You might've missed out on a Splendour in the Grass ticket in yesterday's ticketing tornado, but that doesn't mean the show's over. This morning, ten Splendour artists announced sideshows in cities around Australia. For a start, Sigur Ros will be touring the Australian debut of their show, An Evening with Sigur Ros. There's no support act, which means you're in for two sets, covering material old and new. Catch the Icelandic trio at Sydney's Hordern Pavilion on Tuesday, July 25 and Melbourne's Margaret Court Arena on Thursday, July 27. Meanwhile, Two Door Cinema Club will be hitting Australian capitals with their third studio album, Gameshow, recorded in Kopanga Canyon, California with producer Jacknife Lee. Get a dose of their electro-indie-pop at Metro City, Perth, on Wednesday, July 19; Hordern Pavilion, Sydney, on Friday, July 21; and Festival Hall, Melbourne, on Tuesday, July 25. Supporting them will be triple j favourites Last Dinosaurs and The Creases. To catch HAIM outside of Splendour, you'll have to get yourself to Sydney's Enmore Theatre on Thursday, July 20 — it's the only show they're doing. Sisters Este, Danielle and Alana scored a Grammy nomination for Best New Artist for their 2013 release, Days Are Gone, and have been working on their hotly anticipated follow-up. 23-year-old English singer-songwriter George Ezra is returning to Australia after selling out his 2015 tour here. His debut album, Wanted on Voyage, sold three million copies and, yes, you can expect to hear hits 'Budapest' and 'Blame It On Me'. Ezra will be at Sydney's Enmore Theatre on Tuesday, July 18 and Melbourne's Forum Theatre on Wednesday, July 19. Another songwriter to catch is Sweden's Tove Lo. She's been writing hits — for both herself and others — for more than ten years and inspired one million album sales in the process. Her latest album Lady Wood is best known for single 'Cool Girl'. She's also lent her pen and ear to a bunch of chart toppers, including Flume's 'Say It', Coldplay's 'Fun' and Broods' 'Freak of Nature'. See Tove Lo in Sydney at the Metro Theatre on Wednesday, July 26 and in Melbourne at the Prince Bandroom on Friday, July 28. English blues man Rag 'n' Bone (Rory Graham), who mixes the blues tradition with hip hop and beats, will be making his Aussie debut at Splendour, before setting off for Sydney's Metro Theatre on Friday, July 21 and Melbourne's 170 Russell on Monday, July 24. Meanwhile, Maggie Rogers, discovered by Pharrell Williams at an NYU masterclass last year, will be playing her headline shows at the Corner Hotel, Melbourne, on Sunday, July 23 and the Factory Theatre, Sydney on Tuesday, July 25. Her debut EP, Light is Fading, is out now and its single 'Alaska' has racked up 31 million views on YouTube. LA-based songwriter Bishop Briggs, known for her gritty vocals and unique songwriting, will be at Sydney's Oxford Art Factory on Thursday, July 20 and Melbourne's Howler on Friday, July 21, while rock 'n' roll duo The Lemon Twigs will be landing in Australia after appearances at Coachella and Glastonbury, to play the Oxford Art Factory, Sydney, on Saturday, July 22 and The Curtin, Melbourne, on Tuesday, July 21. Finally, catch LANY from LA, whose track 'ILYSB' won hearts and minds online, at Max Watts, Melbourne on Friday, July 21 and Metro Theatre, Sydney, on Saturday, July 22.
Two of life’s greatest pleasures are joining forces, thanks to the ever-publicity stunt savvy crew at Ben & Jerry’s. Not content with their dominion over the world of iced confectionery, the company have just announced a partnership with New Belgium Brewing Company to develop an ice cream flavoured beer. Continuing the company’s long tradition of absurdly decadent flavours, the name of the brew has been announced as Salted Caramel Brownie Brown Ale. Details are still relatively scarce (and we're still unsure whether this taste sensation will taste of dreams or outright devilry), although we do know that the drink will contain 6.3 percent alcohol and is set to be released in the United States in the latter half of the year. No word yet on whether it’ll make the journey to Australia, although we’re definitely keeping our fingers crossed in weird, weird curiosity. While it may be a while until we get ice cream flavoured beer, take some comfort in the fact that beer flavoured ice cream is already totally a thing. Molecular ice creamery Nitrogenie released a Pale Ale Caramel flavour in time for last year’s Oktoberfest Brisbane, while Gelato Messina previously produced a VB sorbet for Australia Day. And now Young Henrys are making ANZAC biscuit flavoured beer, we can't really complain. According to The Huffington Post, the partnership between Ben & Jerry’s and New Belgium will benefit Protect Our Winters, an environmental organisation committed to combating climate change. A spokesperson for New Belgium said that the collaboration will “raise awareness around issues we are passionate about, and that the results will be delicious.” This isn’t the first time that Ben & Jerry’s have toyed with mind-altering substances, with the company previously floating the idea of a marijuana-infused ice cream flavour in territories where recreational cannabis use is legal. Via The Huffington Post.
The future of museums is a bit William Gibson. As in, "the future is already here. It’s just not evenly distributed yet." One place with a pretty uneven head start — bringing the future to now — is the Cooper Hewitt Museum in New York City. A branch of the Smithsonian settled in a former mansion of the late magnate and philanthropist Andrew Carnegie. Its head start comes from being closed for renovations for three years. This gave it the chance to completely reinvent a lot of the things it did from scratch. Not least that whole internet, digital thing. For its Sydney-raised director of digital and emerging media, Seb Chan, that was the appeal. Chan had been in a similar role at the Powerhouse Museum (now the Museum of Applied Arts and Sciences) and was very much attracted to "a chance to reboot" a whole museum and think "what could this be?" JUST A PEN The Cooper Hewitt answers this question mostly with some pens. Visitors get handed a special black, rubber pen. Its smartphone-friendly tip lets you draw on interactive tables. The button on the other end lets it save the stuff you like. That's about it. "There's no screen. There's nothing to learn," Chan says. You can click the eraser end against little information cards and use the pen to bring up more info on the tables. When you leave, you look up a web address on your ticket and all the things you looked at are collected for you. 8KB FUN Seb hands me one he has with him. It feels good. "The pen itself is a capacitive stylus, with an NFC antenna and some memory. A small amount of memory: 8KB of memory. It doesn't have to be a lot." It is nicely weighted and well built. "It's a bookmark" he continues, "you're bookmarking the museum. That's all it is." That's not what you notice when you hold it. You want to point with it and you want to click. It feels built to just the right size. The idea is to make the physical and the digital sides to the museum mix effortlessly. "We're at a moment where, just like the internet in your pocket, digital is not something special." The museum is following suit, trying to "embed digital within the fabric of the museum visit [in a way] that normalises it. That naturalises it. And makes it feel like it should be there." By the time people reach the second floor, they've stopped being amazed by the pens, by the interactive tables. They just use them: "That's success." YOUR PUNY SCREENS The pen gets all the attention at the Cooper Hewitt, but its not the only direction that museums are heading in. The smartphone is one of the fundamental shifts museums are just beginning to get their heads around. Why wouldn't people just look things up on their phone at home instead of coming in to see your stuff? Like a cinema's giant screen to your puny big screen, museums are moving on to experiences that you can't get at home. Some of that is tech. Chan tells me about an exhibition he took his daughter to at New York's Museum of the Moving Image, Sensory Stories. The exhibition showcased 12 immersive, 3D documentaries using a virtual reality headset, the Oculus Rift. And then there's room-sized, "remote sensing" setups. These spaces let you explore sites not safe to visit in person. I suggest to Chan that Palmyra might be that sort of site. "Or a world heritage site that's too fragile to visit. Or maybe the international space station. Or maybe the surface of Mars," he says. Some of these not-at-home experiences are social. "That's one of the big shifts, I guess, in museums, is that they're now social venues." Most of these fixes are low-tech, like fixing the quality of coffee in the cafe. And the tech follows along. While the new Cooper Hewitt's interactive tables are 84", 4K high-definition screens, it's also important that they're big: "You can have as many as 12 people gathered around them. And when there are 12 people gathered around, you can bet they're talking." CHEAP JEANS AND CENTRIFUGES Where does this take us over the next ten years? Chan seems excited about the future of virtual reality, but sanguine. "VR is always an interesting piece with museums. And every ten years, there seems to be a new peak around this, and then it drops off again, and comes back again." Then there's the issue of what to collect. Chan wonders. "What should we be collecting from now that's gonna be as important as, you know, the cuneiform tablets?" He's interested in software and code. Maybe financial code, "collecting the algorithms — the quants used — that triggered crashes [from high frequency trading]" or even Stuxnet. How to do Stuxnet: The source code? A copy of the virus? "Ideally, what you would want to collect is one of the Iranian centrifuges that was knocked out by it." He points to Britain's Victoria & Albert Museum, whose experiments in "rapid response collecting" have seen it display a smashed Guardian laptop to talk about Edward Snowden or Primark cargo pants as a response to the Rana Plaza collapse in Bangladesh. YOUR DATA IS HERE, NOW There's also a long game here. Museums have new tools in the shape of analysing visitor movements from new tech like Cooper Hewitt's pens or even just free museum Wi-Fi. How does ten years of that add up? "Ten years of understanding it." Though Chan adds, "The challenge with analytics is that you're often collecting the wrong information. What I would hope is that it's ten years of people realising that we need to be thinking about how people behave and coming up with ways of understanding it." Seb Chan is in Sydney to talk at REMIX Summit, where he'll be giving Wednesday's keynote 'No Boundaries - The Museum of the Future.' Concrete Playground is a partner of REMIX Sydney.
Leaving the house is no longer a necessity with things like booze delivery, so why couldn't we have art delivered to our door? The long, weary process of touring museums found itself virtually mobile with Google's Art Project. The interiors of cultural organisations have been getting the street view treatment over the last few years, all it took was a guy with a backpack filled with cameras walking around every nook and cranny of various museums, galleries and libraries to ensure that you can do the same without ever actually stepping foot there. And now, our very own Queensland Museum is one of the places available to tour online, as part of the Google Cultural Institute. Not only can you take a closer look at everything you’d see if you were there in person, but you can also catch a glimpse of collections that aren’t usually open to the public. A host of other Australian institutions have also opened their doors to virtual mapping, including the National Museum of Australia in Canberra, the Australian Museum Biennale of Sydney, the Australian Centre for the Moving Image in Melbourne, and the Queensland Performing Arts Centre. So what are you waiting for? You can jump online and take a simulated stroll around many an art-filled corridor whenever you want. That's right, the future is now. To tour the Queensland Museum online, visit the Google Cultural Institute. To go there in person, head to the corner of Grey and Melbourne Streets, South Brisbane. Via Brisbane Times.
Billionaire entrepreneur and possible mad scientist Elon Musk is one step closer to making his Futurama-style transportation system a reality. After first proposing the high-speed, compressed air-powered Hyperloop back in 2012, the Tesla, PayPal and Zip2 cofounder has just put down a lease on a warehouse in downtown Los Angeles, establishing the headquarters for Hyperloop Technologies Incorporated. Described by Musk as a "cross between a Concorde and a railgun and an air hockey table," the proposed Hyperloop system would consist of a long route of elevated vacuum-sealed steel tubes, through which pressurised capsules ride cushions of air at speeds of up to 1220km/h. Designed to transport both freight and brave human passengers, Musk’s first proposed route would run from LA to San Francisco, cutting the roughly six and a half-hour drive time to just 35 minutes. If you think that this idea sounds awesome, then you’re right — it's straight-up awesome. There are however still a few small details to work out. Despite Musk’s initial assertions that the project would cost a 'mere' US$6 billion to complete, several economists have put the price tag closer to ten times that, if not more. There’s also the possibility that people might be a little reluctant to seal themselves inside a windowless metal pod travelling at breakneck speeds through the desert — although if the proposed US$20 ticket price holds true, it may be a preferable alternative to flying. For those of you who geek out over science, Gizmag published a pretty comprehensive breakdown of Musk’s 2013 proposal over here. The next step in the system’s development will involve an 8km test track, with Musk identifying Texas as a possible location. Hyperloop Technologies CEO Dirk Ahlborn last year estimated that a commercially operable Hyperloop “can be built within the decade.” Via LA Times.
Those who were mad fans of Bill Cunningham, or watched and loved the 2010 documentary Bill Cunningham: New York (that Venn diagram is probably a single circle), would be unsurprised to hear that the legendary fashion photographer was still shooting less than a month before his death last Saturday. Cunningham's tenacity and single-minded focus, along with his modesty and warmth were just some of the things that made the street style photographer such a joy to watch. As a reporter and historian of fashion he displayed an extraordinary depth of understanding of his subject. It's a little dismaying therefore to discover that finding photos taken by Bill Cunningham is harder than you might expect. Trawl the usual channels (Google, Tumblr, Pinterest) and inevitably nearly every image will contain a telltale flash of blue — the French workman's jacket that Cunningham made his now-iconic uniform. Though I can't blame anyone for wanting to swoon over Cunningham himself, it seems fitting to honour the reluctant celebrity by turning our attention back to his work — if nothing else, there's no doubt that's what he would have preferred. [caption id="attachment_578295" align="alignnone" width="1280"] William J. Cunningham, Facades, Penguin Books, 1978.[/caption] NEW YORK IS ITS OWN STAGE Cunningham's muse, friend and co-star Editta Sherman poses in full Edwardian get-up in this shot from Cunningham's 1978 book Facades. Many of the photographs from the book depict authentic period costumes (which Cunningham himself had collected) placed against a backdrop of iconic New York architecture. The photos are contemplation on a city that, perhaps more than any other, has made progress and modernity into an aesthetic. Though Cunningham is better known for his (generally) unstaged street photography, this photo of the Lady Bracknell-esque Sherman includes elements of the photographer's sense of humour which are familiar. Note the advertisement hanging on the graffitied subway car above Sherman: "A woman of good taste". [caption id="attachment_578296" align="alignnone" width="1280"] Bill Cunningham, Vogue, (Conde Nast, March 1974).[/caption] AMERICAN FASHION "OOZES VITALITY" If you're interested in 20th century fashion history then don't walk, RUN to watch this 2014 interview in which Cunningham describes "the most exciting fashion show" of his life. Cunningham is momentarily reduced to tears as he recalls details of the 1973 'Battle of Versailles' fashion show, in which French and American designers were pitted against one another. The two nations' designers represented two different fashion ideologies, and Cunningham wasn't shy about naming his victor. In the Chicago Tribune, he wrote that the Yanks "devastated" their French counterparts, with their "uncluttered American taste oozing vitality". Halston was among the American contingent who showed at Versailles, and though this 1974 photograph by Cunningham displays the more overt, embellished glam of the coming decade, one can still recognise in the dress' cut the kind of simplicity of design that Cunningham was still championing 40 years later. [caption id="attachment_578297" align="alignnone" width="1280"] Bill Cunningham, 'Make Your Own Art: On the Street', New York Times (OCT. 31, 2014)[/caption] FASHION NEEDS EXPERIMENTATION TO AVOID SIMPLY BEING COMMERCE So here's a fun fact: Bill Cunningham literally invented the application of the word 'deconstructionism' to fashion (Bonnie English, Japanese Fashion Designers: The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo, Berg, 15 Aug. 2013 , p.170). It is a rare thing indeed to encounter someone with so fierce, varied and long-lasting an appetite for fashion. In a 1989 video interview, Cunningham described how he first recognised parallels between the early 1980s designs of Rei Kawakubo, and the clothes worn by New York's homeless women. His tone is not uncritical as he makes this extraordinary observation, but you can also detect his exhilaration as he goes on to make a further link to the proportions of medieval European dress. More recently in his 'On The Street' video series for the New York Times, Cunningham showed his continued fascination with the avant-garde by comparing the red of mainstream fashion to Kawakubo's "blood and roses". He concluded: "Fashion as we know it today is absolutely commerce. Very little artistic expression. Lots of it is very beautiful and women look wonderful in it. There's nothing wrong with that! But you have to have this wild experimentation." [caption id="attachment_578300" align="alignnone" width="1280"] Bill Cunningham, 'Dashing', New York Times (February 24, 2012).[/caption] COLOUR IS POWERFUL AND DEMANDS YOUR RESPECT Many of Cunningham's most enticing collage spreads for the New York Times were based around a colour theme. Cunningham sensitivity to and appreciation of colour was something else. In 1965, the New York Times reported on a presentation given by Cunningham at Carnegie Recital Hall (the same building in which he lived and from which he was evicted in 2010). Cunningham spoke to an audience of fashion designers and students and described the colours he had seen at the recent Paris couture shows. To illustrate the colours he "sliced a pumpkin in half, peeled a banana and held up a raw beefsteak to illustrate the major colours…", documented by Bernadine Morris in her 'Two Views on Fashions: One Scholarly, One Pop' piece. Cunningham never lost his voracious appetite for fashion, and it's hard to imagine that we'll see his like again.
It’s lucky it’s almost always sunny in Brisbane — or always warm, at least. It’s the kind of place where you could splash around on a giant slip ‘n’ side in April, if that took your fancy. And that takes everyone’s fancy, admit it. Sydney and Melbourne have already had their super-sized, water-soaked moment, and now it's Brisbane’s turn. As part of the Monster Slide Australia Tour 2015 — yep, that's a thing — more wet plastic than you could possibly dream of is taking over Queensport Road at Murarrie for the Easter long weekend. Who needs chocolate when you can feast on all the slithering and skidding you can handle, day or night? You provide your own inflatable device to slide on, and they'll provide the metres upon metres of lathered up plastic for you to glide down. Passes are sold for two-hour blocks, but you might want to get in quick. The sooner you buy, the cheaper reliving your childhood would be — and plenty of the early bird tickets have already been scooped up. Before you go getting too excited, there’s a potential hitch that might ruin the foamy fun faster than a rock finding its way under the giant plastic sheet. Brisbane Times is reporting that the organisers are yet to get council approval. Here’s hoping that's just a bump in the watery road to slip 'n' slide bliss. The Monster Slide Australia Tour 2015 will stop by Queensport Road, Murarrie from April 3 – 5. For more information and to book tickets, visit their website. Images: Eljay Anderson. Via Brisbane Times.
Mona Foma, MONA's wild and weird summer music and arts festival, is back for 2018. And this time around, it's set to eclipse all previous incarnations, with the festival adding a program of Launceston events to its usual Hobart lineup. Further to the announcement of the MONA hotel and the move to Launceston back in July, this beefed-up presence also heralds the festival's biggest, most eclectic program to date, thanks largely to funding from the State Government. Unveiled today, the Mofo 2018 lineup is a cracker, delivering 11 days of thought-provoking art and music to Tasmania's two largest cities and celebrating creativity and personal expression in all forms. Running from January 12 to 14, the Launceston leg will see singer-songwriter Gotye join the Ondioline Orchestra to pay homage to renowned French electronic composer Jean-Jacques Perrey (January 12 and 13), as well as a dance performance by Canada's The Holy Body Tattoo, scored live by post-rockers Godspeed You! Black Emperor (also January 12 and 13). Mofo's northern run will culminate with a huge, free party on January 14. To follow, January 19 to 21 will mark Mofo's final MONA appearance for a while, so it's exiting with a bang. The museum's outdoor stage will feature performances from the likes of punk poet Moor Mother, all-female Argentinian act Fémina and a collaboration between Tassie bassist Nick Haywood and The Hobart Liberation Orchestra. Martin Blackwell will deliver a 24-hour continuous performance soundtracked by an array of global instruments, while the MONA tennis courts play host to a challenging fashion runway courtesy of SAAKA's Hunger for Gluttony. Elsewhere in Hobart, the Violent Femmes will perform with the Tasmanian Symphony Orchestra, a one-day mini-Mofo will pull together local acts like Comrad XERO, Crypt Vapor and Phillipa Stafford, and the festival's official after-party Faux Mo will take over a huge new waterfront space at MAC2. Mona Foma 2018 will take place at venues across Launceston from January 12–14, at MONA from January 19–21 and across Hobart from January 15–22. Tickets are available here from Monday, October 16.
Two fast food staples, both alike in dignity, in fair Hong Kong where we lay our scene. An unlikely pair of greasy star-cross'd lovers have been fused by the world's biggest chicken specialist — KFC has created the unholy union of pizza and fried chicken. Found only in Hong Kong for now, KFC's new Napoli Crispy Pizza Chicken sees the chain's immortal fried chicken breaded with marinara, mozzarella, and cheddar cheese. It's pure, horrifying genius. They've even got some slightly freaky children's choir in on the local ad. We thought things would settle down after KFC decided to replace their buns with chicken, but no. This mighty fast food hybrid proves our suspicions that the global trend toward fusing unlikely food friends is getting more messed up by the day. Just go with it, we guess? Via Gizmodo.
Hey there, lonely freelancers working in cafes, on couches and in front of Netflix worldwide. Want some company? We've got a big ol' warm fuzzy home for you. Well, someone else’s home to be specific. Meet Hoffice, the social site dedicated to connecting you with people who've turned their houses into fun, creative workspaces. Whether you've only just quit your nine-to-fiver or you've been cruising solo for quite some time, chances are you're familiar with the challenges that come with the crazy world of freelancing. On one hand, taking charge of your career gives you loads of freedom — you can work in your pyjamas, clock on and off when you want to, and enjoy strictly virtual relationships with your bosses/clients. On the other hand, it's not all strawberries and cream. Unless you became a freelancer mainly because you hated group work at school (and you’re a misanthrope), you might feel a little lonely every now and again. You're productive, sure. But you probably look as relaxed as this: That's where Hoffice steps in. If you’re a freelancer, simply register and start searching your area for a host, who’s set up their home as a place for you to treat as your office. As far as we can see, this new service only has limited Australian/NZ options but we're sure there'll be a few as Hoffice picks up. While some hosts have an open policy, inviting everyone in, others just accept newbies every now and again. If you’d like to offer up your home, find out how right here. On top of mediating between space owners and freelancers, Hoffice also suggests a schedule. Designed to help you get the most out of your workday, it includes time for meeting and greeting, taking breaks, eating and partying. Of course, you don’t have to stick to it if you'd rather not — or you're between projects. Right now, Hoffice is operating in Europe, the States, Brazil, India, China, Japan, Singapore, New Zealand and Australia (Melbourne). No network in your area? Start one yourself. Via PSFK.
UPDATE: MARCH 27, 2019 — If you've been meaning to explore the NGV's mind-bending Escher exhibition, but haven't had a chance yet, you don't have much time left. — it finishes up on Sunday, April 7. Luckily, the gallery is extending its hours its final week . From April 1–7, the exhibition will open at 8am (two hours early) so you can catch a glimpse of it before work. In addition to this, the gallery will stay open until 10pm Thursday through to Sunday with live music and the bar open (including the last NGV Friday Nights for the season). The National Gallery of Victoria has revealed its summer centrepiece: a bold new world premiere exhibition pairing the work of Dutch artist M.C. Escher and Japanese design studio Nendo. Much like the NGV's 2016's Andy Warhol and Ai Weiwei show, Between Two Worlds celebrates two very different creators, bringing them together in an assembly of immersive art and design. More than 150 of Escher's prints and drawings created between 1916 to 1969 have made their way to Melbourne from the Gemeentemuseum in The Hague for the artist's first ever major exhibition in Australia. Optical illusion is what he's best known for — his intricate pieces use patterns and design to warp space and perception. You'll need to take second, third and fourth looks at pieces like Day and night and Drawing hands. To really mess with your mind, Nendo — led by designer Oki Sato — has created an immersive gallery space that's just as trippy. The studio has taken inspiration from Escher to manipulate geometry and space to warp perception, giving you an imagined sense of what it would be like to enter Escher's mind boggling world. Expect lots of mirrors, shrinking corridors and projections that will mess with your brain (in a good way). The exhibition will run until April 2019 alongside a public program of talks, workshops and the NGV's Friday night parties. Images: Eugene Hyland and Sean Fennessy.
For Benjamin Law, it all comes back to family. One of five children born to immigrant parents from Hong Kong, Law made a name for himself as a columnist for Frankie, where he frequently wrote about his large, dysfunctional family. It's a habit he'd continue in his best-selling memoir The Family Law, which in turn became the basis for his brand new sitcom on SBS, the first episode of which premiered last week. In an unprecedented move, the network chose to release the first episode on Facebook ahead of its television premiere. Yet perhaps even more significant is the fact that the show puts an Asian-Australian in the spotlight — an all too rare occurrence on Australian TV. In the lead-up to the release of the show's second episode, Law gave us his two cents about the origins of the program, their groundbreaking release strategy and the importance of diversity in entertainment. ON BRINGING PAGE TO SCREEN "The book [The Family Law] came out in 2010. It's about growing up gay and Asian in coastal Queensland in the 1990s as my parents' marriage falls apart. It's a classic Australian story! So that came out, and I kind of fret that no one will really get it, because it seems to me to be such an obscure story. But what happens is that a lot of people relate to it for all the reasons that I just talked about. A lot of Chinese-Australian and Asian-Australian people relate to it, a lot of people who grew up in Queensland relate to it, a lot of people who grew up gay relate to it, and a lot of people whose parents' marriage busted up relate to it. So it kind of exceeded my expectations. "From there it landed in the hands of Tony Ayres, the filmmaker, who has made some of my favourite films of the last few decades. He's just this powerhouse, and as soon as I heard that he was interested I had to stop myself from squealing like a fan-girl. I'd seen his film The Home Song Stories maybe a year before. My whole family did, and we came out of the cinema crying buckets. I was like, if you can make something like that, I'd love to see what you could do with The Family Law. So we signed up with Matchbox Pictures, and Tony curated this incredible production team...[and] we all came together and started working." ON TURNING YOUR FAMILY INTO SITCOM CHARACTERS "I think [my family] are always kind of nervous. Hell, I write the stuff and I'm always nervous about their reaction. But I've been writing about them in columns and in my book, for quite some time, and I kind of know where the boundaries lie. And the good thing about this show is that we weren't writing a documentary. All the characters are based on people in real life, but we wanted to write a comedy with a lot of emotional truth, and in order to do that we had to be wildly promiscuous with what actually happened. "Funnily enough, as time goes on and more and more people see the show, so much of the feedback is, 'Holy crap, that's my family, that's my dad, that's me!' And that's pretty sweet. It's the best reaction you could hope for really." ON THE WHITE FACE OF AUSTRALIAN ENTERTAINMENT "The show isn't about race, or race relations, or racial tensions, or finding your racial identity... but we were completely aware and happy to acknowledge the fact that this was addressing something that has been lacking in Australian TV for a long time. One in ten Australians has a significant Asian background, but we just don't see that diversity on television. And it's not just about Asians either. It's about brown Australians and black Australians, and seeing our actual racial makeup. Why we remain one of the whitest TV environments is just baffling. A 2016 show about a Chinese-Australian family is groundbreaking. And I'm really glad that it's breaking new ground, but it's kind of astounding that it's taken so long. "I think it's more to do with the television landscape and how frighteningly mono-cultural it is. All the commercial breakfast networks are white. The main cast of Home and Away [is] completely white. How many of the panel shows we watch are all white? You start noticing it constantly. "I didn’t grow up watching any show that resembled The Family Law... and the way that it manifests can be pretty toxic, when you don't see your own face reflected in your own media. I've been reading some essays lately that people have written in response to the show, saying 'I sort of grew up a bit self-hating and wanting to be white, because anything else was undesirable. My own face was undesirable and not legitimised by how we reflect ourselves in media and television and the arts.'" IS FACEBOOK THE NEW TV? "SBS proposed it. They'd never done it before, and as soon as they said it, it just made complete sense. Nearly all of us are on [Facebook], it's a part of our daily lives, and it gives the opportunity to click on something and watch a full episode of something that's already in our face. Not only that, but you can share it, you can interact with it, you can tag people and tell them about it. So we put it up there for a really limited amount of time, from Friday afternoon until the end of Sunday. At least two million people saw it, at least 1.1 million people had a good look at it, and thousands and thousands of people watched the episode in its entirety. "It sounds revolutionary, but when you're doing it you're just watching a show on another platform. Television is so many things nowadays ... so I'm really stoked that we went with that. People were wondering if it would affect our ratings, but I suspect that it might have even boosted them, because we far exceeded the expectations of what the show would rate once the TV broadcast went to air." Watch The Family Law on Thursday nights on SBS at 8.30pm.
Strolling and spending is a weekend ritual for many, and in Brisbane, one set of markets has always come out on top. That'd be the Riverside Markets, the CBD shopping spot with pretty water views. You've browsed their stalls filled with craft goods, grabbed a snack from the many food vendors on site and enjoyed the breezy atmosphere — and you've likely done so more than once. In fact, you've probably grown up visiting Eagle Street Pier on a Sunday morning, given that the Riverside Markets have been a Brisbane mainstay since 1987. From December 6, though, you'll need to head in a different direction for your inner-city fix, with the weekly marketplace moving to the nearby City Botanic Gardens. A new name — Riverside Gardens Markets — accompanies the new location, representing perhaps the biggest changes in the event's 28 years of operation. The move was sparked by a change of ownership at Eagle Street Pier, and is welcome given that closing down completely was also rumoured. Swapping buildings for luscious greenery to stroll around sounds like a win as far as we're concerned. Of course, everything regulars know and love about the markets will transition over to 147 Alice Street — live music and street performers included, plus a few fresh additions. A bigger site means more room for new stalls and an enhanced range of eating options. You know what they say: a change is as good as a holiday. To that, we'll add: every holiday needs a good spot for market shopping. For more information about the Riverside Gardens Markets, visit their Facebook page.
You might be familiar with Lululemon from that one time you were convinced to give bikram yoga a go, and its logo on that super fit girl’s yoga pants was in your line of sight while you were swearing this would be the last time you touched a yoga mat, and then you went straight home and had a drink. Next time that happens, take comfort in the fact that your beverage can be Lululemon too. Step out of downward dog for this one: news has dropped that the yoga giant is brewing its own craft beer. In addition to their frequent, high-profile publicity gaffes (like the time its CEO said making yoga pants for plus-sized people was too expensive), Lululemon is well-known for the cult-like devotion of its inner circles and weird in-lingo. (They also do a bunch of wacky brand promotions, which is why this new ‘Lulu goes to the brewery!’ thing might not seem so bizarre to the initiated.) Called Curiosity Lager, the beer is a “crisp, bold session lager” (4.6% ABV), featuring lemon drop hops and chinook hops — but you’ll have to plan a trip to Canada to get a taste. It’s the official beer of SeaWheeze, a half marathon and yoga festival produced by Lulu that happens in Vancouver in August, and just 80,000 cans will be sold in liquor stores around the city. But the question still stands. Why? Speculation is that it’s a move intended to draw in a larger male crowd. But who knows if that will work, as Lululemon doesn’t believe in market research. They’re very future driven, you see, and apparently interviews and focus groups draw too much on the past. Which leaves us wondering, how did they come up with this one? You can almost see the thought process. "Big Manly Men not buy Lulu. Manly men want beer. How get them?" … "Lulu beer!" Good. Via Yogadork.
The process of making sourdough is a complex one, and the Swedes talk it as seriously as they take their creamy meatballs and minimalist furniture design. If you're doing it by the book, creating one loaf is a very long and complicated task, and like the art of making whiskey, ramen, craft beer, cold drip and growing a beard, it has amassed a devoted niche following. But in an adorable move, Sweden has opened its own 24-hour hotel, just for sourdough. You'll find this adorable land of loaves in the Arlanda airport in Stockholm, run by the RC Chocolat bakery. You can check in your sourdough any time of day, 24/7, for about 100 Swedish krona [about $17] a week. They'll keep your sourdough, care for it, feed it with an organic flour of your choice and massage water into the dough, then hand it back, all ready for baking. But why the need for a hotel? The process of making sourdough involves ‘refreshing’ or massaging the dough and, depending on a host of factors, may need to happen every 24 hours for two weeks. So if you’re a hip Swede, living in an airy loft apartment in Stockholm, cultivating a batch of pungent sourdoughs but you need to travel to a typography convention, what do you do? Before, you had to stay home with the loaves and tend to them lovingly, like they were your children, and then eat them with jam while sad-drunk because you’ve spent your youth raising loaves of fashionable bread instead of a family. But now you can check your dough-children into a hotel while you jet around the world and know they’re receiving top-class care and attention. Charlotta Soor, the owner of RC Chocolat, told Munchies that the Scandinavian love of food with an acid component (such as sour milk and yoghurt) might explain the nationwide obsession with sourdough. She also added, “One has to remember that a sourdough can live for generations as long as you take good care of it, which is pretty amazing.” You’re not wrong, Charlotta, this is all pretty amazing. Well there you have it folks, a hotel for bread. Now back to the studio. Via Munchies. Image: Dollar Photo Club.
While Melbourne's enjoying cat-flanked cappuccinos at Australia's first cat cafe, and Brisbane's waiting patiently for any glimmer of a cat cafe rumour, an official campaign to bring yet another Sydney cat cafe (the first, Catmosphere, has apparently been funded) to fruition is under way and guess what? There's an adorable-beyond-all-reason pop-up kitten cafe coming to Sydney to mark the occasion. We'll say it again, just in case you closed your eyes for maximum squealidge. There's going to be a pop-up kitten cafe in Paddington. Next week. Road trip? In association with Maggie's Rescue, Sydney Cat Cafe is hosting a pop-up cafe from May 14-17 at William Street Gallery. Sydneysiders can book cuddle sessions with fluffy little kittens handpicked by the Maggie's Rescue team, with the opportunity to pledge funds towards turning the Sydney Cat Cafe concept into a permanent fixture. Only 15 people can clamber into the pop-up at a time, booked on a half-hourly basis for $5 per person. And no little ones, for safety and tail-pulling reasons, this pop-up is restricted to cat lovers above the age of 8. While you're there, snuggling and nuzzling your new whiskered BFF, you can also think about pledging funds to towards the Sydney Cat Cafe Kickstarter crowdfunding campaign; hoping to raise $15,000 to cover part of the seed funds needed to realise the café. Alright, alright, donating, donating, how do we pat the kitties? Enquire after availability by emailing info@sydneycatcafe.com.au — and spots are already filling up, so get on it. KITTIES. The Sydney Cat Cafe and Maggie's Rescue pop-up kitten cafe is open at William St Gallery, 14 William Street, Paddington, running May 14 -17. The cafe is open 9am to 7pm Monday to Saturday, 10am to 6pm on Sunday.
We thought Pikachu-themed pop-ups were the pop culture pinnacle for Japan. But once again, the country's beating us all at the cool, novelty shit game. This one truly levels things up, with a new pop-up inspired by Super Mario Bros.. To celebrate the 30th anniversary of the immortal video game, Tokyo is getting an adorable Mario-themed pop-up restaurant. Running June 22 to July 5 and run by Tower Records, the pop-up will serve up a menu inspired by our plumbing video game hero and his crew (yep, even that dastardly Bowser). Punters can chow down on Peach Panna Cotta, a Piranha Plant Soda, Bowser Castle Drink or Ground Stage Waffle, all of which are guaranteed to double your size and allow you to jump on Goomba heads like a boss. But no giant mushrooms to eat? Come on guys. Anyway, let's peruse the menu shall we? First, pick up your Super Star Omelette (and run madly around the pop-up for ten seconds): Slam a cap with Mario latte art: Give it back to the Koopa Troopas with whatever comes out of this Question Block Tiramisu: You could battle it out with Bowser Taco Rice: And finish things up by rescuing the Peach Panna Cotta from going uneaten. The Mario-themed pop-up restaurant runs June 22 to July 5 in Tokyo. Via Grub Street and Rocket News24. Images: Tower Records.
May 5 isn't just May 5 — it's Cinco de Mayo. That's when the spotlight shines on Mexico; however, despite beliefs to the contrary, it isn't the country's Independence Day. Instead, the celebration marks the nation's 1862 victory against French forces in the Battle of Puebla. Back then, the day was declared a holiday. These days, the occasion is actually a bigger deal in the US. That said, it's still a great chance to appreciate Mexico's culture and heritage. There are plenty of ways to do this, although we suggest taking the traditional path: a party. So just how do you throw your own Cinco de Mayo gathering? What should you eat, drink and listen to? Follow our guide, and you'll be having a fiesta in no time. AVOID STEREOTYPES Starting on a serious note, Cinco de Mayo should celebrate Mexican culture, not stereotype it. Avoid the easy route when it comes to theming — so that means no sombreros, no fake moustaches and no Day of the Dead (which actually happens in October, so the timing doesn't work anyway). In fact, just discourage people from dressing up altogether. You'll be more likely to avoid accidental cultural appropriation. Focusing on the colours of the Mexican flag is one good option, with splashes of green, white and red certain to look festive. Or, you could champion the country's creative talents. Frida Kahlo deserves many parties in her honour, with her paintings considered iconic for good reason. Mexican cinema is among the world's best (think: Del Toro, Inarritu, Cuaron, Rodriguez), so if you have screens or projections going, look to these guys. Or just bring a splash of summer to your bash — grey, late-autumn Australia will thank you. FIND YOUR HERO FOOD This might be the easiest part of the party-planning process, but you don't just want the food to be good — you also want it to be authentic. That means tacos made with corn tortillas, chorizo, guacamole, salsa, onions and coriander, and quesadillas filled with stringy Oaxaca cheese. Put your focus into the central component of the dish and no one will notice if you go with store-bought stuff for the rest. A good option is always to take your cue from Neil Perry — his chicken (or pork) adobo for tacos sings with chipotle, honey and vinegar. You might also have time to try making your own churros for dessert. Yum. You can also get your guests in on the action (and take the heat off yourself) by asking them to bring their own homemade guacamole or salsa. Add a competitive element, and call it a guac off. The chef behind the best wins bragging rights, and everyone else wins by getting to eat it. Just stock up on corn chips beforehand, because there's going to be plenty of dipping to do. THREE DRINKS TO COVER ALL BASES When it comes to Mexican beer, it's an easy choice. Chill some Coronas in as big a bucket as you can find, and make sure you have plenty of extra lime slices lying around for people to pop in the tops. If you want something stronger, it wouldn't be Cinco de Mayo without margaritas making an appearance. Just combine 2 parts tequila to 1 part Cointreau (or another triple sec) and 1 part freshly squeezed lime juice. Choose a silver tequila, and look for the words '100% agave' on the label. That means it's the real stuff. Pour over or blend with ice, but don't forget the glass rimmed with salt. For a non-alcoholic option, agua fresca is your beverage of choice. It couldn't be easier to make or tastier to drink. Watermelon is a popular flavour, and all you need to do is blend cubes of the fruit then mix it with the juice of four limes, three quarters of a cup of castor sugar and a cup of mint leaves. Stir, stand for an hour, strain and top up with sparkling water. GO TO CONTEMPORARY MEXICO WITH YOUR PLAYLIST A party isn't a party without a soundtrack to match the occasion. Here you have multiple options, but we're only going to recommend two. Acoustic guitar fans need look no further than Rodrigo y Gabriela (fans of nuevo flamenco, rock and heavy metal too). The duo's sound is certainly diverse, which isn't surprising given that they mix traditional Mexican music with European influences over their five studio albums and three live records. For a more unpredictable playlist, there's always Spotify. Any one of their hundreds of Mexican playlists will spit you out a party-ready concoction of mariachi music, contemporary Latin songs and questionable Ricky Martin numbers. HIT THINGS WITH STICKS There's one party staple that never gets old, even as you get older. That'd be the piñata, something that the Spanish brought to Mexico, and also links in with Mayan culture. You know how it works: you wear a blindfold, swing a stick and try to break open a suspended, decorated container filled with goodies. That's the fun part — but making your own is just as fun, too. Papier mache away using newspaper scraps and a paste made from equal parts flour and water, plus a tablespoon of salt. Balloons work well as a sturdy base, as you might remember from primary school. Once everything has dried, decorate it with paint and crepe paper, and then stuff it full of goodies. Lollies are fine, but you might want something a bit more age-appropriate. We were thinking mini bottles of tequila or hot sauce, individually packaged T2 teabags, discs of pour-over hot chocolate, playing cards or obscure Mexican lollies — or a combination of the lot. Top image: Dollar Photo Club.
One of the most buzzed about titles of this year’s Cannes Film Festival has just dropped its first official trailer. Adapted from Shakespeare’s seminal play, with Michael Fassbender in the title role and Marion Cotillard as his ambitious wife, Macbeth has been described in early reviews as “towering,” “haunting” and “intensely compelling.” If this first glimpse of footage is anything to go by, the critics appear to be right on the money. https://www.youtube.com/watch?v=RgH_OnrYlCk Turns out when you take two of the greatest actors in the world and give them one of the best scripts ever written, the results tend to look pretty impressive. Getting a definite Game of Thrones vibe from this one, although to be fair, when it comes to sword and sorcery scheming, William S. pipped George R. R. Martin by a margin of about 400 years. Still, what’s perhaps most impressive about this trailer are the visuals. Australian director (represent!) Justin Kurzel has made just one feature film prior to this — in the form of 2011’s highly disturbing true crime thriller Snowtown — but his work here looks extraordinarily polished. Directors that have previously tackled the Scottish play include Roman Polanski and Orson Welles. Talk about big shoes to fill. Macbeth is yet to receive an Australian release date, but should hopefully be in cinemas by the end of the year.
Charging your smartphone will soon be as foolproof as placing it on your coffee table. Taking already existing technology and fusing it into your own home, Swedish retail giants and regular media-baiting happening creators Ikea have jumped on wireless power capabilities to release built-in wireless charging furniture. According to the Wall Street Journal, this will be the first time built-in wireless chargers are available to consumers from a mass-market furniture retailer. Ikea made the big announcement on Sunday at Barcelona's Mobile World Congress. They've recruited the likes of Qi for the collection, a wireless power standard from the Wireless Power Consortium (WPC). Alongside two other standards, this is one of the companies responsible for the wireless charging technology you would have already seen in airports, cafes and hotels and generally lost your shit over a few years ago. But until now, major furniture stores haven't taken advantage of the downright convenience of the technology, or the logic in embedding the charging capability in surfaces you already rest your smartphone on during charge times. So how does it work? Qi does away with all those dastardly cables and the annoyance of choosing between model connections, as the furniture itself is the one plugged in. When switched on, the lamp base, coffee table or side table's energy or bookshelf transfers to your smartphone or tablet (yep, maaaaagic), depending whether or not it supports Qi charging — there's 81 Qi-compatible types of smartphone, but iPhones aren't one of them, sorry Apple fans. Apparently the wireless charging-capable furniture will cost a mere $22 more than regular furniture from Ikea, proving the Swedish homeware giants truly have money to burn and credibility to gain. If all goes well with the embedded furniture line, you could be able to buy a wireless charging kit to fit to your existing, beloved dining table soon for about $34, which is a lot cheaper than replacing all those lost, broken chargers of yours. The wireless-charging furniture collection will hit Ikea shelves in Europe and the US on April, 15, followed by a global roll-out, so keep 'em crossed. Via Wall Street Journal.
OK Go, that band whose music videos consistently outperform their music, would find it hard not to be impressed by Birdman. That's because the film features one remarkable, continuous shot that goes for 119 minutes and is called Birdman. It's a cheat, of course. Like Timecode before it, there are cuts amid the long takes, but much of director Alejandro González Iñárritu and cinematographer Emmanuel Lubezki's remarkable achievement is how seamlessly they’re all pieced together. Filmed like a play but choreographed like a dance, Birdman is cinematic ballet where the way the story is presented is just as critical to its telling as the story itself. And what of that story? It’s a simple one, but like all good tales, the simplicity of plot is offset by characters possessed of deep complexity. None more so than Riggan Thomson (Michael Keaton), a washed-up movie star whose career faded into obscurity after turning down the lead in ‘Birdman 3’ (allusions to Keaton’s career post Batmans 1 and 2 are clearly — and gleefully — embraced by all). Thomson has gambled everything on one final shot at restoring his credibility: a Broadway adaptation of a Raymond Carver story that he has singlehandedly adapted, directed and is starring in. There's a matryoshka doll feeling to it all: the movie, filmed like a play, about the movie star putting on a play. The effect is at once mesmerising and unbalanced, neatly reflecting Thomson’s own tortured subconscious. When narration sporadically occurs, it is not in the voice of Thomson, but Thomson ‘doing’ Birdman — the same gravelly exercise in duality that defines the Bruce Wayne/Batman dichotomy. Then there’s the supporting cast, albeit one where ‘support’ is a giant misnomer since Keaton needs no assistance and each of the supporting actors puts in a lead-worthy performance of their own. As Thomson’s friend and agent, Zach Galifianakis shows remarkable, understated reserve, while Emma Stone is refreshingly dark as Thomson’s recovering drug addict daughter Sam. Naomi Watts and Andrea Riseborough both demonstrate incredible depth as Thomson’s on-stage co-stars, but the standout is unquestionably Edward Norton. He plays Mike Shiner, an unspeakable egotist and critical darling whose dedication to method seemingly knows no bounds. Norton's scenes with Keaton showcase two of the finest performances of the year, and are spectacularly — most notably in their self-aware jibes at actors and critics. This is a film that almost commands repeat viewings, if only to marvel at its mechanics. Yet Birdman offers so much more than form. Darkly comedic, intellectually challenging and emotionally confronting, Iñárritu's film is a tantalisingly original piece of cinema that belongs on everyone’s must-see list for 2015.
With hard-hitting dramas, imaginative comedies and a retrospective tribute to one of the all-time greats, the latest edition of the Alliance Francaise French Film Festival doesn't disappoint. Lighting up the screen from March 11 to April 3 in Brisbane, the 2016 program features a diverse mix of titles showcasing the very best the French film industry has to offer. Below, we've put together a list of the five most intriguing films on the program. Lumière...Moteur...Action! https://www.youtube.com/watch?v=iespSNiOMRQ DHEEPAN The surprise winner of the prestigious Palme d'Or at last year's Cannes Film Festival, Dheepan is the latest film from director Jacques Audiard, whose previous efforts include Un Prophète and Rust and Bone. This new work concerns three strangers from war-torn northern Sri Lanka who masquerade as a family in order to receive asylum in France. A tale of intolerance and persecution, Dheepan feels particularly timely given the ongoing refugee crisis in Europe and our own troubled relationship with asylum seekers here at home. https://www.youtube.com/watch?v=OiOnxv30iHk IN THE SHADOW OF WOMEN Another major player at Cannes — where it was selected to open the Director's Fortnight category — this masterful romantic drama is directed by Philippe Garrel, a 50-year veteran of the French film industry. Shot in Paris in gorgeous black and white, In the Shadow of Women follows Pierre (Stanislas Merhar) and Manon (Clotilde Courau), a pair of married documentary filmmakers whose lives are thrown into turmoil when Pierre begins an affair with a young intern (Lena Paugam), only to discover that Manon has secrets of her own. https://www.youtube.com/watch?v=0XZe5rrFDrM TAJ MAHAL The 2008 Mumbai terror attacks form the backdrop for this unsettling thriller, selected by film critic and festival patron David Stratton as one of the best films on the program. Stacy Martin (Nymphomaniac) plays Louise, an 18-year-old French tourist trapped in her hotel room as it comes under attack by armed gunmen. Setting his film almost entirely in the one room, director Nicolas Saada has been praised for his restraint, crafting a tense, claustrophobic picture that at times may feel a little too real for comfort. https://www.youtube.com/watch?v=qmu6r2RHVDw MICROBE & GASOLINE From The Science of Sleep to Eternal Sunshine of the Spotless Mind to his extensive career at the helm of some of the most memorable music videos ever made, director Michel Gondry is rightfully considered one of the most unique and imaginative filmmakers working in the medium today. His latest film is Microbe & Gasoline, a coming-of-age comedy about a pair of teenage outcasts who decide to take a road trip in a homemade house on wheels. Bring on the whimsy. https://www.youtube.com/watch?v=2wjDWnKTROI CONTEMPT One of the undisputed masterpieces of the French New Wave, Jean-Luc Godard's 1963 film Contempt is essential viewing for anyone who considers themselves a film lover. A scathing satire of the movie business and the conflict between art and commerce, the film follows a screenwriter (Michel Piccoli) adapting Homer's Odyssey for the screen, while navigating complicated relationships with his producer (Jack Palance), director (Fritz Lang) and wife (Brigitte Bardot). Contempt will serve as the festival's closing night film – and frankly, we can't think of a better choice.
The Wheeler Centre is renowned for their innovative programming, but the project they're cooking up now is a doozy. Named after that most endearing punctuation mark, The Interrobang: A Festival of Questions is a festival that is calling on you to decide the topics of conversation. The idea behind the festival is a democratic one: using crowdsourcing techniques, the program is being written around questions submitted by the public and presented to a Brains Trust of writers and thinkers over the two-day festival in Melbourne on November 27-28. Emily Sexton, the head of programming at The Wheeler Centre, says that as well as creating a festival made from publicly sourced questions, she also wants us to question the question. What makes a good question? Can the right question change the landscape of discussion for the better? As well as submitting questions, the public are invited to vote for the best questions. “The way we imagine it is a combination of very potent, political, urgent questions of our time, like 'what is the future of European democracy and what will happen to organisations like the UN or the EU that were founded on a collective idea? Is that still relevant for contemporary life?' But also really inconsequential, playful questions like 'where are all the baby pigeons? Why don’t we ever see them?' I hope there’s a really great mix of personal or political questions,” she says. “There’s no question too big or too small.” There’ll be no shortage of answers either. The Interrobang has assembled a Brains Trust of 25 artists, thinkers, writers and doers from around the world to tackle the questions posed. Included is Wild writer and 'Dear Sugar' advice columnist Cheryl Strayed, cult sci-fi author and tech activist Cory Doctorow, Australia’s sweetheart Benjamin Law, the former Greek Minister of Finance Yanis Varoufakis, playwright and Twitter hero Nakkiah Lui, journalist Geraldine Brooks, broadcaster Mark Colvin and chef and presenter Adam Liaw. The prerequisite for all the panellists was the need for pluralism and enthusiasm about a range of topics. Don’t expect any sales pitches or pre-made answers here; with such a diverse panel, the aim is to explore the topics from every angle. Emily promises that every question, big or small, will be used in some way in the program. “It’s a significant democratic exercise in a way of handing over control and exploring what people really want to know,” she says. We, for one, are intrigued and would very much like to know where the baby pigeons are. We’ll have to wait until November to find out. Submit your question to The Interrobang via the event website. Tickets for the festival go on sale October 12.
The one and only Marina Abramovic will be settling down in Sydney this week. Her 12-day-long Kaldor residency will begin on June 24, transforming Walsh Bay’s Pier 2/3 into a public art laboratory. Abramovic is the undisputed “grandmother of performance art”. She gained notoriety in art circles for her daring and death-defying performances from the ‘70s onward; however, it was her 2010 retrospective, The Artist Is Present at MoMA which catapulted her into the cultural mainstream. Following high-profile collaborations with the likes of Lady Gaga and Jay Z, Abramovic has reached rock-star levels of popularity herself. If it feels like Abramovic sprung out of obscurity around five years ago, you might wonder how she came to be the world’s most famous performance artist. Let's journey back. PERFORMANCE ART AS (DANGEROUS) EMPOWERMENT As a bright-eyed Serbian student, Abramovic took the leap over to Western Europe during the '70s and became a key player in the genesis of performance art. One of her earliest and most significant achievements has been reconfiguring the relationship between artist and audience. These were the first steps into participatory artworks, upending the standard passivity of the spectator. Her self-objectifying performance Rhythm 0 (1974) gave power to a particularly masochistic swarm of gallery-goers. Abramovic lay naked on a table next to a whole range of objects, including perfume, a rose, a feather, scissors, a scalpel and a gun loaded with one bullet. From decorative to sinister, these objects were used at the whim of participants who were compelled to decide whether to act or prevent an action. The situation escalated when Abramovic was cut with razor blades, the gun was held to her head, and rose thorns were pressed into her stomach. She is not being melodramatic when she claims that art is a matter of life and death. Over a period of decades, she has subjected herself to demanding physical conditions, cultivating an ability to push through pain barriers and enter a trance like state during performances. This has allowed her to build a strong sense of power and resilience. Image: Marina Abramovic, Rhythm 0 (1974) PERFORMANCE ART AS TRUST AND ENDURANCE Abramovic began performing with artist and former life partner Ulay (Uwe Laysiepen) in 1976. They became the power couple of the ‘80s art world, united by a compulsion to examine consciousness. They also shared the strength-through-pain ethos that Abramovic had been working on as a solo artist. Many of their works come across as if they are trying to fuse themselves together or create a combined self. In one performance, Relation in Space (1976), they ran at each other repeatedly, violently knocking bodies. After 12 years of artistic and personal companionship, Abramovic and Ulay parted ways in an epic gesture of farewell. Beginning their journey from opposite ends of the Great Wall of China — Abramovic from the Yellow Sea and Ulay from the Gobi Desert — they travelled for 90 days before officially ending their relationship. PERFORMANCE ART AS ARTEFACT As Abramovic stepped up as a solo artist for the second time, she became passionate about preserving the craft of performance art, experimenting with alternative methods of documentation. At one point, she stated that there are to be no repetitions of this kind of art — you cannot have a substitute for the real experience. However, the artist broke this rule when staging the spectacular series Seven Easy Pieces (2003), which paid homage to the pioneers of performance art. Piecing together fragmented records, Abramovic recreated ephemeral performances by Bruce Nauman, Vito Acconci, Valie Export, Gina Pane and Joseph Beuys, putting her own individual spin on them. The re-enactments took place over seven days at the Guggenheim Museum. Of course, the relationship between art and the archive can be tricky business, particularly with regard to preserving the spontaneity and integrity of the original event. In any case, Abramovic’s pedagogical project is ongoing. The Abramovic Institute was a Kickstarter-funded initiative which took off in 2013, dedicated to durational performance and interdisciplinary research. Image: Marina Abramovic performing Gina Pane's The Conditioning in Seven Easy Pieces (2003). PERFORMANCE ART AS MINDFULNESS From 2010 onward, Abramovic seems to have a newfound subtlety and quietness. More recently there have been fewer clanging bodies and life-threatening situations. Unlike her earlier performances, she is expending energy in a different way, deeply influenced by Eastern spirituality and mindfulness. A good example of this would be the massively hyped retrospective at MoMA drew in approximately 750,000 people. Spread across six floors of the gallery, the 2010 exhibition was unprecedented in scale. The centrepiece of the show, The Artist Is Present, showcased the shamanistic Abramovic, silently projecting energy into her sitters for eight hours a day, every day. Surely, there is an element of narcissism here. While Abramovic has built a solid legacy of groundbreaking performances, she may be coasting on charisma these days, inviting the public to bathe in her superstar status. Regardless of this cynical thought, there is something compelling about The Artist Is Present. It is testament to Abramovic that a piece which could have easily lapsed into tacky sensationalism turned out to be profoundly moving. Image: Marina Abramovic, The Artist Is Present (2010) PREFORMANCE ART AS A BRAND Today, Abramovic has become a brand in and of herself. However, contrary to her popularity, performance art isn’t the most lucrative trade. Her works don’t actually fetch much — a mere fraction of the kind of money thrown at Jeff Koons and Damien Hirst. While criticism levelled at Abramovic may strike the occasional chord of truth (mainly in regard to her potential narcissism and theatricality), some of it seems like the product of stuffy art world insiders who see celebrity collaborations as tainting the intellectual heritage of performance art. They're quick to denounce 'sell-outs', but that very term seems to imply a big divide between high art and popular culture. Abramovic is responsible for pioneering some of the most significant aspects of performance art — arguably she has a degree of ownership over them. So why shouldn't she be able to use these techniques however she sees fit? Why not use Lady Gaga as the face of The Abramovic Method? If Marina Abramovic has made performance art more accessible for a new generation, that’s a good thing. Marina Abramovic: In Residence is on at Pier 2/3 in Sydney June 24 to July 5. It's free to attend, but be prepared to queue.
One of Australia's most redeeming qualities is its ability to give good afternoon sun. There's something about its familiar glow that almost demands casual drinks. To help you out as summer comes rolling around, we've got a couple of fun (sometimes sweaty) suggestions for afternoon activities you can enjoy with your friends. They'll be all the more fun when coupled with a cold Heineken 3 in one hand. LAWN BOWLS Ah, lawn bowls, the classic non-taxing "sport" – it harks back to the 12th century, and remains an A+ summer jaunt. It's just like bowling except you're shoeless and it's good for people with little hands and not many arm muscles. Feel the fake grass between your toes and let your hair down as you try to aim the black balls for the little white ball and then forget about all that and just throw balls around willy nilly while drinking a cold beer. There are many places in Brisbane to play, but we recommend getting out in the sunshine at Merthyr Bowls in New Farm. CROQUET Not just for fancy people, or old people, the low-key sport of croquet has gone through a resurgence of late. You can grab a croquet kit from K-Mart, set yourself up anywhere where there's grass and start hiting balls through pegs with a mallet and a beer in hand. It's quite a time, and strangely it makes you feel very sophisticated. Summer clothing reminiscent of The Great Gatsby is optional, but encouraged. BACKYARD CRICKET Backyard cricket is a bit of a great Australian summer pastime: play with your family, friends, or dogs before someone inevitably hits your last ball over the fence. All you need is an expanse of grass (it doesn't even need to be in your backyard), a couple of bats, a tennis ball, and some large object you can turn into a wicket. Don't forget to bring an esky outside for a potential boundary, and so you can easily access a drink (a Heineken 3) to replenish lost electrolytes after you've had a bit of a jog around in the sun. BADMINTON Have you ever played Badminton with a beer? It's fun. Badminton has hands down the best named playing vessel – the "shuttlecock" – so embrace the 'cock and go and hit it around a net with some other friends. Played in either singles or doubles, you can play on a court on ground or on the beach, or anywhere you can set up your the net you bought from K-Mart. It was developed in British India and has taken off especially in Asia, and it's a game of extreme agility and precision. The longer your summer afternoon kicks on if you're having a beery one, the worse you'll get at hitting the cock, but it'll still be fun. KUBB Kubb! What a time. The basic principle is throwing things (wooden batons) at other things (wooden blocks) to knock them over, and when a game is that simple you know you'll be able to cope no matter what state you're in. Rumoured to be born in the Viking times, it's a game much as old as time. It's perhaps one we haven't fully embraced yet, which means you might have to venture to your local sports store for a set. We think it should be an Olympic sport – the only way to achieve this is for as many sun-seeking revelers to partake as possible, so get kubbed this summer. Enjoy your summer afternoons with the new low-carb Heineken 3 – we're helping you make the most of them.
After yesterday's Oscar snub, Richard Linklater could be looking at another go at Boyhood. Maybe. According to a probably-too-hopeful Flavorwire, the director has tossed up the epic idea of creating a sequel to the Best Picture nominee 12-years-in-the-making. In a recent podcast interview with Jeff Goldsmith, Linklater was asked about a potential sequel; an idea he had blatantly discarded until recently. But there could be a glimmer of possibility for the already Academy Award-winning director. "To be honest… this film first met its audience exactly a year ago and for the first six months of the year, my answer to that was absolutely not. This was 12 years, it was first grade through 12th grade; it was about getting out of high school. I had no idea about another story, there’s nothing to say. It hadn’t crossed my mind. "But I don’t know if it’s been a combination of finally feeling that this is over or being asked a similar question a bunch over the last year, that I thought, well, I wake up in the morning thinking, 'the 20s are pretty formative, you know?' That's where you really become who you’re going to be. It’s one thing to grow up and go to college, but it’s another thing to… So, I will admit my mind has drifted towards [a sequel]." Sure, this isn't a confirmation, but we can dream. Could we see another Before trilogy set-up happening with Boyhood? Poor Ellar Coltrane thought he was out of the water. Via Flavorwire.
Ze Pickle has long been the king of Queensland's monster burger trade, as anyone who has been to their stores in Burleigh Heads or Fortitude Valley will know. But soon they'll be king of the highway as well, when the Ze Pickle food truck comes rolling into town. That's right people: these mammoth creations are going mobile. It's lip-smacking fantastic news if you're a fan of their stacked creations, laden with everything from pulled pork to Nutella-smoked bacon, stuff between burger bun, grilled cheese sandwiches and even a pair of Doughnut Time doughnuts. Don't block out your weekend to stalk their greasy wagon around town just yet though. Bringing something this epic to the streets takes time. As such, their meals on wheels are still around three months away. Once it's up and running, the Ze Pickle Food Truck will make it's way to all the usual markets and food truck hangouts around town. Sadly it won't showcase their full menu, although you won't hear us complaining. We'll take their gut-busting burger towers whenever and wherever we can — and we're sure we're not alone. To stay up to date with the Ze Pickle food truck, keep an eye on their Facebook page.
Australia's creative industry is about to get pretty damn employed — the new Alien and Thor movies will be filmed in Australia. Announced by the Federal Government in a press conference broadcast on ABC News 24 today, the films will start filming in 2016. The Australian government is fronting $47 million so the two films can be made in the country. "What it means is 3000 direct jobs for Australians," said senator Mitch Fifield. "This helps develop skills, skills that couldn't be developed on smaller budget productions." When briefing the cabinet, Senator Fifield apparently got pretty excited about the fact that Prometheus had a character called Fifield, until ol' mate industry and innovation minister Christopher Pyne piped up, "He died." Sir Ridley Scott's new Alien film and Marvel's new Thor film will start filming in 2016. We're pretty sure the casts of both movies will be advised to leave their dogs at home. Via SMH.
Your days of stealing liberating those tiny IKEA pencils may soon be coming to an end. According to reports, the Australian arm of the Swedish furniture giant will launch its online store by the end of 2016, ahead of a global e-commerce platform in the next two years. About damn time. Now here's hoping it's less stressful to navigate than their actual physical locations. Due to go live in the next six months, the online store will let shoppers order IKEA's unpronounceable furniture from the comfort of their MALM bed frames. The company plans to trial various pick-up methods, including smaller physical stores that double as pick-up points, as well as the use of third party depots. IKEA Australia hopes the web initiative will help boost profits, which, as it stands, are expected to pass the $1 billion mark for the first time later this year. Their online store in the UK is the most popular IKEA outlet in the country, presumably because you don't need to pack a week's worth of provisions to make it to the checkout. Speaking of provisions, it is currently unclear whether you'll be able to use the online store to order IKEA's meatballs. Fingers crossed though. Via The Sydney Morning Herald.
Get your hands on some high quality art, craft and furniture, via a new online auction service that donates all of its proceeds to charity. Created with Care is the result of a partnership between maker community marketplace Handkrafted and artist-to-buyer platform Bluethumb. Launching earlier this month, the online auction room has recruited a select number of Australian artists and furniture makers, who are auctioning off unique, handmade pieces for charities of their choice. Visitors to Created with Care can currently place bids on five different items, including a 3D artwork by Erin Nicholls and Lars Laug, and a hand painted wooden bowl by Stephen Ziguras and Anne Ellison. A number of additional pieces will come up for auction in the coming weeks, with bidding on all items closing at 5pm on Friday, June 10. Nominated charities range from bushfire relief to animal rescue to asylum seeker aid. Current bid only $525... Furniture maker Ben Percy @benpercydesigns and artist Salleigh Olsen @salleigholsenart collaborated to produce this beautiful work of art - with all proceeds of it's sale to be donated to StreetWork, a charity helping young troubled teenagers turn their lives around. You can place your bid and explore more of the #CreatedWithCare16 collaborations we have curated together with @bluethumbart at www.createdwithcare.com.au Made by re-sawing solid American Hickory (donated by @britton_timbers) and as the seat and backrest are separately supported, the laminated legs 'flex' as individuals sit down. A photo posted by Handkrafted (@handkraftedco) on Apr 25, 2016 at 12:49am PDT "Every day I look at incredible art, yet these pieces are beyond my greatest expectations," said Bluethumb co-founder Edward Hartley. "They have set the bar for future artists and crafters." To see what's up for auction and to place a bid, visit www.createdwithcare.com.au.
Confetti cannons up, we've got something bloody huge to celebrate. Announced this morning, Concrete Playground has been nominated for a 2016 Webby Award, in the category of General Website - Cultural Blog/Website. Look, we're not pulling your leg, here we are, with fellow nominees VICE, Nowness, Jazz at Lincoln Centre and Polygraph. So we're drinking prosecco for morning tea, what of it? Celebrating their 20th year, The Webbys have seen the International Academy of Digital Arts and Sciences handing out top tier awards since 1996, celebrating "excellence on the internet including websites, interactive advertising, online film and video and mobile content." Along with our mates and website designers Canvas Group, Concrete Playground is now celebrating our first ever Webby nomination. Concrete Playground founder and director Rich Fogarty was understandably excited. "FUUUUUUUUUCK!" he said in a statement this morning. Fellow Australian/NZ nominees include triple j's Hottest 100 site for Music (they're up against Beyonce's official site, kudos), and Trusted Housesitters — based in Australia as well as globally — for the Community category. Best part of the Webbys? Once the nominations have been announced, the winners are internet-voted. So you can give us a hand! Used CP to find your never-fail date spot (with BYO)? Chase more waterfalls nowadays? Look, we told you what nap desks are, so show us some love and vote for us. How about some ol' fashioned incentive? We're giving readers the chance to win a cheeky $1000 from your good mates at CP. To enter, all you have to do is vote for us on the Webby's website, email us a screenshot of the vote confirmation screen to cpftw@concreteplayground.com. That's it. Get on it. VOTE FOR CONCRETE PLAYGROUND HERE
Fact: having great camping gear automatically makes you good at camping. Or, it at least makes you look like you know what you're doing when you're outside of the city. Whether you're a seasoned camper, just a beginner, or just someone who hits up music festivals occasionally and wants to be that friend with a quality tent — everyone could do with a little camping gear. Thanks to Teva, we've got a whole bunch of it to give away. Whether you're hitting up a music festival this summer, or just planning on a weekend away, getting your hands on this camping gear will make your life a whole lot easier. There are two pairs of Teva's classic Arrowood Boots, a water bottle, two camping mugs, a beanie, a hat, a tent, a sleeping bag and a National Parks pass. That's a lot of really handy stuff. Enter your details below, say yes to the terms and conditions and you're in the running to win. Entries close on Sunday, December 4. Go go go. [competition]595510[/competition]
Film festival season is well and truly upon us, with the Scandinavian Film Festival the latest to unveil their 2017 lineup. Taking place across July and August, the Nordic-focused movie showcase will bring 20 new features to Palace Cinema screens around the country. Heading to the festival after its Australian premiere in Sydney Film Festival's official competition, The Other Side of Hope will kick off the Scandi cinema fun with a big-hearted look at one refugee's attempt to start a new life in Finland. Directed by Aki Kaurismäki (winner of the Silver Bear for best director at this year's Berlinale), it's an amusing yet insightful look at an important topic — as well as an enjoyable way to get the Scandinavian Film Festival underway for its fourth outing. With the 2017 selection also boasting titles from Sweden, Norway, Denmark and Iceland, other highlights include World War II drama The King's Choice, which was shortlisted for this year's best foreign-language film category at the Academy Awards; biopic Tom of Finland, about one of the country's unorthodox international heroes; and closing night's A Hustler's Diary, which follows a petty criminal in the suburbs of Stockholm. Bittersweet romance One-Two-Three-Go!, Copenhagen-set arts scene satire The Man, stunningly shot coming-of-age effort Heartstone, and a theatrical version of popular Danish TV show 1864 also feature, as does Sami Blood, which explores the cultural oppression of Sweden's Sami people. Of course, because Nordic noir is everyone's insatiable genre pick since The Girl with the Dragon Tattoo became such a literary and film hit, the festival will also delve into darker territory. Audiences can get their brooding mystery fix with crime action-thriller Darkland, which has been compared to the films of Nicolas Winding Refn; black comedy Small Town Killers; and A Conspiracy of Faith, the third feature in the Department Q book-to-screen adaptations following The Keeper of Lost Causes and The Absent One. The Scandinavian Film Festival tours the country between July 11 and August 6, screening at Sydney's Palace Norton Street and Palace Verona from July 11 to August 2, Melbourne's Palace Cinema Como, Palace Brighton Bay and Palace Westgarth from July 13 to August 2, and Brisbane's Palace Barracks from July 20 to August 6. For the full program, visit the festival website.
Every month, Sydneysiders chuck out more than 500,000 disposable coffee cups. Given how much cheering’s been going on in reaction to the COP21 climate change agreement to transform the planet’s fossil fuel-driven economy, it feels like it’s about time we killed our trash habit, too. The good news is that a visionary company by the name of Frank Green wants to help us along. Founded in Melbourne, they’ve just expanded to Sydney and their business is the design creation and sale of SmartCups, which are quite possibly the most beautiful, well-conceived, reusable coffee cups you’ve ever seen. It’s not just us who are impressed, either – the SmartCup won the 2015 Good Design Award. The vessel is 100 percent Australian-made – every step of the way, from design to engineering to manufacturing – and an array of features puts it a cut above its competitors. It's made of premium, BPA-free, non-toxic materials, which are resistant to stain and odours, so you won’t get any weird tastes mixing with your Single Origin or Toby’s Estate. You only need one hand to open and close it, allowing for endless multitasking. And the lid is completely spill-proof. Add to that a double-walled, thermo layer to keep your brew hot; a non-slip grip; a flow-optimised drinking hole; the capacity to take regular and large coffee sizes; and loads of choices in terms of colours. Last but not least, you can actually pay for your coffee with your SmartCup. Frank Green and CafePay have got together to make this little slice of magic happen – the cup itself can facilitate secure cashless payments; keep track of your progress in loyalty programmes; help you find your favourite beans, café or barista; allow you to pre-order; and get you access to special discounts. Check out Frank Green's website for more info.
More films from Italy have won the best foreign-language Oscar than from any other country. The European nation took out the first-ever award in the category back in 1947, and last won with 2013's The Great Beauty, racking up 14 gold trophies to date in total. That's quite the feat to brag about — and if you're wondering what sets Italian efforts apart, that's where the Lavazza Italian Film Festival comes in. In fact, this year's lineup even features one of the country's more recent victors, with the World War II-set Life Is Beautiful screening on closing night. That's the end of the fest, though. Beforehand, the six-week touring event will showcase the greatest of the latest in Italian cinema. Marking its 18th year with 28 flicks, it includes everything from holiday envy-inducing comedies to playful takes on fate to straight-from-Cannes crime dramas and these: our five must-see films from the 2017 program. https://www.youtube.com/watch?v=uJzZuoXZlR4 INDIVISIBLE When we say that 18-year-old sisters Daisy and Viola are joined at the hip, we mean that literally. The conjoined twin protagonists of Indivisible, there's nothing one does that the other doesn't witness, whether they're singing at weddings, being used as a donation incentive at their local church, or accosted by fans who want to touch their flesh. Then a Swiss doctor promises the impossible, and they start to contemplate time apart. Director Edoardo De Angelis turns the scenario into a sensitive and involving drama, helped by excellent performances from real-life, non-attached twins Angela and Marianna Fontana. https://www.youtube.com/watch?v=ii8L9umLsY0 COFFEE Most people don't just drink coffee — they can't get by without it. With that in mind, imagine how many caffeinated brews must've been consumed during the making of the movie that takes its name from the liquid substance. Our guess: plenty. Inspired by Alejandro Gonzalez Inarritu's pre-Birdman and The Revenant Oscar-winner Babel, the film jumps into three loosely connected tales about folks connected to the awakening beverage, charting the exploits of a barista, a pawnbroker with an antique coffee urn and the daughter of a coffee farmer. You probably don't need us to tell you that you'll want to take a cuppa into the session with you. https://www.youtube.com/watch?v=KGAIzwrRDLw SEA DREAMING GIRLS Life goals time: when you're a grandparent, here's hoping that you're as dynamic and carefree as the subjects of this documentary. Sea Dreaming Girls travels to the mountainous Italian village of Daone, where a group of nannas have been getting together for 20 years. To celebrate their big occasion, they plan a trip to the sea — a first for many of them. Their determination to chase their dreams is the stuff that documentarians' own fantasies must be made of, making for an engaging, heartwarming, amusing and inspiring film with plenty of heart. https://www.youtube.com/watch?v=kxTk4uDyb-k I WAS A DREAMER When an ex-con returns to his Roman home, he has noble aims in mind. Like many a person given a second chance, I Was a Dreamer's protagonist is eager to improve his family's lives, even if things don't always turn out as planned. What might sound like a routine, been-there-seen-that scenario seethes with realism, not only thanks to Italy's hefty experience in the genre — the country's neo-realist credentials go all the way back to the 1930s — but courtesy of its star. Fresh face Mirko Frezza plays the lead role and informs the feature's narrative, which is loosely based on his own life. https://www.youtube.com/watch?v=2oDCkUjGin8 EMMA Couldn't make it to the Venice Film Festival, which just finished up on September 10? Us neither. Thanks to Emma, however, you won't have long to wait for one of the fest's titles. Featuring Italian star Valeria Golino, the romance tells of a recently-divorced blind woman's new relationship with a womanising ad exec, turning their exploits into a thoughtful drama. It comes to Australia just after its local release — and for long-time European cinema fans, it's also the latest flick from Bread and Tulips' director Silvio Soldini, which was the Italian film to see back in the '00s. The 2017 Italian Film Festival tours Australia between September 12 and October 25, screening at Sydney's Palace Norton Street, Palace Verona and Chauvel Cinemas from September 12 to October 8; Melbourne's Palace Cinema Como, Palace Westgarth, Palace Balwyn, Palace Brighton Bay, Kino Cinemas and The Astor Theatre from September 14 to October 8; and Brisbane's Palace Barracks and Palace Centro from September 20 to October 8. For more information and to buy tickets, visit the festival website.
And we thought reading was all headed for Tabletsville. Turning the book sales tide, Amazon has just opened its first physical bookstore, a first for the online retailer and an unexpected turn of events for book lovers worldwide. Opening this week in Amazon's hometown of Seattle, inside the University Village, the bricks and mortar version of the website comes 20 years after Amazon initially went live. It's just 510 square metres large — teeny tiny compared to colossus stores like the now-defunct Borders. Sitting on the shelves are titles that have wildly positive online reviews (most will be four stars and above), strong preorder and sales numbers, popularity on Goodreads and Amazon's own assessments. Each book will sit face-out (instead of spine-out) with an Amazon.com customer rating and review card, and the prices will be the same on the site as in the store. You can also test drive Amazon’s devices — Kindle, Echo, Fire TV, and Fire Tablet series — and buy eBooks instore, which seems like a pretty superfluous service (just buy 'em on your Kindle/tablet). "Amazon Books is a store without walls", said VP of Amazon Books Jennifer Cast in an online announcement. "We’ve applied 20 years of online bookselling experience to build a store that integrates the benefits of offline and online book shopping." Amazon Books is located at 4601 26th Ave. NE in University Village, Seattle. Open Monday through Saturday from 9.30am to 9pm and on Sundays from 11am to 6pm. Via Seattle Times. Images: Amazon.
Want to sample some of Australia's most unique cocktails, rub shoulders with the bar teams that made them and feast on delicious canapes in one of Sydney's glitziest inner city bars? Australia's obsession with bar teams and their unique concoctions has been realised in a nationwide competition run by Auchentoshan, dubbed Distilled Different. Twelve of Australia's best bar teams have created a cocktail incorporating Auchentoshan American Oak — the only triple distilled Scottish single malt whisky in the world. They're going head-to-head to win bragging rights and a huge team trip to Glasgow. Before the winner is crowned, all 12 bar teams will appear in the national Dare to be Distilled Different photography exhibition. Their talented faces and creative cocktails have been captured by three up-and-coming photographers, all chosen by Art Pharmacy. It's a photography exhibition centred around bartenders and cocktails — of course there's going to be a big party. Auchentoshan are throwing a big launch for the exhibition on Tuesday, October 18 at Sydney's swish Gilt Lounge at the QT, and we're giving away 20 VIP double passes. You'll get to sample unique Auchentoshan cocktails, enjoy delicious food, experience the photographic exhibition, as well as the chance to rub shoulders with the crew associated with the project — including some of Sydney's best bartenders. Enter below. [competition]591029[/competition]
When it's so cold your fingers are stiff, you can't feel your nose and going outside seems as much of a challenge as running Tough Mudder, we're all inclined to reach for the radiator. Which is fine. But here are a few more creative, money- and planet-saving winter warmers to try first. DIY TEA LIGHT HEATER The suitably named Dylan Winter — journo, YouTuber and boat lover — has come up with an ingenious way of getting more than you'd ever imagine possible from your average tea light. He's able to keep his house warm for eight hours or so using just four candles, a bread tin and two flower pots. We have convection heat transfer to thank. Check out his instructional video to find out how you can DIY (and score a quick science lesson while you're at it). GET BUSY ON ETSY Etsy's creative types don't want to see you suffering any more than we do and quite a few of them have come up with the products to show it. First up, if the tiny cracks and crevices in your house are sending icy draughts your way, get your hands on a lovingly handcrafted snake, or equivalent. Those who aren't into handmade reptiles can opt for pretty much whatever they are into — be that cats, snowmen, crocodiles, tiger prints, abstract patterns or plain colours. Second up, keep your hot water bottle warm with a super-cosy, hand-knitted cover. SPICE UP YOUR LIFE For some reason, winter never seems quite so unbearable when you're holding a warm, mulled beverage in your hand. Hot toddies, mulled cider, mulled wine; these are your go-to buds over the next three months. There are plenty of top notch recipes online, all featuring glorious combinations of whiskey, rum or red wine with lemon juice, honey, cinnamon sticks, cloves, aniseed, vanilla, even chilli — seriously, give it a go if you're feeling both cold and brave. [caption id="attachment_231862" align="alignnone" width="636"] Yumi Sakugawa.[/caption] RECYCLE YOUR SOCKS - ON YOUR TOILET SEAT We really don't need to go into detail regarding the ins and outs of mid-winter toilet-going, but before you toss those holey, good-for-nothing socks in the trash, think again. If your toilet seat doesn't quite cut a full oval, you can slide a sock on each 'arm' and thus bid a warm and cheerful farewell to unpleasant experiences. For circular seats, try an old T-shirt or jumper. GET CREATIVE WITH CARDBOARD Cardboard is one of the most effective (not to mention cheapest) insulators around. So next time you head to a winter festival or sports match or just want to perch on your front lawn, arm yourself with a box or two. Lay the card out on the grass, throw a blanket on top and there you have an enviably toasty picnic blanket. Add a tarp underneath if the ground is wet. REWARD YOUR DOG WITH A SLEEPING BAG Earlier this year, Seattle-based designer Andy Storms successfully crowdfunded the BarkerBag. It's a tear-drop shaped sleeping bag designed especially for your dog. By zipping it to yours and strapping your friend in via a cinchable collar, you're in the position to take advantage of some serious doggy body heat throughout the long, dark night. Whether your best mate's a chihuahua or a German shepherd, there's a BarkerBag for him/her. It's available in small, medium and large sizes. GET OFF YOUR COUCH Once the cold's set in, it's ridiculously tempting to let yourself transform into a sloth — just ask black bears, ground squirrels, hedgehogs, wood frogs and box turtles. But the bad news is, despite extensive Googling, we couldn't find you on a hibernating creatures list — anywhere — so we'd think you'd best keep moving. An enthusiastic leap off the couch, five minutes of intense cardio or yoga and you'll be warm in no time. [caption id="attachment_231922" align="aligncenter" width="1280"] Flickr.[/caption] FIX YOUR FAN Sure, you might usually associate your ceiling fan with warm summer days (*sigh*), but did you know that it can work in your favour in winter, too? All you have to do is set it to low and ask it to spin in reverse (i.e. clockwise). Warm air that's trapped close to the ceiling will be recirculated and sent downwards — where it should be.
Superheroes are taking over Brisbane — and if you're a fan, it's marvellous. Between May 27 and September 3, Marvel: Creating the Cinematic Universe brings caped crusaders, their costumes, props and the artistry that makes them soar — both on the page and on the screen — to the entire ground floor of the Gallery of Modern Art. Featuring more than 500 objects (including more than 60 costumes), the exhibition provides a peek behind the scenes of one of the biggest film franchises ever made. In fact, it's the largest amassing of Marvel movie artefacts of its kind in the world, ever. You could dub it a blockbuster, and you'd be right. Launching the exhibition, QAGOMA director Chris Saines was eager to explain that some of the items on display have Chris Hemsworth's DNA on them; however getting up close to objects touched and worn by Thor — including on the forthcoming Thor: Ragnarok, which was shot on the Gold Coast and in Brisbane last year — is just part of the fun. Casting your eyes over original and concept artwork, exploring the interconnected realm that has been splashed across cinemas for the past decade, and playing with the pre-and post-production techniques behind the movie magic are also on offer. Indeed, Marvel: Creating the Cinematic Universe endeavours to show that popular mainstream entertainment and art can be one and the same, especially given the level of detail that goes into both comic books and their movie adaptations. Walking through areas dedicated to the exhibition's three key themes — 'The Cinematic Assembled', 'Decoding the Universe' and 'Behind the Scenes' — delves into both individual and interconnected narratives, and highlights the creativity involved on a movie as well as an overall cinematic universe level. Along the way, you'll say "I am Groot" to giant humanoid trees, pretend you're a smart-talking racoon, peer into a yet-to-be-seen planet and star in your own Marvel poster too. Discovering the full collection is something best experienced for yourself, and, if you can make it to GOMA before September, here's five things to look out for. THE ASGARDIAN THRONE ROOM The eagerly anticipated Thor: Ragnarok mightn't hit cinemas until October; however Marvel: Creating the Cinematic Universe offers a glimpse of just what's in store (don't worry, there's no plot spoilers). You can't miss the giant, gleaming throne room that takes centre stage in the exhibition, and nor would you want to. Just look at it! Costumes and weaponry from 2013's Thor: The Dark World also feature. HULK'S BED Speaking of Asgard and its famous warrior, he's not alone in his next cinema outing. The giant green mass of muscles that is the Hulk is set to tear things up on screen — and, as you'll see here, take a rest as well. What kind of bed does the Hulk sleep on? This one. Saying that it's huge is an understatement — this photo really doesn't do it justice. Also on display are his weapons, which make Thor's mighty mjolnir seem absolutely tiny in comparison. IRON MAN'S SUITS He's the reason the Marvel Cinematic Universe even exists, and, in typical Tony Stark style, he gets his own room. It was back in 2008 when Iron Man demonstrated that the world wanted more superhero movies, and one of the suits from that pioneering flick lines GOMA's walls — alongside versions from 2010's Iron Man 2 and 2013's Iron Man 3. As you can see, over the years he's had quite a few upgrades. THE FIRST APPEARANCE OF SPIDER-MAN Spider-Man just keeps slinging his way into cinemas, but 57 years ago, he was only starting to crawl his way across paper. With the initial movie in what will be his third film series in the past 15 years due to drop in July, checking out the first piece of artwork to feature his image proves quite a timely experience. It might seem amazing now, but these kinds of things were usually thrown away back in the day — no one knew just what a big deal they'd become. DOCTOR STRANGE'S MIND-BENDING WORLD Every one of the 15 films that comprise the Marvel Cinematic Universe to date is represented in the exhibition — and, thanks to the forthcoming Spider-Man: Homecoming and Thor: Ragnarok, the 16th and 17th flicks too. Doctor Strange mightn't get quite as much space as some of the bigger titles, but the GOMA folks sure know how to make the movie's costumes stand out. With Inception-like visuals playing a bit part in the flick, expect to witness them in person thanks to some mirrored fun. Marvel: Creating the Cinematic Universe is on display at Brisbane's Gallery of Modern Art from May 27 to September 3. For more information, visit the exhibition website. Images: Sarah Ward and Marvel: Creating the Cinematic Universe' Gallery of Modern Art, Brisbane, 2017 / © 2017 MARVEL.
Laneway has come a long way since the early days of '05, spreading good vibes and great tunes from Melbourne to Singapore. Now it's back for yet another summer, with arguably one of its most eclectic lineups in years. From Tycho to Chet Faker Nick Murphy, we're feeling seriously spoiled for choice. Of course, with so much going on, figuring out what to see (and what to eat) can be a bit of a challenge. That's why we've put together a quick and easy guide to this year's Laneway Festival. Whether you're in Sydney, Brisbane or Melbourne, these tips should hold you in good stead. [caption id="attachment_559317" align="alignnone" width="1280"] Andy Fraser.[/caption] LISTEN Well, you're at a music festival, so chances are you want to catch a few of the artists. Up-and-comers Julia Jacklin, Genesis Owusu and Tash Sultana seem destined to hit it big in 2017, so get in while they're still (relatively) unknown. Sampa the Great, Koi Child, Clams Casino, Mick Jenkins and the UK's Glass Animals all front one heck of a live set, and we guarantee NAO's 'Girlfriend' will go off. Speaking of which, expect Briggs and Trials of the excellent A.B. Original to have plenty to say, especially with the Brisbane festival falling smack bang on Australia Day. And whatever you do, be sure to catch D.D. Dumbo, whose album Utopia Defeated was named best Aussie album of the year by triple j — and quite rightly, too. [caption id="attachment_607112" align="alignnone" width="1280"] Laneway Festival.[/caption] EAT When it comes to grub at Laneway you've got plenty of options, with some of the best food vendors in each city jumping on board. In Brisbane, you can chow down on German sausage courtesy of Brat Haus, feast on vegetarian soul food from Govindas, and mack on mac 'n' cheese by Mac from Way Back. In Melbourne, your options include American-style barbecue from the teams at both Bluebonnet and Burn City Smokers, plus cheese from Milk the Cow and fucking hot poultry from Belle's Hot Chicken. Belles will also be on hand at Laneway Sydney, along with pizza from Happy as Larry, paella from Paella Time and sangas from Boon Café. That's just the tip of the iceberg, by the way: for the full food lineup in Brisbane, Melbourne and Sydney go here, here and here. [caption id="attachment_510542" align="alignnone" width="1280"] Andy Fraser.[/caption] EXPLORE There's plenty to discover at Laneway this year, no matter which city you're in. Each festival leg will feature a pop-up market and vinyl store, with scheduled signing times by various Laneway acts. In Brisbane, they're also hosting a Hottest 100 backyard party with Violent Soho and DZ Deathrays in attendance. In Sydney, meanwhile, a contemporary art exhibition will showcase the work of current and recently graduated students from the Sydney College of the Arts. There's even a festival podcast, if you want to get in the Laneway frame of mind ahead of schedule. LANEWAY FESTIVAL 2017 DATES Brisbane — Thursday, January 26 Melbourne — Saturday, January 28 Auckland — Monday, January 30 Adelaide — Friday, February 3 Sydney — Saturday, February 4 Fremantle — Sunday, February 5 Check Laneway Festival's website for more details and tickets. Top image: Andy Fraser.
The butt-numbing marathon that is the Melbourne International Film Festival has once again come to a end, but we're not quite ready to stop talking about the movies. For 18 days straight our critics devoured all the festival program had to offer, uncovering hidden gems and suffering through the worst of the worst so that you, dear reader, won't have to. From 3D sex epics to psychological thrillers and an early look at one of the mostly hotly anticipated Shakespeare adaptations ever made, here are our picks of the best, the worst and the most utterly bizarre films of MIFF 2015. THE BEST FILMS MACBETH On paper, the latest film adaptation of Macbeth has all the makings of a winner. William Shakespeare's tragedy of power and ambition has regaled audiences for four centuries; Aussie director Justin Kurzel showed he knows a thing or two about making moody, brooding movies with serial killer chiller Snowtown; and stars Michael Fassbender and Marion Cotillard are among the finest actors of their generation. On screen, this bubbling potential isn't just realised — it is exceeded in brutal, blistering fashion. Nary a piece of cinema this year will gift audiences with such a sensory yet stark audio-visual showcase while uttering such iconic monologues; however it is the tackling of the original play's sound and fury with raw energy and a western-like savagery and sorrow that truly lingers. Fassbender and Cotillard are breathtaking, as are supporting players Sean Harris, Paddy Considine and Jack Reynor. A finer film in 2015, we may not see — all hail Macbeth, indeed. -Sarah Ward https://www.youtube.com/watch?v=eM2tblIkL4g TEHRAN TAXI Of the three films veteran director Jafar Panahi has made since the Iranian government sentenced him to a 20-year ban on filmmaking in 2010, Tehran Taxi is by far his best. Gone is the (justifiable) atmosphere of frustration and impotence that coursed through This Is Not a Film and Closed Curtain, replaced instead by a renewed sense of purpose and political resolve. Shot almost entirely within the confines of a taxi that Panahi himself is driving, this surprisingly light-hearted film takes us around the streets of the Iranian capital and introduces us to various colourful characters, including an illegal DVD salesman, a pair of superstitious old women and even the directors own quick witted niece. Thing is, not all of whom seem to realise they're in a film. By blurring the line between documentary and fiction in such a playful manner, Panahi is able to deliver an impassioned cry for social change. Rarely is a film so clearly important while also being so much fun. -Tom Clift THE LOBSTER After wowing arthouse viewers with the Oscar-nominated Dogtooth and the Sydney Film Festival-winning Alps, Greek director Yorgos Lanthimos makes his English-language debut with something that both is and isn't a little bit different. Here, he enlists a recognisable cast, including Colin Farrell, Rachel Weisz, Ben Wishaw, John C. Reilly, Olivia Colman and Léa Seydoux, to enact a situation that skewers society's penchant for pairing off; in other words, his players might have changed, but his fascination with slyly cynical exaggerations of societal norms remains. That The Lobster's story revolves around single folks trying to meet their match to avoid being turned into animals demonstrates the humour on display, but the film's beauty must be experienced to be believed. That the end product is as satirical as it is movingly sweet and wryly amusing isn't just emblematic of its shifting tone — it's a stroke of cinematic genius. -SW https://www.youtube.com/watch?v=y0E2Qh6wLS4 THE GUEST As late night genre films go, they don't get much better than The Guest. A follow-up their 2013 home invasion horror movie You're Next, director Adam Wingard and screenwriter Simon Barrett pay homage to the crazed war vet films of the post-Vietnam era with this intense, clever, hugely entertaining action thriller. Downton Abbey star Dan Stephens is simply brilliant as David Collins, a mysterious soldier who arrives on the small town doorstep of the Peterson family with a message from their eldest son Caleb, who was recently killed in action. But it soon becomes clear that there's more to David than he's letting on. Funny one moment, frightening the next, with a couple of fantastic action scenes thrown in, The Guest is the kind of movie that knows exactly what it wants to be, and nails it every step of the way. It hits DVD and VOD next month, so make sure to track it down. -TC THE BOLDEST EXPERIMENTS https://www.youtube.com/watch?v=K-S6xiie4RQ LOVE 3D Hands down the most divisive film of MIFF 2015, Love is the latest picture from provocateur Gaspar Noe, who previously shocked audiences with his gruesome rape-revenge thriller Irreversible before taking them on a drug-fuelled afterlife trip through neon-lit Tokyo in his follow up Enter the Void. Both those films are tough acts to follow, but this two hour 3D sex epic certainly delivers. Plenty of people hated this movie – and yes, some of the dialogue is unforgivably clunky, and the protagonist is one of the most unlikeable leads we've been burdened with in quite some time. And yet even its detractor's would be hard pressed to deny the film's visual panache, including what is for our money the most artful use of 3D since Avatar reinvigorated the format (and no, we're not talking about the 3D cumshot, although that's definitely memorable.) Whether it'll ever get another theatrical screening in this country isn't really clear, but if it does then you should jump at the chance to check it out – even if it's just to say you did. Just maybe leave the kiddies at home. -TC QUEEN OF EARTH After tackling sibling and romantic bonds in The Color Wheel and Listen Up Philip, respectively, writer/director Alex Ross Perry turns his attention to another kind of connection in his latest feature. In Queen of Earth, long-term female friendship is in the spotlight, with Catherine (Elisabeth Moss) and Virginia (Katherine Waterston) seemingly in the final throes of their bond. Over the course of a week spent at a remote cabin, their differences are heightened — as is Catherine's already-fragile emotional and mental state. The story might sound straightforward, as the BFFs fight and recall better times; however the ever-versatile Perry — his handling of internal battles as much as external conflicts, and his crafting of a claustrophobic character thriller — is anything but ordinary. Comes complete with textured 16mm cinematography, a haunting score, and equally demanding and devastating lead performances. -SW MOST WTF MOMENTS https://www.youtube.com/watch?v=ftOMkr9eYS8 SPRING When is a body horror movie not a body horror movie? When it's actually a deeply touching love story. Written and directed by relative newcomers Aaron Moorhead and Justin Benson, Spring is a weird beast indeed. The film contains all the trappings of a gruesome creature feature, and yet it never quite goes in that direction. Instead, we're treated to a surprisingly affecting tale about a young American backpacker who falls head over heels for a pretty Italian girl, only to discover that she's harbouring a fairly significant secret. This low-budget production benefits from great central performances and some pretty elaborate makeup effects, but its biggest strength is that it consistently refuses to follow the expected path. A thoroughly strange but extremely gratifying flick that has us excited to see what the filmmakers tackle next. -TC RYUZO AND HIS SEVEN HENCHMEN In Ryuzo and His Seven Henchmen, legendary Japanese actor and director Takeshi Kitano ponders three questions. First, he wonders what a yakuza gets up to when his action-packed days are long behind him. Next, he applies the same query to filmmakers known for making yazuka movies. Finally, he explores what happens when both get back into the crime and violence game. The amusing, crowd-pleasing offering that results careens between kinetic laughs and outlandish action — as such a film should — as it attempts to answer all three concerns. Expect antics and insights to combine, even if the momentum of the first third can't quite be maintained. An effort that's perhaps less "what the fuck" than "why the fuck not." -SW DISHONOURABLE MENTIONS THE NIGHTMARE Back in 2012, Rodney Ascher made the conspiracy movie to end all conspiracy movies, with Room 237 delving into theories surrounding Stanley Kubrick's The Shining. What it lacked in polish it made up for in the affection it showed in indulging its subjects, and in celebrating its inspiration. Sadly, his latest effort — the part-documentary, part-thriller offering The Nightmare — is all pandering and no purpose, apart than repetitively rambling about and reenacting what sufferers of sleep paralysis experience. The concept is fascinating, but Ascher seems more concerned with scaring the audience — and referencing A Nightmare on Elm Street and Insidious — than actually exploring the topic. His purpose might be to make you not want to go to sleep, but his outcome achieves exactly the opposite. -SW https://www.youtube.com/watch?v=1kmOX11PdR4 THE ASSASSIN Taiwanese filmmaker Hou Hsiao-hsien took home the Best Director Award at the most recent Cannes Film Festival for his slow-moving martial arts drama The Assassin – and far be it from us to question the decision of the esteemed Cannes jury. Actually, scratch that. Sure the film may look pretty (although it's got nothing on last year's The Grandmaster), but that's little consolation when you're struggling to stay awake. The narrative, about a young female assassin in ninth-century China, is totally inscrutable, which wouldn't be as much as an issue if the characters weren't likewise. It's very difficult to care about anything happening on screen when you don't care about the people it involves. The film does contain a few impressive fight sequences, shot from a distance in a manner that emphasises the balletic qualities of martial arts. Ultimately however, it's nowhere near enough. -TC
A new craft gin distillery in Sydney has begun production with a bang, after its Pozible crowdfunding campaign drew in $25,000 in under a day. The initial run of Poor Toms Gin sold out less than 24 hours after their Pozible page went live in mid-June, with pledges exceeding the label’s initial target by a whopping $5000. A second batch is currently available — although if recent history is any indicator, it might not be so for long. “We were really surprised,” admits Poor Toms co-founder Griffin Blumer. “We thought that we would sell the first batch over the month. But to sell the first batch in a day was really shocking, and exciting. We’re happy to see that there are lots of people out there in Australia who want a new, sophisticated gin.” Operating out of a rented warehouse space in Marrickville, Poor Toms produce a gin they describe as “distinctively Sydney". Distilled under veteran gin maker Marcel Thompson, it’s made using Australian wheat infused with ten botanicals, including green apples, lemon myrtle, camomile, and native strawberry gum. Poor Toms isn’t Pozible’s only boozy success story in recent times; last year Blood Moon tonic syrup took less than three days to hit $10,000. “Craft spirits have always done really well,” says Pozible spokesperson Claire Merquita. “But even so, it's rare to see a campaign hit its target as quickly as Poor Toms did!” “Pozible was a really good platform,” says Blumer. “Apart from a couple of my grandmother’s friends who keep emailing saying they can’t make it work, everyone else seems to understand what crowdfunding is, and see it as a way of giving a boost to a brand they want to see more of.” With fourteen days left to go on their campaign, Poor Toms currently sit at more than $48,000. Pledges of $71 will get you a 700mL bottle, while $136 gets you two bottles plus a Poor Toms legionaire hat. For the time being Poor Toms can only be purchased through the crowdfunding platform, although Blumer and his co-founder Jesse Kennedy plan to start approaching bars and bottleshops in the near future. To purchase your own bottle of Poor Toms Gin, head on over to their Pozible Page, which will be live until July 16.
Vegans and lactose-intolerant folks, your ability to access iced confectionery goodness just leapt up a giant notch. Over The Moo, innovative Sydney creators of dairy-free ice cream, are set to launch their very own vegan ice cream truck. And, to celebrate, they'll be giving away free goodies. You heard us, free ice cream. If you're in Sydney, get down to the Over the Moo headquarters on Thursday, March 2 from 6.30pm to indulge. You won't be able to miss the 1981 Ford Transit truck, which has had a fun, retro makeover. At the launch, you'll be treated to beer, Prosecco or cocktails, accompanied by vegan cheese boards and dips. Then, of course, it'll be time for the sweet, sweet goodness to roll out. Gear up for sundaes loaded with brownie bits, cookie chips, gooey sauces and sprinkles — all entirely dairy-free. Also on the menu are classic cones (vegan too, "all the wow without the cow" according to the team), topped with Over the Moo's nine signature flavours – from Ginger Ninja Karate Choc and Matcha Made in Heaven to mmMangooo and Vanilla Bean Missing You. Once the launch is done and dusted, you can expect to see the truck popping up all over the place — fingers crossed for interstate road trips too. Whether you're making all the moves at your favourite festivals or kicking back at the beach, keep an eye out. Want to head to the launch? It's happening on Thursday, March 2 from 6.30pm at OTM HQ, 62 Glebe Point Road, Glebe. RSVPs required imthere@overthemoo.com.au.
Looking for a fancy new dinner destination? Perhaps you've got a hot date lined up, have guests in from out of town or are looking to impress the in-laws. Whatever the reason, if it's stylish surrounds you're after, the winners of the fourth annual Eat Drink Design Awards have it in spades. Revealed yesterday at a ceremony in Melbourne, the awards celebrate the very best in hospitality design across Australia and New Zealand — although this year, the podium was crowded with Aussies alone. From a shortlist of 88 venues, eight took home gold while a further 26 received high commendations. Best Restaurant Design was awarded to Italian eatery Beccafico in Sydney, with the panel of judges citing "the unfinished joinery of recycled and fire-charred hardwoods, a sculptural beauty to the circular neon tubes that line the walls [and] a resort-like feel to the slatted boardwalk that bisects the space with wire-brushed timber banquets". The Best Cafe Design was shared by The Kettle Black in South Melbourne, described by the judges as "the apotheosis of cafe design right now — light, airy, spacious, where everything is carefully considered yet it all comes across as insouciant in the extreme," and Abbots & Kinney in Adelaide, commended for "the play between the radical simplicity of the overall concept and the extraordinary accomplishment of the execution and finish". Best Bar Design, meanwhile, went to Smalls in Melbourne, where judges highlighted "the colour and materials palette — moody, muted putties, flat blues and concrete greys offset by the occasional glimmer of glassware and brass," as well as artisanal touches such as "handmade ceramic tiles" and "open joined banquettes," and fine detailing seen in "marble tabletops, aged black leather and charcoal velvet upholstery". The remaining awards included Best Retail Design, awarded to The District food court in Sydney's Chatswood Interchange shopping mall (home to Tim Ho Wan and Hello Kitty Diner); Best Identity Design, awarded to casual Bangladeshi restaurant Bang Street Food in Sydney; and Best Temporary Design, awarded to the Australian Pavilion Installation at Cafe di Stasio in Melbourne. Last but certainly not least, Bondi's Icebergs was inducted into the Eat Drink Design Hall of Fame. Have a flick through the gallery for some serious hospitality design porn.
Southside Tea Room, their dive bar offshoot Death Valley, and the permanently beer garden-stationed meals-on-wheels providers Red Robin Supper Truck don't just throw the usual type of parties, particularly on a day when every person and place is getting in on the fun. So, their Hottest 100 party is also a US-style barbecue party — and the launch of a bloody tops new beer collab. The tunes side of things, well, you know how that works. Sit, listen, enjoy. As for the food, expect smoked ribs, brisket and sausage links, plus classic sides like mac 'n' cheese, sweet 'n' smoky barbecue beans and apple slaw. It's the beverage that should really kick your excitement into gear, though, with SSTR's second collaboration with Mountain Goat Beer something truly special. You know you haven't had a Blood Oath salty sour gose with blood orange and Himalayan pink salt before — and you know you want to.
Power chords may soon be going the way of floppy discs and VHS, with Intel unveiling a new wireless phone charger that can be built right into your wooden desk. The concept, which was revealed by the company at the Computex conference in Taipei, could mark a big step in wireless charging, with Intel hoping to have the tech ready for consumers within the next 12 months. Looks like IKEA has a wireless charging competitor. Intel's new concept charges your devices through magnetic resonance, according to Gizmodo. This is opposed to previous examples of wireless charging technology which pass a current directly through a surface, creating the unwanted side effect of heating up other objects that happen to be placed near the charging plate. Although the technology currently only generates enough power to charge a phone, Intel is working on advancements that would allow you to charge other devices such as tablets and laptop computers all at the same time. Wireless phone charging has been around on certain devices for some time now (and IKEA's new range of wireless charging furniture caused quite the buzz), but has previously been hindered by rival companies being unwilling to agree on a universal standard — meaning that you need different chargers for each of your devices. Once this problem is solved the technology could easily become ubiquitous, with the potential for public charging stations in airports, hotels, and cafes, as well as basically anywhere else where you’re likely to find a horizontal surface. Via Gizmodo. Images: Dollar Photo Club and AFR.
It's been a long, long wait, but it's finally time for Dinner. After months of build-up (punctuated by bouts of anticipatory drooling by overexcited local foodies), Heston Blumenthal's first permanent Australian restaurant — and his first outside the UK — is due to start service next week. Here's all the information we have so far. Dinner by Heston Blumenthal is located on the third floor of Crown Towers Hotel in Melbourne and will be open for dinner seven days a week along with lunch on Fridays and Saturdays. Like its two-Michelin-starred London equivalent, the 120-seat restaurant will serve contemporary food inspired by 500 years worth of historical British gastronomy. Standout dishes will include Black Angus rib eye with mushroom ketchup, and 'rice and flesh' (a starter consisting of saffron, calf tail and red wine). Head chef Ashley Palmer-Watts will make use of Australian ingredients and will also introduce certainly historic local dishes including a Heston-style take on the lamington cake. Tony Conigliaro will tend the bar, serving bespoke cocktails that reference the history between Britain and Australia. The interior of the restaurant, meanwhile, has been designed by local company Bates Smart (responsible for The Fat Duck Melbourne), who have incorporated a mixture of elements including wood, leather and iron. Guests will enter via a 20-metre dark wood corridor before being greeted by the dining room, decorated by custom-made porcelain jelly moulds, sculptures commissioned by Australian artist David Bromley and a mechanical moving art piece by UK artist Robert Higgs. An open kitchen will allow diners to observe their food being prepared, with chefs making use of the latest culinary technology along with pulley-operated spit roasts. Those wanting to get even closer to the action can book a spot at the six person chef's table, located inside the kitchen itself. Dinner by Heston Blumenthal begins service on Tuesday, October 20, with online reservations opening the same day. For more information, visit www.dinnerbyheston.com.au. Images: Bates Smart, Ashley Palmer Watts.
The Federal Election is almost here, and if you're anything like us, you're probably dead sick of politicians. From buses to billboards to your righteously indignant mate's never-ending status updates, it's impossible to look anywhere at the moment without catching a glimpse of some polly's grinning mug. And yet despite this, we can't say we're not a little bit intrigued by a strange new public art installation featuring those very same faces. A joint project between Instagram, Facebook and Walkley-winning Fairfax photographer Nic Walker, the Election 2016: Our Leaders series consists of ten moving image portraits that attempt to capture, however briefly, the unfiltered emotions of our nation's political leaders. The subjects, which include Malcolm Turnbull, Bill Shorten, Barnaby Joyce, Tanya Plibersek, Nick Xenophon, Anthony Albanese, Richard Di Natale and Penny Wong, were each shown six images chosen specifically to elicit an emotional reaction, which Walker then photographed at a rate of nine frames per second. "During an election campaign, you get the sense that politicians go into a mode where their image is very crafted and manufactured," said Walker. "This project was all about eliciting a very human response to remind people that love or hate their ideas, politicians are people too." The Age and The Sydney Morning Herald been publishing the portraits via Instagram, and the results are... kind of unsettling. A video posted by The Sydney Morning Herald (@sydneymorningherald) on Jun 28, 2016 at 7:01pm PDT A video posted by The Sydney Morning Herald (@sydneymorningherald) on Jun 28, 2016 at 6:59pm PDT A video posted by The Sydney Morning Herald (@sydneymorningherald) on Jun 27, 2016 at 6:49pm PDT A video posted by The Sydney Morning Herald (@sydneymorningherald) on Jun 27, 2016 at 11:30pm PDT What do you reckon the chances are they showed Barnaby a picture of Johnny Depp? If you want to see the portraits in real life, you can find them on display today only at Martin Place in Sydney, and until tomorrow at Federation Square in Melbourne. And please, for the love of God, remember to vote tomorrow. If the thrill of democracy isn't enough of an incentive, try using this map to find the best Election Day sausage sizzle near you. Visit @federationsquare for a series of 10 moving vignettes of "Our Leaders" captured by Fairfax photographer Nic Walker @nicwalker101. The 10 x portraits involved capturing micro-expressions over a nine-second shoot. Each politician was shown six images that were chosen specifically to elicit a reaction (we won't be revealing what they were, but you can have a guess). Nine frames were shot per second - 81 frames in all - so what you are seeing is reactions to images captured by the camera with no time for the subjects to consciously construct their expressions. 📸📸 A photo posted by The Age (@theagephoto) on Jun 30, 2016 at 5:19pm PDT
Wizards of drinking age have a new spot to drown their sorrows about You Know Who — there's now a Harry Potter-themed bar in Toronto. Named The Lockhart, after Hogwarts' cheesy fraudster of a Defence Against the Dark Arts professor, the bar is full of super niche HP references and enough wizardy bits and bobs to make JK Rowling ponder legal action. With less actual magic than The Leaky Cauldron or the Three Broomsticks, The Lockhart is run by two self-described Hufflepuffs (lol), Paris Xerx and Matt Rocks. Of course, it's not the first HP-themed bar in the world, but we're glad to see one more. The cocktail menu, while it's missing butterbeer (for now, they're coming) or Madam Rosmerta's famous mead, is full of themed potions like the Shacklebolt, Befuddlement Brew and Ludo's Debt. There's also a cocktail on the menu which you can have for free if you can figure out the seriously niche HP ref. Dare to try the potions & elixirs on the cocktail menu at Harry Potter themed @thelockhartto? #newrestaurants #toronto #harrypotter A photo posted by Toronto.com (@torontodotcom) on Sep 9, 2015 at 2:26pm PDT The food menu hasn't a Harry Potter reference at all. No Bertie Bott's? No Cauldron Cakes? No self-propelling custard pie? This is bit of an opportunity lost here. Design-wise, the bar is truly subtle, looking more like a regular casual, cocktail bar than a Disneyland-like novelty bar. The Lockhart, instead, is full of obscure references for serious fans. You can find the Deathly Hallows sign hidden in the bar, a little apothecary, and there's a big neon sign glowing with the famously terrible last line, "All was well." Ugh. So if you're flying to Toronto, apparating or using the floo network, pop in to The Lockhart. Just be wary of cloaked strangers happy to part with dragon eggs in poker. hey it's wednesday A photo posted by robyn hoja (@rohojahoja) on Sep 9, 2015 at 5:06pm PDT Serving our full menu this evening. Specialty popcorn tonight is a sweet and savory, lightly buttered popcorn with Cadbury chocolate drizzle. Yummmmay. A photo posted by The Lockhart Bar (@thelockhartto) on Sep 10, 2015 at 1:21pm PDT Via The AV Club.
