This month Alex Steinweiss, the inventor of the album cover, died at the age of 94. In the 1930s his simple idea revolutionised the marketing of music, and although the digital revolution hasn't killed off the music industry in the way many predicted, perhaps the marketing and consumption of music is due for another shake up. We look at three ways artists are using new tech to grab their fans' attention and beat the pirates. 1. Make it collaborative. Many a young band has called on friends and fans to help make their first film clip. British band The Vaccines have taken the idea to their entire fanbase, inviting them to provide images of their summer festival experiences via instagram to make the clip to their new song 'Wetsuit.' Other artists like Imogen Heap have gone a step further and asked fans to pitch in with creating the lyrics and music. https://youtube.com/watch?v=ur-y7oOto14 2. Make it interactive. By and large, music is now consumed digitally, either online or via a portable device that probably starts with 'i'. In the same way that Steinweiss used the medium of the record sleeve, artists are using the web and digital devices to express their creativity and involve the 'listener' on more levels. The Polyphonic Spree's latest single Bullseye is available as an interactive, video-game-like app. OK Go have released their latest song, 'All Is Not Lost', online with a dedicated website where, thanks to the magic of HTML5, viewers can generate a customised, kaleidoscopic video featuring their own message spelled out by the Pilobolus dancers. https://youtube.com/watch?v=o8AELvVUFLw 3. Make it immersive. Going one step further, Bjork has released her entire album Biophilia as a free app. Within the app you can purchase the tracks, each of which comes with its own game, video, musical score and sleeve notes. The volume and variety of material on offer demonstrates that there is a world of possibilities for artists to deliver far more than just an audio file, and change the way we consume music. [via PSFK]
Most of us are gearing up to celebrate summer's return, making plans to hit up the nearest sun-soaked rooftop or beachfront with our pals. But if you're someone whose siren song is more of the alpine variety, there's one last chance to get your winter season kicks. Held from Saturday, December 6–Sunday, December 7, Mt Buller is returning to the slopes for Summer Shred. With the team harvesting top-notch snow right at the end of peak season, this wintery leftover will be used to shape a summery park for snow-loving riders and spectators. "We've kept some snow on ice, and it's amazing that even at 18 degrees, our snow preservation system can reduce snowmelt by up to 85 percent," says Terrain Park Manager Tyson Pollard. "It's frozen solid under its blanket and ready for one last shred of 2025." Open to both skiers and snowboarders, this two-day event features multiple rails and features as part of a pair of freestyle showdowns. Taking over the bottom of Mt Buller's Bourke Street, expect hospo stands, booming music and sweet giveaways too, making for a festive summertime experience up in the clouds.
Becoming something of a winter tradition in recent years, Pidapipo Gelateria's hot chocolate is back again for the season, making it easy to warm up your hands with a drink-meets-dessert creation. Borrowing techniques from the world of pastry, Pidapipo Co-Founder Lisa Valmorbida developed this recipe back in 2023 alongside Head of Production Nicola Totaro, resulting in the ultimate winter comfort. For first-timers, expect a cup of pure indulgence, where rich and silky hot chocolate is crafted from 70% dark chocolate, meaning there's soothing warmth in every sip. Topped with a generous scoop of Pidapipo's signature house-churned fior di latte gelato folded with marshmallows, the hot chocolate is crowned with caramelised hazelnut croccante — ensuring the ideal sweet crunch finish. "We didn't expect our hot chocolate to become such a thing – but it did, and it's been so nice hearing how much you all missed it. So yes – it's back, and we're so excited to share it with you again!" says Valmorbida. While previous years saw Pidapipo's beloved hot chocolate only available at select stores, the good news is that now every location is serving up this heartwarming beverage until the end of August. Featuring an unchanged recipe that resonates with nostalgic goodness, don't miss your chance to order one from the Fitzroy Laboratorio, alongside the Windsor, Degraves Street and Carlton stores. Perfect for a cold snap pick-me-up or just an extra sweet treat, have no doubt that this decadent drink will bring a little more warmth to your chilly bones this winter. Ready to sip? Pidapipo's cult-followed hot chocolate is available now for $10.50. Pidapipo Gelateria's hot chocolate is now available at all locations — Fitzroy, Degraves Street, Carlton and Windsor — until Sunday, August 31. Head to the website for more information.
If Owen Wilson was to comment on Melbourne's newest event, we're guessing he'd offer up a simple answer: "wow." That's actually just what thousands of folks seemingly want to hear — and say. In fact, celebrating the way the Zoolander star utters that one word is what this gathering is all about. Following in the footsteps of last year's 'Scream like Goku' sessions, some particularly keen Wilson fans have conjured up their own version: 'Say Wow like Owen Wilson'. Set to take place on from 6pm on February 26 at Melbourne's Federation Square, it's exactly what it sounds like. People will come together, pretend they're in The Royal Tenenbaums, Wedding Crashers or whichever of his flicks takes their fancy, and unleash their best wow-uttering impersonation. Saying one particular word like a famous actor — it's so hot right now, apparently. Or, it's just something different to do on your way home from work on Monday evening, we guess? Either way, the get-together will include warm-up wows, the main event — that is, a massive group wow — and kick-on wows afterwards. It'll also be livestreamed, for anyone who can't get there, doesn't live in Melbourne or simply needs to see it for themselves. https://www.youtube.com/watch?v=KlLMlJ2tDkg
It's already nicknamed the River City. It's also locked in for a stint as an Olympic city. Now, Queensland's capital will become the shimmering city, too, thanks to a new long-term after-dark light show. When Lumina Night Walk makes Brisbane its latest home, it'll get the Botanic Gardens at Mt Coot-tha aglow — and it won't just be sticking around for a few weeks or months. Brisbane City Council has announced that it approved an application on Friday, July 28 to establish a Lumina Night Walk in the inner-west spot, and for 150 evenings per year. The plan is to get the gardens looking luminous on Friday and Saturday nights, and also likely during school holidays, with attendees peering at eight light show stations across a one-kilometre path. The site's existing Gardens Explorer Trail will get the Lumina Night Walk treatment, with the light show stations being camouflaged from view. BCC advises that no plants or trees will be removed for the new attraction. Although no opening date has yet been announced, visitors will take 50–60 minutes to enjoy the experience, with between four and six sessions held every ten minutes each night that Brisbane's Lumina Night Walk runs. The River City joins seven locations in Canada, three in Japan, one in Singapore and another in France in boasting a Lumina Night Walk. Moment Factory, which keeps hosting radiant pop-ups to the Adelaide Botanic Gardens as part of the South Australian capital's winter Illuminate Adelaide festival, will design and produce the light show. The company's standard remit: getting botanical gardens, zoos, national parks and heritage sites dazzling, aka exactly what it's bringing to Brisbane. Brissie's Lumina Night Walk will be funded, installed and operated by Australian company LightDreaming, and BCC advises that the revenue that the council receives from LightDreaming will be put back into the gardens. And, it expects that taking a lit-up stroll will be popular, increasing the Mt Coot-tha location's visitors by up to 15 percent per year. Brisbane does love an excuse to bask in a glow, as Roma Street Parkland's annual end-of-year Enchanted Garden keeps proving to sellout crowds. Over at the Brisbane City Botanic Gardens, after-dark fest Botanica: Contemporary Art Outside shines a light — many, many lights — each year, too. And, during 2023's Brisbane Festival this September, Lightscape will come to town, setting up a two-kilometre trail of light and colour also at the Brisbane City Botanic Gardens on Alice Street in the CBD. Of course, shimmering sights aren't just a Brisbane favourite, as Lightscape's stints in Melbourne and Brisbane have proven, plus everything bathing both cities in radiance during their respective RISING and Vivid fests. Brisbane's Lumina Night Walk is planned as a tourist drawcard in the lead up to the 2032 Olympic and Paralympic Games, as one of many changes sweeping the city before, during and after the global sporting events. "Brisbane is Australia's fastest growing capital city and a world class night-time experience such as Lumina Night Walks will create more to see and do and make Brisbane an even better place to live and visit," said Deputy Mayor and Civic Cabinet Chair for Economic Development Councillor Krista Adams about the approved application. Among the other changes headed Brisbane's way: a two-level pavilion with a gin distillery and rooftop garden at The Summit atop Mt Coot-tha; a 100-metre-tall Sky Deck at the new Queen's Wharf precinct in the CBD; tearing down and rebuilding the Gabba; renewing and reinvigorating South Bank, complete with a treetop walk, a permanent handmade goods market and new riverside lawns; and making over Victoria Park. And, there's also the revamping and expanding of Northshore Hamilton, adding a new seven-hectare riverside parkland to South Brisbane, opening a fifth theatre at QPAC, and Kangaroo Point's new green bridge with an overwater bar and restaurant. Brisbane's Lumina Night Walk doesn't yet have an opening date, but will run 150 nights per year, on Friday and Saturday nights and during school holidays. Keep an eye on the Lumina website for further details. Images: Lumina.
There's nothing like lacing up your hiking boots and discovering a new trail. To help shave down the Googling time for our next adventure, we've asked Concrete Playground readers to share their favourite trails. So, if you are planning to take advantage of the long weekend and stretch your legs, here are your tips for the best hikes to check out — plus suggestions for neighbouring campgrounds, as well as the nearest The Bottle-O so you can stock up on bevs for a winner weekend. Cape to Cape Walk Track, Gnarabup, WA Starting off with the big one, Cape to Cape in WA. This multi-day track is on every hike lover's hitlist, and for good reason, according to John, who submitted this tip: "The best views you will ever get in WA. You don't have to do the entire 130 kilometres from Cape Naturaliste to Cape Leeuwin — unless you have up to ten days to spare. You can break it up and do a smaller section, easy." So pack your gear, pick up your mates and head down from Perth to the starting point in Cape Naturaliste. Stop in Brunswick for hiking snacks, easy meals to enjoy and bevs from Brunswick's The Bottle-O to enjoy as the sun sets across the ocean as you camp at one of the many campsites along the trail. Closest The Bottle-O: Brunswick Forts Walk, Magnetic Island National Park QLD Are you keen on koala spotting, historical tours, and epic views? Find all three at the Magnetic Island National Park, just an easy car ferry from the mainland. The island is a frequent getaway for our reader Karen who says: "There's always rock wallabies hanging around the beaches and headlands in Arcadia. The best walk is the Forts Walk, hands down." Explore the rest of the island's rainforest, rocky coastline and local wildlife before stocking up on supplies including local Queensland craft beers from The Bottle-O in Arcadia. Then all that's left to do is chill at the campsite with your mates. Closest The Bottle-O: Arcadia Middle Brother National Park, NSW The biggest of the 'Brothers' parks, Middle Brother, is found on the mid-North Coast of New South Wales. Reader Alex recommends the Middle Brother Circuit: "It's a hard hike that covers most of the park, so you will see a lot. There's little signal and signage, so it's best to come prepared for this one. Or do the shorter Peak Loop — great for a trail run." After a long day on the trail, pack up your car and head to North Haven to stock up on supplies at the servo and drinks at The Bottle-O before kicking back at one of the caravan parks and enjoy the bush and the beach over the long weekend. Closest The Bottle-O: North Haven Nelson Falls, TAS Keen to chase waterfalls in the wild western side of Tasmania over the long weekend? According to our Instagram follower Natalie, the best track is Nelson Falls in the Franklin-Gordon Wild Rivers National Park. She says: "It's not a long trek, but it's worth the scenery and a perfect sidetrack if you're road-tripping from Cradle Mountain to Queenstown or vice versa. The best time to visit the falls is after heavy rain — the waterfall will be raging!". There's a free campground nearby, Lake Burbury, where you can relax with your mates and a few cold ones from The Bottle-O in Queenstown. Closest The Bottle-O: Queenstown Cape Woolamai Circuit Walk, VIC Melburnians who want to get out of the city for the long weekend are so spoiled for choice. You could go north to wine country or west to the Great Ocean Road, but reader Steve says you should head south along the Bass Coast to Phillip Island: "The best spot for an epic walk is the Cape Woolamai Circuit — it's the highest point on the island, so it's perfect for sunset snaps." The island is connected to the mainland by a bridge, so it's super easy to get to, and everything you need is there. Plus, there are plenty of accommodation options, from farm stays and campgrounds to resorts and hotels — and The Bottle-O for all your beverage needs. So, whatever kind of adventure you want to take with your mates this long weekend, you are sorted. Closest The Bottle-O: Phillip Island Wherever the road leads you on your weekend adventuring, find your nearest The Bottle-O and stock up on some standout bevs. Ready to start planning? Head to the website. Top image: Canva Stock
The duo behind Melbourne's sake brand Toji Sake, Shar and Yuta Kobayashi, brought a new taste of Japan to Richmond in 2019. The 100-seat restaurant on Swan Street is dishing up food inspired by both Australia and Japan, as well as sake cocktails. Kobayashi's Australian-Japanese roots and Chan's experience cooking Japanese fare have both influenced the menu, which focuses on izakaya-style snacks, such as yakitori, and dishes cooked on a hibachi (a Japanese charcoal grill). For yakitori, expect all the chicken parts — thigh, oyster, heart, breast — as well as leek, baby onions covered in miso and okra. Other snacks include the likes of duck gyoza with shiso and salted plum, kingfish sashimi with smoked daikon, smoked beef tartare and short ribs with chimichurri. Bigger items at Eazy Peazy might include okonomiyaki, porterhouse with wasabi, aged dashi eggplant and chicken karaage. Behind the restaurant's long concrete bar, you'll, of course, find a few Toji Sake concoctions. The brand's crisp junmai ginjo and high-grade junmai daiginjo sakes feature in a selection of cocktails, such as Aloe Peaches — with aloe vera juice, peach liqueur and cranberry — and the Shiso Crazy with shiso leaves, rum and soda. A mostly Australian wine list and a lineup of Japanese and local beers in tins, bottles and on tap round out the drinks offering. The Eazy Peazy fit-out, by award-winning Melbourne firm Carr Design, is meant to fuse traditional Japanese elements with modern touches. Think interior walls representing the rice fields of the Niigata Prefecture, a snow-like ceiling reminiscent of the Asahi mountain ranges and doors that look like raked sand in a zen garden. These elements are juxtaposed with projections of Tokyo's famed Shibuya Crossing and Japanese cartoon figurines used as handbag hooks. Images: Carly Ravenhall and Hortenzia.
Not a whole heap of regular folk can say they love flying. The crying babies, the contortions you perform to try and get comfy, the inevitable sore neck. But, there's something that makes it all a little better: the bar cart. The flight attendant finally rolls that booze-filled trolley to your aisle and you get to pick between a tiny white wine or a tiny red wine. Ah, the life. We're all missing travel at the moment, which, apart from the obvious, we can tell by how quickly Aussies snapped up the Qantas pjs when they went on sale. And to help ease some of that yearning, Qantas is selling 1000 bar carts. Yes, its bar carts. And they come stocked full of those mini bottles of booze, too. The bar carts are from the now-retired Boeing 747 fleet, which have gone to live in the Californian desert, and come in two sizes: a full cart or half. They will set you back a pretty penny, but you do get a lot of booze. The full cart is $1474.70 — or 256,000 points, if that is something you have — and includes 80 187-millilitre bottles of white wine, 80 of red wine, two sleeves of Tim Tams, two full bottles of champagne, four amenity kits, two first-class blankets and four sets of those coveted pjs, plus some smoked almonds and savoury biscuits. The half cart is quite literally half a cart and half of the contents, but not quite half of the price ($947.70). You can also buy the mini bottles individually for $2.99 a bottle. The carts can be delivered to Sydney, Melbourne, Brisbane, Adelaide and Perth metro postcodes. Yes, you could definitely just go and buy cheap wine and pretend you're on a plane — but, would it be as fun? No. So, get your mates to chip in and plan a night of low-altitude revelry. Qantas' bar carts are on sale until Friday, October 9 or until sold out. Snag yours over here.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=1Qn70iqo-4Q MONOS The relentlessness of modern life, the ongoing unrest in Colombia, and the ceaseless trials and tribulations that plague all teens facing adulthood — they all sit at the centre of stunning South America-set thriller Monos. Set in a camp of teen guerrillas, Alejandro Landes' third film follows gun-toting rebels that have barely said goodbye to childhood, but are still tasked with guarding an American hostage (The Outsider's Julianne Nicholson). Unsurprisingly, even with nothing around but fields, jungle, a cow to milk and occasional enemy fire, little goes according to plan. Engagingly lingering between a dark fairytale and a psychological treatise on war, combat and humanity's dog-eat-dog nature, the result is the definite standouts of the past year. From the eye-popping landscape cinematography and the needling tension of Mica Levi's score, to the commanding performance from the young cast, there's a reason that Monos proved a huge festival hit around the globe in 2019 — including winning Sundance's Special Jury Award — before finally releasing in Aussie cinemas. https://www.youtube.com/watch?v=nzqevBnUUZU&t=3s THE ASSISTANT After exploring the JonBenet Ramsey case not only with precision, but via a perceptive re-enactment technique that interrogated its impact — with excellent documentary Casting JonBenet the end result — trust Australian filmmaker Kitty Green to turn one of the biggest topics of the past few years into a compelling, unsettling, fiercely searing thriller. The subject: the culture of sexual harassment and sexually predatory behaviour in the entertainment industry. The context: #MeToo, obviously. Following a day in the professional life of an entry-level personal assistant, Jane (Ozark's Julia Garner), as she works for an unseen film production company head honcho, The Assistant unnerves by showing the routine, everyday nature of inappropriate workplace conduct, as well as the powerlessness of those both subjected and witness to it to stop it. As always in Green's films, every element is fine-tuned to evoke a strong and earned response — which, here, includes a grey colour palette, claustrophobic camerawork, a taut script, a commitment to authenticity and a devastatingly stellar performance by Garner. https://www.youtube.com/watch?v=tqO25i-XNEU THE PERSONAL HISTORY OF DAVID COPPERFIELD He's skewered British, American and Russian politics in The Thick of It, In the Loop, Veep and The Death of Stalin. This year, in the eerily prescient Avenue 5, he pondered what would happen if a group of people were confined on a cruise of sorts — a luxury space voyage — for an extended stretch of time. But, in period comedy mode, The Personal History of David Copperfield might just be Armando Iannucci's most delightful work yet. Indeed, playfully trifling with a Charles Dickens classic suits the writer/director. Boasting a charming performance by Dev Patel as the eponymous character, and also starring Tilda Swinton, Hugh Laurie, Peter Capaldi, Ben Whishaw and Game of Thrones' Gwendoline Christie, this is a fresh, very funny and sharp-witted rendering of the obvious literary source material. Recreating this tale of a Victorian-era young man cycling from wealth to poverty and back again, Iannucci and his frequent co-scribe Simon Blackwell take shrewd liberties with the story, while never letting issues of class, abuse, loss, corruption and the dog-eat-dog nature of capitalism slip from view. And, Iannucci's visual inventiveness — including the use of split screen and rear projection — also leaves an imprint. Read our full review. https://www.youtube.com/watch?v=eVlPl0SXFiE BAIT When a film is described as 'textured', the term typically refers to its narrative, themes and emotional impact, with nothing smooth, shallow or straightforward evident. That applies to Mark Jenkin's Bait as it hones in on feuding Cornish fisherman siblings Martin (Edward Rowe) and Steven Ward (Giles King). Indeed, examining not only family in-fighting, but culture clashes, the growing chasm between tradition and modernity, and the effect of tourism on local residents of scenic spots, this is a rich, tense, complex and mesmerising affair that muses as deeply on blood ties as it does on gentrification. Jenkin's film also boasts ample visual texture, too. It's noticeable from the feature's first moments, is intrinsically linked to its tone, and proves utterly inescapable as the sea, craggy shorelines, twisted nets and gnarled ropes all fill the screen. And, as shot on location with a 16mm Bolex camera — and on black-and-white stock that the director hand-processed — Bait's look and feel is as important to the movie as anything else within its frames. In fact, paired with a noticeable penchant for close-ups that forces the audience to stare firmly at both people and objects, this stunning British feature couldn't make a bigger or more powerful aesthetic splash. https://www.youtube.com/watch?v=9DOiI_zYQrs BELLBIRD Bruce (Cohen Holloway) has long since reached adulthood. And, for all of the garbage dump worker's life, his mother Beth (Annie Whittle) has provided a buffer between him and his stoic father Ross (Marshall Napier). When tragedy strikes, however, they're forced to not only face a future without her — including the minutiae of running their scenic Northland dairy farm — but to truly face and talk to each other in a meaningful way for the first real time. Marking the feature directorial debut of teacher-turned-filmmaker Hamish Bennett, made in the area he grew up in and following the same characters from his 2014 short film Ross & Beth, Bellbird explores a straightforward and well-traversed concept, with mourning no stranger to screens. That said, this patient, understated and gently humorous New Zealand drama is a soulful and thoughtful gem. As well as finding a wealth of depth in two men ill-equipped to confront their complicated emotions but given no choice but to try, this gorgeously shot and weightily performed feature matches Bruce and Ross' taciturn ways with an astute script that conveys more through silence than words. https://www.youtube.com/watch?v=BewCjGqefoQ LOVE SARAH Also focusing on connection and reflection sparked by grief, Love Sarah steps into another family attempting to cope with loss. In this case, the dearly departed is the titular chef — the estranged daughter of ex-circus performer Mimi (Celia Imrie), beloved mother of dancer Clarissa (Shannon Tarbet), and best friend and business partner of Isabella (Shelley Conn). When the latter decides to forge ahead with Sarah's plans to open a bakery, she realises that she can't do it without both Mimi and Clarissa's help. Also lending a hand: Sarah and Isabella's culinary school pal Matthew (Rupert Penry-Jones), who might be Clarissa's father. Directing her first feature, filmmaker Eliza Schroeder lets everything about Love Sarah play out as expected, including its soft hues, appetising cake and pastry shots, and exploration of renewed bonds and new opportunities in the face of life-altering change. The film is suitably sweet, of course, and always palatable; however it's far too happy to stick to the easiest recipe possible — with some plot strands overstressed to add extra drama, and one of the movie's more enticing and interesting narrative elements quickly introduced and then abandoned. https://www.youtube.com/watch?v=2Tzas-d8MgM THE WRETCHED For part of this year, when US cinemas were closed but some drive-ins were still open, The Wretched topped the American box office. In no other scenario would that have occurred, so consider the attention afforded Brett and Drew T Pierce's instantly familiar but always effective horror film one of the few silver linings of pandemic-inspired lockdowns. Set in a small coastal town, the siblings' slickly crafted feature follows teenager Ben (John-Paul Howard), who's visiting his divorced father Liam (Jamison Jones). As tends to happen in this type of creepfest, his arrival coincides with strange goings-on at the house next door — namely a sinister force that's wreaking havoc on his neighbours and threatening to spread its malevolence even further. Immediately recalling 80s-era spookiness (and clearly the product of writer/directors who've spent much of their lives watching scary flicks from the period), The Wretched perfects the genre's jumps and bumps with ease, as well as the filmmaking nuts and bolts. In terms of its supernatural storyline, though — and its witchy villain — it does lean heavily on cliches. https://www.youtube.com/watch?v=_K4qawhyasA&feature=emb_logo A SON A tragic accident causes a long-kept secret to come to light — and sparks a series of difficult choices for a Tunisian struggling couple — in the tense and moving A Son. Despite that description, however, this isn't just an intimate drama about messy personal lives tested by heightened circumstances, although it definitely fits that bill. As well as chronicling the fallout when Aziz (Youssef Khemiri), the 11-year-old son of Fares (Sami Bouajila) and Meriem (Najla Ben Abdallah), is hit by a stray bullet during an on-the-road ambush by an armed group, debut filmmaker Mehdi Barsaoui examines the societal underpinnings deepening the family's troubles. Aziz is in dire need of a liver transplant in the aftermath of the attack, but the quest to find a donor is complicated due to cultural, religious and political reasons, as well as a revelation that rocks Meriem and Fares' marriage. Playing parents and partners pushed to their limits, Bouajila and Abdallah are superb. And, while some of the movie hits predicable narrative beats, Barsaoui isn't afraid to veer in confronting directions, or to peer intently at the state of Tunisia today. https://www.youtube.com/watch?v=Eq2n6LJrrZY THE BOOKSELLERS Calling all bibliophiles — whether your bookshelves are bulging, you've spent far too much of your life in bookstores or you've always dreamed about turning your passion for reading into your profession. Focusing on New York's rare booksellers, as well as the ups and downs of their industry, US documentary The Booksellers touches on all of the above. It's also catnip for anyone who's never more content than when they're thumbing through a printed tome, and convincingly evokes the feeling of trawling through shelf after shelf of old, beloved volumes. Cycling through the main players in NYC's antiquarian and secondhand book scene, stepping through the history of dealing in rare texts and contemplating what the future might hold as technology threatens to change everything, this is a meticulously structured, deftly edited, and immensely fascinating ode to the printed word and the happiness it brings. Filmmaker DW Young doesn't make any surprising moves, but he doesn't need to, with his overall topic, his individual subjects and the world they inhabit proving as captivating as any must-read page-turner. https://www.youtube.com/watch?v=2VSaaTCrhlU IT MUST BE HEAVEN In It Must Be Heaven, Palestinian filmmaker Elia Suleiman both directs and plays himself. He also doesn't say a single word on-screen. Serving up a slice of observational comedy, he instead bears witness to and satirises the world around him — starting in his hometown of Nazareth, then roaming to Paris, New York and Montreal. In each place, absurdity reigns. Suleiman isn't interested in overt farce, though, but in a comically heightened, expertly choreographed exploration of the type of strangeness and silliness that lingers in ordinary lives, everyday situations and widespread attitudes. Think: run-ins with authority, examples on the increasingly engrained nature of violence, pondering global tourism and ruminating on the way that one's homeland shapes identity. The ebbs and flows of Suleiman's filmmaking career provide the scantest narrative framework, complete with a brief appearance by Gael Garcia Bernal as himself; however It Must Be Heaven favours vignettes, sight gags, soulful reflection, expressive comedy and strikingly staged moments over neat storytelling. https://www.youtube.com/watch?v=7w5Ej4SF2LE MASTER CHENG The ability of food to overcome national, cultural and racial bounds — to erase barriers, bring people together and help forge new bonds — is an overused cinematic trope. So too is the healing, happiness-inducing power of a great dish, including in fish-out-of-water and down-on-one's-luck scenarios. That doesn't stop Finnish comedy Master Cheng from giving all of the above a workout, though. Here, the titular Chinese chef (Pak Hon Chu) heads to the European country with his son Nunjo (Lucas Hsuan) in tow, plans to connect with an old colleague, but finds himself forging ties in a remote village instead. Naturally, there's a slow-simmering romantic connection with a local in the form of diner owner Sirkka (Anna-Maija Tuokko). Just as expectedly, the community warms to the newcomer's presence. What helps lift Master Cheng, however, isn't filmmaker Mika Kaurismäki's love of a clearcut (and clearly sentimental) template, but the time and attention he invests in building characters, as evidenced best in the film's fleshed-out central duo. https://www.youtube.com/watch?v=0qF-TrY0hBg&feature=youtu.be ROMANTIC ROAD Many a screenwriter has probably tried to pen a similar tale, but the story of Rupert and Jan Grey, their retirement plans and the adventure that followed could've only stemmed from truth. Invited to attend a festival in Dhaka, Bangladesh, the couple decide to drive Rupert's father's 1936 Rolls Royce across India to get there. The journey proves revelatory and life-changing in a variety of ways; however it's the detail captured by filmmaker Oliver McGarvey and his documentary Romantic Road that couldn't be more authentic. The Greys' road trip hits obstacles, both expected and not-so. That's part of the genre, whether based on fiction or fact. Here, though, McGarvey doesn't just focus on the trek and the ensuing escapades along the way, but spends much of the film unpacking his subjects' 35-year relationship — and their motivation to add this hefty drive to their lifetime's worth of affection and memories. https://www.youtube.com/watch?v=Rhwx30NPMY4 THE TAVERNA Setting a film inside a bustling restaurant — here, the White Village Greek Tavern in Melbourne's Elsternwick — almost feels like science fiction at this very moment. With The Taverna, though, it's inspiration for modest laughs, dramas and insights, with this ensemble piece charting the action in its obvious setting across one particularly chaotic night. Owner Kostas (Vangelis Mourikis) has plenty to deal with, including a car accident involving his shady son Angelo (Christian Charisiou), trying to get his his waitress Sally (Emily O'Brien-Brown) to replace his belly dancer Jamila (Rachel Kamath), and troubles with the latter, her ex-husband Arman (Peter Paltos) and his new girlfriend Rebecca (Tottie Goldsmith). Embracing multicultural Australia to an extent that isn't always seen on local screens, the result is a warm, sometimes wavering but generally engaging film from writer/director Alkinos Tsilimidos (Silent Partner, Tom White, Em 4 Jay). From 11.59pm on Wednesday, July 1, until at least Wednesday, July 29, stay-at-home orders have been reintroduced in ten Melbourne postcodes, which means their residents can only leave for one of four reasons: work or school, care or care giving, daily exercise or food and other essentials. For more information, head to the DHHS website.
Over the course of the past year that wasn't, things like scheduling have more or less gone out the window. After all, how far ahead can you plan if things could change, quite literally, at any minute? If nothing else, the past year has probably taught us all how to be spontaneous — but spontaneously having people over at your place (restrictions permitting, of course) doesn't mean that you should neglect your duties as host. That's where we come in. We've teamed up with Yumi's to put together a list of six easy things to whip up for last-minute — or even unexpected — guests. [caption id="attachment_817506" align="alignnone" width="1920"] Benjamin Brunner (Unsplash)[/caption] TOMATO, BOCCONCINI AND BASIL BITES The low effort to high payoff ratio of these treats makes them an easy crowd-pleaser. It's not hard to imagine why the tried-and-true combo of plump, sweet tomato, creamy cheese and fresh, zingy basil has become a grazing platter staple — not only are the flavours a perfect match, but these morsels are a cinch to put together, and also incredibly versatile. Whether you stack them as fresh bite-sized stacks, turn them into a salad, or put them on a pizza, these tricolour treats will be sure to put a smile on your guests' faces. FALAFELS These veggie favourites will please even the pickiest eaters. And thankfully, it couldn't be more easy to impress your guests with them, thanks to Yumi's range of excellent pre-cooked falafels. They come in a classic and sesame variety, and also in resealable bags — meaning you can even keep some for yourself after your guests leave. Give them a quick zap in the microwave for half a minute, and serve them with liberal amounts of Yumi's classic silky hommus or addictive garlic dip to take your platter to the next level. [caption id="attachment_817512" align="alignnone" width="1920"] Brett Jordan (Unsplash)[/caption] MINI QUICHES Mixing up your platter with hot and cold options automatically takes your hosting levels up a notch (at least in the eyes of your guests). And less than ten minutes of prep using pantry staples is all it takes to impress when you plate up these mini quiches. They're filling, tasty and versatile — try mixing it up with different types of cheese or veggies. [caption id="attachment_817513" align="alignnone" width="1920"] Martin Alargent (Pexels)[/caption] FIGS AND CHEESE We may not be able to travel right now, but the dreamy combination of figs and goat cheese will at least transport your tastebuds to the Mediterranean. The sweet, plump and honeyed notes of the fruit are the perfect foil to cut through cheese with stronger flavours — goat's cheese is a great pairing (especially drizzled with a bit of honey), but other cheeses, like a sharp stilton or a creamy brie, work just as well. It's an easy combo to assemble, too — cut the figs in half and serve them up with your choice of cheese. If you want to take it to another level, popping the fruit under the grill can bring out more of the flavour. DIPS, CRUDITES AND CRACKERS Whether you're serving them before dinner or they're accompanying casual wine time, dips are perhaps the ultimate no-brainer for entertaining at home (or solo snacking, we hasten to add). Yumi's has long been a favourite for its creative range of dips that are packed with real ingredients — from a creamy avo and sea salt dip to the mildly sweet roasted beetroot, there are combinations to suit any palate. Chop up some veggies or spread out some crackers for dipping and you've got yourself a winning platter. Feeling fancy? You can even make your own crackers — these rosemary ones go with just about anything. [caption id="attachment_817519" align="alignnone" width="1920"] Matt Seymour (Unsplash)[/caption] MINI SAUSAGE ROLLS The humble sausage roll is another platter pick that seems like you've gone to more trouble than you actually have. Sure, you can get fancy with it and make your own filling, but if you're pressed for time, you can bring pre-made sausages to the party, wrap them up in puff pastry, portion them out and bang them in the oven. Add a couple of sides for dipping — we love the contrast of a sweet chutney — and you're set. For more entertaining inspiration, check out the full range of Yumi's falafels, veggie bites and dips.
When Matt Murdock (Charlie Cox, Kin) and Wilson Fisk (Vincent D'Onofrio, Dumb Money) first sit face to face in the debut episode of Daredevil: Born Again's initial season, they do something that neither has ever been fond of with the other: agree. Daredevil and Kingpin are no more, they both confirm, under threats going both ways should that statement ever stop proving accurate on either's part. Murdock has his legal career to focus on. Fisk is running for mayor of New York City. Murdock will hold Fisk to account, though, if he's anything but above board in his new role running the Big Apple — and Fisk, campaigning with a strong anti-vigilante message, will respond if Murdock slips into Daredevil's red costume again. Murdock and Fisk are back. With the characters dating back more than half a century, so is one of the comic-book realm's greatest rivalries. It's been a decade since the first streaming series to follow their battle on the small screen premiered and also seven years since it wrapped up, with Netflix's Daredevil spanning three seasons from 2015–2018. While that show wasn't part of the Marvel Cinematic Universe, its successor definitely is. Joining Disney+'s small-screen catalogue after WandaVision, The Falcon and the Winter Soldier, two seasons of Loki, Hawkeye, Moon Knight, Ms Marvel, She-Hulk: Attorney at Law, Secret Invasion, Echo and Agatha All Along, Daredevil: Born Again is a new beginning for its namesake and his nemesis, then, but it also honours its television past. Grey areas not only come with the territory in this fierce feud — they aptly apply to its latest TV date. Consider this a fresh start, yes, as well as a sequel. The MCU has been working towards bringing Daredevil and Kingpin's friction into the fold for a few years now, officially announcing Daredevil: Born Again in 2022 much to the delight of fans, then beginning to put that plan into action elsewhere across the franchise. So, viewers have already seen Murdock in Spider-Man: No Way Home and She-Hulk: Attorney at Law, Fisk in Hawkeye, and both in Echo. As those appearances have been popping up and piling up, giving the pair their own series again has journeyed along a winding path due to a creative overhaul partway through. Consider Daredevil: Born Again a show with history, too, in multiple ways in front of and behind the camera. Boasting a connection with Marvel's small-screen tales at Netflix courtesy of The Punisher (which sat alongside not just Daredevil, but Jessica Jones, Luke Cage, Iron Fist and The Defenders), screenwriter and TV producer Dario Scardapane joined Daredevil: Born Again during that shake-up, taking over the reins as showrunner. One of his key tasks: finding the right balance between continuing the story of the Netflix show and taking this new chapter for Murdock and Fisk in its own direction. He was certain that moving forward couldn't mean never looking backwards. He also felt strongly that two more beloved characters needed to be a part of the series. Karen Page (Deborah Ann Woll, Queen of the Ring) and Franklin 'Foggy' Nelson (Elden Henson, Killers of the Flower Moon) weren't originally featured in Daredevil: Born Again — and if that seems unthinkable, that was also the case for the Trauma, The Bridge and Jack Ryan alum now calling the shots. [caption id="attachment_994610" align="alignnone" width="1920"] Photo by Jamie McCarthy/Getty Images for Disney[/caption] Scardapane said he wouldn't take the gig without Karen and Foggy, in fact. "I'm a true Italian in form. I have a tendency to make bold statements that may or may not be 100-percent accurate," he tells Concrete Playground. "The thing is, when I went in and talked to them, those two characters had been missing from the original, the first iteration. And unfortunately, in having them referenced but not seeing them, there was something missing in terms of that bridge between seasons. And then I also think that one of the most-interesting characters in the Marvel world, that has not been given as much room to just rock, is Karen Page. I just think that's a fantastic character. I'm super interested in the relationship she has with Matt Murdock. I'm interested in that family of three that you see, and when there's a loss in the family, what happens. So it was, yeah, it was a little extreme to say 'I'm not going to take it unless I get to do this', but it seemed that it was absolutely integral to telling the tale and bringing us into this new version." "And we wanted to do it," notes Sana Amanat, one of Daredevil: Born Again's executive producer — and not only an MCU veteran thanks to Ms Marvel, but a comic-book editor who co-created Kamala Khan on the page. "I think we realised it as we were watching the material. We're like 'this feels like there's something missing'. The heart of the show was missing, and we were all just very simpatico," she advises. "Dario has this phrase, he says 'yes, and' a lot, which I love — because it makes for such a rich collaboration. We wanted the same thing for this project — very much so," Amanat continues. Adds Scardapane: "and it was funny, I think I wasn't there, but I think probably in that, when you had the opportunity to kind of stop, slow down and take a look, it must have felt like 'oh, somebody's missing'. Like there's an X-factor there." As Daredevil: Born Again's nine-episode first season keeps establishing, Daredevil's past ties couldn't remain more crucial to the series, even in a narrative that sees Murdock confront a new future — and, in what proves an engrossing character study not just of its eponymous figure but of his main adversary, in a show that faces the similarities between Daredevil and Kingpin, and how those commonalities drive their obsessions with each other regardless of whether either will admit it. We also chatted with Scardapane and Amanat about that dynamic, as well as how crucial Cox and D'Onofrio are individually and together, knowing what to build upon from Netflix's Daredevil, how working on The Punisher and Ms Marvel helped them prepare for Daredevil: Born Again, and more. On Finding the Right Balance Between Continuing the Story of the Netflix Show and Shaking Things Up Sana: "I think it was quite important, first of all, for us to pay respect to the material that was there before. We really believed in it and we really loved it. The challenge for us was making sure that it was familiar, yet it was charting a new course. We didn't want people to feel like they needed to watch everything — they needed to be able to step in at the first episode and know everything that you needed to know. And I have to say, really a lot of credit to obviously Dario and our writing team, and Justin and Aaron [directors Justin Benson and Aaron Moorhead, who also worked on Moon Knight and Loki], who told us everything you needed to know in those first 15 to 20 minutes. I think also visually, stylistically, again there is a lot of references pulled from the old show, but we tried to do something new and fresh also to make sure that New York felt real, and that there was also stylistic pops that took into account his sensory experience — Matt Murdock as someone who is blind with heightened senses. So that combination, I think, really made it feel like a Daredevil that was in its new course and new chapter, and hopefully it feels exciting and thrilling and bold for folks coming in. We hope that you guys really see the love that we put into it." Dario: "And then when I came in and saw what they had, it was like 'this stuff is really, really, really cool'." Sana: "Yeah." Dario: "But it needs a bridge. It needs something that takes you from the past, from the end of the Netflix show, into what we're doing now. And that was really a large portion of the job, in terms of giving audiences, — and fans like myself of the old show — a touchstone, and then taking them somewhere new." On How Crucial Charlie Cox and Vincent D'Onofrio Are — Not Just as Daredevil and Kingpin Individually, But in Bringing That Rivalry to the Screen Together Sana: "They're so absolutely pivotal. I feel like they are these mythological figures. They are larger than life. When you see them step on set as Daredevil and as Kingpin, you see the presence that Charlie and Vincent have and what they bring to these roles. So there's no other question for me — I mean, those are those characters. And that diner scene in itself, at the opening of 101, said everything that you needed to know about the entire series, about their prowess as actors — and through Dario's incredible writing, and Justin and Aaron's great, great directing. It's just an amazing combination." Dario: "And you were right when you say that the two of them together are more than the sum of their parts." Sana: "Yeah." Dario: "And that's what's so fun about working with and writing for two characters that have such a rich history. There's the history that the characters in the comic book have. Then there's the history that that Charlie and Vincent have, having done this now for about ten years. So when you get in a room to do a scene or write a scene for them, you have the weight and the joy of all that history, and these two actors who know it so well." Sana: "Yeah, it feels like the years of storytelling is building to an intense character drama about these two characters — and honestly, how similar they are. They might be different, but they're pretty similar, too." On Daredevil: Born Again Being a Character Study That Highlights the Commonalities Between Daredevil and Kingpin — and Why That Makes Them So Obsessed with Each Other Dario: "They're both carrying duality. That's what's funny. You have a character or person that is Matt Murdock and Daredevil. You have a person that is Kingpin and Fisk. And those are constantly interacting and constantly bouncing into each other, and bringing out the worst in each other at times. And this whole saga, for lack of a better word, this is what it's all about: this dance, this fight between Kingpin and Daredevil. What are the ripple effects it has into the world? What are what these two people's obsessive need to bang heads? What does it mean for everybody and everything in a city around them?" Sana and Dario, in unison: "It's hard to come to terms with your violent nature." Sana: "Truly, they both have a very complicated and similar relationship to violence, and that is something that is really intriguing to show." On Deciding Which Elements to Continue From the Netflix Series — and Where to Stand Apart Dario: "It's really funny — that's a great question, and there's kind of a litmus test for all of it. There's so many people. We're all bringing everything we can to being custodians of this character. When something's right, you literally feel it. And when something's off, you feel it. So in the same way, if I write something for Vincent that just doesn't feel right, he's like: 'hold on, try this'. And when we build a storyline that just doesn't feel on-story — we discarded a few for season two that just didn't feel like what we wanted to do. And the thing is, is that we've taken almost everything that was started over the course of those three seasons, because there's so much in those three seasons, and we've just put it into a context of seven, eight years later and a bigger conflict because Fisk is now, he's the system." Sana: "There's also just us as fans being like 'oh my god, we love this from the old show." Dario: "Gotta do it. Gotta do it." Sana: "We've got to do it. So that's our litmus test. Like Bullseye — you know, we love Bullseye." Dario: "You were like, very early on 'so, we've got to do a oner'. I was like 'yes, we do'. There was no, especially with the two of us, there's very little like 'oh, no, that's not the show'." Sana: "100 percent. We're usually on the same page, which is awesome." Dario: "Yeah." On What Scardapane Learned From Making The Punisher and Amanat From Ms Marvel That Helped with Daredevil: Born Again Dario: "Now wouldn't that be a team-up." Sana: "Oh my god, that'd be awesome. It's like The Last of Us — but yeah." Dario: "You go first." [caption id="attachment_994625" align="alignnone" width="1920"] Photo by Jamie McCarthy/Getty Images for Disney[/caption] Sana: "What did I draw on for this? I mean, ultimately the biggest thing for me — obviously the joy of filmmaking and creating and storytelling is just unmatched, and for me, I've been lucky enough to do it at Marvel for so long. It is about the people that you work with, making sure that they feel heard, that they feel like they're bringing their best — and that we're all creating the same thing together, we're all collectively building just this beautiful tapestry of a very hopefully powerful story. And to me that's the same in any genre that you work on. And if you're lucky enough to work with such great collaborators who can help you bring this vision to life, my job really is to help draw the best out of everyone we're working with to be able to tell the best story that we possibly can. And that is the delight, the delight of my job." [caption id="attachment_994626" align="alignnone" width="1920"] Photo by Jamie McCarthy/Getty Images for Disney[/caption] Dario: "The takeaway from The Punisher for me, really — and I will say I had two, for lack of a better word, two great teachers on that job in Jon Bernthal and Steve Lightfoot — was you're writing something that is incredibly dark, incredibly gritty and incredibly violent, but you're always trying to find the humanity inside it. And you're always — when you watch some of Steve's writing, and when you watch some of Jon, what he does with the character — you're always trying to find the heart. And I definitely brought that as best I can to Daredevil. In and amongst all the punching and broken bones and mayhem, you want to find the heart and soul of these characters. You want to really feel." Daredevil: Born Again streams via Disney+. Daredevil: Born Again stills: Giovanni Rufino, courtesy of Marvel Television. © 2024 MARVEL.
If there's one thing the entertainment industry loves at the moment, it's turning movies into something else. Musicals and television shows, to be exact. Following in the footsteps of La La Land, Amelie and a wealth of others, The Devil Wears Prada is the latest film making the leap to another medium. Yes, the fashion-focused workplace drama is headed to the the stage in musical form. Showing just how terrifying your boss has to be to make you not just scream, but sing, the film-to-theatre adaptation will take its cues from the 2003 novel the movie was based on, as well as the 2006 flick starring Meryl Streep and Anne Hathaway. And, it'll come with songs from a famous source, with Elton John signing on to compose the production's music. If this sounds partly familiar, that's because taking The Devil Wears Prada to the stage has been mooted since 2015, but without any specific details. John will join forces with playwright and screenwriter Paul Rudnick (Sister Act, Addams Family Values) to bring the tale of aspiring journalist Andy Sachs, her haughty, haute couture magazine editor Miranda Priestley to singing-and-dancing life. No word yet on casting, or when the musical will become the kind of hot ticket that a million girls would kill for. Via Deadline.
Winter is coming, as Game of Thrones has been telling us for years — but the show's final season is coming first. Before the weather turns cold again in the southern hemisphere, fans of the epic HBO series will be able to discover how the popular series wraps up, so mark your calendars accordingly. After leaving everyone hanging for the entirety of 2018, HBO has announced that Game of Thrones' eighth and final season will hit the small screen on April 14, 2019, US time — so Monday, April 15 in Australia — nearly two years after season seven premiered in July 2017. If you're eager to get your fix of the series' staples — that is, battles, bloodshed, betrayal, bare chests, family bickering, Jon Snow knowing nothing (including about his long-lost aunt) and plenty of dragons — then you can start counting down the days: there are 90 to go. HBO revealed the launch date this morning at the end of slightly creepy new teaser, featuring Jon Snow and Sansa and Arya Stark in the crypts of Winterfell. They're faced with the talking statues of Lyanna, Catelyn and Ned Stark, and look set to battle White Walkers, but you can watch it all below. You can check out the other season eight teasers here. Of course, we all know that this isn't really the end of the world created by author George RR Martin — and no, we're not talking about the now seven-year wait for his next book in the literary franchise, The Winds of Winter. A prequel TV series to Game of Thrones is in the works, set thousands of years before the events we've all be watching since 2011, with Naomi Watts set to star. Come next year, you'll also be able to tour original GoT filming locations in Northern Ireland. https://youtu.be/wA38GCX4Tb0
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. DON'T WORRY DARLING Conformity rarely bodes well in cinema. Whenever everyone's dressing the same, little boxes litter the landscape or identical white-picket fences stretch as far as the eye can see, that perception of perfection tends to possess a dark underbelly. The Stepford Wives demonstrated that. Pleasantville, Blue Velvet and Vivarium all did as well. Yes, there's a touch of conformity in movies about the evils of and heralded by conformity; of course there is. That remains true when Florence Pugh (Black Widow) and Harry Styles (Eternals) navigate an ostensibly idyllic vision of retro suburbia in a desert-encased enclave — one that was always going to unravel when the movie they're in is called Don't Worry Darling. Don't go thinking that this handsome and intriguing film doesn't know all of this, though. Don't go thinking that it's worried about the similarities with other flicks, including after its secrets are spilled, either. It'd be revealing too much to mention a couple of other movies that Don't Worry Darling blatantly recalls, so here's a spoiler-free version: this is a fascinating female-focused take on a pair of highlights from two decades-plus back that are still loved, watched and discussed now. That's never all that Olivia Wilde's second feature as a filmmaker after 2019's Booksmart is, but it feels fitting that when it conforms in a new direction, it finds a way to make that space its own. That's actually what Pugh's Alice thinks she wants when Don't Worry Darling begins. The film's idealised 1950s-style setting comes with old-fashioned gender roles firmly in place, cocktails in hand as soon Styles' Jack walks in the door come quittin' time and elaborate multi-course dinners cooked up each night, with its protagonist going along with it all. But she's also far from keen on having a baby, the done thing in the company town that is Victory. It'd curtail the noisy sex that gets the neighbours talking, for starters. Immaculately clothed and coiffed women happily playing dutiful housewives in a cosy sitcom-esque dream of America generations ago: that's Wilde and screenwriter Katie Silberman's (also Booksmart) entry point; however, they waste zero time in showing how rebelling in her own child-free way isn't enough to quell Alice's nagging and growing doubts about utopia. There's much to get her querying, such as the earth-shaking sounds that rumble when Victory's men are at work, doing top-secret business on "progressive materials" out in the sandy expanse. There's the reflections in the mirror that briefly take on a life of their own, too — starting in a ballet class that's about retaining control, coveting symmetry and never upsetting the status quo far more than dancing. And, there's the pushed-aside Margaret (KiKi Layne, The Old Guard) after she disrupts a company barbecue. All the rules enforced to keep Victory's women in their places, and the cult-like wisdom that town and company founder Frank (Chris Pine, All the Old Knives) constantly spouts, are also inescapable. So is the force with which asking questions or daring to be different is publicly nixed, as Alice quickly discovers. And, it's impossible to avoid how the men band together when anything or anyone causes a bump, even their own other halves. Swiftly, Alice's days scrubbing and vacuuming her Palm Springs-inspired bungalow, then sipping cocktails poolside or while window shopping with fellow Victory spouses like Bunny (Wilde, Ghostbusters: Afterlife) and Peg (Kate Berlant, A League of Their Own), fall under a shadow — not literally in such sunnily postcard-perfect surroundings, but with shade still lingering over every part of her routine. Speaking up just gets dismissed, and Frank and his underlings (including a doctor played by Timothy Simmons, aka Veep's Jonah Ryan, who is instantly unnerving thanks to that stroke of casting) have too-precise answers to her concerns. Read our full review. THE STRANGER No emotion or sensation ripples through two or more people in the exact same way, and never will. The Stranger has much to convey, but it expresses that truth with piercing precision. The crime-thriller is the sophomore feature from actor-turned-filmmaker Thomas M Wright — following 2018's stunning Adam Cullen biopic Acute Misfortune, another movie that shook everyone who watched it and proved hard to shake — and it's as deep, disquieting and resonant a dance with intensity as its genre can deliver. To look into Joel Edgerton's (Thirteen Lives) eyes as Mark, an undercover cop with a traumatic but pivotal assignment, is to spy torment and duty colliding. To peer at Sean Harris (Spencer) as the slippery Henry Teague is to see a cold, chilling and complex brand of shiftiness. Sitting behind these two performances in screentime but not impact is Jada Alberts' (Mystery Road) efforts as dedicated, determined and drained detective Kate Rylett — and it may be the portrayal that sums up The Stranger best. Writing as well as directing, Wright has made a film that is indeed dedicated, determined and draining. At every moment, including in sweeping yet shadowy imagery and an on-edge score, those feelings radiate from the screen as they do from Alberts. Sharing the latter's emotional exhaustion comes with the territory; sharing their sense of purpose does as well. In the quest to capture a man who abducted and murdered a child, Rylett can't escape the case's horrors — and, although the specific details aren't used, there's been no evading the reality driving this feature. The Stranger doesn't depict the crime that sparked Kate Kyriacou's non-fiction book The Sting: The Undercover Operation That Caught Daniel Morcombe's Killer, or any violence. It doesn't use the Queensland schoolboy's name, or have actors portray him or his family. This was always going to be an inherently discomforting and distressing movie, though, but it's also an unwaveringly intelligent and impressive examination of trauma. There's no other word to describe what Mark and Rylett experience — and, especially as it delves into Mark's psychological state as he juggles his job with being a single father, The Stranger is a film about tolls. What echoes do investigating and seeking justice for an atrocious act leave? Here, the portrait is understandably bleak and anguished. What imprint do such incidences have upon society more broadly? That also falls into the movie's examination. Mark, along with a sizeable group of fellow officers, is trying to get a confession and make an arrest. Back east, Rylett is one of the police who won't and can't let the situation go. Doling out its narrative in a structurally ambitious way, The Stranger doesn't directly address the human need for resolution, or to restore a semblance of order and security after something so heinously shocking, but that's always baked into its frames anyway. Travelling across the country, Henry first meets a stranger on a bus, getting chatting to Paul (Steve Mouzakis, Clickbait) en route. It's the possibility of work that hooks the ex-con and drifter — perhaps more so knowing that his potential new gig will be highly illicit, and that evading the authorities is implicit. Soon he meets Mark, then seizes the opportunity to reinvent himself in a criminal organisation, not knowing that he's actually palling around with the cops. It's an immense sting, fictionalised but drawn from actuality, with The Stranger also playing as a procedural. The connecting the dots-style moves remain with Rylett, but Wright's decision to hone in on the police operation still means detailing how to catch a killer, astutely laying out the minutiae via action rather than chatting through the bulk of the ins and outs. Read our full review. AMSTERDAM There's only one Wes Anderson, but there's a litany of wannabes. Why can't David O Russell be among them? Take the first filmmaker's The Grand Budapest Hotel, mix in the second's American Hustle and that's as good a way as any to start describing Amsterdam, Russell's return to the big screen after a seven-year gap following 2015's Joy — and a starry period comedy, crime caper and history lesson all in one. Swap pastels for earthier hues, still with a love of detail, and there's the unmistakably Anderson-esque look of the film. Amsterdam is a murder-mystery, too, set largely in the 1930s against a backdrop of increasing fascism, and filled with more famous faces than most movies can dream of. The American Hustle of it all springs from the "a lot of this actually happened" plot, this time drawing upon a political conspiracy called the White House/Wall Street Putsch, and again unfurling a wild true tale. A Russell returnee sits at the centre, too: Christian Bale (Thor: Love and Thunder) in his third film for the writer/director. The former did help guide the latter to an Oscar for The Fighter, then a nomination for American Hustle — but while Bale is welcomely and entertainingly loose and freewheeling, and given ample opportunity to show his comic chops in his expressive face and physicality alone, Amsterdam is unlikely to complete the trifecta of Academy Awards recognition. The lively movie's cast is its strongest asset, though, including the convincing camaraderie between Bale, John David Washington (Malcolm & Marie) and Margot Robbie (The Suicide Squad). They play pals forged in friendship during World War I, then thanks to a stint in the titular Dutch city. A doctor, a lawyer and a nurse — at least at some point in the narrative — they revel in love and art during their uninhabited stay, then get caught in chaos 15 years later. Amsterdam begins in the later period, with Burt Berendsen (Bale) tending to veterans — helping those with war injuries and lingering pain, as he himself has — without a medical license. He once had a Park Avenue practice, but his military enlistment and his fall from the well-heeled set afterwards all stems from his snobbish wife Beatrice (Andrea Riseborough, The Electrical Life of Louis Wain) and her social-climbing (and prejudiced) parents. As he did in the war, however, Burt aids who he can where he can, including with fellow ex-soldier Harold Woodman (Washington). That's how he ends up lending a hand (well, a scalpel) to the well-to-do Liz Meekins (Taylor Swift, Cats) after the unexpected death of her father and their old Army general (Ed Begley Jr, Better Call Saul). The bereaved daughter suspects foul play and Burt and Harold find it, but with fingers pointing their way when there's suddenly another body. Two police detectives (The Old Guard's Matthias Schoenaerts and The Many Saints of Newark's Alessandro Nivola), both veterans themselves, come a-snooping — and Burt and Harold now have two tasks. Clearing their names and figuring out what's going on are intertwined, of course, and also just the start of a story that isn't short on developments and twists (plus early flashes back to 1918 to set up the core trio, their bond, their heady bliss and a pact that they'll keep looking out for each other). There's a shagginess to both the tale and the telling, because busy and rambling is the vibe, especially with so much stuffed into the plot. One of Amsterdam's worst traits is its overloaded and convoluted feel, seeing that there's the IRL past to explore, a message about history repeating itself to deliver along with it, and enough mayhem to fuel several romps to spill out around it. The pacing doesn't help, flitting between zipping and dragging — and usually busting out the wrong one for each scene. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on July 7, July 14, July 21 and July 28; August 4, August 11, August 18 and August 25; and September 1, September 8, September 15, September 22 and September 29. You can also read our full reviews of a heap of recent movies, such as Thor: Love and Thunder, Compartment No. 6, Sundown, The Gray Man, The Phantom of the Open, The Black Phone, Where the Crawdads Sing, Official Competition, The Forgiven, Full Time, Murder Party, Bullet Train, Nope, The Princess, 6 Festivals, Good Luck to You, Leo Grande, Crimes of the Future, Bosch & Rockit, Fire of Love, Beast, Blaze, Hit the Road, Three Thousand Years of Longing, Orphan: First Kill, The Quiet Girl, Flux Gourmet, Bodies Bodies Bodies, Moonage Daydream, Ticket to Paradise, Clean, You Won't Be Alone, See How They Run, Smile, On the Count of Three and The Humans.
Next time that you grab a drink in Melbourne or Sydney, you might want to get sipping at one of the globe's top watering holes. Those must-visit spots: Melbourne's Caretaker's Cottage and Sydney's Re, which just nabbed rankings in 2022 version of The World's 50 Best Bars extended 51–100 list. Each year, The World's 50 Best Bars does exactly what its name says, picking the best 50 bars on the planet — and 2022's top 50 will be announced on Tuesday, October 4 in Barcelona. But why stop at 50? This ranking doesn't, despite its moniker. That's where the longlist comes in, throwing some love at the next 50 venues worth checking out. [caption id="attachment_871415" align="alignnone" width="1920"] Caretaker's Cottage[/caption] Little Lonsdale Street's Caretaker's Cottage came in at 60th spot, and marked its first year in the list — while Re, Matt Whiley (Scout) and Maurice Terzini's low-waste bar in South Eveleigh, took out 87th position. For the latter, it marks a slip from 46th place in 2021, after opening last year. Caretaker's Cottage and Re are the only Australian bars to make the cut so far — sorry, folks in Brisbane, Adelaide, Perth and the rest of the country — with the 51–100 list including tipple-serving spots from 32 different cities in 25 countries, complete with 15 new entries scoring a place. The location with the most must-visit bars in this secondary rundown? Singapore, with eight; however, spots chosen elsewhere include bars in first-timers Kraków, Bratislava, Manchester, Playa Del Carmen and Bogotá as well. [caption id="attachment_871414" align="alignnone" width="1920"] Re[/caption] When the full list drops — being announced outside of London for the first time — here's hoping that Australia is well-represented. In 2021, Sydney's Maybe Sammy took out 22nd place, with The Rocks' venue making the top 50 list for the third year in a row. Fellow Sydneysider Cantina OK! came in at number 23 last year, Melbourne's Above Board earned a spot at number 44 and the aforementioned Re placed, too. In 2021's longlist, Melbourne's Byrdi nabbed 56th spot. Watch this space — we'll run through the winners of the World's 50 Best Bars 2022 list when they're announced next week. [caption id="attachment_871416" align="alignnone" width="1920"] Re[/caption] And yes, if you choose where to drink and eat based on these kinds of rankings, you've got a few spots to visit. So far this year, Melbourne's Gimlet at Cavendish House made The World's Top 100 Restaurant longlist for 2022, while Sydney's Josh Niland placed in 78th spot at The Best Chef Awards 2022. For the full 51–100 list of the World's 50 Best Bars for 2022 (and past years' lists), see the website. The top 50 rankings will be revealed from 8.15pm GMT on Tuesday, October 4 via Facebook and YouTube.
Thought meditation retreats were all about early wake-up calls and lots of serious silences? Well, not anymore. Say hello to Soundscape, a new three-day sensory experience to be held in NSW's Southern Highlands this March. A wellness getaway that breaks the mould, this one's focused on music, food and great company. It's the brainchild of the team at Surry Hills mindfulness studio The Indigo Project, a progressive practice that runs naptime and mindful pasta-making classes, and relatable courses like Get Your Shit Together. And it's being helmed by a trio that describes themselves as "an experimental chef, a rebel psychologist and an electronic music producer". Over one weekend at Highball House, they'll guide guests through an exploration of sound, designed to help recharge, connect and unravel all that stress. Forget about any 'hippy' stuff — here, you'll take meditative walks through the forest, feel inspired during guided creativity sessions and experience fun sound immersion sessions based around The Indigo Project's popular Listen Up workshops. And with Love Supreme chef Harry Bourne helping to run the show, boring food is definitely not part of the agenda. Instead, enjoy gourmet eats at every meal and have your mind blown wide open during a series of curated food and music experiences. "We felt that it was time to re-imagine your typical meditation retreat format," says The Indigo Project founder and head psychologist Mary Hoang. "People are in for a colourful, deep, creative journey into their minds." If this sounds like your bag, you'll probably be interested in Yoga Cucina, a yoga, wine and pasta-filled retreat that takes place a couple of times a year also in the Southern Highlands. Soundscape will run from March 16–18, at Highball House, Bundanoon in NSW's Southern Highlands. Places cost between $595 and $1390 for the weekend. To book or for more info, visit theindigoproject.com.au.
When the full trailer for Squid Game season three kicks off, the competitors hear words that are inevitable in this series: "the game will begin momentarily". But new rounds of the show's life-or-death contest aren't just starting this time around. This is the Netflix hit's third and final season, so these deadly matches are also coming to an end — with pleas, big reveals and truths, mazes, jumping rope and more. Squid Game is dropping its last batch of episodes on Friday, June 27, 2025 — and as the days count down until that huge streaming moment, Netflix has revealed its biggest sneak peek at what's to come yet. The complete trailer arrives just under a month after season three's teaser, which made it clear that it's set to play one last time, that Seong Gi-hun (Lee Jung-jae, The Acolyte) is back in the game, that the Front Man (Lee Byung-hun, The Magnificent Seven) makes a return, and that a huge gumball machine with red and blue balls pops up. Competitors in green tracksuits, pink guards signalling plenty that's ominous: they're all accounted for as well. After season two's cliffhanger, Player 456 isn't thrilled, either, in the latest sneak peek. "Why did you keep me alive?" is just one of the questions that he's seen and heard shouting. By now, everyone knows the Squid Game concept: in this award-winning series, trying to win 45.6 billion won means battling 455 other players to the death. Fans will also know that Player 456 went back in the game with new fellow competitors for company in season two, then found himself closer to the person pulling the strings than he knew. However his efforts pan out this time around, the show's last run will feature a finale written and directed by series creator Hwang Dong-hyuk. In Squid Game's second season, Gong Yoo (Train to Busan) also returned as the man in the suit, aka the person who got Gi-hun into the game in the first place — and so did Wi Ha-joon (Little Women) as detective Hwang Jun-ho. That said, a series about a deadly contest comes with a hefty bodycount, so new faces were always going to be essential. That's where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all came in. If you've somehow missed all things Squid Game until now, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. As a result, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out the full trailer for Squid Game season three below: Squid Game season three streams via Netflix from Friday, June 27, 2025. Season one and two are available to stream now. Images: Netflix.
Last month, Ian Strange turned a Richmond house into an artwork, to explore urban isolation, vulnerability and the universal need for shelter. Now, a bunch of teachers from Swinburne Uni have similarly treated the home as canvas. But, this time, they've plastered it with mirrors. Every square centimetre of wall surface on the dwelling at 27 Dorset Road, Ferntree Gully is covered with mirrored bricks. There are over 1800 altogether. Called Untitled House, the project is part of Knox City Council Immerse Arts Festival, which runs 11 November to 11 December. "The Great Australian Dream of home ownership is being challenged in contemporary Australian life," artists Roh Singh, Larry Parkinson and Morganna Magee explain on the festival website. "[It's] becoming an ephemeral idea, one that many are watching slip from the horizon. The concept of the tangible disappearing out of sight and out of reach is one of the central intentions." The mirrors represent this ephemerality. As the house occupies a high position, they mainly reflect the sky and distant views of the Dandenong Ranges. "This clad structure reflects and absorbs the changing ambience of its surroundings," the artists write. "We hope to echo a sense of disappearing, bringing a symbolic impression of the house being lost to the environment." Meanwhile, the interior has been transformed into a gallery. A series of artworks draw on installation, sound art, photography and architectural interventions to explore notions of home and place, compelling viewers to reflect on their memories and ideas. The house is open on Wednesdays (10am – 1pm) and Saturdays (10am – 4.30pm) between November 15 and December 9. Admission is free but you should book a spot through the website in advance. Images: Rhiannon Slatter.
When we say that Vivid is dishing up a taste of London in 2025, we mean it literally: chefs from two of the English capital city's top restaurants are on this year's Vivid Food lineup. From Lyle's, James Lowe is heading Down Under. From Josephine, so is Claude Bosi. One is spending three nights joining Mat Lindsay at Ester, the other has a two-evening date with Brent Savage at Eleven Barrack — and both are serving up must-try menus. Lowe and Bosi are part of the festival's 2025 Vivid Chef Series, which brings famed culinary names to the Harbour City for bucket list-style dining experiences. If you're keen on the Lowe and Lindsay combination, they're reteaming after the latter went to London for the former's game series, this time joining forces in Sydney to showcase Australian produce — fish and shellfish included — over eight courses. From Bosi and Savage, expect a mix of French gastronomy and Aussie creativity across six courses, complete with Bosi's camembert soufflé with winter black truffle, plus duck liver choux au craquelin from Savage. "I'm really excited to bring the food from my hometown in France to a new country. This is the first time Bistro Josephine has been outside the UK, and it means a lot to share something so personal with a new audience," said Bosi about his component of the Vivid Food lineup. "The dishes we serve are inspired by the flavours I grew up with, and I'm looking forward to seeing them reach beyond where it all started. I hope people here connect with the heart and simplicity of what we do." Neither Vivid Chef Series experience comes cheap. Taking place across Tuesday, May 27–Thursday, May 29, the Ester x James Lowe menu starts at $250 per person, with wine pairings $150 on top. You'll pay $185 for lunch and $285 for dinner — plus either $90 or $180 for vino — for the Eleven Barrack x Claude Bosi collaboration on Tuesday, June 10–Wednesday, June 11. Vivid Food has also locked in the return of Vivid Fire Kitchen, which will be easier on bank balances given that it's free to attend (but, of course, you will pay for what you eat). Running across 23 nights from Friday, May 23–Saturday, June 14 — so for the full festival dates — this celebration of fire-based cooking will again take over The Goods Line in Ultimo. Expect pop-ups from a range of eateries and food trucks, including Ogni, Brazilian Flame, Plate It Forward, Flyover Fritterie, Hoy Pinoy, Burn City Smokers, Pocket Rocketz, Mapo Gelato, Mr Spanish Churro and Miss Sina Korean Donuts, alongside live fire cooking demonstrations. Jess Pryles and Nyesha Arrington are among the chefs on Vivid Fire Kitchen's program, as are The Apollo Group's Oscar Solomon, Firedoor's Lennox Hastie, Viand's Annita Potter, Aalia's Paul Farag, Sunday Kitchen's Karima Hazim and more. Barbecued seafood will score its own stand, a dedicated wine bar will hero New South Wales vino — and host Mike Bennie-led masterclasses — and First Nations nights will see Indigenous chefs take centre stage. Elsewhere, Vivid's edible spread for 2025 also spans Neon Dreams, with Shannon Martinez paying tribute to American diners of the 1950s with a plant-based menu and a roller rink; Hollywood Dreaming, a 23-night roster of events in the Hollywood Quarter in Surry Hills; and Nigella Lawson curating dinners in the Muru Giligu pedestrian tunnel. Vivid Sydney 2025 runs from Friday, May 23–Saturday, June 14 across Sydney. Head to the festival website for further information.
Dark Mofo might've had to pull the plug on its 2020 event, but the Museum of Old and New Art (MONA)'s other big annual arts festival, Mona Foma, will definitely be hitting up the Tasmanian site when January 2021 rolls around. On the agenda at the big summer fest: art, performances, music, eclectic sights, engaging sounds, and plenty to see and do across two weekends — at 58 venues in two cities. Plus, of the more than 352 artists involved, 90 percent of them hail from Tasmania. Although Mona Foma was originally held in Hobart, where MONA is located, the event made the move to Launceston in 2019. In 2021, however, it is splitting its program between both Tasmanian places. Launceston is up first, from January 15–17, with Hobart getting the nod the next week from January 22–24. Whether you pick one or you're keen to head to both, there's plenty on the bill. First up, in Launceston, the city's Cataract Gorge will host the latest work by audio-visual artist Robin Fox. The site's landscape will be taken over by immersive world-premiere installation Aqua Luma — which'll run on a 20-minute cycle from 9.30am–11.30pm, is free to attend, and includes 12 metre-high water jets that erupt in time with subharmonic frequencies, plus lasers tracing geometrical patterns in the watery mist. Or, you can hop on the Gorge Scenic Chairlift and listen to Chairway to Heaven, a suspended symphony in the sky. Other Launceston highlights include Acoustic Life of Boatsheds, where you'll flit between boatsheds along the Tamar and Esk rivers and listen to live music; All Expenses Paid, a dance piece about fast fashion and consumerism; 'Til It's Gone, combining installations, sculptures and videos in an old car museum that'll be torn down after the festival; and three interactive spaces as part of Soma Lumia's Lacunae, all spread around the city. A number of events will hit up both Launceston and Hobart, such as an evening concert series called Mofo Sessions, sound work Zinc, opening performance Relay / Country Remembers Her Names, the fest's beloved Morning Meditations, and After Erika Eiffel — where you'll fire an arrow on a custom-made archery course and learn about Erika Eiffel, the archer who married the Eiffel Tower. [caption id="attachment_790934" align="aligncenter" width="1920"] K&D Warehouse, Hobart, Tasmania. Photo Credit: Mona/Jesse Hunniford. Image courtesy of the artist and Mona (Museum of Old and New Art), Hobart, Tasmania, Australia.[/caption] Taking place just in Hobart, Mona Foma is turning the site of former hardware store K&D Warehouse into a gallery — with exhibition No Place Like Home filling the entire place with video installations, art and sculptures all selected by Mona curator Emma Pike. You'll be able to wander through one of the city's best-known buildings, which dates back 118 years, and see works by artists such as Tony Albert, Zanny Begg, Andy Hutson, Rachel Maclean, Nell, Ryan Presley and Phebe Schmidt. Entry will cost $10 per person. And, of course, Hobart's program has more in store. There's also a musical version of Edgar Allen Poe's The Masque of the Red Death, blocks of ice hanging in the air as part of Lucy Bleach's Rueremus and a Forest Gin Walk. Or, you can check out Making Ground, an exhibition by First Nations and multicultural artists held on sites of colonial ruin; Let Me Dry Your Eyes, a sonic performance at Beaumaris Zoo; and World of Worlds, which is about fictional world-building, other dimensions and parallel realities. Top image: Aqua Luma, Robin Fox. Photo credit: Nick Roux. Image courtesy of the artist and and Mona (Museum of Old and New Art), Hobart, Tasmania, Australia.
Movie buffs, the day you've been waiting for is here. No, it's not Sydney Film Festival time just yet, but the fest has just unleashed their complete lineup — that is, the 244 films from 60 countries, including 25 world premieres and 139 Australian premieres, that you'll be feasting your eyes on come June 8 to 19. If you've been keeping up with the international film scene, you might've spotted that SFF's program launch falls on the same day the Cannes Film Festival kicks off. That timing isn't just a stroke of luck. With nine films heading to Sydney straight from the prestigious event — Xavier Dolan's sixth feature It's Only the End of the World, Pedro Almodóvar's eagerly awaited Julieta and Steven Spielberg's motion-captured take on The BFG among them — it's also a sign of things to come. "It's always incredibly difficult to secure films from Cannes before Cannes has even started," notes Festival Director Nashen Moodley. "We've done really well this year, so alongside collecting the best of cinema from over the last year, we have some of the very latest films that are going to cause a big buzz in Cannes." Partially Sydney-shot psychological drama Apprentice falls into that category, as does Brazilian offering Aquarius and Indian true-crime thriller Raman Raghav 2.0. Alongside Dolan's star-studded effort, they're also among the twelve films vying for SFF's official prize of $63,000 — as are Kelly Reichardt's Sundance hit Certain Women, innovative docu-drama hybrid Notes on Blindness, fictionalised historical tale The Childhood of a Leader, Portuguese love story Letters from War, and opening night's Goldstone. The latter was first announced last month, but should still rank highly on every cinephile's must-see list. Moodley describes Ivan Sen's Mystery Road follow-up as a "statement of intent" for this year's festival — his fifth at the helm, and the fifth to commence with locally made or focused content. "It is important that we highlight the cinema of this country," he explains. "And for me, it is a wonderful thing to open the festival with a world premiere of a great Australian film." On the Aussie-made front, Down Under is certain to raise a few eyebrows when it makes its first appearance at SFF, given that it turns the aftermath of the 2005 Cronulla riots into a black comedy. In fact, having a sense of healthy humour is almost a pre-requisite for festival-goers. Daniel Radcliffe plays a farting corpse in Swiss Army Man, Alexander Skarsgård and Michael Peña team up for buddy-cop satire War on Everyone, Tom Hiddleston climbs the darkly dystopian High-Rise, and the watery Chevalier offers up the latest Greek new wave absurdity. They're joined by the high-profile likes of Richard Linklater's '80s-set Everybody Wants Some!!, Michael Shannon playing rock 'n' roll royalty in Elvis & Nixon, Danish filmmaker Thomas Vinterberg going back to his Dogme 95 roots with The Commune, and actor-turned-director Diego Luna taking Danny Glover and Maya Rudolph on a Mexican road trip in Mr. Pig. A number of notable documentaries also feature, including Gimme Danger, Jim Jarmusch's love letter to Iggy Pop; Kiki, winner of Berlinale's Teddy Award for its look at New York's competitive voguing scene; Kate Plays Christine, which takes the meta approach to a real life prime-time suicide; and internet exploration Lo and Behold: Reveries of the Connected World, as directed and narrated by none other than Werner Herzog. A timely spotlight on ten emerging European female filmmakers, showcases of modern Korean and Irish cinema, the previously revealed Scorsese retrospective and a virtual reality program in the SFF Hub help round out the lineup, alongside the return of regular sections Box Set, Sounds on Screen and Freak Me Out. And while no one wants to think about the end of the festival just yet, penciling closing night into your calendar right now is a wise move. Who doesn't want to wrap up 12 days of film fun with Love & Friendship, particularly if you're a Jane Austen, Whit Stillman, Kate Beckinsale or Chloe Sevigny fan? The 2016 Sydney Film Festival runs from June 8 to 19. To check out the complete program and book tickets, visit the festival website.
Under current COVID-19 restrictions, you can't go on a holiday (locally or overseas). But, the government has hinted travel between Australia and New Zealand may be allowed in the near future, so it's time to start dreaming. Bookmark this for when you can explore once again. New Zealand's South Island has more nature than you can throw a stick at. Just over 17 percent of the island is dedicated national park, within which there are countless hikes for both multi-day trekkers and half-hour stroll-takers. While the South Island is consistently amazing and pretty much any walk you go on will exceed expectations, we've handpicked these five as our particular favourites. When you need to quiet your mind, they'll be there for you. [caption id="attachment_687371" align="aligncenter" width="1920"] Miles Holden.[/caption] ROUTEBURN TRACK With waterfalls, snowy mountains and views in spades, Routeburn is an absolute show-off in the nature department. Open to the public since the 1880s, the 32-kilometre track winds along the glacial Route Burn river and up past both the Routeburn and Earland Falls. It's an easy South Island favourite and has truly earned its place as one of New Zealand's Great Walks. The Fiordland National Parks-based track takes about two to four days to finish depending on your fitness level and how long you want to spend taking in the various majestic views. The track is only open from October through to April, and it pays to reserve a spot at one of the Department of Conservation huts or campsites early, as the department has a monopoly on park accommodation and spots are guaranteed to fill up fast. HEAPHY TRACK Based in the Kahurangi National Park, the Heaphy Track spans across the Nelson-Tasman and West Coast regions, taking hikers through dense Nikau palms and forest and out towards the beautiful, choppy Tasman Sea. The track also has quite a few cute little side trips, including a small expedition through an "enchanted forest" filled with beech trees and the remains of old caves. Take a torch and go exploring inside the caves a little, especially the one that has a small waterfall pouring out of it. The Heaphy Track totals 78.4 kilometres, so should take you between four and six days. The track's open all year but use your common sense and check the Department of Conservation site for up-to-date alerts before embarking on your trip. [caption id="attachment_687373" align="aligncenter" width="1920"] Will Patino.[/caption] MILFORD TRACK The Milford Track was historically used as a practical route for Maori to traverse the Fiordland area, but British immigrants quickly cottoned onto the four-day track's potential as a recreational walk when they stumbled upon it. By the early 1900s the news had even spread to London about this beauty-saturated route, the poet Blanche Baughan describing it as "the finest walk in the world" in the London Spectator in 1908. The 53.5-kilometre track is still the most famous of all New Zealand hikes due to its iconic and varied Kiwiana landscape and views. But with fame comes the necessary bureaucracy; to walk the track, hikers need to book months in advance. [caption id="attachment_687375" align="aligncenter" width="1920"] Corey Parsons.[/caption] MUELLER HUT TRACK According to Reddit rumours, Led Zeppelin singer Robert Plant wrote 'Stairway to Heaven' after going up to the Mueller Hut. The ten-kilometre return hike starts with a gentle incline to the Sealy Tarns, where on a sufficiently bluebird day you'll be blessed with a view of Aoraki/Mount Cook. This is about your halfway point. After that, the two-hour alpine track through the tussock to get to the hut begins. The view from the Mueller Hut itself is a combination of glaciers and New Zealand's highest peaks in all directions. A stairway to heaven indeed. [caption id="attachment_687374" align="aligncenter" width="1920"] Julian Apse.[/caption] ALEX KNOB TRACK Alex Knob is a track that will give your quads a baptism of fire, with about a four-hour steady climb. The Rata Lookout over what is just an absolutely glorious view of the Franz Josef Glacier will make it worth though. The track is for experienced and well-equipped trampers only, so stay below the snow line if you don't have alpine hiking experience or crampons. Don't be that guy in the news for getting seriously injured or lost in one of our national parks. Start planning your trip to New Zealand's south with our guide to the South Island journeys to take here.
Awareness of one's surroundings is paramount while bike riding or jogging. With Chilli Technology's new headphones, you can maintain this awareness while simultaneously listening to music. Conventional headphones project sound directly into the ear by creating air pressure waves, but these "bone conduction" headphones use the cheekbone to transfer auditory signals to the ear. Thus, the ear is left uncovered and susceptible to passing sound. Even amidst traffic, music is still audible. The controls, which contain a volume button as well as an of-and-off button, can be clipped onto clothes. The speakers may be placed over the ears when not riding or running, although the original design does allow for ear comfort and less impact on ear drums. You no longer have to sacrifice your music for safety's sake. https://youtube.com/watch?v=MHkqyGLmhAk [via PSFK]
The Australian-premiere season of Jean Paul Gaultier's Fashion Freak Show. Trent Dalton's Love Stories making the world-debuting leap from the page to the stage. A serialised live blend of dance and theatre that asks you to binge-watch in person. The return of both Lightscape to make the Brisbane City Botanic Gardens shine and The Art Boat sailing down the Brisbane River. You'll find them all at one place and one place only in 2024: Brisbane Festival, which has just unveiled its full lineup for this year. As fans of the Boy Swallows Universe author will already know, Dalton's Love Stories was announced in advance of the complete program — and now it has excellent company. Securing the only Australian run of Jean Paul Gaultier's Fashion Freak Show, a fashion show-meets-musical revue stage production that features more than 200 original Gaultier couture pieces and celebrates the designer's 50-year career, is an incredible coup for Brisbane Festival Artistic Director Louise Bezzina in her fifth year at the helm. Also huge as part of the performance, which is headed to South Bank Piazza: a couture piece by Queensland Indigenous designer Grace Lillian Lee, as chosen by Gaultier, will feature in the Brisbane season. Lee will also unveil her first solo exhibition The Dream Weaver: Guardians of Grace at this year's fest. The overall Brisbane Festival dates for your diary: Friday, August 30–Saturday, September 21. For that three-week period, almost every corner of Brissie will play host to the fest, as 1000-plus performances — more than 320 of which will be free, and with 13 enjoying their world debuts — fill the city. Some aspects of the program will get you seated in theatres around town, of course, but Brisbane Festival has always adored taking its roster of performances, gigs, installations and parties well beyond the usual venues. Hailing from Ireland, Volcano might be among the shows popping up in expected digs — at Brisbane Powerhouse — but it's anything but standard. Watching this performance means making a date with four 45-minute episodes, complete with intermissions, in a piece that riffs on a TV sci-fi thriller. Lightscape and The Art Boat are no strangers to Brisbane, with both making a 2024 comeback to dazzle iconic areas of the city with light and colour. On the latter, DJ sets will provide the soundtrack, while Briefs Factory and a range of other artists will be in the hot seat with burlesque, drag and circus performances. Firmly new not just to the Queensland capital or Brisbane Festival but to the world is opera Straight from the Strait, which is about the seven kilometres of railway track put down in a single 1968 day by Torres Strait Islander workers — and yes, it's a true story. Also enjoying its global debut is Lighting the Dark by Dancenorth Australia, in collaboration with Chris Dyke. The latter, a performer and choreographer living with Down Syndrome, has weaved his love of Banksy, David Bowie and Freddie Mercury into what promises to be a heartfelt presentation. Kitchen Studio from artist Elizabeth Winning is yet another certain highlight, acting as an installation by day and hosting small guests for a sensory experience by evening. Still getting interactive, Adrift tasks its audience with playing a role in a participatory theatre work — following instructions received via headsets — that's a mix of a mystery and a game. The standouts keep coming, including Big Name, No Blankets, which celebrates Warumpi Band across two nights of concerts, as inspired by founding member Sammy Tjapanangka Butcher's stories; Skylore — The Rainbow Serpent, as featuring 400-plus drones to tell a First Nations story above the city; GRIMM, with Shake & Stir switching from 2023's stage iteration of Frankenstein to a show that weaves in Snow White, Cinderella and Little Red Riding Hood; and this year's round of Brisbane Serenades, complete with events in Moorooka, Northshore Brisbane, St Lucia, Kuraby and Victoria Park. Or, there's the Queensland premieres of Eucalyptus and Private View and — the first turning Murray Bail's Miles Franklin Award-winning novel into an opera, and the second exploring the intersection of disability and sexual desire across a four-room setup. Riverfire, Sweet Relief!'s return headlined by Kelis, the tradition that is the Common People Dance Eisteddfod, Cirque Bon Bon bring Le Retour back to Brisbane: they're all a part of the festival as well, as is plenty more — so whether you're a Brisbanite keen to hop around your home town or an interstater planning a visit, no one will be short on things to do across Brisbane Festival's 23 days. "Brisbane Festival believes in the transformative power of the arts to unite, inspire and empower and my fifth festival program is a creative celebration of this power on both a global and a local scale," said Bezzina about the 2024 lineup. "I am delighted this year to bring leading international artists as well as creatively significant, profoundly inspiring and wholly entertaining works from across the world to our city." "Brisbane Festival remains a celebration by and for Brisbane so when we bring these global works to our city, we create opportunities to spotlight the extraordinary talents of our local artists on the world stage." Brisbane Festival 2024 runs from Friday, August 30–Saturday, September 21 at various venues around Brisbane. Head to the festival's website for tickets and further details.
Don't let anyone ever tell you that art and sport don't mix. Awards season, when the past year's films and TV shows battle it out for shiny trophies? That's as competitive as it gets. Guessing who'll become the next Bond? Given how seriously people take it, that fits, too. And, so does speculating every few years about who'll take over that other beloved, long-running British franchise: Doctor Who. The latest round of wondering who'll be stepping into the TARDIS has just come to an end, though — and there is indeed a fantastic winner. After proving such a hit in Netflix's Sex Education, Rwanda-born Scottish actor Ncuti Gatwa has been named as the 14th time lord. And, for the second time in a row, Doctor Who is making history. When the police box-loving, time-travelling, Dalek-fighting character next regenerates into a new incarnation — which is how the series writes in its casting swaps — Gatwa will become Doctor Who's first Black lead. He takes over from Jodie Whittaker, whose run comes to an end this year, after becoming the first-ever female lead back in 2017. The future is here! Ncuti Gatwa is the Doctor. ❤️❤️➕🟦 #DoctorWho Read more here ➡️ https://t.co/KoxPmoNAdL pic.twitter.com/peKsH6gCjI — Doctor Who (@bbcdoctorwho) May 8, 2022 As well as following on from Whittaker, Gatwa joins a long list of other British actors who've stepped into the part — 12 prior to Whittaker, obviously — including OG Doctor William Hartnell back in 1963; 70s favourite Tom Baker; and Christoper Eccelston (The Leftovers), David Tenant (Mary Queen of Scots), Matt Smith (Morbius) and Peter Capaldi (The Suicide Squad) since the show made a big comeback in 2005. And yes, the fact that it took 54 years for the character to become a woman and six decades for a Black actor to play the part is clearly far too long. Announcing the news in a BBC statement, Gatwa said "there aren't quite the words to describe how I'm feeling. A mix of deeply honoured, beyond excited and of course a little bit scared. This role and show means so much to so many around the world, including myself, and each one of my incredibly talented predecessors has handled that unique responsibility and privilege with the utmost care. I will endeavour my utmost to do the same." "Russell T Davies is almost as iconic as the Doctor himself and being able to work with him is a dream come true," Gatwa continued. "His writing is dynamic, exciting, incredibly intelligent and fizzing with danger. An actor's metaphorical playground. The entire team has been so welcoming and truly give their hearts to the show. And so as much as it's daunting, I'm aware I'm joining a really supportive family. Unlike the Doctor, I may only have one heart but I am giving it all to this show." Davies himself, Doctor Who's showrunner, was just as excited. "The future is here and it's Ncuti! Sometimes talent walks through the door and it's so bright and bold and brilliant, I just stand back in awe and thank my lucky stars. Ncuti dazzled us, seized hold of the Doctor and owned those TARDIS keys in seconds." Gatwa's stint as Doctor Who is slated to start in 2o23 — but exactly when it'll drop hasn't yet been revealed. In the interim, you have two ways to celebrate: watch old Doctor Who episodes, naturally, and re-binge your way through Sex Education again. Ncuti Gatwa will start playing Doctor Who in 2o23 — we'll update you with a release date when one is announced. Images: Sex Education, Sam Taylor/Netflix.
As the Australian Government increases its efforts to contain COVID-19, Aussies are getting rather accustomed to spending time at home. Non-essential mass events have been banned, indoor gatherings are restricted, anyone arriving from overseas is required to self-isolate for 14 days, and the country's borders have closed to non-citizens and non-residents. As a result, festivals and gigs are cancelling and postponing in swathes, cultural institutions are shutting down and moving their activities online, restaurants and bars are transitioning to takeaway options, and Aussie airlines are suspending all international flights. So far, few limitations on domestic travel have been put in place; however that's now beginning to change, too. The Federal Government has already banned non-essential travel to 76 remote Indigenous communities, while both Tasmania and the Northern Territory have effectively closed their state borders by mandating 14-day self-isolation requirements for anyone arriving from interstate. Now, Prime Minister Scott Morrison is advising that all non-essential travel anywhere — not just overseas but interstate — should be cancelled. The recommendation came as part of the Prime Minister's latest press conference about the coronavirus, held on Sunday, March 22. It isn't a ban at this stage, but advice that the Federal Government is asking Australians to take seriously. And, with school holidays arriving soon, this recommendation is particularly timely. "Those holidays you might've been planning to take interstate over the school holidays — cancel them," Morrison said bluntly. The Prime Minister also advised that "more severe measures are coming", with local lockdowns under discussion — a topic that's also timely after Aussies have been seen flouting mass-gathering restrictions and flocking to popular beaches. However, such measures will only be made in line with medical advice. Also, what might work for one area of Australia at any given time may not work for another area of the country at the same time. With that in mind, when they next meet tonight, the national coronavirus cabinet will consider shutting down particular places to enforce social distancing tactics. "What may be necessary in a part of Sydney may not be necessary at all in rural NSW or in Perth or other parts of the country," the Prime Minister noted, also stating that a consistent set of measures and tools for the entirety of Australia are currently being worked on. After the national coronavirus cabinet convenes tonight, expect more updates tomorrow morning — with developments in Australia's response to COVID-19 happening not just daily, but hourly and even by the minute. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. Top image: Maxim 75 via Wikimedia Commons.
Sydney might already be home to the Australian Centre for Photography, but there's room in this massive country of ours for more than one institution dedicated to excellent snaps. Soon, Ballarat will welcome another — with the regional Victorian town named as the site of Australia's new National Centre for Photography. Every two years, Ballarat plays host to the Ballarat International Foto Biennale, so it already has a strong interest in the art form. Indeed, the fact that the town already has a big photography festival is one of the reasons that the National Centre for Photography will also set up shop there. As announced on Tuesday, November 17, the new facility is supported by a $6.7 million investment from the Victorian Government as part of the state's 2020–21 budget. An opening date hasn't yet been revealed, but the centre will sit on Lydiard Street, in the 1860s heritage-listed Union Bank building owned by the Foto Biennale. That'll place it alongside the Ballarat Art Gallery and the Post Office Gallery, so folks will have plenty to look at in the one area. Inside, the site will include gallery spaces that'll host major temporary exhibitions, as well as a dedicated photobook library and storage for the Foto Biennale's permanent collection of images. Community artists will also be able to show their work, and the centre will run an artist-in-residence program. It'll also feature public and education classes in its workshop spaces, too, and a professional dark room. View this post on Instagram A post shared by BIFB | Ballarat Foto (@ballaratfoto) The aim is to attract visitors to the town — and local, domestic and international artists — and to enable year-round photography exhibitions at the centre. The Victorian Government did just announce a $200 voucher scheme to encourage folks to holiday throughout the state, after all, with increasing regional tourism clearly a big post-lockdown focus. The new National Centre for Photography will be located on Lydiard Street, Ballarat, opening at a yet-to-be-revealed date — we'll keep you updated with further details as they're announced.
Some travellers can't help but plan every aspect of their trip down to the minute. But if you're keen to skip the calendar reminders and document organisers on your next holiday, Intrepid Travel has the ideal itinerary to help you step into the unknown. Just released, the 14-day 'Uncharted Expedition' departs from Harare, Zimbabwe and ends at the Island of Mozambique, but the 2400 kilometres in between remain a complete mystery to travellers. Hosted by one of Intrepid's most experienced leaders, the Uncharted Expedition is designed to help travellers embrace the unknown and feel more immersed in unexpected experiences instead of an overly curated minute-to-minute journey. On this adventure, guests can expect to travel mostly by overland truck, staying overnight in tents and locally owned hotels. By day, you'll swim in waterfalls, hike to mountaintops and forge connections with locals through varied cultural encounters. "We run trips in over 120 countries and know our travellers always look to us to uncover new and exciting places to travel. This itinerary is intrepid in every sense of the word and I am confident that this will be our best mystery trip yet," says Erica Kritikides, General Manager of Experiences at Intrepid Travel. While the itinerary might be mostly a secret to travellers, the crew behind the trip has got you covered. This being the second Uncharted Expedition, the original adventure saw 34 travellers from around the globe navigate from Kazakhstan to Mongolia through Russia's Altai region, home to soaring mountain ranges and scenic river valleys. The concept harkens back to Intrepid's origins, when the company's co-founders placed ads in newspapers searching for adventurous people to join them on trips to less-visited destinations. Ready to let curiosity guide you? The Uncharted Expedition has just opened for bookings, with 2026 departure dates scheduled for Wednesday, July 29, and Wednesday, August 12. Just note that due to the popularity of this adventure, intrigued travellers must first register their interest, with 21 people randomly selected for each trip. The expedition costs $7250, with travellers requiring a solid fitness level. "This mystery trip taps into the nostalgia of our earliest Intrepid trips, where every journey held an element of surprise and the unknown. It appeals to the most intrepid travellers — those with a sense of adventure who are prepared to take a leap of faith and go well beyond the beaten path," says Kritikides. Intrepid's Uncharted Expedition is now open for expressions of interest, with 21 travellers selected at random for each 2026 departure date. Head to the website for more information.
When it first hit the small screen between 2007–12, Gossip Girl didn't just introduce the world to Blake Lively, Leighton Meester, Chace Crawford and Penn Badgley, and make everyone want to sit on the steps of The Met. Across its initial run, the series spun a lavish, soapy, usually OTT but always watchable teen-focused drama filled with secrets and scandals — and gossip, obviously. When its titular figure said "you know you love me", as she did often, everyone watching knew she was right. Because we live in a world where a big Friends reunion just hit streaming, Sex and the City is getting a television sequel and Saved by the Bell has returned to the screen as ell, Gossip Girl was always going to make a comeback in some shape or form. So, come Thursday, July 8, you'll be saying XOXO to the series once again. HBO's streaming platform HBO Max is reviving the series, and Binge will screen it in Australia. If you're wondering what you're in for, it has been billed as both a reimagining and an extension. So, that means that Gossip Girl circa 2021 will take place in the same world as its predecessor, but it'll focus on different characters. An early sneak peek back in May teased what that'll look like, and now a just-dropped new trailer offers fans a bigger glimpse of all the dramas to come. Set nine years after the eponymous and anonymous blog went dark, the new series sees its namesake return, too — otherwise the show wouldn't have a premise. This time, a new bunch of New York private school-attending teenagers are at the ever-present, seemingly all-knowing gossip blogger's mercy, with their Upper East Side lives captured and dissected via an Instagram account. Whether any familiar faces will pop up is yet to be revealed; however, in the most important news there is regarding this revival, Kristen Bell is returning to voice the titular figure. She'll narrate the comings and goings of a group played Jordan Alexander (Sacred Lies), Eli Brown (Wrath of Man), Thomas Doherty (High Fidelity), Tavi Gevinson (Halston), Emily Alyn Lind (Every Breath You Take), Evan Mock, Zion Moreno (Control Z), Whitney Peak (Chilling Adventures of Sabrina) and Savannah Lee Smith. The cast has changed, but the social-climbing chaos is bound to be familiar. If you were a particular fan of the threads worn by Lively, Meester and company back in the day, you'll be pleased to know that costume designer Eric Daman (The Falcon and the Winter Soldier) is back for a second go-around. The creators of the initial show, Josh Schwartz and Stephanie Savage (The OC), have nabbed executive producer credits on the revival as well — so they'll have a hand in yet another adaptation of Cecily von Ziegesar's books. And the new series' showrunner Josh Safran (Smash) was a writer and executive producer on the original series. Check out the latest Gossip Girl trailer below: Gossip Girl will start streaming via Binge from Thursday, July 8. Top image: Karolina Wojtasik / HBO Max.
On Steve Zahn's 2020s-era resume, there's no place like Maui resorts and buried silos that house 10,000 souls across 144 underground levels. The actor has been calling both home, or home away from home, in two of the best television series of this decade. In the process, he's also been giving some of the finest performances of his career. An Outstanding Supporting Actor in a Limited or Anthology Series or Movie Emmy nomination came his way for The White Lotus, an accolade won by his co-star Murray Bartlett (The Last of Us). More awards attention deserves to arrive now that Zahn is among the cast of Apple TV+'s page-to-screen sci-fi dystopian thriller series Silo in its second season. The Minnesota-born and -raised actor has been a screen mainstay since the 90s, when he starred in one of the defining movies of the period: alongside Winona Ryder (Stranger Things), Ethan Hawke (Leave the World Behind), Ben Stiller (Nutcrackers) and Janeane Garofalo (The Apology), he was part of Reality Bites' core quintet. From there, everything from That Thing You Do! and Out of Sight to You've Got Mail and an episode of Friends followed before the 00s even hit — and his Independent Spirit Award-winning performance in Happy, Texas as well. Zahn has since voiced a Stuart Little character, acted for Werner Herzog in Rescue Dawn and played Bad Ape in War for the Planet of the Apes, alongside parts in Riding in Cars with Boys, Dallas Buyers Club, Treme and plenty more. [caption id="attachment_984317" align="alignnone" width="1920"] Mario Perez/HBO[/caption] In The White Lotus, he portrayed a husband (to Dear Edward's Connie Britton) and dad (to Immaculate's Sydney Sweeney and Gladiator II's Fred Hechinger) endeavouring to escape his worries in Hawaii. One such concern: his character's health. Joining Silo sees Zahn go from one extreme to another, then. Instead of opting for the tried-and-tested route of a vacation to avoid your everyday life — not that that ever works out well in The White Lotus, either in the Zahn-starring first season in 2021 or the anthology series' second in 2022 — he's now locked in with his woes. Zahn's Solo dwells in a new setting for the show: Silo 17, where Juliette Nichols (Rebecca Ferguson, Dune: Part Two) ventures after leaving her own. As streaming via Apple TV+ since mid-November 2024, dropping its ten-episode season weekly, Silo opens its second run with a glimpse of how life can go awry drastically and devastatingly when human existence is confined beneath the earth. That's been one of the series' throughlines overall anyway, but the situation in Silo 17 has left Solo alone behind a locked door after a revolution cleared out his fellow residents. He's wary of newcomers, unsurprisingly, but Solo is also curious about the world beyond his vault and empathetic to Juliette's need for help. After the events of season one cast her outside the only walls that she'd ever called home, she's eager to return back to her own silo to stop Silo 17's fate repeating there. So unfurls a season split across two places, and hopping between the aftermath of Juliette being sent out to clean — as being forced outside a silo is dubbed in the series' parlance — and her and Solo's efforts in the other bunker. In one of season two's locations, rebellion festers among the masses. In the other, two people attempt to survive. Chatting with Concrete Playground, Zahn compares his portion of Silo to a play. Since its 2023 debut, this has always been a TV must-see that feels the intimacy of creating societies beneath the ground, but that sensation earns a new dimension when it's just Solo and Juliette in Silo 17. How did Zahn approach portraying someone who is rediscovering what it's like to have company after being on his lonesome, and is clearly traumatised by his experiences while also eager to do the right thing by assisting Juliette? What was he excited about digging into as Solo? And what make he make of his jump from The White Lotus' beaches to Silo's subterranean levels? We talked with Zahn about the above, and also about how shooting their scenes in order helped him and Ferguson build their characters' rapport organically, what excites him about new projects more than three decades into his career and more. On Going From Playing Someone Trying to Escape Their Worries on Holiday in The White Lotus to a Man Locked in with His Traumas in Silo "Lately I've been lucky enough to do the extremes. And this character is definitely — the world is extreme but also the character. I've never played anything quite like this. And it was it was daunting, but it was also quite simple. I think because of Rebecca and the story, I really love it. It's daunting to play a character like this. It's hard. Day one is really difficult, because you're so self-conscious, right, when you play characters like that. Day one of playing Bad Ape in War for the Planet of the Apes was unbelievably hard, because that character that you establish goes to the end, whether it's good or bad, compelling or not. So you just hope your instincts are right. And you get addicted to playing people like this. I'm a proud character actor, put it that way." On Zahn's First Take on Solo in Silo, and What He Was Excited About Bringing to the Character "I found his childlike vulnerability to be fascinating, and I thought that was something that spoke to me and that I could tap into. That was compelling to me. I loved the story under a microscope, compared to the rest of the story. In season two, you've got chaos happening in volume, and then in this world you have water dripping and quiet and calm. And those two worlds together are insane." On Portraying Someone Who Is Dutiful to His Task to Protect His Vault, But Also Curious About the World — and Lonely and Yearning to Connect "It was a constant balancing act. There are times when he's a child — kids wear their emotions on their sleeves, they don't know the boundaries, they haven't learned all these things that we learn from other people. So at times he can be very scary, almost violent, and then in the next breath it turns on a dime and he can be this kid again. So you don't know how he's going to act in any certain situation. I felt like, and Rebecca and I felt like, we were doing a play — like we are doing some Beckett or some Pinter play in the West End. And every day we just got to explore these two individuals. And we shot it into order, which was actually really unique. We had a controlled environment. We had all these sets. And it was just her and I. So we could actually go in order. So the first week of shooting, you didn't see me. It was just really unique. It just doesn't happen." On How Filming in Order Helped Zahn Unpack Solo and Juliette's Relationship with Rebecca Ferguson Basically in Real Time "It absolutely helps, especially when it's incremental like this. It's these tiny steps that they take towards each other — and away from each other, depending. Honestly, if we had to shoot this out of order, it would have been really difficult to track all that. We would have had to spend a lot of time talking about that, where we didn't have to because it was a natural progression. We learned to trust each other as human beings, as actors, at the same time — it paralleled our characters, which was interesting. And so we could actually live in moments and let them breathe, and let that story evolve on its own. And so dialogue changed and intention changed, because of what we were doing, which is really cool. It happened. So much of the time you feel preoccupied with what you're doing that you don't live freely in moments. And when you're an actor and you get lost in a moment, that's the goal. I mean, I always joke like 'god, we were almost acting'. Which is a real compliment to the show, because it's rare when you're really just acting and everything else goes away. Usually it's in a play that you're doing. You get lost in that. This is all heavy actor shit, but you know, it was really fun, man. It was really fun." [caption id="attachment_984315" align="alignnone" width="1920"] Mario Perez/HBO[/caption] On What Gets Zahn Excited About a New Project After More Than Three Decades On-Screen "Story. Being a part of a really cool story. That's what, day one, that's what compelled me. Being in a really good play was awesome, that people liked. And then character and all that stuff, but for me it's the story. And I've been lucky enough to be approached by people that are good storytellers. I've been able to work with so many great, amazing people. And now Graham Yost [Silo's creator], he's a legend. And I worked with him a long time ago on From the Earth to the Moon back in the 90s. It's funny, when I'm walking around, I think of myself as 25. And it's weird to be the guy that people are calling 'sir' on set. It's weird. It's weird, it's bizarre, getting older. Because it's not a bank. We don't have that kind of hierarchy in our business. If I'm working with a 15-year-old, they're my peer. Fred on White Lotus, he's the same age as my son, we're like pals — because we did a show together." Silo streams via Apple TV+. Read our review of season one.
Returning for its third iteration, The Fork Festival sees top restaurants across the country offering sit-down meals for half the usual price. Yep, 50 percent off your total food bill, folks — think of it as the proverbial carrot luring you out of the house. Kicking off on Monday, February 15, the offer is a blessing for those feeling a little light-pocketed after Christmas, NYE and Valentine's Day. To snag a half-price meal, you just need to make a reservation through The Fork website or app at one of the participating eateries for any service (breakfast, lunch or dinner) during the six weeks. There are some great venues coming to the party, too. In Sydney, you'll find cheap eats at the likes of Tayim in The Rocks, Marrickville's Poor Toms Gin Hall, No 1 William in Darlinghurst, Cottage Point Inn, Dulwich Hill's Bambino Torino Pizza and Lone Star Rib House in Blacktown. [caption id="attachment_701766" align="alignnone" width="1920"] Tayim by Guy Davies[/caption] Brisbane's lineup includes the CBD's Pool Terrace and Bar, Baos Pop Bistro in South Brisbane and Albion's Nutmeg Indian Cuisine, while Melbourne's Giro d'Italia, Undercover Roasters, Don Taco, Temple Brewing Co and Tulum Restaurant will all serve up discounted eats — as soon as they're allowed to reopen, of course. All of Victoria is currently under a snap five-day lockdown until 11.59pm on Wednesday, February 17, and restaurants can only serve up takeaway until then. You might want to revisit an old favourite or you could get a little adventurous and road-test somewhere new. Either way, there's ample time to squeeze in a fair few discount feasts before the festival wraps up on Sunday, March 28. The Fork Festival runs from Monday, February 15–Sunday, March 28 at select restaurants nationwide, excluding the NT and Tasmania. Victoria's Fork Festival will begin when restaurants reopen. Top image: Giro d'Italia by Parker Blain
Few of us have been to Venice. But now Hawthorn has its own Venetian bar and eatery, Vaporetto. And it's basically the same thing. Chef Greg Feck and his business partners Kim Coronica, Stephanie Edgerton and David Wickwar love Venice and they've done an excellent job in recreating its vibrant and enchanting atmosphere on Glenferrie Road. Leave Melbourne behind as you step through an old tobacco store shopfront from Venice, and take in the dark timber, marble, aged brass and hand-blown Murano chandeliers. It's $10 spritz o'clock every day from 5-6pm, but, regardless of the time of day, you might be tempted by David's cocktail creations that pay homage to the Venice and its history. When in Rome — or, at least, when in Venice. Greg has tried to count how many times he has been to the city of bridges and he says it could easily be up to 12, 14 or 15 times. He particularly loves the simplicity of Venetian cooking. It tends to be a fairly light cuisine because they use a lot of seafood from the lagoon and, true to form, Vaporetto's menu is predominantly seafood-focused with a couple of cuts of meat. Greg, like the Venetian chefs he is inspired by, also uses a lot of polenta and radicchio, as well as quite traditional pasta shapes. For example, he's a big fan of the bigoli: extruded long, tube-like pieces of pasta. There is much that appeals from the 'little something to start' entree section, but the special swordfish crudo is a standout. Ceviches can often be dominated by citrus, but here the delicate flavour of the swordfish shines and is complemented by the other ingredients: a veritable garden rainbow of aniseed spiced avocado cream with mandarin and grapefruit segments, fresh baby radish, native blood finger lime pearls, elk leaves and fresh dill. A beautiful way to start the meal and pique the taste buds. The next section of the menu is labeled, 'something comforting'. Never a truer word has been uttered. The ravioli of pumpkin, nutmeg and Montasio cheese, browned butter, pepitas and crispy sage ($25) is like coming home to a cosy room warmed by a log burner, candlelight and an enveloping hug. I can't even begin to describe how good this dish is; every mouthful is so incredibly creamy, savoury and rich that you won't believe you've spent your whole life without this flavour. Pair it with the insalata di treviso — its bitter leaves and chamomile raspberry vinegar cut through the richness of the ravioli perfectly. Dessert continues with the mouthfuls of wow factor. A nice take on a traditional dessert, Vaporetto's tiramisu has espresso, mascarpone, honeycomb, mulberries, cocoa, bee pollen and malted milk crumble ($14). Sounds like a lot of elements (and it is), but it works. If you're looking for a glass of vino, the wine list features a good variety of local and Italian wines and the waitstaff are quick to recommend good pairings. It's an open kitchen so there's no hiding. At peak times there are five chefs all performing a beautifully choreographed dance around the kitchen. There's intensity and a lot of hard work going on — but there's also laughter and appreciation for one another's efforts. This is a team who has worked together for a long time. They know exactly what's going on in each section and it all comes together with ease. Mary Shelley is said to have remarked that "there is something so different in Venice from any other place in the world that you leave at once all accustomed habits and everyday sights to enter an enchanted garden". The same can be said of Vaporetto. They've nailed it. Images: Jo Rittey and Michael Gazzola.
If you're a fan of 90s horror getting a new lease on life, we know what you're doing this winter Down Under: watching the latest instalment in the I Know What You Did Last Summer franchise. Although a TV series ran for one season in 2021, it's been almost 20 years since the last film in the series hit screens — and, as both the initial trailer and the just-dropped fresh look at the newest movie shows, familiar faces are back, and spouting familiar lines of dialogue as well. A slasher premise. A script by Dawson's Creek creator Kevin Williamson. A cast member of Party of Five being terrorised. That setup worked well twice three decades back, first with Scream and then with I Know What You Did Last Summer. Indeed, when they each initially released, sequels followed in both instances. Here's the latest part of the trend: both franchises have made or are making 2020s-era returns after jumps to the small screen, in flicks sharing the same name as the original movies in each saga and featuring OG cast members. First came 2022's Scream. Next arrives 2025's I Know What You Did Last Summer. Once again, Jennifer Love Hewitt (9-1-1) follows in Neve Campbell's (The Lincoln Lawyer) footsteps — and as Scream did, I Know What You Did Last Summer picks up with a mix of recognisable and new talents. As the sneak peeks for cinema's return to Southport illustrate, Freddie Prinze Jr (The Girl in the Pool) is also present again. Being stalked for their past misdeeds this time: Madelyn Cline (Outer Banks), Chase Sui Wonders (The Studio), Jonah Hauer-King (The Tattooist of Auschwitz), Tyriq Withers (Me) and Sarah Pidgeon (The Friend). On the big screen on Thursday, July 17, 2025 Down Under, the results will play out — aka a group of friends getting involved in a car accident where someone dies, they cover it up and vow not to tell anyone, but that secret and a vengeance-seeking killer haunts them a year later. The new film layers in the fact that this has all happened in the past, with the quintet in focus needing help from two survivors of the Southport Massacre of 1997. Enter Hewitt and Prinze Jr, as part of a cast that also includes Billy Campbell (Mr & Mrs Smith), Gabbriette Bechtel (Idiotka) and Austin Nichols (The Six Triple Eight). Starting as a 1973 novel, which Williamson adapted into the first 1997 film, I Know What You Did Last Summer initially spawned two sequels: 1998's I Still Know What You Did Last Summer and 2006's I'll Always Know What You Did Last Summer. Then came that shortlived television effort. On the franchise's return to the big screen, Do Revenge filmmaker Jennifer Kaytin Robinson directs — and continues her connection with the OG I Know What You Did Last Summer cast, given that Sarah Michelle Gellar (Dexter: Original Sin) featured in that 2022 movie. Check out the trailer for I Know What You Did Last Summer below: I Know What You Did Last Summer releases in cinemas Down Under on Thursday, July 17, 2025.
Ivan Sen has always gone it alone. In the world where we live, filmmakers have set decorators, editors, production managers, post-production technicians, concept artists, storyboard artists and legions of other scurrying assistants. Not Ivan Sen. He's an Australian filmmaker who does it all himself, and his outsider approach has so far taken him from his native rural New South Wales to places like Sundance, Cannes and Berlin film festivals. This directive — hands-on, honest, thoughtful, singular filmmaking — now stretches into the guts of his latest film, an outback murder case, Mystery Road. It's a quiet, steady yet thrilling film, held together by Aaron Pedersen's staggering performance as a lone, Aboriginal detective. To talk about Ivan's films, you have to talk about equality. In Sen's film worlds (Toomelah, Beneath Clouds), as in this world, some people are more equal than others. When Julie Mason, an Indigenous girl, is found with her throat cut off Mystery Road near Massacre Creek, no one gives a shit — not the cops, not anyone. This is the crime genre plot-point that opens up to a chasm of inequality. Underneath the high skies and low plains of Mystery Road, something else surfaces — a frighteningly beautiful, dead-on look at a troubled country. THE START OF MYSTERY ROAD "It's been a bit of a journey, this film," says Ivan. "I first mentioned it to Aaron in 2006 in Kings Cross, around midnight. We were passing like ships in the night, and I said, 'brother, I got an idea for you'. And he said, 'alright'. Then five years later, I ring him up and say, 'here's this idea, here's the script, it's time to do it'. It's a story that's come from my own experiences, my own heart, from my family and their experiences. So everything you see in some way comes from reality. The whole thing about Jay Swan being this cop caught between two worlds is something that's very close to my heart, coming from a small town, growing up, not quite belonging to the Aboriginal part of town, and not quite belonging to the white part of town. That's what I've always been fascinated by: the turncoat, the black tracker, the black trooper, the Native American scout. The person who's got a foot in both worlds, walking along the edge." Mystery Road comes at the crest of a wave of Indigenous storytellers making movies for all audiences — films like Bran Nue Dae and The Sapphires. "There are all kinds of young warriors trying to change the face of the industry, trying to tell our stories," says Aaron. "I've done a lot of mainstream material before on television. People used to always tell me, 'you play too many coppers!' Not now, because all those cops got me this job! Ivan wrote the role for me. It's something I'll never forget and a job I'll never get again." "I think [the murder storyline] is something that affects a lot of Indigenous families," says Ivan. "A distant cousin of mine was found underneath the roadway in very similar circumstances, a long time ago now. The killer has never been brought to justice. If you actually pursue reality in a film, that can make things more interesting and suspenseful than all this artificial and contrived conditioning." Adds Aaron, "This film is important to this country, the lessons of healing and understanding. It's about our lives. There are a lot of cold cases in this country, a lot of people left behind after murders." THE ONE-MAN BAND What's behind the all-encompassing role of director, writer, camera operator, editor and composer? "It's just easier to do it yourself," Ivan says. "I just started doing it a long time ago, back in the 1990s. And now technology's caught up and I can edit on the laptop, soundtrack on the plane, write in a cafe. For me, why should film production be the way Hollywood says it is? What right do they have to define all these things?" "Let's hope he doesn't learn how to act, because then there'll be no work for actors!" Aaron's having a go, but you suspect he might be right. "Ivan had all these hats that he'd been wearing [on set], but I'll keep saying 'till the day I die, if he was stressed out, you wouldn't have known. Incredible leader. I was so glad to be part of the project on this big scale — not just as a hired gun, but as someone who helped implement the operation. It was kind of like ceremony in a way. It was really beautiful, really personal. You don't usually have that relationship with a director. We became brothers." SEN GOES SCI-FI I've heard Ivan's next film is a science-fiction epic set in China, his new home. "Yeah, sci-fi," says Ivan. "Set in the future. Big action, romance. Commercial." At first it seems worlds away from the art-film vibe of Mystery Road. How do you cater for the largest possible audience without turning your film to shit? "Someone like Christopher Nolan is in massive demand," Ivan continues. "He puts his heart and soul into what he does, and really wants to give the audience something unique. There's not many other guys with the talent and heart trying to give the masses something special. Because it's all controlled by suits. Chris Nolan's not a suit, but he wears one. He gets the deals without losing any freedoms or destroy his personal approach." It's true — you see a big budget movie with heart and talent and intelligence (Robert Zemeckis's classic space movie, Contact, springs to mind), and you think, hey, that's what Hollywood could be for, that's what all those big budgets and beautiful faces could be doing all the time. They could have big ideas, too. "There's a big hole there, in the commercial arena, for quality," says Ivan. "There's so many shit films for big audiences. You go to the cinema and it's like, 'which crap movie do I have to pick?'" "I actually don't go to the movies very much 'cause of that," admits Aaron. "Too many people are spoon-fed their opinions in this world. That's another audience [than the one for Mystery Road]." Ultimately, for Ivan, leaping into sci-fi just makes sense to him as a filmmaker. "I don't want to make the same film over and over. It's boring. I'm a lover of cinema. Watching cinema gave me emotions that I'd never felt before in my whole eight-year-old life. I'd never felt that connection before." Mystery Road carries this sensibility — beyond being a genre piece, is cuts to the emotional heart of a country that's been torn by dysfunction for too long. At a screening of the film in Sydney's inner west, Aaron spoke plainly, and passionately. "History did not start 225 years ago in this country ... This role is more than a job, it's a chance for me to show my ancestral trauma. This film is larger than this script: it's a cinematic campfire. Sit around it. Take something from it. Be smarter for it. Be a better nation for it."
Sweet or savoury? For Lune Croissanterie customers, that's a regular question. In August, when the world-famous pastry haven serves up its last round of monthly specials, it remains a pressing query. Do you want to tuck into a lolly bag-inspired cruffin or a béchamel-filled lasagne pastry, for instance? Yes, you can go for both — and also coconut pandan croissants, hazelnut puddings and 'turtle' twice-baked pains au chocolat. That's how Lune is seeing out winter 2024, and you've got 31 days to tuck in. If the croissant-muffin hybrids are tempting your tastebuds, they're party pop cruffins, featuring fruit gel, whipped white chocolate custard and apple raspberry pâte de fruits inside — and a raspberry glaze and feuilletine on top, then popping candy. As for the lasagne escargots, this returning Frankenstein's monster of a bakery creation comes stuffed with bolognese and béchamel. There's also shredded mozzarella cheese, because of course there is. And, that pastry is then topped with parmesan before it goes in the oven. The twice-baked coconut pandan croissants feature coconut frangipane and pandan ganache inside, then more coconut frangipane on top with icing sugar and toasted coconut. Grab a hazelnut pudding and you'll taste frangelico caramel, crushed hazelnuts and hazelnut financier, then caramel, praline cream and hazelnuts to garnish. And the pains au chocolat also go nutty, courtesy of roasted pecans within and candied pecans on top — to pair with the pastry's chocolate frangipane, salted caramel, chocolate powder, fudge sauce and salted caramel sauce. Different options are available at different stores — with the lasagne escargot and the pains au chocolat on offer at all Lune spots in Melbourne (Fitzroy, the CBD and Armadale) and Brisbane (South Brisbane and Burnett Lane). You can't get the party pop cruffins, coconut pandan croissants or hazelnut puddings at the Melbourne CBD store, however, and you can't preorder online from there, either. Lune's August specials are available from Thursday, August 1–Saturday, August 31, 2024. Different items available from different stores, with Lune operating at Fitzroy, the CBD and Armadale in Melbourne, and South Brisbane and Burnett Lane in Brisbane — and from everywhere except the Melbourne CBD, you can also order them online. Images: Peter Dillon.
There's escaping the city for an afternoon, and then there's driving 20 minutes down a dirt road to a secluded river and hopping into a canoe. In this canoe, it's quiet, very still. The Kangaroo Valley's bushland surrounds you, ascending on either side of the waterway, creating a landscape that's punctuated only by the occasional kingfisher flapping by or a solitary trout breaking the surface with a small splash. And I haven't even mentioned the best bit: this canoe is filled with wine. And snacks. So as you're floating down the river — minimal paddling is necessary — you'll be able to pop a bottle of local sparkling and tuck into a few canapés. Maybe you'll try a glass of top-notch sparkling Riesling from Mittagong's Artemis Wines and a yabby roll with native lime mayo supplied by The Loch in nearby Berrima. As you might have guessed, this isn't an ordinary off-you-go oar-bearing experience. This one is part of WildFEST, a new three-day celebration of the food, drink and wilderness of NSW's Southern Highlands. Led by experienced paddler Travis Frenay, the Canoes, Champagne and Canapés experience will lead you along the Kangaroo River in a custom-built double canoe, through the sunken forest and past a convict-built sandstone wall. Travis has an insane amount of knowledge on the area and will be able to answer pretty much anything you throw at him. There will be three sessions a day (9am, noon and 3pm) on October 27, 28 and 29. The whole thing sets off from Beehive Point and takes around two to three hours. Prices are on the heftier side at $195 each, but includes all food, wine and equipment. Plus, this part of the Valley isn't highly accessible for people without their own gear, so it's a great (and bloody delightful) way to explore the area on the water. Note: if weather conditions suggest your rusty old sedan won't make it there and back, the organisers may provide transport down the dirt road. But if it's dry, you're all good. It's part of the adventure. Canoes, Champagne and Canapés will run on October 27–29 from Beehive Point, Kangaroo Valley. For more info and to buy tickets, visit wildfest.com.au.
Spring is only one month in, but we already know where and when St Jerome's Laneway Festival will help wrap up summer come February 2025. If you like ending the warmest part of the year with a day of tunes at one of the most-beloved music fests in Australia and New Zealand, grab your diary now: the event started by Danny Rogers and Jerome Borazio in the mid-00s has announced its dates and venues. Laneway has also revealed another pivotal detail — no, not the lineup yet, but when its roster of talent will drop. If you're all about who'll be playing, you'll find out on Wednesday, October 9, 2024. For now, just know that Laneway has locked in returns in Brisbane, Sydney, Adelaide, Melbourne, Perth and Auckland, all at familiar venues. Western Springs in Auckland is the first stop on Thursday, February 6, before the Australian dates kick off on Saturday, February 8 at Brisbane Showgrounds. Next comes stints at Sydney Showground on Sunday, February 9, then Melbourne's Flemington Park on Friday, February 14 — which is one way to spend Valentine's Day. After that, the festival hits up Bonython Park in Adelaide on Saturday, February 15, before finishing its 2025 leg on Sunday, February 16 at Wellington Square in Perth. Stormzy, Steve Lacy, Dominic Fike and Raye were among this year's Laneway headliners, while HAIM, Joji and Phoebe Bridgers did the honours in 2023 — if that helps you start speculating who might follow in their footsteps in 2025. Laneway joins the list of events locking in their comebacks after a tough year of cancellations across the music festival scene. Also returning: Golden Plains, Bluesfest (for the last time), Wildlands, Good Things, Lost Paradise, Beyond The Valley and Meredith. Laneway Festival 2025 Dates and Venues Thursday, February 6 – Western Springs, Auckland / Tāmaki Makaurau Saturday, February 8 — Brisbane Showgrounds, Brisbane / Turrbal Targun Sunday, February 9 — Sydney Showground, Sydney / Burramattagal Land & Wangal Land Friday, February 14 — Flemington Park, Melbourne / Wurundjeri Biik Saturday, February 15 — Bonython Park, Adelaide / Kaurna Yerta Sunday, February 16 — Wellington Square, Perth / Whadjuk Boodjar St Jerome's Laneway Festival is touring Australia and New Zealand in February 2025. Head to the festival's website for further details, and to register for ticket pre sales (which kick off at 10am local time on Tuesday, October 15, 2024) — and check back here for next year's lineup when it drops on Wednesday, October 9, 2024 Images: Charlie Hardy / Daniel Boud / Maclay Heriot / Cedric Tang.
At an altitude of 300 metres, winds are between five and eight times stronger than they are down here on earth. So a US-based startup is about to launch the world’s first flying wind farm. It’s set to hover above Fairbanks, Alaska, for 18 months, delivering power to more than 12 families. Dubbed the “BAT” (Buoyant Airborne Turbine), the machine is comprised of a donut-shaped, helium-filled shell, which supports a three-blade turbine. Lightweight yet super-strong tethers keep everything in position and send power to the ground. There’s no need for towers, subterranean foundations or cranes. The brains behind it, Altaeros Energies, have been planning lift-off for four years. “Our mission is simple,” the website reads. “To deploy the world’s first commercial airborne wind turbine to harness the abundant energy in strong, steady winds at higher altitudes.” Altaeros is particularly interested in providing a reliable source of low cost energy to the “remote power and microgrid market”. This sector, which largely depends on pricey diesel generators, includes remote and island communities; oil, gas, mining, agriculture and telecommunication firms; disaster relief organisations; and military bases. Established in 2010 at the Massachusetts Institute of Technology, Altaeros Energies was the recipient of the 2011 ConocoPhillips Energy Prize. The US$1.3 million ($1.4 million) project has received funding and support from several high-profile organisations, including the US Department of Agriculture, the National Science Foundation Small Business Innovation Research programs and the Alaska Energy Authority. Via Inhabitat.
If you like watching Eric Bana (A Sacrifice) trying to solve mysteries, cinemas have been delivering in recent years. First, the Australian actor stepped into Aaron Falk's shoes in the movie adaptation of author Jane Harper's The Dry in 2020. Come 2024, that Aussie hit scored a sequel, with Bana returning as the lead in Force of Nature: The Dry 2. On the small screen, now comes Untamed, which has nothing to do with Harper's Falk novels — but still puts Bana in murder-mystery mode. As the just-dropped trailer for the Netflix limited series illustrates, the show tasks the Chopper, Dirty John, Blueback and Memoir of a Snail star with playing an Investigative Services Branch agent of the US National Parks Service who is looking into a death in Yosemite National Park. If you also enjoy watching whodunnits and detective tales where the person doing the sleuthing is forced to confront their own past in the course of their investigation, that's Untamed across six episodes as well, as viewers will see when it arrives on Netflix on Thursday, July 17, 2025. Bana's Kyle Turner is "looking into this girl who went up El Capitan", he advises at the start of the sneak peek. Before the trailer is out, Sam Neill (The Twelve) as his colleague and chief park ranger Paul Souter is advising "you have to stop beating yourself to death with memories". Skeletons, scratch marks, evil, explosions: they're all a part of the footage for the show so far, as is facing the task of working on a case that spreads across close to a million acres of wilderness. Rosemarie DeWitt (Smile 2), Lily Santiago (La Brea) and Wilson Bethel (Daredevil: Born Again) also feature among the cast, portraying Kyle's remarried ex-wife Jill, Los Angeles police officer Naya Vasquez and former army ranger-turned-park wildlife management officer Shane Maguire, respectively. Bana not only stars but executive produces, with Untamed created by Mark L Smith (Twisters) — in his second new Netflix series of 2025 after American Primeval — and boasting The Pitt's John Wells as another of its executive producers. Check out the trailer for Untamed below: Untamed streams via Netflix from Thursday, July 17, 2025. Images: Ricardo Hubbs / Netflix © 2025.
One king. Six wives. Centuries of folks being fascinated with the regal story. Throw in pop songs as well, and that's the smash-hit Six the Musical formula, as Australian audiences discovered in 2021, 2022 and 2023 — and can again in Melbourne and Sydney in 2024, then in Brisbane in 2025. If you've ever needed proof that some stories never get old, the ongoing obsession with Britain's royal history provides plenty. 2024's inescapable Kate Middleton fixation and photo situation has served up just the latest reminder. On screens and stages, a slice of regal intrigue is regularly awaiting our viewing, too, interpreting and remixing the past in the process. The Crown might take ample artistic license with reality, but it's got nothing on the empowering pop-scored twist on the 16th century that's been wowing audiences in Six the Musical. This theatre sensation takes a few cues from well-known history, adds toe-tapping tunes and makes stage magic. If you think that you know the stories of Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard and Catherine Parr, then you probably do — even those with little interest in Britain's past kings and queens are likely aware that Henry VIII had six wives — but Six the Musical's version isn't about telling the same old tale. Victoria's next dance with the show arrives from Saturday, August 3 at Comedy Theatre. Sydney's will start on Friday, October 25 at Theatre Royal Sydney. And in Brisbane, theatre lovers can start 2025 with Six the Musical at QPAC Playhouse from Thursday, January 2. First premiering back at the 2017 Edinburgh Festival Fringe, then jumping to London's West End — and winning Tony Awards for Best Original Score and Best Costume Design, plus a Grammy nomination for Best Musical Theatre Album, along the way — Six the Musical gleans inspiration from one of the most famous sextets there's ever been. It also finds its own angle despite how popular the Tudor monarch's love life has been in pop culture. So, move over 00s TV series The Tudors and 2008 movie The Other Boleyn Girl — and this one takes the pop part rather seriously. Six the Musical is presented as a pop concert, in fact, with the Catherines, Annes and Jane all taking to the microphone to tell their stories. Each woman's aim: to stake their claim as the wife who suffered the most at the king's hands, and to become the group's lead singer as a result. Expect Six the Musical's comeback tour to be popular. In Sydney, it played a whopping 15-week Sydney Opera House from December 2021, then returned to the Harbour City from August 2021 due to demand. Six the Musical Australian Tour 2024–25: From Saturday, August 3, 2024 — Comedy Theatre, Melbourne From Friday, October 25, 2024 — Theatre Royal Sydney, Sydney From Thursday, January 2, 2025 — QPAC Playhouse, Brisbane Six the Musical is touring Australia again in 2024 and 2025. For more information, for pre-sale tickets and for general ticket sales from Wednesday, March 27, 2024, head to the musical's website. Images: James D Morgan, Getty Images.
Imagine living in a capital city without its own major film festival. Or, welcome to Brisbane. After three years, the Brisbane Asia Pacific Film Festival has been cancelled, to be replaced by screenings throughout the year that will be tied to the Asia Pacific Screen Awards. Whether you're an avid cinephile and festival-goer with a stack of old film fest programs on their shelves (yep, hi!), or a casual Brissie movie fan eager to see more than superheroes and transforming robots monopolise the city's screens, it's terrible and downright unacceptable news. "After careful consideration and engagement with industry and partners, a decision has been taken to discontinue the standalone film festival format of BAPFF," reads a statement from the festival, which then goes on to mention a "focus on a more accessible, year-round APSA screening program". The organisation behind the industry-focused awards will instead put together a range of screenings with other like-minded events, as well as others when the APSAs roll around in November. Just what the latter will look like is yet to be revealed. If you're wondering what the APSAs are, that's completely understandable. The awards ceremony celebrated its 10th year in 2016, but they're hardly well-known by general cinema attendees. And if you're wondering why the Brisbane City Council and Screen Queensland, the two government bodies that provided the bulk of the funding for BAPFF in its three-year run from 2014 to 2016, would favour giving out shiny trophies (or hand-crafted "award vessels", as they're called) to actors, directors and other filmmaking folks over actually showing Brisbane viewers an array of international cinema, that's understandable too. It's worth remembering that this is the second major government-funded Brisbane film festival that has been scrapped in three years. When BAPFF came into existence, it was because the powers-that-be decided to cancel the successful, 22-year-old Brisbane International Film Festival. BIFF was popular and well-attended, providing Brisbane with its own equivalent of the Sydney Film Festival and Melbourne International Film Festival. Massive lines, initially down the Queen Street Mall when the festival was based in the former Regent Cinema, current hole in the ground, then around Palace Barracks, Centro and now-neglected Tribal Theatre, were common. Hey, there was even a sold-out and lively midnight session for The Human Centipede 2. Upon announcing BAPFF back in June 2014, Brisbane Lord Mayor Graham Quirk mentioned that it would be a "a high-calibre film event showcasing the filmmakers, films and documentaries of the APSAs". Does that sound familiar? It's certainly a comment that's all the more telling now, although it always was indicative of the preference for the industry event over an audience-centric fest. In shining a spotlight on cinema from the Asia Pacific, BAPFF scaled down the number of flicks on offer, from BIFF's 130-plus features to around 80. And, while it screened plenty of great titles over its brief existence — here's our list of picks from 2014, 2015 and 2016 — it didn't receive quite the same audience response as BIFF did. That's not a shock. There's a reason that BAPFF's now final fest included a healthy contingent of films from outside of the Asia Pacific, after all. Basically, first the city's major film festival was replaced with a smaller festival that was tied to the APSAs, with fewer films, a narrower scope and smaller audiences as a result. Now, because it wasn't successful — again, to the surprise of absolutely no one — that second festival is being dumped too. Saying that "this step is being undertaken to strengthen APSA as the Asia Pacific region's leading film competition, academy, ceremony and screening program that recognises and promotes the cinematic excellence and cultural diversity of the vast region," as today's announcement does, is both further proof that the awards have been deemed more important than the film festival, as well as a slap in the face to everyone that has supported both BIFF and BAPFF over the past 24 years. And, you know, to people who like going to the movies. Yes, more movies more often is a good thing. But, are we really going to get the equivalent of 80 new films that wouldn't be screened in Brisbane otherwise spread out over the year? You can bet that that won't happen. And, there's nothing like being immersed in a city-wide film festival that truly celebrates cinema from all around the world for a concentrated block of time. Brisbane will continue to host an array of other country-focused festivals, of course, as well as the Queensland Film Festival — which was actually started to help screen the kinds of movies that BAPFF was overlooking. If we sound angry, that's because we are. As everyone who loves film in Brisbane should be. What kind of place has a major international film festival for 22 years, replaces it with a smaller, Asia-Pacific focused cinema showcase for three years, and then decides to opt for neither after "engagement with industry and partners"? Note, audiences weren't mentioned there. "Give me Brisbane any day" might be the city's current slogan, but it's now a mocking taunt to cinephiles. Image: Lion, screened for VIP closing night at BAPFF 2016.
Dreaming about a different life is a staple of coming-of-age films, with many a movie focusing on uncertain children or unhappy teenagers wishing for an existence far removed from their own. It's also a part of Australian documentary In My Blood It Runs; however, ten-year-old Arrernte/Garrwa boy Dujuan Hoosan and his friends aren't yearning to step into someone else's shoes. Instead, even at their tender age, they can simply see how they're being treated by Australian society at large. In one early scene, Dujuan and a group of other kids stand on a hill outside the Hidden Valley Aboriginal Town Camp, in Alice Springs. "That's where all the rich men come from," one comments, peering down at the city. "How come this mob get clean houses and not us?" asks Dujuan. "I wish I was living on that side," voices another kid. The chatter goes on, especially about the golf course in clear view. As Dujuan and his friends talk, they all note how much nicer the area looks compared to their own. A healer who's skilled in administering bush medicine, hunts proficiently and speaks three languages, Dujuan is deeply tied to his heritage and culture. "I was born a little Aboriginal kid. That means I had a memory, a memory about Aboriginals. I just felt something, a memory, history — in my blood it runs," he explains. He doesn't want to leave that behind, but rather for all Indigenous Australians to be treated fairly and equally. Whether he's sitting through school lessons about the First Fleet or speaking about his great-grandmother's upbringing as part of the stolen generation, he's acutely aware of Australia's historical attitudes towards the country's Indigenous population, as well the enduring effects on First Nations peoples today. With insight, wisdom and determination beyond his years, Dujuan is just as cognisant of what all of the above can mean for himself and other Indigenous children, too. The fact that this bright, charming, passionate, socially engaged kid is considered a poor student, and earns the attention of both welfare services and the police, speaks volumes. In late 2019, after the film initially started screening at festivals both in Australia and worldwide, Dujuan spoke to the United Nations about Australia's approach to youth incarceration, particularly in the Northern Territory — but, before he can get to that point, In My Blood It Runs chronicles his everyday struggles, including balancing western and traditional education, and meeting white society's expectations of a young Indigenous boy. At one point, he's told by his aunt that being sent to juvenile prison means "you're only going to end up in two places: a jail cell or a coffin". As shot over nearly four years — and interwoven with reflections from Dujuan, his mother Megan, grandmothers Carol and Margaret, and father James, as well as informative archival materials — the result is a compellingly candid and expressive window into Dujuan's mindset, desires and experiences, as told by a skilled filmmaker committed to doing his story justice. It has been five years since Maya Newell gave Australia one of its most engaging and diverse slices of childhood life in the form of the applauded Gayby Baby, and this follow-up continues to ponder the country's next generation, their hopes, dreams and everyday existence, as well as the way that today's attitudes and policies may impact their future. Now available to watch via ABC iView, In My Blood It Runs is also an observational documentary not only featuring Dujuan as its subject, but made in collaboration with him, his family and his community. It doesn't just feel empathetic as a result, but intimate and authentic, too. Dujuan himself shoots some of its footage, Newell made films alongside Arrernte Elders and families for a decade before starting this project, and the Arrernte and Garrwa families depicted were all consulted during every stage of production. The end product is a must-see movie dedicated not only to painting an accurate portrait of Dujuan's experiences, but to showing how it epitomises Indigenous childhood in Australia. Check out the trailer below: https://vimeo.com/358942768#at=1 In My Blood It Runs is available to stream via ABC iView until August 4. Top image: Maya Newell.
As happens each and every year, more than a few Australian films will hit screens big and small throughout 2021. More than a few have already actually, given that the year is in its home stretch. Some have proven exceptional, others have earned the exact opposite description and plenty fall somewhere in the middle. But only one happens to be the best Aussie film of the year, as well as the homegrown title that's been grabbing attention since it was first announced in 2020. That movie: Nitram. Read the movie's moniker backwards, and you'll see why it started garnering plenty of notice before anyone had even seen it. Now, Aussies are getting the chance to watch the movie themselves — with the film currently screening in Australian cinemas where they're open, and then heading to streaming service Stan from Wednesday, November 24. When it was initially announced last year, the film sparked debate about whether any feature should explore this traumatic chapter of Australia's past. Now that the end result is here, it's both intense and exceptional, as well as extremely careful about its subject matter. The latter shouldn't come as a surprise given that Nitram reunites Snowtown and True Story of the Kelly Gang filmmaker Justin Kurzel with screenwriter Shaun Grant, who penned both movies. With their two earlier collaborations, Kurzel and Grant amassed an impressive history when it comes to tackling the nation's darker and thornier moments, and that doesn't change here. Only ever referring to the gunman responsible for murdering 35 people and wounding 23 others via the movie's moniker, Nitram steps through the lead up to those events in Port Arthur 25 years ago. Caleb Landry Jones (Three Billboards Outside Ebbing, Missouri) plays the eponymous figure, who lives with his mother (Judy Davis, The Dressmaker) and father (Anthony LaPaglia, Below), and finds a friend in a reclusive heiress named Helen (Essie Davis, Babyteeth). The film isn't specifically about the tragedy of April 28 and 29, 1996, instead focusing on the time leading up to those dates, but every Australian knows where the story goes from there. Earlier in 2021, Nitram became the first Aussie feature to play in the Cannes Film Festival's coveted competition in a decade. It won Jones the prestigious fest's Best Actor prize, too. And you can expect to hear more about it again — and for the movie to collect more shiny prizes — as Australia's film awards season pops up at the end of the year. Check out the trailer below: Nitram is currently screening in Australian cinemas where they're open, and will be available to stream via Stan from Wednesday, November 24. Read our full review.
Since hitting Broadway five years ago, notching up 11 Tony Awards, nabbing the Pulitzer Prize for Drama and just becoming an all-round pop culture phenomenon, Hamilton was always going to make the leap to cinemas. So, it's no wonder Disney leapt at the opportunity. The Mouse House was originally meant to bring Lin-Manuel Miranda's historical hip hop musical to cinemas in October 2021 — via a filmed version of the stage production, rather than a traditional stage-to-screen adaptation — but it's doing us all a solid in these rough times and fast tracking it to streaming. And it lands this winter. Hamilton fans around the world will be able to watch the filmed version of the original Broadway production on Disney+ from July 3 (the day before Independence Day in the US). That's a whole 15 months ahead of schedule. Shot at the Richard Rodgers Theatre on Broadway back in 2016, this cinematic screening of Hamilton is still a big deal. Actually, given the fact that it features the original Broadway cast — including Miranda in the eponymous role — it's a huge deal. Everyone who missed out on the opportunity to see tale of American Founding Father Alexander Hamilton live as it toured the US or on London's West End will be able to do the next best thing, with Hamilton jumping on the popular trend of screening filmed versions of plays and musicals in cinemas. In addition to Miranda — who stars, and wrote the musical's music, lyrics and book — this filmed version of the production features Daveed Diggs (Velvet Buzzsaw) as Marquis de Lafayette and Thomas Jefferson, Leslie Odom Jr. (Murder on the Orient Express) as Aaron Burr, Christopher Jackson (When They See Us) as George Washington, Jonathan Groff (Mindhunter) as King George, Renee Elise Goldsberry (The House with a Clock in Its Walls) as Angelica Schuyler and Phillipa Soo (the Broadway version of Amelie) as Eliza Hamilton. Once you've watched the small-screen version, you can get excited about seeing the stage production, too, as it's finally set to arrive in Australia in March 2021. Under the circumstances — and with international travel still banned for the foreseeable future — it's possible that this could be delayed, though. Hamilton is just the latest film to be fast-tracked to streaming, with other big-name flicks, such as Birds of Prey, The Invisible Man and Disney's Onward, also hitting small screens ahead of schedule. You can check out 12 of our favourites over here. While you're eagerly awaiting Hamilton to hit Disney+, you can watch (and rewatch) the trailer: https://www.youtube.com/watch?v=DSCKfXpAGHc Hamilton will hit Disney+ globally on July 3, 2020. Updated June 22, 2020.
Come September 23, the Australian Centre for the Moving Image is stepping back in time. Prehistoric VR is ACMI's new, free, two-week virtual reality showcase, and it's a trip to the past without a Delorean. Dubbed the first 360-degree VR puppetry experience of its kind, where Prehistoric VR is headed isn't a surprise — when it comes to interacting with creatures that no longer roam the earth, life finds a way. Until October 8, the immersive experience dives onto the ocean floor, and back 200 million years, to encounter the aquatic critters from the Ediacaran to the Cretaceous periods. The work of performing arts company Erth Visual & Physical Inc and award-winning visual artist and filmmaker Samantha Lang, it's the third ACMI commission that has asked established performing artists to turn a live stage work into realistic 360-degree virtual reality. And while it's a limited-time-only offering, it arrives at Federation Square at the same time as ACMI's permanent, ongoing VR Lounge, which will form part of its free Screen Worlds exhibition, and kicks off with The NeverEnding Story-like mystical fairy tale The Turning Forest. Image: Steve Woodburn.
A film festival dedicated to American films? Bear with us here. Sure, Hollywood pumps out most of the movies that reach our screens, but don't expect to see superheroes battling for supremacy, transforming robotic cars saving the world or an endless parade of sequels at Essential Independents: American Cinema, Now. Instead, the brand new event is dedicated to the types of US flicks that don't usually make it to our shores. Here, smaller titles and character-driven fare share the spotlight with experimental efforts, intriguing docos and the kind of classics that you won't find on every retro lineup. Think revisionist westerns featuring gun-slinging gals and explorations of important American artists, plus the chance to see early work by the Coen brothers, Kathryn Bigelow, Richard Linklater and Sofia Coppola in a cinema. It's a real celebration of the other side of American filmmaking, and the source of the usual festival dilemma: choosing what to see. If you're having a tough time picking the best of the bunch, we're here to help. Here's our five top films you won't want to miss. THE FITS Fleet footwork might feature prominently, but The Fits isn't just another dance movie. And, while it chronicles an 11-year-old girl's attempt to find her way in the world, it isn't the usual coming-of-age effort either. Instead, the striking debut from emerging talent Anna Rose Holmer blends both — as well as an intimate look at housing estate living, an understanding of the struggles of being a tomboy approaching womanhood, and an enigmatic mystery — into one unique package. If the sensitive story at the centre of the film doesn't win you over, then Holmer's fluid yet fresh style of filmmaking will. THE KEEPING ROOM Since first coming into prominence in low-key sci-fi effort Another Earth, Brit Marling has proven one of the American indie scene's most intriguing figures. Audiences either love her or don't quite know what to make of her — but whether she's co-writing and starring in Sound of My Voice and The East, or featuring in I, Origins, she's always interesting. The Keeping Room provides her latest fascinating role, this time pairing up with Pitch Perfect 2's Hailee Steinfeld and rising star Muna Otaru. Together, they explore the plight of women left behind during the American civil war, and offer up a female-centric take on one of the most masculine of movie genres. (T)ERROR True crime fans, rejoice. And then prepare to be thrilled, shocked and even a little horrified. (T)ERROR is the first documentary to thrust audiences right into the thick of the action, with filmmakers Lyric R. Cabral and David Felix Sutcliffe on the ground with the FBI during an active counterterrorism operation. Yes, it's as tense as it sounds — but it is also equally revelatory. The informant at the centre doesn't just let viewers in on secret phone calls and meetings, but exposes the murky procedures followed and questionable decisions made in the name of security. SIXTY SIX Making an animated movie is a massive task; however it doesn't normally take 13 years. But that's how long Lewis Klahr spent crafting Sixty Six — and evidence of his hard work is obvious in every image. Using bits and pieces from '50s and '60s comic books, advertising and pulp novels to tell stories steeped in Greek mythology, the end result looks like an art film in every sense of the word. Unravelling over 12 episodes, it's a true collage of sound and vision, a portrait of a time period and a bit of a road trip. It's the kind of experimental feature that really doesn't come around very often. RIVER OF GRASS Before Kelly Reichardt explored the companionship only a pet can bring in Wendy and Lucy, delved into the western genre in Meek's Cutoff and contemplated eco-activism in Night Moves — and brought Michelle Williams, Laura Dern and Kristen Stewart together for her recent Sundance hit Certain Women, too — she spun a story of social isolation and disconnection in the Florida suburbs. More than two decades later, her debut feature River of Glass has been gloriously restored for all the world to see. If you only see one retrospective title at this year's festival, make it this one. Essential Independents: American Cinema, Now runs from May 17 to June 8, and will visit Sydney, Melbourne, Brisbane, Canberra and Adelaide. For the full program, visit the festival website.
For some, the arrival of children in their lives is the time they transition into maturity. This is not the article for those people. Free-jumping on trampolines, swinging through trees, glow-in-the-dark mini golf, zipping down huge waterslides — these are activities for kids and kidults alike. With that in mind, there's no reason why your next family outing shouldn't be one that delights your entire multigenerational crew — mums, dads and sprogs included. We've teamed up with Holden Equinox, the SUV for parents with nothing to prove, to point you towards these excursions in Melbourne. These are destinations where you'll come together to make memories, make Instagram Stories, make a fool of yourself (in a good way) — and all while making your kids' day. FUNFIELDS Breakneck speeds, hair-raising twists and turns, stomach-churning drops – you'll be pushing the kids out of the way to experience all you can at Funfields. While the site boasts three of the longest and tallest Proslide water slides in the world, little ones are also catered for with an excellent paddling pool and water-play area. All up, there are more than 20 attractions, including a go-kart track, toboggan slide and several rides of varied intensity. Admission ain't cheap – $160 for a family of four with two school-aged kids – but it's small change for hours of thrilling, childhood-reliving fun. 2365 Plenty Road, Whittlesea SLIDES PLAYCENTRE Yes, it boasts a tip-top toddler area with scooters, toy cars, cubby houses and a jumping castle, but Slides' centrepiece is actually a towering three-lane slide — which, at eight metres, is Australia's highest. It's all part of the multipurpose Eastern Indoor Sports Centre, where there are also indoor sports pitches if soccer or futsal is your thing, a well-maintained kids' party and cafe area, and some hidden play zones out back that boast a flying fox, spinning platforms and more climbable objects. The best bit? Parents play free. 1642 Ferntree Gully Rd, Knoxfield ARTVO This place is custom-made for the Insta-everything generations. An optical-illusionary experience that adds quirk to the traditional art museum, ArtVo has 11 themed zones and 100 large-scale illustrations that allow families to inject themselves into all manner of adventurous scenes, famous drawings and locations. Snigger as a loved one oozes vulnerability in King Kong's palm or under the paw of a giant cat. 26 Star Crescent, Docklands BOUNCE Kids bouncing off the walls at home? You too? Time, then, to hit the place where the name says it all. Boasting venues in Blackburn North, Glen Iris and Essendon Fields, Bounce is a buzzing indoor playground of interconnected trampolines and aerial assaults. Try your hand at slam dunking, wall running and dodgeball, or kick back in the cafe and observe others' skills. Bonus: your energy-sapped kids will almost always go to bed that night without complaint. Hangar 4, 236 Wirraway Road, Essendon Fields; 22 Joseph Street, Blackburn North; 2 Weir Street, Glen Iris SCIENCEWORKS There's something for everyone at this culturally rich – and hip-pocket friendly – Spotswood institution. Scienceworks is perfect for budding — or big — mad professors, astronauts or sports nuts, or anyone who's simply curious as to what makes the world tick (and spin). You can lose yourself in the sights of the Planetarium and Lightning Room, and test those hammies racing the kids – and a digitised Cathy Freeman – on the 10-metre dual-lane running track. Nice outdoor cafe, too. 2 Booker Street, Spotswood GLOWGOLF DOCKLANDS Mini golf — the casual and quirky offshoot of the grand, slow-moving parent game — now comes with an extra layer of flair in the form of an 18-hole, glow-in-the-dark course, aptly called GlowGolf. Putt your way through a bunch of UV-lit, sound-effects-enhanced Aussie icons, including a rainforest, the outback, an outdoor dunny and even a Kingswood ute. Set to open early in 2018 is the Le Bar Europeen, self-touted as Victoria's smallest bar, with standing room for six to eight people. NW F05 Star Crescent, Docklands TREES ADVENTURE Ever wanted to swing through the trees like Tarzan? Set among the breathtaking greenery of the Glen Harrow Heritage Gardens in the Dandenong Ranges, Trees Adventure gets you most of the way there. The site is home to a series of obstacle courses, zip-lines and aerial challenges that cater to all ages and abilities. Two-hour sessions (adults $48, children $25-$38, including training) allow safety-harnessed thrillseekers to tackle nine courses ranging from two to 25 metres high, all the while soundtracked by bellbirds and kookaburras. Old Monbulk Road, Belgrave PLAYTIME Adults and arcade centres: it conjures up analogies of, well, kids and candy stores. Jam-packed with 100-plus classic and new-age video games and a spellbinding laser-tag arena, Playtime draws big and little kids aplenty. There are venues at Crown, Highpoint and Eastland, the latter boasting several "Cryptology Escape Rooms" that lock behind you upon entry. It's a great chance to team up with your kids to piece together the clues and puzzles that reopen the door within your allotted hour. Crown Entertainment Complex, 8 Whiteman Street, Southbank; Highpoint Shopping Centre, 200 Rosamond Road, Maribyrnong; Shop MM12 Eastland Shopping Centre, 175 Maroondah Highway, Ringwood Drive your family on adventures in and outside of town in the Holden Equinox, the SUV for parents with nothing to prove. Find out more on the Holden website.
Leave a message for your family or roommate without having to scramble for a pen on your way out the door. Luc van Hoeckel's 'Record me' allows you to leave a personalised voice message as opposed to a haphazardly scribbled note. 'Record me' is wall-mountable and can save up to 12 messages at a time. To use, simply turn the dial to a free 'station', press the button, record your message, and press it once more. Messages may be deleted by holding down the same button. Leaving voice messages gives you the chance to be both fun and informative, allowing a quick 'I love you' to a significant other, or a reminder to your roommate get dinner started. 'Record me' ensures that you never have to ask "Did you get my note?" again. [via PSFK]
Grabbing a meal. Going to work. Eating at a restaurant with friends. Making a living cooking up a storm or waiting tables. We've all had a bite to eat at a cafe, and many of us have worked in hospitality — and we should all be able to enjoy both in a safe space. With tensions rising across the United States since the election of Donald Trump as the country's 45th President, a new initiative has emerged to ensure both patrons and employees can do just that. Sanctuary Restaurants provides resources to eateries to help ensure that people can dine and work in a discrimination-free environment, and to assist with supporting customers and staff that find themselves targeted. Establishments that join the movement — currently 64 at the time of writing — have a zero tolerance policy for sexism, racism, and xenophobia. More explicitly, they do not allow "any harassment of any individual based on immigrant/refugee status, race, religion, gender, or sexual orientation to occur in their restaurant". After signing up, they're advised to place a sign in their windows advertising their policy: "SANCTUARY RESTAURANTS: A Place At the Table for Everyone". While such an initiative should definitely be commended, as should the restaurants signing up and the effort to make sure that restaurants remain inclusive and welcoming for all, the fact that it is needed really says plenty about the current climate of hatred and fear festering around the globe. As long as something like this is necessary, here's hoping more places join in — and that the commitment to cultivating safe spaces continues to spread, including beyond America. Via MUNCHIES.
Winter weekends haven't looked this wonderfully packed for many a cold, cold week. There's plenty of Bastille Day treats to be eaten, films to be snuggled into and live music to warm your hands on, doonas have never looked so unappealing. Get out there, put a dumb-looking animal beanie on and lap up that wintry goodness — there's plenty of time to worry about prepping for bikini season later. Thumpers According to The Guardian, Thumpers "make spiritual feelgood music for people who don't necessarily want to go to church". In January last year, the London-based indie-electro-pop duo made the UK media institution's prestigious 'new band of the week' page. Since then, they've released their debut studio album, Galore, in both the US and the UK via independent Seattle label Sub Pop Records. That's the very same legendary platform responsible for first bringing Nirvana, Soundgarden and Mudhoney to your ears. And just in case you're wondering, the name has nothing to do with Bambi. When: Friday, 11 July - 8:30pm Where: Northcote Social Club , 301 High St Northcote VIC 3070 How much: 33 +bf All This Mayhem A thrilling sports film, heartbreaking drama and eye-opening cautionary tale all rolled in to one, All This Mayhem will transcend your expectations of its subject matter. Ostensibly a documentary about the rise and fall of two former skateboarding champions, in execution the Australian-made production bears closer resemblance to (in the words of its director) a modern-day Greek tragedy, full of hubris, temptation and a reckless disregard for long-term consequences. In what is shaping up to be a banner year for Australian cinema, this wild and powerful doco has officially stolen the lead. When: Thursday, 10 July - Wednesday, 6 August Where: Cinema Nova How much: $14 - $19 Domestique Tour de France Pop-Up Bar Is your sleep schedule still ruined from the FIFA World Cup? Are you gradually making your way to being fully nocturnal? Good news, sleepyheads: the Tour de France is about to touch down on the streets of France (and late night SBS), and we have the perfect place to huddle up and watch it. Presented by the legends from The Shadow Electric, Domestique is a pop-up bar now in its third annual form. Far from the bogans that pack our your local while the footy's on, the organisers of this slick little happening knowingly describe it as "a sports bar for those who prefer bars to sport". Domestique will feature a live feed of the mountain stages and time trial via HD projection, music, drinks, food, heating and ping pong. Friday and Saturday nights will offer food from Fancy Hank's BBQ and DJs, and every other night you can snag yourself some Polish dumplings from Peirogi Peirogi. Domestique will be open 7pm till late on select dates of the Tour de France. Head to their Facebook page for more details. When: Saturday, 5 July - Friday, 25 July Where: Domestique Pop Up Bar , 83 Kerr Street, Fitzroy How much: FREE Greg Sestero Presents The Disaster Artist Oh hi Mark! Best known for his immortal role in Tommy Wiseau's cult classic The Room, actor Greg Sestero is headed to Australia. Part of a publicity tour to promote his tell-all book, The Disaster Artist: My Life Inside the Room, Sestero's visit will hopefully shed new light on what is undoubtedly one of the worst films ever made. Sestero (or 'Sestosterone', as he is affectionately known) will be in Melbourne on Friday, July 11, and Saturday, July 12, for a special event at Cinema Nova that includes an interactive script reading, an audience Q&A session and a behind-the-scenes documentary that explores the making of this unintentional comic gem. Whatever you do though, be sure to leave your stupid comments in your pocket. When: Friday, 11 July - Saturday, 12 July Where: Cinema Nova How much: $23 - $25 The Preatures The most talked-about band Australia's seen in recent times since The Jezabels, The Preatures have unveiled their latest single 'Two-Tone Melody' and have announced their highly-anticipated upcoming debut album with accompanying national tour. Signing to Mercury Records in 2012 with a whopping five album deal, the Sydney fivesome's success snowballed in 2013 after the release of their second EP and ultra-catchy single 'Is This How You Feel?', prompting international touring and national high-fivery. The easily replayable single nabbed an ARIA nomination for Best Pop Release, number nine in the triple j Hottest 100 and just today nabbed a top five nomination for APRA|AMCOS Song of The Year. The Preatures will tour the US and Canada during June, make their way over to festivals in Europe and the UK before venturing back home for an Australian tour, stopping by Splendour In The Grass this July alongside fellow Sydneysiders RÜFÜS, The Jezabels and Sticky Fingers. When: Saturday, 12 July - 8:30pm Where: Corner Hotel , 57 Swan Street, Richmond How much: 30 +BF Bakehouse Studios Open Day Think about your favourite musician. Now, have a little ol' fantasise about where they rehearse, record and hang out with your other favourite musos. If you can't get a clear image in your head of such a heavenly place, relax. The legendary Bakehouse studios are throwing open the doors for an open day at their Richmond digs. With musicians the likes of Nick Cave, Tool, Beck, The Cat Empire, The Drones, Paul Kelly, Ladyhawke and a bucket-tonne more to have played within these walls, Bakehouse is a pretty special place. The Hoddle Street staple will be opening their glorious doors for the first time ever and to celebrate, Leaps and Bounds Festival are throwing a street party with plenty of music and frivolity. There's also going to be enough contemporary Aussie art to poke a metaphorical stick at, and Bakehouse have also let loose their artist buds to create innovative and immersive installations within the rooms of the studio. When: Saturday, 12 July - 11:00am Where: Bakehouse Studios , 27-29 Hoddle St, Richmond How much: FREE Henry V - Bell Shakespeare Battles will be had, blood will be shed, and brothers will unite on stage in this Bell Shakespeare production of Henry V, but not quite as you remember it from high school lit. Shakespeare's tale tells the story of King Henry V who, having ascended the throne following the death of his father, promptly — after a few people tell him he should probs do something else — declares war on France. In this production, director Damien Ryan is bringing the story to life with a contemporary take, inspired by a true story. During the London Blitz in 1941, a group of young men, bored and stuck in a bunker, started a club, where they would rehearse and perform plays to others in the shelter. When: Tuesday, 1 July - Saturday, 12 July Where: Arts Centre Melbourne, Fairfax Studio How much: $65 - $79 Bastille Day at Albert St Food & Wine A Francophile is many things. They are passionate about France, bang on (and on) about French food, French wine and French country houses, and seem to know exactly how to piss everyone off with their incessant French-ness. It's enough to ruin friendships — except when it comes to Bastille Day. Commemorating the storming of the Bastille, the 14th of July is a celebration of everything French that everyone can get on board with, particularly foodies. And all you have to do its travel to Brunswick, not Bordeaux. This year Albert St Food & Wine is celebrating Bastille Day on the Sunday prior with a hunter's feast, inspired by chef Jason Rodwell's own travels through regional France. When: Sunday, 13 July - 12:30pm Where: Albert St Food and Wine , 382 Sydney Road, Brunswick, 3056 How much: $75 Scandinavian Film Festival Step into your local arthouse theatre these days and you'd be hard pressed not to find a regional film festival going on. In 2014, the line-up is getting that little bit more crowded, with the inaugural edition of a brand new festival highlighting the films from Europe's frozen north. Covering Denmark, Finland, Iceland, Norway and Sweden, the first annual Scandinavian Film Festival is set to put the kvikmynd in kvikmyndahátíð. For more information about the Scandinavian Film Festival, visit their website. When: Thursday, 10 July - Sunday, 27 July Where: Palace Cinemas Melbourne , Melbourne How much: TBC Abundance Fundraising Party Strength in numbers works a treat for fundraisers and benefactors alike. St Kilda's Theatre Works are putting on a fundraising party for four of Melbourne’s leading independent theatre companies and their latest productions. They aim to raise $20,000 for Elbow Room’s The Motion of Light in the Water, Uninvited Guests’ I Heart John McEnroe, Dirty Pretty Theatre’s Thérèse Raquin and Little Ones Theatre’s The House of Yes. Set to be a night filled with quirky and playful performances, this collaboration marks the second annual Abundance Fundraising Party. Hosted by Present Tense's Bryce Ives, expect comedy, cabaret and musical performance from a lineup of very special guests, including acclaimed US actress Jane Badler and Grammy award-winner Jeff Bova alongside Virginia Gay, Roderick Cairns, Beau Heartbreaker, Nicholas Renfree-Marks, Angela Hogan, Joseph Chetty and Luisa Hastings Edge. When: Saturday, 12 July - 7:30pm Where: Theatre Works , 14 Acland Street, St Kilda How much: $40 - $50
