Two years after first setting up shop in Fortitude Valley, Lucky Egg is spreading its wings. Not content with slinging juicy poultry from their spot outside The Brightside, the fried chicken joint is headed for West End, with a new store set to open on Saturday, July 15. With their first digs attached to a music venue, Lucky Egg is taking the 'if it ain't broke, don't fix it' approach to their expansion, setting up shop at Good Time Bar at Max Watts. Their opening will coincide with the bar's relaunch, with Good Time under the new management of Zac Gould, formerly of Black Bear Lodge. Lucky Egg owner Jacob Knauth is adopting the same mindset when it comes to his menu, too, with all of his crispy chicken favourites making the jump to the new location. That means three types of burgers, baskets of wings and buttermilk-coated pieces, and whole birds — however, there will be a few fresh additions. Open from lunch until late, and offering both dine-in and takeaway, the new store will also serve up noodle bowls, fried chicken share plates and lighter, healthier options. Lucky Egg West End will open at Good Time Bar, Max Watts, 23 Boundary Street, West End on July 15. For more information, head to their Facebook page.
The KitchenAid Artisan Mixer is now smaller — which means they're perfect for that infuriatingly tiny amount of bench space in your house. Whether you whip out the classic Empire Red, go for something more tropical like the Orange Sorbet, or opt for something a little newer and classier like the Matte Black – KitchenAid Artisan Minis are just as pretty as they are practical. To celebrate its launch in Australia we've got five (and one attachment) to give away. Choose your colour, and then choose from one of the fifteen KitchenAid Artisan Mini attachments available (food processor, pasta maker, spiralizer are just a few — you can do much more than bake with this thing), and enter your details below. Make sure you agree to the competition terms and conditions, and be quick, entries close at midday on Sunday, October 30. [competition]592968[/competition] Image: Samantha Hawker.
Thanks to the wonders of retro programs, seeing a beloved horror movie on a big screen is a fairly common occurrence these days — but what about those less lauded and not-so-loved frightening films from years gone by? Or the flicks initially deemed too gritty or nasty for cinemas? Or the up-and-coming genre hits? Thankfully, Friday Fright Night is their time to shine. Presented by Monster Fest, the new weekly program wades through horror at its most out-there, both made at home and abroad, and including rarely screened cult fare alongside fear-inducing classics. That the lineup kicks off with the first-ever Australian screenings of The Texas Chainsaw Massacre 2 should give an indication of the types of movies on offer. The rest of the schedule spans an eclectic bunch, lurching from French splatter onslaught High Tension, to the ever-controversial Irreversible, and even featuring Team America: World Police. Or, check out Patrick Stewart in alien invasion vampire horror effort Lifeforce, and Lisa McCune in Aussie gross-out offering Body Melt. Yes, it seems no one can escape this program — except maybe those with weak stomachs.
For the first time, a generation (or, at least, a privileged segment of it), can work from anywhere, anytime, anyhow. Which means that joyous feeling of holiday mode can be as long as you have imagination enough to keep it going. No more confinement to white cubicles. No more bosses breathing down your neck. No more debating triple j's playlists while languishing in peak hour traffic. And, most gloriously, no more having to get dressed. Yep, with a laptop under your arm, an ability to make the best of an awful to-do list and a few handy tips from us, you can turn your life into a permanent holiday. Here are five ways to make your working days equal parts business and Bahamas (just go with it). GET A DECENT DONGLE AND HIT THE BEACH With a good dongle or smartphone hot spot, connected to a quality service provider, you can consider any beach your office. Just don't forget to fully charge your devices before you get going. Pack a picnic blanket or, for even more flexibility, buy a light, portable laptop stand. That'll let you set up anywhere without wrecking your back and neck — and sand is a punish on laptops, so be wary. If you're in for a long day, a sun shelter can be handy too. Not keen to carry so much gear? Scope out beaches with picnic tables. Whatever you do, throw your swimmers into your bag — you'll need breaks in between typing and posting and emailing. And most obviously, don't leave your laptop on the beach while you're paddling. FIND A BAR WITH FREE WIFI Another advantage of escaping the office is that you can spend time in your favourite bar and be productive (i.e. make those dollars) at the same time. Nothing quite says boss like ticking off things from your to-do list and screening calls in-between cocktails — especially if you can make that happen on a lounge in a cosy bar. So, do some Googling or wandering, until you find a drinking hole with wifi, and you'll be channelling your inner tortured writer in no time. Of course, now's not the time to let things get out of hand. Be smart. There are deadlines to meet, after all. [caption id="attachment_564835" align="alignnone" width="1280"] Bench Accounting via Unsplash[/caption] GO CAFE HOPPING IN A NEW NEIGHBOURHOOD Turn your work day into a travel adventure — in your own city. Even if you've lived in said city all your life, chances are there are neighbourhoods you haven't yet visited — or don't know so well. So, choose one that's unfamiliar and map out a bunch of interesting-looking cafes (oh hai, Concrete Playground can help you there) within walking distance of one another. Spend an hour or two working in each, before heading to the next one. To maximise your productivity, set clear, achievable goals for every session. Not only do you get to discover new places, you also fit in some walking, which, according to this report, might reduce your mortality risk by up to 46 percent. [caption id="attachment_563818" align="alignnone" width="1280"] Dave Meier[/caption] TAKE YOUR LAPTOP ON A DAY TRIP Choose a place just out of town that you've always wanted to visit — but not quite got around to checking out — and take your laptop day tripping. If you can, opt for a destination that's reachable by train, so you can work while you're travelling. This option lets you roll the first three hacks into one — with some planning, you can organise time in cafes, bars, beaches and parks. Also, think about how you'll spend break times — getting outdoors for a dose of swimming, paddling, cycling or hiking can clear your head and help you concentrate better when you're back at your computer. [caption id="attachment_563817" align="alignnone" width="5184"] Henry McIntosh[/caption] PUT ASIDE SOME DOSH AND CHECK INTO A HOTEL One of the challenges of self-employment can be keeping focused while working from home. Some people opt for offices or co-working spaces, but, every now and again, it can be fun to go for a total change of scene. So, treat yourself and check into a hotel or resort for a night — or several. This is an excellent option if you're working on a particular project or collaborating with others. Try to find a place with a pretty pool — there's nothing quite as refreshing as jumping into the water in between work sessions, brainstorms or meetings. An onsite cocktail bar can come in handy, too.
In what could prove to be a market-changing plot twist, online retail behemoth Amazon has set its sights on the startup world. It’s just gone live with Launchpad, a new specialist shopfront that will only sell products from startups. Combining the marketing, selling and distributing functions of other platforms — and possibly putting them out of business — Launchpad is an all-in-one service for bright-eyed inventors and visionaries with something to sell. The site is pretty tech-heavy so far, with gadgets you never knew you needed (and maybe still aren’t sure about) like an activity tracker that teaches you not to slouch, a Bluetooth speaker in floating orb form, and a 3D printer that’ll set you back $2,499 (US dollars, so probably double that, who even knows). But you’ve also got your artisanal pet treats, farm-to-bag popcorn, a smart indoor herb garden and a deck of cards ominously titled The Love Game. If you’ve got your own venture going on in, I don’t know, biodegradable socks, you can sign up to Launchpad for free and get Amazon’s help with marketing and distributing. Just make sure your products will be ready to ship within 90 days, and watch the cash dollars roll in. (Extra points if you’re already connected to one of their 25 partner organisations, which include venture capital firms, start-up accelerators and crowdfunding platforms.) Or just take a browse and get familiar with your scroll keys. Thus far the range is fairly limited, with just 200 products. But we predict that once this blows up, Launchpad will become something like the Etsy of the crowdfunded tech world — a time-sucking vortex of part wonder, part second-hand regret. Via Macworld.
French filmmakers are a busy bunch. Every year, the country's cinematic talent pumps out nearly 300 new movies — enough to rank among the top five film-producing nations in 2016, behind only India, the US, China and Japan. It's no wonder, then, that Australia's annual Alliance Francaise French Film Festival is always jam-packed with flicks, spoiling viewers for choice when it comes to Gallic cinema's latest and greatest. The fest's team clearly has plenty of picks to choose from, with their 2018 event touring 47 features, two documentaries and one television series around local screens until mid-April. This year's fest kicks off with the laughs of C'est la vie! thanks to The Intouchables duo Éric Toledano and Olivier Nakache, ends with rom-com 50 Is the New 30, and features everything from multiple Isabelle Huppert appearances to multiple César Award winners among its lineup. In short: there's more than enough on offer to make you think you're on the other side of the world, and not just in your nearest cinema. And if you need some help deciding what to see, that's where we come in. https://www.youtube.com/watch?v=4ietLhsUOuQ BPM (BEATS PER MINUTE) When last year's Cannes favourite (and award-winner) BPM (Beats Per Minute) didn't make this year's Oscars shortlist for the best foreign-language film category, it was considered quite the shock. Come French cinema's own night of nights, the Césars, and the AIDS activism drama fared much, much better, taking out best film, editing, screenplay, score, male newcomer and supporting actor. It's easy to see why, the latest from Eastern Boys' filmmaker Robin Campillo is both intimate and wide-ranging as it explores the efforts of a passionate group to fight for acceptance and affordable HIV treatment in the early '90s. The writer-director himself was a member of ACT UP, the organisation at the movie's centre, adding an extra layer of authenticity — something the film already oozes courtesy of its naturalistic style, personal approach and exceptional performances. https://www.youtube.com/watch?v=h-haop2Ini0 LET THE SUNSHINE IN In Let the Sunshine In, Juliette Binoche plays a just-divorced 50-something artist attempting to find love again — and causing audiences to fall for the great French actress's many charms in the process. Take our word for it: if you weren't already a fan before seeing this thoughtful romantic comedy (and if not, why not?), then you will be afterwards. Headlining a distinctive change of pace from acclaimed filmmaker Claire Denis, Binoche glows even as her character struggles with re-entering the dating scene, navigating the ups and downs that go with it, and working out what she actually wants as she flits through a series of varying dates. When we saw and loved the feature at last year's Melbourne International Film Festival, we said it was "a smart, spirited and soulful exploration of affection and intimacy — as driven by Binoche's enigmatic candour — that cuts deep". We still think so. https://www.youtube.com/watch?v=y1KzHPDN1JI MRS. HYDE Another year, another Isabelle Huppert film in the AFFFF program. Anything else really is virtually unthinkable. The adored French star actually features in two of this year's festival flicks, but if the prospect of seeing the inimitable actress in a version of Dr. Jekyll and Mr Hyde doesn't get you excited, then nothing will. Lighter in tone than Robert Louis Stevenson's literary classic, and filled with commentary about class clashes in contemporary French society as well as laughter, Serge Bozon's effort is set within a Parisian high school. It also features a pivotal lightening strike and sees Huppert's stressed teacher undergo quite the transformation. https://www.youtube.com/watch?v=mXSnlxctWLY BARBARA French singer Barbara gets the biopic treatment in the film that shares her name, but it's also much, much more than that. The third feature directed by actor-turned-filmmaker Mathieu Amalric, it's a tale about an actress (Jeanne Balibar) preparing to play Barbara in a biopic, and a director (played by Amalric) who's obsessed with his subject. Yes, there's a film within a film, as well as archival footage of the real figure herself, just to keep things even more ambitious. Adding further layers to the flick, Balibar — who just won the Cesar for best actress for her excellent efforts — was once married to Amalric. https://www.youtube.com/watch?v=ihiS-A8yT2c REDOUBTABLE What's the French Film Festival without a dose of French film history? This year, they're delivering it in biopic form, focusing on one of the country's great directors and pioneers of the French New Wave. In Redoubtable, Louis Garrel steps into Jean-Luc Godard's shoes, following his relationship with his Weekend and La Chinoise muse Anne Wiazemsky (Stacy Martin), his career in the late '60s, and the surrounding French political and social unrest. Plus, for director Michel Hazanavicius, it's a return to making movies about movies after his Oscar-winning The Artist. https://www.youtube.com/watch?v=6iIkM6OvK78 CUSTODY The heartbreaking drama, anxiety and tension of a hard-fought custody battle sits at the centre of this aptly titled effort, which first premiered at last year's Venice Film Festival and has been garnering praise ever since. Actor-turned-writer/director Xavier Legrand plunges viewers into a social realist look at a divorcing couple and the 12-year-old son stuck in the middle, which might sound like a familiar situation. It is; however the first-timer favours naturalism and observation over heavy sentiment, and has earned many a comparison to the Dardenne brothers (Lorna's Silence; Two Days, One Night) as a result. https://www.youtube.com/watch?v=-KK-uzPspoA DOUBLE LOVER Another AFFFF favourite — but behind the lens — François Ozon (Frantz) is back in psychological sexual thriller territory with Double Lover. Yes, as the name gives away, there's duplicity involved. It's rarely a good idea to fall in love with a psychoanalyst in these kinds of films, so when former model Chloé (Marine Vacth) does just that with Paul (Jérémie Renier), there's unexpected consequences. Fans of Swimming Pool, In the House, Young & Beautiful and The New Girlfriend will know just the mood, tone and simmering unease they're in for, as well as the all-round provocative air. https://www.youtube.com/watch?v=IgHtE9OzrhU ISMAËL'S GHOSTS Films about filmmakers are a definite trend at this year's AFFFF. And not just that — films starring Mathieu Amalric as a filmmaker, too. The aforementioned Barbara director and star plays the titular Ismaël in Ismaël's Ghosts, who's just about to get immersed in his latest project when the past comes calling. Also featuring Marion Cotillard, Charlotte Gainsbourg and Redoubtable's Louis Garrel, the movie is the latest from My Golden Days' Arnaud Desplechin, and opened the Cannes Film Festival last year. https://www.youtube.com/watch?v=qbsuPXa9KJA THE WORKSHOP Another effort with a connection to Cannes, The Workshop not only premiered there last year, but was directed by 2008 Palme d'Or winner Laurent Cantet (The Class) and co-written with BPM's Robin Campillo. The drama unfolds at a creative writing workshop, where participants clash over more than just writing, and their novelist teacher (Marina Foïs) doesn't quite know how to react. With Cantent known for his naturalism, like Campillo, a portrait of modern-day France emerges as the feature plays out, delving into fears, fractures and friction. https://www.youtube.com/watch?v=w7nw6RhYwgI IF YOU SAW HIS HEART It mightn't be a French Film Festival without Isabelle Huppert, but it's often not a film festival at all without Gael Garcia Bernal. This time, the Mexican favourite stars in this French-language effort from first-time writer/director Joan Chemla. Taking inspiration from the work of Cuban author Guillermo Rosales, If You Saw His Heart follows a man holed up in a hotel and at a loss after the death of his best friend. The result promises a hefty dose of existential malaise, plus South of France scenery, all served up with Bernal's usual charm. The Alliance Française French Film Festival tours Australia from February 27, screening at Sydney's Chauvel Cinema, Palace Norton Street, Palace Verona, Palace Central and Hayden Orpheum Picture Palace from February 27 to March 27; Melbourne's Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, Palace Westgarth, Kino Cinemas and The Astor Theatre from February 28 to March 27; and Brisbane's Palace Barracks and Palace Centro from March 8 to April 4. For more information, visit the festival website.
It's been three years since Florence + The Machine last toured Australia and we were beginning to think it'd be another three years before they toured again. Oh how wrong we were. Not content with just headlining this year's Splendour In The Grass and playing two packed sideshows, the group have announced that they'll be back in November. British powerhouse Florence Welch and her crew will be touring the country with a set list from their third studio album How Big, How Blue, How Beautiful. Guess they like Australia after all (and if the album's debut at #1 on the ARIA charts is anything to go by, we seem to have a bit of a thing for them too.) 2015 has been a busy year for the group, with performances at Coachella and Glastonbury, plus Austin City Limits this coming October. Now they'll be going solo, performing five dates across Australia. This includes two show at one of the country's most iconic venues: the Sydney Opera House Forecourt, an area reserved for the most popular of acts. You'll be able to enjoy an evening of infectious powerhouse art rock against one of the most perfect backdrops in the nation. Tickets to their Australian tour go on sale from 10 am (AEST) on Monday August 3 – and judging from how popular their Splendour sideshows were, you'll have to be extra quick to get your hands on them. Get ready to get your jive on. FLORENCE + THE MACHINE 2015 TOUR DATES: Saturday 7th November - Perth Arena, Perth Tuesday 10th November - Sidney Myer Music Bowl, Melbourne Friday 13th November - Sydney Opera House Forecourt, Sydney Saturday 14th November - Sydney Opera House Forecourt, Sydney Wednesday 18th November - Riverstage, Brisbane
Remember when a simple piece of paper and a packet of coloured pencils was the key to happiness? Aah, those were the days. Actually, these can also be the days, thanks to Brisbane's first adult-oriented colouring circle. Yes, that activity under-tens are so fond of is now an acceptable pastime for older folks, too. This isn't just a case of nostalgia overload or regressing to a child-like state, but a celebrated method of coping with stress, switching off from screens and cultivating mindfulness. In fact, escaping from the hubbub of modern life one pencil stroke at a time has become such a trend that colouring books for grown-ups have become a real, established genre. It's no wonder that the folks at Scrumptious Reads and Yelp thought they'd take the next step and bring aficionados together for a night of wine, cheese and relaxing scribbling. The first Colour Circle event has proven so popular that it sold out quick smart, but more get-togethers are on the horizon. In the interim, there's nothing stopping you from digging up your old pencil case, picking up a book of patterns, forests, mandalas and more, and practising your colour coordination. The Colour Circle takes place on June 30 at Scrumptious Reads. For more information abut upcoming events, visit Yelp or the Scrumptious Reads Facebook page. Image: Dollar Photo Club
It's the yearly exhibition that leaves us with jaws on the floor; the 59th annual World Press Photo exhibition is coming to Australia for another year. Beating 97,912 submissions by 5692 photographers from 131 countries, Denmark's Mads Nissen took out the top spot for 2014 Photo of the Year for his intimate, poignant portrait of Jon and Alex, a gay couple in conservative St Petersburg, Russia. After almost six decades of beautiful and devastating photojournalism, the WPP contest continues to be one of the world's most important platforms for art, journalism and humanising the headlines. The World Press Photo exhibition can be seen at Sydney’s State Library of NSW, May 23 - June 21; WA Museum in Perth, July 4 - 26; and Brisbane Powerhouse, August 8 - 30. Before the exhibition makes its way to Australia, take a look through some of the landmark images that caught the eye of the WPP judges; from an orphaned rhino in Kenya to Lionel Messi at Brazil's World Cup, Istanbul's anti-government protests to a young Kamilaroi girl in Moree, New South Wales. With many of the photographs documenting the more saddening news headlines, they're often not easy images to look at, but it's the work of these photojournalists that wakes up an otherwise ignorant world. Jon and Alex (St Petersburg, Russia) — Mads Nissen 2014 Photo of the Year and First Prize Contemporary Issues, Singles "Jon and Alex, a gay couple, share an intimate moment at Alex’s home, a small apartment in St Petersburg, Russia. Life for lesbian, gay, bisexual and transgender (LGBT) people is becoming increasingly difficult in Russia. Sexual minorities face legal and social discrimination, harassment, and even violent hate-crime attacks from conservative religious and nationalistic groups." Istanbul Protest (Istanbul, Turkey) — Bülent Kiliç First Prize Spot News, Singles "A young girl was wounded during clashes between riot police and protestors after the funeral of Berkin Elvan, a 15-year-old boy who died from injuries suffered during anti-government protests. Riot police fired tear gas and water cannons at protestors in the capital Ankara, while in Istanbul, crowds shouting anti-government slogans lit a huge fire as they made their way to a cemetery for the boy’s burial." Laurinda (Moree, New South Wales, Australia) — Raphaela Rosella First Prize Portraits, Singles "Laurinda, a young Kamilaroi girl, plays with her dress as she waits for the bus that will take her to Sunday school. Many disadvantaged communities in Australia face entrenched poverty, racism, trans-generational trauma, violence, addiction, and a range of other barriers to health and wellbeing." Monkey Training for a Circus (Suzhou, Anhui Province, China) — Yongzhi Chu First Prize Nature, Singles "A rhesus macaque cowers as its trainer approaches, while training for a circus act, in Suzhou, eastern China. Performing animals in circuses and zoos are enormously popular in China. After years of pressure from animal-welfare groups, the Chinese government has banned animal circuses, and implemented regulations to stop abuse at state-owned zoos, but many trainers say they have not heard of the ban, nor have any intention of stopping. Authorities in Suzhou, which with its 300 troupes is known as the hometown of circus in China, have announced plans for developing alternative circus entertainment, without performing animals." The Final Game (Rio de Janeiro, Brazil) — Bao Tailiang First Prize Sports, Singles "Argentina player Lionel Messi faces the World Cup trophy during the final ceremony at Maracana Stadium. His team lost to Germany 1-0, after a goal by Mario Götze in extra time." Mindsuckers (Santa Barbara, California, USA) — Anand Varma First Prize Nature, Stories "When a male sheep crab (Loxorhynchus grandis) is infected by Heterosaccus californicus, a parasitic barnacle, it stops developing fighting claws, and its abdomen widens, providing a womb for the barnacle to fill with its brood pouch. Nurtured by the crab, the eggs hatch. Thousands of baby barnacles disperse to infect anew. Many parasites not only feed off their hosts, but appear to manipulate the host’s behavior in a way that is advantageous to the parasite’s life cycle." The Beckham Catch (East Rutherford, New Jersey, USA) — Al Bello Second Prize Sports, Singles "Odell Beckham (#13) of the New York Giants makes a one-handed touchdown catch in the second quarter against the Dallas Cowboys at MetLife Stadium." Blue Sky Days (Philadelphia, Pennsylvania, USA) — Tomas van Houtryve Third Prize Contemporary Issues, Stories "People exercising in central Philadelphia. Drone operators may consider such ‘signature behaviors’ as evidence of the existence of a training camp. Since 2002, the United States has used unmanned aerial vehicles (UAVs, or drones) to collect intelligence and carry out airstrikes in Pakistan, Yemen and Somalia. The aircraft are guided via satellite by distant operators. The attacks have resulted in a large number of fatalities, including hundreds of civilians. The photographer bought a small drone, fitted it with a camera, and flew it in the US over the sorts of gatherings that have become habitual targets for airstrikes abroad—weddings, funerals, groups of people praying or exercising. He also used it to photograph settings in which drones are used to less lethal effect, such as oil fields, prisons, and the US-Mexico border." Orphaned Rhino (Kenya) — Ami Vitale Second Prize Nature, Singles "A group of young Samburu warriors touch a black rhino for the first time in their lives, at the Lewa Wildlife Conservancy, in northern Kenya. Black rhinos are almost extinct in Kenya. This young calf had been orphaned when poachers killed its mother, and was hand-raised at Lewa. Most people in Kenya never get the opportunity to see the wildlife living around them, especially at such close quarters. Attention is often given to the effect of poaching on wildlife, but there is little focus on indigenous communities, who are on the frontline in the clash between poachers and armed game wardens. Birthday Chocolate (Baroncea, Moldova) — Åsa Sjöström Second Prize Daily Life, Singles "Igor whispers into his friend Renat’s ear, at school in northern Moldova. It is Igor’s birthday, and his grandmother has given him chocolate to hand out to his classmates. Moldova is Europe’s poorest country. In the past ten years, one third of the working population has gone abroad in search of better-paying jobs. Children often find themselves looked after by elderly relatives, or left in orphanage boarding schools. Igor has a twin brother. They do not know their father and their mother died soon after leaving to work in Russia, when they were two years old." Cadets (Koninklijke Militaire Academie (Royal Military Academy, Breda, the Netherlands) — Paolo Verzone Third Prize Portraits, Stories "Portraits of cadets in some of Europe’s most prestigious military academies." Rescue Operation (Mediterranean Sea, Italy) — Massimo Sestini Second Prize General News, Single "Refugees crowd on board a boat some 25 kilometers from the Libyan coast, prior to being rescued by an Italian naval frigate working as part of Operation Mare Nostrum (OMN). The search-and-rescue operation was put in place by the Italian government, in response to the drowning of hundreds of migrants off the island of Lampedusa at the end of 2013. The numbers of people risking their lives to cross the Mediterranean Sea rose sharply in 2014, as a result of conflicts or persecution in Syria, the Horn of Africa, and other sub-Saharan countries. OMN involved the Italian Red Cross, Save the Children, and other NGOs in an effort not only to rescue lives, but to provide medical help, counseling, and cultural support. Naval officers were also empowered to arrest human traffickers and seize their ships. In its one year of operation, OMN brought 330 smugglers to justice, and saved more than 150,000 people, at least a quarter of which were refugees from Syria. The operation was disbanded in October, and replaced by Triton, an operation conducted by the EU border agency Frontex, focusing more on surveillance than rescue." The Bull Market (Niuniuba, Sichuan, China) — Cai Sheng Xiang First Prize Daily Life, Singles "Yi villagers hold a cattle market in a forest outside the town of Niuniuba, near Liangshan, in Sichuan. The Yi ethnic minority live largely by agriculture, livestock herding and hunting. There are around 7.5 million Yi in China, concentrated principally in Sichuan and Yunnan provinces." The 59th annual World Press Photo exhibition can be seen at Sydney's State Library of NSW, May 23 - June 21; Perth's WA Museum, July 4 - 26; and Brisbane Powerhouse, August 8 - 30. Check out all the 2015 winners and runners up here.
For a fourth consecutive year, the team behind the Emerging Writers' Festival will host an online festival aimed at digital writers in Australia and around the world. The Digital Writers' Festival will bring together more than 120 storytellers to explore the future of writing in the digital era. Over 11 days, there will be live-streamed events focusing on new forms, content trends and digital literacy, as well as seminars, panel discussions and interactive projects. The festival is designed to foster new relationships between writers and connect likeminded individuals from all over the world. Learn to pitch stories, watch an editor in action, discover self-publishing or even explore writing for games. Plus, in an effort to transcend geographical boundaries, the entire festival will be broadcast on the website, but city-dwellers will also be able to attend a select few events in Melbourne, Sydney, Perth and Brisbane. The IRL events include: The Future of Storytelling — Tuesday, October 24 (Melbourne) Mapping Ecologies of the Digital — Saturday, October 28 (Perth) West Meets West — Tuesday, October 31 (Melbourne and Sydney) QUT Lit Salon — Wednesday, November 1 (Brisbane) Inside the Publishing House — Thursday, November 2 (Sydney)
Whether you're heading to the cinema with friends or curling up on the couch with your significant other, a night watching movies remains a fantastic source of entertainment, enjoyment and escapism. Sitting in the dark, switching your mind away from your regular worries and slipping into another world — if you're catching the right flick, few things can top it. Cinema-wise, 2018 has thrown up plenty of films that tick all of the above boxes — and now we're just past the halfway mark, it's time to look back. Maybe you missed one of this year's hits when it was in theatres. Perhaps it's still showing and you haven't made it yet. Or, there could be a few gems that just slipped your attention. Of course, there's always the ace movies you saw, loved and want to see again. Whichever category fits, here's 12 films from 2018 that you you need to catch up on. Head to the cinema and grab a choc top or organise your streaming queue and cook up some popcorn, as we've sorted out your viewing for the near future. https://www.youtube.com/watch?v=EQH3jqetJoY THE SHAPE OF WATER What our critic said: A sea of perfectly assembled elements, The Shape of Water truly feels like a film that no one else could have made. Working from a script co-written with Vanessa Taylor (Divergent), director Guillermo del Toro is operating at the top of his game, and his fingerprints can be seen in every exquisitely detailed image. Read the full review. https://www.youtube.com/watch?v=KKbjnLpxv70 FACES PLACES What our critic said: If everyone looked at strangers in the same way as French New Wave icon Agnes Varda (Cléo from 5 to 7, Vagabond), the world would be a much kinder place. Roaming through small yet lively villages, Varda makes new memories while reminiscing about older ones — about love, work, times passed, friends lost and past moments immortalised in earlier photos. Read the full review. https://www.youtube.com/watch?v=wCYB28iknIM PHANTOM THREAD What our critic said: Every textile metaphor you can think of applies to Phantom Thread. It's a film that's carefully woven from the fabric of human urges, teeming with hidden layers and positively bursting at the seams with emotional detail. It's also one made by the finest possible craftspeople, with Anderson and his three stars fashioning the cinematic equivalent of haute couture. Read the full review. https://www.youtube.com/watch?v=pzgTHyEv5Ng LADY BIRD What our critic said: As impressive a list of plaudits as Lady Bird has amassed, they pale in comparison to the movie itself. While it can seem like high school coming-of-age films are more common than actual high schoolers, Greta Gerwig gets everything right with her entry into the genre. Read the full review. https://www.youtube.com/watch?v=PJHex4ZitgA A FANTASTIC WOMAN What our critic said: It can't be overstated how wonderful it is to see transgender representation on the big screen (no offence Eddie Redmayne, but this is how it should be). Vega's performance as Marina feels authentic, in no small part because it is authentic. Every movement, every delivery is subtle, considered and real. Read the full review. https://www.youtube.com/watch?v=fNtLIcyjsnI GAME NIGHT What our critic said: At its best, Game Night is laugh out loud funny, subverting some classic comedy tropes and delivering scores of killer one-liners. It's probably one of the better Hollywood black comedies we've seen in the last few years, and ultimately entertains enough to justify the price of admission. Read the full review. https://www.youtube.com/watch?v=eqy27Bk0Vw0 A QUIET PLACE What our critic said: John Krasinski's stripped-back use of sound reflects his entire approach, crafting a masterfully sparse movie from start to finish — and a downright masterful one too. Forget questions about why the monsters are there and where everyone else is: they couldn't matter less in this taut, fast-paced thriller, and they shouldn't even cross your mind. Read the full review. https://www.youtube.com/watch?v=j9iVra2kdD4 TULLY What our critic said: Tully's motherhood scenario inspires rich performances from a particularly raw Charlize Theron and a suitably sparkling Mackenzie Davis — the former committed to conveying the hardships of maternity in all of its unglamorous glory, the latter calm and kind as Tully brings Marlo back from the brink of desperation. Read the full review. https://www.youtube.com/watch?v=z4_79dnJeNU BPM (BEATS PER MINUTE) What our critic said: Set to a soundtrack that flits from electronic beats to sorrowful piano, to the pleading chants of ACT UP taking to the streets, what emerges is a movie that's both intimate and expansive. Just as BPM's first scenes leave a definite imprint, so does the cumulative effect of its 143 minutes, weaving personal tales into a sprawling snapshot of a real-life movement. Read the full review. https://www.youtube.com/watch?v=3__y-uPwbe8 HEREDITARY What our critic said: Ari Aster plagues the movie's protagonists with weird occurrences, including strange words etched into walls, odd flashes of light, upsetting strangers and alarming seances. He is making a horror film, after all. But more than that, the writer-director doubles down on tragedy, stretches the characters' emotional limits and heightens their psychological strain, Read the full review. https://www.youtube.com/watch?v=gEnRNIvEKu8 UPGRADE What our critic said: Bone-crunching, blood-splattered revenge is a dish best-served with an AI sidekick in Upgrade. Although the concept might sound more tired than wired on paper, it makes for a sharp, sleek and savage wander into genre territory. Read the full review. https://www.youtube.com/watch?v=K6o5WPcCgT0 FOXTROT What our critic said: Foxtrot asks the audience to stare at its main cast harder than most films; to feel their aching hearts, to dive into their despairing minds, and to experience their unshakeable sorrow. Writer-director Samuel Maoz doesn't just call upon his actors to attract attention, though, but ensures that every meticulous shot reflects the characters' internal states. Read the full review.
Ever wanted to work directly with the world's most recognised performance artist? Here's your chance. Kaldor Public Art Projects are looking for project facilitators to lend a hand for their upcoming escapade, Marina Abramovic: In Residence, in which the controversial artist brings new and existing performance works to Pier 2/3 in Walsh Bay. Yep, Marina Abramovic wants you for her Sydney army. Over June 22 June to July 5 (with three full days of personal Abramovic training from June 15 - 17, alongside collaborator Lynsey Peisinger), you'll be part of the Gallery Team, present in Abramovic's installations with the artist herself, helping guests with guided interactions in the works, coordinating visitors amd supporting Abramovic to deliver one kickass exhibition all-round. Keen? Let's see if you've got the goods. According to Kaldor Projects, "Applicants should have an interest in long-durational performance art and be comfortable interacting with the public. Performance experience is not required but is welcomed. The role requires the ability maintain focus for long periods; people with long-durational practices, such as dance, meditation, sports and yoga, are encouraged to apply." You'll also need to be over 18, and experience interacting with an audience and engaging with the public is preferred. Got that CV ready? If you're interested in applying, you'll need to submit a short biography by Monday, April 13 April "detailing your artistic practice, professional experience or interests that relate to the requirements of the role" to project30@kaldorartprojects.org.au. For more info on Abramovic's Sydney project, click here. For more info on the facilitator role, click here.
Aussie craft beer lovers might be feeling it in their livers this week. They've just gone through two weeks of craft beer glory around the country, starting with from Melbourne's Good Beer Week and the Australian International Beer Awards and culminating in the Great Australasian Beer SpecTAPular, the epic two-day beer festival held in both Melbourne and Sydney. A record number of 27,600 people attended the events, which showcased over 400 types of local craft beers and ciders. That's a lot of tasting notes. And since it all started to get a bit hazy by the end, we've put together a list of the best, weirdest and most controversial new Australian beers we discovered at GABS 2016. Let's just hope these make it to market. THE BEST BACCHUS BREWING CO. (QLD) Festival beer: Peanut Brittle Gose The Queensland brewery was a clear favourite of the festival, taking home the GABS People's Choice Award for Best Festival Beer in both Melbourne and Sydney. The Gose style originated in 14th century Germany, but their version is not sour and salty like the classic — it packs a peanut butter and caramel toffee punch. This creative and delicious combo made for a true standout. WAYWARD BREWING CO. (NSW) Festival beer: Funky Pineapple Hand Grenade Brett IPA Fans were calling this drop the second best beer of GABS — and for good reason. The beer bursts with tropical pineapple, mango, peach and citrus, making it a great homage to the warmer weather. This is not to say it's a simple one to make, though. Fermenting with 100 percent funky Brettanomyces yeast, the beer has a distinct flavour which is balanced by a silky finish. HOP NATION BREWING CO. (VIC) Festival beer: The Kalash Russian imperial stout Despite the brewery's name, Hop Nation didn't win us over with a hoppy beer this year. Instead, they went the Russian imperial route, and The Kalash is just so damn good. Aged in oak puncheons for five months, the beer has bitter chocolate, coffee and toffee notes that are perfect for this winter chill. The smooth, roasted finish might fool your tastebuds, but the 10 percent alcohol value catches up fast. AKASHA BREWING CO. (NSW) Festival beer: Iago's Revenge black IPA Since opening in Sydney last year, Akasha always seems to be on Australian craft beer watch lists. This dark brew is Akasha's hoppiest yet, while still holding to its roasted malt backbone. Rested on American oak and whisky barrels, the IPA gives off citrus, pine and resin aroma — and at a massive 9.8 percent, this complex beer will just as readily knock you on your ass as well as your nose. THE WEIRDEST COLONIAL BREWING COMPANY (WA) Festival beer: Project #21 - The Reuben Sandwich rye IPA A collaboration with fellow West Australians West Winds Gin, Colonial Brewing refers to this one as "an iconic sandwich in one hand, a martini in the other". It's a complex — and weird — concept for a beer. Brewed using gin botanicals, the beer is spicy, fruity and a bit tart. And while we didn't get much of the Reuben flavour off it, it sure did make us hungry for one. BATCH BREWING COMPANY (NSW) Festival beer: Marrickville Pork Roll Described as a "spice, herb or vegetable beer", Batch went all-out with the ingredients on this one — coriander, chilli, cucumbers and carrots all went into the brew, as did pork broth and a citrusy hop called Sorachi Ace. Fashioned after a bánh mí thit in Sydney's inner west, there's no denying the pork roll flavours. But, nonetheless, it's still a really tasty, well made beer. PRICKLY MOSES (VIC) Festival beer: Faulty Towers basil IPA Better known for their ace ciders, Prickly Moses gave patrons an unexpected dose of herb this year. There is no doubt that fresh basil went into the brew, as it hits you both on the nose and palate — a bi-product of it being used both in the mash and during fermentation. Hoppy, bold and herbal, this beer really works and is one of our favourite wackier brews. THE MOST CONTROVERSIAL 7 CENT BREWERY (VIC) Festival beer: Belly Button Beer If you're hoping this isn't what it sounds like, stop reading here. The beer was fermented using yeast found hiding out in the brewer's belly button — for how long we do not know (nor do we want to know). Belly Button Beer received global curiosity and disgust well before its appearance at GABS, and most couldn't help but give it a try. It's a weird one — the kind of funk orange zest and coriander seeds can not disguise. DOCTOR'S ORDERS BREWING (NSW) Festival beer: Mutagenic Cephalopod Gose The name alone means you simply must try this one, and the ingredients are a truly bizarre combination. Infused with seaweed, smoked mushroom salt, chipotle oil and — wait for it — squid ink, we're not sure how the brewers dreamt this one up. The beer is tart and also tinged green in colour — making it a seaweed green, squid ink beer. Despite the controversy, many still thoroughly enjoyed the brew and the novelty behind it. SHENANIGANS BREWING (NSW) Festival beer: Sabotage oatmeal stout Nothing polarises quite like a chilli beer — folks either love them or absolutely hate them. In Shenanigans' case, the divide was evenly split. While we personally loved it, a lot of patrons had a hard time with the chilli, either claiming it was way too spicy or that they couldn't taste it at all. Brewed with organic coconut sugar, cacao and coffee beans, and then aged on bourbon oak, the controversial chocolate jolokia ghost chilli was unforgivable to some and praised by others. HONOURABLE MENTIONS We have to give a big shout out to Bucket Boys and Stockade Brewing Co., whose beers absolutely killed it. We're expecting to see big things from both of these brewers in 2016. Want to know more? Check out the complete list of the Festival Beers
An exploration of an exiled poet. The Australian premiere of legendary filmmaker Alejandro Jodorowsky's latest feature. An effort that's being called Peru's first bona fide horror movie. They're just three of the films in the freshly unveiled, first-ever Cine Latino Film Festival lineup, as Australia's first national fest dedicated to showcasing the best in Latin American cinema prepares to tour the country in August. While the complete program features more than 30 movies from Mexico, Brazil, Paraguay, Argentina, Cuba, Uruguay, Colombia, Venezuela, Chile, Guatemala and Puerto Rico, there's a reason that the first of the flicks mentioned above, the Pablo Larraín-directed, Gael García Bernal-starring Neruda, has been plucked straight from Cannes to open the festival. The last time the filmmaker and actor worked together, the excellent No was the end result, so expect another insightful look at Chilean politics from their second collaboration. Jodorowsky's Endless Poetry should rank among the festival's just-as-eagerly-anticipated titles, especially by fans of the director's '70s cult classics El Topo and The Holy Mountain and his most recent effort The Dance of Reality — or anyone who marvelled at what could've been when they watched the entertaining documentary Jodorowsky's Dune. And while The Womb doesn't come with quite the same pedigree, it does boast a chilling storyline involving one of the horror genre's favourite topics: motherhood. Elsewhere, a chronicle of the pop star known as the 'Mexican Madonna', an insight into current state of a formerly luxurious Havana hotel, and more than a couple of soccer-themed efforts all feature among the feast of Spanish and Portuguese-language fare, as do Peruvian road movie Solos and Venezuelan beauty queen black comedy 3 Beauties. Just perusing the program is enough to make you want to jump on a plane for Latin America, however for those who can't enjoy an overseas holiday at the moment, immersing yourself in the films of the region really is the next best thing. The Cine Latino Film Festival screens at Sydney's Palace Norton Street and Verona from August 9 to 24, Brisbane's Palace Centro and Barracks from August 11 to 24, and Melbourne's Palace Como and Westgarth from August 17 to 31. For more information, visit the festival website.
It might be France's fourth biggest city, but Toulouse isn't yet a firm fixture on the tourist trail. Unless you're an aviation fanatic, that is — all Airbus A380s are born here, so Biggles fans drop by to tour what's surely one of the world's biggest assembly lines. But what's less known about Toulouse is that it's a mecca for creatives. For decades now, artists have been pouncing on abandoned buildings and reclaiming them for art's sake. Among the epic proportions of an ex-slaughterhouse, you'll find a 78-year-old stage curtain painted by Picasso. Along the curved walls of an 18th century water tower, explore France's first photography gallery. In an ex-clothing factory, discover the latest from emerging artists. To these eclectic spaces, a busy festival calendar brings wave after wave of international art invasions, dance spectaculars, electronica marathons and world music parties. In fact, locals dub Toulouse the 'festival capital' of France. Nestled into a bend on the Garonne River, which begins in the Pyrenees and flows into the Atlantic at Bordeaux, Toulouse, like Paris, is organised according to its banks. On the right, winding, cobbled alleyways lead to the famous pink brick of the Capitole. The left is quieter, but it's where some of the most interesting galleries and imaginative uses of public space are found. ART-ING If there's one way to redeem a slaughterhouse, it's surely through devotion to acts of creativity. Les Abattoirs (76 Allées Charles-de-Fitte; +33 (0)5 34 51 10 60) swapped the butcher's knife in favour of the paintbrush back in 2000. Its enormous, airy space now hosts 4000 modern and contemporary artworks (Picasso's curtain included). I stroll in to find myself eye-to-eye with Franz Gertsch's freakishly realistic, close-up portraits and impossibly translucent coastlines. Hung just centimetres from the floor and backdropped by monumental archways, his works couldn't find a more dramatic setting. A mezzanine level allows viewing from every conceivable angle. Les Abattoirs is one stop along a 12-point walk taking in both riverbanks. It also covers Centre de L'Affiche, a graphic art museum; the crumbling remains of Toulouse's 16th century city walls; the 12th century Hôtel Dieu Saint Jacques, one-time shelter for orphans, paupers and pilgrims; and the Fine Arts Museum. Peeling off the Pont Neuf onto the right bank, I'm soon drawn into a maze of secretive backstreets. Since July 2013, vehicles have been banished from the centre, in just one of Toulouse's many pedestrian-friendly and green-inspired initiatives. 2010 saw the world's first experiments with 'pavement power'. This propensity for forward-thinking is evident even among the gothic cloisters of the Musée des Augustins (21, Rue de Metz; +33 (0)5 61 22 21 82). An ex-convent, it was seized in 1793 by French Revolutionaries, who transformed it into one of France's first public galleries. Today, 4000 works span the 11th century to the early 1900s. Their display is, however, in no way trapped by cold reverence to tradition, with fresh interventions frequently transplanting centuries-old artworks into the present. Right now, the Romanesque sculpture collection has been reimagined as a bright, pendant-lit, stylised garden by Cuban artist Jorge Pardo. Commissioned for the 2014 Toulouse International Art Festival, it's on show until 2016. Other galleries worth more than a peep include Alain Daudet (contemporary), exp rm'n tl and concept (up-and-coming contemporary), Le Chateau d'Eau (photography), NEXT (pop art) and Fondation d'Entreprise Espace Ecureuil Pour L'Art Contemporain (art inspired by everyday life). If you're keen to visit several, invest in a Pass Tourisme, which gives you a bunch of freebies and discounts. EATING & DRINKING Like most places in France, Toulouse is fiercely proud of its regional produce. At least 13 food markets are in operation, the majority within 15 minutes' walk of the Capitole. I head straight for the biggest: Marché Victor Hugo. At first, I think I might well have the wrong address. From the outside, it's a multi-storey carpark that must have reared its concrete head sometime in the 1970s. Inside, however, I discover a pastoral labyrinth of pastries, dairy, meats, fruit, vegetables and wine, brought in by growers and producers from all over the region. A couple of cheeses in hand, I pause for a sneaky mid-morning wine tasting. Then it's up to the first-floor restaurants for lunch, where the chefs source their produce in the early morning from downstairs. Such focus on the best of ingredients continues in Toulouse's numerous wine bars and eateries. Situated between two wine regions — the South West (or Sud-Ouest) and the Languedoc-Roussillon — the city is a meeting point for both. Legendary brandy-producing area Armagnac is also nearby. To taste your way across a huge range without breaking the bank, drop into No. 5 Wine Bar (5 Rue de la Bourse; +33 (0)5 61 38 44 51). I stumble across it by accident while wandering among a bunch of arty, independent shops around Rue de la Bourse. With a 'tasting card' in hand, visitors can help themselves to the wines on offer, sampling as much — or as little — of each as they like, without having to invest in entire glasses. The 36-bottle selection changes every night. Other excellent bars include L'Oenotilus (Boulevard Griffoul Dorval; +33 (0)5 62 16 39 47), which occupies a converted 1927 barge beneath the leafy trees of the Canal du Midi, and the quirky Au Père Louis (45 Rue des Tourneurs; +33 (0)5 61 21 33 45), established 1889, where you can quaff at the original, zinc-covered bar. Definitely try the quinquina, a fortified wine zinged up with cinchona bark and herbs. Also worth checking out are the laneways around Rue Castellane and Rue de L'industrie (800 metres east of the centre), where funky, grungy holes-in-the-wall serve up affordable, internationally diverse eats. SLEEPING Just around the corner from Rue de L'Industrie is a boutique hotel by the name of St. Claire (29, Place Nicholas Bachelier; +33 (0)5 34 405 888; contact@stclairehotel.com). Welcoming, airy and light, it feels more like a country home than a city hotel. I take a room on the third floor, with district views. Rustic cane and wooden furnishings are in line with classic French aesthetics, but, the concierge tells me, they've been arranged according to the principles of feng shui, which is why the whole place feels so unusually tranquil. Breakfast is a generous selection of pastries, cereals, fruit and yoghurt served in a cute downstairs café. For a slicker, more grown-up option, there's the Citiz Hotel (18 Allées Jean Jaurès; +33 (0)5 61 11 18 18; contact@citizhotel.fr). Situated on the edge of the town centre, it's close to major attractions and is housed in a beautiful, heritage-listed building. Inside, though, interiors have been swished up with a cool, contemporary revamp. Spacious rooms are decorated in sleek chocolates and creams, and splashed with mauve lighting, to particularly spectacular effect in the bathrooms. In the morning, a generous breakfast buffet takes over the downstairs dining room, where large bay windows afford views of the city rolling into action. OUT-OF-TOWN ADVENTURING The Pyrenees, the Mediterranean and the Haute Languedoc are all within two-hours' travel time of Toulouse. Theoretically, you could throw snowballs and swim in the sea between dawn and dusk. I catch a train east, to Mazamet, a market town in the foothills of Montagne Noire (or Black Mountain), where I meet Angus Longstaff — Aussie-turned-French citizen who's spent his life chef-ing, travelling, wining and dining, and now runs tours around South West France. Tell him where you'd like to go and what you'd like to do and he'll organise it — whether you're looking for obscure mountain villages, truffle-foraging expeditions, off-the-beaten-track markets, home-cooked lunches with French families or wineries. Passengers can design their own adventure or choose from a bunch of one-day itineraries. "I just spent the week driving around an Australian couple, who are looking at buying a chateau. You can buy an entire castle in France for less than the price of some Australian houses," he laughs. Angus is easygoing and fun-to-be-around. Whether you're interested in buying real estate, what makes one French wine region different from another, the latest headlines hitting Australian news or Heston Blumenthal's most recent move, he's up for a chat. Our morning starts with a visit to a tranquil, centuries-old village, where there's not another tourist to be seen. We watch a traditional instrument maker at work and chat to a local seamstress whose shop is filled with striking blue-purple clothes, made with dye derived from the area's renowned violets. Then, we head to the home of a local winemaker and her four sons, who serve us a long lunch around their sunny kitchen table, accompanied by wines made from grapes grown, harvested and stomped in the vineyard just outside. In the afternoon, we wind our way to heritage-listed Carcassonne, a medieval, fortified city that's home to 53 towers, stunning panoramic views and a really, really good chocolate shop. At sundown, Angus drops me back in Mazamet, at La Villa de Mazamet. Built in 1934, it was originally a family home, but following a mid-2000s renovation, is now a lush bed and breakfast run by Peter Friend and Mark Barber, from England. "For us, it's a passion," Mark tells me. "It's what I've always wanted to do. I feel lucky to be here and to be able to share it with other people." Peter is a self-trained chef, who cooks four-course meals for guests in the evenings, while Mark is a wine expert. The villa is surrounded by beautiful landscaped gardens, a pool and, in the former wine cellar, a private, underground spa. "Mazamet is a popular choice with Australians," Mark says. "I think it's because they like getting to destinations that are a bit away from the beaten track." Jasmine Crittenden travelled as a guest of Toulouse Tourisme, St. Claire Hotel, Citiz Hotel, Fine Wine Tours and La Villa de Mazamet.
In huge art news, the National Gallery of Victoria has announced that a massive exhibition will be hitting our shores in June 2018, coming direct to us from New York's Museum of Modern Art. Over 150 works from some of the most renowned modernist artists, sculptors, photographers, furniture designers, graphic designers and illustrators will be shipped over for the exhibition, named Masterworks from MoMA (literal and direct, we likey), showing exclusively at the NGV. The exhibition will run from June 8 – October 7 2018 and feature pieces from seminal artists, including Paul Cézanne, Salvador Dalí, Marcel Duchamp, Edward Hopper, Jeff Koons, Henri Matisse, Piet Mondrian, Pablo Picasso, Jackson Pollock, Lyubov Popova, Mark Rothko and Vincent van Gogh. It's a big deal for the Australian art scene, as we often miss out on international blockbusters like this due to the logistics and cost of transporting priceless art halfway around the world. But not this time. So which works are coming? In goes without saying MoMA has a world-famous collection of works to select from including Dali's The Persistence of Memory (arguably his most well-known piece), Pollock's infamously divisive drip painting Number 1A, Mondrian's controversial Compositions series and Vincent Van Gogh's outrageously famous The Starry Night. It's not clear exactly which pieces will travel with the exhibition but with this catalogue, expect masterpieces. While 2018 is a distant dream right now, but modernist art lovers can get their fill this winter at the NGV's epic Degas exhibition, which starts on June 24. Masterworks from MoMA will show at the NGV International, ground level, from June 8 - October 7 2018. Image: Salvador Dali, The Persistence of Memory, WikiArt.
Have you ever wanted to be the very best, like no one ever was, a Pokémon master in real life? Stop lying, because the answer is obviously GOTTA CATCH 'EM ALL GET THE HELL OUT OF MY WAY. Well now you can, thanks to Pokémon Go, a new augmented reality mobile game that lets you capture and train virtual Pokémon right here in the real world. Out now in Australia on Android and iOS devices, the game uses your smartphone's camera and sensors to 'detect' when wild Pokémon are near. You'll find different Pokémon depending on where you are — for example, you're more likely to encounter a water-type Pokémon near a body of water. You can join teams, trade Pokémon with other players, and battle for control of gyms. You can also visit notable locations around your city, such as public monuments, where you can stock up on PokéBalls and other necessary items. In addition to the app, Nintendo have also developed the Pokémon Go Plus, a small device that can be worn on your wrist and lets you play the game without having to look at your phone. Which is probably a good idea, since the last thing you want to do when battling a wild Charizard is accidentally walk in front of a bus. Pokémon Go is free to play, although there are in-app purchases available. Of course the most important piece of information is that the game only includes the original 150 Pokémon, making this the perfect time to bust out the following: https://www.youtube.com/watch?v=xMk8wuw7nek
A real life Willy Wonka is on his way to Melbourne. Catalan designer Martí Guixé has made a name for himself at the intersection of food, art and design, with works ranging from flavoured postage stamps to breathable cuisine. Now the so-called father of food design will present his first major Australian exhibition at NGV International, in the form of a colourful, custom-designed kitchen designed to teach kids and families about their attitudes to what they eat. Running from mid-June until mid-September, the free interactive exhibition, entitled Fake Food Park: Martí Guixé for Kids, will consist of "hands-on activities and digital design challenges" that encourage visitors to "sprout new ideas for food concepts and flavours" — and create their very own 'Fake Food Park' menu. The exhibition will also feature a selection of Guixé's drawings and illustrations as well as his famous fruit-and-vegetable wallpaper, which has previously been featured in galleries including MoMA, Design Museum London and the National Art Centre Tokyo. "We are delighted to bring the ground-breaking ideas of Martí Guixé to the NGV Kids exhibition space," said NGV director Tony Ellwood. "Guixé is a pioneer in his field; designing, innovating and challenging notions of how we eat in often whimsical and surprising ways... Fake Food Park will ask budding young designers to think about the future of food and reconsider familiar food items, from inventing snacks which can be eaten underwater to drawing novel combinations of everyday ingredients." Find Fake Food Park at NGV International from June 11. For more information visit the NGV website.
While Reykjavik is praised for its "ability to make the most of an inhospitable climate", Auckland for its "unbelievably friendly folk", Budapest for "music... not just concerts, but in the streets, on the radio, and in cafés," and "wonderful pubs filled with laughter", Sydney has taken out the top spot as the friendliest city in the world. Run as a Reader’s Choice award by Condé Nast Traveler and focused on how a visitor feels in each city, the Friendliest and Unfriendliest City in the World poll asks readers to submit reviews of each city with a focus on the overall warm fuzzies generated by their experience. “Everything from location (no one likes an airport city) and political perception (everyone watches the news) to size and basic language barriers can make a destination unattractive to tourists and be a factor in their evaluation of a place’s ‘friendliness’," according to CN. Sydney's been praised for its people skills, regardless of what you might see on George Street any day of the week. "Such friendly people," enthused one voting reader. "So much so that after we met an Australian woman on our flight there, she offered to pick us up at our hotel and spent a whole day showing us her favourite parts of the city." Sydney earned snaps for the Bridgeclimb, the Cruise Like a Local Sydney Harbour boat tour, and Bonza Bike Tours got a big ol' high five as "a great way to see some of the lesser-known sights." Overall, readers found simply "nothing to not like" in Sydney, although importantly, all mentioned experiences are tourist-focused. Last year's friendliest winners were tied: Melbourne and Auckland. Sydney came in at number five; tied with Dublin, who just narrowly missed out on the top spot this year. Of course, Sydney was supremely modest about it. Ha! IN YOUR FACE @dubcitycouncil!! We're the friendliest city in the world! http://t.co/T1WgOPUVu7 via @CNTraveler pic.twitter.com/9rIafVZ59o — City of Sydney (@cityofsydney) August 18, 2015 Australia and New Zealand have done pretty nicely on worldwide city rankings of late — the Great Barrier Reef nabbed #2 on Lonely Planet's Ultimate Travelist and Melbourne ranked #1 Most Liveable City on the Economist Intelligence Unit's (EIU) liveability survey. So Sydney's apparently the friendliest, Melbourne's the most liveable, what do you reckon? CONDE NAST'S 2015 FRIENDLIEST CITIES IN THE WORLD: 10. Reykjavik, Iceland 9. Auckland, New Zealand 8. Budapest, Hungary 7. Kyoto, Japan 6. Edinburgh, Scotland 5. Bruges, Belgium 4. Kraków, Poland 3. Queenstown, New Zealand 2. Dublin, Ireland 1. Sydney, Australia But what of the jerks? The Unfriendliest Cities in the World side of things is a little hairier, with no Australian or New Zealand cities making the cut for another year. Up high. Cannes was dissed for being expensive and "bloated simply by the prestige of its famed film festival," while Jakarta was called "dirty and congested," despite gaining praise for its food.” Moscow got a bad wrap for "dour, unfriendly people" and "deplorable traffic", while Nairobi was flagged as "dangerous and volatile". But Caracas, Venezuela took out the top unfriendly spot as a place of "rampant crime, a scarcity of basic necessities, and a poor quality of life." CONDE NAST'S 2015 UNFRIENDLIEST CITIES IN THE WORLD: 10. Cannes, France 9. Jakarta, Indonesia 8. Moscow, Russia 7. Cairo, Egypt 6. New Delhi, India 5. Nairobi, Kenya 4. Guatemala City, Guatemala 3. Guangzhou, China 2. Casablanca, Morocco 1. Caracas, Venezuela Via Condé Nast Traveler. Image: Watsons Bay Boutique Hotel.
He knows if you've been bad or good, so be good for goodness sake. Christmas horror movies aren't a widespread genre, with holidaying folks ditching titles like 2010's Rare Exports (in which a homicidal Santa Claus was unearthed in an archaeological dig) and 1974's Black Christmas (college dorm slasher, set at Christmas) and preferring to pick up Home Alone for the hundredth time or anything starring Tim Allen. But this year, Christmas movies take a turn for the hilariously terrifying. Krampus is your unlikely new Christmas nightmare, directed by Michael Dougherty (who gained a cult following for his 2007 holiday horror film Trick 'r Treat). Set for release December 3, the film stars Adam Scott, Toni Collette and David Koechner as your regular family holed up, snowed in and arguing over shitty turkey at Christmas time. But when they lose their Christmas spirit, a scary-as-shit Christmas spirit, Krampus, decides to pay the family a visit — the ancient hoofed, horned antithesis to jolly ol' Saint Nick. Go on, give it a watch. You'd better watch out, you'd better not cry.
Žalec, Slovenia just jumped right to the top of the list of our must-visit holiday destinations. Located roughly an hour outside of the capital of Ljubljana, the small town of just under 5000 people is known for its natural wonders including an underground waterfall, and historical sites such as an ancient Roman necropolis. And yet we kind of suspect these attractions will be somewhat overshadowed by the local government's latest plans to bring tourists to the area: Europe's first ever public beer fountain. The €340,000 fountain, which currently has no set completion date, will reportedly spout a variety of Slovenian beers. For six euros, visitors will be able to try three 300mL samples, served in a commemorative mug. The project was apparently inspired by a drinkable mineral water fountain in the nearby town of Rogaska Slatina (whose own local government members must be kicking themselves for not having thought of this clear improvement first). The fountain did face some opposition from people who thought that taxpayer money could be put to better use. Thankfully, common sense prevailed, and a motion to cancel the project was defeated in a two-to-one vote last week. Democracy wins again! Via Fox News. Image: Dollar Photo Club.
Time is running out for those of you us who are yet to organise a present for Father's Day. Yes, you could go with socks, but that's kind of a cliché, and frankly he might be getting sick of all those Bunning's Warehouse gift cards. Instead, why not treat your Dad to the kind of classy gift he deserves, in the form of a limited edition ice cream cigar from the team at Gelato Messina. Let's see your stingy siblings do better than that. Available from Monday at select Messina locations, the Juan Hernandez Big Smoke package is named after Messina's head chefs Nelson Hernandez and Juan Camelo. Each box contains four hand rolled ice cream cigars in two extravagant flavours. The Sugar Daddy is full of salted caramel and orange gelato plus whisky cream and maple syrup honeycomb, while Fidel's Fatty consists of chocolate gelato, rum anglaise and coconut biscuit. The 'smokes' are wrapped in chocolate paper, and should make for a truly spectacular Father's Day gift – assuming you can resist devouring them yourself. Of course, you can always tell your Dad the box was only meant to contain three cigars. Not that we'd ever suggest anything so sneaky. Messina has only produced a limited number of these sweetened stogies, and as with everything they make you can expect them to sell out fast – especially if people order multiples which, full disclosure, we might be planning on doing ourselves. Each box of four costs $39 and is available from Messina's Darlinghurst, Miranda, Parramatta and Rosebery stores in Sydney, as well as Fitzroy in Melbourne and Coolangatta in Queensland. You can reserve yours online starting Monday, to ensure that you don't miss out.
The Fat Duck may have migrated back to the UK, but Heston Blumenthal isn't finished with us by a long shot. The celebrity chef and collector of Michelin stars revealed in July that the old Fat Duck site at Melbourne's Crown Casino would be reinvented as Dinner, an offshoot of his London restaurant of the same name. The venue is set to open on October 20, but don't bother marking your calendar just yet. Within hours of priority booking opening on Thursday, the first few weeks of service had already been locked up. According to Good Food, the priority booking option is currently only available to people who unsuccessfully attempted to secure a table at Fat Duck last year. That's about 75,000 potential diners, so don't be surprised if the rest of us are waiting for a table for quite some time. Dinner is yet to confirm when bookings will be open to the general public, although Good Food believes it will be around September 17. Like its English counterpart, the menu at Dinner in Melbourne is supposedly inspired by "the fanciful dramatic dishes of the Royal courts of King Henry VII," offering modern interpretations of historical British cuisine. Dishes may include powdered duck breast with smoked confit fennel, spiced blood pudding and umbles; Earl Grey Tea cured salmon with lemon salad, gentleman’s relish, wood sorrel and smoked roe; as well as Heston's notorious 'meat fruit,' comprised of chicken liver parfait within a mandarin jelly skin. Dinner by Heston Blumenthal opens on October 20 at Crown Melbourne, 8 Whiteman Street, Southbank. Open for lunch Friday and Saturday, and dinner daily. For updated booking information, keep an eye on www.dinnerbyheston.com.au. Via Good Food.
If you're the sort of person who already has a hard time heaving yourself out of bed each morning, best look away now. The aesthetically gifted comfort connoisseurs at luxury lifestyle and homewares label In Bed have today opened the doors to their first bricks-and-mortar store. And, yep, it's the embodiment of those dreamy photos you've swooned over on the brand's online store and journal. The 80-square-metre Paddington flagship store has been imagined with the help of interiors experts We Are Triibe, using natural timbers and warm tones to create a home-like space that's stylish, comfy and downright aspirational. A mix of custom furniture and designs from Made by Morgan and Hay help bring the Sydney-based label's curation to life, including a specially commissioned camphor laurel dining table from Exit Eighty Six, which you'll probably want to take home along with the rest of your haul. In Bed's full range of kitchen, bath, bedding and home textiles products will be on show here, alongside a selection of pieces from brands like Wingnut & Co, Tara Burke, Henry Wilson and Walk in the Park. Keep your eyes peeled for a range of exclusive products and in-store events in the future, too. "We wanted to create a unique retail experience that brings the ideas and personality behind In Bed to life," explained the label's founder and director Pip Vassett. "We're excited to really connect with our customers in person". In Bed's flagship store is now open at 72B Oxford Street, Paddington. For more info, visit inbedstore.com.
Holy. Crap. We thought it was a big ol' publicity farce. No way, man. There ain't no Lexus hoverboard, that's just delicious social media bait for the Young People. But nay, Marty McFly's futuristic skateboard is an actual, physical thing, really made by Lexus and frothed over worldwide. A concept made famous by Robert Zemeckis’s 1989 Back to the Future II, the 'Slide' hoverboard has been realised by the Lexus team. Lexus first put out teasers for the hoverboard back on June 23, making everyone angry they’d even get our hopes up like that. But today, August 5, they've released their model 'publicly' — although you can only skate at their custom-built skate park in Barcelona. Yep, there's the switch. This isn't the first time hoverboards have been bandied about in reality. The Hendo Hoverboard's Kickstarter campaign promised to send out $10,000 hoverboards this spring. How did Lexus make it work? According to CNET, lots and lots of magnets. Well, it’s a little more complicated than that, involving supercooled superconductors, but essentially, magnets. Lexus have built this anti-gravity device into a deck (this was the tricky part, finding a way to cheaply make such a seriously epic device teeny), so you can skim across water without breaking a sweat. So yeah, you can't buy one yet. And when you finally can, you'll only be able to skate at Lexus's custom-built Barcelona skate park. But we're hopeful. Watch pro skateboarder Ross McGouran spin some McFly moves on the Lexus hoverboard here, with all the sexy, sexy liquid nitrogen you could ask for. Via CNET and Quartz.
If you equate summertime with browsing, eating and drinking, then prepare to make the Old Museum your Friday evening hangout. From November 13 to January 22, heading over to Bowen Hills is a must if you're keen on checking out their brand new Summer Night Markets. In what might prove the city outskirts' answer to Hamilton's Eat Street, at least while the weather is at its warmest, a host of food trucks and stalls will descend upon the Old Museum's heritage gardens. Whether locally-grown produce, craft beer, Queensland wine, or just general artisan and maker goodies are on your shopping list, you'll find them here. The first list of stallholders certainly ensures the question you should be asking yourself isn't "why should I go?" but "how can I miss it?" Bella BBQ, Brat Haus, Divine Doughnuts, Koma Sliders, Fire N Dough and more will be taking care of the food, Stone & Wood and Ravenscroft wines will be stocking the bar, and Backwoods Original, Antler and Moss, Lola Body and Gypsy Designs are among those offering up purchasable trinkets. Plus, the Summer Night Markets aren't just about strolling and spending, with the event boasting wandering street performers as well as a stage dedicated to live music. On November 13, the entertainment lineup even includes a screening of The Rocky Horror Picture Show for the extra cost of $18. Given how popular it is likely to be, we suggest rushing there faster than you can say "Dammit, Janet". Head along to the Summer Night Markets at the Old Museum every Friday night — excluding Christmas day and New Year's Day — from November 13 to January 22. For more information, visit their website and Facebook page.
Australia has been responsible for many important inventions. The black box flight recorder. The ultrasound machine. Even the electric drill. Yet one Aussie contraption towers above the rest. We’re talking, of course, about the goon bag. A simple silver sack in a durable cardboard exoskeleton, for decades this unsung alcohol container been a symbol of our fair country’s greatest attributes: innovation, inclusiveness and fiscal responsibility, as well as our overwhelming desire to get pissed as quickly as humanly possible. In celebration of this national icon, The Lord Gladstone Hotel in Chippendale, Sydney is hosting its very own goon bag festival. Boxfest: A Festival of the Goon Bag kicks off at 2pm on Sunday, July 5, and will feature top vintages from such box wine all-stars as Yalumba, Stanley and Berri Estates. There will also be food available throughout the day, including a killer selection of cheese and cabanossi plates. Classic. This being a classy affair, you’ll obviously want to pair your food and drink appropriately. For brie we recommend a nice chardonnay, while sauvignon blanc goes best with a gruyere. And of course we don't have to tell you that, to guarantee that traditional heady sensation, the goon should be consumed straight from the bag. Music will be handled by Money for Nothing DJs, who’ll make sure that you’ve got something fun to stumble around the dance floor to as the afternoon wears on. And before you assume that this whole event is just one big excuse to get sloshed, we should point out that money raised from tasting tokens throughout the day will be donated to charity. So basically the more goon you inhale, the better you are as a person. If that’s not a philosophy to live your life by, then we don’t know what is. Boxfest: A Festival of the Goon Bag kicks off at 2pm on Sunday, July 5 at the Lord Gladstone Hotel, 115 Regent Street, Chippendale. Via The Brag. Image: 8 Tracks.
Scientifically, the only way to watch the entire Academy Awards sober and survive is if you actually win one on the night. For everyone else, there's booze. Presenting our best shot at a Best Original Screenplay: Concrete Playground's 2016 Oscar Drinking Game. Remember to always drink responsibly and don't forget to thank your fellow nominees. One Sip Jack Nicholson wears sunglasses. Harrison Ford wears an earring. Diane Keaton wears gloves. Jennifer Lawrence does something adorably "real". Three drinks if she trips and falls. Leo’s date is his mother. Host Chris Rock makes three or more jokes about the Oscars’ diversity problem. A non-human presents an award. Three drinks if it’s Chewbacca, C-3PO, R2-D2 or BB-8. Winner thanks God or Jesus. Winner pays tribute to their "extraordinary" fellow nominees. Winner is played off by the orchestra. Winner describes their film as "important". Winner describes their film’s director as "a genius" and/or "visionary". Kate Winslet talks on the red carpet about how happy she is for her "best friend" Leo. Two Sips Chris Rock dresses up as the other black storm-trooper. Sylvester Stallone wins for Best Supporting Actor in Creed and delivers his speech using only the ‘A’ and ‘O’ vowels. Chris Rock asks if Meryl Streep wouldn’t mind giving Kanye a few of her Oscars to melt down and pay off some of his debt. Winner describes their film’s director as "a high-functioning sociopath". Travolta jokes that Scientology documentary Going Clear was "the best comedy of the year". Tom Cruise and Will Smith laugh heartily. Paul Haggis does not. Ryan Reynolds arrives dressed as Deadpool, just so no one forgets he’s finally had a hit. Oscar Isaac and Domhnall Gleeson perform a scene from Ex Machina dressed as Poe Dameron and General Hux. You’ve actually heard of one of the nominees for Documentary Short Subject or Foreign Language Film. Three Sips Bryan Cranston wins Best Actor for Trumbo. Pulls face mask off to reveal he’s actually Dalton Trumbo. Chris Rock explains how he thought The Big Short was just a Tom Cruise biopic. Joaquin Phoenix comes dressed as a 19th century blacksmith. Winner thanks Allah or Mohammed. Jennifer Jason Leigh begins her acceptance speech with "REMEMBER ME!?" and then cackles maniacally until she’s forcibly removed from the stage. Kate Winslet’s accent changes markedly throughout her acceptance speech in a nod to her performance in Steve Jobs. Having scored acclaim for his last two roles as a cosmologist with a motor neurone disease and a transgender artist, Eddie Redmayne asks if anyone wants to cast him as an electrician or a plumber. Ridley Scott and/or Harrison Ford offers a plausible reason for making a sequel to Bladerunner that doesn’t include the words "pay cheque". You’ve actually seen one of the nominees for Documentary Short Subject or Foreign Language Film. Finish Your Drink DiCaprio declines to accept his award. God appears and says he can only claim credit for the Best Sound Editing winner. The performance of 'Earned It' from Fifty Shades of Grey features five minutes of graphic S&M on stage. Winner for Spotlight thanks the Catholic Church "for making all of this possible". Peter Jackson announces plans to turn his valet parking receipt into an epic nine hour trilogy. Chris Rock doesn’t mention the Oscars’ diversity problem but performs a song and dance number in white face.
It's been 14 years since Derek Zoolander turned left and saved the Malaysian prime minister. But the ridiculously good looking male model made his comeback on Tuesday at Paris Fashion Week, taking a powerful stroll down the catwalk at the end of the Valentino AW15 show —thus dramatically announcing the long-awaited Zoolander sequel for February 2016. Bringin' that Blue Steel to the Fashion Week stage, Ben Stiller reconnected with his old pal Owen Wilson to send Zoolander and still-hot-right-now Hansel down the catwalk to the Human League's 'Don't You Want Me'. Hansel even dropped his cape. Hansel. So hot right now. Hansel. DOES THIS VALENTINO FINALE MEAN ZOOLANDER 2 IS COMING!?!?!?!?!?!? A video posted by Man Repeller (@manrepeller) on Mar 10, 2015 at 7:05am PDT But why male models? Paramount Pictures confirmed the publicity stunt on Twitter, announcing the release date for Zoolander 2 as February 12, 2016 — that goes for Australia too. Time to throw back an Orange Mocha Frappucino and enjoy this little blast from the past in the meantime. Via TIME.
Forget about the mouldy old sandwich you’ve got sitting in the communal office fridge. Today only, ride sharing service Uber and food charity OzHarvest have teamed up with some of the best chefs and restaurants in the country, and will be delivering gourmet lunches right to your office door. Starting at noon today, hungry Uber users in the Sydney, Melbourne, Brisbane, Perth, Adelaide and Gold Coast CBDs will be able to log into the app and request a lunch box. The meal will cost you just $12, and will be delivered to you by an Uber driver. Better yet, your money will go straight to OzHarvest in order to help them feed impoverished Australians. Uber has already donated $10,000, which will be used to fund 20,000 meals. So what does your money get you? Sydneysiders will chow down on a corned beef burger from Neil Perry’s Burger Project, while Brisbanites can enjoy a Reuben Sandwich from Matt Moran’s ARIA, and Melburnians get stuck in to a George Calombaris mix plate that includes mini spanakopita from Hellenic Republic, flat bread from Gazi, grain salad with chicken from Mastic and petit fours from The Press Club. Neil Perry pops up again in Perth with a Reuben from his Rockpool Bar & Grill, whereas Adelaide gets a Jock Zonfrillo vegetarian option of fire pit pumpkin with goats curd, spiced macadamias and crispy salt bush. Last but not least, diners on the Gold Coast can choose between slow-braised beef brisket with pearl barley and garden salsa, or roast butternut squash, capsicum, zucchini, pearl barley & sun dried tomato pesto — both courtesy of Dennis Duncanson’s Paradox Coffee Roasters. You’ll have to get in quick though. There are just 200 meals available in Sydney, Melbourne and Brisbane, and even less in Perth, Adelaide and on the Gold Coast. The promotion runs until 2pm, but odds are they’ll sell out long before. To order your lunch, log into your Uber app starting from 12pm today and put in a request. For more info, go here. If you’d like to donate directly to OzHarvest, visit www.ozharvest.org. Image: George Calombaris' Grain Salad.
Aussies are usually hard-pressed persuading overseas visitors to sample anything more than a smidgen of our beloved Vegemite. But that's far from the case with Heston Blumenthal and Dinner by Heston group executive chef Ashley Palmer-Watts, two Brits who are so taken by the iconic yeasty spread that they've made it the star of their latest ambitious dessert, a dinky di-ce cream which will launch this Australia Day. Dinner by Heston's 15-month-old Melbourne outpost has seen the chef duo spending significant time on Australian soil and, with both fascinated by the cult product, a Vegemite dessert was always on the cards. "I had never really eaten Vegemite until I came to Australia," explains Palmer-Watts. "Heston was intrigued by the flavour immediately and pretty insistent for some time that we explore a dessert dish based on the spread." Blumenthal and Palmer-Watts have been in development mode these past six months, exploring the spread's unique (and polarising) flavours and translating them into a sweet concoction that's both worthy of the Dinner by Heston menu and respectful of Vegemite's long heritage. And it seems they've hit the nail on the head, the dessert already passing muster with the brand's Category Manager, Tania Trapla. "To have their innovative take on our famous Australian spread was truly remarkable," she says. "They've managed to take Vegemite to another dimension." While the dessert's being dubbed 'Vegemite Ice Cream', it's not exactly what it sounds like, instead featuring a riot of textures and tastes — teaming sourdough crumble base, verjuice curd, and barley chocolate ganache, with the ice cream element perched right in the middle. There'll even be a drizzle of decadent caramel sauce, poured from a Vegemite jar at the table. Now that's 'Modern Australian' cuisine. The dish will be unveiled as part of Palmer-Watts' special Australia Day lunch on January 26, alongside a raft of other innovative, Australian-inspired bites and cocktails. Read our review of Dinner by Heston.
Eight venues, eight stages, 40 bands, zero cost to get in. That's the maths behind the Mountain Goat Valley Crawl, which has been gracing Fortitude Valley's finest hangouts since 2016. Since that first-ever festival, the event has also celebrated another equation: brews aplenty plus an ace live soundtrack and free entry equals a mighty fine way to spend a day bar-hopping in Brisbane. For its 2024 edition, the sprawling music and beer festival has another packed day of tunes and drinks in store on Saturday, February 10, when attendees can jump between eight Valley spots to see a huge heap of bands. Think of it as good night out with the multi-venue itinerary already taken care of for you. Also pivotal: the fact that walking in eight doors won't cost you a cent, meaning that you'll only need your wallet for brews. This is the type of fest where the experience is as important as the lineup. That doesn't mean that the Mountain Goat Valley Crawl skimps on its roster of talent, though. 2024's just-announced bill is headlined by These New South Whales, Mia Wray and Peach Fur, with Asha Jefferies, Chutney, Flamingo Blonde, Friends of Friends and Jet City Sports Club also set to take to the stage. Joining them: Oscar the Wild, Platonic Sex, RAAVE TAPES, Sesame Girl, Tentendo and more. This time, the simultaneous sonic fun takes place at Black Bear Lodge, The Brightside, The Brightside — Outdoors, Greaser, Stranded, The Zoo, Suzie Wongs Good Time Bar and Valley Loft. As always, the agenda includes running between each to sip frosty beverages and catch crackin' sets, with the entertainment once again sponsored by a brewery. The whole shindig kicks off at 5pm, so the only thing left for you to do is clear your calendar for an ace evening of tunes, brews and hopping around the Valley. Mountain Goat Valley Crawl 2024 Lineup: Acts: These New South Whales Mia Wray Peach Fur Asha Jefferies Chutney Flamingo Blonde Friends of Friends Jet City Sports Club Oscar the Wild Platonic Sex RAAVE TAPES Sesame Girl Tentendo (DJ set) 01 Thurman Bean Magazine Blue Diner Coldwave Dancingwater Eleea FELONY. Fenrir Gemini Talk Ghost Mutt King Ivy Lottie McLeod Mt Nadir Naaki Soul Neish SAIK Salarymen SAMMM. Seeing Violet Selve Socket SPACE&AGES Sunder The Silver Spurs The Sweaty Bettys Tomorrow's Forecast Yawdoesitall Venues: Black Bear Lodge The Brightside The Brightside — Outdoors Greaser Stranded The Zoo Suzie Wongs Good Time Bar Valley Loft
When is a trip to the barber more than just a trip to the barber? When you can watch television and play a game of pool while you wait. Or you can simply sit around on the couch and chat, if that's what you'd prefer. Brisbane's latest hairdresser isn't just somewhere to get your haircut — it's a full blown hangout spot too. Meet The Gentlemen's Club Barber Shop, a place you'll want to visit for more than getting your locks chopped. Those after a trim will find a line of comfy barber chairs just waiting for patrons to settle into. Guys keen for a close shave can brave the straight razor — and in the future, other services such as massages will also be made available. And ladies, don't be put off by the name; it might look and sound like a male-centric establishment, but women are more than welcome. In short, the new addition to the Fortitude Valley stretch of Ann Street combines an old school experience with modern creature comforts. Although to be fair, it's not the first in a fresh wave of cutting (geddit?) establishments. Earlier in 2015, ladies-only outfit Barber Girl began offering a relaxed and affordable alternative to the usual salons. Point is, when it comes to taking care of your tresses in Brisbane, one thing is for certain: if you're finding your visits to the hairdressers a little on the unexciting side, you're going to the wrong place. Find The Gentlemen's Club Barber Shop at 11/915 Ann St, Fortitude Valley, or visit their website or Facebook page for more information. Image via Dollar Photo Club.
Here at Concrete Playground, we travel a lot. And because we travel a lot, we have a lot of handy little tips that can take going on an aeroplane from a chore to a delightful, exciting experience that you go through before heading off on the holiday of a lifetime. After extensive research, we're proud to say that none of these travel hacks are as simple or obvious as roll your clothes in your suitcase. In partnership with Expedia, here are ten tips to make your travel process easier this summer. We're going on holiday. 1. PICK AN AIRLINE AND STICK WITH IT If you finally find an airline that has comfortable seats, suitable prices and good service — stick with it. Most airlines have their own frequent flyer program, which despite any preconceptions you might have, are actually really easy to join and get rewards from. Flying with the same airline every time makes your flight choice easier, and even when you're booking through online travel agents you can still enter your frequent flyer number. It might cost you a little more to fly Qantas, but the extra money you fork out will end up in your pocket (in the form of business class flights, members only prices and free upgrades). Virgin Australia use Velocity, and Qantas have their own Frequent Flyer program. 2. CLEAR YOUR BROWSER COOKIE HISTORY IF YOU'VE BEEN FLIGHT HUNTING The incognito window is your best friend. Often if you're returning to a website every day to check the price of the same flight, the company knows and can potentially adjust prices accordingly so you hit that 'buy now' button. Maybe you procrastinate on booking and the next day go back to your flight and find it has gone through a significant price rise. At that point you're likely to book before it gets any more expensive. Nice one, corporations. Combat this by opening an incognito window and hiding your cookies. Sometimes cookies can work in your favour (by saving your shopping cart, sending through deals to flights you've searched for), but they can potentially be used for evil too. Best be safe and clear your browser history. 3. FOR THE LOVE OF GOD, THINK AHEAD AND AVOID BAGGAGE FEES For reasons unknown to us and the rest of world, most Australian airlines now have a measly 7kg cabin baggage allowance. That's barely enough for a laptop, phone, charger(s), bottle of water and change of clothes. It's true that airlines don't always weigh your carry on before you get on the plane, but they MIGHT. Which means you could be charged $60 for packing that extra pair of shoes you didn't really need. Be smart and pack light. If you know you have more than 7kg, check in a bag. On most airlines it costs about $20, and it will save you the stress of pleading with airline attendants and crying at the terminal. Virgin and Qantas included checked bags in the ticket price, which in peak times is often worth the extra money. Travel with a duffle bag rather than a suitcase — heavy roller bags will do you no favours. 4. SEAT CHOICE TACTICS When choosing your seat on the plane, don't choose the empty row. Instead, choose the row that has one other person in it, because the next person that comes along won't want to squeeze between the two of you, will they? Another tactic is to wait with your seat selection until the very last minute (before check-in closes), then you'll easily be able to see what's been taken and what's still available. For shorter flights, sitting at the front of the plane means you'll likely get off the plane 10-15 minutes earlier. [caption id="attachment_580107" align="alignnone" width="1280"] Levi Morsy.[/caption] 5. BOOK AT THE RIGHT TIME The best time to book an international flight is four to six months before you fly — that's when the airlines have a better idea of how quickly, or slowly, a flight will start to sell out. For domestic tickets, book between one to two months. Travel on off days and seasons, typically Tuesday, Wednesday and Saturday. Red eyes, the New Year period and flights that leave just after work are a no-go. Keep an eye out for sales — the best ones happen around Boxing Day, January and the mid-year period. 6. AND IN THE RIGHT PLACE Everyone hates booking fees. This unexpected surprise is particularly bad when booking direct through airlines — there's often a booking fee of up to $14.95 just for using your credit card. Avoid this by simply using a debit card instead, or booking through an online travel agent (like Expedia) that doesn't charge booking fees. If you're organised enough, book your flights and accommodation at the same time and you'll often get special deals so you can save yourself a bunch of money. 7. ALL THE REWARDS PROGRAMS It seems like every airline and website is trying to make you sign up to their own loyalty program. As annoying as email spam can be, if you're a frequent traveler (or daydreamer) these programs are often worth it. You'll often get members only flights, VIP hotel bookings, double frequent flyer points and the ability to pay with your rewards points. That means potentially free flights and accommodation, and access to the best deals as soon as they become available. The more you use the same website, the more rewards you'll accumulate. So just like we mentioned above about airlines — stick to the same website. 8. THINK BEFORE YOU BOOK Nothing is more disheartening to a holiday than being slammed by unnecessary airline fees. Changing the time, or name on your ticket can attract a fee up $175 per ticket in Australia. Put more thought into that ticket you're about to buy — are you sure this is exactly when you want to fly? If you're unsure about dates but need to book, look into travel insurance. It's the only thing that will save you in this situation. Put a few dollars aside for a good policy that covers you for change fees and you'll be sort of sorted. 9. DO YOUR RESEARCH AND PRICE MATCH Most airlines, booking websites and online travel agents have some form of price matching function which can often be of great benefit to you and your wallet. Do some hunting around for flights, accomodation and packages on different websites, and then do some hunting around for price match policies. Jetstar use Price Beat Guarantee — they'll beat the price of any flight on the same day within the same time frame by ten per cent. Expedia will price match hotels and packages (flights and hotels booked together), and you'll get a $50 voucher for the trouble. 10. CREDIT CARDS CAN ENABLE YOUR TRAVEL HABITS If you've been brave enough to get yourself a credit card, you may as well get one that really helps you out and saves you some money when it comes time to travel. Most credit cards come with benefits, but some come with travel specific benefits — like travel insurance and special deals that practically pay for the annual fee attached to it. The American Express Explorer card partners with Qantas. It's a little pricier ($395 annual fee), but you get $400 travel credit to spend on the American Express travel website, travel insurance and smart phone screen repair insurance included. Virgin Australia have their own credit card and you get a $129 voucher every year, and the 28 Degrees credit card is particularly good for international travel (no fees on overseas purchases). If you're a regular traveller, the annual fee on a travel credit card pays for itself. Become an Expedia+ member and book your summer holiday in the January sale — you'll have access to prices that others don't see.
Not sure if you're aware of this, but we're actually in the middle of the Olympic Games. True story. Rio 2016 has been stirring affair so far, full of incredible wins, heartbreaking losses and one incredibly well-lubricated Tongan. https://twitter.com/Deadspin/status/761740659577544704 But in addition to the incredible sporting prowess on display, we're also seen the competitors rocking a whole bunch of wearable tech — on the field, during training and while hanging out around the Olympic village. Below, we've put together a list of our five favourite innovations, to help us all get in shape ahead of Tokyo 2020. SOLOS SMART EYEWEAR Google Glass may have proved a bit of a bust, but the US national cycling team made us of similar technology in the lead-up to this year's games. This lightweight pair of sunnies features a tiny display screen that allows cyclists to keep track of their speed, heart rate and the distance left in the race. They're not actually permitted in races as of yet, but the good news is that the public can preorder a pair of their own. Who knows, this could actually be the things that finally motivates you to leave the car in the garage and try cycling to work instead. INFRARED LIGHT THERAPY Utilised by U.S. athletes to help treat joint and muscle concerns, the LumiWave Infrared Light Therapy Device flat out sounds like something out of science fiction. Made up of eight small pods, each of which contains 200 infrared LEDs, the device can be placed or strapped on a part of the body in order to provide short-term pain relief. Insanity. The device has already been approved by the U.S. Food and Drug Administration, and can be preordered online this very second. HALO SPORTS HEADPHONES Listening to music while working out is pretty common, but in future you might want to swap your iPhone buds for a pair of these. Created by Halo Neuroscience, these headphones send pulses of energy into the wearer's brain in order to stimulate motor neurons. The benefit? According to the designers, accelerated strength and increased skill acquisition. Yes, these headphones actually (supposedly) make you stronger, and Olympians from the US to Sierra Leone have been giving them a go. The headphones are already commercially available, although according to the Halo website they're currently out of stock. Netherlands beach volleyball women playing in full skins-type suits.Way more sun safe&comfy too I'd think. #Rio2016 pic.twitter.com/Nj3M7pYDYa — Bri (@briiilliant) August 10, 2016 UNDER ARMOUR SPACE AGE UNIFORMS Dudebros on the internet chucked a big old tizzy during the women's beach volleyball after the Dutch pair team walked out not in bikinis but in neck-to-ankle bodysuits. Turns out there was a very good reason behind this decision – aside from not wanting to be objectified by random dickheads, of course. The Dutch pair were two of more than 200 athletes at the games this year – in sports from rugby to gymnastics – to be outfitted by Under Armour, in uniforms that use NASA spacesuit technology that help keep body temperature in check. VISA PAYMENT RING While not everyone gets to go home with a medal, at least 300 athletes were sporting sweet new rings. As part of their continued push into wearable payment technology, VISA designed prototype payment rings, which could be used to make purchases on any NFC-enabled payment terminal with the flick of the wrist (or fist bump). VISA also produced payment wristbands and watches, but only the rings let you run around like you're a member of the Planeteers, which is obviously half the fun.
You might've missed out on a Splendour in the Grass ticket in yesterday's ticketing tornado, but that doesn't mean the show's over. This morning, ten Splendour artists announced sideshows in cities around Australia. For a start, Sigur Ros will be touring the Australian debut of their show, An Evening with Sigur Ros. There's no support act, which means you're in for two sets, covering material old and new. Catch the Icelandic trio at Sydney's Hordern Pavilion on Tuesday, July 25 and Melbourne's Margaret Court Arena on Thursday, July 27. Meanwhile, Two Door Cinema Club will be hitting Australian capitals with their third studio album, Gameshow, recorded in Kopanga Canyon, California with producer Jacknife Lee. Get a dose of their electro-indie-pop at Metro City, Perth, on Wednesday, July 19; Hordern Pavilion, Sydney, on Friday, July 21; and Festival Hall, Melbourne, on Tuesday, July 25. Supporting them will be triple j favourites Last Dinosaurs and The Creases. To catch HAIM outside of Splendour, you'll have to get yourself to Sydney's Enmore Theatre on Thursday, July 20 — it's the only show they're doing. Sisters Este, Danielle and Alana scored a Grammy nomination for Best New Artist for their 2013 release, Days Are Gone, and have been working on their hotly anticipated follow-up. 23-year-old English singer-songwriter George Ezra is returning to Australia after selling out his 2015 tour here. His debut album, Wanted on Voyage, sold three million copies and, yes, you can expect to hear hits 'Budapest' and 'Blame It On Me'. Ezra will be at Sydney's Enmore Theatre on Tuesday, July 18 and Melbourne's Forum Theatre on Wednesday, July 19. Another songwriter to catch is Sweden's Tove Lo. She's been writing hits — for both herself and others — for more than ten years and inspired one million album sales in the process. Her latest album Lady Wood is best known for single 'Cool Girl'. She's also lent her pen and ear to a bunch of chart toppers, including Flume's 'Say It', Coldplay's 'Fun' and Broods' 'Freak of Nature'. See Tove Lo in Sydney at the Metro Theatre on Wednesday, July 26 and in Melbourne at the Prince Bandroom on Friday, July 28. English blues man Rag 'n' Bone (Rory Graham), who mixes the blues tradition with hip hop and beats, will be making his Aussie debut at Splendour, before setting off for Sydney's Metro Theatre on Friday, July 21 and Melbourne's 170 Russell on Monday, July 24. Meanwhile, Maggie Rogers, discovered by Pharrell Williams at an NYU masterclass last year, will be playing her headline shows at the Corner Hotel, Melbourne, on Sunday, July 23 and the Factory Theatre, Sydney on Tuesday, July 25. Her debut EP, Light is Fading, is out now and its single 'Alaska' has racked up 31 million views on YouTube. LA-based songwriter Bishop Briggs, known for her gritty vocals and unique songwriting, will be at Sydney's Oxford Art Factory on Thursday, July 20 and Melbourne's Howler on Friday, July 21, while rock 'n' roll duo The Lemon Twigs will be landing in Australia after appearances at Coachella and Glastonbury, to play the Oxford Art Factory, Sydney, on Saturday, July 22 and The Curtin, Melbourne, on Tuesday, July 21. Finally, catch LANY from LA, whose track 'ILYSB' won hearts and minds online, at Max Watts, Melbourne on Friday, July 21 and Metro Theatre, Sydney, on Saturday, July 22.
Two of life’s greatest pleasures are joining forces, thanks to the ever-publicity stunt savvy crew at Ben & Jerry’s. Not content with their dominion over the world of iced confectionery, the company have just announced a partnership with New Belgium Brewing Company to develop an ice cream flavoured beer. Continuing the company’s long tradition of absurdly decadent flavours, the name of the brew has been announced as Salted Caramel Brownie Brown Ale. Details are still relatively scarce (and we're still unsure whether this taste sensation will taste of dreams or outright devilry), although we do know that the drink will contain 6.3 percent alcohol and is set to be released in the United States in the latter half of the year. No word yet on whether it’ll make the journey to Australia, although we’re definitely keeping our fingers crossed in weird, weird curiosity. While it may be a while until we get ice cream flavoured beer, take some comfort in the fact that beer flavoured ice cream is already totally a thing. Molecular ice creamery Nitrogenie released a Pale Ale Caramel flavour in time for last year’s Oktoberfest Brisbane, while Gelato Messina previously produced a VB sorbet for Australia Day. And now Young Henrys are making ANZAC biscuit flavoured beer, we can't really complain. According to The Huffington Post, the partnership between Ben & Jerry’s and New Belgium will benefit Protect Our Winters, an environmental organisation committed to combating climate change. A spokesperson for New Belgium said that the collaboration will “raise awareness around issues we are passionate about, and that the results will be delicious.” This isn’t the first time that Ben & Jerry’s have toyed with mind-altering substances, with the company previously floating the idea of a marijuana-infused ice cream flavour in territories where recreational cannabis use is legal. Via The Huffington Post.
We're only just now wrapping things up for this summer, but already the NGV has us anticipating the next one, today lifting the covers off plans for its most ambitious exhibition yet. Descending on the gallery this December, and then every three years after that, the NGV Triennial series will present a smorgasbord of art and design, plucked from all corners of the globe and representing established artists, emerging talent, and plenty else in between. Each blockbuster lineup will highlight the ever-blurring lines between art, fashion, architecture, design, and performance. Kicking off with a bang, plans for this year's inaugural event are nothing short of grand, with the NGV announcing the free exhibition will take over all four levels of the gallery and host exciting works by over 60 artists and designers. But where it's really upping the ante is in the audience experience, with visitors invited to present their own ideas through cross-platform content, and the exhibition's participatory works designed to engage like never before. Legendary Japanese artist Yayoi Kusama, best known for her obsessive patterning and vibrant representations of the infinite, will invite glimpses into the artist's mind with a work titled Flower obsession. Created especially for the NGV Triennial, the interactive exhibition will have visitors unleashing some creativity of their own, as they help plaster a furnished space with an array of colourful flower stickers and three-dimensional blooms. Kusuma joins other international names like Germany's Timo Nasseri and Canada's Sascha Braunig, alongside an Aussie billing that includes the likes of Ben Quilty, Louisa Bufardeci, and Tom Crago. There'll be an installation from Chinese haute couture fashion guru Guo Pei, designer of Rihanna's canary-yellow Met Ball gown, and an epic display of 100 oversized human skulls created by Australian artist Ron Mueck. Chemist and odour theorist Sissel Tolaas will create the 'scent of Melbourne' exclusively for the Triennial. And Alexandra Kehayoglou will be creating one of her monumentally-sized, lushly illustrated carpets, spanning over eight-metres-long. The NGV Triennial lands at the NGV Melbourne in December 2017. Image: Yayoi Kusama.
Our modern obsession with packing into cities means that increasingly massive skyscrapers are inevitable. After all, if we don’t head upwards, well, there’s only so much land. One of the problems with skyscrapers, though, is that their behemoth shadows seriously shorten the day of their surroundings. Even a spacious, sunny city like Sydney can feel cold and dark when you’re wedged between towers (just look at the long shadow Barangaroo's casino is expected to cast). Now imagine how gloomy things can get in densely populated metropolises like London and New York — if you've visited, you'll know how gloomy things can get in the financial districts. But a London-based architecture company by the name of NBBJ has come up with a solution: the 'No Shadow Tower'. The concept involves two twisting skyscrapers, to be built side-by-side, which redirect sunlight to the area around their base — right where dreary shadows are usually found lurking. The idea was developed with London’s North Greenwich in mind, at the request of New London Architecture, and was first published in New London Quarterly. "The algorithm design for the tower is based on the law of reflection," the design team told Dezeen. "Our facade has varying angles of panels that distribute light over a certain area at multiple times during the day." The algorithm works by recording the sunlight's angle every single day for an entire year. With this information, the team can predict how light will play on the building at various points during the day, and then construct the skyscraper’s facade to reflect it accordingly. The use of individual panels allows reflection on a pane-by-pane basis; creating circles of light, rather than a single, extremely hot area. NBBJ was motivated by its passion for the public and their environment-determined happiness. "One of [our] principle concerns is public space and the ways the public use and interact with these spaces," the designers explained. "The No Shadow Tower places public space at the heart of the project, along with human interaction and the impact of skyscrapers at street level... The research that we have undertaken could be applied in many locations in the world, each time creating a different form that would relate to its specific context and solar conditions." Where do we sign up? Via Dezeen. Images: NBBJ.
Looking for a little bit of renovation inspiration? In that case, you've come to the right place. Bestowed this week by a jury of respected Australian architects and designers, the House Awards celebrate the latest innovations in contemporary architecture. Reckon if we all pooled our money we could buy one of these? The top prize, Australian House of the Year, went to a wood-paneled apartment in Darling Point, Sydney – the very same apartment that took home the Premier Award for Australian Interior Design at the Australian Interior Design Awards just last month. It also won the House Awards' gong for Best Apartment or Unit, with the jury commending the "refined and surprising design" that contrasted "floating American oak and painted white steel joinery." The awards for Best New House Over and Under 200m² went to houses in NSW and Queensland, respectively, while a property on the banks of Melbourne's Yarra won prizes for Sustainability and Best Outdoor Design. Check out the full list of House Award winners, below. AUSTRALIAN HOUSE OF THE YEAR – Darling Point Apartment by Chenchow Little NEW HOUSE UNDER 200m² – Naranga Avenue House by James Russel Architect NEW HOUSE OVER 200m² – Deepwater by Tobias Partners HOUSE ALTERATION AND ADDITION UNDER 200m² – Baffle House by Claire Cousins Architects HOUSE ALTERATION AND ADDITION OVER 200m² – Project Zero by BVN APARTMENT OR UNIT – Darling Point Apartment by Chenchow Little OUTDOOR – Fairfield House by Kennedy Nolan HOUSE IN A HERITAGE CONTEXT – Bayside Fire Station by Owen Architecture SUSTAINABILITY – Fairfield House by Kennedy Nolan EMERGING ARCHITECTURE PRACTICE – Rob Kennon Architects
Nearly 400 films reached cinemas in this part of the world in 2017. That's not going to change in 2018. Whether you're the kind of cinephile that heads to the movies several times a week or you'd rather save your big-screen viewing for the flicks you're most excited for, the result is the same: you're spoiled for choice. Indeed, whether you've worked through all of last year's great movies or you're still playing catch-up on some you might've missed, a new annual calendar means a whole new batch of must-sees. In the twelve months ahead, that includes the usual onslaught of sequels, remakes and ongoing sagas, plus plenty of movies that have been winning awards — including recent Golden Globes recipients The Shape of Water and Lady Bird. And then there's these, our ten picks for 2018. https://www.youtube.com/watch?v=89OP78l9oF0 ANNIHILATION No longer one of the sci-fi big-screen highlights of 2018, the second film from Ex Machina writer/director Alex Garland is heading straight to Netflix in this neck of the woods. And while it's incredibly disappointing that audiences won't get to see this journey through an environmental disaster zone in a cinema as it was meant to be seen, it still looks like it'll be a thrilling, unnerving, immersive treat no matter how you watch it. Based on the novel of the same name, the movie follows a biologist, Lena (Natalie Portman), who goes searching for answers when her soldier husband (Oscar Isaac) returns injured from his own jaunt. Jennifer Jason Leigh, Gina Rodriguez and Thor: Ragnarok scene-stealer Tessa Thompson also feature, and we're guessing Isaac probably won't tear up the dance floor in this. On Netflix in early March. https://www.youtube.com/watch?v=UhZ56rcWwRQ A WRINKLE IN TIME After giving quite the inspirational Golden Globes speech, everyone's talking about Oprah. Expect it to continue come March. She mightn't take acting roles all that frequently, but playing a celestial being in the long-awaited adaptation of 1962 science fantasy novel A Wrinkle in Time seems the perfect part. As directed by Selma's Ava DuVernay, and also featuring Reese Witherspoon, Mindy Kaling, Andre Holland, Zach Galifianakis and Aussie Levi Miller, the film focuses on Meg Murry (Storm Reid), who has to save her astrophysicist father (Chris Pine) from a distant galaxy. Sure, there's another Star Wars movie out this year — but notch this one up as a different type of space story. In cinemas March 22. https://www.youtube.com/watch?v=dt__kig8PVU ISLE OF DOGS Wes Anderson making a stop-motion animated movie about a dystopian future where dogs have been quarantined on their own Japanese island? Shut up and take everyone's money. Four years after The Grand Budapest Hotel, the American filmmaker is back with what might be his cutest flick yet — and given how gorgeous his general aesthetic is, including his previous animated effort Fantastic Mr. Fox, that's saying something. A high-profile roster of Anderson regulars and other famous names voice canines and humans alike, such as Greta Gerwig, Scarlett Johansson, Bill Murray, Jeff Goldblum, Tilda Swinton, Bryan Cranston, Edward Norton and Frances McDormand. And as for Isle of Dogs' story, it centres on a boy who makes his way to the island in search of his beloved pet pooch. We can already hear you saying awwwwwwwwwwwww. In cinemas April 19. https://www.youtube.com/watch?v=JLjLbl4G1wA OCEAN'S 8 Most franchises, as the chapters roll on, aim for bigger and better. Don't mistake Ocean's 8 smaller number for doing the opposite. This all-female heist flick doesn't need 11, 12 or 13 folks to pull off the ultimate job: at the Met Gala. Leading the formidable gang of law-breaking ladies is Sandra Bullock as Debbie Ocean, while Cate Blanchett, Anne Hathaway, Sarah Paulson, Mindy Kaling, Helena Bonham Carter and none other than Rihanna are also among the cast. And, given the setting, expect more than a few high-profile cameos. Given the gender-swapped premise, expect an entertaining new instalment in the series as well, as directed by The Hunger Games' Gary Ross. In cinemas June 28. [caption id="attachment_653695" align="aligncenter" width="1920"] Juno Temple in Vinyl[/caption] UNSANE Steven Soderberg mightn't be sitting in the director's chair for the latest Ocean's effort, but the ever-prolific filmmaker has something else up his sleeves. For part of last year, it was his iPhone — which the Logan Lucky and The Knick director used to shoot his latest flick, a mind-bending psychological horror flick. Called Unsane, it's unsurprisingly set in a mental institution, though that's probably the last part of the movie that'll play to your expectations. As for everything else, it was filmed in secret so much is clouded in mystery, although The Crown's Claire Foy and Vinyl's Juno Temple star, and the narrative revolves around a patient forced to face her greatest fear. Release date TBC. [caption id="attachment_529773" align="aligncenter" width="1280"] Rachel Weisz in Yorgos Lanthimos' The Lobster[/caption] THE FAVOURITE If Yorgos Lanthimos knows just how to press your buttons — and if The Lobster and The Killing of a Sacred Deer managed to do exactly that — then pencil his 2018 release into your diary. With The Favourite, the acclaimed Greek filmmaker appears to be in new territory, though you can bet his biographical drama about Anne, Queen of Britain won't be the usual monarchy-focused effort. Joining him in this exploration of the 17th- and 18th-century sovereign are The Lobster's Rachel Weisz and Olivia Colman, plus Emma Stone and Nicholas Hoult. With Lanthimos proving a director that's continually fascinated with the transactional nature of our society, setting his sights on royalty seems an absolutely natural fit. Release date TBC. [caption id="attachment_629012" align="aligncenter" width="1920"] Robert Pattinson in Good Time[/caption] HIGH LIFE 2018 is shaping up to be a great year for sci-fi fans. Case in point: High Life. It's not what you'd expect from almost everyone involved — other than Robert Pattinson, who has well and truly been filling his post-Twilight resume with interesting and downright excellent choices. He's among a group of criminals sent towards a black hole, all as part of a quest to find an alternative energy source. And, he's starring alongside French great Juliette Binoche, A Cure for Wellness' Mia Goth and Outkast's Andre Benjamin, under the direction of iconic filmmaker Claire Denis (35 Shots of Rum, Bastards, Let the Sunshine In), who is making her first English-language feature. Release date TBC. [caption id="attachment_653679" align="aligncenter" width="1920"] Suspiria (1977)[/caption] SUSPIRIA Horror remakes aren't always met with excitement, particularly when a classic of the genre gets the second go-around. Suspiria, however, shouldn't earn your caution — thanks to Call Me By Your Name's Luca Guadagnino sitting at the helm. The original is the darkest dance-related movie you're likely to see, as well as a wonder of Italian giallo cinema, delving into the sinister secrets behind a prestigious dance academy. Living up to it is quite the task, but the I Am Love and A Bigger Splash director has been on a very impressive streak of late. On-screen, Dakota Johnson, Chloë Grace Moretz and Tilda Swinton are among the stars sashaying (and screaming) their way through the end result. Release date TBC. PSYCHOKINESIS There's no shortage of superhero films due on our screens this year, including Black Panther, Venom, Aquaman, a couple of X-Men-related efforts, Daredevil 2 and more. Yes, the list goes on. And yet, a Korean black comedy about a man who discovers he has superpowers might be the one to beat. Seeing something other than the fiftieth instalment in a cinematic universe is always welcome, and director Yeon Sang-ho already turned his take on one busy genre — zombies — into an engaging thrill ride courtesy of Train to Busan. Fingers crossed Psychokinesis make the big screen on our shores, but if not, look for it to stream on Netflix. Release date TBC. [caption id="attachment_653694" align="aligncenter" width="1920"] The Happytime Murders concept art[/caption] THE HAPPYTIME MURDERS There aren't enough movies about puppet private detectives. Really, there isn't. This adult-centric film comes with quite the pedigree, however, with Bill Henson — son of The Muppets puppeteer Jim Henson — in the director's chair. A comedy and a thriller all in one, it's set in a world where people and puppets live (and kill) side-by-side. Only one can hunt down a serial murderer targeting the cast of a famous '80s TV show, and that'd be ex-cop Phil Phillips (Bill Barretta). Amongst the mountains of felt, Melissa McCarthy stars as his ex-partner, Maya Rudolph as his secretary, Elizabeth Banks as a former flame and Joel McHale as an FBI agent. Release date TBC.
The future of museums is a bit William Gibson. As in, "the future is already here. It’s just not evenly distributed yet." One place with a pretty uneven head start — bringing the future to now — is the Cooper Hewitt Museum in New York City. A branch of the Smithsonian settled in a former mansion of the late magnate and philanthropist Andrew Carnegie. Its head start comes from being closed for renovations for three years. This gave it the chance to completely reinvent a lot of the things it did from scratch. Not least that whole internet, digital thing. For its Sydney-raised director of digital and emerging media, Seb Chan, that was the appeal. Chan had been in a similar role at the Powerhouse Museum (now the Museum of Applied Arts and Sciences) and was very much attracted to "a chance to reboot" a whole museum and think "what could this be?" JUST A PEN The Cooper Hewitt answers this question mostly with some pens. Visitors get handed a special black, rubber pen. Its smartphone-friendly tip lets you draw on interactive tables. The button on the other end lets it save the stuff you like. That's about it. "There's no screen. There's nothing to learn," Chan says. You can click the eraser end against little information cards and use the pen to bring up more info on the tables. When you leave, you look up a web address on your ticket and all the things you looked at are collected for you. 8KB FUN Seb hands me one he has with him. It feels good. "The pen itself is a capacitive stylus, with an NFC antenna and some memory. A small amount of memory: 8KB of memory. It doesn't have to be a lot." It is nicely weighted and well built. "It's a bookmark" he continues, "you're bookmarking the museum. That's all it is." That's not what you notice when you hold it. You want to point with it and you want to click. It feels built to just the right size. The idea is to make the physical and the digital sides to the museum mix effortlessly. "We're at a moment where, just like the internet in your pocket, digital is not something special." The museum is following suit, trying to "embed digital within the fabric of the museum visit [in a way] that normalises it. That naturalises it. And makes it feel like it should be there." By the time people reach the second floor, they've stopped being amazed by the pens, by the interactive tables. They just use them: "That's success." YOUR PUNY SCREENS The pen gets all the attention at the Cooper Hewitt, but its not the only direction that museums are heading in. The smartphone is one of the fundamental shifts museums are just beginning to get their heads around. Why wouldn't people just look things up on their phone at home instead of coming in to see your stuff? Like a cinema's giant screen to your puny big screen, museums are moving on to experiences that you can't get at home. Some of that is tech. Chan tells me about an exhibition he took his daughter to at New York's Museum of the Moving Image, Sensory Stories. The exhibition showcased 12 immersive, 3D documentaries using a virtual reality headset, the Oculus Rift. And then there's room-sized, "remote sensing" setups. These spaces let you explore sites not safe to visit in person. I suggest to Chan that Palmyra might be that sort of site. "Or a world heritage site that's too fragile to visit. Or maybe the international space station. Or maybe the surface of Mars," he says. Some of these not-at-home experiences are social. "That's one of the big shifts, I guess, in museums, is that they're now social venues." Most of these fixes are low-tech, like fixing the quality of coffee in the cafe. And the tech follows along. While the new Cooper Hewitt's interactive tables are 84", 4K high-definition screens, it's also important that they're big: "You can have as many as 12 people gathered around them. And when there are 12 people gathered around, you can bet they're talking." CHEAP JEANS AND CENTRIFUGES Where does this take us over the next ten years? Chan seems excited about the future of virtual reality, but sanguine. "VR is always an interesting piece with museums. And every ten years, there seems to be a new peak around this, and then it drops off again, and comes back again." Then there's the issue of what to collect. Chan wonders. "What should we be collecting from now that's gonna be as important as, you know, the cuneiform tablets?" He's interested in software and code. Maybe financial code, "collecting the algorithms — the quants used — that triggered crashes [from high frequency trading]" or even Stuxnet. How to do Stuxnet: The source code? A copy of the virus? "Ideally, what you would want to collect is one of the Iranian centrifuges that was knocked out by it." He points to Britain's Victoria & Albert Museum, whose experiments in "rapid response collecting" have seen it display a smashed Guardian laptop to talk about Edward Snowden or Primark cargo pants as a response to the Rana Plaza collapse in Bangladesh. YOUR DATA IS HERE, NOW There's also a long game here. Museums have new tools in the shape of analysing visitor movements from new tech like Cooper Hewitt's pens or even just free museum Wi-Fi. How does ten years of that add up? "Ten years of understanding it." Though Chan adds, "The challenge with analytics is that you're often collecting the wrong information. What I would hope is that it's ten years of people realising that we need to be thinking about how people behave and coming up with ways of understanding it." Seb Chan is in Sydney to talk at REMIX Summit, where he'll be giving Wednesday's keynote 'No Boundaries - The Museum of the Future.' Concrete Playground is a partner of REMIX Sydney.
Leaving the house is no longer a necessity with things like booze delivery, so why couldn't we have art delivered to our door? The long, weary process of touring museums found itself virtually mobile with Google's Art Project. The interiors of cultural organisations have been getting the street view treatment over the last few years, all it took was a guy with a backpack filled with cameras walking around every nook and cranny of various museums, galleries and libraries to ensure that you can do the same without ever actually stepping foot there. And now, our very own Queensland Museum is one of the places available to tour online, as part of the Google Cultural Institute. Not only can you take a closer look at everything you’d see if you were there in person, but you can also catch a glimpse of collections that aren’t usually open to the public. A host of other Australian institutions have also opened their doors to virtual mapping, including the National Museum of Australia in Canberra, the Australian Museum Biennale of Sydney, the Australian Centre for the Moving Image in Melbourne, and the Queensland Performing Arts Centre. So what are you waiting for? You can jump online and take a simulated stroll around many an art-filled corridor whenever you want. That's right, the future is now. To tour the Queensland Museum online, visit the Google Cultural Institute. To go there in person, head to the corner of Grey and Melbourne Streets, South Brisbane. Via Brisbane Times.
This mind-blowing photograph of an erupting volcano hit by a lightning bolt has just won Mexico's Sergio Tapiro Velasco the distinguished title of 2017 National Geographic Travel Photographer of the Year. Take a moment to just absorb how inconceivable that shot is. His prize-winning photo, titled The power of nature, was taken outside Colima, Mexico. Velasco has been studying and photographing the Volcán de Colima for over a decade, and for good reason — known as the 'Volcano of Fire', it is one of the most active volcanos in Latin America. As the award recipient, Velasco received a envy-inducing ten-day trip for two to the Galápagos Archipelago with National Geographic Expeditions, along with a cool $2500 USD prize. Selected from over 15,000 entries from participants in more than 30 countries, this year's contest recognised photos in three categories — 'Nature', 'People' and 'Cities'. Velasco's photograph was so impressive that it didn't only win the grand prize, but was also awarded top prize in the 'Nature' category. In order to capture the photo, Velasco closely tracked the increase in activity around the volcano for nearly a month. On the night this photograph was shot, Velasco was stationed only 12 kilometres away from the crater. "When I looked on the camera display, all I could do was stare," says Velasco. "What I was watching was impossible to conceive, the image showed those amazing forces of nature interacting on a volcano, while the lightning brightened the whole scene. It's an impossible photograph and my once in a lifetime shot that shows the power of nature." Apart from the grand-prize winner, other top photos were selected in each of the three categories, with first, second and third place winners also awarded sizeable sums of $2500, $750 and $500 USD, respectively. The entries must have been taken in the past two years to be considered. In the 'Cities' category, Hungarian Norbert Fritz was awarded the top prize for his photo titled Levels of reading, and Turkey's F. Dilek Uyar took home the top prize in the 'People' category with his photograph, Worship. Judges for this year's competition included Nat Geo's senior photography editor Molly Roberts, award-winning underwater photographer Benjamin Lowy and award-winning adventure sport and documentary photographer Jody MacDonald, The rest of the winning and honourable mention photographs are included in our photo gallery above, or can viewed on the Nat Geo website. There's some real good'uns in there.
Billionaire entrepreneur and possible mad scientist Elon Musk is one step closer to making his Futurama-style transportation system a reality. After first proposing the high-speed, compressed air-powered Hyperloop back in 2012, the Tesla, PayPal and Zip2 cofounder has just put down a lease on a warehouse in downtown Los Angeles, establishing the headquarters for Hyperloop Technologies Incorporated. Described by Musk as a "cross between a Concorde and a railgun and an air hockey table," the proposed Hyperloop system would consist of a long route of elevated vacuum-sealed steel tubes, through which pressurised capsules ride cushions of air at speeds of up to 1220km/h. Designed to transport both freight and brave human passengers, Musk’s first proposed route would run from LA to San Francisco, cutting the roughly six and a half-hour drive time to just 35 minutes. If you think that this idea sounds awesome, then you’re right — it's straight-up awesome. There are however still a few small details to work out. Despite Musk’s initial assertions that the project would cost a 'mere' US$6 billion to complete, several economists have put the price tag closer to ten times that, if not more. There’s also the possibility that people might be a little reluctant to seal themselves inside a windowless metal pod travelling at breakneck speeds through the desert — although if the proposed US$20 ticket price holds true, it may be a preferable alternative to flying. For those of you who geek out over science, Gizmag published a pretty comprehensive breakdown of Musk’s 2013 proposal over here. The next step in the system’s development will involve an 8km test track, with Musk identifying Texas as a possible location. Hyperloop Technologies CEO Dirk Ahlborn last year estimated that a commercially operable Hyperloop “can be built within the decade.” Via LA Times.
Those who were mad fans of Bill Cunningham, or watched and loved the 2010 documentary Bill Cunningham: New York (that Venn diagram is probably a single circle), would be unsurprised to hear that the legendary fashion photographer was still shooting less than a month before his death last Saturday. Cunningham's tenacity and single-minded focus, along with his modesty and warmth were just some of the things that made the street style photographer such a joy to watch. As a reporter and historian of fashion he displayed an extraordinary depth of understanding of his subject. It's a little dismaying therefore to discover that finding photos taken by Bill Cunningham is harder than you might expect. Trawl the usual channels (Google, Tumblr, Pinterest) and inevitably nearly every image will contain a telltale flash of blue — the French workman's jacket that Cunningham made his now-iconic uniform. Though I can't blame anyone for wanting to swoon over Cunningham himself, it seems fitting to honour the reluctant celebrity by turning our attention back to his work — if nothing else, there's no doubt that's what he would have preferred. [caption id="attachment_578295" align="alignnone" width="1280"] William J. Cunningham, Facades, Penguin Books, 1978.[/caption] NEW YORK IS ITS OWN STAGE Cunningham's muse, friend and co-star Editta Sherman poses in full Edwardian get-up in this shot from Cunningham's 1978 book Facades. Many of the photographs from the book depict authentic period costumes (which Cunningham himself had collected) placed against a backdrop of iconic New York architecture. The photos are contemplation on a city that, perhaps more than any other, has made progress and modernity into an aesthetic. Though Cunningham is better known for his (generally) unstaged street photography, this photo of the Lady Bracknell-esque Sherman includes elements of the photographer's sense of humour which are familiar. Note the advertisement hanging on the graffitied subway car above Sherman: "A woman of good taste". [caption id="attachment_578296" align="alignnone" width="1280"] Bill Cunningham, Vogue, (Conde Nast, March 1974).[/caption] AMERICAN FASHION "OOZES VITALITY" If you're interested in 20th century fashion history then don't walk, RUN to watch this 2014 interview in which Cunningham describes "the most exciting fashion show" of his life. Cunningham is momentarily reduced to tears as he recalls details of the 1973 'Battle of Versailles' fashion show, in which French and American designers were pitted against one another. The two nations' designers represented two different fashion ideologies, and Cunningham wasn't shy about naming his victor. In the Chicago Tribune, he wrote that the Yanks "devastated" their French counterparts, with their "uncluttered American taste oozing vitality". Halston was among the American contingent who showed at Versailles, and though this 1974 photograph by Cunningham displays the more overt, embellished glam of the coming decade, one can still recognise in the dress' cut the kind of simplicity of design that Cunningham was still championing 40 years later. [caption id="attachment_578297" align="alignnone" width="1280"] Bill Cunningham, 'Make Your Own Art: On the Street', New York Times (OCT. 31, 2014)[/caption] FASHION NEEDS EXPERIMENTATION TO AVOID SIMPLY BEING COMMERCE So here's a fun fact: Bill Cunningham literally invented the application of the word 'deconstructionism' to fashion (Bonnie English, Japanese Fashion Designers: The Work and Influence of Issey Miyake, Yohji Yamamoto and Rei Kawakubo, Berg, 15 Aug. 2013 , p.170). It is a rare thing indeed to encounter someone with so fierce, varied and long-lasting an appetite for fashion. In a 1989 video interview, Cunningham described how he first recognised parallels between the early 1980s designs of Rei Kawakubo, and the clothes worn by New York's homeless women. His tone is not uncritical as he makes this extraordinary observation, but you can also detect his exhilaration as he goes on to make a further link to the proportions of medieval European dress. More recently in his 'On The Street' video series for the New York Times, Cunningham showed his continued fascination with the avant-garde by comparing the red of mainstream fashion to Kawakubo's "blood and roses". He concluded: "Fashion as we know it today is absolutely commerce. Very little artistic expression. Lots of it is very beautiful and women look wonderful in it. There's nothing wrong with that! But you have to have this wild experimentation." [caption id="attachment_578300" align="alignnone" width="1280"] Bill Cunningham, 'Dashing', New York Times (February 24, 2012).[/caption] COLOUR IS POWERFUL AND DEMANDS YOUR RESPECT Many of Cunningham's most enticing collage spreads for the New York Times were based around a colour theme. Cunningham sensitivity to and appreciation of colour was something else. In 1965, the New York Times reported on a presentation given by Cunningham at Carnegie Recital Hall (the same building in which he lived and from which he was evicted in 2010). Cunningham spoke to an audience of fashion designers and students and described the colours he had seen at the recent Paris couture shows. To illustrate the colours he "sliced a pumpkin in half, peeled a banana and held up a raw beefsteak to illustrate the major colours…", documented by Bernadine Morris in her 'Two Views on Fashions: One Scholarly, One Pop' piece. Cunningham never lost his voracious appetite for fashion, and it's hard to imagine that we'll see his like again.
It’s lucky it’s almost always sunny in Brisbane — or always warm, at least. It’s the kind of place where you could splash around on a giant slip ‘n’ side in April, if that took your fancy. And that takes everyone’s fancy, admit it. Sydney and Melbourne have already had their super-sized, water-soaked moment, and now it's Brisbane’s turn. As part of the Monster Slide Australia Tour 2015 — yep, that's a thing — more wet plastic than you could possibly dream of is taking over Queensport Road at Murarrie for the Easter long weekend. Who needs chocolate when you can feast on all the slithering and skidding you can handle, day or night? You provide your own inflatable device to slide on, and they'll provide the metres upon metres of lathered up plastic for you to glide down. Passes are sold for two-hour blocks, but you might want to get in quick. The sooner you buy, the cheaper reliving your childhood would be — and plenty of the early bird tickets have already been scooped up. Before you go getting too excited, there’s a potential hitch that might ruin the foamy fun faster than a rock finding its way under the giant plastic sheet. Brisbane Times is reporting that the organisers are yet to get council approval. Here’s hoping that's just a bump in the watery road to slip 'n' slide bliss. The Monster Slide Australia Tour 2015 will stop by Queensport Road, Murarrie from April 3 – 5. For more information and to book tickets, visit their website. Images: Eljay Anderson. Via Brisbane Times.
Mona Foma, MONA's wild and weird summer music and arts festival, is back for 2018. And this time around, it's set to eclipse all previous incarnations, with the festival adding a program of Launceston events to its usual Hobart lineup. Further to the announcement of the MONA hotel and the move to Launceston back in July, this beefed-up presence also heralds the festival's biggest, most eclectic program to date, thanks largely to funding from the State Government. Unveiled today, the Mofo 2018 lineup is a cracker, delivering 11 days of thought-provoking art and music to Tasmania's two largest cities and celebrating creativity and personal expression in all forms. Running from January 12 to 14, the Launceston leg will see singer-songwriter Gotye join the Ondioline Orchestra to pay homage to renowned French electronic composer Jean-Jacques Perrey (January 12 and 13), as well as a dance performance by Canada's The Holy Body Tattoo, scored live by post-rockers Godspeed You! Black Emperor (also January 12 and 13). Mofo's northern run will culminate with a huge, free party on January 14. To follow, January 19 to 21 will mark Mofo's final MONA appearance for a while, so it's exiting with a bang. The museum's outdoor stage will feature performances from the likes of punk poet Moor Mother, all-female Argentinian act Fémina and a collaboration between Tassie bassist Nick Haywood and The Hobart Liberation Orchestra. Martin Blackwell will deliver a 24-hour continuous performance soundtracked by an array of global instruments, while the MONA tennis courts play host to a challenging fashion runway courtesy of SAAKA's Hunger for Gluttony. Elsewhere in Hobart, the Violent Femmes will perform with the Tasmanian Symphony Orchestra, a one-day mini-Mofo will pull together local acts like Comrad XERO, Crypt Vapor and Phillipa Stafford, and the festival's official after-party Faux Mo will take over a huge new waterfront space at MAC2. Mona Foma 2018 will take place at venues across Launceston from January 12–14, at MONA from January 19–21 and across Hobart from January 15–22. Tickets are available here from Monday, October 16.
