In Patricia Piccinini's mind, bulbous creatures float through the sky. In her imagination, automobiles may as well be animals, and the line between humans and other critters is razor thin. It all sounds like something out of a science-fiction movie (or several), but the Australian artist's output isn't just confined to a screen. Across a variety of media, Piccinini explores the way that nature and technology, people and animals, and the unusual and the sublime all combine — and, more than that, she finds ways to make their weird and wonderful blend appear, feel and seem real. With Piccinini's body of work spanning from figures that look so naturalistic you'll expect them to start moving, to looping short film installations that bring strange beings to life, to paintings and sculptures made with actual human hair, wandering through her creations is like wandering into another realm. At Brisbane's Gallery of Modern Art until August 5, that's exactly what's on offer. Taking over the entire ground floor of the building — and filling the place with more than 70 sculptures, photographs, videos, drawings and large-scale installations, including both exisiting favourites and newly commissioned pieces — Patricia Piccinini: Curious Affection transforms GOMA into a pleasingly intriguing playground. Indeed, if Piccinini's famous animal-shaped hot air balloon, The Skywhale, literally unleashed her unique sensibilities out into the world, then Curious Affection does the opposite: it invites everyone into the acclaimed artist's mind and lets them roam around. Inside, visitors get a peek at not-quite-human lovers cosying up in a caravan, walls filled with alien-like mushrooms, and a vast array of peculiar yet beautiful creatures. And, in an exhibition designed to make you ponder what it means to be human, that's just a fraction of its treasures. In short: entering the otherworldly showcase is an experience like few others, crafted by an artist who has taken her visibly distinctive sensibilities everywhere from the Venice Biennale to Japan's skies to galleries around the world over the past two decades. Discovering exactly what her imagination has brought forth is part of the fun, but here are five things to look out for along the way — and, whether you're a Brisbanite keen on an arty staycation or you're travelling from interstate to see the exhibition, we've found you somewhere to stay as well. [caption id="attachment_667357" align="aligncenter" width="1920"] Installation view 'Patricia Piccinini: Curious Affection' at Brisbane's Gallery of Modern Art, 2018, featuring The Field 2018. Photograph: Natasha Harth, QAGOMA.[/caption] WANDER THROUGH A FIELD OF OTHERWORLDLY FLOWERS The Field isn't the first thing you'll see at Curious Affection, but this darkened room will stay with you long after you've left GOMA. It's the exhibition's main attraction for a very good reason: there's nothing quite like walking into a cavernous hall filled with more than 3000 flower-like sculptures, lightly bouncing along the spring-loaded floors and finding out that nothing's really as it seems. Each individual stem is a feat of astonishing artistry that'll make you think about the real meaning of beauty, not to mention the kind of creations that sci-fi filmmakers like Ridley Scott (Alien) and David Cronenberg (The Fly) would be proud of. When you're not staring into their hypnotic expanse, the four larger-scale sculptures — two of mothers with children, two of curious creatures — scattered around the gallery are just entrancing, not to mention perfectly on-theme. [caption id="attachment_667360" align="aligncenter" width="1920"] Patricia Piccinini, Australia VIC. b.1965. Pneutopia 2018. Ripstop nylon, shed, air. Courtesy the artist, Tolarno Galleries, Melbourne; Roslyn Oxley9 Gallery, Sydney; and Hosfelt Gallery, San Francisco.[/caption] ENTER A GARDEN SHED — AND LOOK UP Maybe you saw The Skywhale float through the sky back earlier this decade. Maybe you just wished you did. Either way, if you ever wondered what it looked like inside, then inflatable installation Pneutopia almost has the answer. It's not Skywhale 2.0, but this custom-built blow-up creation comes close — just confined within GOMA's huge two-storey hallway rather than roving free on the wind. Roam around either the ground or second level, and you can feast your eyes on the outside of this billowing orange and pink structure. Enter the ordinary-looking garden shed underneath, however, and you'll peer through a window into the heart of the balloon. [caption id="attachment_664391" align="aligncenter" width="1920"] Installation view 'Patricia Piccinini: Curious Affection' at Brisbane's Gallery of Modern Art, 2018, featuring The Young Family 2002. Photograph: Natasha Harth, QAGOMA.[/caption] GET UP CLOSE AND PERSONAL WITH CURIOUS CREATURES In one corner, a girl sits with an owl flapping over her shoulder. At several other points around the exhibition's first few rooms, kids reach out to strange critters, or cradle them in their arms, or find them laying on their backs. On a leather platform, a pig-human chimera feedings her suckling offspring. In a life-sized bed, a toddler stands shoulder-to-shoulder with a creature that could've stepped out of her dreams (or nightmares). There's more where they came from, representing some of Piccinini's best-known sculptures, and they really are the best introduction to the artist's work that you can get. Each attention-grabbing piece makes a statement, whether about natural evolution, genetic experimentation, the open mind that comes with child-like wonder, or the fine line between horror and empathy. As the exhibition's explanatory text describes, it's a collection that's "startling but rarely fearsome". [caption id="attachment_664396" align="aligncenter" width="1920"] Installation view 'Patricia Piccinini: Curious Affection' at Brisbane's Gallery of Modern Art, 2018. Photograph: Natasha Harth, QAGOMA.[/caption] MOSEY THROUGH A STRANGE PATCH OF GREENERY In the last corner of the exhibition, GOMA becomes a forest — but you don't usually see creatures called 'tyre lions' and 'butthole penguins' in a standard patch of greenery. Yes, that's their actual name, and they're bizarre but delightful, like figures from an offbeat animation you now definitely wish existed. Piccinini arranges these pieces as if she's arranging a display in a natural history museum, which only adds to their uncanny allure. It's the final piece in a gallery-wide puzzle that presents an assortment of seemingly familiar figures, animals, scenes and objects, but shows that they really couldn't be less ordinary. [caption id="attachment_667355" align="aligncenter" width="1920"] Installation view 'Patricia Piccinini: Curious Affection' at Brisbane's Gallery of Modern Art, 2018. Photograph: Natasha Harth, QAGOMA.[/caption] KEEP YOUR EYES ON THE SCREENS As well as Piccinini's eye-catching sculptures, installations and other pieces, GOMA's walls are lined with multiple screens playing her video works. Each runs on a loop, ranging from 90 seconds to a couple of minutes in duration — and if you're keen to dive even deeper in the artist's mind, they're all well worth your time. Gaze at Ghost, aka a hairy chicken-like creation hanging from the ceiling, for example, then watch In Bocca Al Lupo, a mesmerising short film filled with similar critters. If you only make time for one, however, then head to an adorably odd effort called The Seedling's Dance. It runs for less than three minutes, and it's playing on a cinema-sized screen that you you really won't be able to miss. COMING FROM OUT OF TOWN OR INTERSTATE? Can't get enough art? Not quite ready to re-enter reality after wandering through Piccinini's intriguing creations? Heading in from out-of-town and looking for a suitably creative place to stay? Brisbane's Art Series Hotel The Johnson fills its walls, halls, rooms and suites with abstract works from its namesake artist, Michael Johnson, offering the closest thing you'll find to sleeping in a gallery. And, for the duration of Curious Affection, the boutique hotel has a stay-and-see deal that includes one night's accommodation and two tickets to the GOMA exhibition. When you're not marvelling at Piccinini's work, you can look through the in-house art library, watch the dedicated in-room art channel, or get a dose of outdoor splendour while you're taking a splash with a view in the 50-metre pool or lazing around on the luxe deck. Patricia Piccinini: Curious Affection exhibits at Brisbane's Gallery of Modern Art until August 5, and includes a film screening series and Friday night art parties throughout June and July. For more information, head to the gallery website. Patricia Piccinini: Curious Affection images: Natasha Harth, QAGOMA.
The Chaser gang are getting back to their roots, with plans to publish a brand spanking new print magazine. The team behind The Hamster Wheel, Yes We Canberra, Sydney's Giant Dwarf theatre and the Make a Realistic Wish Foundation have recently launched a crowdfunding campaign to get the satirical publication off the ground, with the aim of releasing their first edition in the next couple of months. According to the group's Pozible page, The Chaser Quarterly will be a 96-page colour magazine that will address "the key problem of our time: namely — there is not enough content in the world." They're hoping to raise $50,000, money they say will be use to establish a "'tax effective' offshore corporate structure" so as to ensure the project isn't stymied "by the onerous burden of paying tax to fund Australia's hospitals, schools and roads". Truly this campaign video says it all. Right now, a $25 pledge will get you a copy of the magazine, while $50 will see it signed by the entire Chaser team. More extravagant rewards include the chance to pitch your own article for $500 (although there's no guarantee it will be published), or the opportunity to run your own full page ad for $1500 (on the condition that it "fundamentally undermine the product it is seeking to sell".) Although best known for their highbrow political satire on television, The Chaser team actually started out publishing a fortnightly newspaper that ran for six years between 1999 and 2005. Among their memorable stunts from this period was the time they published Prime Minister John Howard's home phone number on their front page. Assuming they reach their Pozible target, the first edition of The Chaser Quarterly will be published in spring 2015 and feature articles by many familiar Chaser contributors, including Andrew Hansen, Chris Taylor and Craig Reucassel. In order to keep up the appearance of a successful company, head team members will be payed in Beluga Caviar, while the rest of the creatives, including writers, cartoonists, illustrators and graphic designers, will divvy up $300 between them. Pledge via Pozible and keep an eye on the Chaser Quarterly website for updates.
As anyone fond of lounging away the day mashing buttons knows, gaming and coffee go hand in hand. That's the idea behind Cafe de SOYT, though the Albion coffee house would like to tempt you away from your couch and onto theirs. Opened on Sandgate Road on April 8, the new venue brings gaming out of the house, beyond the arcade, into the cosy confines of a cafe. Customers can geek out over consoles, comic books, manga and pop culture while sipping caffeinated brews, hot chocolate, juice or soft drinks, and snacking on cheesecakes, tarts, muffins and brownies. The monthly rotation of machines and games will cycle through Sega, Nintendo, Playstation and Microsoft offerings, with the store's Atari collection currently being assembled. Themed sections also spread the Star Wars, Batman, Dr Who and anime love. Unsurprisingly, Cafe de SOYT is a passion project for owner Eskabar Page, who has been a gaming and comic book collector for many years. "It was actually leaving a Supernova convention a couple of years ago [that] I had an idea," he explains. "That idea was to try and showcase what I had collected and spent my hard earned dollars on — because usually, who sees this? Your friends and family mostly. Otherwise it's hidden for no one to enjoy but yourself. There were a few ways I thought of doing this but ended up with the coffee house you see today." Page says that Cafe de SOYT aims to submerge patrons in all things gaming, rather than just playing with a novelty concept. Expect new additions to their range as time goes by, plus an array of special events, with plans for a May the 4th celebration currently being thrown around. If you're more of a casual gamer, don't worry. "I've tried to make it so a large demographic can walk in and familiarise themselves with at least something because we have a little bit of everything," Page reassures. With Super Mario painted on the walls, Rick and Morty's Mr Meeseeks on the chalkboard menu and Pokemon featuring too, that's easy to see. And with Brisbane currently boasting Netherworld's arcade bar, Super Combo's Street Fighter-themed burgers and the soon-to-open 1UP Arcade, it's never been easier to head out for some pop culture fun. Find Cafe de SOYT at 1/ 135 Sandgate Road, Albion. For more information, head to their website and Facebook page.
If you want to see glamping taken to a whole new level, get thyself to Uluru right now. As if sleeping under the stars while taking in views of an ancient sacred site wasn't enough, you can do it in a luxury desert camp named Longitude 131°. What's more, all 15 of its tents have been made even fancier (and altogether less tent-like), thanks to the addition of some extraordinary Ayers Rock-facing balconies. The brainchild of designer Max Pritchard, these dreamy verandas come with lush day beds, armchairs and EcoSmart fireplaces, made of stone and rosewood. So, you can loll around and toast marshmallows, while keeping an eye on Uluru all night long. If you're travelling with your bestie, you'll be snuggling in front of the fire in a bespoke swag. Handmade by South Australia's Country Sew 'n' Sew, it's an all-Aussie creation, made of a cotton underlay, wool and a canvas exterior. As you might've guessed, it's based on an old-school Aussie drover's bedroll, but is built for two and, needless to say, is way, way comfier than what swaggies were lugging around in Henry Lawson's days. Plus, while you're kicking back, you'll be invited to order port, Cognac and other digestifs of your choosing. The balconies are just one of many extras brought to Longitude 131° since Baillie Lodges took over in late 2013. Since then, the tents have also scored a mega, multi-billion buck revamp, which brought new fabrics, designer furnishings, ceramics, Indigenous artworks and signature 'Baillie Beds'. "Our aim is to take the property to new levels of luxury, while at the same time enhancing its connection with Uluru and the desert environment," says managing director James Baillie. "The new balconies and luxury swags create a whole new level of intimacy, completely removing any barrier between the visitor and the landscape at Australia's spiritual heart." Prices start from a cool $1350 per person per night. We're sure you'd forget about the cash once you're snuggled up in that swag under the stars though.
Contemporary fusion cuisine is not only often tasty, but a reasonable extension of Australia's diverse gastronomic history. Even dishes thought idiosyncratic to a particular country are rarely free of intercultural influence. All that said and done, sometimes it is nice to sit down to a meal that resists modern interference. Traditional dishes are not necessarily always improved by radical reinventions or reimaginings – something to which Brisbane's Hosokawa can attest. Not lavishly or even traditionally decorated, it is not for the décor that locals flock to this small Hamilton Japanese restaurant. Not exactly a sake bar, Hosokawa offers only a few local and Japanese beers, some wines and a modest selection of sake and umeshu. But, there are plenty of authentic izakaya-style dishes to accompany them: teriyaki, chirashi and karaage to name a few. The nasu dengaku is a real standout - half an eggplant grilled with sesame and miso sauce - sweet and crisp on top, with velvety molten eggplant inside. The portion sizes are surprisingly generous, given the prices, and the standard accompaniments of rice, white miso soup, and assorted pickles are readily available. Though these options do not disappoint, they are not the main drawcard. The sashimi and sushi are without fault – simple, expertly handled and lovingly presented. The nori is crisp, the rice well seasoned, and the seafood is fresh and expertly sliced. In a country where Japanese food is often associated with either sushi chains or omakases, Hosokawa offers a very welcome alternative.
What’s better than two new cinemas? Four more new cinemas, of course! Since New Farm Cinemas’ grand unveiling in late July, eagle-eyed patrons and passers-by will have noticed an extra word nestled amongst its name. As emblazoned in lights on the front of the building, the picture palace’s official moniker is New Farm Six Cinemas — but that number didn’t quite ring true until now. For months, only two screens were operational while renovations in the heritage-listed site continued. Instead, the boutique-sized, retro-styled venue’s name was a sign of things to come as builders laboured away behind the scenes to create and finalise four additional theatres. Just in time for Christmas, the city’s newest movie house can now proudly live up to its proper name. Stage two of the refurbished building is complete, doubling the seating capacity of the complex. New Farm Cinemas’ friendly proprietors believe the extra four screens were worth the wait, and we have to agree. The new the Red Room and Blue Room can house 100 and 88 people, respectively, and feature bean bags at the front of each auditorium for extra comfort. The main attractions are the 30-seat Gold Rooms, home to the venue’s premium movie-going experience. If you’re after full-service food and drinks directly to your cinema seat, extra legroom and plush surrounds, then this is the place to be. And in keeping with the venue’s affordable pricing, a Gold Room ticket is only $21.50. The just-opened theatres join the Purple Room — the cinema’s restored centrepiece harking back to the venue’s many former lives as the Merthyr Picture Palace, The Astor and The Village Twin — as well as the newly created, already-operational Bronze Room. In even better news for cinema-goers, more seats to fill means more movies to screen, including new releases, special events and the venue’s growing program of flashback films. Whether you’ve already been to New Farm Cinemas, or you’ve been waiting to find the right time, you no longer have an excuse.
We don't have to tell you that coffee is big in this town. We'd be hard pressed to find a person who doesn't rely on a series of coffee hits to get them through the day in caffeine-fuelled increments. But as we all know, coffee is more than a drug; it is a gift to be cherished and relished. Brisbane folk are spoilt for choice when it comes to beans, blends, brewing techniques and devices, whether you prefer cold press, Aeropress, Chemex, Kalita Wave or otherwise. Fear not, espresso lover — you haven't stumbled into Pourover Central. Variety is the name of the game. However you like your cup, there is something for you on this list. More precisely, there is something for you at any single establishment on this list. JOSIE NORTH, TOOWONG If you're serious about your caffeinated beverages and you live in Brisbane's inner west, then you need to add this new Toowong spot to your morning hit list. Given that owner Matt Roggenkamp will be familiar to anyone who's frequented Kenmore roasters The Single Guys, the eatery's brew-centric focus is hardly surprising. You'll find coffee from Sydney's Reuben Hills and Melbourne's Seven Seeds and Small Batch on Josie's maiden menu, and no doubt smell their heavenly aromas wafting down the streets as well. Brissie blends may also pop up over time. 51 Sherwood Road, Toowong. JOHN MILLS HIMSELF, CBD If there is anything to learn in your journey towards coffee connoisseurship, it is that a brew bar's coffee cred is directly proportionate to how difficult it is to find. To wit, John Mills Himself is nigh on impossible to stumble upon. The search is worth the effort, just be on the lookout for the A-frame signs. 40 Charlotte Street, Brisbane. THE TILLER COFFEE, ALDERLEY If you're not a regular of The Tiller, it's because you don't live anywhere near Newmarket train station. If you did, you'd be there every morning. Staff (who are lovely) operate out of a storage container, serving up cups of liquid gold. The smooth and rounded house blend, Three Mile Scrub, is a definite crowd-pleaser. 81 Mina Parade, Alderley. PABLO & RUSTY'S, CBD At Pablo & Rusty's first Brisbane store, the Sydney-based roaster is committed to doing whatever it takes to make sure its black, caffeinated liquids really are the best they can be. And that means more than offering a stellar range of beans and blends — though you'll find those on the menu, including a single origin offering that rotates weekly, and comes as a double shot, batch-brewed or nitrogen-infused and chilled. 200 Mary Street, Brisbane. DANDELION & DRIFTWOOD, HENDRA At Dandelion and Driftwood, coffees are delivered to your table with a small card detailing the origin, grower and the growing altitude of the beans. It's difficult to choose a favourite between the toasty Dandelion blend, and the heavier Driftwood with its molasses notes. If you have the time and the inclination, take a seat at the very impressive looking brew bar for a more dedicated coffee experience. Shop 1, 45 Gerler Road, Hendra. STRAUSS, CBD Coffee, whether espresso or filter, is a serious business at Strauss. Another hidey-hole to make this list, the chic-looking place doubles as a bar for an adoring CBD crowd. The ever growing drinks list is impressive, as is the selection of masterclasses to which the cafe plays host. Their coffee remains their trump card though. 189 Elizabeth Street, Brisbane. LTD ESPRESSO, FORTITUDE VALLEY This Brunswick Street favourite has quite the reputation for churning out cups of quality coffee and not much else, aside from a piece of toast and the odd pastry. That's okay though, the limited non-coffee options keep the focus where it belongs. Be sure to grab a bottle of their cold press on your way out. 362 Brunswick Street, Fortitude Valley. By Sophia Edwards with Sarah Ward.
Looking for holiday accommodation with a little more oomph? Ever considered staying on a raft? With a sauna? In the town of Joensuu in eastern Finland, a bunch of mates have put their considerable DIY skills to good use. They've built a lake-worthy, multi-level raft with a sauna, named 'Saunalautta'. And next time you're in the mood for a floating holiday, you're welcome to rent it. This vessel is the ultimate year-round destination. Come winter (which, in Finland, means -20 degree temperatures), hang out in the sauna. Up to 15 people can warm up in there at once. Come summer, sprawl out on the upper deck. There's even a few hammocks, so you can get comfy with a book, and a viewing booth, affording 360 degree views. Not interested in lying around? Spend your break perfecting your 2 1/2 front flip from the dedicated, 5.7-metre high diving tower. Wondering how this Huckleberry Finn-esque contraption stays afloat? It's built on top of a series of recycled plastic drums. And what about going somewhere? A small outboard motor gets you moving. Both seasons, there's bunk space for five passengers to stay the night, a barbecue, a hot shower, a refrigerator and a sound system: basically everything you need to turn pirate for life. Hire isn't as expensive as you might think, starting at $410 a day. Head over here for more info, after you check out a few more snappies: Via Inhabitat.
A number of prominent Australian musicians, including Little May, Montaigne, Ngaiire and Abbe May, are uniting through social media in order to throw their support behind International Breast Cancer Awareness month. The I Touch Myself Project was inspired by the 1990 hit song by Australian rock band Divinyls, whose lead singer Chrissy Amphlett died from breast cancer in 2013. The campaign was originally launched by the Cancer Council in 2014, with the likes of Megan Washington, Sarah Blasko and Olivia Newton John collaborating on a music video to encourage women to check themselves for the disease. https://www.youtube.com/watch?v=FeaO2BrrIf8 Now the campaign has been resurrected by a new group of female artists, who have taken to Instagram to share photos of themselves holding their breasts in their hands and encouraging other women to do the same, using the hashtag #itouchmyselfproject. "Every year, hundreds and thousands of women die from treatable breast cancer, simply because they are diagnosed too late," posted the members of Little May. "In memory of the late legend, Chrissy Amphlett, we have joined friends @ngaiire @actualmontaigne @katysteele @abbemayzing to touch ourselves as she had asked." Every year, hundreds and thousands of women die from treatable breast cancer, simply because they are diagnosed too late. In memory of the late legend, Chrissy Amphlett, we have joined friends @ngaiire @actualmontaigne @katysteele @abbemayzing to touch ourselves as she had asked. The Divinyls 'I Touch Myself' is now an anthem for the early detection of breast cancer. For International Breast Cancer Awareness month take a picture of your own hand bra, and tag 5 of your friends to do the same.. @becsandridge @catalish @ella_hooper @lexi_b__ @jessicahamiltn #myhandbra #itouchmyselfproject @itouchmyselfproject A photo posted by Little May (@littlemaymusic) on Oct 3, 2016 at 8:54pm PDT Every year, hundreds of women die from treatable breast cancer, simply because they are diagnosed too late. @actualmontaigne @abbemayzing @katysteele , @littlemaymusic and I have stepped out in our hand bras in honour of the late Chrissy Amphlett who wanted her song 'I Touch Myself' to be an anthem for spreading the awareness of touching ourselves for early detection. Spread the word this Breast Cancer Awareness Month by taking a pic of your own hand bra and tagging 5 of your friends to do the same. Will you touch yourself @beemcsee @haileycramer @julianedisisto @summerpagaspas @mamikoyo @vassi_lena ? #myhandbra #itouchmyselfproject #ngaiire A photo posted by N G A I I R E (@ngaiire) on Oct 3, 2016 at 7:07pm PDT Chrissy Amphlett did a wonderful thing before the world lost her to breast cancer, and that was to make sure she was doing the most she could to avail women of a similar fate. I am proud to be a part of the #itouchmyselfproject and to raise awareness of breast cancer alongside a plethora of other excellent women and @berleiaus. I touch myself for breast cancer awareness. Will you? Photographed by the amazing Tony Mott! A photo posted by Montaigne (@actualmontaigne) on Oct 4, 2016 at 2:08am PDT Every year, hundreds and thousands of women die from treatable breast cancer, simply because they are diagnosed too late. In memory of the late legend, Chrissy Amphlett, I am humbled to join friends @ngaiire @actualmontaigne @littlemaymusic @abbemayzing to touch ourselves as she had asked. The Divinyls 'I Touch Myself' is now an anthem for the early detection of breast cancer. For International Breast Cancer Awareness month take a picture of your own hand bra, and tag 5 of your friends to do the same.. @tanzertanzertanzer @leelulahula @sezzyfilmy @wheelsanddollbaby @jaala_bandthing Photo by #tonymott @itouchmyselfproject #itouchmyself #myhandbra A photo posted by Kａt y S t e e l e (@katysteele) on Oct 4, 2016 at 3:02am PDT Every year, hundreds of women die from treatable breast cancer, simply because they are diagnosed too late. The great @ngaiire, @actualmontaigne, @katysteele , @littlemaymusic and I have stepped out in our hand bras in honour of the late Chrissy Amphlett who wanted her song 'I Touch Myself' to be an anthem for spreading the awareness of touching ourselves for early detection. Spread the word this Breast Cancer Awareness Month by taking a pic of your own hand bra and tagging 5 of your friends to do the same. #itouchmyselfproject #myhandbra Photo taken by the radical Tony Mott. A photo posted by Abbe May (@abbemayzing) on Oct 3, 2016 at 7:10pm PDT
Things are looking up in the middle of the Brisbane CBD, particularly if you like drinking at a sky-high bar underneath a Queensland sky. Add Sixteen Antlers to the city's list of rooftop hotspots — and add peering out over King George Square and the City Hall clock tower, sipping craft beer and cocktails, and snacking on small plates to your spring and summer must-do list. Quietly welcoming patrons from September 29 before officially launching in mid-October, the new hangout is perched 16 stories above the ground, in case you hadn't already guessed from the name. Taking over the top level at Pullman and Mercure Brisbane on the corner of Ann and Roma streets, it might just boast one of the best inner city views in Brissie. As for the other part of the venue's name, that stems from what they're calling roof 'branches', with the space as leafy in decor as it is lofty in location. While you'll find eye-popping views aplenty, don't go expecting Sixteen Antlers to match its vast vistas with big crowds — instead, it's a relatively intimate 120-person bar. That won't stop it from hosting DJ sets on Friday nights, offering up a hefty drinks list, serving the likes of mini brioche sliders and mozzarella and jalapeno croquettes, or letting patrons dine from the hotel's menu, though. Expect to eat, knock back beverages and enjoy Brisbane from a new perspective after 3pm from Tuesday to Saturday each week. Find Sixteen Antlers at Pullman and Mercure Brisbane on the corner of Ann and Roma streets. For more information, visit their Facebook page.
When I first signed up for a day of whitewater rafting on Tropical North Queensland's Tully River I was pumped. I can't say it had ever been on my bucket list, but as a new resident of North Queensland I was keen to do anything that meant I got to explore the deep north – so I couldn't turn down this RedBalloon experience. My alarm on the morning of the adventure went off at 5.15am, and my dreams of being flung out the raft and thrown into white water came to an end. Mild panic had begun to settle in. By the time I arrived at the meeting point in Cairns where our tour bus was waiting to drive us to the riverside destination, I was scheming ways to get out of it. We travelled down the Bruce Highway past sugar cane fields, banana plantations and cloud-covered coastal mountains. About an hour later, the road started getting narrower, the surrounding vegetation more lush, and glimpses of the river opened up to full views. We got off the bus and our guide Gregor helped with my helmet and life jacket, then I grabbed a paddle and headed down the path with five strangers towards our raft. As we paddled towards our first lot of rapids I tried to recall the instructions on what to do. I realised that upon entering the raft, I'd been way too focused on wedging my foot in between the seats to ensure I was attached no matter what and forgot to listen. As the menacing whitewater looked like it was about to engulf us I didn't know whether to squeeze my eyes shut or hold on tight, or both. Neither of the options included helping to paddle. [caption id="attachment_593255" align="alignnone" width="1280"] This is me terrified and holding on to the rope.[/caption] Then Gregor's clear, calm voice came from the back of the raft, "Okay guys, this is how today will work," he said. "Listen to me and you'll be fine. I promise to give really simple instructions. We're going to have heaps of fun getting to know this river." I wasn't 100 per cent convinced but I did listen to him. My life was in his hands. "Okay guys, here we go! Paddle forward, forward, forward aaaand relax. Now back paddle, back, back, back aaaand relax." I did relax. Honestly. As soon as we'd cleared the first lot of rapids I knew I was in safe hands with a pro river guide and a bunch of people who were a mix of fairly experienced thrill-seekers and newbie thrill-seekers like me. Gregor maneuvered the raft through the first lot of rapids expertly. With names like 'Double D Cup', I couldn't help but giggle (nervously) as we approached them and then scream/laugh as we rode through them. Gregor informed us they were the trickiest set we'd encounter. I didn't want to ask if he meant before lunch or throughout the whole day, so I kept my mouth shut and rejoiced with the rest of my team that we'd aced it. As we floated into calmer waters we got out of the raft for a swim, letting the cool, crystal-clear waters take us past springs and falls while the magnificent rainforest growth of the gorge towered overhead. Ulysses butterflies flying above us came along for the ride too. After a refreshing shower under Pony Tail Falls we hopped on to dry land for a barbecue lunch in the middle of the rainforest before setting off to tackle the rest of the rapids. This time around, it was panic-free. By the end of the day I was jumping off a 5-metre-tall rock formation. As I bobbed up to the surface, I was chuffed with myself for being a bit of a daredevil. I knew I would've regretted not giving the jump a go, which sums up how I felt about the whole day. From the first "aaaand relax" from Gregor, my worries seemed silly. Photos from the day show that I was holding on to the safety ropes a lot, which made my team mates ask whether I'd actually done any paddling. But I did. I promise. Book your white water rafting adventure (or gift it to someone else) at RedBalloon. Images: RedBalloon.
Thirty years since Expo 88 lit up the Brisbane River's southern banks, the area we all know as South Bank still has a few luminous tricks up its sleeves. Flowstate is one of them, a new temporary creative space taking over the former Arbour View Café precinct, featuring an immersive digital art installation, an open-air performance pavilion and a grassy relaxation zone. It's the first aspect, JEM by design studio ENESS, that'll immediately capture the city's attention — and have Brisbanites rushing to the South Brisbane parklands. A glowing arc-like structure fashioned from LEDs, it responds to movement, meaning that everyone can influence its display of light and sound. Or, to put it another way, it emits a symphonic and visual experience when approached. In addition to JEM's eye-catching wonders, the 3000-square-metre space will also boast an array of performances, including a year-long free program during its first year of operation. On the just-announced 20-show-plus bill: CIRCA showing off their acrobatic skills in Aura, Dead Puppet Society unleashing their roving installation Megafauna and live, immersive, moonlit orchestra event Song to the Earth. Other highlights include participatory dance performance Planets, South Bank art tour What I'm Here For, and whispered storytelling from Brisbane writers, poets and artists in These Frozen Moments. Also on offer are talks, classes and workshops, from an evolving lineup that features Magda Szubanski, Luke Ryan and Margi Brown Ash. And, because South Bank's grassy areas are made for relaxing, Flowstate Green will host a resident DJ set every Friday evening. Officially opening on January 29, Flowstate has been planned as interim-use site by Australian architecture and performance design firm Stukel Stone. It's intended to be in place for between 18 months and three years. Find Flowstate at South Bank Parklands near the Epicurious Garden, and visit flowstate.southbankcorporation.com.au for further information. Image: Tony Gwynn Jones.
One of Australia's most redeeming qualities is its ability to give good afternoon sun. There's something about its familiar glow that almost demands casual drinks – whether it's cracking open a cold beer after a day out, heading to the pub after a long day of work, or deciding on a whim that your backyard is perfect for having friends over. We love summer afternoons, and we've partnered with Heineken 3 so you can get the most out of them. We've spoken to a few of our favourite chefs, musicians and artists to get their insights on creating the perfect balmy afternoon. Having colourful paper backyard decorations may not be essential, but it's sure to take your casual backyard gathering to the next level. We asked the incredible paper engineer Benja Harney to help us out with some tutorials for easy backyard decorations. The first is a burger piñata, the second is a lantern covered in colourful streamers, the third is a string of sandwich bag bunting. Harney has done some incredible work in the past, so these simple projects are maybe a bit of an insult to his skills. He's worked on window installations for Hermès, he's made paper versions of Adidas shoes, and makes paper vegetables, grass and furniture for clients on the regular. His studio space is Surry Hills is filled to the brim with coloured paper and intricate paper sculptures. Not only is he good at his job, he's also really good at teaching. Follow the instructions below and make your backyard a little more fancy (and fun) the next time you have people over for a Heineken 3. BURGER PINATA When was the last time you whacked a piñata? It's fun, and even more fun when your piñata is shaped like a novelty version of your favourite food. This one is a little more tricky, so Benja has kindly drawn up some templates of the shapes you'll need to cut out to make your burger ingredients out of coloured cardboard. Print off the PDF in A3 and trace. Easy. You'll need: Thin cardboard (in the colours of your burger ingredients, and A3 size), thin corrugated cardboard, tape, scissors, glue, lollies, string. Method: Cut out your coloured cardboard into the shape of lettuce, tomato, burger bun and any other ingredients you want to pop in your burger. Use four strips of corrugated cardboard (about 15cm wide) and tape to make a square frame. Place a large piece of corrugated cardboard over the top, so it resembles a shallow open box. Glue your pieces of coloured cardboard to the box — it should now look like a burger. Flip the box over and fill it with lollies. Then, cover the box with a piece of thinner cardboard and tape it together. If you want to make it a little easier on your guests, you could glue this piece down instead of taping it, so it comes apart easier when you start to smash. Pop a piece of string onto the top and hang. SANDWICH BAG BUNTING This brown paper bag bunting is the easiest backyard decoration you'll ever make. Who knew that some scissors and string could turn the humble sandwich bag into a classy decoration for your backyard? You'll need: PVA glue, scissors, string, brown paper sandwich bags. Method: Grab yourself some brown paper sandwich bags from your local supermarket (they'll set you back a maximum of $2 — cheapest project you'll ever do). Cut each bag into a triangle shape like the one above, making sure that the 'seam' of the bag isn't at the triangle's point. Place a long piece of string inside the fold and glue it there. Repeat, repeat and repeat until your bunting has reached the length you want it to be. A LANTERN OF STREAMERS This is a simple way to spice up those cheap paper lanterns most people have in their backyards. It's colourful, looks like a jellyfish and blows in the wind. Make multiples and hang them in a row for maximum effect. You'll need: A cheap lantern from a discount store, string to hang it up, glue, scissors, three colours of streamers. Method: Cut the three colours of your streamers into pieces, all different lengths. Glue the top of each piece of streamer around the lantern in layers, starting from the bottom and repeating until the whole lantern is covered. Enjoy your summer afternoons with the new low-carb Heineken 3 — we're helping you make the most of them. Images: Kimberley Low.
Going camping on Stradbroke Island is a south-east Queensland tradition — but even if you've hitched a tent on the land mass' sandy shores more times than you can remember, we're guessing your sleeping under the stars experience wasn't like this. Meet Flash Camp, the glamping outfit making one of the easiest forms of holidaying a whole lot fancier. After successes at Byron Bay's Splendour in the Grass and Victoria's Winton Wetlands, they're now bringing the concept to Straddie. In the spirit of all good pop-up events, it's a limited-time-only affair, so block out March 23 to April 10 in your diary. That's when you can hop on the ferry across Moreton Bay, grab the shuttle to the scenic Adams Beach and spend your Easter in waterside luxury — but Flash Camps hopes to extend the concept and host more frequent, seasonal events. If you still can't get images of uncomfortable sleeping bags, buzzing insects and burnt marshmallows out of your head — i.e. the bad bits of camping we've all endured — then let us walk you through the Flash Camp experience. You'll sleep on a single or king bed in a five-metre tent, hangout in the communal cafe, and enjoy the simple pleasures of solar lamps, fresh towels and clean, sheltered bathrooms and showers. They don't call it glamorous camping for no reason. Flash Camp's next Straddie season runs from March 23 to April 10. For more information, visit their website.
Nightcrawler glides through the streets of Los Angeles, following the efforts of a young man doing whatever he can to make a living. Trying to survive and thrive, Lou Bloom (Jake Gyllenhaal) warms to a career as a freelance cameraman. He stalks the Los Angeles streets by night to find and film humanity at its worst, all for television news consumption — and maybe gets a little too good at his new profession. Nightcrawler also brings two familiar creative forces together, but in a new fashion. For writer/director Dan Gilroy, Nightcrawler marks his first helming effort after more than two decades writing screenplays for the likes of The Bourne Legacy, Two for the Money, The Fall, and Real Steel, among others. For star Jake Gyllenhaal, his leading man looks are whittled down to a lean, mean figure of determination and desperation. Their combination results in what's widely regarded as one of the best films of the year — and certain highlights of both of their careers. We chat to Gilroy about collaborating with Gyllenhaal, creating such a distinctive character, and telling this dark, cynical and twisted tale of modern life. How did Jake Gyllenhaal come to be involved in the film as an actor and a producer? Jake's agent read the script. Jake responded to the script. I flew to Atlanta when he was doing Prisoners. We had a four-hour dinner, and we had just an instant creative spark. If I was going to distil it down, Jake very much wanted to rehearse and be a collaborator, and I very much wanted to collaborate with Jake. He never changed a word of the script, but what we did do is, we rehearsed for months before we started to shoot. We would discuss the script, the scenes, the character. We would then start to rehearse the scenes themselves, trying them different ways — "what if the character was this? What if the character was that?" And was Jake's physical transformation part of that? During the process, Jake came up with a number of very crucial components. One was that it was his idea to lose the weight. He was thinking about a coyote, which you see at night in Los Angeles. They're very hungry and lean looking creatures, and Jake used that as a sort of symbol animal for himself. So it was Jake's idea to lose like 26, 27 pounds, and it utterly transformed him. It was a very bold decision. Very difficult to keep that weight off, and it changed him physically, but it also gave him a tremendous odd energy in the film. I feel like he just wants to consume everything around him — and it's not just food. I feel like he wants to consume ideas and people and anything he can get his hands on. It is a very scary energy that it adds to the character, and to the movie. It was Jake's idea to put his hair up in a bun any time he does something larcenous. These are the small things. Jake and I worked as creative collaborators on this film in every way. Let's talk about Lou Bloom. He's such a distinctive character. Where did Lou Bloom as a creation come from? I have tremendous empathy for tens of millions of young people around the world who are looking for work, and being offered internships and wages that you can't sustain yourself on. So I was very interested in a younger man who was desperate for work. That was the doorway that I came through for the character, which is why at the beginning of the film, he is truly desperate for work. I took that desperation and started to play around with it, and use it as an inner force that has driven this character over the bend in terms of what he was willing to do and not to. And that was pathway to lead me into the character. Looking at the film more broadly, what inspired the story? There's many components — the media, at face value, as well as questions of ethics and the complicit nature of the audience in consuming news stories, and also the current state of the American economy, trying to chase the American dream... Well, the story on its largest level, I wanted to do an entertaining, engaging story, so obviously there's suspense and there's uncertainty and there's drama. So all those things I knew were going to be the things that were at the top of my list when crafting the story. As I started getting into the story, it started to become personal on the level that you just talked about. Which is, I feel that the world I am seeing right now, that I am living in right now in Los Angeles, and I guess the United States, and probably globally in some degree, is one where everything has been reduced to transactions. It seems like the bottom line is driving everything, that capitalism — and I'm not advocating any other system other than capitalism, because I don't know if there is anything better — but capitalism seems to be becoming hyper-capitalism, and it is forcing people to do things in the workplace that I don't think is healthy and I don't think they would normally be inclined to do if they weren't being forced to do it. I saw in Jake's character the opportunity to create an employer who has started a business and very much embodies that principle — that because of the landscape and the lack of work for people, he can pretty much get people to do whatever he wants to each other. The film is set in Los Angeles, showing a side of LA we don't often see. How did the location shape the film? Could it have been set and made anywhere else? Well, the location shaped the film in the sense that Robert Elswit, the cinematographer and I, were trying to show the Los Angeles you don't normally see. Los Angeles is usually a very urban environment with cement and buildings. Los Angeles for me is a place with much more of a wild, untamed energy. It is place of mountains, ocean and desert. So we were looking for locations where civilisations met a national park, as in literally. Or we were up on top of a hill looking down, on top of almost a mountain, looking down where you could see forever. We were trying to show a large, sprawling landscape that was physically beautiful — that really was as untouched by man as it tamed by man. And that the character of Lou is like a coyote moving through this nighttime environment of this wilderness. The sense of tension is unrelenting — not just in the action scenes, with cars racing along the street, but in all of Lou's conversations. How did you maintain that sense of pressure throughout? The pressure, in many ways, came from the script. The script is designed that way. He is an unsettling character. He is a character who has all these touchstone qualities of humanity — he wants a job, he wants a relationship. He is earnest, he is polite, he is respectful. But at the same time, he is utterly unhinged, and because we shot so close to him, and we would always keep him in frame, and because the score was always going counterpoint, I think the tension is an inner tension of "why am I so emotionally involved in this character?" Or "why are they making me pay attention for this guy? Why am I rooting for him at times when I know I shouldn't be rooting for him?" And I think there's a subconscious energy that starts to build up, a disquieting energy of tension. Questions of "where is it going?" and "why do I like him?", which was as much a design of the script as anything. Given that Nightcrawler falls into a number of genres, were there films that inspired you in writing and making it? The films that inspired me more weren't so much journalism films, but films where the hero was also the antihero. Where you could take a character who was your hero and your villain at the same time. One of them was Scorsese's The King of Comedy. And another one is actually Nicole Kidman in To Die For. I loved that film, and I thought she did a great job. I love the idea that she is so perky and personable, and she is a complete murderer. But at the same time, she is your hero — she is your hero and your villain. That was very illuminating when I saw that film. That film was in my mind. Nightcrawler opened in cinemas on November 27. Read our full review.
Remember when the Queensland Government logo looked like a burger and chips? Sure, it was ugly — but it was also prophetic. These days, Brisbanites can't get enough of the good ol' bread, meat and accompanying fries combo. Every burger outlet in town knows what we're talking about, because they're all busy expanding. Take Getta Burger for example, which started out in Carina and has been busy growing ever since. First, Bridgeman Downs, West End and Clayfield stores popped up. Next, Underwood and Ashgrove will get their own Getta Burger eateries — and if their Facebook page is anything to go by, the chain is more than open to suggestions about where they should open next. If you're wondering why you should be excited about yet another place offering up more burger-munching opportunities, then you obviously haven't experienced one of their epic creations yet. With their handmade patties and hefty size, these aren't just your regular burgers. Crafted American style and loaded with everything from fried mozzarella sticks to 12-hour smoked brisket, they're the kind of meal that might take some folks two sittings to devour. Their filthy fries are similarly stacked with toppings, such as brisket, pulled pork, grilled onion and maple bacon. Plus, if the regular 12-option menu doesn't hit the spot, Getta Burger's weekly specials — including pastrami and cheese, mustard potato chips, pepper steak and lamb shank-laden beauties just this month — probably will. And did we mention that they've also just added an apple pie shake to their offerings? With all that to choose from, two new stores really isn't enough. To keep up to date with Getta Burger's new locations, check out their website and Facebook page.
You might not have heard of Minor Figures, Australia's new cold brew-on-the-go coffee popper distributors, but you will soon. The coffee wizards, comprised of Jonathan Chiu, Stuart Forsyth and Will Rixon, have had a massive year since setting up their own microbrewery in London in August of 2014. After taking out the 'Most Innovative Product' award at the London Coffee Festival, they found their particular brand of ethically-sourced, ready-to-drink, long-life cold coffee on the shelves of Whole Foods, Selfridges and Harvey Nichols. Now they’ve conquered the north, their sights have been turned to us here in the Southern hemisphere. Jonathan and Stuart are both Melburnians at heart and when they collectively decidedly to bring their on-the-go cold brew to Australia, Jonathan packed up and came with it. Attempting to offer an alternative to the coffee powder-made, factory-produced iced coffees dominating the Australian market, Minor Figures has just launched two cold brews: a straight black version and one with organic milk. We had a chat to him about what it's like to move halfway around the world for the love of good coffee. So Jonathan, what made you come back to Australia after such a long sabbatical? I’ve been over in London for eight years. We started the Minor Figures business in August last year and one thing we realised pretty quickly was that it’s a summer drink and we were going straight into winter and we wanted to be able to sell all year round. Stuart Forsyth, one of the co-founders, and I are both from Melbourne, so we thought it seemed like the logical market to open a second office. From #bellsbeach to #bournemouth. #coldbrew #beach #esky #surf #takeanywhere #specialtycoffee A photo posted by Minor Figures (@minorfigures) on Oct 8, 2015 at 10:09pm PDT So the idea is specialty coffee in a stay-fresh popper. How exactly do you make it? Ours is a cold brew, we use an immersion method. We put our coffee straight into a tank, we control the oxygen and temperature of the tank and brew it for around 18 hours, using cold filtered water, and then we filter it out, catch all the coffee grounds and make sure it’s super clean. Can you walk us through why we should trade in our flat whites for cold brew? What happens when you brew in cold water over a long period of time, it reduces the acidity and bitterness of the drink and it leaves a naturally sweeter, clean coffee. It’s different from, say, if you had hot coffee that’s gone cold, that would be bitter, thicker almost, whereas this is cleaner, lighter and it’s a great alternative to a hot milky coffee on a hot day. It's just water and coffee, so you can’t hide behind anything — it has to be really high quality. Who brought the #ducks to the #swan party? #InDisguise #coldbrew #coffee A photo posted by Minor Figures (@minorfigures) on Apr 25, 2015 at 4:25am PDT What’s your aim with Minor Figures? What’s in the future for the brand? The future for us is to be the ones who make cold brew coffee more mainstream accessible so that more and more people drink good quality coffee, rather than the rubbish iced coffees that are out there. This is in a Tetrapak so you just stick a straw in and you’ve got real, specialty, single origin coffee ready to go whenever you want. We want it to be for everyone, not just the cool kids in the know who’ve got the disposable cash to buy it. It’s not about being just for the cool kids. I was out sampling at Narre Warren a couple of weeks ago and I was happiest to see the mums of Narre Warren buying it to go on their caravan holidays, rather than the cool kids in Collingwood. Find a Minor Figures cold brew coffee distributor here and get gulping the good stuff. Images: Simon Shiff.
If you head to Mr Chester Wine Bar & Bistro's website, you'll be greeted with a simple, bold statement — "What a wine bar should be!". And we have to admit, whoever wrote that is bang on. Everything to love about wine bars, be it the ambient lighting, simple European fare, unpretentious staff and soft background jazz, they've got it. Oh, and the wine. They've got that too, thankfully, in barrel-loads. The focus here is on Aussie and New Zealand winemakers, while a few from beyond our shores also make the list. It doesn't matter if it's a young gun trying to reinvent chardonnay (again!) or a seasoned winemaker who remembers the days when you couldn't get wine by the glass in Australia; if you're good enough, you'll make it on the list. Like all good wine bars, the list is constantly evolving at Mr Chester Wine Bar & Bistro. Still, as we write this, some of the highlights of the whites include a Skipjack sauvignon blanc from Marlborough, a Mandi 2021 pinot grigio from the Murray Darling and a gorgeous grenache-blanc from Terra Alta, Italy. If you're keen on rosés, try its chilled blend of saparavi, sangiovese, verdelho and semillon. If red is more your vibe, look towards the Unico Zelo grenache blend for something medium-light, while a big hearty Barossa shiraz makes the list from Torzi Matthews. And like all good wine bars in Brisbane, the food here is also next-level. And the options here are primarily classic Mediterranean dishes and share plates — think arancini with bacon and semi-dried tomato or the baked camembert with pistachio crumb and truffle honey for something small. There is also a range of pizzas, with the diavola on point — featuring tomato, fior di latte and soppressata. Pasta dishes include a gorgeous squid ink linguine, while there's just one dessert — a white chocolate cheesecake that is worth the visit alone. You can easily pop by Mr Chester Wine Bar & Bistro to simply have some dessert and a nightcap.
Over the span of the universe, ten years is the blink of an eye. In a human lifetime, a decade can zip by unnoticed. In the realm of public works (a realm so dense that all previous laws governing time and space break down around it) ten years is, in practice, a millisecond. Projects can drag on for eternity before we see a single blade of grass (hell, in six seasons of Parks and Rec they only managed to fund one weeny little park). So you can understand why people may secretly believe Leslie Koch, president and CEO of The Trust of Governors Island in New York City, to be some kind of time-travelling magician. Since her instatement in 2006, she's worked with city government and private sector alike to transform a flat, derelict military island off Manhattan into a thriving public space with nearly half a million visitors each summer. Under Leslie's guidance, the first phase of the master plan, including 12 hectares of parkland, was opened to the public in May 2014. The second phase (named The Hills for the rolling Teletubbyland-esque vista and 360 degree panoramic views of New York City) is slated to open in July, a year ahead of schedule. And the next phase for Governors Island is even more ambitious: a 13.4 hectare innovation incubator and public campus to service the growing startup culture in New York. Leslie's flying in to Sydney to appear as one of the keynote speakers for REMIX Sydney 2016, so we found a tiny window in Leslie's obviously jam-packed schedule to sit down and talk big. [caption id="attachment_572737" align="alignnone" width="1280"] The Hills, Governors Island.[/caption] THE PESKY PROBLEM OF HAVING MORE IDEAS THAN EMPLOYEES Revamping Governors Island as a startup haven is a superhuman feat in itself, but let's backtrack for a moment. America is in a bind: the age of manufacturing has passed and technological innovation is now the hot economic commodity to sink graduates into. Tech startups are bread-and-butter for the emerging generation of computer scientists. However, there's a gaping crevasse between practice and education theory. The tech industry waits for no one, particularly not one who spends four years and a small fortune on a tertiary education only to emerge and find the skills they've learned are not the skills employers want — nor, often, are they even relevant anymore. "I was meeting with a very successful serial entrepreneur the other day and he said, 'Look we actually can't hire enough people for the ideas that we have'," Leslie Koch muses "There's no shortage of ideas, there's a shortage of people." The solution, she believes, begins with physically merging private sector components into the education model, eliminating the lag between industry practice and educational canon. It's an inevitable direction, considering our career path structure is changing — everyone's a freelancer, untethered by company loyalty, each in possession of a long resume dotted with short tenures. If you want to stay employable in a competitive marketplace rocked to and fro by the all-powerful internet and all her resplendent memes, you've got to freshen up your skills every now and then. ON BUILDING THE SILICON VALLEY OF THE EAST COAST Governors Island represents more than a green lung to New York City's concrete playground. In its second phase it will become an incubator for innovation, the Silicon Valley of the east coast and, as Jack Donaghy would say, 'innoventually' develop a solution to the human capital crisis in the tech industry in NYC. But just what is so magical about Silicon Valley that's worth mimicking? Does innovation bubble up from the very ground water? General consensus is the Valley works for two reasons. First, early in the game, big companies collaborated with educational institutions (to mould their chickens before they hatched). Second, a close physical proximity, as well as a focus on innovation, encouraged knowledge convergence and cross-fertilisation between tech startups. The underlying lesson here? Physical space organisation is incredibly important for knowledge sharing (there's a reason why open-plan offices are everywhere, and it's not just to keep you off Facebook during work hours). ON CREATING AN 'INNOVATION INCUBATOR' ON THE ISLAND The next stage for Governors Island is to build an 'innovation incubator'. It may sound like jargon, but the articulation of an 'incubator' draws on those ideas that people, and young startups in particular, hugely benefit when they physically share space with their contemporaries. "[A technology incubator] gives companies flexibility in leasing and acts as a social space, a cross-fertilisation space, that you wouldn't have in a conventional 'I'm going to rent my office, hire my people and I'm never going to interact with the other companies in my building' model," says Leslie. The needs of early stage technology startups go beyond infrastructure and financial support — expertise and knowledge must be shared freely to the benefit of all. WHY NEW YORK CITY GENERATES A DIFFERENT KIND OF STARTUP TO CALIFORNIA The Silicon Valley of New York (coming soon to Governors Island!) won't actually be all that similar to the Californian model. The startups coming out of New York (such as Tumblr, Kickstarter, Etsy) are an intrinsically different breed than the West Coast startups (Facebook, Google, Apple) — they're flavoured by the city. Leslie is very aware of this. "The second chapter of my career was in technology on the West Coast. I worked at Microsoft and, like its analogist companies in the Valley, it started in the suburbs and there were a few of us who commuted out to Redmond, Washington. What you're now seeing is companies recognising that to innovate, there's something about being in a city rather than isolated. When you create campuses with an urban flavour, that really makes sense for innovation." A city, unlike the 'burbs, is a cluster model in itself. The Governors Island incubator model will perhaps not be a scaled down version of Silicon Valley but of NYC itself, with educational institutions and private sector components physically merged instead of adjacent. "High-tech companies move to the city because of the messiness of the city and the interactions you have with all kinds of people and different kinds of industries… I personally believe that cities are the place where innovation takes place," she says "What I couldn't have planned for was the amount of emotion that New Yorkers have for Governors Island. We made a place people have embraced, have come to love, even though it's a place no-one has ever spent the night and it's never been open for more than 120 days a year." Australia has only 10 percent the urban density of America so notions of space can be a tricky to wrap your head around; space is a nuisance most of the time. But the cluster model is starting to take hold in Sydney and it works, no doubt in part, thanks to the mapping done on the front lines in the US. [caption id="attachment_572738" align="alignnone" width="1280"] The Hills, Governors Island.[/caption] WHAT'S NEXT? Sadly, Leslie recently announced she'll be stepping down as CEO after the Hills opens to the public. "This is a natural inflection point and when you run a seasonal recreation destination, you're on-duty every weekend so the thought of having my first summer off in 11 summers was just too good to pass up." And what a hard-earned summer it'll be. You can catch Leslie speaking at REMIX Sydney from June 2-3 at Sydney Town Hall. Your mates Concrete Playground will be there too, introducing you to Sydney's most successful entrepreneurs — the businesses we couldn't write fast enough about — with a special curated session on 'How Long Does It Take to Become an Overnight Success?'. More info right here. Top image: Iwan Baan/Governors Island.
Art has prevailed in the battle to fill a Melbourne rooftop with naked people. In the latest development surrounding Spencer Tunick's newest work, the New York artist has been given permission to hold a nude photoshoot on top of the Prahran Woolworths car park — just over a week after the store said no. It was announced in May that Tunick would be returning to Australia in July to stage another of his famed mass nude photos, all as part of Chapel Street Precinct's Provocaré Festival of the Arts. Seventeen years after assembling 4500 naked volunteers for a snap near Federation Square as part of the 2001 Fringe Festival, the polarising artist plans to amass another contingent of naked (and pretty brave) folk for a work titled Return of the Nude While Tunick has photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras, snapped the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK, his initial attempt to craft his latest piece against a Melbourne skyline backdrop was knocked back by Woolworths. A petition spearheaded by the Chapel Street Precinct Association (CSPA), the festival's host organisation, in response —and due to community pressure, the store has decided to let the shoot go ahead. A spokesperson for the supermarket giant advised, "in further discussions with the festival organisers they indicated a willingness to be flexible with dates and times to ensure the shoot could happen without inconveniencing our customers during busy weekend trading. As a result, we're now able to accommodate the request to temporarily clear the rooftop for Spencer Tunick's group shot on a Monday morning during a traditionally slow trading period." The shoot will take place on Monday, July 9, with Tunick given an hour to complete his vision. And if you'd like to participate — anyone over the age of 18 can git their kit off and get involved — there's still time to register. Participants each get a print of the photograph and, we're sure, a big boost of body confidence. Provocaré will take place across the Chapel Street Precinct from July 5–15, with Return of the Nude being shot over one hour on July 9.
A preservative-laden candy made with rubbish meat and flavours that read like weather reports. That was the old style of jerky, and Darrell Beveridge, father of the Darling Jerky Co, says it's met its end. He's one of the new breed of dried meat revolutionaries, wrenching jerky away from its image as a cheap convenience store snack. “The old world of jerky doesn't understand," he says. "For them it was something eaten by real rough truck drivers from the service station.” Another comrade-in-arms, Brent Griffin of Griffin Jerky, has a nostalgic connection to jerky from his youth. "It was something we'd all do and feel bad about it,” he says. "I started making my own because a lot of that stuff is garbage.” He tells me this while we gnaw away on a stick of his own product, which I've just bought from behind the bar of Sydney's Arcadia Liquors, the kind of bar that's the 'service station' of new-wave, natural, handcrafted and excitingly flavoured jerky. Both Darrell and Brent want to bring their meat to Sydney's jerky virgins. One part of that is making a product that doesn’t ‘feel’ like jerky, the other part is simply making a bloody good product. DARRELL BEVERIDGE'S GUIDE TO RECOGNISING BLOODY GOOD JERKY First rule: “It has to be pasture-raised, roaming free range cattle”. Second rule: "Contemporary flavours and quality ingredients." Here's how to judge. Appearance: Every piece should look different he says, “If something looks like a Roll-Up, it's probably processed. It should look like a piece of meat shrunken down.” Texture: "You want it to almost chew like a steak. You want it to bend but not break.” It shouldn’t tear like crepe paper, having to fight a little to tear it apart is normal. If you need to gnaw for several minutes just to get a bite sized chunk, it’s too dry or too old. Taste: A good stick of jerky should have three stages of flavour. There’s the initial flavour Darrell calls the seasoning or bite that should come without any chewing. Next is the follow-through, a juicy release of flavour as the jerky softens. Last is the aftertaste. "It’s not like a chip," Darrell says; you should be able to savour it. A NEW WORLD OF FLAVOUR Darrell said when he first started making jerky at home five years ago, all the old companies were selling the same thing. “Flavour wise there was really a lot of boring flavours. It was really just original and hot," he says. "Pepper was the big spice. There was a lot of room to try different types.” Now Darrell’s making a 'pickleburger' flavour, which is as complex and layered as it is accurately burgery. He’s also experimenting with flavours like mee goreng, tobacco and ghost chilli. Brent’s main line includes chipotle adobo and a rich 'Srirachuan' (sriracha + Szechuan) flavour. In October he did a collaboration with Young Henrys where he made a real ale and toasted coriander seed batch. Another collaboration with Kakawa ended up with chocolate coated jerky. “The idea is grosser than what it’s like," he says. "It sold out really quick.” Now he’s working on a vegetarian variety. I asked him about it but it’s top secret until he nuts it out. BAKKWA, MOO DAD DEAW AND OTHER KINDS OF JERKY TO TRY Currently they’re both exclusively using pasture-raised grass fed beef but having tried and enjoyed jerkies from Thailand, China and South Africa, I asked Brent and Darrell whether they have any plans to make other varieties of jerky with different meat. Brent told me he’s experimented with pork and lamb, but nothing’s been put into production. Darrell, on the other hand, is too focused on perfection for any diversification. I decided to explore Sydney to see what else I could find. That’s how I met Jack Zhang. Jack’s the everything behind Singapore Famous BBQ Pork, a time-displaced storefront in Sydney's Chinatown. It would be barely noticeable besides the fact that it hasn’t changed in over 25 years. Jack started there as a jerky apprentice some two decades ago. Now the master makes fresh bakkwa and Singaporean-style jerky. Bakkwa is a sweeter and softer variety of preserved meat that’s air dried and then grilled over a charcoals. Jack dries and grills his bakkwa daily, but that's pretty much all he would tell me about what goes into the process (he thinks others might copy his business model). Then there's moo dad deaw, a Thai-style sun-dried pork. Chinatown's Do Dee Paidang make it in house along with a similar beef style. Unfortunately they’re not allowed to sun-dry it traditionally because some bureaucratic food prudes might complain, but that doesn’t stop it from having a delicious smack of spice. Often confused for jerky is biltong, which Stanley Street Butchery has been making since 1974. Biltong, unlike Jerky is cured in vinegar for several hours before being dried. Stanley Street serve theirs traditionally — fresher, fattier and thicker, all the better. Meanwhile, in good news for pescetarians, new Enmore bar The Gretz is doing a rotating menu of house-made jerky, starting with salmon. In Brisbane, your jerky go-to is Gypsies Wagon, who are known for their legendary Argentinian gaucho jerky. In Melbourne, head up to the bar at fancy Vue de Monde for ocean trout jerky (dine in the restaurant and you'll be treated to emu). For more down-to-earth jerky, there's the Meatball and Wine Bar's $9.50 Wagyu beef servings, which come in flavours such as Samboy (salt and vinegar) and Ninja (teriyaki). BACK TO THE REVOLUTION Despite eating enough jerky to devolve my throat into a desiccated husk, I found myself thinking back to Darrell and Brent’s revolution. How strange the two of them started at almost the same time with such similar ideas. "It's funny that we wound up both doing the same thing," Darrell says. "I mentioned it to a friend and she called it the great jerk off of 2014." You'd think they'd be fierce competitors, but they're not; they both just love jerky too much. "The longer both of us exist the better."
Hitting the indoor mini-golf course for a few holes of pop culture-themed fun and a few rounds of delightfully named beverages isn't just something Brisbanites should enjoy, or Sydney residents either. After launching in Queensland in late 2016, and announcing their first New South Wales venture, Holey Moley Golf Club officially opens in Melbourne today, Thursday, April 20. From noon, 590 Little Bourke Street will be home to 27 holes of club-swinging antics across two levels. It's Holey Moley's biggest venue yet, which means that there's plenty of room for the three nine-hole courses. The Brisbane bar is known for its creativity when it comes to creating courses, and this venue is no exception. Melburnians will be able to tap, tap, tap their way through rooms dedicated to The Simpsons and Game of Thrones and throwbacks to Pacman and Barbie dolls. Plus, everyone will be able to break out into song at the same time, with karaoke part of the antics. If you choose to work your way through the Happy Gilmore soundtrack, no one will stop you (at least not any of the staff). Drinks-wise, expect cocktails. The Caddyshack Bar boasts a pun-laden drinks list that includes the The Sugar Caddy, the Teeyonce Knowles and a Long Island Iced Tee (just what it sounds like, but with an appropriate name). Beer, cider and wine will also be available, but when you're aiming for a hole-in-one, it seems appropriate to be drinking from one (made from Pampero white rum, cinnamon whisky, half a banana, sugar syrup and a doughnut — yep, a doughnut) at the same time. Holey Moley Golf Club is now open at 590 Little Bourke Street, Melbourne. It will be open noon till late Monday to Friday, and 10am till late on weekends. For more info, check out their website. Images: Lucas Dawson.
The term ‘boutique’ has accrued a lot of synonyms since coming into common parlance in recent years. When attached to a festival, it usually means ‘overpriced’, ‘obscure’ and ‘painfully hip’. But in a depressing festival landscape of hot, sticky summer sameness, one Brisbane crew is restoring the glory to the boutique festival name. The second Jungle Love is coming in November and they’ve carried on the integrity that defined their debut 2014 festival. So how does a festival do ‘boutique’ justice? Oh let us count the ways. Despite a relatively limited budget, the two-day lineup is impressive and mostly locally-sourced (all power to homegrown produce). It currently includes The Cairos, The Belligerents, Baskervillain, The Bombay Royale, The Cactus Channel, Bullhorn, The Durries, Resin Dogs, The Tommyhawks plus a fair few more and there’s still another artist announcement coming. Jungle Love's lineup was chosen not necessarily for their ability to court triple j airtime but their stage presence, crowd-wooing tricks and the quality of the music they make. It’s a refreshing change from the standard festival shuffle of the top-played radio darlings and a return to what the summer festival should be: just a small group of people, hanging out in nature and enjoying some quality tunes. And don't forget the nosh — local culinary crews Lost Boys and Kettle and Tin will be there serving up organic chow to the happy masses. Location-wise, Jungle Love also solves the whole deadly-summer-heat thing (something most festivals overlook) by picking a spot with an onsite swimming creek. So bring your cutest togs and inflatable ring for dips between sets. It's just two hours' drive north of Brisbane, at Borumba Deer Park. But the best thing about Jungle Love, the thing that will melt hearts and draw crowds? It’s BYO, as nature intended. No more $10+ cans of Smirnoff Festival Edition™ that taste like sugary nuclear runoff. No more waiting in bar lines and missing important sets and feeling obliged to give your dog mates front cutsies. No more! All good things happen from the ground up, and you can have a hand in making Jungle Love a reality. The festival's Pozible campaign is running for another 22 hours and they’re close to their funding target. You can buy your tickets through the Pozible page or just donate some love to a worthy cause. Jungle Love Festival runs November 27-28 at Borumba Deer Park, 1133 Yabba Creek Road, Imbil (Sunshine Coast Hinterland). For more info, visit Jungle Love's website. Images: Chelsea Heaney, Freya Lamont and Irie Langlois.
We know you guys are probably tiring of the food truck trend, but hear us out on this one. Now, we're not entirely sure how to feel, so we're just gonna lay out the facts. There's a new food truck doing the rounds that specialises in… gourmet dog food. The Canine Wellness Kitchen (heh) is Australia's first food truck for dogs — which, honestly, is a sentence we never thought we'd write. Founders and 'canine chefs' Katie Crandon and Laura Yeomans aren't new to this game — they founded 'dog superfood' (apparently a thing) label Because I Luv My Dog, specialising in healthy pooch snacks for on-the-go doggos. It'll be the first food truck of its kind in Australia, offering a range of dog-friendly goods including dehydrated snacks, raw food, chicken necks and organic bone broth. And… again, not sure how to take this… a beer for dogs. It's named Freddie's Froth and it's not actual beer guys, it's bone broth, geez. The whole venture is a little tongue in cheek and pokes fun at the food truck revolution. This is a little snippet from the menu: "Forget the super smoothies, our bone broth is the ultimate detoxifier. Get your active wear on, this is all the warm up you need for a workout." Look, in your heart of hearts, you know this is one business that'll go incredibly well. We're on board. Canine Wellness Kitchen will be making their first appearance on September 24 at the Hank Marvin Markets in St Kilda.
If you, like us, have been struggling to maintain your bank balance this Christmas (the shopping, holiday plans and festival tickets all take their toll), we feel ya. To help you out, we've teamed up with Melbourne's biggest and best inner city festival, Sugar Mountain, and V MoVement, to give you the chance to win an epic festival experience. The stress of the festive season will melt away when you're grooving to Blood Orange with an 8bit burger in one hand and a beer in the other. Bliss. Up for grabs here are two VIP Sugar Mountain passes (yes), return flights to Melbourne from any major capital city (yessss) and we'll even put you up for two nights at QT Melbourne (a thousand times yes!). Prepare yourself for fluffy-robed luxury. But that's not all. Thanks to our buds at V MoVement, you'll be their VIP too with two side of stage passes to get up close and personal with the line-up on their own personal stage. V MoVement, just FYI, is an initiative by (you guessed it) V energy drink that aims to support grass roots dance music so it's no surprise they're popping up at the weird and wonderful Sugar Mountain. If you're a fan of EDM, this is the prize for you. Check out the line-up and read up on last year's Sensory Lab to yourself excited. We're even throwing in a year's worth of V energy drinks to bolster your energy levels after such an intense weekend. Damn. Not sure if anything under the tree can top this present. Head here to enter.
What would you do if you were a little less freaked out by consequences? Would you talk to more new people, fear a bit less, dance a little more like FKA Twigs, or quit your desk job and start that business you've always wanted to give a red hot go? Some sparkling young Australians are already flinging their inhibitions into a ziplock bag and seizing this little ol' life with both hands. Concrete Playground has teamed up with the Jameson crew to give you a sneak peek into the lives of some of the country's boldest characters who took a big chance on themselves. They've gone out on a limb and rewritten their path, encapsulating 'Sine Metu', the Jameson family motto which translates to 'without fear' — getting outside your comfort zone and trying something new. After all, we only get one shot at this. Take notes. Having dabbled in his fair share of pulse-quickening activities as a youngster, Sydney street artist and skateboarder Sid Tapia is no stranger to the concept of overcoming big fears. In a career that started at age ten, he's hung out of train doors to tag them, skateboarded at a pro level and even founded his own label, Crown St. rediscover a passion he thought he'd lost forever. FUEL THAT FIRE IN YOUR BELLY Sid got cracking on his creative pursuits pretty early on, recalling being captivated by his mother's old handwriting textbooks at the age of four. Soon after that, Sid began recreating the characters in his life: the faces of friends and family. "I'd spend ages trying to do what I saw," he says. "I would see someone or something that I thought was beautiful and be like, 'I want to do that on paper'." It's an interest that would eventually lead him into the graff scene, swapping out paper and pens for trains, walls and spray paint. Meanwhile, Sid's older brother Walker was offering his own brand of influence, introducing him to alternative music genres, hip-hop culture and, ultimately, the street art movement. "He was like my mentor-slash-father figure growing up," Sid explains. "He really taught me a massive step in being able to overcome not just challenges, but confrontations as well." NEVER STOP LEARNIN' At around age ten, Sid discovered the world of graffiti, and he was instantly hooked on this risky, yet exhilarating form of creative expression — especially the risky sport of train tagging. The fact that he could lean out of a train, paint his name up and others would see it was both scary and adrenaline-pumping (not to mention highly illegal). But just a few years later, Sid's flirtation with locomotive art was rattled, after his friend was injured in a serious train accident, reminding him (very bluntly) of the elephant in the room: mortality. "Graffiti was never the same after that," Sid says. "It was nerve-wracking — it was scary." And so he gave up graff. Having come so close to paying the ultimate price for his passion, Sid diverted his attentions to skateboarding — and despite being discouraged from the sport by his family, it was clear he had some serious skills. "My grades were really bad, but I knew that my skating was really good," he says. "And I was like, 'I'm gonna do this thing.'" Skating was a passion that continued well into his twenties, landing him sponsorship deals and a heap of recognition on the Sydney scene. He was even profiled in the awesome 1997 short film by Warrick Thornton for SBS's Eat Carpet. Like many twenty-somethings, at the time it looked as though Sid had, in his own words, "everything sorted" — but he was really "a wreck". So he turned to an old friend to navigate through it: books. "To understand what it is to overcome, what it is to get through a challenge, what's needed — and a lot of the time what's needed is knowledge." TACKLE THE CHALLENGES AND GET BACK IN THE DAMN GAME 23 years later, Sid was still shaken by that train accident — and his own decision to run away. "I had to live with that for a long time," he admits. "I knew I ran away from something massive that could have helped her out. I was just too scared. But about a year ago, I thought: 'I have to face up to this'." So he located his former friend and reached out to her on social media, laying down the emotional apology that had been such a long time coming. "I was in tears…it was heavy," Sid says. "That was a fear I had to overcome by literally confronting it…having to just man-up and be emotional and apologise." Like the big cats he spray paints on his walls, Sid was finally fierce in approaching the situation, and moved forward regardless of harboured fears. And in doing so, he not only opened up a positive new relationship with his old friend, but a newfound positive relationship with his art. Sid's back doing the graffiti thing again — only this time around, it's in a much more holistic (and completely legal) capacity. Working on both commissions and his own pieces, his striking large-scale murals grace walls across Sydney, from the skate park at Bondi Beach to countless buildings in Stanmore, Camperdown, Newtown and the inner west. His lettering and illustration work is equal parts mind-blowing and mindful. He's a highly sought-after, full-time working artist now, running the odd class with Work-Shop and the Museum of Contemporary Art, and working with Marrickville Council's 'Perfect Match' program pairing residents with street artists. All those setbacks? Turns out he didn't let them set him back at all. "I love that I'm able to get what I do and bless people with it. I want to put something out that's going to inspire, or encourage… spark a little bit of wow in someone's life." Want to experience a little bit of 'Sine Metu' yourself? Thanks to Jameson and The Rewriters, one extremely fortunate Concrete Playground reader (and their even more fortunate mate) will get the chance to 'fear less' and go on a big ol' adventure to Ireland. In addition to two return flights departing from your choice of Sydney, Melbourne or Brisbane, this epic giveaway comes with five night's accommodation and $500 spending money you can use to paint the Emerald Isle red. ENTER HERE. For more about how 'Sine Metu' influenced John Jameson's journey visit Jameson's website. Images: Sid Tapia.
Authentic Nordic cuisine isn't easy to come by in Brisbane; however the city's first Norwegian-inspired eatery wants to put an end to that. In fact, Lokal + Co has the market cornered. No, Ikea's Swedish cafeteria food doesn't count as competition. Of course, a sunny spot in West End probably isn't the kind of location you'd expect to serve up gingerbread waffles with chocolate hazelnut sauce, house-cured gravlax with rye soldiers, or Danish open rye sandwiches with sardines. Closing your eyes, biting into anything on the menu, and pretending you're on the other side of the globe is completely acceptable. So is soaking up the minimalist vibe, which brings a Scandinavian look to an airy split Queenslander. Well, that's what the inside looks like, at least. If you're pulling up a chair outdoors on the deck, expect the next best thing to the traditional Aussie backyard (yep, we're talking about astroturf aplenty). The mix of Norwegian and Australian elements stems from the venue's owners, with Helge Olsen hailing from the former, Corey Thom calling the latter home. The chef duo boast seven years cooking up a storm at Cicada before branching out on their own. And when their liquor license is approved, the cafe intends to extend that blend to their booze lineup too. Nordic beer, anyone? Find Lokal + Co at 6 O'Connell Street, West End. Visit their website and Facebook page for more information.
In what's shaping up to be a booming year for long-awaited Brisbane sites finally coming to fruition, James Street's The Calile is set to open its doors in September. When it does, New Farm won't just gain a shiny new seven-storey 178-room hotel complete with a huge pool and adjacent cabanas — it'll also welcome a slate of fresh food and beverage options, including on-site eateries and a boutique dining precinct. With The Calile complex itself, Brisbane will become home to its first Hellenika Greek restaurant, with the Gold Coast favourite finally expanding up north. Set to launch in tandem with the hotel, it'll nestle into a 600-square-metre space on the pool deck level, offering access both internally and through James Street. As well as serving up an array of huge banquets, seafood and overflowing spanakopita, among other dishes, patrons can expect a greenery-filled patio and cabana dining after hours. Next door — well, in the area between The Calile and the existing Pottery Barn on Wandoo Street — Ada Lane will become New Farm's new bar and eatery-filled micro-precinct. Five yet-to-be-revealed establishments will fill the laneway from late 2018, with the site decked out in white brick, natural stone and plenty of greenery. Ada Lane will lead into the hotel's street-level retail zone, which will feature 12 fashion and design outfits such as Dion Lee, Bassike, Venroy, Bec & Bridge and Dutch Love Stories. The Calile, Hellenika and Ada Lane are set to open on James, Doggett and Wandoo streets, Fortitude Valley from September 2018. For more information, keep an eye on the hotel's website.
We're all up in cat cafes. We've lined up for cat video film festivals. Now your insatiable need for quality feline time without actually owning one has reached peak internet-happy headline — a new London start-up is planning to open the world's first ever cat cinema. Yep. Cat cinema. Great Kitten — possibly the most puntastic business name since Thai Tanic — is the grand crowdfunding project of mid-20s legends Paula Siedlecka and William Piper. Not only a cinema where you can cuddle up to a cat while taking in a film (really) but also as cafe and cat shelter (slam dunk), Great Kitten is looking for dosh on IndieGoGo to fund the idea you wish you came up with first. The goal is £120,000 (about $235,646), which seems pretty achievable with the amount of crazy cat lovers online. They're looking for a spot in Crouch End in London, hoping to deck it out like a wintry log cabin — fireplaces, hot cuppas and all. "Working in London for 18 months, we saw first hand the demand for constant innovation within London's entertainment scene," say Siedlecka and Piper on their IndieGoGo page. "As animal lovers with a flair for business, seeing the global popularity of Cat Cafes got us thinking — how could we add a twist to an already successful concept? Simple — we add a cinema." Now you won't have to cry all over your date through Infinitely Polar Bear. So what can you expect to be watching with your furry armrest? According to their IGG page, Great Kitten will be screening around ten films every week. While exact titles haven't been confirmed, it's not going to be all cat-themed, but sure, we're hoping some feline-inspired movies first-up — definitely The Aristocats, perhaps Catwoman, probably not Pet Sematary. Ticket prices have been set at $19 to $24 and you'll get to book in a one or two hour-long snuggle with one of the shelter's more people-friendly resident kits. One-hour cat-patting tickets will cost around $9 to $11 , and two-hour slots about $15 to $19. Sure, it sounds a tad brothelly, but these are rescue cats getting much-needed pats. Great Kitten isn't just a novelty trend concept though. The team are planning to invite children and adults who struggle with mental health issues (such as depression and anxiety), physical disabilities or life-threatening illnesses, for all-expenses-paid cinematic cat cuddle sessions and cakes and tea and all round loveliness. Very cool. Throw Great Kitten some dosh over here. Image: The Shiznit — Antonio Banderas stages 'special screening' for Puss in Boots at Montreal's 2014 International Cat Film Festival. Hopefully what you can expect from Great Kitten, Banderas included.
Enjoy a breakfast of champions at whatever hour you please, courtesy of Australia's first ever cereal cafe. Opening its doors in Melbourne in just over a week, this pop-up snack hub will be serving all your childhood and/or late-night share house favourites, including Froot Loops, Coco Pops and Kellogg’s Crunchy Nut. Launching February 12, Cereal Anytime is the latest temporary tenant of Richmond’s year-long food and retail precinct, Swan Street Chamber of Commerce. Supposedly, the aim of the cafe is “educating people on foods in moderation”, which might get tricky given the sugar content of what they serve. Perhaps a limit of one bowl of Frosted Flakes per customer? The cafe will operate via a “pay-it-forward” payment system. Upon entry, diners simply peel a Post-it note off the wall, which they can then use to pay for their bowl of cereal. The Post-its can be replenished for $4 a pop, ensuring that those who are a little less fortunate don’t miss out. A recent cereal cafe that opened in London served over 120 different kinds of cereal, 13 milks and more than 20 additional toppings, so our iteration has something of a reputation to live up to. It sparked huge demand, followed by something of a culture war when some very practical types balked at paying £3.50 for flakes out of a box. Melbourne's version, with its element of feelgoodery, should sidestep that issue. Hungry members of the public can help decide the cafe’s final menu and gain entry on day one (February 12) via a ballot on their Cereal Anytime Facebook page.
Wondering what to say when you step inside Brisbane's new mini-golf bar? At Holey Moley Gold Club, it really is all there in the name. And, as awesome as the concept of having some drinks, donning a visor, hitting the indoor greens and taking a few swings on pop culture-themed holes sounds, the reality is even better (and weirder). Entering Holey Moley is like entering an alcohol-fuelled indoor amusement park for adults, even if the building it's in — a former church — makes that quite the surreal experience. So does the angel statue decked out with golf clubs, the pink-lit neon sign declaring "I like big putts and I cannot lie", and the twirling giant disco ball hanging in the centre of the venue, which visitors familiar to the site's many previous watering holes and live music spaces will recognise. Of course, with the right wall taken up by a stocked bar, it's obvious that this is a drink-focused spot with two nine-hole mini-golf courses inside, rather than a putting facility that happens to serve booze. Each hole has a six stroke maximum, however whether you decide to keep score is completely up to you — it's fun, rather than sports, that the venue wants to promote. Even taking a quick glance at the eighteen different holes on offer demonstrates that having a good time is the main aim here, unless you're scared of clowns and puppets, that is. Suspended from a frame and lurking on the ground, these vaudevillian creeps adorn the seventh stop on the ground level, which means anyone suffering from coulrophobia has plenty of time to work up the courage to play there. Beforehand, you'll hit your way through a beachy (fri)endless summer, enter a glow-in-the-dark space for three holes of luminous action, and play pinball and pool with a golf ball and club. Yes, really. Keeping with the arcade theme, a putting version of skeeball marks the end of the lower course — but don't worry, more holes await upstairs. That's where you'll show off your short game on a turntable, in a bathroom and a gym, and on a Twister board, to highlight just a selection of the standouts on the upper level. You'll also tap, tap, tap the ball into a Nintendo-focused hole that pays tribute to Super Mario and Donkey Kong, brave the Mad Putter's Tee Party, prove that you're obviously not a golfer at a bowling alley, and marvel at the glory of the nine-iron throne. You just know the latter is going to be mighty popular, particularly for selfies that'll clog up your Instagram feed. For something different between rounds, ping pong tables provide a break from the main action, as do a selection of old-school video games. Or, chew a couple of gum balls, grab a drink, and sit down and watch everyone else. In fact, the cocktail list is worth the trip alone, thanks to beverages like the Tee-quila Mocking Birdie (with Don Julio Blanco Tequila, Blue Curacao, sour mix and sugar syrup), Teeyonce Knowles (Pampero white rum, soda, fresh mint, limes and syrup) and Happy Gilmoreo (Chambord raspberry liqueur, Smirnoff Red vodka, Baileys, milk, chocolate sauce, crushed Oreos and whipped cream). Yep, we're calling it: Holey Moley is about to become everyone's favourite new hangout. Holey Moley Golf Club opens on September 29 at 25 Warner Street, Fortitude Valley. For more information, check out their website and Facebook page.
Australia's boutique camping festival descends on the small NSW town of Berry each December, taking over the local showgrounds with two days of stellar global and local musicians. The annual music, food and art festival somehow feels like a country weekend fete, but it's also where you'll catch a surprising number of big-name acts. This year one of Brit Pop's leading troublemakers, Liam Gallagher, sits at the top of the bill, followed by Triple J faves DMA's, Meg Mac, Hatchie, Dope Lemon and Julia Jacklin. But Fairgrounds isn't just about the tunes. Sydney-based vintage market host Dear Pluto has brought together over 20 different stalls of makers and collectors on the Saturday (11am–10.30pm), there's a vinyl record fair (also on Saturday) and Games on the Green with tug-of-war and egg-and-spoon races. Plus, the festival arranges for free use of the local swimming pool every evening until 7pm. And Jervis Bay's award-winning Paperbark restaurant is back with its popular pop-up — expect housemade ice creams, locally sourced seafood, flatbreads and dips, as well as spiced berries. See the full music lineup below. FAIRGROUNDS 2019 LINEUP Liam Gallagher Dope Lemon Meg Mac DMA's Julia Jacklin Kasey Chambers Hatchie The Babe Rainbow Fritz The Lazy Eyes The Buoys Nilüfer Yanya 100 Clews The Lemonheads Stevan Images: Ian Laidlaw and Gabriel Vallido.
You can tell a whole lot about this globe of ours from the movies. You probably shouldn't, though — or you shouldn't take it too seriously, at least. The Feed's Marc Fennell both does and doesn't — sure, he's written an armchair guide to Earth as projected on cinema screens, but he's obviously done so with a sense of humour. Questions such as "which nation is best equipped to survive an apocalypse?" and "which fictional country links Predator, Commando and Die Hard?" give that away, and we expect that hearing Fennell offer up the answers will be just as amusing. This event is one of our five picks for Brisbane Writers Festival. Check out the whole list. Image: SBS.
The folks behind profit-for-purpose eateries Gratia and Folonomo have come up with a brand new way for you to give to charity. And it's dead easy. All you have to do is shop online — in your regular fashion, at your favourite stores — and, with every purchase, a percentage goes straight to a not-for-profit of your choice. To make it happen, simply download the free Folo browser extension, which takes about 30 seconds. In case you're wondering, this miracle doesn't cost you (or your nominated charity) a cent. In fact, it's the retailers' pockets that cover your donations. "It works according to a cash back system," explains Folo's Jaimee Abict. "A percentage of what the user spends online goes into their Folo account. This money accumulates and, once a year, the user decides to keep it or give it away." More than 700 retailers are already on-board. These include big names like Expedia, Dan Murphy's, Eurocar, Woolworths, Coles, The Iconic and Sephora. And, later in the year, the Folo team plans to roll out across the US, where the online shopping industry is worth around $300 billion annually. "Folo has the potential to solve the age-old problem of regular fundraising. And its scale can't be overstated," Abict says. "500 users spending $95 a month would raise more than $30,000 in a year. Beyond that, the numbers get ridiculous. A million users could raise over $60 million per year." Users get to choose from hundreds of charities, including large organisations, like Medecins sans Frontieres, the Australian Red Cross and St Vincent de Paul, as well as smaller ones, such as the Australian Breastfeeding Association, Interchange Inner East and the Victorian Deaf Society. If you can't make up your mind, you can opt to support a cause, like climate change, indigenous equality or global education.
Hosting 24 events is nothing to be sneezed at. Hosting 24 evenings dedicated to the more artistic and experimental side of the music spectrum definitely isn't. Yes, MONO is back for the 24th time, and this time it's celebrating Terre Thaemlitz. From 7pm on April 13, the Institute of Modern Art will play host to the producer, writer, public speaker, educator, audio remixer, DJ, record label owner and more, who is also known by the name DJ Sprinkles. Thaemlitz will continue to take a look at identity politics and the commerce of media — her continued topics of fascination — in one of MONO's most anticipated performances.
Hitting New Zealand for the weekend isn't as much of a faraway adventure as it seems — the flight's just over three hours from Sydney, Melbourne or Brisbane. That's almost similar to visiting Canberra or Byron, and there's better wine at the end. And if you're looking for a holiday that ticks multiple boxes, Nelson is a strong choice. An easy 35 minute flight from Wellington, Nelson is one of New Zealand's genuine all-rounders, with a bustling city centre, beautiful breezy seaside and those iconic misty mountains. Outdoorsy types can head for the Abel Tasman National Park, art lovers can find multi-million dollar collections and local galleries in one place, and if you're an enthusiast in the food and wine game, you'll have a hard time leaving. Take Friday off and spend 72 hours in one of New Zealand's most creative cities — heck, check out our Weekender's Guide to Wellington and make a double header of it. EAT/DRINK If you're a wine lover, you'd better get yourself to Nelson quicksmart. There are no less than 28 wineries in the region, all nestled amongst the kind of insanely beautiful rolling hills you'd expect in a world class NZ wine region. Take an easy drive out to Mahana, formerly Woollaston Estates, one of the region's best organic wineries with one of the prettiest cellar doors in the country. Run by vagabond winemaker Michael Glover, Mahana isn't your textbook winery — and they've got the next-level contemporary art collection to prove it. Sculptures, paintings and installations from countless famed Nelson artists are dotted through the cellar door and grounds. Come hungry, because Mahana boasts one of the best restaurants in the region, run by executive chef Alistair Forster. Picture yourself hoeing into a Mahana Riesling poached pear tart with pesto popcorn on the patio overlooking the vineyard across to Tasman Bay and the Southern Alps. Classic Instagram fodder. Got a hankering for good ol' fish and chips? Let's take a little drive to Mapua, a gorgeous little seaside town where a cluster of local businesses draw quite the weekend crowd. Visit The Smokehouse for award-winning fish and chips, taste crisp craft beer from brewpub Golden Bear Brewery, have a hearty lunch at longtime Nelson favourite The Apple Shed, and stock up on local artisan cheese, meats and other yummo things at KETE deli. Back in town, Nelson's got some serious restaurant game. If you're looking for the one restaurant everyone Instagrams, head for The Boatshed, open for breakfast, lunch and dinner, seven days a week. After more hearty New Zealand seafood fare? Head for the Cod & Lobster on Trafalgar Street in town. Established by Nelson couple Nick and Kymberley Widley in 2015, this multi-storey brasserie focuses on fresh regional produce with a daily changing menu. DO Saturday mornings in Nelson mean markets. Pay a visit to the Nelson Market, a bustling smorgasbord of local food, art, sculpture, jewellery, design and fresh, regional, seasonal and organic produce over 200 stalls. It's the perfect place to get a handle of Nelson's local food scene, as you'll find a lot of these products on menus and in stores across the city. Be sure to pick up a jar of Pic's peanut butter from the stall — America wishes this product was closer. Head into a rather unassuming jewellery shop on the edge of the town centre, on a quest to find the One Ring to rule them all. Jens Hansen gold and silversmith has been a Nelson treasure for decades, then Peter Jackson tasked them with making the One Ring from The Lord of the Rings and they quickly became a hallowed stop on the LOTR fan crawl. The gold and silversmith made around 40 rings for the production, including a giant ring for close-ups. They sadly didn't get one ring back from the LOTR crew (come on, Jackson) but still sell at least one a day — you can watch on their website. [caption id="attachment_576573" align="alignnone" width="1280"] RED Gallery.[/caption] If you're an art and design lover, Nelson's got plenty for you. There are over 200 working artists in the city, from modernist ceramicists to abstract expressionist painters. Time your visit with the Nelson Arts Festival, Nelson Fringe Festival or make a trip to the World of WearableArt and Classic Cars Museum — the annual Wearable Art Awards began near Nelson after all. Drop into RED Gallery on Bridge Street, run by Caroline Marshall and Sarah Sharp, for a coffee and a peruse of the region's best local art and design — perfect for non-tacky-fridge-magnet souvenirs. Outdoorsy types will have trouble fitting everything on a trip to Nelson. Surrounded by insanely beautiful mountains, lakes, forests and meadows, Nelson has all your mountain biking, kayaking, paddleboarding, surfing etc. etc. needs covered in one epic spot. If you're a camper or hiker, you probably already know the name Abel Tasman National Park, but if you haven't, consider this one for the bucket list. Sitting just an hour and 20 minute drive from Nelson, the park is a heaving natural cornucopia of activities, from overnight hikes to paddleboarding day trips, kayaking adventures to easy breezy picnic spots. If you don't have enough time to get to the park, you can always go paddleboarding right in Nelson or easy bike riding from Mapua (above). [caption id="attachment_576577" align="alignnone" width="1280"] Mahana Villa.[/caption] STAY Whether you're after a stunning seaside B&B by the bay, a cosy Coventry cottage, or an easy motel/motor lodge, Nelson's home to a host of accommodation to suit all budgets. We snuggled into our own little lodge at the Grand Mecure Nelson Monaco Apartments, which is like a little English village on the outskirts of town. If you're the type who likes to curl up beside your own personal fireplace watching a terrible late night movie with a big cuppa, this place is for you. Looking for a truly local, luxurious stay? Nelson has a handful of genuinely stunning B&Bs worth spending a little more on. There's Te Puna Wai Lodge, and The Wheelhouse Inn and Captain's Quarters, but we'd pick Wakefield Quay House, run by larger-than-life pair Woodi and Johnny. They were married at the Nelson lighthouse, so can spin you quite a few yarns about the area. Woodi's one of the biggest characters around; she'll sit you down for a wine, some local cheese and ocean trout and while the sunset away with fantastically woven tales. If you're a high roller and you're looking to stay in something worth more than your HECS debt ten times over? Mahana Villa. To put this place's importance in context, Charles and Camilla had this place on their itinerary for Nelson. It's an epic Pacific modernist palace sitting at the apex of the 25 hectare Mahana Vineyard, with four private ensuite rooms in the owner's house and two in the Loft. But the real drawcard of the villa? It's home to a multi-million dollar art collection that we can't believe you're allowed to bunk in with. Seriously, you'll be hanging out with some of the country's most impressive modern art while you're watching TV, cooking or doing yoga on the balcony. Just don't touch anything. LET'S DO THIS, HOW DO I GET THERE? Flights to Wellington from Sydney, Melbourne and Brisbane are super short — around 3.5 hours on average. Jetstar have just launched a direct route from Melbourne to Wellington (from $159) and Queenslanders can fly direct from the Gold Coast (from $169). Air New Zealand fly direct from Sydney, Melbourne and Brisbane to Wellington (from $297). From Wellington, flights to Nelson from on Jetstar and Air Nelson can go for as little as $55 (or there are indirect flights from Melbourne or the Gold Coast from around $170), just check the website for some sweet cheap deals. Shannon Connellan travelled as a guest of Nelson Tourism. All images SC unless otherwise specified. Want to make it a week? Check out our Weekender's Guide to Wellington and make a real NZ holiday of it.
If you missed having your heart broken and lovingly repaired again and again this past winter by Sufjan Stevens, you're in luck. The Michigan-born songwriter is returning to Australia, announcing a huge national tour playing tunes from from his 2015 album, Carrie & Lowell as well as selections across his dreamy, dreamy back catalogue. Bringing a full band and an immersive lighting production, Stevens will be celebrating ten years since Illinois and five from his Age of Adz, so expect quite a few throwbacks between the album that made us cry every last salty, salty tear in our bodies this year, Carrie & Lowell. Tickets are on sale now. If you're not on it, you're probably an emotionless stone. SUFJAN STEVENS 2016 AUSTRALIAN TOUR Monday 22 February — State Theatre, Sydney. Tickets available via www.ticketmaster.com.au. Friday 26 February — Hamer Hall – Melbourne, Tickets available via www.artscentremelbourne.com.au. Wednesday 2 March — Red Hill Auditorium, Perth. Tickets available via www.oztix.com.au. Friday 4 March — QPAC Concert Hall, Brisbane. Tickets available via www.qpac.com.au.
How Kevin Hart's never made it to Australia for a stand-up tour before is beyond us (apart from a one-off set at Sydney's Comedy Store), but the celebrated US comedian is about to rectify that. Off the back of an epic US arena tour, Hart will bring his What Now? tour to Australia this February. Hitting Perth, Brisbane, Melbourne and Sydney from Wednesday February 3, Hart will take over some of our biggest venues for a four-date run of shows. Both a stand-up veteran and a comedy film actor you might have seen Hart in Get Hard opposite Will Farrell, Little Fockers, Death at a Funeral, Fool’s Gold, Soul Plane, the Chris Rock-directed Top Five, or getting coffee in a car with Jerry Seinfeld. He's also starring in Ride Along 2, but Australia hasn't seen that sequel just yet. But Hart's going back to his roots with this tour. The 36-year-old really got his start while sizing men and women for footwear, when he performed at an amateur night in Philadelphia, subsequently quitting his job and ending up as a regular at lauded joints like The Boston Club, Caroline’s, The Laugh Factory, and The Comedy Store in Los Angeles. His 2011 Laugh at My Pain tour hit it out of the ballpark — in February 2011 he sold out LA's hallowed Nokia Theater for two nights in a row, breaking the record previously set by the great Eddie Murphy. KEVIN HART WHAT NOW? AUSTRALIAN TOUR: Wednesday, February 3 — Perth Arena, Perth Friday, February 5 — Rod Laver Arena, Melbourne Staurday, February 6 — Brisbane Entertainment Centre, Brisbane Sunday, February 7 — Allphones Arena, Sydney Tickets on sale 10am Friday, September 4. My Live Nation and ticket agent presale starts 2pm September 2 until 5pm September 3. For more info, head over here. "Comedians in Cars Getting Coffee" Kevin Hart from Peter Holmes on Vimeo.
Cities make possible the suspension of night and day. With enough neon and insomnia at our disposal, we can turn them into places where we can do anything we want, whenever we want. In New York City, for example, you can shop for nuts and bolts, stalk your crush with a nocturnal flower delivery, nab the latest smartphone and spruce up your hairdo 24/7. Like Simone Beauvoir wrote, “There is something in the New York air that makes sleep useless.” The big question is, now that we have this potential at our fingertips, what should we do with it? To what extent does a cosmopolitan city depend on infinite opening hours? Many laud the energy, excitement, romanticism and economic benefits of the 24-hour metropolis. Marion Roberts, a professor of urban design at the University of Westminster, concludes that it “generates more jobs, activities and social solidarities”. Others fret about excessive alcohol consumption, noise pollution and the next generation turning into a horde of sleep-deprived, hedonistic narcissists. With the one-year anniversary of Sydney’s controversial lockout laws looming over us, we take a look at how much napping is happening (or not) in some of the world’s best cities, and how essential it is their success on the world stage. WHERE NIGHTLIFE IS A RELIGION BERLIN In Germany, closing times are determined by each town or city. For Berlin, this means there’s no such thing as last call. Bars decide on their hours independently, with oodles of them operating according to the ebb-and-flow of demand, and a bunch of
A few months after Tropfest's near-death experience, founder John Polson has gone into greater detail on the alleged "financial mismanagement" that almost led to the festival's downfall. Appearing on triple j's Hack with Tom Tilley, Polson spoke about the moment when he first found out about the event's economic woes, and appeared to imply that blame lay at the feet of his business partner, Tropfest managing director Michael Laverty. "We raised well over a million dollars towards Tropfest last year and I got an email in early November saying we had not enough money to move forward with the event," Polson said on the Thursday, February 12 radio show. "It was obviously an incredible shock and a devastating blow." Polson claims to have documents proving the financial mismanagement, but declined to share them due to his impending court case against Laverty's company. "I don't believe Michael Laverty did the cliche thing of going off and spending it in the Bahamas but clearly something went wrong," he said. "There was massive, massive financial mismanagement that went down with this event and it's terrible and I'm trying to fix it." Tropfest was thrown a lifeline in December when CGU insurance stepped in to fund this year's festival, which will take place this Sunday in Sydney's centennial gardens. Polson is currently working on plans to secure the festival's long term future, and recently launched a crowdfunding campaign which has a week left to reach its $100,000 target. Polson also spoke about Hollywood star Mel Gibson, who was this week announced as a Tropfest judge alongside actors Simon Baker and Rebecca Gibney, director Jocelyn Moorhouse and cinematographer Don McAlpine. The news raised some eyebrows, given Gibson's unfortunate habit of saying appalling things whenever he's near a microphone. Nevertheless, Polson defended the choice, calling Gibson "an Australian icon." "As a 15-year-old in 1980 I went to see Mad Max and watched it three or four times over," said Polson. "What's happened to him in the last few years you'd have to ask him about." Via Hack. Image: Tropfest.
Why make one drink when you can make ten? Batched cocktails have grown significantly in popularity across the cocktail world. They're a great, easy option for the amateur bartender — particularly useful when you're hosting a party, because you're not going to be stuck behind the bar all night mixing drinks if you plan ahead. You'd expect that bartenders would turn up their nose at a pre-mixed cocktail, but the trend has caught on in multiple Australasian venues — it turns out they love pre-mixing too. One of the main reasons why is that it's much more practical for bartender and consumer. They don't have to spend 15 minutes mixing and muddling up a complex cocktail, and you don't have to wait. Cocktail ingredients are pre-prepared (bars usually pre-mix cocktails two to three hours before opening), and the ingredients in the drink are left to infuse. When you're using gin, this means there's enough time for botanicals to infuse with the other ingredients, and richer, bolder flavours appear. In partnership with Bombay Sapphire, we asked Sean Forsyth (the Bombay Sapphire Australian ambassador) to show us how to mix up a big batch of Coffee Negronis — literally just the Negroni cocktail you know and love with cold-drip coffee added. Like a Negroni, coffee is sweet, bitter and complex — so it's the perfect ingredient to complement and spice up this famous gin cocktail. Get your hands on some cold-drip and you've got yourself a breakfast-appropriate cocktail. "If you walk into a bar and they don't know how to make a Negroni, leave," Forsyth says. He's right. To make a Negroni you just need to know how to mix gin, vermouth and Campari — it's easy. To make a batch of Coffee Negronis, you need water, a one-litre measuring jug, a funnel and a one-litre glass bottle instead of a shaker. It's getting much, much easier to make good cocktails. THE COFFEE NEGRONI (Serves 10) Ingredients: 250ml Bombay Sapphire 200ml Martini Rosso 200ml Campari 100ml cold drip espresso 250ml water 1 litre sealable glass bottle Method: Using a funnel and a one-litre measuring jug, build ingredients into a clean one-litre glass bottle Shake and add into the freezer one hour before service Pour into rocks glass filled with cubed ice Garnish with an orange slice Images: Kimberley Low.
If you're a fan of author, comedian and NPR humorist David Sedaris, then you'll know that he's a frequent visitor Down Under. Missed him on his last trip in 2023? 2025 is your next chance to experience his snappy wit, as well as his discerning and astute ability to observe life's moments — both trivial and extraordinary — in both an observational and unique way. This will be Sedaris' seventh trip Down Under, spanning stops in both Australia and New Zealand — in Auckland, Canberra, Perth, Adelaide, Melbourne, Sydney and Brisbane — across January and February. If you haven't seen Sedaris live before, his shows are part of the reason that he's built up such a following. Onstage, he regularly weaves in new and unpublished material, too — and the satirist will throw it over to the crowd for a Q&A as well, and also sign copies of his books. Sedaris has more than a few tomes to his name, so you have options for him to scribble on, including Happy-Go-Lucky, Calypso, Theft by Finding, Let's Explore Diabetes with Owls, Squirrel Seeks Chipmunk, When You Are Engulfed in Flames, Dress Your Family in Corduroy and Denim, Me Talk Pretty One Day, Holidays on Ice, Naked and Barrel Fever. [caption id="attachment_862850" align="alignnone" width="1920"] Anne Fishbein[/caption] Sedaris is equally celebrated for his constant This American Life appearances and must-read pieces in The New Yorker, and boasts everything from the Terry Southern Prize for Humor and Jonathan Swift International Literature Prize for Satire and Humor to the Time Humorist of the Year Award among his accolades. If you've been searching for a supportive environment to use the phrase "how very droll", this is it. [caption id="attachment_862851" align="alignnone" width="1920"] Prudence Upton[/caption] An Evening with David Sedaris 2025 Australia and New Zealand Tour Dates: Friday, January 31 — Auckland Town Hall, Auckland Saturday, February 1 — Canberra Theatre Centre, Canberra Sunday, February 2 — Regal Theatre, Perth Tuesday, February 4 — Norwood Concert Hall, Adelaide Thursday,February 6–Friday, February 7 — Arts Centre Melbourne, Melbourne Saturday, February 8 — Newcastle City Hall, Newcastle Tuesday, February 11 — Sydney Opera House, Sydney Thursday, February 13 — Brisbane Powerhouse, Brisbane David Sedaris is touring Australia and New Zealand in January and February 2025. For more information, or for general ticket sales from 9am on Thursday, June 27, 2024, head to the tour website. Top image: Anne Fishbein.
In huge news for the Australian music industry and fans alike, US music events giant Live Nation has announced it's snapped up a controlling stake in Secret Sounds Group — the organisation behind both Falls Festival and Splendour in the Grass, run by Jess Ducruo and Paul Piticco. This 51 percent stake marks the first Aussie acquisition for the enormous LA-based company, which already lays claim to over 80 global festivals, including Lollapalooza, Reading, Leeds, Bonnaroo, Austin City Limits, Governor's Ball, Electric Daisy Carnival, and Rock Werchter. According to Music Business Worldwide, the deal excludes Secret Sounds Group-owned record labels Dew Process and Create Control, and Dew Process Publishing. Helmed by Michael Rapino, Live Nation has been buying up especially big in the music biz of late, with France's Nous Productions, South Africa's Big Concerts, and a majority stake in Tennessee's AC Entertainment just some of the 2016 additions to its ever-bulging portfolio. Nine months into this year, the group had already forked out a cool $113.1 million on net acquisitions. "Splendour in the Grass and Falls are the two most iconic festivals in Australia," said Rapino in a statement announcing the deal. "Jess and Paul have created events that attract the biggest artists in the world but still feel uniquely Australian. We look forward to partnering with them to find new ways to grow our live event footprint across Australia." Secret Sounds co-CEOs Ducrou and Piticco echoed the sentiment in their statement. "We started Secret Sounds with the sole mission of introducing Australians to the best artists, events and music possible, and Live Nation is the perfect partner to help us take this goal to the next level. With their support we can continue to curate the lineups that fans love, while also experimenting with new exciting ways for fans to experience live music." That such a big global player is now shouldering in on the Aussie festival scene and in control of two of our most prominent music events, could spell dramatic changes ahead. Via Pedestrian and Music Business Worldwide. Image: Splendour/Bianca Holderness. Home page image: A. Catt.
Each of Australia's capital cities has a different shtick. Melbourne's just happens to be a 24-hour culture — or, at least, the closest Australia has to it. It's got all-night public transport on weekends, late-night opening hours for the National Gallery of Victoria's new Triennial and the city's White Night festival will return for its annual all-nighter in 2018. If you haven't been down to White Night before, here's how it works. From 7pm, much of Melbourne's CBD is closed to cars. From then on, the streets give way to pedestrians, who are free to wander between temporary installations, live music and on-street projections — as well as in and out of galleries and cultural institutions — up until the sun comes up at 7am the next day. It's the Australian version of Nuit Blanche, which was founded in France in the 80s. Next year's festival — which will shut down the city for 12 hours on the evening of Saturday, February 17 — features work from a tonne of both local and international artists. Expect to see neon pups, two Burning Man installations and one laneway covered in snow. There are far too many works to list, but here are a few highlights you'll want to look out for. A giant shimming silver net that will hover above Federation Square for White Night (and two weeks afterwards). Drag queens singing from balconies above Collins Street. A laneway filled with virtual neon 'dogs' and another filled with falling 'snow'. A tree that lets you write temporary messages on it with the light from your phone Two installations straight from Burning Man: a fire-breathing serpent outside Melbourne Museum and a giant mechanical insect that doubles at a DJ booth. Mini gigs performed from multiple balconies above Swanston Street. A 360-degree dome in Alexandra Gardens that will feature mesmerising projections. Stories from Australian detention centres projected onto the NGV's façade. White Night will also head out to Victoria's regional centres. It will return to Ballarat on March 17 for a second year, and will take to the streets of Bendigo and Geelong for the first time later in 2018.
This holiday season, there's only one decoration we want hanging from our Christmas tree. It's the latest absurd dessert from the team at Gelato Messina, who so far this year have created ice cream cigars, ice cream hamburgers and an ice cream inspired by an air freshener. Available just in time for a yuletide family feed, Messina's 2015 Christmas cake combines the tastes of gingerbread, pear and chocolate. With flavours that smooth, it's no wonder they called it the Michael Baulble. The limited edition dessert, which can be ordered now until December 22 through the Gelato Messina website, consists of burnt butter and gingerbread gelato with pear mouse and fruit mince florentine, enclosed in a chocolate dome and dusted with gold powder. It also comes with vanilla brandy custard, which should be warmed and applied generously before eating. The Michael Baulble costs $90 and can be picked up from select Messina stores in Sydney (Roseberry, Miranda and Parramatta), Melbourne (Fitzroy) and Queensland (Coolangatta). According to Messina it feeds 16 people, although let's be real here: there's no way you're sharing it with that many people. Sure, Christmas is the time for giving and all that, but everyone has their limits. https://www.youtube.com/watch?time_continue=6&v=SUp6tmSbQN0 To order your own Michael Baulble, visit the Gelato Messina website. Via Good Food.
The two-kilometre coastal walk between Bondi and Tamarama is always a stunning Sydney sight no matter when you mosey along it — and for locals and tourists alike — but it's especially impressive during Sculpture by the Sea. Once a year since 1997, except during the pandemic's early days, the outdoor art event displays large-scale pieces with the ocean as a backdrop. Understandably, it isn't just one of the annual highlights of Sydney's cultural calendar, but of Australia's. That excuse to soak up the great outdoors in the Harbour City returns again in 2023, from Friday, October 20–Monday, November 6. On the agenda once more: 100-plus artworks by Australian and international sculptors, all along a two-kilometre walk. But this is the 25th Sculpture by the Sea, so it's celebrating notching up that milestone with pieces by artists who displayed at the event back at its beginning. Paul Bacon, Stephen King, Michael Le Grand, John Petrie, James Rogers and Margarita Sampson earn those honours, bookending a quarter-century run. [caption id="attachment_911393" align="alignnone" width="1920"] Artist: Nigel Washington. Photo: Jack Bett.[/caption] Sculpture by the Sea 2023 also features works by Philip Spelman and Ron Gomboc, who reach double decades displaying at the event; Lucy Barker and Ayako Saito, who hit a decade; and Chinese artist Chen Wenling. Discovering exactly who'll be showing what and where is part of the fun of taking the spring stroll, but this year's event clearly won't be short on talent. Another huge must-see: the return of 2006's famous melting ice cream van, aka Hot with a Chance of a Late Storm by Glue Society + James Dive, which will display at Tamarama Beach. As always, the exhibition is set to draw a crowd. Each year, Sculpture by the Sea attracts approximately 450,000 visitors over 18 days, with the same number of art lovers expected this time around. [caption id="attachment_922730" align="alignnone" width="1920"] Artist: Glue Society + James Dive. Photo: Louise Beaumont.[/caption]
The Finders Keepers Markets have become a staple for those who are into design, creativity and supporting local artists. Treat yourself to a stroll around the market – it has over 100 stalls featuring fashion, ceramics, jewellery and food – while drinking wine or sipping specialty coffee. Returning to Brisbane's The Old Museum for two days for the second time this year, you'll be able to nab some marvellous treats that are difficult to find anywhere else. The designer-centric, come-one-come-all mini-festival has managed to bridge the gap between local market and exclusive exhibition, creating a space for independent designers to engage with the wider community. This time around, keep an eye out for Felicity Cooney's leather sandals and bags, Ginny Reynders for beautiful silver jewellery, and Timber & Co. for interiors. As usual, there will be a healthy amount of food. Allpress Espresso will be there, as will Spotted Cow Cookies if you need a little treat. Finders Keepers will run over two days, Saturday, November 5 from 9am-4pm, and Sunday, November 6 from 9am-4pm. For more information and a full list of designers, visit their website.
Hair: we all have it, we all need to cut it. But for women in particular, it can also be a considerable drain on the bank balance, even if all you want is a simple trim. In Brisbane, that age-old problem is no more. A new addition to Bulimba, tucked behind Oxford Street’s bustling shopping and restaurant strip, Barber Girl offers women the solution they’ve been waiting for. As the name suggests, it’s a ladies-only cutting salon. Getting a haircut no longer cost a fortune or takes up an entire afternoon. No, you’re not dreaming. Barber Girl is the brainchild of owner Rachelle Pelecas, a veteran of the hairstyling trade at The Men’s Lounge Barber in Paddington. In her seven years running the Latrobe Terrace shop with her husband Steve, she routinely saw women seeking a cheaper, quicker alternative to the usual salon treatment. “We kept getting asked on a daily basis,” Pelecas advises. “I think women were getting a little disgruntled that there wasn’t something for them.” From that experience, an idea was born, and in January, it became a reality. Open from Tuesday to Saturday, Barber Girl offers a cut, dry and style package for all ages and styles, with no appointments necessary. “Do you accept walk-ins?” a customer asks while Concrete Playground is in the store. “We only accept walk-ins,” Pelecas answers with a smile. That policy sees cider-sipping patrons typically in and out of the shop with freshly dressed tresses in around half an hour, depending on how busy it is. Everything on the menu costs less than $50, regardless of how long your locks are, with a split enz menz, side shave or a blowdry even cheaper still. Amazingly, it’s the first place of its type in Australia — and, as Pelecas’s research has shown — possibly the world. “I haven’t seen anything like this anywhere else,” she explains, expanding that once she realised the demand was there, it was something she had to pursue. “It is something unique, something creative and something different,” she continues, and Barber Girl certainly looks the part. Everything in the store is custom-made, with much of it — the pipefittings under each sink, the wall shelving and the artwork, too – crafted by Pelecas herself. Other items, including the four pink barber’s chairs that draw the eye to the centre of the room, were modified specifically for the shop. As well as applying her talents to the interior design choices and putting her studies in fine arts to use, Pelecas was particular about the Bulimba location. An east-side local, she lives close by, worked on Oxford Street while she was at university and her brother-in-law owns George’s Barbershop around the corner. “Bulimba has such a community feel,” Pelecas notes. “This area is different in that there is more of a young presence.” Their clientele reflects the diversity of the suburb, catering for all demographics. “We’ve had a 75-year-old in here getting her first haircut for 25 years, then someone young and hip, then two-year-olds getting their first haircuts. In less than two months of trading, business has been booming, with word spreading around the city. “I’ve been quite surprised at how far some people are travelling to get here,” Pelecas advises. Those wanting a fast, affordable and flattering new hairstyle — i.e. everyone — best get in quick and join them. You'll be uploading pics of your new 'do to Instagram in no time. Find Barber Girl at Shop 9 Princess Street, Bulimba.
