A new prepaid initiative from Uber looks set to deal yet another blow to the rapidly dying taxi industry. You remember taxis don’t you? They were those cars that used to drive around the city not picking you up, which didn't show up when you called them and whose drivers didn't know how to operate a GPS. They were all the rage back in the day, before people had literally any other option. Rolling out in New York City over the next couple of weeks, UberEVENTS will allow event organisers to arrange prepaid Ubers for their guests. You simply log on to the Uber website and enter your information, including how many guest passes you'd like to prebook. Uber then sends those passes to you so you can forward them on to your guests. When the big day arrives, they enter their passcode into the Uber app, and before they know it they're being whisked away to your very exciting party. If you didn't follow all that, don't worry: this nifty little graphic helps lay it all out. "When planning a company happy hour, client appreciation dinner, or even upcoming nuptials, there is a lot that goes into ensuring that your event goes off without a hitch—including how your guests can safely get to and from without any fuss," wrote Uber Senior Marketing Manager Kimiko Ninomiya in a post on the Uber blog. "We want to make the experience of planning transportation logistics as seamless as ordering a ride at the touch of button [sic]." The service will only be available to select riders and Uber for Business users at first, although assuming it's a success, then presumably it won't be too long before it becomes a standard feature. In the meantime, Uber's legal status in Australia remains a point of contention. A Victorian state Magistrate yesterday rejected the company's attempts to have a legal case against one of its drivers thrown out of court. The taxi industry, for their part, continues to flail around feebly in the face of progress. A strike in Melbourne a couple of weeks back saw about 500 cabs taken off the roads – Uber retaliated by offering people free rides across the city. Yeah, it's pretty clear who's winning this fight. Via Tech Crunch.
Apple's first wearable computer, the Apple Watch, is almost here. After months of furious pub debates, Android-loving naysaying and know-it-all speculation, Apple finally announced the release date for its next 'must-have' device at its 'Spring Forward' event in San Francisco — and the price tag for its sold gold version. Starting at AU$499 and running all the way up to AU$14,000 for their ultra-hard 18-karat gold version, the shrunken, wearable computer fits into a watch body and runs a modified version of iOS — the system running your iPhone and iPad right now. Available in two sizes (38 and 42mm height) the Apple Watch comes in three different 'collections' including the Apple Watch Sport Collection — with 60 percent stronger anodised aluminium case, though not completely waterproof — and the pretty, pretty AppleWatch Edition made from 18-carat yellow or rose gold, sapphire crystal glass (and costing that cheeky $10K). Not as baller as these watches, but a good first model. Preorders for the Apple Watch start April 10, available in the US, UK, China, Australia, Canada, France, Germany, Japan, and Hong Kong. The watch will be available from April 24, but if you wander into a Genius bar you'll be able to try one on from the 10th. Analysts are predicting Apple could up to 60 million shipments within a year of its release — perhaps not if Pebble Time has anything to do with it. So, how does the Apple Watch work? Behold, the 'digital crown' controls all The primary joystick of the whole device, you can go all James Bond by using the rotating dial on the side of the watch to navigate (something many smartwatches leave out for aesthetics). Even so, the display is also used as a touch screen classic smartthing style. For all you constant screencrackers out there, that face is made from a super hard-as-nails single line sapphire material. Your watch can tell you to run faster Using four sapphire lenses on the back of the watch and the mighty, custom-designed S1 chip, the watch can detect your pulse rate (along with an epic amount of other info). Combine this with the accelerometer measuring body movement and the GPS tracking your distance, the watch can figure out how hard you're exercising and suggests fitness goals. What a beneficial jerk. 'Glance' at your most important info The Glances feature is where you make the watch all about you. Swipe up from the bottom of the screen and your custom-selected screen of notifications pops up. Weather, dirty messages, calendars of events you're avoiding; it's all on your wrist. You can charge wirelessly No winding here. To charge up, the Apple Watch fuses MagSafe and inductive charging — you just hold the back of the watch near the charging connector and let the magnets pull everything together. Apparently the battery lasts 'all day', which could be anywhere from a probably 18 hours to 72 hours in Power Reserve mode. Siri runs the show Because the Apple Watch is so mini in screen size, Siri comes into play for a significant amount of commands. Yep, you'll feel like a spy. An awesome, awesome spy. You can send doodles to your mates Using the newly revealed app Digital Touch, watch wearers can create little animated drawings and send them to other watcheroos. Cute. App developers will be able to create Apple Watch versions, we're thinking Snapchat is particularly made for this. You need an iPhone for it to work And there's the catch. The Apple Watch needs an iPhone 5 or 6 nearby in order to function, feeding from the web or GPS info to work. Music, photos and contacts come across, sure, but this makes the device one of Apple's most you-need-that-to-get-this products ever, even the iPad stood on its own little stand. The Apple Watch will be available for purchase in Australia from April 24, pre-orders open from April 10. Via Mashable, TIME and PC Advisor.
Deck the halls and unpack the plastic tree — the festive season is well and truly upon us. And while that whole Christmas tradition stuff is nice, we're not going to deny what we're most excited about: a whole stocking-load of new films. Along with the cricket and stampeding through shopping centres, going to the movies is one of our favourite Boxing Day traditions. After all, what better place to recover from your post-Christmas food coma than in a nice, dark, air-conditioned cinema? Of course, not all of the end-of-year titles measure up. That’s why we’re reporting in with our annual Boxing Day Battle Royale, to ensure that you get maximum bang for your Kris Kringle gift voucher buck. Or you could just go see Star Wars for the sixth time. That's also a totally valid option. JOY See it if: you can't get enough J-Law in your life. We give it: 3.5 stars Jennifer Lawrence stars in the latest film by David O. Russell (American Hustle, Silver Linings Playbook), a fictionalised account of the rise of a real-life home shopping network star. Joy is a rags-to-riches tale of a battler trying to improve herself and her situation. Wrestling Russell's current patterns and preferences into a canny character study, the film watches on as a woman fights for agency and control, despite constantly being told that she should take care of others and rein in her go-getting ways. Weaving in surreal soap opera segments, it's an astute and engaging dissection of the power of selling a fantasy. Read our full review here. SUFFRAGETTE See it if: you want to be inspired. We give it: 3.5 stars Sarah Gavron's Suffragette may play out somewhat conventionally, but that doesn't make its impact any less resounding. Carey Mulligan is fantastic as Maud Watts, a downtrodden washerwoman in early 20th century London who becomes involved in the fight for women's suffrage. It's a timely tale that will no doubt strike a chord with many modern viewers, reminding us of how far we have come and how much further we still have to go. Just don't expect much Meryl Streep. Despite being a major part of the marketing campaign, she's in the film for less than five minutes. Read our full review here. https://www.youtube.com/watch?v=P9p0qnj4OC4 THE BELIER FAMILY See it if: you love a good coming of age tale. We give it: 3.5 stars A box office smash in its native France, The Belier Family is an immensely charming holiday crowd-pleaser. The film tells the story of 16-year-old Paula, who acts as an interpreter for her deaf parents and brother in the running of the family dairy farm. But her future becomes uncertain when her music teacher encourages her to apply to a prestigious singing school in Paris. The film is overlong, a tad melodramatic and gets bogged down at various points in underdeveloped side-plots. But the family drama remains compelling — and surprisingly poignant — throughout, as does the remarkable performance from singer-turned-actress Louane Emera. THE GOOD DINOSAUR See it if: you're hoping to get in touch with your inner child. We give it: 2.5 stars In their stories and themes, Pixar often play in the same territory over and over. And yet, when it comes to visuals, they rarely do the same thing twice; each new Pixar movie might feel somewhat similar, but they always look different. The Good Dinosaur, the animation studio's latest effort, demonstrates both extremes. The tale of a dinosaur and his primitive human friend trying to make their way back home, the film takes a routine narrative that pales in comparison to the animated splendour that surrounds it. It's not often that the background proves more engaging than the figures at the centre of the frame, yet that's frequently the case here. The photorealistic details evident in images of fields, mountains, waterfalls, trees and other natural features are the real stars of the show. Read our full review here. https://www.youtube.com/watch?v=mhVDSzj2Lrw YOUTH See it if: you want something pretty to look at. We give it: 2.5 stars Michael Caine and Harvey Keitel wonder about days gone by, while Rachel Weisz and Jane Fonda deliver verbal tirades designed to awaken the ageing men from their apathy. All four spend their time in an expensive Swiss spa, and in a film as visually luxurious as their lush surroundings, Paolo Sorrentino's Youth unravels — its seasoned cast and opulent images its obvious selling points. Musings about life, love and legacy have rarely looked as exquisite, even if the movie's charms remain somewhat surface level. It's a decadent picture about watching the world go by, rather than really experiencing it. Read our full review here. https://www.youtube.com/watch?v=Kqe1kFb0xTk PEGGY GUGGENHEIM: ART ADDICT See it if: you're an art addict yourself. We give it: 2 stars Audio snippets from the eponymous art addict are all that keep this unremarkable doco afloat. Director Lisa Immordino Vreeland struggles with tone, never quite knowing whether to interrogate the gossip that surrounded Guggenheim's personal affairs or to simply recount the rumours. It still makes for pleasant-enough viewing, particularly for art addicts themselves — but it just never manages to fully do Guggenheim justice. In fact, it's only her vocal presence that stops the movie from amounting to little more than an interesting video of a Wikipedia listing. Read our full review here. https://www.youtube.com/watch?v=arhMMJx7tCU DADDY'S HOME See it if: you're a sucker for punishment. We give it: 1 star Apologies to fans of Will Ferrell, but watching Daddy's Home is one of the more agonising experiences we've had in a cinema all year. Ferrell stars as a dweebish music exec married to an improbably tolerant wife (Linda Cardellini), who is forced to compete for the love of his step-children when their cool but irresponsible biological father (Mark Wahlberg) rolls back into town. Cue a mind-numbing comedy that mixes kindergarten-level humour with weirdly adult sex gags and feels about three times as long as its 96-minute runtime. Stand-up comic Hannibal Buress manages to scrape a few laughs here and there, but otherwise it's slim pickings. Do yourself a favour and steer well clear. https://www.youtube.com/watch?v=fNkSYE6HiOE ALVIN AND THE CHIPMUNKS: THE ROADCHIP See it if: ...yeah, we've got nothing. We give it: N/A Look, we're going to level with you here: we didn't actually see this. Life's too short. But if you want to go out and spend your hard earned money on a ticket for a film about a group of wise-cracking rodents, feel free to let us know what you thought. If you're looking to steer well clear of cinemas on Boxing Day, take a look at our list of the year's ten best films that hardly anyone saw here. Words by Tom Clift and Sarah Ward.
As any published author will tell you, settling on a cover design is tricky. But California-based designer Maria Mordvintseva-Keeler has come up with a novel approach. She's repackaged classics in cans — with labels that reveal their 'ingredients' without giving away their storylines. Titled Food for Thought, the design series features three classic books, each of which contains a foodie reference in its title — Truman Capote's Breakfast at Tiffany's, William Burroughs' Naked Lunch and Dinner at the Homesick Restaurant. The label lets the reader know if the book suits his/her mood and literary diet. Breakfast at Tiffany’s, for example, reads: "[It] has the characters, serving size, with the number of pages, and emotions in the daily value sections," Mordvintseva-Keeler told Mashable. "I sometimes wish they featured something like that on the cover, since the right book at the right moment is better than any sort of therapy. Reading is certainly better than stress eating." Originally from Moscow and now based in San Diego, Mordvintseva-Keeler's previous projects include Packaged Pets, which promotes the adoption of animals from shelters; EcoBag, a biodegradable plastic-bag replacement containing seeds (and similar to these coffee cups); and Bold as a Rooster, a typographical study exploring the "potential of roosters’ combs, feathers and legs to become legible letters". Take a leaf out of this artist's book. Via Mashable. Images: Maria Mordvintseva-Keeler.
Fitness fanatics of Brisbane, it's time to add a tutu to your workout kit. Think ballet without the performance, and a style of exercise that fuses yoga, pilates and dance conditioning routines. Think barre. You've probably already heard about the workout that celebrities seem to swear by, given that it's been around since German dancer Lotte Berk came up with it in London in the late 1950s. Trying it; well, that's another matter. While the UK and the US have been barre-crazy for decades, it didn't catch on quite so quickly here. A few gyms around town offer classes, Spring Hill already boasts its own studio and another is coming to the CBD — but you can never have too much of a good thing. At Barre Brisbane, director Ash Daniec wants to get the city excited about the exercise trend she discovered 18 months ago while preparing for an overseas trip. For the uninitiated, barre focuses on flexibility and strength, asking participants to use their own body weight in isometric — or small, one-inch-increment — movements. It might not sound like it, but the technique really gets the muscles firing, with sculpting and creating length among its key outcomes. Daniec's new venture will offer 23 classes over 6 days each week, as available via memberships and casual passes ranging from $25 per class to $35 for a three-class-per-week package. West End is her first stop, with plans to open more studios in Teneriffe, on the northside and in Noosa, and add week- and weekend-long retreats to the mix as well. When it comes to the classes themselves, Barre Brisbane is designed to appeal to newcomers and health-nuts alike, as well as anyone keen for a cardio boost and those who want to (literally) stretch themselves. Plus, it just might help you fulfil a childhood dream. Let's face it: for most of us, it's as close to being a ballerina as we're ever going to get. Find Barre Brisbane at 347 Montague Road, West End from February 25. For more information, visit their website.
Want your Uber ride to be even cheaper? Don’t mind sharing a ride with strangers and making awkward small talk? UberPOOL might just be your perfect service. As reported by The Guardian, it’s rolling out in London today and allows Uber users to opt into a carpooling option with a very attractive 25 percent discount on the standard Uber fare. Sharing is caring. It’s not guaranteed there’ll be another user opting into UberPOOL in the vicinity, but if you don’t get matched you still keep that tasty discount. So basically, you get rewarded for being a chill and environmentally conscious Uber user, even if you don’t even right share (it’s the thought that counts). As well as making Uber even cheaper for anyone willing to share, UberPOOL also environmental benefits — more seats on bums and more cars making full use of their capacity means less cars on the road and less pollution. The option has been rolled out in a few cities and even accounts for half of all rides taken in San Francisco (half!), so it’s not exactly a new concept but it’s certainly taking off. We’re still waiting for word of when it will hit our shores but you can guarantee it's likely to. Gizmodo's Luke Hopewell wrote an interesting account of his experience in an UberPOOL and pointed out the one major flaw in the plan: as well as being hella awkward to ride with a complete stranger, if you hop our first, that complete stranger knows where you're going or where you live. The app doesn't give you the name of your riding buddy, but that's no guarantee you won't be Ubering home with a weirdo. While we wait to see how it all plays out, let’s just scroll through #yourtaxis and giggle gleefully over terrible PR ideas. Via The Guardian.
Earlier this year, some of Australia's best bar teams went head-to-head to nab mad bragging rights, an epic photo shoot and a huge trip to Glasgow for Auchentoshan Whisky's national Distilled Different competition. Bar teams across Australia created an Auchentoshan American Oak cocktail for the competition, and twelve were then paired with an up-and-coming Australian photographer who worked with them to create a photographic masterpiece to reflect the team's personality. On Tuesday October 18, the winner of the cocktail competition was crowned. Sydney bar team Eau De Vie won for the originality of their cocktail and portrait, which was snapped by Brendan Fitzpatrick in a fully-styled photo shoot that judges agreed captured the essence of their bar. Eau De Vie and Fitzpatrick were chosen as the winning team by a panel of industry professionals, including our very own managing editor Shannon Connellan. The team from Eau De Vie will be jet-setting off to Glasgow as part of their prize. Glasgow is the home of Auchentoshan — the only triple distilled Scottish single malt whisky in the world. Triple distilled, people. The winners will of course get to visit the Auchentoshan distillery while they're there. The team at Ramblin' Rascal Tavern were also chosen on the night as the winners of the People's Choice Award. Take a look at what went down on the night.
They've made fireworks you can eat, cooked T-bone steaks with lava and served bespoke cocktails tailor made to match your DNA. But this past week in London, culinary wizards Sam Bompas and Harry Parr may have outdone themselves yet again. Hosted in a converted warehouse in partnership with deals website bespokeoffers.co.uk, The 200 Club can claim the title of the world's longest tasting menu, featuring 200 different dishes over 24 non-stop hours of service. Eight chefs toiled away in the kitchen creating the tasting plates, which ranged from truffle bubbles to coffee-compressed watermelon. A two hour sitting cost between £49 and £99 depending on the time of day, or you could attempt the entire gastronomic marathon for £2,000 per couple. Only four people have the stomach for the latter option, but we have to imagine they were happy with their decision. Of course it wouldn't be a Bompas & Parr affair without a little additional visual theatre. As such, each sitting was differentiated by the colour of the food, a move inspired by the monochromatic feasts of Emperor Nero. Check out the menu, as well as some photographic highlights, below. 200 CLUB MENU Yellow Breakfast: A morning repast that zings with citrus, caffeine and craft. This culinary explosion will hybridise flavours of the East and West in a high-energy, high-end display of homely food love. White Elevenses: A British tradition bejewelled in surreal sparkle. Expect custards, shortbread, quiches, clouds of confection sugar and a dreamy sweet vision of the classic treats. Green Lunch: This meal will be a rustic yet refined version of the garden snacking of yore. Look forward to leafy eating including the freshest greens, meats and cheeses, plus a procession of fluorescent jellies. Blue Afternoon Snack: A powerhouse of flavour for the lazy hours of the day. Taste an otherworldly array of vibrant and dusty turquoises in the form of naturally tinted roots and skilfully prepared fish. Purple Five O’Clock Tiffin: Rooted in the wild and rich darkness of summer, enjoy ingredients such as wild game and dark summer fruits. Dishes will speak to simple food traditions reinterpreted with modern culinary craft. Pink Dinner: Forget “trendy” food items like burgers or hot dogs. Your table will be buzzing with eye-popping fuchsia, cured meats, and smouldering wood smoke. Red Party Time: A sultry explosion of party vibes and hot weather flavours. You’ll see Australian and Asian influences, balancing classic spice and tropical tangs with modern style. Orange Drunchies: The extension of a great night out. Expect contradicting textures, bleeding edge techniques, and lashings of moreishness to tantalise the palate. Brown Blackout: Indulge in a meal of carnal urges – sweet, hot and savoury dishes. The chef will keep you on your toes with coffee, chocolate, black garlic, squid ink, soy sauce, and liquorice. Multicolour Final Countdown: A communal carousal of globally-inspired festival food. Mark the culmination of The 200 Club with a multinational flavour and colour explosion, using vibrant colours with grand presentations. Images by Adam Laycock via Bespoke Offers.
Newsflash: fashion isn't just about looking good. Sustainability is playing an ever-increasing role for many designers, and there's a new Australian magazine trying to to support and highlight their noble pursuits. With their first edition launching only a matter of months ago, Hessian is your new go-to publication for feel-good fashion. For those a little out of the loop, we spoke to editor-in-chief Siggi McCarthy to get the inside scoop. How are people embracing this new trend? Where can you get your hands on the good stuff? What does it all mean? So, what is Hessian? "Hessian was founded simply out of necessity," McCarthy says. "Violette Snow (founder) felt there needed to be a magazine that packaged sustainable fashion in a way that was accessible, exciting and fresh. Without sounding like a crazy hippy, the earth and the people living here are in trouble and we need to step up and do something about it." McCarthy first met Snow when she was working for Ethical Clothing Australia, manning their stall at the Sustainable Living Festival. The two got chatting and soon realised they were very much on the same page. "I was immediately drawn to the idea of Hessian and knew I wanted to be a part of it. Violette was putting onto paper what I'd been thinking about for a long time: Why can't sustainable fashion be aesthetically pleasing? Why don't we expect more from fashion labels? Can someone please stop using the word 'green'?" "There needs to be a greater dialogue when it comes to ethical issues in the fashion industry but we can't create real change if we alienate young consumers. This is why Hessian uses a concept called subtle sustainability." Sustainability is a bunch of small choices "Subtle sustainability is a stripped back easygoing concept that encourages us to think about leading a more conscious lifestyle," McCarthy says. Instead of shoving it in people's faces, Hessian focusses on making realistic and achievable lifestyle changes — people want to feel as though they're making a difference, but they also don't want to read about doom and gloom. "Put simply, we just want young people to make informed choices and realise that mindful living can actually be fucking cool." Focussing on the bigger picture, Hessian prefers to think of itself as a style magazine rather than a fashion rag. "We encourage people to embrace quality local production, independent design, good craftsmanship, and style that transcends seasonal fads." You don't have to look bad to feel good Good news do-gooders! These days you can buy sustainable products without compromising on quality or style. "While some brands unfortunately reinforce the stigma attached to sustainable fashion — that it's heinous — there are labels out there that are encouraging people to buy ethically through beautiful clothing," McCarthy says. "I think that's the key to a more sustainable fashion industry — blending ethics with aesthetics so seamlessly that sustainable clothing becomes the more desirable option." Bottom line: people want to buy clothing because they look good and that's never going to change. "They’re not going to settle for something that looks like crap just because it has a nice story behind it." There are lots of brands doing great things "I think us young folk get a bit of a kick out of knowing who is behind the clothing and wearing something that comes from a small run," McCarthy says. And, luckily for us, there are a bunch of local independent designers doing us proud in the sustainability stakes. In particular, Siggi recommends Kuwaii, Celeste Tesoriero, PER-TIM, Julie White, Thursday Sunday, YEVU, Kester Black, Nobody Denim and The Social Studio. Working at Ethical Clothing Australia, McCarthy also tries to support accredited labels. "R.M. Williams, for example, is ECA accredited and make the best boots locally in South Australia," she says. "I also dig NICO Underwear, which is made in Queensland using organic cotton and bamboo." Overseas favourites include Honest by, Everlane, Kowtow and Study. The good stuff can be hard to find The difficult thing about small independent labels is that they can be tricky to hunt down. In lack of an outlet store, McCarthy recommends hitting up Monk House Design, Dagmar Rousset, and trusty old op shops. But her hot tip is social media — there a bunch of great Facebook groups selling good quality, secondhand clothing. "When I meet girls to pick up items bought in these groups, it always feels like a drug deal," she says. "You generally don't know what the seller looks like, so you stand awkwardly on a corner hoping to make eye contact. When you suspect it's the right person, you walk up to them hesitantly, exchange pleasantries, inspect the garment, give them the money and then go about your day. Sometimes I think I buy clothing off these groups more for the experience than the clothing!" You can do it for cheap Of course, doing things right doesn't always come with a huge price tag — this isn't like the organic section at Coles. If you're doing this on a budget McCarthy suggests you stick to Facebook or Instagram and hit up online swaps like The Clothing Exchange. She also suggests you invest in quality over quantity. Buying one great item that lasts you saves you a bunch of money in the long term. You should also shoot for a well-curated wardrobe. This means thinking about what you already own and how your clothing can be worn with the garment you're considering buying. There's not much point having a wardrobe filled with pieces that don't work together. Last but not least, don't worry about wearing the same clothes often. If you look good — work it. For more on sustainable fashion pick up Hessian from their online store or Happy Valley, Brunswick Street Bookstore, Save Yourself Boutique, Dagmar Rousset, Greenhorse Boutique, Limedrop in Victoria. In NSW you can pick up a copy at Darley Collective. Images via Hessian Magazine, Dagmar Rousset, Kuwaii, Monk House Design.
Flume is teaming up with LA-based, Australian-born visual artist Jonathan Zawada for a blink and you'll miss it multimedia pop-up in Surry Hills this December. Named after the ARIA chart-topping musician's sophomore album Skin, for which Zawada created the cover art, live graphics, related videos and merchandise, the free exhibition will be open at Special Group Studios on Devonshire Street from Wednesday, December 7 through to Sunday, December 11, and will feature a series of new video works created exclusively for the show. "I've always been a huge fan of Jonathan's work so it's been a privilege to have him involved in the visual aesthetic around Skin, from the album art to the live show and merch," said Flume. "Visually I'm interested in the contrast of organic and synthetic, Jonathan's work so cleverly depicts this so it's been a natural fit for the music. I love the way he embraces technology to twist and contort things from the real world in alien ways." The pop-up will feature eight never-before-seen videos that combine fantastical animation by Zawada with ethereal sound design by Flume. Alongside these will be a series of large scale silk prints that further highlight the pair's unique creative partnership. You can check out Skin from December 7 to 11 at Special Group Studios, 270 Devonshire Street, Surry Hills. Keep your eyes on social media for more information closer to the opening date.
First came Messina. Then came kittens. Now, finally, Uber has rolled the dice on the ultimate delivery treat, and will be bringing babies right to your office. That's right — we're talking UberBUBS. Like some sort of stork in an Audi with a 4.8 star rating, Uber drivers have teamed up with trusting mums and dads all around the country to unlock the clucky in all of us, but be warned: the waiting list is expected to be huge. "If there's one thing you hear time and time again from successful, white collar types in the CBD," explains Uber Australia CEO Pieter Rank, "it's the regret of having put career ahead of family. Today at least, even if only for 15 minutes, we're giving them the chance to have both — no strings attached." Naturally, parents will be present at all times, and if the younglings find themselves overwhelmed, the visit will be cut short and a 50 percent refund offered in return. So how can you grab your chance to experience all the adorableness of kittens with the added benefits of dribble and mumbling? 1. Download the Uber app. 2. Request the 'BUBS' option in the app TODAY between 12pm and 4pm within the Sydney/Melbourne/Brisbane CBD and surrounding suburbs. 3. If available, you'll get to enjoy 15 minutes of wide-eyed (or possibly stinky, wailing) cuteness delivered to your office, your home or even your reluctant partner to show them what they're missing. All funds raised will go to local not-for-profit nappiesandinsomnia.org.au to help raise funds for future Uber marketing activations.
Got some spare cash burning a hole in your bank account? Then you could own one of Brisbane's top spots. Ten years after it revamped an otherwise unloved patch of Fortitude Valley and started a trend, Limes Hotel is for sale. Over the past decade, most of Brisbane has made an excuse to drop by the boutique establishment, not that one was needed. Maybe you've had a drink at its rooftop bar. Perhaps you've plunged in the rooftop pool (one of our favourite outdoor swimming pools in Brisbane) while watching a movie under the stars. You might've even treated yourself to a night in one of its pretty rooms. Either way, change is a-coming to the pioneering place on Constance Street behind the train station, which previously hosted some of the worst real estate in Brisbane. Just what the future holds is yet to be determined; however logic dictates that whoever the new proprietor turns out to be ought to be thrilled with the booming business they're buying. Current owner, Damian Griffiths, has plenty of other things to keep him busy. Les Bubbles is due to open on September 10, a spate of kiosks are set to take over South Bank in October, and then there's the already operational Alfred & Constance, Doughnut Time and Kwan Bros, aka some of the city's most beloved hangouts and suppliers of tasty treats and Asian meals. Via The Courier-Mail.
Brisbane's weather is downright balmy, with no outdoor escapade off-limits. There's rooftop bars, open air swimming pools and outdoor cinemas aplenty, and the crisp, blue days mean a uniform of sunnies, thongs and a T-shirt are commonplace, as are icy beers, night markets and seafood feasts. BREAKFAST AT DAVIES PARK MARKETS Start your weekend strong with a wander around the Davies Park markets in West End. While you’re there, grab a langos or two (a traditional Hungarian dish made of deep fried bread dough topped with cheese, garlic and sour cream), a cinnamon-spiced coffee and make your way to the adjacent park to watch the band and do some quality dog spotting. If you can still walk after all that indulgence, wander down the river to Orleigh Park, catch the CityCat to a sunny spot and just take in the morning. GET BACK TO NATURE AT CEDAR CREEK You don’t have to go too far out of Brisbane to be transported to completely new worlds. Cedar Creek Falls is a 45 minute drive north-west of the city and is a favourite day trip location for anyone who doesn’t have a swimming pool. After you’ve had a paddle, head to one of the hiking trails and get lost (though not literally) in the quietness of nature. To get to the creek, turn left onto Cedar Creek Road which is about 5.7km north of Samford if you’re driving along Mt Samson Road. CHECK OUT THE GALLERY OF MODERN ART It goes without saying, GOMA's got a solid local and international rep. Every reviewer and local and stranger on the street is constantly banging on about how amazing the gallery is, how balanced the architecture, how resplendent the views. Well we’re sorry to be repetitive but it’s all true and you really must join the cult of people who strongly believe GOMA should be on everyone’s bucket list. And while you’re there, head to the State Library next door and take a quiet time-out in one of the window boxes overlooking the river, grab a CityCycle and take off along the river or head around the corner to the newest entertainment precinct on Montague Road and grab a bite at The Milk Factory. GRAB AN AUTHENTIC MEXICAN DINNER AT PEPE'S Whether you’re a fan of Mexican cuisine or not, it’s hard not to love Pepe’s Mexican in Newmarket. Their menu is huge, varied and always fresh, and no matter what night of the week you go, always expect a crowd. The decor is thematic and homely but not tacky (no fake moustaches or sombreros here). You can’t really go past the chicken chipotle empanadas, unless it’s to run with open arms into a steamy chimichanga. And if you really want to indulge (and we know you do), order the chocolate fudge nachos from the desert menu and whisper “Hashtag YOLO” as they’re placed in front of you. BREAKFAST AT A WEST END ICON The Gunshop Cafe is a long-running West End standard who do a mean breakfast (the weekend lines around the block are a testament to this fact). We recommend the potato and feta hash cake with herbed sour cream, baby spinach and truss cherry tomatoes; or for those with a sweet tooth, try the brioche French toast with roasted rhubarbs, pistachio mascarpone, fresh berries and toasted flake almonds (do we even have to explain why? Pistachio mascarpone, that’s why). After you’ve filled up on tasty treats, take a wander around West End, a suburb that shines on the weekend. Stop in at SWOP second hand clothing shop next door to Gunshop Cafe and famed bookshop Avid Reader on Boundary Street. TRY BRISBANE'S BEST SUSHI Words can’t describe the bounty of delight that is Sushi Kotobuki. Words like “tastiest”, “cheapest”, “moreish” and “cream cheese” all float in the aether when you take that first bite of aburi salmon. Until recently, Kotobuki only had one location on Lytton Road in East Brisbane, where lines ran out the door and tables were scarce. Luckily, they’ve recently opened a shiny new venue in the CBD. We urge you to embark on a journey via plane, train, bus or dog sled to get there and order as much fresh sushi as your stomach can handle. Our particular favourites include the cream cheese chicken fusion roll, the tofu agesdashi and their speciality ‘Crunch Chicken’. ABSEIL OFF KANGAROO CLIFFS We know this seems bananas. Why would anyone ruin a relaxing weekend getaway by plunging feet first and backwards off a sheer cliff? But hear us out. Think of the breathtaking view out over the Brisbane river, the rush of adrenalin as you turn your back to it and the feeling of invincibility when you finally get to the bottom. Not to mention that the experience is totally safe, fully harnessed and kids as young as eight can do it. Every day the cliffs are littered with adrenalin junkies chasing adventure, so you know it’s legit. EAT STREET MARKETS The Eat Street Markets are a local commodity that wouldn’t work in any other city in Australia. But they thrive in Brisbane, where the nights are balmy and the food is steaming. The market boasts dishes from around the world: Brazilian steaks alongside Greek honey puffs and Korean BBQ; Japanese Takoyaki alongside Coffin Bay oysters and Filipino street food. It’s multiculturalism at its best. After the smorgasbord has died down, take a wander through the market and check out the ware on sale from local craftsmen, fashion designers and fudge artisans (yeah for real – check out their cute, Instagram-worthy watermelon fudge). LIMES ROOFTOP CINEMA There’s nothing more invigorating than drinking a cocktail at a rooftop bar. Why? We don’t know. Maybe it’s the rush of looking out over the city and yelling “I’m the king of the world!” or pretending that the beautifully decorated Limes bar is actually the deck of your penthouse apartment. But whatever it is, the elation pairs well with a trashy movie, cocktail and reclining in a plush chair. Catch an array of questionable titles, like Adam Sandler’s 50 First Dates, which should only be viewed while buzzed and in good company. GO BAR HOPPING THROUGH THE CBD AND FORTITUDE VALLEY A fantastic quirk of the Brisbane nightlife scene is that most of the good bars and clubs are located in the CBD or Fortitude Valley, the most happening and hedonistic quarter of Brisbane. For an appropriately paced night, start with a few classy cocktails at Super Whatnot bar in Burnett Lane in the CBD. Pick at their light and vaguely Spanish bar menu until you’re feeling jolly, then take a quick Uber or bus up the road to the Brunswick Street Mall and prepare to get silly. Start off slowly at Kerbside on Constance Street and eventually make your way over to Cloudland on Ann Street for dancing or Laruche to vibe off the resident soul and funk DJs. And just so you know, there is a New York Slice on Brunswick Street for your post-club, pre-cab midnight snack (no judgement). Top Image: Cloudland
From award-winning Australian novel to sold-out mainstage production, Jasper Jones is now getting the long-awaited big screen treatment it deserves. Madman Entertainment has today released the trailer for the anticipated film version of Craig Silvey's lauded novel, a revisualisation directed by Rachel Perkins (Bran Nue Dae, Radiance, One Night the Moon) and produced by Vincent Sheehan (Animal Kingdom, The Hunter) and David Jowsey (Mystery Road, Goldstone). Jasper Jones follows the classic story of 14-year-old Charlie Bucktin, a wide-eyed, book-loving kid living in small-town Western Australia in the summer of 1969. When local mixed-race outcast Jasper Jones wakes him up in the middle of the night, one heck of a mystery starts for the pair (and the town). Who's in the cast? Oh, just Australian royalty Toni Collette and Hugo Weaving, alongside Levi Miller (Pan, upcoming Red Dog: True Blue), Angourie Rice (These Final Hours, The Nice Guys), Dan Wyllie (Offspring, Muriel's Wedding), Matt Nable (Riddick, Son of a Gun) and Aaron McGrath (GLITCH). Get your eyes all over the trailer, it comes with a new song from Sydney lad Dustin Tebbutt, 'Atlas in Your Eyes'. Jasper Jones will be released in cinemas on March 2, 2017.
Yesterday, the world was rocked by the horrific events that took place in Paris. With information on the attacks still coming to light, it will take a long time for the global community to fully come to grips with the tragedy. In the meantime, however, the outpouring of international sympathy has already begun. World leaders, including Barrack Obama and Malcolm Turnbull, have been quick to condemn the attackers and offer their condolences. But perhaps more moving has been the site of many of the world's most famous landmarks lit up in the colours of the French flag. Below, we've compiled some photos of familiar Australian landmarks that took part in the spontaneous display of support for the people of France. Je suis Paris. Sydney Town Hall has been lit in the colours of the French flag #PrayforParis pic.twitter.com/dTy38ATiMS — City of Sydney (@cityofsydney) November 14, 2015 pic.twitter.com/4LFei1TAxl — NGV (@NGVMelbourne) November 14, 2015 Story Bridge lit up last night for #ParisAttacks victims. Photo by Craig Capper. #9News pic.twitter.com/hS7KJqR6es — Nine News Brisbane (@9NewsBrisbane) November 14, 2015 Well played, @MCG #Paris #PrayForParis ?? ?? pic.twitter.com/zJm8yxAE9P — Clint Stanaway (@cstanaway) November 14, 2015 We'll be lighting Adelaide Oval in blue, white and red from 6pm tonight to show our support #Pray4Paris pic.twitter.com/c5LoGJGffi — Adelaide Oval (@TheAdelaideOval) November 14, 2015 .@LisaScafPerthLM @CityofPerth Looks stunning. #JesuisunParisien pic.twitter.com/QR8ZfK8Mbp — Matt Rosich (@subjectmattr) November 14, 2015 #Brisbane City Hall has also been lit tonight to show our support for the people of France #ParisAttacks pic.twitter.com/bvKtLgqxB1 — Team Quirk (@Team_Quirk) November 14, 2015 Melbourne town hall. ???? @LordMayorMelb @cityofmelbourne pic.twitter.com/hduJyWhYz5 — Sharnelle Vella (@SharnelleVella) November 14, 2015 Header image: Prudence Upton.
It's the end of a midweek working day, so you're hankering for a spot of internet whimsy. Lucky for you, a group of film-savvy go-getters have created one hell of a cinematic mash-up: The Uncanny X-Men by Patrick Willems. Asking the question we've all wanted to ask, 'What if Wes Anderson Directed X-Men?' this movie-lovin' crew took months and months to create this little smirk-inducing video. Sure, it's not made by the Duke of Twee himself, but it's a nice way to appreciate both your favourite mutant taskforce and your go-to picture book director. This isn't the first time Willems and the crew have dabbled in parody. They also made What if Tommy Wiseau Directed 'Batman'? and What if Sergio Leone Directed 'The Punisher'?. In their latest Wes-capade, Professor X, Jean Grey, Wolverine and the Devo-looking mutant crew get the Tenenbaum treatment, with plenty of adorable references to Rushmore, Bottle Rocket and The Life Aquatic with Steve Zissou. There's even a few cross-section house shots, and that Futura overlay. X-Men needs more slow-mo Wes moments, is all we can say. Via Polygon.
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Brisbane is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing a little adventure and spontaneity into your schedule. We've teamed up with Mazda3 to celebrate the landmark 40th anniversary of their iconic small cars, and in turn, help you celebrate the Brisbane landmarks and institutions we all love. This week, discover and rediscover the things that make Brisbane so great, with seven different detours through our city's classic spots. From Monday to Sunday, channel that Brissie spirit, and enrich your everyday with one completely achievable, time-honoured activity that helps bypass any mundane roadblocks in your routine. This week, rediscover the classics of Brisbane we know and love, from the tasting menu at e'cco bistro, to stargazing at the Sir Thomas Brisbane Planetarium, to cruisy bowls along the river. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
Kicking off with a light-hearted caper, ending with happy tears — that's what we look for in an Italian jaunt. And even if you're not heading over to Europe anytime soon, sitting in a cinema this September might be the next best thing, in the form of the 2017 Italian Film Festival. Marking its 18th year, Australia's annual celebration of Italy's filmmaking finest will kick off with screwball effort Let Yourself Go!, which won the 2017 Italian Golden Globe for best comedy, stars The Great Beauty's Toni Servillo, and follows a tightly wound psychoanalyst's dalliance with an upbeat personal trainer. Bookending the festival is a 20th anniversary screening of Roberto Benigni's bittersweet Life Is Beautiful, an Academy Award winner for best foreign language film. One of the more popular film events in Australia, IFF's 28-film, six-week national tour features brand new highlights, excursions off the beaten track, jaunts all over the country and an ode to coffee. Yes, there really is a film called Coffee in the program, which intertwines three tales about everyone's favourite caffeinated brew, and was inspired by Alejandro Gonzalez Inarritu's 2006 Oscar-winner Babel. As for the rest of the fest, highlights include the tender portrait of conjoined twin sisters that is Indivisible (the festival's centrepiece), to Sea Girls Dreaming, a documentary about carefree grandmothers living in the tiny Italian mountain village of Daone. Plus, Italian movie buffs can also enjoy romantic comedy Emma, which comes to Australia straight from the Venice Film Festival, and the based-on-a-true-tale Sicilian Ghost Story, about the disappeared teenage son of a Mafia informant. There's more where they came from, including Roman ex-cons attempting to start a new life, broad Christmas comedies and topical accounts of ex-terrorists fleeing extradition — and a special guest and a new initiative. This year's festival will welcome Australian-Italian actor Greta Scacchi, who'll attend screenings of her latest effort Tenderness, and sit on IFF's first jury. The Looking for Alibrandi star will help pick the festival's best from a six-film competition, with help from The Space Between's Ruth Borgobello, actor Daniela Farinacci, actor Damian Walshe-Howling and Radio National's Jason di Rosso. The 2017 Italian Film Festival tours Australia between September 12 and October 25, screening at Sydney's Palace Norton Street, Palace Verona and Chauvel Cinemas from September 12 to October 8; Melbourne's Palace Cinema Como, Palace Westgarth, Palace Balwyn, Palace Brighton Bay, Kino Cinemas and The Astor Theatre from September 14 to October 8; and Brisbane's Palace Barracks and Palace Centro from September 20 to October 8. For more information and to buy tickets, visit the festival website.
With all due respect to them, the cast of Patti Cake$ don't look your average movie stars. And they certainly don't look like your average rappers. There's Cathy Moriarty as a pack-a-day smoking grandma, Mamoudou Athie as an awkward would-be anarchist, Siddharth Dhananjay as a smooth-talking pharmacy worker and, finally, Sydney's own Danielle MacDonald as Patricia Dumbrowski, aka Patti Cake$ aka White Trish aka KILLA P, a downtrodden woman who dreams of becoming a hip hop sensation. Of course, it's precisely because the film focuses on such an unconventional set of protagonists that this inspiring indie drama works so well. Written and directed by first-time filmmaker Geremy Jasper, who workshopped the film with his cast at the Sundance Directors Lab, Patti Cake$ is a classic underdog story — one that will have audiences cheering for its misfit heroes at every turn. "I think we all want to be represented," says MacDonald, her Aussie accent sounding nothing like Patti's New Jersey drawl. "We see what normality is on screen, but that's not really true to real life. I don't know any one person who would say that they're normal, quite honestly. And I think now that we're seeing different stories and different people on screen, it's really cool." After screening at the Sydney Film and Melbourne International Film festivals, Patti Cake$ is now in Australian cinemas. We spoke to MacDonald about how she went from Sydney's northern beaches to suddenly being the talk of LA. That, as well as the importance of on screen diversity, and what it's like being cast as a rapper when you have literally no idea how to rap. A STAR ON THE RISE Since Patti Cake$ premiered to a standing ovation at Sundance in January (prompting a bidding war between five major production companies — Fox Searchlight came out on top), critics have been singing MacDonald's praises — and rightfully so. But while it might seem like she appeared out of nowhere, the actor has been putting in the hard yards for quite some time. "I grew up in Clareville [a small suburb in Sydney's northern beaches]," she tells us. "I did acting classes in Sydney at the Australian Institute for the Performing Arts. I did some tours to America, just to learn about the industry out there, and one of the casting directors I met introduced me to my managers. My managers got me an audition, I moved to the States, and I've been there for seven years, working my way up." It was MacDonald's small part in indie thriller The East that caught the attention of Patti Cake$ director Jasper, who invited her — along with Dhananjay and Bridgett Everett, who play's Patti's alcoholic mother Barb — to help develop the project at the Sundance Labs in 2014. "That was kind of my audition process," MacDonald says. "It was really cool, because Geremy hadn't finished the writing process yet, and I feel like his writing was influenced by myself and Sid and Bridget. We all workshopped with him and kind of figured out who these characters were, based off this time that we got." HIP HOP 101 MacDonald displays phenomenal talent in the film, but even she admits her casting was a bit of a gamble. After all, it's one thing to teach an Aussie girl a Jersey accent, but it's another thing entirely to teach her how to rap. "I was terrified," she admits. "And I could tell [Jasper] was terrified as well." "It was a lot of repetition," MacDonald says of her hip hop training. "I listened to a lot of different artists, a lot of different songs and styles of music. On top of that I worked with a rap coach for a month before we started shooting. He really helped me sit in the beat nicely, and just relax into it and not stress about it, which you do when it's not a natural skill. He helped me find that." "I feel like so much of rapping is just confidence, and I had no confidence. Trying to get over that was very mentally challenging." When asked if rapping is now a skill she'll possess forever, MacDonald laughs. "I only know how to rap as Patti — I learnt how to do these songs in her voice and in her head. I would never be able to do it as me. With my voice and my no swag, it would go very badly." CONNECTING ON A HUMAN LEVEL Of the all the elements in Patti Cake$, it's the diverse characters that make the film so gratifying. "[They] reflect society," MacDonald remarks. "These are people of all different shapes and sizes and ethnicities and religions and genders, that all come together and connect just on a human level. Connecting "through their weirdness", MacDonald observes they're all outcasts in a way. "It's special. They find their own way of doing things," she says. "My small town in the northern beaches is very different to this small town in Jersey," MacDonald continues. "It's cool to be see something different and be able to play something different, but something that I can still relate to. And that's the thing. I think when you see these films and you can go, 'Oh I can relate to that person, even though they're so different from me', I think it really helps bring people together."
For years it’s been rumoured that Brisbane’s music scene was getting better and better and now we have incontrovertible proof that it is. FOMO, a boutique festival set up by locals BBE and Steven Papas, just dropped their lineup and it’s killer. The brand new January 2016 festival has quite the eclectic electronic bunch teed up, headlined by RL Grime, Jamie xx and local lads Flight Facilities. Joining them are bigtime internationals like Boys Noize, Skepta , Keys N Krates and Mr. Carmack, balanced out by a solid local lineup including Tkay Maidza, Anna Lunoe and UV Boi. Like Jungle Love, the Sunshine Coast's returning BYO camping festival, FOMO has nailed the boutique festival vibe. Held over one day, the festival is happening on Saturday, January 9 at Riverstage, which Brissie locals know means one thing: one stage, no clashes. This is exactly what you want at a small festival to make the most of your ticket. FOMO 2016 LINEUP: RL Grime Flight Facilities Jamie XX Boys Noize Skepta Mr Carmack Keys N Krates Tkay Maidza Anna Lunoe Benson UV Boi Tickets start at only $79+bf and go on sale from 2pm Friday, September 18 . Grab ‘em here.
Norway’s capital Oslo has recently elected a leftist city government and they’re already implementing radical new plans that may soon see Norway grow more famous for its sustainable practices than its Viking history and fjords. Oslo's city centre is about to go car-free. By 2019, private vehicles will be banned from Oslo's CBD, where according to local press Verdans Gang, about 90,000 people work, but only 1000 live. The pedestrianisation of Oslo's centre is an attempt to reduce carbon emissions to 50 percent of 1990 levels by 2020. Don’t it bring a tear to your eye? Snaps for Oslo. The plan isn’t without controversy, obviously. The proposal has raised concerns for local businesses who worry the program will reduce the amount of shoppers out and about. Others have raised legitimate concerns that seniors, people with disabilities or families with young children will suffer without access to private transport. To counter, the city will allow vehicles with disabled stickers and zero-emissions vehicles on the roads, but ultimately the message is: if you’re able, you gotta use bike lanes or public transport. The city government also plans to supplement the scheme by building more bike lanes, subsidising the purchase of electric bikes and moving away from fossil fuel investments in pension funds. Around the world, many big cities are coming to the realisation that the only way to improve the health of the population and reduce urban pollution, is by reducing traffic rather than managing it. In September, Paris implemented a one-day scheme wherein large parts of the inner city were closed off from traffic for a day, including the iconic Champs Elysees (we’ve heard it’s a busy street, but maybe that’s thanks to all the traffic?). The Guardian reported Parisians walked around in awe of the quiet, clean air, with one citizen even saying “Everyone seems to be smiling, and not as stressed,” (awww bless). In Seoul, a forward-thinking city government in 2003 ripped up a highway to execute a plan to restore the Cheonggyecheon stream, which runs through the centre of the city and was laden with pollution and debris. The restoration meant getting rid of an overland highway that ran along the stream and carried a huge amount of traffic. What their traffic engineers found however instead of acting as a liquid and clogging adjacent streets, the traffic acted as a gas and contacted to fill the space available. It seems that highways follow the same basic principles as baseball fields — if you build it, they will come. Another stellar example comes from Curitiba in Brazil, otherwise known as the Green City. In 1972, architect Jamie Lerner was elected as mayor and his first act was to physically blockade a major traffic artery in the heart of the city, without approval from anyone but himself, and restore it for pedestrian use. Total baller. The coup took less than 72 hours and was the first of many environmentally sustainable initiatives that have rendered Curitiba a shining example of smart, cheap design. And now, fingers crossed, Australia is looking to follow suit. Long term plans for Sydney’s George Street include reclaiming a large portion of it for pedestrian use. Brisbane’s controversial City Centre Master Plan aims to pedestrianise Albert Street to create a 'green spine' from one side of the city to the other. Yassss. Onya ‘Straya. Now if you’d just bump down the price of public transport and we’ll be all gravy. Via The Guardian. Images: Dollar Photo Club/City of Sydney.
Remember when Big Poppa's head chef Liam O' Driscoll cooked us up a feast of epic proportions? We sure do. To celebrate the launch of the KitchenAid Mini in Australia, we created a Mini Dinners video series and asked two of our favourite chefs to throw a dinner party and cook up three courses of their favourite food. Obviously, O'Driscoll stayed true to his Big Poppa's menu and cooked three courses of simple, rustic Italian food. He's given us his recipes so you can recreate the dishes at home. The Big Poppa's food philosophy is all about using fresh, local produce and letting it speak for itself. You're not allowed to do anything fancy, because if the produce is great to begin with you won't need to. Make sure everything you cook with is of the highest quality. If you've sat down and dined at Big Poppa's upstairs restaurant you'll know this is a big deal. Treat these recipes with respect. HAND CUT TAGLIATELLE WITH GLOBE ARTICHOKE, PARMIGIANO-REGGIANO, PANGRATTATO AND SALMORIGLIO INGREDIENTS PASTA 500g '00' flour or plain flour plus a little extra for rolling 3 whole eggs 4 egg yolks 20ml olive oil pinch of salt ARTICHOKES 8 artichokes 2 lemons 2 cloves garlic sprig thyme PANGRATTATO 2 cup of home made bread crumbs (made from day old white ciabatta or sourdough) 2 cloves garlic finely chopped 1/2 bunch of parsley chopped 2 lemons zested SALMORIGLIO 2 tablespoons fresh lemon juice 2 tablespoons extra virgin olive oil 3 sprigs rosemary chopped 1/2 bunch oregano chopped 1/2 bunch flat leaf parsley chopped 1 teaspoon salt zest of 1 lemon 2 garlic cloves, minced dash of freshly ground black pepper METHOD PASTA Place all ingredients into the bowl of the KitchenAid Mini with the dough hook attachment and mix on speed setting 4 for around 4 minutes, or until dough starts to form a ball Remove dough to a lightly floured bench and knead until dough comes together and has a uniform consistency (the dough should spring back a little if pressed with thumb) Wrap tight in cling film and place in fridge for 30 min Remove from fridge and rest dough for 20 min Unwrap dough a cut into 4 pieces On a lightly floured bench roll each piece out with rolling pin Take 1 piece of rolled out dough and feed through the KitchenAid Mini pasta rolling attachment on setting 10, continue to feed dough through roller decreasing the setting 1 mark at a time, until you reach the 0 setting, Lightly dust finished pasta sheet at set aside Repeat process till all sheets are rolled out. Stack sheets on top of each other and slice with a sharp knife into 2cm strips Set cut pasta aside covered with tea towel until ready to cook ARTICHOKES Snap back tough outer leaves until you begin to expose the pale yellow ones. Trim top off and pare down the leaves which cover the base of the heart and trim stem down till the pale yellow is showing Cut Artichokes in half lengthways and with a spoon scoop out the choke and place artichokes in water mixed with a small amount of vinegar or lemon juice to stop oxidisation In a large pot of cold water place the lemons that have been cut in half, garlic, thyme and artichokes, simmer until the base of the artichokes can easily be pieced with knife Strain and set aside, when cooled slice each half in two PANGRATTATO Bring 1/2 cup oil to medium heat in heavy based frypan, add bread crumbs and toast a light golden colour. At this stage add garlic, lemon zest and parsley, and continue to toast until golden brown Remove pangrattato from pan using a slotted spoon on to a baking try lined with paper towel, and let drain of excess oil and cool SALMORIGLIO Place all ingredients in the KitchenAid Mini food processor attachment and blitz BRINGING IT ALL TOGETHER Bring large pot of salted water to the boil and add pasta, cook for 2 min, add artichokes to water with pasta and cook for a further minute, strain and place in large mixing bowl with the salmoriglio, season with salt and pepper and mix Divide between 4-6 bowls and grate parmigiano-reggiano over each portion Top with pangrattato FLAT IRON STEAK TAGLIATA WITH CONFIT GARLIC BUTTER, TREVISO AND POTATO AL FORNO INGREDIENTS 1 kg flat iron steak, if unavailable flank or thick skirt can be substituted 1.5 kg waxy potatoes 2 heads of treviso or radicchio 3 sprigs rosemary 2 lemons 250g unsalted butter 1 head garlic 1 cup veg oil 1/4 cup chopped parsley salt pepper good quality Australian extra virgin olive oil METHOD BUTTER Place peeled garlic cloves in small pot with vegetable oil and heat at a low temperature until garlic is soft and starting to caramelise. Strain garlic and let cool In the KitchenAid Mini beat butter with paddle attachment and some salt until soft and pale in colour, add garlic and and parsley and mix until combined Take a sheet of foil and place a sheet of baking paper over this, spoon butter onto paper and then roll into a log twisting both ends until tight and butter feels firm Place butter log in fridge or freezer until firm Remove from fridge, unwrap and cut into 2cm wheels THE REST With are sharp knife thinly slice the potatoes into rounds and place slices overlapping each other into an oiled, deep, heavy based ceramic or glass baking dish. Drizzle with oil and season with salt and pepper and add water but do not cover potatoes with liquid Bake in oven at 200 celsius for 30 min Add rosemary leaves and continue to bake for a further 15min or until potatoes are cooked and golden brown Slice treviso lengthways into quarters and place on baking tray, drizzle with oil and season wit salt and pepper, roast for 10-15 min Season steak and bring a non-stick frypan up to smoking with a little oil, cook steak for approx 3-4 minutes on each side till a nice crust forms Remove steak and rest for 3min before slicing across the grain and serving on plate or board with butter crumbled on top and lemons cheeks, and treviso on side TORRONE SEMIFREDDO WITH DOLCE LATTE INGREDIENTS 2 cups heavy cream 1/4 cup good quality honey 225g hard hazelnut or almond torrone, finely chopped (Torrone is an Italian nougat made with honey, egg whites, sugar and nuts) 1 can of sweetened condensed milk METHOD In a deep pot place the can of condensed milk, cover the can with water and bring to a steady simmer for 3-4 hours. (Be sure to keep an eye on water level and top up pot to avoid water level dropping below the top of the can. The cans may explode if not fully submerged). After 3-4 hours remove can with tongs and set aside In a large bowl, whip the cream with the honey until firm. Fold in the chopped torrone. Transfer the mixture to a large, deep plastic container and press a piece of plastic wrap directly on the surface. Freeze until firm. Spoon semifreddo into bowls and open the can of condensed milk. Thanks to science it will have magically transformed into delicious caramel. Spoon caramel over semifreddo and enjoy Images: Samantha Hawker and Bodhi Liggett.
This March, the National Gallery of Victoria hosted a symposium to accompany the opening of its splendid 200 Years of Australian Fashion exhibition. Industry insiders, curators and commentators reflected on the question: 'What is Australian fashion?' — something we did too. It was a masterstroke on the part of symposium organisers to include the designers behind cult Melbourne label DI$COUNT, Cami James and Nadia Napreychikov. A more obvious choice would have been to invite the Australian scene's currently reigning faces — think Young Turks, Anna Plunkett and Luke Sales of Romance Was Born. Nevertheless, James and Napreychikov provided a level of insight about fashion that would come as no surprise to fans of their long running blog — but could have surprised a few industry figures. Why? Why has DI$COUNT been so popular with their fans, but has been left out of so many Australian fashion conversations? We took a stroll through 200 Years of Australian Fashion to find out where this bold, highly original label sits in the Aussie design landscape. THEY LEAPFROGGED FASHION WEEK AND MADE FRIENDS WITH THE INTERNET A stroll through the NGV's seriously delightful exhibition reveals just how varied Australian fashion, particularly in the late 20th century, has been. As a result, the NGV symposium panel members were hesitant to spout generalisations. For James and Napreychikov, the notion of defining DI$COUNT in terms of national boundaries would be especially wrongheaded. Even before the pair had finished their studies at RMIT, they were receiving and disseminating ideas about fashion in a global context (thanks to that wonderful beast, The Internet). This interweb-fluency can probably account for DI$COUNT's rapid international success, despite the label having leapfrogged certain channels traditionally traversed by up-and-coming Aussie designers, such as presenting at Australian Fashion Week and being picked up by one of the big two department stores. Indeed, given the nature of James and Napreychikov's designs, it's possible that avoiding the beaten path was a wise move. The spiciest part of the symposium came when the two designers noted (with appropriate disdain) that their wares have been featured in every international Vogue magazine — save the Australian edition. If only the symposium's audience (myself included) had had the cojones to question Vogue Australia's deputy editor, Sophie Tedmanson, who was a member of the next session's panel, about this curious oversight. Then again, the omission by Australian Vogue (which seems to be in competition with its US counterpart for the title of Most Soporific Vogue) is unsurprising. The heavily sequined, badass imagery with which DI$COUNT has made its name is a world away from Australian fashion's Serious Designers — think Dion Lee, Toni Matičevski and (since his Spring/Summer 2015/16 collection) Michael Lo Sordo. There's no doubt that the work of these designers is exquisite, intelligent, and entirely deserving of the local fashion media's attention. Still, one wonders why there isn't room for coverage of both the beautiful and the brash in our local mags. [caption id="attachment_566976" align="alignnone" width="1200"] YouTube.[/caption] AUSTRALIAN VOGUE HASN'T FEATURED THEM, BUT THE ART AND MUSIC WORLD HAS It's a relief that the Australian art world has picked up the local fashion establishment's slack.Within the NGV's exhibition itself, DI$COUNT is represented by a truly gorgeous trompe l'oeil beaded bodysuit, originally worn by Kimbra at the 2012 ARIAs. An adaptation of the piece was later created by James and Napreychikov for Katy Perry. The bodysuit is DI$COUNT at its exuberant, witty and glittering best. Perry's version (which the popstar wore on her Prismatic tour during renditions of 'Birthday') included sweet smiling balloons on her boobs, cake on the cooch and DI$COUNT's trademark (ahem, more on that later) eyes on the hips. The ready-to-wear DI$COUNT line includes pared down versions of such couture-level creations. The label's loyal following and impressive sales come despite the few concessions made in their designs to the traditional notions of wearability that RTW supposedly demands (see for example the currently-stocked high cut briefs entirely covered in hand-sewn sequins). Densely sequined garments constitute some of DI$COUNT's most recognisable designs. Of course, figural representation in beading isn't exactly new in western fashion history, and antecedents to DI$COUNT designs can be found in the work of Elsa Schiaparelli, Patrick Kelly, Geoffrey Beene, and Gianni Versace. Apart from their inherently satisfying tactile qualities, sequins bring to the table a lot of fashion baggage concerning conceptions of bad taste, camp and luxury. Crucially, these are ideas that James and Napreychikov have given plenty of thought to, and as designers they're really more Leigh Bowery than Bob Mackie. Incidentally, there was a moment during the symposium when James and Napreychikov mentioned that they will eventually move on from sequins. NO! [caption id="attachment_566979" align="alignnone" width="1280"] MTV.[/caption] THEY'VE BEEN ROYALLY RIPPED OFF The problem, of course, for designers who focus on surface decoration (including beading and print) is the ease with which your ideas can be ripped off. This happened to James and Napreychikov most famously when Miley Cyrus (who had previously been a conspicuous DI$COUNT fangirl) performed with dancers at the 2015 MTV awards wearing evil eye-emblazoned costumes that MTV itself initially attributed to the Australian label (spoiler: they weren't DI$COUNT). This wasn't the first time that James and Napreychikov had dealt with this kind of thing. In 2010, the label twitter-slammed celebrity jack of all trades, Ruby Rose, for designing a pair of studded denim shorts for her Milk & Honey Collection, which bore a remarkable resemblance to a DI$COUNT pair she herself had previously worn. A more cynical designer might have seen the Miley episode as an opportunity to gain valuable media coverage. Similarly, other labels might have judged it unwise to publicly accuse Ruby Rose of plagiarism, given her status as one of the few Australian celebrities who will even dip their toe in the pool of experimental fashion. Instead, James and Napreychikov's response to Cyrus' performance, via Instagram, included the lines, "The one thing you can't TAKE and get away with is someone's IDENTITY. We know it might be risky for us career-wise to comment on this, but if we didn't, it would mean that we stand for NOTHING." The highly manicured world of fashion seldom sees such raw emotions put on display for all to see. THEY KEEP ON KEEPIN' ON, RIGHT INTO RIHANNA'S WARDROBE Creative souls generally recover from such unfortunate incidents ("It is much more disheartening to have to steal than to be stolen from,"), and, indeed, James and Napreychikov continue to go from strength to strength. (Rihanna's wearing of their YOU DON'T OWN ME/ I WILL NEVER FEAR YOU dress, has to be one of the most moving pop culture/ fashion moment of recent times). That the NGV recognised DISCOUNT, firstly by including their work in the exhibition, but also, and perhaps more significantly, by including James and Napreychikov in the symposium, elevated the discourse of Australian fashion. Despite the fact that their designs don't adhere to mainstream notions of elegance and beauty, James and Napreychikov are both extraordinarily talented and earnest about the very idea of fashion as an intellectual pursuit. So put em on your cover, Vogue, yeah? Get a good dose of DI$COUNT in Kimbra's video for '90s Music'. Top image: Miley Cyrus for DI$COUNT UNIVERSE by Terry Richardson.
The solar battery industry is still very much in its infancy, but already there's an Aussie upstart taking the challenge to a major brand. The Brisbane-based, Indigenous-owned AllGrid Energy is currently offering its ten kilowatt-hour home battery at a rate significantly cheaper than Tesla's much-touted Powerwall, which is due to enter the local market next year. Like the Powerwall, the AllGrid GridWatt system stores power collected by solar panels, and according to the company can reduce your reliance on the national power grid by up to 75 percent. The system costs $12,000, which they say comes in at about 30 per cent less than the Tesla option – although due to its reliance on old lead acid gel batteries, the system must be installed outside. AllGrid currently services Queensland and South Australia, and sees remote indigenous communities as a potential area for growth. "Obviously as an Indigenous company working with Indigenous communities, it’s a really big area of traction for us," AllGrid marketing manager Deborah Oberon told The Guardian. The company plans to train Indigenous electricians to help install the units, with the hope that they could be used to replace costly diesel generators. "Once Tesla's system is available in February, that will be the moment that the game really starts to change...with the coverage and publicity that a company like Tesla get, we’re really confident the market will heat up," said Oberon, further predicting that 2016 would be "the year that storage really starts to kick off in Australia." For more information about AllGrid, visit their website. Via The Guardian. Image via Dollar Photo Club.
The boffins at Australia's leading scientific institution are branching out into the art world, in an attempt to raise awareness about the need to invest in renewable energy sources. The CSIRO Infinity Swing is a giant light-up swing set powered by the momentum of its users, turning playtime into clean, sustainable power. According to its creators, the light and sound installation came about in response to one of the most challenging questions facing the world today: "how do we make sure energy stays affordable and available while protecting our planet?" The eight-person swing serves as a timely visual reminder of the importance of clean, renewable energy, as well as the things that can be achieved when people work together. It's also given us a great idea about connecting the nation's playgrounds directly to the power grid – although we suspect that child protection services mightn't be quite so keen. The pop-up swing will open to the public at Sydney's Custom House between Wednesday November 4 and Sunday November 8, before travelling down to Federation Square in Melbourne from Monday November 16 until Saturday November 21. Representatives from CSIRO will be on hand to discuss their ongoing research into clean energy – and if you're extra nice, they might even give you a little push.
A supermarket in Denmark has committed to fighting food wastage by only selling produce past its use-by date. Located in Copenhagen, the recently opened Wefood has been set up by not-for-profit organisation Folkekirkens Nødhjælp, selling expired food at a discounted rate with the hope of reducing the 700,000 tonnes of food that goes to waste in Denmark each year. "Wefood is the first supermarket of its kind in Denmark and perhaps the world as it is not just aimed at low-income shoppers but anyone who is concerned about the amount of food waste produced in this country," spokesperson Per Bjerre told The Independent. The supermarket came into being on the back of a successful crowdfunding campaign, which raised one million Danish kroner, or just over $200,000. The supermarket is staffed by volunteers, with profits being used to help fund Folkekirkens Nødhjælp's work in some of the poorest countries in the world. The supermarket also has the support of local government officials. "It's ridiculous that food is just thrown out or goes to waste," said Eva Kjer Hansen, Danish Minister for Food and the Environment. "A supermarket like Wefood makes so much sense and is an important step in the battle to combat food waste." According to the United Nations, human beings throw away around 1.3 billion tonnes of food each year. Given that one in nine people around the world don't have enough to eat, that's a fairly depressing statistic. In Australia alone we waste more than four million tonnes a year, although organisations like Second Bite and OzHarvest are doing their best to reduce that number. Perhaps we could use a Wefood of our own? Via The Independent.
Been sailing the internet seas and plundering its illegal film bounties, movie pirates? Yarrr, well you just might find yourself at the centre of a new round of legal action. Australian film company Village Roadshow has revealed that their attempts to stamp out copyright theft will soon extend to suing individual infringers. If you've downloaded one of their flicks, yes, that could mean you. No, this isn't another Dallas Buyers Club situation exactly, however if you're the swashbuckling type, you might receive a letter in the mail. Village Roadshow's new tactics involve going after repeat culprits and asking for a fee of around $300. "Not for a king's ransom but akin to the penalty for parking a car in a loading zone. If the price of an act of thievery is set at say $300, we believe most people will think twice," said Village Roadshow co-chief executive Graham Burke. Deterrence, rather than punishment, is the aim here — and continuing to try to convince everyone that they should bite the bullet and pay to watch Game of Thrones. "Any revenue derived from this proposed legal program will be devoted to positive education on piracy," Burke continued. "I should also point out that it is our intent with this strategy that, should anyone be caught in the net who has dire health or difficult circumstances, we would waive the action providing they undertake not to infringe again." Just when the lawsuits will start wasn't announced, though Village Roadshow have a history of being active in the area, with the company initiating court action against movie streaming website SolarMovie earlier this year. Burke also holds the role of Creative Content Australia chair — aka the head of the film industry's anti-piracy arm — and advised that, once the precedent for blocking websites has been clearly established under Australia's current site-blocking legislation, "We will be ready to immediately bring another court action requesting the blocking of an additional 100 criminal sites." The plan was revealed as part of a speech entitled 'The Piracy Plague', which was delivered at the Australian International Movie Convention on the Gold Coast this week. And no, the link between the Goldie and that other form of piracy wasn't lost on anyone. In fact, it was even mentioned. You can thank Johnny Depp, his dogs and Pirates of the Caribbean: Dead Men Tell No Tales for that, obviously.
Sure, we love winter's hot mugs of mulled things, snuggly wardrobe options and tendency to coincide with national film festivals, but the season calls for a well-earned weekend away every now and again. Perhaps you'd like to completely ditch the city's chilly winds for a stylish Californian-style beach motel with an ex-Noma chef. Or maybe you're one to embrace winter like a woolly jumper-loving fiend. How about a private mountain villa with your own in-room, temperature-controlled swimming pool? We've teamed up with Mr & Mrs Smith to give you five ideas for winter weekend getaways from their collection of pretty, pretty accommodation options. Pick a date, pack your bags and get outta town. DRIFT HOUSE, PORT FAIRY Breakfast hampers, salvaged timber, Japanese tiles — Drift House is all about the details. It's a pretty little beach boutique in Port Fairy, the Great Ocean Road's charming fishing village. Rooms are designed for dining in, because Drift House knows what's up. You'll have little reason to venture out into the chill with your own 'maxibar' at home, stocked with baked beans, pasta, parmesan, pasta sauces, organic crisps, popcorn and other nibbles, alongside a stash of locally sourced Basalt Vineyard red and white wine. ARKABA Escape the wind tunnels of the city and set yourself up in an elegant 1850s homestead in the Flinders Ranges. A heritage-style property, Arkaba channels a good ol' Australian vibe from its wool sack-wrapped bedside tables to sheepskin hot-water bottles. It's also a private wildlife sanctuary, so expect a few kangaroos and emus to stop by. Your dining is all-inclusive (and features some of the world's best wines), and if you're keen to get a little more adventurous, Arkaba does a swag-camp glamping trek. HALCYON HOUSE No better way to beat the cold than escaping to a faded Californian-style surf motel. Fusing elements of Long Island nauticalia and Mediterranean pool chic, it's the kind of place that looks made for surfwear magazine fashion shoots. Located right on Cabarita Beach near Tweed Heads, Halcyon is a beach holiday haven with all the trimmings — and an ex-Noma chef. Ben Devlin, 2014's Queensland Chef of the Year, runs the delightfully artful Paper Daisy restaurant, where you'll be inhaling fresh crumpets, locally-grown coffee and honey roasted fruit. That's before you while the afternoon away on the poolside deck, sipping wines picked by sommelier Peter Marchant. CAPELLA LODGE Feel like a Bond villain in a high-flying tropical paradise retreat at Capella Lodge, a stunning nine-suite hideaway on Lord Howe Island. Surrounded by turquoise lagoons, coral reefs and rare tropical birds, the lodge is a glorious natural oasis from a wintry city — but with every last modern creature comfort. Infinity pools, outdoor stone baths, sprawling seaside verandahs. The place even has its own spa. Hire a lagoon kayak and snorkelling gear and explore the area — you'll forget its cold anywhere else. O&O WOLGAN VALLEY If you're one to relish in wintry weather as a means to get amongst misty mountains, head for O&O Wolgan Valley. This Blue Mountains gem sees 40 villas, including two- and three-bedroom retreats, over 7000 acres of rolling hills and pristine wilderness. It's Australia's first conservation-based luxury resort and is accredited by international group CarboNZero. There's a world-class spa, a big wine cellar, mountain bikes for you to use, and a killer restaurant, bar and eatery showcasing seasonal, local, organic produce. Best bit? Each Federation-style bungalow comes with an in-room, temperature-controlled, private swimming pool. Keen to get going? Concrete Playground readers special treatment from Mr & Mrs Smith, with exclusive discount offers at hotels from Bali to Brisbane. You can save 25 percent or more if you book any of these retreats by 30 July (and you can stay any time until 30 September, 2016). Details here.
In European rural communities, wine-making has been an inclusive experience for centuries. What better way to forge village connections than by the mass squashing of grapes and shared sampling of the results? Here in Australia, however, exorbitant distances mean that our quaffing usually happens a long way from the bottle’s source. Even if you are curious about setting up your own winery, it all looks rather pricey and tricky from the outside. Three guys in Melbourne want to change all that. They’re set on opening the city’s first interactive ‘urban winery’. And, through their Pozible campaign, they’re hoping to enlist your help. At Noisy Ritual, you’ll be able to take a hands- and feet-on role in the creation of people-powered, group-owned, premium quality wine, using old-school strategies — from the messy luxury of the mid-March stomp, to the squidgy fun of early-April pressing, to the spring magic of bottling — without leaving the Melbourne met area. The project came about when winemaker Alexander Byrne (of Lethbridge Wines) discovered a fermentation tank beneath the Thornbury house of schoolmate, Cam Nicol. “We decided then and there that we’d have to make use of it, because it was the only logical thing to do,” Cam says. “So, in autumn this year, Alex brought two half-tonne batches of shiraz grapes up from Geelong, from where he works. A few friends put in money to buy them, and we formed a basic winemaking syndicate. When it came to labour time, we’d have mini-parties, doing our stomping or pressing downstairs then coming upstairs, to eat and socialise.” Before that, Cam, a "music industry multi-tasker", was new to winemaking. “The process was a massively educational one for me,” he says. “I’d never known much about wine, so being involved in the making of it was a doorway into wine culture. It was something I’d always felt intimidated about and found it hard to converse about, because there’s a lot of assumed knowledge when you’re talking to people who actually know about wine.” Nervous whenever you sidle up to a wine-tasting counter? Not sure about deciphering the difference between a leather tone and a blackberry one? Noisy Ritual intends to have you demystified in a matter of months. Figuring that other people might benefit from the same learning curve, Cam suggested to Alex and another winemaking school buddy, Sam Vogel (Provenance Wines), that they take their neighbourhood operations citywide. Once funding is secured for Noisy Ritual, they’re planning on moving from Cam’s place to a bigger space, somewhere near Brunswick. In 2015, members (join up by pledging) will be able to take an active part in winemaking, in a party atmosphere fuelled by live music, DJs, wine tastings and food. To stem your loneliness in the lapses between the action, there’ll be special events and ample opportunities to drop in, to "taste the wine straight from the barrel, take some measurements, bend a winemaker’s ear or just give a barrel a hug". Images by Tajette O'Halloran.
In a rare instance of critics and audiences agreeing with each other, Mad Max: Fury Road and The Dressmaker were the two big winners at the 2016 Australian Film Critics Association Awards. Held last night at the Australian Centre for the Moving Image (ACMI) in Melbourne, the ceremony reflected on the past 12 months of Australian cinema, with the year's two biggest box office takers proving popular with critics as well. Critically acclaimed action blockbuster Mad Max: Fury Road took home the award for Best Film, as well as Best Director for George Miller and Best Cinematography for John Seale. The Dressmaker, meanwhile, swept through the acting categories, with Best Actress for Kate Winslet, Best Supporting Actress for Judy Davis and Best Supporting Actor for Hugo Weaving. The film's director and co-writer Jocelyn Moorhouse was present to accept the awards of behalf of her cast, while also taking home the Best Screenplay Award for herself and husband P. J. Hogan. Ryan Corr won Best Actor for his work in Holding the Man. In the international film categories, last year's Oscar winner Birdman took home Best English Language Film, while German drama Phoenix won for Best Foreign Language Film. Amy Winehouse doco Amy won Best Documentary. The association also gave out its annual writing awards, bestowed by a panel of journalists and film industry practitioners. This year's winners were critics Rebecca Harkins-Cross, Alexandra Heller-Nicholas and Luke Goodsell. You can check out the winners here. To get a head start on the next crop of likely AFCA Award winners, check out our list of the ten Australian films to watch out for in 2016.
Move over, Dark Mofo. Victoria's Apollo Bay is getting an after dark arts festival of its very own. Creeping into the coastal shire on the eastern side of Cape Otway, WinterWild will take place on select Saturday nights in July and early August. Each evening will begin with a ceremonial bonfire on the beach, before branching out to the Mechanics Hall and beyond. Standout events on the program include a performance of Tosca by local opera company Cut Opera, a screening of the '90s cult surf film Litmus, sets by Sand Pebbles and Dirty Three's Mick Turner, and talks by Michael Leunig, Clementine Ford and Arnold Zable. Local cafes and restaurants will also get involved with the festival. Steve Earl's acclaimed La Bimba will devise a special festival menu, and provide a place for revellers to recover as the sun rises on Sunday morning. "This festival won't be for the faint-hearted," said festival director Roderick Poole. "It is very much aimed at adventurous spirits ready to take on a challenge; to embrace the harsh environment and celebrate the beauty of the elements at their extremes. WINTERWILD 2017 DATES: Water (July 1-2): Mick Turner (Dirty Three), Sand Pebbles, screening of Litmus with soundtrack performance by director Andrew Kidman. Earth (July 15-16): Butoh performer Yumi Umiumare, Tek Tek Ensemble, Tosca by Cut Opera. Air (July 29-30): Programmed by the Apollo Bay Writer's Festival, including Michael Leunig, Clementine Ford, Arnold Zable and Emilie Zoey Baker. Fire (Aug 12-13): Massed choir of 100 singers, ritual burning of festival sculpture, live music. WinterWild information and tickets at www.winterwild.com.au.
Listen to some of Australia's best emerging and early-career writers in a new podcast series produced by SBS. A tie in with the station's new crime-drama The Principal, which is set to premiere in the first week of October, True Stories consists of seven short stories written and performed by up-and-coming writers from all walks of life. Each story presents a different take on the Australian high school experience – and the six they've dropped so far have been really, really good. The young writers worked in collaboration with Sweatshop, a literary initiative by the University of Western Sydney founded by doctoral candidate and writer Michael Mohammed Ahmad. Ahmad also wrote one episode of the podcast, as did his fellow recipients of the SMH's Best Young Novelist award Luke Carman, Maxine Beneba Clarke, Omar Musa and Ellen Van Neervan. "I think the particular writers that SBS has engaged with are probably the best suited in the country to conform and adapt to the oral storytelling that these podcasts require," says Ahmad. "We're talking about the best up-and-coming writers in the country, and it just so happens that a vast majority of those writers represent traditions who come from rich oral storytelling practice. Omar Musa from a Malaysian background, Maxine Beneba Clarke an Afro-Caribbean background, Ellen van Neerven an Aboriginal background and myself an Arab background...if you look at our novels there is a strong oral technique that is being used most of the time, which is drawing from traditions that come from all over the world." You can certainly feel the influence of these different cultural backgrounds in the content of True Stories. Ahmad's episode, for example, was inspired by his time as a student at Punchbowl Boys High School during the late nineties and early two thousands, a time when the "Arab Australian Muslim community was one of the most stigmatised groups in the country." Loaded with profane language and instances of violence, his story reflects a troubled period in the school's history, yet refuses to indulge stereotypes about the students or their community. "I think if you listen to my story, there is undoubtedly an exploration of violence, sexism, misogyny, homophobia and classic cases of aggression and hostility that exist within certain underclass communities," Ahmad says. "But they're resilient spaces. They're not spaces that are miserable. The people in those spaces are intelligent, critical. They're aware of their circumstances, and most of the time they're responding, or even performing their underclass-ness, because that can be empowering." "It's very hard, I think, for the white imagination to see those places as joyful, resilient, critically conscious places," he continues. "I think there is an assumption that under every poor young man of colour is a middle class white boy yearning to break free." You can currently find the first six episodes of True Stories on the SBS website and on iTunes. The Principal premieres on Wednesday October 7 at 8:30pm.
Looking for a pet-friendly apartment? A new Melbourne high-rise will do you one better. Opening at 5 Elgar Court in Doncaster next year, GardenHill Apartments will become the first residential apartment block in the country with its own private off-leash dog park. Construction on the 11-storey building is set to begin in September, but if you and your four-legged friend are interested, you might want to get in quick. 80 percent of the 136 one- and two- bedroom apartments have already been snapped up, at a cost of between $380,000 and $745,000. The dog park will be located on the ground floor, enclosed by secure fencing, and will include seating, a drink station and a clean-up station. Development director Adelene Teh told Domain, "By offering our Gardenhill residents a designated place they can take their dogs for exercise, socialisation or even mental stimulation, we're encouraging responsible pet ownership and, hopefully, paving the way for other developers to follow suit." Teh also confirmed that the dog park had been a drawcard with purchasers. A number of apartment blocks in the United States already boast on-site dog parks — and it's easy to see why the concept would be popular with tenants. Dogs and small apartments aren't exactly natural bedfellows, which can be a real bummer for animal lovers. Sure, you could get a goldfish, but they just don't offer the same level of affection. And don't get me started on cats. Via Domain.
Until the Internet becomes a universal, ever-present thing that radiates down from the sky and lets us check Instagram anywhere in the world, we're apparently destined to be stuck with offline maps and or paying through the nose for international roaming when travelling (read: getting lost) overseas. Until that blessed day comes, Google is trying to make life easier for travelling smartphone-wielding folk with their new travel planner app, Google Trips. Earlier this week Google unveiled the new app (which is available on iOS and Android), which is designed to help you plan your trip and help you explore your destination when you get there. It's both a planning tool and a place to store all your important travel docs in one place — and it lets you access that information when you're out and about and without access to 4G or Wi-Fi. So what can you use it for? First off, it will pull all your important travel info like flights, bookings and reservation numbers from your Gmail inbox and organises them into a chronological 'trip'. You can save these to access offline; it's meant to help you avoid that momentary panic where you get off the plane, go to look up the information for your Airbnb and then realise you can't access your emails. The more fun aspect of Trips though are the planning features. The Things to Do feature will give you a list of, well, things to do in the city you're in. These are pulled from what both you and other Google users have searched for in that city, and can be filtered by area of interest. The Day Plans feature gets a little more specific. The app will suggest a whole heap of things to do based on where you're staying and how much time you have — so if you only have an afternoon in a city, it will bring up the best things to do based on what's around you and what's open. You can then create a point-to-point itinerary that will show you where everything is and how to get there. You can save this offline too. Google have called this app "magic", and while we certainly wouldn't go that far (can tech companies stop calling themselves wizards?), it is a very useful tool if you're travelling without access to internet and is a handy way to use Google Maps offline. The planning tool looks like a smoother version of Stay.com, an app we've found useful for pinning places on a map when travelling. You can download the Google Trips app here.
Wiz Khalifa is heading to Sydney's Luna Park in September, as part of Optus RockCorps 2015. The American hip hop star has added the NSW performance to his Australian tour schedule, alongside previously announced shows in Brisbane, Melbourne and Perth. And the best part? Tickets won't cost you a cent. Instead, fans will be able to earn free entry into the Sydney show by donating their time to charity. Four hours of volunteering will get you into the concert, which will be held in Luna Park's Big Top on Wednesday September 30. Khalifa will headline the event, which will also feature Australian electronic duo Peking Duk. Additional acts will be announced in the coming weeks. Volunteers from outside Sydney can also get involved, and will be rewarded with a $70 Ticketmaster voucher. "I'm excited to be part of the Optus RockCorps Project," said Khalifa. "Giving back to the community is something I’m passionate about and support wherever I can. I can’t wait to play in Sydney and see all the Aussie fans." Now in its third year, Optus RockCorps aims to treat young Australians to unique performances in return for their contribution to their local communities. More than 9500 people have donated over 36,000 volunteer hours over the past two years, and have been rewarded with tickets to shows featuring acts such as American Authors, Guy Sebastian, Rudimental and Empire of the Sun. Anyone keen on volunteering for a RockCorps 2015 project will be able to register their interest starting August 10 via the Optus RockCorps website or by calling 1800 ROCK 800.
Love comic books, but don't conform to the stereotypical image of their fans? You're not alone, particularly as superheroes and graphic novel-based stories invade the big and small screens at an ever-increasing rate. The conventional idea of all things geeky has become a thing of the past — and Brisbane now has a brand new store to match. Secret Identity Comics is the city's latest seller of all things fun and fictional, with their focus on more than just what's lining their shelves. Owners Tash Green and Christine Chien want to create a welcoming and safe space for enthusiasts of all identities to share their love of comic books. They've even made monthly get-togethers called ID — or inclusivity and diversity — meetups part of their regular roster of events. Challenging perceptions about comic book stores and offering a different browsing and buying experience is also part of the ladies' aims. Housed in a heritage-listed building on Charlotte Street, their shop is bright, open and welcoming — aka the perfect place to search for your favourite reading material while chatting with an eclectic range of respectful and accepting people. Of course, when it comes to swapping your hard earned cash for pop culture wares, you'll find all the usual things: comics by DC, Marvel, Image, Dark Horse and more, plus art books, action figures, key chains, toys and other merchandise. Picking up the latest release, or celebrating special events such as Batman Day, has never sounded so inviting. Find Secret Identity Comics at 7/139-145 Charlotte St, Brisbane, or check out their website and Facebook page. Image via Joe Hartigan.
Melbourne duo Kllo (formerly Klo) are Australia's band of the moment and are touring the east coast to promote their upcoming album, Well Worn. The tour's one of the most anticipated we've seen in 2016 so far, so expect each show to be pretty damn packed. Since releasing their 2014 debut EP Cusp, cousins Simon Lam and Chloe Kaul have played sold-out shows and festivals throughout Australia and internationally, from Dark Mofo to Melbourne Music Week and Barcelona's Primavera Sound Festival. The pair have been clocking up streaming numbers in the millions, popping up on artists-to-watch lists, and they've also recently been announced as part of the huge Splendour in the Grass lineup. 'Bolide', the album's first single, is a dance track inspired by Caribou's Our Love album and is a song about unconditional love (nawwww). The EP takes inspiration from underground dance music and is said to enhance Kllo's high-gloss hooks. The tour will feature special guests and gives fans a sneak peek of the album, which will be released internationally on August 5 across Kllo's now three labels: Good Manners Records, Ghostly International and Different Recordings // PIAS . Image: Charlie Brophy.
There are certain things that shouldn't find themselves blended into milk. Salmon, for instance. Wine, also. But Vegemite is up there as one of the aw hell no's of the shake ingredients — until now. An Australian-owned cafe is serving Vegemite shakes in Los Angeles. Dear sweet mother of Benedict Cumberbatch. Just opened at 456 North Fairfax in LA, Paramount Coffee Project have expanded their Surry Hills cafe to the City of Angels. Hoping to bring an authentic Australian cafe experience to the States, the PCP team teamed up with their mates Russell Beard (Reuben Hills) and Mark Dundon (Seven Seeds) for the American venture. The menu was a bit of a mystery until now, and this little gem will sort the culinary soldiers from the civilians. According to Good Food, PCP's serving up a Vegemite and butterscotch shake to give the locals something to tweet about. "We've had a few asking WTF Vegemite is," Beard told GF. "They're digging it though." Yeah, yeah, yeah, we get the whole sweet, salty thing. This might be like that time Cadbury tried to smuggle Vegemite in their chocolate blocks. Interesting in theory, interesting for the first taste, horrific for the rest. Well, we'll just have to book a flight to LA and take a serious heap of time off to make sure. Via Good Food. Image: Wiki.
God knows we all spend way too much time looking at our phones. Whether you're texting, tweeting or chasing imaginary Japanese monsters, it seems like people constantly have their eyes glued to tiny screens. At best, it can be a wee bit anti-social. At worst, it can actually be really dangerous. Case in point: this teenager who got hit by a car while playing Pokémon Go. Fortunately for the technology-addicted, artist and designer Ekene Ijeoma has created a new mobile app designed to get people to tear their faces away from their phones. Look Up New York City causes your phone to vibrate whenever you're approaching an intersection, while also drawing data from the New York Department of Transportation to give each intersection an "energy score." The higher the score, the more frequent the number of accidents that take place there, and the more users should maybe think about paying attention to where it is they're walking. The purpose of the app is twofold, with its creators hoping to reduce the number of accidents while also encouraging social interaction. "Whether it's strangers making eye contact and saying hello or friends hugging, Look Up hopes to tear down the digital walls we build up, opening us to seeing, acknowledging and valuing the people and city around us," reads a statement on the Look Up website. Look Up is currently available on Android devices, with an iOS app coming soon. No word on whether they're planning on branching out beyond NYC, although we can easily imagine it taking off across the world. In the mean time, if you're reading this on your phone, please keep an eye on where you're going. https://vimeo.com/171683941 Via PSFK.
How does chicken salt work? What's the deal with cereal puffing guns? What is the future of meat? If you're into your food and drink in a nerdier way than most, you'd better book yourself a ticket to New York this Halloween. The Museum of Food and Drink (MOFAD) is about to open in Brooklyn on October 28 — with exhibits you can eat. Food's had its fair share of pop-up museums and major exhibitions worldwide. There's even museums dedicated to individual foods like cheese, chocolate and Spam (yep, The Museum of Spam is opening in 2016). But after furiously fundraising for years, New York's first museum focused on food will find a permanent bricks and mortar space in Brooklyn this year. "Our mission is to change the way people think about food and inspire day-to-day curiosity about what we eat and why," says the MOFAD website. With a series of rotating exhibitions, visitors will be able to see, touch, smell and taste food, while learning about the culture, history, science, production, and commerce of food and drink. Think tastings, live demos, hands-on activities, talks, debates, heated roundtables. It's a whole multisensory, interactive museum experience to get to the bottom of noshing. How did the search for spices drive the age of exploration? What is the socioeconomic role of street food in cities? Where does soil come from, and why does it matter? How is breakfast cereal made? What is the impact of coffee on world trade? The idea is to enable people to make better, more informed food choices for themselves, their communities, and the environment, through kickass museum interactivity, like this cereal puff installation MOFAD did last year. "Why isn't there a museum devoted to food at the same level of something that's like the Natural History Museum or the Smithsonian?" MOFAD president and founder Dave Arnold asked CNN. "If I want to learn about you, I'm going to go to your house and we'll break bread. We'll have dinner. Then I feel like I'll know who you are. And it's that idea that we can experience cultures through what we eat and how we eat and the history of how we eat. That (idea) needs a museum because you can't eat on TV. You can't read about food and have tasted it." MOFAD's first exhibition, according to NPR, will focus on the flavour industry and the modern quest to manufacture smell and taste. You can probably assume it'll touch on ol' wafty Subway. The Museum of Food and Drink will open its permanent site on October 28 in Brooklyn, site yet to be revealed. For more info, check out the website. Via NPR. Images: MOFAD, Dollar Photo Club.
It’s been 22 years since the first Jurassic Park movie aired, which — incidentally — is also how long it’s been since the last good Jurassic Park movie aired. Now, though, we’ve reason to be cautiously optimistic. Earlier today the second full trailer for Jurassic World landed in our news feeds and, after several repeat viewings, we see plenty to be hopeful about. CHRIS PRATT IS THE VELOCIWHISPERER When the first trailer dropped back in November of last year, the internet went into Dennis Nedry-like digital chaos over what looked like Chris Pratt’s character taming some velociraptors. It seemed like a pretty hokey idea, but Trailer #2 seems to have settled that concern somewhat, with his character, Owen Grady, explaining: “It’s not about control, it’s a relationship based on respect,” while he stands eye-to-eye with three of them. That, or he’s doing some extreme tai-chi. Either way, ‘respect’ is the key word here, because it means the raptors haven’t been reduced to domesticated turkeys; they could still kill him at any moment. THE NEW DINO IS A BLOCKBUSTERSAURUS We already knew the ‘villain' in Jurassic World was to be a genetically engineered dino of such scale it would make the T-Rex look like a pug, and now it has a face. Sporting the name ‘Indominus Rex’, it’s got the head of a dragon and the jaw span of a Steven Tyler. Our relief here stems from the fact that it looks entirely plausible. It’s a hybrid dinosaur in the sense that it’s got spliced DNA with other animals, not spliced DNA with lasers or a BMW for some tier 1 brand placement. INDOMINUS HAS A VERY PARTICULAR SET OF SKILLS Let’s start with the smarts. Indominus is crafty. Really crafty. If Jurassic Park’s gamekeeper Robert Muldoon saw Indominus, he'd say, well, nothing, because raptors tore his stomach open and ate him alive back in 1993. But he’d want us to say “clever girl”, because this manmade man-eater tore out his own subcutaneous electronic tracker so that the humans wouldn’t know where it was (aside from being able to spot a giant lizard in the middle of a theme park). The reason we like this is because it takes the franchise to a new place rather than sticking with ‘dinosaur big, dinosaur scary’. Bourne Legacy did the same thing three years ago, realising the only way to stay fresh was to find someone better than Bourne, not just different. NATURAL BORN KILLERS First there’s the smarts, then there’s the disposition, because it seems Indominus isn’t like other dinosaurs. As Grady explains in the trailer, other dinosaurs are thinking: “I’ve got to eat. I’ve got to hunt,” but Indominus, “she's killing for sport”. First the franchise ups the stakes, then it changes the game. What makes both Jaws and The Ghost and the Darkness such compelling tales isn't the ‘killer beast’ plot; it’s the fact that they’re creatures baring the uncomfortable human quality of killing for reasons other than survival. Killing for sport isn’t just unnatural, it’s evil. We can only presume Ricky Gervais is tracking down Indominus’s Twitter handle as we speak. LEMME HEAR YOU SAY GRRRRNNNNNRRRROOOOARRRRR Indominus, aka ‘the D-Rex’ can talk to the animals. Not in a 'Dr Doolittle meets Aaron Sorkin witty repartee' kind of way, but enough to get Pteranodons to help it out in killing tourists. We like this because it adds an alliance feel to the plot, almost as though sides are forming in a prehistoric battle. With the introduction of each new dinosaur, you’ll find yourself wondering: “And whose side are you on?" Jurassic World hits Australian cinemas on June 11, so get ready to hold onto your butts.
They say home is where the heart is. If that's the case then we need to get our heart into one of these places as soon as physically possible. Houses Magazine has just revealed the winners of the 2015 Houses Awards, singling out some of the most innovative and extravagant homesteads in the country. The top prize, Australian House of the Year, went to Planchonella House in far north Queensland; the extravagant tropical abode that bears at least a passing resemblance to a villain's lair in a Bond film also won the gong for New House over 200m². The prize for New House under 200m² went to Sawmill House in regional Victoria, which combines more than 250 one ton concrete blocks with a timber screen and a nine metre long sliding glass wall. Best Apartment or Unit went to The Darlinghurst Apartment, a one-bedroom dwelling in inner-Sydney just 27m² in size. The competition also hands out awards for Outdoor and Sustainable residences, which this year went to the partially roofless (and bafflingly named) Cut Paw Paw in Seddon, Victoria and the QV8 apartments in the Melbourne CBD, respectively. The Houses Awards are decided by a panel of esteemed designers and architects. You can find the full list of this year's winners below. AUSTRALIAN HOUSE OF THE YEAR – Planchonella House by Jesse Bennet Architecture. NEW HOUSE UNDER 200M² – Sawmill House by Archier Studio. NEW HOUSE OVER 200M² – Planchonella House by Jesse Bennet Architecture. HOUSE ALTERATION & ADDITION UNDER 200M² – West End Cottage by Vokes and Peters. HOUSE ALTERATION & ADDITION OVER 200M² – Tower House by Andrew Maynard Architects. APARTMENT OR UNIT – Darlinghurst Apartment by Brad Swartz Architect. OUTDOOR – Cut Paw Paw by Andrew Maynard Architects. SUSTAINABLE – QV8 by Breathe Architecture. HOUSE IN A HERITAGE CONTEXT – House in House by Steffen Welsch Architects.
In the most mathematical news since boffins discovered a pattern in prime numbers, the cast and crew behind of Adventure Time, the show that straddles generational gaps like it ain't no thing, are coming to town next March. It's going to be live, it's going to be loud and it's gonna be so flippin' awesome. Making quick trips to Sydney, Brisbane and Melbourne, Adventure Time Live will be an interactive, audio-visual festival that includes Q&As with cast and crew, cosplay competitions, live reads of classic episodes and much more to be announced. It's not a show, it's an experience, man. The event hits Australia between March 10 and March 12 next year, which will probably coincide with the largest gathering of adults pretending to be children pretending to be adults that this country has ever seen. Tickets go on sale on December 12, with more deets available here.
Your workday is about to get a whole lot more bearable, courtesy of the marketing department at Uber. Starting from midday today, the ridesharing service is teaming up with Purina's Pets at Work mission to deliver puppies to offices around Australia. We'll give you a minute to process that information. UberPUPPIES will be available in the Sydney, Melbourne, Brisbane, Adelaide, Perth, Canberra, Sunshine Coast and Gold Coast CBDs. All you need to do is log into the Uber app at noon, hit the 'puppies' button (squee!), and a four-legged friend will be whisked to your place of work for 15 minutes of quality cuddle time. It'll run you up a bill of $40, so you might want to go in with a few of your co-workers. Either that, or try and convince your boss it'll be good for employee morale. Which, to be fair, it most definitely will be. Money raised will be used to support local animal shelters. Each puppy will also be accompanied by a shelter representative, who'll be all too happy to accept any additional cash donations. And in case you form an extra special connection, all UberPUPPIES are available for permanent adoption. UberPUPPIES is the latest in a string of awesome Uber promotions, with the company having previously delivered everything from kittens to ice cream to backyard cricket umpires. Fair warning though: these things tend to generate a lot of demand, so make sure you're hovering over the Uber app come 11.59am. The puppies will be cruising around town until 4pm.
What’s that in the sky? Is it a bird? Is it a plane? No, you dunces, this is actually a 26-metre-high aerial playground that’s opening in Adelaide next month. The aptly named Mega Adventure Park (for, you know, mega adventures) is currently being finished on the West Beach foreshore, and while it looks like an alien spacecraft come earthward to take all our women for breeding, it’s actually an extreme jungle gym for adults. So what's on the maxtreme menu for kidults? Scramble nets, rope bridges, beams, swings, log steps, mega bungee trampoline, aerial surfboards and Adelaide wine barrel steps. Boom. There’ll be 54 activity stations for those who want to push themselves to the extremes, viewing platforms for the resters, and a Mega Adventure Kiosk for those who want to kick back with a vino and watch the madness unfold. It’s basically American Ninja Warrior but for people who lack upper arm strength and need to be securely fastened at all times. And if you're way too chill to be jumpin' off of crazy stuff, you can instead head straight to the top and take in some pretty breathtaking views of Adelaide. Find Mega Adventure Park at 4 Hamra Avenue, Adelaide Shores, West Beach. For more info, give 1300 634 269 a buzz. Images: Mega Adventure Park/Facebook.
Fancy yourself a citizen of the world? An ambitious new startup could help you make it so. Roam is a co-living service that gives you access to communal living spaces in countries around the globe. With spaces currently available in Bali and Miami, and with further locations in Madrid, Buenos Aires and London set to open soon, Roam isn't designed for holidaymakers, but rather "location-independent people" looking for a way to combine work and travel, and to find a community in a city that's not their own. You can book for a week (US $500) or a month (US $1800), although residents are encouraged to stay longer in order to promote "better friendships and a stronger community". Once you've signed up, you're free to come and go as you please, and can book into different locations through their online system. "With new opportunities for location-independent work, we can now mix careers and travel in ways that haven't been seen before," reads a statement on the Roam website. "Over time, we want to have our spaces mix and integrate newcomers with the surrounding community and its longstanding local institutions and culture." The properties are large, with 38 rooms available in Miami and 24 in Bali, respectively. Each room is fully furnished, with its own private bathroom along with a queen or king size bed, while residents share communal spaces like living areas and kitchens. [caption id="attachment_571002" align="alignnone" width="1280"] Roam Ubud, Bali[/caption] The whole premise is built around giving people the freedom to live a nomadic lifestyle but still maintain their careers at the same time. Each property has high-speed internet and a co-working space for optimal productivity. Certainly sounds better than working from a hostel bunk bed, battling shitty Wi-Fi just to send an email. For more information about Roam, visit roam.co. Via Co.Exist.
Tired of stale old superhero stories with their predictable Hollywood plotlines? Wouldn't you rather watch a movie about a half-man, half-fish instead? If your answer to either one of those questions is yes, then it's time to dive into the program at KOFFIA, aka the Korean Film Festival in Australia. Merman comedies aside, the lineup at this year's festival is packed full of highlights. Genre fans can scream through exorcism flick The Priests, and be pushed to the edge of their seats by supernatural thriller The Wailing. We're also extremely keen for zombie apocalypse tale Train to Busan, although unfortunately for cinephiles in Brisbane and Melbourne the film is only screening in Sydney. Viewers after something a little less on the gruesome side won't be disappointed either. This year's program boasts a number of Korean rom-coms, headlined by Cho Sung-kyu's disarming relationship farce Two Rooms, Two Nights. Check out our list of the five must-see films of KOFFIA 2016 below. COLLECTIVE INVENTION Is he a man? Is he a fish? Whatever he is, he causes quite a stir in this very strange offering from first-time filmmaker Kwon Oh-kwang. Combining playful social satire with a healthy touch of the absurd, the film tracks a wannabe journalist who discovers a man online who, after a series of misguided medical experiments, has been transformed into a gigantic mutant fish. With tongue planted firmly in cheek, Collective Invention skewers big pharma, tabloid media and the public's unhealthy obsession with the grotesque. Calling it now: this will be better than DC's upcoming Aquaman movie. A CRYBABY BOXING CLUB Students at a Korean high school in Tokyo make plans for life after graduation, even as members of a right wing extremist group yell xenophobic slogans just outside. A documentary that doubles as a non-fiction coming-of-age tale, A Crybaby Boxing Club follows a group of boys on the school's boxing team as they prepare not just for an upcoming tournament but for the realities of adult life. Screening in Australia for the very first time, the film shapes up as an inspiring tale about hope in the face of adversity. ALICE IN EARNESTLAND A black comedy/revenge tale soaked in grisly violence, Alice in Earnestland is the startling feature debut of director Ahn Gook-jin. K-pop sensation Lee Jung-hyun stars as the increasingly unstable Soo-nam, who finds herself struggling with spiralling debt after a suicide attempt lands her husband in a very expensive coma. Things take a turn for the nasty after a local politician gets involved, although the truly vicious places the movie ends up going really need to be seen to be believed. Alice split critics on the international circuit, and we fully expect a similar reaction from audiences in Australia. TWO ROOMS, TWO NIGHTS A philandering filmmaker tries to keep his deceptions in check after a chance encounter between his current girlfriend and the ex he wants desperately to win back. Directed by Cho Sung-kyu, Two Rooms, Two Nights has all the makings of a classic romantic farce, but the real selling point is the comparison that several critics have made to the gentle, heartwarming masterworks of Cho's compatriot Hong Sang-soo. Incidentally, Hong's latest film Right Now, Wrong Then screens in Sydney (but not Melbourne or Brisbane) as part of the KOFFIA program, and is definitely worth checking out too. THE WAILING If anything, we might have saved the best for last. The Wailing is the new film from acclaimed director Na Hong-jin, whose previous picture The Yellow Sea is one of the most visceral, compelling crime thrillers of the past ten years. His follow-up focuses on a string of deaths in a small town and a police officer who begins to fear that the cause may be somehow supernatural. The reviews for the film have been absolutely stellar (think 100 percent on Rotten Tomatoes), with critics praising its blend of suspense and stomach-churning violence. Not for the faint of heart. Otherwise, don't miss it. KOFFIA takes place in Sydney from August 10-18, in Brisbane from August 23-29, and in Melbourne from September 1-8 . For more information visit koffia.com.au.
Each September, as the weather warms up and spring begins to truly blossom, music fiends head to Brisbane and spend some time in, well, dark rooms. Over a few days, the Queensland capital becomes the centre of the Australian music universe, with artists and industry practitioners doing what they do best — rocking out, discovering new talent, partying and discussing the future of Australian music. First appearing in 2002, BIGSOUND is a conference, festival and celebration of Australia's best musical talent. Each year, it takes over the inner city Fortitude Valley area, attracting 1300 delegates and more than 6000 music fans. The festival's previous lineups read like a dream: Flume, Rufus, Courtney Barnett, Megan Washington, The Temper Trap, A.B. Original, REMI and Gang of Youths have all graced its stages, while Nick Cave, Neil Finn, Kim Gordon, Billy Bragg and Amanda Palmer have shared their knowledge, experience and wisdom. The event itself isn't the only source of fun, however. At this time of year, the sun is shining, the vibe is buzzing and Brisbane is truly jumping. In fact, with a vibrant cultural scene and an array of delicious dining options on offer, it's the perfect time to discover just why Australia's third-largest city is one of the country's gems. Some Australian events (like this one) are worthy of a road trip, and aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing BIGSOUND into your schedule. We've teamed up with Mazda3 to help you plan your out-of-the-city trips ahead of time, so you can detour from your regular routine and inject a little adventure into your life. Here's how to spend your days before, during and after your trip to Brisbane — where to stay, what to do, and what to eat and drink from September 5 to 8. [caption id="attachment_498758" align="alignnone" width="1127"] Limes Hotel Rooftop.[/caption] STAY Over the past decade, Brisbane has become a boutique hotel wonderland — the Fortitude Valley area in particular. If you have some cash to spare, the Emporium leads the pack with their rock star-like indulgence — think dark interiors, a rooftop pool and a killer view of the Valley. Still staying central, the nearby Limes Hotel remains a favourite for its plush rooms and rooftop bar, as well as its proximity to beloved local haunts like Alfredo's Pizzeria and Alfred and Constance. Looking for something a little bit different (or cheaper)? For the artistically inclined, TRYP Fortitude Valley wears its love of street art on its walls — once a warehouse, it's now an affordable option that's appealing to both the eyes and the wallet. Or, look to resident budget option, the Snooze Inn, to save as many pennies as possible for having fun rather than hitting the hay. It's cosy rather than fancy, and is located literally just down the road from the Valley — meaning you'll remain close to everything BIGSOUND, as well as neighbourhood arcade-game bar, Netherworld. [caption id="attachment_622127" align="alignnone" width="1920"] Tkay Maizda at BIGSOUND.[/caption] DO This year at BIGSOUND, Aussie icons Archie Roach and Tina Arena will lead the speaker program, as well as Quentin Tarantino's regular music supervisor Mary Ramos, aka the woman responsible for all of those ace tunes on the Pulp Fiction, Jackie Brown and Kill Bill soundtracks. As far as the band schedule is concerned, prepare to hop around faster than a rabbit on Easter, with every bar, space, nook and cranny around Fortitude Valley boasting a gig or party. The official program will include over 150 acts at more than 15 venues, and the unofficial parties — which have included backyard blowouts and ping pong showdowns in previous years — will likely double that number. When you're not experiencing sonic wonders, you should spend your time wandering around Australia's only designated special entertainment precinct, and venturing further afield. In the Valley, keep indulging your love of music with a record store crawl — starting at Foundry Records and ending at Tym's Guitars, where you can scope out a hefty range of instruments. And while you're strolling and perusing, drop by some of the many galleries in the area — Artisan, the Institute of Modern Art and Heiser Gallery are all worth a visit (keep your eyes peeled for street art as well). [caption id="attachment_622138" align="alignnone" width="1920"] Institute of Modern Art.[/caption] If spending time inside during BIGSOUND has you hankering for some fresh air, sneak a trip to New Farm Park. Enjoy a picnic by the river, laze around on the grass, or just go for a walk through one of the city's best nature-filled spots. You could also stop by the neighbouring Brisbane Powerhouse — more often than not, there'll be an event on that's worth checking out. If the itch to keep exploring hits, jump on a CityCat and see the sights from the river. Go one way, and you can continue soaking in parklands at Northshore Riverside Park. Go the other, and you'll cruise right through the city. Disembark for a walk through South Bank, and go for a dip in the free, beach-like pools, before moseying around the Gallery of Modern Art. [caption id="attachment_581014" align="alignnone" width="1280"] Gerard's Bistro.[/caption] EAT Spending four days listening to chatter about music is enough to work up an appetite. Thankfully, you're in the right spot. Heading down to Chinatown, which runs adjacent to the Brunswick Street Mall, is the best way to get the classic Fortitude Valley experience. You can easily pick a place at random, or opt for one of the mainstays. For Chinese and yum cha, that's King of Kings, and for Vietnamese, the appropriately-named The Vietnamese Restaurant will treat your tastebuds to an explosion of flavour. Try the salt and pepper quail, and thank us later. In the opposite direction, you'll find a few Brisbane faves. If you like burgers — and this is a burger town, believe us — then Ben's Burgers on Winn Lane will satisfy your cravings with their simple, delicious menu. Or, leap over the road to Bakery Lane, where newcomer Johnny's Pizzeria combines Italian staples with a disco theme, and I Heart Brownies will have you doing just that with their jaffa, salted caramel and cherry-coconut baked goods. Sticking with the area's laneways, wander down to New Farm and off James Street to Gerard's Bistro for a relaxed, award-winning sit-down lunch or dinner from Tuesday to Sunday. Expect a blend of modern Australian and Middle Eastern dishes, including the adventurous likes of lamb's tongue toast, the meaty goodness of slow-roasted wagyu brisket for two, and sheep's yoghurt sorbet with honeycomb, milk and orange blossom for dessert. [caption id="attachment_619623" align="alignnone" width="1920"] Newstead Brewing Co.[/caption] DRINK Think beer in Queensland, and everyone immediately thinks XXXX. Think breweries, though, and it's a trip to the inner north that's recently started topping booze-loving Brisbane visitors' wish lists. Newstead Brewing have spread their wings and opened a new Milton headquarters, but their original Doggett Street birthplace is always pouring something yeasty from their 12 taps. Green Beacon's multi-award-winning 3 Bolt Pale will ensure you know exactly where you are thanks to notes of fresh mango — and other fruits — in its fresh, golden ale. And a post-gig hang out over a few beverages in The Triffid's beer garden, owned by Powderfinger bassist John Collins, will do you well. Fans of spirits can get their fix at tequila bar Alquimia and whisky haven Nant, and if you like the bubbly stuff, even champagne gets its time to sparkle at Baedeker. As for every other bar in the area, you'll probably end up at most of them anyway, thanks to BIGSOUND's huge gig lineup. BIGSOUND 2017 takes place in various venues across Brisbane and Fortitude Valley from September 5 to 8. Personalise your next adventure via The Playmaker, driven by Mazda3.
