Acai has to be one of the most mysterious of all the much-hyped superfood clan. What's all the fuss? Where did these things even come from? Why are all your friends ditching coffee to go out for 'a bowl'? In an effort to get answers to these Very Important Questions, we've gone to the masters. Ben Day and Sam Carson are the owners of Redlands' first ever organic superfood bar. Though each one of them cuts a pretty impressive physique, they don't have protein shakes to thank for their healthy glow. These two muscular men rely on a much more natural source — they call themselves the Acai Brothers. So, what is Acai? Acai (pronounced ah-sigh-ee) is a Brazilian superfood originating in the Amazon rainforest; an antioxidant-packed berry which can be consumed in various forms, but which according to the current trend is most frequently turned into an aesthetically pleasing and highly refreshing dish known as a 'bowl'. In this form, the acai is blended with ice and other clean ingredients to become the base layer of the dish, and is presented in a similar way to a dessert. Just search #acaibowl on Instagram and you'll get the gist (and a fairly strong craving to boot). Who eats acai? Nutrition is often seen as a woman's game, but thankfully that's gradually changing and the Acai Brothers are actively helping to break down that stereotype for their fellow blokes; they're two macho men, passionate about putting the right things into their bodies for continued good health, and even more passionate about practicing what they preach. "How about we open male minds a little bit?" says Sam. He says guys are slowing getting weened off their protein shakes and coming around. But it's not just gym junkies who should get on board. "Right now we've got a specific target market of gym-goers, business people, naturopaths, mums and little kids, but there's a big market of people who have no idea that eating healthily can be cheap, quick and highly beneficial," says Sam. "One of our main goals is to tap into that school market and educate young people about the benefits of eating superfoods ... It’s going to take time, like any movement." It's more than a fashion trend Taking this superfood to the next level means better educating young people. Ben and Sam are trying to cut through the hype and get kids to understand the actual benefits. Their long-term aim is to prove that eating superfoods is more than a passing fashion; it's a dietary choice. "Acai is tremendously beneficial to gut health, it assists the absorption of nutrients and aids the removal of fatty acids," says Sam. This little berry is spectacularly high in antioxidants and vitamins (packed with three times that of blueberries). It improves your immune system and helps prevent common ailments like colds and flu; when taken to the extreme and coupled with supergreens, acai can be a total powerhouse. It gives you energy and improves your mental focus. That's better than some superficial Insta-post. There are a bunch of ways to eat it Brisbane is currently the only location within Australia that boasts acai specialist cafes, so residents are spoilt for choice when it comes to beautifully-presented bowls. Kiss the Berry, Coco Bliss and Raw PawPaw are among the many vendors. But according to the boys, acai is also an easy product to introduce into your diet at home. Australian company Amazonia provides three options for acai consumption: frozen puree (for use in bowls and smoothies), freeze-dried powder (a great ingredient when you're making a batch of bliss balls) and freeze-dried capsules (the pop-in-your-mouth-and-go option). One quick trip to your local health food shop, or a few clicks online, and you're set. According to Ben, if you have a blender it couldn't be easier to put together a tasty bowl yourself. "No matter what you put on top, it tastes great. A guy recently requested avocado on his bowl, which was something different! We've got thousands of recipe ideas that we'll explore over time. We try to present something that looks incredibly appealing, bright and vibrant." First-timers can expect the texture of sorbet (it should never be runny, nor too thick), purple in colour, with a slightly tart, berry flavour. Toppings can include all manner of deliciousness: fruit, muesli, buckini, coconut, cacao, yoghurt or coyo, seeds, nuts and just about anything raw or dehydrated you can get your hands on. You can even add edible essential oils if you're feeling particularly brave and creative. For Sam, the ideal bowl consists of banana, kiwifruit and strawberry. For Ben, it's all about lemon, shredded coconut, goji berries, cacao nibs and gluten-free buckini which forms a great crumb. It's perfect for summer Sam and Ben opened their new superfood bar at just the right time; summer is here and we're all in need of something refreshing. Their drive to educate people about the advantages of acai is also timely, as our city's hunger for all things healthy is at an all-time high. Thankfully this is starting to catch on with guys too. The Acai Brothers claim they've seen a noticeable shift in the balance between male and female customers. It could be that their dude-led acai love is encouraging others to try something new. When all is said and done, it doesn't seem to matter how we consume it; the point is that we should all inject some acai into our diets. So go, explore, experiment and enjoy all the amazing-ness of the Amazon's finest fruit. And, if you happen to visit the Acai Brothers in the Redlands, tuck into a Raw Lemon bowl. It'll seriously rock your world. The Acai Brothers Superfood Bar is located at 683 Old Cleveland Road East, Wellington Point. Images courtesy of Rosie Greenaway, Amazonia, Breno Peck and eliduke and readandrewrite via photopin cc.
It tells of gold rushes, of brave and dusty new worlds, and of yellow frontiers stretching out beneath shimmering and inky blue skies; however, the true colour of the western is and always will be red. This isn't a genre for the faint-hearted, because it's a genre that spins stories about power and its brutal costs — power over the land and its Indigenous inhabitants; power-fuelled in-fighting among competing colonialists; and power exercised with zero regard for life, or typically for anyone who isn't white and male. It's a rich and resonant touch, then, to repeatedly dress Emily Blunt in crimson, pink and shades in-between in The English, 2022's best new TV western. She plays one instance of the show's namesakes, because the impact of the British spans far beyond just one person in this series — and the quest for revenge she's on in America's Old West is deeply tinted by bloodshed. In her first ongoing television role since 2005 — and following a varied array of big-screen parts in the last couple of years, including navigating theme park ride-inspired chaos in Jungle Cruise, monsters that pounce on every sound in A Quiet Place Part II and bad Irish accents in romance Wild Mountain Thyme — Blunt dons such eye-catching hues as Lady Cornelia Locke. With a mountain of baggage and cash in tow, she has just reached Kansas when The English begins, seeking vengeance against the man responsible for her son's death. But word of her aims precedes her to this remote outpost's racist hotelier (Ciarán Hinds, Belfast) and, with stagecoach driver (Toby Jones, The Wonder), he has own mission. That the aristocratic Englishwoman arrives to find her host torturing Pawnee cavalry scout Eli Whipp (Chaske Spencer, Blindspot) is telling: the plan is to blame her end on him. Before the first of this Prime Video miniseries' episodes ends — all six of which stream from Friday, November 11 — Cornelia and Eli have rescued each other and notched up a body count. She's still determined to get her retribution, he's trying to head home to Nebraska to claim land promised for his military service, and they're each endeavouring to find peace in their own ways. This isn't the genre for that to come easily, either, as stop after stop on their journeys makes clear. The bulk of The English takes place in 1890, but to survey the way that rampant and engrained imperialistic violence and dehumanisation — of First Nations Americans, and of women — leaves scars that linger, the series also jumps backwards 15 years, and takes a flashback trip to Cornelia's native London. Writer/director Hugo Blick (The Honourable Woman, Black Earth Rising, The Shadow Line) charts pain that bakes as unforgivingly as the frontier sun: massacres of Indigenous Americans and non-English-speaking settlers alike, the ruthless money- and power-first mentality to staking claims and seizing everything in view, and the dark hearts festering inside abhorrent men who can only hate what they refuse to spend time knowing. The English is a show of shootings, scalpings, stabbings and slaughter, and blood is an oh-so-frequent sight. But Blick also makes a compelling and compassionate series about two kindred souls fighting for what they hold dearest, and against the kinds of horrors that everyone should battle, no matter the cost to their own personal survival. The tone isn't quite as unrelenting bleak, and the setting is on the other side of the world, but Jennifer Kent's Australian masterpiece The Nightingale springs to mind — and The English doesn't suffer in the comparison. As the iconic spaghetti westerns of the 60s and 70s, exceptional TV series Deadwood, and recent big-screen period-set westerns like The Harder They Fall and The Power of the Dog have all shown, this genre also serves up a gallery of rogues living, dying, striving and thriving amid such inhospitable surroundings. The English is no different; when Black-Eyed Mog (Nichola McAuliffe, The Man Who Fell to Earth) shows up, she isn't quickly forgotten, and nor are Gary Farmer and Kimberly Guerrero (both of Reservation Dogs) as a Native American couple getting by, or Rafe Spall (Trying) at his most operatic and nefarious (and with quite the accent and wardrobe). Including Stephen Rea (The Stranger) as a small-town sheriff in Hoxem, Wyoming and Valerie Pachner (Fantastic Beasts: The Secrets of Dumbledore) as another put-upon woman greeted by hardship in her adopted homeland, there's no weak link among The English's cast. Even brief appearances make a mark, as aided by banter that recalls Quentin Tarantino's Django Unchained and The Hateful Eight western-genre best. That said, Blick never lets his two stars slip from the limelight — from the golden beams that colour his setting with far more splendour than sites of such grim events deserve, to be exact. Traversing the birth of colonised America, his narrative does what the greatest westerns do, unfurling a clash between good and evil, right and wrong, and the outdated and the modern against landscape that lends itself to myth; his series is always about people first and foremost, though. Blunt's resume overflows with highlights, given that it spans My Summer of Love, The Devil Wears Prada, The Young Victoria, The Muppets and Looper through to Edge of Tomorrow, Sicario, Mary Poppins Returns and more, and her phenomenal efforts in The English slot in swiftly besides her finest work to-date. Spencer comes to the series with less fame (The Twilight Saga, Banshee, Sneaky Pete and Jessica Jones are among his other credits) but with just as much command and presence. Indeed, to watch Blunt as Cornelia is to watch a woman wield her strength, grief, heartbreak and empathy like no one expects her to, and keep picking herself up to do so again and again. She won't let her pain subside, or submit to anyone that tells her otherwise — and while the action-hero aspect of the series is nothing new to its best-known talent, she's phenomenal every time the camera peers her way. To watch Spencer is to watch a star-making turn, a part of brooding and swagger as well as deep soul and honesty, and a performance that's as riveting as Clint Eastwood and John Wayne ever delivered. In a TV realm that is welcomely starting to centre Indigenous American actors and stories (see also: Reservation Dogs and Rutherford Falls), as it should, he's a magnetic powerhouse. To watch The English is also to luxuriate in spectacular imagery, as lensed by Arnau Valls Colomer, that says as much as the show's stars and dialogue. The cinematographer arrives fresh from making every detail of every frame matter in stellar Spanish filmmaking satire Official Competition, and the same approach is pivotal here. One particularly glorious detail: the way that extreme long shots keep showing Cornelia and Eli galloping both towards and from their destinies, often in static compositions that let their horses storm in from each side of the image, then start being swapped for slightly closer vantage points in later episodes. It's a thoughtful move that mirrors its two protagonists' paths, and also never lets the world they're rallying against fade from view. It's also stunning and powerful filmmaking in a series that earns those terms several times over. Check out the trailer for The English below: The English is available to stream via Prime Video from November 11.
We all have movies that change us, open up the world to us and/or make us feel seen. Most folks, whether they're filmmakers or not, don't then bring new versions of those pictures to cinemas — no matter how much they might want to. Andrew Ahn's feature filmography started with his 2016 debut Spa Night, then delivered 2019's Driveways and 2022's Fire Island, and now adds a fresh take on a Berlin-winning, Oscar-nominated 90s box-office hit that marked just the second film from Brokeback Mountain and Life of Pi Best Director Academy Award-winner Ang Lee. 1993's The Wedding Banquet was also the first gay movie, first gay Asian movie and first gay Asian American movie that Ahn ever saw. The man behind the camera on 2025's The Wedding Banquet was eight when he watched the original picture courtesy of a video-store rental. When he started on the path to becoming a filmmaker himself, and even once he had a movie or two under his belt — long before this project came his way, then — crafting his own version didn't ever occur to him. "Oh, it never crossed my mind — like, not a direct remake," Ahn tells Concrete Playground about the fourth feature on his resume, which premiered at the 2025 Sundance Film Festival. "I think I thought about similar themes and ideas, but to make something that would be called The Wedding Banquet, I could never have imagined. It really took the producers approaching me. Our producers had been chatting before I was in the picture, and I think their scheming led to this." Three decades back, The Wedding Banquet focused on Manhattan-based gay Taiwanese man Gao Wai-Tung (Winston Chao, Daughter's Daughter), whose parents (Crouching Tiger, Hidden Dragon's Sihung Lung and Qing yu nian's Ah-Lei Gua) had no idea that he wasn't straight, let alone any awareness of his long-term American partner Simon (Mitchell Lichtenstein, Modern Houses), and so had matchmaking their son with a future bride and stressing their yearning for grandchildren firmly on their minds. As co-written by Lee with James Schamus (The King's Daughter) and Neil Peng (The Candidate), the film makes Wai-Tung's mother and father's dreams come true via Wei-Wei (May Chin, now a Taiwanese politician), a Chinese artist who'll be deported if she doesn't get a green card. Of course the eponymous event takes place, with Mr and Mrs Gao in attendance and in the dark that it's all a sham. Lee's movie is a comedy, romantic and screwball alike, and equally a deeply considered and thoughtful relationship drama, plus a compassionate family drama. A reimagining rather than a remake, 2025's The Wedding Banquet falls into all of the above categories still, so it's a rom-com, it's screwball, and it's both a relationship and family drama as well; however, Ahn and Schamus — who returned to co-write another The Wedding Banquet, after initially collaborating with Ahn by producing Driveways — have their eyes firmly on the queer experience right now. As a result, while there's winks and nods to the original, and clear affection for it evident across its frames, this take on the film is guided by how the initial flick's setup would truly play out two decades into the 21st century as it explores queer identity, cultural heritage and community. Accordingly, audiences meet two Seattle-based queer couples: Angela (Kelly Marie Tran, Control Freak) and Lee (Lily Gladstone, Fancy Dance), plus Min (Han Gi-Chan, Dare to Love Me) and Chris (Bowen Yang, Saturday Night Live). Among their families, Angela's mother (Joan Chen, Dìdi) wins awards for her allyship, while Min's grandmother (Youn Yuh-Jung, Pachinko) is the head of a Korea-originated multinational company that he has always been expected to take over. Having children is Angela and Lee's priority, but after two unsuccessful rounds of IVF they're now out of money for a third. While cash isn't a problem for Min, the fact that his student visa will soon expire is — and so is Chris' commitment-phobic reluctance to marry him. The plan, then, is for Angela and Min to wed, helping the latter stay in the US in exchange for financial assistance for Lee's next IVF treatment. [caption id="attachment_1003561" align="alignnone" width="1920"] Janice Chung[/caption] One of the key points that's pushed further to the fore this time around is parenthood — and what it means to have a family as a queer couple. Ahn's fondness for the families that we choose, as seen across his filmography so far, remains a pivotal element of The Wedding Banquet, but so does the specific intention and effort needed to pass on your genes when getting pregnant can't just happen accidentally as it can for some in heterosexual relationships. That thread, and even a specific line of dialogue about it, comes from Ahn's own life. As such, he's not just lending his loving eyes to a new iteration of a movie that's personally important to him — alongside his Korean American background, he's lending parts of his existence. Ahn's on-screen ensemble is clearly phenomenal, including Gladstone in a more-comedic role than audiences are accustomed to seeing the Killers of the Flower Moon Oscar-nominee and Golden Globe-winner in, the director giving his Fire Island star Yang a more-dramatic arc, The Last Jedi and The Rise of Skywalker's Tran in a film with a smart and funny Star Wars line, Han getting his feature film and English-language debut, Chen after she was almost cast in the original and Youn's first American film since winning her Oscar for Minari. Also exceptional: how lived-in that they make their characters' connections feel. We spoke to Ahn about that, drawing from his own reality to highlight queer parenthood, how his past work — episodes of Bridgerton among them — led him here, fleshing out the narrative for 2025, tonal balance, found families and more. On Ahn's Past Work, Including Spa Night, Driveways, Fire Island and Directing Episodes of Bridgerton, Leading Him to a New Version of The Wedding Banquet "I think everything that I do feels informed by what I worked on in the past. Even Bridgerton I feel like snuck its way into The Wedding Banquet a little bit — the romanticism of it. I think The Wedding Banquet definitely required me to pull from so many different parts of my life, as a person and as a filmmaker, to make this film the best that I could." On Working Out Where to Take a New Iteration of The Wedding Banquet, Including a Broader Range of Characters, Exploring the Korean American Experience, and Examining Allyship, Found Families and Having Children "It was kind of step by step. When I rewatched the film in preparation for my conversation with the producers, there were first instincts that were just inspired by how beautiful the original film is. I wondered 'what if the bride in the original film, Wei-Wei, what if she also were queer and had a lesbian partner?'. And then, thinking about how gay people can get married now, I wondered 'now that we can, should we?'. Like 'do we really want to?' And then in the original film, there's an accidental pregnancy — 'but what if we see a couple trying to get pregnant, and planning to have a baby?'. And so these were very helpful foundation-building elements to the story, and I worked with James Schamus to really breathe life into these characters, and engineer the many different themes and questions that we were wrestling with. It was a very difficult process. We worked very hard, and we were writing the film for more than five years, and so it was a real labour of love. I'm so thankful for James, and just the years of experience that he had — not just as a screenwriter, but also as a producer and a director. You could not ask for a more-experienced collaborator." On First Watching Ang Lee's Film at the Age of Eight, Then Reimagining It Three Decades Later "I think it definitely helped that I had a really special relationship with the original film, but that wouldn't be enough. I think what helped me understand 'this is my film that I can make' was the phase of adulthood that I found myself in when I was working on this — and really thinking about getting married and having children. I had a lot of conversations with my boyfriend about marriage and kids, and I realised that I felt very strongly about how important and how beautiful queer family-building is — and that really was my guiding light through this whole process in making this movie." On Drawing One of the Film's Key Exchanges About the Intention Needed for Queer Couples to Start a Family From Ahn's Own Life "I wanted to talk about how that's a reality of queer people's existences — and one of the challenges of building family that's not even defined by homophobia. It's not like there's a straight person keeping us away from building family. It's our own hesitations. There's definitely, of course, a lot of financial and legal reasons that complicate queer family-building, but we kind of have to get out of our own way first, and just believe that this is something that we can do and that we want. And so I really wanted to talk about this particular nuance that I don't think has been explored in an in-depth way on the big screen. So it was an insight that I had only come to in having a conversation with my boyfriend, and I took that line of 'if it happens, it happens' straight out of my boyfriend's mouth onto the page." On Helping Ensure That Years and Even Decades of Intimacy Shone Through Among the FIlm's Characters Thanks to Its Stacked Cast "It's such an incredible ensemble, and I had so much fun working with them. They were all so game. They wanted to be vulnerable, and they showed so much generosity with each other and with me. I think of directing as creating an environment where these actors can feel safe and inspired, and so there was a lot of conversation that I had with each of the actors before they came to set — and then as much as we could find rehearsal time, we built in rehearsal time in our schedule so that we could fast-track an intimacy. I think these actors are all incredible, incredible actors, and so it's not hard to get a great performance out of them — and so for me, it's just about creating an energy and a space for them to really be present and work with each other well. And for me, I think a lot of that had to do with just putting together a cast and crew that really valued the story and what we were doing, and understood the meaningfulness of our work." On Casting Gladstone in a More-Comic Role Than Audiences Are Used to Seeing Her in, and Also Giving Yang a More-Dramatic Arc "I love being able to work with actors in a mode that they might not be used to or have been cast in before. I think it's fun to broaden the horizon for an audience of who these actors are and can be. Bowen, I loved working with him on Fire Island, and I just see so much charisma and vulnerability that I think is undeniable. And then when Lily, she's so serious in some of her work, but I saw her in some interviews and she's such a goofball. And I love that. And so I had a lot of belief that she could have fun in this role. And the way both of those actors — the way that all of our actors — traverse the balance of comedy and drama, it was very inspiring to watch." On Making a Romantic Comedy and a Screwball Comedy That's Also a Family Drama, and Is Deeply Considered and Thoughtful About Queer Identity, Cultural Heritage and Community "I think tone is one of the hardest things about filmmaking, and it's because it takes the entire process to figure out. You are writing it, you are directing it, you are editing it, and it's not until the very end, even with score and sound design and colour correction, where you've figured out the tone of your movie. And so it's really about trusting the artistic process and giving yourself options. In the script, we had alt lines for other jokes, for different zingers. On set, we would do certain takes more dramatically, do certain takes more comedically. In the edit, we're constantly adjusting. And so we had to just trust in the process — and in some ways trust in my own intuition and just energy. My editor Geraud Brisson [Lessons in Chemistry] mentioned that the film, it kind of feels like hanging out with me. And I used that as a creative north star in helping find that really complicated but fun balance of comedy and drama." [caption id="attachment_1003558" align="alignnone" width="1920"] Fire Island, photo by Jeong Park. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved[/caption] On Why the Idea of Found Family Interests Ahn and Keeps Popping Up Through His Work "I think found family, it is something worth celebrating, and I think we can take it for granted sometimes. Our friends, our relationships — there's so much there, there's so much that needs to happen, there's so much work you need to put in in creating your chosen family. And so when you can create your own chosen family, it's really worth celebrating. And so it's something that I feel like whether you're queer or not, it's a very meaningful reminder" The Wedding Banquet opened in Australian cinemas on Thursday, May 8, 2025. The Wedding Banquet images: Luka Cyprian, Bleecker Street.
In a perfect world, all films would get a run on the big screen everywhere that shows them. Alas, that isn't the world that we live in. But just because a feature misses a season at the cinemas in Australia — playing at film festivals before hitting digital, perhaps, or made for and only ever set to stream — that doesn't mean that it can't be a gem, as our picks for the 15 best straight-to-streaming movies of 2023 makes plain. Indeed, the finest films of the year didn't only play on the silver screen. See: Michelle Williams' latest stellar performance, an Oscar-nominated documentary and a playful vampire effort from the director of Spencer, plus new treats from Wes Anderson, inventive horror movies, standout biopics and revived franchises, too. In fact, even cinephiles who basically live at their local picture palace know that theatres aren't the only place to catch the year's standout flicks. After we surveyed the best straight-to-streaming movies of 2023's first half in June, we've now done the same from across the entire year. Make your own popcorn, grab a drink, get comfortable on your couch, and there's your next at-home movie night — or 15 — taken care of. (And yes, we're bunching Anderson's recent shorts together and counting them as one project, because that's how they are best watched.) SHOWING UP Kelly Reichardt and Michelle Williams are one of cinema's all-time great pairings. After 2008's Wendy and Lucy, 2010's Meek's Cutoff and 2016's Certain Women, all divine, add Showing Up to the reasons that their collaborations are an event. Again, writer/director Reichardt hones in on characters who wouldn't grace the screen otherwise, and on lives that rarely do the same. With her trademark empathy, patience and space, she spends time with people and problems that couldn't be more relatable as well. Her first picture since 2019's stunning First Cow, which didn't feature Williams, also feels drawn from the filmmaker's reality. She isn't a sculptor in Portland working an administration job at an arts and crafts college while struggling to find the time to create intricate ceramic figurines, but she is one of America's finest auteurs in an industry that so scarcely values the intricacy and artistry of her work. No one needs to have stood exactly in Showing Up's protagonist's shoes, or in Reichardt's, to understand that tussle — or the fight for the always-elusive right balance between passion and a paycheque, all while everyday chaos, family drama and the minutiae of just existing also throws up roadblocks. Showing Up couldn't have a better title. For Lizzy (Wiliams, The Fabelmans), who spends the nine-to-five grind at her alma mater with her mother (Maryann Plunkett, Manifest) as her boss, everything she does — or needs or wants to — is about doing exactly what the movie's moniker says. That doesn't mean that she's thrilled about it. She definitely isn't happy about her frenemy, neighobour and landlord Jo (Hong Chau, Asteroid City), who won't fix her hot water, couldn't be more oblivious to anyone else's problems and soon has her helping play nurse to an injured pidgeon. Reichardt spins the film's narrative around Lizzy's preparations for a one-night-only exhibition, including trying to carve out the hours needed to finish her clay pieces amid her job, the bird, advocating for a liveable home, professional envy and concerns for her alienated brother (John Magaro, Past Lives). The care and detail that goes into Lizzy's figurines is mirrored in Reichardt's own efforts, in another thoughtful and resonant masterpiece that does what all of the filmmaker's masterpieces do: says everything even when nothing is being uttered, proves a wonder of observation, boasts a pitch-perfect cast and isn't easily forgotten. Showing Up streams via Google Play, YouTube Movies, iTunes and Prime Video. ALL THAT BREATHES Pictures can't tell all of All That Breathes' story, with Delhi-based brothers Nadeem Shehzad and Mohammad Saud's chats saying plenty that's essential. In the documentary's observational style, their conversation flits in and out of the film — sometimes, there's narration, too — giving it many meaningful words. Still, the images that Shaunak Sen (Cities of Sleep) lets flow across the screen in this Sundance- and Cannes-winner, and also 2023 Oscar-nominee, are astonishing. And, befitting this poetic meditative and ruminative doco's pace and mood, they do flow. All That Breathes' main pair adore the black kites that take to India's skies and suffer from its toxic air quality, tending to the creatures' injuries. As Sen watches, he adores them as well. Viewers will, too. Indeed, if there wasn't a single syllable uttered, with the movie just leaning on cinematographers Ben Bernhard (Talking About the Weather), Riju Das (14 Phere) and Saumyananda Sahi's (Trial by Fire) sights, plus Niladri Shekhar Roy ('83) and Moinak Bose's (Against the Tide) sound recording, the end result still would've been revelatory. This film trills about urban development, its costs and consequences, and caring for others both animal and human — and it chirps oh-so-much. It notes how everything that the earth's predominant inhabitants do has environmental impacts for the creatures that we share the planet with, including quests for economic dominance and political control. All That Breathes peers on as its subjects' tasks get harder even as they earn global attention, receive more funding and build their dream hospital. It sees how they put the majestic kites' wellbeing above their own, even as the numbers of birds needing their help just keeps growing. This is a documentary about animals falling from the skies due to pollution, two siblings trying to help them soar again, why that's so vital and what the whole situation says about life on earth — and it's vital and spectacular viewing. All That Breathes streams via Binge. THE WONDERFUL STORY OF HENRY SUGAR, THE SWAN, THE RAT CATCHER AND POISON Fresh from stepping into a play as a live production in a TV show in Asteroid City, and also flicking through a magazine's various articles in The French Dispatch before that, Wes Anderson now gets an author sharing his writing in The Wonderful Story of Henry Sugar. The 39-minute short film features Ralph Fiennes (The Menu) as Roald Dahl, who did indeed pen the tale that gives this suitably symmetrically shot affair its name — the book it's in, too — with the account that he's spilling one of several in a film that enthusiastically makes Anderson's love of layers known in its playful structure as much as its faux set. So, Dahl chats. The eponymous Henry Sugar (Benedict Cumberbatch, Doctor Strange in the Multiverse of Madness) does as well. And, Dr Chatterjee (Dev Patel, The Green Knight) and his patient Imdad Khan (Ben Kingsley, Shang-Chi and the Legend of the Ten Rings) also have a natter. The stories within stories within stories (within stories) share the fact that Khan has learned to see without his eyes, Chatterjee couldn't be more fascinated and Sugar wants to learn the trick for himself — to help with his gambling pastime. In his three decades as a filmmaker, Anderson has only ever made both features and shorts with one of two people responsible for their ideas: himself, sometimes with Owen Wilson (Haunted Mansion), Noah Baumbach (White Noise), Jason Schwartzman (The Hunger Games: The Ballad of Songbirds & Snakes) and/or Roman Coppola (Mozart in the Jungle) contributing; and Dahl. With the latter, first came Anderson's magnificent stop-motion Fantastic Mr Fox adaptation — and now The Wonderful Story of Henry Sugar sits among a series of four new shorts based on the author's work. This is still a dream match, with the director's beloved jewel and pastel colours, dollhouse-esque visuals, moving sets, love of centred framing and dialogue rhythm all proving a treat in this account of personal and spiritual growth. The cast is as divine on-screen as it sounds on paper, too, especially Cumberbatch and Patel. The next in the set, the 17-minute The Swan, pushes Rupert Friend (High Desert) to the fore in a darker tale about a bully. Throw in The Rat Catcher (about a small village with a vermin issue) and Poison (charting a life-and-death situation in British-occupied India) — each similarly 17 minutes in length — and there's only one thing to do: package them together as an anthology film. The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison stream via Netflix. Read our full review. EMILY THE CRIMINAL Enterprising, astute, intelligent and accepting zero garbage from anyone: these are traits that Aubrey Plaza can convey in her sleep. But she definitely isn't slumbering in Emily the Criminal, which sees her turn in a performance as weighty and layered as her deservedly Golden Globe- and Emmy-nominated portrayal in the second season of The White Lotus — something that she's been doing since her Parks and Recreation days anyway. Indeed, there's more than a touch of April Ludgate-Dwyer's resourcefulness to this crime-thriller's eponymous figure. Los Angeles resident Emily Benetto isn't sporting much apathy, however; she can't afford to. With $70,000 in student loans to her name for a college art degree she isn't using working as a food delivery driver, and a felony conviction that's getting in the way of securing any gig she's better qualified for for, Jersey girl Emily breaks bad to make bank when she's given a tip about a credit card fraud ring run by Youcef (Theo Rossi, Sons of Anarchy). Her simple task: purchasing everything from electronics to cars with the stolen numbers. Writer/director John Patton Ford makes his feature debut with this lean, sharp, keenly observed and tightly paced film, which works swimmingly and grippingly as a heist thriller with plenty to say about the state of America today — particularly about a society that saddles folks starting their working lives with enormous debts, turning careers in the arts into the domain of the wealthy, and makes even the slightest wrongdoing a life sentence. Emily the Criminal is angry about that state of affairs, and that ire colours every frame. But it's as a character study that this impressive film soars highest, stepping through the struggles, troubles and desperate moves of a woman trapped not by her choices but her lack of options, all while seeing her better-off classmates breeze through life. As she usually is, Plaza is mesmerising, and adds another complicated movie role to a resume that also boasts the phenomenal Ingrid Goes West and Black Bear as well. Emily the Criminal streams via Binge and Netflix. EL CONDE What if Augusto Pinochet didn't die in 2006? What if the Chilean general and dictator wasn't aged 91 at the time, either? What if his story started long before his official 1915 birthdate, in France prior to the French Revolution? What if he's been living for 250 years because he's a literal monster of the undead, draining and terrifying kind? Trust Chilean filmmaking great Pablo Larraín (Ema, Neruda, The Club, No, Post Mortem and Tony Manero) to ask these questions in El Conde, which translates as The Count and marks the latest exceptional effort in a career that just keeps serving up excellent movies. His satirical, sharp and gleefully unsubtle version of his homeland's most infamous leader was born Claude Pinoche (Clemente Rodríguez, Manchild), saw Marie Antoinette get beheaded and kept popping up to quell insurgencies before becoming Augusto Pinochet. Now holed up in a farm after faking his own death to avoid legal scrutiny — aka the consequences of being a brutal tyrant — the extremely elderly figure (Jaime Vadell, a Neruda, The Club, No and Post Mortem veteran) is also tired of eternal life. The idea at the heart of El Conde is a gem, with Larraín and his regular co-writer Guillermo Calderón plunging a stake into a despot while showing that the impact of authoritarianism rule stretches on forever (and winning the Venice International Film Festival's Best Screenplay Award this year for their efforts). The execution: just as sublime in a film that's both wryly and dynamically funny, and also a monochrome-shot visual marvel. A moment showing Pinoche licking the blood off the guillotine that's just decapitated Antoinette is instantly unforgettable. As Pinochet flies above Santiago in his cape and military attire in the thick of night, every Edward Lachman (The Velvet Underground)-lensed shot of The Count — as he likes to be called by his wife Lucia (Gloria Münchmeyer, 42 Days of Darkness), butler Fyodor (Alfredo Castro, The Settlers) and adult children — has just as much bite. El Conde's narrative sets its protagonist against an accountant and nun (Paula Luchsinger, Los Espookys) who digs through his crime and sins, and it's a delight that punctures. As seen in the also magnificent Jackie and Spencer, too, Larraín surveys the past like no one else. El Conde streams via Netflix. FLORA AND SON No filmmaker believes in the power of music quite like John Carney. In Flora and Son, the Once, Begin Again and Sing Street writer/director again lets his favourite refrain echo, this time with an Irish single mother, her rebellious teenage boy and the American guitarist who she pays to give her lessons via zoom. The eponymous Flora (Eve Hewson, Bad Sisters) feels like she's never had an adulthood of her own after falling (swiftly, not slowly) pregnant at the age of 17 to musician Ian (Jack Reynor, The Peripheral) — whose big claim to fame is that his band once opened for Snow Patrol — then being a mum through their relationship highs and lows. When she salvages a thrown-out instrument for now-14-year-old Max (Orén Kinlan, Taken Down) but he doesn't want it, she decides to give it a try herself. It's an escape from simply getting by, arguing with Ian, coping with Max's run-ins with the law and young mother-style existential malaise. It could be a path to a new future, too. And, with her teen also into music — but hip hop, rap and EDM, or whatever will impress his crush (feature first-timer Alex Deegan) — it's a way to bring Flora and son closer together. Music is in Hewson's blood given that she's the daughter of Paul Hewson, aka U2's Bono, with the Behind Her Eyes and The Knick star well-cast — and magnetic, and also endlessly charismatic — as the forthright, sweary, just-trying-to-get-by Flora. There's both yearning and energy in her electrifyingly lived-in performance, and in the melodic and soulful tunes that her character pens with teacher Jeff (Joseph Gordon-Levitt, Poker Face) via video chats as they reflect upon their lives, loves, hopes and dreams via songwriting. Flora and Son boasts lovely performances all round, in fact. Kinlan is a dynamic find who deserves many more credits on his resume, Gordon-Levitt charms quietly and softly, and sparks fly when Carney gets the latter in the same space as Hewson through an easy but nice visual touch. The movie's moniker makes plain where its heart belongs, though, as Flora and Max learn not just about themselves but about their complicated bond with each other by making music. As always with this filmmaker's work, the original soundtrack is sublime. Also, the mood feels like a warm but clear-eyed hug. Flora and Son streams via Apple TV+. RUSTIN After Selma, One Night in Miami and Judas and the Black Messiah arrives Rustin, the latest must-see movie about the minutiae of America's 60s-era civil rights movement. All four hail from Black filmmakers. All four tell vital stories. The entire quartet boasts phenomenal performances, too — complete with a Best Supporting Actor statuette for Judas and the Black Messiah's Daniel Kaluuya, plus nominations for his co-star Lakeith Stanfield and One Night in Miami's Leslie Odom Jr (Selma's David Oyelowo was robbed). Colman Domingo, an Emmy-winner for Euphoria and Tony-nominee for The Scottsboro Boys, deserves to join that Academy Awards list for his turn as Rustin's eponymous figure. His performance isn't merely powerful; it's a go-for-broke portrayal from a versatile talent at the top of his game while digging into the every inch of his part. Domingo doesn't only turn in a showcase effort in a career that's long been absent on-screen leading role, either; he's everything that Rustin hangs off of, soars around, and lives and breathes with. Focusing on Bayard Rustin, Ma Rainey's Black Bottom director George C Wolfe's latest feature already had a riveting and important tale to tell, but Domingo proves its stunning beating heart. Rustin's namesake holds a place in history for a wealth of reasons, but here's one: it was at the event that he conceived, organised and gave almost everything he had to ensure took place that Martin Luther King Jr have his "I Have a Dream" speech. That moment at the March on Washington for Jobs and Freedom in August 1963 will never be forgotten. Nor should Rustin's efforts in ensuring there was a protest — a historic demonstration with more than 200,000 attendees, in fact— to begin with against overwhelming pushback. Dr King (Aml Ameen, I May Destroy You) is a supporting player in this film, which explores the behind-the-scenes hustle and bustle from idea until the day, as well as Rustin's fight not just against racism but also homophobia as an openly gay Black man (including the battles he's forced to wage among his fellow crusaders for civil rights). Even while only covering a sliver of his subject's life, Wolfe largely takes the traditional biopic route, working with a script by Julian Breece (When They See Us) and Dustin Lance Black (an Oscar-winner for Milk); however, the potency of the Rustin's deeds and struggles, the importance of everything that he was rallying for and Domingo's electrifying lead performance all make his movie anything but standard. Rustin streams via Netflix. EARTH MAMA Add Savanah Leaf's debut feature to 2023's phenomenal first films from female directors, slotting in alongside Aftersun and Past Lives. Earth Mama mightn't riff on her own story as those two movies do for their filmmakers, but the former Olympic volleyballer and Grammy-nominee for Best Music Video (for Gary Clark Jr's 'This Land') does still draw upon reality to potent and empathetic effect. In 2020, Leaf and actor Taylor Russell (Bones and All) co-directed documentary short The Heart Still Hums, which dedicated its frames to single mothers forced to interact with the child welfare, fostering and adoption systems. In fiction, focusing on one young mum with two kids that she's desperate to reunite with and a third on the way, that's Earth Mama's story as well. Leaf won Best Debut Director at the 2023 British Independent Film for the confident and revelatory end result, which feels as initiate and raw as cinema gets — and, while firmly telling a social-realist tale about the plight of women in its protagonist's situation, balances its bleakness with hope, a sense of community, and astute and insightful doses of magical realism. Tia Nomore also makes a staggering debut herself as Gia, the 24-year-old whose pain at being away from her son Trey (Ca'Ron Jaden Coleman, This Is Us) and daughter Shaynah (Alexis Rivas, another first-timer) seeps from her pores. Getting their family back together isn't simple, though, as the authorities splash their disapproval at everything Gia does: her history wth drugs, which she's in recovery for; her new pregnancy, especially given that she isn't in a stable relationship; and being late to her supervised once-a-week sessions with kids, despite the fact that she's doing her best to meet all of child services' demands while also keeping her job. In some of the movie's visually brightest moments that come tinged with the surreal, Gia works in a mall photo store helping to take happy snaps of beaming couples and their offspring; immortalising their perfect dream is how she makes a living, while constantly chasing her own. There's poetry to Leaf's imagery, anger in her survey of how Black women are treated and defiance in Gia's determination — plus both complexity and compassion everywhere. Earth Mama streams via Google Play, YouTube Movies, iTunes and Prime Video. HUESERA: THE BONE WOMAN The sound of cracking knuckles is one of humanity's most anxiety-inducing. The noise of clicking bones elsewhere? That's even worse. Both help provide Huesera: The Bone Woman's soundtrack — and set the mood for a deeply tense slow-burner that plunges into maternal paranoia like a Mexican riff on Rosemary's Baby, the horror subgenre's perennial all-timer, while also interrogating the reality that bringing children into the world isn't a dream for every woman no matter how much society expects otherwise. Valeria (Natalia Solián, Red Shoes) is thrilled to be pregnant, a state that hasn't come easily. After resorting to praying at a shrine of Our Lady of Guadalupe in desperation, neither she nor partner Raúl (Alfonso Dosal, Narcos: Mexico) could be happier, even if her sister Vero (Sonia Couoh, 40 Years Young) caustically comments that she's never seemed that interested in motherhood before. Then, two things shake up her hard-fought situation: a surprise run-in with Octavia (Mayra Batalla, Everything Will Be Fine), the ex-girlfriend she once planned to live a completely different life with; and constant glimpses of a slithering woman whose unnatural body movements echo and unsettle. Filmmaker Michelle Garza Cervera (TV series Marea alta) makes her fictional narrative debut with Huesera: The Bone Woman, directing and also writing with first-timer Abia Castillo — and she makes a powerfully chilling and haunting body-horror effort about hopes, dreams, regrets and the torment of being forced into a future that you don't truly foresee as your own. Every aspect of the film, especially Nur Rubio Sherwell's (Don't Blame Karma!) exacting cinematography, reinforces how trapped that Valeria feels even if she can't admit it to herself, and how much that attempting to be the woman Raúl and her family want is eating away at her soul. Solián is fantastic at navigating this journey, including whether the movie is leaning into drama or terror at any given moment. You don't need expressive eyes to be a horror heroine, but she boasts them; she possesses a scream queen's lungs, too. Unsurprisingly, Cervera won the Nora Ephron Award for best female filmmaker at the 2022 Tribeca Film Festival for this instantly memorable nightmare. Huesera: The Bone Woman streams via Shudder. ROBE OF GEMS In the very first moments of her very first feature as a director — after working as an editor on films such as 2012's Post Tenebras Lux and 2014's Jauja — Natalia López demands her audience's attention. She earns it and ensures it as well, and looking away while Robe of Gems unfurls its story is impossible afterwards. To kick things off, a patient and painterly glimpse at the rural Mexican landscape comes into sight, fading up and bringing more and more dusty grey details with it with each second. Then, without the frame moving, a frenetic man is seen bashing and slashing through the plants. Next, it becomes apparent that there's a reflection as part of the image. And, it's also quickly evident that viewers are seeing someone else's vantage as they look on at the landscape. In fact, a couple peers out, in the middle of getting intimate (and immediately before flinging wooden furniture around, strewn pieces flying everywhere). With the 'start as you mean to go on' maxim in mind, it's a helluva opening. López does indeed begin as she goes on, in a film that scored her 2022's Berlinale's Silver Bear Jury Prize. The pivotal villa belongs to Isabel's (Nailea Norvind, Julia vs Julia) family, and offers somewhat of a respite from a marriage that's splintering like that thrown-about furniture, with the clearly well-to-do woman settling in with her children Benja (first-timer Balam Toledo) and Vale (fellow debutant Sherlyn Zavala Diaz). But tension inescapably lingers, given that the onsite caretaker María (newcomer Antonia Olivares) is unsettled by the disappearance of her sister, a plot point that makes a purposeful statement. The police are investigating, the cartel has a local presence, corruption is an ever-present force, and the gap between the wealthy and not-so is glaring. Progressing carefully from that powerhouse opening, Robe of Gems quickly seeps under your skin — and as its first visuals make abundantly clearly, every second is a marvel to look at. Robe of Gems streams via Prime Video and Madman on Demand. CASSANDRO The story of luchador Saúl Armendáriz hits the screen in Cassandro, which takes its title from the American-born Mexican performer's ring name. As writer/director Roger Ross Williams (Life, Animated) works through with help from his charismatic star Gael García Bernal (Werewolf By Night), Armendáriz first came to wrestling in a mask — as an amateur living in El Paso but heading over the border to Juarez to get scrapping — then made a big switch to take on an exótico identity. That's where the openly gay competitor not only found himself, but also earned fame. He takes convincing, however, as this affectionate and thoughtful feature unpacks. Of course he wants to be able to express himself, bounce between the ropes with glamour and joy, carve out an accepting space and have crowds showering him with love. But exóticos have been traditionally positioned to lose. Dressed in drag, they've been used to show up the masculine strengths of their opponents. That homophobic situation isn't one that Armendáriz wants to embrace, but trainer Sabrina (Roberta Colindrez, A League of Their Own) thinks that he could make a difference, subvert the trend, stand out and become a better wrestler. Frequent documentarian Williams, who won an Academy Award for Best Documentary Short for Music by Prudence, knows a great story — and stellar talent. Cassandro has both, including Armendáriz's rise to become the 'Liberace of Lucha Libre', the many ups and downs on that path, his relationship with his mother Yocasta (Perla De La Rosa, Villa, itinerario de una pasión), and Bernal's layered performance in his shoes and spandex. There's both passion and heartbreak in the actor's portrayal — shyness as Saúl and blossoming confidence as Cassandro as well — in another of Bernal's big career highlights. Indeed, he puts in a tour-de-force effort as the film explores Armendáriz's devotion to his mum; his complicated feelings about his absent, disapproving dad (Robert Salas, Family Portrait); his secret liaisons and not-so-clandestine love for married fellow luchador Gerardo (Raúl Castillo, The Inspection); his flirtations with the assistant (Benito Antonio Martínez Ocasio aka Bad Bunny, Bullet Train) to his key promoter (Joaquín Cosio, Narcos: Mexico); and what it means to get a shot in the ring with icon silver-masked El Hijo del Santo (as himself). Cassandro streams via Prime Video. THEY CLONED TYRONE Jordan Peele's Get Out and Us would already make a killer triple feature with Boots Riley's Sorry to Bother You. For a smart and savvy marathon of science fiction-leaning films about race in America by Black filmmakers, now add Juel Taylor's They Cloned Tyrone. The Creed II screenwriter turns first-time feature director with this dystopian movie that slides in alongside Groundhog Day, Moon, The Cabin in the Woods, A Clockwork Orange, Invasion of the Body Snatchers and They Live, too — but is never derivative, not for a second, including in its 70s-style Blaxploitation-esque aesthetic that nods to Shaft and Superfly as well. Exactly what drug dealer Fontaine (John Boyega, The Woman King), pimp Slick Charles (Jamie Foxx, Strays) and sex worker Yo-Yo (Teyonah Parris, The Marvels) find in their neighbourhood is right there in the film's name. The how, the why, the specifics around both, the sense of humour that goes with all of the above, the savage satire: Taylor and co-writer Tony Rettenmaier perfect the details. Ignore the fact that they both collaborated on the script for the awful Space Jam: A New Legacy, other than considering the excellent They Cloned Tyrone as a far smarter, darker and deeper exploration of exploitation when the powers that be see other people as merely a means to an end. On an ordinary day — and amid vintage-looking threads and hairstyles, and also thoroughly modern shoutouts to SpongeBob SquarePants, Kevin Bacon, Barack Obama, Nancy Drew and bitcoin — Fontaine wakes up, has little cash and doesn't win on an instant scratch-it. He chats to his mother through her bedroom door, tries to collect a debt from Slick Charles and, as Yo-Yo witnesses, is shot. Then he's back in his bed, none the wiser about what just happened, zero wounds to be seen, and going through the same cycle again. When the trio realise that coming back from the dead isn't just a case of déjà vu, they team up to investigate, discovering one helluva conspiracy that helps Taylor's film make a powerful statement. They Cloned Tyrone's lead trio amply assists, too, especially the ever-ace Boyega. Like Sorry to Bother You especially, this is a comedy set within a nightmarish scenario, and the Attack the Block, Star Wars and Small Axe alum perfects both the humour and the horror. One plucky and persistent, the other oozing charm and rocking fur-heavy coats, Parris and Foxx lean into the hijinks as the central threesome go all Scooby-Doo. There isn't just a man in a mask here, however, in this astute and inventive standout. They Cloned Tyrone streams via Netflix. NO ONE WILL SAVE YOU Thanks to Justified, Short Term 12, Booksmart, Unbelievable and Dopesick, Kaitlyn Dever has already notched up plenty of acting highlights; however, No One Will Save You proves one of her best projects yet while only getting the actor to speak just a single line. Instead of using dialogue, this alien invasion flick tells its story without words — and also finds its emotion in Dever's expressive face and physicality. Her character: Mill River resident Brynn Adams, who has no one to talk to long before extra-terrestrials arrive. The local outcast due to a tragic incident from her past, and now living alone in her childhood home following her mother's death, Brynn fills her time by sewing clothes, making models of her unwelcoming small town like she's in Moon and penning letters to her best friend Maude. Then she's woken in the night by an intruder who isn't human, flits between fighting back and fleeing, and is forced into a battle for survival — striving to save her alienated existence in her cosy but lonely abode from grey-hued, long-limbed, telekinetic otherworldly interlopers with a penchant for mind control. With Spontaneous writer/director Brian Duffield's script matched by exacting A Quite Place-level sound design and The Witcher composer Joseph Trapanese's score, this close encounter of the unspoken kind is a visual feat, bouncing, bounding and dancing around Brynn's house and the Mill River community as aliens linger. Every single frame conveys a wealth of detail, as it needs to without chatter to fill in the gaps. Every look on Dever's face does the same, and every glance as well; this is a performance so fine-tuned that this would be a completely different film without her. Bringing the iconic 'Hush' episode of Buffy the Vampire Slayer to mind, No One Will Save you is smartly plotted, including in explaining why it sashays in silence. Just as crucially — and this time recalling everyone's favourite home-invasion film, aka Home Alone — it's fluidly and evocatively choreographed. There's also a touch of Nope in its depiction of eerie threats from space, plus a veer into Invasion of the Body Snatchers, all without ever feeling like No One Will Save is bluntly cribbing from elsewhere. The result: a new sci-fi/horror standout. No One Will Save You streams via Disney+. RYE LANE When Dom (David Jonsson, Industry) and Yas (Vivian Oparah, Then You Run) are asked how they met, they tell a tale about a karaoke performance getting an entire bar cheering. Gia (Karene Peter, Emmerdale Farm), Dom's ex, is both shocked and envious, even though she cheated on him with his primary-school best friend Eric (Benjamin Sarpong-Broni, The Secret). It's the kind of story a movie couple would love to spin — the type that tends to only happen in the movies, too. But even for Rye Lane's fictional characters, it's a piece of pure imagination. Instead, the pair meet in South London, in the toilet at an art show. He's crying in a stall, they chat awkwardly through the gender-neutral space's wall, then get introduced properly outside. It's clumsy, but they keep the conversation going even when they leave the exhibition, then find themselves doing the good ol' fashioned rom-com walk and talk, then slide in for that dinner rendezvous with the flabbergasted Gia. It's easy to think of on-screen romances gone by during British filmmaker Raine Allen-Miller's feature debut — working with a script from Bloods duo Nathan Bryon and Tom Melia — which this charming Sundance-premiering flick overtly wants viewers to. There's a helluva sight gag about Love Actually, as well as a cameo to match, and the whole meandering-and-nattering setup helped make Before Sunrise, Before Sunset and Before Midnight an iconic trilogy. That said, as Rye Lane spends time with shy accountant Dom, who has barely left his parents' house since the breakup, and the outgoing costume designer Yas, who has her own recent relationship troubles casting a shadow, it isn't propelled by nods and winks. Rather, it's smart and savvy in a Starstruck way about paying tribute to what's come before while wandering down its own path. The lead casting is dynamic, with Jonsson and Oparah making a duo that audiences could spend hours with, and Allen-Miller's eye as a director is playful, lively, loving and probing. Rom-coms are always about watching people fall for each other, but this one plunges viewers into its swooning couple's mindset with every visual and sensory touch it can. Rye Lane streams via Disney+. CONFESS, FLETCH Since Mad Men had Don Draper want to buy the world a Coke to end its seven-season run back in 2015, comedy has been Jon Hamm's friend. He's the ultimate TV guest star, building upon stints in 30 Rock and Parks and Recreation while Mad Men was still airing with Toast of London, Unbreakable Kimmy Schmidt and Curb Your Enthusiasm, on a resume that also includes The Increasingly Poor Decisions of Todd Margaret, Childrens Hospital, Medical Police, Angie Tribeca, The Last Man on Earth and Wet Hot American Summer: First Day of Camp as well. So, casting him as the new Irwin Maurice 'Fletch' Fletcher couldn't be an easier move. Having fellow Mad Men standout John Slattery (The Good Fight) also appear in the latest flick about the investigative reporter, and the first since the Chevy Chase-led movies in the 80s, is another winning touch. Even if that reunion wasn't part of the film, Hamm is so entertaining that he makes a killer case for a whole new Fletch franchise — on whatever screen the powers-that-be like — with him at its centre. Hamm clearly understands how well he suits this type of character, and the genre; he's a comic delight, and he's also one of Confess, Fletch's producers. Superbad and Adventureland's Greg Mottola directs and co-writes, scripting with Outer Range's Zev Borow — and ensuring that Hamm and Slattery aren't the only acting highlights. Working through a plot that sees Fletch chasing a stolen artwork, discovering a dead body, and both looking into the crime and considered a suspect himself, the film also features engaging turns by always-welcome Twin Peaks great Kyle MacLachlan and Barb and Star Go to Vista Del Mar gem Annie Mumolo. There have been several attempts to revive Fletch over the past three decades, including separate projects with Ted Lasso duo Bill Lawrence and Jason Sudeikis — on the page, the character spans nine novels — but viewers should be thankful that this is the action-comedy that came to fruition, even if it skipped cinemas everywhere but the US. Confess, Fletch streams via Paramount+ and Binge. Looking for more viewing highlights? We also rounded up the 15 top films of 2023, and another 15 exceptional flicks that hardly anyone saw in cinemas this year — plus the 15 best new TV series of 2023, another 15 excellent new TV shows of 2023 that you might've missed and the 15 best returning shows as well. And, we've kept a running list of must-stream TV from across the year, complete with full reviews. Also, you can check out our regular rundown of film and TV streaming recommendations, which is updated monthly.
Cross your fingers, dog lovers — here's hoping that your four-legged friend feels like heading to a brewery. From 1pm on Saturday, September 1, Ballistic Beer Co. will be turning its Salisbury space into a pupper wonderland, all while people knock back a pint or several. On the Dogs Go Ballistic agenda: craft brews (obviously), dog-centric market stalls, canine activities, an obligatory dog show, a raffle that supports a dog rescue organisation, and live music. We can't promise that the latter will feature pooch-related tunes, but perhaps both you and Fido will be wondering who let the dogs out, asking if the dog days are over and crying all the time like a hound dog. Because taking your barking bestie to a brewery is both thirsty and hungry work, five food trucks will also be on the premises, serving waffles, Thai and other yet-to-be-revealed dishes to go with Ballistic's own brews. Entry is free, and all woofers great and small are welcome at the picnic-style event — although these very good doggos must stay on their leashes.
After a year's delay due to the COVID-19 pandemic, the Olympics are almost upon us. The 2020 games will be a little different to usual, though. Firstly, it's obviously now 2021, with the postponed games being held in Tokyo from Friday, July 23–Sunday, August 8. Also, there won't be any spectators due to the pandemic — with neither overseas travellers nor local residents permitted to attend. That's all well and good and interesting; however, we've found a much cuter display of sportsmanship that's also popping up this July. On Thursday, July 22, viewers can watch four adorable guide-dogs-to-be participating in their very own paw-lympics. Yep, that's a thing and we're definitely here for it. For the second year in a row, the folks at Seeing Eye Dogs have teamed up The Petbarn Foundation to host the Puppy Games — and it'll be streaming on a device near you, too. The event will see young trainee guide dogs Chessy, Frieda, Isobel and Ivory tackle a series of skill-testing challenges, with their every move captured on camera. Watch the pups hurtle through a time trial, take on a 'puppy patience' food bowl challenge and battle it out for glory in the 'dogstacle distraction course'. The games will stream at 1pm on Thursday via the event's website — and, whether you're in lockdown in Sydney, Victoria or South Australia, or you're located elsewhere in Australia, it sounds like perfect lunchtime viewing. The project aims to support fundraising efforts for the annual Seeing Eye Dogs Appeal, of course, but also promises a much-needed boost of dopamine and general happy feels all round. Viewers can donate to the cause by hitting the link on the event's website. This year, the appeal is shooting for a goal of $750,000 to help cover the costs of breeding, training and caring for at least 15 Seeing Eye Dogs. Can't make Thursday's viewing? Fear not, the full event will be up on YouTube to rewatch any time you need a mood boost. The Puppy Games will stream via the event's website from 1pm on Thursday, July 22.
Humans didn't love the last couple of years, and with good reason. But we're guessing that our four-legged friends felt differently about the whole experience. While we were all in lockdown at various points during 2020 and 2021, we were spending more time at home with our tail-wagging canines — and you know that they just loved the extra attention. Two-legged Brisbane residents have all been heading out and about much more from 2022 onwards, of course. Don't forget to take your pup with you, though. No one needs an excuse to treat their pooch to a day out, but given that the returning Dog's Day Out at Gasworks is all about doggos, it really is their time to frolic. Browsing market stalls with your pupper is on the agenda from 9am–1pm on Saturday, June 14, 2025 in Newstead, with treats and accessories among the items to go barking mad at — and pull out your wallet for. There's usually also workshops and pet photography. Entry is free, and dogs of all sizes are welcome. [caption id="attachment_758933" align="alignnone" width="1920"] The Market Folk[/caption]
No man is an island entire of itself. Except maybe Peter Thiel, co-founder of Paypal. Working in tandem with the Seasteading Institute, the Silicon Valley billionaire is making plans for the first floating city to be launched off the coast of San Francisco next year. As an organisation experimenting in the creation of floating island states, the institute is a hub of design and innovation in offshore communities. What can be best described as 'oil-platform like structures' will operate according to Mr. Thiel's ideas of a "more efficient, practical public sector model", unfettered by minimum wage, welfare, restrictions on weapons and tight building codes. Quite a list you say. The icing on the cake is Mr. Thiel's US$1.25 billion pledge, calling upon Seastead to 'open a frontier for experimenting with new ideas for government'. In an interview with Details magazine, founder of the Seasteading Institute has estimated the project to start small with 270 residents, and rapidly upscale to support over ten million by 2050. For those averse to the idea, Margaret Crawford, Professor of Architecture at UC Berkeley, cites it as particularly shortsighted, and "without any urban-planning implications whatsoever". And she has a point. Many other concerns that have been raised, namely "What about pirates?" and "Are seasteading enthusiasts just a bunch of rich guys wanting even more freedom?" are also addressed as perfectly legitimate in the Institute's FAQ section.
For decades, finding yourself at Treasury Brisbane's 24-hour sports bar LiveWire when other watering holes have closed has been one of the city's rites of passage for anyone who has just turned 18. But when the new Queen's Wharf precinct opens, which is set to start from August 2024, LiveWire 2.0 will change its focus to late-night entertainment and live music. Part of The Star Brisbane, which will become the CBD's new casino, the next iteration of LiveWire will sit alongside a dedicated sports bar, letting it hone in on music, comedy and more. Drinks will still be a feature, of course; however, there'll be a dance floor rather than a bank of screens to keep you occupied while you sip. Exactly what'll grace the venue's stages hasn't yet been revealed, but impressive headliners, local acts, comedians and special events have all been teased so far. The aim is to help boost Brisbane's nighttime economy, and also to give homegrown acts another platform to show off their talents. The space itself will be located riverside, complete with views over the water. International design firm Hassell is looking after decking out the place, heroing rich colours and booth seating. The ceiling has been custom-designed for acoustic control, while the speakers are being dotted around the joint to maximise sound throughout the venue — in the lounge area and on the dance floor alike. LiveWire's full drinks menu hasn't been unveiled yet, either, but The Rocktail, featuring strawberry and passionfruit puree, will be one of its tipples. Across The Star Brisbane at Queen's Wharf, the venue will be joined by the new Fat Noodle, Italian restaurant Cucina Regina and, upstairs at the Sky Deck, also Aloria, Cicada Blu and Babblers, all forming part of the new years-in-the-making precinct. "Brisbane is building a well-deserved reputation as a world-class city and as such needs a vibrant nighttime entertainment economy that thrives every day of the week," said Kelvin Dodt, The Star Brisbane Chief Operating Officer, Hospitality, about the venue. "LiveWire will contribute to Brisbane's cultural fabric and ensure the city's new multi-billion-dollar project reenergises a previously underutilised riverside precinct through entertainment, dining, art and unique experiences for everyone to enjoy and embrace their way." The new LiveWire Bar will open at The Star Brisbane, Queen's Wharf, Brisbane CBD sometime in August 2024. Head to the venue's website for more information in the interim. LiveWire images: Remco Jansen, The Star Brisbane.
James Street is no stranger to laid-back luxury, as St. Agni has clearly realised. When it came to setting up its second flagship store — and its first outside of its home base in Byron Bay — the Australian designer outfit made a beeline for the Fortitude Valley precinct. And with its sleek clothing and accessories, its all-round minimalist aesthetic and its timeless approach, it obviously fits right in. If you're new to the label, which was founded by designer Lara Fells, St. Agni favours a less-is-more mentality. That's evident in a range that spans cocoa-hued silk slip dresses, vintage linen blazers, pearl drop earrings, tan leather totes and woven knit loafers — just to name a few of the threads and other items that you'll find on the store's shelves. St. Agni also applies the same mindset to its eye-catching Brisbane shop itself, which marks a collaboration with design studio Triibe. Natural tones feature prominently, as do clean lines, custom joinery and even hemp plinths, with the store welcoming customers since Saturday, June 1. The new location is part of the brand's increased focus on the offline shopping experience, with much of its sales usually conducted via the internet. Given the earthy colours and textures that have become St Agni's trademark, the shift is hardly surprising — these are threads, belts, footwear that you'll want to reach out and touch. Images: Cieran Murphy.
One of 2022's absolute best movies explored loss, time, childhood and mother-daughter bonds, and did so with playfulness and empathy. Another pondered a fraught reality for women mere decades ago, exploring a situation that sadly isn't confined to the annals of history. Both hailed from France from female filmmakers. Both wowed the international film festival circuit. Both Petite Maman and Happening also share something else in common: they were highlights of 2022's Alliance Française French Film Festival program. It's worth remembering last year's standouts now that 2023's full lineup is here — because this new batch of flicks, some freshly announced and some revealed back in January as a sneak peek, will also contain some of this year's very best titles. In total, Australia's annual celebration of French cinema will screen 39 movies throughout March and April in its whopping 34th year, taking its selection on the road to Aussie capitals and a number of regional locations. AFFFF's 2023 opening-night pick sits among the previously unveiled films, with Masquerade spinning a tale of glitz, glamour and the Côte d'Azur's far-less-glossy underbelly under La Belle Époque's director Nicolas Bedos' guidance — and with Pierre Niney (Yves Saint Laurent) and Isabelle Adjani (The World Is Yours) among his stars. As a bookend, it's now joined by Freestyle, which takes to the road with Benjamin Voisin (Lost Illusions) and Marina Foïs (Stella in Love), and promises to end the fest as memorably as it begins. In-between, must-sees include AFFFF's big picks teased in its first program announcement: Saint Omer, with documentarian Alice Diop drawing from true events to craft a drama about a young Parisian journalist and novelist attending murder trial, then wading through the complexities it surfaces within her own family history; One Fine Morning, the latest film by Bergman Island's Mia Hansen-Løve, this time a family drama starring Léa Seydoux (Crimes of the Future); and The Innocent, as written by, directed by and starring Louis Garrel (A Faithful Man), based on his own experiences, and also featuring Noémie Merlant (Tár). There's also Final Cut, a French remake of Japanese cult hit One Cut of the Dead from The Artist director Michel Hazanavicius, starring Romain Duris (Eiffel); Winter Boy, the new film from Sorry Angel's Christophe Honoré, an autobiographical drama focusing on 17-year-old Lucas (newcomer Paul Kircher); Brother and Sister, with Marion Cotillard (Annette) playing a stage actor and sibling to Melvil Poupaud (Summer of 85); and Other People's Children, a Virginie Efira (Benedetta)-led effort about being a stepmother that's also inspired by director Rebecca Zlotowski's (Planetarium) own life. That's not the end of highlights, either already revealed or just-dropped — with the latter spanning two Quentin Dupieux films. The director of Rubber and Deerskin adds both Incredible but True and Smoking Causes Coughing to the fest's lineup, as well as a sense of humour that only he possesses, anchoring AFFFF's comedy selection. Plus, there's award-winner Playground, which focuses on a seven-year-old girl; On the Wandering Paths, which brings Sylvain Tesson's novel to the screen so swiftly after The Velvet Queen also turned his work into cinema (including at AFFFF 2022); and The Origin of Evil, an account of a dysfunctional family that's one of three AFFFF 2023 movies to star Full Time's Laure Calamy. Or, viewers can look forward to Country Cabaret, which is based on a true story about a bold move to save a family farm; Sugar and Stars, adapting pastry chef Yazid Ichemrahem's autobiography to the screen; the Christmas-set A Good Doctor; and Jack Mimoun and the Secrets of Val Verde, the fest's dose of action, adventure and laughs all in one. This year's focus is firmly on the new over the classic, but when it comes to looking backwards, 1988 French box-office smash The Big Blue does the honours. The full list of 2023 AFFFF titles goes on, as cinephiles have come to not just expect but thoroughly enjoy from a fest that's the largest celebration of French film outside of France. ALLIANCE FRANÇAISE FRENCH FILM FESTIVAL 2023 DATES: Tuesday, March 7–Wednesday, April 5: Palace Central, Palace Verona, Palace Norton St, Chauvel Cinema and Hayden Orpheum Cremorne in Sydney Wednesday, March 8–Wednesday, April 5: Palace Cinema Como, Palace Balwyn, Palace Brighton Bay, Palace Westgarth, The Astor Theatre, The Kino and Pentridge Cinema in Melbourne Wednesday, March 8–Wednesday, April 5: Luna Leederville, Luna on SX, Windsor Cinema, Palace Raine Square and Camelot Outdoor Cinema in Perth Thursday, March 9–Sunday, March 19: State Cinema, Hobart Thursday, March 9–Wednesday, April 5: Palace Electric Cinema, Canberra Wednesday, March 15–Wednesday, April 12: Palace James Street and Palace Barracks in Brisbane Thursday, March 16–Wednesday, April 5: Palace Byron Bay Thursday, March 23–Wednesday, April 19: Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas in Adelaide Friday, March 24–Sunday, March 26: Northern Festival, Chaffey Theatre, Middleback Arts Centre and Sir Robert Helpmann Theatre in Port Pirie, Renmark, Whyalla and Mount Gambier Wednesday, March 29–Sunday, April 2: Riverside Theatre Parramatta Wednesday, March 29–Sunday, April 16: Dendy Southport on the Gold Coast Monday, April 3 and Monday, April 10: Victa Cinema, Victor Harbour Friday, April 21–Sunday, April 23: Star Cinema, Bendigo + encore dates in some cities The Alliance Française French Film Festival tours Australia from Tuesday, March 7–Tuesday, April 25, 2023. For more information, or to buy tickets from 9am on Thursday, February 9, visit the AFFFF website.
Are you a cat person or a dog person? Alongside whether or not you're a fan of pineapple on pizza, pet preference is one of humanity's great dividing factors. Some folks love the unconditional affection that a barking bestie brings. Others thrive on the contented purrs of a meowing mouser sitting on their lap. Whichever camp you fall into, here's something that even the most-avid pup proponents and feline fanciers can agree on: that an exhibition dedicated to both cats and dogs, charting their place in art, design and human history, is a delightful must-see. Cats & Dogs is that showcase, giving NGV Australia in Melbourne's Federation Square one of its big summer highlights. It's a great time to be an art lover in the Victorian capital, or visiting the city, with all things Yayoi Kusama taking over NGV International and beyond — and also this thoughtful and adorable exhibition bringing joy via more than 250 cat- and dog-focused works at the Ian Potter Centre until Sunday, July 20, 2025. If your camera roll demonstrates your firm belief that there's no such thing as too many pet pictures, consider this the wide-ranging display that understands, then illustrates that idea — literally — via art. Pieces by Rembrandt van Rijn, Francisco de Goya, Pierre Bonnard, David Hockney, Jeff Koons, Hulda Guzmán, Atong Atem, Charles Blackman, Grace Cossington Smith and Nora Heysen are among the works featured, spanning both international and Australian artists. And yes, because cats and dogs don't always get along, the exhibition places dog pieces on one side and cats on the other. For plenty of pet lovers, you could hang all the pictures in the world of cats and dogs in a gallery and it'd instantly become a cherished art experience, but NGV International has arranged its showcase thematically to dig into what these two types of cute creatures mean to us. Using works from the NGV Collection, it explores subjects such as working dogs and cats, how the two pets feature in mythology and the occult, and their significance in religion and spirituality. So, expect cattle dogs, superstition-inspiring black cats and everything in-between, Also included in a display that ranges from ancient history to today: a survey of cats in popular culture. And if thinking about moggies and art gets you thinking about Théophile-Alexandre Steinlen's 1896 Chat Noir art nouveau poster, the recent acquisition by the NGV is part of the exhibition. Paintings of cats and dogs, prints of cats and dogs, drawings of cats and dogs, photos of cats and dogs, sculptures of cats and dogs, fashion featuring cats and dogs: they're all covered, as are textiles and decorative arts heroing the two critters. Other specific highlights include Atomicus, the surrealist photography by Philippe Halsman with Salvador Dalí pictured next to flying cats; Thomas Gainsborough's two-metre-high oil painting Richard St George Mansergh-St George, focusing on a soldier and his hound; Atong Atem's 2022 self-portrait Maria of Mars, complete with a lapdog earning atttention; pieces by First Nations artists, such as wooden carvings of camp dogs by Far North Queensland's Aurukun artists; and fashion by Alexander McQueen, Romance Was Born and others. Do you know in your bones that your own cat or dog belongs in the same company? There's a pet portrait gallery, too, where attendees can share images of their own pets. "People have shared domestic life with cats and dogs for thousands of years. Through more than 250 works from the NGV Collection, this exhibition explores our close-knit relationships with these animals with both critical rigour and a sense of humour. Whether a self-proclaimed dog person or cat lover, there is something for visitors of all inclinations to appreciate and enjoy," said NGV Director Tony Ellwood AM. Cats & Dogs displays at The Ian Potter Centre: NGV Australia, Federation Square, Melbourne, until Sunday, July 20, 2025. Head to the venue's website for tickets and more details. Images: Installation view of Cats & Dogs at The Ian Potter Centre: NGV Australia from 1 November 2024 to 20 July 2025. Photos: Eugene Hyland and Tom Ross.
Steamy, sunny days are still upon us, making afternoons around the pool an enduringly high priority — and a surefire reason to leave the office inappropriately early. While swimming a few laps satisfies the large majority of water babies, there are those of us yearning for the playful days of yesteryear; when fighting your siblings on the back of inflatable dragons was the ultimate, when diving for sunken rings was the best of times, when blow-up alligator time had to be shared out and rostered by your tired-but-practical Aunty Jane. But pool toy companies haven't forgotten you. There's a huge market for pool toys to suit all ages, with plenty of stylish, weird and genius inflatable ideas on offer. From floating poker and ping pong tables to giant floating birds and watermelons, these are our favourite inflatables to make any pool party that little more Instagrammable — and your summer that extra bit more nostalgic. THE GIANT FLAMINGO/SWAN One of the most Instagrammable pool accessories around: the giant swan (or pink flamingo, if you're feeling more flamboyant). According to the Giant Swan website, the swans are "popular in fashion shoots", so for $99 you can nab your very own oversized aquabird and get yourself a perpetually summery profile picture. POOL SHOOTBALL If you like shooting hoops but find the asphalt a little too steamy in summer, this genius little game brings the court to the water. For just $40 with free shipping, this one's perfect for pool parties or sorting out sibling rivalries. AQUA ZORBS With the increasing popularity of Zorb Bumper Soccer and Human Zorb Bowling, Aqua Zorb water walkers could be of the most epic additions to home pool toy collection. One of the more exxy pool toys on the market, the Zorbs are $595 each — and obviously you're going to need two for battle reasons. One for the truly dedicated pool fiends. FLOATING POKER TABLE Now here's a truly grown-up pool toy. Bestway are responsible for the world's first pool poker set, complete with inflatable poker table, chairs, cards, chips and most importantly, drink holders. It's just $39.95 for the set, however a day of poker in the pool may end up costing you more. THE LAKE TRAMPOLINE You're going to need a bigger pool for this one, preferably lake-sized. Remember all those hours you spent as a youngster doing precarious trick jumps from your trampoline into your pool? Now your adult self can get some solid (and somewhat safer) air jumping off a giant lake trampoline, priced from a rather steep $1800 to $3700. With a price tag like that, might be worth getting your crew to chip in. MOTORISED BUMPER BOATS Yep, motorised bumper boats. Longtime aquatic toymakers Hammacher Schlemmer have created these floating vehicles for long afternoons spent crashing into your loved ones at four kilometres per hour. For $100 each, these bumper boats can also be used to ferry your summer snacks from one end of the pool to the other, or could be used as a flimsy excuse for a jetski in a lake situation. FLOATING POOL PING PONG Never chase ping pong balls around your garage again. Yours for around $60-90, depending where you buy it, this floating ping pong table is as summery an activity you can get. You're going to want to take this to the shallow end though; treading water and playing ping pong sounds like one hell of an exercise. AQUAGLIDE REVOLUTION If you're looking to make other people jealous (or highly confused) of your toys, this'll do the trick. Priced at $4500, the six-foot-high Aquaglide Revolution has it all: slides on one side, some form of extreme seesaw on the other, climbing walls aplenty. The Revolution allows up to ten people on board at once, and will have you outrageously exhausted and immeasurably happy by the end of the day. URBAN OUTFITTERS POOL FLOATS Another much more realistic and adorable option to brighten up any pool party. From watermelons, Monaco bars, snakes, suns, smiley faces to floating beer pong, American retail giants Urban Outfitters have a variety of novelty pool inflatables on offer for just $25 to $50 each. By Tommy Codling and Shannon Connellan.
No matter how you feel about Game of Thrones' polarising eighth and final season, the epic HBO show will always hold a soft spot in many pop culture fans' hearts. It'll also always adorn a lengthy tapestry that's currently on display in Northern Ireland. In fact, the detailed piece of fabric has embroidered all of the show's ups and downs onto a massive, 90-metre-long artwork. Simply called the Game of Thrones Tapestry, the piece was inspired by the famous 11th-century Bayeux Tapestry — and while it has called the Ulster Museum in Belfast home since mid 2017, it'll head to Normandy to be displayed alongside its counterpart from September this year. Originally, the cloth reached more than 80 metres in length; however it has recently increased in size for a very important and obvious reason: to add the events of GoT's last season. Along the fabric's huge expanse, dragons, battles and blood sit side-by-side with well-known characters and lines of dialogue. Yes, "winter is coming" is one of them. If you've ever wanted to see Jon Snow in stitchery, the Iron Throne get a linen makeover, revisit Ned Stark's demise in cotton or get a completely different look at all of the series' standouts scenes, this is your chance. Daenerys' fiery rebirth, the Red wedding, the Night King's frosty reign, Hodor's touching end, the Battle of the Bastards and plenty of other deaths, fights, frays and phrases all feature, with the show's first first seven seasons all averaging around 10–13 metres of coverage each. [caption id="attachment_729913" align="aligncenter" width="1920"] Ulster Museum, Belfast[/caption] If you can't make it to either Northern Ireland or France to see the intricate piece with your own eyes, you can peruse an online version — although, at the time of writing, it hasn't been updated to include the eighth season as yet. Designed by hand, employing a machine to do much of the weaving, and then embroidered by a team of 30 stitchers, the tapestry doesn't just celebrate the show that kept people talking. In addition, it uses fabric from Ferguson's Irish Linen, it commemorates one of the last surviving linen mills in Northern Ireland. Much of the series was filmed in the area, and a new museum will also pop up there soon — which is great to know if you're not ready to say goodbye to GoT just yet, can't wait for George RR Martin's long-awaited next book to finally drop, and are biding your time until the TV spinoffs and prequels come to fruition. The Game of Thrones Tapestry is on display at the Ulster Museum in Belfast until July 28, 2019, before moving to the Hôtel du Doyen in Bayeux, Normandy, France from September 2019. Images: Game of Thrones Tapestry.
Australian fashion house and boutique store Aje is officially branching out with a new sub-brand of activewear called Aje Athletica. Launching with a line of sportswear featuring everything from sports bras to shoes, Aje Athletica promises high-performance activewear with a focus on sustainability. 70 percent of the material used in the debut sportswear line is consciously sourced, including a 100 percent recycled material puffer jacket. The commitment to sustainable practices is clear, with consciously sourced products across the line made from a mix of recycled, organic and eco-friendly materials. "With a respect of our environment, Aje Athletica embraces sustainable practices and local expertise to deliver quality product[s] with a minimal footprint. Informing the design process with 70 percent conscious fabrications from the ground up, impacting the foundations at elemental phase – has been very fulfilling," Co-founder Edwina Forest said. Edwina Forest started Aje in 2008 with her friend Adrian Norris as a women's clothing line all about effortless style. Norris brings an artistic background from his time at Liceo Artistico Venezia, and Forest brings her knowledge of fashion publishing from her time at RUSSH magazine. Head to Aje Athletica's website to browse the range of leggings, sweatpants, tees, tanks, socks and windbreakers, all designed for both your trips to the gym and your days hanging around the house. The products are designed to fit a wide range of women, with sizes available in Australian four through 18. Aje Athletica is available as of Wednesday, May 26 throughout Australia and New Zealand online and in-store. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Next time you head out for a big night in Fortitude Valley, it might come with a sense of history in more ways than one. Hopefully, you'll be having the kind of wild fun that cements unforgettable memories in your brain. But if you make a date with new nightclub Superfly Disco, you'll also be dancing and drinking in a new throwback spot that adores the tunes, attitude and decor of five decades back — and happens to be nestled into the site of an old Brisbane favourite. That gone-but-not-forgotten spot: Alhambra Lounge on McLachlan Street, which has been closed for eight years. Now, its former McLachlan Street space has gone retro with vinyl, boomboxes and old-school vibes, plus a light-up dance floor that'll have you living out your Saturday Night Fever dreams (or curious to watch the John Travolta-starring 70s hit if you've never seen it). Forget DeLoreans; making an evening of it at Superfly Disco will send you back in time, although disco classics will pump through the speakers alongside recent party hits. The rest of the fitout suits the mood, complete with walls of records, neon lights, disco balls aplenty — including in the bathrooms — and murals featuring famous music faces from the bar's celebrated era. Whatever the venue's disc jockeys happen to be spinning at any given time, they'll be doing so from a DJ car, another piece of Superfly Disco's retro aesthetic and vibe. The space has been completely gutted from its Alhambra days, and given an entirely new look — including raising the floor by an inch and a half to accommodate those lights underneath. Yes, when you're not hanging out in private booths, you should be dancing here — and feeling the city breakin' and everybody shakin', and obviously thinking about other Bee Gees disco tracks. Unsurprisingly, the team behind Superfly Disco see a big future in functions and parties; it isn't by accident that the venue's opening, on Friday, October 7 after first being announced a few months back, is timed just before festive season. That crew? The Drunken Monkey Group team, adding another venue to its portfolio alongside Brooklyn Standard, Fat Angel Sports Bar and Suzie Wong's Good Time Bar. Suzie Wong's venue manager Michael Pattison has become the general manager role across the group's Valley sites, while Kyle Weir, who owns fellow nightclub Queens, oversees DJ bookings. Drinks-wise, cocktails are the tipples of choice, all with themed names. Try the Hollywood Divorce with whisky, chocolate, orange and bitters; the Lula's Disco Daiquiri with white rum, orange, pineapple, guava, lime and falernium; and the Theme From Shaft with 12-year-old Chivas, cherry heering, dark cacao, honey and egg white. Or, there's also a sizeable range of champagne, sparkling, and red and white wines. Entry will cost you a $10 cover charge on the door — and wearing flares and platform shoes is totally optional, but it'd fit the atmosphere. Find Superfly Disco at 12 McLachlan Street, Fortitude Valley — open from 8pm–3am Friday–Sunday.
Since HBO first introduced the world to Barry Berkman, the contract killer played and co-created by Saturday Night Live great Bill Hader has wanted to be something other than a gun for hire. An ex-military sniper, he's always been skilled at his highly illicit post-service line of work; however, moving beyond that past was a bubbling dream even before he found his way to a Los Angeles acting class while on a job. Barry laid bare its namesake's biggest wish in its 2018 premiere episode. Then, it kept unpacking his pursuit of a life less lethal across the show's Emmy-winning first and second seasons, plus its even-more-astounding third season in 2022. Season four, the series' final outing which hits Binge in Australia and Neon in New Zealand from Monday, April 17, is no anomaly, but it also realises that wanting to be someone different and genuinely overcoming your worst impulses aren't the same. Barry has been grappling with this fact since the beginning, with the grim truth beating at the show's heart whether it's at its most darkly comedic, action-packed or dramatic. In its prior batch of episodes before this farewell season, it went both bleak and deep on what makes its namesake tick, why, and the effects and consequences — and how catching the treading-the-board bug was never going to be a clean and easy solution to stopping being an assassin. The series has never simply been about Barry, though, or solely about his darkest traits and their persistent impact. In his new LA existence, he's surrounded by people who similarly yearn for an alternative to their current lot in life, yet also can't shake their most damaging behaviour. In that burgeoning thespian session all those episodes back, Barry met acting teacher Gene Cousineau (Henry Winkler, Black Adam), a former star now mentoring the next generation. Fellow student Sally Reid (Sarah Goldberg, The Night House) also dreamed of escaping into a career spent playing other people, a desire that helped spark a relationship with Barry. But as the show has explored along with its titular figure's tale, Gene started his classes after proving a bully at the height of his career. As Sally's talent has earned her success and fame, including her own series in season three, she's been self-centred, and rude and nasty to everyone around her. Yes, Barry spies their cruelest attributes, too. In season four, it sees how they're always going to be the people they are absent any real willingness to change. Barry's old handler Monroe Fuches (Stephen Root, Succession) and his Chechen gangster pal NoHo Hank (Anthony Carrigan, Bill & Ted Face the Music) fit the same bill, all while dreaming of new futures as well. Pivotally, Barry doesn't posit that no one can improve, face their flaws and overcome their demons — rather, it spots the vast gap between saying that you will, or have, and how people instinctively act. The show's main quintet have experienced war, loss, abuse, power battles and more, and have plenty of life's horrors to process between them. In past seasons and now in season four, they's grasped onto everything from celebrity, money and glory to parenthood, faith and control as paths to new versions of themselves. But are Barry, Gene, Sally, Fuches and Hank all that different from who they were when Barry started? Have they processed their troubles? Have they stopped taking out their struggles not just on themselves, but on those around them? Hader and his fellow Barry co-creator Alec Berg (Silicon Valley, Curb Your Enthusiasm) keep asking those questions. Barry being Barry, posing such queries and seeing its central figures for who they are is an ambitious, thrilling, risk-taking and all-round exceptional ride in season four. When season three ended, it was with Gene and Jim Moss (Robert Wisdom, Black Bird), the retired-cop father of his murdered police-detective girlfriend Janice (Paula Newsome, CSI: Vegas), putting Barry behind bars — which is where he is when the show's new go-around kicks off. He isn't coping, unsurprisingly, hallucinating Sally running lines in the prison yard, Gene strolling nonchalantly around and his childhood first meeting with Fuches, and rejecting a kindly guard's attempt to tell him that he's not a bad person. With the latter, there's a moment of clarity about what he's done and who he is, but Barry's key players have rarely been that honest with themselves for long. "Each of us is more than the worst thing we've ever done," says that prison employee, who is also a fan of Barry's work as an actor. Alas, a sea of destructive choices helps turn that idea into a fantasy that the show's characters can't seem to make true. Sally heads home to Missouri following her cancel-worthy season-three rant, but is desperate to do whatever it takes to regain any status she can in Hollywood. Gene wants more attention than he's already getting for capturing Barry, no matter the cost. Fuches says he's torn between putting himself or his ex-protege first, but he also hankers for stature and respect. And while NoHo Hank has made it to Santa Fe with his boyfriend Cristobal (Michael Irby, Mayans MC) after getting free of the Bolivians, there are new schemes to launch. Hader has a swag of awards to his name for his best-ever work across Barry so far, and best start making more room on his mantle for his season-four efforts as an actor, writer and helmer. Barry gets pulled in two extremes in his final run of episodes, with the man behind him unnervingly excellent in both fraying and calm mode. The show's scripting is as bold and complex as it has ever been, and as surreal — a trait that's just as true of its assured and masterful direction. Hader jumps behind the lens on all eight of the fourth-season instalments, which might lack the past go-around's big setpieces but are on another level in using every meticulous visual choice to convey how Barry and company feel. Incarceration scenes say everything with camera movement and precise framing, a simple zoom while staring at Hader's face is downright stunning, empty fields echo with feeling and meaning, and TV rarely manages to be as dreamy yet devastating. There's never been anything less than superb performances from the series' main cast, of course, and nor is there now. Winkler is just as remarkable as Hader at making someone who's such a giant ball of contradictions so compelling, while Goldberg, Root and the always-charismatic Carrigan are gifted weighty arcs — with Goldberg and Carrigan's especially evoking showcase performances. Barry remains a show-business satire, too, including a hilarious appearance by CODA director Sian Heder that's part of a biting caped-crusader parody, plus another big cameo best discovered by watching. It's also still one of HBO's all-time greats, and as sharp and smart as fellow four-season standout Succession. Wealth hasn't been able to make that program's players anyone but who they are, and neither can La La Land here. From its first moment to this last season, Barry has always known that that's a killer concept. Check out the full trailer for Barry season four below: Barry's fourth season streams via Binge in Australia and Neon in New Zealand from Monday, April 17. Images: Merrick Morton/HBO.
UPDATE, March 14, 2022: After a three-week closure due to Brisbane's floods, both the Queensland Art Gallery and the Gallery of Modern Art will reopen — and the 10th Asia Pacific Triennial of Contemporary Art as well — on Friday, March 18. Filling your summer with overseas travel mightn't quite be on your agenda yet, but packing it with artworks from around the Asia Pacific can be at the Queensland Art Gallery and the Gallery of Modern Art. As the two Brisbane galleries do every three years, they're turning their attention to the Asia-Pacific region — to take stock of Brissie's place in this part of the globe, and to celebrate the exceptional work being created by the area's talented artists. Displaying across the two South Bank sites from Saturday, December 4–Monday, April 25, this Asia Pacific Triennial of Contemporary Art marks the tenth hosted by either QAG, GOMA or both — and has been its flagship series since first gracing Queensland Art Gallery's walls almost three decades ago. To celebrate, APT10 is showcasing 69 artworks from more than 150 Asia-Pacific creatives, covering more than 30 countries. Among both newly commissioned and recent pieces, one key highlight is participatory shrine installation Shrine of Life/ Benjapakee Shrine by Vipoo Srivilas. It'll feature five hand-crafted ceramic deities decked out with gold and floral embellishments, with the quintet signifying identity, love equality, creativity, security and spirituality. Or, there's also the striking Hairloom by Rocky Cajigan, which does indeed possess a descriptive title. The Filipino artist has made a ten-metre-long loom of human hair, which is designed to comment on the Cordillera region of the Philippines. Also on the bill: a cave-like environment made out of found materials, as crafted by Balinese artist I Made Djirna; huge sculptural vessels fashioned out of fibreglass and synthetic resin by Kuwait City- and San Juan, Puerto Rico-based artist Alia Farid; and Indonesian Australian artist Jumaadi's large-scale painted stories on cloth prepared by Indonesian artisans. Plus, Chong Kim Chiew will provide an installation that paints maps directly onto tarpaulin, and comments on reorientiation — geographically and politically — in Malaysia and throughout southeast Asia. The full roster of APT10 participants also spans artists from Australia, New Zealand, Japan, Myanmar, Iran, India, Singapore, China, Papua New Guinea, Taiwan and Vietnam — and yes, the list goes on. [caption id="attachment_836711" align="alignnone" width="1920"] 'The 10th Asia Pacific Triennial of Contemporary Art' (APT 10)Members PreviewGOMA[/caption] Images: Installation views, Asia Pacific Triennial of Contemporary Art 10, Gallery of Modern Art and Queensland Art Gallery, J Ruckli and C Callistemon
Western Australia is already home to Australia's best beach for 2022, the best beach in the South Pacific for this year as well, all that coastline and plenty of beloved sandy spots. But come the summer of 2024–25, it'll score a new reason to get splashing. That's when global surf park brand Aventuur is set to open a massive site in Perth, creating the southern hemisphere's largest venue of its type. Manmade waves have been having their moment Down Under of late. Urbnsurf opened Australia's first inland surf park near the Melbourne Airport in 2020, then revealed plans for Brisbane, Sydney and Perth sites. New South Wales' Hawkesbury region is also getting a giant wave pool and luxury resort, the Sunshine Coast is due to welcome Kelly Slater's second surf ranch, and the Gold Coast has been earmarked for an Endless Surf wave pool. But Aventuur is going as big as possible with its $100-million WA venture, which'll feature 25 different types of waves. Clearly, providing breaks and barrels that everyone can surf — no matter your skill level — is one of big aims of Aventuur's Perth Surf Park, which'll take over a 5.7–hectare site on Prinsep Road in Jandakot, adjacent to the Kwinana Freeway and the Cockburn Central train station. That'll include what it's calling a Wavegarden Cove, aka the huge 56-module surfing lagoon that'll be the key drawcard — and will constantly whip up perfect waves. Also set to feature: accommodation, which'll be handy for anyone making the trip west just for some manmade surf action; a beach club; bars and restaurants; and retail stores, all as part of a hefty surf sports, recreation, leisure and entertainment hub. There'll also be a health and wellness centre, co-working offices, and functions and event spaces. Get ready for provide personalised coaching, fitness and surf skate programs as well, and regular events such as outdoor surf movie nights and photography exhibitions. Yoga and meditation retreats will also make the most of the site, as will live music and cultural festivals — and, naturally, professional surfing competitions. Already an avid surfer? Know someone who might be the next Mick Fanning or Stephanie Gilmore? Then get excited about Perth Surf Park's high-performance surf academy. Whether you're a future superstar or just learning, there'll also be a hire store doing board, wetsuit and equipment rentals — so you won't have to bring your own gear with you. While surfers won't be able to live out their Point Break and Blue Crush dreams until the summer of 2024–25, Aventuur has just has signed a long-term ground lease with the Western Australian Planning Commission for its Perth Surf Park site. And if you're wondering why surf parks keep popping up — especially in a country girt by sea, and therefore surrounded by so many glorious beaches — they're able to provide controlled and reliable conditions, including waves that aren't daunting for newcomers. Perth Surf Park will feature knee-high whitewater for beginners, for instance, as well as ideal waves for experienced surfers. Aventuur's Perth Surf Park is due to open on Prinsep Road in Jandakot, Perth, Western Australia, in 2025. For more information, head to the venue's website. UPDATE, June 22, 2022: The headline for this article originally said that Aventuur's Perth Surf Park will open in 2024. Aventuur has since clarified that the park will be completed late in 2024, opening over the summer of 2024–25. The headline has been amended to reflect that change.
It's been a year since Melt first promised big things in 2024. Before the LGBTQIA+ festival held its 2023 event, it advised that it was set to be reborn as a fringe-style celebration of queer arts and culture afterwards, and would spread across Brisbane in the process. That pledge is being taken seriously, as the just-unveiled full lineup for this year demonstrates — complete with more than 120 events in 70-plus venues around southeast Queensland. How Melt 2024 will play out has been revealed in stages since late 2023, starting with news of Spencer Tunick's upcoming nude photography work on the Story Bridge, then announcing Brisbane's first-ever River Pride Parade, then adding Sophie Ellis-Bextor and a Wicked-themed Halloween ball — plus a pool party and plenty more — to the program. The latest lineup drop brings a cabaret and drag Tina Turner tribute, the improvisational antics of Thank God You're Queer, and social soccer and netball games, for starters. There's also the return of the Bay Pride Diversity Walk to Wynnum, a Pride Picnic at South Bank and a heap of queer film screenings, too. Whether you're keen to see a show, dance to live tunes, check out an exhibition, catch flicks, party, splash around, get spooky or take your kit off in the name of art, Brisbanites are in for a busy couple of weeks between Wednesday, October 23–Sunday, November 10. Also newly added to the program: markets in The Lanes in Fortitude Valley, Rose Miho's Erotic Art of a Bisexual exhibition, the Rainbow History Class, Teen Jesus and the Jean Teasers hitting the stage and the First Nations-focused three-day Friction, which will combine talks, art, workshops, performances and open-mic chats. From past announcements, the fest includes Bidjara artist Christian Thompson unveiling a large-scale outdoor exhibition across town as well — and also Hans: Disco Spektakulär!, The Ungrateful Bastards and The Lucky B*tches teaming up for a big night. Halloween Hall is back for a DJ-soundtracked way to get eerie; Femme Follies Burlesque is led by queer artists and heroes the queer gaze; alt.BIMBO focuses on the likes of Buffy the Vampire Slayer, Angel, The Craft and Charmed, alongside AFAB, non-binary and trans artistic talent; and Confidence Man, Mark Trevorrow and Rupert Noffs singing Stephen Sondheim, and the Pink Flamingo Spiegelclub are equally all on the list. Since it was initially announced, Tunick closing down a Brisbane icon to fill it with a cast of thousands sans clothes has been one of Melt 2024's highlights, with registrations still open if you're keen to take part. As for the River Pride Parade, it will float boats from William Jolly Bridge to Brisbane Powerhouse. Ellis-Bextor, who played Melt 2022 and is now fresh from the Saltburn buzz, is supporting Take That at A Day on the Green at Sirromet Wines — all of which was announced earlier in 2024, then joined the Melt 2024 lineup. And if you're keen to see movies under the stars, the newly added Melt on Screen bill at Dendy Powerhouse's outdoor cinema features classics such as The Adventures of Priscilla, Queen of the Desert and Paris Is Burning, plus 2024 newcomers Love Lies Bleeding and Problemista. As for where you'll be heading, venues include Melt's OG home Brisbane Powerhouse, plus The Princess Theatre, The Tivoli, IMA, PIP Theatre, The Wickham, James Street, Fish Lane and Valley Pool — and others in Wynnum, Logan and Ipswich. The revamped Melt was announced in 2023 as a fringe-style event to celebrate LGBTQIA+ art and performance everywhere from Fortitude Valley to Woolloongabba, showcasing queer work, talents, legends and allies. Brisbanites should already know that Brisbane Powerhouse has hosted Melt Festival for eight years and counting, with that event considered a predecessor to this newcomer. The latest iteration broadens its scope by building upon Melt's success — spreading beyond the Powerhouse, clearly; featuring more artists and venues; and operating as an open access-style shindig. [caption id="attachment_939500" align="alignnone" width="1920"] Jack Martin[/caption] Melt Festival 2024 runs from Wednesday, October 23–Sunday, November 10. Head to the festival website for additional information, and for tickets from 10am on Thursday, July 4.
Do you usually leave your gift purchasing until the last minute? Have you vowed to finally do better this year? Do you have a heap of friends and family members celebrating birthdays in the second half of 2025 — and zero idea of what you'll get them? Enter The Made Local Market, which is hitting Brisbane IRL this winter to lend a hand with your shopping — and give you an excuse to treat yo'self. Whichever fits, including if you're keen to get a jump on Christmas, you'll have plenty to browse and buy. The market will take place in the Exhibition Building at the Brisbane Showgrounds from 9am–4pm on Saturday, July 19 and 9am–3pm on Sunday, July 20, spreading across two days. Because it focuses on the best local talent, every market is filled with different stallholders and unique creations, but there'll be more than 120 makers, designers, artists and creators at this one. Supporting creative small businesses and scoring a killer gift for your loved ones is a win for everyone involved, so head along and get your shopping sorted. Entry costs $2 — and, the whole thing will be cashless, so don't forget your cards. There'll also be food trucks slinging bites to eat, gin tastings, and plenty of places to get caffeinated.
When it comes to people born on significant holidays, I’m never too sure whether to be jealous or show sympathy towards them. You’re meant to be celebrating your birth, the birth of someone amazing, and not something like Christmas or New Years. Besides, if you’re born on Christmas then people think that’s an excellent excuse to buy you one ‘combined’ present instead of two (cheapskates). I hate those people (on a related note: I am still a child). I guess Eleanor Logan doesn’t share the same sentiments about holiday-cum-birthdays that I do – born on December 31, she’s the Happiest of New Years, adopting the holiday as her stage name. Born in Australia but based in Brooklyn, Logan’s back in the motherland for the summer and is playing a show at X & Y to celebrate. Happy New Year’s supported by only the most babing of babe four-piece outfits, Go Violets. According to their bio they’re “all summer pop, slipped beats, bad guitar jacks and legs”. Saturday needs to get here faster.
Between the made-from-scratch menu, home-style atmosphere, and impeccable beer and wine on show, Bitter Suite is one hell of a bright spark. The low-lit corner it inhabits in New Farm has seen many a cafe and restaurant — but this one's a stayer. Its ritzed-up pub style decor, married to food that'll have you humming with delight, makes an atmosphere so UK-esque, you'll think you're stuck in the first stop of some type of high-end Contiki tour. The brains and brilliance behind Bitter Suite are Katherine and Braden Saunders, alongside chef Andy Birse, with input from all their suppliers, butchers, and drink providers. Their overriding aim has been to import the feel of a UK local pub — you know, that joint with the bartender who knows your name, steaks the size of fists, and a few staple brews that all taste like beer. However, while Bitter Suite has captured what a local should feel like, it's strayed in terms of what it should taste and look like. Substitute your classic parmigiana for Jurassic quail, served with crispy pork, tomato, basil and a house-made ricotta as silken as it is rich. Swap steak with crumbed black pudding or the beef short rib, and that hearty lamb shank most pubs carry as a winter special for a Saltbush slow-cooked lamb. And dessert carries just as many delights. Both the coffee brownie with malted stout ice cream and white chocolate mousse with rhubarb throw any beneficiary into a sugar daze. The menu changes every three to four months, always reflecting what's fresh, in season and suited to the weather. Thankfully, the favourites, like chips and aioli and a few of the desserts, stick around all year. The selection of beers are so finely sourced and curated they rival Archive and The Scratch. The wines as well, sourced from Lock Stock and Barrel, are solid quality. This is the type of restaurant where you don't have to go out on a whim or use initiative when it comes to drink selection. Ask what partners best with the meal you order, and the staff will be all to happy to share their knowledge. Bitter Suite is all about sharing, family and providing modern pub food at prices that aren't as New Farmy as you'd expect. They probably deserve a Michelin star for love and passion, but this gushing review will have to do for now.
A moment on your lips, a lifetime on your Instagram: that's the future we foresee when Japanese soufflé pancake pop-up Kumokumo arrives in Brisbane. After already treating Perth to its wares, the dessert joint is heading to the Sunshine State to serve up super-fluffy, ridiculously photogenic stacks for ten delicious weeks this summer at South Bank. Those thick, velvety pancakes that instantly make your stomach rumble whenever you see a photo of them (like while reading this article)? That's what's on Kumokumo's menu. It'll be slinging its various varieties from Wednesday, November 23, 2022–Sunday, January 29, 2023 on Grey Street, operating from Wednesday–Sunday weekly. While the pancakes look decadent — flavours like black sugar boba, creme brûlée, biscoffee (yes, Biscoff and coffee cream), matcha cream, tiramisu, and whipped butter with Jarrah honey also help — the pop-up keeps its recipe simple. In the pancakes themselves, you'll find eggs, flour, sugar and milk. Those various ingredients are beaten, piped, grilled and flipped, of course, including with a bit of water in the pan to keep in the moisture — and that all-important fluffiness. Kumokumo sources local ingredients at each of its stops, and has its cooking method down to a precise formula — to perfect the best pancake each time. And as for toppings, it varies per flavour. The black sugar boba version is self-explanatory, for instance, while the creme brûlée comes with custard and berry compote, the biscoffee also includes whipped mascarpone, and the matcha is paired with red bean paste. The pop-up's Brisbane setup will be a walk-in-only affair, and it'll do takeaways — but Kumokumo recommends eating its pancakes within 15 minutes. Find Kumokumo at 182 Grey Street, South Bank from Wednesday, November 23, 2022–Sunday, January 29, 2023 — open 4.30–9.30pm Wednesday–Thursday, 12–10pm Friday, and 10am–10pm Saturday–Sunday.
Two years ago, Pappa Rich gave tastebuds across Australia the culinary hybrid they didn't know they were craving: a nasi lemak burger. They were originally sneakily trialled in Sydney stores in 2018, then rolled out for a limited time in 2019. Now, they're back. The burger takes the typical accompaniments in this Malaysian rice dish and sandwiches them all between two toasted burger buns. There are layers of crispy Malay fried chicken, spicy sambal, peanuts and anchovies, all topped with cucumber, lettuce and a fried egg. As a side? Expect Pappa Rich's deep-fried chicken skin, of course. You can also opt for chips if you prefer. The Malaysian hawker chain is returning the nasi lemak burger to its menu — at all of its 31 stores countrywide, but only for two months. If you're instantly hungry, you'll want to pop into one of Pappa Rich's outlets between Monday, March 29–Sunday, May 30. Or, if you just can't wait to sink your teeth into a burg, you can score one between Friday, March 26–Sunday, March 28, but only via Door Dash. The delivery service is selling 1000 nasi lemak burgers for just $1 across the three days, so you'll want to get in quickly. You'll also need to enter the code 'MALAYSIANBURGER' while you're ordering. Otherwise, if you're happy to grab a burger from next week onwards, you'll still have a couple of months to enjoy as many as your stomach demands. If you're in Sydney, you can nab one in Bankstown, North Ryde, Chatswood or on your lunch break at the express outlet in Ultimo; in Melbourne, pop by Chadstone, Southern Cross or QV; and Pappa Rich in Wintergarden, Garden City, Indooroopilly and Coorparoo Square will be selling them in Brisbane. Perth residents can head to Cockburn and Joondalup, while folks in Adelaide will want to make a trip to Gouger Street in the CBD. There are a heap more locations though, so check the website if you're looking for one closer to you. The nasi lemak burger will be available Monday, March 29–Sunday, May 30 at Pappa Rich locations across the country. There are also 1000 up for grabs for $1 via Door Dash between Friday, March 26–Sunday, March 28 by entering the code 'MALAYSIANBURGER' while you're ordering.
Australia and New Zealand haven't been treated to Beyoncé's Renaissance tour, but we are getting the next best thing: RENAISSANCE: A FILM BY BEYONCÉ. The latest chance to worship the superstar on-screen was announced back in October and will hit cinemas worldwide in December. And, it will be arriving Down Under at the same time as the US: on Friday, December 1. What runs the movie world right now? Concert flicks, which are having a big-screen moment again. In the space of mere months, three huge examples of the genre are playing cinemas worldwide, much to the delight of folks who like getting their film and music fix in one go. First came Taylor Swift: The Eras Tour in October. In Australia, Talking Heads' Stop Making Sense, aka the best concert flick ever made, has returned to picture palaces since mid-November. Next, RENAISSANCE: A FILM BY BEYONCÉ will do the same — and it has dropped another trailer to celebrate. Beyoncé is no stranger to splashing her sets across a screen, after HOMECOMING: A Film By Beyoncé did exactly that on Netflix back in 2019. That movie covered the superstar singer's time on the Coachella stage, and came with a 40-track live album as well. This time, Bey is focusing on her 56-performance, 39-city world RENAISSANCE tour in support of the 2022 album of the same name. Now wrapped up after starting in Stockholm in Sweden in May and finishing in Kansas City, Missouri in the US on Sunday, October 1, the RENAISSANCE tour featured everything from 'Dangerously in Love 2', 'Cuff It', 'Formation' and 'Run the World (Girls)' to 'Crazy in Love', 'Love On Top', 'Drunk in Love' and 'America Has a Problem'. Given that audiences in Australia or New Zealand haven't experienced that setlist for themselves, with the tour skipping Down Under shows so far, RENAISSANCE: A FILM BY BEYONCÉ is the first chance for Bey fans in this part of the world to join in without heading overseas. "When I am performing, I am nothing but free," said Beyoncé in the concert film's initial trailer. "The goal for this tour was to create a place where everyone is free," the musician continued, in a sneak peek that includes behind-the-scenes glimpses, crowd shots and, of course, spectacular concert footage. In the latest trailer, Beyoncé expands upon her daily challenge. "In this world that is very male-dominated, I've had to be really tough to balance motherhood and being on the stage," shares the singer. RENAISSANCE: A FILM BY BEYONCÉ charts the tour from its first show until its last, as well as the hard work and technical mastery that went into it on- and off-stage, as 2.7-million-plus fans have seen in person. Check out the latest trailer for RENAISSANCE: A FILM BY BEYONCÉ below: RENAISSANCE: A FILM BY BEYONCÉ will release in cinemas Down Under from Friday, December 1 — head to the film's website for tickets and further details. Images: Julian Dakdouk / Mason Poole.
Hayao Miyazaki is back to spirit audiences away — again. Ten years ago, the Studio Ghibli great released The Wind Rises, which was expected to be his last film. The movie maestro even announced his retirement. Thankfully, however, he changed his mind quickly. Now, more than half a decade after that welcome news, his next film exists, has hit cinemas in Japan, is doing the rounds of the film festival circuit and just dropped its first trailer. Prepare to be enchanted: this sneak peek at The Boy and the Heron is pure Miyazaki magic. The My Neighbour Totoro, Spirited Away and Howl's Moving Castle icon's latest was confirmed back in late 2022 for a 2023 release, at least overseas. Back then, it was known as How Do You Live, but has changed its title since. In what's described as "a semi-autobiographical fantasy about life, death and creation" in the official synopsis, The Boy and the Heron follows a boy called Mahito. Pining for his mother, he experiences the realm where the living and the dead converge — and yes, plenty of Miyazaki's trademarks already exist in that short synopsis. While The Boy and the Heron hit the big screen in July in Miyazaki's homeland, it did so without the usual promotional campaign, which is why a trailer is only dropping now. Indeed, the subtitled teaser is part of the movie's US release, which is slated for December. At the time of writing, the feature doesn't have a release date Down Under — but it'll obviously get one. There's nothing quite like a Miyazaki movie. While Studio Ghibli isn't short on gorgeous on-screen wonders hailing from a range of filmmakers, the Japanese animation house's best-known co-founder truly does make films like no one else. The Boy and the Heron already looks stunning — unsurprisingly — in its debut glimpse, complete with lush greenery, mysterious spaces and floating critters. And, of course, with Mahito and the picture's titular bird making appearances. The trailer opens with a city on fire, too, then includes beckoning frogs and a figure made of flames. A traditional Japanese home, a lit-up corridor, swords and arrows, a blazing sky: they all pop up as well. The Boy and the Heron marks Ghibli's fifth film since Miyazaki's last movie, following Isao Takahata's The Tale of the Princess Kaguya, page-to-screen treat When Marnie Was There, gorgeous French co-production The Red Turtle and the CGI-animated Earwig and the Witch. Check out the first trailer for The Boy and the Heron below: The Boy and the Heron is already open in Japan, and will release in the US on Friday, December 8, 2023. The film doesn't yet have a release date Down Under — we'll update you when one is announced. Images: © 2023 Studio Ghibli.
The eye and the brain are incredibly powerful organs through which humans receive and process a large proportion of their sensory information. What we see every second of everyday helps shapes our understanding of almost every aspect of our lives. And our brains develop certain expectations about objects based on a long history of experience. However, sometimes optical illusions can challenge our pre-conceived ideas of structures and confound both our eyes and brains. Through clever deceptive techniques, artists and architects can create buildings that elude our basic understanding of how constructions are made and what they include. Here are nine bewildering optical illusions sure to confuse and amaze and challenge your conceptions of architecture. Warped Building This apartment building is your average apartment block...with a twist. A fairly large, warped twist. The unique structure is situated in the Czech Republic's capital city, Prague, and has picturesque views overlooking the River Vitara. El Grifo Magico Appearing to defy gravity and perform some magical feat, this 'floating tap' seems to be pouring an endless supply of water from its vantage point of mid-air suspension. Even though a magician should never reveal their secrets (and stop reading now if you would like the magic to remain), it has been revealed that a pipe hidden by the water actually holds the structure up. Upside Down House Spider-man? Gravity-defying shoes? Talented acrobats? No, it's another awe-inspiring architectural design that tricks and boggles the mind. This unorthodox house has everything upside down and back to front - literally. Trompe-l'eoil Ever after looking at this image several times, it is still impossible to fathom the appearance of this melting building, closer resembling a time warp than an apartment block. In actual fact, this image actually depicts a painting, but even then it succeeds in confounding the brain.The image uses the french art technique of tromp-l'eoil, which attempts to make 2D images appear like 3D optical illusions that really exist. One-walled House History has taught us to understand a house as a building comprising of at least four walls, a roof and a door. However, in Odessa, Ukraine, they have challenges this perception by creating a disconcerting house, which from the front appears orthodox, but when viewed from the side reveals only a single walled-building. Cafe Wall Illusion In 1979 a cafe was erected in Bristol, England, with a perplexing exterior that confused and bemused, and which continues to do so into the present day. A variant of the Münsterberg shifted chessboard illusion, this tessellating pattern uses light and alternating bricks of black and white to make the parallel and even lines appear to be sloped. All the line are actually horizontal and all the levels of the building perfectly equal in size. Bâtiment Another building which seems to flout all logical laws of gravity is the artist Leandro Ehrlich's mirrored art installation for the 'In Perceptions' exhibition in Paris. Whilst people appear to be casually hanging from 3-storey balconies or chilling whilst suspended horizontally to the wall, this trickery is actually a result of a mirrored painting of a building on the ground. 3D Lichtenstein House The top image gives the impression of a quaint and colourful little house that would be fitting within the setting of a fairytale story. The second picture, however, reveals its highly deceptive nature. Cleverly using only two walls placed at specific angles, when viewed at from a particular viewpoint, this house appears to be a complete 4-walled building. Sinking House Another sneaky illusion using angles, the top picture of this house depicts a building seemingly falling into the depths of the Earth. Yet when righted, the correct angle of the house demonstrates a perfectly average home located on the slope of a hill.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we go to Mövenpick Hotel Melbourne, the spot we're putting up guests who book one of our exclusive For The Love VIP packages. WHAT'S SO SPECIAL? This central Melbourne hotel is all about luxury — from the heated pool looking out over the cityscape to the spacious rooms and glorious pan-Asian restaurant. Did somebody say it's time for a city staycation? THE ROOMS You get a king bed! You get a king bed! And you get a king bed! Everyone gets a king bed! Yup, all rooms and suites have large comfy king beds — the prime spot for stretching out and taking up all the space you'd like (whether you're sleeping alone or with someone else). But, that's not all: these luxe rooms have a bunch of other features too. Expect rain-showers, free wifi, blockout curtains, a 55-inch television and views across Melbourne's skyline. Plus, if you go for one of the suites, you're in for an even more glam stay, courtesy of ready-to-go coffee machine and fully stocked mini bar. FOOD AND DRINK Miss Mi is Mövenpick Hotel Melbourne's very own restaurant and bar, serving up pan-Asian food and drinks — that are set to take you from Bangkok to Borneo. Sit up at the benches overlooking the kitchen to watch the chefs at work or sink into one of the plush banquettes for a more intimate affair. At the bar, you'll uncover Asian-inspired cocktails that pair top-quality spirits with traditional Asian spices, fresh herbs and housemade syrups. You can opt for classic cocktails, but we recommend trying one of their own creations. [caption id="attachment_882225" align="alignnone" width="1920"] Paul Macallan (Unsplash)[/caption] THE LOCAL AREA You're in the thick of it here. From the Spencer Street location, you can head west to Docklands for shopping and waterside dining or go east into the CBD to find some of Melbourne's best restaurants and entertainment venues. You're also within the free tram zone, so there's no need to do much walking. Take the free journey to sites like Queen Victoria Market, Federation Square and Melbourne's famous arts precinct. All of Melbourne is at your doorstep. THE EXTRAS One of the most fun and unique things to do at this luxury hotel is partake in their daily chocolate hour. From 4.30–5.30pm, the chefs transform the lobby into a chocaholic's paradise. All kinds of chocolatey creations are made just for you — it's always different so be sure to go each day of your stay. Mentioning Mövenpick Hotel Melbourne's gorgeous heated pool (with views over Spencer Street) is a necessity. Head to the water for a swim and sauna, escaping life and all its stresses for a few hours. You don't even need to swim — simply grab some fluffy slippers and a robe from your closet and sit on one of the poolside lounges reading a book for the day. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
Enjoying a glass of wine might come with plenty of medical benefits, but having a tipple isn't typically an exercise-heavy pastime. You sit. You drink. You get up, top up your beverage and repeat. You usually don't walk particularly far, let alone run. At a new series of wine-tasting fun runs about to take place around Australia, however, you'll put in the hard yards before you get the boozy rewards. The Grapest 5K run consists of two sections. First, you sprint, jog or set forth at whatever pace suits you best, making your way through scenic vineyard surroundings. Then, you walk another kilometre — yes, in addition to the first five, or ten if you're feeling extra energetic — while stopping at tasting stations along the way and sampling the good stuff. Don't worry, if you're not up to the first part and you're simply keen on wandering and sipping, that's an option (although it does defeat the idea of combining fitness with throwing back drinks). The first run takes place on February 11 at Balgownie Estate in Bendigo, with a second scheduled on March 4 at Coolangatta Estate in Shoalhaven, south of Woollongong. Further events are mooted in the Hunter Valley, Brisbane, Margaret River in Western Australia, Langhorne Creek in South Australia and Canberra throughout the rest of the year. For more information, visit the Grapest 5k run website.
A few months back, US TV network NBC announced news that definitely wasn't noice, tight or cool cool cool: that Brooklyn Nine-Nine would end after its next (and eighth) season. That revelation sparked plenty of questions, all of varying degrees of importance. How will it all wrap up? What does this last batch of ten episodes have in store for Brooklyn's fictional 99th police precinct? How many more times will Jake Peralta (Andy Samberg) say "title of your sex tape"? Will Gina Linetti (Chelsea Peretti) make a final appearance? And how much more yoghurt can Terry Jeffords (Terry Crews) eat? Come August in America, all those queries will be answered. Earlier this month, NBC announced that Brooklyn Nine-Nine's last season would launch following the Tokyo Olympics — and, via a just-dropped first teaser trailer, it has revealed that that'll start happening from August 12. Based on the past few seasons, it's hopeful that viewers Down Under will be able to watch the police-focused comedy come to an end at the same time. In Australia, SBS has fast-tracked recent seasons, so fingers crossed that that happens again. The first sneak peek at the new season doesn't reveal much else, though. It's more of a sizzle reel for the show's last hurrah — but it does remind us that there have been seven Halloween heists and 32 sex tape titles so far, information that every B99 devotee needs to know. Something that it doesn't tell us: how many times Die Hard will get a mention before the series says "yippee-ki-yay" for the last time. Whatever else Peralta, Jeffords (Terry Crews), Amy Santiago (Melissa Fumero), Rosa Diaz (Stephanie Beatriz), Charles Boyle (Joe Lo Truglio), Raymond Holt (Andre Braugher), and Hitchcock (Dirk Blocker) and Scully (Joel McKinnon Miller) get up to, we're guessing that the final season will direct even more love towards the 80s action flick that Peralta so openly adores. As the season seven finale revealed, the show's latest character is named after the Bruce Willis movie, after all. Check out the teaser trailer below: https://www.youtube.com/watch?v=oRFDHqFiYoE&t=3s Brooklyn Nine-Nine's eighth and final season is set to start in the US on August 12. We'll update you when an air date Down Under is confirmed.
Since opening in mid-2019, Za Za Ta has taken its culinary cues from Israel. Executive chef Roy Ner was born there, after all, and has long enjoyed mixing his heritage into his cooking. A year latter, in a huge revamp of its menu, the Fortitude Valley restaurant is also finding inspiration in another source — in an entirely plant-based menu. Za Za Ta's bar and kitchen is now serving up a Tel Aviv-style vegetarian lineup — so your next meze bites and bigger meals won't feature any meat, but they will be big on wood-smoked charcoal flavours. From the small-plate selection, on offer is a mix of share-friendly dishes, such as hummus made with braised chickpeas and a 63-degree egg ($15), silverbeet and feta börek fingers ($17), whipped feta with spiced beetroot ($14). Or, if you're feeling particularly hungry, you can opt for the shish barak, aka Lebanese-style pumpkin dumplings ($24); or the Turkish-influenced lentil and mushroom manti dumplings ($23), too. The slow-cooked eggplant h'raime ($26) serves up a spicy Moroccan dish alongside a tomato salad, the cauliflower shawarma ($24) also features smoked labneh and quince, while the traditional Israeli date pudding ($9) is just one of the dessert options. And, for those who don't know where to start, there's a $59 chef's choice deal. Drinks are also be a big focus at Za Za Ta, with rum beverages and spice-infused cocktails that use fresh cold-pressed juices, whichever citrus fruit happen to be in season and Middle Eastern botanicals. There's also a wine list that leans Australian, French and Italian, with biodynamic, organic and skin contact vinos, too — plus a selection of craft beers. Updated August 12, 2020.
Take a boat from Cairns to this secluded eco-friendly escape on the cusp of the reef that has held and advanced ecotourism certification for over 20 years. Green Island Resort sits in the tropical habitat of a coral cay and rainforest and implements a number of innovative sustainability initiatives to limit waste and protect the pristine natural environment where it's located. A quarter of the island's energy supply comes from solar power and the resort is working towards closing the loop in its waste management. This includes things like turning food waste into nutrient rich fertiliser and using a glass crusher that turns bottles into sand. Plus, raised timber boardwalks allow you to explore the national park with minimal impact on wildlife and tree root systems. Image: Tourism Tropical North Queensland.
If you're the kind of restaurant-goer who picks their places to eat based on accolades, acclaim and applause, then you'll be familiar with France's Mirazur. The three Michelin-starred eatery sits in the French Riviera near the Italian border, calls an old 1930s villa home, and is the work of Argentinian-born chef and owner Mauro Colagreco, who takes culinary inspiration from his Italian grandparents. It's also a former winner of the World's Best 50 Restaurants' top spot, and it should be high on everyone's food bucket list. For three weeks in autumn, from Friday, March 10–Friday, March 31, Mirazur is also visiting Australia. Its destination: the hatted The Gantry at Pier One Sydney Harbour, where the coveted restaurant will put on its first-ever Harbour City residency. That'll make ticking off a visit a whole lot easier — no overseas plane ticket required. [caption id="attachment_728308" align="alignnone" width="1920"] Mirazur, Nicolas Lobbestael[/caption] Swapping one waterfront locale for another, Colagreco is making the trip Down Under from Menton near Nice on the Cote D'Azur, accompanied by a sizeable portion of his team. That includes Mirazur's Chief Operating Officer Maria Tancredi and Executive Chef Luca Mattioli, as well as front-of-house and kitchen staff, plus sommeliers. Silvina Dayer, its agronome — aka garden scientist — will also head our way with the crew. Heroing Australian ingredients, the Mirazur cohort will serve up a multi-course tasting menu, plus snacks, which won't come cheap — $685 per person, in fact, with wine pairings starting from an extra $210. [caption id="attachment_888022" align="alignnone" width="1920"] Matteo Carassale[/caption] The specific focus: using the best Aussie wares they can source, working with producers who are respectful and passionate about the land and sea, to whip up an original menu that showcases the restaurant's commitment to sustainability, nature and biodiversity. Taking inspiration from different cultures and cooking environments, and highlighting their ingredients and suppliers, is what the Mirazur Beyond Borders project is all about — which this residency slots into. "Mirazur Beyond Borders is the opportunity for us to enrich our knowledge, philosophy and commitment. I have visited Australia a few times and what excites me is that it is a country where there is a huge diversity of nature, landscapes, and species," said Colagreco, announcing the Sydney jaunt. "It's very important for me and my team to learn from and experiment with the ingredients we find in the country we visit, and to learn from all the people and products we encounter on the way. Although we are coming to Australia for a few weeks, I already know we will leave with something that lasts forever," he continued. "I am thrilled to cook in Sydney, as it's such a diverse Australian city, where many cultures and foods coexist. What I love about Australian gastronomy, and particularly Sydney's, is that it has been influenced by many different cultures, from Asian to European, and a large range of produce to create its own gastronomy, and reinvents itself constantly." [caption id="attachment_650654" align="alignnone" width="1920"] The Gantry, Alana Dimou[/caption] Mirazur will temporarily take up residence in Sydney just a few months before three Michelin-starred English restaurant L'Enclume, from British chef Simon Rogan, does the same in July and August. Mirazur Beyond Borders at The Gantry, Pier One Sydney Harbour, will run from Friday, March 10–Friday, March 31 — operating for lunch and dinner Wednesday–Sunday. Head to the residency's website for bookings from 12pm AEST on Tuesday, February 13, and to register for the priority list in advance.
Honestly? I've never considered a cruise holiday before. So when an opportunity came up to see New Zealand by boat I jumped at the opportunity, but given that my only reference for travelling on water was a round trip on a Sydney ferry, I truly didn't know what to expect. In the end, it turned out to be the voyage of a lifetime — being greeted by bottlenose dolphins as we coasted by Milford Sound's soaring cliffs at sunrise, sipping Aperol Spritz while gazing at ocean sunsets from the ocean, and eating our weight's worth of meals on the ship's many restaurants. Here's an account of how the trip went down here. FIRST IMPRESSIONS When me and my partner boarded the ship, we made a beeline straight to our new home-away-from-home: a surprisingly spacious room with a luxurious king size bed, cosy living space, fully stocked mini bar and private verandah which served as home base for many room service breakfasts and sunset drinks. After settling in, we were ready to explore the labyrinth of amenities. If you're anything like me (a complete cruise novice), you probably hazard a guess that a cruise ship is akin to a large resort with a pool, some snazzy restaurants and a few shops. What you might not realise — and what I quickly discovered on board the Celebrity Eclipse (the vessel I traveled on, one of many from the Celebrity Cruises fleet) — is that the inside of a cruise ship is more comparable to a mini floating city. It had everything from a giant broadway theatre, spacious grass lawn, basketball court, and more pools, spas, restaurants, bars and shops than you could count on your fingers and toes. CRUISE CUISINE When it came to its dining options, the Eclipse really blew my expectations out of the water (pardon the pun). From immersive 3D concept dining at the Le Petit Chef, to ocean-fresh sashimi and caramelised gingerbread with wasabi gelato at Sushi on 5, to the fully stacked and ever-changing buffet that you'd anticipate on a cruise. The Le Petit Chef 3D projection dining experience was a strange highlight — watching a tiny 3D-animated chef prepare tomato tartine in front of you while you are 100km away from land was a surreal experience to say the least. Another culinary highlight was Murano, a restaurant where chefs masterfully prepared traditional recipes like lobster bisque in front of your very eyes. This is clearly a difficult thing to express in words and kind of just needs to be experienced. The all-inclusive dining options were also well worth writing home about. Between the crowd-pleasing menu at the chic Moonlight Sonata with well-executed retro classics like prawn cocktail, creme brulee and New York cheesecake, to the clean eating options at Blu, which boasted biodynamic wines and dishes like Beyond burgers, black truffle gnocchi and tuna tataki with spicy mango scallions. [caption id="attachment_900893" align="alignnone" width="1920"] Room service breakfast on the balcony of a Celebrity Cruise cabin[/caption] And when it came to drinks, you couldn't find a more picturesque place to sink back a beverage. From the breezy Sunset Bar with sweeping ocean views, to the cosmopolitan Martini Bar with top-notch bartenders, or the premium concoctions at Blu with names like Nightfall Elixir and Garden Breeze and tasting notes of fresh crushed strawberry, maple and Veuve Clicquot. (We had the classic drinks package which entitled us to unlimited drinks in the 'classic' category, which included everything from beers to bubblies). ENTERTAINMENT AT SEA (AND LAND) If you've ever wondered what one does on a 12 day cruise besides eating and drinking, I was surprised to discover it's a whole lot more than you might expect. Cruise guests are encouraged to download an app that surfaces a menu of entertainment and experiences for each day of the journey. The seemingly endless list of activities included everything from Broadway shows with acrobatics to rival Cirque Du Soleil, to an endless supply of luxury treatments and massages at the spa and salon. If you want to get your daily steps in, the Eclipse features a substantial running track, a premium gym and fitness centre and plenty of workout options from barre to boxing. Which brings me to my next point, which everything that happens onboard it's surprisingly easy to forget that you actually get to visit the incredible travel destination that is New Zealand. We had a whole host of New Zealand cities on our cruising agenda - from the staggeringly beautiful Milford Sound, to the cultural hub of Wellington - and each city we saw came with a curated list of Celebrity's shore excursions. Our most memorable excursion saw us hopping on board a WWI-era train through New Zealand's wine country, beginning in Picton and travelling through Marlborough's lush hills and valleys where 85% of New Zealand's wines are made. We enjoyed complimentary wine tasting, lunch and views that could only be described as cinematic. This was definitely one for the proverbial picture books, or Instagram Story highlights. [caption id="attachment_900843" align="alignnone" width="1920"] The view from on board the train during the shore excursion in Picton[/caption] WOULD I CONSIDER FUTURE CRUISES? Overall, going on a cruise was one of the most unique and memorable holidays I can recall. While being away from land was something I'd never experienced, the whole encounter made being away from home feel very homely indeed from the ultra lush rooms to the endless entertainment, and some of the kindest hospitality and staff I've encountered on any type of holiday. If you want to be the main character on your next trip, satisfy your wanderlust without having to pack and unpack your bags, and eat and drink to your heart's content a cruise holiday is an option I would definitely consider again. If you're curious about doing some cruise-based exploring of the Southern Hemisphere yourself, Celebrity Cruises has announced the arrival of one of its most luxurious ships yet: the Celebrity Edge which will debut Down Under in late 2023 or early 2024, allowing you to traverse the coastlines of Australia, New Zealand and the tropical South Pacific including Bali. Set to rival the world's most luxurious land-based resorts, the 2023/24 intake promises to reimagine cruise travel with some of the world's most indulgent on board amenities. Concrete Playground travelled as a guest of Celebrity Cruises. Main image: The view from Celebrity Eclipse near Dunedin on the South Island of New Zealand
Saying goodbye to 2025 at Lost Paradise means farewelling the year with a jam-packed lineup of tunes. Ben Böhmer, Chris Stussy, Confidence Man, Duke Dumont, I Hate Models, KETTAMA, Marc Rebillet, Maribou State, Underworld, X CLUB: they're all headlining the annual end-of-year music festival in Glenworth Valley on the New South Wales Central Coast this year. So, mark Sunday, December 28, 2025–Thursday, January 1, 2026 on your calendar — and prepare for a huge few days. Other acts on the bill include Anna Lunoe, BIG WETT, Channel Tres, Fcukers, DJ Heartstring, Hot Dub Time Machine, Omar+, VTSS and plenty more. Some people love last-minute New Year's Eve plans, going wherever the mood takes them. Others can't start planning early enough. If you fall into the latter category, this December is for you. For Lost Paradise newcomers, the multi-day event turns a slice of its setting — which is located an hour out of Sydney — into one helluva shindig, complete with live music and DJ sets spanning both international and Australian talents. This year, organisers are promising newly reimagined versions of the festival's Arcadia, Lost Disco and Paradise Club stages. Tunes are just one part of the Lost Paradise experience, though. Here, art, culture, wellness, and food and drink also get a look in. And, at Shambhala Fields, you can hear talks and take part in workshops — so that's where you'll find the likes of Dr Karl, Eric Avery, Deano Gladstone, Lara Zilibowitz, Kath Ebbs, Sez, Tom Carroll, Simon Borg-Olivier, Gwyn Williams and others. Since first unleashing its specific flavour of festival fun back in 2014, Lost Paradise has become a go-to way to wrap up one year and welcome in the next — including if you're keen to camp for its duration. Lost Paradise 2025 Lineup Ben Böhmer Chris Stussy Confidence Man Duke Dumont I Hate Models KETTAMA Marc Rebillet Maribou State Underworld X CLUB Anna Lunoe Baby J Bad Boombox & Mischluft Balu Brigada Bella Claxton BIG WETT Blusher Bullet Tooth Cassian Channel Tres Dameeeela DJ Heartstring Dombresky presents Disco Dom Dr Banana Fcukers Folamour Heidi Hot Dub Time Machine INJI Jazzy Josh Baker Juicy Romance Kilimanjaro Luke Alessi Merci, Mercy Narciss Notion Odd Mob Omar+ Pegassi Prospa Riria Ross From Friends presents Bubble Love Sex Mask Silva Bumpa Sim0ne Sumner Swim (live) Two Another VTSS Wolters Alex Dowsing Badassmutha Bella Backe Caleb Jackson Couch Mechanic Cricket Dayzzi B2B Daug Disco Dora Elijah Something GMOZ Grooveworks Kai Kawai Large Mirage LAYTX Lily FM Lost Soundsystem Madame Reve Maina Doe Mash Middle James Mina Tonic Oscill8 Pamela Penelope People's Party Roxy Lotz Salarymen Selve Siila Silly Lily Sim Select Tia Lacoste Tokyo Sexwale Tseba Waxlily Yasmina Sadiki Shambhala Fields: Benny Holloway Catriona Wallace Chanel Contos Deano Gladstone Dr Karl Eric Avery Gwyn Williams Kath Ebbs Lara Zilibowitz Plastic Free Mermaid Sez Simon Borg-Olivier Tom Carroll Lost Paradise mages: Jess Bowen, Jordan K Munns, Byravyna and Amar Gera.
Thanks to all manner of markets around town, it's rather easy to stock your wardrobe with pre-loved threads. Brisbane's op shops help considerably as well, naturally. Still, if that's how you boost your outfit choices, you can never have too many options — which is where the Upcycle Pre-Loved Fashion Market on Sunday, August 15 comes in. From 11am–3pm, the Food Connect Shed in Salisbury is hosting a thrifting session. If you're fond of all things sartorial, this is the way you'll want to spend your day — and there'll be bargains to be found. In fact, nothing will cost more than $20, so your bank balance will thank you. So will the planet, given that donning secondhand threads is far more eco-friendly than buying brand new items. And, if you have some ace clothes to send off to a new home, you can host your own stall as well. If that's you — and you want to make some room in your cupboard so that you can fill it with other people's unwanted fashion treasures afterwards — you'll need to apply first by contacting Food Connect.
Over the past two years, we've already spent too much time burning through our streaming queues, so simply settling in for a stint of TV has lost a bit of its lustre. And, there's also the fact that our day-to-days are pretty well dominated by screens anyway. From waking up and checking the weather/news/Instagram to then packing our days with staring at a computer at our nine-to-fives, sitting on the loo watching TikToks and cooking the recipes we view on iPads, it's no wonder we've got screen fatigue. So, put that remote down and treat yourself to another way to kill time: a jigsaw puzzle. Yep, it's time to get analogue. For many of us, 2020 was the year of hobbies and home activities. So, no doubt you already have a jigsaw or two lying around — which means you're in need of fresh puzzle talent. Or, you might've resisted the recent trend, only to now realise that you missed out on some wholesome, puzzle-piecing times. Either way, we're here to help. Here are our eight puzzle picks for when boredom next hits like a tonne of bricks — whether you just have a few spare hours, you're spending time in isolation or you feel like you've watched every streaming series there is to watch. AUSTRALIA UNSEEN Bring the beach to your living room with these serene coastal scenes in puzzle form. Australia Unseen's Vincent Rommelaere takes photos of Australian beaches and rock pools, and usually sells them as prints on his website. But in 2020, as iso-life became the new normal, Rommelaere began transforming some of his snaps into jigsaw puzzles. At the moment, he offers seven different puzzles available as 1000-piece ($49) jigsaws. If you're into ocean pools, you can keep your fingers busy with a puzzle of Bondi's famed Icebergs. Otherwise, there's shots of the Coogee Beach rainbow path, the Bronte Baths and people sunbathing at Bondi. Or, if you'd prefer to look at Melbourne, you can opt for one of the city's CBD skyline. Delivery within Australia is $10 and international shipping is also available, with cost and delivery time dependent on region. All jigsaw puzzles in stock are shipped from Sydney and you'll score free shipping on orders over $100. Buy via Australia Unseen's website. OKAY LADY Chances are at least one of your housemates developed a penchant for puzzles over the past two years and, if that's the case, a pressie from online jigsaw puzzle company Okay Lady will be a winner. Think of it as the perfect 'thanks for putting up with me' gift that you benefit from, too. Okay Lady puzzles champion Aussie women illustrators and come in environmentally friendly packaging — no plastic in sight. The artists also receive royalties from every single sale, which we love to see. If you happen to live with your bestie, there's a super-cute 400-piece jigsaw by Queensland artist Sophie Beer that features two besties and some adorable pups. Or, nab the Night Dancer puzzle, designed by artist Alice Lindstrom, for a truly vibrant work of puzzle art. All Okay Lady jigsaws are $59 and each 400-piece design is aimed to be more of a mindful activity than a super challenging, days-long process. Shipping is free across Australia with orders shipped from the Melbourne office every weekday, so expect about five–seven business days for your package to arrive. Can't wait? Opt for express delivery for $15. Buy via Okay Lady's website. SMOOCHY POOCHEY Ever wanted to piece together a portrait of your adorable pooch? Of course you have — which is why Queensland-based company Smoochy Poochey exists. While the company allows you to pick whichever kind of personalised puzzle you like, getting a jigsaw puzzle emblazoned with your pet's cute little face is a clear winner. Think of it this way: you've already spent so long gazing at them because they're just so adorable, and you've well and truly committed their face to your memory in the process, so this should be the easiest jigsaw you've ever done. And if you'd like to provide more than one photo for a single puzzle — as uploaded via the company's website — you can. Just simply upload multiple pics of of Fido, Fluffy, Polly or Nemo and create a collage. A number of sizes are available, ranging from a simple, kid-friendly 30-piece jigsaw to challenging 1000-piece ones for when you have hours upon hours to kill. Prices range from $28.25 for the smallest puzzle and up to $59.95 for the largest. Delivery is via Australia Post, with a standard $12.95 flat rate across Australia, or you can opt for express delivery for $16. Buy via the Smoochy Poochey website. PUZZLE POST You've done it: you've reached peak puzzle madness. You can't get enough of the brain-tickling activity and you want a regular rotation of jigsaws landing on your doorstep. Enter: Puzzle Post — Australia's first jigsaw puzzle subscription. Puzzle Post delivers a new jigsaw to your doorstep every month, and factors in your tastes. Now that's a service. From the same minds behind book subscription service Bookabuy, the idea for this new venture spawned after owners Chris and Mel Tantchev noticed something of a jigsaw puzzle resurgence. Look around these pandemic days and you'll notice those little cardboard pieces have made quite the comeback. There are a bunch of themes from over 20 categories — including cats, nostalgia, flowers, Disney and food — ranging from easy (500 pieces) to harder, 1000-plus piece puzzles. By answering a few quick questions at checkout, you'll end up with a jigsaw haul personalised just for you. You can opt for a one-off puzzle delivery ($29) or organise a three-, six- or 12-month subscription, which'll set you back between $87–348 up front (or $29 per month). If every month is too frequent, you can choose to get a new puzzle delivered in two- or three- month intervals, too. Subscribe via the Puzzle Post website. JOURNEY OF SOMETHING Journey of Something is a female-founded and Australian-owned company dedicated to combining art with activities (read: beautiful puzzles, art kits and games). But, you're here for puzzles — not the other stuff — so we'll get right to it. It stocks a bunch of jigsaws, ranging from mini puzzles to 1000-piece beasts, which are all designed by local artists. Order yourself a puzzle decorated with iconic women such as Dolly Parton, Frida Khalo and Malala Yousafzai — or, there's a cute mini puzzle that'll have you doing your daily affirmations in no time. Puzzles range from $20–64, and Journey of Something also offers some duo packs and a 12-month subscription. Shipping costs depend on how much you're buying — starting at $10 for one puzzle. Buy via Journey of Something's website. [caption id="attachment_708992" align="alignnone" width="1920"] Rone[/caption] RONE If you're bored of putting together rainforest scenes or that 500-piece Monet puzzle was just too easy, Melbourne street artist Rone has come up with the goods, releasing three of his large-scale artworks (Home Wrecker, The Dining Room and The Study) as jigsaw puzzles. For those not in the know, Rone normally creates large-scale artworks on the sides of nine-story buildings or in abandoned spaces throughout Melbourne. He's particularly known for his massive portraits that combine elements of beauty and ruin, alongside concepts of new and old. Since bursting onto the local scene in the early 2000s, his work has been shown in London, New York, San Francisco, Miami and Hong Kong. So, he's kind of a big deal — and you can now build a piece of his art in your living room. Rone's puzzles are priced at a reasonable $64, considering his art prints are selling upwards of $400. Each art-cum-puzzle is comprised of 1000 pieces and includes enough detail for a challenging afternoon of puzzling. Shipping to locations across Melbourne costs $10.95, while it's $14.89 for the rest of Australia. Hot tip: buy two puzzles and you save yourself the delivery fee, thanks to Rone offering free shipping on orders over $100. Buy via Rone's website. SALTY GALLERY Similar to the popular Australian Unseen puzzles, photographer Dharma Bendersky and his gallery Salty Gallery have turned his stunning shots of Sydney beaches into 1000-piece jigsaw puzzles. So, if you're missing sunny afternoons at the beach and simply can't get enough of creating intricate cardboard artworks, then add these beauties to your cart. There are currently four idyllic puzzles on offer, featuring a selection of spots. If you're more a fan of concrete-covered bays, Bedersky also plans to unveil more designs. Each puzzle is $59, includes free shipping Australia-wide, can be delivered internationally, and are shipped in eco-friendly compostable bags. Buy via the Salty Gallery website. [caption id="attachment_822202" align="aligncenter" width="1920"] Charles Conder, 'Rainy Day', 1888. Art Gallery of NSW's online art puzzles range.[/caption] ONLINE ART PUZZLES We know, we know — we told you to lay off the screens. But these digital jigsaws come in handy if you're an absolute puzzle fiend who can't wait till your next one arrives in the post, or you're a try-before-you-buy kinda person. Either way, these art-filled gems are sure to fill many hours (and save you some cash). First up, the Art Gallery of NSW has some killer online puzzles — seven to be exact — so you can digitally put together masterpieces such as E Phillips Fox's Nasturtiums and Paul Cézanne's Banks of the Marne. Melbourne Museum also has digital jigsaws on its website, including ones of fur seals, the Royal Exhibition Building and Phar Lap. Or, check out the National Library of Australia website to complete puzzles using its collection, with everything from art by Ellis Rowan to Australian birds. Head to the AGNSW, Melbourne Museum and National Library of Australia websites for some free — and wait-free — puzzling adventures. Top image: Australia Unseen
Judd Apatow’s latest comedy laugh-a-thon expands upon the story of the stubbornly married Pete and Debbie from the smash-hit blockbuster, Knocked Up, as we watch them deal with the trials and tribulations of life at forty. Set a few years on from the events of Knocked Up, the film begins with Debbie (Leslie Mann), celebrating the arrival of her fortieth birthday by having awkward, Viagra-aided sex with her long suffering husband, Pete (Paul Rudd). Debbie begins to realize that life does in fact, not begin at forty. Debbie now owns a boutique with employees Desi (Mega Fox) and Jodi (Charlyne Yi). Pete runs a record label with friends Ronnie (Chris O’Dowd) and Cat (Lena Dunham), representing prospect-free artists like Graham Parker. Both are struggling. With friends like Jason (Jason Segel) and Barb (Annie Mumolo) aiding them, or at least trying to, the couple decide to make a last attempt to keep their family together, with the usual disasters and general mayhem plaguing them along the way.
Saturday November 24th two of Brisbane’s first grassroots rock bands, Nikko and Quiet Steps, come to The Zoo to celebrate the launch of their respective albums. Formed in 2005, Quiet Steps saw the majority of the band relocate south recently, but to celebrate their latest record, Dying Livers, they’ll be returning for one night only, performing a selection of dark, unrelenting melodic indie rock and material from early 2012’s Secular. A band unlike no other in Brisbane that sit in a box of their own, Nikko (pictured) hover between melancholic balladry and thunderous post-rock, a force to be reckoned with that lays on atmospherics thick, fast and unrelenting. Nikko will come upon The Zoo following a national tour and the release of their latest album, Gold & Red, one that’s been praised by critics as yet another iconic gem for the band.
The Brisbane Ethinic and Multicultural Arts Centre invites you to bask in the warm glow of the Christmas tree, for a concert of our city’s best world music. The free yearly event at King George Square showcases the most exciting artists new and old that exist within Brisbane’s world music scene, giving anyone the chance to come along and shake it to the rhythm of the pounding African drum or Bollywood Sitar. With a crowd of five thousand people from across all diverse cultural backgrounds and ages dancing beneath the stars, World By Night is bound to be one Christmas event you won’t soon forget.
James Hopes’ Brisbane Heat meet Tim Paine’s Hobart Hurricanes in their first home game of this year’s KFC T20 Big Bash League at The Gabba. Sore from a poor start and failure to reach the semi-finals last year, Brisbane hope to burn bright this year against last season semi-finalists, The Hobart Hurricanes. Last time the two teams met Brisbane trumped Hobart by three runs at two-hundred-and-one for four against their one-hundred-and-ninety-eight for four in a real nail biter to the very last ball. Brisbane’s poor track record last year puts Hobart in a favourable position for the match, but a talented team of hard hitters and an excellent squad of bowlers mean they might just scrape a win against the Hurricanes, a team known to create a win out of seemingly impossible odds. But, of course, in Twenty-Twenty anything can happen, and there’s everything to play for. Tickets for this game will be available soon, keep an eye on Ticketmaster for details. Game on.
Many Australians spent a childhood birthday or two under one of Pizza Hut's iconic red roofs, digging into endless cheesy slices and soft serve at an all-you-can-eat buffet. Fast forward to 2020 and not a whole heap of Pizza Hut buffets exist — with only 14 dine-in outposts across the country — but the chain is still going strong with its hundreds of takeaway shops. And it's celebrating its 50th anniversary in Australia by giving away a whopping 50,000 takeaway pizzas. Pizza Hut is giving away 10,000 pizzas each day from Monday, August 3 to Friday, August 7. You just need to head over to the website between 4–6pm on one of those days, submit your details and select your closest Pizza Hut store. You can choose from five different toppings, too — the brand's five most popular flavours, in fact: Pepperoni Lovers, BBQ Meatlovers, Super Supreme, Cheese Lovers or Hawaiian. You then have until 11.59pm on Monday, August 31 to redeem your free pizza. To coincide with the giveaway, and the anniversary, Pizza Hut is releasing some fun facts about each decade every day, such as where its first Aussie restaurant was located (Belfield, NSW) and when stuffed crust was launched (25 years ago). Pizza Hut is giving away 10,000 free pizzas from 4–6pm each night between Monday, August 3 and Friday, August 7 via the website. Top images: Warrawong and Canley Heights Pizza Huts.
Traditionally, autumn is a season filled with orange, red, brown and yellowing leaves, as spring and summer's greenery makes way for winter. Come mid-March, just over an hour outside of Brisbane, it'll also be a time for golden stems — all as part of the Scenic Rim's returning, much-loved and obviously stunning-to-look-at Kalbar Sunflower Festival. Expect to spot sunflowers as far as the eye can see at the Jenner family farm in Kalbar. In past years, there have been more than 200,000 of the vibrant blooms reaching up to the sky, which is a hefty number. For 2023, however, over a million sunflowers have been planted across 24 acres. And, all those golden petals will help the fest play host to a highlight to get lost in, literally: a four-acre sunflower maze. The 2023 festival will take place across Friday, March 10–Sunday, March 12, and will also feature a painting class — yes, you'll be channelling your inner Vincent van Gogh and painting sunflowers — plus helicopter rides over the field, sunflower crafting, cooking demonstrations and classes, photography classes and photo sessions. The fest's popular sunset gala dinner with a golden backdrop won't be taking place this year, but there will be a sunset soirée instead, with Laura Frank performing. And, chef Richard Ousby will be serving up a lunch over champagne. Food trucks will help line your stomach, too, and provide bites for picnics among the blooms, serving up pizza, ice cream, coffee and more. Also, for sunflower goodies to take home, there'll be a sunflower shop onsite. View this post on Instagram A post shared by Kalbar Sunflowers (@kalbarsunflowers) Tickets to this event always get snapped up fast, even in just the two short years since it launched back in 2021, so note the on-sale date of Sunday, February 19 — at 12pm — in your diary now. The Kalbar Sunflower Festival came about after Russell and Jenny Jenner changed direction during Queensland's ongoing drought conditions. Usually, they farm lucerne but, with water levels low, they opted to switch to a crop that doesn't require as much H2O. And, with all those sunflowers then looking rather striking, the couple was keen to let everyone else enjoy their golden petals. The Kalbar Sunflower Festival 2023 takes place from Friday, March 10–Sunday, March 12 at Kalbar in Queensland's Scenic Rim. For further information, and to book tickets from 12pm on Sunday, February 19, head to the event's website.
DeLoreans, hot tubs and phone booths are all great forms of time travel, but sometimes stepping back into the past is as simple as heading to the right place. Restaurants where nostalgia may as well be on the menu, and bars where you'd think it was the '70s if it weren't for the thoroughly modern prices, for example. New eateries and venues might be opening in this fair city of ours every day, but that doesn't mean that Brisbane doesn't know how to rock a retro vibe. To help you find them, we've partnered with American Express to whip up the ultimate guide to getting a blast from the past when it comes to eating, drinking and having a great night out. Plus, you'll be able to swipe (see: tap) that Amex card of yours at these spots, too. From beer halls that never change to boozy lounges that aim to recreate times gone by, the question isn't just where to go — it's which era to spend time in. If you work your way through the entire list, you'll be calling yourself Marty McFly in no time. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
Not everyone is a sports fan, but if you like live tunes, the Australian Open should still be on your radar even if you care little about on-the-court action. Only one music event in the world takes place as part of a Grand Slam, and that's AO Live. On the lineup for 2025's iteration: none other than Kesha, Armand Van Helden, Kaytranada and Benson Boone. Game, set, match, music: that's what's on offer when the Australian Open returns in January 2025 with two jam-packed weeks of tennis, plus a few aces for music lovers in the form of its three-day festival. It was back in 2023 that the annual Melbourne sports event launched the AO Finals Festival, getting a heap of talents taking to the stage. Unsurprisingly proving a hit, the fest returned in 2024, and will now be back again in 2025 under a new name. The venue: John Cain Arena, where AO Live will run from Thursday, January 23–Saturday, January 25. 2025's version features the event's biggest lineup so far — complete with Bag Raiders, Bella Amor, Channel Tres, Dijok, Kah-Lo and Jade Zoe. The fest kicks off with Boone on the Thursday, followed by Kaytranada on the Friday. Both days will span 5–9pm. Come Saturday, coinciding with the women's finals, Kesha will make her first visit to Australia in seven years, joined by Van Helden. Wrapping up AO Live, the day will kick off at 2pm and finish at 7pm. Expect plenty of company, with the 2023 fest selling out, then 2024's moving venues to John Cain Arena to take advantage of its 10,000-person capacity. AO Live ticketholders will also get a ground pass to the Australian Open, so you can watch the tennis as well as catching live tunes. As always, there'll be scores of food and drink pop-ups scattered throughout Melbourne Park, as well as big screens showing all the on-court action. [caption id="attachment_975223" align="alignnone" width="1920"] Brendan Walter[/caption] AO Live 2024 Lineup Thursday, January 23: Benson Boone Bella Amor Friday, January 24: Kaytranada Channel Tres Dijok Saturday, January 25: Kesha Armand Van Helden Bag Raiders Kah-Lo Jade Zoe AO Finals Festival images: Ashlea Caygill.
Gone are the days when showing your pop culture love meant being glued to a screen. That's still on the cards, of course, but there's an ever-growing list of ways that you can interact with your favourite movies and shows beyond simply watching them. Disney does cruises, balls inspired by Bridgerton have been popping up around the country, The Simpsons got the adults-only burlesque and drag treatment, and Shrek raves involve copious amounts of dancing and the colour green — to name just a few examples. So of course an interactive IRL game based on Beauty and the Beast that has fans running around the streets was going to materialise at some point. It's a tale as old as time, again, but in an escape room-meets-scavenger hunt way. This new game hails from CluedUpp, which has already busted out CSI, Jack the Ripper, and witchcraft and wizarding-themed activities around Australia — plus Alice in Wonderland games, too, with another based on The Smurfs also still to come. In a year that's set to deliver the Beauty and the Beast musical Down Under as well — in Sydney from June — CluedUpp wants you to be its guest to get sleuthing. Also arriving from the first month of winter onwards, its Beauty and the Beast game involves roaming around outdoors on an adventure that takes its cues from the classic 18th-century fairy tale that's earned such a folllowing, as combined with a whodunnit-style mystery. Beloved story? Tick. Inserting fans into said narrative? Tick again. Working in the ever-popular genre that is the whodunnit? Tick once more. Throw in the whole escape room and scavenger hunt elements, and it does sound like something that an algorithm would come up with — and a lot of fun. Hitting Sydney, Melbourne, Brisbane, Perth and Adelaide on various dates, this spin on Beauty and the Beast starts with the latter getting cursed again. Forget love — this time, there's challenges to complete, clues to crack and fairy tale characters for you and your mates to interrogate. Participants get involved in teams of up to six, roaming around outdoors with their phones to help. And yes, if you want to dress up to fit the theme, you can. "We're committed to creating unique, outdoor experiences that bring people together and encourage them to have fun with family and friends," said Tref Griffiths, founder of CluedUpp Games. "With Beauty and the Beast, I'm confident people of all ages will love this magical mystery-solving adventure." CluedUpp's game isn't officially connected to Disney's movies, but if you want some costume inspiration, check out the trailer for the Emma Watson-starring version below: CluedUpp's Beauty and the Beast game will start taking over Australia's streets from June 2023 — head to the company's website for further details.
