This March, the National Gallery of Victoria hosted a symposium to accompany the opening of its splendid 200 Years of Australian Fashion exhibition. Industry insiders, curators and commentators reflected on the question: 'What is Australian fashion?' — something we did too. It was a masterstroke on the part of symposium organisers to include the designers behind cult Melbourne label DI$COUNT, Cami James and Nadia Napreychikov. A more obvious choice would have been to invite the Australian scene's currently reigning faces — think Young Turks, Anna Plunkett and Luke Sales of Romance Was Born. Nevertheless, James and Napreychikov provided a level of insight about fashion that would come as no surprise to fans of their long running blog — but could have surprised a few industry figures. Why? Why has DI$COUNT been so popular with their fans, but has been left out of so many Australian fashion conversations? We took a stroll through 200 Years of Australian Fashion to find out where this bold, highly original label sits in the Aussie design landscape. THEY LEAPFROGGED FASHION WEEK AND MADE FRIENDS WITH THE INTERNET A stroll through the NGV's seriously delightful exhibition reveals just how varied Australian fashion, particularly in the late 20th century, has been. As a result, the NGV symposium panel members were hesitant to spout generalisations. For James and Napreychikov, the notion of defining DI$COUNT in terms of national boundaries would be especially wrongheaded. Even before the pair had finished their studies at RMIT, they were receiving and disseminating ideas about fashion in a global context (thanks to that wonderful beast, The Internet). This interweb-fluency can probably account for DI$COUNT's rapid international success, despite the label having leapfrogged certain channels traditionally traversed by up-and-coming Aussie designers, such as presenting at Australian Fashion Week and being picked up by one of the big two department stores. Indeed, given the nature of James and Napreychikov's designs, it's possible that avoiding the beaten path was a wise move. The spiciest part of the symposium came when the two designers noted (with appropriate disdain) that their wares have been featured in every international Vogue magazine — save the Australian edition. If only the symposium's audience (myself included) had had the cojones to question Vogue Australia's deputy editor, Sophie Tedmanson, who was a member of the next session's panel, about this curious oversight. Then again, the omission by Australian Vogue (which seems to be in competition with its US counterpart for the title of Most Soporific Vogue) is unsurprising. The heavily sequined, badass imagery with which DI$COUNT has made its name is a world away from Australian fashion's Serious Designers — think Dion Lee, Toni Matičevski and (since his Spring/Summer 2015/16 collection) Michael Lo Sordo. There's no doubt that the work of these designers is exquisite, intelligent, and entirely deserving of the local fashion media's attention. Still, one wonders why there isn't room for coverage of both the beautiful and the brash in our local mags. [caption id="attachment_566976" align="alignnone" width="1200"] YouTube.[/caption] AUSTRALIAN VOGUE HASN'T FEATURED THEM, BUT THE ART AND MUSIC WORLD HAS It's a relief that the Australian art world has picked up the local fashion establishment's slack.Within the NGV's exhibition itself, DI$COUNT is represented by a truly gorgeous trompe l'oeil beaded bodysuit, originally worn by Kimbra at the 2012 ARIAs. An adaptation of the piece was later created by James and Napreychikov for Katy Perry. The bodysuit is DI$COUNT at its exuberant, witty and glittering best. Perry's version (which the popstar wore on her Prismatic tour during renditions of 'Birthday') included sweet smiling balloons on her boobs, cake on the cooch and DI$COUNT's trademark (ahem, more on that later) eyes on the hips. The ready-to-wear DI$COUNT line includes pared down versions of such couture-level creations. The label's loyal following and impressive sales come despite the few concessions made in their designs to the traditional notions of wearability that RTW supposedly demands (see for example the currently-stocked high cut briefs entirely covered in hand-sewn sequins). Densely sequined garments constitute some of DI$COUNT's most recognisable designs. Of course, figural representation in beading isn't exactly new in western fashion history, and antecedents to DI$COUNT designs can be found in the work of Elsa Schiaparelli, Patrick Kelly, Geoffrey Beene, and Gianni Versace. Apart from their inherently satisfying tactile qualities, sequins bring to the table a lot of fashion baggage concerning conceptions of bad taste, camp and luxury. Crucially, these are ideas that James and Napreychikov have given plenty of thought to, and as designers they're really more Leigh Bowery than Bob Mackie. Incidentally, there was a moment during the symposium when James and Napreychikov mentioned that they will eventually move on from sequins. NO! [caption id="attachment_566979" align="alignnone" width="1280"] MTV.[/caption] THEY'VE BEEN ROYALLY RIPPED OFF The problem, of course, for designers who focus on surface decoration (including beading and print) is the ease with which your ideas can be ripped off. This happened to James and Napreychikov most famously when Miley Cyrus (who had previously been a conspicuous DI$COUNT fangirl) performed with dancers at the 2015 MTV awards wearing evil eye-emblazoned costumes that MTV itself initially attributed to the Australian label (spoiler: they weren't DI$COUNT). This wasn't the first time that James and Napreychikov had dealt with this kind of thing. In 2010, the label twitter-slammed celebrity jack of all trades, Ruby Rose, for designing a pair of studded denim shorts for her Milk & Honey Collection, which bore a remarkable resemblance to a DI$COUNT pair she herself had previously worn. A more cynical designer might have seen the Miley episode as an opportunity to gain valuable media coverage. Similarly, other labels might have judged it unwise to publicly accuse Ruby Rose of plagiarism, given her status as one of the few Australian celebrities who will even dip their toe in the pool of experimental fashion. Instead, James and Napreychikov's response to Cyrus' performance, via Instagram, included the lines, "The one thing you can't TAKE and get away with is someone's IDENTITY. We know it might be risky for us career-wise to comment on this, but if we didn't, it would mean that we stand for NOTHING." The highly manicured world of fashion seldom sees such raw emotions put on display for all to see. THEY KEEP ON KEEPIN' ON, RIGHT INTO RIHANNA'S WARDROBE Creative souls generally recover from such unfortunate incidents ("It is much more disheartening to have to steal than to be stolen from,"), and, indeed, James and Napreychikov continue to go from strength to strength. (Rihanna's wearing of their YOU DON'T OWN ME/ I WILL NEVER FEAR YOU dress, has to be one of the most moving pop culture/ fashion moment of recent times). That the NGV recognised DISCOUNT, firstly by including their work in the exhibition, but also, and perhaps more significantly, by including James and Napreychikov in the symposium, elevated the discourse of Australian fashion. Despite the fact that their designs don't adhere to mainstream notions of elegance and beauty, James and Napreychikov are both extraordinarily talented and earnest about the very idea of fashion as an intellectual pursuit. So put em on your cover, Vogue, yeah? Get a good dose of DI$COUNT in Kimbra's video for '90s Music'. Top image: Miley Cyrus for DI$COUNT UNIVERSE by Terry Richardson.
Australia's love affair with the meat pie has reached extravagantly unfathomable new heights, with today's unveiling of a pie worth a whopping $12,000. Billed as the world's most expensive pie, the gold-encrusted pastry is the result of a partnership between the Lord Dudley Hotel in Paddington and Groupon Australia; celebrating the sale of the website's two-millionth food and drink voucher. Baked by Lord Dudley's executive chef Paul Medcalf, the so-called posh pie is made with David Blackmore's Wagyu beef eye fillet, rock lobster from Western Australia, Italian porcini mushrooms, 500g of black truffles and a selection of organically-grown vegetables, as well as two bottles of Penfolds Grange Reserve. The top of the pie consists of puff pastry covered in shaved truffles and — wait for it — 23 carat gold leaf from Germany. Yes, it sounds delicious and opulent and outrageous. But $12,000? To put that price into perspective, this pie costs roughly the same amount as 2500 Four 'N' Twenty Pies from 7-Eleven, or fifty-two thousand frozen party pies from Coles. But their gravy ain't made of the Grange. Groupon have released a video of the baking process, complete with inspiring MasterChef-style music, viewable below. Drooling is permitted. https://www.youtube.com/watch?v=pnjpc_9auDA Anyone with a casual 12K lying around can make a purchase offer here. The rest of us plebs can also win a free taste, through a competition on the Groupon website.
If you're one to simultaneously munch a durrie and schnittie combo, we've got some bad news for you. Smoking in all outdoor dining areas in New South Wales is banned from today, thanks to the implementation of the Smoke-free Environment Act 2000. From July 6, 2015, all commercial outdoor dining areas in licensed venues (including clubs and hotels), restaurants and cafes must be smoke-free. Basically, if food is being served, there's no smoking. There's going to be some serious penalties (we're talking fines up to $5500) for venues who don't comply with the new smoking bans, enforced by NSW Health Authorised Inspectors — so you can rule out a cheeky smoke, even if you 'know the owner'. Plus, you could land yourself a $300 fine for gettin' y'puff on. It's not just courtyards and beer gardens that are about to clear the air; areas within four metres of a pedestrian entrance to or exit from a licensed venue, restaurant or cafe must be smoke-free (so on-street dining and footpath areas too). But venues are allowed to create designated smoking areas — so beer gardens are still allowed to section off glamorous shame corners or build blue-lit miscreant booths (lookin' at you Beach Road). From today, venues will have to put up 'no smoking' signs of approved size and staff will be trained to deal with the new laws. Let's be honest, this was always coming. The 2013 NSW Smoking and Health Survey showed 75 percent of surveyed folks approved banning smoking in all outdoor areas in hotels, restaurants and cafes. And really, trying to enjoy a burg with cigarette smoke in your face isn't the best. But we're pretty sure this one's going to stir up some furious pub debate. Via NSW Health.
While we suspect he'll always be remembered best as the world's most famous boy wizard, you certainly couldn't accuse Daniel Radcliffe of always playing in the same sandbox. Since wrapping up the Harry Potter series, the actor has played Alan Ginsberg in Kill Your Darlings, taken the stage in Martin McDonagh's The Cripple of Inishman, and most recently appeared as a flatulent corpse in the surprisingly heartwarming indie film Swiss Army Man. His latest project is an Off-Broadway play, one that is noteworthy not just for Radcliffe's part, but for its unusual policy when it comes to mobile phones. While whipping out your cell is generally considered sacrilege in the theatre, Privacy takes the opposite approach — actively encouraging audience members to take selfies during the show in order to explore questions of privacy and accountability in an increasingly connected world. As Radcliffe dives into the open world of social media, audience members are able to post their photos to the theatre website, at which point they're projected onto a giant screen behind the actors. Further chances for crowd participation come when a character types "is it wrong…" into Google, with viewers prompted to shout out possible autofill possibilities. Of course Privacy isn't the first time theatres have allowed or even encouraged the use of mobile phones. Theatres in Melbourne such as Malthouse and La Mama have experimented with special 'tweet seats' in the past, sparking furious debate as to whether the practice should be allowed. What's interesting in this case is how the play actually incorporates phone users into the performance. This could very well be the beginning of a brave new world. Via PSFK.
If you hadn't noticed, fermentation is a bit of a thing. One of the driving forces behind the movement is the fact that fermented food and drinks can help promote good bacteria in your gut. So it's not surprising that one of the more popular workshops at Cornersmith — who dish out hearty breakfasts and hold workshops in cheesemaking, pickling and fermenting among others — is the wild soda class, where you learn to make a fermented, fizzy fruit beverage that's both delicious and good for your digestion. That's the domain of Cornersmith's head fermenter Jaimee Edwards, a veteran in teaching lucky folks how to make wild soda, and then supervising as they make their own. For those who haven't attended one of her sessions — which have fittingly taken over nature-filled houses — go DIY and follow the instructions below. WHAT ACTUALLY IS WILD SODA? A wild soda is a fizzy fruit drink with a slightly sour, yeasty taste that's derived from the fermentation process involved in making it. The flavour is richer and more complex than any fizzy fruit drink you could pick up from a store because — like sour beer or wild fermentation wines — they're a product of nature. There are no artificial ingredients added. The fermentation process is unpredictable and gives each batch a unique flavour — even if you use the same ingredients and follow the same method each time. The process of making wild soda is similar to that of making wild fermentation wine. In winemaking, the yeast overpowers the lactic acid and turns the drink into alcohol, but in wild soda the lactic acid overpowers the yeast and creates carbonated water. Winemaking is best left to the professionals, but you can easily create wild soda on your own. Here's how. GET OUT THERE AND FORAGE To make wild soda, pick some of your favourite native plants, flowers and fruit. Edwards encourages you to get out there and forage. Supermarket fruit has likely gone through numerous cleaning processes, which means the natural microflora living on it (essential to the fermentation process) has likely been washed away. The more microflora, the easier the fermentation process — and the tastier the drink. "Foraging is pretty key," says Edwards. "That way you're not dealing with stuff that's gone through excessive washing." She recommends foraging for clean leaves and bark for bacteria, and wild flowers and fruit (strawberries, lemons and blueberries) for flavour. Once you've foraged, break up your flowers, leaves and bark, pulp your fruit and place it all into a plastic bottle. "Experiment with almost anything — that's part of the fun," says Edwards. "You're going to have some failures, and you're going to have successes. The ingredients you've added are obviously going to add a strong flavour, so you have to like them." GET THE FERMENTATION GOING When starting out, Edwards says it's a good idea to use plastic bottles. The natural carbonation that results from the fermentation process could cause glass jars to crack, and the last thing you want is a kitchen filled with half-finished strawberry and lemon verbena soda. Making a carbonated soda relies on the natural yeasts and bacteria that are available on the surface of plants. These microorganisms turn sugars into lactic acid and produce CO2 to make your soda bubbly. Because there is very little sugar in the foraged material in this recipe sugar is added. Mix all ingredients in a clean jar of filtered water and cover with a clean tea towel. Stir three times a day while the soda is fermenting. This will take between two and three days. Then strain the soda from the plants and bottle. Carbonation will occur as the CO2 builds up in the bottle over a few days. Refrigerate, and when it's nice and cold, take it out of the fridge and enjoy. HOW DOES ALL THIS RELATE TO WINE? Stoneleigh use a similar process of natural fermentation to make the wild fermentation wines in their Wild Valley range. Rather than adding a yeast known to produce a certain flavour, the yeasts and bacteria that naturally present on the grapes (aka microflora), are tasked with the fermentation. By letting nature do its thing (and because of the many different types of yeast getting involved), the wine ends up with a more complicated flavour profile. That means that just like wild soda, each vintage has its own unique flavour. Follow Jamiee Edwards' adventures at @fermentingprojects. Images: Steven Woodburn.
It was announced in May, that acclaimed New York artist Spencer Tunick would be returning to Australia this July to stage another famed mass nude photograph as part of Chapel Street Precinct's Provocaré Festival of the Arts. It has been 17 years since Melbourne's first taste of the polarising artist's work, when 4500 naked volunteers posed for a snap near Federation Square as part of the 2001 Fringe Festival. Tunick then photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras. Since then, he's photographed the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK. Now, the artist is returning to our shores, and his sights are set on Melbourne's Chapel Street. Tunick will assemble another contingent of naked (and pretty brave) folk between July 7–10, for a work titled Return of the Nude. The exact locations were, until recently, a secret, but this morning it was announced that the artist had intended to stage the hero shot on the Prahran Woolworth's rooftop carpark against a Melbourne skyline backdrop at 9am on Saturday, July 7. Plans have, however, come to a standstill as Woolworths has declined access to its rooftop carpark, quoting 'potential loss of trade' as its reasoning. A spokesperson for the supermarket giant told news.com.au, "we will always put the convenience of our local customers first" and "the request for the photo was for the weekend, which is the busiest time of the week for shopping in our stores". In response to Woolworth's decision, the Chapel Street Precinct Association (CSPA) — the festival's host organisation — has launched a petition in an attempt to put pressure on the supermarket chain and get it reversed. You can sign the petition here. John Lotton, CSPA's executive chairman, said in a press release: "[CSPA] undertook detailed reconnaissance before approaching Woolworths to ensure Spencer's installation would not cause a detrimental impact to trading in the store. We have photographic proof that only four cars used the carpark at this time on a Saturday." While the location of the hero shot is being debated, the rest of the shoot will still take place somewhere in the Chapel Street Precinct. And, if you'd like to participate — anyone over the age of 18 can git their kit off and get involved — there's still time to register. Participants each get a print of the photograph, and, we're sure, a big boost of body confidence. Provocaré will take place across the Chapel Street Precinct from July 5–15, with Return of the Nude being shot over two days between July 7 and 10.
Giving two cents to your younger, wide-eyed, keen-for-life-lessons self is a luxury only those with Time Turners or Deloreans can afford. So the next best thing is asking those (a little) older and (a lot) wiser for their mad tips on how to be a bonafide boss. From directing one of Australia's best festivals to producing next-level electronica, from shooting Arcade Fire to handpicking and delivering the best music in Australia and the world right to your eardrums, these five Aussie folks have already kicked major goals in their respective creative industries. So we tugged their ears, made 'em give up the goods and lay some sweet advice on us. Disclaimer: This editor knows these five humans and is lucky to, hence why they dished out such excellent advice. [caption id="attachment_564974" align="alignnone" width="1280"] Image: Tim Da Rin.[/caption] CLARE DOWNES, SECRET GARDEN FESTIVAL DIRECTOR Some people plod on through this little ol' life of ours settling for mundane thrills and spills. But folks like Clare Downes, festival director for NSW's Secret Garden Festival, are different. They've managed to find some unfathomable way to create a career out of unpretentious, unbridled, balls-to-the-wall fun. Founding Secret Garden and running it for eight glorious years on her family's property just outside Sydney, Clare's successfully created a made-by-mates-for-mates event that gets bigger — but not a skerrick less genuine — every year. Did you go to uni/TAFE? If you did, what did you study? I did. I went to uni and studied communications journalism. What's the most random job you've had? I helped organise an elephant polo tournament in Sri Lanka. What are your top three tunes for getting shit done? I can't listen to music when I really, really need to focus. I put on my noise cancelling headphones and don't come up for air for hours. If you weren't doing what you're doing now, what'd be your alter ego job? Unicorn wrangler counts. Ha. I would love to advise on sustainable tourism, particularly in Asia. I might still do that ya know? I have many more years of living to go I hope. What advice would you give your 21-year-old-self? You're here for a good time, not a long time. So don't let fear drive any decision. Grit and kindness goes a long way in the workforce. So don't worry so much if you're not the top of the class. Don't feel like you have to wear heels, just 'cause everyone else is. RICH LUCANO, PHONDUPE Bit of a night owl with a love for crisp, atmospheric, hip hop-infused, Nicholas Jaar-meets-TV on the Radio-like electronica? You're in good company with Rich Lucano. NYC and Sydney-based, Rich is one half of Phondupe with Nathan Chan. The pair produce pretty damn unpindownable beats — check out the duo's Greenhouse EP and The Ecstasy Of single series to know what we're talking about. What's the most random job you've had? One time... I was hired to dress up in a penguin costume and cruise around the city in a hummer with four fellow penguins, cranking hip hop and drawing attention by any means possible. What are your top three tunes for getting shit done? Right now... Al Dobson Jr — 'Malful (Nebetia)' Alex Seidel — 'Quinn' OKE — 'Sundews' But I'm a big believer in a good disco breakfast. If you weren't doing what you're doing now, what'd be your alter ego job? I'd be a pizza chef that yelled at anyone who asked for a chicken topping. What advice would you give your 21-year-old-self? - Quit your band and pick up a drum machine - Learn how to DJ asap. - If you have an empty wallet and a bunch of ticket stubs, you're doing the right thing. - Listen to as much international radio as you can. - This fluoro phase will be over soon, don't worry. - Please stop wearing Rabens. Your poor feet. - Get a photo of you shaking Kanye's hand. No one will ever believe that happened. - Buy some bitcoins. - Eat more pizza. - You don't know shit but everything's going to be great. [caption id="attachment_564976" align="alignnone" width="1280"] Image: FBi Radio.[/caption] STEPHEN GOODHEW, FBi RADIO MUSIC DIRECTOR Looking for new music? How about the best new tunes out there? How about the best new Australian music? Stephen Goodhew knows his shit, ask him for tips. Go on. FBi Radio's insanely knowledgable music director steers the beloved Sydney radio station and its listeners toward damn good tunes every day — 50 percent Australian music, half of that coming from Sydney. Epic job. You can listen to Stephen present 'The Playlist' every week. Did you go to uni/TAFE? If you did, what did you study? Yeah, I went to uni, but it was done pretty half-assed. I did a three year degree over six years, just doing one or two subjects a semester. The reason being was so that I could focus on extracurricular activities (i.e my band), which was great, but also meant that I came away feeling pretty 'meh' about the whole uni experience. I studied a Bachelor of Media at Macquarie University, but here's the thing; you don't actually need a degree to do a lot of jobs in media. Don't get me wrong, it certainly helps to have on your resume, but most people I know who land jobs do so based on their work experience. I would definitely recommend doing as many internships/volunteer positions as you can while you're studying, even if it means your degree takes a little longer. What are your top three tunes for getting shit done? Deafheaven — 'Dream House': Straight up, I challenge you to listen to this song and not feel compelled to run up a mountain or swim Bass Strait. If you're looking for something of a productivity sprint, this is the song. Steve Reich — 'Music for 18 Musicians': This is the track for the medium pace long-haul. It has this wonderful hypnotic quality about it that I find helps me focus, while it's constant momentum keeps me pushing forward. The fact that it's 61 minutes in length also helps set something of a time-goal as well. Todd Terje — 'Delorean Dynamite': Whenever this song plays all I can think is that I'm creating a real life '80s style montage of inspiration and by god I better not mess it up. Great motivator. A+. What's the most random job you've had? I've never done anything super random like helping rhinos breed for the sake of conservation, but I did used to work in a tea store for a number of years, which was a slightly weird segue into alternative radio, but there you go. If you weren't doing what you're doing now, what'd be your alter ego job? I'm fascinated by people and their motivations. Chances are if we've ever had a conversation that's lasted longer than five minutes, I've probably tried to work out your Myers-Briggs personality type. So with that in mind, I'd probably say, psychologist. I guess that's probably not quite as exciting as I'd like it to sound, but it sure beats a hard day in the field helping endangered herbivores procreate. What advice would you give your 21-year-old-self? People are generally more worried about what you think of them than the other way around. Act with a quiet confidence, don't be afraid to put yourself out there and you'll be amazed at the opportunities that come your way. BRIDIE CONNELLAN, UNIVERSAL MUSIC MARKETING DIRECTOR If you've listened to Kendrick Lamar, Dr Dre, The Weeknd, Lorde, Disclosure, Jarryd James or The Preatures, chances are Bridie's had a hand in your Spotify playlist. Universal Music's Marketing Director switched course from journalism and writing for Rolling Stone, kicking goals for Sydney's TITLE store as Creative Director before moving to Universal and invading Sydney with Disclosure face paste-ups citywide. Did you go to uni/TAFE? If you did, what did you study? The brain the brain the centre of the chain. I studied a Bachelor of Arts (Media & Communications) at the University Of Sydney — biggest bunch of badasses all trying to out-do each other on cultural capital and debating Bourdieu's relevance. Occasionally we learnt things about 'the media' but mostly we drank wine and stayed in the media lab until 4am wrestling with Final Cut Pro. But seriously it was the realest. Four huge years of digging into the theoretical side make everything I do now have so much more cultural relevance to me, and I made some of the best friends of my life there. Go study kids. What are your top three tunes for getting shit done? R.L. Grime — 'Scylla': 'Cause you feel heaps good saving the world. Kanye West — 'Black Skinhead': I keep it 300, like the Romans. Gang of Youth — 'Magnolia': Play it LOUD, and imagine your mates cheering you on. What's the most random job you've had? I was Khloe Kardashian's 'Talent Escort' for the MTV Music Awards. Yeah I'm not gonna explain that further. If you weren't doing what you're doing now, what'd be your alter ego job? I'm a sucker for existential theory and questioning the shit out of everything so I'd be a white-haired monochrome-wardrobed philosophy academic probably halfway through my next book on the flaws of Descartes which will probably remain unfinished. Because #being. What advice would you give your 21-year-old-self? Stop wearing that Franz Ferdinand t-shirt, they're not very good. [caption id="attachment_564979" align="alignnone" width="1280"] Image: Hazal Alkic.[/caption] YAYA STEMPLER, PHOTOGRAPHER AND FBi RADIO PRESENTER If you've seen an impossibly epic photograph of [insert musician here] and [insert Australian music event here], it's likely Yaya Stempler snapped it. The Israel-raised, Sydney-based photographer shoots some of Australia's best music photography — she's responsible for making the likes of Blur, Arcade Fire, D'Angelo, Tame Impala, Childish Gambino, deadmau5, Phoenix and more look damn good. Keen to chat about the tunes as well as shoot them, Yaya's also a presenter on Sydney's FBi Radio. Did you go to uni/TAFE? If you did, what did you study? I studied screen media and broadcasting at St Leonard's TAFE and a fine art degree majoring in photomedia at COFA. What are your top three tunes for getting shit done? David Bowie — 'Suffragette City' Santigold — 'L.E.S Artistes' Clams Casino — 'Treetop' What's the most random job you've had? I was a fire juggler once in Mexico. If you weren't doing what you're doing now, what'd be your alter ego job? Definitely an orangutan whisperer. What advice would you give your 21-year-old-self? Don't doubt your abilities, trust your instincts, think before you speak and drink lots of water. Top image: Tim Da Rin.
When the Queen's Wharf precinct opens in Brisbane's inner city, the Treasury will say farewell, with The Star Brisbane becoming the CBD's new casino. The change will also have an impact on the venue's restaurants and bars. Fat Noodle is moving as well, as is LiveWire, with the latter changing its focus to late-night entertainment and live music. The next place that's announced its new digs: Black Hide by Gambaro, which will become Black Hide Steak and Seafood. It was back in 2018 that Black Hide set up shop at the Treasury, expanding from Caxton Street in Petrie Terrace, where Gambaros has long been synonymous. The upmarket steak brand made the Queen Street side of the casino its home, serving up river views, a bar overlooking Reddacliff Place, and a six-room setup that makes the most of the heritage building's features — including a ten-person private dining space filled with timber, brass and marble. Black Hide Steak and Seafood is shifting by necessity, of course, but it's taking the opportunity to scale up. Cue bigger digs, with the venue able to seat 240 people as part of The Terrace at Queen's Wharf. And yes, there'll be river views — that part of the precinct will sit on the same level as the landing for the new Neville Bonner Bridge, and Black Hide will be its largest restaurant. Diners can look forward to the same team on staff, with new additions given that the eatery will be bigger. The restaurant is also expanding its trading hours and giving its lineup of dishes a tweak. Obviously, as the name makes plain, seafood will be another focus. "We have made significant enhancements to our menu with the addition of a variety of delicious seafood dishes, featuring fresh Queensland catches to perfectly complement our renowned steak offerings, as well introducing a stylish cocktail lounge bar, where guests can indulge in small plates from our menu while enjoying panoramic views of the river," said The Gambaro Group Director John Gambaro. "At the heart of our restaurant will be an open kitchen, inviting guests to witness firsthand the meticulous preparation and cooking of our dishes." "Our innovative cooking systems include wood-fired charcoal burners, which will infuse each dish with delightful flavour and our time-tested montague broiler, which we have been using at our other Black Hide venues for ten years." Exactly when Black Hide Steak and Seafood will open hasn't yet been revealed, but Queen's Wharf is slated to launch from August 2024. At the Treasury, Black Hide by Gambaro will keep trading until then. Across The Star Brisbane, the restaurant will also be joined by the debut Brisbane outpost for Japanese fine-diner Sokyo and Italian restaurant Cucina Regina — and upstairs at the Sky Deck, also Aloria, Cicada Blu and Babblers, all forming part of the new years-in-the-making precinct. Find Black Hide Steak and Seafood at The Star Brisbane, Queen's Wharf, Brisbane CBD sometime from August 2024 onwards. Head to the venue's website for more information in the interim.
The solar battery industry is still very much in its infancy, but already there's an Aussie upstart taking the challenge to a major brand. The Brisbane-based, Indigenous-owned AllGrid Energy is currently offering its ten kilowatt-hour home battery at a rate significantly cheaper than Tesla's much-touted Powerwall, which is due to enter the local market next year. Like the Powerwall, the AllGrid GridWatt system stores power collected by solar panels, and according to the company can reduce your reliance on the national power grid by up to 75 percent. The system costs $12,000, which they say comes in at about 30 per cent less than the Tesla option – although due to its reliance on old lead acid gel batteries, the system must be installed outside. AllGrid currently services Queensland and South Australia, and sees remote indigenous communities as a potential area for growth. "Obviously as an Indigenous company working with Indigenous communities, it’s a really big area of traction for us," AllGrid marketing manager Deborah Oberon told The Guardian. The company plans to train Indigenous electricians to help install the units, with the hope that they could be used to replace costly diesel generators. "Once Tesla's system is available in February, that will be the moment that the game really starts to change...with the coverage and publicity that a company like Tesla get, we’re really confident the market will heat up," said Oberon, further predicting that 2016 would be "the year that storage really starts to kick off in Australia." For more information about AllGrid, visit their website. Via The Guardian. Image via Dollar Photo Club.
Got some spare cash burning a hole in your bank account? Then you could own one of Brisbane's top spots. Ten years after it revamped an otherwise unloved patch of Fortitude Valley and started a trend, Limes Hotel is for sale. Over the past decade, most of Brisbane has made an excuse to drop by the boutique establishment, not that one was needed. Maybe you've had a drink at its rooftop bar. Perhaps you've plunged in the rooftop pool (one of our favourite outdoor swimming pools in Brisbane) while watching a movie under the stars. You might've even treated yourself to a night in one of its pretty rooms. Either way, change is a-coming to the pioneering place on Constance Street behind the train station, which previously hosted some of the worst real estate in Brisbane. Just what the future holds is yet to be determined; however logic dictates that whoever the new proprietor turns out to be ought to be thrilled with the booming business they're buying. Current owner, Damian Griffiths, has plenty of other things to keep him busy. Les Bubbles is due to open on September 10, a spate of kiosks are set to take over South Bank in October, and then there's the already operational Alfred & Constance, Doughnut Time and Kwan Bros, aka some of the city's most beloved hangouts and suppliers of tasty treats and Asian meals. Via The Courier-Mail.
When you're on holiday, we think it's a rule that you can't leave the city without exploring the local pub scene. But often, there are so many pub options that the whole choosing-where-to-go thing can be a little overwhelming. What you need is a go-to guide that saves you a lot of research and tells you exactly where to go depending what mood you're in or what vibe you're after. Whether you're keen for a party, a chilled beverage in a beer garden, a good quality pub feed or a drink by the water, we've got you covered. We've partnered with Hahn Brewers and come up with a few failsafe options for you to visit. Never be lost for pub options in Perth again. FOR LIVE MUSIC: THE ROSEMOUNT, NORTH PERTH The affectionately-named 'Rosie' hosts national and international bands like Spoon, The Panics and Tiny Little Houses regularly in its live music room. It's the regular venue for album launches, karaoke nights and open-mic nights where undiscovered Perth talent can often make an appearance. If you're in Perth and looking to go to a gig, this is definitely the place to be. Sometimes there are food stalls and vintage markets out in the 'backyard', which consists of the 'deck' and the 'lawn'. Both spectacular spots to grab a beer to drink outside while checking out what's happening on the day. FOR THE VIEW: OCEAN BEACH HOTEL, COTTLESLOE The Ocean Beach Hotel, opposite Cottlesloe Beach, has everything — it serves coffee and breakfast from 7am, there's a sports bar, pool tables, a dining room, accommodation and most importantly, a huge, sunny rooftop with stunning views of the beach. Famous for its Sunday sessions and rooftop beer garden, it's the perfect spot to stop for a feed and a cold beer after a swim, or the perfect place to watch the sun go down over the ocean. [caption id="attachment_605929" align="alignnone" width="1280"] Image: The Local[/caption] FOR A FEED: THE LOCAL HOTEL, SOUTH FREMANTLE The Local Hotel in South Fremantle is one of Perth's stylish and recently renovated pubs. It's the perfect place to grab a slightly fancy pub feed, with a menu that accommodates almost every meal and appetite. There are simple cheese boards and starters, more substantial mains such as the sirloin steak, beef and veggie burgers and the grilled lamb loin. At the Local there's a public bar, a casual dining area and a whisky bar. There's also the Local Garage — a drive-through bottle shop that's been converted into a pop-up garden bar, open for breakfast on weekends and hosting food trucks in the afternoon. Should you need to stay the night, The Local also has beautiful boutique accomodation options. Each of the eight rooms are styled by local designers and offer their own light and airy features. FOR THE BEER GARDEN: THE NORFOLK, FREMANTLE Much loved by locals in Fremantle, The Norfolk is a failsafe option for a beverage in Perth. On the menu are all the pub classics like pizza, pasta, parmas and steaks, but the real highlight of the place is the two outdoor beer gardens. Leafy, half-sunny and half-shaded just like a good beer garden should be, the Norfolk is famous for its huge limestone walls. They make for a great, cosy atmosphere where you can sit back and watch some live music. [caption id="attachment_605945" align="alignnone" width="1280"] Image: Raffles Hotel[/caption] FOR THE WATER: RAFFLES HOTEL, APPLECROSS The Raffles Hotel is located in the riverside suburb of Applecross. It's worth the trip from Perth to the other side of the river, because Raffles has beautiful views and a relaxed atmosphere where you can grab a drink and chill out by the water. Gourmet pizzas are on the menu alongside upscale pub classics like burgers, parmas and big plates of fresh seafood and pork belly to share. Raffles has multiple levels of outdoor seating, which means it hosts quite a few summer parties. Fashion launches, dinners, New Year's parties and Australia Day gatherings by the water. That kind of thing. FOR A BIT OF HISTORY: THE WINDSOR, SOUTH PERTH The Windsor Hotel in South Perth is an institution in the area. It's that classic, huge, old pub that everyone knows and occasionally visits. There's a sports bar, a beer garden out the back, and DJs that play on the weekends as well as all the classic events like Melbourne Cup, Australia Day and New Year's. The old building is surrounded by a historic verandah — a great place to settle down with an afternoon beer and read about one of the city's oldest pubs. FOR THE GAME: THE VIC, SUBIACO If you're in Perth and there's a game on (whether it's football, NRL, AFL, tennis, golf or anything else really), the place to watch it is at The Vic in Subiaco, one of Perth's popular inner-west suburbs. This place is as classic as an old-school sports pub gets, with parmas, burgers and cheap pints of beer served up in the beer garden and multiple dining rooms alongside local live music and trivia nights. The Vic packs out especially on big AFL days. The projector screens are rolled out and the building is filled with sports fans and footy scarfs. FOR A PARTY: BOTANICA BAR AND BISTRO, INNALOO Botanica boasts 'the best Sunday Session in Perth'. It's a big call, but if you're a regular you'll know that this Innaloo pub throws a few parties, and they tend to go off. During the day (or when there's no special event on, like the Silent Disco pictured), the outdoor beer garden is packed with people enjoying the sunshine, a brew and a pub feed. At night (and on Sundays) the DJs come out to play. There's also a sports bar attached to the Botanica — the crowd can get rowdy (in a good way) when there's a big game on the screens. Sign up to Hahn Brewers and settle down with a drink this weekend.
Been sailing the internet seas and plundering its illegal film bounties, movie pirates? Yarrr, well you just might find yourself at the centre of a new round of legal action. Australian film company Village Roadshow has revealed that their attempts to stamp out copyright theft will soon extend to suing individual infringers. If you've downloaded one of their flicks, yes, that could mean you. No, this isn't another Dallas Buyers Club situation exactly, however if you're the swashbuckling type, you might receive a letter in the mail. Village Roadshow's new tactics involve going after repeat culprits and asking for a fee of around $300. "Not for a king's ransom but akin to the penalty for parking a car in a loading zone. If the price of an act of thievery is set at say $300, we believe most people will think twice," said Village Roadshow co-chief executive Graham Burke. Deterrence, rather than punishment, is the aim here — and continuing to try to convince everyone that they should bite the bullet and pay to watch Game of Thrones. "Any revenue derived from this proposed legal program will be devoted to positive education on piracy," Burke continued. "I should also point out that it is our intent with this strategy that, should anyone be caught in the net who has dire health or difficult circumstances, we would waive the action providing they undertake not to infringe again." Just when the lawsuits will start wasn't announced, though Village Roadshow have a history of being active in the area, with the company initiating court action against movie streaming website SolarMovie earlier this year. Burke also holds the role of Creative Content Australia chair — aka the head of the film industry's anti-piracy arm — and advised that, once the precedent for blocking websites has been clearly established under Australia's current site-blocking legislation, "We will be ready to immediately bring another court action requesting the blocking of an additional 100 criminal sites." The plan was revealed as part of a speech entitled 'The Piracy Plague', which was delivered at the Australian International Movie Convention on the Gold Coast this week. And no, the link between the Goldie and that other form of piracy wasn't lost on anyone. In fact, it was even mentioned. You can thank Johnny Depp, his dogs and Pirates of the Caribbean: Dead Men Tell No Tales for that, obviously.
When Howard Smith Wharves opened up its patch of the riverside to Brisbane, it also welcomed its own hotel built into the cliffs beneath the Story Bridge — complete with a bar perched right on top. That place to stay has changed owners in 2021, but rooftop watering hole Fiume remains a highlight. Here, you'll drink cocktails and tuck into share-style Italian snacks with a view of the Brisbane River, and while sat next to Crystalbrook Vincent's sky-high infinity pool as well. On the food menu, bites span natural oysters with red wine vinaigrette, oven baked brioche with black salt, balsamic an olive oil, a Mooloolaba prawn roll with dill and pickled cucumber. Or, there's three different grazing boards that serve up to six on offer — including one vegetarian option — that combine a number of dishes. The drinks lineup covers a significant range of fruity spritzes, both classic and creative cocktails, and liqueurs from Tamborine Mountain Distillery — plus Italian brews such as Peroni and Birra Moretti, and local sips from the neighbouring Felons Brewing Co. And if you're wondering about the setup, daybeds sit by the pool, or you can choose between stools under umbrellas by the balcony's edge, getting comfier in lounge-style seats or sitting at the bar.
If you can picture an indoor rollercoaster fused with a 3D film, that’s 9D Action Cinemas — a mix of an amusement park and a trip to the movies. Intrigued? Now you can try it for yourself in Brisbane, with the brand new 9D Action Cinemas open in Garden City. If you're familiar with both rides and 3D films, you'll know what you’re in for, kind of. The idea is to completely immerse audience in the world of the short film, both visually and physically. So what's showing in 9D? The 'Now Playing' listing above the ticket counter boasts eight different selections all with very, very loose 'storylines'. However, all up there’s around 60 short films on offer, with more added every few months. All tastes are catered for, and all ages, too. Racing rides coast around canyons and glide over snow. More mysterious segments crawl through tombs and fly over lost islands. Horror-themed clips run away from zombies, and speed through haunted houses. So let's get amongst it. You select your film, buy a ticket, enter the six-seat theatre (yep, only six), and put on your 3D glasses. You’re helped into your chair by a staff member, buckle your seat belt, and master a good grip on your arm rests. Now, it's showtime. Once the animated movie begins, electronics beneath your seat start humming. In the action ride simulator, everything is synchronised on-screen and off. Depending on what’s on screen, you might be squirted with air or water, or have bubbles and snow rain down on you from above. You might find yourself amongst fog, smoke or lightning, or feel something nipping at your feet from below. Those weak of stomach or just not feeling so adventurous can watch their friends courtesy of the live camera feed playing in the lobby. Arcade games keep waiting punters occupied. But given that each ride lasts for five to ten minutes, no one is likely to be waiting long. Though Garden City’s new renovations were unveiled late last year, 9D Action Cinemas can be found in the older part of the shopping centre — but that will soon change. In the near future, a new entertainment mall is slated to surround everyone’s new favourite simulation ride with more fun things to do. With bars and restaurants right outside the cinema, this might just be the new suburban place to be. Check out the cheesy, cheesy trailer: Find 9D Action Cinemas at Westfield Garden City Shopping Centre, on the corner of Logan and Kessels roads, Upper Mount Gravatt. Visit the website for more information.
Ah vino. Best paired with a fine cheese or a hearty meal, or enjoyed around the fireplace with your oh-so-classy friends. Or at least, that's how it works in your mind. In reality, we're more likely to be inhaling a $6 vintage straight from the goon sack, or using the discarded bottle as a microphone in our solo rendition of 'All By Myself' – all before stumbling woozily off to bed. Hopefully your experience lies somewhere in the middle of those two scenarios. But the reality is that, for every bona fide sommelier out there, a large portion of the rest of us are more likely to pick our poison based on the price and how nice the label looks, as opposed to things like acidity, provenance or bouquet. And something about tannins. Those are a thing, right? Embracing this fact, VinePair co-founder Adam Teeter (which is an excellent surname for a wine buff, by the way) has teamed up with illustrator Jeff Licciardo to produce 26 hypothetical wine labels that better reflect the average wine drinker's true experience. Forget about drinking to forget: these vintages know you better than you know yourself, offering everything from handy pairing suggestions ("drink me with post-break-up anger and takeaway") to positive affirmations ("yes, you're definitely on key") to nuggets of brutal honesty ("you're turning into your mother"). Look, somebody needed to tell you. At least this way you can get drunk immediately after hearing it. For more honest wine labels, visit VinePair. Via BuzzFeed.
Sydney foodies, we're spoilt for choice at every turn. New top-notch eateries are cropping up faster than ever before. If you're struggling to keep up — and who isn't? — never fear Taste of Sydney 2016 is the four-day foodie festival to get to up to speed on the cream of the culinary crop. Setting up residence in Centennial Park from March 10 to 13, Taste of Sydney in partnership with Electrolux is all about bringing diners and chefs together. Ticketholders will be treated with nosh from some of Sydney's top restaurants, including Middle Eastern street food from the crew at Glebe's Thievery, Porteno's famously hearty fare, Biota Dining's sustainable modern Australian dishes, nel.'s fine dining dishes, plus fire-cooked noms from Firedoor. Also joining the deliciousness will be Kitchen by Mike, MoVida, Sake, and the newly opened Kensington Street Social, among others. But we can't wait until then. We annoyed the Thievery team to give us a recipe, NOW. NOOOOOOW. So they relented and told us how make their mouthwatering baba ghanoush with sheep's milk yogurt, pinenuts and burnt butter. You can make it too! Thievery's Baba Ghanoush with Sheep's Milk Yogurt, Pinenuts and Burnt Butter 2 eggplants 25g tahini Juice of one lemon 1 clove of garlic 25g olive oil Salt and pepper (to taste) For pinenut burnt butter 75g pinenuts 120g unsalted butter For sheep's milk yoghurt dressing 100g sheep's milk yoghurt ¼ clove of garlic 15ml extra virgin olive oil Chervil leaves, to garnish Lebanese bread Method Prick the eggplants with a fork all over. Over an open flame, using tongs, grill the eggplant whole under tender and soft. Juices should bubble and start to flow. Alternatively, roast in oven at 190 degrees until tender and soft. Cut eggplants in half, length ways, and scoop out the flesh into a bowl. Allow to cool. Add remaining ingredients to the eggplant flesh in the bowl. Using a whisk, gently combine all the ingredients together, keeping the texture thick to avoid turning the eggplant into a paste. Season to taste. On medium heat, melt unsalted butter in a saucepan until butter starts to turn an amber colour with a nutty smell. Just before beurre noisette (brown butter) add the pinenuts, tossing until noisette stage is achieved. Remove from heat. Set aside and keep warm so that butter does not solidify, allowing the pinenuts to infuse the flavour. Finely grate ¼ clove of garlic. Add sheep's milk yoghurt and olive oil, combining all ingredients together in a bowl. Season to taste. Place baba ghanoush in a serving bowl. Dollop sheep's milk yoghurt dressing around the baba ghanoush. Using a spoon, mix the pinenut burnt butter and spoon over the top. Garnish with chervil leaves and serve with warm Lebanese bread.
If you haven’t already headed towards the western suburbs to check out Indooroopilly Shopping Centre's recent $450 million redevelopment, you might be a bit more motivated come March 5. H&M has opened their first Brisbane store, and their third in Australia after setting up shop at Melbourne’s GPO and Sydney’s Macquarie Centre in 2014. For those unacquainted with the Swedish retail giant also known as Hennes & Mauritz, affordable, up-to-date style is their thing. Favouring the latest trends straight from international catwalks, the brand stocks clothing and accessories for women, men, and children, with its shelves replenished with new items daily. That’s not what gets shoppers excited, though, despite the ever-changing array of goodies. H&M’s collaborations with guest designers and celebrities — including Karl Lagerfeld, Stella McCartney, Jimmy Choo, Versace and even Madonna — are what make fashionistas salivate. Alexander Wang contributed a collection late last year, and David Beckham selects items for the Modern Essentials range, which will feature in the Indooroopilly store. H&M fits nicely into the revamped shopping centre's focus on fashion, particularly designer labels, flagship stores, and exclusive brands. Located between David Jones and Target, the new shop will connect the southern end of the Level 2 fashion malls. Inner city shoppers, don’t dismay — your time is coming. A second Brisbane location will open later in 2015, at 170 Queen Street — previously known as Broadway on the Mall — in the CBD. From March 5, find H&M at Indooroopilly Shopping Centre, 322 Moggill Rd, Indooroopilly. Visit their website for more information. Image: H&M.
Melburnians now have even more of a reason to head down the Mornington Peninsula for a pampering session, as the acclaimed Peninsula Hot Springs unveils some swish new facilities as part of a $13 million upgrade. The award-winning wellness destination now has a revamped program of offerings as part of its biggest expansion since opening back in 2005. This includes the addition of two cold plunge pools and seven new hot spring pools — which, if you've ever jostled for a spot in the top pool on a busy Saturday, you'll know is good news. An impressive outdoor Bath House Amphitheatre has also been added to the Fingal site, which is set to host a whole swag of shows. Baths also now have views of the stage and underwater speakers have been installed so visitors can get stuck into some live entertainment while they're submerged. The Hot Springs is also delving into cryotherapy for the first time with a new 'ice and fire' experience. This will allow bathers to switch between hot and cold therapy — the hot being two new 30-person saunas, and the cold being a new (and Australian-first) ice cave and a 'deep freeze' treatment room, which will be kept at a cool 25 degrees below freezing. The idea is that, by jumping between hot and cold, you will sweat out toxins, cleanse your skin and potentially burn calories. The venue also has a new cafe, a cultural meeting space designed in collaboration with local Indigenous elders, and a multipurpose wellness centre for classes and talks. Meanwhile, a new on-site veggie garden marks the start of a planned three-acre terrace 'food bowl', which will grow produce for the Peninsula Hot Springs' kitchens. Thermally heated glasshouses and an underground mushroom cave are also in the works. If that doesn't sound like enough, there's more growth in store for the Peninsula Hot Springs, with glamping facilities and 126 rooms of accomodation to be built on-site over the next three years. The Peninsula Hot Springs is located at Springs Lane, Fingal. Booking is recommended on weekends. Updated: October 5, 2018.
While the rest of the world goes crazy for all things green, Allen's Lollies is cutting two of their famous green jellies from production: the classic green frog and the spearmint leaf. This isn't as bad as the barbaric downsizing of the Killer Python, but still. Sad. Margaret Stuart, a Nestle spokesperson, passed the blame directly to YOU for letting your childhood fear of vegetables prevent you from ever buying green lollies. "The situation is that our lollies are actually going gangbusters, but we have deleted a couple — we have deleted Spearmint Leaves and also the Green Frogs basically because they weren't selling so well." We kind of understand the "deletion" (honestly, weird word choice) of the spearmint leaves. As much as we remember them fondly, they do kind of taste like toothpaste but are terrible for your teeth. The spearmint leaf is definitely the Jerry Gergich of the lolly bag. But green frogs? Green frogs are OK, they’re an almost savoury partner frog to the classic Allen's red frog. But what of the humble Sherbie? The still-not-renamed Redskin? To put your quiet freak-out to rest, here's what's safe, according to Allen's: "The Red Frogs are going gangbusters ... they outsell the green by ten to one," Stuart says. Cuts like this are going to homogenise grab bags into only the popular flavours like 'red' and orange but that’s the brutal world of candy business. The only upside we can imagine is the hopefully inevitable TV series about a couple of desperate dudes cooking up counterfeit spearmint leaves and green frogs in a camper van in Arizona. It'll happen. Via ABC.
When you've opened an Italian joint with a mean negroni menu, a Chinese Peruvian bar and eatery, and a Palm Springs-inspired gin-pouring garden bar, what comes next? If you're Vincent Lombino and Jared Thibault — aka the hospitality industry figures behind The Talisman Group — then you follow it up with a European-influenced wine bar and wine shop. And you base all four spots in one location, all in Woolloongabba — giving visitors to South City Square a choose-your-own-adventure food and drink experience. South City Wine boasts eye-catching decor designed to transport you to the other side of the world — think marble tabletops, dark timber panelling, brass finishings and oil paintings, plus a heavy use of emerald-green hues. Brisbanites will find that colour gleaming brightly from South City Wine's exterior, striped awning and all; yes, its shopfront does indeed look like something you'd see in Europe. The venue also boasts plenty of outdoor seating, including booths, giving it a laneway feel. The long communal indoor table, backdropped by a wall of wine, is also great for groups. Those vinos have been co-curated by Thibault and Michael Phipps and take a global approach. Expect to sip Australian, New Zealand, French, Italian, German, Austrian, Spanish, Greek, Lebanese, American, South African and Argentinian drops from the opening wine list — 15 types of French champagne among them. South City Wine also goes big on French-inspired cocktails, with seven varieties on offer. Standouts include the 'Serein River' with St Germain and rosewater gin, and the 'Apricot Deauville' made with cognac and apricot brandy. Food-wise, the focus is on European bistro bites — and a hefty range of cheese and charcuterie to start, plus tins of anchovies, sardines and yellowfin tuna. Culinary highlights span lemon and vin rouge oysters, scallops crudo, escargot in garlic butter, chicken liver parfait and venison tartare among the small plates, as well as fish of the day, roasted pumpkin, and the trusty combo of steak frites among the mains. Images: Max Homer / Judit Losh.
As any published author will tell you, settling on a cover design is tricky. But California-based designer Maria Mordvintseva-Keeler has come up with a novel approach. She's repackaged classics in cans — with labels that reveal their 'ingredients' without giving away their storylines. Titled Food for Thought, the design series features three classic books, each of which contains a foodie reference in its title — Truman Capote's Breakfast at Tiffany's, William Burroughs' Naked Lunch and Dinner at the Homesick Restaurant. The label lets the reader know if the book suits his/her mood and literary diet. Breakfast at Tiffany’s, for example, reads: "[It] has the characters, serving size, with the number of pages, and emotions in the daily value sections," Mordvintseva-Keeler told Mashable. "I sometimes wish they featured something like that on the cover, since the right book at the right moment is better than any sort of therapy. Reading is certainly better than stress eating." Originally from Moscow and now based in San Diego, Mordvintseva-Keeler's previous projects include Packaged Pets, which promotes the adoption of animals from shelters; EcoBag, a biodegradable plastic-bag replacement containing seeds (and similar to these coffee cups); and Bold as a Rooster, a typographical study exploring the "potential of roosters’ combs, feathers and legs to become legible letters". Take a leaf out of this artist's book. Via Mashable. Images: Maria Mordvintseva-Keeler.
When the Mountain Goat Valley Crawl kicked off in 2016, it did so in simple but great style. Recognising that the key to many a good night out is a multi-venue itinerary, it made hopping between Fortitude Valley's finest hangouts a streamlined, well-organised yet still laidback experience — with brews aplenty and an ace live music soundtrack. Come 2022, the sprawling music and beer festival will still be going strong — even after the events of the past few years. On Saturday, February 12, attendees can jump between nine Valley spots to see a huge heap of interstate and local artists. The simultaneous sonic fun takes place at The Black Bear Lodge, The Brightside (both indoors and outdoors), Greaser, Kick Ons, O'Skulligans, Ric's Backyard, The Zoo and Suzie Wongs Good Time Bar. As always, the agenda includes running between each to sip frosty beverages and catch crackin' sets, with the entertainment once again sponsored by a brewery. The whole shindig kicks off at 5pm, so the only thing left for you to do is clear your calendar for an ace day of tunes, brews and hopping around the Valley. Well, that and check out the 36-act lineup below: MOUNTAIN GOAT VALLEY CRAWL 2022 LINEUP: ARTISTS: Kwame (a-z) 1300 Adam Newling Bec Sandridge Flowertruck The Lazy Eyes Melaleuca Milan Ring Nyxen RAT!Hammock (a-z) 90Ivy Blue Velvet Bored Shorts The Buzzing Towers Cheap Date CityPiss Cloe Terare Elcid Flores Fomi Fraser Bell Girl and Girl Haliday Hollie Joy Isabel Wood Lucy Francesca Dron Melrose. Monet's Pond Passionfruit Band Radium Dolls Slowrip Square Stage Presence Straight Girls The Tinderboxers Tjaka Willis and the Lovely Ones VENUES: Black Bear Lodge The Brightside The Brightside — Outdoors Greaser O'Skulligans Ric's Backyard Suzie Wongs Good Time Bar Woolly Mammoth Mane Stage The Zoo The 2022 Mountain Goat Valley Crawl takes place from 6pm on Saturday, February 12. Entry is free, but you'll need to RSVP for free tickets online. Images: katexjean / Jared Hinz Photography.
Picture this: you’re settled in for the night with your penne and personal tiramisu, pyjamas so fluffy it’s like wearing a cloud and none of your shitty housemates are home. You’ve got a tight lineup of trashy shows ready to go and a fat glass of wine in hand, but something is off — there’s not enough wine. There’s not enough wine in your glass, blood or on the television. There’s some wine on Masterchef, there’s demure wine on The Bachelor and there’s hardly any wine in Are You Smarter Than a 5th Grader. All that’s about to change with Baptism of Fire, a wine-making reality show that pairs amazingly with indulgent nights on the couch. Mojo Wine is once again bringing us Baptism of Fire, a reality web series that pits team of amateur winemakers against each other for the glory of the win (and $10,000 prize money). If you want to take it further than simply watching the wine be made, you can even make the wine yourself — Mojo is looking for entrants now, and the only catch is you can never have never been employed in winemaking (recreational wine drinking, however, is fine and recommended). The experience is fully paid for and, we would guess, involves a fair whack of delicious wine-tasting. The competition traverses the entire process that turns not-at-all fun grapes into a so-much-fun bottle of wine with a cute label. The six teams of two will design and market their wine and the winners receive the chance to take their brand further — what this literally means, we're not 100 percent, but it is an opportunity to drink wine for ‘educational’ purposes on a weeknight. Bring it on. To apply for Baptism of Fire, check out the website.
Australia's about to embark upon an entire month of parties, gigs and backyard shindigs, all raising sweet, sweet money to fight poverty around the world. Having run successfully in the UK for about ten years, Oxjam is a month-long, nationwide music festival aiming to raise money for Oxfam. Now it's launching in Australia, with goodhearted gigs coming to venues, garages and backyards nationwide. Even you can throw one. One of those star-studded fundraisers which has seen the likes of Hot Chip, Fatboy Slim, Coldplay and T.E.E.D. crank out a set for a good cause, Oxjam has been a long time coming for Australia. Teaming up with MTV Music and MTV Dance, Oxfam are launching the festival in August; with the main events happening across Sydney and Melbourne. Local venues, collectives and labels like I Oh You, Noisey, Goodgod Small Club, One Day, Motorik, UNDR CTRL and more are holding some of the official gigs — where of course, funds raised will go directly to Oxfam. Oxjam's major gig lineup will be collectively announced in June. But you don't just have to wait for Noisey's lineup, you can also host your own party wherever you are. Literally anyone can hold their own Oxjam, from existing venues to local bowling clubs, big time clubs to your very own home. So if you're deep house DJ in your crew you could set up the decks in your garage, put a collection tin at the door and throw down one humdinger of a fundraving do. (And if your neighbours complain, give 'em hell until they donate too.) First time at the event-throwing rodeo? MTV Australia are hosting an official event at MTV HQ in Sydney (date TBC), where budding venue managers, club promoters and regular shindig starters can get tips on throwing their own Gig For Good during Oxjam. If you can't make it to the how-to, Oxjam's website has a bunch of handy tips and DIY guides for party planners. Oxjam is happening Australia-wide over August 2015, with the main gigs happening in Melbourne and Sydney. But with one in three people around the world living in poverty, Oxjam's probably one of the best reasons to throw a local backyard gig we've ever heard. Head over here for more info and start planning. Image: Goodgod Small Club.
They send coffee beans into space, shoot fireworks you can taste into the sky and make cocktails tailored to your individual DNA in Dubai. With their fantastical fusion of art and food, UK-based 'jellymongers' Bompas & Parr are basically our patron saints around the Concrete Playground office. Who wouldn't want to attend one of their playful and painstakingly constructed events? For the happy campers at Dark Mofo, that's what's set to happen in a big way. As part of the Unconscious Collective's art sleepover Wild at Heart, the duo will create a feast that nods to Pagan traditions through hunting, gathering, sacrifice, ritual and some intensely primal dishes. With our eyes wide and mouths properly drooling, we got Sam Bompas on the line for a lowdown on what to expect at his Feed the Beast feast. And even more than that, we wanted to know what a person so used to thinking laterally about the potential of food has to say about current dining trends and the Australian culinary scene. His answers may surprise you. You and Harry [Parr, the other half of Bompas & Parr] started working together as jellymongers, but I see increasingly more stories about non-jelly-related experiences you've created these days. How did that evolution happen? I think quite naturally. When we started out we just wanted to do something fun on the weekend, and jelly held the key. We set up the jelly company but within a month we were moving on to full catering, doing a 12-course Victorian breakfast in Warwick castle, coordinating a thousand calories arriving on people's plates from three separate kitchens. So we moved quite quickly from jelly into doing everything. And I think really the reasoning behind that was wanting to give people really engaging, emotionally compelling experiences and in order to do that we were looking at controlling everything, from venue and set design to uniform design to choreography, rituals, scripting, staff, right through the plates and everything else. So I guess it was pretty ambitious. Obviously it takes a much bigger team of creatives to make all of this happen. Is your workplace basically Wonka's Chocolate Factory? Like that, but perhaps a little more adult. A lot of the projects we work on, some of them are very, very child-friendly — so we just did something that Willy Wonka would be proud of, a flavour-changing chewing gum factory — but some of the projects are a lot more adult, so things like the installation we've got up at the Museum of Sex in New York at the moment, which is looking at fairgrounds and eroticism, the pleasures and perils of the erotic fairground. You've been to Australia a few times now with your work. What did you find out about Australian food while you were here? I've got to say, when the Australian chefs I know come over to London, I'm always very, very interested because I think that in certain sectors Australia leads the world by about six months or so, in things like juicing culture, coffee culture, a lot of their F&D, and I'm obviously interested in some of the more unusual ingredients as well which are just totally native to Australia ... I was amazed last time I came across, I went to Africola, the restaurant in Adelaide, and I was served up a whole cow's head with brains still in, and of course, coming from England that's about the most taboo food you could ever imagine, in the aftermath of BSE [mad cow disease], so that was a pretty feral dining experience for me and absolutely blew me away. That's great for us Aussies to hear, because we have this cultural cringe, where we presume everything we do is a bit backwards. Did your visit give you any ideas you wanted to pursue? Seeing the cow's head sparked us to push even further what was totally acceptable for us to put on the table. Everyone here is obsessed with what is called the 'unholy union' of Cadbury chocolate and Vegemite. Have you heard about this? Oh wow. Not at all. Who claims to have discovered this? Cadbury's produced it. It's on the shelves. Really? They're very innovative. I guess so. We're just discovering how deep their imagination can stretch. So would you eat Vegemite chocolate? I'm never shy to try something once. Most people's reaction is 'yuck'. So is that yuck impulse something you like to trust, or interrogate? Well I think it's always culturally constructed. I've read a lot of research that says you can grow to like anything after you become acclimatised, and actually grow to love it. So once you know that, then you're kind of up for eating anything. Quite often when I travel my host will try to put the most harrowing things on the table just to test me, but I always quite like that challenge. So whether it's live, squirming tentacles that if you don't chew them stick to the back of your throat in South Korea or strange and rare fruits in Hawaii, I love pushing what I feel are my own limits. Insects are starting to become a thing here. You've probably eaten a few insects in your time? Yeah. There's a lot of chat about it. We did a whole insect banquet as part of something around Indiana Jones and the Temple of Doom, god, four or five years ago now. I'm not convinced insects are the future for our diets but I do think that they might help with animal feed and animal protein. I'm much more interested in the creative potential of genetic manipulation. I did imagine that you would be more excited than worried about GM. Well of course there are ethical concerns but as long as you navigate them in a sensible and conscientious manner I think there's some good work to be done. Back to the present. There's also this rise at the moment in food that's a challenge. You know, it's either impossible to make, or it's some kind of monstrous hybrid, or it looks like it could give you a heart attack. What is that about do you think? And do you see that kind of instinct in people as fuelling interest in your own work? I think for me, it's feeding into how across the board people are using food to define their personal sense of identity and to perform identity in front of others as well. So whether that's you're eating your glucose-free, lactose-free light salads and you're telling the story to people of you as a yoga babe, or savage dude food — all of it, of course, going up on Instagram to tell people what an interesting, amazing life you have. And I think it's exciting too. What it has meant is, given that people are using food in this way, as a signifier of status and signifier of identity, there's been an increasing amount of resources put into food and concern about food and what people are eating, and generally an overall lift up in food knowledge, which I think can only be a good thing. Absolutely. Australia certainly has a big foodie culture. Probably safe to say it eclipses our interest in stuff like art and art appreciation. Your work obviously combines both food and art. So what is the connection you see between the two areas? Basically no one eats our food because they're in need of more calories — in actual fact, they're often avoiding calories. They tend to eat our food for entertainment, and personally I consider both arts and food offshoots of the entertainment industry. So if you come to one of our events rather than going to the opera, going for a nice swim, making love, sitting at the pub talking about mermaids or whatever you like to talk about, it has to be really rather compelling. I guess one of the good things about food is it's a wonderful arena to give people an interesting and emotive experience and I think that's what the best art seeks to do. Foodie culture obviously has a lot of benefits — the increased knowledge, as you were saying. But do you think there are any downsides from being too narrowly focused on food? I think you've got to look at the word 'foodie' itself, is a pejorative term. It was invented in the 1970s by Paul Levy as a descriptive of someone who's too concerned about food to the point of missing other things in life. I think it is important to have balance, but if you look at a lot of our installations, while the food is important, we address a lot of the attention to other elements as well, just to give people a total experience, one that's very legible and understandable. I find sometimes very cheffy food becomes difficult to read; it becomes something that only the food elite can possibly understand. But what I'm interested in is a much more inclusive approach to food. Your banquet in Tasmania, Wild at Heart, is based around pagan themes. It seems pretty perfect for Dark Mofo, which also includes a nude solstice swim. Is that where the inspiration came from? With the banquet we've been collaborating with the Unconscious Collective, and they set the theme, but it's a theme we've been very delighted to explore, expand on and run with. It's so hairy and muscular you can really gorge on it, as we hope that participants will be gorging on the feast as well. There are two components. On the first night, it's more of a gentle, campfire-type scenario, spiced up with flamethrowers, bombfires and roadkill jerky and drinking from actual skull cups hollowed out of a whole variety of animal skulls. And that will actually be up and remain up way beyond the original launch to ensure that everyone can pop down. Then we move on to the Feed the Beast banquet, which is exploring all the many different facets of the beast and the animals we all contain within ourselves. Sounds primal. It should be pretty savage. And it's something that I'm quite excited to explore, because when you start feeding people, you become quite aware of just how thin that line of civility is that divides us from the animal kingdom ... So what we want to do with this event and meal is give people the opportunity, the excuse and legitimacy to explore the beast within them, with things [from] blood and beating hearts to epic steaming hunks of spit roast wild deer that's actually just been hunted by [Tasmanian chef] Ross O'Meara to the more amorous side, so exploring tales of aphrodisiacs. There'll definitely be a lot of nudity. And not all of it probably our performers. One of the things we're looking at is creating an actual beating pig's heart that materialises as part of the starter, and it's literally there pumping fluids around, so it feels very visceral, very alive. We then take this live heart, slice it up and sautee it so it comes back served up for the first course. I don't know that anyone's done that before, so there should be a few world firsts. Can you tell us anything else you've got planned for the 'rituals' in the event? We've got lots of rituals around blood. Almost like a whole meditative cleanse around hand washing as well. I'm also very inspired by a chap called Grimod de La Reynière, who was kind of the first proper restaurant critic and if you ask me a far better gourmet and food writer than his contemporary Brillat-Savarin, who everyone normally refers to. And he hosted a very decadent banquet in which all the guests arrived, they had their hands washed, and then they dried their hands on the hair of all the waitstaff, which I think is really, particularly creepy. So we'll try to channel some of those energies as well. Delightful. I want to ask you about some of your past works that we've covered on the site. You recently held an anatomical whiskey tasting. So I want to know, were people more excited to drink from a 20-year-old or a 50-year-old? Well we went from 25 to 39, and I think the thing that was wonderful was as the age went up, so the whiskey got more and more elaborate. We actually had a 63-year-old volunteer to be the vessel for one of them, although the only 63-year-old whiskey we could find was going to cost us a hundred and twenty thousand pounds, which got pretty full on ... The thing that I liked was how people interacted with one another. You started off with what was originally a sort of awkward situation, twenty strangers in a room on Valentine's Day, all licking whiskey from the naked, supine body of someone who they've never met and who's just told them the story of their life in fifteen minutes, and even with that, very rapidly, galvanized by some of the world's finest whiskies, they very quickly formed bonds. What about the lava barbecue? People had to get 500 friends together to make that happen. So did anyone get 500 friends together? We're still working on that. We're speaking to a couple of people at the moment. That would be my ultimate, ultimate project. That was far and away the best week I've ever had, and far and away the quickest cook as well, given that it is blazing at one thousand three hundred and fifty degrees Celsius. So you just need to find someone who can gather 500 people? Five hundred people and quite a hefty budget. 500 people and much money. We'll work on it. And with regards to jelly, have you come across a building you couldn't make into jelly, or are there buildings that work better than others? Modern architecture doesn't work; anything with a steel core doesn't work particularly well. Towers don't work very well at all. They obviously look phallic as buildings, but even more so when rendered in jelly. We made the Empire State Building and it had to get pulled from American morning television because it was just way too threatening ... But actually the buildings that tend to work best are historic stone architecture. And the reason for that is that as it gets higher then it goes in at the top, and that gives jelly just the right amount of stability. So some of the really good jellies we've made are actually Flinders Street Station and the Melbourne War Memorial, which was a really good one. But the Sydney Opera House might be harder? It sort of tapers in at the top; it works quite well. That's a firm favourite and regularly made as jelly. You already sell 'space beans' [coffee beans that have travelled to space] on the site. Are there any plans to expand the products people can buy? We often have plans we're not totally good at realising. To do products you have to have a firm focus and keep on rolling on it for a good long while. The inception and the creative frenzy of the first bit is soon replaced by actually having to go out and sell the product. The bit we like doing is all the creative bits, which is why I guess we stick with events and things. That's reasonable. But we'll keep our fingers crossed for some kind of amazing chocolate bar. It would be fun to do. I guess we've just got way too short attention spans so far. Wild at Heart is part of the festival Dark Mofo, which is on from June 12 – 22 in Hobart. The event is sold out, so if you don't have a ticket, you'll just have to watch your friends go savage from afar.
Staying ahead of the curve in Sydney's constantly evolving food scene is difficult. New restaurants, bars and cafes pop up every week, and in Sydney, a city already saturated with food and drink options, it's incredibly easy for hospitality businesses to fall behind. In partnership with William Blue at Torrens University, we're asking the hospitality graduates who run our favourite Sydney restaurants to talk about how they got started in the industry. In 2015, Adelene Stahnke helped to open Bang Street Food in Surry Hills with her partner Tapos Singha and designer Nicholas Gurney. In 2016, the same team opened Bang Street Food spin-off Trunk Road in Darlinghurst. Stahnke is only 23 years old, so helping to start up two successful Sydney restaurants is no small feat. We asked her how it all happened, and if she has any tips to share. FIND A GAP IN THE MARKET (AND STICK TO IT) "Tapos kept talking about wanting to open a Bangladeshi restaurant in Sydney. I thought it was a great idea, and really inspiring because nobody had brought great, traditional Bangladeshi food to the city yet. I encouraged him to stick to his dream because I could see that there was a gap in the market, and I had a really strong feeling that a space would open up in Sydney. Tapos pitched the idea to his business partner, and once a space appeared in Surry Hills everything took off from there." LEARN EVERYTHING YOU CAN ABOUT THE CUISINE YOU'RE COOKING "Tapos went back home to Bangladesh for a few months to get some ideas flowing for the menu, and I went to Melbourne to cook at Tonka [an Indian-fusion restaurant] with Adam D'Sylva. I wanted to get some experience in sub-continent food because I didn't know much about it beforehand, and I think it's important to learn everything you can about a style of food before you start a business with it. I worked at Tonka with the goal to learn as much as I could and it was a really great experience. When Tapos and I both arrived back to Sydney, he showed me the menu and I understood the dishes in a way that I wouldn't have, had I not worked at Tonka. The menu was great, but it needed some refining, which is where I came in. I made sure that the menu would appeal to Surry Hills, while making sure that the Bangladeshi soul was still there." KNOW WHEN YOU'RE ON TO A GOOD THING — AND RUN WITH IT "At Bang we have a dish that people really love called 'Bang Boti Kebab', which is a roti kebab with steak filling. That dish really blew up so we thought we would take the opportunity and run with it. We said, 'let's do a restaurant based on that dish but in a smaller space, something cheap where we can do take-away as well'. That's how Trunk Road, our second restaurant, came about. We waited until we found the perfect space — a little terrace house in Darlinghurst — and the boys built the whole restaurant while my dad tiled it. I moved over to run the kitchen at Trunk once it was up and running. It's just a one-person, solo kind of thing in a really small kitchen, very different from Bang. We only serve four types of the 'roadie' kebab, a curry and some snacks." SURROUND YOURSELF WITH PEOPLE THAT SHARE YOUR ASPIRATIONS "In order to establish a really good business you need to have a concept and stick with that concept. It's also very important to have people around you that can compliment you and share your aspirations. Stay focused, and as long as it's still your hobby, you can make money from it because you love it. Having your own business is a lot of work, there are long hours right from the start. It's very different when it's your own project as opposed to working for someone else. Work everywhere you can and get experience in everything. I've studied hospitality and worked in hotels as well as fine dining, breakfast spots in Darlinghurst and Indian restaurants. You never know what will come in handy." William Blue at Torrens University offers courses in Culinary Management, Event Management, Tourism and Hospitality. Find out more about the diverse career options in hospitality, and kick-start your career via the website. Images: Kimberley Low.
Newsflash: fashion isn't just about looking good. Sustainability is playing an ever-increasing role for many designers, and there's a new Australian magazine trying to to support and highlight their noble pursuits. With their first edition launching only a matter of months ago, Hessian is your new go-to publication for feel-good fashion. For those a little out of the loop, we spoke to editor-in-chief Siggi McCarthy to get the inside scoop. How are people embracing this new trend? Where can you get your hands on the good stuff? What does it all mean? So, what is Hessian? "Hessian was founded simply out of necessity," McCarthy says. "Violette Snow (founder) felt there needed to be a magazine that packaged sustainable fashion in a way that was accessible, exciting and fresh. Without sounding like a crazy hippy, the earth and the people living here are in trouble and we need to step up and do something about it." McCarthy first met Snow when she was working for Ethical Clothing Australia, manning their stall at the Sustainable Living Festival. The two got chatting and soon realised they were very much on the same page. "I was immediately drawn to the idea of Hessian and knew I wanted to be a part of it. Violette was putting onto paper what I'd been thinking about for a long time: Why can't sustainable fashion be aesthetically pleasing? Why don't we expect more from fashion labels? Can someone please stop using the word 'green'?" "There needs to be a greater dialogue when it comes to ethical issues in the fashion industry but we can't create real change if we alienate young consumers. This is why Hessian uses a concept called subtle sustainability." Sustainability is a bunch of small choices "Subtle sustainability is a stripped back easygoing concept that encourages us to think about leading a more conscious lifestyle," McCarthy says. Instead of shoving it in people's faces, Hessian focusses on making realistic and achievable lifestyle changes — people want to feel as though they're making a difference, but they also don't want to read about doom and gloom. "Put simply, we just want young people to make informed choices and realise that mindful living can actually be fucking cool." Focussing on the bigger picture, Hessian prefers to think of itself as a style magazine rather than a fashion rag. "We encourage people to embrace quality local production, independent design, good craftsmanship, and style that transcends seasonal fads." You don't have to look bad to feel good Good news do-gooders! These days you can buy sustainable products without compromising on quality or style. "While some brands unfortunately reinforce the stigma attached to sustainable fashion — that it's heinous — there are labels out there that are encouraging people to buy ethically through beautiful clothing," McCarthy says. "I think that's the key to a more sustainable fashion industry — blending ethics with aesthetics so seamlessly that sustainable clothing becomes the more desirable option." Bottom line: people want to buy clothing because they look good and that's never going to change. "They’re not going to settle for something that looks like crap just because it has a nice story behind it." There are lots of brands doing great things "I think us young folk get a bit of a kick out of knowing who is behind the clothing and wearing something that comes from a small run," McCarthy says. And, luckily for us, there are a bunch of local independent designers doing us proud in the sustainability stakes. In particular, Siggi recommends Kuwaii, Celeste Tesoriero, PER-TIM, Julie White, Thursday Sunday, YEVU, Kester Black, Nobody Denim and The Social Studio. Working at Ethical Clothing Australia, McCarthy also tries to support accredited labels. "R.M. Williams, for example, is ECA accredited and make the best boots locally in South Australia," she says. "I also dig NICO Underwear, which is made in Queensland using organic cotton and bamboo." Overseas favourites include Honest by, Everlane, Kowtow and Study. The good stuff can be hard to find The difficult thing about small independent labels is that they can be tricky to hunt down. In lack of an outlet store, McCarthy recommends hitting up Monk House Design, Dagmar Rousset, and trusty old op shops. But her hot tip is social media — there a bunch of great Facebook groups selling good quality, secondhand clothing. "When I meet girls to pick up items bought in these groups, it always feels like a drug deal," she says. "You generally don't know what the seller looks like, so you stand awkwardly on a corner hoping to make eye contact. When you suspect it's the right person, you walk up to them hesitantly, exchange pleasantries, inspect the garment, give them the money and then go about your day. Sometimes I think I buy clothing off these groups more for the experience than the clothing!" You can do it for cheap Of course, doing things right doesn't always come with a huge price tag — this isn't like the organic section at Coles. If you're doing this on a budget McCarthy suggests you stick to Facebook or Instagram and hit up online swaps like The Clothing Exchange. She also suggests you invest in quality over quantity. Buying one great item that lasts you saves you a bunch of money in the long term. You should also shoot for a well-curated wardrobe. This means thinking about what you already own and how your clothing can be worn with the garment you're considering buying. There's not much point having a wardrobe filled with pieces that don't work together. Last but not least, don't worry about wearing the same clothes often. If you look good — work it. For more on sustainable fashion pick up Hessian from their online store or Happy Valley, Brunswick Street Bookstore, Save Yourself Boutique, Dagmar Rousset, Greenhorse Boutique, Limedrop in Victoria. In NSW you can pick up a copy at Darley Collective. Images via Hessian Magazine, Dagmar Rousset, Kuwaii, Monk House Design.
Mere days after Keep Sydney Open launched their commemorative plaques for live music venues campaign, Sydney's loudest anti-lockout lobby group have an even bigger surprise for Sydney, with fresh news that Flume has called in from the old US of A to release a brand new jam especially for KSO's new video today. Have a peep, below. Plaques organiser and KSO activist Jonno Seidler says: "This is such incredible news to receive at the 11th hour. Harley is currently on tour in North America, playing sold out theatres across the country. But he is proud of where he's from and really backs the Sydney scene, and this just shows how dedicated he really is to the future of local music." The track, called 'Heater' will presumably form part of Flume's next release, which is anyone's guess but could be an EP, coming off the international success of Skin, which dropped earlier this year. "The plaque for Harley was the easiest one to make, because I was there!" says Seidler. "It was a double header with him and Chet Faker [now Nick Murphy] at Goodgod Small Club, my favourite venue for years. Ask anyone who was in the audience, you could tell something was cooking even way back then. I've seen Flume play to tiny rooms in New York city and huge stages at Byron, and he's been world class the whole way." The video, prepared by Keep Sydney Open, features interviews with Gang of Youths Dave Leaupepe in Kings Cross and Jim Finn and Dan McNamee of Art Vs Science, who showed up at Oxford Street to play a trio of songs dedicated to NSW premier Mike Baird, including 'I Love The Nightlife', 'All Night Long' and 'Blame It On The Boogie.' "I met Jim and Dan seven years ago, and it was pretty much a mutual love fest from then on in," says Seidler. "I think they're largely seen as a festival band, but they have amazing musical chops. I've been lucky enough to jam with them a few times and they are the real deal. You have no idea how fast they learned all of those songs." The response to the plaques has been immediate, picked up by media across the country. Seidler says he that while he, Tyson Koh and the rest of Keep Sydney Open are beyond thrilled, they're not surprised at how quickly it took off. "The reason we went with this method is that everyone relates to music. We have so much incredible talent that started right here in small to medium venues that are now literally world-class talent, from Anna Lunoe and Alison Wonderland to The Preatures. When you see those names and you put the two things together, the lockouts starts to become a much bigger problem than just where you can have a drink late at night." More on Keep Sydney Open's plaque campaign over here.
If the name doesn't clue you in (a moniker shared with a Rod Stewart single from five decades back, in fact), then the heaving splashes of mustard, brown and teal should: Maggie May sure does love the 70s. That it's badging itself as a supper club gives that away, too — plus the prawn rolls, s'mores and chocolate fondue on the menu — however, this fresh addition to Longland Street is welcoming in punters all day. First announced back in September 2022, and open since mid-October, Gasworks Plaza's latest spot does indeed have something to say to Brisbanites: when it comes to worshipping the 70s, this is your place. It seems to be a thriving time for new venues inspired by blasts from the past, with the supper club following in the footsteps of freshly opened Fortitude Valley nightclub Superfly Disco. Hit up one, then head to the other: there, that's your next night out planned. At Maggie May, the menu spans share plates, including both small and large bites; wine and cocktails, with a particularly hefty vino list; and a casual vibe that's playful and retro. Standout food options include baked bruschetta topped with whipped feta, duck shanks with chilli caramel, gin-cured salmon, roasted cauliflower gnocchi, South Australian black mussels and stacked charcuterie boards. Among the cocktail selection, drinks come with names like 'Saturday Night Fever', 'Disco Daddies Ice Tea' and 'Soul Sister Spritz' — bringing the 70s to your sips. Serving up coffee and breakfast, long lunches, both quick and leisurely dinners, and cocktail-hour beverages, Maggie May joins Hallmark Hospitality's list of southeast Queensland sites, and settles into The Defiant Duck's old stomping ground adjacent to the Newstead Gasometer. It sits alongside Retro's Cocktail Lounge and Finn McCool's Irish Bar in both Fortitude Valley and Surfers Paradise, plus Asylum Nightclub, Lefty's Music Hall, Lost Kingdom Nightclub, The Cavill Hotel, The Spotted Cow, The Lord Alfred Hotel and Hey Chica! in company's growing portfolio.
For many, the idea of camping — packing the car with a tent, sleeping bag or swag and going bush for a healthy dose of nature – is fun. For others, the idea of getting out into the great outdoors sends a shiver of displeasure up the spine. But no matter which camp you fall into, we're happy to report that there's a middle ground. And that middle ground is glamping. A portmanteau of glamour and camping, glamping has gained popularity among those of us who are happy to camp as long as we have small luxuries such as wifi, coffee and comfortable bedding. Take a coffee break and scroll through ten of the world's most incredible, luxurious glamping experiences — from Queensland to Tanzania, via Chile. NIGHTFALL, LAMINGTON NATIONAL PARK, QUEENSLAND Breathe in the pure, fresh mountain air at Nightfall, and you'll feel like you've finally arrived at the life you should have been living all of these years. This super-exclusive camp is limited to six guests at a time, so you'll be guaranteed privacy. Take a dip in a natural spa pool in nearby rapids, or just laze in your private luxury tent accommodation. Located in a 'Lost World' paradise, this luxury camping accommodation would be absolutely perfect for a special anniversary, a birthday holiday, or just because you want to. MERZOUGA LUXURY DESERT CAMP, MOROCCO Imagine enjoying a sumptuous Moroccan feast under the stars in the heart of the desert, before retiring to your tent for a sound sleep in a squishy-soft bed. And when you open the traditional camel-skin door on your tent the next morning, a sea of red sand dunes rise up to greet you. Well imagine no more, because this is exactly what you're going to get when you head to the Merzouga Luxury Desert Camp in Morocco. Located in the quiet and idyllic sand dunes of Erg Chebbi, this tastefully appointed and endlessly glamorous camp is perfect for those seeking a luxury stay in one of the most incredible deserts in the world. WILD RETREAT, TOFINO, BRITISH COLUMBIA Few wilderness camps even come close to the experience you're going to have at Wild Retreat. ScarJo and Ryan Reynolds honeymooned here (that's enough reason in itself to visit), and since it's only accessible by seaplane or boat, you're at greater risk of being accosted by a bunch of raccoons than being overrun by tourists. Enjoy the charming vintage-style tents, and then get out there and explore the incredible wilderness of British Columbia. PAWS UP, MONTANA, USA If you have something special to celebrate and you happen to find yourself in Montana, then we suggest that you get yourself to the Paws Up luxury camping park and indulge in the Cliffside Camp experience. Each safari-like tent comes complete with a private bathroom, fans, heaters, fine bed linen and a chef and butler at your beck and call. There's a dining area with a view you'll never find in Australia, and you won't have to sacrifice a good coffee and breakfast in the morning. LEWA SAFARI CAMP, KENYA If seeing the "big five" (lions, elephants, buffalo, leopard and rhino) is on your list of things to do, then you might just want to fling yourself in the direction of the Lewa Safari Camp. Spread out in your comfortable private tent under your thatched roof, and enjoy the sight of animals sunning themselves on the stunning Lewa plains through your opaque tent. Perhaps you might feel like taking a picnic out onto the plains. That's totally acceptable, and indeed encouraged. SPICERS CANOPY, SCENIC RIM, QUEENSLAND There are only ten tents at the Spicers Canopy accommodation in Queensland's Scenic Rim, so you're not going to be grappling with the crowds when it's brekky time. Meals are prepared from local produce by Spicers' experienced chefs, so you're about as far from the 'traditional' camping fare of beer-cooked barbecue as you can get here. Rejoice. Pull up a log at the open fire by night, and then snuggle up in your luxury tent (complete with hot water bottle turn down service) to sleep the night under the stars. SANCTUARY RETREATS PRIVATE CAMPING, TANZANIA Go on a safari trip in the game-filled wilderness of Kenya by day, and then enjoy a perfectly heavenly naval bucket bubble bath under the stars at this glamorous safari camp in Tanzania. Afterwards, slink back to your tent and sink into your bed, which has been tastefully draped with fabrics and covered in the softest of mosquito nets. You'll enjoy finding nods to Balinese and Italian styling throughout your luxury accommodation. Sanctuary Retreats encourage you to spend two weeks glamping with them in the wilderness — that's how luxe this place is. PATAGONIA CAMP, CHILE Enjoy the luxury of kipping in a yurt in the heart of the Chilean wilderness. Feel ever so spoiled as you laze in your cosy king-sized bed, tastefully decorated with local handcrafted textiles at the luxury Patagonia Camp in Chile. Thanks to a large central dome, you can look up at the clouds by day, and then enjoy the sight of a million and one stars overhead at night. PAMPERED WILDERNESS, WASHINGTON, USA Switch on your flat screen TV, snuggle up on the king-sized platform bed and then toast some marshmallows for s'mores on your outdoor fire pit when you stay in the Safari Suite cabin at Pampered Wilderness in Washington. Nestled in the heart of the historic 842-acre Millersylvania State Park, you can enjoy relaxed rambles though old growth cedar and fir forests, or take a dip in the freshwater Deep Lake. After tiring yourself out on a walk, head back to your cabin to enjoy a drink from your minibar as you watch the sunset from your deck. PRIORY BAY HOTEL, ISLE OF WIGHT, UK While most of the guests who stay at the Priory Bay Hotel live it up in the hotel, you're going to buck the trend and get what is arguably a far better experience when you stay in one of the designer crafted yurts. Enter your yurt home through stable doors with French windows before stepping down onto your secluded terrace. Maybe laze on a beanbag if the ordeal of standing on your own feet all becomes too much. Spend your days gazing out on sandy Priory Bay beach, taking bracing countryside walks, or rambling along woodland paths, nibbling on blackberries, and spotting squirrels. Top Image: Wild Retreat, Tofino, British Columbia.
Stop everything and find a Frenchie to flip. Instagram has finally created its own collage-creating software — yep, finally. The social media giant launched their brand new standalone app today, dubbed (rather uncatchily) Layout from Instagram. The new app lets you easily combine multiple photos into one masterpiece of a 'gram. Though it seems Instagram were a little slow off the mark with this, the Instateam have taken their time to create one genuinely great editing app. According to Instagram, one in five monthly active users are sharing images that combine multiple photos — using external apps like Framatic, Photo Collage Maker and InstaCollage and importing the photos into Instagram later. So the team decided to make their own little editor and keep things in-house. So how does it work? Super easy to use, Layout accesses your photo gallery and does most of the work for you. The Faces option shows you all the photos in your camera roll that feature people — so you can cut the crap and go straight to making hella sick selfies. Speaking of selifes, you can take countdown photobooth shots in the app, but only using the frontal camera — because YOU. Apparently 90 percent of photos in collage images shared to Instagram are of people, and 50 percent of non-collage photos on Instagram are of people. It's all about your big beautiful self-promoting faces. Once you've picked your image, you can drag and drop photos to arrange them all nice and pretty like, pinch to zoom or pull the sides of each image to tweak its size, even flip and rotate to mirror your face on your face. Like George here: Layout masterpieces can be shared directly to your Instagram or Facebook, or saved to your camera roll to access and glorious sharing later. Things are going to get freaky in your feed. Layout from Instagram is available from today for iOS devices in Apple’s App Store. It’s currently only available for iOS. Layout from Instagram will be available for Android in the coming months.
Calling all late-night Tour watchers, cycling enthusiasts and anyone who wants to know what a 'peloton' is. The NSW Government has today announced the first ever Tour de France event to be held in Australia, locked in for 2016. Dubbed L’Etape Australia and locked in for the next three years, the upcoming race is an official offshoot of the Tour de France — the oldest and most prestigious road cycling event to rival all road cycling events. It's not the first Tour side quest, the United Kingdom, Brazil, Chile and Argentina have all seen their own stages. Destination NSW and the NSW Government have recruited SBS to broadcast the race, who've been your late night Tour broadcaster pal for 25 years. So where's the race going to be held? (Read: where can we place a huge CP logo on someone's rural property for sick helicopter coverage?) Designed to replicate the infamous Tour mountain stages, L’Etape Australia will weave through Jindabyne, Perisher and Thredbo. Rather than Alps and Pyrenees, riders will pump those legs through the beautifully formidable Snowy Mountains, where the Ultimate Snowy Challenge breaks people. These pretty, pretty NSW locations will inevitably boost the tourist dollar for the state; Minister for Sport Stuart Ayres said he anticipated the race to deliver in excess of $4 million in visitor expenditure across the three years. So you're a bit of a mad cyclist? Get up every morning at sparrow's fart just to beat the tradies to the tar? Want to see how you'd fare in the Tour? An expected 10,000 riders of varying levels are up to compete for the legendary Tour de France yellow, green, polka dot and white jerseys, and the waitlist is now open at the official L’Etape Australia website. Riders can register for updates, pick their level of difficulty (The Race is the big one, The Ride is slightly shorter for seasoned riders, and The Ramble is the fun, easier course) and reserve their place on the start line. L’Etape Australia by Tour de France is happening in December 2016. To register or for more info, visit the website. Images: Dollar Photo Club and NSW National Parks.
Planning on heading away over the Easter break? You better get your skates on, because the best places are filling up fast. Luckily Airbnb have got plenty of cool and quirky listings for people in need of a holiday. Whether you're organising a group getaway or want something a little more intimate, here are ten awesome spots we reckon are worth a look. DRIVABLE FROM SYDNEY BYRON'S BRAE, POSSUM CREEK Located roughly twenty minutes inland from Byron Bay, this massive property boasts spectacular views, a pool and pool house, five bedrooms, two kitchens and a firepit. It's not cheap, but damn is it pretty. RIVER SHACK, BAR POINT A great spot for an adventurous couple, this luxurious cabin on the Hawkesbury River can only be accessed by boat! Once you're on solid ground you'll find comfortable accommodation including a bedroom, kitchen and indoor/outdoor living space, complete with outdoor fire and two-person hammock. BUSH PARADISE, MT TOMAH Gaze through enormous floor to ceiling windows at the breathtaking beauty of the Blue Mountains. This stylish cabin on the edge of the national park includes a spacious living area, fully equipped kitchen, and even has its own resident peacock, named George. DRIVEABLE FROM MELBOURNE W-CLASS TRAM, LAURISTON An hour drive from Melbourne, this rustic cottage backs onto Lauriston forest and comes complete with its own tiki bar, undercover BBQ area and W-Class tram. That's right, a tram, one that has been carefully converted into its own separate two-bedroom unit. Between that, the main house and a vintage caravan, there's room here for up to nine people. BINAH GUESTHOUSE, GLENBURN This charming two bedroom guesthouse in Glenburn, Victoria sells itself as the perfect bush retreat. The private deck provides you with uninhibited views of the natural landscape, before you venture out to explore the neighbouring Yarra Valley. YARINGA, KENNETT RIVER Why choose between visiting the beach and the bush when you can do both? This three bedroom holiday house on the Great Ocean Road sits on stilts on the edge of a eucalyptus forest, with views overlooking the ocean. DRIVEABLE FROM BRISBANE ESCAPE TO THE COUNTRY, FERNVALE With 360 degree views of the secluded Brisbane Valley, this five bedroom property in Fernvale seems like the ultimate place to relax. Laze about in either one of the two sun lounges, or go for a paddle in the heated outdoor pool. If you're in a more recreational mood, you can also go fishing in the nearby Brisbane River. COUNTRY CREEK RETREAT, COOROY This one bedroom house surrounded by rainforest and rolling hills looks absolutely gorgeous. Enjoy a cookout under the stars, or go hang with platypus and turtles at the nearby billabong. BRIGHTON KITE SHED, BRIGHTON Spacious and modern, this studio apartment in Brighton is located right by the seaside, and just twenty minutes from the centre of Brisbane. It's also only a quick walk to Sandgate village, replete with shops, restaurants and cafes. NEEDS A FLIGHT PRIVATE RIVER VALLEY SUITE, UBUD For those of you with a bit more disposable income, why not try jetting off to Bali. Located around thirty minutes out of Denpasar, this luxury retreat is 200m from the beach and includes a plunge pool, private outdoor bathtub, four post queen bed and an in-house chef. Don't act like you're not tempted. NZ ARCHITECT'S HOLIDAY HOME, WAIHEKE ISLAND This ultra-modern lodging on Waiheke Island near Auckland was recently shortlisted for the NZ Home of the Year Award. After snooping around the Airbnb listing, it's certainly not hard to see why. If it weren't for all the surrounding foliage, you'd think you were holidaying in the not too distant future. THE BOOT, TASMAN, NEW ZEALAND Why bother visiting the Lord of the Rings set when you can spend your entire holiday living in a fairy tale? Describing this one bedroom lodging seems a little bit redundant. You're not blind. It's a boot. You shouldn't need us to tell you why that's awesome.
It's an oldie but a goodie. Jimmy Kimmel pulled one of his most loved pranks at SXSW this week, asking punters whether they knew fake bands with his 'Lie Witness News' crew. Unknowing SXSWer after SXSwer praised the likes of Mary-Kate and Nasty, Cheese Whiz Khalifa and DJ Gluten — "hard to tolerate?" — with one punter even going so far as to describe DJ Underwire as "mixing it up with turntablism". Heh. It's straight-up baffling how Kimmel (and subsequent spin-offs) has managed to do this at festival after festival and catch starry-eyed posers in the act of posing, having pulled this stunt year after year, Coachella after Coachella. But my giddy aunt, it's fun to watch. These aren't the only shenanigans going down at SXSW. Check out our roundup of nine incredible things you're missing at this year's festival.
Once every year, a different kind of festival is held in Brisbane — one that doesn't market itself on glow sticks, or ironic henna, or even prolific recreational drug use. It's a festival more for the artists, their scene and the Australian industry itself: Bigsound. Over three days in September, an eclectic collection of musicians is given their shot to play not just some of Brisbane's best venues for some of its best crowds, but also for industry professionals, booking agents, and labels; the big-wig types that usually hang out exclusively in Sydney and Melbourne and are always searching for that 'new sound'. For the somewhat isolated arts scene of Queensland, Bigsound is the annual chance of a lifetime, and acts as a cross-section of Australia's up and coming. Although criticised in recent years for pushing a lineup that includes already represented and well established performers, Bigsound's 2016 bunch still has a few untapped talents and diamonds in the rough. Here are five new artists playing Bigsound this year, not to be missed if you want to claim 'knew-them-before-they-were-cool' bragging rights in years to come. MOSQUITO COAST Last year's triple j Unearthed High winners, Mosquito Coast are riding the Australian airwaves to 'household name' status, but given they are both only 18 years of age, they definitely warrant the title of a 'new' band. Playing music so beach-inspired its practically sunburnt, this duo is nothing if not very, very chill. Breezy guitar lines, hard to forget lyrics, friendly drums — everything you'd want on the radio on a day it's too hot to think. Their main track 'Call My Name' hit #101 on triple j's Hottest 100 this year, and if they keep doing what they are doing, they're guaranteed to sneak into Australia's biggest music pedestal next year. Oh Hello! on September 7. BEC SANDRIDGE Listening to Sydney's Bec Sandridge, it's hard to imagine that anyone else playing Bigsound will bring the same charm to the stage. To call this about-to-explode artist a 'girl-popper' is unfair — would you call Anna Calvi the same? Sure, Sandridge's got pop influences, and that makes it so fun. Her music's intrinsically complex and simultaneously easy to dance to. And on top of it all, Sandridge has a set of pipes you could shamelessly compare to Blondie, Nick Cave, Kate Bush, or maybe even Bjork. The Foundry, September 7. GOOD BOY Good Boy are Brisbane boys, and boy, are they good. Doing the whole dolewave thing, this trio unabashedly sing about living hard, below the poverty line, in the northern suburbs. With King Krule-like guitar lines, over Dick Diver-like lyrics, with a bit of that regional Queensland anger and edge to them, the boys know what they're all about. They've only been bumming darbs and singing about it for a year now, but they've already played Laneway Festival, and are looking at being the canonical band for 2016 Brisbane. Who knows, maybe it'll be the start of their career as Brisbane's next Go-Betweens? Oh Hello!, September 8. PRATEEK KUHAD Prateek Kuhad isn't exactly a fresh face — he's played SXSW, opened for Alt-J on tour, and has been a showcased musician not just in his home of India, but abroad. Despite all this, he's a fresh face for Brisbane. His minimalistic folk, and his punchy, almost quirky lyrics, give his songs a cinematic quality — he wouldn't be amiss juxtaposing a wide-shot for Wes Anderson film, for example. His music, be it his minimalistic combination of guitar and vocals, or his somewhat wider pieces — mandolin, tambourine — are all alike in their joyous momentum. September 7, Empire Hotel. MIDDLE KIDS Middle Kids (emphasis on kids, these guys have only been around since late February) are a Sydney trio- all about the music- tight harmonies and chill times. Dropping their EP Edge of Town, a distorted harmony of fragile vocals, steel guitar, and abyss inspired timbres, these kids might be young, but they are being seen and heard all over Australia. Playing Oh Hello! on 8 September, Middle Kids, have a good thing going-it's lo-fi, but it's kinda popping, with a little bit of folk, maybe an aftertaste of punk, there's something in their simple songs for everyone. Bigsound runs September 7-9 across multiple Brisbane venues. Find the whole Bigsound program on their website.
On a constant quest to challenge the norms of beauty, New Zealand-based label Lonely has launched a new lingerie campaign that's nothing short of defiant. Starring 56-year-old model Mercy Brewer, the campaign continues the design house's crusade to reflect authentic beauty and celebrate women in all forms. Former London punk of the '80s and runway star alongside Kate Moss and Naomi Campbell, Brewer smoulders as Lonely's AW17 muse, defying the conventions of how lingerie 'should' be modelled. The campaign just goes to show that the boundaries of what or who is beautiful are much more vast than the current standard. Lonely and Brewer embrace feminine beauty and sexuality at all ages. "'Perceptions of beauty have and always will change," the muse offered. "Therefore, I think we can conclude its standard is not set in stone and new beauty is always waiting to be discovered." In feminine lace silhouettes with gracious sensuality, Mercy joins the Lonely Girls tribe, a crew that celebrates all shapes and sizes via a visual journal of women wearing Lonely pieces in their own ways, in their own habitats. Adding another layer of girl power, the campaign was shot by Harry Were at an iconic New Zealand home that was once occupied by women pivotal to gaining the female vote in the country in 1893 — let us remind you, NZ was the very first country in the world to allow women to vote. The historic surrounds further enforce Lonely's position that ageing is beautiful, that it enhances, enriches and brings wisdom. "Personally I have a love/hate relationship with it," Brewer said. "[But] on the upside, it can bring a quiet confidence unknown in youth, and what use is beauty without the confidence to recognise it in yourself?" Lonely delivers the ever-important message to love thy self regardless of size, shape or age — plus, it doesn't hurt that their lingerie is incredibly lovely. The new pieces modelled on Brewer are part of Lonely's autumn winter collection for 2017. You can browse and shop the collection here.
Gone are the days when Australians were left to wonder about the precise genealogy of their toast. Following the trend set by the boutique coffee and chocolate industries, artisan bakers Brasserie Bread are upping their foodie street rep with the launch of their new single origin bread. Touted by the bakery as an Australian first, Brasserie's Single Origin Sourdough and Single Origin Sprouted Wheat will be made exclusively from wheat grown in the Southern Flinders Ranges in South Australia, allowing consumers to track the journey of their bread from field to mill to sandwich. Brasserie co-founder Michael Klausen apparently spent five years searching for the perfect wheat, before finally forming a partnership with Flinders Ranges Premium Grain. "I wanted to buy flour straight from the farmer," says Klausen. "It took five years, but I finally found them and being part of the harvest this year was like a dream come true... This flour is an expression of the soil and climate it was grown in." Whether or not consumers can actually taste the difference, you've got to give Klausen credit for tapping into the zeitgeist. It's certainly not hard to imagine single source bread popping up on brunch menus around Sydney and Melbourne, probably with a little single source smashed avo on the side. Brasserie Bread is available in various restaurants around Sydney and Melbourne, as well as the Brasserie Bakery Cafe in Banksmeadow and the T2 Cafe in Sydney Airport. And if you're not yet sold on single origin bread, check out Brasserie's promotional video below. It’s inspiring stuff.
Many a poor traveller has ventured to Germany in hope of culinary enlightenment, only to binge on pretzels and bratwurst, thinking that was it. Don't be like those suckas. German cuisine is more than just carbs and cream — it's carbs and cream cooked and combined better than anywhere else in the world. Ignore the recent meat vs. health studies, forget about your fat RDI and jump on the nearest jumbo to Frankfurt and chow down. MAULTASCHEN Imagine a thick pasta skin that's filled with a smoked meat and then fried in butter — kind of ravioli on steroids — and you've got maultaschen. It's a German specialty that tends to be a menu staple in most southern restaurants. The only thing better than how tasty these pockets of flavour are, is the story behind them. The common folklore is that during Lent, when Catholics and other Christians were encouraged to refrain from eating meat, German monks would make the maultaschen. They figured the meat was concealed under the pasta dough and what they couldn't see, neither could God. Where to find it: Some of the best (and most famous) maultaschen in Germany can be found Zum Hasenwirt, a small restaurant in Stuttgart. [caption id="attachment_556573" align="alignnone" width="1280"] conticium via Flickr[/caption] DAMPFNUDEL Dampfnudel is a southern German specialty that you might be hard pressed finding in the big cities. That means your best chances of nabbing one of these fluffy, sweet buns is trekking to some of Germany's quaint little villages. Dampfnudel is a like a sweet unfilled Chinese bun, about the size of a fist, that's steamed in sugared milk and fried in butter to give it a crispy bottom. It's most often served with berries, vanilla sauce and jams. Where to find it: Dampfnudeln-Uli is a Bavarian restaurant in Regensburg that specialises in this sweet buns and have done so for over 70 years. [caption id="attachment_556577" align="alignnone" width="1280"] stu_spivack via Flickr[/caption] SPÄTZLE Spätzle is to the Germans what pasta is to the Italians. Made with eggs and flour and boiled till it firms up, the almost rubbery pasta-like pieces are eaten as is, or fried up in oil or butter. Its texture is similar to that of gnocchi, though its taste is rather bland — so it's best partnered with meat and gravy. It's one of those foods you'll have a little gag over eating the first time, then wake up in cold sweats craving a week later. Where to find it: You'll find the best spätzle in small, German villages as it one of those foods that Oma makes best. But if you're in Berlin, check out Repke Spätzlerei. They're pros at the stuff. [caption id="attachment_556580" align="alignnone" width="1280"] Benjamin Vander Steen via Flickr[/caption] SCHWARZWÄLDER KIRSCHTORTE That's black forest cake to you. We're not talking The Cheesecake Shop variety (no offence) or your lazy one-tiered Coles attempt either (offence intended). Germany pulls out all the stops to make the chocolate cake thick and dense, the cream is fresh from the cow and the cherries just-picked from tree (FYI: cherries grow in Germany like eucalyptus leaves grow in Australia). As such, this cake is quite seasonal, and is best purchased and eaten in the German summer, aka cherry season. Where to find it: If you're going to eat this cake, do it properly at at one of the few cafes that holds the original recipe. We recommend Cafe Schäefer in Triberg, a town in Baden-Württemberg, which is actually located in the literal Black Forest. [caption id="attachment_556612" align="alignnone" width="1280"] jay.tong via Flickr[/caption] SCHWEINSHAXE This is what German dreams are made of. Succulent, slow-roasted porn knuckle with a thick, crispy, drool-inducing layer of crackling around the lot. Done well, the meat should fall of the bone once its crackling cloak has been consumed, and it's best served with something simple like a bread roll to soak up the juices. This is a Bavarian specialty, and makes a popular appearance at Oktoberfest. Where to find it: Munich is home of the schweinshaxe, and is best eaten after consuming two litres of beer at Oktoberfest. For that reason, do yourself a favour and have your first schweinshaxe at one of the many beer tents at Munich's Oktoberfest. [caption id="attachment_550692" align="alignnone" width="1280"] Jeremy Keith via Flickr[/caption] FLÄDLE SUPPE On paper, flädle suppe sounds like an absolute nightmare: chopped up pancakes in a beef broth. But somehow — for some absurd reason that only the Germans know — it works. The flädle are plain crepe-style pancakes, tightly wrapped and cut into thin ribbons, while the suppe is the soupy broth. This dish is traditionally served as the first course of a wedding, but as it's so tasty and has quite a German fan-base, it's moved past special occasions and onto mainstream menus. Where to find it: This soup is prevalent in both southern Germany and Austria, so if you're looking for the perfect taste, hover around the border. We suggest Weinstube zur Traube in Stuttgart. [caption id="attachment_552489" align="alignnone" width="1280"] cyclonebill via Flickr[/caption] FLEISCHKÄSE This is one of those nasty, kebab-equivalent foods that for some reason most Germans eat sober, but probably shouldn't. It doesn't take a fool to realise fleischkäse is processed to the nines, as it resembles something that makes spam look like a free-range chicken leg. And for that reason — and probably that reason alone — it's delicious (in a salty, fatty, indigestion-y kind of way). It tastes like hot dog meat, but is served as a thick slice on a bread roll with ketchup and mustard. Try it the day before you leave Germany so you have a geographical barrier between yourself and any more of them. Where to find it: In Germany, a carvery or snack bar is called an Imbiss. Most hot ones will serve fleischkäse mit brötchen (with a bread roll). [caption id="attachment_552488" align="alignnone" width="1280"] Oliver Hallmann via Flickr[/caption] WILDSCHWEIN Game in Germany tends to hit dinner plates towards the beginning of winter, when it's hunting season. Wild boar (a nice way of saying feral pigs), deer, rabbit and pheasant all become a staple for those who can both afford and stomach it. Wildschwein (the aforementioned wild boar) is probably the gateway meat into eating German game. While it tastes like normal pork meat, it's also a lot richer, leaner and has that earthy taste that's common with wild animals. It's the most free-range form of meat you can eat — so regardless of your squirms, give it a shot. Where to find it: Naturally, the culinary crux of Germany, Munich, homes many great traditional German restaurants that specialise in traditional hunting dishes. Restaurant Johannas at Hotel Neumayr is our hot pick. They serve wildschwein year-round, as well as deer, rabbit and pheasant seasonally. [caption id="attachment_550695" align="alignnone" width="1280"] Katrin Morenz via Wikimedia Commons[/caption] MARMORKUCHEN We know what you're thinking. That marmorkuchen is just a rainbow cake without the strawberry bit. Wrong. It's the softest, sweetest, most delicious cake this side of Europe — and lucky children all over Germany get to eat it everyday. Paired perfectly with a tea or coffee, marmorkuchen is kind of a like a butter-heavy tea cake that has the sweet tang of chocolate and, if you're lucky, an aftertaste of rum. It literally translates to marble cake, which every Aussie is probably already well familiar with. But it's different in Germany. It's better. But don't ask questions — just try for yourself. Where to find it: Naturally, Germany homes some of the best bakeries in the world, and it's in these you'll find the best marmorkuchen. If you're in Berlin, Konditorei Buchwald makes undoubtedly one of the best — and have done for over 160 years. [caption id="attachment_550693" align="alignnone" width="1280"] Oliver Hallmann via Flickr[/caption] RINDERROULADE Rinderroulade just screams German farming food. Normally served with potatoes and cabbage, the actual roulade is a thin piece of beef steak that's spread with hot mustard, bacon and pickles, then rolled up and cooked in a thick beef sauce. It's kind of like a really intense burger, minus the bread and cheese. The roulade is cooked in the sauce for a good hour or so to get that melt-in-your-mouth texture. Fillings for rinderroulade are endless, ranging from Asian to Mediterranean varieties, but if you're chasing the best, stick to the original German mustard filling. Where to find it: You'll find this meal at most traditional German restaurants. In Berlin, Kurhaus Korsakow is one of the most authentic, non-touristy German restaurants in trendy Friedrichshain, and happens do do a killer roulade. Top image: Dollar Photo Club
It's the society wedding of the year, and you're invited. Melbourne socialites Jasper and Jasmine are going to tie the knot at St Kilda's West Beach Bathers Pavilion this May; trotting down the aisle, barking their vows and sniffing each other's butts. Yep, they're pugs. It's a pug wedding. A real life pug wedding. Seems there's a Leslie Knope living in Melbourne. Raising much-needed funds for Pug Rescue and Adoption Victoria Inc. (a volunteer-run, foster care-based animal welfare charity with a focus on pugs), this wedding doesn't have the happiest Disney backstory. Jasmine and Jasper came into the care of Pug Rescue in April 2013, after they were found to be so morbidly obese they could hardly breathe. They were taken from their former home by the rescue team and apparently were turning blue on the car ride, poor little things. But just one year later, Pug Rescue have nursed the pair back to health so they can enjoy a newfound pug life with each other and their new family — together. Take a hike, The Notebook; this is a true love story for the ages. Now, let's get these pugs married already. On Sunday, May 17, Pug Rescue are putting on the works for these pups. Get ready for this; Jasmine will wear an exclusive couture bridal gown designed by renowned Australian designer and Project Runway runner-up Craig Braybrook. A pug in couture. As if you're not locking this in already. Jasper's outfit is yet to be confirmed, but we're predicting mini bowtie at the very least. The whole event will be styled by Christian Wagstaff of Melbourne’s famed Creative Production and the venue will be decked out with flowers by Virginia Chorley of The Bouquets of Ascha Jolie. Tickets to the Wedding of the Year are $60, which we reckon is a straight-up bargain considering all funds raised go to Pug Rescue; helping to fund future pug psychological and physical rehabilitation along with the vet care and specialty surgery. And apparently they're selling fast, so get on it. If you can't make it, make sure you raise a water bowl to Jasper and Jasmine next Sunday; overcoming terrible odds and living a brand new #puglyf together. Jasper and Jasmine's pug wedding ceremony is happening from 1pm on Sunday, May 17, West Beach Bathers Pavilion, 330A Beaconsville Parade, St Kilda. Tickets are $60 per person from jasperandjasmine.com, or 'virtual tickets' are $19.95 — an invitation-only live video stream of the wedding online. Video of the wedding will also be available online for two weeks post-event for virtual ticket holders. Images: Ragamuffin.
Your days of eating last night's leftovers alone at your desk may soon be at an end. A new app on the market called Never Eat Alone is linking employees in large companies with co-workers keen to grab lunch. Better yet, some businesses are already encouraging their staff to log on. The app is the creation of Marie Schneegans, who told TechCrunch she came up with the idea while completing a summer internship with finance company UBS. Eager to meet people in different departments, she started emailing people to set up lunch dates, and eventually wound up dining with the company CEO. Unlike most social networking apps, Never Eat Alone is being pitched directly to the heads of large businesses, who can then choose to distribute it to their employees as a means of improving company culture and morale. Once an employee has the app on their phone, they're able to create a profile that lists their interests – and before they know it, they're breaking down the latest Game of Thrones episode over sushi with Linda in accounting. Never Eat Alone is currently only available in France, but there are apparently plans to expand into the United States in the next few months. Via TechCrunch.
Arts festivals courting controversy isn't anything new. Arts festivals weathering a backlash when their shows stir up a range of responses isn't, either. However, Edinburgh Festival's reaction to its planned staging of Così fan tutte might just be a first: they're offering patrons refunds before it even opens. The strange situation, reported by The Guardian, is a result of the fest's organisers programming Christophe Honoré's take on Mozart's and da Ponte's famous opera sight unseen and then checking out its world premiere at France's Aix-en-Provence festival. With the director setting his updated version in east African Eritrea during the 1930s — which was still colonised by Italy at the time — a layer of racial tension was always going to be evident. That it would be labelled a "brutal, shaming experience" with "a volatile, violent racism" by New York Times critic Zachary Woolfe obviously wasn't as expected. Woolfe's comments partially stem from Honoré's decision to use actors wearing blackface makeup to dress up as African mercenaries to try to test their lovers' faithfulness, as well the inclusion of a rape in its opening scene, plus other graphic depictions of violence and abuse. He certainly isn't alone in highlighting the tough nature of the performance — though his and other reviews have found positives as well. Opera Today's critic called it a "witty comedy" while noting that he overheard "offense expressed at the in-your-face exposition of racism". Opera News described it as "a dense exploration of desire and violence" that alerted the audience "to its own uncomfortable prejudices". In fact, Edinburgh's programmers used terms like "provocative", "sexually explicit", "stark" and "challenging" in their own synopsis, but obviously feel that wasn't warning enough. And the tale of Così fan tutte has always been considered a little problematic given its sexual politics. It is about a couple of guys donning disguises and trying to trick their fiancées into cheating on them to win a bet about the nature of women, after all — and its title does translate as "women are like that" as well. Pre-emptively giving customers their money back before they even get a chance to see what all the fuss is about seems a little extreme — then again, so does putting a clearly tricky piece in the festival without really knowing how it is going to turn out. Of course, arts festivals are designed to champion material that tests the limits — but whether Honoré's Così fan tutte is as boundary-pushing as suggested, Edinburgh is certainly charting new territory when it comes to apologising before the curtain has even been raised. Via The Guardian. Image: Aix-en-Provence.
As a treat to us for being such good eggs (or so we like to think), the National Gallery of Victoria are hosting a huge exhibition next year featuring the works of French Impressionist artist Edgar Degas as part of the Melbourne Winter Masterpieces. The exhibition will run from June 24 to September 18 at the NGV International and is comprised of over 200 works by Degas, from collections the world over. For those of you who don’t know, Degas is a pretty big deal in the art world and practiced during the late 1800s-early 1900s. At a time when many artists where still painting posed works, Degas and a sect of bohemian Parisian artists (including Honoré Daumier and Henri de Toulouse-Lautrec), were cultivating the first big art movement that focused on candid impressions of subjects en plein air (meaning in ‘open air’ style, as opposed to in the studio or from memory). A lot of his pieces feature ballerinas and inevitably, this did lead to a lot of lurking around backstage at the ballet and, in Lautrec’s case, in a tonne of brothels (for the artistic potential, surely). Degas’ work also focused on an infrequently explored subject: the everyman. Blue collar workers in their natural habit where a recurring and novel theme in his work; French Impressionism tapped into that vein of human curiosity that makes reality TV so popular (“They’re just like us!”). Degas actually rejected the Impressionist mantle and referred to his style as realism, so intent was he on representing the world around him. In fact, according to art historian Carol Armstrong, Degas said “No art was ever less spontaneous than mine. What I do is the result of reflection and of the study of the great masters; of inspiration, spontaneity, temperament, I know nothing". Well damn. We can’t wait to check it out. Degas: A New Vision will be displayed at the National Gallery of Victoria International from June 24 to September 18, 2016. Image: Edgar Degas, In a café (The Absinthe drinker) 1875–76, oil on canvas, Musée d'Orsay, Paris, Lemoisne 393, © RMN-Grand Palais (musée d'Orsay) / Martine Beck-Coppola.
A members-only cafe? Really? You've got to be bloody joking. TRIPE. Nope, it's a Thing — London's opened its very first members-only cafe, SL28, a Holloway coffee shop at which you pay a monthly membership fee to hang out. But it's not as ridiculously shut-the-front-door as it sounds, it's actually a pretty great concept for co-working. Pioneered by and located inside the HQ of a British working environment specialist company called Net.Works., SL28 is indeed a members-only cafe. It's £10 (about $14) a month for full membership, with which you're both allowed in the space and able to order unlimited £5 batch brew coffees — they even give you three free cups a month (which kind of makes the membership fee a little less flabbergaster-inducing). There are baked goods from Aux Pains de Papy, as well as soups, sandwiches and teas, which you can take to fixed-desk spaces, couches and armchairs. If you're still scoffing and ready to whip up an angry social media storm, there's a pretty good intention behind the whole members-only schtick. Basically, the crew want to provide a space for freelancers and collaborative workers to be able to stay for hours on end, whittling away at their projects — without getting shamed for lingering too long. Freelancers, you feel this? If you've ever worked purely from your laptop, you've been shooed away from free wifi cafes after a few hours, death stared from the counter, asked to pay for more bevs or get out. So this is a pretty great alternative; it's almost like a hot desk set-up that happens to be a cafe. The best bit? You'll have company, like this genius Hoffice concept. Hooray for friends! Surrounded by co-freelancers, students, laptop-bound creatives and general coffee enthusiasts, SL28 members have the warm fuzzy advantage of having active minds around them — as opposed to your ever-tempting PS4, loudly mowing neighbours and indifferent axolotl. We'd pay cash money for that. Via Sprudge. Images: Net.Works.
For those of you who don’t know/have more important things to worry about, the Pirelli calendar is a yearly project by the Pirelli Tyre company that collates sexualised photos of the world’s 'hottest' models (shot by the world’s 'hottest' — read: mostly male — photographers) into a calendar, so that you can feel strange arousal every time you glance at your schedule for the month. This year however, they’ve taken a different tact and we don’t think it’s too much to burl yasssss queen! from every balcony we can find. The 2016 calendar features figures from the other 99.99% of the population that aren’t supermodels but are damned fine, including Amy Schumer (patron saint of the everywoman), Serena Williams, Patti Smith, Tavi Gevinson and Fran Leibovitz among others — and yes, they could choose to be clothed (what a world we live in). The portraits have been making headlines not just for the obvious departure from Pirelli calendar tradition but because the images themselves, shot by none other than Annie Leibovitz, are powerful and refreshing in a mediascape of so often saturated in airbrushed Kardashians. Beautiful, gross, strong, thin, fat, pretty, ugly, sexy, disgusting, flawless, woman. Thank you @annieleibovitz pic.twitter.com/kc0rIDvHVi — Amy Schumer (@amyschumer) November 30, 2015 Amy Schumer is grabbing headlines for her choice to get raw and nekkid. Schumer posted her images to Twitter with the caption “Beautiful, gross, strong, thin, fat, pretty, ugly, sexy, disgusting, flawless, woman.” The general Internet consensus has been one of frenzied, supportive agreement. Serena Williams also opted to go nude, probably to show off the fact she could break your neck (and heart) with her general power. Other women featured include Yoko Ono, film mogul Kathleen Kennedy, Melody Hobson, Yao Chen, Agnes Gund and Sadie Rain Hope-Gund, artist Shirin Neshat, director Ava DuVernay and Natalia Vodianova. Pirelli has been applauded for celebrating ‘real’ women this year, but corporeal semantics aside, the overwhelming response to the calendar has been positive: a joyful celebration of women of all ages, races, religions and professions and we simply cannot wait to get out hands on one. Via SMH.
Fancy yourself a bit of an action hero? Maybe you watch the parkour scene in Casino Royale and think "yeah, I could manage that." If that's the case, this brand new running app might be just the thing for you. Developed by a South Korean tech company, Tracks throws exercise junkies into the middle of an audio blockbuster, giving them the spark to run like their lives depend on it. Admittedly, the idea isn't a new one – according to an interview with The Next Web, the app's creators took the premise in part from the insanely popular Zombies, Run!, which motivates runners with the sounds of an undead menace hot on their trail. But if Zombies, Run! takes its cue from horror stories, Tracks hopes to draw on a whole variety of different genres. Their first narrative mixes action and sci-fi, and sees runners traverse collapsing buildings and machine gun fire as they fight for survival over 15 chapters, against a malevolent force known as The Growlers. Assuming the app proves successful, the plan is to create additional stories, with the designers floating the possibility of branching out into thrillers or even romance stories. Not sure how that would work, exactly, but it sure sounds intriguing. The app is currently in beta testing while the team looks to raise additional funds via Indiegogo. They expect it to be available via the App Store and Google Play Market by the end of June. https://youtu.be/ETEpwWx_0rU For more information visit www.tracks.today. Via TNW.
Fancy grabbing a bite to eat at the Brisbane Showgrounds — and not just a strawberry sundae or a showbag filled with Bertie Beetles when the Ekka is in town each August? Well, soon you can. Come July 2017, a new food-centric boutique laneway called Kings Co-op will make that dream a reality. Taking over the space on the northern corner of King Street, Kings Co-op will transform a number of the site's long-standing buildings into a new food, retail and creative community hub, with opening up the facilities all year round and breathing life into historic structures among the project's main aims. With that in mind, prepare to spend a whole heap of time at the Royal Snack Bar. It'll form the centrepiece of the dining precinct, replacing the set-to-be-demolished RNA Snack Bar. Nearby, the Sugar building and Dairy Industry Hall will also be revamped. As well as more restaurants, bars and outdoor eating, the iconic buildings will accommodate studio spaces for the creative industries, as well as proposed health and wellbeing facilities and stores, plus a multi-level carpark. Kings Co-op is just the latest phase in the 15-year, $2.9 billion regeneration project, which has been underway for the past six years. As you've probably noticed, the revitalisation of the Fortitude Valley area has already seen a new hotel, residential complex and commercial development open their doors, and an initial dining precinct pop up. The latter features The George Bar and Bistro, GG Espresso and Fat Dumpling, with Italian restaurant Il Verde set to join them in September. For more information about Kings Co-op, visit livekingstreet.com.au.
As commuters left the Bondi bubble for the day (if they managed to snag a bus), the fashion set descended on the Sydney paradise by the sea for MBFWA 2017. Crowding into where else but Icebergs Dining Room and Bar, journalists, photographers and the always salient 'influencers' soaked up those morning rays, as Icebergs' Maurice Terzini and partner Lucy Hinkfuss showed the Vertical Stripes collection of their unisex, streetwear label, Ten Pieces. This season, the label also partnered with The Woolmark Company to create ten more pieces in burnt orange merino jersey, balancing out the label's signature black and white. A show of only 20 looks snaked through Icebergs to a Nicky Night Time score, showcasing what we've dubbed 'beamo' — no, not that cute little console from Adventure Time, but beach emo. Your favourite hoodie of yore has taken new shape losing its sleeves or growing them extra long. It's become a full-length dress, a type of slouchy robe you'd actually wear out of the house. And all was brought back to the surrounding surf vibes with zippered Ugg-style Sharpie Boots. But where does the emo come in? Well, you'd be missing the mark if you weren't pairing these pieces with a big sook, smudgy eyeliner and ratted out hair — or even better, a next-level mullet. [caption id="attachment_622671" align="alignnone" width="1920"] Mercedes-Benz Fashion Week Australia, Brendon Thorne/Getty Images.[/caption] The Vertical Stripes collection also brought things full circle for the Icebergs Dining Room and Bar entrepreneur. Inspired by architecture and landscapes, the white silhouettes were marked with one thick black line reminiscent of the iconic pool below — we were wondering why the pool had been emptied, all the better to see those influential lane stripes. Over black and white canapés, above the black and white emptied pool below, among the black and white (and burnt orange) streetwear, Fashion Week was fully immersed in Ten Pieces style — monochromatic, extremely comfortable and undeniably cool — though we're still not sure how we feel about those long shaved party mullets. Images: Mercedes-Benz Fashion Week Australia, Brendon Thorne/Getty Images.
Remember last year, when everyone was freaking out over the announcement that Studio Ghibli founder Hayao Miyazaki wasn't going to be making any more films? Well, it looks like that may have been a little premature. It turns out that the legendary director behind My Neighbour Totoro, Howl's Moving Castle and The Wind Rises, among numerous other animated masterworks, is currently putting the final touches on his first ever computer-animated short, with plans to unveil the film at Toyko's Ghibli Museum. Information about the film is currently in short supply, although Variety is reporting it stars a hairy caterpillar, runs ten minutes long and took approximately three years to make. But perhaps the most intriguing piece of information for fans is the fact that the film has been animated in the 3D CG format, as opposed to the more traditional 2D format for which Miyazaki is best known. No word yet on when or if the film will play outside of the Ghibli Museum. We'll just leave this link to the Japan Airlines homepage riiiiiight here. In retrospect, Miyazaki's retirement announcement should always have been taken with a grain of salt. The 74-year-old first threatened to give up the game back in the late nineties after completing Princess Mononoke, only to bounce back a few years later with a little film called Spirited Away — perhaps you've heard of it? He told Variety late last year that although he had retired from features, he was not retiring from animation, and intended to keep working "until the day I die." The future of Studio Ghibli, meanwhile, has been the subject of speculation for some time now, with Miyazaki's retirement and rumours of a restructuring leading some to fear that the company, like its founder, was out of the filmmaking business for good. Either way, it's comforting to know that there's going to be at least one more film from Miyazaki out there before too long. Via Variety.
First an app, now virtual reality. Icelandic queen of raising the bar Bjork has announced plans to pair her newest video with virtual reality headset, Oculus Rift. Working with longtime collaborator and director Andrew Thomas Huang, Bjork has made her new video for 'Stonemilker' — from latest (and leaked) release Vulnicura — available to view through the headset. If Bjork's bookshelf of previous videos is anything to go by, this is going to be one wild world to explore with the Rift. Bjork is no stranger to harnessing new forms of technology to complement her work. The singer released a special app in conjunction with her 2013 album Biophilia. Bjork's upcoming retrospective at New York's Museum of Modern Art, opening March 8, is sure to contain some pretty interactive elements with predictably mind-blowing technology. So why Oculus Rift, why now? In a recent interview with Fast Company, Bjork chatted about the OR endeavour, explaining apps are "punk", Oculus Rift takes things next level. "It can’t just be working with the gadget for the sake of the gadget. But also it’s about budgets," Bjork told FC. "You can do apps cheaply. Apps was kind of punk, actually. It was like starting a punk band again. Filming for Oculus Rift is not." So, will you be able to watch Bjork's new video on the Rift? Business Insider predicts Oculus Rifts will be available to consumers in 2015, and Oculus VR CEO, Brendan Iribe, told Dublin's Web Summit 2014 that a consumer-version of the company’s Rift VR headset is "close"; so you could be forking out your salary for one in mere months. Release dates for the 'Stonemilker' video are yet to be announced. Via The Verge.
