Many Australians spent a childhood birthday or two under one of Pizza Hut's iconic red roofs, digging into endless cheesy slices and soft serve at an all-you-can-eat buffet. Fast forward to 2020 and not a whole heap of Pizza Hut buffets exist — with only 14 dine-in outposts across the country — but the chain is still going strong with its hundreds of takeaway shops. And it's celebrating its 50th anniversary in Australia by giving away a whopping 50,000 takeaway pizzas. Pizza Hut is giving away 10,000 pizzas each day from Monday, August 3 to Friday, August 7. You just need to head over to the website between 4–6pm on one of those days, submit your details and select your closest Pizza Hut store. You can choose from five different toppings, too — the brand's five most popular flavours, in fact: Pepperoni Lovers, BBQ Meatlovers, Super Supreme, Cheese Lovers or Hawaiian. You then have until 11.59pm on Monday, August 31 to redeem your free pizza. To coincide with the giveaway, and the anniversary, Pizza Hut is releasing some fun facts about each decade every day, such as where its first Aussie restaurant was located (Belfield, NSW) and when stuffed crust was launched (25 years ago). Pizza Hut is giving away 10,000 free pizzas from 4–6pm each night between Monday, August 3 and Friday, August 7 via the website. Top images: Warrawong and Canley Heights Pizza Huts.
Traditionally, autumn is a season filled with orange, red, brown and yellowing leaves, as spring and summer's greenery makes way for winter. Come mid-March, just over an hour outside of Brisbane, it'll also be a time for golden stems — all as part of the Scenic Rim's returning, much-loved and obviously stunning-to-look-at Kalbar Sunflower Festival. Expect to spot sunflowers as far as the eye can see at the Jenner family farm in Kalbar. In past years, there have been more than 200,000 of the vibrant blooms reaching up to the sky, which is a hefty number. For 2023, however, over a million sunflowers have been planted across 24 acres. And, all those golden petals will help the fest play host to a highlight to get lost in, literally: a four-acre sunflower maze. The 2023 festival will take place across Friday, March 10–Sunday, March 12, and will also feature a painting class — yes, you'll be channelling your inner Vincent van Gogh and painting sunflowers — plus helicopter rides over the field, sunflower crafting, cooking demonstrations and classes, photography classes and photo sessions. The fest's popular sunset gala dinner with a golden backdrop won't be taking place this year, but there will be a sunset soirée instead, with Laura Frank performing. And, chef Richard Ousby will be serving up a lunch over champagne. Food trucks will help line your stomach, too, and provide bites for picnics among the blooms, serving up pizza, ice cream, coffee and more. Also, for sunflower goodies to take home, there'll be a sunflower shop onsite. View this post on Instagram A post shared by Kalbar Sunflowers (@kalbarsunflowers) Tickets to this event always get snapped up fast, even in just the two short years since it launched back in 2021, so note the on-sale date of Sunday, February 19 — at 12pm — in your diary now. The Kalbar Sunflower Festival came about after Russell and Jenny Jenner changed direction during Queensland's ongoing drought conditions. Usually, they farm lucerne but, with water levels low, they opted to switch to a crop that doesn't require as much H2O. And, with all those sunflowers then looking rather striking, the couple was keen to let everyone else enjoy their golden petals. The Kalbar Sunflower Festival 2023 takes place from Friday, March 10–Sunday, March 12 at Kalbar in Queensland's Scenic Rim. For further information, and to book tickets from 12pm on Sunday, February 19, head to the event's website.
DeLoreans, hot tubs and phone booths are all great forms of time travel, but sometimes stepping back into the past is as simple as heading to the right place. Restaurants where nostalgia may as well be on the menu, and bars where you'd think it was the '70s if it weren't for the thoroughly modern prices, for example. New eateries and venues might be opening in this fair city of ours every day, but that doesn't mean that Brisbane doesn't know how to rock a retro vibe. To help you find them, we've partnered with American Express to whip up the ultimate guide to getting a blast from the past when it comes to eating, drinking and having a great night out. Plus, you'll be able to swipe (see: tap) that Amex card of yours at these spots, too. From beer halls that never change to boozy lounges that aim to recreate times gone by, the question isn't just where to go — it's which era to spend time in. If you work your way through the entire list, you'll be calling yourself Marty McFly in no time. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
Not everyone is a sports fan, but if you like live tunes, the Australian Open should still be on your radar even if you care little about on-the-court action. Only one music event in the world takes place as part of a Grand Slam, and that's AO Live. On the lineup for 2025's iteration: none other than Kesha, Armand Van Helden, Kaytranada and Benson Boone. Game, set, match, music: that's what's on offer when the Australian Open returns in January 2025 with two jam-packed weeks of tennis, plus a few aces for music lovers in the form of its three-day festival. It was back in 2023 that the annual Melbourne sports event launched the AO Finals Festival, getting a heap of talents taking to the stage. Unsurprisingly proving a hit, the fest returned in 2024, and will now be back again in 2025 under a new name. The venue: John Cain Arena, where AO Live will run from Thursday, January 23–Saturday, January 25. 2025's version features the event's biggest lineup so far — complete with Bag Raiders, Bella Amor, Channel Tres, Dijok, Kah-Lo and Jade Zoe. The fest kicks off with Boone on the Thursday, followed by Kaytranada on the Friday. Both days will span 5–9pm. Come Saturday, coinciding with the women's finals, Kesha will make her first visit to Australia in seven years, joined by Van Helden. Wrapping up AO Live, the day will kick off at 2pm and finish at 7pm. Expect plenty of company, with the 2023 fest selling out, then 2024's moving venues to John Cain Arena to take advantage of its 10,000-person capacity. AO Live ticketholders will also get a ground pass to the Australian Open, so you can watch the tennis as well as catching live tunes. As always, there'll be scores of food and drink pop-ups scattered throughout Melbourne Park, as well as big screens showing all the on-court action. [caption id="attachment_975223" align="alignnone" width="1920"] Brendan Walter[/caption] AO Live 2024 Lineup Thursday, January 23: Benson Boone Bella Amor Friday, January 24: Kaytranada Channel Tres Dijok Saturday, January 25: Kesha Armand Van Helden Bag Raiders Kah-Lo Jade Zoe AO Finals Festival images: Ashlea Caygill.
Gone are the days when showing your pop culture love meant being glued to a screen. That's still on the cards, of course, but there's an ever-growing list of ways that you can interact with your favourite movies and shows beyond simply watching them. Disney does cruises, balls inspired by Bridgerton have been popping up around the country, The Simpsons got the adults-only burlesque and drag treatment, and Shrek raves involve copious amounts of dancing and the colour green — to name just a few examples. So of course an interactive IRL game based on Beauty and the Beast that has fans running around the streets was going to materialise at some point. It's a tale as old as time, again, but in an escape room-meets-scavenger hunt way. This new game hails from CluedUpp, which has already busted out CSI, Jack the Ripper, and witchcraft and wizarding-themed activities around Australia — plus Alice in Wonderland games, too, with another based on The Smurfs also still to come. In a year that's set to deliver the Beauty and the Beast musical Down Under as well — in Sydney from June — CluedUpp wants you to be its guest to get sleuthing. Also arriving from the first month of winter onwards, its Beauty and the Beast game involves roaming around outdoors on an adventure that takes its cues from the classic 18th-century fairy tale that's earned such a folllowing, as combined with a whodunnit-style mystery. Beloved story? Tick. Inserting fans into said narrative? Tick again. Working in the ever-popular genre that is the whodunnit? Tick once more. Throw in the whole escape room and scavenger hunt elements, and it does sound like something that an algorithm would come up with — and a lot of fun. Hitting Sydney, Melbourne, Brisbane, Perth and Adelaide on various dates, this spin on Beauty and the Beast starts with the latter getting cursed again. Forget love — this time, there's challenges to complete, clues to crack and fairy tale characters for you and your mates to interrogate. Participants get involved in teams of up to six, roaming around outdoors with their phones to help. And yes, if you want to dress up to fit the theme, you can. "We're committed to creating unique, outdoor experiences that bring people together and encourage them to have fun with family and friends," said Tref Griffiths, founder of CluedUpp Games. "With Beauty and the Beast, I'm confident people of all ages will love this magical mystery-solving adventure." CluedUpp's game isn't officially connected to Disney's movies, but if you want some costume inspiration, check out the trailer for the Emma Watson-starring version below: CluedUpp's Beauty and the Beast game will start taking over Australia's streets from June 2023 — head to the company's website for further details.
Whether you're craving a weekend in a country hideaway or an unforgettable wining and dining experience at one of the many wineries, the Scenic Rim is where to venture to when you're planning a weekend escape from Brisbane. An hour-and-a-half's drive from the city, the Scenic Rim stretches across the Great Dividing Range and boasts idyllic hinterland areas such as Tamborine Mountain and Lamington National Park. You can spend a couple of days exploring the tranquil rocky cliffs at Cedar Creek Falls, watching the sunset over the range or trying your luck camel riding — there's so much to do here. [caption id="attachment_793270" align="alignnone" width="1920"] Kooroomba Kitchen via Tourism and Events Queensland[/caption] EAT Awarded its twelfth hat in the 2020 Australian Good Food Guide Awards, Kooroomba Kitchen is a must-visit on your trip to the Scenic Rim. The restaurant's most breathtaking feature is its lavender fields, which you can walk through or admire while you eat. Executive Chef Daniel Groneberg's changing menu includes pork loin steaks, lavender honey-glazed quail and slow cooked beef cheek and truffle mash. For a more casual feed, stop in at Mexican-style eatery El Burro Cantina for dinner. Found on the main street of Tamborine Mountain, the fun and vibrant eatery is where you can let loose and enjoy a glass of sangria and a selection of tacos or tostadas under the colourful lanterns in the courtyard. The frozen margaritas and fajitas here are a winning combination. On a sweeter note, the nostalgic The Fudge Shop Springbrook is where you can unleash your inner kid and satisfy even the sweetest of sugar cravings. The family-owned shop is packed with house-made fudges in flavours like classic caramel and Baileys Irish Cream. The multipurpose business also sells soaps, jams and a range of lemon myrtle-scented products, which make for good souvenirs from your weekend away. [caption id="attachment_793281" align="alignnone" width="1920"] Tamborine Mountain Distillery via Tourism and Events Queensland[/caption] DRINK Witches Falls Winery's winemaking techniques will impress even the most seasoned wine enthusiasts. Witches Falls prides itself on environmentally sustainable processes and its growing conditions are similar to the Northern Rhone region in France, making it especially good at producing merlot and syrah. It also produces a Wild Harvest range of chardonnay, tempranillo, viognier and sauvignon blanc. Situated on Tamborine Mountain is the old-school and romantic Hampton Estate Wines. We recommend the wine tasting experience here; book in on Friday, Saturday or Sunday from 10am till 4pm and try its classic range of wines made with grapes from the Granite Belt. Not into vino? It also has a whisky bar. For a one-stop experience, book into Tamborine Mountain Distillery for a tasting of its many and varied spirits. You'll get a behind-the-scenes look at the process of gin and vodka making from the copper pot to the shelf. The distillery offers tastings from just $8 per person and you can choose between a selection of four liqueurs or spirits to sample. [caption id="attachment_793260" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] DO For an unexpected, yet fun, mode of transport, try camel riding. Summer Land Camels offers farm tours and 15-minute camel rides from $30. Situated in the volcanic crater of the Scenic Rim, the farm has impressive views out to Flinders Peak, which is all the more entertaining viewed from the hump of a camel. Afterwards, peruse the gift shop for camel milk skincare or try the camel milk-infused vodka. When you want to cool off, spend the afternoon hopping between the Scenic Rim's many waterfalls and swimming holes. Experience the thrill of Curtis Falls in Tamborine National Park, or cool off in Cedar Creek Falls, which has a waterhole within easy access of the car park. Or, pack a picnic and watch the hang gliders at Robert Sowter Park. It's also an excellent spot for sunsets. [caption id="attachment_793300" align="alignnone" width="1920"] Spicers Peak Lodge via Destination NSW[/caption] STAY For a luxurious weekend getaway, check in to Spicers Peak Lodge. It has a range of suites and most include meals from the on-site restaurant as well as breathtaking views. The Lodge also has a spa, making it the perfect place to unwind after a long working week. If you're wanting a true country escape, book in to this unusual Airbnb called Stargazer. The refurbished shipping container offers contemporary accommodation with bedrooms overlooking the hinterland. The best part is the glass ceiling, ideal for spotting shooting stars. There's also an outdoor fireplace and pizza oven for cooking in the cooler evenings. For the semi-adventurous, skip pitching a tent and try glamping at Nightfall. Situated beside Christmas Creek and the rainforests at Lamington National Park, Nightfall's tents are decked out with twin bathtubs and cosy fireplaces. A night here starts at $795. Top image: Kooroomba Vineyards and Lavender Farm via Tourism and Events Queensland
Taking quality of beard and beardiness of lyrics as the two main factors, South Australian folk rock foursome The Beards are definitely at least one of the beardiest bands in music today. But they’re not the only band with facial hair that says a lot about their music. In anticipation of The Beards The First World Tour, which is currently making its way around the US before wrapping up on our eastern states in June, learn to know your EDM from your alt country by facial hair alone with this list of eight genre-defining beards. 1. THE INDIE FOLK BEARD Like the warm sounds of a guitar and a country-tinged melody, the indie folk beard is rural, familiar and comforting. It is comprised of a mid-density beard with rugged chops and a clearly defined moustache section. Often those two parts will merge slightly, but if so there will normally be some form of styling gel involved so the moustache retains definition. See Justin Vernon and Iron & Wine’s Samuel Beam, and closer to home, Angus Stone’s is a bristly contender. 2. THE CLASSIC ROCK BEARD In the same family is the classic rock beard, a more rugged and manly development that suggests life on the road and an inoffensively boisterous attitude. It can be seen on the faces of Clutch’s Neil Fallon, The Black Keys’ Dan Auerbach and most bands signed to Sub Pop in Seattle. The main feature of the rock beard is its thickness, while length can vary. It is also, despite its bushiness and proximity to the mouth, not a very dirty beard. 3. THE RAP BEARD Rappers don’t get the ladies because of their smooth rhymes, they get them because of their smooth mutton chops and well-groomed chin curtains. See: Ice Cube, 50 Cent, Flo Rida and P. Diddy. 4. THE METAL BEARD A fun thing to do is imagine the guys from metal bands plaiting their beards and fastening them with those little beads. They do this frequently, and it is maybe one of the reasons so many metal bands originate from Scandinavia, where hair is usually long and silky and lends itself well to styling. 5. COUNTRY Pioneering this style were Kris Kristofferson and Willie Nelson in the Highwaymen era. After a brief fling with the pornstache, country beards seem to be reverting back to that unkempt style, which is increasingly evident in light of the popularity of modern and alternative country. Zac Brown and Alabama Shakes’ Zac Cockrell in particular suggest both genre and beard and only betting bigger from here. 6. THE MOTLEY COLLECTION A discrepancy between styles of facial hair often goes hand in hand with a discrepancy between styles of music. This is particularly true concerning two of the worst reasons to have been born in the late ‘80s: System of a Down and Linkin Park. Part Swedish hardcore and part magician rock with a weak attempt at 'urban' thrown in, it’s just a recipe for confusion. 7. THE ELECTROBEARD Have you ever noticed that electronic artists appear to have good levels of personal hygiene? This is seems to be echoed in their facial hair, which is normally non-existent or well groomed and not excessive in length. Al Doyle of Hot Chip and our own Oliver Tank both have excellent beards, and it’s pretty much impossible to imagine Flume with a wild face mane. 8. THE GANDALF Some older rock bands make attempts to stay relevant, while others give youth the proverbial finger by growing massively daggy beards. The most famous example of this would be ZZ Top, made up of two fiercely bearded Texans and one beardless (and unfittingly named) Frank Beard. See also Benny and the Jets, a Detroit rock band formed several years before Elton John’s hit of the same name.
If you need proof that a lot can change in a decade, look no further than DMA's. From writing indie tunes in a rundown Newtown flat to conquering the world's biggest stages, the band is officially returning home for a nostalgic one-off Sydney show. Held at The Metro Theatre on Friday, March 27, this special 10th anniversary performance celebrates where bandmates Johnny Took, Matt Mason and Tommy O'Dell's journey really began — the release of their debut album, Hills End. Performing the album in full, DMA's are also making this show an unforgettable experience for diehard fans. That means you can expect tracks they've never previously played live, alongside a selection of fan favourites from across their acclaimed catalogue. Coinciding with the release of the Hills End 10th Anniversary Edition, featuring previously unreleased original demos, you have the perfect excuse to jam to 'Delete', 'Lay Down' and 'Step Up The Morphine' while reminiscing about where you were and what you were doing ten years ago. Pre-sale tickets are available from 10am on Wednesday, February 4 to 9am on Thursday, February 5, or until allocation is exhausted. If you miss out, general public tickets are on sale from 10am on Thursday, February 5. Head to the website for more information. Top image: Mclean Stephenson.
What do Vincent van Gogh's The Starry Night and Sunflowers, Katsushika Hokusai's The Great Wave off Kanagawa and Leonardo da Vinci's Mona Lisa all have in common? Yes, they're all masterpieces. Yes, they all hail from iconic talents. And yes, they're all works that art lovers need to see in-person with their own eyes. Here's something else that they each share: they've all received the Lego treatment, letting you build them yourself, then hang them on your own wall. Lego has announced that Sunflowers is the latest great work to get turned into plastic bricks — and the latest reason that your own home can hold its own with the world's greatest galleries. The company's art range not only lets you display stunning art in your own house, but gets you recreating these masterpieces, too. To construct van Gogh's rendering of golden flowers, you'll be using 2615 blocks. Releasing on Saturday, March 1, 2025, but available to preorder already (for AU$299.99 and NZ$349.99), the new kit is a collaboration between Lego and the Van Gogh Museum in Amsterdam. Together, they've designed a set that reimagines Sunflowers with 3D bricks, using the blocks to help convey brushstrokes, plus light and shade — and they've also fashioned a Lego creation that isn't small. The finished piece measures 54 centimetres in height and 41 centimetres in width, so you really will want to find the right space to display it. As you construct Sunflowers, you'll be putting together the painting's 16 sunflowers, all with adjustable petals, as well as a removable frame. The kit comes with a hanger, too, alongside a tile with the artist's signature. Lego and the Van Gogh Museum are also dropping a podcast via LEGO.com, YouTube and Spotify on Saturday, March 1, which'll chat through both the artwork's history and the Lego set's design — and is recommended listening while you build. "Working on one of the world's most-famous paintings can be quite daunting, but recreating Sunflowers has been a dream come true. We collaborated closely with the Van Gogh Museum and its experts, delving into the details to meticulously craft a 3D version of the original artwork," said LEGO Designer Stijn Oom. " One of the most challenging yet crucial aspects was translating the impasto effect into Lego bricks while preserving the painting's asymmetrical yet balanced composition. We are incredibly proud of the result and hope our fans enjoy building it as much as we enjoyed bringing Van Gogh's masterpiece to life." For more information about Lego's new Sunflowers kit, which goes on sale on Down Under on Saturday, March 1, 2025 — but is available to preorder already — head to the company's website.
Chasing the sounds of summer? Ocean Alley is one of the first Aussie names that come to mind, beloved for their brand of sun-soaked psychedelic surf rock, tinged with funky basslines and buttery-smooth lyrics. Now the band is embarking on a massive national tour, taking their sound on a jam-packed road trip that spans beachy regional towns and capital cities. The upcoming tour comes on the back of Ocean Alley's landmark 2025. The band played to a huge crowd at London's Alexandra Palace, while performing their first dates to fans in Brazil, Chile and Mexico. At the same time, their tracks rocketed up the charts, with breakthrough hit 'Confidence' landing at 65 on triple j's Hottest 100 of Australian Songs. The band has also been busy serving up surprise releases, such as Live in Melbourne '23 — a live album and concert film recorded at John Cain Arena during their last Australian tour. Meanwhile, Ocean Alley just released a brand-new music video for their much-loved tune, 'First Blush'. Shot in Hawaii, it captures the many shades of love reflected in the song. As for the 2026 tour, Ocean Alley is kicking things off in Melbourne on Saturday, January 24, in Catani Gardens before hitting Brisbane Showgrounds on Friday, January 30. Dates in Sydney, Tasmania, Perth and beyond follow soon after, with the tour wrapping up at Glenelg Beach in South Australia on Saturday, March 21. https://www.youtube.com/watch?v=eRZYOPRLh2Q Of course, the band isn't taking to the stage alone. For those catching Ocean Alley on the East Coast, support acts include Nothing But Thieves, Rainbow Kitten Surprise and Ruby Fields. For those in the West, expect Skegss, Ruby Fields and Smol Fish, with the likes of Allah-Las, Babe Raindow, The Grogans, Mid-Drift, Le Shiv and Seaside also appearing at various dates. Ocean Alley National Tour 2026 Dates Saturday, January 24 — Catani Gardens, Melbourne Friday, January 30 — Brisbane Showgrounds, Brisbane Saturday, January 31 — The Domain, Sydney Friday, February 6 — Party In The Paddock, Carrick Saturday, February 21 — Freo Esplanade, Fremantle Sunday, February 22 — 3 Oceans Winery, Margaret River Saturday, March 7 — Exhibition Park, Canberra Sunday, March 8 — Torquay Common, Torquay Saturday, March 14 — Speers Point Park, Lake Macquarie Sunday, March 15 — Sunshine Coast Stadium, Sunshine Coast Saturday, March 21 — Glenelg Beach, Adelaide Ocean Alley's national tour kicks off in Melbourne at the Catani Gardens on Saturday, January 24. Head to the tour website for further details.
While gifts are a splendid way to spoil mum this Mother's Day, the most meaningful gesture is clearing your calendar and spending quality time together. Throw in a share-worthy feast and a glass (or bottle) of bubbles, and you have yourself a memorable Mother's Day. Whether you're celebrating your mum, you're a new mum yourself, or you're looking for a way to treat the incredible women in your life this May, we've teamed up with G.H. Mumm, Perrier-Jouët, and Mumm Terroirs to round up eight of the best champagne-fuelled specials in Brisbane. Bacchus If your mum prefers a high tea over a hearty lunch, Bacchus in South Bank is an opulent way to show your appreciation this Mother's Day. Toast to your mum with a crisp glass of Mumm champagne on arrival before diving into an exquisite array of handcrafted savoury bites, like squid ink salami tart with fig jam and buffalo curd, classic smoked chicken sandwiches with celery and mustard, and delectable sweet treats, including framboise pistachio, macarons, and fluffy scones with cream and jam. For an extra touch of luxury, Bacchus' Mother's Day high tea is priced from $89 per person on Saturday, May 10 and $99 per person on Sunday, May 11. Not luxurious enough yet? You'd best make use of the optional upgrade to a one-and-a-half-hour bottomless pour. Secure a table here. Como Blending contemporary Italian flair with the world-famous elegance of Lake Como, Como Restaurant in Brisbane's south offers an ideal setting to spoil your mum. This Mother's Day, across both Saturday, May 10 and Sunday, May 11, you can order a flute of Perrier-Jouët Grand Brut and enjoy two complimentary freshly shucked Pacific oysters with mignonette—arguably the perfect way to kick off a long and slow Italian lunch. Secure your table together here. Emporium Step away from a standard lunch and surprise mum with a Mother's Day high tea at Emporium Hotel in South Bank. Across a handful of Emporium's boutique dining venues, there's a range of glamorous high teas to suit your mum's style. Choose between a Parisian-style high tea at Belle Époque for $99 with a glass of Mumm Grand Cordon NV on arrival, The Reserve Wine Bar for $95 including a glass of Maison Saint AIX Rose, or an elevated Italian feast at Firma Italian for $109 including a glass of Mumm Grand Cordon NV. And if little ones are in tow, a children's high tea is available for just $45. Secure your booking here. Gusto da Gianni For a touch of portside Italian indulgence this Mother's Day weekend, treat your mum to some of Brisbane's freshest oysters paired with the finest champagne at Gusto da Gianni. Set to a glistening Brisbane River backdrop, you can devour two complimentary freshly shucked Coffin Bay oysters with mignonette and lemon for every flute of Perrier-Jouët Grand Brut purchased. Secure a table here. Hervé's With a nostalgic nod to hearty home-style French-Australian cooking, Hervé's can be considered one of Brisbane's leading French restaurants and bars—and the perfect setting for an intimate Mother's Day celebration. For lunch on either Saturday, May 10 or Sunday, May 11, treat your mum and the incredible women in your life to a carefully curated four-course feast inspired by Hervé's à la carte menu. The feast features dishes like steak frites, cuisse de canard confit aux lentilles braisées, and crème brûlée, paired with a flute of Perrier-Jouët on arrival for $140 per person. Reserve your table here. HOTA If your mum is based on the Gold Coast or might fancy a short road trip, HOTA, Home of the Arts, is transforming its outdoor terrace into a glamorous Perrier-Jouet X Palette Garden that's well worth the drive for a bit of Mother's Day indulgence. Showcasing how art naturally blends with fine dining, the HOTA team is delivering a stunning sweet and savoury high tea for $80 per person. You can spoil your mum even further by elevating it with a glass of Mumm Tasmania Sparkling Wine on arrival for $95 or a glass of Perrier-Jouët Champagne for $110. Secure a booking here. Cloudland Cloudland in Fortitude Valley is offering a Mother's Day buffet feast, perfect for celebrating your mum in style this May. Head up to The Rose Room on the top floor for a lavish array of gourmet buffet stations including charcuterie and antipasto, a hot carvery featuring delectable dishes like roasted porchetta, slow-cooked beef sirloin, and steamed barramundi, a salad bar with the freshest ingredients, and a roaming dessert cart with miniature desserts and petit fours. All accompanied by a flute of Mumm Prestige, for $89. Secure a booking here. Brisbane Marriott Hotel Nestled in the heart of Brisbane's CBD, overlooking the city's iconic Story Bridge, the Brisbane Marriott Hotel oozes sophistication and charm, making it an ideal spot for a city staycation. This Mother's Day, invite your mum to experience this urban oasis with a spectacular high tea framed by a captivating river backdrop, and a flute of Mumm Cordon Rouge on arrival for just $99 per person. Conveniently located near Brisbane hot spots, like Howard Smith Wharves, New Farm and James Street, there are plenty of reasons to check in, stay a little longer, and make it a Mother's Day to remember. Reserve your spot here. SkyPoint Take your Mother's Day high tea to literal new heights with SkyPoint's decadent, panoramic 'High Tea To Share With Mumm'. Treat your mum to a glass of Mumm Cordon Rouge or Mumm Grand Cordon Rosé before devouring a glamorous high tea surrounded by sweeping Gold Coast city vistas. Think tasty sweets like petite mango and coconut slice, macarons, and homemade tiramisu, and savoury sandwiches featuring smoked salmon, cream cheese, capers and roquette, and prosciutto with caramelised onion, Swiss cheese, and gem lettuce. This special high tea offering is available from Sunday, May 11 until Tuesday, May 20. High tea for two with a glass of G.H. Mumm is $89 per person, while high tea for two with a bottle to share is $159 per person. Book your spot here. Mother's Day is just around the corner. Be sure to indulge your mum this May by treating her to a glass of G.H. Mumm, Perrier-Jouët, and Mumm Terroirs at any of these Brisbane restaurants and bars. By Elise Cullen.
Dear Dear Evan Hansen: don't. If a movie could write itself a letter like the eponymous figure in this stage-to-screen musical does, that's all any missive would need to communicate. It could elaborate, of course. It could caution against emoting to the back row, given that cinema is a subtler medium than theatre. It could advise against its firmly not-a-teenager lead Ben Platt, who won one of the Broadway hit's six Tony Awards, but may as well be uttering "how do you do, fellow kids?" on the big screen. It could warn against shooting the bulk of the feature like it's still on a stage, just with more close-ups. Mostly, though, any dispatch from any version of Dear Evan Hansen — treading the boards or flickering through a projector — should counsel against the coming-of-age tale's horrendously misguided milk-the-dead-guy narrative. When the most interesting thing about a character is their proximity to someone that's died, that's rarely a great sign. It's the realm of heartstring-tugging illness weepies and romances where partners or parents are bereaved, sweeping love stories are shattered and families are forever altered, and it uses the sickness or death of another person purely as a prop to make someone that's alive and healthy seem more tragic. That's worlds away from engaging sincerely with confronting mortality, loss, grief or all three, as so few movies manage — although Babyteeth did superbly in 2020 — and it's mawkish, manipulative storytelling at its worst. Dear Evan Hansen gives the formula a twist, however, and not for the better. Here, after a classmate's suicide, the titular high schooler pretends he was his closest friend, including to the dead kid's family. A anxious, isolated and bullied teen who returns from summer break with a fractured arm, Evan (Platt, The Politician) might be the last person to talk to Connor Murphy (Colton Ryan, one of the Broadway production's understudies). It isn't a pleasant chat, even if Connor signs Evan's cast — which no one else has or wants to. In the school library, Evan prints out a letter to himself as a therapy exercise, but Connor grabs it first, reads it, then gets furious because it mentions his sister Zoe (Kaitlyn Dever, Dopesick). Cue days spent fretting on Evan's part, wondering if he'll see the text splashed across social media. Instead, he's soon sitting with Cynthia Murphy (Amy Adams, The Woman in the Window) and her husband Larry (Danny Pino, Fatale), who inform him of Connor's suicide — and that they found Evan's 'Dear Evan Hansen' note on him, and they're sure it's their son's last words. With his high school misery amply established through catchy songs, and his yearning to connect as well, Evan opts to go along with the Murphys' mistaken belief, including the idea that he and Connor were secretly the best of pals. As penned for both theatre and film by Steven Levenson (Tick, Tick... Boom!) — with music and lyrics by Benji Pasek and Justin Paul (The Greatest Showman) — this plot point is meant to play with awkwardness and longing, but it's simply monstrous. Indeed, the longer it goes on, with Evan spending more time with Connor's wealthy family than with his own mum Heidi (Julianne Moore, Lisey's Story), a nurse always working double shifts, the more ghastly it proves. It's lazy writing, too, because this isn't just a tale that defines its lead by their connection to a deceased person; it's about someone who intentionally makes that move themselves, then remains the recipient of all the movie's sympathies. It'd be generous to wonder if Dear Evan Hansen feels more nuanced and earnest writ large on the stage — genuinely reckoning with Evan's actions, which see him become a viral sensation and inspiration, rather than merely excusing his lies because he's lonely, and also dismissing Connor as mostly angry and unliked. Or, if perhaps the theatre version highlights the potential dark comedy in such abhorrent choices being made by a teen that desperate to fit it and be found by others. Either way, it wouldn't change the movie's approach. Director Stephen Chbosky has a history with disaffected youth thanks to The Perks of Being a Wallflower, which he adapted from his own novel. Via the same film, he also has form with oversimplifying details to evoke strong emotional reactions. That's Dear Evan Hansen all over, no matter how unconvincingly it tries to be an uplifting tale of self-acceptance. Platt's casting doesn't help; he played a college student almost a decade ago in Pitch Perfect, and was never going to pass for a high schooler under a camera's gaze, especially with such emphatic and mannered overacting. He's inescapably forceful, appears to think he's still in a theatre and really just resembles an adult satirising teens. While Dear Evan Hansen sings heartfelt ballads about sociopathic behaviour, and bakes cognitive dissonance deep into its frames as a result, it'd be far too magnanimous to see Platt's performance as a response to the musical's many thematic and tonal mismatches. His co-stars can't save the film, but they surround him with far better work — especially from the reliably impressive Dever, plus Adams and Moore making the most of their thin parts, and also Amandla Stenberg (The Eddy) as one of Evan's high-achieving but also struggling classmates. Those standout supporting performances illustrate one of the movie's most unfortunate traits, apart from the story it's working with: its constant and incessant self-sabotage. Among the cast and the film's aesthetic choices, there's occasionally enough that hits its marks, but that can't balance out everything that doesn't. The fluid and kinetic camerawork busted out for early number 'Sincerely, Me' delivers another prime example, noticeably contrasting with the feature's otherwise static look and mood — only for the latter to return once it's done. Of course, lively cinematography and choreography could never overcome Dear Evan Hansen's questionable narrative and wildly misplaced sentiments, or its misfire of a central portrayal, but so many of the picture's choices feel like it's writing hate mail to itself.
Wasting food can often just come down to aesthetics: a bruised apple, a twisted carrot, a dinted onion. So Harris Farm Markets is launching Imperfect Picks, a range of would-go-unloved fruit and vegetables that may not look perfect, but are just as delicious and nutritious as their counterparts who made the 'good looks' cut. Good thing is, the uglies are now available for up to 50% cheaper. Inspired by the success of the 'Inglorious Fruits and Vegetables' campaign by French supermarket chain Intermarche earlier this year, Harris Farm aims to raise awareness of the Australian supermarket industry's overly strict standards of perfection regarding the appearance of fresh fruit and veg. "It is our hope that through this campaign, we encourage Australians and the big supermarkets to rethink what's important when buying fruit and vegetables," says Harris Farm CEO Tristan Harris. "Our commitment to freshness and taste won't ever change, [but] we've come to realise that when it comes to fresh produce, we shouldn't always judge a product by how it looks." https://youtube.com/watch?v=-U23XgEkZf0 But who doesn't search for the roundest orange or the straightest carrot in the bunch when on their weekly grocery run? The startling fact is that our pickiness as customers, coupled with unnecessarily high industry standards, has lead to about 25% of fresh food wasted each year. With the stats being this high, there's no doubt we're facing a food waste crisis. "It's such a crime and everyone needs to get involved. Sustainability is everybody's responsibility," says Rockpool's Neil Perry. "I'm really hoping that the… campaign grows and that it forces the other supermarkets and Australian consumers to realise that there is such great food being wasted," he says. Perry is just one example of chefs taking part in a sustainable table movement spreading across the country, showing us that today's funnily-shaped fruit and veg can be tomorrow's gourmet offering — and proving our pickiness unwarranted. So next time you drop in to your local Harris Farm, why not choose that two-headed potato or that wonky zucchini? Not only will you be helping to reduce environmental waste, but you'll also be supporting Aussie farmers and saving hugely on your grocery bill to boot. On offer in the first range of Imperfect Picks will be Packham pears, Navel oranges, Pink Lady apples, plus bananas, carrots, potatoes, swedes and zucchinis — all deliciously imperfect and in need of some lovin'.
With house prices constantly on the rise, the Great Australian Dream of owning your own home feels pretty distant to most of us, but a group of architects and industrial designers in Beijing have an answer: the Tricycle House, a collapsible house that fits on the back of a tricycle. The house was a collaboration between the People's Architecture Office and the People's Industrial Design Office as part of the Get It Louder exhibition in Beijing. According to the designers, "Through this design, single family homes can be affordable and sustainable, parking lots are not wasted at night and traffic jams are acceptable. The Tricycle House is man-powered allowing off-the-grid living." The house is about 30-35 square feet, depending on how far out you expand it, and can be used as a bedroom, bathroom, kitchen, dining room and workspace, with space for storage. There is no electricity in the house, but the translucent shell allows light to pass through. It's an inspiring idea from a housing and sustainability perspective, but it also carries a message about the land ownership situation in China, where government 'land grabs' and rapidly rising real estate prices are the norm. Via LifeEdited and Treehugger.
Australian puppetry dates back nearly two centuries, when Punch and Judy made its way to our shores. In the years since, it has become a beloved art form — in fact, a new homegrown take on the famous puppet show was recently announced, transferring it to film, and starring Mia Wasikowska as the wife of a puppeteer. If you'd like to know more about the country's love of playthings on strings, the Queensland Performing Arts Centre can help. Until January 27, they're dedicating their Tony Gould Gallery to a snapshot of locals bringing puppets to life courtesy of their new exhibition, Puppet People. Spanning the traditional, the avant-garde and everything in-between, this showcase features more than 50 puppets, as well as shining a light on the people behind them. A word of warning: if marionettes and the like creep you out, this isn't for you — but if they're your kind of fun, expect an illuminating and informative display, including Laser Beak Man puppets from the Dead Puppet Society's recent La Boite shows.
Every pub needs an underground supper club, but only one New Farm venue is lucky enough to have one. Not content with two levels of fun above ground, the Queens Arms Hotel have looked downwards for their newest addition. Welcome to Farrier. Those big on horses might recognise the term the bar takes its name from; however, there's a reason for the equine theme. The space the place calls home was once used as stables, many, many years ago. In its decor, Farrier has kept many of the original details and then mixed in vintage furniture. The subterranean setting and the interesting history inspire quite the vibe — but it's the boutique beverage options and up-late menu that will inspire a race through the bar's doors. Craft beers, an extensive wine list, plus an array of specialty cocktails take care of the former, while street food options such as peking duck bao and Chinese doughnuts have the latter covered. Here, you can lead a horse to a cool supper club, and you probably could make it drink something other than water.
Bathhouse chain Soak has made its way to Brisbane, complete with relaxing dips, sundeck, stints getting steamy no matter the weather and staring out over the city from a West End rooftop. In 2022, the Gold Coast-born company launched its first site further north, opening in a sky-high perch in West Village. Here, you can chase your bliss in seven spas and mineral pools, while also hitting up the infrared saunas, steam rooms and relaxation gardens. West End's first rooftop bathhouse literally dials things up a level. Those dips, steams, massages and LED facials come with a sweeping vista — turning the rooftop spot into an inner-city oasis. Soak's pools are meant to be shared, so you can book in for a plunge with your mates and use the occasion to treat yo'selves over a catch up. A big part of the vibe at the bathhouse is about being social, hence the communal facilities, capitalising upon a largely untapped niche: turning wellness sessions into excuses to gather the gang. That said, the venue also provides individual services and experiences — catering to relaxing visits for solo patrons looking to disconnect from absolutely everything as much as group hangouts. As well as getting your mates together and soaking in everything the bathhouse has to offer — or doing so during some much-needed alone time, too — Brisbanites can also book in for special occasions. That's great to keep in mind if you have some milestones to celebrate, or just feel like a relaxing birthday shindig. As it also does at its Gold Coast setup at Mermaid Beach, Soak offers both casual pricing and multi-packs — and, like that spot, it's trading across extended hours seven days a week. It's only at West End, however, that you can enjoy the facilities from 6.30am daily, or head along until 10pm each evening. A sunrise soak? A sunset steam? They're all now a reality as well.
If you haven't been to Barrington Tops, a lush NSW getaway spot four hours north of Sydney, then lose no time in making it your next vacay spot. Verdant greenery, intrepid trails to explore, beautiful native flora and fauna, and plenty of adventurous activities make Barrington Tops the ultimate underrated getaway spot, whether you're going with your significant other, your whole family or a big group of mates. Okay, so we know we're spoiling it a bit by writing about it, but we just couldn't keep this one to ourselves. To help streamline the plethora of awesome things to see and do in the region, we've teamed up with Wild Turkey to bring you a few of our faves. [caption id="attachment_843191" align="alignnone" width="1920"] MidCoast Water (Flickr)[/caption] TAKE A BUSH WALK THROUGH THE WORLD HERITAGE-LISTED BARRINGTON TOPS NATIONAL PARK You simply cannot go to this part of the world without checking out the massive national park for which it is perhaps best known. There's a lot of ground to cover — literally — so we recommend doing an overnight hike to explore this diverse terrain. The best way to see as much as you can is to start on the Gloucester River walking track, where you'll see the majestic namesake river (pictured above), gullies and impressive views as well as all manner of native wildlife. Make sure you pack lunch and something to swim in, as you'll have access to idyllic spots for riverside picnics and river swims along the way, too. Spend the night surrounded by ancient rainforest in the Gloucester River campground and set off the next morning on the Sharpes Creek walking track, where you can spot platypus and eastern water dragons. If you're pressed for time (or don't love the idea of camping overnight in the bush), then there are a number of tracks you can easily complete in the space of a day or less. [caption id="attachment_843945" align="alignnone" width="1920"] Elliot Kramer[/caption] CHALLENGE YOURSELF ON THE CORKER TRAIL If you fancy yourself a bit more of an adventurer, tackle the Corker trail, a challenging walking track recommended for experienced bushwalkers only that runs all the way from the Lagoon Pinch picnic area right across to Careys Peak on the Barrington Plateau. Be warned, it's not called the Corker for nothing, so expect a pretty tough slog through challenging terrain. It's well worth it at the end, though, as you'll be rewarded with a scenic lookout over the snow gums, swamps and wide open grass plains of the Barrington Plateau for a view that will leave you as breathless as the hike did, if not more. The hike will also take you by Wombat Creek campground, a perfect spot to set up camp and spend a night under the stars. [caption id="attachment_843943" align="alignnone" width="1920"] Elliot Kramer[/caption] TAKE A 4WD TRIP TO THE REMOTE GUMMI FALLS CAMPGROUND High in the sub-alpine region you'll find the remote Gummi Falls Campground, which is well and truly out there in the wild. You'll need to take a 4WD to access this untamed, natural bit of country, but don't worry, there are barbecue facilities and toilets once you're there. Spend your day mountain biking or horse riding through the many trails that surround the bewitchingly beautiful region, and try to spot elusive native fauna like the long-nosed potoroo, spotted-tail quoll and powerful owl. If you fancy a different angle, drop a line in the crystal clear Manning River, known for its abundant supply of freshwater bass. [caption id="attachment_843187" align="alignnone" width="1920"] Doug Beckers (Flickr)[/caption] MOUNTAIN BIKE ALONG THE BARRINGTON TRAIL If you've read this far, you may have already surmised that Barrington Tops is a great spot for mountain biking — and the vast array of rugged terrain and beautiful scenery are arguably even better experienced on two wheels. While you're spoilt for choice in terms of which path to take, we recommend starting with the Barrington trail, a well traversed dirt and gravel road spanning nearly 15 kilometres and, running from Mount Barrington past Brumlow Top and on to Polblue Mountain. On this trail, you'll have access to incredible views, a diverse spread of forest habitats and perfect mountain air. [caption id="attachment_843949" align="alignnone" width="1920"] Elliot Kramer[/caption] TACKLE THE BLUE GUM LOOP TRAIL, AND COOL OFF WITH A DIP IN A SECLUDED RIVER AFTERWARDS The idyllic Blue Gum Loop trail runs alongside a pristine river and showcases some of the region's finest plant life — the trail is named for the towering blue gum trees that dominate the landscape here and bestow this place with an ethereal beauty. Immerse yourself in their majesty on a leisurely 3.5-kilometre looped trail, which will give you a bird's-eye view of the cascades of the stunning Williamson River from a high steel span bridge, easily accessible from the walk. There's a great spot to stop for a picnic at Fern Creek cascades, and, if you're feeling a bit hot after all that walking, wander down one of the many short detours to find a secluded spot by the riverbank to cool off with a refreshing dip. [caption id="attachment_843198" align="alignnone" width="1920"] MidCoast Water (Flickr)[/caption] GO WHITE WATER KAYAKING ON THE BARRINGTON RIVER RAPIDS If you're chasing more of a thrill from nature, check out the white water kayaking along the surging rapids of the mighty Barrington River. Fed by the pristine, fresh waters that run from Barrington Tops, these rapids rush after periods of heavy rainfall, when the river swells to cover ground it ordinarily wouldn't. Kayaking and rafting tours are readily available, but are subject to rainfall prior, so keep an eye on the weather and get booking when the rain falls. [caption id="attachment_843189" align="alignnone" width="1920"] Russell Street (Flickr)[/caption] TAKE IT ALL IN FROM ONE OF THE REGION'S MANY LOOKOUTS With all of this natural beauty surrounding you, it can be hard to get a sense of the region as a whole. So it's definitely worth your while to check out one, if not several, of the many scenic lookouts that offer an all-encompassing view of this stunning landscape. Devils Hole lookout sits at an altitude of 1400 metres and offers breathtaking views of the dense forestry and undulating mountains beyond. The nearby, and epically titled, Thunderbolts lookout showcases the gorgeous plateau region between Scone and Gloucester, dense with Antarctic beech trees and moss-covered forest floors. Elsewhere, Careys Peak is at the end of an invigorating walking track that will take you through heavily wooded country before giving way to a peak in the Williams Range, where you can survey the ground you've just traversed from a cracking lookout spot. Find out more about Wild Turkey's Discovery Series at the website. Top image: Russell Street (Flickr)
Did you know there are more pets in Australia than there are people? And yet, when you think of road trips, you might not immediately think of dogs — that's not very fair. How would you feel if you always got left behind while all your bipedal mates grabbed their cars and drove away to have the time of their lives without you? It's time to change that, it's time to start bringing more dogs on road trips. So grab your car and your furry pal, and strap in for one of this country's most popular road trips: Sydney to Brisbane. And no stress if you don't have a car, because SIXT offers stress-free pet-friendly car rentals from a bunch of locations across Sydney and Brisbane — so you can worry less about logistics and focus on making memories. NEW MATES AT NEWCASTLE The journey begins in Newcastle, where the golden sands and rolling waves of Horseshoe Beach make the perfect first pit stop for some off-leash fun. The beach is a mecca for local dogs and dogs passing through alike — it's the only dog beach in central Newcastle, so your little pal can expect to make a lot of mates during this visit. You'll find it tucked beneath Nobby's Breakwall. Other off-leash areas worth exploring are Carrington Foreshore along Throsby Creek, and King Edward Park, which offers stunning views of Newcastle. Islington Dog Park is also worth a visit while you're near Throsby Creek, but it's not the only dog park in town — Acacia Avenue Reserve offers a massive 1.5-hectares of grassy paradise for dogs to run around in. It is also the first enclosed dog park in the Hunter to offer separate areas for big and small dogs, which is pretty neat if your little pal feels anxious around bigger ones. Once you and your pup are sufficiently adventured out, head to Cafe Inu — 'Inu' means dog in Japanese, so to say this cafe is dog-friendly would be an understatement. Fill up on craft coffee and Japanese fast food fare while your furry pal has their choice of puppychinos, puppy ice cream or puppy treats (or all three), which are all on the menu. Yep, there's a dedicated dog section — how cute. [caption id="attachment_913208" align="alignnone" width="1920"] Image: Samantha Zoratto[/caption] FIND PEACE AT CROWDY HEAD As you continue north towards Port Macquarie, make a quick (or not so quick) stop at Crowdy Head. This quiet coastal spot is anything but crowded. In fact, it's kind of a hidden gem — so keep this between us, capisce? While you're around, check out the cute lighthouse that overlooks Harrington Beach. Your dog will love it — dogs love lighthouses, didn't you know? You'll also get a kick out of it too, given it's been fully operational since 1878. If waves aren't your little mate's thing, Harrington Lagoon offers all the fun of water and sand, sans the surf — for this reason, it's a popular spot for families with kids and little furry pals alike. [caption id="attachment_831355" align="alignnone" width="1920"] Lindsay Moller Productions[/caption] DON'T WORRY AT PORT MACQUARIE Port Macquarie offers an array of dog-friendly activities. Explore the natural wonders of Kooloonbung Creek Nature Park or enjoy a splash at the dog-friendly Nobbys Beach. Other dog-friendly beaches include Rocky Beach and Oxley Beach — though keep in mind dogs need to be on leash at Oxley. Feeling hungry? Little Fish Cafe and Cassegrain Wines are both dog-friendly, with the latter welcoming dogs on the deck of the restaurant. Little Shack is also a great dog-friendly option for all times of day, from morning coffee to lunch by the water to a cheeky evening cocktail. Once you're ready to retire, check out NRMA Port Macquarie Breakwall Holiday Park, a dog-friendly holiday park with powered and unpowered sites. [caption id="attachment_913209" align="alignnone" width="1920"] Image: Samantha Zoratto[/caption] CATCH WORLD-CLASS WAVES AT CRESCENT HEAD Known for its consistent waves and stunning coastline, Crescent Head is a paradise for surfers and their furry mates as the beach is dog friendly. It even has a dog swimming area if your dog wants to brush up on its dog paddle while you perfect your… human paddle? [caption id="attachment_913218" align="alignnone" width="1920"] Image: Bailey Rytenskild via Unsplash[/caption] ENDLESS ADVENTURE AT EVANS HEAD Nestled between river and sea, Evans Head offers a mix of river adventures and oceanic exploration. Enjoy the calm waters of the Evans River with your dog or take a beach walk — or run if you really wanna stretch those legs. Or why not take advantage of the off-leash area and play some fetch, or have a beach 4WD adventure detour? FIND YOURSELVES IN BYRON BAY Ahh, Byron Bay — the ultimate destination for every dog that aspires to be spiritually awakened. Embark on the iconic lighthouse walk, where you and your furry mate can both ponder the meaning of life while marvelling at the vast expanse of stunning ocean, tourist selfies, and crystals as far as the eye can see. Belongil Beach, Tallow Beach, Seven Mile Beach, and Brunswick Heads Beach are all dog-friendly, so you'll have plenty to do in the surf and sun while you're in town. Byron also offers a plethora of dog parks to explore if you prefer more inland adventure. After all that frolicking, treat yourself at Stone & Wood, Pickled Pig, or Byron Bay breweries, all of which welcome dogs with open arms. GOLD COAST (GO ON, YOU KNOW YOU WANT TO) Forget surfers, the Goldy (we're sorry) truly is a pet's paradise. Enjoy a leisurely stroll along the esplanade, visit the absolutely stunning and vast off-leash area at The Spit, or explore the dog-friendly parks the city has to offer — Tallebudgera Offleash Dog Beach, Cabana Offleash Dog Area, and Pizzey Offleash Dog Area are particularly nice. If you happen to be around on a Sunday, head to one of the many dog-friendly markets which pop up every weekend all around the Gold Coast, with Broadbeach, Coolangatta, Burleigh Heads, and Paradise Point markets being particularly pet-friendly. If you're after a caffeine hit, Elk Espresso, Daymaker Espresso, BSKT Cafe, and Daark Espresso are all dog lovers. Or, you could also head to Wild Flower Gin in Varsity Lakes for dog-friendly dining and relaxation, and if you're lucky you might even meet Ghost, the resident Great Dane cross Bull Arab. Once it's time to rest, check out the lovely NRMA Treasure Island Holiday Resort, which has a number of pet-friendly options including powered and unpowered camp and caravan sites, as well as dog-friendly cabins. BEAUTIFUL BRISSIE Congrats, you made it. Take the opportunity to stretch your legs at the Brisbane City Botanical Gardens, where you'll find the Kangaroo Point Cliffs Loop — a fun inner-city adventure for humans and canines alike. Or if you're up for more of a challenge, head to the Kokoda Track Loop for a ten-kilometre heart-pumper, located just 20 kilometres out of Brisbane. Once you're ready to relax, check out the various dog-friendly cafes, bars, and restaurants. Also, it's been a long journey, so you've earned a treat. Stay at The Ovolo in Fortitude Valley, which is more than happy to welcome your pooch in its pet-friendly rooms. Lastly, if you're wanting to do this road trip in reverse, there are some excellent dog-friendly bars, restaurants and cafes just waiting for your tired legs to perch up. And when it's time to pack up for the night, you'll be spoilt for choice as Sydney is arguably Australia's best spot for dog-friendly hotels. Looking for a pet-friendly rental to take you and your best furry mate on the road trip of a lifetime (or looking for a bigger car to fit your furry mate)? Check out SIXT, which welcomes customers to bring their family and furmily along for the ride, so no one gets left behind. Auto club members including NRMA, RACV, RACQ, RAA, RACT, RAC and AANT will receive 15% off SIXT's daily rates. Click here to book now
When Michael Shanks began writing Together over half a decade ago, he didn't start casting in his mind at the time. He didn't pen it thinking that a real-life married couple would play Tim and Millie, his debut feature's protagonists, either. To fuel the Australian filmmaker's leap from YouTube, shorts and TV — including Time Trap, The Wizards of Aus, The Slot, Parked and Rebooted, as well as visual effects on 2019 miniseries Lambs of God— to becoming the talk of Sundance 2025, scoring the first major sale of this year's fest, then playing SXSW in Austin and opening the Sydney Film Festival, however, Shanks was thinking about long-term relationships. They couldn't be more at the heart of his delightfully wild and smart body-horror must-see. So, enlisting two leads who've been together since 2012 and wed since 2017 is indeed perfect. Those stars, and also producers of Together: Alison Brie (Apples Never Fall) and Dave Franco (The Studio), adding another joint project to a shared list that already featured the latter's directorial efforts The Rental and Somebody I Used to Know, as well as the likes of The Little Hours, The Disaster Artist, BoJack Horseman and Krapopolis. Initially, though, Shanks drew upon his own romantic situation — one that owes a debt to the Aussie end-of-school rite-of-passage that is Schoolies. When an Australian thinks of that week of typically Gold Coast-set revelry playing a part in a horror film, a picture about falling for someone, sharing a life with them, commitment and co-dependency isn't a concept that naturally springs to mind. But that's Together, which is also a movie about love sticking. It takes that concept literally. Franco's Tim and Brie's Millie kick off Together as enmeshed in each other's existence as a couple generally, usually, normally can be. A big move, also literal, is their next step by each other's side: relocating for Millie's job as an elementary school teacher. But their going-away party turns awkward when a marriage proposal doesn't quite go as it should — and as aspiring musician Tim begins gleaning how shifting out of the city for Millie will practically impact his ability to play gigs and keep chasing his dreams. Tension accompanies the pair to their leafy new regional surroundings, then, where greenery-lined hiking tracks beckon, Shanks' key duo fall into a cave and the two find themselves even more linked, and unable to be apart, than ever. What if bonding with your other half had a physical dimension beyond cohabiting, sex, other displays of affection and the standard couple details? What if deciding to always be one of a pair was a corporeal connection right down to your flesh? Of the two big 80s music classics with "tear us apart" in their title, think INXS' Triple J Hottest 100 of Australian Songs-topping 'Never Tear Us Apart' over Joy Division's 'Love Will Tear Us Apart' — and not just because Together was shot Down Under, in Melbourne where Shanks is based. How love can change you, the anxieties that it can cause and the resentments that it can spark, and what it truly means to join your existence with someone else's: these are the ideas that Together ponders as it explores transformations inspired by fluttering hearts in its own distinctive and compelling way. Confronting painful real-life situations, while never being afraid to carve its own path into horror tropes such as unsettling new locales, creepy trips into bushland, eerie isolated houses and more: Together does this, too, as it spins a tale that favours life over the horror staple that is death, grief and loss. And in a picture that's firmly a body-horror flick with searing-into-your-brain setpieces to prove it, but is as much a romantic drama as well — and that always anchors its spectacle in the story, never getting gory purely for the sake of it — Franco and Brie are firmly "a dream cast", as Shanks describes them to Concrete Playground. The word "dream" earns a few mentions in our chat. "It's really, really insane," he tells us of Together's journey so far this year, even before reaching cinemas in general release on Thursday, July 31, 2025 Down Under and the day prior in the US. "Getting the film made just alone was a dream coming true, and then it getting into Sundance was a dream come true. And then it playing Sundance and selling to Neon was a dream. So it's kind of hokey to say, but it's sort of this dream that just keeps coming true. It's what every filmmaker dreams of." "When we played at Sundance for the first time, we'd spent months in post-production, just basically myself and an editor [Sean Lahiff, Territory] and an editing assistant, working on the film. We didn't do test screenings. It was just us in a little room. And then we thought it was maybe pretty good — like, we were pretty happy with the movie. And then at Sundance, we were in this theatre of 1000–2000 people, and it's like 'this is literally the first audience that's going to see it. We've got no idea. It's a midnight screening. It's a packed house. Here we go'," Shanks continues. "Five minutes in, there's a little scare, and we could feel the audience gasp — and we went 'oh'. And a few minutes after that, there's this little joke and the audience laughed, and we just felt like 'oh wow, this is going well, I think'. And fortunately it did. And now it's played SXSW and it played a couple of festivals in Italy, and it played in Mexico. And I'm traveling the world in a way I never thought I'd be able to just off the back of a film. It's an incredible privilege. It's been an amazing year," he advises. With the filmmaker that's given Australia another example of YouTube-to-worldwide horror feature success after Talk to Me and Bring Her Back's Danny and Michael Philippou — and whose script for HOTEL HOTEL HOTEL HOTEL featured on the Blacklist — we also contemplated that Schoolies link, dug into Brie and Franco's pivotal involvement, examined why making Together without an IRL couple as its stars might've been a nightmare and discussed the movie's vivid body-horror imagery, among other subjects. On How Schoolies Played a Part in Inspiring a Horror Film About Falling in Love, Commitment and Codependency — and When the Idea for Together Came to Shanks During His Long-Term Relationship "Oh, it was many years in. Because yeah, we met at Schoolies. I would have been 17, I think. And then we didn't start dating until a few months — we became friends, and we started dating a few months after. And then we've been together now — that was 16–17 years ago, so we've been together that long. I'm 34 now, I was writing the script in my late 20s. And that was about when we were moving into our second home together, and we were really beginning to amalgamate our lives, I guess. It really became true that we've been together for so long, we only had the same friends. The Venn diagram of our friendships was just a circle. And we went to all the same events, we listen to the same music, ate the same food, breathed the same air. And now we were living in a second house together. We had a cat. And I was like 'there is no part of my life that's separate from this person'. And likewise. And I started to, I think, confront something that a lot of people go through, of realising 'oh, do I still have independence while I'm committing to this forever-monogamous relationship' — and 'our lives are so intertwined, do I really know where I end and she begins?'. The Radiohead song 'Where I End and You Begin' probably helped dislodge that idea as well. And that was where this jumping off point was — where you already are committing to sharing a life with somebody in such totality, what if you took that even further into a physical, flesh-bound sharing, to take a real relationship and intertwine it in a physical way. That just felt like such an over the top and interesting, operatic exploration of those themes, that also would satisfy the kind of genre-filmmaker obsessive that I am." On Making a Horror Film About Love Instead of Genre Staples Like Grief, Loss and Death "It just felt really natural to me. I mean, the jumping off point to me was honestly just the idea of 'oh, what if people sharing a life started to get so close that they started to share flesh?'. That was sort of that simple. And then it was when I started to fill in the details of that story, and realising that I was putting so many specifics from my own life and the observations I've made of the couples around me in my friendship circles, that I realised that 'oh, this really is a love story' — and a dark, twisted love story. When the actors, Dave and Alison, came onboard, they paid me a great compliment — which was that they said 'reading the script, if you would pull out all the horror, it would still work as a relationship drama'. Which I was really pleased to hear that, despite all the crazy scenes of nastiness and body horror and stickiness and puppets and practical effects and insanity, it's all bound to a character journey and these two people that start in these very different emotional places. And where, like in most romantic movies, rom-coms or rom-dramas, we're basically there to see 'can they can they put this aside and realise that they love each other?'. Or, 'do they realise that they don't love each other and they need to extricate themselves from what has become perhaps a toxic relationship?'." On Casting Real-Life Partners — But Not Actually Penning the Film with That in Mind "No, I kind of wrote it just generically, just set in Australia, because why not? I think it was originally sent Trentham, because I have a friend who makes wine out there — and I was like 'aah, that's my kind of rural in Victoria'. But then I had a chance meeting with Dave, because I had another script of mine that was being passed around Hollywood people in LA. And off the basis of that, I got a meeting with Dave, and we just connected. So I already had the script, and I was like 'hey, maybe have a look at this — maybe you'll like it'. And he read it and loved it and gave it to Alison. And then within a couple of days, we were on a Zoom, the three of us, and kind of figured it out. So that was amazing. Them separately, just as actors and performers, were a dream cast. But them together as an actual married couple, it adds so much to the performances, to the metatextual elements of the film, as well as just an ease of working with them. We needed them to be so physically and emotionally intimate across this film, and the fact that they have such comfort being vulnerable with each other, it created an ease of work as well as an emotional truth that I don't think we could have done with any other actors." On How Pivotal Casting an IRL Couple Proved to Be to the Film "It would have been, especially if they didn't get on, it would have been a nightmare. There was a day on set where they basically had to be fully nude the whole day in front of each other. It's like 'okay, well that's easier to do when they're a husband and wife'. There were days on set where they had to be physically joined via a prosthetic appendage that we didn't have the budget to make a second of — so we couldn't remove it. So if they needed to go to the bathroom, they weren't allowed to separate. We needed them to go to the bathroom together. And of course, you could never impose that on actors, but because they were producers on the film and they're married, they would just be like 'oh, yeah, no worries. Definitely, definitely. We'll just do that'. It was so great. Dave said something in some interviews that I think is really sweet — is that he also said that working with Alison, he feels like it makes him give the best performance, because she knows him so well that he can't be fake in front of her. So he really has to go for it or she'll call him out. Which is — not that I witnessed any calling out, but they worked so well together and it was a huge honour to work with them." On What Brie and Franco Brought to Their Performances — and Shanks Being Able to Benefit From Not Just Their Relationship But Also Their Experience "Thankfully, because they were onboard as producers, I had a lot of time with them even before they arrived in Australia to do the shoot. We had lots of sessions over Zoom, really going through, going over the script and going over the character journeys, and tweaking little things here and there — even intellectually rather than performing it, just kind of speaking it out. And then in pre-production, we had a few days of rehearsal, which were just more read-throughs. And when you're on set, time is money like crazy, particularly for an independent, low-budget film like this. So thankfully when we were on set, it's kind of like — our cinematographer, Germain McMicking [Ellis Park], was amazing, and you tell him what you want and he'll do it. And then he doesn't require much direction because he's a pro. He's so good at it. And same with Dave and Alison, as they're just such pros and they understood the material so well that my job as a director, in terms of their performances, was just ever-so-slightly giving them notes just to tweak. They were always, always in the right area because of the amount of prep that we'd done and the professionalism. And that was great to lean on as well, because I've been working in this industry since I was 17, but this is by far the biggest, longest and most-dramatic thing that I've ever worked on. So having these people that have been doing it for just as long on a much grander scale really, really helped." On Always Anchoring the Film's Body-Horror Setpieces in the Story "I think it was that I just know from being a genre filmmaker. I was really confident in all the horror and all the setpieces. That's what I'm most practised as. And so when I was breaking out the script, I was breaking it out not in terms of the horror, but just in terms of an emotional journey. And just dotting out in character arcs and knowing, because of the nature of the story, that it would be so easy for me to have this journey be interrupted by or enhanced by the horror setpieces. And also, I think something that some people are being surprised by when they walk out of the movie is how much fun it is and that it's quite funny — because again, when I sat down to write it, I was thinking I was writing romantic drama/horror. Scary, you know, serious. I've got this comedy background, but as the situation gets more and more out of hand, it was just impossible to resist — 'well, this is what would actually happen in that scenario' — and lean into something that's fun. So hopefully you'll laugh, you'll cry, it will change your life." On Crafting Horror Imagery That Leaves an Imprint "Well, I get frustrated sometimes with horror films — or with any films in general — when there's not unique images that come out of it, when there's no setpieces that stick with you, when things are just a bit generic. And I also thought the specificity of this concept meant you can only do this once. And I don't know if as a filmmaker, if I'll ever make a horror film again — if I'll ever make body-horror film again. I'd like to. But I certainly could never make this premise again. So if this is the premise, I really was thinking to myself 'you've got to squeeze as much juice out of this as possible'. And so, 'if this is the premise, great, what are ten setpieces that you can only do with this premise' — and just making sure that that's the case. And just really wanting to — really wanting to — leave the audience with something memorable. I hope people, when they leave the cinema, will say that they had a good time and that they've never seen a film quite like this." Together opened in cinemas Down Under on Thursday, July 31, 2025. Images: Germain McMicking / Ben King.
A visit to Currumbin Beach on the Gold Coast doesn't usually involve frolicking through giant dandelions as they sway in the sea breeze, watching huge coins glisten by the shore, walking through a towering plastic archway or spying an old truck on the sand. For ten days across Friday, September 6–Sunday, September 15, 2024, however, it will. Each year for 22 years now, Swell Sculpture Festival fills a one-kilometre stretch of the coastline with massive artworks — and the aforementioned pieces are just some of this year's highlights. Hit the beach and you'll also spot a tribute to jellyfish, an interactive cube that's inspired by mix-and-match picture books and features Australian native species, multicoloured scarves, fungi furniture and even the GC itself (well, a likeness of it) buried under sand. The list of works goes on, including a large sweet myrtle flower, Aussie blowflies, a sea dragon, breathing exhaust pipes and a sandstone sphere. Some pay tribute to southeast Queensland history. Many explore humanity's impact on the earth. Others honour Australia's First Peoples. There'll be more than 60 pieces in total, all dotted along the sand — with each one putting the regular sandcastles that you might spot on any beach to shame. If this seems like the kind of event that not only engages the crowds of people who hit up Currumbin each spring, but also inspires them, that's because it is. 2024's Swell Sculpture Festival has broken its own record for the most artists involved, eclipsing 350 — with 250 local, interstate and international talents contributing to the sculptures. When they craft the fest's eye-catching sights, Swell's roster of artists use everything from concrete, stainless steel, copper, bronze, wood, glass, plastic and natural fibres to fibreglass, bamboo, wire, silk, stone and aluminium — and plenty of other materials. The many ways that different folks can fashion these substances into new pieces of arts is also among the event's takeaway musings. 2024's festival wants to get patrons engaging more than just their eyes, too, starting with a kayak listening experience on Currumbin Creek. Swell also spans a beachside fringe fest, guided walks, a bar, yoga among the sculptures, tai chi, pilates, drawing sessions, other art and craft classes, a silent disco under the stars, a sing-along and more. Images: Leximagery.
It was one of the biggest celebrity scandals of the 90s, and it's now heading back to screens. When a sex tape featuring Baywatch star Pamela Anderson and her then-husband Tommy Lee was stolen from their home in 1995, then leaked on online, it fuelled tabloid headlines (and internet downloads) for years and years. Now, the whole saga has been turned into a drama called Pam & Tommy — starring Lily James (The Pursuit of Love) as Anderson and Sebastian Stan (The Falcon and the Winter Soldier) as the Mötley Crüe drummer. Even better: US streaming platform Hulu, which is behind the eight-part show, has just dropped the first teaser trailer for the series. James obviously dons the red swimsuit that Anderson was so famous for wearing for 76 episodes of everyone's favourite 90s lifeguard drama — you really couldn't make a series about Anderson without it — and, given that the focus is squarely on the couple's intimate recording, how it became public, and the impact it had on Anderson and Lee, things clearly get chaotic rather quickly. In the sneak peek, a mullet-wearing duo played by Seth Rogen (An American Pickle) and Nick Offerman (Devs) can't quite believe what they've stumbled across. That's the focus of the trailer; however, the clip does also show Anderson and Lee's reaction when the tape makes its way out into the world. Pam & Tommy's stars firmly look the part — calling James' appearance a transformation definitely fits — and the trailer sports an expectedly hectic vibe. Australian-born director Craig Gillespie has jumped into larger-than-life true tales before with I, Tonya, so he's in somewhat familiar territory. He also keeps being drawn to decades gone by: the 90s here and in I, Tonya, the 80s in aerobics-focused dark comedy series Physical, and the 70s in this year's live-action Cruella as well. Hulu has set a February 2 release date for Pam & Tommy in America, dropping the first three episodes on that date and then streaming the rest week-to-week afterwards. At the moment, where and when it'll surface Down Under hasn't yet been revealed, but hopefully that'll happen around the same time. Check out the Pam & Tommy teaser trailer below: Pam & Tommy will start screening via Hulu in the US on February 2. A release date Down Under hasn't yet been revealed — we'll update you when one is announced.
The world-renowned violinist, acclaimed author, sassy singer and all-round enthralling performer Emilie Autumn is stepping on to Australian shores this week and is ready to amaze audiences around the country. The show was announced last year following the release of Autumn's third and most successful studio album, Fight Like a Girl, which was inspired by her book The Asylum for Wayward Victorian Girls and her own intimate personal experiences. Emilie Autumn describes her musical style as 'victoriandustrial', largely because she draws inspiration from poetry, plays, novels and history, particularly from the Victorian era. Think punk meets classical meets burlesque mixed in with a dash of darkwave and synth pop to create a theatrical musical feast like no other — and, of course, we can't forget the avant garde stage constumes which have helped develop Autumn as a fashion icon over recent years. The beats of all-girl backing band the Bloody Crumpets will add to the already dazzling performance, ensuring that the violin fireworks will be a humdrum point in the evening. With a stage presence as bright and extravagant as her hair, Emilie Autumn is a refreshingly unique addition to the 21st-century music scene who has to be seen to be appreciated. https://youtube.com/watch?v=8NGKQ1UUD40
How does Jon Snow's future pan out? Sorry Game of Thrones fan, you're going to keep knowing nothing. Back in 2022, it was announced that HBO was potentially making a Jon Snow-focused sequel series, but those plans have now hit a wall according to none other than Kit Harington himself. If you're a fan of the series and you've been mourning the show's end back ever since 2019, you'll know that the US network has floated no shortage of options for extending everyone's time in Westeros. Prequel series House of the Dragon premiered in 2022, and will return for season two in 2024. Another series set before Game of Thrones itself, A Knight of the Seven Kingdoms: The Hedge Knight, will arrive in 2025. Among the rumours, a second new series to the Targaryens has also been mentioned. But this is the end of the line for the Jon Snow spinoff at the moment. In an interview with Screen Rant, Harington (Eternals) advised that "currently, it's off the table, because we all couldn't find the right story to tell that we were all excited about enough". "So, we decided to lay down tools with it for the time being. There may be a time in the future where we return to it, but at the moment, no. It's firmly on the shelf," he continued. The series was set to explore Jon Snow's story after the events of Game of Thrones' eighth and final season. You might recall that that last batch of episodes were rather eventful for the character, even more than normal. He found out that he was born Aegon Targaryen, and that he has a claim to the Iron Throne. He also ditched Westeros — after being exiled — to head North of the Wall. So, for now, you'll just have to look forward to the return of House of the Dragon this winter Down Under (when else?), starting on Monday, June 17, 2024. And as for A Knight of the Seven Kingdoms: The Hedge Knight, it is based on the novella series Tales of Dunk and Egg, as has been rumoured for a few years now. The story follows knight Ser Duncan the Tall and his squire Egg as they wander Westeros a century before the events of GoT, when the Targaryens remain on the Iron Throne and everyone still remembers dragons. Check out the latest House of the Dragon season two trailer below: HBO's Jon Snow Game of Thrones spinoff is no longer happening. House of the Dragon streams Down Under via Foxtel and Binge in Australia, and SoHo, Sky Go and Neon in New Zealand, with season two arriving on Monday, June 17, 2024. Read our full review of season one. A Knight of the Seven Kingdoms: The Hedge Knight is set to premiere in 2025 — we'll update you with exact details when they're announced. Via: Screen Rant. Images: Helen Sloan/HBO.
Minimalist Australian clothing designer Assembly Label loves a warehouse sale, hosting them in Sydney and Melbourne, also online, and on the Gold Coast, too. Next stop: Brisbane, for a three-day spring stint that'll be particularly nice to your wallet. From Friday, November 3–Sunday, November 5, you can nab discounted threads, with the brand heading to the John Reid Pavilion at Brisbane Showgrounds. Stop by on the Friday from 8am–7pm, Saturday 8am–6pm and Sunday 8am–4pm. Expect to browse and buy samples and pieces from past seasons, with nothing costing more than $100. The label is known for its linen basics and relaxed coastal vibes, and this Brisbane warehouse sale will span threads, accessories, footwear and homewares. Options include tees and togs from $20, dresses and jeans from $40, leather sandals for $40 as well, and linens from $10. As well as Assembly Label's wares, you'll also be able to grab items from fellow fashion outfit Spell.
Eating something that's good for you and snacking on something delicious may not be mutually exclusive, but when you're trying to find somewhere to eat in the inner city, they can seem to be. Thankfully, a Sunshine Coast institution venturing down south wants to change that state of affairs. Health- and taste-conscious Brisbanites, meet Raw Energy. Originally setting up shop in Coolum back in 1998, Raw Energy is all about making mouth-watering meals out of unprocessed, local ingredients. That they've opened eight other cafes over the last two decades is a testament to their success — although their all day breakfast and lunch menus might have something to do with it, too. After some traditional early morning fare? Then their corn, zucchini and chive fritters are hard to beat, particularly when accompanied by grilled bacon, avocado, a poached egg and baby spinach. If the midday meal is more your style, prepare for salads, sandwiches and burgers, with the Mexican five-bean, sour cream and sweet chilli option a mouth-watering example of the latter. Whatever the time of day, you can wash it all down with a lengthy list of fresh juices and smoothies. In the near future, you'll even be able to do so by night, with dinner service coming soon.
The hair, the hips, a whole lotta shakin' and Tom Hanks in a far less friendly role than usual: they're all part of the just-dropped trailer for Baz Luhrmann's Elvis. After a nine-year absence from the silver screen following 2013's The Great Gatsby, the Australian filmmaker returns to cinemas with a biopic about the world's most famous blue suede shoe aficionado, with Once Upon a Time in Hollywood and The Dead Don't Die's Austin Butler sporting Presley's pompadour. Shot in Australia with a cast that also spans a wealth of local talent — Olivia DeJonge (Better Watch Out) as Priscilla, Richard Roxburgh (Fires) as Presley's father Vernon, newly minted Oscar-nominee Kodi Smit-McPhee (The Power of the Dog) as singer Jimmie Rodgers, and David Wenham (The Furnace) as country artist Hank Snow, for starters — Elvis clearly has a big story to tell. Charting the king of rock 'n' roll's rise to fame, exploring the role that manager Colonel Tom Parker played in that success and examining how Presley became the enduring symbol of rock 'n' roll that he still remains now, 45 years after his death, as everything from touring exhibitions to his enduring status in popular culture keep showing: that's all in the movie's remit, too. As Parker, Hanks also has a significant task. In the trailer, the News of the World and A Beautiful Day in the Neighbourhood star's first words set the mood for his character: "there are some who make me out to be the villain of this story". Launching Elvis' initial sneak peek, Luhrmann explained that Hanks' role obviously isn't quite that simple. "He ran towards that. It's interesting because 'villain' is too easy to wrap it up," the filmmaker advises. "He tells the story, [but] he doesn't go on to tell the story that says 'and they're right'... It's a device, because when it comes to a historical character, there's only ever someone's telling of that story. Even in life, if you lived with an Elvis, it's your memory — your version of their life." From its first trailer, Elvis is unmistakably a Luhrmann movie. As everything from Strictly Ballroom and Romeo + Juliet to Moulin Rouge! and his Netflix series The Get Down have already shown, the Aussie director doesn't hold back when it comes to style, flair, and embracing the look and feel of whichever world he's diving into. Describing his process, Luhrmann goes a step further. "I am the ultimate outsider. I come from a very small country town, not dissimilar to Tupelo [Mississippi, where Presley was born] — where I come from, Tupelo would've been called the big smoke or a city because my town was so small, like five houses. But I'm the ultimate outsider, so when I go and do Moulin Rouge! and it's in Paris, I come as an outsider and live it. If I do The Get Down, I come as an outsider and live it. If I do The Great Gatsby, I come as an outsider and I live like [author F Scott] Fitzgerald — I probably got a little bit too much into some of the things that Fitzgerald did — but I do live it, it's a real truth." "That's why I make films so infrequently. So the greatest joy for me is to make films and to live it," he explains. For the writer/director, who works here with a script also credited to his regular co-screenwriter Craig Pearce, plus The Get Down's Sam Bromell and The Killing's Jeremy Doner, Elvis isn't just about its namesake. "A great biopic is terrific, but something like Amadeus, for example, it's not really about Mozart — it's about jealousy. And the truth is is that in this modern era, the life of Elvis Presley could not be a better canvas on which to explore America in the 50s, the 60s and the 70s," Luhrmann notes. "It's a mythical life that he lived‚ very young, 42 years. But that 42 years is is three great lives put into a short period of time. And what's extraordinary about it is that that life is culturally at the centre of the 50s, and socially the 60s and actually the 70s. And it's a great canvas on which to us explore America. So that's what drew me in — that and a guy called Colonel Tom Parker, who I always like to say was never a Colonel, never a Tom and and never a Parker." Check out the trailer for Elvis below: Elvis releases in cinemas Down Under on June 23, 2022. Images: Hugh Stewart.
Talk about bloomin' great events: in autumn in the Scenic Rim, golden petals await at the Kalbar Sunflower Festival. For three days each year, a southeast Queensland farm opens its gates to the public for a weekend filled with yellow hues, florals as far as the eye can see, a sunflower maze and other activities celebrating its chosen plant. In 2025, you'll want to make sure that you're free to head along across Friday, May 2–Sunday, May 4. Located just over an hour outside of Brisbane, the Kalbar Sunflowers farm couldn't be more vibrant when it hosts its fest. It's no wonder that the event has become a much-loved and hugely popular autumn mainstay, with 12,000-plus people attending annually. Tickets are a hot commodity, with 2025's going on sale at the end of March. While the complete program for this year won't drop until Saturday, March 1, those lucky enough to score entry will spy sunflowers all around them at the Jenner family farm no matter what's on the full itinerary. In its early years, more than 200,000 blooms reached up to the sky, which is a hefty number. In 2023, over one million sunflowers were planted across 24 acres — and the same number will bloom in 2025. All of those golden petals also help the fest play host to a highlight to get lost in, literally: the popular sunflower maze. Picking sunflowers is on the agenda, too, costing $2 per stem. As happened in 2024, taking florals home with you will support a supremely worthy cause. To pay tribute to her husband Russell, who battled oesophageal cancer for 18 months and passed away in July 2023, the event's organiser Jenny Jenner is donating the proceeds from flower sales to The Mater Foundation and the Ipswich Hospital Foundation. Attendees can also look forward to the event's first animal petting zoo, a Devonshire tea marquee, the return of the fest's special-event lunches and gala dinner, food trucks serving up other bites, sunflower-themed market stalls and the sensory garden. Two murals will be painted, with the proceeds for taking part in making art going to community organisations. Past years have also featured yoga sessions among the sea of gold, art classes amid the blooms, making flower crowns, helicopter rides over the fields, sound-healing meditation classes among the petals and photo sessions, of course. Fingers crossed that they'll all be back. The Kalbar Sunflower Festival came about after Russell and Jenny changed direction during Queensland's ongoing drought conditions. Previously, they farmed lucerne but, with water levels low, they opted to switch to a crop that doesn't require as much H2O. And, with all those sunflowers then looking rather striking, the couple wanted to let everyone else enjoy their golden petals.
With outdoor cinema season in full swing, Brisbane is set to welcome another place to watch a movie under the stars. Just look for the city's heritage-listed former gasometer — aka the eye-catching poles that have been a fixture of Newstead since way back in the 1870s. Now part of the Gasworks Precinct, the iconic spot will play host to four Friday night film sessions throughout February. It all kicks off on February 1 with the side-splitting laughs of Bridesmaids, before serving up a little Kung Fu Panda for the family on February 8. When love is in the air mid-month, The Notebook will hit the screen on February 15. And to finish things up, take an intergalactic superhero trip with Guardians of the Galaxy on February 22. The best part is that one little word everyone's wallet loves to hear. Yes, this feast of flicks is free. BYO blanket to sit on, and keep some cash handy for a snack from one of the onsite eateries. Movies Under the Stars starts at 7.30pm each week.
For many people out there, it is the Good Friday tradition to only eat fish this coming Friday. Whether you're after a fast fix on the day, or wanting to cook some delicious fish for yourself this Friday, we've narrowed down the best options for you. Fast Fish Whichever side of town you live on, everybody has their very favourite fish and chip shop. We have looked north, south, east and west and narrowed down our picks for each side of town so that everybody can be seafood-satisfied this Friday. Northsiders should head to Grilled Fish on Sandgate Road in Albion or Get Fished at Newmarket, both serving delicious and reasonably priced take away fish and chips. Southsiders will swear black and blue about the joys of Swampdog. Their focus on healthy and sustainable serving of fish exists through their motto "Good for you, good for me, good for the sea." It is fish and chips at the highest quality. Westsiders should head to A Salt and Battery, not only bragging some of the best fish and chips in Brisbane, but also one of the best fish and chip shop names of all time. Tippler's Seafood at Gailey Fiveways in St Lucia is also a winner. Eastsiders love the Fishmonger's Wife for the beautiful flavours they prepare their fish with including the wild wattleseed cod and lemongrass snapper. Inner city folks should head to Carraway Pier in Kelvin Grove for fast, friendly and fabulous service. The Fishery in Milton serves top quality fish and always has a great display of fresh fish oysters and prawns to enjoy as well. Fish for home Samie's Girl is one of Brisbane's longest running fish markets. Located near the Breakfast Creek wharf, the selection at Samie's Girl is always top shelf and varied according to availability. Morgan's Seafood has the largest shop display of seafood in all of Queensland so if it's variety that you are after then it is worth making the drive out to Scarborough to pick up some fresh produce to share with family and friends. George's Seafood in West End is perfect for those in the inner city looking for some fresh seafood to take home. Their display is always full of fresh prawns, oysters and bugs and the boys behind the counter are more than happy to provide great tip. Dining in If it's atmosphere that you are after, and you want the food prepared and served to you on a plate then head along to Alfred and Constance's Fish and Chip Pop Up or to Riverbar and Kitchen who are open all day on Good Friday.
Whatever chatter and controversy surrounds them — whoever hosts, whichever wild moves the Academy makes before the ceremony even arrives, and no matter how much it tries to reinvent the broadcast to appeal to more people — the Oscars are always about ace films and the people who craft them. A sizeable list of flicks vie for recognition, a smaller number win and a heap of talented folks earn their time in the spotlight. That's it, that's the heart and soul of these coveted accolades. Whether everything you wanted to win actually managed the feat or not, and despite one instance of the kind of behaviour that only belongs in films, the 94th Academy Awards still delivered upon its basic aim. It celebrated the hard work that goes into making movie magic, and the features and shorts that result. And across the night's speeches, exactly how much that means to some winners truly resonated. "There is indeed a place for us," West Side Story's Best Supporting Actress winner Ariana DeBose exclaimed. "You see a queer, openly queer woman of colour, an Afro Latina who found her strength in life through art. And that's what I believe we're here to celebrate," she continued. Winning Best Supporting Actor for CODA, Troy Kotsur's signed speech was equally as moving. When he paid tribute to the power of communication while becoming the first male actor who is deaf to win an Oscar — and in a movie about a family with three members who are deaf that won Best Picture as well — it was a potent and important moment. They're just some of the highlights of this year's Academy Awards — and the best way to champion DeBose and Kotsur's efforts, the films they won for, and all of the other flicks that also picked up gleaming trophies, is to see those very movies. That's the best way to celebrate Jane Campion making history as just the third female filmmaker to win Best Director as well, and Dune's swag of technical gongs. With that in mind, here are 11 newly minted Oscar-winners that you should watch right now. (And if you're after a full list of recipients, we've put that together, too.) CODA When CODA screened at the Sundance Film Festival back in January 2021, it made history. Film distributors always clamour to snap up the event's big hits, and this four-time award-winner — which received the fest's US Grand Jury Prize, US Dramatic Audience Award, a Special Jury Ensemble Cast Award and Best Director — was picked up by Apple TV+ for US$25 million. Even though the sophomore feature from writer/director Sian Heder (Tallulah) remakes 2014 French hit La Famille Bélier, that's still a significant amount of money; however, thanks to its warmth, engaging performances and a welcome lack of cheesiness, it's easy to see why the streaming platform opened its wallet. Fans of the earlier movie will recognise the storyline, which sees 17-year-old Ruby Rossi (Emilia Jones, Locke & Key) struggle to balance her family commitments with her dreams of attending music school. She's a talented singer, but she's only just discovered just how skilled she is because she's also the child of deaf adults (hence the film's title). At home, she also plays a key part in keeping the family's fishing business afloat, including by spending mornings before class out on the trawler wither her dad Frank (Troy Kotsur, No Ordinary Hero: The SuperDeafy Movie) and older brother Leo (Daniel Durant, Switched at Birth). Heder helms this still sweet and moving feature with a distinct lack of over-exaggeration, which plagued its predecessor. The fact that Kotsur, Durant and Marlee Matlin (Entangled), the latter as the Rossi matriarch, are all actors who are deaf playing characters who are deaf really couldn't be more important. Their portrayals are naturalistic and lived-in, as is much about this rousing but gentle crowd-pleaser — including tomboy Ruby's blossoming romance with fellow wannabe musician Miles (Ferdia Walsh-Peelo, Sing Street). OSCARS: Won: Best Picture, Best Supporting Actor (Troy Kotsur), Best Adapted Screenplay Where to watch: CODA is available to stream via Apple TV+. Read our full review. THE POWER OF THE DOG Don't call it a comeback: Jane Campion's films have been absent from cinemas for 12 years but, due to miniseries Top of the Lake, she hasn't been biding her time in that gap. And don't call it simply returning to familiar territory, even if the New Zealand director's new movie features an ivory-tinkling woman caught between cruel and sensitive men, as her Cannes Palme d'Or-winner The Piano did three decades ago. Campion isn't rallying after a dip, just as she isn't repeating herself. She's never helmed anything less than stellar, and she's immensely capable of unearthing rich new pastures in well-ploughed terrain. With The Power of the Dog, Campion is at the height of her skills trotting into her latest mesmerising musing on strength, desire and isolation — this time via a venomous western that's as perilously bewitching as its mountainous backdrop. That setting is Montana, circa 1925. Campion's homeland stands in for America nearly a century ago, making a magnificent sight — with cinematographer Ari Wegner (Zola, True History of the Kelly Gang) perceptively spying danger in its craggy peaks and dusty plains even before the film introduces Rose and Peter Gordon (On Becoming a God in Central Florida's Kirsten Dunst and 2067's Kodi Smit-McPhee). When the widowed innkeeper and her teenage son serve rancher brothers Phil and George Burbank (Spider-Man: No Way Home's Benedict Cumberbatch a career-best, awards-worthy, downright phenomenal turn, plus Antlers' Jesse Plemons) during a cattle-run stop, the encounter seesaws from callousness to kindness, a dynamic that continues after Rose marries George and decamps to the Burbank mansion against that stunning backdrop. Brutal to the lanky, lisping Peter from the outset, Phil responds to the nuptials with malice. He isn't fond of change, and won't accommodate anything that fails his bristling definition of masculinity and power, either. OSCARS: Won: Best Director (Jane Campion) Nominations: Best Picture, Best Actor (Benedict Cumberbatch), Best Supporting Actor (Jesse Plemons, Kodi Smit-McPhee), Best Supporting Actress (Kirsten Dunst), Best Adapted Screenplay, Best Cinematography, Best Original Score, Best Production Design, Best Film Editing, Best Sound Where to watch: The Power of the Dog is available to stream via Netflix. Read our full review. DUNE A spice-war space opera about feuding houses on far-flung planets, Dune has long been a pop-culture building block. Before Frank Herbert's 1965 novel was adapted into a wrongly reviled David Lynch-directed film — a gloriously 80s epic led by Kyle MacLachlan and laced with surreal touches — it unmistakably inspired Star Wars, and also cast a shadow over Hayao Miyazaki's Nausicaä of the Valley of the Wind. Game of Thrones has since taken cues from it. The Riddick franchise owes it a debt, too. The list goes on and, thanks to the new version bringing its sandy deserts to cinemas, will only keep growing. As he did with Blade Runner 2049, writer/director Denis Villeneuve has once again grasped something already enormously influential, peered at it with astute eyes and built it anew — and created an instant sci-fi classic. This time, Villeneuve isn't asking viewers to ponder whether androids dream of electric sheep, but if humanity can ever overcome one of our worst urges and all that it brings. With an exceptional cast that spans Timothée Chalamet (The French Dispatch), Oscar Isaac (The Card Counter), Rebecca Ferguson (Reminiscence), Jason Momoa (Aquaman), Josh Brolin (Avengers: Endgame), Javier Bardem (Everybody Knows), Zendaya (Spider-Man: No Way Home) and more, Dune tells of birthrights, prophesied messiahs, secret sisterhood sects that underpin the galaxy and phallic-looking giant sandworms, and of the primal lust for power that's as old as time — and, in Herbert's story, echoes well into the future's future. Its unpacking of dominance and command piles on colonial oppression, authoritarianism, greed, ecological calamity and religious fervour, like it is building a sandcastle out of power's nastiest ramifications. And, amid that weightiness — plus those spectacularly shot visuals and Hans Zimmer's throbbing score — it's also a tale of a moody teen with mind-control abilities struggling with what's expected versus what's right. OSCARS: Won: Best Cinematography, Best Original Score, Best Production Design, Best Film Editing, Best Sound, Best Visual Effects, Nominations: Best Picture, Best Adapted Screenplay, Best Costume Design Where to watch: Dune is currently screening in Australian cinemas, and is also available to stream via Google Play, YouTube Movies and Prime Video. Read our full review. WEST SIDE STORY Tonight, tonight, there's only Steven Spielberg's lavish and dynamic version of West Side Story tonight — not to detract from or forget the 1961 movie of the same name. Six decades ago, an all-singing, all-dancing, New York City-set, gang war-focused spin on Romeo and Juliet leapt from stage to screen, becoming one of cinema's all-time classic musicals; however, remaking that hit is a task that Spielberg dazzlingly proves up to. It's his first sashay into the genre, despite making his initial amateur feature just three years after the original West Side Story debuted. It's also his first film since 2018's obnoxiously awful Ready Player One, which doubled as a how-to guide to crafting one of the worst, flimsiest and most bloated pieces of soulless pop-culture worship possible. But with this swooning, socially aware story of star-crossed lovers, Spielberg pirouettes back from his atrocious last flick by embracing something he clearly adores, and being unafraid to give it rhythmic swirls and thematic twirls. Shakespeare's own tale of tempestuous romance still looms large over West Side Story, as it always has — in fair NYC and its rubble-strewn titular neighbourhood where it lays its 1950s-era scene. The Jets and the Sharks aren't quite two households both alike in dignity, though. Led by the swaggering and dogged Riff (Mike Faist, a Tony-nominee for the Broadway production of Dear Evan Hansen), the Jets are young, scrappy, angry and full of resentment for anyone they fear is encroaching on their terrain. Meanwhile, with boxer Bernardo (David Alvarez, a Tony-winner for Billy Elliot) at the helm, the Sharks have tried to establish new lives outside of their native Puerto Rico through study, jobs and their own businesses. Both gangs refuse to coexist peacefully in the only part of New York where either feels at home — but it's a night at a dance, and the love-at-first-sight connection that blooms between Riff's best friend Tony (Ansel Elgort, The Goldfinch) and Bernardo's younger sister María (feature debutant Rachel Zegler), that sparks a showdown. OSCARS: Won: Best Supporting Actress (Ariana DeBose) Nominations: Best Picture, Best Director (Steven Spielberg), Best Cinematography, Best Production Design, Best Costume Design, Best Sound Where to watch: West Side Story is currently screening in Australian cinemas, and is also available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. DRIVE MY CAR Inspired by Haruki Murakami's short story of the same name, Drive My Car's setup couldn't be simpler. Still recovering from a personal tragedy, actor and director Yusuke Kafuku (Hidetoshi Nishijima, Silent Tokyo) agrees to helm a stage version of Chekhov's Uncle Vanya in Hiroshima — but the company behind it insists on giving him a chauffeur for the duration of his stay. He declines, yet they contend it is mandatory for insurance and liability reasons, so Misaki (Toko Miura, Spaghetti Code Love) becomes a regular part of his working stint in the city. Friendship springs, slowly and gradually, but Murakami's name is one of the first signs that this won't follow a standard road. The other: Japanese filmmaker Ryûsuke Hamaguchi, who makes layered, thoughtful and probing reflections upon connection, as seen in his previous efforts Happy Hour and Asako I & II. Drive My Car doesn't hurry to its narrative destination, clocking in at a minute shy of three hours, but it's a patient, engrossing and rewarding trip. It's a gorgeously shot and affectingly performed one, too, whether taking to the road, spending time with its central pair, or chronicling Yusuke's involving auditions and rehearsals. Another thing that Hamaguchi does disarmingly well: ponder possibilities and acceptance, two notions that echo through both Yusuke and Misaki's tales, and resonate with that always-winning combination of specificity and universality. Drive My Car is intimate and detailed about every element of its on-screen voyage and its character studies, and also a road map to soulful, relatable truths. OSCARS: Won: Best International Feature Nominations: Best Picture, Best Director (Ryusuke Hamaguchi), Best Adapted Screenplay Where to watch: Drive My Car is currently screening in Australian cinemas. Read our full review. THE EYES OF TAMMY FAYE Not for the first time, the eyes have it, but then they always have with Tammy Faye Bakker. Not one but two films called The Eyes of Tammy Faye have told the 70s and 80s televangelist's tale — first a 2000 documentary and now this new Jessica Chastain-starring dramatisation — and both take their monikers from one of the real-life American figure's best-known attributes. In the opening to the latest movie, the spidery eyelashes that adorn Tammy Faye's peepers are dubbed her trademark by the woman herself. They're given ample focus in this biopic, as OTT and instantly eye-grabbing as they they are, but their prominence isn't just about aesthetics and recognition. This version of The Eyes of Tammy Faye hones in on perspective, resolutely sticking to its namesake's, even when it'd be a better film if it pondered what she truly saw, or didn't. In the path leading to her celebrity heyday and the time she was a TV mainstay, Tammy Faye's life saw plenty. It began with an unhappy childhood stained by her stern mother Rachel's (Cherry Jones, Succession) refusal to be linked to her at church, lest it remind their god-fearing Minnesotan townsfolk about the latter's sinful divorce. But young Tammy Faye (Chandler Head, The Right Stuff) still finds solace in religion, the attention that speaking in tongues mid-service brings and also the puppets she starts using as a girl. Come 1960, at bible college, her fervour and quirkiness attract fellow student Jim Bakker (Andrew Garfield, Tick, Tick… Boom!), with the pair soon married even though it gets them kicked out of school. Unperturbed, she keeps seeing their calling to the lord as their way forward, first with a travelling ministry — puppets included — and then with television shows and their own Praise the Lord network. OSCARS: Won: Best Actress (Jessica Chastain), Best Makeup and Hairstyling Where to watch: The Eyes of Tammy Faye is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. ENCANTO Five years after Lin-Manuel Miranda and Disney first teamed up on an animated musical with the catchiest of tunes, aka Moana, they're back at it again with Encanto. To viewers eager for another colourful, thoughtful and engaging film — and another that embraces a particular culture with the heartiest of hugs, and is all the better for it — what can the past decade's most influential composer and biggest entertainment behemoth say except you're welcome? Both the Hamilton mastermind and the Mouse House do what they do best here. The songs are infectious, as well as diverse in style; the storyline follows a spirited heroine challenging the status quo; and the imagery sparkles. Miranda and Disney are both in comfortable territory, in fact — formulaic, sometimes — but Encanto never feels like they're monotonously beating the same old drum. Instruments are struck, shaken and otherwise played in the film's soundtrack, of course, which resounds with energetic earworms; the salsa beats of 'We Don't Talk About Bruno' are especially irresistible, and the Miranda-penned hip hop wordplay that peppers the movie's tunes is impossible to mentally let go. Spanning pop, ballads and more, all those songs help tell the tale of the Madrigals, a close-knit Colombian family who've turned generational trauma into magic. This is still an all-ages-friendly Disney flick, so there are limits to how dark it's willing to get; however, that Encanto fills its frames with a joyous celebration of Latin America and simultaneously recognises its setting's history of conflict is hugely significant. It also marks Walt Disney Animation Studios' 60th feature — dating back to 1937's Snow White and the Seven Dwarfs — but its cultural specificity (depictions of Indigenous, Afro Latino and Colombian characters of other ethnicities included) is its bigger achievement. OSCARS: Won: Best Animated Feature Nominations: Best Original Score, Best Song Where to watch: Encanto is currently screening in Australian cinemas, and is also available to stream via Disney+,Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Much of Summer of Soul (...Or, When the Revolution Could Not Be Televised) involves stunning archival footage, as recorded more than five decades ago, capturing live performances by an astonishing lineup of musicians. At the 1969 Harlem Cultural Festival, a free series of gigs that rolled out across six weekend and saw around 300,000 people head along, Nina Simone, Stevie Wonder, BB King, Sly and the Family Stone, the Staples Singers, Mahalia Jackson and Gladys Knight & the Pips all took to the stage — and the newly unearthed reels that immortalised their efforts are the stuff that music documentary dreams are made of. For his filmmaking debut, Ahmir 'Questlove' Thompson could've simply stitched together different songs from various sets across the festival, and let those music superstars lead the show. He could've taken the immersive, observational approach and jettisoned context, too. But The Roots frontman and drummer doesn't make that choice, and he ensures that two words echo strongly throughout the film as a result: "Black Woodstock". Also in New York — upstate in the town of Bethel, 100 miles north of Harlem — Woodstock itself took place in the summer of 1969 as well. The Harlem Cultural Festival kicked off before and kept playing after its better-known counterpart ended, but comparing the two events makes quite the statement. Why has one endured in public consciousness and proven pervasive in popular culture, but not the other? Why did footage of one quickly get turned into a film, with the Woodstock documentary first reaching cinemas in 1970, but recordings of the other largely sat in a basement for half a century? Why did television veteran Hal Tulchin, who shot the entire Harlem Cultural Festival from start to finish on four cameras loaded up with two-inch videotape, get told that there was little interest in releasing much from a "Black Woodstock"? (One New York TV station aired two hour-long specials at the time, but that's all that eventuated until now.) These questions and the US' historical treatment of people in colour go hand in hand, and whenever the words "Black Woodstock" are uttered, that truth flutters through Summer of Soul. OSCARS: Won: Best Documentary Feature Where to watch: Summer of Soul (…Or, When the Revolution Could Not Be Televised) is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. NO TIME TO DIE James Bond might famously prefer his martinis shaken, not stirred, but No Time to Die doesn't quite take that advice. While the enterprising spy hasn't changed his drink order, the latest film he's in — the 25th official feature in the franchise across six decades, and the fifth and last that'll star Daniel Craig — gives its regular ingredients both a mix and a jiggle. The action is dazzlingly choreographed, a menacing criminal has an evil scheme and the world is in peril, naturally. Still, there's more weight in Craig's performance, more emotion all round, and a greater willingness to contemplate the stakes and repercussions that come with Bond's globe-trotting, bed-hopping, villain-dispensing existence. There's also an eagerness to shake up parts of the character and Bond template that rarely get a nudge. Together, even following a 19-month pandemic delay, it all makes for a satisfying blockbuster cocktail. For Craig, the actor who first gave Bond a 21st-century flavour back in 2006's Casino Royale (something Pierce Brosnan couldn't manage in 2002's Die Another Day), No Time to Die also provides a fulfilling swansong. That wasn't assured; as much as he's made the tuxedo, gadgets and espionage intrigue his own, the Knives Out and Logan Lucky actor's tenure has charted a seesawing trajectory. His first stint in the role was stellar and franchise-redefining, but 2008's Quantum of Solace made it look like a one-off. Then Skyfall triumphed spectacularly in 2012, before Spectre proved all too standard in 2015. Ups and downs have long been part of this franchise, depending on who's in the suit, who's behind the lens, the era and how far the tone skews towards comedy — but at its best, Craig's run has felt like it's building new levels rather than traipsing through the same old framework. OSCARS: Won: Best Original Song Nominations: Best Visual Effects, Best Sound Where to watch: No Time to Die is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BELFAST Warm, cosy, rosy, charming, feel-good: typically when a film spins its story during The Troubles in Northern Ireland, none of these words apply. But with Belfast, Kenneth Branagh has made a movie set in its eponymous city when the Protestant-versus-Catholic violence was a constant sight, and also helmed a feature that's about a childhood spent with that conflict as a backdrop. It's an approach that only works because Branagh draws from his own experiences — the film isn't a play-by-play memoir, but it's also clearly personal. Here, it's 1969, when the actor-turned-filmmaker would've been nine years old. The movie's protagonist, Buddy (first-timer Jude Hill), is that exact age, in fact. And with the beginnings of a three-decade-long sectarian fracas bubbling and boiling around him, he navigates the usual age-appropriate antics, such as school, crushes, doting grandparents with ailing health and a potential big move. The Troubles are a constant sight in the largely monochrome-hued film, too, and the reason Buddy's that parents are contemplating relocating to England, something they wouldn't have dreamed of otherwise. Pa (Jamie Dornan, The Tourist) already spends most of his time working there as a joiner, leaving Ma (Caitríona Balfe, Outlander) at home with Buddy and his elder brother Will (Lewis McAskie, Here Before) — with assistance from the boys' Granny (Judi Dench, Six Minutes to Midnight) and Pop (Ciarán Hinds, The Man in the Hat) — and he's been offered a new job that comes with a house. The violence swirling through Belfast has already made it to the family's street, to their hounded Catholic neighbours and, when Pa refuses to join the fray, put them on their fellow Protestants' hit list. Shifting to London (or perhaps further, to Sydney or Vancouver) would provide a new start and a safer future, but leaving all they've ever known isn't a simple decision. OSCARS: Won: Best Original Screenplay Nominations: Best Picture, Best Director (Kenneth Branagh), Best Supporting Actor (Ciarán Hinds), Best Supporting Actress (Judi Dench), Best Sound Where to watch: Belfast is currently screening in Australian cinemas. Read our full review. CRUELLA A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — plus a white-and-black fur coat that's suspected of being made from slaughtered dogs. If the film itself was a fashion item, though, it'd be a knockoff. It'd be a piece that appears fabulous from afar, but can't hide its seams. That's hardly surprising given this origin tale stitches together pieces from The Devil Wears Prada, The Favourite, Superman, Star Wars and Dickens, and doesn't give two yaps if anyone notices. The Emmas — Stone, playing the dalmatian-hating future villain; Thompson, doing her best Miranda Priestly impression as a ruthless designer — have a ball. Oscar-winning costume designer Jenny Beavan is chief among the movie's MVPs. But for a film placed amid the punk-rock revolution, it's happy to merely look the part, not live and breathe it. And, in aiming to explain away its anti-heroine's wicked ways, it's really not sure what it wants to say about her. Before she becomes the puppy-skinning fashionista that remains among Glenn Close's best-known roles, and before she's both a wannabe designer and the revenge-seeking talk of the town played by Stone (Zombieland: Double Tap), Cruella is actually 12-year-old girl Estella (Tipper Seifert-Cleveland, Game of Thrones). She sports two-toned hair and a cruel that streak her mother (Emily Beecham, Little Joe) tries to tame with kindness — and she's also a target for bullies, but has the gumption to handle them. Then tragedy strikes, an orphan is born, loss haunts her every move and, after falling in with a couple of likeable London thieves, those black-and-white locks get a scarlet dye job. By the time that Estella is in her twenties, she's well-versed in pulling quick heists but loves sewing the costumes required more than anything else. And, thanks to the Baroness (Thompson, Last Christmas), she eventually gets her chance — for fashion domination, as well as vengeance. OSCARS: Won: Best Costume Design Nominations: Best Makeup and Hairstyling Where to watch: Cruella is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more Oscar-nominees to watch? You can also check out our full rundown of where almost all of this year's contenders are screening or streaming in Australia.
Brisbane's 'burbs continue to prove their worth as the dining scene expands from the confines of the CBD. The latest score for Bardon is Smoked Paprika, which has opened its doors on Macgregor Terrace. Sugar, spice and all things nice fill the mean all-day breakfast and lunch menus, inspired by the chef's European heritage and served with an Aussie twist. Peruse the menu, order and pay at the counter, then dabble in a spot of people-watching while you wait for the kitchen to work their magic. A word of warning: the courtyard-style cafe is not air conditioned, so be prepared to embrace the balmy Brisbane weather. For a small cafe, Smoked Paprika are delivering big things in the kitchen. The menu is loaded with unique dishes, and very meal that arrives on customer's tables is plated with care, flair and a subtle artistry, ensuring a perfect breakfast 'gram for your friends and followers to swoon over on their smartphones. The Smoked Paprika breakfast ($16.90) can be thought of as a mashup of breakfast favourites, as spiced beef is served on Turkish bread with poached eggs, a creamy hollandaise, roasted tomatoes, grilled haloumi, and a handful of rocket for good measure. This signature dish proves to be a crowd favourite, with a plate adorning almost every table in sight at Sunday brunch. The whipped persian feta on sourdough ($11.90) served with avocado, lemon and house spice mix is another excellent contender if your heart and stomach desire a light but creamy, classic. Just like the breakfast menu, the lunch offerings here don't mess around. Hearty salads, pasta and burger options are sure to satisfy your lunchtime hunger pains. And if its a thirst you seek to quench, the coffee is good, the juices are fresh and the smoothies come served in mason jars. Catering for the suburban surrounds, Smoked Paprika is little-people friendly, offering a dedicated kids' menu. Boiled eggs with soldiers ($9.90), crepes with Nutella ($6.90) and a classic ham and cheese toastie ($6.90) are sure to keep Brisbane's little stomachs happy.
As if Wes Anderson's The Grand Budapest Hotel could get any more adorably twee, Argentine designers Sabrina Giselle Acevedo and Jazmin Granada (both graphic design students at the University of Buenos Aires) have recreated Anderson's latest film's opening credits using paper. Making a pop-up book-like representation of Gustave's reception keys and Agatha's perfect Mendl's cake, Acevedo and Granada have created a squealworthy sequence of stop animation to make your day that little bit more grand. Via Fubiz. Want more Grand Budapest Hotel-ery? Check out our attempts to recreate Mendl's Courtesan au Chocolat with Gelato Messina over here.
It's a tradition we all know well: go to IKEA with the intention of picking up some new water glasses, spend two hours wandering the labyrinth and filling a basket with tea light candles (you can never have too many), bath rugs (so soft!) and plants (you'll keep this one alive, promise), then sit down for a plate of delicious meatballs and mash. During COVID-19, IKEA has had to temporarily shut its in-store restaurants, in line with the government's closure of non-essential indoor venues. But, so you can get your fix at home, it has just released the recipe to its blessed meatballs. The Swedish flatpack experts are also now offering contactless delivery (in Australia) and have a podcast that reads through the IKEA catalogue, so you can really relive your time strolling through its endless corridors. But, we'll skip the smalltalk and get straight to what you're all looking for: the recipe. IKEA'S MEATBALLS Serves four 500 grams beef mince 250 grams pork mince 1 onion, finely chopped 1 clove garlic (crushed or minced) 100 grams breadcrumbs 1 egg 5 tablespoons of milk Salt and pepper to taste For the cream sauce Dash of oil 40 grams butter 40 grams plain flour 150 millilitres vegetable stock 150 millilitres beef stock 150 millilitres thick double cream 2 teaspoons soy sauce 1 teaspoon dijon mustard To make the meatballs Combine beef and pork mince and mix with your fingers to break up any lumps. Add finely chopped onion, garlic, breadcrumbs and egg and mix. Add milk and season well with salt and pepper. Shape mixture into small, round balls. Place on a clean plate, cover and store in the fridge for two hours (this will help them hold their shape while cooking). In a frying pan, heat oil on medium heat. When hot, gently add your meatballs and brown on all sides. Add to an overproof dish and cover with aluminium. Place in a hot oven (180°C conventional or 160°C fan) and cook for a further 30 minutes. To make the cream sauce Melt butter in a frying pan. Whisk in flour, stirring continuously for two minutes. Stir in vegetable and beef stock. Stir in double cream, soy sauce and dijon mustard. Bring to a simmer and allow sauce to thicken. Serve with your favourite potatoes — either creamy mash or mini new boiled potatoes.
Calling all steak fiends: South Bank's Little Stanley Street precinct has scored a new Argentinian go-to for a sizzling meal. Hailing from Alemré Hospitality Group, which is expanding a portfolio that includes Olé Restaurant, Mucho Mexicano, Vici Italian and Downtown Istanbul, Calida seats 180 — and naturally has plenty of meat on its menu. Think: empanadas to start with; dishes such bistec tartar, marinated lamb rump skewers, pressed beef short ribs, chorizo pork sausages and slow-cooked whole lamb shoulder; and an array of different cuts of steak from the grill, all served with chimichurri sauce and Australian red gum smoked salt. Even the bread comes with a beef jus. The steak options under Alemré Executive Group Chef Adam Starr's guidance all use S.Kidman beef, whether you're eager for a 220-gram eye fillet, 300-gram sirloin or 400-gram wagyu rump. And if you're keen to sample several choices without having to make too many decisions, you have two ways to go about it: a $120 mixed-grill platter for two or a $63 banquet with a minimum of two diners, with the latter also covering a dulce de leche sandwich cookie for dessert. Those keen for seafood instead can pick between span oysters with vinegar and chives, grilled octopus with potato salad, salmon ceviche and grilled barramundi. There's also a number of cheese-heavy dishes for vegetarians, including ricotta and mozzarella empanadas, smoked baked cheese and roasted portobello mushrooms with manchego cheese. For sweets beyond the dulce de leche sandwich cookie, Calida offers dulce de leche lava cake with vanilla ice cream; guava and passionfruit mousse with flourless white-chocolate sponge; and the traditional Argentinian torta rogel made from layers of crisp pastry and vanilla meringue, plus, yes, dulce de leche. Whatever satisfies your stomach, you can wash it down with wine from both Argentina and Europe, Quilmes beer and Latin-inspired cocktails such as the Fernet con coca — aka Fernet-Branca and Coke. If you order a Margarita de Roca, one of the restaurant's signature sips, you'll be enjoying tequila, dragonfruit, and jalapeño. With the Mermalada, bourbon and marmalade combine. And for something that catches the eye as well, the ¡Viva la Argentina! layers gin, blue curaçao and citrus flavours. Going for a warm vibe to match its food, Calida's design aesthetic favours raw brick and stonework, moody lighting and Argentinian textiles — and, if you're sitting in the booths, look out for the ficus. The fitout backdrops not just everyday meals, but also events focused on the country in the eatery's spotlight, Latin celebrations more generally, and beef and wine dinners. In other words, you have a heap of reasons to head by more than once.
Every season, a new cocktail trend rolls into town. Often brightly coloured and served in a frou-frou glass, the excitement of a new-to-you cocktail is enough to whip any of us into a frenzy. But among the cocktails that come and go is one classic that never goes out of style: the highball. The classic whisky-based cocktail is one that everyone should have in their repertoire, and not just because of its simplicity. So, we've partnered with popular premium mixer brand Fever-Tree to give you a a proper rundown on the simple-yet-versatile drink. Better yet, to celebrate Fever-Tree's A-class dry ginger ale, we're spicing things up with a ginger highball recipe, too, so you can whip up one at home, then get reading. [caption id="attachment_743897" align="alignnone" width="1920"] Trent van der Jagt[/caption] A BRIEF HISTORY OF THE HIGHBALL The exact origin of the highball is hotly contested. However, what we do know is that during the late-19th century, there was a phylloxera (a common insect pest of grapevines) epidemic that wiped out vineyards in Europe. So, wine and spirits like brandy and cognac became less readily available than they had been. This lead the wealthier classes, who used to mix brandy and cognac with carbonated water, to opt for blended scotch whisky with soda instead. And so, most would argue, the highball was born — although the name was yet to come. So, from where does the term 'highball' stem? One story goes that English actor EJ Ratcliffe brought the concept to America in 1894, where a bartender at the Adams House in Boston dubbed it a highball, due to the vessel in which it was served. Others have sworn the name is a throwback to an old American railroad signal. It is also thought that the name's origin could be Irish or British, with the term 'ball' being common for a glass of the amber liquor in Ireland and, more specifically, it served in a tall glass in English golf clubs throughout the late-19th century. As we said, this tasty tipple's history is anything but linear. [caption id="attachment_743100" align="alignnone" width="1920"] Trent van der Jagt[/caption] FUN FACTS TO IMPRESS YOUR MATES WITH Two versions of the highball appeared in an American cocktail book called The Mixicologist in 1895. One under the name Splificator, which calls for whisky and naturally sparkling water in a 'medium thin glass'. According to lauded drinks writer David Wondrich, 'splificated' was Irish slang for drunk. The other drink was dubbed the High Ball, made with whisky or brandy and carbonated water. But over the years, the name highball stuck — and the rules for making one vary as much as the story of its invention. To make a highball, some say the whisky and ice needs to be stirred 13.5 times and soda water poured down the arm of the spoon. Others tell you to keep that spoon the hell away from it. Whisky highballs are so popular in Japan that it's become a top choice for punters. It's hardly surprising since Japan is known for its top-shelf whiskies. Plus, the drink's popularity is thought to be due to many Japanese people enjoying a drink with their meal, and sipping straight whisky doesn't have the same appeal as an ice-cold mixed bevvy. HOW TO MAKE A FEVER-TREE GINGER HIGHBALL Half the fun of mixing cocktails is putting your own spin on them. If you'd like to make your highball a bit more zingy, swap soda for ginger ale, which has become a common mixer for the tipple. By doing so you not only complement the whisky, but also add a more refreshing flavour into the mix. You can also look to shake things up by making yourself one of the many riffs on the ginger highball, such as the Whisky Buck and Mamie Taylor — both of which add lime juice into the equation. Whatever you decide, there are two ingredients that remain constant: whisky and ginger ale. Fever-Tree believes if three-quarters of your drink is mixer, you should only use the best. So, this recipe calls for one-part whisky to three-parts Fever-Tree Dry Ginger Ale. However, if you like your firewater more front-of-palate, simply use less mixer. Want to get even more creative? You can trial different garnishes, which means more taste-testing opportunities. INGREDIENTS 45ml Starward Two-Fold Double Grain Whisky (or the whisky of your choosing) 135ml Fever-Tree Dry Ginger Ale Plenty of ice Slice of grapefruit METHOD Fill a highball glass with ice cubes. Pour in whisky, then slowly pour in Fever-Tree Dry Ginger Ale. With a bar spoon (or any long-handled spoon), gently stir the concoction. For a bit of extra zing, garnish with a fresh slice of grapefruit. Want to hear top Aussie whisky producers talk about their secrets to mixing up a good tipple? See Fever-Tree's video below. https://www.youtube.com/watch?v=itnMTytOJmM Keen to whip up a highball at home? Purchase Fever-Tree Dry Ginger Ale via the Woolworths website and get mixing. Top image: Trent van der Jagt
UPDATE, December 23, 2021: Don't Look Up released in select Australian cinemas on Thursday, December 9, and will be available to stream via Netflix on Friday, December 24. Timing may be everything in comedy, but it's no longer working for Adam McKay. Back when the ex-Saturday Night Live writer was making Will Ferrell flicks (see: Anchorman: The Legend of Ron Burgundy and Step Brothers), his films hinged upon comic timing. Ensuring jokes hit their marks was pivotal to his scripts, crucial during editing, and paramount to Ferrell and his co-stars. Since 2015, McKay has been equally obsessed with timeliness. More so, actually, in his latest film Don't Look Up. As started with The Big Short, which nabbed him a screenwriting Oscar, his current breed of politically focused satires trade not just in laughs but in topicality. Skewering the present or recent state of America has become the filmmaker's main aim — but, as 2018's Vice so firmly illustrated, smugly stating the obvious isn't particularly funny. On paper, Don't Look Up sounds like a dream. Using a comet hurtling towards earth as a stand-in, McKay parodies climate change inaction and the circus that tackling COVID-19 has turned into in the US, and spoofs self-serious disaster blockbusters — 1998's double whammy of Deep Impact and Armageddon among them — too. And, he enlists a fantasy cast, which spans five Oscar-winners, plus almost every other famous person he could seemingly think of. But he's still simply making the most blatant gags, all while assuming viewers wouldn't care about saving the planet, or their own lives, without such star-studded and glossily shot packaging. Although the pandemic has certainly exposed stupidity on a vast scale among politicians, the media and the everyday masses alike, mining that alone is hardly smart, savvy or amusing. Again, it's merely stating what everyone has already observed for the past two years, and delivering it with a shit-eating grin. That smirk is Don't Look Up's go-to expression among its broad caricatures — in the name of comedy, of course. Trump-esque President Orlean (Meryl Streep, The Prom) has one, as does her sycophantic dude-bro son/Chief of Staff Jason (Jonah Hill, The Beach Bum). Flinging trivial banter with fake smiles, "keep it light and fun" morning show hosts Brie Evantee (Cate Blanchett, Where'd You Go, Bernadette) and Jack Bremmer (Tyler Perry, Those Who Wish Me Dead) sport them as well. But PhD student Kate Dibiasky (Jennifer Lawrence, X-Men: Dark Phoenix) and her astronomy professor Dr Randall Mindy (Leonardo DiCaprio, Once Upon a Time in Hollywood) aren't smiling when she discovers a Mount Everest-sized comet, then he realises it's on a collision course with earth and will wipe out everything in six months and 14 days. And they aren't beaming when, with NASA's head of planetary defence Dr Teddy Oglethorpe (Rob Morgan, The Unforgivable), they try to spread the word. The world is literally ending, but no one cares. Conjuring up the premise with journalist/political commentator David Sirota, McKay turns Don't Look Up into a greatest-hits tour of predictable situations bound to occur if a celestial body was rocketing our way — and that've largely happened during the fights against climate change and COVID-19. The President's reactions stem from her clear-cut inspiration, including the decision to "sit tight and assess" until it's politically convenient or just unavoidable, and the later flat-out denial that anything is a problem. The character in general apes the same source, and bluntly, given Orlean is initially busy with a scandal surrounding her next Supreme Court nominee, and that her love life and the porn industry also spark headlines. The insipid media and social media response, favouring a rocky celebrity relationship (which is where Ariana Grande and Kid Cudi come in), is also all too real. The list goes on, including the memes when Dibiasky gets outraged on TV and the worshipping of Mindy as an AILF (Astronomer I'd Like to Fuck). A Steve Jobs/Jeff Bezos/Elon Musk-style tech-company head (The Trial of the Chicago 7's Mark Rylance, putting in the movie's worst performance) also gets involved — poking fun at putting capitalism ahead of the planet's best interests — as does a stoner skater (Timothée Chalamet, The French Dispatch) enamoured with Dibiasky. The list goes on here as well, because Don't Look Up is as overstuffed as it is toothless. Satire is meant to use irony and exaggeration to highlight failings and flaws, but McKay pads out the bulk of his 138-minute film with first draft-style sketches and figures that say the bare minimum, then hops quickly from one to the other in the hope that something lands. Yes, amid its on-screen text explanations, montages of stock clips, a superfluous pop song and overactive editing, Don't Look Up has a comic timing problem, too. And the scenes it does hover on, including the grating White House confrontations, could've easily been cut in half. McKay has zero faith in the world's ability to face existential and apocalyptic threats (understandably), and no hope his audience would notice if he didn't slickly spoon-feed surface-level commentary (insufferably), but he places plenty of responsibility upon DiCaprio, Lawrence and Morgan. The film's key trio aren't given much to work with, but everyone else — aside from the underused Melanie Lynskey (Yellowjackets) as Mindy's wife June — plays a one-note gag. Mindy is sweaty and swayed by attention; Dibiasky is defined by her two nose rings, flame-hued hair and the Wu-Tang Clan lyrics she's introduced singing; and Oglethorpe is the only competent government employee. It's a credit to all three actors that they turn in convincing performances and make their characters the most compelling part of Don't Look Up, although no one is anywhere near their best. The entire planet definitely isn't at its finest in Don't Look Up, which is the whole overstressed point; however, in weakly holding up a mirror to truths everyone's already painfully familiar with, it didn't need to embody the same concept itself. Forget following in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb's footsteps, or Wag the Dog's, or mustering up an iota of Succession's astuteness (McKay is one of the latter's executive producers) — Anchorman felt shrewder and more incisive. Maybe Don't Look Up might've worked if it had pre-dated the pandemic. It undoubtedly would've been improved by ditching the puffed-up snark, as its closing scenes demonstrate; it's a far better movie when it switches to earnestness and even takes a few cues from Lars von Trier's immensely superior Melancholia, as unearned as the tonal change proves. Perhaps a humanity-is-damned flick that crashes itself is McKay's ultimate joke, though, because that's just the doomed world we find ourselves in. Don't Look Up releases in select Australian cinemas on Thursday, December 9, and will be available to stream via Netflix on Friday, December 24. Image: Nico Tavernise/Netflix.
We all know that video piracy is a crime and that we should pay for the music we are listening, too, but just how far we have come from 20th-century entertainment is not always present in our minds. Enter photographer Julia Solis and her new book Stages of Decay — a feat that took her across Europe and the US over a period of years to document over 100 disused and dilapidated theatres that once housed The Who, witnessed the cinematic events of their eras and were symbols of popular culture, cultural hubs and signifiers of Western affluence. The images tiptoe along that enticing line between nostalgia, beauty, decay — actually it is all very Tintern Abbey — and all those butterfly feelings that come up when we dream of days long gone. Solis sees the images as more experiential, as she told Flavorwire: "You want a one-on-one encounter with it, to open secret closets and fondle plaster and play with rusted machinery without your parents' interference. In a society that's increasingly controlled, monitored and publicised, a wild space like that can't help but have an incredible allure." Be sure to note the cars parked underneath the ornate ceiling of the old Michigan Theatre, and for the trivia buffs, it is now the parking lot for the new cinema. Circle of life?
Rummaging through your cupboards can be an invigorating exercise, unearthing and breathing new life into old gems. In one of the most high-fiveworthy collaborations in recent memory, Future Classic and le coq sportif have paired up for their own big ol' throwback project. The Sydney-based electronic label home to Flume and the French-founded sportswear company have joined forces to release a collection of remixes and reissues from the archives. Dubbed 'The Reissue Project', the double-sided project sees both parties bring their mad skills to the table. Delving deep into the back catalogues, le coq sportif have designed a collection of garments exclusively for Future Classic. Looking particularly to the '80s and '90s chapters of le coq history, the team have created six brand new designs that hope to fuse le coq aesthetic with the beats-loving clubs of now — think drop crotch trackies, reversible jackets, bucket hats, fleecy sweaters and good old fashioned t-shirts. Best part? Glow in the dark details, FO' CLUBBIN'. The team have also made exclusive varsity jackets for Future Classic artists, not for sale but still fly. In return, Future Classic have dug into their own back catalogue to reissue some older bangers, revamped with some pretty damn excellent remixes and reworks by Chicago legend Derrick Carter, Sydney's acid house master DJ HMC, NYC beatsmaster Jaques Renault, French young gun Pyramid and UK 'resident producer' of Wolf Music, Greymatter. Touch Sensitive's 2006 track 'Body Stop' has been worked over, alongside Luke Million, Stick Figures, Peret Mako and the gold nugget-like 'Possum', the first tune Flume ever put on triple j Unearthed. The physical collaboration element between the two comes from the unique codes paired with each le coq sportif piece; if you buy a piece you can download the Reissue Project tracks to strut down the street with for free. But because both sides are legends, they're letting you listen in anyway — you'll be able to stream the tracks from Soundcloud and www.thereissueproject.com from Thursday, August 14 at 10am AEST. Here's the sweet threads, you can run from the gym to the clurb without changing a thing: The LCS x FC Reissue Project is available in le coq sportif stores, selected Glue Stores nationally and online from 14 August. Want to customise your own le coq sportif threads in the meantime? Stroll to The Rocks over here. https://youtube.com/watch?v=FBh7PVr0p9Y
Even under normal circumstances, heading to the UK to see a theatre show isn't in most folks' budgets. So, for years now, Britain's National Theatre has beamed its performances into cinemas around the world via a series called NT Live. Over the past 12 months, however, the theatre has adapted to the online realm — first putting a selection of recorded productions on its YouTube channel for everyone to view for free, and now launching its own streaming platform. Both initiatives have the same name — National Theatre at Home — but now, instead of waiting to see which play drops online each week, you can browse through a selection of shows whenever you like. The new streaming service does come with a fee, costing around AUD$18 (£9.98) per month or approximately AUD$184 (£99.98 per) year, but subscribers then have unlimited access. There's also a rental option, where you just pick whichever production you want to see and pay a one-off cost (from around AUD$13.50/£7.99) to watch within a 72-hour window. All of National Theatre at Home's catalogue consists of previously recorded productions — which means that you can get cosy on your lounge, put your feet up and pretend you're at the theatre watching some of the company's greatest hits. New shows are added monthly, with subscribers receiving early access to new additions, as well as behind-the-scenes glimpses. At the time of writing, theatre fans can choose between the first-ever National Theatre Live broadcast, Phèdre with Helen Mirren; William Shakespeare's Coriolanus, starring Tom Hiddleston; and a London-set modern update of Federico García Lorca's Yerma with Billie Piper. Other titles include Medea with I May Destroy You's Michaela Coel — plus Julie, an updating of the play Miss Julie, starring Vanessa Kirby. And some works, such as Mosquitoes with Olivia Colman and a new Nigerian-set version of Chekhov's Three Sisters, are being released for the first time. On the technical side of things, you can stream National Theatre at Home via any web browser, or using Apple products (with iOS and tvOS), Google (through Android and Android TV), Roku TV and Amazon Fire TV. National Theatre's back catalogue is rather hefty — and star-studded, too. Accordingly, here's hoping that some of the company's absolute masterpieces also make the jump to the National Theatre at Home streaming platform in the future. Fingers crossed that its stripped-back version of Mary Shelley's Frankenstein, as directed by Trainspotting and Yesterday's Danny Boyle, and starring Benedict Cumberbatch and Jonny Lee Miller, is one of them — or its production of A Streetcar Named Desire with none other than Gillian Anderson as Blanche DuBois, alongside Ben Foster and Vanessa Kirby. National Theatre at Home is now available online, with subscriptions costing around AUD$18 (£9.98) per month or approximately AUD$184 (£99.98 per) year. Top image: Coriolanus. Photo by Johan Persson.
After first setting up shop in Brisbane last year, and then announcing plans to launch 50 more Australian stores over the next three years, Taco Bell's second Australian outpost is set to swing into operation — at Robina on the Gold Coast. In great news for southeast Queensland fans of Tex-Mex fare, the US chain is headed to 130 Robina Town Centre Drive. With the store's arrival first revealed back in August, it'll fling open the doors at 9am on Saturday, November 3. And, marking the fact that the eatery first started slinging its wares in California in 1962, it'll give free gifts to the first 62 people through the doors. Menu-wise, the usual Taco Bell range will be on offer, complete with burritos, quesadillas, nachos and, of course, tacos. For those dining in, frozen margaritas and a range of craft beers will also be available. Taco Bell's Queensland expansion should come as no surprise to anyone who's seen the lines at the company's existing Annerley store, and the company isn't done with the region yet. New stores for Cleveland and North Lakes have also been announced, with both slated to open at yet-to-be-announced dates this summer. It's safe to assume that some of the chain's other forthcoming spots will also be in Queensland. Find Taco Bell at 130 Robina Town Centre Drive, Robina from 9am on Saturday, November 3. Images: Hugo Nobay.
Among the many ways to decide which wine next swirls around your glass, then across your tastebuds, Australia's Young Gun of Wine stands out. Since 2007, the awards have thrown some love at up-and-coming wine labels and winemakers across the nation, and not just because they make top-notch vino. These accolades take into account the whole story behind their tipples of choice each year — and 2024 now has its top 50. "Every year, we're seeing new ideas from the emerging talent, and they're shaping the environment that we get to enjoy. It's also not just about the products — it's the learnings that peers can take from their adventurous winemaking. It's also how they're presenting, labelling and talking about their work — how they're connecting with wine professionals and consumers," said Rory Kent, who founded YGOW, about 2024's picks. "That's why, uniquely and since day one, the wines for the Young Gun of Wine Awards are not tasted blind. These awards are as much about vision and leadership as they are about the quality of wine in the glass." 2024's top 50 spans drops from around most of Australia. Victoria is home to more spots on the list than anywhere else with 20, followed by South Australia with 17. New South Wales and Australian Capital Territory account for six wine labels and winemakers, Western Australia for four and Tasmania for three. The range also goes big on new names, which covers half of the finalists. This is the 18th year that YGOW has taken place, with the top 50 just one element. Now that Kent and his fellow 2024 judges — Jeremy Shiell from Winespeake, winemaker Meg Brodtmann, wine critic Nick Stock, Atlas Vinifera's Abby Moret and Orbis Wines' — have shared their favourites, winners of the accolades' six annual trophies will be unveiled on Tuesday, June 18. [caption id="attachment_681000" align="alignnone" width="1920"] Adam Bruzzone, South Australian Tourism Commission[/caption] The Young Gun of Wine is the overall prize, while the Winemaker's Choice is a peer-chosen gong, Best New Act goes to a first-time finalist, Danger Zone to a boundary-pushing wine product, and The Vigneron to makers who show love in tending to their land and vines. The People's Choice award is self-explanatory, and currently open for votes until Tuesday, June 18. [caption id="attachment_773167" align="alignnone" width="1920"] Visit Victoria[/caption] Young Gun of Wine 2024 Top 50: New South Wales / Australian Capital Territory: Agitate (Andrew Ling) Aristotelis Ke Anthoula (Tony Zafirakos and Maddison Park-Neilson) Intrepidus Wines (Chrissie Smith) Linear Wines (Nathan Brown) M&J Becker Wines (Meagan and James Becker) Sabi Wabi (Peta Kotz) South Australia: Agricola (Callum Powell) Alpha Box and Dice (Sam Berketa) Cape Jaffa Wines (Giulia Fiorovic and Federico Pezzino) Curator Wine Co (Daniel Zolotarev) Guthrie (Hugh Guthrie) J & S Fielke (Jemma and Steven Fielke) Jean Bouteille Wines (Jean-Baptiste Courdesses) Kenny Wine (Andrew Kenny) Mountadam (Caitlin Brown) Parley Wine (Melissa Woods and Sarah Feehan) Poppelvej (Uffe Deichmann) Saltfleet Wines (Kyle Egel and Jonny Cook) Scanlon Wines (Harry Scanlon) Turon Wines (Turon White) Wangolina (Anita Goode) Worlds Apart Wines (Louis Schofield) XO Wine Co (Greg Clack and Kate Horstmann) Tasmania: Aunt Alice (Alice Davidson) Marco Lubiana (Marco Lubiana) Utzinger Wines (Matthias Utzinger) Victoria: Alessandro Stefani (Alessandro Stefani) Alkimi Wines (Stuart Dudine) Allevare (Lucy Kendall and Alysha Moscatt) ECK Wines (Emily Kinsman) Gum Wine (George McCullough) Honky Chateau (Chris Ryan) Jones Winery & Vineyard — J6 Wines (Benjamin Jones) Juliard Wines (Jules Morey and Bernard Morey) Little Frances (Erin Frances Pooley) Mac Forbes Wines (Hannah Maltby) Meredith Wines (Ben Luker) Mise En Place Wines (Doug Lilburne) Musical Folk (James Becker) Nomads Garden (Ben Dahlenburg) Patch Wines (Matt Talbot) Port Phillip Estate (Tim Perrin) Portsea Estate (Matt Lugg and Will Ross) Scion (Rowly Milhinch) Tillie J Wines (Tillie Johnston) Werkstatt Wine (Bridget Mac) Western Australia: Fervor (Callum Garland) Chalari Wines (Alexi Christidis) Mon Tout (Nic Bowen and Richard Burch) Vallée du Venom (Rhys and Emma Parker) For more information about Young Gun of Wine, head to the awards' website. 2024's winners will be announced on Tuesday, June 18.
I don’t know about you, but I, a twenty-year-old woman of the world, hate buying underwear. It makes me nervous. Speaking generally, there seems to be few options for underwear shopping in Brisbane – there’s the Cotton On Bodys about town, where you have to dive into ‘Five pairs for $30!’ bargain bins then, half an hour later, emerge from the pits of polyester hell, victoriously clutching flimsy bits of fabric, all the colours of the neon rainbow. Then there’s the Sensual Boutiques, where you have to fight through a wall of dildos and fluffy handcuffs to get to the goods – but sometimes I don’t want to spend an afternoon around sex toys, just saying. Then there’s Big W (sensible and cheap but boring). There has to be some sort of middle ground of underwear shopping I’m missing out on. Enter Assiere. Haven’t heard of them yet? Don’t worry, all you underwear-clad ladies of the land will hear much more in the coming months, starting from this Thursday night. Assiere will be joining with MODA Creative to present this season’s best in intimate apparel. Step to Zuri for a cocktail and night of decadence with Assiere – I promise there’ll be no fluorescent lighting or bargain bins involved.
Monet. Degas. Renoir. If those names sound familiar, it's because they're some of the most renowned and revolutionary artists of the impressionist movement. Now, their masterworks will make a grand entrance in Melbourne, and it'll be sure to draw the crowds. The NGV's Winter Masterpieces® series is known for bringing blockbuster exhibitions to Melbourne, and this year is no exception. The French Impressionism collection opens Friday, June 6, and brings over 100 works from the Museum of Fine Arts in Boston to the National Gallery of Victoria for a rare glimpse into one of art's most influential movements. Expect hazy sunrises, countryside hills, dancers in motion and gardens drenched in light by Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, Édouard Manet and more. But while the paintings are the headline act, the city more than lives up to the hype. From cosy dinners and cinematic nights out, to garden trails lit up after dark, this is the perfect opportunity to see Melbourne really come alive. Planning a visit to see the NGV's Winter Masterpieces®? Don't stop at the exhibition. Here's how to turn a few hours of Impressionism into a totally unforgettable weekend. [caption id="attachment_1004664" align="alignnone" width="1920"] Michael Pham[/caption] NGV Friday Nights Every Friday during the exhibition, the NGV stays open late for NGV Friday Nights. Your ticket includes after-dark access to French Impressionism between 6pm and 10pm, as well as live music, food and drinks in the Great Hall. Catch performances from artists like Mindy Meng Wang王萌 and Tim Shiel, whose collaborative project blends electronica, pop and classical Chinese traditions into something entirely new. Wander the exhibition with a glass of bubbles in hand, sample a wine flight from Yering Station, or grab some French-inspired dinner. It's everything Melbourne does best: art, music, food and a good excuse to stay up after the sun has gone down. Dame Exploring the gallery during the day? It's worth breaking things up with a long lunch at Dame Melbourne, just a few blocks away from the NGV. Set in what's colloquially known as the 'Paris-end' of Collins Street, this elegant venue features high ceilings, beautiful brunch plates, and the perfect opportunity for people watching as the afternoon drifts by. [caption id="attachment_1003425" align="alignnone" width="1920"] Alex Drewniak[/caption] Maison Bâtard Within walking distance from the NGV, Maison Bâtard puts a modern spin on the classic French bistro. From restaurateur Chris Lucas, it's the kind of place that doesn't take itself too seriously but still delivers when it comes to top notch food and wine, with multiple levels of sophisticated dining rooms. On Thursday to Saturday, descend downstairs into 'Le Club', for (very) late-night supper, cocktails and shows. [caption id="attachment_1003195" align="aligncenter" width="1920"] Jana Langhorst[/caption] Elio's Place If you're looking for something more low-key, Elio's Place on Flinders Lane is a European-inspired bistro that delivers comforting, crowd-pleasing favourites from 8am until late every day. The menu changes regularly and you'll always get a warm welcome as you walk in. It's the sort of spot where you can show up spontaneously, skip the fuss and focus on good food and good company. Lightscape After dinner, swap the gallery walls for open skies. This year, award-winning immersive light experience Lightscape is once again transforming the Royal Botanic Gardens into a glowing, dreamlike trail of illuminated tunnels, giant floral sculptures and projections. It's immersive, surreal, and very Melbourne. Running from Friday, June 20 to Sunday, August 10, this is a must for anyone who believes art doesn't have to stay inside galleries. Open House Melbourne If you're in Melbourne at the end of July, Open House Melbourne is worth lining up. Across one weekend (Saturday, July 26 - Sunday, July 27), dozens of the city's most fascinating buildings are opening their doors for public tours. From historic theatres and hidden rooftop gardens to incredible private homes, it's a rare chance to step inside some of Melbourne's most interesting spaces and see the city from the inside out. Melbourne International Film Festival Looking ahead, August brings the Melbourne International Film Festival, a citywide celebration of independent cinema from Australia and around the world. If your idea of a perfect winter night is catching a world premiere with a glass of red in hand, MIFF is your festival. It turns the entire CBD into a buzzing hub of late-night screenings, director talks and film club energy. In their day, the French Impressionists changed the way the world saw beauty. In Melbourne this winter, you can follow their lead: wandering through galleries by day, neon gardens by night, and cosy dining rooms in between. Head to visitmelbourne.com.au to discover more of what makes Melbourne every bit different. Images courtesy of Visit Melbourne By Jacque Kennedy
Wake up, Prime Video viewers: in 2023, your streaming queue is getting nostalgic. If The Wiggles can top the Hottest 100, take their rainbow-hued skivvies to Mardi Gras and make a date with Falls Festival (and maybe Little Nas X), then of course they can be the subject of a new documentary that'll hit the online service next year. Hot Potato: The Story of The Wiggles will tell exactly the tale you think it will, following the group's career over more than three decades, including the new levels of fame and popularity that 2022 has thrown their way. Sure, Dorothy the Dinosaur mightn't need an origin story, but OG Wiggles Anthony Field, Murray Cook, Greg Page and Jeff Fatt are getting one, with Sally Aitken (Valerie Taylor: Playing with Sharks, David Stratton: A Cinematic Life) directing. Prime Video is promising never-before-seen behind-the-scenes footage, too, as part of the feature-length film. "When we first formed The Wiggles more than three decades ago, our aim was to educate and inspire children through music, and that continues today," said Field. "Looking through the archives has brought back so many incredible and emotional memories, from our first shows for 30 children to touring America and the world, playing to arenas. It's been such an incredible and evolving journey and we can't wait to share our story with everyone." Hot Potato: The Story of The Wiggles forms part of Prime Video's 2023 slate of original Australian content, with the streaming platform running through all the Aussie-made efforts you'll be able to watch next year — some newly revealed, others already announced. Sitting in the latter category but certain to be a must-see is Deadloch, the latest series from The Kates. This time, The Katering Show and Get Krack!n's Kate McLennan and Kate McCartney are writing, executive producing and showrunning a mystery-comedy starring Kate Box (Stateless) — yes, another Kate — as a Tasmanian cop. When a local man turns up dead on the beach, the sleepy titular town is thrown into chaos. (And no, it won't be by accident that Deadloch subverts the usual dead girl trope that's such an engrained part of these kinds of TV series.) Also on Prime Video's 2023 list: five-part doco series Dance Life, following students at Brent Street; plus movie The Defenders, a documentary about Bahraini footballer Hakeem al-Araibi's arrest while honeymooning in Thailand, and former Socceroos captain Craig Foster's efforts in response. And, similarly among the highlights, there's Class of '07, about the mayhem that follows when an apocalyptic tidal wave hits during an all-girls college's 10-year reunion; and The Lost Flowers of Alice Hart, an adaptation of Holly Ringland's debut Australian novel starring Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Asher Keddie (Nine Perfect Strangers), Alycia Debnam-Carey (Fear the Walking Dead), Tilda Cobham-Hervey (Hotel Mumbai), Alexander England (How to Please a Woman) and none other than Sigourney Weaver (Ghostbusters: Afterlife). Comedians Joel Creasey, Rhys Nicholson, Dave Hughes, Tommy Little and Lizzy Hoo will score specials, too. And if you're wondering exactly when you can get watching, release dates for the whole slate still to be revealed. The just-announced titles Prime Video's 2023 Australian slate don't yet have exact release dates. Keen an eye out on the streaming service itself for further details.
If life's chaos has made your world feel a little small of late, what better antidote than to head outdoors and catch a few of the world's biggest creatures frolicking majestically in the sprawling blue ocean? Watching whales swim around, complete with tail-slapping acrobatics and clouds of water sprayed from blowholes, is sure to instil a sense of wonder and release. When it comes to whale watching, us Aussies have it made. Not only are we surrounded entirely by water, but our east coast is a route favoured by many whales on their annual migration to and from Antarctica. And that means ample opportunity to spy these gentle giants in action — either from atop dry land, or right out there beside them on the water. From the scenic lookouts of Eden to a boat cruise around Wilsons Prom, we've rounded up eight of Australia's best spots for whale watching. Grab your binoculars and venture coastward for a whale spectacular. Recommended reads: The Best Whale Watching Spots Along the NSW Coast The Best Beaches in Australia Eight Epic Holidays for Animal Lovers You Can Book Now [caption id="attachment_772713" align="alignnone" width="1920"] Visit Melbourne[/caption] Bass Coast, Victoria From May to October, the waters of Gippsland's Bass Coast come alive with migrating marine mammals — mostly humpback and southern right whales, but also the odd orca flashing its distinctive black and white markings. And you'll find plenty of opportunities to catch them all in action, by embarking on a jaunt along the Bass Coast Whale Discovery Trail. Running the perimeter of Phillip Island and around to Inverloch, this coastal stretch is peppered with primo whale viewing points, most decked out with informative signage so you can dabble in some history and knowledge along the way. Some of the most popular pit stops include Cape Woolamai and the soaring cliffs of Pyramid Rock. [caption id="attachment_772704" align="alignnone" width="1920"] Visit Warrnambool[/caption] Warrnambool, Victoria Located at the end of the Great Ocean Road, the coastal hub of Warrnambool is a renowned spot for scoping out these majestic creatures, as scores of female southern right whales descend on the waters of Logans Beach to calve between June and September. A dedicated platform located in the dunes often offers the best vantage point for views of this 'whale nursery', and you can call ahead to the Visitor Information Centre to check up on any recent activity before you visit. Got some time up your sleeve? Make a road trip of it by following the Whale Trail west through more viewing spots near Port Fairy and Portland. [caption id="attachment_772711" align="alignnone" width="1920"] Wildlife Coast Cruises[/caption] Wilsons Promontory, Victoria The secluded beaches and rugged wilderness of Wilsons Promontory have made it a favourite destination for hiking and camping, but the waters surrounding its scenic coastline also happen to pull their fair share of humpback whale visitors, stopping by on their southerly migration between late August and October each year. For a shot at seeing a few of these majestic travellers up close, opt for a day on the water with the Wilsons Prom Whale Cruise, helmed by the team at Wildlife Coast Cruises. Departing from Port Welshpool Jetty, this informative six-hour boat trip takes you past stunning coastal hotspots like Refuge Cove, promising a high chance of spying at least one or two new whale friends. [caption id="attachment_772705" align="alignnone" width="1920"] Jervis Bay Wild[/caption] Jervis Bay, New South Wales Sitting halfway along the whales' annual 5000-kilometre migration route, Jervis Bay on the New South Wales South Coast is known to be a favourite pit stop for humpback and southern right whales. Between May and November, the region's calm, still waters are an aquatic playground of choice for many of these supersized creatures, as they take some time out from their lengthy journey to rest up and play with their babies. For some great whale spotting, with views across the Jervis Bay Marine Park, try the Cape St George Lighthouse or the Point Perpendicular Lighthouse — where a lookout towers 90 metres above sea level. Otherwise, you can opt for an on-water whale experience with a renowned operator like Jervis Bay Wild. [caption id="attachment_772830" align="alignnone" width="1920"] Tom Park for Destination NSW[/caption] Cape Solander, Kamay Botany Bay National Park, New South Wales Promising striking sandstone clifftops, sweeping ocean views and an excellent vantage point for the passing pods of humpback whales each June and July, Cape Solander makes for a worthy winter day-trip destination. Located in the Kurnell area of Kamay Botany Bay National Park, this scenic coastal spot has been known to notch up over 100 whale sightings in one day, with the gentle giants frolicking as close as 200 metres from the shore. A dedicated viewing platform features plenty of whale-related information, and there's usually a couple of knowledgeable volunteers there sharing facts and tallying up the day's sighting count. Southern right whales also make an appearance here, along with the odd orca and minke whale. [caption id="attachment_772710" align="alignnone" width="1920"] Visit Eden[/caption] Eden, New South Wales The Sapphire Coast town of Eden is a whale-watcher's paradise. After all, the surrounding waters of Twofold Bay are known as the 'Humpback Highway' — so numbered are the humpback whales that swim through here en route home to Antarctica each year. You'll spy plenty of these mighty creatures between September and November, while pods of baleen and toothed whales make their own similar journeys in early spring. The town itself is chock-full of great vantage points for shore-based whale spotting, not least of which is the Rotary Park lookout, set right out on the point. And for those braving the water, there's no shortage of charter boats offering a variety of whale-watching tours. Also, head here in October and you can hit up the Eden Whale Festival. [caption id="attachment_772707" align="alignnone" width="1920"] Stradbroke Island[/caption] Minjerribah, Queensland For some breathtaking whale-watching action just a quick ferry trip from Brisbane's bayside, lock in a trip to Minjerribah, aka North Stradbroke Island. Between late May and early November, the region welcomes scores of its most majestic annual visitors, with up to 200 humpback whales passing through each day on their journey between Antarctica and the Great Barrier Reef. Perched at around 35 metres above sea level, the headland at Point Lookout offers a top-notch view of these creatures breaching and tail-slapping in the balmy waters. Hervey Bay, Queensland Located across from K'gari, the protected waters of Queensland's Hervey Bay entice thousands of humpback whales each year, so your chances of scoring a sighting are solid. It is the world's first Whale Heritage Site, after all. The ocean giants are usually spotted here between mid-July and November, frolicking and launching themselves spectacularly into the air as they teach their young the tricks of the trade. For the ultimate close-up, your best bet is to head out on the water yourself, joining one of the many local whale-watching tours. If you're feeling brave, the crew at Hervey Bay Whale Watch & Charters even offers the chance to jump in and swim right alongside these mega-sized mammals. Top image: whales at Hervey Bay by Visit Fraser Coast. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Steak might be the star at both Fatcow on James and Rich & Rare, and seafood at Fosh Bar & Restaurant; however, Tassis Group is celebrating a different source of protein at Dark Shepherd. The second of the hospitality group's eateries at Brisbane's Queen's Wharf precinct — the first: the French-themed Pompette — this 120-seater loves lamb so much that Victoria's White Pyrenees Lamb is its hero ingredient. It's been dubbed the "wagyu of lamb", and it's served here slow-cooked in a woodfired oven, as available as full and half shoulders, plus in tomahawk cutlets. It's been a big year or so for Dark Shepherd's parent company, thanks not only to Fatcow on James and Pompette opening, but Longwang on Edward Street and Mulga Bill's at the foot of the new Kangaroo Point Bridge doing the same as well. As with Yamas Greek + Drink and Opa Bar + Mezze, Mediterranean cuisine is also in the spotlight at the lamb-centric restaurant. And, as pops up across the group's venues, seafood is no stranger, either. For most choices from the menu, your food will come fresh from the 1.5-metre-wide woodfired oven, which features an internal rotating steel plate and reaches a temperature of 280-plus degrees Celsius inside. Meat and seafood options aren't the only choices putting the restaurant's key appliance to good use, though. Everything from pillow bread (in either thyme and olive oil; feta, olives and capers; or sand crab, feta and capsicum varieties), scallops (with tyrokafteri butter) and octopus (with olive oil and fava) to beets (with feta cream and lemon), sprouts (with orange, honey, garlic and leek) and cabbage (with garlic, tahini and pistachio) is also cooked in the oven — as is the signature cheesecake, which comes served with soft apple, cinnamon and ice cream. Among the fellow dishes certain to tempt tastebuds, standouts include wagyu souvlaki; pastitsio bites made with wagyu lamb, pasta and bechamel; prawns saganaki; slow-cooked lamb ribs; Moreton Bay bug pasta; beef-stuffed capsicum; and the lamb and lobster pairing. Dessert choices also span galaktoboureko, baklava Biscoff, and a white chocolate Greek filo pastry cone with custard and soft meringue. Yiros are available at lunch, too, as is a $54-per-person banquet — with the latter one of several bigger feasts, including a Sunday-only feast for $68 a head, plus others seven days a week ranging from $88–180. To sip, you've got more than 140 wines to select from, alongside beer, cider, non-alcoholic drinks and specialty cocktails. The Notorious F.I.G. will get you enjoying caramel and vanilla flavours — and pear as well — while the Adriatic sour is made with yuzu gin and pomegranate liqueur, for instance. Or, go with the Achilles, which blends milk-washed rye, apricot liqueur, and almond and macadamia liqueur. With Allo Creative and Clui Design on decor duties, the venue opens from a curved entryway into the dining room. Among the booths and marbled tables beneath mirrored ceilings, Dark Shepherd also features a sunken area, ten-seat private dining room and a dry-ageing lamb cabinet. Find Dark Shepherd at The Star Brisbane, Queen's Wharf Road, Brisbane — open from 11am–late daily. Head to the restaurant's website for more details. Images: Markus Ravik.
