aussie swag — available in single or double sizes. Food is included in the deal. ISLAND EXPLORER: WHITSUNDAY ISLAND HOPPER PASS Do you have an aversion to strict timetables and pre-planned activities? Island hopping is the way to go. With this pass, you can travel The Whitsundays at your own pace and according to your own itinerary. It gives you access to high-speed vessels that spend all day travelling between Daydream Island and Long Island, dropping off and picking up guests at their whim. Between the two islands, pretty much any tropical activity is on the cards. While the time away sunbaking and swimming or get deep with a dose of snorkelling or scuba diving. Alternatively, stay terrestrial with long beach strolls, rainforest walks or a round or two on Daydream Island’s 19-hole mini golf course. There’s also a variety of restaurants, cafes and cocktail bars. The Whitsunday Island Hopper boats leave from Abel Point Marina throughout the day. You’re advised to take your toothbrush and credit card with you, just in case you miss the last ride back and wind up island-bound for the night. Book your Whitsundays escape now via Wotif.com.
The cola wars are now fought on a battlefield of green credentials: Coke and Pepsi are already in an arms race over the sustainability of their bottles, and now Coke has taken the fight to shelving. Their Give It Back displays are made from recycled Coke packaging cardboard and are designed to be used, then recycled again once past their 'shelf-life'. While there is very little new in the concept — at the end of the day, it's just recycled cardboard — it's good to see the drinks giant taking up new green initiatives, which will hopefully provoke others into following suit or coming up with their own ideas. As an added bonus, it should help Americans (the shelving is only planned for US stores) come to appreciate the humble corrugated cardboard. Of course, here in Australia we're reminded of its sturdiness every election, but Coke's initiative should help people start to accept cardboard as more than just the stuff things come in. Research into the properties of cardboard suggest it could be an ideal building material for housing. [via core77]
Thomas M. Wright, director of Doku Rai (you, dead man, I don't believe you), prefaces our interview with a disclaimer. "The difficult thing to begin, with talking about Doku Rai, is to acknowledge that we can only ever scrape the surface," he asserts, caffeine-eyed after "seven hours' sleep over the past four days". "Talking to me about this production is like talking to one angle of a cut stone. You're only going to see it through my prism. Every time I talk with others involved, the number of refractions is just infinite. You'll hear every event from a different perspective. The stories are limitless." Doku Rai is a collaboration between Melbourne's Black Lung Theatre and Whaling Firm and "East Timorese rock gods" Liurai Fo'er and Galaxy. It opened last year at Darwin Festival, Melbourne Arts House and Adelaide Festival. Having appeared at Brisbane Festival last week, it will come to Carriageworks on 25-28 September. As well as being a co-founder of the Black Lung and renowned theatre actor, you might remember Wright for his role as Johnno Mitcham in Jane Campion's Top of the Lake, for which he received a Best Supporting Actor nomination at the 2013 US Critics' Choice Awards. AN ABANDONED HOTEL, A REMOTE ISLAND Doku Rai is the first ever international theatre production to emerge from Timor-Leste. Conceived in 1999 when Wright met East Timorese actor, rock star and ex-guerrilla fighter Osme Gonsalves on the set of Balibo, it came to fruition 18 months ago. For 60 days, 30 Australian and East Timorese creatives holed themselves up in an abandoned colonial motel on the volcanic island of Atauro. Their mission: to create an epic work of cross-cultural collaboration; their method: undecided. "The word confronting doesn't even begin to describe the process of making this work," Wright says. "The writing was very complex. It took a lot of different forms — slabs of text from anecdotes, personal conversations, improvisation, individuals' writing, writing that already existed — interwoven in a way that an audience can only sense, and not really know, because there are so many circumstances, histories, myths and real events. But that's what gives it its sense of depth." TWO BROTHERS, A CURSE AND A DEATHLESS MURDER At Doku Rai's core is the "mythical structure" of two brothers, a curse and a man who is killed but cannot die. "A doku is a curse — a weapon — that has been used through the past twelve generations or more of occupied Timorese," Wright explains. "It's a tool by which, in a ceremony, you take all the coherence from a person, you rob them of their faculties, and that makes them vulnerable for you to do what you will with them. "Literally, the act of doku is 'turning over'. So, you set a table for a meal, with a place set for the absent person. You all share in the food, and at the end, you perform a ceremony. You cut open the liver of a chicken to get an augury and then turn the absent guest's plate, bowl and glass upside down. That is the acting of the curse. 'Rai' means earth, soil, so Doku Rai means 'to curse the earth', or 'the turning of the earth'." SHATTERING PATERNAL ASSUMPTIONS With this imagery at its dark heart, Doku Rai is driven by the personal, rather than the political. Unconfined by a linear narrative or governing aesthetic, it combines rock music, multimedia, unexpected dashes of black humour and a surprise guest, in the form of a live rooster, in an indefinite setting. "It has moorings in the world of East Timor and echoes of the Portuguese colonial past, but it's a fictional reality," Wright explains. "It has, certainly not aesthetic echoes of the Australian engagement, but thematic ties ... In Australia, we do have a very condescending, very paternal relationship with a lot of our neighbours. And we wanted to shatter that — to make something on purely personal terms. We know that the political implications and political realities are all there; we don't need to foreground them. They take care of themselves, just by dealing with personal stories. Beyond [Doku Rai] is a three-dimensional, constantly evolving life, with a past that goes back a long way and a future that also extends outward. There is certainly a responsibility with the audience to invest - to place themselves into scenarios and to consider the real people and the circumstances behind the making of the work. No matter how interesting and taut and strong a work we make, it's only ever going to be as interesting as the process of making it, at best." REHEARSING THROUGH BLACK OUTS AND GUN BATTLES That process was about as "interesting" as it gets. Wright and his team battled black outs, water shortages and gun battles. "When we did the show in Dili," he recalls, "we had to do it in very reduced circumstances, because there was a total 'no movement' order issued by the Department of Foreign Affairs and Trade. Violence had broken out following an election, which was very, very frightening. Half of us were stranded on the island and half of us were in lockdown in a house which was isolated down a corridor of gangs in Dili. Our producer, Alex Ben-Mayor, had to drive through a gun fight. Two of the students of our production members were shot in the head and killed by police." That's but a microcosm of what daily life in East Timor can entail. "To be honest, and to be clear, their stories are screaming to be told," Wright asserts. "We've told our stories for years and years and years." Doku Rai (you, dead man, i don't believe you) will show at Carriageworks between Wednesday September 25 and Saturday September 28, 2013. Shows start at 8pm, plus there's an additional 2pm matinee on Saturday September 28. Tickets, $35, are available online.
Life is a bit of a rollercoaster ride at the moment. Yes, that's an understatement. Lockdowns, restrictions, new community cases, growing exposure sites lists — they're all providing quite the ups and downs, and have been throughout the pandemic. Prefer to ride the peaks and troughs on actual theme park attractions? We all do, and now Disney+ has a new series about just that. Across ten episodes — the first five of which will drop on the streaming platform on Wednesday, July 21 — Behind the Attraction covers exactly what's on the label. It heads to the Mouse House's sprawling theme parks, checks out some of the popular rides found within them and tells their tales. Disney loves an origin story, after all, and it has the Marvel and Star Wars movies to prove it, so of course it's now giving its real-life attractions the same treatment. Viewers can find out more about Disney's Haunted Mansion attraction and Space Mountain ride, as well as The Twilight Zone Tower of Terror and the Star Tours that form part of the recently launched Star Wars: Galaxy's Edge. And, Jungle Cruise also earns some attention, complete with Dwayne Johnson lending a hand — with the movie of the same name, starring Johnson, due in cinemas from Thursday, July 29 and on Disney+ on Friday, July 30. As well as talking heads expressing their enthusiasm for these attractions and explaining how they work, the series features archival and never-before-seen footage and photographs that step through the rides' histories. Explaining how they've evolved, and how technology has assisted, is a part of the show as well. Clearly, Behind the Attraction is basically an advertisement for Disney's theme parks. Physically hopping on a rollercoaster hasn't been high on most folks' to-do lists during the last year or so — and definitely isn't right now if you're a Sydneysider or Melburnian currently in lockdown — so consider this a way to scratch that itch from home. Check out the trailer below: The first five episodes of Behind the Attraction will be available to view via Disney+ from Wednesday, July 21.
It's been 357 days and many excruciating hours of silence since the last episode of Serial season one appeared on our Podcasts app and life ceased to be as thrilling as it once was. But now, after almost a year of insane anticipation, Sarah Koenig and the This American Life crew have uploaded the first episode of season two. And, boy, is the Internet excited. While season one focused solely on the 1999 murder of Hae Min Lee and whether the conviction of her ex-boyfriend Adnan Syed for the crime was right or wrong, this season's story looks like it will be asking more than one question. It will follow the story of Bowe Bergdahl, the American soldier who, in 2009, walked off his army base in Afghanistan, was captured by the Taliban and held as a prisoner of war for five years. There has since been speculation as to whether other soldiers died directly or indirectly because of his actions. And now, he's been charged with desertion and misbehaviour before the enemy, which could result in a life sentence. Oof. The podcast was released yesterday morning U.S. time, and host Sarah Koenig promptly posted this on the Serial website: "This story—it spins out in so many unexpected directions. Because, yes, it’s about Bowe Bergdahl and about one strange decision he made, to leave his post. (And Bergdahl, by the way, is such an interesting and unusual guy, not like anyone I’ve encountered before.) But it’s also about all of the people affected by that decision, and the choices they made. Unlike our story in Season One, this one extends far out into the world. It reaches into swaths of the military, the peace talks to end the war, attempts to rescue other hostages, our Guantanamo policy. What Bergdahl did made me wrestle with things I’d thought I more or less understood, but really didn’t: what it means to be loyal, to be resilient, to be used, to be punished." The podcast will be one of the first times the public has heard from Bergdahl and — if season one is anything to go by — it will surely be as gloriously addictive to listen to as it is to talk about with everyone from your colleagues to the lady sitting next to you on the bus. Sarah, it's so good to hear your voice again. You can listen to the first episode here.
2014 is looking to be a good year for music in Australia and New Zealand, with visits from Neko Case and Gold Panda. Indie rocker and singer/songwriter Neko Case (of The New Pornographers) has announced a tour of Australia and New Zealand for the release of her newest solo album, The Worse Things Get, The Harder I Fight, The Harder I fight, The More I Love You. Released this past September, this is Case's first album since 2009's extremely popular Middle Cyclone. The Worse Things Get... is full of tracks with the same vigour and bluntness that audiences appreciated in past hits such as 'People Got a Lotta Nerve' and 'I'm an Animal'. Her lyrical candour is particularly riotous in 'Man', where she declares, "And if I'm dipshit drunk on the pink perfume / I am the man in the fucking moon / 'Cause you didn't know what a man was / Until I showed you." Indubitably, Case is a force to be reckoned with. Meanwhile, electro highflier Gold Panda (aka Derwin Powers) first popped onto the radar in 2009, and has constantly thrown EPs and 7"s at us since. He's dropped two critically praised albums, 2010's Lucky Shiner and 2013's Half of Where You Live. This latest album holds truth in its name. Half of Where You Live is an electronic echo of the producer's experiences: having lived in Japan and travelled extensively, he's now based in Berlin. With tracks such as 'An English House', 'Enoshima' and 'My Father in Hong Kong 1961', our ears get an ambiguous, aural journey through Powers' experiences and geography. Neko Case February/March 2014 Tour Dates Perth: 27 February at Fly By Night Melbourne: 1 and 2 March at Corner Hotel and Melbourne Zoo Twilights Sydney: 3 March at Sydney Opera House Brisbane: 5 March at Hi Fi Adelaide: 7 March at Fowlers Live Mossvale: 8 March at Meeniyan Town Hall Meredith: 9 March at Golden Plains Festival Wellington: 12 and 13 March at NZ Festival Auckland: 14 March at Powerstation Tickets available from Handsome Tours Gold Panda March 2014 Tour Dates Sydney: 6 March at Oxford Art Factory Melbourne: 7 March at Corner Hotel Perth: 9 March at The Bakery Also appearing at Golden Plains Festival. Tickets available from Handsome Tours. https://youtube.com/watch?v=unNa-9qGkfI
Brisbane's balmy spring weather, a varied spread of seafood and a day spent embracing both: that's what's on the menu at The Prince Consort on Sunday, October 22. From 11am, as part of its venue-wide, five-week-long Spring Fling festival, the Wickham Street spot is going all in on the ocean's finest by hosting the Spring Fling Seafood Festival. The fest will welcome in a heap of local seafood vendors, all serving up their wares. Expect prawns, sashimi, oysters, paella and a heap of other seafood bites set up at multiple stations. Attendees will also be able to enjoy samples as they do the rounds, and chat to seafood industry professionals. Entry is free, and it wouldn't be an event at The Prince Consort if there wasn't a live music soundtrack setting the mood. And yes, Brisbane is rarely short on seafood fests — but just like everything you can eat on the day at this one, you can never have too much of a good thing.
With so much focus on pollution and how we can reduce it, bikes are a cheap, convenient and environmentally-friendly method of travelling that more and more commuters are choosing. Take a look at some of the emerging trends and ingenious modifications that have been made to the humble bicycle. Forget your fixie, these are the real deal. Silverback Stark Sub Zero Ever left the house only to realise that your iPod is out of battery? You won't have that problem with the Silverback Stark Sub Zero, which has a USB port for charging your iPod, GPS system or phone. This is powered through an electric generator built into the wheel, and the bike's lights are also charged this way. If you ever get lost on a deserted rural road with no means of communication, just keep on peddling until you have enough battery to call your best mate. Edward Kim and Benny Cemoli's INgSOC The INgSOC bicycle also has a charging dock and lights that can be powered by the rider. However, this bicycle also has the advantage of looking like a cross between a transformer and some weird alien offspring. The frame is made out of carbon fibre reinforced polymer, which is incredibly strong and lightweight. The rider can choose to pedal the bicycle for some healthy exercise, or have it run by a battery back when they're in a rush or feeling especially lazy. Conveniently, the battery pack is charged by the rider pedalling. Nippon Basic CycloClean Nippon Basic have managed to develop a bike with a social conscience. The Japanese company's invention purifies water using energy from its rider's pedaling motion. The CycloClean is designed for those living in areas which might not have drinkable water, or places which have been hit by natural disasters. In just 10 hours of riding time, it can purify up to three tonnes of water. Furthermore, it has tyres which cannot be punctured, making it ideal for use in places where surfaces may be rough and inhospitable. If Captain Planet rode a bicycle, you best believe that this would be it. Toto Toilet Bike Neo According to Toto, they are a company that has 'been evolving Japanese toilets', which is no mean feat in and of itself. Here they take it one step further, by building a bike with a toilet on top of it. Before you get really disgusted, rest assured that the bicycle does not run on human waste, but rather livestock waste. The whole point of the bicycle is to promote environmental sustainability, as plumbing products are responsible for much of the emissions that harm Mother Nature. While you may get a few strange looks riding the Toilet Bike Neo, this is the kind of unique and creative campaign that we don't see enough of in the toilet industry. [via PSFK]
No matter where you live, everyone knows that downtown is where the action happens. For the next few weeks you can score a Calvin Klein Downtown Prize Pack, including a delightful deluge of the new fragrance Downtown, simply by showing off your own creativity. In the competition, running from 22 September to 19 October (that means we're in the thick of it, so get cracking), five winners will be selected each week via Instagram. All you have to do? Post a photo of what you consider to be your 'Downtown' moment with the name of the city where it was taken (select the 'Add to Photo Map' setting and 'Name This Location' before sharing) and hashtag #CKdowntownau. You can enter as many times as you like. We think it's a pretty cool and refreshingly personal competition. Cue Petula Clark's insanely catchy hit — or better yet, scope out the hauntingly beautiful black-and-white campaign for the Downtown fragrance, starring Rooney Mara and directed by David Fincher. You can experience it here. I'm finding that my finger is awfully trigger-happy on the replay button. Prize Packs Include: 2x CK Downtown 90ml 2x CK Downtown 50ml 2x CK Downtown 30ml 1c CK Downtown Rollerball 10ml 2x CK Body Lotion 200ml 2x CK Shower Gel 200ml
Brisbanites are gifted brag-worthy sunshine and clear skies almost all year around, which makes for perfect outdoor gig and picnic weather. So, as the site did back in 2018, 2019 and 2020, the Brisbane City Botanic Gardens is letting everyone make the most of Brissie's ace climate with a Gigs & Picnics series. Taking place on the last Saturday of each month from March–November — running from 12–4pm on March 27, April 24, May 29, June 26, July 31, August 28, September 25, October 30 and November 27, in fact — the event will rustle up some of the city's best food trucks, put on some free tunes and invite folks to get cosy on their own blanket all afternoon. Entering through the main gateway at the intersection of Alice and Albert Streets, attendees can expect everything from jazz and modern reggae to dub and gypsy, all in gorgeous greenery-filled surroundings. You can also order a picnic basket in advance, which'll be there for you on the day. Or, if you're bringing your own feast, just remember that the gardens aren't BYO. Image: Gigs & Picnics.
A quarter-century ago, Christmas changed forever. Sure, the end of the year was filled with plenty of festive cheer before Mariah Carey released 'All I Want for Christmas Is You' — but since 1994, that upbeat ditty has become everyone's go-to seasonal soundtrack. Just last year, in fact, the track topped the US charts. It didn't even achieve that feat back when it was initially released, making it the song that has taken the longest journey ever to the top spot. Carey has re-recorded 'All I Want for Christmas Is You' several times, and it just keeps spreading its festive melody. Yes, we know you now have it stuck in your head just from thinking about it. The singer has several holiday albums to her name, too, which keep prolonging the song's longevity. And if that's all 100 percent okay with you, you'll be particularly excited about her next Christmas-themed project. Sometime before this chaotic year is out, Apple TV+ will release Mariah Carey's Magical Christmas Special — aka the star-studded festive show you didn't know you always wanted until now. Just when it'll head to your streaming queue hasn't been announced but, if that's all you want from the rest of 2020, expect it in the lead up to Christmas (obviously). In its efforts to help salvage the trainwreck that is the past 12 months, Mariah Carey's Magical Christmas Special will feature Carey, of course, alongside a star-studded lineup of other guests. Apple TV+ isn't revealing too much there either — other than the fact it'll be co-directed and executive produced by A Very Murray Christmas alumnus Roman Coppola — but apparently the special "will combine music, dancing and animation driven by a universally heartwarming story that brings the world together". It's Apple TV+'s latest big-name project — with Sofia Coppola's new Bill Murray-starring movie On the Rocks also headed to the service later this year, and its recent live documentary Beastie Boys Story earning a couple of Emmy nominations. And because we already know you're humming it to yourself, you can check out the music video for 'All I Want for Christmas Is You' below: https://www.youtube.com/watch?v=yXQViqx6GMY Mariah Carey's Magical Christmas Special will hit Apple TV+ sometime later this year — we'll update you with an exact date when one is announced.
Cut Copy burst onto the scene, and into our hearts, with their chart-topping album In Ghost Colours all the way back in 2007. Six years later, they're dropping their newest offering, Free Your Mind, on November 1. Ahead of the group's international tour, we met up with Dan Whitford, the man behind the mic, to chat about the band's newest tunes, his feelings about success and why dance music isn't going around in circles. Free Your Mind is thematically stronger than the previous two albums. You've said that you never intended to make a concept album, but it has kind of come out that way. Did the concept evolve as a natural progression from the writing? Initially, it was an effort to get started, and we were hoping to have a few gems that we could work up into contenders for a record, but there's only so long you can go without considering that they all have to fit together on a record at some point. There was probably a point where we went, "Okay, how do these songs relate, and what are we doing?" We started out with a very open-ended plan, like, "Don't overthink anything, if you have an idea, try it," and that was sort of what we tried to do through most of our recording. But I think we then got to a point where we had a few different directions with these tracks, we were asking, "What's the common thread?" So I think it just ended up feeling like there was this sort of slightly euphoric, kind of uplifting, but also kind of a loose psychedelic feeling to most of the tracks. The sound of the record, as well as the theme, is retrospective as well as prospective. Are you looking to the music of the past to build your future music? Yeah. I think that dance music, probably all music … has always done that. Each era, from disco onwards … even in the disco era, you'd be taking an old song, and doing the new version of that for this period in time, and then the same with the 1990 version of a disco song, and now there's the 2001 version of the 1990s song. I think dance music naturally looks forward because it's a fairly fickle thing. Stylistically, it's always looking to evolve, but it's also very retrospective. I think that's something that Daft Punk, for instance, have done more than any other … artists in the past, and that's being so diversely influenced by not just dance music history, but pop music history like Beach Boys and KISS, some of these things that are glam rock. These are things that don't normally fit into dance music, but they pulled in for the hell of it, and created something new. I think we're nostalgic about some of these periods of music with this record, and I think the combination of things that we pull in hopefully ends up being something that people haven't heard. You've never actually trained to play any musical instruments. How do you think that this lack of training affects the way you write music? It's good because you don't have any preconception about what you're doing. My training was listening to records. My record collection … taught me how to play music and make music, so you're assimilating all these influences and creating your own thing from there. I think it's good not to have too many rules about what art should be, because I think you're inevitably limited by that. I know music is a popular art form, so I know that if you're making, say, a Lady Gaga song, then there are probably a few rules … if you want to get played on the radio, but I think that in a general sense, having fewer rules makes more interesting music because the possibilities are more endless, more infinite. So I feel there's a benefit to never really knowing what I was doing. In Ghost Colour and Zonoscope were both hugely successful. Is that something you think about when writing now? I think it's a trick having all … these artificial pressures on what you're doing creatively, and I think the best stuff, for me, is created amongst the band when we're just doing the stuff that we like. I guess you've just got to trust your own creative instinct and aesthetic to hopefully be something that's good. Ghost Colours went number one, but we never thought in our wildest dreams that it was even going to be in the charts, let alone in the top ten or number one, that was just ridiculous. We did that without thinking about it, so sometimes the best thing is to really not even consider it. I guess there is some pressure there, but I guess that, at the end of the day, we just come back to making the music that we like, and if there are ever points where we get confused, usually we just come back to, "What do we like?" And that's the best guide, and probably what the right choice is. Cut Copy's new album, Free Your Mind, is out November 1 through Modular. https://youtube.com/watch?v=xPRJVKtrCCk
The chance to watch a comedian do stand-up in front of a dimly lit brick wall in Brooklyn is a dream out of reach for most of us. But which American is about to make that all change? It's Rick James, bitch. No wait, It's Dave Chappelle. Most known for his television series Chapelle's Show, the comedian, screenwriter, actor and television and film producer will be hitting Sydney, Melbourne, Brisbane, Adelaide and Perth for his very first tour outside of North America. Now 40 years old, Chappelle's been performing since he was 14 and was tossed under the spotlight for his parodies of American culture, racial stereotyping and politics. Chappelle's most recent tour sold out venues all over the U.S. and Canada. So don't leave tickets to the last minute; shows like these don't often come knocking on Australian doors. Tickets for all shows go on sale 9am this Tuesday, January 28, with presale options released on Friday 24 via Live Nation. Dave Chappelle Tour Dates Thursday, 20 February QPAC Concert Hall, Brisbane Saturday, 22 February Adelaide Entertainment Centre Theatre, Adelaide Tuesday, 25 February Riverside Theatre, Perth Friday, 28 February Palais Theatre, Melbourne Tuesday, 4 March Sydney Opera House, Sydney Wednesday, 5 March State Theatre, Sydney
If this year has taught us anything, it's that reality doesn't always run smoothly and to plan. But, also, that you won't find a much better antidote to life's mess and uncertainties than to focus on the beauty of those small, everyday rituals. A hot cuppa served in your favourite floral mug, an after-work cheese board shared with your bestie, or maybe that homemade dinnertime feast being pulled from the oven, delightful aromas and all. Whatever minutiae you're into celebrating, Finnish design house Marimekko has just unveiled a new collection of vibrant homewares that'll make those daily rituals feel as beautiful as ever. As with all the brand's creations, these kitchen and dining products offer a joyful nod to the art of printmaking, splashed in a range of striking original prints and awash with plenty of bold hues. And there's something here for every home, taste and colour palette. You can always bank on Marimekko delivering a diverse array of designs, as each of its artists gets free rein to express themselves through their prints, tasked simply with creating products that have soul. True to form, the new pieces are functional enough to fit your everyday life, but also have a stylish flair that's sure to add a little something special, too. You'll find the latest abstract florals, watercolour-style prints and charming woodland scenes adorning everything from kitchen towels and aprons, to oven mitts and tote bags. Pick up some matching ceramics, with a range of printed mugs, serving platters, plates and other tableware, that'll either inject some joy into your morning coffee routine, or liven up that next dinner party. Check out Marimekko's latest collection of homewares online now. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Roma Street is about to undergo a massive overhaul, with the roadway's long-standing transit centre set to be demolished. From 2019, works will commence to replace the inner-city eyesore with a new underground station, as part of the Queensland Government's Cross River Rail project. Both the Brisbane Transit Centre and the adjacent Hotel Jen will be torn down by late 2020, completely transforming the area around Roma Street Parklands — with a target completion date of 2025. If you can't remember a time before catching trains and buses from the towering grey building, that's understandable. In fact, this will mark the first major change since the centre opened back in 1986. The news comes just weeks after the government revealed it was putting $5 million towards the business case for the Brisbane Live project — a new Roma Street entertainment precinct, complete with a 17,000-seat live performance arena, new hotels, apartment towers and cultural facilities that was first announced back in 2016. Given that the new facilities will sit above the current station, tearing down the transit centre is hardly an unexpected development. "When complete, the new station is expected to be used by more than 230,000 commuters every week, the equivalent of over four capacity crowds at Suncorp Stadium," said Deputy Premier and Treasurer Jackie Trad. Replacing Roma Street Station is the latest shakeup for Brisbane's public transport network, which is also slated to welcome the Brisbane Metro by 2023, and redevelop the bus stops and train stations surrounding the Cultural Centre at South Bank. As for the long-planned Cross River Rail project, it's set to be up and running by 2024, linking Dutton Park to the Brisbane Showgrounds. New underground stations also mooted for Boggo Road, Woolloongabba and Albert Street. Image: Denisbin via Flickr.
Printed on a piece of card and stuffed in many a letterbox, "sorry we missed you" ranks among the most frustrating phrases in the English language. If you're expecting a delivery, it means that you'll need to contact the courier company, book in another day and spend more time waiting, which is never convenient. But for those who dedicate their hours to transporting parcels around town, those four words can also indicate something far worse. To some employers, it can mean that they haven't done their job — and that has far-reaching consequences. Continuing his career-long examination of Britain's working class, Ken Loach's latest social-realist drama steps into this world, and into the punishing expectations that have become normalised in today's gig economy. Everyone has been annoyed about a delayed delivery, but the reality for overstretched couriers saddled with too many parcels, too little time, nowhere near enough pay and restrictive working conditions is much more bleak than simply having to wait an extra day for your latest online purchase. Sorry We Missed You focuses on Ricky Turner (Kris Hitchen), who's new to the courier business; however it could've just as easily followed his path through plenty of other industries. Loach and his regular screenwriter Paul Laverty have chosen wisely, though, picking a field that everyone has had an experience with (even if only on the consumer side). Still, the same principles apply to many service-oriented professions these days — insecure work, no guaranteed hours, round-the-clock demands and an all-round arrangement that puts employers at an enormous advantage to the contractor's detriment. Ricky's wife Abbie (Debbie Honeywood), a nurse and in-home carer, also navigates a similar system. That we live in a world where meeting set targets and sticking to arbitrary timeframes is more important than giving proper medical care sounds like something out of a grim dystopian future, but Sorry We Missed You isn't exaggerating. After losing not only his construction job in the 2008 financial crash, but his chance to buy a house, Ricky gets into courier work as a last resort. Debts are piling up, he wants security for his family's future and there are no other options. On paper, it seems ideal and even easy. Convincing Abbie to sell her car, he uses to money to purchase a van and starts contracting for a big company. Then, under hard-nosed manager Maloney (Ross Brewster), he discovers how the gig operates. He's soon working seven days a week, getting sanctioned when he can't meet KPIs and resorting to peeing in bottles because he doesn't have time for a toilet break. He's also vulnerable to robberies and financially responsible for the cargo he's delivering. And taking any time off — when he's injured, when the equally overworked and exhausted Abbie needs help, and when their adolescent son Seb (Rhys Stone) gets in trouble with the law — comes with severe monetary penalties. Some days, he even takes his pre-teen daughter Liza Jane (Katie Proctor) with him just so he can see her, although that's also frowned upon. Across his more than 50 years behind the lens, Loach has always been drawn to these types of scenarios. His films are fictional, but they're steeped in actuality. That proved true in 1969's Kes, which relayed the story of a downtrodden Yorkshire boy's life-changing friendship with a kestrel, and just might be the finest British movie ever made. It was also true in I, Daniel Blake, his 2016 Palme d'Or-winning drama about government benefits that's a clear companion piece to Sorry We Missed You. That these tales keep needing to be told is heartbreaking and infuriating, of course — but there's no one better at it than Loach. He's an empathetic and humane filmmaker determined to give a voice to ordinary folks, to tackle everyday issues and to show life as it really is. He's also just as passionate about calling out vast societal inequities that, as seen in the Turners' experiences, exploit the masses for corporate gain. As is his trademark, Loach brings all of the above to the screen with a keenly naturalistic eye and a largely non-professional cast, shooting his characters and their lives as though he's recording reality. There's no one better than cinematographer Robbie Ryan to help — the man who not only achieved the same feat on I, Daniel Blake, but on Andrea Arnold's American Honey and Noah Baumbach's Marriage Story as well. Under the duo's combined gaze, Sorry We Missed You's images speak a thousand frustrating words, and draw audiences into the film's despairing situation. The feature stares daggers at a system the world has simply accepted, too, and forces audiences to see how it affects average people. And, while the movie's message isn't subtle, this is still a nuanced and astute picture that's exactly as stirring and galvanising at it needs to be. https://www.youtube.com/watch?v=_sdnSZ6J6HA
Finding the perfect spot for every beer drinking occasion isn't easy. So, that's where we come in — at Concrete Playground, we want to pass our expertise onto you. Together with Heineken, we've created two crafty tools to help you plan your next day or night out: the Heineken Bar Finder, a complete guide to the top-notch beer gardens, rooftop bars and other hotspots where you can enjoy an ice cold brew, and the Heineken Insider chatbot, your trusty brew companion. We're just a simple 'hey insider' away, making it even easier for you to find that perfect spot for your next outing — all thanks to the power of AI. While you can browse our expert guides over at the Heineken Bar Finder, we encourage you to have a chat with the Heineken Insider. Here's how it works: head over to our Facebook page and send us a message saying 'Hey Insider 'to get in touch. You'll be asked what you're looking to do, and we'll respond instantly with specialised recommendations for the occasion — either at your current location or anywhere in the city if you don't have a preference. Looking for a hump day lunch spot for you and your office mates? We got you. How about the perfect spot for late-night kick ons? We got you there, too. And what about the best pub in your area where you can catch the match? You get the idea. The Heineken Insider has your back with recommendations from day to night. Also, we should mention that there'll be chances to win freebies and VIP experiences at some key bars. It's time to make your friends think you're the expert in this city. Take the work out of the play and chat with the Heineken Insider now.
For many designers, their work is developed through experimentation with new materials, while for others their entire body of work is dedicated to exploring the potential of only one. Jan Gunneweg falls into that latter category, and his material of choice is wood. Gunneweg's workshop in the Netherlands is filled with beautifully crafted traditional wooden objects, such as benches, desks and tables. However, it is also filled with some fairly non-traditional ones, including sunglasses, which he creates by hand. His wooden bicycles, though, have garnered Gunneweg the most attention of late. Gunneweg's bikes are both technically and aesthetically beautiful, as well as practical, and are made out of solid walnut or birchwood. And while Genneweg's has plans to produce bikes which are far easier (and cheaper) to make, assemble and ship overseas, at present he is only making to order. Understandably too, as each takes between 160 and 200 man hours to create. Quite an impressive labour of love, and a rather nice way to get around town this summer - especially if you can afford the matching sunglasses.
During this summer's catastrophic bushfire season, flames encroached on Bundanon and Riversdale, the 1100-hectare properties that were gifted to the Australian public by by artist Arthur Boyd and his wife Yvonne Boyd back in 1993. Located in the Shoalhaven region on the New South Wales south coast, the heritage-listed sites were thankfully saved, as was the art collection within them — and now work is underway on their huge new bushland gallery. While the new addition to Riversdale was first announced back in 2018, this week marked the start of construction, with the gallery due for completion by the end of 2021 in time for an early 2022 opening. Well aware of its location and the climate conditions it faces, it'll welcome a purpose-built, 380-square-metre 'environmentally prepared gallery-of-the-future' — which'll be designed to ramp up the site's fire defenses, complete with a safe storage facility. With work underway — and new renders revealed, providing another glimpse of what the scenic spot will look like in two years — the Federal Government announced that it's also providing additional funding to help improve the properties' resilience. Specifically, it has earmarked $300,000 for the installation of an ember suppression system to protect the location's significant heritage-listed buildings. They include the Arthur Boyd Homestead, studio, artists-in-residence and musician cottages, and the art collection store. Costing $33 million in total, with $22 million supplied by the Australian Government and $8.6 million coming the NSW Government, the new site will house a huge art collection valued at $43 million. That hefty range spans around 4000 items, including more than 1300 works by Arthur Boyd himself. Pieces by Pablo Picasso, Francisco Goya and Brett Whiteley are also part of the collection — items that, at present, are on display in the existing Bundanon Homestead and in Arthur Boyd's studio, When the Boyds gave the rural site to the Australian public back more than a quarter-century ago, Bundanon and Riversdale became a haven for creativity, arts and education, as well as remaining a working farm. That's all remaining the same — just with the new addition built into the hillside. That said, although the new gallery is the main attraction — boasting windows that frame the artwork with glimpses of the natural splendour outside, it promises to provide quite the sight — that's not all that's being added to the property. Also under construction is a 140-metre-long by nine-metre-wide structure that'll branch out of the gallery, into a bridge spanning across the bushland and parkland, and across to 34 bedrooms, a teaching and dining space, and a public cafe. Stepped terraces, an openair arrival hall and an outdoor learning space are also planned. The Bundanon Trust's new gallery is due to open in early 2022 in Illaroo, New South Wales. For further information, visit the Bundanon Trust website. Images: Kerstin Thompson Architects.
Sweet Christmas alert: when festive season gets into full swing for 2023, Wonka will bring its treats to the big screen. Here, Roald Dahl's chocolatier gets an origin story from writer/director Paul King and his co-scribe Simon Farnaby, who were also behind the wonderful Paddington films — with Timothée Chalamet making the goods and Hugh Grant getting bantering as an Ooompa-Loompa. He's had his heart broken during a lusty Italian summer, romanced Saoirse Ronan in a Greta Gerwig film not once but twice, spiced up his life in a sci-fi saga and sported a taste for human flesh. Now Chalamet is singing and dancing into a world of sugar. For everyone keen to see a new take on a childhood favourite starring one of the internet's boyfriends, Wonka will hit cinemas Down Under on Thursday, December 14 — and both the initial trailer and the just-dropped latest sneak peek are big on whimsy and pure imagination. First gracing the page almost six decades back, in 1964 when Charlie and the Chocolate Factory initially hit print, Willy Wonka has made the leap to cinemas with Gene Wilder playing the part in 1971, then Johnny Depp in 2005. The difference this time: not just Chalamet making sweet treats, but a film that swirls in the details of Wonka's life before the events that've already been laid out in books and filled two movies. The picture's main man has a dream — and, after spending the past seven years travelling the world perfect his craft, he's willing to get inventive to make it come true. Starting a chocolate business isn't easy, especially when the chocolate cartel doesn't take kindly to newcomers, selling choccies at an affordable price and sharing their wares with the masses. From there, brainwaves, optimism, determination, wild and wonderful Wonka inventions, and life-changing choices all spring, plus big vats of chocolate, chocolate that makes you fly — and Willy's dedication to making "the greatest chocolate shop the world has ever seen". Also accounted for: a mood of wonder, and not just due to the umbrella-twirling dream sequences and cane-whirling dance scenes in the first trailer, or the leaps through fairy floss and chats with Grant's (Dungeons & Dragons: Honour Among Thieves) Lofty. Indeed, the magical tone doesn't just fit the tale; it's exactly what King and Farnaby spun when they were celebrating a marmalade-loving bear. King helmed and penned both Paddington movies, while Farnaby also did the latter on the second (and acted in each). The duo worked together on wonderful and underseen 2009 film Bunny and the Bull as well, and on The Mighty Boosh, of which King directed 20 episodes. On-screen, Wonka's cast is as jam-packed as a lolly bag, with Chalamet and Grant joined by Farnaby (The Phantom of the Open), as well as Olivia Colman (Heartstopper), Sally Hawkins (The Lost King), Keegan-Michael Key (The Super Mario Bros Movie), Rowan Atkinson (Man vs Bee), Jim Carter (Downton Abbey: A New Era) and Natasha Rothwell (Sonic the Hedgehog 2). Yes, you'll want a golden ticket to this. Check out the latest trailer for Wonka below: Wonka releases in cinemas Down Under on December 14, 2023.
These days, warehouse parties seem to be not just ‘a’ thing but ‘the’ thing to do. Raging BYO gigs in non-descript buildings are suddenly the number one option for every approaching weekend, but the main dilemma with these social outings is picking the best from the rest and knowing you’re getting your bucks worth. Wait, what? The kings of awesome, party conceivers I Oh You, are coming to Brisbane? And they’re throwing a party? With Velociraptor (a party unto themselves) playing and the sweet Millions DJs and John Steel Singers DJs doing their thing? Well… this just became a one-man race. Hitting up the Contortionist Studios Warehouse on the 23 July, the boys from down south will be bringing their fabled party power to Brisbane, so it's time to cause a ruckus and make sure your pennies are being put to good use (no doubt on BYO alcohol).
For 99% of people out there, the start of January means the start of new resolutions. For some that means more exercise, whilst others promise to drink less, however one other resolution that often gets repeated is to become more culturally aware. This mantra is up there with the most cliché, but it’s there for a reason – who doesn’t want to extend their mental capacity and gain the ability to hold a fancy pants conversation? If this resolution sounds suspiciously like one of your own, consider yourself lucky as Brisbane is currently thriving with various activities of this type. One of these is the new art exhibition COLOURFIELD: New Paintings, which is both showcasing and selling the work of Kudditji Kngwarreye. Happening at the fireworksgallery in Newstead, this collection is one to write home about, or brag incessantly that you’ve seen it. Mr Kngwarreye has been in the art world since the 80s, so his portfolio is of a rather impressive size. For this collection however he has branched out into a brighter colour scheme, in the process creating some absolutely amazing pieces that wouldn’t look out of place featured on The Selby. The exhibition runs until the end of the month, but as all pieces are for sale, don’t postpone your trip too long. And besides, following through with resolutions doesn’t last that long anyway.
Southeast Queensland isn't lacking Mexican joints. But, still, it's set to get another dose of colourful, unapologetic Tex-Mex when El Camino Cantina opens its third local outpost in Robina on Wednesday, July 22. El Camino already has spots in Bowen Hills and Chermside — and Sydney and Melbourne, too — and is part of Rockpool Dining Group, which also owns Sake, Beerhaus, The Bavarian, Munich Brauhaus and WingHaus. If you've been to the chain already, you'll know this casual dining venue is loud, colourful, and filled with over-the-top with giant cocktails, rock 'n' roll jukeboxes and lively Tex-Mex fare. The new El Camino — which will be located on The Promenade dining strip at Robina Town Centre — will hold 280 patrons, including in a rowdy neon-lit dining room, as well as an outdoor area that has room for 175 people to spill out in front of the restaurant. Slushie machines signal big nights and brain freezes, with El Camino's margaritas coming in multiple sizes and renditions — such as a tropical Red Bull flavour, which really says it all. Other options include a host of beers from near and far, and a sizeable collection of mezcals and tequilas. The food lineup is as fun and casual as the drinks. Think fiery buffalo wings, sizzling fajitas, plump burritos, soft shell tacos loaded with punchy flavour combinations, and unlimited complimentary corn chips and salsas. It'll also have El Camino's signature specials, including $2 tacos on Tuesdays and ten-cent wings on Wednesdays. El Camino Cantina will open at Robina Town Centre, Robina Town Centre Drive, Robina at 4pm on Wednesday, July 22. Images: El Camino Cantina Manly by Tom Ferguson.
Ever since Tiger King: Murder, Mayhem and Madness hit Netflix in mid-March, the docuseries has become a true-crime phenomenon. Given the story it tells, that's understandable. Focusing on former Oklahoma private zookeeper Joe Exotic, the show spins a 100-percent true tale filled with eccentric characters, wild animals, assassination plots, polygamy and bad mullets. By now, you've probably not only binged your way through the series, but also watched the Joel McHale-hosted special and spent too much time checking out Exotic's music videos. If you're like everyone else with a social media account, you've likely also devoted a few hours to picking who should play Exotic, his pals and his enemies in a dramatised version of the story — because, unsurprisingly, that's in the works. Actually, more than one take on the tale is heading to the small screen, and one of them has pulled off one helluva casting feat, enlisting none other than Nicolas Cage to play the blonde-haired tiger aficionado, one-time US presidential candidate and current incarcerated felon. As reported by Variety, Cage will step into Exotic's tight pants and flamboyant shirts, all in a scripted drama series that'll chart the latter's efforts "to keep his park even at the risk of losing his sanity". Think of it as the Joe Exotic origin story, chronicling how he took on that moniker, became a larger-than-life version of himself and found himself on his present path. While Exotic has received plenty of media attention in his time, particularly recently, this series will be based on Leif Reigstad's 2019 Texas Monthly article 'Joe Exotic: A Dark Journey Into the World of a Man Gone Wild'. American Vandal showrunner Dan Lagana will hold the same role on this yet-to-be-named Joe Exotic drama, as well as writing and executive producing — but the big news is obviously Cage's involvement. After making more than 100 on-screen projects across four decades, this is the first time he'll be starring in a TV show on a regular basis. Plus, the Vampire's Kiss, Face/Off, Con Air, Mandy and Color Out of Space actor isn't known for his subtlety, which makes him a perfect fit to play Exotic. Cage also has some recent experience with jungle animals, at least of the terrible CGI kind, thanks to 2019 action-drama Primal. It casts him as a big-game hunter chasing a rare white jaguar, which then gets loose on a ship alongside a notorious murderer — and yes, it's the type of over-the-top Cage film that has to be seen to be believed. Just who'll be co-starring with Cage — who'll no doubt be at his overacting best — is yet to be announced. While Kate McKinnon is set to play Carole Baskin, the rival animal park owner that Exotic is in prison for trying to have killed, that's happening in a different series about the whole saga. And, according to Rob Lowe's Instagram, there's another project in the works that'll feature him in a mullet, as produced by Glee, American Horror Story and Pose's Ryan Murphy. If you need a reminder as to why everyone's rushing to turn Exotic's story into a drama series, check out the Tiger King trailer below: https://www.youtube.com/watch?v=acTdxsoa428 The Nicolas Cage-starring, yet-to-be-named Joe Exotic series doesn't yet have a release date — we'll update you when further details are announced. Tiger King: Murder, Mayhem and Madness is available to stream on Netflix. Via Variety. Top image: Netflix.
Asghar Farhadi is not yet so passe, because the latest release to come from the Iranian director, The Past (or original title Le Passé to le snobs) looks as good as his 2012 Academy Award-winning A Separation. Dubbed an engrossing psychological drama about choice and responsibility, the critically acclaimed French film features Bérénice Bejo (The Artist), awarded Best Actress at the Cannes Film Festival for her work in this film. The Past follows Bejo's Marie and her children, who are deserted by husband Ahmad (Ali Mosaffa) when he returns to his home in Iran. But in his absence, Samir (Tahar Rahim from The Prophet) hits the screen and, despite protests by her teenage daughter, Maria requests a divorce and Ahmad finds himself with renewed love for his estranged wife. The Past is in cinemas on February 6, and thanks to Madman Films, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Brisbanites, if you've recently been to the international airport, keeping a close eye on your health and getting tested if the slightest COVID-19 symptoms arise could be in your future. Today, Friday, April 30, Queensland Health has issued advice relating to a new coronavirus case in the community — with a passenger from from Port Moresby in Papua New Guinea breaching the Brisbane International Airport's green zone for overseas departures, and subsequently testing positive. The breach occurred on Thursday, April 29, with anyone who was in the terminal between 9.45am–12pm that day requested to monitor for symptoms and get tested immediately if you feel unwell. The man and his travel partner spent just over two hours in the green departure zone — including at Hudson Cafe — rather than in the red zone that's for travellers from higher-risk countries. Given that Australians can only travel to New Zealand at present under green zone arrangements — as part of the trans-Tasman bubble — just three flights between Brisbane and NZ yesterday morning are affected: Air New Zealand NZ202 from Brisbane to Christchurch, Air New Zealand NZ146 from Brisbane to Auckland and Qantas QF135 from Brisbane to Christchurch. Queensland Chief Health Officer Dr Jeannette Young has declared the international terminal a venue of concern, though, but also advised that testing is being undertaken to ascertain whether the positive case was a historical rather than currently active case. Airport staff that came into contact with the man have been placed into quarantine. https://twitter.com/qldhealthnews/status/1387931447877521415 This isn't the first time that a case in an airport has prompted such warnings, but it is the first in Brisbane — after Melbourne Airport was linked to a case in February and another this month. As always, the usual advice regarding COVID-19 applies anyway. So, requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms in general are still in effect, as they have since March 2020. For more information about the status of COVID-19 in Queensland, head to the Queensland COVID-19 hub and the Queensland Health website. Top image: Kgbo via Wikimedia Commons.
Each February, there's an easy way to find out what's hitting cinemas in the months ahead. When American football's biggest event of the year arrives, so does a heap of big-name movie trailers. In 2025, the week leading up to the Super Bowl has seen everything from Fantastic Four: First Steps to Jurassic World Rebirth debut sneak peeks. Also capitalising on prime timing: F1. The Formula 1 racing thriller already unveiled a sneak peek in 2024, but now another look has dropped linked to the Super Bowl. In it, Brad Pitt (Wolfs) feels the need for speed as a former driver who returns to the track. Filmmaker Joseph Kosinski clearly experiences the same sensation, too, given that this is his latest flick heading to cinemas after 2022 smash Top Gun: Maverick. "Red Bull, Ferrari, Mercedes, Aston and now McLaren all have a speed on the straights. Our shot is battling in the turns. We need to build our car for combat," said Pitt as Hayes in 2024's teaser trailer — if you're wondering how competitive the storyline will get. Zooming onto the silver screen at the end of June 2025, F1 focuses on fictional team APXGP, with Pitt as Sonny Hayes and Damson Idris (Snowfall) as his colleague Joshua Pearce. Also featuring on-screen: Kerry Condon (Skeleton Crew) and Javier Bardem (Dune: Part Two), giving the movie a recent Oscar-nominee (for The Banshees of Inisherin), plus another winner (for No Country for Old Men) alongside Pitt — and also Tobias Menzies (Manhunt), Sarah Niles (Fallen), Kim Bodnia (Nefarious) and Samson Kayo (House of the Dragon). If Kosinski's feats with his Top Gun sequel didn't already bode well for F1's racetrack action — and they do, and Top Gun: Maverick screenwriter Ehren Kruger (Dumbo) is also onboard here as well — then the fact that the movie shot during actual Grand Prix weekends should, too. F1's racing pedigree includes seven-time Formula One world champion Lewis Hamilton's involvement, courtesy of his Dawn Apollo Films production company. The feature is also being badged as a collaboration with the Formula 1 community, spanning its teams, drivers and promoters. Check out the trailers for F1 below: F1 releases in cinemas Down Under on Thursday, June 26, 2025.
The arts should be for everyone. And, while many artists and audiences might assume that's always the case, people with disability often find otherwise. Presentation opportunities, representation in the industry and involvement in major arts companies can be lacking for performers with disability, which is why the Undercover Artist Festival is trying to do something about it. Returning for 2021 — this time as part of Brisbane Festival — this inclusive event focuses on disability-led professional performing arts works across its four-day run. From Wednesday, September 15–Saturday, September 18, Queensland Theatre will play host to a range of theatre, dance, comedy, circus, music, cabaret and poetry shows, and celebrate the talented people behind them, all at an event that's accessible to all artists and audiences. Here, diversity rules, both in terms of artists and in their efforts. There's a cabaret that blasts stereotypes about the autism spectrum, an aerial theatre show, a disability pride wall, workshops and more on the bill, so the festival certainly has the program to prove it. View this post on Instagram A post shared by Access Arts (@access_arts) Top image: Lauren Watson.
Sydney's newest hotel is so keen on the whole 'choose-your-own-adventure' idea that, when it opens next month, it will let guests select their own rooms. Billed as the city's "first authentic custom designed hotel", Camperdown's soon-to-open Collectionist Hotel wants to push that concept of individualised guest experiences to a whole new level, letting them pick a favourite from the assortment of designer suites on offer. It's slated to open next month in a former warehouse space, where a team of seven designers and 13 artists have been kept busy creating 39 unique rooms. But instead of being allocated a random suite, guests at The Collectionist will suss out the available rooms at check-in and choose exactly where they want to spend their stay over a welcome drink — a concept Collectic Hotels co-founder Daniel Symonds likens to browsing works of art. No two two rooms are the same, apparently, as each will boast its own unique colours, textures and style. A great idea if you're in the mood to choose, but probably less than ideal when you're crashing hard after a long-haul flight. Or if all the rooms have already been taken by people who arrived earlier than you. Unsurprisingly, The Collectionist has also done away with the usual room number caper, in favour of eclectic names like the Queenie Fah Fah, Cloud Runner and La Chamber Noir. Just don't expect them all to be your cup of tea. "I would be surprised — and a little disappointed, to be honest — if there weren't some divided opinions on the rooms designs," said Symonds. "We have purposely set about creating rooms that will challenge the 'norms' on hotel room design." The Collectionist Hotel will open at 9–13 Marsden Street, Camperdown in May 2018. You can't book a room yet, but you can check the website for updates.
A wool shirt that you can wear for 100 days straight. No washing. No dry cleaning. No wrinkles. No odour. That is the promise from new male fashion manufacturers Wool&Prince, who are transforming the button-down into a woollen wardrobe staple. They have created a wool shirt that they claim is incredibly soft, comfortable, does not need an iron or dry clean and, best of all, will still not smell or need a wash until after at least 100 consecutive days of wear. They know, because that's how long this guy wore his. You can feel good whilst looking good, saving money on your wardrobe and saving water for the world. This is all made possible by their development of CottonSoft wool fabric, which is anti-wrinkle by nature and far more durable. The lightness and breathability of the material is what enables the wearer to smell fresh (but remember, just because the shirt does not need a wash, does not mean that you can get away without one, too). Wool&Prince have already soared past their initial Kickstarter goal of US$30,000, raising more than US$265,000 so far, and after extensive testing around the world, the project is almost ready to go and one can be yours for only US$98. If you buy six, it should set you up for a wash-free year. Via Esquire.
Jenny Lewis, former lead singer of indie rock group Rilo Kiley, is about to release her first solo album in six years, so why not come back with a bang (and a viral video)? Her social media freakout-inducing clip for first single, the Beck-produced 'One of The Guys' has a few of Hollywood's leading ladies taking the piss out of gender roles by tracksuiting up and acting like real tough dudes. Unlikely accomplices Anne Hathaway, Kristen Stewart and Brie Larson casually make up Lewis's backing band, eventually winding up in drag, fly kicking, breakdancing and giving each other those perplexing man-hug-hand-shake things. Snaps to Lewis for fusing taking Taylor Swift-style famous friend collab cues. There are so many high-fivable things going on here, it's hard to know where to start. Lewis's rainbow pantsuit, Hathaway's rat-tail and keytar, and Stewart actually looking like she's having fun for once in her life — all good places to start. Despite all this nonchalant splendour, Larson takes the cake. The Short Term 12 star is completely hysterical in this clip as a boy, and is probably the most convincing lip syncher of the band next to Lewis. Despite the silliness, the single is actually quite a poignant note on being comfortable with yourself both in your womanhood and in your age. Just goes to show, dealing with heavy stuff doesn't mean taking yourself seriously all the time. 'Just One of the Guys' is the first single from Lewis' new record Voyager, which will be out by the end of the month. Watch 'Just One of the Guys' right here: https://youtube.com/watch?v=Irvcf6dCk-k Via Rolling Stone.
