Come November, a whole heap of Aussies will be stripping off on a beach in the Whitsundays as acclaimed New York artist Spencer Tunick returns to Australia to stage the next of his famed mass nude photographs. It's been 18 years since Australia's first taste of the internationally famed artist's work, when 4500 naked volunteers posed for a snap near Federation Square as part of the 2001 Fringe Festival. Tunick then photographed around 5000 nude people in front of the Sydney Opera House during the 2010 Mardi Gras and returned to Australia just last year to shoot over 800 Melburnians in the rooftop carpark of a Prahran Woolworths. Elsewhere, he's photographed the public painted red and gold outside Munich's Bavarian State Opera, covered in veils in the Nevada desert and covered in blue in Hull in the UK. Now, the artist is set to return to our shores and his sights are set on the white sands and sparkling blue waters of Whitsundays' Whitehaven Beach. Tunick will assemble another contingent of naked folk this November, for a work titled Sea Earth Change. Interestingly, the shoot is part of The Iconic's (yes, that online clothing store) upcoming summer campaign We Are Human. [caption id="attachment_671796" align="alignnone" width="1920"] Spencer Tunick, Sydney (2010)[/caption] Anyone over the age of 18 can get their kit off and get involved — Tunick hopes to have a diverse mix of bodies in the shoot, which will be held on Saturday, November 23. Participants each get a print of the photograph, and, we're sure, a big boost of body confidence. They'll also be invited to the unveiling of the artwork at The Calile Hotel, Brisbane, a few days later. Successful candidates will be notified about a week before the shoot. The catch here is, of course, the location. If you're not usually located on the tropical Queensland archipelago, you will need to travel there. From Sydney, Melbourne and Brisbane, you can fly into the Hamilton Island or Whitsunday Coast airports, then take a 60-minute ferry or 30-minute drive, respectively, to Airlie Port Marina. The team will look after your transport from here. It'll be a worthwhile journey, though — as well as being involved in a once-in-a-lifetime photoshoot, you'll also get to visit the second best beach in the world. Sea Earth Change will be shot on Saturday, November 23 on Whitehaven Beach, Whitsundays. You can register to take part here before Thursday, November 14. Images: Spencer Tunick, Miami (2007) and Burgundy (2009).
After a few years off, Groovin the Moo is getting ready to make a grand return in 2026...in a slightly scaled down fashion. Earlier this month when announcing the change to a single stage format, the organisers said "Starting with a single stage and single-day show allows the festival to rebuild with care, while staying true to its regional foundations." Don't let the fact that this year's festival is a one-off gig in Lismore put you off, because the just-released lineup more than makes up for a smaller setting. The legendary Denzel Curry is in the top headliner spot, returning to the Moo after previously headlining in 2023. The hybrid chart-topper artist seemingly can't get enough of his Australian fans. [caption id="attachment_935948" align="aligncenter" width="1920"] Jordan Munns[/caption] Curry is going to lead a killer group of Australian talents, including Ninajirachi, Matt Corby, The Chats, Dope Lemon (Angus Stone), Baker Boy, The Terrys, Tones and I, and up-and-comer Maple's Pet Dinosaur. Lismore locals The Colliflowers and 17-year-old Angel White will also take the stage. Groovin the Moo has also teamed up with local music retailer Planet Music to run a competition for one more artist to get a slot – see here for details. View this post on Instagram A post shared by Groovin the Moo (@groovinthemoo) Groovin the Moo 2026 will take place at Lismore's Oakes Oval, kicking off at 11am and running into the night. The festival is an all-ages event, with tickets going on sale on March 3rd. Lismore locals will have access to the Homegrown Groovers presale at 9am (AEDT), before a wider presale kicks off at 10am (AEDT). General on sale tickets will be available from 12pm (AEDT). Sign up for presale here. Tickets start from $125 (+BF) for 18+, with under 12s free and ages 12-17 just $90 (+BF) when accompanied by a ticket-holding parent or guardian. Information regarding camping and shuttle information is also now available – see here. [caption id="attachment_935943" align="aligncenter" width="1920"] Jordan Munns[/caption] Groovin was a highlight of Australia's festival calendar for years, bringing big names to regional towns across the country. Past lineups included Billie Eilish, Angie McMahon, Flight Facilities, The Preatures, Amy Shark, Violent Soho, The Wombats, The Veronicas, WAAX, Gang of Youths, and many more. Traditionally held in March, it has also served as a launchpad for local talent including Confidence Man, Ecca Vandal, Alex Lahey, while being a staple for fans of indie, rock, hip-hop, electronic, and more. The festival is presented by Great Southern Nights, with support from the NSW Government and Destination NSW, in partnership with ARIA. This article first appeared on 'Rolling Stone AU/NZ'
Smith Street has welcomed a new spicy new eatery, as Santito opens in the former Hotel Jesus site. While the smell of fresh tortillas and spit-roasted meats may be familiar, Santito brings a refreshed energy and direction to the bustling site. The Mexico City-Inspired taqueria is from the team behind Ripponlea's Mission District, in partnership with Tom Dalton (formerly of Mamasita and Hotel Jesus). Jenna and Tom Davies from Mission District have brought their head chef, Sandra Martinez, to the other side of town to head up the kitchen at their new venue. Martinez leads a team of Mexican female chefs, including Ellie Merino, Paloma Yáñez, and Amelia Serrano, who bring their passion for native cuisine to the kitchen. At the heart of the operation is a focus on producing high-quality tortillas. Martinez says, "The tortilla is everything. It's the plate, the utensil, your faithful companion to every meal. Its flavour and quality are so much more important than we realise, which is why we're making it a focus at Santito." Santito's menu is built around Mexico City taqueria staples, including tacos al pastor shaved from the spit, slow-braised brisket and house-made uncured sausage. Other highlights include a fresh-tuna tostada with jalapeño mayo, Baja fish tacos, squash blossom quesadillas with Oaxaca cheese, and slow-roasted lamb shoulder with salsa roja and feta. A cheeky selection of margaritas includes a spicy version with jalapeño blanco, a seasonal frozen variety, a Lager-ita that combines a classic margarita with a Corona beer, and a Watermelon Coco Jalapeño margarita with coconut tequila and lime. The venue maintains its retro-diner vibes with a distinctive colour palette and tile details, while a section of the restaurant has been reimagined as a dedicated takeaway space for grab-and-go tacos. A new private dining room, inspired by the haciendas of Mexico, is located downstairs and can accommodate up to 20 people. Images: Supplied.
At the tip of Melbourne's sandwich wave are delis that go by their first names (Hector's, Nico's, Ruben's), but some neighbourhood favourites prefer staying under the radar. Like Carlito's, with its unassuming storefront on Collingwood's Stanley Street. It's marked only by a cheeky electric blue signboard bearing a graffitied smiled face, and the windows are lined with Cielo sodas. Yet, the eggplant parmigiana sanga — a special-turned-mainstay dressed with pesto and red sauce, topped with a slice of prosciutto cotto — always sells out by noon. Seven Italian sandwiches rule the menu permanently. From classic mortadellas and BLTs that champion Iris the Bakery's fluffy focaccia, to a chicken cotoletta (essentially a thicker schnitzel) ciabatta with two types of pickles, most of them fall under $20; the only outlier is a $25 steak option. Weekly specials are casually scribbled on the board above the counter; past editions have starred Italian meatballs, pork and fennel, lamb shoulder and chicken cacciatore. Carlito's is one of the few spots in Melbourne without a gluten-free tax — in fact, customers ordering gluten-free bread get a $2 discount. It's not officially coeliac-accredited, but the team is known to be helpful with swaps and cautious about cross-contamination. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
What's better, sticking to one thematic lane or diversifying beyond what could be considered "the norm?". Bar Bellamy, found on Carlton's Rathdowne Street is a believer in the latter, with a European-inspired bistro menu that constantly rotates with the seasons to maintain peak freshness. But you'd be forgiven for thinking it was a cocktail bar when you first glance at the drinks menu. Helmed by a husband and wife duo with time spent at the likes of The Everleigh, Gimlet and Archie's All Day, Bar Bellamy wants to welcome you in as a close friend. Bel ami, French for good friend, oui? And, like in any kitchen of a good friend, you'll be the recipient of a bloody good feed. The ever-in-flux menu has included oysters and hot sauce, a famously scrumptious spin on devilled eggs, Toulouse sausage on a bed of lentils, marinated sardines with lemon and bay leaf, and more. Specials and set menus are frequent too, with weekend lunch services exclusively offering a monthly set menu inspired by a rotating region of France. For drinks, the legendary specialty here is the martini, with many Melburnians calling it home to their favourite shaken and stirred sips. Past highlights include the Gibson Martini (Triple Juniper Gin, Dolin Blanc Vermouth, La Goya Manzanilla Sherry, tomato water, kalamata hydrosol and pink onion) and the Brooklynite (Jamaican rum, Créme de Mûre, salted blackberry honey, cinnamon myrtle distillate and lime). Should martinis not take your fancy, classic cocktails like negronis, highballs, cosmos and the like are always an option.
CBD sibling to Industry Beans' famed Fitzroy flagship store, this Little Collins Street cafe is a haven of top-quality coffee. Here, bright, minimalist interiors prove a cheery backdrop for your daily caffeine pit-stop, rocking minimal seating, but plenty of charm. While more petite than the original, this space has room enough for some pretty enviable toys, with the show-stealing La Marzocco Modbar allowing customers a close-up experience of the entire coffee-making process. The equipment is used to create a huge array of caffeinated gems, from espresso and batch brews to a rotation of carefully sourced single origins. Industry Beans' signature chilled sips — the Fitzroy Iced and the specialty bubble coffee — are on offer when the weather's balmy, while food runs to a range of house-baked sweet treats, on-the-go breakfasts like the avocado on toast, paired with goats cheese and lemon vinaigrette, the golden granola with yoghurt and seasonal fruit and a selection of toasties and croissants. Once hooked, you'll want to jump on board the Industry Beans app — where you'll be able to order your next Industry Beans caffeine fix ahead of visiting. Appears in: The Best Coffee Shops in Melbourne's CBD
Life became wildly unpredictable and messy for a moment there, but Collingwood's newly opened bathhouse and spa might be just what you need to give stress the flick and start the year off strong. In the bottom levels of a converted Easey Street warehouse, Mary Minas and Freya Berwick have opened the final stage of their wellness hub Sense of Self, with its massage and mindfulness studio opening in the warehouse's top levels in early February. The duo is out to flip the script on the usual wellness concept, with an unpretentious offering that's focused on connection, inclusivity and restoration. As Minas says: "Our vision is to strip the spa experience back to its roots, giving people a place to cultivate a better relationship with their bodies and themselves. Wellness without the BS, essentially." So, put the phone away, get off the 'Gram and give yourself some much-needed attention. Minas spent five months visiting the bathhouses of Europe, Africa and Japan, while botanist-turned-hotelier Berwick spent plenty of time sweating in Scandinavian saunas during her three years in Norway. So, expect influences pulled from all four locations at Sense of Self — and plenty of plants. [caption id="attachment_803436" align="alignnone" width="1920"] Jess Tremp[/caption] The facilities at the bathhouse include a Finnish-style sauna at a hot 80 degrees, a large 39-degree mineral bath and a cold plunge pool. Passes give you access to all the facilities, and start at $49 for two hours. Bathing on the weekend will set you back $59 for two hours, or you can get discounted multi-packs from $140 for three. At the not-quite-as-new massage and mindfulness studio, you'll find a menu of body treatments for relaxation, remediation and pregnancy, backed by a soothing lounge area where naps are not just welcomed, but encouraged. Designed by an all-female collective from Set Square Studio, Chamberlain Architects and Hearth Studio, the space is filled with natural timbers, creamy hues, brass highlights, striking taps from Sussex Taps and foliage from the Plant Charmer. Find Sense of Self at 30–32 Easey Street, Collingwood. The bathhouse is open from 7am–9pm Tuesday–Friday and 9am–7pm Saturday–Sunday. The massage studio is open from 11am–8pm Tuesday–Friday and 10am–6pm Saturday–Sunday. Images: Jess Tremp
With Melbourne being the kind of place where new cafes pop up faster than you can say 'soy latte', it's hard to distinguish the good from the bad. But after opening earlier this year, The Grain Store, tucked in the bottom end of Flinders Lane, is setting itself apart. The space has the ability to make you feel relaxed and calm in an instant. Wooden tones are coupled with design details like crates filled with apples and whole pumpkins and fresh produce, which may make you feel a little like a Southern Belle. Add taps of beer, down to earth waitstaff and a gorgeous private dining space and you've got yourself one little cafe with a big personality. Local and sustainable produce is front-of-mind when experienced chef Ingo Meissner creates his European brunch fare — it's modern fine dining done with skill and diligence. The breakfast menu items like the sweet Grain Store toasted muesli parfait with mandarin, chia seed yoghurt and quince ($10), chilli and fennel sausage with winter vegetable mash, poached egg, Russian red kale, pear and cider relish ($17) and, if you're lucky, a special of sweet brioche French toast with rhubarb, apple and caramel are indulgent and distinctive. Lunch sees larger dishes like Coq au Vin with mash potato, double smoked bacon and mushrooms ($27) and Nicola potato gnocchi and tomme cheese with mushroom taleggio cream, broccoli, brown butter and nigella seeds ($21). If you feel like a sweet treat, a lemon meringue pie ($11) will come delightfully deconstructed, while the cookies and milk sees four perfectly, baked to order chocolate chip cookies served along alongside glass of milk ($9). It's divine. They are just as serious about their drinkables as they are about their eatables at The Grain Store. For the caffeine addicts there is the house blend coffee from St Ali ($3.50) or the single origin of the day ($4). Teas come from Larsen & Thomson, juices from Emma & Tom's and soft drinks from Daylesford and Hepburn Mineral Springs Co. When coffee and tea just isn't cutting it, go for a wine or beer. Try a glass of Dominique Portet Brut Rose ($11 glass), or perhaps a bottle of Hennings Shiraz from Heathcote ($59 bottle). Beer drinkers can match a True South Pilsner ($6 pot) or a 3 Ravens golden alt bier ($8 bottle) to their lunch. The Grain Store is a cafe that you want to spend time in, and the fact that they take bookings means you might just be able to. Arguably boasting the best menu on the business end of Flinders Lane, it's a little slice of comfort for any occasion.
Following a significant refurbishment, sleek Queen Street spot Blue Diamond has reopened with an elevated new experience fit for its 15th-floor perch above the Hoddle Grid. While its guiding ethos of top-quality cocktails, contemporary Japanese cuisine and a vibrant entertainment program remains, Blue Diamond's new look ensures an even more luxurious offering backed by panoramic city views. "The venue guides guests through a seamless transition from day to evening and late into the night, featuring a unique blend of signature flavours and entertainment," says Blue Diamond's general manager, Warrence Moorghen. "With an array of performances and resident DJs, it's not just a restaurant, it's a party you don't want to miss." A new menu is front and centre to this overhaul, and presents traditional Japanese flavours reimagined through a thoroughly modern lens. Starters include oysters with Voir vodka jelly, salmon roe, yuzu sauce or yuzu mignonette, lobster carpaccio and spicy tuna tartare with caviar, chives and nori crisps. Mains are equally impressive, and showcase a range of high-end ingredients. Expect the likes of M7-M8 wagyu steak, slow-cooked Cape Rim short ribs, grilled miso black cod and teriyaki lamb chops with basil miso. For those after something a little lighter, there's a range of nigiri, sashimi and flame-seared aburi, all made with fresh-caught seafood. There's also a tantalising selection of sushi rolls — try the spicy tuna packed with bluefin toro tuna, sriracha sesame and scallion, or the hefty toban-yaki, with seared Australian wagyu, fried onion and wasabi mayo. If you're looking to take your night to the next level, Blue Diamond boasts a private dining room primed for exclusive get-togethers. The room, which also has its own balcony, can accommodate up to 10 guests, offering an intimate spot to savour the venue's inventive Japanese cuisine alongside an array of signature cocktails, sakes and top-tier wines. Blue Diamond is open Wednesday–Saturday from 5pm–late at Level 15, 123 Queen Street, Melbourne. Head to the venue's website for more information.
Malvern welcomes a fresh new bakery this week, located in the heart of Glenferrie Road, from Dessert Masters winner John Demetrios and his wife, Martina. While Melbourne-born Demetrios brings Aussie classics to the table, Martina's Scandinavian heritage will imbue the space with unexpected, cardamom-scented surprises. The opening of Butter Days is a big tick off the bucket list for John and Martina, who have long held the dream of opening a bakery. John won the MasterChef Australia spinoff, Dessert Masters, in 2024, beating a previous winner of MasterChef and dessert aficionado Emilia Jackson. Demetrios sharpened his skills in some impressive kitchens, including a two-Michelin-star restaurant in Stockholm and the renowned Vue de Monde, where he held the title of Executive Pastry Chef. With his first independent venture, John will use his classical training and refined skills to create carefully considered pastries that are playful, joyful, and above anything else, full of flavour. As John says, "more butter, more better." The luminous, airy space, designed in collaboration with Blackmilk Design Studio, is influenced by the weathered beauty of a flour mill, with pale timber, whitewashed walls, and an enviable green and blue marble bench. That's all background noise, though, compared to the sweet treats that can be found inside the cabinets, showcasing both nostalgic Aussie staples and classic Nordic pastries. In a space as cheery and pleasurable as Butter Days, with its bright, crayon-green facade and smiley face logo, it's only fitting that the hero pastry should be named the Sunshine Bun. The sure-to-be-favourite golden, crisp and flaky round pastry, which is a blend of both John and Martina's backgrounds, is filled with a lemon-cinnamon custard. Other sweets to sample include biscuits made with browned cultured butter, macadamia swirls, chocolate-coated profiteroles and fresh-fruit custard pastries. Butter Days will make your mornings better with their signature savoury offering, the BMO (bolle med ost, meaning 'bun with cheese'). Demetrios' take on a Danish morning bun sees sourdough rolls, spread thick with salted butter and layered with quality Comte cheese. So thick, in fact, that there is actually a Danish word which translates as 'teeth butter', referring to butter spread so thick that when you take a bite, you leave tooth marks in it. Other savoury delights include ham and cheese pinwheels, pastrami sandwiches, and njuja, ricotta and honey pizza slices. "At the end of the day, it's about bakes you want to keep eating. There are no rules and we'll use that to our advantage. No one says we can't flood the room with trays of boozy sweet buns, caramelised apple pies or those cardamom-infused Scandinavian treats Melburnians have come to love," John says, "We want the space to feel calm and inviting, never stiff or intimidating — somewhere you want to come back to." Images: Pete Dillon.
When you've directed two movies about zombies — the first of which you've basically become synonymous with — and also dabbled with on-screen demons, what do you tackle next? If you're Australian Wyrmwood, Nekrotronic and Wyrmwood: Apocalypse filmmaker Kiah Roache-Turner, you do battle with another classic horror concept. Sting takes its moniker from The Hobbit. The fact that its human protagonist is called Charlotte is particularly telling, however. What better name to use in a movie about a giant spider that falls from the sky, is discovered by a curious 12-year-old, then makes its growing presence petrifyingly known? Shot in the ABC studios in Sydney but set in a New York City apartment block in the thick of winter, Sting's nods elsewhere stretch across the film like a web. Lines recall Predator. Shots nod to Alien. "I pretty much copied that exact jump-scare from Alien, when Tom Skerritt goes into the air conditioning ducts, 100 percent," Roache-Turner tells Concrete Playground. He's loving about his influences, on- and off-screen. That affection for flicks gone by shows in the movie from the moment that its titular creature — he's named his spider well, too — first appears. Roache-Turner has also used himself and his own fear as a basis. Yes, he's afraid of spiders, as we almost all are. "I didn't necessarily want to confront it. It's just my job is to think of the worst thing, the scariest thing, the most-disturbing thing that could happen to me, and then put it in a script and then make you guys watch it and hope that it scares people," says Roache-Turner. "That's kind of what I do. I just sit around thinking about things that disturb me and then I write about them — and it's good because if you take your nightmares out of here and you put it down onto paper, and you spend a couple of years making a spider movie, the hope is that you might become a little less arachnophobic. So it could be therapeutic." Asked if making Sting ended up being cathartic, though, Roache-Turner has bad news for anyone thinking that they might cure their unease about eight-legged arthropods through filmmaking. "Not at all. No. I still hate spiders. Maybe it's worse now because I've had to look at so much footage of spiders, so now I'm doubly sure that I hate them," he shares. Ten years back on Wyrmwood, which he calls "one of the best things I've ever done in my life", the writer/director put everything that he had into what swiftly became his calling card. "It was three-and-a-half years of production. I shot a lot of it in my mum's backyard. It was me and my brothers and my mates just putting on zombie makeup and having fun," Roache-Turner notes. "I can't tell you how fun it was, and I still think about it almost every day. It's a huge part of my life, and it's the reason why I'm here talking to you about a giant spider movie." He's happy that it keeps coming up. "No matter what I do, people go 'you made Wyrmwood'. I think that's how Sam Raimi must feel, too. He can make as many A Simple Plan movies as he wants. He can do as many Spider-Man movies as he wants. But he's always the guy that did Evil Dead, and that's me," he advises. Roache-Turner is also still giving his all with Sting, including by drawing upon his own family setup. Charlotte, played by Furiosa: A Mad Max Saga and The Lost Flowers of Alice Hart's Alyla Browne, has an IRL analogue. So does her stepfather Ethan, with House of the Dragon and In Limbo's Ryan Corr the film's version of Roache-Turner. As happens in the picture — which features Noni Hazelhurst (One Night), Penelope Mitchell (What You Wish For), Jermaine Fowler (A Murder at the End of the World), Silvia Colloca (Wellmania), Danny Kim (C*A*U*G*H*T) and Robyn Nevin (Relic) as well — Sting's creative force had just welcomed a new baby. Similarities continue, albeit with a critter that Roache-Turner is most frightened of looming large, literally, aided by creature design by Wētā Workshop. How does taking inspiration from so much of your own life guide you when you're writing a horror screenplay? How did Sting get rolling from the idea that everyone hates spiders, not just Roache-Turner? What kind of balancing act was required to make this an unsettling spider flick, also a movie about a kid with an unusual pet Pete's Dragon and E.T. the Extra-Terrestrial-style, and a picture about a family in crisis? With Sting opening in Australian cinemas on Thursday, July 18, 2024, Roache-Turner filled us in, and also chatted about his inspirations, casting Browne and Corr, and what type of primal fear that he's grappling with next. On Starting with the Idea That Everyone Hates Spiders, Then Getting the Ball Rolling "The good thing about Sting is it's a primal fear like sharks. Everybody's scared of a thing in the bedroom. Everybody's scared of the idea of a ghost. These are primal fears. And as I'm arachnophobic, I've had the image or the idea — anytime I look at a spider, I'm scared, I want to cry. But a little part of my brain goes 'imagine that was big. Imagine that was big!'. I've been thinking about that for most of my life, and then finally I set myself a task. It was actually after I had a meeting with James Wan's producer, and he was explaining how he and James make films. And he goes 'we do a template system, so we go: single location, one monster, one family — go'. And he goes 'we just make the same movie over and over again'. And I was thinking 'I wonder if I could do that?'. So I thought 'okay, I'm going take a single location: let's say an apartment building. I'm going to take a family: let's say my family'. So I just had a baby. I'm married. I've got a stepdaughter. I'm going to just template that so I can make it personal. 'What's the monster?' And that whole thing in my head just started echoing 'imagine a spider was big'. That's the thing that I would be most scared of to see. So I just wrote the movie that would be the scariest movie that I could possibly make. The idea of a giant spider descending on a crib was one of the first images that I got, because I just was a new father and I had a baby, and I just couldn't imagine anything worse. And so I was like 'yeah, that'll make a good poster'. That's how these things get started. And I wrote the script, and I took it around. And I don't think anybody, I couldn't really find a producer who wanted to do it because they were all scared. They're just like 'no, no, no, no, no, it's probably going to be more than about five mil'. Everybody wants to make the five-mil Blumhouse template thing. And I'm like 'yeah, I could write that, but I didn't write that in this case. I don't think we can make a giant spider movie set in a New York apartment building for five. I don't know how to do that'. So Jamie Hilton and Michael Pontin and Chris Brown [Sting's producers] just were brave enough to just go 'okay, we believe in this, we're going push it'. Once we got the ball rolling, it just seemed like a good idea, because it had been a while since we had a really decent giant spider movie. I can't even really think of one. I mean Arachnophobia, but they're little. I'm talking about one the size of a pit bull terrier. Other than Shelob, there's not really that many out there. So we had something vaguely original and we just ran with it." On How Taking Inspiration From Your Personal Life Guides You When You're Writing a Screenplay "It guides the emotion, so all of this stuff with the father and the daughter and the wife and the baby and the tension, that all came out of COVID. I was going through that. The big difference is I get on with my family really well — I'll start to make up a bunch of really horrible drama to make it interesting, but the feelings and the emotion is there. In terms of writing the thing, there's no secret to it. It's unexplainable. The structure just jumps into your head. You go 'if there's an alien spider in the building, how does it get into the apartment? How do we keep it in the family? How does it then grow big? How does it then escape so it can start eating dogs and cats? Who's the first human it's gonna eat? What happens when it attacks the family?'. One thing leads to another, and it just becomes a question of thinking your way out of situations. And then you find yourself at the end, and then you write 'fade out'. Sometimes they're good. Sometimes they're bad. Writing is the most-unexplainable thing in the world, and it's the hardest part of the whole process. But there are little tricks to making it easier, and certainly templating your own family and your own experiences is an easy way to get into an emotional truth." On Balancing the Film as a Spider Horror Flick, But Also a Movie About a Kid with an Unusual Pet and a Picture About a Family in Crisis "It's the hardest part, balancing that stuff. And because I am the person who made Wyrmwood, my tendency is to just make films that feel like they just never stop. So I really was trying to make something that has more long sections of just straight drama. I wanted to slow it down a little bit. A huge part of the writing process and the rewriting was about making the family warmer at the start so that when cracks start to appear, we care about them more — and how much drama should there be between the father and the daughter? All that kind of stuff. Yeah, it's a real balancing act in a film like this. Sometimes, I'm not sure I succeeded. Sometimes, I'm like 'did I put too much family drama in there?'. And some people are like 'yeah man, you should have had more deaths and kills'. And then somebody else would go 'god, what? No, no. That was the best thing about the film'. So it's hard to know sometimes. I think you just make a thing and you hope it's right. You do some test screenings. You work on instinct. But on this one, I wanted it to be more than just about a spider eating people, and scares and thrills. I had a personal thing that I wanted to work through with the family dynamic, and we did that, we went a little bit more dramatic with it." On Casting Rising Australian Star and Furiosa Co-Star Alyla Browne as Charlotte "We went to Nikki Barrett [the Australian casting director] and just said 'Nikki, we have a really, really difficult task for you. We need you to cast a 12-year-old star in this film that we just wrote'. And she goes 'shhhh, stop talking. Cast Alyla Browne. Just don't talk about it. Don't talk about it. Just cast her'. And she doesn't talk like that. She's usually very considered, but she was just like 'this is the person. This is the girl'. I might've just looked up a clip on YouTube. I was like 'who is this Alyla Browne?'. It was two clips of an audition she did for a film years earlier when she was like nine. She did an amazing audition where she cried. And I was like 'oh, my god, she's so talented'. Then she did the same thing in a flawless American accent and cried. And I was like 'is she available immediately?'. We didn't even audition her. I just met with her and her mother and just tried hard not to stuff it up. I was more me convincing her to be in the film. But luckily she loved the script and wanted to do it. Her mum just wanted to meet me to make sure I'm not a crazy person and so I pretended not to be, and she signed up and did the movie. She's honestly one of the most-talented actors I've ever worked with. You put the camera on her and something happens. It's a star quality — she's a 12-year-old with the star quality of Nicole Kidman or something. The whole crew would go silent and people would be looking at each other going 'just how is this 12-year-old being this amazing?'. And she made my film just 30-percent better just by being on in front of the camera — and that's something that the director prays for." On Enlisting Ryan Corr to Play Roache-Turner's On-Screen Surrogate "I'd wanted to work with Ryan for years and years. We tried and we just had a few availability issues or whatever. I've been trying to work with him for a long time. So I was stoked to get him for this one, and I'm glad it was on this one because, yeah, this was very much like he's playing me. He's not playing a guy running around jumping in slow motion, firing a gun — this is me. I wanted to be a comics artist. I wear glasses. I have a beard. Like, he's playing me. He's just playing like a heaps better-looking version of me. And every actor knows that, he read the script, he knew the deal. He's like 'yeah, this is you. I get it, but I'm going to do my own version'. With Ryan, it's like working with Brando or Tom Hardy or something. You just step back, say 'action' and watch him improve your movie. There's not much directing that goes on. The guy's a genius." On the Film's Commitment to Incorporating Practical Effects "I love CGI and we've got some sick CGI in this film. Cumulus VFX, the company that did all that stuff, it was a flawless job. But I just believe, particularly with horror, sometimes there's just a bit of an uncanny-valley thing that pops in every now and again. You're just like 'oh, there's still just something wrong with the weight of it' or 'it's not quite interacting with the shadows right', and that's even when you've just got the best CGI you can get. So it's always important for me to have a big practical element. I prefer to have a layer of practical and CGI augments what's already there. Denis Villeneuve does that on Dune: Part Two — you look at the behind-the-scenes, most of it's practical, it's augmented digitally and that's why Dune is one of the best-looking science-fiction franchises of all time. I think with this one, it was really important that we had a practical element. And when that practical element is done by Wētā Workshop, who are the best at what they do in the universe, your life is made a lot easier." On Sting's Broad Array of Inspirations Beyond Roache-Turner and His Family "Charlotte's Web, 100 percent. That's just me having a dig at a cultural phenomenon — everybody read Charlotte's Web as a kid. And I figured most people have read The Hobbit, so the sting reference I think would be nice, too, and with all the giant spiders in Mirkwood. Also The Thing, with a single location with a bunch of people stuck with one monster being eaten. And there's a comedy aspect to The Thing that I love. The tone of John Carpenter's films, I love. Very heavily influenced by Jaws, even though narratively, it's very different — but just the tone of it. Poltergeist, also in that they're stuck in a house and it's a sort of flawed family with cracks in it being terrified by an entity in a house. I really was going for a Spielberg thing. There's a tendency, I think, in today's horror to be overly arty or overly bleak, and Spielberg has a light and an adventurous touch that I really like — as well as being a really good filmmaker who understands that Hitchcockian tension. So I wanted to play in that sandbox. Spielberg is a huge influence on this." On Which Classic Horror Setup Is Next for Roache-Turner "I'm in pre-production on a giant shark movie right now, so I'm literally a couple of weeks away from shooting. I'm doing an Australian World War Two shark movie where a ship gets shot down by Japanese torpedoes halfway between Darwin and East Timor, and these guys are trapped on a raft and they're bedevilled by this giant killer shark that's eating them one by one. So I'm just making my way through the monsters." Sting opens in Australian cinemas on Thursday, July 18, 2024.
Have you ever been half way through the work week and fantasised about living a simple life? Perhaps you've been dreaming about waking up in a timber cottage with nothing but rolling hills as far as the eye can see? Well, luckily for you, there's a small collection of architecturally designed houses on vineyards and cabins set amongst idyllic gardens in New South Wales — perfect for your next serene weekend venture. To help you live out your dungaree wearing, straw chewing, horse riding dreams, here's a list of the most charming farm stays across NSW you can book right now. Recommended reads: The Best Glamping Sites in NSW The Best Hotels in Sydney The Best Luxury Getaways From Sydney The Best Places to Stay in the Blue Mountains The Blacksmith's Luxury Cabin, Bellbrook Perfect for a rejuvenating and relaxing getaway. Situated on a regenerative organic farm, you can preorder hampers filled with the farm's fresh produce, book meditation sessions at the nearby "spirit pools", one-on-one yoga classes, massages, and Ayurvedic diet coaching. From $250 a night, sleeps two. The Gate House by Yeates Wines, Eurunderee This architecturally designed, split-level farm stay shares a backyard with Yeates Wines cellar door, so expect a complimentary wine tasting on arrival. It also boasts high ceilings, a slow combustion fireplace, a kingsize bed and sprawling views of the vineyard. From $390 a night, sleeps two. Jaguar Stay, Mogo One of three adult-only luxury villas on the property, all of which have their own plunge pools. Jaguar Stay is close to nearby South Coast beaches and is directly next to Mogo Wildlife Park, a small, privately owned zoo, so you'll be waking up to the sound of exotic animals. From $575 a night, sleeps two. Rustic Country Escape, Tenterfield An idyllic cottage situated on a creek with homely, rustic interior styling in the Northern Highlands. Set amongst picturesque gardens with a view of the adjacent farm, this farm stay is the perfect spot to switch off and unwind. From $247 a night, sleeps two. Vibrant Meadow Lodge, Far Meadow Gaze across the rolling countryside while lounging by the pool in this quaint and summer-heat-friendly cottage. Inside, cook up a feast in the bright and colourful country kitchen. From $399 a night, sleeps five. Kestrel Nest Ecohut, Mount Adrah Halfway between Sydney and Melbourne, this eco-hut is nestled above a rocky mountain stream on the edge of rolling farmland and a conservation area, with an outdoor bathtub, a fireplace and firepit. From $460 a night, sleeps four. The Shearing Shed, Cowra A charming renovated shearing shed with an open-plan living room. Five kilometres from historically rich Wiradjuri Country (Cowra), what was once a vibrant area during the Gold Rush era. From $250 a night, sleeps two. The Loft, Kyangatha The perfect farm stay for animal lovers, this two-level timber loft is set in a paddock with two horses, a small herd of cows and free-range ducks. It also has outdoor shower, a galley-style kitchen and a river on its doorstep. From $195 a night, sleeps three. Kumbogie Cabin, Daruka Situated on a working sheep farm, this eco-friendly retreat is as secluded as they come. Kumbogie Cabin is 900 metres from any neighbours that aren't the kangaroos, wallabies, birds and echidnas that frequent the surrounding bushland. From $150 a night, sleeps two. Luxurious Farm Stay, Peak Hill A renovated two-bedroom 70-year old shearing shed with French doors leading onto decks with views across the 118-year old property. Offers a family-sized barbecue for open-air cooking, and an outdoor bar to match. From $240 a night, sleeps five. All photos courtesy of Airbnb. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Now that the Australian Open is back, it can feel like half the city has a racquet in hand. And it's not just the tennis superstars, with more and more pickleball courts offering a space-saving way to rally it up against your best pals across the city. Returning with another summer pop-up until Saturday, February 28, Hilton Melbourne Little Queen Street is serving up rooftop pickleball to budding pros and first-timers alike. Free for hotel guests and the public, this fifth-floor perch has aced the experience both on and off the court. If you head along for a game, you'll encounter a brand-new partnership that elevates the activation in 2026. Teaming up with Mount Franklin, the hotel now has self-serve vending machines stocked with sparkling flavoured water, ready-to-drink cocktails, and refreshing mocktails. Back on the court, returning partners Game4Padel make sure each sun-soaked match delivers a top-notch experience. Meanwhile, leading racquet brand Head has supplied premium equipment for players, plus a tennis-inspired lobby display that gets you in the mood for some rooftop rallies.
If furniture could talk, the couch from Friends would have plenty to say. For a decade up until 2004, the orange-hued lounge played a pivotal part on everyone's favourite 90s sitcom, as Rachel, Ross, Monica, Chandler, Joey and Phoebe whiled away the hours in Central Perk, reclined upon the sofa's comfortable-looking cushions, drank copious amounts of coffee and nattered non-stop about their lives. As far as on-screen seats go, it's up there with the most famous. And, almost two decades since the show went off the air, it's now in Australia. The Friends Experience has brought that bright-coloured sofa Down Under, finally hitting our shores after stops in New York City, Long Beach, Detroit, Birmingham and Brussels. This isn't the actual couch that Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer plonked their butts on for ten seasons, but it is a replica — as is much at The Friends Experience. That includes a version of Central Perk itself, as well as the fountain, Monica's kitchen, and Chandler and Joey's recliners. Why? Nostalgia and all those snaps everyone is going to take, obviously. Keen to sit where your TV besties once did (or on a settee that resembles the one they sat on, to be precise)? Then you can do just that from Friday, September 1 until the end of summer at The District Docklands in Melbourne, where The Friends Experience is making its Aussie debut. We can't promise that the sofa will always be empty, like it magically was whenever Monica, Rachel and the gang wanted to grab a caffeine hit, but you will be able to see and touch the replica either way. Yes, a version of the couch has done the rounds Down Under before, but that's not going to stop Friends diehards from heading along. Also, this is an official dive into the Friends world, complete not just with set recreations, but costumes and props, plus a gift shop filled with merchandise if you need a souvenir. Could you be any more excited? Images: Nico Photography / Fiona Hamilton. Updated Tuesday, November 14, 2023.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=8vdaJcoKk0s PROMISING YOUNG WOMAN Promising Young Woman would've made an excellent episode or season of Veronica Mars. That's meant as the highest compliment to both the bubblegum-hued take on the rape-revenge genre and the cult-status private detective series. Writer/director Emerald Fennell clearly isn't blind to the parallels between the two, even casting Veronica Mars stars Max Greenfield (New Girl) and Chris Lowell (GLOW) in her feature debut. Don't go thinking the Killing Eve season two showrunner and The Crown actor is simply following in other footsteps, though. At every moment, the brilliant and blistering Promising Young Woman vibrates with too much anger, energy and insight to merely be a copycat of something else. It's a film made with the savviest of choices, and provocative and downright fearless ones as well, in everything from its soundtrack to its weaponised pastel, peppy and popping Instagram-friendly imagery. You don't include Italian quartet Archimia's orchestral version of Britney Spears' 'Toxic', Paris Hilton's 'Stars Are Blind' and an abundance of vibrant surface sheen in a movie about a woman waging war on the culture of sexual assault without trying to make a statement — and Fennell succeeds again and again. She has also made the smart decision to cast Carey Mulligan, and to draw upon the acclaimed actor's near-peerless ability to express complex internalised turmoil. Mulligan's fierce lead performance scorches, sears and resounds with such burning truth, and so does the feature she's in as a result. When Mulligan's character, Cassie Thomas, is introduced, she's inebriated and alone at a nightclub, her clothing riding up as she slouches in her seat. Three men discuss women over beverages by the bar, and notice Cassie while talking, with one commenting, "they put themselves in danger, girls like that". No woman brings sexual assault upon themselves, with this whole intelligent and astute revenge-thriller rebuffing the bro-ish bar guy's early observation in every way possible, and meting out punishment to those who think similarly. As viewers see in the film's opening sequence, Cassie is offered help by one of the chatting guys, Jerry (The OC's Adam Brody), who is concerned she could be taken advantage of by men who aren't as nice as him — but then takes her home, makes sexual advances, and learns that the medical school dropout-turned-coffee shop employee he's trying to bed has a lesson for him. Colour-coded names and tallies scrawled in a notebook illustrate this isn't a first for Cassie. The script drip-feeds details about its protagonist's motivations for her ritualistic actions; however, the specifics aren't hard to guess. Cassie's central vigilante quest is forced to adapt after she hears news about someone from her past, and the movie takes her to bold places, boasting a relentlessness that mirrors the persistence of grief and pain after trauma. Promising Young Woman never lets its protagonist's rage subside, proving furious from start to finish — and sharing that feeling even in the film's most overt setups and obvious scenes (which are also some of its most entertaining) is a foregone conclusion. Read our full review. https://www.youtube.com/watch?v=V4gSLP9Smlg SUMMERLAND Opening in the mid-70s, Summerland begins with Alice Lamb (Penelope Wilton, Downton Abbey) tapping away at her typewriter and scaring away the children who come knocking at her door. Rewind to the 40s, and the younger Alice (Gemma Arterton, Their Finest) does much the same. She's been labelled a witch by the kids in her seaside village, and she's hardly happy when the pre-teen Frank (Lucas Bond, The Alienist: Angel of Darkness) arrives on her doorstep as part of a government program to evacuate the next generation from London. In fact, Alice demands that he be rehoused instead of interrupting her work; however, she's told that'll take a week. Moving to the big screen after stage success as a playwright and theatre director (and making short film Leading Lady Parts, also starring Arterton), debut feature filmmaker Jessica Swale penned the original script, so Summerland isn't based on an existing text or property — but everyone watching knows Alice and Frank have ample time to overcome their initial animosity, and that that's exactly what'll happen. Indeed, exploring an unexpected connection between a misanthrope and the young boy placed in her care, tackling multiple types of trauma, and espousing the enduring need for hope, this primarily World War II-set drama proves standard, straightforward and predictable in many ways. And yet, it also demonstrates that a feature can be neat, obvious, heartfelt and rivetingly acted all at once. When it spins a story about a woman given a new lease on life via an unanticipated bond that's thrust upon her, Summerland rarely flirts with surprise, let alone delivers many. Again and again, Swale's screenplay makes easily anticipated choices, and yet it also tells a resonant tale in the process. The film feels as if it has been built around Arterton, and it's definitely better for it. Thanks to her lived-in performance, Alice is able to navigate a formulaic emotional journey and still staunchly feel like her own person at the same time. Other than Arterton's memorable efforts, Summerland also benefits from two specific aspects: the backstory behind Alice's demeanour, and the way it unpacks her outsider status. Inescapably, the movie includes an almost-cringeworthy, far-too-convenient twist — but when it leaps back to the 20s, to Alice's immediate attraction to and subsequent time with Vera (Gugu Mbatha-Raw, Misbehaviour) during her university studies, it doesn't just add a love story to the narrative. In its flashbacks and the shadow they leave on Alice's WWII-era life, the film also invests depth and emotion that isn't as strong otherwise, unleashes unexpected elements that aren't evident elsewhere, and offers a quiet yet potent undercurrent of subversion as well. Read our full review. https://www.youtube.com/watch?v=WxGXbsiDhw0 SPREAD YOUR WINGS Whether they're about people helping other creatures find a way back home, spin stories about connections between different species that change everyone involved, or combine the two in one setup, films about humanity's bond with cute critters comprise a hefty genre. French family-friendly drama Spread Your Wings doesn't just belong in this category, but heartily embraces everything that audiences have come to expect from features that fit the above description — and it also shows how charming movies about humans and animals can be when done simply but well. Sharing a storyline similar to 1996 American film Fly Away Home, but actually based on the real-life exploits of meteorologist Christian Moullec, the latest effort from filmmaker Nicolas Vanier (Belle & Sebastian, School of Life) follows a scientist who is certain that he can save an endangered species of wild geese by teaching them a new migration route, even if his superiors scoff at his idea. With the flying waterfowl's usual path filled with hazards, such as airports, powerlines and light pollution, Christian (Jean-Paul Rouve, I Wish Someone Were Waiting for Me Somewhere) plots an alternate course, raises a new gaggle of goslings from birth, then plans to take to the skies in a homemade ultra-light aircraft to show them the way. Working with a screenplay written by Moullec and Matthieu Petit, then adapted by Vanier and Lilou Fogli (Blind Date), Spread Your Wings recognises the strength of its story. Crucially, while it tells Moullec's tale via fiction rather than as a documentary, it doesn't overcomplicate or overdramatise the narrative. Sent to stay with him for three weeks, Christian's teenage son Thomas (Louis Vazquez, In Her Hands) becomes as engaged in the project as his dad, even taking the lead when authorities in Norway try to scupper their flight — and while everything in the plot charts the expected course, including Thomas' involvement and the firm bond he forges not only with all the geese in his care, but with one white waterfowl from a different species, Spread Your Wings always feels as if it's telling a timeless story, rather than a cliched and well-worn one. The lively efforts of Rouve and a tender performance from Vazquez helps immensely, as does the scenic cinematography, which heads above the earth as much as it can. Vanier is obviously well aware that he's soaring into busy territory, and opts for a classic approach — which pleasingly works for viewers of all ages. https://www.youtube.com/watch?v=Q6iXpyVQf5Q&feature=youtu.be BUDDY GAMES When Adam Sandler factored into Oscar consideration for his phenomenal performance in Uncut Gems this time last year, he said that if he didn't receive a nomination from the Academy, he'd make a movie that was downright terrible on purpose. He doesn't star in Buddy Games, and this flat-out awful comedy actually premiered six months before Uncut Gems did (yes, even though it is just reaching Australian cinemas now); however, it's the kind of film one would imagine that Sandler was talking about. Directed, co-written by and starring Transformers: The Last Knight actor Josh Duhamel, this oppressively unfunny flick feels like the product of a bet to turn Jackass into fiction, to make it as awful and obnoxious as possible, and to give Duhamel both a cruisy filmmaking credit and the easiest on-screen role of his career. The premise: for years, a group of male friends have gathered together over a boozy summer weekend to compete in challenges, obstacle courses and games, with bragging rights the ultimate prize. Then one of their get-togethers goes wrong, the tournaments are shuttered and everyone loses touch. Jump to five years later, when ringleader Bobfather (played by Duhamel, of course) is convinced to restart the festivities by his struggling pal Shelly (Dan Bakkedahl, Space Force) — and, at the urging of the rest of the gang (Entourage's Kevin Dillon, Psych's James Roday Rodriguez, CHiPS' Dax Shepard and The Wrong Missy's Nick Swardson), to put up $150,000 for the winner. Duhamel and his fellow first-time feature screenwriters Bob Schwartz and Jude Weng must find testicle jokes and cocktails made with semen hilarious, because that's comedic level that Buddy Games operates on. Also covered: men strapping slabs of meat to their head, then trying not to get attacked by a wild reptile; and a chauvinist contest to see who can pick up a woman at a bar, dance with them and land a kiss, all after just taking laxatives and straining to avoid defecating. While meant to garner laughs, the film simply serves up sad middle-aged men trying to assert their masculinity and hold onto their youth in a puerile way — and says plenty about the folks who thought it was a movie worth making. Unsurprisingly given the alpha male traits aggressively on display, women barely feature, and are either stunning but still one of the guys when they do (with The Predator's Olivia Munn the only female cast member with any real screen-time) or painted as the object of no one's real affection. Homophobic references abound, too, and the fact that one of the group is secretly gay (his only character trait) is as cliched and flimsily thought-out as it sounds. Not even the cast appears particularly committed to their parts, other than Duhamel, obviously, and an over-acting Bakkedahl. Adam Sandler didn't end up getting an Oscar nomination for Uncut Gems — but whatever he thinks will be his absolute worst film is bound to be better better than Buddy Games. If you're wondering what else is currently screening in cinemas — or has been throughout the year — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26; and December 3, December 10, December 17, December 26 and January 1. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle, The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta, Rebecca, Kajillionaire, Baby Done, Corpus Christi, Never Rarely Sometimes Always, The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky, The Furnace, Wonder Woman 1984, Ottolenghi and the Cakes of Versailles, Nomadland, Pieces of a Woman and The Dry.
No one's denying a meat pie and a box of chips hit hard at the footy. But that doesn't mean you can't indulge in something a little more refined from time to time. Enter Stoke-Grill, the latest addition to the Premium Members Dining offering within the Medallion Club at Marvel Stadium. Guided by the same team behind beachy dining institutions Stokehouse and Stokehouse Pasta & Bar, expect bold flavours and premium produce as you catch the game. Centred on flame-kissed cuts and fresh seafood, the menu resonates with the heat of the grill, designed to pair perfectly with the stadium's prime-time energy. Even budding grill masters who usually fire up the barbecue in the backyard for the big game will have to admit the grill-led cuisine at Stoke-Grill rises above their efforts on the tongs. With a host of signature dishes to explore, Stoke-Grill's concept focuses on bringing the surf to the turf of Marvel Stadium. "Creating a concept specifically for Marvel Stadium has been inspiring. Around the world, stadiums are delivering world-class, premium dining experiences, so we're excited to be a part of that at Marvel, and to deliver a dining experience that matches the excitement of what's happening out on the field," says Stokehouse Precinct Executive Chef Jason Staudt. Highlights include a 300-gram whole prime rib roast with smoked bone marrow and salsa verde; seared John Dory with leek top mustard and caviar butter sauce; a 500-gram grain-fed bone-in dry-aged sirloin; and half or whole southern rock lobster tail served with chilli and lime butter. Plus, the sides take a soaring grab above the usual footy fare, with shoestring fries paired with tarragon aioli, and triple-cooked potatoes matched with burnt oregano. The smaller plates hit the mark too, with Stoke-Grill bringing match-winning dishes from Stokehouse to the stadium, including its iconic saltbush and vinegar potato cake; mixed crudo, tuna, kingfish, market fish with olive and marjoram dressing; and a spanner crab dog with lime and coconut. Before the siren sounds, dig into crowd-pleasing desserts like the Stokey date pudding, served with vanilla ice cream and butterscotch. "Stokehouse is one of Melbourne's foremost dining institutions and is synonymous with premium fine dining — making it right at home within the Medallion Club. We couldn't be happier to welcome the team to Marvel Stadium, collaborating with us to create a memorable dining experience in Stoke-Grill that I know our members, guests and partners will love," says Scott Fitzgerald, General Manager of Marvel Stadium. Stoke-Grill is now open at Marvel Stadium's Medallion Club. Head to the website for more information. Images: Arianna Leggiero
Hidden in plain sight along busy Balaclava Road is Ruzia's, a suburban wine bar that locals are proud to call their own. The open, warm and informal space lends itself to convivial dining, chitchat amongst neighbouring diners and with staff, and to settling in for a simple yet deeply satisfying meal of salty snacks, Eastern European delights, and plenty of generously poured drinks. When a venue is named after someone's grandmother, it's a telltale sign that the space will likely be imbued with a lot of heart and soul. As is the case at Ruzia's, named for the owner's grandmother, where memories of a childhood spent eating from her fridge, sitting in on long card games, and being nourished by her generous cooking pervade the space, bringing a sense of nostalgia and comfort to those lucky enough to score a seat. Along with his wife Lucy, Presser designed the wine bar, set behind its modest, intriguing frontage, to be a welcoming space for quick pop-ins and regular returns. "Ruzia's has always been about creating a place people want to return to. The focus is on simple, generous food, good wine, a relaxed atmosphere and making people feel genuinely welcome, whether they're dropping in briefly or staying longer than planned." With an open bar behind which Presser prepares the snacks and share plates, the intimate dining room has become known to locals as 'Ravi's kitchen', such is the informal nature of the space, with a few bar seats and tiny tables, a communal table seating 14 people, an inviting courtyard, and a handful of seats out the front. The menu highlights Eastern European flavours and ingredients, mostly prepared simply with a condiment or two, and of course, features several of Ruzia's signature dishes. It's the kind of place that mandates plenty of snacking over deep conversation and a Polish beer or two. Try cucumbers with horseradish and capers, smoked mackerel spread with heirloom radish, Polish sausage with mustard and pickles, and trout and potato croquettes with paprika aioli. Move to the vodka offering next, while savouring Grandma's chicken meatballs, sauerkraut and mushroom pierogi with dill sour cream, and pastrami-spiced ocean trout with herb oil. Of course, no visit to Ruzia's is complete without trying Ruzia's Plate. As if picked straight from his grandmother's fridge, Ravi carefully curates a generous plate of small goods, pickled or cured fish, marinated vegetables, cheeses and bread. The kind of food that speaks to the joy of simplicity. "We wanted Ruzia's to feel like being welcomed into someone's home. It's relaxed and familiar, with food meant to be shared and an atmosphere that encourages people to settle in and take their time," says Presser. Images: Supplied. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
Even if you've got a state-of-the-art home theatre setup, it won't come close to the sheer size and scale of IMAX. Yet this cinema-lover's choice experience has just levelled up, as IMAX with Laser is ready to redefine your viewing experience at Hoyts Chadstone. With the upgraded auditorium described as "the world's most immersive film experience," this newfangled tech lifts the bar on an already impressive encounter, delivering crystal-clear images and precision audio that won't go unnoticed. "We are proud to introduce IMAX with Laser at this world-class destination, delivering an immersive and technically advanced movie experience that continues to raise the standard for cinema in Australia," says Hoyts Group CEO and President Damian Keogh. So, what's changed? IMAX with Laser brings a vastly improved 4K laser projection system, featuring a new optical engine that makes for increased resolution, deeper contrast and colours that pop brighter than ever before. Plus, next-generation audio ramps up audience immersion to even greater heights. Putting the new system through its paces, the IMAX with Laser experience debuts with Wicked: For Good — the highly anticipated sequel to the 2024 blockbuster. Each frame of the film has been digitally remastered for the latest IMAX tech, while the audio is also remixed for maximum effect. If there's no going back after this first experience, movie-goers heading to Hoyts Chadstone can also catch an advanced screening of Avatar: Fire and Ash in IMAX with Laser on Thursday, December 18. Trust James Cameron to push this seriously absorbing system to its limits. IMAX with Laser is now available at Hoyts Chadstone. Head to the website for more information.
Fitzroy's Rose Street is home to one hell of a weekly market — the Fitzroy Mills Market — which champions local food producers and makers. You'll find it within the former manufacturing mill at 75 Rose Street — from 9am-2pm every Saturday — which is also home to the ever-popular Rose St. Artists' Market. Hoem to two top Melbourne markets, this inner north strip really is your one-stop weekend shop. The Fitzroy Mills Market is the brainchild of siblings Ari, Aphrodite and Chris Vlahos, pitched as a vibrant wellness event for locals and visitors alike. Aimed at celebrating local farmers and connecting the community to their food growers and makers, the market features a curated selection of sought-after vendors, slinging a huge array of produce and artisan goodies direct to the public. The stall-holders change somewhat regularly, but you should expect to find coffee, iced tea, bread, pies, egg and bacon rolls, and pastries, plus a stack of beauty products, homewares and vintage clothing. Live music is also on the cards most weeks, creating optimal browsing vibes. If you're in need of a casual Saturday shop and find yourself up north, be sure to stop by The Fitzroy Mills Market and neighbouring Rose Street Artists' Market.
Victoria has no shortage of standout destinations to explore throughout the year — natural, beautiful and sometimes downright surprising. The state is one of Australia's smallest, yet it boasts a diverse array of stunning landscapes, from tumbling waterfalls in the middle of dense forest to ancient volcanic craters teeming with wildlife. Here, we've rounded up eight unexpected natural sights just waiting to be explored. Start plotting some epic adventures around this lineup of must-see Victorian landmarks. Recommended reads: The Best Natural Hot Springs in Victoria The Best Walks in and Around Melbourne The Best Beaches in Melbourne The Best Places to Go Glamping in Victoria [caption id="attachment_785503" align="alignnone" width="1920"] Darren Seiler for Visit Victoria[/caption] Pink Lakes, Murray-Sunset National Park As far as bodies of water go, these ones are what you'd call true show-stoppers. Up in the wilds of northwestern Victoria, the Murray-Sunset National Park is best known for its four eye-catching Pink Lakes, which feature solid salt beds and a vibrant blush tinge thanks to the red algae growing in their waters. With the lakes shifting in colour throughout the day, the vast, flat territory makes for some pretty magical photo ops, especially during sunset and at dusk. You can soak up the untouched surrounds while trekking one of the area's many walking trails, and you can even spend a night onsite at the campgrounds, taking advantage of the open starry skies and lake views. [caption id="attachment_785511" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] The Pinnacle Lookout, Halls Gap Rising up above Halls Gap, The Pinnacle Lookout is The Grampians' crowning glory, in more ways than one. It clocks in at an impressive 720 metres above sea level and boasts some unimaginably good panoramic views to match. The spectacular summit is accessed by a bunch of different hiking trails (starting from a medium-grade 45-minute trek), which'll take you winding through a rugged region of leafy bushland and rocky outcrops. Make your way up to the top and take in those dramatic vistas over the National Park's peaks and valleys. You'll feel like you're standing atop Victoria's own version of the Grand Canyon. [caption id="attachment_785496" align="alignnone" width="1920"] Garry Moore for Visit Victoria[/caption] Buchan Caves, Buchan Some of you might find it hard to get excited about a cave. But this huge subterranean network, filled with majestic limestone formations, really is some exceptional stuff. Carved out by underground rivers almost 400 million years ago, Gippsland's Buchan Caves are the largest of their kind in Victoria, and are also a site of huge Aboriginal cultural significance. You can take guided tours of the two main lit sections, known as Royal Cave and Fairy Cave, winding your way amongst the stalactites, stalagmites and calcite-rimmed pools. What's more, the adjoining Buchan Caves Reserve boasts loads of native wildlife, bushland walks and idyllic picnic spots. You can even make a mini-getaway of it and spend the night at one of the campsites. It's one of our favourite Victorian caves to explore. [caption id="attachment_845835" align="alignnone" width="1920"] Great Ocean Road Tourism[/caption] Tower Hill Wildlife Reserve, Tower Hill If you ever want to see what life is like within a dormant volcano, simply venture a few hours west to the site of Tower Hill, near Port Fairy. Here, a 30,000-year-old volcanic crater houses the Tower Hill Wildlife Reserve, featuring a striking backdrop of cone-shaped hills, wetlands and lakes. And as well as boasting gorgeous scenery and bushwalks aplenty, this one's steeped in history. A significant Indigenous landmark and Victoria's first national park, the site was driven to ruin by early settlers before volunteers restored it to the natural beauty it is today. The crater is also home to scores of native wildlife species — keep an eye out for the likes of koalas, kangaroos and spoonbills kicking around in this unique habitat. [caption id="attachment_785501" align="alignnone" width="1920"] Mark Watson for Visit Victoria[/caption] Californian Redwood Forest, Beech Forest Take a trip out to the Otways' famed Californian Redwood Forest and you'll find yourself quickly enveloped in an otherworldly haven of peace and tranquillity. Created over 85 years ago, this plantation of towering Californian redwoods (Sequoia sempervirens) makes for quite the nature spectacular, with its uniform rows of tree trunks, hushed forest floor and shards of sunlight filtering through the upper branches. Nothing offers a change of perspective quite like taking in the full stature of these arboreal giants on a stroll through the 1400-strong forest. Some of the redwoods reach a whopping 55 metres tall. Enjoy a picnic lunch, hug a few trees and revel in a much-welcomed dose of Mother Nature. [caption id="attachment_785504" align="alignnone" width="1920"] Pennicott Wilderness Journeys[/caption] Skull Rock, Tidal River Victoria lays claim to plenty of famous rock formations, but this skull-shaped number emerging from the waters off Wilsons Prom might just be the coolest. Cleft Island — also known as Skull Rock for obvious reasons — is a giant granite formation near the very southern tip of the state. It's been gradually shaped and smoothed by waves over centuries, and features a giant grassy cave hollowing out one side. For a close-up view, you can (normally) jump on a 2.5-hour cruise, departing daily from Tidal River. And if you're visiting during migration season, you could even spy a few of the area's less eerie residents, including sea birds, dolphins and fur seals. [caption id="attachment_785502" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] Trentham Falls, Trentham As one of the state's longest single-drop waterfalls, Trentham Falls is always a majestic sight to feast your eyes on. And, at a soaring height of 32 metres, we reckon the falls certainly get the tick of approval from TLC. Located within the lush forest of Coliban River Scenic Reserve — about 90 minutes northwest of Melbourne — this impressive water feature looms large against ancient basalt rock, with the whole scene framed by leafy native vegetation. Unfortunately, you're not allowed to get too close, but you'll find the best vantage point from atop the dedicated viewing area, just a short trek from the car park. Take a moment to admire the dancing water, surrounded by shady manna gum and messmate trees, and we promise you'll feel worlds away from the big smoke. [caption id="attachment_785540" align="alignnone" width="1920"] Gillian via Flickr[/caption] The Organ Pipes, Keilor North It's not too hard to see where this unique rock formation gets its name from, with its row of towering cylindrical columns that look like they could just about start pumping out tunes. Gracing the side of a big basalt cliff, the distinctive design was naturally created back in ancient times by cooling lava. Now, it serves as a constant reminder that this region is on the edge of one of the world's largest ancient volcanic lava flows. You'll find the geological gem located within the Organ Pipes National Park, just 30 minutes out of the CBD. While you're there, be sure to catch some of the park's other quirky resident rock formations, including the mosaic-like Tessellated Pavement and another that looks like the spokes of a giant wheel. Top Image: Californian Redwood Forest, Beech Forest.
For the people who care deeply about beautiful things — the ones who know their glassware silhouettes, have opinions on timber grains or can spot a well-cut bag from across a room — design-forward gifts always land best. This year's edit brings together thoughtful pieces from Australian makers and independent studios, spanning sculptural homewares, tactile accessories, sustainable fashion and objects that balance form with function. Whether they're curating their space piece by piece or simply appreciate good design in the everyday, these polished picks offer style, utility and a little artistic flair. Shopping for someone who prefers edible design? Explore our guide to the best small-batch foodie gifts. Balance Vase, Fazeek A sculptural glass vase that plays with symmetry and scale, this two-tone design turns a simple stem into a full display moment. Shop now. The Baguette Bag, Fred Home A bag made purely for carrying a baguette? Equal parts outrageous and totally gorgeous. Shop now. Incense Holder Bundle, Gentle Habits A ceramic holder paired with the brand's signature coastal-inspired incense blends. Shop now. Merino Alpaca Throw in Cobalt, Hommey A luxe throw woven from merino wool and alpaca, in a punchy cobalt tone to instantly elevates any space. Shop now. Ulna Ring (Emerald), Kto Made in Castlemaine, this cuttlefish-cast silver ring is a sculptural addition to any design lover's collection. Shop now. Roman Pool Towel, Baina A premium organic cotton towel featuring Baina's signature checkerboard pattern. Shop now. Sculptural Lobster Candle, Milligram A candle shaped like a lobster — do we need to say more? Witty, sculptural and very giftable. Shop now. Pin Drop Vessel, Leisa Wharington A playful hand-blown glass vessel with mix-and-match stoppers. Make it a bottle, a vase, or simply an objet d'art. Shop now. The Bronzing Duet, Fluff Fluff's unmistakable silver pebble compact, paired with a matching kabuki brush and a refillable bronzing powder. Shop now. Plaid Bag, Pan After A durable, handmade statement bag in bold woven plaid — made from 100 percent recycled nylon. Shop now. MECCA x E Nolan SPF + Lip Balm Beauty Bag Set, MECCA Cosmetica A fashion-meets-beauty collab pairing everyday essentials with a limited-edition scrunchie and pouch. Shop now. Long Stone Servers, Dinosaur Designs Hand-poured in Australia, these resin servers showcase Dinosaur Designs' signature organic forms and rich marbled colour. Shop now. Sakura Outdoor Mat, Sunnup Made from around 100 recycled polypropylene bottles, this picnic mat is as durable as it is chic. Shop now. Organica Day Bag, Brie Leon Spacious enough for daily essentials but refined enough for after-dark plans — and crafted from buttery vegan leather. Shop now. Mother of Pearl Oyster Plate, Jardan Crafted in Melbourne and slipcast to highlight natural texture, this Nattier oyster plate offers a fun take on functional serveware. Shop now. Organic Cotton Bedding in Watson Stripe, Sheet Society Soft, stonewashed organic cotton and quiet ruched detailing give this percale bedding set a refined, lived-in feel. Shop now. FYI, this story includes some affiliate links. These don't influence our recommendations, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
There are food festivals, and then there's Noosa in June. From Thursday, June 11 to Sunday, June 14 2026, the Noosa Food & Wine Festival transforms the coastline into a playground of waterfront lunches, live cooking battles and beachside dinners that blur the line between refined and raucous (how Noosa). Sand underfoot, champagne in hand, some of the country's best chefs on the tools – it's a format that's hard to beat, and the 2026 lineup looks particularly electric. Come hungry. Official Opening Party Friday, June 12 Promising to be "bigger, brighter, and even more unforgettable" than its sold-out 2025 equivalent, this is the celebration that sets the tone for everything that follows. Expect continuous canapés and interactive pop-ups from an all-star culinary cast, including Guy Grossi, a South African braai from Warren Mendes, and Lucio's Marina's interactive seafood bar. As the sun drops behind the marquee and the sky shifts to gold, live DJs take over, and the three-hour beverage package keeps pace – welcome Enough cocktail on arrival, wines from Mojo and beers from Stone & Wood flowing freely. Part marquee comfort, part open-air beachfront beauty, this is Noosa at its most celebratory: sand underfoot, drink in hand, chefs at full throttle. Sunset Sessions: Beachside Dinner Saturday, June 13 Sunset Sessions brings fire, flavour and three of Australia's most exciting restaurants together for one collaborative feast on the sand. Lanai's Ryan Fitzpatrick, Stanley's Louis Tikaram and Serai's Ross Magnaye join forces for a share-style dinner inspired by the islands of the Pacific and the spice markets of Asia – bold, expressive and designed to pass across the table. Canapés on arrival lead into three generous courses, with interactive cooking stations adding theatre as the sky shifts to gold. The Catalina Afternoon Float Sunday, June 14 Swap sand for something sleeker and step aboard Noosa's most iconic vessel for a two-hour river cruise where flavour, sunshine and soundtrack align. Presented by Florcita Tequila, this Sunday session blends Latin-inspired canapés, premium pours and DJ-curated beats as you glide along the Noosa River. At the helm is Jason Jones, the culinary force behind Melbourne's acclaimed Mamasita and Noosa's Bandita. His menu of continuous canapés celebrates bold Latin flavours with a refined coastal twist – vibrant, punchy and designed to match every sip. If your ideal Sunday involves midday margaritas, river breezes and dancing in the golden glow of a subtropical afternoon, this is your move. The Festival Sundowner Sunday, June 14 One last, sun-soaked celebration to round out the weekend. As golden hour settles in, this big-finale beach party blends continuous canapés, flowing drinks and DJ sets that roll effortlessly into the evening. On the tools is Light Years, serving bold, punchy modern Asian flavours designed to share. Expect playful combinations, vibrant spice and the kind of dishes that demand a second lap. At the bar, Stone & Wood keeps things crisp and easy-drinking – think Pacific Ale in hand, sand underfoot and that salty twilight breeze coming off the water. Three hours. 350 guests. Toes in the sand and festival energy at full tilt. Restaurant Series Thursday, June 11 to Sunday, June 14 If the beach parties bring the spectacle, the Restaurant Series is where things stay intimate. Across four days, almost 20 of Noosa's top dining destinations will host one-off collaborations, curated menus and chef pairings that exist for one service only. It's billed as "an unmissable series of fully curated events, top-tier collaborations, and never-before-seen culinary experiences" – and many of these line-ups may never share a kitchen again. Expect Rickys Bar & Grill with Brisbane's Essa, Light Years alongside Long Time (Bali), Bandita and Byrdy bringing Melbourne energy north, Peli's teaming up with George Calombaris, Sum Yung Guys collaborating with Marion Grasby, The Wood Shed (Kin Kin) partnering with Lancemore (Melbourne), Humble on Duke joining forces with Makepeace Island, plus brand new venue Cibaria Noosa stepping into the mix. Smaller rooms. Sharper menus. Blink, and you'll miss them. American Express Festival Village Saturday, June 13 If you want it all in one place, this is your base. The American Express Festival Village is the beating heart of Noosa Food & Wine – a high-energy day packed with live cooking, cold drinks and more than 40 bars and restaurant pop-ups to roam between. Your General Admission ticket sets the tone early: a reusable festival glass, canapés on arrival and a welcome mocktail in hand before you dive into the action. From there, it's a choose-your-own-adventure of 10+ live cooking demonstrations across the Main Stage and Olsson's Salt Culinary Stage, plus a full soundtrack of DJs and live acts. The Main Stage brings the theatre, with headline cooking demonstrations and the ever-rowdy PorkStar Live Cooking Battles. Over on the Culinary Stage, guest chefs share tips, tricks and samples, with Interactive Tickets available for front-row seats and extra tastings. Between sessions, settle into the Village Pavilion for laid-back luxe under shady palms, explore producer pop-ups from around Noosa and the Sunshine Coast, or post up in the Premium Lounge to sip and watch the action in comfort. It's dynamic, delicious and delightfully buzzy – a full-day immersion in everything the festival does best. The full festival program has just been unveiled, with Signature Events and Festival Village tickets on sale now. The Restaurant Program tickets will go on sale from Friday, March 13 – subscribe to access an exclusive 24-hour presale. Images: Supplied
Remember UNO — it's lotsa fun, it's number one? Well, this hugely popular card game that never seems to go out of vogue is levelling things up with a playful activation that's touring pubs across the country. Presented in collaboration with hospo giants Australian Venue Co., the UNO Social Club's next stop is St Kilda's waterfront institution, Hotel Esplanade. Fresh from a Las Vegas residency and activations across the UK, the UNO Social Club recently kicked off in Australia at Riverland in Brisbane. Making its way south for the first time, The Espy is hosting this UNO-themed extravaganza from Monday, February 2–Monday, March 2, featuring special gameplay nights, themed cocktails, free UNO decks and heaps more. "UNO Social Clubs have been thriving across the United States, from the Las Vegas launch to pop- ups in New York, Chicago and UK — we have seen how strongly people connect with the UNO experience and are thrilled bring it to a cultural Melbourne landmark like The Espy," says Paul Faulkner, Senior Vice President and Managing Director of Mattel Asia Pacific. Keen to pull the UNO reverse of the century? This month-long experience brings more than a little friendly competition to your sun-drenched summer sessions. Just make sure you and your mates agree on the rules before you start slamming down Draw Four and Wild cards.
Fitzroy North's beloved Piedimonte's has long been the poster child for Melbourne's independent grocers — and that's exactly how many locals want it to stay. As reported by The Age, Yarra City Council has rejected selling a rear bluestone laneway to the store's owners, a move that stalls a previously approved redevelopment and, unexpectedly, puts independent ownership at risk. The family's multi-storey plan — green-lit by VCAT four years ago — relied on buying a 75-square-metre slice of laneway from council (and giving back 122 square metres elsewhere). While plenty of residents opposed the redevelopment on principle, the upside for many was that Piedimonte's would remain locally owned. With the laneway sale now knocked back, co-owner Sam Piedimonte told The Age the family will weigh "a big decision," including the possibility of selling to a major supermarket chain. [caption id="attachment_1022966" align="alignnone" width="1920"] Image credit: Piedimontes Facebook[/caption] Yarra City Council received more than 400 submissions on the sale, with the vast majority against, The Age reported. Community group Protect Fitzroy North argued against handing public land to a private project and raised traffic concerns. An independent traffic review commissioned by the council found the laneway's vehicle use was "low" — six to 16 cars a day at the northern end — and said any redistribution would be "negligible," while noting the new build would move truck loading on-site. On the night, councillor Kenneth Gomez led the successful motion to refuse the sale, citing the lane's active public use and heritage value. Independent Mayor Stephen Jolly and councillors Gomez, Andrew Davies, Meca Ho, Angeline Aston and Sharon Harrison voted it down; Greens councillor Sophie Wade dissented, telling The Age she was representing the roughly 10 percent of submitters who supported the sale and arguing the public land would be "redirected," not lost. [caption id="attachment_1022967" align="alignnone" width="1920"] Image credit: Piedimontes Facebook[/caption] For now, the redevelopment is on ice and the future is unclear. Many residents who pushed back on the build did so to keep an iconic, family-run supermarket in place — not to see it potentially absorbed by a national chain. The irony isn't lost on the inner-north: a win against the project could end up costing the neighbourhood its independent grocer. Top image credit: Piedimontes Facebook
On Bram Stoker's pages, as penned into gothic horror history 128 years ago, Count Dracula travels to the UK. It's fitting, then, that Sydney Theatre Company's cine-theatre take on the all-time classic vampire novel is following the same voyage. While pop culture's most-famous bloodsucker ventured from the Carpathian Mountains to London, Kip Williams' inventive interpretation of Dracula is making the trip from Australia — as the theatre-maker's fellow one-actor horror adaptation The Picture of Dorian Gray similarly did. Also shared by Williams' iterations of Dracula and The Picture of Dorian Gray: a big-name actor with international clout stepping into the production's sole role. Sarah Snook (Memoir of a Snail) did the honours for the director's Oscar Wilde adaptation, won an Olivier Award for it, then moved to Broadway with the show and is now nominated for a Tony. Taking the lead for Sydney Theatre Company's dance with the undead: Cynthia Erivo (Poker Face). [caption id="attachment_1004199" align="alignnone" width="1920"] Mark Seliger[/caption] Erivo's West End stint in Dracula will start on Wednesday, February 4, 2026, playing the Noël Coward Theatre — and if you're wondering whether she'll add to her trophy cabinet for the production, any awards for her efforts here will join the stacked lineup of accolades that she's already collected. For 2016's The Colour Purple, she won a Tony. For that musical's album, she won a Grammy. And for performing from it on America's Today Show, she won an Emmy. This year, Erivo was also an Oscar-nominee thanks to Wicked, joining her two past nominations for Harriet. Dracula marks her return to the stage, premiering in London after Wicked: For Good hits cinemas globally in November 2025. Erivo will portray all 23 characters in Stoker's story. Yes, that means Count Dracula, obviously, but also spans vampire hunter Van Helsing, solicitor Jonathan Harker, his fiancée Mina Murray and her friend Lucy Westenra, among other figures. "Returning to the stage feels like a homecoming, one that I've been craving for a long time. To do so with a story as rich, complex and haunting as Dracula offers a beautiful opportunity to delve into character, into myth and into the heart of what makes us human," said Erivo. "From the moment I was asked, I could not get the role out of my mind. Kip's vision is thrilling, terrifying and deeply resonant, offering a chance to sit with not only the darkness in the world, but also the light we fight to hold onto. It's a rare gift for an actor to inhabit so many voices and perspectives in one piece, and I'm honoured to do it for West End audiences in this extraordinary production. The prospect of doing this show scares me and I know it will be a huge challenge. This show will ask everything of me — and I'm ready to give it." Added Williams: "I am thrilled to be returning to the West End to direct my adaptation of Bram Stoker's Dracula and to collaborate with the extraordinary Cynthia Erivo, as she brings to life the many iconic characters of this much-adored tale." "Our production expands upon Stoker's exploration of the tension between fear and desire, offering a contemporary perspective on the vampire as a monster that lurks not beyond, but within. I am excited to reunite with many of my Dorian Gray collaborators on this project, and it is an immense privilege to have such a singularly gifted artist as Cynthia at the heart of it. I can't wait to share this piece with London audiences, especially in the West End, a place where Bram spent so much of his creative life." Dracula is the third instalment in Williams' trilogy for Sydney Theatre Company, following not only The Picture of Dorian Gray but also The Strange Case of Dr Jekyll and Mr Hyde. In Australia, Zahra Newman portrayed every part in this bite of spectacular theatre. Given how popular its namesake, or versions of him, is in cinemas (see: Nosferatu, Dracula: Voyage of the Demeter and Renfield just in the past two years), don't be surprised if Williams' Dracula also gets picked to make a stage-to-screen leap, as The Picture of Dorian Gray has. Dracula will play the Noël Coward Theatre, 85–88 St Martin's Lane, London, from Wednesday, February 4, 2026 — for more information and tickets, head to the production's website. Dracula images: Zahra Newman and camera operator Lucy Parakhina in Sydney Theatre Company's Dracula, 2024, Daniel Boud ©.
Melbourne's hot new hotel, Hannah St, has arrived, and it's bringing Euro-inspired dining to the CBD in the form of its corner bistro, Coupette. The venue blends old-world sensibilities with modern design, creating an unmistakably Melbourne feel. Operated by The Mulberry Group (Hazel, Dessous, Lilac Wine) and designed by David Flack of Flack Studio, Coupette Corner Bistro & Bar is set up for success. Its opening forms part of Southbank's evolving hospitality offering, drawing locals and visitors alike to the often underutilised part of the city. As a hotel venue, it moves seamlessly from morning coffee to late-night cocktails and is well-suited to everything from a quick post-work snack and drink to a leisurely, celebratory meal as part of a weekend getaway or staycation. "Coupette is about comfort, ease, familiarity and fun," says Nathan Toleman, founder of The Mulberry Group. "We wanted to create a corner bistro that feels immediately comfortable and connected to the surrounding neighbourhood. Somewhere you can drop in for a quick breakfast, stay for lunch, or come back in the evening for dinner, and feel just as welcome every time." Executive Chef Andrew Beddoes and Head Chef David Warne have built an all-day menu with European influences that still champions quality Victorian produce. For breakfast, there are the usual suspects, which sit alongside signature dishes such as the blue swimmer crab omelette with chilli and coriander. For lunch, opt for light yet exciting options such as iceberg with truffle dressing, zucchini flowers with ricotta and sugo, or a chopped salad with chicken. Or go big with a cheeseburger with pickled green tomatoes, or steak frites with Montpelier butter. A selection of small plates makes for perfect pre-dinner snacking, such as anchovies with sourdough, steak tartare with crisps and prosciutto with parmesan and cornichons. Lamp rump is served with sweetbreads, eggplants and labneh, and market fish comes alongside cabbage, clam tartare and beurre blanc. Beddoes says, "Our approach is simple. We cook delicious food that people want to eat regularly. Dishes that feel comforting and familiar, but done properly, using great ingredients." Images: Anson Smart, Kristoffer Paulsen, Pete Dillon.
If you've ever been stateside and tasted real buffalo wings, you've probably gone out of your way to find something similar upon your return to Melbourne. However, finding a restaurant or bar that gets all the flavours exactly on point has proved a difficult task for many wing lovers. Unless you know where to go. Lucky for us, a few Melbourne eateries go above and beyond to prove they make the greatest buffalo wings this side of upstate New York. We've picked out five of the best in the city, which thankfully means you won't need to fly out to the US to feast on them once again — enough for a tram fare will be enough.
It wasn't so long ago that most Australians only knew Wendy's for its insanely viral social media posts. However, since 2022, the American chain has begun to establish a significant presence on our shores. First launching in Surfers Paradise (unless you're counting a series of stores closed in the 1980s), the brand aims to open over 200 locations around Australia by 2034. Well, they've ticked another off the list, with a flagship Wendy's Brisbane restaurant touching down in the heart of the CBD. Serving as a major milestone in the company's national rollout, delivered in partnership with Flynn Group, this two-level themed location provides an extra special nod to the restaurant's bold design, nicknamed Haus of Wendy. Featuring more than enough space for 130 diners, an openair ground floor leads into an expansive lower level, with both decked out in contrasting bright red and blue decor that resonates with fun-loving energy and personality. Going beyond just a splash of paint, red celebrates Wendy's sass and spice, with the in-store experience seeing hand-painted murals set against bespoke wall panelling inspired by Wendy's famed braids. Meanwhile, blue speaks to Wendy's iconic Frosty, with this level featuring a bow wall crafted by local artist Rachel Burke and made from upcycled materials. Here, you'll also encounter a Frosty-inspired lounge area, complete with a photo booth. "This flagship represents everything the Wendy's brand stands for — fresh food and bold personality," said Corina Black, Chief Marketing Officer, Wendy's ANZ. "Brisbane's vibrant energy is a natural fit for Wendy, and we're proud to contribute to the city's reputation as a destination for food, culture and creativity." With the spread of Wendy's across the country just getting underway, this brand-new location remains one of the few spots in Australia where you can dine on the brand's signature dishes. Think classic doubles, Baconmators and spicy chicken sandwiches alongside Wendy's Frosty in chocolate or vanilla. Plus, super crunchy double hand-breaded chicken tenders and sea-salted fries with loaded options hit the mark for an on-the-go snack. "Wendy's has built its reputation on doing things differently, and this flagship takes that spirit to a new level," said Lauren Leahy, Chief Transformation Officer, Flynn Group. "We've taken Wendy's much-loved global brand and reimagined it for Australia. The new store brings that to life in a way that's both unmistakably Wendy's and uniquely Australian." Wendy's Brisbane launches on Wednesday, October 29, at 245 Albert Street, Brisbane, open daily from 9am–10pm. Head to the website for more information.
A true legend of the game, France-Soir has been dishing up French-accented goodness from its charming Toorak brasserie since 1986. Many consider it a go-to for those timeless, simple French classics, thanks to its menu of expertly executed fare. From escargots and white wine mussels, to steak frites and duck a l'orange, it's a study in essential Euro flavours, done well but without unnecessary fanfare. [caption id="attachment_638871" align="alignnone" width="1620"] Brook James[/caption] But it's not just the food that keeps the Parisian-inspired restaurant packed after more than 30 years. The intimate, understatedly elegant atmosphere of France-Soir is nearly impossible to replicate, and its old-school sense of hospitality is hard to resist. Throw in an extensive, internationally recognised wine list featuring thousands of French labels, et voila — it's not hard to see how France-Soir keeps its loyal regulars coming back again and again. Got a special drop of your own you'd like to bring along? BYO is available at lunch Saturday to Thursday, with no corkage fee. Images: Brook James. Appears in: The Best Restaurants in Melbourne for 2023 The Best French Restaurants in Melbourne for 2023
The cold weather has well and truly descended on Melbourne. Fortunately, staying warm is a little easier when you have a big plate of steaming hot lasagne to feast on. And with World Lasagne Day just around the corner on Saturday, July 26, you've got the best excuse to carb load. To celebrate the occasion, Grossi Florentino is getting in the mood with a long lunch that will keep the chill at bay and ensure you pay tribute to the iconic dish. From 12.30–3pm, the restaurant is offering generous portions of house-made lasagne, brimming with slow-cooked ragu, fresh pasta sheets and creamy bechamel sauce — served tableside, straight from the tray. Yet this lunch goes further, with antipasti and a slice of tiramisu rounding out the celebration. What's more, accordion tunes throughout the afternoon will add to the atmosphere, helping to make this Italian feast even more festive. At $75 per person, it won't be hard to convince your amici to get involved in this lasagne-led banquet.
We are absolutely spoiled for choice with dozens of Melbourne hot pot, or huǒ guō (火锅), spots around every corner in the food capital of Australia. Hot pot is less of a dish and more of an experience. Think of it as the Asian version of fondue – a bubbling pot of broth sits in the middle of the table surrounded by platters of meat, seafood and vegetables, all ready to be cooked in a cauldron of soup. The only rule of hot pot is that there are no rules. We've done the hard work for you and hunted down the best places for hot pot in Melbourne that are heating up the scene. All that's left is to decide which one you'll dive into first. Recommended reads: The Best Fried Chicken in Melbourne The Best Ramen in Melbourne The Best Thai Restaurants in Melbourne The Best Bubble Tea Shops in Melbourne
In 2026, Flickerfest Short Film Festival will celebrate its 35th year as a highlight in the cultural calendar. The curated programme, which takes place from Friday, January 23 until Sunday, February 1, showcases around 200 short films, including 42 world premieres and 41 Australian premieres, giving Sydney audiences a first look at the industry's creative talents. Alongside Flickerfest's outstanding lineup, the festival has also partnered with Specsavers for the third year running to support emerging filmmakers. The competition invites filmmakers to create a 30-second short film in the spirit of the brand's recognisable "Should've Gone To Specsavers" ad, which has been gracing Australian screens for over 15 years. "The partnership is about getting people to think creatively and giving opportunities for emerging filmmakers," says Flickerfest director, Bronwyn Kidd. "It has evolved from a script competition to people producing their own 30-second ideas. It encourages people to get a team together and make something." From all of the entries, five finalists have now been selected, with each short film set to be showcased at Flickerfest and awarded $20k in prize money. One entrant, however, will win a major prize — $50k cash to help launch and support their creative career. While the finalists have been handpicked by a judging panel, the winner will be chosen by the general public. Voters are also in with a chance at some prize money. Voters are also in with a chance at some prize money. Tell us, in 25 words or less, why your favourite 30-second short film deserves to win. You'll then go in the draw to score a $1000 Digital Visa Gift Card. Perhaps the winner will be Edvard Christie's wine blunder with The Expert? Hannah Dougherty's hilarious crime mystery, Sketch Artist? Or the unique animated short, Garbologist? Justin Villar's The Chase makes for a thrilling TVC, while Muraya Moore's Fishtank nails the creative brief. Watch and vote for the five Flickerfest finalists at the Specsavers hub and go into the running to win $1000 — all while supporting the Australian film industry. See the full Flickerfest programme and find more information here. Lead image credit: Flickerfest
Grief. Asking for forgiveness. Moving forward. Thematically, that's the initial three-season plan for Shrinking, Apple TV+'s Jason Segel (Winning Time: The Rise of the Lakers Dynasty)-, Harrison Ford (Indiana Jones and the Dial of Destiny)- and Jessica Williams (Road House)-starring comedy series about therapists endeavouring to help their patients while rarely having all of the answers to their own problems. Audiences will get to see at least that journey from this kind-hearted gem, which was co-created by TV veteran Bill Lawrence fresh off Ted Lasso's success, teaming up with the soccer-themed hit's Brett Goldstein, aka Roy Kent, as well as Segel. Just as Shrinking's second season started airing in mid-October 2024, the show was renewed for a third season. "That is the beginning, middle and end of this story, without a shadow of a doubt. And I think people know from what I do that there has to be an undercurrent of hope and optimism in there," Lawrence tells Concrete Playground. "I'm not going to say everything would be nicely cut and dried, but I'm not sure people would ever watch my shows again if the end of this was 'Jimmy moved into the mountains and decided to be sad and alone forever'. You know what I mean? 'Don't even bother trying!'." Lawrence, who was also behind Spin City in the 90s, Scrubs and Cougar Town in the 00s, plus 2024 newcomer Bad Monkey, isn't saying that's all there'll be to Shrinking's on-screen journey — there's a way forward if, once season three rolls around, it earns another renewal again from there. "We knew that that was the end of this particular story. I think that's what's fun about television now, is you tell stories with a beginning, middle and end. Doesn't mean that the show can't go on, it just means if we go beyond these three seasons, I treat it like a book," he advises. "Bad Monkey, there's another book by Carl Hiaasen with some of the same characters, at least the ones that aren't dead. It's a completely new story, with a completely new inception point, and I love it just as much as the previous one. So I love the idea of doing that with a TV show like this, hopefully." Since its early 2023 debut, Shrinking has spent its time with Segel's Jimmy Laird, Ford and Williams as his colleagues Paul Rhoades and Gaby Evans, plus Jimmy's teenage daughter Alice (Lukita Maxwell, AfrAId), best friend Brian (Michael Urie, Goodrich), patient Sean (Luke Tennie, CSI: Vegas), and neighbours Liz (Christa Miller, Head of the Class) and Derek (Ted McGinley, The Baxters). When the show began its tale, Jimmy was consumed by loss and pain after the death of his wife in a car accident. With Alice, he'd largely been absent since tragedy changed their lives forever, and his friends had been picking up the slack. With the folks paying him for his professional assistance, Jimmy then began trying to push them out of their comfort zones. "I think one of the things that actually was a real breakthrough for me from participating in the show is understanding that one of the real pitfalls of therapy is getting caught in a weekly loop of talking about your problems, but not actually trying to change them. I hadn't really thought of that," Segel explains. "You have people who've been in therapy for years and years and years, but haven't really made any progress. And so I think that that's one of the things that was frustrating Jimmy, is feeling like his patients were caught in a rut — and 'what do I start doing to change your behaviour? What do we do that's actionable today?'. So that's been really cool, and I think it's been cool for the viewers, too, to think about it in that way." Shrinking is another of Lawrence's series with hug-inducing levels of warmth at its core, as Ted Lasso was so welcomely. As with Scrubs, it finds both deep emotion and humour in healthcare's vicinity. And as everything on his resume since Spin City has been, it's about the families that we make not just through the bonds of blood. Vulnerability sits at its heart, too, which Segel appreciates, especially as the Freaks and Geeks, Forgetting Sarah Marshall, How I Met Your Mother star's concept of what that means has evolved over his quarter-century-plus acting career. "I think that my idea of vulnerability has become more sophisticated as I have gotten older," he notes. "When I was a young man, to me the most-vulnerable thing was doing full-frontal nudity during a breakup, and that's just literally vulnerable. But I think that in this show, I've started to realise more and more that real grown-up vulnerability is saying 'I'm afraid' or saying 'I'm struggling and I need help'. Asking for help, what a vulnerable thing. And so I think that you'll see a lot of characters committing real acts of vulnerability and bravery by asking each other for help." Shrinking's 12-episode second season picks up with Jimmy being confronted with consequences from his new strategy for therapy, and Alice — and everyone else — concerned that he'll return to his self-destructive spiral. As it digs into seeking not just assistance but forgiveness, it also brings Goldstein (The Garfield Movie) in front of the camera, and forces its characters to begin reckoning with what it truly means to even think about allowing yourself to forge a path beyond past sorrows, mistakes and fears. How does Lawrence approach his now-trademark mix of emotional complexity and comedy, including while championing kindness? How crucial is Segel's involvement, especially in conveying details that don't need to be written on the page? And how did Ford come to be onboard? What does Segel learn working beside the acting icon — and how does he tackle a project when he's so intricately involved off-screen? We chatted to Lawrence and Segel about all of the above and more. On Making Sitcoms with Emotional Complexity, Including Ted Lasso and Shrinking Both Heroing Kindness, Self-Belief and Asking for Help Bill: "Everybody that you get to talk to that does what I do, they without a doubt had influences and idolised different shows and writers when they grew up. And for me, I grew up on that type of TV. People forget, because they aren't as old as I am, M*A*S*H was this show that was like the biggest show in America — a sitcom that would be broad and silly and goofy, and it would turn on a dime and you would find yourself sobbing about a patient that passes away or a story that you didn't see coming. You'd just get blindsided. And I always gravitated to TV like that. Even The Office, which I think is so brilliant and silly, and Michael Scott is a ridiculous character, they somehow found ways that he could still turn on a switch and hit you emotionally. I like shows like 30 Rock and Veep, which are a testament to amazing joke-writing, and sardonic and satire, and I wish I could do them — I can't. But I got very lucky. I knew with the show Scrubs that I wanted to try and do this, and see if you could do shows with big comedy that then would maybe sometimes have hairpin curves into emotional depth. And I remember when I tried to sell Scrubs, one of the executives that I sell to said 'I'm not sure you can do broad, silly comedies and then make people care — like, a fantasy, and then make people care if a patient lives or dies or not'. And I used to say 'I think you can, if you just turn the lights down and play some indie music'. I was joking, but it turned out to be right. I think there's a lot of people out there that laugh their way through pain, and I think that's why maybe sometimes these shows work, hopefully." On Shrinking's Focus on a Therapist Trying to Help Others While Needing Help Himself Jason: "I think that just on its face, the premise of somebody practising therapy while they themselves are going through a nervous breakdown is an electric idea. That's what comedy is, right? It's setting up these two opposing walls, and comedy is the space in between. Forgetting Sarah Marshall's about a guy trying to get over a breakup and running into his ex and her new boyfriend. It's these things in opposition to each other. So someone trying to help other people get well while they themselves are not well, it's just a great place to start." On the Balancing Act Between Silly Comedic Moments and Deep Emotion That Touches Audiences Bill: "It could be disastrous. I'll tell you right now, the stuff I've done in my career that's failed, have failed because of our inability to navigate those moments, and it just ends up seeming inauthentic. And without patting myself on the back, because I have very little to do with it, there's a chemistry to a TV show. Shows like this work often because the cast, there's actors and actresses top to bottom on Shrinking and on Ted Lasso and on Scrubs that have the ability to be making you laugh and being goofy and silly one second, and then to literally gather themselves and take a breath, and be pulling at your heartstrings the next. It's a special talent for actors and actresses. One of the great gifts of this stage of my career is getting to watch Harrison Ford do that. I knew what a great actor he was. I didn't know how funny he was. And I certainly didn't know how smooth he'd be at making the turn from one spot to another." Jason: "I think that we try to stay, if this makes sense, as true to life as possible, because my experience of life is it's not a whole bunch of hugging and learning. It's clunky and awkward, and the great thing about having friends you really trust and believe in is, yeah, there's some hugging and learning, but there's also a whole lot of 'get off your ass, we're going out to dinner'. There's a lot of 'dump that guy, he's a you-know-what?', as opposed to sitting around moping. 'Let's get revenge on him', you know. This is the way I think we actually behave — we make each other laugh and we hold each other by the hand and drag each other along. And so I actually think it's easier than it might seem, that the more honestly you write, the funnier it is." On Getting Harrison Ford for His First Main Role in a TV Comedy — and Learning From Him Bill: "I gave him my soul. He's a mystical creature and I signed my soul away. No, he's not. It's still crazy. When I was 25, I created the show Spin City with my mentor with Gary Goldberg, and the fact that Michael J Fox was doing it, I couldn't comprehend it. It was the first big job I ever had and he turned out to be exactly the type of person that you would hope he would be being a fan. And I did not expect to have that experience again as a guy in my 50s. And Harrison, to his credit, he's like 'yo, man, I'm trying new stuff. I've never done a TV show. I've never done a comedy'. A couple months ago he's like 'I've never done a Marvel movie'. I'm like 'you work harder than anybody I know, and you're 82'. It makes you almost feel guilty if you're ever complaining about being tired. It's been a career highlight for me that I did not expect to have at this point in my life." Jason: "Harrison and I both want this thing to turn out great, and we both work really hard and do our prep and all that stuff. But one of the things I learned from Harrison is that I really feel a sense of ownership and stress about it turning out well. And I think one of the things that I've learned from Harrison is 'hey kid, you've earned the right to trust knowing that you're good at this, and it's going to be good. You don't have to be scared until it's good. You know it's going to be good. You've done all the work. You know you're good at this. Do your prep. Show up. Nail it. It's going to be good'. That has been really helpful for me, because I'm sort of holding my breath until the finished product comes out and I like it. And I would enjoy myself a lot more in this job and in this life if I just had a little more ease about it always seems to work out. I still haven't bought that lesson yet. 'What if this time it doesn't?', you know." On the Importance of Segel's Casting — and What He Can Convey with His Face That Doesn't Need to Be on the Page Bill: "We talked a little bit about what the prototypes for my shows are. And he's such an inherently likeable actor. I'll tell you something I haven't told everybody. We made it a joke in the writers' room. He's playing some heavy stuff, and the tendency for writers is to overwrite it, to have characters say 'I'm really sad' or to say 'that thing that you did hurt me'. And Jason, one time, one time only, we said 'do we have to write this line or can you do it with your face?' — and he's like 'oh, I can do it with my face'. That has become shorthand in the writers' room. He's so good that we're like 'do we have to, can we go home, or do we have to write something here? It depends whether or not Jason can do it with his face'. But even though it's a joke, I watch some of these stories play out on his face and see what he's doing. Man, he's so good. He's so good and such a talented writer and just a good guy. Don't tell him I said it, but I really like him." On Segel Co-Creating and Co-Writing Shrinking, as Well as Acting Jason: "It's interesting because that's been actually the majority of my career, is writing something and shepherding it from the beginning, and so I'm very comfortable and familiar with that idea. I think that one of the benefits it has, for this show in particular, is that I get to quarterback the scenes when I'm on set that I'm in, knowing what we're trying to accomplish from a more bird's-eye view than you have when you're an actor for hire. I also love just being an actor for hire on projects where I do that. There's something very relaxing about it, because you're like 'most of this is somebody else's problem'. But I think that when I'm on Shrinking, I feel very protective of it. And I want it to be great and I want to help my castmates shine, and I just love it very, very much." On Families of Circumstance Sitting at the Heart of Lawrence's TV Shows, From Spin City and Scrubs to Ted Lasso and Shrinking Bill: "Found family, definitely. Mentorship, definitely. Oh shoot, I just do the same thing over. No, I'm joking. I cherish it in my own life. I was an only child. I built worlds around me of people that I loved and loved spending time with, and a family as well. And I think one of the things that maybe lay people don't know about Hollywood, because Hollywood's got a bad rap — deservedly so in some cases — but the positives are most people got in due to mentorship, and the best experiences people have involved found family and building a community on a show or a play or a movie. I still spend time with the cast and crew of Scrubs, not because we're working together, but because I sincerely love them. And I'm only good at writing what I know. So it's either writing about that or writing about a guy who's deathly afraid of his wife. She's so good. I'm just kidding. I'm just trying to get a laugh. She's awesome, man." On Segel Always Drawing Upon His Personal Life, Whether He's Writing, Acting or Both Jason: "I would say that everything that I participate in the writing process, or act in, is drawn from my personal life. It's the only way I know how to make art. I don't think we manifest it out of nowhere. I think it's more about transmutation. Like, what comes in and then what do you turn it into? I don't think that the kind of grief that we're exploring needs to be specifically about having lost a partner. I think it's the same kind of grief we experience from a big breakup. I think it's the same kind of grief we felt after COVID when there was lost time, when all of a sudden two years of our lives were gone and we'll never get them back. And so, yeah, there are moments in the exploration of Jimmy getting over losing his wife when I think about breakups, or I think about paths of my life that could have been taken that I didn't take, things that will never be that I really believed were going to happen. So I think it's all personal. That's the only way I know how to do it." On Segel's Favourite Shrinking Character Jason: "It may be surprising, but my favourite character is Derek, Ted McGinley's character, because to me, he is the best of us. He represents being unencumbered by doubt. He's just a guy who wants everyone to be having a good time. Don't sweat the small stuff. I wish my life felt more like that. I wish that my life felt more like how Derek feels on a day-to-day basis. Like 'oh hey great, we get to take a drive today? Oh, hot dogs — great!' What a way to live, right?" On What Gets Lawrence Excited About a New Project After Making TV for More Than Three Decades Bill: "I think that the day that I'm not excited to get paid to write stories for a living, I will go teach and hang it up, because I don't need any extra juice to get me going. I'm so lucky to do this. The only other job I ever had was painting the houses, and I wasn't that good at it. And so I hope people know that I'm grateful every day. I think the thing that makes me excited to do it now is I get to work with young people that want to get into this industry. I get to work with people that still show up and are like 'wow, a TV show!', and it's impossible to be cynical and jaded when you get to be around that. I get to talk to people like yourself that, I would argue, would not be doing this unless they grew up as TV and movie nerds like I did, and wanted to talk about all this stuff. I didn't expect to have a career renaissance in my 50s, but I'm going to ride it out as long as I can, and until people realise that they've made a grave mistake, and just keep having fun and working with friends." Shrinking streams via Apple TV+. Read our review of season one.
Catching a glimpse of the price of petrol right now is enough to make you wince, but one local hospitality group is helping diners tackle rising costs with a money-saving initiative. Throughout April, ElPiet Group's trio of restaurants is running the 'Fuel on Us' campaign, where guests are reimbursed up to 50 percent of their transport costs, capped at $25 per visit. So, whether you turn up in a ride-share, a taxi, or your own car, just present a valid receipt to see the amount deducted from your final bill. "We're a small business, built by the community around us. This is just our way of giving something small back — helping people still enjoy a night out without worrying about every extra cost," says ElPiet co-owner Omar El Deek. If you're ready to head out without the stress of transport costs, the restaurants getting involved include Cosi Bar Ristorante, a South Yarra institution that's celebrating 30 years of serving top-notch Italian cuisine in 2026. Just around the corner on Murphy Road, the Fuel on Us campaign continues at sister restaurant Cucinetta Melbourne. You might know it from their attention-grabbing 29-cheese gnocchi, an in-house tradition that appears on the menu for a limited time each year. Finally, you're welcome to dine at Vaporetto Bar & Eatery — a Venetian-style restaurant in Hawthorn, featuring old-school hospitality and traditional Italian cuisine that comes with a regional seafood slant. "Getting to the restaurant shouldn't be the reason someone stays home," says El Deek. "If we can share that cost, even in a small way, it makes a difference." ElPiet Group's 'Fuel on Us' campaign is running throughout April, available in South Yarra at Cosi Bar Ristorante and Cucinetta Melbourne, and Vaporetto Bar & Eatery in Hawthorn. Head to Instagram for more information. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
In his three decades so far behind the camera, every film that Wes Anderson has made, features and shorts alike, has boasted one of two people behind their ideas. Number one: himself, with the writer/director sometimes teaming up with Owen Wilson (Haunted Mansion), Noah Baumbach (White Noise), Jason Schwartzman (Spider-Man: Across the Spider-Verse) and/or Roman Coppola (Mozart in the Jungle) to pen his screenplays. Number two: Roald Dahl, the author responsible for a bookshelf full of childhood classics that've engaged and entertained generations. With the latter, first came Anderson's magnificent stop-motion Fantastic Mr Fox adaptation, which is lively, smart and funny as well as gloriously animated. Now arrives four new Netflix shorts based on various parts of Dahl's lengthy bibliography. Wondering how Anderson would fare with The Witches, Matilda or Charlie and the Chocolate Factory — each of which have reached screens multiple times, including a recent The Witches remake, the film version of Matilda The Musical and upcoming origin story Wonka — remains confined to the world's imaginations at the moment. Instead, the symmetry-loving filmmaker and Dahl still prove a dream match with The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison. Dropping daily since Wednesday, September 27, the entire group is now available to stream. Watch all four at once and you've got a new Anderson-directed, Dahl-inspired feature-length anthology, plus pure, quintessential, gorgeous and thoughtful Anderson gold. Visually, the Rushmore, Moonrise Kingdom and Isle of Dogs filmmaker busts out his jewel and pastel palette, elaborate dollhouse visuals, moving sets, centred framing and distinctive dialogue rhythms in his latest works, each trademark stylistic touch a reliably dazzling treat in his hands. Talent-wise, he enlists a core sextet of well-known stars — Benedict Cumberbatch (Doctor Strange in the Multiverse of Madness), Dev Patel (The Green Knight), Ben Kingsley (Shang-Chi and the Legend of the Ten Rings), Ralph Fiennes (The Menu), Richard Ayoade (The Souvenir: Part II) and Rupert Friend (High Desert) — who deliver pitch-perfect Anderson-esque performances cycling through a range of roles while uttering deadpan to-camera dialogue. Thematically, Anderson starts the shorts series with belief and hope, then keeps skewing darker. His fixation with meticulously delightful sights has always been paired with bleaker notions, as seen from Bottle Rocket onwards; here, he swings between humanity at its best and its worst. Also present: more stories within stories within stories (within stories), as Anderson has long loved stacking and unpacking, frequently with writers taking centre stage. Fresh from stepping into a play as a live production in a TV show in Asteroid City and also flicking through a magazine's articles in The French Dispatch, the filmmaker now gets an author sharing his scribblings. Dahl isn't just the origin of the four stories adapted. Fiennes, who reunites with the writer/director after turning in one of the finest-ever performances in his films in The Grand Budapest Hotel, plays Dahl in one of his current parts for Anderson. That move enthusiastically makes the helmer's fondness for layers known structurally, standing out as much as the faux sets that he deploys visually — and as Dahl pops up to narrate and explain from his Buckinghamshire writing hut, it's also a choice with meaning. The Wonderful Story of Henry Sugar begins the set with its longest and lightest entry, the source of some of Anderson's best and most purposeful visual playfulness yet, and a 39-minute flick that shares an account of personal and spiritual growth. So, as the author's 1977 tale comes to the screen, the movie's version of Dahl chats. Henry Sugar (Cumberbatch) does as well. Dr Chatterjee (Patel) and his patient Imdad Khan (Kingsley) also have a natter. Their stories reveal that Khan has learned to see without his eyes, Chatterjee couldn't be more fascinated about this medical marvel and, after learning about it accidentally, Sugar is desperate and determined to learn the trick for himself. Initially, the eponymous figure is solely in it to help his gambling and get even richer than he already is; however, there's only soullessness and emptiness on that path, but tenderness with another choice. The next in the batch, the 17-minute The Swan, pushes Friend to the fore. It also sharply changes Anderson's tone. In this short, bullies terrorise a classmate and wildlife in tandem, in a musing on cruelty that's still stunning to look at. With The Rat Catcher, which also clocks in at 17 minutes, the short's namesake (Fiennes) is enlisted by a village (represented by Ayoade and Friend) to live up to his name, a feat he's certain that he only achieve by being as rat-like as possible. Then, in the similarly 17-minute Poison, Cumberbatch, Patel and Kingsley work through almost the opposite of The Wonderful Story of Henry Sugar, with an Englishman in British-occupied India (Cumberbatch) given kindness by a colleague (Patel) and local doctor (Kingsley) in a life-and-death situation, but hardly repaying it. The cast that brings The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison to life is as divine on-screen as it sounds on paper, especially Cumberbatch and Patel in The Wonderful Story of Henry Sugar, plus Patel and Kingsley in Poison. Anderson's way with aesthetics may hog the limelight whenever his name comes up — that, and the wealth of talent that he amasses in each of his films — but his ability with actors is one of his greatest skills. There isn't merely a knack to performing in the filmmaker's work; he gets his stars epitomising his specific style while showcasing their own flair, too. Watching The Wonderful Story of Henry Sugar, no one would ever want Anderson's latest ensemble to leave his sight, in fact, or to stop telling stories for him. Only one quibble springs from this four-short project: the decision to release each chapter separately, rather than packaging them together as an anthology feature. Of course, streaming makes that choice moot now that The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison are all freely available in Netflix's catalogue. There's a cumulative power to this set of films. Anderson sees the ups and downs of human nature as he works through Dahl's four stories. As Fiennes' Dahl talks in and around their narratives, Anderson also spies it in an author who is both beloved for his creations and decried for his discriminatory opinions. It's there in the explanatory text on-screen noting what inspired The Swan, The Rat Catcher and Poison as well. Spectacular to look at, exceptionally performed, and packing an emotional and thematic punch, these shorts are vintage Anderson through and through. Check out the trailer for The Wonderful Story of Henry Sugar below: The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison are all available to stream via Netflix. Images: courtesy of Netflix.
This summer, the National Gallery of Australia comes to life with a major exhibition on two greats of the modern art movement. Matisse & Picasso presents an Australian-first gathering of the iconic works of Henri Matisse and Pablo Picasso, with the pair's intense friendship and rivalry considered a defining factor behind contemporary art's development during the 20th century. The pair first met in 1906 when Picasso was essentially unknown to the art world, but Matisse was already considered one of the avant-garde's most prominent artists. Staying close throughout their lifetimes, they looked to each other's work, responding and challenging their peer to stay on the cutting-edge. As Picasso explained to one of his biographers Pierre Daix, "No one has ever looked at Matisse's painting more carefully than I; and no one has looked at mine more carefully than he." Running until April 13, 2020, Matisse & Picasso showcases more than 200 paintings, sculptures, prints and costumes. Across many of their most famous works, Matisse & Picasso makes the artists' intrinsic connection clear. The exhibition has been designed so instead of walking from start to finish, you'll be wandering back and forth between the artworks as the similarities emerge. To give you a head start before your visit to the NGA, we've picked out six artworks that you can't miss at Matisse & Picasso. [caption id="attachment_756083" align="alignnone" width="1920"] 'Woman by the Sea', Pablo Picasso (1922). Bequest of Putnam Dana McMillan, Minneapolis Institute of Art. Copyright Succession Picasso/Copyright Agency.[/caption] PABLO PICASSO: WOMAN BY THE SEA (1922) Following the First World War, both Picasso and Matisse demonstrated a deep fascination with classical Greek art and stories. A distinct departure from the Cubist aesthetic that he's best known for, 'Woman by the Sea' is one of many paintings with dreamy human figures set against plain landscapes that Picasso would go on to produce. Taking inspiration from the ancient statue known as Venus de Milo and a sculpture of the Greek goddess Hera that he saw in Naples, for this work, Picasso translates the relaxed posture and flowing dress of the marble structure into a two-dimensional format. [caption id="attachment_756086" align="alignnone" width="1920"] 'Woman by a Window', Henry Matisse (1920–22). Gift of Ferdinand Howald, Columbus Museum of Arts, Columbus. Copyright Succession H Matisse/Copyright Agnecy.[/caption] HENRI MATISSE: WOMAN BY A WINDOW (c. 1920-22) As you look over the art of Matisse, one of the most common motifs that repeatedly appears is his use of open windows. Following the end of the war, a despondent Matisse retreated to southern France where he found inspiration within the soft colour palette and charming interiors of the region. Turning his hotel rooms into art studios, these intimate quarters provided him with a new creative drive that became emblematic of his art. "[Matisse] was inspired by the southern light and painted a series of light-filled hotel rooms facing the sea," explains NGA's Curator of International Painting & Sculpture Simeran Maxwell. "When Picasso paid homage to Matisse after his death, he used this distinctive device in his own paintings." [caption id="attachment_756092" align="alignnone" width="1920"] 'Reading', Pablo Picasso (1932). Musée Picasso, Paris. Copyright Succession Picasso/Copyright Agency. Photo: RMN Grand Palais[/caption] PABLO PICASSO: READING (1932) Throughout Matisse and Picasso's lengthy careers, the various women in their lives often became the subjects of their artworks. Reading features one of Picasso's most adored muses, Marie-Thérèse Walter, whose face and figure was interpreted in a variety of ways through dozens of paintings and sculptures. Reading also demonstrates a significant change in artistic direction for the Spanish artist, showcasing his newfound interest in bold colours and patterning — a style that Matisse had been using to great effect within his artwork. [caption id="attachment_756096" align="alignnone" width="1920"] 'Seated odalisque', Henry Marisse (1926). Gift of Adele R Levy Fund Inc 1962, The Metropolitan Museum of Arts, New York. Copyright Succession H Matisse/Copyright Agency.[/caption] HENRI MATISSE: SEATED ODALISQUE (1926) Following trips to Morocco in 1912 and 1913, Matisse became fascinated by the bright clothing, distinct architecture and the daily life of the locals, which was so foreign to him having only experienced life in France. One way that the North African experience influenced his artwork was the inclusion of models dressed as odalisques — members of harems — alongside vibrant textiles that he had collected during his visit. For this work, Matisse "uses an appliquéd wall hanging as a backdrop for model Henriette Darricarrère dressed in Moroccan pantaloons and a sheer blouse," explains Maxmwell. [caption id="attachment_756102" align="alignnone" width="1920"] 'The studio', Pablo Picasso (1955). Presented by Gustav and Elly Kahnweiler 1974. Accessioned 1994, Tate. Copyright Succession Picasso/Copyright Agency.[/caption] PABLO PICASSO: THE STUDIO (1955) Over two weeks in 1955, Picasso painted 11 canvases of the studio in his Cannes villa known as La Californie. While the idea of the artist within the studio was something that Picasso explored many times during his career, this series stands out as the structure of the building is the central focus of the work. With the studio one of the subjects that often appeared in Matisse's work, it's been suggested that Picasso created this series in direct response to his contemporary's death the previous year. As Maxwell describes it, "One of Matisse's longstanding subjects was an interior scene with a view through a window. Here Picasso adopts this idea, as homage to his late rival." [caption id="attachment_756101" align="alignnone" width="1920"] 'Annelies', Henri Matisse. Purchased 1981, National Gallery of Australia. Copyright Succession H Matisse/Copyright Agency.[/caption] HENRI MATISSE: ANNELIES (1946) Matisse was best known for his colourful paintings and sculptures. But he often expressed the belief that drawing was the most intimate way to translate a subject onto the page. In 1946, he met Dutch model and artist Annelies Nelck, who would spend six years living with Matisse and posing for his artwork. "He would repeatedly draw the model from all possible angles with a deliberate, confident and clean series of lines," explains Maxwell. "When viewed in order, it would appear as if Matisse had been circling his model as he worked." Matisse described this process of repetitive and intensive creative process as "a cinema film of a series of visions". Matisse & Picasso is on display at the National Gallery of Australia, Canberra until April 13, 2020. Tickets and exhibition information are available on the NGA website. Top images: Installation view of Matisse & Picasso, National Gallery of Australia, Canberra, © Succession Picasso/Copyright Agency 2019, © Succession H. Matisse/Copyright Agency 2019.
If there's anything better than watching a movie in a darkened room, it's this: getting cosy while the flick plays, putting your feet up as your seat reclines, and snacking on more than popcorn and choc tops. In other words, it's the fancier film-going fun known as gold class in many Australian multiplexes. At Palace Cinemas, it's called Palace Platinum — and it's finally come to Melbourne. Already on offer in Sydney, Brisbane and Perth, the premium cinema experience launched at South Yarra's Palace Cinema Como on Thursday, May 23. Movie buffs will find intimate screens, some seating just 14 people, all decked out with handcrafted leather recliners with individual side tables. You'll also be able to grab a drink before the picture starts, with a separate lounge area — complete with private break-out lounges — part of the Palace Platinum offering. Decor-wise, interior designer Paul Hecker of HeckerGuthrie and architect Dean Lewis of Design and Beyond are responsible for the decor; however that's not the only opulent part of Como's new addition. When it comes to munching your way through the movie, local restaurants are providing a curated menu, as will Meats & Wine Co. That means bruschetta, garlic bread with bechemel, cheeseburgers, hot salmon poke bowls, Szechuan calamari, and halloumi and baked pumpkin salad, among other bites. Or, for a sweet treat, you can feast on pavlova, sticky date pudding, mini cannoli and a flight of five mini choc tops. Beverages include local brews and vino, with 20 wines on the list — including Piper-Heidsieck Champagne. At the moment you can book in to see Toy Story 4 and Elton John musical Rocketman. Palace Platinum is now open at Palace Cinema Como, Toorak Road, South Yarra. Images: Palace Central Sydney. Updated: June 25, 2019.
Juliet is one of those places in Melbourne that have the magical ability to transport you somewhere else. Sort of like Enid Blyton's Faraway Tree, where characters in the story would climb a tree and find themselves in another land, the Juliet stairway has a similar effect. When you walk down the stairs from longstanding Melbourne institution Punch Lane, an aromatic cheese fills the air. This is a good thing. A very good thing, in fact — because the cheese in question is a big ol' wheel of raclette. On Thursday nights, Juliet's world swings around to a very Parisian-like basement jazz club. Muted lighting, a charcuterie cabinet and the soft twang of a double bass are masterfully aided and abetted by the French waitstaff who greet and seat you. Not only can you eat it as the French intended — all melted goodness, scraped off the wheel and over potatoes, charcuterie and cornichons — but chef Gabriel Alonso has put all those flavours together into another little dish: croquettes. These crispy morsels filled with cheese and jamon are all that's good about a raclette in one glorious mouthful. But it's not all about raclette. While it's an ongoing staple on the menu — along with a couple of other items — the food offering changes each week. Alonso chats to suppliers to find out what's hot each week and then sets out to do something really special with it. Like the croquettes and the vitello tonnato ($18); with its blushing pink slivers of veal dressed with tuna-spiked mayonnaise, an elegant and fresh-tasting dish. There is also a beautiful selection of charcuterie and cheeses as well as other plates designed to be shared. The dry-ageing cabinet is also a feature and you can order a steak and then let the kitchen create a dish that fits with your wine and preferences. Not only does the food offering change, but the wines by the glass rotate every night depending what bottles the first customers decide to open. There's something very appealing about only four whites and four reds open each night — here, the selection means that anything you choose will be wonderful. For extra points, 80 percent of the wines on the list come from women producers, such as Corrina Wright's label, Oliver's Taranga. Try her stellar McClaren Vale Fiano ($13.50 glass, $68 bottle). The cocktail list includes some interesting ones — like a sangria made with ginger cider and bourbon, and a tequila old fashioned with chocolate and grapefruit bitters — although, in a bar whose walls are lined with wine bottles, you'd be remiss not to go the vino route. And the best part is that you can go just for a wine — or just for cheese, or dinner. Juliet straddles that line between wine bar and restaurant perfectly which makes it a great addition to the CBD.
You'd be forgiven for thinking that Chapel Street was a rather long way away while spending some time in Leonard's House of Love. The offering from the folks responsible for one Melbourne's preeminent watering holes The Sweetwater Inn, is placed a mere block away from its predecessor. And while Sweetwater serves up drinks and food with a distinctly Australian twang, Leonard's offering is done in good ol' fashioned American-style, without being either chintzy or contrived. Leonard's vibe is log cabin-meets-houseparty, and even though there's a fair serving of wood in the decor, it's more saloon than sauna, so plonk yourself down at a table (inside or out) and peruse the drinks list. Choose from an array of tap beers or plump for a cocktail and sip it down while you decide on some nosh. The menu consists mainly of dude-food, and while there aren't pages and pages of options, the selection is focused without being limited. If you're not so hungry, you could go for the hot honey slaw or the iceberg salad, but hell, you're not here for a damn salad. Begin like Leonard would want you to with the epic chicken tenders or fried popcorn chicken bites. Unsurprisingly, burgers are top-notch, so grab a cheeseburger or the smoked mushroom option — or stick to the chook, getting the classic fried chicken sandwich. While you're here you may as well take up any spare table real estate with some poutine or vegan chill fries. Besides, you can always burn off any spare energy with a turn about the dancefloor once you've emerged from your postprandial somnolence (aka, food coma). There's plenty to do after you've lined your stomach and crammed your face with food; there's a pool table tucked away in the back and a TV lounge that phoenixes into dance floor – a great spot to shuffle the night away with DJs until 3am on Fridays and Saturdays. The amiable staff will wander over for a chat and are quick to help you figure out the best options for drinking and dining. You'd be onto a good thing if you chose Leonard's for a chilled date (first, second or anywhere beyond). With a large courtyard area and abundance of spots for you and your nearest and dearest, this sorta-secret South Yarra spot is also a real hit come the long hot days of summer. Appears in: The Best Bars in Melbourne for 2023
Formula 1 weekend in Melbourne has long blurred the lines between sport, fashion and spectacle — and in 2026, beauty is firmly back in the race. MECCA is returning trackside at the Formula 1 Qatar Airways Australian Grand Prix with a full-scale Beauty Pit Stop — a pop-up beauty garage inspired by the lightning-fast pit stops that keep cars race-ready. [caption id="attachment_1072206" align="alignnone" width="1920"] 2025's MECCA MAX Beauty Pit Stop Activation.[/caption] Set up in the Melbourne Junction precinct at Albert Park and open to fans of all ticket types, the activation reimagines the mechanics of race day for humans instead of cars. Think less tyre changes, more touch-ups: race-goers can drop in between sessions for complimentary express eye services designed for speed, impact and endurance — the kind of glam that can survive sun, crowds and 58 laps of racing. The Pit Stop format is deliberately fast-paced. Rather than lingering makeovers, it's about quick turnarounds and high-performance results — a concept that mirrors the rhythm of the race itself. Alongside the express services, a curated edit of MECCA MAX products will be available to shop trackside, including a limited-edition Formula 1-inspired eye set created exclusively for the 2026 Grand Prix. This marks the third consecutive year MECCA has gone trackside at the Australian Grand Prix, but the scale and ambition of the Beauty Pit Stop has grown with each return. Last year's activation proved a crowd favourite, offering shaded reset zones, complimentary touch-ups and bold, race-ready colour — and this year's iteration leans even harder into the idea of beauty as part of the event experience, not just an afterthought. With Melbourne's Grand Prix consistently attracting one of the highest proportions of female fans on the global Formula 1 calendar, the Pit Stop also reflects a broader shift in how major sporting events are being designed — not just for spectatorship, but for participation, self-expression and culture beyond the track. The MECCA MAX Beauty Pit Stop will run throughout the Formula 1 Qatar Airways Australian Grand Prix, from March 5–8, 2026. Consider it your quickest stop of the weekend — no booking required. Images: MECCA | Groblox
If you've ever wondered how Nicole Kidman would handle a PR scandal, Optics has the answer. Actors crossing boundaries, sports stars behaving badly, wellness entrepreneurs with little regard for their employees' wellbeing: the ABC's new satirical comedy is filled with crises across its six-episode first season, and they all require a woman sporting one of Australia's most-famous names to help smooth things over. Of course, the Nicole Kidman, star of Babygirl, Expats, The Perfect Couple, A Family Affair, Spellbound and Special Ops: Lioness in the past year alone — and plenty more since her BMX Bandits and Bush Christmas days in the early 80s — isn't at the heart of the series. Rather, Optics co-creator, co-writer and co-lead Jenna Owen plays another Nicole Kidman. Alongside Vic Zerbst's Greta Goldman, the show's Nic has big dreams and ambition to burn; however, the Gen Z duo aren't being given their shot at PR firm Fritz & Randell when Optics begins. By the time that the series' first episode is over, though, the office's youngest employees are running the place — after a death in the business, plus oblivious veteran Ian Randell (The Chaser's Charles Firth), son of one of the company's founders, being passed over for fresh faces. With his leadership choice, owner Bobby Bahl (Claude Jabbour, Last King of the Cross) is responsible for a bit of spin himself, but Nicole and Greta are determined to make their mark in the gig. That's the Optics setup, as Fritz & Randell's two new head honchos also navigate airlines chaos, a major telco outage and a publicity stunt gone wrong. Friends for over a decade, and creative partners as Freudian Nip, Owen and Zerbst's shared resume boasts content for Comedy Central and The Feed, collaborating with Firth on The Chaser's War on 2020, popping up as Asgardians in Thor: Love and Thunder, and penning and leading 2024 festive flick Nugget Is Dead: A Christmas Story — alongside Owen's acting credits in Puberty Blues, Squinters, Eden, Joe vs Carole, Wellmania, Queen of Oz and Mother and Son, and Zerbst's voice work on 100% Wolf: The Book of Hath. A show like Optics was always the dream, they tell Concrete Playground. Various stops along their path helped inspire the series, which Firth is also behind, including the trio's intergenerational banter when parodying a year no one wants to remember, plus taking cues for Nicole and Greta from characters from Owen and Zerbst's time at SBS. "They're very much inspired by characters we had been working on at The Feed at SBS," explains Zerbst. "They were more government kind of girls who try to rebrand strategies around different crises — how to rebrand a company after there's been the destruction of a sacred site or how to rebrand Australia as a nation after there's bad publicity. So we always had interests in characters who are commentating on the media circuit and the news stories, and finding creative ways to resell that back to the audience." And Nicole Kidman? "In terms of the names of the characters, I mean there was just a moment, I think it was Jen being like 'I want my character to be called Nicole Kidman' — and we laughed and laughed. And we're like 'we'll change it when it's no longer funny'. And it never stopped being funny, so we were like 'it stays, it absolutely stays'. Now it's here and it's iconic," Zerbst continues. "It stays. I think it's just the optics of being named Nicole Kidman when you're working in something media-facing. And also being someone that's desperately trying — we just kept laughing, we were like 'imagine being desperately trying to make a name for yourself, but your name is already a name of itself'. And we just thought that was a really hilarious foil to this girl that is so desperate, clearly, for attention and status," notes Owen. "So that is the story of that. It's just funny. And I would love to be friends with the real Nicole Kidman." "We're peppering it in for a Nicole Kidman cameo one day. We just need to get her to watch it and go 'that's funny'," says Zerbst. "Get her on board? Absolutely," adds Owen. The IRL Kidman mightn't make an appearance in Optics so far, but the guest cast is stacked: Grey's Anatomy's Kate Walsh ("all of her choices were just total improvisation — we learned so much from her in that capacity," advises Owen) and Furiosa: A Mad Max Saga's Josh Helman ("literally Charles Firth went to see Death of a Salesman and saw him play the son, and he was like 'this is the most-amazing actor'," Zerbst notes) for starters, plus also everyone from Nakkiah Lui (Preppers) and Nash Edgerton (Wolf Like Me) to Rhys Muldoon (Bay of Fires) and Craig Reucassel as well. The scandals faced by Owen, Zerbst, Firth and their impressive list of co-stars — Belinda Giblin (Home and Away) also plays the firm's Executive Assistant and Bali Padda (Over and Out) is Ian's loyal offsider — in Optics should all sound familiar. If they feel like they've been ripped from recent headlines, that's down to the cyclical nature of many of the crises covered, whether footballers are making regrettable decisions at the end of the season, the secrets of Hollywood stars are being exposed or big-name companies relied upon by many are stuffing up. It's also a testament to the show's spot-on satire and savvy choices. Optics is smart and astute — and very funny — about the PR strategies deployed as much as the scenarios its skewering, the publicity-literate nature of today's audiences, and changing workplace dynamics and intergenerational conflict, too. We also chatted with Owen and Zerbst about all of the above. On How Much Time Zerbst and Owen Have Spent Digging Into IRL PR Crises Vic: "It's been mostly when we were writing the show. We've been writing the show over a three-year period, and so we're always kind of across all the little scandals that rear their heads. What we've realised is a lot of patterns emerge in the types of scandals that come up. So we ended up writing an episode that was very much inspired by the Qantas Chairman's Lounge, and we wrote an episode about that, and it just so happened that there was all this news about the Qantas Chairman's Lounge after the episodes were already written. So there's certain things, certain bastions of power, that always have news filtering around them. So we realised that those were the best kind of scandals to dig into." Jenna: "It's truly amazing because, I would hope that people, on top of people loving it, they also go 'wow, geniuses, incredible, never been done before' — because it truly has been lucky, in the sense that this show was written three years ago or has been in the pipeline for a long time. And the resurgence of how many scandals that we were writing three years ago and the way in which they reemerged is actually so comical to us, because it feels like the best publicity for the show. But everything, everything in the show, has reared its head again — if it's not the same scandal re-emerging because someone's jumped on a PR circuit and is doing podcasts, like what's happening with Armie Hammer right now. He's coming out and telling his side, which is making all kinds of new content, which is hilarious." Vic: "Or even the Matilda Djerf scandal, with Djerf Avenue, that was very much of interest to us. The idea of the female CEO or female girlboss going down — there's just so many peaks and troughs of personal identity and branding. Even going back in time, and watching the Martha Stewart documentary and seeing anytime anyone has power, how there is a rise and fall, and scandals ensue when you're dealing with big money, big corporations and big personal branding." On the Timeliness of Some of Optics' Episodes Being Purely Coincidental — Such as Its AFL Scandal Jenna: "Absolutely. The amount of people that sent me, just because they knew it was of interest — we have a few friends that have been in and around the AFL machine — the amount of people that sent me the apology videos that footballers had done, that was just actually insane how much it mimicked what we had written. And I think it makes sense, because did do our research, we did speak to people who are on our side of the business in the show — as in people from crisis management — and we did speak to people who have been involved in the institutions that we're critiquing. So it makes sense, but I think we just never really understood just how cyclical this thing was going to be, and just how much it will re-emerge and re-form. And it's exhausting. I mean literally what's happening with Justin Baldoni and Blake Lively right now is incredible. If you said that we were going to have another metric of the Amber Heard and Johnny Depp situation in its new and evolved form …" Vic: "And even the conversation being tilted towards the idea of public relations or crisis management people, hiring those people. Public relations crisis management workers, what they do, that's become a conversation. It's been really insane timing for the show." On Writing the Show in Highly PR-Literate Times, for an Audience Familiar Not Just with the Type of Crises Featured But Also the Spin Used Jenna: "What I think we fought hard for in this show was arguing, in our rewrites and in our discussions with network, we really did say 'listen, this is how smart audiences are now'. And I think that really helped us. I think that it's a show that doesn't over-explain things, that moves very quickly. Our characters speak very quickly. We implore the audience to just absolutely, we drop them into the world, we don't give them any real setup and exposition. I, personally, love the literacy of the audience. I think Vic and I, in our whole careers, have always assumed that the audience has a pretty high literacy of how media works and deceives you. We have always operated like and written like that. I think with this show, what is amazing is that the This Ends with Us conversation is even a new level, where the entire conversation is almost about how these parties outside of the individuals are operating and manufacturing a story. That's a level above the Amber Heard–Johnny Depp stuff, where that was more of the deep dive of what was going on. This is now fully in the public domain, and upfront in the story. But yeah, we loved that. Because nobody, as a writer and as a performer, you don't want to over-explain things. You don't want to have to hold the audience by the hand. And I don't think that we've done that for one second in this show, and that makes it really enjoyable to write, really." Vic: "It's like all the information is background detail — if you know it already, that's even better for us, because you don't have to explain what that is. And we can just go into what is essentially an intergenerational office comedy, where it's about old school versus new school. And the scandal of the weeks are so interesting but so fun to satirise, because they're based on these true things that the more people know about them, I think the more they'll get out of the show — because they'll see and notice certain things, and then we can twist and make turns. We can invent the WANKA play, if you already have an understanding of what DARVO is. So I think it is helpful, and we love and embrace the media literacy of the audience 100 percent." On Optics' Intergenerational Conflict Springing From Zerbst and Owen's Experience Working with Charles Firth Vic: "It was exactly that. We were working on a webseries with Charles Firth, The War on 2020, and even while we were working on that show we would just have so many funny moments where we would have different media points of reference and different ways of …" Jenna: "Generational touchpoints. And honestly, every day was a delight, in that sort of dialogue that you do see between Greta and Nicole and Ian in the show. That is our entire relationship with Charles. He often will make a reference to something, just like how you see in the show. In the pilot where it's like 'oh, I understand now, it's exactly like the Children Overboard scandal or whatever' — and Vic and I'll go 'huh?'. Of course we understand what he's saying or we know what he's talking about, but we have a different generational touchpoint to him. And so that kind of mutual understanding, which in the show, they mutually understand what's going on but they have totally different touchpoints of how they understand it and frameworks. And I think that's such an exciting thing to have in a show, because it just makes for intergenerational viewing, and that's what we what we wanted with this show. I think when we were trying to get the show up, it really did help that it was the three of us in the pitches, because everyone just went 'oh yeah, I see how this is going to work. I see how this will work'." On Subverting the Usual Workplace Comedy Dynamic with the Younger, More Switched-On Employees Taking Charge Instead of an Oblivious Veteran Vic: "I love that — I love that that's an amazing insight into that flip. I don't even think it was even that conscious for us. I think it came from us navigating this world of this industry, where suddenly we had people listening to us and we felt empowered enough in our voice to talk to people — especially older people, especially older men, in meetings, in pitch meetings — where we felt that we had a lot to say, and we understood social media better than they did. And then it just became that natural dynamic. I think that there is a lot of that shift because a lot of new Gen Z and Millennial workers have a comparative advantage in understanding a lot of the new technologies. There is this shift now in the workplace where young people have certain expertise that is really needed. And it's also something I see watching my dad, who's unable to do any technology, and seeing how he struggles in his workplace. He's a teacher, but he just becomes so disempowered within that. And there's really funny moments of that, but there definitely has been this age switch in the workplace that I think we've wanted to represent." Jenna: "Exactly. There's this line that I never, never even realised was funny, but now I do realise it's funny, in like the last episode, that Vic says 'we deserve this. We've been working at this firm for eight months'. And I'm like 'that's such a dog whistle for the Gen X, for the Boomers to laugh at' — being like 'you entitled millennials'. But the point is, yes, we can understand how dismissive that is of the experience that someone has that they've been working in a job for 20 years. But the point is that the world is changing so fast, and it's extremely jarring for everybody. Vic and I are still trying to catch up — are we on TikTok? Are we on RedNote? We're still caught in that washing machine as well. So I think the point is, yeah, we have been working at the firm for eight months, but the knowledge that we have eclipses those people who have been working at the firm for 25 years because of the way the world shifts and changes. And the companies that make the money or the stories that get picked up are the ones that are adapted to this new media cycle and structure. So it's one of those things that I think people will watch the show and root for people in different ways, and have different opinions on that. I mean a lot of Millennials, I think, will feel like 'yeah, I am the one that got the video for our company's brand up to two-million views and that increased sales by whatever percentage' — but they're still going to be dismissed by their older bosses for being the TikTok girls. This is the kind of conversation that's really interesting. And I think what we always say about this show is we're two parties, Greta and Nicole, and Ian, who fundamentally will work together to make the world a worst place — that's our sort of catch cry for the show. But that's the kind of dynamic and the stuff we definitely wanted to explore." Vic: "And it's also about a fantasy. It's like 'what if you give that begrudging younger employee the ability to have that ultimate power?'. And I think the journey for us is realising 'oh, it's really fun to think, oh, I'd the boss, I'd be amazing'. Then you go 'oh, there's so much more pressure and disaster-level stress that comes with being a boss'. I'm sure a lot of older people will be like 'yeah, you want to be the boss? Well, let's show you how hard it is'. And that's our journey as well, being like 'this is really bad — this is hard'." On the Approach to Moral Ambiguity — and Ensuring That Greta and Nicole Aren't Always the White Knights Doing the Right Thing the Whole Time Vic: "We always knew that we wanted the show to be a critique of the structures, the structures of media, the structures of power, and it was about people struggling within that structure, and people who are trying to uphold the structure, and what happens to you as an individual when you are unable to both live your personal values while also succeeding within a structure. So I think that allowed us to really see that these people can be morally ambiguous, they can try to play, but there's always this internal conflict: 'I want to do the right thing, but I also know that the system will reward me for X behaviour, so you have to do X behaviour'. I think that's the kind of moral tracking we want to follow with the girls. And then you see a character who has maybe more internalised the inner workings of that structure, and then you see how they got there. And I think we always have endless, endless empathy for our characters and endless, endless critique for the structures that make people select for or against behaviours that make them feel uncomfortable with who they are as people." Jenna: "Absolutely. And also it is such a simplification to say that women enter the spaces of moral ambiguity and are the white knights or are the victims. I think that we do need to explore those nuances that exist. Greta and Nicole can both be manipulated and disempowered by the Bobby Bahls that be, but also be acting in a way that is unethical, that doesn't have that moral centre. And just because we're women doesn't necessarily mean that we are going to tap into that moral centre. It maybe means that we have more of a moral centre coming in, but that's how powerful these other external forces are. And this idea, ultimately they do want to succeed as well, and what does it mean to succeed under a system like this? I think Vic and I are both, just from a character point of view, from an acting point of view, there are so many women in this world that inhabit these spaces in a way that is super interesting and morally bankrupt. In PR crisis management, the people that do bury the story about the sexual assault or whatever, a lot of those people are women. A lot of the people in the Justin Baldoni case with Blake Lively, a lot of those people are women. And then if you want to go to the other extreme of that, you can look at someone like Ghislaine Maxwell. We do live in a society where women are trying to succeed under this system at the cost of their own moral integrity. I think it's really exciting to portray that in the space and time that we are now, where we've had so many conversations over here about how women are disempowered. But I think it's also important that we have conversations about how women enact that power, especially white women in this world as well, enact that power as well under these structures. We're excited by that and that's the best thing to act. What could be better?" On Whether Making a Series Like Optics Was Always the Dream When Zerbst and Owen First Met and Started Working Together Vic: "Yeah." Jenna: "Yeah." Vic: "Always. It was always the dream. It was always having a TV show where you come up with episodes, ideas, writing, acting. That was always it — I don't think there was anything else. And especially for the ABC, it means a lot to us to be on an Australian broadcaster — yeah, it means a lot." Jenna: "Absolutely. And it is a dream, and so many people within the industry and outside of the industry are truly amazed that it happened in there, and we have to say so are we. Because we aren't tried-and-true talent. We're not at that stage of our career where we have this guaranteed. We're not household names. And so it is a risk and it is exciting. And I think it's exactly — selfishly, I'm like 'it's exactly what the ABC should be doing'. But it is. It's exactly what the ABC should be doing, not just for us, but for so many more shows and talent and upcoming talent — which is also very funny to say when you've been working for ten years, but it's still true. This was always our dream — always, always our dream. And I do have to say, the level of autonomy that we've been given in this show from Easy Tiger, the production company that we're working with, from The Chaser with them as well, and with ABC, it's so, so rare — to yes, be an executive producer on this show at our age, with our experience, and to be in it and to be writing on it. That's an unheard of level of trust. I do think that you see it in the show. You do see that we've had that level of trust, because it does feel different and it does feel new." Vic: "It does feel very unique." Jenna: "And we've learned so much from this season, and we're just absolutely so excited to implement what we have learnt as well as first-timers into the next season — praise be. It's exciting. For us, we can't even believe the level of autonomy we've been granted, and that was always the dream, because Vic and I, that's how we started. We always had autonomy. We were operating on this small scale. We always wrote our own things. We were given complete freedom. And that's how we got a following, or that's how we had some success. So to be able to continue that on greater scale is what everyone in the world wants." Vic: "Absolutely." Optics streams via ABC iView.
From 8pm tonight, Thursday, August 5, Victoria will go into another seven-day snap lockdown until at least 8pm on Thursday, August 12 in a bid to contain the latest COVID-19 cases. The new rules include a ban on exercising or shopping for essentials more than five kilometres from your home, which will once again send locals scrambling to find quick ways to map out their own five-kilometre zones — yes, for a fifth time. While you're probably quite familiar with the patch of land surrounding your house thanks to last year's six-week lockdown, this year's February lockdown, the May and June lockdown that ended just over a month ago, and the July lockdown that ended nine days ago, there are a few easy ways to check out your household's government-approved travel radius. But, none have proved quite as popular as KM From Home — a website that originally launched in Ireland back in March, when that country introduced its own travel restrictions — and was first jumped on by Melburnians back in August 2020. The online map is free and easy to use — simply centre it to your address, select a five-kilometre radius and you'll see a big red or blue bubble encompassing the zone you're free to travel in under the Victorian Government's new rules. You'll find other radius apps out there as well, including the likes of Map Developers and The Age's tool. Alternatively, if you've got a Garmin watch, you can download this range warning and it'll alert you when you're closing in on a certain distance from your run's starting point. Want to check a specific cafe or shopping centre to see if it falls in your five-kilometre zone? There's a function on the Google Maps app that allows you to measure a distance as the crow flies. On desktop, simply right click on a location on the map, select 'measure distance' and then click anywhere else on the map and it'll show you exactly how far the address is from your starting point. Under the new rules, you can only exercise once a day for a maximum of two hours with your household members, your intimate partner, or one other person who is not from your household or your partner. And this must all be done within five kilometres of your home, of course. You can leave your bubble for permitted work, or if you're shopping for essentials and there are no shops in your radius. All of Victoria will revert back to lockdown restrictions from 8pm on Thursday, August 5 until the same time on Thursday, August 12. For more information about the rules, head to the Victorian Department of Health website. Top image: Km From Home.
Making a grand entrance opposite Southern Cross Station, Quarterhouse could be your new go-to destination for after-work drinks and a pre-match feed. Catering for up to 1,400 patrons across three expansive levels, the venue's variety of spaces makes it a stellar spot for corporate gatherings and primetime footy fever. Plus, with Marvel Stadium just a short stroll away, getting pumped before the game or commiserating afterwards is a breeze. On the ground floor in the Public Bar, punters will encounter a classic, easygoing pub atmosphere. Kick back with live sports on big screens, including a mammoth four-metre-wide centrepiece, or challenge your pals by racking up some pool. There are comfy banquettes that are perfect for chilling out, or you can also soak up the sun with street-side dining and drinks. The menu spans European-inspired gastropub cuisine, with smaller dishes like fried squid paired with pickled fennel, lemon and aioli complemented by pub favourites like classic chicken parma or the Quarterhouse Burger, featuring bacon, blue cheese mayo, pickled onions and more. Meanwhile, juicy steaks served with skin-on fries, salad, umami butter and jus gras or peppercorn sauce are bound to hit the mark. Upstairs on level one, The Hall is where celebrations of all stripes, from birthdays to corporate events, take over. Decked out with its own private bar and a sunlit wrap-around terrace graced with greenery, your next special event will benefit from the elevated ambience. Versatile in design, this reserved space has enough capacity for 240 guests. Then, perched atop Quarterhouse, The Rooftop switches up the mood once again, with a laidback vibe ideal for cocktails in the sun. Rising above the hum of Collins Street, this vantage point looks across the elevated expanse of Sky Park. Up here, the menu is made for sharing, with a selection of woodfired pizzas offered alongside options like wagyu beef skewers with a pepperberry jus gras and roast shallots. When the footy isn't taking over Quarterhouse, a weekly entertainment lineup keeps the mood upbeat. Get down on Mondays for free all-day pool in the Public Bar, or head along on Thursdays for live acoustic performances from 5pm. The vibe picks up when the weekend arrives, with Fridays seeing Sunset Sips and DJs bringing the party to the rooftop. Then, Sunday afternoon welcomes casual trivia from 3pm. With Quarterhouse's arrival, your next game day or weeknight gathering is sorted. Quarterhouse is now open Sunday–Wednesday from 11.30am–11pm, Thursday from 11.30am–12am and Saturday–Sunday from 11.30am–1am at 693 Collins Street, Docklands. Head to the website for more information. Images: Chege Mbuthi / Griffin Simm.
For the cinephiles, TV addicts and all-around lovers of entertainment, the gifting season can sometimes be a little challenging. After all, everything they want, they can just watch…right? Wrong. It's 2025, physical media is making a comeback, and home cinema technology is better than ever. The only thing stopping you from getting your favourite movie lover a quality present is your attitude. Here's a list curated by our own film-addicted writers for all the blockbuster fans, Letterboxd diehards, nerds and tech heads who know how to make screentime into quality time. Shopping for someone who's never home? Check out our guide to the best gifts for frequent travellers. Two-Room Speaker Set, Sonos Anyone who knows their Hollywood blockbuster from their independent arthouse flick probably dreams of replicating theatre audio at home. With this speaker duo, they'll be able to precisely shape an immersive soundscape for all kinds of movies at home. Shop now. Popcorn Maker, Heller No true movie experience is complete without a bowl or box of hot, buttery popcorn. Sure, you could get a microwaveable packet from the shops, but this adds a novelty feeling to the in-home popcorn experience. Shop now. Freestyle Portable Projector, Samsung With some creative thinking and a smooth, vertical (and preferably white) background, this portable projector can upgrade any space into a theatre with pictures up to 100 inches across, 360º sound and inbuilt Samsung Smart TV tech. Shop now. TV Backlight Kit, Govee The dream of any at-home cinema curator, a tv backlight can synchronise the colour display of its lights to the colours on-screen, blending the picture into the room and making for a seriously immersive viewing experience. Compared to other brands, this kit gives you all the gear you need for a very reasonable price. Shop now. 120" Portable Projector Screen, AIWA Perfectly matched with the Samsung portable projector, this lightweight and reliable screen means you can set up a movie night anywhere with a power supply. If that's not a cinephiles dream, we don't know what is. Shop now. 4K DVD Player, Panasonic You heard it here first: physical media is making a comeback, at least among film lovers. If your loved one has a long-forgotten collection of ancient DVDs or a burgeoning collection of new ones, this player will give them the best quality possible for every sweet, ad-free, unbuffered moment. Shop now. One Year of Pro or Patron, Letterboxd Any movie diehard has either already downloaded or desperately wants to get into Letterboxd. A social media platform designed for film lovers, by film lovers, you can gift the Letterboxd user in your life a year of paywalled goodies and bonus features for their account. You just need an account of your own. Shop now. 'Star Wars' The Skywalker Saga DVD Box Set, Lucasfilm If a special someone in your life has a soft spot for the stories set in a galaxy far, far away — and has a compatible disc drive (any DVD player, external disc drive or disc-compatible gaming console will do) — you can gift them all nine feature films that come free of streaming hassle for the rest of their life. Shop now. Movie Log, A24 If Letterboxd, or social media as a whole, isn't the style of your giftee, maybe they'll prefer something more tactile? Available on a waitlist via independent production company A24, this paper logbook is a great print method for someone to track their movie-watching activities. Shop now. 2026 Daily Tear-Off Calendar, A24 Part calendar, part shopping list for some of the best films in the game, this desktop-compatible gift offers up 365 days of A24's award-winning movies in seasonal order. It's a great accessory, and an even better guide to going from general audience member to certified cinephile. Shop now. Gift Card, IMAX At long last, IMAX screens in Australia are on the rise. These massive theatre screens are the biggest and indisputably best way to watch a blockbuster, but tickets don't come cheap. Save your resident film nerd some precious movie snack money and cover their tickets with these gift cards. Shop now. Gold Class Ultimate ePackage, Event Cinemas If movies mean date nights for you and your special someone, you can save this for the next romantic release to get admission, a welcome drink, three small plates of food, nachos and popcorn for two. Yes, the food comes into the theatre with you. Shop now. Cinephile: A Card Game, Cinephile If you want to test the knowledge of a film lover, this party game is the best way to do it. With 150 cards covering difficulties from beginner blockbusters to diehard cinephiles, it can bring a bit of friendly competition to your next cinematic trivia sesh. Shop now. 100 Movies Scratch Off Poster, Uncommon Goods Do you feel like your special someone doesn't have enough experience with Hollywood's undeniable classics? This scratch off poster makes for a decorative and motivating reason to watch 100 one of the most classic films in human history. Shop now. Movie Night Bingo Cards, Uncommon Goods Admittedly, not all movies are classics, and some are classics for the wrong reasons. If you're the sort of person who hate watches a bad film, gamify your next predictable, cliche or uninspired watch with these genre-specific movie bingo cards. Prizes not included. Shop now. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
To say 2021 was a massive year is a bit of an understatement. But with the the new year in full swing, it's officially time to let go of the trials that last year brought and start afresh with a relaxing holiday. If you, like us, are keen to extend your summer this year, consider locking in a trip to Tropical North Queensland to enjoy some much-needed time in this balmy paradise. From private island retreats wreathed in the Great Barrier Reef to secluded treehouses poised in World Heritage-listed rainforest, we've uncovered ten luxury stays to check out. These spots are not only champions of ecotourism, with initiatives like water recycling and single-use plastic and amenities bans evident across most properties, but will also tick the box if you want to wake up immersed in nature. [caption id="attachment_827699" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] BEDARRA ISLAND If you're looking for somewhere to truly disappear to, put Bedarra Island at the top of your list. The secluded tropical haven is part of the Family Islands National Park, approximately two hours drive south of Cairns. To get to the island, you can take a helicopter transfer from Cairns Airport or a 30-minute boat ride across the Coral Sea from the idyllic coastal village, Mission Beach. With just 11 private villas on the island (all with ocean views), Bedarra is ideal for travellers looking for secluded, laidback luxury. The island is totally off-grid and uses solar power for energy. The best part? It's an all-inclusive experience. Here, you'll have unlimited access to snorkelling gear, sea kayaks, motorised dinghies, stand-up paddleboards, tennis equipment and stunning rainforest walks. Plus, all your meals, snacks, cocktails and celebratory champagne will be organised for you. Want to take a gourmet picnic on your personal dinghy to a deserted island? How about enjoying a candlelit dinner on your private deck? At Bedarra, you can have both. [caption id="attachment_828271" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] SILKY OAKS LODGE If you've ever wondered what it's like to live in a treehouse, just like Brendan Fraser in George of the Jungle, Silky Oaks Lodge in Mossman is the place to bring that foliage fantasy to life. Wedged between the breathtaking Daintree Rainforest and peaceful Mossman River, Silky Oaks Lodge has six treehouse-inspired stays to choose from so you can sleep among the treetops of the tropics. Each accomodation option has been designed to embrace the property's natural surrounds and will indulge your senses in the lush rainforest when it comes alive in autumn. If you want to wash off under an outdoor shower, wake up to floor-to-ceiling rainforest views and relax in a bath on your very own private deck while overlooking a cascading river, look sharp to Silky Oaks Lodge. THE REEF HOUSE BOUTIQUE HOTEL AND SPA If spending your holiday lazing opposite a palm tree-lined beach sounds like something you have to go overseas to do, guess again. The Reef House Boutique Hotel and Spa is an award-winning luxury beachfront stay in Palm Cove where you can experience that balmy (and palmy) escape without needing to dig out your now dusty passport. Your stay here includes a drink on arrival, complimentary twilight refreshments, poolside cocktail service and access to the fully stocked Honesty Bar where you can help yourself to your favourite drinks. The adults-only retreat also offers cocktail classes, wine tasting, beachfront yoga, a tranquility pool, jacuzzi, day spa, unlimited bicycle use and a library to keep you occupied in case you get tired of oscillating between the pool and the impressive Reef House Restaurant. [caption id="attachment_827698" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] THE CANOPY TREEHOUSES If you're planning a tropical holiday with a group, look no further than The Canopy Treehouses. Set on a lush 100-acre property, this place is ideal if you want to steer clear of other holidaymakers as you venture — quite literally — off the beaten track. The two-bedroom Riverfront Treehouses sleep six guests and, as the name suggests, are built on the banks of the river surrounded by ancient rainforest. Or, if you're after something a little larger, the three-bedroom Bower House can accommodate up to eight guests and overlooks the rollings hills of the Atherton Tablelands. Both are fully self-contained and come equipped with barbecue facilities, spa baths and, most importantly, rainforest views. [caption id="attachment_827697" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] LIZARD ISLAND RESORT If you want to see the Great Barrier Reef without spending hours on a boat, Lizard Island Resort is the ideal place to base yourself. This luxury lodge is quite literally surrounded by the reef meaning you can roll out of bed and right into one of the world's natural wonders in minutes. But it's not just its proximity to the reef that lures people to the island. The all-inclusive accomodation helps take the guesswork out of holiday planning with meals, drinks, snorkelling gear, paddleboards, sea kayaks and more included in your stay. The toughest choice you'll make during your trip will be deciding which of the opulent day spa treatments will make you feel the most relaxed. If you do want to explore a little further, the resort has an on-site naturalist that hosts guided walks to share the island's cultural heritage, particularly that of the Traditional Land Owners, Jiogurru of the Dingaal Aboriginal people. [caption id="attachment_827693" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] CRYSTALBROOK RILEY If you want floor-to-ceiling ocean views at a centrally located hotel, Crystalbrook Riley is for you. This five-star luxury resort is perched on the Cairns Esplanade, placing you within walking distance of many of the tour operators, restaurants and bars that Cairns has to offer. For a picturesque waterfront wake up, check in to a Panoramic Sea room or Riley's Suite and you'll awaken to uninterrupted views of the Coral Sea and beyond. There's a lush pool that wraps around the entire resort, a day spa to destress at and two in-house restaurants to try — Paper Crane and rooftop bar Rocco. The resort makes an effort to reduce food miles by sourcing 80 percent of ingredients from within a 3.5-hour radius of Cairns, including all of its beef products which come from Crystalbrook's own 85,000-acre cattle station. [caption id="attachment_828717" align="alignnone" width="1920"] Wilson Archer[/caption] MT MULLIGAN LODGE When you think of Tropical North Queensland, the outback probably doesn't come to mind. But if you drive 160 kilometres northwest of Cairns to Mt Mulligan Lodge, that's exactly what you'll find. As the name suggests, this boutique accomodation overlooks the immense tabletop mountain that is Mount Mulligan. Here, you can experience an all-inclusive luxury outback stay featuring hikes, all-terrain vehicle adventures, barramundi fishing, stargazing and more. The sprawling 28,000-hectare property ensures all 20 guests it can accommodate have ample privacy during their stay. Plus, each guest room gets a buggy to buzz around the property on, so you can get from your bed to sunset drinks at the bar with ease. Mt Mulligan Lodge has lots of worthy initiatives in place, too, from a waste minimisation program to a partnership with Ganbina to help local Indigenous students secure employment after school. NIRAMAYA VILLAS AND SPA Port Douglas is a favourite for folks travelling to Tropical North Queensland. If you want to find out what all the fuss is about, take a scenic one-hour drive north of Cairns and stay at Niramaya Villas and Spa to experience the laidback coastal town for yourself. This luxury accommodation features a number of rooms that vary in size from couple-friendly one-bedroom villas to much larger options that can cater to groups of ten. Regardless of the size you need, the soaring ceilings will make you feel like rainforest royalty. Throughout the property, you'll have access to a fully equipped gym, day spa, tennis court, bike hire, saunas, pools and a restaurant and bar to keep you refreshed. [caption id="attachment_828743" align="alignnone" width="1920"] Liam Brennan, Tourism and Events Queensland[/caption] DAINTREE ECOLODGE Situated in the heart of the World Heritage-listed Daintree Rainforest, about 90 minutes north of Cairns, is Daintree Ecolodge — boutique accommodation with just 15 bayans (treehouses) perched beneath lush tropical canopies. For the adventurous traveller, this secluded rainforest retreat has its own dedicated walks and a private waterfall to explore. And for those needing something more relaxing, the on-site bar, swimming pool, wellness spa and rainforest restaurant overlooking the lagoon will provide ample opportunity to unwind and disconnect. If you want to discover more about the First Nations people in the area — the Kuku Yalanji people — book into the Culturally Curious package which includes your accommodation, a full-day Walkabout Cultural Tour, a Daintree River cruise and more. The property also assists in the reforestation of the area through a partnership with Rainforest Rescue. [caption id="attachment_828745" align="alignnone" width="1920"] Philip Waring, Tourism and Events Queensland[/caption] MT QUINCAN CRATER RETREAT If you're seeking somewhere romantic for your next holiday, check out the couples-only luxury accommodation on offer at Mt Quincan Crater Retreat. Elevated 2500 feet above sea level on the edge of an extinct volcano in the Atherton Tablelands, this award-winning escape boasts breathtaking views that look over the volcanic crater and beyond. Each treehouse has its own private spa that captures these vistas. and some even have an al fresco shower for you to enjoy under the stars. Plus, there are in-room dining options available for fuss-free cook ups and tailored packages to help you celebrate special occasions. Ready to book your tropical escape? For more information and to discover more about extending your summer in Tropical North Queensland, visit the website. Image: Lizard Island, Tourism Tropical North Queensland
Melburnians were once skeptical about combining chicken and waffles. But times have changed, thanks to spots like Bowery to Williamsburg that have spent years destigmatising the classic breakfast dish from America's south. An illuminated subway sign reading 'Bowery to Williamsburg' welcomes diners into the eatery and pays homage to the New York subway stations. Sandwiches are served with a pickle and pretzels to instantly transcend you to a New York deli, but the food is not restricted just to that of waffles — it also serves a range of shakshukas and some killer sandwiches come lunchtime. Those with a little more time can sit and enjoy a Reese's cup with their coffee and breakfast, otherwise takeaway is available. The venue itself features a large communal dining table designed to spark up conversation with a stranger, a very New York touch, while there are tables outside on the street and cozy spots to hide away in. The customers are an eclectic mix of business people scoffing down a bagel and knocking back a coffee, new parents with prams catching up for brunch as well as young professionals with a laptop needing a break from the home office. The bagels start out with plain, onion, cinnamon & raisin and 'Everything' offers, while the fillings include the classic such as cream cheese, smoked salmon, roast garlic and dill. The bagel sandwiches are more adventurous with the mushroom and haloumi with roast garlic chive schmear and basil oil standing out. There is also a list of classic sandwiches such as the turkey club and the reuben at Bowery to Williamsburg. Appears in: Where to Find the Best Bagels in Melbourne for 2023
Now, before you get us all wrong, this is a guide to hotels where you can swing back and forth on actual swings and hammocks. It's not for the other kind of swingers. These hotels have swings on the beach, by the pool, at the bar and in the rooms — on which you can gleefully rock back and forth and take in spectacular views in total comfort. Read on to find our favouriting swinging spots. Recommended reads: The Best Hotels in Sydney The Best Hotels in Melbourne The Best Hotels in Brisbane The Best Pet-Friendly Hotels in Australia SHINTA MANI, CAMBODIA You'll rethink your kitchen chairs after a stay at Shinta Mani, where the streetside Kroya restaurant boasts dreamy swings on a breezy terrace. The idea of swings and food might sound messy, but you'll soon get the hang of things in no time. Plus, these swings are huge — you really shouldn't be falling off them. The excellent Cambodian dining options available will also make practice a pleasure rather than a chore (perhaps only the steady-handed should order crab bouillabaisse). American architect and interiors whizz Bill Bensley styled the hotel and added in all the swinging details. NALADHU PRIVATE ISLAND RESORT, MALDIVES Why doesn't every hotel have beach hammocks and in-room swing chairs? Naladhu Private Island Resort, set between a lagoon and the sea, boasts both. That's not all it has, either: each of the 19 intimate beach houses comes with its own private pool and romantic semi-outdoor glass-sided bath and shower. With all this in your villa, don't be surprised if you never reach the main pool, flanked by inviting sun loungers and overlooking the lagoon. When you want to have both feet planted firmly on the ground, head to the Living Room, a thatched-roof restaurant with an openair hardwood deck, to feast on local seafood as the sun sets over the water. COQUI COQUI COBA, MEXICO This luxury Mexican resort is a swinger's paradise. Within the Coqui Coqui Coba suites and villas, you'll find hammocks hanging in the centre of rooms, wooden swings in the bathrooms and hammocks simply used as decorations on the walls. You can even head down to the pool located by the lagoon and surrounded by Mayan-inspired towers to swing about on one of the outdoor hammocks all day long. Order some food and cocktails from its restaurant and swing here while watching the sun set over the mountains. THE GRAY, ITALY The swinging scene at Milan's The Gray revolves around the lobby, where a giant fuchsia-upholstered swing with lipstick-red cords drops from the ceiling: a memorable first impression, regardless of whether you're bold enough to go and sit on it. If you take the swing as a promise of the unexpected, you won't be let down. The rooms have ivory-silk curtains that whoosh open at the touch of a button; there are Jacuzzis in bathrooms; the restaurant has black-velvet chairs, grass-topped tables and spoons and forks suspended from light fittings. It's all over the top and we love it. SAL SALIS, AUSTRALIA A little closer to home, this swingers accommodation is set right on the Ningaloo Reef, where the desert meets the sea — an extraordinary and unique part of Australia that should be on all travel bucket lists. The 16 off-grid wilderness tents are located right on the beach, surrounded by little else but untamed nature. Swing in your hammock all day long, gazing into your stupid-beautiful views with an ice-cold beer at hand, or get out on a sea kayak to explore the nearby reefs full of colourful sea life. Not only is this one of the best accommodations for swingers, it's also one of the best glamping spots in Australia. COMO COCOA ISLAND, MALDIVES COMO Cocoa Island is your quintessential luxury Maldives resort that's home to villas hovering on stilts above clear blue waters. It's the kind of place you see in honeymoon brochures and would expect to be the next location of The White Lotus. It is pure luxury. It's also where swingers can hop from beachside hammock to beachside hammock throughout a long sunny day. When you grow tired of your own private pool and the waters full of turtles and dolphins, you can hit up some of the swings dotted about the island. Bring a good book and a few beers with you and spend your holiday swinging by the sea. RUSCHMEYER'S, UNITED STATES This grown-up, summer camp-style boutique hotel in the Hamptons is home to 19 detached rooms surrounding a large swath of grass that provides a back-to-basics luxury — with swings, a tepee and lawn chairs aplenty. Swingers will even find hammocks in some of the Ruchmeyer's bedrooms. And come night-time, the lawns host summer parties and outdoor cinemas. This means you can swing here all day and all night long. GAYANA MARINE RESORT, MALAYSIA At Gayana Eco Resort, you can take swinging to whole new heights: this eco-luxe hideaway has jungle paths with a canopy walk and zip line, so you can whoosh through the trees like an over-caffeinated monkey. For calmer moments, there's also an excellent spa with horizon-view rooms and a selection of massages, scrubs, facials and beauty treatments. There's even an on-site marine research centre: a hub devoted to giant-clam breeding and coral restoration programmes, where guests can feed man-sized groupers in floating pens, plant coral, or scoop up starfish and squishy sea cucumbers in the touch tanks. WALDORF ASTORIA LOS CABOS This Los Cabos resort is huge and opulent. The 115 individually decorated guestrooms feature fireplaces, private plunge pools and balconies overlooking the private beach. Swingers won't find any swings in their rooms, but there are plenty dotted about the resort. On the beach, stacks of hammocks line the shores, while the beach bar has swapped out the stools, preferring guess to sip cocktails while sitting on wooden swings. These may get a little dangerous once you've had a few bevs, so you best head to the beachside hammocks or one of the four Waldorf Astoria restaurants soon after. THE KOROWAI, INDONESIA Each of Korowai's wood-framed rooms are carved into the limestone cliff overlooking Bali's famous Impossible Beach (known for surfing, not partying). Marvel at the ridiculous uninterrupted 180-degree views across the ocean from the privacy of your own little balcony adorned with traditional Balinese décor — including many hammocks and crochet nets. It's one of the most romantic places to stay in Bali. The glitz and glam of other Uluwatu resorts doesn't exist here. Instead, you and your partner will feel as if you've found your own hidden oasis. But, when or if you do want to get into town, the hospitable resort staff will rent you a scooter or organise a taxi ride. Plus, there are a few walkable restaurants nearby if you somehow get tired of dining at their restaurant overlooking the beach. Top images: Naladhu Private Island Resort Feeling inspired to book a swinging getaway? Book your next dream holiday with Concrete Playground Trips — with deals on flights, stays and experiences at destinations around the world.
